Friday, July 9, 2010

July 9 - Second-Story Story

Checking the mail for Harriet, and there's another ASCAP royalty check, so it's time to go shopping...

that and banking, incorporating a nice review of Fresh Voices X (including Job: A Masque) by Adam Broner into the August 2010 issue of 21st-Century Music, two more pages of publication-preparation for Symphony No. 2, plenteous filing, an evening

bike-pool-spa

encounter, posting Antigone: VIII. Where Are You Going on Facebook, plus editing and uploading to YouTube The Playboy of the Western World: Act II A-D, including

B and

C. Also a call to Harriet, and we determine the most auspicious time to go up to Washington.

In Re Mi

Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera / Goat Hall Productions, Editor-Publisher of 21st-Century Music (P.O. Box 2842 San Anselmo, CA 94960) and New Music, Music Critic for Commuter Times, and Instructor in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert and Ted Blair at Dominican University (M.A.); Roland Jackson at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 181 major works over the past 35 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music ($15 / P.O. Box 2842, San Anselmo, CA 707-474-7273).
YouTube/DrMarkAlburger,
markalburger.blogspot.com,
markalburgerworks.blogspot.com, markalburgerevents.blogspot.com, markalburgermusichistory.blogspot. com, 21st-centurymusic.blogspot.com