Showreels

Pure Creativity. Share the Passion. ARRI Lighting Showreel

The new ARRI Lighting Showreel demonstrates the limitless creative possibilities afforded by ARRI’s range of versatile LED fixtures.Interact with the light; paint with the light; make the light work for you.

ARRI Lighting Showreel – Behind the Scenes

A glimpse behind the scenes on ARRI Lighting’s new showreel, shot over two days with 350 m of rigging pipe, 4,820 DMX channels, two dancers and 300 ARRI LED lighting fixtures. Pure Creativity. Share the Passion.

ARRI L-Series Showreel 2013

ARRI's L-Series line of LED Fresnels is based on a few core concepts: tuneability, color fidelity and quality. This video showcases the L-Series' unrivaled manufacturing process and its features, cost savings, and versatility in the field.

ARRI LED Lighting Comparison

We compared the L7 LED Fresnel and other competitor's products with the light quality of a 650W Plus Tungsten Fresnel. We found some surprising results in skin tone and color rendition. Shot on ALEXA, featuring actress Luciana Faulhaber

Videos

Star Wars: The Last Jedi Behind The Scenes

Go behind the scenes of STAR WARS: THE LAST JEDI, directed by Rian Johnson and shot by Steve Yedlin ASC. Illuminated with ARRI SkyPanels.

IBC 2017: Introduction of the EB MAX 1.8

Head of Product Management Florian Bloch explains the advantages of ARRI’s EB MAX 1.8, the new flagship for the range of high-speed electronic ballasts. Find out more: www.arri.com/goto/highspeed_ballast

Designed for all discharge lampheads between 575 and 1,800 W, the EB MAX 1.8 combines cutting-edge features with new remote control possibilities. ARRI's Florian Bloch explains the optimal performance and advanced controls at any frame rate from this unique ballast.

Director Paolo Virzì's comedy drama film LIKE CRAZY (LA PAZZA GIOIA) tells the story of two women who abscond from a mental health clinic in Tuscany, setting out on a road trip together. Cinematographer Vladan Radovic AIC worked with ALEXA cameras and SkyPanel LED soft lights.

SkyPanel Firmware 2.0 y EB 2.5/4 HS AutoScan (Español)

Resumen de nueva tecnología de ARRI luces - LED y HMI.

ARRI Electronic Ballasts for High Speed Cinematography

Florian Bloch, Head of Product Management at ARRI Lighting discusses ARRI's portfolio of electronic ballasts - including the new EB 2.5/4 HS AutoScan, designed for the 2.5 kW and 4 kW power classes.

SkyPanel FW 2.0's 10 powerful features

ARRI's Mike Wagner discusses SkyPanel Firmware 2.0 which brings 10 new features and several refinements. This update is free of charge and can be installed on a SkyPanel quickly and easily, opening up new applications and providing an added level of control.

High-speed ballasts

Take a tour of the features and benefits of ARRI’s new generation of high-speed ballasts, ensuring optimum light and image quality up to 1,000 fps and beyond.

AFTERGLOW

Gaffer Mark Stuen takes ARRI M40 and M90 M-Series lights to remote mountain locations for the night-skiing short film AFTERGLOW from Sweetgrass Productions. Shot by Mike Brown, Nick Wolcott and Zac Ramras, the film was directed by Nick Waggoner and Brown.

IBC 2015: ARRI SkyPanel accessories

Senior lighting product manager Mike Wagner introduces the new range of accessories for the SkyPanel family of LED soft lights.

IBC 2015: High-Speed Ballasts

Product manager Florian Bloch gives an overview of ARRI’s high-speed ballasts, which allow ARRI discharge lamps to be used for high frame rate filming.

AMERICA IS STILL THE PLACE trailer

DP Bill Holshevnikoff put LED technology to use on the feature AMERICA IS STILL THE PLACE with ARRI L-Series and LoCasters – all captured on an ALEXA camera.

SkyPanel Reveal film

SkyPanel Features film

Soft Lighting | Redefined. ARRI proudly introduces SkyPanel, a brand new line of LED fixtures. SkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new standard for the industry. With a design focused on form, color, beam field and output, SkyPanel represents the culmination of more than a decade of research and development of LED technology at ARRI.

ARRI is proud to support the Academy of Motion Picture Arts and Sciences' groundbreaking multimedia exhibition HOLLYWOOD COSTUME in Los Angeles with over 25 L-Series LED Fresnels. Watch the video for a look at HOLLYWOOD COSTUME and listen to Burk explain how it was lit with the ARRI L-Series.

Introduction to lighting – Part 1

In this beginners’ workshop, lighting tutor Dennis Jackstien talks about the characteristics of different light sources and lighting fixtures. He explains the basics of lighting design by working on a number of different scenes, covering techniques such as three-point lighting and interview setups.

Introduction to lighting – Part 2

In this beginners’ workshop, lighting tutor Dennis Jackstien talks about the characteristics of different light sources and lighting fixtures. He explains the basics of lighting design by working on a number of different scenes, covering techniques such as three-point lighting and interview setups.

