The Alchemy of Vulgar Fashion: Patience, Magic and Blood

Denton death-synth duo Vulgar Fashion is about as enigmatic as it comes. If you're scouring their website or Facebook profile for a crisp, straightforward shot, you'll turn up empty-handed. The only real way to see and experience them--Julie Mckendrick and Andrew Michael, who fantastically go by the stage names Kubic Zirconia and Slush--is to see their live performances, complete with fog, fake blood, stone-dazed dancing and chiaroscuro lighting.

The band just joined the legion of a few other dark, operatic bands from DFW (Pinkish Black, Terminator 2, How I Quit Crack) on Handmade Birds Records, and just released their long-awaited self-titled debut album on March 19. Despite the fact that they haven't toured, the duo's "Krystal Tearz" track has stuck to the wall, getting them real estate on Pitchfork and even cropping up fans in Amsterdam.

Watch them perform "Krystal Tearz" for Violitionist Sessions, then read about their debut album, what inspires them and what they're all about in my Q&A with Kubic Zirconia below.

Give me a brief history of how you guys began Vulgar Fashion.

In the mid to late 2000s with a bunch of partying and noise shows and lots of dance parties. Lots of dark dreams and discovering sounds and one another, in a decadent yet culturally collapsing time.

Why create the music that you do? What inspires you?

No real reason for making this music in general, we just make things, including invisible, magic, psychological inventions. We are psychic which helps us collaborate. We are motivated and inspired by everything, including ice cream.

Tell me about your debut release. Why make this album?

Despite popular belief, this is a full-length album. Nothing else belongs with it. If you want it to play longer, adjust the speed. It sounds good either way. We made this album because we love the songs.

Is there a concept to your album? What are the songs about?

There is always a concept in our work. They are metaphorical stories. With a dance beat they can speak to anyone, despite the existential musings.

Describe the recording process.

It was a long, tedious process. For a while we were not sure if we would release it. It's so personal and if it didn't sound right to us no one should suffer. The recording process took about two years. We are slow and at that time our motivation was to play live and mostly for free.

Tell me about Colin Marston and why you decided to have him mix and master the album.

We like metal and so does he.

What was the road to releasing this album like for you two?

It was a back and forth process. Sometimes it felt like conjuring up the darkest places inside, like how you feel when you go shopping for clothes.

What can audiences expect from this release?

Synesthetic adventures.

Describe what you feel when you perform Vulgar Fashion's songs live.

KZ is controlled by the sounds. If the sound is lacking, then the performance lacks. Slush is always in the Neverending Story so it feels like that looks.

Is there anything you want audiences to walk away with after seeing your performance?

Inspired to dig deeper and make more ethically-based consumer purchases.

What specific sound equipment and gear do you use?

It's a revolving door. We love all objects and sounds. We use prepared tapes and synths and drum machines and TVs and reel to reels and record players, pedals and mixers. Some analog, some digital. We use what we have and what we can get when we can get it. We make the most out of what we have.

How do you feel about the local and national response that Vulgar Fashion has received?