The new G Series is compliant to XQD Format Version 2, both PCI Express Gen.2 and USB3.0 interface are supported on a newly-developed controller for high performance.
The G Series delivers increased read 400MB/s*1 and write 350MB/s*1 speeds, which is three times the speed of the previous N Series cards.

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For those of us contemplating the arrival of the Sony PXW-FS7 here are a few tips when it comes to adapters…Some of you may be contemplating buying adapters for the FS7 but beware…read the small print first.

Firstly I was reminded that the FS& is not full frame and is in fact Super 35mm so the Metabones Speedboster will indeed be fine.

Metabones EF to NEX Speed Booster ULTRA

This Speed Booster ULTRA is designed to cover an APS-C (23.6 x 15.7) image circle which is not big enough to cover a full-size 36mm x 24mm sensor. (Remember the FS7 is 23.6 x 13.3)

Just when you think you can upgrade to the Sony “A” lens system you read the small print to learn this adapter won’t allow any lens to open any greater than f3.5 making those f2.8 “A” lenses redundant ?

1. Aperture setting for video capture is fixed at the maximum aperture of the lens or F3.5, whichever is lower (AF-C).

Strangely enough the Sony adapter at £159 almost half the price of the one above seems to have no such restrictions.

From what I gather the FS7s are due to arrive at the end of October in limited quantities…watch this space.

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THE Glasgow Filmmakers Alliance is hoping there might be three new categories on the horizon at future BAFTA Scotland Award ceremonies after an open letter to the head of the film body. BAFTA Scotland have confirmed they will raise the letter as part of the agenda at an upcoming committee meeting in December.

Said an Alliance spokesperson: “Whilst we do not disagree in any way with those who have received nominations in recent years at the British Academy Scotland Awards, it would be great if independent films and filmmakers could compete on a level playing field at the same ceremony and receive the recognition they potentially deserve. These are often films and filmmakers who have been widely celebrated at events/screenings both at home and around the world.”

Established in 2011 by Andrew O’Donnell and Chris Quick, the Glasgow Filmmakers Alliance was initially launched as an online directory for film and television professionals working in Glasgow. In 2012, the alliance expanded into networking events when they were invited by Stephen Paton of Production Attic Ltd to form what would become the Glasgow Creative Network. In the same year, Mr Quick, a member of BAFTA Scotland also led the successful campaign to get the BAFTA Scotland New Talent Awards recognised by IMDB.

Said Mr Quick: “We are delighted that our proposal will be given the chance to be reviewed and we thank BAFTA Scotland for making this possible. Whilst there is still a lot of work to do and many details to be discussed by the committee, I think we can say with some accuracy that a step in the right direction has been made and we look forward to the outcome of the meeting.”

The awards proposal is due to be discussed by the BAFTA Scotland committee at its next meeting on Tuesday 9th December 2014.

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Seems like a simple device …so why has it taken so long to be invented…the times I could have done with a GAFFGUN. This device is not cheap at $249 but I like to see it as a one off purchase and the time it will save taping cables is worth the money…if it works.

I would like this company to send me a unit to test for myself, I will let you know how I get on.

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Harnessing technology found in the flagship EOS C500, the EOS C100 Mark II boasts a powerful imaging engine which delivers outstanding performance. A Canon Super 35mm 8.3MP CMOS sensor combines with a DIGIC DV 4 processor to deliver the rich colour and wide dynamic range synonymous with Cinema EOS cameras, while a new extended ISO range of 320 to 102,400 ensures superb performance, even in extreme low light conditions. The camera also features a new image processing system which enhances performance further by reducing moiré and aliasing, resulting in sharper, clearer images.

The EOS C100 Mark II includes Canon’s pioneering Dual Pixel CMOS AF technology as standard, which enables anyone to find focus and switch easily between multiple subjects in a single shot. Canon’s Face Detection AF technology is also supported and provides further creative control through the automatic recognition and focus tracking of faces.¹

Greater creative opportunities
The EOS C100 Mark II features two recording formats to suit the needs of different productions. Dual Format recording allows operators to simultaneously capture Full HD footage in both MP4 (up to 35Mbps) and AVCHD (up to 28Mbps) variants, using frame rates of up to 60P. Alternatively users can chose to record HD and SD footage to separate SD memory cards for maximum workflow flexibility and easy sharing. This range of options further expands the world of creative opportunities offered by the EOS C100 Mark II and also makes the capture of slow and fast motion action possible.

Integrated Wi-Fi connectivity – a first for the Cinema EOS series – ensures that sharing footage from the camera is now easier than ever thanks to ability to transfer files via FTP. In situations that demand a fast turn-around, such as news or events reporting, Dual Format recording allows operators to quickly share low resolution SD files directly from the camera whilst the security of an HD copy is maintained.

Uncompromising operation, wherever you are
Thanks to its robust, compact design, the EOS C100 Mark II is ideal for shooting in a wide range of applications, especially those involving a single shooter. Browser-based camera control via built-in Wi-Fi and support for Canon’s multi-functional RC-V100 remote control allow the camera to be positioned in locations that previously could not have been considered, enabling crews to maintain creative control even in the most awkward or obstructive situations.

The EOS C100 Mark II’s screen has been redesigned and now flips out to the side to provide greater monitoring possibilities, including allowing users to frame the shot whilst in front of the camera. A new OLED display delivers higher contrast, more vivid colours and faster response times, even in bright conditions. The camera also features an improved tiltable Electronic Viewfinder (EVF) and a larger eyecup to provide greater flexibility and accuracy during shooting. Additionally, a range of professional audio features accompany a microphone in the handle unit, while a new built-in microphone has been added to the camera body, enabling sound recording for continuity in the smallest possible camera configuration.

EF lenses – unlimited possibilities
As part of the EOS system, the EOS C100 Mark II is immediately compatible with – and optimised for – Canon’s world-renowned range of interchangeable EF lenses and 4K EF cinema lenses, providing both the power and versatility to meet virtually any creative challenge.

I was producing a two camera interview for the Discovery Channel yesterday with Danny Macaskill a professional street trails rider who decided to cycle up the “Ridge” in the Cuilins on the Isle of Skye.

Danny had a film crew from CUT MEDIA with him all eleven of them plus a German Shepherd, they used various cameras from a Canon C300, two Panasonic GH4’s, one mounted onto a DJI S1000 Drone and one mounted onto a Movi 5 and a GoPro HERO 3+.

The DJI S1000 Drone was kitted out with a GH4, Wi-Fi monitoring and a gimbal.

Danny is a great down to earth chap, Chelsea from the Discovery Channel interviewed Danny from Canada via my iPhone 5s on speaker phone and I got a great technical interview with Danny after the important work was finished. Once again the Sony PXW-X70 sat beautifully alongside the GH4 picture wise and I ran 2 64G SDXC cards simultaneously which worked a dream.

Here are some fans who were passing by on the Glasgow Commonwealth Games 2014 dirt track at Cathkin Braes.