Container List

Files contain of a vast array of media, including manuscripts and typescripts,
chapbooks, performance instructions and scores, posters, drawings, prints, exhibition
and performance announcementsm, mail art, copy art, rubber stamp printing, and some
correspondence and clippings, filed alphabetically by artist. The genesis of the archive
can be found within the relatively small, but seminal collection of manuscripts,
announcements, letters and clippings of the Dada and Surrealist artists Robert Desnos,
Marcel Duchamp, Max Ernst, Richard Huelsenbeck, Man Ray, Kurt Schwitters, and Tristan
Tzara (see also Series III for more Dada and Surrealist printed matter).

Materials by Fluxus and mail artists comprise the bulk of this series. Of primary
import are manuscripts, performance instructions, scores, correspondence, drawings and
announcements by Fluxus artists, including George Brecht, Robert Filliou, Milan Knízák,
Alison Knowles, Nam June Paik, Tomas Schmit, Carolee Schneemann, Daniel Spoerri, Ben
Vautier, Wolf Vostell, and Robert Watts. Generally, Brown purchased from the artists
themselves, and in some instances acquired an artist's personal archive. Thus, this
series contains large holdings of documents generated by or sent to Sas Colby, Albert
Fine, Ken Friedman, John Furnival, Rimma Gerlovina and Valeriy Gerlovin, Dick Higgins
(see also Special Collections accession no. 870613), George Maciunas, Charlotte Moorman,
Opal Nations, Benjamin Patterson, Bern Porter (see also Special Collections accession
no. 900270), Fred Truck, and Emmett Williams. Most of the correspondence is amongst
these artists and their friends and colleagues with a preponderance located in the files
of Furnival, Maciunas and Williams. Letters from Brown are interspersed.

Includes mail art, decals, scores, performance instructions. See also *Box 257;
Series VI.

1

18

Anderson, Beth

1

19

Anderson, Holly A.

1

20

Anderson, Laurie

1

21

Andre, Carl

1

22

Andrews, Bruce

1

23

Angelucci, Giulio

1

24

Ant Farm

1

25

Antin, Eleanor

1

26

Anull, Ian

1

27

Apple, Billy

1

28

Aquino, Angelo de

1

29

Arias-Misson, Alain

1

30

Arman

See also Series VI.

1

31

Arnold, Charles A.

1

32

Arp, Jean; Sophie Taeuber Arp; Marguerite Arp

See also Series VI.

1

33

Art & Language

See also **flat file folder 1.

1

34

Artaud, Antonin

1

35

Artistamps

1

36

Arts, Arno

1

37

Ashley, Robert

1

38

Ashworth, Robert

1

39

Atchley, Dana (Ace Space Co.)

1

40

Ay-O

See also *Box 257; Series VI.

1

41

A miscellaneous

1

42

B., Mats

1

43

Baader, Johannes

1

44

Baik, Kum Nam

1

45

Bailey, Peter

1

46

Baj, Enrico

1

47

Baker, Jan and Warren Lehrer

1

48

Bakhchanyan, Vagrich

See also *Box 257; Series VI.

1

49

Baldessari, John

See also *Box 262.

1

50

Balet, Marc

1

51

Balken, Beck

1

52

Ball, Hugo

box

folder

2

1-31

BAN-BENT

2

1-6

Banana, Anna

Includes correspondence; publications of and about her work; announcements and
reviews of "Futurist Sounds"; many signed sheets of stamps; and other announcements;
ca. .25 lin. ft. See also Furnival and Gaglione.

2

7

Bann, Stephen

See also *Box 262.

2

8

Banville, Bernard (Zona)

See also Box 63; *Box 257; Series VI.

2

9

Barber, Daniel

2

10

Barboza, Diego

2

11

Barnes, Molly

2

12-13

Baroni, Vittore

Mostly mail art.

2

14

Barrile, Paolo

2

15

Bedeschi, Giuseppe and Paolo Ponzi

2

16

Beilman, Peter (Cow Town Art)

2

17

Beirne, Bill

2

18

Bekaert, Jacques

2

19

Bellmer, Hans

2

20

Bellucci, Toni

See also Series VI.

2

21

Below, Peter

2

22

Belt, Mike

2

23

Beltrametti, Franco

See also *Box 257.

2

24

Benes, Barton Lidice

2

25-28

Bennett, John M. (Luna Bisonte Prods.)

Includes broadsides, cards, chapbooks, Lost and found times,
catalogs, and works by others for Luna Bisonte Prods. See also library's holdings
for more books; and *Box 257.

