Long – range writer

Long – range writer

Long – range writer
– I have a writer’s dream. In my memory, the writer is an unattainable wit. What is a writer? The concept of’ writer’ was found on the Internet and explained as follows: ” Writers refer to people who write as a profession in general.”. It also refers to those who have made achievements in literary creation. Usually referred to as writers, their works can be published and published. It can be seen from this that there must be two conditions for a writer’s position – one is to make achievements in literary creation, and the other is to be able to publish and publish works. The Chinese Writers Association is an organization of Chinese writers. According to the official definition of the Chinese Writers’ Association: ” The Chinese Writers’ Association is referred to as the Chinese Writers’ Association. It is a professional people’s organization led by the Communist Party of China and voluntarily combined with writers of all ethnic groups in China. It is a link and bridge between the Party and the government and writers and literary workers. It is also an important social force to prosper the cause of literature and strengthen the construction of socialist spiritual civilization.. Chinese writers’ associations, including national ( central ) writers’ associations – Chinese writers’ associations and local writers’ associations – local writers’ associations mainly include provincial and municipal ( autonomous regions and municipalities directly under the central government ) writers’ associations and local state writers’ associations. In addition, there are county-level writers’ associations and prefecture-level writers’ associations. In addition to local writers’ associations, there are trade writers’ associations or professional writers’ associations. For example, China’s coal system has China’s coal writers’ association, China’s petroleum system has China’s petroleum writers’ association, and so on. According to the articles of association of Chinese writers, ” anyone who approves of the articles of association of Chinese writers and publishes or publishes works of literary creation, theoretical research and translation, or who has made outstanding achievements in literary editing, teaching and organization, shall be an individual member of the Chinese writers association upon his own application, recommendation by a group member or introduction by two individual members after the secretariat of the association solicits the opinions of the members of the region or system where the applicant is located, and shall be considered and approved by the secretariat meeting of the association.”. From this we can see that members of the Chinese Writers Association include literary creators, literary critics, literary theorists, literary researchers, literary translators, literary educators, literary editors, literary publishers, literary managers, literary organizers and literary leaders. Chinese writers, in addition to members of the Chinese Writers’ Association, are also members of local writers’ associations and trade writers’ associations. Members of local writers’ associations mainly include provincial and municipal writers’ associations and local and municipal writers’ associations. In addition, there are county-level writers association members and prefecture-level writers association members. Generally speaking, members of the Chinese Writers’ Association are all influential and well-known figures in the literary world.. The conditions for joining the Chinese Writers’ Association are either to publish a certain number of influential representative works in literary periodicals above the national level ( central level ) or in supplements to authoritative newspapers at the central level ( national level ), or to publish monographs of a certain standard by the state’s regular publishing units, or to be literary workers with outstanding achievements in literary editing, teaching, management and other related work.. At present, there are tens of thousands of members of the Chinese Writers’ Association. A provincial writer’s association has more than one or two thousand members, and there are tens of thousands of provincial and municipal writers’ association members all over the country.. There are more members of municipal writers’ associations. Chinese writers, some of them joined the Chinese Writers’ Association, were members of the Chinese Writers’ Association, some joined the provincial and municipal writers’ associations, were members of the provincial and municipal writers’ associations, some joined the local and municipal writers’ associations, were members of the local and municipal writers’ associations, others joined the county and municipal writers’ associations or the prefecture and municipal writers’ associations, and were members of the county and municipal writers’ associations or the prefecture and municipal writers’ associations.. In addition, others have joined the Chinese Association of Industry Writers and are members of the Chinese Association of Industry Writers.. For example, some writers work for Sinopec Group and are members of the Chinese Petroleum Writers Association. Some writers work for the public security department and are members of the Chinese Public Security Writers Association.. Among them, some writers are members of both the Chinese Writers Association and the Provincial Writers Association, and even some writers are members of both the Chinese