Thursday, 19 September 2013

Walks
along the beach are the one thing that I really miss about living here. Now
before you say - but there are great beaches here - absolutely - but they
aren't on my doorstep. I need to drive for a couple of hours rather than
fifteen minutes down the road.

However, I
have found Bunya Riverside. It is an idyllic spot close to my home. It is very
tranquil with a path along the river bank, meandering between trees.
Reflections fascinate me - there is the magical quality of doubling a beautiful
vista.

My usual
process is to work from plein air sketches and photographs. My aim is never a
completely representational painting, but rather an image that has been edited,
altered and transformed. Completing the painting away from the inspiration
allows my inner sense of place to be foremost, rather than a slavish rendering
of the scene before me.

The use
of photographs originates from my years of living in South Africa where painting
in the countryside was fraught with danger. Even stopping along the road to
take photographs could often be extremely risky. Consequently, I am used to
absorbing the essence quickly and then using the photographic images as a
backup.

When an
artist takes pictures it's hard to not to edit and compose to such an extent
that when back in the studio one often wishes the zoom had not been so
enthusiastic and that extra details just beyond the image were included.

This
painting started with a bright under painting of Permanent Rose and a mixture of Cadmium Yellow and Indian Yellow. There are two benefits: the under-painting gives the painting a
warm tone and helps banish the fear of the white canvas.I was so sure that I had some work in progress photographs bit either they are hidden in my vast store of photo files or I got so carried away that I forgot to take any. I do have some of the plein air sketches. These will give an idea of the origins of the composition.

When I
start a painting I refer to my sketches and photographs so I have a framework
for the composition. Later in the process the photographs are abandoned as the
painting takes on a life of its own. Occasionally, when I lose my way, I go
back to the sketches and re-discover elements that I feel need to be included
in the painting.

Knowing
when to stop is an art in itself - and I'm afraid I don't really have an easy
solution. I get to a stage when I feel there is nothing more to add - or
remove.

This painting has been accepted for the Moreton Bay Regional Art Awards. The exhibition opens on Friday 11th October at the Strathpine Community Centre. You can view all the finalists here.