As of February 2019, the Foundation Louis Vuitton will the hosting the collection of English industrialist and art collector Samuel Courtauld (1876-1947) in Paris for the first time in over sixty years. Courtauld’s family’s held significant historical ties to France. They were Hugenots, which is a group originally from the Isle of Oléron, who emigrated to London at the end of the 17th century. His family’s business, thrived as one of the greatest textile manufacturers of artificial silk in the world. Samuel traveled regularly to Paris to purchase impressionist and post-impressionist works from French dealers. He compiled one of the greatest collections of impressionist art which includes 100 pieces paintings and graphic work. The exhibition includes pieces from the end of 19th century which gives a clear idea of the pioneering role the collector held and his influence on the art of impressionism in the UK.

The collection will include works such as A Bar at the Folies-Bergère (1882) by Edouard Manet, Nevermore (1897) by Paul Gauguin, La Louge (1874) by Pierre-Auguste Renoir and one of Van Gogh’s most famous paintings, Self Portrait With a Bandaged Ear (1889) which will be displayed for the first time since its presentation in 1955. After a decade of collecting art pieces, his collection was first exhibited in his neoclassical home in Portman Square in central London. Thereafter, he created the Courtauld Institute of Art and Gallery in London which was one the first university establishments in the UK devoted to art which he donated the majority of his pieces in 1932.

Earlier this year, the Fondation Louis Vuitton (FLV) – an art museum and cultural centre sponsored by LVMH and its subsidies – in celebration of its fourth anniversary launched an architecture photographer contest inspired by the Parisian building’s exceptional construction and design. The museum, which was inspired by abstract structures of glass was designed by renowned Canadian-American architect Frank Gehry.

The competition, titled #MyFLV, launched on May 3rd and welcomed photographers of all calibre, both amateur and professional who were required to post original photographs of the buildings to their Instagram accounts accompanied by the respective hashtag and Fondation account tag.

After concluding on June 5th, the FLV gathers several representatives from its board along with French photographer Yann Arthus-Bertrand who formed a jury to select the top 7 photographs. Their picks were announced earlier this week which included a mix of photographers from several corners of the world. Namely Pierre Châtel-Innocenti, Mathieu Collart, Roseline Diemer, Yi-Hsien Lee, Boshiang Lin, Jean-Guy Perlès & Jérémy Thomas.

The winners will have their photos used in an upcoming digital and print poster campaign, a boost of publicity via the foundation’s social account, a Collector’s Pass for FLV valid for one year, along with a chèque of 2,000 euros.

Earlier today, Ghanian-American fashion designer Virgil Abloh presented his first collection as creative director of Louis Vuitton Menswear in the gardens of the Palais Royale for Paris Fashion Week.

Since his appointment in March, the news of a black man at the helm of one of fashion’s most prestigious French houses has of course caused some stir and split opinions between fans and fashion critics. This was not just any black man, but specifically Virgil Abloh.

I, particularly as man of colour, was on the fence about the decision. Only two men of colour had ever held such positions, Ozwald Boateng at Givenchy and Olivier Rousteing at Balmain. On one BLACK hand, I was overflown with joy, and completely elated that another man that looked like me had finally landed such a position. The story of an immigrant, arriving to the US, starting his journey in fashion and being so successful in his efforts to the point where he now sits at the head table of one oldest fashion labels in history is undeniably inspiring. This would be a monumental moment, not just for black people, but for anyone of colour who has ever felt excluded from a conversation in the walls of fashion as a result of skin colour, culture or heritage.

On the other hand, as a detester of the ranks of fashion as a popularity contest, I was torn. Abloh and his label Off-White for me and many represent a millennial-friendly fast-selling branch of fashion which often sacrifice quality and ingenuity for mass sales/trendiness. Prior to this appointment, Virgil to me was but a DJ and a businessman. I assumed his label was a business he would pick up every season to use his influence to create a few stirs among millennials to make some extra bucks. Which in this case would be fine. We’re all hustlers, and you definitely don’t have to go to fashion school to be a designer. However where was I to be left when I found out that one of fashion’s “influencers” was taking over an historic French fashion house. Was this like Kendall Jenner becoming photo editor for Vogue?

