writershttp://www.wisebread.com/taxonomy/term/9886/all
en-USThrive as a Starving Writer--Lessons from the Expertshttp://www.wisebread.com/thrive-as-a-starving-writer-lessons-from-the-experts
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<p>The web is full of advice for starving writers. And why not? Any writer has heard the advice &quot;Write what you know,&quot; and one thing many writers know is about being a starving writer. Oddly, most of their advice is on writing. A couple of truly great writers, though, have left us advice on the much more important topic of not starving.</p>
<p>One writer I'm thinking of in particular is Ernest Hemingway.</p>
<p>Hemingway is hardly the only person to have written about a year or two spent as a starving writer. Another is George Orwell, who wrote the masterful <a href="http://www.amazon.com/gp/product/015626224X?ie=UTF8&amp;tag=wisbre08-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=015626224X"><em>Down and Out in Paris and London</em></a>. But although Orwell lived as a starving writer, the vivid descriptions in his book offer little in the way of practical advice for someone trying to carve out time and space to make a go of being a writer. Hemingway on the other hand, has plenty to say on just that topic.</p>
<p>There's a short piece by Hemingway available on-line: <a href="http://en.wikisource.org/wiki/Living_on_$1,000_a_Year_in_Paris">Living on $1000 a Year in Paris</a>. The article describes how cheaply it was possible to live in Paris--a room for $30 a month, breakfast for $6 a month, subway rides for 4 cents--thanks to the exchange rate at the time.</p>
<blockquote><p>At the present rate of exchange, a Canadian with an income of one thousand dollars a year can live comfortably and enjoyably in Paris. If exchange were normal, the same Canadian would starve to death. Exchange is a wonderful thing.</p>
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<p>That was in 1921 and the dollar-franc (and now dollar-euro) exchange rate has long since reverted to something reasonable, but the central message is still valid: To thrive as a starving writer what you need is a very cheap cost structure for your home economy.</p>
<h2>Living on $X a year</h2>
<p>First of all, don't throw your hands up at the figure of $1,000 a year. Adjusted for inflation, $1,000 a year in 1921 comes to (according to the <a href="http://www.bls.gov/data/inflation_calculator.htm">Bureau of Labor Statistics</a>) $12,031 a year in 2009 dollars.</p>
<p>Getting by on $12,000 a year would be tight in the United States--especially so if, as Hemingway was, you're feeding two people. Tight, and yet not impossible. Hemingway's $30 room translates to $361, and rooms for that price can be found in many parts of the United States. There aren't many places where a subway ride could be had for an inflation-adjusted 48 cents, but where I live a bus ride can be had for less than a dollar. You can eat very cheaply if your room includes access to a kitchen and you're willing to eat mostly rice, beans, and whatever vegetables are cheap that day at the grocery store.</p>
<p>In <a href="http://www.amazon.com/gp/product/1416591311?ie=UTF8&amp;tag=wisbre08-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1416591311"><em>A Moveable Feast</em></a>, his memoir about those years, Hemingway mentions many little ways he economized. Gertrude Stein advised that he spend no money on clothes (although she thought he should spend the money saved thereby on art). He writes about saving money by not getting his hair cut--which had an added bonus for Hemingway:</p>
<blockquote><p>I found out very quickly that the best way to avoid going over to the right bank and get involved in all the pleasant things that I could not afford and that left me with, at least, gastric remorse was not to get a haircut. You could not go over to the right bank with your hair cut like one of those wonderful looking Japanese noblemen painters who were friends of Ezra's.... &quot;You mustn't let yourself go, Hem. It's none of my business of course. But you can't go native this way. For God's sake straighten out and get a proper haircut at least.&quot;</p>
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<p>There are a lot of things that can be cut out of a budget--if you're a writer and if cutting them makes it possible to spend your time writing.</p>
<h2>Live someplace cheap</h2>
