Celtic Mass (Brass & Timpani) by Christopher Walker. Solo Instrument Songbook. Published by OCP (OC.10526).
Used in English-speaking parishes around the world, the Celtic Mass has become one of the most popular settings ever written.

Just Jams. (A World of Rhythms for Drums, Pitched Percussion and More). By Mark Burrows. For percussion, orff instruments, boomwhackers. Multicultural. Book. Published by Heritage Music Press (LO.30-2312H).
So often world drumming resources are more about the world and less about the drumming. While those books definitely belong on your shelves (see "Planet Jams"- 30/2191H), sometimes we just want the music. That's where "Just Jams" comes in. Starting with fundamental rhythms from various countries and regions, Mark Burrows has built accessible jams that can be used to strengthen students' rhythm skills, in drum circles or in a choir concert or other performance. Included are meaningful speech parts for each jam, allowing for a teaching process of speech to body percussion to playing, as are suggestions for developing each jam into a performance piece. Diverse in its rhythms--including West African, Brazilian, Cuban, Gaelic, Hawai'ian, and Rock 'n' Roll rhythms, and even spoken word "slams" to Mother Goose rhymes--"Just Jams" is also diverse in instrumentation, featuring jams for the Orff instrumentarium, Boomwhackers! , drums, and other nonpitched percussion instruments.

For Remembered Music Sounding (Full score) by K. Lee Scott. For SATB, organ, brass quartet, timpani and congregation. K. Lee Scott Choral. Medium. Full score. Published by MorningStar Music Publishers (MN.50-5107A).
Part of the K. Lee Scott Choral Series. Based on a new text by Thomas Troeger, this anthem is an excellent example of the high quality of Lee Scott's appealing writing. Includes an SATB stanza that may be sung a cappella and an effective descant on the last stanza. Reproducible page for congregation included in the Full Score. Based on the tune Wakefield. Full Score and Instrumental Parts available separately.

Glory Be to Jesus (Full Score/Instr Parts) by Michael Burkhardt. For unison or 2/3 part and Orff/pitched percussion. Michael Burkhardt Treble Chorus. Easy. Full score and instrument parts. Published by MorningStar Music Publishers (MN.50-6068A).
Part of the Michael Burkhardt Treble Chorus Series. Incorporates the tune Wem in leidenstagen. A separate page gives information about the text, music, and accompaniment, as well as a number of performance possibilities. Other pitched percussion instruments may be substituted or added. Based on Wem in leidenstagen. Full Score and Instrumental Parts available for purchase separately: 50-6068A.

God of Grace and God of Glory (Handbell Parts) by David Cherwien. For handbels: 4 octaves. General. Medium. Handbell parts. Published by MorningStar Music Publishers (MN.60-7021HB).
An exciting setting with some interesting surprises: the choir is used in the introduction, and the accompaniment in stanza two utilizes some musical depictions of the text "Lo! The hosts of evil round us Scorn the Christ, assail his ways!" Stanza three is set for choir, and stanza four has everyone stretching their limits in a full-bodied hymn of praise. Reproducible page for congregation in choral score. Based on CWM Rhondda. Brass parts are available separately (60-7021B) and include Trumpets I and II in C and B-flat, Horn in F, and Trombones I and II. Handbells are available separately (60-7021HB) and are scored for 4-octaves, 35 bells.

God of Grace and God of Glory (Full score) by David Cherwien. For SATB choir, organ and opt. handbells (4 octaves), brass quartet and congregation. General. Medium. Full score. Published by MorningStar Music Publishers (MN.60-7021A).
An exciting setting with some interesting surprises: the choir is used in the introduction, and the accompaniment in stanza two utilizes some musical depictions of the text "Lo! The hosts of evil round us Scorn the Christ, assail his ways!" Stanza three is set for choir, and stanza four has everyone stretching their limits in a full-bodied hymn of praise. Reproducible page for congregation in choral score. Based on CWM Rhondda. Brass parts are available separately (60-7021B) and include Trumpets I and II in C and B-flat, Horn in F, and Trombones I and II. Handbells are available separately (60-7021HB) and are scored for 4-octaves, 35 bells.

Song of Hope arranged by Hal H. Hopson. For B-flat instrument, percussion, trumpet. General, Sacred. Instrumental parts. Published by Hope Publishing Company (HP.C5513P).
This global song is a marvelous expression of hope, peace, justice and love. Useful as a musical blessing which sends us out into the world bringing light and hope to every land. With a rhythmic accompaniment and optional parts for percussion and trumpet, arranger Hal Hopson captures the ethnic flavor of this Spanish favorite. The instrumental packet contains parts for: Percussion (tambourine, maracas & claves) and B-flat Trumpet.

Acclamations for Easter. (Festive Suite for Organ, Brass and Timpani). By Steven Walters. For 2 trumpets, 2 trombones and organ (with optional timpani). Sacred: Easter. 3-staff. Book. Published by Sacred Music Press (LO.70-1632S).
Level 3 * According to Webster, the word acclamation is "loud and enthusiastic approval, typically to welcome or honor someone." And in this vibrant and resounding collection, that someone is our Risen Christ on Easter morning! These three settings of very familiar hymntunes for 2 trumpets, 2 trombones, timpani, and organ provide three moments of musical celebration, exultation, and triumph!

Simple Gifts - Full Score by Cathy Moklebust. For handbells (3-5 octaves) or keyboard, handchimes (3 octaves) or keyboard and conductor's. Level 3. Full Score. Published by Chorister's Guild (LO.CGB535).
The well-known Shaker hymn is arranged for double handbell and handchime choir, with the chime part being much easier than the bell part. The first section is gentle and relaxed, and then the hymn takes on a lively, dancing "jig" character, with malleted rhythmic bass bells and a bouncy, lilting melody. The handbell part can stand alone, and the handchime part may be played by a keyboard instrument if desired.

Festal Dance - Full Score and Parts by Timothy Waugh. For handbells 3-5 octaves, flute, small percussion, handchimes: 3-5 octaves (with optional Flute, Finger Cymbals, Tabor, Mark Tree (or Windchimes) and Handchimes (3-5 octaves)). Level 3. Full Score & Parts. Published by Chorister's Guild (LO.CGB520).
Festal Dance is a spirited handbell composition which evokes a feel of the Renaissance with or without the auxillary instrumentation. Moving from a graceful movement with a triple feel into a stately duple section and then returning to elements of the opening section, ringers will enjoy the rhythmic challenges and musicality that this piece provides! Includes: Full Score and Parts for Flute, Finger Cymbals, Tabor, Mark Tree (or Windchimes) and Handchimes (3-5 oct.).