Showrunner Steven Moffatt will also depart the BBC show at the end of the year and new reports claim the “Time Lord will bid a final goodbye to Clara Oswald as well as Bill Potts”.

A source told the Mirror: “Jenna Coleman has agreed to film something new as Clara.

“It’s become a tradition now for the companions to reappear as the Doctor regenerates and Jenna isn’t letting the side down.

“It’ll help to give Peter the send-off he deserves after three years.”

Jenna’s comeback is in line with the other companions returning to say goodbye as Billie Piper returned as Rose Tyler for David Tennant’s exit in 2009 and Karen Gillan also came back for Matt Smith’s farewell in 2013.

…says no one. The new Spider-Man: Homecoming, which celebrates Peter Parker’s immigration to the Marvel Cinematic Universe as a headliner after his scene-stealing appearance in Captain America: Civil War last year, is, according to the most recent data available, the sixth big-screen Spidey flick since 2002. Who needs another?

Well, if they’re going to be as fizzy and funny and warmhearted as this, keep ’em coming.

(4) SWEARING FOR SCHOLARS. Yesterday’s Scroll item about stfnal swearing prompted David Langford to note in comments that the Science Fiction Encyclopedia’s recently added its own article about “Swearing”.

…The tradition of swearing by God or a variety of gods has been sanitized and science-fictionalized in various ways, perhaps most famously by E E Smith in his Lensman sequence, whose spacefarers swear vigorously by the invented “space-gods” Noshabkeming and – especially – Klono. “By Klono’s TUNGSTEN TEETH and CURVING CARBALLOY CLAWS!” cries Kim Kinnison when surprised in Children of the Lens (November 1947-February 1948 Astounding; 1954); reference is elsewhere made to this entity’s golden gills, gadolinium guts, iridium intestines and so forth. Unusually, Kinnison in Gray Lensman (October 1939-January 1940 Astounding; 1951) offers a defence of such swearing by Klono to his wife-to-be (who thinks it rather silly):

He’s got so much stuff – teeth and whiskers, claws and horns, tail and everything – that he’s much more satisfactory to swear by than any other space-god I know of. […] A man swears to keep from crying, a woman cries to keep from swearing. Both are sound psychology. Safety valves – means of blowing off excess pressure.

(5) ARISIA’S SMOFCON SCHOLARSHIPS. The group that puts on Arisia also funds SMOFcon scholarships, $1000 to be divided among selected applicants. (They don’t just do a handy-dandy press release like the CanSMOF crew I publicized yesterday.) See Arisia’s application guidelines at the linked page.

I found out about Robert Forward, a NASA scientist, when reading Stephen Gillett’s World-Building and so ordered it. Forward has some clunky character work and I wouldn’t say his female characters published in 1980 age well, but he outsciences Clement. I have four of Forward’s novels.

Naren Shankar has a long-running career in science fiction television. He’s written for such critically acclaimed series as Star Trek: The Next Generation, SeaQuest DSV, Farscape, and The Outer Limits. Naren has also been a showrunner for CSI and currently serves as a showrunner for SyFy’s The Expanse. Coming from a science-educated background, Naren has been able to help push real science in television shows. I had the opportunity to chat with him and get his perspective on the evolution of genre TV, his career, and all things The Expanse.

You have an amazing TV background. You’ve done so many different shows. Walk me through your origin story.

…After graduating, I decided to stay on in graduate school. I was in Applied Physics and Electrical Engineering; I had stayed on in Cornell. And one of my friends decided he was going to move out to Los Angeles and become a screenwriter. We always loved movies, we always loved television shows and that was always sort of part of late night TV watching in the fraternity. And my other friend was Ron Moore.

Ron was a political science major. About a year after our first friend went out to LA to try and become a screenwriter, he dragged Ron out there. Now, I had started college really early. I just turned 16 when I entered college. I was really young and was two years ahead of Ron, but we were the same age. I was several years into graduate school as I was working on my doctoral research. The way I describe it, I started feeling more and more like an expert on a smaller and smaller corner of the universe. And it felt kind of isolating. So what started happening is that I began taking courses in the arts, and history and literature again. Actually doing them, while I was doing my research. And what was happening was that I found that side of things extraordinarily fulfilling, and my lab rather lonely.

I actually remember the moment. I was walking back from this amazing lecture in a course that I was taking on the history of American foreign policy. This yearlong course by a brilliant lecturer named Walter LaFeber. And I walked out of this lecture and I was heading to my lab and I was thinking, “Fuck, I can’t be an engineer.” (Laughter)

It was literally that kind of moment. But I had about a year and a half to go —and so, I gutted it out. I finished and got my degree. And then when I got out of school, I got a couple job offers and didn’t really like them. I almost got a job offer from Apple Computer, which I probably would’ve taken, as an engineering software evangelist, but I didn’t get it. It had come down to two people. So I didn’t get that and I didn’t really know what to do. Ron was out in LA and he was just starting to break into the business and get his first gig. He said, “Come and be a screenwriter!” And I was like, “… That sounds great!”

Also, Marvel Entertainment has released a video clip of Stan Lee telling about meeting his future wife for the first time.

On April 14, 2017 Joe Quesada, Marvel’s Chief Creative Officer, sat down with Stan Lee at the Paley Center in Beverly Hills, Calif. The video below was originally planned to be part of a series from the event scheduled for release later this year. In remembrance of Joan Lee and her importance to Marvel and the history of comics as a whole, we felt it appropriate to release this now.

Men – this show is dull, nothing is happening, going to stop watching.

Women – this show is horrifying! Its my worst nightmare played out scene by scene! Going to stop watching.

Not good for ratings.

(13) FROM THE ANCIENT SEAS. BigThink’s 2016 article “Antikythera mechanism” includes a link to a YouTube video about a working reconstruction – made with Legos.

In June of 2016, an international team of experts revealed new information derived from tiny inscriptions on the devices parts in ancient Greek that had been too tiny to read—some of its characters are just 1/20th of an inch wide—until cutting-edge imaging technology allowed it to be more clearly seen. They’ve now read about 35,00 characters explaining the device.

The writing verifies the Antikythera mechanism’s capabilities, with a couple of new wrinkles added: The text refers to upcoming eclipses by color, which may mean they were viewed as having some kind of oracular meaning. Second, it appears the device was built by more than one person on the island of Rhodes, and that it probably wasn’t the only one of its kind. The ancient Greeks were apparently even further ahead in their astronomical understanding and mechanical know-how than we’d imagined.

One week from today, voting closes on the fabulous Hugo Awards. They’ll be handed out at Worldcon 75, being held in Helsinki, Finland, on August 12th, 2017.

The ballot this year is remarkably puppy free; that doesn’t mean there aren’t any puppy noms on the final ballot, but there aren’t any puppy-dominated categories as there have been in years past. It’s taken four-five years now, but WSFS (that’s the World Science Fiction Society, of which anyone who has joined this year’s con, or next year’s con, is a member. That’s right, Worldcon attendees and supporters, you’re all members of a WORLD society, not just a science fiction convention), in its slow, sometimes frustrating yet inexorable manner, has responded to the assault on the awards effectively.

In fact, there’s only one more step (well, two if you add in my suggestion that follows) required for forever ending puppy sadness: the ratification of 3SV.

Step 1: Ratification of Three Stage Voting. While this will turn Hugo Awards voting into a three stage, as opposed to a two stage process, and doing so will add more work for administrators and shorten the time frames for each stage a bit, the advantages FAR outweigh this.

3SV, as it has come to be known, will allow all of the voters to take an advance look at what will be on the final ballot, and then vote again on whether or not they BELONG on the final ballot. Finalists that receive above a certain number of “not on my Hugo Awards Final Ballot” will be removed and replaced by the next most eligible nominee(s)….

(15) SYNCOPATIC EQUATION. At Jed Hartman’s A + B = Awesome website, every time you refresh it you get an idea of the form “It’s A with/crossed with B with/in C.”

Tom Galloway says, “My favorite so far is ‘It’s Oliver Twist meets The Prisoner with dinosaurs,’ to which I came up with ‘Please sir, can I have some more information’ and a T Rex Rover.”

Renowned literary agent DongWon Song gave a great talk at this weekend’s SLF writing workshop, about how to pitch your work. One of the things he talked about is the idea of starting a pitch with the “A + B = Awesome” format, to suggest two other well-known works that your work is similar to in some way.

There was a lot more to the idea than that, but that part inspired me to put together a little pitchbot that provides suggestions for combining two works.

Note that this is intended entirely for entertainment purposes. (And it isn’t intended to criticize the “A + B = Awesome” paradigm, which is a far more useful pitching tool than I would have expected before hearing DongWon talk about it.)

A couple of writers who’ve seen this have said that it could also work as a writing-prompt generator.

(16) Q + P. Let’s play that game in real life – Tom Galloway introduces the next link:

In the grand tradition of Archie vs. The Punisher and Archie vs. Predator (Obj Dave Barry: I’m not making these up), come fall we’ll be getting Harley Quinn and Poison Ivy Meet Betty and Veronica.

The series will be co-written by Marc Andreyko and Paul Dini, with art from Laura Braga. Dini originally created Harley Quinn on Batman: The Animated Series, the show that also established the character’s flirty friendship with Poison Ivy. The new series will find them pitting their girl power against Riverdale’s most famous pair. When a proposal emerges to drain the wetlands between Gotham and Riverdale, Ivy sticks up for her beloved fauna by enlisting Harley to kidnap valuable heiress Veronica Lodge and her best friend, Betty. Chaos, you may assume, ensues.

(18) SHADOW CLARKE JURY MARCHES ON. In less than three weeks the winner of the Clarke Award will be known. The Shadow Clarke Jury is getting in its last licks – will the sf genre go down for the count?

This statement will not be popular among the Wayfarer’s legions of loyal fans and advocates, but I’m going to make it anyway because I believe it to be true: there is no real science fiction in A Closed and Common Orbit. In a climate where novels of so-called literary SF are often castigated by SFF commentators for using the trappings of science fiction to grant legitimacy and authenticity where none has been earned, when it comes to empty gestures the Wayfarer novels – clasped rapturously by fandom to its collective bosom – trump them all. I would not want to waste valuable time arguing over whether A Closed and Common Orbit is in fact eligible for the Clarke Award – the book is marketed as science fiction, there are AIs, aliens, distant planets, job done. Whether it deserves its place on the current shortlist is another matter entirely.

Organising and participating in this year’s shadow Clarke jury is turning out to be a pleasure on multiple levels, not least exchanging thoughts and opinions and discoveries with my fellow Sharkes. Speaking purely for myself though, the most significant effect of this experiment has been to make me question the very validity of ‘science fiction’ as a literary genre. In a literary landscape where everything is up for grabs, and where the tropes of science fiction – time travel, genetic and social engineering, apocalypse scenarios of every variety, artificial intelligence and mass surveillance – are increasingly becoming both core subject matter and metaphorical framing device for novelists of every nation and literary inheritance, can we usefully continue to argue for science fiction as a literature apart, worthy not just of separate study but of special pleading?

There are, in broad terms, two types of fiction. For convenience, although I am not happy with either term, I shall call them mode and genre. A genre work might include crime fiction, ghost stories, love stories and so on; they are identified by the type of story they tell. A war story would not count as a war story if war itself was not central to the story, if it did not include the familiar markers of battle, soldiers or any of the expected paraphernalia and effects of war. Modes, on the other hand, might include contemporary mainstream literature, historical fiction and science fiction. These are identified less by the the story told than by setting, style, affect, and other less readily defined characteristics. There is no specific type of story that must be told if a work is to count as historical fiction, it may be a love story or a war story or a story of political intrigue, but it must be set in the past.

I thought my feelings about this book were all sewn up. I actually began drafting this review with a hundred pages still to go, so secure did I feel in my opinion of After Atlas as the Clarke equivalent of His Bloody Project in last year’s Booker line-up: my hands-down favourite as a reading experience, though perhaps insufficiently innovative or controversial to justify its winning. And then came the ending, the unveiling of the central mystery, and I found myself thinking back to the autumn of 2015, when I went to see Guillermo del Toro’s lavishly over-produced haunted house movie Crimson Peak. I wasn’t expecting much from that movie, if anything, and so I spent the first hour and a half feeling excited at how wrong I’d been in my prejudgements. The film looked amazing, as predicted. Far more surprising was the conviction of the performances and – what’s this?? – a strongly scripted storyline I actually cared about. I began mentally drafting a blog post: how wrong I’d been about this film, how Del Toro had actually managed to square the circle and make a genuinely decent horror movie whilst operating within commercial constraints.

Since the 2013 all-male Clarke shortlist, it’s been assumed that Clarke jurors have been striving for gender parity of authors when constructing their shortlists, but more recently, through the data analysis of Nicola Griffith, we’ve become aware of the even greater problem of protagonist gender disparity: Apparently, genre readers and critics prefer to award books about males, regardless of author gender. I’ve often noticed that this is particularly true of the of the investigative-type police procedural mystery narratives, a modality SF writers often like try on, and exactly true of the police procedural selections on both the Clarke and Sharke lists.

While I wouldn’t be so hyperbolic as to say there is a deafening silence about female investigative protagonists, because there are a ton, but within SF, and especially within the SF book awards machine, the general perception of this mode is that it belongs in the masculine realm. The pragmatic, dogged, stiff upper lip investigator is a common, easy mold for authors to sink into, and although women protagonists could easily slip into that role, we readers, unfortunately, get more Mulders than Scullys.

Two novels that don’t appear to have anything in common, but are written by two powerhouses of opposing camps of the British literary community: Clarke winner and regular fan favorite, Tricia Sullivan, and Baileys Prize winner and regular contributor to various media on all things sci-fi, Naomi Alderman. Within the cloisters of British science fiction, these are two famous SF writers with a persistent presence in the field, yet neither has managed to vault over the high, imposing barbed walls of American commercial success.

It’s no secret that The Wayfarers series is written by someone whose writing is heavily influenced by the two-dimensional, wrap-it-all-up-before-the-credits, don’t-scare-off-the-advertisers format of television, so it’s no surprise to me that this book reads like a novelization of a TV/movie that has already been made. (No, I’m not talking about Firefly. This series is nothing like Firefly.) Fans and reviewers have been hooked by the low-risk palling around of characters, the exotic alien foods, and the explainy, back-and-forth dialogue that attempts to teach open-mindedness. It is Doctor Who without the danger and squirm; Farscape without the oppressive political foes, Friends without the humor and occasional cringe.

