I've shared strategies for using movies to strengthen attention. Just as in ordinary life, what makes tending to the sensory components of a film so challenging is the pull of the narrative. But what would it be like to focus on the changing sights and sounds without having to resist the gravitational pull of story elements?

"As conscious human beings, we know we die, and we therefore know our clock ends on, some level. So time just seems foundational. And I think a lot of the gymnastics that we do as human beings has to do with our relationship to the clock, or lack of a relationship to the clock. We squander time until it’s too late, et cetera. I love looking at the building blocks, the raw material, the irreducibles."

"Listen, this process called poetry is an exercise in imagining memory, and then having that memory snare and cherish imagination. Yet, every poem is and will be a capsule of territory in the perpetual present tense, a vessel taking on the ever-changing colors of the sea.

Poetry is the breath of awareness and the breathing thereof. I even mean this literally, for underlying the flow and the fall of verses are ‘natural units’ of consciousness sculpted by rhythm, by recall, by movement reaching for the edges of meaning and of darkness. One could illustrate by averring that the poem is a membrane, rippling, thrumming; reminding us that we are breathing organisms continually translating the space around us, continually translating ourselves into spaces of the known and thus drawing circumferences around locations of the unknown. From this one could extrapolate that the practice and process of remembering /evoking /awakening events and our selves lead quite naturally to questioning the polarities of other and I, to writing (and un-writing) the self, and toward rewriting the world. The boat changes the water.

Poetry is also the wind of time and thus the movement and singing of being…For when you hold a poem to your ear you hear the deep-sound, the movements we are part of, conveying not so much a literal meaning as an existential sense. It constitutes the spinal chord of remembering. And it reminds us that remembering is movement."

If the sun isn’t actually menacing me or entertaining me, and the ground beneath my feet isn’t stationary, where am I supposed to find a safe place to make my home? Our nervous systems crave certainty and solidity and, in their absence, have created a complex process for representing stability.