Tag Archives: Nagasaki

This post is part of the February Manga Movable Feast on Barefoot Gen by Keiji Nakazawa, hosted by my good friend Sam Kusek at A Life In Panels. You can see more commentary on Barefoot Gen on his blog.

I feel like I had an atypical reaction to Barefoot Gen. Sure, it was a depressing read. So much so that my boyfriend noticed how down I was at our Valentine’s Day dinner. I was thinking of the way I wanted to approach Barefoot Gen and write this MMF post. (We did had a great time once I decided to banish all thought of Barefoot Gen for the evening.) Despite that, I wasn’t moved to tears by Barefoot Gen. I realized today, that’s because I’ve already seen it before.

This requires a bit of explanation:

I’ve mentioned before that members of my family are Holocaust survivors. That’s one thing, considering how one generation was too young to remember anything and the other generation was too scarred to speak about it. A lot of exactly what happened to my family is either buried along with the older generation or on a Shoah Foundation tape that my mother and I have felt too unprepared to watch yet. But I went to a private Jewish school for seven years for middle school and high school. I don’t know how the Holocaust was taught to the younger grades in my school, but they were pretty thorough with the older kids. As a result I’ve read a lot of literature on the Holocaust. All the well-known novels and some less-known ones. We were also treated to films, speakers, slide shows and extensive history lessons, especially around Yom Ha’Shoah, which is an Israeli/Jewish holiday mourning the victims.

The horrific bombings of Hiroshima and Nagasaki aren’t the same as the Holocaust, but a different kind of genocide altogether. Oddly enough, I had already read John Hersey’s Hiroshima as part of a high school physics lesson that was probably supposed to teach us about how mighty nuclear power is. So the imagery of Barefoot Gen was not as surprising as it was for some. I already knew about the eyeless victims with their flesh melting right off them and the bodies floating down the river and the fires that killed thousands. That didn’t surprise me, although I was thankful for Keiji Nakazawa’s cartoon-y style of drawing. As often as his odd facial expressions bothered me (why were there so many awkward, winking faces?), I don’t think I could have stomached something more realistic and I cannot really imagine the true terrors that Keiji Nakazawa and the survivors of Hiroshima and Nagasaki saw in August, 1945. I don’t really want to because then I won’t be able to sleep well. I’ve had dreams about being in concentration camps before and they are pretty terrifying, let me tell you.

So I didn’t cry over Barefoot Gen. It’s not like I haven’t cried over manga before. The later volumes of Naoki Urasawa’s Monster made me cry. To be honest, if I were watching Keiji Nakazawa or another survivor talk about their experience, I would be crying uncontrollably. There’s something about seeing actual human emotion that definitely affects me more. I’ve cried in more movies than I can remember. I cried when Ongina revealed he had HIV on RuPaul’s Drag Race. I could see and hear those people. Much like horror manga, I guess sad manga doesn’t affect me as much as it’s moving counterparts. I should probably watch the movie versions of Barefoot Gen.

But got me thinking that 1) large swaths of the world must have gone nuts in the 1930s and 40s to kill so many people so brutally and 2) the American government is definitely guilty of genocide, something I hadn’t really thought of before. I’m not a fan of a lot of typical American views and politics, but this goes beyond that. This country thought it was a great idea to end the war by replicating a lot of Nazi practices, everything from putting Japanese-Americans in camps to bombing Japanese civilians, then taking it to the next level with the atomic bomb. While America didn’t kill as many people through these methods as the Nazis did, they did unleash a different kind of horror upon the world as we know it. It disgusts me that this country, which has preached about peace and freedom for everyone, became so hypocritical as to copy their enemies’ techniques. I know, somewhere in my mind, that America probably didn’t make the decision to drop the bomb flippantly, but it strikes me as odd that the American politicians involved couldn’t see this big, blinding, hypocritical mistake staring them in the face.

But I digress. What struck me throughout was that these were events that had happened to Nakazawa and other survivors. I think a fictional account of the bombings by someone who hadn’t survived it wouldn’t work at all. I’m grateful to the people who have spoken out about atrocities like this because, as heavy as the knowledge and hindsight of these events are, at least the world knows now. Barefoot Gen‘s existence in the world is only one of many survivor’s tales, but it teaches us things we never knew or realized before. It makes us think about who was killed, not just faceless bodies, but people who suffered. Even if it’s just a cartoon-y face that doesn’t quite hold the visual impact you want it to, those faces are someone’s.

To end this post, since it seems to be getting a little preachy and I didn’t really want to do that, I want to thank Sam Kusek for bringing Barefoot Gen to the Manga Movable Feast. Truly, it’s not a manga I would have gotten into easily without this reason to, mostly because it’s not widely available anymore, but also because it’s a tough read. Glancing at some of the other posts that have been written by other bloggers, Barefoot Gen has truly rocked a few people’s worlds. It’s not the best manga in a lot of senses, but it encompasses the idea often touted by Jews–“Never Forget.” People think that just applies to the Holocaust, but that’s not true. It’s important to learn about the Holocaust, the bombings of Nagasaki and Hiroshima and other atrocities so that we learn from past behavior and take to heart the goal of becoming better, less hateful people. It’s best to learn from primary sources like Keiji Nakazawa because they’ll drive that all-important message home.

Daniella Orihuela-Gruber got into comics as a kid in the book section of a department store. Then she fell in love with manga in Egypt. Now she works as a manga editor, writes this blog and is way too geeky about manga all the time.