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Feel Free

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5 out of 5 stars
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The spirit of our times can appear to be one of joyless urgency. As a culture we have become less interested in the exploration of the glorious mind, and more interested in creating and mastering technologies that will yield material well-being. But while cultural pessimism is always fashionable, there is still much to give us hope.

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Stephen Bowlby

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From acclaimed author Ursula K. Le Guin, and with an introduction by Karen Joy Fowler, a collection of thoughts - always adroit, often acerbic - on aging, belief, the state of literature, and the state of the nation. Ursula K. Le Guin has taken listeners to imaginary worlds for decades. Now she's in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice - sharp, witty, as compassionate as it is critical - shines. No Time to Spare collects the best of Ursula's blog, presenting perfectly crystallized dispatches on what matters.

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Tara Westover was 17 the first time she set foot in a classroom. Born to survivalists in the mountains of Idaho, she prepared for the end of the world by stockpiling home-canned peaches and sleeping with her "head-for-the-hills bag". In the summer she stewed herbs for her mother, a midwife and healer, and in the winter she salvaged in her father's junkyard. Her father forbade hospitals, so Tara never saw a doctor or nurse. Gashes and concussions, even burns from explosions, were all treated at home with herbalism.

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Slow start. The rest is an amazing tale.

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4 out of 5 stars

Very good read, but way too short

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Publisher's Summary

Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith.

Whether she is investigating how the work of great thinkers about America, like Ralph Waldo Emerson and Alexis de Tocqueville, inform our political consciousness or discussing how beauty informs and disciplines daily life, Robinson's peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as "deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still."

Unpersuasive and a bit repetitive

I am a fan of Marilynne Robinson. I have read all but one of her novels, and to be honest the reason I haven’t read the last is that I don’t want to have read all of her novels. But I have read Gilead twice and the most recent, and my favorite, Lila, three times. I have also read two of her previous collections of essays. I am more mixed on her essays. I had decided not to read Robinson’s most recent until I read James KA Smith’s review in Comment. His review is such a good example of what a review is supposed to be, and such an interesting comparison between Ta’Nehisi Coates and Robinson that I picked up the audiobook the same day.

But regardless of the praise from Smith, the problems I have with Robinson’s What We Are Doing Here is still the same basic problems I have with Robinson’s other essays. She is an incredible writer. Although the essays here, which were mostly talks given over the past two years edited together into a book, have an odd sort of repetition. She literally quotes the same quotes and cites the same ideas multiple times. Individually, I think most of them are great. But put together, they are somehow less than the individual parts.

Robinson is known as a writer. But her interests mean that she is writing about things that are outside of her academic background. She is fascinated by Puritans and Jonathan Edwards and how we talk and think about science and politics. She is clearly much smarter than I am and so I love being able to listen to her musings about things that I would not have ever considered apart from her.

But enough with the Puritans and Jonathan Edwards. I understand that she is interested and I think it is fascinating that she wants to, as a political and theological liberal, defend their reputations. Some of that is important. But she is limited in her analysis. I just finished reading Reconstructing the Gospel, which had a serious critique of our love of Puritans (because I read a number of conservative reformed Christians I read a lot of positive comments about the Puritans that maybe Robinson is just not reading.) Smith in his review notes the same problems. Robinson is talking about part of the story, but in pointing out some of the missing parts of how we understand Puritans, she also misses some of the more serious critiques. Yes, many of those that were serious abolitionists were of Puritan background. But many were not. And that same Puritan background may have supported theoretically the freedom of slaves, but wasn’t particularly interested in embracing former slaves into Northeastern society.

No essayist can do everything in a single essay. But over the past three books of essays she has had at least six essays on puritanisms or Jonathan Edwards and hasn’t been able to find time to deal with their weakness in loving actual people, or in communicating their faith to future generations, or in critiquing the problems of a system that may have opposed slavery, but was willing to become rich though shipping and banking on the backs of those slaves.

Politically I am fairly liberal. I love her writing style and I even love her attempts at being a fair thinker and trying to push back against false narratives of history or dismissal of inconvenient alliances. But each time I read a book of her essays, even though I often enjoy many of the individual parts and I always learning something, I also tend to find her unpersuasive, even though I was likely already on her side before I started reading.

If an essay is at least in part designed to persuade, then I think that Robinson is a failed essayist. She is a great writer and an important novelist. But I think a failed essayist.