The Bardo Thodol (Tibetan: བར་དོ་ཐོས་གྲོལ, Wylie: bar do thos grol), Liberation Through Hearing During the Intermediate State, is a text from a larger corpus of teachings, the Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones,[1][note 1] revealed by Karma Lingpa (1326–1386). It is the best-known work of Nyingma literature,[3] and is known in the West as the Tibetan Book of the Dead.

The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, in the bardo, the interval between death and the next rebirth. The text also includes chapters on the signs of death and rituals to undertake when death is closing in or has taken place.

bar do, Sanskrit antarabhāva: "intermediate state", "transitional state", "in-between state", "liminal state". Valdez: "Used loosely, the term "bardo" refers to the state of existence intermediate between two lives on earth."[4] Valdez: "[The] concept arose soon after the Buddha's passing, with a number of earlier Buddhist groups accepting the existence of such an intermediate state, while other schools rejected it."[4]

thos grol: "liberation", which is synonymous with the Sanskrit word bodhi, "awakening", "understanding", "enlightenment", and synonymous with the term nirvana, "blowing out", "extinction", "the extinction of illusion".[5]

According to Tibetan tradition, the Liberation Through Hearing During the Intermediate State was composed in the 8th century by Padmasambhava, written down by his primary student, Yeshe Tsogyal, buried in the Gampo hills in central Tibet and subsequently discovered by a Tibetanterton, Karma Lingpa, in the 14th century.[6][7][8]

It is part of a larger terma cycle, Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones,[1] (zab-chos zhi khro dgongs pa rang grol, also known as kar-gling zhi-khro,[2] popularly known as "Karma Lingpa's Peaceful and Wrathful Ones."[1]

The Profound Dharma of Self-Liberation is known in several versions, containing varying numbers of sections and subsections, and arranged in different orders, ranging from around ten to thirty-eight titles.[1] The individual texts cover a wide range of subjects, including meditation instructions, visualizations of deities, liturgies and prayers, lists of mantras, descriptions of the signs of death, indications of future rebirth, and texts such as the bar do thos grol that are concerned with the bardo-state.[1]

The Bardo Thodol differentiates the intermediate state between lives into three bardos:

The chikhai bardo or "bardo of the moment of death", which features the experience of the "clear light of reality", or at least the nearest approximation of which one is spiritually capable;

The chonyid bardo or "bardo of the experiencing of reality", which features the experience of visions of various Buddha forms, or the nearest approximations of which one is capable;

The sidpa bardo or "bardo of rebirth", which features karmically impelled hallucinations which eventually result in rebirth, typically yab-yum imagery of men and women passionately entwined.

The Liberation Through Hearing During the Intermediate State also mentions three other bardos:[note 3]

"Life", or ordinary waking consciousness;

"Dhyana" (meditation);

"Dream", the dream state during normal sleep.

Together these "six bardos" form a classification of states of consciousness into six broad types. Any state of consciousness can form a type of "intermediate state", intermediate between other states of consciousness. Indeed, one can consider any momentary state of consciousness a bardo, since it lies between our past and future existences; it provides us with the opportunity to experience reality, which is always present but obscured by the projections and confusions that are due to our previous unskillful actions.

According to John Myrdhin Reynolds, Evans-Wentz's edition of the Tibetan Book of the Dead introduced a number of misunderstandings about Dzogchen.[13] Evans-Wentz was well acquainted with Theosophy, and used this framework to interpret the translation of The Tibetan Book of the Dead, which was largely provided by two Tibetan lamas who spoke English, Lama Sumdhon Paul and Lama Lobzang Mingnur Dorje.[14] Evans-Wentz was not familiar with Tibetan Buddhism,[13] and his view of Tibetan Buddhism was "fundamentally neither Tibetan nor Buddhist, but Theosophical and Vedantist."[15] He introduced a terminology into the translation which was largely derived from Hinduism, as well as from his Theosophical beliefs.[13]

Also Jung's introduction betrays a misunderstanding of Tibetan Buddhism, using the text to discuss his own theory of the unconsciousness.[16]

Thurman, Robert (trans.) (1994) The Tibetan Book of the Dead, as popularly known in the West; known in Tibet as "The Great Book of Natural Liberation Through Understanding in the Between"; composed by Padma Sambhava; discovered by Karma Lingpa; foreword by the Dalai Lama London: Harper Collins ISBN 1-85538-412-4

... a key to the innermost recesses of the human mind, and a guide for initiates, and for those who are seeking the spiritual path of liberation.[19]

They construed the effect of LSD as a "stripping away" of ego-defenses, finding parallels between the stages of death and rebirth in the Tibetan Book of the Dead, and the stages of psychological "death" and "rebirth" which Leary had identified during his research.[20] According to Leary, Metzer and Albert it is....

... one of the oldest and most universal practices for the initiate to go through the experience of death before he can be spiritually reborn. Symbolically he must die to his past, and to his old ego, before he can take his place in the new spiritual life into which he has been initiated.[21]

John Lennon read The Psychedelic Experience, and was strongly affected by it.[22] He wrote "Tomorrow Never Knows" after reading the book, as a guide for his LSD-trips.[22] Lennon took about a thousand acid-trips, but it only exacerbated his personal difficulties.[23] Eventually John Lennon stopped using the drug. George Harrison and Paul McCartney also concluded that LSD use didn't result in any worthwhile changes.[24]

The line "it's dying to take you away" from The Beatles' Magical Mystery Tour was also based on the drug culture and the release of death described in the Bardo Thodol.[25]

Finnish composer Erik Bergman composed a work titled Bardo Thödol in 1974 for a speaker, mezzo-soprano, baritone, mixed choir and orchestra; the text was based on a German translation of the Book of the Dead[26]

The late 1960s band The Third Bardo took their name from the western title of this text.

1985 2-part documentary filmed in Ladakh and the States, first part entitled "The Tibetan Book of the Dead: A Way of Life"; the second part "The Tibetan Book of the Dead: The Great Liberation" was a co-production between NHK (Japan), Mistral (France) and FBC (Canada). Narration in the English version is by Leonard Cohen. See links below.

^"The Tibetan book of the Dead is an important document that has stood the test of time and attempts to provide answers to one of mankind's greatest questions: What happens when we die? Interviews with Tibetan Lamas, American scholars, and practicing Buddhists bring this powerful and mysterious text to life. State-of-the-art computer generated graphics will recreabinte this mysterious and exotic world. Follow the dramatized journey of a soul from death...to re-birth. In Tibet, the "art of dying" is nothing less than the art of living."[web 1]

Fremantle, Francesca; Trungpa, Chögyam, eds. (1975), The Tibetan Book of the Dead: The Great Liberation through Hearing in the Bardo by Guru Rinpoche according to Karma Lingpa, Boulder: Shambhala, ISBN1-59030-059-9

Reynolds, John Myrdin (1989), "Appendix I: The views on Dzogchen of W.Y. Evans-Wentz and C.G. Jung", in Reynolds, John Myrdin, Self-liberation through seeing with naked awareness, Station Hill Press, Inc.