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With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.
It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise--now a training ship--on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh--infamous conqueror from late 20th century Earth--appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk.
Another comment posted here says "...the best scifi story ever...." Hardly. There is not a lot of scifi element in STTWOK. It is however a rip-roaring Adventure tale set to the Trek backdrop and there is nothing wrong with that. Original Trek had plenty of adventure tales, speculative fiction tales, and the like. The contributions by the principle original series members here are glowing, even when the great William Shatner steps fleetingly into his infamous moments of over-acting. People like to claim this as the first real Trek movie- usually citing so many problems with ST The Motion Picture. I say to them that STTMP IS a Scifi story and the Directors cut version repairs, completes and makes a truly wonderful FIRST Trek film. Wrath of Khan takes us where the original cast (vice any of the following ST series casts) alone can take us- to a story of loyalty, introspection, disgust with convention and reminders of why tradition is important and why innovation in all situations can be both a marvel- and terror. Love of family, and all intelligence is an underlying theme here and respect for the universe (including leaving things be!). STTWOK coupled with ST The Search for Spock and ST The Voyage Home make for a complete tale that expand on these themes and show us all why caring and striving to achieve are the ultimate themes- human and perhaps other as yet undiscovered species themes for life, that drive us, please us and define us.
Watched Star Trek II:Wrath Of Khan With William Shatner(Star Trek:TOS) as Admiral Jim Kirk , also Starring Leonard Nimoy(Vincent) as Spock, DeForest Kelley(The Littlest Hobo) as Dr. Leonard "Bones" McCoy , Nichelle Nichols(Truck Turner) as Uhura , Walter Koenig(Columbo) as Pavel Chekov, George Takei(Beyond Westworld) as Hikaru Sulu , James Doohan(Jigsaw) as Montgomery "Scotty" Scott ,Bibi Besch(The Beast Within) as Carol Marcus ,Kristie Alley(Quark) as Saavik, Paul Winfield(White Dog) as Clark Terrell and Ricardo Montalban(The Man From U.N.C.L.E) as Khan. The film is Fun and Thrilling Also Ricardo Montalban was great as Khan also really Loved the original Crew trying to get Jim Kirk back on the Horse also The threats were dire This is one the best Star Trek Films and One the best Sequels That Made Star Trek The Cinematic Powerhouse it was Today . Amazing Costume Design By Robert Fletcher(The Scarecrow) Cinematography By Gayne Rescher (Bitter Harvest),Musical Score By James Horner(The Hand) and Writing/Direction By Nicholas Meyer(Time After Time) The Star Trek Sequel That Made Star Trek A Cinematic Powerhouse 8/10
This is hands-down the best Trek flick made so far.
While on a routine training mission on the Enterprise, Admiral James T. Kirk (William Shatner) receives a frantic message from an old flame, Dr Carol Marcus (Bibi Besch), currently stationed on Regula 1, blaming him for issuing an order to take away Project Genesis, a device she has developed to terraform dead planets into lush new worlds capable of supporting life. Concerned because he has issued no such order, Kirk diverts the Enterprise to Regula 1, only to find that it is a trick perpetrated by Khan Noonien Singh (Ricardo Montalban), a 20th century, genetically-engineered "superman" who Kirk marooned on the planet Ceti Alpha VI 15 years before. Khan wants revenge and plans to use the Genesis device as a terrorist weapon to get what he wants. They're almost all here, including Admiral James T Kirk, Dr Leonard "Bones" McCoy (DeForest Kelley), Vulcan science officer (now Captain) Spock (Leonard Nimoy), chief engineer Montgomery "Scotty" Scott (James Doohan), communications officer Lieutenant Uhura (Nichelle Nichols), first officer Pavel Chekov (Walter Koenig), and helmsman Hikaru Sulu (George Takei). Absent only are Christine Chapel (Majel Barrett) and Janice Rand (Grace Lee Whitney). 2285 A.D.(12 years after the first movie) Ensign Chekov made his first appearance as a bridge officer in the original Star Trek series in season two, while "Space Seed" was a season one episode. Even though Chekov was absent in the first season, he could have easily been stationed elsewhere on the ship in another rank and met Khan in an encounter not seen in the episode. The novelization states that Chekov was on night watch when Khan was on board and that he had a crush on Marla McGivers (Madlyn Rhue), who later became Khan's wife. No reference was made to Chekov serving on another ship prior to season two. Walter Koenig jokingly suggested that Chekov kept Khan waiting at a toilet once, which would explain why Khan recognized him so quickly. According to the novelization, "lifelessness" wasn't the only requirement for a Genesis testbed. If so, the Reliant's mission wouldn't have been necessary; lifeless planets are far more numerous than life-supporting ones. However, the planet in question has to be of a certain mass, within the "Goldilocks zone" of a star