While performing the Snow Queen at Triad Stage, I recorded two show tracks for Emily Gardner Hall, who played the Snow Queen. You can listen to Long Darkest Night and Winter of Ten Thousand Years (both with me and Scott

While performing the Snow Queen at Triad Stage, I recorded two show tracks for Emily Gardner Hall, who played the Snow Queen. You can listen to Long Darkest Night and Winter of Ten Thousand Years (both with me and Scott

I had the delightful pleasure of playing in the 2014 production of The Snow Queen at Triad Stage. I played guitar, upright bass, rototoms, and various other pieces of percussion along with my fellow and fabulous musicians, Scott Manring and

I had the delightful pleasure of playing in the 2014 production of The Snow Queen at Triad Stage. I played guitar, upright bass, rototoms, and various other pieces of percussion along with my fellow and fabulous musicians, Scott Manring and

Audio mixing and editing for Crooked Candy, a short documentary by Andrew Rodgers. “Small Surprises” (Triad City Beat) RiverRun’s director shows ‘Crooked Candy’ in New York (Relish) Crooked Candy has been presented at several film festivals in 2014 and 2015:

Audio mixing and editing for Crooked Candy, a short documentary by Andrew Rodgers. “Small Surprises” (Triad City Beat) RiverRun’s director shows ‘Crooked Candy’ in New York (Relish) Crooked Candy has been presented at several film festivals in 2014 and 2015:

Andrew Eversole’s album, the Cumberland Ghost, is a bluegrass album that tells a story of bootlegging and reincarnation. Recorded and mastered by Ben Singer. Check out the full album on bandcamp. Cumberland Gap On High

Andrew Eversole’s album, the Cumberland Ghost, is a bluegrass album that tells a story of bootlegging and reincarnation. Recorded and mastered by Ben Singer. Check out the full album on bandcamp. Cumberland Gap On High

Laura Boswell and I recorded most of the music on this album in 2012. I was really happy to work on it because she’s got such an obvious talent. She writes her songs with both technical sophistication and a very

Laura Boswell and I recorded most of the music on this album in 2012. I was really happy to work on it because she’s got such an obvious talent. She writes her songs with both technical sophistication and a very

“We can feed the stomach with concentrates. We can supply microfilm for reading, recreation, even movies of a sort. We can pump oxygen in and waste material out. But there’s one thing we can’t simulate, that’s a very basic need:

“We can feed the stomach with concentrates. We can supply microfilm for reading, recreation, even movies of a sort. We can pump oxygen in and waste material out. But there’s one thing we can’t simulate, that’s a very basic need:

The best I can describe this music is that it lives somewhere in the space between two guitar heros of mine: Bill Frisell and Ali Farka Touré. I’m playing two guitar parts and drums on this track (drums being a

The best I can describe this music is that it lives somewhere in the space between two guitar heros of mine: Bill Frisell and Ali Farka Touré. I’m playing two guitar parts and drums on this track (drums being a

17 hours in to Monkeywhale’s 48-hour film, the script was a bust and we were about to call it quits. But instead, we did a quick turn, found a new idea, and started shooting Saturday afternoon. As footage started coming

17 hours in to Monkeywhale’s 48-hour film, the script was a bust and we were about to call it quits. But instead, we did a quick turn, found a new idea, and started shooting Saturday afternoon. As footage started coming

In 1875, North Carolina amended the state constitution to ban “all marriages between a white person and a negro, or between a white person and a person of negro decent”. Let’s not go back there. An Earlier Constitutional Amendment on

In 1875, North Carolina amended the state constitution to ban “all marriages between a white person and a negro, or between a white person and a person of negro decent”. Let’s not go back there. An Earlier Constitutional Amendment on

Recorded and co-produced the audio for Laurelyn Dossett’s Vote Against Amendment One. The video was created by Monkeywhale’s Harvey K. Robinson. I got to work with some of Greensboro’s best musicians — thank you! Audio version: Amendment One on Soundcloud

Recorded and co-produced the audio for Laurelyn Dossett’s Vote Against Amendment One. The video was created by Monkeywhale’s Harvey K. Robinson. I got to work with some of Greensboro’s best musicians — thank you! Audio version: Amendment One on Soundcloud

Released Radio-Friendly Robot, an album of Modern Robot tracks compiled from several different shows. Listen and watch the album: movies on YouTube Listen and buy the album: album on bandcamp Find out more: www.modernrobot.net

Released Radio-Friendly Robot, an album of Modern Robot tracks compiled from several different shows. Listen and watch the album: movies on YouTube Listen and buy the album: album on bandcamp Find out more: www.modernrobot.net

On a recent trip, I stayed with a couple that had grown up as next-door kids in rural Michigan. While watching 8mm films they had just digitized, we heard stories of ponds, silos, tractors, and growing up on the family

On a recent trip, I stayed with a couple that had grown up as next-door kids in rural Michigan. While watching 8mm films they had just digitized, we heard stories of ponds, silos, tractors, and growing up on the family

Show 16: Sound Reproduction “For use as part of a talking picture, the sound to accompany the photographed action must be recorded for reproduction when the picture is shown.” Recorded January 19, 2011 Download from bandcamp Like our first album

Show 16: Sound Reproduction “For use as part of a talking picture, the sound to accompany the photographed action must be recorded for reproduction when the picture is shown.” Recorded January 19, 2011 Download from bandcamp Like our first album

