The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

Archived Products

As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Looking for inspiration for your photography? Look no further than Learn & Explore, the area on the Nikonusa website that is packed full of educational articles, how-to tutorials and inspirational pieces on all sorts of photography topics.

Carry your camera manual, especially if your camera is new. When traveling you'll probably have a chance to try some new shots. It can also be the time you’re likely to forget the function of a particular button. Or you may just want to explore all the cool things today’s cameras offer.

Experiment with the white balance settings outside. White balance on your camera will alter the color temperature and appearance you get in your picture. For instance, a CLOUDY setting will give your pictures a warmer cast. The FLUORESCENT setting will make your photographs cooler, skewing to a purple cast.

When traveling abroad, check the power setting and type of plugs. Most modern chargers do both 110 volts (USA) and 220 volts (most of the rest of the world). Check yours, and then pick the right adapter for the plug. Be careful to not use a 110-volt power strip in higher-voltage countries.

Turn on the lights when shooting inside the house. Lamps and overhead lights will brighten any picture indoors. The light will add depth to the picture and often warm up the color. Most importantly, it will brighten up the background.

Be creative with your posing. Don't just line everybody up. Use the steps or the arm of a couch to experiment with some people standing and others sitting. Have kids sitting in laps or someone sitting on the floor or kneeling. Mix it up.

Get yourself in the picture. Nothing is worse than a vacation with no shots of the family photographer. Get in the picture by using a tripod (or a steady surface such as a wall or a car hood) and the camera’s self-timer to make sure you're included in the family memories.

Jump for fun. Have your kids line up for a picture. As the photographer, get low, and get ready to shoot. Have the kids all jump in the air at the same time. Capturing them mid jump can bring out their true personalities.

When photographing a lot of people at a party, use your camera’s Smart Portrait System to help you get better pictures. The blink mode lets you know if your subjects blinked, and the smile timer can snap the photo when the camera sees that your subjects are smiling.

Try turning off your flash at night to get what your eye really sees. If it's at all dark or dim, the camera will try to fire the flash. Find the flash off icon (usually a lightning bolt with a line through it) and select it. Make sure to hold steady, or use a tripod, because the shutter speed may be slow.

Use the pet scene mode when photographing cats and dogs. If your camera doesn’t have a pet mode, disable the audible beeps and focus assist lamps while photographing them so the lights and sounds aren’t a distraction.

Go shooting with a friend. Not only will you add another pair of eyes to find interesting subjects, but you’ll also feed off of each other’s ideas and energy. Try to organize regular shoots in the park. Share lenses or tips on making that unforgettable photo.

Use fill flash to add a little sparkle to your subject’s eyes when shooting portraits outdoors, during the day. Even in bright sunlight, fill flash can even out the lighting for a more pleasing photograph.

Compose photos using the “rule of thirds.” Think of the frame as being broken into nine rectangles (like a tic-tac-toe grid over the picture). Place your subject at one of the intersections of the lines for a more visually stimulating photo.

When shooting an image that has a subject looking off to one side, compose your photograph so there is more space where the subject is looking. This will give your photograph more of a natural feeling.

When shooting landscapes at dusk or nighttime, use a tripod and cable release or self-timer so you can slow down the shutter speed to let in more light. This is the technique used when you see pictures of car lights as lines, not pinpoints.

One of the rules of composition says that horizon lines should not be placed in the center of an image, but closer to the top or bottom of the frame. Sometimes rules are meant to be broken. When you’re photographing a subject and its reflection, its perfectly fine to place the horizon in the center of the frame.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Experience the passion of Nikon full-frame photography.

The power of a pro-level Nikon FX-format camera—dazzling full-frame images, broadcast-quality 1080p video at your fingertips, superior low-light performance, faster frame rate up to 6 frames-per-second (fps), tack sharp autofocus with 39 focus points, built-in flash with Commander Mode, wireless photo sharing and much more—is attainable in a compact, lightweight full-frame HD-SLR body. A new continuous quiet mode lets you capture a sequence of shots without the noise associated with the raising and lowering of the D-SLR's mirror. Optimized for full-frame shooting, streamlined for compactness and value, the D610 will fuel your photographic passion like never before.

