Karen is a drummer. But an injury forced her to lay off the drums for a while and
take up the bass guitar. What a great opportunity to expand musical horizons, and a great way to
look on the bright side of an otherwise dim situation. Karen decided to make it even brighter with a
shiny new Alembic custom bass especially for her. The design started with an Essence bass,
to keep the weight down and have the bass in proportion to her frame. It also pairs well with the short scale. That's
because hidden in design of the Essence bass is the Small Standard body (you know - the one made famous by Stanley Clarke).
The lower body half draws its form from the Small Standard shape, though on the Essence it's a tad smaller. On the upper
body half, the upper horn is long enough to balance extremely well even at a long scale.

Wow. Even after seeing thousands of necks, it's still exciting to
see new combinations! The little pinstripe veneers of Maple and Purpleheart only reveal themselves up close.
With Mahogany as the main neck pair, this bass has a deep,
authoritative tone. The center stringer of Ebony reinforces that deep sound, but with Ebony's signature increase on fundamental
sustain.

We've recently begun to use the Orion peghead on
Essence basses instead of the Cone peghead. The front and back of the peghead are faced with Purpleheart veneers, with
Maple and Purpleheart interior veneers. On the back, you can see the junction of the
satin neck and the gloss finish. The finish is actually the same, it's just the final treatment. For the glossy areas, we
sand then buff with fine abrasives on a buffing wheel. On the satin neck, we wet sand with progressively finer
sandpapers up to 3500 grit. That paper is so smooth it just feels like paper when you touch it.

Purpleheart as a top wood is all about the color. It's
a shockingly violet color, and many that aren't familiar with exotic woods are quite surprised to learn that this is
the natural color of the heartwood. There's a slight mottled figure to this piece of Purpleheart. We've backed the top with an accent laminate of Maple and a
dashing little pinstripe veneer of Purpleheart.

Perhaps easy to overlook, goldplated hardware adds
a touch of elegance to the bass. While it's cosmetically very similar to the polished brass hardware,
the plated hardware has a smooth finish on the tailpiece, and of course, doesn't require polishing.

Two-tone LEDs - red all the way down with amber accents at the 12th and 24th
fret positions. Makes low-night navigation a little less stressful, and the coolness factor is way up there too.

Abalone oval inlays are the perfect compliment to the Purpleheart top
laminate. The shell's natural colors include a healthy dose of purple, mixed with blues, pinks and swirls of green.
We were so happy making this bass. Even though it's not as
ornate as some instruments we've made, it's very satifying to make exactly the instrument someone wants. Karen was fun to work with,
and we're hoping this bass keeps making music with her for a great many years to come.