Communicator loops Vargas - Suarez Universal . By Susana Benko The work of Rafael Vargas - Suarez Universal has two motivations : first, scientific and second art . This duality has led him to train in both Astronomy and Art History. His departing point is Science and Technology, either from the display of spacecraft - and human actions that are performed on them , such as the space itself . All this forms the immediate reference of his work. It is all about a dynamic abstraction that somehow operates in correspondence with the spatial processes : first , embodying the external speed ( ships traveling at a speed of 28,163 miles per hour ie , 7.8 km per second ) and , on the other, the capture of multiple images to be recorded simultaneously in the different cameras installed at the spacecraft. The result is angular shapes and colors that cross the work space with certain violence. It is the expression of an extreme dynamic work. Vargas - Suarez Universal work is essentially linear. Whatever medium - paintings and installations , we are facing drawings. Some challenge the nature of the medium when defies scale interventions in the exhibition spaces . The drawings operate as large mind maps or guides that address the look certainly unknown areas . As in spatial experiences. Hence these maps are contained all the features of the micro to the macro , ie , from outer space to map a microchip , local - issues realities of Mexico , for example, to its equivalent in desert landscapes of Mars, how close to the far, from positive to negative as seen through contrasts of color, texture , brightness or opacity . The suggested in these frames - usually on gold or silver substrates as thermal blankets used by NASA and even blankets used by NASA for their space - craft approach containing all these principles . The line then functions as an element of " connection " as a writing tool to express contents that exceed human possibilities : infinity, universality.