Shahram Entekhabi

Happy Meal shows a veiled little girl enjoying the children’s menu of a well-known US-American fast food chain, lost in bliss. In his videos and installations, Entekhabi stages clich.d notions of migrants. He creates disturbances, questions ascriptions of identity, and confronts the beholders with negative stereotypes of chauvinism, terrorism, and criminality, and he usually plays the main character.