George Keep's A2 Media Studies

Wednesday, 2 February 2011

With my first idea i generally was more thinking of a name for my newspaper, and i think news alert didnt work as it makes the news sound like its bad when in all seriousness its not meant to be, its meant to be general news of around the local area.so for my second piece i was thinking of what colours i could use and i believe bromley is a very green area especially the outer skirts, so for my third one i brought the green background and then for the fourth stlye, i trid to make it look more stylish and more eye catching, its not one that i will use but my skills on photoshop got better once i had a little go with a few of the tools.

Thursday, 4 November 2010

Lots of strengths here George, I can definitely see an improvement in your essay writing. Just remember to stay very close to the essay question in every paragraph. In every paragraph, ask yourself what you are saying about the film and male identity. Also ensure you reference correctly. High level 2 (C-)

What does the film 'Lock Stock and Two Smoking Barrels' (Ritchie, 1998) tell us about male identity in Britain, in the 1990s?

The film lock stock and two smoking barrels, comes across as a male dominated film which represents the characters as thugs and criminals. The film could be interpreted as a representation of culture in London in the 1990s however, it’s debatable whether the gangster lifestyle of Ritchie’s world is a true representation or whether it is looking back at a time when men were more sure of their role in the society. This is what many film critics argue that the film represents, a backlash against feminism and attempt to redefine male identity.

After reading a review on lock stock, which was published on January 23 2010( where?), this was published 10 years after the film, so it gives time to see if it changed any political views or whether it changed violence around England at the time. Carley Tauchert who wrote this review mentions it didn’t create a big change in London’s violence around the time as to be fair it wasn’t that gory or eye catching. After reading this review it made me realize how much more gangster light this movie generally is.[reference gangster light idea] Carely also mentioned she isn’t a great fan of Guy Ritchie but admits she could watch the film Lock Stock over and over again as it reminded her of what it was like in the late 60’s early 70’s. I would write...[It's more probable that Ritchie was actually influenced by the gangsters from this time than what was happening in London in the 90s. Also gangsters from this era such as The Krays were in the media quite a bit at the time. So it doesn't give us a realistic representation of men in London in the 1990s but its success might tell us that males could identify with the characters and the themes] [and so does this mean that London Britain has become a better place since the movie was released. Have men become more feminine after the movie? You could say yes, as many more movies came out such as swept away which is a comedy, romance which doesn’t involve any masculinity. This is also another one of Guy Ritchie’s movies.] I would delete this as it doesn't make a clear point related to the question

When Lock Stock Two Smoking Barrels was released on the 28th August it hit Britain as a success being displayed at the Edinburgh film festival. Once reading many reviews none of the people who wrote anything to represent any violence that was linked to this film. One thing I did pick up in most reviews is they all finished on the same ending by using the quote ‘its been emotional’. Superb way of showing sarcasm in a serious matter. You could also say it is the only emasculated line throughout the whole film said by any character, [even the women didn’t use feminine language if anything they were as masculine as the protagonists. ] Only one of the three females even had a speaking part so they weren't 'masculine'.

This brings me onto the male gaze. Laura Mulvey (1975) would argue that this film is like most of the films at the time she was writing Visual Pleasure and Narrative Cinema. The women in the film are partly there to look at but also an extra character just there for the sake of it. For instance when Vinnie? is talking to the camera, there is a lady in the background pole dancing, she has no top on, this is all for the male audience [in the audience as its something that’s eye catching towards men, not so much women unless there lesbian.] not needed.Mulvey felt that cinema put the spectator in a masculine subject position so basically films were made with a male viewer in mind. Overall this film is aimed at a male audience as it is about masculinity, its pretty much stating that men should all be more manly and if you’re not then man up. a lot of films around this era have the same moral such as fight club. Its like a father being pleased with their son for kicking a football, not doing bale. It’s not a manly thing to do as there showing that they're emasculated. The problem with having lots of films like this is that some believe that we develop ways of thinking about things through media influence, so it was a concern that this film would have an impact on how males formed their identity.

