The purpose of this study is to analyze the representation of Self and Other in two Gloria Perez’s telenovelas that deal with cultural differences: “The Clon”, of 2001/2002, and “India, a love story”, of 2009, both showed on prime time at Globo TV. The observation focuses on both the foreigner-Other, as it is presented in the Muslim and Indian groups that live on the fictitious Marroco and India, and the within-self-Other, as it is showed through the drama of the drug-addicted and mental disturbed characters. Through the perspective of the Culture Studies, this research explores telenovela in several dimensions: it presents its characteristics as a narrative gender, it defends its importance as a vehicle of dissemination of reality narrativety, it recognizes its condition as a product of Cultural Industry, and it discusses its acceptance as a form of art. The Muslim and Indian worlds as shown on the analyzed telenovelas are observed through the concepts of “representation”, “identity” and “otherness”, taking as reference the ideas of “imagined community”, “cultural identity”, “hybrid culture” and “orientalism”. The analysis of Gloria Perez work through its textual and scenic narrativety reveals a connection of her fictional pieces with the contributions of previous writers Glria Magadan and Janete Clair, presenting her telenovelas as a narrative of women signature. “The Clon” and “India, a love story”, appear as being telenovelas built on respect for diversity and on its compromise with day-life transformation.