"We're not critics. We're professional fan-girls." --- This blog is dedicated to movies and the entertainment industry. We use random selection to bring into light the best and worst of Netflix and off various columns highlighting new movies as well.

A group of teens ready to graduate from college take a
vacation to a friend’s second home to celebrate. All they’re interested in for
the weekend is sex and alcohol. While they’re having fun, there’s someone out
there looking to test them in ways they can’t imagine.

Have you ever seen that commercial?

Congratulations, you’ve just watched the first 45 minutes of
Kill Theory in less than a minute. At
least, that’s what it felt like to me. I couldn’t stop thinking about that
commercial for the majority of the film.

For the rest of the movie, I was just kind of looking
forward to it ending.

I want to be clear. The actors were amazing in their parts.
Daniel Franzese (Mean Girls, I Spit On
Your Grave, War of the Worlds), Theo Rossi (Sons of Anarchy, Cloverfield, Meth Head), Ryanne Duzich (Friday Night Lights), Teddy Dunn (Veronica Mars, Jumper, The Manchurian
Candidate) and Patrick Flueger (Chicago
P.D., Footloose, The 4400) threw themselves head first into their
characters. Unfortunately, someone should have checked just how deep their
characters ran before they jumped. You risk concussions when you jump into
bodies that shallow.

Ok, yeah, that was a pretentious paragraph. You know what?
There was more depth in that paragraph than in all the characters combined. The
actors can be as amazing as they want; sometimes the writing just brings everything
down anyway.

The only things that kept this movie from being completely
unwatchable were those members of the cast who were exceptional with what they
were given.

Bernard D. Elf wants to be an inventor. He’s got his heart
set on creating the next big thing for Santa. However, he’s more accident prone
than anything else, and Christmas this year is going to have enough issues.

There’s a little discrepancy as to whether or not Tom Baker
(Doctor Who, Little Britain USA, The
Beeps) was really in this movie. IMDB lists him as an actor in it, but with
the same part as Tim Conway and I’m not exactly sure how that works. Noel Clarke
(Star Trek Into Darkness, Storage 24,
Centurion) is an actor from Doctor
Who, though, which amuses me because of all the wibbly-wobbly timey-wimey
going on in this film.

Despite the time-jumping, I found Saving Santa to be a little generic. Even with that belief, it was
kind of adorable and the music was catchy.

I probably wouldn't watch Saving Santa again. At least, not alone; I might watch it with a
child. There was much less appeal for someone of my age than some of the other
animated kid’s films floating around Netflix.

Cute for Christmas, cute for kids, not terrible in general
but far from amazing.

The Bundren family is suffering a terrible loss. Their
matriarch has grown terribly ill. In an era when doctors were not just a cab
ride away, they are not able to save her. After her death, they need to go on a
journey to the cemetery she wished to be buried in.

Have you mentioned the term “indie movie” to someone and
watched them cringe? You had to explain to them that when something is
considered an indie film it just means it was produced mostly outside of the
major film studio system? Maybe to get rid of their sneer you mention that some
of their favorite films are considered indie: The Evil Dead (1981), The
Usual Suspects (1995), Clerks
(1994), Night of the Living Dead
(1968), Pulp Fiction (1994),even the very first incarnation of The Terminator (1984). With a line-up
like that, how could that guy possibly hate on indie films?

This movie is how. When those people who hear the term “indie
movie” sneer, they’re thinking of this kind of movie. They’re thinking of something
that goes so artistic in its filming that there’s no cohesiveness or clarity.
They’re thinking of a movie they can watch for over an hour and a half and
still have no idea what happened.

Watching As I Lay
Dying was like watching a butter sculpture melt. It was pretentious and
slow. I know it was based on a book, but no movie has made me want to read a
book less.

The only thing I can think to add is that this movie
probably wasn't for people like me. I enjoy drama, but not at this level. To enjoy
As I Lay Dying you need to value
drama and artistic flare more than content. That’s just not me.

Stephen is a mostly normal student; normal except for the
fact that he’s been diagnosed with behavioral and psychological issues. He
hears voices, he wakes up in strange places; not even his meds can help him.
Then he meets a group of people who once went through the same thing… when
their abilities were awakening. The Tomorrow People teach him that he’s the
next evolutionary step in humanity. They teach him about the three T’s: telekinesis,
teleportation and telepathy. Finally, they teach him about Ultra, the evil
corporation hunting down their kind for experimentation or worse. As they teach
him, he learns just how deep his bloodline connections run with them.

