 Probably the most famousAmerican all-lithographed book of the 19th century, withchromolithographic illustrations and embellishments that lavishly enhance the whole. In his already classic study of 19th-century American color plate books, Stamped with a National Character, William Reese writes of this work: “The first full translation of the Rosetta Stone, undertaken by three members of the University of Pennsylvania . . . [student body], provided the basis for a notable display of chromolithographic book illustration by the Philadelphia lithographer, Louis Rosenthal. The entire book was lithographed, presumably to better accommodate the hieroglyphs, but Rosenthal went far beyond necessity. He created hundreds of crude but exuberant chromolithographs intermingled with the text, showing scenes from Egyptian life or elaborate borders in quasi-Egyptian motifs. It is one of the few American books printed entirely by lithography” (p. 99).

The genesis of the work was the arrival at the Philomatheans' building of a donated cast of the Rosetta Stone. Three Philomatheans — Henry Morton, Charles R. Hale, and Samuel Huntington Jones — worked out a plan to translate the stone and produce the book here offered. Hale undertook to transcribe and translated the Greek and Demotic texts, Jones produced the historical introduction, and Morton supplied the hieroglyphic inscriptions, drawings, and other illustrations. The first edition of the finished work appeared just before Christmas, 1858, in an edition of 400 copies and sold out immediately.

In late January 1859, the Society wished to print a second edition of 600 copies; but because no lithographic establishment could afford not to reuse lithographic stones, all stones save those for the last 20 or so pages of their work had been ground down. Thus in the second edition, i.e., the edition offered here, the artistic embellishments are “largely a new work,” in the words of Randolph G. Adams (“The Rosetta Stone,” in Bibliographical Essays, A Tribute to Wilberforce Eames, p. 234).

In some very few copies of this second edition, p. 6 bears the signatures of the three Philomatheans who produced the book. This is, unfortunately, not one of those few, hence the lower price. But this copy does have the oft-missing copyright notice at the rear.

 Reese, Stamped with a National Character, 91; Bennett, American Color Plate Books, p. 93. On the story of the production of the book and for a chart showing which pages of the second edition are restrikes from the first, see: Randolph G. Adams, “The Rosetta Stone,” in Bibliographical Essays, A Tribute to Wilberforce Eames, pp. 227–40. Publisher's dark green cloth, covers stamped in blind with a gilt center device of a sphynx; spine also stamped in blind but with two gilt-stamped vertical lozenges and the title in gilt. About six small areas of loss of cloth on spine or board, some probably silverfish damage. Bookseller's description of a different copy pasted to rear pastedown. A good++ copy well worth having. (35384)

 The Maryland-born, Harvard-educated Rev. Dall, who established several schools in Calcutta as part of his work with Hindu reformers, was for 30 years the sole Unitarian missionary to India. This volume focuses primarily on his travels rather than his religious and educational work: it collects the letters he wrote as “Roving Correspondent” to the Englishman. These observant, engagingly written accounts were “fresh from the localities indicated” (p. [v]) — including the Suez Canal, which Dall explored from end to end in 1868 and again in 1869, making this a very early account of that modern marvel, for the canal officially opened on November 17, 1869. The letters cover politics, culture, commerce, and tips on travelling in “far” places.

This is the uncommon first edition; WorldCat and NSTC locateonly five hard copies in U.S. institutions.

 A very opinionated autobiography recounting Frewen's numerous adventures throughout England, the United States, Egypt, the Balkans, and India, from his childhood as part of the English gentry to tales of bison used as snow plows in the Wyoming Territory. Howes notes ten chapters are dedicated to Frewen's “disastrous cattle enterprise on Powder river.”

While suffering from financial difficulties throughout his life, Frewen continually worked with influential people, many of whom are here discussed in detail, including his wife Clara Jerome, aunt of Winston Churchill. One way and another there is plenty of huntin', shootin', and fishin'; and there are plenty of politics.

Provenance: A tantalizing “Wealdside 1924” in ink on the front pastedown. The Weald is of course of huge extent, and there are therefore potentially a number of possible “Wealdsides”; but it is notable that the Frewen family dates back to Elizabethan times in East Sussex — and, perhaps, that Moreton Frewen died in 1924.

 Howes F380; Graff 1442. Light green publisher's cloth, cover ruled and lettered in black, spine and back also stamped in black; gently rubbed and text slightly cocked, with a thumbnail-sized pink stain along the edge of the back cover and speckling the bottom edge. Light age-toning with offsetting to fly-leaves; inscription as noted. A good read in a good solid copy. (37037)

 Canvassingancient
Egypt to the Italian Renaissance and modern times, this
monograph on ceramic art distinguishes classes and styles of pottery, is illustrated
with200
wood-engraved figures by Hercule Catenacci and Jules Jacquemart,
bears12
full-page engraved plates by the latter, and tells how to identify
many works' makers, cataloguing1,000
marks and monograms. Each full-page plate is protected by a guard
sheet with a brief letterpress description.

