Based in the North West of England, and kept busy as first choice guitarist for the classical tenor, Russell Watson, it seems that John Bailey is somewhat of a well kept secret. Although this is his third recording for his own Outhøuse imprint, he does not yet appear to have hit the jazz fraternity at large, but has reached the ears of only those in the know. This is something that should be rectified immediately with this fine release.

It must therefore be assumed that those in the know include Arild Andersen and Julian Argüelles who are more than willing participants, embracing the music with open arms while also managing to bring more than a little of themselves to the table. Andersen plays with his usual aplomb, impeccable time, superb tone, and a wealth of ideas both melodic and rhythmic that lifts the music. His playing on the opening piece, 'The Large Turf', based on a painting by Albrecht Durer is quite simply majestic, and matched by Bailey's melodic solo that follows the maestro's. This relationship between guitar and bass is explored in more detail in the equally fine 'Grize Dale', an all string affair with the classical trio that combines some elegant and lyrical solos and superb voicings for the string section.

Argüelles is confined to the soprano saxophone, leaving tenor duties to the more than capable Tim France, and by doing so often brings a lightness to proceedings that stand out in stark relief to the rhythm section and string trio. This is evident in his playing on 'Shivering Sky' where his lithe lines contrast with the darker hue of Richard Iles playing on flugelhorn. Even on a piece such as 'Feelings In Dusk' the saxophonist lends a brightness and optimism in his sound that suggests a reluctance to let go of any fading light. The soprano also leads the way in four contrasting, yet superbly controlled and developed free improvisations, that serve as welcome release and interlude from the more formally composed pieces.

With two superb soloist in Andersen and Argüelles, it is all too easy to lay the success of the album on at their feet. That would be a gross miscarriage of justice to Bailey whose compositions have served to bring out the best in all concerned. The writing is often bold and adventurous, and yet packed with delicate and memorable melodies, intricate use of rhythm and harmony, and the superb blending of jazz ensemble and classical trio.

All in all a hugely satisfying album that reveals more with each playing, and I for one look forward to following Bailey's subsequent recordings with eager anticipation.