Course Overview

Lancaster's degree in Film and Theatre, taught by the Lancaster Institute for the Contemporary Arts (LICA) gives you the opportunity to study contemporary theatre performance alongside the history and theory of film.

Film at Lancaster is a stimulating and intellectually engaging course which provides a framework for the close analysis of individual films. You will study cinema history and the social significance of films and will develop a detailed understanding of the techniques of film production. You will also have the opportunity to produce short films in all three years of your study. You can choose from a range of specialist courses and will develop skills that can lead to postgraduate study and careers in the media, advertising and marketing.

Studying Theatre at Lancaster gives you the opportunity to learn about innovative twentieth and twenty first century theatre and performance through an exciting and varied mix of theoretical and practical approaches. You will gain critical and creative skills that open up possibilities for working in theatre, while making you attractive to a wide range of other employers.

You will begin your degree with core courses including an Introduction to Film Studies and an Introduction to Theatre Studies. In your second year you’ll move on to subjects such as Global Cinema, Performance Composition and our LICA interdisciplinary module Critical Reflections. You will then complete your degree by choosing a selection of the Film and Theatre modules we offer such as Advanced Film Theory, Film and Comic Books, Contemporary British Theatre and Applied Theatre Practice.

You will have the opportunity to spend Year 3 on placement with a public, private or voluntary organisation in the UK or overseas. This experience will boost your employment prospects and will help you to decide on your career direction and the kind of organisation in which you want to work once you graduate. You will be doing a real, responsible job – with all the satisfaction that brings. Our Placements Team will support you in finding and applying for a suitable placement that will support your professional development. Applying for a placement is a competitive process and the preparatory modules you will complete in years one and two are designed to give you the best chance of success in your placement applications. You will also be provided with dedicated workshops, 1:1 appointments with careers professionals as well as opportunities to speak with employers here on campus.

During the placement year you will remain a Lancaster University student which means that you will still be eligible for a student loan, have access to facilities such as the library and receive discounts on transport and council tax. Your tuition fee will be reduced to 20% during the placement year.

The placement will enhance your understanding of the connections between theory and practice and this will benefit your final year of study. This is an exciting opportunity to build up experience and transferable skills, as well as to make contacts with potential employers which will place you a step ahead in the graduate recruitment market.

Entry Requirements

Grade Requirements

A Level ABB

Required Subjects Film, Media, Theatre, Drama, Dance or Performance are considered desirable but applications from those studying other subjects who can demonstrate experience and interest in practical theatre are welcomed

IELTS 6.5 overall with at least 5.5 in each component. For other English language qualifications we accept, please see our English language requirements webpages.

Other Qualifications

International Baccalaureate 32 points overall with 16 points from the best 3 Higher Level subjects

BTEC Distinction, Distinction, Merit

We welcome applications from students with a range of alternative UK and international qualifications, including combinations of qualification. Further guidance on admission to the University, including other qualifications that we accept, frequently asked questions and information on applying, can be found on our general admissions webpages.

Course Structure

Lancaster University offers a range of programmes, some of which follow a structured study programme, and others which offer the chance for you to devise a more flexible programme to complement your main specialism. We divide academic study into two sections - Part 1 (Year 1) and Part 2 (Year 2, 3 and sometimes 4). For most programmes Part 1 requires you to study 120 credits spread over at least three modules which, depending upon your programme, will be drawn from one, two or three different academic subjects. A higher degree of specialisation then develops in subsequent years. For more information about our teaching methods at Lancaster please visit our Teaching and Learning section.

The following courses do not offer modules outside of the subject area due to the structured nature of the programmes: Architecture, Law, Physics, Engineering, Medicine, Sports and Exercise Science, Biochemistry, Biology, Biomedicine and Biomedical Science.

Information contained on the website with respect to modules is correct at the time of publication, and the University will make every reasonable effort to offer modules as advertised. In some cases changes may be necessary and may result in some combinations being unavailable, for example as a result of student feedback, timetabling, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes and new research.

