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That was the question my father recently asked me, in relation to thoughts I had about books I was reading. The moment I heard the question, I realized he had asked me that question many times before, when discussing other topics.

I’m a naturally curious person. It isn’t that I don’t think about the reasons for my curiosity, but I wouldn’t think about it in the way that my father’s question was intended. His question felt defensive, and I realized that I often sense that defensive quality whenever I bring up a new set of ideas to my father. I’m so used to it, though, that I don’t normally give it much consideration. It’s usually just in the background.

My father has been my intellectual sparring partner for my entire life. He taught me how to think more than anyone else. This is significant for a number of reasons.

Most importantly, he is a conservative and I a liberal. So, my own thinking has naturally fallen into the grooves of this ideological dialectic. I’m incapable of thinking of liberalism and conservatism as separate phenomena. My relationship to my father is the ground for my experience of liberalism’s relationship to conservatism. This obviously gives a slant to my views. My liberalism is forever the son’s challenge to the father and hence to all things patriarchal and paternalistic.

This relationship is well established between my father and I. We each know our roles. When he asks me for my reasons, he isn’t just being generally defensive, but specifically toward something. There is something, as I see it, that conservatives will seek to defend before all else. I’ve previously called it symbolic conflation (also, see here, here, and here). It is the linchpin of the social order.

When I go off on my questioning obsessions, I’m wiggling that linchpin. I know it and my father knows it.

I may pretend that isn’t what I’m doing, for sake of good relations, but the fact of the matter is that I find myself a disturber of the peace in the Hobbit’s Shire. Like Bilbo Baggins, I’m not intending to be a radical revolutionary, a mean-spirited malcontent, or a mischievous troublemaker. I resisted my fate, as best I could, but to no avail. A disturber of the peace becomes such for somewhere along the way his own peace was disturbed. My mind and soul is disturbed by forces I neither comprehend nor control (some would call it ‘depression’), and so I act accordingly. It is what it is.

No one chooses to see the linchpin. But once seen, it is hard to unsee, no matter how disturbing.

Researchers have even shown that people will sometimes go to great effort not to see something. A study was done on different patterns of eye focusing. There was some image that didn’t fit into a person’s worldview or else didn’t fit into what they deemed acceptable, and as I recall the researchers were specifically dividing people according to ideological categories.

What was found was that certain people would look all over the room while conspicuously not looking at the one place where that image was located. So, they weren’t looking at it, but at some level they had seen it in their peripheral vision and were unconsciously recognizing its presence by actively looking all around it. This is a cognitive blindspot, not a lack of physical ability to see, just a lack of conscious willingness and desire to perceive.

That is how I think conservatives deal with symbolic conflations (conservative-minded liberals deal with it in the same way). They spend immense energy defending what they will never directly acknowledge. That is why the structure of the psychological dynamic is so important, where the symbol is conflated with reality. The symbol, as such, represents and obscures. The conservative knows and doesn’t know what the symbol means. The conflation is so tricky that even most liberals have a hard time untangling the knot or even realizing there is a knot to be untangled, and that is the conflation’s primary purpose, to hide the soft underbelly from probing daggers.

The conservative’s task is much easier for the reason that most liberals don’t want to untangle the knot, to remove the linchpin. Still, that is what conservative’s fear, for they know liberals have that capacity, no matter how unlikely they are to act on it. This fear is real. The entire social order is dependent on overlapping symbolic conflations, each a link in a chain, and so each a point of vulnerability.

A symbolic conflation both represents and replaces what is unspoken, both distracts from and obscures what is hidden. It is a fluttering bird luring the predator away from the nest. My mind was brought back to these thoughts not just because of my father’s question, although the question helped focus my mind. Seeing the fluttering bird of his question, my attention was drawn to the trajectory from which it was fleeing.

What started all this was my reading about shame (along with guilt, honor, etc), the topic that elicited my father’s question. It so happens that conservatism and liberalism are key to my thoughts about shame, although I had not immediately stated so to him, but still he sensed the implications.

The issue of shame is a sore spot where conservatism and liberalism have, from their close proximity, rubbed each other raw. It is also a site of much symbolic conflation, the linchpin like a stake in the ground to which a couple of old warriors are tied in their ritual dance of combat and wounding, where both are so focused on one another that neither pays much attention to the stake that binds them together. In circling around, they wind themselves ever tighter and their tethers grow shorter.

Stepping away from that predictable struggle, I found myself wondering about what is outside the proscribed boundary of polarized consciousness. In my specific inquiry here, my mind slipped down a side path that runs parallel to well-tread ruts. Exploring shame caused me to wander afield, as the subject is new territory for me, and in wandering I found myself following this new trail of thought. As often happens, I discovered something of interest along the way.