Writers Association and the Provincial Writers Association and the Municipal Writers Association.. For example, there is a famous writer with world reputation and great influence in the Chinese literary world, who belongs to a leading writer and is also the vice president of the Chinese Writers Association, the vice president of the Provincial Writers Association, the president of the Provincial Writers Association, the president of the Municipal Writers Association and the president of the Municipal Writers Association.. Among Chinese writers, many are not only members of the Chinese Writers’ Association, but also members of provincial and municipal writers’ associations and even local and municipal writers’ associations.. Every writer has different family background and personal growth path – for example, some writers come from a bureaucratic family, some writers come from a famous family, some writers come from a wealthy family, some writers come from a poor family – writers come from different family backgrounds, and their personal growth experiences are different – some writers come from intellectuals and some writers are not intellectuals.. Intellectuals and writers are all college graduates. The vast majority of intellectual writers have graduated from famous universities with a bachelor’s degree or a master’s degree or a doctoral degree or above, many of them also have overseas study experience and are masters of Chinese and western learning.. For example, some intellectual writers graduated from famous universities with a bachelor’s degree. Some writers graduated from famous universities with doctoral degrees and obtained doctorate or postdoctoral degrees. Some writers have studied abroad, studied in world famous universities and obtained doctorates. Intellectuals writers are often mainstream writers. Intellectuals and writers often work in political circles, theoretical circles, literary and art circles, press and publication circles and academic circles, and are engaged in literary creation, literary editing, literary translation, literary research, literary management and other related work.. For example, some work as literary and art bureaucrats in the propaganda department of the central or local party committees, some as cultural officials in the central or local state administrative and cultural departments, some as leaders of the central or local cultural associations, some as full-time writers, some as editors in publishing companies or literary periodicals and newspaper supplements, some as researchers in scientific research institutes, and some as professors in universities.. Non – intellectual writers often did not go to university – some had only a high school diploma, some had only a junior high school diploma, and even some had only a primary school diploma – non – intellectual writers often became writers by self – study. Non – intellectual writers often come from poor families. Non – intellectual writers are often life-style writers. At the same time, many non-intellectual writers often live at the bottom of society. Most non-intellectual writers have become writers through their own efforts. Among them, some non-intellectuals have made outstanding contributions to literary creation and become powerful writers in the famous literary world. As a result, he joined the mainstream writers. As far as social status is concerned, Chinese writers can be divided into two categories: mainstream writers and non-mainstream writers. The so-called mainstream writers refer to those who live in the mainstream society. Those mainstream writers often work in the central or local party and government organs, functional departments, cultural associations, writers’ associations, cultural institutions, colleges and universities, scientific research institutes, publishing companies, literary periodicals, newspaper supplements, news media and other organs and media, as administrative leaders, literary management, literary creation, literary editing, literary publishing, literary research, literary teaching, literary translation and other related work.. Mainstream writers often have jobs, power, fame and wealth.Let’s take an example? If Zhang San, Li Si, Wang Wu and Zhao Liu are all mainstream writers, Zhang San is a famous literary theorist with the title of researcher, serving in the provincial party committee propaganda department, holding leadership positions such as the standing committee of the provincial party committee, the minister of the provincial party committee propaganda department and the director of the provincial cultural department, he is both a senior leading cadre and a cultural celebrity in the province.. Li Si is a famous writer, with the title of national writer. He works for the provincial federation of literature and works as the chairman of the provincial federation of literature and writers and is not only a leader of the provincial literary world, but also a famous writer in the provincial literary world.. Wang Wu is a famous poet with the title of professor at the national level. He works for a national key famous university in the provincial capital, holds the position of president of the university and concurrently holds the position of vice chairman of the provincial writers’ association. He is not only the leader of literary circles in the province, but also a master of literary circles in the province.. Zhao Liu is a well-known literary critic, literary theorist and literary research expert, serving