I had the great pleasure last night to watch one of my favorite interviewers on one of my favorite shows, live in New York. Jian Ghomeshi [except for an excess H it sounds like it's spelled] is the host of the CBC’s Q, which I’ve listened to for years. You can — no, should — [...]

I had the great pleasure last night to watch one of my favorite interviewers on one of my favorite shows, live in New York. Jian Ghomeshi [except for an excess H it sounds like it's spelled] is the host of the CBC’s Q, which I’ve listened to for years. You can — no, should — listen to him online, on Sirius (channel 159), or on some smart public-radio stations like WNYC, which have started carrying him.

Ghomeshi runs a radio variety show, but not like one of the late-night TV shows in America. It’s a smart variety show. It doesn’t try to be funny or hip but is both. Ghomeshi’s opening monologue is a written essay/soliloquy/riff that sets the pace for the show; it says, “keep up now.” He gets great musical bookings and gives them time. He knows how to speak with them because he was a rock musician himself. But the heart of the show is his long-form interviews with musicians, authors, actors, and divas; he’s comfortable with them all.

Last night I was thinking about my favorite interviewers: Howard Stern, Jian Ghomeshi, and WNYC’s Brian Lehrer, each live and uncut. And I started to understand, I think, what makes them great. They treat interviews like music.

That’s not my thought. At the after-party — an understated Canadian affair — I was talking with an American public-radio executive who was also a musician and a jazz producer and he said he saw Ghomeshi’s experience as a musician play out in his interviews: playing over the occasional wrong note, going with the flow of someone else’s solo. When Jian arrived later he, too, talked about getting into the right rhythm with a guest. It is musical, he said.

Right. In the car on the way home, I listened to a replay of Stern’s hour-and-a-half interview with James Franco this week. When I first heard the start of it, live, I thought Stern was being slightly ADD. He’d get Franco to go down a path; Franco would get ready to launch into a story; Stern would get distracted by a squirrel or perhaps he’d worry that Franco would spend too long and he’d deflect him to another subject; there was a bit of Mexican jumping bean to it. But last night I heard the rest of the interview and it was amazing. They got into sync. They were comfortable and out of that comfort came the surprising candor Stern can get even from jaded, over-interviewed stars. He truly is a genius at it. The real advantage of Sirius is not that he can say “fuck” but that he has the time, uninterrupted, to find that rhythm.

Ghomeshi has the similar advantage of being on public radio in Canada with two hours to devote to his guests. I’ve had the privilege of being on the show a few times. It’s shocking to my American media biorhythms to find myself in an interview or debate that doesn’t end in 2:30 — a race to the finish of the sound bite — but instead can turn into a real discussion. That contrast was apparent last night in Q’s media panel — one of my favorite parts of his week, but this time with American guests: The New York Times’ David Carr, Democracy Now’s Amy Goodman, and right-wing CNNer Will Cain. Though Goodman decried the sound bite, the truth is that they were all trained to recite theirs in sparse minutes while Ghomeshi was trying to get them to actually arrive at least at a clear statement of disagreement about gun control. Good luck with that. Cain wouldn’t play. Still, it made for fascinating radio/video/theater.

His other interviews each had their own cadences. Cyndi Lauper, who is approaching diva status, talked about her Broadway show with Harvey Fierstein, Kinky Boots, and about her childhood and, God help us, the Dalai Lama. Ghomeshi let her go. At his usual pace, with fewer guests than he had on stage last night, the interview would have gone on longer but the clock got in the way. Still, leaving us wanting more is not a bad thing.

Alan Alda tried to show Ghomeshi who was boss (“You grew up in the Bronx,” said Ghomeshi. “No I didn’t but I can tell you’re a Wikipedia reader,” said Alda) but that turned into a pleasant chat about the impact of M*A*S*H and about science (Alda is challenging scientists to define a flame and time so 11-year-olds could understand).

Vampire Weekend played three songs, a luxury the crowd enjoyed. Actually, they played four, asking to come back after the taping was done to rerecord their first. That provided a post facto punch line; now I understood the sly grins they shared when Ghomeshi — obviously aware of the redo that was coming up — asked Ezra Koenig and Rostam Batmanglij whether they were perfectionists.

The highlight of the night for me was David Cross talking about the return of Arrested Development. At the party, Ghomeshi said the two of them had hit that certain rhythm; watch how they did it at the start of the second hour, below. Cross began, like Alda, testing the line. He asked Jian whether he was that guy who had that interview — famously strange — with Billy Bob Thornton. “He was just such an insufferable prick,” Cross said. “We’re not going to replay that now, are we?” Ghomeshi asked. That could have gone either way. But then Ghomeshi exhibited real knowledge of Cross; he’d seen his stand-up act and knew his shows and had insightful questions and Cross responded with both candor and great comic timing. In only a moment, they became an act together.

After the show, I talked with a bunch of public-radio people and asked whether there was anyone in the U.S. market like Ghomeshi. They couldn’t think of anyone. Neither can I. We’re lucky we get to listen here. I asked his producers what the Canadian reaction was to Ghomeshi’s growing American fan base — did they wonder why he needed us. No, they said, but Canadians did worry that the show would become — like surely too much else from their perspective — too American. I don’t think that can happen. The acts and the subjects are shared. The attitude isn’t.

Ghomeshi is quite Canadian. He embodies what I like about the place — and why I indeed almost moved there three times (I am the rare Canadophile, but that’s another story). The Venn diagram of his and Canadian’s characteristics has many overlaps: calm, charming, self-deprecating, witty, easy, smart, never too hip, quite comfortable…. Hear for yourself.

I have just one wish: that Sirius and public-radio stations here would give his Q’s full two hours. We’re almost as smart and patient and interested as Canadians. Really.