In honor of the centenary of John Wayne's birth on May 26, director Andrew V. McLaglen, who directed the Duke in several movies, spoke with Box Office Mojo about the American movie star.

This interview, in which the 87-year-old Mr. McLaglen also discusses his many motion pictures and television programs, is part of a centennial series commemorating John Wayne.

Box Office Mojo:McLintock! was released a week before President Kennedy's assassination. Did that hurt the picture at the box office?

Andrew V. McLaglen: No. As a matter of fact, it was a big box office movie and it's had its own life. It isn't as well known as The Quiet Man but it's pretty close.

Box Office Mojo: What did producer Michael Wayne, John Wayne's late son, bring to the movie?

Andrew V. McLaglen: Michael was the head of Wayne-Fellows, the predecessor to [John Wayne's company] Batjac. He was strictly an executive producer and he was a good producer. But we were doing a John Wayne picture and we knew the studio wasn't going to be jumping all over us [about costs and schedule].

Box Office Mojo: You'd worked on the crew for The Quiet Man, which featured your father Victor in his Best Supporting Actor Oscar-nominated role. What changed between co-stars Maureen O'Hara and John Wayne from 1952 to 1963, when they re-teamed for McLintock!?

Andrew V. McLaglen: Nothing. Maureen's very loyal to John Wayne. They never had any sexual relationship, but she really loved John Wayne. She's a terrific lady.

Box Office Mojo: James Arness, Ben Johnson, Chill Wills, Bruce Cabot, Harry Carey, Jr., Royal Dano, Edgar Buchanan, Paul Fix—several actors were often used on your Westerns with John Wayne. What did the company add to a picture?

Andrew V. McLaglen: Somebody might have something negative to say about [using the same actors] but there was a certain loyalty involved. For example, Bruce Cabot was a buddy of Duke's and I think [John Wayne] loved the idea of helping Bruce. But he wouldn't have used Bruce if he couldn't play the part. It was almost automatic that Bruce was in those pictures and that's friendship—but I don't think it hurt the movie.

Andrew V. McLaglen: There was no competition. I think Bob really enjoyed doing the part [of the nervous commercial airline pilot], which was a different role for Bob. That had an interesting sidelight to it. William A. Wellman was a terrific director—an icon of the Golden Age of films. He would wake me up at 5:30 a.m. and I really was his assistant director. Every day for two weeks he received a telegram from Bob Stack's agent saying [Robert Stack] would work for nothing if he was cast. We'd talked about casting everyone, including Ronald Reagan [as the pilot]. Finally, Wellman said, "oh, what the hell, if he wants the part that badly, let's give it to him." That's how he got the part.

Box Office Mojo: What were the challenges of directing John Wayne in Hellfighters?

Andrew V. McLaglen: I had a terrific time down in Houston. It was my second picture directing Duke so it's not like it was something new. It was an epic story of a real, tough guy [an oil firefighter]. I think that was the first movie for which John Wayne earned $1 million.

Box Office Mojo:Chisum was one of John Wayne's few Westerns based on historical events. How did Duke research his role as John Chisum?

John Wayne in Chisum

Andrew V. McLaglen: He let [writer] Andrew Fenady do all the research. The Duke just enjoyed doing the movie. So did I. Chisum is one of my favorites. I wanted Billy the Kid to just be Billy the Kid, a human being, not a bad little boy. Fenady was sort of a scholar about the Lincoln County Cattle War, which was a conflict over water and cattle—trading cattle—and John Chisum actually became a very powerful landowner. It was an American story.

Box Office Mojo: How did Duke regard Rock Hudson as an actor during production of The Undefeated?

Andrew V. McLaglen: He really liked working with Rock. Rock was a real professional actor—I found him to be a good guy to work with. Everybody knew Rock was gay, including Duke, and it absolutely meant zero to Duke—or to me. I've worked with other gay actors. John Wayne was happy to work with him and Rock was included in all the social functions. He was a great guy.

Box Office Mojo: How did you shoot around John Wayne's injuries?

Andrew V. McLaglen: He never made a big deal of it. He was on his horse and I reached to grab the bridle and the strap that goes underneath—it's called a cinch, which hooks to the right side of the saddle—and the cinch broke and he fell off, landing on his shoulder and he had that hurt shoulder the rest of his life. Listen, Duke's tough. He kept on working.

Box Office Mojo: You directed the Gunsmoke episode in which the Festus character was introduced. Did you know Festus was to become Marshall Matt Dillon's sidekick for the series?

Andrew V. McLaglen: No. I first had the Festus character in Have Gun, Will Travel. If you look at The Searchers, Kenny Curtis had that same drylander accent. That's how Kenny played Festus for the next 15 years.

Andrew V. McLaglen: I wouldn't be able to tell you. Probably [the episode in which Festus is introduced] "Us Haggens." When you've done that many…I cannot even remember [many of] them. One time, Duke called me up and said he wanted to see [Gunsmoke star James Arness]. Duke was about to direct The Alamo and he wanted Jim to play Sam Houston. I'd already told Jim, who ducked out on the meeting, which made Duke madder than hell. He said "who else is around?" and that left Richard Boone. That's how Boone played Sam Houston.

Box Office Mojo: What was the defining characteristic of Paladin, the West Point graduate played by Boone in Have Gun, Will Travel, in which you directed 98 episodes?

Andrew V. McLaglen: He's an intellectual hero, a lot more than Marshall Dillon [of Gunsmoke]. Boone loved the character. He loved the dressed up gentleman who lived in a hotel and was hired out as a gun. Dick was a thinking actor who wanted to believe the lines.

Box Office Mojo: You directed Clint Eastwood in the TV Western Rawhide. Did you find his acting similar to John Wayne's?

Andrew V. McLaglen: I never thought of it being the same. As it is, I respect Clint. He makes movies and he doesn't screw around. But I did not know he was going to be a movie star.

Andrew V. McLaglen: —I just loved working with him. It got to the point where every time he did a movie, he wanted me to direct it. Shenandoah is my favorite picture with him. I just caught it on HBO the other night. The more I look at it, the more proud I am to have been a part of it.

Box Office Mojo: Any thoughts on the late Chris Penn, whom you directed in Return from the River Kwai?

Andrew V. McLaglen: I liked him a lot. He was a nice, good, hard-working guy. I was very sorry to see him pass. He was a good kid.

Andrew V. McLaglen: I never thought of John Ford at all. I knew Ford from the time I was 13 years old because my father worked with him. But once you direct, you become your own person. Ford was very basic in a way. He let the actors and the story speak for itself. He didn't screw around with a lot of fancy camera angles. He just set it down. He shot movies in a very basic way. He didn't overuse close-ups. He understood people and he let them be natural. When I first started, there was actually a book written called John Ford and Andrew V. McLaglen [by Michael Burrows] and people were starting to say I was a young John Ford. I just turned my back on that because it wasn't true. John Ford was one of a kind—he made some terrific films, like [Ford's] My Darling Clementine, one of the best OK Corral shootout films ever made, though it wasn't sold as that. That is one super movie.

Box Office Mojo: John Wayne is said to have all but directed many of his pictures. To what extent is this true?

Andrew V. McLaglen: I was lucky enough not to have that happen. I think that impression has to do with the respect John Wayne had for the director. He didn't force himself on the director.

Box Office Mojo: Were there John Wayne pictures you sought but did not direct?