Been sitting on the sidelines, listening (well, reading, actually) superhero fan boys complain their acne-terrained faces off over the new Spider-Man costume upgrades, implemented by Tony Stark/Iron Man for Spider-Man: Homecoming (July 7, 2017). The new suit has a built in computer chip that allows Spider-Man to glide like a flying squirrel, a parachute (for when the flying squirrel feature doesn’t fully deploy), collapsible (yet form-fitting) fabric, an on-board computer (ala, Iron Man), and new and improved web stuff that shoots out of his hands. (Let’s hope that’s all that shoots out of Spider-Man.)

Not sure why all the bellyaching; after countless comics and five movies with two different Spider-Guys — all using the same suit — these upgrades are not only downright awesome (I would like one, please), it’s about flippin’ time, and brings Spider-Man — a Marvel Universe linchpin — in line with all the rest of the superheroes that’ve been brilliantly contemporized (looking in your direction, Batman) for the sake of our movie bit coins. So I say to the complainers — shut up twice.

Speaking of things needing an upgrade, here are a few horror/sci-fi movies that may or may not need technological assistance…or a scientifically accessorized Whoopee Cushion™.

THE DRIFTER (June 6, 2017)
“A uniquely troubled man finds himself on a downward spiral induced by painful memories of his dark and distant past. Taking refuge from his long days and nights of driving aimlessly on the open highway, he stops off in a small town, where he happens to cross paths with an old acquaintance. This acquaintance becomes dangerously intrigued and determined to discover the skeletons hiding in the drifter’s past.”

A troubled man caught in a shame spiral. Sounds like a lot of bar stool people I know. Not me; I mock shame. So is The Drifter a slasher movie? A serial killer movie? (Same difference.) A plot-weary drama trying to dress itself as a horror movie? Goin’ with that one.

SHARKNADO 5: GLOBAL SWARMING (August 6, 2017)
“The mission gets personal for Fin Shepard and his bionic wife, April when their young son gets trapped in a traveling ‘nado and transported all over the world. From London to Rio, Tokyo, Rome and Amsterdam, the heroes seek assistance from royals, scholars, Olympians and news talking heads in their epic battle.”

Sharknado has officially become the bad karaoke night of “sci-fi” movies. So sharks, now the new zombie virus, are taking over the planet. And April is a bionic wife? Does that mean she nags in digital? About the only thing I do like is the kicker line: Global Swarming. That made beer shoot out my nose — and I wasn’t even drinking one when I read it.

FIGHTING THE SKY (2017/2018)
“A group of young ufologists explore a series of apocalyptic sounds emerging from the sky. For years, all around the world, people have heard and recorded a thundering sound that emits from the sky without any origin or explanation. Even the scientists are stumped, folks, and the strange part is the media is ignoring it.”

Fighting the Sky’s premise was taken from all those YouTube™ videos of people recording unseen source apocalyptic sounds coming from the sky. It’s as if God was the world’s noisiest neighbor. Most have been proven to be fake. (Probably made with two turntables and a microphone — and a really big Whoopee Cushion™, which is right up there with the invention of the wheel in terms of civilization advancements.)

MOOSE JAWS (pending crowd-funding)
Combining a shark with a moose? Why didn’t I think of that? This one’s being made by genius wise-guy Kevin Smith, who looks to complete his “True North Trilogy,” which began with Tusk (2014) and followed up with Yoga Hosers (2016). Smith has said that the walrus/human hybrid from Tusk will appear in the film, as will the two main characters from Yoga Hosers. I just felt a pee shiver of anticipation.

Kevin’s official statement: “I love Jaws, I love Canada, and I combined the two of them. So the whole thing is beat-for-beat Jaws, up until the third act. In the third act it becomes Godzilla, Destroy All Monsters, Star Trek 2: The Wrath of Khan, and ends with Return of the Jedi. It’s pretty magical.”

That’s the understatement of the year. We need to give Kevin all our money right now to get this thing made.

No sooner than I do an entire blog about the resurgence of the word “massacre” in a horror movie title [click HERE for excellence in fake journalism], a new one pops up. Called The Windmill Massacre (releasing 2016), this Dutch made dust-up concerns a chick on the run from the law, Devil-worshipping, and windmills. (Historical fact: windmills were centuries ahead of those fancy-pants wind turbines you see all over the place these days.)

Anyway, here’s how The Windmill Massacre spins: “Jennifer is an Australian girl on the run from her past who washes up in Amsterdam. In a desperate attempt to stay one step ahead of the authorities, she joins a coach-load of tourists embarking on a tour of Holland’s world famous windmills.”

“When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where, legend has it, a Devil-worshipping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.”

Doom is a tidy word as it doesn’t need explaining. But what does is the Devil-worshipping miller grinding human bones. If its used in place of flour, you can only imagine what kind of taste bone powder gives to doughnuts. And what good are doughnuts that only a cannibal could choke down? Not a very good business model.