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Boyhood, The Theory of Everything and The Grand Budapest Hotel win big at BAFTAs

By:
WENN.com
Feb 08, 2015

Boyhood, The Theory Of Everything and The Grand Budapest Hotel were among the big winners at the British Academy of Film and Television Arts (BAFTA) Awards on Sunday (08Feb15). Boyhood scored the coveted Best Film prize, while filmmaker Richard Linklater claimed Best Director and Patricia Arquette was named Best Supporting Actress.
Hawke accepted the director award on Linklater's behalf, as the filmmaker had opted to attend the Directors Guild Awards in Los Angeles the previous night (07Feb15) instead. Hawke says, "He was hijacked at the DGAs and sat there losing and is going to be really, frankly, p**sed off, that he’s not here tonight."
Linklater lost the top directing prize at the DGA ceremony to Birdman's Alejandro Gonzalez Inarritu.
The Theory of Everything was another triple winner, scoring Outstanding British Film, Best Adapted Screenplay and Best Leading Actor for Eddie Redmayne's portrayal of physicist Stephen Hawking.
In his acceptance speech, the star paid tribute to Hawking and his wife Jane, who were in the audience at London's Royal Opera House, saying, "I would like to thank them for their trust in us, their generosity and their kindness and for reminding me of the great strength that comes from having the will to live a full and passionate life."
The Grand Budapest Hotel landed the most prizes of the night with five, but its biggest win was in the Best Original Screenplay category for writer/director Wes Anderson, with the remaining accolades coming in the technical categories, including Costume Design, Production Design and Original Music.
Julianne Moore continued her awards season streak with the Leading Actress honour for Still Alice, while J.K. Simmons won Best Supporting Actor for Whiplash and Unbroken's Jack O'Connell was named the EE Rising Star.
Other winners included Citizenfour for Best Documentary and The Lego Movie, which picked up the Best Animated Film prize, despite being snubbed in the Oscar nominations.
During the ceremony, British royal The Duke of Cambridge and Robert Downey, Jr. paid special tribute to late actor/director Lord Richard Attenborough via video message. Attenborough, who directed Downey, Jr. in 1992 biopic Chaplin and served as BAFTA Chairman for eight years, died in August (14). The Iron Man star said, "I'm sad. I miss you Dicky," before reciting the opening lyrics to Smile by Charlie Chaplin.
The main In Memoriam tribute section honoured a number of late stars including Robin Williams, Lauren Bacall, Harold Ramis and Mickey Rooney.
The full winners list is as follows:
Best Film: Boyhood
Outstanding British Film: The Theory of Everything
Best Director: Richard Linklater - Boyhood
Best Leading Actor: Eddie Redmayne - The Theory of Everything
Best Leading Actress: Julianne Moore - Still Alice
Best Supporting Actor: J.K. Simmons - Whiplash
Best Supporting Actress: Patricia Arquette - Boyhood
Best Original Screenplay: Wes Anderson - The Grand Budapest Hotel
Best Adapted Screenplay: Anthony McCarten - The Theory of Everything
Best Original Music: Alexandre Desplat - The Grand Budapest Hotel
EE Rising Star Award: Jack O'Connell
Best Animated Film: The Lego Movie
Best Documentary: Citizenfour
Best Film Not in the English Language: Ida
Outstanding Debut by a British Writer, Director or Producer: Stephen Beresford, David Livingstone - Pride
Best Cinematography: Emmanuel Lubezki - Birdman
Best Special Visual Effects: Paul Franklin, Scott Fisher, Andrew Lockley, Ian Hunter - Interstellar
Best Production Design: Adam Stockhausen, Anna Pinnock - The Grand Budapest Hotel
Best Costume Design: Milena Canonero - The Grand Budapest Hotel
Best Makeup and Hair: Frances Hannon, Mark Coulier - The Grand Budapest Hotel
Best Sound: Thomas Curley, Ben Wilkins, Craig Mann - Whiplash
Best Editing: Tom Cross - Whiplash
Best Short Film: Boogaloo And Graham
Best Short Animation: The Bigger Picture
BAFTA Fellowship: Mike Leigh
Outstanding British Contribution to Cinema: BBC Films.

