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Have you ever written something that inspired a musician to compose new music? J.R.R. Tolkien hoped to do so one day, and had he lived to hear the scores of the Lord of the Rings trilogy created by Howard Shore, he would have been in awe.

I was reading Tolkien’s correspondence last week and came across a fascinating letter he wrote to a musician who was requesting permission to write a serious composition based on The Hobbit.

This would have been quite different than the quaint “Ballad of Bilbo Baggins,” made famous by Leonard Nimoy. (I wish their choreographer had read the book, so we could have been spared the tiny T-Rex arms sported during the chorus by the dancers.)

Anyway, returning to more serious musical ventures, in 1964 Tolkien received a request for permission to write a “Hobbit Overture.” It came from British composer Carey Blyton (1932-2002) who would become best known for his song “Bananas in Pyjamas.”

Tolkien’s response to the composer’s query is fascinating, on several levels. First, he is gracious in extending his permission, without any restrictions. And, in 1967 Blyton did compose “The Hobbit” Overture, opus 52a. It appears on the CD, British Light Overtures 3.

Secondly, he shares his unspoken desire that his work might someday inspire music. Then he makes a curious comment about the illustrations of Pauline Baynes, which would similarly grace the work of C.S. Lewis.

After that, Tolkien describes his own, musically impoverished, upbringing. Finally he expresses his deep appreciation for good music, despite his lack of knowledge on the subject.

And Tolkien accomplishes all of this in just a handful of sentences!

You certainly have my permission to compose any work that you wished based on The Hobbit. . . . . As an author I am honoured to hear that I have inspired a composer. I have long hoped to do so, and hoped also that I might perhaps find the result intelligible to me, or feel that it was akin to my own inspiration—as much as are, say, some (but not all) of Pauline Baynes’ illustrations. . . . .

I have little musical knowledge. Though I come of a musical family, owing to defects of education and opportunity as an orphan, such music as was in me was submerged (until I married a musician), or transformed into linguistic terms. Music gives me great pleasure and sometimes inspiration, but I remain in the position in reverse of one who likes to read or hear poetry but knows little of its technique or tradition, or of linguistic structure.

It is common for people of sincere Christian devotion, such as Tolkien and Lewis, to express an appreciation for the divine capacity of music to touch the human spirit.

Martin Luther, for example, wrote much about music. “Music is God’s greatest gift,” he proclaimed. He was not only a composer of hymns, but also an acceptable player of the lute, which he used to accompany his children during their family devotions.

Music is deeply intertwined with the heart of Christian worship.

C.S. Lewis on the Subject of Music

One of the modest challenges in contrasting fellow Inklings J.R.R. Tolkien and C.S. Lewis results from the significantly different natures of their literary corpora. While they both wrote fantasy, though of a vastly different magnitude, Lewis’ vocation as one of Christianity’s chief modern apologists necessitated that he defend the faith in diverse contexts. Thus, he wrote numerous essays and a number of texts addressing a wide range of considerations that his friend Tolkien never discussed in print.

Because of this distinction, it is relatively simple to discover what Lewis thought about the nature and powers of music. Typical of the man’s practical orientation, Lewis appears little interested in the abstract attributes of music. What interests him is its confluence with human existence. The following profound insight comes from his essay “On Church Music.”

There are two musical situations on which I think we can be confident that a blessing rests. One is where a priest or an organist, himself a man of trained and delicate taste, humbly and charitably sacrifices his own (aesthetically right) desires and gives the people humbler and coarser fare than he would wish, in a belief (even, as it may be, the erroneous belief) that he can thus bring them to God. The other is where the stupid and unmusical layman humbly and patiently, and above all silently, listens to music which he cannot, or cannot fully, appreciate, in the belief that it somehow glorifies God, and that if it does not edify him this must be his own defect.

