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Galvanizing the Monkey Army and Other Stunning Feats

Over the last few months I’ve had the pleasure of working with the curators of Heroes and Villains: The Battle for Good in India’s Comics and two of the artists featured in the exhibition, Mukesh Sing and Jeevan J. Kang, in commissioning limited-edition prints inspired by the show.

Having been steeped in this contemporary component of the exhibition, I was excited to see the Indian paintings that make up the other half of the show, now that the exhibition is open. With the help of co-curator Tushara Bindu Gude, I learned more about these works, each depicting a fascinating world with animal and human fiefdoms vying for power.

My favorite work in the show is a nineteenth-century painting that recounts part of the ancient story of Ramayana, aka Adventures of Rama. Sugriva, king of the monkeys, makes a deal with Rama to help him free Sita (Rama’s wife) from captivity. But Sugriva has one condition—Rama must help him overthrow Sugriva’s older brother from whom Sugriva stole the throne. The painting shows us Sugriva ensconced on his opulent throne within a cave and surrounded by members of his court. His loyal general, Hanuman, is shown rushing out of the cave to galvanize an army of monkeys and join Rama in his quest to free Sita and defeat her captor Ravana. It’s an exquisitely rendered work with saturated colors and incredible details.

In the gallery featuring the Indian paintings there is also a series of works which might be considered part of the early evolution of the graphic novel. These are bold watercolors illustrating a tale derived from the Indian epic Mahabharata and were used to illustrate the story when it was told aloud. They show everything from fierce battles to miracles in the story of Babhruvahana, a tale of war and complicated family dynamics. Babhruvahana is forced to kill his father in a battle over territory and is then promptly told by his mother to bring him back to life. Babhruvahana recruits a mongoose army and fights a legion of snakes to obtain the elixir that will bring his father back from the dead. (Some of these watercolors were previously discussed on Unframed here.)

India, Maharashtra, Paithan "Fight of the Mongoose and the Serpent Armies (recto), Babhruvahana and the Mongoose Fight the Serpents (verso), Scenes from the Story of Babhruvahana, Folio from a Mahabharata (War of the Great Bharatas)," c. 1850, from the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase

Today, Liquid Comics has brought new life to the amazing myths and stories of ancient India. More info can be found here should you want to bring a little bit of the mythical into your own home.

In 1989, at the age of 72, Noah Purifoy left Los Angeles and moved to Joshua Tree, California. Over the next 15 years, Purifoy would transform a barren ten-acre parcel of desert, punctuating it with more than 120 large-scale sculptures composed entirely of junk—several of which are on view in "Noah Purifoy: Junk Dada."

Read more, and follow our series of posts chronicling the artist’s life and work on Tumblr: http://bit.ly/1LVs1Bd