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Work

The tools, rules, and relationships of the workplace illustrate some of the enduring collaborations and conflicts in the everyday life of the nation. The Museum has more than 5,000 traditional American tools, chests, and simple machines for working wood, stone, metal, and leather. Materials on welding, riveting, and iron and steel construction tell a more industrial version of the story. Computers, industrial robots, and other artifacts represent work in the Information Age.

But work is more than just tools. The collections include a factory gate, the motion-study photographs of Frank and Lillian Gilbreth, and more than 3,000 work incentive posters. The rise of the factory system is measured, in part, by time clocks in the collections. More than 9,000 items bring in the story of labor unions, strikes, and demonstrations over trade and economic issues.

Pronto Systems, Inc. introduced its Pronto Series 16 computer in 1983. It represented the high end of business computing of its era. The Pronto pioneered innovative design features, including a tilting and swiveling monitor, small foot print, a streamlined and adjustable keyboard, and an expandable cord that allowed the processor to be stored as much as six feet away from the monitor. These features won a 1983 design award from Industrial Design Magazine. The computer offered the first tower system—a design that later became common in the industry.

Inside, the Pronto 16 was a powerful machine designed for the full range of business applications. It had a 16-bit Intel 80186 microprocessor. It was shipped with MS-DOS 2.0. It had 128 KB of RAM, which could be expanded to 1 MB. The standard hard drive was 5.6 MB, and it was removable. The computer had dual 800 KB floppy drives (5 ¼"), dual serial ports, one parallel port, and a high-resolution monochrome monitor. Users could buy a color monitor as an option. Base price was $3,000.

Over 1,000 systems were sold from 1983 to 1987. The company had to file for bankruptcy when the stock market crashed while the company was in the process of going public through an Initial Public Offering.

This knife was used by Nathan Fay (1914-2001), the California grape grower credited with planting the first Cabernet Sauvignon grapes in the Stag's Leap District of Napa Valley. Since Fay's first planting in 1961, the variety has become well established and the district is internationally known for its fine Cabernet Sauvignon vintages. When he donated this budding knife to the Smithsonian in 1997, Fay estimated he had used it to bud some 4,000 to 5,000 plants. He added that, in his prime, he was able to bud about 400 vines in a day, and, in his lifetime, he had probably budded some 12,000 plants.

The first step in budding new vines is to plant rootstock resistant to phylloxera, the devastating insect that attacks the roots of Vitis vinifera, the Eurasian species of grapes from which the world's best table wines are made. Although grapes native to North America are phylloxera-resistant, their fruit does not equal the kind of complex, classical wine produced by the V. vinifera species. Consequently, American viticulturalists have learned to plant "resistant" rootstock, typically hybrids of species native to the New World. It is on this rootstock that they graft the buds from V. vinifera wood.

The Regitel is an early point-of-sale (POS) electronic cash register. Such terminals capture information about sales for computer processing.

The device was made by the American Regitel Corporation and installed as a part of a networked system in department stores across the nation. The networks communicated over telephone systems at 9600 baud, which was extremely fast for the time period.

A mark on the front reads: REGITEL. A mark on tape on the bottom of the machine reads: Theresa 3-22-71.

For related documentation, see 2002.0091.02 through 2002.0091.06.

American Regitel Corporation was founded in Palo Alto, California, in 1968. The firm was acquired by Motorola in 1970.

The Apple Macintosh introduced a graphic user interface (GUI) to the Apple line of computers. The idea had originated at Xerox's Palo Alto Research Center in the 1970s, but Xerox was slow to commercialize it. Apple proved far more successful when it introduced the Macintosh in January 1984, with a splashy television advertisement during the Superbowl. The original price was around $2,500.

Instead of typing out names of programs on command lines, users with a GUI could click "icons," or pictures that represented the programs they wanted to run. They could also execute functions like saving, moving, or deleting files by clicking and dragging the icons around the screen with a pointing device called a mouse. Apple's version of the mouse had a single button, which became an Apple standard. The first Macintosh had only 128K RAM, and users quickly found this insufficient. The Macintosh 512 KB, nicknamed "Fat Mac," was introduced in September 1984. It gave users four times as much memory, and allowed them to keep several major programs open simultaneously. The vertical processor case and 9" monochrome screen were distinguishing features of all the early Macintosh line.

