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Created by Australian designer Maurice Schlesinger (Graphic
Concept) in the late 1960s or early 1970s. Cut-In won
a competition arranged by Letraset and was consequently published
in two weights, Medium and Bold.

Simplement (Claude Pelletier, 2006) and
Cutin (Character, 2006) are unauthorized and
incomplete digitizations of the Medium weight. Fontalicious’s
Alba (2001) is a loose interpretation. In 2011,
Schlesinger published his own digital reinterpretation with Font
Factory, named Bauhaus Rounded. It comes in two
weights, Light and Medium.

“While the Standard Bauhaus Rounded includes all the Bauhaus
characteristics, such as the curved cap E, the rounded M and N, the
circular More…

Created by Australian designer Maurice Schlesinger (Graphic Concept) in the late 1960s or early 1970s. Cut-In won a competition arranged by Letraset and was consequently published in two weights, Medium and Bold.

Simplement (Claude Pelletier, 2006) and Cutin (Character, 2006) are unauthorized and incomplete digitizations of the Medium weight. Fontalicious’s Alba (2001) is a loose interpretation. In 2011, Schlesinger published his own digital reinterpretation with Font Factory, named Bauhaus Rounded. It comes in two weights, Light and Medium.

“While the Standard Bauhaus Rounded includes all the Bauhaus characteristics, such as the curved cap E, the rounded M and N, the circular Os and the subtle stencil gaps in many of the letters, a Nova version has allowed Maurice to include some of his more fanciful characters. Such as the lazy S, fully rounded C and G and some clever ligatures such as an SY for Sydney and an overlapping oa that looks great in Koala. There is also a Bauhaus Rounded Pro, which combines the Standard and the Nova versions.” — fontfactory.com