Of all the six Clarke-listed novels, The Underground Railroad best does what I think a Clarke-winning novel should do. It has Handmaid’s Potential: it employs the tools of science fiction (anachronistic technology and alternate settings and timelines) to examine and illuminate the present reality, and will make more sense to people of the future than it does right now because we are too embedded in the system that it critiques. It’s the only novel on the list that I think will be remembered and still considered important in twenty years.

Some might be surprised to see that I’ve ranked A Closed and Common Orbit above Occupy Me, but at least ACACO does what it sets out to do—which is very little—while Occupy Me just feels messy and careless, a frivolous taking on of experimentation and entertainment that achieves neither.

Through much of A Ghost Story, Casey Affleck or a stand-in plays a dead soul, draped in a sheet with cut-out eye holes. This low-budget approach to the supernatural might suggest that writer-director David Lowery is playing a Halloween trick on movies that take the paranormal seriously. Except that he opens the tale with a line from “A Haunted House,” a story by Virginia Woolf, not Stephen King.

Victoria LaBarre was climbing out of a canyon and into a bright, vast, seemingly lifeless landscape when she started to experience an astronaut’s nightmare.

“Suddenly,” she said, “I couldn’t breathe.”

The symptoms were real — maybe from claustrophobia, or from exertion at high altitude. But LaBarre didn’t unlatch her helmet to get a breath of fresh air because, in this simulated Mars exercise in the Utah desert, she was supposed to be an astronaut. The canyon was standing in for Candor Chasma, a 5-mile-deep gash in the Red Planet’s surface. On Mars, there’s no oxygen in the air — you do not take off your helmet.

So, instead, LaBarre radioed for help from fellow members of Crew 177. The team of students and teachers from a Texas community college had applied together to live and work for a week this spring in a two-story metal cylinder at the privately run Mars Desert Research Station near Hanksville, Utah.

A horror movie inspired cocktail book with gross-looking but delicious party drinks, all wrapped up in an awesome ’80s VHS package. There are 55 recipes spread across 5 chapters (shots, gelatin, punches, special fx, and non-alcoholic) inspired by classic pulp horror movies of the ’80s and ’90s, complete with viewing recommendations. The movies may be weird, the drinks may look gross, but the elevated drink making techniques and unusually tasty recipes keep readers and their guests interested and coming back for more. Great for theme parties, Halloween festivals, movie fans, and retro enthusiasts.

[Thanks to Tom Galloway, JJ, Chip Hitchcock, Martin Morse Wooster, Steve Green, Carl Slaughter, John King Tarpinian, David Langford, and John A Arkansawyer for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

In fiction, you can sell just about anything as contemptuous so long as the characters react to it appropriately. You can give it a cultural underpinning if you want; the story about longbows and the V-sign may not be true in reality, but in a story something along those lines could be a great touch of historical depth. In many cases, though, trying to explain why the gesture is offensive would probably turn into an unnecessary infodump. Instead it can just be like the line from Shakespeare: “Do you bite your thumb at me, sir?” We don’t need to know why biting the thumb is an insult for it to work in the scene. We just need to know whether this is a mild way of saying “screw you” or something to fight a duel over, whether it’s just vulgar or a sign that the other person is placing a curse. The intent and the reaction will tell us all that’s necessary.

(2) JOANN KAISER. The GoFundMe for JoAnn Kaiser has blown past its goal and has raised over $14,000 as of today. She is the widow of fan and bookdealer Dwain Kaiser, who was killed earlier this week.

Haffner Press. If you have any interest in pulp fiction, this is the publisher for you. Stephen Haffner issues substantial hardback volumes devoted to the magazine stories of Edmond Hamilton (creator of Captain Future); the crime fiction of Fredric Brown; the early work of Leigh Brackett (whose later credits include the screenplay for “The Empire Strikes Back”); and the occult detective stories of Manly Wade Wellman. One recent title, “The Watcher at the Door,” is the second volume in an ongoing series devoted to the weird tales of the versatile Henry Kuttner. Its foreword is by Robert A. Madle, a Rockville, Md., book and magazine dealer, who may be the oldest living person to have attended the first World Science Fiction Convention, held in 1939…..

Wildside Press. While its books aren’t fancy, this Washington-area publisher maintains an enormous backlist of classic, contemporary and off-trail works of fantasy, science fiction, adventure and horror. Wildside also issues new works of criticism focused on these genres, most recently Darrell Schweitzer’s “The Threshold of Forever.” In these easygoing and astute essays, Schweitzer reflects on the comic side of Robert Bloch (best known for his novel “Psycho”), Randall Garrett’s “The Queen Bee,” often regarded as the most sexist short story in the history of science fiction, and the work of idiosyncratic horror writers such as James Hogg, William Beckford and Sarban.

In Andy Weir’s novel-turned-Matt-Damon-movie The Martian, the protagonist endures the harsh terrain of Mars by using his own shit to grow potatoes. The idea isn’t that outlandish—over the last few years, a NASA-backed project has been attempting to simulate Martian potato farming by growing taters in the Peruvian desert. While early results were promising, new research suggests that survival of any life on Mars—much less potato-growing humans—might be more difficult than we thought. I blame Matt Damon.

Scientists at the University of Edinburgh tested how the bacteria Bacillus subtilis would react to perchlorates, which were first discovered in Martian soil back in 2008. Perchlorates are naturally-occurring (and sometimes, man-made) chemicals that are toxic to humans, but they’re not always so bad for microbes. In fact, in the Atacama Desert in Chile, some microbes use perchlorates in the soil as an energy source. On Mars, perchlorates allow water to exist in a briny liquid form despite the planet’s low atmospheric pressure.

However, when the researchers put B. subtilis in a bath of magnesium perchlorate solution similar to the concentrations found on Mars, and exposed the microbes to similar levels of UV radiation, the bacteria died within 30 seconds.

(5) WAFFLE TEST PATTERN. Scott Edelman invites the internet to chow down on chicken and waffles with Nancy Holder in Episode 42 of Eating the Fantastic. The encounter was recorded during StokerCon weekend.

Luckily, my guest this episode was not a skeptic, and enthusiastically accompanied me for the greasy goodness. Five-time Bram Stoker Award winning-writer Nancy Holder had been the Toastmaster during the previous night’s ceremony, is the author of the young adult horror series Possessions, and has written many tie-in works set in such universes as Teen Wolf, Buffy the Vampire Slayer, Angel, Smallville, and Wonder Woman.

We discussed her somewhat secret origin as a romance novelist, why her first horror convention made her burst into tears, how she got off on the wrong foot with acclaimed editor Charles L. Grant, what caused her Edgar Allan Poe obsession to begin, why she was a fan of DC Comics instead of Marvel as a kid, what Ed Bryant might have meant when he called her “the first splatterpunk to chew with her mouth closed,” and more.

Speaking before a Karlovy Vary film festival screening of Taylor Sheridan‘s Wind River, in which Renner plays a federal wildlife officer drafted to help solve a murder on a Native American reservation in Wyoming, Renner said the injuries would not affect his ability to do his job.

“It won’t stop things that I need to do. I heal fast and am doing everything I can to heal faster,” he said.

(7) MISSING IN ACTION. Massacres like this are usually reserved for Game of Thrones. Ben Lee of Digital Spy, in “Once Upon a Time season 7 adds five stars including this Poldark actor”, notes that season 7 of Once Upon a Time has started production and no less than seven members of the cast have been booted: Jennifer Morrison, Ginnifer Goodwin, Jack Dallas, Jared S. Gilmore, Emile de Raven, and Rebecca Mader.

(8) JOAN LEE OBIT. Deadline’s Patrick Hipes, in “Joan Lee Dies: Wife of Comics Icon Was 93”, notes her passing on July 4. IMDB shows she had parts in X-Men Apocalypse and the TV versions of Spider-Man, Iron Man, and Fantastic Four. She and Stan Lee had been married for 69 years.

(9) TRIVIAL TRIVIA

Lon Chaney Jr. is the only actor to portray four major Universal Monsters; the Wolf Man, Frankenstein’s Monster, the Mummy (Kharis), and Count Dracula.

(10) TODAY IN HISTORY

July 7, 1955 — The Science Fiction radio serial X Minus One aired “The Green Hills Of Earth.” As John King Tarpinian says, this probably wasn’t a coincidence.

This novelette opens with Avery getting a call offering her a job transporting an alien from the DC area to St. Louis. The aliens had appeared overnight, large domes across the country and until this one decided they wanted a tour of the country, what they wanted and their motives for coming to Earth were unclear. Their motives are still not very clear at the outset of the journey, but by the end–well.

The alien comes aboard the bus in crates and is accompanied by his human translator, Lionel. Each alien has a human translator, someone who was abducted as a child from a family that didn’t care for them, a child no one would miss (how horrible is that?) Avery starts driving and as they make their way across the US, she gets to know Lionel and through Lionel, the alien.

Avery’s a sympathetic narrator and she is genuinely curious about the aliens and willing to acquiesce to most of Lionel’s requests on the alien’s behalf. There is a lot about what it means to have consciousness—the aliens are not conscious—and what value, if any, that brings to existence. I found the ending to be both a surprise and quite endearing. Gilman is an easy prose stylist and Avery’s conversational and self-reflective voice is exactly what this story requires.

(15) ANOTHER TAKE. Speaking of “the one,” it’s given an actual review as part of Doris V. Sutherland’s “2017 Hugo Reviews: Novelettes” at Women Write About Comics.

Alien Stripper Boned From Behind by the T-Rex is, of course, the Rabid Puppy pick for Best Novelette. It is here as a result of Vox Day rather lazily repeating his prank from last year when he got Chuck Tingle’s Space Raptor Butt Invasion on the ballot as a dig at Rachel Swirsky’s “If You Were a Dinosaur, My Love.”

Some have dismissed Stix Hiscock (who, despite her masculine choice of pseudonym, is a woman) as a mere Chuck Tingle imitator. This would be unfair. After all, Chuck Tingle was not the first author to write weird dinosaur erotica, and Ms. Hiscock has as much right as he does to try her hand at the genre.

Taken on its own terms, Alien Stripper Boned From Behind by the T-Rex is a solid but undistinguished specimen of its kind….

He concludes that “Salvation strongly resembles recent congressional budget debates, punctuated by occasional kidnappings, car chases, and gunplay by an unidentified gang of thugs that want the world to end.”

One of the interesting aspects of science fiction is that it is a form sometimes used to criticize science, or more precisely the application of science, rather than glorify it. From Barry Malzberg to J.G. Ballard, Ray Bradbury to Pat Cadigan, Tom McCarthy to James Morrow—these and other writers in the field have in some way expressed a wariness at technological change and its impact, intended and unintended, on people and society. The quantity of such fiction dropping since the days vast and quick technological change first threatened, change has almost become the norm. Getting more outdated with each day, Eric Frank Russell’s 1965 The Mindwarpers is one such book. Republished as an ebook in 2017 by Dover Publications, the message at its heart, however, transcends time.

(18) MANY A TRUTH IS SAID IN TWEET. Wax on. Wax off.

Willful obtuseness on your part does not oblige engagement on my part.

(19) VIDEO OF THE DAY. Isotype from Henning M. Lederer is a soothing kaleidoscope-type animation with music from Orchestral Manoeuvres in the Dark.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, and Andrew for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

We buy books because they are great and smell good and feel right and occupy empty space and they’re our friends. “I don’t have this edition.” “This cover is too amazing to pass up.” “This one is signed.” “This is the one I had when I was a kid.” “This is only a dollar!” “I’ll keep it around and give it away to someone later.” I’ve even used this one to rationalize the purchase of a third edition of Langston Hughes’ The Dream Keeper and Other Poems: “I mean, I have two editions already, but this one’s illustrated!” Yeah, hardcore bookworms will come up with amazing reasons why they “need” to buy a book they already have. On the other hand, we will also buy the same book twice by accident. It’s there and it’s affordable…and we’re not going to drive home and look through our piles for it: we’re going to buy it again.

Judge people by their books/shelves

I know this one is tough to swallow. I also know some of you will debate that you’re better human beings than me and you are above and beyond judging others. Well, fuck it, I’m being brutally honest here and being judgmental has kept me alive this far, so I’m gonna keep doing it. If you invite me to your house and give me a tour of it and I don’t see a single book, I kinda want to get out of there because who the hell doesn’t own at least a couple of books? A house without books is like a body without a soul. If you do have some books, us bookworms will find a way to sniff them out and study them. Then, silently and with a smile on our faces, we will judge you. John Waters said “If you go home with somebody and they don’t have books, don’t fuck them,” and I think most bookworms agree with that sentiment wholeheartedly. Likewise, we will probably change the way we feel about you based on the quality of the books on your shelves. For me, the books you own/read and the way you treat animals are the two factors that lie at the top of the list. You read good shit and you’re good to animals, I’ll get down with you even if you’re a mercenary. Is this horrible? Yes. Is this unfair because “good books” is a subjective term? Yes. Does it matter to us? Nope. Will we change or stop doing it? Yeah…no.

Earlier today, a black girl posted this Io9 article in the group as she was excited about the movie adaptation and release of Black Panther along with the plethora of cosplay opportunities available to people of color. The post was meant to be positive and celebratory, but we all know what happens when black people get together in excitement of something that positively highlights us in any form of media. Yep. Angry and fragile white folx with their exclamations of, “But what about me? Why does it have to be about race?” and my all time favorite, “You only like it because it’s about black people.” Racist trolls begin crawling out of the woodwork spewing bile and nonsense to whoever will give them the time of day. I mean, god forbid PoC (“people of color” for those of you asleep in the back) are excited about a film involving superheroes who look like us and are at the forefront of the storyline.

Trolls are trolls and we all know they live to stir the pot and poke to get a rise out of people. Most of us know not to feed the trolls. In most cases we look the other way. I tend to bite my tongue because I don’t have the energy to challenge and educate bigots via social media. I’m fucking tired, y’all. I’m SOOO goddamn tired, BUT, there are those instances where trolling goes too far which is what happened today in the OFFICIAL Dragon Con Facebook group.

What started out as ignorant incompetence from some random redneck, turned into comments that were not only racist, but anti-semitic, transphobic, ableist and misogynist. It got to a point where it was no longer a matter of ignoring the troll. This guy was threatening people – a group of con goers who will be gathered in my city for Dragon Con in less than two months. People were pissed, myself included. I mean, the racist did refer to me as a monkey when I challenged him. A monkey… how clever.

Regardless of the troll, serious conversations were happening on this post. Some people were actually listening and being educated by PoC putting in the emotional labor to teach them. To be honest, some of these conversations were actually kind of awesome. The majority of white folx were celebrating the film and some of the more stubborn lot were legit backing off and LISTENING. Any PoC will tell you that getting white folx to stop making it about them and actually listen when we talk about our experiences is a pretty big deal. We’re unpacking some complicated stuff in these conversations.

