To celebrate the release of V/H/S, we’re giving away a copy on Blu-ray!

A small group of misfit friends and petty crooks are hired by a mysterious man to break into a derelict suburban house with the sole purpose of finding and stealing a rare videotape. Their only clue to identifying the tape in question is, “You’ll know it when you see it.”However, on arrival at the house they soon realize the job isn’t as straightforward as they imagined. In one room they discover the lifeless body of a middle-aged man sitting in an armchair, facing a wall of television sets and a stack of VHS cassettes. A similar bounty of tapes is found in the basement, none of which bears any obvious markings to suggest it is the prize they are seeking. As they search through the tapes, playing them in turn, they are treated to a succession of graphic and apparently genuine video recordings, each one more shocking and bizarre than the last.

To win V/H/S on Blu-ray please answer the following question:

Q.In the Late 1970's into 1980's VHS had a rival video format, what was that format called?

Terms & Conditions:1.This prize is non transferable.No cash alternatives apply.UK & Irish entries only.2.The Peoples Movies, Cinehouse and Momentum Pictures . have the right to alter, delay or cancel this competition without any notice 3.The competition is not opened to employees, family, friends of The Peoples Movies, Cinehouse ,Momentum Pictures employees 4.This competition is promoted on behalf of Momentum Pictures 5. If this prize becomes unavailable we have the right to offer an alternative prize instead 6.To enter this competition you must send in your answer, name, address only, Deadline 17th February 2013 (2359hrs)7.Will only accept entries sent to the correct email (winatcinehouseuk@gmail.com), any other entry via any other email will be void.8.If the above form fails please send the information required from the form email it to win [at] thepeoplesmovies [dot] com (label vhs) If any info required from the form is not sent in the email your entry will be void 9.automated entries are not allowed and will be disqualified, which could result you been banned.10.If you are friend or like us at facebook for every competition you enter you get double entry, but you must stay stay friend/like us all the time,or future entries maybe considered one entry.11.The Peoples Movies, Cinehouse takes no responsibility for delayed, lost, stolen prizes 12.Prizes may take from days to a few months for delivery which is out of our control13.The competition is opened to Aged 18 and over.14. Majority of the prizes on offer will come from representatives of the distributor, no The People’s Movies &Cinehouse, when we do have the prizes we will inform you.15. Unless Stated Please Do Not Include Telephone Numbers, we don’t need them and if you include your telephone number Cinehouse and The People’s Movies are not responsible for the security of the number 16.The winning entries will be picked at random and contacted by email or announced via facebook, sometimes we are unable to confirm winners.17.This competition is bound by the rules of Scotland,England & Wales, Northern Ireland, Ireland.18.By sending your entry for this competition you are confirming you have read and agreed to these Terms & Conditions.

22 January 2013

If I’ve said it once I’ve said it a thousand times; found footage horror is a dry well. Once a potent concept that had us all quaking in our boots with genre highlights like The Blair Witch Project and even things like Paranormal Activity, the shaky cam low-res high-tension thing has inevitably worn thin thanks to a myriad of badly sculpted films out to make big bucks on small money. Of late there’s been an outcry from the horror audience, the word is out and it’s getting pasted here there and everywhere, V/H/S has arrived to save the day and pull the handheld cam back into respectability and give us all a good reason to take up insomnia. The general opinion ain’t that far off the truth. When a film pops up written and directed by such an eclectic mix:Adam Wingard (A Horrible Way To Die),Ti West (House of the Devil), David Bruckner(The Signal), Glenn McQuaid (I Sell the Dead), Joe Swanberg (Hannah Takes the Stairs), and the directing quartet known asRadio Silence, you can’t help but get interested.

Following the format of an old-school anthology horror, V/H/S reveals the dire doings of a group of social misfits hired by a shadowy employer to break into a house and steal a video tape, a tape they are told they will know on sight. Arriving at the deserted household the group find a dead body slumped in an armchair facing a few TV’s and a stack of video cassettes. As the group split up to search for the tape, watching them one by one, it becomes evident that something isn’t right. The tapes document bizarre, brutal, and terrifying events but that’s not the only thing the hapless group have to fear.

