A blog about an actress, silent film, and the Jazz Age; and occasionally the Denishawn Dance Company, writer Frank Wedekind, his character Lulu, Weimar Germany, Hollywood, the state of Kansas, books, music, art, history and other things sometimes only tangentially related to the heart of the matter, written on a regular basis by Thomas Gladysz, Director of the LBS.

Sunday, May 31, 2015

A reminder that two early films directed by William Wellman will be shown at the Billy Wilder Theater on the campus of UCLA. The special double bill features Beggars of Life (with Louise Brooks) and Wild Boys of the Road and is set to start at 7 p.m. More information HERE.

This
event, part of an ongoing Wellman series, features an in-person
appearance by William Wellman Jr., son of the legendary, Academy Award
winning director. Wellman Jr. will sign copies of his excellent new
book, Wild Bill Wellman: Hollywood Rebel (Pantheon) beginning at 6 p.m. Live
musical accompaniment will be provided by the one and only Cliff
Retallick, who has accompanied other Louise Brooks' films on earlier
occasions.

Friday, May 29, 2015

Two early films directed by William Wellman - each about the down and out and life on the road and both featuring a "cross-dressing" female lead - will be shown at the Billy Wilder Theater on the campus of UCLA.

The special double bill with Beggars of Life - starring Louise Brooks, and Wild Boys of the Road, is set to take place on May 31 at 7 p.m. More information HERE.

This special event, part of an ongoing Wellman series, features an in-person appearance by William Wellman Jr., son of the legendary, Academy Award winning director. Wellman Jr. will sign copies of his excellent new book, Wild Bill Wellman: Hollywood Rebel (Pantheon) beginning at 6 p.m. (Wild Boys of the Road is depicted on the cover of the book.)

Live musical accompaniment will be provided by the one and only Cliff Retallick, who has accompanied other Louise Brooks' films on earlier occasions.

Beggars of Life (1928)

For a director who was also a decorated pilot in World War I, William A. Wellman’s films burn through a lot of shoe leather, from the Depression-driven tramping of the 1930s (Wild Boys of the Road, Heroes for Sale, Midnight Mary) to the weary marching of American soldiers in WWII, (G.I. Joe, Battleground). Beggars of Life inaugurates Wellman’s fascination with and facility for the rough lives and environs of the trudging downtrodden. After killing her foster father in self-defense, Nancy (the ever spellbinding Louise Brooks) flees to the open road with the help of Jim (Richard Arlen), a young hobo who happened on the scene. Wallace Beery, whose singing on the now lost Vitaphone soundtrack of the sound version was billed as major attraction by Paramount, plays Oklahoma Red, a magnetic and menacing tramp who comes through for the couple in the end.

William A. Wellman directed two topical films about the Depression for Warner Bros., both semi-documentary in tone. This stark narrative follows boys from impoverished families (and a girl, played by dancer Dorothy Coonan, Wellman's fourth and final wife) on their hungry journey. Wonderful photography and sincere acting make this film enjoyable despite the grim subject matter. The optimistic ending resounds with hopeful New Deal rhetoric.

Thursday, May 28, 2015

There are plenty of film festivals scattered across North America,
including a number devoted to silent film. The Denver Silent Film
Festival, Kansas Silent Film Festival, and Toronto Silent Film Festival
have all made their mark in recent years. None, however, is as eclectic,
long lasting, and well attended as the San Francisco Silent Film Festival.
The event, which now stretches over five days and draws
tens-of-thousands of people from all over the world, is regarded as the
largest silent film festival in the Western Hemisphere.

If you
have any interest in Sherlock Holmes or Dr. Who, Jazz Age flappers,
world's fairs, or meeting an unique Academy Award winner--then you won't
want to miss this year's Silent Film Festival. There is a little
something for everyone, including fans of Louise Brooks. The annual event, which celebrates its 20th
anniversary, is set to take place May 28th through June 1st. To
celebrate 20 years of showcasing silent film--often times rare or
restored prints and almost always with live musical accompaniment, here
are 20 reasons to attend the 2015 event.

