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Monday, September 26, 2011

Another pleasant high quality surprise 'Irwell
Destiny', by Ron Busch is a rich Rosy violet based Plicata with golden
style arms giving the blooms a haunting inner golden glow, burnt
orange coloured beards add the finishing touch. Bloom has excellent
proportionate form, the ruffled standards are closed but not
tightly so, the ruffling continues in the Falls that are a warm white with the distinct edging of rose violet
complemented by an attractive spoke pattern radiating from the beards.
Unconfirmed reports of re-blooming last season. Unfortunately 'Irwell
Destiny' is an Iris with lost parentage. The up side, it is definitely fertile.
Available from Wendy Begbie's "Amazing Iris Gardens", and this season Wendy is
introducing four of Ron Busch irises, Irwell Aristocracy, Irwell
Courage, Irwell Destiny, and Irwell Tribute. Be in quick to order these
splendid New Zealand Bred Irises as they will be in much demand!!

I would like to give a huge hat tip to Wendy
Begbie, the owner of the brilliant “Amazing Iris Garden” for growing and
promoting New Zealand Bred Irises and for supplying the above fantastic
photo, and also a Big Hat tip to Ron Busch, a most discriminating
hybridiser.

As always clicking on any of the above image's will take you to the larger, higher resolution version.

Saturday, September 17, 2011

I first published information about the heirloom iris
'Finest Hour' on New Years day 2010.Recently I had mentioned in the 'Polar Cap' feature a reference that Carlos Ayento of Brighton Park Irises had sent me
the 'Finest Hour' photo to share with you all.To be honest the
artist enhanced drawing displayed in both the 'Stevens' and 'Schreiners'
catalogues and featured below is a wee bit short of the mark when it
comes to an accurate portrayal of the Iris and at best could be defined
as only helpful for ID purposes. It was certainly enhanced by the artist to show the iris in the best possible light.
In her book ‘Iris Culture and Hybridizing For Everyone’ Wilma Vallette
on page 313 noted the following, “Red Amoena’s have already appeared as
in 1958 Mrs Stevens’ FINEST HOUR was introduced, from ((Naranja x
Redmayne) x (Lagos x (Gudrun x (Lady Morvyth x Rangatira))) X (Russet
Mantle x Three Sisters). It is a typical variegata, noisy haft markings
and all, only on a white ground, rather than yellow, and very
contrasty. In America, Chet Tompkins bloomed #55-185 in 1954, a red and
white amoena in the 3rd generation from Colour Carnival and Three
Cheers. His description sounds very outstanding-large, beautifully
formed, with snowy standards, smooth hafted spectrum red falls, and a
fiery red beard. Unfortunately when he moved to Oregon a year or so
later, somebody stole the whole plant leaving him only one tiny rhizome
from which to build up stock. A sister, #55-185A is similar, but with
pink standards, and has already been crossed with Finest Hour, in an
effort to combine the two lines, and something quite promising may be
expected to appear. It has been suggested that Rumba Rose and Three
Sisters, which both have reddish falls, might be of value in a program
for red amoena’s, used with the yellow ones, and is the latter is a
grandparent of Finest Hour”.
Writing in his 1962 'Tell's Iris Garden" catalog, Tell Muhlestein
stated that the bloom was smallish and noted that Frank Hutchings
apparently selfed 'Finest Hour' and got a much improved form.
To date I can not find any registration of any of the above mentioned crosses or seedlings.

Jean Stevens in her catalogue description of this iris mentions that
Finest Hour is a very early bloomer so I have saved the publication of
the photo and additional information until close to the start of the New
Zealand bloom season, and maybe New Zealanders interested in Historic
Irises will be on the look out for another amazing Jean Stevens Iris. If
you see this iris growing in New Zealand please do not hesitate to
contact me.

