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In 2017 I saw 72 new releases, which I believe was a record number for me. This year I saw 117! I attribute this to several of this year’s new releases being Netflix films (so convenient, if not ideal) and MoviePass. Yes, MoviePass. I saw a few things I may have skipped in previous years because of MoviePass. For awhile I could watch one film a day via MoviePass and then see a second one that I paid for. This led to a lot more double features at the Midtown Art Cinema than in pervious years. Also last year I saw 32 new releases that were directed by women. This year I saw 59 new release films directed by women (170 in total, but I’ll write more about that in tomorrow’s end of the year post), which is half of the new release films I saw this year. I plan to at least keep up that ratio next year, if not do better. You can see all the new release (and festival) films I watched in 2018 and how I ranked them here. After the cut you’ll find my Favorite Fifteen Films, and as always I remind you that this is subjective and in no way should be considered a “best” list.

As many of you are aware, at the end of October it was announced that FilmStruck was shuttering on November 29th. Thankfully, I still am at TCM (though there were some layoffs). The end of October saw the beginning of my scramble to watch as many films from my queue as possible. This also led to me discovering things that weren’t on my queue but that I desperately had to watch before it was too late. All and all, in the last few days of October and into November I watched 228 shorts and features on the service before it shuttered (plus a handful of films in theaters in November). After the cut you can see everything I watched last month (most of which was on FilmStruck – including almost all of my Noirvember selections). It was a thrilling few weeks and I discovered a lot of things that I had taken for granted. Criterion will be launching The Criterion Channel (which had previous found its home within the FilmStruck service) next year, which I am very grateful for, but I will forever miss my time working on FilmStruck. I’m honored to have been a part of its legacy.