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Your Link to the International World of Early MusicenAdministrator Admin@EarlyMusicNews.org (EarlyMusicNews.org)Administrator Admin@EarlyMusicNews.org (EarlyMusicNews.org)(IE) Women and the 19th-Century Lied (9-10 Dec. 2011)http://www.earlymusicnews.org/index.php?module=news&type=user&func=display&sid=1034&title=ie-women-and-the-19th-century-lied-9-10-dec-2011

“The names of such women composers as Fanny Hensel, Josephine Lang and Clara Schumann are becoming increasingly familiar to music students, performers and audiences. Through the study of these and other composers, we are constantly gaining a deeper understanding of women's relationship to the 19th-century Lied. Worthy of inclusion in modern-day Lieder-recitals, many of these songs are as engaging as those composed by male composers. The aim of this event is to promote the study of song by women composers and women's relationship to the Lied throughout the 19th-century by focussing on the following areas:&nbsp;
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<p> At the latest <strong>Annual Meeting of the American Musicological Society </strong>(10-13 nov 2011), a number of awards were presented.&nbsp;
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<br />“The <strong>American Musicological Society</strong> was founded in 1934 to advance research in the various fields of music as a branch of learning and scholarship.&nbsp; 3,600 individuals and 1,100 institutional subscribers from over forty nations participate in the Society.“
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<h4><span lang="EN-GB">Symposium of the Institute for History of <span class="bold">Musical Reception and Interpretation at </span>Salzburg Mozarteum University</span>
</h4> December 16th–18th, 2011
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<br />“Apostrophizing “The End of Early Music” Bruce Haynes in 2007 pointed out an evident development that had been perceived as a sort of subliminal crisis for some time: a certain incrustation connected with commercialization of Early Music. Have those tendencies actually withdrawn substantial impulses, have teaching, presentation and performance actually got stuck? How has the present practice of Early Music developed? Which basic approaches – on the one hand from the studies of source material, or on the other hand from research projects of historical oriented interpretation – can be acquired for the future?<span style="font-family: 'Times New Roman','serif';">
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“The Pacific Southwest Chapter of the American Musicological Society will have its fall meeting at University of Redlands (about an hour east of Los Angeles) on Saturday, October 15th, 2011.
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<p><strong>A Royal Musical Association Study Day in association with the Sixteenth-/Seventeenth-Century Music Network (SSMN):</strong>
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<p><em><strong>Domestic Music in Recusant Circles in Elizabethan and Jacobean Times</strong></em>
<br /><em>A Forum for Students, Performers and Researchers
<br />Fitzwilliam College, Cambridge on 26 November 2011
<br /><strong>Guest speaker:</strong> Kerry McCarthy (Duke University, USA) </em>
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<p><u><strong>CALL FOR PAPERS </strong></u>
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<p>Some exceptional music was created during the Elizabethan and early Jacobean periods, and some of it was inspired by the religious uncertainties and suppression that existed at the time. The wealth of music was possible in part through the interest and generous patronage provided by many of the wealthy, educated and influential English Catholics who retired from court to their country estates where they cultivated the arts in the freedom of their privacy. This forum is an attempt to bring together research into the many aspects of domestic music in the network of English Catholics.
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<p><strong>Franz Liszt: Mirror of a European Society in Evolution </strong>
<br /><em>Organized by the Universities of Rennes, Dijon and Strasbourg, France </em>
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<br />As part of the bicentenary celebrations of Liszt’s birth, the universities of Rennes, Dijon and Strasbourg organize a tribute to the most representative European composer of the nineteenth century. Three symposia in three different cities will give new insight into three different aspects of Liszt s artistic, literary and political personality and seek to (re)define his status in the cultural world of his time.
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“The Ninth World Shakespeare Congress in Prague will mark the next phase in a journey through four continents. Beginning in Vancouver, this international conference has travelled every five years since 1971 to share Shakespearean scholarship, performance, and pedagogy at another great site: Washington D.C., Stratford-upon-Avon, Berlin, Tokyo, Los Angeles, Valencia and Brisbane.
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<p>Department of Musicology at the Faculty of Arts, Masaryk Univerisity
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<p><strong>Central European Musical Culture between the Thirty Years War and the Congress of Vienna: </strong><em>Forms and changes in musical institutions and performance, 1618-1815 </em>
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<p>“The time frame of this colloquium is defined by events of European significance in terms of political history. In Central Europe, however, processes lasting for almost two hundred years significantly influenced the formation of different types of socio-cultural environments, as the historian Josef Válka has pointed out in the royal, monastical and urban environments of the Baroque period.
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Fri, 01 Jul 2011 05:01:36 +0000http://www.earlymusicnews.org/index.php?module=news&type=user&func=display&sid=686&title=cz-call-for-papers-46th-brno-international-musicological-colloquium-2011-october-deadline-2011-july-31(ES) 2nd International Conference: Luigi Boccherini and the Music of his Time (2011 November 2-4)http://www.earlymusicnews.org/index.php?module=news&type=user&func=display&sid=647&title=es-2nd-international-conference-luigi-boccherini-and-the-music-of-his-time-2011-november-2-4

Chalice Consort is pleased to announce the second annual Chalice Consort Early Music Conference (CCEMC), which brings together performers, scholars, and listeners of early music to examine newly-discovered and edited sacred music from the Renaissance and Baroque eras, and select the top piece from those heard at the conference will be performed at a future concert by the Chalice Consort.
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