are the men who are the capturers, the 'nurturers,' the captured, in fact? in the whole bath series, we have naked women being seen by (presumably) clothed men. i have tried to choose images in which the women are not apparently posing, apparently unaware of being observed. but in fact they are.

i have to admit that i don't exactly know what to make of all of this. when i used to do my magazine i realized that both male and female artists were most likely to feature their nudes female.i like looking. feel comforted by looking.

so is it sexist? fashionable, yes (at that time, 'bathers' was a de rigour subject), but oppressive too? i just don't know. what do you think? if you are a woman, do you feel you are capturer or captured?and men -- same question.

19 July 2009

the bath, part 2

What has happened before the opening of the curtain:

Iinuma Sampei, the elder brother of Iinuma Katsugorô, was killed by the villain Satô Gôsuke. Katsugorô has sworn to take revenge and kill Gôsuke. His long quest led him to the mansion of Tsukumo Shinzaemon, where he became retainer and fell in love with Shinzaemon's daughter Hatsuhana.

Shinzaemon agreed to their wedding and the newly-weds decided to run together after Gôsuke, disguised as a couple of beggars. They were helped by Fudesuke, the brother of Hatsuhana. Katsugorô fell ill on the road and unfortunately lost the use of his legs.

At the Amidaji temple in the mountains of Hakone:

Katsugorô is crippled and Hatsuhana pulls him along in a wooden cart. They walk a long way to Hakone, where lives their enemy, who has changed his name to Takiguchi Kôzuke and has joined the Hôjô clan.

They confront their mortal enemy in the Temple of Amidaji, where beggars can receive alms from the Hôjô clan members. He captures Hatsuhana's mother Sawarabi and takes pleasure in humiliating Katsugorô. Katsugorô, who has suffered many years in search of Gôsuke, limps out of his cart, seizing the hilt of his katana and looking fiercely at his enemy. The opportunity of revenge has come but the crippled Katsugorô is powerless against the villain, whose power is at his peak. Gôsuke cooly smokes his pipe at his ease and leisure. Then, he offers a deal to Katsugorô: he will spare his life if Katsugorô gives him his wife Hatsuhana. Gôsuke leaves with Hatsuhana.

At the Shirataki waterfall in the mountains of Hakone:

Hatsuhana returns and goes to the sacred waterfall of Tô-no-Zawa, where she prays within the extremely cold water for the recovery of her husband. By some miracle, Hatsuhana's prayers are answered and Katsugorô suddenly recovers the use of his legs, while Hatsuhana mysteriously vanishes!

Fudesuke arrives at the scene of the miracle, bringing with him the head of Hatsuhana, who has resisted Gôsuke's will and was beheaded by the villain. Everybody understands that the woman who prayed in the waterfall was none other than the ghost of the faithful Hatsuhana.

What will happen after the closing of the curtain:

Katsugorô and Fudesuke win out over Gôsuke, avenging the murders of Katsugorô's brothers Sampei and Katsugorô's wife Hatsuhana. 1