JANSSEN McCORMICK

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For most Bostonians of a certain age, Converge's Jane Doe (2001) is always going to be "that" record. But sentimentality aside, the metal/hardcore quartet's latest, All We Love We Leave Behind — out Tuesday on Epitaph — bangs right up against it.

Night music The physical 212: an Allston room where two drum kits sit opposite each other in malign aspect, occult graffiti covers the walls, empties of every variety of shit beer cover the floor, and a stench of rot permeates everything.

On the grind It's hard to begrudge Doomriders' front man Nate Newton when he stops in the midst of rattling off the band's tours with the likes of Red Sparowes, Clutch, and Disfear, among others, in the two years since the release of Darkness Come Alive off Salem-based Deathwish Inc.

Dark rays People up here in the Northeast normally associate Tampa, Florida, with balmy beaches and snowbirds. But look beyond the sands and the area is the perfect grindcore dystopia: boulevards flanked by miles of strip sprawl cut across a lattice of low-slung houses built on the cheap, monotony punctuated every few miles by hulking shopping centers and big-box plazas.

Thrashachusetts Celebrating the release of their third full-length, Chaos of Forms (Relapse), Revocation put on a streamlined set that made clear why they've garnered universal acclaim for a sound that's both throwback to classic thrash and refreshingly modern.

Flenser (2011) NorCal black-metal trio Ash Borer's debut full-length is as diminutive as their namesake (limited to a 150-cassette run) but no less destructive or striking as they hurtle through three tracks in 40 minutes.

Byelobog Productions (2011) Illegible as they are ubiquitous (anywhere a patch meets denim or a bored headbanger's head meets a study-hall desk), metal logos are the ultimate example of form over function.

Out: Destroying Allston Celebrating the release of sophomore album The Beast Becomes the Servant (Born of Fire Records), Motherboar had a thawing crowd headbanging at full clip Saturday night, proving they won’t be resting on their 2010 Boston Music Award for Best Metal/Hardcore Band.