Somerset Maugham bonanza places Special Collections on
the cutting edge

by Brian Fitzgerald

Each year thousands of scholars troop to Commonwealth
Avenue to see the Department of Special Collections' rare
books, manuscripts, papers, and other eclectic memorabilia.
But a recent acquisition, the papers of W. Somerset Maugham,
(Of Human Bondage, The Razor's Edge) "puts us over that bit
of red carpet into the very big time as a repository," says
director Howard Gotlieb.

Over the past few months Special Collections has also
obtained the archives of historian Cecil Woodham-Smith,
Oscar-winning actors Jose Ferrer and Robert Donat, and
cartoonist Paul Szep, a two-time Pulitzer Prize winner. They
join the personal papers of more than 1,700 public figures
in Gotlieb's department, which contains large holdings of
such notables as Abraham Lincoln, Theodore Roosevelt, Franz
Liszt, Robert Frost, George Bernard Shaw, Samuel Beckett,
and Ella Fitzgerald.

Special Collections has millions of documents, providing
an abundance of material for researchers and journalists.
The general public can also view selected holdings through
an exhibition program: current displays include John Quincy
Adams, Bette Davis, Arthur Fiedler, and Martin Luther King,
Jr. (GRS'55). "The Martin Luther King Papers, which contain
83,000 documents, draws four or five scholars a week," says
Gotlieb. "What we have here provides people with direct
access to the raw materials of history. A person's papers
are his or her most private possessions."

This 1953 lithograph portrait
of novelist and playwright W. Somerset Maugham, by
British artist Graham Sutherland, is part of the
writer's archives, which were recently obtained by
BU's Department of Special Collections.

W. Somerset MaughamGotlieb says that the Maugham archive contains
"all the meat for future biographers. He corresponded with
the great names of the 19th and 20th centuries, people such
as George Bernard Shaw, Winston Churchill, Louis Bromfield,
Raymond Chandler, E. M. Forrester, John Galsworthy, Noel
Coward, T. S. Eliot, Anthony Eden, John Gielgud, Henry
Miller -- the list goes on."

Maugham (1874-1965) was one of the most prolific,
versatile, and popular writers of the 20th century. His
plays dominated the London stage for some 30 years. His most
popular novel, Of Human Bondage, is the story of a crippled
man's hopeless love for a woman who abuses him. The British
Agent, Maugham's collection of spy stories, was based on his
own experiences as a British agent during World War I.

"When I learned that his papers were up for auction at
Sotheby's, I asked if I could look the material over," says
Gotlieb. "What I saw amazed me. It contained his journals,
diaries, and correspondence, and I knew that it was a major
collection." But Gotlieb also knew that various collecting
agencies would provide serious competition at the auction.
And Gotlieb, director of BU's Special Collections since 1963
and a well-known archivist, knew that the price would go up
if he were bidding at the New York auction house in person.
"So, during the auction, I was on the telephone with a
Sotheby's representative," he says. "It was an extraordinary
system. Through a loudspeaker I could hear everything that
was said on the floor."

Gotlieb says that the Maugham archive "in a literary
sense is one of the most important collections we have here
because of his role as a novelist, playwright, and
essayist."

Cecil Woodham-SmithIn 1950, Woodham-Smith (1896-1977) was awarded
the James Tait Black Memorial Prize for her Florence
Nightingale. "She is England's most widely read popular
historian," says Gotlieb. Woodham-Smith wrote The Charge of
the Light Brigade in 1953, and The Great Hunger: Ireland
1845-1849 in 1962.

Summarizing her views on the writing of history,
Woodham-Smith said, "The historian's task is to make the
past live again, to find out the truth and make it real. He
does not need the assistance of novelty to attract his
readers, he needs historical imagination, and the capacity
so to live in the past that it becomes as actual as the
present."

"Because of her writing style, Cecil Woodham-Smith gained
a vast readership," says Gotlieb. "We acquired all her
personal papers, manuscripts, and research files from her
family."

Jose FerrerIn 1946, Ferrer (1912-1992) won a Tony Award for
his performance in Cyrano de Bergerac. Four years later he
won the Oscar in the film version. In 1952 he received
another Oscar for his portrayal of Henri de Toulouse-Lautrec
in Moulin Rouge, directed by John Huston. His expressive
voice and stately presence also brought him renown as Alfred
Dreyfus in I Accuse (1958), the sadistic Turkish general in
Lawrence of Arabia (1962), and King Herod in The Greatest
Story Ever Told (1965).

"From his widow, we received all the scripts from every
play and film he was ever in," says Gotlieb with a smile.
"He was an extraordinary man. He had a great knowledge of
literature."

Robert DonatIn 1939, Donat (1905-1958) won the Oscar as Best
Actor for Goodbye, Mr. Chips. His films include The Count of
Monte Cristo (1934) and Alfred Hitchcock's The Thirty-Nine
Steps (1937).

"It had been so many years since Donat died," says
Gotlieb, "that I was amazed to learn that this material was
available. It includes his correspondence, scripts of his
films, and photographs. And when the collection came to us
from the auction, we found a leather vanity case. Inside, in
gold lettering, was an inscription from Marlene Dietrich:
'To a great gentleman. I enjoyed making Knight Without Armor
with you.' "

Paul SzepSzep, a Boston Globe editorial cartoonist, won
the Pulitzer Prize in 1974 and 1977. He has also received
two Sigma Delta Chi Awards, the International Thomas Nast
award, and three honorary doctorates. Born in Hamilton,
Ontario, he graduated from the Ontario College of Art.
Cartoonist Jules Feiffer says Szep is "drunk with passion."

Special Collections has also received its second
installment of the Atlantic Monthly files, which contains
the magazine's editorial correspondence from the 1960s to
the 1980s. "It is one of the most distinguished journals in
the country," says Gotlieb. "Everybody under the sun has
written for Atlantic Monthly. This installment consists of
materials relating to articles the magazine commissioned:
publication proposals, files on individual authors,
contracts, and manuscripts."

More than just a repository or museum, Special
Collections is a valuable scholarly resource, says Gotlieb.
"When you read someone's papers," he adds, "you hold history
in your hands."