Mr. Turner is the film to beat at the upcoming London Film Critics' Circle Awards after landing seven nominations. The biopic of painter J.M.W. Turner is nominated for Film of the Year, British Film of the Year and Director of the Year for Mike Leigh, while Timothy Spall earns nods in the Actor of the Year and British Actor of the Year categories. Marion Bailey is also recognised for her supporting role.
Mr. Turner is closely followed by Birdman with six nominations. Boyhood, The Grand Budapest Hotel, The Imitation Game, The Theory of Everything and Under the Skin all have five. They are all nominated for Film of the Year, alongside Whiplash, Nightcrawler and foreign language movies Ida and Leviathan.
Benedict Cumberbatch (The Imitation Game) and Eddie Redmayne (The Theory of Everything) join Spall in both male acting categories. Jake Gyllenhaal (Nightcrawler) and Michael Keaton (Birdman) round out the Actor of the Year category, while Tom Hardy (Locke, The Drop) and Jack O'Connell (Unbroken, Starred Up) complete the British Actor of the Year nominees.
Julianne Moore has two nominations for best actress for her roles in Maps to the Stars and Still Alice. She will compete against Marion Cotillard for Two Days, One Night, Scarlett Johansson for Under the Skin and Essie Davis for horror movie The Babadook.
Emily Blunt (Into the Woods), Felicity Jones (The Theory of Everything), Keira Knightley (The Imitation Game), Gugu Mbatha-Raw (Belle) and Rosamund Pike (Gone Girl) will battle it out for the British Actress of the Year prize.
Other nominees for Director of the Year include Wes Anderson (The Grand Budapest Hotel), Jonathan Glazer (Under the Skin), Alejandro Gonzalez Inarritu (Birdman) and Richard Linklater (Boyhood).
The winners will be announced at a ceremony in London on 18 January (15).

ABC Television Network
First In Tank
The first entrepreneur was Lauren Padawer of Alaska Glacial Mud, which creates all-natural facial masks and other skin care products you might find at a beauty spa. She wanted $100,000 for 20% equity. The problem was that she had very weak sales and that was what kept the Sharks from biting on the deal. They pointed out that the spa business was very difficult to break into and that she didn't even have a retail presence. They were more impressed by the fact that she was a commercial salmon fisherman who ran her own ship and pulled in $100,000 a year - Barbara Corcoran wanted to buy into her fish business.
Second In Tank
Mike Barzman and Bryan O'Connell (who looked unsettingly like Henry Thomas of E.T. fame) were pitching Invisplug - extension cords that blend in with the floor. They wanted $125,000 for 10% equity, a valuation that the Sharks immediately pointed out was way too high. Several sharks immediately jumped out, but Lori Greiner made an offer. She offered the $125,000 and they haggled on royalties, but eventually she refused to budge at $1 per unit until she got her investment back and then 25 cents in perpetuity after that - a deal structure that Kevin O'Leary usually offers. Robert Herjavec's interest was piqued and offered the same deal, no royalties and a 20% equity contingent on them agreeing right then and there. Like idiots, they dithered and asked to be able to confer and Herjavec retracted his offer. Fortunately for them, Greiner didn't do the same and they took her deal.
Update
Tom + Chee, a soup and sandwich restaurant that first appeared on the show last May, was doing really well, having grown to 80 employees and hit a million in sales in just three months after the company's founders appeared on the show. Barbara Corcoran, who was their investor, got her own sandwich on the menu. She also has her own doll, though I'm afraid it might be making an appearance in a new Child's Play movie...
Third In Tank
Greg Cronin and Dr. Stephen A. Coachys were pitching LockerBones, a series of easy-to-install locker shelves to help students stay organized. They wanted $175,000 for 10%. There were two issues: first, they were initially going to sell on consignment to Amazon, which meant they would have to take any unsold units, and second, they only had a design patent, not a utility one. They had also stayed away from Staples, which almost caused O'Leary to have a conniption fit at their short-sightedness. They got lucky though: Greiner and Robert Herjavec combined for their price, but took 50% in equity.
