Lily (Alyssa Milano), a sheltered Midwesterner, arrives in Los Angeles to attend art school. In the large apartment she shares with several others, she discovers a diary detailing the sexual misadventures of a girl named Ivy, and decides to transform herself into the girl's image. First, she seduces her housemate Gredin (Johnathon Schaech), and then her married professor, Donald (Xander Berkeley). Lust turns to obsession, which soon gives rise to violence.

Gustave Minda, better known as Gu, a dangerous gangster, escapes from jail. He goes to Paris to join Manouche and other friends, and get involved in a gangland killing. Before leaving the country with Manouche, Gu needs a final job to get some money. But that's not so simple when you have Inspector Blot tracking you, and have to deal with the consequences of the shooting in Paris…

In this deep dive into the world of the Yakuza, meet the violent men who rule the Japanese underworld and the cruel punishments inflicted on those who transgress them. The carnage begins in the Edo Period with a violent tale of samurai vengeance starring Bunta Sugawara (Battles Without Honour and Humanity), before shifting to the Meiji Period as the exiled Ogata (Minoru Oki, Shogun Assassin) returns to face punishment for his past transgressions… and, ultimately, to take his revenge. Finally, the action is brought right up to date with a tale of gang warfare set in then-present-day 60s Japan and headlined by Teruo Yoshida (Ishii's Orgies of Edo), as a powerful crime syndicate seeks bloody vengeance for the theft of one hundred thousand yen.

Wheely, an underdog cabbie and a racer at heart, attempts to become king of the road in his hometown, Gasket City. During a delivery gone awry, Wheely bumps into the famous Italian model, Bella di Monetti and falls “bonnet-over-wheels” in love with this beautiful uptown girl, yet down-to-earth luxury car. Constantly being on the wrong side of the law and looked down by the elitist luxury cars, Wheely and his best friend Putt Putt dig themselves into a deeper hole when they have to confront an underground car-napping syndicate led by the monster 18-wheeler truck, Kaiser.

Having already left three grooms at the altar, Maggie Carpenter (Julia Roberts) is branded "the runaway bride" by jaded city journalist Ike Graham (Richard Gere). But, after his facts are called into question, Ike races to Maggie's hometown to save his reputation and report on her upcoming fourth trip down the aisle – during which he's convinced she'll run again. Though he's there on a muckraking mission, Ike can't help but fall for this breathtaking heartbreaker.

Neo, a drifter from the atomic-blasted wastelands, arrives with his klutzy robot sidekick at a factory where slaves labor to fuel the sinister Dark One's Power Station. There, he meets a comely woman who convinces him to help rescue her scientist father, who has invented a device that can break the Dark One's control over the slaves. Gathering a motley crew of allies on the way, Neo and pals travel to the Power Station, where they confront the Dark One's evil servants.

Dan Cruickshank investigates the circumstances and rituals surrounding death in Victorian Britain by piecing together the fate of five apparently unrelated corpses. The story he uncovers is one of bizarre extremes - of bodysnatchers and the bodies they snatched; of inner-city graveyards so overflowing that the limbs of the dead could be seen protruding from the newly dug earth; of the great new cemeteries where a tomb cost as much as a terrace of houses in east London; of the suspicious resistance which greeted the 'heathenish' practice of cremation; and of the carnage of the Western Front where Victorian ideals about death - and the afterlife - were finally shattered by the violence of the Great War.

The story of how the people of Paris cope with the strains and struggles of war, from the siege of the city by the Prussians during the Franco-Prussian War of 1871 to the invasion by the Germans in World War II.