FOLLOWING its well-received pilot episode back in February, Babylon is back on the beat for a six-part run of law and disorder.

It’s firmly in the realm of the Beeb’s nice little dig at the London Olympics in Twenty Twelve, poking fun at modern marketing speak and corporate arse-covering, rather than being a biting satire about the Metropolitan Police.

Let’s face it, the Met, with its rap sheet of controversies over Stephen Lawrence, the undercover surveillance, Hackgate and the rest, is hardly a laughing matter.

Brit Marling as Liz

So, Babylon – exec-produced by Danny Boyle – has fun with the media and management side of the

And here is one of the strengths of the show – the cast are fun to watch, particularly Nicola Walker as the eye-rolling assistant commissioner, dealing with incompetence from above, below and from the private sector.

The opening episode sees her officers called in to help the private security firm running a young offenders institution when violence breaks out. Meanwhile, Paterson Joseph’s deputy commissioner is busy trying to work out whether to tell the world the incident is a disturbance, a severe disturbance or a riot.

Video of Warwick shooting an unarmed assailant

Writers Sam Bain and Jesse Armstrong delight in showing us this world in which police high-flyers

are more concerned with appearances than getting things done.

Brit Marling is also a great spanner in the works as Liz, trying to get her boss Commissioner Miller to be a little less passive-aggressive in his dealings with the media, while also boring her female colleagues stupid in the wine bar after work by banging on about the Met’s ‘brand’.

The lower ranks also have to deal with her new ideas. Armed response office Warwick’s nerves are shredded when she releases footage of him shooting an unarmed assailant in a show of openness from the Met – the public think we’re all ‘trigger-happy meatheads’.

Rating: ★★★½Sky1: starts Saturday, 9 August, 9pmStory:It took DCI Jack Cloth a while to come to terms with his wife’s murder – he barely remembers her name these days – and now he’s hit with the news that his brother, Terry, has been killed.

A TOUCH OF CLOTH has everything you could want from a gritty crime drama – tortured maverick cop, gruesome forensics, twisting plot. And a town called Funtcuck.

Subtle and suave it ain’t – more a shotgun blast of every cop procedural cliche and suspect gag the writers could round up.

Too Cloth for Comfort

Cloth finds his long lost brother

Many jokes escape without detection, but a lot are guilty of inducing a spluttered chortle – and then making you feel guilty that you could be so puerile.

Crime shows are this site’s bread and butter, of course, but even we think there are an awful lot of rubbish cop series around. You know the ones – grumpy detective with a sidekick, silly tracking shots, wild deductions that solve the crime, forensic nonsense, ham-fisted plot recaps.

All these get worked over in this two-parter, Too Cloth for Comfort, along with some other well-deserving targets (Piers Morgan in particular).

Karen Gillan as Kerry Newblood

John Hannah and Suranne Jones as DCI John Cloth and DI Anne Oldman (pronounced Old-Man, of course) both do a fine job of snitching on the conventions of the straight cop beats they’ve worked in recent years. Hannah was seen recently in ITV’s The Widower and Rebus before that, and Jones will soon be back in the excellent Scott & Bailey.

Doctor Who‘s ex Karen Gillan joins the carry-on as new recruit Kerry Newblood (see what I mean about unsubtle).

‘Welcome to the rest of your life, welcome to hell,’ the hardbitten Cloth tells her.

And Adrian Dunbar – a refugee from another cop series, Line of Duty – also turns up as a suspect.

Danes and pathology

Oldman (Suranne Jones) and Newblood (Karen Gillan)

The plot? Cloth’s brother is found murdered in a forest. But that’s just an excuse for lines such as, ‘He was the best lover I ever had – until it went pair-shaped.’ Or some very sharp scenes in a country pub in Funtcuck and the pathologist’s mortuary.

The crime genre badly needs cleaning up, and it’s good to Jack Cloth and his squad of cliche-busters are back on the scene.

Rating: ★★★½Starts C4, Friday, 17 January, 11.5pm (E4: Thursdays, 9pm)Story:Jake Peralta is a talented but carefree detective at Brooklyn’s 99th Precinct. He and his eclectic group of colleagues. Their cushy time at work is about to end with the arrival of new hard-ass Captain Ray Holt, a man with a lot to prove.

THE ROLL-CALL of comedy cop shows is a long and honourable one. Stretching back to Car 54, Where Are You? in the 60s, Barney Miller in the 70s and onto The Thin Blue Line in the 90s and most recently A Touch of Cloth and Vexed, law and disorder has a long service record.

Now comes this sharp half hour in the company of Brooklyn’s finest, made by Fox, with Andy

Jake proves that he’s wearing a tie

Samberg as Detective Jake Peralta and his oddball colleagues adjusting to life with a new captain, Ray Holt, played in brilliant deadpan style by Andre Braugher.

It has taken the new captain a long time to get his own command because he is openly gay. Having got it, he doesn’t want his team to goof things up. Everyone must now wear a tie and be super-efficient.

Fearsome Detective Diaz

The opening half hour pitches a nice selection of nutty individuals to the audience. There is Detective Sergeant Terry Jeffords, who used to be overweight and called Terry Titties. He calls his daughters Cagney and Lacey.

Childish Jake Peralta is in a childish competition with earnest Detective Amy Santiago to see who can clock up the most arrests. And Detective Boyle hopes to date the fearsome Detective Diaz.

But he’s warned by the office admin gal Gina, ‘She’s got a type. It’s pretty much anyone but you.’

