After a week where Kanye West, Wale and Ludacris dropped off new tracks, we had fewer top-tier artists&nbsp;releasing material this week. Instead, some fan favorites returned from dry spells to bless us with new material, all of which was pretty dope.

Dark Sky Paradise dropped earlier this week, with Big Sean set to move just under 150,000 copies, and now comes time to break it down on "Samples Of The Week." Although the album is a bit darker and more modern-sounding than Hall Of Fame and Finally Famous

This Tuesday marked the release of Joey Bada$$' long-awaited commercial debut, B4.Da.$$. We'll be reviewing the album soon enough, but first, we're using this edition of Samples Of The Week to give some shine to the production on the project.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.

When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music.