Here’s the story of how Big Brother and the Holding Company, one of the
most influential bands from the 1960s, got its start. Big Brother and
the Holding Company, the Grateful Dead, Jefferson Airplane and
Quicksilver Messenger Service were the first bands to make it from San
Francisco. These were the bands that help develop what would become
known as the San Francisco sound and get it exposed to a national
audience. Long stretches of music intertwined with a liquid light show
mixed with large doses of the LSD experience would go a long way in
this new art form called psychedelic rock (or acid rock). For those of
us who grew up in the Bay Area in that era, all these bands – along
with the Beatles, the Doors and the Jimi Hendrix Experience, to name a
few – were ones that we ended up identifying with in our youth.

But two of these bands had something different, very different. These
were Big Brother and the Holding Company and the Jefferson Airplane.
While the Airplane had Grace Slick, who had an incredible sardonic and
biting wit about her, Big Brother had Janis Joplin, who simply put was
the best female blues singer of her generation and perhaps the best
ever. This documentary is chock-full of great performances by Big
Brother and Janis. There are four complete songs in the special
features section of the DVD: “Down on Me,” “The Coo Coo,” “Ball and
Chain” and “Piece of My Heart.” These songs really go a long way to
demonstrating the essence of Big Brother: edge of your seat excitement
mixed with a sense of danger that no other band had. Prior to Joplin
joining the band, Big Brother was getting a nice following of their own
and becoming one of the house bands at Chet Helms’ new establishment,
the Avalon Ballroom. But Big Brother knew that they needed to get a
lead singer, so they began to hold auditions. Helms became aware of
this and recalled a singer that he heard in San Francisco in the early
‘60s.

You would think that once everyone heard Joplin sing, they would all
just be beside themselves, but that really wasn’t the case. You see,
Big Brother was a band before Joplin joined them and not everyone
thought it was a great idea to get a woman singer. In this documentary,
you get firsthand knowledge of how the band actually felt about that.
All of the remaining members are still alive and interviewed for this
release, which also includes a very rare audio-only recording of “Hall
of the Mountain King” by the band. These were four very different
musicians with four very different backgrounds. The two guitar players,
for example, couldn’t have been more different from one another. Sam
Andrews came from a more learned and studied background, where he knew
exactly what a C#m7 chord was and James Gurley merely played what he
heard in his head. He didn’t really know chords, but he didn’t really
need to, either.Big
Brother’s big breakthrough was also the beginning of their downfall.
The Monterey Pop Festival in 1967 was the coming-out party for the “now
generation.” This was the festival where America was going to get its
first look at the new youth of America: Simon and Garfunkel, the Mamas
and the Papas and the Byrds were supposed to headline the festival. And
while they might have actually headlined the festival, the festival was
won over by the bands that were not known nationally. Big Brother and
the Holding Company, the Grateful Dead, the Who, the Jefferson
Airplane, Otis Redding and the Jimi Hendrix Experience were the ones
that really won over the crowd. Within a week, all these bands were
playing at national venues and Big Brother had just obtained the final
piece in their puzzle. Albert Grossman, Bob Dylan's manager, had just
signed Big Brother. He asked the band who they wanted to record for,
one simple phone call was made and a deal with Columbia was set. You
would think that was the hard part, but in all actuality their troubles
were just beginning. Capturing the raw essence of the band was much
easier said than done. Months of internal wrangling in the studio and
bad press were beginning to break the band apart. But the one album
that they did make was a really distinctive one, “Cheap Thrills.” Cheap
Thrills would eventually end up at Number One on the charts, but the
moment had passed. There are some poignant moments in the interviews
with the remaining band members that underscore the belief that
something truly special was lost.

After Big Brother
recorded its one and only album for Columbia and did a subsequent tour,
Joplin was gone, literally and figuratively, and that was a loss for us
all. Overall, I liked this DVD; musically, it was right where I
expected it to be. I definitely would recommend this DVD to anyone who
enjoys psychedelic music with an emphasis on the blues. Big Brother’s
music was always full of excitement and fear, joy and pain and some of
the best damn vocals you’ll ever hear.