Bertrand has always been a fan of TD and Klaus Schulze since his youth in the 70s.

On this album he presents the basic concept and basic structure for a big Berlin School work containing three long tracks like it was usual in the 70s.

Bertrand used analog equipment especially a modular system which is responsible for great sounding sequences.

Lambert coming from the “Tangerine Dream school“ added many effects and atmospheric sounds and put weight on making good tranistions between the tracks that you feel it is complete opus. Most of the music have been played spontaneously during one take.

This enriches the character of the 70s when the Berlin School pioneers improvised on the sequences.

This interplay should be a delight for the fans of the 70s Berlin School style.

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I’ve been listening to so called ‘industrial music’ since I was 20, therefore, being over 40 now, I must admit that I’ve missed out on the very first mystical era, as I was too young to be there at concerts. But I’ve dug quite a lot into hundreds of records, mostly from the ‘80s, of noise, extreme...

Niobe:
Many releases by German-Venezuelan singer and songwriter Yvonee Cornelius aka Niobe show a very intriguing eclectic pot-pourri with elements from jazz, exotica, '30es cabaret and electronic music coupled with masterfully processed vocals. The brighter mood she radiates on her new album "Child of P...

Klute:
According to many DnB followers, Tom Withers, better known as Klute, one of the most brilliant producers on the UK Dnb scene, is going to make a difference in 2015 by means of his own label Commercial Suicide. The first releases on the label as well as the upcoming ones bolster such a prediction. ...

Recondita Stirpe:
Chain D.L.K.: Your debut album is titled "Nessuna letargia" ("Nolethargy"). This sounded to me like a calling to action. What are someof the themes you touch upon in the album?
Recondita Stirpe: Christoff: The world is drifting, completely without a guide. Incontemporary society the ...

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