They say sometimes the truth will set you free. We've been through so many things in our lives, good and bad, that we keep to ourselves. It never really lets people get to know us for who we really are. Instead, we project this image of ourselves as a defense mechanism because we're afraid what's behind that image won't be as acceptable from society.

Believe me when I say that while I come off as a very sarcastic and upbeat individual, I harbor a lot of anger, regret, and sorrow inside. Issues with my father, my childhood, people who I thought were my friends, and a whole bunch of other things constantly float around in my mind. I'm the kind of person who keeps himself in check, holding back from ranting about things I don't want to burden people with. I don't feel it's necessary to reveal everything about myself until the levee begins to crack and it all comes flooding forth. Some people know me more than others and I'm cool with that. But I don't ever expect the entire truth about myself to ever come out to anyone. Sometimes, those things are scarier than any horror film could possibly throw at an audience.

But this isn't a review about myself. This is for an independent little thriller that anyone heard a peep from in 2005 called THE QUIET. It deals with substance abuse, sexual abuse, physical abuse, and emotional abuse. The film uses the lead character, who is deaf and mute, as a way for the characters around her to reveal themselves. It's easy to tell people the truth when they can't hear what you have to say and not judge you. And while I said that the truth will set you free, THE QUIET proves that it could also trap you and the people around you in situations that you've never dreamed of being apart of.

PLOTDot (Camilla Belle) is a deaf and mute teenager who lost her mother when she was seven and just recently, her father. She is adopted by her Godparents, who happen to be one of the most dysfunctional families ever put on film. The mother, Olivia (Edie Falco), seems to be emotionally crippled and deals with her issues through prescription pills and alcohol. The teenager daughter, Nina (Elisha Cuthbert), is a very popular cheerleader at her school who borders on being a bitch to everyone around her. And the father, Paul (Martin Donovan), likes to keep it in the family [if you know what I mean]. Since Dot is deaf, everyone around her seems to feel comfortable talking to her about their innermost thoughts, such as sexual issues and thoughts of murder. What these people don't know is that Dot is also carrying a secret - one that could change the relationships and the situations around her forever.

REVIEWTHE QUIET is one of those films I tried to catch on cable but never got to see it from the beginning. I read reviews for it and some were pretty negative, convincing me not to rush into seeing this film. But I got to watch it fully tonight [finally] and I really don't understand all the negativity. THE QUIET is a good little film. It's not perfect in the slightest but I think what it had to do it did pretty well.

Maybe all the negativity comes from the subject matter. Mainly the sub-plot between Nina and her father, which obviously involves incest, probably makes a lot of people uncomfortable. Yeah, it makes me uncomfortable too but things like this happen more than we care to share. And I thought it was handled pretty well. We don't see anything explicit, although Nina does say a mouthful about her activities to Dot. The whole issue isn't used to tell a message or used to create tension for the film. It never paints Nina as the victim and her father as the creep. Both are victims. Nina is extremely confused and psychologically damaged from having sex with her dad. She hates him for it, but at the same time loves him for it too. She doesn't know what she wants. She wants to murder him for making her feel horrible. But she doesn't want to see him dead either. She takes out her frustration on her mother, who is oblivious to everything [although you know she's not stupid and knows what's going on], and on Dot [who acts like her psychiatrist almost by just listening]. And Paul, the father, is just as confused as Nina is. He hates himself and actually calls himself "sick" for sleeping with Nina, but he doesn't have the balls to stop his lust for his own daughter. THE QUIET could have been easily written as a one-sided view on a serious issue. But after seeing both sides, we sympathize with both characters because it's real.

I think what really makes the film work is the Dot character herself. At first, we're not sure if she's deaf or not because of her constant internal monologue. But we soon learn she can hear and speak just fine, using the guise as a way to feel connected to other people, even if it's a negative way to do it. When people do find out about it, some are betrayed while others manipulate the situation. Seeing things through her perspective as an outsider being brought in against her will is refreshing and a great way to see these characters for who they really are and not for what they project back to us. Sociology 101 here and the screenplay uses it well.

I also liked the fact that the High School scenes were believably realistic. No stereotypical High School drama here. These characters acted like real teenagers at an environment that many of us found awkward and cruel for the most part. When the characters like someone, they really express it in ways regular people would. When they don't like someone, they're forward with their snide remarks towards that person. I never had this issue in High School [maybe Junior High School] but I know a lot of people experienced situations like this. It wasn't satiric or a spoof of High School life. This is the real deal here and I'm sure some people will have flashbacks as they watch these certain scenes.