Neither such a High Brow nor such a Low Brow can be far out of the way. To both, Church Music will have been a means of grace; not the music they have liked, but the music they have disliked. They have both offered, sacrificed, their taste in the fullest sense.

But where the opposite situation arises, where the musician is filled with the pride of skill or the virus of emulation and looks with contempt on the unappreciative congregation, or where the unmusical, complacently entrenched in their own ignorance and conservatism, look with the restless and resentful hostility of an inferiority complex on all who would try to improve their taste—there, we may be sure, all that both offer is unblessed and the spirit that moves them is not the Holy Ghost.

This discussion about church music is particularly interesting due to Lewis’ personal dislike for much of the music used in worship, which I’ve written about before.

Lewis described his own church music pilgrimage in “Answers to Questions on Christianity.”

My own experience is that when I first became a Christian, about fourteen years ago, I thought that I could do it on my own, by retiring to my rooms and reading theology, and I wouldn’t go to the churches . . .

If there is anything in the teaching of the New Testament which is in the nature of a command, it is that you are obliged to take the Sacrament [holy communion], and you can’t do it without going to Church. I disliked very much their hymns, which I considered to be fifth-rate poems set to sixth-rate music. But as I went on I saw the great merit of it.

I came up against different people of quite different outlooks and different education, and then gradually my conceit just began peeling off. I realized that the hymns (which were just sixth-rate music) were, nevertheless, being sung with devotion and benefit by an old saint in elastic-side boots in the opposite pew, and then you realize that you aren’t fit to clean those boots. It gets you out of your solitary conceit.

In “The Weight of Glory,” Lewis addresses this notion that we must look beyond the music itself, to assess its influence on our humanity.

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers.

For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.

Lewis recognized the deep influence and mystery with which music communicates and inspires. It is no accident that Narnia’s creation itself comes through Aslan’s song.

The Lion was pacing to and fro about that empty land and singing his new song. It was softer and more lilting than the song by which he had called up the stars and the sun; a gentle, rippling music. And as he walked and sang the valley grew green with grass. It spread out from the Lion like a pool.

It ran up the sides of the little hills like a wave. In a few minutes it was creeping up the lower slopes of the distant mountains, making that young world every moment softer.

Returning to “On Church Music,” Lewis expands on the importance of our intentions as we approach music.

It seems to me that we must define rather carefully the way, or ways, in which music can glorify God. There is . . . a sense in which all natural agents, even inanimate ones, glorify God continually by revealing the powers He has given them. . . . An excellently performed piece of music, as natural operation which reveals in a very high degree the peculiar powers given to man, will thus always glorify God whatever the intention of the performers may be. But that is a kind of glorifying which we share with the ‘dragons and great deeps,’ with the ‘frost and snows.’

What is looked for in us, as men, is another kind of glorifying, which depends on intention. How easy or how hard it may be for a whole choir to preserve that intention through all the discussions and decisions, all the corrections and the disappointments, all the temptations to pride, rivalry and ambition, which precede the performance of a great work, I (naturally) do not know. But it is on the intention that all depends.

When it succeeds, I think the performers are the most enviable of men; privileged while mortals to honor God like angels and, for a few golden moments, to see spirit and flesh, delight and labour, skill and worship, the natural and the supernatural, all fused into that unity they would have had before the Fall. . . .

We must beware of the naïve idea that our music can ‘please’ God as it would please a cultivated human hearer. That is like thinking, under the old Law, that He really needed the blood of bulls and goats. To which an answer came, ‘mine are the cattle upon a thousand hills,’ and ‘if I am hungry, I will not tell thee.’ If God (in that sense) wanted music, He would not tell us. For all our offerings, whether of music or martyrdom, are like the intrinsically worthless present of a child, which a father values indeed, but values only for the intention.

At the outset of this column I declared Tolkien would have been “in awe” of the musical score written to accompany the Lord of the Rings movies. Lewis too, I believe, would have been impressed by the scores composed for the three Chronicles of Narnia films made thus far. We owe a debt of gratitude to three composers: Howard Shore,* Harry Gregson-Williams,** and David Arnold***.

