Well, this actually may be one of the best shows in quite a while. The Allman Brothers Band comes out and absolutely kills this Friday night set. The highlight of the show is a full rendition of "Will The Circle Be Unbroken?" in the middle of an epic Whipping Post jam encore. But really, this entire show was great. You shouldn't still be reading this - you should already be listening to the show.

By 2009, the Allman Brothers Band had morphed into a line-up that consisted of Gregg, Jaimoe and Butch, guitarists Warren Haynes and Derek Trucks, bassist Oteil Burbridge and Marc Quinones on percussion. In tune with each other musically, philosophically and personally, these players were hitting on all cylinders as they prepared to mark the band s 40th anniversary with a no-holds-barred celebration during the group s annual stand at the historic Beacon Theatre in New York City. This rustic venue had become a favored spot for the ABB to play in Manhattan, in the tradition of the Fillmore East. This 15-show run was…

They say you never forget your first time.For nearly 25 years, traveling to New York s Beacon Theatre to see The Allman Brothers Band play a stretch of high-spirited live shows has become a rite of passage for fans old and new. What began as a daring ten-night run at the acclaimed venue is now a symbiotic relationship between a band, a venue and a devoted fan base, the likes of which are virtually unprecedented in rock and roll history.

If truth be told, the Allman Brothers Band have always been the quintessential American rock band, shaping a rootsy mix of blues, jazz, country, and rock into an elegant, nuanced sound that single-handedly created what became known as Southern rock. Full of beautiful dual guitar leads and driven by double drummers, and possessing a lead singer who, when he was on his game, had as much soul as anyone around, the Allman Brothers Band were also an improvisational band who found all kinds of new corners in their classic catalog when they played live, no matter what the configuration of the band was at the time.

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Allmusic.com says about this: "Do we really need another live double CD by the Allman Brothers Band? Oh yeah. In fact, when they play this well, we need them in droves. This collection marks the second time the Allman Brothers have issued music from their storied shows at the Beacon Theater in New York. The first, Peakin' at the Beacon, was issued in 2000 with Dickey Betts and Derek Trucks in the lineup.

The Fillmore Concerts is a 1992 compilation set by The Allman Brothers Band. Released on 20 October, 1992, the recordings here are taken from the same set of shows that created Live At Fillmore East but at the time, most of these performances were not released. It is an alternate way to hear a cherished live album.

After leaving the Royal Southern Brotherhood in 2014 and issuing Ragged & Dirty, his own extended meditation on Chicago blues, guitarist/songwriter Devon Allman spent time playing with his father's road band and guested on Jeremiah Johnson's excellent Grind the same year. His solo re-emergence on Ride or Die is an exercise in spiritual and musical maturity. He plays guitar and bass, and provides passionate lead and backing vocals. He also produced some tracks solo and others with longtime compadre Tom Hambridge – who mixed and mastered it and played drums. Guitarist Tyler Stokes, bassist Steve Duerst, and keyboardist Kevin McKendree are also aboard, with saxophonist Ron Holloway and violinist Bobby Yang. Allman wrote or co-wrote all but two tracks…

Desperate times call for dazzling records. Released on Ruf in September 2016, Devon Allman's Ride Or Die acknowledges that life on Planet Earth is no picnic. On the flipside, this third solo album from one of America's best modern writers reminds us there's always hope. "The world is getting crazier by the minute," says Allman.