In 1969 Bernardo Chavez Rico created his first electric guitar. This set into motion the company that wouldbecome B.C. Rich Guitars

Whether its the hands of a sculpture, the pen of a writer, or a voice of a singer, the ability to shape an artistic medium contributes wildly to the captivating nature of art. Nowhere is the impact of shape more relevant than in the history of B.C. Rich, an all American guitar company. Like any successful company, the founder, Bernado Chavez Rico, had a strong personal connection with his product, a connection which helped him to understand the colossal significance of shaping both tone and design in modern day music. As a celebrated Flamenco and Classical style guitarist, Bernie’s knowledge of the extreme degrees of tone, playability, and uniqueness demanded by top notch musicians from their instruments certainly played a consequential role in developing what would become choice company of Aerosmith, Slayer, and numerous other players. But famous clients such as these are not how B.C. Rich began; no, it began instead in a cramped workroom in East LA. Read more

B.C. Rich Mockingbird Series (January 15, 2009) — Today we’re going to take a look at B.C. Rich’s renowned Mockingbird guitar series and we’ll throw in a Doubleneck Rich Bich just because they are so damn cool.

The B.C. Rich Guitar company continues to evolve and deliver high performance guitars and basses with stunning style. From handmade custom guitars to affordable standard import series guitars, B.C. Rich has the right guitar at the right price for every player. Read History of B.C. Rich Guitars. Read more

Kerry King and Jeff Hanneman’s paint-splattered Gibson Les Paul Standard and BC Rich Mockingbird have much to answer for. After all, they’re the axes that helped launch Slayer’s now infamous legacy of brutality. “That Les Paul was defiantly my first real guitar,” recalls Jeff Hanneman. “I had a couple of clunkers before that but nothing that really played that well or even stayed in tune. I bought it off a friend for $500, I’m not sure when it was made but it was in great condition when I first got it. Since then I’ve pretty much beat it to hell,” he laughs.

“I put a Seymour Duncan pickup in the bridge position—I can’t remember which on but it may have been a Distortion,” Hanneman continues. “I had a Kahler tremolo put on her, too. Actually, the guy who put it in for me was the first guitarist in Megadeth, Chris Poland. I think he did it for 50 bucks! To do the paint job I taped up the pickups, dipped a stick in some red paint and just splashed it on there. I think I screwed some chains on her for awhile, too.”

Hanneman’s Les Paul appeared on both Slayer’s debut, Show No Mercy (1983), and the Haunting the Chapel mini album (1984). “It might have showed up on a couple of songs after that but I retired it before Reign in Blood (1986),” he says. “Like I said, I’d pretty much beat it to shit. I used to drop it on stage and let it bounce and I’d drag it across the stage by the lead too. I think it’s still playable but the neck is pretty tweaked!”

“My dad got me that ’77 BC Rich Mockingbird when I was about 16,” says Kerry King. “That was before strap-locks were real popular, and one time it just fell down and broke the headstock right off. I didn’t know what to tell my Dad! I was like, ‘Oh man, I might just as well move now, because I’ve got a gun shot coming to my head! He was cool about it, though, and we took it to the BC Rich factory to get it fixed. They put three rods in the neck where the head broke off, and we had it painted red too. It was natural koa wood before that. Had I known how cool the guitar was at the time, I’d have probably never had it painted.”

Like Hanneman, King had a Kahler whammy system added ti his guitar but left the pickups alone. “I’m pretty sure they’re the stock DiMarzios it came with—probably a Super Distortion [bridge] and a PAF [neck].” Also, like Hanneman, Kerry added his own personal touch to the axe. “I don’t think I did mine because Jeff did his, but it’s so long ago I don’t remember,” he laughs. “I got a little eight-ounce can of black paint, stuck a drum stick in it and dribbled paint all over the guitar—very musical!

“I used it on Show No Mercy, Haunting the Chapel and Hell Awaits (1985). I might have also used it on some Reign in Blood, but by then it was pretty much retired and replaced by a [BC Rich] Warlock.”