The New Statesman is a British political and cultural
magazine published weekly in London. Founded in 1913, and connected with
leading members of the socialist Fabian Society, the magazine has a left-of-centre political position.[2]

The longest serving editor was Kingsley Martin (1930–60). The current editor is Jason Cowley, who assumed the post at the end of September 2008. In 29 May 2006 issue, then-editor John Kampfner stated that the New Statesman remained "true to its heritage of radical politics". The magazine is
committed to "development, human rights and the environment, global
issues the mainstream press often ignores".

Historically, the magazine was sometimes affectionately referred to
as "The Staggers" because of crises in funding, ownership and
circulation. The nickname is now used as the title of its rolling
politics blog.[3] Its current writers and columnists include Mehdi Hasan, Will Self, David Blanchflower, Ed Smith, John Gray, Laurie Penny and John Pilger. The New Statesman had a certified average circulation of 24,910 in 2012, an increase of a 1,000 copies compared to the previous year.[4] Traffic to the magazine's relaunched website reached a record high in
2013 – in August that year, unique visitors to newstatesman.com totalled
1.84 million with 3.8 million page views.[5]

The New Statesman was founded in 1913 by Sidney and Beatrice Webb with the support of George Bernard Shaw and other prominent members of the Fabian Society.[6] Its first editor was Clifford Sharp, who remained editor until 1928. Desmond MacCarthy joined the paper in 1913 and became literary editor, recruiting Cyril Connolly to the staff in 1928. During Sharp's last two years in post he was
debilitated by chronic alcoholism and the paper was actually edited by
his deputy Charles Mostyn Lloyd. Lloyd stood in after Sharp's departure
until the appointment of Kingsley Martin as editor in 1930 – a position Martin was to hold for 30 years.
Although the Webbs and most Fabians were closely associated with the Labour Party, Sharp was drawn increasingly to the AsquithLiberals.

1930–1960: Kingsley Martin

In 1931 the Statesman merged with the Liberal weekly The Nation and Athenaeum and changed its name to the New Statesman and Nation, under which title it remained until 1964. The chairman of Nation's board was the economist John Maynard Keynes,
who came to be an important influence on the newly merged paper, which
started with a circulation of just under 13,000. It also absorbed The Week-end Review in 1934 (one element of which survives in the shape of the New Statesman's Weekly Competition, and the other the 'This England' feature).

During the 1930s, Martin's Statesman moved markedly to the
left politically. It became strongly anti-fascist and was generally
critical of the government policy of appeasement of Mussolini and Hitler
(though it did not back British rearmament). It was also, notoriously,
an apologist for Joseph Stalin's Soviet Union. In 1934 it ran a famously deferential interview with Stalin by H. G. Wells. In 1938 came Martin's refusal to publish George Orwell's celebrated despatches from Barcelona during the Spanish civil war because they criticised the communists for suppressing the anarchists and the left-wing Workers' Party of Marxist Unification (POUM).
"It is an unfortunate fact," Martin wrote to Orwell, "that any hostile
criticism of the present Russian regime is liable to be taken as
propaganda against socialism."[7] Martin also refused to allow the Statesman to review Leon Trotsky's anti-Stalinist book, The Revolution Betrayed.[8] However, Martin became more critical of Stalin after the Soviet Invasion of Finland.[9]

The Statesman's
circulation grew enormously under Martin's editorship, reaching 70,000
by 1945, and became a key player in Labour politics. The paper welcomed
Labour's 1945 general election victory but took a critical line on the
new government's foreign policy. The young Labour MP Richard Crossman, who had been an assistant editor before the war, was Martin's chief lieutenant in this period, and the Statesman published Keep Left, the pamphlet written by Crossman, Michael Foot and Ian Mikardo,
that most succinctly laid out the Labour left's proposals for a "third
force" foreign policy rather than alliance with the United States.

There was much less focus on a single political line in the back part
of the paper, devoted to book reviews and articles on cultural topics.
Indeed, with these pages managed by Janet Adam Smith,
who was Literary Editor from 1952 to 1960, the paper was sometimes
described as a pantomime horse: its back half was required reading even
for many who disagreed with the paper's politics. This tradition would
continue into the 1960s with Karl Miller as Literary Editor.

