The Shape of Things to Come at the Saatchi Gallery, London SW3

As easy as falling off a log: Folkert de Jong’s Seht der Mensch; The Shooting LessonFolkert de Jong, 2007

There has been a recent fashion in the art world to scoff at the collector Charles Saatchi, widely credited with the discovery of the YBAs. To deride his magpie methods of collecting (buy loads, sell off a lot of it); to crow at his diminishing influence in the face of major international collectors such as the Ukrainian billionaire Victor Pinchuk, or homegrown buyers of young and emerging artists such as Anita Zabludowicz. To accuse him of arrogance: naming a TV show (School of Saatchi) after himself but refusing to appear in it, and offering a chunk of his collection to the Government, only some of which it would actually want and probably can’t afford to conserve.