Siddha Bhogar China’s Lao Tsu Founder Taosim

And there are Nava Siddhas, which may correspond to the Saptha Rishis of the Sanatana Dharma.

Now to the point of Bhogar in China.

Bhoga, along with Agastya is considered to be seniors among the Siddhas.

Palani Subrahmanya Swamy Idol was installed by him with a special mixture of herbs, called Nava Pashaana.

This Idol is expected to last through the Kali Yuga, the present aeon described by Sanatana Dharma.Kr

I am, as I have written earlier, researching into the worship of Shiva, whether He was a Pre Sanatana Dharma God a Human,,the Sanatan Dharma of the South of India predates the Sanatana Dharma, the Devi worship in the south.

In the process I have come across some information which will be of interest to Readers.

Bhogar, A Siddha worshiping Dandayuthapani at Palani.

One who reads Tamil Classics and bhakti movement, will notice that Shiva is approached with trepidation and awe, Murugan, Subrahmanya is called Muruga In Tamil, with Love, affection and worshiped as one would a child who is a Favourite, at the same time as Gnana Guru who taught Pranava to Lord Shiva.

And there are Nava Siddhas, which may correspond to the Saptha Rishis of the Sanatana Dharma.

Now to the point of Bhogar in China.

Bhoga, along with Agastya is considered to be seniors among the Siddhas.

Palani Subrahmanya Swamy Idol was installed by him with a special mixture of herbs, called Nava Pashaana.

This Idol is expected to last through the Kali Yuga, the present aeon described by Sanatana Dharma.

‘

Kālangi Nāthar was born in Kaśi (Benares). He attained the immortal state of swarūpa samādhi at the ago of 315, and then made China the center of his teaching activities. He belonged to the ancient tradition of Nava (‘nine’) Nāth (‘lords’) sadhus (ascetics), tracing their tradition to Lord Shiva.

There are nine important shrines associated with this tradition, five of which are in the Himālaya Mountains: Amarnāth (where Shiva first taught Kriya Yoga to his Shakti partner, Parvati Devi), Kedarnāth, Badrināth (India), Kailāsanāth, (Tibet) and Paśupatināth (Nepal).

Meanwhile, Bhoganāthar practiced Kundalini Yoga in four stages. The first three stages arc described in a later chapter on “The Psychophysiology of Kriya Kundalini Pranayama”. Bhoganāthar chose the Palani Malai (mountain) in what is now southwestern Tamil Nadu as the site for intensive yogic practice (tapas) for the final stage. He attained swarūpa samādhi at Palani, through the grace of Lord Muruga, or the eternal youth, “Kumāra Swāmi”.

The Kumāraswāmi temple at Palani became the epicenter of his activities. He visited many countries astrally, and physically and through transmigration. In one of his songs Bhoganāthar claims to have flown to China at one point in a sort of airplane which he built: he held discussions with Chinese Siddhas before returning to India (Kailasapathy, 1969, p. 197-211). His visit to South America has been confirmed by accounts left by the Muycas of Chile:

“Bocha, who gave laws to Muycas, was a white, bearded man, wearing long robes, who regulated the calendar, established festivals, and vanished in time like others (other remarkable teachers who had come across the Pacific according to numerous legends of Incas, Aztecs and Mayans).” (Lal 1965, p. 20).[2]

He convened a meeting of many siddhas just before the beginning of the present Kali Yuga, in 3102 BC, to determine the best way for humanity to progress along the spiritual path during the coming period of darkness. The Yoga of love and devotion, Bhakti Yoga, was chosen as being the best means. Bhoganāthar was entrusted by the siddhas with the task of defining the rituals for the worship of their favorite deity “Palani Āndavar”, the Lord (Muruga) of Palani.

Many rituals that center around the bathing (abhishekam) of an idol of Palani Āndavar with many substances, including panchaamirtam consisting of five fruits and honey, were developed by him and continue to be followed to this day. The idol had to be created from a substance that would last throughout Kali Yuga.

The most resilient of known substances, granite, was known to wear and crack after thousands of such rituals. So Bhoganāthar fashioned it out of nine secret herbal and chemical ingredients, nava pashanam, which made it harder than granite. Eight of the ingredients were combined in a mold of the idol. The ninth, was added as a catalyst, to solidify it.

In recent times the scientists who attempted to determine the composition of a small sample of the material of the idol, were startled to find that it immediately sublimated when heated. Thus its composition remains a mystery to date. The traces of the substance are contained in the ritual offerings in which it is bathed. When these are returned and consumed by the devotee, their spiritual progress is enhanced.

A mission to China and transmigration

Kālangi Nāthar decided to enter into samādhi in seclusion for 3,000 years. He summoned Bhoganāthar telepathically from Tamil Nadu to China to take over his mission. Bhoganāthar traveled by sea, following the trade route. In China, he was instructed by Kālangi Nāthar in all aspects of the Siddha sciences. These included the preparation and use of the kaya kalpa herbal formulae to promote longevity.

