When a parody of a particular work remains popular after the original work becomes forgotten in popular consciousness.

Named for the fact that, when listening to the earlier work of "Weird Al" Yankovic, modern fans may be so unfamiliar with the songs being mocked as to not even realize that the Weird Al's song is a parody. For example, many people are now more familiar with "I Lost on Jeopardy!" than with the original "Jeopardy" by the Greg Kihn Band (or even the original game show from the sixties). Some may even have forgotten Jimmy Webb's "MacArthur Park," or Coolio's "Gangsta's Paradise" (or Stevie Wonder's "Pastime Paradise," for that matter), remembering only Weird Al's "Jurassic Park" or "Amish Paradise."

Often, people who are only 'familiar' with a work through the parody are surprised when the subject of the parody turns out to be better than they thought.

Occasionally the trope can be inverted, where the parody is forgotten, but aspects of it get associated with the original work.

Examples:

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Trope Namer

For those wondering how people could make such a mistake with "Weird Al" Yankovic, he does also have a lot of original humorous songs. Most of us older folks know him better for his parodies, but he's spanned a few generations since his Dr. Demento days and is still going strong. Moreover, knowing that a song is a parody and knowing the song it parodies are two different things.

Coolio was quite peeved about "Amish Paradise", for which Yankovic had obtained permission through official channels but not through Coolio himself. He felt that Weird Al's version trivialized the seriousness of the song. Though Lady Gaga on the other side of the spectrum stated that having your song parodied by Weird Al is like a rite of passage to being an artist in the music industry. This was backed up in an earlier interview by Kurt Cobain where he said when Al called him about making a parody of "Smells like Teen Spirit" is when he realized Nirvana made it in the music industry.

To confuse matters further, many of Al's original songs are "style parodies" where he parodies a band's/artist's musical style instead of a specific song. Because he does change the music a bit even with parodies, this leads to some thinking that these style parodies are a parody of a specific song. Examples follow:

Referenced in The Flash TubGamescott Review (which is a parody of both 90's internet videos and internet game reviews) in the end credits, crediting Papa Roach's "Last Resort" to "Weird Al", since Weird Al did cover it in one of his medleys.

Incidentally, the polka medleys themselves are an example of this trope. A lot of us probably don't remember Stars on 45, a Dutch novelty act which created song medleys set to disco. Al took the concept, only he set the medley to polka music instead with "Polkas On 45". While Stars on 45 is largely forgotten, Al continues to feature polka medleys on each of his albums (except "Even Worse" and arguably "Alapalooza", where instead of a medley he did a polka cover of Queen's "Bohemian Rhapsody").

Because Weird Al was effectively the only parody artist to hit it big in the pop music era, there is a widespread, pronounced tendency on the Internet to attribute to Weird Alany parody song whose artist is otherwise unknown. This has been especially common on pirate MP3 repositories such as Napster, where searching on Weird Al would produce any number of non-Al music, some of it obscene or offensive, with his name on it. (Weird Al is on record as saying that this mistaken identity, rather than any theoretical lost revenue, is the biggest unwanted effect piracy has on him personally.)

Advertising

The Energizer Bunny, Mascot for the Energizer brand of batteries for over 20 years, was originally a parody of an ad campaign by rival Duracell, in which a small and cute bunny with a small drum powered by their battery would last longer than one powered by their chief rival — which in the commercial was Everlast to not name Energizer (owned by Eveready at the time) by name. (Energizer's ad was that its bunny, like its battery, was too large and impressive for Duracell's ad.) In part due to its effectiveness as a campaign and in part due to Duracell not keeping up with the trademarks, the original bunny is all but forgotten in North America (although still active in other continents). Duracell claimed that 40% of the audience thought they were still Duracell ads, but never really tried to back that up.

The phrase, "It's not nice to fool Mother Nature" has been used and re-used so often (just as often as a parody as not), that it's approached the point where many people have no idea where it actually came from (for the record, it was from a 1970 commercial for a butter substitute called Chiffon).

And again for a very distinct, hushed delivery of "We've secretly replaced somebody's 'X' with 'Y.' Let's see if they can tell the difference." Originally from a Seventies and Eighties ad campaign for Folger's Coffee Crystals, but the references to it have far outlasted the ads.

This is, in fact, pretty common with commercials. The endless repetition of them can easily create annoyance, which means writers and creators will see them as ripe for parody in their work, with the end result being the parodies can live on even when the ad campaign itself ends.

Quite some famous or well known people from previous centuries are nowadays better known because they were painted or sculpted by world famous artists. So whenever, for instance, the Mona Lisa is parodied, most people aren't aware that she was an actual aristocratic 15th-16th century lady.

Dragon Ball originally started as a parody of Journey to the West, which, while still popular in Asia, is more or less unknown in many countries Dragon Ball was released in except those that had Monkey! on their TVs.

The speech "Sometimes I'm a..." is closely associated with Cutey Honey, so much so that the original source (Tarao Bannai) that Cutey Honey was parodying with that speech has been long forgotten.

In the Western world, Naruto has completely overtaken terms and names like Fuuma Shuriken, (Kage) Bunshin, Kawariminote A real weapon and techniques that existed at least in fiction before; a ninja called Sasukenote an extremely common "ninja name" in Japanese fiction and folklore, akin to "Kurtz" for villains; and a trio with the names of Tsunade, Orochimaru and Jiraiya with powers based on snails, snakes, and frogs, respectivelynote a homage to the folktale Jiraiya Go-ketsu Monogatari, their names being the literal words for their animal.

Ouran High School Host Club appears to be headed this way, with more people watching the show having not seen any of the shojo it parodies. The surface humor and well-developed characters serve to attract people who don't get the joke.

Sgt. Frog: The anime commonly includes Shout Outs to older works to entertain some of its older audiences, so naturally for many younger viewers, it's often the first they've ever heard of certain things. Lampshaded by the Dub, in which the narrator tells people to search for Space Sheriff Gavan on Youtube. Interestingly, that show actually was shown in America, but it's highly likely that most viewers never saw it.

Comics

The pirates in Astérix comics are close parodies (allowing for the difference in art style) of Captain Barbe-Rouge (Redbeard) and his crew in the comic of the same name. Originally published in the same magazine as Asterix, Barbe-Rouge is almost unknown outside France. You have a shot at recognizing them if you've seen one of the 90s cartoon shows, but the parody characters have such a distinct look that it's not obvious.

Iznogoud contained a Shout-Out to specifically to the Astérix versions of the pirates in one story. They look much more like their Asterix designs and the crow's nest pirate observes that the ship they're about to attack 'has no Gauls on it'.

Furthermore the pirates, on yet another occasion when their ship is smashed by Asterix and Co, end up in a sequence with them parodying the now somewhat obscure painting "The Raft of the Medusa". Said painting is actually pretty famous in France, and a mainstay of school textbooks on French painting. The parody has untranslatable French puns involving the idiomatic meaning of "médusé" (stupefied). The English translation has them say "We've been framed, by Jericho!" note The painting is by Théodore Géricault, whose last name is pronounced close to "Jericho" in French.

Astérix generally is packed solid with references to French politics, society, and other such in-jokes, though in some cases the original reference are quite obscure nowadays. In Asterix and the Banquet Asterix meets a group of characters in Marseille, who are a shout-out to the 1930s movies Fanny and Marius by Marcel Pagnol, something most people of today, even in France, wouldn't get. The antagonist from Obelix and Co.. is supposed to be a parody of Jacques Chirac. Yes, as in former President of France Jacques Chirac, though the parody was focused on his largely-forgotten-outside-France stint as Prime Minister.

Lucky Luke: How many people today think of the Dalton brothers as the historical Bob, Grat, Bill and Emmett, compared to the Dalton Brothers as Lucky Luke's Joe, Jack, William and Averell? In Europe and the French-speaking world, at least, it's not even a contest.

There are others who may associate the Daltons as Dinky, Pinky, Stinky, etc. from Huckleberry Hound.

Solomon Grundy, born on a Monday. Also, he's a zombie. If you know of Solomon Grundy, chances are you probably know him from the comicsandcartoon, but not from the nursery rhyme. In Mexico, there's a wrestler known as Solomon Grundy, and people don't know about any rhyme, comic, or cartoon. The rhyme itself IS mentioned in the popular Batman series The Long Halloween. It's also briefly referenced in Justice League and Arkham City. One Justice League cartoon episode has him sacrifice himself for something (nevermind that being a zombie, he can't really die off permanently). The gravestone shown usually mentions the rhyme. The rhyme is also referenced in the Batman story "One Night in Slaughter Swamp", published in Batman: Shadow of the Bat # 39 (1995). The Crash Test Dummies also used his name for their Superman song, only because it rhymed with money. ...sorta. The rhyme was also used in Arrow, with Ollie quipping "Died on Saturday; buried on Sunday" after defeating him.

Many comic book fans didn't even realize that DC Comics had other characters besides Wesley Dodds and Morpheus who went by "The Sandman" until they saw Hector Hall acting foolish in volume 2 of Neil Gaiman's celebrated series.

While the characters of Watchmen have become popular and well-known despite only being in that story, the original Charlton heroes that inspired their creation have almost faded into obscurity. The Question, Blue Beetle, and Captain Atom have managed to escape this to some extent, but Thunderbolt and the Peacemaker (Ozymandias and the Comedian's counterparts respectively) have suffered.

In Thunderbolt's case, he isn't owned by DC anymore.

And Peacemaker only very superficially resembled the Comedian, making any connection ridiculous on its face. (If they ever met, they would not get along.)

Another Watchmen one: Moore and Gibbons' use of the 9-panel grid has prompted a lot of people, including comic book historians, to believe that Steve Ditko (the creator of the original Charlton characters) worked almost exclusively in the 9-panel grid format. This is not to say that Ditko didn't use it frequently, but it was hardly his "go to" layout.

The Guy Fawkes mask is now associated more with V for Vendetta than with the guy — er, Guy — it represents. In America anyway... Bonfire Night is still a well-celebrated national holiday in the UK, and kids are taught about the history behind it in school. Its meaning is shifting even beyond that, now that it's being used as a tool of 4chan/anonymous for their real-world protests (although, technically they are using it in the style in which it is portrayed in V for Vendetta) — and this applies to both the US and UK as the mask has lately appeared on the office wall of The IT Crowd. Whee!

Indeed, in the "set tour" featurette on the 3rd series of The IT Crowd, it's actually referred to as the V For Vendetta mask, rather than a Guy Fawkes mask, by Graham Linehan himself!

British technology news/discussion site The Register also uses the mask as the only icon available for Anonymous Coward posts.

For that matter, the English word "guy" is itself a reference to Guy Fawkes that has evolved over the centuries to be used as reference for anyone, not just an effigy of the original Guy. On top of that, Mr. Fawkes himself was named after a long forgotten local celebrity from his hometown; Guy Fairfax.

Teenage Mutant Ninja Turtles was originally an underground comic strip parody of Daredevil; the most obvious aspects being the Turtles' master, Splinter (as opposed to Daredevil's "Stick") and their enemies, the Foot Clan (Daredevil's were the Hand). It doesn't need to be said which one is better known. Matt Murdock was hit in the eyes with chemicals in his origin story, while rescuing a blind man from an oncoming truck. In the Ninja Turtles version, the chemical canister bounced off his head, specifically "near his eyes", and a nearby boy's pet turtles took the hit instead. In some versions the second boy resembles Matt Murdock more, but originally it was a boy named Chester.

Even with proper annotation you'll be hard pressed to identify most of the references to Victorian literature in The League of Extraordinary Gentlemen, with bonus points if you're even aware of the original work. To understand how far Alan Moore goes, there are references to Victorian porn novels that have been out of print for decades, and visual reference gags can number in the triple figures on one page. It gets even worse once he gets into the twentieth century.

Viz started as a parody of British children's comics and now the genre it parodies is all but dead with the exception of The Beano, which Viz even outsells.

Nero: To this day many Flemings (especially from the older generation) will think of the protagonist from this popular comic book series whenever they hear the name "Nero", instead of the Roman Emperor on which his name was based. Meneer Pheip's son, Clo-Clo, has a name based on French singer Claude-François' Affectionate Nickname, but how many people remember that?

Suske en Wiske: Similarly, the name "Barabas" will remind many people in Belgium and the Netherlands of the Absent-Minded Professor in this comic book series, rather than the biblical character.

There is a Suske en Wiske story called De Texasrakkers ("The Texas Scoundrels"), which was originally a shout-out to the popular 1950s TV western series The Texas Rangers, but this show is nowadays completely forgotten. In fact mention The Texas Rangers today in Flanders or the Netherlands and everybody assumes you mean De Texasrakkers.

De Kiekeboes: A lot of younger people may not associate the name "Konstantinopel" with the original name of Istanbul, but with Kiekeboe's son.

Urbanus: Urbanus, just like the comedian he is based on, is named after several medieval popes. Nowadays most people in Flanders and the Netherlands will automatically think of him, rather than these popes. Similarly there are lot of children who know Urbanus more as a comic book character than as the comedian he was based on, mostly because Urbanus doesn't perform that often anymore.

Agent 327: This series started out as a parody of James Bond, but mostly the campy 1960s version. For many people unaware of these movies they may not notice the parody element anymore. Similarly the character Olga Lawina has a Punny Name (lawine means avalanche in Dutch and the character is of Swiss nationality) which refers to the nowadays almost forgotten Dutch singer Olga Lowina.

The Hellfire Club's introductory appearance in X-Men was originally a parody/homage of the classic The Avengers episode "A Touch of Brimstone", where Steed and Peel battle a genteel criminal organization called...the Hellfire Club. Practically everything about the story arc's plot was inspired by the Avengers episode in some way: Jean Grey's famously kinky "Black Queen" outfit was an exact replica of Emma Peel's "Queen of Sin" costume, and Jason Wyngarde was modeled after British actor Peter Wyngarde, who guest-starred as that episode's villain. But while the Hellfire Club in The Avengers appeared only once, Marvel's Hellfire Club has remained a major part of the X-Men mythos for over three decades, and most younger fans don't know about its origins, especially in the US, where the syndication package omitted that episode and it only became available much later. It helps that their introductory appearance was in the first part of The Dark Phoenix Saga, the most beloved X-Men story of all time.

Fewer people still may be aware that the Hellfire Club was a real thing, albeit not necessarily evil, but rather a series of 18th century gentlemen's clubs that took a satirical and ironic view of society and religion. Calling themselves "devils" and engaging in mock ceremonies that mostly just involved alcohol and pranks, Flanderization and Artistic License – History likely inspired their appearance in The Avengers.

The other part of Jason Wyngarde's name is from the amiably cheesy TV series Jason King (1971–2), in which Wyngarde portrayed a foppish writer who is often mistaken for the hero of his adventure novels.

Dumbo's name is based on the legendary circus elephant Jumbo, something not many people nowadays remember or know (his proper name is given as Jumbo Jr., while "Dumbo" is a mean nickname given to him by the other elephants).

Thanks to its very quick one scene usage as an in-joke in The Lion King, people are insistent that "The Lion Sleeps Tonight" was written by Elton John and Tim Rice for the movie, even when you explain to them it wasn't. It doesn't help that the song is used briefly in the Broadway musical and on the Rhythm of the Pridelands CD.