This module will introduce you to a series of historical and theoretical perspectives on drama, theatre and performance. Through lectures and seminar group discussions, you will learn what the key movements have been in performance work, and understand how to apply theories to your own reading and making of contemporary theatre.

This module is designed to supplement and enhance the essential knowledge and skills covered in “Introduction to Film Studies”, and develops the study skills that you will require as you progress through the course. It will be taught through lectures, seminars and weekly screenings of case study films, including themes such as Hitchcock and silent cinema in Britain, the Ealing comedies of the 1950’s, the James Bond Franchise, and contemporary Asian British cinema.

This module offers students a theoretical and practical foundation for study in years two and three. You are introduced to a variety of forms and genres of drama, theatre and performance. These range from Shakespearean tragedy, Naturalist theatre, Epic theatre and Artaudian theatre up to and including contemporary works drawn from physical theatre, dance and postdramatic performance. Approaches to these works include the analysis of different modes of acting and performing, uses of space and sites and the creative processes and forms of dance and physical theatre, as well as considerations of historical, social and cultural context. Teaching is by lecture, seminar and practical workshops and the module culminates in a practical project in which students present performances inspired by the practitioners studied during the year.

This module is intended to provide you with the essential knowledge and competencies to undertake the academic study of film at university level. The first term provides you with an understanding of the formal and technical composition of films to allow you to undertake detailed analysis of films, from the level of close scrutiny of individual images, and their interrelation with the soundtrack, to the narrative assembly of shots and scenes. Through the analysis of a range of examples, you will be given the opportunity to become familiar with the key formal and semantic conventions of cinema. The second term aims to provide you with a framework knowledge of world film history. By focusing on a selection of key films and filmmakers, this section of the module will explore historically significant movements and themes within international cinema from the 1960s to the present day. This term is thematically organized around issues of ideology and realism, and explores the shifting social and political status of cinema during the last century. In the third term you will undertake a practical project, working with a small group to produce a short film.

Your placement year is a terrific opportunity to gain experience in the workplace and to develop your skills and knowledge. This short module has been designed to help you find a suitable placement position and support you to make the strongest applications for placement opportunities.

With the help of our experienced tutors, you’ll find out about the graduate job market, including what employers expect from the graduates they employ, as well as the specifics of Lancaster’s placement year scheme and how this can support your career development. Using a blend of face-to-face sessions and online learning, you will sharpen your job seeking skills such as researching job opportunities, and creating professional application documents. Our online learning platform provides an introduction to psychometric testing, advice on how to set up a LinkedIn profile, and information and support in relation to interviews and assessment centres. You will have the opportunity to develop a greater awareness of your personal attributes, set up a LinkedIn profile, and consider how to present yourself effectively to employers.

The skills and practice gained during this module, and the professional feedback and support you receive, will prepare you for your second year when you will start applying for placement positions.

This module is not credit-bearing, however you will need to pass the module assessment in order to continue on the Placement Year scheme.

Year 2

This module provides an introduction to critical theory in the arts and its application to aesthetics and art. The first term concentrates on 'structures' in artworks and the second on 'identities'. The structure of the module is six three-week blocks: (1) ‘Form and Structure’, (2) ‘Semiotics and Authorship’, (3) ‘Phenomenology and Spectatorship’, (4) ‘Sex/uality and Gender’, (5) ‘Race and Ethnicity’, and (6) ‘Class and Society’. Plenary lectures make connections across the arts, and seminars and workshops allow you to work in your subject groups (art, film, theatre, design) on ideas and examples specifically tailored towards these disciplines.

This core module has two main objectives. Firstly, it is designed to develop further your analytical skills in order to examine individual films in greater detail. Secondly, it is intended to encourage you to understand world cinema in relation to a variety of social, cultural, political and industrial contexts. The module will explore such issues as the relationship between film form and modes of production (from industrial film-making through to low-budget art film), theories of film style and aesthetics, and the political function of cinema. In the first term, we focus wholly on various modes of American film production, and in the second term we explore some broader theoretical questions through an analysis of films from a number of different national traditions. Across the whole module, you will gain a thorough grasp not only of the historical factors shaping various national and international cinemas, but also of some key critical and theoretical concepts within the field of film studies.