2

29-31

Bentivoglio, Mirella

Includes articles about her work, chapbooks, and announcements. See also Series
VI.

box

folder

3

1-35

BER-BREC

3

1

Bergé, Carol

3

2

Bertlmann, Renate

3

3-5

Beuys, Joseph

Includes announcements, postcards by Beuys (most published by Edition Staeck), and
some documents from Organisation für direkte Demokratie durch Volksabstimmung. See
also *Box 269; **Box 308; **flat file folder 4; Series VI.

3

6

Beveren, Peter van

3

7

Beyer, Gerd

3

8

Binga, Tomaso

3

9

Birnbaum, Dana

3

10

Biron, Lionel A.

3

11

Black, Byron (Baron Infinity)

See also *Box 257.

3

12

Blackburn Joan

3

13

Blaine, Julien

3

14

Bleus, Guy

See also *Box 257; Box 262; Box 276; **flat file folder 3.

3

15-18

Bloch, Mark

Includes correspondence (some from Bloch to others, some photocopies), mail art
announcements, Panmag.

Includes much photocopied correspondence from and to Curtay, announcements, and
some scores and proposals; ca. .33 lin. ft. See also *Box 258; *Roll 4 in *Box
276.

11

10

Cushman, Barbara

See also *Box 258.

11

11

Cyprich, Robert

11

12

C miscellaneous

11

13

D., Zdenek

11

14

Dakin, Susanna

11

15

Daley, Emil

11

16

Dali, Salvador

See also *Box 258.

11

17

Dallas, Susan

11

18

Dana, Llys

See also Series VI.

11

19-21

Danon, Betty

Mostly correspondence, poems and scores. See also Box 63.

11

22

Darboven, Hanne

11

23

Darling, Lowell

11

24

Davies, Hugh

See also **Roll 6; Series VI.

11

25

Davis, Douglas

See also *Box 267.

11

26

De Bernardi, Raffaele

11

27

De Chirico, Giorgio

11

28

De Filippi, Fernando

11

29

De Kooning, Willem

11

30

Delaunay, Sonia

11

31

Delos, Kate

11

32

Delvaux, Paul

11

33

De Maria, Walter

11

34

Demise, Phil

11

35

Demour, Jack

11

36

Dencker, Klaus Peter

box

folder

12

1-43

DEP-EL

12

1

Depew, Wally

File comprises 20 chapbooks.

12

2

Desiato, Giuseppe

12

3

Desnos, Robert, ca. 1921-1942

Three short, personal notes to Madame Aurel and Jean Carrive, and photographs of
the first page of a letter to Paul Eluard.

12

4

Dewey, Ariane

12

5

Diacono, Mario

12

6

Diamantini, Chiari

12

7

Dias, Antonio

12

8

Dick Tool Co.

12

9

Di Donato, Joseph

12

10

Dienes, Sari

12

11

Dijk, Pier van

12

12

Dikker, U.P. (Ground Editions)

12

13

Diotallevi, Marcello

12

14

Di Palma, Ray

12

15

Di Prima, Diane

12

16

Doc(k)s

12

17

Dogmatic, Irene

See also *Box 258.

12

18

Donati, Biagio

12

19

Dot, Marcel

12

20

Douglas, Helen

12

21

Dowd, John

12

22

Downey, Juan

12

23

Dragoni, Ferruccio

12

24

Dressler, Otto

12

25-26

Dreva, Jerry

Mail art and documentation of performances.

12

27

Dreyfus, Charles

12

28

Duch, Leonard Frank

12

29-31

Duchamp, Marcel, ca. 1938-1969

Includes a letter to Salvador Dali in which Duchamp exchanges addresses of mutual
acquaintances and comments on the ominous political climate in Europe (1938). 10
letters, 2 of which are from Duchamp, concern the reproduction of one of his works
for the cover of Brown's proposed Dada catalog (1965-1969). Also includes a postcard
from Duchamp to George Maciunas (1966), announcements, and clippings of reviews and
obituaries. Ca. 70 items. See also Box 60; *Box 258; Boxes 272-275; Series VI.

12

32

Dufrêne, François

12

33

Duke, Jas. H.

12

34

Dupuy, Jean

12

35

Duquette, Mike

12

36-37

Durland, Steve (Im Press and Nomoma Rubber Stamps)

Correspondence, mail art, and chapbooks. See also Box 63.

