Credits:

Exactly like "Love, Simon,""Bloom" is a watershed moment in mainstream pop culture - even if that historical significance doesn't immediately dawn upon its target audience.

"Bloom" is the new single from Troye Sivan's upcoming sophomore album with Capitol Records. It follows the lead single "My My My!" and buzz track "The Good Side."

Adam Lambert’s 2009 debut single “For Your Entertainment” was an icy synth-pop breakthrough that alluded to bottoming. Albeit with no lyrics as overt as in “Bloom.”

Metaphorical lyrics describing the experience of receptive sex have been commonplace in female pop music for decades. Radio still plays such songs for all to hear - some were even hits. Artists like Britney Spears ("Over To You Now"), Rihanna ("Shut Up and Drive"), Christina Aguilera ("Woo Hoo (feat. Nicki Minaj)") and Katy Perry ("Bon Appetit (feat. Migos)") aren’t alone anymore, though.

Tons of unsigned LGBTQIA+ artists are entering "the sacred garden," with lyrics describing their own receptive sexual experiences. Although none are doing it in the mainstream like 22-year-old South African pop star Troye Sivan, with his new single “Bloom." Produced by Oscar Holter, the subtly groundbreaking release begs the question: will radio play this?

Hopefully. Possibly. Despite the album's lead single "My My My!" peaking at #80 on the Billboard Hot 100, Troye Sivan's label Capitol Records has done a great job getting LGBTQIA+ artists like Sam Smith and Halsey substantial radio traction.

14 years after Britney Spears “Over to You Now" - a clever electro-pop banger with lyrics comparing anal intercourse to visiting a trendy underground club in the city - Troye takes a more direct route in "Bloom." With lyrics like...

Promise me you'llHold my hand if I get scared nowMight tell you toTake a second, baby, slow it down

...there's no question what Sivan is singing about. If there was any doubt left, he confirmed the song was about bottoming via hashtag:

Troye Sivan tweeted this shortly after "Bloom" dropped, but later deleted it.

It was a bold tweet that shouldn't have been deleted. Bottom shaming is omnipresent in the gay community - oddly so - despite the fact that gay sex requires one partner to take that role. Therefore it is refreshing to see a mainstream gay artist like Troye Sivan express his sexual preference proudly.

Sivan also spoke to the song's sexual subject matter in an interview with Popjustice in late February, and his hopes for its success outside his usual fanbase:

Lyrically it’s a bit more cheeky. It’s just a really fun song. I wrote it with Leland and we were dying laughing and just having the best time writing it. Lyrically I think it’s the most subversively queer song on the album. That’s kind of what makes me like it so much — it’s almost like a little inside joke. It’s [sonically] very consumable pop music so I can imagine the masses understanding it a little bit more, and that’s funny to me. I don’t even think it’s necessarily the big single or anything like that, but I really hope the song ends up spreading its wings way further than the people who wouldn’t normally listen to my music.

Marina and the Diamonds is an avant garde pop artist in the same vein as Sivan; they both have mainstream label backing but enjoy the artistic freedom of an indie act.

Even without Sivan's confirmations, any flower metaphors in the lyrics are petal-thin; "Bloom" plays like a step-by-step guide through the lows and highs of the bottoming experience.

Another interesting lyrical moment is the song's refrain:

And it's true, babyI've been saving this for you, baby

This refrain seems directly inspired by the hook of "Froot" Marina and the Diamonds:

Yeah, you know that it's trueI've been saving all my summers for you

Like "Bloom," Marina's song takes place in a lush garden and has themes of youth and receptive sex. It shows that while a song like "Bloom" is unique to a gay artist, it's not lyrically unique to pop in general; just like how critics celebrated "Love, Simon" as essentially a standard high school rom com, with the gay twist being the groundbreaking part.

"Love, Simon" was a success for 20th Century Fox, earning $54 million against a $17 million budget.

Millennials simply expect content like this to exist with mainstream backing, and therefore aren't surprised when it comes to fruition. It's a weird time to live in where the historical significance of milestones of inclusion like "Love, Simon" and "Bloom" doesn't immediately dawn upon everyone.

Both works are overt, sweet by nature, and commercial as hell. They are the generic representation gay men are just now getting to enjoy. "Simon" and "Bloom" stand in contrast to the less glossy mainstream representation of the past, which largely equated the gay experience to death.

Final Thoughts

I'll admit, I didn't understand or like "Bloom" at first listen. It first felt like an intentional grab for controversy, a lot like early Lady Gaga works. However, once I had time to think about the full weight of Sivan's history-making lyrics, I was hooked.

There's no doubt a song like "Bloom" will come across as shocking and radical to conservative audiences in Trump's America and the world beyond. It will be interesting to hear reactions to morning show or late night TV performances of this song.