While older audiences and rock fans likely know of the song, the target audience for The Sponge Bob Square Pants Movie typically know of "Goofy-Goober Rock" before the original 1980s song "I Wanna Rock" by Twisted Sister. This extends to fans who were kids at the time of release but are now adults.

Shrek is arguably a bit less funny now that Moana has given us Maui, whose cynical worldview, demonization by those he helps, and rejection of the typical hero role he's forced into, actually makes him very Shrek-like for a real Disney protagonist.

Film - Live Action

Many Hollywood actors of the 1930s and 1940s are more familiar to younger generations who never saw their actual movies from seeing them appear as caricatures in old Disney and Looney Tunes cartoons.

During World War II, the song acquired parody lyrics and became known as "Hitler Has Only Got One Ball".

The classic 1940s-era shorts by The Three Stooges were often parodies of contemporary films, many of which are today mostly forgotten, contrary to the Stooges themselves. The best-known example may be "Men in Black" (a takeoff on a now-forgotten doctors-and-nurses tale called Men in White).

In a similar case, it affected former third Stooge Joe Besser as well: While he was quite popular for various comedic roles during his time — most notably his "whiny sissy" act that he carried over to his Stooge role — today, he's known for nothing but being a replacement third Stooge (and a subpar one at that).

The movie Airplane! (1980) lifts, often word for word, the story of a 1950s disaster movie called Zero Hour (itself a remake of a Canadian television movie). As a matter of fact, the Zucker brothers bought the rights to Zero Hour! so they could use its plot so closely without being sued. However, Airplane! is better remembered as a general parody of '70s disaster films, specially the Airport series, which jump-started the craze. And many younger viewers haven't even heard of those films, especially Airport, as Airplane! was a pretty thorough Genre-Killer.

Ethel Merman is best known nowadays for appearing as an asylum inmate who claimed to be her.

In Blazing Saddles, the villain Hedley Lamarr is always correcting people who call him "Hedy". There are fewer people today who know Hedy Lamarr (who starred in 19 films, had six husbands, and whose work in radar technology in WWII served as a key precursor to the development of cell phones, wi-fi and GPS, making her the Mother of the Cellular Age) than who know Blazing Saddles — or who know Hedy LaRue in How to Succeed in Business Without Really Trying, a more direct takeoff on Lamarr.

Ditto jazz musician Mongo Santamaria, who is perhaps best known today as the punchline of a throwaway joke involving the character Mongo in Blazing Saddles.

Almost nobody in the movie's target audience would have known that, by Hollywood cliché, Native Americans were played by Jewish actors. Hence the movie's Yiddish-speaking Indians.

Also, most people don't realize that the utterly ridiculous facial expressions that Cary Elwes makes throughout the movie are actually a spot-on imitation of those made by Errol Flynn in the classic Adventures of Robin Hood (1938).

The title character is a parody of Wernher von Braun, the ex-Nazi scientist who worked for NASA. Ex-Nazi scientists were also a stock character in the 50s.

It is an adaptation of the now long forgotten dramatic Peter George novel Red Alert. Nuclear holocaust stories were popular in the 50s. The film was originally going to be a straight adaptation before getting turned into a darkly comic satire.

The film Fail-Safe, released around the same time, used the identical concept played straight. (In fact, it was based on a novel itself, and the author of Red Alert sued the author of Fail-Safe for plagiarism...) Today if it's remembered at all, people tend to assume it's boring and stodgy in comparison, but it's actually a critically acclaimed drama.

Several scenes from the spy thriller Marathon Man ("Is it safe?") are arguably more famous for being parodied than the movie itself.

You are far more likely to encounter Citizen Kane through a parody or reference in a children's cartoon years before you even hear of the film itself.

The Austin Powers franchise parodies a lot in the James Bond franchise, some that everyone would get (Random Task throwing a shoe), while others are obscure enough that most viewers wouldn't get unless they were a Bond fan. Burt Bacharach provided music for Casino Royale (1967), which is why he makes an appearance in the first Austin Powers film. Austin himself is a parody of Jason King, a suave hipster secret agent from the British TV shows Department S and his own eponymous spin-off, who is now largely forgotten even in Britain. Austin also parodies the titular character of the short-lived British spy show Adam Adamant Lives!

When BA first appears in the film version of The A-Team a pair of camera closeups during the fight shows "PITY" on one hand and "FOOL" on the other as he throws punches.

The four-fingered Sideshow Bob had "LUV" on one and "HĀT" on the other in one episode of The Simpsons.

Going one step further, Phineas and Ferb not only has a parody of the tattoo, but an even more obscure parody of the scene in which its meaning is explained.

Arthur had an episode where George, a moose, tried to be tougher and wrote "LOVE/HATE" on his antlers.

Gravity Falls had Dipper outright wear Reverend Powell's Iconic Outfit when he was supposed to play a preacher for Mabel's play. Younger viewers will be more familiar with the costume as Bipper's garb.

Bruce Lee is so ubiquitously parodied that many people don't even realize who they're imitating when they do it. It speaks to the man's influence that despite inspiring an entire subgenre of martial arts films, the man himself only made five movies, four and change if you want to get technical.

His yellow and black tracksuit in Game of Death is also common for parody:

Pulp Fiction contains another iconic example in Jules' quoting of a (rather heavily modified) passage from Ezekiel. This is in fact a fairly overt reference to Sonny Chiba's character in The Bodyguard.

Also, more people know the film's version of Ezekiel 25:17 rather than the actual Bible passage.

Most people would recognize scenes from films such as The Great Escape or The Dam Busters than would recognise the films themselves. For example the "bouncing bombs" or the "throwing a ball against the wall in a prison cell" are widely recognised by people who have never seen either of those.

Double that for the theme tunes. Most people will recognise the Great Escape theme or the Dam Busters march, but have no idea what film the music is from.

Teenagers of high-school age might find their introduction to The Dam Busters via Pink Floyd: The Wall—it's what Pink watches on TV throughout.

The Great Escape gets a bit more recognition in the UK, what with it having being a Christmas Tradition for many years.

How many people have seen or even heard of the Dalton Trumbo war film, Johnny Got His Gun, and how many people only know it as the backdrop to Metallica's music video for "One"? (Metallica bought the rights to the film for the video, but were decent enough to release it to video as well.)

With the release of Milos Forman's Amadeus in 1984, there was renewed interest in Antonio Salieri's music, which had been in complete obscurity for many years.

Who's Afraid of Virginia Woolf?: Elizabeth Taylor does an exaggerated impression of Bette Davis saying a line from Beyond the Forest (1949): 'What a dump!' In an interview with Barbara Walters, Bette Davis said that in the film, she really did not deliver the line in such an exaggerated manner. She said it in a more subtle, low-key manner, but it has passed into legend that she said it the way Elizabeth Taylor's delivered it in this film. During the Barbara Walters interview, the clip of Bette Davis delivering the line from Beyond the Forest was shown to prove that Davis was correct. However, since people expected Bette Davis to deliver the line the way Elizabeth Taylor had, she always opened her in-person, one woman show by saying the line in a campy, exaggerated manner: 'WHAT ... A... DUMP!!!' It always brought down the house. 'I imitated the imitators,' Davis said."

Many of the movies and cultural references mentioned in The Rocky Horror Picture Show opening song "Science Fiction Double Feature" (as well as references throughout) are completely lost on the younger fans of RHPS.

Full Metal Jacket: Mention the name "Gomer Pyle" to someone. A younger person will probably think of " the fat Marine recruit who blows his brains out" instead of "the gas station worker from The Andy Griffith Show who got a spinoff sitcom where he was in the Marines" (which is where the name came from and why Gunny Hartman gives it to him).

The call and response "You remind me of the babe (what babe?)" isn't originally from Labyrinth, but instead references the 1947 Cary Grant film Bachelor Knight (originally named The Bachelor and the Bobby-Soxer).

Say "It's showtime!" to anyone born before 1960 and that person is likely to think of Roy Scheider in All That Jazz. But say the same line to anyone born after 1960 and that person will probably think of Michael Keaton in Beetlejuice. note That is, if they don't think of Sting, the obscure Eddie Murphy/Robert De Niro film Showtime, or Creepshow.

The only thing most people today remember of the 1957 horror film Night of the Demon was the line "It's in the trees! It's coming!", which was sampled rather effectively at the beginning of the Kate Bush song "Hounds of Love".

Invoked by Mr. Holland's Opus. In an effort to teach his class to appreciate classical music, Mr. Holland plays a popular rock song (the Toys' "Lover's Concerto") on the piano, then transitions into Christian Petzold's "Minuet in G" (at the time attributed to Johann Sebastian Bach) from which it derives. "Minuet in G" is also used in the film Electric Dreams in a scene where a sentient computer uses sound synthesis to imitate a Classical violinist. It's not hard to find comments or threads on the Internet where people claim the song in Electric Dreams was plagiarized from "Lover's Concerto".

The Sid Caesar short comedy "Sneaking Thru The Sound Barrier", which plays on a loop at the National Air and Space Museum, is, as mentioned in its introduction, a parody of films about test pilots that were popular in the 1950s. Casual museum visitors today are likely to go "What test pilot movies?"

Melodramatically proclaiming "YOU'RE TEARING ME APART!" has been done by countless Tommy Wiseau impressionists who probably don't realise that Wiseau got it from Rebel Without a Cause.

Jessica Rabbit's appearance (and especially her hairstyle) was based on Veronica Lake, a 1940s icon who frequently showed up in the sort of noir films Who Framed Roger Rabbit was spoofing (though Lake was blonde, not a redhead). Nowadays that look is usually associated with Jessica Rabbit rather than the real actress she was a parody of.

People who watch Last Action Hero today may not realize that the "Hamlet" segment was a send-up of Ahnuld's fellow action star Mel Gibson, who had starred as Hamlet himself just a few years earlier.

In France, many young people still quote lines from the La Cité de la peur, released in 1994 (before many of them were even born) by Les Nuls, while many of the already dated Red Scare films it spoofed are now lost to time. Many, many jokes from this film, most of which are untranslatable, have now become Memetic Mutation:

Thanks to numerous parodies of The Seventh Seal, people who has never seen it (or any other Ingmar Bergman movie for that matter), knows at least three things about it: It's about playing Chess with Death, it's in black and white, and it's Swedish.

Monty Python's Flying Circus has a sketch where a film crew is making a movie called Scott Of The Antarctic, about the failed expedition of polar explorer Robert Falcon Scott. Most viewers nowadays would be amazed that there actually is a movie with that title. Scott of the Antarctic (1947) is a faithful adaptation of the actual real life tragedy, but is mostly forgotten nowadays.

Edward G. Robinson's gangster portrayals in early 1930s movies have inspired quite some archetypical movie gangster, especially in cartoons like Rocky from Rocky & Mugsy in Looney Tunes and the Mob boss of the Ant Hill gang in Wacky Races. Nowadays most people have no clue that these characters and their speech mannerisms were based on anybody.

Adding the phrase "Electric Boogaloo" to the name of any sequel has become so commonplace that people may not be aware it's a reference to the 80s movie Breakin' 2: Electric Boogaloo.

Literature

In the early chapters of Lewis Carroll's Alice in Wonderland, when Alice is trying to "sort her head out", she recites two children's verses, which she names "How Doth the Little..." and "You Are Old, Father William." Contemporaries of Carroll would have recognised these as parodies of "Against Idleness and Mischief" by Isaac Watts and "The Old Man's Comforts and How He Gained Them" by Robert Southey. These days, while many people know Carroll's parody of Southey's verse, fewer know that it is in fact a parody, and fewer still could name or recite the original. Some verses that Carroll parodied even scholars aren't sure of because they are now so obscure. In fact the only one that hasn't caused the Weird Al Effect is "Twinkle, Twinkle, Little Bat" ("Twinkle, Twinkle, Little Star").

Speaking of Southey, his poem "The Battle of Blenheim" originated the familiar album cover trope of the kid playing innocently with a skull.

And few modern readers of Through the Looking-Glass would know the tune the White Knight's "A-Sitting on a Gate" is supposed to be sung to, even though Alice points out that "the tune isn't his own invention."

Much of the wording in Alice in Wonderland was meant to be surreal and strange, but has actually made its way into common parlance so that it seems perfectly normal to a modern reader note (not unlike the Bard's contributions to the English language). For instance, Alice says "Let's pretend," in the beginning. At the time, "pretend" meant "to lie or deceive", so "Let's pretend" sounded very odd. Now, thanks to Alice in Wonderland, the meaning of the word has changed quite a bit. A few words, such as "chortle", were coined outright and would have been nonsense to Alice's first readers; today we think nothing of them. Because of their origin they could be considered a double instance of the trope — very few people will realize they came from Alice, and further, even if they do, they won't realize that the original references in Alice were parodies themselves! Alice in Wonderland is its own Weird Al Effect, one could say.

Check out the wonderful book "Annotated Alice" where famed (and late) mathemagician Martin Gardner takes the time to annotate virtually every cultural reference made. Suffice to say there are at least as many words in the annotations as there are in the original stories. One particularly in-depth aside takes up a full two-page spread, written in 8-point font. In a large-format hardback.

Through the Looking-Glass has a nice example. The Walrus and the Carpenter, the poem sung by the twins, is a parody of The Dream of Eugene Aram, which is about an elementary school teacher who is convicted of murder.

The Mad Hatter was already a trope before Carroll came along. Hatters used mercury to cure felt, and would sometimes lose cognitive function from inhaling the fumes, so mad hatters was a trope somewhat analogous to the modern trope of insane postal workers. The book is the only surviving use of the trope, so modern readers assume it's an original character concept. Though interestingly, while he was a hatter, and mad, he was never outright called "The Mad Hatter" in the actual story, just "The Hatter".

The beast in Carroll's poem "Jabberwocky" is more commonly known by that name since most works that reference it use that instead of the creature's actual name: Jabberwock.

In Russia, the poems parodied are even less known, so one cartoon adaptation has Alice reciting a distorted This Is the House That Jack Built, which is well known in Russia due to Samuil Marshak's translation.

The phrase "grinning like a Cheshire cat" has been dated to the late 18th century, eighty years before the novel, although no-one's entirely sure what its origins are.

An even older literary example is Cervantes' Don Quixote, which parodied a number of Chivalric Romances from the time period, especially one called Amadis of Gaul. None of these are read any more, except by scholars.

Miguel de Cervantes was the victim of a trope misunderstanding when an anonymous writer calling himself "Avellaneda" published a false sequel to Don Quixote. The sequel completely missed the cleverness of Cervantes' references that mocked tropes of the chivalric genre (the noble knight's Unlimited Knapsack, the magic Healing Potion), instead choosing to write a slapstick and completely unfunny book that no one ever reads now. The book is signed as "Alonso Fernandez de Avellaneda, born in Tordesillas", but that's a fake name, and the prologue is riffed with insults to Cervantes and unashamed flattering to his main rival, Lope de Vega. Apparently at the time the book came out the writing style was famous enough to identify the author without need of giving his real name, and given the volume of Take That! in Cervantes' canon sequel it's more than likely that Cervantes knew perfectly who he was. However, precisely for this reason nobody bothered to ever write down Avellaneda's real identity. Now, 400 years later, Cervantes and Don Quixote are as famous as ever, while we only know the other as "that guy that insulted Cervantes in a Fan Fic".

