Prior to his work in the world of Wet-Plate Collodion, Ken has worked on a personal portrait project (traditional silver prints) for more than 20 years which includes: dancers, bikers, people with their pets, autistic children, “little people”, transvestites, identical twins, women wearing masks …

In response to the rapidly moving electronic image world, as well as his inherent desire to keep his traditional darkroom alive, Merfeld has chosen to embrace the ultimate, historical, hands-on technique of Wet-Plate Collodion (originally known as the “Black Art”) from the 1860’s. Influenced by the 19th. Century portraits of Julia Margaret Cameron, whereby a single defining exposure is made on a piece of glass and processed immediately, Ken has re-defined his continuing world of emotional portraiture.