Often named as the "father of modern photojournalism," Henri Cartier-Bresson unofficially retired in the 1970s and returned to painting and drawing, saying, "My camera has always been for me a sketchbook, a book of instant drawings." This monograph features 65 of these late works—mostly black and white sketches in a bold and expressionistic style—encompassing portraits, landscapes, and architectural studies, displaying the same compositional finesse that established Cartier-Bresson as one of the all-time great photographers.