Sounds of the Underground #12

The first Sounds of the Underground of 2015 and the section of my blog seems to gather some attention. Thank you for this. For this edition I checked out The Glitch Mob, Cruachan, The Hyle and Chthonic.

The Glitch Mob – Love Death Immortality

Source: gemm.com

So it would appear I like a lot of metal and truly, it is the main thing I listen to these days. I have a huge weakness however for the Glitch Mob. I like electronic music that is heavy on the bass, layered and telling a story in itself. The debut of this group from 2010 was quite amazing and captivating. It had that same mystery I find in postrock and some black metal. On their 2014 release the band takes a different approach.

The feel of the sound is much more dance-oriëntated, high on energy and with a faster pace. Fleet footed and lightweight would also be terms, but they might feel a bit negative. Songs like ‘Skytoucher’ still captivate the feeling I loved so much on their debut, but in general the album is more directed at selling and being something the kids can dance to. Not sure if that’s a good thing, for me ‘Drink The Sea’ will remain the favorite and I’ll check in with these guys again when a new record comes around. Though their ‘glitch’ may be less attractive to me, the group still makes brilliant music. Don’t take me wrong on that.

Chthonic – Bù-Tik (武德)

Source: Metal Archives

Since the album that is released on 29 december is a full acoustic one, I thought it fun to look back at the previous release of Taiwanese melodic death metal giants Chthonic. The band plays with folk elements and structures in a complex sort of work, that relates closely to the atmosphere of black metal in my opinion. The hectic sound is typical in most Asian metal bands I’ve heard, also the clean sound and the polished production. The band manages an accesible sound, while retaining their identity.

The narrative is that of the foundation of what became Taiwan, told in the native tongue. That shouldn’t prevent you from listening to it. The beauty of this record is it’s way of sounding like a metal band in a clear cut manner, but implementing the narrative of Taiwan by using folk elements and mythology to create distinctness. Anyone hearing this will look up in surprise to check what it is they’re listening to, but still feel it relates to them. Though the sound is rooted in the more extreme styles, the grandeur of power metal is definitely present int he riffing and huge arches of vocals and synths. It doesn’t surprise me that Spinefarm signed them. The acoustic album that is coming out is promising to be another revelation and a rare insight for many metalheads in Asian traditional music.

The Hyle – Demo

Source: bandcamp The Hyle

The Danish band has a wonderful sound that combines doom with a stadium rock-like swagger, without losing any of their credibility. This demo was not without reason so well liked by Cvlt Nation out of what they picked up this year. The slow, foreboding sound of ‘Lucifero’ sounds weary and whispers a certain despair. The clean vocals are warm and caring, but hollow somehow. Slowly the song runs its course, untill twangy bass sounds support samples and harrowing riffs continue the brooding sound onto the ritualistic sounding ‘Serpent King’. I feel a bit reminded of Electric Wizard meeting up with Witchcraft when listening to this record.

The second half of the record opens very slowly with ´Spiritual Sacrifice´. The spun-out track wavers on for a couple of minutes, when silence descends. The final song is ‘Children Of The Divine’, which is also a dark tune with the sense of ritual and pagan magic to it. The band creates a sound that feels like retro, but also distinctly now. The record is captivating and if these Danes call this a demo, I’m eager to hear the debut.

Cruachan – Blood For The Blood God

Source: Metal Archivers

The Irish folk metal band Cruachan is pretty much one of the first of its kind. This year I saw them play live, finally, at the Eindhoven Metal Meeting and experienced a lot of their new songs. The work seems raw, honest and direct, but also a bit amateuristic sometimes and a little odd. The vocals of Keith Fay are very peculiar and the man is simply not the most talented singer. Still, the blend of folkish traditionals and raging metal works quite well for the group that has released it’s seventh album on Trolzorn records. The song ‘Born For War’ is representative for the epic sound and feeling this band wants to invoke.

Noteworthy is the song about ‘Beren And Luthien’, which departs from the Irish mythology and picks up a little Tolkien along the way. The band seems to have two gears, of which one is a slow, melancholic pace and the other the frantic one-two-one-two primitive death metal roll. Both are implemented in different ways, but it tells the listener a bit about this band. Cruachan feels like a band on form, enjoying what they do once more, but also stuck in thier own sound. Change is a difficult thing and this record doesn’t sound in any of it. One could argue that this is the reason the whole folk metal movement passed the Irish group by. I don’t know, perhaps they are comfortable in their own little niche. Songs like ‘Gae Bolga’ and ‘The Arrival of the Fir Bolg’ are both well constructed and atmospheric and display the strenght of Cruachan. I worry that they will remain an anachronism in a genre that moved far beyond the primitive sound of this group.