Writing calligraphy banners in Chinese New Year has always been a popular tradition, even for young children. The mistakes of any stroke order and the strength (how hard the press and the release) of each stroke can, however, become more apparent when writing through this medium. How important is it to pressure this “order” into the teaching?

As a child learns to tackle each Chinese character, there seems to be more than enough elements to remember. One needs to balance the time invested across the actual learning of the character versus this specific skill. And writing from the heart is always more important and meaningful than any skills acquired, because this part is what stays from a childhood into adulthood.

Chinese characters are not just a medium for communication. It is a pictorial art, a storytelling, and a way to express innerness. The way of holding the brush, the flow of how a character is written, the way a stroke starts and ends, the balance of sizes for each component against the available space, the control of pressure of each touch – ALL completes the character.

A child is most certain to complain if you tell them all the necessary elements at once. You can start small. Modeling for him (or showing a video) on how it is done can be helpful. Write simple strokes first (i.e. vertical, horizontal, dot, hook, slants). Build from there. Then work on balancing sizes. Lots of practice is key. Do not forget this is more art than the actual learning of a character, but a picture is worth a thousand words, and so the imprint of the form of the character will stay.

Golden rooster brings joyful news of early spring. The duo of rooster and horse shall never part. (My children are of the year of rooster and horse. The left verse is taken from online. They made up the second part to go with it.)