12

38

D miscellaneous

12

39-40

Ecart (John Armleder, Patrick Lucchini; Claude Rychner)

Announcements and some art works.

12

41

Eggemann, Klaus

12

42

Ehrenberg, Felipe

See also Series VI.

12

43

Eluard, Paul

box

13

Dupuy, Jean, 1968-1976

"Minolta Book": a box containing a substantial quantity of ephemera and writings.

box

folder

14

1-27

EN-Etlinger

14

1

Enblom, Michel

14

2

England, B.

14

3

Epistolary Stud Farm

14

4

Eriksson, Leif

14

5

Erlij, Tania

14

6

Ernst, Ernie

14

7

Ernst, Max

Includes two postcards from Ernst to Paul Eluard, exhibition announcements from Au
Sans Pareil (1921), Galerie Vignon (1930), Galerie Denise René (1945), Knoedler
(1948) and many others, and clippings. See also *Box 258.

14

8

Esperdy, Philip

14

9

Espinoza, Cesar (Colectivo-3)

14

10

Esposito, Anna

14

11

Esposto, Arnaldo

14

12-27

Etlinger, Amelia, , 1971, 1978-1984, n.d.

Letters to Jean Brown and mail art, ca. .75 lin. ft. See also *Box 258, **flat file
folder 11, and Series VI. The extensive amount reflects the fact that at one point
Etlinger was sending Brown a letter a day. Almost all are decorated and many contain
loose organic material or fabric. HANDLE WITH CARE.

box

folder

15

1-29

Etlinger-Fine

15

1-5

Etlinger, Amelia, n.d.

Correspondence and art works, ca. .25 lin. ft. HANDLE WITH CARE.

15

6

Evans, Donald

15

7

Experimental Art Foundation

15

8

Experiments in Art and Technology (E.A.T.)

15

9

E miscellaneous

15

10

Fagioli, Luigi

15

11

Fahlström, Oyvind

15

12

Fend, Peter

15

13

Ferguson, Frank

15

14

Ferrando, Bartolomé (Grupo Texto Poetico)

15

15

Ferro, Toni

15

16

Fidler, Martin

15

17

Filko, Stanislav

15

18-21

Filliou, Robert

Poetry in many formats, postcards for "Ample food for stupid thought" and "Monsters
are inoffensive," correspondence and announcements. See also **Roll 8, **flat file
folder 11, Series VI.

15

22-29

Fine, Albert archive

Letters received A-Z and unidentified, ca. .25 lin. ft.

box

folder

16

1-22

Fine-FIV

16

1-5

Fine, Albert archive

Material by and about Fine, and announcements received, ca. .25 lin. ft. See also
*Box 258, Box 262, Series VI.

[The Guerrilla Art Action Group was created after C. Douglas Dillon of the
Metropolitan Museum of Art in N.Y. instituted proceedings against Toche for mailing
an open letter urging the kidnapping of museum trustees, directors and
curators.]

Includes correspondence, postcards, and booklets. See also *Box 263, **flat file
folder 17.

box

folder

26

1-28

HOM-IM

26

1

Hompson, Davi Det

Booklets.

26

2

Hoogstraten, Harry

26

3

Horiike, Tohei

26

4-6

Horn, Stu (Northwest Mounted Valise/Library of Art)

Mail art.

26

7

Horobin, Pete

26

8

Horvitz, Suzanne

26

9-10

Hosier, Tom

26

11-12

Houédard, Dom Sylvester (D S H)

Correspondence and poetry, some in manuscript. See also *Box 267; Series VI.

26

13

Howard, Ruth

26

14

Hsieh, Tehching (Sam)

26

15

Hubaut, Joël

26

16

Hubert, Pierre-Alain

26

17

Huebler, Douglas

26

18

Huelsenbeck, Richard

Typescripts of original and reconstructed writings and other materials sent to
Bernard Karpel from Huelsenbeck in preparation for publication of two monographs.
Items include: typescript and 3 printed copies of "Dada Manifesto 1949," which was
to have been published in Robert Motherwell's Dada painters and poets: an
anthology (1951); 3 photocopies of photographs, one of which was
reproduced in the above book; a typescript translation in English, dated 1951, of
"Works of Hans Arp" originally published in Dada no. 3; and
typescript reconstructions of both "Erklaerung, vorgetragen im Cabaret Voltaire, im
Fruehjahr 1916" and "Dadarede, gehalten in der Galerie Neumann, Berlin, Kurfursten
dam, am 18ten Februar 1918," and a photocopy of the Berliner Sezession program and
invitation of April 12, 1918, which were published in Dada: eine literarische
Dokumentation (1964). Other items include a typescript of "Dada and the
New Realists: a radio talk by Richard Huelsenbeck" (1962) concerning the Sidney
Janis Gallery exhibition and a postcard addressed to Jean Brown (1964).