An Historical Postscript

In the spirit of Lewis and Tolkien, who appreciated the importance of music, we’ll close now with another engaging quotation from the wry pen of Doctor Martin Luther.

I wish all lovers of the unshackled art of music grace and peace from God the Father and from our Lord Jesus Christ! I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God.

The riches of music are so excellent and so precious that words fail me whenever I attempt to discuss and describe them…. In summa, next to the Word of God, the noble art of music is the greatest treasure in the world.

A person who gives this some thought and yet does not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.

_____

* Howard Shore has nearly a hundred credits as a composer, conductor and orchestrator on the Internet Movie Database (IMDb). In addition to the Tolkien cinema projects, he has also worked on a number of other very successful films and ninety-six episodes of Saturday Night Live. Shore won three Oscars for his work on Lord of the Rings.

** Harry Gregson-Williams has nearly a hundred credits on the IMDb, including a number of box office successes, a variety of popular video games, and several productions in the Shrek series. He won awards for his work on the Chronicles of Narnia series and another of my favorite films, Kingdom of Heaven.

*** David Arnold, wrote the score for the third Narnia film, The Chronicles of Narnia: The Voyage of the Dawn Treader. He has seventy-three credits listed on IMDb, ranging from this year’s Independence Day: Resurgence, all the way back to a BBC made for tv picture entitled Mr. Stink.

They most certainly do, if you are discussing the influence of parents on their children’s religious practices.

And, as politically uncomfortable as it may make people, the example of the father appears to exert far more influence than that of the mother.

In 2000, a Swiss study was released that revealed, in part, the way parental faith is transmitted to children. I was reminded of it while reading “Dads Being Dads,” in the current issue of The Lutheran Witness.

A Touchstone article (linked below) analyzed the study. It compared the frequency of worship attendance by parents with the consequential involvement of their children as they matured.

If both father and mother attend regularly, 33 percent of their children will end up as regular churchgoers, and 41 percent will end up attending irregularly. Only a quarter of their children will end up not practicing at all.

If the father is irregular and mother regular, only 3 percent of the children will subsequently become regulars themselves, while a further 59 percent will become irregulars. Thirty-eight percent will be lost.

These numbers sound extreme, don’t they? Some of us will be doing calculations in our minds. In my own family, my mother was a faithful Christian. My father was agnostic. (Actually, he was a practicing atheist who would argue “I believe in God.”)

Of the three kids, I am a regular church attender. Not just because I’m a pastor; since I’m “retired” and have no external obligation to attend. My sister attends occasionally. My brother only for special, family events.

Hmmm, that is merely anecdotal, of course, but my observation of other family histories seems to bear out the findings of the demographic study.

While some readers may wish to challenge the applicability of a Swiss study to other nations, the simple fact that the burden to do so rests on them. The experience in Switzerland is almost certainly common to the rest of Europe and the other increasingly secularized countries of the West.

And, since it is about gender distinctions rather than culture variations per se, it may even correlate to less industrialized contexts.

Just how much more significant is a father’s example than a mother’s?

Even when the father is an irregular attender there are some extraordinary effects. An irregular father and a non-practicing mother will yield 25 percent of their children as regular attenders in their future life and a further 23 percent as irregulars. This is twelve times the yield where the roles are reversed.

Let’s consider that statistic a fluke, and cut it in half . . . no, into quarters. Even if is off by that great a magnitude, it would still mean that in this scenario, a father’s example is three times as significant as mother’s.

The study does not concern itself with the reasons for the disparity, but I have a theory. At the risk of sounding like a traditional dinosaur, as C.S. Lewis described himself, allow me to offer it.

Women are inherently more receptive to Christian virtues such as compassion, gentleness, and mercy.

