Breton’s life was spent mainly in London. He dedicated his works to many patrons, including James I; his chief early patron was Mary Herbert, Countess of Pembroke. In 1598 Breton was accounted one of the best lyrical poets, but he outlived his reputation. His satires are rather mild and general; more successful are the descriptions of simple country pleasures, whether in the pastoral poetry of The Passionate Shepheard (1604) or in the prose descriptions of the months and the hours in his Fantasticks (1604?), which in some respects anticipates the fashion for character books. Modeled on the Characters of the Greek philosopher Theophrastus, which became available in Latin translation in 1592, these books contained brief sketches, describing a dominant virtue or vice in such characters as the thieving servant, the cringing courtier, the generous patron, or the pious fraud. Breton himself wrote two character books, The Good and the Badde (1616) and Characters Upon Essaies (1615), the latter containing essays as well.