Quite a catchy song done by Ryuichi Sakamoto in cooperation with Thomas Dolby.The back side contains fifteen minutes of out of sync / random synth loops: Ryuichi's machines solo. It is used in the Field Work clip as background music at the beginning and the end.

The band consisted of Gary Asquith (guitar/vocals), Marco Pirroni (guitar), Mick Allen (bass/vocals), Mark Cox (keyboards) and Max (drums). Their sole EP, Wheel In The Roses, featured one side of studio recordings and another of live material. Their songs "Fond Affections" and "Rema-Rema" were later covered by This Mortal Coil and Big Black respectively.

Rema-Rema split up shortly after the EP's release in April 1980. Pirroni later hit the big time with Adam And The Ants. Asquith, Allen and Cox formed the short-lived Mass with Danny Briottet. Asquith then moved on to Renegade Soundwave, while Cox and Allen stayed with 4AD as part of The Wolfgang Press.

For the Mellotron fetishist. I personally prefer these live versions. In the studio BJH could polish the sound and use symphony orchestras, which made the already mellow songs too sweet. Live they had to perform the music with keyboards (mellotron!), guitar, bass and drums. That made the sound rougher.