A whole host of clips from The Great Gatsby have been released over the weekend, giving a further glimpse into this gorgeous film. Watch a clip featuring Carey as Daisy below, and watch the rest over at Trailer Addict:

A third trailer for Carey’s upcoming film The Great Gatsby has been released today, showcasing more of the intricate relationship between Carey’s Daisy and Leonardo’s elusive Jay Gatsby, as well as some of the music we can expect to hear on the hotly-anticipated soundtrack. Watch the trailer below, and view HD sceen captures in the gallery.

We had a bit of a problem with the old Video Archive, so I have just finished creating a new one which looks slightly nicer than the original did! I have re-added all the old videos, and have started added some new clips. First up is Shame – due to the content/language, there are only two short clips, but one of them is the full 5-minute rendition of Carey singing New York, New York. More on the way, so stay tuned!

In the last year, Carey Mulligan appeared in two much-admired movies, “Drive” and “Shame,” and gave an acclaimed performance in “Through a Glass Darkly,” a stage adaptation of Ingmar Bergman’s 1961 film. But before that run, she hadn’t worked for nearly a year, disatisfied with the scripts she was receiving. “Everything seemed exactly the same as stuff I’d been doing,” she told the Bagger recently.

Since her breakout turn in “An Education” in 2009, Ms. Mulligan has played a lot of characters who have a sense of desperation – if not despair — and Sissy in “Shame,” directed by Steve McQueen, certainly fit the bill. But Ms. Mulligan saw another side of her.

“She’s hopeful,” Ms. Mulligan said. “She sort of reminded me of me in that respect. She keeps on getting knocked back and she keeps trying. She never sees that her life is limited, she doesn’t know that she’s not talented enough to be a singer, or to be an actress. That’s how they rang similar to me, that’s probably why I was so drawn to thing.”

She laughed. That striving, she said, “bears repeating in all of my work.”

Here, Ms. Mulligan talks to our colleague Charles McGrath about “Shame,” acting in theater vs. film and her attraction to characters on the verge of madness.

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