Texas Tech University Press

Texas Tech University Press, in business since 1971, publishes nonfiction titles in the areas of natural history and the natural sciences; eighteenth-century and Joseph Conrad studies; studies of modern Southeast Asia, particularly the Vietnam War; costume and textile history; and all aspects of the Great Plains and the American West, especially biography, history, memoir, and travel. In addition, the Press publishes one invited poetry manuscript annually and occasionally a regional novel with national appeal.

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Texas Tech University Press

The American Sun & Wind Moving Picture Company is an enchanting tale set in the silent film era. Beginning in 1915, in Fort Lee, New Jersey, where a Jewish family makes one and two reel silent films, the novel is composed of six chapters, each a discrete silent film in itself.

Joey, the too-beautiful-to-be-a-boy son of moviemaker, Simon, and his actress wife, Hannah, imagines stories that his uncle’s camera turns into scenes for their movies. Witness to and participant in the rapid technological advances in film, from the movies his family makes, to the advent of the talkies, Joey is cast in both male and female roles, onstage and off. When the woman Joey loves murders her abusive husband and sends Joey from his New Jersey family disguised as the mother of her own children, he embarks on a cross-country journey of adventure and hardship, crossing paths with the likes of D. W. Griffith, Lillian Gish, Mary Pickford, and “Roxy” Rothafel. Finally, reunited on the opposite coast with his uncle, and with the woman he has never stopped loving, Joey’s wild journey—and life!—arrive at a moment as unpredictable as it is magical.

In an outrageously original tale worthy of a studio whose moguls might have been Kafka, Garcia Marquez, and Isaac Bashevis Singer, reality and illusion merge and separate, leaving the audience spellbound even after the final curtain falls.

Four hours. That was the amount of time between looking down the barrel of a gun and finding myself free along a silent highway lined by cotton fields. In the time period that seemed eternal, my unique experiences as a doctor created an indescribable bond between myself and my captor. I looked upon the situation just as I looked upon a medical emergency: I took a deep breath, hid my panic, and tried to solve the situation.

In March 2005, Dr. Steven Berk was kidnapped in Amarillo, Texas, by a dangerous and enigmatic criminal who entered his home, armed with a shotgun, through an open garage door. Dr. Berk’s experiences and training as a physician, especially his understanding of Sir William Osler’s treatise on aequanimitas, enabled him to keep his family safe, establish rapport with his kidnapper, and bring his captor to justice.

This harrowing story is not just about a kidnapping. It is a story about patients, about physicians, and about what each experience has taught Berk about life and death, mistakes, family, the practice of medicine, and the physician-patient relationship. It is a story about how Berk's profession prepared him for an unpredictable situation and how any doctor must address life’s uncertainties.

Three violent deaths occur within days among a group of young nouveaux-riche beachgoers of Hanoi—but neither the victims nor the circumstances are as they seem. Is fate responsible? Or a woman of extreme beauty and mystery?When Danang Publishing House risked bringing out Ho Anh Thai’s controversial novel Cõi ngu?i rung chuông t?n th? (The Apocalypse Bell Tolls in the Human World) in 2002 after numerous others had refused it, Vietnam was a nation still struggling to find its identity decades after being torn apart by war. Ho Anh Thai’s previous stories and novels had already seized the imagination of a young postwar generation. He had become a literary sensation even as a teenager, his fresh, fluid, luminous style capturing the essence of their modern Vietnam. The book was a sensation in its author’s home country: to date it has sold more than 50,000 copies in ten printings and has been received enthusiastically by both public and critics as a work of creativity and disturbing truth.Now, as Apocalypse Hotel, Ho Anh Thai’s dark fable draws English-language readers into the divided society of 1990s Vietnam, to an underground economy in which anything may be bought and sold, youth seek speed, sex, and thrills, and past crimes still haunt the pure and the guilty alike. In this riveting, fast-paced cautionary tale, citizens of all ages and situations must come to grips with the sordid, unforeseen consequences of a war once meant to liberate them.

The combat history of the 1st Battalion, 5th Marines--or “One Five” (1/5)--is long and illustrious, but there are many periods of their combat operations during the Vietnam War about which there is little in print. This history is drawn from many years of research, from the author’s personal memories, and from careful study of the battalion’s Command Chronologies and Combat After-action Reports and other historical records. Most importantly it includes a collection of true stories told to the author by dozens of U.S. Marines who served in and fought with 1/5 during the Vietnam War, at all levels of the Chain of Command.

This book hunkers down with the “Mud Marines” of Charlie One Five, a small but determined band of American fighting men, and their very human and often painful stories of combat cover a wide range of scenarios and situations. Follow the Marines of 1/5 as they are lulled by the exotic and beautiful countryside, trudge through swamps, jungles, mountains, and rice paddies for seemingly endless days, and struggle to stay alert during their cautious passage through the extreme terrain and weather conditions of this incredibly scenic but deceptive land, only to be shattered by sudden and deadly attacks from Viet Cong snipers, ambushes, and command-detonated bombs. Despite the overwhelming odds against them, the Marines of Charlie One Five always emerge victorious in every battle they fight.

By all accounts, Uriah Phillips Levy, the first Jewish commodore in the U.S. Navy, was both a principled and pugnacious man. On his way to becoming a flag officer, he was subjected to six courts-martial and engaged in a duel, all in response to antisemitic taunts and harassment from his fellow officers. Yet he never lost his love of country or desire to serve in its navy. When the navy tried to boot him out, he took his case to the highest court and won.
This richly detailed historical novel closely follows the actual events of Levy’s life: running away from his Philadelphia home to serve as a cabin boy at age ten; his service during the War of 1812 aboard the Argus and internment at the notorious British prison at Dartmoor; his campaign for the abolition of flogging in the Navy; and his purchase and restoration of Monticello as a tribute to his personal hero, Thomas Jefferson. Set against a broad panorama of U.S. history, Commodore Levy describes the American Jewish community from 1790 to 1860, the beginnings of the U.S. Navy, and the great nautical traditions of the Age of Sail before its surrender to the age of steam.

Since its founding in 1968, Conradiana has presented its audience with the newest and best in Conrad scholarship and criticism, including reminiscences of eminent Conradians, detailed textual studies, biographical finds, new critical readings, and exciting applications of the newer critical modes.

Dean Smith has taken falls from galloping horses, engaged in fistfights with Kirk Douglas and George C. Scott, donned red wig and white tights to double Maureen O’Hara, and taught Goldie Hawn how to talk like a Texan. He’s dangled from a helicopter over the skyscrapers of Manhattan while clutching a damsel in distress, hung upside down from a fake blimp 200 feet over the Orange Bowl, and replicated one of the most famous scenes in movie history by climbing on a thundering team of horses to stop a runaway stagecoach. Cowboy Stuntman chronicles the life and achievements of this colorful Texan and Olympic gold medal winner who spent a half century as a Hollywood stuntman and actor, appearing in ten John Wayne movies and doubling for a long list of actors as diverse as Robert Culp, Michael Landon, Steve Martin, Strother Martin, Robert Redford, and Roy Rogers.

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