Intro: Into the Future from the new Time Machine album
Damokles’ new 14 track album Time Machine
The Time Travel Theme; Back to the Future
Creating synth music since the 70’s
Influences including Kraftwerk
Favorite songs including Yazoo’s Don’t Go and Don’t You Want Me? by the Human League
Experimentation with synthesizers in the 80’s
Being a DJ in the 80’s and how DJ culture has evolved
Working as a piano bar entertainer
The New Retrowave genre and how it is different from original 80’s synth music
Industrial music
The future of electronic music, the mainstreaming of synthwave, and the need for an alternative to mainstream pop
The pros and cons of producing music online without large corporations
Cinematic influences; sci-fi and horror
The illustrations for the albums
80’s Retrofuturism
Visions of the future and how humans are becoming cyborgs

Robert Stark and co-host J.G. Michael talk to filmmaker Jared C. Shumate about his upcoming horror comedy film Last Night Out which is set to be released on Halloween and will be available to view online. Check out the Facebook page for Last Night Out, the Official Trailer, and the poster which is available on the Facebook page.

Topics:

Intro: Jerry Galeries’s In For A Long Night which is used for the film and trailer
The basic plot
The horror genre
Dark Comedy with some slapstick thrown in
Jared’s influences ranging from Wes Craven’s Scream to Scooby-doo to David Lynch
The 80’s theme, the New Retrowave genre, and how the music influenced the film
The filming location in North Wilkesboro, North Carolina, the abandoned lingerie factory, and the surreal atmosphere of forest and ghost towns in North Carolina
The special effects
The actors and characters including a group of teens and two drifters
The plan for a feature length version which might introduce a supernatural element
Jared’s short thriller, The Ramifications
Jared’s Film Noire set in 1946, The Picture Room
Jared’s screenplay, “Otto” which is based on the true story of the outlaw Otto Wood

Robert Stark, Sam Kevorkian, and J.G. Michael talk to Illustrator, Photographer, Video Game Designer, and Musician Jody Coombes. Check out his music under the label Star Noir on Facebook and bandcamp, and his photography and illustrations on Flickr.

Topic:

Working on video games including Call of Duty and Need for Speed
Cyberpunk games such as Shadowrun and Beneath a Steel Sky
The New Retro Wave and Darkwave genres
The Cyberpunk genreHow To Make Synthwave Retrowave with Timecop 1983 in FL Studio
The visual component in making Synth music
Jody’s first EP Psycho City
Jody’s first-ever gig in London at the Retro Future Fest
Jody’s illustrations and 80’s Retro-Futurist aesthetics
80’s Action and Horror films
80’s Video Game Arcades; London Trocadero
The new series Stranger Things and the film Drive
Jody’s photography of locations including the UK, New York, Tokyo, Hong Kong, and Nova ScotiaSinofuturism
“Design is not art….. Design is an exercise in psychology”Robert Stark’s Paintings which fuse Retro Futurist genres
Transhumanism, Automation, and the Basic Income
The Pilot project “Lost Future” about a man who lost his future
Upcoming projects and performances

Pilleater’s article Introducing The Alt-Left
The core basic principles of the Alt Left; Friends, Family, and Freedom
The Alt-Left as starting over again at year zero and replacing everything know as “Left-Wing” such as the Frankfurt School and Postmodernism
If an “Alt-Left” scene is to grow then it can’t fall under the same corrupted and immoral nature of the current “Left-Wing” we have today
Is there room for Identitarianism in the Alt-Left in a future after the postmodern world?
Pilleater denounces the Alt-Right after the failure of the Unite The Right rally in Charlottesville
The Alt-Right as a clusterfuck of misguided LARPy teenagers and intersectional “Identitarians”
Why the Alt-Left will not be hostile against the right wing but will be critical of the trad-fetishization and the close-minded conservative issues they radically uphold
The Alt-Left is about ending the spiritual war between “Left vs. Right” and plans to create a movement that is against dictionary definitionsBrandon Adamson’s AltLeft which started as the Left Wing faction of the Alt-Right
Avant Garde Culture such as Jim Goad’s Answer Me!, Adam Parfrey, Boyd Rice, Death in June, Xiu Xiu, Trevor Brown, and Peter Sotos
Brandon’s Adamson’s 60’s Mod Aesthetic and Pilleater’s “Asian Aryan” Anime AestheticSTEM Supremacy and Kitty Bobo
Comedian Sam Hyde

Intro: Nefarious from the Album EgoWhore by HoodooEngine which Jamie co-produces and does bass and rhythm guitar for
The main thrust of Narrative Machines is the way in which myths function in our lives
How the conflict with our longing to connect with the sacred leads to seeking re-connection in the form of reified ideology in the current “Meme Wars”
Jean Baudrillard’s book Simulacra and Simulation
The concept of hyper reality and how social interactions are mediated by social media
Post Modernism and Deconstructionism; skepticism towards all ultimate truthsHobbes vs. Rousseau: the debate over human nature
Jamie’s illustrations in Narrative Machines
The Artist David Mack
Aesthetic theory and how artist can affect the world politicallyInterrogation Machine – Laibach and NSK
Aleksander Dugin, Nick Land, and Neo-Reaction
The relation between myth, retro-aesthetic creative movements like vaporwave, and the current cultural climate
The 80’s Retro themed show Stranger Things
The aesthetics of Horror and horror writer Thomas Ligotti
Surrealism and connecting to the sacred or primal force
Jamie’s book Join My Cult!, occultism, and Aleister CrowleyDavid Bowie Inspires Jamie’s Upcoming Book, “Masks”
Yukio Mishima’s Confessions of a Mask
Jamie’s involvement in the goth industrial music scene of the 90’s and 00’s
The ways in which virtual reality, myth, and “the real world” have collided
Alternate Reality Games, the film The Game, and playing with peoples perception of reality through media

Intro: The Northern Lights – Falling (feat. Lucy Black)
The Black Lodge and it’s theological and occult symbolism
The 80’s quality of the original Twin Peaks, the 50’s nostalgia theme, and David Lynch’s interest in fusing genres
Lynch’s emphasis on visual aesthetics in his films
How Twin Peaks was inspired by the Film Noire Laura (1944)
How the new series makes references to other Lynch films such as Blue Velvet
Contrasting the portrayal of the town Twin Peaks in the new series to the original; Richard’s visit to the town of North Bend, Washington where the show is filmed
Lynch’s portrayal of small towns; the idealism of small towns vs. the critique that there is a dark underbelly to small town America
Demonic possession vs. symbolism of the monster within
Cooper’s Doppelgänger, Agent Cooper becoming Dougie Jones who has lost his memory, and whether he will come back
The theme of powerful entities trying too tap into the Black Lodge and how that will become the main narrative
The theme of “Sex Magic”
The film Mulholland Drive and how it was originally intended to be a sequel to Twin Peaks about Audrey Horne
Lynch’s political views and his interest in Transcendental Meditation
How Twin Peaks touches on a variety of themes including culture, politics, the subconscious, sex, psychology, philosophy, mythology, and religion
Kyle MacLachlan and David Lynch as FBI Agents
The prediction that Cooper will return to Twin Peaks and end up in the White Lodge at the end
The role of the side characters in the new series such as Dr. Jacoby, Ben Horne, and Shelly

Robert Stark, Pilleater and J.G Michaels interview EN ESCH. En Esch was an original member of the pioneering industrial band, KMFDM. He is also in his own band, Slick Idiot, and toured with Pigface. En Esch’s recently released a new album, Trash Chic.