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Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 720 and continued for nearly one hundred and twenty years, has long held a firm grip on the historical imagination. This is the first book in English for over fifty years to survey this most elusive and fascinating period in medieval history. It is also the first book in any language to combine the expertise of two authors who are specialists in the written, archaeological and visual evidence from this period, a combination of particular importance to the iconoclasm debate. The authors have worked together to provide a comprehensive overview of the visual, written and other materials that together help clarify the complex issues of iconoclasm in Byzantium. In doing so they challenge many traditional assumptions about iconoclasm and set the period firmly in its broader political, cultural and social-economic context.

A major new survey of this most elusive and fascinating of periods of medieval history

Combines the expertise of a world-renowned art historian and historian, both specialists in the visual and written evidence of the period

Challenges many traditional views and places the period firmly in its broader political, cultural and social-economic context

Prizes

Winner of the 2011 PROSE Award for Excellence in Humanities, Association of American Publishers

Winner of the 2011 PROSE Award for European and World History

Reviews & endorsements

"This is the most important book on Byzantium to appear in my lifetime. The authors admirably fulfil their stated intention to discuss political recovery and institutional reshaping, the final stages in the evolution of eastern Orthodox dogma, the emergence of a new political and social elite, the transformation of urban life as well as urban-rural relations, and the generation of a new 'medieval' perspective on the past."
Thomas F. X. Noble, Journal of Interdisciplinary History

"… scholars and students interested in iconoclasm and Byzantine history cannot afford to ignore this volume."
Arctos

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Product details

Date Published: February 2011

format: Hardback

isbn: 9780521430937

length: 944pages

dimensions: 244 x 170 x 49 mm

weight: 1.69kg

contains: 71 b/w illus. 7 maps

availability: Available

Table of Contents

Introduction 1. Belief, ideology and practice in a changing world 2. Leo III: iconoclast or opportunist? 3. Constantine V and the institutionalisation of iconoclasm 4. The triumph of tradition? The iconophile intermission, 775–813 5. The second iconoclasm 6. Economy, society and state 7. Patterns of settlement: urban and rural life 8. Social elites and the court 9. Society, politics and power 10. Fiscal management and administration 11. Strategic administration and the origins of the themata 12. Iconoclasm, representation, and rewriting the past.

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Authors

Leslie Brubaker, University of BirminghamLeslie Brubaker is Professor of Byzantine Art and Director of the Graduate School (College of Arts and Law) at the University of Birmingham. Her previous publications include Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the Homilies of Gregory of Nazianzus (1999) and, with John Haldon, Byzantium in the Era of Iconoclasm: The Sources (2001). She has edited Byzantium in the Ninth Century: Dead or Alive? (1998) and co-edited, with Robert Osterhout, The Sacred Image East and West (1995) and, with Julia M. H. Smith, Gender in the Early Medieval World: East and West, 300–900 (2004).

John Haldon, Princeton University, New JerseyJohn Haldon is Professor of History and Hellenic Studies at Princeton University and is currently a Senior Research Fellow at the Dumbarton Oaks Center for Byzantine Studies. His previous publications include Byzantium in the Seventh Century: The Transformation of a Culture (1990; revised edition 1997) and Byzantium: A History (2000). He has edited The Social History of Byzantium: Problems and Perspectives (2008) and co-edited, with Elizabeth Jeffreys and Robin Cormack, The Oxford Handbook of Byzantine Studies (2008).

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