Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Don't show me this message again

Beati omnes qui timent Dominum, Z131

Introduction

We are not certain when Purcell actually married Frances Peters but, from the baptismal registers of the Church of All Hallows the Less for 9 July 1681, which state that ‘Henry son of Henry and Frances Purssell’ was baptised there (the youngster survived only a few days), we can assume that Purcell must have married the previous year, perhaps during the summer. Purcell only wrote three anthems in Latin, for there was no call for such Catholic texts at the Chapel Royal: instead, for the reason for the short, four-part anthem Beati omnes qui timent Dominum we need to look elsewhere. It seems likely that Purcell may have written the work for his own wedding. Frances came from a well-known Catholic family to whom a Latin text would have been quite acceptable, and the text, taken from Psalm 128, was certainly suited to such an occasion: ‘Thy wife shall be as the fruitful vine upon the walls of thine house; Thy children like the olive branches round about thy table’.

The triple-time opening is gentle in nature, and well suited to performance by a small consort of singers: at ‘Labores manuum tuarum’ (‘thou shalt eat the labour of thine hands’) the metre changes, and ‘Beatus es, et bene tibi erit’ (‘O well is thee and happy shalt thou be’) is especially affectionately set with gently discordant false relations. The bass is given the majority of the middle section of the anthem as he talks of his wife being ‘as the fruitful vine’ (perhaps an autobiographical indication that Purcell, when he sang in the choir, was a bass), surrounding ‘lateribus domus’ (‘the walls of thine house’) with two melismas, and a solo treble is, suitably, given ‘Filii tui sicut novellae olivarum’ (‘Thy children like the olive branches’). The four voices return at ‘Ecce, sit benedicetur homo’ and lead into the closing alleluias. Here Purcell builds up from a simple beginning to a florid series of interchanges between the four voices before the final bars return to more conventional block harmony.

'It is hard to speak too highly of this enterprise … much enjoyment to be had' (Gramophone)'the performances from The King’s Consort and its Choir, the Choir of New College and a starry line-up of soloists have such qualities of concentratio ...» More

Blessed are all they that fear the Lord: And walk in his ways. For thou shalt eat the labour of thine hands: O well is thee, and happy shalt thou be. Thy wife shall be as the fruitful vine Upon the walls of thine house. Thy children like the olive branches Round about thy table. Lo, thus shall the man be blessed That feareth the Lord. Alleluia.