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Presto Vivace writes "What a loss for the tech community," linking to this announcement at Gigaom that the site is shutting down: Gigaom recently became unable to pay its creditors in full at this time. As a result, the company is working with its creditors that have rights to all of the company's assets as their collateral. All operations have ceased. We do not know at this time what the lenders intend to do with the assets or if there will be any future operations using those assets. The company does not currently intend to file bankruptcy. We would like to take a moment and thank our readers and our community for supporting us all along. — Gigaom management
Reader bizwriter adds a link to this story on the shutdown.

Trailrunner7 writes with the introduction to a Threatpost article (best read without coffee near your keyboard) about the new CSI: Cyber: The show centers on the Cyber Crime Division at the FBI, a perfectly focus-grouped cast headed by Special Agent Avery Ryan. She is a former behavioral psychiatrist whose practice fell apart when–spoiler alert!–all of her case files were stolen by a hacker who then murdered one of her patients. Now she is on a mission to "turn" hackers one at a time to the path of righteousness. She is aided in this noble quest by the guy who played Dawson, former child rapper Lil Bow Wow, and the two h4x0r caricatures: a bearded, wisecracking guy named Daniel Krumitz who is the "greatest white hat hacker in the world", and Raven Ramirez, whom we know is a hacker because she has dyed hair. Also, because her name is Raven.

journovampire writes with this story about how much artists make on Spotify. "Pandora founder Tim Westergren has claimed that the company is paying out 'very fair' sums to artists, despite its per-stream royalty weighing in at just one sixth of Spotify's. The digital personalized radio platform has previously gone on-record as saying that it pays music rights-holders approximately $0.0014 for each play of their tracks: Westergren blogged in 2013 that Pandora pays ‘around $1,370 for a million spins’. That’s around 80% smaller than Spotify’s per-stream payout, which officially stands somewhere between $0.006 and $0.0084."

mrflash818 sends this report from Mashable:
A decade ago, Netflix meant DVDs by mail, video referred to TV and the Internet meant simple text and pictures. All that changed in about 20 months. ... It was hard to get a handle on what YouTube was, exactly. The founders didn't know how to describe the project, so they called it a dating site. But since there weren't many videos on the site, Karim populated it with videos of 747s taking off and landing. Desperate to get people on the site, YouTube ran ads on Craigslist in Los Angeles and Las Vegas, offering women $20 for every video they uploaded. Not a single woman replied. Another vision for YouTube was a sort of video messaging service. “We thought it was going to be more of a closer circle relationship,” Chen said in a 2007 interview. “It was going to be me uploading a video and sharing it with eight people and I knew exactly who was going to be watching these videos — sharing with my family and my friends.” What actually happened was a “completely different use case” in which people uploaded videos and shared them with the world.

An anonymous reader writes BitTorrent today announced an exclusive partnership with Rapid Eye Studios to launch BitTorrent Originals. In short, the two will identify, produce, and distribute original video content for the BitTorrent Bundle platform, the company's direct-to-fan publishing platform. BitTorrent Originals will be timed exclusives, meaning they will debut on the BitTorrent Bundle platform and only be available there for 30 to 60 days. After the BitTorrent exclusive window closes, each project will be available through other distribution channels.

donniebaseball23 writes: With Eurogamer being the latest popular video games site to ditch review scores, some are discussing just how valuable assigning a score to a game actually is these days. It really depends on whom you ask. "I've always disliked the notion of scores on something as abstract and subjective as games," says Vlambeer co-founder Rami Ismail. From the press side, though, former GameSpot editor Justin Calvert still believes in scores. "I've been basing my own game-purchasing decision on reviews ever since I picked up the first issue of Zzap! 64 magazine in the UK almost 30 years ago," he says, while admitting that YouTube is certainly changing the landscape today: "There's something very appealing about watching a game being played and knowing that the footage hasn't been edited in a way that might misrepresent the experience."

