Category: Photoshop

There are more ‘cameras’ out there than ever before, but not every smart-phone slinging shutterbug knows a lot about shot composition.

That’s alright. It’s why there are photographers.

We’re supposed to understand a bit about what make an image more than good and where the possibility exists to move the observer, to make them ‘feel’ something other than mere recognition.

It’s the difference between ‘that’s a nice picture of those two’ and ‘wow, those two must be in love.’

Recently I updated my mug (face) across most social media. I won’t go into why (some do as often as the weather), but I will explain how.

I took the image I’d been using, which I was happy with, and flipped it horizontally in Photoshop. That’s it. I cropped it basically the same way and uploaded.

What struck me, after Facebook friends were notified of this breaking news, was the feedback I received on my new profile pic – specifically the lack of a particular type of comment. On a related note, I do ‘maintain’ a Facebook page for my photography, though – the profile pic isn’t there… Go ahead and follow or like me on Facebook. I don’t bite.

Perhaps folks were just being kind, and who doesn’t appreciate a little flattery, but nobody wrote “That photo looks familiar,” or “Is that the same photo just backwards?”

I know, I know… when you update your profile pic, folks don’t get to see it side by side with the old one like here.

Still, I wasn’t expecting any feedback – and once it began, I thought someone would mention it.

If you’ve been using a shot for six months or more and you’re active online, I’d assume people would recognize your profile pic.

O.K. Let’s put that all aside. Perhaps nobody looked at my pic since May, and were sincerely complimenting me on the new image.

The response however, dozens of likes and the related comments, got me thinking my reasons for flipping the photo were valid.

It got me thinking about mirrored images and inverted images, though turning folks into their negative sometimes produces scary results. Nonetheless, Mirror:Mirror is this week’s theme.

(Tangent Warning/TW) coincidently the approximate name of a favorite episode of Star Trek TOS about an alternative universe. No, we’re not writing about Star Trek – though I can’t help sharing this shot of alternate-universe Spock -straight and half inverted.

What the hell, for those of you unfamiliar with the show (you’re probably out there) – here’s what Leonard Nimoy’s character usually looked like, next to ‘evil Spock.’

If you’ve got to have more on the Star Trek thing, you can read this piece by R.S. Guthrie who sums it up nicely

Back to this reality.

Perhaps because of my film and video training has conditioned me to notice continuity errors such as unbuttoned shirts between takes, or line-of-sight conflicts, I often notice – or think I notice flipped photos. Sometimes the give away is in the background. Sometimes it’s as simple as a T-shirt with backwards content.

A photo might be flipped so that it will read better on the page (or screen).

A sequence might be ‘flipped’ day for night, as in the filming of Alfred Hitchcock’s “Pscycho.”

Or, an image might be flipped artistically, purely for arts sake – possibly even paired with the original in kaleidoscope fashion.

Here’s a example that works well – I see butterflies in the mirrored shot of ice crystals

Here are two shots that probably shouldn’t be flipped – even if advantageous for the layout.

Here’s a shot that’s flipped to no end. It’s a throw-away snap of a bird and nothing is really gained in this instance by flipping it on it’s own – but when paired with the original it starts to become something.

In this split-screen sundial from Five Rivers which I wrote about a few weeks back, the left side retains the natural patina. The right half, which is inverted, looks more like vintage brass. I think it looks better than the original in some ways, because the dreadful mortor applied to deter thieves is less obtrusive. I’m amused at how completely natural the boulder looks on both sides. It seems like there might be a use for this anti-aging effect on old metal in photographs.

My wife, the whitewater guide, first asked if this was a real reflection shot then, after I showed her how it was achieved said “that can’t be real, because the water would be rippled from the waterfall.” Water-smart, she is. She also corrected me on location. It was North Carolina, not Maryland. I knew there was a wedding involved.

It could be interesting to look at and share your ‘mirrored’ images in a future post, and I’d like to pursue it as a way to extend the conversation

I’m going to borrow some guidelines from Leanne Cole, who absolutely sets the bar for this sort of community activity. Full disclosure: While writing this I discovered Cole recently published “Reflections” for her Monochrome Madness blog.

