Tag Archives: Coen brothers

Today’s IMDB Top 250 Guest Review comes from Cara of Silver Screen Serenade. Thanks for being a part of this project, Cara! (and Happy Blogiversary). 🙂 Now let’s see what she has to say about Fargo, IMDB rank 127 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

I have a confession to make: I’m not a huge fan of the Coen brothers. I’ll pause to let the many, horrified gasps die down…

Everybody good? Because yep. I said it.

Admittedly, I haven’t seen all of their allegedly best stuff (i.e. The Big Lebowski, No Country for Old Men, Inside Llewyn Davis, etc.), but what I have seen has gotten a mostly “meh” reaction out of me—the one exception being O Brother, Where Art Thou?, which I find quite wonderful. But I wanted to watch Fargo because I was very curious about the FX series based on the film (and starring Martin Freeman, whom I adore). So when Miss Mutant’s list popped up and Fargo was a choice, I snatched it up. Was it a worthy choice? Let’s talk about that, shall we?

Jerry Lundegaard’s inept crime falls apart due to his and his henchmen’s bungling and the persistent police work of the quite pregnant Marge Gunderson.

What I liked:

The accents. They. Crack. Me. Up. I don’t know what it is about Northern Midwest American accents, but I find them completely hilarious. I think it stems from my longtime love of the movie Drop Dead Gorgeous. Have you guys seen that? It’s wonderful. Or maybe only I think it’s wonderful. Whatever. Point is, the accents in Fargo are just as funny.

Not only are many of the individual characters great, but the relationships are great, too. Marge and her husband, Norm (John Carroll Lynch), have the most adorable marriage ever. Tough Marge goes to work to keep the town safe while easy-going Norm enters painting competitions. They have meals together—big meals since pregnant Marge is constantly hungry. They fall asleep watching TV. Then there’s Carl and his strong, silent partner, Gaear. Definitely not as cohesive a relationship (as anyone who has seen the end of this film knows), but they’re a pretty funny odd couple. There are a lot of opposites like these in the film, and it works well.

The setting. There are more snow-covered scenes than you could possibly think to count, and it gives the film a very unique vibe. This is a place dominated by winter for a good portion of the year, and it shows.

The fact that some of these things actually happened. Fargo makes a big show of proclaiming itself a “true story” during the opening scene, which is embellishing—the plot and the characters are completely imagined. However, some of the events are taken from real-life, reminding us what a bizarre world we live in…

The wood chipper scene. Gruesome and severely twisted, but…lol.

What I didn’t like:

Aside from Marge, it seems like no one in this town has more than a brain cell apiece. I realize this is supposed to be for comedic effects—and there are several moments when it’s very funny—but c’mon…no one else is even remotely intelligent? It seems like there ought to be at least a couple more characters in there who aren’t brain-dead.

A person gets shot in the head, and it’s very “eww.”

There’s a very random, very bizarre scene involving a hotel room hook-up. It’s supposed to be funny, and I guess it kind of is, but part of me couldn’t help thinking, “Wait, what purpose does this scene have?” And dovetailing off of that…

At one point, Marge meets up with an old high school buddy, and things get downright awkward. Again, the scene is so random and unnecessary that I was a little confused about why it made it into the film in the first place. Stuff like this happens so often in Coen films. In fact, can we just all agree to start calling throw-in scenes like this a “Coen?”

The ending. Marge gives a great speech toward the end that I fully expected to be followed by the closing credits, but the film goes on a bit longer, making you think maybe it’s leading to something more…and then it ends. It’s a bit of a letdown. Coen films do that a lot, too, don’t they? Hmm. At this rate, we’re going to have to start calling a lot of things a “Coen.”

Summary:

Despite my qualms, I did enjoy this film. It’s a quirky, funny crime film that is bursting with personality, and it certainly doesn’t hurt that the performances are superb. Plus, the “true events” aspect of this film adds an interesting layer—even if the truth is super stretched. I still don’t like this one better than O Brother, Where Art Thou?, and I think I actually might prefer FX’s Fargo series to this, but I’d still say this film is worth a watch.

Today’s IMDB Top 250 Guest Review comes from Mark of Marked Movies. He also reviewed Heat (HERE) and Argo (HERE). Thanks for all the reviews, Mark! 🙂 Now let’s hear his thoughts on The Big Lebowski, IMDB rank 131 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

This film has such a massive cult following that it has even spawned a traveling, annual festival called “The Lebowski Fest“, at which fans congregate dressed as their favourite characters. It has also amassed a new belief system called “Dudeism” of which you can be ordained as a Dudeist priest. Now, this might be going a bit far but it’s all in the name of fun, of which, this Coen brothers tale supplies plenty of.

