“I’m a total database nerd. In college I worked as a troubleshooter for a database of medical research, trying to predict and prevent mistakes in the data entry process to avoid screwing up the records. Is anything more satisfying than a successfully written query delivering precisely the required results? It’s so much more direct than writing fiction. A query either works or it doesn’t.” Steve Himmer’sNervous Breakdown self-interview.

“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From TheGuardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.

“In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actuallyrequires extreme heat in order to be read.” The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.

Rizzoli’s is closing, but if the owners have their way, there’ll be a Rizzoli’s II opening its doors in the near future. In the meantime, you can read this Times piece about the bookstore, which puts its closing into context.