DJ Quik is one of the most prolific figures in West Coast hip hop. He's a great rapper, but first and foremost, he's always considered himself a producer. He's produced some of the most inventive samples and beats of the genre. And even though he geeks out about latest and greatest studio equipment, he's always used whatever it takes to capture the sound he wants -- even if it means recording a music sample with a VCR.

Quik first made a name for himself in the hip hop scene in the late 80's and early 90's, handing out homemade mix tapes and deejaying around Los Angeles. He's since released ten albums, and produced records for everyone from Tupac, Snoop Dogg and Xzibit to Tony! Toni! Toné!.

He'll talk about why a leaked record and a couple of guns made him realize he needed a new circle of friends, why he never wants to stop making pretty beats for his records and his inspiration for his awesome, awesome hairstyles over the years.

Have you ever picked up and actually flipped through one of those in-flight catalogs? Well, the sketch comedy group Kasper Hauser takes all of the grotesque and excessive product offerings of Skymall, and brings them to another level in Skymaul 2: Where America Buys His Stuff.

Queensbridge, New York is an important place for hip-hop. Not since Motown, 25 years earlier, has such an astonishing number of artists with a distinctive, sought after sound, emerged from such a specific neighborhood. Nas, Marley Marl, Cormega--these are just a few of the huge names that sprang from America's largest housing projects, located just across the bridge from Manhattan in Queens. Since the early 1980s, Queensbridge has been a veritable hotbed for new directions in East Coast hip-hop.

And no rap-group has drawn inspiration from Queensbridge more vividly than Mobb Deep. Composed of rappers Havoc and Prodigy, Mobb Deep create music that makes you feel like you, too, grew up in Queensbridge. Listen to Shook Ones Pt. 2 enough times, and you'll feel like you could stab an unlucky sucker's brain with his nosebone.

Jesse sat down with Prodigy, aka Anthony Johnson, after the release of his autobiography, My Infamous Life in 2011. Prodigy had just recently been released from prison, where he spent three years on gun charges. He talks about growing up with sickle-cell anemia, being dragged along on his father's jewelry store robberies as a teen, and how he used his time in prison for some serious personal transformation.

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Carolyn Kellogg, book critic and staff writer for the LA Times, joins us to recommend two of her all-time favorite books.

First, she recommends Farewell, My Lovely by Raymond Chandler. This hardboiled Los Angeles noir features Chandler's iconic language--analogies stronger than the libations his protagonists down in LA's most dimly lit nightclubs.

Kellogg's next pick is Thomas Pynchon's novel The Crying Of Lot 49. At less than 200 pages, The Crying Of Lot 49 is an accessible, pun-filled entry into the dense world of Pynchon.

Read more of Carolyn's writing on books, authors, and publishing online at the LA Times' blog Jacket Copy.

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Hip hop blogger and Pitchfork columnist Andrew Noz joins us with a couple of his all-time favorite hip hop tracks. His first recommendation is Pacific Coast Remix by DJ Quik (featuring Ludacris), a track devoted to sunny Los Angeles's dark side. He also suggests checking out the 1983 track Beat Bop by Rammellzee and K-Rob. It's a song from an era where the uptown and downtown communities mingled in a way that the rap world would rarely see again.

Weird Al Yankovic is the undisputed king of parody music. Inspired by the novelty songs he heard on broadcasts of The Dr. Demento Show, Yankovic began writing his own comedy songs for the accordion -- starting with a love song to his parents' car, entitled Belvedere Cruisin'.

He sat down with us in 2011, before his album Alpocalypse was released. He talks about his food parodies (think "Eat It"), his special talent for rapping, and having an unusually long and successful career for a parodist (or musician of any kind).

Weird Al just kicked off a nationwide summer tour. He's also just released a new children's book, My New Teacher and Me. You can find more information .

Geoff Nunberg is a professor at UC Berkeley, the resident linguist of Fresh Air, and the author of Ascent of the A-Word: Assholism, the First Sixty Years. He talks to us about his studies into the word "asshole," which began life as a bit of slang used by WWII servicemen and has come to envelop the concept of modern incivility.

Andrew Noz joins us to provide some recommendations from the world of hip hop. First, he talks to us about Chance the Rapper's self-proclaimed lyrical challenge, as evidenced in Juice, a track off his latest mixtape, Acid Rap. And what if Lil Wayne stayed off the beaten pop music path? It might sound like Young Thug's weirded-out track, Picacho.

