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Régebbi számok

Stage crossings

Csaba Horváth initiated the
company Fortedanse. The leader-choreographer now selects freely the dancers he
wants to work with for his conception and performance. His new choreography has
an enigmatic title: The Incidental Estate of the Bodies' Surface. Tamás
Halász and Sándor Hegedűs wrote about the performance. All artists are
graduated ballet dancers, some of them being members of the Opera House and
some of them trying to survive as freelance. However, they all show up in
contemporary performances. This means that there must be some meeting points
among different styles. About professional facts, emotional and existential
conclusions Márta Péter asked Katalin Lőrinc, Alexandra Kozmér, Roland Csonka
and Miklós Dávid Kerényi.

Réka Szabó,
dancer-choreographer and director also opens crossings among diverse genres.
Actors and dancers play in her performances seeking for connections between
text and movement, dance and theatre. Borbála Sebők made an interview with the
leader of the Tünet Együttes.

Since 1982 György Árvai has
been taking part in individual and group fine arts exhibitions, designed
exhibition halls and spaces with special function. He founded the Természetes
Vészek Kollektíva in 1984, using movements, film, contemporary music and
performance interwoven with special scenic effects. He has been conceiving settings and writing
music for films and theatres since 1985 and taking part in different
electro-acoustical musical ensembles since 1993. Kata Demcsák wrote about his
latest performance PRE-ACTIO and István Sándor L. made an interview with
him.

We offer articles on the
following performances: Krisztián Gergye's egonegon, three Mozart-operas
(Don Giovanni - in Szeged, directed by László Bagossy; The Abduction
from the Seraglio - in Debrecen, directed by Tim Carroll, The
Magic Flute - in Merlin Theatre, directed by Eszter Novák). We publish an
interview with Matthew Hawkins British choreographer, and report about the
series Nagy Britmánia - SuperNow.