This practical module provides a comprehensive understanding of compositional strategies and methodologies used in making theatre and performance, whether as a performer or as a director, writer or designer. Particular emphasis will be placed on investigating notions of form and structure and on how performance material can be generated through creative strategies of sourcing, developing and editing material towards a completed work. Assessment is through the production of a performance score and a group practical project.

This practical module provides training in two key areas of technique essential to theatre and performance: firstly, movement and voice, and secondly, lighting and sound. You begin the module by receiving an introduction to skills in movement and voice and then spend a further three weeks studying basic concepts and techniques in lighting and sound design (or vice versa), before choosing to focus on one of those two areas for the remaining four weeks of the module. Assessment takes the form of a short practical exercise and then a more substantial practical project in the chosen area of study.

During your second year you will apply for placement positions. A range of positions will be available in different types of organisations, and you will be able to decide which are of interest to you. While a placement role may not be available in a field or organisation that is directly related to your academic studies, all placement roles offer valuable experience of working at a graduate level and gaining a range of professional skills.

A placement year provides the opportunity to find out more about yourself and the type of career that is right for you. The aim of this module is to prepare you to maximise the opportunities for learning and development that your placement can provide, including any formal elements such as Professional Development Reviews (PDR) and opportunities for informal learning.

You’ll consider your individual strengths and preferences through completion of a personality type assessment. This will be useful when we move on to looking at your aspirations for the placement. Working with others in the group and your tutors, you will be asked to develop strategies for achieving your goals and to record these in an action plan.

You will need to successfully complete the assessment for this module in order to continue on the Placement Year scheme. This module provides 10 credits towards the 30 credits which successful completion of your placement year provides. These 30 credits are on top of the 360 credits of a standard degree, meaning that you will graduate with 390 credits; 30 more than if you took the same degree without a placement year. The additional credits recognise and reward the additional skills and experience that you will develop during your placement year.

The University will use all reasonable effort to support you to find a suitable placement for your studies. If you are unsuccessful in securing a suitable placement for your third year, you will be able to transfer to the equivalent non-placement degree scheme and would continue with your studies at Lancaster, finishing your degree after your third year. The University offers a range of shorter placement and internship opportunities for which you would be welcome to apply.

This module focuses on the shifting landscape of British theatre in the twentieth century, approached through the conceptualising lens of the state of the nation. It aims to: introduce a decade-by-decade overview of British theatre from 1945 to 2000 by presenting key playwrights and plays; introduce readings of the works which embrace an understanding of both dramatic form and content; situate the works socially and politically. Assessment is by group presentation and written examination.

Documentary Film Practice is a practice-based module. You’ll work in small groups to make a short documentary film. In order to take this module you must have taken Documentary Cultures in your first year. The module builds on knowledge acquired.

By undertaking a practical project in Documentary Film Practice, students are expected to apply theoretical knowledge gained in the Documentary Cultures module to a practical project. As well as applying theory to practice, the module aims to enhance your filmmaking skills, with training provided for camera operation, sound recording and editing skills. You will also have the opportunity to develop skills in group work.

This module explores different approaches to both the analysis and the production of documentary film. As well as considering a range of styles of documentary film, typically including expository, poetic, observational, reflexive, political, and personal modes of documentary film, you will also examine key debates concerning the ethics of documentary filmmaking. An indicative list of film screenings includes Nanook of the North, Grey Gardens, Dont Look Back [sic], The Arbor, Sans Soleil, Fahrenheit 9/11, The Gleaners and I, and The Act of Killing.

The module aims to develop an understanding of historically important European films from the 1950s to the 1980s and the stylistic and historical significance of these films. It will explore the thematic importance of these films and consider the critical debates relating to this period of filmmaking enabling students to develop a critical understanding of the conditions of production, reception and distribution of these films.