It's hard to imagine what American comedy would look like without Mel Brooks. With a sharp eye for parody, a seemingly infinite supply of gags, and enough destruction of the fourth wall to make a postmodern novelist blush, his work has set the tone for countless comedy TV shows and films. It's hard to imagine SNL's relentless TV parodies without Your Show Of Shows (which Brooks wrote for alongside Sid Caesar back in the 50s), The Simpsons without his filmography full of sly pop-culture references, or the careers of Airplane! creators Zucker, Abrahams and Zucker without Brooks' shameless love of (self-admittedly) awful jokes.

A new PBS American Masters documentary, Mel Brooks: Make A Noise, explores the life and career of the EGOT winner and man behind The Producers, Young Frankenstein, Blazing Saddles, and so much more. Brooks talks to us about fighting in World War II (where he managed to even make a few Germans laugh), the genius of Gene Wilder, and that time Sid Caesar dangled Brooks out the window of a Chicago hotel room.

The Source Family fit the conventional image of a typical hippie cult in a lot of ways – assuming, of course, that there is such a thing as a typical hippie cult. You could point to the commune, the long hair, the Jesus-y robes...not to mention occasional hits of what they called "sacred herb". Dig deeper, though, and it becomes clear that there was plenty that separated the Source Family from stereotypes.

The group was just as unique as their leader, a man who called himself Father Yod. He was a former Marine, stuntman, jujitsu expert who founded the Source Family alongside a highly successful vegetarian restaurant. Out of the back of that restaurant, the family sold recordings of their regular jam sessions, which became the stuff of psychedelic rock legend. Perhaps most unlike your average cult leader, Father Yod was not particularly attached to any particular ideology – not even his own. In direct violation of his own commandments, Yod married thirteen wives, a move which both alienated a number of family members and caught the LAPD's attention. This caused the Source Family to flee to Hawaii, which ultimately resulted in the group's demise.

We're delving further into LA's most famous hippie cult with the help of Maria Demopoulos and Jodi Wille, the directors of a new documentary called The Source Family. They discuss the group's run-ins with celebrities (and law enforcement), why Father Yod once told his followers to cut their hair and get jobs, and whether or not they would have joined the group, if given the chance.

The Source Family is in limited nationwide theatrical release. For information about screenings at a theater near you, check out the film's website.

This week, find out why Jesse's been spending a lot of time with Home Comforts by Cheryl Mendelson, a home-tome that gracefully runs the housekeeping gamut from sections titled "Administering Insurance Policies" to "Privacy, Sex, and the Constitution".

Brian Heater of BoingBoing and Alex Zalben of MTV Geek join us to talk comics. Brian's pick is Wimbledon Green by Seth, an unusual and wonderful sketchbook story about "the greatest comic book collector in the world." Alex recommends Jason Brubaker's reMIND, a graphic novel about a woman and her cat, who mysteriously gains the ability to talk.

Almost everyone experiences trials and tribulations in childhood to come out as a reasonably functioning adult on the other side. But in the case of comedian Moshe Kasher, that change was virtually miraculous.

Lateef the Truthspeaker is an Oakland MC and one of the founding members of the hip-hop collective / record label Quannum Projects, whose members include DJ Shadow, Lyrics Born and Blackalicious. He talks to us about the song that changed his life, Cloudburst, by the jazz group Lambert, Hendricks, & Ross.

Lateef and longtime collaborator Lyrics Born released a new EP, Disconnection, late last year under the name Latyrx. A full-length album is due out in 2013.

Dan Lindsay and T.J. Martin are the directors behind the Academy Award-winning, emotionally-charged sports documentary Undefeated. The film follows a challenging season for the Manassas Tigers, an underdog football team in North Memphis, Tennessee. The Tigers had traditionally been a team with troubles both on and off the field. Its fortunes changed under volunteer coach Bill Courtney, dedicated not only to excellence on the field, but in fostering resilient players off of it. As Coach Courtney says, "There's a story under every helmet," and Undefeated tells a few of them.

Dan and T.J. talk to us about developing the story of the film, the challenges of shaping a narrative when the events unfolding are out of your control, and the experience of following a handful of teens throughout their senior year of high school.

Jesse shines a light on one of the lesser-known members of Atlanta's Dungeon Family hip-hop collective. Witchdoctor (born Erin Johnson) might not be as famous as Family members OutKast, Cee-Lo Green or Goodie Mob, but his 1998 album A S.W.A.T. Healin' Ritual just might be the best record of its time and place.