Even if their mother discounts worship, the hearts of most girls are still attuned to its song.

Christian virtues of forgiveness and meekness resonate less in boys (not just because of their upbringings).

If a father goes to church without his wife, daughters will still be inclined to desire to accompany him.

If a father stays home, it promotes a boy’s innate suspicion (reinforced by external forces) that “religion is women’s business.”

This doesn’t mean, of course, that single mothers should despair. God is the One who draws us to himself, and he can most definitely do so in the absence of any other positive influences.

This is my prayer of gratitude: God bless faithful mothers.

As a reward for those who read these thoughts to their end, I would like to share one of Lewis’ allusions to himself as a dinosaur. This passage comes from his essay, “De Descriptione Temporum.”

If a live dinosaur dragged its slow length into the laboratory, would we not all look back as we fled? What a chance to know at last how it really moved and looked and smelled and what noises it made!

And if the Neanderthaler could talk, then, though his lecturing technique might leave much to be desired, should we not almost certainly learn from him some things about him which the best modern anthropologist could never have told us? He would tell us without knowing he was telling.

One thing I know: I would give a great deal to hear any ancient Athenian, even a stupid one, talking about Greek tragedy. He would know in his bones so much that we seek in vain. At any moment some chance phrase might, unknown to him, show us where modern scholarship had been on the wrong track for years.

Ladies and gentlemen, I stand before you somewhat as that Athenian might stand. I read as a native texts you must read as foreigners. You see why I said that the claim was not really arrogant; who can be proud of speaking fluently his mother tongue or knowing his way about his father’s house. . .

Where I fail as a critic, I may yet be useful as a specimen. I would even dare to go further. Speaking not only for myself but for all other Old Western men whom you may meet, I would say, use your specimens while you can. There are not going to be many more dinosaurs.

There are too many examples out there to count. I am sure there are a number of websites devoted to them. But I don’t care enough to investigate.

It is one thing to shape a natural or fantastical creature to use as a rain spout on a building. Quite another, in my opinion, to opt for a grotesquery.

Churches should stick with symbolism that edifies the people. Admittedly, this can include some potentially gruesome subject, such as images of martyrdoms.

Our familiarity with the crucifix itself has dulled the impact of its terrible agony. We often fail to recognize the magnitude of the suffering Jesus endured.

Gargoyles were in the news this week. The reason for their appearance gave the title to this column.

A tragedy occurred in Chicago when a gargoyle broke free from a dated building and struck an innocent pedestrian. She was killed almost immediately by the crushing blow.

To make matters even more sad, the building from which the “ornament” fell was a church.

Second Presbyterian Church was built in 1874 and is a national historic landmark. Local news outlets report that it failed various inspections between 2007 and 2011, but passed them in 2012 and 2013. (The picture above is not of the gargoyle in question.)

Sarah was the name of the victim of this tragic accident. I invite your prayers on behalf of this young woman’s loved ones, especially her two children.

I think so little of church gargoyles that I included the subject in an as yet unpublished book set in the medieval period.

The nightmare gargoyle pictured on the top of the page adorns Magdalen College in Oxford. It was established in 1458, and was the school where C.S. Lewis began his teaching career.

In C.S. Lewis: An Examined Life, Bruce Edwards writes, “The college is noted for its wealth of gargoyles, grotesques, and stone portraits of notable people.”

Well, the college may be named after Mary Magdalene, but at least it isn’t a church. As for the stone “portraits,” they sound like a very agreeable adornment.

As lovely as Magdalen is considered to be, on the whole Lewis considered Cambridge University more appealing than Oxford. In a 1954 letter he wrote, “I’m afraid one must admit that, architecturally, Cambridge beats Oxford; there is so much more variety in Cambridge.”

In two other letters written the same year, Lewis revealed that there was much more to his new academic post than mere architecture that appealed to him. Oxford had taken Lewis for granted, and often belittled him because of his simplistic trust in Christ.

