Friday, 31 August 2012

Napoleon Dynamite - we watched this movie so many times in the final semester of uni, to the point that we could practically recite all of it, but I haven't seen it since, until now that is. It still evades a summary as to why it's so unique and enjoyable.

Friday the 13th Part VIII: Jason Takes Manhattan - the first time I saw it I wasn't at all keen on it. A few years later and I grew to like it a lot more, despite its flaws, and seeing as Sky Movies haven't shown it (despite frequently showing Friday the 13th one-through-seven routinely), I fancied another dip into it. Yes, there are some problems, but I've come to really enjoy the flick.

Breaking Bad: Season 3 & 4 - the catch-up with Vince Gilligan's excellent drama (with pitch dark black comedy) continues apace. That moment from the final episode of season four was so good I had to watch it several times. Roll on season five!

Beaver Falls: Series 2 - not overly serious, but not overly silly, and a great antidote to the self-involved and totally unrealistic nonsense that is Skins. You've gotta love Barry too - what a state, but he gets all the best lines.

Click "READ MORE" below for sounds, vibes, and an in-depth look at the Pros and Cons of Assassin's Creed: Revelations...

Monday, 27 August 2012

Apollo 18:What's it about?A 'found footage film' about a classified mission to the moon after the last official landing of Apollo 17 (hence the title), in which American astronauts are sent to apparently erect some sort of Russian missile detection system. However, amidst the craters on the surface, they discover the Russians have at some point landed on the moon and suffered a terrible fate. Better be careful which moon rocks you pick up then...Who would I recognise in it?No 'big names' here, but it was produced by Dimension Films and Timur Bekmambetov, and edited by Patrick "Drive Angry" Lussier.Great/Good/Alright/Shite?There's creepy crawly moon monsters out there in the cold silence of space, and while it's not an exceptional shocker, Apollo 18 does prove to be a pleasant surprise nonetheless. The claustrophobia of a lunar module or a space suit unsettles you from the back of your mind, while the isolation of the moon's surface creates genuine chills. There is a tendency towards LOUD NOISE jumps from time-to-time, but when you descend into a pitch black crater with nothing but a camera's flash for guidance, you know that sooner or later there's going to be an explosion of popcorn before your eyes. Stylistically the film is a real success, with contrast, colour, grain, and even aspect ratio and framing, all seamlessly matching the real-life NASA footage. What's less convincing is the inconsistent low gravity experienced by the two (out of three) astronauts who land on the moon - sure, this would have been a fairly low budget production, but to see them walk across the surface, rather than bounce like Neil Armstrong (may he rest in peace) and his moon walking brothers so memorably did, does strip away some of the believability, which is otherwise pretty strong. Atmospheric, chilling, and proving to be a rather enjoyable mixture of found footage frights with period-set Apollo moon missions, it's surprisingly good.

Wednesday, 22 August 2012

This five-part series of educational films, aimed at 16-18
year old students of theology and religious studies, discusses some of the
complex ethical issues surrounding one of the biggest questions: if there is a
God, why is there evil in the world? Examining various theodicies linked to the
topic, The Problem of Evil has one central evil at the heart of it – to
help tie everything together – and that is the Holocaust, represented
sensitively-but-honestly with stunning archive film.

The main four films (which I shot and edited) provide
the in-depth starter knowledge to help inspire and sustain informed and
passionate debate within the classroom, while the fifth film (for which I
wrote the script and edited) provides an optional brief history of the
Holocaust, from the election of Adolf Hitler, through the end of World War II,
and beyond to the present day.

Editing this series provided some interesting creative
challenges (as evidenced in the third video clip below), not only in continuing to produce visually-arresting educational
films that didn't resemble the staid affairs I remembered from my own high
school days, but also in sensitively dealing with tragic subject matter – most
specifically the Holocaust. The main four films all exhibit sequences relating
to the subject, but the key was to not push too far with the footage, while
maintaining an honest and educational approach to the material.

However, we also felt that it was important to provide an
optional extra on the DVD – the aforementioned The Holocaust: A Brief History
– which fully lays bare the horrors of those events in a truthful manner that
avoids audience manipulation. It isn't required viewing in a class room, but
teachers have been provided with the choice to show it, or alternatively
utilise the script (provided on the DVD with comprehensive teacher's notes).

Once again, by working on an educational DVD, a challenge
was offered to create strong and interesting visual representations of the
complex theological issues and ideas being put forward by the narration. I was
able to tweak and improve upon previously used techniques, as well as try out
some new ideas across all the films, to keep the presentation fresh and
absorbing.

Click “READ MORE” below to watch preview clips of all five
films featured in The Problem of Evil, and see what people think of the films themselves...

Wednesday, 15 August 2012

Remakes. They've been dime-a-dozen for years, and the
success rate isn't exactly high. Generally they've brought in box office bucks,
but money doesn't equal quality – nor genuine purpose. The problem with remakes
remains thus: beloved icons of cinema history (some of them bonafide
franchises unto themselves, many of them within the horror genre) are
re-heated to simply trade on an established name. Cynical business sense in
abundance, but artistically and from a fan's perspective, it's frequently
devoid of true merit. Add to this the fact that we horror fans possess a
particularly potent brand of curiosity, a curiosity that convinces us to spend
money to see these remakes simply to see how they compare to the original
films, even though the result is typically that the original remains to be the
best. Remakes today almost never produce a greater film than the original.

