literature

Coast to Coast Newspaper publishes a compelling review of R.E.M.F. - Vietnam's Other GIs, written by John VanDevanter Carter.

Roberta Deen, from Coast to Coast Newspaper, recently published her review of John VanDevanter Carter's book, R.E.M.F. - Vietnam's Other GIs. This is a nonfiction, historical novel about the Vietnam war.

She names R.E.M.F. - Vietnam's Other GIs as a "page-turner" after finishing the book herself.

NASHVILLE, Tenn. — Sunbury Press has released The Heatstroke Line, Edward ‘s L Rubin’s first novel, a Cli-Fi thriller set in the near future.

‘Edward Rubin has temporarily exchanged his academic cap for a novelist’s hat and has written a powerful cli-fi novel set in the near future.

”He knows that “Mad Max,” “The Hunger Games,” “Waterworld,” “The Walking Dead,” and innumerable other books, movies and TV series attract large audiences by portraying a future where society has been devastated by war, disease, environmental calamity or supernatural disaster. Such post-apocalyptic tales constitute an important and widely-popular genre.

”As a novelist, Rubin wants to place his own cli-fi footprint in the sands of time and hopes that his book will serve as a kind of warning flare for readers now and in the future.” — Dan Bloom, The Cli-Fi Report

EXCERPT:
Daniel Danten didn’t really want to have a family. What he wanted was to be a scientist, to teach at a university and produce original research. But this seemed so unlikely, given the state of things in Mountain America, that he decided to hedge his bets or he’d have nothing to show for his life. So he married a woman he convinced himself he was in love with and had three children. As it turned out, somewhat to his own surprise, he achieved his original goal, probably because he switched fields from astronomy to entomology, a subject of enormous practical concern these days. And now, with a secure position at one of Mountain America’s leading universities, his own lab, and a substantial list of publications to his credit, he spent most of his time worrying about his family. His wife, Garenika, was depressed, his ten year old son Michael was suffering from one of the many mysterious ailments that were appearing without warning or explanation, and his fourteen year old daughter Senly was hooked on Phantasie and running wild. Worst of all, his sixteen year old, Joshua, who had always been such a reliable, level-headed and generally gratifying son, had become an American Patriot.

On a blazing, early September afternoon, with the outdoor temperature spiking at 130 degrees Fahrenheit, he was sitting with Garenika in the waiting room at Denver Diagnostic Clinic while Michael was being examined by still one more doctor. Garenika thought they would get some sort of answer this time, but Dan was convinced that the doctor would come out of the examining room and say that she really couldn’t tell them what the problem is. Senly was spending a rare evening at home and Joshua was just returning from his field trip to the Enamel, an expedition that, Dan felt sure, was designed to make the participants angry, rather than providing them with information. The doctor appeared and Garenika jumped to her feet.

“Well,” the doctor said, “I really can’t tell you what the problem is.”

“Why not?” Garenika asked, her voice tinged with its increasingly frequent sense of panic. “Why can’t you find an answer for us? Look at him—he’s losing weight, his skin keeps getting blotchier, and he’s exhausted all the time.”

“I’m sorry. As you probably know, we’re pretty sure that we’re seeing all these new diseases because the climate change has wiped out a lot of the beneficial bacteria that we used to have in our bodies. Commensals, they’re called. But we’ve never really figured out how they work, so it’s hard to compensate for their disappearance.”

“Okay,” said Dan. “So what can we do for Michael?”

“Keep him comfortable and give it time. Put cold compresses on any area where there’s a rash. Try to get him to eat, lots of small meals if he can’t tolerate a large one. We’re expecting some new medicines from Canada that may relieve the symptoms. Michael’s getting dressed; he’ll be out a few minutes.”

ABOUT THE AUTHOR:
Edward Rubin is Professor of Law and Political Science at Vanderbilt University in Nashville. He is the author of ​ an academic book titled​ “Soul, Self, and Society: The New Morality and the Modern State.”
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”The Heatstroke Line” is his first novel. For more information, see ​his website at www.edwardrubin.com.

Whether you’ve already fallen in love with medieval Spain or you have yet to meet the characters in Emeralds of theAlhambra, get ready for Dr. John Cressler’s newest book in the Anthems of al-Andalus series, Shadows in the Shining City. Book two of the ongoing series is a prequel to the story in Emeralds, but still explores and revives that special, peaceful time in history when religious and social coexistence was not only possible, but actually happening. Shadows in the Shining City is scheduled for a summer 2014 release, but meanwhile, check out the interview with the author, below.Sunbury Press: Thank you for taking the time to answer some questions about your Anthems of al-Andalus series and specifically your newest book, Shadows in the Shining City. Apart from the “official” summary for book one, Emeralds of the Alhambra, can you give us a recap in your own words?