I had no idea what to expect. As I tuned in to Louis Vuitton’s live Instagram stream and got a glimpse of the location, goose bumps grew on my skin. I was excited. My heart started racing as I witnessed an army of computed men in white, opening the multi-coloured runway. This was Virgil’s moment: it was his peak, and I was extremely excited for the masterpiece which he seemed to have created. LVMH may have hired him for his savvy business approach but regardless, I saw this as a win for us.

After the emotions faded and the show ended I then went back and had a look at the collection. The hints of his brand Off-White were evident. There was not much innovation but it was better than I expected. This was a luxury version of his own brand and a deconstructed version of the Louis Vuitton we had been used to. It was relatively safe ground: double breasted blazers, two pleated trousers paired with holsters and harnesses. Nothing too new for fashion, but definitely new for the French fashion house.

LVMH were certainly ahead of the curve hiring a designer that brings streetwear to the luxury space. Virgil Abloh might not be an innovator, or to some, not even a designer, but he sure is a hell of a showman.

Embrace spring with this new scent from Louis Vuitton. Offering top notes of mandarin with hints of blackcurrent, jasmine and peony, this is a fresh, energising scent to kick start the day. Surround yourself with a sense of the new season: buy it now.

A spectacular final show from Kim Jones had the crowds in a frenzy, which was taken to heady new heights when the designer said his final goodbye with Naomi Campbell and Kate Moss on either arm.

Fittingly the collection offered an overview of landscapes across the world, as well as looking inwardly at the heritage of the Louis Vuitton brand. Here aesthetic influences ranged from American rodeo to the Siberia, and looks were rendered with a dash of Titanium, introduced as a new precious metal. The iconic logo was made abundant use of, with fierce delivery through patent trenches and savvily printed on jumpers.

Speaking about the show, the designer commented that “It’s about clothes that can change, about fabrics that can travel on the body – and transform.” This was realised through an undulating rainbow of colours that ran from neutrals to neon and brought endless energy to the collection, while sharp details – fluro pockets, metallized monogram leggings – demonstrated the mighty power of Kim Jones at his best.

For fall, Issue 17 took a closer look at the expectations and realities of self-reflection. We met the young, African artist Kudzanai-Violet Hwami on the eve of her inaugural solo show, and discussed shedding the weight of self-doubt in order to soar. Elsewhere, sisters Nancy and Lotte Andersen discussed their shared childhood and creative pursuits, while actress Joanne Froggatt questioned the limitations facing woman who dare to age on screen. Patrick Demarchelier took us behind the scenes at the Musée du Louvre exclusively for Louis Vuitton, before we embarked on a Californian road trip with Chanel. Meanwhile, as Browns East — the latest bricks and mortar retail innovation to hit London — opened, we discussed the vital fostering of raw talent with Browns CEO Holli Rogers and Farfetch’s Chief Consultant of Augmented Retail Susanne Tide-Frater. Speaking of raw talent, musician Cosima revealed her most uncomfortable self under the lens of Francesca Allen, while model and artist Larissa Hofmann turned the camera on herself for a self portrait redux. Here’s looking at you, kid.

This spring, Issue 16 offered a study in shedding the weighty debris of expectation, and forging your own identity, under whatever guise that may take. From the renunciation of labels with model Lulu Bonfils, to redefining femininity with the creators behind MoreMuhler, and reclaiming pink with musician GIRLI, we celebrated womanhood without limits. Similarly, we discovered how family is at the core of the work done by 90-year-old artist Betye Saar, and those sentiments were echoed by fashion designer Molly Goddard, who we shadowed for a day. Elsewhere, Chanel’s hyper real version of beauty was played with, and Louis Vuitton’s artistic vision for SS17 was realised. Photographer Dexter Navy experimented with the perception of future super Jean Campbell, and posing greats Erin O’Connor and Guinevere Van Seenus made the lens their own again. Twin also delved into the world of all-girl skate culture and friendship, while director Crystal Moselle and BFF Danielle Levitt discussed the red-hot power of teenagers with passion. It was a riot.

This week Louis Vuitton introduce a new facet in their already multi-platform luxury offering: the gift of time. Or more precisely, punctuality, thanks to the revolutionary Tambour Horizon.

The art of travel has long been at the core of any endeavour that this French Maison has pursued, and for this wristwatch, which is as beautiful as it is innovative, a global range of expertise has been called upon. Conceived in Paris, created in Switzerland, further developed in California’s Silicon Valley and for the first time, fit for use in China, the Tambour Horizon is much more than a smart piece of technology, it is a lifestyle.

