A traditional weakness of Sony’s FE lens lineup has been the number of options available at the telephoto end of the range. The issue has been somewhat rectified in recent years with the release of the Sony FE 70-300mm f/4.5-5.6 G OSS, Sony FE 100-400mm f/4.5-5.6 GM OSS and Sony FE 400mm f/2.8 GM OSS lenses, with the latter two options commanding hefty price tags of $2,499 and $12,999 respectively. Of these three options, only the Sony FE 70-300mm f/4.5-5.6…

There is always a second fiddle – a silver medalist who chases after gold, a challenger just half a step behind the leader. In the world of RAW post-processing software, the undisputed champion is Adobe Lightroom; competing products enjoy nowhere near its popularity. But that alone doesn’t make Lightroom the best. Arguably its biggest rival, Capture One, includes several features that Lightroom lacks (and vice versa). Below, I’ve tested both side-by-side to see which comes out ahead.

When you know how to dodge and burn your photos, you’ve mastered one of the most important techniques in photography – using post-production to draw a viewer’s eye through an image. There are dozens of techniques for dodging and burning, although doing it incorrectly can lead to unnatural halos and other artifacts in an image. So, what are dodging and burning, and how can you make the most of them in photography?

For a number of years now, I have owned a pair of Nikon D750 cameras that I have used heavily for travel photography and videography, but I have been wanting to move up to a more modern version of the camera that has 4K video capabilities. When Nikon announced the Z6 mirrorless camera, I thought it could be a perfect camera to move up to from the D750, so I decided to try one out. After a few months of…

Announced alongside the Sony Alpha A7RIII mirrorless camera body last year, the Sony FE 24-105mm f/4 G OSS is a significant addition to Sony’s standard zoom lens lineup for their FE mount. Before its release, Sony users had a bit of a tricky choice when it came to selecting a standard zoom lens for their kit. At the top of the lineup was and remains the fantastic Sony FE 24-70mm f/2.8 GM lens. It’s an outstanding performer but an expensive…

With the holiday season fast approaching, it’s a good time to decide what to buy for the photographer in your life (or for yourself). In this guide, I’ve compiled a list of the best gifts for photographers in 2019. The products below are arranged by price – under $20, under $50, under $100, and over $100. I’ve used almost all these items myself and strongly recommend them. The ones I haven’t are on my own wish list this year!

Introduced alongside Sony’s first full-frame mirrorless cameras in 2013, the Sony Sonnar T* FE 55mm f/1.8 ZA lens was the first fast-aperture, “standard” focal length prime lens available for the FE mount. The 50mm prime lens has seen a resurgence in popularity in recent years, with many new lenses in this focal range introduced by lens manufacturers over the last half-decade. Sony themselves now offer four different 50mm prime lens options for the FE mount. Beyond the FE 55mm f/1.8…

At a technical level, color can be complicated; just see our recent article on sRGB vs Adobe RGB vs ProPhoto RGB. But at an artistic level, it is one of the most important parts of an image, impacting emotions and interest unlike almost any other element of photography. This article introduces the concepts of color and color relationships, including how to use them to take the best possible photographs.

Color spaces are essential in photography; they apply in some way to every photo you take. The most well-known color spaces are sRGB, Adobe RGB, and ProPhoto RGB. But what makes them so important? Beware: There’s a lot of misinformation about this topic online. Outdated and inaccurate recommendations abound – but so does a lot of valuable information, if you’re willing to learn it. This article introduces sRGB, Adobe RGB, and ProPhoto RGB, and when to use each one.

Announced in June 2018, the RX100 VI is the latest iteration of the Sony’s RX100 series of pocketable high-end compact cameras. The last few years haven’t been kind on point-and-shoot cameras with smartphone cameras now the tool of choice for most casual photographic situations. This has nearly eradicated the point-and-shoot camera market, but one niche segment remains seemingly unscathed: advanced bridge cameras like the Sony RX100 VI. With its large 20.1-megapixel stacked 1-inch imaging sensor, the RX100 VI captures more…

Sometimes, it helps to take a step back from broader discussions on creativity to look at the truly fundamental elements of composition. Although there are countless elements of composition in art as a whole, this article covers the ten most important that are specific to photography – critical parts of nearly every photo you take. They’re divided into two main categories: objects, and their relationships. These are nothing less than the building blocks of creativity.

Without a doubt, camera firmware is one of the most important parts of any modern digital camera, and this is especially true for mirrorless cameras that have a lot more electronics compared to DSLRs. The Nikon Z7 is Nikon’s first attempt at getting into the mirrorless market. Considering that it is a first generation camera of its kind for the company, it is already highly capable and solid, something that cannot be said about other mirrorless camera launches we have…

We are excited to offer the biggest promotion we have run to date on Photography Life on Cyber Monday. During the day tomorrow, you can grab ANY of our photography courses at a whopping 50% discount! And if that’s not enough, we are also extending our huge discount on the bundles, so that you can save even more! Please note that this offer is time sensitive and the deal will expire on Tuesday, so we recommend that you act quickly.

The 70-200mm focal length f/2.8 lens has become a staple in the photography world with each camera manufacturer offering their variant on this now classic design. The history of the autofocus-capable 70-200mm f/2.8 lens within the Canon universe stretches all the way back to 1989 with the introduction of the Canon 80-200mm f/2.8 L lens, whose high quality and innovative design went a long way in cementing Canon’s strong market position heading into the 90’s.

With Black Friday and Cyber Monday deals popping up left and right (and a bit early this year, no surprise!), we decided to compile some of the best for our readers. If you want to get a good gift for the holidays or just grab a great product at a low price while you can, take a look at the sales below on Nikon, Canon, Sony, and other camera equipment – there are some really good ones this year! We…

In this article, I want to share some of the most important tips I have learned as a photographer over the years – the bits of knowledge that I try to keep in mind for every photo captured, and the things I wish I knew early on. Almost all these tips are related to composition and creativity, not camera equipment, but it’s a bit deceiving; you still need a grasp of the technical side of things if you want to…

With so many new cameras out today, it might be difficult to figure out exactly what type of memory cards they can support. Some cameras have a single memory card slot with particular specifications, while others have dual memory card slots, sometimes with completely different specifications. We decided to make a comprehensive table with popular modern cameras and their memory card slots along with their specifications, in order to make it easy for our readers to decide what memory cards…

One of the big updates of this year from Apple was the new iPad Pro 2018 models that come with an insanely fast A12X Bionic chip that is capable of outperforming even some of Apple’s own laptops in performance. With up to to 1 TB of storage, a USB Type-C port that allows plugging in most types of accessories and devices, and a very compact / lightweight footprint, Apple has been trying to push the new iPad Pro as a…

Every successful photo has three things in common, and they’re not particularly surprising. The proper aperture, exposure, and focusing distance? The right camera, lens, and tripod? Successful use of hyperfocal distance, ISO invariance, and ETTR? No! The three variables that matter the most in photography are simple: light, subject, and composition.

One tricky part of landscape photography, along with other genres such as architecture, is making sure that your nearest and farthest subjects are both as sharp as possible. We’ve written before about a few techniques to maximize front-to-back sharpness, and I thought it would be worth emphasizing one of the most important ones again: the “double the distance” method. Here’s how it works.

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