"I am so pleased to have written my first children's book and to have my dear friend Wendell Minor illustrate it. I thought it would be a daunting project, but with six grandchildren and eleven stepgrandchildren, I've been telling stories to children for a long time." -- Mary Higgins Clark Thomas loved his summer visits to his grandmother's on Cape Cod. He spent hours wondering about the sailing ships of the past and imagining their stories. He dreamed of being on a sailing ship himself. One afternoon after a night of terrible thunderstorms, Thomas finds, deep in the sand, a weathered, old-fashioned belt buckle. When he picks it up, a boy his own age, Silas Rich, who was a cabin boy on a ship called the Monomoy that sailed almost 250 years ago, appears. Suddenly the world of sailing ships is very near as Silas tells his tale. Beloved and bestselling author Mary Higgins Clark tells a story of mystery and adventure that will transport readers to a time and place beyond their imaginings in her first book for children. Wendell Minor's inspired paintings make a time long ago very real.

Sterling Brooks has been cooling his heels in the Celestial Waiting Room for forty-six years, waiting for admission to heaven. Finally, just days before Christmas, he's summoned before the Heavenly Council and found unworthy; throughout his life he had been hopelessly self-absorbed. To redeem himself, he is given the chance to go back to Earth and find someone to help.
At New York's Rockefeller Center skating rink, Sterling encounters Marissa, a heartbroken seven-year-old whose father and grandmother have been forced into the Witness Protection Program; they had overheard two gangsters hatch a sinister plot to collect money from a debtor. Able to travel through time and space, Sterling devises a master plan to reunite little Marissa with her family in time for Christmas. Along the way, he discovers within himself what it takes to earn his wings.

In a riveting psychological thriller, Mary Higgins Clark takes the reader deep into the mysteries of the human mind, where memories may be the most dangerous things of all. At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before." That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the eighteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again. Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool. Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her after the cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end. Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies. Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved." What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life. I Heard That Song Before once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.

In a riveting psychological thriller, Mary Higgins Clark takes the reader deep into the mysteries of the human mind, where memories may be the most dangerous things of all. At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before." That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the eighteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again. Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool. Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her after the cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end. Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies. Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved." What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life. I Heard That Song Before once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.

In a riveting psychological thriller, Mary Higgins Clark takes the reader deep into the mysteries of the human mind, where memories may be the most dangerous things of all. At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before. " That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the nineteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again. Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool. Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her afterthe cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end. Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies. Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved. " What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life. "I Heard That Song Before" once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.

The murdered woman could have been her double. When reporter Meghan Collins sees the sheet-wrapped corpse in a New York City hospital, she feels as if she's staring into her own face. And Meghan has troubles enough already without this bizarre experience. Nine months ago, her much-loved father's car spun off a New York bridge. Now, investigators are saying that there's no trace of his car in the river, and they suspect he faked his own death. With frightening speed, links start to appear between Meghan's father and her dead lookalike. Meghan may be in danger herself, but she's determined to find the truth to the mystery. In a nightmare journey spiraling from New York to Connecticut to Arizona, Meghan finds that the truth can sometimes be deadly.

The murdered woman could have been her double. When reporter Meghan Collins sees the sheet-wrapped corpse in a New York City hospital, she feels as if she's staring into her own face. And Meghan has troubles enough already without this bizarre experience. Nine months ago, her much-loved father's car spun off a New York bridge. Now, investigators are saying that there's no trace of his car in the river, and they suspect he faked his own death. With frightening speed, links start to appear between Meghan's father and her dead lookalike. Meghan may be in danger herself, but she's determined to find the truth to the mystery. In a nightmare journey spiraling from New York to Connecticut to Arizona, Meghan finds that the truth can sometimes be deadly.

The murdered woman could have been her double. When reporter Meghan Collins sees the sheet-wrapped corpse in a New York City hospital, she feels as if she's staring into her own face. And Meghan has troubles enough already without this bizarre experience. Nine months ago, her much-loved father's car spun off a New York bridge. Now, investigators are saying that there's no trace of his car in the river, and they suspect he faked his own death. With frightening speed, links start to appear between Meghan's father and her dead lookalike. Meghan may be in danger herself, but she's determined to find the truth to the mystery. In a nightmare journey spiraling from New York to Connecticut to Arizona, Meghan finds that the truth can sometimes be deadly.

