We’re very excited to be able to tell you that the Delft Science Centre, home of the Beijerinck, van Iterson and Kluyver collection as well as the Faculty of Mining’s mineral collection and more modern exhibits from Delft University of Technology, has been nominated for the BankGiro Lottery’s Museum Prize.

It would be very kind and much appreciated if you would support us by voting.

The voting site is in Dutch, so here’s a translation into English for those who use other languages.

3: When the blue rectangle comes up, it says “Yes, I’m voting for the Science Centre Delft” and asks you to fill in your name and then your email address (that’s so that they can make sure that each email address is linked to one vote and so that they can let you know if you win the prize trip to New York).

Also click the box immediately under the email box – it indicates that you’re over 18 and agree with the rules (which you can see by hitting the “actievoorwaarden” link. If you want to read them, copy the text and paste it into Google Translate or another translation app). The two boxes below, if clicked, let them send you news about the BankGiro Lottery (who’re sponsoring the prize) and the Prins Bernhard Culture Fund (also sponsors).

4: Click on the green button.

You will then be thanked for voting and they will send an email to the address you gave them. The email will ask you to click on another green button to confirm your vote (it prevents folk from getting carried away and making up email addresses to let them vote often).

As I have mentioned before, the Delft School of Microbiology Archive has a small collection of old and unusual microscopes. We also have a range of attachments with varying (and sometimes unidentified) functions as well as two boxes of mysterious parts. One of my projects for this winter is to try as many of these things out as possible, and write a methods book for the collection.

I have started with two red boxes from Ernst Abbe’s time at Carl Zeiss Jena (CZJ). Abbe was one of the founding fathers of CZJ and the inventor of many microscope techniques that we take for granted today, including standardizing lens quality. One of the boxes contains the parts necessary to convert a simple microscope for work with polarization, the other contains a camera lucida. Both were obviously routinely used in the times of Beijerinck, Van Iterson and Kluyver and we have enough of each for every student in a practical class to use them. None of the boxes included instructions, and nobody I’ve asked had tried to use either one. Since they turn up sometimes on auction sites, it seems to be worth outlining my findings here. I used my late 19th century jug-handled CZJ microscope.

Abbe's polarizer

Abbe's camera lucida

My CZJ microscope

The polarizer.

The box contains a polarizer (top right in the photo), a calibrated ring (centre) and an eyepiece (bottom left). It took me a while to realize that the polarizer is actually two pieces which unscrew. The piece with the lens fits into the filter ring under the condenser, and the ring screws on underneath the filter ring to stabilize the polarizer. The calibrated ring fits around, and the eyepiece over the ocular.

The contents of the polarizer box.

Using my usual LED lamp, I adjusted the mirror and condenser to give optimum light and then inserted a slide. Rather than microorganisms, for these experiments it was simpler to use samples guaranteed to give the dramatic colour changes associated with polarizing microscopy and so I chose mineral samples prepared for the microscope by Dr F Krantz of Bonn around the beginning of the 20th century (and also in our collection). The pairs of photos show the extremes of uncrossed and crossed polarized light paths for 3 different minerals.

The camera lucida

The box contains a ring which fits over the microscope’s ocular. Attached to the ring is an arm with a mirror at its end and a shorter, moveable arm supporting the prism that combines the images from the microscope and the mirror. The arm allows the prism to swing over or away from the ocular, allowing the microscope to be used with and without it (very useful for focusing and sample placing).

Initially, I found this attachment very frustrating because everyone I had discussed it with confidently said that it projected the sample’s image onto paper beside the microscope. This did not happen. It was only when I looked through the ocular to check the microscope’s focus and saw a ghostly pen superimposed on the sample that I realised that the projection was the other way round! Thus far, I am not very satisfied with my photographs of the combined images, but I’ll post a picture here when I’m happy with them. The problem is not in using the equipment, but in convincing the camera that it can focus on the pen and sample at the same time – I see that CZJ’s catalogues of the time also offer a drawing platform for use with their camera lucida which was presumably exactly the correct height. If anyone wants to try, I’ve had better results with cream coloured paper rather than bright white paper which tends to reflect more in the field of view. Reducing the light in the room also helps.

