Western Michigan University Jazz Orchestra: Blue Miles

The award–winning and Grammy–nominated WMU Jazz Orchestra returns for a third date on Sea Breeze, for which the ensemble earns another impressive report card. Nothing seems beyond their purview, from straight–ahead cookers by Matt Catingub (“Indian Riffs”), Robert Lewis (“Poste Haste”) or Matt Harris (“Rompe Cabezas”) to more demanding works by Thelonious Monk (“Misterioso”), Chick Corea (“Blue Miles”) or Bill Evans (“34 Skidoo”). Also worthy of commendation are the orchestra’s up-tempo version of Irving Berlin’s “Soft Lights and Sweet Music” (arranged by Mike Abene, as was “Misterioso”); the darting, polyrhythmic “Confusion” by band member (and featured soloist) Shawn “Thunder” Wallace, and James Danderfer’s outstanding performances on “Soft Lights” (clarinet), “Blue Miles” and his showcase number, “Portrait of Jenny” (both tenor). Wallace is comparably dazzling on alto (“Indian Riffs”) or soprano (“Post Haste,” “Confusion”). They’re not unrivaled in that area either, with enterprising solos by versatile Chris Sargent (piano on “Poste Haste,” trombone on “Blue Miles” and “Soft Lights”), tenors Eric Koppa, Robert Lewis and Carl Cafagna, guitarist Michael Drost, trumpeters Marc Landes and James Daniels, pianists Robert Cookman and Duncan McMillan, bassist Shawn Sommer and drummers Quincy Davis, Vance Okrascewski, Michael Caskey and Dennis DeSantis keeping them on their toes. Two conductors, Trent Kynaston and Tom Knific, are listed in the notes, but they’re only credited with conducting between them seven of the 10 selections. Hard to believe the ensemble simply winged it on the others. Some of the personnel aren’t listed either, so perhaps there were printing problems. If that is the case, they are the only conspicuous drawbacks in this otherwise remarkable session. As far as the music goes, it is unblemished from end to end (although the closing selection, Wlodek Pawlik’s rock–flavored “Gnome,” doesn’t approach the others in terms of charisma, despite intrepid blowing by everyone). As we’ve said before, college–level ensembles are constantly improving, and here is one of the best.

I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy

I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.