Another addled and confused variation of the Holy Trinity: the description on the back of this print is "A Trinity of Teachers". From left to right, the Mother of God, Christ, and St Mary Magdalene. OYYY!!!

The rough and rustic painting style is the very least of its problems ....

Another addled and confused variation of the Holy Trinity: the description on the back of this print is "A Trinity of Teachers". From left to right, the Mother of God, Christ, and St Mary Magdalene. OYYY!!!

The rough and rustic painting style is the very least of its problems ....

Another addled and confused variation of the Holy Trinity: the description on the back of this print is "A Trinity of Teachers". From left to right, the Mother of God, Christ, and St Mary Magdalene. OYYY!!!

The rough and rustic painting style is the very least of its problems ....

Wow. Just, wow. Scary.

Scary, all right. I found it as a small mounted print at a charity stall. I paid a dollar for it, only to prevent some poor unsuspecting soul from buying it. My first intention was to burn it as soon as I got home, but I thought it better to at least photograph it for my schlock file first. I'll probably end up burning it eventually.

Another addled and confused variation of the Holy Trinity: the description on the back of this print is "A Trinity of Teachers". From left to right, the Mother of God, Christ, and St Mary Magdalene. OYYY!!!

The rough and rustic painting style is the very least of its problems ....

Wow. Just, wow. Scary.

Scary, all right. I found it as a small mounted print at a charity stall. I paid a dollar for it, only to prevent some poor unsuspecting soul from buying it.

I know I have posted one three-headed Trinity in this thread, but here's another one.

Ok, this gets "2nd most scary looking" award following the monstrosity triple-face Novgorodian 'trinity.' The one LBK posted still might win "overall theologically most disturbing" category.

There should be an asylum for the theologically disturbed.

A haven and provision of healing for those poor souls who have suffered spiritual damage because of this stuff, a prison for chronic and repeat offenders who knowingly paint this stuff (including confiscation and prohibition of any artist's materials) for crimes against iconography, and a facility to educate those who have made mistakes in honest ignorance, and who truly wish to paint proper icons.

Quis custodiet ipsos custodes? Who can watch the watchmen?"No one is paying attention to your post reports"Why do posters that claim to have me blocked keep sending me pms and responding to my posts? That makes no sense.

An intangible digital image is not an icon in the strict sense (so venerating a screen saver or desktop wallpaper isn't a great idea), but a digital image or file has the potential to become a real, tangible icon, as it can be printed (the invisible, immaterial God became tangible, visible - a central principle of the justification of the existence of icons) and then mounted or framed, making it suitable for veneration. However, the 'shopping of digital icons for humorous or other "creative" effect is unacceptable and disrespectful.

No, you are not. It's especially troubling as there's contention, AFAIK, over just how vernacular Old Church Slavonic was.

So what happened then? They made up a language to evangelise the Slavs and just made up a new language that no one actually understood? There definitely becomes a point where a written language may no longer be the vernacular, but it seems incredible it could start out that way.

No, you are not. It's especially troubling as there's contention, AFAIK, over just how vernacular Old Church Slavonic was.

So what happened then? They made up a language to evangelise the Slavs and just made up a new language that no one actually understood? There definitely becomes a point where a written language may no longer be the vernacular, but it seems incredible it could start out that way.

Not quite. My understanding is that Sts Cyril and Methodius standardized the writing of the prevailing Old Slavonic language prevalent at the time, by adapting the existing Greek alphabet. The relationship between Old Slavonic (the spoken language) and liturgical-use Church Slavonic is pretty close, from what I've gathered; it would have been much closer than, say, Church Slavonic and modern Russian.

Many Energies, 3 Persons, 2 Natures, 1 God, 1 Church, 1 Baptism, and 1 Cup. The Son begotten only from the Father, the Spirit proceeding only from the Father, Each glorifying the Other. The Son sends the Spirit, the Spirit Reveals the Son, the Father is seen in the Son. The Spirit spoke through the Prophets and Fathers and does so even today.

Saw this on Tumblr. I really like it for some reason, but is it schlock?

This image is an attempt to express the most-used kontakion to the Mother of God, To the Champion Leader (Ti Ypermakho Statigho/Vzbrannoy Voyevodye). The secondary inscription reads: стой за Христа до мученического креста, an exhortation to martyrdom.

This image is problematic on a number of levels, including the attire of the Mother of God. Replacing her blue tunic and red maphorion with a warrior's helmet and chainmail removes a central representation of her humanity (blue) being graced by Divinity (red), which represents the mystery of the Incarnation. She is also holding a martyr's cross, which is also at odds with what we know of her earthly life, and what the Church proclaims in hymns and prayers to her.

This image is one of various "innovative" images painted between the 17th and 20th centuries, which, at best, are misguided in their theology, at worst, are little more than expressions of nationalism/imperialism.

This image is an attempt to express the most-used kontakion to the Mother of God, To the Champion Leader (Ti Ypermakho Statigho/Vzbrannoy Voyevodye). The secondary inscription reads: стой за Христа до мученического креста, an exhortation to martyrdom.

This image is problematic on a number of levels, including the attire of the Mother of God. Replacing her blue tunic and red maphorion with a warrior's helmet and chainmail removes a central representation of her humanity (blue) being graced by Divinity (red), which represents the mystery of the Incarnation. She is also holding a martyr's cross, which is also at odds with what we know of her earthly life, and what the Church proclaims in hymns and prayers to her.

This image is one of various "innovative" images painted between the 17th and 20th centuries, which, at best, are misguided in their theology, at worst, are little more than expressions of nationalism/imperialism.

Makes sense. I did notice the martyr's cross as not being coherent, but wasn't sure about the rest. At least it kept the stars of virginity.

This is the strangest riza I've sever seen... Are those ripped-abs torsoes flying in the sky?

No, they're not. They are votive tokens, put on the icon either to ask for healing through prayer to the Mother of God, or in gratitude for prayers answered. These pressed-metal tokens come in a variety of forms, including hands, eyes, legs, and whole bodies. This custom seems to be far more prevalent among Greeks and Orthodox from the Balkans, less so with Russians. The Greek word for these offerings is tamata, singular tama (vow).

This is the strangest riza I've sever seen... Are those ripped-abs torsoes flying in the sky?

No, they're not. They are votive tokens, put on the icon either to ask for healing through prayer to the Mother of God, or in gratitude for prayers answered. These pressed-metal tokens come in a variety of forms, including hands, eyes, legs, and whole bodies. This custom seems to be far more prevalent among Greeks and Orthodox from the Balkans, less so with Russians. The Greek word for these offerings is tamata, singular tama (vow).

Had no idea - thanks!

I really should've titled this thread something like "LBK's Musings on Schlock and Unusual Icons."

I've seen youtube videos of 5 year olds playing the piano, guitar, etc. who are playing things some professional musicians can't play. Doesn't mean the professional musicans are worthless.

I seriously doubt this "Trinity of Teachers" was painted by a properly-trained artist, let alone an iconographer. I've seen far too much of this sort of stuff over the years to know that it is the work of someone who not only can't paint, but has painted a theologically worthless and spiritually dangerous work, whether in knowledge or in ignorance. The former is the lesser error, the latter is completely unacceptable.

I have many icons on file that are "rough" or "rustic" in execution, but are full of spiritual power and authenticity. This "trinity" is not one of them.