Of course the troll wasn’t having it. He kept on pushing and taunting, reaching into the collection of shitty memes he was no doubt waiting to unleash at the right time – some of which were direct threats to Black and Jewish people specifically. This went on for several hours, all while members of the group were reporting this guy to not only the moderators of the OFFICIAL Dragon Con Facebook group, but also sending emails to the Dragon Con staff via dragoncon.org. Strength in numbers right? I was so proud of my extended nerd family of all backgrounds joining together to vanquish the evil troll. We were all just waiting on the moderators of the OFFICIAL Dragon Con Facebook group to swoop in, swing the ban hammer, and let us continue with our conversations and celebration of Black Panther and black cosplay. That was, in fact, the whole point of the post to begin with.

I guess banning the troll would have been too challenging for the moderators of the OFFICIAL Dragon Con Facebook group because what did they do? Rather than simply remove this terrible waste of human flesh from the group, they deleted the post in its entirety. They essentially swept the issue under the rug AND KEPT THE FUCKING RACIST PIECE OF SHIT TROLL IN THE GROUP.

What makes this terribly tragic (aside from the obvious) is this is NOT the first time such an instance has occurred in the OFFICIAL Dragon Con Facebook group. They deleted posts and conversations that came up after the 2016 convention when people wanted to discuss the costumes done in poor taste (e.g. blackface and the burning world trade center towers) and what we as a community could do to stop it. People wanted to discuss what they saw at Dragon Con in the OFFICIAL Dragon Con Facebook group because isn’t that what the fuck the group is for?!?! When members asked why they weren’t allowed to openly discuss these topics, one of the moderators (there are seven of them, five guys, two women, ALL WHITE) simply said, “You’re giving these people the attention they were looking for by discussing it. We just don’t have time to moderate and read through every post.” So your solution is to silence people in the community and ignore it? You don’t have time? Well golly gee, isn’t that what you’re supposed to do as a moderator of a group? MODERATE?!?! If you don’t have the time, maybe don’t volunteer to be a moderator of a group of over 12k members. I dunno. Just using a bit of logic here.

I guess we can expect any post about Black Panther and/or the celebration of black cosplay to eventually be deleted. Posts such as these will almost always bring out the racist assholes who want to stir the pot…because racism and transphobia and anti-semitism and ableism and misogyny sure are fucking funny, aren’t they? Rather than cut away the rot, you slap a band-aid over it and let it continue to fester because, “you don’t have the time”…

Now the Library of Congress has named Ms. Smith its new poet laureate, the nation’s highest honor in that field. With the appointment, announced on Wednesday, Ms. Smith will take on a role held by some of the country’s most revered poets, among them Rita Dove, Louise Glück, Billy Collins, W. S. Merwin, Charles Simic and most recently, Juan Felipe Herrera.

Ms. Smith often plays with genre in her work and says it serves as “a distancing device.” Some of the verses in her 2007 collection, “Duende,” were inspired by westerns. Her 2011 collection, “Life on Mars,” which won the Pulitzer, is inflected with dystopian themes and tropes from science fiction. Many of the poems are meditations on cosmic affairs, like the incomprehensible vastness of space and humanity’s efforts to understand our place in the universe, but the collection is also anchored in the personal. The escapist, fantastical themes in the collection are blended with intimate reflections: mournful, elegiac verses about the death of her father, an engineer who worked on the Hubble Space Telescope.

“I was thinking about loss, and thinking as someone who was about to become a parent,” said Ms. Smith, who lives in Princeton with her husband, Raphael Allison, and their three children. “The distancing device of science fiction was helpful, and it changed the metaphors.”

(5) TODAY IN HISTORY

July 6, 1990 — George Jetson took Jane and the rest of his gang from the boob tube up onto the silver screen as Jetsons: The Movie.

Twenty minutes later, I continued on my journey; it was another 80km to L’Anse Aux Meadows National Historic Site. Stepping out of the car, my nostrils filled with the crisp, briny sea air carried in by a breeze that rippled across the grassy landscape.

It is here, on the northern tip of Newfoundland, that a significant moment in human migration and exploration took place.

In the year 1000, nearly 500 years before Christopher Columbus set sail, a Viking longboat, skippered by Leif Erikson, brought 90 men and women from Iceland to establish a new settlement – the first European settlement in the New World.

J. Jonah immediately latched on to Spider-man for a weirdly specific reason: he feared the young hero’s violent actions would lead children to idolize him, and they’d get themselves hurt in the process. “He is a bad influence on our youngsters” is a direct quote from page five of Amazing Spider-Man #1, and a direct summation of Wertham’s views. The parallels get stronger from there: while Wertham compared superheroes to the “Nazi myth” of the Ubermensch, J Jonah contrasted Spider-man against his own son, all-American astronaut John Jameson. Wertham called for comic censorship, and J. Jonah called for Spider-Man to be “outlawed.”

(10) BACK TO THE PRESENT. Marvel has announced the following creative teams and Legacy titles:

FALCON #1: TAKE FLIGHT! PART 1
Written by RODNEY BARNES
Art by JOHN CASSARA

THE INCREDIBLE HULK #709: RETURN TO PLANET HULK PART 1
Written by GREG PAK
Art by GREG LAND

Under the new deal, Carpenter will executive produce scripted programming with UCP for the NBCUniversal Cable Entertainment portfolio, as well as for external networks and streaming services, along with his producing partner, Sandy King, under their Storm King Productions banner.

UCP and Carpenter are already in development on “Tales for a Halloween Night” for SYFY. Based on Carpenter’s award-winning graphic novel anthology of stories, the series brings together storytellers from the worlds of movies, novels, and comics for a collection of horror stories featuring graveyards, sunken ships, and all the things that go bump in the night. A search for a writer is underway. Additionally, UCP and Carpenter are developing “Nightside,” based on the literary series by New York Times bestselling author Simon R. Green, with “Scream” TV series co-creator Jill Blotevogel attached to write the script. In the series, Nightside is the secret heart of London where creatures of the night congregate

“John Carpenter is an incredible creator whose dark imagination has left an indelible mark in film and in our dreams,” said Dawn Olmstead, executive vice president of development at UCP. “We are thrilled to have a master of the horror genre join UCP.”

Scientists have detected a new particle at the Large Hadron Collider at Cern.

The discovery will help researchers learn more about the so-called “strong force” which holds the centres of atoms together.

The existence of the new particle was theoretically predicted but this is the first time it has been identified.

The details of the Xi-cc++ particle were presented at a high-energy physics conference in Venice.

…Nearly all the matter that we see around us is made of neutrons and protons, which form the centres of atoms. These are made up of three smaller particles called quarks which can be either light or heavy.

New arrangement

There are, however, six different types of quarks which combine in different ways to form other kinds of particle. Those that have been detected so far contain at most, one heavy quark.

This is the first time that researchers have confirmed the existence of one with two heavy quarks. According to Prof Guy Wilkinson of Oxford University, there is an intriguing difference between the new particle and the ones that have been discovered before.

“In contrast to other particles of this type, in which the three quarks perform an elaborate dance around each other, a particle with two heavy quarks is expected to act like a planetary system, where the heavy quarks are like two stars orbiting one around the other, with the lighter quark orbiting around this binary system.”

The research team will now measure the properties of the Xi-cc++ to establish how this new arrangement of quarks behaves and how the strong force holds the system together. They also expect to find more double heavy quark particles.

It was 10 October 1465 – the day of the hotly anticipated wedding of King Alfonso II of Naples. He was set to marry the sophisticated Ippolita Maria Sforza, a noblewoman from Milan, in a lavish ceremony. As she entered the city, the crowds gasped. Before them was a sight so strange and beautiful, it was like nothing they had ever seen before.

….In fact, what Alfonso’s wedding party witnessed may have been more extraordinary than anyone imagined. Many thousands of miles away in the tropics, a giant volcano was making geological history. This was an eruption so big, it produced an ash cloud which enveloped the Earth and led to the coolest decade for centuries.

The blast itself would have been heard up to 2,000km (1,242 miles) away and created a tsunami which caused devastation hundreds of kilometres away. In terms of scale, it surpassed even the 1815 eruption of Tambora, which unleashed energy equivalent to 2.2 million Little Boy atomic bombs and killed at least 70,000 people. Traces of the eruption have been found from Antarctica to Greenland.

“Not many people know that lots of our clothes are made of plastic,” says Imogen Napper, a PhD student at Plymouth University, “polyester, acrylic.”

Ms Napper and Prof Richard Thompson study marine microplastics – fragments and fibres found in the ocean surface, the deep sea and the marine food chain.

And in a recent lab study, they found that polyester and acrylic clothing shed thousands of plastic fibres each time it was washed- sending another source of plastic pollution down the drain and, eventually, into the ocean.

It’s not easy predicting who will be the next to go on Game of Thrones. Some deaths seem so certain as to be almost predestined (Ramsay Bolton); some were literally predestined (Cersei’s children, Hodor); and some feel like they’re there just to mess with us — Ned Stark’s death basically told us, “This ain’t your grandfather’s fantasy series.” We did pretty well with last year’s Peril-o-Meter, so here are our best predictions for this season on a scale of 1 to 5 — with 1 being “Very Likely to Survive” and 5 being “Call a Mortician.”

[Thanks to John King Tarpinian, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Stephen Burridge, Andrew Porter, Jim Henley, and Danny Sichel for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

(1) PREMIO MINOTAURO. Nieve en Marte (Snow on Mars), a science fiction novel written by Pablo Tébar, is the winner of the 2017 Minotauro Award, Spain’s literary award for the best unpublished SF, fantasy or horror novel. The prize is worth 6,000 Euros.

The novel earned the unanimous vote of the Minotauro Award Jury, this year composed of writers Javier Sierra and Manel Loureiro, the Director of the Sitges – International Fantastic Film Festival of Catalonia, Ángel Sala, movie producer Adrián Guerra and the editor in chief of Ediciones Minotauro publishing house, Marcela Serras.

This is the fourteenth year that the International Fantastic and Science Fiction Literature Award has been presented by Ediciones Minotauro. (Hat tip to Europa SF.)

I was at convention yesterday and heard a panel discussion about the old “hard vs. soft” science fiction debate. I realized while listening that there is a huge amount of baggage that people associate with the term “hard science fiction,” and that by using it when I describe the focus of Compelling Science Fiction I may be conveying something different than intended. Because of this, I’m going to start using a different term when talking about what sub-genre Compelling Science Fiction focuses on: “plausible science fiction.” The word “plausible” is still ambiguous, but I believe it doesn’t have all the semantic cruft that has built up over the decades around “hard.” We will no longer reference “hard science fiction” when describing our magazine, even though what we look for in stories is not changing.

“Plausible science fiction,” in this context, means “science fiction that tries not to disrupt suspension of disbelief for people that have knowledge of science and engineering.” This can mean not blatantly contradicting our current knowledge of the universe, and it can also mean not blatantly ignoring how humans generally behave. It also means internal self-consistency….

(3) STORY TIME. LeVar Burton reads to you — in the intro he says he’ll pick short stories from a lot of genres, including his favorite, science fiction — on the Levar Burton podcast.

Alma Boykin here. I have been successfully getting in my own way and not marketing (fiction) books since December 2012. In the process, I’ve managed to make pretty much every mistake you can do as an indie author, bar one. Dorothy Grant, Cedar Sanderson, and others have written a lot about how to market your books and stories. So here’s a quick guide on how to successfully not market your book, thus ensuring that only the most selective, discriminating, or lucky readers will ever find it. …

No social media presence ever. I did give in and start a blog, Cat Rotator’s Quarterly,(Alma! I added the blog name and link! You should promote it! -Ed.) in February 2014, but I have no Twitter, Facebook, G+, LiveJournal, Snapchat, Pinterest, or whatever other social media platforms are out there. This is another great way not to tell people about your books. What they don’t know about, then can’t find. HOWEVER! If used properly, social media can help not-sell your work. Some of the best ways are to overload anyone who follows you with near-daily announcements about “Only three years, two months, and a day and a half until the release of [book]!” or “Hey, boy my book! Buy my book!” The more often you remind people to buy your work, the more they will drop your feed and flee the company of your works. Think of it as the electronic version of the whiney 5-year-old in the back seat asking “Are we there yet? Are we there yet? I gotta go. Are we there yet?”

Greg Egan is known for some spectacular science fiction novels in recent years, and his latest looks pretty out there. It’s set in a strange universe where light can’t travel in every direction. Its inhabitants can only face and travel in one direction: east. Otherwise, they’ll get distorted across the landscape. A surveyor named Seth joins an expedition to the edge of inhabitable space, where they discover an unimaginable fissure in the world — one that will stop the ongoing migration of its inhabitants. The only way forward is down, to try and find a way to save everyone.

(6) THE WORST FORM OF GOVERNMENT, AFTER ALL THE REST. David Langford has made a belated addition to the July Ansible – a copy of “the tasty General Election campaign flyer from a candidate in our area.” Well worth a look.

On Wednesday 16 August 2017 at 7.15pm I’ll be chairing a discussion with Charles Stross and Jo Walton on ‘End Times, Crazy Years’, to ask: what happens when reality outdoes dystopia, let alone satire?

My own work comes up for discussion on Thursday 17 August at 2.30 pm, when I’m on with Charlie Fletcher, who, like me, has just completed a trilogy.

I’ve long been a proponent of the argument, which I first encountered in the work of Gary Westfahl, that informed and engaged criticism by active readers has shaped the SF genre perhaps more than any other, from the letter columns of Amazing Stories onward. Who better to test this contention with than two outstanding critics who are also outstanding writers? That’s what’s on offer on Thursday 17 August at 5.30 pm, when I chair a discussion between Adam Roberts and Jo Walton.

World UFO Day was organized by WorldUFODay.com in 2001, and was put together to bring together enthusiasts of UFO’s and the evidence they’ve all gathered to support their existence. …Many of them believe they already have arrived, and anyone who knows anything about UFO’s is aware of the stories of abductions and what is seen as the seminal event in UFO history, the crash at Roswell. While they believe that the governments of the world are presently hiding this information from the populace, this in no way discourages believers from continuing to search for the truth they’re certain is out there.

NASA has not enslaved a colony of children on Mars nor is it using them for vile orgies on the Red Planet nor feasting on them to harvest their precious bone marrow, officials have told The Register….

On Thursday, one of President Trump’s favorite talking heads, Alex Jones, interviewed ex-CIA officer Robert David Steele during his radio show. Steele made some astonishing – think nuttier than squirrel crap – allegations of NASA covering up that humankind already has an outpost on the Mars. And that the alien world was red not just with oxidized iron dust but with the spilled blood of innocent youngsters snatched off the street and shipped into outer space.

