Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

The name already indicates it: the Analog Four by Elekron continas four independent monophonic synthesizers in one unit. Besides the entirely analog voice circuitry with two oscillators and two filters per synth and plenty of modulation possibilities the Analog Four has FX and also a step sequencer that can output CV/gate signals as well.

Turn your Erica Sequential Switch into a 8-step analog sequencer with this CV expander.
It combines CV generation with all the functionality of the Sequential Switch like mixing, pausing, random playback, skipping and manual selection of steps.

The Expert Sleepers ES-1 Audio/CV Interface is a Eurorack module designed for use with software such as Expert Sleepers Silent Way.

Connect the DB25 connects to your audio interface with a 25-pole cable equipped with SubD connectors (Tascam TA88 standard) and output the CVs on standard 3.5mm minijacks. When used with the Silent Way AC Encoder software, there is no requirement for the audio interface to be DC-coupled.

The ES-2 is a Eurorack module designed for use with software such as Expert Sleepers Silent Way. It takes as inputs CVs from your analogue synths/effects on 3.5mm jacks, and outputs audio signals on 1/4" jacks which you connect to your computer audio interface. You then use the Silent Way CV Input plug-in to interpret the audio signal and output CVs in your DAW for recording, processing etc.

Expert Sleepers´ new module ES-3 converts, in a similar manner as the ES-1, control signals from your DAW (e.g. from software like Volta or Silent Way) to control voltages for your modular system. Unlike the ES-1 it doesn´t use up your audio interface´s analog outputs but it uses the optical output (ADAT Lightpipe standard).

Just connect the ES-3 and the audio interface via an optical cable and output the CVs at the eight minijacks.

The ES-4 is another Expert Sleepers module for converting digital control data from your computer into control voltages. As usual the module is to be connected to your audio interface but in this case you use the S/PDIF socket integrated in almost each laptop computer (and every Mac).

Due to technical restrictions the ES-4 will work only with the Silent Way software (see below).

The ESX-8GT is an gate expander module for Expert Sleepers´ ES-4 to offer eight digital outputs for use as gates, triggers, clocks etc. The Mk1 version is active and can generate gate signals with +12V level.

The Grenadier is a enthralling, semi-modular analog synthesizer with an uncommon sequencer, a keypad, a drone mode and crossmodulation between VCO and the resonant formant filter.
External control is possible by CV and Gate signals only which is the reason why the Grenadier has several 3.5mm sockets.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Although being the smallest 808 clone, the MFB 522 is also one of the best currently on the market. The tiny controls for the many parameters take some time getting used to, but as far as sound is concerned the unit is truly brilliant. Bassdrum, Clap and Toms/Conga can be programmed in two or three variations per pattern. Finally the price makes this unit a no-brainer.

The Dominion X is MFB´s start into a new class of instruments that have a nice stable metal housing with wooden cheeks but in first place have new interesting features. The Dominion X combines analog synthesis with memory as well as patch points for interfacing with CV gear like modular systems. Three oscillators, a new multimode filter and extensive modulation possibilities for the individual oscillators, the filter and the VCA that can be assigned and set easily by rotary switches and coltrols. All this make the Dominion a flexible analog synthesizer.

The Dominion X is MFB´s start into a new class of instruments that have a nice stable metal housing with wooden cheeks but in first place have new interesting features. The Dominion X combines analog synthesis with memory as well as patch points for interfacing with CV gear like modular systems. Three oscillators, a new multimode filter and extensive modulation possibilities for the individual oscillators, the filter and the VCA that can be assigned and set easily by rotary switches and coltrols. All this make the Dominion a flexible analog synthesizer.

In addition to the multimode filter the SED version features a great sounding Roland type low pass filter that can be overdriven.

In comparison to it´s older brother the Kraftzwerg II has a much improved filter, temperature control at the VCOs and a nice new housing from alu and wood. The rest of it´s concept remains unchanged: a semi-modular analog synthesizer with 3 oscillators, 2 LFOs, 2 ADSRs, CV control and MIDI.

The mk2 version is technically identical to the old version but it comes in a nice looking, black anodized metal housing with wooden sides.

The Microzwerg not only bridges the gap between Nanozwerg and Kraftzwerg. Due to its dual multimode-filter, it also offers an individual signal-path with specific sound potential. Microzewrg?s numerous patch connections are perfect for interfacing with other analog synthesizers or sequencers.

With the OSC-02 MFB offers now also a real analog Oszillator. Like the OSC-01 there are three independent Oszillators under the frontplate. They can be controlled via the same CV 1 or with one CV each. Furthermore the module is equiped with an digital ringmodulator. For each oszillator there is one switch for choosing the waveform.

The module SEQ-1 is a trigger sequencer with 12 tracks and the classic chasing light programming of the Roland TR-series: choose an instrument, set the steps, ready and on to the next one. The 12 trigger outputs don´t have to be used for trighgering drums only, you might as well rhythmically trigger envelopes, Sample&Holds, clock dividers, switches.

Besides triggering drum modules by MFB and other manufacturers you might as well trigger all modules that accept trigger and gate signals like envelopes, sequencers, SandHs and so on. Furthermore the SEQ-02 can output CVs for sequencing variable parameters.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

Give your beats a human, unquantized feel and use your fingers to tap on the Tir-Ger's three fat arcade buttons to record and to loop gate patterns with a length of maximum 33 seconds. Apply drum rolls to the recording, overdub it, punch in and out or mute individual tracks.
A clock is being generated by the module as well and it depends on the recording length and the tempo control's position. The clock can be divided and adjusted by the tempo control.

As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

This passive bus board's main feature are the noise filtering capacitors located at three locations of the board. They reduce noise and bleedthru between modules and provide for clean signals. 17 connectors for modules are more than competitors' busboards offer.

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