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Le compositeur et ses machines. De la recherche musicale

1985c

Esprit, no. 99. Paris: Le Seuil: 59-76.

The author analyses the role of research in electroacoustic music. Through an historical presentation of the use of electricity in music, he defines what musical and technological conditions are required to allow for musical research. He also discusses researchers’ tools, his own experience, including the difficulties he has encountered.