The
Illuminati have refined the art of deception far beyond what the common
man has imagined. The very life & liberty of humanity requires the
unmasking of their deceptions. That is what this book is about. Honesty is
a necessary ingredient for any society to function successfully. Deception
has become a national pastime, starting with our business and political
leaders and cascading down to the grass roots. The deceptions of the
Illuminati's mind-control may be hidden, but in their wake they are
leaving tidal waves of distrust that are destroying America. While the CIA
pretend to have our nations best interest at heart, anyone who has
seriously studied the consequences of deception on a society will tell you
that deception will seriously damage any society until it collapses. Lies
seriously damage a community, because trust and honesty are essential to
communication and productivity.

Trust
in some form is a foundation upon which humans build relationships. When
trust is shattered human institutions collapse. If a person distrusts the
words of another person, he will have difficulty also trusting that the
person will treat him fairly, have his best interests at heart, and
refrain from harming him. With such fears, an atmosphere of death is
created that will eventually work to destroy or wear down the cooperation
that people need. The millions of victims of total mind-control are
stripped of all trust, and they quietly spread their fears and distrust on
a subconscious level throughout society. One problem about lies is that
one lie will call for another and then another. It's hard to keep lies
single. They seem to want to breed more of their kind to protect
themselves. Soon the liar becomes a victim of his own lies, trapped in a
dishonest web that demands lots of energy to protect his false fronts.
This is the sad fate that the intelligence agencies have painted
themselves into. They must maintain groups that oversee their
double-agents' lies to insure that the lies that they have disseminated
don't contradict themselves. Finally, they have put out so much
disinformation, they lose track of reality themselves. Far from saving
this nation, the intelligence agencies have spread the cancer of deception
into all walks of life, so that this cancer is contaminating and killing
anything of value in the United States.

The
soon-to-come death of this nation's sovereignty, as well as the
destruction of this nation's morals are the results of this cancer. People
who have attended high level Illuminati meetings were instructed in how
the Illuminati plan to bring in the NWO AntiChrist reign by making
everything appear as if it has happened naturally. The Illuminati have
decided to camouflage their actions with the creation of normalcy to avert
any suspicions. An example of something which appears to have happened
naturally is the O.J. Simpson case, which was planned based on previous
murder scenarios which had been successfully covered up. O.J. Simpson was
a CIA mind-controlled slave, and the entire Simpson case was concocted as
an elaborate effort to cause racial tensions. The Mishpucka, the CIA, the
Mob and the Illuminati have all had their dirty hands involved in the
entire affair.

The
entire affair reeks of manipulation and planning. It is not the goal of
this paragraph to go into the case, but just to drop a couple details.
Joey Ippolito, Jr. is both CIA & Mob. Ippolito at one time lived in
Hallendale, FL, a mob housing subdivision which was protected by a police
force run by the mob. He has helped run drugs and wet ops for "the
Combination" which interconnects with the Illuminati. O.J. Simpson's
friend Cowlings worked for Joey Ippolito, as well as O.J. Simpson. Simpson
distributed cocaine for Joey Ippolito & the Combination. Simpson's
lawyer also is tied to the Illuminati, the CIA, and the mob. One of his
lawyers on TV said the trial reeked of government corruption. Nicole
Simpson lived next door to Carl Colby (former CIA director Bill Colbys
son). Colby's wife and kids have been subjected to mind-control. Colby's
wife testified in O.J. Simpson's trial, but was addressed as "Miss
Boe" rather than by her name. O.J. Simpson's mother worked for a
California State Mental Hospital in San Francisco for 30 years. Many State
Mental Hospital workers have children who have been programmed. When one
of the jurors in Simpson's case, Tracy Hampton, had her mind-control
programming go haywire, she began staring for long periods at a blank TV
and hearing voices. She had to be dismissed. During the Simpson trial,
Judge Ito gave Joe McGinniss the best front-row seat that a journalist
could have. Joe McGinniss was the coverup author who wrote a book covering
up about the McDonald-Fort Bragg Drug Smuggling Case.

The
McDonald-Fort Bragg Drug Smuggling Case involved the Illuminati drug
smuggling operation within the U.S. military during the Vietnam War. On
and on the stink goes. The manipulation of history by those in power has
been well-covered over. An example of how mind-control and its role in
manipulation of events has been covered up by the perpetrators is an
article written in the Journal of the American Medical Association (JAMA)
in the Sept. 11, 1967, Vol. 201, No. 11 issue. The article, which was
submitted to the magazine from three CIA doctors (Mark, Sweet, and Ervin),
claims that riots are caused by brain disease. While the article is
correct in the subpoint that only a small percentage of underprivileged
urban dwellers participate in many of the riots, the article's thesis is
obviously a slide to prevent people from catching on that the small number
of deviants who create riots might be under mind-control or might have
some other motivation beyond simply being brain-diseased. Any deception,
whether it is an exaggeration or an understatement of the NWO's
capabilities is considered a useful deception for the Illuminati's
double-agents to spread. The german battleship the Bismarck was sunk due
to a little lie sent to Germany by a double-agent which underestimated the
range of British radar. The Germans, thinking they were out of British
radar range, made some bad decisions that cost them the battleship.

DECEPTION
DIMINISHES POWER

Knowledge
is power, and lies diminish the knowledge of deceived dupes, and therefore
diminishes the power of the deceived. Deception obscures the alternatives
that people have. It also clouds up various objectives people would work
toward. Some people give up certain objectives due to their mis-perceptions
that the objective is undesirable or unattainable.

PROGRAMMING
DECEPTIONS

In
the programming, colors and directions are used. Be prepared to find out.
that sometime programmers use their creative imaginations such as using
the color "octarine," or the direction "TURNWISE" or
perhaps "WIDDERSHINS". During the most fundament programming
which is done via LSD trips in sensory deprivation tank to lay in
foundations of the Alpha, Beta, Delta, Ome and Theta programs, each
programming memory will be given a code. Where one popular programming
deception takes place that the programmer knows ahead of time h to
sequence his memory codes so that instance, the fifth memory is coded as
trip, and strenuous methods are used to up the memories of the first four
trips. victim’s s mind will be told to forget the four trips. The memory
codes are deceptively designed to fool the deprogrammer and the victim
alike. Part of the reason the programmer does this, is that they know that
IF a therapist should stumble onto these first memories, the backup
programming to protect these memories is so severe that the therapist will
shatter the victim’s mind. Backup programs such as Atom bombs and
vegetable programming are locked into place to protect the fundamental
programs.

BE
WISE AS SERPENTS

The
Holy Spirit moved an apostle to write, "We are not ignorant of
Satan’s devices." Christ warned his disciples to "be wise as
serpents and harmless as doves." The Israelites sent out spies before
entering the promised land. Within the text of The Art of War by
Sun-Tzu (a book studied today by men in intelligence), he discusses
"hidden provocation agents" in Book 13. Sun-Tzu was born in 534
B.C. and lived most likely until after the year 453 B.C. In 500
B.C., some men were farmers, and some were agent provocateurs. Today, both
occupations still exist. The modern American farmer is vastly superior to
the ancient farmer of 500 B.C., so how does the modern agent provocateur
compare? He is vastly superior also. It appears the Word of God is
accurate, for it warns that God’s people will be destroyed for lack of
knowledge. The difficulty in obtaining honest information in today’s Big
Brother world is aptly described by an intelligence asset over the
Internet, "If you are lucky and work hard, you will find some of the
truth. If you are lucky and work REALLY hard, you might find the WHOLE
truth...as someone wants you to know it. If you are PHENOMENALLY lucky and
really work your tail off, you might even go on to find the REAL
truth. But no outsiders...and in fact, very few insiders ever ... EVER ...
learn the WHOLE REAL truth."

This
book & our two previous books on mind-control) are the result of
extremely hard work and numerous miracles of God, and what non-Christians
would call lots of luck". The story behind the books is amazing. This
book’s two authors have had to ,,swim upstream" for years in search
for the real truth. One thing is very clear to this author, during the
last seven years of exposing the NWO almost every person who is believed
to be a leader against the NWO has tried to impede the work this author
has been doing. People need to be aware that the New World Order created
their own opposition long before some of us began sincerely trying to
expose it. This author’s informed opinion is that essentially all (about
98% of the people leading the opposition to the NWO are double agents),
and no less than 50% of the therapists are double-agents. In this
state, this author knows as a fact that 50% of the licensed
therapists working with programmed DID patients are programmed DID (MPD)
slaves themselves. Recently, one of the therapists in this area, who the
False Memory "Spin"-drome & the Illuminati took down, was a
therapist who had also been on a local T.V. talk show revealing that she
was a multiple & a SRA victim.

DISINFORMATION
TO MAKE THEIR DOUBLE-AGENTS LOOK GOOD

"A
Force" was MI-6’s group that carried out deception. They would have
their double agents pass out CHICKEN FEED (which is what they call
classified information that can be thrown out to the public) to establish
their double-agents’ credentials (BONA FIDES) as agents against the
British. Today, there are numerous anti-NWO people who are actually double
agents. They are distributing chicken feed to make people think they are
legitimate. By the way, it is interesting to note for those who realize
how important carousels are to programming that MI-6 (HO in Vauxhall
Cross, Eng., with a training ctr. at Ft. Monckton, near Gosport, so. Eng.)
is nicknamed (actually its cryptonym) ,,Carousel" by its daughter
organization Mossad (officially aka Central Intelligence Collection
Agency).

An
example of a double-agent who is popular among Christians is an Illuminati
witch named Gretchen Passantino, who tours around to Christian conferences
belittling the idea of mind-control. Dr. Loreda Fox reports in The
Spiritual and Clinical Dimensions of MPD that 74% of women abused by
SRA come from "Christian homes." The Christian churches are
heavily infiltrated.

SLEEPER
AGENTS

In
the Vol. 2 book a number of references were made to sleeper agents.
The idea of placing someone somewhere in society and letting them lead a
normal life for years without ever being used is designed to provide a
legitimate smokescreen about what they are all about. Mind-controlled
slaves make excellent sleepers. The concept of making sleeper agents in
not a secret. The CIA has publicly admitted that they tried to discover long-range
sleeper agents in the Los Niñios children of Republican Spain who were
the descendants of communist spaniards who returned to Spain in the
1950’s. They also have admitted to having tried to weed out long range
sleepers in the Trebizond Greeks who lived near the USSR in Turkey and
returned in the 1950’s to Greece. As the CIA and KGB mirror-imaged each
other in their manufactured Hegelian Dialectic mock dual (which was very
real for the "little" person) you can well imagine that the CIA
sent sleeper agents against the KGB.

NAMES
of TYPES of DISINFORMATION AGENTS

The
intelligence agencies have their own lingo for the types of disinformation
agents they send against everyone else. So far, we have named only double
& sleeper agents. Here are some of their disinformation agents:

AGENT
OF INFLUENCE--These agents can be unwitting, under mind-control, or
ideologically motivated to use their positions of influence to sway the
minds of others. Examples of Agents of Influence are anchor men on T.V.,
journalists, labor leaders, TV commentators, academics quoted by the
media, & some politicians.

asthe mob, who the CIA get to do
particular jobs on contract. Their connections can be denied.

DEEP
COVER AGENT--A sleeper agent (often a programmed multiple or person with
mind-control programming) who has been a long term sleeper agent.

DISINFORMATION
AGENT--This is a highly placed agent who passes disinformation to other
governments.

NOTIONAL
AGENT--A fictitious non-existent "agent" which is created with a
real-looking identity to mislead.

PROVOCATION
AGENT--An agent sent in to provoke & destabilize the target group to
do foolish things.

SPOON-FEEDER
AGENT--Someone who dribbles out legitimate information, this is often done
to build up a person's credentials (bona fides). Lots of the people who
are pretending to expose the NWO are spoon-feeder agents who provide a
little new information, tons of already known secrets, and sprinkle in a
measure of disinformation for added fun. Generally spoon-feeders increase
their percentage of disinformation once they gain respectability. There
are very few people really exposing anything of consequence about the NWO.
This author has endured the loss of several of the really legitimate
whistle blowers who were friends being assassinated since he began writing
exposes.

What
this means is that agents for groups that do mind-control may: have been
sleepers for many years and look very legitimately innocent, they may give
good correct information to our side, they may say all the right things
and try to get us motivated to do more than we would want, they may talk
about other friends who are giving them information who do not even exist.
It takes discernment to spot people who are not on our side.
Unfortunately, such discernment seems to be fundamentally lacking within
the public at large. For instance, I have seen people choose obvious NWO
agents over this author as a source of "information" (which is
in reality disinformation). Most people have bought so much disinformation
during their lifetime, perhaps it’s unrealistic to expect them to purge
out all the junk they’ve accepted. Just as people in the world need to
toss out their worldly thinking, people in the church need to toss out all
the indoctrination they’ve gotten from the numerous kinds of harlot
churches. At the moment, the system is set up so that the perpetrators of
the mind-control are in control of the credentialing process, so that they
can provide their stooges/and agents with the best credentials. As the
reader can see, the roots of power behind the mind-control go deep.

TRICKING
SUSPECTS

One
trick (or variations of it) that has been used with suspects is to arrest
them, place the suspect in a situation where the police are in two
groups--one group looks like police, the other group looks like the group
the suspect has come from. After the suspect arrives, the group pretending
to be arrested group members, overpowers the police contingent and escapes
to another setting where another police group pretending to be even more
of the suspect’s group ask him who he is and to explain his credentials.
Letting his guard down, the original suspect explains what he is all
about, thereby giving them the information they needed in the first place.
Variations of this script can be run. English intelligence calls this
basic script CACKLEBLADDER because chicken blood is used on the police
actors that are overpowered to make them look injured.

THE
NAMES OF DECEPTION TRICKS

FOUR
FACES refers to pretexts used by agents to get interviews. DANGLE is the
craft word for luring a victim into a provocation. A dangle operation
would be an operation to provoke a group or individual into a particular
action. This was done with Elohim City and many other groups that the NWO
is trying to set up as patsies.

STANDARD
DECEPTION DEVICES

Agents
use BLEEP-BOXES to tap telephones and in other instances to make
free-of-cost telephone calls. A CABMAN is a device to remotely activate a
telephone with a radio beam. It can be used without entering the building
where the telephone is located.

MASKS

The
use of masks in the occult world is ancient. For centuries, the gypsies
have used them for their hypnotic powers. Special healing masks for their
people are kept secret and never shown to the public. Masks have a shock
value & fascination value. Gypsy and other occult groups have special
rituals to create the masks, including using hair clippings from the
person who will wear the mask. Gypsy healing masks are destroyed after the
patient gets well. Illuminati programming masks may or may not be
destroyed after their use. The Illuminati’s mask-making abilities
(according to deprogrammed victims of their mind-control) are very high
quality. Sometimes the programmers simply wear halloween cartoon character
masks that anyone can obtain, to fulfill their role in the programming
script that they are involved in during the time.

COVERS

Some
beginners who have just started into studying the World Order question why
the Illuminati would use legitimate religious covers. Why would the
Illuminati want to create a slave who is an evangelist? Why? Because those
new converts will go to some establishment church where other programmed
multiples in leadership positions will demand obedience (and then support
those demands by quoting scriptures that make them seem like they are
God’ss authority over that new convert). Because the evangelist or
missionary and the bishop or pastor are controlled puppets, the convert
will never get the full truth, just enough truth to keep him working hard
for their organization. Even though the convert "got God in my
life", the Illuminati never lose control over him.

The
Christians have as much vested interest in preventing the exposure of the
Illuminati programmed multiples who are big name Christian ministers
running Christendom, as the Illuminati has. Imagine what would happen if
the world found out that most of Christianity was run by the
human-sacrificing, slave-making Illuminati? This is one of the sad effects
of the infiltration. Perhaps the subject of covers can be explained from
another angle. The reader knows that the elite like monopolies. They play
monopoly for real--for us it’s oniy a board game! To establish a
monopoly, you find a good product that everyone wants or needs, and then
you eliminate all the competition by either destroying them, or owning the
competition yourself. In the U.S., the Illuminati can’t have a
one-religion monopoly. In Russia, they had communism with Marx, and Lenin
as the Father God and Gon the son figure. Communism had a monopoly on
worship. In the U.S., they have established a monopoly by controlling all
the various religious groups.

(This
author wrote an 800 page heavily documented book Be Wise As Serpents to
show the details of how this is done.) It’s not a matter of what they
teach, it’s a matter of control, so that the elite have a monopoly. And
when you, as a mover & shaker in the world, control all these various
religions via money, blackmail, & programmed multiples under your
leadership, etc. which religion would you pick to emphasize the most? You
will pick the one that sells the best, i.e. the best product. And which
brand of Christianity will sell the best? The televised charismatic brand
will sell the best. Covers that slaves use to explain what they do in life
are almost always "legitimate". A missionary, a military
officer, a salesperson, etc. will usually actually do their cover job most
of the time. Their cover is their occupation, their service as a
mind-controlled slave is almost an unwitting avocation. Organizations are
used as covers. The Illuminati use military, social, intelligence,
education, banking and other organizations as covers. (See my Be Wise
As Serpents book for many of these.) Moriah’s front organizations,
such as the CIA, in turn use other organizations. Here is just a sampling
of CIA fronts, to show the variety of fronts used:

·
Asia Foundation was an academic organization created by the CIA.

·
Castle Bank & Trust Co. has been a bank in the Caribbean that is a CIA
front.

·
Forum World Features has been a front created for CIA propaganda purposes
and based in London, UK.

·
Geschicter Foundation for Medical Research (as well as the Josiah Macy
Foundation) was used as an intelligence front to launder money used for
mind-control.

·
Air-Sea Forwarders, Inc. was the legal corporation name of a CIA front in
North Hollywood, CA. The company was involved in moving freight. In the
last few years, this corporation sued E-Systems, the company which builds
the CIA and the NWO’s electronic systems such as their communications
satellites. In court, the company proved that it was a CIA front, in spite
of CIA denials. As this chapter provides information about some of the
Illuminati/ intelligence connections to Hollywood, bear in mind that this
CIA front was proven in court to be a CIA front in Hollywood. A feat that
rarely occurs.

ONE
OF THE GREATEST DECEPTIONS OF ALL TIME: DISNEY

INTRODUCTION

For
years, I have heard many Americans say that something is terribly wrong in
this country & that things are "going to pot", and yet
Americans can’t put their finger on what exactly is wrong. When I first
began to receive reports from victims of Illuminati mind-control about
Disney’s involvement in their mind-control, I kept an open ear, but I
wanted some tangible proof. After investigating for myself, there is now
no doubt in my mind that Disney (the man, the movies & the
entertainment parks) has been a major contributor to the demise of
America, while maintaining a very well constructed front of wholesomeness.
In this chapter, you will learn why Disney is one of the best deceptions
of the Illuminati. This author has read a good portion of what is
available to the public concerning Disney.

This
exposé is undoubtedly the deepest on Disney that has ever been done.
Perhaps part of my motivation is that I’ve tired of Christians talking
and acting like Disney stands for sainthood. Christians, who should have
known better, are some of the ones who have swallowed "hook, line and
sinker" the enormous deception that entails Disney. They feed their
children a steady diet of occultism and witchcraft because they have been
programmed to think of Disney as wholesomeness and everything that is good
about America. Many writers over the years have tried to expose Disney,
most have been stopped before they could get their books published. The
few authors who have managed have faced vicious attacks on their character
& integrity, and have faced enormous struggles against public
relations campaigns paid for by the Disneys. The Disney’s power, and the
power behind them, has frightened most people away from challenging them.
But someone needs to speak on behalf of the victims. Whether anyone
listens or not, the victims will know that somebody cared enough to stand
up & write the truth. Disney has not only left mind-control victims in
its wake, but they have harassed land-owners, stolen employee idea’s and
left all kinds of hurting victims in their path. Disney has risen to
become the unquestionable largest media-entertainment conglomerate in the
world, & was ranked company no. 48 in the top 500 companies by Forbes
500.

Observations
about HOW THE ILLUMINATI LIKE TO HIDE BEHIND PERFECT FRONTS.

There
are numerous Illuminati homes, restaurants, wineries and other
institutions that are today carrying out the same type of strict standards
upon their employees that Walt Disney Studios maintained. While Hollywood
was immersed in moral filth from the start, Walt Disney Studios had strict
standards. In the 1930’s, Disney had a dress code that required men in
ties, and women in sober-colored skirts. If a man looked lecherously at a
woman at Walt Disney Studios he risked being instantly fired. Walt was a
shining example of the strictest legalism. Even during the ’50's, if an
employee were caught saying anything considered a cussword such as
"hell" they were instantly fired no matter who they were. Walt
would not allow his male employees to have any facial hair, even though he
himself sported a mustache. He never allowed employees to have alcohol at
the studios, (which might not be a noteworthy standard except that Walt
himself drank heavy amounts of alcohol in his private office at work for
decades). Initially, Walt was very reluctant to have his young artists,
who were being trained by Don Graham, draw live nude models, but
reluctantly gave approval.

Again
the motive was not to serve God, but to make sure the Disney reputation
remained untarnished. With the power of the establishment media behind
Disney, Walt had nothing to worry about, news about the nude drawing
classes and their detailed drawings never reached the light of day. Behind
such strict fronts of legalistic morals, cleanliness & soberness, you
will often find lots of guilt and high level satanic ritual. For instance,
Hitler (who was by the way also a failed artist & who liked mechanical
things more than people) obsessively washed his hands many times a day
(out of guilt), and so did Walt Disney. Walt obsessively washed his hands
several times an hour, every hour. Walt liked animals & his trains
more than people. This author has seen some alters who were forced to take
another human’s life, and when they relived the memory, the alters then
tried to physically wash the blood guilt off of their hands. Another
example is that over the years this author has discovered that many of the
exclusive restaurants that are meticulous in every detail are tied in with
the mind-control and criminal activities of the elite. Dirty money is
keeping the places looking sparkling clean.

Walt
Disney worked very hard at maintaining a great image for himself and his
company. An example of this, is how he exploded in rage and wrote an angry
memo when a Disney character was placed in a beer ad. (Memo mentioned in
Thomas, Bob. Walt Disney An American Original. Hyperion, 1994, p.
7.) He had a personal image builder, Joe Reddy, who worked full time to
build Walt’s image. Joe Reddy was a cigar-smoking irishman who loved the
catholic college Notre Dame’s football team. He also was a publicity
agent for Shirley Temple. But the Disney deception entails far more than
Joe Reddy’s decades of image making, and Walt’s own abilities to
create good images of himself. Just as with Billy Graham (see Vol. 2 about
Billy Graham), the entire Illuminati threw their weight behind promoting
Walt Disney. Ronald Reagan and Walt Disney were good friends and both cut
from the same die in many ways. Both men were high ranking Freemasons,
both came from socialist backgrounds (Ronald’s mother was Eleanor
Roosevelt’s best friend, & Walt’s Dad was a socialist leader),
both were paid FBI informants, and both were involved heavily in the abuse
of mind-controlled slaves. Walt always generously supported Reagan’s
political campaigns, and in turn Reagan did political favors for Walt as
Gov. of California. For instance, Disney’s Mineral King mountain resort
needed an access route through the Sequoia Nat. Park at a time when there
was lots of congressional pressure to preserve the last stands of
redwoods. Gov. Reagan got his friend Disney his road through the park.

Reagan
served as the emcee for the opening day of Disneyland on July 17, 1990. He
returned with Illuminati TV host Art Linkletter for the 35th anniversary.
Ronald Reagan & Art Linkletter both pumped Disney publicly. Another
slave abuser that spent time with Disney was Bob Hope, who would spend
time on the golf course with Walt. On the opening day’s telecast,
cameras showed Sammy Davis, Jr. (a member of the Church of Satan) and
Frank Sinatra (a mind-control slave handler) driving the pint-sized Disney
ears at the Autopia ride. When Disney celebrated its fifty yr-anniversary
with a two hour special on May 20, 1991, the program included people like
occultist Bill Campbell and was named "Best of Disney, 50 Years of
Magic." For the silver anniversary of Disney World in Oct. ’96, the
Clinton’s were invited to help open 15 months of celebrations. The theme
of the anniversary celebrations was "Remember the Magic". A
Boy’s & Girl’s Club sang ‘When you wish upon a star’ (a
popular programming song). Hillary Rodham Clinton (herself an Illuminati
Grand Dame and a mind-control programmer) shared with the audience that
she and Bill "first brought daughter Chelsea to the Magic Kingdom
when she was four." Roy E. Disney, nephew of Walt, told the public
that Disney World "is the story of men and women who took hold of a
dream and never let go." There is a double meaning to that. Many
victims of trauma-based mind-control have taken hold of the illusions that
were programmed into their mind secretly at Disney, and never let go.

Among
the visitors to Disneyland have been all the American Presidents from
Eisenhower to Clinton, over a dozen kings & queens, as well as Emperor
Akihito of Japan, Anwar Sadat, and Robert Kennedy (who rode the Matterhorn
with astronaut John Glenn.) Both Denmark’s & Belgium’s kings who
are in the Illuminati visited, as well as the dictators of Indonesia, the
Shah of Iran and Ceausescu of Romania. (As a side-note Roy E. Disney was
forewarned by Arab leader that the Shah was to be deposed.) Organizations
that have been actively working for a New World Order for many years gave
big awards to Walt in his early years such as the B’nai B’rith (Man of
the Year Award to Walt) and the Chamber of Commerce. In 1936, Walt was
given the Chamber of Commerce’s annual ,,Outstanding Young Man"
award. The establishment’s Yale & Harvard Universities gave him
honorary degrees. Walt Disney biographer Leonard Mosley, who researched
Walt Disney for years (as well as writing books on the duPonts, the Dulles
brothers, and Hirohito) wrote in his book on Walt Disney, "The studio
publicity machines in the film colony had, as usual, gone out of their way
to try to persuade me, as a writer for a powerfully influential British
newspaper, that this was a city of lawless gods and goddesses, full of
clean-living, sanitized stars.

"It
was even more of a deodorized world at the Walt Disney Studio where the
publicity men insisted their boss was faultless--never drank too much,
never used a swearword, never lost his temper, never quarreled with his
wife or family, never let down a friend. And woe betide anyone who tried
to suggest otherwise. Members of the resident foreign and local press
risked their jobs if they dared to write stories inferring that Walt
Disney could be domineering, implacable, and unforgiving (as was the case,
for instance, before, during, and after the 1941 studio strike). The
Disney flacks were capable of exerting heavy pressure on editors and
proprietors or, through the advertising pages, against anyone who inferred
Walt Disney was not the epitome of well-scrubbed and benevolent
perfection." (Mosley, Leonard. Disney’s World. New York:
Stein & Day, p. 10.) Disney is perhaps the epitome of Illuminati
abilities to create images. They have created great images for things
Disney, incl. Walt Disney, Disney movies, and Disney’s Amusement parks.
In some cases these things have been overrated, in other instances the
sinister side to them has been carefully hidden. In order to make movies
that contain the typical smut of Hollywood, sex and violence, Disney did a
slight of hand and created subsidiaries which Disney runs, which has
allowed them to keep their good image. They also never showed the public
the hard core porn that was made for years in secrecy for the elite.

Behind
Disney’s good front lies hard porn, snuff films, white slavery,
Illuminati mind-control, and the seduction of several generations into
witchcraft. Disney’s involvement in these kind of things will be
explained in this chapter. Nobody has sold America witchcraft as well as
the Disney brothers. Movie after movie has cleverly brought the occult
into the warp & woof of American thought, all under the disguise of
entertainment. For instance, it was Disney that brought us cannibalism and
told us that it was a "triumph of the human spirit" (a direct
quote from Disney’s Touchtone Producer Robert Watts concerning
Disney’s movie "Alive" featuring survivors of an airplane
crash who turned to cannibalism). Under the disguise of entertainment
& showing us how "triumphant" the human spirit was, they
subtly promoted cannibalism. Mickey Mouse plays a leading role in
"The Sorcerer’s Apprentice." And yet when this author has
suggested that Disney movies aren’t wholesome, many Christian parents
come unglued and have gotten angry with this author. The deceptive image
that Disney movies are wholesome is a triumph in Illuminati deception.
Parents would be surprised what is slipped into cartoons. In Disney’s
"The Little Mermaid" the castles are male sexual organs. In one
cartoon Mighty Mouse is shown without comment clearly snorting cocaine.
Walt Disney Studios Chairman Joe Roth is in charge of Walt Disney as well
as subsidiaries Touchtone, Miramax, and Hollywood Pictures, which were all
created to camouflage the Disney production of adult films. Disney
operates in a clandestine manner regarding the promotion, distribution and
rating of the films produced by their subsidiaries.

DISNEY
MAKES MALE PHALLUSES INTO CASTLES.

Roth
oversaw Disney’s subsidiary Hollywood Pictures’ Evita film. Evita has
as its main start "Material Girl" Madonna. Madonna is in reality
a mind-controlled slave who has appeared in numerous underground
porn/& ritual porn movies. (This author has an underground catalog
from a porn business, that has recently changed its location of business.
The catalog offered a film of Madonna performing an actual blood
sacrifice.) She also was the main actress in Disney’s Dick Tracy film
which is reported to be used for mind-control. During an Arsenio Hall
show, Madonna, who as a guest acted dissociative, was picked up by the
cameras during the show kissing her Baphomet ring. Disney controls the
products that are associated with the movies of their subsidiaries. In
Evita’s case they are marketing hats and other items, as just one more
of Disney’s countless artificially generated consumerism campaigns. In
Ruth Stein’s interview of Madonna, Madonna appeared bored with plugging
Disney’s consumer products. When asked about the tango dresses and hats
inspired by Evita that popped up in stores after the film, Madonna said,
"Believe me, I have nothing to do with it. Disney is pushing the
whole thing." (San Francisco Chronicle, 12/29/96, Datebook
section). In one interview Madonna states she wants her daughter to grow
up knowing Catholicism, but she doesn’t believe that it would be good
for her daughter if Madonna narried the father of her child from Lourdes,
Carlos Leon. In another interview, Madonna says, "Actually, I’m a
very good role model, because I say, ‘Look, these are my
standards’..." She then goes on to plug homosexuality, same sex
marriage, and single families in the interview. Walt Disney stated that it
plans to release an album by DANZIG, a heavy metal band whose songs
contain "dark themes". The Disney press release announces on its
by-line "Mickey Mouse is going heavy metal." Disney’s album
,,BLACK ACID DEVIL" was due to hit the music stores Oct. 30, 1996
during Halloween time. According to Disney this music has no satanic
references, but does have "dark, Gothic and sexual" overtones.
Glenn Danzig denies that he is a satanist.

CONTENTS
IN THE DISNEY DECEPTION

SECTION
OF CHAPTER 5.

a.
an introduction

b.
an overview

c.
Who was Walt Disney?

d.
Who was Roy O. Disney?

e.
Who is Roy E. Disney?

f.
What do we know about the in general?

g.
A history of Disney

h.
Disney and its mob connections

i.
Disney and its government connections

j.
Disney and mind-control

k.
Detailed Script of how one Disney movie is used for programming.