HughPickens.com (3830033) writes "Clay Latimer writes at IBD that Ian Ballantine, called by many the father of the mass-market paperback, helped change American reading habits in the 1940s and '50s founding no fewer than three prestigious paperback houses — Penguin USA, Bantam Books and Ballantine Books. But Ballantine's greatest influence on mass culture was publishing science-fiction paperback originals, with writers including Arthur C. Clarke, Ray Bradbury, Philip K. Dick, Theodore Sturgeon, and Frederik Pohl and publishing the first authorized paperback editions of J.R.R. Tolkien's books. "These were great classics of world fiction," says Loren Glass. "He published in original form some of the greatest works in the golden age of science fiction. One of the interesting things about Ballantine is that he was not only a businessman trying to make money in books; he was a student of literature and publishing, and something of an intellectual."

Turning serious science fiction into a literary genre ranks among Ballantine's greatest feats. Prior to Ballantine Books, science fiction barely existed in novel form. He changed that with the 1953 publication of "Fahrenheit 451," the firm's 41st book. "That was obviously a key moment in the history of science-fiction publishing," Glass says. In 1965, when Tolkien's rights to his "Lord of the Rings" trilogy lapsed, Ace Books published his books without paying royalties and Tolkien responded by conducting a personal campaign against Ace. Tolkien began to urge the fans who wrote to him to inform them that the American copies were pirated: "I am now inserting in every note of acknowledgement to readers in the U.S.A. a brief note informing them that Ace Books is a pirate, and asking them to inform others." Ballantine quickly bought the rights and included Tolkien's back-cover note: "Those who approve of courtesy (at least) to living authors will purchase it and no other.""

Earthquake Retrofit shares this story about changes that may be coming to the MPAA prompted by the Sony hack. "Fissures revealed by the hacking at Sony Pictures Entertainment have raised the prospect of profound change at one of Hollywood's oldest institutions: the Motion Picture Association of America. In a behind-the-scenes drama, the Sony Pictures chairman, Michael Lynton, last month told industry colleagues of a plan to withdraw from the movie trade organization, according to people who have been briefed on the discussions. He cited the organization’s slow response and lack of public support in the aftermath of the attack on Sony and its film The Interview, as well as longstanding concerns about the cost and efficacy of the group. Reversing course in mid-January, as the Oscar nominations were being announced, Mr. Lynton stayed in. But he and other studio executives are now discussing proposals that could alter the structure, mandate and governance of a 93-year-old organization that has been the policy front for Hollywood’s major film studios."

vivaoporto writes Moot bids his final farewell as the administrator of the (in)famous imageboard. The full resignation letter can be read on the site blog (it's cool, it's SFW) but for those who are not brave enough to dwell in the "underbelly of the internet" here are some excerpts: "I founded 4chan eleven and a half years ago at the age of 15, and after more than a decade of service, I've decided it's time for me to move on. 4chan has faced numerous challenges... [B]ut the biggest hurdle it's had to overcome is myself. As 4chan's sole administrator, decision maker, and keeper of most of its institutional knowledge, I've come to represent an uncomfortably large single point of failure. I've spent the past two years working behind the scenes to address these challenges,... [T]he site isn't in danger of going under financially any time soon,... and while I've still been calling the shots, I've delegated many of my responsibilities to a handful of trusted volunteers, most of whom have served the site for years. That foundation will now be put to the ultimate test, as today I'm retiring as 4chan's administrator.... I look forward to one day returning to 4chan as its Admin Emeritus or just another Anonymous,... I'm humbled to have had the privilege of both founding and presiding over what is easily one of the greatest communities to ever grace the Web."

An anonymous reader writes "Amazon has announced that it will begin to produce and acquire original movies for theatrical release and early window distribution on Amazon Prime Instant Video. From the article: "This is a big move from Amazon, as it seeks to narrow the theatrical release window to between four and eight weeks. It can often take up to a year for films to land on subscription video-on-demand (SVoD) services such as Netflix and Amazon Prime Instant Video, however they do typically land on DVD/Blu-ray within around four months. Production for the aptly titled 'Amazon Original Movies' program will kick off in 2015, and plans are afoot to create around a dozen original titles for release in cinemas each year."

malachiorion writes If you're into robots, AI, you've probably read about the open letter on AI safety. But do you realize how blatantly the media is misinterpreting its purpose, and its message? I spoke to the organization that released letter, and to one of the AI researchers who contributed to it. As is often the case with AI, tech reporters are getting this one wrong on purpose. Here's my analysis for Popular Science. Or, for the TL;DR crowd: "Forget about the risk that machines pose to us in the decades ahead. The more pertinent question, in 2015, is whether anyone is going to protect mankind from its willfully ignorant journalists."

