Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consistency in this archive footage from 1959.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #Gold #Artisan #Craft
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
(FILM ID:87.05)
RuislipMiddlesex.
Gold is used for many artistic glorification. But see here the process of gold being beaten until it has the thickness it needs.
C/U shot of a golden muscular arm holding mallet hanging on a wall. M/S of a man in the middle of gold melting process. Mr Bert Green pours gold into a small cast. C/U of a cast. Mr Green turns the cast over and a gold bar is out. M/S of Mr Green's face as he works. C/U shot of the bar being taken away.
C/U shot of a thin gold ribbon passing through a roller. Voiceover tells the audience that, golden bar, after being rolled into ribbon, is cut in squares and then beaten by hammers. C/U shot of the ribbon being cut in squares.
M/S of three people working. C/U shot of girl's hands as she puts golden squares in some sheets. M/S of a man taking sheets, putting into protection cover and placing under the hammering machine. C/U shot of the gold being beaten. M/S of a girl cutting a leaf in four. C/U shot of thin golden leaf being cut in four.
Several shots of gold beating by using large hammering machines as well as beating by hand. Finished leaves are cut into squares and ready to use. M/S of a man restoring old picture frame with gold leaves. C/U shot of a brush pressing the gold on the frame. C/U shot of several books bound with gold leaves and two little gold figurines. C/U shot of the symbol of House of Windsor.
Note: People featured in film are Bert Green, Kathleen Smith, Fay Crawford, GeorgeLewellyn, Beryl Clark, Ted Ricketts, Jean Edwards, Ted Hook, Joe Woodward, Sylvia Lewington and Jim Sussex.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

THE GOLDEN BIRD - INDIA MONTH ON BRITISH PATHÉ (MAY 2016): Teaser.
Music:
JalandharKevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution3.0Licensehttp://creativecommons.org/licenses/by/3.0/
A NEWTHEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

Macklemore & Ryan Lewis present the official music video for Can't Hold Us feat. Ray Dalton.
Can't Hold Us on iTunes: https://itunes.apple.com/us/album/cant-hold-us-feat.-ray-dalton/id560097651?i=560097694
The Heist CD deluxe edition: http://www.macklemoremerch.com
The Heist digital deluxe on iTunes: https://itunes.apple.com/us/album/the-heist-deluxe-edition/id560097651
The Heist on Amazon: http://amzn.com/B00908DDZM
The Heist in-stores NOW!
Note from Ryan Lewis:
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the "artist" or "creator" of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and locations), shot and directed, cut on the editing board and finally color graded. The music might be fine tuned and scored specifically for that film. There are so many variables that are completely equal if not sometimes more complicated than directing, it's a shame that so much credit comes down to whoever fulfills that position. A director wouldn't have shit to direct without a producer. A producer would have nothing to produce without a writer, and so forth.
For our team, I think it's even more complicated because roles tend to cross over. We simply don't work within the conventional hierarchy of the film industry (director, producer, etc.) Sure, people have concrete pre-defined roles based on their expertise, but our team has the remarkable ability to wear multiple hats. Can't Hold Us was a video that showcased this well.
After three months of shooting, finally getting to those last few frames where you reveal the credits, it's a tense moment. There isn't exactly a sensible way to do it, if we're trying to fit people into classic film roles. It leads me to the point that although we do our best to give people titles, this was a video fully created by seven individuals at the forefront. Take any of those people out of the equation, you'd be watching a very different video. I write this in hopes that you don't fall under the illusion that one person creates a music video, particularly at the Macklemore camp. We are constantly challenging and enhancing each others ideas and I take pride in believing that's the reason we make great videos. - Ryan Lewis
Music Video:
Written ByBen Haggerty
Ryan Lewis
Tricia Davis
Directed By
Ryan Lewis
Jason Koenig
Jon Jon Augustavo
Produced By
Tricia Davis
Honna Kimmerer
Jenny Koenig
Starring
Ben Haggerty
Ryan Lewis
Ray Dalton
Owuor Arunga
Da KaduBrownDirector of Photography
Jason Koenig
Ryan Lewis
Mego Lin
Stedicam Operators
Chris Duerkopp
Rhys Duncan
Ant IrelandAlex Kornreich
Production Assistants
Linda SImonsen
JackieGangerEdwardTranAdam Leeman
Nic AdenauJohnnyValencia
Ben Campofreda
Seth McDonald
Mitchell Overton
Lei Tao
Editing & Color Grading
Ryan Lewis
Jason Koenig
Post Production Supervisor
ErikHustadSpecialThanksRED
Panavision
Victory Studios
KoernerCameraSpace NeedleRyan Sanson
Lady WashingtonLogan Neitzel
Sierra Blu Kennels
USCFIJIHouse
Niche Camera
Karen Stimwell & Co.
Hollywood Props, AucklandHelicoptersNorthwest
Niche Camera
OppenheimerAbsolute Technologies
Court in the SquareFirstSceneCostume, Auckland
Painted Camels Unlimited
Graeme Menzies
Colin McKayDaniel CooperMercury BayAero ClubWhitianga Charters
DylanHenderson
Jason BoschKyle Bosch
Hollywood AnimalsMichael Barrett/United Reprographics
PeterPatheMusic:
Can't Hold Us feat. Ray Dalton
(B. Haggerty, R. Lewis, R. Dalton)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore
Additional Vocals by Ray Dalton, Camila Recchi, Victoria Fuangaromya, TylerAndrews
Trumpet by Owuor Arunga
Trombone by Greg KramerViolin, Bells, and String Arrangement by Andrew Joslyn
Violin by Caroline Faflak
Violin by Jared MacFarlane
Viola by Elisa Clegg
Cello by Danah Olivetree
Cello by Natalie Mai Hall
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WAMastered by "Big Bass" Brian Gardner, Hollywood, CA
Url's:
http://www.macklemore.com
http://www.twitter.com/macklemore
http://www.twitter.com/ryanlewis
http://www.facebook.com/macklemore
http://www.facebook.com/ryanlewisproductions
Subscribe To The Channel: goo.gl/1UmcM
Macklemore & Ryan Lewis managed by Zach Quillen
Can we go back, this is the moment
Tonight is the night, we'll fight till it's over
So we put our hands up like the ceiling can't hold us
Like the ceiling can't hold us

