The photography industry is beyond saturated. Everyone is clamoring for a tiny piece of the shrinking pie. Instead of battling for scraps, California-based photographer Hannah Ray is busy baking her own pie by crashing through the boundaries of conventional commercial photography.

Over the past few years there has been a lot of negativity thrown at attending school for photography. While there is some sound wisdom and reasoning behind these arguments, I would have to say that I am extremely proud to have gone to Columbia in Chicago, and I think most of my friends that have done so would agree (those at other art schools as well). Now, I must admit that I didn’t even graduate, or spend four years there, but my photo school experience has been invaluable to my career. I don't believe a degree will make any difference in the photo world, and it all comes down to who you know, your character, and your portfolio.

The era of 360-degree filmmaking is upon us. Google, in collaboration with The Mill and production company Bullitt, has released the 360-degree short film "HELP" for free on Google's mobile storytelling platform Spotlight Stories. The film is full of explosions, aliens, and action all within a beautiful 360-degree world.

I've spent the last two years photographing Los Angeles from a Helicopter, in what is surely the largest project I've worked on to date. After a long, extensive and ultimately unsuccessful search for a publisher, I finally decided to scrap that idea and self-publish via Kickstarter. I'll be doing a series of weekly posts about what I've learned and just how insane this whole thing has been.

This week, Phase One announced a brand-new camera platform, the Phase One XF, and three new IQ3 digital backs. Every photo media outlet in the world has the press release and various levels of speculation and information, all focused on those two main announcements. Here’s the thing: it was only one of a half dozen announcements Phase One made, and some of the best announcements are getting obscured by the announcement of their body and backs. Read on to see some of the other exciting stuff they have coming out this week.

The debate whether to work for free is an old one. It’s also one that I don’t care to get into. However, for most of us, there comes a time when we do shoot something without payment, whether it be because we’re testing lighting, doing pro bono work, or we just aren’t very good at asking for what we’re worth. But what do we do with the images after the shoot?

In Part 3 of the Dramatic Beauty Portrait Tutorial, we will finally get into the first main step of the skin retouching process. Basic skin retouching involves addressing subtle skin and texture issues on our portrait images. We will not only look at techniques for skin retouching in Photoshop, but also discuss the theory behind our decision process during the retouching process. I will also show optional techniques for those looking for quicker or alternative options during their portrait or beauty retouching. In case you missed it, during Part 1 of the tutorial we went over the lighting and shooting of our image and in Part 2 we looked at the "pre-editing" process.

With less expensive gear being introduced all the time, we have seen a boom in time-lapse films in recent years, making it easier for just about anyone to make their own time-lapse clips. But with the deluge of videos comes innovation and the need to differentiate yourself. Filmmakers have used time-lapse in some creative ways with production techniques like multi-axis motion and post-production software like After Effects to achieve wild results. A relatively new approach is compositing live-action footage over time-lapse video, and it is pretty easy to do.

The Shot on iPhone 6 World Gallery launched at the beginning of March and features some of Apple's favorite customer photos in a global outdoor and print campaign that spans 70 cities in 24 countries. It is a truly transformative year for videography and filmmaking, and we are now more than ever seeing more filmmakers achieve their vision by using the iPhone 6 as their weapon of choice to produce films. For example, "Modern Family" producer Steve Levitan shot an entire episode on iPhone and iPad earlier this year, opening the doors to more possibilities shooting with our mobile devices in a creative way.

RAID is often times one of the most misunderstood topics that photographers don’t take advantage of. So often I hear horror stories of photographers losing images or irreplaceable data from crashed hard drives. I’ve made a video explaining a few popular RAID options and a strategy to ensure your files never get lost.

Two years ago I shared something called The Client Blog. It was started by Andy Baker, Group Creative Director for the National Geographic channels. Andy has been writing, editing, producing and Creative Directing promos and print ads for the last 21 years. Andy decided to start the blog as more of a personal creative project and it's been going strong the past two years. He's grouped his ten favorite takeaways he's learned from being on both sides of the table.

Google has announced Jump at their 2015 I/O conference, a new 360-degree virtual reality platform that will be launching this summer. Google's hope is to make virtual reality more accessible. Jump will use raw video footage to assemble a 3D virtual reality space. It's aiming to be the premiere workflow for assembling virtual reality worlds.

It's never a bad day, or more often evening, when I get to Skype with Peter Coulson, an artist I am proud to say is my friend, from his place in Melbourne, Australia. However, our most recent Skype discussion was totally hinged around the controversy surrounding Richard Prince's appropriation and subsequent sale of prints featuring Instagram screenshots of photos by other photographers. One of these photos, in fact, was shot by Coulson. I asked him about it, and we chatted.

Anyone who likes to bring a light or two on-location knows the frustration of wanting soft, controllable light that won't weigh you down or break the bank. The Westcott Apollo Orb is, without a doubt, one of my favorite lighting modifiers. As you'll see below, the Apollo Orb has just about every feature you could ask for in its unique, somewhat-brolly-box-style design, all at a modest price point.

Brooklyn-based photographer Jessica Lehrman is the subject of Format’s first video in their new documentary series, InFrame. In this debut episode, Lehrman brings us into her unique childhood experience, explains her start and development in photography, and explores the inspirations to her raw style of images that she is well known for.

Today the crew at Visual Supply Co. revealed the seventh film pack iteration, VSCO Film 07 - The Eclectic Films Collection. This pack has a refined, cleaner, less gritty feel with focus on the nuances of color.