“We actually believe that there is a colony on Mars that is populated by children who were kidnapped and sent into space on a 20-year ride. So that once they get to Mars they have no alternative but to be slaves on the Mars colony,” Steele claimed. How exactly they are still children after 20 years of space travel wasn’t, funnily enough, explained.

…”There are no humans on Mars yet,” NASA spokesman Guy Webster told El Reg last night, presumably restraining himself from adding” “I can’t believe I have to answer this kind of stuff.”

(10) TODAY IN HISTORY

July 2, 1959 – Premiered on this date, Plan 9 From Outer Space.

July 2, 1992 — Theoretical physicist Stephen Hawking breaks British publishing records on this day. His book A Brief History of Time has been on the nonfiction bestseller list for three and a half years, selling more than 3 million copies in 22 languages.

For African historians, the realisation during the late 1990s of the full scale of Timbuktu’s intellectual heritage was the equivalent of the discovery of the Dead Sea Scrolls for scholars of Judaism in the 1950s. When the African American academic Henry Louis Gates Jr visited Timbuktu in 1997 he actually burst into tears at the discovery of the extraordinary literary riches. He had always taught his Harvard students that “there was no written history in Africa, that it was all oral. Now that he had seen these manuscripts, everything had changed.”

Yet with the coming of al-Qaida, there was now a widespread fear that this huge treasure trove, the study of which had only just begun, could go the way of the Baghdad, Kabul or Palmyra museums, or the Bamiyan Buddhas. Before long, efforts began to smuggle the most important of the manuscripts out of Timbuktu and to somehow get them to safety in Bamako, the capital of Mali. The story of how this was done forms the narrative backbone of The Book Smugglers of Timbuktu, which consequently reads like a sort of Schindler’s list for medieval African manuscripts, “a modern day folk tale that proved irresistible, with such resonant, universal themes of good versus evil, books versus guns, fanatics versus moderates”.

You’d be hard pressed to find a comics or cinema fan not aware of the highly anticipated Justice League film due this November. What many of these fans might not know is that this is actually the second attempt at adapting DC Comics premiere super team – with the feature-length pilot for a CBS Justice League of America TV series pre-dating it by a whole decade!

The reason why most people are oblivious when it comes to the Justice League pilot is simple: it never aired in the United States (although it did see the light of day on some international networks). The rationale behind the CBS executives’ decision to bury the pilot is even simpler: it’s… uh, not very good (like, at all).

The worst of all was its –

Mockumentary-style Interviews

Another “surprisingly ahead of its time” aspect of the Justice League pilot gone horribly wrong is its inclusion of mockumentary-style, to-camera interviews intercut through the episode.

Ever since The Office popularized the mockumentary format in TV comedy, there have been plenty of imitators with little interest in accurately simulating its “real-world” mechanics (looking at you, Modern Family). But way before any of these – heck, before The Office itself! – the Justice League pilot was completely throwing any sense of verisimilitude out the window entirely!

Think about it: who is filming these interviews? How come they know our heroes secret identities? Why isn’t the rest of the show shot like a documentary? These questions and more immediately come to mind as soon as the first interview cut-away rolls around, but those looking for answers shouldn’t get their hopes up.

Every Heart a Doorway by Seanan McGuire Young teenagers, mostly girls, have gone to alternative worlds where they felt at home. The alternative worlds are mostly different, some are fantasy lands, others are based on logic, some are based on some kind of horror motive, and so on. In the most cases, the youths felt at home on those worlds. For some reason, some of them have been cast out. Time has moved at a different rate for them in many cases. It might have been years in our world and their parents assumed that their children had been abducted/run out and are most likely dead. The relationships between the children and their parents are usually very strained – and usually they were strained even before the youths went away. The victims are gathered to a special school, which is run by an old woman who herself had the same fate as a teenager. She looks middle-aged but is possibly much older. A young girl goes to the school. Soon other pupils start to die – gruesomely. The other pupils naturally first have some suspicion toward the new pupil, especially as she comes from a world where death himself is an important figure. A pretty good story with a new look at what Alice in Wonderland and Narnia (according to the novella, Lewis didn’t really know anything, he just used stories he had heard – badly) might actually mean. A nice and interesting story, with unusual characters and excellent writing.

(1) HAN SOLO DIRECTORS AXED. The untitled Star Wars Han Solo spinoff started principal photography on February 20 at London’s Pinewood Studios, but progress has come to an ass-grinding stop with the departure of directors Phil Lord and Christopher Miller, who cited “creative differences” for the split.

Phil Lord and Chris Miller’s reputation for writing irreverent, poppy films such as “21 Jump Street” and “The Lego Movie” helped the white-hot writing and directing duo land one of the most coveted gigs in Hollywood — a chance to call the shots on a “Star Wars” film.

But their chance to put their stamp on a galaxy far, far away collapsed on Tuesday with the stunning announcement that the pair would be departing the still untitled Han Solo spin-off movie in the midst of production. Their exit comes after months of conflict with producer Kathleen Kennedy, others from her LucasFilm team, and co-writer and executive producer Lawrence Kasdan, and the two directors hired to infuse the “Star Wars” universe with a tongue-in-cheek sensibility.

Miller and Lord were stunned to find that they were not being granted freedom to run the production in the manner that they were accustomed to. They balked at Kennedy’s tight control on the set.

So maybe, even if you hear the words you’ve written with a perfect what-ever-it-is accent, you’ll want to think carefully before giving voice to their accents. This is a time when enlisting the assistance of a friend can be useful. Read aloud to them and ask them to tell tell you if it works. If your listener says you’re more [Dick Van Dyke’s Bert the chimney sweep] than Sir Ben Kingsley, rethink.

But my dialogue is written in dialect! Okay, but you don’t have to read inflections that are not in the page. If you’ve got a character saying “I don’t know ‘ow!” you can soften the presumed “Oi” in I; if you aren’t good at the vowels, don’t hit ’em hard. And remember, it’s more important that your listeners follow the sense and meaning of the words than that they get a full theatrical performance.

At its annual Democratic Design Day event in Älmhult, Sweden, IKEA has revealed its latest collaborations and products, with a focus on millennials and space travel. Yes, space travel.

To this end, IKEA has done something rather drastic. It’s banished a delegation of its in-house design team to live in a simulated Mars habitat at the Mars Desert Research Station in Utah, America, to learn what it’s like to live in the inhospitable and cramped environs of off-world settlements.

When the company learned that Nasa and students from Sweden’s Lund University School of Industrial Design were working on what would be needed for a three-year space mission to Mars, IKEA requested to join the project.

The home furnishings giant wants to tap in to what scientists and engineers learn from spaceflight to Mars, and apply these discoveries to products and methods for everyday life at home. Marcus Engman, head of design at IKEA, said the company wants to find out what could make space travel “homey” and to identify the boundaries and restraints needed to work in that environment, and then port that knowledge into IKEA’s own product development and “use space knowledge for a better everyday life on Earth”.

Lea Thompson couldn’t give a quack about what you think of Howard the Duck, the puntastic 1986 Marvel Comics-based action-comedy that ran afowl of movie critics and has lived in film infamy ever since. The George Lucas-produced movie has a fan base out there, and that’s good enough for her.

“People love that movie!” Thompson said of “HTD,” as she likes to call it, during a Facebook Live interview with Yahoo Movies (watch the full interview below). “They’re releasing it again in Blu-ray or something… They don’t just do that because they’re nice.” (The film was made available on Blu-ray for the first time last May.) “It’s a hilariously bizarre movie,” Thompson continued. “The only thing that I can say that I don’t like about it is that I thought it was a little long.”

The film, which featured the Back to the Future breakout as a Cleveland singer who helps the anthropomorphic duck acclimate to life on Earth, runs 110 minutes, which is still well short of the average runtime of today’s Marvel movies, including the two Guardians of the Galaxy films that have briefly resuscitated Mr. HTD

(7) FIVE STARS. Marion Deeds and Kat Hooper each take a cut at Daryl Gregory’s Spoonbenders at Fantastic Literature. Here’s Marion’s first paragraph:

Spoonbenders (2017) by Daryl Gregory, is multi-generational family saga. It’s a coming-of-age story. It’s a psychic adventure story and a weird conspiracy tale for lovers of shadowy CIA projects like MKULTRA. It’s a gangster story. There’s a heist. There is a long con, and a madcap comedy along the lines of classic Marx Brothers routines. There are a couple of romances, a direct-distribution scheme, a medallion, a cow and a puppy. If we’re talking genre, I don’t know what Spoonbenders is. I know I loved it. I know it was fun and made me laugh, I know it was scary at times and I know I closed the book feeling happy and sad. And I know it’s a five-star book.

(9) SAD PUPPIES PROGRESS REPORT. Sarah A. Hoyt returned to tell Mad Genius Club readers what happened to Sad Puppies 5 in “About Those Lost Puppies”. After a lengthy recap of her version of history, she reaches the tentative present:

…Our intention was always to just create a page, in which those who register can post reading recommendations, not just of recent years, but of anything that struck their fancy. There will be a place where you can say when the book was published and if it’s eligible for an award — and not just a science fiction award — and a link to the award page for people to follow, if so minded. Yeah, we’ll include the Hugo, but probably with a note saying the award is in the process of self-destructing.

Thing is, I meant to have this up before nominations for the Dragon Award opened. But on top of the comedy of errors above, our website provider either crashed or was hacked, so while trying to survive auto-immune and meeting more deliveries than UPS, I’ve been trying to get it up and running again. (My author site is down also.)

So, that’s where we are. We’ll put it up sometime in the next couple of months, and then Amanda and I will run it, and then Amanda will take over Or Amanda, Kate and I will continue shepherding it.

When we said this before and pointed out that PARTICULARLY indie books need some place to mention them, we were linked to/lectured by someone one the rabid side, because apparently they already have a site, so we don’t need one of our own.

Tips hat to the right. Thank you kindly. But you guys are aware your aesthetics and goals aren’t ours, right?

You just turned Marxist aesthetics on their head, and are judging books by being anti-Marxist and how much they don’t support the neo Marxist idea of justice. That’s cool and all. To each his own. And since, so far, your crazy isn’t being taught in schools, it’s slightly less annoying than the Marxist crazy.

It is still annoying, though, because you’re still judging literary value by whether it fits your (at least as crazy-cakes’ as the Marxists) narrative and your precepts….

Nationals Park will look and feel a bit more like Westeros, the fictional continent from the popular HBO series based on George R.R. Martin’s novels, when the Nationals host the Reds on “Game of Thrones” Night on Friday.

Ahead of the event, the Nationals will hide 10 prize-filled “dragon eggs” in D.C., Maryland and Virginia. A Westeros-themed map posted on the team’s social channels and in The Washington Post Express on Tuesday morning will guide fans to the eggs, which contain a Nationals and “Game of Thrones” co-branded T-shirt, two tickets to Friday’s game and a fast-pass to pose for a photo on the 800-pound Iron Throne that will be located in the Right Field Plaza.

…The Racing Presidents will wear different-colored cloaks with faux fur designed by Ingrid Crepeau, the same woman behind the elaborate costumes that the Racing Presidents have worn on “Star Wars Day” since 2015. Teddy and George showed off their costumes at AwesomeCon in D.C. over the weekend. Screech will be dressed as his favorite “Game of Thrones” character, the three-eyed Raven.

(12) SEUSS MUSEUM. The Washington Post’s Andrea Sachs asks, “Will the Dr. Seuss museum be one of the places you’ll go?” Her article reports on the Amazing World of Dr. Seuss museum in Springfield, Massachusetts, where museumgoers can make small books or “a Lorax mustache on a wooden stick, look at his art, and see the rooms where he wrote and drew his books, including hats given him from fans of The 500 Hats of Bartholomew Cubbins.

The ground floor brings to life several of his 40-plus children’s books. The front door opens up to “And to Think That I Saw It on Mulberry Street,” the first children’s book Seuss published. A statue of a police officer patrols a zany parade painted on the wall. Around the bend, step into McGrew’s Zoo, a riot of animals, most not found in the wild. A diagram shows some of the pretend creatures from “If I Ran the Zoo.” There is a preep, a proo, a nerkle and a nerd. Yes, a nerd — a word Seuss made up. Continue onward to make the acquaintance of Thing One and Thing Two, the Cat in the Hat, the Lorax and the tower of turtles from — burp — “Yertle the Turtle.”

The Amazing World of Dr. Seuss is a permanent, bilingual museum designed to introduce children and their families to the stories of Ted Geisel, promote joy in reading, and nurture specific literacy skills. The 3,200-square-foot first floor exhibition will provide opportunities to explore new sounds and vocabulary, play rhyming games, invent stories, and engage in activities that encourage teamwork and creative thinking.

The second floor will be filled with personal memorabilia belonging to Ted Geisel, including original oil paintings, a collection of zany hats and bowties, the original Geisel Grove sign which used to hang in Forest Park, and furniture from Ted’s sitting room and studio, including his drawing board, breakfast table, sofa, and armchair.

Federal police in Argentina recently discovered a time capsule of evil, hidden inside a house near Buenos Aires. Roughly 75 Nazi artifacts, including everything from a large knife to Nazi medical devices to a photo negative of Adolph Hitler, were uncovered in a secret room. Police are investigating when and how the items entered the South American country….

One reason that authorities in Buenos Aires has some degree of certainty that they are originals is that some items from the collection are pictured in photographs with Nazi leaders. For example, one item in the collection is a magnifying glass. The same magnifying glass is seen in a photo negative from the collection showing Hitler himself. Investigators showed the photo to the Associated Press on the condition that the photo not be published.

“This is a way to commercialize them, showing that they were used by the horror, by the Fuhrer. There are photos of him with the objects,” said Bullrich.

[Thanks to JJ, Daniel Dern, Cat Eldridge, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

Nobody likes layovers, but the first astronauts heading to Mars will get to experience one of the longest such experiences of their lives. They’ll have to spend one year going around the moon, which will probably be a very annoying wait for the first people heading to the red planet. It’s not all bad news, however, as they won’t just wait for time to pass by. NASA actually wants to make sure that the round trip to Mars, a 1,000-day endeavor, is carefully planned during the time.

NASA’s Greg Williams, revealed that the agency’s Phase 2 of its plan to send humans to Mars includes a one-year layover in orbit around the moon in the late 2020s, Space reports..

Williams, NASA’s deputy associate administrator for policy and plans at the Human Exploration and Operations Mission Directorate, revealed that NASA wants to build a “deep-space gateway” around the moon that would serve as the testing ground for the first Mars missions.

