If one thing remained consistent
in the western genre, it was a glimpse into the sex lives of the Old West. Dating
back to the silent days and continuing to modern times, every western offers
at least a cameo by a "lady of ill repute," a grizzled madam with
guts of steel, or the town whorehouse, filled with drunks and giggling prostitutes.
By the 1960s, the skinflick industry struck gold with the idea of expanding
on sex in the Old West by producing a subgenre of nudie Westerns. The two presented
on DVD here are nowhere near the best (those would be THE SCAVENGERS and perhaps
HOT SPUR), but they're representative of the types of films audiences experienced
at the drive-in or the grindhouse and one thing is certain: the Old West had
just as many perverts as it does 150 years later!

Rick is THE RAMRODDER, a cowpoke
who befriends a local Indian tribe and falls in love with the chief's daughter
Tuwana (the lovely Kathy Williams). But when a tribal maiden (the Manson Family's
Catherine Share?!) is beaten and raped by a toothless bum, Rick is blamed and
he must run for his life from the vengeful Indians!

Considering the politically incorrect
times of the 1960s, David F. Friedman's THE RAMRODDER comes off as very respectful
of the Native American people. They don't speak in the hackneyed English of
countless Roy Rogers westerns. As a sex film, RAMRODDER falls pretty short.
Kathy Williams is a lovely presence in all of her films, and she unfortunately
had a short-lived nudie career. She is the highlight of the show here, despite
a supporting turn by Marsha Jordan (bedecked in brown makeup and partaking in
a lesbian scene!). Other than the well-done Dance of the Virgin, a staged catfight,
and the expected Friedman whipping scene, RAMRODDER can only be recommended
to the Manson Family completist. Besides Catherine "Gypsy" Share in
a supporting role as the raped Indian maiden, a vengeful castrating warrior
is played by the darkly handsome, but ultimately psychotic Bobby Beausoleil,
Charlie Manson's right-hand man whose imprisonment for the murder of Gary Hinman
inspired the Manson murders!! Fans of Russ Meyer films will notice Robert Aiken
(VIXEN; CHERRY, HARRY AND RAQUEL)
as the warrior in love with Tuwana.

If THE RAMRODDER is passable entertainment,
REVENGE OF THE VIRGINS is the disposable end of the double bill. While it could
arguably be the first nudie western (Russ Meyer's WILD GALS OF THE NAKED WEST
came in 1962, two years later), it just isn't very good. Pete Perry would acquire
some artistic talent within the next nine years before directing a number of
entertaining corn-porn flicks for Harry Novak. Here, he displays some of that
promise with some interesting camera movements and editing, but the storyline
will leave you dozing within the first 10 minutes. A group of white gold-diggers
head into the mountains to seek their fortune, but are ambushed by a tribe of
topless women with bows and arrows! And that's about it... Not even worth viewing
once, really.

The transfers for both films are
well above average. THE RAMRODDER has some specklings at reel changes and grain
in dark scenes, but for the most part is vivid and colorful. Like all of Something
Weird's black-and-white films, REVENGE OF THE VIRGINS looks amazing. The contrasts
are breath-taking, very little grain is present, and not enough dirt or speckling
to be distracting. Superb job done here! The mono audio is good, but is at times
far too low, which isn't uncommon on Something Weird's discs, but they serve
their respective films well.

Right off the bat, the main menu
sets the tone: a bare ass in warpaint shaking to tribal music! Before moving
on to the extra features, it should be made clear that you can view both films
in a "double feature" format, one after the other. BUT! If you do,
the presentation eliminates Chapter 9 of THE RAMRODDER, featuring the catfight
and a kidnapping of a white settler by Bobby Beausoleil and his henchmen. So
it's recommended you watch them separately.