Stevens Bros. Catalogue 1958-59
FINEST HOUR (Stevens)
Over the years we have raised and introduced many outstanding Irises,
but our speciality has been in the breeding of different Amoenas and
many of these are grown widely throughout the world. It has been our
pride that we introduced the first Yellow amoena "Pinnacle" ; the first
white and pastel lavender, "Polar Cap", the first white and Pastel
Blue,"Alpine Meadow". We feel very happy therefore to introduce another
"first",a red and white amoena, Finest Hour as a swan song to this our
last year in commercial iris growing. Until Finest Hour opened its first
blossom on a seedling plant an iris with clean white standards and rich
plum red falls had flowered only in the imagination of breeders.The
firmly closed standards of this new iris are snowy white except down
towards the hafts where they are faintly flushed with lemon chartreuse.
The falls are rounded and the glowing colour is rich and even. The
branching is excellent, and the whole plant is a vigorous grower and an
exceptionally fast increaser. Very early flowering, it is one of the
first varieties to open but remains in flower over a long season. 3 ½
ft. 50/-

Schreiners Iris Lovers Catalog 1958
FINEST HOUR (Stevens 1958) E. 38"
For years, hybridizers have dreamed of producing a red and white amoena
but with scant hope of success since nature produces amoena's only in the
violet and white form. However, Mrs. Stevens of New Zealand, whose
magic touch produced the first yellow and white amoena's, has now
startled the Iris world with the first red and white amoena. FINEST HOUR
possess snow white standards faintly brushed lemon-chartreuse at the
base of the midribs, together with plum-red falls of sharply flaring
form. A nicely branched Iris that will be very distingue in the garden
clump and which will, of course, be of unique interest to hybridizers.
$20.00

Waterson's Iris Gardens Wanganui 1960-1961
FINEST HOUR (Stevens)
Another "different" amoena of Mrs Stevens raising - this time a striking
red and white. The firmly closed standards of this iris are snowy white
execpt down towards the hafts, where they are faintly flushed with
lemon chartreuse.The falls are rounded and the glowing plum-red colour
is rich and even. The branching is excellent and the whole plant is a
vigorous grower and an exceptionally fast increaser. Very early
flowering, it is one of the first to open but remains in flower over a
long season. 3½ ft. 35/-

Monday, September 12, 2011

This iris is an example on how sometimes Checklists can lead you down the garden path so to speak.The elegant red-violet Iris is the Duane Meek 1978 introduction "Soul Music" and it is well named for sure. With a colour approaching black and light to moderate ruffling with a silky sheen, its overall form is even better than the very fine "Darkside". Now here is the problem, both versions of the 1979 checklists, the Print register and the Electronic register, state "bronze beard tipped violet" but as you can see in the photo above it is a violet beard tipped bronze. So have we got the whole ID wrong!!!In Bulletin of the American Iris Society #229, Spring of 1978 page 63 is the advertisement, for D & J Gardens 1373 Coventry Road, Concord, California, (the gardens of Duane and Joyce Meek) which included the following description.....SOUL MUSIC (Duane Meek, 78.) Fluorescent dark red-violet self. Solid bronze shoulders. Violet beard tipped bronze. Fine grower and produces multiple stalks on first year plant. EM 38-40" (((Coraband x Spooned Blaze) x La Negra Flor) X Royal Heritage) $25.00

Sunday, September 11, 2011

Just one of the stand-out irises I will look forward to this blooming season. Lets face it there has to be some payback to make all the weeding worthwhile. Ben Hager's "Snow Spoon" is a visual treat and several clumps grow at home among 'Graham Thomas' the Yellow David Austin roses. Irises with unusual decorative extensions to the beards are known as 'Space Age Irises'. Extensions to the beards range from horns (points) to spoons and flounces, and are so called because the ends of the horns expand to a larger petaloid, spoon or flounce like addition. I have always enjoyed the opinion's of Ben Hager and his published thoughts on Space Age Irises. "The word 'Novelty' which once meant a newly introduced iris, has recently been drafted to describe irises that are basically divergent in pattern, form or habit from the mainstream of iris development. Among the first publications to mention these iris types was the report Les Iris Cultivès from the first international conference in Paris 1922 [Ref 1]

Its would be fair to say that there is still a large number of Irisarians that still think of these irises as a spectacle of deformity and should have been sent to the compost, I would have to disagree, but that's no big surprise.

Breeders of today should further the advancement of the irises of the future by working for the miracle of combining beauty with novelty. Even without such a miracle,there is a place in our lives for the curious and the frivolous. Without diversion from the routine, life is dull. Consider these nonconformists of the iris world, for narrow is the path that leads to boredom" [Ref 2]

The Space Age Iris have come to be accepted by even the conservative American Iris Society and have awarded the varieties 'Thornbird'(1997), 'Conjuration'(1998), and 'Mesmerizer'(2002), all hybridised by the late Monty Byers, a California breeder, the Dykes Medal. Space Age Irises are the non-conformist of the Iris world and long may they live.