Guy Ritchie has been blamed by more than one person for the pollution of the British film industry. Lock Stock the movie was an unexpected success seemed to of been said by many critics. Reason why I believe everyone assumed this movie would be a flop is because, the gangster cycle started at the beginning of 1996, it was one of the main film genre’s as from April 2007 through to 2001, there was at least twenty four British films released. Reason why the last statement is amazing because it had released more of then type of movies within four years, that over the last twenty years of British film industry. It wasn’t the gangster genre that was on the block, it was crime-comedy genre, so murder movies but as you didn’t see the gory parts, it made the whole situation ok. Again, this 'gangster light' style (Steve Chibnall, 2008) was criticised because violence was made to seem funny and there were no consequences. Use quote. Some critics were concerned that the film was linked to a rise in violent crime.

This bring me onto Adorno, he believed everything was repeated over and over again, which I also believe is true, for instance axes of awesome are a comedy group who done a show and played the same four chords over and over again singing at least 100 songs to the four same chords. Although its not an identical theory to film but from 1997 to 2001 the crime comedy films were being repeated as gangster movies surely that can only be about gangsters? Or is was it as in Lock Stock it wasn’t just about Gangster’s it was about money not reputation. This paragraph should be about how Adorno worried about the power of the media over the audience. He would argue that with so many films like Lock Stock being produced, along with readership of magazines like FHM and Loaded, the male audience would be persuaded that this type of laddish behaviour and the objectification of women was 'natural'. Whereas Fiske would argue that the film industry were trying to reflect, how males in the UK were feeling at this time, as in Fiske’s books, it’s the people who influence popular culture. What one do I believe in? I believe in Adorno’s argument as when I backed up my research there wasn’t any violence going on in this so called gangster way. [I've moved this up from a couple of paragraphs below]

Does this film affect male identity? Well that’s up for debate as people are entitle to their own opinion. Personally I think it made a slight affect as after the four years crime-comedy, I found out from my research that there were more comedy romances, and action films after them four years of gangster light and dark movies.

Violence from this film does influence male behavior as you look at football firms, they might and probably have looked at this movie and thought this could be a way to earn money, as well as people that don’t earn as much money as people who work in cities. But the whole football firm has got a lot worse recently as there have been films such as Green Street and the firm who have pretty much tried getting crime comedy genre back into its element which is to make the men of today era more masculine. But why has it created made violence go up more? One answer being as you don’t see no one getting arrested in the film they think its alright to do it, in fact you don’t see one police officer, all you see is a traffic warden which was the last thing on their mind.

in Conclusion I believe the film lock stock two smoking gun barrels comes across as a male dominated film, in certain ways showing ways of how London was in that era. [Does it?] Overall this is when I believe film started to change, as four years after were last four years of pretty much masculine films and from then onwards we’ve has mixed genre’s. But overall a smashing masculine film. But not emotional in my eyes. This conclusion does not summarise your points or answer the question. Try again.

Wednesday, 20 October 2010

What does the film 'Lock Stock and Two Smoking Barrels' (Ritchie, 1998) tell us about male identity in Britain, in the 1990s?

The film lock stock and two smoking barrels, comes across as a male dominated film which represents the characters as thugs and criminals. The film could be interpreted as a representation of culture in London in the 1990s however, it’s debatable whether the gangster lifestyle of Ritchie’s world is a true representation or whether it is looking back at a time when men were more sure of their role in the society. This is what many film critics argue that the film represents, a backlash against feminism and attempt to redefine male identity.

