In spite of the series’ title, only these five designs
were known to Robinson, and it is unlikely that any more exist.The prints are each about 14 by 10 inches (36
by 25 centimeters), a size known as ôban.

Scene: ChinzeiHachirôTametomo overthrowing a wild boar in the snowy mountains
ofMashiki
in HigoProvince

Robinson:
S9.1

Scene: KisoYoshinaka (木曽義仲) representing the historical the historical Kato Kiyomasa and the Taira
commander Mikawa no Kami
Tomonori tumbling down the hillside locked in combat at the Battle of Naminoyo in Kaga Province

Robinson:
S9.2

Scene: The
Peach Boy (Momotarô, 桃太郎) and his companions in the demons’ stronghold

Robinson:
S9.3

Scene: ShirafujiHikoshichirô (白藤彦七郎) preparing to throw his struggling horse at
Ashikaga Taka-uji, who is about to enter FukkaijiTemple

Robinson:
S9.4

Scene: OnzôshiUshiwakaMaru encountering IseSaburôYoshimori and his gang
on Suzuka Bridge in Ise
Province under a full moon

Robinson:
S9.5

“Robinson” refers
to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University
Press, Ithaca, NY, 1982) and its privately
published supplement.