published:17 Apr 2013

views:618493296

Watch the Maharaja Jagatjit SinghBahadur Of Kapurthala in India celebrate his 60th anniversary as ruler of the Punjab while his people give him pieces of gold as gifts.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Anniversary #India
License This Film: (FILM ID: 955.49) http://www.britishpathe.com/video/diamond-jubilee-of-maharaja-of-kapurthala
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Titles read: "Diamond Jubilee of Maharaja of Kapurthala".
Kapurthala, India.
Various shots of the Maharaja Jagajit Singh inspecting his troops on his 60th anniversary as ruler of this area in the Punjab. The Maharaja then sits under a canopy with his 4-year-old grandson and is weighed on a huge scale against pieces of gold - gifts from his people. Crowds of people watch a procession with highly decorated elephants carrying the Maharaja and his entourage along.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

published:13 Apr 2014

views:56804

Featured in the 2018 Winter Olympics, here is the official music video for 'Rust to Gold' by Council.
Stream / Buy 'Rust to Gold' - https://smarturl.it/rusttogold_council
Follow Council:
Instagram: https://www.instagram.com/councilband/
Facebook: https://www.facebook.com/councilband3/
Twitter: https://twitter.com/council_band
Website: http://www.councilband.com/
Directed by Ben Guzman and RyanEwing.
Council - Rust to Gold (Lyrics)
Look at the stars in the sky
We are here lost in the night
Like a child whose been kissed by the dark
It hurts like a hole in our heart
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
Burning our eyes in the sun
Our demons have nowhere to run
Like sirens that cut through the light
Oh, we’ll never stop chasing this life
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
(C) 2018 Five Seven Music

published:13 Feb 2018

views:66834

In this extraordinary footage from 1931, the legendary Indian Nationalist leader Mahatma Gandhi arrives in London, England to a crowd of enthusiastic onlookers.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Gandhi #LondonLicense This Film: (FILM ID:867.03) https://www.britishpathe.com/video/gandhi-is-here/
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Full title reads: "Gandhi is Here. The Indian Nationalist leader - whose personality is intriguing the whole world, arrives."
Marseilles, France.
Mohandas K Gandhi is seen on board a ship coming into harbour.
Shots of Gandhi on board ship. He is with Miss MadelineSlade, a British follower.
Shots of the Mahatma and party coming down gangplank from ship.
Shots of him with journalists outside building.
Folkestone, Kent.
Boat comes into dock. Miss Slade and other members of Gandhi's party come ashore followed by the Congress leader in his traditional dress. He walks with others to waiting motorcar. MS of Gandhi in car.
London.
Crowds wait in rain. Lots of umbrellas and Indian people waiting for the arrival of Gandhi.
Gandhi comes out of front of building. A crowd of people are waiting for him. He is offered a microphone but prefers not to speak to newsreels.
LS of Gandhi standing on balcony of Kingsley Hall in Poplar where is he staying. Some closer shots. Shots of crowds cheering.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

Pathé News

Pathé News was a producer of newsreels, cinemagazines, and documentaries from 1910 until 1970 in the United Kingdom. Its founder, Charles Pathé, was a pioneer of moving pictures in the silent era. The Pathé News archive is known today as British Pathé. Its collection of news film and movies is fully digitised and available online.

History

Its roots lie in 1896 Paris, France, when Société Pathé Frères was founded by Charles Pathé and his brothers, who pioneered the development of the moving image. Charles Pathé adopted the national emblem of France, the cockerel, as the trademark for his company. After the company, now called Compagnie Générale des Éstablissements Pathé Frère Pt'honographes & Cinématographes, invented the cinema newsreel with Pathé-Journal. French Pathé began its newsreel in 1908 and opened a newsreel office in Wardour Street, London in 1910.

The newsreels were shown in the cinema and were silent until 1928. At first they ran for about four minutes, and were issued biweekly. Even though during the early days the camera shots were taken from a stationary position, the Pathé newsreels captured events such as Franz Reichelt's fatal parachute jump from the Eiffel Tower, and suffragette Emily Davison's fatal injury by a racehorse at the 1913 Epsom Derby.

Early life

Ryan Lewis was born on March 25, 1988 to Julie and Scott Lewis. Lewis has two sisters, Teresa and Laura, four years and two years older than him, respectively. At an early age, he played guitar in rock bands, and nursed a growing interest in music production around the age of 15. He attended Ferris High School in Spokane, Washington and graduated from Roosevelt High School in Seattle. He graduated from the University of Washington majoring in Comparative History of Ideas.

The Heist (1970 film)

The Heist (French:Le temps des loups, Italian:Temps des loups, tempo di violenza, also known as Dillinger 70, Time of the Wolves, Carbon Copy and The Last Shot) is a 1970 French-Italian crime-drama film written and directed by Sergio Gobbi.

Aside from music, Dalton is a tennis player who has worked as a tennis instructor. He gave up teaching tennis following the success of "Can't Hold Us" to pursue a full-time career as a musician. Dalton sings in the Total Experience Gospel Choir of Seattle, as of 2013.

Ray Dalton (rugby union player)

Raymond Alfred "Ray" Dalton (14 July 1919 – 2 February 1997) was a New Zealand rugby union player. A prop, Dalton represented Wellington and Otago at a provincial level, and was a member of the New Zealand national side, the All Blacks, between 1947 and 1949. He played 20 matches—three as captain—for the All Blacks, including two internationals.

The Art of Gold Beating (1959) | British Pathé

Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consistency in this archive footage from 1959.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #Gold #Artisan #Craft
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
(FILM ID:87.05)
RuislipMiddlesex.
Gold is used for many artistic glorification. But see here the process of gold being beaten until it has the thickness it needs.
C/U shot of a golden muscular arm holding mallet hanging on a wall. M/S of a man in the middle of gold melting process. Mr Bert Green pours gold into a small cast. C/U of a cast. Mr Green turns the cast over and a gold bar is out. M/S of Mr Green's face as he works. C/U shot of the bar being taken away.
C/U shot of a thin gold ribbon passing through a roller. Voiceover tells the audience that, golden bar, after being rolled into ribbon, is cut in squares and then beaten by hammers. C/U shot of the ribbon being cut in squares.
M/S of three people working. C/U shot of girl's hands as she puts golden squares in some sheets. M/S of a man taking sheets, putting into protection cover and placing under the hammering machine. C/U shot of the gold being beaten. M/S of a girl cutting a leaf in four. C/U shot of thin golden leaf being cut in four.
Several shots of gold beating by using large hammering machines as well as beating by hand. Finished leaves are cut into squares and ready to use. M/S of a man restoring old picture frame with gold leaves. C/U shot of a brush pressing the gold on the frame. C/U shot of several books bound with gold leaves and two little gold figurines. C/U shot of the symbol of House of Windsor.
Note: People featured in film are Bert Green, Kathleen Smith, Fay Crawford, GeorgeLewellyn, Beryl Clark, Ted Ricketts, Jean Edwards, Ted Hook, Joe Woodward, Sylvia Lewington and Jim Sussex.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

