"If you are into uninspired lo-fi garage, turn the page, this is not for you. If you are turned on by names like The Music Machine or The Seeds, then you should certainly get to know The Magnificent Brotherhood. Dope Idiots brings you twelve original songs, full of trumpet-like fuzz guitars, Farfisa organ swirls and Zappa-esque lyrics, all blended with a punk attitude. Despite being faithful to a vintage sound, The Magnificent Brotherhood have developed their unique songwriting style. And we say unique because it doesn't sound like a Nuggets cover band. This is music. This is the real thing!" Gatefold sleeve.

"Who should have thought some incoming spawn would survive No More Invention (2008)? Yes sirs, inside the Grand Procreator's consumed ashes, still half lying half standing thus was some rebel mass endowed with the urge to appear in face of the fallen stuff. It would be chemically determined as a following sacrificial revenge after Invention got lost 2 years ago in a rock located in San Pedro Ville, France. And then came rebellion appearing in its entire regained nudity, though it was given a load of Seltz water so it can endure its own terrifying blast power. Here it is -- now Maniacs & Zealots, be afraid of intending to tickle the Beast from your players! World In Sound presents Manifesto Zero, Gunslingers' second atrocious little deformed baby, recorded on the infuriated November of 2009 while evil-red-eyed wolves were getting enraged in the frightened night. No doubt it has to be a relentless sonic testimony in the style of throwing Vitriol at the snobbish subculture's face and, Willynilly, you'll be given a proper naughty chase and a sixfold punishment always greedy of its prey from start to finish. Rhythmically Cyclopean as overexcited as starving due to the constant hammering of its ritualistic tempo & contra-tempo gluttony, its disturbing debauchery of lysergic & contemplative elements gives besides the whole savagery thing some multipleheaded Beast aspect by leading its own sound color touch (& its obvious axis of devastation) right into the alley of a space glider under oversaturated hypnosis ; and more generally, into variable expressions & exploration areas which stand between Underground Rock Music' unclassified genres & subgenres. Demented Guitar wall-of-acid-riffs, pissed off takeoffs & instrumental smashs on bewitchment mode, harmonic death traps, pulsatory frenzy & insane grooves in the likes of a vicious contortionist highway, startling surrealistic vocals sealed to a psychotic Daedalus-esque bass unfurling, and ultimately a scary statement of visceral power. The whole thing devoted to the cult of analog 4 track tape recording, the everlasting oily machine & Slingers dynamo. Manifesto Zero is nothing less than an authentic firebrand."

"MAXIMUMVOLUMEROCKANDROLL!!! (Part 4) The Peruvian psych/space freaks are back, with some rural reflections of the 60s acid punk era with its catchy, raw & animalistic high energy performances. Can a riot be started by the slow and on low volume? -- NO- the title says it all (a mix of The Clash classic and Peruvian Andean mythology). Since their fabulous debut album Hacia El Sol Rojo the group evolved into a mighty tight 'wall of sound' (not just live on stage); but still keeping their sensitive feeling to hypnotize a wide spectrum of rock freaks who like it intense! -- Look forward to hard driven riff/solo guitars, pumpin overdosed bass, crazy´n´wild marching tribal drums, combined with outer space effects & noises -- the dark euphoria will make you stand up and dance! If you missed the MC5, The Stooges, Bored! or Los Saicos good old times, this is your ticket to an extreme psychedelic punk trip. (As bonus on the CD you´ll find a cool video). Again, they are back and they want your brain for party...for revolution...cause right now is time to FIESTA & REVOLUCION!"

