Rack eq in effects loop

The equalizer is definitely the most important piece of equipment in your audio rack! Most transceivers do an excellent
job of passing all the midrange frequencies between 300Hz ~ usually with an added dominance between 500Hz ~ 800Hz. Unfortunately, most
stock transmitters roll-off the bass frequencies below about 150Hz and down, as well as the high frequencies above about and up. So, we
need to do basically three things:

* Reduce the Midrange
* Increase the Bass
* Increase the Treble

Taking a look once again at GRAPH 1 and GRAPH 2 above, you can see what an EQ can accomplish when set up. Below is a graphical representation
of what EQing I had to implement in order to get some flatness out of my Kenwood TS-850S/DSP-100 after passing through its . and DSP filtering.

Effects are often incorporated into amplifiers and even some types of instruments. Electric guitar amplifiers typically have built-in reverb and distortion , while acoustic guitar and keyboard amplifiers tend to only have built-in reverb. Some acoustic instrument amplifiers have reverb, chorus, compression and equalization (bass and treble) effects. Vintage guitar amps (and their 2010-era reissued models) typically have tremolo and vibrato effects, and sometimes reverb. The Fender Bandmaster Reverb amp, for example, had built-in reverb and vibrato. Built-in effects may offer the user less control than standalone pedals or rackmounted units. For example, on some lower- to mid-priced bass amplifiers , the only control on the audio compression effect is a button or switch to turn it on or off, or a single knob. In contrast, a pedal or rackmounted unit would typically provide ratio, threshold and attack knobs and sometimes "soft knee" or other options to allow the user to control the compression.