1) SHERLOCK HOLMES: By the time Sherlock Holmes
(1916) was made, its star William Gillette was long established as the
world's foremost stage interpreter of Arthur Conan Doyle's famous
character. Gillette visually defined Holmes' methods, manner, and look,
especially his signature attire, and his performances were widely
praised, even by Doyle himself. This film, long thought lost, was
recently found and restored and here makes its North American debut. See where the future Holmeses--John Barrymore, Basil Rathbone, Jeremy Brett, Benedict Cumberbatch and the rest--come
from. [Reportedly, fans are flying in from all over for this special
screening, which is being underwritten by a major Holmes collector. If
you can't make the event, Flicker Alley announced that they will be releasing the film on DVD in the fall.]

2) DR. WHO: It's
no surprise the popular time-travelling British television character
enjoys silent cinema, as he likely experienced its glories during his
many adventures in space and time.... Real life British actor Paul McGann, the actual 8th Doctor and himself a devotee of silent film and Louise Brooks, live narrates a couple of presentations, including The Ghost Train (1927), a decidedly Whovian film which tells the story of eccentric travelers stranded at a dubiously haunted station.

3) COLLEEN MOORE:
She was as popular as Clara Bow, and had pulchritude not unlike that of Louise
Brooks. Yet, how many can claim to have seen one of her pictures? Colleen Moore is perfect in Why Be Good?
(1929), where she plays the aptly-named Pert Kelly, shop girl by day,
flapper by night. F. Scott Fitzgerald wrote: "I was the spark that lit
up Flaming Youth, Colleen Moore was the torch."

Why Be Good?, courtesy San Francisco Silent Film Festival

4) LOCAL HISTORY: The Festival screens When the Earth Trembled (1913), a newly restored film
that's likely the first feature about the 1906 earthquake. It contains
some nifty special effects and rare footage shot in San Francisco in the
days following the disaster. And, to mark the 100th anniversary of the Panama Pacific International Exhibition (a world's fair that celebrated The City's recovery), the Festival will also screen short films shot at that historic event.

5) KEVIN BROWNLOW:
Arguably, the above mentioned festivals might not exist without Kevin
Brownlow: author, archivist, documentarian, champion of the silent
cinema, and Louise Brooks' friend--Brownlow's importance to film history cannot be emphasized
enough. His 1968 book, The Parade's Gone By, inspired a generation of enthusiasts. It's a must read. His 1979 TV series, Hollywood, set the standard for just about every documentary that followed. In 2010, in recognition for all he has done,
Brownlow received an Academy Honorary Award, the first time an Oscar
was awarded to a film historian! The British film preservationist will
be in conversation prior to the screening of his restoration of the
Festival's closing film, Ben Hur (1925).

6) FAN FAVORITES:
This year's films star legendary names like John Gilbert and Greta
Garbo, Ramon Novarro, and Harold Lloyd. But look a little deeper into the credits and
you'll find up-and-comers whose reputations were made in later years,
like Boris Karloff in The Deadlier Sex (1920), and Neil Hamilton (Commissioner Gordon in TV's Batman, and one of the stars of Brooks' first film, The Street of Forgotten Men) in Why Be Good?

Gilbert and Garbo in love, courtesy San Francisco Silent Film Festival

7) LEGACY: With
the passage of time, the children and grandchildren of silent film
personalities are as close as we may come to their work. In attendance
will be actor William Wellman Jr., son of the Academy Award winning director William Wellman (whose credits include the 1928 Brooks' film Beggars of Life) and author of the just released biography Wild Bill Wellman: Hollywood Rebel. Also presenting or signing books are Suzanne Lloyd, granddaughter of Harold Lloyd, and Jessica Niblo, daughter of Why Be Good? director William Seiter.

8) SPECIAL GUESTS: Well known critics Leonard Maltin and David Thomson will also be on hand, as will authors and film historians John Bengtson, Cari Beauchamp (My First Time in Hollywood), Jeff Codori (Colleen Moore: A Biography of the Silent Film Star), David Pierce (The Dawn of Technicolor), Weihong Bao (Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945), and others, including Thomas Gladysz, editor of the Louise Brooks' edition of The Diary of a Lost Girl.

9) SPOKEN DIALOGUE:The Donovan Affair
(1929) was Frank Capra's first "100% all-Dialogue Picture." Its
soundtrack, however, has been lost. For this special screening, the
soundtrack will be recreated with live dialogue by Allen Lewis Rickman (Boardwalk Empire), Yelena Shmulenson (A Serious Man, The Good Shepherd), veteran actor, writer, director Frank Buxton (who similarly voiced a part in Woody Allen's What's Up, Tiger Lily?) and others. Not to be missed.