Voltaire's classic Candide is a harsh satire aimed at the optimistic teachings of Gottfried Leibniz... who would only have been remembered as a mathematician had Candide not proven so popular. And they have forgotten the more likely target of Voltaire's satire, the now still more obscure Christian Wolff, who combined views as optimistic as Leibniz's with a career nearly as random as Pangloss's.

In Agatha Christie's collection of stories starring Tommy and Tuppence, Partners in Crime, each story is a Homage to a different crime-writer. While many of them are still famous today, a few are now hopelessly obscure. (Anyone familiar with the blind detective Thornley Colton? Anyone?)

Gulliver's Travels was a parody of the then-popular genre of journeys to distant lands. It's now a standalone classic. It contains innumerable digs at people and ideas of Swift's time, which go right past modern readers. This has led many people to think of Jonathan Swift as nothing more than a writer of a whimsical children's tale, when in reality he was a vicious and biting satirist who regularly savaged society in his writings. One of his other better-known works is "A Modest Proposal", where he satirically suggests that the best way to handle all the starving children in Ireland was to simply eat them, reasoning that since the British had already exploited Ireland in every other way, the only thing to do now is go humanitarian.

Certain sections of Several Voyages to Remote Nations of the World by Lemuel Gulliver are also parodying other works. His Laputa and Balnibari are much more directly mocking Francis Bacon's New Atlantis. And, strangely, the ideas of each of the 4 places he goes may have been taken from an old Japanese story, or collection of stories, that talked about tiny people, giants, and horses. Whether this is truth or an extraordinary coincidence unclear, but considering how Japan is the only place Gulliver goes to that Swift treats with any kind of reality (in addition to being the only real place Gulliver goes, and the only place where he doesn't learn the language) there may be something to it.

When Hayao Miyazaki made a film called Laputa: Castle in the Sky, he apparently didn't understand that Swift's floating island of idiot-savants was meant as a scathing satire of scientists and the British crown, so simply presented it as a place of advanced technology and learning. He also had no way of knowing that the name of "Laputa" was derived from one of the worst possible epithets in Spanish, for the sake of a joke about etymology at the expense of the scientists Swift was lampooning. Consequently, most foreign releases of the anime elide the first word of the title.

One interesting detail in The Great Divorce is that Heaven is so "solid" that souls coming directly from Earth or Hell are unable to move anything—even leaves or blades of grass. In the preface, C. S. Lewis credits a Sci-Fi short story for giving him the idea: the protagonist of the story time travels to the unchangeable past and finds "raindrops that would pierce him like bullets and sandwiches that no strength could bite". Lewis couldn't remember the name of the story or its author. It was probably "The Man Who Lived Backwards," by the never-famous Charles F. Hall.

Although the modern vampire dates back to Lord Ruthven of John William Polidori's 1819 short story "The Vampyre", Dracula is still the archetypical vampire. Even then, it's the Dracula in adaptations people think of, rather than the original book character.

In fact, for a long time scholars weren't even sure that the works she parodied even existed.

A number of 18th century poets such as Colley Cibber are mainly known even to academics for being mocked and parodied by Alexander Pope in The Dunciad and other works.

1066 and All That, a 1930 parody of the patriotic Whiggish school history books of the early 20th century, has long outlasted the works it is parodying.

The Harry Potter series was partially inspired by the time-honored British boarding school genre. Harry Potter is now way, way more famous than Tom Brown's Schooldays. note Or indeed the jolly hockeysticks boarding school yarns of Enid Blyton or Frank Richards' Greyfriars with the abominable fat boy Billy Bunter.

While on the topic of Harry Potter: A lot of the creatures, spells, and other magical phenomena in the book have their roots in much, much older literature. Basilisks, for example, are at least Older Than Print. However, with the exception of elements used frequently in modern works (werewolves, for example), most Harry Potter fans aren't fully aware of how little of Harry's world originated with J.K. Rowling. (The exception is that if you're even vaguely aware of alchemy, then you'd know at least that Rowling did not invent the Philosopher's Stone.)

And Nicolas Flamel was a real person, who supposedly did invent the Philosopher's Stone.

Few people remember that the character of C.S. Forester's Horatio Hornblower was an homage to and Affectionate Parody of, at the time, well-known British naval officers, particularly Lord Horatio Nelson. Many of Hornblower's adventures, as well as his career progression, closely parallel Lord Nelson's. These days, all but Nelson are largely forgotten by those who aren't historians or military strategists, and Nelson himself is little-known outside of Great Britain.

In a variation of this trope, you'd be surprised to learn how many words you use each day that didn't exist until The Bard wrote them down. Addiction, advertizing, amazement, assassination, bedroom, blanket, blushing, countless, fashionable, frugal... The list goes on and on.

Crysis: Legion does this In-Universe. When Colonel Barclay mentions The War of the Worlds in reference to the alien invaders, Nathan Gould doesn't get it. The Colonel promptly laments the ignorance of the classics.

For a truly extreme example, The Satyricon, a satirical epic spoofing the aspiring middle-class through a group of poetry-Fan Boy criminals Walking the Earth, contains multiple occasions where characters will break into poems that are parodies of poems of the day, often with plenty of Stylistic Suck applied. Even the prose contains numerous Shout Outs to contemporary pop culture and memes. The thing is that the work was written during The Roman Empire, and almost all of the works it references are long lost. In most cases, The Satyricon is the only record that they existed at all.

Robert Michael Ballantyne's 1858 novel The Coral Island features three boys living in harmony on an island after a shipwreck. The novel used to be a real classic in the early 20th century. However, it also used to really annoy a certain William Golding, so he wrote a Deconstruction of it, complete with names ripped out of Ballantyne's work. Now, which is better known today, The Coral Island or Lord of the Flies?

A Swiftly Tilting Planet features St. Patrick's Rune, which the protagonists use to fight against evil. Many readers may believe that the rune was the author's own invention or (if they are familiar with St. Patrick's Lorica/Breastplate) that it was her own variation of the original. The truth is that the exact wording of the rune was taken from the longer "St. Patrick's Hymn Before Tara", written by James Clarence Mangan, a nineteenth-century Irish poet.

The Cold Equations was written as a subversion/deconstruction of InvincibleScience HeroMarty Stus who Ass Pulled perfect solutions to everything using SCIENCE. It was a character archetype that plagued science fiction and other literary genres at the time, so the Downer Ending of Cold Equations was meant to be a Reality Ensues moment where the Marty Stu scientist can't magically save everyone thanks to a mixture of incompetent engineering and pure bad luck. However, the archetype ended up dying out relatively soon after, while Cold Equations has been reprinted often as a sci-fi classic. As a result most people who read it nowadays don't have the context behind the story and are just astounded by the laughably short-sighted spaceship design.

Captain Ahab of Moby-Dick is far more well-known today than the Biblical King Ahab from whom he gets his name.

How many people read eighteenth-century literature and think, “Hey, this sounds like Lovecraft!”?

In Lord of the Rings, the scenes where the Ents (walking trees) join the battle and the Witch-King is defeated by Eowyn with Merry's held are actually Tolkien trying to fix Macbeth. But those of us who aren’t literature nuts probably don't realize that these scenes are references to the scenes where the witches' prophecies are fulfilled by Macduff's soldiers cutting down branches from the trees and using the branches as camouflage and Macduff being “no man of woman born” because he was cut from his mother’s womb.

It Was a Dark and Stormy Night has been parodied so many times, most people have no idea that it comes from Paul Clifford by Edward Bulwer-Lytton, or that that phrase is just the start of a very long opening sentence.

The show-within-a-show Tool Time on the sitcom Home Improvement is parody of This Old House, with the main host (Tim) being a charismatic salesman and his co-host (Al) being an anti-charismatic, bland, flannel-wearing man who nonetheless possess unrivaled expert knowledge of the topic at hand being a direct parody of Bob Vila and Norm Abram's screen presence. In addition, scenes outside of Tool Time point out how most of the actual renovation work is done by a trained crew and that the hosts' contributions are mostly symbolic. In-universe the show was occasionally noted as a knockoff, and Tim had an Unknown Rival relationship with Villa when he guest starred. However, as Home Improvement has managed to remain popular and remembered in popular culture more than 20 years after it first aired while Vila and Abram have been eclipsed by newer, younger talent in the "Home Improvement" genre such as Ty Pennington and Mike Holmes, the fact that Tool Time is a parody is largely lost on those who watch the reruns today.

When Doctor Who started in 1963, as a budget saving measure the Doctor's possibly-infinitely-large-inside space'n'time traveling ship was disguised as an ordinary, everyday object that all viewers would be familiar with — a police box, examples of which could be seen in every town in Britain. By the time the series was revived in 2005, there hadn't been a working police box anywhere in the UK for over 20 years, and a line of expository dialogue was required in the first new episode to explain the TARDIS's appearance. Indeed, the TARDIS is usually the first thing anyone thinks of upon seeing a picture of a police box.

Even Sarah Jane makes the mistake in one episode, in which she travels back to 1950s England.

There's a police box right out the Earl's Court tube station in London, big and blue as anything. This isn't an original police box though, it was built in 1997. It was put there because tourists who'd seen Doctor Who were disappointed by the lack of police boxes in England.

This has led to possibly the only prop-based instance of the Celebrity Paradox — in the real world, a Police Box would be anything but inconspicuous, because just about everybody in Britain would recognise it as the TARDIS. This is occasionally lampshaded, with mixed success/cringeworthiness, in UK media.

Possibly the only legally binding case of the Weird Al Effect: The BBC trademarked the look of the TARDIS in 1996. The Metropolitan Police challenged it, and lost, with the judge saying that it was far more recognizable as a symbol of Doctor Who than as a symbol of the police. (The fact that the police had never attempted to trademark it themselves over the course of 40 years also counted against them.)

Nicely spoofed in one Eleventh Doctor Christmas Special when the Doctor gets his space suit helmet stuck backwards, and needs to recruit a local to help him find the TARDIS. After she follows his instructions on what to look for, he goes inside...and remembers that he's in a time period where there are still real police boxes.

Serious and downbeat drama series Secret Army, about the Belgian resistance during WW2, was closely parodied in knockabout comedy 'Allo 'Allo! — which went on to be much more popular and longer-running than the original. To this day, most (British) people are unaware that 'Allo 'Allo! began as a parody at all...

The Batusi from Batman is far better remembered than the Watusi it was originally punned off of. The Batusi is now better known as "that dance John Travolta does on Pulp Fiction." Or from The Simpsons: "How come Batman doesn't dance anymore?"

Speaking of Batman, most fans of the Dark Age Batman regard the 1960s series as the representative of that era's Batman, when actually it was widely regarded as an intentionally over-the-top, tongue-in-cheek parody of the comic book. According to That Other Wiki, the comic later turned up the camp because of the TV show's success.

Get Smart parodied the various espionage TV series popular at the time such as The Man From UNCLE, I Spy and The Avengers, but has been in reruns so long that most people assume it to be a James Bond parody. Although the show did occasionally parody James Bond, it spoofed the previously mentioned shows far more than they did James Bond.

A more obvious example of the Weird Al Effect is in the title sequence to Get Smart. Few people these days realise that the iconic "closing doors/phone box at end of corridor" is a quite deliberate parody on similar sequences in The Man From UNCLE.... many people know it better these days from Get Smart!

One Seinfeld episode had George wanting Bozo the Clown for his girlfriend's son's birthday party. These days, Bozo is all but forgotten, and yet by the mid-1990s it was regarded as painfully uncool.

People who grew up in the 1980s might be familiar with the series Mr. Belvedere, starring Christopher Hewett in the title role. However, many of them might not be aware that this was based on the Clifton Webb movie Sitting Pretty, which was in turn based upon the novel Belvedere, both from The '40s.

The TV show Blackadder is now better known than the Robert Louis Stevenson novel The Black Arrow, which the title is a Shout-Out to and which the first series parodied.

The intro of the second season features a snake crawling over the opening titles, and being dragged back into shot by black-gloved hands when it leaves the screen too quickly. Hardly anyone nowadays knows this is a parody of the opening titles from I, Claudius.

Once upon a time, there was a UK game show called If I Ruled The World. It inspired another game show called Parlamentet. If I Ruled The World stopped after two seasons — Parlamentet, however, is still going strong. In Scandinavia, admittedly, but twenty-two seasons deserve a mention.

Many Game Shows become an example of a variation of this trope when a revived version of the show becomes more popular than the original version. Some examples:

The Price Is Right has been a fixture on daytime TV since 1972 and is likely the only version known to most people today—but the original version was also very popular in its time, airing in both daytime and primetime from 1956 to 1965. Additionally, when producer Mark Goodson updated The Price Is Right for the revival, he intended to incorporate elements of the most popular game show on TV at the time—Let's Make a Deal. The Deal connection was largely forgotten... although with a new version of that show now airing (on the same network as Price and as a companion piece, no less), the connection may become clearer once again.

With the two shows having held a crossover week in the 2015-16 season, it seems mission accomplished.

Match Game. The 1970s version is the most popular due to the funny and suggestive nature of the questions. However, the original version—despite being much more sedate and tame—also had a long run on NBC from 1962 to 1969.

Press Your Luck, one of the most popular game shows of the 1980s, was actually based on a short-lived game show called Second Chance that aired in 1977.

Before the still-running version with Alex Trebek started up in 1984, Jeopardy! was hosted by Art Fleming for 10 seasons (1964-1974), followed by a short-lived reboot in 1978. (Yes, children of the '80s, that's who that guy is in the Trope Namer's "I Lost On Jeopardy" video...)

Despite what its producers would have you think, Pat Sajak and Vanna White were not the original host/hostess tandem on Wheel of Fortune — that would be Chuck Woolery and Susan Stafford. Still, Chuck ends up a subversion, since he would go on to become famous for many other popular game shows, such as Scrabble, Love Connection and Lingo.

This came back to bite one group of contestants on another Woolery show, Greed, who were asked to pick out the one game show Woolery had not hosted, with the possible answers being Scrabble, Love Connection, Wheel of Fortune, and Singled Out. The contestants chose Wheel, when the correct answer was Singled Out.

Saturday Night Live's The Continental recurring sketch with Christopher Walken is actually based on a real TV show. The Continental was a short-lived CBS program that aired Saturday nights during the 1952-53 season, and starred Renzo Cesana as the title character. Its target audience was lonely, dateless women (though when it moved to ABC, it aired in the daytime for lonely, bored housewives). The combination of the subjective camera angles and the Continental's charm was designed to make these women believe they were being romanced through their TV sets. The SNL version is exactly like that, except Walken's Continental has been flanderized to a Handsome Lech-cum-Stalker with a Crush-cum-Dirty Old Man-cum-Casanova Wannabe.

The "Royal Deluxe II" car commercialnote in which a rabbi performs a bris in the back seat at 40 mph to demonstrate the soft ride is continuously available on Hulu while the original Lincoln-Mercury ads it spoofs, despite old car commercials as a class being rarely copyright-policed at all, are hard to find on the internet.