After Kālangi Nāthar entered into trance, Bhoganāthar assumed his teaching mission to the Chinese. To facilitate this, he transmigrated his vital body into the physical body of a deceased Chinese man, and thereafter went by the name “Bo-Yang”. “Bo” is a derivation of the word “Bhogam” which means bliss, material and spiritual.

This bliss, for which he was named “Bo-Yang” is experienced when the Kundalini shakti, the feminine primordial yin energy awakens, passes up to the crown of the head, the seat of Shiva, the masculine yang pole, in the Sahasra cakra at the summit of the head and unites with it. The result of this integration of feminine and masculine parts of the being, or union (“Yoga”) of Shakti and Shiva, Yin and Yang,is Satchidananda: Absolute Existence-Consciousness-Bliss.

Transformation of his physical body

Bhoganāthar decided to overcome the limitations of the Chinese body, with its degenerative tendencies, and prolong its life through the use of the kaya kalpa herbs long enough for the effect of Kriya Kundalini Pranayama and related yogic techniques to bring swarūpa samādhi. In his poem Bhogar Jñāna Sutra 8, verse number 4, he describes vividly what happened after carefully preparing a tablet using thirty five different herbs:

With great care and patience I made the (kaya kalpa) tablet
and then swallowed it:
Not waiting for fools and skeptics
who would not appreciate its hidden meaning and importance.
Steadily I lived in the land of the parangis (foreigners)
For twelve thousand years, my fellow!
I lived for a long time
and fed on the vital ojas (sublimated spiritual energy)
With the ojas vindhu I received the name, Bhogar:
The body developed the golden color of the pill:
Now I am living in a world of gold

(based upon translation by Yogi S.A.A. Ramaiah, 1979, p. 40-42).

He chose three of his best disciples and his faithful dog, and took thorn to the top of a mountain. After first offering a tablet to the dog, the dog immediately fell over dead. He next offered it to his leading disciple, Yu, who also immediately fell over dead.

After offering it to the two remaining disciples, who by this time were extremely nervous, and who promptly hid their tablets rather than swallow them, Bhoganāthar swallowed the remaining tablets and also fell over unconscious. Crying with grief, the two remaining disciples went down the mountain to get material to bury the bodies. When the disciples returned to the spot where the bodies had been left lying, all that was found was a note, in Bhoganāthar’s handwriting, which said:
This kaya kalpa enabled Bhoganāthar to transform the Chinese body over a period of 12,000 years, during which time it developed a lustrous golden color. (The physiological transformation to the state of swarūpa samādhi was, however, completed only later, at Palani in the final phases of Kriya Kundalini Yoga and related practices. These phases will be described in chapter 11. Bhoganāthar’s own graphic description is recorded in the poem at the end of this chapter Initiation into Samādhi.)The kaya kalpa tablets are working.
After awakening from their trance
I restored faithful Yu and the dog.
You have missed your chance for immortality. (Ibid.)

In this poem Sutras of Wisdom — 8. he sings prophetically of the taking up of the practice of pranayama in modern times by millions of persons who would otherwise have succumbed to drug abuse:

Will chant the unifying verse of the Vedanta.
Glory to the holy feet of Uma (the Divine Mother of the Universe. Shakti),
Will instruct you in the knowledge of the sciences, ranging from hypnotism to alchemy (kaya kalpa).
Without the need for pills or tablets, the great scientific art of pranayama breathing, will be taught and recognized
By millions of common people and chaste young women.
Verse no. I (based upon translation by Yogi S.A.A. Ramaiah, 1982, p. 40).

Becomes known as Lao-Tzu, founder of Taoism

After this incident with the Chinese disciples, Bo-Yang became also known as Lao-Tzu, and was accessible for nearly 200 years, and trained hundreds of Chinese disciples in Tantric Yoga practices, wherein semen and sexual energies are conserved and sublimated into spiritual energies. The advanced techniques which he taught involve raising the energies from the mūladhāra cakra corresponding to the perineum up to the sahasraracakra during sexual intercourse with a spiritually minded partner, resulting in sublimated energy, tejas. manifesting throughout all the cells of the body. In the fifth century B.C., Confucius met Lao-Tzu Bo-Yang and afterwards said of him:

I know a bird can fly, a fish can swim, and an animal can run. For that which runs, a net can be fashioned; for that which swims, a line can be strung. But the ascent of a Dragon on the wind into heaven is something which is beyond my knowledge. Today I have met Lao-Tzu, who is perhaps like a Dragon. Among the Chinese, particularly, the Taoists, the Dragon is the symbol of Kundalini Shakti, the primordial force.

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