Last In Tank
The final entrepreneur was Balloon Distractions, a company that sent people to make balloon items to distract unruly kids. The pitch opened with balloons falling from the ceiling and he gave the Sharks personalized balloons for them. It was run by Ben Alexander, who seemed to be an overgrown hyperactive kid himself. He was so overly emotional that he had to stop a couple of times to keep from crying. Of course, the Sharks were worried that he was like that all the time. His presentation was pretty much a rambling mess, though the gist was that he wanted to franchise. He wanted a recruiter. The problem for the Sharks was two-fold: he hadn't recruited the right salespeople for different regions, and he was not focused or organized. None of the Sharks invested and O'Leary even stomped on some of the balloons after Alexander left.
Best Sight
It was a tie between seeing O'Leary wear a mud mask and conduct his line of questioning while still wearing it and seeing all the Sharks with balloon hats on their heads during the Balloon Distractions pitch.
Dumbest Entrepreneur Move
Again, a tie: between the InvisiPlug people dithering their way out of a deal with Herjavec, and the LockerBones people not even considering selling their product to Staples. O'Leary nearly had a coronary at that. Bad distribution strategy. He was so unfocused and babbling that Mark Cuban had to yell at him. No Sharks bit, but they gave him good advice.
Most Dated Reference
O'Leary doing a Dr. Evil pinkie finger to mouth gesture and saying "One Million Dollars!" I think the last time that was relevant was when President George W. Bush was in his first term.
Best Quotes
"That's a Kevin deal." -- All the other Sharks to Greiner at her first offer to the Invisiplug people, since it involved royalties, an O'Leary staple.
"I have to ask an important question: Are you like this all the time?" -- Mark Cuban to Alexander during the Balloon Distractions pitch
"I'm very worried you may spontaneously combust." -- O'Leary to the overly-emotional Alexander
"You don't want to piss off the clown community!" -- Herjavec responding to Alexander's saying that the clown community had been belittling him online after he opened Balloon Distractions
"SHUT UP!!!" -- Cuban to Alexander after the entrepreneur went off the rails for the 50th time when Cuban was trying to give advice.
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Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
3.5/5
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Columbia
Poor Jerry O'Connell. Yet another show of his got scrapped. This time it was the underwhelming We Are Men, canceled after just two episodes. This is nothing new for O'Connell. His star doesn't shine as bright anymore.
Gone are the days of shuffling to different worlds in Sliders. He can't fly away using spray paint cans (who thought that was a viable method of transportation?) in My Secret Identity. It's not all bad for O'Connell. After all, he is married to Rebecca Romijn.
The former child star needs to recognize his role. He's a supplementary actor who's fully capable of succeeding as long as he's not the star. He can't be the leader of an ensemble cast either.
O'Connell's IMDB resume has many credits but few recent hits. There is one role that only he is qualified to play and it could be hilarious: Trip McNeely.
Yes, the beer-chugging wash-up from Can't Hardly Wait should have his own movie. Or TV show. Or web series.
The potential is great for a Trip-centered story. He was the jock who had it all in high school, but began to falter in college. Warts on his feet and poor choices in women were just the beginning of his problems.
What hilarious misadventures could be in store for Trip? O'Connell's brief cameo piqued enough interest for him to be a memorable character. Heck, there's an urban dictionary entry about him!
For added comic effect, cast Peter Facinelli as Mike Dexter, Can't Hardly Wait's high school top dog. Mike seemed destined to follow Trip's life path.
Success in Hollywood is never guaranteed. But a Trip McNeely movie or TV show is O'Connell's best bet at making it as a leading man now.
Don't forget the six pack, Trip.
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New Line Productions
Young British actors are having a moment. Hollywood is overrun with English child stars, posh period actors and TV bad boys. From the frightfully well-bred Eddie Redmayne to the perennial skinhead Jack O'Connell, the British invasion is truly underway. Did we even know Alex Pettyfer, aka the washboard abs of Magic Mike was born and raised in the UK? We’ve identified the top six up-and-coming Brit actors, so we never get caught out by a nifty American accent again.
GALLERY: 6 Up and Coming Young British Actors
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After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
1/5
More Reviews:'The Hunt' Is Frustrating and Fantastic'You're Next' Amuses and Occasionally Scares'Short Term 12' Is Real and Miraculous
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It takes a lot of cojones (or maybe just complete stupidity) to make the same mistake twice. But that's just what New York mayoral candidate and former congressman Anthony Weiner managed to do when he got caught up in yet another sex scandal. In keeping with tradition, the newest issue of The New Yorker features a clever cartoon cover (say that three times fast) mocking this latest piece of news from the nefarious world of politics.