system, orbiting the right type of star, and meet many other requirements. Basically, it has to be a planet where life could exist if not for some underlying factor like, say, the horrifying atmosphere of Ceti Alpha V??but yet it doesn't exist. The so-called Goldilocks zone describes a planet's distance from a sun that's not too close or far but could sustain life. Our Solar system is the perfect example. It has a friendly main sequence G-class star. Mercury is outside the zone and a dead world were the intense heat from the sun negates any type of atmosphere and ecosystem like Earth has. Therefore, Mercury could not be terraformed. Venus is in the Zone but something went very wrong there, possibly the fact it rotates backwards. Mars is the most interesting of all. Probably lifeless, but it is in the Goldilocks zone. Mars was too small to hold onto to its early atmosphere and keep a core molten enough to create plate tectonics. If Mars was terraformed, it would remain terraformed for a long time but, because of its small size and mass, the atmosphere would again slowly escape into space. The movie focuses on the Genesis project mostly for terraforming, modifying an existing planet to suit the new matrix. But when Genesis is used it creates a planet from the cloud of the Mutara Nebula??the cloud disappears almost instantly and and the planet appears as if from nowhere. In the proposal video, Carol Marcus does say that terraforming is only a fraction of what Genesis can accomplish implying that it can do much more. Characters talk about creation but never to what extent it can create. The novelization explains that given sufficient mass and proper programming Genesis could create an entire system. This means that it doesn't matter where exactly the matter comes from, just that enough is there in whatever form to create a planet (an existing planet simply makes this step easier). In essence, Genesis absorbed all the mass of the spread-out nebula and condensed it into a single planet. It is likely not the Regula planetoid, since the planet formed where Reliant exploded (deep within the nebula) while Regula was far beyond the edge. Terrell was commanded to kill Kirk while the eel was in his brain, but he visibly struggled against the command, ultimately killing himself instead. Chekov merely passed out due to the pain the eel was causing, at which point the creature came out of his head via his ear. As to why the eel apparently chose to exit Chekov's body, presumably it somehow sensed the death of its sibling and left the body in an attempt to save itself before Chekov also committed suicide, only to meet its end at the hands of Kirk's phaser. Alternatively, what we witnessed may have been the natural end of the Ceti Eel infestation, which proved fatal to Khan's infected followers due to a lack of medical supplies (and possibly medical training), but which Chekov was able to survive thanks to Dr. McCoy's presence. While Vulcans are normally good at repressing their emotions, the novelization explains that Saavik (Kirstie Alley) is half Vulcan and half Romulan and not as in control as Spock or as full-blooded Vulcans. It states that Vulcan-Romulan hybrids are not respected by either culture and that she faced a difficult life, first at a Romulan colony then on Vulcan, giving her anger issues. The book also explained that she considered Scotty's nephew, Peter Preston (Ike Eisenmann), one of her few actual friends, that she had been tutoring him, and that seeing him injured greatly affected her. It also has her throwing a chair in anger and crying as well as mourning during the funeral vigil. Remember the phrase, "Fool me once, shame on you. Fool me twice, shame on me." As Spock points out during the Enterprise's initial encounter with the Reliant, the prefix code can be changed and there's a good chance that Khan actually did change it before Kirk and Spock made use of it. On that occasion Khan hadn't changed it, likely because he either didn't know what it was or hadn't considered the possibility of Kirk using it to override the Reliant's systems. After that however, he would almost certainly have taken steps to find out exactly what Kirk did and changed the code. In "Space Seed" Khan was able to quickly and easily memorize a great deal of information about the Enterprise. He would have used the same skills to learn about Reliant and prevent other tricks. Right before that line of dialog, Spock also says that Khan lacks the experience of a battle-hardened starship commander like Kirk. Therefore, when Spock mentions "two-dimensional thinking", Kirk realizes that he can drop the Enterprise below Reliant to evade a frontal or rearward attack from Khan??moments later, he gives that order. Khan, despite being a genius, floats past the Enterprise, leaving himself vulnerable to a rearward attack once Kirk orders the Enterprise to ascend behind Reliant. The tactic is taken from submarine warfare, where captains would try to evade each other underwater in much the same fashion or drop a dangerous depth to avoid depth charges being thrown at them. Knowing that, without the warp drive, the Enterprise will not be able to escape from the Genesis wave unleashed by Khan in a last-ditch effort to destroy