After Kingsley Martin

Martin retired in 1960 and was replaced as editor by John Freeman, a politician-journalist who had resigned from the Labour government in 1951 with Bevan and Harold Wilson. Freeman left in 1965 and was followed in the chair by Paul Johnson, then on the left, under whose editorship the Statesman reached its highest ever circulation of just over 100,000. For some, even enemies of Johnson such as Richard Ingrams, this was a strong period for the magazine editorially.

After Johnson's departure in 1970, the Statesman went into a long period of declining circulation under successive editors: Richard Crossman (1970–72), who tried to edit it at the same time as playing a major role in Labour politics; Anthony Howard (1972–78), whose recruits to the paper included Christopher Hitchens, Martin Amis and James Fenton (surprisingly, the arch anti-Socialist Auberon Waugh was writing for the Statesman at this time before returning to his more natural home of The Spectator); Bruce Page (1978–82), who moved the paper towards specialising in investigative journalism, sacking Arthur Marshall, who had been writing for the Statesman on and off since 1935, as a columnist, allegedly because of the latter's support for Margaret Thatcher; Hugh Stephenson (1982–86), under whom it took a strong position again for unilateral nuclear disarmament; John Lloyd (1986–87), who swung the paper's politics back to the centre; Stuart Weir (1987–90), under whose editorship the Statesman founded the Charter 88 constitutional reform pressure group; and Steve Platt (1990–96).

The Statesman acquired the weekly New Society in 1988 and merged with it, becoming New Statesman and Society for the next eight years, then reverting to the old title, having meanwhile absorbed Marxism Today in 1991. In 1993, the Statesman was sued by Prime Minister John Major after it published an article that discussed rumours that Major was
having an extramarital affair with a Downing Street caterer.[10] Although the action was settled out of court for a minimal sum,[11] the magazine's legal costs almost led to its closure.[12]

In 1994, KGB defector Yuri Shvets said that the KGB utilised the New Statesman to spread disinformation. Shvets said that the KGB had provided disinformation, including forged documents, to the New Statesman journalist Claudia Wright which she used for anti-American and anti-Israel stories in line with the KGB's campaigns.[13][14] By 1996 the magazine was selling 23,000 copies a week. New Statesman was the first periodical to go online, hosted by the www.cleanroom.co.uk, in 1995.

Since 1996

New Statesman was rescued from this near-bankruptcy by a
takeover by businessman Philip Jeffrey but in 1996, after prolonged
boardroom wrangling[citation needed] over Jeffrey's plans, it was sold to Geoffrey Robinson, the Labour MP and businessman.

Robinson sacked Steve Platt, and appointed as editor Ian Hargreaves, formerly editor of The Independent newspaper, on what was at the time an unprecedentedly high salary.
Hargreaves in turn fired most of the left-wingers on the staff and
turned the Statesman into a strong supporter of Tony Blair as Labour leader.

Hargreaves was succeeded by Peter Wilby, also from the Independent stable, who had previously been the Statesman's books editor, in 1998. Wilby attempted to reposition the paper back 'on
the left'. His stewardship was not without controversy. In 2002, for
example, the periodical was accused of antisemitism when it published an investigative cover story on the power of the
"Zionist lobby" in Britain, under the title "A Kosher Conspiracy?".[15] The cover was illustrated with a gold Star of David towering over a Union Jack.[16] Wilby responded to the criticisms in a subsequent issue.[17] A year earlier Wilby was accused of being anti-American because of his
reporting of 11 September attacks on New York and Washington.[clarification needed][citation needed]

John Kampfner, Wilby's political editor, succeeded him as editor in May 2005 following considerable internal lobbying[citation needed].
Under Kampfner's editorship, a relaunch in 2006 initially saw headline
circulation climb to over 30,000. However, over 5,000 of these were
apparently monitored free copies,[18] and Kampfner failed to maintain the 30,000 circulation he had pledged.
In February 2008, Audit Bureau Circulation figures showed that
circulation had plunged nearly 13% in 2007.[19] Kampfner resigned on 13 February 2008, the day before the ABC figures
were made public, reportedly due to conflicts with Robinson over the
magazine's marketing budget (which Robinson had apparently slashed in
reaction to the fall in circulation).

