I am still always told length is an issue, yet I don’t have the longest (To Pimp A Butterfly has many of these) nor shortest annotations (Chief Keef’s discography). Over the year, I think I have been able to take a little bit of everyone’s advice and try to make sense out of it. I am best at Personal and Verified annotations, though I am still trying to improve on “Genius tates” which now seems like god damn purgatory.

I been told at least once a week, by random users

“You’re one of the best annotators on the site”

OR

“You know exactly what you’re talking about on lyricism and give it more attention to detail”

Though, I don’t really believe that is true due to everyone’s preferences but whatever (‘Ye shrugs). I do think lyricism (storytelling & imagery, themes/concepts, wordplay, punchlines, etc.) isn’t something that can be interpreted as “Black and White”, needing A LOT more consideration for difficulty that varies among emcees, whom all have their own approaches. It’s certainly not something that is easy to agree with consensual agreement on approach, due to the wide range of lyrical preferences.

Also, stans who are editors and mods, shouldn’t be the ones judging on criteria for “improvement”, as bias IS bias. A stan is untrustworthy and unconvincing to reason, by nature.

Only “Pop” song is “TNISY” anytime a BLACK woman in music is an “accomplished songwriter” they label everything as “Pop”. White women don’t make a lot of Black music, so why would you call music a Black woman does as “Pop”? Good thing they ain’t Music Majors….

White people still do not know shit about Hip-Hop, (unless it is Kendrick or Kanye) which is unsurprising….

The same theatrics they been on her ass for 4 years, she finally drops the act, lmfao..now they want her to be “annoying” again. She’s done with that shit, next 3 albums are gonna be more adult, grand and mature as time goes on. The bitch is not gonna be 35-40 years old on some mental illness/emotional disorder shit, with her delivery as she’s gonna be a mom around that time.

I prefer “Nicki” (pretty much almost all of this album) than “Minaj” (Anaconda, which I don’t know how the fuck White people love that song so much…but whatever it is ENTERTAINING.)

Point is, she showed humanity and femininity on here, unlike her past 2 albums, with a majority of it being R&B AND Hip-Hop in various styles that suggest “East Coast' (12 of the songs have Boom Bap type of beats, the rest have modern and Experimental production and maybe one actual "Trap beat” on “Want Some More”)

My bad lol, I thought the author was pissed and dissatisfied. Some rhetorical questions are not easy to pick out. It’s hard to discern tone of voice from well written articles, at certain time of reading.

I don’t think the writer was saying that she didn’t understand these things, or that Genius was at fault for not fully explaining them. These seemed like rhetorical questions intended to draw attention to how Genius annotations bring up questions like this in the mind of the reader and make them want to pursue more knowledge.

All sides are shown, in this 4-sided division (Each subsection) of the system itself. Though for priority, this is the background that strives most Black women in the music industry to make something of themselves. It is an permanent mental image for them, to elevate beyond their of state of disadvantage. Logically, you can see why self-sufficiency is the goal they intend to reach over simply just being rich. This is why, I made the next section on them being “The Breadwinner”.

K. Exclusivity, over something you and few important people have a formidable stake in. A highly sought after position that isn’t available, or accessible to the common populace, that can’t be easily attained by any means.

D. This is both a rags (hood) to riches (famous) line and one on a “socialite” type of living, the way a woman would describe it. Except unlike most who forget their place, she is regionally tied to her area of upbringing and influence.