'Face The Truth' is the debut album by the Ukrainian Cyber Melodic Death / Metalcore outfit X.Kernel and boy does it captivate throughout the entire album. By lacing a industrial / cyber style of music on the keyboards with the sheer magnitude of the Melodic Death Metal / Metalcore crossover sound, the quintet X.Kernel have clearly demonstrated that they're not adverse to challenging the conventional norms and in doing so have delivered an album that is worthy of international recognition. If they can maintain this futuristic sounding style of metal they've constructed, they may well just become The Ukraine's latest successful export after their fellow countrymen Jinjer secured a deal with Napalm Records, one can imagine the likes of Nuclear Blast being interested in this one. Imagine Sybreed being mixed with Asking Alexandria and Scar Symmetry and you get the idea, cyber metal flirting with heavenly melodic death metal and brutally-tinged Metalcore.

It's no secret that South America has had a relatively low-key history in terms of metal exports, except for Brazil's Sepultura and Nervochaos, Argentina's Skiltron and to an extent Colombia's Eshtadur. Venezuela on the other hand doesn't throw up any successful metal exports, until perhaps now where Behated Reign are the juggernaut this scene has been waiting for. Their debut album 'Encounters Of The Worst Kind' embraces the Melodic Death Metal sound with ease and comes dabbled with elements of Black Metal (in the riff department), it's a tour-de-force that will sure garner the band attention across planet metal. Having been in a previous incarnation in the form of Beheaded (2012-2015), the 2015-present ensemble Behated Reign are sure to knock on the doors of opportunity with this irresistible effort.

Latino Thrash Metal is one thing you could call the sound devised by AK-47, or you could call it raw Thrash Metal, whatever you decide to call it, their debut demo is one of promise. Hailing from Uruguay this quintet play Thrash Metal and sing in their native Spanish language giving it that original and authentic feeling. Sure the demo itself is only two tracks long, but it's a solid effort which leaves much anticipation for their debut EP or album. Despite the demo having a low-budget artwork design, the sound certainly is not low-budget, far from it. Thunderous drums lead the backline whilst the riffs rampage on, all whilst the vocals polish off the tracks with enough headbanging opportunities to give you conclusive whiplash.

There are times where it's best to stick to the 'already done' and then of course there are the times where originality should take centre stage. However and somehow Turkey's Crushem seem to have gotten themselves stuck in the middle, their debut EP 'OBS' delivers a modern approach to the Death / Groove Metal crossover genre, but some of the components are nothing new and so the EP unfortunately lands itself in the 'been there, done it' basket. There are moments where the EP could swing into more favourable territory but these are too rare for the EP to be considered an interesting listen and rather just something to pass the time of day. With the correct vision and aptitude, Crushem could craft something much more memorable rather than something just to be in existence.

Could this be the birth of 'Orientalcore' or Oriental Metalcore? Well Taiwan's Orchid Sword certainly seem to want to embrace the westernised Metalcore style with the basic breakdowns and chugging riffs that you would expect, but draft in oriental sounds by using a keyboard; it might sound more impressive with traditional instruments, a er-hu per se. However, the other aspect that makes this band and their debut album ' 大躍進' evidently oriental is the language choice, embracing their traditional Taiwanese they have created a truly unique and authentic sound that should get some attention from overseas – this stuff usually gets some form of international attention. Taking an overall aspect this album is something magical that will propel Orchid Sword into the limelight, here cometh the pioneers of Orientalcore.

Hailing from Argentina, Heavy Groove Metallers Apocrifo Manifesto make their debut EP 'Manifiesto' a little basic and unadventurous despite using their native Spanish as language of choice. The EP is too casual for it to be taken completely seriously but does offer glimmer of hope at various points of something special to come. But for the time being it is a decent effort, it is hoped they will build on this effort and come up with something more striking. The atmosphere is just not as potent as it could be, the vocals are OK, the guitars are what you expect and the drums, well simple as they can be.

Now this is what you call some brutally heavy sh*t, seriously the debut album by Australia's Blunt Shovel is savage enough to rip the skin and muscle from your face. The unrelenting concoction of Death Metal-infused Metalcore is menacing enough to leave your underwear stained. 'Get In The Ground' is their debut album and it will certainly keep you occupied just as long as you can keep headbanging or air guitar playing, because it demands your immediate attention and does not let go without a fight. Fire and fury underpins this unforgiving release and it's final strike is the unrelenting ability to never stop.