You know I am going as a Professor to Cambridge? My new college is Magdalene, Cambridge: a tiny little place compared with this, but a perfect gem architecturally and (I think) much more congenial socially & spiritually.

Did I tell you I’ve been made a professor at Cambridge? I take up my duties on Jan. 1st at Magdalene College, Cambridge (Eng.). Note the difference in spelling. It means rather less work for rather more pay. And I think I shall like Magdalene better than Magdalen. It’s a tiny college (a perfect cameo architecturally) and they’re so old fashioned, & pious, & gentle and conservative– unlike this leftist, atheist, cynical, hard-boiled, huge Magdalen. Perhaps from being the fogey and ‘old woman’ here I shall become the enfant terrible there.

It is not about architecture at all—or the presence or absence of grotesqueries. It is about finding a home where you know you are welcome and appreciated. A place where you do not need to remain constantly on your guard, because there are colleagues present who desire to see you humbled.

It is good to know C.S. Lewis spent the final years of his teaching life in an academic family that truly appreciated the gifted scholar in their midst.

I guess that didn’t surprise me, but it did sadden me, that the once respected “profession” of the ministry has fallen so far in the public’s esteem.

Christianity Today, a fine magazine, reported a Pew Research poll that inquired as to whether people believed that “pastors contribute ‘a lot’ to the well-being of society.”

37% of adults agreed

52% of weekly churchgoers agreed

I’m not surprised only a third of the general American population agrees with that notion . . . but I’m amazed that only half of the people who actually attend religious services concur with the statement.

Only half of the people who go to church think pastors do anything worthwhile!

Perhaps they’re like most people who think so little of members of Congress. They like their own representatives and senators (readily reelecting them), but hold the rest of Congress in disdain.

Students of poll-taking recognize the results depend on a wide range of factors. Most significant is precisely how the question is posed. I suppose the phrasing “a lot” to rate magnitude of the clergy’s contribution could account for some of the negative responses.

Still, it’s logical that most of the people who disagreed with the premise, really do possess a low opinion of clergy. In the wake of child abuse scandals and those infrequent but well publicized cases where ministers commit outrageous crimes, it should come as no surprise.

I suppose it wouldn’t bother me quite so much that clergy were held in low regard, if I wasn’t a pastor myself.

But, as I was ruminating over this gloomy fact, it dawned on me that I actually share the less than glowing opinion of many of the poll’s respondents. I too don’t think that highly of many of the so-called ministers out there either. Especially the self-ordained ones or those pseudo-clergy who just buy a diploma off the internet. (The latter group really irritates me, since I belong to a denomination that requires four full years of seminary education prior to ordination.)

Not that education is all that significant in evaluating ministries. Many highly dedicated and productive ministers never attended seminary at all. And, on the reverse side of the coin, many people who have highly advanced theological degrees are self-aggrandizing hypocrites.

I’m reminded of one of my favorite passages from C.S. Lewis’ allegory about the separation between heaven and hell. In The Great Divorce he relates a conversation involving a lost soul who was a highly regarded theologian while he was alive.

Lewis calls him the “episcopal ghost,” but that’s not a reference to his denomination, merely his ostentatious persona and the fact that he attained the lofty office of “bishop.” Unfortunately, I’ve met more than one person during my life who greatly resembles the misguided theologian in the story.

I enjoy this particular literary encounter so much that I wrote an article about it for a C.S. Lewis journal some years ago.*

If you’ve never read The Great Divorce, you’re missing out on a real gem. It is one of the very few books I have ever read in a single sitting. Once I began it, I couldn’t put it down. (I know that’s a cliche, but in this case it’s literally true.)

The passage I find so provocative appears below. (I didn’t have the heart to edit it, since some readers will want to follow the entire conversation.) After rereading it, I’m beginning to wonder why anyone in Pew’s poll considered clergy praiseworthy.

