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For years, most people citing {|Devo|} as an influence have clearly been chasing the gleaming
electronic surfaces of their little minds through big technology aesthetic, but more recently, bands have started acknowledging the grittier undercurrents of their music and the ...

Slightly more produced, yet no less ragged than their 2012 debut Appetite, Canadian duo {|Walter
TV|}'s sophomore LP Blessed is a pastiche of tone-bright art-pop and lo-fi garage slack. The band originated as a trio in Vancouver, but eventually headed ...

Culled from singles that date back to 2001, a track from the EP Newborn (None
One), and B-sides from 2011's well-received {|Build a Rocket Boys!|}, Dead in the Boot offers up a rare glimpse into the often insular song-building world ...

Gold and Stone, the self-produced fourth album by Virginia indie pop trio {|Eternal Summers|}, sees
the group continuing to balance their dreamy side with the energy displayed in their exciting live shows. Previous albums Correct Behavior and The Drop Beneath ...

Almost 15 years on from their debut, Foo Fighters deliver their first Greatest Hits, a
15-track (16 if the double dip on Everlong counts) retrospective covering their six albums from 1995 to 2007. Greatest Hits isn't arranged chronologically, which isn't ...

At 15 years old, {|Seether|} are starting to slide into middle age and, appropriately, their
music is beginning to mature on Isolate and Medicate, their sixth studio album. Once again working with {|Brendan O'Brien|}, the grunge-era superstar who helmed {|Holding ...

{|Long Live the King|}, a six-track EP recorded around the same time as the {|R.E.M.|}-inspired
King Is Dead, opens with E. Watson, a spare, moody tale of a sugar cane plantation owner named Edgar Watson, which couldn't be further from ...