In the days before the easy projection of images, wall charts were the usual manner of illustrating lectures and practical classes. This photo shows the autumn 1941 practical on microscopical research of living plants and plant products, with wall charts in use on the back wall. Prof van Iterson can be seen standing in the far left corner of the room.

The Archive has a large collection of these wall charts, and I’ve previously shown some of the printed ones as well as some by Henriette Beijerinck. The original wall charts for Van Iterson’s Department were produced by at least 15 people, not all of whom signed their work with their full names. They range from beautiful watercolours of useful plants to diagrams and tables – everything a Professor of Applied Botany could need for his lectures.

Ornamental rhubarb by Karin Mauve, 1920s

Poppy by Hilda Kern, 1940s or 50s

Almonds by ? Bongers, 1923

Silver spar pine by J. Mouton, 1920s

Peanuts by Sluyterman, 1920s

Cotton by Karin Mauve, 1920s

Like Beijerinck and Kluyver, in those days before the discovery of DNA, Van Iterson was interested in heredity and variation, and we have a series of watercolours illustrating Mendelian genetics, gender dimorphism and mimicry.

Mendelian cross of white and pink Mirabilis jalapa. Unknown.

Cross of Italian and Plymouth Rock chickens

Butterfly mimicry by J. Mouton, 1920s?

Researching and cataloguing the wall chart collection was a great labour of love by Truus ten Hoopen-van Hulsentop. If anyone can tell us anything more about the various artists, we’d be delighted to hear from you.

At long last, the Beijerinck Museum is ready for visitors – indeed several groups, including the Dutch Microscopy Society and guests from the Queckett Microscopical Club, have had sneak previews. Also known as “Beijerinck’s Office” (Kamer van Beijerinck), it will only be open to escorted groups as we don’t want to spoil the atmosphere by putting everything into locked display cabinets. Some of our microscopes are now on display in the foyer of the Mekelzaal, the main conference room of the Science Centre.

Beijerinck's office 2

Beijerinck's office 1

Microscope display

Monuments to Beijerinck, Van Iterson, Kluyver and Van Rossem

At the end of BioDay, a meeting organised to celebrate the TUDelft’s 175th birthday, the Museum was re-opened by Professor Karel Luyben, Rector Magnificus of the University, ably (?) assisted by someone claiming to be Prof Beijerinck’s assistant…

Opening the museum

Bioday

This seems like a good moment to take a look at our new surroundings. We are housed on the second floor of the Delft Science Centre. The building was originally the Faculty of Mining. It’s very easy to feel at home here as, like Prof van Iterson’s section of our previous building, our new home dates from the early 20th century and the design is very similar. The view from our windows is a great improvement!

Science centre

Mining

The main part of the Science Centre displays the modern achievements of Delft University of Technology and a range of prototypes (including Delft’s famous solar powered car) can be seen as well as displays that can be operated by the visitors. You can try improving the shape of an aircraft wing or use the driving simulators, among many other things – the exhibition often changes. The robotics lab is ever popular, as are the workshops where school groups (among others) come to try things out. For example, the Dutch Microscopy Society will be running a public workshop (about how to make botanic preparations (Wollemia nobilis) and look at them under the microscope) from 14:00-16:30 on 7th May (2017). Participants will only pay the Science Centre entrance price. The details are here: www.sciencecentre.tudelft.nl/nl/bezoek/agenda/event/detail/gratis-microscopie-workshop/. It’s in Dutch but the site will allow you to copy the text for pasting into Google translate (which is always amusing….).

The Science Centre's main hall

climber

Robotics

The TUDelft has always had a number of internationally important collections which started life as the working tools and products of its research departments. Among them, the minerals collection from the Faculty of Mining (which dates from the middle of the 19th century) is remarkably beautiful. It is housed, in its original display cases, in rooms next door to the Beijerinck Museum and in cabinets in other public parts of the building. Like the Beijerinck Museum, the Minerals Collection is open to escorted groups.

