Exciting

I've embedded some great artistic, avant-garde films, and one about a literary figure, below, for your enjoyment.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

Flash 10.2 or above Required

To view films, please download Flash. iPhone, iPads and some other platforms do not support Flash. If you would like to be notified when Fandor comes to these devices, send an email to info@fandor.com.

And....

"About the Instruments By 1969, the year he recorded "Delusion of the Fury," Harry Partch had designed 27 new instruments, all to be played on stage at the same time in a spatial ritual theater. These instruments were made to be beautiful in sound, vision, and "magical purpose." They were tuned according to the natural overtone series, "Just Intonation" Some, like the Chromelodeon, had as many as 43 tones in a single "octave." He made particular instruments for specific needs in his compositions, not the other way around. But, more than this, he designed the instruments to be "corporeal." To Partch, corporeal meant to involve the whole body, the whole person in the art."