After reading a review on lock stock, which was published on January 23 2010, this was published 10 years after the film, so it gives time to see if it changed any political views or whether it changed violence around England at the time. Carley Tauchert who wrote this review mentions it didn’t create a big change in London’s violence around the time as to be fair it wasn’t that gory or eye catching. After reading this review it made me realize how much more gangster light this movie generally is. Carely also mentioned she isn’t a great fan of Guy Ritchie but admits she could watch the film Lock Stock over and over again as it reminded her of what it was like in the late 60’s early 70’s, so does this mean that London Britain has become a better place since the movie was released. Have men become more feminine after the movie? You could say yes, as many more movies came out such as swept away which is a comedy, romance which doesn’t involve any masculinity. This is also another one of Guy Ritchie’s movies.

When Lock Stock Two Smoking Barrels was released on the 28th August it hit Britain as a success being displayed at the Edinburgh film festival. Once reading many reviews none of the people who wrote anything to represent any violence that was linked to this film. One thing I did pick up in most reviews is they all finished on the same ending by using the quote ‘its been emotional’. Superb way of showing sarcasm in a serious matter. You could also say it is the only emasculated line throughout the whole film said by any character, even the women didn’t use feminine language if anything they were as masculine as the protagonists.

This brings me onto the male gaze. The women in the film are partly there to look at but also an extra character just there for the sake of it. For instance when Vinnie is talking to the camera, there is a lady in the background pole dancing, she has no top on, this is all for the male audience in the audience as its something that’s eye catching towards men, not so much women unless there lesbian. Overall this film is aimed at a male audience as it is about masculinity, its pretty much stating that men should all be more manly and if you’re not then man up. a lot of films around this era have the same moral such as fight club. Its like a father being pleased with their son for kicking a football, not doing bale. It’s not a manly thing to do as there showing that there emasculated.

Guy Ritchie has been blamed by more than one person for the pollution of the British film industry. Lock Stock the movie was an unexpected success seemed to of been said by many critics. Reason why I believe everyone assumed this movie would be a flop is because, the gangster cycle started at the beginning of 1996, it was one of the main film genre’s as from April 2007 through to 2001, there was at least twenty four British films released. Reason why the last statement is amazing because it had released more of then type of movies within four years, that over the last twenty years of British film industry. It wasn’t the gangster genre that was on the block, it was crime-comedy genre, so murder movies but as you didn’t see the gory parts, it made the whole situation ok.

This bring me onto Adorno, he believed everything was repeated over and over again, which I also believe is true, for instance axes of awesome are a comedy group who done a show and played the same four chords over and over again singing at least 100 songs to the four same chords. Although its not an identical theory to film but from 1997 to 2001 the crime comedy films were being repeated as gangster movies surely that can only be about gangsters? Or is was it as in Lock Stock it wasn’t just about Gangster’s it was about money not reputation.

Does this film affect male identity? Well that’s up for debate as people are entitle to their own opinion. Personally I think it made a slight affect as after the four years crime-comedy, I found out from my research that there were more comedy romances, and action films after them four years of gangster light and dark movies.

Violence from this film does influence male behavior as you look at football firms, they might and probably have looked at this movie and thought this could be a way to earn money, as well as people that don’t earn as much money as people who work in cities. But the whole football firm has got a lot worse recently as there have been films such as Green Street and the firm who have pretty much tried getting crime comedy genre back into its element which is to make the men of today era more masculine. But why has it created made violence go up more? One answer being as you don’t see no one getting arrested in the film they think its alright to do it, in fact you don’t see one police officer, all you see is a traffic warden which was the last thing on their mind.

This brings me onto the Adorno and Fiske argument. Adrono would have believed that during 1997-2001 the film industry were pulling the wool over peoples eyes but remaking the same film pretty much but just with different actors, and different location. Whereas Fiske would argue that the film industry were trying to reflect, how males in the UK were feeling at this time, as in Fiske’s books, it’s the people who influence popular culture. What one do I believe in? I believe in Adorno’s argument as when I backed up my reaearch there wasn’t any violence going on in this so called gangster way.

in Conclusion I believe the film lock stock two smoking gun barrels comes across as a male dominated film, in certain ways showing ways of how London was in that era. Overall this is when I believe film started to change, as four years after were last four years of pretty much masculine films and from then onwards we’ve has mixed genre’s. But overall a smashing masculine film. But not emotional in my eyes.