in the provincial academy of social sciences and serving as president of the provincial academy of social sciences and senior researcher. It can be seen that Zhang San, Li Si, Wang Wu and Zhao Liu all have positions and powers. All have identity and fame. In fact, writers have different social status. Some famous writers have lofty social status and prominent status. They are often not only cultural celebrities, but also literary masters or literary masters. They often live in the upper class and hold positions of literary leadership or literary leadership. And those unknown writers often live at the bottom of society. They often have no right to work, not only have low status and low status, but also are often poor and belong to the vulnerable groups in society.. Among Chinese writers, those who have made important contributions and influences in literature are called first-class writers. First – class writers are all famous writers with important influence. The first-class writers can be divided into two levels – some of them have high attainments in literature and have reached the highest level.. They have made a tremendous contribution to literature. They are the most outstanding great writers among the first-class writers. They are the first-class top writers. They are the most influential and famous writers in the literary world. They are among the highest-ranking and highest-ranking writers. The top writers in the literary world are often called’ literary giants’,’ literary masters’,’ literary masters’,’ literary giants’,’ literary superstars’ and’ literary champions’. They have not only high prestige in the literary world, but also high status in literature. For example: Lu Xun, Guo Moruo, Mao Dun, Lao She, Ba Jin, Bing Xin, Ding Ling, Cao Yu are all top Chinese writers in the literary world. They are all literary giants in the Chinese literary world. First – class famous writers refer to those who have important influence and fame in the literary world. They often belong to powerful writers and heavyweight writers or big-name writers. They are all very famous writers in the literary world. For example, contemporary famous writers such as Wang Meng, Tie Ning, Jia Pingwa and Chen Zhen are all first-class famous writers.. In addition to the first-class famous writers, there are more famous second-class writers and lesser-known third-class writers, as well as obscure fourth-class writers and fifth-class writers and obscure unknown writers.. In a word, whether it is a high-status writer or a low-status writer, whether it is a famous great writer or a small unknown writer, it is a Chinese writer.. Of course, among the tens of thousands of Chinese writers, only a handful are truly world-class literary giants and masters of Chinese literature.. There are only a few famous writers in the literary world. From a literary lover to an amateur writer, it is not easy to become a writer who has achieved something in literature. There are many literary lovers and amateur writers in China. After all, only a few have really become a writer.. And from an unknown writer, only a few can become a famous writer. It is even more difficult to become a superstar in the literary world.. It is because of the hardships of the writer’s road that the writer has attractive charm. In fact, with the exception of a few famous mainstream writers who hold high positions and have the magic power to call the wind and call the rain, it is not as good as we think for most ordinary writers.. As far as the writer’s profession is concerned, it can be divided into two types: professional writer and amateur writer. As far as professional writers are concerned, there is also a narrow sense of professional writers and a broad sense of professional writers. The narrow sense of professional writer refers to the writer of professional literary creation. Including professional writers supported by state finance and folk professional writers. Professional writers supported by the state often work for the central or local cultural union or writers’ association and have state financial support. The professional writers supported by the state finance belong to the writers within the system. Not only is there a fixed salary allocated by the state, but it also enjoys the treatment of state civil servants. Writers supported by the state finance, because there is a fixed salary allocated by the state finance, they will not be trapped by life even if they do not publish their works for several months.. By contrast, professional writers in the private sector, who have neither the state’s financial allocation nor the state’s treatment of civil servants, are totally self-reliant and earn a living by literary creation.. Folk professional writers have become real professional writers. Folk professional writers can be divided into two types: contract writers and free writers.