Arts

Why do Gopnik and Viveros-Fauné spend an entire hour discussing a single work? Because that is what art deserves. Consider that people spend weeks, even months, with a novel; hours with a movie or a play; and countless hours playing video games

But when it comes to visual art, the treatment—the time devoted to a viewing—can approximate the length of a drive-by shooting or a turn on the catwalk. Too often people literally take a spin around the room of a gallery or a museum and then dine out on the experience—”We saw Pollock!” They say. “And Judd and Albers and Soutine!” Of course, they did see those artists’ works; they just didn’t spend much time with those artists and artworks. They didn’t, as it were, slow down and hang out (sorry) with those artworks for a meaningful length of time.

I am very interested in how culture evolves, how technology and art are inspired, and how prevailing laws enable or choke that innovation. I read Lawrence Lessig’s Free Culture when it came out and was fascinated with the history of innovation and his hypotheses on where we were headed.

I’ve been meaning to find Lessig’s blog and today, someone emailed me a link to his blog that talks about an exciting new development in the documentary film world. The Documentary Filmmakersâ€™ Statement of Best Practices outlines all the ways documentary filmmakers can follow the rules on Fair use and protect themselves. Those filmmakers who are certified to have followed those guidelines be able to get insured and therefore, their films will be able to get released. Earlier, the risk of getting sued was so high that some of these films never saw the light of day.

What a great step. Setting out the rules of Fair Use, easing the process of getting clearances, reducing the risk of being sued and therefore, increasing the capability to innovate. Excellent. (Thanks for the email, Evan!)

On a similar vein, watch this informative video on Net Neutrality which will have a big impact on how we innovate, communicate and create (although the video gets a little preachy/angry towards the end).

Over the past week, I’ve watched just a couple of movies, but I have been steeping myself in other art related activities in New York City.

As someone who comes to film in my thirties, I am a huge believer that to be a good filmmaker you not only need life experiences, but you also need exposure to other forms of art. There is so much to see and so much to learn and watching opera or going to a museum will definitely make you a better filmmaker.