The Golden Bird - India Month on British Pathé

THE GOLDEN BIRD - INDIA MONTH ON BRITISH PATHÉ (MAY 2016): Teaser.
Music:
JalandharKevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution3.0Licensehttp://creativecommons.org/licenses/by/3.0/
A NEWTHEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

Macklemore & Ryan Lewis present the official music video for Can't Hold Us feat. Ray Dalton.
Can't Hold Us on iTunes: https://itunes.apple.com/us/album/cant-hold-us-feat.-ray-dalton/id560097651?i=560097694
The Heist CD deluxe edition: http://www.macklemoremerch.com
The Heist digital deluxe on iTunes: https://itunes.apple.com/us/album/the-heist-deluxe-edition/id560097651
The Heist on Amazon: http://amzn.com/B00908DDZM
The Heist in-stores NOW!
Note from Ryan Lewis:
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the "artist" or "creator" of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and locations), shot and directed, cut on the editing board and finally color graded. The music might be fine tuned and scored specifically for that film. There are so many variables that are completely equal if not sometimes more complicated than directing, it's a shame that so much credit comes down to whoever fulfills that position. A director wouldn't have shit to direct without a producer. A producer would have nothing to produce without a writer, and so forth.
For our team, I think it's even more complicated because roles tend to cross over. We simply don't work within the conventional hierarchy of the film industry (director, producer, etc.) Sure, people have concrete pre-defined roles based on their expertise, but our team has the remarkable ability to wear multiple hats. Can't Hold Us was a video that showcased this well.
After three months of shooting, finally getting to those last few frames where you reveal the credits, it's a tense moment. There isn't exactly a sensible way to do it, if we're trying to fit people into classic film roles. It leads me to the point that although we do our best to give people titles, this was a video fully created by seven individuals at the forefront. Take any of those people out of the equation, you'd be watching a very different video. I write this in hopes that you don't fall under the illusion that one person creates a music video, particularly at the Macklemore camp. We are constantly challenging and enhancing each others ideas and I take pride in believing that's the reason we make great videos. - Ryan Lewis
Music Video:
Written ByBen Haggerty
Ryan Lewis
Tricia Davis
Directed By
Ryan Lewis
Jason Koenig
Jon Jon Augustavo
Produced By
Tricia Davis
Honna Kimmerer
Jenny Koenig
Starring
Ben Haggerty
Ryan Lewis
Ray Dalton
Owuor Arunga
Da KaduBrownDirector of Photography
Jason Koenig
Ryan Lewis
Mego Lin
Stedicam Operators
Chris Duerkopp
Rhys Duncan
Ant IrelandAlex Kornreich
Production Assistants
Linda SImonsen
JackieGangerEdwardTranAdam Leeman
Nic AdenauJohnnyValencia
Ben Campofreda
Seth McDonald
Mitchell Overton
Lei Tao
Editing & Color Grading
Ryan Lewis
Jason Koenig
Post Production Supervisor
ErikHustadSpecialThanksRED
Panavision
Victory Studios
KoernerCameraSpace NeedleRyan Sanson
Lady WashingtonLogan Neitzel
Sierra Blu Kennels
USCFIJIHouse
Niche Camera
Karen Stimwell & Co.
Hollywood Props, AucklandHelicoptersNorthwest
Niche Camera
OppenheimerAbsolute Technologies
Court in the SquareFirstSceneCostume, Auckland
Painted Camels Unlimited
Graeme Menzies
Colin McKayDaniel CooperMercury BayAero ClubWhitianga Charters
DylanHenderson
Jason BoschKyle Bosch
Hollywood AnimalsMichael Barrett/United Reprographics
PeterPatheMusic:
Can't Hold Us feat. Ray Dalton
(B. Haggerty, R. Lewis, R. Dalton)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore
Additional Vocals by Ray Dalton, Camila Recchi, Victoria Fuangaromya, TylerAndrews
Trumpet by Owuor Arunga
Trombone by Greg KramerViolin, Bells, and String Arrangement by Andrew Joslyn
Violin by Caroline Faflak
Violin by Jared MacFarlane
Viola by Elisa Clegg
Cello by Danah Olivetree
Cello by Natalie Mai Hall
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WAMastered by "Big Bass" Brian Gardner, Hollywood, CA
Url's:
http://www.macklemore.com
http://www.twitter.com/macklemore
http://www.twitter.com/ryanlewis
http://www.facebook.com/macklemore
http://www.facebook.com/ryanlewisproductions
Subscribe To The Channel: goo.gl/1UmcM
Macklemore & Ryan Lewis managed by Zach Quillen
Can we go back, this is the moment
Tonight is the night, we'll fight till it's over
So we put our hands up like the ceiling can't hold us
Like the ceiling can't hold us

Watch the Maharaja Jagatjit SinghBahadur Of Kapurthala in India celebrate his 60th anniversary as ruler of the Punjab while his people give him pieces of gold as gifts.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Anniversary #India
License This Film: (FILM ID: 955.49) http://www.britishpathe.com/video/diamond-jubilee-of-maharaja-of-kapurthala
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Titles read: "Diamond Jubilee of Maharaja of Kapurthala".
Kapurthala, India.
Various shots of the Maharaja Jagajit Singh inspecting his troops on his 60th anniversary as ruler of this area in the Punjab. The Maharaja then sits under a canopy with his 4-year-old grandson and is weighed on a huge scale against pieces of gold - gifts from his people. Crowds of people watch a procession with highly decorated elephants carrying the Maharaja and his entourage along.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

3:52

Council - Rust to Gold (Official Video)

Council - Rust to Gold (Official Video)

Council - Rust to Gold (Official Video)

Featured in the 2018 Winter Olympics, here is the official music video for 'Rust to Gold' by Council.
Stream / Buy 'Rust to Gold' - https://smarturl.it/rusttogold_council
Follow Council:
Instagram: https://www.instagram.com/councilband/
Facebook: https://www.facebook.com/councilband3/
Twitter: https://twitter.com/council_band
Website: http://www.councilband.com/
Directed by Ben Guzman and RyanEwing.
Council - Rust to Gold (Lyrics)
Look at the stars in the sky
We are here lost in the night
Like a child whose been kissed by the dark
It hurts like a hole in our heart
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
Burning our eyes in the sun
Our demons have nowhere to run
Like sirens that cut through the light
Oh, we’ll never stop chasing this life
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
(C) 2018 Five Seven Music

