THE. CURRE.NT CINE.MA Is Everybody Nuts? '1!:1? C Lf T HE villain of "The Chase" never attended the Harvard School of Business Adminis- tration, but he cer- tainly dreams up some unusual ways of closing profitable deals. When he wants to get hold of a couple of ships, for instance, he wastes no time on footless palaver with the gentleman who owns them. He simply invites the gentleman to his Miami es- tate, locks him in the wine cellar with a furious mastiff, and waits patiently upstairs until the brute has devoured most of him. The film doesn't make clear ho\v this gives the villain posses- sion of the ships, hut then it doesn't make any of his activities very clear. Possibly this is hecause he is really more representative of Matawan than Miami, where the populace may be sun-struck hut is not often so psychotic. This particular lunatic lives in a mansion adorned with as much statuary as a wing in the Metropolitan, rides in a limousine whose speed he can increase from the rear seat by means of an aux- iliary accelerator, and keeps his wife, whom he beats up now and then, a closely guarded prisoner. What with incarceration and frequent cuffings, she is fairly distraught, and most of the time sits around mooning about escap- ing to Havana. If, by any chance, you're eÀpecting the hero of this phrenetic piece to be in any better shape men- tally than the villain and his bride, you're in for a disappointment. He hap- pens to be a psychoneurotic afflicted with periodic spells of amnesia, and when the camera follows him right into his hallucinations, everything becomes wildly incomprehensible. Any how, I can ten you this: The hero finally gets to Havana with the villain's wife, chiefly because the wicked fellow has tried once too often to regulate the speed of his limousine from the back seat. The principals in "The Chase" are Rohert Cummings, Michèle Morgdn, and Steve Cochran, who never seem quite sure of just what they're up to. This is hardly any fault of theirs. 5 T" .:.:.. ... '\ Ie t i;f j 4 .- . - ê\ . " "<'6 ö ".) - QO i I . I .- . } II \ -, 'A . / J\L THOUGH the villain in "The .11 Chase" like to beat up women, h("'s stiH more attractive than at least one THE Flexees new bra... high fashion for bosom beauty! A deep neckline, wide separation, firm young uplift and s *--%: ,=';;:' : /ø <;<};t: :: ú:' -"}'.i' " ._, :;.:: r.t: . . . . individual cup treatment for free-moving ease. It's a Flexaire " ; :t('â11 .-iX in the Pulchra deli n ',.:";' ;.' :<='k:::' .:$i:::, .:.:....;...: "Ic : [ f ,,:,:: !: ;;7: - '..: '::-::'.-$ ::: , ". .:::$. :':.::\. ,,: :,>0- :::: . . . . it'8 simply heautiful. \f< , r' A.: % .: ::.;.::.:::::: 1 ::::: :"-:, .,.._: :>, :=>>'(o . .., , "::::':: '. :.. t:);: : ': . -:;'.;.:,: , . :b::=.., ::,::\:;:::,:: "::=:':':;, , ;:-'-"'::':" :g{ {": " 1J.' ;;.' "á lf, i:f1 ", :g; 1 j1 ,'*', F lexees * Girdles ""d COJnbinatious Flexaire* raa Corsees Step..Jn allcl Pan';e Cirdles &if t;t: f. :z:'/f r=:""':':' /:!:::; {.f.::: @. Pd 12] N '-. : -reg. uadt'mark..