Details and Tickets for Quentin Tarantino’s ‘The Hateful Eight’ Roadshow Are Now Available!

Quentin Tarantino’s eighth film, The Hateful Eight, is set to roll out in certain cities in just under two weeks with a special engagement that hasn’t been seen in years – the traveling roadshow.

Back in the day films would have a special early release before they went wide and these screenings would include things like a longer cut of the film and even a special program. Well, Tarantino and TWC have decided to bring that tradition back. In the vein of films like Gone with the Wind, Ben-Hur and The Ten Commandments, this special exhibition will start on Christmas Day and run for a full week before getting a nationwide release.

TARANTINO’S THE HATEFUL EIGHT TO PREMIERE IN 70MM ON CHRISTMAS DAY AND NATIONWIDE THEATRICAL DIGITAL RELEASE ON DECEMBER 31, 2015

Advance Tickets for 70MM Roadshow Theaters Available Starting Today
Kicking Off The “12 Days of HATEFUL EIGHT Giveways”Contest

New York, NY December 14, 2015 –The Weinstein Company (TWC) announced today that Academy Award®winning writer/director Quentin Tarantino’s upcoming feature THE HATEFUL EIGHT, will premiere in 70mm on December 25, 2015 exclusively for a 1-week roadshow opening that will be featured in glorious 70mm in 100 theaters nationwide. Following the 1-week engagement, the film will open with a theatrical digital release nationwide on December 31, 2015, while continuing to be shown in 70mm as well. The film premieres tonight in New York in 70mm at the Ziegfeld theater.

Starting today, moviegoers can purchase tickets for the 70mm roadshow showings at tickets.thehatefuleight.com. To mark the occasion, Quentin and TWC are commemorating the opening with the “12 Days of HATEFUL EIGHT Giveaways”, where each day a different HATEFUL EIGHT prize, memorabilia or once-in-a-lifetime experience will be given away to moviegoers who buy roadshow tickets in advance leading up to the Christmas day opening.

The exclusive roadshow engagement that THE HATEFUL EIGHT is embarking on will replicate the special event releases that films used to receive in the early and mid-twentieth century. They screened a longer version of the film than would have been shown in wide release, including a musical overture to start the show and an intermission between acts, and moviegoers received a special souvenir program. THE HATEFUL EIGHT roadshow experience will offer moviegoers all three special features. Roadshows were the gold standard for exhibiting pictures like LAWRENCE OF ARABIA, GONE WITH THE WIND, CLEOPATRA, BATTLE OF THE BULGE, THE TEN COMMANDMENTS and BEN HUR.

TWC and Tarantino’s presentation of THE HATEFUL EIGHT will mark the widest 70mm release that the industry has seen in over twenty years. The film will open in 44 markets including New York, Los Angeles, Chicago, Philadelphia, Dallas, San Francisco, Boston, Atlanta, Washington DC, Houston, Detroit, Phoenix, Seattle, Tampa, Minneapolis, Denver, Miami, Cleveland, Orlando, Sacramento, St. Louis, Portland, Pittsburgh, Milwaukee, Charlotte, Raleigh-Durham, Baltimore, San Diego, Nashville, Kansas City, San Antonio, West Palm Beach, Birmingham, Las Vegas, Albuquerque, Oklahoma City, Austin, New Orleans, Providence, Knoxville, Santa Barbara, Toronto, Montreal, Vancouver. Quentin and cast members from THE HATEFUL EIGHT will be touring the country making surprise appearances in select cities at 70mm roadshow showings.

Not since the 1966 film Khartoum starring Charlton Heston and Laurence Olivier has a film been shot in Ultra Panavision 70 format. In 2012, TWC distributed Paul Thomas Anderson’s acclaimed film THE MASTER in a similar 70mm format. Beloved by filmmakers and cinephiles for its wide-scope and high-resolution image quality, Ultra Panavision70mm stock captures nearly twice the landscape of the more common 35mm and digital styles. Because of its unique quality and its importance to the art of filmmaking, Quentin, TWC, and a number of other major Hollywood directors and studios have negotiated deals with Kodak to continue production of 70mm and other film formats despite their higher costs and complexity of use.

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Russell) and his fugitive Daisy Domergue (Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,”will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Roth), the hangman of Red Rock, cow-puncher Joe Gage (Madsen), and Confederate General Sanford Smithers (Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…

THE HATEFUL EIGHT marks a continuation of the long-standing relationship between the celebrated filmmaker and the Weinsteins, who have collaborated on all of Tarantino’s films from RESERVOIR DOGS through DJANGO UNCHAINED.