Location: 100 block of South Second Street, Louisville, Kentucky. In this street scene, a man peers down a manhole in Main Street. Behind him is a Gulf Refining Co. service station. Second Street is bustling with cars, trucks, and pedestrians. The...

Address: 522 W. Market Street, Louisville, Kentucky. A woman peers in the window of Ben Snyder's department store. Three men are inside giving a demonstration for the Louisville Tuberculosis Association. One man stands with his shirt off and chest...

Jean Thomas, wearing a long dress with ruffled skirt and brimless hat with flower, peers over an iron fence in a park. Behind her, groups of people stroll along the sidewalk and sit on benches. A large building is visible through the trees. Title...

Portrait of left profile of actress Marie Wainwright. Her back is to the camera, but she peers over her left shoulder; her hair is pulled into a bun and she is wearing a sleeveless white cotton garment. Marie Wainwright was born in Philadelphia...

Young boy walks in the snow carrying a wreath, which he holds in front of his face and peers through. A dog runs beside him. A house is visible in the background. Manufacturer's number 1611/1 printed on front. Copyright 1915, JB & Co.

Man and woman near oversized snowball. A small animal, probably a dog, peers around the snowball, which is as tall as the woman. The man and woman wear stereotypical Dutch costumes: both wear wooden shoes, and the woman wears a white cap. "Serie...

"The First Days of Spring inaugurated a series of works in which, determined to be more Surrealist than the Surrealists themselves, Dali elaborated a symbolic language for delineating, with microscopic precision, his erotic obsessions. It deserves,...

"Lucas grew up in a working-class environment in East London and uses its idioms in her work. To some extent she has also borrowed from the American art that she saw in the late 1980s in London's Saatchi Gallery. Her 'grungy' abject imagery partly...

One of six suites of nine photographs. "The Bechers' photographs of industrial structures, which they began in 1959, belong to the genres of documentary photography, sculpture, and industrial archaeology simultaneously, as well as having status as...