(2) ZUBRIN’S MARTIAN KERFUFFLE. Joel Achenbach’s article for the Washington Post, “Mars Society founder blasts NASA for ‘worst plan yet’”, reports on a space exploration conference sponsored by The Atlantic in which Robert Zubrin said NASA’s plan to build a space station orbiting the moon is a giant waste of money because no one before this suggested Mars expeditions needed to have a midway stop before.

Until recently, NASA branded virtually everything it was doing as part of a “Journey to Mars,”and Mars remains the horizon goal. The destination was even mandated in a recent congressional authorization act for NASA that was signed by President Trump.

In the meantime, NASA has more modest plans — and these plans don’t please Zubrin, for one.

NASA wants to put a “spaceport”in orbit around the moon. It would be a habitat for astronauts on long-duration missions. You could call it a “space station”if you wanted, though it wouldn’t be nearly as big as the one that’s circling the Earth right now. NASA refers to it as the Deep Space Gateway and describes it as “a crew tended spaceport in lunar orbit.“

…After the presentations, Zubrin gave The Post some additional thoughts on what he perceives as NASA’s failure to come up with a bold and coherent plan. He said that in the long history of NASA studies on the future of human spaceflight — and there is a long list of these lengthy reports — no one ever suggested that an orbital lunar outpost was a necessary part of an exploration program. Part of the problem, as he sees it, is the agency’s recent announcement that the first, uncrewed flight of the Space Launch System rocket will be delayed again, to 2019: “The tragedy of SLS is not that it is being delayed. The tragedy is that it doesn’t matter that it’s being delayed, because there’s nothing for it to launch anyway.”

(3) BACK IN ACTION. After an 8-year break, Elizabeth Moon relaunched her Vatta’s War series in April with Cold Welcome.

Zack Snyder, who has acted as DC Comics’ directorial visionary on a number of its most ambitious film projects, is stepping down from Justice League due to a family tragedy. The news, announced in an interview published today by The Hollywood Reporter, means Snyder will be handing the reins over to Avengers director and writer Joss Whedon, who will ferry the project through its remaining post-production stage before its November 17th release later this year.

‘Justice League’ is now in Joss Whedon’s hands

Snyder, whose daughter committed suicide in March at the age of 20, admits that he originally misjudged how the loss would affect his work. “In my mind, I thought it was a cathartic thing to go back to work, to just bury myself and see if that was way through it,”Snyder told The Hollywood Reporter. “The demands of this job are pretty intense. It is all consuming. And in the last two months I’ve come to the realization…I’ve decided to take a step back from the movie to be with my family, be with my kids, who really need me. They are all having a hard time. I’m having a hard time.”

(5) DANCING IN THE SAND. A ballet adaptation of Dune will be performed August 4-6 by the Vaught Contemporary Ballet at the Baltimore Theater Project (45 West Preston Street, Baltimore, MD 21201):

Frank Herbert’s 1965 novel, Dune, is widely recognized as the best selling science fiction novel of all time. It’s exploration of politics, religion, sexism and ecology set against an interstellar backdrop allows the reader a reflection on the human condition in the modern era. Herbert’s Fremen of Arrakis provide a counterpoint to a culture consumed by avarice — the desire for melange.

Join us as we depict Herbert’s illustrative words through the art of ballet. Movement will be on full display in its varied definitions as we follow Paul Atreides in his rise to power as both royalty and the prophet of the Fremen.

Google’s AI AlphaGo has done it again: it’s defeated Ke Jie, the world’s number one Go player, in the first game of a three-part match. AlphaGo shot to prominence a little over a year ago after beating Korean legend Lee Se-dol 4-1 in one of the most potent demonstrations of the power of artificial intelligence to date. And its defeat of Ke shows that it was only getting started.

“I think everyone recognizes that Ke Jie is the strongest human player,”9th-dan professional and commentator Michael Redmond said before the match. And despite defeat, Ke’s strategy suggested that the 19-year-old Chinese prodigy has actually learned from AlphaGo’s often unorthodox approach. “This is Master’s move,”said Redmond of one of Ke’s earliest plays, referring to the pseudonym that AlphaGo used for a recent series of online matches in which it racked up a 60-game winning streak.

(7) COMIC SECTION. A commenter seeing yesterday’s news item about someone in a T-rex costume scaring horses in Charleston aptly contrasted the episode with the comic “Menace” at Hyperbole and a Half.

The first real-life tractor beams were made of photons. It is easy to imagine a stream of photons carrying a particle of matter along like a river picking up a leaf and carrying it downstream. What is astounding about tractor beams is that by skilfully manipulating the transfer of momentum from the beam, physicists do not have to rely only on pushing particles, but can make light pull particles of matter, like a tractor. Beams made of sound waves have also been demonstrated in the lab.

I once wrote jokingly here that there are only three plots, and they are Hamlet, Pride and Prejudice, and Belisarius, because those are the ones everyone keeps on reusing.

There is a conference in Uppsala in Sweden the weekend before the Helsinki Worldcon called “Reception Histories of the Future“which is about the use of Byzantium in science fiction. The moment I heard of it, I immediately started thinking about our obsessive reuse of the story of Belisarius. (I’m going. Lots of other writers are going. If you’re heading to Helsinki, it’s on your way, and you should come too!)

It’s strange that science fiction and fantasy are obsessed with retelling the story of Belisarius, when the mainstream world isn’t particularly interested. Robert Graves wrote a historical novel about him in 1938, Count Belisarius, and there’s Gillian Bradshaw’s The Bearkeeper’s Daughter (1987), but not much else. Whereas in genre, we’ve had the story of Belisarius retold by Guy Gavriel Kay, David Drake (twice) and Chelsea Quinn Yarbro, and used by L. Sprague de Camp, John M. Ford, Jerry Pournelle, Robert Silverberg, and Isaac Asimov. So what is it about this bit of history that makes everyone from Asimov to Yarbro use it? And how is it that the only place you’re likely to have come across it is SF?…

After six conventions, Chicago based anime convention Kollision Con€˜s organizers have decided to call it quits. They made the announcement on the con’s official Facebook page late last week, citing venue issues and an overcrowded Anime con scene as their primary reasons for ending the show.

The organizers aren’t giving up on running conventions though, as in that same post they announced the GEM Expo Chicago, a gaming convention that will occupy the dates originally reserved for Kollision Con 2017.

Licensed goods based on movies and other entertainment properties generated $118 billion in global retail sales last year, up 5% from 2015, according to a new report.

Toys, apparel and other wares tied to movies such as “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story” and “Batman v Superman: Dawn of Justice” helped propel the increase, the Licensing Industry Merchandisers’ Assn. said Monday.

The year benefited from two “Star Wars” installments as bookends: “Star Wars: The Force Awakens,” which was released in December 2015, and “Rogue One,” which came out a year later, said Marty Brochstein, senior vice president of the association.

“In 2016, you had a full year of sales of ‘Star Wars’ merchandise,” Brochstein said. “Obviously that helped on the entertainment side.”

(13) DON’T STIFF THE STAFF. Are you a bad tipper? You’re a science fiction fan, of course you’re a bad tipper. Okay, maybe not you personally. But ever been out to dinner with a group of fans? It can be excruciating! Here’s one commentator’s advice about “How to Tip in All Situations”.

Tipping has been known to divide families, ruin relationships, and even start wars. Not really. But tipping is an issue that brings out all sorts of passionate opinions.

Who should you tip? How much should you tip? When is it appropriate to leave a bad tip? And is the whole idea of tipping flawed in the first place?

If you’ve ever asked those questions, then we’re here to provide a little clarity on the all-important subject of tipping etiquette.

When in doubt about whether or not to leave a tip, always err on the side of generosity. Remember, your tip says more about you than the person you’re leaving a tip for.

So let’s take a look at some of the people you should tip. Then we’ll give you a general idea of how much to tip them.

A huge range of organisations and companies around the world have been affected by the WannaCry ransomware cyberattack, described by the EU’s law enforcement agency as “unprecedented”.

From “cyberwar” to “hacktivism”, here are some of the major cyberattacks over the past 10 years: …

…In November 2014, Sony Pictures Entertainment became the target of the biggest cyberattack in US corporate history, linked to its North Korea satire “The Interview”.
The hackers — a group calling itself Guardians of Peace — released a trove of embarrassing emails, film scripts and other internal communications, including information about salaries and employee health records…

(15) STATE OF THE ART. Carrie Vaughn’s Amaryllis and Other Stories was named winner of the Colorado Book Award in the Genre Fiction category on May 21. [Via Locus Online.] (See, proper attribution can be done. It hardly hurts at all.)

Deadly mite infestations considered a leading cause of the continuing collapse of the global commercial honey-bee industry are being abetted by modern bee-keeping practices, new research suggests.

The research, published in the journal Environmental Entomology, points the finger at the practices of siting commercial hives too close to each other, and of thwarting the bees’ swarming behavior, for creating conditions ideal for the rapid growth and spread of the parasitic Varroa mite.

The mite (Varroa destructor) is a text-book example of zoonosis — a predatory or parasitic species that has “spilled over” from its traditional host into a new species which, not being adapted to it, suffers catastrophic consequences.

Varroa’s natural host in the Asian honey-bee (Apis cerana). Co-evolution has resulted in the two species being able to live in balance.

[Thanks to Cat Eldridge, Rob Thornton, John King Tarpinian, Kreiri, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Ralph Nader –tireless windmill-tilter –is standing at the National Zoo recalling a conversation he once had with an editor at The Washington Post about what he felt was the paper’s less-than-adequate coverage of his presidential campaign.

“I remember saying, ‘There are times I say to myself, I wish I was a panda, given the coverage The Post gives to pandas,’” Nader said.

Well, Nader still isn’t a panda, but he is a kangaroo, a dolphin, an elephant, a crocodile, a squirrel, an owl, an Arctic tern, a German cockroach, a European corn borer, a radioactive Chernobyl beaver, and dozens of other mammals, reptiles, birds and insects.

(3) LUNCH OR HISTORICAL REENACTMENT? “Cynthia Felice and I break into the Watergate Hotel!” That’s what Scott Edelman says in his dramatic invitation to listen to Episode 37 of Eating the Fantastic.

Grab lunch at the Watergate with my unindicted co-conspirator Cynthia Felice in Episode 37 of Eating the Fantastic.

I visited the Watergate Hotel recently, and in case those of you familiar with the history of that infamous location might be thinking I went there to bring down a president with a Bob Woodward/Carl Bernstein-style investigation, let me quickly add … no. Rather, I went there to investigate the food at the recently opened Kingbird restaurant, with a guest who surprised me with her sudden visit to Washington, D.C., and whom I somehow managed to convince that a meal with me would be oh, so much more fun than visiting the National Air and Space Museum.

Joining me within the walls of the Watergate Hotel was Cynthia Felice, who published her first short story, “Longshanks,” in 1976 in the pages of Galileo, a science fiction magazine published by the late, great Charlie Ryan, and her first novel, Godsfire, two years later. She is also the co-founder with Ed Bryant — about whom, alas, I must also say late and great — of the Colorado Springs Writer’s Workshop.

We discussed how Frank Herbert’s Dune made her say, “Hey, I can do that,” the virtues of owning a motel while being a writer, the marriage advice Kate Wilhelm gave her at Clarion, what Thomas M. Disch told her that fixed one of her short stories, why we all loved the late, great Ed Bryant, the extraordinary lengths David Hartwell went to as he edited her second novel, how her collaborations with Connie Willis began, and more.

(4) THOSE SIDEKICKS, THEY DO GET WEARY.ComicMix’s John Ostrander, in “Sidekicking Around”, delves into one of comics’ well-known formulas.

Robin falls into a strange category of the child or teen sidekick. He was originally introduced to lighten up the Dark Knight Detective and, again, to give Batman someone to talk to rather than himself. Robin humanized the Bat. His popularity gave rise to a whole slew of child/teen associates such as Wonder Girl, Kid Flash, Speedy, and Aqualad. Later, these five went from supporting characters to central ones when they formed their own super-team, the Teen Titans (later, just the Titans when they all outgrew their teenage years).

The original Robin, Dick Grayson, later grew out of his shorts and tights to become a full-fledged hero of his own, first as Nightwing and then later, briefly, actually taking Bruce Wayne’s place as Batman before reverting back to Nightwing. There have been other Robins since then, including one — Jason Todd — who was killed by the Joker. Don’t worry; he got better. The role is currently being filled by Bruce’s son, Damian. I believe he died as well at one point but is also now feeling better.

(5) STEAMPUNK BIBLIOPHILE RETURNS. This week 2012 Hugo Finalist Selena Chambers released Calls For Submission, her new short fiction collection.

Selena Chambers’ debut collection guides readers out of space and time and through genre and mythos to explore the microcosmic horrors of identity, existence, and will in the face of the world’s adamant calls for submission. Victorian tourists take a virtual trip through their (and the Ottoman empire’s) ideal Orient; a teenage girl learns about independence and battle of the bands, all while caring for her mesmerized, dead mother; a failed Beat poet goes over the edge while exploring the long-abandoned Government Lethal Chambers.

Chambers was a Related Work co-Hugo Finalist in 2012 with Jeff VanderMeer for their collaboration on The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature.

(6) MORE YA AWARD WSFS WANK. Kevin Standlee says, “You’d Think I’d Remember These Things”. You need to read all four steps to follow his argument, but here’s a foretaste of what you’ll be getting into if your click the link….

Item 1 means that that as it currently stands, the Worldcon 75 WSFS Business Meeting does not have the authority to name a YA Award. However, the 2018 WSFS Business Meeting could apply a name to the Award in a single vote because of that provision. (Of course, this is all moot if the base proposal fails to be ratified.)

Should the 2017 Business Meeting decide to ratify that YA proposal without the provision, the 2017 Meeting could then move as a new amendment to insert a name into the Award, with the name being something that could be passed in 2017 and ratified in 2018, like any other WSFS Constitutional amendment. That means the YA Award would have no official name in 2018, but (assuming 2017 passes a naming amendment that is ratified in 2018), it could get an official name for 2019 and beyond.

Kaldi brewery in Ãrskogssandur, just north of Akureyri in North Iceland, will be opening beer baths and spa in the coming month.

“The construction of the baths is progressing and everything is according to plan,” says Agnes Anna Siguroardottir, CEO of Kaldi brewery.

There will be seven beer baths in total, all suitable for two people. All guests that have reached 20 years in age can relax in their beer baths with a beer in hand, as there will be a pump by each bath. 20 is legal drinking age in Iceland.

