DID YOU READ

What to Watch on IFC in December 2008

In this festive month, IFC presents Homicidal for the Holidays, where psychopaths offer another take on the meaning of “holiday cheer.” Tune in December 25th and 26th at 6pm Eastern for two days of dysfunctional behavior from people who could use a nice, warm cup of eggnog and some fuzzy holiday spirit. Kicking things off: “The Deep End,” starring talented Oscar-winning actress Tilda Swinton as a woman who goes to extremes to protect her son from a murder accusation. Then, check out “The Burning,” about a summer camp counselor seeking revenge on teens who disfigured him, “Dahmer,” based on the life of the infamous seriel killer, and “Buddy Boy,” revolving around a guy who becomes obsessed with his neighbor. Rounding out the two-day fest: “The Honeymoon Killers,” the real life story of a seriously deranged couple; “Gangster No.1,” following the ups and violent downs in the life of a British gangster; “Ed Gein,” who quite possibly could have spent a holiday with Dahmer; and, “Wonderland,” featuring a stellar cast led by Val Kilmer, and based on the brutal murders that took place at porn star John Holmes’ Hollywood home.

A series you may have seen here at IFC.com, “Wilfred” makes its IFC television premiere in the Automat on Tuesday, December 30th at midnight. In an effort to understand and become best buds with his girlfriend’s dog, Adam finds himself imagining the pup as a misbehaving, foul-mouthed, pot-smoking human in a dog suit. This Australian comedy, which also makes its debut for the first time on US television, is unlike any other.

LAST MAN STANDING Walter Hill directed this action flick that brings “Yojimbo” to the 1920s gangster era. Bruce Willis stars as the lone gun playing rival gangs against each other in a Texas town. Premieres Sunday, December 7th @ 9PM Eastern.

CQ Filmmaking runs in the Coppola blood. After directing music videos for bands like The Strokes and Green Day, Roman, son of Francis and brother to Sofia, made his feature debut in this indie about a young American director who sets off to make a low budget feature in Paris and ends up falling for his leading lady. Premieres Friday, December 12th @ 12:30AM Eastern.

DARKNESS Anna Paquin, who won an Oscar at the tender age of 11 for her performance in “The Piano,” stars in this horror about a family who move into a creepy new home in Spain. Premieres Saturday, December 13th @1:15PM Eastern.

MONSTER’S BALL Halle Berry won the Best Actress Oscar for her role as a black widow who falls in love with a racist corrections officer, not knowing he was involved in her husband’s execution. The film also features strong performances from Billy Bob Thornton and the late Heath Ledger. Premieres Saturday, December 13th @ 9PM Eastern.

Reminders that the ’90s were a thing

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture.

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places.

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Whips, Chains and Hand Sanitizer

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.