Saturday, 16 July 2011

Malc's Readings in the Modern Library

It was super thoughtful of you to send the list of books: the Modern Library always afflicts me with nameless and wonderful senses of early draughts and distillings: McTeague I think was the first book I ever read, the the Seven That Were Hanged the second, both in Modern Library editions my brother, come back from Dallas, gave me. Letter to Albert Erskine 24 June 1947

Frank Norris McTeague 1899

McTeague is a novel by Frank Norris, first published in 1899. It tells the story of a couple's courtship and marriage, and their subsequent descent into poverty, violence and finally murder as the result of jealousy and avarice. The book was the basis for Erich von Stroheim's film, Greed. Read more on Wikipedia

Malc doesn't mention Von Stroheim's Greed in his work or letters which is surprising because he was an admirer of his work. Greed (1924) was starred Gibson Gowland, Zasu Pitts, Jean Hersholt, Dale Fuller, Tempe Pigott, Sylvia Ashton, Chester Conklin, Joan Standing and Jack Curtis.

The plot follows a dentist whose wife wins a lottery ticket, only to become obsessed with money. When her former lover betrays the dentist as a fraud, all of their lives are destroyed. The movie was adapted by von Stroheim (shooting screenplay) and Joseph Farnham (titles) from the 1899 novel McTeague by Frank Norris. (The onscreen writing credit for June Mathis was strictly a contractual obligation to her on the part of Metro-Goldwyn-Mayer (the parent studio), as she was not actually involved in the production.) Originally over ten hours long, Greed was ultimately edited against von Stroheim's permission to about two and a half hours, and the full-length version is a lost film.Read more on Wikipedia

Leonid Nikolaievich Andreyev The Seven That Were Hanged 1908

Leonid Nikolaievich Andreyev 1871-1919 was a Russian playwright, novelist and short-story writer. He is one of the most talented and prolific representatives of the Silver Age period in Russian history. Andreyev's style combines elements of realist, naturalist and symbolist schools in literature. Read more on Wikipedia

The Seven That Were Hanged depicts the fates of five terrorists foiled in their attack and two common peasants who have received death sentences. These condemned men are awaiting their executions by hanging. In prison, each of the prisoners deals with his fate in his own way.

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About Me

Welcome to Malcolm Lowry @ The 19th Hole

I set this blog up to mark the centenary of Malcolm Lowry's birth in July 2009.

I want to use the blog to publish my on-going research into Lowry's Wirral and to document my psychogeographical wanderings around Wirral and Liverpool in search of Lowry's spirit.

I will also use the blog to document the various themes that run through Lowry's work such as his love of cinema and jazz which I share with him.

Draw up a stool and join Malc and me at the bar in the clubhouse and enjoy the night!

Colin Dilnot

colin.dilnot@gmail.com

The photograph shows the original Caldy Golf Clubhouse, Wirral (not actually the 19th hole because the course was only 9 holes when first developed!) circa 1910.

You can see Caldy in the background which was just being developed by David Benno Rappart.

The clubhouse would have looked like this when Malcolm Lowry as a youth used the course which was near to his home at Inglewood in Caldy.

The clubhouse was located to the west of the Hooton to West Kirby Railway line near a bridge crossing what is now Shore Road. The building still stands and has been converted to residential accommodation though the landscape has changed considerably in a 100 years.

I will be sharing more information and photographs detailing Lowry's Wirral both on the blog.

An essay detailing some of my research is now published in a book called Malcolm Lowry: From the Mersey to the world.

I am currently working on a bigger project entitled 'Gutted Arcades of the Past' detailing Lowry's early life and works.

Malcolm Lowry: From the Mersey to the World Biggs, Bryan & Tookey, Helen (eds)

Malcolm Lowry described Liverpool as ‘that terrible city whose main street is the ocean’. Born on the Wirral side of the river Mersey, Lowry’s relationship to the Merseyside of his youth informs all of his writing and Liverpool itself continued to hold tremendous significance for him, even though he never returned. Published in conjunction with a festival and exhibition at Liverpool’s Bluecoat arts centre celebrating Lowry’s centenary, this beautifully produced book showcases a variety of creative and critical approaches to Lowry and his work, and includes twelve specially commissioned pieces of new writing. There is a particular focus on place and on journeys; contributors write from the UK, Europe, Canada and Mexico, and reflect both on Lowry’s ‘voyage that never ends’ and on their own journeys with and through Lowry’s work. The book also demonstrates the richness of Lowry’s influence on contemporary visual artists and includes full-colour illustrations throughout. It will be an indispensable companion for anyone interested in the creative legacy of Malcolm Lowry’s life and work.