Ever since the first Tambour timepiece was launched in 2002, Louis Vuitton have been connecting the ever-changing dots between design and functionality. And now, the brand is also connecting journeys, and as a consequence, continents.

Having previously taken Louis Vuitton to the desert in Palm Springs and the ocean in Rio, this year from Louis Vuitton’s Cruise 2018 show,Nicholas Ghesquiere will take audiences to the verdant surroundings of the Miho Museum in Kyoto.

Watch the Louis Vuitton Cruise 2018 show live through the player below.

Drawing on their longstanding tradition of creating travel objects, Louis Vuitton have invited designers to reimagine furniture through the lens of journey and adventure for this year’s Objets Nomades collection.

Launched in 2012, the collection coincides with the start of Milan Design Week and this year sees the addition of two more renowned designers to the rostra, India Mahdavi and Tokujin Yoshioka. Other designers include Campana Brothers, Marcel Wanders, Atelier Oï and Patricia Urquiola. Each has contributed a piece, or pieces, inspired by iconic items from Louis Vuitton’s heritage collection such as the Bed Trunk of 1874, produced for French explorer Pierre Savorgnan.

Contemporary objects in the collection range from supple rocking chairs by Marcel Wanders, to India Mahdavi’s side table, inspired by Middle Eastern nomadic hospitality to a lamp that holds light in a way reminiscent of how a Louis Vuitton bag contains a traveller’s belongings. Other highlights include Tokujin Yoshioka’s Monogram-pattern flower stool, Atelier Oï’s vintage swing chair and Marcel Wanders’ leather screen that references the House’s classic Monogram pattern.

The collection comes alongside the launch of Louis Vuitton’s ‘Spirit of Travel’ campaign for 2017, which sees Michelle Williams captured by Patrick Demarchelier. In fusing modern day design with a the brand’s rich travel heritage Louis Vuitton beautifully provides a segue between innovation and history, adventure and style.

Those looking for a December boost should head over to Selfridges to check out the latest Louis Vuitton Menswear Pop-up at the iconic London department store, Selfridges.

The new pop-up has been illustrated by The Chapman Brothers, who were commissioned by Men’s Style Director Kim Jones to create a space inspired by his time in Africa. Expect to see giraffes looming large over the collection, while rhinos and jaguars roam wild across the wallpaper.

Launching in two waves, the visually impressive space plays host to a denim bar as well as an exciting array of exclusive products across ready-to-wear, accessories, shoes and leather goods. The Pre- SS17 collection is available in store now, and will be followed by the SS17 show preview from the 15th December.

For the first time, the maison of Louis Vuitton has unveiled a series of seven fragrances, created by master perfumer Jacques Cavallier Belletrud. The accompanying campaign, shot by Patrick Demarchelier, features the sultry gaze of Palm d’Or-winning actress Léa Seydoux.

Of the range of scents in the premier collection – ‘Rose des Vents’, ‘Turbulences’, ‘Dans la Peau’, ‘Apogée’, ‘Contre Moi’, ‘Matière Noire’ and ‘Mille Feux’ – a full journey of emotions, from dark to light and self-revelation is the aim.

In keeping with the brand’s history of, and with, travel – Demarchelier and Seydoux journeyed to South Africa to shoot the coinciding ads, and wanted the wet-haired nonchalance of adventure to add to the purity of the actress’s natural beauty, mirroring the simple ethos of the perfumes themselves.

“Louis Vuitton is about travel, but it’s also about dreams. Its spirit blends adventure, discovery and emotion. I am very honoured to embody this universe.” – Léa Seydoux

It’s mere days until Rio de Janeiro becomes the focus of the world’s gaze, as the 2016 Olympic Games get under way. But all this talk of athletic prowess in a stunning setting has made us yearn for the Louis Vuitton Cruise ’17 collection, which took place in the famed city a few months ago.

While we were enraptured then, the prospect of last-minute August escapes has thrown us headfirst into a search for things to wear, and we’re coming up lacking, as all we really want are these creations from Nicolas Ghesquière. The industry favourite, who has always managed to put his finger on exactly ‘what women want’ has done it again – bien sur. “I think what defines our time is that women want to look sophisticated and they want casual sports clothes,” he said. “Those are the two big obsessions.”