I’m blushing at the similarities, but stress I’m interested in manipulated images not naturally occurring reflections.

As such, I invite you to email your manipulated photo(s) to jonathan@mentgroup.com when I have enough to proceed, I’ll revisit Mirror:Mirror and share. I’d like to revisit in a week or two. Let’s see if interest grows.

Preparing your photos:

For the sake of my Internet connection and the needs of the web, images should be resized to low-resolution with the largest size 1,000 pixels or less and saved with a new file name (protect your originals!).

Please modify the file name to include your name or blog or website. Include a link to your blog or website in the body of the email.

If you have something great to share, but prefer to remain anonymous in the blogged version, that’s fine too. Just let me know.

I probably date myself in this post – so read it and share it quickly, before I come to my senses and delete it.

My interest in texture began during the early years publishing an indie-music ‘fanzine’ “(the) Urban Rag.

Clarification needed, I believe. The texture I’m referring to here as two-dimensional would I feel be more accurately be called a ‘pattern,’ whether repeating or random. However I believe over the past 30 years convention has redefined texture in relation to photos and more specifically Photoshop.

“Texture and pattern are terms that describe various decorative elements, such as upholstery fabrics, curtains, walls and even types of tile. While it may be difficult to tell which is which from afar, hands-on access clues you in right away. A pattern is a visual element that repeats, such as plaid or stripes, whereas texture can be felt, such as the surface of a brick or a piece of burlap. … Texture can be seen as well as felt; it has some level of dimension to it.

The Zine “Urban Rag,” was named through a mashup (before mashups existed) of “Urban Blight,” a band active at the time and who’s set list was hanging from a speaker in my home – and Rag, common derogatory slang for a newspaper. I didn’t know at the time I’d later work for a string of sub-urban newspapers – but I’ll save that for another time

With humble apologies, I admit the website is about as lame and primitive as you’ll ever see – but it is a time-capsule.

The Urban Rag was initially assembled in my pre-Desktop Publishing days meaning there was variably wax, or glue and glue sticks and bits of paper and cut out headlines and printed images – basically the layout was a collage. (Credit due to a contemporary zine called “Crashing Waves.” Who’s ‘digest’ size and general approach I emulated.)

We also used these sheets of transferrable letters that had various fonts and sizes that you rubbed on to the sheet you were creating – sort of high-tech ransom note approach. These rub on letters and symbols are still available, or available again, but I moved away from them as the process grew more computerized.

By the end of the process, the master – from which we made copies for circulation/distribution truly had texture. Parts it were thick with layers, had uneven edges and were made up of different materials. But the end result was flat, two-dimensional and for many years reduced to black and white or shades of grey on colored stock

My partner in this venture, Gary, had access to a copy machine (like so many zine publishers) and the early issues were photocopied in a (church) office after hours. We looked for creative backgrounds on which to layout each page. I’m sure it was he who came up with this first.

We’d take two and three-dimensional items and objects, photocopy them, then layout the reviews on the photocopies.

We used remnants of wrapping paper, seconds of screen from a window, the dimpled lens from a drop ceiling light figure – you name it.

In 2013 ago I posted a series of photos from a bridge construction project. These stand on their own as part of that digital exhibit, but the purpose for many of the photos was to collect textures for use in Photoshop.

These shots and others are part of my texture bank. They’re on the shelf if and in case I need them for some future photo (or publishing) project or exercise.

Much in the way things change as you look at them more closely – new details emerge, this texture bank offers a wide range of possibilities. In the photo copying days this was achieved through enlarging or reducing what we were copying. Computers have made this a bit easier to be sure – though less ‘organic.’

If you take photos for fun, pleasure (or even profit) and think creative/artistic editing is in your future (with scissors or Photoshop) If you’re not already doing it – I encourage you to begin capturing and collecting these sorts of images for your texture bank – or savings account.