"This reissue by Headstone, a hard rock quartet from Indiana was their only album release. They were discovered by a local producer from Ohio, who owned the label Starr-Records and went there to record Still Looking (further they released two non-lp 45 records; you´ll find in total 6 bonus tracks from 1975 on this CD incl. 2 previously unreleased tunes). In the psychedelic underground collectors scene the album got established as a classic psych-hard-rock rarity. Their sound is strong and melodic with awesome guitar/organ leads, great and catchy vocals. Their natural float creates a hypnotic atmosphere and makes you listen to this album again and again. At all their musical spirit is closer to the end 60s blend, than the recording year 1974 reflects, and sometimes they remind of the early Bloodrock stuff. Acid Archives (Patrick Lama): 'The opening eight minute title track is a killer journey through local underground guitar psych, and there's plenty more good stuff aboard including some more lyrical moves. Underrated LP, solid all through, better than many $1000 LPs.' The CD (62 mins) will come with a band´s bio and is remastered to a fresh dynamic sound. For sure an outstanding hard-rock album with several of flashes of the upcoming new wave of British Heavy Metal (NWoBHM), an album you should not miss!"

"The Flying Eyes are a very promising heavy psych quartet hailing from Baltimore, Maryland. This is their debut release, a full length compilation of two excellently recorded EPs (Bad Blood & Winter). Their 10 awesome original cuts (no fillers) reflect ultimately authentic the musical influences and spirit of the Woodstock generation, heavy, acid-tinged blues-rock cooked with melodic, psychedelic pop; haunted by the ghosts of The Doors, Pink Floyd and Cream while defining their own unique sound. The group has already played with many renowned bands such as The Raveonettes, The Black Angels, Witch and Dan Auerbach of The Black Keys (during SXSW 2009). The Flying Eyes have also created an annual, home-grown music festival, 'Farm Fest', in Manchester, Maryland. For those sentimentalists who love the expressive and colourful 60s & 70s psychedelic spirit--.forget about an eventual invention of a time machine --. The Flying Eyes stop by to open your ears & eyes for the 'new' old dimension of open-minded classic rock music -- and NO!!!--they where not frozen for 40 years, they are NOW!"

"The experimental guitar-driven musician collective, iH8 Camera (='i hate camera') from Antwerp, Belgium was formed by 2004, around the nucleus of the Love Substitutes. iH8 Camera performs rarely but frequently live and in changing line-ups and Trip In Time discovered them for the Burg Herzberg Festival 2006 (Europe´s biggest hippie fest). The Sextett arrived at the Freakstage just in time for their set -- ready to plug in and perform this mindblowing 50 minute improvisational freak-out show. Their odyssey seemed long and must have been impressive to the band; finally they got inspired to name their 7 songs after cities from the area which have been passed on this trip, lyrics reflect the 'true' stories about life on road! For sure you'll recognize influences of Pink Floyd´s early period (69-71), 13th Floor Elevators -- but also more modern ones, such as Radiohead or Deus (Ward & Trouvé are former Deus members). We assume that not many festival visitors will remember this show -- but finally this awesome performance will be available, mixed by the band and mastered to excellent sound-quality. These catchy and floating psychedelic sounds will leave no one untouched! It's the major league among today's experimental rock albums, where the present and future of rock collide in the progressive world of iH8 Camera. Digipack."

"This short lived German acid-psych Sextet had one private limited edition release in 1997, called Chambers (vinyl only). Until today it became a rare, high-rated collectible among psychedelic underground fans. While numerous bands in the '90s & 2000s tried to revive the true '60s/'70s spirit & sound, Living Room reached a high level in authenticity. When you hear it, you will bet that this was made in 1968! They used vintage equipment and effects such as Farfisa-organ, fuzz & echoing guitars, flute and two beautiful girl voices. These recordings present their previously unreleased second album, a heavy floating but also a mystic folk listening pleasure -- 8 cuts which reflect Krautrock inspirations in the vains of Amon Düül 2, Hölderlins Traum but also a lot 'Summer Of Love' hippie-spirit. Look forward to enjoy songs like 'Orange Plastic,' 'Rising Dawn' or 'Times Like Lakes' (which can be heard on CD on Trip In Time Vol.3, WIS-2503). The CD, well remastered, comes in a limited digipack cover, with 4 bonus tracks (from their debut Chambers). Those guys took their Trip In Time about 10 years ago, with this 'timeless' artistic statement from the underground -- truly a catchy psych gem!"

