Sound Cards

When players want to convert their standalone MIDI controller into a stage piano, free from the restrictive encumbrance of a laptop computer, the M-Audio Accent Module is the perfect solution. Learn More

The AudioBox 22VSL introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step. Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, AudioBox VSL-series interfaces provide reverb and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive 16.0.2 digital mixer— all with inaudible latency. Now you can monitor and record with or without real-time effects! Learn More

The AudioBox 44VSL is the second model in a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step. Using your computer CPU and PreSonus Virtual StudioLive(VSL) software, AudioBox VSL-series interfaces provide reverb and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive 16.0.2 digital mixer— all with inaudible latency. Learn More

AUDYA 4 represents a modern Expander and Arranger Module. It has a powerful audio multiplayer, a high quality sound engine and unique automatic accompaniment features. The rich set of interfaces includes a versatile video support, configurable audio connections and three USB ports to connect to computers and other multimedia devices.

The exciting new Babyface Pro once again demonstrates RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion. Learn More

Take Command of Your Monitor Speakers. You mostly monitor on near-fields, but occasionally switch to big, honking Main speakers or a second set of near-fields. You want to hear what your mix sounds like with and without subwoofer bass. And you want to be able to monitor straight from digital sources as well as analog. Meet the Central Station PLUS. Learn More

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