Movie appeal

The Way Way Back

(2013)

The Way Way Back Blu-ray delivers stunning video and great audio in this excellent Blu-ray release

14-year-old Duncan is forced to spend a summer at his mother's new boyfriend Trent's beach house in upstate New York. Arrogant and a bully, Trent likes to belittle Duncan at any opportunity, leading the boy to take off on his bike to explore his new environment. It is then he comes across the Water Wizz water park and before long a friendship develops between Duncan and the park manager, Owen. Seeing the water park as the much needed escape he has been looking for, Duncan keeps his whereabouts a secret from the others and thanks to Owen's positive outlook and encouraging attitude begins to grow in confidence.

For more about The Way Way Back and the The Way Way Back Blu-ray release, see the The Way Way Back Blu-ray Review published by Jeffrey Kauffman on October 24, 2013 where this Blu-ray release scored 4.0 out of 5.

The Way Way Back Blu-ray Review

Way, way good.

If you're too young to have experienced the era of the family station wagon, you may not initially understand the phrase
"the way way back", for it referred to the most posterior section of the car, where quite frequently the third seat faced
backwards. As the youngest of three children, I can tell you from personal experience that it was a double edged sword
to
be relegated to this section of the car. At least I had my own private little region where only the occasional incursions
from
my elder sisters disturbed me, but on the other hand, I often felt like I was an outlier in my own family, not just
separated,
but actually forced to simply view where we'd already been rather than where we were headed. The Way, Way
Back, though it's a contemporary feature, exploits the peculiar "geography" of older station wagons by placing
Duncan
(Liam James) in the "way way back" rear facing seat on what initially seems to be a family trip. The man driving the car,
Trent
(Steve Carell), starts quizzing Duncan about how Duncan sees himself, asking the kid to give himself a numerical ranking
between one and ten. So far, this might seem like any typical family road trip, where a father is attempting to engage
his
son. Once Trent lets loose with a pretty nasty barrage of insults, telling Duncan he's no better than a three, and then
revealing that he's not Duncan's father at all but is instead merely Duncan's mother's boyfriend, a somewhat more
convoluted dynamic has become apparent. It turns out that Duncan is an unwilling prisoner of sorts as Trent trundles
his
biological daughter Steph (Zoe Levin) to his beach house, bringing Duncan and Duncan's mom Pam (Toni Collette) along
for
the (literal) ride.

The Way Way Back touts its supposed connections to both Little Miss Sunshine and Juno, and while there are certain tonal similarities between the films, The Way Way Back
really has little of the former's off kilter humor and virtually none of the latter's understanding parental influence
—at
least for most of the proceedings. That said, the film is incredibly sweet natured and actually quite touching virtually the
entire way through Duncan's misadventures over the course of several summery weeks.

There's a rather large and colorful supporting cast that turns up once this would be blended family arrives at Trent's
beach house. First up is Trent's slightly loopy and usually more than slightly buzzed neighbor, Betty (Alison Janney),
who can frequently be heard screaming at her teenage daughter Susanna (AnnaSophia Robb) and younger son Peter
(River Alexander), who has the misfortune to suffer from "lazy eye", something that affords the film some perhaps
questionable punchlines. Trent's best friends Kip (Rob Corddry) and Joan (Amanda Peet) also become semi-regulars at
Trent's house, and they end up hosting a get together on Kip's boat where Trent insists that Duncan wear a ridiculously
overstuffed life jacket which only makes him an object of derision by Steph.

Trent in fact seems to be going out of his way to demean Duncan, and in one of this film's two most interesting changes
of pace, performance wise, Steve Carell gets to stretch a bit as a kind of smarmy, psychologically manipulative jerk who
(it ultimately turns out) may not be as madly in love with Pam as he pretends to be. None of this gets by Duncan, and
Liam James, in an absolutely pitch perfect performance, is able to capture both the angst and the anger of this young
man who find himself being buffeted by forces beyond his control, and seemingly without a friend in sight to help him
through the maelstrom.