- contract writers often sign contracts with local literary associations or writers’ associations, literary institutes, publishing companies, newspapers and magazines, cultural companies and other units, which are mutually beneficial and mutually beneficial. Second, free writers. He is engaged in free creation and earns a living from his contributions. Professional writers in a broad sense refer to professionals engaged in literary work, and generally include several types of people – first, professional writers, second, leaders of literary associations and writers, third, officials from the propaganda department of the party Committee and the national cultural administration and culture department, fourth, literary editors of publishing companies, literary periodicals and newspaper supplements, fifth, literary researchers of scientific research institutes, sixth, professors of colleges and universities, seventh, literary editors of the news media, etc. In fact, among Chinese writers, there are not many real professional writers. The vast majority of writers are part-time writers – they work as literary editors in literary journals, newspapers and publishing companies, or as literary teachers in colleges and universities, or as literary researchers in scientific research institutes, or as leaders in professional or local literary federations and writers’ associations, or as leaders in the central or local propaganda departments of party committees and state administrative and cultural departments, or in the news media.. In the literary world, many famous writers are often well-known editors or publishers, translators, managers and leaders at the same time.. The mainstream writers in China often have positions, positions, identities and fame, or hold senior leadership positions, or enjoy the treatment of senior officials – for example, Chinese writers have state-level writers, state-level writers, provincial-level writers, provincial-level writers – their positions and grades are different, and their treatment is also different – some writers hold senior leadership positions in the central government and enjoy the treatment at the ministerial level or deputy ministerial level, some hold leadership positions at the provincial or municipal level, some hold leadership positions at the municipal level and enjoy the treatment at the district or municipal level, and some enjoy the treatment at the district or municipal level.. In short, state officials enjoy different treatment at different positions and levels. The same is true of writers. Writers enjoy different treatment in different positions, titles and grades. Among Chinese writers, professional writers are all important writers in the literary world. The reason why professional writers can become professional writers lies in their outstanding contributions to literary creation. Generally speaking, professional writers are all important writers under the protection of the state. Professional writers generally have senior titles and enjoy the treatment of senior civil servants in the country. At the same time, most professional writers often concurrently hold leadership positions in local cultural associations or writers’ associations. Some professional writers also hold various positions. In fact, most professional writers, once they become professional writers, often attach importance to status and fame. When those professional writers are still engaged in amateur warfare, they tend to be diligent in their creation and often have excellent works coming out. Once they become professional writers, they often do not attach importance to creation but are keen on status and fame.. As soon as those professional writers become professionals, they put literary creation in the second place in order to hold leading positions and evaluate professional titles in the literary world.. For example, suppose that after graduating from the famous Peking University, he joined the Provincial Writers’ Association to join the editorial department of today’s literary regulations as an editor. Famous from practice editor to official editor to responsible editor, until later deputy editor – in – chief. As a famous editor in the editorial department of the literary world regulations, he was diligent in writing, and often had excellent works, which attracted the attention and attention of the literary world. later, he became a famous young writer in the literary world.. Later, he took part in the class of young and middle-aged writers in the academy of literature of the provincial writers’ association and the senior training class of young and middle-aged in the academy of literature of Lu Xun of the Chinese writers’ association. Later, he became a professional writer in the provincial writers association. After becoming famous, in order to evaluate professional titles, he served as leader of provincial writers’ association and leader of provincial federation of arts and culture, often went to various social parties and attended various meetings without paying much attention to creation. As a result, few influential works were published in a year. At the same time, many professional writers often work part-time in publishing companies, newspaper editorial departments and universities to increase their economic income.. Some professional writers also set up publishing companies or literary periodicals, literary websites and cultural undertakings. In fact, they are not only professional writers, but also publishers or editors and cultural industrialists.. The third is the combination of writer and publisher or editor, literary critic and literary theorist. They either work in the editorial department of literary periodicals, or in the editorial department of newspaper supplements, or in the editing room of publishing companies, or in colleges and universities, or in cultural institutions. They are not only famous writers, but also famous publishers or editors, literary critics, literary theorists, and literary managers.. They are all professional writers in a broad sense. Professional writers in a broad sense often refer to