Over in Baseball Land I recently wrote about how I was getting out of the business of mocking the Hall of Fame ballots of other baseball writers. There’s no real point in it and I find myself not really caring much about it anymore. I made an exception, however: I won’t mock ballots just because I disagree with them, but I reserve the right to comment on vile, petty and borderline defamatory reasoning in the course of columns explaining a given writer’s Hall of Fame votes. We’ve seen a lot of that over the years and, upon reflection, that has always bothered me more than the actual votes with which I disagreed.

​Loverro’s column, however, goes beyond merely reasserting his position regarding drug cheats. He goes after Bonds and Clemens’ supporters, including fellow Hall of Fame voters, and equates them to the Black Lives Matter movement and mocks them as the “No Justice/No Peace Wing of the Baseball Writers Association of America.”

Barry Bonds and Roger Clemens will not get in. But don’t worry about them — they’ve got the No Justice/No Peace wing of the Baseball Writers Association of America fighting for them.In a movement that may soon have the hashtag #steroidnumbersmatter, a number of voters publicly have admitted to voting for the two greatest heroes of the Cheated Generation — perhaps more than in past ballots.

The Black Lives Matter movement on which Loverro thoughtlessly plays was born in 2012 following the murder of Trayvon Martin. It campaigns against violence against black people, particularly killings of black people by law enforcement officers, which typically go unpunished and, sadly, unnoticed. It works to combat racial profiling, police brutality, and racial inequality in the United States criminal justice system. In short, it concerns itself with serious business. Matters of literal life and death, justice and tyranny. Matters every bit as significant in the grand scheme of things as someone’s Hall of Fame ballot is insignificant in the grand scheme.

That Loverro applies a variation on that label – and “No Justice, No Peace,” which is a venerable slogan of the civil rights movement and other protests throughout history – in his typical mocking manner is pathetic and, frankly, disgusting. In so doing he simultaneously belittles and insults serious people with serious and legitimate concerns by equating them with those who, in his mind, are unethical and feckless crusaders for cheaters who should not be taken seriously in any way whatsoever. Based on the context it would appear that, to him, the criticism goes both ways. He takes neither the Black Lives Matter movement seriously nor those who disagree with him about baseball things.

Of course Loverro has always been like this. He’s a poor writer, a poor thinker and an attention-seeking troll who writes inflammatory columns so he can have fodder for his bad radio show and vice-versa. Nothing I say here will change that. Indeed, I am certain he will use this post and similar disapproval of his column as a launching pad for his radio show on Monday. Good for him.

But I’m not really aiming this post at Loverro. I am aiming it at his peers in the Baseball Writers Association of America in the hopes that, eventually, its members stop tolerating this kind of garbage and that, eventually, they’ll start calling out their peers who engage in it.

We rarely see that sort of thing, of course. “Takedowns” of other members of the baseball press are seen as impolite. It’s simply not done. You do not criticize a fellow credentialed writer. It’s mean. It’s an “attack.” In sportswriting, at least among the upper echelon and at least publicly, every opinion is good and valid and calling out your colleagues is considered rude. It’s the ultimate sin in the world of sportswriting. You can make up stories from whole cloth and be considered an institution, but don’t even think about criticizing another writer where anyone can hear you doing it. Many sports outlets specifically forbid their writers from criticizing other members of the media as a matter of policy.

This is why you see so much bad sportswriting. While no one likes to be criticized, it’s undeniably the case that criticism – even sharp criticism, as long as it’s aimed at the work and not the person – leads to a better product. This is the case in just about any field. Whether it’s doctors being put to the test in morbidity and mortality conferences, lawyers’ arguments being challenged by opponents and judges in appellate practice, academic peer review, competing columns and editorials of political and business writers or even through the application of generalized media criticism, the act of pointing out the flaws in the logic or the practice of one’s fellow professionals works to raise the discourse and improve the work. That a line is drawn with respect to this practice at sports writing makes little sense and it’s why sports writing is considered by some to be trivial. The “toy department” of journalism, as they say.

It shouldn’t be that way. Sports writing can be – and in the hands of solid professionals often is – vital and important and illuminative of both the world of sports and the world at large. We’ve all seen great sports journalism. We know how edifying and enjoyable and uplifting it can be. We know how, at times, it can even enhance our enjoyment of the game itself by its very existence. In some rare cases topics with importance and implications to life and society in general are better-handled by sportswriters and in a sports context than they are if they were set in a different, real-world milieu.

I will never stop wanting sportswriting to be better and, for that reason, I will never stop critiquing bad writing. I simply won’t surrender to the notion that sports are so unimportant that there’s no harm in sports journalism being bad. I talk to sports fans every day and it’s clear how many of them base their opinions on bad sportswriting and commentary. It’s easy for them to do this because that bad writing and commentary goes almost wholly unexamined and unremarked upon. I love to talk about sports with people and I want that discourse to be elevated as much as possible. As is the case in every other walk of life, the way to elevate the work is to critique it and seek its improvement.

But I’m just an uncredentialed blogger, easily dismissed by the Thom Loverros of the world as “the Internet mob.” How nice it would be if he and others who traffic in his sort of garbage were called out by people he actually respects in the industry. By the people he considers his peers. Maybe not in lengthy columns or posts like this one – they’re sportswriters after all and have sportswriting to do – but how about on Twitter? How about on radio shows and podcasts where the subject matter opens up a bit? How about, instead of merely presenting the bad work with a hands-off, “no judgments here” tweet, the giants in the industry call out the garbage for what it is?

I’m not holding my breath until that happens. But I sure as hell would like to see more of it.

I always do this to my colleagues. I usually tell them their mistakes and how they can improve for the better. We casually do this with each other and bear no grudges. We understand how criticism works and we perfectly know how it can help us be better in the future. Criticism is essential in making yourself a better person in your work.