With his first big-screen role out of acting school - playing an elf
in Peter Jackson's interpretation of the fantasy classic, The Lord of
the Rings - Orlando Bloom has hit the big time.

A journalist's lot is certainly an interesting one. At the moment,
for instance, I'm on the phone to LA listening intently to a
25-year-old British actor - one who is poised on the very threshold
of international stardom - speaking to me, without a trace of
self-consciousness, in Elvish. Yep, the language of elves. "It's very
hard to grasp hold of. It's like, I dunno, it has this Celtic-ie,
Welsh kind of feel to it," explains the young man earnestly,
abandoning the strange-sounding dialect in which he's rcently been so
expertly tutored and lapsing into his usual, slightly scuffed
middle-class English accent. His name, by the way - magically,
gloriously and somewhat improbably - is Orlando Bloom. And Elvish
aside, there are quite a few things that he admits to having
difficulty "grasping hold of" right now.

By far the most pressing is the way that his life, rather like an
unassuming river after a deluge, has burst its banks and is currently
redefining the surrounding terrain. As a direct result of director
Peter Jackson's decision to cast him as warrior elf Legolas Greenleaf
in his US$360 million cinematic homage to JRR Tolkien's The Lord Of
The Rings (LOTR to fans), Bloom is being propelled through a vortex
of celebrity at warp speed. A little more than two years ago, he was
two days away from graduating from London's prestigious Guildhall
School Of Music And Drama when he discovered he'd got the part. "It
was totally... can you imagine? It was just like..." he attempts,
grappling once more for words that will convey his excitement. "I was
22, I had two more days left of drama school and it was, like, 'Here,
have a career.' Boom. There you go." Now, with the LOTR mechandising
machinery in full swing, he's confronted daily with images of Legolas
action figures, cast, of course, in his own physical likeness.

Certainly, no actor before him has managed to make a pair of
prosthetic Spock-like ear extensions, leather strides and a certain
facility with bow and arrow seem quite so sexy. But not in a crude,
swaggering, bicep-popping, testosterone-bulging Conan The Barbarian
kind of way. No, Bloom's Legolas is an infinitely more refined
creature: a princely elf who is blessed, like all his people (the
oldest inhabitants of the mythical kingdom, Middle-earth), with an
ethereal beauty, preternatural sensory awareness - and immortality.
Legolas Greenleaf may be 2931 years old, but he doesn't look a day
over 22.

In The Fellowship Of The Ring, the first part of the LOTR trilogy
that is screening in cinemas worldwide now, Legolas is one of the
eight travellers chosen to accompany and protect the young hobbit,
Frodo Baggins (played by Elijah Wood), on whose small shoulders rests
the heavy burden of freeing Middle-earth from the clutches of the
Dark Lord Sauron (Christopher Lee in top dastardly form). As a
skilled archer, Legolas pledges his bow to the cause. "I'm the eyes
and ears of the fellowship," adds Bloom with what sounds like genuine
pride.

Perhaps it's overstating the case slightly to say that Jackson's
trilogy might end up being to Orlando Bloom's career what Francis
Ford Coppola's The Godfather was to Al Pacino's but the comparison,
at this stage, seems valid. The young Pacino was cast to star in two
movies that went on to reach cult status. It's still early days, of
course, but LOTR had a global fan base before the 18-month shoot in
Wellington, New Zealand, had even wrapped. And although Bloom doesn't
carry the film - it's more of an ensemble piece - he's got the "It"
factor, that indefinable star power that swallows the camera lens
like a Black Hole, well and truly sewn up. At just under six feet
tall, he has an elegant ranginess, his lithe, athletic frame capped
by the kind of Byronic, dark good looks that wreak havoc on a girl's
imagination. Images of him striding, Heathcliff-like, across a
gale-abraded Yorkshire moor in hot pursuit of some problematic doxy
spring unbidden to mind. For there is a touch of the Mister Lover
Lover about Bloom. He's quite fond of telling reporters that the
reason he didn't finish reading LOTR at the tender age of 14 was
because he got distracted by "girls and sport and stuff" and
unconfirmed Internet lore has it that he was briefly engaged to
English aristo-packer Jemma Kidd.

HB: You're on record as saying that you got into acting for the
women. Is the industry living up to expectation?

OB: [Laughs] Well, at least it's not for some other reason, although
I don't know what would be worse than that. Actually, that was
slightly misquoted. The reason I got into acting was because when I
was younger, I had an incredible imagination, like most kids, and I
was always drawn to these larger-than-life characters that I would
see either at the theatre, on TV or at the cinema. Once I was old
enough to realise that those characters weren't real, they were
actors - once I realised that I could be Superman or I could be The
Hustler or I could be Daniel Day Lewis's character in The Last Of The
Mohicans - I was like, "Man, I can become an actor and be all of
those things." One of the first movies that stuck in my mind was The
Hustler with Paul Newman. I just loved it, man. From then on, it was
a done deal.