those cultural writers and writers. That is, the professional literary workers we often talk about. The narrow sense of professional writer refers to a writer who makes a living by literary creation. In today’s literary world, there are many writers who live in the folk, neither affiliated with the party and government organs, nor affiliated with the state literary and art organizations and cultural units, neither having state financial support, nor having state financial support. They live on the literary creation as a profession and earn a living from the payment of their contributions – earn their own living – those real professional writers. Among them, those who are well-known have a huge income from their contributions every year, becoming famous writers and rich writers, and entering the rich writers list. Those who are not well-known can earn a living with their contributions. Those who are not well-known and have a difficult life belong to extremely poor writers.. However, they are real professional writers. 2. The Chinese Writers’ Association and the Local Writers’ Association are nominally professional social organizations, non-governmental organizations and, in fact, official state agencies. Not only are the leaders of the Chinese Writers’ Association and the local Writers’ Association state officials, but writers supported by the Writers’ Association enjoy the treatment of state officials. Writers’ associations in the central or local governments are the dual leaders of the propaganda department of the central or local party committees and the Federation of Culture and Art.. The propaganda department of the central or local party Committee is the direct leader of the central or local writers’ association. There are tens of thousands of Chinese writers. There are hundreds of publishing companies and dozens of professional literary and art publishing companies in China, which publish so many literary works every year. However, the writers who publish works at public expense are so few well-known literary masters and famous writers that most of them are not well-known and unknown, either they are born at their own expense or they have no money to publish books.. It can be said that in today’s Chinese literary world, public expense has become the patent of a few bureaucrat writers and elite writers, and publishing books at their own expense has become the model and trend of the times for most writers to publish books.. Unknown writer, amateur writer, since needless to say. Even some influential writers have little hope of publishing books at public expense.. For example, if it weren’t for a writer who has a certain influence in the literary world, he graduated from a famous university and taught in a key middle school in a medium-sized city after graduating from the university, he would not only be a high school language teacher in that city’s provincial key middle school, but also a member of the Chinese Writers’ Association, the Provincial Writers’ Association and the Municipal Writers’ Association, which has a certain influence and popularity in the city, but all the works that were not published at his own expense.. On one occasion, if it weren’t for going to the provincial capital to attend a pen meeting. During the pen meeting, I met several college classmates – in those days, I entered for the Chinese Department of the Faculty of Literature of the famous university in Beijing to study Chinese for a writer’s dream..After graduating from university, some candidates went on studying, some stayed in Beijing to work, some went back to their hometown to work as editors in the provincial and municipal cultural union or writers’ association’s literary journals, some local provincial and municipal news media as journalists, some went to provincial authorities as state civil servants, some went to provincial key middle schools to teach, some went to large enterprises to do management work, some went to military camps and talked about their life experiences, knowing that one of the university classmates had become a famous young writer and editor in the literary world, not only a member of the Chinese writers’ association and a member of the provincial writers’ association.. A classmate is already a famous literary critic and literary theorist, a member of the Chinese Writers’ Association and a researcher of the Provincial Writers’ Association. He not only served as dean, professor and doctoral supervisor of a national key famous university in the provincial capital, but also served as a researcher of the Provincial Academy of Social Sciences. He was also awarded the title of ” expert with outstanding contributions in the province” by the provincial government, and was elected as a member of the provincial people’s congress and CPPCC, becoming a cultural celebrity and social celebrity in the province. His deeds can be seen in the dictionary of Chinese literary theorists ” Regulations on Dictionary of Chinese Cultural Celebrities.”. The old classmates met with great enthusiasm. If it weren’t for the two college classmates who have already served as vice president of the provincial writers association and executive editor of the provincial writers association’s literary journals, who have served as dean of the university’s faculty of literature and researcher of the provincial academy of social sciences and researcher of the provincial writers association, they said, ” Wen xing, brilliant, you are really amazing.”