Alex Rafalowicz

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In Hollywood, you just can't make a movie like Shine. Put simply, it is just not allowed.

This is our loss and Australia's gain, because Shine comes off as one of the upper-echelon films of the year, an ambitious and unflinching look at that country's David Helfgott, a prodigy of a pianist driven insane by his father, only to emerge again after 20 years of institutionalization.