Poems by Emily Dickinson

Contents

POEMS

by EMILY DICKINSON

Edited by two of her friends

MABEL LOOMIS TODD and T.W. HIGGINSON

PREFACE.

The verses of Emily Dickinson belong emphatically to what Emerson
long since called "the Poetry of the Portfolio,"—something produced
absolutely without the thought of publication, and solely by way of
expression of the writer's own mind. Such verse must inevitably
forfeit whatever advantage lies in the discipline of public criticism
and the enforced conformity to accepted ways. On the other hand, it
may often gain something through the habit of freedom and the
unconventional utterance of daring thoughts. In the case of the
present author, there was absolutely no choice in the matter; she
must write thus, or not at all. A recluse by temperament and habit,
literally spending years without setting her foot beyond the
doorstep, and many more years during which her walks were strictly
limited to her father's grounds, she habitually concealed her mind,
like her person, from all but a very few friends; and it was with
great difficulty that she was persuaded to print, during her
lifetime, three or four poems. Yet she wrote verses in great
abundance; and though brought curiously indifferent to all
conventional rules, had yet a rigorous literary standard of her own,
and often altered a word many times to suit an ear which had its own
tenacious fastidiousness.

Miss Dickinson was born in Amherst, Mass., Dec. 10, 1830, and died
there May 15, 1886. Her father, Hon. Edward Dickinson, was the
leading lawyer of Amherst, and was treasurer of the well-known
college there situated. It was his custom once a year to hold a large
reception at his house, attended by all the families connected with
the institution and by the leading people of the town. On these
occasions his daughter Emily emerged from her wonted retirement and
did her part as gracious hostess; nor would any one have known from
her manner, I have been told, that this was not a daily occurrence.
The annual occasion once past, she withdrew again into her seclusion,
and except for a very few friends was as invisible to the world as if
she had dwelt in a nunnery. For myself, although I had corresponded
with her for many years, I saw her but twice face to face, and
brought away the impression of something as unique and remote as
Undine or Mignon or Thekla.

This selection from her poems is published to meet the desire of her
personal friends, and especially of her surviving sister. It is
believed that the thoughtful reader will find in these pages a
quality more suggestive of the poetry of William Blake than of
anything to be elsewhere found,—flashes of wholly original and
profound insight into nature and life; words and phrases exhibiting
an extraordinary vividness of descriptive and imaginative power, yet
often set in a seemingly whimsical or even rugged frame. They are
here published as they were written, with very few and superficial
changes; although it is fair to say that the titles have been
assigned, almost invariably, by the editors. In many cases these
verses will seem to the reader like poetry torn up by the roots, with
rain and dew and earth still clinging to them, giving a freshness and
a fragrance not otherwise to be conveyed. In other cases, as in the
few poems of shipwreck or of mental conflict, we can only wonder at
the gift of vivid imagination by which this recluse woman can
delineate, by a few touches, the very crises of physical or mental
struggle. And sometimes again we catch glimpses of a lyric strain,
sustained perhaps but for a line or two at a time, and making the
reader regret its sudden cessation. But the main quality of these
poems is that of extraordinary grasp and insight, uttered with an
uneven vigor sometimes exasperating, seemingly wayward, but really
unsought and inevitable. After all, when a thought takes one's
breath away, a lesson on grammar seems an impertinence. As Ruskin
wrote in his earlier and better days, "No weight nor mass nor beauty
of execution can outweigh one grain or fragment of thought."

—-Thomas Wentworth Higginson

This is my letter to the world,
That never wrote to me, —
The simple news that Nature told,
With tender majesty.

Her message is committed
To hands I cannot see;
For love of her, sweet countrymen,
Judge tenderly of me!

I. LIFE.

I.

SUCCESS.

[Published in "A Masque of Poets"
at the request of "H.H.," the author's
fellow-townswoman and friend.]

Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purple host
Who took the flag to-day
Can tell the definition,
So clear, of victory,

'T is so much joy! 'T is so much joy!
If I should fail, what poverty!
And yet, as poor as I
Have ventured all upon a throw;
Have gained! Yes! Hesitated so
This side the victory!

Life is but life, and death but death!
Bliss is but bliss, and breath but breath!
And if, indeed, I fail,
At least to know the worst is sweet.
Defeat means nothing but defeat,
No drearier can prevail!

And if I gain, — oh, gun at sea,
Oh, bells that in the steeples be,
At first repeat it slow!
For heaven is a different thing
Conjectured, and waked sudden in,
And might o'erwhelm me so!

V.

Glee! The great storm is over!
Four have recovered the land;
Forty gone down together
Into the boiling sand.

Ring, for the scant salvation!
Toll, for the bonnie souls, —
Neighbor and friend and bridegroom,
Spinning upon the shoals!

How they will tell the shipwreck
When winter shakes the door,
Till the children ask, "But the forty?
Did they come back no more?"

Then a silence suffuses the story,
And a softness the teller's eye;
And the children no further question,
And only the waves reply.

VI.

If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.

VII.

ALMOST!

Within my reach!
I could have touched!
I might have chanced that way!
Soft sauntered through the village,
Sauntered as soft away!
So unsuspected violets
Within the fields lie low,
Too late for striving fingers
That passed, an hour ago.

VIII.

A wounded deer leaps highest,
I've heard the hunter tell;
'T is but the ecstasy of death,
And then the brake is still.

The smitten rock that gushes,
The trampled steel that springs;
A cheek is always redder
Just where the hectic stings!

Mirth is the mail of anguish,
In which it cautions arm,
Lest anybody spy the blood
And "You're hurt" exclaim!

IX.

The heart asks pleasure first,
And then, excuse from pain;
And then, those little anodynes
That deaden suffering;

And then, to go to sleep;
And then, if it should be
The will of its Inquisitor,
The liberty to die.

X.

IN A LIBRARY.

A precious, mouldering pleasure 't is
To meet an antique book,
In just the dress his century wore;
A privilege, I think,

His venerable hand to take,
And warming in our own,
A passage back, or two, to make
To times when he was young.

His quaint opinions to inspect,
His knowledge to unfold
On what concerns our mutual mind,
The literature of old;

What interested scholars most,
What competitions ran
When Plato was a certainty.
And Sophocles a man;

When Sappho was a living girl,
And Beatrice wore
The gown that Dante deified.
Facts, centuries before,

He traverses familiar,
As one should come to town
And tell you all your dreams were true;
He lived where dreams were sown.

His presence is enchantment,
You beg him not to go;
Old volumes shake their vellum heads
And tantalize, just so.

XI.

Much madness is divinest sense
To a discerning eye;
Much sense the starkest madness.
'T is the majority
In this, as all, prevails.
Assent, and you are sane;
Demur, — you're straightway dangerous,
And handled with a chain.

XII.

I asked no other thing,
No other was denied.
I offered Being for it;
The mighty merchant smiled.

Brazil? He twirled a button,
Without a glance my way:
"But, madam, is there nothing else
That we can show to-day?"

XIII.

EXCLUSION.

The soul selects her own society,
Then shuts the door;
On her divine majority
Obtrude no more.

Unmoved, she notes the chariot's pausing
At her low gate;
Unmoved, an emperor is kneeling
Upon her mat.

I've known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.

XIV.

THE SECRET.

Some things that fly there be, —
Birds, hours, the bumble-bee:
Of these no elegy.

There are, that resting, rise.
Can I expound the skies?
How still the riddle lies!

XV.

THE LONELY HOUSE.

I know some lonely houses off the road
A robber 'd like the look of, —
Wooden barred,
And windows hanging low,
Inviting to
A portico,
Where two could creep:
One hand the tools,
The other peep
To make sure all's asleep.
Old-fashioned eyes,
Not easy to surprise!

How orderly the kitchen 'd look by night,
With just a clock, —
But they could gag the tick,
And mice won't bark;
And so the walls don't tell,
None will.

A pair of spectacles ajar just stir —
An almanac's aware.
Was it the mat winked,
Or a nervous star?
The moon slides down the stair
To see who's there.

Day rattles, too,
Stealth's slow;
The sun has got as far
As the third sycamore.
Screams chanticleer,
"Who's there?"
And echoes, trains away,
Sneer — "Where?"
While the old couple, just astir,
Fancy the sunrise left the door ajar!

XVI.

To fight aloud is very brave,
But gallanter, I know,
Who charge within the bosom,
The cavalry of woe.

Who win, and nations do not see,
Who fall, and none observe,
Whose dying eyes no country
Regards with patriot love.

We trust, in plumed procession,
For such the angels go,
Rank after rank, with even feet
And uniforms of snow.

XVII.

DAWN.

When night is almost done,
And sunrise grows so near
That we can touch the spaces,
It 's time to smooth the hair

And get the dimples ready,
And wonder we could care
For that old faded midnight
That frightened but an hour.

XVIII.

THE BOOK OF MARTYRS.

Read, sweet, how others strove,
Till we are stouter;
What they renounced,
Till we are less afraid;
How many times they bore
The faithful witness,
Till we are helped,
As if a kingdom cared!

Read then of faith
That shone above the fagot;
Clear strains of hymn
The river could not drown;
Brave names of men
And celestial women,
Passed out of record
Into renown!

XIX.

THE MYSTERY OF PAIN.

Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.

It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.

XX.

I taste a liquor never brewed,
From tankards scooped in pearl;
Not all the vats upon the Rhine
Yield such an alcohol!

Inebriate of air am I,
And debauchee of dew,
Reeling, through endless summer days,
From inns of molten blue.

When landlords turn the drunken bee
Out of the foxglove's door,
When butterflies renounce their drams,
I shall but drink the more!

Till seraphs swing their snowy hats,
And saints to windows run,
To see the little tippler
Leaning against the sun!

XXI.

A BOOK.

He ate and drank the precious words,
His spirit grew robust;
He knew no more that he was poor,
Nor that his frame was dust.
He danced along the dingy days,
And this bequest of wings
Was but a book. What liberty
A loosened spirit brings!

XXII.

I had no time to hate, because
The grave would hinder me,
And life was not so ample I
Could finish enmity.

Nor had I time to love; but since
Some industry must be,
The little toil of love, I thought,
Was large enough for me.

XXIII.

UNRETURNING.

'T was such a little, little boat
That toddled down the bay!
'T was such a gallant, gallant sea
That beckoned it away!

'T was such a greedy, greedy wave
That licked it from the coast;
Nor ever guessed the stately sails
My little craft was lost!

XXIV.

Whether my bark went down at sea,
Whether she met with gales,
Whether to isles enchanted
She bent her docile sails;

By what mystic mooring
She is held to-day, —
This is the errand of the eye
Out upon the bay.

XXV.

Belshazzar had a letter, —
He never had but one;
Belshazzar's correspondent
Concluded and begun
In that immortal copy
The conscience of us all
Can read without its glasses
On revelation's wall.

XXVI.

The brain within its groove
Runs evenly and true;
But let a splinter swerve,
'T were easier for you
To put the water back
When floods have slit the hills,
And scooped a turnpike for themselves,
And blotted out the mills!

II. LOVE.

I.

MINE.

Mine by the right of the white election!
Mine by the royal seal!
Mine by the sign in the scarlet prison
Bars cannot conceal!

Mine, here in vision and in veto!
Mine, by the grave's repeal
Titled, confirmed, — delirious charter!
Mine, while the ages steal!

II.

BEQUEST.

You left me, sweet, two legacies, —
A legacy of love
A Heavenly Father would content,
Had He the offer of;

You left me boundaries of pain
Capacious as the sea,
Between eternity and time,
Your consciousness and me.

III.

Alter? When the hills do.
Falter? When the sun
Question if his glory
Be the perfect one.

Surfeit? When the daffodil
Doth of the dew:
Even as herself, O friend!
I will of you!

IV.

SUSPENSE.

Elysium is as far as to
The very nearest room,
If in that room a friend await
Felicity or doom.

What fortitude the soul contains,
That it can so endure
The accent of a coming foot,
The opening of a door!

V.

SURRENDER.

Doubt me, my dim companion!
Why, God would be content
With but a fraction of the love
Poured thee without a stint.
The whole of me, forever,
What more the woman can, —
Say quick, that I may dower thee
With last delight I own!

It cannot be my spirit,
For that was thine before;
I ceded all of dust I knew, —
What opulence the more
Had I, a humble maiden,
Whose farthest of degree
Was that she might,
Some distant heaven,
Dwell timidly with thee!

VI.

If you were coming in the fall,
I'd brush the summer by
With half a smile and half a spurn,
As housewives do a fly.

If I could see you in a year,
I'd wind the months in balls,
And put them each in separate drawers,
Until their time befalls.

I hide myself within my flower,
That, fading from your vase,
You, unsuspecting, feel for me
Almost a loneliness.

VIII.

PROOF.

That I did always love,
I bring thee proof:
That till I loved
I did not love enough.

That I shall love alway,
I offer thee
That love is life,
And life hath immortality.

This, dost thou doubt, sweet?
Then have I
Nothing to show
But Calvary.

IX.

Have you got a brook in your little heart,
Where bashful flowers blow,
And blushing birds go down to drink,
And shadows tremble so?

And nobody knows, so still it flows,
That any brook is there;
And yet your little draught of life
Is daily drunken there.

Then look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the hills,
And the bridges often go.

And later, in August it may be,
When the meadows parching lie,
Beware, lest this little brook of life
Some burning noon go dry!

X.

TRANSPLANTED.