Andy Samberg and Andre Braugher

To which Boyle replies, ‘Yeah, that was my wife’s type too.’

Andre Braugher is excellent as Capt Holt

There are a lot of gags flying by in Brooklyn Nine-Nine, and most raise a smile. What makes it work is having Braugher – who was brilliant in the excellent and very serious Homicide: Life on the Street in the 90s – as the straight guy, so to speak, dishing out the baleful looks.

WHAT WE’RE WATCHING: The Bridge 4

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Welcome to CrimeTimePreview‘s series of interviews with authors about their TV and reading habits.

• PETER ROBINSON is the author of the Inspector Banks novels – the fourth series of which has just started on ITV (see the post below). A multi-award-winning novelist, he was born in Yorkshire and now divides his time between Toronto and Richmond, North Yorkshire. We brought him in for questioning, and here he makes a full and frank confession of his criminal viewing and reading habits…

• ADRIAN McKINTY is one of the most acclaimed new crime writers from across the Irish Sea, routinely mentioned alongside Ken Bruen, Declan Hughes and John Connolly. His series of edgy thrillers about Catholic detective Sean Duffy and the character’s exploits while working in the none-too-comfortable surroundings of the RUC during the Troubles, and later MI5, are developing a big following and have been hugely praised by reviewers. These include The Cold Cold Ground, In the Morning I’ll Be Gone and Gun Street Girl. Here, he reveals his favourite TV shows, characters and authors…

• WE’VE dragged one of Britain’s major crime practitioners in for questioning. Multi-award-winning IAN RANKIN is the creator of Edinburgh detective inspector John Rebus, the tenacious but chippy hero of bestsellers such as Black and Blue, Fleshmarket Close and Resurrection Men. The character was turned into a series by STV with first John Hannah and then Ken Stott portraying him. ITV filmed Rankin’s standalone novel Doors Open in 2012. After retiring Rebus in Exit Music, he introduced his readers to Malcolm Fox in The Complaints, before bringing Rebus back in 2012’s Standing in Another Man’s Grave.

• Manchester-based crime writer CATH STAINCLIFFE is interrogated below for evidence of her TV viewing and reading activities. She writes the novels based on the Scott & Bailey series, which stars Lesley Sharp and Suranne Jones and is soon to return to ITV – with her latest book about the female detectives being Bleed Like Me. Cath is also the author of the Sal Kilkenny private eye stories and creator and scriptwriter of Blue Murder, which was on ITV and starred Caroline Quentin.

• Hauled in for questioning is British crime writer and Guardian reviewer LAURA WILSON, who is currently working on her 10th novel. Laura, whose books include the DI Stratton series among other mysteries set in the recent past, talks about her TV and reading habits, from Cagney & Lacey to Agatha Christie…

• ZOE SHARP wrote her first novel when she was 15. It was not until 2001, however, after she had tried her hand at jobs ranging from van driver to newspaper ad sales to motoring correspondent, that she finally publisher her breakout Charlie Fox novel Killer Instinct. Fox, the self-defence instructor with a shady military background, has proved hugely popular with readers through nine novels and has been optioned by Twentieth Century Fox TV. We brought Zoë in for questioning to see who she would like to see playing Charlie on screen, and what TV shows tick the right boxes for her…

• CrimeTimePreview apprehended SIMON KERNICK, one of Britain’s most exciting thriller writers to grill him about his viewing proclivities. He arrived on the crime scene with his acclaimed novel The Business of Dying, a terrific story about a corrupt cop who moonlights as a hitman. His authentic thrillers are basedon research with members of Special Branch, the Anti-Terrorist Branch and the Organised Crime Agency. He has just finished writing his latest book, which will be called Siege.

• SOPHIE HANNAH, whose novel The Point of Rescue was recently turned into the drama Case Sensitive by ITV1, is the author of internationally bestselling psychological thrillers – Little Face, Hurting Distance, The Other Half Lives and A Room Swept White. CrimeTimePreview recently brought her in to be questioned about her addiction to Class A plotting on television…

• Scottish author TONY BLACK, creator of Gus Dury in stories such as Gutted and Long Time Dead.

• Belfast crime writer SAM MILLAR, author of books such as The Redemption and the award-winning memoir On the Brinks.

• Crime novelist PAULINE ROWSON, author of the Marine series of mysteries, is pulled into CrimeTimePreview headquarters for questioning.

• Award-winning British novelist ANN CLEEVES is a serial crime writer, with her collections including amateur sleuths George & Molly, Inspector Ramsay, the soon-to-be-televised Vera Stanhope and the recent Shetland Island Quartet (now a BBC1 series with Douglas Henshall). CrimeTimePreview pulls her in for questioning about her TV habits…

• We brought thriller writer MATT HILTON into headquarters for questioning about his TV and reading activities.

• ALINE TEMPLETON is the author of the series of novels about DI Marjory Fleming, set in Scotland. Her stand-alone mysteries include Past Praying For, The Trumpet Shall Sound and Shades of Death. She lives in Edinburgh. She was brought into CrimeTimePreview HQ for questioning about her TV viewing habits…

• Award-winning crime author STEPHEN BOOTH has written 11 mysteries involving the detectives Ben Cooper and Diane Fry with a distinctive, sometimes menacing Peak District setting. He was a newspaper and magazine journalist for 25 years before publishing the first Cooper/Fry novel, Black Dog, in 2000. CrimeTimePreview quizzed him about his criminal viewing activities…