This module examines a historical genre that now occupies the economic centre of Hollywood film production. The module focuses centrally on film and comic book aesthetics; on questions of narration and visual depiction in these two related media; on the shifting norms of this film genre in relation to technological change across history; and on the significance and uses of the comic-book film in society. The module develops ideas and skills introduced in the core Film Studies modules taken as part of the film studies and combined degrees.

This module employs the concept of genre as a means of introducing a range of approaches to the textual interpretation and analysis of this important and influential medium. Case studies drawn Soap Opera, Sitcom, Drama Documentary, Crime Drama and Postmodern Television allow for the development of an understanding of the technical and aesthetic means by which meanings are constructed on television and of the socio-cultural and institutional contexts in which these meanings circulate. Assessment is by group presentation and written examination.

If you are thinking of a career in teaching, this voluntary placement offers the opportunity to work in a primary, secondary or special needs school. Working alongside a teacher, you will have the opportunity to gain valuable classroom experience. Normally, this would be through teaching a class or working with a designated group of pupils.

The module gives you the opportunity to understand how a work environment functions and how you can contribute to this. It will give you the chance to develop a range of transferable skills and apply your knowledge and understanding of your placement.

Places on this module are limited and there is an internal application process to secure your place.

This module aims to introduce key issues and practical skills in the production of video for media, performance, new media art and documentary film. The module will introduce the historical and practical applications of media technologies in art, theatre and performance by presenting the key practitioners in the areas of installation, multi­media performance, video, and new media art.

A group practical project will introduce the use of video cameras, filming and editing, project planning, team work and the practical use of installation technologies. The module offers students the opportunity to work in interdisciplinary teams to produce a short film, performance, installation or documentary, including video and other media where appropriate.

This module combines theoretical and practical approaches to provide an introduction to American and German modern dance pioneers of the twentieth century. It compares their systems of technical training, choreographic methods, signature dance works, and considers the relationship of those systems, methods and works to the social context and philosophical ideas of their time. Assessment is through the choreography and performance of a short trio, and an essay. The module prepares students for more advanced dance and physical theatre projects in later modules.

This module explores the relationships between the arts and how we see and hear. Artists are aware, consciously or unconsciously, of the processes and limitations of perception. They often play with our perceptions in their works to make something which draws our attention, makes us see something in a different way, or gives us a kind of perceptual puzzle or challenge. The module also explores recent scientific research on perceiving art and how that relates to ordinary perception.

This module combines theoretical and practical approaches to explore the historical avant-garde. Key examples from each of the selected movements (e.g. Futurism, Dada, Surrealism) allow for an examination of the ways in which the avant-garde engaged with the disciplines of performance, fine art, film, design and sound in creating its diverse practices. Assessment is through practical workshop and essay.

Taught through lectures, seminars and practical workshops, this module explores trends in post-World-War-II European Playwriting through studying key texts by major playwrights from Samuel Beckett to Heiner Müller. It develops an understanding of terms such as Theatre of the Absurd, Documentary Theatre and Memory Theatre by focusing on the texts’ experimental dramaturgies and their implications for performance. Key texts and playwrights will be situated in terms of the varied historical, political, aesthetic and philosophical contexts from which they emerged. Assessment is by group practical presentation and essay.

This practical module is designed to allow you to work collectively to produce an original performance piece informed by material studied in the second year as a whole. Students are supported by a supervisor who will provide feedback on progress throughout the module.

This module will explore the work of some of the most historically important female film-makers from the 1890s through to the present, considering films from around the globe. The module will examine the significant but often marginalized and obscured roles that women have played in industrial, experimental and avant-garde film production across a spectrum of roles from costume and production designers through to screen-writers, editors and directors. You will be invited to reflect upon the fact that, despite playing key roles in the development of the medium, women continue to be excluded at all levels of film production. The decision by Hollywood star and activist Geena Davis to establish a campaigning ‘Institute on Gender in Media’ is a measure of the urgency of this subject.

