My first acquaintance with Argentinian filmmaker Marco Berger goes back to spring 2014 when his exquisitely understated gay romance Hawaii screened at the BFI Flare, London LGBT Film Festival. Fair warning: if you’ve seen that film and found the whole “will they/won’t they” tension a bit frustrating, you might have a hard time stomaching Taekwondo’s incredibly protracted relationship tease. Berger in fact reprises the same kind of core tension in this newest effort, albeit the story and the whole context that feed such tension are rather different.