Kirk, Spock attempts to enter the warp drive chamber to repair the core. McCoy attempts to stop him, but Spock nerve-pinches McCoy then mindmelds with him, saying only, "Remember." He then enters the chamber and repairs the core, at the same time contaminating himself with a lethal dose of radiation. On the bridge, Kirk is elated that the warp drive is back online and orders that the ship quickly get out of there. The Genesis wave detonates, destroying the Reliant and causing the Mutara Nebula to condense around the explosion and form a new planet. When Kirk contacts engineering to congratulate Scotty for getting the warp drive back online, McCoy suggests that he get down there immediately. Spock, still inside the warp chamber, is dying. He has time only to say that he did what he did because the needs of the many outweigh the needs of the one and that he has been and always will be Kirk's friend. Spock's body is laid to rest in a photon tube, given a ritual send-off, and jettisoned down to the newly-created Genesis planet. Later, as Kirk sits in his quarters trying to read, David Marcus (Merritt Butrick) enters, apologizes for his previous actions, and says that he's proud to be Kirk's son. Kirk is touched, and they embrace each other. On the bridge, Carol and the bridge officers admire the Genesis planet. The Enterprise sets a course for Earth, planning to stop along the way to pick up the crew of the Reliant left on Ceti Alpha V. After some panning shots of the planet and Spock's coffin, Spock recites in an voiceover the Federation mission statement ...to explore strange, new worlds, to seek out new lifeforms and new civilizations, and to boldly go where no man has gone before. Actressdecided not to return to the franchise, which is why in subsequent films Kirk is the one narrating the Genesis video. However, the novelizations of the films continue her story. In The Search for Spock, after a wake held for those who died Kirk attempts to reconnect with Carol. She gets upset since one of the scientists killed was her lover, and did not like that Starfleet was silencing information on Genesis. She leaves when the ship returns to Earth. In The Voyage Home, she was visiting Delta IV to inform family about their dead loved ones when she finds out about David before the Whale Probe attacks Earth. In The Undiscovered Country, Kirk and Carol did reconnect shortly following the events of The Final Frontier. They stayed in contact over the ten years between films and he intended to stay with her after he retired. Unfortunately she was in a facility that was attacked by Chang's experimental Bird of Prey. Kirk visited her before he was called away for the peace talks. She eventually wakes when he is captured. In Generations in an epilogue to The Undiscovered Country, Kirk contacts Carol following the mission before leaving the Enterprise-A for good learning she is okay. He tells her he wants to marry her, but they both recognize that she would be too involved in her work and he would get restless. During the christening of Enterprise-B, Kirk comments that he met with Carol a few times since retiring but they had drifted apart. The character would not reappear until Star Trek Into Darkness, set in an alternate timeline chronologically set earlier, played by . Yes. Star Trek II: The Wrath of Khan, a novelization of the movie by American science fiction writer Vonda N. McIntyre, was released in 1982. So far, there are 13. Star Trek: The Wrath of Kahn was preceded by Star Trek: The Motion Picture (1979) (1979) and followed by Star Trek III: The Search for Spock (1984) (1984), Star Trek IV: The Voyage Home (1986) (1986), Star Trek V: The Final Frontier (1989) (1989), and Star Trek VI: The Undiscovered Country (1991) (1991), all of which featured the Enterprise captained by James T Kirk. Star Trek: Generations (1994) (1994) united Kirk's crew with the crew of the Enterprise captained by Jean-Luc Picard. The Star Trek movies featuring Picard as captain include: Star Trek: First Contact (1996) (1996), Star Trek: Insurrection (1998) (1998), and Star Trek: Nemesis (2002) (2002). Star Trek (2009) (2009), Star Trek: Into Darkness (2013) (2013) and Star Trek: Beyond (2016) (2016) harken to an alternate reality in which Kirk was just beginning his career with Starfleet Academy. According to writer/director Nicholas Meyer, no. He kept himself in remarkable shape for his age, and so his costume was designed to show that off. Whether Meyer was joking or not has never been clear. At the same time, however, no-one involved with the production has come forward to claim that Montalban DID wear any form of prosthesis. The Director's Edition is the Director's Cut of the movie but cut differently than the ABC-TV version.

A gulf war veteran seeks vengeance against those who assaulted a single mother.
Walking home with her 12-year-old daughter after midnight on the Fourth of July, Teena crosses paths with some local losers to be brutally gang raped with her daughter Bethie watching. Bethie is able to identify the rapists, but when the rapists hire a hot shot attorney who attacks Teena's character, Dromoor, a local police officer who was first on the scene when police were called, starts to take matters into his own hands.
