Conductors tend to squabble over how to play the first eight notes, and Maestro Welser-Möst launched directly into the Allegro, choosing to go with the and-two-and-one rather than the more common one-two-three-four for the Fate motif. As the movements progressed through the Andante con moto and the Scherzo the themes passed from the strings through the low brass and woodwinds...