Category: Beloved Dead

I came across this movie on Netflix and the description was intriguing even though I’m not generally one to be intrigued by documentaries. This one hit all of my points of things-I-find-comfort-and-use-in. Artist me! Witch Me! Community Me! The Dead Me! Ancestral Healing Me! Philosophical Me!

It is a portrait of one privileged fallible authentic Chinese woman as she struggled to find the place that her passions intersect with humanity. So worth watching, even if you disagree with how she decides to engage that intersection. I am happy to have seen it.

I was inspired to take photos of my ancestor altar by a post by Amoret. Apparently the ancestors wanted things to stay a bit in your imagination because the photos are blurry. Aren’t They a hoot?

By my best calculations I started this altar 15 years ago. I may be off a year, but because of where I had it set up at the other house I believe it was 2001. Eh, close enough, yes? It was my first ever altar (later were deity ones), and since it was put up it has remained up, from the last house to this house. It contents have grown over the years.

The first photo is the whole corner. The piece of furniture is a vanity from IIRC the 1930’s that I acquired along with some other pieces still in use in this house from my boss’ estate. He was the owner/boss at my first job that wasn’t babysitting.

This second photo is dad and grandad casket flags, and underneath it is a framed saying about family. To the left is a mask my mum purchased in Mexico when she was in her early 20’s I think, so early 1950’s. To the right is a green ceramic cone that has sand in it and is used to burn incense.

On the wall to the left is a picture frame with some of mum’s ancestors and the Baron’s hat hung on a candle holder.

The top of the vanity has a folded white tablecloth from my parents’ wedding gifts. This cloth is a recent addition, about a year ago. Candles, a chalice of water, cornmeal, photos in frames (with an always empty slot – for future me), anointing oil, my blessings oil blend for the candles, and the brass container housing graveyard dirt (thanks Mum!) are some of the items. There are various other mementos spread about on top and in the drawers underneath. I periodically change out some of the mementos on top.

On the stool underneath are 2 casket crosses (mum’s and dad’s), 2 photo albums, and a genealogy book.

Prayers, self-anointing, requests, water + candle blessings, thanks and reverence all occur here at various times. Do you have a place, altar, or practice for your ancestors? I’d love to hear about it!

I’ve been meaning to “note this somewhere” and here is as good as any place, yes? Starting about mid-August I’ve noticed unusually active spirits, sprites, Beloved Dead, and various other flitting-about Energies. Generally these are always around, seen when looking, and more easily visible as the veil thins towards Samhain. But this year, this year, they are early and active, like whoa.

It has been a distraction especially while driving. They are not fluttery wisps, they are dense and quick. So much so I’ve been reacting as if pedestrians are about to rush in front of my car. It is quite unnerving when I’m behind the wheel. I cannot fathom what it’s going to be like once we’re at Samhain, but I’m rather excited to find out. Hail our (often) Unseen!

It can be easy for me to fall into a rut with what Work I expect from which God. This is based on past experiences, trance with them, and their standard associations. I put Them in a box. They like boxes as much as we do, which is not at all, as boxes tend to suffocate, no matter how delightful.

Yemaya has Her box in my head. It’s a lovely one with salted waters flowing through the bottom, brilliant beige sands on the left, and plush greens on the right. Stars whirl and flash hot across the top and the walls are bright colours with art made of discarded seashells. The soundscape is a hearty mix of ocean waves, lapping brooks, birdsong, and music that carries the rhythm of my blood pulsing to my heart. The smellscape is sweet tangy flowers, brine, and the sensuous odour of Love. All of creation she holds in her hands, her heart, her womb. Her feet leave seeds of renewal with every step of the dance. I love her box. She does, too, but, it is still a box.

Yemaya wants to come to Medusa camp in July. I’ve had other Goddesses and Gods surprise me with which events they wish to attend with me, eschewing their boxes. I guess at Who wants to travel for a gathering and then They tell me yes or no, while Others jump in demanding to be taken. Hel wants to come to Medusa camp this year. Of course She does! No surprise! Death is a big piece of this story. And …. so is life. Hel is always reminding me of her left side, the living flesh side. It’s amusing, because I know, I know, and yet She whispers in my ear, “Life feeds on death the same as death feeds on life.”

I should have suspected something big was coming with Yemaya when she insisted a few months ago that her shrine be moved to a more prominent place and she wanted more attention. Both have occurred.

I have a long time online friend who has started looming ask if I wanted a rainbow cloth/altar scarf for my Work concerning the Orlando massacre in a gay club on June 11th during Latinx night. My energies and spellwork are for the Beloved Dead and for healing and justice for the LGBTQA++ going forward. My friend asked what Powers and Gods with their associated energies did I want to pull in. Yemaya lithely jumped to Her delicious feet, stopped her dance of the heavens, turned full face to me, and said with somber eyes plus a firm tone, “ME”. (Others desired to lend power to this project, but Yemaya was first.)

My friend weaves magic into her work with the loom. To be quite honest, she weaves magic into everything. For her newest Art of looming she has a lovely process of calling and weaving which you can read about here. My cloth is near done. As my friend was weaving Yemaya stepped in, speaking Her expectations of me for this Work. These messages have been passed on to me. She is coming to camp, and to other events in the future, for this Work, for this Magic. Beautiful as it is, a box is constricting, and the Gods will not be limited. Nor should They be. They expect us not to limit ourselves, either. Ashé.

I have “reasons” for the colour candle I light for the newly dead, but the most significant one is “because I was told to” by whatever name you call the Universal Is. So it is orange candles for the newly Beloved Dead created by a bigot in Orlando, FL, in the wee hours of yesterday morning. Orange is for the transition, for the time immediately after physical death leading into the next phase. It is for the soul, not the body. It is for their essence, not their loved ones. There are many rites for those left behind, my work is for the ones departed.

I will be reading the names of these Beloved Dead, every day, until all are laid to rest by their loved ones. Then I will read them a final time for this working. And candles – lots of candles, as I do this part of my Job.

Hel wants in on this work, is full of deep sadness, but only can watch from the sidelines knowing those folks died in battle, and therefore aren’t Hers. Hel gets a candle for holding Her compassion.

There is other work, too. Odin wants in on this Work. He is requiring only a single jar candle, and a listening heart for what comes next.

Magic is being organized locally for a public call to justice and change.