In The Special Danger Givan Lötz draws attention to conflated notions of Death, Sex, and Spirituality. Owing to a philosophical reading of the Ecstatic Experience, Lötz measures the ethics of Eroticism up against the aesthetics of Prohibition, suggesting a form of reasoning without boundaries. From Lötz’s perspective, without Prohibition there can be no transgression and therefore no Eroticism.

The ubiquitous relationship between proximity and promiscuity in relation to Eroticism and Prohibition is unpacked in The Special Danger, manifested in four interrelated pictorial concepts pertaining to birth, Sex, and Death. A fifth central sculptural concept is included and given the tentative and simultaneous role of the overseer and offender, also acting as an anchoring agent for the display of the entire narrative. In all, the five concepts include: The Ecstatic Experience, Death & Danger, Sex Death, Eroticism & Perversion, and Sacred Boundaries & Transgression.