Design, Architecture, Gardens, Southern California Living

Malibu modern: New house makes most of every inch, every view

June 22, 2012 | 1:12
pm

You could admire the ocean view from the second-floor deck — coastal bluffs covered with wind-sculpted cypress trees to your right, pretty Point Dume off in the distance to your left, 10 miles of prime Malibu beach in between.

Or you could admire the architecture from the street below, looking up at a first floor that juts out from a cliff and hovers over nothingness.

Or you could contemplate the house from the front, where the weathered redwood siding turns out to be planks recycled from olive and pickle tanks.

You could do all of that, but then you might miss part of what makes this house special. This dream of a retreat — set along exclusive Broad Beach, among the mansions that Steven Spielberg, Robert Redford, Goldie Hawn and Steve Levitan have called home — holds smart design ideas that could translate to houses that are miles and miles away, in geography, budget or style.

After all, on paper this house is merely 1,700 square feet of living space: open kitchen and living room, powder room, small office and guest bedroom with bath on the first floor, master suite on the second. That's it.

But as conceived by the young Los Angeles firm W+D, this Malibu house plays out as a case study in the efficient use of space. Wedged next to noisy Pacific Coast Highway and set snugly between neighbors, the house also is inspiration for anyone trying to balance a love of the outdoors with the need for quiet and privacy.

Co-owner Mickey Liddell, a producer whose credits include the TV series “Everwood” and the Liam Neeson action film “The Grey,” summed up the various design solutions with one sentence: “There isn't a room that I don't feel like is a great room.”

As seen from the beach, the house is meant to be a streamlined white box set atop a rustic base — “a juxtaposition between hard lines and soft lines,” W+D founding partner Brett Woods said. “Pure geometry coming off this rugged hillside.” A beacon of sorts to all who pass by, he said.

The first-floor deck cantilevers over the hillside thanks to new steel beams set over an existing foundation, but when it came time to design the guest bedroom at one end of the house, Woods pulled back instead of pushing out. Rather than crowd a neighbor's deck with more deck of their own, the designer and his clients shrank the footprint of the guest bedroom to make room for a sheltered terrace.

“You can still have your coffee and look at the ocean but not feel like you're hanging out for everyone below to see,” Woods said. The lesson: Giving up a bit of interior square footage can yield a more pleasant, private, functional space. Four other ways the W+D house makes the most of a modestly sized space:

Deck out. First and foremost, this house is proof that small can feel big. Interiors are more than 700 square feet smaller than the average new American house, but 1,700 square feet of first- and second-floor decking double the living space for Liddell and his partner, producer Pete Shilaimon. The vast outdoor spaces easily accommodate extended family that visits on weekends. "It’s the family party pad," Shilaimon said. The designers considered the wood-and-resin composite materials on the market but ultimately chose to satisfy stringent codes by using a fireproof product called DreamDex, real wood infused with a polymer and dried at high temperatures.

Look up. In trying to conceive some sort of trellis or shade structure for the second-floor deck, W+D realized it had an opportunity. “Everyone responds to the ocean for obvious reasons, but we felt opportunity to embrace the sky,” Woods said, adding that a new architectural element — a roof with a hole punched through the center like a giant picture frame — draws the eye up and prompts people to appreciate the simple beauty of a blue sky. “That turned out to be one of our favorite moments in the project.” The master bathroom has a skylight that achieves a similar effect.

Control the flow. Open floor plans may be all the rage, but sometimes homeowners discover the hard way the downsides of all that openness.

Woods said one goal of the Malibu house was to contain and manage foot traffic, preserving privacy from room to room.

The first-floor deck, for example, is divided by a guardrail, so romping kids or loud adults outside the living room won't spill onto the deck beside the office and distract someone trying to work.

Likewise, a guardrail subtly partitions the master suite, at right, from the vast lounging deck on the second floor.

Weekend guests, Liddell said, “can get up early in the morning and be in and out on that deck, and I don't even know it.”

Liddell and Shilaimon can keep the floor-to-ceiling telescoping glass wall open to the ocean views and breezes and still feel like the master suite remains its own private realm.

Control the view. When owner Liddell said, “I think that's a million-dollar view,” he wasn't talking about the ocean. He was referring to the rich light and rolling fog that creeps over the Malibu foothills on the other side of the house at the end of the day. Woods responded with clerestory windows in the living room and guest bedroom that are just large enough to capture those fog-shrouded mountaintops but small enough to minimize the rumble of PCH — and high enough to keep passing cars out of sight. For anyone sitting in either room, the windows look like bucolic landscape paintings on the wall.