Adventures of a shutterbug

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Monthly Archives: June 2013

This is the third post in a series on migrating away from my comfort zone – shooting in Aperture Mode – to exploring the wonders of shooting in Shutter Mode. In Part 1 I talked about the trade offs of Shutter vs Aperture Modes and the search for the structure of a hummingbird’s wings. In Part 2 I discussed some simple setting changes that let me get more shots off and have more keepers in a series on a visit from a bluejay. Today I want to discuss an unexpected byproduct of shooting in Shutter Mode – Happy Accidents.

In my typical Aperture mode I might have gotten an inflight shot by accident once a month that was useable. Now sometimes I got lucky when there was so much action that all I had to do was keep snapping and hope for focus like this. Apart from this flurry of activity those times when a bird launches into the air were mostly just unreadable blurs.

Now most of these shots are not really useable, but they are readable and I think I am learning more about the way a bird flies. That information will help me take better shots of birds as they launch themselves into the air – knowing the process helps me to make better guesses of where the action will be in a split second.

I have always imagined that birds launch themselves into the air by flapping their wings and lifting off – but no – they take a leap of faith, hopping or stepping off to catch the air before they even spread their wings…

Alley oop! f6.7 1/1000 second ISO 1600

Geronimo! f6.7 1/800 second ISO 3200

Cowabunga dude! f6.7 1/800 second ISO 3200

To infinity and beyond! f8 1/800 second ISO 2500

Like I said – not great photos, but they do give me a better feel for where to look for the action on take offs, but what about landings? I am learning that wings are much more open when a bird is landing – they flutter to catch their balance. Sometimes they even overshoot their target – it all happens in a split second and I always missed it in Aperture Mode…

Incoming! f6.7 1/800 second ISO 3200

A real nail-biter! f6.7 1/800 second ISO 1600

All a flutter! f6.7 1/1000 second ISO 1600

Knowing that the landing is the prime time to catch wing action was a huge advantage to shooting. I also noticed that certain feeders with narrower foot holds tended to require more wing flaps to land on, so this weekend I set out to try to make one good capture. I knew what was needed – bright light, fairly high ISO, fast shutter speed, a bird landing on a tricky perch – not much to ask for – right?

A focused landing! f9 1/1000 second ISO 3200

I found this feeder a couple of weeks ago at Lowes and wondered if the birds would use it because of the narrow edge. It turns out that they do use it and if you can get into place before noon on a sunny day with the right camera settings you just might capture some wing action.

In my last post I talked about my exploration of using Shutter Mode as a means of capturing action that was impossible when shooting in my beloved Aperture Mode. To make these shots I bumped up the ISO far outside of my own comfort level to make it possible to use faster shutter speeds in the available light. Since I am shooting a long lens, the aperture can never be exceptionally wide – there are no really fast zooms for the mirrorless platform yet. f6.7 is as fast as I can go at maximum zoom – so there are limits built in. In Aperture Mode I was shooting at around 1/250 second and I kept my ISO under 1000.

This set was shot with apertures between f6.7-f7.1 at 1/500 second and an ISO setting of 2500. Bluejays tend to be skittish, they bounce from tree to tree deciding whether or not to risk visiting the feeders. I took these shots in the space of 10 seconds. There are 23 shots – I discarded three that were out of focus. As I mentioned in my previous post, I have disabled my preview so that I can keep shooting. If I had been shooting in Aperture Mode I would have gotten off about 6 shots hoping for one or two in focus, removing preview would have let me shoot more, but I am guessing my percentages would have been the same – 30% verses over 90%. Shooting in this mode gave me lots of options for that best shot.

I have also decided to leave my comfort zone in another way – my photos are in a gallery this time. I didn’t upload large size files because I am just using up too much storage space, but I think these work OK – on a future post I will use fewer images and try it larger. Click on the first image to see the images in the order in which they were shot – this feature shows the camera settings on the lower right of the screen for each image. If you click fast enough you will get a feel for what my encounter with the jay was like.

In photography there are always trade-offs. Modern DSLRs try to balance the trade-offs to give you the perfectly exposed photo.

When it comes to shooting mode, I’m an Aperture kinda girl. I love the control I have over the DOF (Depth of Field). WIthout thinking I can spin that adjustment dial until the image is bright enough and the subject is isolated to my satisfaction. I developed my love of the Aperture Mode over the course of years of shooting things that don’t move a lot, like flowers and rusty things. When I started shooting birds, I started in Auto to see what the camera would choose for the situation. I noted the shutter speeds seemed to be between 200-350. Moving to Aperture mode, I kept that number in mind. Since I hate noise (grainy-ness) and love bokeh (the cool blurry swirly backgrounds in photos that make the subjects pop), I kept the ISO low and the Aperture pretty close to wide open. That is my comfort zone. Unless I am shooting in a studio under a light kit I keep to that formula.