10) MUSIC: Most every film, from the shortest short to the longest epic, is presented with live musical accompaniment.
Making their Festival debut are the Berklee Silent Film Orchestra from
Massachusetts, and returning are the Mont Alto Motion Picture Orchestra,
Matti Bye Ensemble (winners of the Golden Beetle, Sweden's Oscar), and
musicians Donald Sosin, Stephen Horne, Frank Bockius, Guenter Buchwald,
and others.

11) ASIAN CINEMA: The Asian Cinema
did not start with Kurosawa, martial arts films, or Bollywood. For a
number of years, the Silent Film Festival has included a stellar example
of early movie making from Japan , China or India. This year's film is Cave of the Spider Women
(1927), a rare example of a magic-spirit film, a popular genre in the
1920s. The film set box-office records in China in 1927, but was
considered lost until its discovery in Europe.

Cave of the Spider Women, courtesy San Francisco Silent Film Festival

12) LOST LANDMARK: In
1913, a group of African-American performers led by famed entertainer
Bert Williams gathered in New York to make a motion picture. After
shooting more than an hour worth of film, the project was abandoned by
its producers and left forgotten. Its unassembled footage, notably,
represents the earliest known surviving feature
with a cast of black actors. The Festival will present an hour-long
assemblage of material that includes a two-minute dance sequence and a
cutting-edge display of on-screen affection.

13) THE LAST LAUGH (1924): In
his greatest role, Oscar winner Emil Jannings plays the chief porter at
a prestigious hotel, a position affording him respect and dignity. His
uniform is the emblem of his stature¬--and a source of great personal
pride; thus, his subsequent demotion to washroom attendant is
devastating. The film's pathos is bolstered by its technical
innovation--F.W. Murnau's fluid camera is as beautifully expressive as
Jannings's performance. So much so, the story flows without the need for
intertitles. The Last Laugh is one of the great films of the Weimar era. Expect to shed a tear, or two, or three.

The Last Laugh, courtesy San Francisco Silent Film Festival

14) FOREIGN FILMS: Along with The Last Laugh (a German production) and The Ghost Train (an English/German co-production directed by a Hungarian), the Festival will also screen French classics Visages d'enfants (1925) and The Swallow and the Titmouse (1920), as well as the avant-garde Ménilmontant (1926), which Pauline Kael named her favorite film. There is also a very modern Swedish work, Norrtullsligan (1923), and a singular Norwegian effort, Pan (1922), an adaptation of Nobel Prize-winning author Knut Hamsun's famous novel.

15) ALL QUIET ON THE WESTERN FRONT (1930): We've
all read the book or seen the movie. The Festival will screen the long
lost silent version of the sound film, which some scholars think
superior to the more familiar early talkie; that's a big claim
considering Lewis Milestone's anti-war drama was the first to win
Academy Awards for both Outstanding Production and Best Director. This
opening night presentation features a new score and live sound effects
created especially for the silent version.

16) FREE PROGRAMS:
Every year, the Festival sponsors a free public program on film
preservation. It's pretty interesting, and a sure bet you'll see things
your film-buff friends wish they had seen. Rare, fragile, and once
thought lost films are screened, and noted individuals working in the
field speak: Bryony Dixon, senior curator of silent film at the British
Film Institute, is bringing a treasure trove of footage about the
Lusitania; Serge Bromberg of Lobster Films in Paris will show Maurice
Tourneur's House of Wax (1914); and local preservationist Rob Byrne will describe reconstructing Sherlock Holmes.

17) AMAZING CHARLIE BOWERS:
Mix a little slapstick with a little Rube Goldberg and a little Buster
Keaton with a little anything-goes-fantasy and you end up with Charlie
Bowers, a long-forgotten, idiosyncratic, Iowa-born filmmaker once
championed by the French Surrealists, who loved Bower's inventive mix
of live action and puppet animation. Only recently rediscovered, Bower's
surviving shorts have now been beautifully restored. You haven't lived
until you've seen Now You Tell One (1926), with its scene of elephants marching into the U.S. Capitol.

Charlie Bowers, courtesy San Francisco Silent Film Festival

18) YOU'LL BE TESTED:
Bruce Goldstein, director of repertory programming at New York's Film
Forum, will host a trivia contest called "So You Think You Know
Silents." Test your knowledge of the era in what promises to be a
spirited quiz. Prizes will be awarded. And what's more, its free.

