“Every artist joins a conversation that’s been going on for generations, even millennia, before he or she joins the scene.”

“My notion of the way to make fiction, correctly, carefully, is to make every possible aspect of the fiction resonate, reflect, emblemize, the main concerns of the fiction: your choice of place, your choice of viewpoint, your choice of language, your choice of cadence, your choice of punctuation, your cast of characters, your whole aesthetic premises about writing the fiction in so far as you have enough intelligence to be aware of them, and imagine them, and put them to use. I like them to be relevant rather than merely gratuitous. This can take insane forms.”

“The reader! You, dogged, uninsultable, print-oriented bastard, it’s you I’m addressing, who else, from inside this monstrous fiction. You’ve read me this far, then? Even this far? For what discreditable motive? How is it you don’t go to a movie, watch TV, stare at a wall, play tennis with a friend, make amorous advances to the person who comes to your mind when I speak of amorous advances? Can nothing surfeit, saturate you, turn you off? Where’s your shame?”

“I particularly scorn my fondness for paradox. I despise pessimism, narcissism, solipsism, truculence, word-play, and pusillanimity, my chiefer inclinations; loathe self-loathers ergo me; have no pity for self-pity and so am free of that sweet baseness. I doubt I am. Being me’s no joke.”

“So, reader, should you ever find yourself writing about the world, take care not to nibble at the many tempting symbols she sets squarely in your path, or you’ll be baited into saying things you don’t really mean, and offending the people you want most to entertain. Develop, if you can, the technique of the pall bearers and myself: smile, to be sure—for fucking dogs are truly funny—but walk on and say nothing, as though you hadn’t noticed.”

John Madera's fiction may be found in Conjunctions, Opium Magazine, The &Now Awards 2: The Best Innovative Writing, and many other journals. His criticism may be found in American Book Review, Bookforum, The Review of Contemporary Fiction, Rain Taxi: Review of Books, The Believer, The Brooklyn Rail, and many other venues. Recipient of an M.F.A. in Literary Arts from Brown University, John Madera lives in New York City, where he runs Rhizomatic and manages and edits Big Other.

ABOUT US

BIG OTHER is an online arts and culture magazine, published since 2009. It features fiction, poetry, art, hybrid works, reviews, essays, interviews, a podcast, and more. BIG OTHER is edited and managed by John Madera.