Canon EOS 7D versus rival model with similar score

Further readings for the Canon EOS 7D

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

The Canon EF-S 55-250mm f/4-5.6 IS STM is a telephoto zoom designed for use on Canon DSLRs featuring an APS-C sensor. A versatile 2nd lens to complement the standard 18-55mm kit lens, it offers an equivalent 80-400mm focal length to get closer to the action and 3.5 stops of image stabilisation. With its DxOMark scores in, lets look at its strengths and weakness and consider some of the other options available.

Equipped with a new 20-Mpix APS-C CMOS sensor and dual-pixel CMOS AF system, Canon’s latest DSLR is the long-overdue update to the flagship EOS 7D model. Read on to find out how the new 20-Mpix sensor performs.

Canon APS-Cshooters will be pleased to see the announcement of the Canon 7D Mark II as their new flagship APS-C DSLR. Whilst the original version pushed many boundaries when launched, 5 years on it’s now looking pretty long in the tooth. So how will the updated 20.2Mp Mark II version compare in today’s dramatically different camera world? Lets find out.

With the 2014 World Cup in Brazil approaching, this is the time manufacturers with serious interests in professional sports start revealing new cameras and lenses to selected press agencies. Both Canon and Nikon are rumored to be fielding prototype professional-level APS-C bodies during the tournament for testing. However, rival Sony appears to have stolen a march by introducing the SLT Alpha 77 II ahead of the games.

Samyang is earning a reputation for good quality yet sensitively priced, high-speed full-frame manual focus primes. Can this new APS-C only 24mm equivalent model offer similar value and optical quality? Read on to find out.

Recently announced in a black finish, the original chrome-bodied version was the first telephoto zoom for the firm’s NEX mirrorless models and was intended to complement the 18-55mm kit lens. Read on to find out how well it performs.

Tamron has released a new modestly priced, stabilized super-telephoto zoom for both full-frame and APS-C cameras, the SP 150-600mm f5-6.3 Di VC USD. How does this $1,100 model compare against the slightly shorter-range Sigma and Canon offerings?

Canon was the last maker to introduce a mirrorless camera to the market and after something of a false start with EOS M, the company has released an update with the same Hybrid CMOS II sensor as the company’s Rebel SL1 (100D). Read on to find out how the new, Asia only, EOS M2 performs.

Continuing our series of evaluation of lens systems we’ve assessed a modest range of Pentax and third-party lenses for their optical quality on the firm’s new flagship Pentax K-3 model. As the replacement for the K-5 II and K-5 IIs, the Pentax K-3 has a new higher pixel density 24-Mpix sensor without an AA filter, and is a promising platform for lens evaluation. Read on to find out which models perform best, and which, if any, that should be avoided.

Introduced in July this year, the EOS 70D at first sight seems like a regular update to the maker’s mid-range EOS 60D model. It shares a number of features with the firm’s existing SLR range including a 19-point cross-type phase detection AF system, a 3-inch (1.040M dot) articulated touchscreen and built-in WiFi connectivity with remote viewing and image transfer. The camera can also shoot at up to 7fps and has 1080/30p video recording with stereo sound using an optional external microphone.

With a fixed f/2.8 aperture and no direct equivalent from Canon or Nikon its predecessor, the Tokina AT-X 116 PRO DX, was hugely popular with press photographers and HD filmmakers alike. Read on to see how well this new iteration performs in our tests.

This is the third and concluding part of the series of choosing the best performing lenses for the APS-C format EOS 700D / REBEL T5i / Kiss X7i, where we take a look at wide-angle primes, telephoto lenses and so-called super-zooms. The 18.1-Mpix sensor used in EOS 700D / REBEL T5i / Kiss X7i is similar to those in Canon’s other current APS-C models, including the new EOS 100D / REBEL SL1 and EOS 7D, so our results may still be helpful when choosing your next lens, even if you don’t own this particular model.

This is the second part of the series of choosing suitable lenses for the APS-C format EOS 700D / REBEL T5i / Kiss X7i, where we’ll discuss ‘standard’ lenses (zooms and primes) as well as short telephotos. The 18.1-Mpix ‘Hybrid CMOS’ sensor used is similar to those in Canon’s other current APS-C models, including the new EOS 100D (REBEL SL1) and semi-pro EOS 7D, so our findings may be valuable even if you don’t use a EOS 700D / REBEL T5i / Kiss X7i.

After comparing the imaging chain of the full-frame Canon EOS 5D Mk III across a raft of lenses, we’ve now turned our attention to the APS-C format EOS 700D / REBEL T5i / Kiss X7i. The 18.1-Mpix ‘Hybrid CMOS’ sensor in this camera is similar to those of the same size and pixel count used in the firm’s other models, including the semi-pro EOS 7D, so it may still be of interest even if you don’t own a EOS 700D / REBEL T5i / Kiss X7i.

Launched in July 1999, the Canon EF300mm f/2.8L IS USM lens has been one of the most popular super telephoto lenses in the Canon range for wildlife and sports photographers alike. As expected for a super telephoto lens with a constant f/2.8 aperture and an Image Stabilizer, it is right at the top of the tree in terms of cost. But does the performance match the price? DxOMark presents the results, including a comparison of the Canon with the Pentax smc DA Star 300mm f/ 4 ED (IF) SDM, a lens also recently tested in our laboratories.

Refreshed to include Canon’s latest evolution in autofocus technology, the Stepper Motor, the Canon EF-S 18-135mm f3.5-f5.6 IS STM offers ultra quiet continuous autofocus during video capture. With its predecessor the Canon EF-S 18-135mm f3.5-f5.6 IS still available and for less money however, if you’re not interested in video capture, which version of this lens should you go for and how does this latest model compare to the competition? Our Canon EF-S 18-135mm f3.5-f5.6 IS STM review has the answers for you.

Sigma’s 18-250mm f3.5-6.3 DC OS HSM zoom won praise for its balance of performance and convenience, but it looked bulky after rival Tamron introduced the diminutive 18-270mm F/3.5-6.3 Di II VC PZD. Reducing the size, and weight while updating the optical construction to allow a new minimum focus distance of 35cm, the 18-250mm F3.5-6.3 DC MACRO OS HSM is Sigma’s response. But has the redesign compromised the optical performance, or is it a valuable addition to the range? Read on to discover our verdict.

Adding a new line to the Canon EOS range, the EOS 6D is a fusion of the EOS 7D and the EOS 5D Mark III, that also includes some trickle down technology from the EOS-1D X. How does the EOS 6D fare against its competitors and more illustrious stable mates? Our tests reveal the answer.

Pentax’s new version of their very accomplished K-5 model manages to retain the top position in the Semi-Pro DSLR category against some very tough competition. Should we be disappointed that it fails to score higher than the K-5? Not really, the K-5 II incorporates a number of technology updates without damaging what was, in the K-5, a very good formula.

Three-and-a-half years after the release of the full-frame reflex EOS 5D Mark II, Canon finally unveils its successor, the EOS 5D Mark III, a reflex camera that takes several significant qualitative and functional leaps forward by borrowing the latest must-haves in photo technology from the EOS 7D and the EOS-1D X.

Three-and-a-half years after the release of the full-frame reflex EOS 5D Mark II, Canon finally unveils its successor, the EOS 5D Mark III, a reflex camera that takes several significant qualitative and functional leaps forward by borrowing the latest must-haves in photo technology from the EOS 7D and the EOS-1Dx.

The Tamron SP AF 60mm F/2 Di II is an affordable fast lens for macro photography fans. Even if the build quality isn't perfect, its image quality test results are quite satisfying for a lens at that price. Let's have a look at the details.