19) CASTRO THEATER: The Festival takes place within the confines of the historic Castro. Built in 1922, this grand neighborhood movie theater
is one of the last standing picture palaces in the San Francisco Bay
Area. Early on, Oscar winner Janet Gaynor was an usherette there.

20) AN ANNIVERSARY CELEBRATION: This
year's event marks 20 years of properly presented 35mm film with live
musical accompaniment, a Festival hallmark. Following the opening night
presentation, experience a festive Weimar-era nightclub--the Kit Kat
Klub, the Festival's version of a 1920s Berlin cabaret. There will be a
chanteuse, music, dancing , food, drink, "relaxed social attitudes", and
a special cocktail--the Voluptuous Panic. Period attire suggested.

The
Silent Film Festival takes place May 28th through June 1st at the
Castro Theater in San Francisco. More information, including a complete
program of films and special guests, can be found at www.silentfilm.org

Wednesday, May 27, 2015

To celebrate 20 years online as the leading source for all things Lulu, a new Louise Brooks Society website is in the works! Until its launch, the domain www.pandorasbox.com is under construction. Please check back as a new and improved website is made ready. Contact info is pictured here.

Tuesday, May 26, 2015

A reminder that God's Gift to Women (1931), featuring Louise Brooks, will be shown on Turner Classic Movies (TCM) in the United States at 6:15 am ET.

This
71 minute Warner Bros. "laugh riot" stars Frank Fay and also features Joan Blondell, Laura
LaPlante, Charles Winninger, Margaret Livingston, Yola d'Avril, and the
delightful Sister's G. Louise Brooks plays Florine in one of last major starring
roles. The film, written by one-time silent film star Raymond Griffith, was directed by the great
Michael Curtiz. In case you need some incentive to tune in or change the channel, here is some a la Louise Brooks in a publicity picture for the film.

Monday, May 25, 2015

God's Gift to Women (1931), featuring Louise Brooks, will be shown on Turner Classic Movies (TCM) in the United States on Tuesday, May 26. The showing is set to take place at 6:15 am ET.

This 71 minute Warner Bros. "laugh riot" stars Frank Fay (at the time Barbara Stanwyck's husband) and also features Joan Blondell, Laura LaPlante, Charles Winninger, Margaret Livingston, Yola d'Avril, and the Sister's G. Louise Brooks plays Florine in one of last major starring roles. The film, written by Raymond Griffith, was directed by the great Michael Curtiz.

Leonard Maltin described the film this way: "Incorrigible philanderer has trouble adjusting his swinging lifestyle
after being told he has a bad heart and must give up wine and women, or,
as the doctor puts it, "Live like a clam, or die!'' Wild pre-Code sex
farce with lots of racy humor. Legendary silent screen siren Brooks has a
small part as one of Fay's lovers."

From the TCM website: "In a Parisian nightclub, Diane Churchill, an American woman, and her
father are fascinated to learn that Jacques Duryea, the young man seated
at a table near them, is an international lover known as Toto, able to
have any woman he wants. Toto finds Diane very attractive and manages to
dance with her, but as soon as their dance is over, Diane, who
disapproves of him, leaves with her father. In the following days, Toto
follows Diane everywhere. After she accidentally shuts the car door on
his hand, she takes pity on him and bandages his injury. At tea, Toto
tells her that she is his ideal woman and now that he has found her, he
is finished philandering. She wants to believe him, but while she visits
him at home, Tania, a former mistress, arrives with several suitcases,
clearly intending to live there. Diane leaves and when Toto returns, he
forces Tania to leave. That night, Churchill attends a concert, leaving
Diane home alone. Wearing a disguise, Toto sneaks into her house to beg
forgiveness. She admits that she is in love with him. When Toto tells
Churchill that he intends to marry Diane, Churchill agrees on the
condition that Toto stay away from Diane for six months. He also demands
that Toto see his doctor to insure that he is in good health. After an
examination, the doctor warns Toto that he has a bad heart and the least
excitement may cause it to burst. In order to stay alive, he must stop
drinking and give up women entirely. When they hear the news, several of
Toto's old girl friends want to nurse him. Toto tries desperately to
get rid of them and an angry husband appears, intending to kill him.
After all this excitement, the doctor warns that even one kiss will kill
him. Then Diane tells Toto that her father is taking her back to
America and offers to spend an hour with him that night. Not wanting to
say no, Toto arranges for his funeral. Diane arrives right on time, and
Toto kisses her, expecting to die immediately. Nothing happens, however,
and it turns out that Churchill paid the doctor to lie in order to
discover if Toto loved Diane more than life. Now that he really believes
in Toto's love for his daughter, he allows them to marry."

