Martin D-18 Lynnwood WA

Since its introduction in 1935, the D-18 has been one of the major stalwarts of the Martin line, and for many years outsold the more costly D-28. In 1955, the year of Chris Martin's birth, Martin sold 1,103 D-18s versus 806 D-28s.

Martin D-18

Like the recent CFM IV 1955 D-28, the CFM IV 1955 D-18 commemorates the 55th birthday and ongoing contribution of Christian Frederick "Chris" Martin IV to the company that bears his name.But this is not just the mahogany version of the CFM IV D-28.

Since its introduction in 1935, the D-18 has been one of the major stalwarts of the Martin line, and for many years outsold the more costly D-28. In 1955, the year of Chris Martin's birth, Martin sold 1,103 D-18s versus 806 D-28s.

Prized for its bright treble, crisp midrange and clear bass, the D-18 is a favorite of many bluegrass, folk and country musicians. Its strong, loud voice is meant to be heard and hold its own over banjoes, mandolins, steel guitars – and, yes, raucous rock n' roll. It's also excellent recording guitar offering exceptional balance and distinct articulation.

Elvis Presley played a 1942 D-18 during his early career (it can be heard in on all of his Sun recordings, including the classic "That's Alright Mama"). Hank Williams also played a D-18 that he rotated with his D-28 (Hank's 1947 D-18 is now owned by the Martin company and is on permanent display in the Martin Museum). Oh, and you remember that great rockin' guitar intro on Eddie Cochran's "Summertime Blues"? That's a D-18, too.