Alexandria Eregbu is a visual artist, independent curator, and educator. At her core, Alexandria is most passionate about re-imagining 21st century possibilities for artistic practice through service and creating viable support structures that promote both sustainability and accessibility for artists and communities engaging the arts. Her teaching background and early interests in civic justice and youth advocacy were initially fostered through her involvement with TRACE (Teens Re-Imagining Art, Community, and Environment) a creative leadership program facilitated through the Chicago Park District between 2013-2017.

As an artist, Alexandria’s multi-faceted practice has illuminated pathways to the coasts Portland at the Pacific Northwest College of Art, the Contemporary Arts Center in New Orleans, Pioneer Works in Brooklyn, NY, and throughout the Midwest— from the Milwaukee Art Museum in Wisconsin, The Luminary in St. Louis, Missouri, the South Side Community Art Center, Chicago Cultural Center, and the Museum of Contemporary Art in Chicago. She has held fellowships, as both artist and curator, with ACRE (Steuben, WI); HATCH Projects, Stony Island Arts Bank, (Chicago, IL); The Center for Afrofuturist Studies (Iowa City, IA), Independent Curators International’s Curatorial Intensive (New Orleans, LA); and The Camargo Foundation—3Arts Residency (Cassis, France). Alexandria’s gravitation towards creative practice and inquiry has received generous support from the Propeller Fund, Chicago's Department of Cultural Affairs and Special Events, Independent Curators International, 3Arts, and Joyce Foundation. A 2016 3Arts Teaching Artist Award recipient, Alexandria received her BFA in Performance and Fiber & Material Studies from the School of the Art Institute of Chicago. She is a current MA Candidate in Visual & Critical Studies at the School of the Art Institute of Chicago.

Alexandria also holds a position as Curator of Commissioned Works for Illinois Humanities' city-wide initiative Envisioning Justice, (co-curated with Danny Orendorff)— which examines how over-incarceration affects Chicago communities and offer solutions to crisis. Previous curatorial projects include, The Annual: A New Exhibition for Chicago Art presented at Chicago Artists Coalition, Tertiary Dimensions presented as part of PLATFORMS: 10 Years of Chances Dances, and Marvelous Freedom / Vigilance of Desire, Revisited— a group exhibition that engaged the richness of Chicago’s Surrealist history by reexamining the first Marvelous Freedom/Vigilance of Desire, the world’s largest Surrealist exhibition that took place in Chicago in 1976.