Thursday, January 19, 2017

2,922 days: Barry O drops the mic

“This is the terra incognita our nation was meant to be. This is, now, finally, the America that America has been waiting for.”
Short Sharp Shock, Jan. 20, 2009

ON JANUARY 20, 2009, when Barack Hussein Obama II reset the baseline of American possibility to become the 44th president of the United States of America, he became heir to a cratering economy, the stewardship of two foreign wars (one of them wholly unnecessary), and an image of America as tireless global belligerent, a nation ethically adrift and divided.

In the intervening 2,922 days, and in the face of Republican lawmakers less concerned with being loyal than being the opposition, President Obama has transformed much of the nation’s political landscape and its internal terrain, the nation’s own most deeply ingrained sense of what is possible.

It’s the height of a cruel irony that Donald Trump, the next to occupy the White House starting on Friday at noon, is himself a beneficiary of Obama’s abiding maxim: When you believe in yourself, anything can be accomplished. Such was the nature, the all-encompassing power of a message meant for everyone.

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What’s happened since January 2009? Only everything. The economy has seen the lowest unemployment rate since January 2007, and (as of December) 82 straight months of private-sector job growth.

The nation saw an end of one war and a serious drawdown in forces in the other. The American auto industry was taken off the respirator and returned to profitability, as automakers revitalized the American brand in the marketplace with the help of an unprecedented stimulus package.

President Obama commuted the terms of 1,715 people enduring “unjust and outdated prison sentences” for drug offenses. He enhanced vehicle fuel efficiency standards, increased infrastructure spending, slashed the homeless rate of veterans, increased funding for the Department of Veterans Affairs, signed legislation to curb pay discrimination against women, leveled the playing field between consumers and credit-card issuers, and made it a federal crime to assault people based on sexual or gender identification.

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HE TOOK OUT Osama bin Laden with special forces troops, he took on Wall Street with the Dodd-Frank Consumer Protection Act, averting the financial meltdown many of his supporters feared and most of his detractors had predicted; he gave new teeth and urgency and visibility to the drive for LGBT marriage equality. And with the Affordable Care Act, he got health insurance into the hands, and lives, of more than 23 million Americans.

He was a champion of technology, the first president to stream every White House event live, and the first to hold an online town hall, fielding questions direct from the public. He oversaw a major overhaul of the nation’s food safety, and signed the Healthy Hunger-Free Kids Act, to boost nutrition for schoolchildren.

He signed a law that changes outmoded language that referred to some minority groups in archaic terms. He changed fair-housing laws to make home ownership an attainable dream. And he officially eliminated a Muslim registry established in the days after 9/11 — a registry that, thanks to Obama’s efforts, will be harder for his successor to resurrect.

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But in addition to alla this — doing half of it would have made him a consequential president — Barack Obama did more. With Michelle Obama, his partner in life and in national transformation, President Obama imbued and invested the White House with a sense of style, grace and cultural cool that the People’s House hasn’t enjoyed since the Kennedy Administration.

Everyone who was anyone showed up at or played the 1600 Pennsylvania Club, from rappers to rockers, poets to painters. Kendrick Lamar and Mick Jagger. James Taylor and Jay Z. Trombone Shorty and Esperanza Spalding. Lin-Manuel Miranda and Demi Lovato. The list goes way on and on.

And it wasn’t just their appearances that mattered. The president made his own history with playlists of his own musical favorites. It’s a little ironic: The president who publicly pushed back on identification as a black president had a personal music collection that borrowed from the best of African American music.

And other music too: Edward Sharpe and the Magnetic Zeroes? Fiona Apple? They won’t show up on most bruthas’ playlists at all — bet that. Barry brought them and more to his musical welcome table, in a cultural extension of his panoramic perspective of the nation itself.

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AS MUCH AS anything, Barack Obama showed the presidency how to relax, how to balance the awesome responsibilities of being the indispensable world leader with the rhythms of everyday life. The sang-froid, the emotional equipoise he brought to the presidency was no act. Jonathan Chait tapped into this more than two years ago, in New York Magazine:

“The president’s infuriating serenity, his inclination to play Spock even when the country wants a Captain Kirk, makes him an unusual kind of leader. But it is obvious why Obama behaves this way: He is very confident in his idea of how history works and how, once the dust settles, he will be judged. For Obama, the long run has been a source of comfort from the outset. ...

“To his critics, Obama is unable to attend to the theatrical duties of his office because he lacks a bedrock emotional connection with America. It seems more likely that he is simply unwilling to: that he is conducting his presidency on the assumption that his place in historical memory will be defined by a tabulation of his successes minus his failures. And that tomorrow’s historians will be more rational and forgiving than today’s political commentators.”

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I wrote this on Election Night 2008: “For the first time at this nation’s highest elective level, the Idea of America has fully become Praxis and become so in a way that is, more by intent than coincidence, the single greatest act of bridging the racial divide in the history of this nation.”

