Black String

Though the sounds of Korean popular music may already be familiar to Western audiences, the deep and rich musical legacy of Korean traditional music extends far beyond the Top 40 list. Black String seeks to tap that wellspring in a revolutionary way. By drawing upon Korean music as well as jazz and rock, they create a dynamic new sound based in improvisation to create a fierce, moving energy. Formed in 2011 as a part of a Korean culture exchange program with the United Kingdom, Black String has since exploded onto the international scene with acclaimed appearances throughout the United States, Europe, and Asia.

The group is fronted by Yoon Jeong Heo, virtuoso of the geomungo (a six-stringed zither) and cultural ambassador of Korean traditional music. She is joined by Jean Oh on electric guitar, Aram Lee on daegeum (transverse flute) and yanggeum (Korean adaptation of the hammered dulcimer), and Min Wang Hwang on ajaeng (zither) and janggu (percussion). With a nearly-psychic sense of intuition, the group crafts enveloping soundscapes, sinuous musical narratives, and bracing grooves that draw listeners close to the heart of the Korea’s fascinating musical history in an entirely new way.

What’s in a name? Everything, it would seem, for 27-year-old singer and composer Jazzmeia Horn. The young vocalist from Dallas began turning heads not long after she made the move to New York in 2009, but by the time she won the 2015 Thelonious Monk International Vocal Jazz Competition, she had the jazz world’s entire attention. Horn’s debut album for Prestige Records, A Social Call, garnered her first Grammy nomination, and she has since been enchanting audiences around the world with her dazzling vocal chops and ingenious takes on jazz standards.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

Friday, November 30, 7:30 PMSaturday, December 1, 2:00 PM & 7:30 PMFXK Theater, Reynolds Club5706 S University AveTravel back to prohibition Chicago to discover a world balancing between morality and sin. Within this reimagined dark comedy, Shakespeare explores the agency of women and power structures of the archaic period. Join us as we dive into this discussion of values and finding the humor within our daily lives.Tickets: $6 in advance, $8 at the door

**In the event of a SOLD OUT performance all complimentary tickets must be picked up 15 minutes prior to curtain.**

Fridays, November 2-30, 7:30 PMThere will be no performance on November 23The Revival Comedy Club1160 E 55th St

Off-Off Campus Presents: Gettysburg, Undressed

Now in its 33rd Generation, Off-Off continues to serve up unique weekly shows featuring sketch and improve comedy. Alumni include playwrights David Auburn and Greg Kotis, as well as innumerable writers, performers, upstanding civilians, and others who also turned out fine. See them here first.

For comprehensive Off-Off Campus news and information visit us on Facebook.Some adult language and scenarios, not advised for young children.

First Saturdays of the month, 2-4:30 PMOctober 2018 through May 2019Logan Center for the Arts915 E 60th St

November 3, 2018

Theme:The Circle of Life

The life/death cycle has been honored by nearly every culture in the world. For our November Family Saturday, the Logan Center for the Arts is teaming up with the Chicago International Children’s Film Festival to explore how film, movement, and visual art can help keep the legacy of our loved ones alive while celebrating new spirits and ways of life.

2-4p

Room: DOVA Hallway

All Ages

Arts and Crafts with Live Arts Studio

Join live Arts Studio for arts and crafts activities designed to help us celebrate loved ones who are no longer with us. Honor those who have transitioned with lively visual art creations and together we will build a shrine to keep the memories of our ancestors alive.

3-4p

Room: 201

Ages 8 and up

Storytellers and Story Keepers

Presented by the Chicago International Children's Film Festival

The stories, tales, and folklore in this collection of shorts span generations and locales. In one French short, a magic tortoise grants a fisherman and his wife ever-increasingly lavish lifestyle accoutrements, until they get their comeuppance. In another short from the Republic of Congo, beware of false friends, no matter how charming! In the last short, the familiar Arabian Nights tale is vividly portrayed on screen in Scheherazade's familiar quandry - can she keep spinning her fabulous stories?

