Ultimately, Mattie Fresno and the Holoflux Universe is a movie about big ideas that is simply too constrained by its theatrical staging necessitated by an apparently small budget. - Boxoffice MagazineEDIT

Like the majority of its subjects, this inspiring doc may not be able to hang with the big girls and boys at the front of the box office pack, but it looks to have the legs to last in the right theatres -- perhaps especially so during the Olympics. - Boxoffice MagazineEDIT

The true mystery of The X-Files, then, is not only whether the connection between Mulder and Scully, but also the one between the charismatic characters and their fans, would be able to withstand the resultant strain. - Boxoffice MagazineEDIT

Baker proves himself a worthy heir to the Italian neorealists of the 40s and 50s capturing capably the desperation, and potential defeat, inherent in poverty. Arthouse audiences will be properly appreciative. - Boxoffice MagazineEDIT

Although it displays some mumblecore characteristics, such as a performance from Hannah Takes the Stairs star Greta Gerwig, Baghead distances itself from the movement by being well, watchable. - Boxoffice MagazineEDIT

Call it unintentional-intentional-unintentional humor: Lee presumably believes that he's satirizing the unintentional laughs inherent in no-budget genre fare, but does so in such a shoddy manner that the audience is laughing at him instead of with him. - Boxoffice MagazineEDIT

While this rock'em sock'em rom com about a middle-aged man's unlikely return to the world of amateur boxing doesn't quite score a knockout, it lands a respectable number of body blows -- and belly laughs. - Boxoffice MagazineEDIT

Whatever comic misadventures he set out to commit to film on his shoestring budget, [director] Mandt proves again and again in Last Stop for Paul that he was ready when the time came. - Boxoffice MagazineEDIT

That director Rob Reiner is often successful in eliminating the too-sweet taste of sentimentality is largely due to a pair of powerhouse performances from Freeman and Nicholson. - Boxoffice MagazineEDIT

This genuinely moving picture, with its edgy hand-cranked camerawork, represents a remarkable reinvention for a former B-movie maven whose most notable achievement before this was directing an 18-year-old Angelina Jolie in Cyborg 2. - Boxoffice MagazineEDIT

Joe Strummer may have sung 'I'm So Bored with the U.S.A.,' but American audiences will be anything but bored with music video innovator Julien Temple's coruscating celebration of the iconic Clash singer/songwriter. - Boxoffice MagazineEDIT