Dr. John Cressler: First, a bit of preamble. My historical fiction is intended to introduce readers to a remarkable, and for the most part, little-appreciated period of history: medieval Muslim Spain, a place known today as al-Andalus (Andalusia). This rich history, a Muslim history, spans almost 800 years, from 711 CE to 1492 CE, and had profound influence on the development of Europe and even America. The goal of my historical series, Anthems of al-Andalus, is to break open the rich history of al-Andalus for the modern reader by using compelling love stories.Emeralds of the Alhambra, book one in the series, takes place towards the end of this 800 year history, between 1367-1369, a pivotal period in Spanish history known as the Castilian Civil War. This was a time when, remarkably, Muslims fought beside Christians against other Christians. The events of Emeralds unfold around the love story between a strong-willed Muslim princess of court, Layla al-Khatib, and a famous English knight, William Chandon. Their love story is set in the glorious Alhambra Palace in Granada, Spain. The Alhambra, a UNESCO World Heritage Site, is the best preserved medieval Islamic palace in world (it still largely exists in its 14th century form), and is one of the most visited tourist sites in Europe. It is a magical place and was front and center in the 14th century Castilian Civil War . . . and it is a terrific location to set a love story! Chandon is seriously wounded and brought to the Alhambra to be used by the sultan as a political pawn. There he meets Layla. It is a forbidden love. Among other things, their love story explores the complexities of interfaith relationships (she is Muslim, he is Christian). In the end, there will be difficult choices to make, ones that not only affect their own relationship, but also the future of Muslim Spain. In my humble opinion, it’s a really great read.

SP: And for readers who are still unfamiliar with Emeralds of the Alhambra, here’s an excerpt , book trailer , and where to buy. Now, the same for your latest Anthems of al-Andalus book, Shadows in the Shining City, if you please . . .

JC: Again, some preamble. One of the most remarkable aspects of the 800 year history of Muslim Spain, al-Andalus, is that for a long stretch of time (a couple of centuries), Muslims, Jews, and Christians lived together in relative harmony and collectively helped launch one of the greatest intellectual and cultural flowerings of human history. That period of religious and cultural harmony is known today as convivencia (Spanish for ‘coexistence’). A casual glance at our world today, with its religious tensions and conflict, suggests that peace never was and never will be possible among Muslims, Jews, and Christians. However, peaceful coexistence did happen, for a long time, and I view it as vital for us as a global community in the 21st century to recall that fact. One of the central themes of my fiction is this rediscovery of convivencia as it unfolded in al-Andalus.Shadows in the Shining City is a prequel to Emeralds of the Alhambra, and is set in late 10th century Córdoba (975 CE – 977 CE). It was a remarkable place and period. Muslim Córdoba was the largest, richest, cleanest, and most cultured city in Europe—by far. The Muslim Caliphs were collectors and lovers of books and knowledge, literature and art, and that diverse, multicultural society made pioneering contributions to medicine, science, agriculture, literature, and the arts. Jews, even today, consider this period of living in a Muslim kingdom to be their Golden Age. Jews and Christians were valued and welcomed members of that society. Like Emeralds, Shadows breaks open this rich history using love stories—in this case three running in parallel! The central love story involves Rayhana Abi Abir (a young Muslim woman of standing at court) and Zafir Saffar (a freed slave). In Shadows, I use this central love story to explore class differences in this fascinating society. I also show how one ambitious man orchestrated the unraveling of this great society; it is an archetypal tale of power and greed. Shadows is also a GREAT read!

SP: And for readers who can’t wait to peek at your newest book, check out this excerpt and the Shadows in the Shining Citybook trailer . Now, Shadows is a prequel to Emeralds . . . was it part of your intended series structure all along to write one love story first and then follow up with its prequel or does your series structure evolve in response to each book? Please go on about your intentions for the structure for the remainder of the series.

JC: Actually, making book two a prequel was always the plan. So Anthems of al-Andalus is not a classical (sequential) trilogy. As I said, my aim is to break open 800 years of history. I started in 1367, but wanted then to go back and contrast that time period with this Golden Age in the late 10th century. I knew this before I began book one. I also wanted to show where my characters in Emeralds came from and how they ended up in Granada. The setting for book three in the series was also decided up front. I will jump back over Emeralds and into the future to 1492, to witness the fall of Granada and the Alhambra and show how the 800 history of al-Andalus ends. The descendants of the characters in Emeralds will figure in book three. I will say that this is a series, not a trilogy, so I do intend on writing books four through six, but the settings for those have not been decided yet. There are many fascinating options!

SP: Both books focus on central love stories set during historically significant times that highlight relationships among practitioners of Islam, Judaism, and Christianity. Why is it important to you to use a romantic love story as the central focus of the books? What do you think the element of romance lends to the broader history? What do you hope the reader draws from the romantic relationships and the other types of relationships in the books?