In April 2008 Geoffrey Robinson sold a 50% interest in the magazine to businessman Mike Danson, and the remainder a year later.[20] The appointment of the new editor Jason Cowley was announced on 16 May 2008 but he did not take up the job until the end of September 2008.[21]

In January 2009, the magazine refused to recognise the National Union of Journalists,
the trade union to which almost of all its journalists belonged, though
further discussions were promised but never materialised.[22]

In 2009, Cowley was named current affairs editor of the year at the British Society of Magazine Editors awards.[23] and in 2011, he was named editor of the year in the Newspaper &
Current Affairs Magazine Category at the British Society of Magazine
Editors awards, while Jon Bernstein, the deputy editor, gained the award
for Consumer Website Editor of the Year.[24] Cowley has been shortlisted as Editor of the Year (consumer magazines)
in the 2012 PPA (Professional Publishers Association) Awards.[25] In January 2013, Cowley was shortlisted for the European Press Prize editing award.[26] The awards committee said: “Cowley has succeeded in revitalising the
New Statesman and re-establishing its position as an influential
political and cultural weekly. He has given the New Statesman an edge
and a relevance to current affairs it hasn’t had for years.”

2010 saw sales of the magazine decline further but in 2011 paid circulation rose by 824 copies, the first rise for many years.[27] In 2012, circulation rose again, by more than 1,000 copies, to 24,910.[4] The figures do not include the Kindle or digital editions, which have an additional 2,000 subscribers.

Guest editors

In March 2009 the magazine had its first guest editor, Alastair Campbell, the former head of communications for Tony Blair. Campbell chose to feature his partner Fiona Millar, Tony Blair (in an article "Why we must all do God"), football manager Alex Ferguson, and Sarah Brown, the wife of Prime Minister Gordon Brown. This editorship was condemned by Suzanne Moore, a contributor to the magazine for twenty years. She wrote in a Mail on Sunday article: "New Statesman fiercely opposed the Iraq war and yet now hands over the reins to someone key in orchestrating that conflict".[28] Campbell responded: "I had no idea she worked for the New Statesman. I don't read the Mail on Sunday.
But professing commitment to leftwing values in that rightwing rag
lends a somewhat weakened credibility to anything she says."[29]

In September 2009 the magazine was guest-edited by Labour politician Ken Livingstone, the former mayor of London.[30]

In October 2010 the magazine was guest-edited by the British author and broadcaster Melvyn Bragg. The issue included a previously unpublished poem[31] by Ted Hughes, "Last letter", describing what happened during the three days leading up to the suicide of his first wife, the poet Sylvia Plath.
Its first line is: "What happened that night? Your final night."—and
the poem ends with the moment Hughes is informed of his wife's death.

In April 2011 the magazine was guest-edited by the human rights activist Jemima Khan. The issue featured a series of exclusives including the actor Hugh Grant's secret recording[32] of former News of the World journalist Paul McMullan, and a much-commented-on[33] interview[34] with Liberal Democrat leader and Deputy Prime Minister Nick Clegg,
in which Clegg admitted that he "cries regularly to music" and that his
nine-year-old son asked him, "'Why are the students angry with you,
Papa?'"

In June 2011 Rowan Williams, Archbishop of Canterbury created a furore as guest editor by claiming that the Coalition
government had introduced "radical, long term policies for which no one
had voted" and in doing so had created "anxiety and anger" among many in
the country. He was accused of being highly partisan, notwithstanding
his having invited Iain Duncan Smith, the Work and Pensions Secretary to write an article and having interviewed the Foreign Secretary William Hague in the same edition. He also noted that the Labour Party had failed to
offer an alternative to what he called "associational socialism". The Statesman promoted the edition on the basis of Williams' alleged attack on the
government, whereas Williams himself had ended his article by asking for
"a democracy capable of real argument about shared needs and hopes and
real generosity".

In October 2012 the magazine was guest-edited by Chinese dissident artist Ai Weiwei[36] and, for the first time, published simultaneously in Mandarin (in
digital form) and English. To evade China's internet censors, the New Statesman uploaded the issue to file-sharing sites such as BitTorrent. As well as writing that week's editorial,[37] Ai Weiwei interviewed the Chinese civil rights activist Chen Guangcheng,[38] who fled to the United States after exposing the use of compulsory
abortions and sterilisations. The issue was launched on 19 October 2012
at The Lisson Gallery in London,[39] where speakers including artist Anish Kapoor and lawyer Mark Stephens paid tribute to Ai Weiwei.