3:31

Mahatma Gandhi Arrives in the U.K. (1931) | British Pathé

Mahatma Gandhi Arrives in the U.K. (1931) | British Pathé

Mahatma Gandhi Arrives in the U.K. (1931) | British Pathé

In this extraordinary footage from 1931, the legendary Indian Nationalist leader Mahatma Gandhi arrives in London, England to a crowd of enthusiastic onlookers.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Gandhi #LondonLicense This Film: (FILM ID:867.03) https://www.britishpathe.com/video/gandhi-is-here/
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Full title reads: "Gandhi is Here. The Indian Nationalist leader - whose personality is intriguing the whole world, arrives."
Marseilles, France.
Mohandas K Gandhi is seen on board a ship coming into harbour.
Shots of Gandhi on board ship. He is with Miss MadelineSlade, a British follower.
Shots of the Mahatma and party coming down gangplank from ship.
Shots of him with journalists outside building.
Folkestone, Kent.
Boat comes into dock. Miss Slade and other members of Gandhi's party come ashore followed by the Congress leader in his traditional dress. He walks with others to waiting motorcar. MS of Gandhi in car.
London.
Crowds wait in rain. Lots of umbrellas and Indian people waiting for the arrival of Gandhi.
Gandhi comes out of front of building. A crowd of people are waiting for him. He is offered a microphone but prefers not to speak to newsreels.
LS of Gandhi standing on balcony of Kingsley Hall in Poplar where is he staying. Some closer shots. Shots of crowds cheering.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

The Art of Gold Beating (1959) | British Pathé

Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consistency in this archive footage from 1959.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #Gold #Artisan #Craft
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
(FILM ID:87.05)
RuislipMiddlesex.
Gold is used for many artistic glorification. But see here the process of gold being beaten until it has the thickness it needs.
C/U shot of a golden muscular arm holding mallet hanging on a wall. M/S of a man in the middle of gold melting process. Mr Bert Green pours gold into a ...

Pigeon Kabootar Golden Pathe ko Uraya Training video in Urdu/Hindi.

The Golden Bird - India Month on British Pathé

THE GOLDEN BIRD - INDIA MONTH ON BRITISH PATHÉ (MAY 2016): Teaser.
Music:
JalandharKevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution3.0Licensehttp://creativecommons.org/licenses/by/3.0/
A NEWTHEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious h...

Macklemore & Ryan Lewis present the official music video for Can't Hold Us feat. Ray Dalton.
Can't Hold Us on iTunes: https://itunes.apple.com/us/album/cant-hold-us-feat.-ray-dalton/id560097651?i=560097694
The Heist CD deluxe edition: http://www.macklemoremerch.com
The Heist digital deluxe on iTunes: https://itunes.apple.com/us/album/the-heist-deluxe-edition/id560097651
The Heist on Amazon: http://amzn.com/B00908DDZM
The Heist in-stores NOW!
Note from Ryan Lewis:
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the "artist" or "creator" of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and l...

Council - Rust to Gold (Official Video)

Featured in the 2018 Winter Olympics, here is the official music video for 'Rust to Gold' by Council.
Stream / Buy 'Rust to Gold' - https://smarturl.it/rusttogold_council
Follow Council:
Instagram: https://www.instagram.com/councilband/
Facebook: https://www.facebook.com/councilband3/
Twitter: https://twitter.com/council_band
Website: http://www.councilband.com/
Directed by Ben Guzman and RyanEwing.
Council - Rust to Gold (Lyrics)
Look at the stars in the sky
We are here lost in the night
Like a child whose been kissed by the dark
It hurts like a hole in our heart
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will nev...

The Art of Gold Beating (1959) | British Pathé

Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consiste...

Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consistency in this archive footage from 1959.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #Gold #Artisan #Craft
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
(FILM ID:87.05)
RuislipMiddlesex.
Gold is used for many artistic glorification. But see here the process of gold being beaten until it has the thickness it needs.
C/U shot of a golden muscular arm holding mallet hanging on a wall. M/S of a man in the middle of gold melting process. Mr Bert Green pours gold into a small cast. C/U of a cast. Mr Green turns the cast over and a gold bar is out. M/S of Mr Green's face as he works. C/U shot of the bar being taken away.
C/U shot of a thin gold ribbon passing through a roller. Voiceover tells the audience that, golden bar, after being rolled into ribbon, is cut in squares and then beaten by hammers. C/U shot of the ribbon being cut in squares.
M/S of three people working. C/U shot of girl's hands as she puts golden squares in some sheets. M/S of a man taking sheets, putting into protection cover and placing under the hammering machine. C/U shot of the gold being beaten. M/S of a girl cutting a leaf in four. C/U shot of thin golden leaf being cut in four.
Several shots of gold beating by using large hammering machines as well as beating by hand. Finished leaves are cut into squares and ready to use. M/S of a man restoring old picture frame with gold leaves. C/U shot of a brush pressing the gold on the frame. C/U shot of several books bound with gold leaves and two little gold figurines. C/U shot of the symbol of House of Windsor.
Note: People featured in film are Bert Green, Kathleen Smith, Fay Crawford, GeorgeLewellyn, Beryl Clark, Ted Ricketts, Jean Edwards, Ted Hook, Joe Woodward, Sylvia Lewington and Jim Sussex.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consistency in this archive footage from 1959.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #Gold #Artisan #Craft
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
(FILM ID:87.05)
RuislipMiddlesex.
Gold is used for many artistic glorification. But see here the process of gold being beaten until it has the thickness it needs.
C/U shot of a golden muscular arm holding mallet hanging on a wall. M/S of a man in the middle of gold melting process. Mr Bert Green pours gold into a small cast. C/U of a cast. Mr Green turns the cast over and a gold bar is out. M/S of Mr Green's face as he works. C/U shot of the bar being taken away.
C/U shot of a thin gold ribbon passing through a roller. Voiceover tells the audience that, golden bar, after being rolled into ribbon, is cut in squares and then beaten by hammers. C/U shot of the ribbon being cut in squares.
M/S of three people working. C/U shot of girl's hands as she puts golden squares in some sheets. M/S of a man taking sheets, putting into protection cover and placing under the hammering machine. C/U shot of the gold being beaten. M/S of a girl cutting a leaf in four. C/U shot of thin golden leaf being cut in four.
Several shots of gold beating by using large hammering machines as well as beating by hand. Finished leaves are cut into squares and ready to use. M/S of a man restoring old picture frame with gold leaves. C/U shot of a brush pressing the gold on the frame. C/U shot of several books bound with gold leaves and two little gold figurines. C/U shot of the symbol of House of Windsor.
Note: People featured in film are Bert Green, Kathleen Smith, Fay Crawford, GeorgeLewellyn, Beryl Clark, Ted Ricketts, Jean Edwards, Ted Hook, Joe Woodward, Sylvia Lewington and Jim Sussex.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