The Macintosh 512 KB contained a Motorola 68000 microprocessor which ran at 8 MHz. It contained 512 KB of RAM and 64 KB of ROM and initially had a 400 KB Floppy disk drive. Applications included MacWrite, a word processor, and MacPaint, a drawing program that turned the mouse into a paintbrush. Shortly after the 512 KB appeared, Apple also introduced a LaserWriter printer, which enabled desktop publishing for individuals and small businesses. Over time, Apple computers would appeal most strongly to artists and designers, while the IBM/DOS line of computers sold better in business markets.

After selling hundreds of thousands of units, Apple discontinued the "Mac Classic" line of computers in April 1986.

In 1976, computer pioneers Steve Wozniak and Steve Jobs began selling their Apple I computer in kit form to computer stores. A month later, Wozniak was working on a design for an improved version, the Apple II. They demonstrated a prototype in December, and then introduced it to the public in April 1977. The Apple II started the boom in personal computer sales in the late 1970s, and pushed Apple into the lead among personal computer makers.

The Apple II used a MOS 6502 chip for its central processing unit. It came with 4 KB RAM, but could be extended up to 48 KB RAM. It included a BASIC interpreter and could support graphics and a color monitor. External storage was originally on cassette tape, but later Apple introduced an external floppy disk drive. Among the Apple II's most important features were its 8 expansion slots on the motherboard. These allowed hobbyists to add additional cards made by Apple and many other vendors who quickly sprung up. The boards included floppy disk controllers, SCSI cards, video cards, and CP/M or PASCAL emulator cards.

In 1979 Software Arts introduced the first computer spreadsheet, Visicalc for the Apple II. This "killer application" was extremely popular and fostered extensive sales of the Apple II.

The Apple II went through several improvements and upgrades. By 1984, when the Macintosh appeared, over 2 million Apple II computers had been sold.

Nathan Fay (1914-2001) is credited with planting the first Cabernet Sauvignon grapes in the Stag’s Leap district of the Napa Valley. In the late 1950s, many thought the area too cool for the prized Bordeaux varietal, but Fay followed the advice of viticulturists at the University of California, Davis, and planted about 15 acres of Cabernet vines in 1961. His efforts laid the foundation for the Stag’s Leap district to become one of the most successful Cabernet growing areas in California.

Fay considered himself a rancher (grower) and he made a living by selling his grapes to a number of California vintners. While he never wanted to make wine commercially himself, he enjoyed crushing his own grapes and making small batches of wine with his family at home. In 1969, after tasting Fay’s homemade Cabernet, novice Napa vintner Warren Winiarski was inspired to purchase property adjacent to Fay’s ranch. Winiarski’s 1973 Cabernet placed first in the 1976 Paris Tasting, an event that focused attention on the new California winemakers and particular districts like Stag’s Leap. In 1985 Fay sold 72 acres of his vineyard to Winiarski, who named the parcel for Fay and produced a “Fay” Cabernet for many years.

The Graphic Arts Collection of the National Museum of American History houses an extensive series of prints by archeologist and artist Jean Charlot (1898–1979), and prominent Los Angeles printer Lynton Kistler (1897–1993). Charlot, the French-born artist of this print, spent his early career during the 1920s in Mexico City. As an assistant to the socialist painter Diego Rivera, he studied muralism, a Mexican artistic movement that was revived throughout Latino communities in the United States in the 1960s and 1970s. This lithograph, titled Work and Rest contrasts the labor of an indigenous woman, grinding corn on a metate, with the slumber of her baby. Printed by Lynton Kistler in Los Angeles in 1956, it presents an image of a Mexican woman living outside the industrial age. This notion of "Old Mexico" unblemished by modernity appealed to many artists concerned in the early 20th century with the mechanization and materialism of American culture. It was also a vision that was packaged as an exotic getaway for many American tourists. It is worth contrasting the quaint appeal of an indigenous woman laboring over her tortillas with the actual industrialization of the tortilla industry. By 1956, this woman would likely have bought her tortillas in small stacks from the local tortillería, saving about six hours of processing, grinding, and cooking tortilla flour.

