Reviews and Interviews

A review at the New York Times Book Review : “We all know what happens to the list you make at the start of the year. But if everything had gone according to plan, Thomson’s book would be as straightforward as her original list. The twists and turns are what makes it — that and a solid recipe for fried chicken.”—Max Watman

A review at Foreword Reviews(5/5 Hearts): “Reads like a five-course meal for the mind. . . . A Year Right Here is a genuine pleasure to read, as refreshing in its localism and eclecticism as it is in its universal soul-searching and earnest attempt to redefine one’s relationship with home.”—Scott Neuffer

A review in Seattle Review of Books / Seattle Weekly: “Williams encourages readers to slow down and look at the city through a pedestrian’s eyes. It’s a worthy cause. . . . Williams actually gets you out onto the streets, where the history happened, and that makes everything seem closer and more relevant. . . . Seattle Walks is all about that feeling, of seeing familiar streets through new eyes. All it takes is a good guide, a slowing-down of your pace, and a willingness to stop and look up every once in a while.”—Paul Constant

A review in LSE Review of Books: “The visuals set this book apart from most. Rather than simply offering one author’s work, it is more akin to a polar bear museum. Each image tells a powerful story – some of them familiar, others outlandish, but all portraying a real animal of mythical proportions. . . . Limiting yourself to the captions would mean that you fail to embark on Engelhard’s literary and thrillingly human adventure. . . . At the end of this whirlwind tour of the cultural history of the polar bear, I now have a newfound fascination for the species but also for the people, who live with, depict and study them. Michael Engelhard writes confidently of the physical and metaphysical realms as well as our projections of human fears, fantasies and ambitions onto this quintessential Other.”—Lauriane Suyin Chalmin-Pui

A review in International Bear News: “What has been missing to date has been a thorough review of the cultural associations between humans and polar bears. That gap has now been filled by Michael Engelhard’s detailed treatment of the connection between humans and polar bears in Ice Bear. . . . This book should be in the library of all who share this interest and want to know more about this Arctic icon.”—Marty Obbard

A short review in the Idaho Press-Tribune: “Ice Bear isn’t just for lovers of polar bears. No, ecologists will enjoy it, too, as will environmentally-minded readers, animal lovers, culture mavens, and watchers of the Arctic. Bonus: lots of pictures!”—Terri Schlichenmeyer (The Bookworm Sez)

New Books

This richly illustrated book reveals the life story and work of Issei artist Takuichi Fujii (1891-1964) and gives a telling alternative view of the wartime ordeal of West Coast Japanese Americans. The centerpiece of Fujii’s large and heretofore unknown collection is his illustrated diary, which historian Roger Daniels calls “the most remarkable document created by a Japanese American prisoner during the wartime incarceration.” The Hope of Another Spring is a significant contribution to Asian American studies, American and regional history, and art history.

Follow the history of Woodland Park Zoo from its nineteenth-century beginnings as a park originally carved from the wilderness north of downtown Seattle to promote a nearby real estate development. As Seattle grew, its zoo engendered civic pride and the animals in its growing collection became local personalities. By the 1970s, the zoo emerged as an international pioneer in zoo design. Lavishly illustrated, Woodland provides a narrative of changing ideas about the relationship between humans and animals, and a fond look at the zoo’s animals and the people who care for them.

This collection pulls together key documents from the scientific and political history of climate change, including congressional testimony, scientific papers, newspaper editorials, court cases, and international declarations. Far more than just a compendium of source materials, the book uses these documents as a way to think about history, while at the same time using history as a way to approach the politics of climate change from a new perspective.

Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances.

June 1 at 3:30 – 6 p.m., Rural China on the Eve of Revolution, Edited by Stevan Harrell and William Lavely (Published with University of Washington Libraries), Lecture, reception, book signing, and Allen Library exhibit viewing, University of Washington, Allen Library, Petersen Room, Seattle, WA

This collection pulls together key documents from the scientific and political history of climate change, including congressional testimony, scientific papers, newspaper editorials, court cases, and international declarations. Far more than just a compendium of source materials, the book uses these documents as a way to think about history, while at the same time using history as a way to approach the politics of climate change from a new perspective.

“Howe has done a huge service in bringing together, in one concise volume, many of the key documents related to the growing understanding of climate change from the nineteenth-century to the present. A must-have for anyone teaching or researching this crucial topic.”
—Naomi Oreskes, co-author of Merchants of Doubt and author of The Collapse of Western Civilization: A View from the Future

Read a commentary by the author about the March for Science on Process, the blog of the Organization of American Historians.

In Seattle Walks, David B. Williams weaves together the history, natural history, and architecture of Seattle to paint a complex, nuanced, and fascinating story. He shows us Seattle in a new light and gives us an appreciation of how the city has changed over time, how the past has influenced the present, and how nature is all around us—even in our urban landscape. With Williams as your knowledgeable and entertaining guide, encounter a new way to experience Seattle. Here Williams shows us some of his favorite hidden spots and surprising views of the city. Do you know them all?