Minerals museum

Minerals exhibition

Garnets

Amethyst

Just around the corner from the Science Centre is Delft’s Botanic Garden. Founded by Prof van Iterson with support from Prof Beijerinck, it was set up to provide plants for research in the Department of Applied Botany and is 100 years old this year (2017). Apart from their permanent collection (which includes an apiary), they frequently have exhibitions ranging from pottery through products made from plant material to photography. Their website is here: http://www.botanischetuin.tudelft.nl/en/

Botanic garden

Garden entrance

The Science Centre’s website with opening times and other information is here http://www.sciencecentre.tudelft.nl/en/.

2017 is the 175th anniversary of the founding of the Polytechnic School that eventually became Delft University of Technology. The University is celebrating with a 175 day Lustrum, much of which will focus on the Life Sciences. It is also 100 years since Van Iterson founded the Delft Botanic Garden on the land behind his laboratory.

We are beginning the celebrations with a look at the history of microbiology and the biosciences in Delft, from the 17th to the 21st centuries. The exhibition will run until 26 February, 2017.

This will take the form of an exhibition in the area around Antoni van Leeuwenhoek’s grave in the Oude Kirk.

Delft's Old Church

AJ Kluyver at the grave of Antoni van Leeuwenhoek

The text on the poster boards is in Dutch, but there are also English language handouts. It includes 20th century teaching microscopes, a cross section of an electron microscope and 3-D scanned replicates of a Van Leeuwenhoek microscope and the Delft telescope.

Facsimile Van Leeuwenhoek microscope and its 3-D scanned replicate

The exhibition offers a taster of the achievements of Delft microbiologists and introduces some of the people who helped and supported them. For example, we might never have heard of Antoni van Leeuwenhoek and his little animals without Reinier de Graaf, the doctor who introduced van Leeuwenhoek to the Royal Society of London, publishers of much of his work. Jacques van Marken not only brought Beijerinck to Delft to establish his industrial microbiology laboratory, he was also one of the people instrumental in creating the Department of Microbiology and Professor’s Chair for Beijerinck at what was then the Delft Polytechnic.

Reinier de Graaf
Medicinae Doctor

Jan and Agneta van Marken

Many others have provided help, support and encouragement, but the silent contributor to the history of microbiology is the City of Delft itself. Many very well-studied microorganisms were found for the first time in samples from Delft’s canals, soil and from industrial sources, even now.

Th old city gate

Wastewater bioreactors

Over 300 years ago, before Van Leeuwenhoek found his little animals, the city was already a hotspot in scientific research-for example Stevin and de Groot dropped different lead balls off the tower of the New Church and proved that they hit the ground at the same time 3 years before Galileo did the same experiment from the tower of Pisa!

At the moment, sorting out the cupboards before our move has become very exciting as I’ve reached the microscope collection. Much of it was stored in the 1950s when the Laboratory of Microbiology moved from its original building, and has rarely been disturbed since then. Some of the microscopes date from the late 19th century, and even some of the 20th century ones are more interesting than might be expected.

The youngest of the companies represented in our microscope collection is probably the least well-known, especially outside the Netherlands.

Bleeker Nedoptifa

Founded by Dr Caroline E. (Lili) Bleeker and Gerard Willemse in 1939, Nedoptifa rapidly became known for the high standard of their optical products. They began with the production of binoculars for the Dutch army, but production was interrupted by WW2. Most of their microscope production seems to have been after 1945, when the “Nedoptifa” name came into use. The company cooperated with the Nobel prize-winner, Frits Zernike, in the development of phase contrast microscopy and held his patent on phase contrast microscopes. Bleeker retired at the end of 1963, the company was eventually taken over by a Delft firm and then in 1978 the factory in Zeist was closed.

Kluyver’s group seems to have used the basic Nedoptifa microscope for teaching – we have quite a few of them. Most of them have the standard circular stage, but a few are square. We also have one of their very early binocular microscopes as well as monocular and binocular phase contrast microscopes. Most of them, with the exception of the binocular phase contrast microscope, seem to have been use in in the laboratory before 1955.

