Morning After Effects (part 1)

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About This Episode

Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3.

In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.

In this episode, Jason covers the various mix down options when exporting from the Multitrack View, and shows how you can simultaneously export Stereo, Mono, 5.1 (where applicable) and track stems for all individual tracks and busses in one single operation.

In this episode, Jason shows you how to scan for and enable 3rd party audio plugins in Adobe Audition CS6. This also showcases Audition's smooth performance when using third-party plugins in both the Waveform (editing) View and Multitrack View.

In this episode, Jason will show you how to set-up a side chain compressor in Adobe Audition CS6, to automatically duck music beneath a voice-over. This is a very common workflow across all different styles of video (commercials, interviews) and is very easy to setup and even build presets for later usage.

In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.

In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

Have you ever tried to match color from shots captured on different cameras, or from footage shot on the same camera, but under different lighting conditions? In this episode of Short and Suite, Karl Soule continues to explore Color Finesse workflows inside Adobe After Effects CS5. He shows you how to use the bundled Color Finesse plug-in to neutralize white balance in your shots in order to create a common starting point for creative color grading.

In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to change the mood and look of some video footage he was editing in Premiere Pro earlier.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.

This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and much more.

In this episode of Short and Suite, Karl talks about OnLocation CS5's new ability to support tapeless workflows on set and shows you how to quickly create a rough cut edit using OnLocation and Premiere Pro CS5.

In this Adobe After Effects CS4 tutorial, you'll learn how to use Video Noise Reduction plug-ins to clean up any noise you might encounter in your footage. Jason Levine walks you through the entire process.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

Create a beer commercial for After Effects World Conference which will take place between 26-28 September, Seattle WA. http://aftereffectsworld.com/
Footage and SFX courtesy of pond5 http://www.pond5.com/

"Introduction for Nodes 2, a plugin for After Effects by Yanobox from FX Factory http://fxfactory.com/info/nodes2/.
We'll use this plugin to create a teaser for After Effects World Conference http://aftereffectsworld.com/"

Undocumented hearing impaired immigrants seek asylum in the US after persecution and abuse in their home countries. This is the Hector's struggle to become a US citizen and his hope for the deaf community.

At the 2014 Sundance Film Festival Adobe and HP expand on the strength and power of their partnership with multiple initiatives from live animation to working with top student filmmakers all leveraging the power of HP and Adobe Creative Cloud.

4k and 6k Workflows with the HP Z820 Workstation and Adobe Creative Cloud

Just when you think you’ve got all the power you need for HD, along comes 4k and 6k and your system begins to show its age. 4k and 6k require massive computer resources in terms of processors, RAM and more so Colin will show you an HP solution that gives you everything you need for demanding workflows including Thunderbolt technology.