I do think the narrative was a bit too predictable at times and the twist and turns could have been handled better. The final twist, especially, I saw coming the moment the situation preceeding it took place. Wasn't a surprise at all and I pretty much called how it would all play out. Plus, some of the choices the characters made were a bit off for me and I asked myself, "Would real people in a similar situation make the same boneheaded moves these characters made?" It seemed the decisions were more coincidental than anything. Sometimes life is like that but it didn't really feel organic to me. I also thought the film wasn't sure whether it wanted to be a mainstream flick or an independent one. The visuals were really glossy and quite beautiful, but it took me out of the rawness of the issues that film were very concerned with. Instead of watching reality play out, it felt more movie-like in nature. It's not really a bad thing but I wasn't sure what Jamie Babitt was attempting here.

Speaking of Babitt, who directed BUT I'M A CHEERLEADER, delivered a nice film here. While the glossy look took a bit away from the film, it was still very atmospheric, moody, and sexy visually all at the same time. The film had nice pacing, stylish shots that went well with the scene they were used in, and the editing was very tight. Can't really say anything negative about it. Just nice and subtle.

The acting was also very nice as well. Camilla Belle pretty much proves how wasted she was in the WHEN A STRANGER CALLS remake and 10,000 B.C. as she acts more than adequate here. She played the isolated and vulnerable Dot really well, as I bought every second of her performance. She needs to do more roles like this. Another actress who proved they can act as long as they're given good material is Elisha Cuthbert. She was dislikeable at first, but Cuthbert brings such a vulnerably and sadness to Nina that you're on her side by the end of the film. She handled all the emotional scenes perfectly and showed how talented she really is. She also looked great in her undies of course, but she acted her ass off too. Edie Falco and Martin Donovan were very good in their supporting roles as the parents. They could have been written very stereotypically and one-dimensional, but the two actors really flesh out the characters as best as possible. I was convinced by each one and while they had their issues, I still understood where they were coming from. Shawn Ashmore was very good as the love interest for Dot and Katy Mixon was so convincing as Nina's obnoxiously cold-hearted bitch friend that I was hoping something bad would happen to her. She was that good.

THINGS I'VE LEARNED WHILE...SHHHHHHHHH

- Dot wanted to be invisible. So do I. That way, I can walk into the women's showers without getting slapped. Geez, I just wanted a date for Friday night!

- Nina and Michelle believe that the news doesn't affect their lives. Yet, what happens on The Hills does? No wonder modern society is so fucked!

- When Nina put lipstick on Dot, Nina claimed Dot finally looked like a woman. Instead, she looked more like The Joker, which Dot did not appreciate. C'mon Dot! Why so serious?

- Girls seem to dig Shawn Ashmore. He gets the girls hot so he can just cool them down. Must be nice to be Iceman.

- Nina plans on running away, hoping to become a stripper so she can support herself. While I don't condone this lifestyle, I wouldn't mind watching her perform between the hours of 10:00 P.M and 11:00 P.M. - to help her get out of the business, of course.

THE FINAL HOWLIn my honest opinion, I think more people should speak up about THE QUIET. It's a well-acted, nicely directed, and occasionally gripping film with some very mature subject matter that's handled quite well. It's not perfect and some things probably didn't work as intended, but I think it's worth a watch if you haven't caught this film yet.

2 comments:

I Haven't seen this film in a couple of years. I have to say it has a great trailer.Also, Camille Belle might be her generation's Daryl Hannah. She has a knack for taking odd characters.In this and The Ballad Of Jack And Rose she gets to really act and soar with those attributes.Than she is wasted in a film like 10,000 BC like Hannah was in Clan OF The Cave Bear-- better than 10,000 BC, but still a vast disappointment given the book.

Welcome!

Full Moon Reviews is a movie review site [for horror, sci-fi, fantasy, B-movies, and action], written by an avid film lover with an honest mind and a dirty mouth. I'm not a professional. I don't kiss anyone's ass and I tell it like it is. If you're offended by profanity and sexual innuendos, then click the "x" buttons on the right of your browser. But if you want an in-depth review with sarcastic humor, then you've come to the right place.

Got a movie request? Send it to Howlingwolf00 [at] aol [dot] com.

Comments are always welcome, even if you don't agree with my reviews. I appreciate hearing different opinions on films because that's what cinema is all about - perspective. And check out the links below. Awesome websites down there.

Enjoy!

1984-A-THON

Nominated for Best VLOG (Video Blog)!

Morbid

Follow Me on Twitter!

Follow by Email

About Me

My name is Fred, but they call me the Wolf. Love writing, watching films [especially horror], playing video games, listening to music, and just hanging out. Always been fascinated by films and pop culture for as long as I can remember. I want to be a screenwriter so I can help create a better Hollywood and stop this remake/spoof trend that the scene seems to be so involved in lately. Hopefully I can make it happen. But for now, I'm reviewing films and enjoying preaching the word on good and bad films.