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A scholar of eighteenth century British literature and culture, Thomas W. Copeland began what would become more than half a century of research on the statesman and political philosopher Edmund Burke while studying for his doctorate at Yale (1933). After publication of his dissertation in 1949 as Our Eminent Friend Edmund Burke, Copeland was named managing editor of the ten-volume Correspondence (1958-1978). After academic appointments at Yale and the University of Chicago, he joined the faculty at UMass in 1957, remaining here until his retirement in 1976. A chair was established in his name in the Department of English.

The Copeland Papers are a rich collection of personal and professional correspondence, journals and writings from Copeland’s Yale years, manuscripts, typescripts, notes, and draft revisions of his works on Edmund Burke, and a journal chronicling Copeland’s four-year exercise in the daily practice of writing.

A member of the Massachusetts Agricultural College class of 1907, Frederick A. Cutter participated in football, basketball, and baseball as a student, and was a member of Phi Sigma Kappa fraternity.

The Cutter collection contains photographs of the 1907 football team, the 1906 and 1907 members of Phi Sigma Kappa, and it includes a uniform from the M.A.C. basketball team, 1907, Massachusetts pennants and banners, a Lowell High School sweater from 1902, and early M.A.C. football equipment, including cleats and a nose guard.

Chiefly correspondence from various Dall family members in Boston, Massachusetts, particularly father William Dall, Revolutionary War veteran, merchant, businessman and former Yale College writing master, to sons William and James Dall in Baltimore, Maryland. Letters of son James Dall, then a student at Harvard University, provide accounts of Boston political and cultural activities of the time.

The correspondence documents the daily changes in the life of a merchant’s family in the early 19th century, reflecting anxiety over trade restrictions, embargoes, and other economic disruptions resulting from the War of 1812. The elder Dall (William 3rd) and much of his family lived in Boston, but two sons lived in Baltimore. The bulk of the correspondence consists of letters to the younger son, William 4th, who was then apprenticed to a Baltimore merchant. The letters of son James Dall, then a student at Harvard University, provide accounts of Boston political and cultural activities.

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

An author and activist, Steve Diamond worked for the newly formed Liberation News Service in 1968 covering stories like the student strike at Columbia University. After more than a year of internal strife resulting from ideological differences, the alternative news service split into two factions, with Marshall Bloom and Raymond Mungo leading a new division of LNS in rural New England. Diamond, among those who left for New England, settled into life in a commune on old Ripley Farm in Montague, Massachusetts. His experiences during the first year on the farm are recorded in his book, What the Trees Said. Diamond later worked as a writer and consultant for Green Mountain Post Films, editor of the Valley Advocate and Boston Phoenix, and as a contributor for The Atlantic Monthly, San Francisco Chronicle, and the Village Voice.

This collection consists chiefly of Diamond’s correspondence and writing, including drafts of his book chapters, stories, and articles; research notes; and diary entries. The collection also contains printed articles by and about Diamond, digital images, and audio recordings.

A working class native of Ware, Mass., Robert E. Dillon was a student at Massachusetts State College when he was drafted into the Army in 1943. After his induction at Fort Devens, Mass., and training for the Quartermaster Corps in Virginia and California, Dillon was assigned to duty as a mechanic and driver with the First Service Command. Stationed at Rest Camps number 5 and 6 in Khanspur, India (now Pakistan), Dillon’s company maintained the trucks and other vehicles used to carry supplies over the Himalayas to Chinese Nationalist forces. After he left the service in February 1946, having earned promotion to T/5, Dillon concluded his studies at UMass Amherst on the GI Bill and earned a doctorate in Marketing from Ohio State. He taught at the University of Cincinnati for many years until his death in 1985.

The Dillon Papers consist of 178 letters written by Dillon to his family during his service in World War II, along with several written to him and an assortment of documents and ephemera. Beginning with basic training, the letters provide an essentially comprehensive account of Dillon’s military experience and interesting insight into a relatively quiet, but sparsely documented theater of war.

An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author — among many other works — of Dramatic Character in the English Romantic Age (1970) and Theatre in the Age of Kean (1975) and editor of the London Stage, 1800-1900 Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.

Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.

Subjects

Theater--England--London

Theater--New York (State)--New York

Contributors

Donohue, Joseph W., 1935-

Types of material

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.

The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.