To understand the dialog, allow me to set the stage. In this fictional work, various “ghosts” (insubstantial souls of those who died without a relationship to Christ) are met at the outskirts of heaven by “bright people” (redeemed, truly real human beings) with whom they were acquainted during their mortal lives. The redeemed individuals attempt to persuade the lost to desire in some small way to draw close to God, so that they might continue a journey drawing closer to his grace.

In this scenario, the two men were both liberal theologians, but one of them, before he died, came to believe that what the Scriptures teach was actually true.

_____

* “Confused Clerics,” The Lamp-Post 18.1 (March 1994): 15-22.

One Sad Pastor

‘My dear boy, I’m delighted to see you,’ [the Ghost] was saying to the Spirit, who was naked and almost blindingly white.** ‘I was talking to your poor father the other day and wondering where you were.’

‘You didn’t bring him?’ said the other.

‘Well, no. He lives a long way from the bus, and, to be quite frank, he’s been getting a little eccentric lately. A little difficult. Losing his grip. He never was prepared to make any great efforts, you know. If you remember, he used to go to sleep when you and I got talking seriously! Ah, Dick, I shall never forget some of our talks. I expect you’ve changed your views a bit since then. You became rather narrow-minded towards the end of your life: but no doubt you’ve broadened out again.’

‘How do you mean?’

‘Well, it’s obvious by now, isn’t it, that you weren’t quite right. Why, my dear boy, you were coming to believe in a literal Heaven and Hell!’

‘But wasn’t I right?’

‘Oh, in a spiritual sense, to be sure. I still believe in them in that way. I am still, my dear boy, looking for the Kingdom. But nothing superstitious or mythological…’

‘Excuse me. Where do you imagine you’ve been?’

‘Ah, I see. You mean that the grey town with its continual hope of morning (we must all live by hope, must we not?), with its field for indefinite progress, is, in a sense, Heaven, if only we have eyes to see it? That is a beautiful idea.’

‘I didn’t mean that at all. Is it possible you don’t know where you’ve been?’

‘Now that you mention it, I don’t think we ever do give it a name. What do you call it?’

‘We call it Hell.’

‘There is no need to be profane, my dear boy. I may not be very orthodox, in your sense of that word, but I do feel that these matters ought to be discussed simply, and seriously, and reverently.’

‘Discuss Hell reverently? I meant what I said. You have been in Hell: though if you don’t go back you may call it Purgatory.’

‘Go on, my dear boy, go on. That is so like you. No doubt you’ll tell me why, on your view, I was sent there. I’m not angry.’

‘But don’t you know? You went there because you are an apostate.’

‘Are you serious, Dick?’

‘Perfectly.’

‘This is worse than I expected. Do you really think people are penalised for their honest opinions? Even assuming, for the sake of argument, that those opinions were mistaken.’

‘Do you really think there are no sins of intellect?’

‘There are indeed, Dick. There is hide-bound prejudice, and intellectual dishonesty, and timidity, and stagnation. But honest opinions fearlessly followed—they are not sins.’

‘I know we used to talk that way. I did it too until the end of my life when I became what you call narrow. It all turns on what are honest opinions.’

‘Mine certainly were. They were not only honest but heroic. I asserted them fearlessly. When the doctrine of the Resurrection ceased to commend itself to the critical faculties which God had given me, I openly rejected it. I preached my famous sermon. I defied the whole chapter. I took every risk.’

‘What risk? What was at all likely to come of it except what actually came—popularity, sales for your books, invitations, and finally a bishopric?’

‘Dick, this is unworthy of you. What are you suggesting?’

‘Friend, I am not suggesting at all. You see, I know now. Let us be frank. Our opinions were not honestly come by. We simply found ourselves in contact with a certain current of ideas and plunged into it because it seemed modern and successful. At College, you know, we just started automatically writing the kind of essays that got good marks and saying the kind of things that won applause. When, in our whole lives, did we honestly face, in solitude, the one question on which all turned: whether after all the Supernatural might not in fact occur? When did we put up one moment’s real resistance to the loss of our faith?’

