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REVIEW: “THIS IS WHERE I LEAVE YOU” (2014) Warner Bros.

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I went into this movie knowing it was another one of the genre of ‘family dysfunction’ movies that either go over really well..or not. With the cast at hand, I really was looking forward to at least a somewhat decent flick and expected some top-notch dark, comedic moments. And Jane Fonda.. Can I just say how badly I want to look like Jane Fonda when I am her age..hell I want to look like her NOW.. But truly, even with the almost always funny, Jason Bateman & Tina Fey, sadly nothing could save this movie from being completely mediocre.

This whole middle-class.suburban angst type genre movies were all the rage about a decade ago, but it’s tapped itself out as there’s only so many movies about the upper classes and their problems that you can take if they’re not bringing something new to the table. “THIS IS WHERE I LEAVE YOU” doesn’t fit the bill, in that’s it’s an incredibly familiar story we’ve seen done too many times before and it’s become rather boring and lackluster. The rundown of the film is the ‘heard it so many times before’ story of the kids coming home to reunite in the wake of their father’s death. No one wants to be really be there, and the fighting starts almost immediately.starting with the newly separated son “Judd Altman” (Jason Bateman) having been called home by his sister “Wendy Altman” (Tina Fey), with him having just a few months earlier been cheated-on by his wife, “Quinn” (Abigail Spencer) caught in the act with his boss “Wade Beaufort” (Dax Shepard) no less. but then able to find quirky new love interest who just happened to have a crush on him years back, “Penny Moore” (Rose Byrne) within hours of his return ~ can we just give a big YAWN here already?! And to make it somewhat even less plausible, though the father was an atheist, everyone is told by family matriarch “Hillary Altman” (Jane Fonda) that they all must stay as he wanted them to ‘sit shiva’, which from what I understand is a Jewish religious custom where the family sits & receives guests for a set amount of days. So you would think at least some comedy would ensue here riiiigghhtt??!!! *sigh*

The funeral is an awkward affair to say the least. Judd’s older brother “Paul Altman” (Corey Stoll) has taken to his new role as the head of the family with an overly-controlling bullying attitude and whose wife “Alice” (Kathryn Hahn) is comically desperate to get pregnant. Wendy is busy with her two children, considering that her husband “Barry” (Aaron Lazar) is an inattentive workaholic and makes her want to run back to her past also with the brain-damaged boy next door “Horry Callen”(Timothy Olyphant). The rest of the Altman family ranges from oh soooooo annoying youngest brother “Phillip Altman” (Adam Driver) the bratty black sheep of the family, who comes with his rich older girlfriend in tow “Tracy Sullivan” (Connie Britton) who happens to be a psychiatrist just like his mom..yeah you get the jist where that is going. One thing we do get plenty of is Fonda’s smothering mother and her grotesque boob job, with the boobs almost so comic that they feel out of place in some somewhat serious moments. They provide easy laughs, but this itself suggests a problem, when they are the funniest thing of the movie.

So, yes there is a surprise at the end of the movie that only ever so slightly redeems it, but at that point, it’s basically too little too late. Bateman’s performance is decent, Fey’s also, though you don’t get ‘comedy’ from either of them and no one’s is outstanding in the least. By far the most annoying character & portrayal comes from Adam Driver, when I would have liked to have seen say Olyphant’s character of Horry more developed as at least as the bit we got of him, was interesting. To be honest, this isn’t the worst movie out there right now by far, but I think audiences are expecting more from it than they are going to receive, especially now that we are gearing up for the year-end slew of Oscar contenders sure to come. This movie will not be one of those contenders.