Communicating with many musicians, I noticed that many of them could not organize their activities. By choosing one exercise, they begin to play it for hours, not paying attention while on the other exercises, which are subsequently can not play at all. Inconsistent, one-sided development of muscle force students to abandon learn a many pieces of music just because he can not use different techniques, for which both time and requires the involvement of different muscle groups. Questions addressing these problems were the creation of this training methodology. Of course, much of what is in this course, fragmentary described in various textbooks, shown in videoshkolah and used by other teachers in training. I found the movement with which we play and systematized their progressive development, as well as the perception and analysis of each. I was surprised by the huge interested musicians, when I opened them the essence of his technique, reaction, and emerging issues in open classes were very similar. The sad statistics show that the resulting students' psychological problems often caused by bad pedagogical influences, for example – 'you're not ready,' you can not play ',' no talent ' The question arises: what makes a teacher until, until it was time to utter those words? I insist on specific direction of training each student – first build a foundation of skills, and then a personal approach to the music, which already depends on personal relationships and emotional perception of the person. You can teach almost everyone! Mechanism to ensure that subsequently the intensity of the learning process, due to inculcation from the outset the necessary skills to muscles. And after all has to be 'like clockwork!

Romping Board, but in your repertoire to be almost all genres. You never know who and how will celebrate the holiday. Some simple guidelines: – The local music club needs rhythmic and catchy, well- are remixes of old popular songs – If you work in a simple tavern, where the audience is not aristocratic, feel free to charge the chanson, disco, 80’s, modern pop music – If you’re at a wedding, the bigger the lyrics of songs from marital sense, more beautiful, romantic music, well, let alone when cleared, go to the previous advice =) – Working in an expensive restaurant involves execution of firm (foreign) products. This may be the blues jazz or old, known to everyone: Yesterday, What A Wonderful World, here it tastes and opportunities – Consider also the age of guests, type of celebration (wedding, birthday) and look at the situation – the guests bored – Overclock, tired – popoyte ballad. Not Tire people of the same type songs, if you are asked to perform another, for example, more fun – listen. Conclusion: The larger and more diverse your repertoire, the more public you may be interested in his work and the more songs can sell. 6) Do not overstrain his voice! In the exercise be careful – do not cry, do not overstrain, even if this requires a moment of song. The restaurant does not necessarily scream, sing loudly. Nobody wants your attempts. Much nicer and more pleasant to be heard a soft voice with a steady low tone.

Today, behind the scenes program trl Rock Band Special, we squeezed into a very small room together with musicians from Angels and Airwaves. Owing to the small space we have a chance to be closer to the ava frontman Tom DeLong. We talked about the new album ava, Tom addiction to painkillers, and his relationship with his former partners in the group Blink 182. Buzzworthy: Tell us about your documentary, Start The Machine? Tom: We just finished shooting the film and sent it to the film festival Sundance. This odyssey, and we working on it for 2 years. Start The Machine began acting when we were recording our first album. I broke his spine several years ago and hooked on painkillers, so when recorded wdntw all this mean to me and I said, these crazy things in the press and caused a hot debate. Buzzworthy: Due to the fact that you say? Tom: Yes, because I came in and said the group had the second coming of Christ. One of the funniest lines in the film, when I say: If God will descend on earth, I sincerely believe that this event will not be greater our new album.

“Laughs Buzzworthy: Now it all behind? Tom: Yes, behind. But Start The Machine show much light on the importance of our group on that is what we are trying to achieve and how it relates with the death of Blink 182. Buzzworthy: Speaking of Blink, you’re talking with Mark and Travis from the moment of rupture? Tom: No, I did not. Is not it strange? Must be given time. We have more than ten years they were together. Buzzworthy: What is your favorite song from I-Empire? Tom: Lifeline. This song was The first one I sang without any means of containing alcohol. Buzzworthy: Really? Tom: Yes, the first time in 4 or 5 years. This song is about how God finds you. When I grew up in my life was a lot of religious things, such as the Psalter of the traces in the sand. In general this song is that God is watching us and says, I’ll drop you, here’s your lifeline. It’s cool. Buzzworthy: What else makes this album special? Tom: If people like the album, I want them to find some hill overlooking the city nearby, stopped the car, lay on the hood, including music at night and pretend that the whole city below belongs only to them. Buzzworthy: Do you do it? Tom: Yes. Each day, making the album, especially imagining in my head.

Characterize the modern club music is simple enough. In fact, this variety of music, which sounded in the modern entertainment clubs. This type of music can be divided into several styles, but they all have similar features: rhythm, as the primary means of expression, and almost no text. Words, if they exist, are few and the focus is not on them, and to maintain rhythm. Let’s look at some of the most popular styles of club music. Acid House (Acid House) – in the early 90’s of last century, this style could make this revolution. His popularity Acid House must ‘Funk’ sound, quick, sharp, joyous rhythms and the lack of vocals. Most experiments with music performed by accelerating the synthesizer, which is now a cult instrument club teams. Over time, Acid House went into a deep underground, having had time to create some new styles, for example,

Deep Acid House and Gabber (Gabba). Destination Gabba very much like hardcore, but more rhythmic (not less than 200 beats per minute). Club House (Club House) – has won widespread in the mid-90’s. The main objective of this direction – is to make people dance. To this end was taken Hausa base from which removed all the complex and discordant combinations. In addition, the Club House differs from its predecessors more gentle and warm vocals. As a result of all changes done in the world was born a simple, accessible music. Style can be characterized unpretentious rhythm and unpretentious treatment. Deep House (Deep House) – is the result of mixing gospel and old Hausa.