When Spanish dictator Francisco Franco was on his deathbed in 1975, news programs would sometimes update his condition on slow news days. Sometimes, these reports would simply state that "Generalissimo Francisco Franco is still alive." He finally died in November of that year. Then, Chevy Chase started to feature Breaking News reports that "Generalissimo Francisco Franco is still dead." The catch phrase remained in the public consciousness long after the countdown to Franco's death.

Weekend Update's Point/Counterpoint ("Jane, you ignorant slut!"), was a parody of a 60 Minutes segment that aired in the seventies until it was replaced by A Few Minutes with Andy Rooney. The segment was also parodied by Airplane! ("I say, let 'em crash!").

The Dear Sister digital short, where everyone shoots each other while Imogen Heap's "Hide and Seek" plays, is probably much more famous than the scene from the second season finale of The O.C. that it was spoofing.

Not many people know that the nickname for the original cast, the "Not Ready for Prime Time Players", was a reference to a competing show called Saturday Night Live with Howard Cosellnote That show was why SNL was originally called just Saturday Night, taking the name Saturday Night Live after Cosell's show was cancelled, which had a trio of comedy performers called the "Prime Time Players" – all three of whom (Bill Murray, Brian Doyle-Murray, and Christopher Guest) went on to join the SNL cast.

Can most people even remember what George H.W. Bush sounded and acted like? Or are you more likely to picture Dana Carvey doing his impression of Bush? The original was only President of the United States, and within the lifetimes of many of us alive today. Likely the same could be said of Gerald Ford and Chevy Chase as well.

Mystery Science Theater 3000 popularized many old and obscure Sci-Fi movies simply because the old and obscure movies were the cheapest to get the rights to. The show itself owes a lot to a tradition of host segments on old horror movies (see Horror Host) dating back to the 1950s, and started in a similar vein—a local show on a station that needed filler. Its willingness to mock the movie not just during breaks but during the runtime, its reliance on sarcasm and wit rather than the stock campiness-and-bad-puns format of other hosts, and its heavy utilization of home video has insured that it outlasted and overshadowed most of its ancestors.

A lot of sketches are parodies of British TV shows that were popular during the late 1960s and early 1970s. For example, "How To Do It?" is a spoof of the BBC children's program Blue Peter. "The Golden Age of Ballooning" spoofed costume dramas on the BBC. Whicker's World spoofed TV presenter Alan Whicker who had a travel show. The spinning globe was also an official BBC bumper between broadcasts. The sketch The Bishop is a parody of the opening titles from The Saint. Many people who grew up outside the United Kingdom or who are younger than the 1970s will probably not understand something is being parodied.

Flying Circus managed to do this to a figure of speech, of all things. The show's classic "Spanish Inquisition" sketch is kicked off when the Spanish Inquisition bursts into a boring British drawing room drama after a man gets tired of being badgered with questions, and cries out, "Mr. Wentworth just told me to come in here and say there was trouble at the mill, that's all! I didn't expect a kind of Spanish Inquisition!" Many younger viewers might be unaware that "I didn't expect the Spanish Inquisition!" was a well-known Stock Joke that had been used in English drama and television for decades before Monty Python came along; in classic absurdist fashion, the Pythons used that phrase as a stepping stone for a nonsensical sketch where the Spanish Inquisition takes it as their cue to ambush a hapless Victorian couple in the Yorkshire countryside. Of course, now that the Pythons' sketch is far better-known than the hackneyed old joke that it was mocking, it can be hard to get what made it so funny in the first place.

Referenced in the game show Beat the Geeks. The host of the show once jokingly referred to Michael Jackson as "the guy who did all those Weird Al parodies". Sadly, the Effect did not help music geek Andy Zax. He was unable to describe the cover of Weird Al's album "Off The Deep End", despite it being a parody of Nirvana's "Nevermind", the topic of the previous question.

Popular and light-hearted WW2-themed TV sitcom Hogan's Heroes was considered at the time to be a rip-off of the darkly humourous 1953 movie Stalag 17 (itself an adaptation of the Broadway play of the same name), starring William Holden. While the producers of Hogan's Heroes never acknowledged the parody, the two were similar enough to inspire a successful lawsuit by the creators of Stalag 17; even down to the name (and look) of the bumbling German guard "Sgt. Schulz". Today, Hogan's Heroes is an icon of American pop culture; while Stalag 17 is known only to serious classic film and theatre buffs.

Chappelle's Show made popular many things, but none of which are as readily quoted as David Chappelle's Rick James impersonation: "I'm Rick James, bitch!" If you were to ask anybody trying to imitate this catchphrase who were born after 1980, they wouldn't even know who the real Rick James is, except some funny sketch from a comedy television show. Similarly, Kenan Thompson's series of "What Up With That" sketches on Saturday Night Live, which started airing in 2009, always include a parody of Lindsey Buckingham, of all people.

El Chapulín Colorado is a parody of both the superhero genre and the tokusatsu genre, especially Ultra Man, but the show is so popular in Latin America and has been in reruns for so many decades that most people would probably associate Ultraman with Chapulin than vice versa.

Chompiras and Botija is a parody of The Honeymooners, problem is, the original Honeymooners never was popular in Latin America and nor even ran in some countries, so very few Latins other than TV Geeks would know the reference.

An in-universe example. Britta does an impression of a bit Jon Stewart does frequently on The Daily Show, itself an impression of Johnny Carson, which comes off as a weird impersonation of Carson. When asked "Is that your Johnny Carson?" Britta is confused, and says no, it was her Jon Stewart.

Later in the same episode another in-universe example plays off the first in-universe one: when Alan does his Carson impression, Troy says he's "got Britta down."

In Spain, La Hora Chanante's sketch "Hijo de puta más" (More son of a bitch) is better known than the song that it's based on, Mr. T's "Treat Your Mother Right".

Barney & Friends: People are now more familiar with the opening theme and the closing theme "I Love You" than the songs they were based on: "Yankee Doodle" and "This Old Man", respectively.

The Muppet Show was originally a parody of vaudeville theater and variety TV shows. It also included many songs and acts from the vaudeville era, which would have otherwise been unknown to young viewers in the 70s. Today, even songs that were then contemporary are probably now only remembered by their Muppet Show appearances. The same is probably true for at least half the guest stars.

The syndicated talk show The Morning Show with Mike & Juliet lasted just two seasons and is largely forgotten. However, the Spaghetti Cat meme, which it unwittingly originated, is still around.

Scotch And Wry: The cultural legacy of the Last Call sketches far outstrips that of the sermonettes they were actually parodying. There doesn't seem to be a conclusive date as to when the original Late Call finished up but it was probably at some point during the early nineties.

The Drew Carey version of Whose Line Is It Anyway? includes constant jabs at Drew and Ryan for "having two shows" and joking plugs for The Drew Carey Show, which ran on the same network during the same period, and was quite popular. Popular enough, in fact, that Drew Carey's involvement in pitching Whose Line to the network was what got the show and its cast brought to the United States from England. These days, Whose Line still has a dedicated fanbase, and has had a successful revival in 2013. The Drew Carey Show is not shown in reruns anymore, and while people probably remember when it was on, don't think of it much, except as "the other show Drew and Ryan were on while they were doing Whose Line."

Gene Rayburn, host of Match Game '73, often teased panelist Richard Dawson with "if you ever get your own show," when Dawson was host of Family Feud.

Drew's version also contained several jokes about the quality and success of the TV movie Geppetto, an adaptation of Pinocchio which Drew starred in and Wayne Brady was featured in. It's forgettable enough that most people only know of it now through its ridicule on Whose Line.

FC De Kampioenen: Carmen's dog Nero was originally named after the Belgian comic strip character Nero. Since 2002 the comic strip has been terminated and the albums are no longer available in regular stores, making the original reference more obscure. Most younger people will probably assume it's a reference to the Roman emperor Nero.

Spitting Image: This show featuring puppet versions of famous celebrities has also caused some Memetic Mutation. Today many people in the UK remember Ronald Reagan and Margaret Thatcher more as in their grotesque villainous puppet versions than as Real Life people. A good example is Thatcher beating up members of her cabinet in many sketches, which a lot of people almost assume she did.

And, arguably, most Americans have no idea the British TV show even existed (much less the short-lived US adaptation.) They only know the puppets, which appeared in Genesis's music video for their song Land of Confusion.

In 1986 BBC Scotland ran a documentary about football called Only a Game?. In 1987, they ran a Self-Parody called Only An Excuse? Today OAE?'s parody of football and Scottish culture is a fixture of the Hogmanay schedules and has had several live shows, while Only a Game? remains a thirty year old documentary (although there's talk of an updated version).

The Canadian Sketch Comedy series The Red Green Show is a loose parody of The Red Fisher Show, a Canadian comedy series that aired from 1965 to 1989. In both Canada and the United States, The Red Fisher Show has become completely obscure in comparison.

Music

The "Dance of the Sylphs" from Hector Berlioz' The Damnation of Faust will nowadays be recognized more as the melody of "The Elephant" from Camille Saint Saens' Carnival of the Animals.

The "Can Can" was not originally composed for the Moulin Rouge; rather, it originates as the "Infernal Galop" from Jacques Offenbach's operetta Orpheus in the Underworld (from a scene where people are partying in hell). Offenbach's "Orpheus" is itself a spoof of another opera, Christoph Willibald Gluck's "Orpheo et Eurydice". Camille Saint Saens spoofed this one in "Carnival of the Animals" too, slowing it down to provide the melody for "Tortoises".

West Coast Rapper Eazy-E's most famous song "I'd Rather F*** With You" is actually a parody of the slightly obscure "I'd Rather Be With You" by Bootsy Collins.

Everybody seems to take for granted that Howard Shore wrote the "Far Over the Misty Mountains Cold" tune for Peter Jackson's Hobbit films from scratch — but listen to "Misty Mountains Cold" that Maury Laws produced for the Rankin/Bass Hobbit film from 1977!

In some Spanish-speaking countries, the song "Pluma Pluma Gay" is more popular/better known than "Dragostea din tei", the song it parodies.

In Brazil, a cover that isn't a parody but certainly takes a Filth detour, "Festa no Apê", also obscures "Dragostea din tei".

And in some English-speaking countries, "Dragostea din tei" itself is widely associated with "Numa Numa Gary", a video of a man doing a silly dance to the song ("numa numa" is a soramimi of some of its lyrics) that became an early internet meme in the mid-2000s.

A double-Weird Al Effect: What is usually referred to as "the theme from 2001: A Space Odyssey" is actually a piece by the late-Romantic German composer Richard Strauss, entitled "Also sprach Zarathustra". Considering how widely-used the song is outside of the movie that featured it, it is strange how few people know that. But fewer still know that the Strauss piece was itself an homage to the essay of the same title by Friedrich Nietzsche.

And both the music and the essay allude to one of the secret initiation rituals of Freemasonry...

There is a song from The Gay '90s, called "Ta-ra-ra Boom-de-ay", parts of which can be heard in The Aristocats. (It's the song Georges Hautecourt, the lawyer, sings when he visits Mme. Bonfamille.) However, viewers who grew up in The '50s would be familiar with a different set of lyrics, to wit: "It's Howdy Doody time!".

If you say the word beetle in a non-English speaking country nobody will think of insects, but will immediately think you're referring to the rock group.

The song "Good Morning, Good Morning" from Sgt. Pepper's Lonely Hearts Club Band has a line about "it's time for tea and Meet the Wife." Most people probably assume it alludes to meeting your wife after a long day of work, but it's actually a reference to a popular British TV series, Meet the Wife, that has nowadays completely faded away in obscurity.

English-speakers are probably more familiar with the beginning of The Beatles "All You Need is Love" than the beginning of France's National Anthem.

And the tune to which Allan Sherman sings "Louis XVI was the king of France in 1789; he was worse than Louis XV... (etc.) ... the worst, since Louis the First!"

This gets referenced in the Rifftrax to Casablanca. When part of Marseillaise is used in the opening (and closing) credits, the guys start singing "Love, love, love!"

Another Beatles song, "Back in the USSR," was originally written as a tribute to a Chuck Berry song, "Back in the USA," that is largely unremembered by comparison to the Beatles song. It was also a sarcastic response to a buy-native-made-goods ad campaign which used the slogan "I'm Backing Britain" (the refrain sounded like "I'm backin' the USSR") which no one remembers either.

Again, it cuts both ways. The British answer to Weird Al is probably style parodist Neil Innes, whose Beatles-themed soundtrack to the parody film All You Need Is Cash was so stylistically perfect that to this day, songs like I must be in love are often mistaken for actual Beatles tracks. Much of his earlier work with The Bonzo Dog Band consists of stylistically perfect parodies of other peoples' work; refer to the Bonzo Dog Band page for lots of examples.

And then to muddy things further, The Bonzo Dog Band showed up in a scene in the film Magical Mystery Tour.

For you American kids who sang "My Country, 'Tis of Thee (America)" in 2nd grade, you probably don't know that its melody is taken off "God Save the King/Queen".

Similarly, what US kids would call "The Graduation Song" (and is actually called "Pomp and Circumstance") contains the patriotic British anthem "Land of Hope and Glory" by Sir Edward Elgar.

Speaking about anthems, Britain's God Save the King/Queen is (allegedly) an adaptation of an earlier French anthem (Grand Dieu sauve le Roi) that was composed to commemorate Louis XIV's recovery from some painful hemorrhoids. Indeed.

The Merry Go 'Round Broke Down is best known as "the theme song to Looney Tunes".

Or that one song that Roger Rabbit plays when he breaks plates against his head.

Who Framed Roger Rabbit actually helps counteract the Weird Al Effect in this instance, as a few scenes later, Judge Doom says the name of the song in a very memorable scene. It's also a Freeze-Frame Bonus, as pointed out by the DVD extras.

Similarly, Merrily We Roll Along, from Billboard Frolics of 1935, is only known today as the Merrie Melodies tune and an incorrect alternative set of lyrics set to the tune of Mary had a Little Lamb.

Similar to the Roger Rabbit example above, Animaniacs had Slappy Squirrel use the proper name for the song, teaching at least some viewers its real name.

Cheech and Chong's "Basketball Jones" is much better known than the song it was originally parodying: "Love Jones" by The Brighter Side of Darkness.

The song "Flappie", by Dutch comedian Youp van 't Hek, was originally (in 1981) intended as a parody of Christmas songs, both contemporary and the older carols, and mostly of the fake 'Christmas spirit' people felt they needed to put up. Now most people don't realize that and play this song simply for the humorous lyrics (it tells the story of how a boy finds out his father killed his rabbit (called 'Flappie') to serve at the Christmas dinner). It's even a staple of the Christmas songs played on radio and in malls.

The Star Spangled Banner, the national anthem of the United States of America, is a poem that was set to the tune of The Anacreontic Song (a.k.a. To Anacreon in Heaven). How many Americans have ever heard (or even heard of) the original drinking song, popularized by a society of amateur musicians to the point where it was often used as a sobriety test — its melody was so tortuous that if you could actually sing a stanza, you were sober enough for another round.

"The Anacreontic Song" was also supposed to be performed as a lively minuet. Such a performance of "The Star-Spangled Banner" today would be received as irreverent and un-American.

