It wasn't that long ago that the notion of a movie shot through eyes of a camera within the movie just seemed ridiculous. As more and more movies pioneered this perspective, audiences had become more accustomed to it, and this style is usually one of those that you will either hate or love. Chronicle decides to use this camera style as well, but expands it a bit, reminding us that there's always room for improvement. Chronicle takes advantage of not just one or two cameras, but instead shows the vantage point of nearly all cameras introduced, be it a more traditional film camera, or somethi...