I don’t need to tell you I don’t normally cover TV shows. I’ve
thought about it. I still think about it from time to time, but then I wonder
how fair it is to judge an entire series by single episodes at a time. Even the
best TV series has a dud episode now and again. I mean, I’d love to write about
Doctor Who, Arrow, Sons of Anarchy, Gilmore Girls, or any of the other
amazing TV shows on Netflix, but it’s not really all that feasible. I can’t
exactly watch an entire series in three days. For some of the shows, that would
be mathematically impossible.

So why does The Tomorrow
People make the cut?

Remember once upon a time when Firefly was canceled? Well, I wasn’t familiar with that show at the
time. Sure, I am now and it’s awesome. I have the biggest crush on Nathan
Fillion (Slither, Dr. Horrible’s
Sing-A-Long Blog, Much Ado About Nothing) and he’s the whole reason I
decided to start watching Castle, but
when it was initially canceled I didn’t know enough about it to be upset. That
makes The Tomorrow People my Firefly.

As I write this, I’m re-watching the pilot episode. I’m
recalling how amazing I found Robbie Amell (Th
Flash, Zack Stone is Gonna Be Famous, Struck By Lightning)throughout the series and how Luke
Mitchell (7 Minutes, Home And Away,
Neighbours), Peyton List (Mad Men,
90210, As the World Turns), and Aaron Yoo (Disturbia, 21, Friday the 13th) brought their characters to life. I recall how
spectacularly infuriating the good and evil representations of Jedikiah Price
and The Founder’s storylines were. Played by Mark Pellegrino (Being Human, Supernatural, Lost) and
Simon Merrells (Spartacus: War of the
Damned, The Wolfman, Family Affairs) respectively, they were a huge part of
the reason I tuned in to the series every single week for 22 episodes.

I would have watched 7 more seasons of this series, easily.
If the writers kept it up and the actors kept caring as much as they did in the
first season, I could have watched even more than that.

Instead, the CW canceled it.

They had good reason, I’ll admit to that. Ratings weren’t
quite where the network wanted them when The
Tomorrow People was on after Arrow
every Wednesday. So they moved the show to Mondays and that move effectively
alienated a large remainder of the viewers they did have.

The thing is, The
Tomorrow People was not original programming. It was a reboot of a British
TV series from the 70’s that went by the same name. That version of The Tomorrow People ran for 5 years,
making it a relatively successful television series.

Why didn’t this version make it? It was interesting. It was
well acted. It was well written. It was well directed and produced. What was
the problem?

To be honest, I think it was the title.

In the 70’s, in England, the title must have been fine,
because the series survived. That means people had to have been attracted to it
enough to give it a chance in the first place. The CW released it in the US, in
the 2010’s; different time, different place. Their target audience isn’t
attracted to titles like that. Especially since this series was a reboot, I
think they could have benefited from changing the title.

Think about it. Some of the most popular shows at the time
that The Tomorrow People aired were: The Walking Dead, Sons of Anarchy, Game of
Thrones, True Blood, and Teen Wolf. How
are those titles different than The
Tomorrow People? The ways they relate to the actual shows are obvious even
if you’ve never seen them. It gives viewers an idea of what to expect. You hear
The Walking Dead and you’re not going
to think of anything but zombies. You hear Game
of Thrones and you’re going to expect a fantasy involving kings. Maybe you
won’t know True Blood refers to a
drink in the show, but it pretty clear there’ll be some kind of vampire tone to
it. When I think The Tomorrow People,
I think of things like Futurama and The Jetsons.

If the title of a show doesn’t draw in viewers, then viewers
aren’t going to know how amazing it is, and viewers today seem to want some
kind of clarity in their titles.

Reboots are fine, but the producers have to acknowledge the
change in times. For the most part, where the story arcs and the script are
concerned, they did catch up to the year they released this remake. Why they
decided to leave the title in the past is beyond me.

My friends and I joke that it’s the best show with the worst
name in existence.

Netflix has been picking up canceled shows and working with
them. I believe, with all my heart, if Netflix were to pick up The Tomorrow People, with as much of the
same cast as possible, and change the title, the company would be significantly
surprised with how well it does.

It’s unlikely, but I can always hope.