Nikon's Full-frame sensor raises the bar on image quality

Stunning detail and NIKKOR lenses

Passionate photographers who seek uncompromised full-frame, high-resolution performance rely on Nikon FX-format HD-SLRs. With a level of performance only bested by Nikon's own D800 series D-SLRs, D610's 24.3 megapixel FX-format CMOS sensor, wide dynamic range and high S/N (signal-to-noise) ratio captures every detail with lifelike sharpness and low noise throughout its wide ISO range. Low-light performance is synonymous with Nikon—shoot crystal clear images from ISO 100 to 6400, expandable down to 50 and up to 25,600 for extreme situations. EXPEED 3 processing system manages all that data with remarkable speed and accuracy, enabling up to 6 fps continuous shooting at full resolution in both FX and DX formats. Whether shooting people, landscapes or close-ups—you'll marvel at D610's faithful color reproduction. Add Nikon's newest selection of affordable fast f/1.8 primes, compact wide ratio zooms with VR image stabilization or tele- and supertelephoto lenses and you'll see the full potential that the D610 offers.

Remarkable AF performance with compatibility up to f/8

f/8 sensitivity benefits action and wildlife photography

One of the keys to capturing razor-sharp images is a fast, precise autofocus system, and the D610 has one of the best. 39 tightly packed focus points with wide-area AF coverage offer endless compositional possibilities. Nine cross-type sensors in the center offer superior accuracy even when light and contrast are scarce. Seven center focus points work all the way down to f/8 for extended AF functionality with teleconverters and long-reach lenses. Switch between 9, 21 or 39 point AF, allowing for compositional freedom. D610's Scene Recognition System's subject identification and tracking information means enhanced performance by 3D Tracking and Auto Area AF. When shooting photos or HD video in Live View, Nikon’s responsive contrast-detect AF activates for accurate fulltime autofocusing.

Exceptional performance and quality

Flawless metering and onboard intelligence

The D610 delivers consistently beautiful images, thanks to Nikon’s intelligent Scene Recognition System with 3D Color Matrix Metering II. Its 2,016 pixel RGB sensor evaluates every scene, taking into account brightness, contrast, subject distance and the scene colors, all within the time it takes to press the shutter release button. That data is then referenced against an onboard image database for consistently accurate exposures, auto white balance, i-TTL flash and subject-tracking autofocus performance.

Broadcast-quality Full HD video at your fingertips

Two video formats in one camera

Nikon is committed to developing HD-SLRs that empower and inspire filmmakers and video enthusiasts, and the D610 is proof of that. Shoot 1080p HD videos with selectable frame rates of 30p, 25p or 24p and MPEG-4 AVC/H.264 compression. Bend time with 720p HD at 60p, 50p or 30p for ultra-smooth video playback of fast moving subjects, or create slow-motion footage during post processing. Manually adjust ISO, shutter speed and aperture, activate Live View shooting's fulltime AF with face-priority and subject tracking or manually focus. Experience dedicated inputs for an optional stereo mic and headphones for monitoring sound, still image exporting, uncompressed recording of video via HDMI out to an external recorder, simultaneous live view on external monitors and much more. Multi-area mode Full HD D-Movie gives you compositional freedom using FX or DX movie formats. Enhance your video with the dramatic perspectives and depth-of-field control of Nikon's full line of NIKKOR interchangeable lenses, and you’ll dazzle with every video project.

Wi-Fi camera control and mobile sharing

Optional WU-1b wireless mobile adapter

With Wi-Fi compatibility, sharing photos is easier than ever. Connect the optional WU-1b Wireless Mobile Adapter and wirelessly transfer photos to your smartphone, tablet or any compatible Wi-Fi enabled device. Use your smartphone to instantly upload your shots to the web or email them to a friend. Install Nikon's free Wireless Mobile Adapter Utility and remotely control the D610—and shoot from your smartphone or tablet!

