Mune: Guardian of the Moon (French: Mune, le gardien de la lune) is a 2014 French 3D children's computer-animatedadventurefantasy film directed by Benoît Philippon and Alexandre Heboyan and written by Jérôme Fansten and Benoît Philippon. Set in an imaginary world, this poetic tale tells the adventure of a small creature (who is the guardian of the Moon) who must recover the Sun that was stolen by his fault. The film was made in computer graphics and 3D stereoscopy, and features the voices of Michael Gregorio, Omar Sy and Izïa Higelin.[3] The film premiered at Forum des images on 6 December 2014 and was theatrically released in France on 14 October 2015.

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In an imaginary world, a small Sun and Moon were made by the first Guardians to warm up a small planet inhabited by different marvelous people. The Guardians follow generations after generations and preserve the harmony of the world. The people of the day and those of the night live in relative harmony, even though they are very different from each other. But in the depth of the planet, Necross awaits the opportunity to set darkness over the world.

The day is approaching when Sohone, the apprentice of Xolal, Guardian of the Sun and Leeyoon, the apprentice of Yule, Guardian of the Moon will take over from the present Guardians. On the day of their induction, the light of the Sun accepts Sohone as planned. Leeyoon however is avoided by the lunar Ewe that is responsible for choosing the Guardians. The Ewe chooses a Majestic Faun Boy named Mune instead. On the following night an upset Leeyoon is visited by pale snakes who stir up his jealousy and advise him to pit Sohone against Mune. Meanwhile, Mune has troubles maneuvering the temple of the Moon correctly: the temple leaves its path and interferes with Sohone. While Sohone leaves his temple to scold Mune, Necross sends his two imps to steal the Sun and bring it to him. Necross makes the Sun die off gradually. Night falls everywhere, and a distressed Mune is banished from his own people.

Mune and Sohone both set out on a quest to find the vanished Sun, accompanied by a young wax girl named Glim. Thanks to her knowledge in astronomy and the ancient stories of how the world came together, the group is able to pass the Great Blue Hole, a lake under which the great abyss opens that leads to the depths of the world. Mune watches over Glim since she could freeze and break in the cold water. While underwater, the group meets Phospho, one of the previous Guardians of the Moon. He wakes Glim up using his power and leads them to the entrance of the underworld, where Necross lives.

Meanwhile, Leeyoon takes Mune's place in the temple of the Moon, but he can't control it. The Moon wanes and crumbles into dust, causing the temple to go mad and start galloping everywhere. It ends up arriving in the underworld where Mune, Sohone, and Glim are. Mune, accompanied by Glim, takes care of the Moon while Sohone dives into the underworld to recover the Sun. Mune figures out that he can calm the temple of the Moon by using his magic glitter powers. Then, Leeyoon admits to him that the Moon is lost, but Mune and Glim go into the moon quarry of the world of dreams to carve a new crescent. The new moon is launched into the sky.

With this task done, Mune and Glim rejoin Sohone in the world of darkness. During this time, Sohone is surrounded by a mass of pale snakes who make fun of him and try to make him go mad with hatred. Sohone is saved by Phospho's intervention, who sacrifices himself to calm and free Sohone destroying the snake wall in the process. Sohone, Mune and Glim then confront Necross and his imps. Sohone is going strongly against Necross, who he doesn't manage to weaken. Mune finally gets rid of one of the imps. Glim finds the Sun and blows on it to revive its fire, but that causes her to melt. Mune begins to cry thinking she was gone. He then uses his Glitter powers to defeat Necross and realises that Necross is influenced by a pale snake, which he then pulls out and crushes. Necross regains his Guardian of the Sun appearance he had before getting corrupted by envy, then turns to stone.

The defeat of Necross leads to peace for the world, and the two young Guardians are able to resume the normal trajectories of their temples. Mune also resculpts Glim, and the combined energy of the sun and moon at daybreak with Glim's held fragment of the moon revives her. Mune and Glim meet up and kiss each other before going around the world on the temple of the Moon.