If
the feature films didn't interest you in the nudie western genre, the trailers
will. Besides THE RAMRODDER, most of the films here would actually have been
better choices for the DVD format than the two here. BRAND OF SHAME is another
David F. Friedman flick; the trailer has music from She-Freak! Directed by Byron
Mabe, it tells the tale of a schoolteacher being pursued by friend and foe for
a map to a gold mine she possesses. Marsha Jordan and Samantha Scott (BEYOND
THE VALLEY OF THE DOLLS star; look fast for David F. Friedman in a cameo as
a stage driver and it's always great to see another of Friedman's token whipping
scenes. Looks great! THE DOUBLE-BARRELLED DETECTIVE STORY is a western comedy
presented in widescreen (!) based on a Mark Twain story. A villain wields a
cat by its tail! DR. CARSTAIR'S 1869 LOVE-ROOT ELIXIR is a borderline hardcore
sex flick with favorites Marsha Jordan and Kathy Hilton. It is, by all accounts,
lost, and the trailer has stock music from Novak's corn-porn pictures! FANDANGO
is another Novak film starring James Whitworth (The Hills Have Eyes) as a cowboy.
Doesn't look like it has much of a story.... HOT SPUR is real-life sadist producer
Bob Cresse's tale of the sick, sick West! After introducing the trailer, proclaiming
its importance in the adult film industry (!), the viewer is treated to scenes
of women beaten, raped, whipped, humiliated, dragged, chased by a variety of
cowboys, in addition to some queasy violence. But this isn't a tongue-in-cheek
Friedman flick here, folks, this is real disturbing stuff, all directed by Lee
Frost! INDIAN RAID INDIAN MADE is one of the infamous Morganna's few film appearances,
here as a topless native dancer! Two musclehead lunkheads with sideburns
look like rejects from a gay porn film. LADY GODIVA RIDES is aka LADY GODIVA
MEETS TOM JONES, starring Marsha Jordan as Lady Godiva and Forman Shane as Tom
Jones. Both should have been in better films. Look fast for Liz Renay laughing
in the background during the frenzied dance sequence! Marsha takes a shower,
has a mudfight with another girl, and has a sex scene with Forman, who keeps
his pants on. It's a typical A.C. Stevens film of the time, his films would
get better during the Sexual Revolution. THE SCAVENGERS is probably the best
nudie Western, successfully combining nudity and violence in one film (something
that HOT SPUR failed at doing). In-between violent shoot-outs, a group of Union
deserters take over a whorehouse (cue the nudity and sex, including the incomparable
Uschi Digard!) and clash with Confederate soldiers and their accompanying slaves.
Features some disturbing violence, good acting, wonderful sets and atmosphere,
and excellent cinematography. Bruce Kimball and Maria Lease were both in DRACULA
VS. FRANKENSTEIN the same year.

The
short subjects are a mixed bag. The Lenny Bruce cartoon "Thank You Mask
Man" isn't that funny, but is worth seeing for Bruce's wacked-out humor.
"Cowgirl Stripper" is familiar to all SWV viewers; snippets of it
appear in their lengthy promo trailer at the start of every DVD (the shots of
a woman bending over and with a cowboy hat positioned over her breasts). It
looks like it was shot in NYC, judging by the film stock and the appearance
of the model, and is a portion of a feature film. "The Nude Dude"
isn't what it sounds like; it's a 7-part (!) arcade loop with a nude woman running
rampant through a ghost town after killing two men, the only other inhabitants.
She wears a patch over her pubic region!! The finale, where she shoots herself
in the head with two guns, is kinda sick... "Cowgirl Shootout" is
a less interesting 8mm stag reel with a lovely topheavy bar owner competing
with a haughty hooker to get customers in their saloons. An Easter Egg on the
Special Features menu will please SWV's gay and female viewers; after seeing
a multitude of nude cowgirls, you get uncut nude cowboys and Indians sunbathing
in the nude and having target practice with a tin can! Bizarre, to say the least,
but very daring and cool of SWV to include this! The Gallery of Underground
Sexploitation Movie Magazine Covers is a nice change from the movie posters
and pressbooks, and I actually spotted some I owned! Lots of rare pictorials
for nudie cuties and all accompanied by a very bizarre soundtrack piece!

While the films themselves are
mediocre at best, the intent of the disc is appreciated and it's a welcome addition
to my DVD shelf after the abomination that was WHEN WOMEN PLAYED DING DONG.
Good job on this one, SWV, keep 'em coming!(Casey
Scott)