3-4p

Room: 802

Ages 7 and up

Mandala South Asian Dance Workshop

South Asian fables come to life with stomping feet and fancy fingers. Participants learn dance steps, hand gestures and facial expressions plus various ways to keep rhythm, perform and celebrate the beauty of life and death through traditional South Asian dances.

3-4p:

Room: 801

Family Jamm:

Ages 2-5

In this family yoga class, caregivers and their children will explore ways to cultivate connection and communication through play.

Lynne Ramsay delivers with unflinching heft in her newest work, whose 70s American bones have invited comparison with Taxi Driver. Welding a hulking Joaquin Phoenix to Jonny Greenwood’s menacing score, You Were Never Really Here's fever dream swirls around Joe, a hired gun who enters a seedy world of corruption when a rescue mission for a young girl goes awry. Her signature poeticism in full gear, Ramsay achieves the rare feat of deepening the vertigo of her underworld’s accumulative violence.Tickets: $7

Sunday, December 2, 3:00 PMRockefeller Memorial Chapel5850 S Woodlawn AveContinuing the almost 90-year-old beloved tradition of a matinée performance of Handel's Messiah to usher in the Christmas season, with the Rockefeller Chapel Choir and Motet Choir, conducted by James Kallembach, featuring Kaitlin Foley, soprano, Lindsey Adams, alto, Matthew Dean, tenor, and Vince Wallace, bass, with members of the Haymarket Orchestra, concertmaster Jeri-Lou Zike.

Tickets: $55 Chancel Seating, $25 General Admission Nave Seating (including balconies), $5 student/child tickets available at the door with current student ID (includes college, high school, and children; only available for GA nave seating).Appropriate for ages 8 and up. For further information call the Chapel front desk, 773.702.2667.

Run time: Apx. 2 hours with one 20 minute intermission.TICKETS GO ON SALE TUESDAY, OCTOBER 2ND AT 12PM.

Friday, December 7, 7:30 PMPerformance Hall, Logan Center for the Arts915 E 60th StBen Bolter, co-director of Northwestern University’s Contemporary Music Ensemble and Associate director of the NU Institute for New Music, conducts the debut performance of the Grossman Ensemble. The performance includes world premiere works by Assistant Professor of Composition at UChicago and electronics performer Sam Pluta, Professor of Composition at Brandeis University and two-time Pulitzer Prize finalist David Rakowski, UChicago Andrew MacLeish Distinguished Service Professor Emerita Shulamit Ran, and CCCC Postdoctoral Researcher Tonia Ko.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

Friday, December 7, 7:30 PMSaturday, December 8, 2:00 PM & 7:30 PMTheater West, Logan Center for the Arts915 E 60th StHeading south to the swamps of the musically vibrant New Orleans, Blanche DuBois moves in with her sister Stella and aggressively untamed brother-in-law Stanley Kowalski. Set in a time not long ago, Blanche blurs the lines between right, wrong-- and a primal need for compassion. Explore the animalistic nature of this melded family in Tennessee Williams’ Pulitzer Prize-winning drama.

Tickets: $6 in advance, $8 at the door

**In the event of a SOLD OUT performance all complimentary tickets must be picked up 15 minutes prior to curtain.**

Like its title, the densely suggestive Western is loaded with ambiguity. The film follows a group of German construction workers as they venture into the remote countryside of Bulgaria to build a project, setting off tensions with the wary locals. Grisebach's skill comes to the fore in the canny games she plays with audience expectations and genre conventions, pulling off more than a few genuine surprises and unexpectedly moving moments.Tickets: $7

The British a cappella ensemble The Tallis Scholars first visited UChicago Presents in 1989, the eighth season of the Howard Mayer Brown International Early Music Series. Now, 29 years later, they return to perform in the University’s Rockefeller Chapel.

Founded in 1973 under the direction of Peter Phillips, who continues to lead the ensemble to this day, The Tallis Scholars have popularized Renaissance music with audiences around the world. The group began with members of the chapel choirs of Oxford and Cambridge, brought together by Phillips, an organ scholar enamored with a cappella music. In the 46 years since, they’ve grown to tour the world, releasing more than 70 albums, winning numerous awards, and earning a reputation as one of the leading vocal ensembles in the world.