"The Star-Spangled Banner" was performed as a lively minuet until John Philip Sousa rearranged it circa 1900 to make it sound more majestic, and added, amongst other things, the two holds and the counterpoint. Most current arrangements are based on the Sousa version. The original, more spritely version can be heard in the Ken Burns documentary The Civil War.

The Battle Hymn of the Republic ("Mine eyes have seen the glory of the coming of the Lord") took its melody (and some of its lyrics) from the Civil War marching song John Brown's Body.

...which took its melody from Say, Brothers, Will You Meet Us.

And which has subsequently found many new versions as summer camp songs such as "I wear my pink pajamas in the summer when it's hot..."

"Mine eyes have seen the glory of the burning of the school..." AKA "Glory, Glory, Hallelujah/Teacher hit me with a ruler..."; every UGA fan has this stuck in their heads.

Plus the Engineers drinking song, "Lady Godiva". Many Engineering students only know this song with the words: "We are, we are, we are, we are, we are the engineers. We can, we can, we can, we can demolish forty beers!".

National Lampoon's Deteriorata is obviously a parody of Desiderata, but the style is a parody of a hit record recording of Desiderata by Les Crane in 1971, including the narmy "You are a child of the universe" chorus.

Allan Sherman's breakout hit Hello Muddah, Hello Fadduh! is more well-known in the USA than its source, Amilcare Ponchielli's Dance of the Hours.

And nowadays the K9 Advantix commercial that uses a lyrically changed version of the song is probably more well-known to younger audiences.

And if not either of these, there's Fantasia's version accompanying the dancing ostriches and other animals.

What was just mentioned above gets lampshaded in an episode of Family Guy in which Peter, after visiting a 1950s-themed diner, becomes enamored with '50s and '60s novelty tunes. His absolute favorite is "Surfin' Bird" by The Trashmen, which he starts listening to ad infinitum and obsesses about to the point that the rest of the Griffin family becomes sick of the song. When Peter panics after Brian and Stewie steal the record, Lois comforts him with the fact that records don't just walk up and leave; this leads to a Cutaway Gag with an old LP of Sherman's "Camp Granada" song, stomping out the door in a huff while claiming (in a stereotypical upstate New York accent) that there are many "old Jews out there" who still want to listen to it.

"Surfin' Bird", incidentally, is combination of "Papa-Oom-Mow-Mow" and "The Bird's the Word" by The Rivingtons, and is now better known than either of them. And indeed, the song is much better known today from its use on Family Guy than as a hit from the '60s.

And there may be one or two in the audience who remembered when the short-lived CBS cartoon Birdz used a cover of "Surfin' Bird" as its theme song.

"On top of Spa-ghehhhhhh-tiiiiiii, all covered with cheeeeeeeeeeeeese..." For all non-yanks in the Audience On Top of Old Smokey is an American Folk Song. And for all those Americans in the audience too young to remember any but the least obscure folk songs, the third line is "lost my true lover", not "shot my poor teacher".

Another rendition of this for military children in Japan is "On top of Mt Fuji, all covered with sand, I shot my poor teacher, with a rubber band."

'On Top of Spaghetti' is a real song. Copyrighted and everything.

The melody to the children's song "Head and Shoulders, Knees and Toes" is taken from the verses of the song "There Is a Tavern in the Town", a late 19th century drinking song. It has also been set to "London Bridge Is Falling Down", but unlike "There Is a Tavern in the Town", that song is still fairly well-known in its own right.

French satirist group “Les Inconnus” has quite a few such songs. “C'est toi que je t'aime” is still played at almost every student party (at least in Belgium), more than 20 years after its release, while very few people remember ska band Mano Negra on whose performances the parody is based (although most people know who is Manu Chao, very few know that this is the band which made him famous before his solo albums). The same could be said about “Casser les couilles” which parodizes Patrick Bruel's “Casser la voix”.

While "Casser la voix" and Bruel himself are still somewhat recognized in France (albeit among the sort of people who still remember him as a teen heartthrob rather than a poker commentator), this completely applies to "Isabelle a les yeux bleus", which took large jabs at the band Indochine, its needlessly depressed tone, its word salad lyrics, even Gratuitous English, and is possibly the most well-known of Les Inconnus' parodies in France today. Suffice to say Indochine frontman Nicolas Sirkis was not amused. And today, virtually any mention of Princess Stephanie Grimaldi will elicit a reference to their impression of STEPHANIIIE DE MONACOOOO. Or "Est-fe que tu baives".

On the subject of French satirists, the song "La Carioca" from Les Nuls' film "La Cité de la peur". It's often believed to be a real dance (since Carioca literally means an inhabitant of Rio), but Alain Chabat made it up on the spot, ostensibly to poke fun at shoehorned musical interludes in period Red Scare films.

The classic Shaker hymn Simple Gifts has been appropriated twice: Once for another hymn (Lord Of The Dance), but most people would recognize it as the first movement of Aaron Copland's ballet/suite Appalachian Spring. The tune is attributed: that section is titled Variations on a Shaker Melody.

People who were in elementary school wind ensembles probably first knew it as an unnamed (or possibly numbered) warm-up "etude".

Speaking of Copland, how many people can hear the Hoedown from his "Rodeo" (itself based on an older folk tune), and not immediately think "Beef, it's what's for dinner"?

Rap gets subjected to this All. The. Time. Play the opening of Rick James's "Super Freak" for anyone born after 1980, and I can practically guarantee you that they'll start chanting, "Can't touch this!"

This is happening to Chuck Berry's "Johnny B. Goode" in Poland. While a lot of people know the song from Back to the Future, the parody made by a famous Polish cabaret "Ani Mru Mru" is becoming more known.

Hearing this theme played straight at the inauguration of U.S. presidents is something that amuses British people — and Python-literate Americans — immensely. A possible urban myth has it that the British diplomatic contingent at the inauguration of President Clinton all, without fail, blew a squelching-raspberry noise at the end of the sixteenth bar. Some things become ingrained...

The other Sousa march trotted out at such an occasion is the Earwig Song, one generations of British people know, from football matches, as a soccer chant:

Earwig-o, earwig-o, earwig-o... (Here we go, here we go, here we go!)

It's known to Americans as "The Stars and Stripes Forever", though its bridge may be better known thus:

Be kind to your web-footed friends ...

For some time after the movie Excalibur came out, the "O Fortuna" movement from Carl Orff's Carmina Burana was widely known as "that music from Excalibur".

For those in the '80s who were unfamiliar with Excalibur, it was "the music from Conan the Barbarian (1982)" — or "that Old Spice music" (from an aftershave commercial). (It's not in Conan the movie, but it is in a trailer for Conan.)

It's also almost unknown, to all but the most hardcore orchestral music buffs, that the words of Carl Orff's Carmina Burana are taken from a much older collection of Latin and German songs and poems by the same name (many of them quite bawdy for their time).

"Estuans interius ira vehementi". Odds are you're not thinking of one of the poems, or even the Orff rendition, as much as you're thinking of Final Fantasy VII. The same goes for the rest of the non-Sephiroth lyrics of that song. (In fact, "sors, immanis et inanis" comes from "O Fortuna" itself.)

Many will recognise Entry of the Gladiators as the Ringling Brothers/Barnum and Bailey circus music.

"Burlington Bertie" is still a well-known Music Hall song, if only from its appearance in The Muppet Show. Except that song, about a vagrant claiming to be an Upper-Class Twit, is actually called "Burlington Bertie From Bow", a parody of an earlier Music Hall song called "Burlington Bertie" that really was about an Upper-Class Twit.

There was once a Russian musical piece called "Days of our life". They had to stop playing it because whenever they did, everyone was laughing at remembering the parody. Today, the music is recognizable, and most people at least remember the first lines of the parody (A large crocodile lady was walking on the streets).

In Brazil, a certain child's song ("Criança feliz, feliz a cantar. Alegre a embalar seu sonho infantil."note Happy child, happy and singing. Joyful in going through its juvenile dream.) is overshadowed by its parody version ("Criança feliz, quebrou o nariz, foi pro hospital, tomar Sonrisal..."note Happy child, broke his nose, went to the hospital, to drink Sonrisal... (BTW, Sonrisal is an effervescent antacid). A line of the latter was even used in a popular Pato Fusong.

Even though he had a long solo career, wrote entire albums for Frank Sinatra and The 4 Seasons, and became a prolific ad jingle writer, Jake Holmes is mainly remembered now because Led Zeppelin (ahem) "borrowed" his song "Dazed and Confused".

Fans of The Dead Milkmen might think the joke of "Watching Scotty Die" is just the fact that it's a peaceful-sounding, country-esque ballad about a young boy dying from exposure to poisonous chemicals... In fact it's a parody of the significantly sappier "Watching Scotty Grow", a Bobby Goldsboro hit released more than 15 years earlier.

"(Theme From) Blood Orgy Of The Atomic Fern" has a bridge where Rodney Anonymous starts sing/speaking what sounds like deliberately bad angsty high school poetry (followed by a chant of "No art!"). The "poetry" is actually taken straight from the most commonly used English translation of famously morbid Hungarian ballad "Gloomy Sunday".

Few Russians know the 1906 song On the Hills of Manchuria. However, play the melody, and everyone will be able to remember a few (mostly obscene) out of a virtually endless number of stanzas starting with "It's quite in the forest".

The theme from Carmen has been used in so many places such as The Bad News Bears and in a musical Hamlet episode of Gilligan's Island that most people have no idea where it's from originally.

During the 70's there was a commercial selling a classical music album based on this trope.

"I'm sure you recognize this lovely melody as 'Stranger in Paradise.' But did you know that the original theme is from the Polovetsian Dance No. 2 by Borodin?. So many of the tunes of our well-known popular songs were actually written by the great masters—like these familiar themes... "

"When Johnny Comes Marching Home" was written about soldiers during the American Civil War, but most today know it as the playground song "The Ants Go Marching One By One." The Civil War song was a version of the much more depressing Irish song "Johnny we hardly Knew Ye" about a soldier returning from war missing his limbs. (Steeleye Span did a version called "Fighting for Strangers".)

Frank Zappa often uses high pitched or low pitched singing voices in his repertoire, most famously on Cruising with Ruben & the Jets. Most younger Zappa fans assume his singers are just putting on funny voices, while when you listen to a lot of 1950s doowop songs you'll notice those comically sounding singing voices really aren't that far off.

The catchphrase "Will the real [person's name] please stand up?" is now more likely to be associated with Eminem's "The Real Slim Shady" than the 1960s/70s game show To Tell the Truth.

The line "two trailer park girls go 'round the outside" from "Without Me" is adapted from the line "two Buffalo Gals go 'round the outside" from "Buffalo Gals" by Malcolm McLaren, who was best known as The Sex Pistols' manager.

Although the latter is prominently featured in It's A Wonderful Life, which is still watched pretty often...

The tune we now hear as "Hail, hail the Gangs all here" comes from "With Catlike tread" in Gilbert and Sullivan's "The Pirates of Penzance", which was a pretty obvious homage of "The Anvil Chorus" or "Gypsy Chorus" from Giuseppe Verdi's "Il Trovatore"

While there's no question of precedence, Finnish people born after the 70s (and not actively into Christmas music) will be able to sing the gruesome parody versionnote The Christmas tree has been stolen/ the police are at the door/Santa is hanged on the boughs of the Christmas tree. // The candles on the tree/burn Santa/Santa screams in agony:/"Bring flowers to my grave" of an old, sappy Christmas song (Joulupuu on rakennettu) at the drop of a hat, but struggle to remember the original lyricsnote The Christmas tree has been set up/ Christmas is at the door/Sweets have been hung/off the boughs of the tree.// The candles of the tree/give off a lovely glow/ Children play sweetly/in a ring around the tree..

"Aquarela do Brasil" ("Watercolor of Brazil") dates back to 1939, and gained initial success in the States via the Disney film Saludos Amigos. However, due to being one of two songs in Terry Gilliam's Brazil, most people most commonly associate it with that, and as a result just call it "Brazil" or "the song from Brazil" (to be fair, the song was commonly known under that first name long before the film came along). The younger set will probably only remember it from the Wall E trailer. And the lyrics (or anything beyond the initial "bum-bum-bum, bum-bum-bum-ba-bum"s) are virtually forgotten.

Chuck Mangione is probably better-known today for his recurring role on King of the Hill than his lengthy musical career. His big hit "Feels So Good," even more so.

You know that kids' song "If You're Happy and You Know It, Clap Your Hands"? Would you believe it was once called "Mademoiselle from Armentieres, Parlez-Vous?"

The cover art for The Clash's iconic London Calling album was intended as a pretty blatant homage to Elvis Presley's self-titled debut album Elvis Presley. These days everyone recognizes London Calling (to the point that it itself is often paid homage to and imitated), but most young music fans couldn't tell you what inspired it.

Every Finnish schoolchild knows "I Know A Place So Awful"note Tiedän paikan kamalan, an ode to a child's hate of school. Few know there ever was a straight version "I Know A Place So Dear"note Tiedän paikan armahan on the loveliness of home.

The Ramones song, "Pinhead" from Leave Home (Gabba gabba we accept you, we accept you one of us!), is actually a reference to the cult horror movie Tod Browning's Freaks.

Many Spike Jones songs also suffer from this. Today the originals he spoofed are mostly forgotten.

Whenever an Ennio Morricone Pastiche is quoted during a scene taking place with cowboys, many younger generations have no idea Sergio Leone 's spaghetti westerns are spoofed. (It even happened when the article was created on this site and many younger tropers where totally unaware who Ennio Morricone was.)

If you're a metalhead from Europe, then Morricone's scores probably remind you of “To Hell and Back” by Sabaton.

The nursery rhyme "Baa, Baa, Black Sheep" takes its tune from a 1761 French song titled "Ah! Vous dirai-je, Maman".

Billy Connolly's rewriting of the syrupy Country and Western song "D.I.V.O.R.C.E." is probably — just about — better known in Britain than Tammy Wynette's Narm-charged original about how she could bear to tell the kids she and Poppa were splitting up. the Big Yin's version is about how to tell a stroppy-but-intelligent dog you're taking it to the vet for a little operation...

Thanks to being featured in the film Blade, and in turn being sampled by Public Domain and Warp Brothers, the Pump Panel acid techno remix of New Order's "Confusion" ended up displacing the original.

Sing to any child of the 90s the first few stanzas of "Do You Believe In Magic?" and they'll say McDonald's Happy Meal commercials, when it originally was a 60s pop hit by the Lovin' Spoonful.

Bollywood music director Anu Malik, infamous for plagiarism, has ended up doing this to a few songs. British Indian rapper Apache Indian's Chok There was a minor hit in India despite heavy airplay, but Anu Malik's parody Stop That, sung by Devang Patel (an Indian counterpart of Weird Al), was a runaway hit for a long time in India. A few years later, Neend Churayi, directed by him, was a hit and went high up the Bollywood charts, while the song it ripped off, Sending All My Love by Linear, still remained obscure, and is remembered faintly only because Anu Malik copied it.

Another Bollywood music director almost did the same with Pal Pal Har Pal from Lage Raho Munnabhai, which was a big hit with the masses, but there were far too many fans of Cliff Richard in India, who were familiar with Theme For A Dream, for this to go unnoticed.

