Sobre o álbum Chimeric Stoned Horn(lançamento em 29 Setembro 2017)​“The fragility of the piccolo trumpet against the scraping of electronics creates a musical anomaly that is both challenging and mystical. Nothing can be out of place in this alternate reality. Remarkable.” All About Jazz​

Beautiful, among the best things we have listened lately” All About Jazz“A vivid influence in European jazz and new music since the late 1970s” The Guardian"Highly skilled musician" JazzTimes"Melhor disco internacional 2014" (...)“ Fascinante.” Rui Eduardo Paes, Jazz.pt"A concert like this is rare, in that it restores the profound meaning of music as a solitary and totalizing experience, an experience not" heroic "or self-celebrating but deeply human, touching, And at the same time troubling." Altri Suoni"Staggering virtuosity" JazzViews"Dominique Pifarély has been a vivid influence in european jazz and new music since the late 1970's" The Guardian"Anyone who hears his solo can only be astonished at how Pifarély stretches his bow, how he moves with a few strokes from one provenance to the next, from one epoch to another, from one Genre to the next. His flow of ideas never seems to be extinguished; his technical and stylistic means of design are considerable, his form is distinct. Anyone who enters his unaccompanied violin playing can easily get into a suction" Jazzthing"Dazzling violinist" Independent“Un violoniste et un compositeur incontournable sur la scène actuelle.” Europajazz Festival"The variety of timbres, exclusive sound and unexpected stylistic turns fascinates in all compositions (...) unique and exclusive talent and wide abilities of Dominique Pifarely improvising" (...) "very sensitive, extuingishe and contrasting" (...) "various jazz styles are combined in these compositions. Here meets swing, modern jazz, free jazz, academic avant-garde, modern classic and other" Classic and JazzRarely has music in our time been so close to the human voice. Now high, now low... Like a song that is constantly threatened. Its emergence is perilous, almost painful, disturbed by phantoms and quaverings which, like invisible ink, are there and not there, eloquent expressions of sympathy in suffering. Far from - or beside - all drawn-out sobs, swinging capers and other violinistic tricks of the trade, it is on a kind of ascent, an incredible journey, that the bow of Dominique Pifarély invites us” Jazz Magazine