ABOUT NICK WARREN:Nick Warren became one of the first so-called "superstar DJs" in the mid-to-late '90s, holding down a high-profile residency at Cream in England, touring around the world, and appearing on several DJ mix albums before they became commonplace. Though he spun an eclectic array of dance styles in the late '80s and early '90s, he eventually championed the late-'90s trance sound of labels like Hooj Choons and joined the ranks of other superstar DJs like Paul Oakenfold, Sasha, and Tall Paul.

Before leading a jet-set lifestyle, Warren moved to Bristol in the 1980s after having just turned 20. By the early '90s, he was one of the city's top DJs, spinning upstairs at Vision, one of the city's first super-clubs. At the time, Warren spun everything from dub and hip-hop to house, which became his preferred style.

When fellow Bristol artists Massive Attack left to tour America in the wake of their early success, they invited Warren to accompany them on tour as their official DJ, a testament to his turntable skills as well as his reputation at the time. Eventually, Warren began a massively successful stint as the resident DJ at Cream in Liverpool.

The years that followed saw Nick Warren enjoy a whirlwind of success. Through a combination of providing acclaimed mixes for Mixmag, DMC, and the hugely successful Global Underground series, and releasing a string of club-smashing solo singles, Warren found himself catapulted into the electronic and house big leagues; and, by continuing to release acclaimed albums, singles, and remixes with his Way Out West partner-in-crime, Jody Wisternoff, and remixing tracks for the likes of Lana Del Rey, he firmly established himself as a truly multi-faceted producer of top-quality dance music.

Having already graced the decks at every self-respecting super-club on the planet and made his name as a superstar DJ, the late Noughties saw Warren turn his hand to the business side of the music industry. Now, as the A&R of Bristol-based Hope Recordings, he spends his time seeking to hone and promote the next generation of club-smashing DJ and production talent; and, through the expansion of his label The Soundgarden into a globe-straddling international events and entertainment brand, set in stone his already firmly-established reputation as a giant of electronic, techno, and house music.

With a flurry of new releases, further The Soundgarden live events from Ibiza to Argentina, and the highly anticipated Way Out West ‘Tuesday Maybe’ tour already in the diary for 2018, Nick Warren is showing no signs of slowing down; and, if the continued devotion of his ever-expanding fan-base is anything to go by, that’s a decision that will be welcomed with open arms by dance music lovers the world over.

ABOUT GUY J:The true beauty of electronic music is that it has no limits. It exists to be molded into whatever the creator desires. Few embrace this luxury with more precision and care than Tel Aviv’s Guy J. Over the past decade Guy J’s seminal sounds of the moment have extended infinitely and will transcend beyond even his wildest expectations. With origins from the heart, Guy J’s sculptures of melody have developed a soul and a prolific life of their own.

On the path to becoming one of the premier artists of this electronic generation, Guy J has amassed a vast discography showcased within an eclectic list of world-renowned labels. His disregard for boundaries has catapulted his genre-diverse Lost & Found imprint into one of the most highly regarded brands in the underground. And Guy J live and studio mixes are beloved by house, trance and techno enthusiasts en masse.

Inspired by a simple desire to be a part of Tel Aviv’s flourishing club scene, famous for it’s wild enthusiasm and uninhibited atmosphere, Guy launched his music-writing career at the early age of 14. Voluntarily confined to his home studio—aptly named “The Cave” — Guy worked tirelessly to develop his skill set and still approaches each production as if it were his first.

Naturally Guy's early influences were rooted in his homeland and the worlds of psy-trance and progressive. But it wasn’t long before he embraced all genres to establish the wide-ranging production style that represents the array of emotions fuelling his creativity. “I need every track to be real and honest to my feelings,” Guy professes. “I produce all kinds of house music so I have original material to play in clubs. My music is influenced by trance elements, but I love the warm vibe of progressive and energy of old school techno.”

Lost & Found is certainly the crown jewel of Guy’s portfolio. The label celebrates diversity and showcases the brilliance of veteran artists such as Kevin Yost, Funk D’Void and Eelke Kleijn, as well as emerging talent the likes of Guy Mantzur, Sahar Z and Brian Cid. Guy encourages submissions that remain unconditionally true to the artist and the result is a catalogue best described as “good electronic music” — in its purest form.