JC: The two central themes of my fiction include: 1) re-awakening the dynamic interaction among the three Abrahamic faith traditions in medieval Muslim Spain, and hopefully through that experience inviting readers to imagine a different future for our modern world (i.e., can convivencia be resurrected today, and if so, how?); and 2) exploring the nature of love. If you stop and think about it, these two themes are strongly connected, since at the deepest level, all religion has love at its core: the love of self, love of the other, and love of God. I believe the history of medieval Spain is fascinating in its own right, but rather than create a history book (I began my writing career with five non-fiction books), I wanted to awaken those memories using fiction, which, if well-executed, can much more easily bring history alive for most folks, allowing readers to literally step into events and see for themselves what it must have been like. Centering my fiction on love stories, especially love stories that cross religious and class boundaries, serves as an ideal vehicle for exploring these broader themes while simultaneously producing a compelling must-read. Truth be told, love knows no artificial boundaries; religious, cultural, class, or race, and hence is the ideal plot device to explore my basic themes. As a side note, I have been greatly blessed in my life with a 31+ year romance with my wife and soul mate, Maria. So, tapping into that experience was easy for me. I have found that writing love stories is a very satisfying way to reawaken that flood of memories from our early days together. Ahhh, young love! And simply put, writing romance is a ton of fun! But, even though my novels have some serious romance in them, it is history first, romance second, and hence I consider my novels historical fiction, not historical romance.

SP: An important distinction. What, if any, are the contemporary connections you have tried to make in terms of the relationships among the peoples/religions/cultures depicted in your book (and now)? What are the modern implications in your historical fiction?

JC: I am very much concerned with interfaith dialogue and inter-religious dynamics in our broken modern world, which so often seems to spawn conflict and shameful atrocities (e.g., Syria, Israel, Gaza, etc.). So, yes, my fiction is intended to help folks remember that the conflict we see today was not always so, and that a different future is indeed possible if we desire another answer. That is not to say that we can necessarily recreate what existed in medieval Spain, but it does mean that what we see today is not mandated; it can be different if we dare to imagine it. In my mind, remembering the simple fact of convivencia in al-Andalus is a powerful incentive to try and create a different future. Imagine for a moment a world without religious conflict. Seems hard, but that is the invitation in my fiction.

SP: So you approach each book with a moral/lesson/goal in mind? How do you go about weaving your opinions and ideals into the narratives?

JC: The broader themes—inter-religious dynamics and the nature of romantic relationships—were present in my fiction from day one and manifest in each of my novels. But, these are obviously VERY broad and complex themes and can be explored in so many ways. So, each novel will attack this problem from different angles. For instance, in Emeralds the love story is across religious boundaries (Muslim woman, Christian man); in Shadows, the central love story is across class boundaries (they are both Muslim, but one is high-born, the other a freed slave). I would say that my themes are not overt in my plot or characters; I am first and foremost trying to bring a period of history alive in front of the reader and invite them to step into that history. Second, I am trying to make it a compelling page-turner. But, the reader will always be able to discern my two themes at work, weaving in and out of the characters and plot.

SP: Excellent. What are your overall goals for the Anthems of al-Andalus series? What inspires you to write these books about these topics? Could you sum up the whole series (so far)? I know that’s probably difficult, so bonus points for answering.

JC: Ultimately, I want to show how medieval Muslim Spain came to be, how it flourished and what that means to our modern world, and how it then fell apart and why. It is an 800 year history with tremendous nuance and fascinating complexity. Plus, it is a history largely unknown to most readers. So, that is the goal: revive this history in a way that makes it fun to read.

SP: What should we expect from your next book?

JC: I am already working on my research for book three and beginning to mull over plot lines. It will be set around 1492, back in Granada during the fall of the Muslim kingdom. It is a riveting time period with MANY interesting topics to address: the conquest of the Muslim kingdom and the Alhambra Palace by Ferdinand and Isabella (lots of battles and conspiracy), the launch of Columbus’ discovery of the New World (he received his commission in Granada in 1492 at the fall), the Inquisition (which is launched to address the issues with the Jews in the Muslim kingdom), the ultimate decision (it was largely political) leading to the great Diaspora of the Sephardic Jews, and the collapse and expulsion of all Muslims from Spain. The list is long. I am still mulling over what kind of love story(-ies) I will unfold along the way. But the descendants of the first two books will be front and center. Trust me: it will be a roller coaster ride!

SP: Looking forward to it. Is there anything else you’d like to add?

JC: Sure, here’s something. As a professor for 22 years now, I have done a tremendous amount of research and teaching and mentoring of young people, as well as my fair share of writing (five non-fiction books and over 500 scientific papers). I have found, however, that my fiction is the single most creatively satisfying thing I have ever done in my life. It has become my lifeblood and will be with me from now until I die! And I am grateful to Lawrence Knorr and Sunbury Press for helping me bring my vision to the world. It has been a fantastic ride thus far!

SP: Thanks again for the insights to your latest book, Shadows in the Shining City (pre-order a copy!) and your series as a whole.