In the illustration for the August 5 issue, we see Anthony Weiner à la King Kong, straddling a strategically placed Empire State Building, but with a slightly, shall we say, risqué twist. As you've probably noticed, Weiner's scandal lends itself to countless parodies, late-night talk show jokes, and other sorts of fodder for hilarity. (Seriously, his name is Weiner.) But the barrage of media attention and comedic content inspired by his sexual indiscretions is nothing new or unusual. Rather, Weiner's scandal is just the latest in the slew of politicians' sordid affairs that have sparked full-on laugh riots in the comedy world. From fake campaign commercials to parody songs to just straight-up hilarious commentary, these are some of our favorite reactions to political sex scandals.
John EdwardsNorth Carolina Democrat John Edwards was once a state senator, nominee for Vice President, and candidate for President of the United States. But his political ambitions were dashed when news broke that he had fathered an illegimate child with his mistress and former campaign worker Rielle Hunter. The scandal, which caused a national outrage, also inspired an abundance of humorous parodies, including several Saturday Night Live sketches. And we can't forget MadTV's "Viva La Cheata," a musical parody of Coldplay's "Viva La Vida" starring Jerry O'Connell as Edwards.
Herman CainPresidential candidate hopeful Herman Cain was a frontrunner for the Republican Party nomination in 2011, but he was forced to suspend his campaign when four women sued him for sexual harrassment and misconduct. When the fourth season of Arrested Development premiered on Netflix this summer, fans were introduced to a new character named Herbert Love. Mr. Love, a bizarre conservative politician who has an affair with Lindsay Bluth Fünke, is an unmistakable caricature of Herman Cain. If you have a Netflix account, check out his role in the latter half of Season 4. And if you don't, change that.
Mark SanfordWhen South Carolina Governor Mark Sanford went missing for a few days in 2009, it didn't take too much investigative reporting to discover that the married politician was visiting his mistress in Argentina. On The Daily Show, Jon Stewart had a few hilarious choice words about the scandal, calling Sanford "just another politician with a conservative mind and a liberal penis."
Bill ClintonNothing epitomizes the political sex scandal quite like President Bill Clinton's Monica Lewinsky affair. There are too many jokes, songs, commentaries, and parodies to count, but one of our favorite takes on the scandal is Billy Bob Thornton's sleazy, womanizing American president character in Love Actually. Also, when the creators of baracksdubs decided to put together a presidential version of Robin Thicke's suggestive "Blurred Lines," there was no better fit than good ol' Bubba Clinton.
Eliot SpitzerIn 2008, New York governor Eliot Spitzer made headlines and was forced to resign when The New York Times reported that he had been a patron of a high-priced prostitution service called Emperors Club VIP. In all legal proceedings, Spitzer was referred to as Client #9, a moniker that inspired a musical parody of the scandal, set to the melody of Love Potion No. 9. Seth Meyers and Amy Poehler also had some hilariously incredulous commentary on the subject in their signature "Really!?!" segment.
Arnold SchwarzeneggerCalifornia governor and Kennedy husband Arnold Schwarzenegger seemed to have it all. That is, until it was revealed that he had an illegitimate child with one of his longtime household employees. The Governator's scandal prompted yet another brilliant "Really!?!" sketch (unfortunately sans Amy Poehler)
David VitterWhen Louisiana senator David Vitter was identified as a client of the the "D.C. Madam" prostitution service, he did not face criminal charges because of the statute of limiations. The Republican congressman did however face a wave of mockery from the press and public alike. Funny Or Die put together a fake campaign commercial with video footage of Vitter accompanied by captions like "David Vitter has a diaper fetish."
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Men, moms, and a mini-series are just some of what CBS has in store for viewers this fall. The top-rated network had their upfront presentation at Carnegie Hall on Wednesday and rolled out the trailers for their new shows. Some looked very good (hello, The Hostages!) and some, well, make us sadder for Will Arnett than Up All Night ever did (The Millers).
