Friday, July 26, 2013

As a bookseller I've been saying for years that we need more fiction books that tell parts of the "Mennonite Story". As many Mennonites in North America embrace modern culture the remarkable stories of the past are lost. Thankfully Danny Unrau has given us a fascinating and well written account beginning in 1876 and coming into current times. I loved how he connected various family members by going forwards and backwards in time. Some of the twists and turns of events were very surprising and kept me turning pages. Maybe I wasn't listening earlier but I had never heard of the Jewish and Mennonite connections in Russia. So interesting to me to see two people groups really in search of freedom of religion and a life of peace yet experiencing much persecution and hardship. And how not all Mennonites kept subscribing to "pacifism"; some leaving that element of their faith behind.I appreciated how Unrau developed some of the main characters and paid a lot of attention to their passions, feelings and longings, not just their occupation, marital status or life calling.I recommend this book to anyone who enjoys a finely articulated story and who wants to learn more about this group of Mennonites that eventually came to Canada. ~Lando

Tuesday, July 16, 2013

This week the newest Bryan Davis book arrived....Exodus Rising
is the third book in the Tales of Starlight Series!! We love it when
Bryan comes to visit us here in Canada so I thought I would ask if he
would be willing to write us a post for us and was thrilled when
he agreed. I think you will enjoy what he has to say about encouraging young readers to think deeply.

When I began writing Raising Dragons, I pondered the
"depth" concept. Can I write a deep story that's geared toward young
readers? Most of the Christian books I had read for young people were pretty
superficial, in fact, boring. They seemed intentionally dumbed down, and I
thought most readers in the target age group must be yawning or even insulted.I decided to write a straightforward story that contained
hidden depth. Any astute reader would be able to gather the hidden treasures,
while the youngest readers would just have fun with the story. Still, I held
back a bit. I wanted to write more complexity and more puzzles, but I thought I
would start with something that would stretch my readers just a little. I
didn't want to risk any readers thinking, "Huh? I don't get it."With The Candlestone, I took a step forward in
complexity. My hope was that readers of Raising Dragons might be ready
to dig a little more. I added new characters, a bit of familial pathos, and a
dash of science fiction. I also took the step of killing two characters. One
was the object of the redemption theme, Bonnie's father, and one was a villain.It's not unheard of to kill off a "good guy" in
youth literature, so that wasn't a huge step, but it is more unusual, from what
I've read, to kill off someone who is a big part of the story and is redeemed
at the end.The bigger step, I think, was to use my protagonist (Billy)
to kill a villain (Palin) in a way that wasn't exactly courageous. In fact, he
did directly the opposite of what he had been told to do. As readers know, this
killing, even in its improper manner, is absolutely essential to the story and
the development of Billy. Readers have debated his actions on my message board,
so I know it was a seminal moment. It made them think about inward sin,
rationalization, and God's work on the inner man. Most important, it helped
them to consider another face of redemption.When I wrote Circles of Seven, I took the gloves
off. I decided to make it as complex and deep as my heart desired. Were my
readers ready for such a leap? I thought so. If they could handle the depth of The
Candlestone, maybe they were ready for another stretching exercise.It would take too long to comment on the story themes and
their many symbols in this book—godliness, redemption, sacrifice,
sanctification, contentment, longsuffering, and more. I think I could write a
book on this book, and it might be longer than the original. There are quite a
few hidden treasures that no reader has ever commented on, so I wonder if they
have all been found. Even so, I poured my heart into it, and it brought great
satisfaction, so I am content to hope that each little point in the story may
find a life-changing place in some reader's heart.With Tears of a Dragon, I took sort of a sideways
step. I went back to the simplicity of storytelling that I used in Raising
Dragons while trying to keep a good deal of the depth that is in Circles
of Seven. I used more pure action, but I worked on infusing that action
with the tying up of story loose ends that would make readers think. The symbol
of a dragon messiah, fully dragon and fully human, dying for hopelessly lost
souls brought my series-long redemption story to its climactic moment. Still, I
wanted to personalize the redemption issue, so the heart of the redemption
story was realized in a single soul, Jared/Clefspeare, and his return to Billy
through his repudiation of pride. This worked as the peak of my thematic
mountain.Still, I wanted to take one last step. As most of my
readers are young, I knew they identified more with Billy and Bonnie than with
Jared/Clefspeare. I wanted to search their souls. Billy was my messiah
character, but he was an imperfect symbol, needing so much redemption himself.
He had to empty himself of everything in his past.But what about Bonnie? She was my symbol of the faithful
Christian. While still growing in wisdom, grace, and knowledge, she bowed
before her savior in obedience at every turn. She had to learn to be content
with her "grotesque" feature, and she learned the value of using her
weaknesses for God's glory, but did she need to empty herself as well? Was she
really content with what she had no matter what? My desire was for readers to
examine their own hearts. This is the final stretching moment that I hoped to
achieve, self-examination.So, as you might have gleaned by now, I believe in
stretching young readers. They can take it. In fact, they crave it. When they
get to the end of the exercise, they feel its value and the rush of spiritual
adrenaline. They don't want to be insulted by the finger-wagging of simplistic
stories that tell them what to do or not to do. They want to feel the inner
passion of heart-felt conflict and see how it works out in lives that they care
about, even if they are fictional.But that's what good stories do. They stretch us beyond
what we normally think we can achieve, and we need to remember that young
people are often far more flexible than we might realize. We just have to be
sure to help them stretch in the right direction.~Bryan Davis