Wichita Lineman features some fantastic chords – it’s a great workout for more advanced guitarists, with rich major 7ths and interesting slash chords. If you’re in doubt about any of them, I’ve included a full list at the bottom of the page.

Simplified Version
Beginner to intermediates can try the simplified chord chart, which still features a tricky Bb barre chord (x13331, or you could try 688766). For an easy version of Gm just bar across the 3rd fret of the thinnest three strings (xx0333), or for a fuller sound try the bar chord (355333).

The Bb/C Chord
Bb/C is not as tricky as it sounds – you just lay your finger across the 3rd fret (x33333). The C after the slash (/) means to play a C note in the bass of the chord. Technically, in order to do this you need to mute the low E string, but don’t worry too much – it still sounds quite good if you do play that string. The chord is also known as C7sus4 or C11 – I’ve gone for the slash chord “Bb/C” way of naming, as (to my ear at least) Bb makes for a better substitute chord than C. So, ukulele players can just play a Bb.

Strumming

You could just play this with steady 8th note downstrums (8 per bar), or you could do something a bit like this:

1 + 2 + 3 + 4 +
D D D DUD D D DU

It’s best not to be too rigid with it – you can add small upstrums wherever feels right. Just be sure to keep the downs steady and consistent. Also, you can put a slight emphasis on beats 2 and 4.

Chord Reference

Looking at the live videos, Glenn Campbell tends to use the first set of chords where I’ve suggested two different options (i.e. around the 5th fret) – but he does have a full band and orchestra behind him! The second set of chords sound great for solo acoustic playing:

Blame It On Me was another one brought to me by one of my younger guitar students. While just three chords, it is a great tune for working on strumming and feel. It is also a good one for beginners to work on their G to C changes – a difficult one when you’re first starting out!

If you are struggling with the Gsus4 (which Ezra plays on frets 320013), you can just play a regular G chord. The Fmaj7 is played as x33210, and Ezra alternates between the C and Fmaj7 to create an intro chord riff, which returns as a fill throughout the song.

Ukulele players and guitarists without capos can play along to the live versions – all the versions I’ve heard have been in the key of C.

Notice the Verse strumming pattern is just the same pattern repeated twice (D D _UDU). I have included the “_” underscore as a reminder to leave a space there where there would be a downstrum (but keep your arm swinging downwards!)

Intro/Fills
The Intro is slightly trickier – I have marked out where the chord changes are underneath the strum pattern. Ezra hammers onto the F chord with his little finger after the downstrum on the C on Beat 3, and then returns to the C chord for the last “UDU” of the pattern. As always, listen to the recording as much as possible to get the sound of this into your ear, as it can be hard to get the nuances from the written page!

Pink Floyd’s Wish You Were Here is a great song for working on mixing up picking individual notes with full chord strumming. The chords are fairly basic, the main challenge being the D/F# chord.

Slash Chords

With slash chords, the note after the slash (/) is played in the bass. So D/F# is a D chord with an F# bass note. On guitar this can be played like a regular D, with your thumb wrapped over the 2nd fret of the low E string. There are other ways to finger a D/F#, without the high E string, but the full 6 string version sounds great on this song if you can get it. If you’re struggling to get your thumb over or find another way to play the chord, a regular D chord will sound fine.

Beat “4” and the “and” of the intro are taken up by the single notes of the riff (see the tab).

To get the intricacies and variations of the strum, you really need to listen to the record – I’ve just given you a starting point. Pay attention to the small down strums (lowercase d’s) – these are softer strums. Also, on the record there are two guitars strumming slightly differently, one panned to each side, so you can take your pick when playing along.

There are well laid out sheets on reading standard notation and tab, as well as a host of useful guitar fretboard chords and scales (useful for both students and teachers of guitar).

For beginners, you can find, amongst other tools:

Basic guitar chord diagrams

Fretboard note layout

Chord flash cards

For those going beyond basics:

A sheet to explain the CAGED system

A scale dictionary

A useful explanation and diagram of the Circle of Fifths

Master Each Concept

It is worth taking your time with these resources, making sure you have mastered one scale or concept, and explored and integrated it into your playing, before moving onto the next. It is much better to have one scale that you can actually make music with, than to know loads that you can’t use! Working with a good teacher can help you manage this process. Finding ways to test yourself without looking at the sheets is also a good idea, as you don’t want to become reliant on them.

Uke & Other Instruments

If you play ukulele or another instrument, the standard notation and tab sheets still have a lot of useful info that can apply to any instrument. This is one of the advantages of standard notation over other methods of notation.

Keep Exploring

Also handy are the pages of blank chord, practise and notation sheets for you to fill in yourself. These are great for checking you have retained things, or for keeping a record of other chords and scales that you discover along your guitar journey.