Since we were doing some of this by bicycle, I brought as little as possible that could still produce superior gallery-size (40 x 60" or 1 x 1.5 meter) prints. I was going to bring my Nikon D7000 (27.3 oz./774g with battery, strap rings and card), 10-24mm (77mm filters, 16.3 oz/463g), 35/1.8 DX (52mm filters, 7 oz/197g) and 55-200mm VR (52mm filters, 11.8 oz./335g) lenses for light weight, but it was still more than I felt like carrying and needed two sets of different-sized large filters. Without filters, I'd be hauling 4 pounds or 1.8 kg of stuff, and this is the lightest full-range system one can create with Nikon.

Instead I chose a 2009 LEICA M9 (20.9 oz./593g with battery and card) and three tiny lenses:

This LEICA camera and three lenses weigh just 2.6 pounds, or less than 1,200g, total. In other words, the entire system with three lenses as fast or faster than any f/2.8 pro zoom weighs almost a full pound or 350g less than just one Nikon 70-200mm VR II! What are people thinking, and just as importantly, I'm supporting American workers by buying the M9, which uses an American-made image sensor.

I used the standard hood with each lens. I used LEICA's standard cap over the 28mm hood, and ordinary 55mm snap-in caps over the hoods of the 50mm and 90mm lenses. I never moved the hoods; they stayed locked on each lens all week.

The camera, three lenses, two batteries, a dozen SD cards, cable release, microfiber cleaning towel, filters and spare caps all fit in a tiny Kata Ergo-Tech Format Q waist pack, which is only one-third the size of the SLR-optimized Speed Demon.

I expected mostly to be shooting black-and-white, but was too lazy to want to bring a superior LEICA M3 instead. It's easy to convert from black-and-white to color, but more difficult to convert from 35mm black-and-white to color, and I expected to need some of each.

I added most of my burning, dodging and other creative input in Apple Aperture 3.

I shot DNG-only, because the primitive digital circuitry of the LEICA M9 chokes trying to compute JPGs in real time, and DNGs opened in Apple Aperture 3 have much, much better color than the LEICA's own JPGs. Nikon and Canon cameras are advanced enough to make great JPGs in-camera, while the LEICA is not.

Once I had my images created in Aperture, I exported > versions as JPGs and cataloged them in my original 2006 copy of iView Multimedia 3.

Once I had my full-resolution JPGs, I used Photoshop CS5 to resize, sharpen and brand them for publication.

I did no computer work all week. I brought my two cards to my studio when I returned, and only then loaded my photos into my computer directly from my cards. Because I didn't spend any time on a computer, I got to sleep early and woke up relaxed before dawn every day, excited and looking for snaps.

The first fun thing we saw today was a baby bear! We didn't see its mommy, so we didn't hang around long enough to let her discover us. We snapped photos as we drove by. Nature photographers need to think like news photographers: have your camera ready at every moment, especially when you least expect it.

I worked this to bring it up from boring color. I cropped, burned and dodged, and toned, Here's how it looked directly from the camera:

Word's getting out about Dave's tours, so we had several LEICA guys with us as usual. Thus we had our lunch at the Ahwahnee, a place with $35 hot dogs for LEICAMEN. I keep suggesting we add a LEICA surcharge to help out the Canon shooters. I'm as far away from Communist as they come, but LEICA guys are so loaded that it wouldn't matter at all if Dave added a few thousand dollars to the tour price for LEICA shooters. If LEICA guys chipped in a few thousand instead of the few hundred Dave charges, we could drop the price for Canon shooters by 10%, and by 25% for Pentax, Sony, Minolta, Olympus and other lesser brands. Prices for Nikon shooters would remain the same, as Nikon has been the professional reference standard for 50 years.

Ahh, much better. The color was a distraction, so getting rid of it strengthens the image, as does removing the useless left and right sides, and the extra fluff on the top and bottom. I burned and dodged and made something much stronger out of it. All three of those images are from the same file.