Pete Howard is a serious collector seeking old (pre-1970) concert posters and music memorabilia, and who pays the very best prices. He lives in San Luis Obispo, Calif. Please contact him at pete@postercentral.com or (805) 540-0020.

I recently conducted my own musical-history tour through Memphis and Nashville, TN, and Tupelo and Clarksdale, MS. I visited eight different music museums / institutions and saw some amazing stuff… B.B. King’s guitar, Hank Williams’ boots, Sam Phillips’ original studio console, Otis Redding’s suede jacket, and even the structural birthplaces of Muddy Waters and Elvis Presley.

But you know what I didn’t see? ONE good concert poster. Can you believe that?

We’re talking about GRACELAND, for heaven’s sake; plus Sun Studio, The Stax Museum, and the Smithsonian’s Rock ’N Soul Museum in Memphis; Hatch Show Print (!) and the wonderful Country Music Hall of Fame in Nashville; Elvis’ Birthplace Museum in Tupelo; and the Delta Blues Museum in Clarksdale.

Most of these places focused on personally owned items such as guitars and clothing, plus a huge array of support material. That’s fine and good, and I enjoyed it all immensely.

But concert-poster wise, it was left wanting. For example: Here I was, beholding the actual log cabin in which Muddy Waters lived as a child, on display inside the Delta Blues Museum. And on the wall of the cabin is… a lousy 1970 common reproduction Muddy Waters / Howlin’ Wolf concert poster?

Here’s the 1970 poster which is displayed in the Delta Blues Museum. Although it’s a dream poster for blues lovers, it has two big problems: It’s widely attributed to 1964, when in fact most experts say it’s from 1970, some of them after extensive research. And with blues artists, it’s very muich a matter of “the earlier the better,” with things being commonly saved by the 1970s. The other problem is that this poster was heavily copied / bootlegged from an early time, perhaps even as early as the 70s. And the reproductions were spot-on perfect, using the exact same colors, cardboard stock and dimensions. So most collectors just steer away from it because it’s so difficult to tell the few originals from the thousands of knock-off’s. (These are not to be confused with the 21st century Globe Classics reprints, which are clearly marked.)

Now perhaps to the layman, there were a few decent concert posters sprinkled here & there throughout the eight institutions. But I’ve probably loaned 100 posters & artifacts to museums over the last two decades… from Los Angeles to Cleveland to New York to Paris. As I write this, I have posters on display in L.A.’s Grammy Museum and Ray Charles Memorial Library.

So I know a decent poster in a museum when I see one.

I’ve pictured (to the left) the common Muddy Waters poster the Delta Blues Museum has on display, and then (down below) two authentic, rare, original Muddy concert posters which truly belong in a museum. Sure, they’d be much pricier, but isn’t that what we expect from museums?

A source at the Rock ’N Roll Hall of Fame and Museum in Cleveland, which always has some outstanding concert posters on display, told me that it just means the curators of the Southern museums didn’t prioritize concert posters when they assembled their exhibits. It’s as simple as that.

And I think that’s a shame.

(Pete Howard can be contacted by writing to pete@postercentral.com or calling 805.540.0020.)

A great 1954 R&B concert poster that’s so packed with talent, Muddy is down at the bottom… although it’s definitely a case of the concert promoters saying “last but not least.” Sorry about the torn-away corner, but you take what you can get with Muddy from the 1950s. Just take a look at that blues and R&B talent he shares the poster with… not a clunker in the bunch!

A beautiful 1968 Muddy Waters concert poster from Denver, Colorado. This large cardboard gem presents a mystery right off the bat: What’s with that word “Paw”? I consulted some heavy Muddy authorities, including his biographer, and they haven’t a clue. Is it an obscure or erroneous song title, or possibly a nickname somebody gave him for five minutes? And then there are the glaring typos on the poster, which would send legendary keyboardist Otis Spann and Muddy’s More Real Folk Blues album running for cover. And no, vocalist Clear Waters was not related to Muddy.