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The Mill joined forces with J. Walter Thompson Atlanta to create a fully CGI spot for the United States Marine Corps titled Anthem. Directed by The Mill NY ECD Ben Smith, 'Anthem' celebrates the past and inspires the future through a series of epic moment

To infinity and beyond! Enjoy one of the most iconic scenes from Toy Story played side by side with its script. Visit Disney Movies Anywhere for more! https://www.disneymoviesanywhere.com/ Facebook: https://www.facebook.com/Pixar Instagram: https://www.in

To celebrate its 2018 VFX Academy Award and VES nominations, go behind the scenes of Blade Runner 2049 with Rhys Salcombe, CG Supervisor @ DNEG. Discover how some of the film’s most memorable scenes were created, learn how the futuristic and devasta

Next up in our #20YearsOfDNEG Breakdown series is the wonderful Fantastic Beasts and Where To Find Them, for which we built a jazz age NY, conjured up magical flying creatures and brought to life the menacing Obscurus! #20yearsofDNEG, #Breakdown, #VFX, #C

The Mill once again teamed up with DigitasLbi on the second installment of the campaign for PlayStation’s "God of War" game. Learn more: http://www.themill.com/portfolio/3957/god-of-war%3A-the-dead-stone-mason Follow @Millchannel on Twitter, Faceboo

The Mill was recently commissioned to create an original art piece for the 2017 Day For Night festival. The result was a large-scale projection entitled UPROAR. This piece, which pays homage to the resilience of the people of Houston, simultaneously visua

Lead by VFX Supervisor Jessica Norman and CG Supervisor Max Wood, MPC’s team completed more than 500 shots for Exodus: Gods and Kings. The varied work included huge crowds, massive environments and complex FX work across 10 different scenes posing a

MPC’s team lead by VFX Supervisors Sheldon Stopsack and Patrick Ledda worked with directors Joachim Ronning and Espen Sandberg and Production VFX Supervisor Gary Brozenich to craft effects including epic ship battles, Captain Salazar and his motley

Dive in to the twisted world of VFX Sports. MPC’s trailer for VFX Festival 2018. Directed by our very own Antar Walker. Music and sound by Zelig Sound. Production: MPC Design: MPC Director: Antar Walker Executive Producer: Jonathan Davies Music and

Ant-Man joins forces with the Wasp on an urgent new mission to uncover secrets from the past. Catch Ant-Man and the Wasp swarming in a Dobly Cinema near you July 2018. SUBSCRIBE NOW: http://bit.ly/Subscribe_Dolby Dolby Cinema: https://www.dolby.com/DolbyC

#PeterRabbitMovie in theaters everywhere, February 9th! Subscribe to Sony Pictures for exclusive video updates: http://bit.ly/SonyPicsSubscribe Follow Us on Social for More: https://www.facebook.com/PeterRabbitM... https://www.instagram.com/peterrabbit...

"Sugar Hit" is one of our original ideas that we like the most! In this quick post production breakdown, you can see the step by step to put photography and the CGI elements together in one image! To know more about this and other works, visit Lightfarm's

This is a personal project created by one of our artists, Rafael Vallaperde. It was awarded the 'Best Modelling' gold medal in the annual 'CG Society' competition, regarded as the 'Oscars' for digital artists.

It has been a great honor to work on this film, commissioned by the National Space Society, to promote NASAs New Horizons spacecraft and its historic reconnaissance mission to Pluto and its system of moons on July 14 2015 - the very first exploration of t

This is the full extended version of the film I had the honor of making for the National Space Society to promote NASAs New Horizons spacecraft and its historic reconnaissance mission to Pluto and its system of moons on July 14 2015 - the very first explo

DNEG is 20 Years old this year! To celebrate our anniversary we're releasing a series of VFX Breakdown reels for some of our favourite projects, giving a glimpse into the amazing work of our talented artists, technicians and support crews over the years.

A timeless vehicle that was to become an icon through the years. A landmark of automotive engineering, it’s DNA preserved in 44 tons of Amber, now reborn in the all new Mercedes-Benz G-Class. To prove that the legend lives on in the new 2018 models,

Sehsucht is the secret ingredient to commercial film production. The ultimate visual stimulant. Based on an ancient recipe discovered by mystical aztec tribes that utilized the toxin of a rare species of colorful frogs we feed our minds with an highly add

A timeless vehicle that was to become an icon through the years. A landmark of automotive engineering, it’s DNA preserved in 44 tons of Amber, now reborn in the all new Mercedes-Benz G-Class. To prove that the legend lives on in the new 2018 models,

Concept design & illustration for this 90'' HONDA/Film On 4 'Dream Makers' for Time Based Arts, London. Agency: Wieden & Kennedy Post-production: Time Based Arts Directors: James Allen & Mike Skrgatic The dream job for us dream makers! After i

Hi everyone, we are excited to present our new breathtaking work! It consists of our new commercials works and some shots that were made especially for this video, some of them were made under heavy impression of Ronald Koetzier works. It was a real chall

We are pleased to share a sample of the visual effects work created for Star Wars: The Force Awakens. The history of ILM leads all the way back to 1975 and origins of Star Wars and The Force Awakens gave us the opportunity to once again push the boundarie

At ILM we know how awesome Star Wars fans are but when John Knoll saw all of the incredible fan reaction videos to the Rogue One trailer he felt he had to share them with the crew. So what did we do? We made our own reaction video to the reaction videos o

Launched in 2015, ILMxLAB brings together the talent from Industrial Light & Magic, Skywalker Sound, Lucasfilm's Advanced Development Group and the Lucasfilm Story Group to create story-driven immersive entertainment including virtual reality and mixed/au

Behind the Magic: The Visual Effects of Brad Bird's 'Tomorrowland' – Here we revisit the effects work that ILM's global team contributed to the film. As the first-ever film finished and released in 4K high dynamic range, the work on the film presented num

We are pleased to share a sample of the visual effects work created for Colin Trevorrow's 'Jurassic World.' ILM has a long and storied history with the Jurassic series and this film, like each film that has come before it, breaks new ground in character a

In 1975 George Lucas formed Industrial Light & Magic (ILM) to create the special effects for his space opera Star Wars. Since that time, ILM has contributed to over 300 films in the process earning 15 Academy Awards for Outstanding Achievement in Visual E

We are pleased to share a sample of the visual effects work created for Darren Aronofsky's biblical epic, 'Noah.' Here we touch on the naturalistic effects required to grow a forrest and the creation of a CG ark.

Although "Pacific Rim" begins more than a decade into the battle with the city-destroying Kaiju, in this video the visual effects team at Industrial Light & Magic will discuss the process of creating the incredible race of alien monsters from the earliest

The story of "Pacific Rim" is told on an epic scale, where 250-foot tall combat mechs battle similarly sized giant alien monsters in the ocean off of the coast of major cities, and when that fails, in the cities themselves. Scale is a recurring theme thro

The opening sequence sequence of "Star Trek into Darkness" is a great example of the varied visual effects challenges faced by ILM: large digital environments (with plenty of organic elements), creatures and digital doubles, animation, ships and a tremend

"Star Trek Into Darkness" contains over 1600 visual effects shots, created by Industrial Light & Magic, Pixomondo, Atomic Fiction and Kelvin Optical Inc. In this reel, we'll take a look at ILM's work which encompassed virtually every tool and discipline i