As if some little Arctic flower,
Upon the polar hem,
Went wandering down the latitudes,
Until it puzzled came
To continents of summer,
To firmaments of sun,
To strange, bright crowds of flowers,
And birds of foreign tongue!
I say, as if this little flower
To Eden wandered in —
What then? Why, nothing, only,
Your inference therefrom!

XI.

THE OUTLET.

My river runs to thee:
Blue sea, wilt welcome me?

My river waits reply.
Oh sea, look graciously!

I'll fetch thee brooks
From spotted nooks, —

Say, sea,
Take me!

XII.

IN VAIN.

I cannot live with you,
It would be life,
And life is over there
Behind the shelf

The sexton keeps the key to,
Putting up
Our life, his porcelain,
Like a cup

Discarded of the housewife,
Quaint or broken;
A newer Sevres pleases,
Old ones crack.

I could not die with you,
For one must wait
To shut the other's gaze down, —
You could not.

And I, could I stand by
And see you freeze,
Without my right of frost,
Death's privilege?

Nor could I rise with you,
Because your face
Would put out Jesus',
That new grace

Glow plain and foreign
On my homesick eye,
Except that you, than he
Shone closer by.

They'd judge us — how?
For you served Heaven, you know,
Or sought to;
I could not,

Because you saturated sight,
And I had no more eyes
For sordid excellence
As Paradise.

And were you lost, I would be,
Though my name
Rang loudest
On the heavenly fame.

And were you saved,
And I condemned to be
Where you were not,
That self were hell to me.

So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,
And that pale sustenance,
Despair!

XIII.

RENUNCIATION.

There came a day at summer's full
Entirely for me;
I thought that such were for the saints,
Where revelations be.

The sun, as common, went abroad,
The flowers, accustomed, blew,
As if no soul the solstice passed
That maketh all things new.

The time was scarce profaned by speech;
The symbol of a word
Was needless, as at sacrament
The wardrobe of our Lord.

Each was to each the sealed church,
Permitted to commune this time,
Lest we too awkward show
At supper of the Lamb.

The hours slid fast, as hours will,
Clutched tight by greedy hands;
So faces on two decks look back,
Bound to opposing lands.

And so, when all the time had failed,
Without external sound,
Each bound the other's crucifix,
We gave no other bond.

Sufficient troth that we shall rise —
Deposed, at length, the grave —
To that new marriage, justified
Through Calvaries of Love!

XIV.

LOVE'S BAPTISM.

I'm ceded, I've stopped being theirs;
The name they dropped upon my face
With water, in the country church,
Is finished using now,
And they can put it with my dolls,
My childhood, and the string of spools
I've finished threading too.

Baptized before without the choice,
But this time consciously, of grace
Unto supremest name,
Called to my full, the crescent dropped,
Existence's whole arc filled up
With one small diadem.

My second rank, too small the first,
Crowned, crowing on my father's breast,
A half unconscious queen;
But this time, adequate, erect,
With will to choose or to reject.
And I choose — just a throne.

XV.

RESURRECTION.

'T was a long parting, but the time
For interview had come;
Before the judgment-seat of God,
The last and second time

These fleshless lovers met,
A heaven in a gaze,
A heaven of heavens, the privilege
Of one another's eyes.

No lifetime set on them,
Apparelled as the new
Unborn, except they had beheld,
Born everlasting now.

Was bridal e'er like this?
A paradise, the host,
And cherubim and seraphim
The most familiar guest.

How condescending to descend,
And be of buttercups the friend
In a New England town!

XXIV.

THE WIND.

Of all the sounds despatched abroad,
There's not a charge to me
Like that old measure in the boughs,
That phraseless melody

The wind does, working like a hand
Whose fingers brush the sky,
Then quiver down, with tufts of tune
Permitted gods and me.

When winds go round and round in bands,
And thrum upon the door,
And birds take places overhead,
To bear them orchestra,

I crave him grace, of summer boughs,
If such an outcast be,
He never heard that fleshless chant
Rise solemn in the tree,

As if some caravan of sound
On deserts, in the sky,
Had broken rank,
Then knit, and passed
In seamless company.

XXV.

DEATH AND LIFE.

Apparently with no surprise
To any happy flower,
The frost beheads it at its play
In accidental power.
The blond assassin passes on,
The sun proceeds unmoved
To measure off another day
For an approving God.

XXVI.

'T was later when the summer went
Than when the cricket came,
And yet we knew that gentle clock
Meant nought but going home.

'T was sooner when the cricket went
Than when the winter came,
Yet that pathetic pendulum
Keeps esoteric time.

XXVII.

INDIAN SUMMER.

These are the days when birds come back,
A very few, a bird or two,
To take a backward look.

These are the days when skies put on
The old, old sophistries of June, —
A blue and gold mistake.

The morns are meeker than they were,
The nuts are getting brown;
The berry's cheek is plumper,
The rose is out of town.

The maple wears a gayer scarf,
The field a scarlet gown.
Lest I should be old-fashioned,
I'll put a trinket on.

XXIX.

BECLOUDED.

The sky is low, the clouds are mean,
A travelling flake of snow
Across a barn or through a rut
Debates if it will go.

A narrow wind complains all day
How some one treated him;
Nature, like us, is sometimes caught
Without her diadem.

XXX.

THE HEMLOCK.

I think the hemlock likes to stand
Upon a marge of snow;
It suits his own austerity,
And satisfies an awe

That men must slake in wilderness,
Or in the desert cloy, —
An instinct for the hoar, the bald,
Lapland's necessity.

The hemlock's nature thrives on cold;
The gnash of northern winds
Is sweetest nutriment to him,
His best Norwegian wines.

To satin races he is nought;
But children on the Don
Beneath his tabernacles play,
And Dnieper wrestlers run.

XXXI.

There's a certain slant of light,
On winter afternoons,
That oppresses, like the weight
Of cathedral tunes.

Heavenly hurt it gives us;
We can find no scar,
But internal difference
Where the meanings are.

None may teach it anything,
' T is the seal, despair, —
An imperial affliction
Sent us of the air.

When it comes, the landscape listens,
Shadows hold their breath;
When it goes, 't is like the distance
On the look of death.

IV. TIME AND ETERNITY.

I.

One dignity delays for all,
One mitred afternoon.
None can avoid this purple,
None evade this crown.

Coach it insures, and footmen,
Chamber and state and throng;
Bells, also, in the village,
As we ride grand along.

What dignified attendants,
What service when we pause!
How loyally at parting
Their hundred hats they raise!

How pomp surpassing ermine,
When simple you and I
Present our meek escutcheon,
And claim the rank to die!

II.

TOO LATE.

Delayed till she had ceased to know,
Delayed till in its vest of snow
Her loving bosom lay.
An hour behind the fleeting breath,
Later by just an hour than death, —
Oh, lagging yesterday!

Could she have guessed that it would be;
Could but a crier of the glee
Have climbed the distant hill;
Had not the bliss so slow a pace, —
Who knows but this surrendered face
Were undefeated still?

Oh, if there may departing be
Any forgot by victory
In her imperial round,
Show them this meek apparelled thing,
That could not stop to be a king,
Doubtful if it be crowned!

III.

ASTRA CASTRA.

Departed to the judgment,
A mighty afternoon;
Great clouds like ushers leaning,
Creation looking on.

The flesh surrendered, cancelled,
The bodiless begun;
Two worlds, like audiences, disperse
And leave the soul alone.

IV.

Safe in their alabaster chambers,
Untouched by morning and untouched by noon,
Sleep the meek members of the resurrection,
Rafter of satin, and roof of stone.

Light laughs the breeze in her castle of sunshine;
Babbles the bee in a stolid ear;
Pipe the sweet birds in ignorant cadence, —
Ah, what sagacity perished here!

Grand go the years in the crescent above them;
Worlds scoop their arcs, and firmaments row,
Diadems drop and Doges surrender,
Soundless as dots on a disk of snow.

V.

On this long storm the rainbow rose,
On this late morn the sun;
The clouds, like listless elephants,
Horizons straggled down.

The birds rose smiling in their nests,
The gales indeed were done;
Alas! how heedless were the eyes
On whom the summer shone!

The quiet nonchalance of death
No daybreak can bestir;
The slow archangel's syllables
Must awaken her.

VI.

FROM THE CHRYSALIS.

My cocoon tightens, colors tease,
I'm feeling for the air;
A dim capacity for wings
Degrades the dress I wear.

A power of butterfly must be
The aptitude to fly,
Meadows of majesty concedes
And easy sweeps of sky.

So I must baffle at the hint
And cipher at the sign,
And make much blunder, if at last
I take the clew divine.

VII.

SETTING SAIL.

Exultation is the going
Of an inland soul to sea, —
Past the houses, past the headlands,
Into deep eternity!

Bred as we, among the mountains,
Can the sailor understand
The divine intoxication
Of the first league out from land?

VIII.

Look back on time with kindly eyes,
He doubtless did his best;
How softly sinks his trembling sun
In human nature's west!

IX.

A train went through a burial gate,
A bird broke forth and sang,
And trilled, and quivered, and shook his throat
Till all the churchyard rang;

And then adjusted his little notes,
And bowed and sang again.
Doubtless, he thought it meet of him
To say good-by to men.

X.

I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.

He questioned softly why I failed?
"For beauty," I replied.
"And I for truth, — the two are one;
We brethren are," he said.

And so, as kinsmen met a night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.

XI.

"TROUBLED ABOUT MANY THINGS."

How many times these low feet staggered,
Only the soldered mouth can tell;
Try! can you stir the awful rivet?
Try! can you lift the hasps of steel?

Stroke the cool forehead, hot so often,
Lift, if you can, the listless hair;
Handle the adamantine fingers
Never a thimble more shall wear.

Buzz the dull flies on the chamber window;
Brave shines the sun through the freckled pane;
Fearless the cobweb swings from the ceiling —
Indolent housewife, in daisies lain!

XII.

REAL.

I like a look of agony,
Because I know it 's true;
Men do not sham convulsion,
Nor simulate a throe.

The eyes glaze once, and that is death.
Impossible to feign
The beads upon the forehead
By homely anguish strung.

XIII.

THE FUNERAL.

That short, potential stir
That each can make but once,
That bustle so illustrious
'T is almost consequence,

Is the eclat of death.
Oh, thou unknown renown
That not a beggar would accept,
Had he the power to spurn!

XIV.

I went to thank her,
But she slept;
Her bed a funnelled stone,
With nosegays at the head and foot,
That travellers had thrown,

Who went to thank her;
But she slept.
'T was short to cross the sea
To look upon her like, alive,
But turning back 't was slow.

XV.

I've seen a dying eye
Run round and round a room
In search of something, as it seemed,
Then cloudier become;
And then, obscure with fog,
And then be soldered down,
Without disclosing what it be,
'T were blessed to have seen.

XVI.

REFUGE.

The clouds their backs together laid,
The north begun to push,
The forests galloped till they fell,
The lightning skipped like mice;
The thunder crumbled like a stuff —
How good to be safe in tombs,
Where nature's temper cannot reach,
Nor vengeance ever comes!

XVII.

I never saw a moor,
I never saw the sea;
Yet know I how the heather looks,
And what a wave must be.

I never spoke with God,
Nor visited in heaven;
Yet certain am I of the spot
As if the chart were given.

POEMS

by EMILY DICKINSON

Second Series

Edited by two of her friends

MABEL LOOMIS TODD and T.W. HIGGINSON

PREFACE

The eagerness with which the first volume of Emily Dickinson's
poems has been read shows very clearly that all our alleged modern
artificiality does not prevent a prompt appreciation of the
qualities of directness and simplicity in approaching the greatest
themes,—life and love and death. That "irresistible needle-touch,"
as one of her best critics has called it, piercing at once the very
core of a thought, has found a response as wide and sympathetic as
it has been unexpected even to those who knew best her compelling
power. This second volume, while open to the same criticism as to
form with its predecessor, shows also the same shining beauties.

Although Emily Dickinson had been in the habit of sending
occasional poems to friends and correspondents, the full extent of
her writing was by no means imagined by them. Her friend "H.H."
must at least have suspected it, for in a letter dated 5th
September, 1884, she wrote:—

MY DEAR FRIEND,— What portfolios full of verses
you must have! It is a cruel wrong to your "day and
generation" that you will not give them light.

If such a thing should happen as that I should outlive
you, I wish you would make me your literary legatee
and executor. Surely after you are what is called
"dead" you will be willing that the poor ghosts you
have left behind should be cheered and pleased by your
verses, will you not? You ought to be. I do not think
we have a right to withhold from the world a word or
a thought any more than a deed which might help a
single soul. . . .

Truly yours,

HELEN JACKSON.

The "portfolios" were found, shortly after Emily Dickinson's death,
by her sister and only surviving housemate. Most of the poems had
been carefully copied on sheets of note-paper, and tied in little
fascicules, each of six or eight sheets. While many of them bear
evidence of having been thrown off at white heat, still more had
received thoughtful revision. There is the frequent addition of
rather perplexing foot-notes, affording large choice of words and
phrases. And in the copies which she sent to friends, sometimes one
form, sometimes another, is found to have been used. Without
important exception, her friends have generously placed at the
disposal of the Editors any poems they had received from her; and
these have given the obvious advantage of comparison among several
renderings of the same verse.

To what further rigorous pruning her verses would have been
subjected had she published them herself, we cannot know. They
should be regarded in many cases as merely the first strong and
suggestive sketches of an artist, intended to be embodied at some
time in the finished picture.

