FREUD. His Member ... his John
Thomas ... his Man Below Stairs. [DORA LOOKS BLANK] His Flagpole,
his Wiener, his Schlong ... his Penis ... [IMPATIENT] His Peter, His
Prick, His Cock. You did not notice?

DORA. Well ... no.

FREUD. No?

DORA. No.

FREUD. But you know now, don't
you. You know what a man's Member is, don't you?

DORA. Yes.

FREUD. And you felt it, did you ... when he pressed you .... when he pressed
you by the staircase ... when he pressed you by The Lake?

DORA. No! I didn't! I swear I didn't!

FREUD: You didn't feel it when he pressed you here ... or here ... or here
...

FREUD: Note that from the very beginning I used the greatest care not to
introduce the patient to any new information in the area of sexual
knowledge. I only gave a thing a name when her references to it became
so clear that there seemed to be very little risk in translating it
into direct speech. Note also the Widerstand, which is to say, the resistance
to admitting physical contact took place. Such vigorous denial is often a
syptom of repressed knowledge.

DORA ENTERS.

FREUD: Ah, Dora, back from the ...[COUGHS]

[SCENE
CONTINUES]

Caution: this play is fully
protected under the copyright laws of Canada and all other countries of The
Copyright Union, and is subject to royalty. Those interested in production
rights are requested to apply for production rights to: NICK HERN Books,
London
(ISBN:1854592955)