Sir Paul and the Serpent Cult: Rock n' Roll and Nazi Mind Control

Getsmart discusses how music and musicians have been used to engineer social change, pointing to how military espionage has intervened in western society's cultural affairs [seeThe Beats and Government Intelligence: What Were the Sixties?]. Getsmart posits that, in the early days, talented musicians were used, which led to some problems due to true artists' naturally independent and rebellious spirit. Their opposition to the System and NWO agenda (especially the promotion of the psycho-chemical warfare agent, LSD, in Paul McCartney's case) forced the Controllers to replace the talented musicians with untalented puppets that they could easily use to manipulate the masses.

The Illuminati Serpent Cults have used music since ancient times to entrance populations often associating it with rituals and occult symbolism. Maybe Wagner's operatic works can also be associated with this as espoused by Hitler, and in modern times the trance inducing effects first of rock music and later more openly so Rave parties.

This highlights the probable use of The Beatles and the worldwide lasting propagation of their music and lyrics within such a process of Illuminati Mind Control. Whether for human dominance or to further an Alien Agenda must be sorted out for each investigator based upon their acquired body of knowledge and suppositions about the underlying intent...

The Beats [see The Beats and Government Intelligence: What Were the Sixties?] preceeded The Beatles by approximately ten years, a time differential which might have been useful to hone infiltration and hypnotic suggestion techniques through music as well as to step up to a global reach of said programs through an internationally promoted band - namely The Beatles.

What is also interesting is this articles' association of the Anglo-American Military Strategy of conquest of Indigenous peoples using drugs or alcohol to destroy the cultural fabric of their society. The British did this in China by importing Opium during the late 18th and early 19th century, leading to the Boxer wars, and the Americans similarly destroyed Native American culture and societal strengths by dowsing their communites with Fire Water in the form of distilled alcohols which were incompatible wtih their genetic predispositions. The sixties drug culture did little less than extend such measures of military pre-emptive strikes against potential future counterinsurgency movements to the entire world population, undermining pretty much any traditional culture anchored in any society with a blanket rejection by the younger generations.

This article and the process described should help illustrate how seemingly neutral and innocuous cultural manifestations through popular music may have become one of the leading arenas of combat for a Military Counter Intelligence Program (Cointelpro) explaining the numerous unsolved DEATHS and the occasional REPLACEMENTS of various Rock Music Artists. It also cast light on the possible motivations to cover up these crimes and conceal from public view the vast program of cultural manipulation through HOLLYWOOD, NASHVILLE and the ROCK MUSIC establishments.

Paul was a creative person who wrote, as did John. Anyone who has ever written knows that much of your production winds up in notebooks, on loose papers, and in modern times in multitudes of document types or forum threads or chat boards. Production is part of writing, and from it is derived a logical pursuit as well as a creative mode which is distinctive and personal. This makes one person's book akin to their soul, and another's song akin to their heart. For this reason it is my premise that The Illuminati purposely let The Beatles express themselves as freely as possible to establish their own style and set forth their trademark personality which is inimitable yet is so imitated that parodies and emulators cannot be counted.

James Paul McCartney was possibly even promoted to fame in view of later instrumentalizing him and the other Beatles in view of eliciting their collaboration and complicity by way of temptation and/or threat. My take on this was that Paul refused to betray his fans and would not turn his back on humanity to further that dark agenda. This explains his Assassination and Replacement by the Imposter FAUL. The latter, a Cointelpro Agent, went on to engage the devastating promotion of the narcohypnotic drug LSD - planned as a Military Assault on all of humanity using Nazi Mind Control techniques.

Let us remember that this was a time when The Illuminati were still trying to harness TALENT to use for their own nefarious purposes. Yet during the fifties and sixties this program ran into numerous difficulties in co-opting complicities and deviating artistic purpose, leading to the deaths of countless artists of the period in choreographed suicides, provoked accidents, alleged overdoses, etc. Then there were those who were considered too usefully positioned in the public mind or too visibly murdered to be allowed to disappear and who were thus REPLACED by doubles, imitators, impostors, look-alike agents. For them stories such as traumas, recovery from accidents, plastic surgery or spiritual rebirth after a retreat were used as a cover for any notable differences people would voice concern over. These were possibly the bloodiest of the program interventions requiring cleanup operations where those closest and presenting the greatest risks of exposure were in turn dealt with and in turn replaced.

