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Two long years after Breaking Bad ended, we've finally returned to the meth-filled landscape of New Mexico. Before we actually arrive in the pre-Heisenberg era Albuquerque, we catch up with Saul Goodman in the present, working at a Cinnabon in Nebraska. Shot in black and white, the opening of the highly anticipated series shows Goodman in a subdued, yet still extremely paranoid state. He returns home, fixes a drink, and turns off the weather report (more snow, just like Walter White himself would have heard while he was in hiding) to watch old commercials for his law firm.
Cut to 2002, where Saul Goodman, going by his real name, Jimmy McGill, is defending three teenagers accused of necrophilia. McGill reasons that this is a simple case of boys being boys, and that technically nobody got hurt. The prosecutor's response is to simply play the tape the teens filmed themselves, of them sawing off a cadaver's head before engaging in sex acts with it. This is the sort of defense (and use of the word "technically") only Saul Goodman would try. Of course, the three teens end up in jail.
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After posing as his own secretary and engaging in an embarrassing-to-watch altercation with the parking lot attendant (Mike Ehrmantraut!), he tries desperately to convince the Kettlemans, suspected of embezzling $1.6 million, to use him as their legal representative. They're not entirely convinced, asking to sleep on it, and in a last-ditch effort to sway them, McGill orders a "classy," expensive-looking-but-cheap flower arrangement for them while driving, only to crash into a skateboarder. The skateboarders are trying to hustle him, and in a very "don't hustle the hustler" moment, McGill gets rid of them.
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He then returns to his office, possibly the only workplace sketchier than the one we met him in on Breaking Bad, in the back of a nail salon. He finds a check for $26,000 amidst a pile of overdue bills in his mail, which he promptly rips up. We next see him storming obnoxiously into a real law office, where he insists with the partners to cash out his brother, Chuck, who he's convinced will not be returning to the firm. After his unsuccessful meeting with the partners, he leaves the building, dejected, only to discover the Kettlemans meeting with the partners.
Agitated, Jimmy heads to his brother's, checking his watch and cell phone in the mailbox before walking into the house and grounding himself (his brother believes he has electromagnetic hypersensitivity). He argues with Chuck about the buyout, ultimately losing that argument as well. Chuck then suggests Jimmy changes the name of his practice, to avoid confusion with his law firm.
McGill then tracks down the skateboarding scammers, relaying the story of his days known as Slippin' Jimmy, where he would slip and fall to get easy money. He convinces them to con Betsy Kettleman, showing them her car and an intersection she'll drive through at a specific time, to both earn some money for himself and the skaters, but also to screw over the Kettlemans. For the first time all episode, we see that something works for Jimmy, and the car hits the skaters just as planned.
Since nothing ever actually goes as planned for this guy, the car takes off after hitting the skater. They follow the driver to a house, where, instead of Betsy Kettleman exiting the car, it's an elderly Hispanic woman. Having just talked to Jimmy, they know they can earn more money from her since she's just committed a felony, and they begin to harass her despite an obvious language barrier. She goes inside to get "mijo." Mijo is none other than Tuco Salamanca, future enemy of Walt and Jesse, which we learn moments later as Jimmy arrives and Tuco pulls him into the house at gunpoint.
The next episode shows that Tuco's distraught abuelita explains to her grandson what happened, while the skateboarders shout over her to Tuco that there would be problems unless they received money. At one point, they refer to Tuco's dear novella-loving abuelita as a "biznatch," which is a really catastrophic mistake to make when dealing with a member of the Salamanca family. Tuco calms his grandmother upstairs and insists she watch her television show (loudly) while he deals with the situation.
He handles the situation the way any unhinged person would respond to their grandmother being called a "biznatch" -- he bashes their faces in with his grandmother's cane. His abuelita comes to check on things, only to find Tuco cleaning the carpet, where he spilled some "salsa." His grandmother, whose main concern is of course the stain setting on her carpet, insists he uses club soda. After assuring her he would and getting her to return to her novella, he makes a call, asking someone to come over with a van. And that's when Jimmy knocks on the door.
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McGill convinces Tuco that this was all, more or less, a misunderstanding, and pleas for the skaters to be spared, if they haven't already been killed. Tuco leads him at gunpoint into the garage, handing James a knife and allowing him to cut them free. As soon as he removes one's gag, the skater outs McGill's whole story, leading them all into the desert where so many will one day lose their lives on Breaking Bad.
