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The collection consists of movie posters, ads, trading cards, postcards, books, magazines and journals, related to Frank Buck (Frank Howard Buck (1884-1950), a renowned American hunter, animal collector, film director, actor author and producer. The collection also consists of material related to zoo displays and architecture, catalogues and books related to zoo and animal collecting, photographs off various zoo related animals found in different parts of America and a board game. The material is divided into five series:

The collection consists of manuscripts of many published works, illustrations from Chesterton's time at the Slade School of Art and later, correspondence with family and friends, and albums of press clippings. There are also microfiche copies of the papers of Chesterton's wife Frances (1875-1938), including her plays and poems. Additionally, the collection contains material added by Dorothy Collins after Chesterton's death.In addition to the Chesterton papers on microfiche the G.K. Chesterton Archival Collection contains 10 original illustrations as well as one of Chesterton's sketchbooks. Most of the sketches date from his period at the Slade School of Art, but there are several from earlier.The Papers of Monsignor John O'Connor (1870-1952) are also a part of the G.K. Chesterton Archival Collection. Monsignor O'Connor was the Catholic priest who became the model for Chesterton's character "Father Brown". In February 1903 O'Connor wrote to Chesterton, and the following year they formed an immediate bond of friendship which was to last more than thirty years. In 1921 O'Connor was present at Chesterton's reception into the Catholic Church. The papers of Monsignor O'Connor include a number of manuscripts of his poems and essays, Christmas greetings from the Chesterton's, personal letters, and newspaper clippings by and about Chesterton.

The collection consists of several diaries written during trips to the United States and England during the 1850s and 1860s in search of building funds for Trinity College. From his three trips to the United States in 1852 and 1853 there are five notebooks as well as a letter concerning a resolution towards the endowment of Trinity College. There are 98 Cartes de Visite as well as an extensive diary from his 1864 trip to England.

This collection consists of 430 stereographs. They were assembled primarily by Sir Daniel Wilson and likely his daughter Sybil after his death. They document his interests in photography, especially of antiquarian Scotland and ethnology, and include many images of places he visited in Canada and the United States such as the White Mountains in New Hampshire where, on holidays, he painted many watercolours. Also included here are images of Toronto, the University of Toronto, the Toronto Magnetic and Meteorological Observatory, and two of the American Civil War.

Note on Sir Daniel Wilson

Sir Daniel Wilson was an accomplished amateur artist and much interested in the new medium of photography. He collected photographs, primarily in the stereographic medium, wherever he travelled and asked his friends to send images to him. He travelled widely following his arrival in Canada in 1853. In his first decade “he went as far south as Virginia and Kentucky, as far east as Prout’s Neck, Maine, as far west as the St. Louis River, and as far north as Lake Nipigon” [1]. He travelled many times along the St. Lawrence River and the Saguenay in that decade and later, made two trips to the upper Great Lakes (1855 and 1866), was introduced to the Green Mountains in New Hampshire and the Adirondacks and historic sites in New York, and in 1862 visited Washington and Civil War battle sites in Virginia. In 1863 he returned to Britain and Europe for the first time (he would go to again in 1878, 1880, 1885 and 1891). In the 1870s, his travels to him along the Muskoka and Severn Rivers (1870), and to Native sites in Kentucky and Ohio (1874).

After Wilson became President of University College in 1880, he sought escape from the heat of Toronto summers in New Hampshire and the eastern seaboard of the United States. In August of 1881 he first visited the White Mountains in New Hampshire where he was inspired to take up painting again, and to which he returned in 1882, 1883, 1886, and from 1887 to 1890. There, with his wife Margaret until her death in 1885, and his daughter Sybil, he sought out sites “with indelibly North American names, in which he clearly revelled” – Black Mountain, Cascade Brook, Mount Osceola, Mount Tecumseth, the Mad River, and Scar Ridge [2]. In 1883 he vacationed along the Atlantic coast of Maine and in 1884 he went to the Adirondacks around Lake Placid.

NOTES

Marinell Ash and colleagues, Thinking with both hands: Sir Daniel Wilson in the Old World and the New, ed. Elizabeth Hulse. Toronto: University of Toronto Press, 1999, 246

Consists of records collected by Gray while working on a history of Hart House Theatre and Robert Gill. Included are Hart House Theatre scrapbooks compiled by Gill containing programs, clippings and photographs; financial records of Hart House Theatre as well as some original correspondence; numerous photographs of Hart House Threatre, Hart House and its staff; scrapbook and minutes book of the Players Club. Included as well, is a manuscript on the history of Hart House Theatre (draft) written by Jack Gray as well as taped interviews conducted by Gray with Hart House Theatre staff including Robert Gill.

The collection consists of: papers from director André Antoine; letters from Antoine; letters to Antoine from various playwrights, whose plays he staged; photographs of actors and actresses; letters from various members of Antoine's family; 40 autograph letters from Emile Zola; letters from and to journalist Léon Deffoux; letters from and to Maurice LeBlond, Emile Zola's son-in-law; letters from and to playwright Georges Ancey and his wife; several first editions of Zola's novels, some with bound autograph letters. Throughout are photocopied documents, collected by Sanders, as contexual material about the era and referenced events or articles within the correspondence. Also included are original letters sent to Sanders from the friends and relatives of those whose letters appear in the 19th century correspondence.

