A Short History of Hardcore Chipmusic

This post is an attempt to save some of the history of the harder kinds of chipmusic, before all of us forget what happened. Please comment or get in touch with corrections and more suggestions. This post will be continuously updated thanks to people like Alex Yabsley, Peter Swimm, Takashi Kawano, Abortifacient, Ant1, Nordloef, C-men, Rioteer, and … you?

Those who think that chipmusic is cute and innocent will be surprised to know that there are thousands of evil, rough and hard chiptunes around. In fact, what we call breakcore today developed in the mid 00’s by using the same tools as chipmusic had done a few years earlier: amiga trackers.

In the mid 90s, the hardcore 4×4-pounding of gabber slowly evolved to a slightly more, uhm, “mature” genre. This evolution, I’ve been told, was driven forward by the Australian Bloody Fist label. Many of their artists worked with Protracker on Amiga. The label manager Mark (aka Nasenbluten) told me that they made 20 releases during 1994-2004 that were more or less only made on Amiga (see timeline).

The Amiga was likely used because it was affordable and available, reasonably portable, and also very sturdy. So it wasn’t only Bloody Fist who did this. I did it too, although there wasn’t exactly much interest for it. Elsewhere in in Europe the labels Fischkopf, Fifth Era and Digital Hardcore put out plenty of amiga hardcore with artists such as Patric Catani and Cristoph de Babalon. In USA, Milwaukee seems to have had a big Amiga following with eg Davros and Unibomber, later followed up by Dispyz who is now running Radio Graffiti that puts out plenty of hardcore Amiga music.

This music is sometimes called amigacore. This is not just a geek term – I saw it used in a record shop just a few years ago. It seems to be characterized by a raw and unedited sound, and isn’t necessarily made on Amiga. Remember, it was during the 90s that sample chopping and VST-wankery became popular, so this formed a sort of anti-thesis to that.

But in fact, the choppers and wankers of IDM wasn’t so far away from amigacore as you may think. Chopping and wanking had been done for years with trackers. And trackers are still well-suited to mess around with samples and create intricate beats by easily assigning effects to individual trigs and so on. Famous breakcore artists like DJ Scud and Venetian Snares seem to have started on Amiga, though I’ve yet to confirm this. But many famous IDM-artists started with trackers, such as Bogdan Raczynski, Brothomstates and Machinedrum.

After the 90s boom of amigacore, the next 8-bit hardcore booms came along with the growing hype of chipmusic. In the mid 00’s, gazillions of artists started to mix chipsounds and breakcore. My impression is that chipbreak often uses quite poppy and even trancey harmonies, along with amen breaks. I was doing quite a lot of this too at the time, and I really enjoyed the combination of happy & hard, like in Comsten. But I think Sabrepulse (UK), Saskrotch (USA) and possibly Bit Shifter (USA) were the biggest names in this field, and later maybe IAYD (USA)?. Tons of other artists worked in high tempos, such as Paza & Psilodump (SE), David Sugar aka Logic Bomb (UK), Divag and Computertruck (FR), Dorothy’s Magic Bag (SE), USK & Maru &BSK (JP), Jellica & his Kittenrock label (UK), Eat Rabbit (FR) and Uoki Toki & 777 minus 111 (RU).

Great listing! I was Hey Kid Nice Robot in 2004 but kinda moved on to other instruments and sounds fairly soon after that. Great list of the greats, glad to see Timeheater mentioned, he was one of my faves.

Lots of nostalgia comes to mind, and tons of classics listed here, great entry. I was surprised, flattered and humbled to be included.

IMHO, the greatest thing about trackers is the way in which they opened the world up to some of us with a desire to hear / make something different. Although some people bemoan the democratization of music with the ubiquity of “all-in-one” software (Reason, Live, et al) I personally say fucking bring it on! For every 5000 dubstep copycats (or whatever is the flavour du jour) there are a handful of audio bandits tearing shit up, making their parents/neighbors’ ears bleed and being all-around badasses. I guess in that sense trackers were the very first all-in-one audio programs. It is fitting and appreciated that you’re writing down its history.

Lots of links to follow / read up / listen to that I haven’t yet, thanks for taking the time to write/share!

Thanks for all the suggestions! Keep ’em coming. And nice to see Bogdan passing by too. I can still find gems in those huge tracker archives, and I know that there are *tons* of “scene works” (demoscene, trackerscene, whateverscene) that are not mentioned here, since it’s a “chipscene” perspective.