September 12, 2019Deborah Klugman – Stage Raw Everyone is wounded — that’s the overarching theme of The Heal, writer/director Aaron Posner’s ironical, imaginative play about living with pain and choosing to do the right thing even if you’re unclear just what that thing might be. Read more… Now running through September 28

September 11, 2019Erin Conley – On Stage & Screen In his sixth one-man show, Tony winner John Leguizamo is back on stage with Latin History for Morons, a timely and engaging piece that is part comedy special, part solo revue, and part poignant academic lesson. Read more… Katie Buenneke – Stage Raw John Leguizamo has a remarkable knackRead More

September 11, 2019Lovell Estell III — Stage Raw Stephen Adly Guirgis has a knack for scripting characters that “stick” with you, and a keen ear for dialogue that is, by turns, wrenching and humorous. In this dramedy, Guigis creates a gallery of raucous misfits who are brought together by the death of a beloved (and feared) mentor,Read More

September 8, 2019Erin Conley – On Stage & Screen When the lights rise on Handjob, a play by Erik Patterson currently in its world premiere at the Echo Theater Company in Los Angeles, we meet Keith (Steven Culp). Keith is a gay, white writer, and he has hired Eddie (Michael Rishawn), a younger black man, to provideRead More

September 3, 2019Deborah Klugman – Stage Raw In The Picture of Dorian Grey, Oscar Wilde’s title character makes a Faustian pact to preserve his beauty at the price of his soul, transitioning, in the course of the narrative, from a naïve, guilt-free youth to a cruel and vicious narcissist. The book speaks to the vanity of vanityRead More

September 1, 2019Terry Morgan - Talkin’ Broadway When The Witch of Edmonton (written by William Rowley, Thomas Dekker and John Ford) premiered in 1621, its tale of a woman selling her soul to the devil to gain revenge on her neighbors was played as a tragic drama. Jen Silverman’s new version of the story, simply titled Witch,Read More

August 20, 2019Katie Buenneke – Stage Raw When it comes to buffets, it seems the early bird does catch the worm — or at least, the early bird gets to eat her food before anyone else touches it. This is the conclusion that Nora (Jean Gilpin) and Ivy (Jayne Taini) reach in Dana Schwartz’s Early Birds. MovingRead More

Archive for Edgemar Center for the Arts

If you find the page count or the dense subject matter of Fyodor Dostoevsky’s Crime and Punishment too intimidating, Marilyn Campbell and Curt Columbus’s award-winning stage adaptation might be more palatable. Clocking in at a cool 90 minutes and featuring only three actors, this version boils the classic tale down to the essentials, while still preserving the cat-and-mouse dynamic the source material is so known for.Read more…

So, nobody does it better. Makes me feel sad for the rest. Nobody does it better. Baby, baby, you’re the best.

We are talking about James Bond, ruthless British secret agent 007, who, along with Doctor Who and the dear old Queen Liz, are some of the best things to come out of England in the mid-20th century. Read more…

Henry Jaglom’s “Train to Zakopané,” premiering at the Edgemar Center for the Arts, is based on an incident in the life of his father: a rich, complex, heartbreaking story of doomed lovers in Poland between the wars.

The script could stand a vigorous pruning, several performances are still wobbly and the set changes are noticeably time-consuming — yet this production, directed by Gary Imhoff, has promise. Read more…Now running through March 29.