In part 2, we looked at the Gnostic
Gospels, the "sources" Brown used as the basis for his so-called "historically accurate" book, "The Da Vinci Code".
This article will look at some of the more obvious mistakes Brown made in his "research".

Leonardo da Vinci

Brown is purported as saying "Most scholars agree that even Da Vinci's most famous pieces -works like the Mona Lisa,
The Last Supper, and Madonna of the Rocks - contain startling anomalies that all seem to be whispering the same cryptic
message."
Exactly which scholars said this?
A quick search of the Internet shows only various "pro-Brown" web sites repeating the
phrase above. At the time I wrote this article, no "scholar" was available as a source to Brown's statement.
Also, as pointed by Carl E. Olson and Sandra Miesel, in their article "Facts vs. Fiction in 'The Da Vinci Code'"1,
"no scholar would ever refer to the great Italian artist as 'Da Vinci', since his given name was 'Leonardo'; 'da Vinci'
indicates the province he was from". A very remedial mistake for someone who claims to have done "extensive" research.
What are some of the "anomalies" and why is Brown the only one able to see them?
One such "anomaly" is with the person seated at Jesus' right in the painting "The Last Supper". Brown contends that this
person is actually Mary Magdalene, but taken in context, this is easy to refute.
In the 1500's, it was customary to show young males as effeminate or with female characteristics, and most, if not all,
artist of the time did this.2
Brown continues with his "John is Mary" contention with the statement that the character has a "hint of a bosom".
When I studied high-resolution images of "The Last Supper", the only "bosom's" I could find were the ones in Brown's
imagination.

The Merovingians founded Paris

This mistake was very easy to find and I was very surprise that Brown made it. I studied this back in eighth grade
world history. Paris was a village called "Lutetia Parisiorum" and wasn't heavily populated until after the Roman
conquest.
This in itself is not a big mistake, but when one considers statements from Brown that all of his historical
information is true, it tends to draw into question all of his so-called historical facts.

Name of God

Having just done a recent study on the Names of God3, I found this tidbit quite humorous. Brown's character,
Robert Langdon, explains that the Jewish name for God, YHWH (pronounced as Yahweh), is actually "the masculine
Jah and the pre-Hebraic name for Eve, "Havah."
In actuality, YHWH is the word LORD (all capitals), the covenant name of God. It occurs over 6,800 times in the
Old Testament. It is also the name of God, too sacred to be uttered, abbreviated (….. ) or written "YHWH" without
vowel points.4 The word Jehovah is derived from this.

The Dead Sea Scrolls

Brown states in the book that the Dead Sea Scrolls were found in the 1950's and that they contained Gnostic texts.
On both accounts, Brown is wrong.
The Dead Sea Scrolls were discovered in 1947, near the village of Qumran, about twenty miles east of Jerusalem on
the northwest shore of the Dead Sea. A Bedouin shepherd, following a lost goat, threw a rock into a cave near the
shore of the Dead Sea and heard the sound of breaking pottery. On further examination, he discovered a ceramic pot
containing leather and papyrus scrolls.
Over the next ten years, eleven other caves around the Dead Sea were found
to contain thousands of scroll fragments dating from the third century BC to AD 68, representing hundreds of works.
These works contained a vast collection of Jewish documents that were written in Hebrew, Aramaic, and Greek,
including parts of manuscripts from every book in the Torah (Hebrew Bible), except the Book of Esther.
Scholars believe they were written almost one thousand years earlier than any previously known biblical manuscripts. The
scrolls also contain the earliest existing biblical commentary, on the Book of Habakkuk, and sectarian documents
that represent the beliefs and community rules of the Jewish sect.
Written hundreds of years before Jesus was born, no New Testament or Gnostic works were present.
Brown's "research" and "truth" once more fall flat on its face.

With this kind of "painstaking research" into the supposed facts that form the basis for "The Da Vinci Code",
it is clear to everyone but the most avid Brown supporter, that this book is clearly fiction, in every aspect,
cover to cover.-Steve
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