Emily Dickinson appears to have written her first poems in the
winter of 1862. In a letter to one of the present Editors the
April following, she says, "I made no verse, but one or two, until
this winter."

The handwriting was at first somewhat like the delicate, running
Italian hand of our elder gentlewomen; but as she advanced in
breadth of thought, it grew bolder and more abrupt, until in her
latest years each letter stood distinct and separate from its
fellows. In most of her poems, particularly the later ones,
everything by way of punctuation was discarded, except numerous
dashes; and all important words began with capitals. The effect of
a page of her more recent manuscript is exceedingly quaint and
strong. The fac-simile given in the present volume is from one of
the earlier transition periods. Although there is nowhere a date,
the handwriting makes it possible to arrange the poems with general
chronologic accuracy.

As a rule, the verses were without titles; but "A Country Burial,"
"A Thunder-Storm," "The Humming-Bird," and a few others were named
by their author, frequently at the end,—sometimes only in the
accompanying note, if sent to a friend.

The variation of readings, with the fact that she often wrote in
pencil and not always clearly, have at times thrown a good deal of
responsibility upon her Editors. But all interference not
absolutely inevitable has been avoided. The very roughness of her
rendering is part of herself, and not lightly to be touched; for it
seems in many cases that she intentionally avoided the smoother and
more usual rhymes.

Like impressionist pictures, or Wagner's rugged music, the very
absence of conventional form challenges attention. In Emily
Dickinson's exacting hands, the especial, intrinsic fitness of a
particular order of words might not be sacrificed to anything
virtually extrinsic; and her verses all show a strange cadence of
inner rhythmical music. Lines are always daringly constructed, and
the "thought-rhyme" appears frequently,—appealing, indeed, to an
unrecognized sense more elusive than hearing.

Emily Dickinson scrutinized everything with clear-eyed frankness.
Every subject was proper ground for legitimate study, even the
sombre facts of death and burial, and the unknown life beyond. She
touches these themes sometimes lightly, sometimes almost
humorously, more often with weird and peculiar power; but she is
never by any chance frivolous or trivial. And while, as one critic
has said, she may exhibit toward God "an Emersonian self-possession,"
it was because she looked upon all life with a candor as unprejudiced
as it is rare.

She had tried society and the world, and found them lacking. She
was not an invalid, and she lived in seclusion from no
love-disappointment. Her life was the normal blossoming of a nature
introspective to a high degree, whose best thought could not exist
in pretence.

Storm, wind, the wild March sky, sunsets and dawns; the birds and
bees, butterflies and flowers of her garden, with a few trusted
human friends, were sufficient companionship. The coming of the
first robin was a jubilee beyond crowning of monarch or birthday of
pope; the first red leaf hurrying through "the altered air," an
epoch. Immortality was close about her; and while never morbid or
melancholy, she lived in its presence.

To such, if they should whisper
Of morning and the moor,
They bear no other errand,
And I, no other prayer.

I. LIFE.

I.

I'm nobody! Who are you?
Are you nobody, too?
Then there 's a pair of us — don't tell!
They 'd banish us, you know.

How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!

II.

I bring an unaccustomed wine
To lips long parching, next to mine,
And summon them to drink.

Crackling with fever, they essay;
I turn my brimming eyes away,
And come next hour to look.

The hands still hug the tardy glass;
The lips I would have cooled, alas!
Are so superfluous cold,

I would as soon attempt to warm
The bosoms where the frost has lain
Ages beneath the mould.

Some other thirsty there may be
To whom this would have pointed me
Had it remained to speak.

And so I always bear the cup
If, haply, mine may be the drop
Some pilgrim thirst to slake, —

If, haply, any say to me,
"Unto the little, unto me,"
When I at last awake.

III.

The nearest dream recedes, unrealized.
The heaven we chase
Like the June bee
Before the school-boy
Invites the race;
Stoops to an easy clover —
Dips — evades — teases — deploys;
Then to the royal clouds
Lifts his light pinnace
Heedless of the boy
Staring, bewildered, at the mocking sky.

Homesick for steadfast honey,
Ah! the bee flies not
That brews that rare variety.

IV.

We play at paste,
Till qualified for pearl,
Then drop the paste,
And deem ourself a fool.
The shapes, though, were similar,
And our new hands
Learned gem-tactics
Practising sands.

V.

I found the phrase to every thought
I ever had, but one;
And that defies me, — as a hand
Did try to chalk the sun

To races nurtured in the dark; —
How would your own begin?
Can blaze be done in cochineal,
Or noon in mazarin?

VI.

HOPE.

Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I 've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.

VII.

THE WHITE HEAT.

Dare you see a soul at the white heat?
Then crouch within the door.
Red is the fire's common tint;
But when the vivid ore

Has sated flame's conditions,
Its quivering substance plays
Without a color but the light
Of unanointed blaze.

Least village boasts its blacksmith,
Whose anvil's even din
Stands symbol for the finer forge
That soundless tugs within,

Refining these impatient ores
With hammer and with blaze,
Until the designated light
Repudiate the forge.

VIII.

TRIUMPHANT.

Who never lost, are unprepared
A coronet to find;
Who never thirsted, flagons
And cooling tamarind.

Who never climbed the weary league —
Can such a foot explore
The purple territories
On Pizarro's shore?

How many legions overcome?
The emperor will say.
How many colors taken
On Revolution Day?

How many bullets bearest?
The royal scar hast thou?
Angels, write "Promoted"
On this soldier's brow!

IX.

THE TEST.

I can wade grief,
Whole pools of it, —
I 'm used to that.
But the least push of joy
Breaks up my feet,
And I tip — drunken.
Let no pebble smile,
'T was the new liquor, —
That was all!

Power is only pain,
Stranded, through discipline,
Till weights will hang.
Give balm to giants,
And they 'll wilt, like men.
Give Himmaleh, —
They 'll carry him!

X.

ESCAPE.

I never hear the word "escape"
Without a quicker blood,
A sudden expectation,
A flying attitude.

I never hear of prisons broad
By soldiers battered down,
But I tug childish at my bars, —
Only to fail again!

XI.

COMPENSATION.

For each ecstatic instant
We must an anguish pay
In keen and quivering ratio
To the ecstasy.

For each beloved hour
Sharp pittances of years,
Bitter contested farthings
And coffers heaped with tears.

XII.

THE MARTYRS.

Through the straight pass of suffering
The martyrs even trod,
Their feet upon temptation,
Their faces upon God.

A stately, shriven company;
Convulsion playing round,
Harmless as streaks of meteor
Upon a planet's bound.

Their faith the everlasting troth;
Their expectation fair;
The needle to the north degree
Wades so, through polar air.

XIII.

A PRAYER.

I meant to have but modest needs,
Such as content, and heaven;
Within my income these could lie,
And life and I keep even.

But since the last included both,
It would suffice my prayer
But just for one to stipulate,
And grace would grant the pair.

And so, upon this wise I prayed, —
Great Spirit, give to me
A heaven not so large as yours,
But large enough for me.

A smile suffused Jehovah's face;
The cherubim withdrew;
Grave saints stole out to look at me,
And showed their dimples, too.

I left the place with all my might, —
My prayer away I threw;
The quiet ages picked it up,
And Judgment twinkled, too,

That one so honest be extant
As take the tale for true
That "Whatsoever you shall ask,
Itself be given you."

But I, grown shrewder, scan the skies
With a suspicious air, —
As children, swindled for the first,
All swindlers be, infer.

XIV.

The thought beneath so slight a film
Is more distinctly seen, —
As laces just reveal the surge,
Or mists the Apennine.

XV.

The soul unto itself
Is an imperial friend, —
Or the most agonizing spy
An enemy could send.

Secure against its own,
No treason it can fear;
Itself its sovereign, of itself
The soul should stand in awe.

XVI.

Surgeons must be very careful
When they take the knife!
Underneath their fine incisions
Stirs the culprit, — Life!

XVII.

THE RAILWAY TRAIN.

I like to see it lap the miles,
And lick the valleys up,
And stop to feed itself at tanks;
And then, prodigious, step

Around a pile of mountains,
And, supercilious, peer
In shanties by the sides of roads;
And then a quarry pare

To fit its sides, and crawl between,
Complaining all the while
In horrid, hooting stanza;
Then chase itself down hill

And neigh like Boanerges;
Then, punctual as a star,
Stop — docile and omnipotent —
At its own stable door.

XVIII.

THE SHOW.

The show is not the show,
But they that go.
Menagerie to me
My neighbor be.
Fair play —
Both went to see.

XIX.

Delight becomes pictorial
When viewed through pain, —
More fair, because impossible
That any gain.

The mountain at a given distance
In amber lies;
Approached, the amber flits a little, —
And that 's the skies!

XX.

A thought went up my mind to-day
That I have had before,
But did not finish, — some way back,
I could not fix the year,

Nor where it went, nor why it came
The second time to me,
Nor definitely what it was,
Have I the art to say.

But somewhere in my soul, I know
I 've met the thing before;
It just reminded me — 't was all —
And came my way no more.

XXI.

Is Heaven a physician?
They say that He can heal;
But medicine posthumous
Is unavailable.

Is Heaven an exchequer?
They speak of what we owe;
But that negotiation
I 'm not a party to.

XXII.

THE RETURN.

Though I get home how late, how late!
So I get home, 't will compensate.
Better will be the ecstasy
That they have done expecting me,
When, night descending, dumb and dark,
They hear my unexpected knock.
Transporting must the moment be,
Brewed from decades of agony!

To think just how the fire will burn,
Just how long-cheated eyes will turn
To wonder what myself will say,
And what itself will say to me,
Beguiles the centuries of way!

XXIII.

A poor torn heart, a tattered heart,
That sat it down to rest,
Nor noticed that the ebbing day
Flowed silver to the west,
Nor noticed night did soft descend
Nor constellation burn,
Intent upon the vision
Of latitudes unknown.

The angels, happening that way,
This dusty heart espied;
Tenderly took it up from toil
And carried it to God.
There, — sandals for the barefoot;
There, — gathered from the gales,
Do the blue havens by the hand
Lead the wandering sails.

XXIV.

TOO MUCH.

I should have been too glad, I see,
Too lifted for the scant degree
Of life's penurious round;
My little circuit would have shamed
This new circumference, have blamed
The homelier time behind.

I should have been too saved, I see,
Too rescued; fear too dim to me
That I could spell the prayer
I knew so perfect yesterday, —
That scalding one, "Sabachthani,"
Recited fluent here.

Earth would have been too much, I see,
And heaven not enough for me;
I should have had the joy
Without the fear to justify, —
The palm without the Calvary;
So, Saviour, crucify.

Defeat whets victory, they say;
The reefs in old Gethsemane
Endear the shore beyond.
'T is beggars banquets best define;
'T is thirsting vitalizes wine, —
Faith faints to understand.

XXV.

SHIPWRECK.

It tossed and tossed, —
A little brig I knew, —
O'ertook by blast,
It spun and spun,
And groped delirious, for morn.

It slipped and slipped,
As one that drunken stepped;
Its white foot tripped,
Then dropped from sight.

Victory comes late,
And is held low to freezing lips
Too rapt with frost
To take it.
How sweet it would have tasted,
Just a drop!
Was God so economical?
His table 's spread too high for us
Unless we dine on tip-toe.
Crumbs fit such little mouths,
Cherries suit robins;
The eagle's golden breakfast
Strangles them.
God keeps his oath to sparrows,
Who of little love
Know how to starve!

XXVII.

ENOUGH.

God gave a loaf to every bird,
But just a crumb to me;
I dare not eat it, though I starve, —
My poignant luxury
To own it, touch it, prove the feat
That made the pellet mine, —
Too happy in my sparrow chance
For ampler coveting.

It might be famine all around,
I could not miss an ear,
Such plenty smiles upon my board,
My garner shows so fair.
I wonder how the rich may feel, —
An Indiaman — an Earl?
I deem that I with but a crumb
Am sovereign of them all.

XXVIII.

Experiment to me
Is every one I meet.
If it contain a kernel?
The figure of a nut

Presents upon a tree,
Equally plausibly;
But meat within is requisite,
To squirrels and to me.

XXIX.

MY COUNTRY'S WARDROBE.

My country need not change her gown,
Her triple suit as sweet
As when 't was cut at Lexington,
And first pronounced "a fit."

Great Britain disapproves "the stars;"
Disparagement discreet, —
There 's something in their attitude
That taunts her bayonet.

XXX.

Faith is a fine invention
For gentlemen who see;
But microscopes are prudent
In an emergency!

XXXI.

Except the heaven had come so near,
So seemed to choose my door,
The distance would not haunt me so;
I had not hoped before.

But just to hear the grace depart
I never thought to see,
Afflicts me with a double loss;
'T is lost, and lost to me.

XXXII.

Portraits are to daily faces
As an evening west
To a fine, pedantic sunshine
In a satin vest.

XXXIII.

THE DUEL.

I took my power in my hand.
And went against the world;
'T was not so much as David had,
But I was twice as bold.

I aimed my pebble, but myself
Was all the one that fell.
Was it Goliath was too large,
Or only I too small?

XXXIV.

A shady friend for torrid days
Is easier to find
Than one of higher temperature
For frigid hour of mind.

The vane a little to the east
Scares muslin souls away;
If broadcloth breasts are firmer
Than those of organdy,

Who is to blame? The weaver?
Ah! the bewildering thread!
The tapestries of paradise
So notelessly are made!

XXXV.