Austria has always had a success story at nurturing the Black Metal scene and yet despite the slight lack of bands expanding beyond borders, it still has a thriving and enticing scene. Dropping their third album is Atmospheric / Post-Black Metal ensemble Anomalie, 'Visions' definitely brings the chills down your spine with an icy, Alpine breeze that is almost impossible to resist. To be fair it's the kind of Atmospheric Black Metal you could fall asleep to, sure it's similar to bands like Winterfylleth and Fen, but it works and will certainly appeal to the wider metal music fan and not just those enticed by Black Metal as a whole. Anomalie are a band to keep tabs on as this effort shall certainly turn heads.

The Welsh are always regarded as singers when they speak, but when they let open the gates of hell for metal music to enter into their lives, their true singing abilities kick into being. Back after a 2 or so year plunge into the abyss with line-up changes and what not is South Welsh crew Democratus with their slick streamlined slab of Melodic Death Metal, successfully demonstrated on their aptly named EP 'Starting Again'; it would be cool if they crafted a song in the Welsh language, but for now let the EP strike a chord in the underground for it will serve as a building block for the next few years or so. Whilst at times the EP breaks into Thrash territory especially on 'Furious Horde' (but retaining the core Melodic Death sound), it does evade the shackles of the generic formulas so many other Melodeath bands have used over the years and thus giving the EP a greater meaning to it's existence.

6 years may seem a long while, in the case of France's Theopsya it certainly is seeing as they've had a line-up change and apparent hiatus during the period between their debut EP 'Tales Of An Angel' and their long-anticipated debut album 'Endless'. The magic has never gone away and with this effort they have shown they are more than ready to let rip on the world once more, hopefully with their newfound sound of glistening melodies and thunderous riffs they can rack up the attention worldwide. 'Endless' is a huge testament to the Melodic / Symphonic Goth Metal crossover and never stops entertaining throughout. Whatever Theopsya have planned next it it sure to be anticipated with high expectations because simply put, 'Endless' is a sumptuous piece of musicianship that is certain to tingle many ears alike.

When listening to the debut album release by Frisson, you would have to make your choice on what genre they are because they seem to wander through numerous styles, from Death Metal and Hardcore to elements of Black Metal and Thrash Metal... so let's call it extreme metal. 'Exit Denied' is a raw and brutal release that will appeal to a wide range of tastes, in fact it's a decent release from a scene that lacks in exposure... it's not easy hailing from Kosovo. Wherever the future takes these lads, one thing is for certain, they are flying the flag for the Kosovar Metal scene. For the record, Frisson is French for shivering and shivering is what you will do when finishing listening to 'Exit Denied'.

Without a doubt one of the tightest, most extreme metal bands to emerge out of the South American continent. Hailing from Venezuela is Sectasys, a Blackened Death trio of whom have summoned the darkest curses known to man to magic up 'Brotherhood Of Chaos', an album designed for those who love their metal to be fast and heavy, not weak and pathetic. From start to finish, this album is unrelenting in every aspect and as the chaos pursues, so does the thirst for more from this band. Think early Behemoth come cascading down into Immortal whilst simultaneously flirting with Carpathian Forest, well, you get the idea... complete chaotic carnage with enough brutality to crush your mind to pieces.

Modern Metalcore meets Modern Melodic Death Metal once again as Libertad O Muerte drop their second album 'En Carne Viva', one year after their debut saw light. Exclusively singing in Spanish, this quintet from Uruguay hold nothing back when it comes to music creativity and it shows on their latest effort, it's none of that flashy stuff nor is it swishy, in fact this album is completely brutal and demands your immediate attention. If you think you've heard Melodic Death/ / Metalcore in it's entirety, think again for Libertad O Muerte feed their style with some groove elements as well to keep it bouncing along tickety-boo. 'En Carne Viva' is a delight to listen to, may they make more albums like this.

With most Gothic Metal bands you tend to expect the vocals to be a battle between male growls and female harmonics, however Novarium seem to want to discard the whole 'beauty and the beast' aesthetic, and instead use the power of the music generated as a menacing sound to battle against the female vocals - quite an interesting take if one is being honest. This American quintet are challenging convention with their debut effort 'Omicron' (n.b. 15th letter of the Greek alphabet), taking a delicate balance of Nightwish style symphonies and slotting in influences from Evanescence, Lacuna Coil and Within Temptation along the way. To most this might seem another one of those cliche Gothic Metal releases, but this is a breath of fresh air, don't believe me? Check it out for yourself. I call this Modern Gothic Metal.

If you turn your attention towards Eastern Europe, in specific the broader Doom / Dark Metal movement that seems to be rather a craze in this part of the world, you will find bands like Ex Animo taking the initiative to constantly reinvent this already overdone crossover genre. 12 years may well be a shockingly long time between their debut album and their second album 'Neverday', but the Ukrainian quintet have pulled out all the stops on this effort and whilst sticking 'mostly' to their guns. They've ventured into other styles of metal including Symphonic Metal and Gothic Metal at the foremost periphery. Just don't expect a lot of growling to take centre stage, instead let the atmospherics do the talking because boy, it's terrific, it's hounding and it's going to consume your senses.

