It is suitable for solo instrument, smaller such as strings, wind instruments, guitar... or for sound reinforcement. For larger scale instrument or ensemble, such as piano, drum set..., CSM88, Blumlein stereo is more suitable.

And that is what makes PA-amplified concert recording in particular and the methods used to do it unique in comparison to most other forms of audio recording. The standard approaches to audio recording as typically done, and the situations to which they apply, are actually a rather small subset of how most amplified concert tapers operate - sort of the exception to the rule.

I may be making a trip to Taiwan sometime in the coming year or so to visit a close friend, and if possible I would be very interested in visiting your facility. However, I certainly don't wish to be an imposition.

And that is what makes PA-amplified concert recording in particular and the methods used to do it unique in comparison to most other forms of audio recording. The standard approaches to audio recording as typically done, and the situations to which they apply, are actually a rather small subset of how most amplified concert tapers operate - sort of the exception to the rule.

I may be making a trip to Taiwan sometime in the coming year or so to visit a close friend, and if possible I would be very interested in visiting your facility. However, I certainly don't wish to be an imposition.

Welcome to Taiwan. I may also going to east coast mid of Feb to early March. In case anyone is close by, I can bring most of the microphones with me and show them to you.