I was led back to an author and a book with which I’m already familiar, but I was now able to see it in new light. The book in question is Trickster Makes the World by Lewis Hyde. I had forgotten how much the author discusses shame and I have to say it is one of the better books on the subject that I’ve so far read. Here is what caught my attention. A few sections I recognized as territory from my own maps of symbolic conflation. Hyde’s cartographic descriptions of this emotional terrain, however, uses trickster mythology (instead of ideological predispositions) for the map’s legend and scaling.

In the first passage that got me excited, Hyde shows the relationship between shame, the body, and the social order. He writes that (pp. 169-170),

“[A]n unalterable fact about the body is linked to a place in the social order, and in both cases, to accept the link is to be caught in a kind of trap.

“Before anyone can be snared in this trap, an equation must be made between the body and the world (my skin color is my place as a Hispanic; menstruation is my place as a woman). This substituting of one thing for another is called metonymy in rhetoric, one of the many figures of thought, a trope or verbal turn. The construction of the trap of shame begins with this metonymic trick, a kind of bait and switch in which one’s changeable social place is figured in terms of an unchangeable part of the body. Then by various means the trick is made to blend invisibly into the landscape. To begin with, there are always larger stories going on— about women or race or a snake in a garden. The enchantment of those regularly repeated fables, along with the rules of silence at their edges, and the assertion that they are intuitively true— all these things secure the borders of the narrative and make it difficult to see the contingency of its figures of thought. Once the verbal tricks are invisible, the artifice of the social order becomes invisible as well, and begins to seem natural. As menstruation and skin color and the genitals are natural facts, so the social and psychological orders become natural facts.

“In short, to make the trap of shame we inscribe the body as a sign of wider worlds, then erase the artifice of that signification so that the content of shame becomes simply the way things are, as any fool can see.

“If this is how the trap is made, then escaping it must involve reversing at least some of these elements. In what might be called the “heavy-bodied” escape, one senses that there’s something to be changed but ends up trying to change the body itself, mutilating it, or even committing suicide…”

I loved his explaining of this metonymy as a bait and switch. It is a brilliant analysis of how symbolic conflation operates. Hyde unpacks the confusion and in its place offers clarity.

The visceral language he uses is powerful. Symbolic conflation sounds too abstract. The actual experience really is to be snared in a trap. The body, as being spoken of here, isn’t a mere metaphor. What makes it so compelling is that the imagined gets identified with the body, with specific parts and specific functions of specific bodies. One feels this in one’s own body and so at the most basic level of one’s sense of identity and reality.

So much falls into place once this is understood. I’m forced to think more deeply about my own previous speculations and understandings. I sense how this touches upon the beating heart of symbolic conflation. A symbol is always rooted in the imagination with the taproot running deep into visceral experience, the body being the dark soil in which it grows. It is in our telling of stories that this visceral experience is brought to life and made personally real. A story is about meaning, but it is a meaning more of emotions than of ideas.

I’m also brought back to thoughts of reactionary conservatism. Is Hyde specifically pinning down the fluttering wings of the reactionary conservative? Has he devised his own snare to entrap the reactionary conservative in action, like a camera set up to snap a picture of a wary beast in the deep wilderness? If so, what is the precise relationship between reactionary conservatism and symbolic conflation that is captured here?

I’ll return to those questions, but first let me explore further into what Hyde has written about. In the next passage, he explores a historical context for one particular trickster mythology, Hermes of the ancient Greeks (pp. 206-207):

“[Norman O. Brown] therefore proposes this parallel: just as Hermes acquires a place alongside Apollo in the course of the Hymn, so in the course of the sixth century the “Athenian industrial and commercial classes achieved equality with the aristocracy.” That equality was not easily won; it required the resolution of a whole series of differences. In the aristocratic era, wealth came from herding and farming the soil; in Athenian democracy those sources of wealth still existed but were increasingly challenged by a craft economy and commercial exchange with strangers. Agrarian aristocracy was organized around hierarchical kinship ties; Athenian democracy retained such ties but added a new ethic of equality symbolized by the fact that many political positions in Athens were filled by a lottery in which all citizens could participate, regardless of family or status. Most important, the emerging cosmopolitan democracy brought with it a “new ethics of acquisitive individualism [that] conflicted with the traditional morality which the Greeks called Themis— the body of customs and laws inherited from the age of familial collectivism.” The older morality took any deviation from “the archaic form of commerce by mutual exchange of gifts” to be an immoral thieving (even what we would now call fair trade was taken to be robbery). In short, during the sixth century, a world organized through kin relationships and a collective ethic of gift exchange gave way to a world in which hierarchy could be periodically revised and social relations were increasingly articulated through the individualist (which is to say, thieving) ethic of the marketplace.