1.
Partial List of Sources

B.
AN OVERVIEW

Disneyland
and Disneyworld are world famous and the pride of America. They are also
extremely important programming centers for the Illuminati to create total
mind-controlled slaves. Disneyland is also involved with providing a place
for rituals, porn and other satanic activities. In terms of deception,
Disney movies and Disney Amusement Parks rate as one of the best
deceptions. According to deprogrammed ex-Illuminati slaves, the Illuminati
in the 1960’s needed to shift their programming away from the military
bases, because too much publicity (heat) was shined on the military bases.
Their goal was to have someplace that people from all over the world could
come to without raising any suspicions, and a place which would be the
perfect cover for many of their criminal activities.

According
to a witness, the Illuminati Programmers got a big laugh out of using
Disneyland as a major Illuminati base for criminal activity. Under the
disguise of entertaining the world, they carried out money laundering,
child slavery laundering, and mind-control. They nick-named Disneyland
"the little syndicate of mind-control." When a child of 3 or 4
was kidnapped, they could torture the child and then put him on a ride
such as a ferris wheel or carousel that a. created dissociation from the
pain, while also b. going along with some fairy tale programming script.
An abducted child while waiting to be picked up from one Illuminati
non-parent caretaker by another, could be kept happy and distracted while
waiting for the pickup. For years, Disneyland was an Illuminati center for
many of their world-wide activities. Now Disney has created other sites
around the world such as EuroDisneyland 20 miles east of Paris and Tokyo
Disneyland. Tokyo Disneyland in 1991 had 16 million people attend. With
such hugh crowds, it doesn’t take much imagination how the Illuminati
have been able to do sneaky criminal activities right in front of people,
and the public never sees it, in the middle of all the activity.
EuroDisney has been a money losing affair, but the Saudis who benefit from
its mind-control, gave Disney the money to keep it financially in
business. Walt Disney Records is the largest children’s record label in
the world. Disney through their movies, books, toys, records, etc. has
made a tremendous impact on the children of the world. Their movie Return
from Witches Mountain was one of the most powerful witchcraft promotions
ever made. Ducktails, which has deliberate Monarch mind-control triggers
written into the script, is also broadcast in Poland and the former USSR.

From
the time of the Roman Empire (at least, if not before) the oligarchical
leadership, who have been in control of both the Mystery Religions and
European aristocracy, have known about BREAD & CIRCUS. Bread and
Circus refers to the concept that IF the masses of people are given
entertainment and food staples, THEN they are easy to control. Walt Disney
movies have played a key role in providing entertainment for the masses to
insure Illuminati control. Walt Disney’s friend the Masonic prophet H.G.
Wells in his book A Modem Utopia that there would be lots of shows
in the New World Order. The World Future Society in a book review in their
publication Future Survey Annual, 1993, (ed. Michael Marien,
Bethesda, MD: World Future Soc., p. 91) describes Disney: "Control of
commodities [such as entertainment] and access to commodities translates
into control over people. ‘The postmodern US is a massive rush of
disconnected commodities, each seeking a moment of our attention."
The world of commodities is our soma, and entertainment is the current
form of public discourse. Walt Disney World, spread over 27,400 acres of
central Florida swamp and scrub forest, ‘is the most ideologically
important piece of land in the U.S.’ What goes on here is the

quintessence
of the American way. It is visited by over 30 million people a year--not
only the major middle-class pilgrimage center in the US, but by far the
most important entertainment center in the world. It is clearly Oz, utopia
as a marketing device."

Two
Disney brothers Walt (Walter Elias) and Roy O. Disney have been at the
center of the creation of amusement parks and popular Disney films. In
more recent times, two other men, Eisner and Katzenberg have been notable
at Disney. Eisner & Katzenberg, as well as others will be discussed
later. One of Disney’s directors, Victor Salva, was convicted of
molesting a boy and filming one of the sexual molestations. Recently
Disney Director Salva produced the Disney movie "Powder".
(Victor Salva’s sexual molestation conviction was covered by newspaper
articles such as Robert W. Welkos of the LA Times, in newspapers such as The
Oregonian, Weds. Oct. 25, 1995, A sect.) The impact of the
Disney brothers is monumental. Mickey Mouse teeshirts can be seen being
worn by natives all over the world. Disney World and Disneyland are the
quest for a large segment of humanity, who often esteem these amusement
parks as the highlight of their life. What is highly esteemed among men,
is an abomination to God according to the Word of God. The Bible
arbitrarily makes this claim, but sadly, research by this author over the
years proves that a close examination of Disney & mankind’s esteem
for "Disney" things does vindicate the Biblical expectation. In
other words, as readers of this article will find out, behind the
appearance of wholesomeness of the Disney brothers and their creations
lays abominations-- some of the most grotesque aspects of generational
occultism the world has ever seen. Disney’s Magic Kingdom has become an
American Institution that impacts people all over the world from the
cradle to the grave.

C.
WHO WAS WALT DISNEY?

In
the large book The Art of Walt Disney from Mickey Mouse to the Magic
Kingdom by Christopher Finch (N.Y.: Harry

N.
Abrams, 1975) on page 11 an interesting and revealing statement is made:
"By definition, public figures are known to everyone; yet, even after
talking with some of Disney's closest associates, it is impossible to
escape the conclusion that nobody really knew him. Always there was some
aspect of his personality that was just out of reach."

Those
who got to know Walt too closely make complaints such as he was
"self-satisfied, intractable, and arrogant." He could bring his
artists to tears or anger in a matter of seconds. Finch is not the only
author who has tried to warn his readers that the public’s image of Walt
Disney was just that--only a false image. Mosley also writes in his
biography of Walt Disney, "Since Disney is regarded by millions of
people, particularly in the United States, as perhaps this century’s
most brilliantly successful creator of screen animation, I think I should
make one thing clear right away. I share the general admiration of a man
whose cinematic achievements were always so happily inspired and
inspiriting. But--and this is where I differ from uncritical idolaters--I
have to know all the facts, no matter how unpalatable, as well as the
romantic myths about any great man or woman I admire. Many of the myths
that have been created by his publicists about Walt Disney are
unpalatable, unbelievable, and unsatisfactory because so much of the real
Walt Disney has been deliberately concealed.. .Walt Disney...had grave
flaws in his character." (Mosley. Disney’s World, pg. 9)
Years ago, an Illuminati Grand Master and programmer stated, "If the
world only had the eyes to see the fibers which lay under the surface of
Walt Disney’s image, they’d tar and feather him, and drag him through
the streets. If only they knew what Disney’s primary goal s."

PERSONAL
DETAILS

Walt
had black hair with a black mustache, and bright quick eyes and was about
6’ tall. He used his own facial features to clue artists on how to draw
Mickey Mouse’s features. He liked specially rolled brown cigarettes
which he smoked up to 70 a day. He picked up the smoking habit in the
army. He loved expensive Scotch Whiskey, red sunsets, and horses. He had a
vacation home in Palm Springs, CA called the Smoke Tree Ranch. He often
wore the Ranch’s letter STR emblazoned on his necktie. He played lots of
golf with Bob Hope and Ed Sullivan at the ST Ranch. His main home was an
estate in Holmby Hills. The Holmby Hills estate was located in a plush
area where lots of rich show-business families lived. It was located
between Bel-Air (an occult word for Satan) & Beverly Hills.

Walt
spent many of his nights at the Disney Studios and later he had his own
private quarters at the center of Disneyland. He had reoccurring bouts of
insomnia. (For his nerves and insomnia he’d take alcohol and
tranquilizers.) He’d go weeks on end without stepping foot on the Holmby
Hills estate and seeing his family.

The
main topic at the studio by the staff during different time periods was
Walt’s bizarre behavior-- he would not be available until late
afternoon, when he would emerge from the studio’s subterranean maze of
tunnels, where supposedly he was "chatting with the maintenance
engineers" everyday. The value of his estate when he died was 35 million
dollars of which Lillian his wife inherited half. In his later years, when
Disney took a vacation he went to Paris for 3 weeks, and 3 weeks at the
Hotel du Cap, in Antibes, and then cruised on Fritz Loew’s yacht with
Ron and Diane Disney. In England, Walt spent time with the British Royal
family and met privately with masonic prophet H.G. Wells. In Rome, Walt
visited privately with the Pope and the dictator Mussolini. In 1966, Walt
Disney died. Prior to his

death
he had investigated cryogenesis--being frozen, and it is believed by some
that his body is frozen somewhere in California, while others claim he was
cremated.

MICKEY
MOUSE

According
to one source, the inspiration for Walt to create Mickey Mouse came when
he was unemployed and saw a mouse in the gutter. There are quite a few
stories in circulation as to where the idea came from. Ub Iwerks claimed
he thought Mickey up at an animator’s meeting in Hollywood. Walt once
said, "There is a lot of the Mouse in me." (biographical article
written by Elting E. Morison, p. 131) In fact, Ub Iwerks told Walt that
Mickey Mouse "looks exactly like you--same nose, same face, same
whiskers, same gestures and expressions. All he needs now is your
voice." Walt often did serve as Mickey’s voice. A book put out by
Walt Disney Co. in 1988 reveals that Walt Disney told Ward Kimball
"Quite frankly, I prefer animals to people." Walt usually was
the voice behind Mickey Mouse, (even though he wasn’t the artist.) His
mother was chilly for years about the work Walt did. Around 1940, after
much pleading, he finally got her to watch Mickey Mouse. His unsupportive
mother (which he would within a few years learn was not actually his
biological mother) told him she didn’t like Mickey Mouse’s voice, to
which he told her it was his, and then she responded by saying he had a
horrible voice. The "cold towel" she threw on Mickey Mouse
helped convince Walt to quit making Mickey Mouse cartoons. Very few came
out of Disney after that, and the very next Mickey Mouse full-length
feature cartoon, Fantasia, had Mickey mostly silent.

Walt’s
idea for The Sorcerer’s Apprentice was based on some of his own ideas.
Walt had had the dream which was used for Mickey Mouse in The Sorcerer’s
Apprentice of having "complete control of the earth and the
elements." Disneyland and Disneyworld were partial fulfillments of
that dream for control. Walt’s final pet project just prior to his death
was the meticulously restored version of the witchcraft film ,,Bedknobs
and Broomsticks." (Disney Magazine, Winter 96-97, pub. by
Disney, p. 96 mentions this.) As a programming device, Mickey Mouse works
well because it plays on the subconscious genetically transmitted fear of
mice that women have. Mickey’s image can help create a love-hate
relationship, which is so valued during the traumatization &
programming of mind-controlled slaves.

Some
sources state that Walt’s love for animals came from the time his family
had a farm near Marceline, Missouri. Walt began his schooling at
Marceline, but continued it after the age of eight at Benton School in
Kansas City, MO. Walt’s Dad had a serious gambling problem and passed
the spirit of gambling to his son Walt. Walt never graduated from high
school. He had a natural love and a flair for art work, although (contrary
to his public image) he never became proficient at it. He joined the army
in W.W. I as an ambulance driver by lying about his age. During the war,
he also chauffeured dignitaries. He also did some other things that are
very revealing. He enjoyed drinking & gambling while in the service,
and he ran a scam where he doctored German artifacts picked up on the
battlefield to sell to people. War relics were tampered with to get them
in shape to get the most money from them possible. Walt took the battle
souvenirs - and dressed them up, for instance, coating the insides of
helmets with grease, hair & blood and putting holes in them to make
them into expensive souvenirs. This shows that Walt was willing to build
illusions if it paid. He could be deceptive if he saw an advantage to it.
From gleanings from things Walt said to people, it appears that as a
child, he’d seen the darker side of life (for instance, his father had a
habit of beating him in the basement) and had had some interest or
exposure to magic as a child. Bob Thomas writes, "Walt took a boyish
delight in playing tricks on his parents. He was fascinated with magic
tricks..." (Walt Disney, An American Original, p. 35.)

After
the military, Walt hoped to have a career as an artist. He applied to the
advertising agency of Pesman-Rubin. Roy, his brother, claimed that Pesman-Rubin
hired Walt as a personal favor to Roy who handled the agency’s account
at the bank Roy worked at. Walter lasted a month until the advertising
agency let him go due to Walt’s "singular lack of drawing
ability." According to Current Biography 1952, in 1923, Walt
and Roy had together $290. They borrowed $500 from another Disney,
one of their uncles named Robert Disney and began to try to make cartoons.
Robert Disney had retired in the L.A. area in Edendale, CA after a
successful mining career. Robert had always been close to Walt’s father
Elias, and helped Walt and Roy out when they came to California. Walt
loved to study Charlie Chaplin (a member of the Collins family). He
scrawled notes about his body language, facial features, and his gag
methods. He also read everything he could about animation and cartooning.
They worked out of their uncle’s garage in Hollywood, CA. They were
finally able to make a good cartoon Steamboat Willie in 1928, which became
an instant hit. As with many things in life, the cartoon was not only
good, but Walt finally had the right ,,connections." On Nov. 18,
’28, Steamboat Willie was shown in a small, independent theater without
any advance promotion or advertising. But amazingly(!) the New York
Times, Variety, and Exhibitor’s Herald all ran rave reviews
of the cartoon the next day. Was this an accident? did journalists from
all these prestigious periodicals just happen to go to this tiny
independent theater? no it was connections.

The
reason the elite decided to promote Walt Disney after Steamboat Willie
came out as Hollywood’s newest "boy wonder" was to deflect
enormous bitterness that had been generated by the Stock Market collapse
toward Jewish financiers. Hollywood, even in its first two decades, was
known as "Babylon" and "Sin City". The movie industry
was well-known to be run by Jews, and many people blamed the Stock Market
Crash on the moral degradation that Hollywood had introduced to this
nation. There were calls for government regulatory groups to stop the
smutty Hollywood films. Edgar Magnin, the spiritual leader of the major
movie makers who were part of the Los Angeles B’nai B’rith reportedly
encouraged those in the Mishpucka and others who were B’nai B’rith
movie makers that Hollywood needed to protect itself by putting Walt
Disney in the limelight as a Christian "white knight with family
values". (By the way, Edgar Magnin was nicknamed "Rabbi to the
Stars", because he was "the Hollywood rabbi".) E.
Magnin’s grandfather’s department store chain was one of the first
major accounts of the Bank of Italy, and Edgar Magnin had continued his
family’s close association with the Bank of Italy. The closeness also
came from the Bank of Italy’s close ties to the B’nai B’rith and ADL.
In 1930, the movie industry made a production code which stated that the
industry must make a special effort to make movies appropriate for
children. Hollywood directly praised Disney in that code as an exemplary
model of what the movie industry wanted to do.

With
the power of the B’nai B’rith and ADL behind him, Walt began sailing
to fame. Movie studios that had been turning out smut, with lots of sex
and violence all jumped on the bandwagon to show Walt’s clean wholesome
cartoons. Walt was the facelift Hollywood needed after the Depression
caused Americans to think about America’s morals. Many of the regular
movie makers were so corrupt they were out of touch with moral issues, but
Walt Disney knew black from

white.
The Jewish movie makers "pushed the man [Walt] they considered their
best hope to the front of the pack" who was billed as a
fundamentalist Christian (albeit a masonic "Christian" who
rarely stepped foot in a church). (quote from Walt Disney Hollywood’s
Prince of Darkness, p. 50.) Strangely, the biographies indicate
that Walt quit doing the actual drawing in 1927, and Walt devoted himself
entirely to the development of the cartoon business, such as raising
money. In other words, the image of Walt Disney being the artist who has
created the Disney cartoon’s is inaccurate. The Disney brothers actually
hired many other artists to do the art work. If Walt quit drawing in 1927,
and their first marketable cartoon was in 1928, that clearly shows that
Walt did not do the actual cartooning. He continued to oversee the work,
walking in and rigidly inspecting what was being done to suit his own
intuitive tastes. Actually the genius cartoon artist (animator) who made
Walt Disney a success was Ub Iwerks, about whom Walt on a number of
occasions said was "the best animator in the world". Without Ub
Iwerks to take Walt’s ideas and turn them into reality, Walt would never
have become famous.

Ub
was an incredible genius who had a sense of line, a sense of humor,
patience, organization and a great sense of what Walt wanted. Walt treated
him cruelly at times, interrupting him, playing tricks on him, and not
being totally honest with paying him, but he stayed with Walt over the
years and made Walt the success Walt became. (The books Disney’s
World and Disney Animation: The Illusion of Life have
information on the unheralded genius Ub Iwerks.) Another unknown great
artist was Floyd Gottfredson. Floyd Gottfredson drew all the Mickey Mouse
cartoons from 1932 until October, 1975--which is a period of 45 1/2
years. Floyd Gottfredson was a Mormon born in a railway station in 1905,
and raised in a tiny Mormon town, Siggurd, 180 miles so. of Salt Lake
City. In 1931, before Floyd totally took over the Mickey Mouse drawings,
he would take suggestions from Walt on what to draw. For instance, Walt
puzzled him by insisting he do a cartoon series of Mickey Mouse committing
suicide. Floyd had said, "Walt, You’re kidding!" But Walt
thought that a series on suicide would be funny. Over the years the Walt
Disney products never mentioned Floyd’s name. The bulk of the fans were
led to believe Walt did the cartooning of Mickey Mouse himself. (See the
book Walt Disney’s Mickey Mouse in Color. Ed. Bruce Hamilton,
pub. The Walt Disney Co., 1988.)

Fred
Moore was involved in the creation of Pluto and some other cartoon
characters. The idea for Pluto was Walt’s and it was Norm Ferguson’s
genius at drawing that took the idea and created the actual images. Walt
Disney was awarded 32 personal academy awards for the work that was done
by his studios. Walt Disney’s famous signature was actually designed by
someone else, and was taught to Walt. (Schickel, Richard. The Disney
Version: The Life, Time, Art and Commerce of Walt Disney. NY, 1968, p.
34.) Walt could only make a crude Disney signature, so he delegated the
writing of the signature to several artists including Bob Moore,
Disney’s publicity artist. Later, after much practice he learned to make
it well enough to do for publicity. Many people who wrote letters asking
for his actual signature, and who actually did his signature, thought that
they had received forgeries by his staff, because the famous Disney
signature was so crude. The nicer looking ones were the forgeries. One
cartoon animator who joined Disney in 1940 recalled that Walt told him the
first day, "You’re new here, and I want you to understand just one
thing. What we’re selling here is the name Walt Disney. If you can
swallow that and always remember it, you’ll be happy here. But if
you’ve got any ideas about seeing the name Ken Anderson [his name] up
there, its best for you to leave right away."

OCCULT
PORN KING

Walt
grew up fascinated with the occult and in an abusive home situation. He
was fascinated with cartoons, nature and children. He had an intuitive
sense for quality cartoons that would appeal to children. At some point,
the syndicate got him indebted to them. At that point he was their man. He
owed them a debt that they held over him. In secret, Walt became a porn
king. A victim remembers that he was sadistic and enjoyed snuff porn
films. His interest in children was far from altruistic.

The
Hapsburgs of the 13th Illuminati bloodline had a sex salon in Vienna,
where a porn photographer named Felix Salten worked. Felix Salten wrote a
book Bambi, which was then translated into English by the infamous
communist Whittaker Chambers. The elite were just beginning to form the
roots for today’s environmental movement. The book appealed to Disney,
because Disney liked animals better than people. In the book, tame animals
view humans as gods, while the wild and free animals see humans as demons
who they simply called "Him." The book begins with both free and
tame animal viewing humans as rightly having dominion over them. In the
end, the animals view all humans as simply being on the same level as
animals, a vicious animal only fit to be killed.

Disney
instructed his animators to make the animals "to be human. I want
people to forget they are watching animals." Bambi was to receive a
Christ-like manger birth, with the animals hailing him as a
"prince." Due to his sexual problems, Walt at one point
permitted himself to be subjected to the packing of his genitals in ice
for hours at a time. (Elliot, Walt Disney Hollywood’s Dark Prince, p.
83.) Children were instructed to call Walt "Uncle Walt." An
example of this were the Mouseketeers. For those who know how mind-control
programmers have traditionally liked to be called "uncle" by
their child victims, the insistence by Walt to be known as
"uncle" is distasteful. From what this author has learned from
some sources about Walt’s non-public life as a hidden sadistic porn
king, it raises questions about other parts of his life. For instance,
Kenneth Anger in his book Hollywood Babylon II, p. 192, "Some
animators stated that the boss [Walt Disney] seemed to have fallen in love
with the boy. There may be some truth in this..." The boy, who Walt
fell in love with, was a small young attractive boy actor named Bobby
Driscoll who signed up in 1946 with Disney. He acted in Song of the South,
Treasure Island and Bobby’s voice was used in Peter Pan. Bobby Driscoll
was very intelligent and attractive. Did Disney help or abuse him? If
Disney was such an upbuilding wholesome atmosphere, & this child actor
had everything going for him, why did Bobby become a methamphetamine
addict at 17 & die within just a few years? Why didn’t his talent
& early career lead to something positive in his life?

From
those who knew Walt personally one learns that he had an obsession with
the buttock part of anatomy. He enjoyed jokes about this part of the
anatomy, which he told to his staff quite frequently. The staff edited out
many of his crude posterior jokes from cartoon scripts. Two examples that
got by the editors are a Christmas special where a little boy is unable to
button the drop seat of his pajamas. The little boy’s problem in
maintaining his modesty is the running gag of the cartoon. In the end,
Santa gives him a champer pot. The 2nd example is the paddling machine
used on the wolf in The Three Little Pigs. Numerous Disney cartoons
feature buttocks of characters provocatively twitching.

AS
A WITNESS BEFORE CONGRESS

After
W.W. II, Walt Disney was called upon by Hollywood to testify in their
defense at the Un-American hearings which were being carried out by
congressmen who were concerned about the heavy communist influence within
Hollywood. Walt downplayed any communist influence in Hollywood to

Congress.
Interestingly, Walt’s father was an outspoken Socialist Party leader in
the United States who advocated a socialist New World Order. He regularly
voted for socialist presidential candidate Eugene Debs. One of the first
drawings Walt did as a boy was to duplicate the socialist political
cartoons he found in a socialist periodical Appeal to Reason that
his father subscribed to. When Walt asked in the 1930’s how his father
felt about socialism’s successes, his father Elias said, "Today,
everything I fought for in those early days has been absorbed into the
platforms of both the major parties. Now I feel pretty good about
that." (Thomas, Bob. Walt Disney, An American Original, pg.
147-148) Walt’s movie Alice’s Egg Plant (1925) was pure
communist doctrine where the red hen (communist) leads the working
chickens on a strike against Julius the farm manager (representing
capitalists.)

The
strike at Disney and unionization of Disney in 1940, soured Walt toward
communism. The workers at Disney publicly made personal verbal attacks on
Walt & he never forgave the humiliation. In spite of his public
distaste for communism, his Magic Empire (his castle where he was king)
was run like a socialist dictatorship, similar to what the NWO plans.
Employees at Disney did not have titles; it was faceless egalitarianism
with an all powerful dictator Disney at the top. It was racially elitist
too. The only full-time African-American during Walt’s lifetime at
Disney was a black shoe shine man. Was Walt a socialist of the National
Socialist (Nazi) variety? Arthur Babbitt claims, "On more than one
occasion I observed Walt Disney and Gunther Lessing there [at Nazi
meetings], along with a lot of other prominent Nazi-afflicted Hollywood
personalities. Disney was going to meetings all the time." Lessing
was mobster Willie Bioff’s crony. Bioff had spent his earlier days
running a whorehouse, before coming to Hollywood for the mob. In the final
panel of the Mickey Mouse comic strip of 6/19/40 a swastika appeared.

Some
people have wondered what this & other "secret signals" in
Disney’s work meant. Disney was not Illuminati. The powerful elite are
very skilled at controlling people that rub shoulders with them, those who
are beginning to become independently wealthy. For instance, they
destroyed Robert Morris, the great financier of the American Revolution.
They simply used Hegelian Dialectics on Walt Disney. Their Unions and the
Mob made Disney’s studio one of their prime targets. In order for Walt
to protect himself from the unions, which he perceived as communist, Walt
got help from the FBI and the mob. Walt was vulnerable to the unions,
because he treated his workers terrible, with long hours, low pay, in
addition to repeated abuses to their dignity. Walt’s large number of
employees essentially never received any credit or recognition for their
years of creativity and hard work, which was all essentially stolen and
credited to Walt by the establishment to build his image. (I write
"essentially", because someone might find some obscure
exception, but across the board, Walt got all the credit for what his
creative workers produced.) Perhaps Walt needed the ego boost from all the
purloined public praise which he stole from his staff to be seen as a
great animator, because he had wanted to be an artist/cartoonist and
failed. The praise helped sooth the wounds.

One
worker recalls that Walt "had no knowledge of draftsmanship, no
knowledge of music, no knowledge of literature, no knowledge of anything
really, except he was a great editor." This may not be much of an
exaggeration, because Walt was a high school drop-out, who grew up in
poverty on a Missouri farm.

Walt’s
first official attempt to direct a film (and last) was the film The
Golden Touch in 1935. The film was an embarrassment. Walt had to pull
it from distribution. If Walt lacked abilities to animate, and direct,
what was Walt’s talent? Walt was the driving force, the spirit
so-to-speak behind Disney. He was the dictator who was feared enough to
demand more from his workers than they knew they could give--and he could
get it. He was the driving force that took a mob of artists, and gag
creators, etc. and shaped them into a powerful force to make cartoons and
later movies. He was the hard-driving genius who knew what he wanted and
got others to create it for him. He was the driving force that kept an
army of costumed sanitation men meticulously cleaning Disneyland. In
normal year, Walt would have 800,000 plants replaced at Disneyland, &
Walt refused to put up signs asking the "guests" (visitors) not
to trample them. How powerful was Walt? Here is a man who during his
lifetime and even up into the 1990’s had a rule in the studio &
Disneyland that no male employees could have any facial hair, yet he
himself wore a mustache for most of his life.

It
is beyond doubt that Walt Disney was an illegitimate child, but that fact
resulted in a long list of mysterious happenings. It also gave power
hungry men, something to blackmail Walt Disney with. Because this chapter
5 on Deception is focusing on Disney, and the big boys used blackmail to
keep Disney in line, this information is pertinent. The following
chronology of events is what this author’s believes most likely
happened. Without any genetic tests, it is difficult to determine beyond a
shadow of a doubt who Walt’s biological parents were, and what the
actual history of Walt Disney was. Several people have spent many years
investigating the real facts surrounding his birth. Many interesting and
tantalizing clues have been found. This author believes that the following
chronology is suggested by the evidence. (This author’s chronology is
offered without hundreds of pages of evidence, because the mysteries
around Walt Disney’s birth are here to stay, no matter what excuses
people come up with, and this author doesn't want to stray from the
intended purpose of the chapter. This is to show that Walt Disney had a
secret bastard birth which gave J. Edgar Hoover --and his superiors--
blackmail leverage over Walt Disney. Walt may also have had gambling debts
and an abnormal sexual appetite which also helped entrap him. For those
who want more evidence and facts, the following are recommended:
Almendros, Mojacar, Corner of Enchantment, p. 83; Interview magazine,
no. 242, ""Walt Disney Was from Almeria"", and last
but not least Eliot, Marc. Walt Disney, Hollywood’s Dark Prince, chapter
11.)

In
the same year, but later on In 1890-Walt's future father Elias, who
fancies himself a ladies man, leaves his family to seek his fortune in the
gold fields. In California, he meets another newcomer to the state,
Isabella Ascensio, and the two newcomers in California have much in
common, have a sexual affair and fall in love.

1891--Elias
fails to make a fortune and returns to Chicago, but he doesn't forget
Isabelle.

1893--Isabelle
and Elias have a son, and Elias convinces his wife to accept the baby as
theirs rather than have the family's reputation, their marriage, and their
family ruined. The son doesn't look like the first two boys at all.

1901--Isabelle
and Elias have another bastard son, who Elias brings home and names Walter
after the minister of the church he attends. The two bastard sons do not
look like the older sons of Elias, and they never have much to do with
them, but cling to each other as brothers.

1903--The
minister of the church Elias attends finds out about the bastard children
and Elias quickly moves out of state so that the scandal will remain
secret. Elias has also run up gambling debts.

1905--After
moving to Marceline, Missouri, Isabelle is hired as the Disney's maid, so
that she has an excuse to move in with them without creating suspicions.
She probably does much of the raising and care of the two boys.

1918--J.
Edgar Hoover is busy involved with the prosecution of draft dodgers in WW
I, and it crosses his desk about the case of Walt Disney committing the
crime of forging his parents signature to join the army. Cases like Walt's
were watched because people who could be blackmailed could be resources in
the future for Hoover. That year, Walt discovered that he had no birth
certificate. Waft observes his parents strange reactions concerning his
birth certificate & other questions, & begins to deeply distrust
his father.

Nov.
1938--Walt's mother dies by gas, and the Disney's maid pulls Elias to
safety from the fumes, but Walt's mother dies.

1939-40--Hoover
offers Walt Disney to help Walt locate his real parents if Walt will work
for the FBI. Either Hoover already knows that he is a bastard child, or he
soon learns the truth from an investigation. This gives Hoover blackmail
power over Walt Disney, and assures Hoover that Waft will be loyal. Hoover
informs Walt Disney of the truth, and then moves to generously protect
Disney & his father's reputation. Two FBI men plant baptismal
information of a child born to Isabelle in 1890 named Jose Guirao in
Mojacar, Spain. This date is 10 years off of Walt's birthdate, and is
intended to throw people off track. They can't plant a fake birth
certificate for Waft in the records for 1901, because everyone knows from
WW I that none exists. Therefore, they plant a fake birth certificate for
Walt in the Illinois State records in the year 1890. They hope people will
think that somehow a filing error occurred. This way if anything leaks,
and worst came to worst, Waft could at least pretend he was adopted and is
not an illegitimate bastard. They pay off townspeople in Mojacar to tell a
particular story. Townspeople probably receive ongoing payments.

1941--Walt
confronts his father with the truth, and his father commits suicide, and
his real mother comes to live with him as his maid.

1954--In
order to reinforce the myth that Walt was born in Spain, a group of
Franciscan monks goes to Mojacar and visibly inquires about the birth
records of Jose Guirao and/or Walt Disney. They spend time with the mayor
and make sure that everyone connects Waft Disney with Jose, who is a
fictitious (nominal) character that the FBI has created records of.

1967--A
year after Walt's death, a large group of Americans (a large group was
needed because they are not skilled like the 2 FBI men in 1940) pretend to
be on "official" business for the American government. They go
to Majacar Spain to destroy all the records of Jose Guirao to insure that
there will be no spanish claimants to Walt Disney's fortune. Later to
insure that the fictitious story is solidly in place to mislead the few
who might get by the cloud of secrecy over Walt Disney, the Spanish
government does a favor to certain powerful people and pays an
investigator to investigate the spanish origins of Walt Disney. People of
the village willingly tell people without any fear or without any fanfare
that Walt Disney was born at their village. Unless they have recently done
so, the village has never done anything--no monuments, no markers, or
anything about the birth site of Disney. They probably didn't do this for
years, because some of the village probably knew it was a lie. With the
older people gone, the lie has probably become well entrenched as truth
and there is most likely some type of memorial to Walt Disney.

