high-concept book is one that takes a universal theme and puts a fresh, original, creative twist on it. It can be explained in two or three sentences and will leave you wanting to read the book; or in the case of writers, it may leave you wondering, “Why didn’t I think of that?”

When the idea of high concepts is applied to nonfiction for kids, it can create breakout titles for an author. Carla McClafferty, author of three such high-concept books, tells us how she does it.

Carla Killough McClafferty is an award-winning author of nonfiction books. Yet, writing is not her first career for this Arkansas native, who is a radiologic technologist. Her debut book, Forgiving God, is an inspirational book that deals with the death of her youngest son, Corey. Next, she turned her attention to writing nonfiction books, which include three published by Farrar, Straus and Giroux: The Head Bone’s Connected to the Neck Bone: The Weird, Wacky and Wonderful X-ray, Something Out of Nothing: Marie Curie and Radium, and In Defiance of Hitler: The Secret Mission of Varian Fry. Her books received starred reviews in School Library Journal, Booklist, and Jewish Book World.

McClafferty is a popular speaker who has presented workshop and keynote addresses at ALA, NCTE, and national and regional SCBWI conferences as well as various national and international conferences.

WOW: Carla, your first book, Forgiving God, was an inspirational book dealing with the emotional crisis of the death of your child. Instead of following that with another inspirational book, you turned to trade nonfiction for kids, especially young adults. What drew you to this genre and this audience?

Carla: My path into publishing is different from most. Many writers I know wanted to be a writer since they were children. They wrote short stories and kept their musings in a journal, while I never considered the possibility of becoming a writer—and my diary was mostly empty! So I really don’t have any background that prepared me to become a writer except for the fact that I’ve always been a voracious reader and loved books in general. My first profession is as a radiologic technologist.

Then my life changed forever. My fourteen-month-old son, Corey, died from a head injury after a minor fall. Losing him plunged me into such grief and despair that I had a serious crisis of faith. I questioned everything I had ever believed. Gradually, God brought me through this dark period of my life and restored my faith. Then, I knew I had to write about my journey through “the valley.”

“Then my life changed forever. My fourteen-month-old son, Corey, died from a head injury after a minor fall... I knew I had to write about my journey through ‘the valley.’”

I began writing the book, even though I didn’t know what I was doing or what would happen to it when I was finished. Because it was emotionally difficult to write, the book took three years to write. During that time, I learned as much as possible about how book publishing works. I read writer’s magazines and books, and began attending an adult writer’s group meeting to learn as much about the way it works. I also attended local SCBWI conferences and meetings. I found so much information and help from children’s writers that it seemed to be a good fit for me.

At some point during the writing of that first book, I knew I wanted to continue writing when it was finished. I realized that by reading books of all sorts throughout my life, I’d been in training to be a writer without knowing it.

Carla and her books have won numerous awards, received honors, and been included on several book lists. Here are some of her accomplishments:

Outstanding Science Trade Books for Children by the CBC

New York Public Library Books for the Teen Age List

IRA Children’s Book Award

NCTE Orbis Pictus Honor Book

ALA Best Books for Young Adult List

ALA Amelia Bloomer Project List

NSTA Outstanding Science Trade Book

National Council of Social Studies/Children’s Book Council Notable Social Studies Trade Book for Young People

Booklist Top Ten Sci-Tech Book

NCTE Orbis Pictus Recommended Book

International 2008 Society of Librarians International Book Award Honor Book

Cooperative Children’s Book Council (CCBC) Choices 2009 List

Arkansas’s 2008-2009 Charlie May Simon Reading List

WOW: What do you mean when you describe your work as “biography plus”?

Carla: I’ve coined the phrase “biography plus” to describe the way I craft my biographies. I write a biography of my topic, plus I add to it additional layers of related information. It is sort of like a gadget salesman on TV shouting out: “And that’s not all, if you call in the next five minutes, you’ll also get... But that’s not all, we’ll throw in....”

My “biography plus” mindset began with my first nonfiction book for young readers, The Head Bone’s Connected to the Neck Bone. This book is actually a biography of sorts where the main character is not a person but a thing: X-rays. I began the book at the discovery of X-rays, and followed along through the years focusing on how people used and misused X-rays in funny, dangerous, and even sad ways. I showed the use of X-rays plus art, archeology, paleontology, space exploration, and so on.

