"Thank you ! Did we all read "Giovanni's Room" when we were teens ... and were slightly baffled and taken ?? Now I'm curious .. about this movie" - Martin

"We don’t deserve something this beautiful in 2018..." - Margaret

"I thought it was a terrific, lovely film but with some flaws. I don't think the voiceovers work well in the film and nor was it necessary since the film was already so infused with Baldwin's voice. " - Raul

Women’s Pictures get a bad rap. I’m not talking about this series - we’ve only been going a month and you all seem as excited as I am about it - but rather the category of film after which this series is named. During the height of their popularity in the 1940s, women's films were denigratingly known as “weepies” or “soap operas.” When women’s pictures began to be recognized as a unique category of film, they were often defined by what they lacked: few to no male leads, stories that rarely took place in the public sphere, a lack of “action” plots, etc.

Rather than define women’s pictures by what they weren’t, instead focus on what they were: films made for, starring, and sometimes created by women, films from many different genres (including traditionally male genres like noir), films with a focus on domestic life and social issues, films that tackled everything from racism to unplanned pregnancies to polio. These were films designed to speak to the interests of American women, and it turned out that American women were interested in seeing their real struggles represented onscreen. When Warner Bros glamor girl Ida Lupino started her production company in 1948, that’s exactly what she intended to do.

Ida Lupino's career was as fascinating as any of the films she made. When she started The Filmmakers production company with her husband, Lupino was ending a lucrative contract with Warner Bros, where she had made a name for herself in films like High Sierra playing the tough-but-tender girl. She wanted more creative control, so despite Jack Warner's promises of fame and money, she left to write and produce. During the production of her company’s first film, Not Wanted, the director had a heart attack, and Lupino covered for him without taking credit (she was already writing and producing, after all). For her next film, Lupino decided to officially take a seat in the director’s chair.

NEVER FEAR (1949)Never Fear, also known as The Young Lovers, is the story of a dancer named Carol (Sally Forrest) who is stricken with polio and loses the ability to walk. Despite warnings that sick girls don’t sell, Lupino felt personally close to the project. Los Angeles had been scared by a polio outbreak just the year before - over 7,000 cases - and Lupino herself fallen ill with polio in the 1930s. This was still half a decade away from the polio vaccine, and the disease was a very real public health concern. Lupino’s story was designed to show not only the ravages of the disease, but also the hope that still existed for those afflicted.

Doctors smoking during a diagnosis. Realism!

Never Fear is a strange mix of melodrama and realism. Making best use of the small budget afforded her, Lupino shoots her scenes on location inside a Los Angeles polio clinic, and uses paralyzed polio victims as actors and extras. Many scenes are devoted to accurately showing the physical therapy patients endure. This demystifies the effects of the disease, but also sheds light on other problems. As the film progresses and Carol fails to stand, she slips into depression, breaking the heart of her fiance, Guy (Keefe Brasselle).

Sometimes, Carol’s depression gets the better of her director, as well. Lupino’s first solo directing gig bears a heavy hand when it comes to dramatic scenes. Music swells too loud, Sally Forrest throws herself around the bed like a petulant child, and the core of the scene gets drowned out by noise. Some of this is style - this is after all a low budget 40s melodrama - but much is inexperience. As an actress, Lupino could be a master of subtle builds to big emotions. Time would tell whether she could do the same as a director.

Next Up. Watch Along With Anne Marie

3/12 - The Hitch-Hiker(1953) - A foray into film noir with a hitch-hiker holding two men hostage. (Available on Amazon Prime)

3/19 - The Bigamist(1953) - Ida Lupino and Joan Fontaine are married to the same man. (Available on Amazon Prime)

This is an interesting first time effort, Ida's later films did show a firmer grasp though. Some of the issue is in her leads. Neither Sally Forrest nor Keefe Brasselle are the strongest actors nor are they really distinctive personalities that would draw you in, like Ida does in her acting performances, but I suppose budgetary constraints played a hand. She was more fortunate in her next two films by getting stronger performers, Mala Powers in Outrage and especially Claire Trevor in Hard, Fast and Beautiful.

Glad you're spending a whole month on her career, she is criminally under acknowledged in both acting and directing. A shame there won't be enough time for all her films, the aforementioned Outrage and Hard, Fast and Beautiful are better than this one and show her progression, but the upcoming three are fascinating subjects.

Keefe Brasselle played the douchey cousin of George Eastman in A Place in the Sun. He bore enough of a resemblance to Montgomery Clift to create a doppelgänger effect possible when they were in the same shot.

He's serviceable enough in The Young Lovers, but not especially memorable.

Thanks Anne Marie, you are leading me into new territory here. I have read about Ida Lupino's directorial career in Molly Haskell's "From Reverence to Rape", but I have never had a chance to watch her films, (with the exception of "The Trouble with Angels"). It strikes me that the subject matter of Polio in "Never Fear" is similar to the way contemporary films dramatize Cancer or Alzheimer's disease. Her low budget film sounds a lot like indie projects such as "Still Alice", "Away from Her", "Wit", etc. Lupino would have fit right in at Sundance. Funny how the more things change the more they stay the same.

Love Ida Lupino and am so glad to see you devoting a month to her! I haven't seen this one, but I have seen a lot of the other films she directed and I just think she's great. Love that she stood up to Jack Warner and went on to create films of her own.