Recorded two of the tracks on the Elkbellows (i.e. Mike O’Malley) EP Master None. Added guitar and trombone to tracks and mastered the album. Bartlett Hot Bullshit Get the album: Master None on bandcamp

Recorded two of the tracks on the Elkbellows (i.e. Mike O’Malley) EP Master None. Added guitar and trombone to tracks and mastered the album. Bartlett Hot Bullshit Get the album: Master None on bandcamp

Show 12: The Age of Machines “This is the keyboard of modern shorthand machinery. The operator strikes a key on the keyboard as if playing a chord on a piano.” Recorded November 9, 2010 Download from bandcamp It’s a cliché

Show 12: The Age of Machines “This is the keyboard of modern shorthand machinery. The operator strikes a key on the keyboard as if playing a chord on a piano.” Recorded November 9, 2010 Download from bandcamp It’s a cliché

An ongoing project, these are the first tracks of an album by Molly Miller (formerly of Amelia’s Mechanics). As well as recording, you can also find me playing guitar, banjo, keyboards, and all sorts of things on these tracks. Zeke

An ongoing project, these are the first tracks of an album by Molly Miller (formerly of Amelia’s Mechanics). As well as recording, you can also find me playing guitar, banjo, keyboards, and all sorts of things on these tracks. Zeke

Music written by There Is Now Creature Music for Harvey K. Robinson’s movie for the 48 Hour Film Project, summer of 2011. My Mind Radio News Scrapes Man-o-War Scabs Duet Scarabs Desperate Vertigo Bam Bam Lucky Day Musicians: Matty Sheets,

Music written by There Is Now Creature Music for Harvey K. Robinson’s movie for the 48 Hour Film Project, summer of 2011. My Mind Radio News Scrapes Man-o-War Scabs Duet Scarabs Desperate Vertigo Bam Bam Lucky Day Musicians: Matty Sheets,

Recorded, mixed, and mastered Martha Bassett’s album, In the Sweet By and By. This was a limited release of gospel songs made for contributers to Martha’s kickstarter campaign. Co-produced the album with Martha and played banjo on some tracks. The

Recorded, mixed, and mastered Martha Bassett’s album, In the Sweet By and By. This was a limited release of gospel songs made for contributers to Martha’s kickstarter campaign. Co-produced the album with Martha and played banjo on some tracks. The

Helped record and mix Martha’s album, The Goodbye Party. Played keyboards, guitar, banjo, and co-wrote the track “The Goodbye Party”. The Goodbye Party Home Buy the album: The Goodbye Party on iTunes Martha’s website: www.marthabassett.com

Helped record and mix Martha’s album, The Goodbye Party. Played keyboards, guitar, banjo, and co-wrote the track “The Goodbye Party”. The Goodbye Party Home Buy the album: The Goodbye Party on iTunes Martha’s website: www.marthabassett.com

Recorded tracks for JMO and helped assemble the album Gate City Get Up. Red Eyes Return of the Grievous Angel Download the album: Gate City Get Up on bandcamp About the album: Gate City Get Up article Website: www.jamesmarshallowen.com

Recorded tracks for JMO and helped assemble the album Gate City Get Up. Red Eyes Return of the Grievous Angel Download the album: Gate City Get Up on bandcamp About the album: Gate City Get Up article Website: www.jamesmarshallowen.com

An original song of mine, recorded at a time when this is all I wanted to do. I’m singing as well as playing guitar, banjo, and keyboard parts. Looking at the bounces, the first name for this song was “Flu”.

An original song of mine, recorded at a time when this is all I wanted to do. I’m singing as well as playing guitar, banjo, and keyboard parts. Looking at the bounces, the first name for this song was “Flu”.

Music production for a show based on the music of A. R. Rahman, designed by Franco Dragone Entertainment Group . Kaanta Corner Credits: overdub recording, mixing, mastering, co-writer and production of Kaanta

Music production for a show based on the music of A. R. Rahman, designed by Franco Dragone Entertainment Group . Kaanta Corner Credits: overdub recording, mixing, mastering, co-writer and production of Kaanta

Programming and support for various touring shows: Annie National tour: 2007, 2008, 2009 See on YouTube: Maybe Hard Knock Life The Wizard of Oz National tour: 2008, 2009 Oliver National tour: 2008 The Producers National tour: 2009 Camelot National tour:

Programming and support for various touring shows: Annie National tour: 2007, 2008, 2009 See on YouTube: Maybe Hard Knock Life The Wizard of Oz National tour: 2008, 2009 Oliver National tour: 2008 The Producers National tour: 2009 Camelot National tour:

Affectionatly known as “Tap Out of Hell”. With others at Notion, I set up and performed orchestral augmentation for the first shows of Meat Loaf’s 2006-2007 tour promoting his new album, Bat Out of Hell III: The Monster Is Loose.

Affectionatly known as “Tap Out of Hell”. With others at Notion, I set up and performed orchestral augmentation for the first shows of Meat Loaf’s 2006-2007 tour promoting his new album, Bat Out of Hell III: The Monster Is Loose.

A long time ago in a land far, far away — a band called Einstein Electric. This is from our album, The Cosmic Imperative. The Cosmic Imperative Flying Pann Credits: producer, writer for “Flying Pann”, keyboards, album design

A long time ago in a land far, far away — a band called Einstein Electric. This is from our album, The Cosmic Imperative. The Cosmic Imperative Flying Pann Credits: producer, writer for “Flying Pann”, keyboards, album design