Two years after the day that her son, Matthew, was kidnapped in broad daylight in Central Park, Alexandra Moreland still finds herself torn between hope and despair. As no trace of Matthew was ever found, she has never been able to give him up for dead. But now, on what would have been Matthew's fifth birthday, photos surface that seem to show Alexandra kidnapping her own child. Then, as her bank accounts are suddenly drained, and her reputation as a successful architect comes under immense pressure, Alexandra begins to suspect that someone is using her credit cards to steal her identity. But who would want to ruin her so completely? Hounded by the press, under investigation by the police, attacked by both her angry ex-husband and a vindictive business rival, Alexandra, sustained only by her belief that Matthew is still alive, sets out to discover who is behind this cruel hoax. Little does she realize that with every step she takes toward the truth, she is putting herself -and those she loves most - in mortal danger.

Twenty thrilling writers. One chilling mystery.Pericles "Perry" Christo is a P.I. with a past. A one-time NYPD homicide cop, Perry has been struggling since he lost his badge, and his marriage, in a notorious corruption scandal. So when wealthy Upper East Side matron Julia Drusilla calls him one cold February night, he jumps at the chance to work what seems to be a straightforward (and lucrative) case. Julia needs Perry to track down the whereabouts of her beautiful yet aimless daughter, Angelina, who is about to become a very wealthy young heiress. But as Perry digs deeper, he discovers there's much more to the story of the lovely "Angel." Her father, her best friend, her boyfriend--they all have agendas of their own. This classic noir tale twists and turns down New York's mean streets and around Hamptons' beaches and back roads, during a bitterly cold and gray winter where nothing is as it seems and everyone has something to hide. Told in the same "serial novel" format that made 2011's No Rest for the Dead such a commercial and critical success, Inherit the Dead is a collaboration among twenty of today's bestselling mystery and thriller authors--each taking a chapter of the narrative and infusing it with their signature style. The editor, Jonathan Santlofer, has arranged to donate any royalties in excess of editor and contributor compensation to Safe Horizon, a leading provider of services to victims of violence and abuse, making this a worthy--and winning--accomplishment that showcases today's finest writers at their very best.

A Manhattan ER doctor is in the local playground with his young son when someone ruthlessly guns him down. Now his young widow, a television producer, is raising their son alone and is under pressure to come up with a successful TV series. Her new show will focus on cold case files. Revisiting unsolved crimes one at a time, she and her TV crew plan to gather friends and family of the victim who have lived under suspicion of guilt for many years. By paying them to reenact the crime on television, they will be given a chance to clear their name - unless, of course, they are guilty . . .

When Laurie Moran's husband was brutally murdered, only three-year-old Timmy saw the face of his father's killer. Five years later his piercing blue eyes still haunt Timmy's dreams. Laurie is haunted by more - the killer's threat to her son as he fled the scene: 'Tell your mother she's next, then it's your turn...' Now Laurie is dealing with murder again, this time as producer of a true-crime, cold-case television show. The series will launch with the twenty-year-old unsolved murder of Betsy Powell. Betsy, a socialite, was found suffocated in her bed after a gala celebrating the graduation of her daughter and three friends. The sensational murder was news nationwide. Reopening the case in its lavish setting and with the cooperation of the surviving guests that night, Laurie is sure to have a hit on her hands. But when the estranged friends begin filming, it becomes clear each is hiding secrets . . . small and large. And a pair of blue eyes is watching events unfold, too . . .

In her new thriller, America's #1 bestselling Queen of Suspense delves into a legal battle over the guilt or innocence of a man accused of murdering his wife. Woven into her plot is an eerie, little-understood but documented medical phenomenon -- the emergence of a donor's traits and memories in the recipient of a heart transplant. Natalie Raines, one of Broadway's brightest stars, accidentally discovers who killed her former roommate and sets in motion a series of shocking events that puts more than one life in extreme peril. While Natalie and her roommate, Jamie Evans, were both struggling young actresses, Jamie had been involved with a mysterious married man to whom she referred only by nickname. Natalie comes face to face with him years later and inadvertently addresses him by the nickname Jamie had used. A few days later, Natalie is found in her home in Closter, New Jersey, dying from a gunshot wound. Immediately the police suspect Natalie's theatrical agent and soon-to-be-ex-husband, Gregg Aldrich. He had long been a "person of interest" and was known to have stalked Natalie to find out if she was seeing another man. But no charges are brought against him until two years later, when Jimmy Easton, a career criminal, suddenly comes forward to claim that Aldrich had tried to hire him to kill his wife. Easton knows details about the Aldrich home that only someone who had been there -- to plan a murder, for instance -- could possibly know. The case is a plum assignment for Emily Wallace, an attractive thirty-two-year-old assistant prosecutor. As she spends increasingly long hours preparing for the trial, a seemingly well-meaning neighbor offers to take care of her dog in her absence. Unaware of his violent past, she gives him a key to her home... As Aldrich's trial is making headlines, her boss warns Emily that this high-profile case will reveal personal matters about her, such as the fact that she had a heart transplant. And, during the trial, Emily experiences sentiments that defy all reason and continue after Gregg Aldrich's fate is decided by the jury. In the meantime, she does not realize that her own life is now at risk. A compelling novel that probes the mysteries of the human heart and mind, Just Take My Heart is Mary Higgins Clark's most spellbinding tale.

