On the quiet ol' Brennan, who had quite a familiar face (the kind of actor you'd think "I've seen him in something" and turns out half of British cinema in the 1950s) did a few with other 'minor' bit players in the Bond gallery.

being an Anderson production many were Anderson alum. More-so than Bond.

Don't forget Derek Meddings, Hilly. His work on Journey to the Far Side of the Sun is magnificent and he should have got the Oscar; in a film like this, the models and special effects are more important than any bleeding-heart thesp. Maybe you should include Gerry Anderson and Tony Barwick as well. They did a lot of work for Eon in the 1970s, all of it uncredited.

being an Anderson production many were Anderson alum. More-so than Bond.

Don't forget Derek Meddings, Hilly. His work on Journey to the Far Side of the Sun is magnificent and he should have got the Oscar; in a film like this, the models and special effects are more important than any bleeding-heart thesp. Maybe you should include Gerry Anderson and Tony Barwick as well. They did a lot of work for Eon in the 1970s, all of it uncredited.

of course, my apologies. I've not seen Dopperlganger since I was little, I don't remember much from it. I didn't know about Anderson/Barwick doing work for EON. Did read a quote by Anderson saying he thought it a shame Ed Bishop never had international success as a major star and that he should've been James Bond.

I think it was in 1970, when Moonraker was in pre-production. Tony Barwick and Gerry Anderson came up with a plot involving a meglomaniac and his sub-eating supertanker but the treatment was shelved after Sean Connery agreed to come back for DAF. Eon reused the idea uncredited for The Spy Who Loved Me and Anderson (not sure about Barwick) took legal action. However, he was broke after his divorce so dropped the case in exchange for a paltry 'cease and desist' payment from Eon.