This chapter is from the book

A Note Paper Effect

Photoshop's filters have a creative mind of their own. They make creative decisions for you, if you go with the default settings, as you saw in the previous lesson. However, you can change Photoshop's mind and persuade it to think more like you do.

Let's begin with a straight shot I took of a banded peacock butterfly, to which I'll apply the Note Paper filter (Filter > Sketch > Note Paper) (Figure 3.57).

Filters are located in the Filter menu or, as I mentioned in the previous section, through the Filter Gallery (Filter > Filter Gallery). When you apply a filter, you get a dialog box with a window that shows the effects of the default settings for that filter. By moving the sliders (Image Balance, Graininess, and Relief, in the case of the Note Paper filter), you can fine-tune the effect to suit your own creative vision. The picture window showed me Photoshop's creative vision for how the Note Paper filter should be applied to my butterfly picture (Figure 3.58).

Keep in mind that the larger the file, the longer it will take for the filter to be applied.

TIP

Some filters aren't available for use with CMYK and/or 16-bit files; to apply filters for those types of images, you must change the mode (Image > Mode) to RGB Color and/or 8 Bits/Channel.

As I mentioned, you can adjust a filter's sliders to fine-tune your image, using Photoshop's imagination. But you can also change Photoshop's thinking by applying one or more adjustments—including Levels, Curves, Hue/Saturation, Color Balance, and so on—to an image.

I like to do something else immediately after applying a filter: fading that filter. I went to Edit > Fade (the filter's name appears after the word Fade) and moved the slider to change the Opacity (intensity) of the filter. While in Normal mode, I reduced the Opacity to 50 percent (Figure 3.60).

Here's the result of reducing the Note Paper filter's Opacity by 50 percent—and increasing the Contrast (Image > Adjustments > Contrast) by 40 percent (Figure 3.61). I like this effect much better than the default.

You can make even more suggestions to the creative mind of Photoshop. By clicking the Foreground Color box at the bottom of the Tool Bar and then clicking a color in the Color Picker, you can change the foreground color—which in turn can affect the color of the filter. (I say "can affect" because not all filters are influenced by the foreground color.) In this case, I picked a red color (Figure 3.62).