1900–12: Riverside’s special prints achieve world acclaim under Roger’s management. Rogers designs over fifty book editions for the press, often using typefaces he has cut exclusively for some of the books (e. g. Montaigne, Riverside Modern and Brimmer).

Post-1912: frequent work for Metroplitan Press and Montague Press.

1915: designs the book "The Centaur" for Montague Press.

1917–19: works as printing adviser for Cambridge University Press in England and from 1920–28 for Harvard University Press. Works as a typographer for W. E. Rudge publishers in New York.

1929–31: works with Oxford University Press and Emery Walker. 1935: the Oxford Lectern Bible, designed by Rogers and set in his "Centaur typeface", is published.

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