An anonymous reader writes: As much as we like complaining, and as much as the big media stations like to focus on the most horrible news of the day, the world is actually becoming a better place. Stephen Pinker and Andrew Mack have an article in Slate going through many of the statistics for things like homicide rates, child abuse, wars, and even autocracy vs. democracy. They're all trending in the right direction. Maybe not fast, or even fast enough, but it's getting better.

They say, "Too much of our impression of the world comes from a misleading formula of journalistic narration. Reporters give lavish coverage to gun bursts, explosions, and viral videos, oblivious to how representative they are and apparently innocent of the fact that many were contrived as journalist bait. Then come sound bites from "experts" with vested interests in maximizing the impression of mayhem: generals, politicians, security officials, moral activists. The talking heads on cable news filibuster about the event, desperately hoping to avoid dead air. Newspaper columnists instruct their readers on what emotions to feel. There is a better way to understand the world. ... An evidence-based mindset on the state of the world would bring many benefits."

An anonymous reader writes The news aggregation services offered by Google is set to be no longer available for Spain, starting December 16th, 2014. The decision of Google comes as response to new Spanish legislation that gives publishers the right to claim compensation for republishing any part of their content. This follows news of services of startup Uber being forbidden in countries like Spain as well as Germany and some city councils worldwide like Delhi, or other services like AirBnb being put under pressure to cope with local laws in other jurisdictions.

An anonymous reader writes Have you ever wondered what it is like to have your online identity hijacked and replaced with a Russian-speaking Bruce Willis impostor? Here's a lesson in online impersonation from Passcode, The Christian Science Monitor's soon-to-launch section on security and privacy in the digital age. From the article: "Weeks prior, I changed my handle from @SaraSorcherNJ to the simpler @SaraSorcher when I left my job at National Journal covering national security to join The Christian Science Monitor to help lead our new section on, somewhat ironically considering the situation, security and privacy. Apparently within days of that change, someone - or a bot - had taken over my former work identity. My real account, @SaraSorcher, still existed. In my picture, I was still smiling and wearing a gray suit. The @SaraSorcherNJ account — Fake Me — sported a smirking, balding Willis in a track suit and v-neck white tee. I tweet about news and wonky security policy issues. Fake Russian-speaking Me enjoys 'watching Hannibal, eating apples and pondering the nature of existence.'"

SkiTee94 writes: Chris Hughes, one of the original founders of Facebook, is in damage control mode to save his recently acquired, century-old publication The New Republic. In response to Hughes' vision to turn the highly respected, and most would say old school, publication into a "digital media company," about a dozen senior editors and writers simply quit (out of a 54-person staff). One of the editors who quit said, "The narrative that they are putting out there is that it is the 21st century and we have to innovate and adapt. ... We don’t know what their vision is. It is Silicon Valley mumbo jumbo buzzwords that don’t mean anything." Is Hughes a visionary cleaning out dead wood or a clueless tech star leaving destruction in his wake?

An anonymous reader writes:
This article has an interesting take on how the media is presenting the current Chernobyl situation. Its author, Ron Adams, is a long time nuclear advocate, so read with that in mind. Adams critiques a recent CBS 60 Minutes broadcast that took pains to show how dangerous the area still is. He writes, "The show is full of fascinating contrasts between what the cameras show to the audience and what the narrator tells the audience that they should believe. ... I correspond with a number of experts in fields related to radiation, radioactive waste management, site restoration, and the health effects of low level radiation. There has been quite a bit of discussion about the misinformation propagated by this particular 60 Minutes segment."