That brings us to the trade-offs. What I give up for my love of a shallow DOF and lots of creamy bokeh is the ability to stop action unless there is a ton of light. Sometimes I have gotten pretty lucky, but not nearly as often as I would like. I see in focus action shots of wildlife all the time, I see them taken with mirrorless cameras too – there has to be a way. Trying a new mode would prove to be part of the answer. It’s time to leave my comfort zone and tread out into the wilderness that is Shutter Mode! After reading some articles I have decided that since this whole bird obsession thing is an exercise aimed at becoming a better photographer, I owe it to myself to try this long neglected mode on my camera.

This weekend I was pretty much house bound with a nasty bug courtesy of a tick bite acquired on a recent hike, so I read a few articles about shooting birds. Something I had never considered was increasing the ISO – for me the low ISO has been like a treasured idol in my toolbox of predictable outcomes, even though my camera has one of the highest ratings for performing at higher ISO settings. Another thing I had to give up was the image review feature – the more I shoot the more I have seen how that third-of-a-second image in my viewfinder has robbed me of shots, losing my subject as the image flashed onscreen. By Sunday I resolved that I was ready to take off the training wheels and try this out.

I decided to start a quest to understand the structure of a hummingbird’s wings. I have shot lots of hummers in the last year and have always focused on their eyes whenever possible. I still did that, but I did a few things to increase my odds of getting a good shot. First, I made my focus point as small as possible so that I did not have to pre-focus on the feeder first and hope to get a focus on the bird. Next, I chose certain feeders to focus on – ones that were in bright sunlight. Finally, I deleted all shots of birds not in motion – I have hundreds of clean focused shots of birds sitting still – I want to see motion. I also deleted shots where the wings were not definable. I took some test shots at different shutter speeds – 500, 640, 800, and 1000 – each of these settings required a change in ISO to produce an image bright enough to use. I used to work with ISOs from 200-800 – now I would work as high as 2500. Beyond that I was just not happy with the grainy nature of the test shots in the available light on that day. This required me to change settings as the light changed – it was a partly cloudy day so I got lots of practice.

The shots that follow are not great, but I am seeing that it is possible for me to get closer to capturing or potentially stopping movement. Stopping a hummingbird’s wing is an unrealistic challenge – but I do think that I understand the structure better now.

I started with some of my better shots in my old mode taken in the last week – usually in pretty good light to begin with.

f6.7 1/250 sec ISO 1600This is a shot where I just increased the ISO – the light was almost perfect so even in Aperture Mode I got a sense of the feathers.

F5.9 1/250 sec ISO 1000Still in Aperture Mode and bumping up the ISO first – still wonderful light

f6.7 1.250 sec ISO 250Starting to lose the light – but because the feeder was close it still worked – I can almost make out some of the structure of the feathers – last shot in Aperture Mode.

Now onto Shutter Mode – these shots were all taken yesterday.

f6.1 1/250 sec ISO 1600After a short rain shower I start a new day in Shutter Mode – kept the speed low and pushed the ISO a bit. I focused on the closer bird and can begin to see definition in her feathers.

f6.1 1/250 sec 1250 ISOThe same bird moves to the other side of the feeder – you can clearly see the layers of feathers that I have previously been unable to capture. The ISO is making a difference. I only got this shot because I disabled the preview feature. With no image to review I can keep shooting.

f6.7 1/640 sec ISO 2000The bird is scratching in flight – in Aperture Mode this shot is a goner, it would have been a blurry mess. In Shutter Mode it is fairly clear and you can see the underside of his wing, plus it stopped the action of his foot.

f8 1/800 sec ISO 2000A bit too much sunlight, but this shot captures the recoil motion of a wing flap. The smaller Aperture setting has slightly reduced DOF – just a bit deeper focus on the bird and feeder. Personally I like the inverted image of my pergola in the feeder too.

f6.7 1/800 sec ISO 2000This is more detail than I have ever seen on a wing – the sunlight was pretty intense, blowing out a couple of areas, but the grain is OK so far.

f6.7 1/640 sec ISO 2000It’s clouding up and I’m losing light. More grain than I like but I am still seeing feather structure – managing ISO is the crucial.

f6.7 1/640 sec ISO 2500Same bird – another shot I would have missed if I hadn’t turned off the preview feature and an angle I rarely capture because the movement is the closest thing making focusing a crap shoot. I I’m still seeing feather structures even in this lower light.

f6.7 1/500 sec ISO 2500The sun peaks back out and I get a shot with a bit lower speed – you can see how much feather detail is lost by moving below 1/640 second.

So to sum up – speed + ISO + good lighting = better ability to stopping action, but the trade-off can be grain in your image unless the light is really great. My camera has a huge ISO range and I just need to push it to see how far it can go on a good sunny day. This probably seems like old hat to most wildlife photogs, I was probably doing things the hard way and I clearly was not making use of my camera’s capabilities. I have been resistant to trying to shoot fast-moving things like sports events because I have limited myself by staying in that comfort zone – it’s time for me to break things loose.

When sorting through my shots with an eye towards putting together a blog post, sometimes I find that some of my favorite images just don’t find a place. I have never really liked posting a single image – I like making sets, so what do I do with these shots? Today I decided to put the orphaned shots together into a set of my favorite leftover shots of the Spring of 2013.

