The upper part of the goddess Hathor, from a scene on column 11 in the Forecourt of the Temple of Khonsu at Karnak:-pencil drawing-mounted-26 x 35.5 cm-[on recto of drawing] 'Athor. / From a bas-relief on a column in the Pronaos of the / Temple of Khons. Karnac. 21st May 1843.' (pencil note)-[on recto of drawing] 'G Ll [erased] G Ll.' (abbreviated pencil signature of George Lloyd)-[on mount] '3' (pencil note)

A group of eight captives, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:-pencil drawing-mounted-34.9 x 25 cm-[on recto of drawing] 'Medinet Abu. / 6th Sept 1843.' (pencil note)-[on mount] '8' (pencil note)

Ramesses III shooting on foot and trampling enemies, accompanied by a group of archers and a fan-bearer, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:-pencil drawing-mounted-34.9 x 25 cm-[on recto of drawing] 'Medinet Abu. / 1st Sept 1843' (pencil note)-[on mount] '9' (pencil note)

Five female musicians playing the harp, lute, double-pipe, lyre and tambourine, accompanied by a small female dancer, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:-pencil drawing-mounted-35 x 24.9 cm-[on recto of drawing] 'Tomb near 17. / 1st Sept 1843.' (pencil note)-[on mount] '12' (pencil note)-[on verso of drawing] 'Female Minstrels. / Tomb to which there is a forced passage from / No 17. / 1st Sept / 2nd Sept / } / 1843. / With exception of the first face on the left, all the others have been / carefully injured. I have restored these. The date of the tomb / I do not know, but it is probably about Amenophth 3rd. The / paintings are very badly done, and the tomb is unfinished. / The colours however are very fresh. There is in this as in other / tombs different colours for the females. The harper is yellow, / but the next woman is rather copper coloured, so is the / little girl, and the lute player. Were they women from the / Upper country, brought expressly for their national instru / ments? The girdle was not confined to the Upper country / women. Sotennofrä wears it.' (pencil note)

Queen Henuttaui with sistra, from a scene on the left jamb of the Pylon entrance in the Temple of Khonsu at Karnak:-inked pencil drawing with brown ink wash-mounted-30.6 x 42.8 cm-[on recto of drawing] 'Athor-Sion Taken from the Temple of Khons.' (pencil note)-[on verso of drawing] 'Athor-Sien / From a bas-relief on the S face of the Entrance / to the Temple of Khons and on the W. part' (pencil note)

Head of a Napatan king, probably Taharqa, detail from a scene on a column, perhaps from the Colonnade of Taharqa in the Temple of Amun-Re-Harakhti in the precinct of the Great Temple of Amun at Karnak:-pencil drawing-mounted-26 x 35.5 cm-[on recto of drawing] 'Tahrato. / On a column near the Eastern Pylon. Karnac. / 17th June 1843. / G Ll.' (pencil note)-[on mount] '14' (pencil note)

The upper part of Seti I, detail from a battle scene showing the king mounting his chariot and dragging captives and Hittite chariots, on the North side of the exterior wall of the Hypostyle in the Great Temple of Amun at Karnak:-pencil drawing-mounted-35.3 x 26 cm-[on mount] 'Oseirei or Menephkak 1st Great Hypostile Karnac.' (pencil note)-[on mount] '15' (pencil note)-[on verso of drawing] 'Osirei, or Menephthah 1st / From the large bas reliefs on the / N part of the Great Hypostyle. Karnac. / 13th May. 1843.' (pencil note)

Upper part of Shabataka offering bread, detail from a scene showing the king offering bread to Amun and Mut, from the Chapel of Amun in the precinct of the Great Temple of Amun at Karnak, and now in Berlin, Ägyptisches Museum, 1480:-pencil drawing-mounted-26.1 x 35.5 cm-[on recto of drawing] '17th May 1843. Shebek. Small temple N of the pool of Purifications. Karnac.' (pencil note)-[on mount] '16' (pencil note)

Woman carrying a menat and floral a bouquet, detail of a scene from an unidentified tomb at Thebes:-pencil drawing-mounted-25 x 34.9 cm-[on mount] 'From a Tomb.' (pencil note)-[on mount] '18' (pencil note)-[on verso of drawing] 'From a tomb to the N. perhaps No 5. or / near it. / 11 July 1843. / The paintings are stiff but the style is not bad. / The details are very much worked out. All the / heads of the women were effaced, it is said by / Mr. Hay's draughtsman. I have restored the face, the / band round the head, and the feet.' (pencil note)