WALT
DISNEY’S CHARACTER

Because
the Disney deception is such a major Illuminati deception worldwide, and
because Walt Disney was the major catalyst behind all the Disney theme
parks, movies, trinkets etc. it is of importance to examine his character.
In studying historical figures, this author has tried to get to the rock
bottom truth. One may ask, how can this be done? -especially since there
have been decades of myths spread by the establishment and their media?
The following procedure which has worked with other historical figures was
also done by this author with Walt Disney. The first part of this
author’s own procedure is to study everything that one can find on the
man, paying special attention to what bias and vantage point another
author comes from. Special attention is also paid to biographers who try
to give the whole truth as they have found it, rather than approved
biographies that repeat myths, platitudes, and flattery. The investigator
has to be careful because there are authors who deceptively say in their
introductions that they are "detached investigators" who are
"going to be painfully honest in their reporting" when they
actually are skillful coverup artists for the person they write about.
When your author, Fritz Springmeier, finished investigating written
material about Walt Disney, then I mentally

placed
what I knew on the shelf temporarily, and did a handwriting analysis based
on the scientific principles of Graphoanalysis as well as the broader
field of Graphology. This author is a Certified Graphoanalyst who has done
handwriting analysis professionally. Using Graphoanalysis/graphology is an
excellent way to get an unbiased very deep look at a historical figure. It
is a way to by-pass all the propaganda and myths. However, a close
historical look and the handwriting analysis (of various historical
figures) have always matched each other, as they did in this case too.
Here is what was found. The following paragraphs are how Walt was in the
1920’s. The personality profile you will read did not endure. Under the
pressure of micromanaging Disney Productions as well as living with
financial stresses, by the 1940’s, Walt could be found in rages giving
rough treatment to his wife, and rough spankings to his two children. He
went to psychiatric counseling to cope with the stress. And unfortunately
with the progression of time, by the 1960’s Walt had become a sadistic
egotistical alcoholic. One biographer described him as ,,...a bully and a
know-it-all" (Disney’s World, p. 220) Even then Walt had men
working for him, such as Bill Walsh (who had been a orphan as a child) who
worshipped Walt. But here is how he was in the 1920’s:

Walt
was a self-motivated individual with lots of energy which was constantly
seeking some outlet. (People have written much about this trait of his.)
He was more the giver than the taker in relationships. (In the first few
years, when he was responsible for making business contracts he often gave
away his work without setting prices for profits. He even wrote letters to
his boss to the effect that his first priority was good cartoons not
profits, and that he’d work without profits, but he did want some
appreciation for his work. That was his sensitive nature showing.) Walt
wouldn’t wait for others to come up with an idea or someone else to make
a move--he was there first. He could communicate his ideas with clarity
and ease and move easily from idea to another. (He would storm into Disney
Productions and spew one idea after another into his workers’ ears.) He
enjoyed competition. He had a quick mind and keen perception. He
frequently acted on intuition and impulse, taking chances and endangering
his own security.

(He
frequently gambled all his life savings and everything he could scrape
together on a project.) Long projects bored him. (Fortunately the real
tedious work of cartooning was done by a large staff of artists.) House
chores and repetitive chores bored him and he avoided them. (He was
absolutely a total slob around the house as a bachelor.) He was impatient
with vague philosophies, he liked concrete realities. He was difficult to
get along with because he had both a playful side (even to the point of
cruel practical jokes) to his personality and an aggressive intolerant
impatient side that wanted to achieve. Naturally, people around him were
disconcerted because on a subconscious level they never knew which side of
him they would deal with. (The reference series Current Biography
"Disney" article p. 248 gives the following Walt Disney
quote, "We don’t even let the word ‘art’ be used around the
studio. If anyone begins to get arty, we knock them down.") He was
geared for action. He was always inventing ways to get what he needed. He
could be explosive when provoked. (The old time associates of Walt
remember his explosive temper.) He was a person of dynamic energy,
sensuality and keen thinking, and a disciple of the pleasure principle.

Because
his father was so abusive and misused his position of authority, Walt came
to be deeply ingrained with defiance toward authority. (The themes of his
films repeatedly sympathize with those who rebel against authority, and
the police and other authority figures are consistently shown as absurd.
One way he expressed irresponsibility was with lively dance scenes, which
has been a hall-mark of teenage rebellion during the 20th century.
"Comic anarchy reaches its fullest

expression
in Alice Rattled by Rats, which shows what the rats do when the cats goes
away!) He felt that rules were for others to follow. (That is one reason
he would step outside of the law and commit illegal acts. This is one
trait that may be responsible for some of the criminal activities Walt
ended up participating in.) Walt also didn’t like to be closely
supervised. (He wanted to manage his Disney Magic Kingdom as if it were
his own kingdom. He wanted to be an authority figure, and indeed became
the dictator of his Magic Kingdom. When his workers differed with his own
views he felt that they were infringing upon his own inalienable rights as
an individual.) He was somewhat of a melancholic temperament, that type of
perfectionist who still enjoys life. He felt a need to protect himself
against intimacy with others. He was most home in a setting which he made
for himself. Walt had the traits of an executive. He was slow to reveal
his innermost feelings, and definitely set his own goals. Walt was one of
those persons that when the going got tough, he hung in there. Likewise he
would cling to his ideas, plans, and possessions. (His stubborn refusal to
allow his brother Roy to stop the creation of Disneyland led to events
that split the brothers. His determination to succeed was taken advantage
of by the crime syndicates to blackmail him with some debt. In order to
get his dreams, he was willing to give them what they wanted.) A clue to
Walt’s macabre sense of humor, at times almost a graveyard sense of
humor, and his high tolerance of seeing pain in others, is that Walt was
seriously thinking of volunteering again as a medic after the W.W. I
fighting in France was over, when volunteers were needed for the Balkan
fighting.

Walt
loved animals more than people. The only human being that he had rapport
with while growing up on the farm was his Uncle Ed (who he called Uncle
Elf), who looked like a cross between a leprechaun and a prune. Uncle Elf
could make animals sounds and bird whistles to Walts delight. Walt loved
the charm of the farm and nature and he loved royalty, pageantry and a
strict social hierarchy such as Freemasonry provides. He often wove a
combination of the barnyard in with royal parades and other trappings of
royalty. For instance, in Alice the Piper, the King Hamlin is a farmer who
sleeps in a farmhouse. In Puss in Boots the local king lives in an
authentic palace incongruously placed in a village. His early film
Alice’s Day at Sea includes both the features of a royal court and an
American circus. In typical Disney disdain for authority, he pokes fun at
criminal fraternal groups with their rituals and passwords in Alice &
the Dog Catcher, Alice Foils the Pirates, and Alice’s Mysterious
Mystery. And while he was a secret FBI agent, he went against Hoover’s
wishes and poked fun at the FBI’s authority. Walt was loyal to what he
believed and could be loyal to those individuals who he deemed worthy of
his loyalty, but he didn’t want anyone to have authority over him. (Walt
was a 320 Freemason & an occultist, he was loyal to that philosophy
and loyal in his early years to his older brother Roy O. Disney, who was a
father figure to him.) If anyone at the studios agreed with him when he
was angry at his brother Roy, he or she risked losing their job. Both
brothers were protective of each other, and felt they were the only ones
who could criticize the other one.

D.
WHO WAS ROY O. DISNEY?

Roy
O. Disney was born in 1893, and his brother Walt in 1901. They had three
other brothers, but Roy and Walt (1901-1966) were only close to each other
and not to their other brothers, who didn’t resemble them. Walt was
named Walter Elias, his middle name derived from his father’s first
name. The Disney family had immigrated from Ireland to Canada and then to
the U.S. The father of the brothers as stated was Elias, and their mother
of scottish descent, who may not have been the biological mother, had the
maiden name Flora Call. Roy died in 1971, shortly after the opening
ceremonies for Walt Disney World. He kept his promises to his brother to
build Walt Disney World. He reneged on his promises concerning the city of
Epcot (which was derailed into becoming EPCOT). Roy O. during the 1930’s
lived in North Hollywood. Roy’s family later located in Napa Valley, CA,
and was associated with the Illuminati kingpins in the area. Napa Valley
has been nicknamed the Valley of Kings.

This
"Valley of Kings" plays a major role in the dirty activities
revealed in this chapter. Roy 0. Disney played a bigger role at Disney
Studios than people realize. For example, it was Roy O. who made the
decision to cut 45 min. out of Fantasia, so that Walt’s pet project
could be distributed to movie theaters. Roy O., considered by some
insiders as the more evil of the two brothers, kept the financial books
for the Disney’s down through the years. It is known that Disney kept
two books during the 1950’s, so it is hard to believe anything except
that Roy 0. was fully aware of how Disney brought in their money. The big
boys always kept the financial screws to Walt and Roy. The big boys often
figured out scams to take their money. When the Disney brothers had an
arrangement with Columbia Studio (run by Harry Cohn) they were advanced
$7,500 for each cartoon which cost them an unprofitable $13,500 to make.
Further, Cohn liked to cheat them by not sending them their money, and
taking a ridiculous amount of time to pay them what he owed them. The cash
flow problems of the Disney brothers also came from Walt’s desire to
keep improving and upgrading the technology they used. When Walt went to
color over Roy’s objections, Disney’s profit margin was damaged and
the studio was left with shortages of cash. In 1937, Walt’s repeated
gambles with cartoon production ideas caused Roy O. to say, "We’ve
bought the whole damned sweepstakes." From 1940 through 1946, Disney
lost money every year. In '46, he lost $23,000. Finally in 1947, things
turned

around
and the Disney studio made a profit of $265,000. Cartoons and
movies were not really big moneymakers for the Disney brothers, until it
was realized that old films could be replayed on television. Overall, from
the 20’s through the 50’s, the Disneys may have broke even with
animation. This is why Disney Studios at Christmas, 1931 was unable to pay
its payroll. Pinocchio cost $2.6 million to make in the late ’30’s, an
amount hard to retrieve at that time from the box office, and Fantasia’s
original release in the ’40’s was a dismal financial failure. When
Sleeping Beauty was released in 1960, it was a loser, movie goers were
apathetic towards it. The real money made by the Disney brothers in the
1930-1950’s came from the merchandising of Disney products, the
production of underground hard porn, and the kickbacks from various groups
which used Disney for mind-control programming, and money laundering. When
Walt died, his shares in Disney were worth $18 million. His family all in
all held 34% of the stock in Walt Disney Productions. Roy o. Disney’s
daughter Dorothy Disney Puder & husband Episcopalian Rev. Glen Puder
purchased property at 1677 Sage Canyon Rd., Napa Valley east of
Rutherford. (This is close to the Rothschild’s Opus One Temple mentioned
in VoL 1.)O.J. Simpson’s lawyer Johnnie Cochran Jr. was
in the Rothschild’s hard-to-enter Opus 1 when the jury arrived at a
decision in O.J. Simpson’s case.) It is very typical for Mafia families
in south Boston to have one family member in the clergy & one full
time in organized crime. (See author’s Be Wise As Serpents for an expose
on the Episcopalian Church, which is simply a branch of Freemasonry.) All
kinds of interesting Mafia figures, Illuminati, and Bohemian Grovers live
up the Sage Canyon Rd. This is an area that has a large well-kept cemetery
for pets. Frank Well’s sister and Rich Frank, who will all be discussed
later in this chapter, also live on Sage Canyon Rd.

E.
WHO WAS ROY B. DISNEY?

Roy
Edward Disney (nephew of Walt) is the son of Roy Oliver Disney (brother of
Walt). Sometimes he has been called Junior. The 9/5/94 Newsweek story
on Disney’s Magic Kingdom called him "Keeper of the Flame."
Roy is an executive with Walt Disney Co. at 500 5. Buena Vista St.,
Burbank, CA 91521. He has worked as an asst. producer at Walt Disney Co.
from 1954 to 1977. He has also been the vice-pres. of Walt Disney Co. He
is president of Roy E. Disney Prodns. in Burbank. He is chairman of the
board for Shamrock Broadcasting Co. As if that weren’t enough, he is on
the board of directors for St. Joseph Med. Ctr., fellow U. Ky. Recipient
of the Academy award nomination for Mysteries of the Deep. He is a
director of the Guild American West, the Writers Guild, which is
important. He belongs to the 100 Club, the Confrerie des Chevaliers du
Tastevin, and St. Francis Yacht Club. He likes speed boat racing. Roy E.
Disney was the cocky son of Roy O. He married a gal named Patricia. He was
merely tolerated by his uncle Walt, especially after Roy E. made some
snide remarks about Walt’s plans for Disneyland, which he and his father
opposed until Walt Disney personally got the project going. Walt’s
son-in-law Ronald Miller is one of the Disney clan who can’t stand Roy
E. The two never liked each other, and in the power struggle between them
after Walt’s death, Roy E. won and ended up with Disney. Although people
called Roy E. "Walt’s idiot nephew", he eventually (with the
help of his father & outsiders) won the various power struggles at
Disney after Walt died, and is now a powerful figure. Roy E. Disney and
Stanley P. Gold work together in various ways, and are both on the present
Disney Bd. of Dir. They are friends and worked to prevent hostile
takeovers of Disney in 1984. Gold is in charge of Shamrock Holdings, Inc.

The
battle between the two Disney factions

In
1953, the two brothers and their respective sides of the family
split when Walt created RETHAW corporation. The two sides have fought ever
since. When Walt Disney created RETLAW (his name Walter spelled
backwards), this alienated his brother Roy O. & Roy’s side of the
family. Without going into all the details, what RETLAW did was cut Roy
O.’s side out of the money that was to be made. But Roy’s side
didn’t stand by and idly let their share of the pie be lost, they fought
back and held their own. Their big break came when Michael Milken and his
band of junk bond artists carried out a "greenmail" on the
Disney Corp. Only a few insiders know how greenmail works. It is a legal
form of blackmail. Milken would work with his friends Saul Steinberg, Sir
James Goldsmith, and Carl Icahn. Milken would provide them the financial
clout, to make them look financially capable of financially purchasing a
corporation that they had selected as a target.

According
to insiders, Milken got 40% of the upside of any "greenmail"
that went right. The targeted corporation would learn that someone like
Saul Steinberg was going to buy them out. In order to prevent the buyout,
and to keep their jobs, the officers of the targeted corporation would get
frantic, and either do suicidal refinancings, or buy the stock of the
potential acquirer for much greater prices than the Milken group paid for
them. The "greenmail" artists would then take their loot and go
on their way. The stockholders of the targeted company are the real losers
of "greenmail", because the management of the corporation in
order to finance their protection spends the stockholder’s money, takes
on new debts, and deprives the stockholders of some profit-making
potential of their shares. Michael Milken’s group made feints to take
over a large number of corporations, including Walt Disney, Phillips
Petroleum and Avco. Saul Steinberg made what looked like the beginnings of
a sincere hostile takeover of Walt Disney through Reliance. At one point
Reliance became Disney’s largest stockholder. Steinberg filed an amended
13D saying he intended to acquire 25% of the corporation. The CEO
of Walt Disney, was Walt Disney’s son-in-law Ron Miller. Saul Steinberg
is a dear business partner with London’s Jacob de Rothschild.
Originally, Ron Miller (Stanford Univ. grad.) and Ray Watson (a Bohemian
Grove mmbr from Stanford Unive.) of Walt Disney’s management brought in
the Bass brothers to help them deal with Saul Steinberg’s takeover and
to buy and develop land (esp. in Florida). Ray Watson was Ron Miller’s
key right hand man to run things. The Bass brothers are mafia. Disney
acquired the Bass Brother’s Arvida, and brought the Bass brothers into
Disney’s management. The Basses sold their stake in Texaco back to the
oil co. & then used this money to bolster Disney. Sid Bass & Chuck
Cobb (chief exec. Arvida) worked out a deal with Disney. Arvida (sold to
Disney for $200 mil.) would profit from developing Disney land in FL &
Disney would profit from the new financial strength that getting Arvida
would provide. Arvida owned oil fields, theme parks, and had helped create
planned communities. For Ron Miller, on the one side was the Illuminati
and the other side of things was the mafia.

He
didn’t trust either, but Steinberg’s takeover could eliminate
Disney’s management and both he (and Roy E. Disney) wanted to save
Disney from a takeover by Steinberg. At first, Roy E. wrote a letter to
Ron Miller & the other board members stating his concerns about the
acquisition of Arvida For Disney management, at least the Bass brothers
would let Walt Disney continue to make their family movies. After the Bass
brothers joined the Disney management (and became one of Disney’s major
stockholders), they soon joined sides with Roy E. in a management fallout
over whether Disney should buy Gibson Greeting Card Company. With enough
votes on the board, they sent Ron Miller packing. With Ron Miller, and
those management men aligned with Walt’s side of the family gone, then
CEO Michael Eisner, Frank Wells, Rich Frank, and Jeffrey Katzenberg and
some others made the modern Walt Disney Corporation. Disney’s Touchtone
studio which was mentioned above in connection to the movie Alive was
created in 1984 by Walt Disney’s son-in-law Ronald L. Miller. Ron
Miller’s management style was lackluster. The new management has really
gone gang busters. Although Walt’s side of the family is out of the
management end of Disney, they still receive financial rewards from
various Disney enterprises. The Bass brothers acquired more land for
Disney in Florida. But under their tutelage, Disney now has a management
team that is skilled in land grabbing techniques. The Bass fortune began
with Perry Bass, who created a company called Bass Enterprises. In 1969,
Perry retired and turned things over to his eldest son, Sid Richardson
Bass. Sid has three younger brothers Ed, Robert and Lee. The Basses owned
27% in Prime Computer, as well as sizable real estate and oil holdings.
The Bass brothers founded a local prep school in Ft. Worth, TX. Their HQs
in Ft. Worth is full of modern art. The Bass brothers were very clever in
their deal with Disney. In exchange for their $14 investment in Arvida,
they had gotten (over a period of time) $950 million dollars worth of
Disney stock. In 1985, they liquidated Bass Brothers Enterprises and
divided the assets between the four brothers. Sid Bass was able to shift
his interests from finances to culture and high society. One of the Bass
brothers is involved with wineries in Napa Valley. The Bass Brother’s
financial strategist was Alfred Checchi, now of Beverly Hills, who has
been a supporter of Mishpucka member Sen. Dianne Feinstein (D-Calif.).

Roy
is involved in criminal activities, and several people investigating him
have been bluntly warned that if they continue, they will see their
children murdered. Napa Valley’s Illuminati activity also connects in
with CIA activities as well. The Napa Valley Illuminati families all have
CIA connections. For instance, British millionaire Kenneth Armitage, who
had to flee from England to avoid arrest on numerous charges of theft,
deception and false accounting, had some of his good friends in the Napa
Valley, such as Dr. John Duff, Johnny Beck, & others. Armitage has
since mysteriously died in prison in England. Armitage had intelligence
connections which tie in with twilight world of the criminal activities of
the numerous intelligence acronym monsters. Also his company was
authorized to provide people with Central American government documents.
There is more-- much more to sordid affairs which swirl around Roy Disney.
Napa Valley, where many members of the Disney family live, has the
Illuminati’s Opus One temple owned by Rothschilds, as well as two roads
lined with meticulously kept wineries owned by Illuminati kingpins and
connected via secret underground tunnels. To top off this incredible
collection of Illuminati wineries (Rothschild’s, Mondavi’s,
Rutherford’s, Christian Brother’s, Sattui’s etc), on the north end
of a series of wineries on highway 29 lays the CIA’s medieval-looking
Culinary Institute of America Greystone (at 2555 Main St., St. Helena, CA
94574), where numerous people have suffered torture. The Greystone
Culinary Institute of America recently had the person who runs their
campus store mentioned in House & Garden, Sept. ‘96.

F.
WHAT DO WE KNOW ABOUT THE DISNEY FAMILY IN GENERAL?

Several
members of the Disney family came to England with William the Conqueror.
They were not known as Disney then, but because they came from the French
Norman town of Isigny, they took the name d ‘Isigny, and anglicized it
into Disney. Walt had two daughters, Diane Marie (bn. 12/18/33) and Sharon
Mae.

Diane
made some revealing comments when she said, he didn’t spoil us. Like a
lot of adolescent girls, I was crazy about horses, and I got quite good at
riding. I yearned for my own horse, but Dad wouldn’t buy one. And we
didn’t have a lot of clothes and other things." For being one of
the richest men in the nation, Walt can’t be accused of having spoiled
his children. He was also famous for his ten cent tips at restaurants,
which became the talk of the town. Sharon Mae was adopted and arrived at
the Disney home 12/31/36. (She died in ’93.) The adoption was kept very
secret. The newspapers around the country announced that Lillian had given
birth to Sharon, and the Disney family kept up this lie for years. The
reason given for Sharon’s adoption was that Diane needed a playmate. For
years, Walt Disney didn’t care much for Sharon and seldom acted like he
even knew her name. Walt had wanted a son, but his wife wanted to adopt a
girl, so it was a beautiful girl that Lillian picked out to be a companion
for her first daughter. When Sharon was kindergarten age, Walt would take
her to the carousels in Griffith Park on Sunday afternoons. Sharon was
sent to private schools. She went to Westlake School for Girls, and later
was shipped off to Switzerland to a girls’ boarding school.

She
had soft blond locks and was attractive. In June of 1948, Walt took
Sharon, who was then an attractive 12 yr. old to Alaska with him for about
2 months. For most of this trip Walt and Sharon were alone together. For a
father, who had ignored Sharon for years, now Walt was totally obsessed
with Sharon. He bathed Sharon every night, combed her hair, washed her
underwear, and carefully dressed her each night from head to toe before
taking her to nice restaurants. He even

followed
her when she sleep walked. Why was Sharon a dissociative person? That
summer in Alaska, Walt and his personal pilot took a trip in August to Mt.
McKinley, AK. Both were drinking scotch whiskey and they barely missed
hitting a mountain, and almost ran out of fuel before finding a runway.
Sharon first married a presbyterian Robert Borgfeldt Brown. Later, Sharon
went on to marry William Lund. Years later, Walt’s wife Lilly even
prevented a biographer from revealing that Sharon was adopted. Sharon died
relatively young. It is important to look at the Disney family rather than
just Walt Disney in trying to understand the Disney phenomena. For
instance in 1958, the Wall Street Journal mentioned that Lillian B.
Disney was beneficial owner of over 10% of common Disney stock.

Lillian,
Walt’s widow, quietly purchased property in Napa Valley and moved there
in the late 60’s. She bought the property through Walt’s Retlaw
Enterprises and the Lillian Disney Trust. Lillian and her 2 daughters ran
Retlaw for years. Diane Miller, her daughter, also bought land and moved
to the Napa area. The Lillian Disney Trust bought the Silverado Vineyards,
which Diane & her husband manage as ,,gentlemen growers" as they
call it. This side of the Disney family is shunned by the Illuminati
insiders in the Napa Valley, as well as by the Roy O. side of the family.

Although
very private, there are occasional moments of publicity from Diane Disney
Miller, when she donated wine for a fund raiser for the Planned Parenthood
Shasta Diablo held at the estate Niebaum-Coppola, owned by
director/producer Francis Ford Coppola. Francis F. Coppola comes from an
old mafia family. He owns a big winery & directed Disney’s Caption
EO film. Locals in the Napa area do not trust any of the Disneys,
especially the Roy O. side of the family. There are other Disney’s who
tie in with the occult world. Wesley Ernest Disney, a 32° Mason &
Shriner, who was a U.S. Congressman, a state official & lawyer in
Kansas who had a brother Richard Lester Disney-- who is a Rhodes Scholar
and a Mason too. Wesley Ernest Disney, by the way began as a lawyer in
Muskogee County (a Satanic controlled county), and was a Christian
Scientist. He lived in Tulsa, a powerful city of the Illuminati hierarchy.
Doris Miles Disney has been a writer of occult fiction, such as The
Magic Grandfather the Chandler Policy (1972) and Trick or Treat (1972)
as well as many other occult novels.

G.
A HISTORY OF DISNEY

"The
story of Disney’s silent film career is not so much a struggle for
artistic expression as it is a fight for commercial stability."
During the 1920’s, Walt stayed safely within the confines of comic
animation as defined by others, such as the producers of Felix the Cat,
Koko the Clown, and Krazy Kat. In other words, when many of the ideas were
coming from just himself, Disney’s movies were not any better than
others. In the 1930’s, Disney got some of the best talent available and
he began to settle for only the best results from that talent. With the
mob, and the Illuminati behind him, and driven by an indebtedness to them,
Disney began to achieve outstanding results in animation. Between 1924 and
1927, Walt Disney made a series of 56 silent Alice Comedies which
used three different girls (6-year-old Virginia Davis, Margie Gay and Lois
Hardwick) to act as Alice who romps around in a makebelief cartoon world.
These cartoons combined live action and animation. By the time the series
was done, Walt Disney wanted to try working solely with animation.
Margaret Winkler in NY (who married Charles Mintz) distributed Walt
Disney’s Alice Comedies.

From
the beginning, children were the center of everything Walt did. The occult
world that backed Walt, as well as Walt himself, believed that if they
could bring out "the child" (that part of a person called
"the child" by various psychologists), then they could appeal to
the curiosity and feelings of the "child" part of adults. If it
worked with adults, they could do the same with the child part in
children. They knew even in the 20’s & ’30’s what had to be
accomplished in the secret Great Plan for a New World Order. The
Illuminati Great Plan called for family life to be destroyed, for children
to rebel against their parents, and for the world to become more violent.
Children needed to immerse in images of violence so that a violent society
could be created. For instance, the 1925 film Alice Stage Struck shows
little girl Alice strapped to a log leading to a buzz saw. They also
wanted to make occultism--witchcraft the common belief of the American
people. The Illuminati felt they could bring in witchcraft if they
appealed to the curiosity of the child in every adult. For instance, the
Donald Duck cartoon Corn Chips (1951) shows Donald harassing Chip and Dale
who then get back at him by stealing a box of popcorn and spreading it all
over the front yard. Now what does a cartoon like this teach kids? It
teaches that stealing to repay a grudge is O.K. and that doing pranks is
funny. In Disney’s 1920 films, he shows kids cutting school, shoplifting
and playing hookey.

He
shows Alice running away from responsibility to have adventure. He shows
prisoners escaping and hobos escaping work. His films are expression of
misbehavior being successful. What does this teach children? In the 1951
cartoon, Get Rich Quick Goofy wins money at poker and his initially
angry wife who doesn’t like gambling forgives him when she sees how much
he’s won. Goofy indicates that they can have a spending spree by telling
his wife, "Easy come, easy go!" The gambling spirit is a very
powerful spirit that the Illuminati want to instill in this nation. How
can a cartoon that promotes gambling be wholesome for children? Lt. Col.
Dave Grossman is a military expert on how to condition people so that they
will kill. He writes in his superb book On Killing (Boston, MS:
Little Brown & Co., 1996) that the same process that the government
has used to condition soldiers to kill, is being used by the entertainment
industry. The only major difference is that in the military, men are
taught to kill only on command, while our children are being taught to
kill whenever they want to via TV’s "entertainment." Grossman
states on page 308, that the conditioning to kill begins with cartoons.
"It begins innocently with cartoons and then goes on to the countless
acts of violence depicted on TV as the child grows up... .Then the
parents, through neglect or conscious decision, begin to permit the child
to watch movies rated R due to vivid depictions of knives penetrating and
protruding from bodies, long shots of blood spurting from severed limbs,
and bullets ripping into bodies and exploding out the back in showers of
blood and brains." While children see horrible deaths on T.V., they
learn to associate this suffering with entertainment, pleasure and their
favorite soft drink, their favorite candybar, and close intimate contact
with their date. (See On Killing, p. 302) Disney has the appearance
of Wholesomeness; this appearance is quite deceptive. A close study of
Disney cartoons will reveal lots of violence that could not be depicted if
the violence was actually real life & not animation. It’s the
wholesome front which is one of the deceptions that makes Disney cartoons
& films so dangerous.

Yes,
the image of Disney has been that its cartoons are wholesome. No wonder
Illuminati mind-control programmers have laughed at how naive the American
public is toward Disney. The Disney Gargoyles cartoons are a television
series that is pure demonology. The story line is that a race of demons
protects New York City. One of the Gargoyles is even named Demona.

The
Illuminati programmers are amazed at how stupid the masses of people are,
and how easily deceived. How the Disney movies are used as programming
scripts is very involved so only one detailed example is given at the end
of this chapter. The Illuminati and Mafia knew that Walt had the ability
to get the job done that the Great Plans called for. (Source: confidential
interview.) They knew they had the "carrots and the sticks" to
get him to cooperate.

There
is no doubt that Walt was a hard worker who in turn expected high
standards from his employees. One co-worker of Walt wrote, "Walt made
a simple statement, that you can lick them with ‘product’ if you make
your product good enough, they cannot deny it.. . .In Walt’s estimation,
everything that was done had to be executed with a great deal of thought
and finesse." Neelands, Barbara, compiler. About Ben Sharpsteen, article
by David R. Smith (2nd Impress.) Calistoga, CA: A Sharpsteen Museum
Reprint, pg. 2-3. One big turn in Walt’s outlook toward quality came in
April, 1927 when the head of Universal Studios wrote a scathing report on
the quality of Disney studio work. It forced Walt to realize that up to
then he had been slipshod and sloppy. He resolved to never take the easy
way, but to work with dedication toward making his drawings come to life
with character and interesting situations. In 1922, Walt made a film
Cinderella. This is not to be confused with the later animated film also
of the same title released in 1950. The 1950 feature was
re-released numerous times. The Alice cartoons were made with a 6-
year-old girl playing Alice. The first six Alice comedies had extensive
live-action beginnings, and then went into cartoon. A few of the 1920’s
Alice silent cartoon titles include:

Alice’s
Wonderland (1923)

Alice
Hunting in Africa (1924)

Alice’s
Spooky Adventure (1924)

Alice
Plays Cupid (1925)

Alice
Cans the Cannibals (1925)

Alice
Rattled by Rats (1925)

Alice
Chops the Suey (1925)

Alice
Charms the Fish (1926)

Alice
the Whaler (1927)

Alice
the Beach Nut (1927)

After
the Alice Series, Disney began a fully animated series called Oswald the
Lucky Rabbit. Here we see the occult concept of luck (who hasn’t heard
of a lucky Rabbit’s foot?) being subtly promoted. Disney cartoon may
entertain, but they also indoctrinate while they entertain. In 1926, Walt
Disney signed an agreement with Mintz and Film Booking Offices (EBO). Film
Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy’s
company. For at least the next years, Disney worked under the control
(auspices) of Illuminati kingpin Kennedy. All of the Disney pictures were
registered by R-C Pictures Corp., one of the parent companies of
Kennedy’s FBO. Joseph Kennedy also controlled the RKO studio which
worked together with the other big studios to insure that no small studio
would develop as a competitor. By 1937, all the big studios--20th Cent.,
Paramount, MGM, Warner Bros., Cohn’s Columbia Pictures and Kennedy’s
RKO were allowing the mob to skim money from them. Kennedy’s RKO gave
Walt a guarantee in 1937 that they’d distribute Snow White sight unseen.