<p>The exchange rate no longer makes Paris a cheap place to live, but there are plenty of places around the world that are cheap. I'm sure in a couple of decades we'll be reading memoirs by a new generation of great writers who right now are living and writing in Malaysia or South Africa or Brazil. (Foreigners think it's funny that Americans worry about how dangerous it would be to live overseas, because they think of the United States as a violent place with dangerous cities and terrible health care.)</p>
<p>It's really not necessary to go overseas, though, in search of a cheap place to live. There are plenty of cheap places in the United States. Rather, the <a href="http://www.wisebread.com/wage-slave-debt-slave">big stumbling block for most aspiring writers</a> is debt. If you can dodge that--get through school with little or no student debt, or else get your student debt paid off before you imbed the expenses of a middle-class American standard of living into the cost structure of your household, then you can go down the starving writer path--and probably do it without starving.</p>
<p>And, if you can't avoid starving just a little bit, Hemingway managed to find an upside even to that:</p>
<blockquote><p>You got very hungry when you did not eat enough in Paris because all the baker shops had such good things in the windows and people ate outside at tables on the sidewalk so that you saw and smelled the food. When you were skipping meals at a time when you had given up journalism and were writing nothing that anyone in America would buy, explaining at home that you were lunching out with someone, the best place to do it was the Luxembourg gardens where you saw and smelled nothing to eat all the way from the Place de l'Observatoire to the rue de Vaugirard. There you could always go into the Luxembourg museum and all the paintings were heightened and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand C&eacute;zanne much better and to see truly how he made landscapes when I was hungry.</p>
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<br /><div id="custom_wisebread_footer"><div id="rss_tagline">This article is from <a href="http://www.wisebread.com/philip-brewer">Philip Brewer</a> of <a href="http://www.wisebread.com/thrive-as-a-starving-writer-lessons-from-the-experts">Wise Bread</a>, an award-winning personal finance and <a href="http://www.wisebread.com/credit-cards">credit card comparison</a> website. Read more great articles from Wise Bread:</div><div class="view view-similarterms view-id-similarterms view-display-id-block_2 view-dom-id-1">
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</div> </div><br/></br>Personal FinanceFrugal Livingfrugalitystarving writersthrivewriterwritersTue, 25 Aug 2009 20:02:28 +0000Philip Brewer3540 at http://www.wisebread.comCalling all Artists: Be Your Own Cheerleader and Find that Room of Your Own (free)http://www.wisebread.com/calling-all-artists-be-your-own-cheerleader-and-find-that-room-of-your-own-free
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<p> I once got to watch something so masterful it took my breath away. One of my best friend’s (who is a brilliant singer songwriter whose had little or no success at it) has this sister that, well doesn’t have a shy bone in her body. She’d just moved to our town. She wrote one-woman shows that were good but not great. We’d taken her to see a play and on the way out as everyone was filing out for the evening, she was searching the crowd for the people to ‘know’. Who owned and ran the building she wondered out loud? And when could she get her show in here? She’d been in our town less than two months when I got word of her show being up and running. Wow. That was fast.</p>
<p> There were times when I didn’t even get along with her. Her brother and I both did not have the ability to self promote--but that was one thing she was always amazing at---self-promotion and demanding that all around her pay attention and acknowledge her as an artist. When I was younger, I was a wee bit intimidated by her abilities. Now I realize that most artists would be a little better off it we had this gene or DNA that she has to move herself forward. If you are out there somewhere, Nancy? I get it now!</p>
<p> It’s tough being an artist, writer, musician, etc. in America. You try to work in your medium and art form and perhaps you can manage that okay. But you also have to be your own manager, your own secretary, and your own cheerleader. The most successful artists in our culture are not necessarily the best out there—they are the ones however that mastered the art of being four people at once. You have to care when no one else does. That’s not easy especially if you are insecure about your abilities.</p>
