SEAN O'BRIEN was in THE MEANTIME, TRUE WEST, DENIM
TV and THE MARIETTAS. What can I say? It's a huge honor to have him here on the
Insurgent Country page!!

A little bit of history from his bio: "Sean O'Brien is the former lead singer of several
California-based rock groups going back in time almost twenty-five years. First
was MEANTIME, a power pop quartet that eventually mutated into the Davis, CA
psychedelic cowboys, TRUE WEST. Next came DENIM TV, whose two albums, "Denim TV"
and "Starving Rich", both broke the CMJ Top 100 in college radio airplay upon
release, leading to a very successful national tour.

Meantime
True West

In 1991, Sean moved to Los
Angeles, where he collaborated with math professor and former Angry Samoan Gregg
Turner on "Sante Fe", by The Mistaken for the independent label Triple X. This
winsome CD garnered some pleasant press and appeared in the Top 35 radio airplay
in The Netherlands upon release.

1999 saw the release of
"12" by The Mariettas, a powerful punk-pop quartet which included former members
of several legendary LA-area groups; such as The Leaving Trains, Baby Lemonade
and Arthur Lee and Love. "12" drew great notices in the US, as well as in the
United Kingdom, in music magazines such as Luke and Bucketful of
Brains.

Sean returned to his native
Bay Area in 2001. He recorded several new songs acoustically and refined the
material for "Too Personal", the first solo CD of his career. Sean plays guitars
throughout, though two guest musicians do appear on the album. Polly Klemmer, of
The Mistaken, plays piano on two tracks. Also, on "The Answer is In", Sean is
joined on acoustic guitar by his old friend Russ Tolman, solo recording artist
and former guitarist of TRUE WEST.

In 2006 Sean released "Seed
of Mayhem", featuring members of all of the above mentioned. That year he formed
his permanent group, Sean O'Brien and His Dirty Hands: featuring Jeff Kane on
lead guitar, Bill Davis on bass, and Matt Shelley on drums. The Dirty Hands have
already started recording their first CD, which they hope to finish by the end
of the year. That album will be called "Goodbye Game"."

A compilation of Sean's work with all the bands he
played in, "The Drug Of Memory", will be out early 2008 on Mabuhay Records. This
CD includes lots of interesting live-recordings and previously unreleased or
hard-to-get material. Yes, Sean will be back here by then, to tell more about
these future projects!

And these albums "Too Personal" and "Seed Of
Mayhem" come highly recommended too. Not only for the music lovers who are into
the alt.rock of former members of the Paisley Underground Scene, like Steve Wynn
and Chuck Prophet (for them it's a must-have, actually), but also for anybody
who's into singer-songwriter music with intelligent, poetic lyrics. Sean even
got his poetry published! What else can I say?? Let's hand that microphone to
Sean himself...

Around 1999 my band The Mariettas broke up in Los
Angeles and I was a new father. I was changing my daughter’s diapers and
feeding bottles and feeling like maybe my music days might be over.
Responsibility with a big “R” had come a knockin’. The songs I had at the time
sort of fell into two piles. The rocking material; for what would have been the
second Mariettas LP that never happened; and another group I called my ‘orphan’
songs. These tunes tended to be quieter and ballad-like and never seemed to get
recorded with any of the bands I had played with over the years. Fallen through
the cracks they had. I demoed a lot of them at home on my old Tascam 4-track
(pre-digital era). Some are live in the studio takes. I left the occasional bum
note in the performances if I thought the feeling was right. Most musicians
take all of those bum notes out in order to get things to be “perfect”.
Sometimes they take out the emotions when they do that too. I stopped writing
for awhile, unsure of what I wanted to do. Then one day “Free of Deceit” came
along as I was plunking on my guitar. I got the first two lines and everything
started to work in my mind:

“What will make you sing again, and draw you out of
your room….? And end the bitter broke light of your days…?”

This is a quiet record. It was never intended to
be Top 40. It’s a late night record to put on at 3 AM when you have broken up a
relationship. My friend Paul says it’s depressing. But I have always loved
darker music. I think two negatives make a positive. I always think wow, that
guy or gal in the song has it worse than I do. I feel better afterwards. As
the great Leonard Cohen once said, “….sincerely, L. Cohen.”

“Here to Serve” – I am a big
fan of Richard Thompson’s work and wanted to write something with an almost
Celtic feel. One musician friend said I ripped off Oasis instead.
Ooooppps!