The module will engage with revisionist film histories concerned with interrogating the dominant bias of academic and popular histories of the medium; it will also draw on feminist film theory concerned both with a critical understanding of mainstream cinema and the development of politicized women’s cinemas. The module will examine a series of female directors and their work, and each week will be oriented around the screening of a case study film that will be the focus for the seminar. An example of directors included is Alice Guy-Blaché, Dorothy Arzner, Leni Riefenstahl, Ida Lupino, Laura Mulvey, Mira Nair, Kathryn Bigelow, Marziyeh Meshkini, Lynne Ramsay.

Drawing on tendencies from both visual art and theatrical fields, contemporary performance has generated multiple approaches to the dynamic relation between text, language and performance. Eschewing the conventional dramaturgical structures of literary theatre, ‘text’ in this parallel history is an unruly, generative force – a writing for performance (and writing as performance) that is by turns highly performative, precise, nonsensical, philosophical and playful.

The module aims to explore a variety of contemporary and historical approaches to writing and performance through both key readings and workshop/seminars as well as practical tasks for you as creative writers and performance makers, establishing a conceptual ground, highlighting and developing strategies for your own work.

Year 3

As well as developing skills and experience that are specific to your placement position and industry, your placement year should provide the opportunity to gain broader experience and professional skills in several areas:

analytical thinking, problem solving and decision making;

planning and negotiation;

prioritisation and time management;

critical engagement with theories and frameworks through applying them to real situations.

During your placement year, although you will be working away from the University campus, you will be able to be in regular contact with other students via our online learning platform and with your Lancaster University tutors.

You will be asked to review your experience on the placement and this will form the module assessment.

This module provides 10 credits towards the 30 credits which successful completion of your placement year provides. These 30 credits are on top of the 360 credits of a standard degree, meaning that you will graduate with 390 credits; 30 more than if you took the same degree without a placement year. The additional credits recognise and reward the additional skills and experience that you will develop during your placement year.

The University will use all reasonable effort to support you to find a suitable placement for your studies. If you are unsuccessful in securing a suitable placement for your third year, you will be able to transfer to the equivalent non-placement degree scheme and would continue with your studies at Lancaster, finishing your degree after your third year. The University offers a range of shorter placement and internship opportunities for which you would be welcome to apply.

Year 4

This core module is directed towards completion of an independent research project on a topic of your choice, presented in the form of a dissertation. The course is taught through lectures and seminars focused on research skills and one-to-one supervision.

In your final year you’ll return to Lancaster to complete your degree. Feedback from previous students is that their final year studies were enhanced by the real-world experience they were able to draw on.

Whatever your career path, having the skills to critically evaluate your own learning and development will considerably enhance your effectiveness in the workplace. During your final year, you will be asked to reflect on your experience of work based learning. Did you take part in any formal training during your placement? How did this benefit your work? What kinds of informal learning opportunities arose? What did you learn about your own preferences for professional development? How do your experiences compare to those of other placement students?

You will be asked to consider your future career aims and identify areas for further development.

This is an assessed module that provides 10 credits towards the 30 credits which successful completion of your placement year provides. These 30 credits are on top of the 360 credits of a standard degree, meaning that you will graduate with 390 credits; 30 more than if you took the same degree without a placement year. The additional credits recognise and reward the additional skills and experience that you have developed during your placement year.

This third-year course will add to the theoretical, historical and cultural aspects of film investigated in Years 1 and 2, while focusing more closely on the challenging aesthetic and critical debates surrounding the concept of modernity. It will look at films made in the silent era, in post-war Europe and in Britain and the US. Writings on film will be considered in conjunction with viewings of particular films, close analysis of specific filmic techniques and methods, and historical and theoretical approaches to film. The course will also pay attention to the debates of classical and contemporary film theory, feminist approaches and other critical traditions (semiotics, structuralism, formalism, cognitivism). Building on the approach to film taken in Global Cinema: Hollywood and Beyond, this course focuses on film theory as students are introduced to key debates in classical and contemporary film theory, with topics exploring the relations between film and art, cinema and politics, cinema and psychoanalysis, and, above all, the question of how films produce meaning(s).

