James Gurney

This daily weblog by Dinotopia creator James Gurney is for illustrators, plein-air painters, sketchers, comic artists, animators, art students, and writers. You'll find practical studio tips, insights into the making of the Dinotopia books, and first-hand reports from art schools and museums.

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Dinotopia: The World Beneath

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Dinotopia: Journey to Chandara

160 pages, fully illustrated in color. Written and illustrated by James Gurney. Signed by the author

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or by email:gurneyjourney (at) gmail.comSorry, I can't give personal art advice or portfolio reviews. If you can, it's best to ask art questions in the blog comments.

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All images and text are copyright 2015 James Gurney and/or their respective owners. Dinotopia is a registered trademark of James Gurney. For use of text or images in traditional print media or for any commercial licensing rights, please email me for permission.

However, you can quote images or text without asking permission on your educational or non-commercial blog, website, or Facebook page as long as you give me credit and provide a link back. Students and teachers can also quote images or text for their non-commercial school activity. It's also OK to do an artistic copy of my paintings as a study exercise without asking permission.

Tuesday, October 14, 2008

A new edition of a classic fantasy horror novel by Tim Powers called “On Stranger Tides” is now available through the Dinotopia Store.

In this post I’ll tell you a little about how I did the painting. I originally bought this skeleton model as a general studio reference tool, just to be able to check what a person’s bones would look like from a particular angle.

When I received a cover assignment for a story that actually featured skeleton pirates I knew I could offer a starring role to my little actor.

The sketch above shows how I set up the skeleton, along with an actual human skull, next to my drawing table.

I tried various color sketches until I arrived at the muted color scheme. Then I found some photos of sailiing ships, treasure chests, and cannons to toss around on the deck.

A cannon shot has broken through the railing at right. His right leg is held together with a strip of cloth, and his missing left leg is replaced with the end of an oar, whittled into a simple hinge for his knee. He is a skeleton that refuses to die.

The new edition of the book, with this painting on the dustjacket, and signed by me on the title page, is available through the Dinotopia Store for $18.95 plus $3.50 shipping.

8 comments:

so...where does one get an actual human skull?...nevermind...i dont want to know...lets just say i'll be a lot nicer in my posts on here from now on, haha!

this is the image from the shirt you had on the other day too right? cool.

i love your book covers, i didnt notice you have them on your portfolio site, this is proably one of my favorite paintings of yours...

Avian at the Gatehttp://jamesgurney.com/avian.html

also i wanted to mention that using a good 3d software program would really be a great tool for you. you could have a skeleton rig set up to do any pose you needed, and you could get great perspectives if you were to build 3d models of your buildings and towns, it would take time to create but i think the precision would work great for you...

You're a keen observer, Super-Wu—and thanks for the compliment on "Avian." I ordered the human skull from a biological supply company back in the late 70s when you could get a skull from India for $35.00. Now they're harder to come by because India has been trying to discourage the practice of robbing graves for skeletal material to export to art and medical students.

I was going to do a post on this grisly subject, but here's the link anyway:

I just wanted to say I love your work and really enjoy the Dinotopia series.

I'm an aspiring illustrator and just recently have stumbled upon your blog. I've been trying to go back and read all the posts you have, gleaning whatever tips and information I can from them.

I was wondering what your process of reproducing the artwork is and how you get the best results. I figure you probably work on canvas a lot but wonder if there are other supports that you tend to work with as well.

I'm illustrating a series of Grimm's Fairy Tales currently to build a portfolio and can never seem to get good quality prints. If you already have a post about this that maybe I just haven't read yet you could just point me in the direction as well.

Thanks for all your information. I love reading the blog every day. Keep up the great work.

Sean, the original on this one is only 10 x 15 inches on canvas mounted to plywood. It was shot on a large transparency and reproduced by the book publisher. Good luck with your work. Grimm's tales are great material to work with.

Argh, I knew I should also have brought my copy of "Stranger Tides" for you to sign, but I didn't want to over do it :)

It's great to look into the process that led to this cover art. At least you got the correct brief, unlike the guy who did the French cover(I think the editor simply used whatever he could find). There's a space ship on that cover... if you've read that book, you'll know how silly that is.