Monday, 30 June 2014

Last Thursday 26th of June we held our
fourth Shake! showcase at Free Word Centre. Shakers present and past got
together in an amazing line up of poetry, fiction, music and film, targeting pressing
social and political issues.

The weeks prior to the showcase were intense. We had
planning meetings, rehearsals, worked on our poetry and music, and practiced
our performance skills. We also got together to think about what we wanted
people to take away from this. We decided we wanted the audience to feel energised,
inspired, and to realise they could be change-makers too.

The showcase was an opportunity to share some of the
work created during the 4th Shake! course last February at Stephen Lawrence
Centre. For five days we took part in intense discussions and art making
sessions around the themes ‘Remembering, Re-imagining, Reparations’,
challenging official narratives and stories, and thinking of ways to transform
ourselves and the structures of society.

The event, hosted by Lateef and Grainne, featured
powerful poetry by Christianah, Onysha, Selina, Mujtaba, Zena, Umaru, Orla,
Sai, and Annie. We were also lucky to have Heritier and Marcina on the music
front, a short story by Orla, and a long-distance video poem by Maaike all the
way down in the Netherlands. Last but not least, the showcase saw the premiere
of ‘Remember’, a short poetic film by Michelle, Mujtaba, Grainne, Isi, Edwina
and Tasnima, who worked in partnership with Patrice and Dershe from Nuwave
Pictures.

The 4th showcase was a 2 hour taster of
what we do at Shake, packed with powerful performances, shared stories, and
passion for change. Here are some of the comments from our audience, who shared
with us their experience:

Emotional, empowering, the themes of positivity,
strength of voice… You are all amazing ! –

FANTASTIC SHOWCASE!

The singing, the stories of individuals and people
their voices and minds are powerful “AMAZING!”

–

I’m still digesting and contemplating the wonderful
work I saw in the showcase. Many congrats again.

–

Our next Shake! Course is in August 18th-22nd.
For more info on how to apply email farzana@platformlondon.org.

Since their attendance at last year's intensive Shake! course at the Bernie Grant Arts Centre (Annie was also a participant on Shake! at the Stephen Lawrence Centre, August 2012) it has been a pleasure to witness the poetry/activist pow of Annie and Onysha go from strength to strength.

In addition to all this, both poets are also developing educational work: Annie is currently working on a self-help book for young people - highly relevant to our next two Shake! courses focusing on well-being and healthy eating - and Onysha has just returned from Dominica where she is making first steps towards developing an Afrikan-history based education project.

Here's a sample of their latest videos and of course - don't miss the chance to catch them LIVE! alongside the wealth of other Shake! talent at #ShakeShowcase #4 this Thursday at the Free Word Centre 6-9pm.

For
four months, we at Shake! knocked about the idea of what the content for our
“Social Policy seminar” should be. We rigorously discussed how it should
function as a tool for change.

It
only came to light after two months that we had an issue with the title - social policy seminar. Not because we
didn't know what the words meant, or what they all meant placed next to each other, it was that, for us the term didn’t quite fit Shake! as a concept. Shake!’s
mission is to address the experience the Shake! young people would have with our
invited policy makers, youth service providers and educators.

All
of us have engaged with sessions before, where they are quite dry with speeches
and some discussion. We found that by calling our sessions ‘social policy seminars’
we fell into a scripted pattern of speech and dialoguing forms that limited how
Shake as a project sought to refresh discourse about the needs and voices of
young people. It was Farzana who said, “we are trying to
create new narratives” around how young people are provided for by including
them in important conversations, where it matters. And that was it! Everything
fell into place - we decided to use the term and title ‘New Narratives’ when
referring Shake’s the “social policy seminar” sessions.

How
do we create New Narratives? By investigation, interrogation and by being
reflective and innovative.

Shake!
uses creativity to take a immersive and deeply resonant journey into themes of race,
class and generational inequality, power and it made sense to stick to it. We
use creative tactics to unpack and reveal the underbelly of the injustice and
inequality; we use memory and brainstorming to re-imagine the alternative to
the systems we live by today. Through a collective artistic experience, we immerse participants in to the issues we are discussing. Why do it differently?