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Once in the desert, Tuco and his men standing over him, James McGill tries to explain that this was all a misunderstanding; he's a lawyer trying to scam some embezzlers in order to gain their business. Unconvinced, Tuco takes a pair of wirecutters to Jimmy's fingers until he ultimately lies and tells them he's an FBI agent. Upon even more interrogation, he reverts back to the truth, explaining that he's a lawyer, and is finally freed, because it's not a good idea to get on a lawyer's bad side in the meth business.
Once freed, he is about to leave the desert unscathed, but decides to try to save the lives of the skate-scammers since, really, it's his fault they're here in the first place. McGill fabricates a story in true Saul style about their hard-working arthritic mother who would be crushed if her sons died. After some more negotiating, Tuco agrees to only break one leg each.
After then going on a date (in a silent, soundtrack-over-sound scene featuring mostly breadsticks and lipstick-covered straws, the only low point of the two-part premiere), Jimmy returns to his brother's house without grounding himself or removing his cell phone. When he wakes up, Chuck is covered in a space blanket, and he realizes that Chuck has seen the bill for the skaters' hospital visit. He assures him that he's not going back to Slippin' Jimmy days.
Enter another somewhat-weak montage of his everyday life in the courts as a public defender. Then, we see James in his nail salon office, where he's visited by his first client to see him there, Nacho, one of Tuco's "business associates." Nacho is looking to find the $1.6 million the Kettlemans embezzled, and offers McGill a 10% finders fee for helping him. McGill refuses, but Nacho leaves his number and reminds McGill that if he speaks to anyone about this conversation, he'll be killed.
The episodes bring back the glory of the Breaking Bad days without being cheesy or overly nostalgic; there are thrills, laughs, twists, and overall, a strong premise. Saul/Jimmy's willingness to just about anything to establish himself professionally holds promise, especially since we know he doesn't work with the most reputable people. The true highlight is by far the return of Tuco Salamanca, all at once terrifying and hilarious, rejoicing in becoming the "Kingbreaker," cleaning up "salsa" stains, yet also filled with glee as he makes someone's leg bend the wrong way.

Sam Smith was the toast of the 57th Annual Grammy Awards on Sunday (08Feb15), walking away with four of the six honors he was nominated for, including the coveted Record of the Year.
The British soul sensation kicked off his celebrations early after claiming the very first award of the televised show for Best New Artist. He soon followed it up with the Best Pop Vocal Album for In The Lonely Hour, and was back onstage towards the end of the Los Angeles ceremony to wrap up his big night with wins for Song of the Year and Record of the Year for Stay With Me.
Taking to the stage for the fourth time, Smith poked fun at the ex-boyfriend who inspired the album, saying, "This is the best night of my life. I wanna thank the man who this record is about... Thank you so much for breaking my heart because you got me four Grammys!"
Fellow six-time nominees Beyonce and Pharrell Williams each went home as triple winners, while Beck landed Best Rock Album and Album of the Year for Morning Phase - and almost had Kanye West repeat his infamous stage invasion at the 2009 MTV Video Music Awards, when he interrupted Taylor Swift to defend his pal Beyonce's honor. This time, the rapper approached Beck as he collected the Album of the Year accolade, which Beyonce was also nominated for, and pretended to head towards the mic, before laughing and returning to his seat in the front row - much to everyone's amusement.
AC/DC got the Grammy Awards off to a rocking start with a hits medley, while Madonna dazzled the Staples Center audience in a red and black matador costume to sing her new release Living For Love, and Rihanna, Kanye West and Sir Paul McCartney staged the first ever performance of their new collaboration, FourFiveSeconds.
Other performance highlights at the event, hosted by LL Cool J, came from Ed Sheeran and Electric Light Orchestra frontman Jeff Lynne; Katy Perry, who honored victims of domestic violence with a powerful rendition of By The Grace of God; Sam Smith and Mary J. Blige's soulful collaboration on Stay With Me, and Pharrell Williams, who gave his Happy tune a gospel makeover, complete with Hans Zimmer on guitar and Lang Lang on piano.