Jules Jacquemart (1837–80) was but in his mid-twenties when he began drawing from the renowned art collection of his father, Albert, an art historian. The Jacquemarts' first book on the subject was the Histoire de la porcelaine, followed shortly by this, its companion, in 1873, when Jules was “at work again on his own best work of etching.” He also made the etchings for Techener's Histoire de la bibliophilie (1860–64) and, in 1864, received an important commission from the French crown for Gemmes et joyaux de la couronne (1865).

The monograph's originalcolor-painted beaux-arts wrappers are bound in at the front and back here, including the spine in front (rubbed and faded, hinting at original splendor). The title-page is printed in red and black. An extensive index appears at the end.

 For J. Jacquemart, see: The Nineteenth Century, Vol. IX, pp. 681–90. Leather lightly scuffed at extremities and sunned to a woody green on spine and upper front cover; offsetting from turn-ins onto endpapers. Mild to (occasionally) moderate foxing throughout and old water damage on a few leaves only. (30132)

 Justinus (3rd century A.D.) is known solely by his Historiarum Philippicarum libri XLIV, which he describes in his preface as a collection of the most important and interesting passages from the voluminous, but now lost, Historiae pillippicae et totius mundi origines et terrae situs, that Pompeius Trogus wrote during the era of Augustus.

This very nice Renaissance edition was edited and has a preface by Simon Grynaeus. In addition to the text, there are an extensive index, four full-page woodcut maps of parts of the ancient world, and Grynaeus's extensive commentary. The main text is printed in roman with a good scattering of woodcut historiated initials and is accompanied on the same page by Grynaeus commentary and notes in a smaller italic. His preface is printed in a larger italic face.

This copy has interesting, early, but now somewhat faded marginalia in a red or sepia ink. The marginalia is scattered and is at times heavy, other times light; in some sections, it is non-existent.

A rare edition: No copy traced via OCLC; VD16 locates only three copies in Europe.

 VD16 T2056. Full rich brown calf old style: Round spine with raised bands, accented in gilt rule; author and title lettered on cream-colored spine label; fillets in blind extending onto covers from each band to terminate in trefoils with blind double fillets beyond. Small rent in upper inner area of title-page with a very old and good repair on verso. Library name stamped on lower edge of closed book. (24808)

 Sole edition: Collection of essays on prehistoric archeology, focusing in the first volume on Egypt and in the second on Chaldea, Assyria, and Phoenicia. The author was raised virtually from birth to follow in the footsteps of his archeologist father, Charles Lenormant; among his contributions to classical scholarship was his identification of the language now known as Akkadian.

 Contemporary quarter black morocco with paper-covered sides, spines with gilt-stamped title and gilt-stamped compartment decorations; bindings clean and solid with only very minimal edge and corner wear. Front pastedowns and free endpapers each with institutional rubber-stamp (no other markings). Pages slightly age-toned; a few leaves unopened. Handsome. (19294)

 First edition: Treatise on ancient dress among the Egyptians, Greeks, Persians, Jews, and Romans, among other peoples. The author, a Flemish artist also known as Andries Cornelis Lens, came to the study of antiquarian clothing by way of his classically inspired focus in painting. Illustrated with 51 copper-engraved plates done by Pitre Martenasie, this is an “Ouvrage estimé” according to Brunet (who seemingly mistakenly cites 57 engravings as opposed to the 51 given by von Lipperheide, described in institutional holdings, and present here).

 An very informative account of the museum's holdings as of the first third of the 19th century, highly illustrated with wood engravings that are sometimes full-page, mostly in-text.

“Published under the superintendence of the Society for the Diffusion of Useful Knowledge” and in the series “The Library of Entertaining Knowledge.”

 Publisher's light brown cloth, covers stamped in blind, spines lettered in gilt; one board cracked under cloth across outer corners and one volume rubbed in places to the board. Black tape at top of each volume extending on to the covers; extremities of one volume chipped, endpapers with abrasion or a bit of chipping Ex–social club library: each volume with a 19th-century bookplate, call number on endpapers, pressure-stamp on title-pages, no other markings. (28752)

 Second edition of May’s esteemed English verse translation, following Thomas Jones’s first printing of 1627. Lucan (A.D. 39–65), born in Cordoba, Spain, and raised in Rome, was the grandson of the elder Seneca, nephew of the younger Seneca, and the brother of the Gallio mentioned in Acts 18; he published the Pharsalia in A.D. 62 or 63, but it seems likely that his poetic talent aroused the jealously of the vain Nero, as he forbade him to write or even plead in the courts, and then later compelled him to commit suicide for alleged treason.

The editio princeps of the Pharsalia was printed in Rome by Sweynheym and Pannartz in 1469; Christopher Marlowe published the first English translation of any part of the Pharsalia, his rendition of the first book, in 1600, with a 1614 effort by Sir Arthur Gorges being the only other such to precede May’s standard-setting 1626 English version of books one through three.