THE GOLDEN BIRD - INDIA MONTH ON BRITISH PATHÉ (MAY 2016): Teaser.
Music:
JalandharKevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution3.0Licensehttp://creativecommons.org/licenses/by/3.0/
A NEWTHEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

THE GOLDEN BIRD - INDIA MONTH ON BRITISH PATHÉ (MAY 2016): Teaser.
Music:
JalandharKevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution3.0Licensehttp://creativecommons.org/licenses/by/3.0/
A NEWTHEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

Macklemore & Ryan Lewis present the official music video for Can't Hold Us feat. Ray Dalton.
Can't Hold Us on iTunes: https://itunes.apple.com/us/album/cant-hold-us-feat.-ray-dalton/id560097651?i=560097694
The Heist CD deluxe edition: http://www.macklemoremerch.com
The Heist digital deluxe on iTunes: https://itunes.apple.com/us/album/the-heist-deluxe-edition/id560097651
The Heist on Amazon: http://amzn.com/B00908DDZM
The Heist in-stores NOW!
Note from Ryan Lewis:
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the "artist" or "creator" of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and locations), shot and directed, cut on the editing board and finally color graded. The music might be fine tuned and scored specifically for that film. There are so many variables that are completely equal if not sometimes more complicated than directing, it's a shame that so much credit comes down to whoever fulfills that position. A director wouldn't have shit to direct without a producer. A producer would have nothing to produce without a writer, and so forth.
For our team, I think it's even more complicated because roles tend to cross over. We simply don't work within the conventional hierarchy of the film industry (director, producer, etc.) Sure, people have concrete pre-defined roles based on their expertise, but our team has the remarkable ability to wear multiple hats. Can't Hold Us was a video that showcased this well.
After three months of shooting, finally getting to those last few frames where you reveal the credits, it's a tense moment. There isn't exactly a sensible way to do it, if we're trying to fit people into classic film roles. It leads me to the point that although we do our best to give people titles, this was a video fully created by seven individuals at the forefront. Take any of those people out of the equation, you'd be watching a very different video. I write this in hopes that you don't fall under the illusion that one person creates a music video, particularly at the Macklemore camp. We are constantly challenging and enhancing each others ideas and I take pride in believing that's the reason we make great videos. - Ryan Lewis
Music Video:
Written ByBen Haggerty
Ryan Lewis
Tricia Davis
Directed By
Ryan Lewis
Jason Koenig
Jon Jon Augustavo
Produced By
Tricia Davis
Honna Kimmerer
Jenny Koenig
Starring
Ben Haggerty
Ryan Lewis
Ray Dalton
Owuor Arunga
Da KaduBrownDirector of Photography
Jason Koenig
Ryan Lewis
Mego Lin
Stedicam Operators
Chris Duerkopp
Rhys Duncan
Ant IrelandAlex Kornreich
Production Assistants
Linda SImonsen
JackieGangerEdwardTranAdam Leeman
Nic AdenauJohnnyValencia
Ben Campofreda
Seth McDonald
Mitchell Overton
Lei Tao
Editing & Color Grading
Ryan Lewis
Jason Koenig
Post Production Supervisor
ErikHustadSpecialThanksRED
Panavision
Victory Studios
KoernerCameraSpace NeedleRyan Sanson
Lady WashingtonLogan Neitzel
Sierra Blu Kennels
USCFIJIHouse
Niche Camera
Karen Stimwell & Co.
Hollywood Props, AucklandHelicoptersNorthwest
Niche Camera
OppenheimerAbsolute Technologies
Court in the SquareFirstSceneCostume, Auckland
Painted Camels Unlimited
Graeme Menzies
Colin McKayDaniel CooperMercury BayAero ClubWhitianga Charters
DylanHenderson
Jason BoschKyle Bosch
Hollywood AnimalsMichael Barrett/United Reprographics
PeterPatheMusic:
Can't Hold Us feat. Ray Dalton
(B. Haggerty, R. Lewis, R. Dalton)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore
Additional Vocals by Ray Dalton, Camila Recchi, Victoria Fuangaromya, TylerAndrews
Trumpet by Owuor Arunga
Trombone by Greg KramerViolin, Bells, and String Arrangement by Andrew Joslyn
Violin by Caroline Faflak
Violin by Jared MacFarlane
Viola by Elisa Clegg
Cello by Danah Olivetree
Cello by Natalie Mai Hall
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WAMastered by "Big Bass" Brian Gardner, Hollywood, CA
Url's:
http://www.macklemore.com
http://www.twitter.com/macklemore
http://www.twitter.com/ryanlewis
http://www.facebook.com/macklemore
http://www.facebook.com/ryanlewisproductions
Subscribe To The Channel: goo.gl/1UmcM
Macklemore & Ryan Lewis managed by Zach Quillen
Can we go back, this is the moment
Tonight is the night, we'll fight till it's over
So we put our hands up like the ceiling can't hold us
Like the ceiling can't hold us