Monday, 18 October 2010

i believe that the male identity in 1990's was becoming very strong with the likes of movies such as lock stock and fight club and many others. the masculinity in the films were becoming more and more broader with mainly a male audience and the occasional male gaze. in lockstock the male gaze is proven to an extent, in one shot theres a character talking to the camera, whilst this is happening theres a female in thebackground doing pole dancing with no top on, this represents e male gaze as its something for the men to look at. i also mentioned the word to an extent as not all the women in the movie are took be looked at, at theres a lady who's more masculin than some of then men in the movie, who's involved in the drugs inside the house with the cage at the front.

Tuesday, 21 September 2010

LEVEL 2 25/50 Roughly equates to DWell done George. Needs a little tidying up here and there but generally demonstrates a satisfactory understanding of the two arguments. You need to refer to Karl Marx and the revolution of the people that never happened. PASSIVE/ACTIVE audience and the idea that the audience don't even realise they're being affected by the media

Monday, 20 September 2010

One of the main arguments today with the public is who has more poweris it the media or the actual audience themselves. Two key theorists who are often used to illustrate both sides of the argument are theordor Adorno and John Fiske. Adorno believes that the media has more power over the audience and Fiske believes that the audience have more power the media. They are from quite different backgrounds which goessome way to explaining why they have adopted these view points.

Adorno was born in Germany in 1903 where high art was valued and popoular culture was not. Only 66 years later he passed away, but whilst he was alive he brought a great argument to the world. Adorno was a member of the Frankfurt school for social research, the group was made up of mainly German, Jewish intellectuals who fled from Frankfurt to New York and Los Angeles when the Nazis rose to power in the 1930’s. when Adorno went to New York this is when his career kick started. America were a happy nation although their jobs weren’t fancy, they still enjoyed there day to day life. In 1947 Adorno and Horkheimer published their book called dialectic of enlightenment. There book is all about the media power, they referred to the mass media as the ‘culture industry’. It says in the there it’s a well oiled machine, meaning that they create the entertainment in ways to create more money which means bigger profit. This is where John Fiske comes into the equation, he made this statement, ‘popular culture is made by the people, not produced by the culture industry. All the culture industries can do is produce a repertrioure of texts or culture resources for the various formations of the people to use or reject in the ongoing process of producing their popular culture’.

Adorno and Horkheimer believed that everything of the culture industry are exactly the same. Some things may have seemed different, but this is not true as they believed everything was pretty much the same. They believe that record and film company’s make the same movie over and over again just with different actors and different titles. It’s a win situation for the film companies as people like certain genre’s and it means they will watch the same film over and over again. It all comes down to identity in what films and music genre’s people like. But friske believes that this is a load of rubbish.

To back this point up, a band named axis of Awesome is a prime example of the argument that im debating at the moment. So horkheimer and adorno points about the media and film and music have all been relevant. Axis of awesome are an Australian comedy band. They were at a gig where they sung many songs with the same four chords over and over again. This also works on the films in Hollywood today as you can work out the ending of the film within the first few minutes of the film, the director’s job is too easy.

Fiske rebelled against this he wants to show that the people are not drones and that they don’t come under as a mass audience, and they are different in every kind off way with different tastes which comes under their identity and how there brought up within which culture and which area of the world.

When Adorno was in Germany he realized what hitler was doing to the media in there country, he got people to twist the truth in the country so that the citizens would believe it, as all the citizens believed what the papers or radio said. Adorno witnessed all of this, and saw the jews pain, this is the main reason to why I believe that media have more power than the people power.

From my own research I found that John fiske was born in 1939, and was educated in Great Britiain, from then onwards he went to Cambridge university and graduated from there onwards. Adorno and fiske both have different believes but this could be to how they were bought up, and what era they were bought up in, as the world has changed a lot from the 1930’s-40’s.