THE GOAL.

Each life converges to some centre
Expressed or still;
Exists in every human nature
A goal,

Admitted scarcely to itself, it may be,
Too fair
For credibility's temerity
To dare.

Adored with caution, as a brittle heaven,
To reach
Were hopeless as the rainbow's raiment
To touch,

Yet persevered toward, surer for the distance;
How high
Unto the saints' slow diligence
The sky!

Ungained, it may be, by a life's low venture,
But then,
Eternity enables the endeavoring
Again.

XXXVI.

SIGHT.

Before I got my eye put out,
I liked as well to see
As other creatures that have eyes,
And know no other way.

But were it told to me, to-day,
That I might have the sky
For mine, I tell you that my heart
Would split, for size of me.

The meadows mine, the mountains mine, —
All forests, stintless stars,
As much of noon as I could take
Between my finite eyes.

The motions of the dipping birds,
The lightning's jointed road,
For mine to look at when I liked, —
The news would strike me dead!

So safer, guess, with just my soul
Upon the window-pane
Where other creatures put their eyes,
Incautious of the sun.

XXXVII.

Talk with prudence to a beggar
Of 'Potosi' and the mines!
Reverently to the hungry
Of your viands and your wines!

Cautious, hint to any captive
You have passed enfranchised feet!
Anecdotes of air in dungeons
Have sometimes proved deadly sweet!

XXXVIII.

THE PREACHER.

He preached upon "breadth" till it argued him narrow, —
The broad are too broad to define;
And of "truth" until it proclaimed him a liar, —
The truth never flaunted a sign.

Simplicity fled from his counterfeit presence
As gold the pyrites would shun.
What confusion would cover the innocent Jesus
To meet so enabled a man!

XXXIX.

Good night! which put the candle out?
A jealous zephyr, not a doubt.
Ah! friend, you little knew
How long at that celestial wick
The angels labored diligent;
Extinguished, now, for you!

It might have been the lighthouse spark
Some sailor, rowing in the dark,
Had importuned to see!
It might have been the waning lamp
That lit the drummer from the camp
To purer reveille!

XL.

When I hoped I feared,
Since I hoped I dared;
Everywhere alone
As a church remain;
Spectre cannot harm,
Serpent cannot charm;
He deposes doom,
Who hath suffered him.

XLI.

DEED.

A deed knocks first at thought,
And then it knocks at will.
That is the manufacturing spot,
And will at home and well.

It then goes out an act,
Or is entombed so still
That only to the ear of God
Its doom is audible.

XLII.

TIME'S LESSON.

Mine enemy is growing old, —
I have at last revenge.
The palate of the hate departs;
If any would avenge, —

Let him be quick, the viand flits,
It is a faded meat.
Anger as soon as fed is dead;
'T is starving makes it fat.

XLIII.

REMORSE.

Remorse is memory awake,
Her companies astir, —
A presence of departed acts
At window and at door.

It's past set down before the soul,
And lighted with a match,
Perusal to facilitate
Of its condensed despatch.

Remorse is cureless, — the disease
Not even God can heal;
For 't is his institution, —
The complement of hell.

XLIV.

THE SHELTER.

The body grows outside, —
The more convenient way, —
That if the spirit like to hide,
Its temple stands alway

Ajar, secure, inviting;
It never did betray
The soul that asked its shelter
In timid honesty.

You drifted your dominions
A different Peru;
And I esteemed all poverty,
For life's estate with you.

Of mines I little know, myself,
But just the names of gems, —
The colors of the commonest;
And scarce of diadems

So much that, did I meet the queen,
Her glory I should know:
But this must be a different wealth,
To miss it beggars so.

I 'm sure 't is India all day
To those who look on you
Without a stint, without a blame, —
Might I but be the Jew!

I 'm sure it is Golconda,
Beyond my power to deem, —
To have a smile for mine each day,
How better than a gem!

At least, it solaces to know
That there exists a gold,
Although I prove it just in time
Its distance to behold!

It 's far, far treasure to surmise,
And estimate the pearl
That slipped my simple fingers through
While just a girl at school!

IV.

THE CONTRACT.

I gave myself to him,
And took himself for pay.
The solemn contract of a life
Was ratified this way.

The wealth might disappoint,
Myself a poorer prove
Than this great purchaser suspect,
The daily own of Love

Depreciate the vision;
But, till the merchant buy,
Still fable, in the isles of spice,
The subtle cargoes lie.

At least, 't is mutual risk, —
Some found it mutual gain;
Sweet debt of Life, — each night to owe,
Insolvent, every noon.

V.

THE LETTER.

"Going to him! Happy letter! Tell him —
Tell him the page I didn't write;
Tell him I only said the syntax,
And left the verb and the pronoun out.
Tell him just how the fingers hurried,
Then how they waded, slow, slow, slow;
And then you wished you had eyes in your pages,
So you could see what moved them so.

"Tell him it wasn't a practised writer,
You guessed, from the way the sentence toiled;
You could hear the bodice tug, behind you,
As if it held but the might of a child;
You almost pitied it, you, it worked so.
Tell him — No, you may quibble there,
For it would split his heart to know it,
And then you and I were silenter.

"Tell him night finished before we finished,
And the old clock kept neighing 'day!'
And you got sleepy and begged to be ended —
What could it hinder so, to say?
Tell him just how she sealed you, cautious,
But if he ask where you are hid
Until to-morrow, — happy letter!
Gesture, coquette, and shake your head!"

VI.

The way I read a letter 's this:
'T is first I lock the door,
And push it with my fingers next,
For transport it be sure.

And then I go the furthest off
To counteract a knock;
Then draw my little letter forth
And softly pick its lock.

Then, glancing narrow at the wall,
And narrow at the floor,
For firm conviction of a mouse
Not exorcised before,

Peruse how infinite I am
To — no one that you know!
And sigh for lack of heaven, — but not
The heaven the creeds bestow.

VII.

Wild nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!

Futile the winds
To a heart in port, —
Done with the compass,
Done with the chart.

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!

VIII.

AT HOME.

The night was wide, and furnished scant
With but a single star,
That often as a cloud it met
Blew out itself for fear.

The wind pursued the little bush,
And drove away the leaves
November left; then clambered up
And fretted in the eaves.

No squirrel went abroad;
A dog's belated feet
Like intermittent plush were heard
Adown the empty street.

To feel if blinds be fast,
And closer to the fire
Her little rocking-chair to draw,
And shiver for the poor,

The housewife's gentle task.
"How pleasanter," said she
Unto the sofa opposite,
"The sleet than May — no thee!"

IX.

POSSESSION.

Did the harebell loose her girdle
To the lover bee,
Would the bee the harebell hallow
Much as formerly?

Did the paradise, persuaded,
Yield her moat of pearl,
Would the Eden be an Eden,
Or the earl an earl?

X.

A charm invests a face
Imperfectly beheld, —
The lady dare not lift her veil
For fear it be dispelled.

But peers beyond her mesh,
And wishes, and denies, —
Lest interview annul a want
That image satisfies.

XI.

THE LOVERS.

The rose did caper on her cheek,
Her bodice rose and fell,
Her pretty speech, like drunken men,
Did stagger pitiful.

Her fingers fumbled at her work, —
Her needle would not go;
What ailed so smart a little maid
It puzzled me to know,

Till opposite I spied a cheek
That bore another rose;
Just opposite, another speech
That like the drunkard goes;

A vest that, like the bodice, danced
To the immortal tune, —
Till those two troubled little clocks
Ticked softly into one.

He put the belt around my life, —
I heard the buckle snap,
And turned away, imperial,
My lifetime folding up
Deliberate, as a duke would do
A kingdom's title-deed, —
Henceforth a dedicated sort,
A member of the cloud.

Yet not too far to come at call,
And do the little toils
That make the circuit of the rest,
And deal occasional smiles
To lives that stoop to notice mine
And kindly ask it in, —
Whose invitation, knew you not
For whom I must decline?

XV.

THE LOST JEWEL.

I held a jewel in my fingers
And went to sleep.
The day was warm, and winds were prosy;
I said: "'T will keep."

I woke and chid my honest fingers, —
The gem was gone;
And now an amethyst remembrance
Is all I own.

XVI.

What if I say I shall not wait?
What if I burst the fleshly gate
And pass, escaped, to thee?
What if I file this mortal off,
See where it hurt me, — that 's enough, —
And wade in liberty?

They cannot take us any more, —
Dungeons may call, and guns implore;
Unmeaning now, to me,
As laughter was an hour ago,
Or laces, or a travelling show,
Or who died yesterday!

III. NATURE.

I.

MOTHER NATURE.

Nature, the gentlest mother,
Impatient of no child,
The feeblest or the waywardest, —
Her admonition mild

In forest and the hill
By traveller is heard,
Restraining rampant squirrel
Or too impetuous bird.

How fair her conversation,
A summer afternoon, —
Her household, her assembly;
And when the sun goes down

Her voice among the aisles
Incites the timid prayer
Of the minutest cricket,
The most unworthy flower.

When all the children sleep
She turns as long away
As will suffice to light her lamps;
Then, bending from the sky

With infinite affection
And infiniter care,
Her golden finger on her lip,
Wills silence everywhere.

II.

OUT OF THE MORNING.

Will there really be a morning?
Is there such a thing as day?
Could I see it from the mountains
If I were as tall as they?

Has it feet like water-lilies?
Has it feathers like a bird?
Is it brought from famous countries
Of which I have never heard?

Oh, some scholar! Oh, some sailor!
Oh, some wise man from the skies!
Please to tell a little pilgrim
Where the place called morning lies!

III.

At half-past three a single bird
Unto a silent sky
Propounded but a single term
Of cautious melody.

At half-past four, experiment
Had subjugated test,
And lo! her silver principle
Supplanted all the rest.

At half-past seven, element
Nor implement was seen,
And place was where the presence was,
Circumference between.

IV.

DAY'S PARLOR.

The day came slow, till five o'clock,
Then sprang before the hills
Like hindered rubies, or the light
A sudden musket spills.

The purple could not keep the east,
The sunrise shook from fold,
Like breadths of topaz, packed a night,
The lady just unrolled.

The happy winds their timbrels took;
The birds, in docile rows,
Arranged themselves around their prince
(The wind is prince of those).

The orchard sparkled like a Jew, —
How mighty 't was, to stay
A guest in this stupendous place,
The parlor of the day!

V.

THE SUN'S WOOING.

The sun just touched the morning;
The morning, happy thing,
Supposed that he had come to dwell,
And life would be all spring.

She felt herself supremer, —
A raised, ethereal thing;
Henceforth for her what holiday!
Meanwhile, her wheeling king

Trailed slow along the orchards
His haughty, spangled hems,
Leaving a new necessity, —
The want of diadems!

The morning fluttered, staggered,
Felt feebly for her crown, —
Her unanointed forehead
Henceforth her only one.

VI.

THE ROBIN.

The robin is the one
That interrupts the morn
With hurried, few, express reports
When March is scarcely on.

The robin is the one
That overflows the noon
With her cherubic quantity,
An April but begun.

The robin is the one
That speechless from her nest
Submits that home and certainty
And sanctity are best.

VII.

THE BUTTERFLY'S DAY.

From cocoon forth a butterfly
As lady from her door
Emerged — a summer afternoon —
Repairing everywhere,

Without design, that I could trace,
Except to stray abroad
On miscellaneous enterprise
The clovers understood.

Her pretty parasol was seen
Contracting in a field
Where men made hay, then struggling hard
With an opposing cloud,

Where parties, phantom as herself,
To Nowhere seemed to go
In purposeless circumference,
As 't were a tropic show.

And notwithstanding bee that worked,
And flower that zealous blew,
This audience of idleness
Disdained them, from the sky,

Till sundown crept, a steady tide,
And men that made the hay,
And afternoon, and butterfly,
Extinguished in its sea.

VIII.

THE BLUEBIRD.

Before you thought of spring,
Except as a surmise,
You see, God bless his suddenness,
A fellow in the skies
Of independent hues,
A little weather-worn,
Inspiriting habiliments
Of indigo and brown.

With specimens of song,
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!

IX.

APRIL.

An altered look about the hills;
A Tyrian light the village fills;
A wider sunrise in the dawn;
A deeper twilight on the lawn;
A print of a vermilion foot;
A purple finger on the slope;
A flippant fly upon the pane;
A spider at his trade again;
An added strut in chanticleer;
A flower expected everywhere;
An axe shrill singing in the woods;
Fern-odors on untravelled roads, —
All this, and more I cannot tell,
A furtive look you know as well,
And Nicodemus' mystery
Receives its annual reply.

X.

THE SLEEPING FLOWERS.

"Whose are the little beds," I asked,
"Which in the valleys lie?"
Some shook their heads, and others smiled,
And no one made reply.

"Perhaps they did not hear," I said;
"I will inquire again.
Whose are the beds, the tiny beds
So thick upon the plain?"

"'T is daisy in the shortest;
A little farther on,
Nearest the door to wake the first,
Little leontodon.

"'T is iris, sir, and aster,
Anemone and bell,
Batschia in the blanket red,
And chubby daffodil."

Meanwhile at many cradles
Her busy foot she plied,
Humming the quaintest lullaby
That ever rocked a child.

Then, turning from them, reverent,
"Their bed-time 't is," she said;
"The bumble-bees will wake them
When April woods are red."

XI.

MY ROSE.