Walt
Disney had their films distributed by Kennedy’s RKO from 1936 to 1956.
Another little known detail is that in 1926, Leon Schlesinger (future
producer at Warner Bros.) subcontracted animation jobs to Disney. One of
these was Universal’s The Silent Flyer. In 1928, Steamboat Willie
debuted. This was an animated cartoon with a soundtrack starring a mouse
later named Mickey Mouse. It had taken lots of hard work and determination
on Walt’s part, but it was the first cartoon with a sound track and it
was successful. In 1929, the cartoon The Haunted House came out. The story
is, Mickey Mouse is forced by a storm into a house full of ghosts who
force him to contribute to their spooky musicale. In 1930, Harry Cohn, one
of the most ruthless and unsavory characters controlling a studio bailed
Walt Disney out of Walt’s trouble with con-artist Pat Powers who was
stealing Disney’s money. Harry Cohn was a former NY pool hustler and
gambler who was brought in by Chicago investors to front their investments
in Columbia Pictures, and run their studio. He wore a sapphire ring that
the Chicago mafiaman Johnny Roselli gave him. Roselli later became a rogue
asset of the CIA, and testified before Congress (the Church Committee on
Assassinations in ‘74) about a CIA contract which was handed him.

Roselli
worked for the Mafia Council of 9, which incl. Anthony Accardo and Sam
Giancana. Harry Cohn was said by some to be the most hated man in
Hollywood. His money gave him "the power of an emperor". His
money got him the best female flesh available which he used for his
pleasure. He always seemed to arrive from Las Vegas with rolls of new
greenbacks, which had close associates wondering where all the money came
from that he always got when he made trips to Las Vegas. In 1931, Walt
went into a long suicidal depression that lasted into 1932. In the summer
of 1932, he took a vacation to try and recover from his nervous breakdown.
By 1932, Ingersoll had marketed its first edition of Mickey Mouse watches.
Disney products have served as a model of consumerism for the world.
Disney watches have been made continuously since 1932 or ‘33. In 1932,
eighty major U.S. corporations (such as General Foods, RCA & National
Dairy) began to market Disney products. Ed Sullivan began regularly
running stories that bragged about Disney’s work. Freemason Dr. Rufus B.
von Kleinsmid, pres. of the Univ. of So. Cal., gave Disney an award from Parents
magazine for Walt’s "work with children". In 1932, several
artists who had worked for William Randolph Hearst came to work for
Disney. In 1932, Roy switched Disney from Columbia to United Artists.
United Artists agreed to front Disney $15,000 for each cartoon.

In
the 1930’s, the Illuminati’ Bank of America financed Walt Disney.
Years before, the Bank of America had been quietly created from Bank of
Italy which was controlled by the same oligarchy that has run the Knights
of Malta and renaissance Venice. The Bank of Italy was a powerful bank in
Hollywood’s first years. It’s representatives A.P. and Atillo Giannini
financed Walt during the 1920’s with petty cash to keep him going, but
not enough to get him out of financial bondage.

Joe
Rosenberg of Bank of America was sympathetic to Walt. Joe Rosenberg, a
jewish banker, came to all of Disney’s board meetings, sat beside Walt,
and would advise Walt on what direction Disney Studios should take. Joe
wasn’t a board member, but his advice got high priority. Bank of America
also bankrolled other Illuminati projects and organizations. Bank of
America had one of their branch offices on Disneyland’s Main St. from ’55
until ‘93. They were open on holidays and Sundays for Disneyland.
Bank of America is slated to be perhaps the only bank to survive the
economic crash, when the Illuminati kingpins will allow their own banks to
crash. Bank of America executive S. Clark Beise (who is a Scottish Rite
Freemason) has been a member of Disney’s board of directors from ‘65
to ’75. One of the biggest depositors in Bank of America is Roy E.
Disney. Other Disney execs like Rich Frank have also used Bank of America
as their bank of choice.

The
Bank of America bankrolled the Disney animation Snow White. Walt managed
to sell Joseph Rosenberg on the idea, at a time when old time Hollywood
people were advising Rosenberg that Snow White could only be a failure.
When Snow White was successful, Walt announced a monster party for all
Disney workers at Lake Norconian, near Palm Springs, southeast of San
Bernandino, CA where the cost of everything the Disney workers wanted to
order--food or drink or whatever, would be taken care of by the
Disney’s. Under the full moon, the Disney male and female workers,
finally free of the tight rules at the studios, had what amounted to a
Roman orgy and a large nude skinny-dip at the lake. Almost all of the
Disney workers participated in the orgy and Disney had only two options,
1. fire them all or 2. ignore that the party took place. Walt choose the
later option, and after that no-one ever dared mention the party in his
presence. In 1937, Walt and Roy took a trip to Europe where Walt dined
with the British Royal family, & met privately with H.G. Wells, the
masonic prophet! planner of what Wells & other masons called "the
New World Order". In Paris, the League of Nations (the forerunner to
the U.N.) gave him an award. After the success of Snow White, Disney chose
Pinocchio to follow it. Many have asked why Pinocchio was chosen by Walt.
If you look at the script, the puppetmaker’s wife is taken out of the
original script, and there is an emphasis on the little wooden puppet
visualizing becoming a flesh & blood son to the man who had created
him. Here we have a boy with no soul, who is told if he works hard he will
be given one.

(Does
this sound familiar to readers of VoL 2?) The script was definitely
changed to have a storyline far more useful to mind-control programming.
For those who think Walt simply recreated fairy tales on the screen, if
one examines the changes that are made from the original storylines, they
are changed to make them more useful for mind-control. Both Snow White and
Pinocchio have occult type "deaths and resurrections". After
W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his boss, to bankroll
Disney again. Although Walt was financed by the Mishpucka (Jewish Mafia),
he didn’t like the idea. Richard Rosenberg, a later Pres. of Bank of
America, is also Mishpucka. Richard Rosenberg (his mother was a Cohen) was
also in charge of Northrop Corp. and Marin Ecumenical Housing Assn. (Other
examples of Mishpucka executives are R. Goldstein, v.p. of Procter &
Gamble, and Marvin Koslow, v.p. of Bristol Meyers Co.) In the 1930’s,
the elite promoted Disney’s new cartoons. In 1935, Walt Disney
received the French Legion of Honor for his Mickey Mouse cartoons. Also in
1935, the Queen of England (who readers of my previous articles
will realize is Illuminati, involved in drug trade, and is involved with
the leadership of Freemasonry) and the Duchess of York (also Illuminati)
selected Mickey Mouse chinaware as gifts for 600 children.

This
was after Walt spent time with her in 1934. The League of Nations (the
pre-W.W. II equivalent of the U.N.) took the time to vote its approval of
Mickey Mouse. (Finch, Christopher. The Art of Walt Disney from Mickey
Mouse to the Magic Kingdom . NY: Harry N. Abrams, Inc., 1975, p.
53.) There is no doubt that Walt Disney had talent. There is also
no doubt from the record that powerful people wanted to promote him. No
doubt his 320 Masonic membership and his DeMolay activities helped boost
his support, and also helped Walt’s bent toward the occult. Let’s
digress just to let people in on Freemasonry’s involvement with acting
and motion pictures. The famous 233 Club was a masonic chapter for actors
who were Freemasons. Examples of actors who were Freemasons include John
Aasen, Gene Autry, Monte Blue and Humphrey Bogart, Douglas McClean, John
Wayne. Then there is T.V. DJ Dick Clark. Examples of Motion picture
executives who were Freemasons incl. Ellis G. Arnall (Pres. of the Soc. of
Ind. Motion Picture Producers), Will H. Hays (Czar of motion pictures
1922-45, and Pres. Motion Picture Produces & Distributors of Amer.
Inc.), Benj. B. Kahane (v.p. & dir. Assoc. of Motion Picture
Producers, Inc.), Carl Laemmle (Pres. Univ. Pictures Corp til ’36),
Frank E. Mullen ( man. dept of info. RCA, VP NBC ‘39-’46, exec. VP NBC
‘46-’48), David Sarnoff (Chrm. of Bd. Radio Corp. of Amer. &
,,father" of American television), Jack M. Warner (v.p. of Warner
Bros.) and the President & dir. of Universal Pictures since 1952. The
Freemasons have made much of Walt Disney’s membership in their

membership
sales pitches. Because the 2 Disney brothers’ chief contributions to the
production of Disney films were the finances and occassionally the ideas
used in a film, it is rather misrepresentative of things that Walt Disney
got all the credit for the success and quality of the Disney cartoons. He
was showered with 700 awards and honors from important people, including
30 oscars, and the Presidential Medal of Freedom (in ’64). Walt
Disney’s great animators never got the credit they deserved, but no one
should forget that Walt was the driving force that inspired and guided his
workers. In 1934, Walt Disney made a cartoon about a goddess of the
Mystery Religions named Persephone. In the cartoon entitled The Goddess
of Spring, the goddess Persephone is captured by Satan as his bride
and sent to the underworld, with the agreement she could return to earth
six months of each year.

The
Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney
premiered the first full-length color cartoon movie "Snow White and
the Seven Dwarfs." This cartoon had taken $1.4 in depression-time
money and three years to make. Over 750 artists worked on the film. Walt
Disney had gotten the idea from a silent movie of Snow White which he saw
as a boy in 1917. The movie has an important occult theme to it, and has
been used for occult mind-control programming. When the 1940’s got
started, Disney was in financial difficulties. At this point, Nelson
Rockefeller hired his cartoon capabilities to make cartoons for South
America, with the idea that South Americans would remain loyal to the
American capitalist hegemony, rather than shift to rising ideologies of
fascism/nazism, if they saw Walt Disney cartoons. In Rio de Janeiro,
Brazil on 8/24/42, Disney did its world premiere of Saludo Amigos, a 42
minute feature about Latin America. Goofy becomes a gaucho, a parrot
teaches Donald Duck to dance the samba, as well as Disney art showing
various landscapes of Brazil in the film. However, the film The Three
Caballeros, if it was meant to encourage South American loyalty to
American capitalism, completely failed.

The
Three Caballeros showed a sexually lecherous Donald Duck who in bad
taste tries to make it with latin women. The mysticism was also seen as
bogus. Although the latin Americans hated the film, the establishment
media’s Look magazine praised it. Another reason that Rockefeller
sent Walt to South America was to get him out of the way so that the
government could settle the strike by Disney workers. Nelson Rockefeller
was the government’s Coordinator of Inter-American Affairs, a good
position considering how much of South America the Rockefeller’s
controlled. Rockefeller told Disney that Disney couldn’t beat the
strikers, but that while Walt was in South America, FDR would see to it
that the strike got settled. When Disney returned he submitted to the
powers that were, and accepted the unions and the mafia’s control.
Another change for Walt Disney was that in 1940, he and Roy turned Disney
into a "public corporation" and initially sold 755,000 shares
of common stock. The Illuminati Boston firm of Kidder, Peabody & Co.
were the underwriters of the studio’s public stock-offerings. By 1940,
the Disney Studio at Burbank had become a miniature city with 1,000 men
& women employees and 20 buildings on a 51

acre
tract of land. After the U.S. joined W.W. II, Disney Productions were made
a part of the American military establishment. The very next day after
Pearl Harbor, the military moved onto the Disney Studio, which leads this
author to suspect that Disney was already part of the power establishment
prior to the war breaking out. Disney made military movies/cartoons that
taught the different branches of the military many things. They made
propaganda movies for the allies. One series of films was "Why we
fight." Disney made movies for the IRS to get people to pay their
taxes. Some of the Disney films were top, secret, and concerned secret
military weapons or secret psychological tactics of the Americans. For
instance, one military film was "Army Psycho Therapy" which
taught army men how to instill fear, and about the basics of fear. Another
army film was "Prostitution & the War". Another showed a
carrier pigeon evading the Germans.

In
1940, Disney came out with 2 full length animated cartoons, Pinocchio and
Fantasia, both of which were soon used for Illuminati mind-control
programming. Fantasia contains Schubert’s sacred Catholic music Ave
Maria, which was used in a concluding segment side to side with the
profane Night on Bald Mountain song, as well as six other classical pieces
of orchestra music. As a feature cartoon it was a flop, but as a
programming tool it was fantastic. Fantasia receives a comprehensive
explanation of how it is used for mind-control programming at the end of
this chapter. Because an explanation of the use of a Disney film for
mind-control is complex, this explanation is placed at the end of the
chapter so that it won’t interrupt the flow of this chapter’s
information. The Pinocchio film has been redone and released 9 times over
the years. Some of the next full length animated films to come out were:
The Three Caballeros (1945) The Adventures of Ichabod & Mr. Toad
(‘49) Cinderella (1950) Treasure Island (1950) Alice In Wonderland
(1951) The Story of Robin Hood & His Merrie Men (1952) Peter Pan
(1953)

20,000
Leagues Under the Sea (1954) Sleeping Beauty (1959) Very soon after the
production of all of these movies, the Illuminati and their intelligence
agencies used them for Illuminati total mind-control programming. To see
their misuse as programming scripts one has to understand how the fantasy
worlds of a programmed multiple are created and how the movie scripts are
adapted to be programming scripts. Vol. 2 gave quite a few examples
of how Alice In Wonderland and the Wizard of Oz scripts were used for
programming scripts. When Disney had his animal-nature documentaries, he
edited and used narration to give the animals human like
characteristics--something he’d already been doing with animation.
Disney played an important part in the Illuminati’s plan to elevate
animals and dehumanize humans. One of the biggest Illuminati kingpins, and
leader (Grand Master) of the Prieure de Sion was frenchman Claude Debussy
(bn.1862). Claude Debussy, a Merovingian, was Nautonnier
(Navigator-helmsman) of the Prieure de Sion from 1885-1918. (See the
document Dossiers secrets, planche no. 4, Ordre de Sion, written
about in Holy Blood, Holy Grail.)

In
1891, when some secret coded parchments (Merovingian documents) were found
by a french clergyman Sauniere, he was directed by church officials to
visit with Emile Hoffet, an occult acquaintance of Debussy. Debussy was
close friends with many of the top french occultists of his time. He is
known to have been a close friend to both the notorious satanists Jules
Bois and MacGregor Mathers. Mathers started the Order of the Golden Dawn.
Debussy was also a friend of the infamous Papus (aka Dr. Gerard Encausse)
and W.B. Yeats. Papus was one of the men who during his lifetime was part
of the interlocking occult directorate of occult groups. Claude Debussy
put some works of the previous P.d.S. Grand Master Victor Hugo to music.
Debussy and his other powerful occult friends were influential with
Monsieur Philippe, whose Russian occult circle influenced the Russian
Czars and Czarinas before Rasputin came around. Debussy travelled to
Russia and Rome. Some of Debussy’s works became operas. Interestingly,
Walt Disney was extremely anxious to make a cartoon using Debussy’s
Clair de Lane. The work was done, but it was never shown to the public.
Disney never found a place to use it. It was originally done with
animation with flying cranes for the occult extravaganza Fantasia, but
when the Fantasia ended up too long, Clair de Lane was cut and
shelved. It was again planned for the film Make Mine Music, but
then Blue Bayou was substituted in.

Walt
used the Le Sacre du Printemps (the Rite of Spring) music for Fantasia.
This piece of music was written AS a pagan ritual where a virgin
sacrifices herself by dancing to death. Disney’s mobster Gunther Lessing
had threatened Stravinsky if permission weren’t given for Disney to use
the piece of music, it would be used anyway. Dr. Julian Huxley got
involved in the production of Fantasia. Aldous and Julian Huxley
are well known by conspiracy researchers for their roles in the World
Order. In the 1940’s and 1950’s, the Illuminati began using Disney’s
Alice In Wonderland and the Wizard of Oz films as
programming bases for their total mind-controlled slaves. Alice in
Wonderland had been done many years earlier by the Britisher William
Cameron Menzies (who also did Freemason H.G. Wells’ masonic forecast of
the New World Order entitled "Things to Come" in 1936, and the
film Invaders From Mars.). In 1944, Illuminati Kingpin William Randolph
Hearst (with some minor help from others) funded the Motion Picture
Alliance, and Walt Disney became a co-founder and its first
Vice-President. In the early 1950’s, Walt turned his attention from
animated cartoons to other projects, such as True-Life-Adventures,
television shows, and the creation of Disneyland. Seal Island was his
first true life adventure which was released to the general public on May
4, 1949, and soon won Walt Disney an Oscar. Alfred and Elma Milotte had
shot the film on some Alaskan Islands named Pribilof Islands. James Algar
had put the movie together. In 1952, Walter spelled his named
backwards to create the name of another corporation ,,Retlaw". Roy
and his family saw the move as an attempt to cut them out of the financial
picture. In 1954, Walt Disney and ABC made a agreement. ABC would directly
invest half a million US dollars as well as guarantee $4.5 million in
loans for the construction of Disneyland. This made ABC 1/3 owner of
Disneyland. In return, Walt Disney agreed to produce a regular television
series for ABC. Remember too that ABC’s president Leonard Goldenstein
was a good friend of Ronald Reagan.

On
July 13, 1955, Walt and Lillian were attempting to celebrate their
30th wedding anniversary at a park and restaurant. Walt got too drunk to
speak into the microphone, so he blew noisemakers into it, while Lillian
rushed to pull him out of view. In 1961, Disney bought out the ABC
investment (also labelled Paramount) for $7.5 million with cash and notes,
and to bring this all up to date, later on July 31, 1995, Disney merged
with Capital Cities/ABC, with Disney in nominal control. Actually Capital
Cities has long been a CIA front company, so the merger placed Disney
squarely within the CIA ranks, although it had been in bed with them for
the CIA’s entire history. The Illuminati-controlled corporations of
Coca-Cola and the drug firm Johnson and Johnson became sponsors for
Disney’s early TV shows. On 7/3/57, the Wall St. Journal announced
that Atlas Corp. got 26% interest in Walt Disney Productions. Walt Disney
worked quietly with some consultants on the concepts behind Disneyland.
His brother and nephew tried to prevent the project from happening. Later
they requested that Walt sign over Disneyland, Inc. to Walt Disney
Productions, which Walt did. Walt kept 17.25 % of Disneyland holdings and
Walt Disney Productions got the rest. Walt Disney Productions then shared
their portion with others. The man who helped Walt finance Disneyland was
the executive vice-pres. of ABC Kintner. Walt Disney got the
Illuminati’s Stanford Research Institute to determine what would be the
best site for Disneyland.

A
retired Navy admiral Joe Fowler was in charge of constructing both
Disneyland and Walt Disney World. How do admirals fit into the power
structure? Admirals are briefed each day, and are given information
concerning the secret power structure. Most men who are at that military
level are Illuminati or at least well controlled by the system. Within the
last few years there has been an intense effort to weed out any admirals
who are not loyal to the Illuminati. Morgan-Evans, who lives in Malibu,
and who may be of the famous Morgan clan, was the one who created the
spectacular landscapes for Disneyland, Walt Disney World, and EPCOT in FL.

According
to CIA informants opposed to the NWO, CIA contractors were brought in to
build the underground tunnels under Disneyworld in 1977. These contractors
were sworn to secrecy, but were only informed on a need to know basis why
the CIA was involved with an amusement park. To work on the secret tunnel
project took an "Above Top Secret" clearance. A major
programming center was constructed under Lake Holden. (Many of the lakes
in Florida are named Lake So-and-so, rather than So-and-so Lake.) The
tunnel system was built for programming trauma-based total mind-controlled
slaves. It was built of concrete with steel reinforcement. Lake Holden
lies just to the northwest side of the Orlando International Airport and
just south of Interstate 4. (It is close to Range 29E on quad maps.) It is
only (as the crow flies) about 12 miles from Disneyworld. In spite of
Draconian measures of secrecy, numerous lawsuits (Fed. & State) were
filed over the years by victims trying to expose the Disneyworld
programming tunnels, so that finally the programming center was
dismantled, cleaned up and a ,,maintenance" tunnel level and a
,,casting" tunnel level were opened to the public. During its heyday,
the programmers (military & intelligence men) had exotic offices
underground with unusual programming equipment. It doesn’t take any
imagination to realize that if Disney carried mind-control programming
above and below ground, that they would need tight security forces to
protect their secrets. Indeed, such is the case. Disney amusement parks
have been granted draconian powers wherever they have been built!

The
Disney parks have also employed armies of spies dressed like tourists to
spy on Disney’s employees! If amusement park workers did anything
slightly out of place, they were (and still are) reported by the spies in
the camp, and they often have lost their jobs. For instance, one
ex-worker, who had 10 years with Disney, was caught discussing his divorce
with another worker. Since divorce doesn’t fit the wholesome image that
Disney wants, when the spy dressed as a tourist reported his conversation,
he lost his job. Many workers have tried to tell their personal horror
stories of Disney’s draconian rules and their draconian private police
force, but most of the time Disney has had the power to suppress and
intimidate away any bad publicity. An exception to that is the recent Nov.
4, ‘96 Napa Valley Register article on page 2D entitled,
"Critics of Disneyland Say Security Abusive Inside Magic
Kingdom." UCLA law professor David Sklansky commented about
Disney’s police, "One of the major problems we have is nobody
really knows what they are doing- how often they stop, interrogate or
search people. They are not subject to the same sort of regulatory
controls." It’s almost superfluous to tell readers that Disney’s
amusement park with it’s theme areas such as Fantasyland, Tomorrowland
and Adventureland were a great success. Everyone worldwide was curious to
visit this entertainment mecca to participate in something that had a
clean, wholesome image to it. The entire world system pulled together to
insure that Disneyland got the image and publicity that the top 13
Illuminati families and the various syndicates wanted it to have. For 40
years they’ve done this. When something that everyone thinks is clean
and wholesome is not attacked by the world system, that should raise
eyebrows among thinking people. Home schooling, learning to read
phonetically and other wholesome activities for children have been
viciously attacked and ridiculed by the established media. Why has Disney
gone untouched? Disney Studios for years strove to have a very clean
image.

Workers
had dress codes, and any activity on the part of employees that wasn’t
morally conservative was grounds for instant dismissal. Of course, the
exceptions were well covered up, such as an employee who used hypnosis to
get quite a few of the females employees to undress until nude. John L.
Hulteng, author of The Messenger’s Motives (Englewood Cliff, NJ:
Prentice-Hall, 1976, p. 213) informs us, "As communication
researchers have emphasized, the greatest impact the media have on the
formation or change of public opinion is in terms of impressions built up
over a long period." [bold added] The wholesomeness of Disney is an
image that has been built over a long period of time. Disney’s occult
themes of world citizenship, witchcraft, humanism and idolatry have also
been long running impressions that have been craftively perpetrated upon
this nation, so long that they began prior to this author’s --&
probably the reader’s-- birth.

People
don’t associate movie’s like Consenting Adults with Disney, or The
Corpse Had a Familiar Face with Disney. In fact as previously
mentioned, when Disney wanted to put out more "adult" films,
they did a slight of hand and created the label Touchstone films so that
people wouldn’t associate movies like Splash (which showed what looked
like bared breasts) with Disney Productions. Another label, Hollywood
Pictures, was created by Disney to help distribute Touchstone films. At
first the personnel of these companies was simply Disney’s staff, but as
time went on, they got their own production personnel.

On
Oct. 27, 1954, Walt Disney’s Wonderful World of Color debuted on
television. The TV show celebrated Disney’s movie triumphs. The words
Wonderful World of Color are not ill chosen. According to an Illuminati
mind-control programmer, when Disney worked on his cartoons, and amusement
parks, colors --special colors and color combinations--were specifically
chosen for mind-control programming purposes. Wonderful World of Color
under various names such as Disneyland aired for 22 years over the
television networks. In 1955, Walt Disney made his cartoon character
Mickey Mouse real by creating a fan club--the Mickey Mouse Club, which
aired five days a week usually just as children came home from school.
Twenty-four children called mouseketeers would help Mickey, and they would
dance and sing and do skits.

The
Mickey Mouse Club adored the unique, cute little beanie Mickey Mouse caps
with their big ears mounted to each side of the beanie. In the 1950’s,
most kid viewers of the show wanted their own "Mouse Ears" and
to become a Mouseketeer, especially children who were receiving Mickey
Mouse scripts in their total mind-control programming. Disney used his
Mouseketeers to play all the roles in an Oz movie Rainbow Road to Oz, which
was never shown to the public. Adults today (both men & women) who
received Mickey Mouse programming during the 50’s through 70’s can
still be seen with Mickey Mouse clocks, watches, lampshades, knick-knacks,
tee shirts, etc. Years later the kids who watched can still remember
"Spin and Marty" and the Mickey Mouse theme song. The image that
everything was perfect including Mickey was portrayed by the Club’s T.V.
program. Still somehow the American people began to use the word
"Mickey Mouse" as a synonym for a silly, pretend way of doing
things. It became common for people to say, "He mickey-moused it
together." to mean he did a poor job putting it together. On Jan. 30,
1957, Walt Disney had a television show aired entitled "All About
Magic" where a Magic Mirror explains about magic. The Magic Mirror
also contains a "Bibbidi-bibbidi-Boo" sequence. In 1959, Disney
bought 8 small submarines from Todd Shipyards for $2, 150.000.

When
ABC wouldn’t let Walt make a TV series out of a storyline where a magic
ring changes a boy into a dog (a mind-control programming theme)--because
ABC didn’t think the public could swallow the story line--Walt quit ABC
for NBC. Walt then made a scaled down version of this occult storyline
entitled The Shaggy Dog. Early in the 1960’s, Walt and his brother Roy
went secretly looking for an area on the east coast to build another
Disney Park. Walt the younger of the two, died in 1966, and Roy finished
the project. Beginning in 1964, 30,000 acres were secretly purchased at
$200 an acre in the Orlando, FL area just west of NASA’s Cape Kennedy.
Using phoney names and paying cash, Disney buyers bought the land and
swore the sellers to secrecy.

The
Magic Kingdom has been multiplying. In 1971, Walt Disney World was opened
to the public. Bob Hope and others participated in a Disney special on
Oct. 29, 1971 "Grand opening of Walt Disney World". From the
time of its opening until Oct. 12, 1995, Disney World calculated 1/2
billion people visited DisneyWorld. This amusement park is in Orlando, FL
on over 27,400 acres and includes the EPCOT Center (now also called simply
Epcot). The EPCOT center was another dream of Walt Disney’s (albeit more
than slightly modified from Walt’s original EPCOT ideas.) EPCOT
originally stood for Experimental Prototype Community of Tomorrow. It was
to be an extension of the massive mind-control being carried out at Disney
World. The original EPCOT city designed by Walt was to carry on its
commerce (traffic) via underground roads and tunnels like the Disney Theme
parks. After Walt Disney died, his successors changed the proposed
experimental city into another theme park simply called Epcot. It is not
unusual to see crowds of over 48,000 people descend on Walt Disney World
and the EPCOT center in a single day. Some visitors arrive via a monorail.
Visitors can buy 5-Day World Hopper passes which allow them to bounce
around with admission to all the sites for a seven day period. In other
words, some families stay for a week at Disneyworld. Hardcore visitors can
get Annual Passports which provide unlimited use of Walt Disneyworld for
an entire year.

In
reality, many visitors to Disneyworld begin the day enthusiastic and after
a day of hot sun and waiting in long lines with large crowds for
imitations of reality, the tourists are zombie-like and looking forward to
getting back to their hotels. Many people have felt the rides were not
nearly what they expected. Some of the rides are better than others, and
some typically get comments like, "It was stupid." Some of the
spooky events like Snow White’s Adventures, or the oversized heads of
the Disney characters walking around can leave the little preschool
children terrified and dazed for the rest of the day. In contrast, older
children, who normally rarely show patience at home may show how much they
want to go on a particular Disney ride, by waiting an hour and a half in
the hot sun for a ride. Alien Encounter is a Walt Disneyland feature that
invites tourists in for a "demonstration of interplanetary
teleportation." When the "demonstration" as planned
"breaks down" an ,,alien" with asocial traits appears among
the audience and terrorizes the audience. A cute creature is hideously
fried, deformed, and then vomited into space screaming. Here are some
comments from visitors to this Walt Disneyland attraction:

·
"Alien Encounter ...is one of those rides I can say I’ve seen and
that I have no intention of ever doing again. In fact, parents who take
children under the age of six should be brought up on child abuse."
Woman, from MI

·
"Alien Encounter was the WORST experience for my 10-year-old (and
almost every child in there). It starts out cute enough during the
preshow, but the actual show is a disaster for children. My daughter
screamed and cried in terror throughout it. I thought the Disney warnings
were vague and inaccurate. When we left, there wasn’t one child with dry
eyes (even sturdy looking 12-year-old boys were crying.). I think an age
requirement of 13 or 14 is more appropriate. I talked to a few adults and
we even agreed that the special effects were extremely unpleasant even for
us. This show is not a Disney family experience--its ATROCIOUS!!" A
mother from Phillipsburg, NJ.

·
"We did go to Alien Encounter...The preshow is deceiving. It kind of
lulls you into thinking "this isn’t so bad." When the main
part came up, I admit the experience gave me the absolute heebie-jeebies.
. .I am never doing that presentation again--it was way too intense for
me, and I’m now 27 years of age!--from a family in Laurel, MD Michael
Eisner, the President of Walt Disney Co., initially rejected Alien
Encounter for not being scary enough when it was being considered as an
addition to Disneyworld. One wonders what he would have liked! Snow
White’s Adventures, which was an attraction at Disneyland, was one of
what the Disney people called "dark rides". After a while a sign
appeared with a witch warning people that the attraction was scary. Later
in 1983, they renamed it Snow White’s Scary Adventures. It might be
interesting to point out that when the original Snow White and Seven
Dwaffs film came out, that England forbid the film to be seen by any child
under 16 unless accompanied by an adult because of the scary content of
the movie.

How
far we have come since then. Schools in the Florida and California areas
also make field trips to the Magic Kingdom that are arranged with Disney.
EPCOT receives tens of thousands of children this way during March,
September and October. High schools use the Magic Kingdom for proms or
senior nights, and some couples use the facilities of the Magic Kingdom
for weddings. Modem Bride ranked Orlando as the number-one
honeymoon destination in the world. Group discussions of people who took
honeymoons to DisneyWorld have had a consensus that the hype is not as
great as the reality. Some weddings are done with cartoon characters.
Disney offers "fairy-tale" wedding packages. A great deal for
two mind-controlled slaves. They can reinforce their programming while
getting married. The Disney fairy-tale wedding typically has its ceremony
on a pavilion on an island in the Seven Seas Lagoon with the Cinderella
Castle as a backdrop. The fairy-tale wedding can then be followed with a
Fantasy reception with a choice of themes such as Beauty & the Beast
or Aladdin. The fantasy programming can continue as the bride is delivered
to a "Cinderella’s Ball" by an actual glass carriage drawn by
six white Disney ponies. A costumed fairy-godmother & stepsisters are
also at the ball. Desert is served in a white chocolate slipper.

