Gligor Sazdovski
Born in Skopje, Macedonia, completed the Academy for Arts in Zagreb, class of Marijan Detonij in 1971. From 1973 to 1975 works as associate in Krsto Hegedusicï¿½s work room. Member of Croatian Association of Visual Arts and Likum. His work in graphics, paining and ceramics is equally successful. Prepares individual and takes part in group exhibitions at home and abroad.

Compression of shape in association of organic structure is characteristic of Gligor Sazdovskiï¿½s exhibition. With the imaginative interpretation in his pastel series the underlined concept is driven to attractiveness.
Sazdovski evolves the possible ornamental assembly to the palpitating surface where the segments of exogenous character grow in and grow out of the potential core.
The soundness of the composition, legible and indented contours create a surface with clear composition and interesting spacing. Colonial span ranges from almost full pallet to harmony of few values, with special attention to accents, gathering points for chromium impact. On one hand the evolved shapes bring the outside monumentality, and on the other hand they enter into a micro-world with visible physical form that discovers order, and in visual art the tissue of rhythmically organized particles.
Certainly, this is a free artistic interpretation of predictability and unpredictability of visual-art game, originating from the experience.
Sazadovski is inspired by floral shapes, their silhouette in a static manner and in move, and with repetition of units in composition of tense dynamic relationship, where the related becomes different and vice versa.
The great sketcherï¿½s art gives readability to each particle. But, individually it is integral part of artistic flourishing and accord. The luckily selected pastel technique with surface ï¿½smearï¿½ and with possibility of putting an accent to graphic gives the scene necessary vibration, and shapes the idea of reality.
Monodimensial becomes voluminous, unobtrusiveness of mass. The basic print with elements of geometrical regularity the concept is of visual art vitality, transformation where reality grows into imaginative, and imaginative becomes visual art reality. In this artistic change the value of colour with application of symbolic provide the sense of intrigue to the painting.
Stanko ï¿½poljariï¿½