Friday, April 10, 2009

ZZ Top was formed in Houston Texas in 1969. Although it was born during the psychedelic era it still took on more of a raunchy down south style that we all know and love today. The band consists of of Billy Gibbons born 16 December 1949, Houston, Texas, USA; guitar, vocals, ex-Moving Sidewalks, Dusty Hill(born Joe Hill, 19 May 1949, Dallas, Texas, USA; bass, vocals and Frank Beard born 11 June 1949, Frankston, Texas, USA; drums, the last two both ex-American Blues. ZZ Top's original line-up - Gibbons, Lanier Greig (bass) and Dan Mitchell (drums) - was also the final version of the Moving Sidewalks. This initial trio completed ZZ Top's debut single, "Salt Lick", before Greig was fired and Bill Ethridge took over his spot. Mitchell was then replaced by Frank Beard while Dusty Hill then joined in place of Ethridge. Initially ZZ Top joined a growing bunch of southern boogie bands and started a consistant round of touring, building up a hefty fan base. Their debut album, while betraying a healthy interest in blues, was firmly within this genre, but Rio Grande Mud indicated a greater flexibility. It included the rousing "Francene" which, was credited to the rolling stones, gave ZZ their first true hit and helped give them a much greater audience. Their third album Tres Hombres consisted of powerful and exciting rock ballads that drew inspiration from delta blues and rock. Most notably the album contained the bands first nation top 50 hit named "La Grange" and it developeed into their first ever platinum album. The trio's natural ease was highly affecting and Gibbons" startling guitar work was rarely bettered during these times. In 1974, the band's first annual "Texas-Size Rompin' Stompin' Barndance And Bar-B-Q" was held at the Memorial Stadium at the University Of Texas. 85,000 people attended: the crowds were so large that the University declined to hold any rock concerts, and it was another 20 years before they resumed. However, successive album releases failed to attain the same high standard and ZZ Top took an extended vacation following their expansive 1976/7 tour. After non-stop touring for a number of years the band needed a rest. Other reasons, however, were not solely artistic, as the trio now wished to secure a more beneficial recording contract.

They resumed their career in 1979 with the superb Deguello, by which time both Gibbons and Hill had grown lengthy beards (without each other knowing!). Revitalized by their break, the trio offered a series of pulsating original songs on Deguello as well as inspired recreations of Sam And Dave's "I Thank You" and Elmore James' "Dust My Broom". The transitional El Loco followed in 1981 and although it lacked the punch of its predecessor, preferring the surreal to the celebratory, the set introduced the growing love of technology that marked the trio's subsequent releases. Eliminator deservedly became ZZ Top's bestselling album (10 million copies in the USA by 1996). Fuelled by a series of memorable, tongue-in-cheek videos, it provided several international hit singles, including the million-selling "Gimme All Your Lovin". "Sharp Dressed Man" and "Legs" were also gloriously simple yet enormously infectious songs. The trio skilfully wedded computer-age technology to their barrelhouse R&B to create a truly memorable set that established them as one of the world's leading live attractions. The follow-up, Afterburner, was another strong album, although it could not match the sales of the former. It did feature some excellent individual moments in "Sleeping Bag" and "Rough Boy", and the cleverly titled "Velcro Fly'. ZZ Top undertook another lengthy break before returning with the impressive Recycler. Other notable appearances in 1990 included a cameo, playing themselves, in Back To The Future III. In 1991 a greatest hits compilation was issued and a new recording contract was signed the following year, with BMG Records. The band's studio work during this decade failed to match the commercial and critical success of the 80s, although 1996's Rhythmeen demonstrated a willingness to experiment with their trademark sound. The trio celebrated three decades playing music together on 1999"s XXX. The following year Hill was diagnosed with hepatitis C, forcing the band to cancel a planned tour.

Over the years, one of ZZ Top's greatest strengths has been their consistently high-standard live presentation and performance on numerous record-breaking (financially) tours in the USA. One of rock's maverick attractions, Gibbons, Hill and Beard have retained their eccentric, colourful image, dark glasses and Stetson hats, complete with an almost casual musical dexterity that has won over hardened cynics and carping critics. In addition to having produced a fine (but sparse) canon of work, they will also stay in the record books as having the longest beards in musical history (although one member, the inappropriately named Frank Beard, is clean-shaven). Whether by design or chance, they are doomed to end every music encyclopedia. This article and many more like it from http://melodicdream.webs.com/home.htm

Monday, April 6, 2009

Bob Dylan’s surprise new album officially has a name: Together Through Life. According to a press release, the LP will be released on April 28th. Produced by Jack Frost (Dylan’s studio alter ego), the album sprang from “Life Is Hard,” a track Dylan wrote for the forthcoming film My Own Love Song by French director Oliver Dahan. As Dylan explains in a four-page Q&A posted on his official Website, “The only thing he needed for sure was a ballad for the main character to sing towards the end of the movie. We started off with ‘Life Is Hard’ and then the record sort of took its own direction.” Dylan’s site also revealed the album cover, which depicts two lovers embracing in a back seat.

Rolling Stone recently previewed Dylan’s upcoming album, which focuses on struggling-love songs. As David Fricke reported, Dylan placed accordion on every track, and the songs have “the live-in-the-studio feel of Dylan’s last two studio records, 2001’s Love and Theft and 2006’s Modern Times, but with a seductive border-cafe feel.” A source in the Dylan camp told RS, “You would never expect the record after Modern Times to sound like this. Bob takes all of those disparate elements you hear and puts them into a track. But you can’t put your finger on it — ‘It sounds exactly like that.’ That’s why he’s so original.”

In the Q&A posted on his Website, Dylan explains he took a new sonic direction because “These songs don’t need to cover the same ground.” Talking about his audience, he adds:

“There didn’t seem to be any general consensus among my listeners. Some people preferred my first period songs. Some, the second. Some, the Christian period. Some, the post Colombian. Some, the Pre-Raphaelite. Some people prefer my songs from the nineties. I see that my audience now doesn’t particular care what period the songs are from. They feel style and substance in a more visceral way and let it go at that. Images don’t hang anybody up. Like if there’s an astrologer with a criminal record in one of my songs it’s not going to make anybody wonder if the human race is doomed. Images are taken at face value and it kind of freed me up.”

Together Through Life will include “Beyond Here Lies Nothing,” “If I Ever Go To Houston” and “It’s All Good.” For much more on the album, check out Dylan Records Surprise Modern Times Follow-Up.

This morning Dylan was also named one of the headliners at this year’s Rothbury Festival, taking place at Michigan’s Double JJ Ranch on July 2nd-5th. from rolling stone http://www.rollingstone.com/rockdaily/index.php/2009/03/16/bob-dylans-new-album-together-through-life-due-april-28th

I'm definitely looking forward to this new album, this is just what we need right now, some nice Dylan to breathe some life back into music. Here's a little sample of what's going to be on the new album. Sounds promising.

Sunday, April 5, 2009

Hello and welcome to musical mecca. This blog is about the good old days of poetry, when music was pure, and still a sacred art. Here at my blog and this site, we aim to bring music back to the state it once was. When people actually put time and effort into their music. When people had vocals so beautiful it would melt your soul, and guitar licks so powerful they would melt your face at the same time. I want to take you away into a dream land where beautiful music and cannabis still fills the air, let your body relaxe and your mind slip away, into a melodic dream. I will periodically update this blog giving you info on release dates, musician bios and much much more. If you love music and you want to find out more about melodic dream click here. Feel free to post any input, comments greatly appreciated :))