“Free of Deceit” – As soon as
this song came along, I knew I wanted to do an acoustic record. The lyrics
mutate. All those Catholics out there can understand the fire and brimstone
section I am sure.

“Their Home Life” – A very old
song I recorded several times trying to get right. I like this version best
because it sounds like I am not thinking about what I am doing too much. Always
an asset for a musician I think. Painters get their work put on walls for all to
see, but writers/musicians’ work gets put on shelves to be selectively
reviewed.

“Pro-Choice” - A tough song
about a couple that decide to terminate a pregnancy. Not a situation I was in,
but I tried to imagine how I would feel if I was. Recorded live at Chick
Corea’s studio in Silverlake, on his piano with the wonderful Polly Klemmer on
the keys.

“Possum Ate The Cat Food” – I
found a strange chord and finger picking pattern that reminded me of Nick Drake.
Based on a true incident in my backyard in Los Angeles. Later recorded in
eastern/raga/psycho-del-ic style on Seed of Mayhem.

“I Married Myself (And You)” –
I was married by a minister of metaphysics. The song conjures the feelings and
the wicked sunburn I received that day. Somehow the chords remind me of the
theme from the movie M*A*S*H*, “Suicide is Painless”. Played live on my in-laws’
Requinto guitar, purchased in Mexico City in 1968 during the Olympic Games. My
daughter now uses the guitar for her lessons.

“Amoral Stars” – An old
Mariettas’ tune that seeks to understand this country’s obsession with
celebrity. Played on my friends’ old, beat-up 12-string. I was in Los Angeles
during the riots in 1992 and the song kind of came out of that experience. I
once had a girlfriend too that lived in white rooms, with white furniture and a
white cat. A bit creepy.

“Damned Either Way” – We have
all had a friend that drinks a bit too much. I think of Lucinda Williams when I
sing this now and would love to hear her sing it someday. My friend is in
recovery now and well.

“No. 1 Grandson” – You don’t
hear guitar and piano alone very often. I like the way this track rocks without
drums. Recorded live again at Chicks’ with Polly. The original title for this
record was “Not a Drum Was Beaten”. My hands are shaking too
obviously.

“The Hatred Shop” – I saw a
news report on CNN of the KKK setting up a clothing shop in Charleston, South
Carolina. I couldn’t believe it. Protesters were lining the sidewalks demanding
it be shut down. I believe it was eventually. I had the song in about ten
minutes after the news report.

“The Answer Is In” – Sort of a
thank you song to all psychotherapists out there. They have helped me a bit
over the years. Featuring the great Russ Tolman live on the same Requinto
guitar previously mentioned. We recorded a take and Russ said let’s do another
one even quieter, like Big Star’s Sister Lovers. This version is
that take.

“Flag and Rifle” – The first
tune I wrote after 9/11. I was sick of the hyperbole I was hearing from both
sides. But I also saw a real inflated Santa Claus floating in the sky after
escaping from some holiday tree lot. Couldn’t let that image get
away.

“Sure It’s Good” – The oldest
song on the album dating back to my Denim TV days. Lives session recorded by my
friend Malcolm Fife. I have video of us playing it live on a public access TV
show. The stream of conscious lyrics really remind me of where I have come from
emotionally. A song about fulfilling your promises. Later recorded with The
Mistaken on their album, Santa Fe.

“Owes You Nothing” – The last
track recorded for the record in my bedroom. I like the motion of the chords.
They seem to be falling forward somehow. I was going through a tough time. The
vocal is very raw but I just couldn’t change it. My apologizes for my less than
stellar xylophone playing. I am still learning.

I had this tune “A Bee’s Tale” and it was one of
the most powerful moments for me during The Mariettas final shows, up to the
point we broke up. I made an excellent demo of it with a drum machine with
Henry Liu, but something was missing. It needed real drums. I felt like I was
on a mission to get a proper recording of the song. I also knew I wanted to use
my brother Liam’s painting for the then “hypothetical” CD cover. It’s a
wonderful portrait of my grandparents from the 1940’s. It’s obviously derived
from a black and white photograph, but I love the way he replaced shadows with
color in unexpected ways. Also, the tablecloth in the painting was originally
pink, which addressed for me the whole “blue for boys, pink for girls” cultural
cliché. Then, ten years after he had finished the painting, he decided to paint
the tablecloth a vibrant blood red. It’s amazing how it transformed the
painting. I got a hold of my old friend Jeff Kane, a wickedly good guitar
player, whom I had know for decades but never played with. We made a deal. If
I played in his Rockpile/Nick Lowe/Dave Edmunds cover band Trouble Boys, he
would help me with my tunes. This record took almost a year to finish. I used
just about every musician I knew and a few I didn’t know. Finally got “A Bee’s
Tail” nailed down too. I rest easier at night.