This is more of a political statement in vendetta form rather than a Thrash Metal album, well when you consider Edgeflame to wallow in the 80's Thrash Metal sound, it fits. Mixing Speed and Heavy Metal as well and you have the complete package. For Turkey's Edgeflame, 'Liberate Then Separate' is more about making music and enjoying it rather than seeking something new and or to be superstars, it's a statement of intent that there is evident unrest within Turkish society - not to suggest that the middle finger should be raised at the state of modern Turkey, or at least ironically that is what Edgeflame seem to suggest. Instead it's a gentle nod to a much wider global issue.

Ever since Myrath exploded onto the global stage with their unique style of Oriental Progressive Metal, fellow Tunisian metalheads have adopted similar styles with their music, Nawather are no exception. They aren't trying to be clones of Myrath, no way, instead they add a bit more grit and another take on the flourishing Oriental Progressive Metal style and this is clear with their debut album 'Wasted Years'. By mixing growling male vocals with clean female vocals, Nawather add an extra dimension to create their own sound - through the use of a Qanûn, rather than synthetically create the 'Arabic' vibes via keyboard; not that there's anything wrong with that, either way is something special. But it's fair to say that Nawather, Myrath and Persona are leading the 'New Wave of Tunisian Metal'.

If seismic activity was detected underneath the buzzing streets of Bangkok, you cannot blame mother nature for it, no not this time... the culprits would be Intricated. By unleashing a torrential, gruelling and disgusting slab of Slam / Brutal Death Metal, Thailand's Intricated are sickening enough to make you vomit and then some. When you consider 'The Vortex Of Fatal Depravity' is the band's debut album after 9 years since their inception, it certainly was worth the wait as the pig squeals, low-fi blastbeats and thick distorted riffs set destined course for pummelling your senses. The funny thing is though, Brutal Death Metal is so fixed on a particular formula it's hard to create anything musically different without treading over the same blueprints, either way 'The Vortex Of Fatal Depravity' is a heavy-hitting release.

There was once a time where most people would have never thought of any metal music scenes happening in The Caribbean, nowadays the island nations and dependencies are embracing this global phenomena and it's bands like Omnifarium who are spurring it on. Having unleashed their first demo 3 years ago, the time had come for them to drop their debut EP and boy what a beast it is. Vitiate borrows influence from Old-School Death Metal as well as the Floridian Death Metal style, so mid-pace drums, chunky riffs and mauling vocals all combine to deliver a harmonised music onslaught. Omnifarium have not vitiated the Death Metal scene, no in fact they've pushed themselves right into the mix of it all, but also positioned themselves to be flying the flag for the Puerto Rican Metal scene.

Perhaps it might be apt that Frozen Gate does indeed hail from the city of Winterthur in northern Switzerland, because this horde of ice warriors have sculptured a rather bitter, brutal and atmospheric style of Symphonic Black Metal. 'Behind The Dark Ice' is a new edition to the whole 'Winter Metal' theme that bands like Wintersun, Wintersoul and Immortal Soul seem to use, in fact truth be told Frozen Gate are the bastard sons of Wintersun and Dimmu Borgir. On one hand you have the icy symphonies and on the other hand the fast-paced brutality combined with an almost adventurous undertone. It is early days no doubt, but Frozen Gate might yet just prove to be the Black Metal band to reignite the Swiss Metal scene and potentially befit themselves as an up-and-coming force in the underground.

It would be safe to say that Diabolizer are tastier than Turkish delight, although the latter is just more savoury. 'Apokalypse' is the Turkish Death Metal quintet's premier album and bloody hell does it slay, it's unrelenting pummelling of ferocious double bass drums coupled with unforgiving vocals and a guitar atmosphere that's sharper than barbed wire. Masochistic in it's production and clean in it's sound, 'Apokalypse' is one album that demands respect, it's filth and corroded smacking of extremity means you should bow down and suck off your genitals, you will find nothing more grim than this album, period (no pun). Hark the new wave of Turkish Death Metal, a sound so brutal you will need clean underwear after submitting yourself to this wondrous work of art.

Delivering their latest effort in the form of an EP, Sri Lanka's Plector Aliquem Capite hold no bitterness back, resulting in the deliverance of a rather coarse, raspy and low-fi production certified to appease to those who love not only Extreme Metal, but also (you guessed it) exotic metal. Let's hope that 'The End' EP is not 'The End' for this bestial bunch, because their bizarre-yet-interesting EP release here is one that is hard to come by, it's indescribable to say the least. Unorthodox on every level, this EP might be brushed aside by the elitists as not a 'pure' Black Metal release, but for those with no such naivety, the listen will be a certified delight. By combining artificial atmospherics with old-school Black Metal, you might get a headache but damn it is worth it.

