The first episode of Mira Burt-Wintonick and Cristal Duhaime’s new series, Pen Pals offers a twist on the classic Shakespearian tragedy of Romeo and Juliet. What happens after their dead?

In addition to this being a retelling of Romeo and Juliet’s journey, the first episode also acts as an solid adaptation for the source material. The listener experiences the story through audio. However, the in-story method is done via text messaging. The one drawback is the sound effects can get repetitive.

As far as adaptions go, this version of Romeo and Juliet doesn’t rehash the entire plot through spoken text messages. It goes off what the general audience knows about the play and lets you fill in gaps where necessary. What Duhaime and Burt-Wintonick do with this 15th century play is not only bring it to the modern age, but also tell a fascinating story about two lovers who die tragically and suddenly have to deal with the fact they’re no longer together. Even in the afterlife.

At times the story can get somewhat annoying, but that’s only because they capture the hormonal moodiness of teenagers too well. If you teach a class on Romeo and Juliet, some of the scenes might be worth checking out. Be warned there are a few curse words, which most high schools would frown upon. However, they are used sparingly.

Starting out the scenes are a nice duration. They get to the point and don’t stretch out. In late, out early. Towards the middle, the scenes become shorter and less happens. It’s played for comedic effect, but after the fourth or fifth time it got old.

Overall Pen Pals’ take on Romeo and Juliet is a wonderful addition to fan fiction everywhere. Highly recommended you check it out. Use promo code: PENPALS to get a one month free trial.

From the hearts and minds of Mira Burt-Wintonick and Cristal Duhaime (“Love Me” and “Wiretap”) comes a new audio series: “Pen Pals.”

This new scripted audio series takes unlikely character pairings such as Frederick Nietzsche & Charlie Chaplin and runs with them. The first episode drops on March 15, 2017 and involves the characters of Romeo and Juliet with a twist. What happened after they died?

The show’s cast includes Paul Rust (Love), Noël Wells (Master of None), June Diane Raphael (Grace and Frankie), Mary Holland, Seth Morris and more. The 5-part series will be available on Stitcher Premium. Listeners will be able to sign up for a free month using promo code PENPALS.

Influential radio dramatist Tom Lopez has launched a new website for lovers of audio drama.The website allows subscribers to stream a total of 238 hours of radio drama for a small monthly or annual fee.

Lopez has been producing radio/audio stories for 46 years – comic and cosmic adventures, science fiction, mystical mysteries, some with spiritual wisdoms, and some that are just down right fun, family entertainment. His intention has always been to raise consciousness by using the media, radio and audio.

The dramas include performances by a stable of talented actors from the worlds of Broadway, television and avant-garde theater; original music by composer Tim Clark; and real-world ambient sound Lopez has recorded around the globe.

Lopez’s non-profit foundation ZBS produced original stories for Public Radio, Internet Radio, CDs, and MP3 downloads. When radio drama peaked in the 1980’s many of his series aired on the BBC, CBC Canada, ABC Australia, National Public Radio & Armed Forces Radio, including over 500 stations in the US. As radio drama began to disappear from the airwaves, Lopez sought out alternative avenues of distribution that were consistent with his adventurous nature including podcasting.

Over the years Lopez has kept ZBS alive with government grants and commissions for audio books. Fans have played a critical role by donating money and buying his finished radio dramas online.

“People actually give us money to continue to produce,” Lopez says. “These are all public radio listeners. They understand that you have to support not-for-profit arts organizations.”

Fans of radio drama can check out Lopez’s catalogue and find out more information at www.zbsmedia.com.

What made you want to start a Podcast about relationships? Were shows like Serial and other podcasts, based on anecdotes, inspirational to you?

MBW: I’m always curious to hear about what’s going on in other people’s relationships. I’m a bit of a snoop. I wanted to create a show that would give me an excuse to talk to people about their private lives. And after WireTap ended, Cristal and I wanted somewhere to feature all the radio fictions we planned to write, and we figured starting our own show might be the best way to achieve that.

CD: Yeah, we were interested in having a venue in which we could explore both documentary and fiction. And relationship struggles seemed like a natural fit for a topic since it’s such a universal problem and there’s just so much to explore there. But we also wanted to make sure we were covering all kinds of interactions–not just romantic ones.

Tell us about Wiretap and its relationship to Love Me and the CBC?

MBW: Working on WireTap was an incredibly formative experience. I spent 10 years working on that show, which is pretty much my entire career. We always felt pretty lucky in that the CBC let us do our own thing for the most part so we were free to experiment and try new things. After spending so many years mixing WireTap, the aesthetic inhabits you a bit, so Love Me is definitely a continuation of that aesthetic in certain ways. But we also wanted to try to make it sound distinct so we enlisted a few musicians to help create Love Me’s sonic space with a new theme song and some scoring music.

