The show addresses the “influences and changes that have occurred since digitalisation in social reality, identity and nature”, says Stoschek, who first began buying art in 2003. Her collection features works by mainly European and US artists working from the 1960s onwards and includes video, multi-media environments, internet-based installations and performance.

As part of the UNE series of exhibitions dedicated to the great contemporary female talents, the French Academy in Rome proposes an unprecedented dialogue between the Franco-Italian artist Tatiana Trouvé and the German artist Katharina Grosse , curated by Chiara Parisi .

For the National Gallery in Prague, Grosse elaborates a large-scale, site specific painterly installation which radically redefines painting as a performative and architectural medium and responds to the Gallery's industrial space of the late 20s functionalist style.