See also Box 26, folder 20.

26

19

Hugnet, Georges

26

20

Hulbeck, Beate

Mostly "Charles Hulbeck," i.e., Richard Huelsenbeck.

26

21

Hutchins, Alice

See also Series VI.

26

22

H miscellaneous

26

23

Iannone, Dorothy

26

24

Ichiyanagi, Toshi

26

25

Igloo, Alex

26

26

Iimura, Taka

26

27-28

Image Bank (Michael Morris and Vincent Trasov [aka Mr. Peanut])

Correspondence and mail art.

box

folder

27

1-38

IN-JON

27

1

Inch, Peter

27

2

Inconnu Group

27

3

Institute for Research in Neoism

27

4-7

Inter Dada 84

Mail art contributions and announcements. See also Box 64, *Box 264, Series VI.

27

8

International Society of Copier Artists (Louise Neaderland)

27

9

Isou, Isidore

27

10

Ives, Charles

27

11

Jacks, Robert

27

12

Jackson, Sarah

See also *Box 259.

27

13

Jackson, Leavenworth

27

14

Jacob, J.P. (Hype)

See also *Box 259, **Roll 5.

27

15

Jaffrennou, Michel

27

16

Janco, Marcel

27

17

Janssen, Ruud

27

18

Jaschke, Gerhard

27

19

Jean, Marcel

27

20

Jesch, Birger

27

21

Johnson, Paul

27

22-29

Johnson, Ray

Works and correspondence, announcements, invitations, and articles; ca. .25 lin.
ft. See also *Box 267; Series VI.

27

30

Johnson, Suzanne (Spectacle Press)

27

31-33

Johnston, Jill

Includes notes on two panel discussions on Happenings. See also *Box 264.

Correspondence with museums (photocopies), annotated typescripts of Lewis and Clark
symposium lectures, ephemera by Lettristes and Situationistes, and other materials.
See also *Box 264, **flat file folder 11.

30

9

Lemcke, Rudy

30

10

Lerner, Sandra

30

11

Lerner and Turner

30

12-14

Levine, Les

Published writings, "Les Levine copies everyone," announcements, and examples of
design work. See also **flat file folder 20; Series VI.

Mail art and correspondence A-Z, most dated 1979-1984. Also art works, invitations
to participate in mail art events, many with annotations of when works were sent,
announcements and invitations, articles and other papers; ca. .66 lin. ft. See also
*Box 266.

[See also Special Collections accession no. 900270 and other mail art collections
with Bern Porter provenance in the Getty Research Library.]

Includes 7 letters and postcards to Paul Dermée discussing work by Jean Arp,
Dadaism, and Celine Arnaud (1918-1920); 4 p. poetry manuscript, titled "Où boivent
les loups" (1932); partial ms. with many annotations of Tzara's introduction for
Arthur Rimbaud: oeuvres complètes (Lausanne, 1948); and much
ephemera, such as an announcement for a series of lectures in Zurich at the Galerie
Corray (1917), a piece of blank Mouvement Dada stationery (1920), a broadside titled
"Hommage à Dada" (1938), another broadside written in response to the Journal
des Poètes 1932 Dec 18 issue, and 4 printed copies of "An Introduction to
Dada," which was to have been published in Robert Motherwell's Dada painters
and poets: an anthology (1951).

Clippings related to performance and technology. Includes clippings on Lee
Breuer/Mabu Mines, art and technology, the MIT experimental music lab, Robert
Wilson's "Einstein on the Beach," Richard Foreman, and others.

Includes prints: "Little drummer boy" signed and numbered, 3 copies of "Acrobats,"
"Ajar," "The Harbour at Gravelines," and "Universal star"; 8 items

oversize

16**

Furnival

Includes 3 multi-colored monoprints, 2 multi-colored prints (monoprints?) one of
which is with John Williams, 2 sheets of alphabet drawings, "Europa," "Attention
please," "The Chip charter 1984" (rubber stamped with color), and prints with John
Vince; 19 items.

Includes "Diagram of historical development of Fluxus" (2 sheets), "Learning
machine," "Safe door" (2 copies), "U.S.A. surpasses all the genocide records," and
posters designed by Maciunas for non-Fluxus events, 14 items.

