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Wednesday, 27 June 2012

O P Nayyar - a legend of Indian film-music was a great admirer of Pankaj Kumar Mullick and credited him for influencing him to become a music director. In the accompanying sound-clip he answers a question posed to him by Amin Sayani through which the aforementioned fact becomes clear.O P Nayyar interview by Amin Sayani

Lata Mangeshkar

Lata Mangeshkar, the living legend of Indian film-music, had deep respect for Pankaj Kumar Mullick and this becomes evident in her remembrances as recorded in the following sound-clip.Lata Mangeshkar remembers Pankaj Mullick

Naushad

Naushad, the versatile genius of Hindi film-music, speaks of the incomparable contributions made by Pankaj Mullick to this genre. Hear it in the following sound clip.Naushad Ali on Pankaj Mullick

Anil Biswas

Anil Biswas, another great composer, talks about Pankaj Mullick's immense contribution to the genres of both Hindi and Bengali film-music. The following sound-clip is a recording of his testament. Anil Biswas pays tribute to Pankaj Mullick

Saturday, 16 June 2012

All those lyrics of mine that I will not get the
opportunity to set tune to during my lifetime, I leave to you to embellish them
with your music – Rabindranath Tagore to Pankaj Kumar Mullick (Jorasanko Thakurbari,
1937).

Rabindranath Tagore

The incident that prompted this emotional reaction in
Tagore is now a part of the legend of Bengali culture:

It was during the making of the movie Mukti, in 1937 that Pankaj Kumar
Mullick, the film’s music director had gone to meet Tagore to seek his
permission to use the song Diner Sheshey
Ghumer Deshey in the film. The lyrics for this song were by Tagore but its
music was not – it was in fact composed by Mullick many years prior to the
movie. He had been unofficially singing the song at various gatherings but
never in public. However when it came to using it in a movie, Tagore’s permission
was an absolute necessity because Tagore’s songs (popularly known as
Rabindrasangeets) and his poems - then, as it is now - were sacrosanct and
nobody apart from Tagore had any right whatsoever to tinker with them let alone
set tune to them. Given this scenario, Mullick set up an appointment with
Tagore and with great trepidation rendered the song in Tagore’s presence.
Mullick had no idea how Tagore would react to such a situation and he feared
the worst – that Tagore would get upset with him and forbid him to sing the
song ever again let alone use it in the movie. But what unfolded was absolutely
contrary to his fears. Tagore was so overwhelmed on hearing the song that he
embraced Mullick and uttered the words that gave Mullick the rare distinction
of being the only composer allowed by Tagore to set tunes to his lyrics. In
this manner Mullick was adorned with the unofficial title of being the 'First Man of Rabindrasangeet' – an epithet
he aptly justified by making it his life’s mission to popularize the songs of
Tagore among the masses. He not only pioneered the use of the medium of films
but also that of radio apart from stage performances to free Rabindrasangeet
from the shackles of elitism and let it loose among the music loving masses of
Bengal. He was also the first person to sing Rabindrasangeets in Hindi, Gujarati
and Tamil in an attempt to spread the magic of Tagore’s compositions among the
non-Bengali speaking audience as well. Given the scale of popularity that
Rabindrasangeets have reached today it can be said without any doubt that
Tagore and Pankaj Mullick were kindred spirits – one meant for the other in
this vast universe of eternal music.

·He joined All India Radio (AIR), Kolkata [initially
known as the Indian Broadcasting Corporation] in 1927, within a month of its
inception.

·He was an integral part of AIR for nearly 50 years

·At AIR he set music to the immortal ‘Mahishasuramardini’,
a programme that has become a part of Bengali culture and synonymous with Durga
Puja. It is heard every ‘Mahalaya’ morning even till today. It has had an
uninterrupted run since its beginning in 1931.

·He conceptualized and started the immensely
popular live-music class titled – ‘Sangeet Shikshar Ashar’ which he did for a
record 47 years on the trot.