One
of the after-dark shows is IllumiNations which consists of music,
fireworks, erupting fountains, special lighting, and laser technology done
at the World Showcase Lagoon. EPCOT has a show Cranium Command at the
Wonders of Life in the Future World section where guests sit in a theater
that functions as a command control room for a boy’s brain. In 1980,
Disney came out with the box office flop The Devil & Max Devlin. In
1984, Roy E. Disney brought in Michael Milken, of junk bond fame to help
Disney out financially. In 1985, Disney bought MGM’s rights to Leo the
Lion logo and began using the MGM Wizard of Oz material. Later a remake of
Alice In Wonderland came out in the modern motif of Honey I
Shrank the Kids. In the 1990’s, Illuminati controlled companies
continued their promotion of Disney. For instance, the Nestle family’s
Nestle company promotes Disney movies on their chocolate bars. The Nestle
family is exposed in this author’s booklet Illuminati Control Over
Foods and Grains, p. 4 as one of the elite Black Nobility families. In
1996, Walt Disney World created an actual residential town named
Celebration on its property. This self-contained community has 20,000 and
a school, a theater, a fiber optic information network linking business,
as well as other features.

SOME
DISNEY people of interest.

Over
the years, the close associates of the Disneys’ is very revealing. The
public can get a feel for Disney’s attitude toward Illuminati bloodlines
in the Disney movie The Happiest Millionaire which is about Anthony
J. Drexel Biddle and Angie Duke. Readers of this author’s previous
writings will recognize the Biddle and Duke names. In fact, the movie was
based loosely on a book written by Cordelia Drexel Biddle about the
Biddles.

X
Atensio. His first name was Xavier, but was nicknamed and called X. He
worked on the haunted mansion of Disneyland with WED enterprises. He
joined Disney in 1938, and was an assistant animator of Fantasia.

Warren
Beatty. (b. 1937 in VA) This actor is from the Illuminati Beatty family
and starred in Disney’s Dick Tracy. The Dick Tracy film uses color in a
special way, and this ties in with the color programming of the
mind-control. Some total mind-controlled slaves have programming based on
Disney’s Dick Tracy movie for them to track down and kill
"targets" (people). Warren’s sister is the famous (or
infamous) Shirley Maclaine. Shirley "MacClaine" is not what she
appears. Her father was a professor who was a CIA asset. She was used by
the CIA as a sex slave. She became popular with the studios because she
went to bed with the correct people. Her talents were used to get her as
an intelligence slave into places that an obvious intelligence agent
couldn’t go. She was married to a man in the NSA for nearly 20 years.
Her adopted name Maclaine (reportedly her mother’s maiden name) is a pun
on McLain,, VA where the CIA programmed her. She was used by the CIA in an
operation in Australia, where the CIA used her as a sex slave to
compromise Andrew Peacock, an Australian MP,, so that they could establish
the Nugen-Hand bank for their dirty money laundering etc. She is friends
with satanist Stephen Nance who has provided her with some of her
teachings. Lowell McGovern writes her material. The CIA has programmed
many of their New Age slaves to adore Shirley MacLaine. An example of this
is Christa Tilton, one of their mind-controlled slaves, who revealed in an
interview how she considered herself a born-again Christian who had spent
most of her life in Oklahoma, but had mysteriously been drawn to Shirley
MacLaine. During her life she has gotten repeated "psychic
urgings"--that is strong urges to do things and go places, which she
doesn’t understand where these urgings came from. After hypnosis,
Christa drew pictures of the doctor who programmed her. Christa has had a
federal agent monitor her constantly. Her husband has seen this agent, who
has shown up on her door step and made calls to her. She names the agent
John Wallis (most likely a cover name). This agent has a complete
knowledge of her life, and government agents have taken photos of her
during her supposedly "alien abduction" experiences. Christa is
just one of hundreds of victims who have been programmed to adore Shirley
MacLaine. (Christa is mentioned here because she is one case that this
author is familiar with.) Warren Beatty, who peppers his speech with
four-letter words was a student at the Stella Adler Theater Studio in NYC.

Black,
Shirley Temple. Shirley Temple Black sat on the Disney board of directors (74-75).
Her films were used for some of the early 40’s and ‘50’s programming
and teaching slaves body movements/dance. She married someone in an elite
Network family from San Francisco named Charles A. Black. Charles A. Black
was a Lt. Col. in the Pentagon who lived at Bethesda, MD. Was Shirley an
early example of brain-stem scarring to get geniuses? Shirley’s brother
appears to have developed "Multiple Sclerosis" from brain
stem-scarring. It was Shirley Temple who co-founded the International
Federation of Multiple Sclerosis Societies, and was a member of its exec.
committee. Shirley represented the U.S. at the UN General Assembly in
1969, belongs to the Sierra Club, and has been decorated with the Cross of
Malta. Shirley has shown clues that she may be an Illuminati
mind-controlled child protege.

Stephen
Bollenbach. Bollenbach was part of Walt Disney management, and was a key
figure who helped engineer Disney’s $19 billion buyout of the CIA’s
Capital Cities/ABC, as well as sell the idea to Eisner. He is the CEO of
the Network’s Hilton Hotels Corp. He recently has been involved with
trying to buy ITT, in order to put together the world’s largest
hotel-casino combination. Bollenbach has an extensive background with the
gaming-gambling industry. When the Justice Dept. began looking into the
merger of Disney with Cap. Cities/ABC, Bollenbach resigned his Disney
position. Some people feel his resignation was needed for Disney to get
the Justice Dept. to approve the merger, because his past was vulnerable
to be exposed.

Warren
Buffett. A major stockholder in Walt Disney. He also owns 40% of Berkshire
Hathaway Inc. which also owns lots of shares of Disney stock. According to
S.F. Examiner, Buffett himself owns 24 million shares of Disney. Warren
Buffett is part of the Ak-Sar-Ben fraternity and Monarch slave abusers who
were exposed in the Nebraska Saving & Loan scandal. He is perhaps the
second richest man in the nation, and too powerful for anyone to touch. In
the kingpin vs. kingpin battles, some people close to the inside see
Buffett as a good guy. Readers need to study the Lincoln Savings &
Loan scandal and the scandals connection to programmed child slaves at
Boy’s Town to get more information on this Disney stockholder. Robert G.
Hagstrom, Jr., who is the portfolio manager of the mutual fund Focus
Trust, which has shares in Walt Disney, wrote the book The Warren
Buffett Way. Hagstrom has a chapter on Disney in his The Warren
Buffett Way. He quotes Buffett as extremely enthusiastic about
Disney’s merger with Capital Cities/ABC. Because of his enthusiasm
Buffett says, ,,The odds are extremely high that we will have a very large
amount of Disney stock."

Salvador
Dali--This strange surrealist spanish artist was a friend of Walt Disney.
After Salvador was kicked out of Spain for Franco’s belief that he was a
communist, he came to America, and worked with Disney Studios in 1946.
Salvador, an eccentric who had no particular work habits, described
himself, "The only difference between me and a madman is that I’m
not a madman."

The
Tommy Dorsey Band--This band has had a number of men in it who are
Mind-control slave abusers associated with the Network. Frank Sinatra, a
sexual slave user, got his big break with this band. This band performed
at Disneyland in 1984 at the Plaza Gardens. Tommy Dorsey was part of the
Network’s in-crowd. When he was on a USO Tour with Bob Hope, he stabbed
actor Joe Hall and threw him out of a window. Joe had to have 32 stitches.
But Joe didn’t get justice, the judge dismissed his case against Tommy.

Michael
Dammann Eisner, Chairman at Disney is a CIA asset and connected to the
mob. Some insiders believe he is connected to elements of the CIA &
mob that are anti-NWO. Even so, these anti-NWO factions also employ
mind-control. Eisner ignored a threat by Red China to boycott Disney
products if he made a movie about the nation Tibet that China controls
with draconian force. The U.N., the Commerce Dept. and the State Dept. all
tried unsuccessfully to get him to back down on the film. A paper trail
connecting Michael Eisner and Walt Disney Co. to mind control is their
support of the Boys & Girls Club of Napa Valley, which is used for a
supply of children for pedophilia and mind-control. The Boy’s &
Girls Club is used to supply caddies for the Silverado Country Club, where
these children are also used as mind-controlled slaves for the sexual
perversions of the elite. Notice that Napa’s Silverado Country Club
invites in celebrities (such as CIA asset Pat Boone, Joe DiMaggio
ex-husband of sex slave Marilyn Monroe, Engelbert Humberdinck a slave
handler, Digger Phelps Notre Dame’s coach who uses slaves, and Jack Vale
nti CEO of Motion Picture Assoc. & Bohemian Grover) for a golf
tournament which is billed as a ,,benefit for the Boys & Girls
Club". The benefit for child slaves is they get to caddie &
sexually service elite perverts. Michael (bn. March 7, ‘42 in NY) came
from old American money of a family that has been rich merchants and
lawyers. Michael grew up in luxurious Park Ave. as well as his family’s
"country place" in Bedford Hills near Mt. Kisco, NY. He went to
an elite private school Allen-Stevenson, which is famous for its
children’s orchestra.

At
the age of 14, he then went to Lawrenceville School, which is a
prep-school for Princeton, whose tuition in ‘56 was $3,000.
Eisner’s class incl. NY’s governor’s son, and other sons of powerful
men, such as the son of Saudi Prince Turqi al-Faisal. The school is a prep
school for the establishment’s entertainment industry. Students are only
allowed to see their parents on major holidays. Eisner was in the Periweg
Club, the school’s drama society. His poor scholastic performance meant
that he had to go to a small liberal arts college, rather than Princeton
or Harvard such as was family tradition. For instance, his grandfather had
attended Phillips Exerter Academy and Harvard. His grandfather has serve
in many govt. commissions and belonged to the Harvard Club, the American
Club in London as well as some yacht clubs. Between his junior &
senior year in high school, Eisner was a page at NBC’s HQ in the
Rockefeller Center. In 1966, he landed a job in the programming department
of ABC. He had an influential position. Eisner had one good break for
deciding TV programming. He was 21 when the target audience was 21 years
old, and when he was 35, the target age of the film industry was
then 35.

He
has been described as having "supernatural enthusiasm" coupled
to a lifetime quest for untested ideas.

Rich
H. Frank, was Executive Vice-President with Walt Disney until his sudden
resignation about a year before this was written. He worked side by side
with Katzenberg and left after Katzenberg resigned in a dispute with
Disney’s chairman Eisner. Rich Frank was President of Walt Disney’s
TV-Media Division. He acquired the estate of VanHoffenwiggen, when
VanHoffenwiggen fled the country and vanished when Lendvest began to be
exposed. VanHoffenwiggen was a major figure involved with Lendvest
Mortgage Inc., a drug-laundering operation and drug smuggling operation
operating out of Napa Valley. It was also the fastest growing real estate
mortgage company in northern California until its drug smuggling began to
be exposed. Lendvest did some tricks ala Nugen Hand Bank. Millions of
dollars of investors and creditors have disappeared leaving lots of
hurting people, and the mortgage company filed for protection from
creditors in U.S. Bankruptcy court, and is still in operation.
International financier Edmond Safra’s private bank, the Republic
National Bank of NY, launders money from the Medellin drug cartel.
Safra’s bank sent Lendvest lots of crisp new $100 bills. The Safras are
tied in with the Rothschilds. (The Safras are reportedly recent property
owners in St. Helena near Napa (through Good Wine Co. which is the Spring
Mountain Wineries), near where Lendvest was HQed. Edmond’s nephew, Jacob
Safra, has a partnership in Napa Valley’s Good Wine Co.

The
Rothschild’s Citicorp gave Republic National Bank the transaction
ability to issue international (world) bearer bonds ("bank
notes") The Luxembourg/Belgium branch of Bank Nacional de Paris
issued a bearer bond that was connected the Lendvest drug running
operation. In Britain, a U.S. citizen Mike Spire ran the British operation
of Lendvest and InVest. LandVest’s parent was InVest which has operated
in the U.K., Switz., Saudi Arabia & Paraguay. Long story made short,
Lendvest has been an international CIA-Mafia drug running operation, with
Illuminati overtones and connections to it. With all this in mind, it is
strange, that Walt Disney’s President of its TV-Media Division, Rich
Frank, bought the palatial mansion of John 0. VanHoffenwiggen after
VanHoffenwiggen disappeared from the country when indictments and arrests
began to be made of people connected to Lendvest. According to insiders,
Rich Frank is also one of a number of Napa Valley people involved in
illegal labelling of wines. Rich Frank was a key figure in Disney’s
programming venture with three regional Bell Telephone companies
(Ameritech, Bell South, & SBC Commun.) coming together. Bell Telephone
wanted to get into cable TV. Michael Ovitz formed a rival group of 3 other
Bell Telephone co.s. Calvin Robinson, who tied in with Land Vest, worked
with Boyce, who in turn worked for TRW Co., in Redondo Beach, CA. Boyce
was sentenced to 40 years for selling US surveillance secrets to the
soviets.

Daniel
Hillis, the co-founder of a supercomputer producer Thinking Machines from
MIT, is in charge of the Walt Disney Imagineering unit. Hillis helped
Disney develop a virtual-reality ride at Disneyland based on the Aladdin
cartoon.

Jeffrey
Katzenberg, has been the chairman of Disney’s movie studio, is an
aggressive worker, a model Type A person. ,,Ask 50 people to describe
Jeffrey Katzenberg, and most will say tenacious. ‘If Jeffrey were any
more aggressive, he’d be in jail." says the producer Dan
Melnick." ( Harmetz, Aljean, "Who Makes Disney Run?", NY
Times. Feb. 7, ‘88, p. 29.) Katzenberg is the father of twins, which
people joke was typical of his efficiency. Katzenberg supervised the
production of Star Trek. Most of his movies have been box office
successes. In the ‘70’s, Katzenberg worked for NY Mayor John Lindsay.

Sanford
Martin Litvack. Sanford is the Executive Vice Pres. of Disney and in
charge of "Human Resources" for the corporation. He is a jewish
lawyer who was educated at the Jesuits’ Georgetown Univer. He is on the
bd of dir, of Bet Tzedek.

Vincent
Price. Price has been one of the major influential occultists who has
provided the world with many occult horror books and scripts. He worked
for Disney some, and was the voice for Ratigan in The Great Mouse
Detective. Vincent Price’s good friend John Hay Whitney is an
Illuminati kingpin and vice-pres. of the Pilgrim Society and was raised
into the Illuminati through the Yale Scroll & Key fraternity. His
friend Whitney likes horror movies.

The
Osmond Brothers. Merrill Osmond’s boys were "discovered" at
Disneyland when they were visiting the site in 1962. The Disney people on
Main St. just "happened" to recognize the talent of the five
boys and signed them up soon for their first professional singing
contract. The Osmond Boys did some television appearances for Disneyland
such as Meet Me at Disneyland, and Disneyland after Dark. (Considering the
mind-control programming done to these Osmund children, these TV shows
were a cruel joke.) Of the singing Osmond kids, Donny is the next to the
youngest, and his sister Marie is the youngest. Both Donny and his sister
Marie are programmed multiples who are slaves, who have been subjected to
a lot of abuse. They have good front alters. Their father has made
millions from drugs, porn and white slavery and is part of the Mormon
Illuminati front. The Mormon front of the Illuminati has gotten a lot of
good publicity off of the Osmonds. They sang for Andy Williams whose
french wife was once arraigned on murder charges. Later they sang for the
satanic Network’s Lawrence Welk show. Swedish accented Lawrence Welk has
been part of the Network. Marie Osmond has grown up, and she has adopted 3
of her 5 children in spite of her busy singing schedule which includes
approx. 200 singing shows a year at places like Mafia controlled Atlantic
City. In terms of occult families, adopted children are often programmed
children, so this is a clue that her children have been programmed too.

Michael
Ovitz. Ovitz was the no. 2 man at Walt Disney for a while until near the
end of ‘96. Michael Ovitz was a high school classmate in VanNuys, CA
with Michael Milken (later the junk-bond wizard), & there are many of
the same people connected to both men. When Michael Ovitz’s National
Mercantile Bancorp (a saving & loan) began getting into the quicksand
of several lawsuits & scandals, attorney Robert Strauss represented
him. Illuminati member Robert Strauss has been a lawyer connected with
drug running & the mafia. He was also an FBI agent from ‘41 to ‘45
with Hoover. He is admitted to the Wash. D.C. bar. Pres. Bush
appointed him U.S. Ambassador to Russia. He has been on the board of dir,
of the Illuminati’s PepsiCo, Archer-Daniels-Midland (ADM), and General
Instruments (which have been exposed in other writings by this author.) He
was also a board member of the Illuminati-mafia run MCA. Strauss is seen
in Wash. D.C. as a behind the scenes power broker. Strauss represented
Michael Milken associate Ronald 0. Perelman, Chrmn. of Revlon, who made a
$600 mil. killing off of the 1st Gibraltar S&L. Strauss represented
MCA, which the Bronfmans took over in 1995. The book Knoedelsder,
William. Stiffed-The True Story of MCA, The Music Business, and the
Mafia. NY: HarperCollins Pub., 1993, does an good job of connecting
MCA to the mob, the Network, and Iran Contra.

See
especially page 442. Time magazine 2/24/97 carried a page long
story about Michael Ovitz being out of a job. In the article, they
reported that he was spending time on his new yacht The Illusion, visiting
Joe Silver’s estate in So. Carolina, visiting his property in Aspen, CO,
and eating lunch with investment adviser Richard Salomon of Spears,
Benzak, Salomon & Farrell. Gordon Crawford of the Capital Group is
quoted in the article praising Ovitz, and saying he would invest in an
Ovitz venture. Ovitz is believed to be mafia by people in a place to know.
He has also been known to threaten people using mafia terms, for instance,
Vanity Fair (12/’96, p. 272) reports Ovitz threatening Bernie
Brillstein, a producer, with his "foot solders". The San
Francisco Chronicle (Fri., 1/26/’96, p. D20) quotes the latest issue
of Columbia Journalism Review about an incident where a reporter
Anita Busch who was investigating Ovitz got violently sick from the MSG in
her food as she interviewed him. To top off it all off, Ovitz followed up
her story which questioned his actions, by sending her a gift wrapped
package of MSG with a one-word note: "Enjoy.". Michael Ovitz has
had the clout to deal with Illuminati kingpin Edgar Bronfman head to head.
He requested & got Bronfman to keep

his
dad employed, which was dutifully done. Edgar Bronfman Jr. had seriously
considered having Ovitz head Seagram’s MCA/Universal conglomerate.

Frank
G. Wells. Frank was the President & the Chief Operating Officer of The
Walt Disney Co. Wells was also on Disney’s board of directors. He was a
Rhodes Scholar, and a lawyer in 1955. Those who have read previous
books (such as Vol. 1) by this author know how the Rhodes Scholars
fit into things & are part of the Illuminati. He worked closely with
Eisner & Katzenberg. Frank died in a helicopter crash in the spring of
1994 while heli-skiing in Nevada. His surviving sister is Molly Wells
Chappellet who runs around in Illuminati circles. Molly Wells Chappellet
has been featured several times in Betty Knight Scripp’s magazine Appellation.
Betty Knight Scripp was married to a Bohemian Grove member. Betty has
been good friends with: the late Pamela Harriman (who was a recent U.S.
ambassador to France & connected to the Rothschilds), as well as good
friends with Her Imperial Highness the Grand Duchess of Vladmir of Russia,
who owns the Chateau Margaux in Bordeaux. Betty Scripps personally
monitors with care what is put into her incredible magazine Appellation.
She has a column "Who’s Who in the Wine Country" where the
Chappellets have appeared in print numerous times.

Nearly
all of Disney’s 1920 movies had a black cat in them. Many had occult
slants to the scripts. The occult slant never departed from Disney themes.

Some
of DISNEY’S

blatantly
OCCULT MOVIES.

Aladdin.
A wisecracking allpowerful genie is shown.

Bednobs
& Broomsticks. (1971) A witch finds a magic formula from a lion king.
The magic formula raises a ghostly army of armor in a museum which stops a
band of German commandos.

Beyond
Witch Mountain. (1982) A pair of twins leave Witch’s Mountain and have
to use their special occult powers to outwit a character named Deranian.

Black
Cauldron, The. (1985), A Horned King uses his magic to fight a clairvoyant
pig and the pig’s keeper. This animation cost $25 million, but
was a

box
office failure.

Bride
of Boogedy. (1987) An evil spirit visits the Davis family and puts the
father under a spell. Directed by Oz Scott.

Child
of Glass. (1978) A glass doll must be found to set a ghost free in a
haunted house.

Gnome-Mobi1e,
The (1967). A multimillionaire and his grandchildren encounter gnomes. In
the end the multimillionaire deeds the forest to the gnomes for eternity.

Halloween
Hall of Fame (1977). Jack-o-lanterns come to life.

Halloween
Treat (1982). Cartoons about Halloween. This was followed the next year
with a film Haunted Halloween which talked about the origins of Halloween.

Misadventures
of Merlin Jones. (1964) A genius tries to help other students. He tries to
also use hypnotism & ESP which backfire on him.

Richest
Cat in the World. (1986) A wealthy man leaves his fortune to his cat, who
the relatives later discover can talk.

H.
DISNEY & its MOB connections

When
this author spoke to the co-author’s deeper Illuminati alters about
Disney, their reaction was that Disney had been described to them when
they were in the Illuminati as "a syndicate within a syndicate."
They said that while in the Illuminati, they were aware that Disneyland
had their own government, their own rules and their own police force. They
were a crime syndicate within a syndicate. What these Illuminati alters
casually mentioned, was verified by this author the hard way through
research. One Disneyland Security Supervisor said, "There is no
Constitution at Disneyland. We have our own laws." Once, when Walt
Disney got miffed at a Hollywood policeman, Walt said, "I’ll have
your badge." If Disney guards decide to, they will get very rough
physically with people, and assault them in any fashion they see fit. The
people they detain are often thrown into tiny cells at Disneyland where
they are kept without benefit of a phone call, without benefit of a toilet
or water. The judicial system turns a blind eye to whatever Disney police
do. Many people pay Disney to get their children out of a Disney cell, and
never get due process of any law.

This
type of treatment has gone on for decades, and is almost a daily
occurrence at Disneyland. The Anaheim Police force is very chummy with the
Disney private police force. Also at one point, the Burbank Chief of
Police was the brother-in-law to Disney’s Chief of Security. Recently,
when a couple filed a wrongful death suit against the Magic Kingdom of
Disney in Florida, the state of Florida surprisingly has appeared to have
backed off from their traditional behavior of protecting Disney’s
sovereignty. An article on the suit said, ""there is evidence of
some nervousness with Disney’s relative autonomy."" (San
Francisco Chronicle, article "Mickey’s Dark Side" Oct. 1,
‘96, p. C6) An attorney in the case said, "Disney World’s
security people aren’t just cops, they are bad ones. I don’t think
there is any corporation that has ever had the perceived power that Disney
has." Richard Foglesong, a professor of politics at Rollins College
in Winter Park stated, "Because Disney World controls so much of its
corporate and municipal universe, it can’t help but act in a
heavy-handed manner in order to ferociously protect its self-interest.
They have immunity from state and local land use law. They can build a
nuclear plant, distribute alcohol. They have powers local communities
don’t have. Do they abuse it? In my opinion, yes." In line with
Disney’s previous dictatorial policies on their properties, Disney’s
new city called Celebration will not have any elected government.

Since
the city is unincorporated (a neat Disney trick) the mayor is appointed by
Disney. Several Disney "quasi-government’" bodies control
citizens of the city. For instance, the Celebration Residential Owners
Association, which participates in binding all residents to a Declaration
of Covenants, a legal binder of rules that residents must live by. Of
course the Declaration of Covenants was written by Disney. These rules
include such nit picky things as, no more than two people can sleep in the
same bedroom, no pickup trucks can be parked in front of homes, and if
Disney officials don’t like your cat or dog they can forcibly remove the
animal from your home. Disney Corp. has perpetrated numerous deceptions on
the residents, incl. shoddy work on their homes, and operating their
""public"" school with Disney cronies. Still, the
residents that have moved into Celebration are glowing with praise for the
town in spite of the fact that the city is totally run by Big Brother
Disney Corp. Of course those who don’t love it, soon leave. So much for
the American tradition of self-government.

Some
MOB HISTORY.

Traditionally,
the mob crime bosses have had a yearly summit. In 1928, they had their
yearly conclave at Cleveland. In 1929, they had their secret yearly
conclave at Atlantic City. In 1931, they held their secret annual conclave
at Wappingers Falls, NY. At the Wappingers Falls meeting, attended by
about 300 overlords and soldiers, the heads of the family clans discussed
their crime family agendas. They decided where the first national Mafia
convention was to be held. Once the Mafia was able to hold their yearly
private national meetings, they were able to coordinate their activities,
as well as decide such things as:

a.
the direction of national & internal operations, and long range plans

b.
the promotion of new bosses

c.
decisions on turf & rank, commodities & cash

d.
hashing out alliances or disputes with the Mishpucka, Triads, FBI,
Illuminati, etc. and working with others in a concerted manner. The mafia
clans would then leave the annual summit meetings and follow through in
their area of operations, until they would meet the next year, review
their successes & failures, get new assignments, and decide upon new
short & long term goals. In 1927, the Mishpucka worked with Mafia to
highjack a bootleg shipment of whiskey travelling from Ireland to Boston
for the Kennedy Illuminati family. Most of Kennedy’s guards were killed
in the shootout, and J.P. Kennedy had the widows of the guards besieging
him for financial assistance. Billy Graham’s good friend Mafia Chief
Joseph Bonanno was one of the chiefs who attended the yearly conclaves. He
also met with J.F. Kennedy in the Winter of 1959. John Kennedy was known
to have said that mobster Sam Giancana worked for his Kennedy family. The
mob/Illuminati alliances and infighting are too complex to deal with in
this book, but both groups had to put plans into action to deal with the
repeal of Prohibition, which would end their lucrative bootlegging. The
short term plan for the Mafia was to control the film industry in
Hollywood, and to penetrate the unions better. The long term plans called
for sending their next few generations of children off to the top schools
and getting them into legitimate respectable corporate positions. By
learning the ins and

outs
of honest, legal operations, they could then mix in the illegal operations
with their legal ones & look legal. They planned to extend their power
base into politics, the Harvard-Stanford business schools, as well as the
finest corporate board rooms. They intended (and have succeeded) in
getting some of their offspring to produce/direct T.V./films. They would
have an increasing presence within the Bohemian Grove membership, as well
as some of the other great social & business clubs. Their plan to take
over the film industry hinged on their union control over unions and
theaters. The Chicago mob controlled the International Alliance of
Theatrical Stage Employees Union. The mob controlled the projectionist’s
union, and if the film makers had the theaters where their movies were
shown shut down, what good would it be to make movies? The film makers and
the mafia both had power & money. Rather than fight a protracted war,
they made a deal. The major studios would give about $50,000 a year
to the mafia, and the small ones $25,000, to be allowed to
function. Other agreements were also reached. Mob henchmen Willie Bioff
and George E. Browne were mob lieutenants who orchestrated the mob’s
"Hollywood takeover".

Time
Magazine, Nov. 1, 1943, wrote,
"In the witness chair in Manhattan’s Federal Court sat bland, wily
Willie Bioft (pronounced Buy-off), blackmailer, panderer, labor leader,
and now star witness against eight ex-pals, who are charged with shaking
down $1 million from the movie industry...Question: Was it true that Bioft
once had a five-year plan for taking over 20% of Hollywood’s profits-and
eventually 50% interest In the studios themselves? Bioff (wistfully):
"If we’d lasted that long, we would have. Question: "Did you
ever say you were boss of Hollywood and could make producers do whatever
you wanted?" Bioff: "Yes-and I could make them dance to my
tune." Although Bioff rolled over on his pals and ended up getting
car bombed, that didn’t stop the mob/Mishpucka infiltration &
control of Hollywood. (Bioff had tried to save his public image by helping
Walt Disney settle his labor dispute with the mob-led unions, but Walt
wisely relected his offer of help, and made sure he didn’t offend the
Chicago mob leaders who were disgruntled with Bioff.)

Hundreds
of millions of dollars were poured by the Mafia & Mishpucka into real
estate in southern California, by using legitimate local businessmen to
launder the money. Hollywood was declared a "free zone" where
all the Mafia/Mishpucka families could operate without a fear of a turf
war. Let us backtrack slightly to 1930. Columbia distributed Disney
cartoons from 1930 until 1932, when Disney switched to United Artists,
because Columbia wasn’t bothering to pay Disney the money they owed. In
1930, Cohn, Pres. of Columbia Pictures, got Disney off the financial hook
with Powers by intimidating Powers with some street toughs carrying a
legal suit. If Disney wasn’t indebted to the mafia before, he was at
that point. Biographers have been puzzled why Disney went into such a
traumatic depression after Henry Cohn "helped" him. Tough guy
Henry Cohn made sure Walt knew who was boss. His attitude was that Walt
should be happy to be paid at all by him for the cartoons Walt supplied
Columbia. After this, Walt would lock himself in his room and weep
uncontrollably for hours. He was impossible for anyone to get along with.
He was unable to focus on anything, and would stare for long periods out
the window. Biographers blame Walt’s behavior on the fact that his wife
was pregnant. They also blame it on his friend Iwerks defection to another
company. Frankly, Walt had treated Iwerk like a dog, and deep down must
have known why Iwerk left such an abusive relationship.

To
claim that he wept for hours day after day because he realized he might
become a father is too much to swallow. When Walt was asked years later
about why he was so depressed he said it was the stress of the financial
situation. Walt said, ,,I had a nervous breakdown. ..Costs were going up;
each new picture we finished cost more to make than we had figured it
would earn when we first began to plan it...I cracked up." This
author submits to the reader that part of his breakdown may have indeed
been the financial stress from having come under the heel of the mafia.
They had all the means to make or break him, and he had no choice but to
surrender to their overwhelming power to blackmail & destroy him OR to
get out of the business. What this did was place Walt in a position where
his two strongest traits had to clash--his overwhelming obsession to be
his own boss, and his creative obsession to create animation which was
wrapped up with his ego & his deep phobias and psychological needs.
His mind couldn’t give up its independence nor its creativity without
great mental anguish, and therefore Walt was very saddened, knowing that
he would have to admit defeat, and buckle under the heels of the big boys.
Just when he needed emotional support his wife was going to have a child,
and his best animator left. Walt had abandoned Iwerks years before, and
Walt’s wife had wanted a child for some time. Iwerk’s departure and
his arriving child do not in themselves account for the long intense
nervous breakdown that Walt experienced.

