USA in the 1970s. We follow the highly intelligent Jack over a span of 12 years and are introduced to the murders that define Jack's development as a serial killer. We experience the story from Jack's point of view, while he postulates each
murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork. Along the way we experience Jack's descriptions of his personal
condition, problems and thoughts through a recurring conversation with the unknown Verge - a grotesque mixture of sophistry mixed with an almost childlike self-pity and psychopathic explanations. The House That Jack Built is a dark and sinister
story, yet presented through a philosophical and occasional humorous tale.

Lars von Trier's The House That Jack Built premiered at the Cannes Film Festival Monday night. Variety's Ramin Setoodeh reported that 100 viewes exited in protest, while others on social media estimated half the film-goers departed early.
It's disgusting, one woman said on her way out. Maybe something to do with the depicted mutilation of women and children.

The film screened out of competition but it was the day's major festival draw for visiting critics and press, some of whom tweeted that the vile, vomitive footage should not have been made. Nonetheless, the crowd saluted von Trier with a
10-minute standing ovation.

Matt Dillon stars as the namesake knifeman, gunman, bludgeoner, and strangler. Set during the 70s, the film tracks five deaths 204 including characters played by Uma Thurman and Riley Keough Jack brags that he has lived a punishment-free
life, but he fantasizes about notoriety: David Bowie's Fame plays as he cues one victim to scream, and drags another body, wrapped in plastic, attached to his van's bumper.

Lars von Trier's upcoming drama follows the highly intelligent Jack (Matt Dillon) over a span of 12 years and introduces the murders that define Jack s development as a serial killer. We experience the story from Jack s
point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork.

The MPAA is Going After distributors IFC over a one day special screening of the Director's Cut of The House That Jack Built.

Ahead of the general release of the cut R rated version of Lars von Trier's new film on December 14, the Director's Cut of the film played select theaters, for one night only, and it looks like those screenings have landed IFC Films in
trouble with the US film censors of the MPAA.

The MPAA has rules allowing only one version of a film to be shown in cinemas at a time. Ratings can in fact be changed but only after a certain time has elapsed, and with the previous rating being revoked.

As reported by Deadline, IFC now faces potential sanctions over the screenings. The MPAA said in a statement that they have:

Communicated to the distributor, IFC Films, that the screening of an unrated version of the film in such close proximity to the release of the rated version -- without obtaining a waiver -- is in violation of the rating system's rules. The
effectiveness of the MPAA ratings depends on our ability to maintain the trust and confidence of American parents. That's why the rules clearly outline the proper use of the ratings. Failure to comply with the rules can create confusion among
parents and undermine the rating system -- and may result in the imposition of sanctions against the film's submitter.

A hearing in the very near future will allow IFC to plead their case, and it's possible that the MPAA could revoke the rating they had issued to the film.

Lars von Trier's upcoming drama follows the highly intelligent Jack (Matt Dillon) over a span of 12 years and introduces the murders that define Jack s development as a serial killer. We experience the story from Jack s
point of view, while he postulates each murder is an artwork in itself. As the inevitable police intervention is drawing nearer, he is taking greater and greater risks in his attempt to create the ultimate artwork.

US film censors, the MPAA, don't like having two versions running at the same time. This lead to the censure for the film distributors of Lars von Trier's The House that Jack Built for a one day advance screening of the uncut version prior to the
general release which features a cut R rated version.

As a result of the MPAA censure, the censorship will now extended to the US online release of the movie. The film's distributor IFC Films originally planned to release von Trier's unrated director's cut on-demand on December 14, while releasing
an R-rated version in theaters on the same day. But the MPAA said that IFC's original plan--which would have allowed viewers to digitally rent the R-rated cut and offered the uncut version for digital purchase--was "in violation of the
ratings system's rules".

The MPAA went further and threatened sanctions, excluding IFC from the ratings process for up to 90 days. (Most major exhibition chains will not show a film without an MPAA rating.) As a result, IFC has scrapped plans to release the director's
cut next week.

According to an IFC publicist, it has tentatively rescheduled the online release of the Director's Cut for June. The R-rated cut, some four minutes shorter, will be released in theaters and for digital rental.

Meanwhile British distributors Curzon Artificial Eye have confirmed to Blu-ray.com that their upcoming Blu-ray release of The House That Jack Built will feature the longer original version of it that was screened at the Cannes Film Festival.
Currently, the Blu-ray release is scheduled on March 4. The distributors have also confirmed that they will not be releasing the R-rated version of the film on any home video format.

Update: Uncut at UK cinemas and on DVD/Bu-ray

7th December 2018.

Artificial Eye didn't mention the cinema release in the above statement, but thanks to Peter who reports that the Curzon cinema has confirmed that the UK cinema release will feature the Director's Cut.

The Classification and Rating Administration (CARA) and IFC Films have reached a mutually agreed upon resolution to address CARA's concerns associated with The House That Jack Built, Director's Cut (unrated) and The House That Jack Built (rated
R). IFC Films acknowledges that there was confusion in the marketplace about the rating and has committed to working with CARA to avoid any confusion going forward.

CARA's ultimate goal is to maintain the trust and confidence of American parents by providing them with accurate, useful information about the level of content in films -- and appreciates IFC Films' cooperation to ensure the proper use of the
ratings.