Having minted his Snowfall imprint with the acclaimed ‘Clamor’ EP earlier this year, Ross Tones aka Throwing Snow returns on December 3rd for his second EP of 2012, the eagerly awaited ‘Aspera’. As with its predecessor, the title comes laced with Latin rhetoric: “Aspera” translating as “to make rough”, providing an apt description for the aesthetic of the four original tracks on offer.

‘Lingerwell’ sees four knackered piano chords wrapped in warm crackles and hypnotic atmospherics blooming into life with a burst of pulsating stabs, before ‘Behest’ closes the EP with a climactic slugging match of drowned drums, throbbing bass and ecclesiastical synths, and a drop to make even the most atheistic of us think again.

Snowfall is now two releases strong, and having set out with an honest mission statement we are left highly anticipating what will surface next.

Ross Tones aka Throwing Snow here launches his own new label with the Clamor EP. Across three tracks and one remix from Gold Panda, the release continues to explore the simultaneously frosty yet comforting sonic landscapes that have won him plenty of plaudits (including the likes of Giles Peterson and Thom Yorke) since first emerging in 2010.

As for the new label itself, Snowfall will be something solely curated by Ross; something free from the usual A&R constraints of working for other labels. It will be tied together only by his unique tastes, meaning anything goes from noise to techno to juke to bass to way beyond all of the above. Furthermore, the label will also offer more than just music, be it different release formats, clothes lines and more.

The inaugural EP, Clamor (a Latin word meaning 'loud outcry’ or ‘shout') sees Ross travel yet further outside his usual sphere without straying too far from his trademark textures, drawing on rock-like arrangements whilst at the same time fusing elements of electronica at all available opportunities.

The title track sounds set in some huge open church for the way it echoes and resonates with an untold spirituality. A clatter of tumbling drums bring darkness down below whilst glissando keys and brutish percussion bring a delightfully staccato rhythm up top. ‘Perca’ is alive with busy strings and mutant voices, underlapping claps and plenty of texture adding found sounds: challenging and complex music, it still somehow manages to strike a very human chord.

‘Brook’ meanwhile, glistens like water at the seaside; plucked strings and muffled voices lurk in the shadows and the whole thing sounds like Shlohmo and Fly Lo taking a beach holiday in the Caribbean. Closing out the EP Gold Panda returns a remix favour and strips back ‘Brook’ to a lurching, syncopated and lo-fi hip-house groove that rings out into the night.

Not only another great EP from Throwing Snow, but this release also likely marks the start of something great in Snowfall...

Following drops for Sneaker Social Club, Domino and Alexander Nut’s Ho_Tep label,London-based producer Throwing Snow makes his debut on Local Action with anice cold three-track EP.

Opening track ‘Pyre’ is the straightest thing here, with vocals from Augustus Ghost(Throwing Snow’s collaborator in Snow Ghosts, who’re in the process of recording analbum for Black Acre - home of Hyetal, Blue Daisy and more) riding bitter hi-hats and aheavyweight bassline, while ‘Equuleus’ (also featuring Augustus) takes things into lo-fi popterritory, with a swelling synth climax kept together by tight drum rolls.

The stand-out ‘Too Polite’ is the title track for a reason though - it’s torn-out jungle drivenby a jagged Reese bassline and rolling toms. Each track on this EP is totally different interms of style, tempo and clarity, but it’s all brought together by a bitter, icy feel.

As Local Action’s last release of 2011, the first run of vinyl copies will come packaged witha CD-R label compilation, featuring 100% unreleased material from T. Williams, Contakt,Laurel Halo, Throwing Snow, Damu, Jacques Greene and more.

London based migrant Throwing Snow makes tracks to melt into. Following his compelling 2010 debut on Alexander Nut’s Ho_Tep imprint and remixes for the likes of Gold Panda and Glasser he returns to Super with emerging vocal talent Py.

Wallow is at the same time sultry, shadowy and glistening. Throwing Snow displays effortless finesse as Py’s raw, soulful delivery adds emotion. Py is joined by the captivating Russell Morgan on The Shadows I Make, an affecting arrangement built around the pairs’ contrasting vocal styles whilst As The Rain Spits sees Py’s vocal chopped and screwed for a proper drum machine workout.

The release is completed by remixes from Lapalux, PhOtOmachine and Raffertie. Lapalux is in full effect, his beat collage blurring the line between digital precision and analogue warmth. Brixton based PhOtOmachine blends subtle elements of the original into a bumping house version as label head Raffertie brings Py’s vocal to the fore, illuminating her enchanting performance.

Sneaker Social Club is a new boutique label born from a love of music, vinyl, collecting things and, urm...Sneakers. “The whole theme is about me having fun, making and putting out records that are a little bit more interesting” says Jamie Russell, the man behind it (and also the man behind two of UK’s more interesting house and techno labels, Hypercolour and Glass Table). “As an avid collector of vinyl for well over 15 years, I felt that I wanted to contribute something that was more appealing than your average” explains Jamie. “For me, this first release from Ross is a continuation of the early 90's rave music I grew up listening to! so nostalgia will be the underlying theme of the label” he adds. In keeping with his art values, high quality A2 limited edition poster inserts will be included on this inaugural, genre defiant release from rising producer Ross Tones aka Throwing Snow.

The UK talent and the man behind ‘A Future Without’ and newly minted ‘Left Blank’ writes music without prejudice or pretencion, as demonstrated by the two ranging techno/bass/house fusions he offers here. It’s no surprise that Ross has recently been asked to remix Eskmo for Ninja Tune, and The Count & Sinden for Domino, coming in Sept. He truly is one of the most exciting talents in the UK right now.

A-side ‘Shadower‘ emerges from an atmosphere of punchy bass notes and harmonious tones only to be splattered with pinging cow bells and soft focus hang drum notes. Its mission is unclear at first, but when the bassline kicks in and all the elements come together at once, it’s a surging, melodically complex track imbued with a rising sense of euphoria that never becomes too over-powering: well balanced and deftly arranged, it sounds like little else out there.

On the flip, ‘Sanctum’ is patient in its build up of a deep, Hot Flush styled atmosphere, before raw analogue stabs signify the arrival of the track’s main features – an off-kilter percussive line that restlessly chops and slices its way through the surging bottom end and a webbed network of FX and colourful melodic flashes which mean that, although the whole thing is dense and intense, it’s also beguiling and beautiful. Here proving himself to be both a fine manipulator of melodies and a true master of musicality, Throwing Snow also gets Sneaker Social Club off to a more than auspicious start.

Throwing Snow. His sound is an amalgamation of dusty samples, crunchy electronics and swirling analog synths… with an added sprinkling of digital age software. Reminiscent to the sonic landscapes created by likes of Martyn, Four Tet and Flying Lotus, Throwing Snow’s wonderfully textured and colorful style owes as much to the future as it does the past. ‘Un Vingt/Cronos’ is the first release on Alexander Nut’s (Eglo/Rinse Fm) new label Ho_Tep