Jeffrey “The Dude” Lebowski (Jeff Bridges) is a cannabis smoking throwback from the seventies. He minds his own business, enjoying “bowling, driving around and the occasional acid flashback”. One day, two thugs break into his home and urinate on his rug – “which really tied the room together”. As he looks for answers, he finds that he has been mistaken for his namesake Jeffrey Lebowski, the Passadena millionaire (David Huddleston). Otherwise referred to as “The Big Lebowski”. Looking for compensation for his rug, he pays the millionaire a visit and finds that his absent, trophy wife Bunny (Tara Reid) owes money all over town – including known pornographer Jackie Treehorn (Ben Gazarra), who sent the thugs (to the wrong house) to collect on the debt. But the thugs aren’t the only ones who have gotten their Lebowski’s mixed up. A trio of Nihilists threaten “The Dude” for a ransom of $1 million, claiming they will kill his wife. Reluctantly, “The Dude” gets involved, with his crazed Vietnam veteran buddy Walter (John Goodman), in trying to get the bottom of all the confusion. Does this make sense? Don’t worry, “The Dude” doesn’t get it either.

Trying to even give a synopsis of the plot in this complex tale, is hard enough, but that’s to the Coens’ credit in concocting this elaborate modern day private detective story. In the past, the Coens payed homage to crime writer Dashiell Hammett with “Miller’s Crossing” and here, they pay homage to Hammett’s contemporary Raymond Chandler. It has all the elements of a classic private-eye yarn but masquerades as a zany comedy. It’s so much more than that. It’s a film that relies heavily on consistently sharp dialogue and each word, pause and stammer are delivered perfectly by an exceptionally brilliant cast; Bridges is a very fine actor but this is his moment of glory, in a role that is perfectly suited. He has received numerous plaudits throughout his career – for his more serious roles – but this is his most iconic. Coens regular John Goodman is also at his maniacal best as his loyal buddy, Walter. Sam Elliott is wonderfully endearing, as “The Stranger”, in cowboy attire, that narrates the whole wacky tale and a scene-stealing John Turturro is simply unforgettable as Jesus Quintana, a latino, sex-offending bowler. In fact, it’s very difficult to single out a specific performance, there are so many great appearances: from the likes of Steve Buscemi, Julianne Moore, David Thewlis, Ben Gazzara, Jon Polito and the always marvellous Philip Seymour Hoffman. The entire cast are just sublime and deliver their, razor sharp, dialogue under the most creative guidance from the Coens. It’s not just the performances that stand out though; usual Coens cinematographer Roger Deakins works with a rich and colourful pallet and the choice of music throughout, accompanies the scenes perfectly. I could go on and pick out every perfect detail of this classic but then I’d just be ruining it for you, even if you’ve already seen it. It’ll do no harm to see it again – with a spliff and a beverage – and allow your “casualness to run deep”.

I have tried to find the words that do this film justice but I still don’t think I have. Rest assured though, this is the most enjoyable Coens movie to date and an instant cult classic that wll take one hell of a film to topple it from my #1 spot.

Plot Synopsis: (via Wikipedia)Inside Llewyn Davis is a 2013 American comedy-drama film… about one week in the life of a singer who is active in New York’s folk music scene in 1961. Although Llewyn Davis is a fictional character, the story was partly inspired by the autobiography of folk singer Dave Van Ronk. Most of the folk songs performed in the film are sung in full and recorded live.

My Opinion:

Meh. I don’t know. I saw this early last week and have been putting off reviewing it because…. Meh.

I’ll start by saying I’ve never been a huge fan of the Coen brothers so that won’t have helped. Don’t hate any of their movies but never have exactly loved one either. Oscar Isaac does a decent job playing an unlikeable character in this. Carey Mulligan does a decent job playing an unlikeable character in this (but not for long – her role was smaller than I was expecting). John Goodman does a decent job playing an unlikeable character in this. Garrett Hedlund does a decent job being a hottie. I’ve not really seen him in anything else but I plan to now! And Justin Timberlake does a decent job playing Justin Timberlake.

Hottie & Sulley

There’s a cat so I guess that’s good. If you like cats. Which I don’t. There’s folk music so I guess that’s good. If you like folk music. Which I mostly don’t other than the occasional Bob Dylan. There’s, um… Oh wait. That’s about it. Oh! I kind of liked the scene where they sang that silly Mr Kennedy song and I was all like “hey, that guy with the low voice is in Girls!”. Oh wait – I thought of another thing. There’s a lot of moping so I guess that’s good. If you like people moping.

I really hope this isn’t the first review of mine that someone new to this blog is reading! This must be my worst review ever. (I’m lying – it’s totally not the worst. Don’t go digging through my oldest stuff!). 😉

What I’m saying is… This movie is okay. Not a lot happens. If you love the Coen brothers, don’t worry – you’ll like this one just fine. If you’re not a huge Coen brothers fan or if you have no experience with their films, don’t make this the first film of theirs that you see. They have better. But they probably have worse as well (I’ve not seen everything). Sorry for the crappy review – I struggled knowing what to say with this one! It’s not bad. I just won’t remember it in a couple years. Those are the films that depress me the most – I’d almost rather watch a REALLY BAD movie. At least they’re memorable.