Macklemore & Ryan Lewis present the official music video for Can't Hold Us feat. Ray Dalton.
Can't Hold Us on iTunes: https://itunes.apple.com/us/album/cant-hold-us-feat.-ray-dalton/id560097651?i=560097694
The Heist CD deluxe edition: http://www.macklemoremerch.com
The Heist digital deluxe on iTunes: https://itunes.apple.com/us/album/the-heist-deluxe-edition/id560097651
The Heist on Amazon: http://amzn.com/B00908DDZM
The Heist in-stores NOW!
Note from Ryan Lewis:
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the "artist" or "creator" of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and locations), shot and directed, cut on the editing board and finally color graded. The music might be fine tuned and scored specifically for that film. There are so many variables that are completely equal if not sometimes more complicated than directing, it's a shame that so much credit comes down to whoever fulfills that position. A director wouldn't have shit to direct without a producer. A producer would have nothing to produce without a writer, and so forth.
For our team, I think it's even more complicated because roles tend to cross over. We simply don't work within the conventional hierarchy of the film industry (director, producer, etc.) Sure, people have concrete pre-defined roles based on their expertise, but our team has the remarkable ability to wear multiple hats. Can't Hold Us was a video that showcased this well.
After three months of shooting, finally getting to those last few frames where you reveal the credits, it's a tense moment. There isn't exactly a sensible way to do it, if we're trying to fit people into classic film roles. It leads me to the point that although we do our best to give people titles, this was a video fully created by seven individuals at the forefront. Take any of those people out of the equation, you'd be watching a very different video. I write this in hopes that you don't fall under the illusion that one person creates a music video, particularly at the Macklemore camp. We are constantly challenging and enhancing each others ideas and I take pride in believing that's the reason we make great videos. - Ryan Lewis
Music Video:
Written ByBen Haggerty
Ryan Lewis
Tricia Davis
Directed By
Ryan Lewis
Jason Koenig
Jon Jon Augustavo
Produced By
Tricia Davis
Honna Kimmerer
Jenny Koenig
Starring
Ben Haggerty
Ryan Lewis
Ray Dalton
Owuor Arunga
Da KaduBrownDirector of Photography
Jason Koenig
Ryan Lewis
Mego Lin
Stedicam Operators
Chris Duerkopp
Rhys Duncan
Ant IrelandAlex Kornreich
Production Assistants
Linda SImonsen
JackieGangerEdwardTranAdam Leeman
Nic AdenauJohnnyValencia
Ben Campofreda
Seth McDonald
Mitchell Overton
Lei Tao
Editing & Color Grading
Ryan Lewis
Jason Koenig
Post Production Supervisor
ErikHustadSpecialThanksRED
Panavision
Victory Studios
KoernerCameraSpace NeedleRyan Sanson
Lady WashingtonLogan Neitzel
Sierra Blu Kennels
USCFIJIHouse
Niche Camera
Karen Stimwell & Co.
Hollywood Props, AucklandHelicoptersNorthwest
Niche Camera
OppenheimerAbsolute Technologies
Court in the SquareFirstSceneCostume, Auckland
Painted Camels Unlimited
Graeme Menzies
Colin McKayDaniel CooperMercury BayAero ClubWhitianga Charters
DylanHenderson
Jason BoschKyle Bosch
Hollywood AnimalsMichael Barrett/United Reprographics
PeterPatheMusic:
Can't Hold Us feat. Ray Dalton
(B. Haggerty, R. Lewis, R. Dalton)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore
Additional Vocals by Ray Dalton, Camila Recchi, Victoria Fuangaromya, TylerAndrews
Trumpet by Owuor Arunga
Trombone by Greg KramerViolin, Bells, and String Arrangement by Andrew Joslyn
Violin by Caroline Faflak
Violin by Jared MacFarlane
Viola by Elisa Clegg
Cello by Danah Olivetree
Cello by Natalie Mai Hall
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WAMastered by "Big Bass" Brian Gardner, Hollywood, CA
Url's:
http://www.macklemore.com
http://www.twitter.com/macklemore
http://www.twitter.com/ryanlewis
http://www.facebook.com/macklemore
http://www.facebook.com/ryanlewisproductions
Subscribe To The Channel: goo.gl/1UmcM
Macklemore & Ryan Lewis managed by Zach Quillen
Can we go back, this is the moment
Tonight is the night, we'll fight till it's over
So we put our hands up like the ceiling can't hold us
Like the ceiling can't hold us

Watch the Maharaja Jagatjit SinghBahadur Of Kapurthala in India celebrate his 60th anniversary as ruler of the Punjab while his people give him pieces of gold as gifts.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Anniversary #India
License This Film: (FILM ID: 955.49) http://www.britishpathe.com/video/diamond-jubilee-of-maharaja-of-kapurthala
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Titles read: "Diamond Jubilee of Maharaja of Kapurthala".
Kapurthala, India.
Various shots of the Maharaja Jagajit Singh inspecting his troops on his 60th anniversary as ruler of this area in the Punjab. The Maharaja then sits under a canopy with his 4-year-old grandson and is weighed on a huge scale against pieces of gold - gifts from his people. Crowds of people watch a procession with highly decorated elephants carrying the Maharaja and his entourage along.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

Watch the Maharaja Jagatjit SinghBahadur Of Kapurthala in India celebrate his 60th anniversary as ruler of the Punjab while his people give him pieces of gold as gifts.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Anniversary #India
License This Film: (FILM ID: 955.49) http://www.britishpathe.com/video/diamond-jubilee-of-maharaja-of-kapurthala
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Titles read: "Diamond Jubilee of Maharaja of Kapurthala".
Kapurthala, India.
Various shots of the Maharaja Jagajit Singh inspecting his troops on his 60th anniversary as ruler of this area in the Punjab. The Maharaja then sits under a canopy with his 4-year-old grandson and is weighed on a huge scale against pieces of gold - gifts from his people. Crowds of people watch a procession with highly decorated elephants carrying the Maharaja and his entourage along.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

Featured in the 2018 Winter Olympics, here is the official music video for 'Rust to Gold' by Council.
Stream / Buy 'Rust to Gold' - https://smarturl.it/rusttogold_council
Follow Council:
Instagram: https://www.instagram.com/councilband/
Facebook: https://www.facebook.com/councilband3/
Twitter: https://twitter.com/council_band
Website: http://www.councilband.com/
Directed by Ben Guzman and RyanEwing.
Council - Rust to Gold (Lyrics)
Look at the stars in the sky
We are here lost in the night
Like a child whose been kissed by the dark
It hurts like a hole in our heart
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
Burning our eyes in the sun
Our demons have nowhere to run
Like sirens that cut through the light
Oh, we’ll never stop chasing this life
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
(C) 2018 Five Seven Music

Featured in the 2018 Winter Olympics, here is the official music video for 'Rust to Gold' by Council.
Stream / Buy 'Rust to Gold' - https://smarturl.it/rusttogold_council
Follow Council:
Instagram: https://www.instagram.com/councilband/
Facebook: https://www.facebook.com/councilband3/
Twitter: https://twitter.com/council_band
Website: http://www.councilband.com/
Directed by Ben Guzman and RyanEwing.
Council - Rust to Gold (Lyrics)
Look at the stars in the sky
We are here lost in the night
Like a child whose been kissed by the dark
It hurts like a hole in our heart
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
Burning our eyes in the sun
Our demons have nowhere to run
Like sirens that cut through the light
Oh, we’ll never stop chasing this life
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
(C) 2018 Five Seven Music

In this extraordinary footage from 1931, the legendary Indian Nationalist leader Mahatma Gandhi arrives in London, England to a crowd of enthusiastic onlookers.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Gandhi #LondonLicense This Film: (FILM ID:867.03) https://www.britishpathe.com/video/gandhi-is-here/
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Full title reads: "Gandhi is Here. The Indian Nationalist leader - whose personality is intriguing the whole world, arrives."
Marseilles, France.
Mohandas K Gandhi is seen on board a ship coming into harbour.
Shots of Gandhi on board ship. He is with Miss MadelineSlade, a British follower.
Shots of the Mahatma and party coming down gangplank from ship.
Shots of him with journalists outside building.
Folkestone, Kent.
Boat comes into dock. Miss Slade and other members of Gandhi's party come ashore followed by the Congress leader in his traditional dress. He walks with others to waiting motorcar. MS of Gandhi in car.
London.
Crowds wait in rain. Lots of umbrellas and Indian people waiting for the arrival of Gandhi.
Gandhi comes out of front of building. A crowd of people are waiting for him. He is offered a microphone but prefers not to speak to newsreels.
LS of Gandhi standing on balcony of Kingsley Hall in Poplar where is he staying. Some closer shots. Shots of crowds cheering.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

