IDLE BANDS: “It’s hard to just sit there not touring when that’s what we’ve been doing for so long,” says Borges. “You feel like you’re useless.”

At some point during the recording of their new album, someone in the Broken Singles realized that Sarah Borges had been botching the chords to their cover of the Lemonheads' "Ride with Me" — which she'd been playing since she was a kid. They were hunkered down with engineer Paul Q. Kolderie at Camp Street Studios in Cambridge, where Kolderie had worked on dozens of golden-era Boston indie albums, among them Lovey, the 1990 Lemonheads disc that "Ride with Me" first appeared on.

"He started rooting around through all this stuff in the studio, saying he was sure he had the masters to it in a closet," says Borges. "They never did surface, though." The band eventually relearned the song from the out-of-print album with a clip they found on YouTube.

Her latest project is a return to her roots for Borges, a home-town girl who grew up in Boston's '90s alt-rock heyday. "I used to love it because you could go to T.T.'s any night and see somebody like Throwing Muses the same month they were in Rolling Stone." She'll be hosting her CD-release show for The Stars Are Out (Sugar Hill) this Friday at Church. And, yes, she was in Rolling Stone this month.

When I get Borges on the phone, she's in the tour van, pulling out of a gas station in Connecticut en route to Boston from a show they've just played in Louisville. "This wasn't the kind of music I started out wanting to do," she says of her band's rockabilly origins. Critical acclaim snuck up around Borges, and what had been a pick-up side project with friends Robert Larry Dulaney on drums and Binky on bass evolved into the Broken Singles. The line-up was rounded out by a slide guitarist, Mike Castellana; Borges developed a gruff vocal twang to match and threw on some cowgirl boots, and they all hit the road as a modern honky-tonk gang. It got serious fast — they spent nine months on tour for the previous record, 2007's Diamonds in the Dark — and at some point, it became their new life.

Recorded last summer, the new album backs away from that twang a bit. "Mike left the band," says Borges, "and Lyle [Brewer, Castellana's replacement] doesn't do slide guitar. Which is fine — I think it's going to end up making us more accessible." The opener, "Do It for Free," runs on big AC/DC drums and a Joan Jett snarl in road-weary lines like "We stay out late/We won't come home/No one's gonna miss us." "I'll Show You How" struts with a roadhouse bounce, blown-out harmonica ("Suicide Blonde" style), and tiny bleats of garage-rock organ.

But those songs are a loud diversion — the heart and soul of The Stars Are Out is its hushed weepers, especially the covers of the Magnetic Fields' "No One Will Ever Love You" and the aforementioned Lemonheads tune. They do the Fields song straight-faced, all drug-numbed '70s Dylan depression. They pull "Ride with Me" to pieces and put every little original detail into relaxed high resolution, bringing back that lost pedal steel guitar for a sad, shuffling cameo under Borges's masterfully moody performance.

Voice of regeneration Havens, who comes to the MFA this Sunday, has been following his muse since he was a child.

The electric company We all know how in 1965, at the Newport Folk Festival, the previously all-acoustic Bob Dylan took the stage with an electric guitar, plugged in, enraged fans, and destroyed the folk-music scene forever.

Phosphorescent | To Willie No stranger to ragged, defeatist country/folk, Matthew Houck and friends sound right at home on To Willie.

INTERVIEW: TALKING WITH MISSION OF BURMA'S ROGER MILLER | January 18, 2012 This weekend (January 20-21) brings a two-night stand at Brighton Music Hall for post-punk godfathers Mission of Burma, who have somehow morphed into a band that's equal parts internationally renowned throwbacks and prolific local underdogs.

TRYING TO FIND NOW | January 04, 2012 William Gibson — the writer who famously coined the term "cyberpunk" and whose classic tech-punk novels like Neuromancer and The Difference Engine helped spawn a couple generations' worth of bleak, busted fantasies — is now on tour promoting his first collection of nonfiction.

DENGUE FEVER ADD ECCENTRICITY TO PSYCH POP | June 01, 2011 For all the kitsch and B-movie flair of Dengue Fever, there are still a few aspects of their obsession with Cambodian pop that they haven't put on record.