On this date in 1901, unemployed (and seemingly unbalanced) steelworker Leon Czolgosz rode the lightning at New York’s Auburn Prison for inducting the late U.S. President William McKinley into the club.

It hadn’t even been eight weeks since Czolgosz met McKinley gladhanding a receiving line at the Pan-American Exposition in Buffalo, and fatally (though it took the victim a week to succumb) shot the second-term Republican president.

Matters progressed from there as one might expect.

In a one-day trial that lasted 8 hours from jury selection to sentence, Czolgosz was condemned to die in New York’s electric chair. He went to his death unapologetic, but also alone; most anarchists disavowed him for hurting the cause.**

As he was being seated [in the electric chair] he looked about at the assembled witnesses with quite a steady stare and said:

“I killed the President because he was an enemy of the good people — of the working people.”

His voice trembled slightly at first, but gained strength with each word, and he spoke perfect English.

“I am not sorry for my crime,” he said loudly, just as the guard pushed his head back on the rubber headrest and drew the strap across his forehead and chin. As the pressure on the straps tightened and bound the jaw slightly he mumbled: “I’m awfully sorry I could not see my father.”

It was just exactly 7:11 o’clock when he crossed the threshold [into the execution chamber], but a minute had elapsed and he just had finished the last statement when the strapping was completed, and the guards stepped back from the man. Warden Mead raised his hand, and at 7:12:30 Electrician Davis turned the switch that threw 1,700 volts of electricity into the living body.

The rush of the immense current threw the body so hard against the straps that they creaked perceptibly. The hands clinched suddenly, and the whole attitude was one of extreme tension. For forty-five seconds the full current was kept on, and then slowly the electrician threw the switch back, reducing the current volt by volt until it was cut off entirely.

They made good and sure by dissolving the body in sulfuric acid.

Thomas Edison made a video recreation of the scene — not to be confused with actual film of the execution, though some sites present it as such — shortly after. Whether its creation was influenced by Edison’s now-doomed project of discrediting Alternating Current, a business rivalry that had helped introduce the electric chair in the first place, I have been unable to determine; the Edison labs produced a number of silent films exploiting “a whole string of news events surrounding the Pan-American Exposition in Buffalo … both through a monumental display of lights (including test bulbs on the reproduction of the electric chair) and by a booming output of scenics, actualities, and even a historical topical.”

Glum.

More lighthearted (and more audible) is “The Ballad of Leon Czolgosz,” from Stephen Sondheim’s offbeat Broadway hit Assassins, here presented with liberal use of the Edison labs’ Pan-Am Expo footage.

… it’s not the first pop culture ephemera generated by McKinley’s martyrdom; folk ballad variations under different titles (“The White House Blues,” “McKinley,” “McKinley’s Rag,” or this version, “Zolgotz”) were in circulation in the early 20th century. Other variations and some background can be had here.

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This third assassination of an American chief executive in the span of 36 years (with similar fates for James Garfield’s killer and the Lincoln conspirators) led the Secret Service, originally a Treasury Department anti-counterfeiting unit, to assume responsibility for bodily safeguarding the President in 1902.

** Anarchist titan Emma Goldman was blamed for inciting the murder and initially arrested; she was also one of the few anarchists to defend Czolgosz: “He had committed the act for no personal reasons or gain. He did it for what is his ideal: the good of the people. That is why my sympathies are with him.”