My second book in this genre was Something out of Nothing: Marie Curie and Radium. When I looked to see what competition there was for the book, I found countless books. I had to find a way to make my book different than all the other books on the market. In my research, I’d seen some fascinating material about consumer products, like toothpaste that contained radium back in the days when radium was considered to be good for your health—complete with photographs. I knew this material was exactly what I needed. It was fresh, interesting, and fit perfectly with Marie Curie’s story. I found my “plus” material.

Note: Something out of Nothing: Marie Curie and Radium was definitely a break out book for Carla. Among other accolades, it won the International Reading Association 2007 award for intermediate nonfiction and the Orbis Pictus Honor book for nonfiction, an award sponsored by the National Council of Teachers of English. See Carla’s website for more details.

Among other accolades, it won the International Reading Association 2007 award for intermediate nonfiction and the Orbis Pictus Honor book for nonfiction, an award sponsored by the National Council of Teachers of English. See Carla’s website for more details.

“A high-concept children’s book is one that takes a universal theme and puts a fresh, original, creative twist on it.”

WOW: Can you explain what turns an idea for a children’s nonfiction book into a “high-concept” idea? Isn’t high concept a term used in movies? How does it relate to children’s books?

Carla: The term “high concept” does come from the movie business as a way to quickly pitch an idea in a creative way. The same thing holds true for books. A high-concept children’s book is one that takes a universal theme and puts a fresh, original, creative twist on it. It can be explained in a sentence or two and will leave you wanting to read the book; or in the case of writers, it may leave you wondering, “Why didn’t I think of that?”

I believe nonfiction books can also be high-concept books. For example, the concept for my 2008 book, In Defiance of Hitler: The Secret Mission of Varian Fry, is this: a real life James Bond without the gadgets, Varian Fry, was an ordinary American journalist who led a double life in war-torn France. His cover operation was a relief organization; but undercover, he was the mastermind of an elaborate rescue operation.

WOW: To sell your work, do you have a completed manuscript or do you use a proposal? If you use a proposal, what are the important things to keep in mind as you develop it? Does the high-concept idea drive the proposal?

Carla: At this point in my career, I can sign a contract based on a proposal. But in the beginning, I wrote the entire manuscript before I was offered a contract. Editors understand that sometimes writers can create a fabulous proposal but can’t follow through to actually finish a manuscript. So, until you have a track record that proves you can deliver what you promised, then writers must do a lot of work without knowing if it will ever see print. It is part of the business.

A proposal for a nonfiction book is hard work. By the time I write a proposal:

I’ve done a lot of research on the topic. I know what the book is really about, where I’m going with it, and how I’ll get there.

I also know there is enough research and photographs available to use in the book.

Because researching, writing, and publishing a book is slow, I choose my topics carefully. I understand that I will live with the material for several years, so I’ll only tackle subjects that I’m interested in and feel passionate about. I try to use that genuine fascination with my topic to spark excitement about the idea. In the book proposal, I try to show an editor and the marketing team why the world needs a book about the topic and why I’m the only writer that can bring it to life.

“In the book proposal, I try to show an editor and the marketing team why the world needs a book about the topic and why I’m the only writer that can bring it to life.”

The high-concept idea is the hook for the beginning, but then I make sure the proposal develops it further. I cover, for example, the availability of photographs, explanation of competing books and how mine is different, and ideas about how to market the book and what I can bring to the project in terms of marketing.

WOW: Do high-concept, nonfiction ideas require an agent to sell, or can a writer sell it with a proposal on their own? Advantages/disadvantages both ways?

Carla: I don’t think it matters if you have an agent or not. If an editor loves your work, they will make an offer on it. I did not have an agent for my first three nonfiction books for young readers, but I do have an agent now who has negotiated my new contract.

The advantage of negotiating for yourself is that you are fully involved in every aspect of the contract; therefore, you may understand it better in the end. It also reinforces the reality that publishing is a business, and you must watch out for yourself.