Sunday, May 24, 2015

A new graphic novel currently featured on Kickstarter to includes a Louise Brooks character. The Tommy Gun Dolls, a 72-page graphic novel by Daniel Cooney, describes itself as the story of "A cross-dressing grifter [who] leads a pack of bawdy burlesque girls to avenge the murder of their friend in the Jazz Era of prohibition." More information HERE.

"Inspired by a true story of San Francisco’s dark underworld, a group
of Prohibition Era burlesque dancers pursue their friend’s murder by
posing as masked bandits and knocking over the Mob’s speakeasies. The
Tommy Gun Dolls is a sordid tale told in the classic Noir tradition,
with roots in San Francisco’s historic Nob Hill Mansions of society’s
elite class down to the seedy gang-filled streets of Chinatown, through
the Tenderloin and neighboring North Beach.

Taking visual
inspiration from illustrators such as Russell Patterson, Ethel Hays and
Faith Burrows, who popularized the look and lifestyle of the 1920s
flapper, and the writings of F. Scott Fitzgerald and Dashiell Hammett,
I've crafted a tale of mystery, suspense and burlesque at The Frisky
Devil Speakeasy and Nightclub that's run by the mob."

According to the author, "The inspiration for the story's main character, Frankie Broadstreet, a
grifter who rides a Penny Farthing bicycle and likes to wear men’s
clothes, stems from a fusion of two real life women: Jeanne Bonnet
(1841-1876), a bizarre character who founded one of California’s
strangest criminal gangs composed entirely of women during the gold rush
era; and Louise Brooks, an American dancer and actress, best known for
popularizing the bobbed haircut and starred in the German feature film, Pandora’s Box."

Friday, May 22, 2015

I enjoy reading about the silent film era. Biographies are my favorite. That's why I was delighted to received a new book from McFarland, The Five Sedgwicks: Pioneer Entertainers of Vaudeville, Film and Television, by Michael Zmuda.

"Individually and together, The Five Sedgwicks are among the unsung
heroes of early filmmaking in Hollywood. Their work took them from
vaudeville to silent film, through the studio era and into the Golden
Age of television. By the late 1920s the Sedgwick siblings were
well-known motion picture personalities: Edward was satirized by actor
Harry Gribbon as an enthusiastic comedy director in King Vidor's 1928
silent comedy hit Show People; Josie was a star of Western films
and was presented the honorific title of "Queen of the Roundup";
Universal Films promoted Eileen as their "Queen of the Serial." This
book details the family's extensive contributions to the entertainment
industry."

The Sedgwicks worked with just about everybody, including Hoot Gibson, Buster Keaton, Laurel & Hardy, William Haines, Joan Crawford, Anita Page, Joe E. Brown, Robert Taylor, and many others of note, including later years Red Skelton and Lucille Ball. They also worked with Louise Brooks' one-time co-stars, like Will Rogers (Ziegfeld Follies), Neil Hamilton (Street of Forgotten Men) and Sally Blane (Rolled Stockings).

One of the Sedgwicks even appeared in a Louise Brooks' film, though you wouldn't know it. As author Michael Zmuda notes, Eileen Sedgwick's brief role as "the little Dutch girl" in the 1928 Howard Hawks' directed film, A Girl in Every Port, was under the name Gretel Yolz. Eileen Sedgwick's onscreen appearance lasts for slightly over two minutes, just long enough for viewers to notice her presence as she helps introduce a key theme of the movie - rivalry between two men for the same woman.

A Girl in Every Port is discussed over the course of four pages. In The Five Sedgwicks: Pioneer Entertainers of Vaudeville, Film and Television, Zmuda writes "In an effort to reinvent herself, Eileen took the exotic sounding name of Gretel Yoltz. Although the name change was leaked to the public through the pres, it likely fooled many, and may have even helped her get a role in A Girl in Every Port, a film that many contemporary critics recognize as a significant American film."