Biographers
point out that Walt was very reluctant to have children, and that he was
impotent with women including his wife much of the time. His impotency to
carry out normal sex may help explain his secret sexual habits. Walt’s
masonic brother Carl Laemmle offered Walt a good deal to help him recover
from Henry Cohn’s abusive control of Walt, but Carl wanted the copyright
to Mickey Mouse in return for the help, and Walt wouldn’t part with
Mickey Mouse. Instead, Walt signed a contract offered by Joseph Schenck of
UA (United Artists), who was one of the Mafia’s illegal drug kingpins.
In 1935, the mob’s illegal drug dealer Joseph Schenck went on to
found 20th Century, Inc. which later merged with Fox in ‘38 to form
Twentieth Century-Fox, whose board of directors would include two
Illuminati kingpins William Randolph Hearst and Malcolm MacIntyre. Joseph
Schenck’s brother Nicholas Schenck and Marcus Loew merged Metro Pictures
and Goldwyn Pictures and named Louis B. Mayer as its head. Meanwhile over
the years, MCA, headed up by Illuminati Kingpin Lew Wasserman gained a
monopoly over the American film industry with the secret backroom deals
that they made with Ronald Reagan’s Screen Actor’s Guild and
Petrillo’s American Fed, of Musicians.

(By
the way, Lew Wasserman would try to revive Reagan’s acting career in the
early ‘60’s. Frank Sinatra and Walt Disney were both friends of Ronald
Reagan, and all three believed in mind-control.) Ronald Reagan and
Petrillo in turn worked with the Mafia’s NCS Council of 9 (which incl.
Anthony Accardo and Sam Giancana), which at one point divided the U.S.
into 24 mob territories. After J. Schenck went to jail (very briefly), he
was replaced as Pres. of 20th-Cent. Fox by Spyros Skouras. Before his
arrest, while Schenck was still in charge of 20th-Cent. Fox, he made
numerous offers to Disney for Disney to incorporate his studio as a
subdivision of 20th-Cent. Fox. Disney worked for a few years with them
distributing his films, but he would not let go of trying to be
independent. The FBI and American Intelligence turned to the mob to help
them as the U.S. entered WW II. Perhaps Walt’s mob connection added
impetus for his recruitment. Walt went to a number of American Nazi
meetings prior to Pearl Harbor. This author believes from knowing Walt’s
personality that Walt may have been on assignment, rather than a Nazi
sympathizer. Still, why does one of Disney’s pre-Pearl harbor cartoons
display a swastika? Disney’s Epcot Resorts is close to the mob’s
Atlantic City Board Walk with its nightclubs. The resort was designed by
Robert A.M. Stern. (This author doesn’t know about Robert Stern, but
there are programmed multiples and Illuminati members within the Stern
family.) At Walt Disney World, the nightclub

there
was named "Cage", and then later ’8 TRAX". Comedy
Warehouse, which is a nightclub at Pleasure Island in Walt Disney World
opened on May 1, 1989 and has used slave comedians as well having people
who are mind-control abusers. On Feb. 11, 1987, Walt Disney Co. was
reincorporated in Delaware. Delaware is the only state that allows total
corporate secrecy. No one can find out who really is running a Delaware
corporation, and many other secrets can be hidden under Delaware’s
corporation laws. Capital Group has considerable shares in Disney, as well
as 29% of the shares of the Robert Mondavi winery at 7801 St. Helena Hwy,
Oakville, CA. Wellington Group and Mellon bank also have shares. Behind
Capital Group are mob controlled groups like Debartolo Reality Corp. and
La Quinta Inns (a Bass bro. operation.) Sam Bronfman operates Sterling
& Monterey Vineyards. There are countless people walking around that
have felt the ruthless, impersonal, controlling, money-grabbing side of
the Disney Corp. Also, there are a number of journalists who have
experienced first hand the secrecy and paranoia that the Disney
corporation has. Most journalists are not used to the secrecy that
pervades Disney. Because Disney has shaped the myths of America for
several generations, the public takes more concern over who is running
Disney, than they would other institutions. Because most of America
believe in the image that the Illuminati have built for Disney, they are
rooting for it to succeed.

How
the Disney Executives have figured out how to steal land all across the
U.S.

Over
the years Walt Disney has developed several very sneaky reliable
techniques to acquire land. They acquire land through their executives and
large stockholders and family members of the execs and stockholders. After
all the deals are made in an area, and when everything is in place over a
period of time, these people then turn their land over to Disney. Disney
works with government officials and local bankers to line up special deals
so they can succeed in their plans. After everything is lined up, the
corporation announces their plans and goes forward. This methodology has
been used repeatedly, for instance the American History Theme Park in the
Manassas Civil War battlefield area of Virginia for which Disney has
acquired 1,800 acres and has access to at least 1,200 more. In Nov. ‘94,
after a new Virginia governor was elected, the Virginia "Disney’s
America"project was announced, and Virginia voted almost
instantly for the money for transportation and infrastructure improvements
to the area so that Disney’s theme park would be viable. Disney set up 3
banks in Napa, CA. Their banks made loans to old families in the valley.
The trusts and the wills for these families were made up by Stanford Univ.
grads. These people set on the boards of these banks or connect with the
boards of these banks. They charge large fees, and know every trick in the
book to rob people of their estates and their living trusts. The Stanford
grads, who connect in with intelligence agencies & the mob use certain
code words when they set up their businesses, such as RESOURCE, EVERGREEN
and PACIFIC. There are a number of scared landholders who are being
intimidated to sell their land in the Napa Valley region.

DISNEY
and the GOVERNMENT

Just
prior to W.W. II, the FBI recruited Walt Disney. His job was to spy on
Hollywood or anything else that looked suspicious. Documents obtained from
the Freedom of Information Act, in spite of heavy censoring, clearly show
that Walt Disney became a paid Special Correspondent asset of the FBI. He
reported to FBI agent E.E. Conroy. In 1954, Walt was promoted to Special
Agent in Charge (SAC) which means others reported to him. After
"leaving" the CIA, ex-DCI (ex-head) of the CIA William Hedgcock
Webster became a lawyer for the Wash. D.C. based firm of Milbank, Tweed,
Hadley and McCloy. In 1993, when news broke about Walt Disney’s FBI
membership, ex-CIA head Webster worked with the Disney family to cover up
to the public that Walt Disney was an FBI agent. Webster went on TV and
had interviews to spread the fabrication that Walt was not connected to
the FBI. Why? One of the countless items that Disney was involved in was
the investigation into the disappearance/rape of a six-year old child Rose
Marie Riddle on 1/12/61. According to documents gotten from the Freedom of
Information Act, W.G. Simon was the FBI agent who met with SAC Walt Disney
in L.A. about the case. W.G. Simon has been one of those people who has
been publicly lying by claiming that Walt Disney never was an FBI agent.
The paper trail proves otherwise. Why is it so important to the FBI and
CIA to cover up that Walt was an FBI agent? Walt also worked for the CIA,
even though documentation of that is not available. This author theorizes
that the reason the FBI and CIA are so touchy about letting people know
that Walt worked for the government is that the Network knows how the FBI
and CIA worked together to procure children for mind-control programming
purposes. Because Disney and Disneyland played such as enormous role in
Mind-control, Disney’s connection to them, although on the sufface a
seemingly minor fact, is in reality a minor fact setting on top of an
enormous ghastly secret. When W.W. II started, the government incorporated
the Disney studios into the war machine.

The
military paid Disney $80,000 for 20 training cartoon, which cost Disney
$72,000 to make. Disney studios also made some secret films for the
military. Mickey Mouse and Goofy cartoons were slanted to have war themes,
for instance, the Goofy cartoon of 1941 "The Art of Self
Defense" and "How to be a Sailor" in 1944. Perhaps in honor
of the contribution Disney had made to the war effort, "Mickey
Mouse" was the password of the Allies for millions of men on the big
D-Day invasion on June 6,1944. Walt Disney produced a cartoon showing
Donald Duck paying his taxes faithfully. The film was entitled The New
Spirit. It was very successful in getting Americans to comply with the
IRS. In 1946, Disney made a film for the public schools for sex education
entitled The Story of Menstruation.

For
the United Nations, Walt Disney created "It’s a Small World"
attraction for UNICEF for the ‘64-65 World’s Fair. This attraction was
moved to the theme parks & has been a major feature for mind-control.
After learning of the enormous amount of mind-control programming going on
during after hours in secret tunnels at Disney as well as in the public
facilities, it makes more sense why the Russian Premier Nikita Khrushchev
would be denied a visit to Disneyland by the U.S. government "due to
security considerations" when he was visiting the U.S. in Sept. 1959.
Khrushchev obviously had his own security working in tandem with American
security and the intelligence people for whatever reason(s) didn’t want
the complication of these Russians going to a major programming site. Some
powerful military men have been connected to Disney films. Two former
commanding officers of the USS Alabama nuclear sub were technical advisors
for the Disney film Crimson Tide. Walt Disney was tied to the U.S.
government, and recent disclosures show that he was tied to the FBI. Walt
used his FBI connection to destroy the life of Art Babbitt, who had led
the strike against Disney in 1940. Babbitt found that everything he
attempted in life after the strike was ruined by some hidden power. Was
Walt part of naval intelligence attached to the FBI? Was he part of the
FBI that is involved with child procurement and mind-control? In the
1950’s the Illuminati began organizing covens on the West coast and
began solidifying their power. (This comes from several independent
sources.) Likewise, it’s clear that Disney didn’t have the clout in
1953 with local governments, that it does today.

Walt
Disney was unsuccessful when he tried to get permission from the city of
Los Angeles and the Burbank City Council for the construction of
Disneyland (called Disneylandia at that time), in the Burbank area. One
Burbank councilman told Walt, "We don’t want the carny atmosphere
in Burbank."" Inconsistently, within a few years they gave
permission to Universal to build an amusement park in Burbank, which
opened in 1964. Disney then ask the Stanford Research Institute to locate
a spot for Disneylandia (Disneyland), which they found at Anaheim. In
recent years, Disney decided they wanted to build another amusement park
(called California Adventure) across from Disneyland. In order to do so,
the Interstate highway will have to have changes, and the Anaheim city
council needed to approve the large 55 acre expansion. In contrast to the
Burbank City Council in 1953, Anaheim’s City Council was
enthusiastic about the expansion in spite of lots of local opposition. The
locals complained at council meetings to the City Council that the city
had no business going hundreds of millions of dollars into debt to help a
corporate giant. (Anaheim will issue $400 million in bonds.) Locals also
raised concerns that the public school system in Anaheim is stressed to
the breaking point where they are considering going to half days, and that
Disney Corporation should give as much consideration for the school
children of Anaheim as they do to their Amusement park. Disneyland’s
Pres. Paul Pressler bragged about Disney’s new California Adventure
amusement park, "Disney’s California Adventure is really a

celebration
of the fun, the beauty, the people and the accomplishments of this magical
state. We really have set out to try to capture a bit of what the
California dream is all about." (Sounds like the dream is to be
wealthy and control people. The elite would rather give us BREAD &
CIRCUS than an education.)

The
Dragnet films were done in part at the Disney studios. In an Office Memo
from the 66-new LA SAC FBI agent to Hoover (12/16/54), which was obtained
via the Freedom of Information Act, the typed memo states, ,,Mr. Disney
has volunteered representatives of this office complete access to the
facilities of Disneyland for use in connection with official
matters..." Historically, we now know that Disney’s use for
"official matters" included mind-control.

J.
DISNEY & MIND CONTROL

Once
the reader is familiar with the programming scripts, the reader merely
needs to watch the Disney "Adventures in Wonderland" that come
on TV in the morning to see Disney mind-control at work. Within a few
minutes one morning, this author had seen a white rabbit create "a
world in your mind" (the quote is what the show said!) with a ring,
watched Alice go through the mirrors, watched a White Rabbit [the
programmer] read a book to a little girl, and the TV listener be told by
the show "The White Rabbit is our only hope!" The deeper alters
of Illuminati slaves who are programmed for espionage, for spying &
blackmail, & seduction & assassination, are given programming to
live in a fantasy world. They never touch base with reality. Much of this
type of programming has gone on at Disneyland.

Disneyland
visitors are taken in a boat where dolls sing an around-the-world theme
song "It’s a small small world". These doll world parts of the
amusement parks are used for programming assassination & espionage
alters. The song & dolls play important roles in these alter’s
mind-control programming. Some slaves at around age 19, have this type of
programming tested to make sure it is solidly in place. The song ,,It’s
a Small World" was composed by the Sherman brothers for Disney
originally as a theme song for a ride at the ‘63-’65 NY
World’s Fair. The Sherman brothers were talent that Disney discovered.
They were born in NYC, and both graduated from Beverly Hills High School.
They wrote Disney songs for at least 29 films. Mind-controlled slaves, who
repeatedly bump into each other, but don’t know why, will be found
saying, "It’s a small, small world." Both rituals &
programming go on at Disney amusement parks during both the day &
night. Steven Rockefeller and Walt Disney travelled and spent time
together with Dr. Hadley Cantril, an establishment expert on human
behavior.

(See
There Was Once A Time of Islands, Illusions & Rockefellers. NY:
Harcourt Brace Jovanovich, 1975.) When Walt Disney began Walt Disney World
he sent Card Walker to the Florida capital to request quid pro quo, and
the governor gave it to Disney. What that meant is that Disney’s
property in Florida was totally controlled under Disney’s jurisdiction,
they had their own laws, their own police force, their own hospitals, and
their own tax rate. No outside authority would interfere with Disney’s
jurisdiction. DisneyWorld’s finances would be untouchable and out of
sight by the state of Florida. Never had so much power been given away.
DisneyWorld became its own crime syndicate within the syndicate. Disney
amusement parks are like a city within a city. They have there own
security forces, and the local police allow the Disney security forces to
take care of their turf. Disney has their own policies (laws). Some of the
security forces can be identified in plain clothes with clean-cut hair
styles and have communication devices.

The
security forces have a headquarters room where TV monitors display-live
the exit points at Disney as well as other locations. America ‘s Most
Wanted has a fairly large file on children who have been kidnapped at
Disney Amusement Parks. One mother, who got separated from her child when
getting off a train, frantically told a guard her child was missing. The
guard took her to the monitor room, where they saw the kidnapper carrying
the child out of the park with the boy slumped over his shoulder. In that
short of a time, the kidnapper had drugged the child, cut his hair
different, and put a different shirt on him. (This anecdote was mention in
Inside the Mouse, pg. 52) As written before, white slavery is part
of what Disney is all about. This mother was one of the fortunate few who
did manage to find their kidnapped children. An insider states that the
Disney police are definitely part of those moving and abusing innocent
children brought in for occult rituals. In addition, the Disney security
forces spy on their own employees.

Employees
do not enter the theme parks like the visitors, nor do they move around
like the visitors. They have underground tunnels and underground entrances
and facilities for that. One victim of total mind-control mentioned that a
tunnel entrance was at the Matterhorn mountain at Disneyland. (The
Matterhorn was opened by Walt and his good-friend Richard Nixon, who rode
in the first car down the mountain.) The Disney productions has given the
Illuminati the cover to bring together Illusionists, magicians, and
special effects artists without anyone being suspicious. Some of these men
were able to apply their talents toward programming children. As an
example of their talents, Disney special effects artists were able to
create 16 realistic-looking cadavers for the 1989 film Gross Anatomy. Walt
Disney, Inc. has teamed up with Los Alamos and Sandia Labs, two other
groups which are heavily involved in mind-control and people control to
develop body scans, branding and access codes for the visitors to
Disney’s theme parks. Each of the Disney Theme parks, such as
Disneyland, DisneyWorld, EuroDisney etc. have vast underground facilities.
These underground facilities allow many of the workers to get to the ride
areas via underground passages. Each theme facility also has a vast
infrastructure underground in order to maintain it. The underground areas
contain wardrobe design and repair units, fitting rooms, restrooms,
cafeterias, security units, computers, freight ramps, utility encasements,
and large connecting tunnels. The underground areas also have programming
rooms. They have their own power plants and water systems and their own
police force. Disney company employs 71,000 people at several locations,
tone recent TV show used the figure 40,000 Disney employees.] People are
coming and going 24 hours at the Disney theme parks.

Three
shifts keep up the 24 hour business. The night crews maintain and repair
the parks for the thousands of people that will soon arrive in the
morning. Disneyland makes a natural prop for carrying out mind-control.
The items they sell are also natural props--such as the Goofy watch ($19.95)
which has hands that move backward to confuse a slave as to what time
it is. Was Walt Disney aware of how Disneyland was used for programming?
There is no doubt. Disney lived much of nights at Disneyland, and had an
apartment at the firehouse near the train station on Main St. At night, if
he was not doing anything else, he’d roam the grounds of Disneyland
scribbling notes on his own distinctive blue paper, which he’d leave for
workers to follow the next day. The notes would say such things as
"Replace these flowers," or "Move that bench". (Prince
of the Magic Kingdom, p. 25) Walt Disney knew everything that
went on in his Magic Kingdom. The Epcot Center and the Disney amusement
parks market all kinds of occult triggers, including crystals, rainbows,
wizards etc. that reinforce the programming. The Epcot Center has two
glass pyramids along with its "Journey into Imagination".
Disneyworld has the Island of Atlantis on its sub tour. Fantasyland is one
of the most used tours of Disneyland for mind-control purposes. It has
carousels, merry music, an incredible castle, boat rides, story book
characters etc. Sleeping Beauty Castle with its blue turrets and gold
spires is the central visual object of Disneyland. You cross a drawbridge
to get into

it.
Inside Fantasyland are Illuminati programming sites such as the Mad Hatter
teacups, the King Arthur carousel horses, and Snow White’s forest.

In
the far corner of Disneyland’s New Orlean’s Square is the Haunted
Mansion. This mansion is designed to frighten and scare, it has an
ingenious design and many special effects and illusions. Realistic ghosts,
a screeching raven, howling voices, and other scary things welcome the
visitor. Life size holograms are created at the Haunted Mansion, and dance
in sync with the music and then fade out at certain points. There is a
hologram of a woman’s head in a crystal ball who chatters non-stop. A
real good laugh for the programmers of a little child. When you are toward
the end, you will have a chance to look into a mirror where a hologram
ghost will nestle up beside you.

Star
Speeder is another great programming location at Disneyland. It was the
creation of George Lucas and the Disney Imagineers. The technology is
borrowed from Star Wars, and is similar to flight simulators used by the
military to train pilots. Disneyland Hotel offers Character Breakfasts,
where children eat breakfast with Disney characters, to people who make
special arrangements. U.S. Special Forces, which carries out mind-control,
owns two hotels near Disney World, and the Mormons have one also.
Knott’s Berry Farm with its Ghost Town, Amusement Park, & its
Charlie Brown themes and characters is near Disneyland. One of the Disney
executives began one of the most horrible trauma-based mind-control
programming centers in Los Angeles called Magic Castle a comedy warehouse.
This trauma center had horrible torture chambers. Children were brought in
from South and Central America to be programmed at the Magic Castle. A
brave L.A. policeman exposed the place--for which he lost his job, and
eventually was able to get the site closed. One of Disney’s recent
ventures in their

Disney
Institute, which Newsweek labeled "the Disneyland of the
Mind". (Newsweek, Mar. 4, 1996, p. 61) A private club called
Club 33 at Disneyland located upstairs in the New Orleans Square is
believed to be involved in mind-control. Cub’s Den supervises
children’s activities at the Wilderness Lodge Resort at Walt Disney
World.

At
Disney-MGM studios the major attraction is the Twilight Zone Tower of
Terror. Guests take a strange scary trip through the hotel, where guests
are finally sent into an elevator that drops out of control 13 stories.
The ride has been advertized on TV. Disneyland now has a Temple to the
Forbidden Eye--which is simply a Temple to the All Seeing Eye, the
Illuminati symbol. Visitors, who have the patience to wait in line, can
strap themselves in for a ride that is like a jack hammer that jars the
rider through a temple filled with snakes, rats, and mummies. One aerobics
teacher couldn’t walk for three days after the jarring ride, which comes
across as ,,hokey". The experience is more traumatizing than fun, but
then maybe that is what was intended.

DISNEY
VACATIONS FOR THE ELITE

Years
ago this author’s newsletters exposed Hilton Head Island, SC as a
watering hole of the powerful elite incl. retired generals and admirals,
and the site for the elite’s Renaissance Weekend "meat
market". Remember, that at one time Hilton Head Island was private,
with imported alligators in the water around it. A person was only allowed
on the island by going through security gates with a clearance. In a later
newsletter, Disney’s Hilton Head Island Resort was mentioned. This
resort, built by Disney Vacation Development, Inc., is located on a
15-acre private island linked to Hilton Head island by a narrow bridge.
Members to the Disney Vacation Club can exchange time for vacations at
Disney and other resorts around the world. Memberships cost minimum
$9,412.

MELODYLAND

Right
smack across from the entrance to Disneyland is the Assembly of God’s
Melodyland Christian Center, the birthplace of TEN (Trinity Broadcasting
Network). The Assembly of God denomination has been heavily infiltrated by
the Illuminati, and has been heavily used as a front for programmed
slaves. Paul Crouch, president of Trinity Broadcasting Systems, Inc., was
affiliated with Melodyland in 1973 when TBS was getting started. At that
time, Melodyland was a rich heavily infiltrated charismatic church, with
its share of programmed multiples. In 1973, closet homosexual minister Jim
Bakker, and his wife Tammy Faye, a programmed multiple were with Paul
Crouch in Anaheim at Melodyland. Paul Crouch had been the assistant pastor
of Bakker’s home church in Muskegon, MI. Crouch’s right hand man was
Alexander Valderrama, a charismatic Roman Catholic. TBS used an abandoned
military base as their TV complex, using hangers as studios. In the early
70’s, ABC put Bakker & Crouch’s early shows on their affiliate
stations on Sunday morning. Bakker had already gotten his career kicked
off with Illuminatus Pat Robertson and his 700 Club.

Jim
Bakker split and went to the east coast. To help Bakker with his money,
Bill Perkins, who had been a financial analyst for the World Order’s
mind-control research at Sandia National Labs in Livermore came to help
Bakker run his ministry’s finances. Later, televangelist Bakker began
building Heritage USA, which was to be a big-money resort. Bakker hired
people who had worked for Disney to construct Heritage USA. Bakker studied
Disneyland, Disneyworld, and other Disney places as a model for Heritage
USA. After Disneyworld opened in Florida, Jim Bakker was a REGULAR visitor
to it. Heritage USA’s Ft. Heritage was modelled after Disney’s Ft.
Wilderness, Main St. was modelled after the Magic Kingdom’s Main St.,
and Disney’s wrought-iron fencing was also copied. Most people are aware
of Jim Bakker’s $265,000 payoff to Jessica Hahn to keep her
sexual services to him a secret, his longtime homosexual relationship with
his right hand man David Taggart, and his prison sentence. James Orson
(named after Orson Welles) Bakker was from Muskegon, the same place that
Cathy O’Brien, a freed Mind-controlled slave came from. He was born
pre-mature, and had some interesting family situations that make his
family suspect.

While
Cathy O’Brien got programmed via the Catholics, Jim was part of another
denomination which also was into programming, the charismatic Assemblies
of God. His grandfather, who lived next door to Jim, and where Jim spent
much childhood time with was popularly known in town as a
"huckster", and nicknamed Kingfish after the manipulative
character on Amos & Andy. Tammy his wife grew up in International
Falls, MN in poverty in the home of her stepfather and mother. Besides
having a "shopping demon," she has had her share of phobias and
mental problems, as can be expected from someone who has had to suffer
through programming. It would be worth pointing out who has come to Jim
Bakker’s rescue when he was under attack. For instance, on Thursday,
Oct. 4, 1984 when Jim was under attack, Jim Bakker’s show had six
people give endorsements and praise of Jim Bakker. Those were Ronald
Reagan, Dale Evans, Robert Schuller, Oral Roberts, Billy Graham and Rex
Hubbard. Of those, this author knows for sure that all are masons, except
for Rex, who may or may not be. Robert Schuller, Billy Graham and Oral
Roberts are "Christian ministers" who participate in using and
handling mind-control slaves. These three ministers all participate in

secret
Satanic rituals. The last few paragraphs have given only a sketchy picture
of the intimate relationship between Disney Mind-control and the
charismatic movement and its use of trauma-based total mind-control.

DISNEYANA
FOR THE PROGRAMMED & OBSESSED.

For
people who have been programmed with Disney programming and who are
obsessed with Mickey Mouse and everything else about Disney, and for other
people who just have the collecting spirit for Disney memorabilia, there
is a group called Disneyana. Disneyana, was organized in the 1980’s, and
consists of people who are cult-like in their devotion to anything true
Disney. Some of them to express their devotion outwardly tatoo their
bodies with Disney characters. This group holds their annual convention at
the Contemporary Resort in FL. One Disneyana at the annual convention
said, "We collect to keep the good feeling inside." Another when
interviewed said, "This is why it’s all about love." The
author knows as a fact some of the men who are obsessed with Mickey Mouse
& Disney items are programmed multiples. One of Kenneth Anger’s
occult friends has had the world’s largest Mickey Mouse collection. Who
is Kenneth Anger? Kenneth Anger, a member of LaVey’s Magick Circle &
later his Church of Satan, is an occultist and an underground film maker.

Kenneth
Anger (he choose the last name Anger) was raised on the Wizard of Oz
books. His biographer Bill Landis writes that the Oz books "laid the
groundwork for Ken’s attraction to Crowley, the occultist who would
rework Rosicrucian thought into his own magical system." Ken was
obsessed with Crowley’s life & magic. As a child, Ken had danced
with Shirley Temple in competition after she became a child star. Ken
Anger loved the OTO’s solar phallic religion, and was also obsessed with
Mickey Mouse. He spent part of his time studying his friend’s Mickey
Mouse collection. Ken Anger did his casting for his film ,,Lucifer
Rising" by telling occult friends & acquaintances that they could
live out their goddess or god power-trip fantasies by acting for him. The
British government’s National Film Finance Corp. fronted 15,000£ for
Lucifer Rising’s production. Famous occult musician Jimmy Page did the
sound track gratis. Ken Anger acted as the film’s Magus and made his
Magus role resemble Mickey Mouse in the film Fantasia. (The role Fantasia
plays in mind-control programming will follow as the last part of this
chapter.) "Lucifer Rising" also starts with Fantasia-type
volcanoes. Another of his well-known films was "Invocation of My
Demon Brother."

Mind-control
features in Disney movies.

The
elements within Disney movies that are intentionally put in for
mind-control would take volumes to describe. A detailed description of how
just one Disney movie is used as a programming script soon follows.
Fantasia was selected as the example. A random sampling of features in
Disney movies for mind-control programming could include:

·
Cogworth the enchanted mantle clock in Beauty and the Beast.

·
The character Door Knob, which is a doorknob portrayed as a person in the
Disney cartoon Alice In Wonderland, is useful for programming door knob
alters.

·
The Blue Yonder is a Disney movie on time travel of a young boy. Time
travel movies are used for programming to mess up the victim’s sense of
time.

·
Disney film "Animated Alphabet" has letters which come alive,
which is useful for programming. And what about the ‘82 Disney movie
"Computers are People, Too!" ?

·
All the Illuminati members this author is aware of who have received
trauma-based total mind-control were taught to astrally project and study
on the astral plane what they needed to learn. A Disney movie that
portrays this is Goofy over Dental Health. This is an educational
film released by Disney in ‘91 and again in ‘93, where Goofy places a
magical toothbrush under a child’s pillow, so that the child astral
projects to a dentist office and while on the astral plane studies how to
have healthy teeth.

·
Illuminati alters believe that trees and flowers are alive. The 1932
Disney film Flowers and Trees is a story about two trees who fall
in love. The film portrays the occult belief that trees can talk and sing.
Internally, alter systems will be constructed with singing trees and
flowers that represent people and which are alters. The singing trees give
out internal codes to move alters internally where they need to go. Return
to Oz. (1985) This Disney film begins its story line about a girl who is
thought to have psychological problems because of her tales of Oz. She is
warned not to talk about Oz by her relatives. She is taken to a
psychologist who wears a big ruby ring, who tells Dorothy that
electroshocks won’t hurt her, and that we are at the "dawn of a New
Age." Dorothy is told that her memories are ,,just dreams" that
stem from excess electrical current in the brain. She is sent to a mental
institution to receive shock treatments for talking about Oz.

A
lightening storm allows her to escape the shock treatments and when she
sleeps, she awakes in Oz. In Oz she goes through many mind-control
scenarios, ruby slippers, mirrors, etc., and toward the end visits with
evil Mombi, Princess of Oz who keeps Ozma (Dorothy’s twin) as a slave.
Mombi eventually casts a spell and enchants Ozma into a mirror. Sci-Fi
author J.D. Vinge in her Return to Oz based on the screen play
writes on pg. 211-212, "Dorothy gazed at herself in the mirror,
seeing her own reflection, and remembering the moment when she had looked
at herself and seen someone else there, someone so like her that it could
have been her sister." Parts of this film were filmed near
Stonehenge, Eng. Disney has put out several films on the Wizard of Oz
theme, all of which were used for programming. The original series of Oz
books were by Baum. In ’39, MGM did the famous Wizard of Oz film. In the
Disney movie Tron (1982), a young computer genius goes into an altered
state where he ends up becoming a computer program. After defeating the
MCP, he returns to the real world. This is simply a programming script. A
special effects team created a 3-D world, showing how talented Disney
special effects people can be in making something seem real. This movie
should show people their mind-control capabilities. Mathematical
Applications Group, Inc. (MAGI) were one of the groups that created the
graphics. Disney came out with 3 videos of new adventures in Wonderland
which are mind-control programming.

In
the mornings here 9-9:30, on channel 21, Disney has a Wonderland Show
every morning which is mind-control programming for children. Within a few
minutes, this author had seen a girl walk through a mirror, the 3 lives of
Thomasina mentioned, and a little ditty "I’m a little tea-pot"
where a person becomes a tea pot. They also had an "under the
umbella" scene. This was all pure programming, right on TV. Of
course, they show the White Rabbit as a central figure. ABC under the
auspices of Disney produced a lengthy 140 min. film Wild Palms which
depicts Illuminati mind-control and life. One reader of Vol. 2 stated
that the Wild Palms movie would have made no sense except that having read
the Vol. 2 book, the movie made lots of sense in the light of Vol. 2’s
revelations. The film depicts how children are kidnapped, switched at
birth, programmed via TV cartoons, programmed to kill and use stun guns
etc.

