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Monthly Archives: December 2014

Usually this weekly streaming column is either partially or entirely devoted to new titles on Netflix Instant. But with Netflix in a bit of a late-December funk (“I, Frankenstein,” anyone?), I thought I would turn my attention to Amazon Prime Instant Video.

Amazon Prime has been busy making exclusive streaming deals with independent film distributors like A24 (“The Bling Ring”) and, in October, Oscilloscope Laboratories. A whole bunch of excellent films from Oscilloscope and elsewhere just went up exclusively on Amazon Prime in the last couple of weeks, so this week’s column will focus on those.

“Big Eyes” is now playing at Point, Eastgate, Star Cinema and Sundance. PG-13, 1:44, three stars out of four.

“Big Eyes” is both the least Tim Burton-y film that Tim Burton has ever made and the most Tim Burton-y film he’s ever made. Least, in that the brightly-colored pastel palette of the film doesn’t contain a drop of darkness or CGI trickery. Most, in that it celebrates the life of an outsider artist without worrying about whether the art was actually any good or not.

“The Interview” is now streaming on several major services, including YouTube and Google Play, and is playing in several theaters, but none in Madison or Milwaukee. R, 1:44, two and a half stars out of four.

“The Interview” is something of a disappointment, and I’m not just saying that because North Korea has gotten its Internet back up. After the achingly funny apocalyptic comedy of “This is the End” and the (relatively) more grounded comedy of last summer’s “Neighbors,” Seth Rogen and his writing-directing partner Evan Goldberg seem to be coasting a little this time around, with a potentially great, risky comic idea that they’re not quite sure what to do with.

Pick of the week: “The Trip to Italy“ — My full review is here. The second go-round for Steve Coogan and Rob Brydon isn’t quite as much fun as the original “The Trip,” despite gorgeous Italian locations and mouth-watering food. But it’s still a lot of laughs, as they trade impressions, rock to Alanis Morissette and chuckle in the face of impending mortality.

Chris Rock’s movie career has never come close to the ferocious brilliance of his stand-up act (“Grown-Ups 2,” anyone?), but he gets quite a bit closer with “Top Five,” which he wrote and directed as well as stars in. I think I would still rather watch Rock hold a press conference about “Top Five” than actually act in it, but the movie is the nearest we’ve come to hearing Rock’s authentic comic voice on film.

I hadn’t planned on writing about “The Homesman,” but it wouldn’t let me go. When I first saw the Western — directed, co-written by, and co-starring Tommy Lee Jones — last week at Sundance Cinemas, I walked out of the theater not sure how I felt about it. The jumble of tones, the ambiguity of the performances, the jarring plot turns, and above all the stubborn refusal to play by the rules of the Western — I just wasn’t sure what to make of it. I’m glad I didn’t have to turn around a review for the next morning.

1. Pick of the week: “The Wolf of Wall Street“ — I wrote here last January on how critics of Martin Scorsese’s wildly entertaining movie about junk bonds trader Jordan Belfort who think the movie condones his behavior are deeply misguided. Sure, the exploits of Belfort (a loose Leonardo DiCaprio) and his cohorts look like frat-boy frolicking, but the damage is plain as day for those willing to see it. And, more damningly, Scorsese is less interested in indicting Belfort than he is in indicting the rest of us for idolizing guys like him.