Magazine Cover Assignment Photoshop Online

In this advanced design exercise, you'll learn: a. How to create a standard magazine; 4-6 pages required for this assignment, plus cover. b. How to set up bleeds and page numbers. c. How to work with a design team.

Magazine themeYou may choose to produce the "university" magazine as described below, or you may produce a magazine for another on-campus club, organization, church, workplace, or local group. Should you choose your own theme, however, your magazine must contain at least those elements described below, or their equivalents. This means you'll need to obtain photos, and obtain articles and keyboard them if not already in digital form. Grading will be a bit more liberal for those who choose to collect material from scratch. Otherwise, you can choose from this resource.

University magazine option As director of public relations for North Snowshoe State U., you've been asked to produce a new quarterly magazine. You've set up an editorial board, and after several long discussions have settled on this version of the 4Fs, as described below.

Function: This magazine is designed primarily for the university's underclassmen, but also could be mailed to some high school seniors. Administrators hope it will serve as a way to encourage students to join and stay at North Snowshoe State U., by informally featuring issues students don't normally find out about. Sort of an "insider's guide" to the university, it is hoped the magazine will put a friendly, approachable face on what many young people feel is a distant, impersonal campus. The name of the publication for your nameplate: "Inside NSSU."

Formula: Your senior writer has worked with you to come up with story ideas. You won't be stuffy--no predictable "President's corner," "Academic calendar," etc. Features will be light and readable, nothing preachy, but might sneak in a wee bit of learning. Topics are eclectic: whatever you think sounds like "insider info" to the younger student.

Format: You've decided on the basic format (8 1/2 inches by 11 inches vertical), photo on the cover, and full color throughout. You'll also need to choose a spot color to match your theme, and bleeds.

Frame (margins): You need to decide this as a graphic design team. Also you need to decide grid, type, leading, headlines, etc.

Quite a responsibility. Well, Diet Coke break's over, time to get started. Using the standard graphic artist's approach to a new project, you proceed thusly:

1. Log off Facebook put away the smartphone. (Just kidding. Maybe.)

2. Gather with the rest of your design team, as assigned by the instructor.

How to choose duties for design teams.

You may wish to designate one person for each of the roles:

Layout/InDesign technician.

Visuals and photography/Photoshop technician.

Art director/team coordinator.

Obviously, you'll find some overlap in your design team, as roles might be swapped given time constraints. The team works together to make style sheet choices, as described below.

3. Each team member: On your own outside of class, cast about for good ideas. Try the library student union or publications piling up in your room for ideas. Look at grids, look at covers, look at type, look at illustrations. Find something you think fits the audience, and take notes. You might not be able to afford a splashy full-color mag at this point, but you certainly can borrow ideas! You can take possibilities to class to discuss with the rest of your team. In fact, at this point, it is strongly recommended that you base this mag on borrowed design ideas your team agrees could be adapted to this audience. Reinvent your wheel when you're a professional and experienced graphic artist.

4. Sketch some thumbnails. Lots of designers begin with scratch paper and pencils--why not try it yourself? Just make simple sketches to overcome artist's block, get revved up for the computer. These thumbnails should be detailed enough to include possible designations of typefaces, colors, pictures, grid and layout.

5. Fire up InDesign, and produce a few roughs. A "rough" is a sample design, with placeholding test (lorem ipsum file) and placeholding art or photo boxes. Experiment with column sizes, margin size (progressive or regular? How many picas?) See how your thumbnails match up to a full-sized practice design. Try out headline typefaces. Substitute actual stories for lorem ipsum type, if you have them. Use a few of your photos (see link above, or class web site) and print out to see what it might look like. Note: for a magazine, facing pages should be toggled ON so you can see how the spreads look.

6. Think about an appropriate spot color, where you want it, and how it will affect the "mood" of your publication (check out discussion of this in the Graham text). When choosing a color, keep in mind our discussion about color models: the additive (RGB) model begins with black (absence of color in projected applications) and adds Red, Green or Blue to make all colors. It's used for websites, televisions, computer monitors, slide shows, etc. The subtractive (CMYK) model begins with all colors (a white page) and subtracts using inks to "filter" colors from the white and make all colors. Inks used are cyan (Green-Blue), magenta (red-blue), yellow (red-green) and "K," black, to give more snap to the printed image. Note: you must use a spot color in this exercise (black is not a spot color). Choose a color based on instructions from previous exercises.

A reminder about spot colors.

Pantone is the country's largest company offering spot color mixing systems, and most printers rely on PMS (Pantone Matching System) numbers provided by the graphic artist. Be sure to write down the PMS number you've chosen: I'll expect you to indicate your spot colors by PMS number on your comp. A comprehensive ("comp") is a final version of the design ready for the client's approval. If you use the Kuler panel instead, make note of the color formulas.

