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Ziegfeld Follies (1946) -- (Movie Clip) My Next Picture

Just the closing minutes of this segment called "A Great Lady Gives An Interview," song by Roger Edens and Kay Thompson, Judy Garland as a Hollywood diva, Charles Walters directing, a piece Greer Garson is said to have declined, in the MGM variety musical Ziegfeld Follies, 1946.

Just the closing minutes of this segment called "A Great Lady Gives An Interview," song by Roger Edens and Kay Thompson, Judy Garland as a Hollywood diva, Charles Walters directing, a piece Greer Garson is said to have declined, in the MGM variety musical Ziegfeld Follies, 1946.
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Joining a couple of minutes into the big Fred Astaire and Gene Kelly number, the song by George and Ira Gershwin, their only performance together until That's Entertainment nearly 30 years later, working toward the climax in MGM's enormous Ziegfeld Follies, 1946.>

Joining a couple of minutes into the big Fred Astaire and Gene Kelly number, the song by George and Ira Gershwin, their only performance together until That's Entertainment nearly 30 years later, working toward the climax in MGM's enormous Ziegfeld Follies, 1946.>

William Powell as the late Florenz Ziegfeld, imagining the show he would stage, throwing to pal Fred Astaire, into "Here's To The Girls" by Roger Edens and producer Arthur Freed, mostly featuring ballet and the thin, young Cyd Charisse, in MGM's Ziegfeld Follies, 1946.>

Second part of the first big production number, Vincente Minnelli directing and indications that producer Arthur Freed gave his creatives (Helen Rose costumes, design by Cedric Gibbons et al) a pretty free hand, Lucille Ball silent but, what would she say? In Ziegfeld Follies, 1946.>

About as tight as the narrative gets, William Powell is introduced as the deceased Florenz Ziegfeld, upstairs, remembering his own beginnings with the aid of Lou Bunin's puppets, in the MGM musical comedy variety showcase Ziegfeld Follies, 1946.>

There had only been one full-blown Esther Williams swimming feature (Bathing Beauty, 1944) when this came out so it was pretty extravagant at the time, Merrill Pye the uncredited director, an early number in MGM's variety showcase Ziegfeld Follies, 1946.
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Second part of the first big production number, Vincente Minnelli directing and indications that producer Arthur Freed gave his creatives (Helen Rose costumes, design by Cedric Gibbons et al) a pretty free hand, Lucille Ball silent but, what would she say? In Ziegfeld Follies, 1946.>