The “Visioni” project is a research into the relationship between photography and cinema

A relationship or better a dialogue which gives rise to several theoretic and programmatic ideas. The first the need to define a field of influence and models to start from. To abandon that is, the myths of originality and invention, not only in recognizing the sources, the influences and the fathers who most evidently marked and influenced a particular work of art but always keeping up a sense of self-analysis and self- criticism in order to get closer to deeper ground and less decipherable than subconscious influence like those -secular ones- on which our ethic, our moral and our common aesthetic sense are founded.