(8) TRIVIAL TRIVIA

Film director Stanley Kubrick was a big admirer of Steve Martin’s movie The Jerk. (Source: IMDB)

But there’s an alternate universe where the series’ propulsive momentum only increased –a reality in which the third Alien film featured advanced xenomorphs exploding in batches of half a dozen from people’s legs, stomachs, and mouths; where cold-warring rival space stations of communists and capitalists race to outdo one another with their genetic experiments on the aliens’ tissue; where a flock of the phallic horrors flies through the void of space, only to be beaten back by a gun-toting robot. Oh, and there’s a thing called the New Beast that emerges from and sheds a shrieking human’s body as it “rips her face apart in a single movement, the glistening claws coming away with skin, eyes, muscle, teeth, and splinters of bone.”

This is the alternate universe where legendary science-fiction writer William Gibson’s Alien III (that’s “III,” not “3”) screenplay was realized. It is, perhaps, a better world than ours….

You can find the screenplay in an antiquated .txt file online, and there have been occasional discussions of it on message boards and niche blogs, but for whatever reason, it hasn’t been appropriately acknowledged as the remarkable genre-fiction artifact that it is. Indeed, with studio backing and the right production team, one can imagine the finished film being on par with Alien and Aliens, and it certainly would have altered the course of the franchise’s history. With the arrival of Alien Covenant –a movie that, whatever its merits, largely retreads ideas from the series’ previous installments –it’s time to tell the story of how Gibson’s Alien III came to be, why it never crossed the finish line, and what made it special.

(11) KIDPROOFING. John King Tarpinian recommends, “Take the kids to see Alien this weekend, then put this cookie jar out. They will never “steal” a cookie again.” ThinkGeek’s Alien Ovomorph Egg Cookie Jar:

(12) CONDIGN REVENGE. Isn’t Aidan channeling me here?

The release of the Hugo Awards voter packet is my favourite time of the year—because the blogs have to pretend to be traditional fanzines.

With both the Sharke Six and the official Clarke shortlist now out of the bag, I thought I’d like to reflect a little on some of the books I encountered that did not make the running, either through being ineligible (i.e US-published) or through not being submitted. I’ve found myself wanting to talk about them because even now at the end of Phase One of my Sharke reading and with a sizeable number of eligible submissions under my belt, these omissions still feel notable, with discussion around the Clarke Award seeming the poorer for their absence.

The Booker Prize has already had its debate about allowing American novels into the mix, with predictably divided responses. Whether or not the Clarke should open itself up to US submissions is a discussion that lies beyond the remit of this essay, though it does seem a shame that there have been and will continue to be books that stand central to any discussion of the year’s SF and yet under current Clarke rules must remain excluded from one of its most prestigious awards.

I still haven’t reviewed two of the books on my original shortlist. As it happens, we now know that neither of the books made it onto the Sharke Six, and neither made it onto the official Clarke Award shortlist, though I suspect for rather different reasons. So I thought I would take this opportunity to consider why they might not have been chosen.

I’ll start with Good Morning, Midnight by Lily Brooks-Dalton.

Superficially, this seems to be exactly the sort of novel that has often found its way onto the Clarke shortlist. It is an elegantly, at times beautifully written novel, as here when an astronaut moves from the spinning outer ring of a spaceship to the gravity-free core:

Of all the books that I personally shortlisted for this project The Power is the one that I find most challenging to judge and to write about. I chose it precisely because of this difficulty; I had read it before and felt decidedly mixed about it. I have loved some of Alderman’s earlier work — her debut Disobedience (2006) was one of the first books that I reviewed online — and have read her assiduously, with great pleasure. Yet this fourth novel, her breakthrough book, left me unsure and unsettled. While friends and critics turned out in numbers to praise its ingenuity and confidence, its bold engagement with the dynamics of power and gender, I hung back and sat on my immediate reaction. Which was: Yes, all those things, but… I couldn’t decisively put my finger on what the ‘but’ was; it was just there, throwing up a barrier between the book and me. At the same time, I couldn’t dismiss it; I was niggled. It stayed with me. So much so, that when it came time for creating my Clarke shortlist I knew The Power had to be on it. Whatever my personal reservations, it was clearly one of the more thought-provoking and eloquent of the submitted books. I felt I owed it a re-read, to test my first response.

Other commentators have already discussed the alternate history setting of Azanian Bridges (Paul Kincaid on this site and Gautam Bhatia at Strange Horizons, while Mark Bould also provides a useful list of other African alternate histories on his own website), and I don’t see any real point in recapitulating what they’ve already said so well.

Instead, I want to focus on the relationship between Martin van Deventer, the white psychologist, and Sibusiso Mchuna, the young black man whom he is attempting to treat. Sibusiso, a trainee teacher, has withdrawn into himself after witnessing the murder of his friend, Mandla, at an anti-government rally. At a loss to know what else to do for him, his father has agreed to his being admitted to the local mental asylum for treatment. We can only speculate as to why his father did this rather than taking Sibusiso home but for now consider it as only one among many markers of the fact that Sibusiso is metaphorically as well as literally a long way from home, living in a white world, among people who have no idea about him.

I am quoted (well, paraphrased) in the crucial second section, in which author Chuck Tingle, miserable after the defeat of Space Raptor Butt Invasion in the 2016 Hugo Awards, receives notification from the 2017 Hugo Awards adminstrator that he has been nominated this year. Let’s just say for the record that the demands subsequently and consequently made of him as part of the Hugo process are not those actually required of Hugo finalists in real life.

Carl Scheckel knows that not all heroes wear capes. In a show of support for American soldiers, the 10-year-old comic-book aficionado from New Jersey decided to collect and donate thousands of comic books to veterans in hospitals and servicemen deployed overseas. The mastermind of carlscomix.com, Scheckel gathered roughly 3,500 books for the nearby Joint Base McGuire-Dix-Lakehurst, When he arrived to donate them in person, officers treated him to a surprise VIP tour of the base, where he got to try on military gear and explore the inside of a place. ‘It was the best day of my life!’ wrote Carl on his website.

Opportunity, which is much, much smaller than its car-sized Curiosity cousin, was sent to Perseverance Valley in hopes of shedding some light on its origins. Scientists studying Mars know that the valley was carved by some dramatic force, but with a handful of possibilities including water, wind, and even muddy rocks, there’s still no clear answer. With the rover in place, researchers plan to use its observations to generate a detailed map which will be used to plan the vehicle’s driving route along the rim and eventually into the valley itself.

(18) ON THE WAY TO THE FINAL FRONTIER. I found out about LUNAR from BoingBoing:

Motion designer Christian Stangl and composer Wolfgang Stangl created this gorgeous short film, titled LUNAR, from thousands of NASA photographs taken by astronauts.

[Thanks to John King Tarpinian, Hampus Eckerman, Mark-kitteh, Martin Morse Wooster, Cat Eldridge, JJ, and Scott Edelman for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

The Self-Published Fantasy Blog-Off now comes with its own award. The fabulous and coveted Selfie Stick!

There are several illustrative photos with highly amusing captions at the link.

(2) SFWA HUMBLE BUNDLE. It’s a brand name, otherwise you’d probably wonder why it’s given to what might be the least humble bundle ever – Super Nebula Author Showcase – with 40 books and 31 short stories. And the works in the bundle generally are either Nebula winners or nominees, or by the authors of other Nebula-nominated work.

Word Puppets by Mary Robinette Kowal, Shadow Show: Stories In Celebration of Ray Bradbury, Her Husband’s Hands and Other Stories by Adam-Troy Castro, Robot Dreams by Isaac Asimov, Yesterday’s Kin by Nancy Kress, The Last Temptation by Neil Gaiman, Inside Job by Connie Willis, The Baum Plan for Financial Independence by John Kessel (includes winner, “Pride and Prometheus”), Sister Emily’s Lightship by Jane Yolen, The Jagged Orbit by John Brunner, The Cloud Roads by Martha Wells, and 2013 Nebula Awards Showcase.

Pay $15 or more and unlock

Conservation of Shadows by Yoon Ha Lee, The Doors of His Face, the Lamps of His Mouth by Roger Zelazny, The Very Best of Fantasy & Science Fiction Vol. II, Frank Herbert Unpublished Stories by Frank Herbert, Everything But the Squeal by John Scalzi, Fountain of Age by Nancy Kress, Moving Mars by Greg Bear, The Salt Roads by Nalo Hopkinson, Deathbird Stories by Harlan Ellison, and Archangel #1 – #4 (4 issues included) by William Gibson.

Pay $20 or more to unlock

Mechanique: A Tale of the Circus Tresaulti by Genevieve Valentine, Kabu Kabu by Nnedi Okorafor, The Computer Connection by Alfred Bester, Burn by James Patrick Kelly, First Person Peculiar by Mike Resnick, At the Mouth of the River of Bees by Kij Johnson, Report to the Men’s Club by Carol Emshwiller (includes winner, “Creature”), What I Didn’t See by Karen Joy Fowler, Babel-17 by Samuel R. Delany, and Bloodchild by Octavia E. Butler.

And wait, there’s more!

FREE: Read 31 short stories by the 2016 Nebula Nominees!

Love short stories? Bonus stories for Humble Bundle buyers: 31 short stories by the 2016 Nebula Nominees on the Great Jones Street app.

A new program from Amazon is drawing a range of reactions from those across the publishing industry, from fear to downright anger. The e-tailer has started allowing third-party book re-sellers to “win” buy buttons on book pages. The program, publishers, agents, and authors allege, is discouraging customers from buying new books, negatively affecting sales and revenue.

Up until now, the buy button on book pages automatically directed customers to new copies of titles Amazon stocked from the publishers. Now, re-sellers can win a buy button by meeting various criteria outline by Amazon which includes the price, availability, and delivery time. The program is also only open to books in new condition.

Those objecting to this policy say it is allowing Amazon to deprive publishers of sales and authors of royalties. (Because re-sellers are not buying their copies from publishers, these sales will not be counted as sales, and money derived from them will not go to publishers or authors.)

After the news that Amazon had begun allowing third-party sellers to “win” the buy button, it strongly condemned the company. “Without a fair and open publishing marketplace, publishers will soon lose the ability to invest in the books that advance our knowledge and culture,” it said in a statement.

Hogwash and claptrap. This is how a “fair and open” market works. Companies are allowed to sell a product on their shelves at as low a price as they want. If they bought a book from the publisher but sell it at a lower mark-up than the publisher does, that’s their right. To insist that the opposite, which would be establishing a fixed price that all books had to be sold at would be “fair and open” is lunacy. That’d be the opposite: It’d be price fixing, which the big publishers were already found guilty of once befo—Oh.

Many publishers believe they’re being cheated by sellers in the third-party marketplace, which don’t acquire their books from official channels—instead they sell remaindered copies (books that did not sell in stores and were returned to the publisher) or “hurts” (books with minor blemishes), often for rock-bottom prices. If these books are “remainders” or “hurts” or pirated, as some publishers have claimed they are, then publishers and authors won’t see a dime.

Okay, hang on a second here. This doesn’t make sense. So the publishers are complaining that the numbers of remained or damaged books being sold are damaging their sales margin? What?

Let’s look at this reasonably. Yes, damaged copies of books exist. But if they exist in such large numbers that your own book sales are declining because of that … then you already have a problem whether they are sold or not. Because your production process is generating that many damaged copies in the first place. Which means you’re already burning a fair margin of your money on bad prints. Which means something about your printing process probably needs to be looked at. Especially if you’re generating so many damaged books that they can outsell a portion of your normal sales.

The “remainder” excuse is even worse, and yes, an excuse. Because if there were enough books not selling that remaindering copies existed … why are you printing even more and trying to sell them? You should be leaving them on shelves. If they’re “competing” with sales already existing, that means someone went and printed up new copies of a book that didn’t sell well in the first place … which is the bigger problem. If you only sold 200 copies of a 1000-print run, don’t garbage the remaining 800 and print up another 1000. Sell the 800. I’m sorry, but if “remainder” sales are damaging “new” sales, something is wrong with your business plans, not with the market.

And in either of these cases, why isn’t the author seeing any money? That sounds like a poor contract written heavily in the publishers favor, not the fault of the booksellers.

Lastly, I love how the article just casually throws “piracy” out there as if it’s part of the problem. It shouldn’t be. Amazon clamps down on pirates pretty quickly, because pirates are bad for business, and Amazon gets this. If there is piracy going on, the publishers should be working with Amazon to cut it off … not slyly insinuating that Amazon is supporting it somehow.

Murderbot isn’t your usual SecUnit though: they’re independent, having hacked their governor module which is supposed to keep them operating within a narrow set of parameters. Murderbot’s also really into online dramas and would much rather watch them all day than actually do their job—Murderbot, I feel you, I really, really do. They’re alternatively apathetic, annoyed, and awkward and I found the expression of traits to be endearing.

This is such an odd post to try to write. I had a wonderful time in Buenos Aires. I’m so happy and honored that I got to go. I was also depressed about the trip, especially that first day or two. Both of these things are true.

I’m going to France next week for Les Imaginales. I’m feeling anxious. I suspect the depression will hit me in much the same way, especially that first day when I’m exhausted and have nothing scheduled. I’m mentally berating myself about feeling stressed instead of excited. I know, intellectually, that this will be another wonderful experience.

But brain weasels don’t give a shit.

“Now you’re depressed about going to France? You are such a disappointment.”

It’s just over five years since I got my diagnosis. Since I started taking antidepressants and talking to a therapist. It’s frustrating to be reminded that, like the diabetes, this isn’t something we’ve been able to “cure.” Instead, it’s something I try to manage. Like the diabetes, some days I do better than others, and some situations make it harder to manage.

One of the things that struck me when reading the novel was the almost total absence of religion. Since it’s such a cornerstone of so many Egyptians’ lives, this must have been deliberate on your part. Why did you make this creative decision?

I believe religion is the major reason for our current situation. We look at the president as the equivalent of God on earth, he cannot be criticized or opposed, and if one did so he must be sued and punished. So beside praying, fasting, and other religious rituals, there is a deep and strong feeling of surrender to the ruler of the country, as if we surrender to God. In Otared, and according to the logic of the novel, you will find most of the characters willing to die, and the main reason is to be transferred to a better place – in the case, heaven — it is nearly the same situation now in Egypt, people give up their own freedom just to have a better afterlife. It may be hard to understand this idea for a Westerner, to put it simply, we tend to stay under injustice, to be rewarded by God at the end. There may be no religious rituals in Otared, but the core of religion is one of motives of the characters.

(8) DOCTOROW STUDIES. Crooked Timber is running a Cory Doctorow seminar, inspired by his new book, Walkaway, “a novel, an argument and a utopia, all bound up into one.” Eleven related posts are online – click the link to see the list.

