Bill talks to author and film critic Jonathan Rosenbaum about some of his many endeavors in film culture, including books like MOVING PLACES and MOVIE WARS, his tenure as principal film reviewer at the Chicago Reader, and his involvement in multiple Orson Welles-related projects, ranging from THIS IS ORSON WELLES to THE OTHER SIDE OF THE WIND. Other topics include: Critical interactivity, identity politics in film criticism, André Téchiné, film culture in New York and Paris in the late '60s, confusing Art with Class, audio commentaries, TWIN PEAKS, hate mail, film festivals and how plagiarism can be a positive thing if your ideas are important.

Bill talks to writer, editor and podcaster Kat Ellinger about the various film culture projects she’s been involved in, from creating her first blog to co-hosting the Daughters Of Darkness podcast and serving as the Editor-In-Chief at Diabolique Magazine. Other topics covered include accents, Video Nasties, sexism in film culture, Heather Drain, Parental Advisory stickers, the importance of editors, audio commentaries, New Age travellers, the Japan Cuts film festival, Kat’s forthcoming book on Harry Kümel’s DAUGHTERS OF DARKNESS, work/life balance and the proper use of newspapers to ward of vampires.

Bill talks to writer and film historian Tim Lucas about some of his many contributions to film culture, from early mimeographed fanzines and articles like “The Shape Of Rage” and "The Butchering of Dario Argento" to award-winning efforts like Video Watchdog magazine and the book MARIO BAVA: ALL THE COLORS OF THE DARK. Other topics covered include David Cronenberg and the filming of VIDEODROME, and more!

Bill speaks with Joseph A. Ziemba, creator of the website Bleeding Skull, director of genre programming and promotions at Alamo Drafthouse, and a lead archivist for American Genre Film Archive (AGFA). They discuss the origins of his various projects, as well as formative cinematic experiences, the aesthetic of BOARDINGHOUSE, work/life balance, the evolution of AGFA, and why preserving films like BAT PUSSY won’t necessarily get you disinvited from future family get-togethers these days.

Bill speaks with film critic Abbey Bender. They discuss her experiences in film culture, from childhood repertory screenings to writing for publications like Film Comment, The Village Voice, Playboy and Rolling Stone. Other topics include: “women’s interest” writing assignments, fashion as it relates both to Rainer Werner Fassbinder and ‘The Brady Bunch”, New York film culture, politics and contrarian auteur favorites on Twitter, JOSIE AND THE PUSSYCATS and forging short-lived friendships in order to have someone to see Jean-Luc Godard movies with.

Bill speaks with author and film historian Lee Gambin. They talk about his wide array of artistic pursuits, from directing confrontation stage plays and selling fanzines for beer money to writing for Fangoria and lecturing at film festivals and universities. Topics include: FROGS, the origins of Lee’s various books (including the new NOPE, NOTHING WRONG HERE: THE MAKING OF CUJO), tailoring one’s writing style for specific publishers, Melbourne film culture, and how researching movies like THE PACK can improve your relationship with your own dog.

Bill speaks with writer and film programmer Ashley Clark about his pursuits, from his early blog Permanent Plastic Helmet and programming screenings at the movie theatre where he worked to writing for publications like The Guardian, Sight & Sound, Reverse Shot and Vice and programming for the BFI and MOMA.

Bill speaks with Elric Kane about the wide variety of film culture projects he’s been involved in, from hosting podcasts like Killer POV, Shock Waves and Pure Cinema, to directing films, producing and hosting interview shows like This Week In Horror and Inside Horror, teaching film, working at Facets, launching an entrepreneurial venture with Jump Cut Café, and much more. Other topics covered include New Zealand film culture, female horror film directors, Monte Hellman, the Hollywood Underground Film Festival, POSSESSION and having tuna fish sandwiches with the director of CHRISTMAS EVIL.