Rotten Tomatoes Critic Score – 45%

Rotten Tomatoes Audience Score – 77%

Netflix’s Prediction for Me – 3.9/5

Trust-the-Dice Score – 5/5

Movie Trailer: I felt that a single trailer for an entire series didn't say enough. So I scoured Youtube for the best fan-made music video for the series I could fine. It was created by rhoboat77. Enjoy.

Joe is having a rough day. He gets in trouble at work and
then his girlfriend breaks up with him. Luckily, he lives with his best friend,
Eric. There’s no way Eric is going to allow Joe to mope the entire weekend.
Through peer pressure, and other means, Eric gets Joe to join him on a
delightful weekend of LARPing.

If you don’t know what LARP is, it stands for Live-Action
Role-Play. It takes table-top role-playing games, throws the players in costume
and transports them to a place where thrown bean bags are spells and foam
swords act like steel.

If you don’t know what role play is… what’s wrong with you?
Get on that. Dungeons and Dragons, Pathfinder, Vampire: the Masquerade,
Exalted. Look up those keywords and enjoy.

I digress.

This B-movie does everything really well, provided you go
into it knowing you’re about to see a B-movie. Don’t let the familiar names of
Peter Dinklage (Game of Thrones, X-Men:
Days Of Future Past, Penelope), Summer Glau (Firefly, Serenity, Arrow) and Ryan Kwanten (True Blood, Not Suitable For Children, Dead Silence) fool you. This
IS a B-movie.

A PERFECT B-movie.

That’s right; I used the “P” word. Get your minds out of the
gutter, you know what I meant.

I believe this movie was perfect. It was silly and violent
and hilarious and I could not look away. It’s everything a good B-movie should
be with much better acting. You can absolutely tell that the actors had one
hell of a time filming. It’s always easy to get into a story when the actors
are too.

Now, as perfect as I believe this movie was, I will
acknowledge that it is not for everyone. If you take horror movies too
seriously, this is not for you. If you can’t be sympathetic to a bunch of truly
nerdy LARPers, this is not for you. If you just plain don’t like fantasy, this
is probably not for you.

However, if you’re interested in some geeky, ridiculous,
not-so-horror-horror with a twinge a death metal and pinch of epicness – this is
definitely for you.

Found footage is watched by a group of thugs hired to steal
a VHS tape from an old man.

I want to start off by saying that I hate shaky cam. There’s
nothing more annoying to me than sitting through an hour or more of someone
seizing while holding a camera. It makes me dizzy and I avoid it like the
plague.

Unfortunately, I cannot avoid the V/H/S series.

Suggestions for the V/H/S
series come in almost once a week. So, all of them will see my list at some
point.

Although the movie had that “filmed by a masturbating monkey”
quality to it, I have to admit that it was a story that was probably best told
through that method. Without the shaky cam, it just wouldn’t have been as
scary. It needed that first-person aspect.

I wasn’t fond of the framing device used. To be honest, the
movie was almost confusing at first because of it. Luckily I went into V/H/S knowing it was an anthology, so I
was able to work it out quickly it enough.

The independent stories, however, were pretty good. All of
them seemed to have that unpredictable quality that I adore. I was also happy
to see that the segments did not have that ABCs
of Death quality to them, despite two of the directors, Adam Wingard (You’re Next, A Horrible Way to Die, The
Guest) and Ti West (The Sacrament,
The Innkeepers, Cabin Fever 2: Spring Fever), having been involved in that
infamous project.

In the end, I have to give the movie credit. Shaky cam be
damned, the stories were pretty good.

After Jim loses his job on the last day of a family vacation
in Disney World, he begins to get paranoid and depressed. That’s when things
from his point of view begin to go a little haywire.

I have never in my life seen a movie so completely pointless
as Escape from Tomorrow. It was like
something straight out of The ABCs of
Death. It was creepy, disgusting and borderline unbearable. I can’t say
anything else about it.

I get the social commentary, I do. I just don’t understand
why the message couldn’t have been said in an even semi-entertaining way.

Allie is the daughter of two professors specializing in King
Arthur and Camelot and they’ve had to move around a lot. In fact, Allie isn’t
used to staying anywhere for longer than six months. When she finds out that her
family intends to stick with their new residence until she graduates, she’s
thrilled to get the chance to dive deeper into the life of a high school
student. Thing just don’t seem normal at her new school.

This movie was certainly unique. The thing that made it
stand out as much as it did was how completely mediocre it was, until it wasn’t.

