Sans Forgettica - can 'Desirable Difficulty' really aid memory?

The RMIT University has created a free typeface they claim enhances memory retention by introducing 'principles of cognitive psychology to create an effect known as desirable difficulty, in which minor obstructions to learning processes cause the brain to engage in deeper cognitive processing'.

They've produced a short video at:

Personally, I find it uncomfortable to read, but do you think there's anything in the claim that it enhances memory?

Comments

Uncomfortable to read was the goal. Slow down your reading so that the information has greater chance to sink in.

Even if it doesn't work, it looks good at display sizes (unlike Dyslexie https://www.dyslexiefont.com/en/typeface/ ). It looks too heavy for text, though. The Chrome extension is a bit weird: You have to activate it with a button and then select any text you want to read in the font. (Then zoom in a bit, since otherwise it is really uncomfortable to read). At first I used the keyboard to select everything on a Wikipedia page, then clicked the button, and the page froze (I was unable to deselect or do anything else). Not a good order.

It just strikes me as a bad idea, naïvely, to claim some chunks of active memory for the purpose of reading, as opposed to dedicating all of it to processing the content. Maybe that works for really shallow stuff. I doubt my physics students would benefit from this.

It’s promising that science and humanities faculties collaborated for this student project, but the science and design methodologies are as full of holes as Ecofont. What’s really being taught—how to engage social media with gimmickry. But perhaps feedback from the professional type community will set things straight.

To read easily or less easily is one aspect: legibility. To memorize effectively or less effectively is another one. I can’t help guessing that the relation of those two aspects has not been thoroughly reflected in this project. How well I’ll memorize a text, still depends mostly upon the text, not upon the typeface. Good typography (= seemless delivery of text content) is the one which is hardly noticeable.

If that sort of typeface would really provide an increase of text/content perception, 500 years of typographic development could be seen as fundamentally deficient. But they aren’t. Crowd intelligence and common sense are unbeatable. – This naïve attempt is either just a promo gag, or a waste of time and effort. It will go into nowhere.

The gist: there is pretty much no evidence that this typeface actually enhances memory. The study was poorly designed, with some post-hoc additions to make it seem a success.

As a cognitive neuropsychologist in training, I can tell you that this will not make any waves in science. The premise that an attention demanding typeface could improve memory is not entirely without merit, but any effect is likely the result of simply spending more time with the text. And then there is also the question of text comprehension.

The premise that an attention demanding typeface could improve memory is not entirely without merit, but any effect is likely the result of simply spending more time with the text.

Well, there you are then.

A typeface that forces people to actually sit down and read a text, rather than just skim through it, obviously is a useful tool to someone who wants to be sure that the people reading the text understand and remember its contents.

Educational institutions might not need it, as grades ought to be enough to motivate students, but perhaps it would be useful to the military. Of course, in that kind of application, one has to balance the increased attention to the increased possibility of errors in reading, but the typeface has been designed to minimize that danger.

Guess it works—I sure do remember RMIT University of Melbourne for this unsubstantiated, shallow and sensationally publicized research in their departments that was carried out by none the less than two doctors.

It's a noble goal, to help students retain information better. The website has a video in the Science section that mentions conducting experiments, but they don't include any hard results. They say "designed … to help you to better remember your study notes," but never actually claim "it does help you better remember." Just because it's designed with something in mind doesn't mean it achieves that goal.

I would love for this idea to work, and it seems plausible. I'd be interested in evidence that confirms the theory.

The idea that you can learn and remember better just with a special font is kind of silly, even if it's based on something true about learning (which it is). What do they expect to happen? Reprint all textbooks? What if you want to learn something from a book that was published before this amazing font existed?

If you want to learn and remember what you read, there are proven ways to do it, based on scientific research. (See Make It Stick.) You don't need a magical font.

What this project really speaks of is the obsession that technology and design can, and really only ever should, solve our problems. We can even accept the apparently absurd concession that a typeface should not be legible, if only we would not have to exert time and effort on something as mundane and tiresome as memorizing a word. As pretentious and superficial as many other solutions to ultimately human shortcomings, this one, too, is most valuable to understanding our society’s desires and expectations (of us designers): “A font has value, if it helps overcome the shortcomings of the human condition”. It needs to be more memorable, or more legible, or more screen optimized, or more space saving, or…

We need funded research projects deliberating what is the most enjoyable and meaningful font choice for typesetting prose, and why; money better spent.

What this project really speaks of is the obsession that technology and design can, and really only ever should, solve our problems. […]

What this project speaks of to me is the obsession of some sort of scholars to ignore the existence of typographic knowlegde. Its like the obsession of some sorts of architects to glue Helvetica letters onto buildings and feel devastatingly clever about it.

Stephen Banham was one of my typography teachers when I studied at RMIT (in 2002). I have not even read any of the articles on this release as like lots of you, I felt it stank of marketing and hopes for viral attention over anything more meaningful. Stephen's studio has done some lovely type work though, I really like Terital https://www.letterbox.net.au