When Natalie Raines, famous Broadway star, is found in her home in Closter, New Jersey, dying from a gunshot wound, her former husband, Gregg Aldrich, whom she was in the process of divorcing, is the chief suspect. What no one knows is that, only days before she was murdered, Natalie accidentally came face to face with the man who killed her former roommate, Jamie Evans.Two years later, career criminal Jimmy Easton, comes forward to claim that Aldrich hired him to kill his wife, but he turned the job down. Based on Easton's testimony, Gregg is charged with the murder of his wife. Handling the case is Emily Wallace, an attractive thirty-two-year-old widowed assistant prosecutor. As Aldrich's trial is making headlines, Emily's boss, Ted Wesley, warns her that this high-profile case will reveal personal matters about her, such as the fact that she had a heart transplant. And, during the trial, Emily experiences sentiments which defy all reason and continue after Gregg Aldrich's fate is decided by the jury.

In her long-awaited memoir, Mary Higgins Clark, America's beloved and bestselling Queen of Suspense, recounts the early experiences that shaped her as a person and influenced her as a writer. Even as a young girl, growing up in the Bronx, Mary Higgins Clark knew she wanted to be a writer. The gift of storytelling was a part of her Irish ancestry, so it followed naturally that she would later use her sharp eye, keen intelligence, and inquisitive nature to create stories about the people and things she observed. Along with all Americans, those who lived in New York City's borough of the Bronx suffered during the Depression. So it followed that when Mary's father died, her mother, deciding to open the family home to boarders, placed a discreet sign next to the front door that read, FURNISHED ROOMS. KITCHEN PRIVILEGES. Very shortly the first in a succession of tenants arrived: a couple dodging bankruptcy who moved in with their wild-eyed boxer; a teacher who wept endlessly over her lost love; a deadbeat who tripped over a lamp while trying to sneak out in the middle of the night. . . The family's struggle to make ends meet; her days as a scholarship student in an exclusive girls' academy; her after-school employment as a hotel switchboard operator (happily listening in on the guests' conversations); the death of her beloved older brother in World War II; her brief career as a flight attendant for Pan Am (a job taken after a friend who flew with the airline said ever so casually, "God, it was beastly hot in Calcutta"); her marriage to Warren Clark, on whom she'd had a crush for many years; sitting at the kitchen table, writing stories, and finally selling the first one for one hundred dollars (after six years and some forty rejections!) -- all these experiences figure into Kitchen Privileges, as does her husband's untimely death, which left her a widowed mother of five young children. Determined to care for her family and to make a career for herself, she went to work writing scripts for a radio show, but in her spare time she began writing novels. Her first, a biographical novel about the life of George Washington titled Aspire to the Heavens, found a publisher but disappeared without a trace when the publisher folded. (Recently it was rediscovered by a descendant of the Washington family and was reissued under the title Mount Vernon Love Story. ) The experience, however, gave her the background and the preparation for writing Where Are the Children? which went on to become an international bestseller. That novel launched her career and was the first of twenty-seven (and still counting!) bestselling books of suspense. As Mary Higgins Clark has said when asked if she might consider giving up writing for a life of leisure, "Never! To be happy for a year, win the lottery. To be happy for life, love what you do. "In Kitchen Privileges, she reflects on the joy that her life as a writer has brought her, and shares with readers the love that she has found.

In this mass market reissue from America's Queen of Suspense, an investigation into the connection between a long-ago murder and a plastic surgeon's obsession with a perfect face catapults prosecutor Kerry McGrath into the strange and ominous territory of those so hungry for beauty they'll kill for it. It's a minor accident that brings prosecutor Kerry McGrath to the plastic surgeon's office with her beloved daughter, Robin. But even as the doctor assures Kerry that her daughter's scars will heal, she spies a familiar-looking beautiful woman in the waiting room and is seized by an overpowering sense of deja vu. When, on a return visit, she sees the same haunting face--on another woman--she has an intense flash of recognition: it's the face of Suzanne Reardon, the "Sweetheart Murder" victim, killed more than ten years ago! But for what possible reason would Dr. Smith be giving his patients the face of a dead woman? As Kerry immerses herself in a fresh investigation, each new piece of evidence she unearths reveals a disturbing cache of questions. Not only does everyone involved want to keep the case closed, it's clear somebody will stop at nothing to keep it sealed forever. Interweaving fascinating characters with deeply daring, staggeringly unpredictable plot twists, Mary Higgins Clark reminds us that she is, indeed, America's Queen of Suspense.

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