So
we advised the Shake!rs who showed keen interest to practice workshops they had
tickling the backs of their minds to be as creative as possible based on what
they had experienced in the Shake! intensives August 2013 and Feburary 2014. They
took up the gauntlet to facilitate dynamic interactive and participatory
sessions around the youth vote and race representation,homelessness, mental health and well-being in education.

Over
a period of a week Nathaniel Chapman, Layan, Orla Price and Khafi Kareem came
to the Platform office for training days with the core team, here we merely acted
as sound boards for their session ideas. It was exciting for us to see how they
had already thought of some very innovative techniques that involved sketching,
writing, and creative prompts for
discussion around the sensitive and weighty issues they picked. It was a pleasure
to witness and be a part of, as they had evidently done so much work before
hand, knowing this was not only an opportunity to express but to educate and
lead in a way that was enabling for them.

Nathan
and Layan brought an inspiring session, asking all involved to challenge their
perceptions of homelessness by sketching what we thought it looked like, asking us to embody different types of homelessness sitautions and then making us budget our money in those situations accordingly. It was interesting to see how many of us, though not all, when asked to sketch a homeless person, drew an old man with a dog. No one thought to trace out sofa-surfing, how
young people relying on friends to put them up for a period of time, is a form of homelessness. No one
thought to sketch those hidden in homelessness discourse because of their racial backgrounds, where domestic
issues are not really generally spoken about publicly. Few of us thought to scribble
images of homeless young women who were at risk on the streets because of gender based violence and abuse. Did we even
consider those who had roofs but were constantly under threat of emotional and
violent abuse with no support in those ‘homes’?. We had to stop, think, re-configure
our consciousness.

Orla
delivered a brilliant back-to-front poem about a boy who loved school finding himself
ostracised by neglectful parents scorning his educational vigilence – “don’t
worry, he’ll grow out of it.” Teachers were fed up with his studiousness - “why
are you trying so hard?” And friends couldn’t understand why he’d prefer to do
homework rather than party. Eric, The Boy Who Loved School was eventually
institutionalised for doing everything right. We critiqued the story and began
a discussion exploring well-being in education. How testing, exams, and job
prospects are pressures creating so much anxiety and impact our well-being. We examined how societal conditions and capitalism are making us physically and mentally unwell.

Khafi
gave a very sophisticated and insightful account of her experience as a young Labour party
candidate, what it was like to campaign and how people responded to her as
young woman of African descent who was so into politics, she bravely ran as a
political candidate in the last elections. Regardless of whether or not you believe in the voting
system, Khafi’s interactive group activity got us thinking about political education
for young people and giving them the opportunity to truly play a part in our
world, rather than accusing them apathy.

The
New Narratives day proved to be very worthwhile investing in as a
concept. We, as the Shake team, took a back seat and only contributed to the
day with a short free-flow writing exercise to highlight our role as being
bridges between the generational methods of engaging with policy making and the
needs of young people. The free flow lead into an “actions list”, personal
‘to-do’s” by those attending, influenced by what had been learned on the day. Following this we had a session on direct actions, where each attendee pledged to 3 bold steps they would take in their work or practice to engage and implement what they had learnedand experienced in the sessions that day.

We received glowing feedback from participants and youth-facilitators and now we are even more excited to start this journey into creating new narratives. From there engaging our new narratives in policy design to restructure, even re-imagine society.

“First of all I think the idea of an
'experimental social policy seminar' is great. I really loved the mix of
creative experminentation/dialogue and presentations. I thought the
contribution from Orla, Nathaniel and co were great. The presentation/mini
session about homelessness was great in shifting our preconceptions about
homelessness and who it affects. The fact that the two leaders could speak from
experience about the subject made it all the more effective, tangible and real....I'm really glad that a programme like Shake
exists within the current cultural landscape, as I think the landscape is in
dire need of politically engaging, bold, imaginative and sustained youth
focused programmes such as Shake.” John Pinder

"The New Narratives social policy seminar blew my mind. The sessions led by Shakers on homelessness and youth political engagement in the UK influenced how I'm framing our public campaigning around energy democracy and fuel poverty in the coming year. Those leading the workshops were incredibly articulate, and had planned an impressive participatory programme" Mika, Platform