Note added later: Disappointingly, after a visit in mid-June from Peter Paul de Bruyn, an expert on Bleeker microscopes, it seems that the microscopes whose boxes proclaimed them to be phase contrast microscopes do not have the necessary lenses or fittings. They may appear as we complete the packing of the collection, but it’s beginning to look unlikely.

Bleeker Nedoptifa binocular microscope

Early Bleeker Nedoptifa "phase contrast" microscope

Bleeker "phase contrast" microscope from the 1960s

Carl Zeiss Jena

This famous old microscope manufacturer needs no introduction. In what is probably our most famous portrait of Prof Beijerinck, he is clearly using one of their “jug handled” microscopes. Others in our collection are in the Zeiss catalogues of the late 19th century.

Prof M.W. Beijerinck in his laboratory

19th century "jug handled" Zeiss microscope

We also have some more unusual examples of their work including a “horizontal microscope” (intended for examining living plants) and a binocular microscope fitted with a prism on the right ocular to aid the drawing of samples.

Horizontal Zeiss microscope

Zeiss drawing microscope

I really shouldn’t have favourites, but I must admit a fondness for the very heavy preparation microscope that turned up in a battered old wooden box on top of a cupboard. When it is taken out of the box, the eyepieces on the right flip up, giving a forerunner of our modern stereomicroscopes which can be found in the 1902 Carl Zeiss Catalogue. There are 2 sets of lenses and oculars. During dissections, the microscope can be moved backwards and forwards along the metal bar.

Early Zeiss preparation or dissecting microscope

Ernst Leitz Wetzlar

Another famous old company, Leitz seems to have been a favourite with Professor van Iterson. Among the microscopes from this company are a “measuring microscope”, a preparation microscope with wrist supports and the microscope (with an extensive collection of extra attachments) that he used after he retired.

Leitz "measuring microscope"

leitz preparation or stereo microscope

Leitz microscope with one of two boxes of attachments

Other companies

Other microscope makers are mostly represented by single instruments, so I will only show two of the most spectacular. First is the interference microscope made by Cooke, Troughton & Simms from the Van Iterson collection. This microscope is accompanied by a set of extra attachments and filters.

Inteference microscope by Cooke, Troughton & Simms

Attachments for the Cooke et al microscope

And lastly, one of the most unusual microscopes in our collection, a reversed microscope made by Nachet & Fils of Paris. The sample lies on the stage and can be illuminated from above, with the observer’s light path underneath the stage. It appears in the 1898 Nachet catalogue. This microscope was given to the collection by Dr and Mrs ten Hoopen, both of whom worked in the Department of Applied Botany before volunteering to help with the Archive and Museum after they retired.

The Delft School of Microbiology Archive owes a huge debt to both of them. Truus undertook two major tasks. First she restored our enormous collection of glass negatives (see the blogpost “Glass negatives galore!”) after they all got damp during asbestos removal in the attic where they were stored. She then went on to research and catalogue our collections of original and printed botanic and microbiological wall charts (see blogposts “The art of Henriette Beijerinck” and “Educational Wall Charts – where are they now?”). Meanwhile, Hens catalogued the microscopes and other equipment (we have the most amazing range of pH meters, for example) in our collection.

Without Truus and Hens ten Hoopen, we would know a lot less about the Collection than we do.

At the end of March 1958, two years after Kluyver’s death, the Laboratory for Microbiology moved out of the building where he and Beijerinck had worked. Kluyver had been heavily involved in the design and planning of the new building, but it was his successor, Torsten Wikén, who took possession.

Kluyver memorial

Last day at the old lab, Prof Wiken central with a cigar

Delft School memorial on old lab, Kanaalweg

The new laboratory was attached to the new Department of Biochemistry, the Department of Applied Botany previously erected for Van Iterson and the associated Botanic Garden dedicated to applied botany.

The new Microbiology Laboratory in 1958

The Beijerinck ceiling in the entrance to the Laboratory for Microbiology, 1958

Professor Wikén’s new office was given new furniture, and the contents of the office used by Beijerinck and Kluyver were stored in a purpose-built room in the microbiology attic. Since the 1980s, this collection has gradually been organised and merged with similar material left by Van Iterson when he retired and a few related donations, giving us what is known today as the Delft School of Microbiology Archives and the Museum known as the “Kamer van Beijerinck” (Beijerinck’s office). None of it would have been possible without the hard work of a legion of volunteers who have sorted and researched different areas of the collection.