Avalon High
brought Camelot into the present day. The movie accomplished that feat by
mixing a usual drama-teen romance plot. However, as you get further into the
movie, a pinch of supernatural mixes in. It’s fine, but with history buffs
already pointing out every single line out of place on a suit of armor, you
need to be damn sure you’re keeping everything else real enough to suck in
viewers.

A good example of a movie that brought historical lore into
the present day and managed to succeed was Robin
of Locksley (1996). Of course, that movie didn’t have the added obstacle of
trying to make the supernatural look real.

I spent the first part of the movie, and most of the middle,
completely disinterested in the storyline. It didn’t help that only about half
the cast managed to pull off their characters with any amount of believability.
In a movie like Avalon High it’s
incredibly important that the actors embody their characters as much as
possible because you’re already suspending a lot of disbelief for the setting
and the script.

None of this sounds all that spectacular, so why the high
score?

The movie gets awesome at the end. Everything is not as it
seems and there’s a twist I wasn’t sure Disney Channel was capable of. Even the
actors that I disliked seemed to get better.

Avalon High is a
great movie for adults as well as kids. Brilliant for a family night.

Don’t get me wrong, I greatly enjoyed the first Lord of the Rings trilogy. I saw each
one of them in the theater on their opening days. Despite that fact, I have not
had any interest in the new trilogy. I offered it as an honorable mention
because I’m certain it will be visually stunning, regardless of how I feel.

Night at the Museum:
Secret of the Tomb is the first comedy that makes me very sad. This movie
is the last live-action movie that Robin Williams (Good Will Hunting, Aladdin, The Birdcage) will appear in. He will
be voicing a character in Absolutely Anything
(2015), but he won’t be seen.

I believe this movie is the last chance for fans of Williams
to say goodbye, the right way. Not with tabloid stories and invading the lives
of his family, but by celebrating his life’s work.

I’ve never seen the other Night at the Museum movies, but I will before December 19. Whether
it’s great, or terrible, I feel the need to see Robin Williams’ final visual
performance.

The first thing I want to say is that this movie was
produced, in part, by the one and only Sam Raimi (Evil Dead, Legend of the Seeker, Xena: Warrior Princess). That
alone caught my interest. The moment his name is linked to a project, I want to
know about it.

He’s not the only name that drew me in. Of all the actors
listed, the name that really caught me is not one of the obvious ones. Fran
Kranz (The Cabin in the Woods, Dollhouse,
Much Ado About Nothing) is an actor that I’ve grown to know and love
through Joss Whedon (The Cabin in the
Woods, Dollhouse, Much Ado About Nothing). He’s shown himself to be a
quirky and amusing performer. When I found out he was playing the main
character in Murder of a Cat, I knew
it was a movie I was going to have to see.

I know Kranz is probably not as big a draw to the rest of
the world as he is to me, but I think he really deserves the confidence of
fans. I believe he will make an amazing leading man.

Unbroken looks
like a solid drama. I’m unfamiliar with the book it was based on or the true
story that the book was based on, but I do know that the trailer looked
incredibly intense. Based only on the merit of the trailer and the cast, I have
to believe this movie is going to be incredible.

Disney is the best source for fairy tale movies. The company
has been making them since well before I was even born. So, when they put out another,
it’s hard to find a reason not to see it. When you add in a cast filled with
people like Meryl Streep (The Devil Wears
Prada, The Giver, The Iron Lady), Johnny Depp (Tusk, Transcendence, Dark Shadows), Chris Pine (Star Trek, Unstoppable, Jack Ryan: Shadow
Recruit), Emily Blunt (The Devil
Wears Prada, Edge of Tomorrow, Looper),
and Anna Kendrick (Pitch Perfect, Rapture-Palooza, End of Watch),
any remaining doubt is washed away.

Who doesn’t love the pairing of Seth Rogen (This is the End, Pineapple Express, Knocked
Up) and James Franco (This is the
End, Pineapple Express, Knocked Up)? Their comedic chemistry is insane. I’d
have to be nuts to not look forward to The
Interview.

I would watch Milo Ventimiglia (Heroes, Gilmore Girls, Pathology) in any movie he decided to act
in. I’ve even stuck by him through the worst of his films. I could wax poetic
about how much I enjoy his acting, but I don’t need to. His work speaks for
itself and I look forward to seeing this new addition to his filmography.