In December, The Tallis Scholars fill Rockefeller Chapel with their pristine intonation and impeccable blend, performing carols, chorales, motets, and mass settings. The 10 voices of the ensemble’s touring contingent create glistening harmonies and delicate, perfectly balanced melodies that will lift and warm in the holiday season.

It was a sign – the largest harvest moon in two decades that appeared in the sky on the night the three musicians first met, and the trio harkened back to this rare celestial occurrence when they chose their name. Since that time, Trio Céleste’s star has been rising. Called “one of the best young chamber groups around today,” by Philip Setzer of the Emerson Quartet, the group has won prestigious competitions and awards, performed worldwide, commissioned and recorded new works, given entrepreneurship seminars, and founded a progressive chamber music organization in southern California.

Honor and tribute are themes that inspire the works on this concert, their first with UChicago Presents. American composer Pierre Jalbert dedicated his eclectic and dramatic music to Mother Theresa. Sergei Rachmaninoff memorialized Piotr Ilych Tchaikovsky in his trio with musical notation and forms that harken the elder composer’s music. Coming late in life to chamber music, Tchaikovsky wrote only one piano trio, upon request by his benefactress Nadezhda von Meck. He dedicated the passionate and lyrical work, which he described as symphonic in nature, to his close friend, the pianist Nikolai Rubinstein.Click here to visit the University of Chicago Presents website.

Opening Valentine’s Day month, this program is all about love. Rivalry for love – will music or poetry win over a flame? – is the subject of Richard Strauss’ Capriccio opera. Jealous and possessive love in Leo Tolstoy’s famous novel, The Kreuzer Sonata, inspired Leoš Janacek, and Johannes Brahms expressed his heartbreak and unrequited love in his second string sextet.

The Parker Quartet is an utterly polished, virtuosic, and creative string quartet with a blue-chip resume. Besides having won a GRAMMY, collaborating with artists from Kim Kashkashian to Vijay Iyer to members of the Silk Road Ensemble, and participating in Music for Food, a musician-led hunger initiative, the quartet has been in residence at Harvard for the past four years. Korean-American superviolist Richard O’Neill and elegant cellist and chamber music impresario Edward Arron join them to guide us through these sagas.Young Chicagoans under 35! Join the quartet for a Coda following the performance. Coda is a new post-performance event, presented by UChicago Presents, connecting young Chicago music and arts lovers with performers and each other. $35 gets you a ticket to the concert plus post-performance drinks and dessert. Use code coda at checkout.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

In 1973, civil rights activist, musician, and scholar Dr. Bernice Johnson Reagon founded the all-female a cappella ensemble Sweet Honey in the Rock on the legacy of the SNCC Freedom Singers (of which Johnson was an original member). Now, 45 years later, Sweet Honey in the Rock continues the fight for freedom with body and voice.

In the 2018/19 season, Sweet Honey in the Rock brings its musicianship and activism to Hyde Park and the University of Chicago as the Don Michael Randel Ensemble in Residence. In winter 2019, the group presents the only solo performance of its residency in the University of Chicago’s Mandel Hall. Celebrated for its vibrant, theatrical performances combining a cappella singing, interpretive sign language, and dance, Sweet Honey brings its signature renditions of American gospel songs, African folk hymns, and freedom songs of the Civil Rights Movement for an intimate evening with UChicago Presents.Click here to visit the University of Chicago Presents website.Subscriptions available here.All orders include a $1 handling fee per ticket.

“[H]is music crystallizes the hard-hitting, hard-swinging spirit of Chicago jazz,” rhapsodizes the Chicago Tribune of the preeminent trumpeter Marquis Hill. Considering a city that fostered the legacies of Louis Armstrong, Jelly Roll Morton, and Von Freeman, that may seem a heavy mantle to carry. Not so for Hill, who embodies such praise with style and sophistication. Hill’s big win in the 2014 Thelonious Monk International Trumpet Competition marked his arrival on the world stage, which was followed by the release of The Way We Play – his Concord Records debut with his group, the Blacktet, and an homage to his hometown’s rich musical legacy.

