‘La canterina’ reviews

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“This performance by Classical Opera, conducted by Ian Page, was highly accomplished and, while it was not staged, the expressions and gestures from the principals were on a par with those that might have been found in a full production…

“The evening began with a performance of Haydn’s Symphony No. 34 in D minor, in which it was both delightful and moving to hear the piece rendered by forces on the same scale as those the composer would have known.”

“This is Classical Opera’s era and (along with Mozart) relatively staple repertoire, and hats off to them for showcasing it and doing so impressively…

“Rachel Kelly, sparkling in scarlet, is certainly your ‘man’ for this, a gorgeous rich mezzo with bright top notes…

“This was indisputably an enjoyable evening chiefly because of Page and his classy band and singers. Myslivecek’s music was admired by Mozart, and although Haydn is one of the great composers, he intended his operas to provide cheerful undemanding entertainment. This was certainly achieved.”

“There are only six numbers, but Hurrell brought out Gasparina’s wily charms winningly, whilst Murray deftly conveyed the comedy of Pelagio’s role, as the work sends up the propensity of the one for jewellery and money, and the weakness of the other for a pretty female face…

“Classical Opera has done a valuable service in rescuing some delightful music.”