Announcements and invitations in Series II include postcards, fliers, press releases
and posters from galleries, museums and avant-garde artists' spaces, such as the
Kitchen, Franklin Furnace, Leo Castelli Gallery, and the Institute for Art and Urban
Resources. The majority of the venues are situated in New York City, providing a rich
account of exhibitions, happenings and poetry readings within a prolific artistic
community. Arrangement is alphabetically by name of space; miscellaneous items are filed
alphabetically by country.

Note that printed ephemera also can be found in Series I. Artists' files.

New York City T-Z, New York City misc., New York State misc. (ca. .5 lin. ft.);
Pennsylvania: Philadelphia and misc.; Texas, West Virginia, Washington, D.C., and
misc. states. See also *Box 279, Box 283, Box 284, **flat file folders 57-59 for
more USA.

Series III includes printed ephemera and some clippings arranged by subject: copy art,
Dada and Surrealism, dance, Fluxus, happenings, mail art, music, poetry, rubber stamp
printing, semiotics, small presses, and video. Items typically document group activities
occurring in venues different from those in Series II. The small presses section, the
bulk of this series, is comprised of catalogs and publicity from publishers,
distributors and bookstores dealing in artists' books, poetry and art multiples.
Notations by Brown record her acquisitions. Most topics are arranged chronologically,
except for the semiotics and small presses sections which are filed alphabetically.

box

folder

94

1-21

Copy art, Dada and Surrealism, dance

94

1

Copy art, ca. 1978-1984

94

2-17

Dada and Surrealism ephemera, ca. 1910-1985, n.d.

Printed announcements, broadsides and posters. Some folders include small catalogs.
Some photocopies, some clippings.

94

2

1910s

94

3

1920-1922

94

4

1924-1929

94

5

1930-1935

94

6

1936-1939

94

7

1940s

94

8

1950s

94

9

1960-1964

94

10

1965-1969

94

11

Association for the Study of Dada and Surrealism: printed
ephemera, 1967-1980

94

12

Dada and Surrealism ephemera, 1970-1975

Includes catalogs, postcards.

94

13

1976-1979

94

14

1980

Includes catalog in binder from Reinhold Brown gallery for The Dada Poster.

Notes and personal includes a transcript copy of Brown's oral history (1993), an
annotated copy of Dada painters and poets: an anthology, personalized
letterhead, note cards and stamps, some of which were designed by Maciunas, and spiral
notepads. There are several series of card catalogs handwritten by Brown listing her
collection of books and objects.

Transparent plastic square with embossed writing: "Then it was set down there
(and)/ then and there (and) there it was /(and) you have it (and) here/ it is (and)
it is set (and) one / down (and) there is none now (end) / Vito Hannibal Acconci."

Part of a larger project for which Les Levine solicited texts from other
artists.

German for: "short circuit object." Yellow cardboard box containing a black
electric plug (heavy-duty, Continental standard) attached by a black cable to a
small, orange plastic box with a lid, inside of which there is a small orange slip
of paper printed with the words: "VICE, VERSAND, Kurzschlussobject" and signed by
the artist. [A white label is attached to the outside of the orange box with pencil
annotations - title, artist, etc.]

Red cardboard box with title in gold lettering on exterior lid, along with printed
picture of a "chinaman" standing at a table on which sits a box of Havana cigars and
a beetle with red stars on its shell. On the interior lid is printed a list of
participants in the original Saltoarte exhibition. Inside the box are assorted
graphic works, packages and pieces of fabric, such as a blue and white checked
plastic tablecloth.

Plastic envelope (ca. 13 x 16.5 cm.) with a label attached to a side printed with
an image of the number 50 (apparently tiles on a wall) under which is hand-lettered:
OPERA BY ERIC ANDERSEN. Inside the envelope there are 52 white cards (ca. 8 x 10.5
cm. each) printed with instructions, 50 of which are the same. The piece is housed
inside a cardboard box with a paper label attached to the lid printed in black,
white, and red with and illustrated map of Europe, featuring Amsterdam ("European
Fluxshop & Mail-Orderhouse") as the hub of an air flight network marked with
times to various cities through concentric mileage circles. Also enclosed with the
piece is a white sheet (18 x 42 cm.) printed with the alphabet followed by "&
$123" in a bold typeface and typed words: "opus 51 by eric andersen, I HAVE
CONFIDENCE IN YOU: [alphabet & etc.] jim crow."