7. Settle on at least two versions of your magazine to use as comps (comprehensives) as if you needed to show them to a client. These comps should be two pages each, and the cover, and be substantially different from each other, to offer a clear choice. They'll need to be handed in with your final magazine exercise, or before. I recommend that each team member do one comp on their own, for experience and variety of choice.

8. With your design team review your comps. Choose the final design, and write a little style guide (one or two pages) for the publication.

d. Body text size, leading. Note: default leading is not always most attractive. Generally body text is no larger than 10 pt, or smaller than 9 pt. Take a look at what the professionally designed magazines are using.

g. Standard spacing: number of picas/points between headlines and beginning of stories, between end of story and beginning of another story, between photos and cutlines, etc. Again, take a look at other magazines for guidance.

h. Typeface for pullout quotes, if you use them. You'll be using pullout quotes, I confidently predict....

i. Typeface for folio. Note: need to have running folio on each page except the cover, saying, something such as "SU Inside, Issue 1, May 2011." Look at other magazines for ideas.

A note on page numbering.

You could manually type and style page numbers into each folio, but it's such a pain. Worse, if you add or delete pages, you have to change all the numbers. Why not let your ever-obedient slave InDesign do it for you?

1. First, double click on the A-Master on the Pages panel to bring up the master page (see Exercise Three).

2. On the left side of the spread draw a small text frame in the area you want the folio to appear, usually upper corner or center just above the margin lines. You can adjust this later, if necessary.

3. Now go to Type pulldown. Choose Insert Special Character, Markers, and Current Page Number. A small "A" will appear.

3. Style the "A" and add other text as you wish it to appear on folio. Now go to the right side and do the same thing.

4. Go back to page one. Note folio has obediently appeared, and will automatically be renumbered should you add or subtract pages.

j. Any other standard elements from your design, including size of rules, use of screens, use of story-end characters such as bullets, use of decks, use of subheads, etc. To get ideas, once again, look at other magazine designs. One often-used feature in contemporary magazine design is to add text in front of a photo. You can do this directly, but the text may not show up very well against some photos. You also can do it in Photoshop of course; review Photoshop tutorial five.

Alternatively, why not put the text in a screened box above the photo, so that it's transparent, but lighter? It's easy! Here's how:

Screened text box in front of a photo.

1. Draw a border (box; not a text frame) as necessary on your photo. Fill with white or black, or another color, as you wish.

2. Go to Effects from the Window Pulldown.

3. In the panel, slide the opacity down as desired, see right. Add text.

k. For spot color: indicate PMS numbers, where used. Note: if you use the Kuler panel to choose, you can substitute CMYK numbers.

Hand in this style guide for grading (5 pts).

9. Time to begin setting up that first issue. If you choose to the university magazine theme (as I recommend), you'll find a variety of stories and photos in this link. Download all stories and art into a single folder on the hard drive. You'll copy these to a flash drive to save. In addition you can use clip art, but only royalty- or free-use photos or other art that will print as a high-quality image (no pixillated images, that is, at 72 dpi). Another alternative: use your own photos. Illustrations with the Creative Commons designation are okay.

Edit all images you'll use in Photoshop: crop, dark/light/contrast (Levels), burn, dodge, color, dustspot, sharpness. Choose quality images; I will deduct points for out-of-focus, poorly-exposed or poorly-cropped photos, or photos clearly not cleaned up in Photoshop. Usually graphic artists save as TIF files, the standard graphic arts format, but you can save a jpgs. Remember: must be saved at a minimum 150 ppi (and really should be 200-300 ppi for a magazine). Don't use 72 ppi photos for a magazine. They won't be high enough quality. Use the Image dialogue box to adjust.

10. You may use the headlines as indicated on the stories, or write your own. Remember to clean up "rabbit-ear" quotes, double hyphens for em-dashes, single hyphens for en-dashes, bullets changed to asterisks, etc., if necessary. (Check the ten typographic pitfalls for review of this.) One way to clean up problems is to open the copy inn Word, us the Replace command to find and change problems, save as Word File, and THEN Place into InDesign. However, InDesign also offers a Find/Replace option under Edit menu.

Spell check all headlines! While graphic artist aren't editors, they still need to do some common-sense proofreading.

You may jump stories (move parts of them to other pages), but you'll have to set up jump pages (jump lines say something like "go to page..." and jump heads say "from page...").

Probably you ought to put teaser headlines on the cover to bring people into the magazine. Most definitely you'll need cutlines for the photos, and need to use several photos. Probably you'll want to try screened borders, rules, gradients, or other interesting effects we've tried this semester, as appropriate.