Pigmy seraphs gone astray,
Velvet people from Vevay,
Belles from some lost summer day,
Bees' exclusive coterie.
Paris could not lay the fold
Belted down with emerald;
Venice could not show a cheek
Of a tint so lustrous meek.
Never such an ambuscade
As of brier and leaf displayed
For my little damask maid.
I had rather wear her grace
Than an earl's distinguished face;
I had rather dwell like her
Than be Duke of Exeter
Royalty enough for me
To subdue the bumble-bee!

XII.

THE ORIOLE'S SECRET.

To hear an oriole sing
May be a common thing,
Or only a divine.

It is not of the bird
Who sings the same, unheard,
As unto crowd.

The fashion of the ear
Attireth that it hear
In dun or fair.

So whether it be rune,
Or whether it be none,
Is of within;

The "tune is in the tree,"
The sceptic showeth me;
"No, sir! In thee!"

XIII.

THE ORIOLE.

One of the ones that Midas touched,
Who failed to touch us all,
Was that confiding prodigal,
The blissful oriole.

So drunk, he disavows it
With badinage divine;
So dazzling, we mistake him
For an alighting mine.

A pleader, a dissembler,
An epicure, a thief, —
Betimes an oratorio,
An ecstasy in chief;

The Jesuit of orchards,
He cheats as he enchants
Of an entire attar
For his decamping wants.

The splendor of a Burmah,
The meteor of birds,
Departing like a pageant
Of ballads and of bards.

I never thought that Jason sought
For any golden fleece;
But then I am a rural man,
With thoughts that make for peace.

But if there were a Jason,
Tradition suffer me
Behold his lost emolument
Upon the apple-tree.

XIV.

IN SHADOW.

I dreaded that first robin so,
But he is mastered now,
And I 'm accustomed to him grown, —
He hurts a little, though.

I thought if I could only live
Till that first shout got by,
Not all pianos in the woods
Had power to mangle me.

I dared not meet the daffodils,
For fear their yellow gown
Would pierce me with a fashion
So foreign to my own.

I wished the grass would hurry,
So when 't was time to see,
He 'd be too tall, the tallest one
Could stretch to look at me.

I could not bear the bees should come,
I wished they 'd stay away
In those dim countries where they go:
What word had they for me?

They 're here, though; not a creature failed,
No blossom stayed away
In gentle deference to me,
The Queen of Calvary.

Each one salutes me as he goes,
And I my childish plumes
Lift, in bereaved acknowledgment
Of their unthinking drums.

XV.

THE HUMMING-BIRD.

A route of evanescence
With a revolving wheel;
A resonance of emerald,
A rush of cochineal;
And every blossom on the bush
Adjusts its tumbled head, —
The mail from Tunis, probably,
An easy morning's ride.

XVI.

SECRETS.

The skies can't keep their secret!
They tell it to the hills —
The hills just tell the orchards —
And they the daffodils!

A bird, by chance, that goes that way
Soft overheard the whole.
If I should bribe the little bird,
Who knows but she would tell?

I think I won't, however,
It's finer not to know;
If summer were an axiom,
What sorcery had snow?

So keep your secret, Father!
I would not, if I could,
Know what the sapphire fellows do,
In your new-fashioned world!

XVII.

Who robbed the woods,
The trusting woods?
The unsuspecting trees
Brought out their burrs and mosses
His fantasy to please.
He scanned their trinkets, curious,
He grasped, he bore away.
What will the solemn hemlock,
What will the fir-tree say?

XVIII.

TWO VOYAGERS.

Two butterflies went out at noon
And waltzed above a stream,
Then stepped straight through the firmament
And rested on a beam;

And then together bore away
Upon a shining sea, —
Though never yet, in any port,
Their coming mentioned be.

If spoken by the distant bird,
If met in ether sea
By frigate or by merchantman,
Report was not to me.

XIX.

BY THE SEA.

I started early, took my dog,
And visited the sea;
The mermaids in the basement
Came out to look at me,

And frigates in the upper floor
Extended hempen hands,
Presuming me to be a mouse
Aground, upon the sands.

But no man moved me till the tide
Went past my simple shoe,
And past my apron and my belt,
And past my bodice too,

And made as he would eat me up
As wholly as a dew
Upon a dandelion's sleeve —
And then I started too.

And he — he followed close behind;
I felt his silver heel
Upon my ankle, — then my shoes
Would overflow with pearl.

Until we met the solid town,
No man he seemed to know;
And bowing with a mighty look
At me, the sea withdrew.

XX.

OLD-FASHIONED.

Arcturus is his other name, —
I'd rather call him star!
It's so unkind of science
To go and interfere!

I pull a flower from the woods, —
A monster with a glass
Computes the stamens in a breath,
And has her in a class.

Whereas I took the butterfly
Aforetime in my hat,
He sits erect in cabinets,
The clover-bells forgot.

What once was heaven, is zenith now.
Where I proposed to go
When time's brief masquerade was done,
Is mapped, and charted too!

What if the poles should frisk about
And stand upon their heads!
I hope I 'm ready for the worst,
Whatever prank betides!

Perhaps the kingdom of Heaven 's changed!
I hope the children there
Won't be new-fashioned when I come,
And laugh at me, and stare!

I hope the father in the skies
Will lift his little girl, —
Old-fashioned, naughty, everything, —
Over the stile of pearl!

XXI.

A TEMPEST.

An awful tempest mashed the air,
The clouds were gaunt and few;
A black, as of a spectre's cloak,
Hid heaven and earth from view.

The creatures chuckled on the roofs
And whistled in the air,
And shook their fists and gnashed their teeth.
And swung their frenzied hair.

The morning lit, the birds arose;
The monster's faded eyes
Turned slowly to his native coast,
And peace was Paradise!

XXII.

THE SEA.

An everywhere of silver,
With ropes of sand
To keep it from effacing
The track called land.

XXIII.

IN THE GARDEN.

A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.

And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass.

He glanced with rapid eyes
That hurried all abroad, —
They looked like frightened beads, I thought;
He stirred his velvet head

Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rowed him softer home

Than oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, plashless, as they swim.

XXIV.

THE SNAKE.

A narrow fellow in the grass
Occasionally rides;
You may have met him, — did you not,
His notice sudden is.

The grass divides as with a comb,
A spotted shaft is seen;
And then it closes at your feet
And opens further on.

He likes a boggy acre,
A floor too cool for corn.
Yet when a child, and barefoot,
I more than once, at morn,

Have passed, I thought, a whip-lash
Unbraiding in the sun, —
When, stooping to secure it,
It wrinkled, and was gone.

Several of nature's people
I know, and they know me;
I feel for them a transport
Of cordiality;

But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone.

XXV.

THE MUSHROOM.

The mushroom is the elf of plants,
At evening it is not;
At morning in a truffled hut
It stops upon a spot

As if it tarried always;
And yet its whole career
Is shorter than a snake's delay,
And fleeter than a tare.

'T is vegetation's juggler,
The germ of alibi;
Doth like a bubble antedate,
And like a bubble hie.

I feel as if the grass were pleased
To have it intermit;
The surreptitious scion
Of summer's circumspect.

Had nature any outcast face,
Could she a son contemn,
Had nature an Iscariot,
That mushroom, — it is him.

XXVI.

THE STORM.

There came a wind like a bugle;
It quivered through the grass,
And a green chill upon the heat
So ominous did pass
We barred the windows and the doors
As from an emerald ghost;
The doom's electric moccason
That very instant passed.
On a strange mob of panting trees,
And fences fled away,
And rivers where the houses ran
The living looked that day.
The bell within the steeple wild
The flying tidings whirled.
How much can come
And much can go,
And yet abide the world!

XXVII.

THE SPIDER.

A spider sewed at night
Without a light
Upon an arc of white.
If ruff it was of dame
Or shroud of gnome,
Himself, himself inform.
Of immortality
His strategy
Was physiognomy.

XXVIII.

I know a place where summer strives
With such a practised frost,
She each year leads her daisies back,
Recording briefly, "Lost."

But when the south wind stirs the pools
And struggles in the lanes,
Her heart misgives her for her vow,
And she pours soft refrains

Into the lap of adamant,
And spices, and the dew,
That stiffens quietly to quartz,
Upon her amber shoe.

XXIX.

The one that could repeat the summer day
Were greater than itself, though he
Minutest of mankind might be.
And who could reproduce the sun,
At period of going down —
The lingering and the stain, I mean —
When Orient has been outgrown,
And Occident becomes unknown,
His name remain.

XXX.

THE WlND'S VISIT.

The wind tapped like a tired man,
And like a host, "Come in,"
I boldly answered; entered then
My residence within

A rapid, footless guest,
To offer whom a chair
Were as impossible as hand
A sofa to the air.

No bone had he to bind him,
His speech was like the push
Of numerous humming-birds at once
From a superior bush.

His countenance a billow,
His fingers, if he pass,
Let go a music, as of tunes
Blown tremulous in glass.

He visited, still flitting;
Then, like a timid man,
Again he tapped — 't was flurriedly —
And I became alone.

XXXI.

Nature rarer uses yellow
Than another hue;
Saves she all of that for sunsets, —
Prodigal of blue,

Spending scarlet like a woman,
Yellow she affords
Only scantly and selectly,
Like a lover's words.

XXXII.

GOSSIP.

The leaves, like women, interchange
Sagacious confidence;
Somewhat of nods, and somewhat of
Portentous inference,

The parties in both cases
Enjoining secrecy, —
Inviolable compact
To notoriety.

XXXIII.

SIMPLICITY.

How happy is the little stone
That rambles in the road alone,
And doesn't care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity.

XXXIV.

STORM.

It sounded as if the streets were running,
And then the streets stood still.
Eclipse was all we could see at the window,
And awe was all we could feel.

By and by the boldest stole out of his covert,
To see if time was there.
Nature was in her beryl apron,
Mixing fresher air.

XXXV.

THE RAT.

The rat is the concisest tenant.
He pays no rent, —
Repudiates the obligation,
On schemes intent.

A brief, but patient illness,
An hour to prepare;
And one, below this morning,
Is where the angels are.

It was a short procession, —
The bobolink was there,
An aged bee addressed us,
And then we knelt in prayer.

We trust that she was willing, —
We ask that we may be.
Summer, sister, seraph,
Let us go with thee!

In the name of the bee
And of the butterfly
And of the breeze, amen!

XLVIII.

FRINGED GENTIAN.

God made a little gentian;
It tried to be a rose
And failed, and all the summer laughed.
But just before the snows
There came a purple creature
That ravished all the hill;
And summer hid her forehead,
And mockery was still.
The frosts were her condition;
The Tyrian would not come
Until the North evoked it.
"Creator! shall I bloom?"

XLIX.

NOVEMBER.

Besides the autumn poets sing,
A few prosaic days
A little this side of the snow
And that side of the haze.

It sifts from leaden sieves,
It powders all the wood,
It fills with alabaster wool
The wrinkles of the road.

It makes an even face
Of mountain and of plain, —
Unbroken forehead from the east
Unto the east again.

It reaches to the fence,
It wraps it, rail by rail,
Till it is lost in fleeces;
It flings a crystal veil

On stump and stack and stem, —
The summer's empty room,
Acres of seams where harvests were,
Recordless, but for them.

It ruffles wrists of posts,
As ankles of a queen, —
Then stills its artisans like ghosts,
Denying they have been.

LI.

THE BLUE JAY.

No brigadier throughout the year
So civic as the jay.
A neighbor and a warrior too,
With shrill felicity

Pursuing winds that censure us
A February day,
The brother of the universe
Was never blown away.

The snow and he are intimate;
I 've often seen them play
When heaven looked upon us all
With such severity,

I felt apology were due
To an insulted sky,
Whose pompous frown was nutriment
To their temerity.

The pillow of this daring head
Is pungent evergreens;
His larder — terse and militant —
Unknown, refreshing things;

His character a tonic,
His future a dispute;
Unfair an immortality
That leaves this neighbor out.

IV. TIME AND ETERNITY.

I.

Let down the bars, O Death!
The tired flocks come in
Whose bleating ceases to repeat,
Whose wandering is done.

Thine is the stillest night,
Thine the securest fold;
Too near thou art for seeking thee,
Too tender to be told.

II.

Going to heaven!
I don't know when,
Pray do not ask me how, —
Indeed, I 'm too astonished
To think of answering you!
Going to heaven! —
How dim it sounds!
And yet it will be done
As sure as flocks go home at night
Unto the shepherd's arm!

Perhaps you 're going too!
Who knows?
If you should get there first,
Save just a little place for me
Close to the two I lost!

The smallest "robe" will fit me,
And just a bit of "crown;"
For you know we do not mind our dress
When we are going home.

I 'm glad I don't believe it,
For it would stop my breath,
And I 'd like to look a little more
At such a curious earth!
I am glad they did believe it
Whom I have never found
Since the mighty autumn afternoon
I left them in the ground.

III.

At least to pray is left, is left.
O Jesus! in the air
I know not which thy chamber is, —
I 'm knocking everywhere.

Thou stirrest earthquake in the South,
And maelstrom in the sea;
Say, Jesus Christ of Nazareth,
Hast thou no arm for me?

IV.

EPITAPH.

Step lightly on this narrow spot!
The broadest land that grows
Is not so ample as the breast
These emerald seams enclose.

Step lofty; for this name is told
As far as cannon dwell,
Or flag subsist, or fame export
Her deathless syllable.

V.

Morns like these we parted;
Noons like these she rose,
Fluttering first, then firmer,
To her fair repose.

