A bit over a month ago when I set out to write about some of the most important elements of writing (focusing on picture books because of our upcoming picture books course) this week's turn was about pacing. Well it turns out that Miranda Paul wrote a wonderful post on one of our other blogs with great examples right here and rather than reinvent the wheel I figured that I'd just build upon what Miranda wrote a little. I encourage you to read this first and then head on over to Miranda's post.

So what is pacing?Pacing is how you get your story from the beginning to the end. It's how you set up a foundational structure from when you introduce your problem or important topic, to why it's important, to the obstacles the hero/protagonist must overcome to solve the problem, to finally solving the problem, to the great consequences of this and then the ending followed by perhaps a twist on the final page. It's the rhythm you use to create your story.

There are structures that you can use like geographical structures moving from East to West, North to South, from one neighborhood to another, from one country to another, from one room in the house to another, or traveling out to space and then back again. If you are bringing it back again or referencing where you started at the beginning, this is an elegant way of creating a circular structure.

There are also chronological structures that happen from waking in the morning to going to sleep at night, from the days of the week, to the months of the year, to aging over years.

There are also lists where you count down or count up to create another delightful foundational structure to help pace your story. Counting backwards is great for bedtime stories as it can be a de-accelerant, slowing down the pacing for kids winding down for sleep. Counting upwards tends to be more exciting with bigger numbers as you go but it can really work either way.

Pacing is also how you set the speed for the story by either speeding it up or slowing it down with language choices - shorter words will make it go faster, longer word will slow it down. And let's not forget how you use sentence structure - longer or shorter sentences will do the same thing as your word lenghts. Repetition will also slow it down and engage kids in joining in the fun repeating the words or phrase.

Page turns are another great part of pacing, where you end or break your sentences (with ellipses... ).

White space or negative space is another important element of pacing. Having pages with minimal or no words is a powerful pacing tool. Try breaking up your manuscript to include page turns. Have a look at where you can create some white space or negative space by having few to no words on a page. And while it's often the illustrator who decides where the page breaks happen, you can influence this by how you create your paragraphs. Pacing your story can be tons of fun.

Mira Reisberg has helped MANY authors and illustrators get published. She has worn just about every hat in the industry including art director, editor, illustrator and author, and literary agent. Mira holds a PhD in Education and Cultural Studies with a focus on children's literature. She is also an award-winning children's book illustrator and writer. You can receive a rare live one-hour critique with Mira (or her co-teacher the fabulous Kelly Delaney, an acquiring assistant editor at Random House/Knopf) in the upcoming Craft and Business of Writing Children's Picture Books.

Please leave a comment below and share if you found this helpful and don't forget to check out Miranda's post on the same topic.

This reminds me of an episode I saw of "The New Worst Witch" (inspired by the books Jill Murphy). In it, the headwitch explained that time doesn't always go in a straight line. When you're having fun it flies by, while it seems to go forever when you are bored or impatient.

Well, when I play with pacing in my picture books, I feel like a time witch trying to decide the best way to manipulate the page turns for my readers.

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We are so excited to be mixing things up at the Children's Book Academy, beginning with some delicious additions to the Blogfish. Meet our awesome new bloggers!!

Here's our lineup:1st Mondays begin with Clear Fork/Spork editor/art director, former agent and former kidlit professor Mira Reisberg PhDwho is also the Director of the Children's Book Academy.

2nd Mondays will feature super smart Melissa Stoller whose career is taking off with new books coming soon.

3rd Mondays will feature Bryan Patrick Avery, published writer, man of mystery, and professional magician among other things.