11. Design at least four to six pages (if you need space for jumps), plus front and back cover, no advertisements. Don't put more than one story on your lead page--make it a showpiece, even if you have to jump. Think about the ATSI (Art, Title, Subhead, Initial cap) checklist to get started. Use a bleed on at least one inside page, either the spot color or photos. (Reminder: a "bleed" is art or color going off the trim line, or edge of page.) You may leave the back cover blank, if you wish, or lay the spot color on the back.

To indicate a bleed:

Drag the photo or other element until it lays about 2 picas beyond the edges of the page (trim lines). By the way, a laser printer can't do bleeds, so the photo will look cut off, but that's okay as these are FPO (For Placement Only) photos anyway. The printer would get the bleeds right.

12. Likely you'll want to bleed the cover photo, and overprint the nameplate, teasers, and other material.

13. You may decide to print proof versions of your magazine. This should include colors as overlays, that is, separate pages for each color. This, as you know, is what a printer would need to run each spot color onto a separate plate.

Overlay Instructions:

a. Choose Print, and Color from the Advanced menu to bring up the color dialogue box. Toggle on Separations. You see you have some option on printing colors. Under Inks, The CMYK process colors would be needed to print color photos. The spot color would be needed to print your spot color, unless you toggle the "All to Process" button, which converts the PMS color to process. Usually you don't want to do this. You can choose Print All Inks, or Print No Inks, and then choose just the spot color and toggle on Print This Ink.

b. If you choose Print No Inks, then choose the PMS color and black process color only, you'll just get separations for the spot colors, and black (black is not considered a spot color). Some graphic artists do this, and let the printer take care of the complex work of preparing color photos. With the process inks turned off, the color photos won't print, but the printer will add them later. Try this method to save paper--otherwise you'll get five separate pages for each magazine page, kind of a waste for our class project.

If you want to get a feeling for what the colors look like, you can print to a color laser printer in the cluster. Ask the cluster manager how to do that nowadays (it seems to change each year I teach the class).

15. For grading, however, you only need export to a PDF file, as we've done for previous assignments.

Reminder: PDF (Portable Document Format) is an Adobe development based on PostScript language that offers a complete "snapshot" of your document. Printers often use PDF files. Even more handy, they can be added to Web pages for download. Adobe Acrobat Reader is generally necessary to read these files, but it's a free download, or bundled with web browsers.

16. Attach pdf to email and submit to the class Blackboard page. Be sure to look over your work carefully before submitting! I recommend you review a laser printed proof copy, in addition to the on-screen version. Graphic artists tend to be perfectionists, for good reason: readers notice the itsy-bitsiest of mistakes in design.

17. Based on this assignment, consider formulating one question that could become part of the final exam (1 pt extra credit). I'll answer all questions submitted, and add the best ones to the final. Email the question or include with the pdf.

18. Checklist before submitting.

a. At least two comps (using InDesign) indicating cover or interior possibility. You'd show the comps to your clients. (2 pts). Submit each as pdf. b. Pdf of your magazine (70 pts). Be sure to include somewhere on the document the names of your design team members. c. Style sheet as indicated above. Must be at least a page. Send as email attachment. (3 pts). d. Recommended: One possible exam question based on this exercise (1 pt extra credit).

Participation points.

You'll have several lab days in class to work as a team on this assignment. Each day you'll need to hand in a page indicating what you did, and which of your team members did it. Each team member needs to sign the page. Grade: 5 pts. per participation day, in addition to the total points indicated above.

1

Create a new document that is twice the width and about 50% higher than your cover image. Give the new image a gradient for the background. Any colors will do for now.

2

Paste in your cover image, name the layer "Cover". Click on Edit>>Transform>>Perspective. Drag the top left handle down just a bit to add the correct perspective to the cover image. It should look something like this:

3

Copy the cover layer by dragging the layer down to the new layer button in the layers palette. Now move this layer behind the cover layer and name it "Back".

4

Double click the back layer so that the layers style window comes up. Apply a color overlay, using a color that is similar to the cover, but darker.

5

Click on Edit>>Transform>>Perspective. This time drag down the upper right handle. Just a little bit. Your image should now look something like this:

6

Duplicate the back layer by dragging the layer to the new layer button at the bottom of the layers palette. Name this layer "Pages". This layer should be between the cover layer and the back layer.

7

Double click the pages layer and apply a white color overlay. Also apply a stroke style. Use black for the color, and 1px for the size. Take the opacity down to about 70%. Click OK.

8

Move this layer down just a bit using the move tool (V). Your image should look something like this:

9

Duplicate the page layer. Observe that magazines have more than one page. Move this layer back just a little bit. Duplicate the layer again, and again move it back just a little.

10

Draw a marquee around the corners that are poking out, using the lasso tool, and delete the extra bits. Your image should look something like this:

11

Change the background to something you like better, like pure white. You can also add a drop shadow or similar effect. You can crop the image to a more tight size. Use light and dark gradients to add light reflections.