* First, we are opening the new Cuny Journalism Press. Yes, I said press. On paper. And screen. Working with the innovative OR Books and John Oakes, we are creating a press that will produce print books and e-books about journalism and by journalists with new business models (starting with a higher share of revenue to authors). Just as we are working here at CUNY on new business models for newspapers and magazines and other denizens of the printed page, so do we want to see new models come to book publishing. So my dean, Steve Shepard, my colleague Tim Harper — who is heading up the press — and others here thought it would be a great idea to start this enterprise. We’ll be announcing some other related activities with Oakes soon.

* Second, I’m thrilled to announce that the first book to be published is by none other than @acarvin, aka Andy Carvin, the man who tweeted the Arab Spring and showed us all a new way to think of journalism and how it must add value to the flow of information the net now enables. Distant Witness: Social Media, the Arab Spring and a Journalism Revolution, will be released later this year (and available for pre-order soon). I recommend the book to you all. I’ve had the privilege to read it — and write its foreword. A snippet:

Andy is a prototype for a new kind of journalist. He also turns out to be a masterful storyteller. He has taken all he witnessed from afar in the Arab Spring and crafted it into a dramatic, compelling, informative page-turner. He has combed his archive of more than 100,000 tweets and sifted through the rapid-fire, staccato progression of the voices to find a narrative sense and create a cohesive saga….

Yes, we still need reporters on the ground to ask and answer the questions. We need them to bring us perspective and context. Andy does not replace them. He and his nodes and networks of witnesses, participants and experts add to the news in ways not possible before. Journalism is not shrinking. Through Andy’s example, as well as through experiments in data journalism, crowdsourcing, hyperlocal sites and innovations yet to come, journalism is growing. Andy Carvin is proof of that.

* Tim Harper announced another three titles: Fighting for the Press: The Inside Story of the Pentagon Papers, by former New York Times chief counsel James Goodale; Investigative Journalism in America: A History, by Steve Weinberg, a member of the University of Missouri Journalism School faculty and co-founder of IRE, the leading association of investigative reporters and editors; and The Pleasures of Being Out of Step: Nat Hentoff’s Life in Journalism, Jazz and the First Amendment, by CUNY Journalism Professor David L. Lewis, a former Daily News reporter and “60 Minutes” producer and associate producer who is also directing a feature-length documentary on Hentoff.

If I manage to get off my duff and get moving on a project I’ve been working on, I might add to that bookshelf myself.

Just as CUNY saw an opportunity for a new journalism school when others thought journalism was dying, so did we see an opportunity to start a new press about journalism even though others declared books dying. At Tow-Knight, I believe we must not only study and teach new models but we must also help incubate them. The CUNY Journalism Press is one such effort.

A few episodes in news make me think of the article not as the goal of journalism but as a value-added luxury or as a byproduct of the process.

* See the amazing Brian Stelter covering the Joplin tornado and begging his desk at The Times to turn his tweets into a story because he had neither the connectivity nor the time to do it in the field and, besides, he was too busy doing something more precious: reporting. (It’s a great post, a look at a journalist remaking his craft. Highly recommended for journalists and journalism students particularly.) (And aren’t you proud of me for not drawing the obvious and embarrassing comparison to Times editor Bill Keller’s Luddite trolling about Twitter even as his man in Twitter, Stelter, proves what a valuable tool it is?)

* In Canada’s recent election, Postmedia (where—disclosure—I am an advisor) had its reporters on the bus do nothing but reporting, putting up posts and photos and videos and snippets as they went, keeping coverage going all day, maximizing their value in the field. Back at HQ, a “twin” would turn that into a narrative — as blog posts — when appropriate. At the end of the day, the twin would also turn out a story for print, though everything had pretty much been done earlier; this was more an editing than a writing task. I asked my Postmedia friends what had to be done to turn the posts into an article. Mostly, they said, it meant adding background paragraphs (those great space-wasters that can now be rethought of as links to regularly updated background wikis, don’t you think?).

* At South by Southwest, the Guardian’s folks talked about their steller live-blogging. Ian Katz, the deputy editor, said that live-blogging — devoting someone to a story all day — was expensive. I said that writing articles is also expensive. He agreed. There’s the choice: Some news events (should we still be calling them stories?) are better told in process. Some need summing up as articles. That is an extra service to readers. A luxury, perhaps.

* Of course, I need to point to Andy Carvin’s tweeting and retweeting of the Arab Spring. He adds tremendous journalistic value: finding the nodes and networks of reliable witnesses; questioning and vetting what they say; debunking rumors; adding perspective and context; assigning his audience tasks (translating, verifying a photos’ location); even training witnesses and audiences (telling them what it really means to confirm a fact). What he does never results in an article.

