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Drawn from several manuscript collections at the New-York Historical Society, Abraham Lincoln drafted, signed, endorsed, or received the 192 documents presented in this digital collection during his presidency. They range from correspondence with his Secretary of War, Edwin M. Stanton, to proclamations and other official documents signed by Lincoln, to letters, telegrams, and petitions received by him from government officials, military leaders, and ordinary citizens. These documents reveal Lincoln's eloquence and his deep engagement in the affairs of state as he writes, comments, signs off, and makes decisions on numerous issues relating to war, politics, and government. Together they provide unique insights into the arduous role of the presidency as Lincoln guided the nation through its most difficult time.

Three handwritten pages of lyrics entitled "Castle Thunder song," undated, written by an unnamed prisoner at Castle Thunder, circa 1863. Lyrics describe life and conditions in the prison., Castle Thunder was a former tobacco warehouse in Richmond, Va., used to house prisoners during the Civil War.

The diaries of Charles Willoughby Dayton (1846-1910) date from 1863 to 1865 and contain entries about the weather and war news. He writes negatively about African Americans, African American soldiers, the Emancipation Proclamation, and Abraham Lincoln. He also mentions the New York Draft Riots and his fear of being killed by the mobs. Other events and topics noted by Dayton include the marriage of Tom Thumb, the death of Edwin Booth's wife, Mary Booth (ne Devlin), the New York Sanitary Fair of 1864, and the campaign leading up to the presidential election of 1864 (Dayton was a supporter of George McClellan, and makes many entries concerning the campaign and his fears that Lincoln will be re-elected). The Charles Willoughby Dayton papers were donated to the New-York Historical Society by William Charles Willoughby Dayton Denby III, and the diaries were digitized thanks to his generosity.

This collection contains 111 images of drawings and text, depicting both important events and everyday scenes from the Civil War. The pencil, pen-and-ink, crayon and wash drawings range in size from 5 x 5 inches to 19 x 12 inches., The drawings were made by 'special artists' employed by Frank Leslie's Illustrated Newspaper, and used as a basis for the wood engravings that illustrated it. Many of the artists were professionals such as John Francis Edward Hillen and E. B. Bensell. Others were soldiers and others in the field who submitted their drawings for publication. The sketches were made from the earliest days of the war, in April 1861, when troops were being moved to defend Washington D.C., to February 1865, when the U.S. flag was raised over Fort Sumter after being recaptured by Union troops. Some works date from April and May 1865, when Lincoln's body was lying in state after his assassination. The sketches were able to capture action that photographs were not able to convey at the time, and provide immediacy lacking in the other mediums. This collection of drawings from the New-York Historical Society's Museum Department was acquired through the James B. Wilbur Fund from the collection of John T. Kavanaugh, Rutherford, N.J., in 1945.

Most pictorial envelopes approximately 3 x 5 1/2 inches. Printed or embossed with caricatures, allegories, slogans, portraits, etc. relating to Civil War events and personalities. The vast majority is Union-oriented, for example of George Washington, Jefferson Davis, Benjamin Franklin, or Abraham Lincoln. State seals figure prominently, as do flags. Other significant topics in the collection are animals (especially the eagle), liberty, soldiers, sailors, and Uncle Sam., The New-York Historical Society's Department of Prints, Photographs, and Architectural Collections owns approximately 3,000 unused envelopes dating from the Civil War years. Of these, 490 were scanned for this project. Most were produced by New York printers between 1861 and 1865. Some are quite crude; others are beautifully designed and executed, many in color, some gilt. Some envelopes show portraits or caricatures of politicians. A significant New York printer, Charles Magnus, is represented by thirty-six envelopes, many showing Civil War camp scenes derived from photographs.

The 304 Civil War Posters in this collection consist predominantly of recruiting posters, as well as advertisements for public meetings, auctions and social functions pertaining to the Civil War. This collection includes posters from New Jersey, New York, Pennsylvania, Rhode Island, Massachusetts and Maine. Within the collection are posters for artillery, cavalry and infantry divisions of the United States Army, as well as state National Guard regiments and local regiments such as the Camden Zouaves, West Jersey Rifles and the Mozart Regiment. Many of these posters were used in targeted recruitment campaigns, calling upon African-Americans, Irish-Americans and German-Americans to enlist in the Union Army (a number of the posters are written in German). Many of the recruitment posters encourage men to avoid the draft and proactively sign up with a regiment, advertising high bounties, complimentary uniforms and pensions for the families of those who enlist. The posters use patriotic iconography featuring Lady Liberty, George Washington and Union soldiers, in addition to eagles, cavalrymen, liberty caps and American flags.