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Today it appears that this unwieldy program was deemed to costly in organization and resources, as well as requiring overly difficult mind control over subjects who are most likely to resist, artists with rebellious souls and independent minds. So today's Cointelpro waged against humanity is operated not with talented artists but rather with people of little talent, those who without the program's assistance would never rise on their own merits to fame and fortune, making them entirely dependent upon their masters and themselves guilty of deceit by virtue of being impostors of a talented artist whereas the music and lyrics they are claimed to write are provided by ghostwriters from the industry controllers' workshops. Paul's death and replacement is therefore one of the reasons that today they have reverted to using singers without voices, poets without poetry, actors without charisma and musicians without brio. Living an undeserved success story and being totally dependent, they are more likely to comply. And if they don't the are far easier to replace given that there is no talent to imitate, as the only creative inputs come from a machine which would survive their physical death. This is why it is maybe harder to detect or notice the replacement of more contemporary stars, actors, singers and pseudo-artists.

Paul was murdered ... and we would do well to further pursue who did the killing, and who put Faul into his shoes. Faul should be confronted with this publicly by those in his entourage, because he knows and owes the world the truth. The Cointelpro Agent FAUL, also known as Bill, alias xxx, must be cornered into confession before they eliminate him just as they did John Lennon's Imposter at the Dakota Building.

Found a rather sad quote in a transcript from Paul in a 1965 interview during the American Tour when asked "Is it all worth it in the end?"...

"Paul looked at her very closely and his eyes seemed sadder than Ringo's and he said, "No it isn't. I'd pack up today if I could, but it's gone too far for that. It really hasn't any sense left to it, and all the fun is missing now. All those bloody people, reporters, fans, they keep me from, well, I don't know. I s'pose I should be grateful and all that is, but it doesn't seem to be worth it anymore. You meet the phonies and the pryers, the hip kids who think it's posh not to like you, the ones that treat you as a curiosity item and the not-so-nice exhibitionists who claim all manner of things - like they were once engaged to you or the like. So we're forced to limit our friends, to only trust a few, to sit about at home and all when we're wanting to go to a club or the like. I don't care for it at all."

Afterwards, he walks the female interviewer to the door and says this "Good bye Kathie. I hope I meet you again soon cause it's great to meet any of my friends ever. I wish I could have met you more. Tell your magazine I wish them lucky times and all that. Stay shy, and you won't get into the trouble I am. Think of me a bit, and if you ever come to London leave your name off at Jennie's and we shall come to see you." He scribbled an address of Jane Asher's on her notebook, kissed her on the cheek and left.

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I wonder what was going on behind the scenes. Poor guy.

Hope you read this, Plastic Macca, as I think this contains some stark emotions.

I am shaking right now. Of EVERYTHING I've read, surmised, or dreaded regarding the replacement of Paul McCartney, this interview excerpt absolutely settles the matter for me that James Paul McCartney is no more. These are not the words of a man who "pushed to keep the Beatles going" after Epstein's death as claimed by Lennon. This is NOT the man who helped set up Apple Records. And this by no means is the man who at almost age 80 is still frantically recording and touring. NO. The levels of sadness you hit in this PID research seem to have no bottom.

This makes me wonder whether Faul is a "useful idiot" (one who is basically a sheep for the upper power and has no idea what is going on whatsoever) or he is actively involved in the coverup and the NWO as a whole (I personally think this possibility is more likely, due to the fact that he has knowingly lied on more than several occasions and has taken a part in furthering the NWO with LSD and other substances).

^ I think Faul knows exactly what he is doing re: furthering the NWO Agenda. I also think he likes making fun of the stupid sheeple who never figure out he's not Paul, even when he basically tells them w/ some of the things he's said. IMO, Faul is a sinister character - the complete opposite of Paul who exuded Light & Love.

