Barry Andersson is an award-winning director and cinematographer. Mr Andersson takes his real world experiences and shares those images and lessons with everyone from the US Marine Corp combat camera teams, many of the leading teams of the four major sports leagues, leading universities around the US as well as leading productions looking to take advantage of the latest technology.

Anything in slow-motion is RED, as well as the interview and the majority of the performance stuff with the wild camerawork. Most of the subway fly-by shots (including the one overhead of the train passing underneath and the one at 1:02) and the first 8 seconds or so of the video are all D800. We shot all of that stuff with a tilt-shift lens to try and get a different-looking perspective.

In general the D800 was much cleaner in the subway station, but from a personal standpoint I thought it lacked a little bit of the grit that the RED noise added. It was a little bit tougher to grade as well, but still a great b-cam.