Lighting studio optional

The D610’s built-in pop-up flash offers up new shooting possibilities that other cameras simply can't match—and not just in low-light situations. Even well lit subjects can benefit from a balanced fill flash for extra depth and dimension. And since the D610’s flash integrates with Nikon’s i-TTL system, it can act as a Commander and communicate crucial exposure information to two groups of remote flashes across three channels for accurate lighting and exceptional results. When you need the extra power, add an optional accessory Nikon Speedlight for more lighting possibilities.

A hobby that grows with you

Nikon’s HD-SLR system is endlessly expandable. From legendary NIKKOR lenses and Nikon Speedlights for endless creative expression to the WU-1b Wireless Adapter for Wi-Fi sharing and camera control, your system can grow with you.

± WI-FI COMPATIBILITY

This camera's Wi-Fi® capability using the WU-1b Wireless Mobile Adapter can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Wireless Mobile Utility application must be installed on the device before it can be used with this camera. For compatibility and to download the application, please visit:

Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc. Android and Google Play are trademarks of Google Inc. Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. All Nikon trademarks are trademarks of Nikon Corporation.

AF-area Mode

Focus Lock

Focus can be locked by pressing AE-L/AF-L buttonFocus can be locked by pressing shutter-release button halfway (single-servo AF)

Focus Modes

Auto AF-S/AF-C selection (AF-A)Continuous-servo (AF-C)Face-Priority AF available in Live View only and D-Movie onlyFull-time Servo (AF-A) available in Live View only and D-Movie onlyManual (M) with electronic rangefinderNormal areaSingle-servo AF (AF-S)Wide area

Maximum Autofocus Areas/Points

39

Autofocus Sensitivity

-1 to +19 EV (ISO 100, 20°C/68°F)

Autofocus Fine Tune

Yes

Flash

Built-in Flash

Yes

Flash Bracketing

2 to 3 frames in steps of 1/3, 1/2, 2/3, 1 or 2 EV

Built-in Flash Distance

39 ft. (ISO 100)

X-Sync Speed

1/200

Top FP High Speed Sync

Up to 1/4000

Flash Control

TTL: i-TTL flash control using 2,016-pixel RGB sensor are available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, SB-400 or SB-300; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighting metering, standard i-TTL flash for digital SLR with spot metering

Battery / Batteries

Battery Life (shots per charge)

AC Adapter

Battery Charger

Miscellaneous

Tripod Socket

1/4 in.

Approx. Dimensions (Width x Height x Depth)

5.6 in. (141 mm) x 4.4 in. (113 mm) x 3.2 in. (82 mm)

Approx. Weight

26.8 oz. (760 g)camera body only

Operating Environment

0–40 °C (+32–104 °F)

