Neil Young & Lynyrd Skynyrd: The Friendliest of Feuds

Mutual Admiration Made Them Pivot to Damage Control

At the center of it all was a 1974 hit song by Southern rock pioneers Lynyrd Skynyrd. The song, “Sweet Home Alabama” was either a “redneck” anthem that salved Southern wounds of Northerners’ harsh and unfair judgment of the South’s racial attitudes…or it was a light-hearted “joke” that embraced just a little bit of friendly score-settling. Here it is, courtesy of YouTube.

The lyrics that created a stir went like this:

Well, I heard Mister Young sing about her
Well, I heard ole Neil put her down,
Well, I hope Neil Young will remember
A southern man don’t need him around anyhow.

Neil Young and His Causes

After acclaimed stints with Buffalo Springfield and Crosby, Stills, Nash & Young, Canadian-born Neil Young released several solo albums that established Young as a prolific songwriter who was quite willing to take up liberal causes. Young had written the anthemic “Ohio” for CSN&Y right after the 1970 Kent State massacre of anti-war protesters. Three months later, in his third solo album, After the Gold Rush, Young tackled the issue of race in the song, “Southern Man.”

Young’s fourth solo album, Harvest, the best-selling record in the US in 1972, included the song, “Alabama.”

Oh, Alabama,
Banjos playing
through the broken glass windows
down in Alabama.
See the old folks
tied in white ropes,
Hear the banjo.
Don’t it take you down home?

Neil Young in his Lynyrd Skynyrd whiskey shirt.

In his 2012 book Waging Heavy Peace, Young expressed regret about the song, “Alabama.”

“I don’t like my words when I listen to it today,” Neil Young wrote. “They are accusatory and condescending, not fully thought out, too easy to misconstrue.”

Young’s ruefulness might have been rooted in both Neil’s and Lynyrd Skynyrd lead singer and songwriter Ronnie Van Zant’s struggle to make things right after the damage was done. That effort, based on mutual admiration, was stopped abruptly by tragedy.

The Crash

On October 20, 1977, three days after the release of Street Survivors, the band’s final album as an original unit, three members of Lynyrd Skynyrd–Ronnie Van Zant, Steve Gaines and Cassie Gaines–died when their chartered aircraft destined for a concert in Baton Rouge, LA, crashed somewhere over Mississippi. There were survivors.

Just weeks after the accident, Neil Young played a benefit concert to raise money for a children’s hospital. Near the end of his set, Young played a medley of songs that included his own “Alabama” and Lynyrd Skynyrd’s “Sweet Home Alabama.”

Young has not played “Alabama” a single time since that night in Miami.

Ronnie Van Zant in his Neil Young finest.

There are at least two takes to Ronnie Van Zant’s view of the Neil Young reference in “Sweet Home Alabama.”

“We thought Neil was shooting all the ducks in order to kill one or two,” Van Zant told Glide Magazine. “We’re Southern rebels, but more than that, we know the difference between right and wrong.”

Van Zant, who was born and raised in Florida, told Rolling Stone: “We wrote ‘Sweet Home Alabama’ as a joke. We didn’t even think about it. The words just came out that way. We just laughed like hell and said, ‘Ain’t that funny?’ We love Neil Young. We love his music.”

In the book Freebirds: The Lynyrd Skynyrd Story, Marley Brant wrote:

While the rebuttal was heartfelt, Skynyrd held Neil Young in high regard for his musical achievements and they weren’t intending to start a feud of any kind. “Neil is amazing, wonderful…a superstar,” said Van Zant. “I showed the verse to [California-born guitarist and bassist] Ed King and asked him what Neil might think. Ed King said the tune was not so much a direct attack on Neil Young but just a good regional song.”

Neil Young in Mojo Magazine:

Oh, they didn’t really put me down. But then again, maybe they did. (laughs) But not in a way that matters. Shit, I think “Sweet Home Alabama” is a great song. I’ve actually performed it live a couple of times.

3 Responses

Thanks for the memory booster Andy. At the time, this “feud” was fraught with the still smoldering residue of the civil rights movement and the debasement of our politics from Nixon’s southern strategy, which mainstreamed racism into our body politic. There is a third entity who inhabits this story: George Wallace, the incendiary governor of Alabama who represented the psyche of the South to us Yankees and was probably the protagonist of “Southen Man”. Fortunately there is a cultural history in musical form that dives deep into the story of Skynyrd/Young and the cultural histoty of 1960’s-70’s Alabama. This comes to us via the hard rockin Drive By Truckers, for the past 15 years the apogee and paragon of contemporary sourhern rock. On their masterful 2001 LP “Southern Rock Opera” these native Alabamians, who came of age during this tumultuous time, give us two historicultural musical gems in “Ronnie and Neil”(the subjects of your story), “The Southern Thing”, “Wallace” and the masterpiece “The Three Great Alabama Icons” (about Ronnie Van Zandt, George Wallace and Bear Bryant). This album is a must listen, not just for the history lesson but for the smokin rock that drives it. I could go on in further detail but fortunately there is a thoroughly entertaining and insightful review on the websiteJeremy Etc. Read the review and by all means listen to the LP. It’s one of the best rock albums of the last twenty years.

Victor, I appreciate your comment. It makes a perfect bookend to my piece. Yes, George Wallace played a large part in the drama. The lyric in Sweet Home Alabama: “In Birmingham, we love the governor” and then a shadow chorus shouts out, “Boo, boo, boo.” Ronnie and the rest “all did what they could do.” They hated George Wallace.

I love that Drive-by Truckers song about the “Three Great Alabama Icons.” I love the lyric, “Now Ronnie Van Zant wasn’t from Alabama, he was from Florida, He was a huge Neil Young fan.”

I restrict my articles to 700 words and I’m working on 500. Maybe I’ll rely on you to fill in the gaps that I have to leave out. –AG