My paper ‘Receiving Queerly Displaced Utterance: Failure and / as Response in Works by Glenn Ligon and LOW PROFILE’ is now available online as part of the published proceedings of the 9th SAR – International Conference on Artistic Research April 11th – 13th 2018, University of Plymouth, UK.

This paper looks at two works that complicate the condition of the utterance and the reception of performance, through an interplay of repetitions, reiterations, absences and occupations. The works are Low Profile Impromptu (Athenaeum, Plymouth 2016), and Glenn Ligon Live (Camden Arts Centre, London 2014).