“As for those who were excluded or marginalized, we should remember that, in a society where the dominant values are kin ties and agrarian wealth, those whose identity is bound up with trade are typically consigned to a subordinate place in the order of things. They are, so to speak, “low caste” (as they have been historically in India, where merchants and artisans fall into the lower two of the four varnas). If, in the Greek case, such people hope to place themselves on an equal footing with the warriors and family farmers of ancient days, they will have to subvert that order and reshape it on their own terms. Such, Brown argues, is exactly what happened: the “regime of the landed aristocracy was overthrown, its agrarian economy yielding to a new economy based on trade and handicraft industry, its political oligarchy yielding to the politics of ancient democracy.” The Hymn reflects that change: “The theme of strife between Hermes and Apollo translates into mythical language the insurgence of the Greek lower classes and their demands for equality with the aristocracy.”

“Brown’s claims cover a lot of ground and his talk of class conflict gives off an air of retrospective Marxism, but the [Homeric] Hymn itself, however we fit it into actual Greek history, sets up a tension in accord with the one that Brown suggests. There is little doubt that in the classical period Hermes is associated with artisans, merchants, and thieves, and the poem itself makes it clear that some kind of “outsiderness” is at issue, and that Hermes hopes to change it.”

Right there! That is key. The described “outsiderness” brings us directly to the doorstep of the reactionary conservative, as understood by Corey Robin. Before I get to that, let me add the paragraph that immediately follows the above (p. 207):

“To effect that change he has, as I said earlier, a method by which the excluded can enter a group, change its structure, and give themselves a place at the table. A whole range of cunning tricks makes up this method, but its underlying structure is quite simple: no matter what he does, Hermes is either an enchanter or a disenchanter.”

I would note and emphasize that this touches upon the Burkean roots of reactionary conservatism.

Edmund Burke was one of those outsiders (in his case, raised a Catholic in Ireland) who sought “a place at the table” of the English ruling elite. He didn’t want to overturn the table and certainly not to take an axe to it. His attitude was that of the emerging middle class challenging the weakening traditionalism of the ancien régime. It was the same basic pattern that played out two millennia before in ancient Greece.

It is interesting to think of the reactionary conservative in his role as trickster. He is seeking to redefine his position and remake the social order, of course in his own image. The reactionary rhetoric being used is tricksy, for it generously borrows from the political left in order to undermine the political left. The reactionary conservative seeks to usurp the liberals role as challenger to the status quo and simultaneously to remove the teeth of radicalism, leaving the left without any real bite.

Enchanter and deceiver. The trickster may free you but at a cost of enslaving you to something else. He hypnotizes you with a story and makes you drowsy with a song, he puts you under the sway of an archetype and delivers you into the control of an unseen power.

This is what the reactionary conservative does with symbolic conflation, not to claim that this is how conservatives understand their own actions, as this process happens mostly within the unconscious, the territory of the imagination and the playground of the trickster. Reactionary conservatives end up deceiving both others and themselves, a mutually-afflicted magic spell of misdirection and mystification.

Edmund Burke the progressive reformer becomes Edmund Burke the reactionary conservative. Was there an actual change of character or was his real character revealed?

Is the reactionary mode of being the trickster lying in wait within the liberal mind? Do liberals simply fall prey to their own fears and dark thoughts? If Burke hadn’t felt shame in his outsider status that he tried to hide by gaining social position, might he have avoided falling into this reactionary stance of pulling up the ladder behind him? Why is it so often that the challenger to power who is the one most fearful of challenges to power and so most reactionary to any further unsettling of the status quo?

With this in mind, Hyde does offer further context, in which he describes two aspects of the trickster (pp. 208-209):

“Depending on which way he is moving across the threshold, I call him Hermes of the Dark or Hermes of the Light. Hermes of the Dark is the enchanter or hypnagoge who moves us into the underworld of sleep, dream, story, myth. This darkening motion is a precondition of belief; with it Hermes delivers you to one of the gods and puts you under his or her spell. He dissolves time in the river of forgetfulness, and once time has disappeared the eternals come forward. Hermes of the Dark is the weaver of dreams, the charmer who spins a compelling tale, the orator who speaks your mother tongue with fluid conviction.