"Four decades after Woodstock, these fabulous recording sessions see the light of day for the first time. This album contains 5 studio tracks from 1969, recorded at the popular Mu House by the panhandle in San Francisco's Haight & Ashbury, where the likes of Janis Joplin, Grateful Dead, Paul Butterfield Blues Band with Michael Bloomfield frequently played music. Plus, 2 live tracks from 1970 during their 'Hight Time' best! An added bonus of 2 songs from Banda de Jesus, (a band which included 3 original Naked Lunch members), recorded by David Rubinson & Fred Catero at Pacific Recording in San Mateo, CA circa 1972. To put it in a genre: it blends the best of Latin rock, with 'rare grooves, and tricky jazz/funk elements.' Highly addictive melodies, with emotional vocals, pulsating beats with floating conga rhythms, soaring electric guitar, whirling Hammond organ, and a punchy horn-duo, create powerful arrangements to set your home stereo ablaze. This release tells the story, musically, but also in extended linernotes, and rare photos (one included poster) the evolution of the band which was founded in the summer of '69. Led by 16-year-old Abel Zarate (guitar & vocals) to become one of SF's hottest live acts in 1970, a record deal with Bill Graham's Fillmore Records was in sight, but NL was too 'raw,' and energetic to be reigned in and 'commercialized.' But now you hear it, remastered to a fresh dynamic sound from the original session tapes. The trio from NL, Murray (trumpet), Spremich (drums), and Zarate took a huge part in helping to create the sound of Latin rock group Malo, on their 1972 debut record, and helped that band become one of the premier Latin rock groups of the era. Here are their roots! The sum of the music, and the intensity of these recordings can be compared to Santana's Woodstock performance, with a bit of Hendrix-vibe, and Blood, Sweat & Tears influence. Truly a highlight of an almost forgotten San Francisco original."

Now available on vinyl; gatefold sleeve. "Here is the self-confessed Slinger's electric companion, a huge onset tour de force hailing from the realm of San Pedro (France) and that should cause weird effects through invention's great (golden) ass. First came Gunslingers, raising against the big bullshit, then came No More Invention, wearing a nine-acts sling of a hilarious outrage. Introducing the ultimate assault of her illegitimate three sons, also known as massacre-rock deviant inquisitors, a French deconstructionist trio who needed to abuse the artifacts of some lost rock synthesis in one total, furious and quintessential record, like an evil paradox of rock. Expect pure apotheosis of wild horror biker freakouts, acid avant-punk and trippy psych-noise with no respite from the action's breakneck speed. Gregory Raimo aka GR's incriminating unspoken yaya words and unparalleled orgiastic guitar savagery over control, spacey analog effects fulminations and feedbacks culminating with Matthieu Canaguier's hypnotic and castrationist ritual thunder bass, and Antoine Hadjioannou's prophetic mad with scalp crashing down drums-machete. From the gigantic 13 minute long blowing Krauty prayer of 'Lighter Slinger Festival' to the frightening embodiment of Nathaniel Hawthorne's 'The Minister's Black Veil', this is some magnetizing unknown & sacred distillation. Loud and irreverent up to hilarity, and paradoxically, largely out of any category, this freakish explosive mixture, recorded in 2007 in three days, re-pioneers the hijacking of rock landmarks. Probably based on Lady Hysteria's (herself) voluntary uncontrolled intent, Gunslingers' No More Invention spreads the enlightenment of catastrophic happenings and a nonsense of epic blackout scenes into electric round of fury. Be prepared for a constant state of shock."

