04 September 2005

Harris Armstrong's rendering for a Post Office from the early 1930s. The structure was apparently unbuilt. The watercolor is signed "Armstrong Architect". Somewhat later renderings in his more fully developed drawing style were signed with his full name.

This design incorporates many of Armstrong's design strategies from this period of his career:

-- overall horizontal emphasis in architectural composition

-- grouping of windows in horizontally articulated bands which are set back from the wall surface to create strong shadows

-- the entry is incorporated into the facade as the short leg of an 'L-shaped' void (when joined with horizontal fenestration)

-- cantilevered hoizontal planes are used to define the top of the horizontal banding (as at the loading dock)