Contents

Mr. Mike's Mondo Video was originally produced on videotape as an NBC television special that would have aired in place of Saturday Night Live during one of its live breaks. Because of the film's racy content (and in the wake of a ratings slump they were experiencing), NBC declared it inappropriate for the network and canceled it.[citation needed]

Shortly thereafter, independent studio New Line Cinema acquired the rights to Mondo Video, converting the videotape master to 35 mm film for theatrical release. To pad the program to feature length, filmmaker Walter Williams created a special Mr. Bill Show episode, combining footage from his past Mr. Bill shorts from SNL with new wraparound scenes, to present at the head of the film as a short subject.[citation needed] Co-writer Mitchell Glazer states in the DVD's audio commentary that many other scenes were added to pad the film's runtime to the required 90 minutes for theatrical releases.

The film would eventually be seen on television, albeit on pay cable and syndication, with several cuts, such as the non sequitur "Dream Sequences."

The film is largely plotless; a series of vignettes linked together by interstitial pieces featuring Mr. Mike discussing how upsetting and odd the sequences are. He introduces some of the pieces via voice-over, and some open with no introduction.

Sequences include:

Aykroyd displaying his webbed toes which he prodded with a screwdriver to prove they were not make-up.

A church that worships Jack Lord as the one true god (also featuring Dan Aykroyd).

A French restaurant that prides itself on how poorly it treats American patrons.

"Dream Sequence" — a series of surreal film pieces bracketed by large light-up signs reading "Dream Sequence" and "End Dream Sequence" that track towards and away from the camera. One of these is merely performance footage of Klaus Nomi, while another features home movie footage shot by Emily Prager intercut with stop-motion animation.

Jo Jo, The Human Hot Plate — a quick cutaway to performance artist Robert Delford Brown, smiling, undulating and dressed only in a pair of briefs while holding canned spaghetti in his cupped hands.

The presentation of a classified government weapons project, "Laserbra 2000". This piece is the last of a triptych of sequences that chronicle attempts to obtain the classified footage. In the first, the film (secreted in a violin case) is in fact someone's home movies; in the second, the violin case contains a violin. National Lampoon writer Brian McConnachie appears in the footage as a scientist.

Short films made by other directors:

"Cleavage" by Mitchell Kriegman — closeup of a hand working its way out from (what is implied to be) between a large pair of breasts, feeling around gently, realizing where it was, and working its way back in.

"Crowd Scene Take One", by Andy Aaron and Ernie Fosselius — purports to be a director guiding background actors for a disaster movie scene.

Mondo Cane features the hit song "More" (which was initially an instrumental song with words added later), sung by crooner Julius La Rosa. In Mr. Mike's Mondo Video, O'Donoghue and writer Emily Prager (who also act in the film) take the instrumental song "Telstar" by Joe Meek and add lyrics to it, creating "The Haunting Theme Song," also sung by La Rosa. The song is sung in English during the opening credits, and in nonsense Italian over the closing credits.

Mondo Video features Sid Vicious performing the classic song "My Way" from The Great Rock 'n' Roll Swindle, which had not yet been released in America at the time. On the initial Pacific Arts home video release, the audio is muted before Vicious begins singing. A crawl appears onscreen explaining that the owners of the song's copyright wouldn't permit audio of the performance to be included on the tape: "It wasn't a case of money," the crawl explains, "They wouldn't even discuss it." The sound returns when the performance switches to a heavy punk rock guitar riff, and Sid pulling out a gun, firing (presumably blanks) into the audience, flipping them the bird, and walking off.

The muted audio and explanatory crawl are carried over on the 2009 Shout! Factory release, despite the fact that the Sid Vicious version of the song can be seen and heard, in its entirety, in the DVD release of The Great Rock'n'Roll Swindle, also released by Shout! Factory.[citation needed]