Slovenia's Neurotech has never been a let down when it comes to putting out new music and the one-man project won't start now. Dropping his fifth album under this moniker, Wulf carries on the harsh industrial symphonies he masterminded at the very beginning. 'In Remission' is a transcending journey across cyberspace and the cybernet, riding the very data connections that makes this album so synthetically electrified, so much so you would need a ravepit to encompass a growing moshpit... welcome to the new wave of Cyber Metal. Lacing together the harmonies of symphonic metal with Industrial / EBM beats, Neurotech's music is designed to tap into your cranial infrastructure, probe your mind and download you into the musical matrix of which herewith is presented.

It's very rare GMA reviews singles, but we give the exception to a select few. One of the latest privileged bands is Afghanistan's very own District Unknown. Their latest single '64' may well be in response to the Taliban attack back in April 2016 where 64 innocent Afghan civilians lost their lives, politics and war aside the single is drenched in gloomy doom atmospherics whilst the forefront sound is a combination of Progressive and Groove Metal. The single delivers a trance feeling to it, the dramatical musical representation of the eternal struggles Afghans face, but also the sound taps into their heritage and enables subtle whiffs of traditional Afghan music to flow into the guitar riffs. Overall this single is a statement of intent from the founders of the Afghanistan Metal scene, one that should not be brushed aside.

Modern Metal's latest product is made in Russia. Drenched in vodka and as ice-cold as the Siberian tundra, five-piece force Slot return with their latest infectious offering 'Septima', a bulldozing album with enough rampaging spirit to kick any moshpit into shit-faced brutality. Singing in their native Russian does not hold this unit back from conjuring up something magical, you know it's this sort of music that glimmers in originality, there are very few comparable bands; if you dig deep into the Russian Metal scene then the closest compatible band would probably be Save. As for Slot, well they will certainly notch up huge interest from Eastern Europe, some might argue they should sing in English to break into the international scene - Rammstein didn't, so why should Slot? Embrace yourselves in this beast from the east.

Effigy hail from Bosnia-Herzegovina, a metal scene that deserves more attention because when you take for example the brutal strength shown on their premier EP, you begin to think why weren't they snapped up by a label earlier? 'Eugenics' is your generic slab of modern Death Metal, but don't be put off by that sentiment because the sound itself is far more complex than that. Filthy rotten vocals lead the battle charge whilst the drums supply the artillery fire, the guitars meanwhile add the final blow and thus ignites the atmosphere with sheer brutal elegance. This band may have come from a country still divided, but their music whilst it speaks words, will not split any Death Metal fans up, it's too cute for that.

Could this ultimately be Vietnam's long-awaited answer to Six Feet Under? Because f*ck, this is really heavy as hell. Voluptuary's premier album 'Hóa Thân' primarily sits on the fence between Groove and Death Metal, but secondarily has subtle injections of Progressive Metal to bolster the sound to a greater level. Vietnamese Metal is extremely underground, yet with this effort, we could be listening to the first ever metal band from Vietnam to be signed by a Western label - they deserve it with this effort. Sure some might find it tricky with the language difference, but truth be told the aggressiveness layered over it is really menacing. 'Hóa Thân' means 'incarnate', and what Voluptuary have done here is incarnated a sensational album out of the ashes.

It only took 6 years for Pheretrum's debut album to finally come out, of course between the band's inception and this album dropping there have been a handful of demo's, the wait for the album was worth it. 'Still Being Maggots' is a healthy and juicy slab of Death Metal designed to keep you on your twinkle toes, prancing and headbanging about the bedroom whilst you douse yourself in beer and wishing you were having sex at this breakneck speed; poor significant other. Uruguay has generally had a decent history with Death Metal and this album is no exception, but rather an example of how heavy this shit gets. 'Still Being Maggots' is a delight to behold, just like a chocolate cake, it's full of savoury goodness.

For the disturbed and those who prefer eerie and weird music, you're reading the right review. Laxsid, a one-man project from Syria (now located in Brazil via Saudi Arabia) is not your typical Ambient Black Metal outlet, in fact there is very little Black Metal in the new EP. 'Šañãm' if you like, is a collection of weird and deranged sounds, sure whilst the ambiance might derail your nerves and send you insane, for those expecting guitars, drums and vocals, you will be met with disappointment. In fact let's call it simply 'Ambient', very little metal involved and yet after listening over and over again, the desire to enjoy the music sits between 'sod it I'm giving up' to 'lets fall asleep to this'. 'Šañãm' is a decent EP, but it lacks a place in this world, if such a place exists....