The disadvantage of negotiating for yourself is that you are sometimes unsure of what you are doing, which can make you feel overwhelmed.

Another advantage of an agent is that you don’t have to handle the day-to-day “business” end of things and can concentrate only on the creative side of writing. You can let the agent be the bad guy if there is a problem.

The disadvantage of an agent is that you will pay them a percentage of the profits for as long as the book stays in print. But hopefully, their contract negotiations will allow you to make more money in the long run.

WOW: Can you give us some tips on searching for and recognizing a high-concept, nonfiction idea for kids?

Carla: You can recognize a high-concept idea for a book because when you hear or see it you think, “That is a great idea,” or “I’ve never seen it done like this before.” As writers, we need to train ourselves to notice how books and movies are marketed.

“As writers, we need to train ourselves to notice how books and movies are marketed.”

In the movie industry, a brief pitch that explains what the project is about is called a logline. For example, a logline for the movie, It’s a Wonderful Life, might be: a troubled man finds out what would have happened if he’d never been born. In this example, the universal theme is the troubled man, but the fresh twist on it is that he gets to find out what life would have been like without him.

The same thing goes for nonfiction books. In Susan Campbell Bartoletti’s trade nonfiction book for kids, Hitler Youth: Growing up in Hitler’s Shadow, the logline might be: growing up in Hitler’s shadow, German youth are molded into Nazis and become active participants in the war. The universal theme of children is given a twist by the fact that they are used rather than protected.

A high-concept book with a scientific tone is Written in Bone: Buried Lives of Jamestown and Colonial Maryland by Sally M. Walker. Its logline might be: after lying untouched for hundreds of years, the remains of various people from America’s colonial era are studied using modern science. Unknown people from long ago come to life as their bones tell the story of who they were, how they lived, and how they died. The universal theme is the cycle of life and death, and the twist is that the remains of these long-dead people have a lot to teach us about their lives and the times in which they lived.

WOW: What high-concept idea is tickling your fancy right now?

Carla: I’m working on a new project that I’m passionate about and one I feel is another biography plus, another high-concept book. It will be published by Carolrhoda, Spring 2011. Though the title is still under discussion, the concept (or logline) is...

What if George Washington didn’t really look like his image on the dollar bill? Mount Vernon hired a dream team of experts to find out. This biography reveals the real George Washington—both inside and out. It just might change what you thought you knew about the Father of our Country.

Using this book as an example, I can explain where this high-concept idea came from. My favorite channels on TV are the History Channel and Discovery Channel. One day, I watched a History Channel special program about the making of the three life-sized representations of George Washington at three moments in his life—at the ages of nineteen, forty-five, and fifty-seven. These wax figures are currently on display at Mount Vernon while duplicates are in a special traveling exhibit. I was mesmerized by the program because it showed how cutting-edge science and art combined to create these figures. While watching, I thought about what a great book this information would make. From there, I thought that I was the writer who could make it happen and immediately thought of ways to make it work together with a traditional biography. The seed of the idea was planted, and it grew into a fully-formed book proposal.

In other words, I’ve taken the universal theme of George Washington and found a way to put a fresh twist on it in a way that is original.

I’ve come to recognize when a high-concept idea is right for me—when I find a topic that interests me and I can find a way to make it into a “biography plus” and I’ve connected with it on an emotional level. I want to write books that have meaning, books that will impact the reader. I must believe the books I write are worth the years they take for me to research and write. For example, I hope my new book about George Washington will change the way a new generation of young readers will perceive him. Instead of thinking of Washington as a stuffy, old man, I want my readers to see him as he really was—a handsome, brave, humble hero who loved his wife and loved his country more than himself.

Darcy Pattison, (http://www.darcypattison.com) an author of both picture books and novels, has been published in eight languages. Her books include Nineteen Girls and Me(Philomel,), Searching for Oliver K. Woodman (Harcourt), and The Journey of Oliver K. Woodman (Harcourt).
Her books have been recognized for excellence by starred reviews in Kirkus and BCCB, Child magazine Best Books of the Year 2003, Nick Jr. Family Magazine Best Books of the Year 2003, and various state award reading lists.
The video for The Journey of Oliver K. Woodman was an ALA Notable Video.