So says Cavallier: 'Without women, the perfume industry wouldn't exist. One can always consider that smells are genderless and everything is unisex. That said, I had a wonderful time imagining each of these creations on a woman's skin.'

This fragrance was inspired by the idea of petals floating in the wind and incorporates a trio of roses. Cavallier used a carbon dioxide extraction to create a refined raw material now exclusive to the Maison Louis Vuitton. This is one, for travel - for being whisked away at a moment's notice. Or at least enough notice to gather one's belongings into one's chic suitcase.

Vanilla fans can expect something much fresher than they are used to with Contre Moi. Paying tribute to Grasse, which gained popularity among perfumers thanks to its ideal climate for growing certain plants, it contains notes of orange blossom, rose centifolia and magnolia. It is a classic, reinvented. Much like the style of its wearer.

What self-respecting Louis Vuitton fragrance collection would come without a hint of leather? Natural leather from Louis Vuitton's workshops combine with jasmine extracted in the same cutting-edge way as the rose in Rose des Vents. As the name suggests ('In the skin' in English), this is the most naked of the fragrance collection. Sleek and back to basics.

Apogee is about nature. Cavallier was inspired by forests, mountains, and the beauty of the natural world. Lily-of-the-valley forms the basis of this fragrance, as a bohemian lifestyle forms the basis of the Apogee woman.

Matiere Noir comprises the most precious wood in perfumery (Laos agarwood) with blackcurrant, white narcissus and sambac jasmine in an attempt to recreate the place we know the least about: space. It is the darkest of the lot, and one for those days you want to don some shades and give little away.

A note as intoxicating as tuberose has to be one for romance. The inspiration behind this fragrance came to Cavallier one August evening in Grasse. He spent months trying to recreate the smell of the white petals he had noticed while walking to the gate of his garden with his perfumer father. It is romance without the airy-fairy connotations of the word.

Perhaps the most accidentally romantic of all, Cavallier looked to the sky in creating Mille Feux ('A thousand lights'). Inspired by a starry sky and the Northern Lights but needing a way of injecting bold colour into the theme, Cavallier took inspiration from a craftsman he saw in one of Vuitton's workshops, making a bag from raspberry leather. He wanted to combine the scent of the leather with the scent of raspberry. Mille Feux is unapologetic in its boldness.