page 109 in the book ( 129 in the pdf) has this photograph of a Somaskanda

The label simply states Somaskanda ( metal), sivankudal

This is a very unique somaskanda wherein the Siva and Uma have been cast seperately with indivudual pedestals. For those who know about bronze casting, the difficulty of such an attempt is evident - having to match the pedestals not only for height but also for the runner designs.

Thankfully this provides us some vital clues in identifying this bronze, which is currently in the Asian Civilisations Museum being purchased in the year 2000.

Let us compare the two

It is without doubt the same bronze. Further our enquiries have revealed that the temple has no other bronze currently - ie has lost all its treasures. The Book sadly has no other bronzes listed from this temple and from our checking no other book has any references to this temple. It is sadly an ASI protected site with no documentation.

Now, its up to the authorities to investigate this and establish the chain. But if this is confirmed it pushes the string of robberies to pre 2000 and many more temple bronzes and sculptures sold by the dealer into the ambit of “shady” dealings.

It was a relief of the divine parents albiet sans the skanda seated in the familiar posture - with a kneeling devotee on the right, two more on the top right and two more top left. Can you spot any attributes to assign them as Brahma n vishnu? Not clear. But the familiarity scene was played out at the bottom of the throne.

it would be difficult to date this panel as it does not fall in the early chola 9th-10th C CE scheme of narrative story boards. However, it is interesting that the sculptor chose to sculpt this dwarf couple in the same layout and postures.