"Live In Zürich is the second live album of the psychedelic blues rock band Ginger. After 2 years and 50 live shows back home as well as abroad, those four young people hailing from Zürich have clearly taken their position in the '60s/'70s scene. Ginger is a band mainly constipated for the stage, so it is only logical that this promising four piece -- following the tradition of the old blues rock and American jam bands -- offers its jammy and experimental live shows on record. The album Live in Zürich is an official bootleg, taped with a multitrack hard disc recorder on the occasion of a live concert in Zürich in May 2008. This record is being produced and distributed as a production in cooperation with the German label World in Sound. This 60-minute live record features warm blues, lively funk and impulsive guitar driven psychedelia. It mirrors well the stylistic spectrum of Ginger and gives a glimpse of what one can expect at one of their explosive live shows."

"Four decades after Woodstock, these fabulous recording sessions see the light of day for the first time. This album contains 5 studio tracks from 1969, recorded at the popular 'Mu House' by the panhandle in San Francisco's Haight & Ashbury where the likes of Janis Joplin, Grateful Dead, Paul Butterfield Blues Band with Michael Bloomfield frequently played music. Plus, 2 live tracks from 1970 during their 'Hight Time' best! An added bonus of 4 songs from Banda de Jesus, (a band which included 3 original Naked Lunch members), recorded by David Rubinson & Fred Catero at Pacific Recording in San Mateo, CA circa 1972. To put it in a genre ... it blends the best of Latin rock, with 'rare grooves, and tricky jazz/funk elements.' Highly addictive melodies, with emotional vocals, pulsating beats with floating conga rhythms, soaring electric guitar, whirling Hammond organ, and a punchy horn-duo, create powerful arrangements to set your home stereo ablaze. This release tells the story, musically, but also in extended liner notes, and rare photos (20-page booklet) the evolution of the band which was founded in the summer of '69. Led by 16 year-old Abel Zarate (guitar & vocals) to become one of SF's hottest live acts in 1970 -- a record deal with Bill Graham's Fillmore Records was in sight, but NL was too 'raw,' and energetic to be reigned in and 'commercialized.' But now you hear it, remastered to a fresh dynamic sound from the original session tapes. The trio from NL, Murray (trumpet), Spremich (drums), and Zarate took a huge part in helping to create the sound of Latin rock group Malo, on their 1972 debut record, and helped that band become one of the premier Latin rock groups of the era. Here are their roots! The sum of the music, and the intensity of these recordings can be compared to Santana's Woodstock performance, with a bit of Hendrix-vibe, and Blood, Sweat & Tears influence. Truly a highlight of an almost forgotten San Francisco original."

"Here is the self-confessed Slinger's electric companion, a huge onset tour de force hailing from the realm of San Pedro (France) and that should cause weird effects through invention's great (golden) ass. First came Gunslingers, raising against the big bullshit, then came No More Invention, wearing a nine-acts sling of a hilarious outrage. Introducing the ultimate assault of her illegitimate three sons, also known as massacre-rock deviant inquisitors, a French deconstructionist trio who needed to abuse the artifacts of some lost rock synthesis in one total, furious and quintessential record, like an evil paradox of rock. Expect pure apotheosis of wild horror biker freakouts, acid avant-punk and trippy psych-noise with no respite from the action's breakneck speed. Gregory Raimo aka GR's incriminating unspoken yaya words and unparalleled orgiastic guitar savagery over control, spacey analog effects fulminations and feedbacks culminating with Matthieu Canaguier's hypnotic and castrationist ritual thunder bass, and Antoine Hadjioannou's prophetic mad with scalp crashing down drums-machete. From the gigantic 13 minute long blowing Krauty prayer of 'Lighter Slinger Festival' to the frightening embodiment of Nathaniel Hawthorne's 'The Minister's Black Veil', this is some magnetizing unknown & sacred distillation. Comes with a four page booklet of awesome artistic statement in a limited digipack edition. Loud and irreverent up to hilarity, and paradoxically, largely out of any category, this freakish explosive mixture, recorded in 2007 in three days, re-pioneers the hijacking of rock landmarks. Probably based on Lady Hysteria's (herself) voluntary uncontrolled intent, Gunslingers' No More Invention spreads the enlightenment of catastrophic happenings and a nonsense of epic blackout scenes into electric round of fury. Be prepared for a constant state of shock."