(9) TRIVIAL TRIVIA

In the 1979 movie Alien, the blue laser lights that were used to light the alien ship’s egg chamber were borrowed from The Who.

(10) TODAY’S BIRTHDAY BOY

Born May 10, 1969 – John Scalzi

(11) SHADOW CLARKE JURY APPEALS THE VERDICT. We’d have been disappointed if they loved the official Clarke Award shortlist, don’t you think?

Our immediate reaction to the list was decidedly mixed. Although two of our shadow shortlist were in the mix (The Underground Railroad by Colson Whitehead and Central Station by Lavie Tidhar), some of the other choices proved less palatable. Ninefox Gambit by Yoon Ha Lee and Occupy Me by Tricia Sullivan had some advocates amongst us, but Becky Chambers’s A Closed and Common Orbit and Emma Newman’s After Atlas were not favourites with those who had already read them. The gulf in ambition, thematic reach and literary quality between the six shortlistees seemed significant. Paul thought the list came across ‘as two completely different shortlists stuck together. How can the Tidhar and Whitehead belong in the same universe as Chambers and Newman? Chambers, Lee and Newman have been popular successes, but hardly critical successes. This is another safe and populist list.’

Jonathan agreed, adding that he suspected ‘a tension between those who want the Clarke to be like the Hugo and those who want to retain that connection to the more literary tradition. The Clarke’s slide into hyper-commerciality continues.’ Megan shared Jonathan’s perspective. ‘What we’re getting from this list is a commercially-packaged view of science fiction. And I feel the Colson Whitehead this year is last year’s Iain Pears, just a literary toss-in to shut up people like us.’

Nina also felt the list represented ‘a split in the values of criticism’, while Vajra agreed with Megan that the Whitehead was the anomaly on this list rather than vice-versa. ‘This is a “we included Whitehead because everybody would shout at us if we didn’t” kind of shortlist’. Maureen summarised this set of opinions most succinctly: ‘This really is a cut-and-shut shortlist. Something to offend everyone. The more I look at the shortlist the more it looks like something assembled to nod at various constituencies without satisfying any.’

I entered 2016 with my affection for science fiction at a low ebb. My levels of engagement with the genre have varied quite considerably with the passage of time but I was suddenly aware that I had been writing about science fiction for over a decade and that said decade had left my tastes almost completely estranged from those catered to by the larger genre imprints.

hate all that plot description that comes with a review – read the blurb I say – but if you need some clues Tricia Sullivan’s Occupy Me has an angel, dinosaurs, a suitcase – think Pulp Fiction, think Wile E Coyote, think The Rockford Files (!) – plus a vet and a doctor. It has higher dimensions and quantum foam, trees of all kinds though especially trees of knowledge that might just be libraries spanning time and space AND it has bird gods, though actually our avian overlords may just be artistic scavengers or better, refuse ‘artistes’. It’s a novel that is helter-skelter and overabundant; in some ways it’s like (a very glorious) extended episode of Doctor Who…and I’m sure that some readers may even think, a little on the twee side. Though of course, they would be wrong. Those same readers may wonder if the parts add up to an organic whole. And to be fair I wonder myself but it really doesn’t matter. There are many, many riches here – this is a marvellous novel – full of love, kindness, empathy and extraordinary ambition – the only one that can give Central Station a run for its money in 2016’s SF best of. But that is to get ahead of myself.

My ballot, then, will look like this, tentatively, though the first three stories — actually, the first four — are real close in my mind:

1) “The Art of Space Travel”, by Nina Allan

I wrote this in my Locus review: “”The Art of Space Travel”, by Nina Allan, [is] a fine meditative story about Emily, who works at the hotel where the Martian astronauts are staying before they head out to space. The story isn’t about the astronauts, though, but about Emily, and about her mother, a scientist who has a sort of Alzheimer’s-like disease, perhaps because of contamination she encountered while investigating a plane crash, and about her mother’s involvement in preparation for a failed earlier Martian mission, and about Emily’s desire to learn who her father was. A good example of the effective — not just decorative — use of an SFnal background to tell a mundane story.” Allan actually had three very strong longer stories this year: also “Ten Days” from the NewCon Press anthology Now We Are Ten, and “Maggots”, a very long novella (perhaps indeed novel length) from the horror anthology Five Stories High.

(13) HOME TOWN BOY. When Spider-Man comes back to New York, comic dealers will be throwing parties in his honor.

Spider-Man returns to his friendly neighborhood in the new ongoing series PETER PARKER: THE SPECTACULAR SPIDER-MAN! From superstar writer Chip Zdarsky (Star-Lord) and legendary artist Adam Kubert (Avengers, X-Men) comes a companion to the best-selling Amazing Spider-Man series. This can’t-miss series takes Peter Parker back-to-basics and is bursting at the seams with heart, humor, and over-the-top action!

Old rocks found in the Australian Outback have some weighty implications, scientists say: They hint at the environment in which life on Earth originated and suggest a location to search for life on Mars.

Scientists in Australia say they have found biological signatures of life in rocks that also show the presence of a hot spring, lending weight to a theory that the earliest life on Earth might have originated in freshwater hot springs on land rather than in deep-sea hydrothermal vents….

The fossil finding predates the previous oldest evidence for life on land by almost 600 million years, the scientists say. They described their findings in the journal Nature Communications.

NASA is currently considering where to land the rover on its 2020 Mars Exploration Mission, and one of the sites is a “hot spring-type setting,” about the same age as the early Earth, Djokic says.

“If you’re going to look for life on Mars, we know it was preserved on hot springs here on the ancient earth,” she says. “So there’s a good chance if it ever developed on Mars, then it would probably be preserved in hot springs there, too.”

In the 1990s, all of the known species of oviraptorosaur were small creatures. “There’s no way they were laying a 4- to 5-kilogram egg,” Zelenitsky says.

Then, in 2007, scientists in China discovered the first species of giant oviraptorosaur. “So finally, after 12 years, there is a species of oviraptorosaur that could have laid these giant oviraptorosaurlike eggs,” Zelenitsky says.

If Beibeilong nested like its smaller oviraptorosaur cousins did, it would be the largest known dinosaur to have sat protectively on its eggs.

(16) A DINOSAUR NAMED ZUUL. Long before Ghostbusters, there was Shinbuster.

In a paper for the Royal Society Open Science, Royal Ontario Museum paleontologists Victoria Arbour and David Evans describe the 75 million-year-old creature, a new species they dubbed Zuul crurivastator. Yes, its name is a reference to the demon Zuul from the original Ghostbusters movie. “Crurivastator” means “crusher of shins,” which is exactly what this creature could do with its spiked, hammer-tipped tail….

Weighing 2.5 tonnes and spanning 20 feet from its horned face to its spiny tail, Zuul was a living tank. In previous work, Arbour demonstrated using computer models that a beast like Zuul could use its tail club to break leg bones in its foes. This would have been especially effective against predator T. rex, which walked on two legs. Take out one leg, and the animal won’t survive long in the dinosaur-infested jungles of the Cretaceous.

When we look at the origin of sci-fi in China, famous scholars Liang Qichao and a young Lu Xun both translated Jules Verne’s sci-fi writing. By now, sci-fi in China has developed for half a century. While sci-fi creativity was curbed from 1902 to 1979, its progress has not stopped. Today’s Chinese sci-fi is growing rapidly after a subjective change: There is the founding of the magazine Sci-fi World, and its growth to a sci-fi magazine with the world’s largest circulation by the 1990s, and the emergence of many excellent Chinese sci-fi writers.

(Apparently File 770’s John Hertz is “Hot in China”, too – he’s part of a group photo at the end of the article featuring Hugo-winner Hao Jingfang taken at MACII.)

[Thanks to Alan Baumler, Mark-kitteh, Cat Eldridge, Cat Rambo, Nick Eden, John King Tarpinian, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]

The second last entry in Phase I of Young People Read Old SFF is Vonda N. McIntyre’s 1973 Nebula award-winning “Of Mist, and Grass, and Sand”, later expanded into the Hugo winning novel, Dreamsnake. I am pretty confident the double win is a good sign, and that McIntyre is modern enough in her sensibilities to appeal to my Young People.

The lines between book genres can get a blurry as authors push against boundaries, trying to do something new with a story. Sometimes the result is a novel that incorporates the best parts of several genres, creating a category all its own. Gregory Benford’s The Berlin Project is one of those books—equal parts alternate history, spy thriller, history lesson, and physics textbook, it’s one of the smartest, most entertaining sci-fi novels of the year.

(3) EXPANSE. Aaron Pound’s review of Caliban’s War is online at Dreaming About Other Worlds.

Full review:Caliban’s War continues the story started in Leviathan Wakes, with James Holden returning along with the rest of the crew of the Rocicante to deal with yet another interplanetary crisis. They are joined by new characters who replace the missing Detective Miller as view point characters – the tough Martian marine Bobbie, the naive Ganymedean botanist Prax, and the calculating and shrewd U.N. official Avasarala, all of whom must navigate the crisis caused by the raw tensions between the governments of Earth, Mars, and the Belt. Against the backdrop of this raging internecine human conflict, the mysterious alien protomolecule carries out its enigmatic programming on the surface of Venus, sitting in the back of everyone’s mind like a puzzle they cannot understand and an itch they cannot scratch.

Do you want to put people on your rocket? There are legal requirements for that, too. There are three types of people you might take to space or on a suborbital jaunt: space flight participants, crew, and government astronauts. The FAA isn’t allowed to regulate how you design or operate your rocket to protect the people on board until 2023, unless there has been a death, serious injury, or a close call. Because the crew are part of the flight safety system, the FAA determined it could have regulations in place to protect the crew. That those requirements might also protect space flight participants is purely a coincidence. However, just because the FAA can’t tell you what to do to protect the space flight participants doesn’t mean you are out of its clutches. You have to provide the crew and space flight participants, but not the government astronauts because they already know how dangerous this is, informed consent in writing. You have to tell them the safety record of your vehicle and others like it, that the government has not certified it as safe, and that they could be hurt or die.

The good: it didn’t thematically overreach or overbrood, unlike (cough) BvS (which I liked enough, but accept that it had big problems). A lot of good lines (you’ll see many/most in the trailers), good action, etc. A little (but not too much) Batman.

The big challenges S/S faced IMHO:

– DEADPOOL has set/upped the ante and standard for humor/violent comic-based live-action movies. Particularly the BluRay version of Deadpool, which is what I saw. And before that, lots of Guardians of the Galaxy bits.

– S/S’ Trailer # 2. I would have been happy/er with a shorter, even 12-minute, video not bothering with plot, just lovely musical jump cuts and snappy lines.

– Is it just me, or did S/S seem to do the “who’s who” twice, and not really bring in the antagonist (“big bad(s)”) for an astonishingly long time?

– This is an A-level plan? I mean, Captain Boomerang? Having seen Ghostbusters a week earlier, I would have considered sending that team in instead, in this case.

On the other hand, at least it wasn’t Manhattan that got trashed this time.

I can see how if you aren’t a superhero comic fan you’d find this less satisfying. Granted, I’m still happy-enough when it simply looks reasonable, doesn’t insult continuity gratuitously, and doesn’t try to go all philoso-metaphysical on us.

Recommended enough, particularly if you can get a bargain ticket price…

The renewal is pretty much everyone save Sleepy Hollow, Grimm, Frequency, and possibly iZombie and Agents of S.H.I.E.L.D. The Arrowverse of course was kept intact.

If you’ve not watched the second season of Legends, do so as its far entertaining than the first season was.

(8) O’HARA OBIT. Quinn O’Hara (1941-2017), a Scottish-born actress who starred in The Ghost in the Invisible Bikini, died May 5. The Hollywood Reporter elaborated:

In The Ghost in the Invisible Bikini (1966), from American International Pictures, O’Hara played Sinistra, the nearsighted daughter of greedy lawyer Reginald Ripper (Basil Rathbone); both were out to terrorize teens at a pool party held at a creepy mansion. She also sang “Don’t Try to Fight It” and danced around a suit of armor in the horror comedy.

There’s a reason that a lot of planets in American science fiction look the same: they’re all filmed in the same places. But why those particular locations? It’s about money, about union rules, and about the thirty-mile zone — or as it’s otherwise known, the TMZ.

(11) MEMORIAL NIGHT. See Poe performed in a Philadelphia graveyard, May 18-20.

As the sun sets over the cemetery’s historic tombs, The Mechanical Theater will bring some of Edgar Allan Poe’s most haunting tales to life in this original production, directed by Loretta Vasile and featuring Connor Behm, Neena Boyle, Nathan Dawley, Tamara Eldridge and Nathan Landis Funk.

Two young men hide out in the shadows of Laurel Hill Cemetery while hosting a secret on-line auction. The clock is ticking as they try to sell a priceless, stolen object known only as The Anathema. When the antique expert finally arrives to verify the object’s authenticity, he shares with them some of The Anathema’s dark history as well as rumors of its power. But as the night goes on, one of the thieves starts to suspect these stories are far more than legend. This anthology piece will include Edgar Allan Poe’s “Hop-frog,”“The Masque of the Red Death,” and “The Pit and The Pendulum.” Written and directed by Loretta Vasile. Starring Connor Behm, Neena Boyle, Nathan Dawley, Tamara Eldridge and Nathan Landis Funk.

The Arthur C. Clarke Center for Human Imagination presents an evening with Sir Roger Penrose, the celebrated English mathematician and physicist as well as author of numerous books, including The Emperor’s New Mind: Concerning Computers, Minds, and the Laws of Physics. The talk is titled “Fashion, Faith and Fantasy and the Big Questions in Modern Physics.” A book signing will follow.

Sir Roger Penrose, Emeritus Professor at the Mathematical Institute of the University of Oxford, winner of the Copley Medal and the Wolf Prize in Physics, which he shared with Stephen Hawking, has made profound contributions encompassing geometry, black hole singularities, the unification of quantum mechanics and general relativity, the structure of space-time, nature of consciousness and the origin of our Universe. His geometric creations, developed with his father Lionel, inspired the works of MC Escher, and the Penrose Steps have been featured in several movies. His tilings adorn many public buildings, including the Oxford Mathematics Institute and will soon decorate the San Francisco Transit Terminal. Their five fold symmetry, which was initially thought impossible or a mathematical curiosity, has now been found in nature. In 1989 Penrose wrote The Emperor’s New Mind which challenged the premise that consciousness is computation and proposed new physics to understand it.

(13) DEARTH WARMED OVER. Trailers are supposed to sell people on a movie. But here’s a pre-dissatisfied customer.

New Blade Runner trailer. Not a single PoC. I'm no more willing to tolerate this than I was GitS. Uninterested in whitewashed futures.