From a dance floor perspective, Guy's unearthly DJ mixes have helped propel his prominence globally. His Balance Presents Guy J compilation for Australia’s illustrious Balance Music series is a perfect example of what to expect when Guy is in the booth. It’s a hypnotic trek through the entire spectrum of house music, composed with an assortment of originals, remixes and edits for an exquisite experience. Guy has the freedom to melt together melodies from all genres thanks to his production prowess and masterful touch with Ableton's revolutionary software. There are few as proficient in the art of progressive DJing as Guy J.

Opening major events for John Digweed. Spinning back-to-back with all-time great, Hernan Cattaneo. Headlining gigs around the globe, most notably in the house music oasis of Argentina, where Guy has reached a level he thought he could only dream of. His list of ultra-impressive accolades is extensive and continually growing, yet Guy J remains his emotional and modest self. It's impossible to find even the slightest bit of pretentiousness in either Guy's personal or professional approach.

His innate sensitivity and strong belief in what you put into this world, you will receive from it; bind Guy to uncompromising honesty in his relationships, and of course, his music. He maintains his accessibility to peers and fans. He’s committed to the constant evolution of electronic music and cherishes his place within its history. It's tempting to close the circle and assume the role that comes with the status he’s achieved, but that's just not Guy J. He thrives like the stunning sounds he provides, with grace and without limits.

ABOUT RODRIGUEZ JR:His wide-ranging inspirations and interests find their ultimate outlet as his alias took form into Rodriguez Jr., positioning him as mobilee’s new master of eclecticism.

A product of South Of France, between Nîmes and Montpellier far from any big city, Olivier Mateu grew up on the seaside during the 1990s where he oscillated between piano lessons and electronic music parties.

As one half of French electro act The Youngsters – best known for their two studio albums and singles for Laurent Garnier’s F-Communications – Mateu has already received enough plaudits and praise to last a lifetime. The Youngsters’ award-winning productions catapulted them into the international arena, taking them to some of the biggest clubs and festivals around the world.

Rodriguez Jr. reveals a different incarnation of Mateu’s musical psyche, one that strides ahead, guided only by his kaleidoscopic vision; moving through shimmering, contemplative electronica, to deep and urgent techno, left field melodic accents and quirky pop refrains, Rodriguez Jr. is the by-product of an untamed brand of creativity and a thirst for the new and unexpected. Drawing inspiration from artists as diverse as Stockhausen, LFO, Carl Craig, Eric Satie, Kraftwerk, and Michael Polnareff, Rodriguez Jr.’s spirit of adventure translates as soaring creativity, and music that cannot be pigeonholed.

For a solid 10 hours a day, Mateu manifests Rodriguez Jr. in his MLab Mk5 studio, which brims with vintage synthesizers, keyboards and dusty analog gear. Acclaimed Rodriguez Jr. releases for imprints such as Mothership, Boxer Records and Giant Wheels, prefaced the quirky melodies of his bass-driven house hit Princess Guacamole for mobilee records, and the tropical techno of Kids of Hula for it’s sister label Leena Music. Drawing both pleasure and inspiration from live performance, Rodriguez Jr. relishes the opportunity to realize his project on the stage, and has done extensively throughout Europe and America during some of his most acclaimed shows at Tomorrowland in Belgium, ADE in Amsterdam, Sonar Off in Barcelona, Showcase in Paris, Watergate in Berlin, Hardpop in Juarez and Kristal in Bucharest. Two heavy milestones were passed when his first-ever solo album titled “Bittersweet“ was released on Mobilee Records in 2012 followed by the 7th mobilee back to back compilation one year later.

His talents are not just limited to the dance floor. When fashion brands Hugo Boss and Gucci sought out a more fresh, urban and organic identity, they called in Mateu to produce their music for the project.

As he restlessly seeks out the ultimate intersection between all of his disparate influences, Mateu explains it best: “Good electronic music is not a jail,” he says, “It should be enjoyable everywhere, from dance floors to living rooms, and by everybody.” Now an integral part of the mobilee family, Mateu will continue to channel his vision, passion, and love of music into all that he does, and all that will come.