Archive for: Light Work Video at Everson Museum

Light Work is pleased to present Mass and Obstruction, a solo exhibition of work by artist Mary Mattingly. In conjunction with her exhibition at Light Work, Mary Mattingly will be presenting Human and Object, a selection of video works at Urban Video Project (UVP) at the Everson Museum of Art. The exhibition will be on view January 20-30, from dusk-11pm. Find more info online at www.urbanvideoproject.com.

Mary Mattingly creates photographs, sculpture, video and large-scale public art projects ostensibly about climate change but revealing deeper focus on survival and endurance in the face of ecological degradation and violence. Describing photography as the universal language of storytelling, Mattingly blurs the line between fact and fiction, present and future. Using her camera both to document and fictionalize over thirteen years of her environmental art and activism, she creates images by digitally collaging together multiple locations. These fictional, non-specific locations often look strangely futuristic and allow for a conversation about the earth and our impact on it. For Mattingly the “location” is the world’s ecosystem. She looks at the big picture and forces us as viewers to confront our own culpability and the ethics of our choices, a fundamentally important pre-requisite for personal or political change. For the exhibition Mass and Obstruction, the artist presents images and objects that emerge from an unflinching scrutiny of her own consumption and life style as an artist.

Mary Mattingly is an artist based in New York. Her work has been exhibited at the Brooklyn Museum of Art, The Kitchen, Museo National de Belles Artes de la Habana, International Center of Photography, The Seoul Art Center, The Bronx Museum of the Arts, The New York Public Library, deCordova Museum and Sculpture Park, and The Palais de Tokyo. She participated in smARTpower, an initiative between the U.S. Department of State and the Bronx Museum of the Arts in the Philippines. She has been awarded grants and fellowships from the James L. Knight Foundation, A Blade of Grass, Eyebeam Center for Art and Technology, Yale University School of Art, The Harpo Foundation, NYFA, The Jerome Foundation, and The Art Matters Foundation. Her work has been featured in Aperture Magazine, Art in America, Artforum, Sculpture Magazine, The New York Times, New York Magazine, Le Monde Magazine, The New Yorker, The Wall Street Journal, on BBC News, MSNBC, Fox News, NPR, NBC, as well as on Art21’s “New York Close Up” series. Her work has been included in books such as the Whitechapel/MIT Press Documents of Contemporary Art series titled Nature, edited by Jeffrey Kastner, Triple Canopy’s Speculations, the Future Is… published by Artbook, and Henry Sayer’s A World of Art, 8th edition, published by Pearson Education Inc. Mattingly participated in Light Work’s Artist-in-Residence program in November 2014.

Hungarian artist Adam Magyar has been receiving international attention with art that explore concept of urban life. Magyar depicts the synergies of people, the cities they inhabit, and the technological support structures created to facilitate urban life. He explores the flow of time and life through multiple photography and video-based series, three of which will be presented in Syracuse.

Magyar uses unconventional devices, like an industrial machine-vision camera that relies on scanning technology. Utilizing software and drivers which he programs himself, Magyar creates constructed images that capture moments in time and place that can neither be seen with the bare eye nor conventional optical cameras. The beautiful images combine the aesthetics of classic photography with a technology that redefines our understanding of linear time and singular space in a perfect blend of science and art. In his works, Magyar scrutinizes the transience of life and man’s inherent urge to leave some trace behind.

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Adam Magyar’s works have been exhibited in various solo and group shows internationally including Helsinki Photography Biennial in Finland; MFAH Mixed Media event and the Graduate School of Design Harvard University in the USA; Berlin Selected Artists exhibitions in Germany; the Ethnographic Museum Budapest and Faur Zsofi Gallery in Hungary; Rhubarb Rhubarb in the UK; and Karin Weber Gallery in Hong Kong. His works are part of collections worldwide, such as Deutsche Bank, the Hong Kong Heritage Museum, and the Bidwell Projects. His photographs have been published in the book In the Life of Cities by the Graduate School of Design Harvard University, Light and Lens by Robert Hirsch, and in photography magazines including PDN and PQ Magazine in the USA, Flash Art in Hungary, Digital Camera Magazine in UK, and Katalog in Denmark. He lives in Berlin.

In Demetrius Oliver’s exhibition Mare, a circular image of a wave crashes against an unnamed shore; the image spins within itself and simultaneously orbits the gallery. As the image rotates, the lines of the wave begin to resemble the layered surface of a Jovian planet such as Jupiter. Visitors to the gallery become part of the work as the projection reflects off their bodies. Joining the sea with both corporal and heavenly phenomena, the installation recreates the awe felt when looking at the night sky and the increasing smallness of human existence within the ever-expanding universe.

The exhibition Penumbra, a series of three video installations by the artist, connects viewers to their place in the universe by playing with earthly and human forms against a backdrop of the cosmos. In Penumbra, explorations of light and scale, movement and the rhythm of the natural world suggest journeys both physical and metaphysical. By training our eyes to look simultaneously at ourselves and the heavens, the artist establishes a continuum of existence that emphasizes unity and ultimately peace. Finding the spectacular in the everyday, Oliver transforms seemingly ordinary material building blocks into images and installations that stretch the confines of human structures and bodies into the greater universe.

At the Everson Museum of Art Urban Video Project site, Oliver will install the work Perigee, which echoes the same circular image of a wave that appears in Mare. A perigee occurs when one orbiting body, in this case the moon, is closest to earth, which makes tidal waves generally stronger. The movement of the video describes the rotation of both planets and the alternate rising and falling of the sea. Its projection on the site, framed perfectly against the stars, transports the viewer into the celestial continuum where earth and its inhabitants are affected by larger bodies in space.

Penumbra, which will be installed in the Menschel Gallery at Schine Student Center, is a three-channel video in which Oliver’s head acts as a stellar body fading away as another body emerges to conceal it. The three videos play simultaneously, allowing Oliver to stretch time, the body, and space as the circle of his head becomes both a macrocosm of the universe and a microcosm of the body.

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Demetrius Oliver (b.1975, Brooklyn, NY) lives and works in New York, NY. He received his B.F.A. from the Rhode Island School of Design, Providence, RI and his M.F.A from the University of Pennsylvania, Philadelphia, PA , and attended the Skowhegan School of Painting and Sculpture, ME. From 2004-06 he was an artist resident at the Core Program, Museum of Fine Arts, Houston, TX and from 2006-07 an artist-in-residence at The Studio Museum in Harlem, New York, NY.

Oliver was a Light Work Artist-in-Residence in 2009. His work has been exhibited widely, with recent solo exhibitions at Virginia Commonwealth University, Richmond, VA; Rhodes College, Memphis, TN; D’Amelio Terras, NY; the Atlanta Contemporary Art Center, GA and The Contemporary Arts Museum, Houston. Most recently (2010) his work Jupiter was installed on the Highline Gallery in New York City.

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