“Hermes of the Light is the disenchanter or awakening angel who leads you out of the cave. There the bright light prepares the ground for doubt. There he kills and roasts the sacred cattle. He dissolves eternals in the river of time, and when they have disappeared, the world becomes contingent and accidental. Hermes of the Light translates dreams into analytic language; he rubs the charm from old stories until they seem hopelessly made up and mechanical. He walks you inland until you stop dreaming in your mother tongue.

“Hermes himself is neither one of these alone but both at once. He is neither the god of the door leading out nor the god of the door leading in— he is the god of the hinge. He is the mottled figure in the half-light, the amnigoge who simultaneously amazes and unmazes, whose wand both “bewitches the eyes of men to sleep and wakes the sleeping,” as Homer says in the Iliad. I sometimes wonder if all great creative minds do not participate in this double motion, humming a new and catchy theogony even as they demystify the gods their elders sang about. Pablo Picasso had that double motion, disturbing classical perspective while presenting a strange new way of seeing, one so hypnotic it shows up decades after his death on billboards and children’s printed pajamas. Sigmund Freud had that double motion, dragging slips of the tongue into the daylight, or “explaining” Moses, while simultaneously retelling the old story of Oedipus in a manner so compelling that, decades after his death, Ivy League literary critics can’t get it out of their heads. Or there is Vladimir Nabokov: if you think his deft language magic is serious, you’re wrong, and if you think it’s just a game, you’re wrong.”

Hermes of the Dark and Hermes of the Light. The latter might be thought of as the liberal mind in radical mode. The former would then be the liberal mind in reactionary mode, what is known more simply as conservatism, it likely being redundant calling a conservative reactionary.

Hermes isn’t one or the other. He is both the enchanter and the disenchanter.

This is how I see liberalism in this liberal age. I suspect that ultimately the radical and the reactionary are the two archetypal roles of the trickster, as they get expressed in post-Enlightenment modernity. Hermes the enchanter puts the linchpin in place and hides its location. Hermes the disenchanter is the liberating force that wiggles the linchpin or even pulls it out, but only to put it back in at another location. The trickster shifts, not destroys, the boundary.

The great minds of any age play both roles in an act of creative destruction. They learn from the problems and weaknesses of the old vision. They then replace it with an even more powerful reality tunnel, a cognitive trap that will be even harder to escape, whether or not that was their intended result.

This is how we must understand conservatives. The best conservative thinkers and leaders were able to accomplish this magic trick. They offered something new and convinced so many that it was always that way. Conservatives are first and foremost enthralling storytellers, drawing us into their narratives, sometimes even against our better judgment. They don’t just redefine conservatism, but the entire political framework and the entire historical foundation of thought. They proscribe the perceived reality of what was, what is, and what must be.

This obviously isn’t how conservatives think of themselves, and that is the entire point. What they do has so much power for the very reason that it doesn’t correspond to what they say. The closer you watch the more you will be thrown by the sleight-of-hand.

I’ll allow Corey Robin to explain this from his own perspective, as written in his book The Reactionary Mind (pp. 42-43):

“Whether in Europe or the United States, in this century or previous ones, conservatism has been a forward movement of restless and relentless change, partial to risk taking and ideological adventurism, militant in its posture and populist in its bearings, friendly to upstarts and insurgents, outsiders and newcomers alike. While the conservative theorist claims for his tradition the mantle of prudence and moderation, there is a not-so-subterranean strain of imprudence and immoderation running through that tradition— a strain that, however counterintuitive it seems, connects Sarah Palin to Edmund Burke.

“A consideration of this deeper strain of conservatism gives us a clearer sense of what conservatism is about. While conservatism is an ideology of reaction— originally against the French Revolution, more recently against the liberation movements of the sixties and seventies— that reaction has not been well understood. Far from yielding a knee-jerk defense of an unchanging old regime or a thoughtful traditionalism, the reactionary imperative presses conservatism in two rather different directions: first, to a critique and reconfiguration of the old regime; and second, to an absorption of the ideas and tactics of the very revolution or reform it opposes. What conservatism seeks to accomplish through that reconfiguration of the old and absorption of the new is to make privilege popular, to transform a tottering old regime into a dynamic, ideologically coherent movement of the masses. A new old regime, one could say, which brings the energy and dynamism of the street to the antique inequalities of a dilapidated estate.”

When I first read this book, Robin’s theory was disconcerting. I had previously been taken in by all of the confusing rhetoric. I couldn’t make heads or tails out of any of it. I couldn’t figure out what conservatism even meant or was supposed to represent. Like most Americans, the obfuscation was a powerful force in obstructing clear thought. But what if, as Robin suggests, conservatism is in some sense the complete opposite of what it pretends to be? That is a truly radical possibility.

