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The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works? No such astonishing numbers of massive statues are found anywhere else in the Pacific. How could the islanders possibly have moved so many multi-ton monoliths from the quarry inland, where they were carved, to their posts along the coastline? And most intriguing and vexing of all, if the island once boasted a culture developed and sophisticated enough to have produced such marvelous edifices, what happened to that culture? Why was the island the Europeans encountered a sparsely populated wasteland? The prevailing accounts of the island’s history tell a story of self-inflicted devastation: a glaring case of eco-suicide. The island was dominated by a powerful chiefdom that promulgated a cult of statue making, exercising a ruthless hold on the island’s people and rapaciously destroying the environment, cutting down a lush palm forest that once blanketed the island in order to construct contraptions for moving more and more statues, which grew larger and larger. As the population swelled in order to sustain the statue cult, growing well beyond the island’s agricultural capacity, a vicious cycle of warfare broke out between opposing groups, and the culture ultimately suffered a dramatic collapse. When Terry Hunt and Carl Lipo began carrying out archaeological studies on the island in 2001, they fully expected to find evidence supporting these accounts. Instead, revelation after revelation uncovered a very different truth. In this lively and fascinating account of Hunt and Lipo’s definitive solution to the mystery of what really happened on the island, they introduce the striking series of archaeological discoveries they made, and the path-breaking findings of others, which led them to compelling new answers to the most perplexing questions about the history of the island. Far from irresponsible environmental destroyers, they show, the Easter Islanders were remarkably inventive environmental stewards, devising ingenious methods to enhance the island’s agricultural capacity. They did not devastate the palm forest, and the culture did not descend into brutal violence. Perhaps most surprising of all, the making and moving of their enormous statutes did not require a bloated population or tax their precious resources; their statue building was actually integral to their ability to achieve a delicate balance of sustainability. The Easter Islanders, it turns out, offer us an impressive record of masterful environmental management rich with lessons for confronting the daunting environmental challenges of our own time. Shattering the conventional wisdom, Hunt and Lipo’s ironclad case for a radically different understanding of the story of this most mysterious place is scientific discovery at its very best.

Refutes popularized beliefs about Easter Island's self-decimation, arguing that islanders were careful stewards of their environment and that their sculptures were part of an effort to salvage their culture.

The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works? No such astonishing numbers of massive statues are found anywhere else in the Pacific. How could the islanders possibly have moved so many multi-ton monoliths from the quarry inland, where they were carved, to their posts along the coastline? And most intriguing and vexing of all, if the island once boasted a culture developed and sophisticated enough to have produced such marvelous edifices, what happened to that culture? Why was the island the Europeans encountered a sparsely populated wasteland? The prevailing accounts of the island’s history tell a story of self-inflicted devastation: a glaring case of eco-suicide. The island was dominated by a powerful chiefdom that promulgated a cult of statue making, exercising a ruthless hold on the island’s people and rapaciously destroying the environment, cutting down a lush palm forest that once blanketed the island in order to construct contraptions for moving more and more statues, which grew larger and larger. As the population swelled in order to sustain the statue cult, growing well beyond the island’s agricultural capacity, a vicious cycle of warfare broke out between opposing groups, and the culture ultimately suffered a dramatic collapse. When Terry Hunt and Carl Lipo began carrying out archaeological studies on the island in 2001, they fully expected to find evidence supporting these accounts. Instead, revelation after revelation uncovered a very different truth. In this lively and fascinating account of Hunt and Lipo’s definitive solution to the mystery of what really happened on the island, they introduce the striking series of archaeological discoveries they made, and the path-breaking findings of others, which led them to compelling new answers to the most perplexing questions about the history of the island. Far from irresponsible environmental destroyers, they show, the Easter Islanders were remarkably inventive environmental stewards, devising ingenious methods to enhance the island’s agricultural capacity. They did not devastate the palm forest, and the culture did not descend into brutal violence. Perhaps most surprising of all, the making and moving of their enormous statutes did not require a bloated population or tax their precious resources; their statue building was actually integral to their ability to achieve a delicate balance of sustainability. The Easter Islanders, it turns out, offer us an impressive record of masterful environmental management rich with lessons for confronting the daunting environmental challenges of our own time. Shattering the conventional wisdom, Hunt and Lipo’s ironclad case for a radically different understanding of the story of this most mysterious place is scientific discovery at its very best.

We set to work to excavate some of the statues which stood on the slope of the Raraku mountain. The natives were entirely indifferent whether they worked or not, but by paying high wages and giving any quantity of mutton, we were able at this time to get a certain amount of precarious labour for digging and camp work. The whole lot, including my maid-servant, went in for every week-end to the village, and it was always a matter of anxiety to know whether they would ever return. -from Chapter XII Western anthropology's first in-depth look at an isolated culture is also a daring adventure story of around-the-world travel. In February 1913, archaeologist Katherine Routledge set sail on a custom-built yacht-with a small crew and the support of British Association for the Advancement of Science, the British Museum, and the Royal Geographical Society-for Easter Island, where she embarked up the first effort to catalogue the island's mysterious statues, interview the natives, and document their culture, folklore, and traditions. Her scholarship is impeccable-this 1919 work is still considered foundational-but her lively writing and her practical perspective make this a delightful read that thrill armchair travelers and amateur ethnographers alike. British archaeologist KATHERINE ROUTLEDGE (1866-1935) studied at Oxford University. She also wrote With Prehistoric People (1910), about her experiences in Africa after the Boer War.

Easter Island, an isolated speck in the Pacific Ocean, produced one of the most fascinating and yet least understood of ancient cultures. Who were the inhabitants of this unimaginably remote volcanic island? Where did they come from? What, and equally intriguing, how did they erect the giant stone statues found all over the island? And what became of their civilization? - ;Easter Island, an unimaginably remote volcanic island in the Pacific Ocean, produced one of the most fascinating and yet least understood prehistoric cultures. Who were its inhabitants, and where did they come from? Why, and equally intriguingly, how did they erect the giant stone statues found all over the island? Paul Bahn and John Flenley tackle these and a host of other questions, introducing us, along the way, to the bizarre birdman cult found in the island's art, and the only recently deciphered Rongorongo script engraved on wooden panels. The Enigmas of Easter Island combines a wealth of new archaeological evidence, intriguing folk memories and the records of Captain Cook and other early explorers, to reveal how the island's decline may stem from ecological catastrophe. The result is a fascinating portrait of a civilization which still retains many of its mysteries. This book, originally published in 1992, was hailed as the best account of Easter Island ever written. Now it has been brought substantially up to date with a wealth of new material. -

The most complete and up-to-date guidebook to Easter Island, this unique publication will provide you with all you need to know about exploring the island, important sites to visit, history, archaeology, and the Rapanui people, along with where to stay, play, eat and shop. Fully illustrated with color photographs, black and white drawings and maps.