Hill’s latest effort, Modern Flows Vol. 2, melds jazz with the sounds of another Chicago musical tradition: hip-hop. Featuring spoken word recited over subtle grooves and lithe melodies, the Blacktet weaves a lush acoustic-electric backdrop behind Hill’s masterful improvisations on trumpet. With Modern Flows, Hill demonstrates that he is both a natural ambassador of the Chicago jazz tradition and a keen student of the city’s diverse and ever-evolving musical landscape.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

Of the many larger-than-life composers whose music fills the great concert halls around the world, it may be Beethoven who looms largest. For years, the cellist Steven Isserlis professed not to like the composer, and it was only after years of performing Beethoven’s cello sonatas that he came to really love them. In 2004, Isserlis was given the opportunity to perform the full set for the first time with champion keyboardist Robert Levin. The two proved a perfect match and have since presented the complete works for cello and fortepiano countless times.

Performing all of Beethoven’s sonatas for cello and piano back-to-back is a unique experience from performing the works separately. Together, they are a journey through Beethoven’s life. The first two are grand demonstrations of the piano with exciting flourishes and effects (Isserlis calls them “sonatas for piano with cello”). The third, composed as Beethoven began to contend with total deafness, is remarkably joyful for the middle period of the composer’s life. The last two from Beethoven’s “late” period, are concentrated, shorter than the previous three, each note with a perfectly argued purpose. They carry a wisdom and consideration that only comes later in life.

In addition to the sonatas, Beethoven wrote three sets of variations for cello and piano, the first based on the theme of ‘See the Conquering Hero Comes’ from Handel’s Judas Maccabaeus, and the latter two on themes from Mozart’s The Magic Flute. All three demonstrate Beethoven’s affinity for his predecessors, his technical skill, and his penchant for fun, also evidenced by his own arrangement of his sonata for horn.

Of the many larger-than-life composers whose music fills the great concert halls around the world, it may be Beethoven who looms largest. For years, the cellist Steven Isserlis professed not to like the composer, and it was only after years of performing Beethoven’s cello sonatas that he came to really love them. In 2004, Isserlis was given the opportunity to perform the full set for the first time with champion keyboardist Robert Levin. The two proved a perfect match and have since presented the complete works for cello and fortepiano countless times.

Performing all of Beethoven’s sonatas for cello and piano back-to-back is a unique experience from performing the works separately. Together, they are a journey through Beethoven’s life. The first two are grand demonstrations of the piano with exciting flourishes and effects (Isserlis calls them “sonatas for piano with cello”). The third, composed as Beethoven began to contend with total deafness, is remarkably joyful for the middle period of the composer’s life. The last two from Beethoven’s “late” period, are concentrated, shorter than the previous three, each note with a perfectly argued purpose. They carry a wisdom and consideration that only comes later in life.

In addition to the sonatas, Beethoven wrote three sets of variations for cello and piano, the first based on the theme of ‘See the Conquering Hero Comes’ from Handel’s Judas Maccabaeus, and the latter two on themes from Mozart’s The Magic Flute. All three demonstrate Beethoven’s affinity for his predecessors, his technical skill, and his penchant for fun, also evidenced by his own arrangement of his sonata for horn.

Friday, March 15, 7:30 PMPerformance Hall, Logan Center for the Arts915 E 60th StThe Grossman Ensemble presents works by Chen Yi, Carlos Sanchez-Gutierrez, and University of Chicago graduate composers Rodrigo Bussad and Jack Hughes. James Baker, Music Director and Conductor of the Composers Conference at Wellesley College and Director of the Percussion Ensemble at Mannes College of Music, conducts the performance.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

They say there’s no substitute for experience, and when it comes to experience, The Cookers have their bases covered. Comprising trumpeters David Weiss and Eddie Henderson, saxophonists Billy Harper and Donald Harrison, pianist George Cables, bassist Cecil McBee, and drummer Billy Hart, the group collectively represents over 250 years of experience and more than 1,000 recordings. A project that effectively began as a tribute to Freddie Hubbard’s unsung live album The Night of the Cookers, the band has evolved into one of the most swinging, soulful, and impressive bands of the generation.