The one part of his theory that is most intriguing is something I already pointed out. According to Robin, conservatism is and always has been driven by outsiders. That is what gives it such a dynamic quality, as opposed to its proclamations of traditionalism. In speaking about “populist currents,” he states that they “can help us make sense of a final element of conservatism.” As he elaborates (pp. 57-58):

“From the beginning, conservatism has appealed to and relied upon outsiders. Maistre was from Savoy, Burke from Ireland. Alexander Hamilton was born out of wedlock in Nevis and rumored to be part black. Disraeli was a Jew, as are many of the neoconservatives who helped transform the Republican Party from a cocktail party in Darien into the party of Scalia, d’Souza, Gonzalez, and Yoo. (It was Irving Kristol who first identified “the historical task and political purpose of neoconservatism” as the conversion of “the Republican Party, and American conservatism in general, against their respective wills, into a new kind of conservative politics suitable to governing a modern democracy.”) 41 Allan Bloom was a Jew and a homosexual. And as she never tired of reminding us during the 2008 campaign, Sarah Palin is a woman in a world of men, an Alaskan who said no to Washington (though she really didn’t), a maverick who rode shotgun to another maverick.”

This outsider element is key to probing beneath appearances. It gets down to the visceral feeling behind conservatism, the gut-level pull of its language and imagery. “Conservatism,” he continues (p. 58),

“has not only depended upon outsiders; it also has seen itself as the voice of the outsider. From Burke’s cry that “the gallery is in the place of the house” to Buckley’s complaint that the modern conservative is “out of place,” the conservative has served as a tribune for the displaced, his movement a conveyance of their grievances. 42 Far from being an invention of the politically correct, victimhood has been a talking point of the right ever since Burke decried the mob’s treatment of Marie Antoinette. The conservative, to be sure, speaks for a special type of victim: one who has lost something of value, as opposed to the wretched of the earth, whose chief complaint is that they never had anything to lose. His constituency is the contingently dispossessed— William Graham Sumner’s “forgotten man”— rather than the preternaturally oppressed. Far from diminishing his appeal, this brand of victim-hood endows the conservative complaint with a more universal significance. It connects his disinheritance to an experience we all share— namely, loss— and threads the strands of that experience into an ideology promising that that loss, or at least some portion of it, can be made whole.”

This brings me around to the original issue. Loss is a powerful emotion and so it is a site of symbolic conflation, where the trickster can play his tricks. Loss speaks to everyone and it is a truly amazing trick to make loss symbolic of power itself, of position and privilege (pp. 58-59):

“People on the left often fail to realize this, but conservatism really does speak to and for people who have lost something. It may be a landed estate or the privileges of white skin, the unquestioned authority of a husband or the untrammeled rights of a factory owner. The loss may be as material as money or as ethereal as a sense of standing. It may be a loss of something that was never legitimately owned in the first place; it may, when compared with what the conservative retains, be small. Even so, it is a loss, and nothing is ever so cherished as that which we no longer possess. It used to be one of the great virtues of the left that it alone understood the often zero-sum nature of politics, where the gains of one class necessarily entail the losses of another. But as that sense of conflict diminishes on the left, it has fallen to the right to remind voters that there really are losers in politics and that it is they— and only they— who speak for them. “All conservatism begins with loss,” Andrew Sullivan rightly notes, which makes conservatism not the Party of Order, as Mill and others have claimed, but the party of the loser.”

But what is loss? It is primarily a feeling. Once elicited, many stories can be woven around it, both hopeful and disempowering, both beneficial and malign. Loss by itself, however, has no inherent meaning.

Loss is a wound, an opening and an openness to meaning. In portraying the listener as the wounded, the rhetorician and storyteller puts the listener in the position of vulnerability and fear. If one is wounded, someone must have done the wounding and so there must be an attacker toward which requires a defense or a counter-attack. The loss points an accusing finger to a thief and a criminal, someone undeserving and dangerous, a taker rather than a maker, a destroyer rather than a creator.

The trickster is as much about what isn’t there, silence as much as sound, which is why loss resonates so deeply here. Loss signifies something and yet refuses to settle on a single significance. It makes us uncomfortable, to sit too long alone in that throbbing ache. We seek to fill the emptiness with meaning or yet more emotion, anger or shame, hatred or longing, or else fill the silence with the sound of speaking, our own voice or that of another.

