Everyone Orchestra’s conductor and founder Matt Butler has been leading a rotating cast of accomplished musicians through entirely improvised performances, since 2001. Butler’s unique style of conducting is groundbreaking in that he has essentially created an entirely new way to perform and experience music. Butler says, “Playing with different musicians, improvising every night, and getting the crowd involved in ways that they can’t be at a regular show has provided an unparalleled live music experience.”

Having marched clearly into uncharted territory, Everyone Orchestra is an avant-garde conceptual and collaborative performance which deeply encourages and requires audience interaction. Both the band and the audience start the show with a clean slate to help co-create a dynamic musical experience, with Butler receiving ideas from the audience to help set the course of action. Tuning in to Butler’s energy and pantomime, The Conductor is utilized as a pivot to the set mood of each passing jam as he communicates musical concepts using hand signs, whiteboard and assorted mime suggestions. The edge of your seat enthusiasm for what is next is the fuel behind the continuous musical experiment of Everyone Orchestra.

“I feel like it’s part of my job, and paramount, to not have too many preconceptions,” he said. “But the only preconceptions I have going in are to create a really dynamic show from beginning to end, have it have a nice arc, and that all the musicians get a chance to shine. I want to keep them challenged and engaged. It’s a playground for musicians that I’m trying to create,” says Matt in an interview withExaminer.

“[In each city] Butler will have another group with which he can create the beautiful chaos this act is known for. Simply put, there is no set list to be confined to, no certain marks to hit over the course of the night. Butler makes his way to the front of the stage, and it’s off to the races, testing the limits of his players while also showing how good music is when everything clicks in the midst of an improvised set.” writesExaminer’s Thomas Gerbasi. “At this point, Butler almost has it down to a science, at least as much as you can on a speeding car that could veer off the road at any moment.”

EO balances the challenges of live group improvisation with triumphant tension and release conduits of music which head deep into the heart filled with the aspiration of creating shared magical moments.