LP version in gatefold sleeve. "It seems that La Ira De Dios from Lima, Peru, refined their concept for a unique, raw and massive 'wall of sound' for their third album. With the debut Hacia el Sol Rojo and the second album Archaeopterix, released on the German stoner/space label Nasoni records, the group were quickly met with wide acceptance of fans and excellent critics from the international media -- both albums reflect primarily the Hawkwind-style space rock with mostly long tunes and effects (this concept now covered with Obskuria -- WIS 2003 features all La Ira members). Now the trippiest heavy underground band from Lima brings this new album to life Cosmos ... Kaos ... Destruction containing 8 songs, riff orientated 3-7 min cuts with strong MC5, Motörhead and other 'punk' influences -- for sure it's the most aggressive and heaviest album by this 3 piece line-up to date, which will satisfy fans of heavy acid fuzz garage rock or VoiVod's early works! They say all good things come in threes, here's the third album presented by World in Sound -- Chapter 3 has begun, the intention is simple but challenging: Cosmos (Space), Chaos (Mindblowing) and Destruccion (Aggression)! Get ready for MAXIMUMVOLUMEROCKANDROLL!!!"

"It seems that La Ira De Dios from Lima, Peru, refined their concept for a unique, raw and massive 'wall of sound' for their third album. With the debut Hacia el Sol Rojo and the second album Archaeopterix, released on the German stoner/space label Nasoni records, the group were quickly met with wide acceptance of fans and excellent critics from the international media -- both albums reflect primarily the Hawkwind-style space rock with mostly long tunes and effects; (this concept now covered with Obskuria -WIS 2003 features all La Ira members). NOW the trippiest heavy underground band from Lima brings this new album to life. Cosmos, Kaos, Destruccion containing 8 songs, riff oriented 3-7 min cuts with strong MC5, Motörhead and other 'punk' influences -- for sure it's the most aggressive and heaviest album by this 3 piece line-up to date, which will satisfy fans of heavy acid garage rock or VoiVod's early works! Released in a digipack cover with cool artwork and 8p. booklet. They say all good things come in threes, here's the third album presented by World in Sound -- Chapter 3... has begun, the intention is simple but challenging: Cosmos (Space), Chaos (Mindblowing) and Destruction (Aggression)! Get ready for maximumvolumerockandroll!"

"Biff! Bang! Pow! Is it garage? Is it punk? Is it psych...? NO! It's The Magnificent Brotherhood from Berlin, hottest live act in town! Here is their long expected debut album, truly a trip to the '60s beat/garage/psych era; with flashes of Bonniwell Music Machine, Monks, Group 1850, Hunger or Animals. The song 'Old Tattoo' can be heard on Trip In Time Vol. 2 (Psychedelic Rock Reflections). The group's sound shows a lot of affection for '60s acid garage rock and with a swirling instrumentation that combines fuzz guitar and bass, Farfisa compact organ and harmonized singing, their music is refreshingly different from the ruling monotony in the current rock scene! The 12 Magnificent Brotherhood songs are like a fresh breeze because they couple rawness, freshness and energy with refined psychedelic details and flawless hits. The fresh breeze builds up to a mighty tornado, thanks to fast and danceable tunes enhanced by an explosive stage performance that leaves no one dry and motionless! You can call the four guys the saviors of the non-electronic dance party, to bring a decent '60s style freakout party to your home or dancefloor! The authentic painting/artwork reflects the true '60s San Francisco hippie spirit at its best (CD is presented in a triple fold digi-package, an artist production: exclusively and internationally distributed by World In Sound) -- not many bands today present a revolutionary '60s sound more authentic than this band does!"