This module is designed to provide you with a chance to explore one of America's significant cultural contributions to the twentieth century - the motion picture. You are introduced to the American cinema through a genre approach to a series of selected films. This entails that you frame the formal and aesthetic aspects of Hollywood filmmaking in an appropriate social, historical, cultural, and industrial context. In considering why certain popular narrative formulas (such as the Western and the Gangster) are so deeply associated with American commercial screen art, lectures and seminars will attend to movie production as a dynamic process of exchange between the film industry and its mass audience.

The module has two aims. Firstly, it aims to explore methods of improvising or choreographing movement from the practice and study of drawing, and, reciprocally, approaches to drawing that emerge from the experience of movement and the analysis of motion. This is assessed through either a staff-supervised, student-led group choreographic project with documentation or, alternatively, a portfolio of drawings presented at the end of the module. Secondly, the module examines twentieth and twenty-first century works in which choreographers have collaborated with visual artists. This part of the module is assessed through an essay. Teaching is through lecture, seminar and practical compositional exercises in movement and drawing.

This module combines theoretical and practical approaches to explore important European writers, directors and companies by studying their innovative dramaturgies, scenographies, uses of ‘no longer dramatic’ text, and new acting/performing styles. These aesthetic forms are also discussed in relation to the performances’ thematic and political concerns with developments such as globalization and late capitalism, increasing mediatisation, (anti-)immigration, terrorism and the war on terror and ecological concerns, as well as with the enduring memories of the Second World War and a European history of colonialism. Teaching is through lecture, seminar and practical workshop and assessment is by practical presentation and by seen examination.

This module explores Hong Kong cinema from the mid-1980s up to the present – an era whose beginning witnesses the international breakthrough of a new wave of local filmmakers, and which goes on to encompass the early 1990s’ production surge, the 1997 handover to mainland China, the crippling economic crisis, and the outbreak of the SARS virus. The module will give you the opportunity to develop an understanding of a number of basic industrial, aesthetic, social and cultural trends marking Hong Kong films in the contemporary era. These include the emergence and impact of independent production; the rise of ‘high-concept’ filmmaking; the movement toward pan-Asian co-productions; the importance and cross-marketing of star performers and local musical traditions such as Cantopop; the popularity of genres like the swordplay film; and aesthetic tendencies such as episodic plotting and the narrative ‘thematisation’ of politics and identity. Emphasis will be placed not only on representative mainstream product, but also on the emergence of a distinct Hong Kong art cinema, whose presence and success on the international festival circuit has brought artistic credibility to a predominantly popular cinema, and which has heralded the arrival of a fresh wave of local ‘auteur’ filmmakers.

This module provides an opportunity for students to develop an understanding of the ways in which creative practitioners produce and deliver their work. It will provide an overview of the challenges faced by freelance practitioners, producers and small cultural companies within the creative industries. You will also develop a working understanding of the key management and enterprise skills involved in delivering creative projects. Working in groups you will put your learning into practice through the delivery of your own live creative arts project. This will enable you to understand the skills, knowledge, attributes and behaviours relevant for employment in the arts and creative industries.

This module combines theoretical and practical approaches to explore new scenographic approaches to contemporary performance. The module is structured to introduce you to the theories and histories of scenography and then progresses to locate scenography through the theatre, through technology and finally in relation to site. The module is focused around four cutting edge contemporary theatre companies (previous examples include The Wooster Group, Need Company, Imitating the Dog) used as paradigms to introduce you to the ways in which text, the body, light, visual/spatial organization, technology and choreography are used as scenographic tools to create specific and unique instances of contemporary performance. Teaching is through lecture, seminar and practical workshop and assessment is by practical workshop and seen exam.

British theatre attaches particular importance to new writers and new plays. This module aims to explore the evolution of a ‘new writing’ culture from the mid- to late nineties through to the early years of the twenty first century by examining a representative range of playwrights and plays. Questions of form will be explored but the course also examines the urgent contemporary issues that have come to figure in the new writing landscape – issues such as gender, race, sexuality, self-hood, family, nation and globalisation. Assessment is by group presentation and seen exam.