I must admit sometimes I am beginning to wonder if the Truth about Paul will ever be released. I'm afraid that my hopes are starting to dwindle but I don't want it to be that way because I know that JPM is watching us from Heaven and is counting on us all. I also wonder that if we WERE to press charges that ol' Faul will have such good lawyers that the case would be dropped immediately. The vast majority of fans are much too brainwashed to do anything. Count that in with the Mainstream Media (more like lamestream media) and the obsessive stalkers over at MFH.

Any thoughtful words of encouragement, Plastic Macca? It would be much appreciated.

^ I don't think the truth about Paul will ever be released exactly. I think it's more a matter of waking people up to the deception. In my mind, it will be akin to the JFK assassination. A lot of people know the "official story" about JFK is bunk, but TPTB keep pushing Oswald as the lone gunman, anyway. At any rate, I don't expect anyone to tell us what happened to Paul anymore than they've told us what happened to JFK. We can see he was replaced, now we just have to piece together what happened to him the best we can.

You are absolutely 100% right about JPM watching from Heaven & being involved in all of this. Just know that we are on the side of Truth & Justice (Light) in this fight.

It wouldn't really be possible to press charges against Faul unless we could get a prosecutor who had personal jurisdiction over Faul to charge him with criminal impersonation, identity theft, fraud, and whatever other causes of action are available. It would be possible to sue Faul in civil court for fraud & deceptive trade practices, potentially. Of course, you'd still have to establish personal jurisdiction over him.

Any thoughtful words of encouragement... well, I think that the Truth is coming out about PID. I don't think it can be suppressed forever. It's so much harder now w/ the Internet b/c TPTB don't control it like the lamestream media.

I would love to have Faul exposed during his lifetime, of course, but we'll see. The main thing is for people to recognize that the TPTB have pulled the wool over their eyes. If people can see that, they can start to free themselves from TPTB's clutches.

I no idea about this. I found the doc "Paul is really dead, the George Harrison testament". It was so full of clues that have lead to truth in my opinion. I recall years ago, before Linda McCartney died ,it was said she died under suspicious circumstances and she knew something of a secret. Now the dots connect better. Also, the sweet natured Beatles prior to 66 as opposed to the dark natured later yrs.

It is obvious to so many of us now that the real JPM was replaced. I also believe that John Lennon was murdered and replaCIAed as well, the guy at the Dakota was not the real deal. The truth will come out very shortly as the new frequencies of 2012 will not allow otherwise. The Illuminati knows their time is up. You can FEEL their desperation, their last gasps, if you will. Revolver and Rubber Soul are the legacy of The Real Beatles...their last hurrah. This is the dawning of the Age of Aquarius!

That quote from the 1965 interview was very interesting and telling. It sounded like Paul had already become quite disillusioned with being a Beatle. Extrapolating from that, it's not hard to imagine that Paul might've come to the point soon afterwards where he just didn't want to be a part of Beatlemania anymore and chose to quit. But the John-Paul-George-Ringo unit was so ingrained in everyone's consciousness that to replace Paul with another musician would have seriously hurt the band's success. So to continue the financial rewards for many and advance the sinister agenda of those in control of popular culture, Paul HAD to be removed and replaced by "Faul."

Okay, Take this however you may, i have no intent on proving its truth. but i was in a hypnotic "regression" which went through various scenarios. Between various spaces and times, and at one point, i found myself in a safe, in a basement, in a hotel, somewhere in the bahamas. there was a piece of Paul in this box, maybe a finger or something... it had been (so i gathered) "bound" (by a black magickal ritual) to Paul's Spirit, and thus Paul was "invisible" so to speak, to mediums and psychics and such like. This may explain why people never have "channeled" paul... anyway, once we had discovered this, i asked if i was able to help .. the answer came "of course", which is why i was able to perceive it. Anyway we released this piece of material, and thus released the bond on Paul, who then appeared in front of me in a white suit.. and was very pleased to have been released. with a cheeky look and wink, as if to say, "I've some haunting to do"... he disapeared

Anyway.. i would have completely dismissed this as an astral "trip", when not three weeks later do i see the reports of Ringo releasing the truth at last (he never would of course because Maxwell's people would KILL him..) so.. who knows, maybe as you read this, Paul is reminding some people of the ghost of christmasses past...

One day this will be in a book. there maybe more to the story too, as it also involves Nazis and their experiments.