For science fiction, we’ve got original shorts by Ashok K. Banker (“A Vortal in Midtown”) and Charlie Jane Anders (“Cake Baby”), along with SF reprints by Leslie What (“The Mutable Borders of Love”) and Philip Raines and Harvey Welles (“Alice and Bob”). We’ve also got original fantasy by Kathleen Kayembe (“The Faerie Tree”) and Max Wynne (“A Wound Like an Unplowed Field”), and fantasy reprints by Rachel Swirsky (“The Day the Wizards Came”) and Jonathan L. Howard (“The Commission of The Philosophical Alembic”). All that fiction, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. Our interview this month is with novelist Molly Tanzer—plus, if you’re an ebook reader, you can check out an excerpt of her new novel, Creatures of Will and Temper. Also for our ebook readers, we have our ebook-exclusive reprint of Gene Wolfe’s novella “Tracking Song.”

In This Issue: Nov. 2017 (Issue 90)

Editorial

Welcome to issue ninety of Lightspeed! For science fiction, we’ve got original shorts by Ashok K. Banker (“A Vortal in Midtown”) and Charlie Jane Anders (“Cake Baby”), along with SF reprints by Leslie What (“The Mutable Borders of Love”) and Philip Raines and Harvey Welles (“Alice and Bob”). We’ve also got original fantasy by Kathleen […]

Science Fiction

Though Marietta’s eyes are closed, she is wide awake, fingering the new sheets she gave Asher as part of his six-month anniversary present. The other parts were dinner, followed by multiple sexual favors. She has already thought ahead, to the seven-month anniversary, when she will trade dinner for breakfast, trade a languorous night of sex for a quickie. She worries about thinking so far ahead and having expectations concerning things she cannot fully control. Is this really the way being in love should feel?

Fantasy

There’s a faerie tree in my front yard. Its branches are gnarled like an old woman’s fingers, knobbed like her knees, and the trunk hunches down like she’s reaching for my house. Mamaw said the hole at the base of faerie trees is where faeries come out or rush in or leave gifts if it’s big enough, though I was too young to remember. She says I was fussy in any arms that weren’t hers or the tree, least ’til I got used to everything. When I was real little, Sister says she could always find me curled half in the tree if I’d toddled off, like I fell asleep tryin’ to find Mamaw’s faeries.

Author Spotlight

Scarecrows are shaped and dressed like humans to fool birds from a distance—but if you get close enough, you see the shape and outerwear are a disguise. You can modify a lot about a scarecrow to make it look more human, but the closer a person gets to it, the less human it appears. I liked the idea of Sister’s husband physically resembling a scarecrow, and trying to acquire the pieces that would make him look human without his disguise—one Marianne is never able to see, but her family responds to favorably, which sets her apart.

Science Fiction

A Vortal ripped open in the heart of Manhattan. It began as a microscopic dot, invisible to the naked eye. Just hung there in midair, almost two meters above the street. People walked, drove, biked, rollerbladed, skateboarded, jogged, and one dude on his way to a Broadway audition even tap-danced by without noticing it. It grew. A day later, it was the size of a pea. A Metro bus struck it. It was still barely visible and the Sikh driver was hardly expecting to collide with a nearly invisible pea-sized obstacle suspended six feet up in the air.

Author Spotlight

Whatever the reason, the truth is that SF has ignored almost every group of heroes except the white male or female ones, and that’s just unbelievable in a country where more than half the children being born are non-white. SF has to be realistic and reflect the real world; the real America is colourful, transgender, lesbian, Muslim, immigrant and beautifully diverse. You can retire all those white SF heroes now: they can pick up their social welfare checks from the local VA every month and stay home griping about the way it used to be.

Fantasy

The wizards appeared at 8:41 a.m. out of a cloudless blue sky. Dapper in their green plaid public school uniforms, they whooshed through the air on broomsticks, wands extended to defend against an incipient threat. In unison, they intoned a solemn chant. Their words burned bright sigils into the air which swirled and coalesced into a glittering white sphere of light. The light pulsed and flashed and shimmered. The crowd gathered on the ground below looked up. Some had noticed the wizards when they’d appeared and then dismissed them as some kind of publicity stunt

Science Fiction

Dear Bob — “Dear Bob.” I can’t believe I’ve written that. Did I ever think you’d read this letter? Dear Bob — Dear Bob!!! I’ve done it. I’m writing the letter. How are you? But I won’t know that, will I? Not until I read your letter. Don’t forget—put it where you found mine, between Asimov and Bester, fourth shelf up in the science fiction section of Cray Point’s library, just as we agreed. I’ll pick it up when I’m next through, I promise, and God willing, I’ll leave you another letter that day. Then we’ll swap letters, just like that couple in 84 Charing Cross Road, swapping our lives between the lines.

Fantasy

When the witch came across the man whose leg had been shot through by the arrow he was hollering and disorderly and seemed like a bit of a nuisance. Still it could be said honestly that the man had a particular charm about him. For example when the witch asked if he was all right the man responded with only an agonized groan but beyond the groan there was also a look he gave her like the groaning in agony was a joke they alone were in on and she felt an immediate conspiratorial intimacy with the man with the shot leg.

Duration:

Author Spotlight

This is a trope I think about a lot. The life of those beings always seems to be one of isolation, as if exile is the cost of great power or knowledge. A genie is trapped in a lamp. A mad genius is trapped in their own head. Even if they don’t literally leave society, they can’t help viewing themselves as separate from it. There’s an essential schizophrenia to it. If you viewed yourself as totally apart from literally everyone you met, you’d have to at least seem a bit shady. And if the power has a high cost to begin with, isn’t it natural for the boon to have a cost?

Science Fiction

Kango and Sharon first met at a party, one of those lavish debauch-fests where people fly in from all over the galaxy wearing sentient fetishwear that costs a whole asteroid belt. The specially grown building had melted, causing toxic fumes that killed a few hundred people, and then the canapés on the appetizer table came to life and started mutilating bystanders with their razor-sharp mandibles. The party was going according to plan, in other words. The only thing that nobody could have predicted, even the most OCD of the party-planners, was that two of the party’s minor entertainers ended up standing around near the Best Dressed Dead Guest lineup.

Author Spotlight

I’ve always found real life totally absurd, and sometimes absurdism is the only way to portray our world accurately. We all train ourselves not to see what’s right in front of us, all the time, because that’s the price of functioning in twenty-first century society, and meanwhile we’re so overloaded with information and opinions that we can easily start believing things that make no sense. A non-absurd approach to storytelling is merely contributing to the problem, in a lot of ways.

Fantasy

A dirty little backstreet in London, bordered upon the east by Tottenham Court Road and upon the south by Oxford Street. A dirty little backstreet, shadowed and unfashionable, the walls darkened with unattended soot, the windows blinded with grime. It was home to the backs of restaurants on one side and the rears of glittering retail emporia upon the other, and little else but for a couple of residences, a pawnbroker, and a bookshop. The sign over the window read “Vesperine & Daughter. Dealers in Rare & Antique Books” and, while this was true, it was also somewhere short of the whole truth.

Nonfiction

Molly Tanzer is the British Fantasy and Wonderland Book Award-nominated author of Creatures of Will and Temper, Vermilion, and The Pleasure Merchant. She is also the co-editor of Mixed Up: Cocktail Recipes (and Flash Fiction) for the Discerning Drinker (and Reader). Her short fiction has appeared in Nightmare, Lightspeed, and She Walks in Shadows, as well as many other locations.