Never did she lisp it,
And 't was not for me;
She was mute from transport,
I, from agony!

Till the evening, nearing,
One the shutters drew —
Quick! a sharper rustling!
And this linnet flew!

VI.

A death-blow is a life-blow to some
Who, till they died, did not alive become;
Who, had they lived, had died, but when
They died, vitality begun.

VII.

I read my sentence steadily,
Reviewed it with my eyes,
To see that I made no mistake
In its extremest clause, —

The date, and manner of the shame;
And then the pious form
That "God have mercy" on the soul
The jury voted him.

I made my soul familiar
With her extremity,
That at the last it should not be
A novel agony,

But she and Death, acquainted,
Meet tranquilly as friends,
Salute and pass without a hint —
And there the matter ends.

VIII.

I have not told my garden yet,
Lest that should conquer me;
I have not quite the strength now
To break it to the bee.

I will not name it in the street,
For shops would stare, that I,
So shy, so very ignorant,
Should have the face to die.

The hillsides must not know it,
Where I have rambled so,
Nor tell the loving forests
The day that I shall go,

Nor lisp it at the table,
Nor heedless by the way
Hint that within the riddle
One will walk to-day!

IX.

THE BATTLE-FIELD.

They dropped like flakes, they dropped like stars,
Like petals from a rose,
When suddenly across the June
A wind with fingers goes.

They perished in the seamless grass, —
No eye could find the place;
But God on his repealless list
Can summon every face.

X.

The only ghost I ever saw
Was dressed in mechlin, — so;
He wore no sandal on his foot,
And stepped like flakes of snow.
His gait was soundless, like the bird,
But rapid, like the roe;
His fashions quaint, mosaic,
Or, haply, mistletoe.

His conversation seldom,
His laughter like the breeze
That dies away in dimples
Among the pensive trees.
Our interview was transient,—
Of me, himself was shy;
And God forbid I look behind
Since that appalling day!

XI.

Some, too fragile for winter winds,
The thoughtful grave encloses, —
Tenderly tucking them in from frost
Before their feet are cold.

Never the treasures in her nest
The cautious grave exposes,
Building where schoolboy dare not look
And sportsman is not bold.

This covert have all the children
Early aged, and often cold, —
Sparrows unnoticed by the Father;
Lambs for whom time had not a fold.

XII.

As by the dead we love to sit,
Become so wondrous dear,
As for the lost we grapple,
Though all the rest are here, —

In broken mathematics
We estimate our prize,
Vast, in its fading ratio,
To our penurious eyes!

XIII.

MEMORIALS.

Death sets a thing significant
The eye had hurried by,
Except a perished creature
Entreat us tenderly

To ponder little workmanships
In crayon or in wool,
With "This was last her fingers did,"
Industrious until

The thimble weighed too heavy,
The stitches stopped themselves,
And then 't was put among the dust
Upon the closet shelves.

A book I have, a friend gave,
Whose pencil, here and there,
Had notched the place that pleased him, —
At rest his fingers are.

Now, when I read, I read not,
For interrupting tears
Obliterate the etchings
Too costly for repairs.

XIV.

I went to heaven, —
'T was a small town,
Lit with a ruby,
Lathed with down.
Stiller than the fields
At the full dew,
Beautiful as pictures
No man drew.
People like the moth,
Of mechlin, frames,
Duties of gossamer,
And eider names.
Almost contented
I could be
'Mong such unique
Society.

XV.

Their height in heaven comforts not,
Their glory nought to me;
'T was best imperfect, as it was;
I 'm finite, I can't see.

The house of supposition,
The glimmering frontier
That skirts the acres of perhaps,
To me shows insecure.

The wealth I had contented me;
If 't was a meaner size,
Then I had counted it until
It pleased my narrow eyes

There is a shame of nobleness
Confronting sudden pelf, —
A finer shame of ecstasy
Convicted of itself.

A best disgrace a brave man feels,
Acknowledged of the brave, —
One more "Ye Blessed" to be told;
But this involves the grave.

XVII.

TRIUMPH.

Triumph may be of several kinds.
There 's triumph in the room
When that old imperator, Death,
By faith is overcome.

There 's triumph of the finer mind
When truth, affronted long,
Advances calm to her supreme,
Her God her only throng.

A triumph when temptation's bribe
Is slowly handed back,
One eye upon the heaven renounced
And one upon the rack.

Severer triumph, by himself
Experienced, who can pass
Acquitted from that naked bar,
Jehovah's countenance!

XVIII.

Pompless no life can pass away;
The lowliest career
To the same pageant wends its way
As that exalted here.
How cordial is the mystery!
The hospitable pall
A "this way" beckons spaciously, —
A miracle for all!

XIX.

I noticed people disappeared,
When but a little child, —
Supposed they visited remote,
Or settled regions wild.

Now know I they both visited
And settled regions wild,
But did because they died, — a fact
Withheld the little child!

XX.

FOLLOWING.

I had no cause to be awake,
My best was gone to sleep,
And morn a new politeness took,
And failed to wake them up,

But called the others clear,
And passed their curtains by.
Sweet morning, when I over-sleep,
Knock, recollect, for me!

I looked at sunrise once,
And then I looked at them,
And wishfulness in me arose
For circumstance the same.

'T was such an ample peace,
It could not hold a sigh, —
'T was Sabbath with the bells divorced,
'T was sunset all the day.

So choosing but a gown
And taking but a prayer,
The only raiment I should need,
I struggled, and was there.

XXI.

If anybody's friend be dead,
It 's sharpest of the theme
The thinking how they walked alive,
At such and such a time.

Their costume, of a Sunday,
Some manner of the hair, —
A prank nobody knew but them,
Lost, in the sepulchre.

How warm they were on such a day:
You almost feel the date,
So short way off it seems; and now,
They 're centuries from that.

How pleased they were at what you said;
You try to touch the smile,
And dip your fingers in the frost:
When was it, can you tell,

You asked the company to tea,
Acquaintance, just a few,
And chatted close with this grand thing
That don't remember you?

Past bows and invitations,
Past interview, and vow,
Past what ourselves can estimate, —
That makes the quick of woe!

XXII.

THE JOURNEY.

Our journey had advanced;
Our feet were almost come
To that odd fork in Being's road,
Eternity by term.

Our pace took sudden awe,
Our feet reluctant led.
Before were cities, but between,
The forest of the dead.

Retreat was out of hope, —
Behind, a sealed route,
Eternity's white flag before,
And God at every gate.

XXIII.

A COUNTRY BURIAL.

Ample make this bed.
Make this bed with awe;
In it wait till judgment break
Excellent and fair.

Be its mattress straight,
Be its pillow round;
Let no sunrise' yellow noise
Interrupt this ground.

XXIV.

GOING.

On such a night, or such a night,
Would anybody care
If such a little figure
Slipped quiet from its chair,

So quiet, oh, how quiet!
That nobody might know
But that the little figure
Rocked softer, to and fro?

On such a dawn, or such a dawn,
Would anybody sigh
That such a little figure
Too sound asleep did lie

For chanticleer to wake it, —
Or stirring house below,
Or giddy bird in orchard,
Or early task to do?

There was a little figure plump
For every little knoll,
Busy needles, and spools of thread,
And trudging feet from school.

Playmates, and holidays, and nuts,
And visions vast and small.
Strange that the feet so precious charged
Should reach so small a goal!

XXV.

Essential oils are wrung:
The attar from the rose
Is not expressed by suns alone,
It is the gift of screws.

The general rose decays;
But this, in lady's drawer,
Makes summer when the lady lies
In ceaseless rosemary.

XXVI.

I lived on dread; to those who know
The stimulus there is
In danger, other impetus
Is numb and vital-less.

As 't were a spur upon the soul,
A fear will urge it where
To go without the spectre's aid
Were challenging despair.

XXVII.

If I should die,
And you should live,
And time should gurgle on,
And morn should beam,
And noon should burn,
As it has usual done;
If birds should build as early,
And bees as bustling go, —
One might depart at option
From enterprise below!
'T is sweet to know that stocks will stand
When we with daisies lie,
That commerce will continue,
And trades as briskly fly.
It makes the parting tranquil
And keeps the soul serene,
That gentlemen so sprightly
Conduct the pleasing scene!

XXVIII.

AT LENGTH.

Her final summer was it,
And yet we guessed it not;
If tenderer industriousness
Pervaded her, we thought

A further force of life
Developed from within, —
When Death lit all the shortness up,
And made the hurry plain.

We wondered at our blindness, —
When nothing was to see
But her Carrara guide-post, —
At our stupidity,

When, duller than our dulness,
The busy darling lay,
So busy was she, finishing,
So leisurely were we!

XXIX.

GHOSTS.

One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.

Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.

The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.

XXX.

VANISHED.

She died, — this was the way she died;
And when her breath was done,
Took up her simple wardrobe
And started for the sun.

Her little figure at the gate
The angels must have spied,
Since I could never find her
Upon the mortal side.

XXXI.

PRECEDENCE.

Wait till the majesty of Death
Invests so mean a brow!
Almost a powdered footman
Might dare to touch it now!

Wait till in everlasting robes
This democrat is dressed,
Then prate about "preferment"
And "station" and the rest!

Around this quiet courtier
Obsequious angels wait!
Full royal is his retinue,
Full purple is his state!

A lord might dare to lift the hat
To such a modest clay,
Since that my Lord, "the Lord of lords"
Receives unblushingly!

XXXII.

GONE.

Went up a year this evening!
I recollect it well!
Amid no bells nor bravos
The bystanders will tell!
Cheerful, as to the village,
Tranquil, as to repose,
Chastened, as to the chapel,
This humble tourist rose.
Did not talk of returning,
Alluded to no time
When, were the gales propitious,
We might look for him;
Was grateful for the roses
In life's diverse bouquet,
Talked softly of new species
To pick another day.

Beguiling thus the wonder,
The wondrous nearer drew;
Hands bustled at the moorings —
The crowd respectful grew.
Ascended from our vision
To countenances new!
A difference, a daisy,
Is all the rest I knew!

XXXIII.

REQUIEM.

Taken from men this morning,
Carried by men to-day,
Met by the gods with banners
Who marshalled her away.

One little maid from playmates,
One little mind from school, —
There must be guests in Eden;
All the rooms are full.

Far as the east from even,
Dim as the border star, —
Courtiers quaint, in kingdoms,
Our departed are.

XXXIV.

What inn is this
Where for the night
Peculiar traveller comes?
Who is the landlord?
Where the maids?
Behold, what curious rooms!
No ruddy fires on the hearth,
No brimming tankards flow.
Necromancer, landlord,
Who are these below?

XXXV.

It was not death, for I stood up,
And all the dead lie down;
It was not night, for all the bells
Put out their tongues, for noon.

It was not frost, for on my flesh
I felt siroccos crawl, —
Nor fire, for just my marble feet
Could keep a chancel cool.

And yet it tasted like them all;
The figures I have seen
Set orderly, for burial,
Reminded me of mine,

As if my life were shaven
And fitted to a frame,
And could not breathe without a key;
And 't was like midnight, some,

When everything that ticked has stopped,
And space stares, all around,
Or grisly frosts, first autumn morns,
Repeal the beating ground.

But most like chaos, — stopless, cool, —
Without a chance or spar,
Or even a report of land
To justify despair.

XXXVI.

TILL THE END.

I should not dare to leave my friend,
Because — because if he should die
While I was gone, and I — too late —
Should reach the heart that wanted me;

If I should disappoint the eyes
That hunted, hunted so, to see,
And could not bear to shut until
They "noticed" me — they noticed me;

If I should stab the patient faith
So sure I 'd come — so sure I 'd come,
It listening, listening, went to sleep
Telling my tardy name, —

My heart would wish it broke before,
Since breaking then, since breaking then,
Were useless as next morning's sun,
Where midnight frosts had lain!

XXXVII.

VOID.

Great streets of silence led away
To neighborhoods of pause;
Here was no notice, no dissent,
No universe, no laws.

By clocks 't was morning, and for night
The bells at distance called;
But epoch had no basis here,
For period exhaled.

XXXVIII.

A throe upon the features
A hurry in the breath,
An ecstasy of parting
Denominated "Death," —

An anguish at the mention,
Which, when to patience grown,
I 've known permission given
To rejoin its own.

XXXIX.

SAVED!

Of tribulation these are they
Denoted by the white;
The spangled gowns, a lesser rank
Of victors designate.

All these did conquer; but the ones
Who overcame most times
Wear nothing commoner than snow,
No ornament but palms.

Surrender is a sort unknown
On this superior soil;
Defeat, an outgrown anguish,
Remembered as the mile

Our panting ankle barely gained
When night devoured the road;
But we stood whispering in the house,
And all we said was "Saved"!

XL.

I think just how my shape will rise
When I shall be forgiven,
Till hair and eyes and timid head
Are out of sight, in heaven.

I think just how my lips will weigh
With shapeless, quivering prayer
That you, so late, consider me,
The sparrow of your care.

I mind me that of anguish sent,
Some drifts were moved away
Before my simple bosom broke, —
And why not this, if they?

And so, until delirious borne
I con that thing, — "forgiven," —
Till with long fright and longer trust
I drop my heart, unshriven!

XLI.

THE FORGOTTEN GRAVE.

After a hundred years
Nobody knows the place, —
Agony, that enacted there,
Motionless as peace.

Weeds triumphant ranged,
Strangers strolled and spelled
At the lone orthography
Of the elder dead.