“This Could Hurt” – The
Mariettas used to open with this one, so I flew Doyle Dean out from his home in
Indiana to play on it. Manfred and Tom Hofer sing the “oh no no” bits. A
tribute to glam rock with post-modern references to the street people of San
Francisco, whom I meet on a daily basis. Iggy Pop and X are big influences on
this one.

“Stumblebum” – My theme song.
When I went up to receive my high school diploma, a superior mind in the crowd
said, “Where is he?” I must admit I was very skinny back then, but the timing
always baffled me. My eternal gratitude to Jeff Kane for his Dick Dale-like
surf guitar invocations. Transplendent…and Cowabunga!

“7.5” – A goofy ditty about my
weekly task of filling out a timesheet in order to be paid. I particularly like
the ghostly falsetto vocals. The Shirelles have always rocked the house for
me.

“The Bottom of The Toy Box” –
Inspired by “Cello Song” by Nick Drake and “Goodbye Pork Pie Hat” by
Charles Mingus. But not necessarily in that order. I was never an old Goth dad;
as described in the song, but I envisioned such a conservation between child and
parent, something along the lines of “…in my day, the black lipstick was, well,
…blacker!”

“Damned Either Way (electric)” –
Someone in Nashville should record this. Kim Martini from the great band
99 Tales sings along on this one. Probably my first duet. If anyone knows
George Jones’ management, please contact me. The demo version appears on my
first solo CD, Too Personal.

“Tranny Ignored” –.San
Francisco is a place where people dress up. They walk the walk and talk the talk
if you know what I mean. The greatest irony for me about this song was a recent
concert, where I played the song and then went up to the bar and was served a
drink by a very attractive…..?

“Dough See Dough” – Originally
the main riff was slower and grinding but it ended up sounding like the Pixies.
I sped it up and suddenly the song became bluebeat/ska! Whatever perceived
jauntiness the tune may acquire I think is undercut by the rather cryptic
lyrics, which deconstruct the notion of ‘homeland security’. Dedicated to the
great Robyn Hitchcock.

“Possum Ate the Cat Food (another
meal)” –.I really do not like paying money to re-record tunes once they
are memorialized. However, sometimes you just have to. A vainglorious attempt
to capture the spirit of my favorite Beatles’ track, “Tomorrow Never Knows”. A
big thank you too to The Great Raagini.

“Eyewear” –.As strange as it
sounds Madonna is partially responsible for this track. At the time, I was upset
at the vilification and impeachment of Bill Clinton at the hands of the
neo-cons. He made many mistakes (see arms to Turkey), but what hath his
tormentors wrought I wonder?

“Torn Sweater” – Is it fun or
sad to watch punk rockers age? I should know I used to be one, if not in
fashion sense than at least in ideology. Another tune The Mariettas often
opened their show with. The middle eight makes no sense I know, but it was
indeed as homage to the great Television, and their beloved “Marquee
Moon”.

“The Good Fight” – A bit of
speechmaking about the horrible situation in the Middle East, squeezed into a
Nick Lowe-like pop song. My apologizes to Nick.

“She Wonders” – I tried to
marry a Jimi Hendrix chord progression on the choruses with a sad country tune
on the verses. Hope it worked. Kicking screaming Gucci little
piggy….

“Cleaner That Way” – So
perplexed have I been with Cheney, Rumsfeld, Bush and the march of the neo-cons,
that I wrote a tune from their perspective. An attempt to better understand a
flawed philosophy. Others have tried to devalue human beings and failed
miserably. My daughter Miranda’s vocal debut. She nailed her line in two takes
and now wants entire songs written for her. What have I
done?

“A Bee’s Tale” –The start of
all the mayhem. I found something close to my heart on this song though I am
hard pressed to tell you what that is. I hope some forgive me the beehive
analogy. I can only say I will never forget the feeling of playing the tune
with my friends Manfred and Henry and Doyle onstage. It was the low, rumbling
sound in the aftermath of the explosion.

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My CDs are also available in digital format on
7digital.com in Europe.