by Lize Mogel & Dario Azzellini

Every day, theaters of war around the world are at the center of media attention. Working for peace on the other hand is unspectacular, slow, and not very appealing. How can a place, an initiative, an artistic work become a theater of peace? What alternative perspectives can be used to counter asymmetrical conditions of visibility? Is it even possible to make peace visible, to represent it?

Interview with Dario Azzellini

What is it about Venezuela that is so interesting?Since 2003 I have practically lived in Venezuela. What motivates me is that I am interested in the social transformation process happening here. It’s a different type of revolution, a new left that draws from all the experiences of the 60s, 70s, 80s and 90s. ...