People should post books they read on Instagram instead of food they eat.

I finished reading a book called The Buried Giant by Kazuo Ishiguro that my step-mom had gotten me. I’m going to be delivering some spoilers about the book in this post, so be forewarned. If you’re interested in Kazuo Ishiguro’s writing or King Arthur stuff I’d recommend you finish the book on your own before reading this post.

The book is set a generation or so after King Arthur, when all his knights are getting old or dead.

The book follows the journey of a married couple, Axl and Beatrice, who are traveling to their son’s village.

A mist covers England clouding people’s memories. People forget things after the simplest of distractions. Old memories are difficult or impossible to recall. And the problem affects everyone.

The memory mist springs from a dragon and it becomes the quest of Axl, Beatrice, and a few people they meet on their journey to slay the dragon.

The dragon slaying is all fine and good and I loved reading those parts. It may not be a traditional King Arthur tale, but I love reading new takes on old things and it hit a home run in being a King Arthur story.

What bothered me about the book is what has bothered me about a lot of books, the ending is sad.

I remember a conversation I had with my dad when I was in high school. I asked him, “Why do modern stories have bad endings? Ancient stories always have the good guys killing the bad guys and everyone living happily ever after. Like King Arthur.”

My dad said something along the lines of, “Modern stories have bad endings because they’re more real. Fairy tales like King Arthur are fine for kids, but grownups like stories that are real, that they can relate to. It’s cathartic.”

That answer was good enough for me back then, but I’ve done some more thinking on it since.

First, bad endings are not solely the province of modern stories. Oedipus Rex is a perfect example of an ancient story with a horrible ending. Romeo and Juliet is based off the Greek myth of Pyramus and Thisbe. The Iliad has a powerful ending, but no one really gets what they want. Hector is still dead and Achilles still feels empty.

The second thing I realized is that it isn’t so much the sadness that makes stories feel real. You can’t just have something bad happen to someone and expect people to start feeling empathy for that character.

No. What makes stories real is having characters on both sides of a conflict who could both be described as good.

The Greek myths are perfect examples once again. Achilles is the hero of the Iliad, but so is Hector. They’re both great admirable people (at least to the Greeks. I don’t think someone with the epithet, “the Mankiller,” would be very popular today),

They’re both heroes in the story, but they have antithetical goals. One must die for the story to reach resolution. And that’s what makes it sad.

The conflict doesn’t always need to end in death and the characters don’t always need to be diametrically opposed, but ultimately the “villain” of an adult story must have real motivations for what they are doing. And most real motivations are fundamentally good. People do things to help themselves or the people they care about, not because they want to hurt other people (sadists are exempt).

An easier separation between what I’ve called good and bad endings in the past would be children’s stories and adult stories.

Stories need to be simplified for children which can mean having a villain who is just villainous for no good reason (Jafar, The Star Wars Emperor, Mordred from King Arthur, etc.).

But back to The Buried Giant!

Early on in the book Axl and Beatrice encounter a woman who tells them about a mysterious island that is clearly some sort of allegory for Heaven.

It’s said that you can live on the island and never see the other people living there.

Only a couple that is truly in love will be able to interact with each other on the island.

A couple’s truly in love status is tested by the boatman who brings people to the island. He asks couples a series of individual questions before permitting them to travel together.

The woman that Axl and Beatrice meet describes that happening to her and her husband. They answered the questions and then the boatman said the water was too rough to bring them to the island at the same time.

Thinking she would get to see her husband on the next boat, she said, “Fine,” and her husband went first.

When the boatman came back he informed the wife that she had failed the questions and that she would not be seeing her husband on the island. She left in a rage and wandered England before eventually telling her story to Axl and Beatrice.

Our protagonist couple talk about the island constantly. They are concerned that they won’t be able to answer questions about their love for each other if the dragon’s memory mist prevents them from remembering why they originally fell in love.

In the final chapter of the book they talk to the boatman. The boatman talks to Beatrice first and then to Axl. We only hear Axl’s conversation.

The boatman is very casual and brings up a fight that Axl had with Beatrice once. Axl explains the fight, but is suspicious that he and Beatrice will be denied joint entrance to “Island Heaven” if he tells the whle truth (the reader never learns the whole truth).

The boatman agrees to take them both to the island. Axl hops in the boat with Beatrice.

And then the boatman says, “I can’t take you both at the same time. The weather is too bad.”

Axl’s face darkens. He knows he failed the questions, but he doesn’t want to say goodbye to his wife. He stays in the boat.

Beatrice tells Axl she’ll be fine. They can just meet when the boatman brings the next boat.

Not wanting to upset his wife, Axl gets out of the boat and trudges towards shore.

And the book freaking ends there.

I understand that sad endings are sometimes more realistic, but this felt more like the author screwing with me.

Couldn’t they have been allowed to go together? Couldn’t we have learned a few more specifics about what Axl and Beatrice fought about long ago?

Nope! Ishiguro does the smart thing. If you have questions that don’t need answering in a story, then don’t answer them. People will come up with their own answers and those will always satisfy the readers more than anything you can come up with.

So does the boatman come back and take Axl to be with Beatrice? It’s possible, but my own answer to that question was, “No.”