In the life of a ship, launching day is one of the most important. Mariners have long believed that a mishap during a vessel’s slide from land to water foretold disaster. If the transition went smoothly, however, it was cause for celebration. This silver dollar was given to shipwright Archie Green on such an occasion in 1942, after he and his fellow shipyard workers successfully launched a C3 cargo ship in San Francisco.

Launching ceremonies include various rituals, some of which are rooted in maritime traditions. The vessel is officially named on this day, and though not fully completed, it is ready to be moved from the yard into the water, where the final outfitting will be done. The ship is first "christened" by breaking a bottle over the bow, an honor usually performed by a woman associated with the vessel, such as the ship owner’s wife or daughter. As the last of the holding blocks are removed, the ship is released into the water by the launching gang, the crew responsible for ensuring the launch’s success.

Archie Green was born in Winnipeg, Canada, in 1917 and moved to Los Angeles with his parents in 1922. After graduating from the University of California, Berkeley, in 1939, he began to learn the shipbuilding trade at the San Francisco shipyards. When war broke out, he took part in the U.S. government-sponsored emergency shipbuilding program, which was established to offset the terrible losses of cargo ships by Nazi U-boats.

Drawing from lessons learned during the First World War, shipbuilders developed plans for standardized, prefabricated vessels that could be constructed in any shipyard in the nation. The most famous of these were the Liberty and Victory ships, which transported supplies and troops to Allied positions across the world. A type C3 ship, such as the one associated with this coin, was another design that produced a general-purpose vessel able to carry any cargo, but could also be modified for specific uses. Between 1939 and 1947, 465 of these ships were built in American shipyards.

Archie Green went on to earn a Ph.D. in folklore and devoted his scholarly and teaching career to workers’ culture and occupational traditions. He remained a member of the United Brotherhood of Carpenters and Joiners of America until his death in 2009.

This Thai passport was seized in the well-publicized 1995 El Monte, Calif., sweatshop raid. The passport is part of a larger Smithsonian collection of artifacts documenting apparel industry sweatshops, focusing on the El Monte operation (72 workers were discovered working as slaves). With a legitimate U.S. visa, the passport looks official. In fact, the El Monte operators doctored a real passport, inserting a new photo into someone else's document, in order to smuggle workers into the country.

Recruited from Thailand, the El Monte workers were tricked into accepting employment by misrepresentations of their future working and living conditions. They were told they would sew in a clean factory, receive good pay, and have the weekends off. They were even shown photographs of company parties and outings to Disneyland. After signing contracts (indenture agreements) committing themselves to repay 120,000 baht (about $5,000 in 1997 dollars), they were smuggled into the United States on fraudulent passports.

On arrival, the sweatshop operators confiscated the passports and the workers were forced to sew 18 hours a day seven days a week. The debt, a guard force, and threats of physical harm to the workers and their families in Thailand discouraged them from escaping. Although the physical confinement of the work force was unusual, many aspects of the business, such as recruiting and smuggling workers, are relatively common. Less enslaving forms of debt peonage occur surprisingly often in some Asian immigrant communities.

Sweatshops occur in many sectors of manufacturing, but are most often associated with the garment industry. While garments are designed and marketed through big name companies, assembly is often left to contract and sub-contract operations. In these small shops, where profits are razor thin and competition is excessive, abuses are rampant.

This model was filed to the U.S. Patent Office with the application for the patent issued to G. E. Dow, of San Francisco, California, November 4, 1879, no. 221220.

The model represents a form of valve gear for a direct-connected steam engine in which the main valve is partially operated by a system of cam-shaped levers actuated from the main piston rod and partially by a supplementary steam piston, the movement of which is controlled by valves connected to the same levers.

Reference:

This description comes from the 1939 Catalog of the Mechanical Collections of the Division of Engineering United States Museum Bulletin 173 by Frank A. Taylor.