The network seems to be staying close to their current formula of bawdy comedies (We Are Men could just as easily be called We Are Two and a Half Men) and glossy procedurals starring Lost alums (Intelligence). But, hey, if it ain't broke, don't fix it. CBS is also going heavy on star power in the 2013 fall season, nabbing the likes of Robin Williams, Kelly Clarkson, and Sarah Michelle Gellar. All on the same show, no less.
Here are the previews for all the new CBS series and our first impressions of them. Hopefully the network will release the inspired Les Mis parody they did with the cast of How I Met Your Mother in which they croon "One Year More." Seriously legendary.
The HostagesHow they'll turn this into an entire series, we have no idea, but we're already hooked. This intense drama, centered around a doctor (the great Toni Collette) unwillingly put in a Presidential assassination plot by a baddie (Dylan McDermott), looks like a truly well-made thriller.
The Crazy OnesRobin Williams, Sarah Michelle Gellar, Kelly Clarkson, and James Wolk all shill for McDonalds. Wait, is this why Bob Benson is at Sterling Cooper? He's a mole!
IntelligenceJosh Holloway has the Internet in his brain, or something. Poor guy. It's going to be mostly Lost spoilers in there.
Mom Joining CBS' Mom-day night lineup (get it?!) is the latest from Chuck Lorre, in which Anna Faris plays a recovering alcoholic single mother. Yes, it's a comedy. But, hey, the always-great Allison Janney is there, so that's something.
We Are MenThey are men. Two of those men are Tony Shaloub and Jerry O'Connell and they say and do crass things because, you know, they are men. CBS knows where their bread is buttered.
The Millers Sadly, this isn't a spin-off of Margo Martindale's New Girl Miller mama, rather a new comedy in which she plays Will Arnett's mom who farts a lot. Beau Bridges and JB Smoove star in it as well. They do not appear to be farting.
Under the DomeNot quite as funny as The Simpsons movie, but Dean Norris is there so that's awesome! Spielberg is bringing the mini-series adaptation of Stephen King's classic story to the small screen this June.
More: CBS Fall 2013 Schedule: Comedies Dominate, But 'Mike &amp; Molly' Shifted to Midseason Fox Fall 2013 Schedule: 'Dads', 'Sleepy Hollow', and More!A Sneak Peek at ABC's New Fall Shows
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Could Adam Scott (no, not that one) be The Bachelor's newest ace in the hole? If Chris Harrison and producer Robert Mills have any say in it he might. The recently-crowned King of the Holes — isn't that what they call golf champions? — beat out Tiger Woods for the green jacket of Masters glory, and also the hearts of American women everywhere when it was revealed that the Australian may in fact be single. Single, wealthy, and handsome?! Someone get this man a reality show, stat!
Well, that's exactly what Mills is hoping, especially after the response he received to his tweet about the idea. The Bachelor Nation has spoken (yes, sorry, that is a thing), and they want you, Adam Scott. If you'll have them!
So......Adam Scott as the next #Bachelor??What say you, #Bachelornation?
— Robert Mills(@Millsy11374) April 14, 2013
From there, the idea took off, with Harrison adding fuel to the fire — and possibly holding out hope that he'd one day get to play a couple holes in Augusta with the pro, no doubt — in typical Bachelor fashion, only to be one-upped by Mills' nice little jab at former Bachelor wannabe/Jeah-enthusiast, Ryan Lochte:
Rumors this will be settled in a hot tub instead of replaying 18th #Masters
— Chris Harrison (@chrisbharrison) April 14, 2013
The Adam Scott as #Bachelor idea has exploded. Will try and meet. And Ryan Lochte-this is what it means to have interest in you as #Bachelor
— Robert Mills(@Millsy11374) April 15, 2013
It's all still just a big ole hypothetical at the moment, but this wouldn't be the first time The Bachelor sourced outside of its incestual pool of contestants for a potential suitor: Byron Velvick (a pro-bass fisherman) and Charlie O'Connell (actor) were both plucked from the pseudo-celebrity world to participate in the televised wooing competition. Hollywood.com has reached out for comment from ABC, but had yet to hear back at the time of publication.
What do you think of the prospect of Adam Scott as the next Bachelor: hole in one or a total bogey? Let us know in the comments!
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