Zmuda continues, "According to Eileen she went to interview with Howard Hawks concerning a part in the film. She recollected in the April 1928 issue of Photoplay that Hawks said, 'I want a girl like Eileen Sedgwick, only not so heavy.' 'What's your name?' he asked her. Eileen responded, 'Gretel Yoltz.' (She thought that Hawks was kidding and gave him the first name that she could think of - that of a former maid.) 'Gretel' got the part. Still thinking that Hawks was joking, Eileen kidded him about not realizing who she really was. He seemed amused, but seriously advised her to keep the new name."

Eileen Sedgwick appeared in three other films as Gretel (or Greta) Yoltz, including two with Patsy Ruth Miller, Beautiful but Dumb (1928) and Hot Heals (1927).

Wednesday, May 20, 2015

For the past two decades, NBM Publishing has released Rick Geary's The Treasury of Victorian Murder and Treasury of XXth Century Murder series. And over the years he’s chronicled such iconic true crimes as Jack the Ripper, the Lindbergh baby kidnapping, the assassination of Abraham Lincoln and the lives of Sacco and Vanzetti.

This new graphic novel
(set for official release on June 1st) is a fictional story centered on Louise Brooks and is spun around her actual brief meteoric career as a
smoldering film actress. Geary fantasizes about
her coming back to her home town of Wichita where she becomes intrigued
by a murder involving a friend, a famous reclusive writer and a shady
beau. Not before she gets herself in great danger will she emerge with
the solution the police fail to grasp.

"Stepping away for a bit from his growing and impressive body of work in the Treasury of Murder true crime series, Geary creates a fictional story around a favorite actress: Louise Brooks. Spun around her actual brief meteoric career as a smoldering film actress who popularized bangs, Geary fantasizes about her coming back to her home town of Wichita where she becomes intrigued by a murder involving a friend, a famous reclusive writer and a shady beau. Not before she gets herself in great danger will she emerge with the solution the police fail to grasp!"

Be sure to check out the book and meet Rick Geary, who will be exhibiting at TABLE H-32.

Rick Geary is an award-winning cartoonist and illustrator. He is
the author and illustrator of several books, including the other titles
in the Treasury of XXth Century Murder series. He has worked for Marvel
Entertainment Group, DC Comics, Dark Horse Comics, and Heavy Metal magazine, and has contributed to National Lampoon and the New York TimesBook Review. He lives in Carrizozo, New Mexico.

Monday, May 18, 2015

To celebrate 20 years online as the leading source for all things Lulu, a new Louise Brooks Society website is in the works! Until its launch, the domain www.pandorasbox.com is under construction. Please check back as a new and improved website is made ready. Contact info is pictured below.

Sunday, May 17, 2015

I just received a new book in the mail that I am especially excited about. It is My First Time in Hollywood, by Cari Beauchamp. I think it is a book every fan of early Hollywood will want to read. Go get a copy today!

Beauchamp is the author of such acclaimed books as Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood (IMHO required reading for every film historian), Joseph P. Kennedy Presents: His Hollywood Years (which I named to my best film books of 2009), Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos, Creator of "Gentlemen Prefer Blondes", and as editor, the fascinating Adventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s.

Beauchamp is a fourth generation Californian who brings her love
of history and dedication to women's rights to her writing about film.
Her award winning books have been named to many "best of" lists (New York Times, the Los Angeles Times, examiner.com and amazon.com) and she
is an Academy of Motion Picture Arts and Sciences Film Scholar. She was nominated for a Writers Guild Award for her documentary, Without Lying Down: The Power of Women in Early Hollywood, which she wrote and coproduced for Turner Classic Movies.

In My First Time in Hollywood, over forty legends of the film business (from Mary Pickford and Harold Lloyd to Gloria Swanson and Cecil B. DeMille) recount their first trip to
Hollywood. Actors, directors, screenwriters, cinematographers, and
editors recall the long journey, their initial
impressions, their struggle to find work, and the love for making movies
that kept them going. Also included in this wonderful anthology is Colleen Moore, Norma Shearer, Marie Dressler, Mary Astor, Hedda Hopper, and Louella Parson, among others. Though Louise Brooks is not included, alas, readers will get a sense of what she experienced when she arrived in Hollywood in 1927.