In this extraordinary footage from 1931, the legendary Indian Nationalist leader Mahatma Gandhi arrives in London, England to a crowd of enthusiastic onlookers.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Gandhi #LondonLicense This Film: (FILM ID:867.03) https://www.britishpathe.com/video/gandhi-is-here/
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Full title reads: "Gandhi is Here. The Indian Nationalist leader - whose personality is intriguing the whole world, arrives."
Marseilles, France.
Mohandas K Gandhi is seen on board a ship coming into harbour.
Shots of Gandhi on board ship. He is with Miss MadelineSlade, a British follower.
Shots of the Mahatma and party coming down gangplank from ship.
Shots of him with journalists outside building.
Folkestone, Kent.
Boat comes into dock. Miss Slade and other members of Gandhi's party come ashore followed by the Congress leader in his traditional dress. He walks with others to waiting motorcar. MS of Gandhi in car.
London.
Crowds wait in rain. Lots of umbrellas and Indian people waiting for the arrival of Gandhi.
Gandhi comes out of front of building. A crowd of people are waiting for him. He is offered a microphone but prefers not to speak to newsreels.
LS of Gandhi standing on balcony of Kingsley Hall in Poplar where is he staying. Some closer shots. Shots of crowds cheering.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

The Art of Gold Beating (1959) | British Pathé

Gold beating is an age-old process that goes back to the era of ancient Egyptians. Wonder at how this precious metal is slowly beat down to a leaf like consistency in this archive footage from 1959.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #Gold #Artisan #Craft
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
(FILM ID:87.05)
RuislipMiddlesex.
Gold is used for many artistic glorification. But see here the process of gold being beaten until it has the thickness it needs.
C/U shot of a golden muscular arm holding mallet hanging on a wall. M/S of a man in the middle of gold melting process. Mr Bert Green pours gold into a small cast. C/U of a cast. Mr Green turns the cast over and a gold bar is out. M/S of Mr Green's face as he works. C/U shot of the bar being taken away.
C/U shot of a thin gold ribbon passing through a roller. Voiceover tells the audience that, golden bar, after being rolled into ribbon, is cut in squares and then beaten by hammers. C/U shot of the ribbon being cut in squares.
M/S of three people working. C/U shot of girl's hands as she puts golden squares in some sheets. M/S of a man taking sheets, putting into protection cover and placing under the hammering machine. C/U shot of the gold being beaten. M/S of a girl cutting a leaf in four. C/U shot of thin golden leaf being cut in four.
Several shots of gold beating by using large hammering machines as well as beating by hand. Finished leaves are cut into squares and ready to use. M/S of a man restoring old picture frame with gold leaves. C/U shot of a brush pressing the gold on the frame. C/U shot of several books bound with gold leaves and two little gold figurines. C/U shot of the symbol of House of Windsor.
Note: People featured in film are Bert Green, Kathleen Smith, Fay Crawford, GeorgeLewellyn, Beryl Clark, Ted Ricketts, Jean Edwards, Ted Hook, Joe Woodward, Sylvia Lewington and Jim Sussex.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

The Golden Bird - India Month on British Pathé

THE GOLDEN BIRD - INDIA MONTH ON BRITISH PATHÉ (MAY 2016): Teaser.
Music:
JalandharKevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution3.0Licensehttp://creativecommons.org/licenses/by/3.0/
A NEWTHEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you'd like to see by leaving us a comment or connecting with us on social media.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
ALL RIGHTS RESERVED
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), BritishParamount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

Macklemore & Ryan Lewis present the official music video for Can't Hold Us feat. Ray Dalton.
Can't Hold Us on iTunes: https://itunes.apple.com/us/album/cant-hold-us-feat.-ray-dalton/id560097651?i=560097694
The Heist CD deluxe edition: http://www.macklemoremerch.com
The Heist digital deluxe on iTunes: https://itunes.apple.com/us/album/the-heist-deluxe-edition/id560097651
The Heist on Amazon: http://amzn.com/B00908DDZM
The Heist in-stores NOW!
Note from Ryan Lewis:
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the "artist" or "creator" of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and locations), shot and directed, cut on the editing board and finally color graded. The music might be fine tuned and scored specifically for that film. There are so many variables that are completely equal if not sometimes more complicated than directing, it's a shame that so much credit comes down to whoever fulfills that position. A director wouldn't have shit to direct without a producer. A producer would have nothing to produce without a writer, and so forth.
For our team, I think it's even more complicated because roles tend to cross over. We simply don't work within the conventional hierarchy of the film industry (director, producer, etc.) Sure, people have concrete pre-defined roles based on their expertise, but our team has the remarkable ability to wear multiple hats. Can't Hold Us was a video that showcased this well.
After three months of shooting, finally getting to those last few frames where you reveal the credits, it's a tense moment. There isn't exactly a sensible way to do it, if we're trying to fit people into classic film roles. It leads me to the point that although we do our best to give people titles, this was a video fully created by seven individuals at the forefront. Take any of those people out of the equation, you'd be watching a very different video. I write this in hopes that you don't fall under the illusion that one person creates a music video, particularly at the Macklemore camp. We are constantly challenging and enhancing each others ideas and I take pride in believing that's the reason we make great videos. - Ryan Lewis
Music Video:
Written ByBen Haggerty
Ryan Lewis
Tricia Davis
Directed By
Ryan Lewis
Jason Koenig
Jon Jon Augustavo
Produced By
Tricia Davis
Honna Kimmerer
Jenny Koenig
Starring
Ben Haggerty
Ryan Lewis
Ray Dalton
Owuor Arunga
Da KaduBrownDirector of Photography
Jason Koenig
Ryan Lewis
Mego Lin
Stedicam Operators
Chris Duerkopp
Rhys Duncan
Ant IrelandAlex Kornreich
Production Assistants
Linda SImonsen
JackieGangerEdwardTranAdam Leeman
Nic AdenauJohnnyValencia
Ben Campofreda
Seth McDonald
Mitchell Overton
Lei Tao
Editing & Color Grading
Ryan Lewis
Jason Koenig
Post Production Supervisor
ErikHustadSpecialThanksRED
Panavision
Victory Studios
KoernerCameraSpace NeedleRyan Sanson
Lady WashingtonLogan Neitzel
Sierra Blu Kennels
USCFIJIHouse
Niche Camera
Karen Stimwell & Co.
Hollywood Props, AucklandHelicoptersNorthwest
Niche Camera
OppenheimerAbsolute Technologies
Court in the SquareFirstSceneCostume, Auckland
Painted Camels Unlimited
Graeme Menzies
Colin McKayDaniel CooperMercury BayAero ClubWhitianga Charters
DylanHenderson
Jason BoschKyle Bosch
Hollywood AnimalsMichael Barrett/United Reprographics
PeterPatheMusic:
Can't Hold Us feat. Ray Dalton
(B. Haggerty, R. Lewis, R. Dalton)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore
Additional Vocals by Ray Dalton, Camila Recchi, Victoria Fuangaromya, TylerAndrews
Trumpet by Owuor Arunga
Trombone by Greg KramerViolin, Bells, and String Arrangement by Andrew Joslyn
Violin by Caroline Faflak
Violin by Jared MacFarlane
Viola by Elisa Clegg
Cello by Danah Olivetree
Cello by Natalie Mai Hall
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WAMastered by "Big Bass" Brian Gardner, Hollywood, CA
Url's:
http://www.macklemore.com
http://www.twitter.com/macklemore
http://www.twitter.com/ryanlewis
http://www.facebook.com/macklemore
http://www.facebook.com/ryanlewisproductions
Subscribe To The Channel: goo.gl/1UmcM
Macklemore & Ryan Lewis managed by Zach Quillen
Can we go back, this is the moment
Tonight is the night, we'll fight till it's over
So we put our hands up like the ceiling can't hold us
Like the ceiling can't hold us