The full list of winners at the 2015 Grammy Awards is:
Record Of The Year - Stay With Me (Darkchild Version) by Sam Smith
Album Of The Year - Morning Phase by Beck
Song Of The Year - Stay With Me (Darkchild Version) by Sam Smith
Best New Artist - Sam Smith
Best Pop Solo Performance - Happy by Pharrell Williams
Best Pop Duo/Group Performance - Say Something by A Great Big World With Christina Aguilera
Best Traditional Pop Vocal Album - Cheek To Cheek by Tony Bennett &amp; Lady Gaga
Best Pop Vocal Album - In The Lonely Hour by Sam Smith
Best Dance Recording - Rather Be by Clean Bandit featuring Jess Glynne
Best Dance/Electronic Album - Syro by Aphex Twin
Best Contemporary Instrumental Album - Bass &amp; Mandolin by Chris Thile &amp; Edgar Meyer
Best Rock Performance - Lazaretto by Jack White
Best Metal Performance - The Last In Line by Tenacious D
Best Rock Song - Ain't It Fun by Paramore
Best Rock Album - Morning Phase by Beck
Best Alternative Music Album - St. Vincent by St. Vincent
Best R&amp;B Performance - Drunk In Love by Beyonce featuring Jay Z
Best Traditional R&amp;B Performance - Jesus Children by Robert Glasper Experiment featuring Lalah Hathaway &amp; Malcolm-Jamal Warner
Best R&amp;B Song - Drunk In Love by Beyonce featuring Jay Z
Best Urban Contemporary Album - Girl by Pharrell Williams
Best R&amp;B Album - Love, Marriage &amp; Divorce by Toni Braxton &amp; Babyface
Best Rap Performance - I by Kendrick Lamar
Best Rap/Sung Collaboration - The Monster by Eminem featuring Rihanna
Best Rap Song - I by Kendrick Lamar
Best Rap Album - The Marshall Mathers LP2 by Eminem
Best Country Solo Performance - Something In The Water by Carrie Underwood
Best Country Duo/Group Performance - Gentle On My Mind by The Band Perry
Best Country Song - I'm Not Gonna Miss You by Glen Campbell
Best Country Album - Platinum by Miranda Lambert
Best New Age Album - Winds Of Samsara by Ricky Kej &amp; Wouter Kellerman
Best Improvised Jazz Solo - Fingerprints by Chick Corea
Best Jazz Vocal Album - Beautiful Life by Dianne Reeves
Best Jazz Instrumental Album - Trilogy by Chick Corea Trio
Best Large Jazz Ensemble Album - Life In The Bubble by Gordon Goodwin's Big Phat Band
Best Latin Jazz Album - The Offense Of The Drum by Arturo O'Farrill &amp; The Afro Latin Jazz Orchestra
Best Gospel Performance/Song - No Greater Love by Smokie Norful
Best Contemporary Christian Music Performance/Song - Messengers by Lecrae featuring For King &amp; Country
Best Gospel Album - Help by Erica Campbell
Best Contemporary Christian Music Album - Run Wild. Live Free. Love Strong. by For King &amp; Country
Best Roots Gospel Album - Shine For All The People by Mike Farris
Best Latin Pop Album - Tangos by Rubén Blades
Best Latin Rock, Urban or Alternative Album - Multiviral by Calle 13
Best Regional Mexican Music Album (Including Tejano) - Mano A Mano - Tangos A La Manera De Vicente Fernandez by Vicente Fernandez
Best Tropical Latin Album - Mas + Corazon Profundo by Carlos Vives
Best American Roots Performance - A Feather's Not A Bird by Rosanne Cash
Best American Roots Song - A Feather's Not A Bird by Rosanne Cash
Best Americana Album - The River &amp; The Thread by Rosanne Cash
Best Bluegrass Album - The Earls Of Leicester by The Earls Of Leicester
Best Blues Album - Step Back by Johnny Winter
Best Folk Album - Remedy by Old Crow Medicine Show
Best Regional Roots Music Album - The Legacy by Jo-El Sonnier
Best Reggae Album - Fly Rasta by Ziggy Marley
Best World Music Album - Eve by Angelique Kidjo
Best Children's Album - I Am Malala: How One Girl Stood Up For Education And Changed The World (Malala Yousafzai) by Neela Vaswani