The collection of Civil War stereographs from the New-York Historical Society's Department of Prints, Photographs, and Architectural Collections covers the entire period of the Civil War, from the first Battle of Bull Run through the surrender at Appomattox, and the triumphal parade of Union forces in Washington D.C. Most of the images were made in the eastern theatre of the war, with a majority of scenes from Virginia. Compelling images of death on the battlefield and the destruction of cities, railroads and bridges show the devastating effects of the war. Individual and group portraits of participants are included, along with images of soldiers relaxing in camps, drilling in the field, and preparing for attack in trenches and other fortifications. There are images of African Americans fleeing slavery by crossing the Union lines, as well as African Americans on southern plantations and serving in the Army and the Navy. Because of their journalistic style, stereographs offer an immediate and graphic look at the war. When seen with a stereograph viewer which creates a three-dimensional effect, the small views (which range in size from 3 1/8 x 6 3/4 inches to 4 x 7 inches) become even more vivid and detailed. While photographers did not usually depict actual battle scenes, they captured images of camp life before battles and of battlefields afterward. Significant Civil War sites are documented, including Fort Sumter and the house at Appomattox where Lee surrendered. These views are also significant because of the photographers who made them. Mathew Brady is represented in the collection, as well as his former employees Alexander Gardner, James Gibson, and Timothy O'Sullivan. Other photographers represented include George N. Barnard, who took photographs in Virginia and the Carolinas, Sam A. Cooley, who was the 'Official Photographer' for the 10th Army Corps, and local photographers from Richmond, Gettysburg, and other locations. The 732 stereographs presented here came to the Society from various sources, although most were acquired in 1960 and 1961 from George T. Bagoe (1886?-1948), who specialized in collecting Civil War stereographs, among other subjects. Other significant groups of views were acquired in 1922, 1923 and 1936.

66 autograph letters, signed, between James B. Collins and his brother Joseph T. Collins, their parents John W. and Mary Anne Collins, and a handful of friends and relatives, all dated between February 4, 1862 and July 9, 1863. The bulk of the letters from the front are written by James B. Collins. Also includes a manuscript copy of lyrics to a song entitled "Song of the Louisiana Lowlands." James B. and Joseph T. Collins of New York City enlisted in the U.S. Navy in August of 1862. They were first assigned to the U.S.S. Monticello, and then transferred to the U.S.S. Commodore Barney. Before being assigned to the Barney, among other experiences they witnessed the destruction of the ironclad U.S.S. Monitor off Cape Hatteras on December 31, 1862. Joseph Collins was killed on the Barney during the Battle of Suffolk on April 14, 1863; James survived the battle but lost an arm in the same explosion that killed his brother. James B. Collins was honorably discharged on July 16, 1863 and returned to New York. He became an Internal Revenue officer for the First District of New York City in 1872.

1 portfolio ([1] leaf, 29 plates) : etching ; sheet 27 x 21 cm. on mount 34 x 26 cm. India paper proofs, mounted. This portfolio was produced in an edition of 200 copies for subscribers of Dr. Adalbert John Volck during the early part of the Civil War. It sardonically illustrates events that allegedly took place in the North and South from Philadelphia and Baltimore to Charleston and Vicksburg between 1861 and 1863. The original publication contained thirty prints, but one plate, "Meeting of the Southern Emissaries and Lincoln," has been lost. The twenty-nine caricatures presented here were etched during the Civil War. They show sympathy for the Confederate cause, and distaste for warfare in general. They were made by Adalbert John Volck (1828-1912), a Baltimore dentist, and were originally published under the name "V. Blada." Lincoln's ideals and actions are caricatured, as are such topics as Union army conscription methods, Northern treatment of African Americans, and the behavior of the Union and Confederate armies. Northerners of conflicted views are shown in several scenes smuggling medicine to the South, or joining the Confederate army. Several scenes of events in Baltimore highlight the city residents' early ambivalence toward the war cause and effort. This portfolio of etchings is from the New-York Historical Society's Caricature and Cartoon File in the Department of Prints, Photographs and Architectural Collections. Isaac John Greenwood's copy, with his bookplate., Adalbert John Volck (1828-1912) was German-born and immigrated to the United States in 1848. He qualified as a dentist, and practiced for many years in Baltimore, where he settled permanently in 1851. In an effort to combat the success of the Northern caricaturist, Thomas Nast (ironically also German-born), Volck issued many caricatures favorable to the South. The Confederate War Etchings are the most important and best known of these. Published under the name "V. Blada"

The four-volume diary of George Templeton Strong (1820-1875) is a detailed chronicle of the activities, interests, and relationships that characterized its author’s life. Beginning in 1835, and continued consistently into 1875, its thousands of individual entries contain descriptions of all facets of Strong’s experience, typically beginning with the weather and going on to discuss matters such as his legal work, family life, health, social ties, politics, and the arts. The diary documents upper class life in mid-nineteenth century New York City and provides reflections on the lives and attitudes of his peers. The reporting of personal activities is supplemented by Strong’s reactions to current events, most notably those related to the American Civil War. Digitization of the diary was made possible by a grant from the Peck Stacpoole Foundation.

