THE NEW YORKER TABLeS FOR. TWO Hitting the Roofs- The Café de Paris (What) Agatn? )-And a Few Lunch Places J UST at the time of en- tering in to 1/. , my second glorious 'f year as Sunlight ,... Dodger editor and critic par excel- lence of THE N EV\T YORKER, I bt:gin to feel a terrible lassitude steal- ing over me. Is it liquor? No! Horses? No! Roof gardens? Ow! There they are, allover the place, and there I have to go, or where would this clever little magazine be? In private life it might be a differ- ent matter, for I could go to a roof occasionally and promptly forget it. As it is, I struggle valiantly to find something, for heaven's sake, that pro- vides you with a definite reason for going to one roof rather than another. Þ. juggling act, a supreme culinary ef- fort, a celebrity to be gaped at, would make everything so easy. But most of the roof diners and dancers look as j f they came from the Oranges (not t e seedless variety, and untainted by any lively ingredient); there is al- ways a frightful jam in rooms too big to start with anyhow; the food is only fair; and the outdoor element, to ninety-five per cent of the diners at least, consists of seeing a lot of win- dows in the distance. The roof of the Hotel Bossert in Brooklyn stands out because the ship- board appearance of the place is so well carrIed out and because the su- perb view of the harbor is available to practically all the patrons. At most of the other places the view is well enough, but only those at the out- side ring of tables can see it. The Ritz roof is distinguished by its cli- entele, but it happens to be a roof in name only. For the rest, mediocrity bores me and I find enthusiasm for investigation strangely lacking. So bear with me. , c T I-IE Pennsylvania roof, for in- stance. George Olsen is playing there, and the dance music, between lengthy intermissions, is swell. But the dance floor is of stone, and com- pletely covered with transients at- 3 H E" Wh Fitting a Fi e Art G e 'U SZl [New (9pen c3hanl{ (9xford $22.00 (/ HIS model is the original creation of ':./ Papé, América' s foremost shoe designer. tJ. After its introduction by Henning it has become popular with Parisiennes Made -fl. in Black Suede and Pin Seal with Patent t . I ... Leather piping, in Black Satin with black braid piping and in tan Pin Seal with Oak - Leaf Kid binding Parisian Pump $18.00 ð DISTINCT Henning innovation showing the new shaped heel which "'iJ rA_ is now in vogue in Paris. Also note the _ Cloisonné Buckle attached a Fashioned on a French last, this model is available in rA_ leathers of black, brown or tan Pin Seal, _ Oak Leaf brown Kid, and Patent Leather. You should know about Henning's Hand Made Custom Shoes , eACH pair is made by hand in our own shop, . on lasts especially designed by apé to fit th1 r unusual foota f Italian crafts f me h n un er h th . e P d r o d na l supervision 0 Signor Papé as ion eac tn tvt ua - , shoe with master skill. .,. B Until you have worn a custom made shoe you can- g ' not know the joy which comes from a perfectly ''$ fitting shoe. i3 Widths AAA to D Sizes 2 to 8 BOOT i3 575 Madison Avenue, N ew York