Mikhail Yaroslavich (English Wikipedia page | the much more detailed Russian) in 1304 succeeded Alexander Nevsky’s younger brother as Grand Prince of Vladimir, a position granted by Mongolyarlyk that symbolized primacy over all other Russian knyazes. But Mikhail was challenged for leadership by his cousin, the Grand Prince of Moscow.

This fellow, Yuri(y) by name, would fight Mikhail off and on for the latter’s 14 years in power. Their personal rivalry was also the political rivalry of their respective cities, Moscow and Tver — vying for that yarlyk and, in effect, for the eventual leadership of the still-gestating Russian state.

Since it was gestating at the pleasure of the Khanate at this time, the dispute was resolved by Yuri’s getting in with the new khan, Uzbeg.* To get that yarlyk, and he got it in 1317, Yuriy even went so far as to marry one of Uzbeg’s daughters.

We mention this not because it’s a piquant period detail of kingly politics and intercultural exchange, but because the next time Mikhail and Yuriy met in battle, Mikhail won a rout … and ended up with the Mongol princess in his custody.

And then, she died in his custody.

This was a most grave development for Mikhail, almost as much as for the wife herself.

The Mongol commander whom Mikhail released — because Yuriy also got a Mongol army out of the yarlyk deal — reported the tragedy with the most incriminating coloration. While we’re in no position to assert definitively that Mikhail didn’t murder the woman, it plainly does not fit the cui bono test.

The furious Uzbeg summoned Mikhail to the Horde, a summons that, times being what they were, did not admit refusal.

When he arrived, Mikhail found himself already stitched up by the accusations of his enemies, and he was beaten and stabbed to death at the khan’s order.

Mikhail mostly reads as a garden-variety unprincipled local ruler, and he had his own conflicts with ecclesiastical leaders when they took the wrong sides in the Moscow-Tver power struggle. In spite of that, our man was posthumously expropriated by the Orthodox church as a saint.** In fact, he’s the patron saint of the city (which he’s holding, in the icon pictured above) … kind of because of what happened next.

Mikhail’s son Dmitry “the Terrible Eyes” had a terrible revenge for his father’s enemy, and murdered Yuri a few years later, temporarily gaining the yarlyk for himself. The Muscovites almost immediately recaptured the upper hand, however, and in an ensuing Tverite rising the Mongols intervened directly and sacked the city.

Tver would never again regain anything like peer status vis-a-vis Moscow, which in the following years grew larger, stronger, and wealthier under Ivan I; the Mongol yarlyk thereafter became essentially the hereditary possession of his family line. The Orthodox metropolitan outright moved to Moscow under Ivan’s reign … leaving Tver with memories of what might have been, and this monumental equestrian statue of the guy who couldn’t quite make it happen.

His 1824 poem “Mikhail Tverskoy” (Russian link) casts the knyaz as a martyr for the Russian nation. After all, by Marlinsky’s time, the poet could take comfort that those terrible Mongols were

struck by their vassals,
[And] became their slaves‡

* Also Ozbeg or Uzbek. The longest-tenured khan in the Mongol empire’s history, Uzbeg adopted Islam and might be the namesake of the Uzbek ethnic group.

** According to this tome on the Russian church, Mikhail wasn’t really venerated as a saint until centuries after his death: only when that occurred were hagiographical details of his pious life, principled refusal to worship pagan Mongol gods, and supposed contemporary popular cult backfilled into the story.

† A maneuver quite like his friend Kondraty Ryleyev, who pulled the same trick with Severyn Nalyvaiko.

‡ Full original translation of this poem by friend of the blog Sonechka.

“Mikhail Tverskoy”

by Bestuzhev-Marlinskiy

In a dungeon, glum and hollow,
Amidst nocturnal gloom,
A darkish lampad flickers,
And shines its flimsy light
Upon two men within a shady corner:
One, in his youthful years’ prime,
The other, fettered in chains,
Adorned already with gray hair.
Why has this elder been immured
Within your walls, Abode of fear?
Is he condemned to end existence hither,
Or were the gallows meant for him?
No sighs escape his mouth,
And in his fervent eyes —
The glimmer of serenity divine.
Towards the skies his gaze is often cast,
Or with a tender sorrow, he beholds
His son, imbued with grief,
And speaks in consolation:
“Enough, my dear friend,
Of tears sousing your eyes;
The time has come for us to part,
And buy the tranquil calm of native land
with Mikhail’s head.
Be always honorable, truthful.
And, if you wish
To pay your father homage,
Relinquish all the enemies of his without vengeance …”
The people clatter at the square
In the metropolis of brutal khans,
These Russia’s fierce and evil tyrants;
They gawk with savage joy
At the cadaver, beset by wounds.
Above him, smitten by despair,
The young prince weeps,
And rips his clothes and hair,
Reproaching the Tartars and Uzbeks,
And summoning the deity of vengeance …
This mighty god has heeded prayers,
And aided Russians in revolt;
Obliterating the oppressors,
Whose city turned into the ravens’ dwelling;
Whose fields of wheat were desiccated,
Whose hand that held the arms grew weak,
Who, struck by their own vassals,
Became their slaves.