After an apprenticeship as photolithographer Wolf Vostell studied at the Wuppertal "Werkkunstschule" from 1954 to 1955. He traveled extensively and in 1954 Paris developed the concept of "décollage" made from torn billboards, which subsequently also determined his later oeuvre. After further studies at the Paris "École des Beaux-Arts" and a disappointing return to the Düsseldorf academy, the artist decided in 1958 that art must take place in the street and integrated the audience in his first happenings.
Together with Maciunas and Paik, Wolf Vostell was one of the first members of "Fluxus" in 1962, fighting for an identification of life with art. Vostell's prints, videos, environments and installations such as "Fluxus-Zug - das mobile Museum Vostell" (1981) were always influenced by socio-political motives and must be understood as a form of his commitment to the design of public spaces.
Wolf Vostell's creative work was accompanied by numerous exhibitions. In 1974 Vostell's first large retrospective was mounted in the "Musée d'art Moderne de la Ville de Paris". In 1977 the artist participated at "documenta 6" in Kassel. Finally, Vostell also designed architectural models, including one for the museum he founded in Malpartida in Sourthern Spain.
Until his death in 1998 Vostell mainly lived in Paris, Berlin and Andalusia. http://www.wolf-vostell.com/

Sun in your head, 7:08, 1963

Vostell's large-scale happening '9 Nein Décollagen' ('9 No – Dé-coll/ages) took place on 14 September 1963 in nine different locations in Wuppertal, and was organized by the Galerie Parnass. The audience was ferried by bus from location to location, including a cinema that screened 'Sun in your head' while people lay on the floor. The film transfers to the moving image Vostell’s principle of ‘Décollage’. While up to then Vostell had altered TV pictures as they were being broadcast, he was now able to compose the temporal sequence. Since no video equipment was available in 1963, Vostell instructed camera-man Edo Jansen to film distorted TV images off the TV screen. The film was re-edited and copied to video in 1967.
Made for Vostell’s '9 Nein Dé-coll/agen' (9 'No Dé-coll/ages') happening, the film was subsequently shown in a separate context, for instance in Amsterdam in 1964.
(From Medien Kuntz Netz)