‘If this is meant to be a sketch of the genesis of liberal theology in general, I reply that it is a mere libel. Do you suggest that men like…’

‘I have nothing to do with any generality. Nor with any man but you and me. Oh, as you love your own soul, remember. You know that you and I were playing with loaded dice. We didn’t want the other to be true. We were afraid of crude salvationism, afraid of a breach with the spirit of
the age, afraid of ridicule, afraid (above all) of real spiritual fears and hopes.’

‘I’m far from denying that young men may make mistakes. They may well be influenced by current fashions of thought. But it’s not a question of how the opinions are formed. The point is that they were my honest opinions, sincerely expressed.’

‘Of course. Having allowed oneself to drift, unresisting, unpraying, accepting every half-conscious solicitation from our desires, we reached a point where we no longer believed the Faith. Just in the same way, a jealous man, drifting and unresisting, reaches a point at which he believes lies about his best friend: a drunkard reaches a point at which (for the moment) he actually believes that another glass will do him no harm. The beliefs are sincere in the sense that they do occur as psychological events in the man’s mind. If that’s what you mean by sincerity they are sincere, and so were ours. But errors which are sincere in that sense are not innocent.’

‘You’ll be justifying the Inquisition in a moment!’

‘Why? Because the Middle Ages erred in one direction, does it follow that there is no error in the opposite direction?’

‘Well, this is extremely interesting,’ said the Episcopal Ghost. ‘It’s a point of view. Certainly, it’s a point of view. In the meantime…’

‘There is no meantime,’ replied the other. ‘All that is over. We are not playing now. I have been talking of the past (your past and mine) only in order that you may turn from it forever. One wrench and the tooth will be out. You can begin as if nothing had ever gone wrong. White as snow. It’s all true, you know. He is in me, for you, with that power. And—I have come a long journey to meet you. You have seen Hell: you are in sight of Heaven. Will you, even now, repent and believe?’

‘I’m not sure that I’ve got the exact point you are trying to make,’ said the Ghost.

‘I am not trying to make any point,’ said the Spirit. ‘I am telling you to repent and believe.’

‘But my dear boy, I believe already. We may
not be perfectly agreed, but you have completely misjudged me if you do not realise that my religion is a very real and a very precious thing to me.’

‘Very well,’ said the other, as if changing his plan. ‘Will you believe in me?’

‘In what sense?’

‘Will you come with me to the mountains? It will hurt at first, until your feet are hardened. Reality is harsh to the feet of shadows. But will you come?’

‘Well, that is a plan. I am perfectly ready to consider it. Of course I should require some assurances…I should want a guarantee that you are taking me to a place where I shall find a wider sphere of usefulness—and scope for the talents that God has given me—and an atmosphere of free inquiry—in short, all that one means by civilisation and—er—the spiritual life.’

‘No,’ said the other. ‘I can promise you none of these things. No sphere of usefulness: you are not needed there at all. No scope for your talents: only forgiveness for having perverted them. No atmosphere of inquiry, for I will bring you to the land not of questions but of answers, and you shall see the face of God.’

‘Ah, but we must all interpret those beautiful words in our own way! For me there is no such thing as a final answer. The free wind of inquiry must always continue to blow through the mind, must it not? “Prove all things”…to travel hopefully is better than to arrive.’

‘If that were true, and known to be true, how could anyone travel hopefully? There would be nothing to hope for.’

‘But you must feel yourself that there is something stifling about the idea of finality? Stagnation, my dear boy, what is more soul-destroying than stagnation?’

‘You think that, because hitherto you have experienced truth only with the abstract intellect. I will bring you where you can taste it like honey and be embraced by it as by a bridegroom. Your thirst shall be quenched.’