Watch the Maharaja Jagatjit SinghBahadur Of Kapurthala in India celebrate his 60th anniversary as ruler of the Punjab while his people give him pieces of gold as gifts.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Anniversary #India
License This Film: (FILM ID: 955.49) http://www.britishpathe.com/video/diamond-jubilee-of-maharaja-of-kapurthala
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Titles read: "Diamond Jubilee of Maharaja of Kapurthala".
Kapurthala, India.
Various shots of the Maharaja Jagajit Singh inspecting his troops on his 60th anniversary as ruler of this area in the Punjab. The Maharaja then sits under a canopy with his 4-year-old grandson and is weighed on a huge scale against pieces of gold - gifts from his people. Crowds of people watch a procession with highly decorated elephants carrying the Maharaja and his entourage along.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

Council - Rust to Gold (Official Video)

Featured in the 2018 Winter Olympics, here is the official music video for 'Rust to Gold' by Council.
Stream / Buy 'Rust to Gold' - https://smarturl.it/rusttogold_council
Follow Council:
Instagram: https://www.instagram.com/councilband/
Facebook: https://www.facebook.com/councilband3/
Twitter: https://twitter.com/council_band
Website: http://www.councilband.com/
Directed by Ben Guzman and RyanEwing.
Council - Rust to Gold (Lyrics)
Look at the stars in the sky
We are here lost in the night
Like a child whose been kissed by the dark
It hurts like a hole in our heart
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
Burning our eyes in the sun
Our demons have nowhere to run
Like sirens that cut through the light
Oh, we’ll never stop chasing this life
I’d die before
I’d die before
I’d let you go
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them beat us
All the things that we’ve been told
We will never let them go
All our dreams from Rust to Gold
We will never let them bleed us
We will never let them beat us
We will never let them bleed us
(C) 2018 Five Seven Music

Mahatma Gandhi Arrives in the U.K. (1931) | British Pathé

In this extraordinary footage from 1931, the legendary Indian Nationalist leader Mahatma Gandhi arrives in London, England to a crowd of enthusiastic onlookers.
For Archive Licensing Enquiries Visit: https://goo.gl/W4hZBv
Explore Our OnlineChannel For FULL Documentaries, Fascinating Interviews & ClassicMovies: https://goo.gl/7dVe8r
#BritishPathé #History #Gandhi #LondonLicense This Film: (FILM ID:867.03) https://www.britishpathe.com/video/gandhi-is-here/
Subscribe to the British Pathé YT Channel: https://goo.gl/hV1nkf
Full title reads: "Gandhi is Here. The Indian Nationalist leader - whose personality is intriguing the whole world, arrives."
Marseilles, France.
Mohandas K Gandhi is seen on board a ship coming into harbour.
Shots of Gandhi on board ship. He is with Miss MadelineSlade, a British follower.
Shots of the Mahatma and party coming down gangplank from ship.
Shots of him with journalists outside building.
Folkestone, Kent.
Boat comes into dock. Miss Slade and other members of Gandhi's party come ashore followed by the Congress leader in his traditional dress. He walks with others to waiting motorcar. MS of Gandhi in car.
London.
Crowds wait in rain. Lots of umbrellas and Indian people waiting for the arrival of Gandhi.
Gandhi comes out of front of building. A crowd of people are waiting for him. He is offered a microphone but prefers not to speak to newsreels.
LS of Gandhi standing on balcony of Kingsley Hall in Poplar where is he staying. Some closer shots. Shots of crowds cheering.
BRITISH PATHÉ'S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.
Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies GaumontGraphic (1910-1932), Empire NewsBulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

The Godfather Soundtrack

Pathé News

Pathé News was a producer of newsreels, cinemagazines, and documentaries from 1910 until 1970 in the United Kingdom. Its founder, Charles Pathé, was a pioneer of moving pictures in the silent era. The Pathé News archive is known today as British Pathé. Its collection of news film and movies is fully digitised and available online.

History

Its roots lie in 1896 Paris, France, when Société Pathé Frères was founded by Charles Pathé and his brothers, who pioneered the development of the moving image. Charles Pathé adopted the national emblem of France, the cockerel, as the trademark for his company. After the company, now called Compagnie Générale des Éstablissements Pathé Frère Pt'honographes & Cinématographes, invented the cinema newsreel with Pathé-Journal. French Pathé began its newsreel in 1908 and opened a newsreel office in Wardour Street, London in 1910.

The newsreels were shown in the cinema and were silent until 1928. At first they ran for about four minutes, and were issued biweekly. Even though during the early days the camera shots were taken from a stationary position, the Pathé newsreels captured events such as Franz Reichelt's fatal parachute jump from the Eiffel Tower, and suffragette Emily Davison's fatal injury by a racehorse at the 1913 Epsom Derby.