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The final installment of the Anthology series has two discs of previously unreleased material from the White Album era through the group's demise in early 1970. In terms of sheer listenability, this may be the strongest volume of the three, if only because it focuses almost solely upon studio recordings rather than mixing live concerts/broadcasts ...
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The final installment of the Anthology series has two discs of previously unreleased material from the White Album era through the group's demise in early 1970. In terms of sheer listenability, this may be the strongest volume of the three, if only because it focuses almost solely upon studio recordings rather than mixing live concerts/broadcasts and outtakes. Also, by this time the Beatles had perfected their approach to recording, meaning that even the early/alternate versions of many of their cuts were often of outstanding quality. There's some prime stuff here: "unplugged" White Album demos from mid-1968, radically different versions of "While My Guitar Gently Weeps" and "Helter Skelter," a stringless "The Long and Winding Road," three beautifully sung and played Harrison solo demos from early 1969, and several songs the Beatles never released, like "All Things Must Pass," "Not Guilty," "Teddy Boy," "Come and Get It," and "Junk." Not everything here is so great that the casual consumer will be fascinated, of course. As on previous Anthology sets, some of these alternates are only very slightly different from the official versions; the oldies covers from the Let It Be era are off-the-cuff jams that aren't up to the group's usual level of brilliance. It's still a fascinating collection, both for the insight it affords you into the group's creative process at the end of their career, and for the considerable excellence of the music itself. ~ Richie Unterberger, Rovi
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