Introduction to lighting – Part 3

In this beginners’ workshop, lighting tutor Dennis Jackstien talks about the characteristics of different light sources and lighting fixtures. He explains the basics of lighting design by working on a number of different scenes, covering techniques such as three-point lighting and interview setups.

Lighting design with LED – Part 1

The characteristics of LED lighting, such as color quality, white light quality and tuneability, are explained in detail during this hands-on workshop presented by lighting tutor Dennis Jackstien. The workshop also explores the challenges of lighting for high-speed filming.

Lighting design with LED – Part 2

The characteristics of LED lighting, such as color quality, white light quality and tuneability, are explained in detail during this hands-on workshop presented by lighting tutor Dennis Jackstien. The workshop also explores the challenges of lighting for high-speed filming.

Lighting design with LED – Part 3

The characteristics of LED lighting, such as color quality, white light quality and tuneability, are explained in detail during this hands-on workshop presented by lighting tutor Dennis Jackstien. The workshop also explores the challenges of lighting for high-speed filming.

IBC 2014 BIG SCREEN 1 - Lighting

Lighting Product Manager Mike Wagner presents some of ARRI’s latest lighting fixtures and interviews set lighting gaffer Helmut Prein about his work with ARRI lampheads on Wes Anderson’s film THE GRAND BUDAPEST HOTEL.

The compact and lightweight ARRI L5 is presented by Lighting Product Manager Mike Wagner. Bright, energy-efficient and tuneable, the L5 has an on-board battery input for industry standard batteries.

SENSING SPACES: curator tour

Curator Kate Goodwin conducts a video tour of the SENSING SPACES exhibition at London's Royal Academy of Arts, for parts of which scenic & lighting designer Shizuka Hariu made use of ARRI L7-C LED lampheads.

Silversun Pickups - Cannibal

The Silversun Pickups' latest music video Cannibal drops the viewer right into an intense situation -- captured on ALEXA with Master Anarmophic lenses.

ARRI's Lighting Product Manager Michael Wagner, gives us an overview on the newest addition to the LSeries family - the L5 LED Fresnel. The L5 is approximately 45% brighter than a 300 watt tungsten Fresnel, but only consumes 115 watts.

The story behind THE GRAND BUDAPEST HOTEL

Go behind the scenes with the cast and crew of Wes Anderson's adventure comedy THE GRAND BUDAPEST HOTEL and learn about the rich story behind one of the most anticipated films of the year.

THE GRAND BUDAPEST HOTEL trailer

THE GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. Directed by Wes Anderson, it was shot with ARRICAM cameras and ARRI M-Series lights by cinematographer Robert Yeoman, ASC.

THE WOLF OF WALL STREET trailer

Shot on ARRICAMS and ALEXA by Rodrigo Prieto ASC, AMC THE WOLF OF WALL STREET tells the surreal life of stockbroker Jordan Belfort.

HER trailer

For HER, gaffer Cory Geryak utilized the ARRI L7 LED Fresnels to light the romantic drama set in the future. Captured on ALEXA by Hoyte Van Hoytema.

This video introduces the newest features of the ARRI True Blue studio and tungsten lights, along with the benefits of using these powerful units. Here, we learn how to prepare the fixture for use right out of the box.

ARRI True Blue (2/9): Configuring the Stirrup

Once you have the True Blue out of the box, you can adjust the center of gravity of the fixture by configuring the stirrup.

ARRI True Blue (3/9): Attaching the Mount

Whether you need to hang the fixture or place it upright on a lighting stand, you'll need the attach appropriate mounting hardware to the stirrup.

ARRI True Blue (4/9): Inserting the Lamp

Here we show you how to properly insert the lamp into the fixture.

ARRI True Blue (5/9): Turning on the True Blue

Ready to see the quality of light for the True Blue? Here's how to turn it on properly. Be sure to check that the connector is grounded and rated for the wattage and voltage listed on the fixture.

ARRI True Blue (6/9): Top Latches and Bottom Catches

A new spring-loaded top latch makes inserting accessories even easier, while the bottom catch offers extra safety.

ARRI True Blue (7/9): Two Position Accessory Brackets

Enhanced features on the True Blues like the new two position brackets allow additional space for accessories while eliminating like leak.

ARRI True Blue (8/9): Directing the Light

See how to adjust the focus between a spot beam of light and a flood beam of light. New redesigned barndoors and a tilt lock, allow better control.

ARRI True Blue (9/9): It Doesn't Stop There

ARRI True Blues are ready to set a new standard in professional lighting. There's more to come, so stay tuned.

Bill Holshevnikoff on the ARRI True Blue ST5

Filmmaker Bill Holshevnikoff takes a look at the ARRI True Blue ST5

Bill Holshevnikoff on the ARRI True Blue ST2

Filmmaker Bill Holshevnikoff takes a look at the ARRI True Blue ST2

Bill Holshevnikoff on the ARRI True Blue ST1

Filmmaker Bill Holshevnikoff takes a look at the ARRI True Blue ST1

Bill Holshevnikoff on the ARRI Pocket Par

Filmmaker Bill Holshevnikoff talks about how compact, low heat Pocket Pars provide a superior light that would previously have only been attainable with higher wattage lamps; they are ideal for close-ups or setups where space is limited. For day-to-day production the Pocket Pars offer superb punch and are invaluable for both direct lighting and for use with reflectors.