Friday, September 2, 2011

"One of the most serious difficulties the American Joint Committee has had to encounter is the duplication of names caused by the re-use of established names for the new introductions, or, in some cases, the renaming of old varieties; in fact, these mischievous practices have caused a large part of the chaos in common names of plants which now exists in American horticulture. The duplications doubtless occur more as a result of ignorance than deliberate intent to deceive. The genus Iris is a conspicuous example of this bad practice." Statement of the American Joint Committee on Horticultural Nomenclature in Check List No. 8 of the American Iris Society, October 1923":[Ref 1]My friends, oh my friends!!! The things I wrote and then deleted from this article! Words like, “Indignation”, “Deception,” and “Ignorance”! And then phrases like “I suppose an apology will be out of the question,” “smoke and mirrors,” “in denial of reality” and “yep we gotcha”!! Gone – all of them. It seems that even after waiting six years for a confirmed ID result that has exposed the iris ‘Braemar Station’ as just a impostor, a cultivar with lost labelling that was renamed, none of these reactions are appropriate for an Iris blogger.I am sure the above photo will interest you. It shows a group shot of 'Gypsy Queen' and 'Braemar Station' growing together this growing season in the garden of an eminent American irisarian prominent in the Historic Iris world. Would you care to guess which flowers are which? It would be difficult not to reach the conclusion the two irises are the one and the same. [Ref 2] So let’s look at how a 2005 registered iris could possibly be the same as the Iris 'Gypsy Queen' which the 1929 Check List attributes the breeding of to 'Salter before 1859' (his catalogue listed it in 1848).This is the registration from NZIS Checklist 2007:BRAEMAR STATION Carol Mackenzie by Gwenda Harris, Reg., 2005. SPEC-X, 39″, (100cm), L. S. and style arms greyed yellow (RHC 62A); F. white tinged yellow at haft and edges, heavily striped deep red-purple (59A) deepening to almost solid black; beards white deepening to gold; sweet fragrance. I. variegata X unknown. Maritima 2005.