W. Kamau Bell wants to talk to you about race. And about urban inequality, and politics, and Spider Man too. He came to his own brand of sociopolitical comedy after working as a comic for years, eventually shaping his work into a one-man show in which he promised to "end racism in about an hour."

A lucky break with an audience member at one of those shows – Chris Rock, to be precise – landed Bell his own TV talk show, called Totally Biased. He joins us to talk about transitioning into the talk show world, the sweet spot of gentrification, and remaining true to his own comedic voice.

Singer-songwriter Eleni Mandell had one of those experiences as a kid that was a hallmark of experiencing music before the internet. She heard a song she liked, went out to the record store, and picked an album by the same artist. The problem? It sounded totally uncool, and not at all like the song she'd heard. It did, however, open her up to a whole new way of listening to music.

Eleni talks to us about the song that changed her life, Tom Waits' "Tom Traubert's Blues." Eleni grew up in Los Angeles loving both punk rockers X and folk rocker Bob Dylan, and her own music mixes airy vocals with 60s pop, country, and folk sounds.

Mike Birbiglia knows his own story pretty well by now. After struggling as a stand up, he started working some personal details from his life into his comedy. Some of it was pretty standard, like wrapping his head around the idea of getting married to his longtime girlfriend. And some of it was less familiar stuff, like running out of a window while sleepwalking.

Birbiglia went on transform these thoughts into a one-man show, a book, and finally, a movie. And although talking about the subject matter was second nature, directing a movie about it was not. He joins us to discuss being a first-time director, the difficulty of delivering stand up in a casual, easy way, and why he considered long-lasting marriage to be a totally foreign concept.

Andrew Noz joins us this week to share a couple of his current favorite rap tracks. His first pick is Mouse On Tha Track's smooth and mellow "Get High Get Loaded," featuring Fiend. His second recommendation is Mystikal's incredible new song "Hit Me."

Aimee Mann rose to prominence in the 80s with the success of her new wave band 'Til Tuesday's single, "Voices Carry," but she found the limelight uncomfortable. Tired of contending with record companies' attempts to pigeonhole her and her work, Aimee struck out on her own. She joins us this week to discuss that transition from frontwoman to solo artist, the stresses of fame, and coping with uncertainty at a time in her life when she thought she would have had everything figured out.

Seth Godin is best known as a marketing guru, but he brings far more compassion and genuine insight to his work than the title might lead you to expect. And his observations aren't just valuable for CEOs. He makes his work for content creators operating on every scale. He joins us this week to delve into the "assets that matter" -- the qualities and values critical to creating great, meaningful work.

Trickery and deception are featured prominently in some of Orson Welles's finest works, so it is fitting that the existence of an objective truth and its relative importance is most thoroughly explored in Welles's final major film, F for Fake. Part documentary, part film essay, F for Fake features tricks and truths layered atop each other, creating a mesmerizing narrative.

The Grammy-nominated jazz pianist and composer Vijay Iyer began learning classical violin at age three and started improvising on the piano only a few years later. While he studied math and physics at Yale and UC Berkeley, he couldn't stay away from music. He found himself doing academic work by day, and moonlighting as a jazz pianist in Bay Area clubs.

His music is known for its complex, pulsing rhythms and creating unusual covers of artists like Stevie Wonder, Flying Lotus, and Michael Jackson.

He talks to us about exploring rhythm with math (remember Fibonacci's sequence?), the social experience of creating and listening to music, and the idea that "music is action."

Demetri Martin is the kind of person who's obsessed with puzzles and linguistic and cultural ironies, and you've probably seen him explore those on his show Important Things with Demetri Martin. But he's usually got a big sketchpad, slides projected overhead, and a piano to riff on. He's put the theatricality aside in favor of straight ahead one-liners in this clip from his new special, Standup Comedian.

Dave Hill is best known as a New York-based comedian, but he's dabbled in a lot of things. He's interviewed fans of Chick-Fil-A for This American Life, lived the life of a frontman for a semi-successful rock band (they were big in Japan), and even had a job as a pedicab driver for a few days.

One of his trademarks is making himself and others uncomfortable during a performance, whether he's asking inane or (alternately) inappropriately suggestive questions in his man-on-the-street interviews, performing stand up or hosting his talk show The Dave Hill Explosion. He mines a number of uncomfortable situations in his recent book of essays, Tasteful Nudes: ...and Other Misguided Attempts at Personal Growth and Validation.

He talks to us about how being a rock musician made him realize he loved comedy, and how he ended up performing at Sing Sing for maximum security felons. This interview originally aired July 2, 2012.)