For those who missed it in May, here are just a few of the reasons why we’re churlishly wishing this summer away, so that we can get our hands on this collection in time for December.

Culture and Ghesquière have always gone hand-in-hand, and this show was no exception. Held at the Oscar Niemeyer–designed Niterói Contemporary Art Museum, artists also both partook, and inspired, the collection itself with the likes of Hélio Oiticica and Aldemir Martins on the credit sheet.

Model-of-the-moment Mica Arganaraz opened the show, while Twin favourites like Heather Kemesky (who features on one of the covers of our latest issue) also walked.

Thought the ubiquitous flip-flop was reserved yuppies in Clapham? Think again. They are now officially desirable, thanks to Ghesquière sending heavily cuffed versions down the catwalk.

US racing insignia, scuba-esque fabrics and chequered flag motifs were prevalent throughout the collection, adding to the sporting feel of the brand for this time of year.

Remember those skinny lurex scarves you used to love so much? Well, great news for hoarders: they’re back, albeit smattered with sequins amping up their luxe feel. Less good news for Marie Kondo advocates, you’ll have to repeat buy.

Spanning the realms of music, art, film, literature and fashion – Issue 14 is an exploration of the female perspective: From Alexa Chung’s personal musings on the pull and perversity of astrology, to director Elizabeth Wood’s controversial position of power within new Hollywood. We also see girl-of-the-moment Heather Kemesky shot by Maciek Kobielski while swathed in every day detritus, meet actress on the rise Anya Taylor-Joy, discover Louis Vuitton’s cosmic universe through the lens of Juergen Teller and dismantle ‘black sheep feminism’ with the work of artists Betty Tompkins, Joan Semmel, Anita Steckel, and Cosey Fanni Tutti. Ben Rayner also photographs some of the most exciting musicians to be following right now.

Clym Evernden is an award winning artist, one that Twin met when he captured the attendees at our latest release party (read the interview). Here, the Central Saint Martins graduate and Colin Barnes Illustration Award winner turns his attention to the menswear SS15 season, illustrating the shows in his signature inky style of drawing.

Astralis is the 23rd exhibition to be held at Espace Culturel Louis Vuitton in Paris. The exhibit claims to “take visitors on a journey into this strange reality by exploring unfathomable and inaccessible worlds.” Taking it’s name from ‘Astral’, another term for ‘invisible,’ this contemporary exhibition explores the relationship between art and the many forms of the invisible: from astrophysics to cognitive science and alternative knowledge, not to mention unexplained phenomena linked to a variety of visionary or metaphysical dimensions.

Including work from a dozen international artists, l’Espace Culturel Louis Vuitton is also organising a series of unique events to run alongside Astralis. Conversations and performances, youth workshops and weekend family activities are all ways to get involved with the exhibit. Running from now until May 11th, there’s more than enough time to get lost in space.

On Friday November 8, Louis Vuitton will open its doors to the Townhouse, a new urban retail destination set within Selfridges. Louis Vuitton invites clients to journey through a new retail concept and signature interior, into a dialogue between modernity and tradition, surprise and discovery.

Built over three inter-connecting floors, the Townhouse is the largest of its kind in Europe, offering two floors for womenswear and, for the first time in Selfridges, Kim Jones’ menswear line.

In the middle of it all one will find the real showstopper; a state-of-the-art glass lift that links all three spaces. The short travel in the elevator then reveals a head turning surprise, as it begins to gently revolve, in tandem with the movement of the spiral.

The architectural concept is designed by French-born, Japanese based designer, Gwenaël Nicolas.

Every journey in Louis Vuitton’s Townhouse, regardless of how short, is definitely inspirational.

The Townhouse opens on November 8 in Selfridges, Oxford Street, London, W1.

Quentin Jones is a London-based illustrator, a Cambridge philosophy graduate and one of fashion’s brightest young filmmakers, specializing in a cartoonish style of surreal photo-montaged animation.

In connection to Fashion Week earlier this month, Louis Vuitton released a new accessories film, directed by Quentin. Through her signature aesthetic, illustrative bold lines and pop colours brings the rings, sunglasses and belts to life. The film is styled by Fashion Editor Agata Belcen.