BOOKSHELF SPEAKER REVIEWS

Jim Thiel must be a magician. At least that’s what I thought when I first heard his newest speaker, the SCS4. I was listening to an a cappella band, and the guys were all there—not just the voices, but I felt like the Persuasions were in the room with me. The sound was so utterly natural; it was as if the speakers weren’t doing anything.

When you live with something or somebody long enough (no matter how good the body—or how great the personality), it's all too easy to become complacent about how well off you are. That thought came to mind the other night when I was watching, of all things, The Blues Brothers. I had forgotten how great the music is in that movie. But then I noticed that part of what had made me rediscover my appreciation for the movie was the truly nice Triad Silver speaker system I had been living with for a little while but had stopped noticing.

The question is an old but still fundamental one: Can you make small speakers perform like big speakers? This isn't necessarily the question that creators of small speakers ask themselves during creation, nor will it probably enter the mind of the small-speaker consumer at the time of purchase. Still, I'll wager that it's the first question your ears will ask when you place them in the middle of your new compact home theater system. Let's face it: All other factors being equal, it's easier for large speakers to do certain things, and many of these things are especially critical in your home theater.

Here’s how Edgar Allen Poe opens his short story “The Fall of the House of Usher”: “During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.” Although trade shows are hardly soundless, and I don’t navigate them on horseback, Poe evokes a bit of the feeling I get slogging through them. But the Usher exhibit didn’t seem all that melancholy when I stumbled on it at the 2007 Home Entertainment Show. In fact, hearing a pair of the Be-718s in action made me want to review them.

Two Californians, a Canadian, and an Israeli walk into a bar. No, wait. It was an apothecary. Two Californians, a Canadian, and an Israeli walk into an apothecary. They say, "Ow." No. They order a drink. No. They make speakers. Yes. That's it, they make speakers, and we've gathered their sub/sat systems together here: the PSB Alpha B from the great white north, the Morel Spiro from the other side of the planet, and NHT and M&K systems from what many people consider to be a different planet. They range in price from just under $1,400 to just over $1,900. To make things interesting in this land of reality TV shows, we will ceremoniously eat the loser of this Face Off. Next on Fox: When Hungry Editors Attack. Intrigued? So am I, and I already know how it ends.

Wharfedale is an Anglo-Chinese speaker brand and one of the most storied names in the high-end audio industry. The brand began in 1932 in Yorkshire, in the north of England, and it went through a few changes of ownership before it became part of the International Audio Group (IAG) in 1996. IAG is owned by two Taiwanese brothers, Bernard and Michael Chang, who made their fortune with karaoke equipment. For a decade and a half, they restored the luster to Wharfedale and its sister brand Quad.

One of your best friends calls up to announce that she is about to wed someone rich and powerful. He owns a shipyard that manufactures exceptionally luxurious yachts. You’re happy for her, but you worry, too. Would living with such a strong personality, a guy with all that money and all that power, be good for her? Would it make her stronger or weaker? A few years later you run into her, and after a few hours of conversation, you conclude that she’s in great shape internally as well as externally. There’s a serenity beneath the tan. Her husband is affectionate and faithful, a child is on the way, and she’s never been happier.

In a time when housing prices are rising at an exponential rate, making affordable square footage scarce, one of the major challenges to having a home theater system is space. The home-theater-in-a-box phenomenon has attacked this problem by packaging smaller, matched speakers together with a receiver, but there's still the issue of finding space for proper speaker placement and the messy wiring that follows. Yamaha offers the YSP-1 Digital Sound Projector to alleviate this problem.

Is the age of the traditional loudspeaker almost over? Never before has there been so many alternatives to the typical monolith speaker, from in-walls that disappear into the décor to ultra-tiny speaker enclosures that sit on a shelf. A general aversion to complex and highly visible multichannel audio systems has left a good many consumers with only half the home theater experience. According to a September 2006 article from the Consumer Electronics Association, called "Home Theater Opportunities," 76% of all flat panel TV users are not using a separate audio system. As the article points out there are a good deal of opportunities for audio equipment manufacturers to develop alternate methods for delivering quality audio for high-definition TVs.

AT A GLANCEPlus
Big, highly dynamic sound
Super easy to drive
Made in the U.S.
Minus
Limited dispersion
Must be used with a
subwoofer

THE VERDICT
It may not be a universal solution, but for buyers seeking wide dynamics in a fairly compact speaker, the Zu Audio Cube delivers a big sound.

I’ve heard my share of tiny cube speakers with 3- or 4-inch woofers, and while the best of them can sound decent enough, the Zu Audio Cube is a very different beast. It’s still a compact speaker, but big by comparison to those pipsqueaks—big enough to house a 10-inch driver. That ability to move air makes no small difference, and trust me on this: The Cubes are turn-it-up-and-party speakers.

There are many different approaches to home theater, which is one of the reasons why this magazine is as burly as it is, month after month. The stereo speakers built into many modern televisions are nirvana for some, while carefully matched loudspeakers, preamplifiers, processors, and amps are the only solution that others would ever consider. Somewhere between those two polar extremes are the ubiquitous home-theater-in-a-box systems and novel products like the ZVOX 315 Sound Console. The idea here is simple, and noble, offering your TV a painless upgrade to the inadequate audio it was born with.

Price: $500 At A Glance: Fits under flat panels that weigh 90 pounds or less • Five 2-inch drivers, one 5.25-inch woofer • Balanced sound with minimal surround

What’s in That Black Box?

What if you opened up your home-theater-in-a-box system only to find—another box? Would you suspect you had suddenly plunged into an unpublished chapter of Through the Looking Glass, a strange alternate universe where boxes contain boxes? Would you be afraid that inside the second box, there might be a third box? And inside the third, a fourth? Was dropping acid and going to the Museum of Modern Art in 1978 really such a good idea?