The collection has attracted visitors ranging from individual researchers from as far afield as the USA and Japan to biotechnology students in their first year with their parents and visitors from schools. It’s provided material for TV programmes, exhibitions, publications and postage stamps as well as a couple of PhD theses… Visitors to the Department of Biotechnology have frequently been brought to see the collection during their visits, as have participants in some of the Delft Advanced Courses.

All good things eventually come to an end, and it is finally time for the Archive-Museum and the Department of Biotechnology to part company. Biotechnology is moving to a brand new Faculty building on the outskirts of Delft, uniting with other Faculty Departments. The Archive-Museum is moving around the corner to the old Department of Mining building, now the Delft Science Centre where the collection will occupy second floor rooms over the main entrance, next door to the minerals collection of the Department of Mining.

Regular readers of this blog will know that digitisation and cataloguing of the collection has been an on-going process and we’ve frequently been surprised as volunteers have found manuscripts and odd equipment as they’ve catalogued the contents of boxes. As we prepare for the move this is still true, and readers will no doubt be hearing about some of our more unusual discoveries (e.g. the papers relating to the unmasking of a cold war spy in the Department) in later posts.

Saying farewell to the Julianalaan will be sad in some ways (most of my scientific career was spent there), but our new rooms will be better lit and considerably less dusty. The Museum will be more accessible as it will no longer be necessary to walk through an active biotechnological laboratory to reach it. Last and not least, the move is giving us a chance to sort the document collection more logically, something that researchers who’ve visited us in search of specific documents will appreciate!

Sadly, there are no pictures of the first “microbiological laboratory” and the building was demolished at the start of the 1890s, but by collecting the occasional descriptive comments from Antoni van Leeuwenhoek’s letters, we can gain a glimpse of the room where so many types of microorganism were seen for the first time. The following is an extract from our book “Antoni van Leeuwenhoek: Master of the Miniscule” which is scheduled for publication by Brill, Leiden (Brill.nl) in April, 2016.

Van Leeuwenhoek’s home and workshop

Antoni van Leeuwenhoek worked in his comptoir. The word literally means a counting or writing room, but it was actually his workshop. It was located in an annex to his house so that he would not be disturbed. The room was partitioned off with wainscoting, with a hole to accommodate the spring pole of his lathe. The bottom two of the four windows overlooking the street could be opened upwards, and were fitted with wooden shutters. His workshop could be closed off “so that little or no air enters from outside”, but if he was working with a candle, he preferred to open them a little, and cover the window with curtains.

His letters and the inventory of the house compiled after the death of his daughter Maria reveal some of the equipment and materials that he used. As well as his lens and microscope making equipment, there was a small furnace to extract gold and silver from ore, a barometer, a salt water aquarium, sharp blades, chemicals (including the distillate “brandewijn” for conservation and saffron for colouring), and a collection of specimens ranging from minerals to the testicles of a rat preserved in spirits. He had a balance with weights, a glass-blowing table with a lamp, and an anvil for the production of his microscopes, and all of his surveying equipment.

Many of the objects that Van Leeuwenhoek studied came from the immediate surroundings of his home. He had two gardens, one adjoining the house with a well and another outside the city. He kept a green parrot for a long time and examined the excrement of the sparrows in his yard after feeding them. Delft’s fish market was just across the canal from his house. Since he regularly attended the dissection demonstrations at the neighbouring Anatomy Theatre, it seems likely that he brought samples home. Additionally, in a few of his letters he mentioned that sailors returning from voyages brought him exotic samples.

The star shows the position of Van Leeuwenhoek’s house in relation to the Town Hall, where he worked, the marketplace and the Old Church where he is buried.

