At the center of Puerto Rican musical traditions we find the cuatro, the island's
beloved traditional stringed instrument.

The small, stridently voiced string instrument is carved out from slabs of native
hardwoods such as guaragao and yagrumo, according to traditional craft techniques that
date back to the middle ages. Its curious shape results from a confluence of aboriginal
taino, West African, and Spanish cultures: precisely the same influences that joined
together to form the Puerto Rican people. Over the centuries, a rich body of musical craft
traditions were accumulated by Puerto Ricans, some of which are lovingly observed to this
day: particularly the ones celebrating annual religious rites. The rest -- too many --
have been lost or forgotten, overwhelmed by the dominant popular cultures of first Spain,
then the United States.

From isolated communities deep in the island's interior to the cosmopolitan cities of
San Juan, New York, Philadelphia, Chicago, Miami and Los Angeles-- as far even as
Hawaii--the cuatro reminds Puerto Ricans of the common bond which unites them across
distance and experience. Thus the cuatro has come to command a central position within the
Puerto Rican cultural iconography, much like bagpipes have served the Scot and harps the
Irish. At key moments in the island's history the cuatro served as a compelling symbol of
national identity. To many, the cuatro symbolizes Puerto Rico itself.

If you'd like to listen to a 12 second sound clip of a Jaime Alicea, master cuatro
maker and player, playing a cuatro lick (and don't mind waiting two minutes at 14.4kbs) press here.

The ten-stringed cuatro has been a fond companion to
the Puerto Rican people for four hundred years. This beautiful specimen was made in my
shop. The back, sides and neck are carved in the traditional "enterizo" style,
out of a single continuous plank of tropical hardwood.

Considered one of the "national treasures"
of Puerto Rico, Maso Rivera is perhaps the island's most beloved cuatrista.

Cuatros under construction in William's own
Northampton, Mass. workshop

William measures a ninety-year old "cuatro
antiguo" at a collector's home in Florida, Puerto Rico