While most high-def releases usually include at least two audio tracks, 'The Lookout' on Blu-ray features only one -- but at least it's a good one.
Though it doesn't have a lot in the soundscape to work with, the uncompressed PCM 5.1 surround track (48 kHz/24-bit/6.9 Mbps) on this disc still manages to create an intricate world with ambiance and environmental acoustics. Listen to the dialogue in a scene in the bank and then skip to one in a smaller apartment -- notice the difference? The sound designers have clearly worked hard to make each setting unique and realistic. Effects don't sound canned, dialogue is both lush and well prioritized, and there is a fullness to the soundfield that takes advantage of the rear speakers for subtle enhancements.
That being said, aside from the opening scene and the more action-oriented elements of the final act, the remainder of the film is a quiet experience that relies on viewer immersion rather than surround wizardry. As such, the majority of the track pulls forward and inhabits the front three speakers. The results aren't terribly involving, but still this track handles what it's given with a technical proficiency that sets it apart from other quieter mixes released in high-def.

is this for sure? only LPCM 5.1? what about those guys with just optical? is it 2 channel for them?

Regardless, PCM would be the way you'd want to go, even with optical/coax. Having your receiver apply Dolby Pro Logic and splitting the signal is much better than a dedicated low bit rate 5.1 track. At least, in my opinion.

Regardless, PCM would be the way you'd want to go, even with optical/coax. Having your receiver apply Dolby Pro Logic and splitting the signal is much better than a dedicated low bit rate 5.1 track. At least, in my opinion.

At least in the past the PS3 had an issue where selecting PCM with optical output would only give 2.0 sound. I don't recall seeing a fix for this and would pick the lossy 5.1 track in that case myself.

At least in the past the PS3 had an issue where selecting PCM with optical output would only give 2.0 sound. I don't recall seeing a fix for this and would pick the lossy 5.1 track in that case myself.

--Darin

As mentioned, that is a limit of the technology. You can only get 2 channels of PCM over optical or coax connections. Your receiver will then matrix the signal into 5.1 (or more, depending on your set-up) giving you surround sound from the uncompressed stereo source. Many have found this better than the lossy 5.1 track, but its all personal preference.

If so, why would we ever even need a DD 5.1 track on any disc? Just save the space!

It really only takes up like a half of a gig so you're not saving very much.

I saw this film last night, while the PQ is good, I'd only rate it at about a 3.5-4. The main problem being with the dark levels. I've started noticing each movie requires a different brightness setting. I had watch Wild Hogs and that looked perfect. I then watched The Lookout and the picture seemed to bright in some parts while being too dark in others. The picture seemed so bright that the black bars actually seemed bright. Very odd...

As mentioned, that is a limit of the technology. You can only get 2 channels of PCM over optical or coax connections. Your receiver will then matrix the signal into 5.1 (or more, depending on your set-up) giving you surround sound from the uncompressed stereo source. Many have found this better than the lossy 5.1 track, but its all personal preference.

Regardless, PCM would be the way you'd want to go, even with optical/coax. Having your receiver apply Dolby Pro Logic and splitting the signal is much better than a dedicated low bit rate 5.1 track. At least, in my opinion.

I don't fully agree on this point. I find that when my system outputs the PCM track to 2 channels and uses the Pro Logic rendering for the rear speakers this is what happens:

#1. The stereo speakers are much louder than the rear speakers. Unbalanced.
#2. The overall surround atmosphere is quite poor compared to the overall directional dynamics of the DD 5.1 track

However, in its defense, the stereo PCM track with Pro Logic certainly puts some serious "oomph" into the subwoofer that is missing in the DD 5.1 track. Still, I prefer the balanced surround atmosphere of the DD 5.1 track to the stereo + Pro Logic PCM.

Kenneth S. Brown gave The Lookout only 3 stars for the movie itself. Richard Roeper of Ebert & Roeper said last week that The Lookout is one of the best films of 2007. I bought this movie on the strenght of Roeper's recommendation (I usually agree with him). Well I guess I'll find out this weekend when I watch it. I hope it's better than 3 stars.