CD: Listeners who are familiar with WireTap will definitely recognize a similar production style–for example the use of music and creative sound design to complement our stories, which can sometimes contribute to a surreal atmosphere… But it’s also a departure in that WireTap obviously very much centered on Jonathan Goldstein as the host and personality of the show and all the elements were filtered through him. Love Me instead focuses on the individual stories week to week. While we do have a host, the wonderful Lu Olkowski, she plays a somewhat non-traditional role in that we only hear from her off the top and she doesn’t interact with the pieces in the show.

How did you come across the stories for your first couple of episodes. Is there a way for people to submit their own to Love Me?

MBW: Our story ideas are a mix of us imagining things that would be fun to hear and then seeking those out in the real world or writing a fiction inspired by that idea, but then we also reached out to storytellers and asked them to pitch us stuff. We’re no longer accepting submissions for Season 1 of Love Me, but if we do a second season we’d love for people to get in touch if they have a story they want to share. They can do so through our website or at loveme@cbc.ca

CD: Yeah, when we did the call-out for season 1, we weren’t sure exactly what we were looking for… But now we have more of a sense of things and we hope listeners will as well and come to us!

What was the hardest part about creating the show, in terms of production? What was the easiest?

MBW: One of the hardest parts was selecting the stories we wanted to feature. We got flooded with story submissions and it was tricky to decide which ones to focus on and which to devote our energy to. Once we figured that out it was a little easier to wrap our heads around everything, but then of course the challenge of structuring each piece begins, which is no easy feat. Each piece went through many many drafts during the editing process before we felt satisfied with the story arc. The easiest part was probably mixing because once you get into the right flow things start to come together nicely and you have all the elements in front of you so you’re no longer digging through tape and re-arranging things. You’re just trying out different songs and sounds and seeing what resonates best.

CD: There was also a lot of heavy-lifting in figuring out the basic elements of the show, for instance the theme song and scoring music, the host’s role, the show’s logo, etc. Those elements are instrumental in creating the identity of a show and once they’re put in place there’s no going back. So that seemed to require a lot more thought and debate than with just producing individual stories. If we were to do a 2nd season of the show, I think we would have an easier time of it as that foundation will already have been worked out. We were also perhaps a little ambitious with some of our pieces which made production rather intensive–one of the toughest things we decided to do was a short drama with 12 characters. The casting alone was incredibly time-consuming, let alone the editing and mixing!

What can listeners expect in future episodes? Anything you can reveal?

MBW: We have a great story by the ABC’s Sophie Townsend that we’re really excited about. She’s one of our favourites radio producers. And a few more personal stories that made us cry all through the editing and mixing process. But it’s not all tears! There’s some fun stuff, too!

CD: The short drama with 12 characters I mentioned before is coming up in episode 5, “Family Portrait”. It features a well-meaning family man who tries to get one decent group photo. And of course, things go horribly awry. I’m also excited about the story of a woman in her 60s who seeks out the man who confessed his feelings for her back when they were in their teens. She finds out he joined the priesthood shortly after she turned him down all those years ago…

Where can people learn more about Love Me and other works you’re involved with?

MBW: People can subscribe to our podcast on iTunes or visit cbc.ca/loveme for extra content, like photos associated with each episode or a great animation about untranslatable words of love. We’re also starting production on a new fiction series for Howl.fm that will be released sometime in the fall.

The upcoming podcast, “Love Me” from the CBC, is both heartbreaking and filled with such raw, powerful emotions that you can’t help but get a lump in your throat.

Part anecdotal and part audio drama, “Love Me” is what you get when you cross NPR’s “Serial” with audio drama of the 21st century. The shows format is straight forward. Real people reading of their own accounts of what love is to them. Love in this context is broader than the definition most people think of when discussing the complex emotion. It includes things like friendships and the struggle of long distance relationships, across both oceans and languages.

The audio dramas come in at the second half of the episode. The first two range from computer-voiced characters who have a falling out and a game show where the contestant is matched against their own id, ego and super ego. Both are humorous, but the real power lies in the first half. Hearing someone about to break down in tears for a friend they clearly care about is heartbreaking and will hit close to home for a lot of people. For those asking about audio dramas like “The Truth” and other similarly toned podcasts, these are a good couple of episodes and a great start to a series.

More Information

The show is produced by Mira Burt-Wintonick and Cristal Duhaime and is premiering its first episode on Monday June 13, 2016. A preview of the show can be found clicking here. You can also Subscribe on iTunes.