I enjoyed it the first time, but the second time I really
fell in love with it. I thought it was adorable and hilarious. Leighton Meester
(Gossip Girl, That’s My Boy, Remember the
Daze) seems to really be in control of her character.

I don’t expect it to be as completely light-hearted as it
seems in the trailer, though.

In Exodus: Gods and
Kings, Ridley Scott (Blade Runner,
Alien, Black Hawk Down) takes on the story of Moses.

I’ll admit, I have my reservations about this one. I was
raised on Charlton Heston’s (Ben-Hur,
Planet of the Apes, The Awakening) The
Ten Commandments. I picture Moses a certain way, Ramses a certain way, etc.
The idea of Christian Bale taking up the part of Moses in the movie was almost
laughable to me at first.

So, I watched the trailer a few times and in different
versions. Now, although I’m still not sure about Bale, the movie looked way too
amazing to pass up.

I’ve been looking forward to this movie for two months. I
did an article on Bradley Cooper (Silver
Linings Playbook, Limitless, American Hustle) and I learned about American Sniper. All the information I
found out, coupled with the directing of Clint Eastwood (Jersey Boys, Gran Torino, Million Dollar Baby), made the wait for
this movie almost unbearable.

Now that I’ve seen the trailer for it, I’m even more
excited.

Although they showed a few various clips, the trailer mostly
focused on a single scene in the film and that one scene gave me goosebumps. The
look on Cooper’s face at the end was absolutely heart-wrenching.

There is rebellion and revolution all over the world right
now and, unfortunately, it has brought with it a level of violence that is
simply unacceptable.

Selma is the story
of Martin Luther King Jr. and the revolution that he became the face of. I
strongly believe that this movie is coming at a good time. People need the reminder
that change can be instigated through perseverance and peace, not just through
violence.

Martin Luther King Jr. knew that revolution and rebellion
would always be necessary in the world. The only way to fix what is broken is
to get angry and to stand up. It means facing the violence head on, not
throwing the first punch. He had a dream. In many ways, we’re still trying to
help him accomplish it. Maybe being reminded of his dream and the way he went
about trying to make it come true will be the push people need to change.

A group of friends from various places are hanging out in
London. Their game of drunken adult truth-or-dare goes wrong and they wind up
at the police station telling their stories.

This month is Nanowrimo and I take it very seriously. For
those of you who don’t know, that stands for “National Novel Writing Month.” I
use it as a way to flip off procrastination and power through writer’s blocks.
50,000 words in 30 days isn’t simple, but I’ll be damned if doesn’t work.

I’m writing this blog during day 3 at almost 1am. Once done,
I intend to head to the 24 hour coffee shop and write for a few hours before
the normal people get up and go to work. That’s when they usually kick me out
because they need the table.

You may be asking yourself what that has to do with Liars All. I’m going to put it bluntly.

It’s November and I don’t have time for terrible, boring-ass
movies that put me to sleep. I need to breath character development and cry
caffeine for the next few weeks and Liars
All did not help.

The story line was broken and had no twist at all. It was
out of order and each part was told over and over again for an hour and half.
It was like Brian Brightly (Man Camp,
Home Run, Ironclad) tried to make it more realistic by removing any semblance
of entertainment.

I like Matt Lanter (Disaster
Movie, 90210, Star Wars: The Clone Wars)but he couldn’t save the film and Alice Evans (102 Dalmatians, The Vampire Diaries, Lost) spent the majority of
the movie looking like she sucked on a lemon.

I’ll be honest with you. Christmas movies in November piss
me off. Can we get passed Thanksgiving first for fuck’s sake!?

I’m making an exception for A Merry Friggin’ Christmas for one reason and one reason only:
Robin Williams (Good Will Hunting,
Aladdin, Good Morning Vietnam).

This is the first of 3 movies that are slated to come out starring
him after his death. He was a great actor and an even better comic and I will
even watch a Christmas movie in November just because he’s in it.

To be honest, I watched two different versions of the
trailer for this movie and I’m still not 100% sure what it’s about. It made the
list solely on the cast.

There is a ridiculous amount of talent in Reach Me. I’m mostly looking forward to
Lauren Cohan (The Walking Dead, Archer, The Vampire Diaries) and Cary
Elwes (The Princess Bride, Robin Hood Men
in Tights, Saw) but, aside from Nelly, there’s really no one involved that
I don’t care about.