It was apparently found in a horse paddock growing beneath a Lombardy poplar tree in the Mackenzie Country in New Zealand's South Island. It must be said that I do not have a problem with Carol Mackenzie finding an historic iris in a paddock and wanting to keep it – in fact she should be applauded for doing so – but the registration of this iris by Ms. Harris has always been of a concern.First up there is a problem with its registered class. This description comes from AIS Judges’ Handbook: “ “CHAPTER 20; SPECIES IRISESSPEC-X is the class for interspecies crosses. These hybrids have a mix of species traits creating a new plant. Any cross involving an iris species as one of the parents and another plant not of that species is a species cross. Also included in SPEC-X are further hybrids from interspecies crosses. All of the above crosses are included in the SPEC-X class. Even when a specific class exists for an interspecies cross, the hybridizer may elect to register his/her iris as SPEC-X if he/she feels it is more ''species-like'' and not representative of the definition of the specific class. The Randolph-Perry Medal is the highest award for irises in the SPEC-X class.”In 2007 an eminent European Irisarian wrote to both myself and Ms. Harris stating: "I am afraid its registration could cause confusion without a notice that it is a cultivar with lost labelling. The picture speaks for a variegata parentage but it is decidedly NOT a species, dry tops of spathes, at least, speak clearly for a hybrid origin. No one wild variegata can have such spathes".How is an Iris found in a paddock able to be registered with I. variegata as the pod parent?? What evidence was submitted at time of registration to justify this part of the pedigree????The NZIS bulletin (September 2009 #179 page 17-18) published the introducer's self-reinforcing and awkward interpretation of how the registration could be justified with regards to ‘Braemar Station’ and part of the article stated "Iris variegata, I. pallida and perhaps I. aphylla were the main parents of modern TB cultivars. I. variegata was particularity prolific, but its progeny have had a confused history with many names and many spellings. Some early hybrids and cultivars like, 'Victorine' have been listed in catalogues under at least seven different names".Nothing new here!!! ‘Gypsy Queen’ also had been listed in catalogues under at least eight different names and this iris was sold in New Zealand under at least one of its synonyms – "Hamlet" listed in the 1904, H. C. Gibbons, Wellington Bulb Catalogue, page 17. It could have also sold in New Zealand in other catalogue listings by others as, ‘Queen of Gipsies' and ‘Virgil’.Ms. Harris has also stated in the same article: “The ‘Braemar Station’ debate is reminiscent of the confusion surrounding two other variegata cultivars, ‘Honorabile’ and ‘Sans Souci’, which went on for more than a century and is also described by Mahan 2007 [Ref 3].” Well sorry, but no its not! I am not sure how an American domestic ID problem that is still subjected to discussion in America today becomes a justification for the registration of 'Braemar Station'. The difference between the above described scenarios and the registration of ‘Braemar Station’ is that all the confusion with catalogue published names of historic irises occurred prior to the publications of the 1929 or 1939 checklists. As irises rose in popularity in North America and Europe in the 1920s, an immense amount of research work in Catalogues and Journals, as well as in the recognised reference books, was undertaken in Britain and America prior to the publication of the check lists, to ascertain which varieties circulating under different names were in fact, the same plant, and to determine which was the original and therefore the legitimate, so that each iris cultivar, past, present, and future, would carry one “approved” name which identified it uniquely.Since then, there have been very limited examples to date where anyone has blithely attached a new registered name to an historic Iris with lost ID, and probably even less that have had a parentage fabricated.Now that the iris ‘Braemar Station’ has been grown alongside ‘Gypsy Queen,’ it has removed any doubt that the two named irises are one and the same. The day has come for registration of 'Braemar Station' to be withdrawn and nothing could be more inept than publication by Ms. Harris of any more dubious reasons of why the iris was registered in the first place. In case of ID confusion with the above photo, the iris labelled and sent to America by Ms. Harris as 'Braemar Station' is the stalk on the left of the photo, all others in the shot are ‘Gypsy Queen’.The original article 'Braemar Station- The Iris' by Gwenda Harris was published in The New Zealand Iris Society, June 2005, Bulletin 166, and then republished in 'ROOTS' the Journal of the Historic Iris Presevation Society, Volume 20, Issue 2, Fall 2007, the later a real surprise as by then many doubts had been raised, both in New Zealand and internationally surrounding the authenticity of this Iris. A second Article,'Braemar Station- An Update' by Gwenda Harris was published in the New Zealand Iris Society, September 2009, Bulletin 179.Update 2014;The truth about this iris is scarce but the supply has always been in excess of the demand. The NZIS on their web site now refers to photos of this iris as an 'Iris of no certain identity'.

References: [Ref 1] AIS Alphabetical Check List 1929 'EXPLANATION' page 3 [Ref 2] Some of the Iris blooms shown in this shot belong to the iris named as 'Braemar Station' and was sent to America by Ms. Harris two bloom seasons ago [Ref 3] Chapter 6 "Classic Irises and the men and women who created them" C Mahan, published Krieger 2007

"The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man".

George Bernard Shaw

WELCOME

HERITAGE IRISES

INDEPENDENT ALWAYS

Welcome to Heritage Irises, and
do make yourself at home. The blog shares the magic of Irises and
will feature some very special New Zealand raised varieties
including the brilliance of our very own Jean Stevens (1900-1967).
Each and every iris growing in New Zealand are a part of our Iris
Heritage and will all become historic or heirloom irises one day so
why not start early and give them all a good home! Writing and
researching about heirloom irises is just a hobby and the blog is my
diary notes and observations of the Irises I grow and like at
home.I'm really enjoying myself, although blogging is a lot like a
virus that invades the mind and body and you can't rid yourself of
it, in the nicest possibly way of course. Click on any photo to view
a larger image.

They took all the trees And put them in a tree museum Then they charged the people A dollar and a half just to see 'emDon't it always seem to go,That you don't know what you've got 'Til it's gone They paved paradise And put up a parking lot Yellow Taxi

Joni Mitchell

A 10 year old 5.1 mega pixel Fuji Finepix S5600 digital camera has been used exclusively for all photos able to be viewed on the blog that are accredited to Iris Hunter. Why such an old camera you may ask? Well its an easy camera to work with, but more importantly it reinforces my view that you don't have to invest thousands of dollars in equipment to produce a reasonably swish Blog

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