HB: With everything that's going on, there must be a sense of
unreality about life at the moment for you.

OB: I'm just taking it a day at the time at the moment. It certainly
feels kind of surreal to be travelling all over the world doing
publicity and being involved in such a great project as The Lord Of
The Rings that's lead to such a lot of interest in me personally and
what I do. It's exciting and, um, slightly intimidating in some ways,
but I'm just trying to take it a day at a time, you know, and enjoy
it all for what it is. I mean, I know you can be up one minute and
drop the next, so I'm trying to maintain a steady course so that I
have some longevity.

HB:Absolutely. But still, at this stage, the potential for losing it and
actually starting to believe your own hype must be enormous.

OB: I have a sister [Samantha Bloom, 26, new recruit at London's
Guildhall School Of Music And Drama] who would never let that happen.
I have a cousin who would never let that happen and I've surrounded
myself with friends who would beat me, physically beat me, if for a
moment I tried to get above myself. And also I think I'm incredibly
lucky to be doing what I do. I mean, I have a great job. I get to
dress up and become somebody else, especially when it's someone like
Legolas, who's this super-cool kind of otherworldly elf. It's, like,
I'm lucky, man, so why would I not appreciate that?

HB: As an actor, how does it feel to be playing a character that a
generation of readers has already taken to their hearts and made
their own? Is there an added sense of responsibility, do you think?

OB: Ah, man, totally. When I first got to New Zealand in October '99,
I was intimidated by trying to bring this character to the screen. I
was like "I've got to do everything I can to make the character as
real as possible and to keep him as close to the book as I can
because he's a character that people have created in their
imaginations over years." But at one point, I said to myself -
because I was so aware of it that it was actually blocking me - I
said, "You know what? I've gotta let go. I've been cast to play
Legolas because I have some quality I can use to try to bring this
character to life." So I just did my best to do that. I ended up
doing a lot of movement training trying to find the physicality of
the character.

HB: Movement training?

OB: I'd been watching [Akira] Kurosawa's The Seven Samurai and I
wanted to find the same way of walking, the same posture that would
give Legolas this aura of centredness and focus.

HB: How did Peter Jackson find you?

OB: There was a huge casting process that went on with this project
and I went on tape for it, probably like a hundred thousand other
actors across the world. I tried out initially for a character called
Faramir, but my agent got a call to say that Faramir wouldn't be
available to me and would I read for Legolas? So I went on tape again
for Legolas and, after they'd checked out how tall I was and
everything, I got the call to say I was in. A couple of months later,
I met Pete and his partner, Fran.

For Bloom, the result of this momentous casting call was 18 months
spent on the other side of the planet - far, far away from home in
London's Notting Hill and his beloved dog, Maude - rubbing shoulders
with the likes of Sir Ian McKellen, Sir Ian Holm, Liv Tyler and Cate
Blanchett. Bloom refers to the mind-bending task of having to shoot
the three LOTR movies concurrently as nothing short of an intensely
beautiful nightmare. Every member of the cast and crew had no other
alternative but to become a Tolkien geek if they were going to keep
up with the frenetic pace. The books became their bible. "If, at any
time, you feel slightly lost as an actor, there was always somebody
around you that you could ask, 'Hey, just remind me, what did we
shoot just before this?' because we could have shot the immediately
preceding scene, like, a week ago," he says. "And they'd say, 'Well,
this is what you were doing and feeling then' and you'd say, 'Great,
great' and then you'd go into it."

Given that the shoot demanded so much of everyone who was connected
with it, it's perhaps a little surprising that Bloom isn't giving a
moment's thought to the admittedly unlikely scenario of audiences
failing to buy into the concept and, more worryingly still, of their
refusing to commit to it long-term. (The third adaptation of the
trilogy, The Return Of The King, won't be released until Christmas
2003.) "I can quite honestly say that none of that has ever crossed
my mind," he admits. "I wouldnt' change [what we've done] for the
world. There was a lot of high energy and love put into the project
and I think that it will be perceived in the right way and the world
will appreciate it for what it iis. It was a labour of love, a very
special project."

Bloom's next appearance on the big screen - as American soldier
Private Todd Blackburn in Ridley Scott's Black Hawk Down - couldn't
be more different. Based on the book by the journalist, Mark Bowden,
the film recounts the battle that took palce in Mogadishu, Somalia,
in 1993 when elite US troops tried to abduct two lieutenants of local
warlord Mohamed Farrah Aidid. Instead, two American helicopters were
shot down - hence the film's title - and an encounter that had been
expected to take one hour took 15 very bloody ones, resulting in the
deaths of 18 Americans and hundreds of Somalians. Bloom will star
alongside Josh Hartnett and Ewan McGregor. The movie is expected to
cement his position as Hollywood's newest heart-throb.