The great thing about V/H/S is that there’s something for everyone. The short segments are all weird and wonderfully horrific, but as with anything some ideas don’t quite take off. Through all the segments there winds the careful writing of obvious horror fans combined with the sometimes gentle and creepy/sometimes visceral direction of guys who know their stuff. For horror aficionados there’s enough role reversal and unanswered questions to fill a hundred film theory essays. Female roles seem to be toyed with with glee, male roles get dragged through the muck, every segment is balanced with reality and heart against fantasy and gore. Problems show up in some of the films when there’s no one to relate to, no real hero or heroine to guide us, just a large group of very weird/silly/stupid/horrific human beings and “other”. In fact V/H/S could probably be renamed something like “How Boisterous Jocks in Motels Cause Hell”, or “She’s Not What You Think”. It’s that clever reliance on horror tropes that puts the film above others since it then pulls the other way just to teach you for thinking you were smart.

Amateur Night is horror 101: jocks try to take advantage of girls, everything goes horribly wrong. Tuesday 17th is essentially a slasher with a pretty fantastic idea for a villain that genuinely scares. The Sick Thing That Happened to Emily When She Was Younger is polarising since it features possibly the best scare out the lot, but has some wobbly moments of overexposure and an ending that could leave you disappointed. 10/31/98 is a real gem; essentially a haunted house story with an initially clueless group of guys stumbling into what they think is a well-set-up house of Halloween horror. The imagery here is stupendous, macabre in a Clive Barker’s Lord of Illusions kind of way, flaunting some really intense sequences and a killer finale. The frame structure of the break-in denies us answers no matter how hard you think then gives us shit-in-pants scares for our troubles.

A key strong-point of the piece is the relentless curiosity it inspires. A failure to Ta-da a reveal in all sequences results in a more engaging experience overall, though some viewers will no-doubt find it infuriating/ disappointing before rewarding. Too often, explanations cock-up an otherwise riveting affair so here the guys have reserved outlandish reasoning just to screw with our heads. I don’t doubt there’s a possible and awesome plot behind each piece; I just don’t think we need it.

Though, the found footage thing does at points get tiresome and the stories at times flit between fantastic and meh, there’s still fun to be had in this mixed bag. It’s still well written, at times genius, and definitely worth a watch, this is a must-see for horror fans and a welcome surprise to the found footage sub-genre.

The anticipation around the upcoming 18th January cinema release of the horror anthology V/H/S is at fever pitch with Dread Central describing it as “A phenomenal piece of work. 5 out of 5.” and Fangoria urging “Horror fans need to see this movie at their earliest possible opportunity, because it’s a contender for best of the year.”

In the movie a small group of misfit friends and petty crooks are hired by a mysterious man to break into a derelict suburban house with the sole purpose of finding and stealing a rare VHS videotape. As they search through the tapes, playing them in turn, they are treated to a succession of graphic and apparently genuine video recordings, each one more shocking and bizarre than the last.

Momentum Pictures are proud to present a one-off early screening of V/H/S where for one night only you can go back in time to the glory days of VHS! Come join us on Wednesday 16th January at 6.30 at the one night only that ‘Cellar Rentals’ will exist at the Blackhall Studios in London for a pre-drink followed by an exclusive screening of the film at 7pm complete with popcorn. Should you survive this portion you'll then be able to join us in our loving tribute to the days of VHS as we're building an old-skool rental store for one night only. Look through the covers, enjoy complimentary drinks and other fun items in this rare chance to go back to the heady days of choosing tapes. The best bit of all - you'll get to leave with a rental big box VHS tape of V/H/S! Only 300 exist and they're numbered and this will be the ONLY SURE WAY to get hold of one of these rare collectors items.

Don't miss out - this will never happen again…To book tickets visit: www.agmp.co.uk

V/H/S is released in UK cinemas on 18th January 2013 and on DVD and Blu-ray on 28th January 2013 by Momentum Pictures.