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A lot of people seem to be asking where to find music in this thread: most (or all) of it is in NuclearWaffles' megapost on page 40 of this thread. Anyway, here's a new transcription! I haven't made one for a while (several months) but I felt like it today. Also, Breathlessly is fairly simple and I ...

every minute I wasn't otherwise preoccupied You know, that describes pretty much everything I do^^° It's a bit of a problem for me. I finish books, the first 40 hours of a good videogame, any good fanfic, whole anime series, etc in as close to one fell swoop as I can manage. The most recent was a 9...

[Special note: One of the characters in the following chapter originally appeared in another author's story. That author has generously granted me permission to use that character here. More details after the chapter.] "I wonder if it's Miss Yumi..." Yumi Takawa, or "Miss Yumi" as I've come to know...

I may be way overthinking this, but Fool's Mate is basically impossible to do unless you're trying lose like that. I wonder if Misha is trying to lose for whatever reason... It could be as simple as she thought she would win battleship and wanted to go to a 3rd game. Or this implication wasn't inten...

For a second I was trying to find where the pun in the word Tritone was. Then I realized what you actually meant. Anyway, this is an awesome chapter, as usual. I'm mostly curious about how this exchange with Rin will tie in to the main plot but I'm assuming you have something planned; maybe just a c...

And so ends the longest-seeming month and a half ever. The dialogue is awesome, as always. Somehow you squeeze meaning out of the most mundane situations. Mostly, I'm excited at the prospect of Satoru/Lydia showing up again. And Yoko, of course, who still seems somewhat like a mystery despite the fa...

Oh sorry, apparently my above post was pretty unclear. I meant that in your original post, you used the term "error" to describe the note. Using that word (instead of "suggestion" or something) implies that playing that note is flat-out wrong instead of the more nuanced situation we've been discussi...

You make a good point; I agree that there's not so much of a "right" or "wrong", especially without the composer's input. Mostly I was reacting to your classification of it as removing an error rather than changing a suggestion, making it sound like the F flat is categorically incorrect to begin wit...

In the sixth measure, there's a major third where it should be a single note, making for some icky dissonance. In said measure and its repeats, simply cross out the F flat accompanying the A flat. I'm not too sure about this myself. I have the exact same note in my Painful History transcription (wh...