The Microbiology Laboratory

Beijerinck originally came to Delft in 1885 to set up and run a microbiological laboratory in J.C. van Marken’s Yeast Factory. Van Marken and his wife were enlightened employers, providing their workers and their families with on-site houses, education, medical and social facilities. Van Marken made it a point of honour to keep all of his staff informed about the factory by means of an internal paper called “De Fabrieksbode”. In 1885 he wrote an article about the need for proper bacteriological studies, edited extracts of which follow:

“I would like to explain the need for the appointment of Dr. Mr. W. Beijerink as Chief of the Bacteriological Laboratory of the Yeast Factory…..

I have previously discussed the idea that “life is a struggle”, in this case between yeast and against harmful bacteria. The day on which the last harmful bacteria has been expelled from our

factory will be a cause for celebration and a public holiday….

We would have a quality supply of yeast, which would overcome the sharpest competition; our yeast would be able to circle the world in 80 days, without spoiling.

So fight the harmful bacteria!“

Van Marken’s attitude to results seems remarkably relaxed, contrasting with the attitudes of modern industry. He went on to say:

”Whatever the case, the arrival of the scholar, Dr Beyerinck must be appreciated in more ways than one. We must not have exaggerated expectations of his activities in and for our factory, but have faith that in maybe one, five or even ten years, some day a ray of light will be cast into the darkness of the fermentation business and bring incalculable advantages to our company.”

It cannot be claimed that Beijerinck was happy as an industrial scientist. He felt responsible if errors incurred financial losses, and his interests were much wider than required by his job. As can be seen from the table below and his laboratory journals, he seems to have normally had several unrelated lines of research running at any one time. Only the rows marked * involved work needed by the Factory.

TOPICS OF PUBLICATIONS THAT APPEARED DURING BEIJERINCK’S INDUSTRIAL YEARS

Sunsets (Were the spectacular sunsets of the time due to dust from Krakatoa?)

Root nodules and their bacteria

Plant galls

Grasses, carrots, gardenias, barley

Algae, protozoa in drinking water, hydrogen peroxide in living organisms

When his sisters, Henriette and Johanna, visited him in his laboratory, Henriette reported that he “sat there, surrounded by a mass of retorts, bottles and glasses, boxes, corks and heating apparatus, so that it looked like the workshop of an alchemist”.

Eventually, Van Marken and a few others managed to persuade the Delft Polytechnic (now Delft University of Technology) that they really needed a Department of Microbiology with Beijerinck as its Professor. Until his new lab was ready, he continued to use the laboratory at the Yeast Factory. Their support continued for the rest of his life – when Beijerinck retired, the Yeast Factory paid for the construction of a laboratory in the garden of his retirement house in Gorssel.

Applied Botany

After his appointment as a Professor, Van Iterson initially worked in Beijerinck’s lab , but in 1908 he was given space in a house at Oude Delft 81, a building used for temporary accommodation by the Polytechnic. As can be seen from the photographs, the rooms were small and not really suitable for use as teaching laboratories. The office, and the library were tiny, and the greenhouse was far too small for a Department called “Applied Botany”. It wasn’t until 1911, when he was offered a job in Java, that the Polytechnic agreed to start work on a purpose-built laboratory and Botanic garden. Both finally opened in 1917. At the time of writing, the laboratory is now part of Delft University’s Department of Biotechnology, but the Department will move to a new building later this year. The Garden’s website is HERE.

During the first half of the 20th century, it seems to have been customary to make certificates, posters or books to commemorate special events. The Archive includes a number of photo albums showing laboratories in the University or even abroad, but three examples stand out, not least because of the considerable amount of work that went into them.

The first is a book made for Kluyver by three of his pupils (van Niel, Leeflang and Struyk) a few years after he became Delft’s Professor of Microbiology. The book compares Beijerinck’s 19th century approach to the wonders to be found in 1 gram of soil with Kluyver’s 20th century approach to the wonders associated with 1 gram of carbinol. That’s not students kneeling outside the Professor’s door in the 4th page, but representatives of industry!

The second is a handmade poster (about the size of a large double bed) that was made to mark the 25th anniversary of Kluyver’s inaugural lecture. It shows notable features from those 25 years, including sketches of the laboratory, Kluyver’s most famous work (The Unity in Diversity) and his inaugural address (“Rede”) in which he emphasized the importance of applied research. Every rectangle represents a story.