falsefalsefalseproduct1540-en_US15401540DIGSLR$1,499.95false$1,999.95NONEfalsefalsetrue2014-04-08T16:00:00Z/dslr-cameras/1540/D610.html/dslr-cameras/D610.html1540en_USD610/en_US/o/9aymQia243jQnyP9Xp0maFZcizo/Views/1540_D610.pngtrue/en_US/o/9aymQia243jQnyP9Xp0maFZcizo/Misc/us_D610_logo.pngFeel the power of a 24.3 MP Nikon FX-format CMOS sensor in a compact, HD-SLR body. Create dazzling full-frame images rivaled only by Nikon's D800 series D-SLR and 1080p Full HD videos. Nikon's superior 39-point AF system and Scene Recognition System means details will be clear and crisp—for static or moving subjects. HD video quality rivals more expensive dedicated video cameras. Nikon FX-format quality has never been more attainable.<span style="font-size: small;"><strong>Take your passion to the next level</strong></span>true4.332trueFLSHAPTLCDMONCOVSTERMICCABLCOMPIMGSOFTRMTCORDPWRPACCAPCOVEXTSERBATTHOLDEYEPIECAMCASEFLSHVIEWFNDRMISCWIRELESSPWRAPTBATTERYSTRAPSGPSPWRCHGIMG-APPAREL15401330513304133064truetruefalse1540falseProduct/WhereToBuy.page?pnbr=15401.204656falsefalsefalseproduct13305-en_US1330513305DIGSLR$1,999.95false$2,599.95NONEfalsefalsetrue/dslr-cameras/13305/D610.html/dslr-cameras/D610.html1330513305en_US24-85mm VR Lens Kit/en_US/o/9aymQia243jQnyP9Xp0maFZcizo/Views/13305_D610.pngfalseGet everything you need to start creating dazzling photos and videos right out of the box: the D610 and our versatile AF-S NIKKOR 24–85mm f/3.5-4.5G ED VR lens. An ideal match for the D610, this compact lens with Nikon's Vibration Reduction technology delivers exceptionally bright, razor-sharp full-frame images to the D610's FX-format CMOS sensor. From wide-angle to medium telephoto perspectives—whether shooting stills or Full HD videos—you'll draw peak performance out of your D610.24-85mm VR Lens Kittrue4.332false0truetruefalse13305AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR2204D6101540ProductD6101540falsefalsefalseKitProduct/WhereToBuy.page?pnbr=133051.6306716falsefalsefalseproduct13304-en_US1330413304DIGSLR$2,299.95false$3,049.95NONEfalsefalsetrue/dslr-cameras/13304/D610.html/dslr-cameras/D610.html1330413304en_US28-300mm VR Lens Kit/en_US/o/9aymQia243jQnyP9Xp0maFZcizo/Views/13304_D610.pngfalseGet everything you need to take great photos and video with the D610 and one lens right out of the box, with the all-in-one AF-S 28-300mm f/3.5-5.6G ED VR lens. The ideal all-in-one lens will give you the flexibility to carry one lens that incorporates a wide focal length range, from 28mm wide-angle, zooming through to the telephoto of 300mm. Utilizing Nikon's Vibration Reduction image stabilization, crisp, colorful full-frame images will be delivered to the D610's FX-format CMOS sensor. From wide–angle to portrait to long telephoto—whether shooting stills or Full HD videos—you'll draw peak performance out of your D610.28-300mm VR Lens Kittrue4.332false0truetruefalse13304AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR2191D6101540ProductD6101540falsefalsefalseKitProduct/WhereToBuy.page?pnbr=133041.7658678falsefalsefalseproduct13306-en_US1330613306DIGSLR$2,449.95false$3,249.95NONEfalsefalsetrue/dslr-cameras/13306/D610.html/dslr-cameras/D610.html1330613306en_USTwo Lens Kit/en_US/o/9aymQia243jQnyP9Xp0maFZcizo/Views/13306_D610.pngfalseGet everything you need to take brilliant photos and video in a wide range of focal lengths from 24mm through 300mm, right out of the box: the D610 with the versatile AF-S NIKKOR 24–85mm f/3.5-4.5G ED VR lens, along with the powerful reach of the AF-S VR Zoom-NIKKOR 70-300mm f/4.5-5.6G IF-ED. A perfect match for the D610, these compact zoom lenses—both with Nikon's Vibration Reduction image stabilization technology delivers exceptionally bright, razor-sharp full-frame images to the D610's FX-format CMOS sensor. From wide–angle to portrait perspectives to long telephoto—whether shooting stills or Full HD videos—you'll draw peak performance out of your D610.Two Lens Kittrue4.332false0truetruefalse13306AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR2204AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED2161D6101540ProductD6101540falsefalsefalseKitProduct/WhereToBuy.page?pnbr=133061.7658678