<p> Art is subjective. Just because no one gets what you are doing yet doesn’t mean it ain’t art. There are tons of grants, contests, and little opportunities here and there for artists and writers and the like. But there’s also everyone and her grandpa trying to apply for finite resources. It’s much easier to get a grant or a residency if you already are a recipient of one of these things. Recession years aren’t a great time to go begging for money for arts anyhow. So take it into your own hands.</p>
<p> So----? What can you do to help yourself master one of the four parts of American artist harmony?</p>
<p> First, be your own cheerleader. No matter how silly or weird it seems to put yourself out there, do so. Dude, Britney Spears? Sucks. Janet Evanovitch? Sucks. Thomas Kinkade? Sucks so hard you can throw his paintings in your trashcan and they’ll keep you up at night because you’ll be able to hear them sucking two stories below you. But these hacks have a vital thing that you don’t have: confidence that they are awesome little super stars. Of course it’s pretentious to call yourself an artist, writer, poet, whatever. But at the same time if you really are an artist, writer, poet, dance, musician, etc. you need to start owning it. Odds are that your family and friends kind of get the feeling you are one of those artist types anyway. Own up to it. Use the words: “I am an artist.” Yeah, I know. It kind of sounds like you just said ‘I’m an idiot.’ But you have to take yourself and your work at least a little seriously. How do you do that?</p>
<p> Set aside creation time and don’t budge around it. I know a woman who paints every Sunday all day. She doesn’t change that schedule for anyone or anything. Beautiful. I try and often fail at this but each week, I try again to make sure I get in at least a half-day.</p>
<p> Remember that no one cares unless you care. Put yourself out there. I came out as an artist to the arts association in my area and now they asked me to do things and other random organizations do too. Do the open mikes. Do the stupid little writing gigs that you might not like. If nothing else, someone might buy your next beer. Do the volunteer work. Do the blog that pays nothing. A girlfriend of mine and I four years ago decided we’d make more of an effort to get our stuff out there. I chose the blog and barely paid route while after writing one article for an online magazine for free she decided that she’d hold out for big money. She’s still waiting. But the little tiny gigs here and there that paid nothing are starting to pay off a bit for me. </p>
<p> Being a writer and artist in some ways has never been cheaper than right now. Gone are the days of sending giant manuscripts with tons of postage. Slides! Oh my goodness. Now I only submit to people who take online submissions. My friend Lysa, a painter, does the same. Your overhead doesn’t have to be big. I know it ain’t always pleasant to be your own secretary, but you can maybe make one half day a week secretary day and do all that research and send yourself out there during that time.</p>
<p> Ignore rejection and become a star. My all time favorite children’s book is Madeleine L’Engle’s A Wrinkle in Time. Legend has it that it was rejected some 54 times? Geez. I gave up on my first novel after 15 rejections. What a wimp I was! 54 is my new high bar. Go Me! Go You! We Rock! </p>
<p>Where have I been going for advice? One of the best writing books I’ve ever read is Ariel Gore’s How to Become a Famous Writer Before You’re Dead. It’s hilarious and you can find it for under $10 bucks. Read it. It’s full of cheap, easy ways to go about becoming your own literary star. Lynda Barry&#39;s awesome new book WHAT IT IS is a bit pricey at $26 but it&#39;s got more advice and brilliant illustrations than any creative life book I&#39;ve ever seen. Put down &#39;An Artist&#39;s Way and those freaking Chicken Soup books and pick up Lynda Barry. You&#39;ll be glad you did.</p>
<p> Make friends with rich people who like art and literature. This sounds horribly calculated but it probably isn’t. I had an amazing patron for many years that accidentally found out that I wrote poetry. . When I finished a new story or poem, I would send them to him and his wife. Often he sent hundred dollar bills to me with notes to tell me to keep working. He got me through a major time of low confidence and often took the edge off of poverty. Thanks Howard. I now try and do the same. A good friend of mine who was an artist used to buy paint for artists he knew had less money than he had. There’s a great karmic quality to all this. </p>
