“After that he put his hands again upon his eyes, and made him look up: and he was restored, and saw every man clearly”. – Matthew ch. IX

Quantum miracle that was performed at ease by Christ had its origin in the esoteric training at Shambhala. The Superconscient Force which when activated with a high-degree non-dual orbital spin generates shifts in space-time coordinates violating Cartesian principles . The pull-string technique of the time-moun acceleration generates extra-cosmic synthesis of light in matter to grant the pure physical vision (active-inactive). Thus, such powers latent in the subatomic canvases of the human mind can enable a John Milton to write one of the best known sonnets ‘On His Blindness’ even when he became completely blind. Milton was serving the god-infinite, the god-within and the god-without. He was writing for the whole creation – the act of giving life-vision to enlighten the parable of talent which man possesses by virtue of his special birth is a miracle in itself. This birth is also that of an inner-vision, an inner-hearing as well, which made Beethoven compose symphonies even when he was deaf.

“They also serve who only stand and wait.”- (On His Blindness- John Milton)

The degree of patience that one can have to understand the intuitive logic of a complex pattern of matter entanglement with the spirit, is also a fundamental key to understand the Fibonacci series of his geometric questioning of the self (the enquiry into Brahman, Para-Brahman) to logocentrically deny the existence of any such metaphysical entity by putting the faith-numbers on the ‘Alice in the Wonderland’ causal diagram in a verifiable hyper-space. Higher the faith number greater the power to mould the destiny because then consciousness generates its own retro-cause for its unlimited butterfly-effect to change substance in primitive order according to a supra-cosmic law of perfection.

Peter Paul Rubens’ Celestial Light of the Origin in his paintings and the Transformation of Matter by White Light Synthesis (Jim Morrison & Jerry Garcia as apostles to Dionysian and Apollonian Forces in the Landscape)

The painting here summarizes the glow of the celestial light of the origin if we think ‘dark matter’ is the source of everything in this creation. The yin-yang in the painting is the subtle interplay of the senses between auditory and ocular mediums creating a kinaesthetic effect that transforms time into an ‘ever present paradox of the moment’- the ZEN of immutable delight or ‘ananda’ in the temporal process of existence. Here the god is not so much the object outside in the phenomenal world, but in ‘man as reality’ of a benevolent shepherd, who takes care of the flock and the community, as the ‘para-prakiti’ finds the magnet in him as in herself. This ontological classification of man within the hierarchy of God the Father acts as a kind of memory-painting intertext of an ecologically conscious artist who knows his ‘being’, lives in that ‘idyll’ of supreme intelligence in the Brahman, and finds his inspiration from the Shakti/Nature.

Though Rubens’ landscapes are about the expressions of light (internal, external), there is also a finer judgement in his works that pastoral settings are not only about the exuberance of life, but integral nature of it also presupposes a degree of sadness in it because, ‘life-death’ are continually harnessed in our biological self, in the cells and in the cosmic order of things.

The deeper monotone of emotional suffering is a Dionysian force (that finds joy in death and negation) operative in nature that unveils the secret of ‘mind’ in matter for the process of integral synthesis and transformation.

Jim Morrison experienced similar forces when he wrote: “moment of inner freedom/when the mind is opened and the/infinite universe revealed/& the soul is left to wander/dazed & confus’d searching/here & there for teachers & friends”. It’s the same ‘quantum multiverse’ that’s opening to him as in the painting, ‘exaltation’ often bearing a touch of loneliness as it grapples with infusion of time with the solar plexus of eternity.

The quanta of qualitative judgement is not the focus of the artist or the poet/singer but the experiential qubit is the only statistical proof of his ‘faith’ in ‘nature and in ‘him’, as the source of the carrier-particle is often hidden in the square-root of its quantum-multiverse. The trees and houses in the background are brimming with Apollonian grace – a conjunction of light and matter, as one sets the law to sustain the harmony of the other (theory of sustainability and order) in itself, and by it, as a rare proof that both forces can simultaneously exist to bring equitable distribution of the quality of light intensity in the mind (internalisation process as para-truth verification) as consciousness in matter.

Jerry Garcia who gave music to Robert Hunter’s words in the Grateful Dead song The Eyes of the World, can be seen as a ballad that connects with the Apollonian force present in the painting.

