Open the picture in a new browser so you can get a bigger picture and a better look. The “crash course in revenge” line is obviously a play on the fact that it’s about women who get revenge by using their car. I’m going to try and get a hold of that poster for my room at uni.

[i]In Cannes last night we sat down for perhaps our most anticipated movie of the festival, even though weâ€™d (arguably) seen it before and read the full script before Christmas. That film was Quentin Tarantinoâ€™s Death Proof, taken out of its cosy Grindhouse home and shown here in its full two-hour format, complete with a new French title: Boulevard De La Mort! After the debacle following the double billâ€™s release in the US we must admit to feeling slightly nervous, after all, Cannes was where QTâ€™s rise to cult status started (with Reservoir Dogs and Pulp Fiction), and we couldnâ€™t help feeling he was heading for a fall by insisting on a Competition slot, in the hope of securing a rare Palme Dâ€™Or double whammy.

We neednâ€™t have worried. Those who saw the â€œJoseph Brenner & Associatesâ€