Drawn from letters, speeches, oral histories,
memoirs, and autobiographies - and illustrated with over sixty vintage
photographs and illustrations - each story is intimate and unique, but all
speak to our universal need to follow our passions and be part of a
community that feeds the soul. This anthology is edited and annotated Beauchamp, the only person
to twice be named as an Academy of Motion Picture Arts and Sciences
Scholar.

"What
every film fan years for-first-hand, eyewitness accounts of a Hollywood
none of us can remember and all of us wish we'd known. Completely
fascinating." -- Kevin Brownlow

"What
a priceless parade of evocative and highly entertaining memories. Once
you start reading you won't want to stop." -- Leonard Maltin

"Through the first-person voices of some of the most fascinating, insightful, funny, ego-maniacal, and brilliant people, Cari Beauchamp's My First Time in Hollywood chronicles the years when Los Angeles became the Hollywood of the world's imagination and movies our internationally shared mythology. Essential reading for anyone interested in film history." -- John Landis

My First Time in Hollywood ( Asahina & Wallace) is available through amazon.com and better bookstores everywhere. Author Cari Beauchamp will also be signing books at the upcoming San Francisco Silent Film Festival in the mezzanine of the Castro Theatre on May 30th at 5pm.

Saturday, May 16, 2015

On this day in 1931, Pandora's Box (with
a synchronized soundtrack) began a short run at the Little theater in
Newark, New Jersey. The occasion marked the last known screening of the
film in the United States until the 1950's. Pictured below is
an advertisement for the occasion.

Wednesday, May 13, 2015

Here something I recently came across, a 1950 newspaper ad promoting classified ads which also happens to mentions Louise Brooks! That year marked a real low, not only in the actresses personal life, but also in her reputation. Brooks, who had not appeared in a film in 12 years, was leading a pretty quiet life in New York City. That an advertisement mentioned her is rather unusual. This piece is a rarity.

Monday, May 11, 2015

Shirley MacLaine is on tour, and in a recent interview with Gazette.net in Maryland, the renown actress was asked about Louise Brooks. Here is what she said, as excerpted from“An Evening with Shirley MacLaine” comes to Strathmore: Star of stage, screen, and stories has plenty more to say, by Nathan Oravec. Read the entire interview here.

A&E: Speaking of classic Hollywood, I read that one of your passion projects would be a biopic of silent film star Louise Brooks.

MacLaine: Oh! God, I would love do to that. You know, when Kenneth Tynan found her, she was in her 70s. He found her in upstate New York. And he had been a fan of her all his life. And the movie would have been about the relationship between Louise Brooks and Kenneth Tynan – the great English journalist.

A&E: What is it about her story, in particular, that engaged you, and is it something you still hope to work on?

MacLaine: Yes, I think I would like to, but we need to get somebody to play young Louise. She was just so much of a renegade, actually. And you know the old saying, “You never quit Hollywood until you find God?” (laughter) Nobody could understand what it was that Louise had found that she quit.

Tuesday, May 5, 2015

To celebrate 20 years online as the leading source for all things Lulu, a new Louise Brooks Society website is in the works! Until its launch, the domain www.pandorasbox.com is under construction. Please check back as a new and improved website is made ready. Contact info is pictured below.

Monday, May 4, 2015

(1928, William
Wellman) On the run after killing a molesting stepfather,
dressed-as-a-boy Louise Brooks is befriended by Richard Arlen and falls
in with Wallace Beery’s band of hoboes. Long-thought-lost silent
classic, with Brooks’ best pre-German work and dazzling location work on
speeding trains.

William Wellman, Jr., author of a new memoir, Wild Bill Wellman: Hollywood Rebel (published
by Pantheon), will introduce the screening. Copies of Mr. Wellman’s
book will be available for sale at our concession, with book signing to
follow the screening.

Launched in 1995, the Louise Brooks Society (www.pandorasbox.com) is an online archive and international fan club devoted to the silent film star best known for her role as Lulu in Pandora's Box. Our motto, "To understand just one life, you have to swallow the world." - Salman Rushdie

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Check out the LBS STORE on Amazon. It's stocked with related movies, books and music.

This blog is authored by THOMAS GLADYSZ, founding Director of the Louise Brooks Society. It is a continuation of the old LBS blog at LiveJournal, which started in 2002. Please send comments, questions, or material to share to silentfilmbuffATgmailDOTcom