This is a game changer
I have used Nikons since 1984 when I bought my first FG-20. That camera lasted me until 2000 and it had been dragged all over the world. After that I acquired an N90 (Film) right when digital cameras were coming out but they were not what they are now. I used the N90 for a 3-4 years and I loved it but film was becoming harder to find and developing was a pain. I fell out of photography and in 2013 I bought a D5100 and liked it. I didn't do the research and should have gotten the D7000, which I eventually upgraded to a year later. This this upgrade was a pure joy. Controls were familiar and laid out well. Felt like an N90. Now I am often shooting inside at close proximity in lower light conditions and the cropped frame of the D7000 was fair in low light, but noise was visible at higher ISO's, also I wanted to use my older glass prime lenses. Which I could do, but they were cropped and I wasn't getting full focal lengths. So I upgraded again to the D610 and I was amazed. When inside in small areas I love my 50mm f/1.4 and with the D610 it is fun. I did a test over various ISO's on this lens and from 800 - 3200 it is very close and at 6400 the noise is still minimal when compared to the D7000. As much as I loved my D7000 and it is a perfect camera, the D610 is pushing me to go further. From what I have read the new D7100 and 610 are almost identical except the former is DX and the later is FX. Neither is a wrong choice, but image quality out of the D610 is better. If you have loved photography for a while and have used any type of SLR especially film, the D610 is the proper choice. If you are an enthusiast/hobbyist and do not want to spend the extra money get the D7100 and crop factor doesn't bother you. If just starting out, a D5300 is an excellent choice and it won't kill your budget and you can afford to upgrade if you get into photography.
January 3, 2015

Don't mind the negitive reviews
It's time to clear up some questions and concerns brought up by previous reviews. Make no mistake, the Nikon D610 is a professional level camera that can be picked up by hobbyists, working professionals and beginners alike. At the time of writing this review (12/29/2014) the D610 has a 4 star rating which is a disappointment. This camera deserves 5 stars but due to angry D600 users and people misunderstanding what a camera body's limits and capabilities are, the D610 suffers.
Does the camera have focusing issues?
No! Some people have complained about the D610 not focusing correctly which is a sure sign of user error. The camera body's job is to capture light on the sensor and translate that light into an image. If you're having focusing issues it is most likely caused by a few things. First: User error is a common cause of blurry images. This should be no surprise to most of us but even experienced photographers miss focus. If you're using a lens with a wide aperture (f/1.8) You're area of sharp focus will be drastically decreased, sometimes your slice of focus will only be a few Millimeters wide so if you wobble or your subject moves your focus will be off. Second: User error. Let's reiterate this to make it clear. If you're having focusing issues it is imperative that you first look at the mistakes you might be making before you blame the camera. Third: What is your shutter speed? too slow and any slight movement will cause your image to be out of focus. Try to stay above 1/60th for still subjects and significantly faster for moving subjects. Third: Focus calibration. When you've considered and eliminated user error it is possible that you need to calibrate your lens for the camera's focusing system. You can do this by going to the setup menu > AF Fine Tune and using a SpyderLenscal or something like it to fine tune your focus. You have to calibrate each individual lens.
Does the sensor collect dust?
yes! Every camera sensor will collect some dust over time but that is completely normal and it's not a mechanical issue like the D600. The problem is fixed and you shouldn't panic if you have some dust after normal use.
The Nikon D610 is an amazing camera and I urge you to get one if you're looking for a high caliber camera. Use the camera for a while, come back and leave a review so we can bump the rating up to a level this camera deserves.
December 29, 2014

Great camera for Semi-pro photographer
I recently photographed a friend's wedding with this camera and got great results. The ability to make the shutter very quiet and in low light meant being able to get shots without the individuals knowing or without interrupting the ceremony. Also used my D90 during the reception, but the audible click frequently made people look.
My usual photos are landscapes, lighthouses, covered bridges so the full frame over the D90's DX sensor is also wonderful.
July 17, 2014

