Mark and Devin look ahead to a busy movie season and preview their most anticipated releases: Widows (2:30-6:00), If Beale Street Could Talk (6:00-9:55), Backseat (9:55-18:05), Roma (18:05-23:15), Mary Queen of Scots (23:15-25:15),First Man (25:15-31:55)and The Land of SteadyHabits (31:55).

This week on The M&M Report, Devin Mitchell and I sat down as soon as the Oscars to unwind with thoughts on Ellen DeGeneres, Lupita Nyong’o, Steve McQueen, Matthew McConaughey, Cate Blanchett, pizza, selfies and much more.

This week on The M&M Report, Devin and I welcomed a very special guest: self-described “House of Cards enthusiast” Leah Doolittle. Leah and Devin kicked off the podcast with an in-depth discussion of the best and worst of season 2, from the twist in the premiere to the shockers later.

After Devin and Leah’s discussion, I offered my thoughts (okay, a rant) on the subject of pop-culture shaming in the first installment of Mark Occasionally Doesn’t Like Things. Why is it acceptable for people to tell me that I have to watch House of Cards just because they watch it and think it’s cool? It’s not.

Finally, Devin and I offered some brief thoughts on Jimmy Fallon‘s first week as host of The Tonight Show. So far, Jay hasn’t breathed a word in dissent, but there’s still time.

Next week, we’ll be doing something special. Instead of doing another preview of the Oscars and then talking about the show a week later, when you’ll have already forgotten about it, Devin and I will press “Record” immediately after the telecast ends on Sunday night, and you can listen to it by Monday morning. We’ll talk best and worst moments, biggest surprises and much more.

Technical glitches and Jacqueline Bisset-bombs aside, last night’s Golden Globe Awards telecast was a standard affair: drunken speechess, witty one-liners and confusing winners. Here’s a look at what five takeaways from last night’s show. (Read the full list of winners here.)

Some movies demand to be seen. Gravity demands to be experienced, in 3D, on the widest possible screen, surrounded by the most excitable people you can find. During its slim 88-minute running time, Gravity conjures the physical and emotional weight of space flight and zero-gravity navigation with more skill, grace and beauty than any movie I’ve ever seen. It’s also one of the few movies in which George Clooney’s star magnetism gets outshined, not only by his co-star, the luminous Sandra Bullock, but by the sheer force of the spectacle surrounding the two leads. Gravity takes stunning advantage of the scope that the big screen affords and the small screen lacks – anyone who says that television is better at everything than movies need only be reminded that no one does outsized spectacle like Hollywood.