! Wen Xing said with a smile, ” If not, we are all old classmates.”. When we were in college, we were all gifted scholars. After graduating from university, I worked as an editor in the literary journal of the provincial writers’ association. Cai Zhuo taught in that university. you taught in that key middle school. among the three of us, I am a literary worker, I am both a writer and an editor. you and Cai Zhuo are both educators. you are both educators and literary masters! ‘ If it weren’t for laughing and saying: ” Wenxing, you and Caizhuo are both famous writers. I’m not a famous writer! Wen Xing said, ” If not, I am a member of the Chinese Writers’ Association and you are also a member of the Chinese Writers’ Association. We have the same status.”! ‘ If it weren’t for saying, ” Wenxing, China Writers Association has tens of thousands of members, and I’m just one of the ordinary members.”. And you are not only a member of the Chinese Writers’ Association, but also a member of the National Committee of the Chinese Writers’ Association.. As far as I know, there are only more than 200 members of the National Committee of the Chinese Writers’ Association. There are not many members of the National Committee of the Chinese Writers’ Association in every province and city.. You are a member of the National Committee of the Chinese Writers’ Association. It’s amazing! ‘ Caizhuo said: ” Yes! There are tens of thousands of members of the Chinese Writers’ Association and only more than 200 members of the Committee. There are more than 30 provinces, municipalities directly under the central government, autonomous regions and many units directly under the central government in the country. Each province has several hundred members of the Chinese Writers’ Association, while the committee has only a few members.. To be able to enter the Committee of the Chinese Writers’ Association and serve as a member of the Committee of the Chinese Writers’ Association is, of course, a master of great achievement.! ‘ If it weren’t for saying, ” Yes! Wenxing is really a famous master in today’s literary world! Wen Xing said with a smile, ” You have raised me up.”! Where can I be called a famous master in the literary world? We are all members of the Chinese Writers’ Association, and we have published many works. We have all made some achievements in literature! ‘ If it weren’t for saying, ” Although I am now a member of the Chinese Writers’ Association and have published three novels so far, all three of my novels have been published at my own expense.”. – you are all famous writers. your works are published at public expense, right? Wen Xing said with a smile: ” Because of my status, identity and fame, all my works have been published at public expense by the regular national and provincial publishing companies.”. Caizhuo said, ” I am a literary theorist, and my monograph on literary theory was also published at public expense by the state’s regular publishing company.”. ” If not asked,” Wen Xing, Cai Zhuo, you are a famous writer and editor, a member of the Chinese Writers’ Association, a member of the National Committee of the Chinese Writers’ Association, a vice-chairman of the Provincial Writers’ Federation, a vice-chairman of the Provincial Writers’ Association, an executive editor in chief of the provincial magazine, a famous literary critic, literary theorist, literary research expert, a member of the Chinese Writers’ Association, a researcher of the Provincial Writers’ Association, a famous professor, and a doctoral tutor. You are all cultural celebrities and literary masters. I don’t know what you think of the current writers’ rush to publish books at your own expense. ”? ‘ If not, say with a smile: ” How do you say that?”? Because of my work, I not only keep in touch with writers and poets all over the country, but also communicate with editors of publishing companies, literary periodicals and newspapers. I find that Chinese writers publish books at public expense and at their own expense.. It is now a market economy. Especially after the country’s reform of the cultural system, China’s publishing companies have implemented the system reform – originally, publishing companies belong to state institutions with state financial allocations; At present, the publishing company belongs to an enterprise unit, and the publishing company is responsible for its own profits and losses. Now, publishing companies are focusing on the market. After the publication of a manuscript, is there a market? That’s what publishing companies are most concerned about. How to have a market? Now, publishing companies publish books according to the principle that the market is the first consideration for publishing companies to publish a book.. In order to have a market, first of all, it depends on the quality of the works and the fame of the authors – how to make the books published by publishing companies attract readers’ attention in the vast book market? The title and content of a book is certainly a very important factor, but the author’s name is even more important – if he is an unknown writer and others are not familiar with him, he will naturally not be attractive. If it is a famous writer or a popular writer in the literary world, the writer’s name is widely known and naturally attractive. That way, there will be a market. For example, after the works of those unknown writers were published and put into Xinhua Bookstore or Book Market, because the writers were not famous, the names