Best Spoken Word Album (Includes Poetry, Audio Books &amp; Storytelling) - Diary Of A Mad Diva by Joan Rivers
Best Comedy Album - Mandatory Fun by "Weird Al" Yankovic
Best Musical Theater Album - Beautiful: The Carole King Musical (Jessie Mueller, principal soloist; Jason Howland, Steve Sidwell &amp; Billy Jay Stein, producers; Carole King, composer &amp; lyricist; Original Broadway Cast)
Best Compilation Soundtrack For Visual Media - Frozen (Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall &amp; Chris Montan, compilation producers)
Best Score Soundtrack For Visual Media - The Grand Budapest Hotel by Alexandre Desplat
Best Song Written For Visual Media - Let It Go by Kristen Anderson-Lopez &amp; Robert Lopez Best Instrumental Composition - The Book Thief by John Williams
Best Arrangement, Instrumental or A Cappella - Daft Punk (Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstin Maldonado &amp; Kevin Olusola, arrangers; Pentatonix)
Best Arrangement, Instruments and Vocals - New York Tendaberry by Billy Childs, arranger (Billy Childs Featuring Renée Fleming &amp; Yo-Yo Ma)
Best Recording Package - Lightning Bolt by Pearl Jam Best Boxed Or Special Limited Edition Package - The Rise &amp; Fall Of Paramount Records, Volume One (1917-27) by Susan Archie, Dean Blackwood &amp; Jack White, art directors (Various Artists)
Best Album Notes - Offering: Live At Temple University by Ashley Kahn, (John Coltrane)
Best Historical Album - The Garden Spot Programs, 1950 by Hank Williams
Best Engineered Album, Non-Classical - Morning Phase by Beck Producer Of The Year, Non-Classical - Max Martin
Best Remixed Recording, Non-Classical - All Of Me (Tiesto's Birthday Treatment Remix) (Tijs Michiel Verwest, remixer (John Legend)
Best Surround Sound Album - Beyoncé (Elliot Scheiner, surround mix engineer; Bob Ludwig, surround mastering engineer; Beyoncé Knowles, surround producer (Beyoncé)
Best Engineered Album, Classical - Vaughan Williams: Dona Nobis Pacem; Symphony No. 4; The Lark Ascending (Michael Bishop, engineer; Michael Bishop, mastering engineer (Robert Spano, Norman Mackenzie, Atlanta Symphony Orchestra &amp; Chorus)
Producer Of The Year, Classical - Judith Sherman
Best Orchestral Performance - Adams, John: City Noir by David Robertson, conductor (St. Louis Symphony)
Best Opera Recording - Charpentier: La Descente D'Orphee Aux Enfers by Paul O'Dette &amp; Stephen Stubbs, conductors; Aaron Sheehan; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)
Best Choral Performance - The Sacred Spirit Of Russia by Craig Hella Johnson, conductor (Conspirare)
Best Chamber Music/Small Ensemble Performance - In 27 Pieces - The Hilary Hahn Encores by Hilary Hahn &amp; Cory Smythe
Best Classical Instrumental Solo - Play by Jason Vieaux Best Classical Solo Vocal Album - Douce France by Anne Sofie Von Otter; Bengt Forsberg, accompanist (Carl Bagge, Margareta Bengston, Mats Bergström, Per Ekdahl, Bengan Janson, Olle Linder &amp; Antoine Tamestit)
Best Classical Compendium - Partch: Plectra &amp; Percussion Dances by Partch; John Schneider, producer
Best Contemporary Classical Composition - Adams, John Luther: Become Ocean by John Luther Adams, composer (Ludovic Morlot &amp; Seattle Symphony)
Best Music Video - Happy by Pharrell Williams
Best Music Film - 20 Feet From Stardom by Darlene Love, Merry Clayton, Lisa Fischer &amp; Judith Hill
Grammy Trustees Award - Richard Perry, George Wein, Barry Mann and Cynthia Weil President's Merit Award - Martin Bandier
Lifetime Achievement Award - George Harrison, Bee Gees, Buddy Guy, Louvin Brothers, Wayne Shorter, Pierre Boulez and Flaco Jimenez.

