Few creators get a second change to explore their original vision. Gene Roddenberry got such a chance with The Next Generation twenty-one years after the original Star Trek first aired. TNG’s pilot "Encounter at Farpoint" is a restatement of Gene's utopian ideas, which are challenged by Q. But, of course, these ideas evolved a bit over the course of two decades.

In this episode of The Ready Room we're joined by John Champion and Ken Ray of Mission Log: A Roddenberry Star Trek Podcast, who are preparing to launch into TNG on their show. We talk about the transition from TOS to TNG as a platform for Gene's message, impressions of the new ship and crew, twenty-fourth-century technology, meeting Q for the first time, "Encounter at Farpoint," and more.

In our news segment we look at Star Trek events at San Diego Comic-Con, discuss the real status of Roberto Orci as director of the next film, and reveal our picks for the best engineering set.

When the the Original Series cast set foot on the big screen, it was a dream come true for a generation of fans who had supported the short-lived show through the dark 1970s. For fans of The Next Generation, however, the experience was quite different. As soon as the final episode wrapped, the cast jumped right into shooting their first movie. The result was a film that felt more like the next TV episode than a major motion picture. Or did it?

In this episode of The Ready Room we're joined by Phillip Gilfus and Daniel Proulx of Earl Grey to pit the four Next Generation films against one another. We cover the good and the bad of each and discuss whether more time between the television series and the movies would have changed fan perception of these four stories.

In our news segment we discuss the controversy surrounding the sixth-season TNG episode "Timescape" and an uncorrected VFX mistake, Dayton Ward's selection of ten Star Trek episodes that could work as stage plays, and the launch of Star Trek: Axanar's official podcast, which will chronicle the production of the independent film through discussions with the cast and crew.

News

Mike and Denise Okuda speak out on the "Timescape" VFX controversy (3:02)

Star Trek: Axanar teams of with Trek.fm for its official podcast (9:23)

Dayton Ward's Star Trek episodes that could work as stage plays (14:06)

According to Elaine Benes, Tolstoy once said “War, what is it good for?” And while she may have been wrong about the source, apparently Kirk shared the sentiment. When the Enterprise was dispatched to establish diplomatic relations with a planet that apparently wanted no part of the Federation, Kirk and his crew found themselves casualties of a war fought through computers. The damage-free conflict—if you don’t count the deaths from willing disintegration—didn’t sit right with Kirk, and so he took the future of two worlds into his own hands by forcing them into choosing between full conflict or reconciliation. The outcome remains unknown.

In this episode of The Ready Room we're joined by Charlynn Schmiedt, Drew Stewart, and Eric Brasure to discuss "A Taste of Armageddon," the antisceptic nature of the war between Eminiar VII and Vendikar, whether civilization is worth saving if the people no longer see the value of life, and debate if Kirk has the right to make the decision for an alien society. We also discuss Vulcan wall-telepathy, the new Eminiar line at Uniqlo, and uncover the real origins of General Order 24.

In our news segment, we discuss Robert Picardo's newly available house, TMZ accosting Brannon Braga to get the answer to a question the rest of us left behind in 1991, and take a behind the scenes look at Star Trek Continues with the help of Condé Nast Entertainment and WIRED.

At the end of “A Piece of the Action,” Doctor McCoy reveals that he left his communicator behind in Oxmyx’s office. It’s essentially laughed off and the NCC-1701 continues on to its encounter with a giant space amoeba. Kirk says that, with that kind of technology, the Iotians might one day want a piece of the Federation’s action. But what might be the actual repercussions of such an accident? This is the question that Enterprise tries to answer in the second-season episode “The Communicator.” Like McCoy, Reed returns to the ship minus his gadget—only this time it isn’t brushed aside.

In this episode of The Ready Room we're joined by Mathieu Blondin and Sebastian Prooth to discuss Reed's little mistake, the consequences for him and Archer, the potential impact it had on an alien society, and whether or not Starfleet should be going undercover to mingle amongst the inhabitants of other worlds in the 22nd century (or at all). We also discuss "The Communicator" as an important episode on the road to the Prime Directive.

In our news segment we learn about the March 2015 release of TNG Season 8—in book form, discuss what we want to see in the next Star Trek film compared to a recent article on io9, and in Questions from the Fleet we delve into how best to grow the Star Trek franchise by looking at how marketing and merchandising has been handled over the years.