"The thing with Ridley is he's been doing this forever, he knows what
it is he wants and how to get it," says Bloom. "There's absolutely no
messing around on set. Having said that, he's very accessible to
actors, very open to what you want to do and willing to talk about
it. He casts people who he feels are going to bring something to the
role and he allows them to take care of the situation, to do what it
is that they do. I feel privileged to be part of another great movie
like that."

Like Gladiator, Black Hawk Down is expected to be a major Oscar
contender - which is even more good news, were any needed, for Bloom.

HB: Is there anybody whose Hollywood CV you'd particularly like to
model your career path on?

OB: Probably Johnny Depp's. He's made some interesting choices and
he's preserved his integrity. I admire that in an actor. I also think
Edward Norton's had a very interesting career and although Daniel Day
Lewis hasn't had such a huge career, I love what he has done. He's a
very talented actor.

HB: What has been the most valuable thing you've learnt over the past
two years, do you think?

OB: The reality of getting a film made, I guess. The reality of the
procedure makes it less intimidating in lots of ways, which is good.
I'm just in a huge growth period at the moment.

HB: You're amazingly composed as an interviewee, given your brief
exposure to this level of media interest in you. Is this a talent
that you've had to hone?

OB: Possibly, but I do think honesty is the best policy. Obviously
I've done a lot of interviews recently talking about The Lord Of The
Rings. I worked on it for 18 months and know that there's a lot to
talk about. I know how I feel about that. I think there's also an
element of having grown up feeling reasonably self-assured. I think
that I've had an interesting life and I feel very grateful. If I died
tomorrow, I'd feel like I've lived a very full life. I've loved every
moment and, through that, I've learned a lot about people and
relationships. I try to apply a set of rules to life to make it
easier and that normally means just being open and honest so you can
enjoy it.

HB: Is there anybody special in your life at the moment?

OB: My career is about the most special thing in my life at the
moment - and my friedns and family. But there's no romance.

HB: So what do you do for kicks?
OB: I'm quite heady, a bit of an adrenalin junkie. I love really mad
sports. That's part of the reason why the whole New Zealand
experience was so amazing for me. I went bungee-jumping - I went off
at the highest bungee-jump in New Zealand, 134m, like, six times. To
throw yourself into the air with only something attached to your feet
is a different head space altogether. And we went snowboarding and I
learned how to surf with the hobbies.

HB: With the hobbits? Should I be calling for the men in white?

OB: I mean I learned how to surf with Billy [Boyd, aka Pippin] and
then all the others joined in: Dominic [Monaghan, who's Merry], Sean
[Astin who plays Sam] and Elijah. We were all a bunch of young guys
so we became really close friends. I have friends for life because of
this movie.

HB: I heard that you broke your back a few years back. How did you do
that?

OB: I just fell out of a window. I had a bit of a miracle recovery.
For four days, I faced the prospect of never being able to walk again
but, after 12 days, I walked out of the hospital. They did an
operation and put me back together again. But, yeah, I'm very
accident-prone. I've broken my back, my ribs, my nose, both my legs,
my arm, my wrist, a finger and a toe and cracked my skull three
times.

HB: Maybe you should spend some time indoors. What do you do to just
chill out?

OB: Well, a huge part of my life is spent watching movies, of course.

HB: What was the last film that you saw that you really loved?

OB: Oh, God. I just saw this French film called Amelie [by
Jean-Pierre Jeunet] which I totally adored. An amazing, amazing film.
I loved it.

It's time to go. Bloom is flying back to London tomorrow and a couple
of his friends have been waiting patiently for him - for "Orli" as
they call him - to wind up this interview so that they can take him
out for a meal. Even they must be aware that with the monster, Fame,
waiting just around the corner for him, their time spent alone with
their friend is going to become an increasingly measured commodity.
In fact the reason Bloom's in LA at the moment is to go over what he
calls "groundwork" with studio executives and directors for projects
that will start to get going in a couple of months' time. His
audience, it seems, won't wait. Speaking of which, what of the
theatre, the acting medium in which Bloom received classical training
for four years before leaving for New Zealand? Has he left that
behind for good now? "Theatre is something that I feel very important
for an actor to keep doing," he replies. "I think it keeps you sharp.
But at the moment I'm intrigued with movies and filmmaking. It hasn't
lured me away from theatre, but I'm just going to try to ride this
wave and then jump onto another and see how far it takes me."