UFO is a band that still plays to date, but isn't that well remembered outside of rock/metal fans. And some only know them because Iron Maiden has "Doctor Doctor" on the PA before they start playing.

The Edvard Grieg composition "In the Hall of the Mountain King" is better known for its usage in the theme song to Inspector Gadget.

It isn't exactly the same tune, but it was inspired by it. British viewers will know this song as the "Alton Towers theme", after a theme park there used the song for its ads.

"Like a Boss" by The Lonely Island is much better known than Slim Thug's rap song of the same name, which it parodies.

Video game remix and mashup conglomerate SiIvaGunner has become this to many video game music fans. By taking advantage of YouTube's sans-serif font that causes capital "i" to look like lowercase "L", they successfully Trolled many video game music fans trying to look for the real GilvaSunner's music uploads. Eventually, SiIva's pranks gained a fandom of their own, and now a lot of people tend to associate the real GilvaSunner's videos with SiIva's "high quality video game rips."

The effect was made even stronger when Siiva's 'rips' started to become just as popular, and in several cases more popular, than actual videos of the music on YouTube. Famously, google searching "Slider - Super Mario 64" or "Snow Halation - Love Live" will result in Siiva being the top hit.

This can happen to a Bowdlerization as well as a parody: more people heard the slightly syrupy "Bless 'em All" (especially in its rendition by Vera Lynn) than Fred Godfrey's original WWI song, whose first word wasn't "Bless."

The bouncy jazz-blues standard "Why Don't You Do Right" was singlehandedly transformed into a slow, sultry number by Jessica Rabbit. Nowadays, the original style of singing it is nowhere to be found in covers of the song.

If one goes by Youtube views, the song "God Is A Girl" is this. Some people people heard the Nightcore version by Maikel-6311 first (also like it better) than the original version by band "Groove Coverage".

Radio

Many of the radio parodies Bob & Ray did. Perhaps the most durable example was their spoofing the then-hit Soap OperaMary Noble, Backstage Wife as "Mary Backstayge, Noble Wife". The former was a deadly-earnest story of an 'ordinary woman' married to a matinee idol; the latter... culminated, around 1970, in Mary and her family leaving showbiz altogether to open a toast-themed restaurant. The series having earlier openly mocked Senator Joseph McCarthy at the height of the Army hearings. It is still one of B&R's best-known skits.

I'm Sorry I Haven't a Clue: "The antidote to panel games" was born from the creative minds behind I'm Sorry I'll Read That Again and conceived as an unscripted parody of panel shows. Clue has been on the air for over 40 years now and is better known than the shows it parodies, as well as itself becoming not so much an antidote but a template for the next generation of panel games.

A lot of 1930s and 1940s American radio shows are totally forgotten nowadays, but live on as punchlines in Looney Tunes and Tex Avery cartoons. The funny thing about it is that even back in the day these jokes were completely incomprehensible to people outside the USA or people who didn't listen to the radio. Modern audiences nowadays will probably be amazed how many of these recurring catch phrases and punch lines actually originate from radio shows, movies and even commercial jingles:

"Turn off that light!" (reference to air raid wardens during World War II)

"Was this/that trip really necessary?" (reference to a slogan used to encourage people not to take unnecessary trips to free up gas and rubber for the war effort and to free up space on trains to ferry troops to their duty locations. )

"Operator, give me number 32O.. ooh, is that you, Myrt? How's every little thing, Myrt? What say, Myrt?" - (reference to the character Fibber, whenever he made a phone call to a certain Myrt in Fibber McGee and Molly. )

"Well now, I wouldn't say THAT!" - (reference to the character Peavey (Richard Le Grand) in the radioshow The Great Gildersleeve)

"Don't you believe it!" was the title of a 1947 radio show in which popular legends, myths or old wives' tales were debunked.

"Aha! Something new has been added!" and "So round, so firm, so fully-packed. So free and easy on the draw." (reference to Lucky Strike cigarettes)

"B.OOOOOOOOOOOOOO!" from a commercial for Lifebuoy soap against B.O. (body odor)

"Henry! Heeeeeeeeeeen-RY!" "Coming, Mother!" (reference to The Aldrich Family, a radio sitcom)

The NBC Chime

"Monkeys is the cwaziest peoples." - A catch phrase from Lew Lehr. In parody the word "monkeys" was often replaced by other animals or people.

"Ah say! I'm from the South, son!", "That's a joke, son!", "Pay attention now, boy!" - Kenny Delmar as Senator Claghorn in "The Fred Allen Show". The Looney Tunes character Foghorn Leghorn was entirely based on this radio personality.

"See?" - A verbal tic actor Edward G. Robinson used. When characters in Looney Tunes use it, it's usually in a police or gangster context.

"I'll moida da bum." - A reference to boxer Tony Galento.

"I have a problem, Mr. Anthony!" - Reference to John J. Anthony, who presented the daily radio advice program "The Goodwill Hour".

"Train leaving on Track 5 for Anaheim, Azusa and Cuuuu-ca-mon-gaaa!" - Mel Blanc usually said this, quoting a character he played on "The Jack Benny Show".

"Come with me to the casbah" - Reference to Charles Boyer as Pépé le Moko in the 1937 film Algiers. Interesting detail: the line was prominent in the trailer, but not in the movie itself.

The signature station ident of the BBC World Service is a jolly tune, dating from the late 1600's, called Lilliburlero. People not familiar with the music of Restoration England tend to wonder why Britain's English-language service to the world uses an up-tempo version of the nursery rhyme Rock-a-bye baby, in the tree top/When the wind blows, the cradle will rock... as its theme tune.

Baba Booey, the nickname of Howard Stern's producer Gary Dell'Abate, is probably more well known than whose name it was a mispronunciation of - Quick Draw McGraw's sidekick Baba Looey.

Double Inversion, as Baba Booey is so commonly screamed after a golf swing on TV that some think it is just something you scream when golfing.

The Bible has been so ingrained in Western culture that many sentences, expressions, sayings, allusions, festivities in many languages are directly inspired by the text, yet how many people are aware of all of them? Even Christians may not realize all the linguistic expressions that have a biblical origin.

Many, many common names in regions where the Abrahamic traditions are dominant come from the Abrahamic tradition. The names have, through use, become utterly unremarkable. What English speaker immediately thinks of the Biblical origin of such common names Thomas, Matthew, David, Mark, John, Michael, Sarah, Elizabeth, Rachel, Naomi, and Mary? The same happens in many languages. More at The Other Wiki.

Similarly, some stuff that is associated with Christianity has in fact little to do with it. Christmas, for instance. People already held end-of-the-year festivities centuries before Christ's birth and the Church simply adapted Jesus' birth to that date because these pagan festivities, like Saturnalia (Roman Winter Solistice) were too popular to simply ignore or suppress. Even if you approach the text logically it wouldn't make sense for shepherds to be tending sheep flocks at night during the winter (but they would in spring). Though the date of Christmas is nine months after the Conception on March 25 — the start of the barley harvest in the Middle East— the Bible still doesn't mention the date of Jesus' conception and birth.

His birth date comes from the Jewish tradition of being executed on the date of your conception.

In Belgium and the Netherlands Sinterklaas is a popular festivity. Many foreigners assume he is a rip-off of Santa Claus, while in reality it's the other way around! Also, Sinterklaas was originally a Catholic saint Saint Nicholas, but since the 19th century people of all faith celebrate Sinterklaas, many not even aware of its religious origin. In fact: the only thing still reminding of his Catholicness are his name and outfit. And to go even further: Sinterklaas riding his white horse and leaving presents for the children on December 5th was derived from the Scandinavian god Odin and his white horse Sleipnir.

Many Flemish and Dutch folklore characters are more familiar to Flemish people for appearing in Suske en Wiske albums than from their original origin. Examples are Flemish folklore characters like Lange Wapper, Kludde, De Bokkenrijders and Tijl Uilenspiegel.

Many AFL clubs' theme songs are better known to Australians (at least in AFL states) than the songs they are based on. Even where those based on songs that are still widely known (Adelaide: the "Marines' Hymn" (as in the US Marines); Brisbane: "La Marsellaise"; Geelong: Song of the Toreador from Carmen; Hawthorn: "Yankee Doodle Dandy"; St Kilda: "When the Saints Go Marching In"), people are more likely to be familiar with the club song lyrics, while once-popular songs used by other clubs (Carlton: "Lily of Laguna"; Collingwood: "Goodbye Dolly Gray"; Essendon: "Keep Your Sunny Side Up"; Melbourne: "Grand Old Flag" (which is very well-known in America); North Melbourne: "Wee Doch an Dorus"; Richmond: "Row, Row, Row" (not to be confused with "Row, Row, Row Your Boat"); Sydney: "Victory March" (the University of Notre Dame fight song); Western Bulldogs: "Sons of the Sea") are now known almost exclusively as the club songs. Here are some of the original versions.

Stand-Up Comedy

Brian Posehn, a Weird Al fan, brings this trope up while talking about how he is unsure of the proper way to introduce Weird Al's music to his kids.

Brian: Should I make them listen to the original song first, and then go "Okay, here's Weird Al's version of it"? Or should I pretend they they are all completely original songs? That would be easier, but it might mess him up a bit, like when he's 16 and at some party and Michael Jackson starts playing, and he goes "Wait a minute! What the hell is this?! "Beat It"?! Well it sure sounds a hell of a lot like "Eat It"! Somebody needs to get sued."

Theatre

Hardly anyone realises that the willow song in The Mikado was actually a parody of the song Desdemona sings in Othello.

Which itself was a well-known tune at the time, a fact that is lampshaded in the play when Desdemona accidentally starts singing the wrong verse and catches herself.

Ruddigore is mostly a parody of a kind of melodrama no one watches anymore.

Hamlet was written as a parody of action plays popular around Shakespeare's time, in particular the most popular play in the Elizabethan era, a simple revenge plot about the Danish prince written by Thomas Kyd. While Hamlet has become one of Shakespeare's most popular plays and the main role a key challenge for actors, the Kyd play has been lost. Scholars call it "Ur-Hamlet."

Also, Amleth.

In Shakespeare's day it was very common for writers to rewrite well known stories, telling the same tales over and over with variation. Novelty wasn't exactly prized in art. As a result, many of Shakespeare's plays are based on other stories and/or plays.

The famous quote from Twelfth Night, "some are born great, some achieve greatness, and some have greatness thrust upon 'em" is a parody of Matthew 19:12: "For there are some eunuchs, which were so borne of their mothers belly: and there be some eunuchs, which be gelded by men: and there be some eunuchs, which have gelded themselves for the kingdom of Heaven." (From the Geneva Bible, a modernized version of the translation Shakespeare would be most likely to have read, omitting the annotations telling to take it metaphorically.) Between the Squick of this verse and Shakespeare's importance, the first quote has become far more familiar than the second.

And many people associate it with Joseph Heller's Catch-22 (his version substituting "mediocre" and "mediocrity" for "great" and "greatness" respectively) rather than Shakespeare.

A few Shakespeare scholars suspect that this effect accounts for a lot of puzzling things the Bard wrote. Several parts of his early comedies and later romances (the ending of Two Gentlemen of Verona, Posthumus' notorious vision in Cymbeline, most of Titus Andronicus, etc.) are not just generally deemed bad ... they're bad in bizarre, far-out-in-left-field ways that have left centuries of readers stumped as to what Shakespeare even thought he was doing. However, these scholars argue, many of these plays fall into focus if we picture Shakespeare writing them as merciless parodies of other popular Elizabethan plays, which are now lost to history.

It cuts both ways. Many people have searched the Bible in vain for the line "The devil can cite Scripture for his own purpose. An evil soul producing holy witness is like a villain with a smiling cheek." not realising the provenance is Shakespeare: The Merchant of Venice, Act One, Scene Three.

"Whatever Lola Wants" has been used in so many commercials like this one for Levis Jeans: (NSFW) [1] that many people don't know that it was used in the musical Damn Yankees.

Everyone remembers Harry Houdini, but the man whose name he stole as his pseudonym, magician Jean-Baptiste Houdin, is nowadays very obscure.

Indeed, the parody sometimes outlives the original, as many of the plays by famous Greek tragedians which were made a mockery of in Aristophanes's plays are now lost.

Video Games

Even certain video games are old enough to fall into this trope. For example: Brian Clevinger's 8-Bit Theater has permanently altered how Black Mage from Final Fantasy is perceived. Also, Clevinger recast the White Mage as The Chick in everyone's minds, even though the original character had Ambiguous Gender. Clevinger didn't alter their personalities, he created ones where there were none in the first place.

Metal Gear's Solid Snake (and to a lesser extent, his predecessor Big Boss) has become a more popular character than Snake Plissken, the character he was originally a pastiche of.

Hardly anyone knows the name "Korobeiniki", but almost everyone will recognize it as Tetris Theme A.

Dan Hibiki from Street Fighter Alpha (and following Street Fighter games) was a parody of the two main characters from Art of Fighting: Ryo Sakazaki and Robert Garcia. This was a result of the original Street Fighter designers jumping ship to SNK and helped create Fatal Fury and Art of Fighting. Suffice it to say, Capcom was not happy, and the two companies shared a deep rivalry throughout the 90s. However, Street Fighter is much better-known in North America than the King of Fighters games and has moved much further into the mainstream due to several separate factors, so it's not uncommon for an American fan of the series to not know that Dan is a parody of anyone specific, or to assume that he's just a parody of Ryu and Ken.

While it's very well known in Japan, not many Western fans of Touhou know that the title of the "Marisa stole the precious thing" meme is a parody of a line by Inspector Zenigata from The Castle of Cagliostro. Possibly because the original line has a slightly different wording if translated: "He (Lupin III) stole something outrageous — your heart."

Similarly, most Western fans don't know that OVERDRIVE'S famous EASY MODO?! is a parody of the H-doujin Datsu! Doutei.

The original commercial for The Legend Of Zelda featured a man yelling "ZELDA!!!" This is likely a reference to the movie Singin' in the Rain, which also featured a man yelling "ZELDA!!!" in a very similar tone of voice when a movie actress of that name stepped out of her limousine at a red-carpet movie premiere.

In the memetic exchange between Richter Belmont and Dracula from the Castlevania: Symphony of the Night localization, the line "What is a man!? A miserable little pile of secrets!" is actually a quote from the preface of André Malraux's Antimémoires.

The Koopalings from the Super Mario Bros. series are all named after many long-forgotten 80s personalities, like Morton Downey Jr. and Wendy O. Williams. And, in one case, a classical composer. The tie-in book Dinosaur Dilemma did something similar with a bunch of officials named after real people whose last names were "Cooper" or "Koop" that the target audience probably never heard of, like C. Everett Koopa.

Shulk's "Now it's Shulk time!" quote in the Wii U and 3DS editions of Super Smash Bros. is a reference to the character Reyn from Shulk's home game, Xenoblade Chronicles. Reyn would frequently say, "Now it's Reyn time!" during battle, and the line became a common injoke among players. Because Smash Bros. is a much more mainstream game than Xenoblade Chronicles (which notoriously had a very limited print run in the Americas and came out extremely late in the Wii's life cycle, while Smash 4 has collectively sold nearly 10 million units), Shulk's version of the line has become much more well-known among the general gaming audience.