That friend ultimately does arrive in the form of Owen (Sam Rockwell), the owner of the vacation island's perhaps
unnecessary water park. Owen is exactly the kind of pseudo-big brother any teenage boy would want, a goofy hipster
type with an arsenal of off the wall jokes and an easy, approachable manner that almost instantly breaks through
Duncan's self-imposed defensive reserve. This is the other really interesting performance from a "change up"
perspective. While Rockwell has certainly shown his comedic chops in such films as Galaxy Quest, often he's been relegated to kind of odd
character parts in more turgid dramatic films. Here he's absolutely charming and completely affable in a slightly more
grown up, empathetic way, in fact becoming reminiscent of Carell's Little Miss Sunshine co-star Greg Kinnear at
times.
Several of his scenes with James are the emotional high points of the film.

If there's a fault to be found with The Way Way Back—and it is admittedly a niggling one—it's in the underwritten
roles for several of the female characters. Toni Collette actually does incredible work in the film, but that is more a
testament to her innate abilities than to anything she has to work with here. Pam is a cipher, a type rather than
a character. The same could be said for Janney's Betty, who comes off as the typical blowsy next door neighbor in any
number of sitcoms. Maya Rudolph is also on hand as a water works employee who seemingly has some kind of
history with Owen which is never fully explored. All of these fantastic performers are just fine, and as stated above
these are relatively small issues, but the film might have had even more emotional heft had we been able to
explore these characters a bit more fully.

The Way Way Back may in fact be too uneventful for some viewers, but its leisurely pace and slowly developing
interrelationships are beautifully handled and end up giving the film a really unexpected emotional resonance. Coming
of age films frequently wallow in a kind of lachrymose bathos where small events are blown out of proportion
and epochal ones are dealt with trivially. It's to co-writers and co-directors Nat Faxon and Jim Rash's credit that the
tone of The Way Way Back is so spot on every step of the way. Many audience members will want to be joining
Duncan (and his "guest"—which you'll understand when you see the film) in that sanctuary at the back of the car by the
time this small scale but hugely enjoyable film comes to a close.

The Way Way Back is presented on Blu-ray courtesy of 20th Century Fox Home Entertainmnt with an AVC encoded
1080p transfer in 1.85:1. I am slowly but surely becoming a major fan of the Arri Alexa. I often feel that digitally
shot features have a shallow and textureless sheen to them, but once again I am really impressed not just by the expected
sharpness and clarity of the image on this Blu-ray, but also its nice depth and density. Cinematographer John Bailey
beautifully captures the nicely sunny ambience of the island, and while the film has a naturally golden hued look due to the
mostly good weather, colors appear natural and are very nicely saturated. Some of the close-ups feature fantastic
fine detail (look at the screenshot of Carell in the rear view mirror for a good example). Contrast is very solid here, with no
lack of shadow detail in some of the dimmer interior scenes. I noticed no obvious compression artifacts throughout this
presentation.

The Way Way Back features a nice if somewhat restrained sounding lossless DTS-HD Master Audio 5.1 mix. The best
elements of this track in terms of surround activity come from the good use of source cues as well as some of the raucous
crowd noises at the water park where Duncan ends up spending most of his summer. Otherwise, the film tends to play out
in much smaller scale, more intimate, dialogue scenes, and while fidelity is equally excellent here, the soundfield is
understandably narrower and less immersive.

Behind the Scenes with the Hilarious Cast and Filmmakers (1080p; 31:19) is a set of brief featurettes
(which can be lumped
together under a "play all" option) which features some good interviews with the cast and crew, along with some looks at
storyboards and
scenes from the film.

My own (then) 14 year old went to see The Way Way Back over this past summer with a few of his buddies and
came back exclaiming at what a good movie it was. This is one of those rare moments of convergence where his
curmudgeonly father absolutely agrees with him. While there are a few minor qualms that some may have with the film,
overall it's an incredibly heartfelt and beautifully rendered depiction of one young boy coming to terms with who he is and
what he has to offer the world. While The Way Way Back isn't really laugh out loud funny in any traditional
sense, it's resolutely entertaining and ends up packing quite an emotional wallop. This Blu-ray looks and sounds great and
comes Highly recommended.

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