A Possible Reason for a Few Reviewers Poor Image Quality with D610
First, let me say that I mean no disrespect to the few people who left negative reviews about the D610. My purpose in posting is to suggest a reason as to why you may be getting poor image quality. Is it possible that when you get poor image quality out of the D610 that you're shooting shooting wide open on your primes? I recently bought the AF-S Nikkor 85mm f/1.8 because I shoot a lot of video interviews and I was tired of my entire scenes being in total, precise focus. Naturally, when I got the 85/1.8 I lighted my interviews in such a way as to be able to crank that beautiful lens all the way open and throw my background out of focus. And, it worked. However, in my excitement, I forgot one of the first things I was taught in my photography classes in college. Yes, opening up to 1.8 will give you a beautiful, fuzzy background but it also leaves you with an incredibly shallow depth of field. I've come to learn that when you shoot a video interview wide open, you better make sure your subject stays perfectly still in his chair--an absolute impossability unless you use restraints. The first 3 interviews I shot with my D610 and the 85mm 1.8 go in and out of focus throughout the session. At 1.8, all a subject has to do is lean forward slightly and some part of his face is going to go soft. I've since learned to stop down a little and back off slightly from my interview subjects (I like to get really close when I do an interview). I'm still getting a lovely, out of focus background and my subjects are sharp as a tack. I'm sure you guys know all of this and I'm certainly not trying to insult you're photographic expertise but I thought I throw out my 2 cents. I've always thought that auto focus on a Nikon (I still have an old D80 that I love) was the hardest thing to master. It latterly took me years of practice to begin to master the AF on the D80 and I had to start all over again with the D610. But, through trial and error and a lot of unusable interview footage, I'm finally getting back in the groove.
On an unrelated note, I also have a D600. No signs of the dreaded spots yet but I thought i read on this forum that Nikon is replacing the shutter or whatever it is causing the spots for free now. Is this true?
July 17, 2014

This is a really good camera for the price
I've been used to shooting on a D800 for a couple of years now for work, and I wanted to upgrade my personal camera body. When looking at the D610, it offered almost all the features of the D800 for a more attractive price, so I decided to buy it.
I have not been disappointed. While the 36MP of the D800 is phenomenal, the 24MP of the D610 is still more than adequate - in fact, it's outstanding. The images I'm getting are sharp, the dynamic range is excellent, and it has pretty much all the features I want. My only (minor) complaints are that I wish the AF points were spread over a wider area of the viewfinder, and that the auto-bracketing settings had options to include more than 3 frames. But there has to be some sacrifice for a lower price. I'm also finding that adjusting the focusing modes takes a little getting used to, but I'm sure with practice that will become more intuitive.
This camera feels good in my hands, and having been a Nikon shooter for a long time, I find the controls and buttons comfortable to work with. The low light performance is excellent even up to ISO 5000. It starts to get a bit noisy at 6400 and above, but that's to be expected.
This is the perfect camera for those who don't want to spend over $2,000 on a camera body and still get a great performer.
June 5, 2014

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Answers

+23points

24out of25found this answer helpful.

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Not much. As the previous person said, D600 comes with dirt/oil on the sensor and the D610 is supposed to have resolved that issue. But we'll have to wait to see if the sensor oil issue has really been resolved. It is a shame that Nikon couldn't do a better job with the D610. They could have used this upportunity to improve the ridiculous 39 point focus system with something similar to the D7100's 51 point, utilized the Expeed 4 processor and perhaps include the WiFi wtih this camera.

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Do a side by side comparison and there is no difference except for 6 fps as compared to 5.5 fps. The big difference is the 610 is cheaper. Why bother with a new number when what photographers are looking for is new features. Instead of having to buy a new camera every couple of years, make it so you can download new features even for a reasonable cost. Lets face it, a digital camera is a computer that takes pictures.

Oct 8, 2013 by

by

Anonymous

+3points

5out of7found this answer helpful.

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I use Lightroom 5 and Photoshop CS4 which informed me they don't even have an update in beta mode yet. Frustrated that I bough a new camera that I can't really use. I feel like I am using this camera handicapped. Sure I can use it in jpeg mode but that is like playing basketball with one hand tied behind my back! Read into the exif data change, but wasn't able to find good instructions with how to do that.

1 year, 4 months ago

by

frustratedRAWshooter

Age: 25-34

Favorite Subject: Family & Friends

Nikon Family: 6-10 years

Experience: Less than a month

Role: Semi-professional photographer

4 Answers

Answers

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I use Adobe DNG Converter. It's really simple to use, and you can even name your files differently and place them in a new folder to stay organized. Just search for "Adobe DNG Converter," and it's free to download! Hope this helped.