Box 114 contains: Wood chime on sound box (manufactured in West Germany by SONOR)
with stick (31 cm. long). A card accompanies the piece printed with a photograph of
a similar chime and this text: 38.box BECOME A MEMBER OF ERIC ANDERSON'S RANDOM
AUDIENCE I. "One of 61 frequencies"-kit consisting of: 1 Chime Bar (frequency range:
F - f''''), 1 ad hoc score (type-written), 1 stick, 1 box. There is an annotation in
ink. Box 115 contains: the "ad hoc score" which consists of a clear plastic box
(31.2 x 22.5 x 6.8 cm.) enclosing three sheets printed, typed, and annotated with
instructions and diagrams, accompanied by a blank sheet annotated with the title and
signed by the artist.

Dark blue slip case box embossed in gold with the title: Andersen - Opus place
stamps any kind and amount. Inside there is a pull-out piece containing a stiff
cardboard and stack of sheets bound together with strips of glued book cloth forming
a solid slab (29.5 x 20.8 x 1.5 cm.), the top of which is printed with these
instructions: "place stamps (any kind and amount) in one ver=tical line covering
this text, and mail the card; don't do anything to this very nice card but mail it;
place stamps (any kind and amount) in one ver=tical line covering this text, and
write a ciffer [sic] after the word OPUS." A pre-printed stamp for "J. Cr. Petersen
PAPIRHANDEL A/S, Genbestillings [numbered] 3A4." is attached to the bottom, right
corner.

Tin container (commonly used for sardines) labeled with gold foil: the top printed
with decorative designs and the words "ARMAN, 'FULL-UP', OUVRIR AVANT LE 25 OCTOBRE
1960, IRIS CLERT, PARIS, FRANCE"; the sides with "Bande de Garantie," TIRAGE
'SPÉCIAL' NUMÉROTÉ DE 1 A 500." Numbered and signed by the artist on the side.

With alarm inside: a wood and metal construction, spray painted black in places,
employing a telegraph-like mechanism, a common desk bell, wires, and two small
batteries, connected into a deceptive arrangement.

Cardboard box painted white is stenciled in black on two opposing sides with the
words "Ayo / tactile no box." Stenciled in white on a black background on the other
two sides are the words "Ayo / tactile box." Affixed to the top is a small piece of
orange paper on which an arrow is printed in black. The arrow points to a hole in
the top center of the box. The hole is covered with rubber. Through the rubber a
pressing hand can feel unidentifiable contents.

Cardboard box painted white is stenciled in black on two opposing sides with the
words "Ayo / tactile no box." Stenciled in white on a black background on the other
two sides are the words "Ayo / tactile box." Affixed to the top is a small piece of
orange paper on which an arrow is printed in black. The arrow points to a hole in
the top center of the box. The hole is covered with rubber. Through the rubber a
pressing hand can feel unidentifiable contents.

Cardboard box painted white is stenciled in black on two opposing sides with the
words "Ayo / tactile no box." Stenciled in white on a black background on the other
two sides are the words "Ayo / tactile box." Affixed to the top is a small piece of
orange paper on which an arrow is printed in black. The arrow points to a hole in
the top center of the box. The hole is covered with rubber. Through the rubber a
pressing hand can feel unidentifiable contents.

Painting on burlap-covered masonite. An "x" is painted in diluted plaster from
corner to corner on top of an overall coat of a resinous substance. Another "x" is
drawn in thin pencilled lines within the painted "x".

White glossy card stock folded lengthwise forming a rectangular folder, on the
cover of which is attached a red metallic label with yellow lettering: "Prince
Albert - crimp cut - long burning - pipe and cigarette tobacco" around an oval black
and white illustration of a bearded man in a topcoat holding a cane. Red plastic
labels of the artist's name, "VAGRICH BAKHCHANYAN," and dates, "1975-1980," appear
at the top and bottom of the rectangle, respectively. The inside of the folder is
entirely lined with tobacco, some of it scattering loose, emitting strong aroma when
unfolded.

Wooden t-square with its head inverted, annotated in ink: "Nebulist t-square or
metrick slide-rrule" [sic] and along the perimeter of the blade: "Designed by
Bernard Banville - c. July 24 1982/9-17-03 p.m. neb-u-lize

Vinyl plastic pencil holder (commonly used in school notebooks) containing a
"packing list" and two items: a prescription medication belonging to the artist
(suppository), and a small bottle enclosing a wood match. The whole item is labeled
and appears to have been mailed to Jean Brown, Tyringham, MA. With photograph dated
1983.