Loss is elusive, always shifting, hence its trickster quality and reactionary persuasion. We are willing to be deceived by anyone who will tell us what our loss means, who will give us a story to help us forget, if only temporarily.

Lewis Hyde also touches upon this theme of loss in Trickster Makes This World (pp. 287-288):

“Like the heap of stones over a grave, the symbol that stands for a thing that has been lost (not “Krishna” but “Krishna-gone”) belongs to an odd class of symbols. We cannot “read through it” to its sense, because what it stands for is missing. It operates not as a point of entry into meaning but paradoxically as a breeder of multiple meanings. That is to say, when we try to find the sense of one of these “symbols of loss,” we discover only senses that we ourselves bring to it, and we can easily bring new ones each time we approach. (A famous example is Thoreau’s remark in Walden: “I long ago lost a hound, a bay horse, and a turtle dove, and am still on their trail.” A hundred and fifty years after this line was written, what one notices is not that its readers have slowly settled on its true meaning but that meanings have proliferated each time someone looks at it.) Symbols of absent things draw interpretive minds the way the flute music draws the gopis. If multiple meanings are what you want, a lost hound is a better breeder than any real Fido. Krishna erases the mundane, then erases himself, and these removals— precisely because they do not declare— open the field for human beings to spin out endlessly their sense of what has happened.”

A symbolic conflation always points elsewhere, assuming it points anywhere at all. It is an empty signifier, for it can never mean what it claims, can never be as it seems. It sends one’s mind in circles, chasing what is not there, a shadow cast from somewhere else, and like a shadow it is defined by a lack of substance. It is the shape of an empty space, a sense of an absence. It is an aporia in the narrative, an elision between meaning and the meaningless.

I’m always enticed by what is missing, unspoken, ignored. My father’s question attracted my attention not because of some answer it was pointing toward, but because it seemed to point away from something else, maybe another question. That is the same basic reason that has obsessed my mind about symbolic conflation. It feels like there is no end to insights to be mined, for the trickster multiplies meaning. The trickster can always disenchant. Our minds can be freed of the binds that tie us down and tangle up our every thought.

Still, taken at face value, my father’s question is a serious question. Why do I focus on what I do? I ultimately don’t know.

It reminds me of my habit of always looking down as I walk. My father, on the other hand, never looks down and has a habit of stepping on things. It is only by looking down that we can see what is underneath our feet, what we stand on or are stepping toward. Foundation and fundament are always below eye level. Even in my thinking, I’m forever looking down, to what is beneath everyday awareness and oft-repeated words. Just to look down, such a simple and yet radical act.

Looking down is also a sign of shame or else humility, the distinction maybe being less relevant to those who avoid looking down. To humble means to bring low, to the level of the ground, the soil, humus. To be further down the ladder of respectability, to be low caste or low class, is to have a unique vantage point. One can see more clearly and more widely when one has grown accustomed to looking down, for then one can see the origins of things, the roots of the world, where experience meets the ground of being.

This is also of the trickster. One can learn a lot about people by looking at their shit and sifting through their garbage, all that is metaphorically and literally rejected and repressed, tossed away and thrown aside. The greatest of insights are gleaned this way. Those who know shame are given the opportunity to know what gets lost and hidden in the muck of shame. Toiling in the dirt and grime, they can dig up what was buried, now decaying, and in the hole dug they can plant seeds to grow.

Where sun and earth meet is the liminal space of the fertile.

As Hyde explains (pp. 179-180):

“In this world, in trickster’s world, life and death are one thing, not two, and therefore no one gets rid of death without getting rid of life as well. You get no seeds at all if the sunlight is too pure ever to mingle with the muck of the rice paddies. You get no seeds if shit never enters the New Palace. And because there is always a hunger seeking for those seeds, whenever humans or gods move to purify life by excluding death, or to protect order completely from the dirt that is its by-product, trickster will upset their plans. When purity approaches sterility, he will tear a hole in the sacred enclosure and drop a dead pony on the virgin weavers, or strew his feces under the Sun Goddess’s throne. In the Legba story we saw that trickster can create the boundary between heaven and earth, threatening the gods with dirt until they retreat into the distant sky; here we see that once such a boundary exists trickster can abrogate it, importing dirt into the exalted halls until some of heaven’s wealth is loosened and the earth is fertilized, the sun reborn.

“I am, of course, reading this Japanese story rather literally. While it is a nature myth for an agrarian culture (those seeds are actually seeds, and that pile of shit should properly be called manure), the images resonate at other levels as well. If dirt is “matter out of place,” if it is what we exclude when we are creating order, then this and other stories about tricksters and dirt must also speak to the sterility that hides in most all human system and design. The models we devise to account for the world and the shapes we create to make ourselves at home in it are all too often inadequate to the complexity of things, and end up deadened by their own exclusions.”