·He was part of innumerable Feature Programmes as music director
& artiste during his lengthy tenure at AIR

CINEMA –

·He became a part of Indian cinema right from the silent era, since 1931

·He was a part of the star studded New
Theatres Studio team for nearly 25 years

·Luminaries like K L Saigal, S D Burman,
Hemanta Mukherjee, Geeta Dutt and Asha Bhosle sang under his music direction as
did several other prominent artistes from Bengal and the rest of the country

·He was the first music director who
introduced Rabindrasangeet successfully in films

·He introduced interlude and interlinking
music for the first time in Indian film-songs

·At a time when movie-making was not as
prolific as it is now, he sang in, composed music for and occasionally acted in
close to 100 movies

·He was a part of Indian cinema from 1931 to
1969, a period of about 38 years

·The movies he was associated with were in Bengali,
Hindi, Urdu and Tamil

·He along with director Sri Nitin Bose was
instrumental in the introduction of playback singing in Indian cinema

SALIENT FACTS –

·He recorded his first song when he was only
18 years old

·He was the first person to popularise Rabindrasangeet
by unleashing the magic of Tagore’s songs amongst the masses

·He was appointed as the Honorary Advisor to
the Folk Entertainment Section of the Government of West Bengal, from 1953 to
1968, by the Chief Minister of West Bengal

·He was regarded as one of the founding
fathers of Bangla Adhunik Gaan, a
sub-genre of Bengali songs

·He had several popular non-film songs in
Hindi, Urdu and Bengali to his credit

·He was the first to introduce elements of
Western Music to Indian cinematic & non-cinematic songs

MAJOR AWARDS –

·He won the National Award for Best Music Direction in movies on quite a
few occasions

·He received the BFJA award for his work as music director

·He received Life Time Achievement Awards
from AIR and HMV (now Saregama)

PRESTIGIOUS TITLES –

·Title of “Surosagar” in 1931

·Title of “Sangeet Ratnakar” in 1962

·Padmashree in 1970

·DADASAHEB PHALKE PURASKAR in 1972 – the
highest award presented by the Government of India in the field of Indian
Cinema. He was the first music-director to be honoured so.

·Title of Rabindra Tattacharya in 1977

RARE HONOURS –

·Rabindranath himself allowed him to set
tune to a few of his poems, the most popular instance of which is “Diner
sheshey ghumer deshey…”

·He was invited to sing the inaugural song
during the launch of television (Doordarshan) in the country

·At the behest of Sri Sarat Bose, Netaji’s
elder brother, he sang “Kadam kadam barhaye jaa…”, set to his version of the
tune, with Prime Minister J L Nehru
being present during the recording. Other members of Netaji’s family too lent
their voices to this record

·On Prime Minister Nehru’s request he sang
and recorded the Indian National Anthem – “Jana gana mana…” in a style that was
deemed to set the parameters to be followed during the singing of the anthem by
all Indians. The recording was also played nation-wide at almost every public
place to familiarise every Indian citizen with the anthem of their newly formed
independent country

·In the days when ‘globalisation’ was quite
unheard of, he enjoyed great fame and popularity both nationally and
internationally

POSTHUMOUS HONOURS –

·The Government of West Bengal renamed
Ritchie Road as Pankaj Mullick Sarani in his honour

·The Department of Information and Culture
of the Government of West Bengal celebrated his birth centenary in 2005 with
great pomp and splendour

·The Government of India, paid tribute to
his memory by issuing a commemorative postage stamp in 2006

·The Kolkata Municipal Corporation declared
his residence at Sebak Baidya Street a Heritage Site in 2007

·The Kolkata Municipal Corporation supported
the erection of a statue in his honour at Maddox Square Park on Pankaj Mullick
Sarani in 2010

Sunday, 10 June 2012

Pankaj Kumar Mullick (a.k.a Pankaj Mullick) is a name that has become synonymous with the history of Indian Music. He was multifaceted genius who was a singer, music-composer, actor, educator and administrator all rolled-into-one. In a career that spanned almost fifty years, he had many firsts to his credit. Some of these are:

He was the first person to popularise Rabindrasangeets (songs composed my Gurudev Rabindranath Tagore) among the masses.

He was first music director under whom play-back was introduced in Indian films.

He was the first music director who brought in elements of Western music in Indian film music.

He was the first music director to be awarded the prestigious Dada Saheb Phalke Award by the Government of India for his pioneering activities in the arena of Hindi and Bengal film music.

This Blog among other things, will highlight his achievements, analyse his works, collate information about his contributions and pay tribute to his genius.