Through different strategies I isolate the figurative illusion from its context, from its function, from its history. Thus, provoking the orphaned state of the "trick" while observing its journey, and asking myself if then could stop becoming comprehensible without a context in which to be able to act. I observe in order to figure out at which point the optical illusion becomes a disillusionment, in order to figure out at which point the form is mute, or on the contrary, in order to figure out if the illusion or representation of the form contains an expressive and narrative potentiality by itself.
The body of work tries to generate a series of poetics around the function and the sense of representation, around the grade of presence in the represented object. I wonder if the idea of "the figurative" or the pictographic representation, that was compromised since it lost its pedagogical function in the walls of the temples, or the illustrative reinforcement of a written text, or in the absence of other technologies, I wonder if the function of this idea of bringing a piece of the world into a domestic sphere can exist by itself from a contemporary perspective.
It is interesting observing what associative load in terms of meaning contains the "almost said". What is the potentiality of something that is appearing and disappearing.