"In Perloff’s universe one needs to access feeling (we’ll gets to this later) in an avant garde way. The difficulty is that when you put it that way it’s no longer aesthetics. You’re talking about class. When she describes language poetry as having “provided a serious challenge to the delicate lyric of self-expression and direct speech…” I feel bad for the limp wristed word delicate because it sure takes the hit of Marjorie’s contempt. In a bit she will explain for us how she traded up to conceptualism because (sigh) by the 90s language poetry “felt [my emphasis] compelled to be more inclusive with respect to gender, race and ethnic diversity,” and then, “it became” (exasperated) “difficult to tell what was a language poem.”" Eileen Myles • Evening Will Come

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