This implausible plot full of holes does pave the way for a series of Cedric the Entertainer skits and physical gags. None of these is very funny. A few are painfully unfunny. In either case, the movie comes to a standstill. It's a pity no one thought to screen old Bob Hope movies to see how to integrate comedy into genre filmmaking.

The problem is, while the thriller aspects of the movie are serviceable, they aren't good enough to form the basis of anything more serious than a sit-com, and by spending as much time on them as Code Name: The Cleaner does, it makes the film at times seem drawn-out and tedious.

Parents need to know that this dreadful spy comedy pushes the PG-13 edge with regard to sexual imagery and humor. Main character Jake makes lots of crude jokes about his "prowess," and women constantly appear in various states of undress and/or otherwise show off their assets (Nicollette Sheridan essentially reprises her vavoomy Desperate Housewives role, but it's not funny here). The movie's action-comedy-style violence is broad and brutal (though mostly bloodless), including shooting, car crashes, grenades exploding, and martial arts fighting. Language is obnoxious, with slang and obscenities used througout, including repeated uses of "s--t," "damn," and "hell."

Families can talk about the movie's use of class and race stereotypes -- particularly the way it contrasts Jake's working-class background with the rich characters' stuffiness.

Does embracing stereotypes for comic effect make them easier toswallow?

Why are jokes based on stereotypes more or less funnydepending on who delivers them?

Families can also discuss the film'streatment of its female characters. How do the two main women embodythe opposite versions of Jake's fantasy self?

The good stuff

Messages: Terrible behavior all around: lying, cheating, killing, and lots of lust. Women are largely objectified, and stereotypes are constantly played for humor.

Role models: Nothing here that you'd want your child emulating.

What to watch for

Violence: Jake first appears in a bed with a corpse (blood on pillow and body, blood on Jake's head); repeated "flashbacks" to action scenes show Jake in special forces unit (they carry and shoot guns, break windows, explode grenades, and engage in martial arts combat); Jake falls out a window onto a car; Gina frenzy-slaps Jake several times (treated as comedy); men shoot through the roof of Gina's car and she shoots back (both men presumably left dead); martial arts fights (kicks, hits, loud sound effects).

Sex: Sexual/comedy situations push edge of the PG-13 rating: Jake fondles the body in bed with him as he wakes, not seeing at first that it's a dead man; Jake's action-scene fantasy includes him slapping an old woman's butt by accident (she smiles and adjusts her skirt afterward); sexual dance by Diane in skimpy pink underwear (Jake refers to "little Jake" and calls Diane a "freak"); Jake is mistaken for online sexual partner by creepy guy (who notes the online user names "hotbuns69" and "sweaty and ready"); hiding in the car, Jake puts his face in Gina's lap and suggests he feels "someplace familiar" janitor raps about using a "plunger" creepy joke about Jake being "good at" sex; outtakes accompanying closing credits include more sex jokes, both verbal ("How long I been hittin' it?", "You making willy chilly") and visual (an especially egregious gag involves a man bending over and asking that a man with a gun "Put in my ass!").

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