Jan 1, 2014 by

by

Portrait Photographer

Custer, SD 57730, USA

Location :

Custer, SD 57730, USA

Age: 25-34

Favorite Subject: Landscape

Nikon Family: 2-5 years

Experience: More than a year

Role: Semi-professional photographer

0points

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You can't convert until Adobe releases their update. For now you can use the free 60day trial of Capture NX2 version 2.4.4, remember you have to also download the latest version of View NX2 1st to run Capture. Not the solution you want but at least you can process Raw.

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I've never had a problem with any of my Nikon's even point and shoot at down to 10 below in Maine or New Hampshire in the winter while visiting my son and grand children. I'v known of people shooting the aruoa in Alaska. The cold kills your batteries, they make a camera cozie that you can put a hand warmer in. Check out the guys that shoot the northern lights in Alaska in the winter. The tempt in Fairbanks cans the best place to shoot the aroia and is in Feb. the temp runs detween 10 to 40 below. So yes you can use it in Anartica. I hope this helped you out. I've took photos in below Zero and @ 130 in the Calf. desert. 30 years advanced amateur. Alex

Jul 12, 2014 by

by

mountainhigh

San Diego, CA, USA

Location :

San Diego, CA, USA

Age: 55-65

Favorite Subject: Nature

Nikon Family: 6-10 years

Experience: 1-3 months

Role: Serious passion, hobbyist

+1point

1out of1found this answer helpful.

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Absolutely will NOT work in Antarctica....wind chill will freeze the camera. You have to shoot in a styrofoam box with heat and use remote to click the shots unless you keep it under your parka!

Jan 22, 2014 by

by

30 year Nikon semi pro

United States

Location :

United States

Age: 55-65

Favorite Subject: Nature

Nikon Family: 21+ years

Experience: 1-3 months

Role: Semi-professional photographer

+1point

1out of1found this answer helpful.

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Thank you JoeR,I haven't noticed the hyper focus before, and I think it is becauseI used a d-5000 and the mínimum distance for hyper focus is a lot less. Nos, thanks to you,I have a chart with different lenses or focal lenses, apertures and the hyper focus. Thanks again.

Jan 14, 2014 by

by

Nikon amateur

+2points

2out of2found this answer helpful.

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+4points

4out of4found this answer helpful.

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I read that the white balance has been updated in the D610 but I couldn't find any information on what exactly is that update about.

1 year, 4 months ago

by

majd_ar

Age: 25-34

Favorite Subject: Travel

Nikon Family: 6-10 years

Role: Professional photographer

2 Answers

Answers

+4points

4out of4found this answer helpful.

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So, it's only the Auto White Balance that is updated. Any hint on the other modes? Is the greenish color tint fixed now? It's not a big issue as it can be fixed in post production but I would like to see richer skin tones and cleaner whites. Did Nikon do anything about that?

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Quoting Nikon :''Auto white balance that achieves natural color reproductionGreater optimization of image analysis of the most common scenes enables Auto white balance achieves more natural color reproduction for images captured indoors as well as outdoors in the most common scenes.

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Got my camera about 2 weeks ago and probably less than 1000 pictures taken. I just noticed 4 dots show up on my images yesterday. Any suggestions? These show up with either lens attached; Nikkor 50mm lens and a Nikkor 24-300mm lens. I am trying to upload some images but keep getting gateway error.

1 year ago

by

Joel

Texas, USA

2 Answers

Answers

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I have the same problem. With less than 3000 shutter activations I had to have the sensor cleans. The tech who cleaned it said that there was industrial solvent and heavy material on the bottom of the sensor. It took longer than normal to clean. He was adamant that if there are more spots on the sensor to send it to Nikon for cleaning and inspection. This is very disheartening because sensor cleanliness was a constant problem with the D600 I owned.

Oct 11, 2014 by

by

drcurtin

Placerville, CA 95667, USA

Location :

Placerville, CA 95667, USA

Age: Over 65

Favorite Subject: Landscape

Nikon Family: 6-10 years

Experience: 1-3 months

Role: Serious passion, hobbyist

0points

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+1point

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+2points

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Aperture can be adjusted in image liveview mode using the D610 sub command dial, or aperture ring on a NIKKOR lens.Aperture can be adjusted in Movie liveview mode using the aperture ring on a NIKKOR lens.

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+4points

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