of the writers could not attract the attention of others, and the works were left out in the cold after being put into Xinhua Bookstore or Book Market. If it is the work of a famous writer, such as contemporary famous Jia Pingwa, Tie Ning and Han Han, then the self-heating has a sensational effect. That’s the market. Therefore, apart from those very famous writers who have the chance to enjoy the treatment of publishing books at public expense, the chance of publishing books at public expense is rare for the vast number of Chinese writers.. As a writer, don’t worry too much about whether publishing books at public expense or at one’s own expense – publishing books is every writer’s hope. Whether it is to publish books at public expense or at one’s own expense, quality is the key. ‘ If it weren’t for saying, ” Yes! Publishing books is the ideal of every writer. Quality is the key whether you publish books at public expense or at your own expense. 3. The Chinese Journal of Composition Studies is the main place for publishing literary works. The works of writers are published through literary journals, except for a handful of famous writers whose manuscripts can have the chance to be published by famous publishing companies in the country..Nowadays, literary periodicals can be divided into two categories: pure literary periodicals and popular literary periodicals. According to the nature of literary periodicals, they can be divided into two categories: official literary periodicals and folk literary periodicals. Official literature is often sponsored by central or local cultural associations, writers’ associations, cultural departments, cultural institutions, publishing companies, university directors and organizations with official backgrounds. Folk literature journals are often founded by non-governmental organizations or individuals. Although some pure literature journals are private journals, most of them are still official journals. The editor-in-chief and deputy editor-in-chief of those literary periodicals are often the chairman or vice-chairman of the Federation of Literary Unions or Writers’ Associations.. The editorial board members of those literary periodicals are often the most influential and well-known local writers or poets, literary critics and literary theorists. A few examples? For example, the Municipal Federation of Literature and Art and the Municipal Writers’ Association jointly sponsored a literary journal, with the president of the Municipal Federation of Literature and Art as editor – in – chief, the vice president of the Municipal Federation of Literature and Art and the president of the Writers’ Association as deputy editor – in – chief, and the editorial board composed of the most influential famous writers in the city.. A city with millions of people is a writer’s association with hundreds of people. There are also many literature lovers, but in one city, there is only one literary periodical – the editorial board members themselves want to publish their works. There are so many famous writers and literary celebrities in this city, as well as private friends and friends of members of the editorial board, that the chances of publishing are slim for those ordinary writers.. It is very difficult for municipal literary journals to publish their works, especially for provincial literary journals. It is even more difficult to publish works in national famous literary journals. The more famous literary periodicals, the less chance of publishing works. I remember reading an article in a literary journal that said there was a gifted scholar in Zhuhai, Guangdong who graduated from a famous university in Beijing and taught at a university in Zhuhai after graduating as a doctoral student.. He has published a large number of literary works in the local press and is a famous local writer. The doctoral student writer wrote a novella of tens of thousands of words and sent it to a famous literary periodical in Beijing. A few days later, the doctoral student received a phone call from the editor-in-chief of the famous literary periodical: ” Are you Mr. Liu Xinwu?”? ‘ The doctoral writer said on the phone: ” Yes! My name is Liu Xinwu. ‘ Editor – in – Chief asked: ” Are you in Zhuhai now? ‘ Liu Xinwu said: ” Yes! I am in Zhuhai. Chief Editor said, ” When did you arrive in Zhuhai, Mr. Liu Xinwu?”? I tell you a good news – your work has already been received. Today, the responsible editor handed over your work to me, and I read your work – that’s great! You are a famous writer, and your giving us a copy of the publication is your greatest trust and support to us.! Our publication has been published in this issue. Your work will be published in the next issue? Liu Xinwu said on the phone: ” I am not a famous contemporary writer Liu Xinwu, I am Liu Xinwu of Zhuhai, Guangdong, I am a graduate student and now I teach in a university in Zhuhai.”