Category Archives: Webb Thomas

Henrique and myself were chatting online a couple of days ago about a favorite recurring topic between us. And that topic is funk music in every section of the record store. I remarked that it was unlikely that there would be any funk in a stores new age section. Henrique answered me with this video,featuring a song by a group known as Rasa. He described the album as consisting primarily of Hare Krishna chanting. This lead to the conclusion that new age music was a conceptual idea as opposed to a musical genre. Of course hearing new age music as being mostly piano based,it never occurred to me that new age themes are common in a lot of the funk I love.

After doing a bit of research via an article done four years ago by Wax Poetics magazine,it turns out that Rasa was the brainchild of Christian oriented funk/soul artist Eugene McDaniels son London. He went to a Krishna temple with his teenage brother Chris at the advice of their mother-during the time London was studying at the Berklee College Of Music. A few of the temple heads managed to convince the brother to record an album of contemporary Hare Krishna music. It has apparently become a favorite among crate digging DJ’s/hip-hop samplers. The song that introduced into all of this,courtesy of Henrique is actually entitled “Chanting”.

Roger Panansky’s round bass synthesizer starts things out playing along with Anthony Jackson’s electric bass guitar tones. As well as the slow paced percussive drumming of Webb Thomas. London’s JB style rhythm guitar comes in on the main refrains,while the horns of (featuring Randy Brecker) melodically assist on the choruses. There is a two second break before a fluttering,round electric bass solo from Jackson bubbles up like instrumental champagne on the bridge-again with Brecker and sax player George Young playing call and response on their horns. These instrumental exchanges are accented by electric piano. The chorus and refrain repeat themselves until the song fades out.

This song is a wonderfully grooving jazz/funk piece,with a strong rhythmic thump and a full emphasis on the bass. Whether it be from a bass guitar or a synthesizer. The lead singer on this Vakresvara Pandit sings in a manner very similar to Jamiroquai’s Jason Kay. So this ends up being the type of spiritually inclined funk that would be the bass musical medium of the acid jazz/funk movement a couple of decades later. Though this album was apparently only ever sold at Krishna temples and events,it really fascinates me at the possibility that this famous offshoot of Vaishnaism based spirituality would chose “people music” funk as it’s own gospel. As it stands,it’s top notch late 70’s melodic jazz/funk!