I wish / (Next to my part of Heav'n) that she would spend / The last part of her life so here, that all / Indifferent judges might condemn me for / A most malicious slanderer, nay, text it / Upon my forehead

2009, Lain Fenlon, Early Music History: Studies in Medieval and Early Modern Music[1], Music, Cambridge University Press, ISBN 9780521746540, page p. 223:

The basic plan is simple. For the first two phrases the texted line is above the untexted; for the next two, bring us to the midpoint cadence, the texted line is for the most part lower; and the in the second half the texted material starts lower, moves into the upper position and finally occupies the bottom range again.