Former supermodel Jerry Hall has landed a part in upcoming horror movie Hellbent, marking her first film role in four years. The ex-wife of Rolling Stones frontman Sir Mick Jagger will play a schoolmistress opposite Billy Bob Thornton, admits she is excited to appear on the big screen again.
Hall tells British newspaper the Daily Mirror, "It's a bit like Breaking Bad. I play a very stern schoolmistress with little sex appeal, so it won't be that glamorous but I'm very excited to be in it... I love to model and will always do my charity work but I'm really an actress at heart. I start filming in the U.S. next month."
She recently appeared in a traditional British pantomime playing the Wicked Queen in a production of Snow White in London, while her previous film appearances include a turn in 1989 blockbuster Batman.

Better Call Saul is about to make its debut, and we couldn't be anymore excited. Saul (Bob Odenkirk) was the funniest character besides Jesse Pinkman (Aaron Paul) on Breaking Bad. His questionable methods and business made us curious about his other clients. We are happy that our curiosity will soon be satisfied. In order to celebrate, we decided to look back on 10 of his best moments that made us love him!
1. His full commercial in all its glory.
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2. When Saul somehow talked himself out of being murdered, AND got himself a new client.
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3. When Saul shot stupid Hank down!
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4. That time he revealed how far his trickery can go.
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5. When Saul decided to give Walt Jr. a piece of advice.
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6. When he decided to bring light to a very serious situation.
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7. When we found out Saul's deepest regret.
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8. The one time Saul decided to bring up ethics.
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9. The weird way Saul used this legal phrase.
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10. The time we found out how he uses his down time in his office.
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What is your favorite Saul Goodman moment? Tweet us your answers using the Twitter handles below!
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The Super Bowl is upon us, and for those of you who don’t like football (which teams are playing again?), we know you mostly just watch for the commercials – and the buffalo wings. Each year the Super Bowl ads get bigger and buzzier. And if they feature a celebrity, that’s even better. This year we already know Kim Kardashian and Mindy Kaling have secured big game day ads, but let’s take a look back at some of our favorite celebrity Super Bowl commercials from years past.
1. Anna Kendrick for Newcastle Beer:
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Our personal favorite. Anna Kendrick totally nailed this non-beer ad beer ad. Her hilarious ramblings while getting her hair primped made her a total beer girl babe in our eyes.
2. Scarlett Johansson for SodaStream:
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ScarJo, an Oxfam ambassador, found herself in the middle of a political controversy by endorsing this brand, because they operate a factory in an Israeli settlement on the West Bank. She clarified she never intended to make any kind of statement with the endorsement. It still kinda made us want to get a SodaStream though.
3. Stephen Colbert for Pistachios:
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What a nut! This commercial was wacky, but it did make us crave pistachios.
4. Amy Poehler for Best Buy:
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Honestly, Amy Poehler could sell us anything. Hearing her ask ridiculous questions about technology just made us love her even more.
5. James Franco for Ford:
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James Franco and a tiger. We don’t really know. Just go with it.
6. Megan Fox for Motorola:
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We bet most people don’t even remember what Megan Fox was selling. They just remember she was in a bathtub. FYI: She reportedly used a thumb double for this ad.
7. Naya Rivera for M&amp;M’s:
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Poor Red M&amp;M guy. He was too sweet for his own good. Glee’s Naya Rivera just wanted to (literally) eat him up.
8. Betty White for Snickers:
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Seeing Betty White play football and get “tackled” was the best part of this commercial. Betty White makes everything better.
9. Bar Refaeli for GoDaddy:
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This commercial got so much attention for having supermodel Bar Refaeli make out with some chubby, nerdy dude. It was so disturbing we couldn’t look away.
10. John Stamos for Oikos Greek Yogurt:
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This commercial included a random Full House reunion. Bob Saget and Dave Coulier joined John Stamos to promote Greek yogurt. Strange, but we’ll take it.
Do you watch the Super Bowl just for the ads? Which one is YOUR favorite? Tell us on Twitter and Facebook!
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Actors John Stamos and Bob Saget reunited with their Full House castmates on Saturday night (24Jan15) to celebrate the sitcom creator's 60th birthday.
Stamos and Saget, along with co-stars Lori Loughlin, Candace Cameron Bure, Jodie Sweetin and Andrea Barber, were on hand for Full House creator and executive producer Jeff Franklin's party in Los Angeles.