Hatshepsut carrying a staff and a mace, detail of a scene depicting Hatshepsut with food table before Amun, from the Chapel of Amun in the Great Temple of Hatshepsut at Deir el-Bahari:-pencil drawing-mounted-25 x 34.9 cm-[on recto of drawing] 'Amenenthä. Assasief. 27th July 1843.' (pencil note)-[on mount] '21' (pencil note)

Seated Queen Ahmose, wife of Tuthmosis I and mother of Hatshepsut, detail of a scene from a niche in Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:-pencil drawing-mounted-25 x 35 cm-[on recto of drawing] 'Amensä. El Assasief. 27th July 1843.' (pencil)-[on mount] '22' (pencil note)

Three Palestinian name-rings for Yad Hemmelek, Adar and Megiddo, detail from a scene depicting Sesonchis I (unfinished), with ka, smiting Asiatics before Amun and Waset, both holding Palestinian name-rings, on the exterior (South) face of the Portico of the Bubastides in the precinct of the Great Temple of Amun at Karnak:-pencil drawing-mounted-35.5 x 26 cm-[on recto of drawing] 'Judahmalek - Ashtaroth - Megiddo' (pencil note)-[on mount] '23' (pencil note)-[on verso of drawing] 'From the Bas-relief of the prisoners which Ammon-Ra / delivers to Senischah, on the S part of the Great / Hypostyle Hall, near the gate of the Bubastites. / Karnac. 22nd June 1843. / G. Ll. / These Cartouches were first mentioned by Champollion le Jeune.' (pencil note)

Thebes, upper part of Ramesses II offering, detail of an unidentified scene, perhaps from one of the Osiride pillars in the Second Court or a column in the Hypostyle in the Ramesseum:-pencil drawing-mounted-25 x 35 cm-[on recto of drawing] 'Ramases the great. / <<cartouches of Ramesses II>> / Memnonium. / 26th Aug. 1843.' (pencil)-[on mount] '24' (pencil note)

Three female musicians seated on the ground, one playing the double-pipe and the other two clapping, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:-pencil drawing-mounted-35 x 24.9 cm-[on recto of drawing] 'Tomb near 17. / 2nd Sept 1843.' (pencil note)-[on mount] '25' (pencil note)-[on verso of drawing] 'These women are under the others which I have copied / playing on the Harp, the double pipe, the lute and / the onestringed mandolin. Their faces have been / I believe also purposely defaced, and whoever traced / those above has used sealing wax to fasten the / paper.' (pencil note)

Seti I mounting his chariot whilst dragging three captive Hittites, detail from a battle scene, , on the North side of the exterior wall of the Hypostyle in the Great Temple of Amun at Karnak:-pencil drawing-mounted-35 x 25 cm-[on mount] 'Menephthah 1st or Osirei Great Hypostile, Karnac.' (pencil note)-[on mount] '26' (pencil note)-[on verso of drawing] 'Menephthah 1st or Osirei. / From a large Bas-relief on the exterior of the Northern / wall of the Great Hypostyle. Karnac. / 14th June 1843. / G Lloyd.' (pencil note)

Ramesses III in chariot hunting lions, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:-pencil drawing-mounted-35 x 24.9 cm-[on recto of drawing] 'Medinet Abu. / 31st Aug. 1843.' (pencil note)-[on mount] '27' (pencil note)

Two princesses holding fans, detail of a scene from room VIII on the second storey of the Tower of the Pavilion or East fortified gate of the Great Temple of Ramesses III at Medinet Habu:-pencil drawing-mounted-35 x 24.9 cm-[on recto of drawing] 'Medinet Abu.' (pencil note)-[on mount] '28' (pencil note)

Thebes, a harp with the uppermost terminal decorated with the head of Tuthmosis IV, detail from a scene of presentation of royal gifts to the Temple of Amun, in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:-pencil drawing-mounted-24.9 x 35 cm-[on recto of drawing] 'Harp. / Tomb, near 17. / 1st Sept 1843.' (pencil note)-[on mount] '29' (pencil note)-[on verso of drawing] 'This is one of the most exquisite things / I have seen in the tombs. It is not finished / for the tomb has never been completed. / The headdress is blue, the band and pendants / and serpent yellow or gold, the staff of the / Harp gold, and the base, silver or white.' (pencil note)

Papyrus-clump, from an unidentified Ptolemaic temple scene at Karnak:-pencil drawing-mounted-35 x 24.9 cm-[on mount] '30' (pencil note)-[on verso of drawing] 'Lambris of Lotus Flowers. / From the walls of a small temple near the Pylon / to the North. Karnac. / This ornament is of the Ptolemaic Period. / 14th June 1843. / G Ll.' (pencil note)