Band2013

Donnerstag, 12. März 2015

This is Mithras writing. Here’s a little studio report from our recent recordings. You might want to check Rene Hofmann's site out for more technical details as he may write something about the recordings as well one of these days.

After the recordings to our last album were a bit rushed due to
lack of time and fuck-ups in the preparation phase, we decided to record
our next album in several steps, the first of which was recording three
songs a few weeks ago. We wanted, again, to record live, this time in
our rehearsal room. Of course, we don’t want a rough rehearsal tape, so
we recorded the basic tracks (bass / drums / guitar) live and fixed it
up with guitar and vocal overdubs, the latter of which still have to be
done. Producer of our choice is again Rene Hofmann, who specializes in
recording bands in their rehearsal spaces.

Restringing

Setting up drums

We set up our stuff on a Sunday afternoon, kicked everything that
was not needed out of the room, installed space dividers to keep
crosstalk between the instruments down to a minimum, and covered
everything up in molton. Thomas, the drummer of my other band Wight,
showed up at some point to help us with the drum set up and to lend our
drummer his snare, which is quite a work of art. We had a quick rehearsal afterwards and ran through all songs once
again, before it was off for food, some beer and bed.

Rene joined us early Monday morning, and it took us until noon to
complete the recording set up. Picture below shows Sperrfeuer in
control of his and Nihlathak’s headphone mix, while I usually record
without headphones.

Sperrfeuer Heretic in control of headphone mix

And off it was… the first song we recorded is called “A Whisper
From The Concrete Below,” It went in smooth and quickly, even though it
contains a clean guitar part (something I notoriously suck at) and a
bass solo (which we haven’t really done before either.) We decided to
proceed directly to the next song, “Astronomy,” which goes back to
lyrical and structural ideas by Sperrfeuer. Contrary to what some may
think, it’s not always me who starts off a song, even though I do come
up with most guitar riffs… or more like, the guitar riffs come up with
me. This was supposed to be the “evil” song with intertwining extremely
fast and very slow parts that aren’t that easy to get right, and quite
technical riffing. Technical by my low standards, anyways. It is also in
Drop C tuning, which we don’t usually use, and doesn’t work well with
the Stratocaster I usually use. So I had to build myself a guitar from
parts specifically for this song, which is the ash Strat with the solid
rosewood neck you can see in some pictures. I ended up using it for
almost all rhythm guitar overdubs in the end though, as it sounds quite
fat.

Nihlathak tracking psychedelic bass madness

As expected, the song cost me a bit of nerve, and I did fuck up a
lot. I eventually had to use FUCKING HEADPHONES while recording to get
it right. However, Nihlathak and Sperrfeuer, who had been struggling
with the song as well, were suddenly rock solid (read: better prepared
than me), and we managed to get a good take of the entire thing after a
while, albeit with some little guitar bits in dire need of editing.

Mithras overdubbing the fuck out of "Astronomy"

By
this time, it was getting late and we started running out of energy, but
after getting a bit of a reality check on my guitar playing, I wanted
to end the day with something cool. So I went in and recorded a fuckload
of lead guitar overdubs for a little bass/guitar harmony thing we have
going on in “Astronomy.” Feeling all like Brian May, I could go home
satisfied and have a few beers with Nihlathak, who was staying at my
place for the recordings, as he lives a few kilometers away.

But really, “Astronomy” wasn’t all that bad. “Children Of A Nuclear
Dawn,” which we have been playing live since, well, almost forever,
proved to be a bitch to record. We should have thought of that before we
came up with a 11 minute song that is mostly fast… anyways, it took
quite a while to nail that motherfucker down, and because we can’t have
our drummer blasting away for hours on end, we needed to give him a
break. So the guys chilled (and bored) out on the sofa outside our room,
while I went in to record guitar overdubs. That turned out to be
relatively easy, with actually a lot of one-takes on the rhythm guitar
parts, but a lot more takes for the solo guitars. Turns out, the two
guitars I have fit together very well and provide a very full sound. I
can assure you, the recordings already sound better than the last album…
which is true for bass and drums as well.

Playing "Children Of A Nuclear Dawn" for the 57th time

So, after Sperrfeuer had relaxed and recovered a bit, we recorded
the missing parts of “Children…”, and I completed overdubs for that song
as well. Done. Now, Nihlathak and I need to go to Rene’s Wasted Life
Studio to record vocals sometime during the next weeks, and we hope to
maybe release one of the recorded songs in advance. Meanwhile, we’re
working on more songs for the album. All the basic stuff has been
written already, but we need to learn or re-learn a lot of it, clean up
some lyrics and arrangements, fix up solos etc. We will definitely
record the rest of the album this year, and then we’ll see how and when
we release it. It’s going to be a while, but mark my words, it will be
worth the time spent waiting. We hope to present a few more songs of the
new album during our next live shows (we already did a few at our
recent gigs.) So I’d advise you to move your ass there to get a bit of a
preview.

Donnerstag, 5. März 2015

this is Mithras. We have a few gigs upcoming, which we look forward to:

29th of March in Frankfurt/Main with Solbrud from Denmark
10th of April in Stuttgart with Narvik, Fortress Black and Pest Empire

The wannabe trueness police clowns over at Mr. Zurawinski's infamous internet tough guy site have already started crying over the "NSBM FUCK YOU" on the poster of the Stuttgart concert and labeled us "leftist faggots". So be it, we don't need you idiots around, stay home and fuck yourself in the neck with a rusty knife.

We're already blacklisted by quite a few black metal promoters in South West Germany due to our refusal to play with NS bands anyway... but luckily, there's also a large black metal underground that doesn't have anything to do with far right idiocy. This should be about Satan, the left hand path and being able to do whatever the fuck you want, not about Hitler, the right arm path (ba dum tss) and being told what to do. The Luciferian light has no colour or race.

Propaganda

Other media

Crew

Sperrfeuer Heretic - drums & samples

Mithras Sol Invictus - guitars & vocals

Nihlathak - bass & backing vocals

offline:

Den Tørstige Mand - bass (2010-2013)

Mission

Aggressive underground black metal power trio, established in 2010, deeply influenced by the Scandinavian second wave and old school heavy metal. Neither do we give a fuck about new trends, nor do we let ourselves be limited by what the pretentious wannabe black metal elite deems to be "true." We create black art from the deepest pits of our souls, and your opinion is as irrelevant to that process as any so-called "scene." The product of art is for the enjoyment of the people, but the creative process is for the enjoyment of the artist.

Live shows are essential to our perception of black art, as it is the only time these two come together. We strive to create a dense athmosphere and an intense and otherwordly experience for ourselves as well as for the audience. Frankincense smoke and face paint are essential to that.

We do not associate with idiots. Especially not of the far-right kind. Go fuck off, you have absolutely nothing in common with us.