“Wake up to find out

That you are the eyes of the World

But the heart has its beaches

Its homeland and thoughts of its own

Wake now, discover that you

Are the song that the morning brings

But the heart has its seasons

Its evenings and songs of its own”.

The song that morning brings is a template of the artistic source within, the Tao of life is a higher integrated substrate of the cosmic synthesis of light in matter to activate consciousness in its time.

NEW AGE SYMBOL OF THE CREATION : YUNGDRUNG & OUROBOROS, Monalisa, 2012

SYNTHESIS OF THE WHITE LIGHT

Origin of Origins comes from the refracted white light synthesized from the blue eternal dark matter. What is that? That is not that. Krishna on Kali is Kali in Krishna; the Shyama in Adi Buddha is the darkness of the fangs of Ouroboros.

Ouroboros is Ouroboros – the venomous eternity that engulfs the evil and the pure. It causes the Equilibrium Occurence- the ultimate state of Sunyata (or zero) where Everything is Nothing and Nothing is Everything. Zero is the eternal coil of the eternal circular Ouroboros blessing the creation in its ambitious quest to reach its completition. Circle being the embodiment of the perfect geometrical shape is the everlasting fascination of the human race where every individual’s soul searches and yearns to reach that Supremacy, the cause of its birth and rebirth.

Some attain, some fail, some try again!

What is that Supremacy?

A state of eternal bliss where the venomous poison of Ouroboros is the sweet honey dew falling dripping from the source of the eternal milk of the paradise.

The calming light…

Ouroboros here is the loving mother and the caring father!

OM ADI ADI BUDDHAYA NAMAH

– MONALISA

Consciousness-Analogue

In the Prism of the Matrix the Symbiosis of YungDrung Bon and the Ouroboros: White Light Synthesis from the Unelvum Dark Matter

The pure indivisible matter is him

Heard him say, it’s a long way journey from home

The blue-prime unelvum dark matter crust crystallizes my soul

And in the cognitive spring-board of consciousness he engulfs the divine-undivine

The svastika or the yungdrung is the rotational cusp of the final judgement

He was there, is and will be

Existence is a constant recognition of that truth

There is nothing unreal about it, nothing secular but the feet of time has the anklets of death

Mystery unfolds the hidden secret of beings

Beauty resides in all that’s undying dying-and-not-dying

Living beyond the cyclical time and consciousness

In the yagiga-vontaxness

Brutath shung

Hithuiva craduth

Ant walker operation on the sun yun hun icraxo-stem determines the beauty of the flowers in the shape of a dream touching the stone of alblackica to pray for the present entity, the creation

Bird of a Yellow Feather Rise from Death to Immortality: The Anti-Clockwise Movement of the YungDrung Bon from the Alblackica Wheel of Time towards a Higher Differential Equation of Consciousness in the Creation

Phoenix & Dragon (Book Cover Art)

Consciousness-Analogue

Bird of a Yellow Feather

The moon rises like the pyramid far above the roving horizons

There destiny is foretold many a times

I am a traveller bound by space of an unlimited space

Through the wired wind in a whistle the sound claps her hands moistens her feet

Above the dark spiral where matter is the time line of the white light of Dzogchen

Reconnoitring the multiverse in a quantum differential way

Tazig is tazig is tazig

Heliocentric gold of sadhana is the integral capital wealth apparatus of the paradise

Diamonds sparkle beneath the tree of Jehovah intersecting the anonymous book of the dead

There the yidam is the free bird vector-diagram of the Alph on Alph

Coleridge knew some variants of this truth infused by the monologues of Adam

There was a tree in the onyx of the sun; red like a supergiant diminishing to a point

In the line of the plasm the mind was a virtual semi-virtual tool to superimpose the truth

The truth is gryotit truth of no truth in the empty box-vessel of nirvana

Bird of a yellow feather crossed over the sea and trundled in rain

The sky was her carpet from Zhang-Zhung lands that adorned the black ether Jeremiah of alblackica

In the nanoseconds of retro-causal infinity time was riding the metamorphic rock of a million joys

Above the ocean at the midnight hour

When sleep was stoned in the cavern of light unborn

It saw itself in the no-beginning of an end in between the awakening and the death

Letters came from an enlightened consciousness that spoke of the sun and the liberation

Standing before the twilight mirrors of the language in mind

I saw words are like lens looking at eyes imaging other words in a constant dual-non-dual mode

In a meaningful way the bliss of existence procures consciousness to add more life into lives.