This is the first of a couple of biographical dramas that I’m
suggesting for November. It’s not my normal favorite kind of movie, but I
couldn’t resist. I don’t know who decided November should be biography month,
but they did one hell of a job of making those films incredibly intriguing.

The Imitation Game
touches on Alan Turing during World War II. The only reason it’s so low on the
list is because it looks like the kind of film that will be super slow for the
first hour. It actually made the list because I doubt I’ll be able to look away
from the screen after that build up.

It doesn’t hurt that Benedict Cumberbatch (Sherlock, Star Trek Into Darkness, The
Hobbit: The Desolation of Smaug) is playing the lead. He’s an amazing
actor.

As a role-player and a fan of classic horror, I applaud the
return of the non-pussy werewolf. It’s probably more the role-player in me,
however, that enjoys the non-mindless werewolf form that is portrayed in the
trailers.

I’m also ecstatic that Jason Momoa (Game of Thrones, The Red Road, Stargate: Atlantis) will be a part
of this film. Until I can see him as Aquaman, I’ll take what I can get.

Steve Carell (The
Office, Crazy Stupid Love, Despicable Me) and Mark Ruffalo (The Avengers, Now You See Me, The Kids Are
Alright) look absolutely incredible in their parts. In fact, they’re almost
unrecognizable. I cannot wait to see what they do together in this drama. The
trailer looks incredible and it’s all because of them.

4 – Miss Meadows (November
14)

Director: Karen
Leigh Hopkins

Writer: Karen
Leigh Hopkins

Actors: Katie
Holmes, James Badge Dale, Callan Mulvey

Genre: Action
& Adventure

Rated: UR

There’s something so very appealing to me about a “don’t
judge a book by its cover” message. In a movie about a seemingly gentle teacher
going around killing bad guys, what else could the message possibly be?

Besides, I’ve loved Katie Holmes (Batman Begins, Don’t Be Afraid of the Dark, Teaching Mrs. Tingle)
since her days on Dawson’s Creek as Joey
Potter. I haven’t seen many of her movies since then, but that doesn’t stop me
from getting all nostalgic whenever I see her face.

I’d like to start off by saying that I’ve never actually
read the book Travelling to Infinity: My
Life With Stephen by Jane Hawking. I don’t think it matters, though. The
person who put together the trailer for this movie knew exactly what he was
doing. It gave me chills and filled me with curiosity.

The idea of learning more about Stephen Hawking is very
appealing to me, especially in the form of an entertaining and heart-wrenching
movie. However, the trailer also makes me want to read the book.

I have read the series three times and I’m reading it again
in preparation to go see the midnight showing of Mockingjay – Part 1. I’ve watched every episode on CapitolTV and I follow Hunger Games related Tumblr accounts
like I couldn’t breathe without them.

There’s nothing I dislike about the series. Sure, the books
are better than the movies, but I adore the movies also.

Now, I know there are going to be some significant
differences between the Mockingjay
movies and book. That doesn’t scare me. The main reason is because Suzanne
Collins, author of the books, is an executive producer on the movie. That means
she had a hand in how her story was handled.

A horrible plan crash leaves 7 oil-rig ruffians stranded in
the Alaskan Wilderness. They have to force themselves to work together in order
to stay alive. If that weren’t bad enough, a pack of wolves has decided they’re
a threat and begin hunting them down.

In general, the movie wasn’t bad at all. There were some
significantly thrilling moments that evoked the exact response the writers and
the director were going for. Many of the other moments had me glued to the
screen.

I wish I could say that about the entire thing.

The problem with the movie comes when you break it down.
That’s when you truly get a taste of the utter pretention behind it.

I can’t say too much without adding a spoiler alert, so I’ll
just say that I could have lived without the internal monologue in the
beginning and the various, badly placed, flashbacks throughout the rest of the
movie. The poem the main character kept repeating seemed vaguely out of place
too, despite the fact that you do eventually learn where it came from and why
it’s important to him.

In the end, even though I mostly enjoyed the film, I almost
feel like it was pointless.

Rotten Tomatoes Critic Score – 79%

Rotten Tomatoes Audience Score – 61%

Netflix’s Prediction for Me – 4.7/5

Trust-the-Dice Score – 3/5

P.S. There’s a short scene after the credits.

Movie Trailer:

Ok, this next video
is FULL of spoilers but… it’s so good. I said some of this stuff to my friend
while we watched.