A quick perusal of my DVD and Blu-Ray collection that's
weighing down my walls, reveals numerous examples of films that have been
remade, of films that are themselves remakes.

Some of these remakes are decent (or even pretty good),
but simply don't touch on the power and status of the original films. Night
of the Living Dead 1990, Halloween 2007, and The Texas Chainsaw
Massacre 2003 are all examples of this level of the remake strata.

Far below that we have turgid and even quite cynical rehashes,
such as Dawn of the Dead 2004 (vapid, devoid of intelligence, all
mouth and no trousers), Day of the Dead 2008 (no, just no), The
Fog 2005 (again, no, just no), A Nightmare On Elm Street
2010 (a poorly paced and pale imitation of the film that gave life to
New Line Cinema, cobbled together from badly executed sequences pinched from
Craven's original), and The Thing 2011. The last one is technically
a “prequel” (and a pointless one at that as we know exactly what will
happen to the Norwegian camp), but it attempts to re-tread John Carpenter's
1982 footsteps so often (while completely ignoring the alien's modus
operandi in the process) that it's clearly a remake that wants to hide
inside an imitation.

Click "READ MORE" below for more remakes, and why Drive-In Massacre would be a worthwhile candidate for another going-over.

Monday, 13 August 2012

Fans of Italian Giallo flicks should find this film to be to their liking. I know I'm looking forward to seeing it!

"Peter Strickland, the director of Katalin Varga, returns with a very
different tale with Berberian Sound Studio. Set in 1976, Toby Jones
plays a documentary sound engineer who finds himself employed by a
notorious low-budget Italian horror studio. Uneasy in his new
environment and surrounded by a world he finds alien, he throws himself
into his work, failing to notice how life is slowly beginning to imitate
art. An homage to the classic Italian Giallos of the period,
Strickland's film is another triumph.

Wednesday, 8 August 2012

Joe and I recently finished a new educational DVD titled "The Problem of Evil", which deals with one of the most fundamental ethical issues relating to theology and the philosophy of religion. The clip below (which we referred to as "the Russian sequence") from The Irenaean Theodicy (the third of five films to be featured on the soon-to-be-released DVD) was my favourite experience while making this DVD.

I was given a quote from Dostoevsky's "The Brothers Karamazov" and had to design, shoot, and edit the whole sequence from the ground-up to match it. Shooting in rural Herefordshire - independently, on a low budget and with few resources - we had to make our idyllic surroundings fill in for the wilds of Russia.

Sunday, 5 August 2012

Green Lantern:What's it about?Comic book adaptation by Martin "Goldeneye/Casino Royale" Campbell about Hal Jordan, a cocky test pilot who ends up becoming The Green Lantern, part of a league of superheroes who protect their respective sectors of the universe.Who would I recognise in it?Ryan Reynolds, Blake Lively, Tim Robbins, Peter Sarsgaard, Mark Strong.Great/Good/Alright/Shite?Considering Campbell expertly rejuvinated the Bond franchise not once, but twice, it comes as quite a surprise that Green Lantern feels so conflicted and flat. It is at once lumpen with awkward and unfocused pacing, and yet unsatisfyingly light on plot and character. The big bad - in the form of Paralax, a big fart-cloud of dust heading for earth that feeds on fear and consumes all in its path - never feels threatening, and is rarely glimpsed ... although there is only so much you can do with an evil space cloud. Sarsgaard's bulgy-headed back-up-baddie Hector Hammond is likewise under-developed, his character amounting to little more than a pissy 'failure' in life. Hal Jordan is about the only one who gets enough screen time to develop a solid back story and character arc of discovery (even if it is predictable and generally a bit "meh"). I've never read any of the Green Lantern comics, and have no interest in doing so, so purely in terms of it as a movie - only alright.

Friday, 3 August 2012

It could be bloody awful by the sounds of the title, however by the looks of the trailer it could be a bloody good time. Naturally, it doesn't pretend to be in the same league as the enduringly brilliant Shaun of the Dead, but nevertheless, with a good handful of British character actors and known faces, combined with lashings of gore, plenty of shooters, and some good chuckles along the way, Cockneys vs. Zombies looks like it could be a ruddy good watch.

About Me

I am a British freelance filmmaker, as well as a writer, movie fanatic, and zombie obsessive. I am the author of "Dug Deep" and the "Celebrityville" series of books, and write for Sleaze Fiend Magazine and Homepage of the Dead. I'm the screenwriter for the upcoming film "For Want of a Nail".
Of the many filmmakers who influence me, some are: Romero, Raimi, Carpenter, Cameron, Fincher, Tarantino, Rodriguez, Kubrick, Boyle, Zombie, Martino, Fulci, Argento, Cronenberg, Marshall, Smith, Nolan, Dominik, Scott, Mann, Hooper, De Palma, Leone, Spielberg and Zemeckis.