That is why the world needs skeptics and contrarians. Those who don’t just ask why but also why not. Sometimes the windows need to be opened to let the musty air out and the sunshine in, circulation and merging of the elements. A balancing, a coming to equilibrium.

To play this role, however, is difficult. For the outsider to succeed in forcing change to what is inside is likely to find himself then being on the inside. A window being opened, the opportunity of entry beckons and, with entry, comes promises of inclusion. This is how the trickster transmutes shit into gold, a turtle of the earth into a lyre for a god. And in this is found the secret link between the trickster and the cultural hero, between the bastard child and the prodigal son.

The trickster often finds himself having become domesticated and respectable. The trick of change is as much a trick played on himself as on others. “Such may be the frequent fate of radical change-agents,” states Hyde (pp. 224-225), “to be coopted, outflanked, and contained by the larger culture, to be brought up short of a full apocalyptic reallotment.” He continues,

“But what exactly are the options? A remark by Claude Lévi-Strauss offers a way to imagine the possible fates of those who threaten a group with fundamental change. Lévi-Strauss contrasts two types of societies: “those which practice cannibalism— that is, which regard the absorption of certain individuals possessing dangerous powers as the only means of neutralizing these powers and even of turning them to advantage— and those which, like our own … adopt what might be called the practice of anthropemy (from the Greek emein, to vomit).” The latter eject dangerous individuals; they leave them in the woods, or build special jails to cut them off from the group and keep them isolated. In short, groups can either expel or ingest their troublemakers. The most successful change-agent avoids either fate and manages to stay on the threshold, neither in nor out, but short of that difficult balance the next best fate may be to be eaten, to be incorporated into the local myth.

“Let us say, then, that the Homeric Hymn to Hermes records an incorporation; it is an after-the-fact record of a disruption that has been contained and re-presented as something Zeus “had in mind all along,” not an apocalypse. Trickster’s disruptions are always potentially apocalyptic, but in this case they are converted into manageable mischief. For apocalyptic action, one needs turn to Monkey disrupting the Taoist immortals or to the medieval Loki after whose disruptions the Norse gods are not reborn in Scandinavia but supplanted by Christianity.

“The Hymn is not so apocalyptic and that may be the more common case. It is what might be expected when an outsider penetrates the group: at some point there must be an understanding, a series of compromises that formalize the move, a negotiated living together. In this case the terms are to a large degree set by Hermes, but they do not upset the entire order of things; the order adapts to contain the introject, the foreign thing it has swallowed, and at that point we should divide the “domestication” plot into two forms. It is one thing to submit to an old set of house rules, quite another to enter a house that you yourself have helped to build.”

The reactionary conservative gets assimilated. This is how each generation of conservatives inexorably shifts ever leftward. Over a long enough period, conservatives becomes more liberal than even the liberals of the past.

The ultimate secret of all symbolic conflations contrived by the conservative mind is simple, that there never has been a conservative tradition. The voice of conservatism is but an echo of the liberalism that came before. A reactionary can only rearrange, never create anything new. Yet, in rearranging, the next stage of radicalism is made possible.

The reactionary asking the radical why merely provokes the radical to ask their own questions. These further questions the reactionary cannot answer.

* * * *

By the way, I’m not clearly speaking of absolutely distinct categories. I probably could have explained that better.

I don’t see any reason why a person couldn’t be a radical liberal at one point and a reactionary liberal at another. My speaking of both as liberal was my way of speaking to that possibility. Maybe everyone has the potential for each, and understanding that is our only defense against the extremes.

These are roles more than they are fundamental identities. I wanted to state this more overtly so as to not allow for any confusion.

In talking about my father, the context is a relationship. These roles always exist in particular relationships. As such, I’m only a radical to the extent that I’m relating to someone playing the role of a reactionary, my father in this case. Ditto for what I perceive as my father being a reactionary, a role he is playing in relation to me. These are situational and hence contingent roles, although people have a way of trying to make such roles permanent.

Anyway, it is irrelevant how an individual self-identifies. Labels can be misleading. What is important isn’t that my father prefers the label conservative and that I’ve tended toward the liberal label. There is nothing inherently reactionary or radical in a label.

None of this involves judgement of character. Neither role is morally inferior or superior. These are social realities and must be understood on those terms. They exist only in relationship and only as a singular inseparable dynamic. For me, this isn’t just a dynamic in my relationship with my father, but a dynamic of ideas in my head, what can feel like an internal division and conflict that gets processed by way of an external relationship.

