Wentworth Villa: Restoring a Heritage Home

A tour of the heritage Wentworth Villa in Victoria, British Columbia showcases history and restoration efforts as it prepares to become the Architectural Heritage Museum

Updated August 2019:Wentworth Villa is now open a few days a week. Housed in a restored heritage home, it is a museum focused on the architectural heritage of Victoria, British Columbia. I attended a tour of the building in 2016 as it was being prepared to house the architectural museum. The tour focused on the restoration work. That restoration work is visible in the museum today and part of the what the museum exhibit.

Wentworth Villa is a heritage home in Victoria, British Columbia built in 1863. The building underwent extensive restoration and structural work from 2012 to 2016. During my tour, I learned a bit more about the architecture and the history of Victoria and gained more respect for the painstaking work of restoration.

Renovation means making something look like new. However, restoration means returning a space to its original appearance. It means retaining the maximum number of original building materials, doing repairs with minimal changes to the original building fabric, and, if possible, using the same methods as were originally used.

Wentworth Villa was owned by only two families before it was acquired in 2012. Its history did not include extensive remodeling as is often the case with homes of this era, which have served various purposes throughout their lifetime. Many parts of the building survived intact. Doors, windows, floors, fireplaces, siding, bargeboards, and the wrap-around veranda are original, although the balustrade for the veranda was lost. Changes made to the building included a new foundation and upgrades to meet modern building codes. A new foundation was built around the original foundation, which was substandard by modern definition. Building code upgrades included seismic provisions to withstand moderate earthquakes and the installation of fire sprinklers and a fire stairway.

The Ella family were the first owners of Wentworth Villa. Henry B. Ella arrived at Fort Victoria in 1847 as Second Mate of the Hudson Bay Company. Martha Beeton Cheney arrived with her aunt and uncle in 1852. The two married in 1856. They moved into the newly-built Wentworth Villa in 1863. Very few houses were built outside the Fort at that time. Wentworth Villa sat on a hill surrounded by Garry Oak trees, a good twenty-minute walk from the city core. When it was built, it was the largest residential building in Victoria.

It is believed the house was designed by architects Wright and Sanders, although no official surviving documentation links them to the house. The design of the house suggests the involvement of an architect. John Wright and his brother-in-law George Sanders formed the first architectural firm in Victoria in 1861. In March of 1863, a call went out from their firm requesting separate tenders for masonry, plaster, plumbing, tin, and painting work for a “suburban residence.” The residence was likely Wentworth Villa. (Note: In 1867, Wright and Sanders relocated to San Francisco, where they were very successful with around 100 significant commissions. Most of their buildings were destroyed in the 1906 earthquake and fire.)

The house was built in Carpenter Gothic style, a North American style stemming from Gothic Revival architecture. The term refers to the use of wood as a building material. At the time Wentworth Villa was built, the original redwoods and windows would have been shipped from California.

The niche in the front hallway would have held potted lilies. The niche looks like marble, but was actually painted wood.

Henry and Martha Ella had seven children. Henry died in 1873. When Martha Ella died in 1911, three of her children continued to live in the house. In 1922, the City of Victoria took possession of the house for unpaid taxes. Sons Henry and Fred Ella continued to live in the house for another eighteen years as tenants of the City.

In 1940, Faith Grant bought the house. She and her husband George “G.C.” had operated an antique store business next door since 1929. In 1956, they added an extension at the back of Wentworth Villa for living accommodation behind the store. The addition did not affect the integrity of the original building. After Faith died in 1985, her grandchildren continued to operate Faith Grant The Connoisseurs Shop Ltd. In April 2012, they moved the business to Victoria’s Oak Bay neighbourhood.

Restorers are detectives, using what they can see and examine in the workmanship, information about practices and materials of the times, old plans if available, and old photographs, diary entries and newspaper articles to determine what the original state of the building was. Ben Schweitzer, co-manager of the restoration work and managing director of the Foundation operating Wentworth Villa, led the tour I took and provided great insight into the detective work and restoration efforts.

Doors were one area requiring sleuthing work in the restoration of Wentworth Villa. Over 150 years, doors had been rotated, replaced, rebuilt and sometimes embellished. The original redwood doors became more diverse over time. However, the solid entrance door looked exactly like the door in Ella’s photo albums. Yet, it turned out to be a recent replacement. The restorers found the original door in the rear of the house

The coloured glass in this door looks modern, but it dates to the early days of the house

Wallpapers over time

Simone Vogel-Herrige, a wallpaper expert, analyzed the wallpapers used in the Villa over time. The rooms in the building will remain painted off-white, suitable for the museum setting, but there are plans to restore two rooms with original period wallpaper when funding becomes available.

