Indeed, but tis also automatic as well if your subconcious picks up on things that you don't realize. Though i'm not a swordsman myself (irl i play belegarth with a two handed club) but yet i use it as if it was a katana whilst trained via the crab, scorpion, and crane styles rather mixed together... is it strange to know how to do such a combination without knowing about it until after i was asked what sort of style i use?

Indeed, but tis also automatic as well if your subconcious picks up on things that you don't realize. Though i'm not a swordsman myself (irl i play belegarth with a two handed club) but yet i use it as if it was a katana whilst trained via the crab, scorpion, and crane styles rather mixed together... is it strange to know how to do such a combination without knowing about it until after i was asked what sort of style i use?

Sorry, I'd reply, but I'm having trouble making sense of the statement and question.

well whatever it is, my body knows exactly how to use a two (or one and a half) handed weapon without any previous training or knowledge other than the basic slash, stab, and chopping actions.

No, it's not that weird. It just comes more naturally to some people - others would have a harder time with it, but would have less trouble with one-handed weapons.I believe it has more to do with less tangible factors like psychic, a preferred way to move, or even your clothing - many of them being often underestimated or not considered at all.

Quote

Wakizashi is typically worn beside/over the katana. At least in every drawing/painting I've ever seen from classical Japan. Both go edge up ("blade up" is physically impossible, if the sword is to stay in the scabbard), because it is easier to draw the sword in a fluid manner thanks to the curve--to draw and cut in one motion--as the scabbard is basically tucked into the belt, rather than hanging from the belt in the Western style.

Yeah, I was looking for "edge up", but didn't remember the idiom. Sorry for that, sometimes my limited mastery of English leads to such blunders.For the record, I have been shown the turning of the scabbard that Oniya described - I don't know how "historical" it is, but it looks a good way to draw the blade fast.

The turning of the scabbard is actually a necessity in iado. Katanas used properly in iado require a draw-cut, rather than the hacking motion most people think they use; turning the scabbard allows you to direct an immediate draw cut towards someone without the added trouble of drawing the blade entirely from the scabbard and THEN attacking.