"Space has no limit! Obskuria is hungry for the ultimate satisfaction and will hit you like an asteroid storm straight into the face. The international project started in 2006 with Tom Brehm, the legendary guitar player from the '60s U.S. group Dragonwyck, super-talented German keyboadist Winnie Rimbach-Sator (Karmic Society/Treacle People) and La Ira De Dios from Peru. What you hear on this album is the essence of euphoria, freedom and creativity! Through the total running time of almost 80 mins, a wide spectrum of influences are covered from Pink Floyd's Meddle, Ummagumma, Amon Düül 2, Ashra Temple, Hawkwind and Brainticket as well as transforming '80s (thrash)-metal into a natural '70s rock sound. This soundtrack concept album (for an upcoming movie) is best described as a voodoo space-rock experience which tells the 'true' story of what will happen to the world on December 21st, 2012. Besides 6 original cuts, the album contains 4 cover tunes, such as 'Die, Die My Darling' with male and female Airplane-style vocals, a gigantic monumental 8 min. version of Metallica's 'For Whom The Bell Tolls' basically in Black Sabbath sound featuring an ultra-heavy and frightening Hammond organ over burning '60s fuzz guitars -- a total blast! They perform with intensity and flow that only the end-'60s San Francisco bands and the mid '80s speed/thrash/punk revolution generated. The epic 19-minute track 'Essence Of Its Own' builds up from a moody space feeling to an unexpected groundbreaking explosion of sound. The CD release includes one bonus track (not played by Obskuria): 'The World Is Gone' is an original/authentic flashback by Peter Thomas, Germany's mastermind for movie sounds from 40 years ago, but it shares Obskuria's vision and closes our soundtrack for The Discovery of the Planet Obskuria. On low volume it may feel like an easy listening album, turning it up it will blow minds! Very few modern rock albums have the potential to bring new listening dimensions to the true music addicts & maniacs -- this one will do for sure -- it's pure euphor-rock-n-roll!"

"Behind this extraordinary retrospective release stands two musicians from Portland, OR: Jeff Sanger and Alexa Marmon. John See's Lilly, their debut, is certainly a psychedelic gem and introduces the world to the mystic and creative To Get Her Together which carries the influence of Syd Barrett, Donovan's psychedelic period featuring a great cover version of his 'Clarence In Wonderland' and Joe Meek all rolled into one. They create a sound that sums up a scene from Lewis Carroll's Alice's Adventures in Wonderland. Jeff is an emotive songwriter and singer taking you through a journey into his mind full of musical twists and turns with acoustic guitar rhythms over hypnotic drum and bass to tunes with electric overdrive mindblowing fuzz. Equipment used such as a 1930s David Bogen amplifier, vintage organs and effects, and analog equipment ultimately reward the listening experience. The song 'Jovial Tree' can be heard on Trip In Time Vol.2 (Psychedelic Rock Reflections) and is celebrated highly. Here is the full album with 16 songs. This album truly creates a unique dreamy psych-vintage experience in 2007!"

"El Cuy is a 'kick ass' power trio from Lima, Peru which seems to be one of the most intense rock 'n' roll cities for heavy underground rock today (they're friends with La Ira De Dios, who brought the massive Peru sound live to Europe in 2006). The 10 songs on this album impressively reflect the dirty old school Sabbath/Zeppelin sound, very natural and organic high octane rock. Look forward to intense cuts like 'Animal' which can be heard on Trip In Time Vol. 2 (Psychedelic Rock Reflections), 'Iraqi, Juntos y Separados' and 'El Vertigo' will surely find you cranking the volume up. All three musicians showcase a totally intense and unique sound -- Black Sabbath meets Cream! Marcos Coifman (also in Reino Emirtano) plays a hard driving bass sound on a classic Rickenbacker like Lemmy in Motörhead and the guitars create a euphoric wall of sound with outstanding heavy psych licks and moody but also punk riffs. The energy of these dudes is absolutely overflowing! A very nice 12 pg. color booklet rounds off this challenging artistic statement in being one of the heaviest modern rock 'n' roll trios you can find!"

