ABOUT THIS ALBUM

Album Notes

Cellist Kate Kayaian is known for her stunning artistry and for her passion for collaboration. Based in Boston, Massachusetts, she maintains a rigorous schedule balancing her own performances with her teaching and conducting positions and musical exchange projects around the world. Her 2015-2016 schedule includes recitals and concerts in Boston, Chicago, Florida, Montreal, Bermuda, and throughout the New England area. An avid collaborator, she has toured around France, Italy, Greece and Turkey with members of the Orchestre Philharmonique de Monte Carlo performing chamber music in such incredible venues as the ruins of Ephesus. Other recent chamber music highlights include performances in Fort Lauderdale with the principals of the South Florida Symphony, and a commemorative concert of the Charles Ives Piano Trio at the composer’s alma mater the Hopkins School in New Haven.

A strong advocate for new music, Kate works closely with today’s leading composers and has premiered works by Michael Gandolfi, Kati Agoc, John Adams, Steven Mackey, Jonathan Bailey Holland and Andrew Norman amongst many others. She performs and records regularly with such acclaimed ensembles as the GRAMMY nominated group Boston Modern Orchestra Project, and has had the honor of working with the world’s most esteemed conductors and proponents of contemporary music: Pierre Boulez, Oliver Knussen, Gil Rose and Michael Tilson-Thomas. She is currently working on a new project recording works for solo cello written by friends and colleagues from the Boston area.

Originally from Chicago, IL, Kate came to Boston to pursue her degree at the New England Conservatory of Music where she studied cello with Colin Carr, and chamber music with Eugene Lehner, Irma Vallecillo, Scott Nickrenz and the Borromeo String Quartet. Subsequently, she won a three-year fellowship with the New World Symphony where she performed as principal cellist under the baton of Music Director Michael Tilson Thomas and was a frequent performer in the chamber music series. She spent two years at the Spoleto (U.S.A.) festival, and three summers at the Tanglewood Music Center where she was a member of the Conductor’s Quintet. While in residence there, she was involved in many collaborative projects with groups such as Jacob’s Pillow Dance Company and Shakespeare and Company.

Kate is the Director of Chamber Music for the Boston Youth Symphony Orchestras and maintains an active studio of private students. She has traveled frequently to South Africa and Kenya to facilitate cultural exchanges between young African and American music students, and has made recent trips to Mexico and India for similar projects. When she is not playing or teaching the cello, she can be found sailing, gardening, watering her collection of neglected houseplants, and moving furniture back and forth around her house. She lives with her husband Paul in Hamilton, Bermuda and Boston, Massachusetts, and can be heard on the Naxos, RCA, and BMOP/sound recording labels. Kate plays on a 1947 Primo Contavalli cello and a bow by François Nicolas Voirin.

Classical pianist Stephen Porter has appeared as a soloist in London, Paris, Sarajevo, Lake Como, Istanbul and Rio de Janeiro, among other cities. His recent New York recitals at SubCulture, the Fabbri Mansion and Symphony Space have been praised by the press, with New York Arts calling Mr. Porter’s 24 Debussy Preludes “a powerful revelation…as if the voice of the composer were speaking to us.” His Schubert performances are widely acclaimed, the Boston Musical Intelligencer says he “reached the level of sublimity,” and in the new biography Beethoven: Anguish and Triumph, author Jan Swafford calls his interpretation of Beethoven’s Appassionata “unforgettable.”

Critics have noted Mr. Porter’s style of speaking to the audience — all too rare in classical music today — which creates a more involved listening experience, and a communication between composer, artist and listener. New York Arts describes his “engaging discussions of the composer and the works, not only providing us with background, but preparing us to listen, to enter Debussy’s particular world of sounds…The audience could not have been better prepared for the rich experience Mr. Porter created for them.”

International solo appearances include Cité des Arts in Paris, the Sala Villa-Lobos at the University of Rio de Janeiro, Albert Long Hall in Istanbul, LSO St. Luke’s with the Amadeus Orchestra of London, the Rockefeller Foundation at Bellagio, and Sarajevo as the featured soloist of the Bosnia International Music Festival. It was a great honor for Mr. Porter, as an American pianist, to be named artist-resident of the Cité Internationale des Arts in Paris for Claude Debussy’s 150th birthday year, and invited to perform the composer’s 24 Preludes. Recitals of Debussy in Paris, Sarajevo and the United States led to an invitation to Washington D.C. to be the featured guest on National Public Radio’s Diane Rehm Show entitled “The World Of Claude Debussy.”

Stephen Porter premieres the work of many contemporary composers both here and abroad, most recently the Andrew List Second Piano Sonata and Caio Senna’s “Testamento” in Paris, and his “Re-Imagining Composers” series for the Composer’s Voice at Harvard University and in New York City. This year he has also recorded the music of Toni Lester with Grammy Award winning bass-baritone Dashon Burton. U.S. recitals include Bard College, Christ Church Cathedral St. Louis, Amherst College Buckley Recital Hall, Harvard Sanders Theatre, the Boston Early Music Festival, the Nantucket Atheneum, the LaGrua Center, and the Frederick Historic Piano Collection. Steinway & Sons selected him to give five concerts as part of the Legendary Instruments of the Immortals Tour, as well as to present the unique Walden Woods Concert Grand and give lecture-recitals on the Horowitz piano.

His many chamber music activities include performances with members of the St. Louis Symphony, and with concertmaster David Halen at the invitation of the Missouri Fine Arts Academy. He is a frequent collaborator with acclaimed mezzo-soprano Krista River, and their recitals contain works by Ned Rorem and John Harbison coached by the composers. They have recorded a disc of Grieg’s “Haugtussa,” six Lyric Pieces, and Schumann’s “Frauenliebe und leben.” Other recent chamber music appearances of note were the Brahms Piano Quintet in Fort Lauderdale with the principals of the South Florida Symphony, a commemorative concert of the Charles Ives Piano Trio at the composer’s alma mater the Hopkins School in New Haven, and the remarkable first piano part for the original version of Rossini’s “Petite Messe Solennelle” at the Merrimack College Rogers Center for the Arts.

Mr. Porter’s several recitals at the Frederick Collection, as well as an interview regarding his performance of the final three Beethoven Sonatas on an original instrument, have been recorded live for broadcast on National Public Radio. He has also recorded the final three Schubert sonatas, Moments Musicaux and an original song transcription on the Frederick Collection’s 1828 Viennese Graf.

Stephen Porter is a graduate of Oberlin College magna cum laude, and the New England Conservatory of Music in Piano Performance with Distinction. His teachers were Peter Takacs, Jacob Maxin and Paul Doguereau. He was privileged to study with Mr. Doguereau, who had received the Premier Prix at the Paris Conservatory as a student of Marguerite Long, played for Debussy’s wife Emma Bardac in the years just following the composer’s death, and was a protégé of Ravel (whom he accompanied on the 1928 tour of the United States). Mr. Porter has judged national and international piano competitions and given masterclasses at many schools, including Washington University, Boston University, New England Conservatory and the Longy School of Music. He has been on the piano faculties of Webster University, Phillips Andover Academy, and the chamber music faculty of the Boston University Tanglewood Institute. Stephen Porter is a past winner of the prestigious Artist Presentation Society auditions.