Though the members of the group rose to prominence performing in the bands of Herbie Hancock, Miles Davis, McCoy Tyner, and Art Blakey, The Cookers places original material front and center. Weiss, the principal arranger and de facto frontman of the group, sifted through each member’s back catalog of original tunes, selecting hidden gems to re-cut for this high-octane septet. The result is a repertoire that embodies the envelope-pushing, hard-hitting sound of 60’s and 70’s jazz – a sound at once familiar and fresh and guaranteed to make you move.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

With sumptuous costumes and semi-staged performances, the British consort Atalante is reviving a repertoire of early Baroque laments that have languished in the Vatican library for centuries. The group is led by acclaimed early music scholar Erin Headley on the lirone, a multi-stringed bowed instrument with a uniquely beautiful sound. Together with a chitarrone, triple harp, baroque guitar, harpsichord, and viola da gamba, the ensemble supports a trio of female voices who bring to life a program of ultra-expressive laments.

Milton in Love paints a portrait of the English poet John Milton’s sojourn through Rome where he fraternized with the Illuminati, attended opera and oratorios, and became enamored with the singing of soprano Leonora Baroni. The laments display the sensuality, ecstasy, and eroticism of early Baroque Rome, and the performances by Headley and her ensemble are sure to surprise and delight audiences as well.

Atalante presents Milton in Love: Music in the Eternal City on Sunday, April 7 at 3 pm in the Logan Center Performance Hall. Prior to the performance, students from Professor Robert Kendrick’s graduate seminar will deliver a lecture on Milton’s encounter with Italian music.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

Anniversaries are times to pull out good memories and celebrate with friends and family, and at UChicago Presents, it would be difficult to toast our 75th season without the Pacifica Quartet – whose members cut their teeth and as a group rose to classical music stardom during their 18 years in residence at UChicago (the ensemble’s first job).

The quartet returns to UChicago with new second violinist Austin Hartman and violist Mark Holloway. Together they offer a world premiere work by American composer David Dzubay – his second string quartet, titled “Oceanic,” inspired by both the Pacifica Quartet and his own experiences growing up on the Oregon coast. Ludwig van Beethoven’s quartet, written as he was losing his hearing, has all of the drama, texture, and rhythmic wit for which the composer is renowned. Felix Mendelssohn began writing his opus 44 string quartets during his honeymoon and suggested that this D major quartet was one of his favorite works. It has been beloved by the many string quartets that have been performing it for almost 200 years – and their audiences, as well.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

Chicago natives Rachel Barton Pine and Jory Vinikour began playing together in the late nineties, reading Bach sonatas together whenever Vinikour returned to the states from his adopted home in Paris. In 2015, after Vinikour moved back to Chicago, the pair began to develop their love for the Bach sonatas into the project that became their first recording together.

Bach’s solo works are familiar staples for both Pine and Vinikour, but the sonatas for violin and harpsichord opened up new possibilities for the pair. With just two instruments, Bach creates the effect of three musicians competing for the listener’s attention. In the slower movements, he takes the audience on an emotional ride, thrusting the listener first into profound introspection and later into peaceful delight.

For two friends like Pine and Vinikour, Bach’s duo sonatas provide profound opportunities for musical connection. Pine notes, “Playing with an artist of Jory’s sensibility and virtuosity allows an incredible degree of flexibility. We are always searching for new subtleties, but also able to let loose when the music calls for it. Even with no audience to inspire us, our performances for the recording sessions felt truly alive thanks to this shared musical rapport.” Pine and Vinikour’s performance at UChicago Presents is sure to be truly spectacular.

Program:Strauss: Serenade, Op. 7Gounod: Petite Symphonie, Op. 216-Intermission-Dvorak: Serenade, Op.44In this celebratory season, it’s fitting that we honor the University’s long association with the Chicago Symphony Orchestra. Many CSO orchestra musicians and conductors have performed on the Mandel Hall stage over the decades, and to close our season, we’re pleased to welcome the illustrious CSO Winds who will offer – conductorless, of course! – some of the most glorious wind ensemble music written.

