“To adapt Sergio Leone, the history of cinema can be described as a display of the good, the bad and the downright bizarre, and it is in this third category that a film of questionable quality can sometimes take on a life of its own, due entirely to the reaction of the audience.

So to The Room, which is selling out theatres despite every natural convention dictating that it should have faded into obscurity after having been made years ago. The cinematic aspiration of Tommy Wiseau, The Room was conceived as a love triangle between Johnny (played by Wiseau himself), his errant fiancé Lisa (Juliette Danielle) and her cardboard cut out lover Mark (Greg Sestero). Oh yes, you heard that right.”