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t.bone BodymiKe and the SLX4 Diversity Receiver.

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Needed a replacement in a hurry for my old worn out Shure WL93 series subminiature condenser microphone and came across the t.bone BodymiKe as I've previously uses t.bone mics and for the price always been impressed with the sound quality.

For the gig the t.bone BodymiKe was connected to a Shure SLX4 diversity receiver via the SLX1 wireless bodypack transmitter and preformed very well given the high demands of the metal vocals behind a mask. Can't fault the mic much apart from the foam windshield which kept falling off in rehearsal. Just ended up making a spare that fit tighter.

Based on my experience I would consider buying a second unit just to keep as a spare.

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Zoom F4; 6-channel/8-track field audio recorder/mixer; 4 inp uts with XLR/TRS combo connectors; Compact and lightweight a luminum chassis; High quality mic preamps with up to 75 dB g ain; +4 dBu line inputs; Support for up to 24-bit/192 kHz...