In the present volume, this great epic poem in May’s translation is accompanied by its translator’s English rendition of his own sequel, originally written in Latin verse. This Continuation advances the action through Cleopatra’s seduction of Caesar (May depicts the Egyptian queen with “snowie necke” and “golden tresses”), the death of Cato, and various additional battles before arriving at Caesar’s death. At the time, May’s work was thought highly enough of that Charles I allowed the Continuation’s dedication to bear his name.

 Mela's work De orbis situ libri tres (a.k.a., De chorographia) is, of course, a standard and famous work of ancient geography and, dating from the first century A.D., is the oldest surviving geographical text written in Latin. It enjoyed readership for centuries in manuscript and was first printed in 1471 with eight subsequent incunable editions, while in the 16th century to 1530 there was virtually a new edition every other year: Clearly, it wasa book of interest and importance for the Renaissance.

It is a short work; the Petit printing of it in 1513, for example, occupies only 60 pages. In this edition, however, Mela's text (printed in roman) is surrounded byextensive commentary in italic by Joachim Vadianus (1484–1551), thus extending the whole to 196 pages. The volume ends with an appendix, “Loca aliquot ex Vadiani commentarijs summatim repetita, & obiter explicata,” consisting of Vadian's study of Mela's work and attempting to address inconsistencies and problems in it.

Printer Wechel has arrayed the commentary around the text here withnotable attractiveness, he has supplied quite a number and variety of attractive initials, and both his main title-page and the sectional one for the “Loca aliquot” are dramatically presented with the sameelaborate multipart woodcut title border.

Although Mela's work is solely concerned with the world as known by Greeks and Romans, one should remember that their world did encompass portions of Africa and a knowledge of India. Additionally the appendix, originally written in 1521 and first appearing in the 1522 Basel printing of Mela, has a coda consisting of a 1515 letter of Vadian’s to Rudolph Agricola, the younger, that briefly discussesVespucci (X5v) and the New World (Y1r) when discussing the Spanish empire.

This is the third edition of Vadian's Mela, taken from the second edition (1522), but only the second with Vadian's appendix. Graesse comments, “Second éd. . . . fort changée et corrigée sur des mss.”

Whether all copies of the work were issued with a map has been long discussed and is without resolution: What we do know is that some have a map, most do not.

Provenance: Macclesfield copy with the bookplate and handsome pressure-stamps.

Evidence of readership: Scattered minor (usually one or two words) marginalia.

 Harrisse, BAV, 157; Renouard, Paris, 2210; Alden & Landis 530/30; Sabin 63958 (not callin for a map); Graesse, V, 401 (not calling for a map). 18th-century quarter vellum with blue-green paper–covered sides, author's name in old ink to spine. Title-page lightly soiled, light discoloration or inkstains in some margins, light occasional foxing; pinhole-type worming in text of some pages with no loss of text, and a corner of last leaf torn away without loss of text; on pp. 170–96, a light waterstain across upper gutter not touching text and another across upper outer corners impinging on it. As usual, without the map found in only a few copies. Macclesfield pressure-stamps and marginalia as above. A good, sound, and soundly pleasing old folio. (34114)

 First edition: A study of cruciform sexual symbolism in ancient religions, touching on Indian, Egyptian, Chinese, and other mythological connections to the shape of the cross. The volume is illustrated with in-text engravings of statues, relics, and other items, including the final chapter (“The Phallus in California,” about the results of the author's antiquity-hunting expedition in Stanlislaus County, CA), which features a representation of what the author says is misidentified as an “Indian pestle.”

Hudson was a Massachusetts-born physician and one of the founders of the Keokuk Medical College; his publisher here was the notable freethinker andcontraception advocate Asa K. Butts, who has supplied several pages of advertisements for some of his other publications.

Salt, Henry. A voyage to Abyssinia, and travels into the interior of that country, executed under the orders of the British government, in the years
1809 and 1810; in which are included, an account of the Portuguese settlements on the east coast of Africa .... Philadelphia: M. Carey; Boston: Wells & Lilly (pr. by Lydia R. Bailey), 1816. 8vo (23.5 cm, 9.25"). 24, 454 pp.; fold. map.,
illus. $1250.00

 First U.S. edition and printed by Lydia Bailey, following the London first of 1814. Salt, a British traveller and Egyptologist, first visited Ethiopia in 1805, and returned in 1809 on a diplomatic mission intended to promote ties between the British government and the Emperor of Abyssinia. The Voyage gives Salt’s observations of Ethiopian customs, manners, dress, cuisine, and music, along with the factual details of his diplomatic achievements — or lack thereof, in terms of concrete agreements — followed by an appendix comparing vocabulary words from various languages spoken along “the Coast of Africa, from Mosambique to the borders of Egypt, with a few others spoken in the Interior of that Continent” (p. 395).

This is an untrimmed copy in original boards, with 24 pages of advertising for Carey publications bound in at the front of the volume. The preliminary map, engraved by John Bower, has hand-colored border lines; this American edition does not call for the plates found in the English first, but does include in-text depictions of several “Ethiopic inscriptions.”