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Women outside marriage between 1850 and the Second World War were seen as abnormal, threatening, superfluous and incomplete, whilst also being hailed as 'women of the future'. Before 1850 odd women were marginalised, minor characters, yet by the 1930s spinsters, lesbians and widows had become heroines. This book considers how Victorian and modernist women's writing challenged the heterosexual plot and reconfigured conceptualisations of public and private space in order to valorise female oddity.Read more...

Introduction1. 'Every piece of rubbish given to the press': defining and debating cheap print2. 'Through the piazzas and on the Rialto Bridge': the landscape of the ephemeral city 3. 'A trade open to any mortal man': mobility and versatility in the Venetian printing industry4. 'In the mouths of charlatans': pamphlets from print shop to piazza5. 'Extreme disorder and confusion': policing the ephemeral cityConclusion BibliographyIndex -- .

Other Titles:

University press scholarship online.

Responsibility:

Emma Liggins.

Abstract:

Explores the rapid rise of cheap print and how it permeated Venetian urban culture in the Renaissance -- .Read more...

Reviews

Editorial reviews

Publisher Synopsis

This vivid study gives for the first time solid form to an elusive topic, viewing this thriving and distinctive sector of the city's commerce both from street level and from the perspective of the state and the Roman Church as they struggled to control it.'Emeritus Professor Brian Richardson, University of Leeds'It is only very occasionally that a book comes along that opens up an entirely new field, but this is certainly the case with this sparklingly original study. Rosa Salzberg brings this forgotten world vividly to life in a work of great charm and outstanding forensic skill.'Professor Andrew Pettegree, University of St Andrews'A hugely impressive work that throws new light on the less known aspects of the Renaissance's largest publishing centre... This is a brilliant example of the most beautifully written, and entertaining, scholarship.'Filippo De Vivo, Birkbeck College, LondonThis book derives its value primarily from its close description of a dynamic process in one specific, but important, city. In doing so, Salzberg has produced an excellent, well-written, and informative introduction into the early modern world of cheap print culture.Studying the ephemeral presents serious challenges to historians, but Salzberg is able to weave fragmentary evidence together into a compelling narrative of how cheap print became omnipresent in the lives of most Venetians during the early sixteenth century. This well-written and researched work is an excellent example of the new scholarship on communication media and practices; it certainly will impact on future research agendas on this topic....surely one of the most significant and impressive works on early modern European print culture to have been published in recent years. Its author, Rosa Salzberg, is an Assistant Professor of Italian Renaissance History at the University of Warwick. That this is a first monograph, emerging from the author's doctoral research, makes it a truly breathtaking accomplishment....this is certainly one of the best and most original works on book history to appear in recent years. Ephemeral City is an outstanding piece of scholarship, and beautifully written. It is essential reading for anyone interested in European print culture, and will almost certainly shape the field for a long time to come.'Salzberg offers a valuable and innovative study that takes us out of the libraries of the learned and into the streets to see how the printed word gradually wound its way into the lives of ordinary Venetians.' Dennis Romano, Syracuse University, Renaissance Quarterly -- .Read more...