Winds of summer fields
Recollect the way, —
Instinct picking up the key
Dropped by memory.

XLII.

Lay this laurel on the one
Too intrinsic for renown.
Laurel! veil your deathless tree, —
Him you chasten, that is he!

POEMS

by EMILY DICKINSON

Third Series

Edited by

MABEL LOOMIS TODD

It's all I have to bring to-day,
This, and my heart beside,
This, and my heart, and all the fields,
And all the meadows wide.
Be sure you count, should I forget, —
Some one the sum could tell, —
This, and my heart, and all the bees
Which in the clover dwell.

PREFACE.

The intellectual activity of Emily Dickinson was so great that
a large and characteristic choice is still possible among her
literary material, and this third volume of her verses is put
forth in response to the repeated wish of the admirers of her
peculiar genius. Much of Emily Dickinson's prose was rhythmic,
—even rhymed, though frequently not set apart in lines.

Also many verses, written as such, were sent to friends in
letters; these were published in 1894, in the volumes of her
Letters. It has not been necessary, however, to include them in
this Series, and all have been omitted, except three or four
exceptionally strong ones, as "A Book," and "With Flowers."

There is internal evidence that many of the poems were simply
spontaneous flashes of insight, apparently unrelated to outward
circumstance. Others, however, had an obvious personal origin;
for example, the verses "I had a Guinea golden," which seem to
have been sent to some friend travelling in Europe, as a dainty
reminder of letter-writing delinquencies. The surroundings in
which any of Emily Dickinson's verses are known to have been
written usually serve to explain them clearly; but in general the
present volume is full of thoughts needing no interpretation to
those who apprehend this scintillating spirit.

M. L. T.

AMHERST, October, 1896.

I. LIFE.

I.

REAL RICHES.

'T is little I could care for pearls
Who own the ample sea;
Or brooches, when the Emperor
With rubies pelteth me;

Or gold, who am the Prince of Mines;
Or diamonds, when I see
A diadem to fit a dome
Continual crowning me.

II.

SUPERIORITY TO FATE.

Superiority to fate
Is difficult to learn.
'T is not conferred by any,
But possible to earn

A pittance at a time,
Until, to her surprise,
The soul with strict economy
Subsists till Paradise.

III.

HOPE.

Hope is a subtle glutton;
He feeds upon the fair;
And yet, inspected closely,
What abstinence is there!

His is the halcyon table
That never seats but one,
And whatsoever is consumed
The same amounts remain.

IV.

FORBIDDEN FRUIT.

I.

Forbidden fruit a flavor has
That lawful orchards mocks;
How luscious lies the pea within
The pod that Duty locks!

V.

FORBIDDEN FRUIT.

II.

Heaven is what I cannot reach!
The apple on the tree,
Provided it do hopeless hang,
That 'heaven' is, to me.

The color on the cruising cloud,
The interdicted ground
Behind the hill, the house behind, —
There Paradise is found!

VI.

A WORD.

A word is dead
When it is said,
Some say.
I say it just
Begins to live
That day.

VII.

To venerate the simple days
Which lead the seasons by,
Needs but to remember
That from you or me
They may take the trifle
Termed mortality!

To invest existence with a stately air,
Needs but to remember
That the acorn there
Is the egg of forests
For the upper air!

VIII.

LIFE'S TRADES.

It's such a little thing to weep,
So short a thing to sigh;
And yet by trades the size of these
We men and women die!

IX.

Drowning is not so pitiful
As the attempt to rise.
Three times, 't is said, a sinking man
Comes up to face the skies,
And then declines forever
To that abhorred abode
Where hope and he part company, —
For he is grasped of God.
The Maker's cordial visage,
However good to see,
Is shunned, we must admit it,
Like an adversity.

X.

How still the bells in steeples stand,
Till, swollen with the sky,
They leap upon their silver feet
In frantic melody!

XI.

If the foolish call them 'flowers,'
Need the wiser tell?
If the savans 'classify' them,
It is just as well!

Those who read the Revelations
Must not criticise
Those who read the same edition
With beclouded eyes!

Could we stand with that old Moses
Canaan denied, —
Scan, like him, the stately landscape
On the other side, —

Doubtless we should deem superfluous
Many sciences
Not pursued by learnčd angels
In scholastic skies!

Low amid that glad Belles lettres
Grant that we may stand,
Stars, amid profound Galaxies,
At that grand 'Right hand'!

XII.

A SYLLABLE.

Could mortal lip divine
The undeveloped freight
Of a delivered syllable,
'T would crumble with the weight.

XIII.

PARTING.

My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,

So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

XIV.

ASPIRATION.

We never know how high we are
Till we are called to rise;
And then, if we are true to plan,
Our statures touch the skies.

The heroism we recite
Would be a daily thing,
Did not ourselves the cubits warp
For fear to be a king.

XV.

THE INEVITABLE.

While I was fearing it, it came,
But came with less of fear,
Because that fearing it so long
Had almost made it dear.
There is a fitting a dismay,
A fitting a despair.
'Tis harder knowing it is due,
Than knowing it is here.
The trying on the utmost,
The morning it is new,
Is terribler than wearing it
A whole existence through.

XVI.

A BOOK.

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!

XVII.

Who has not found the heaven below
Will fail of it above.
God's residence is next to mine,
His furniture is love.

XVIII.

A PORTRAIT.

A face devoid of love or grace,
A hateful, hard, successful face,
A face with which a stone
Would feel as thoroughly at ease
As were they old acquaintances, —
First time together thrown.

XIX.

I HAD A GUINEA GOLDEN.

I had a guinea golden;
I lost it in the sand,
And though the sum was simple,
And pounds were in the land,
Still had it such a value
Unto my frugal eye,
That when I could not find it
I sat me down to sigh.

I had a crimson robin
Who sang full many a day,
But when the woods were painted
He, too, did fly away.
Time brought me other robins, —
Their ballads were the same, —
Still for my missing troubadour
I kept the 'house at hame.'

I had a star in heaven;
One Pleiad was its name,
And when I was not heeding
It wandered from the same.
And though the skies are crowded,
And all the night ashine,
I do not care about it,
Since none of them are mine.

My story has a moral:
I have a missing friend, —
Pleiad its name, and robin,
And guinea in the sand, —
And when this mournful ditty,
Accompanied with tear,
Shall meet the eye of traitor
In country far from here,
Grant that repentance solemn
May seize upon his mind,
And he no consolation
Beneath the sun may find.

NOTE. — This poem may have had, like many others, a
personal origin. It is more than probable that it was
sent to some friend travelling in Europe, a dainty
reminder of letter-writing delinquencies.

XX.

SATURDAY AFTERNOON.

From all the jails the boys and girls
Ecstatically leap, —
Beloved, only afternoon
That prison doesn't keep.

They storm the earth and stun the air,
A mob of solid bliss.
Alas! that frowns could lie in wait
For such a foe as this!

XXI.

Few get enough, — enough is one;
To that ethereal throng
Have not each one of us the right
To stealthily belong?

XXII.

Upon the gallows hung a wretch,
Too sullied for the hell
To which the law entitled him.
As nature's curtain fell
The one who bore him tottered in,
For this was woman's son.
''T was all I had,' she stricken gasped;
Oh, what a livid boon!

XXIII.

THE LOST THOUGHT.

I felt a clearing in my mind
As if my brain had split;
I tried to match it, seam by seam,
But could not make them fit.

The thought behind I strove to join
Unto the thought before,
But sequence ravelled out of reach
Like balls upon a floor.

XXIV.

RETICENCE.

The reticent volcano keeps
His never slumbering plan;
Confided are his projects pink
To no precarious man.

If nature will not tell the tale
Jehovah told to her,
Can human nature not survive
Without a listener?

Admonished by her buckled lips
Let every babbler be.
The only secret people keep
Is Immortality.

XXV.

WITH FLOWERS.

If recollecting were forgetting,
Then I remember not;
And if forgetting, recollecting,
How near I had forgot!
And if to miss were merry,
And if to mourn were gay,
How very blithe the fingers
That gathered these to-day!

XXVI.

The farthest thunder that I heard
Was nearer than the sky,
And rumbles still, though torrid noons
Have lain their missiles by.
The lightning that preceded it
Struck no one but myself,
But I would not exchange the bolt
For all the rest of life.
Indebtedness to oxygen
The chemist may repay,
But not the obligation
To electricity.
It founds the homes and decks the days,
And every clamor bright
Is but the gleam concomitant
Of that waylaying light.
The thought is quiet as a flake, —
A crash without a sound;
How life's reverberation
Its explanation found!

XXVII.

On the bleakness of my lot
Bloom I strove to raise.
Late, my acre of a rock
Yielded grape and maize.

Soil of flint if steadfast tilled
Will reward the hand;
Seed of palm by Lybian sun
Fructified in sand.

XXVIII.

CONTRAST.

A door just opened on a street —
I, lost, was passing by —
An instant's width of warmth disclosed,
And wealth, and company.

The door as sudden shut, and I,
I, lost, was passing by, —
Lost doubly, but by contrast most,
Enlightening misery.

XXIX.

FRIENDS.

Are friends delight or pain?
Could bounty but remain
Riches were good.

But if they only stay
Bolder to fly away,
Riches are sad.

XXX.

FIRE.

Ashes denote that fire was;
Respect the grayest pile
For the departed creature's sake
That hovered there awhile.

Fire exists the first in light,
And then consolidates, —
Only the chemist can disclose
Into what carbonates.

XXXI.

A MAN.

Fate slew him, but he did not drop;
She felled — he did not fall —
Impaled him on her fiercest stakes —
He neutralized them all.

She stung him, sapped his firm advance,
But, when her worst was done,
And he, unmoved, regarded her,
Acknowledged him a man.

XXXII.

VENTURES.

Finite to fail, but infinite to venture.
For the one ship that struts the shore
Many's the gallant, overwhelmed creature
Nodding in navies nevermore.

XXXIII.

GRIEFS.

I measure every grief I meet
With analytic eyes;
I wonder if it weighs like mine,
Or has an easier size.

I wonder if they bore it long,
Or did it just begin?
I could not tell the date of mine,
It feels so old a pain.

I wonder if it hurts to live,
And if they have to try,
And whether, could they choose between,
They would not rather die.

I wonder if when years have piled —
Some thousands — on the cause
Of early hurt, if such a lapse
Could give them any pause;

Or would they go on aching still
Through centuries above,
Enlightened to a larger pain
By contrast with the love.

The grieved are many, I am told;
The reason deeper lies, —
Death is but one and comes but once,
And only nails the eyes.

There's grief of want, and grief of cold, —
A sort they call 'despair;'
There's banishment from native eyes,
In sight of native air.

And though I may not guess the kind
Correctly, yet to me
A piercing comfort it affords
In passing Calvary,

To note the fashions of the cross,
Of those that stand alone,
Still fascinated to presume
That some are like my own.

XXXIV.

I have a king who does not speak;
So, wondering, thro' the hours meek
I trudge the day away,—
Half glad when it is night and sleep,
If, haply, thro' a dream to peep
In parlors shut by day.

And if I do, when morning comes,
It is as if a hundred drums
Did round my pillow roll,
And shouts fill all my childish sky,
And bells keep saying 'victory'
From steeples in my soul!

And if I don't, the little Bird
Within the Orchard is not heard,
And I omit to pray,
'Father, thy will be done' to-day,
For my will goes the other way,
And it were perjury!

XXXV.

DISENCHANTMENT.

It dropped so low in my regard
I heard it hit the ground,
And go to pieces on the stones
At bottom of my mind;

Yet blamed the fate that fractured, less
Than I reviled myself
For entertaining plated wares
Upon my silver shelf.

XXXVI.

LOST FAITH.

To lose one's faith surpasses
The loss of an estate,
Because estates can be
Replenished, — faith cannot.

Inherited with life,
Belief but once can be;
Annihilate a single clause,
And Being's beggary.

XXXVII.

LOST JOY.

I had a daily bliss
I half indifferent viewed,
Till sudden I perceived it stir, —
It grew as I pursued,

Till when, around a crag,
It wasted from my sight,
Enlarged beyond my utmost scope,
I learned its sweetness right.

XXXVIII.

I worked for chaff, and earning wheat
Was haughty and betrayed.
What right had fields to arbitrate
In matters ratified?

I tasted wheat, — and hated chaff,
And thanked the ample friend;
Wisdom is more becoming viewed
At distance than at hand.

XXXIX.

Life, and Death, and Giants
Such as these, are still.
Minor apparatus, hopper of the mill,
Beetle at the candle,
Or a fife's small fame,
Maintain by accident
That they proclaim.

XL.

ALPINE GLOW.

Our lives are Swiss, —
So still, so cool,
Till, some odd afternoon,
The Alps neglect their curtains,
And we look farther on.

Italy stands the other side,
While, like a guard between,
The solemn Alps,
The siren Alps,
Forever intervene!

XLI.

REMEMBRANCE.

Remembrance has a rear and front, —
'T is something like a house;
It has a garret also
For refuse and the mouse,

Besides, the deepest cellar
That ever mason hewed;
Look to it, by its fathoms
Ourselves be not pursued.

XLII.

To hang our head ostensibly,
And subsequent to find
That such was not the posture
Of our immortal mind,

Affords the sly presumption
That, in so dense a fuzz,
You, too, take cobweb attitudes
Upon a plane of gauze!

XLIII.

THE BRAIN.

The brain is wider than the sky,
For, put them side by side,
The one the other will include
With ease, and you beside.