Thankfully, this issue has now been partially alleviated by the release of the 3DS port of the original game.

Undertale features Sans and Papyrus, a pair of skeleton brothers. The two are a parody of a webcomic called Helvetica, and its eponymous skeleton protagonist. The joke was that Helvetica is a font that is beloved by typeface aficionados, while (Comic) Sans and Papyrus are fonts that are widely derided. But Undertale became far more popular than Helvetica, and Sans and Papyrus are two of the most popular characters in the game, to the extent that even people who have never played the game know about them.

There was a popular AMV a few years ago called "Euphoria". It combined the song "Must Be Dreaming" with the anime RahXephon. Rather better-known these days is a parody from AMV Hell 3: "Osaka Must Be Dreaming". (Same visual effects, same song, but with clips of Osaka.)

Inverted on Atop the Fourth Wall whenever 90s Kid appears. Many people assume that's Nirvana's "Smells Like Teen Spirit" playing in the background, but Lovhaug actually uses the Weird Al parody "Smells Like Nirvana."

A great many movies featured on the various shows on That Guy with the Glasses are often obscure enough for the audience not to have seen them elsewhere. This is particularly true for The Cinema Snob and his impressive collection of truly obscure and terrible movies.

There's a CollegeHumor video in which someone tells a story of Amir ordering "Gangsta's Paradise" on karaoke only to sing "Amish Paradise." The owner of the bar later said that they actually had "Amish Paradise" in the machine.

The Kitsune^2 song, Avast Your Ass is a popular song for remixes. One such remix, Avast Fluttershy's Ass (or whatever title the author has changed it to by now) is more often searched for than the original, and has over twice as many views. The fact that it's about Fluttershy is most likely a huge contributing factor to this.

Green and Purple by Kritikal is so wide-spread by Internet memes, most don't know it's a parody. It's popularity is mostly from the titular colors, rather than the subject of smoking marijuana. And in an even stranger version of this, thisTeam Fortress 2 music video has almost double the views than the song on Kritikal's official YouTube channel (the former video).

Weiss Reacts was actually an Affectionate Parody of an older, moderately well-known fic the author happened to like based on a similar premise about the characters of RWBY reacting to fanfiction. Nowadays, the former fic is so famous and well-known that the latter was actually called a rip-off of Weiss Reacts, even though it came first. The authors of both fic take it in stride, as the latter fic, Dear Fanfiction is actually featured in the former.

In a bizarre case of the Trope Namer himself getting this treatment, very few fans of NintendoCapriSun are aware his Catch Phrase "IN THE BATHROOM" comes from a Weird Al song. ("A Complicated Song", to be exact.)

One comment in the comment section of the obscure song The Midnight Tango by Herb Alpert said it better.

Mike Stoklasa of RedLetterMedia based the character of Mr. Plinkett on a character in one of his earlier films, where Plinkett was played by Rich Evans. The Plinkett reviews have proven so explosively popular that Stoklasa's version of the character has far eclipsed Evans's, to the point that Evans's reprising of the role for Half in the Bag was mostly met with They Changed It, Now It Sucks - even RLM has come to call Evans's version "Fake Plinkett."

The Twitter parody account @seinfeldToday got very popular in 2014-2015 sharing imaginary Seinfeld plots based around modern technology, and was widely criticsed for being lame and uninspired (including by Larry David). One of its critics started a parody account of the parody account, @seinfeld2000, which contained dreadful spelling and grammar, surreal and horrifying plotlines, and very well-produced parody Mashup videos and music. @seinfeld2000 has outlived @seinfeldToday and made Seinfelda popular meme.

These days, it's nearly impossible to find references to the original 4 Non Blonds song "What's Up?". It has been almost entirely supplanted by the He-Man parody remix, "HEHEYYEYAAEYAAAEYAEYAA" (part of a larger parody by Slackcircus created in 2005).

In one of The Reacts Channel regular segments "Do Teens Know 90s Music", Gangster's Paradise was played. At least one teen recognized it as "The song Weird Al parodied". He couldn't actually name the song beyond that.

Western Animation — Looney Tunes

Classic cartoons such as Looney Tunes are chock full of this. Caricatures of celebrities, fragments of dialog from then-contemporary movies, catchphrases from old-time radio shows, parodies of once-popular songs; all sailed right over your head if you were a kid watching on Saturday morningnote Or weekday morning or afternoon decades later. The cartoons were intended to be consumed in the time in which they were made, when their audiences would have been fully familiar with all the references they threw in. None of their creators would have expected they would still be popular fifty years later, long after nearly everyone had forgotten the original references.

Daffy Duck's speech patterns and impediment were based on producer Leon Schlesinger — who reportedly never noticed.

The character of Foghorn Leghorn was closely modeled on a radio character named Senator Claghorn. Catch phrases such as "That's a joke, son" and "I say", associated exclusively with the loudmouthed roosternote "'loudmouthed', that is", were appropriated wholesale from the Senator, who today is all but forgotten. Ironically, actor Kenny Delmar, who voiced Claghorn on Fred Allen's show, could do nothing about it because he hadn't copyrighted the character — copyright was not automatic at the time in the United States. But Warner Brothers did copyright Foghorn Leghorn, meaning Delmar had to get permission from WB to use his own character! Even more ironically, Jon Stewart has referred to Sen. Richard Shelby (R-Alabama) as "Senator Foghorn Leghorn".

Bugsy's nonchalant carrot-chewing stance, as explained many years later by Chuck Jones, and again by Friz Freleng and Bob Clampett, comes from the movie It Happened One Night, from a scene where the Clark Gable character is leaning against a fence eating carrots more quickly than he is swallowing (as Bugs would later often do), giving instructions with his mouth full to the Claudette Colbert character, during the hitch-hiking sequence. This scene was so famous at the time that most people immediately got the connection.

Daffy is also responsible for permanently changing the pronunciation of an English word. The word "despicable" is actually supposed to be pronounced with the accent on the first syllable: "DES-picable". Mispronouncing it was part of Daffy's Malaproper schtick. However, since the cartoons reached so many kids who were too young to have the real pronunciation in their vocabularies yet, Daffy's "You're de-SPICK-able" was the pronunciation they all learned. And it holds true still today: That Steve Carrell movie isn't called DES-picable Me. On the other hand, few people nowadays say "FORM-idable" or "LAM-entable" either, and that can hardly be blamed on Daffy.

In fact, it's gotten to the point that most people who now study the Bible will assume that the name Nimrod is a case of unintentional irony.

Mel Blanc's impression of Peter Lorre in particular really took on a life of its own. The real Lorre's voice wasn't nearly as raspy as Blanc's imitation, but that imitation has inspired so many others that people raised on them might not even recognize Lorre in any of his films.

Pepé Le Pew is based on Charles Boyer's character Pépé le Moko (from the film Algiers), with a little bit of Maurice Chevalier thrown in. Even if you've heard of these sources, they are less familiar than the amorous skunk is.

Not quite. He is actually a parody of a (then) well known French actor named Jean Gabin who stared in "Pépé le Moko" which was re-made in English as "Algiers", making this a potential I Am Not Shazam.

Most younger viewers watching that really thin character type, with blue, blue eyes, and a velvet voice singing and making the females faint, might not know that's a parody of a young "Franky" Sinatra. Yeah, Ol' Blue Eyes himself.

Lampshaded in a Gilmore Girls episode where Lorelai wonders out loud about whether anvils were so ubiquitous that they would've been so easily recognized by children watching the cartoons.

While Steinbeck's Of Mice and Men is not exactly obscure, it probably says something that the trope And Call Him "George"! is named after a cartoon parody of it. The trope's association with Dumb Muscle cartoon characters is so much a part of comedy now that most students reading Of Mice And Men in modern times are absolutely unable to take it seriously, despite it being quite a tragic story.

Background characters often got one-liners or mannerisms that were taken from the Fibber McGee and Molly radio show, including "That ain't the way I heard it!", "Oh, is that you, Myrt? How's every little thing?", "I bet-cha", and "Tain't funny, McGee!". One of the show's regular cast members, Arthur Q. Bryan, supplied the voice for Elmer Fudd, making him one of the three male voice actors, along with Mel Blanc and Stan Freberg, to regularly appear in the classic Looney Tunes shorts.

The title character from the Fibber spinoff show The Great Gildersleeve was also parodied several times — Bugs even did a Lampshade Hanging for one, saying that he sounded like "that guy on the radio, The Great Gildersneeze". Many shorts also borrowed the catchphrase of Gildersleeve supporting character Mr. Peavey: "Well, now, I wouldn't say that!"

The Road Runner was originally intended as a parody of all the chase scenes that were frequent in many cartoons from The Golden Age of Animation. Now it's almost the only famous example of "chase cartoon". To be fair, at least one of the cartoons that they parodied is still very well known.

A number of tunes that were popular at the time but completely forgotten about later made appearances in Warner Brothers cartoons. For example, few members of the modern audience would recognize the name of the song "We're in the Money" from the movie Gold Diggers of 1933. But let them listen to the song, and they'll immediately recognize the melody that played whenever some character in the Warner Brothers cartoons experienced an unexpected windfall.

Not many people realize that the characters Chip and Dale are a pun on the surname "Chippendale"note the furniture maker, not the strip club. Or that their Rescue Rangers incarnations are dressed like 1980s live-action characters note (Indiana Jones and Magnum, P.I. respectively, though Indiana Jones has become something of a stock adventurer character while Thomas Magnum is now almost entirely forgotten)

Cartoons like Mickey's Gala Premier,Mickey's Polo Team, and the Donald Duck cartoon The Autograph Hound were full to the brim with famous celebrities of the time. Nowadays most people will probably only recognize a few of them.

The black and white Mickey cartoon The Klondike Kid is a mash-up of The Shooting of Dan McGrew and The Gold Rush.

Helen "boop-a-doop" Kane is now recalled as having been like Betty Boop — which she was before Betty Boop was created.

Betty's design was heavily inspired by Clara Bow, down to having red hair like her (as shown in her only colored short, Poor Cinderella). Clara is considered one of the first Hollywood superstars but has since faded into obscurity for various reasons.

The Robinson-Wiggum connection was lampshaded again in the 2008 "Treehouse of Horror" episode. A bunch of celebrities came back from the dead to get back for gratuitous use of their images after death. Robinson came after Wiggum — and they had a conversation mirroring each other exactly.

It had been similarly lampshaded in 1994's "Bart Gets an Elephant", in which Wiggum, skeptical of reports of damage caused by a rogue elephant, exclaimed "And I'm Edward G. Robinson" - complete with vocalization.

Similarly, in "Simpsons Bible Stories", Moses's story has Wiggum playing an Egyptian foreman clearly inspired on Robinson's role as Dathan in The Ten Commandments, down to the line "Where's your Messiah NOW?" (He uses the same line to Ned Flanders in "Homer Loves Flanders".)

Professor Frink is a parody of comedian Jerry Lewis' nerdy characters, again something that is lost on younger generations.

Though it is ultimately come full circle in the Treehouse of Horror episode "Frinkenstein" in which Professor Frink brings his father back from the dead. Who plays his father? Take a wild guess! This in turn is rather Meta, as seeing as Frink was created from the style of Jerry Lewis, Jerry in a sense is his father.

Bumblebee Man is a parody of El Chapulín Colorado, a Mexican comedian who dressed himself as a grasshopper. His show airs on "Channel Ocho," a play on the Mexican sitcom El Chavo del ocho.

Major Joe Quimby's voice mimics John F. Kennedy. His wife is also dressed as Jacqueline Kennedy Onassis most of the time.

Radio presenter Arnie Pye is named after radio presenter Ernie Pie.

Barney Gumble was a pun on Barney Rubble from The Flintstones, but nowadays nobody makes that connection anymore.

Gil Gunderson, the unlucky salesman, is a take-off of a similar character, Shelley Levene, from Glengarry Glen Ross.

In the DVD commentary track for the fourth season, the writers doing the commentary specifically point out that the scene at the end of "Selma's Choice" where Selma is shown cradling her new pet iguana to the tune of "You Make Me Feel Like a Natural Woman" is a reference to Murphy Brown singing to her newborn son, because they were afraid viewers wouldn't "get it".

The Simpsons also frequently parodies "classic" horror concepts in its Halloween episodes. Most younger viewers, especially outside the United States, who never saw The Twilight Zone or The Outer Limits don't realize many plots were borrowed from these TV series. Even more obscure is one segment that parodies a segment from the less known Amazing Stories fantasy/science-fiction anthology titled "Hell Toupee". Unlike its cousins, Amazing Stories didn't usually go into horror, and the original tale was fairly light-hearted and tongue-in-cheek... making it even less likely it'd be recognized more than the parody.

Most people associate the phrase "D'oh!" with Homer Simpson. However, it comes from James Finlayson in the Laurel and Hardy film series, which is something Dan Castellaneta himself admitted in at least one interview.

The main theme from the 1991 version of Cape Fear was rather famous in its day, as it's a wonderfully atmospheric piece that evokes just the right sense of impending terror. Today, it's almost universally known as Sideshow Bob's theme music, thanks to an episode which parodied the film and played the theme from the movie whenever Bob was around.

That theme is even older, since it's based on part of Bernard Herrmann's score for the 1962 version of Cape Fear (played once at the very end).

Eventually the creators took notice of this and made it Bob's official leitmotif. In later seasons, a few bars of it always play whenever he shows up.

Similarly, in a few years all the references to Frasier that tend to go hand-in-hand with Bob episodes will be meaningless.

Another musical relation in The Simpsons shows Homer singing modified lyrics to Frank Sinatra's "It Was A Very Good Year" (when he was remembering the time he bought his first six-pack at a liquor store with an obviously fake ID — It's best not to think about how he got away with it). Anyone thinking of the song nowadays is likely to think of Homer's rendition.

Itchy and Scratchy are an extreme parody of typical animated cat-and-mouse cartoon series like Tom and Jerry, Pixie Dixie And Mr Jinks, Herman and Katnip... and the violence typically found in 1940s and 1950s animated cartoons. Back in the day these cartoons were broadcast daily over the entire world and thus everybody immediately understood the reference. Today, ever since Cartoon Network bought most of the rights, you hardly see these classic cartoons anywhere except for Youtube. Thus, the original joke will be totally lost on younger audiences.

A couple decades after the show gave us "The Monorail Song," a parody of "Trouble" from The Music Man, My Little Pony: Friendship Is Magic did its own parody called "The Super Speedy Cider Squeezy 6000." The result was an amusing dichotomy where the show's target audience thought it was a reference to the Simpsons version, while the show's famous older Periphery Demographic knew the original version.

There is Dracula, a dead-on impersonation of Fred Sanford from Sanford and Son, complete with a penchant for calling people "Dummy". He's also drawn to look like an older version of Blacula, complete with early 70's sideburns and mustache.

Its parody of the H.P. Lovecraft mythos, "The Crank Call of Cthulhu", must go over the heads of most young viewers as well.

The Cuddle Buddies from Kim Possible are on the surface send-ups of Beanie Babies. But if you dig further, you'll note their unmistakable resemblance to The Wuzzles, a slightly obscure 1980's kids' show also produced by Disney. The Wuzzles was also Merchandise-Driven; when that show was current, store shelves did have boxes with stuffed Wuzzles on/in them. Disney remembers that aspect...