Brian Heater and Alex Zalben return with more of their favorite comics. Brian recommends Gabrielle Bell’s collected diary comics in The Voyeurs. Alex Zalben suggests you check out The Manhattan Projects: Volume 1, which begs the question -- what if the creation of the atomic bomb was a cover for even more sinister and weird activities?

The Nigerian band leader Fela Kuti had a vision for a new kind of music that would synthesise traditional African rhythms, highlife and pop music and American jazz and funk. He decided to sing in pidgin English, so the music could be understood and enjoyed throughout Africa. The music became known as afrobeat, and Fela is widely celebrated as a pioneer of the form.

Martín Perna and Jordan McLean continue in Fela’s tradition with their NYC-based afrobeat orchestra Antibalas. Perna founded the band in 1998 and was joined by lead trumpeter McLean and a host of other musicians to create a sound reminiscent of both Fela’s Africa 70 and Eddie Palmieri's salsa-fusion group Harlem River Drive.

Brent Weinbach does stand up comedy, but his past records have included lots of tracks recorded without an audience -- alone, in a studio. His particular brand of weird, brooding and often dark comedy earned him an Andy Kaufman Award just a few years ago.

His new album, Mostly Live, was recorded at the Upright Citizens Brigade in Los Angeles and has more audience interaction. In fact, he gave one lucky audience member a short impromptu acting lesson.

Wayne White's name may not ring a bell with you, but his artwork likely would. You may have been of the age to regularly watch Pee-wee’s Playhouse on Saturday mornings in the late 1980s and early 90s, when he designed sets and puppets for Pee-wee’s amazing and kitschy playhouse. Or maybe you’ve seen the visually striking music videos he worked on for The Smashing Pumpkins and Peter Gabriel. Eschewing the idea that people should “do one thing, and do it well,” White has experimented throughout his career with animation, puppetry, set design and fine art.

Neil Berkeley befriended White when they worked together in design and wanted to showcase White's cultural impact. He’s made his directorial debut with a documentary about White’s life and artwork called Beauty is Embarrassing.

White and Berkeley talk to us about deconstructing puppetry, White’s Southern roots, and the backstage world of Pee-wee’s Playhouse.

Beauty is Embarrassing is in select theaters nationwide and rolling out throughout the fall; you can find a theater near you on the film’s site.

This week's pop pundits, Daniel Ralston and Maggie Serota, come care of The Low Times Podcast (co-hosted by Tom Scharpling of The Best Show on WFMU). Daniel is enamored with Caitlin Rose's alt-country spin on The Arctic Monkeys' tune "Piledriver Waltz", while Maggie can't get enough of the infectiously poppy and deceivingly upbeat synth heartache of Lemonade's "Soft Kiss."

Ice-T is a rapper and actor, with more than ten albums and nearly eighty acting credits to his name. He's also one of the forefathers of west coast hip-hop. This week he adds "filmmaker" to an already diverse resume, as he makes his directorial debut with the hip hop documentary Something from Nothing: The Art of Rap, in theaters this Friday, June 15th.

Ice sits down with us to talk his desire to bring an artful appreciation to hip hop's origins and about going through his phone book to sit down with friends to discuss the craft, and to resolve the mystery as to whether or not he was a ghostwriter for an 80s rap album by Mister T.

For much of his musical career, Aaron Freeman might have been better known to you as Gene Ween, guitarist and co-founder of the experimental rock band Ween. In May, Freeman released his first solo record, Marvelous Clouds, a collection of covers of songs by 60s poet/songwriter Rod McKuen. And just a few weeks ago, Freeman announced he was retiring the Gene Ween persona for good. This week he tells us about the song that changed his life: Bob Marley's "No Woman, No Cry".

Greta Gerwig is an actress and filmmaker, whose starring role in the 2007 comedy Hannah Takes the Stairs put her right at the heart of the mumblecore movement. She's since gone on to leading roles in bigger indies alongside Ben Stiller in Greenberg, as well as major motion pictures like Arthur, opposite Russell Brand. The indie darling has had a particularly prominent year in 2012, with starring roles Damsels in Distress and the romantic comedy Lola Versus, both in theaters now, and a supporting role in Woody Allen's latest, To Rome With Love, due later this month.

Greta joins us to discuss her artistic upbringing in Sacramento (complete with dreams of being a ballerina), her meteoric and slightly serendipitous rise as an actress, and the way her public perception seems to change with each role she plays.