The
film depicts Illuminati bloodlines and arranged marriages. Although the
name ,,Illuminati" is not used, if viewers substitute in the name
"the Fathers" for Illuminati fathers, they will get an
insider’s view of life at the top. The main controllers are addressed by
their slaves as "Papa" or "Daddy" or
"Mother". This is true to life. A person opposed to the Fathers
states, "One day we will wake up and discover we don’t own this
country and no one will care." The movie states that events are not
happening randomly. The movie shows an underground tunnel system which has
an entrance hidden by a swimming pool. Quite a few actual programming
codes were said during the film, for instance, "down, down, down
through the pool of tears..." and "we’re going to go down the
yellow brick road now." The movie was created by Bruce Wagner, who
obviously is an insider concerning trauma-based total mind-control. The
fact the movie was made shows the arrogance of the programmers’ beliefs
that their criminal acts in programming thousands of little children will
not be exposed, and that people will be too stupid to realize that what is
put out as fiction is actually mirroring what is happening. It’s like
they believe their own script that IF people did find out "no one
will care."

Because
so much of the Illuminati programming involves the creation and
programming of 3 alters linked into trinities, it is not surprising that
Disney has helped such triad programming with a series of movies about
threesomes, including:

3
Blind Mouseketeers

Three
Caballeros

3
little pigs

Three
Little Wolves

3
Lives of Thomasina

The
Three Musketeers

3
Ninjas

Three
Orphan Kittens

For
Mickey Mouse programming they came out with Thru the Mirror, where Mickey
Mouse steps through his bedroom mirror and ends up in another world
(altered state). Not all of the Disney movies that have mind-control
programming themes got released to the public. One unreleased cartoon had
Penelope fleeing from a sinister looking Grandfather Clock which is
carrying her to another world, and has another scene where Penelope tries
to hold onto someone who personifies the Wind. George Lucas, who directed
the movie Star Wars, which was a movie planned by the Illuminati &
used for Illuminati programming, also directed Disney’s movie
"Captain EO". Captain EO (who looks like a demonic entity) goes
to rescue the Queen (who looks like the harlot describes as Mystery
Babylon in the Bible). The Queen is in captivity simply because she and
her people believe in black and white (which represent good and evil).
When they renounce such a belief, they are saved by Michael Jackson (in
actual life a mind-controlled slave) playing Captain EO. It’s a New Age
witchcraft film through & through. By the way, Michael Jackson has
gone to Disney amusement parks many times, sometimes in disguise. It is
public knowledge that his Jehovah’s Witness family has been very abusive
mentally and physically to their children. Disney has put out several
movies on how the mind works, such as the educational film The Brain &
Nervous System in 1990. Their film Runaway Brain is a cartoon where Dr.
Frankenollie transplants Mickey’s brain into a monster’s body &
vice-versa. A 1994 film, Puppet Masters shows the govt.’s secret Office
of Scientific Intelligence trying to save the U.S. from aliens who live in
human bodies. In recent years, Bette Midler has been Disney’s main
actress.

In
the Vol. 2, it was exposed that she is possibly a Monarch Mind-controlled
slave. She is famous for her "mood swings" (switches in
personality), and she had a "mental breakdown" in 1985. Her
eyes and body gestures are those of a programmed multiple. She has gone
out on tour for Disney without making -money, and she is best of friends
with Jeffrey Katzenberg (second in command at Disney). Jeffrey Katzenberg
by the way is extremely disliked by his counterpart Sid Sheinberg. Bette
Midler plays Stella in the movie Stella. Stella is an occult name. In the
movie, the script seems tailored for Bette Midler and for someone who is a
programmed slave, rather than the actress fitting the role. At the
movie’s end, Stella (Bette Midler) attends her own daughter’s marriage
by peeking in a window and watching from the outside. This is the script
they give so many of the parts of a slave, so that they feel unworthy and
feel like they are always on the outside looking in at life. Many parts
(personalities) of slaves find it hard to connect with real life, because
they feel they are on the outside looking in. And then in true Disney
fashion, Disney had Bette Midler play the role of the lead witch in Hocus
Pocus. The movie Hocus Pocus does some hocus pocus of its own. While
pretending to make fun of witchcraft, they actually teach witchcraft. They
do make the 3 witches look comical. By the way, the 3 witches stand for
the maiden, mother, crone combo that the Illuminati reverence. Disney
subtly works in deep occult things, such as the all-seeing eye on the
cover of the book, the little girl promising the cat (who is a familiar
spirit) that her descendants would always care for it (true, because the
cat was a generational spirit).

The
cat is killed in the movie but can’t die. And Bette Midler as lead witch
in her costume, which has some Mother-of-Darkness symbology on it, states
as she gets ready to take the life force from an innocent girl, "We
want to live forever, so we take children’s lives." This is
wholesome entertainment for children? The Disney capacity for deception
extends to its own workers. PR men recruit young people for its Disney
College program. They tell the young people what a great stepping stone it
will be for their careers. They have been known to make it sound like the
greatest thing in your life. Kids come from all over the country due to
the slick recruiting tactics to work for Disney. They are then housed in
Disney housing, given menial jobs, and paid low wages. Most people in the
College Program leave disillusioned. If the worker happens to think of a
great idea, Disney officials have been known to steal the idea, and
because the worker was working for Disney the worker will find that they
are unable to get any credit or money for the idea that Disney steals and
makes millions off of. One unaccredited creator of a Disney sale item
said, ,, literally, they’re using everybody for everything." (Inside
the Mouse, p. 239.)

>>>
Next, will be the script for how the Disney film Fantasia has been used as
a standard programming tool since the 1940’s by the Illuminati.

DETAILED
SCRIPT ON HOW

THE
DISNEY FILM FANTASIA IS USED

FOR
PROGRAMMING TRAUMA-BASED

MIND-CONTROLLED
SLAVES.

During
the 1950’s, ‘60’s, and ‘70’s at least 90% of the Illuminati’s
trauma-based mind-controlled slaves were subjected to watching Disney’s
Fantasia film in order for them to build the foundational imagery of the
mind-control. Child mind-control victims had their eyes taped open, and
then sat one-on-one with their primary programmers so that the programmers
could give the scripts as the child watched Disney’s Fantasia over and
over. What made Fantasia unique as a programming tool is that it had
almost everything the programmers needed to create the foundational
imagery for their trauma-based mind-control. To build a dependable alter
system means that the worlds need a solid foundation. Fantasia has
provided the means to get a solid foundation for the internal worlds that
the Illuminati slaves build in their mind. It is also a masterpiece in
coordinating color and music.

The
Disney film Fantasia which premiered on Nov. 13, 1940 (at Broadway Theater
in NYC) was a financial disaster as a movie, but was an Illuminati
programming masterpiece. The film was released to theaters in ‘40,
‘46, ‘56, ‘63, ‘69, ‘77, ‘82, ‘85, ‘90 in order to catch
every generation of children. The video was released in 1991. During
programming much of the child slave’s mind will watch the film. One
particular part (alter) will be forced to memorize everything in the film.
This small part (small alter) is well hidden in each victim’s mind. This
small alter, who has a vivid and total recall of the film Fantasia, is
locked carefully away so that ONLY an access code will pull him/her up.
Watching the videotape Fantasia is not going to pull this alter up. The
programmers pull this alter up when they have a clean slate alter. When
they are taking a clean slate of the mind, they will pull the clean part
up and have the alter who has memorized Fantasia throw its memory onto an
internal big screen. The internal Outer space (aka Rubicon) is shaped like
an amphitheater, and functions as a big vast screen for replay. There is
an internal ball or sun created via the lighting effect of the movie
Fantasia, so that the movie appears projected in the mind as on a globe.

And
the Fantasia film images hit this internal globe and go circular in the
mind and spin through the system. The programmer will then say to the new
part "THIS IS WHAT I WANT YOU TO CREATE. THIS IS WHAT WE NEED."
In this fashion, Fantasia has provided the programmers with their primary
tool for taking a dissociated clean slate part of the mind, and
manipulating it to become a new workable part within the system. The young
part that holds the entire Fantasia memory is strategically placed in the
system so that it can be called up from anyplace in the system. No matter
where the programmer is working in the system, he can access this small
alter whose function is to remember the movie. Most of the system will go
into a trance sleep if shown the movie. The front (as well as most
of the system’s alters) will be totally amnesic to having ever seen the
movie. Since the programming put in with Fantasia is so fundamental it
should come as no surprise that the programmers have done an excellent job
in protecting this programming from everyone, including the slave.
Abreacting the film for many alters could rip the system apart, because
after the film is memorized severe trauma begins to be overlaid and
attached to the film. There may be some small alters that still carry tiny
bits and pieces of memory of the movie, but only one will really remember
it.

The
following script will be a running account of how Fantasia has been used
as an important preparatory film for Illuminati trauma-based mind-control
to train the mind-control victim’s mind to be able to visualize the
programming that will be layered in. The time clock will begin when the
feature film’s action begins, and then will run its entire 116 minutes.
This will give the researcher of mind-control a blow-by-blow description
of how a Disney movie is used for programming. The film was often shown to
child victims around 3 to 4 years of age with a wide screen while the
child was under a guided LSD trip. (Prior to the use of LSD some other
drugs were used.) A Grande Dame or Mother-of-Darkness often worked with
the Illuminati programmer as an Assistant Programmer.

The
scripts & the programming have already been discussed prior to showing
the child the film, so the programmers know the direction they want to
take the child, & will tailor some of what is said to the child victim
to individualize the programming. When a three or four year old is shown
Fantasia on a hypnotically-prepared and controlled LSD trip, the colors
& effects of Fantasia are increased about 1,000 times. The film is
realer than real to the child. The movie will not be shown just once, but
over and over so that the scripts are ingrained into the mind. The imagery
for the child’s internal world will be well established, because the big
screen movie enhanced by both the drugs and the bright colors of the art
work will seem more real that life itself. At this time, the child is a
multiple, but the walls between the various parts of the mind are not
solid, but similar to the walls between ego states in an adult
non-multiple. A large part of the 3 or 4 year-old child’s system will be
allowed to view the system, including the Christian parts. Then the entire
system (with the single exception of the alter carrying the entire memory
of the film) will be hypnotically told to forget having seen the film.
Years later, the front alters will not remember having seen the movie, but
they may have a strange dislike for the film. They may find that they
can’t identify where their feelings of dislike of the film stem from.
The child victim will watch the movie with its programmer and assistant
programmer one-on-one, with no other children in the room. The child will
watch the film repeatedly and be grilled about what is in the movie.

The
child will see the movie so many times in such a vivid form and will be
tested to the point that the movie will be memorized. But it will be
hypnotically locked up in the subconscious by the programmers, so that it
forms a base for the mind to begin building programming, but will remain
hidden from the conscious. At the time the Fantasia film was made, the
Illuminati had been creating trained multiples for years, but they knew
they wanted to program the different personalities in accordance with the
best mind-control techniques of the day. For this reason, the Fantasia
film was planned ahead of time, so that it could possibly serve as a
programming aid. The film is silent (almost no words) except for music so
that it can be used for hypnotic visualization, so that the Mother of
Darkness & the programmer can fill in the programming script with the
child victim as they watch the movie. As it turned out, their plans were
successful. The New Age author David Tame states in his book The Secret
Power of Music (Rochester, VT: Destiny Books, 1984, p. 292), that
Fantasia is. . . "A superb marriage between the visual and musical
arts.

Most
of the sequences.. .are what New Age cinema was intended to be!" The
power of the movie to influence the mind stands out. In order to make the
film, Disney used some strong arm tactics on a few people. The movie was a
box office flop when first released in the 1940’s, but then it was made
for the occult world anyway. By the 1960’s, the Illuminati had create a
drug culture and had lots of undetectable mind-controlled slaves running
around that had been programmed with Fantasia. In the 1960’s, Fantasia
became a hit with the drug culture which had its share of Illuminati
slaves deeply involved in it. One more reminder, the sentences that are
"ALL CAPS" in the script are things that the programmers are
saying to the child victim as the child watches the film. (Bear in mind,
that the child watches the film over & over, so not everything
indicated in this script by caps that the programmer says will necessarily
be said in one showing.)

00
minutes. Curtains open. Action
begins with an orchestra. The Conductor upon a step pyramid is the center
of the scene, and is shown to be the center of authority. Master
Programmer Dr. Joseph Mengele liked Fantasia because he was a musician and
a violinist. Mengele (Dr. Green) liked Bach, Beethoven, and Schubert and
orchestra music. He enjoyed taking what he liked & using this music to
make slaves. He would portray himself during programming as being the
conductor, & all the orchestra were his children. The film will allow
for a repetition of this theme.

00.5
minutes. The instruments begin
playing. The musicians are silhouettes which cast shadows upon the wall.
Alters will often see themselves in this fashion too, as merely a shadow
or merely a silhouette.

01.5
minutes. The MC (named Taylor)
begins talking. He begins grooming the viewer. He says that the film may
suggest to your imagination "geometric figures floating in
space."

02.
minutes. The M.C. says there are
3 kinds of music. He says some music is to create definite stories, some
to create definite pictures, and some music exists for its own sake.

02.5
minutes. The M.C. introduces us
to the "Absolute music."

03.
minutes. He states that
,,Abstract images that might pass through your mind...music will suggest
other things to your imagination..." The Philadelphia Orchestra
begins playing "Toccata and Fuge" by Bach in the background. As
a cartoon for children (or adults) the film has already lost the normal
audience at this point. (There is no way that Disney could have escaped
realizing that the film starts out losing the normal audience.)

03.5
minutes. The conductor is
standing out and everyone else is a silhouette with shadow mirror images
(like so many of the alters become). Leopald Stokowski is now standing as
the rising sun rises. This is an allusion to sun worship and the sun
rising in the east. The music is going up and down, and this music at this
point is used to train the child to go up and down the trance ladder (that
is to go deeper or lighter in trance).

04.
minutes. The conductor opens his
hands and waves them in an Illuminati hand signal. The music begins.

06
minutes. A row of violinists
play, they are merely silhouettes with shadows.

06.5
minutes. A harp scale is played
in the background

that
is used in the programming. Triggers are attached to this harp scale, or
the harp scale is used as a foundation identifier for a piano scale. More
children can be taught the piano than the harp, so this scale is usually
transferred to a piano scale.

08
minutes. First lines representing
bows are shown (the violinists are invisible), then the Golden Gate
Bridge. "REMEMBER THE BOW, NOT THE VIOLINIST." The bow lines
flashing on the screen represent energy. 08.5 minutes. Colored
disks are flashed onto the screen. The lights are represented to the child
victim ‘THAT’S DR. GREEN’S ORCHESTRA." Geometric shapes and
flashes of lines explode onto the screen. Concentric rings that will
pattern the concentric worlds appear. (See Vol. 2 p. 196 for an
illustration of this.)

10.
minutes. Asst. Prog. will say,
,,YOU ARE HIS STAR." as stars flash on the screen. Many hidden alters
(parts) are stars. Swirling lines arrive, and then colors and then more
concentric lines.

11
minutes. Worlds within worlds are
shown. Water is shown. Concentric circles that are the pattern for the
worlds are presented. A varying number (5 or 7) of Castle-like structures
materialize and then disappear. (These will form the pattern for some of
the internal castles.) A quick flowing yellow line comes down the center
of the screen, ‘THAT’S THE YELLOW BRICK ROAD."

11.5
min. Lots of stars emerge.

12
minutes. Various worlds are
shown, and an illusionary castle. Lots of stars are shown, which will be
how the victim will model many of their alter parts after. Lots of purple
stars appear, representing royal star alters.

12.5
minutes. Spiral splotches of
cloud-like colors appear and disappear in dissociative colors. This is the
Kingdom of the Gods during programming. The Asst. Programmer takes the
opportunity to ask, "WHOSE ORCHESTRA?" This scene is used for
the internal heaven where the kings are. Then the camera shows the
conductor finishing.

13
minutes. The programmer has
finished building his basic worlds.

13.5
minutes. The MC talks about
Tchaikovsky’s Nutcracker.

14
minutes. 13 circling lights come
into view circling around and around. (The 13 lights are something like 4
yellow lights, 3 white lights, 4 orange, 2 blue-something like this.
They don’t have to be all the different programming colors at this
point, because that programming will come in its own time.) Stars turn
into fairies. A fairy with lots of fairy dust whirls around. ("Make a
wish" the slave will be told later on, create what you want.) Flowers
grow into butterflies. Hypnotic music plays as the fairy throws fairy
dust. Soon, the Fairy spins a web.

15
minutes. The cabalistic tree of
life is made with lights, and then the many colors of the ribbons are
flashed up on the screen quickly. A compass image is very quickly flashed
on the screen.

16
minutes. Lights multiply on the
screen, and a spider web appears in the background. There are lots of
stars which shine as lights in a spider web. (Stars will serve as alters
in programming, the spider web serves as a system within the system, see Vol.
2.) There are several shots of multitudes of stars on a spider web. 16.5
minutes. There is an explosion of light which has a splintering effect
(which will fit in well with an electroshock later on to create alters.)
Around and around go 6 big mushrooms dancing, with a little one trying to
participate. The programmer will point out that the mushrooms are "A
FAMILY". When the splintering effect is done with real electricity in
the future, the mind will splinter into a family.

17.6
minutes. Concentric circles
appear in water. Flashing pedals emerge as if they were dissociation
spreading through the water. The flowers are the top spinners (see the
pages in Deeper Insights on spin tortures to create spinner
families), they dance, & then they float away in the bubbles (of
dissociation). "A FAMILY OF SPINNERS" the programmer will say.
"SEE THEY SPIN YOU INTO BUBBLES INTO NOTHINGNESS." There is lots
of dancing shown by the spinners. Everyone is dancing to the top. The
child victim’s head will be wobbling back and forth from the influence
of the drugs and dissociation at this point.

19.5
minutes. When the family of fish
make a star, the Asst. Programmer says, "SEE HOW SAD THEY ARE."
The fish dance in circles and they also hide behind veils. "THE FISH
MADE ITS OWN BUBBLES AND YOU CAN MAKE YOUR OWN BUBBLES TOO."

21.5
min. The child is trained to
trance at the hypnotic 8’s that appear in the water. This type of scene
will put the deeper alters to sleep of a slave still actively being used.
The movie here is being used to teach symbols, which will be important in
the programming. Asst. Programmer, "LOOK YOU’RE JUST FLOATING..
..FLOAT, FLOAT, FLOAT, SLEEP...SEE SHE WENT RIGHT INTO THE CENTER OF THE
TRANCE STATE.. .YOU DANCE ROUND AND ROUND AND ROUND AND WHERE WE END UP
YOU’LL NEVER KNOW."

22
minutes. Lots of bubbles begin appearing. They will be used in the
programming to assist the child to protect its mind from the traumas. The
asst. programmer may have a bubble toy to make bubbles in her hand as a
game to play with the child. The child will be trained and programmed to
put its memories into bubbles and let them disappear. ,,WHY WOULD YOU WANT
TO GO INTO THE BUBBLE TO GET AWAY FROM THE DARKNESS? 1,2,3...NOW THERE ARE
MANY BUBBLES, THIS IS WHAT WE WANT YOU TO DO." At this point the film
is showing different colors of bubbles, for instance gold bubbles. This
trains the child’s mind to identify different colors of bubbles. The
bubble-fish-flower scene is going on. ,,DON’T YOU FEEL LIKE THAT FISH,
ROUND AND ROUND YOU GO" (dissociation encouraged). The fish continues
going in a dissociative spin. The fish swim in graceful perfect figure
8’s which have a subconscious hypnotic induction message to the victim.
"SLEEPY LITTLE FISH" is said when the music gets hypnotic.
"YOU’RE SLEEPY & YOU’RE TIRED, THIS IS NOTHING BUT A
DREAM." "ALL THE DIAMONDS ARE ALL AROUND, NOT YOU" In other
words, this is teaching the child that their entire internal world can be
around them, but "you don’t know that it’s you." The child
begins to lose the ability to realize that other parts of itself belong to
itself, they are only stars, etc. The fish changes into another
character. flowers are appearing in different colors of the color coding,
red, green, orange, blue, white. . .All of a sudden it get’s still.
"SHH, LISTEN CLOSELY."

22.5
minutes. Eyes shine in the
darkness. "EVERYTHING IS FINE, YOU JUST RELAX."

Silhouettes
appear, which represent fish (alters, and people) who are there but you
don’t see them, they are behind the veil like the silhouettes. ‘THEY
AREN’T THERE, IF YOU SEE THEM THEY AREN’T REAL THEY LOOK LIKE A
FLOWER, WHEN YOU SEE THEM, YOU WON’T SEE A CHILD- YOU WILL SEE A
FLOWER." The silhouette veil gives the sense to the child that he can
sense something but it’s not there. 23 min. Different plants
appear and dance. (This part of movie is very important in structuring.)
The plants separate into many plants and flowers, and they multiply on the
screen, but at the end they solidity into a solid plant. This is teaching
the ,,you-are-one-but-you-are-many" concept. "FAMILIES ALWAYS
WORK TOGETHER. WHETHER YOU ARE BLUE OR YELLOW OR GREEN, FAMILIES ALWAYS
WORK TOGETHER IN HARMONY."

24
minutes. "BUBBLES ALL HAVE A
LIFE SOURCE...THERE, LOOK, WHAT’S IN THAT BUBBLE?" 24.5 minutes.
,,YOU CAN HAVE YOUR OWN ORCHESTRA". Fruit that hangs on the tree
is shown, which will be the basis for how they hang the programs (the
fruit) in the internal world. Note the colors, orange, white, yellow,
purple, blue, green,...

24.5
minutes. Fairyland appears on the
screen. The Fairies awake and fly through leaves. ‘THERE’S YOUR
FAIRIES. SHE IS VERY MAGICAL. SHE CAN CREATE ANYTHING AND SO CAN
YOU." "THE FAIRIES ARE SO MAGICAL."

Disney often portrays Mickey Mouse as a Sorcerer.

When
the core is being first split, the parts of the mind that are creative are
taken and used to create the fairies. The programmers will only take these
original creative splits, they will not try to get fairies from any more
torture. The fairies are the creative parts of the child, how ever many
creative parts that the child has splintered will be the number of fairies
created. These parts of the mind receive very heavy programming. They are
core splits. (If readers remember on page 87 of Vol. 2, it refers
to a Core Protector coded "Creation". That alter was a fairy, a
core split. Not only does this creative part make things
"magically" for the system, it protects the core. Does that help
people to understand how the Core can be so creatively protected?! (For
more understanding about the Core see Cisco’s very deep article on the
Core.) Fairies are assigned to every part of an alter system. The child of
3 or 4, who watches Fantasia has had their core locked away at 2 1/2. The
core’s stars have not been locked away yet, & have access to her
energy. When the system is built, the stars are locked away & become
the core’s guardians. They will act like the core to protect her. The
real value of the fairies comes when the core’s stars are locked away
& the Programmers have to depend upon the creative power of the
fairies.

24
minutes. A vine (which represents
a system’s double helix) lights up one leaf after another. The leaves
are staggered (alternated) and they light up in sequence, which teaches
the child the foundation of how they will create the DNA helix and its
staggered exit permissions.

25.5
min. The leaves are now floating
up and down, like the alters will learn to do. "SOME FALL TO THE
GROUND AND DIE." This is the point where the story of the Oak Tree
will be added in for programming. When the Illuminati programmers want
"to destroy" an alter they can use the chandelier-MT 6:22-23
torture mentioned on page 310 of the Vol. 2 Formula book, and then
have the splintered alters become leaves that fall to the ground and die.
After this, these disobedient and now "dead" alters can be taken
& be dissociated from their memories. The memories are locked up
someplace permanent within the mind.

26.
min. Out of a leaf like
"box" come a series of fairies. The child is taught to put
things (such as alters) in boxes of various shapes.

27.
min. Fairies continue flying
around. The seasons are passing in sequence. An internal green-skirted
fairy will be connected to the internal hourglass during the programming.

27.5
min. The fairies quit flying and
skate on ice. The season has turned to winter.

28
min. A winter scene. The four
seasons have come to an end.

28.5
min. A sorcerer is introduced by the MC (emcee). The sorcerer is
shown and then his assistant or trainee who is Mickey Mouse. Mickey Mouse
wants to be creative and magical like the great wizard. Mickey Mouse sees
the power that the sorcerer has, and wants that power. What is really
being subtly portrayed here is the programmer (the wizard) and the core
& the core’s creative splits (Mickey Mouse). Showing the programmer
as a great wizard is actually right on the money. The top programmers are
all Grand Masters in the Illuminati and are very much into witchcraft.

29
min. The sorcerer (wizard) is
shown again. This time the wizard,, with his skull beside him, creates
from his witch’s cauldron a big colorful butterfly which is forever
changing. (Is this big yellow, purple, white, and blue butterfly meant to
be a Monarch butterfly? The programmers will use it that way for this
Monarch programming.) The great wizard magically creates the big colorful
butterfly and then he shatters it into countless splinters!

30
min. Mickey sneaks around and
grabs the magic hat. (The magic hat is one of the few things in the film
that doesn’t mean anything for the programming. It merely has witchcraft
symbols.) Then a magic broom appears.

30.5
min. The broomstick comes alive.
The broomstick imagery will be used to help create the pancake people
(ribbon alters who will haul the internal computer messages). The
broomstick person in the film hauls buckets of water. The child is having
story after story layered in over a period of time, which are being
skillfully constructed toward a programming end. Parts of the child’s
mind that see the movie Fantasia

will
be dissociated clean slates. They will need to have some imagery given to
them so that they have something to build mentally upon. In Cisco’s
section of the book, in the Truth article it is discussed how the mind
looks at sensory inputs and tries to make sense of a pattern by comparing
it to previous patterns that it has identified. Learning is a step-by-step
building process, and so is programming.

31.
min. Mickey as the apprentice
sorcerer (in a sense the victim who the programmer is training)
manipulates the broomstick person. "THE CHILD (Mickey) CAN DO WHAT
THE GREAT MAGICIAN DID. YOU CAN TELL YOUR MIND WHAT TO DO. YOU GET POWER
BY LEARNING TO BE CREATIVE." Mickey (and the victim) become mirror
images of the Wizard over them.

32
min. Then the sorcerer sits on
his throne, and while on the throne acts like the conductor. Here is a
subtle mental tie-in that Mickey is playing the role of programmer
(conductor) and is sitting on an Illuminati throne (like so many of the
Illuminati Grand Master programmers have actually done.) Michael Aquino is
just one of several mind-control programmers who have gone by the name of
Mickey. Because Mickey Mouse is substituted for being the programmer at
different points in programming, this scene will tie in well with other
standard programming sessions.

32.5
min. Mickey in the film clearly
is shown leaving his physical body and astrally projecting himself. This
is such a vivid portrayal of occult astral projection, that it is
mind-boggling that many Christians consider Walt Disney movies to be
christian. (See Vol. 2, p. 319, for a discussion of the scientific
methods to understand and induce astral projection.) This again is laying
the mental foundation for the child to leave its body mentally and either
hover over its body in dissociation or to travel somewhere via astral
projection. Mickey Mouse then begins conducting lights. These lights
represent the alters that the victim will make for the conductor. The
lights (aka stars) are the conductor’s orchestra. Lightning (such as
flashes that come from electroshock) and stormy weather are being
controlled by Mickey. Notice that the things Mickey is controlling are
fear-based. After the child has viewed the film many times and memorized
it, when the electro-shock is applied during this time of the film, the
child will control it like Mickey by ‘magically’ creating splits.

33.5
min. Mickey begins conducting
waves. Then, for those who understand the veiled scenes, Mickey begins
going through the different magic spheres conquering the different
spirits. This is Enochian Magic. 34 min. Mickey wakes up back in
his body, and he is in trouble with rising water i.e. a water trauma.
Mickey is thrown into the water. The child victim will identify this with
the drowning tortures that are given to instill "no talk-no
tell" messages. After Mickey (or in child himself) has done
something, and returns to his body, then the "‘no-talk"’
message will kick in. Victims of mind-control often get the feeling of
drowning when they trigger a no-talk message.

34.5
min. More water continues to
flow.

35
min. All of a sudden without any
continuity of action, Mickey gets an ax and kills the broom by splitting
it. The broom dies and then multiplies when it comes back to life. This is
such a clear picture of what the programmers want the child’s mind to
do. They will traumatize the child essentially unto death, and then they
want the tortured alter to multiply itself into many more duplicate
alters. Armies of brooms are formed from the broom. This scene here is a
clear red flag that the Illuminati asked Walt Disney to produce this film.
This scene with the trauma death of the broom, with it splitting in half,
and then coming back to life in a multiplied form, is evidence that this
film was meant to be used for training children in multiplicity. The
assistant programmer will say "IT’S O.K. TO SPLINTER."
"YOU ARE TIRED, YOU CAN ESCAPE THAT BY RESTING AND LET A PART OF
YOURSELF COME OUT." At this point, it is necessary to explain what is
going to be done when they begin to splinter the child’s mind. After the
splitting trauma, the programmer needs to be able to see what the child
has created, so he wants the child to look at what’s been made.
"‘CAN YOU LOOK AT WHAT YOU’VE CREATED?" However, the part of
the child that looks back at the trauma will then see that the dissociated
trauma was real and that will make the child angry. The programmers want
the child to dissociate what he built, and when the child looks back at
what he has created he goes into a vortex of dissociation. The child is
told if he ever looks back at the memory he will go into the vortex.

35.5
min. Water is being thrown in by
the brooms, while Mickey throws water out.

36
min. All of a sudden a hypnotic
vortex sucks things in during the film.

36.5
min. The brooms all march in an
army, while Mickey reads his magic book. Mickey then uses his magic book
as a lifeboat when he gets whirled into a vortex. A vortex is often
created from that part of the mind that is holding the high energy that
accumulates in the mind just before the mind splits. It holds the highest
energy of the mind. One way a vortex is created is to place the child on a
traumatic Disney ride--like a rollar coaster. Special electrical boxes or
electrical shoes are outfitted onto the child so that during the ride, at
a particular timed moment when fear is increasing, that fear has pain of
the electrical shock added to it. A cattle prod of course would be too
dangerous to take up on some type of ride like that with all the motion.
Also bear in mind, a small child doesn,,t take need the electrical power
that an adult needs to take it down.

37
min. At the bottom of vortices in
the Illuminati programming, the programmers place Guardian demons. In
Fantasia, when Mickey gets to the bottom of the vortex, sure enough, there
is a Guardian there to meet him. The Guardian spirit parts the water as if
he were Moses with the Red Sea.

38.
min. The Conductor and Mickey
Mouse shake hands. The conductor does something very significant. Mickey
congratulates the conductor and then the conductor (programmer) in turn
says, "Mickey, you’ve done a good job." (Yes, the core/core
splits have done a good job at this point, they have just created their
inner world!) The MC tells us about the next song the occult Rite of
Spring. Spring rituals are creation rituals and so this music is ritually
connected to what the programmers are going to do in this segment. The MC
states that instead of the viewer seeing tribal dances (which are by the
way witchcraft dances), that instead Disney has decided to show us scenes
of what went on billions of years ago. (This next part is also a subtle
push for Darwin’s theory of evolution. But because it is child’s
entertainment, people don’t have their guard up. The theory of evolution
is important, because it allows people including the victim to not take
moral responsibility for their actions, and it is also the basis of some
of the Hinduism and witchcraft teachings that will be given the deeper
alters. This is a backdoor approach to destroy godliness that is carried
out on children in general.)