Both Richard Strauss and Antonín Dvorák looked to Mozart’s “Gran Partita” serenade as inspiration for their works. These two pieces by the youthful Strauss foreshadow his future mature symphonic style. Dvorák’s serenade, filled with Bohemian folk melodies and harmonies, caught the attention of composer Johannes Brahms and the great violinist Joseph Joachim. "Take a look at Dvorák's Serenade for Wind Instruments," Brahms wrote to Joachim in May 1879. "I hope you will enjoy it as much as I do...It would be difficult to discover a finer, more refreshing impression of really abundant and charming creative talent. Have it played to you; I feel sure the players will enjoy doing it!" Indeed they will!Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

In 2000, after nine years as a political refugee in Jordan and Syria, world-renowned oud player Rahim AlHaj landed in the United States. In 18 years, the Iraqi native has released 12 albums, received two Grammy nominations, and earned the country’s highest award for traditional arts, the National Endowment for the Arts National Heritage Fellowship.

As an outspoken activist against the Saddam Hussein regime, AlHaj was forced to leave his native country nearly 30 years ago, but it is stories from his life in Iraq, and those of others living in the country at war, that form the basis of his project Letters From Iraq. Performed with traditional percussion and string quintet, the project transcends language and culture to share through music the realities of life at war. The songs are thoughtful and emotional, with AlHaj’s oud the storyteller, the string quintet setting the scene, and the traditional percussion adding the pulse of life to the music.

AlHaj, joined by the Kontras Quartet, bassist Christian Dillingham, and percussionist Issa Malluf, brings Letters From Iraq to the Logan Center for the Arts on Sunday, May 5 at 3 pm. Before the concert, AlHaj discusses his life and music in conversation with Professor Phil Bohlman at 2pm, and afterward he joins the audience for a reception in the Logan Center lobby.Click here to visit the University of Chicago Presents website.Subscriptions available here.All orders include a $1 handling fee per ticket.

A world-class soloist, accomplished composer, and formidable bandleader, Chris Potter has emerged as a leading light of his generation. Constantly pushing the envelope, Potter turned heads in 2015 when he expanded his bass-less Underground Quartet to an 11-piece orchestra with strings. Potter discusses his musical influences and style in a listening session on May 16, and the following night, he comes to the Logan Center Performance Hall for the third-ever performance of his Imaginary Cities suite with the full Underground Orchestra.

Even among a generation of highly original and technically impeccable saxophonists, Chris Potter stands out. First coming to prominence as a sideman for such veterans as Paul Motian, Dave Holland, and Dave Douglas, Potter’s reputation as the hot newcomer on the jazz scene was solidified upon being named “Rising Star” for “Best Tenor Saxophonist” in the DownBeat Magazine Critic’s and Reader’s Polls for four consecutive years from 2004 to 2007. Potter’s remarkable creativity and versatility as a saxophonist manifests in his diverse roster of collaborators, which range from Pat Metheny to Snarky Puppy to Steely Dan.

Ever-fearless as a bandleader and composer, Imaginary Cities may be Potter’s most ambitious project yet. This date features Potter’s Underground Orchestra, an expansion of his core Underground Quartet that features a contingent of strings and a doubled rhythm section, all built around Potter’s luxurious sounds on saxophone and bass clarinet. This lush instrumental setting, at once evocative of contemporary chamber music and the seminal Charlie Parker with Strings, provides a launching pad for Potter’s freewheeling woodwind acrobatics.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.

Friday, June 7, 7:30 PMPerformance Hall, Logan Center for the Arts915 E 60th StIn the final concert of the season, the Grossman Ensemble presents four world premiere works by acclaimed soprano Kate Soper, a Pulitzer Prize finalist whose works have been commissioned by the Los Angeles Philharmonic, the American Composers Orchestra, Carnegie Hall, Tanglewood Music Center; Steve Lehman, whose most recent album was called the #1 Jazz Album of the year by NPR Music and the Los Angeles Times, UChicago composer Joungbum Lee, and David Dzubay, Professor of Music, Chair of the Composition Department, and director of the New Music Ensemble at the Indiana University Jacobs School of Music in Bloomington, who will also conduct the concert.Click here to visit the University of Chicago Presents website.

Subscriptions available here.All orders include a $1 handling fee per ticket.