Writing in The Atlantic, Ta-Nehisi Coates observed of that heady time and the years that followed: “We were launched into the Obama era with no notion of what to expect, if only because a black presidency had seemed such a dubious proposition. There was no preparation, because it would have meant preparing for the impossible. There were few assessments of its potential import, because such assessments were regarded as speculative fiction. ...

“[H]e had not embarrassed his people with a string of scandals. Against the specter of black pathology, against the narrow images of welfare moms and deadbeat dads, his time in the White House had been an eight-year showcase of a healthy and successful black family spanning three generations, with two dogs to boot. In short, he became a symbol of black people’s everyday, extraordinary Americanness. ...

“He revitalized a Justice Department that vigorously investigated police brutality and discrimination, and he began dismantling the private-prison system for federal inmates. Obama nominated the first Latina justice to the Supreme Court, gave presidential support to marriage equality, and ended the U.S. military’s Don’t Ask, Don’t Tell policy, thus honoring the civil-rights tradition that had inspired him. And if his very existence inflamed America’s racist conscience, it also expanded the country’s anti-racist imagination. Millions of young people now know their only president to have been an African American.”

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PRESIDENT OBAMA signed off in characteristic fashion twice in the last 10 days. The first of the valedictory bookends was in a rapturous reception by Chicagoans at McCormick Place:

“Every day, I learned from you. You made me a better president, and you made me a better man.

“I first came to Chicago when I was in my early 20s, still trying to figure out who I was; still searching for a purpose to my life. ... This is where I learned that change only happens when ordinary people get involved, get engaged, and come together to demand it.

“After eight years as your president, I still believe that. And it’s not just my belief. It’s the beating heart of our American idea – our bold experiment in self-government.

“It’s the conviction that we are all created equal, endowed by our creator with certain unalienable rights, among them life, liberty, and the pursuit of happiness.

“It’s the insistence that these rights, while self-evident, have never been self-executing; that we, the people, through the instrument of our democracy, can form a more perfect union.

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“Yes, our progress has been uneven. The work of democracy has always been hard, contentious and sometimes bloody. For every two steps forward, it often feels we take one step back. But the long sweep of America has been defined by forward motion, a constant widening of our founding creed to embrace all, and not just some. ...

“We’re gonna have to forge a new social compact – to guarantee all our kids the education they need; to give workers the power to unionize for better wages; to update the social safety net to reflect the way we live now and make more reforms to the tax code so corporations and individuals who reap the most from the new economy don’t avoid their obligations to the country that’s made their success possible.

“We can argue about how to best achieve these goals. But we can’t be complacent about the goals themselves. For if we don’t create opportunity for all people, the disaffection and division that has stalled our progress will only sharpen in years to come. ...

“Our Constitution is a remarkable, beautiful gift. But it’s really just a piece of parchment. It has no power on its own. We, the people, give it power – with our participation, and the choices we make. ...

“Our democracy is threatened whenever we take it for granted.”

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AND THEN today, the day before his exit from the presidency, Obama, the president — my president — wrote a final thank you letter to the American people, dropping the mic for real, for good, until he picks it up again as a private citizen.

“I’ve seen you, the American people, in all your decency, determination, good humor, and kindness. And in your daily acts of citizenship, I’ve seen our future unfolding,” he wrote.

“All of us, regardless of party, should throw ourselves into that work — the joyous work of citizenship. Not just when there’s an election, not just when our own narrow interest is at stake, but over the full span of a lifetime. I’ll be right there with you every step of the way.

“And when the arc of progress seems slow, remember: America is not the project of any one person. The single most powerful word in our democracy is the word ‘We.’ ‘We the People.’ ‘We shall overcome.’ Yes, we can.”

Shameless Self-Promotion II

America from 2004 to 2009 – its new ironies and old habits, its capacity for change – is topic A in this collection of essays and blog posts on popular culture, the Iraq war, Hurricane Katrina, a transformative election, and the first 100 days of the Obama administration. | Now available at Authorhouse

shameless self-promotion

One nation subject to change: A collection of topical essays exploring television, hip-hop, patriotism, the use of language under Bush II, and the author's own reckoning with mortality. | Available at Authorhouse

A veteran journalist, producer and blogger, Michael Eric Ross is a frequent contributor to the content channels of Jerrick Media, and a periodic contributor to TheWrap, a major online source of entertainment news and analysis. He writes from Los Angeles on the arts, politics, race and ethnicity, and pop culture. A graduate of the University of Colorado, he's worked as a reporter, editor and critic at several newspapers and websites, including The New York Times, the San Francisco Chronicle, the San Jose Mercury News, MSN, Current and NBCNews.com. He was formerly an adjunct professor at the Columbia University Graduate School of Journalism. His writing has appeared in The New York Times Book Review, Wired, Entertainment Weekly, PopMatters, Salon, The Root, seattlepi.com, NPR.com, theGrio, BuzzFeed, Medium and other publications. Author of the novel Flagpole Days (2003); and essay collections Interesting Times (2004) and American Bandwidth (2009), he contributed to the anthologies MultiAmerica (edited by Ishmael Reed, 1997) and Soul Food (2000).