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Sunday, 18 March 2012

Noshi Gilani the Most Renowned Female Urdu Poet Today

Noshi Gilani (نوشی گیلانی ) (born in 1964 in Bahawalpur, Pakistan) is an Urdupoet of international fame and a former academic from the Bahawalpur University, Punjab Pakistan.

She is one of the leading Urdu poets in Pakistan and has successfully published five collections of poetry.

In 2008, her poetry was translated into English and her poems were read in the UK, with the Poetry Translation Centre's World Poets' Tour.

She hosted a tribute to folk singer Pathanay Khan, sponsored by the Pakistan National Council of the Arts (PNCA).

Personal Life

Noshi Gilani settled in San Francisco USA in 1995 but after her marriage to Saeed Khan she decided to move to Australia. She married Saeed Khan, an Australian-based Urdu poet on 25 October 2008 and they currently reside in SydneyAustralia. It was reported by her mother Mrs. Sarwar Gilani Sahiba, a professor of Urdu and Persian languages and literature, died in Bahawalpur, Pakistan.

بہ احتیاطِ عقیدت بہ چشمِ تر کہنا

!صبا حضور سے حالِ دل و نظر کہنا

حصارِ جبر میں ہوں اور یہاں سے بھی ہجرت

مَیں جانتی ہُوں کہ ممکن نہیں مگر‘ کہنا

میں خاک شہرِمدینہ پہن کے جب نکلوں

تو مُجھ سے بڑھ کے کوئی ہوگا معتبر کہنا

یہ عرض کرنا کہ آقا مِری بھی سُن لیجے

بحبز تمُھارے نہین کوئی چارہ گر کہنا

مَیںاپنی پَلکوں سے لکھتی ہُوں حرفِ نامِ رسُول

مُجھے بھی آگیا لکھنے کا اُب ہُنرکہنا

یہ کہنا اب تو ہمیں تاِب انتظار نہیں

کہ ہم کریں گے مدینے کا کب سفر

کہنا

Works

The candour and frankness of her highly-charged poems is unusual for a woman writing in Urdu and she has gained a committed international audience, performing regularly at large poetry gatherings in Pakistan, Australia, Canada and the US. Unknown outside the Pakistani community, the translations here mark her introduction to an English-speaking audience.

She is a member of younger generation of female poets. Her experience of living in US shows a notable impact on her significant number of poems. Living through Diaspora has increased the complexity of her poems and reinforced her sense of female identity and introduced a new revolution against restraint creative writers in Pakistani society.

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