As blog readers will recall, the museum – aka Chawton Cottage, the house where Austen wrote or revised all six of her completed novels – launched the quilt project last year to mark the bicentenary of Austen’s death. The design was inspired by one of the treasures of the museum’s collection, the Austen family coverlet stitched by Jane, Cassandra, and their mother.

Combining creativity and traditionally female needlecraft, the quilt project strikes me as a charming and appropriate way of paying homage to Austen, a creative artist embedded in a female-run household. (Plus she was an excellent needlewoman, at least according to her nephew's 1870 Memoir of Jane Austen.)

The main quilt, known as the Jane Austen Community Story Quilt, measures more than eight feet by five feet and consists of fifty-seven blocks, most of which illustrate some aspect of Austen’s life or work. The second, smaller quilt, known as the Admirals’ Quilt, is composed of abstract geometrical blocks left over from the making of the main quilt.

Unfortunately, the museum blog doesn’t include closeups of every block in the Story Quilt, but from what I can see via blurry on-line zooms, among the designs are blocks featuring the Steventon church where Austen’s father was the minister, the turquoise ring she wore, and the spines of the novels she wrote. A large central panel, created by students from the local elementary school, highlights the community of Chawton, complete with houses, trees, and a friendly horse. (You can get a better look at portions of the quilt here, on the blog of quilter Katrina Hadjimichael, who created one of the blocks.)

Both quilts will be on display at the museum for the rest of this year, and the project has been memorialized in a book, Stories in Stitches: Reimagining Jane Austen’s Quilt.