No Cyber Monday deals, but the majority of what we have left from spring is on sale in the webstore. Holiday QS goods arriving to U.S. shops this week. Available in Japan now. Arriving in Europe and Canada next week. Available online next Monday, December 4 at midnight. AND! on the occasion you need some hot garms at this exact moment, Alltimers just stocked their webstore with their holiday range.

“Seeing a tiny skater on top of a sculpture on a Thrasher cover got me thinking that if the skater had been a performing artist addressing this art piece, it probably would have landed him on the Art Forum one. Unlike the art critic, the skater isn’t looking for the ‘unsaid’ in an art piece, its hidden meaning.” Raphael Zarka has a new project entitled Riding Modern Art, which chronicles 75 public sculptures and the skate photos shot on them over the years. Be sure to wallie the next Richard Serra you see because he deaded the homie on clearance ;)

Kevin Coakley scours every nook and cranny of the east coast and fakie crooks the Pace Ledge in his Look Left ender part, which is now online.

Pretty much everyone in our age group and under looked up to Rodney Torres growing up. First New Yorker to flip into a handrail (pretty sure…), first to hit the Hooters Rail (R.I.P.), etc. “The King of Queens” is a quick video portrait by Carlos Felipe. Chrome Ball’s Rodney post has also been an all-time fave.

“However, the recently proffered notion that Chad Muska’s ‘illusion’ frontside flips looked good, wrongheaded as it is, speaks to a similar, latent yearning for diversity in trick form that seems to have been squeezed out in the online video age.” If no complies, beanplants, pressure flips and noseslide shoves can come back, there’s little reason to believe the mob or illusion flip won’t become a fashionable alternative to the tricks’ homogenized norms/forms by April of this year.

Our new capsule with Nike SB releases on Thursday, October 13 in skate shops worldwide. It includes a special, #lowkey colorway of the Bruin Hyperfeel, a heavyweight longsleeve pocket tee, and a Lamborghini of a wool coach jacket that exudes grown and sexy confidence. Thanks Ripped Laces for the love ♥

Skateboarding in 2016 is a strange place, and this early 2000s nostalgia is really hitting critical mass man. Whatever incarnation of Osiris still exists re-added Tyrone Olson and Peter Smolik to their team, a year after Smolik aired out the company for denying him a snow camo Navigator and pushing Slimer-colored footwear. “The Storm already passed homie, let’s get the hurricane on and the tornado.” I don’t know dude.

Yesterday, we were talking about how much American currency it would take for us to attempt a caveman boardslide on the rail that goes down from the middle stage at House of Vans. This guy crooked grinded it.

This part is way less ledge dance-y than I remember it. It’s more bump-to-cans and bump-to-fences than anything, and surprisingly #current in that regard. The song is still the worst rap song in a skate video ever unless someone skated to Wale.

Dude, we love themed video parts. Grate themed video parts, garbage themed video parts, dumpster themed video parts! And there is no more beloved theme to build a video part around than to learn every nuance and cranny of a skate spot by skating it for the full duration of said part. Given the rate at which spots worth learning have been diminishing, we’ve been given reason to celebrate such one-spot achievements more than ever. You think it’s a coincidence that both 18-year-olds and 38-year-olds love Gonz’s “just cruising in the street”-thing from Video Days? Cruising is everyone’s M.O. now, whereas maintaining fidelity to one spot takes extra effort.

With that, a genre has skyrocketed in popularity within the skateboard media marketplace: spot-based content. Whereas since the demise of 411 “spot checks,” the story has 97% of the time been about the skater, the team or the event, spot-based videos are the new way to make us remember that we better learn how to skate walls if we ever want to skate an street object outside of a caged-in skatepark ever again ;)

Atlanta’s checkerboard spot benefits from more lenient “plaza” definitions that we allow in 2016. There aren’t many longstanding street spots with multiple ledges left, so it becomes one by default — though it may be the only Great American Skate Spot™ 2.0 that I have no desire to skate. (Shit looks mad high.) The spot doesn’t have a storied mythology or celebrated culture, and its background is not densely layered with regal civic buildings or skyscrapers. It’s just a spot that has been long enough for us to be forced to respect its status in the era of depleting spots. An all-Columbus Circle part was in order for last year to commemorate its ten-year run for the same reason, until a cop decided to pepperspray a teenager…

Jimmy Lannon, noted “regular” Magenta outlier and 2014 “Best Line at Three Up Three Down” titleholder, paid tribute to the spot’s longer-than-usual tenure in Thread / Headcleaner, with a literal #musicsupervision choice that’s one step removed from Mark Suciu skating to Phil Collins’ “Sussudio” or like, Soy Panday skating to “Panda.”

Drove all the way to Atlanta from Charlotte, only to show up and have it be eighteen degrees and snowing upon arrival.

Somehow, everyone says there are no street spots in downtown Atlanta (or that they are all knobbed), but I saw at least fifteen that looked fine. 285 cutting through downtown is really the best-looking piece of auxiliary road in America, and lives up to the Youngbloodz song made in its honor.