There is a decent story in here somewhere. The writing is atrocious though. They always say "show dont tell" but literally every piece of characterization is dont through a line of descriptive dialogue. Nic Cage peers at a woman at the bar and the bar tender approaches, "Her names Teena, husband died of cancer a few years back, has a 6 year old daughter." Partner then approaches, "Man John, you are a war hero, purple heart, no family left in town and have 20 years as a police officer...why not just retire man....full pension." It is that awful. I mean one scene of Nic Cage taking his badge and gun off at his home would show us all we need to know about him...we never get that scene. Where does cage live? No clue. How'd his wife die? No clue. Does he have sons? He says at one point, "I never had a daughter"...kinda an odd thing to say if you dont have sons. This is just awful screenwriting. I mean there is literally no arc for any character. Cage shoots a criminal dead and is emotionless about it in the first scene...movie winds up with him killing criminals with no emotion. Never really get to know the woman well enough to see her do anything and the daughter is portrayed as strong throughout and never really changes. She tells her mom off, says no to drinking without a thought, she fights the criminals, fights one of the criminals sister, takes care of everything. Also she is 12? In real live 2 year olds have been interviewed to identify killers...a 12 year old with a broken arm isnt believed...which leads me to the most egregiously infuriating part of the movie...

There is a decent revenge tale in there, but it doesn't work with the comically bad plot, based on everyone in the town of Niagara being insane. A pretty single mother goes to a party at her boyfriends house and has a couple of beers. She walks home pretty much totally sober with her daughter. 4 guys jump out and beat and gang rape her repeatedly while her daughter watches. They leave her in a pool of her own blood and unconscious. They have DNA and the daughter positively identifies the men. Teena gains her memory back after coming out of her COMA and positively identifies them. Open and shut case clearly right? Nope. Whole town thinks Teena...the widow, whose lived in town at least since high school and was married to a factory worker in town, who is dating seemingly a popular guy in town and who is shown in her first inexplicable scene with a friend in a bar, who was with her daughter who has a broken arm and whose face is beaten and bruised...was a whore. Yep the defendants went with the, "She willingly had sex with us, and then the 100 lbs woman attacked us and we beat her to a bloody pulp after we all had sex with her." Their literal defense was "she was so drunk she doesnt remember" Uhh...even their defense describes a rape. If she is so intoxicated that she cant remember or control her actions...she is too intoxicated to consent.

Teena's boyfriend disappears for some reason (never explained) and makes a small cameo later when one of the rapists tells him in a crowded bar, "I am going to do to you, what i did to your girl." Yep...dead serious that happened. The rapists cat call the victim in the court room and the court cheers when Don Johnson (their lawyer) calls her a whore and says she is guilty of child abuse for having drunk consensual sex in a park in front of her daughter...Dont worry, the judge would surely step in and in no way allow a defense attorney to approach a rape victims child and call her a whore...nope wrong again...the judge corrects Nic Cage on his grammar, tells a woman who just got out of a coma to take off her sunglasses, overrules all objections to a lawyer calling a rape victim a whore in the court room and then later engages in an ex-parte hearing with Don Johnson...Yep, the whole towns gone insane. Thats the plot. Girl gets raped, Entire town is insane,Nic Cage kills the rapists in the least painful ways imaginable...bullets to the head...Half the people you want him to kill live at the end and the people he kills goes out so painlessly and effortlessly there is neither drama nor satisfaction. At one point Cage calls one to lure him to a hotel and there is a woman's voice on the line...its never explained if cage did a female voice, had a female talk or what the heck happened. The screenwriting is insane. I love Cage, but this was the worst written hack piece of trash I have ever seen. I watched it all because there were so many people i wanted to die in horrible ways and I kept thinking, "Maybe they just made all these people awful so Cage has more to kill", but nope...Doesnt happen
The movie starts with a production Company named Patriot Pictures... As we follow the story line, we watch a blonde and aryan mother, god believers ( the Director several times shoot the crucifix in the wall of their house ), and is daughter are assaulted and the women raped. In Courthouse, the system fail to condemned the perpetrators, showing the weakness of the justice system. Enters John Dromoor ( Nicolas Cage ), veteran of Gulf War, widow, not alcoholic like some characters of this kind( god believers are not alcoholic ), full of botox and hair implants, to make vigilante-like revenge killing everyone. In one occasion, after a shooting incident, John say that the fact that he confronted the criminal in that particular place was "God Providence". Catch the idea? Along the movie John show the purity and beauty of making your own justice, using fire guns to kill human beings because they commit a crime and don't regret...OK...but then we have to kill them all, right? Police who abuse power, politicians corrupt, etc. The divine right of using firearms to make justice, is the unquestionable point of this sad movie. Is Nicolas Cage the new Charlton Heston?

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