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Join us in resistance and solidarity from inside to outside the prison system in an undertaking to educate and mobilize ourselves for dignified struggle to abolish the modern institution of slavery which operates today as a mean coalition consisting of the police, the courts, racist and bigoted judges, unscrupulous prosecutors, ravenous and greedy sheriffs, cash-strapped school districts, under-funded indigent defense systems, and unfriendly and hostile prison officials.

This brief introduction to Selma’s bottom up history can help students and others learn valuable lessons for today. As SNCC veteran and filmmaker Judy Richardson said: “If we don’t learn that it was people just like us – our mothers, our uncles, our classmates, our clergy – who made and sustained the modern Civil Rights Movement, then we won’t know we can do it again. And then the other side wins – even before we ever begin the fight.”

I’ve finally seen “Selma” and can report it is a proper civil rights movie. By that I mean it takes few chances either thematically or aesthetically. The icons remain intact and the movement free from revisionist recriminations. This cautious strategy is understandable in a risk-averse Hollywood. Although boxed in by those kinds of commercial expectations, “Selma” delivers even more than it should.

“Selma” gives a window into the turbulent three-month voting rights campaign, a series of pivotal protest marches in 1965 that culminated with President Johnson signing the Voting Rights Act of 1965. The movie offers a lens into King and imperiled activists’ attempts to travel a 54-mile highway from Selma to the Alabama state capital, Montgomery, in the face of blatant racism, brutality and de facto segregation.