World events can change us over time. The sight of war, the experience of a natural disaster, the news of hunger spreading throughout a land or its people ravaged by disease. Or it can happen in a heartbeat when a child holds your hand. We begin to forget ourselves and all the things we thought were important before. We begin to see life from a different perspective when we realise we have so much and so many have so little.

I Am Because We Are is a documentary that takes us to a country many of us might not have heard about, yet it’s right there on the map. Malawi. Located in the southwest of Africa, this landlocked country is bordered by Zambia to the northwest, Tanzania to the northeast, and Mozambique on the east, south and west.

It’s a country that was once known as “The Warm Heart of Africa” but Madonna had also never heard of it until she received a telephone call from Victoria Keelan, a woman who was born and raised there. Keeland informed Madonna, who wrote and produced the documentary, that there were over 1 million children there orphaned by AIDS, more than they could house in orphanages. They were living on the streets, sleeping under bridges, and hiding in abandoned buildings, being abducted, kidnapped, raped. Sounding exhausted, she said it was a state of emergency.

“Hidden from the rest of the world, Malawi has suffered more than one can sometimes imagine. UN statistics estimate that 66% of the population lives on less than $1 a day. It’s the 2nd poorest country in the world. AIDS has left Malawi with an estimated 1 million orphans. In a country of 12 million people, so many children without parents has caused irreparable damage. This alone is an enormous problem.” ~ Madonna

Visiting Malawi, Madonna saw it first hand but for all its troubles she also experienced something else there. There’s a profound understanding and value of life by those who will only experience very little of it. The children of Malawi, the ones who should be growing up to make it a better place are dying at a daily rate and what’s killing them is still too taboo to talk about.

It’s at times difficult to watch these children talk about futures, dreams, hopes and ambitions when they don’t have the most basics things we take for granted; access to healthcare, education, parents or even a home.

We see one mother who is so sick she can’t move or bathe without assistance, but she talks about her hopes for her son when she is gone. She dies shortly afterwards and we see the entire village partake in the sharing of grief, care and the ensuing funeral procession. Madonna asks if someone dies on our street, would we do the same. In a land with no wealth to speak of by so many, there is an abundance of spirit and I Am Because We Are makes us consider this for a moment and weigh it up against our lives here in the Western world.

“We can raise awareness, we can build orphanages, we can make medicine more accessible and we can help diversify their crops. These things are essential. But are they enough?” ~ Madonna

It’s a start, but it’s not enough. There’s so much more to do there, an entire infrastructure to support and empower needs to be in place so that Malawi can stand and help itself, but these are just children. In 2006, Madonna, together with Michael Berg, founded Raising Malawi, a charity that supports non-government organizations in offering impoverished families opportunities for sustainability.

The world’s problems are our problems and I Am Because We Are reminds us of how interconnected we all are. It’s a call to action and however you choose to act is based on what you take away with you from this documentary. It might not be enough, but it’s a start.

Patrick Samuel

The founder of Static Mass Emporium and one of its Editors in Chief is an emerging artist with a philosophy degree, working primarily with pastels and graphite pencils, but he also enjoys experimenting with water colours, acrylics, glass and oil paints.

Being on the autistic spectrum with Asperger’s Syndrome, he is stimulated by bold, contrasting colours, intricate details, multiple textures, and varying shades of light and dark. Patrick's work extends to sound and video, and when not drawing or painting, he can be found working on projects he shares online with his followers.

Patrick returned to drawing and painting after a prolonged break in December 2016 as part of his daily art therapy, and is now making the transition to being a full-time artist. As a spokesperson for autism awareness, he also gives talks and presentations on the benefits of creative therapy.

Static Mass is where he lives his passion for film and writing about it. A fan of film classics, documentaries and science fiction, Patrick prefers films with an impeccable way of storytelling that reflect on the human condition.

Jesse’s Lost Journal was conceived as my subtext writings while making Nightmare on Elm Street 2. I stay true to the film until late in the game and then bear off in a new direction, bringing Jesse up to date and letting you see he is quite alive and doing just fine...