1 album (ca. 100 photographic prints): albumen. Album of ca. 100 albumen photographic prints taken from 1861 to 1865 and printed later. Images include Navy ships and sailors during the blockade of southern ports; army camps; Edisto Island, South Carolina; plantations and African Americans; Fort Warren, Massachusetts; and Andersonville Prison, Georgia. Many of the Edisto Island photographs were taken by Henry P. Moore of New Hampshire. This album is vol. 20 from a 31 volume set of photograph albums compiled by Arnold A. Rand and Albert Ordway. They created a number of such sets throughout the 1880s and into the 20th century, using their personal collection of approximately 4,000 negatives as the source for the album prints. This album remains in its original half-leather with blue-green fabric binding, blue-green marbled end sheets, and gold-lettered spines. The photos are mounted on light blue boards with red trim and described in ink on the mount., Gift of the Military Order of the Loyal Legion of the United States, Commandery of the State of New York.

Newspaper: 4 p., 7 3/4 x 12 1/4 in. This is the first edition of the ""Prison Times." The handwritten newspaper includes original articles, advertisements, announcements, barracks directory, Christian Association directory, notices of clubs, etc., by prisoners at the Fort Delaware Federal prison camp on Pea Patch Island in the Delaware River. The paper's editors and proprietors include William H. Bennett, Aborn Harris, John W. Hibbs, and George S. Thomas., William H. Bennett, Aborn Harris, John W. Hibbs, and George S. Thomas fought for the Confederate Army. Bennet had the rank of captain before his inprisonment. Harris was mustered in as a sergeant in company H of the 3rd Florida Infantry Regiment. He eventually rose to the rank of third lieutenant. Hibbs was mustered in as a third lieutenant in company D of the 13th Virginia Infantry Regiment. He eventually rose to the rank of captain. George S. Thomas was mustered in as a captain in company C of the 64th Georgia Infantry Regiment. He never rose ranks.

The forty-two color ink drawings presented here were made in 1864 by a Confederate prisoner of war at Point Lookout, Maryland, the Union's largest Civil War prison camp. The drawings highlight the concerns and experiences of prisoners of war; most scenes show prisoners playing cards, buying food, or engaging in barter with food vendors. All of the prison guards depicted are African American, and encounters are recorded between these guards and the Confederate prisoners. The album into which these sketches were pasted also includes photographs of commanding officers at Point Lookout, printed orders to prison guards about the treatment of prisoners, and letters from prisoners to President Lincoln asking to be released. The volume is part of the Naval History Society Collection, which was donated to the New-York Historical Society in 1925 by James Barnes. James Barnes was the son of the Naval History Society's founder, John S. Barnes, whose own father, Brigadier General James Barnes, commanded the Point Lookout prison. John S. Barnes found the album among his father's papers after his death in 1869., Manakee, Harold R. 'Omenhausser's Confederate Prisoners of War Sketch.' Maryland Historical Magazine (June 1958): 177-179 and cover.

Sarah R. Blunt's letters to her mother, father, sisters, and cousin in Brooklyn, New York, written from hospitals in Point Lookout, Maryland and Harpers Ferry, West Virginia (March 4, 1862-July 24, 1865). She writes of her living conditions, duties, and the wounded soldiers., Sarah R. Blunt (born in 1830 or 1831) was a Union nurse during the Civil War. Leaving her home and family in Brooklyn's third ward, Blunt aided soldiers at Point Lookout, Maryland, and Harper's Ferry, Virginia.

Walt Whitman’s letters to the parents of Erastus Haskell of the 141st New York Volunteers, who died on August 2, 1863 in Armory Square Hospital, Washington, D.C., where Whitman frequently visited the sick and wounded. He wrote the Haskells, of Breseport, New York, on July 27, 1863 to inform them that their son was very ill with typhoid fever. In a letter written August 10 he describes his visits with Erastus and their son’s last days. In the final letter, dated September 9, Whitman thanks Mr. Haskell for his acknowledgement of the letter of August 10 and reiterates his Brooklyn address so that Mr. and Mrs. Haskell may write to him at home. An earlier letter, written April 5, 1863 by Joel M. Jansen and Erastus E. Haskell, describes their regiment's good accommodations despite the poor weather. Erastus says further that he and the other musicians have not been on duty for some time, but anticipate active service soon., Erastus Haskell, born May 25, 1844, and died August 2, 1863, was a fife player in Company K, 141st New York Volunteer Infantry band. Prior to his military service, he worked as a carpenter. Erastus also had one sister, Abigail, who was deaf. His father, Samuel Baldwin Haskell (1810-1876) suffered a stroke, rendering him unable to work.

The William Oland Bourne collection in the New-York Historical Society's Manuscripts Department includes correspondence, papers, broadsides, and unpublished manuscripts related to his work as a social reformer, editor and author in New York City during the 1850s and 60s. Through his publication, The Soldier's Friend, he sought to aid disabled soldiers by offering prizes to those who had lost their right arms in combat during the American Civil War and had learned to write with their left hands. It is the material relating to this enterprise that was selected from the collection for digitization. The selection includes letters, photographs and papers regarding the competition sponsored by Bourne's publication, The Soldier's Friend, for best specimens of left-handed penmanship by disabled soldiers., William Oland Bourne (1819-1901), social reformer, editor, and author in New York City. He was the editor of 'Soldiers Friend,' a publication hat advocated for the rehabilitation of soldiers who suffered injuries and trauma during the American Civil War. He lived and worked in New York City.