This module offers an introduction to the broad area of silent cinema and to a range of critical approaches to this rich area of study. You will have the opportunity to view and analyse a number of important films. We will also explore a number of critical questions raised by this material with regard to the writing and study of histories of cinema (and popular culture in general). We will examine the relationships between technology and form, the economics of film production, distribution and reception, the relationship between cinema and national identity, the social and cultural impact of new (entertainment) media and the study of cinema audiences.

This module introduces students to a selection of genres of contemporary popular performance and explores the implications of the aesthetic overlap and cross fertilisation between these forms and modes of performance usually defined as political, ‘avant-garde’ or experimental. Exemplary case studies may include Stand-up, Musical Theatre, New Burlesque, New Circus, Immersive Theatre and Fairground attractions. These case studies will be explored with reference to the historical development of these forms, their contemporary elaborations and in relation to issues such as gender, sexuality, ethnicity, class and globalisation. Teaching is through lectures, seminars and practical exercises and assessment is by group presentation and exam.

Careers

Careers

A LICA combined degree gives graduates the confidence and capability to produce work for themselves. Our graduates have become professional theatre practitioners including performers, directors, writers, dramaturgs, producers and technicians while others have chosen to work as community artists, arts administrators and managers. Film graduates have gone into TV production roles, independent film production and jobs in advertising, marketing and media production.

The transferable skills gained through studying a LICA combined degree at Lancaster make our graduates extremely attractive to employers within different creative industries, including the media, broadcast and print journalism, public relations, personnel and the Civil Service.

Many of our graduates also go on to further study often becoming academics, lecturers and teachers or further vocational training in theatre or film production, including the prestigious New York Film Academy and London Film School.

Lancaster University is dedicated to ensuring you not only gain a highly reputable degree, but that you also graduate with relevant life and work based skills. We are unique in that every student is eligible to participate in The Lancaster Award which offers you the opportunity to complete key activities such as work experience, employability/career development, campus community and social development. Visit our Employability section for full details.

Fees and Funding

Fees

We set our fees on an annual basis and the 2021/22 entry fees have not yet been set.

As a guide, our fees in 2020 were:

UK/EU

Overseas

£9,250

£18,700

Applicants from the Channel Islands and the Isle of Man

Some science and medicine courses have higher fees for students from the Channel Islands and the
Isle of Man. You can find more information about this on our
Island Fees page.

Funding

For full details of the University's financial support packages including eligibility criteria, please visit our fees and funding page

Students will require clothing for practical classes, especially dance classes such as track suit trousers, sweatshirts etc. and will be required to buy or hire costumes and props for their performances. Students will also need to purchase tickets to see professional performances at Lancaster Arts and, very occasionally venues further afield. The purchase of DVDs may also be required if unable to borrow them from the library during vacations. Criminal record Bureau checks may also be necessary if students undertake projects with school groups.

Students also need to consider further costs which may include books, stationery, printing, photocopying, binding and general subsistence on trips and visits. Following graduation it may be necessary to take out subscriptions to professional bodies and to buy business attire for job interviews.

Important Information

The information on this site relates primarily to 2021/22 entry to the University and every effort has been taken to ensure the information is correct at the time of publication. The University will use all reasonable effort to deliver the courses as described, but the University reserves the right to make changes to advertised courses.

In the event of a course being withdrawn or if there are any fundamental changes to your course, we will give you reasonable notice and you will be entitled to withdraw your application. You are advised to revisit our website for up-to-date information before you submit your application. Further legal information.

The amount of time you spend in lectures, seminars and similar will differ from year to year. Taken as an average over all years of the course, you will spend an average of 8.4 hours per week in lectures, seminars and similar during term time.

A broad range of assessments methods will be used throughout the degree. As a guide, 86% of assessment is by coursework over the duration of the course.

Our Students’ Charter

We believe in the importance of a strong and productive partnership between our students and staff. In order to ensure your time at Lancaster is a positive experience we have worked with the Students’ Union to articulate this relationship and the standards to which the University and its students aspire. View our Charter and other policies.

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