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DTSTAMP:20180815T104044
DTSTART;TZID=America/Detroit:20190807T110000
DTEND;TZID=America/Detroit:20190807T170000
SUMMARY:Exhibition:Abstraction\, Color\, and Politics in the Early 1970s
DESCRIPTION:Can abstract art be about politics? In the early 1970s\, that question was hotly debated as artists\, critics\, and the public grappled with the relationship between art\, politics\, race\, and feminism. Many of those debates centered on bringing to light the roles that gender and race played in how “great modern art” was defined and assessed\, and on employing art to advance civil rights. Within this discourse\, abstraction had an especially fraught role. To many\, the decision by women artists and artists of color to make abstract art seemed to represent a retreat from politics and protest: an abnegation of a commitment to civil rights and feminism. \"Abstraction\, Color\, and Politics in the Early 1970s\" presents large-scale work by four leading American artists—Helen Frankenthaler\, Sam Gilliam\, Al Loving\, and Louise Nevelson—who chose abstraction as a means of expression within the intense political climate of the early 1970s.\n\nLead support for \"Abstraction\, Color\, and Politics in the Early 1970s\" is provided by the University of Michigan Office of the Provost\, Michigan Medicine\, the Richard and Rosann Noel Endowment Fund\, the Herbert W. and Susan L. Johe Endowment\, and the University of Michigan Institute for Research on Women and Gender. Additional generous support is provided by the Robert and Janet Miller Fund and the University of Michigan Department of Political Science.
UID:53719-13452878@events.umich.edu
URL:https://events.umich.edu/event/53719
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art,Culture,Exhibition,Museum,UMMA,Visual Arts
LOCATION:Museum of Art
CONTACT:
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