Learn more about Washington’s urban history and celebrate the publication of Seattle Walksat these events:

Scroll down to the bottom of the post to enter for a chance to win a free copy of the book (US residents only).

Discovery Park Terra-Cotta Figure – This is one of three terra-cotta figures, all of which came from the White-Henry-Stuart Block, which was destroyed in 1978 for the Rainier Tower. This one is in Discovery Park (Walk 9). Native American heads of the same design can also be seen on the Cobb Building downtown (1301 4th Avenue; Walk 5). With their feather headdresses, these figures are not based on local Native Americans, though they were made by a local craftsman, Victor Schneider, who worked at the Denny-Renton Clay and Coal Company. Schneider also created the terra-cotta triptych on the Seattle Times Building.

Credit: David B. Williams

$15 million sundial – This small sundial is on the southeast corner of the house built by Samuel Hill, a lawyer and railroad executive who moved to Seattle in 1901 (E Highland Drive and Harvard Avenue E; Walk 13). Hill began work on his Capitol Hill home in 1908. The quote on the dial is from Rowland Hazard, a woolen manufacturer and friend of Hill’s from Rhode Island, who had a sundial on his house. The former Samuel Hill house is now on sale for $15 million.

Credit: David B. Williams

Great Seattle Fire Plaque – One of several panels in Westlake Plaza created by school kids. The panels, based on geographic and historic questions and answers, are oriented in three rows each consisting of four question tiles and one answer tile. In case you don’t know the date, the answer is on a nearby panel (Walk 4).

Credit: David B. Williams

Waah! – Located on the Interurban Building (167 Yesler Way), the carved figure was done by an unknown artist for an unknown reason (Walk 5). Perhaps it was a colleague or the carver was simply having fun. Walking Seattle’s downtown core reveals a vast urban safari of carved and molded creatures in stone and terra-cotta.

Interurban Building / Credit: David B. Williams

Octopus’ Garden – Artist Lezlie Jane designed several parks along Beach Drive SW, just south of Alki Point (Walk 17). This piece and a 32-foot-long tiled wall nearby highlight the nearshore wildlife in Puget Sound. The Constellation Park and Marine Reserve is also the best public place in the city to learn about the constellations visible from Seattle.

Credit: David B. Williams

Seattle Skyline View from Dr. Jose Rizal Park – One of the surprising views from north Beacon Hill toward Seattle (Walk 14). The small green space became park property in 1971. Three years later members of the local Filipino community, part of which centered on Beacon Hill, worked with city local government to name the park in honor of Dr. Jose Rizal, a Filipino social reformer, ophthalmologist, poet, and novelist who was executed in 1896 by the Spanish colonial authorities in Manila when he was 35 years old. If you want the best views, come in winter when the park’s forest of red alders and bigleaf maples have dropped their leaves.

Credit: David B. Williams

Last Bluff in Downtown Seattle – When settlers first arrived in Seattle, most of the shoreline surrounding Elliott Bay was high bluffs of sediment. This bluff is the last one remaining in the downtown area (2000 Alaskan Way at Lenora Street; Walk 1). If you imagine yourself here in 1850, just before the European settlers arrived, you would have been standing on the shoreline. Another way to consider this landscape is to realize that most of the land west of the fence did not exist in 1850. It is all made land, created primarily by the building of Seattle’s original seawall and the filling in of the area behind it with sediment.

Credit: David B. Williams

Fremont Bridge – The view from Streissguth Gardens on west Capitol Hill (10th Avenue E and E Blaine Street; Walk 13). Started by the Streissguth family, the garden is now owned by the city.

Credit: David B. Williams

View over Puget Sound – The hill with the brick building atop it on Alki Point exists because it is consists of a layer of 23- to 28-million-year-old sandstone, known as the Blakely Formation, that resisted erosion during the last ice age 16,400 years ago (55th Avenue SW and SW Charlestown Streets; Walk 17). Imagine standing here during the last movement of the Seattle Fault about 1,100 years ago, when the ground rose 20 feet. Prior to the earthquake, the mound would have been a seastack rising directly out of the water. Perhaps at very low tide, you could have walked across a beach to it. After the uplift though, the mound and its sandy surroundings would have been thrust up above the high-tide line to their present position.

Credit: David B. Williams

David B. Williams is a freelance writer focused on the intersection of people and the natural world. His most recent book was Too High and Too Steep: Reshaping Seattle’s Topography, which won the 2016 Virginia Marie Folkins Award, given by the Association of King County Historical Organizations to an outstanding historical publication. Other books include Stories in Stone: Travels Through Urban Geology and The Seattle Street-Smart Naturalist: Field Notes from the City. Williams is coauthor of Waterway: The Story of Seattle’s Locks and Ship Canal. He lives in Seattle and continues to explore and travel through the city by foot and by bike.