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Handwritten is a place and space for pen and paper. We showcase things in handwriting, but also on handwriting. And so, you'll see dated letters and distant postcards alongside recent studies and typed stories.

Pen to Panel

Is handwriting really a lost art? Mary Savig, Curator of Manuscripts at The Smithsonian's Archives of American Art, says no. And we agree, which is why we have bonded, and for two months, banded together to help celebrate the launch of their latest anthology, Pen to Paper. Edited by Savig, this object of art brings together worlds of insight on handwriting: the personal with the professional, and the past as translated by the present. Published by Princeton Architectural Press, Pen to Paper showcases letters written between American artists, their intimates, and colleagues.

In this online exhibition, you will find interviews and reflections from contributors expanding on their essays in the book alongside a selection of letters from the Archives, as well as a Handwritten review of the anthology and a conversation with Mary Savig about its craft and creation. In addition to the virtual exhibition, we also hosted three events: Out Loud, Pints & Postage, and our culminating event, Pen to Panel, which was hosted at and in collaboration with The Sketchbook Project.

Archived Letters. We've sorted the selection of letters by years. So for now, enjoy the galleries below, see what lines speak to you, and tell us what they said. And next week, we'll be publishing the reflections, essays, and interviews.

Reflections & Interviews. The power behind Pen to Paper is all of the people involved: Savig brought together dozens of curators, archivists, and professors to talk about the artists' work and the way it relates to their handwritten letters. Created specifically for this online exhibition, Editor Sarah Madges sits down with a few of the contributors to hear a little bit about the background, process, and experience of pulling the artistic pieces together.

Working on Pen to Paper was interesting for me because it brought Burchfield’s handwriting into a larger context. While some artists took time and care in crafting letters to friends, Burchfield had little concern for the elegance and precision of the written word.

This project reminded me of the actual, physical connection between writing, writer, and words. It’s especially telling in the context of someone like Whistler, who was such a clever writer and for whom words were his weapon of choice in his battles against the (to his mind, at least) unappreciative British public.

"It’s concerning that kids growing up today might not be able to read letters, read these manuscripts. Flavin’s early text is so difficult to read, you almost feel shut out. He has all these flourishes, especially the way he ends a word. It’s very sad when this kind of information becomes inaccessible."

"Eakins learned his elegant copperplate hand from his father, a skill that was reinforced at Central in his drawing classes. To the nineteenth-century mind, good penmanship and draftsmanship were seen as interrelated skills that reflected clarity of thought."

"And yet, handwriting continues to prove its fluidity. The craft of handwriting had flourished online, especially on social media. Artists, thinkers, and makers alike are experimenting with penmanship in innovative ways. Demonstrations of calligraphy can be found on YouTube and hand-scribed cards flourish on Etsy. In the past few years, curator Hans-Ulrich Obrist has rebooted autograph collecting by posting handwritten notes — usually jotted down on Post-It Notes — by contemporary artists on Instagram, where anyone is welcome to add comments. With this in mind, let's not mourn handwriting as a lost art, or even as a dying art. As snail mail fades from contemporary culture as a primary mode of communication. the vast array of handwritten letters in the Archives of American Art remains relevant and ready for new generations to discover. Let's celebrate how imaginative correspondence now exists in material and digital forms, posing new ways of thinking about art, history, and culture. In the spirit of this book, pick up your pen and write a letter today. What stories will your handwriting tell? — Mary Savig, pg 23.

All images are from Pen to Paper: Artists' Handwritten Letters from the Smithsonian's Archives of American Art by Mary Savig, published by Princeton Architectural Press (2016). Courtesy of, and copyrighted by, the Archives of American Art.