E. Michael Jones has a great chapter on this topic in his book, The Jews and Moral Subversion. Here are a few quotes from his book: “Conceptual art isn’t art, but it is Jewish. It signals the culmination of the Jewish takeover of modern art. Conceptual art requires no ability, talent or skill. That’s why Jews gravitate toward it and promote it.”
As noted by Jones, Israel Shamir in another fantastic article in his book, Cabal of Power, points out that: “The Jews were extremely ill-equipped in their conquest of Olympus. For many generations, Jews never entered churches and hardly ever saw paintings. They were conditioned to reject image as part of their rejection of idols. In the course of a two thousand-year-long selection process, the visual gifts of Jews were not developed, as opposed to the abilities to learn, argue, and convince, honed to perfection in the talmudic environment.”
In short, this would explain why the painted word (art theory) was so powerful.

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