‘Well, really, you know, I am not aware of a thirst for some ready-made truth which puts an end to intellectual activity in the way you seem to be describing. Will it leave me the free play of Mind, Dick? I must insist on that, you know.’

‘Free, as a man is free to drink while he is drinking. He is not free still to be dry.’

The Ghost seemed to think for a moment. ‘I can make nothing of that idea,’ it said.

‘Listen!’ said the White Spirit. ‘Once you were a child. Once you knew what inquiry was for. There was a time when you asked questions because you wanted answers, and were glad when you had found them. Become that child again: even now.’

‘Ah, but when I became a man I put away childish things.’

‘You have gone far wrong. Thirst was made for water; inquiry for truth. What you now call the free play of inquiry has neither more nor less to do with the ends for which intelligence was given you than masturbation has to do with marriage.’

‘If we cannot be reverent, there is at least no need to be obscene. The suggestion that I should return at my age to the mere factual inquisitiveness of boyhood strikes me as preposterous. In any case, that question-and-answer conception of thought only applies to matters of fact. Religious and speculative questions are surely on a different level.’

‘We know nothing of religion here: we think only of Christ. We know nothing of speculation. Come and see. I will bring you to Eternal Fact, the Father of all other fact-hood.’

‘I should object very strongly to describing God as a “fact”. The Supreme Value would surely be a less inadequate description. It is hardly…’

‘Do you not even believe that He exists?’

‘Exists? What does Existence mean? You will keep on implying some sort of static, ready-made reality which is, so to speak, “there”, and to which our minds have simply to conform. These great mysteries cannot be approached in that way. If there were such a thing (there is no need to interrupt, my dear boy) quite frankly, I should not be interested in it. It would be of no religious significance. God, for me, is something purely spiritual. The spirit of sweetness and light and tolerance—and, er, service, Dick, service. We mustn’t forget that, you know.’

‘If the thirst of the Reason is really dead…,’ said the Spirit, and then stopped as though pondering. Then suddenly he said, ‘Can you, at least, still desire happiness?’

‘Happiness, my dear Dick,’ said the Ghost placidly, ‘happiness, as you will come to see when you are older, lies in the path of duty. Which reminds me…Bless my soul, I’d nearly forgotten. Of course I can’t come with you. I have to be back next Friday to read a paper. We have a little Theological Society down there. Oh yes! there is plenty of intellectual life. Not of a very high quality, perhaps. One notices a certain lack of grip—a certain confusion of mind. That is where I can be of some use to them. There are even regrettable jealousies…I don’t know why, but tempers seem less controlled than they used to be. Still, one mustn’t expect too much of human nature. I feel I can do a great work among them. But you’ve never asked me what my paper is about! I’m taking the text about growing up to the measure of the stature of Christ and working out an idea which I feel sure you’ll be interested in. I’m going to point out how people always forget that Jesus (here the Ghost bowed) was a comparatively young man when he died. He would have outgrown some of his earlier views, you know, if he’d lived. As he might have done, with a little more tact and patience. I am going to ask my audience to consider what his mature views would have been. A profoundly interesting question. What a different Christianity we might have had if only the Founder had reached his full stature! I shall end up by pointing out how this deepens the significance of the Crucifixion. One feels for the first time what a disaster it was: what a tragic waste… so much promise cut short. Oh, must you be going? Well, so must I. Goodbye, my dear boy. It has been a great pleasure. Most stimulating and provocative. Goodbye, goodbye, goodbye.’

The Ghost nodded its head and beamed on the Spirit with a bright clerical smile—or with the best approach to it which such unsubstantial lips could manage—and then turned away humming softly to itself ‘City of God, how broad and far.’

_____

** Lewis’ use of the nakedness metaphor here is obviously an allusion to the creation of Adam and Eve who, while in a sinless state, required no clothing. It is in no way lewd. Rather, it is an image of purity.