Comment of the Day: Black on Black Hatin' = Extremely Vicious Cycle

Today's comment comes from a post on City of Haterz, a new documentary exploring the question: Are St. Louis' blacks keeping each other down?

Commenter "Dyarborough" has seen the film and believes it has a lot to teach. S/he writes:

"City of Haterz" is one of the best documentaries of the last 10 years dealing with black social and cultural atrophy, and its focus on St. Louis was especially poignant.

The conversations in the film were yet more evidence of how black culture in this country is fundamentally two cultures: a culture that is broken and self-destructive, and another attempting reform and dialogue. It is heartbreaking to see that for many, there is no definition or recognition for success that is not defined as "white"...that it remains difficult to be successful and gain respect without having to be part of something "non-black."The culture that is broken and self-destructive has become dependent on racism and suffering as the identifying feature of an entire group of people. Sadly, the culture that attempts reform is unable to make as much progress as they would otherwise because the negativity of the self-destructive culture influences the rest of the non-black citizen population that progress is skin-deep, hollow, and ultimately impossible. It leads to the continuation of a racist mindset both within and outside the black community that blacks just aren't good citizens and aren't worth saving. It is an extremely vicious cycle that feeds on itself and results in more poverty and suffering all around as hopelessness feeds on itself.

Any social or cultural identity based on racism, suffering, and entitlement must obsess over it, maintain it, but most importantly keep everyone that belongs to it inside the cultural definition (i.e. hatin) otherwise they lose their identity. What is very strange is that for all the pronouncements in the film about the pride that blacks should have in their heritage and the large numbers of black St. Louisan's and American's that have "made it out", why hasn't this glut of examples shown so many that there is a way out of the violence and depression?

The proof of the film's argument is right in front of us. It's not as though black-America lacks examples of success to follow, it's that many don't see them as black-American successes...they see those who made it out as outside black culture. Truly very sad.