Not all of these are perfect or in focus, with wildlife sometimes you take the shot because it just happens. Where a shot fits into a previous post, I have placed a link into the text.

Precision extraction

I adore nuthatches, but almost all of my shots are upside down or their swooning pose. These are really adroit birds and can climb almost any surface. I like this shot because it shows off his dexterity. He will take that single seed and fly to a secure perch where he will carefully open and eat it.

Rainforest Cafe

Robins are everywhere and I loved seeing them in the rain forests of Washington. They are usually spotted on the ground looking for worms – I like the chance to see one at eye level.

It’s beginning to look a lot like Christmas down there…

Our local hardware store has a facade covered with signs that the house sparrows nest in. They hop all over the roof and barely take notice of customers passing below them. I though it was interesting to see how this little guy has made use of even the Christmas light brackets as a perch. Ho Ho Ho!

Talking with his mouth full

The red-bellied woodpecker is one of my favorite birds. They can be shy, but once they get used to your proximity to the feeders they stick around unless you make sudden movements. I love it when they look back at me.

Off balance

This hummer prefers to drink from the feeder with no perch, sadly she almost falls off every time she sits up after drinking. She flaps her wings to regain her balance before drinking more. I rarely get a good image of the wing structure of a hummer. She reminds me of a gymnast trying to stick the landing.

Out on a limb

This male goldfinch was the first to return with his new yellow summer outfit. He is unflappable. Dogs barking and racing below his feeder don’t bother him. Yesterday a crow zipped by and almost carried him away – I watched in horror as the collision happened right in front of me. He did a tumble and landed on his feet on the porch – I saw some white down float upward. He took a perch a few feet off the ground and caught his breath. 10 minutes later he was back on his perch feeding. As I have said before, goldfinches are badasses.

Hunkered down

There is just so much going on when you look at the feathers on a peacock – stripes, eyes, shimmer – I liked getting a shot of most of it happening in one spot.

That boy’s wearing polka-dot panties

If you’ve read my blog before you may recall that I have recently discovered a northern flicker near the grocery store where I shop. I am officially his stalker now. I know where he lives and I know where he likes to eat. Kinda creepy, I know, but he’s the one with the silly underwear.

Solar lighting

These late spring evenings have been producing some interesting lighting – as the sun sets behind the trees at the Stone House the light breaks into pieces – when that combines with iridescence it can make for some interesting shots. I love how the feathers on this guy’s throat switched from black to this amazing bronze as he turned his head.

Covert operation

The pileated woodpecker was shot through a window, he’s so shy that it’s taken me a year to get an in-focus shot of him, and as soon as I moved closer to the window to frame a better shot without the pane showing, he bolted. Lesson learned, always take the shot before improving your position.

Mohawk

My goldfinch friend reacts to me whistling – often they will cock their head in an effort to catch the sound in one of the earholes they have on either side of their heads, but this time he just puffed up his head – I’ve never seen that before.

Puff Daddy

This male hummer is guarding his feeder. As intruders approach he leaves his post, flying sortis to defend his position. When he lands back at base he puffs up to add to his intimidating presence.

Krishna in the grass.

My friend Krishna is a little camera-shy these day. The lawn has been cut down at the Grange Hall and he is lacking cover, so he heads off towards the woods. Sometimes a man needs to be alone with his thoughts and away from the prying eyes of the paparazzi.

Seeing red

Another shot of that late evening sunlight – for just a moment the sun shone right through the red bottle and onto the hummer – this is one of those you wish you could get another crack at – in low light focussing is more difficult. Imperfect or not – it was an unusual moment.

Focused on his next meal

I rarely get a shot at a hawk near the house. I spotted this guy yesterday on my drive home. The woods here are so thick that I almost never see one in flight, but he passed right in front of my Jeep. I pulled up and turned off the motor. Shooting through thick woods made focussing tricky but I finally dialed in on his eyes and then he took off – an encounter of seconds. I love his intensity, but I am glad that he feeds far away from my feeders.

Bliss

This photo is the one that made me decide to write this post. I almost posted it alone, but decided to give the library another once-over after deciding against it. Who knew that hummingbirds have eyelashes? I rarely suggest clicking on an image, but I do on this one – the structure of this birds eyelids are amazing! I occasionally get a shot of a bird in the process of blinking – and I typically discard those, but this one seemed different – serene, graceful, poetic – and none of those things have to do with me and a camera. It was just a moment and I happened to snap at just the right time.

So far the springtime has been amazing – birds are singing, I am shooting, and all is well with the world – at least it is here at the Stone House.

As we move into summer here at the Stone House, there is a battle raging. Volleys are launched from every side. Airstrikes, dive bombs, there’s chatter in the wind. The fighting is fierce, but before summer is over one will reign supreme…

Back off!

…over the Hummingbird feeder.

Today I salute those bold men and women on the front lines – staking their claim to that sugary water and holding off all comers.