“We’ve invested a lot in making sure the groundwater quality that we treat and send to the customers is of high quality. We also want to protect the quantity side of that,” Duffie said.

In addition to building several reverse osmosis plants to treat the water, Duffie said the community has spent about $50 million since the mid-1990s to install pipelines and purchase surface water from the Charleston Water System to supplement the water being pumped from underground.

Google currently has the right to pump up to half a million gallons a day at no charge. Now the company is asking to triple that, to 1.5 million. That’s close to half of the groundwater that Mount Pleasant Waterworks pumps daily from the same underground aquifer to help supply drinking water to more than 80,000 residents of the area.

A quarter of the world’s population now use Facebook, including 32 million people in the UK. Many use Facebook to stay in touch with family and friends and are unaware that it has become an important political player.

For example, the videos that appear in people’s news feeds can be promoted by political parties and campaigners.

The far-right group, Britain First, has told Panorama how it paid Facebook to repeatedly promote its videos. It now has more than 1.6 million Facebook followers.

Given that he is now 79, and so he doesn’t have many directing years left, you have to ask whether it’s really the most stimulating use of [Ridley] Scott’s time and talents to churn out yet another inferior copy of a horror masterpiece that debuted nearly four decades ago. He certainly doesn’t seem to be interested in recapturing the scruffy naturalism, the restraint, or the slow-burning tension which turned the first film into an unforgettable classic.

Much of Alien: Covenant is simply a humdrum retread of Alien. Once again, there is a spaceship with a cryogenically frozen crew – a colony ship this time. Once again the crew members are woken from their hypersleep, once again they pick up a mysterious radio transmission, once again they land on an Earth-like world, and once again they discover some severely rotten eggs.

Pascal Lee: The Apollo lunar landing program cost $24 billion in 1960s dollars over 10 years. That means NASA set aside 4 percent of U.S. GDP to do Apollo. To put things in perspective, we also spent $24 billion per year at the Defense Department during the Vietnam War. So basically, going to the moon with funding spread over 10 years cost the same to run the Department of Defense for one year in wartime.

Now, 50 years, later, today’s NASA budget is $19 billion a year; that’s only 0.3 percent of GDP, so that’s less than 10 times less than what it was in the 1960s.

Meanwhile, the Department of Defense gets $400 billion a year. So the number I find believable, and this is somewhat a matter of opinion, a ballpark figure, doing a human mission to Mars “the government way” could not cost less than $400 billion. And that was going to the moon. This is going to Mars, so you multiply that by a factor of 2 or 3 in terms of complexity, you’re talking about $1 trillion, spread over the course of the next 25 years.

(20) TOP TEN FELLOW WRITERS HELPED BY HEINLEIN, AND WHY: Compiled by Paul Di Filippo. None of these facts have been checked by File 770’s crack research staff.

10) A. E. van Vogt, needed money to open a poutine franchise.

9) Barry Malzberg, stuck at Saratoga racetrack with no funds to get home.

Dogs from petite papillons to muscular Rottweilers showed off their four-footed agility Saturday at the Westminster Kennel Club dog show, tackling obstacles from hurdles to tunnels. And next door, so did some decidedly rare breeds for the Westminster world:

Cats.

For the first time, felines sidled up to the nation’s premier dog show, as part of an informational companion event showcasing various breeds of both species. It included a cat agility demonstration contest, while more than 300 of the nation’s top agility dogs vied in a more formal competition.

It didn’t exactly mean there were cats in the 140-year-old dog show, but it came close enough to prompt some “what?!” and waggish alarm about a breakdown in the animal social order

Every year, more than a million people travel to Ashdown Forest to find the North Pole. Ashdown Forest is 40 miles south of , but they’re not crazy. In the forest they’ll find the Five Hundred Acre Wood, and somewhere in the Five Hundred Acre Wood is the place where Christopher Robin discovered the North Pole.

Five Hundred Acre Wood is the place that inspired the Hundred Acre Wood, the magical place in which a fictionalized version of A. A. Milne’s son, Christopher Robin, had adventures with Winnie the Pooh and friends.

In 1925, Milne bought a Cotchford Farm on the edge of Ashdown Forest in East Sussex, and he brought his family there on weekends and for extended stays in the spring and summer. The next year, he published the first collection of stories about a bear that would become one of the most beloved characters in children’s literature, Winnie the Pooh, based on his son, his son’s toys, and the family’s explorations of the woods by their home.

The book’s illustrator, E. H. Shepard, was brought to Ashdown Forest to capture its essence and geography, and a plaque at Gill’s Lap (which became Galleon’s Leap in the Pooh stories) commemorates his collaboration with Milne and its importance to the forest. A pamphlet of “Pooh Walks” is available to visitors who want to visit places like Gill’s Lap, or Wrens Warren Valley (Eeyore’s Sad and Gloomy Place), the lone pine (where the Heffalump Trap was set), a disused quarry (Roo’s Sandy Pit), or, yes, the North Pole.

[Thanks to Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Andrew Porter, John King Tarpinian, and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

“The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces.”

Adding the fact that toy horses are generally smaller than normal horses, not to mention fantasy horses, it seems unlikely that such a creature could beat any of the others listed here in a race. At least he’s wise, though. Not to mention Real. Imagine him, all Real and worn and loved, his little legs all seamy, limping across the finish line in the dimming afternoon, long after everyone else has gone home…no, you’re crying.

(2) STICKING TO IT. Canada will be issuing another new set of Star Trek stamps this year, featuring the five captains with their ships. Available from Canada post’s website here.

The five legendary leaders of Starfleet stand as the paragons of excellence: Kirk (William Shatner), Picard (Patrick Stewart), Sisko (Avery Brooks), Archer (Scott Bakula) and Janeway (Kate Mulgrew) are featured on this collectible pane of 5 stamps.

But a hero is nothing without an obstacle, a threat or an antagonist. No villain has tested our protagonists as much as their infamous counterparts: Khan, Locutus of Borg, Dukat, Dolim and the Borg Queen, who shadow the heroes on the stamps.

This pane pits each legendary hero against their nemesis on a stylized background containing their respective starships navigating the cold and dark expanse of Federation space. The wormhole from Deep Space Nine also makes a looming appearance.

Frozen pizza: the forbidden food. Yet these instructions defeat me. Yes, I, a cat who can field strip an AR-15 in the dark and without the aid of opposable thumbs, am incapable of reading these tiny instructions or operating the big heaty kitchen box thingy.

Time to turn to wiser heads. Who better than the six nominated writers for the Hugo 2017 Best Writey Book Prize!

If it worked for Bret Harte, why not Timothy?

Box’s End: The Three Pizza Problem

Yun Tianming listened to the radio from his hospital bed. The United Nations had jointly formed a resolution to condemn the doctrine known as ‘not being arsed to cook anything nutritious’. With the Trisolans a hundred years away from Earth, humanity had, in despair, stopped making an effort to cook anything decent….

“Sharkcano.” It’s not the title of some campy summer blockbuster, but rather a real-world phenomenon that went viral in 2015, when scientists on a National Geographic expedition found sharks living inside one of the most active underwater volcanoes on Earth. Not surprisingly, the team was eager to go back and learn more, but how do you explore an environment that could easily kill you? You send in robots, of course.

Earlier today, the BBC announced a number of new shows, including a three-part series based on H.G. Wells’ novel The War of the Worlds. The show is scheduled to go into production next spring, and it appears that, unlike most modern adaptations, it will be set in the Victorian era.

The series will be written by screenwriter Peter Hartness, who adapted Susanna Clarke’s Victorian-era fantasy novel Jonathan Strange and Mr Norrell for the network, as well as a handful of Doctor Who episodes.

During last year’s Capclave in Gaithersburg, Maryland, Brenda Clough tantalized me with tales of JDS Shanghai Famous Food, telling me they made some of the best soup dumplings in the D.C. area. So when it was time for her appearance on Eating the Fantastic, how could we go anywhere else?

Brenda has published short fiction in Analog, Alfred Hitchcock’s Mystery Magazine, my own Science Fiction Age, and many others, and was nominated for both the Hugo and Nebula Awards for her novella “May Be Some Time.” She’s also written many novels across multiple series, and teaches writing workshops at the Writers Center in Bethesda, Maryland.

Brenda Clough

Scott also says the future holds good things in store: “Check out the five guests I managed to record with during StokerCon!”

If you’re hungry for more, come back in two weeks when my guest will be Cynthia Felice, who’ll be followed by five episodes recorded during the recent StokerCon: William F. Nolan, Elizabeth Hand, Dennis Etchison, Nancy Holder, and George R. R. Martin.

(8) FONDLY REMEMBERED. This video was presented at Costume-Con 35 to recognize members of the community lost in the previous year. Other memorial videos posted on the International Costumers Guild site in the past few months include tributes to the late Robin Schindler, Toni Lay, and Adrienne Martine-Barnes.

(9) HOWARD FRANK OBIT. SF Site News reports Howard Frank (1941-2017) died on May 1. Husband of Jane Frank, a Chicon 7 GoH in 2012, he co-authored two books with his wife based on their collection. He won First Fandom’s Sam Moskowitz Archive Award in 2013.

(10) TODAY’S DAYS

Revenge of the Fifth

Not had enough Star Wars on May the 4th? Thinking of stepping over to the Dark Side? Think you’d be a great Sith? Well keep swinging those light sabers, Revenge of the fifth is here to keep the force going with another Star Wars-themed observance!

International Space Day

On the first Friday of each May, space boffins and science fans alike celebrate space with a dedicated day of observance to everything in the great beyond. Because there’s so much out there in space, you can be sure that there’s always going to be enough to celebrate on this day as every year comes! The History of International Space Day International Space Day started out as plain and simple Space Day in 1997. The day was created to observe the many wonders of the unknown space that our planet floats in, and encourage children to have more of an interest in the scientific field. In 2001, Senator John Glenn, himself a former astronaut, changed the day to International Space Day to widen its scope of celebration across the world.

Cartoonist’s Day – May 5

The History of Cartoonist’s Day In 1895 a man named Richard F. Outcault introduced a small bald kid in a yellow nightshirt [The Yellow Kid] to the world in an incredibly popular publication in the big apple at the time, the New York World. While the paper itself was looked upon with a sort of disdain by ‘real’ journalists of the time, the yellow kid was embraced by people everywhere. Little did Richard know that when he first created this character, it would lead to a revolution in how stories were told and presented in sequential art pieces (That’s comics kids), but would in fact create a new standard piece of content for newspapers everywhere. Cartoonists’ day was created to celebrate this man and his accomplishments, and all the good he brought to the world as a result. Everything from our Sunday Comics to animation can be linked back to him and his creation. Just a simple bald kid in a yellow nightshirt.

(11) TODAY IN HISTORY

May 5, 1961 — From Cape Canaveral, Florida, Navy Commander Alan Bartlett Shepard Jr. is launched into space aboard the Freedom 7 space capsule, becoming the first American astronaut to travel into space. The suborbital flight, which lasted 15 minutes and reached a height of 116 miles into the atmosphere, was a major triumph for the National Aeronautics and Space Administration (NASA).

FARGO. That rocket-shaped award continues to be of interest to those unraveling the mysteries of Fargo. Warning: The Bustle’sepisode recap contains SPOILERS.

One of the weirder, seemingly superfluous details of Fargo Season 3 comes to the forefront in the spectacularly odd May 3 episode, which focuses on the backstory of Ennis Stussy, née Thaddeus Mobley, and his adventures in science-fiction writing. But is The Planet Wyh a real book? And what about the bizarre events that transpired around the book’s success?

The pulpy paperback is first discovered by Gloria Burgle after her stepfather is murdered, hidden in a box under the floorboards of his house. Viewers see the book again — along with a newspaper clipping about Mobley winning an award, and a trove of other books with bizarro titles like The Plague Monkeys, Space Elephants Never Forget, and Organ Fish Of Kleus-9 — in the second episode. And in “The Law Of Non-Contradiction,” Gloria travels to the City Of Angels to do some digging into her stepfather’s secret past.

It turns out that, in 1975, Mobley traveled to Los Angeles to accept the prestigious Singularity Award for Best Science-Fiction Novel at the Golden Planet Awards. A producer named Howard Zimmerman quickly approached the naïve author about turning the book into a movie; but as Mobley wrote check after check and no progress seemed to be forthcoming, it eventually became clear that the whole thing was a scam to fund the lavish lifestyles of Zimmerman and his actress girlfriend. Enraged, Mobley assaulted Zimmerman and practically left him a vegetable, fled California, and changed his name to Ennis Stussy — inspired by the brand name of his hotel room toilet.

(13) THE WEED OF CRIME. Lou Antonelli ends his feghoot “Calling Grendel Briarton” with a really awful, no good, very bad pun – I liked it.

One day, while I was a teenager in Massachusetts, a group of high school students volunteered to help with a beach clean-up. It was an uncommon spill, but not unheard of – illicit drugs had washed up on a beach in the Cape Code National Seashore…

(14) THE SOUND OF WIKI. I just discovered WikiWikiup, a YouTube channel dedicated to making Wikipedia available to people with limited vision. Is this voiced by a robot?

(15) WHAT’S THE NEWS ACROSS THE NATION? I also discovered this Puppyish satire about the fate of Castalia House’s The Corroding Empire, masquerading as a report on a daily sf news channel.

(16) OH, THE INHUMANITY! The first teaser trailer for Marvel’s Inhumans.

The annual, week-long Eta Aquarid meteor shower is predicted to reach its maximum on Saturday morning (May 6). The bright moon will be a few days past first quarter (a waxing gibbous, 81 percent illuminated), and it will set just prior to 4 a.m. local daylight time, leaving only about an hour of reasonably dark sky for early morning observations of this shower before the increasingly bright dawn twilight becomes too restrictive.

The world will likely not end because we aren’t returning our shopping carts — that would be an amazing butterfly effect — but it’s an example of a quality of life issue we can control. That guy who didn’t return his cart may not be a complete jerk. He may just be using the example set by others so he can get home a little more quickly. But if everyone does that, then we’re shifting the balance of what is acceptable, which may have greater ramifications to the social order. We have a greater influence over seemingly mundane situations than we realize.

Cat Eldridge sent the link with a comment, “My hypermarket, Hannaford’s, embeds a RFID in theirs that locks the front wheels if one of ether goes beyond the parking lot.”

(19) CUTENESS CONQUERS. The Life of Death on Vimeo is a video by Marsha Onderstijn about what happens when Death encounters an adorably cute animal!

[Thanks to John King Tarpinian, Scott Edelman, JJ, Cat Eldridge, Martin Morse Wooster, and bookworm1398 for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]