IBC 2013: ARRI L7-DT

An introduction to the tuneable daylight L7-DT -- the latest fixture in ARRI's L-Series of LED Fresnel lights.

IBC 2013: ARRI M8

ARRI's Mike Wagner gives an overview of the 800 W M8, the latest fixture in the ARRI M-Series and the smallest lamphead to incorporate patented MAX Technology.

NAB 2013: Nueva Luces de ARRI, M90 y L7-TT

Resumen por Jeffrey Reyes de la nueva luz LED de ARRI, L7-TT y M90.

NAB 2013: L7-TT Tuneable Tungsten

The new L7-TT Tuneable Tungsten is over 20% brighter than the L7-C as a tuneable 2600 K - 3600 K tungsten version while maintaining the same size and weight. It offers the same calibrated color quality and adjustable green-magenta point as the L7-C, and is well suited to applications requiring precise color matching to conventional tungsten lampheads.

NAB 2013: M90 and Electronic Ballast 6000/9000

ARRI's Michael Wagner shows us the EB 6000/9000 along with the M90/60, an exciting fixture in a new power class at 9,000 W -- exactly half the wattage of the ARRIMAX and just over double the wattage of the M40/25.

ARRI M90 Teaser

Showing the new 9K power class for the award-winning M-Series.

Meet the ARRI L-Series

Lighting designer/Director Bill Holshevnikoff talks about working with the ARRI L-Series, a new generation of lighting fixtures that heralds the seamless integration of LED technology into established working practices within the film, television and event industries.

ARRI's Platform Manager, Ryan Fletcher gives us an update on the L-Series. Since their release one year ago, the fixtures are now an industry workhorse known for versatility, ease of use and best return on investment.

ARRI press conference at IBC 2011 (Part 4)

Massimo Cecchini talks to the press about ARRI's new range of lighting suspension solutions, and the ARRI team takes questions from the audience. (Part 4 of 4).

The latest fixture in ARRI's M-Series is presented by Stefan Schmidt. The M40/25 incorporates ARRI's unique and patented MAX Technology, which combines the advantages of a PAR and a Fresnel, and eliminates the need for spread lenses.

ARRI L-Series at IBC 2011

Ryan Fletcher presents the ARRI L-Series, a new generation of LED fixtures that is about to make a dramatic impact on the film and television lighting industries with its performance, versatility and cost efficiency.

The ARRI M18 Ballast

Now the "Brightest HMI you can plug into the wall," (a single, 20A 120VAC electrical outlet on a single circuit), the M18 is a lensless, open face lighting fixture that combines the desired light distribution from the optics of a PAR and a Fresnel fixture. Here, ARRI shows you the unique technology behind the ballast that has made this light so successful.

HMI ballasts for high speed cinematography

ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that meet the challenges of modern high-speed digital photography with ease.The new 1000 Hz High Speed Ballasts make it simple to achieve high quality flicker-free images even at frame rates of 5001000 fps and in many cases beyond, even with just a single HMI daylight source. 1000 Hz High Speed Ballasts are available for all wattages from 125 watts  4000 watts.

ARRI Lighting Solutions at IBC 2010

Norbert Wunderlich, Director Sales Administration of ARRI Lighting Solutions in Berlin talks about how this division of the ARRI Group specializes in project work, offering design, 3D visualization, consultancy, installation, delivery, training and after-sales service to facilities, events and studios looking to expand or improve their lighting setup. This comprehensive service is available for projects of any size, from simple, small-scale applications to complete turnkey lighting solutions.

New ARRI LED Fresnel concept at IBC 2010

Combining the cool-burning, energy efficient advantages of LED illumination with the controllable versatility and established design of traditional Fresnel fixtures, the new ARRI LED spotlights mark a turning point in the incorporation of LED technology into the film industry. Product Manager Ryan Fletcher gives a guided tour of this truly revolutionary lamphead.

ARRI LED CASTER lights at IBC 2010

Product Manager Ryan Fletcher presents the ARRI CASTER series of LED light fixtures, which offer a flexible and efficient solution for LED lighting at an attractive price level

ARRILITE Plus fixtures launched at IBC 2010

The new ARRILITE Plus fixtures from ARRI represent the next generation of these traditional, open-faced lights. Martin Carnell from ARRI in the UK talks through the improved functionality and simplified maintenance of the ARRILITE 750 Plus and ARRILITE 2000 Plus.

ARRIMAX 18/12

Bill Holshevnikoff presents the ARRIMAX 18/12

LED Caster Series

The ARRI CASTER Series utilizes a special optical design and dedicated LED arrangement, presenting an efficient solution for LED Lighting at an attractive price level. Specially designed accessories, such as a 2-leaf barndoor, intensifier and a range of mounting options expand the CASTER Series flexibility.