The actors took to social media throughout the night to document their happy reunion - Loughlin posted a snap of herself cozying up to former onscreen husband Stamos, while Cameron Bure shared a photo with her TV dad Saget and aunt Loughlin, alongside the caption, "It was a Full House at Jeff Franklin's birthday party. Love my 2nd family."
As a special tribute to the beloved show, the cast took to the stage to sing its theme song, Everywhere You Look. They were joined by the tune's singer, Jesse Frederick, and birthday boy Franklin, who co-wrote the classic track in 1987. Full House ended its eight-season run in 1995.
It was a Full House at Jeff Franklin's birthday party last night. Love my 2nd family. @loriloughlin @bobsaget
A photo posted by Candace Cameron Bure

Folk legend Bob Dylan will be presented with the 2015 MusiCares Person of the Year honour from former U.S. president Jimmy Carter after receiving musical tributes from Bruce Springsteen, Willie Nelson and Jack White. The Lay Lady Lay hitmaker will be honoured at the Recording Academy's 25th annual benefit gala dinner and concert on 6 February (15), and a host of stars have lined up to celebrate Dylan's career.
Joining Springsteen, Nelson and White will be Crosby, Stills & Nash, Tom Jones, John Mellencamp, Eddie Vedder, Neil Young, Beck, the Black Keys, Los Lobos, Bonnie Raitt, Norah Jones and singer/songwriter John Doe.
President Carter will close out the night by personally saluting the veteran.
Proceeds from the event will benefit the MusiCares organisation, which provides financial and medical aid to musicians in need.
Previous MusiCares Person of the Year honourees include Aretha Franklin, Billy Joel, Bono, Tony Bennett and Carole King, who received the accolade last year (14).

Beloved festive tune The Christmas Song turned 70 earlier this month (Dec14) when X Factor U.K. star MACKENZIE SOL performed the track in Toluca Lake, California, where the song was composed. The track, which recently passed White Christmas as the bestselling holiday song of all time, has been recorded by over 100 artists, including Nat King Cole, Ella Fitzgerald and Christina Aguilera.
The Christmas Song was co-written by late jazz legend Mel Torme and Bob Wells. Torme took the song to his friend, Nat King Cole, and the singer insisted on recording it against the wishes of his label bosses at Capitol.

Music producer and Argent Studios founder John Fry has died, aged 69. Fry passed away on Thursday (18Dec14) in Memphis, Tennessee after suffering a cardiac arrest. He had been diagnosed with cancer earlier this year (14).
Ardent Music general manager Jody Stephens tells Billboard.com, "He was actually doing alright. He was still active. He was around the studio the week before. He was taking it easy, but we all figured that was the right steps for him to take and that he would be fine. So it was a great surprise."
Fry founded the Ardent Records label in Memphis in 1959 and all music was recorded in Argent Studios. During his 40-year career, the studio hosted sessions by acts including Bob Dylan, Led Zeppelin, ZZ Top, Al Green and The White Stripes.
According to Billboard, more than 70 gold and platinum singles and albums have been recorded at Ardent.
Fry was inducted into the Memphis Music Hall of Fame in November (14).

British actor Tom Felton attempted to trick his Harry Potter co-star Rupert Grint by going undercover as an obsessed fan at his Broadway show over the weekend (15-16Nov14).
Grint is making his debut on the Great White Way alongside Matthew Broderick and Nathan Lane in It's Only a Play, and Felton was among the patrons in the audience during one of his recent performances.
Following the show, Felton opted to wait with other fans outside the stage door for Grint, and stayed behind a barricade wearing a hat, wig and glasses, hoping his pal wouldn't recognize him right away. A fellow theatre-goer noticed Felton and posted a photo of him in disguise on Instagram.com, noting that the actor was going under the name "Bob" as he stood in line.
When Grint reached "Bob", Felton asked the star for an autograph, and Grint finally realized it was his friend underneath the costume.
The onscreen foes have been known to play pranks on each other over the years - Grint once showed up to Felton's premiere of Rise of the Planet of the Apes wearing a shirt which read, "I Heart Tom Felton".
Felton got him back by donning a "I Heart Rupert Grint" tee while promoting the Harry Potter Studio tour.