Entitled ‘Auroratone’, Rose’s work is not only beautiful, it has been made with healing in mind. Citing Cecil Stokes, an experimental filmmaker from the 1940s as a loose inspiration – whose psychadellic 16mm abstract films were said to improve the mental state of emotionally fractured war veterans – Rose has keenly observed and subsequently utilised the historical link between colour and our state of mind.

By deftly using a combination of varying practices, from optical illusion to 2D and 3D techniques, her work is as transportive as it is visually pleasing. In a world – creatively speaking – that is for the most part hell bent on paring back and minimalism, it’s refreshing to be confronted by such unapologetic and uplifting “eye-candy” pieces.

“Creating these abstracted cavernous landscapes with colourful curves and soft shapes I wanted to assault the senses of the viewer,” says Rose, “impacting their eyes with colour and form, provoking them to feel stimulated by the colour surrounding them. By forcing colour to the forefront of our consciousness, some connection to it becomes apparent and a response is evoked that infiltrates the emotions.”