The first thing that struck me about A State of Freedom is it’s cover. The book jacket has a large bear on the cover, which is unusual and arresting but surprisingly aesthetically pleasing. When I began reading A State of Freedom, it reminded me of Lahiri’s oeuvre because of the way it started and the themes it deals with. But I soon realized Neel Mukherjee’s book is quite different.

The book is edgy and each section ends with a cliffhanger. You want to gallop ahead and connect the dots, and at the same time, you want to take your time to savour the way it’s written.

A State of Freedom hasa large canvas and deals with many issues in only 275 pages. The book is divided into 5 sections and the events that unfold are in different geographical locations. The way the stories of these characters are narrated gives them depth, and makes them appear real.

In the first section a man wants to familiarize his increasingly Americanized son with his roots. So they visit Mughal monuments like Fatehpur Sikhri and Taj Mahal. Originally from Calcutta, he has been living abroad for two decades, and now feels like “a tourist in his own country”. He wants his son to see India, and understand the culture he was born into. But they are like aliens from another planet.

I felt disoriented as the first section ended and wanted to stop but I urge you to read on (and not be put off by big words).

The second section flows more easily. A Bengali couple, the Sens, live in Mumbai and their son, a young writer, lives in London. He returns to India periodically to visit them. He is working on a cookbook which will contain authentic recipes from India as cooked in Indian households. The cooking at their home is done by Renu, who works as a cook in many households in Mumbai. Their son is curious about Renu because of her surly manner and tries to draw her into conversations but she doesn’t respond.

Treating the domestic help as a lesser human being is perhaps a relic of the Zamindari system. The son now straddles both worlds, old and new, and finds it increasingly difficult to deal with the way things continue to be done in India.

The love of food intersperses this section. If you pay attention, many a recipe can be mined out from these pages. While exploring India for recipes, he also visits Renu’s home at her insistence. It is here he witnesses the divide between the classes.

Another woman, Milly, comes to clean the Sens’ house. She reappears as a major character in another section of the book.

The third section is the longest, and is the soul of the book. Motherless twins brought up by a father, who dies in a forest fire. One brother leaves home to find work. This section follows the other brother, Lakshman, as he attempts to eke out a living. He finds a bear cub and keeps it to save it from being killed. He names it Raju. With his brother gone, the responsibility of feeding his wife and children along with his own family now falls squarely on his shoulders.

The way the bear cub is handled, in an attempt to tame it, is barbaric. This, in a country where cows are ‘worshipped’. It makes you question who is really savage, man or beast?

They are animals their pain doesn’t last. All these animals that live in the wild, in the forest, on the streets, you have never known them to need a doctor, have you? They heal quickly, they are strong. It’s we, humans, who are weak.

With hunger gnawing their insides, their lives are foremost about survival. They are largely unaware of the world outside of their existence. They have no time to understand the rights of animals. Lakshman has trouble believing bear dancing is a crime one could be sent to jail for.

Lakshman tries to train Raju to be a performing bear and wanders from place to place living like a nomad, trying to earn money by making him dance. Though Lakshman is cruel to Raju, he is aware that he is at the mercy of the ‘helpless’ animal. Lakshman depends on Raju; the bear can forage for food and fend for itself. It makes you think about freedom, who is actually free.