<p> I put art in my budget to try and be part of the solution. It’s not a very big part. Not even a full tank of gas. But it’s there. How can I expect people to buy art and literature and music if I don’t?</p>
<p> I can’t write in my house. I can blog here, correct papers here, teach here, cook here, but I can’t write fiction or poetry here and I certainly can’t paint either. I needed a room of my own. But like most of us, I don’t have money to rent a studio or office. But I do have friends. An ex-boyfriend of mine had a good friend that wanted to start an art gallery with absolutely no money. They passed the same empty buildings day in and day out on their way to their day jobs. One day the budding curator called the number on the lease sign and said, “Look. I’ve walked by your building for six months and it’s been vacant. Can I hang some paintings in here to maybe liven the place up a bit? We can be month to month and if you find someone to lease the space, I’ll be out in a day. “ Steve spent the next six months with free gallery space with openings once a month. The building finally did lease—what caught the person’s eye? The paintings.</p>
<p> I used this same basic strategy when I was looking for a studio. Good friends of ours moved across country and lived very near a campground about twenty minutes from my house. They were a little anxious that both their cottage and their cabin would be left there unused –and inviting to possible vagrants and campers, but they didn’t really want to rent it out because they wanted to be able to vacation there themselves. Enter me. I asked if I could use the small day cottage as my studio in exchange for keeping an eye on the place, a little watering, and picking up of any litter. They went for it. (Thank you John and Lisa!). I go down to the cottage once or twice a week. I keep the weeds down. Pick up litter. Let them know when I think the boy they have mowing has slacked. I let them know when there’s been bears. But for the most part? I take long walks around a private river bank, and write more than I’ve been able to in years. Oh yeah, they are definitely front and center in the acknowledgement page if the novel ever sells.</p>
<p> I didn’t think this situation was unique, and it isn’t. Since I’ve found my room of my own, I’ve talked to other writers who’ve been able to strike deals like this one. Up where I live there are many second homes sitting vacant---especially with the price of gas. People who normally drive their SUVs and RVs up here to stay in their cabins aren’t doing it nearly as much. People are striking deals. Knowing that good people will be looking out over their properties is sometimes really all they want.</p>
<p> Just ask. See something vacant too long? Ask. </p>
<p> There isn’t an artist I’ve ever heard of who hadn’t mastered somewhat the art of frugal living. We’ve all eaten pasta and beans &amp; rice for weeks at a time, furniture that came to us free, lived in a one-bedroom apartment with ten people, etc. But living on that edge will only get you so far without a crazy notion from within you that says, you know what? I’m an artist and I’m not afraid to say it. When you get to that point that I got to earlier this year. Say it really loud, out loud to yourself. Scream it into the street loud. When you believe it start making your demands and requests. Ask for the freebies. Ask for the space. Ask for class to teach. Apply for the grant. Ask for the free rent. You might just sound a bit like my best friend’s sister---so confident that the person you ask just can’t say no. We creative people are supposed to be creative. So that should go for confidence and fearlessness too. What’s the worst that can happen to you when you declare yourself an artist? Nothing. What’s the best? Recognition, jobs, free space, grants, and just maybe a quiet cottage on a beautiful river.</p>
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<br /><div id="custom_wisebread_footer"><div id="rss_tagline">This article is from <a href="http://www.wisebread.com/maggie-wells">Maggie Wells</a> of <a href="http://www.wisebread.com/calling-all-artists-be-your-own-cheerleader-and-find-that-room-of-your-own-free">Wise Bread</a>, an award-winning personal finance and <a href="http://www.wisebread.com/credit-cards">credit card comparison</a> website. Read more great articles from Wise Bread:</div><div class="view view-similarterms view-id-similarterms view-display-id-block_2 view-dom-id-2">
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</div> </div><br/></br>BudgetingDIYArt and LeisureartistsDIYfree artspacefree rentstudiowritersMon, 06 Oct 2008 05:02:38 +0000Maggie Wells2498 at http://www.wisebread.com