You set the envelope loop start and end points with the event sequencers, and the release stage is sampled and triggered on key up.
You also have to set the first looping envelope level to the same value as the last stage of the initial envelope to avoid

It's called JV-1010 cos that's what I'm controlling with it.
Any comments gratefully received. Had lots of fun with the divide by two placement... It's actually pretty obvious in the end. Finding a way to get it to start up reliably in a 0 position and

Hold the first button in panel A1. While doing so, play and hold a 3-note chord. Let it fill the sequencer, then release the button.
I would expect the chord to continue to sound, but what happens on my G2 is that only one note sounds--except sometimes

2-manual hammond B3 emulation with scanner vibrato/chorus and Leslie speaker with overdrive.
10 voices on each manual with the expansion board.
Slot 1 is the lower manual.
Slot 2 is the Leslie (+ overdrive)
Slot 3 is the upper manual
Slot 4 is the vibrato

A simple self-playing patch based on Blue Hell's linear shift register patch. Only variations 1-4 are set up. If you press the key A3 (or is it G3?) at the start, the pitch range I like, Var 1 &2 are G maj pentatonic, Var 3 is D minory, and Var 4 is

Here is a patch that uses the keyboard velocity to control the S (sustain level) of the ADSR envelope through a morph. It's harder to control sustain level from a Keyboard module because it's not directly adjustable, at least not with this particular env

orbital anyone? the bass was programmed by someone else and that's credited in the relevant patch. i added some modifications in the guise of units and tweaked the sound to my tastes. main thing was a sequencer inserted.