. It turned out that the chief editor of Beijing’s large-scale literary journal, which is very famous in the country, attached special importance to Liu Xinwu’s manuscript in Zhuhai, Guangdong Province, because he believed that Liu Xinwu, a famous contemporary Chinese writer, was a masterpiece.. Liu Xinwu is a famous contemporary Chinese writer. The editor-in-chief of the famous literary journal hung up the phone when he heard that Liu Xinwu was Liu Xinwu of Zhuhai, Guangdong, rather than Liu Xinwu, a famous writer.. Later, Liu Xinwu’s novella was not published. Visible, the importance of writer fame. After the four writers became famous, they became public figures with status and status.. Fame is the premise, wealth is the potential. With fame, there is an opportunity to publish works and publications. The greater the influence, the greater the fame, the more wealth. On the one hand, the writer is not famous, has a difficult life and is poor. On the one hand, the writer is famous and prosperous. There are hundreds of publishing companies, dozens of literary and art publishing companies, thousands of newspapers and magazines, and many cultural companies and literary websites in China. With fame, the source of the payment is not difficult. After writers became famous, those with high status and authority served as literary leaders or literary bureaucrats, and those with high fame served in literary unions and writers’ associations, or engaged in creation or editing, becoming professional literary workers.. The minor celebrity, to literary website when the moderator. Now, everyone has a computer. Through the computer, everything can be circulated. In the past, the writer was writing a pen – the longest pen used in Chinese history for thousands of years was a writing brush – and it has been used for thousands of years.. Up to now, it is still in use. Writing with a pen is only a few decades old. Now, there are writers who write with pens. However, more writers use computers to write. Strictly speaking, writing with a pen is hand writing, while writing with a pen can be called writing. The computer is used to knock on the keyboard – although all hands are used, it is different – the pen is written, and the computer is used to knock on the manuscript written in the pen, which can be saved.Manuscripts knocked with a computer can also be saved, provided that one computer is normal and the other has electricity. Writers used to write manuscripts and send them by post. Now, writers and writers, writing on computers, sitting next to computers, can solve the problem in a few minutes or even seconds.. In the past, it was difficult to publish hand-written works. There are several talented people in our village who can write poems and write good articles and are famous in the village. However, they have never published a word in the newspapers and magazines in their lifetime.. Now, with computer writing, everyone can be a writer and writer. Five books are my dream. However, the hope of publishing books is slim – I am an ordinary person, without fame, and publishing books at public expense is out of my reach. It is an inevitable choice for me to publish books at my own expense. There are two kinds of book number management forms for publishing books at one’s own expense: single book number and series number, both of which belong to the publishing company and are managed by the publishing company. According to relevant regulations: No single book number can be sold at will. The management fee for a single book number is generally 10 to 50,000 yuan, and the management fee for each publishing company is very different.. The management fee for a single book number is the lowest, tens of thousands of yuan, the highest, 45 million yuan. In fact, now, tens of thousands of yuan are small numbers – rich bosses, all billionaires. There are many billionaires in China. Tens of millions of rich people are everywhere. At present, the gap between the rich and the poor in China is getting wider and wider – there are still jobs, rights and social backgrounds, and it is easy to earn money. There is only a little real power or social relations in hand, and there is a chance of making a fortune.. Without social relations, it is not easy to earn money. Chinese writers in today’s literary world are also divided into rich writers and poor writers – the first-class rich writers are all popular writers and they are all rich writers. Those writers are billionaires. The second-rate rich writers are all influential and well-known writers in the literary world.. They are all multimillionaires. The third-rate rich writers are those who are more influential and famous. They are all millionaires. The fourth-rate rich writers are those with little fame. They are not famous, but they have little fame. They can publish their works in newspapers and magazines that do not have much influence, and they have a relatively rich income for their contributions.. Poor writers refer to those unknown writers. Those unknown writers have no hope of publishing books and have difficulty publishing their works. Difficult life. Working has become the life of those poor writers. Those poor writers often insist on writing while working. Poor writers are the vulnerable groups in society – in literary creation, they have to work to earn a living because they want to live. Because work, can only be engaged in amateur creation. They are often amateur writers and obscure writers. Because it is an amateur creation, it has no contact with those mainstream writers in the literary world and lacks communication. They are neither mainstream writers nor mainstream writers. They belong to the ” alternative” outside the mainstream writers’ circle. Therefore, they belong to the ” alternative” in the literary world. They have no friends in literary creation and are very lonely and lonely in the literary world. They are both farmers, migrant workers and writers. They belong to the ” alternative” among farmers and migrant workers. It’s hard to get a book out. Hard to publish. Publishing a book is my dream.