Menus types included placemat menus, single sheet menus, trifold and four fold menus, five fold, seven fold and menus in booklet style. Some menus are laminated while others are in vinyl enclosures. Menus range from take away and delivery, to eat in and include wine lists, menus for cafes, breakfast menus and menus for cafeteria lunches.

The material is divided into Series 1 Menus. The series is divided into 6 subseries: Africa, Asia, Europe, North America, Oceania and South America.

Collection contains correspondence, copies of sources, notes, illustrations, photographs, microfilms, and other working papers for Ezra Schabas's book Theodore Thomas : America's conductor and builder of orchestras, 1835-1905 (University of Indiana Press, 1989). The collection also contains articles and lecture notes for presentations written by Schabas about Thomas.

Collection consists of set and costume designs for the following Teatro alla Scala productions: the premiere production of La Fiamma (The Flame) by Ottorino Respighi, designed by Nicola Benois (1901-1988); Respighi's ballet Gli Uccelli, designed by Benois; and the premiere performance of Madama Butterfly by Giacomo Puccini, designed by Giuseppe Palanti (1881-1946).

The collection contains records pertaining to George Whitaker’s Provostship, as well as his final departure to England. It consists of vital records, correspondence, financial records, newspaper excerpts, tributes, manuscripts related to his theology teaching, and photographs.

Collection consists of hand-written and typed manuscripts, correspondence, poems, translations and radio transcripts created by Monsignor John O'Connor. The records were purchases and accumulated by Father Kevin Scannell as part of his G.K. Chesterton research.

Collection contains photographs, programs, and press notices of his performances; manuscripts of songs written for him by composers including Castelnuovo-Tedesco, Lalo and Pizzetti; five collections of published songs; a scrapbook of programs from his first year as manager of the Metropolitan Opera.

This collection consists of administrative records, calendars, student academic records, and records of student life at Trinity Medical College. Administrative records include Minutes of Corporation, records related to the amalgamation of medical faculties at Trinity College and the University of Toronto, correspondence files, a small number of general administrative and financial records, a Register of Students, and miscellaneous reports. Student records include textual and photographic records of academic standing and participation; records of student life include documents and photographs related to college groups, committees, societies, and teams. Also in the collection are a cap, belt, (and blazer purported to be from Trinity Medical College), as well as a manual press of the seal of Trinity Medical College.Contains series

The archives contain a range of documentation relating to the foundation, history, and activities of the University of Toronto Scarborough. The materials have been arranged largely by originating department or by medium in the case of publications, photographs, clippings, architectural plans, and artifacts. There are ten series, several of which have subseries:

C.7. Department of Critical Development StudiesC.8. Department of EnglishC.9. Department of French and LinguisticsC.10. Department of Historical and Cultural StudiesC.11. Department of Human GeographyC.12. Department of ManagementC.13. Department of PhilosophyC.14. Department of Physical and Environmental ScienceC.15. Department of Political ScienceC.16. Department of PsychologyC.17. Department of SociologyC.18. Department of Physical Education

E. EXTERNAL SOURCES OF INFORMATIONE.1. History of Scarborough College (various sources)E.2. University of Toronto – St George and Mississauga campusesE.3. Centennial CollegeE.4. Durham CollegeE.5. Scarborough Regional School of NursingE.6. University of the West IndiesE.7. Trent UniversityE.8. City of ScarboroughE.9. Clippings and Scrapbooks

Collection consists of various posters for lectures, meetings, performances, elections, and other events on campus. Posters vary in type and style. Posters may be professionally printed, screen-printed, handwritten, or printed from a computer.

Collection consists of materials relating to musical life in Toronto, Ontario. The collection includes photographs of various Canadian and European musicians, including various photographs of Canadian Opera Company productions from the late 1980s and early 1990s, autographs from various opera singers and musicians from the late-nineteenth century, three scrapbooks with newspaper clippings and programs, and a collection of songs published in the Toronto Evening Telegram at the end of the nineteenth century.

Fonds consists mainly of administrative records of the Trinity College Literary Institute, including the Debates and Conversazione Committees. These records show the wide variety of activities in which the Trinity College Literary Institute has traditionally been involved and the large part played by “The Lit” in the life of the College. Annual social events included TCLI dinners with some well-known speakers, as well as the annual formal dance, the Conversazione which began in 1871. Elaborate programs, posters and graphic works were produced to promote and advertise these and other events.Contains series:

This collection consists of scrapbooks, administrative records, and records of productions and events. Records of productions and events comprise the bulk of this collection and include programs, posters, scripts, newspaper clippings, sound recordings, photographs, and more.Contains series:

Collection predominantly consists of programs that Carl Morey collected from attending performances and for research purposes. Some programs include program notes written by Morey (e.g., Canadian Opera Company programs, among others), ticket stubs, newspaper clippings of reviews of the performances, and/or autographs from the performers.