Tag Archives: Sincere Sheep

Madrona was, as always, a magical experience. This was my first time teaching there. My blocking class was full, and my students came ready to learn about swatching, washing, and blocking all the knits. It was fun!

I took two classes, but I’ll write about them in a later post because I’m using new knowledge from both classes on a little project, and I want to put all of it together for you. Curious? Watch this space! This post is about everything else. To tide you over, here’s a link to the class I took with Evelyn Clark last year.

Last Wednesday I was packing for Madrona, and I caught myself thinking, “Don’t buy any more fingering weight yarn.” (The bin is full.) And then I heard myself say out loud, “Unless it’s gradient!”

So apparently I had to buy some gradient yarn. This is from Sincere Sheep. I bought just the gradient on Thursday, and the next day went back for a coordinating solid. And two days later I found myself buying beads from Bead Biz to go with them! This will be a fun design project.

Janine Bajus was our speaker on Friday night. Very inspiring. As she wrapped up her talk, I was compelled to write down these 3 ideas, plus the big question.

You get to do what YOU want.
There is no one right way to do it.
You won’t know if it will work until you swatch.

What is holding you back?

I chatted with her on Saturday about her strikingly beautiful shawl, which actually isn’t finished yet. She wore it on Friday, the steek cut but not edged. Holding just fine! Now that I think about it, it would be cool to leave it that way, as a representation of the journey.

I met glass artist Carol Milne. She’s well known for her knitted glass sculptures. Her current project is a glass entrelac dress. Glass entrelac? Yes. She knits the squares with wax cord, and makes a clay molds which are used to make the glass pieces.

New buddy Pamela Grossman tried on the beginnings of the dress. Pretty cool! You can sponsor a glass entrelac square, and when the June exhibit is over, Carol will send it to you. I want one! Check out her Facebook page for details. (It’s not up on her website yet.)

What else? I had a fabulous hotel room with a great view. And a fainting couch! I brought Minerva, my GS Mini, as a diversion. Last week when my #BangOutASweater gauge swatch lied to me, I started writing lyrics in my head. It’s to the tune of Blowing in the Wind. I’m sharing them with you here. If you use them anywhere, please credit them to me. And yes, I used the singular “they.”

Knitter’s Lament
Michele Lee Bernstein, PDXKnitterati

How many times must a knitter cast on
Before the swatch doesn’t lie?
How many swatches must one knitter frog
Before they break down and cry?
How many swear words will one knitter say
While knitting the umpteenth try?

The answer my friend, it’s all about the gauge
The answer is all about the gauge

How many binges must one knitter watch
On Netflix, to finish a sleeve?
Second sleeve, second sock, second mitt, second cuff
Our boredom must be relieved
How many times do we itch to cast on
Before our ends have been weaved?

The question my friend: What’s next in the queue?
What project is next in the queue?

How many times have you given a gift
And were told, “But wool makes me itch”?
How many gifts have been tossed in the wash
To felt, and shrink each precious stitch
Yes, but how many times have you given a gift
And seen the lives you enrich?

The answer my friend: It’s for the love of yarn
We do it for the love of yarn.

How many ways can a knitter make socks?
Up from the toe… Or down from the cuff?
How many ways can we learn to cast on
Before we know all the stuff
How many classes will we knitters take
Before we call it enough?

The answer my friend: It’s time to confess
At Madrona, we are obsessed.

As you can see, I had a fun time at Madrona! I’m knitting away on the little project I want to show you, using Latvian braids (from Beth Brown-Reinsel’s class) and speed swatching and proportions (from Franklin Habit’s class). Stay tuned for a class review! Here are a couple peeks out my window while you’re waiting…

I’ve made a last minute decision to go to the TNNA show in Columbus. TNNA is the National Needlearts Association, and this is the their big summer trade show. Why go? I have two designs featured in Sample It, the shopping feeding frenzy for LYS owners the evening before the show opens. Yay, me!

Knitted Wit (Lorajean Kelley) is featuring my Thrumbelina Thrummed Slipper pattern in a kit with her worsted yarn and roving. This would be a great project for a class. I know; I’ve taught it a few times!

And Sincere Sheep (Brooke Sinnes) is featuring my Pointer Mitts and Hats pattern with her DK weight Luminous yarn. (These pictures are not the kit yarns, which I haven’t seen yet…)

I said to LJ, “I want to go!” And she said, “Come along!” How could I not? I’m really lucky to be working with such wonderful talented independent dyers, and to have a chance to go to the summer show. I’ll show you all the fun as we go.

I made another last minute decision on Saturday. I bought an iPad! My very slow laptop is making me crazy, and I’ve been coveting DH’s iPad. I bought my iPad to have an easy way to have a portfolio of my work with me, and also to blog from. I bought a little Logitech Ultrathin Keyboard/cover for it, and it’s pretty comfortable to type on. Most of this post is being typed on it. The only issue I’m having with this post is that I haven’t figured out the best/easiest way to insert pictures yet.

In other news, my Raspberry Vodka Lemonade is moving right along. It will be take-along knitting; I don’t think it will be done by Thursday. Too many things to get done before I leave!

The first {Among Friends} club shipment has gone out, and now I can show you what I’ve been working on. If you’re waiting for your shipment and don’t want to see, come back later.

This is Pointer, a fingerless mitts and hat set worked in DK weight yarn.

The design began with the mitts. I knew I wanted to use this sweet loop stitch that I learned in Gayle Roehm’s “Designing with Japanese Stitch Dictionaries” class at Sock Summit. But straightforward columns of loop stitch would be boring, so I graduated the columns to echo the fingers on a pointing hand. I tried a couple different thumb treatments, and this is the one I liked best.

I still had a lot of yarn left after the mitts were done, so I decided to add a hat. I’ve been eyeing berets for a while; it seems like they’re more wearable than other hat styles for me. I don’t like to hide all my hair; it makes me look like an egg! Berets solve this problem by sitting back a bit.

Isn’t it amazing what a good blocking will do? Here are two berets, one before and one after blocking.

For those of you who like a more traditional hat, that option is here, too. I love the loop stitch, so I featured it on the hat band as well as the body of the hat.

I’m really pleased with this pattern, and pleased to be the designer for the launching of the {Among Friends} Yarn and Fiber Club. This club is the collaboration project of Lorajean Kelley (Knitted Wit) and Brooke Sinnes (Sincere Sheep). You can find more information on the pattern on the Pointer Mitts and Hats pattern page. Thank you to my friend Bobbi for modeling!

In the excitement of the launch, I forgot that I had signed up for the club, too. My package came yesterday. Brooke is the dyer for the first club shipment. Her DK weight yarn, Luminous, is 85% Polwarth Wool, 15% Tussah Silk. The color this month is Damson Plum, and it is luscious.

Because I signed up early for the club, there was a special treat included. These stitch markers are lovely!

And clearly, I already have the pattern for this month. I’m currently finishing a pair of mitts in Orchid to match the beanie hat. I have my Azulite and Beaujolais beret and mitts sets in Lorajean’s DK already (same yarn base). What should I knit with Brooke’s yarn? I’m not sure I need another set, but I do love knitting with this yarn base!