The Kluyver Flask (still used for growing submerged, well-mixed cultures) and a shaker for closed jars containing oxygen-free cultures are shown. During the Dutch “Starvation Winter” at the end of World War II, Delft’s Yeast and Spirits Factory gave their staff soup made from yeast extract at lunch time, and as one of their advisors, Kluyver regularly benefited from this at weekly meetings. Lastly, at a time when it was usual to stand if a Professor came into the room, the staff’s affection for Kluyver shines through in several squares teasing him about his smoking!

A book to mark van Iterson’s 25th anniversary as a Professor also falls into this category despite being essentially a photo album because the makers included all of his PhD students, postdocs and co-workers from other countries, showing who they were, what they did and what happened to them afterwards. van Iterson’s conviction that the primary job of a Professor is to teach is obvious from the fact that there’s 160 pages, each with one or more person on it. The example here shows J.E. van Amstel, the first woman to be granted a Doctorate in Delft.

Thanks to the hard work of volunteers over the last couple of decades, the catalogues for the various collections in the Archive are gradually becoming more detailed, and this continues, in combination with document scanning. Also, now that we’re going to be moving to another building at the end of the year, the current team has been investigating cupboards and boxes that were fairly low down the priority list. We’re often surprised by what we find. Many things shed light on how things were done in the late 19th and early 20th centuries, others are simply curiosities which may add to our questions even as they answer others. For example, letters by van Iterson to an instrument maker explained the envelope full of paper discs labelled “anorthoscope” and we then discovered in the Instrument Catalogue that we still have one! Anorthoscopes might be considered to be a forerunner of movies where the user turned a handle and figures on paper discs seemed to walk or run. Judging by the results of internet searches, they’re largely considered to be toys, but van Iterson was obviously using them for some sort of research, although we still aren’t sure what! The images with this post show examples of other finds.

In roughly chronological order:

Beijerinck started as a botanist (the discipline of microbiology hadn’t really been invented then) and wrote his PhD thesis on plant galls. It was obviously a subject close to his heart since he kept his samples, including a couple of boxes containing 19th century pillboxes full of different sorts of gall.

Beijerinck’s work on TMV is credited as being the first to establish that the causative effect of Tobacco Mosaic Disease was self-replicating and thus not a chemical. That we have his lab journals is well-known, but we also have the plates used to illustrate that first paper (and many others). There’s actually 5 plates in this set, each slightly different so that the published image was correctly coloured.

A fairly recent gift to the collection was a set of brown notebooks that were found after the death of the donor’s relative. These proved to be a full set of lecture notes made by a student during Beijerinck’s microbiology lecture series. We’ve also been given the set of notes that Kluyver made for his speeches when his PhD students were awarded their Doctorates, among other things. I love the moment when someone comes through the door and says “someone I know is clearing a house and wants to know whether the museum wants this”…

Harry Barker spent a year with Kluyver in the 1930s, doing some of his early work on methane-producing bacteria, and his slides are among a pile of microscope preparations from that period that turned up in a cupboard. As well as the slides, we have glass bottles containing chemicals, preparations and samples, including a very early enzyme extract labelled “lactase”. There was still measurable activity in the sample when it was tested in 1989 despite the fact that storage conditions have been less than optimal over the century since it was made.

During WW2, Kluyver was Chairman of a committee that tried to maintain contact with the students who’d been taken as forced labour to work in Germany. We still have many of the papers relating to that time, including the card indexes showing where the students were, and where they were working, as well as correspondence from students and the authorities. (Ignore the key, it’s just there to hold the papers flat.)

When Mrs van Iterson visited the laboratory (quite a long time ago), she commented (more than once) that she wished that her husband had had a computer. When one looks at the drawings and calculations (made with nothing more than graph paper, log tables and a slide rule) it’s easy to see why. His work on phyllotaxis is still regarded as relevant today, and is a tribute to the days and days of patient calculation and drawing that formed the foundations of modern mathematical modelling.