39.5
min. The MC says, "Imagine a
lonely tormented little planet spinning in a sea of nothingness."
This is exactly what the programmer will say to the child as they work
together at building an internal world. The "sea of nothingness"
is what the reader will see described in our books as "Outer
Space" or ,,the

Rubicon."
Also that "sea of nothingness" is used much later to reinforce
the secrecy of the programmers. Much later as the programmer and torture
has progressed the programmers will say to alters, "LOOK DOWN ON THE
EMPTY SEA OF NOTHINGNESS. THERE IS NO DR. GREEN. THERE IS NO DADDY
THERE."

40
minutes. A swirl of stars in a
galaxy appears. Swirls of comet-like lights flash by. "MANY WORLDS
THERE." This will set the base for the child to build galaxies and
worlds within their mind. "BE LIKE GOD, CREATE YOUR WORLD. BE YOUR
OWN GOD AND CREATE YOUR OWN WORLD" the child is told at this point.

45
min. Oceans, and water and fire
are coming into being. The child victim needs to know how a world is
created in order to create their own internal world. Lava begins flowing
as the flute plays the background music. Lightening flashes. The violence
of the fierce weather portrayed will be enhanced by the child on drugs to
a thousand times its magnitude. This is important because it will take a
great deal of mental energy and external torture to create the internal
worlds. Having such super-vivid pictures will help when the victim goes to
build their internal worlds. There will be special purpose fragments that
will be made into the elements of fire and water. That’s all these
special purpose fragments will know. Breaking through the layers in the
alter systems will trigger internal earthquakes. This and a later
earthquake scene are used to build the foundation for the internal violent
weather. If an internal earthquake shakes a slave’s mind, it has the
same effect as if a real earthquake were going off. Everything internally
shakes and shifts. An alter system will also have fire children, who start
internal fires, and will give internal alters the abreaction or sense that
they are burning. The mind gets very survival minded when it thinks it is
burning, and goes right back into the programming that is linked with the
victim’s compliance for survival during programming. 46 minutes. The
oceans continue to form.

47
min. A calm occurs in the action.

47.5
min. The screen gets dark except
for an amoeba, which becomes two amoebas. As the little amoebas multiply,
the asst. programmer encourages the child, "IT’S O.K. TO MULTIPLY.
GOD WANTED YOU TO MULTIPLY" Remember, the programmers are working
with a pre-schooler with clean slate alters. The programmers must show
images that the child can relate to. The concept of the broom being split
in half and then multiplying and now the concept of the amoebas splitting
are portrayed in a way that the child’s mind can grasp the concept.

48.5
min. "IF GOD CAN MAKE A
FISH, YOU CAN MAKE A FISH. YOU CAN DO ANYTHING, YOU CAN BE ANYTHING."

49
minutes. Dinosaurs appear. The programmers will reframe the concept
of dinosaurs into monsters and demons. The sea-going dinosaurs will be
refrained as guardian demons which guard the internal rivers. These
guardian demons tie in with Armageddon end-time programming. They also
guard the various worlds.

50
min. Dinosaur-birds swoop down
and grab prey. This imagery will be refrained to lay the basis for the
winged-monkey watchers of the Oz stories. The winged-monkey watchers are
the child alters who are assigned to watch and guard the system.

51.5
min. Fierce dinosaurs (later ref
rained as Dragons) protect the swamps. Swamps are built into the internal
worlds, so this is very helpful. Demons and alters like Dameon are set up
as guards.

52
minutes- More swamps appear. The
swamp scenes will form the base in the child’s mind for the internal
river Styx. (See more about this in this book’s article
"Programming, foundations, destruction of"). Some dinosaurs that
have long necks that look like snakes begin appearing. The asst.
programmer will reframe these to the child, "LOOK, THE SEED OF
SATAN." "THAT IS A DEMON." While the child watches, they
reframe the hugh dinosaurs as being demons. Pictures of reptilian looking
demons will be shown to the child too. At that age, the child is not going
to see the difference. (A note for therapists: Some
""demons’" may actually be important parts to an alter
system, and are being used to protect unauthorized users from entering
important areas of the system.)

54
min.- Fierce Tyrannosaurus Rex
chases dinosaurs. This chase scene is especially frightening to a young
child on a LSD trip. Long-necked snake-like dinosaurs appear. They may be
refrained as a python snake. T Rex is also known as Leviathan, a demon
that inhabits the kundalini spinal column and causes pain in the victim,
he is written about on page 302 in our Vol. 2 book. In the film a
long fierce struggle between T Rex and other dinosaurs ensues.

55
min. The dinosaurs begin dying
and soon dies. ,,THE LORD DOESN’T LIKE THEM."’ This will later be
refrained that if parts integrate they are to die. If someone tries to get
into the system, the alters are to bury themselves deep like these
dinosaurs do on the film.

56
min. Dead bones appear

59
min. Mountains soar out of the
ground into eminence.

59.5
min. It gets stormy on the
screen, winds & floods appear.

60.
min. Stillness comes as the sun rises.

61
min. The sun sets. (During the
programming, this may be refrained as the moon setting. It can be both or
either or. Remember, the programmer is working with the child’s
creativity.) Various scenes during the film show the moon in different
phases which is important for bringing in programming concepts like Mr.
Moon.

61.3
min. The orchestra is now
playing. Music is an important part of mind-control programming. The
affect of music on the mind and body has been studied. Music can double
the heart beat, accelerate the respiratory rate, make that rate irregular,
enhance perception, lower the threshold for various sensory stimuli,
change blood pressure & circulation, and alter the muscles in the
body. Dance music and "march" music done by orchestras change
muscle response. Music is also a great way to cause dissociation.

62.5
min. The MC introduces the
"‘Sound Track’ who he says is an important person for Fantasia
who can be seen around the Disney studio. When Mr. Sound Track appears, he
is simply a vertical line. The MC says he is "an important screen
personality." The ground work is being laid for a person being
anything, even a line. The MC states that each sound creates a picture.

63
minutes. The MC encourages the
personified Sound Track ""don’t be nervous."" Then a
sound is made like an electrical shock and the line develops a splotch of
color in it. During the programming at this point an electrical shock
would be applied to the child.

63.5
minutes. The harp is ask to
sound. The harp begins playing a scale and the line becomes double 8’s
and snake-like spirals. The child will be taught to dissociate when seeing
such double 8’s.

64
min. The violin begins going up
and down. Each of these instruments is going up and down the scale, like
do-ray-me-fa-so-la-tee-do. The music is used to teach the alters to go up
and down the helix, which is figured in this part of the film. As the
music goes down, an alter is taught to go down in trance, and as it climbs
higher, the alter will trance higher. All these instruments (violin,
flute, bass, bassoon) are being used to teach alters how to work in the
system. The MC describes the flute as "very pretty".

64.5
min. When the bassoon plays, the
MC says, "Go on. Drop the other shoe"-- "Go to the
shoe" which translates "‘go to the ground"" --the
deepest trance level. The following is the double-pyramid, with a helix up
the middle that appears when the bassoon plays: -(This configuration is
very important to all these Illuminati alters systems.)-

65
min. The drum plays and some
other percussion instruments play. These are taught to the child as the
cult’s "HEARTBEAT". They will hear this sound internally for
many years to come. Then some sounds that have a shattering effect
(cymbals) like broken mirrors are made in the film.

65.5
min. As the sounds take place a
line is made with a pyramid at the top. This is laying the groundwork for
the system’s structuring.

66
min. The MC laughs and talks about Beethoven’s Pastoral Symphony
(Beethoven’s 6th) which is next.

66.5
minutes. The screen comes alive
with magical Unicorns of different colors. Then Pan (a satan-like figure)
appears playing his pipes, and soon lots of little Pans (little demons)
are playing their pipes. The little Pans (demons) play and dance with the
unicorns. The orchestra plays again. (This author, Fritz, remembers when I
said that Pan was an evil demon, I was rebuked by a Christian minister. He
then said Pan a benevolent cheery creature". A number of books which
may be obtained from Satanic bookstores document that Pan is indeed
considered a powerful demon by occultists.)

67
min. Pegasus (the mythical greek winged horse) flies in. As a
Mother horse she takes care of little ones on the screen. She is a
protector in the programming.

68
min. "FANTASY IS FUN.
FANTASY IS A GAME YOU PLAY. MOTHER TEACHES YOU. SEE HOW MOTHER IS A TEACHER.
SEE THE BLACK AND WHITE HORSE. THEY ALWAYS FLY TOGETHER, BUT ARE SEPARATE.
THEY ARE FLYING OVER THE CLOUDS." "OVER THE CLOUDS, INTO THE
BLUE YONDER." The child is rewarded for what it has to do with the
game of fantasy. "THAT’S YOUR REWARD FOR DOING WHAT YOU ARE TO DO.
YOU CAN LEARN TO FLY OVER THE CLOUDS." The child feels rewarded by
the game of fantasy. The fantasy scenes in Walt Disney’s Fantasia are
like the Wizard of Oz scenes in Oz, fantasy-land is more colorful and fun
than real life. Vivid colors will be splashed about during the
fantasy-land scenes.

68.5
min. A castle appears as Pegasus
flies around. This and other castle scenes will help the child develop the
imagery for the spiritual castles that the child will build internally.
Then they swim in the water. "SEE THE MIRROR IMAGES, WATER CAN BE
GLASS." During the programming mirrors are put into the internal

system.
A mirror can be a piece of glass, the surface of a pond, or an asphalt
runway. When the programming is complete, underneath the water &/or
the runway lurk demons.

70
min. Waterfalls emerge and issue
forth. The waterfalls are used by the programmers to erase all the
slave’s memory of what was done to them. The child will be told at the
end of watching Fantasia (and this will be said at other programming
events too), "JUST REMEMBER THE GOOD, JUST REMEMBER THE
FANTASY". The fantasy is given so that the subconscious can rest in
peace after the programming. The child is told "WASH YOURSELF
CLEAN."

71
minutes. Then a scene appears
where one girl centaur braids another girl centaur’s long hair. The
Illuminati teach their slaves to braid their memories. They braid their
memories up and then lock them in. All the Daddy memories will be locked
up & braided and then locked for good.

72
min. Male centaurs appear. They
are near water and make mirror images in the water.

72.5
min. A crown is placed on a
female centaur and 2 doves. During the Illuminati death, burial and
resurrection ceremonies lilies are used for crowns, and doves are used.
These are significant programming/ritual symbols. The female centaurs look
at the male centaurs. This will be refrained as a system can have both
male and female parts.

73
min. Starting with one female centaur, the females act seductive to
the males, who then respond. For bras the females have bras of daisies.
The Vol. 2 book explained how the daisy programming is a
life-or-death type program. Vivid colors are used for each centaur. For
instance, one may be purple and another one another color, which sets the
groundwork for alters to have different access color codes. Alters do not
usually see themselves as being in different colors, although it does
happen on occasion.

73.8
min. A marriage takes place
between the centaurs. The programmers catch these nuances of the film and
use them. The marriage here teaches the child to be acquainted with the
arm-and-arm marriage ceremonies. Remember, the programmers are dealing
with clean slates that must be taught from the ground up. In the next few
minutes, the cherub children will watch sexual body language, and the
child victim is also picking up on enticing sexual body motions.

74.2
min. The centaurs go swimming.
"I FEEL LIKE A LITTLE GIRL WITH A HORSE’S BODY."

75
min. Little cherubs are dancing
and flying around. When pictured the artists at times single out 3 cherubs
who blow flutes together. The female centaur appears,

who
is fair haired (blond) and blue-eyed, which is what the Illuminati like.
When she hears the tone (of the flutes) she goes into a trance state and
walks with her eyes closed. This imagery is used to teach alters that when
they hear certain tones, they are to go into a trance state and do certain
things. The little cherub turns into a heart, and when no one is watching
goes into the tree. In programming, this part is the Keeper of the Tree.
Notice how everything is veiled. The assistant programmer will point the
cherub out to the child victim, "LOOK AT WHAT HE DID."

76.5
min. A curtain then shrouds the
scene. The curtain appears to be tree-like. More bubbles appear, and more
water. All the mythical creatures on the screen begin to dance and be
merry and have a feast.

77
min. "SEE THE FEASTS, SEE THE BANQUETS, THE FEASTS ARE O.K.
THE BANQUETS ARE O.K."

78
min. "THE LEAVES ARE
FALLING." Blood-like wine is drank at the feast. "SEE THE
BLOOD."

"SEE
THE LITTLE DEVILS POP UP." The only human in this Disney scene is
honored. This is done to teach the alters that humans and animals can mix.
That they can be accepted for what they are, even if they think they are
an animal or something else they will be accepted at the cult’s feasts.
These scenes are all for internal programming. By the way, one of the
pretty female centaurs makes a sexual pass at the fat human, who then
chases her. "MUST PLEASE THE MASTER."

80
min. A scary storm comes up, and
Zeus, and the greek gods appear. ,,BETTER FEAR IT. HE’S A GOD YOU’D
BETTER FEAR HIM. HE THROWS LIGHTNING." This demon who throws
lightening is named Furfur. He also makes thunder & strong winds in
the system (alter system’s worlds). Readers can learn more about this
demon, named Furfur, in Cisco’s second part of DeeperInsights
in the article on "Programming, foundations, destruction
of".

81
minutes. Lightening bolts are
thrown from heaven.

81.5
min. All the little cherubs run
for cover in fear.

82
min. Pegasus the protector flies
in to protect everyone, especially a new born Pegasus. The wind is
personified as a two-headed blowing person. This two-headed Janus wind
comes storming through the heavens. The programmer will often place his
own voice "IN THE WIND." The greek god (internal demon) throws a
lightening bolt.

83
min. "SEE THE GODS".
The child is learning what to make internally. Zeus then relaxes &
goes to sleep.

84
min. More vivid colors form.
"FAMILIARIZE YOURSELF WITH ALL THE COLORS." The film at this
point is teaching the child to stay in the framework of the programming
for safety. To go outside of the programming is terror. The child is
learning to fear the godlike demonic guardians.

84.5
min. The fantasy world is coming
alive. It is a happy fantasy world. A goddess in the sky makes a rainbow
emerge. This is the rainbow goddess of the programming.

85
min. All the happy unicorns and cherubs fly ‘"over the
rainbow." (Refer back to the Vol. 2 book p.94 to understand
the significance of going over the rainbow.) The unicorn is derived from
old British paganism where the lion represented sun worship, and the
unicorn represented moon worship. This is why the Royal Arms of the
British Royal Family have a unicorn on one side, & a lion on the
other. Sexually the unicorn represents androgeny. During programming, the
horses, pegasi, unicorns and centaurs shown in the Fantasia movie become
the foundation upon which the Illuminati programmers build the Night Mare
alters who are beasts of burden who carry an alter system’s memories.
These are logical no-emotion alters who are early splits & who are
programmed after the child is verbal. See Cisco’s article on Dream Work
for more understanding about the horse alters, as well as chapter 7 on
Structuring.

86
minutes. More rainbows and lots
of bubbles come into view. The film has done an excellent lob of showing
how the Furfur God of thunder protects the Rainbow. Once an alter has gone
over the rainbow, they can not come back because a demon protects the
Rainbow. The rainbow is also protected by alters who fear the gods. After
seeing Fantasia, the therapist can understand why the little child
protector alters have fear about these gods. The master (who represents
Furfur) in the movie swallows the rainbow. If an alter looks internally
for the rainbow, he or she will only find stars, because the protector
will come up and say, "I swallowed the rainbow." The rainbow is
kept well hidden internally. This scene is used to teach alters how to go
over the rainbow. ""BEFORE YOU GO OVER THE RAINBOW, YOU HAVE TO
PUT ALL YOUR MEMORIES IN THE BUBBLE. YOU CAN’T TAKE ANYTHING OVER THE
RAINBOW INTO FANTASY LAND."

86.5
minutes. Apollo, the sun god
comes out.

87
min. A big mother spirit who
fills the whole sky is now shown by Disney. She hangs over the rainbow.
When a system is built this is indeed what they put in. All go to sleep in
the film.

87.5
minutes. Arrows shoot the stars
into the heavens. This is more programming imagery. When you look for the
rainbow, you see stars.

88
min. The conductor finishes
again.

88.5
min. The next setting is a
Venetian nobleman’s (a duke’s) palace. Curtains open. The use of
curtains is spoken about in our previous books.

90
min. The Ostriches begin dancing
in a circle, this is laying the groundwork for what the cult family does.
The Assistant programmer may tell the child, "SEE IT’S O.K. TO
DANCE TOGETHER. DANCING IS ACCEPTABLE." The programmers will not
directly tell the child that this represents the cult family.

Fantasia
portrays Satan as a terrible powerful being.

91.5
min. The Ostriches are eating
grapes. They are playing, looking in the pool & they are seeing
bubbles.

92
min. Hippos emerge out of the
pool. "IT’S O.K. TO BE DIFFERENT. IT’S O.K. TO BE STRANGE. USE
YOUR CREATIVITY." The hippos begin to dance and dance.

94
min. Elephants appear and are
having fun and blowing bubbles out of their trunks. The programmers may be
having fun blowing bubbles with the child. The programmers like to mix
love and hate, kindness and sadistic behavior. That way the victim has a
hard time separating love from hate. If you ask many slaves about
"Daddy" they will tell you that they had fun with Daddy. They
are right--they had fun intermixed with sadistic torture. Bubbles continue
to lift off. One of the bubbles has a fish in it. This is imagery for the
bubble programming. The child victim is trained to dump their bad memories
into bubbles and let them float away. The therapist will notice that many
victims feel like they are floating. They have an unreal feeling. The
bubbles are floating their bad memories away.

98.5
minutes. A new setting and the
hippos are hypnotically sleeping. 3 sinister alligators that remind one of
the 3 primary programmers appear. The 3 alligators have robes that hide
them, and shadow images of themselves lurking behind them. The alligators
are trying to get the hippos. The 3 alligators are portrayed like the
programmer is, he is someone to fear, love, & respect all at once. The
hippo is running away and dancing. The alligator dances with the hippo,
but makes menacing attempts to eat him. A flying hippo lands on an
alligator. Elephants, hippos, alligators are shown. The elephants,
ostriches, hippos and alligators all dance in fantasyland.

100
min. The orchestra is dancing.
‘"DO WHAT YOU’RE TOLD AND WE WILL HAVE FUN."

101
min. The MC announces the next
part as ""the struggle between the profane and the
sacred."’ The conductor stands in a silhouette that suggests the
same pose that the upcoming Satan takes.

102
min. A high dark mountain with a
castle looms in front of the viewer. A winged fiercesome Satan figure
raises his wings. His wings are sectioned like fingers with claws, and
will form the imagery of the demon Malebrinche, whose satanic claws hang
over the alters and terrorize them. In the Illustrated Guidebook, the
reader will find lots of these claws in the pictures lurking in the
background. A child victim will be taught to fear the hands of the
programmer, Satan and

Malebrinche.
The wings (hands with claws) open. And Satan is portrayed as an
awe-inspiring figure. (By the way,, the word maleficia means evil
misfortune caused by witches. The witch in Disney’s Sleeping Beauty has
the demonic name of Maleficent.)

102.5
min. Satan begins raising the
dead skeletons. This provides a foundation to layer in the Valley of the
Dry bones coming alive with armies of skeletons.

104
min. The film also has some
images at this point that will help with the foundation for the Armageddon
programming. Satan calls everything to himself.

104.5
min. The hell pit is shown. This is laying a foundation for the hell pit
with all its demons. All kinds of vivid colors are shown in hell, to make
the scene more real than real for the child victim. Satan smiles as demons
burn in hell. "NO MATTER WHAT COLOR YOU ARE, IF YOU ARE NOT GOOD
YOU’LL END UP THERE.’"

105.5
min. Three beautiful lady demons
begin to dance in a circle, all of a sudden these demons take on their
luciferian form, one becomes a goat.

106
min. The demons continue to dance
with powerful Satan watching over them. The hell pit and the demons are
portrayed in vivid scary graphic depictions. The hellish fire and the
ghoulish dancing of its occupants continues for what seems a long time.
"WHEN GOD FINDS OUT HOW BAD YOU ARE, LOOK AT WHAT HE’LL DO TO
YOU."

107
min. Satan is portrayed by Disney
in all his evil dark majesty.

107.5
min. Bells begin to ring, and the
demons slink away, & the dead return to the earth to their graveyards.

108
min. Ghosts return to the graves.
Soft music begins to play. Ave Maria by Schubert, which was written for
the Catholic church, begins playing.

109
min. Satan folds himself into a
mountain. ‘"DO YOU SEE LUCIFER ANYWHERE? NO. YOU ONLY SEE A
MOUNTAIN."

110
min. Lights shine as if they are
a column of moving people who are walking with lights, and then some walls
appear.

110.5
min. An arched bridge appears
with its mirror image. The column of silhouetted people who continue
walking have mirror images in the river. The asst. programmer will be
telling the system (which the front parts will hear) "TIME FOR ALL
THE GOOD CHILDREN TO GO TO CHURCH. IT’S O.K. TO GO TO CHURCH. GO SERVE
GOD."

113.
min. An opening, a vertical
sliver of light comes from what appears to be doors opening up. There is a
mirror effect in the way the doors open, which will facilitate making
mirror image front worlds. A whole new world opens up, which will be the
front system’s world. Both the front alters and the deeper ones will be
told to forget the movie. Later when a system is better programmed, the
programmers will pull up the front alters and have them walk through these
doors into the light. When they are hypnotically taken through these doors
into the light and away from the fear and darkness of the Kingdom of
Satan, they are hypnotically told to close those doors and never look
back. The Kingdom of Satan has been shown in detail and in great length.
The Kingdom of Satan has been shown as powerful and fearful. Satan is
shown as a mighty power that is to be feared. The Kingdom of Light is only
shown as a peace, as a refuge from evil. It is not shown to be good. It is
not shown to have power or intelligence. It is simply a place to go to
escape the fear of Satan’s power. This is all the programmers really
want the church to be. It will be a stabilizing balance to let the mind
recuperate from the hell of the programming, but it is not intended to be
seen as greater than Satan and his Kingdom.

115
min. The film ends with a
peaceful gaze at heaven. The child is being told in the last few minutes
"THAT WORLD BELONGS TO YOU. IT’S A BEAUTIFUL WORLD. IT’S THE
WORLD WE WANT YOU TO LIVE IN. IT’S BEAUTIFUL." After all the hell
that is eventually dumped on the child, and the scare that Satan gives
them in this Fantasia film, the child is only too happy to create a
beautiful world to live in.

**
* * * * ***** ******** ****** ******** **********

The
effectiveness of Disney’s Fantasia is that it is used to communicate to
& build the unconscious structures within the child’s mind. The
unconscious mind is the seat of our creative abilities. Then the conscious
mind makes adaptations upon this unconscious thinking.

SUMMARY

Now
that the reader has covered so much, the following quotes (with bold
emphasis’s added) take on even deeper meaning:

Joe
Flower in Prince of the Magic Kingdom, ,, Walt Disney was obsessed
with creation, driven to build magical worlds not, as many artists are,
out of paint and canvas, or words, or even film, but physically, out of
concrete, wires, smoke, electricity, and highly programmed
employees." (p. 23)

Julian
Halevy in Nation decries Disney taking this nation into a
"drift to fantasy." He adds, "...one feels our whole
culture heading up the dark river to the source--that heart of darkness
where Mr. Disney traffics in pastel trinketed evil for gold and
ivory." For those who understand programming Aubrey Menen comments
about Disney’s success are profoundly appropriate, "the strongest
desire an artist knows...to create a world of his own where everything is
just as he imagines it." John Ciardi was not so nice, he termed Walt
Disney as "the shyster in the backroom of illusion." Eliot said,
"While his filmed fairy tales

may
have appeared at first glance to be light and dreamlike, upon closer
examination they seemed more nightmares of deconstructed reality in league
with the era’s leading neo-Freudian Modernists."

·
You have now finished reading a never-before-heard, unprecedented Warning
about the Dark Reality of the Disney’s Magic Kingdom, and how it fits in
with Mind-Control. Most Americans when surveyed say they believe in God,
most go to church, and many believe they are born-again. Because of the
Illuminati’s deception campaign over several generations, the American
public, and the world in general has been led to believe that Disney was
good, and that Walt Disney was a good man. Because of his image, people
suspended judgement about Disney and Disney movies. They entrusted their
children to him. People had been manipulated into a frame of mind, a
predisposition that whatever comes out of Disney is good. They entrusted
their children to take in what Disney fed their children’s little minds
week after week. The public’s predisposition of trust was used to
introduce Illuminati beliefs and their political agenda, and to carry out
a vast program of trauma-based mind-control on hundreds of thousands of
tiny little children, whose minds and souls were stolen from them. Because
many of the child slaves, who are programmed with Disney-themes, are
programmed with roles in bringing in the Anti-Christ, Walt Disney and his
family have played a major role for the Anti-Christ. And now you can see
how accurate the Word of God is when it says, What is highly esteemed
among men, is an abomination to God. First, there will be an Overview of
the types of sources used, and then will follow a partial Bibliography on
this Disney Section.

TYPES
OF SOURCES

People
who have worked for Disney and who are getting pensions and medical
insurance have talked about Disney under the condition of anonymity. This
is because the Disney hierarchy will not permit exposure without
retaliation. Several non-Disney people who helped with discovering facts
for this section were threatened that their children lives would be taken
if they continued to investigate Disney. What I (Fritz Springmeier)
finally have put in this, is solely my responsibility.

·
One type of source for this was
books on the Hollywood Film Industry and books on Disney Films. There were
about 20 books of this category which were perused for a better
understanding of who the Disney brothers were and what Disney Co. was
about. One of the best in this type of source was The
Art of

*
Another type of source were the
standard biographical reference books,, such as Who’s Who, Who’s
Who in the West (1951), World Biography, Who Was Who,, Current
Biography 1952, etc.

*
Another type of source was
critics of Disney’s movies such as several articles exposing the Lion
King, Media Spotlight’s article Fantasia, Rush Limbaugh’s
comments and statements concerning how Disney had betrayed its viewers’
trust, the Spotlight’s Feb. 26, ‘96 p. 31 article "Disney
Turns Back on Family Values."’

·
Another type of source was magazine and newspaper articles about Disney
such as the Oregonian’s art. on a Disney director being a convicted
child molester. NY Times, Newsweek and other magazine and newspaper
sources. An important series of extremely good investigative reports which
were written by Harry V. Martin for the Napa Sentinel in 1989 were
very important in learning of some of the Illuminati/CIA/Contra/Drug
Running activities in Napa Valley, CA that Roy Disney is associated with.
Harry V. Martin went into all kinds of records and did an excellent job of
investigative reporting. The magazine Monde 2000, no.12, had an
article on non-lethal weapons that the NWO is developing. This article was
reprinted in Encounter Chronicles Journal of Scientific Intelligence, and
discussed how Disney has been working with Sandia Labs and Los Alamos.

·
Another type of source were victims of Illuminati mind-control, who have
recovered memories of being programmed at Disneyland and Disneyworld.

·
Another type of source has been to watch Disney movies as an investigative
tool to understand how Disney is programming, how they are skillfully
indoctrinating the American people into witchcraft, etc. This author has
also personally been to both Disneyland, near Anaheim, CA and Disneyworld,
near Orlando, FL.

·
Another source was the Walt Disney Co.’s Annual Reports, and also the
reference book Directory of Corporate Affiliations (1986) published
by the National Register Pub. Co.

·
Another type of source were books which specialized in covering details
about Disneyland such as Disneyland And Beyond the Ultimate Family
Guidebook (edited by Ray Riegert, and printed by Ulysses Press of
Berkeley, CA); and Walt Disney’s Disneyland (by Martin A. Sklar
and introduced by Walt Disney.) AAA had a 27 page booklet "Disneyland
Park and Southern California", which came out in 1996, which
provides information on what is being offered at Disneyland and vicinity.
The book refers repeatedly to "Disney Magic". One has to wonder
how Christians and non-occultic persons can’t see how occult Disney is.

Martin,
Harry V. Napa Sentinel. A series of articles in 1989 were very
important in learning of some of the Illuminati/CIA/Contra/Drug Running
activities in Napa

Valley,
CA that Roy Disney is associated with. Harry V. Martin went into all kinds
of records and did an excellent job of investigative reporting.

Monde
2000, no.12, had an article on
non-lethal weapons that the NWO is developing. This article was reprinted
in Encounter Chronicles Journal of Scientific Intelligence, and
discussed how Disney has been working with Sandia Labs and Los Alamos.

Media
Spotlight’s article Fantasia,

Mother
Jones, May-Ju’, 97, p. 61.

NAPA
VALLEY REGISTER, the following
articles are samples of what was used:

NY
TIMES (the following are samples
of what was used: Articles during the "50’s & ‘60’s were
looked at. ,,Disney Offers Faux Memories of Atlantic City Boardwalk"
by Joe Sharkey, Tuesday, Dec. 10, 1996 "Baptists Censure Disney On
Gay-Spouse Benefits" Thurs. June 13, 1996, p. Ala

,,Disney
to acquire 2 radio stations", 4/15/97, p. C4.

The
PRESS DEMOCRAT (the following are
example of

what
was used:)

"Baptists,
Disney Paths Diverge" Saturday, June 29,

1996,
p. D4

"Disney
To Buy Stake In Web Company" 2/15/97, p.

E6

"Heavy
Disney" Sunday, Oct. 20, 1996

"The
Ins and Outs of Allen" by Frederic M. Biddle and

Renee
Graham, On Q,, Sept. 29, 1996, p. 27

SAN
FRANCISCO CHRONICLE (the
following are examples of what was used:)

"Disney
Institute Is A Short Course In Creativity"" by Catherine Watson,
Sunday, May 26, 1996, p. T9 ,,Mouse Matriculation Is A Great
Experience"" by Catherine Watson, Sunday, May 26, 1996, p. T9
"Tomorrowland Jumps Into The Future", Sunday, July 14, 1996, p.
T3

·
Interviews with various types of Disney victims. [Disney has used
mafia-type tactics, i.e. death threats, to intimidate numerous people into
selling their property. Roy E. Disney has been reported involved in these
land thefts. Victims of this type of intimidation are in many states, but
several prominent regions are Napa Valley, CA; Shenandoah Valley;
Virginia, & FL Disney’s land-grabbing operations could be a book in
itself. This author has lots more research which I HAVE NO PLANS to
reveal, which has been left w/ key others, such as the connections of
VaVin, near Leon,VA, who produce Prince Michel de Virginia, whose chef
& others connect to Belgium. The background of several key people,
like Robert Podesta. Financial records, such as Fed. Judge Fern M. Smith
(Burrows). ETC. This para. is not indexed.]