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To preface today’s offering of recommended and necessary reading, here are passages from a hypnotic meditation on solitude, inner silence, reading, and the literary vocation by Rebecca Solnit, excerpted from her new book The Faraway Nearby:

Like many others who turned into writers, I disappeared into books when I was very young, disappeared into them like someone running into the woods. What surprised and still surprises me is that there was another side to the forest of stories and the solitude, that I came out that other side and met people there. Writers are solitaries by vocation and necessity. I sometimes think the test is not so much talent, which is not as rare as people think, but purpose or vocation, which manifests in part as the ability to endure a lot of solitude and keep working. Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.

These vanishing acts are a staple of children’s books, which often tell of adventures that are magical because they travel between levels and kinds of reality, and the crossing over is often an initiation into power and into responsibility. They are in a sense allegories first for the act of reading, of entering an imaginary world, and then of the way that the world we actually inhabit is made up of stories, images, collective beliefs, all the immaterial appurtenances we call ideology and culture, the pictures we wander in and out of all the time.

. . . To become a maker is to make the world for others, not only the material world but the world of ideas that rules over the material world, the dreams we dream and inhabit together.

. . . The object we call a book is not the real book, but its seed or potential, like a music score. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the seed germinates and the symphony resounds. A book is a heart that only beats in the chest of another.

. . . Writing is saying to no one and to everyone the things it is not possible to say to someone. Or rather writing is saying to the no one who may eventually be the reader those things one has no someone to whom to say them. Matters that are so subtle, so personal, so obscure that I ordinarily can’t imagine saying them to the people to whom I’m closest. Every once in a while I try to say them aloud and find that what turns to mush in my mouth or falls short of their ears can be written down for total strangers. Said to total strangers in the silence of writing that is recuperated and heard in the solitude of reading.

* * *

Broken Heartland (Harper’s)
The looming collapse of agriculture on America’s Great Plains. “In the dystopian future that Teske imagines, the cycle of farm dissolution and amalgamation will continue to its absurdist conclusion, with neighbors cannibalizing neighbors, until perhaps one day the whole of the American prairie will be nothing but a single bulldozed expanse of high-fructose corn patrolled by megacombines under the remote control of computer software 2,000 miles away. Yet even this may be optimistic.”

Martin Luther King? Not an enemy in the world (The Independent)
“Funny how the kind of people who would have been totally opposed to the civil rights leader 50 years ago now want to claim him as their hero. . . . But the adoration of banks and big business displayed by most Western governments may not fit exactly with the attitude of their hero.”

American Schools Are Failing Nonconformist Kids. Here’s How. (The New Republic)
In defense of the wild child. “[We have] crossed some weird Foucaultian threshold into a world in which authority figures pathologize children instead of punishing them. ‘Self-regulation,’ ‘self-discipline,’ and ’emotional regulation’ are big buzz words in schools right now. All are aimed at producing ‘appropriate’ behavior, at bringing children’s personal styles in line with an implicit emotional orthodoxy.”

Legislators of the world (Adrienne Rich for The Guardian)
The late Adrienne Rich, writing in 2006 shortly after receiving the U.S. National Book Foundation Medal for Distinguished Contribution to American Letters, argues that dark times, far from devaluing poets and poetry as irrelevant, underscore the crucial need for them. “[T]hroughout the world, transfusions of poetic language can and do quite literally keep bodies and souls together — and more.”

Are We Alone in the Universe?(Thought Economics)
“In this exclusive interview, we speak with Prof. Jill Tarter (Co-Founder and Bernard M. Oliver Chair of the SETI Institute). We discuss her lifelong work with the Search for Extraterrestrial Intelligence (SETI) Institute and look at mankind’s quest to answer the fundamental question of whether we are alone in the universe.”

John Gray’s Godless Mysticism: On ‘The Silence of Animals’ (Simon Critchley for Los Angeles Review of Books)
“There is no way out of the dream and what has to be given up is the desperate metaphysical longing to find some anchor in a purported reality. . . . Paradoxically, for Gray, the highest value in existence is to know that there is nothing of substance in the world. Nothing is more real than nothing. It is the nothingness beyond us, the emptiness behind words, that Gray wants us to contemplate. His is a radical nominalism behind which stands the void.”

Monument to ‘god of chaos’ mysteriously appears in front of Oklahoma City restaurant (New York Daily News)
“A heavy concrete block appeared on the front lawn of The Paseo Grill in Oklahoma City on Friday. Restaurant owners aren’t quite sure what to make of the monument or its reference to H.P. Lovecraft’s fictional deity, Azathoth. . . . After news about the monument spread on KFOR, [restaurant owner Leslie] Rawlinson said she’s been getting calls from people who were excited about the find and from people who warned her about its dangers.”

Parallel worlds (Aeon)
“Where did this idea of parallel universes come from? Science fiction is an obvious source. . . . Recently, physicists have been boldly endorsing a ‘multiverse’ of possible worlds. . . . Surprisingly, however, the idea of parallel universes is far older than any of these references, cropping up in philosophy and literature since ancient times. Even the word ‘multiverse’ has vintage. . . . If human history turns on the tilt of the multiverse, can we still trust our ideas of achievement, progress and morality?”

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The Teeming Brain explores news, trends, and developments in religion, horror, science fiction, fantasy, the paranormal, creativity, consciousness, and culture. It also tracks apocalyptic and dystopian trends in science, technology, politics, ecology, economics, the media, the arts, education, and society at large. Its founder and primary author is Matt Cardin.

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Praise for the Teem

FOR MATT CARDIN:

"[Dark Awakenings is] a thinking-man's book of the macabre...Cardin's tales are rich with references to Lovecraft, Nietzsche, and other writers whose work gives them unusual philosophic depth." – Publishers Weekly

“It’s a bold writer who, in this day and age, tries to make modern horror fiction out of theology, but Cardin pulls it off.” – Darrell Schweitzer

“In the tradition of Poe and Lovecraft, Cardin's accomplishments as a writer are paralleled by his expertise as a literary critic and theorist.” – Thomas Ligotti

“Matt Cardin is one of those rare horror authors who is also a true scholar and intellectual.” – Jack Haringa

FOR RICHARD GAVIN:

"Literate horror fans who have yet to encounter Canadian author Richard Gavin are in for a treat. The lyrical prose is often at a higher level than usual presentations of otherworldly demons and malevolent forces." – Publishers Weekly

"Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read." – S. T. Joshi

"Gavin's storytelling can be masterly. As with Machen and Blackwood at their best, an epiphany or illumination is achieved, though Gavin's mysticism is darker and distinctly his own." – Wormwood

FOR STUART YOUNG:

"No one can accuse Stuart Young of avoiding the big issues -- with insight and verve, he tackles head-on the existence of God, the mystery of human consciousness and the transformative effects of psychedelic drugs." – Mark Chadbourne