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Whether finding those responsible for putting Jack the Ripper onstage or unearthing early work by Jeff Wayne and Tim Rice, Stage Door’s reissues are worth making a song and dance about ‘One critic described it as ‘a real gold-plated stinker’,” says Tim Hutton. “Another called it ‘three hours of non-musical torture’.” It’s a bright August morning in Kent and the 32-year-old producer and record company boss is reading from the glossy eight-page booklet that accompanies one of his label’s singular releases.read more

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