Mahogany staircase

Decorative flooring used in the front hallway

The front hallway floors contained a decorative pattern. Other flooring was plain wood. The original wood floors have been cleaned and are currently covered in protective vinyl. The vinyl will be removed when the Museum officially opens and the wood flooring will be displayed. Carpeted walking paths will be laid throughout the Museum.

The work done to restore the house has been meticulous. There were many examples of the care taken during the tour, but the one which resonated the most with me was the installation of the sprinkler system. The second-floor sprinkler system was installed via the attic, but installation of the first-floor system posed challenges to maintaining the integrity of the original building design. Instead of sacrificing the original plaster and associated ceiling papers, floor boards on the second level were lifted. All boards were cleaned and labelled. Measurements were taken to document the exact location at every floor joist. Even the spaces between the boards were measured. After the sprinkler installation was complete, the boards were restored to the original locations. The original clipped head square nails were used whenever possible. Ben told us the accuracy of the re-installation is within 1/32nd of an inch.

In one upstairs room, items found in and around the house are on display

The story of how Wentworth Villa came to be the home of the Architectural Heritage Museum is interesting. In 2011, Wentworth Villa was sold to a developer who planned to convert the building, with additions, into suites. In order to preserve the house, Stefan and Magda Opalski convinced the developer to sell the house to them in 2012. The Opalskis emigrated to Canada from Poland in 1979. The lived a year in Montreal and then in Ottawa until 2006, when they moved to Victoria. They were disappointed to see many of the grand old houses disappearing and saw buying Wentworth Villa as their chance to do something about that and give back to Canada. They have invested a significant amount of money into the building and the restoration. Wentworth Villa is currently operated by the Pacific North-West Heritage Foundation, a registered charity. The house is leased to the Foundation at no cost and will be donated to the Foundation when the Museum becomes self-sustainable.

The first Museum exhibit

The first architectural exhibit is the Biggerstaff Wilson residence. Biggerstaff Wilson was the son of a well-known English-born clothier. He commissioned Samuel Maclure to build a house in 1905. Samuel Maclure was the foremost domestic architect in British Columbia at the time. The Biggerstaff Wilson house represents Maclure at the height of his medieval Arts and Crafts period.

The second exhibit is the Muirhead House. The Muirhead House in the Victoria West neighbourhood is seen as a good example of the transition between Victorian and Edwardian versions of the Queen Anne style of architecture. It was built in 1903 to 1904. After 1950, it became a rooming house and eventually became quite run-down. In 1976, Jim Lee bought and began restoration. He received a Hallmark Society award for restoration in 1987. In 1991, it was declared a National Historic Site, one of the few privately owned homes to be so recognized in Canada.

A few days after I toured Wentworth Villa, I was in the Victoria West neighbourhood and had a look at what Muirhead House looks like today.

The “Big Hall” in Faith Grant’s former living quarters

In addition to its exhibits, Wentworth Villa stages events, such as concerts and talks, in its “big Hall”.

This house is beautiful. It looks so modern for such an old house. I admire the organizations that take on these historical projects and make them available to the public. Great article with many interesting facts. Thank you for sharing.

Wow, you really gain an appreciation for the amount of work involved in restoring a home, when you take a look at the before and after of that door! Wentworth Villa looks like a beautiful heritage home – how wonderful its been so well restored

Every time I read one of your posts Donna, you give me another reason to visit Canada. I love these old houses and take a chance to tour them wherever we are as they provide insightful glimpses into how people lived long ago. (In fact, it’s easy to picture myself moving right in!) It’s interesting to learn the differences between restoring and renovating and to see the amount of research and attention to detail that goes into preserving the old houses for future generations. Anita

Donna Janke

Carolina Colborn

June 6, 2017 at 6:24 am

I was just a bit confused about the inclusion of the Biggerstalf Wilson Residence and Muirhead House in the entire discussion of Wentworth Villa. Will they be exhibited at the Architectural Heritage Museum?

Donna Janke

June 7, 2017 at 1:32 pm

Yes Carol, those two homes I mentioned will be exhibited in the Museum. The Biggerstaff Wilson Residence is the first exhibit. It is completed and occupied a room in the house. Work on the exhibit about the Muirhead House was in progress when I toured Wentworth Villa.

Donna Janke

What a wonderful job they did with the restoration of Wentworth Villa. I have an interior design background, so I know how much work and how tedious it is to try and keep the same historic details in tack.

Wow! Painstaking is right! You certainly did a thorough job of explaining what meticulous detail goes into a complete restoration. Those who do this work have to have a lot of patience and love what they do! I will now have a greater appreciation of historic homes like this.

It’s great to see historic homes being restored with such respect for the past, rather than renovated into something else entirely! Some of the features you show in Wentworth villa remind me of some of the “Painted Ladies” in San Francisco.