People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters pursue the answers to this mystery which could save their lives.

In this deep dive into the world of the Yakuza, meet the violent men who rule the Japanese underworld and the cruel punishments inflicted on those who transgress them. The carnage begins in the Edo Period with a violent tale of samurai vengeance starring Bunta Sugawara (Battles Without Honour and Humanity), before shifting to the Meiji Period as the exiled Ogata (Minoru Oki, Shogun Assassin) returns to face punishment for his past transgressions… and, ultimately, to take his revenge. Finally, the action is brought right up to date with a tale of gang warfare set in then-present-day 60s Japan and headlined by Teruo Yoshida (Ishii's Orgies of Edo), as a powerful crime syndicate seeks bloody vengeance for the theft of one hundred thousand yen.

Wheely, an underdog cabbie and a racer at heart, attempts to become king of the road in his hometown, Gasket City. During a delivery gone awry, Wheely bumps into the famous Italian model, Bella di Monetti and falls “bonnet-over-wheels” in love with this beautiful uptown girl, yet down-to-earth luxury car. Constantly being on the wrong side of the law and looked down by the elitist luxury cars, Wheely and his best friend Putt Putt dig themselves into a deeper hole when they have to confront an underground car-napping syndicate led by the monster 18-wheeler truck, Kaiser.

After his mother's death, Antonio (nicknamed "Tottòi" in Sardinian) and his father move to Sardinia, where Tottòi's father grew up as a boy. Tottòi's adventures begin when he sees monk seal, despite belief that they died out long ago.

An Israeli soldier describes his participation in covert revenge operations against Palestinians. An investigation of the way the military dehumanizes both soldiers and “the enemy” and, by extension, Israeli society as a whole.

What does it mean to be Palestinian in the second half of the twentieth century? Filmmaker Elia Suleiman returned to the land of his birth to answer that question. Born in Nazareth in 1960, well after the establishment in 1948 of the State of Israel in historic Palestine, Suleiman lived for twelve years in self-imposed exile in New York. He returned to attempt to find his roots in a culture that had been uprooted. Chronicle of a Disappearance is a personal meditation on the spiritual effect of political instability on the Palestinian psyche and identity.

In this pitch-black action comedy by Kihachi Okamoto, a pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin. Based on the same source novel as Akira Kurosawa’s Sanjuro, Kill! playfully tweaks samurai film convention, borrowing elements from established chanbara classics and seasoning them with a little Italian western.

Set during China's Three Kingdom's era (AD 220-280). The story of a great king and his people, who will be expelled from their homeland and will aspire to claim it. The king, violent and ambitious, of mysterious methods and motives; his general, a visionary who yearns to win the final battle but needs to prepare his plans in secret; the women of the palace, who struggle to find redemption in a world where they have no place; and a commoner called "Lord of all the world", will be the characters around who turn the inexorable forces of this story.