* I’ve been talking with some people about concepts for reorganizing news organizations around digital and I keep calling on John Paton’s goal to keep in the field and maximize the two things that add value — reporting and sales — and to make everything else more efficient through consolidation or outsourcing. As I was talking to someone else about this, it occurred to me that in some — not all — cases, not only editing and packaging but even writing could be done elsewhere, as Postmedia did in its election experiment. I’m not talking about complex stories from beat people who understand topics and need to write what they report from their earned understanding. I’m talking about covering an event or a meeting, for example. The coverage can come from a reporter and in some cases from witnesses’ cameras and quotes. The story can be written elsewhere by someone who can add value by compiling perspectives and facts from many witnesses and sources. It harkens back to the days of newspaper rewritemen (I was one).

Carry this to the extreme — that’s my specialty — and we see witnesses everywhere, some of them reporters, some people who happen to be at a news event before reporters arrive (and now we can reach them via Twitter, Facebook, Foursquare….), some who may be participants but are sharing photos and facts via Twitter. Already on the web, we see others — bloggers — turn these distributed snippets into narratives: posts, stories, articles.

The bigger question all this raises is when and whether we need articles. Oh, we still do. Articles can make it easy to catch up on a complex story; they make for easier reading than a string of disjointed facts; they pull together strands of a story and add perspective. Articles are wonderful. But they are no longer necessary for every event. They were a necessary form for newspapers and news shows but not the free flow, the never-starting, never-ending stream of digital. Sometimes, a quick update is sufficient; other times a collection of videos can do the trick. Other times, articles are good.

I’ve been yammering on for a fewyears about how news is a process more than a product. These episodes help focus what that kind of journalism will look like — and what the skills of the journalist should be.

The accepted wisdom of journalism and its schools was that storytelling was our real job, our high calling, our real art. Ain’t necessarily so. The accepted wisdom of blogging has been that now any of us can do everything: report and write, producing text and audio and video and graphics and packaging and distributing it all. But I also see specialization returning with some people reporting, others packaging. Can we agree to a new accepted wisdom: that the most precious resource in news is reporting and so maximizing the acquisition of facts and answers is what we need?

So what is an article? An article can be a byproduct of the process. When digital comes first and print last, then the article is something you need to put together to fill the paper; it’s not the goal of the entire process. The process is the goal of the process: keeping the public constantly informed.

An article can be a luxury. When a story is complex and has been growing and changing, it is a great service to tie that into a cogent and concise narrative. But is that always necessary? Is it always the best way to inform? Can we always afford the time it takes to produce articles? Is writing articles the best use of scarce reporting resources?

In a do-what-you-do-best-and-link-to-the-rest ecosystem, if someone else has written a good article (or background wiki) isn’t it often more efficient to link than to write? Isn’t it more valuable to add reporting, filling in missing facts or correcting mistakes or adding perspectives, than to rewrite what someone else has already written?

We write articles for many reasons: because the form demands it, because we want the bylines and ego gratification, because we are competitive, because we had to. Now we should write articles when necessary.

This new structure changes not only the skills but likely the character of the journalist. These days when I see young journalists talk only about their passion to write and tell stories, I worry for them that they will find fewer jobs and less of a calling. But when I hear journalists say that their passion is to report, to dig up facts, to serve and inform the community by all means possible, I feel better. When I hear a journalist talk about collaboration with that community as the highest art, then I get happy.

Let the record show that I am not declaring the article useless or dead. Just optional.

: Seconds after I posted this to Twitter, Chad Catacchio said that by the time the article is written, its’ not news, it’s history (albeit the fabled first draft).

: If you came to this post via Mathew Ingram’s response, please note that I adamantly disagree with his characterization of what I say. See my comment under Facebook comments at the end of his post.

: LATER: Jonathan Glick has a smart take on this notion, arguing that nuggets of news will be delivered as nuggets, freeing journalists to write analyses, adding their value, without the burden of conveying the latest.

There is nothing sacred about the article for the transmission of news. It is a logical way of packaging information for a daily print run of a newspaper and a useful format around which to sell display advertising. It has survived into the Internet age for reasons of tradition and the absence of better formats. We have come to accept it as a fundamental atom of news communication, but it’s not. Given faster, easier alternatives, the article no longer makes sense to mobile users for consuming news.

News will go one way, into the stream as scannable updates, and analysis will go the other, toward a new long-form business model for writers. I believe it will be a happy divorce.

I like his take except for this notion that journalism will be defined by length. I find “long-form” to be often used in a rather self-indulgent way: I want to write a lot, it says, and I want you to read it all. Now I know that’s now what Glick is saying; he’s saying that one must have a lot to say, a lot to add. But I think we need another way to describe that than by the inch, for I’m sure we’ve all known too many writers who like to write more than inform.

: Amy Gahran has a very nice piece — not just because she agrees with me — whose subhed begins:

he cutting room floor of journalism is a sad place: all those facts, interviews, asides, anecdotes, context, insights, and media gathered during reporting which, while relevant and interesting, just doesn’t fit comfortably into the narrative flow or length/time limits of the finished story.

This doesn’t merely represent wasted time and reporting effort. Many of those scraps are missed opportunities to engage readers and gain search visibility or links…

Well-said. She argues that we need to look at assembling news the way we play with Legos and we need CMSes that will do that (Storify is a start).