Deluxe LP version. "This album is a legendary artifact for all 60s and 70s music collectors, original copies in good condition change hands for about 500 US$. The spirit of the music is a tasty combination between aggressive groovy fuzz-garage-hard rock and atmospheric psych-folk with moody vocals and a poetic message, comparable to World In Sound's legendary Phantasia or Dr. Hooker. In between perfectly arranged songs like 'You Don't Walk On My Street,' 'I Remember' and the psych-trip 'Sleepers,' you'll hear weird spoken word themes as Guatamalan Strange, Electronic Silver and heavy-riff instrumentals. This was the debut release by Michael James, who's still active in the music business with his own label, Empath Records, and the groups Children of the Risk, Michael Yonkers and Mounting Santa feat. Dr. Fink of Prince's Revolution. This LP-reissue is produced from the original analog master tapes."

Sampler compilation of tracks from the WIS label. Contains one exclusive, never-before released track -- a Krautrock version of Peter Thomas' "Orion" by the band Those, recorded in MPS studios in 1971 ("it was originally released on the same as label as Mammut -- and listen to it -- it's a true Kraut Monster"). "This CD from World in Sound celebrates the 40th anniversary of the Summer of Love, a youth-driven revolution, expressed in music, challenging conservative values of conformity and materialism, and opposing the war in Viet Nam. Since 1999, World In Sound has built a solid international reputation, providing to serious and novice collectors an extraordinary range of psychedelic, progressive, folk, garage, blues/heavy rock and jazz/rock from unheralded artists of the '60s and '70s. World In Sound Tracks - Episode 1 features 20 innovative tracks from late '60s and early '70s, a bus load of artists capturing the emotion and passion of the time with energy and craft to rival the likes of Led Zeppelin, The Doors, Jimi Hendrix, Janis Joplin, Frank Zappa, Jefferson Airplane. Take a listen and be both pleasantly surprised and a just a little bit annoyed that you haven't heard these folks before. The tracks showcase strong vocals and instrumental prowess, combining interesting rhythms and displaying a wide variety of lead instruments, including the Hammond/Farfisa organ, fuzz/wahwah guitars, violin, sitar, saxophone -- something for every taste. With 79 minutes of professionally remastered, original recordings, the CD packs a 16-page booklet with lyrics and rare photos chosen to enhance the experience: authentic music from a golden age, timeless and still fresh, a potential masterpiece of the era, a Holy Grail for music fans! The project has been made possible by the generous support of the artists and the passion of our audience of collectors to inspire the search for hidden gems. World In Sound Tracks - Episode 1 provides a perfect soundtrack for the Summer of Love: poetic, melodic, emotional, sunny, euphoric, dramatic, sometimes experimental, and always intense. We're pretty sure you missed them the first time; here's a second chance not to be missed!"

"This album is a great artifact for all '60s and '70s music collectors, original copies in good condition change hands for about 500 U.S. dollars. The spirit of the music is a tasty combination between aggressive fuzz-garage-hard rock and atmospheric psych-folk with moody vocals and a poetic message, comparable to World In Sound's legendary Phantasia or Dr. Hooker. In between perfectly arranged songs like 'You Don't Walk On My Street,' 'I Remember' and the psych-trip 'Sleepers,' you'll hear weird spoken word themes as 'Guatamalan Strange,' 'Electronic Silver' and heavy-riff instrumentals. This was the debut release by Michael James, who is still active in the music business with his own label, Empath Records, and the groups Children of the Risk, Michael Yonkers and Mounting Santa feat. Dr. Fink of Prince's Revolution, which are 4 bonus tracks on this release. The album 'Runaway World' was recorded and produced extremely well. This CD-reissue is produced from the original analog master tapes with a 12 p. booklet and 5 bonus tracks, almost 70 minutes playing time. So, look forward to this great album by 'a unique rock artist like none you've heard!'"