American Society of Aesthetics Major Projects
Initiative Grant ($4,250) to supplement 2016-2017 NEH Digital
Humanities Startup Grant support for Making
WAIVS, a workshop to introduce scholars in the humanities to digital
image analysis tools for research in art history, aesthetics, and museum
education, 2016-2017.

Philosophy of Art and Empirical
Aesthetics: Resistance and Rapprochement (2014). In Pablo Tino Jefferey K.
Smith (Eds.), Cambridge Handbook of
the Psychology of Aesthetics and the Arts. New York: Cambridge
University Press.† (pdf)

Artworks Are Attentional Engines:
Normative Conventions and Evaluative Perception in the Arts (2014). Proceedings of the International
Association of Empirical Aesthetics, Volume XXIII: 372-376.† (pdf)

Art, Meaning, and Perception: A Question
of Methods for a
Cognitive Neuroscience of Art (2013). British
Journal of Aesthetics, 53(4): 443-460.doi: 10.1093/aesthj/ayt022† (pdf)

Movement,
Gesture, and Meaning: A Sensorimotor Model for Audience Engagement with
Dance (2013). In Helena de Preester and Martine Huvenne (Eds.), Motor Imagination: The Motor Dimension
of Imagination in the Arts, Amsterdam: John Benjamins Publishing
Company.† (pdf)

Hearing How
Smooth It Looks: Selective Attention and Crossmodal Perception in the Arts
(2012). In Cynthia Freeland (Ed.), Essays
in Philosophy: Aesthetics and the Senses 13(2), July 2012.† dx.doi.org/10.7710/1526-0569.1434