In short, I can’t blame my father for how I experience my father. My response to his question remains my response. My purpose isn’t to objectively prove intentions and motivations. I’m limited to my own intuitive abilities to suss out meaning, an endless process.

These are thoughts I’m playing around with. When the personal is involved, it can make it easier to ground one’s thoughts, but it also can mire one in other kinds of confusions. That is what I was trying to indicate near the beginning of this post, when I spoke of the dynamic between my father and I. It truly has shaped my view of politics. Through this, I gain certain insights, but those insights no doubt have many biases and constraints.

This is the reason I find value in connecting my personal insights to the writings of others, to give me perspective. I’ve been developing these kinds of ideas for many years now. This represents some of my most original thought. My initial understanding arose out of my experience. My later readings have helped to give shape to this understanding.

As my understanding has developed, I’ve come to a more nuanced view of ideology and labels. This post represents one further step in the development of these ideas and insights.

* * * *

As a side note, I mentioned directly above that this is some of my most original thought.

I’m speaking of symbolic conflation. I came to that insight entirely on my own. In fact, I coined the phrasing of ‘symbolic conflation’, as I hadn’t seen it described by anyone else. Lewis Hyde comes close in his use of metonymy, but that doesn’t fully capture my meaning.

The insight slowly emerged from years upon years of discussions with my parents. So much of my political understanding goes back to my family relationships. The original inspiration was a single observation.

A highly emotional and divisive issue of politics is abortion. It has in some ways been the most central theme of the culture wars, connecting together so many other threads in a way that is hard to disentangle.

I presented my parents with the data that countries that ban abortions don’t decrease and, in some cases, increase the rate of abortions. This is to say that on average banning abortions does increase the abortion rate.

This undermines the entire rationalization of the socially conservative position. But my parents were unfazed by this challenge to the heart of their ideological system. I experienced similar refusal to confront these basic facts from other conservatives as well.

By their own logic, social conservatives shouldn’t support banning abortions. Doing so, according to their way of thinking, increases the killing of babies. The only way to protect life is by not making it an issue of shame and fear, by giving women many choices and resources. All of this prevents unwanted pregnancies in the first place and hence prevents most women from even needing to consider abortion.

This is common sense. Yet I’ve never met a conservative who is able and willing to morally and rationally confront this challenge. It hits too close to a nerve. Pull on that thread and the whole thing might unravel.

This is how I came to my original thoughts on symbolic conflation.

Now, having read Lewis Hyde, I realize that it was no accident that I first came to this understanding because of an issue like abortion. It is a highly emotional issue that take the body as an ideological battlefield. An ideology, as some see it, isn’t just about political opinions, but an entire worldview. When ideology is grounded in bodily experience, this creates the possibility of what I observed and what Hyde describes.

Lakoff sees the family as a fundamental metaphor for politics. That seems to be the case, but maybe that is because family relations are so personal and visceral. A mother gives birth to and breastfeeds the child. Parents hold, caress, and at times punish the child. Families live in and share the same physical space.

Hyde points in this direction with some of his examples, such as a mother telling her daughter a story of shame when her first menstration came. As Hyde explains, this is about creating and enforcing social boundaries. The first boundary ever created is the bond with the mother.

In future writings, i’d like to explore the relationship between shame and symbolic conflation.

I’ve recently come to realize how important shame is to so many aspects of human experience and society. I sense that shame might be core to every symbolic conflation. Both shame and symbolic conflation are about wanting to keep something hidden. Or rather shame is the experience of the failure to keep something hidden or the fear that such failure is likely, and that fear will never go away as long as the symbolic conflation is in place.

I’d also like to connect this to my thoughts on race and racism, along with some similar issues related to our collective past of colonialism, slavery, and genocide. Specifically, I’d like to connect this to my thoughts on the perplexing issue of simultaneously knowing and not knowing. The study of ignorance, agnotology, would also be the study of what is hidden, both to public and private awareness. All of this connects to ideas I first came across in the writings of Derrick Jensen, ideas about the victimization cycle, silencing, dissociation, splitting, doubling, etc.

Shame is the one of the most primal defense mechanisms. When I see shame in operation, I know something of the greatest of importance is being protected. People will kill and die for shame.

In thinking along these lines, Hydes book reminds me that with shame we touch upon the sacred. This is at the heart of what it means to be human. It isn’t just about conservatives and the conservative moral order. I wish to tread lightly, for we are all implicated.