Postal Pieces

What transforms silence into music? And can one exist without the other? Our traditional methods of listening are grounded in something we rarely even acknowledge, but silence, space and cognition are at the heart of both Morton Feldman and James Tenney’s music. While Feldman’s spacious works have echoes of Rothko’s contemplative, abstract canvasses, Tenney’s music asks the audience to ‘really listen to the sounds, get inside them, notice the details’. Often sparsely notated, with cryptic instructions, they will transform the way you perceive your experience as a listener.