Grandpa from Hey Arnold! has a photo stashed away of Hedy Lamarr. Naturally, kids had to go ask their parents.

The classic schtick of two characters trying to out-polite each other "After you. No I insist after you." has been done innumerable times in Goofy Gophers and Heckle and Jeckle cartoons. Both of these are parodies of a much older comic strip routine involving two guys named Alphonse and Gaston. The only way a non-historian would have heard those names would be at a baseball game. (An "Alphonse and Gaston" is when two guys chase a fly ball and simultaneously pull up so it drops between them.) And then you need an announcer who loves the classics.

On "It's That Man Again", a wartime BBC radio show, it was "After you Claude." "After YOU, Cecil."

The sideplot of A Goofy Movie revolves around a fictional pop singer called Powerline, a parody of Michael Jackson and Prince. Goofy also remarks that this Powerline fellow can't nearly be as big as Xavier Cugat, "The Mambo King." The sequel, An Extremely Goofy Movie has several references to '70s pop culture.

Composite Santa Claus is probably more well-known than the villain he's a parody of. Composite Superman hasn't been seen since before Crisis on Infinite Earths, and the few people who remember him probably wish they didn't.

One sketch had Lewis and Clark, portrayed by Lois Lane and Clark Kent, specifically acting out their unique character traits from Lois & Clark. Clark addresses the audience that unless they saw the show they would probably not get the joke.

Lynde is a frequent victim of this trope, as his voice is imitated quite often in cartoons. The result is that some animation fans think of his voice as a stock cartoon voice used for Ambiguously Gay or just plain Camp Gay male characters and aren't aware that all those voices stem from one man. He did some voice work himself, such as the Hanna-Barbera 'toons The Perils of Penelope Pitstop and Charlotte's Web. HB were so well known for using celebrity imitators in their cartoons, that even people who have heard of Mr. Lynde probably assumed it was an imitation. On the other hand, since Lynde was so commonly imitated, people will often assume that any cartoon from the 1970s or earlier that includes a Lynde-like voice has him doing that voice - but sometimes it isn't. (Alan Sues is frequently mistaken for Lynde, for example.)

What they really aren't aware of is that Lynde admitted he borrowed his manner of speaking and mannerisms from Alice Ghostley, a popular Broadway star of the '50s who later became a Hollywood character actress.

Interestingly, both Lynde and Ghostley each had a recurring role on the TV series Bewitched.

For that matter, Seth MacFarlane's penchant for referencing 1980s TV and movies, along with 1950s lounge music, has made his shows into a Weird Al Effect machine for people too young to remember those decades (AKA the vast majority of his audience). Family Guy is a much bigger offender than American Dad, though.

The opening titles of Family Guy are a parody of the opening titles of All in the Family, something that is completely lost on younger viewers.

Family Guy's penchant for obscurity runs the gamut — especially when it comes to parodies. For example, a number of people might recognize a song they play straight — such as "Shipoopi" from The Music Man — but how many people actually know that the "Fellas at the Freakin' FCC" song from the episode "PTV" is sung to the tune of a song from an obscure Broadway musical called Take Me Along?

Seth MacFarlane's love of old movies, demonstrated in the score reference to The Sea Hawk during a car chase seen that turns in to a parody of age of sail ship to ship battles.

Go to YouTube and search for any scene or clip from a pop culture phenomenon that Family Guy has parodied or mentioned. Most of the comments will consist of, "I thought Family Guy created this!"

In Rockadoodle, Pinky is to Colonel Tom Parker what Chantecleer is to Elvis Presley. Young kids who grew up in the 90's probably knew who Elvis was, but the Colonel, not so much. The name/character of Chanticleer himself is from one of Chaucer's The Canterbury Tales, who took it from the body of folk tales about him and Reynard the fox. But you would have to be a medievalist to make that connection.

The "Don't you believe it!" line in a couple of Tom and Jerry cartoons is clearly a reference to one of the openings to the NBC Radio show "The Passing Parade". 'Don't you believe it!' was a radio program back in the mid to late forties. This program was run by Toby Reed. In the beginning of the show they listed off a number of trivia type things, "and say if you believe so and so ... Don't you believe it!" then it went on to explain what really happened in a kind of documentary style. Today this joke has gotten so obscure that hardly anyone remembers it.

Another episode had a small robotic mouse walking back and forth repeating "Come out and see me some time". This was a reference to Mae West's once-notorious line: "Come up and see me sometime".

When they're parodying a certain musician, South Park will sometimes use a modified version of their existing material, resulting in a lot of viewers giving them full credit for it.

If you're a South Park viewer who doesn't listen to popular music, you might not know that the song at the end of "Fishsticks" is a parody of the Kanye West song "Heartless". Given enough time, even those who do probably won't recognize it, leaving poor Kanye's musical career eclipsed by a song about gay fish.

The two episodes featuring Michael Jackson—-"Meet the Jeffersons" and "Dead Celebrities"—-used three songs as the basis for his musical bits: "Heal the World" from Dangerous and "Childhood" and "You Are Not Alone" from HIStory: Past, Present And Future, Book I. Seeing as all three were lesser known relative to his other hits, it can be easy to miss them.

The Disney villain Phantom Blot is a parody of a character in many film serials, the main villain whose face is hidden in a cloak until the final episode reveals him to be a character already familiar to the audience. This was a recognizable stock character when the Blot was introduced in 1939. Now the serials are forgotten, but the character lives on.

The Flintstones used quite a few "special guest voices" of celebrities of the era given Punny Names, such as "Ann-Margrock" for actress Ann-Margaret and "Jimmy Darrock" for Jimmy Darren. Kids who grew up watching the reruns would have had no clue who these people were.

I Love to Singa was a parody of the film The Jazz Singer. The short lives on in popularity while the film is mostly remembered for two things: 1. The fact it was the first full-length "talkie" (though technically most of the film was a silent film) and 2. The infamous Blackface scene.

Wait, The Perils of Pauline and The Exploits of Elaine were real serials? I thought that Scott Westerfeld just invented them for the Leviathan books!

Most of Clone High's characters are obvious clones of historical figures - Abraham Lincoln, Gandhi, Joan of Arc, and so on. Even minor characters are based on historical figures (with the exception of Principal Scudworth). There are, however, some that may have slipped past viewers:

Mr. Butlertron is a parody of the titular character of Mr. Belvedere, down to calling everyone Wesley. The creators even wanted to name him "Mr. Belvetron", but they couldn't get the rights. This parody would go right over the heads of anyone who watched the series today.

It's easy to miss that the "guest star" Ponce is based on a real historical figure, Spanish explorer Ponce de Leon. His full name is only used once, on the end title card memorializing his death, and given the intro's blatant emphasis that he is the clone who will die tonight, it's pretty easy to assume that they just made up the character to make it his Remember the New Guy status even funnier, as a normal person in a school of clones.

The series's concept as a parody of the Very Special Episodein every episode can be lost on viewers, as the overtness of such episodes has been downplayed in modern sitcoms (if it shows up at all - series typically avoid dropping such Anvilicious messages, and if they're going to include drug/alcohol use, death, or sex, they'll do it from the start).

Link's now-memetic "Well, EX-CUUUUSE ME, princess!" from the old The Legend of Zelda animated series is fondly remembered by those who grew up with the show, and is usually understood on the Internet to exclusively be a reference to the cartoon. More than a few of these fans may not recognize that the recurring line is a direct Shout-Out to one of Steve Martin's famous bits from his stand-up comedy days. Same delivery and everything.

Other

You always remember people based on the physical features and characterisations that are different than others. As a result people you know are remembered as caricatures of their physical features or behaviour more than how they actually look and behave. For instance:

Prince Charles' ears have been exaggerated in cartoons so often that many people often imagine them to be Dumbo-sized. In the BBC documentary series The Human Face they used him as an example by first simply tracing the lines of a photograph of him into a realistic drawing. As a result he was unrecognizable. Only when they exaggerated his features into caricature you instantly recognized him as Prince Charles.

Richard Nixon has appeared in so many cartoons as a heartless crook that this portrayal has become confused with the real man. Yes, he was corrupt, but not to the extent that he betrayed everybody and had villainous thoughts.

The vocal patterns and mannerisms of George H.W. Bush are much more remembered through Dana Carvey's exaggerated impression of him than by video recordings of his actual voice and physical presence. Indeed, once Carvey's impression gained traction, anyone else's impression of Bush Sr. was most often an imitation of Carvey's impression.

Many dictators like Adolf Hitler, Muammar Gaddafi, Idi Amin, Saddam Hussein... have also been caricatured as Ax-Crazy lunatics. This is also how they live on in people's perceptions, even though if they were all as nuts as some parodies make them they would have never been able to remain in power for so long.

Elvis Presley's greasy quiff has been enlongated to such absurd lenghts in caricatures that people may actually be surprised to learn it was actually not five foot long in reality.

Ringo Starr has been caricatured as a dimwitted Manchild in so many parodies that people may be surprised to realize that he actually is a smart normal behaving adult.

Napoleon Bonaparte was caricatured by 19th century British cartoonists as a small dwarf with a large hat. This is also how he lives on in our minds. In reality he was of average height. (He was 5'6.5")

Bill Cosby did a retelling of a sketch from an old radio drama called "Lights Out" about a chicken heart that ate up New York City. Since he was a kid, he thought the chicken heart was coming to eat him, and he promptly smeared Jell-O all over his floor and set his sofa on fire to discourage the "monster." Cosby's routine is now much better known than the original sketch. Ba-bump, ba-bump, ba-bump...

The Chicken Joke: "Why did the chicken cross the road? To get to the other side". Despite being used as the mascot of joke-telling, it's really a parody of other jokes. Where most jokes end with some kind of pun, "To get to the other side" is a straight answer that only works if the listener was expected something absurd. People are now conditioned to accept the answer as funny without even thinking about it.

The expression "technical difficulties" is now highly likely to be used as a euphemism for a person (or even a society) going insane, or even for something disastrous or off-color (as, most hilariously, in Problem Child 2), rather than something as mundane as a problem with a broadcaster's equipment.

Weird Al, who loved Dr. Demento and got his start on the show, probably laments the fact that the still-runningDr. Demento show has been almost forgotten except by connection to him. (To wit, he's gone internet-only.)

Any cartoon, video game, film, etc. made prior to The '90s that wasn't Disney-popular that was parodied in and after The '90s will get this effect in Eastern Europe due to that region locked away from Western pop-culture for 50 years (where only the very best of the West passed the border).

Other communist countries like China and especially North Korea also suffer from this. China has opened up more to the West since Mao Zedong's death, but North Korea remains the most isolated country in the world.

The same happened in Nazi occupied Europe during World War Two. A lot of early 1940s American films only reached the European continent after the end of the war. This also explains why so many comedians from the interbellum (Laurel and Hardy, Marx Brothers, Charlie Chaplin) remained far more popular and well known in Europe than American comedians who made their debut during the war (like The Three Stooges and Abbott and Costello, for instance).

The name "Barcalounger" (the brand of reclining chair) is a play on a the name of a type of sailing ship, the Barca-longa. No one but naval historians and readers of the Aubrey-Maturin series (which are not such distinct populations) would know that now.

Cracked goes meta with this in "6 Things Our Kids Just Won't Get", which includes the save icon (floppy disk), time-related TV activities such as Saturday morning cartoons (thanks to cable becoming commonplace and DVRs which allow people to watch things whenever they want), and common older sitcom plots, such as plots when someone gets lost (nowadays people would just call them on a cell phone).

Applejack was originally a potent form of distilled apple brandy. However, for the last few decades it has been more commonly known as a breakfast cereal that once counterintuitively used the fact that it doesn't taste like apples as a marketing gimmick. And now that the cereal commercials aren't airing as frequently, a lot of people now associate "Applejack" with the My Little Pony character of the same name.

Chucky, from Child's Play, is believed to have been based on a real toy called "My Buddy", which was only slightly less creepy. Other people believe that he was based on the "That Kid" doll.note He was actually supposed to be based on the Cabbage Patch Kids, but considering the My Buddy line took a noticeable hit in sales ever since Child's Play... it really didn't work out as intended.

Anyone growing up in the US in the last 50 years will be more likely to recognize the name of Martin Luther King, Jr., than (s)he will to recognize the name of Martin Luther, whom Dr. King was named after.

Any denizen of the Internet knows about demotivational posters. On the other hand, the kind of motivational posters they're based on aren't nearly as well-known, especially outside the USA.

Anyone who's worked in any kind of office environment is likely to recognize them, or at the very least take a closer look to see if it's a demotivator or the real thing.

The term "shooting brake" is now making a comeback, on which the definition is generally accepted as a type of station wagon that has a coupe-like roofline, with only two doors instead of five. The common belief was that the term was just an archaic name for the more familiar station wagon or estate, but nobody realizes that term originated from roofed carriages that are normally used as hunting vehicles, complete with storage for guns and ammunition. Only after the rise of motorized vehicles did shooting brakes evolved into customized wagons used for hunting towards the present form.

Similarly, the term "brake". Unlike the apparatus that forces the vehicle to slow down, these brakes are used to refer as carriages that "break-in" spirited horses (read: tame hyper horses for carriage work). The only usage for this term is on French car companies, only because the French word for station wagon is "break."

Any old black and white movie from the first half of the 20th century has scratches and missing frames on the pellicule. This has led many younger generations to believe those scratches and missing frames were actually made on purpose! As if these films have always been in bad shape.

Oreos, "Milk's Favorite Cookie", are actually a shameless knockoff of a brand called "Hydrox". However, the immense popularity of Oreos forced Hydrox into obscurity, and people nowadays believe that Hydrox is the knockoff (to the extent that the bulk of poor Hydrox's advertising now centers around pointing out they were on the market first).

Many street names are named after famous people. Some of them very famous to this day, others haven fallen in such obscurity that you have to consult an encyclopaedia to find out who they were and what they did to earn a street named after them. Although, in some cases (like Adelaide, South Australia), the street naming committee just named the streets after their own members, because they could, basically invoking this.

Chef Al Yeganeh, the New York proprietor of "Soup Kitchen International" (later "The Original Soupman"), and the real life inspiration for Seinfeld's Soup Nazi was in buisness about ten years prior to the episode that made him famous. Despite his insistence to the contrary, prior to Seinfeld, Al Yeganeh was an obscure New York figure known mostly to certain circles of affluent late 80s/early 90s Manhattan yuppies who were willing to pay $30 for a pint of soup. Nearly everyone else knows of him because of the Soup Nazi episode. In one TV interview, he seriously claims that he made Seinfeld famous. In an interesting subversion of the trope, many feel that the Seinfeld version is relatively tame compared to the real man who has been known to use profanities such as calling a female reporter a "bitch" on camera in one instance.

Conservative cultural critic Rod Dreher came up with the term “earwabbit” to describe when you can't hear a traditional song or piece of classical music without thinking of a pop culture spoof. He chose “earwabbit” as a reference to the Looney Tunes spoof of “Ride of the Valkyries”, which is discussed elsewhere on this page.

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