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.aastha.Goldie

nahi Sari...i agree with the topic maker that serious track like these should be dealt with more sensitivity rather than "rajshri style" of handling it..like they showed naitik..he was worried for her more than anyone else but he showed restraint, worry, fearfulness , courage, positive attitude all at one time...he didn't give up till the last moment...Akshara was brilliant, no doubt about that..all her scenes were well done and not OTT...Singhania's were fine, their reaction was justifiable although they were equally worried..vishambhar was perfect, rightly portrayed the feelings of a father...so was Shaurya

all the songs which were played in the background didnt match the scenes...one of them was played when akshara was leaving her sasural the situations were totally different..then there was "sunai deti thi khamoshi ki sada" .why r they playing these songs ! or i missed the point

Music is always way too loud so I tune it out to listen to
the dialogues It wasn't a special song like "Varsha teri godh bharai" ... How idiotic was that song...Since
it was the usual YR tunes, I didn't care to listen'.Like you I picked on Naitik's
networkwaali baath and went... Der se hi sahi, he realized. Bechara tension
mein tha...I did think they should have focused more on how they traced her. I was
expecting her to at least say bank in the sms but a 5 sec untraceable call
suddenly became traceable...

There were lot of inconsistencies but I tried to ignore
it for my own sanity. Waise hi the tears & sadness were killing me, tho I
didn't want my overactive dhimaak on overdrive...I never thought much about this
track right from the start coz even if it happens it's rare & Akshara's
circumstances were not convincing but I tried to enjoy it for what it's worth...
Zyada sochke dhimak kharab...Ab aur restrictions hoga & she will be a nervous
wreck too. Crying will increase, Munna gaya kaam se... Shaadi = barbaadi...

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