Carve Her Name With Pride

Honestly, I picked this one up because of the cover. The title struck me, as did the image of a flaxen-haired beauty brandishing a handgun. This is the true life story of British spy Violette Szabo (Virginia McKenna). Since her real life was gussied up for this film, I am simply going to refer to the film, not her life. Widowed in 1942 (her husband was a French soldier), she is propositioned to act as a liaison between British and French troops. Being fluent in French and athletics, she was a swell candidate. We follow her journey from 1940-1944. It’s a nice time-warp to a period when evil was so easily defined. Nazis? Yes, EVIL! Torn between her only daughter and fulfilling her civic duty, she quickly decides to leave the former behind and finish what she felt her husband had been fighting for. We follow her to her unfortunate end in 1944.

I found the film highly enjoyable, in part from the very subtle camera work and non-invasive directing. In a scene when Violette is handed her husband’s death letter by her mother, we simply see a door close. This was a very subdued and nice touch that goes along with the slight tension throughout the film. We don’t see her reaction to her husband’s death, and more importantly we never see McKenna overact. Her military training is fun to watch. Akin to a less nefarious Le Femme Nikita situation. Training montage, nasty drill instructor, and hijinks all included. There is a very striking scene of her wandering the streets of a German occupied French city while on her first mission. A stark contrast to the lightness of her home life in London.

Quiz Show

Quiz Show is a quintessential tragic American story. The great subject of the film is television and the point at which it came to define American culture for better or worse (mostly worse). With television itself having an almost operatic power as a thematic backdrop, the film tells the story of a son tarnishing his family’s good name, the architects of television’s pop cultural dominance cynically duping an entire nation, the casual anti-Semitism of the 1950s, the cultural clash of WASPs and ethnic New Yorkers, and a young Washington investigator who wants to make a name for himself and winds up destroying his friend in the process.

The year is 1958. An NBC quiz show called 21 is a national obsession that 50 million people tune into each week to see what they think is an honest display of intellectual acumen and knowledge. What they don’t know is that the show’s producer, Dan Enright (played by character actor David Paymer), in cahoots with the show’s principal sponsor Geritol and with the implicit approval of NBC itself, is fixing the results of the show to boost the ratings. The film begins as the current reigning champ of 21, Herbert Stempel (played with wiry desperation by John Turturro), is given the boot for being too goofy looking, too unrefined, and, though they won’t say it, it’s clear that he is too Jewish. As the president of NBC muses, they want a guy on 21 who looks like he can get a table at 21. Enter the elegant, educated, and super dreamy Charles Van Doren (Ralph Fiennes playing the Ralph Fiennes type) who innocently drops by NBC to try out for a different game show at the behest of his friends. When Enright and his sleazy sidekick Albert Freedman (played by Hank Azaria) spot him, they can barely contain themselves. Charles Van Doren is from a celebrated American literary family. His father Mark (played by the recently deceased Paul Scofield) is an English professor at Columbia University, where Charles also teaches. Charles has amazing hair and Ivy League manners. He is the perfect little lamb for Enright to lead to the proverbial slaughter.