The brain is deeper than the sea,
For, hold them, blue to blue,
The one the other will absorb,
As sponges, buckets do.

The brain is just the weight of God,
For, lift them, pound for pound,
And they will differ, if they do,
As syllable from sound.

XLIV.

The bone that has no marrow;
What ultimate for that?
It is not fit for table,
For beggar, or for cat.

A bone has obligations,
A being has the same;
A marrowless assembly
Is culpabler than shame.

But how shall finished creatures
A function fresh obtain? —
Old Nicodemus' phantom
Confronting us again!

XLV.

THE PAST.

The past is such a curious creature,
To look her in the face
A transport may reward us,
Or a disgrace.

There is a word
Which bears a sword
Can pierce an armed man.
It hurls its barbed syllables,—
At once is mute again.
But where it fell
The saved will tell
On patriotic day,
Some epauletted brother
Gave his breath away.

Wherever runs the breathless sun,
Wherever roams the day,
There is its noiseless onset,
There is its victory!

Behold the keenest marksman!
The most accomplished shot!
Time's sublimest target
Is a soul 'forgot'!

XI.

I've got an arrow here;
Loving the hand that sent it,
I the dart revere.

Fell, they will say, in 'skirmish'!
Vanquished, my soul will know,
By but a simple arrow
Sped by an archer's bow.

XII.

THE MASTER.

He fumbles at your spirit
As players at the keys
Before they drop full music on;
He stuns you by degrees,

Prepares your brittle substance
For the ethereal blow,
By fainter hammers, further heard,
Then nearer, then so slow

It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.

Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:

A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.

IV.

THE WAKING YEAR.

A lady red upon the hill
Her annual secret keeps;
A lady white within the field
In placid lily sleeps!

The tidy breezes with their brooms
Sweep vale, and hill, and tree!
Prithee, my pretty housewives!
Who may expected be?

The neighbors do not yet suspect!
The woods exchange a smile —
Orchard, and buttercup, and bird —
In such a little while!

And yet how still the landscape stands,
How nonchalant the wood,
As if the resurrection
Were nothing very odd!

V.

TO MARCH.

Dear March, come in!
How glad I am!
I looked for you before.
Put down your hat —
You must have walked —
How out of breath you are!
Dear March, how are you?
And the rest?
Did you leave Nature well?
Oh, March, come right upstairs with me,
I have so much to tell!

I got your letter, and the birds';
The maples never knew
That you were coming, — I declare,
How red their faces grew!
But, March, forgive me —
And all those hills
You left for me to hue;
There was no purple suitable,
You took it all with you.

Who knocks? That April!
Lock the door!
I will not be pursued!
He stayed away a year, to call
When I am occupied.
But trifles look so trivial
As soon as you have come,
That blame is just as dear as praise
And praise as mere as blame.

VI.

MARCH.

We like March, his shoes are purple,
He is new and high;
Makes he mud for dog and peddler,
Makes he forest dry;
Knows the adder's tongue his coming,
And begets her spot.
Stands the sun so close and mighty
That our minds are hot.
News is he of all the others;
Bold it were to die
With the blue-birds buccaneering
On his British sky.

VII.

DAWN.

Not knowing when the dawn will come
I open every door;
Or has it feathers like a bird,
Or billows like a shore?

VIII.

A murmur in the trees to note,
Not loud enough for wind;
A star not far enough to seek,
Nor near enough to find;

A long, long yellow on the lawn,
A hubbub as of feet;
Not audible, as ours to us,
But dapperer, more sweet;

A hurrying home of little men
To houses unperceived, —
All this, and more, if I should tell,
Would never be believed.

Of robins in the trundle bed
How many I espy
Whose nightgowns could not hide the wings,
Although I heard them try!

But then I promised ne'er to tell;
How could I break my word?
So go your way and I'll go mine, —
No fear you'll miss the road.

IX.

Morning is the place for dew,
Corn is made at noon,
After dinner light for flowers,
Dukes for setting sun!

X.

To my quick ear the leaves conferred;
The bushes they were bells;
I could not find a privacy
From Nature's sentinels.

In cave if I presumed to hide,
The walls began to tell;
Creation seemed a mighty crack
To make me visible.

XI.

A ROSE.

A sepal, petal, and a thorn
Upon a common summer's morn,
A flash of dew, a bee or two,
A breeze
A caper in the trees, —
And I'm a rose!

XII.

High from the earth I heard a bird;
He trod upon the trees
As he esteemed them trifles,
And then he spied a breeze,
And situated softly
Upon a pile of wind
Which in a perturbation
Nature had left behind.
A joyous-going fellow
I gathered from his talk,
Which both of benediction
And badinage partook,
Without apparent burden,
I learned, in leafy wood
He was the faithful father
Of a dependent brood;
And this untoward transport
His remedy for care, —
A contrast to our respites.
How different we are!

XIII.

COBWEBS.

The spider as an artist
Has never been employed
Though his surpassing merit
Is freely certified

By every broom and Bridget
Throughout a Christian land.
Neglected son of genius,
I take thee by the hand.

XIV.

A WELL.

What mystery pervades a well!
The water lives so far,
Like neighbor from another world
Residing in a jar.

The grass does not appear afraid;
I often wonder he
Can stand so close and look so bold
At what is dread to me.

Related somehow they may be, —
The sedge stands next the sea,
Where he is floorless, yet of fear
No evidence gives he.

But nature is a stranger yet;
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.

To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.

XV.

To make a prairie it takes a clover and one bee, —
One clover, and a bee,
And revery.
The revery alone will do
If bees are few.

XVI.

THE WIND.

It's like the light, —
A fashionless delight
It's like the bee, —
A dateless melody.

It's like the woods,
Private like breeze,
Phraseless, yet it stirs
The proudest trees.

It's like the morning, —
Best when it's done, —
The everlasting clocks
Chime noon.

XVII.

A dew sufficed itself
And satisfied a leaf,
And felt, 'how vast a destiny!
How trivial is life!'

The sun went out to work,
The day went out to play,
But not again that dew was seen
By physiognomy.

Whether by day abducted,
Or emptied by the sun
Into the sea, in passing,
Eternally unknown.

XVIII.

THE WOODPECKER.

His bill an auger is,
His head, a cap and frill.
He laboreth at every tree, —
A worm his utmost goal.

XIX.

A SNAKE.

Sweet is the swamp with its secrets,
Until we meet a snake;
'T is then we sigh for houses,
And our departure take
At that enthralling gallop
That only childhood knows.
A snake is summer's treason,
And guile is where it goes.

XX.

Could I but ride indefinite,
As doth the meadow-bee,
And visit only where I liked,
And no man visit me,

And flirt all day with buttercups,
And marry whom I may,
And dwell a little everywhere,
Or better, run away

With no police to follow,
Or chase me if I do,
Till I should jump peninsulas
To get away from you, —

I said, but just to be a bee
Upon a raft of air,
And row in nowhere all day long,
And anchor off the bar,—
What liberty! So captives deem
Who tight in dungeons are.

XXI.

THE MOON.

The moon was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.

Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.

Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!

And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.

Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue.

XXII.

THE BAT.

The bat is dun with wrinkled wings
Like fallow article,
And not a song pervades his lips,
Or none perceptible.

His small umbrella, quaintly halved,
Describing in the air
An arc alike inscrutable, —
Elate philosopher!

Deputed from what firmament
Of what astute abode,
Empowered with what malevolence
Auspiciously withheld.

To his adroit Creator
Ascribe no less the praise;
Beneficent, believe me,
His eccentricities.

XXIII.

THE BALLOON.

You've seen balloons set, haven't you?
So stately they ascend
It is as swans discarded you
For duties diamond.

Their liquid feet go softly out
Upon a sea of blond;
They spurn the air as 't were too mean
For creatures so renowned.

Their ribbons just beyond the eye,
They struggle some for breath,
And yet the crowd applauds below;
They would not encore death.

The gilded creature strains and spins,
Trips frantic in a tree,
Tears open her imperial veins
And tumbles in the sea.

The crowd retire with an oath
The dust in streets goes down,
And clerks in counting-rooms observe,
''T was only a balloon.'

XXIV.

EVENING.

The cricket sang,
And set the sun,
And workmen finished, one by one,
Their seam the day upon.

The low grass loaded with the dew,
The twilight stood as strangers do
With hat in hand, polite and new,
To stay as if, or go.

A vastness, as a neighbor, came, —
A wisdom without face or name,
A peace, as hemispheres at home, —
And so the night became.

XXV.

COCOON.

Drab habitation of whom?
Tabernacle or tomb,
Or dome of worm,
Or porch of gnome,
Or some elf's catacomb?

XXVI.

SUNSET.

A sloop of amber slips away
Upon an ether sea,
And wrecks in peace a purple tar,
The son of ecstasy.

XXVII.

AURORA.

Of bronze and blaze
The north, to-night!
So adequate its forms,
So preconcerted with itself,
So distant to alarms, —
An unconcern so sovereign
To universe, or me,
It paints my simple spirit
With tints of majesty,
Till I take vaster attitudes,
And strut upon my stem,
Disdaining men and oxygen,
For arrogance of them.

My splendors are menagerie;
But their competeless show
Will entertain the centuries
When I am, long ago,
An island in dishonored grass,
Whom none but daisies know.

XXVIII.

THE COMING OF NIGHT.

How the old mountains drip with sunset,
And the brake of dun!
How the hemlocks are tipped in tinsel
By the wizard sun!

How the old steeples hand the scarlet,
Till the ball is full, —
Have I the lip of the flamingo
That I dare to tell?

Then, how the fire ebbs like billows,
Touching all the grass
With a departing, sapphire feature,
As if a duchess pass!

How a small dusk crawls on the village
Till the houses blot;
And the odd flambeaux no men carry
Glimmer on the spot!

Now it is night in nest and kennel,
And where was the wood,
Just a dome of abyss is nodding
Into solitude! —

These are the visions baffled Guido;
Titian never told;
Domenichino dropped the pencil,
Powerless to unfold.

XXIX.

AFTERMATH.

The murmuring of bees has ceased;
But murmuring of some
Posterior, prophetic,
Has simultaneous come, —

The lower metres of the year,
When nature's laugh is done, —
The Revelations of the book
Whose Genesis is June.

IV. TIME AND ETERNITY.

I.

This world is not conclusion;
A sequel stands beyond,
Invisible, as music,
But positive, as sound.
It beckons and it baffles;
Philosophies don't know,
And through a riddle, at the last,
Sagacity must go.
To guess it puzzles scholars;
To gain it, men have shown
Contempt of generations,
And crucifixion known.

II.

We learn in the retreating
How vast an one
Was recently among us.
A perished sun

Endears in the departure
How doubly more
Than all the golden presence
It was before!

III.

They say that 'time assuages,' —
Time never did assuage;
An actual suffering strengthens,
As sinews do, with age.

Time is a test of trouble,
But not a remedy.
If such it prove, it prove too
There was no malady.

IV.

We cover thee, sweet face.
Not that we tire of thee,
But that thyself fatigue of us;
Remember, as thou flee,
We follow thee until
Thou notice us no more,
And then, reluctant, turn away
To con thee o'er and o'er,
And blame the scanty love
We were content to show,
Augmented, sweet, a hundred fold
If thou would'st take it now.

V.

ENDING.

That is solemn we have ended, —
Be it but a play,
Or a glee among the garrets,
Or a holiday,

Or a leaving home; or later,
Parting with a world
We have understood, for better
Still it be unfurled.

VI.

The stimulus, beyond the grave
His countenance to see,
Supports me like imperial drams
Afforded royally.

VII.

Given in marriage unto thee,
Oh, thou celestial host!
Bride of the Father and the Son,
Bride of the Holy Ghost!

Other betrothal shall dissolve,
Wedlock of will decay;
Only the keeper of this seal
Conquers mortality.

VIII.

That such have died enables us
The tranquiller to die;
That such have lived, certificate
For immortality.

IX.

They won't frown always, — some sweet day
When I forget to tease,
They'll recollect how cold I looked,
And how I just said 'please.'

Then they will hasten to the door
To call the little child,
Who cannot thank them, for the ice
That on her lisping piled.

X.

IMMORTALITY.

It is an honorable thought,
And makes one lift one's hat,
As one encountered gentlefolk
Upon a daily street,

That we've immortal place,
Though pyramids decay,
And kingdoms, like the orchard,
Flit russetly away.

XI.

The distance that the dead have gone
Does not at first appear;
Their coming back seems possible
For many an ardent year.

And then, that we have followed them
We more than half suspect,
So intimate have we become
With their dear retrospect.

XII.

How dare the robins sing,
When men and women hear
Who since they went to their account
Have settled with the year! —
Paid all that life had earned
In one consummate bill,
And now, what life or death can do
Is immaterial.
Insulting is the sun
To him whose mortal light,
Beguiled of immortality,
Bequeaths him to the night.
In deference to him
Extinct be every hum,
Whose garden wrestles with the dew,
At daybreak overcome!

XIII.

DEATH.

Death is like the insect
Menacing the tree,
Competent to kill it,
But decoyed may be.

Bait it with the balsam,
Seek it with the knife,
Baffle, if it cost you
Everything in life.

Then, if it have burrowed
Out of reach of skill,
Ring the tree and leave it, —
'T is the vermin's will.

XIV.

UNWARNED.

'T is sunrise, little maid, hast thou
No station in the day?
'T was not thy wont to hinder so, —
Retrieve thine industry.