Her interest in the universal laws of chance and evolutionary and creative modes of the nature of the operation, frame her approach and the understanding of the musical creation of last generation. Her creative methods are diverse and multidimensional, usually crossing the disciplinary boundaries of art, science, and philosophy.

The result leads to difficult classification: hybrid musical production expressed in time and space, destined to be heard and seen, taking shape in a variety of unconventional formats; Ranging from interactive installations, sound and light sculptures to objects of vibration.

As she has explored natural wave properties in physical bodies that emit sound and / or light, the boundaries between sound and visual tend to be increasingly blurred.

As in nature, the works of Triana are self-renewal. Statistics, probabilities, and other procedures, establish the rules and conditions that define the identity and functioning of the different parameters in the composition, allowing an infinite number of results that can be determined and controlled.