The original idea of the film was born with a project from writer Benoît Philippon, who planned to start a short live action film in an atmosphere inspired by Terry Gilliam movies: the story of a character who lives in a forest and wins the Moon, spearing it with a rope. The project soon proved to be unfeasible in a short format and Benoît Philippon started to turn it into a feature film project. He developed and created a more complex poetic universe with its own cosmogony and different inhabitants related to the Sun and the Moon.[4] The universe further formed with the contribution of Nicolas Marlet who designed the characters, and Aurelian Prédal, artistic director of the film. The human characters were designed as hybrids between human beings, animals and various materials. Mune is a woodland creature with fur and is related to the night; his shy and taciturn nature is inspired by the main character of Tim Burton's Edward Scissorhands film. Sohone is linked to the Sun and his body is made from amber; his "big mouth" personality is inspired by characters like Buzz Lightyear from Pixar's animated film Toy Story or Han Solo from Star Wars. Glim is made from wax which makes her fragile and endangered when she is exposed to sunlight, but it is an opportunity to show a character with a disability, struggling to compensate for it with her courage. The lord of evil Necross with his two imps, Mox and Spleen, are volcanoes, giving opportunity to work on lava and soot textures.[4] The script was co-written by Benoît Philippon and Jerome Fansten. He knows of several rewrites, including changes that were made while writing the storyboard for the visual development of the film that saw the birth of new ideas, including that of the mobile temples in the world of Mune. The stakes of the plot, defined very early, was the idea of characters going in search of the Sun like a Holy Grail. The challenge of the project was to develop a classic film understandable by a wide audience, including younger people, without sacrificing originality and the poetry of the world designed for Mune.[4] The film was directed mainly in CGI, except for some scenes about the past of the planet and those occurring in the world of dreams, which are made in 2D animation.

The film’s original music was composed and orchestrated by Bruno Coulais (composer of Coraline and Song of the Sea). The soundtrack also contains “Happy” written and performed by C2C and Derek Martin. The soundtrack was released on October 16, 2015.

In France the day of its release, Wednesday, October 14, 2015, Mune: Guardian of the Moon had done relatively well in Paris with a startup to 457 entries in the day on 14 screens where the film is operated in the capital, which ranks fifth among films released that day. In the first week, the film 128 279 entries; after two weeks of operation, it accumulated €238.9 million. At the end of 2015, Mune: Guardian of the Moon combines 524,000 entries and is one of 100 French films attracted the most viewers in 2015.

During its release in France in October, 2015 Mune: Guardian of the Moon was well received by press critics. The main recognised qualities of the film are its aesthetics and its world, the latter considered poetic and original. In the French free daily 20 Minutes,[7] Caroline Vié speaks of "extraordinary aesthetics" and she believes that the film "surprises people constantly with its inventiveness." In Première,[8] Christopher Narbinne speaks about an "inventive aristic direction" and about "unique character designs". In L'Express,[9] Eric Libiot maintains that the film is "splendid and moving" and shows that "French animation is in a really good shape" with an "ambitious" animation and a universe that "intermingles mythology, is universal and tries to remain open for all". In the women's magazine Elle,[10] Helena Villovith judges that "the poetic quality of the characters, the richness of the setting and the mood of the dreamlike sequences do not have to pale before classics such as Toy Story or Princess Mononoke." Critics are divided on the quality of the scripts: generally welcomed, it leaves some critics less convinced. In L'Express, Eric Libiot judges it "beautiful and intelligent"; he describes the scenario as "romantic" and appreciates that it "escalates to a progressive film" and that "the pace of it takes its time voluntarily". In Le Dauphiné Libéré,[11] Jean Serroy believes that it is all "very inventive in terms of characters and adventures, perfect for a family viewing". In Le Journal du dimanche,[11] Barbara Théate saw the film as a "story for toddlers, rich with wacky characters and fun twists". It is "an original work with sophistication" according to Philippe Lauguche from Quest France.[11] The Télérama magazine considers it "magical and terrifically effective" under the pen of Guillemette Odicino, who recognises various influences: the faun Mune reminds him of the world of Luc Besson, Glim that of Tim Burton, while the marvelous creatures remind him of the films of Hayao Miyazaki and the paintings of Salvador Dali.[12] In the film magazine Première, Christophe Narbonne recognises a certain poetry to the film, but finds the scenario "very formal" and he thinks that it does not live up to its aesthetics.[13] In her review for Elle, Helena Villovitch regrets that "the only girl's role is decorative, fluttering her eyelashes and admiring the prowess of males who get promoted to positions of responsibility. Still, she's the one we love the most!"[14]