Tile artwork by Gilbert Luján in the Hollywood/Vine Metro station. According to Kerry Morrison and the HPOA this kind of art is not acceptable in Hollywood.The HPOA is famous for hating on dark-skinned nightclub patrons in Hollywood so it probably shouldn’t be a surprise that they1 also hate on graffiti-inspired artwork, which is strongly associated with Latino/Angeleno culture. But it’s a surprise anyway. The depth of the crazy always is. The fact that the HPOA supports graffiti art when it’s produced by white Europeans makes the whole thing even more shameful.

Do you see the contradiction here? The history of “Hollywood”4 and even more so the future of Hollywood includes cartoon images and graffiti work, both of which styles are inextricably associated with Latino culture in Los Angeles, including, to the evident dismay of the HPOA, Hollywood itself. And even bracketing this uncaring aggressive ignorance about the local culture, we have to wonder who says something like that out loud? Hate graffiti art if you will, or any kind of art, but if you’re announcing a public contest to choose art for public display to be paid for with public money, have the self-awareness to understand that by announcing out loud that you won’t consider a style of art that’s so strongly associated with Latinos you’re making yourself look like a ignorant racist yahoo. Just a fact. You don’t have to believe us, ask your PR firm.5Tile artwork by Gilbert Luján in the Hollywood/Vine Metro station. According to Kerry Morrison and the HPOA this kind of art is not acceptable in Hollywood.
Just for instance, consider the world-famous Hollywood/Vine Red Line station. Metro commissioned artwork from world-famous Los Angeles artist Gilbert Luján to decorate the station. According to Metro:
Artist and architect worked together to evoke the history, glamour and excitement of the Hollywood film industry’s yesteryears and its great movie palaces.

Odilo Globocnik, “the vilest individual in the vilest organization ever known,”1 master architect of mass murder and a guy who was very proud of his work, enough so to boast about it in public although not, so far as we know, in poetry. Globus, as his SS buddies called him, had to be told by his boss Heinrich Himmler to shush up because his antics were interfering with the mission.Odilo Globocnik first came to the attention of SS bossman Heinrich Himmler because of his relentless antisemitism and his willingness to murder the Jews of Vienna on a freelance basis even before such practices were sanctioned by German law. Consequently, in 1939 Himmler promoted Globocnik and moved him to occupied Poland. In 1941 Himmler directed Globocnik to oversee one of the most enormous instances of genocide in the history of the world: Aktion Reinhardt.

This was a big step up for Globus, as Odilo was affectionately known to his buddies in the Schutzstaffel, “the vilest organization ever known.”1 In localized modern terms, it’s like being moved from the suburban backwater of Inglewood to the big-time bright-lights-big-city cosmopolis of Hollywood! Globus took to his new surroundings like Samson to the Philistines, and, by late 1943 when he wound up operations, more than 2,000,000 Jews were dead. The organizational aspects of this accomplishment were overwhelmingly intricate, so Globus felt understandably proud of his masterful work and wanted to crow about it. STOP digging any more mass graves and clear up the old ones. Any form of publicity will be harmful. AND STOP WRITING POETRY, FOR CHRIST’S SAKE!!!However, Heinrich Himmler, Reichsführer of the SS and Globocnik’s boss, had begun to notice that the rest of the world, and even a significant number of German citizens, weren’t too happy about the systematic deportation and gassing of human beings on this scale. As historian Bettina Stangneth has it:

The Nazis might have kept telling themselves that the extermination of the Jews was the only means for their survival, but they lacked sufficient faith in this view to share it with the rest of the world. The Nazi police state was born of the fear that not even its own population would understand its campaign of murder. Himmler guessed early on that this “glorious chapter of our history” could never be written, and he prevented Odilo Globocnik from sinking a memorial plaque into the earth for the heroes of Operation Reinhard…In summer 1942 [Himmler] ordered his commanders to find a way to avoid digging any more mass graves and to clear up the old ones. Any form of publicity would be harmful.2

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