Miles had hit me up some time back, the song was simple, acoustic, an incredible voice. I was stoked as I always am when a good tune comes my way in need of a video. For whatever reasons it never came together. When he hit me up again with a new song I was re-giddied, until I heard this song. My excitement left me in a “WTF?” moment. It wasn’t that I disliked it, I just couldn’t wrap my head around it based on what I’d previously heard. But it didn’t take long before it totally grew on me.

Concept wise I was referred to another vid by another artist, both of which will remain nameless. Though I personally thought it sucked it did grant me some guidance. The first being, I don’t want to do anything even remotely like that one. Second, there was a boy, there was a girl, and there was sexy. That’s as good a place to start as any. Begin the process of playing the song on repeat ad infinitum. The visual story became obvious after multiple listens. The song being one of apology, the thought being that often if one is willing to meet with an ex they do so with some degree of openness, if not hope for, a reconciliation. Obviously not everyone all the time, but this is a story =)

So how do you show that in a sexy way? Well, ya saw how I did. Occurred to me that perhaps in this case she did go there with that hope, that he would say and do the right things. And perhaps, though willing to forgive, wouldn’t want to let him completely off the hook. The closing mirror quote took longer than it should have. Went through myriad of options before “9 More Steps” finally clicked. Once I had that I had a complete story that stuck with the theme of the song. And there are a little lot of lil moments that reflect the lyrics in some way, the line “playing hide and seek” as his love is waking off. “If you want it you can get it” as she’s unbuttoning his shirt. etc, etc. Fun subtle stuff.

Production wise we rented a badass hotel room and shot. Simple right? Worth mentioning this was one of the quickest turnarounds as far as editing on a project like this. The reason for that is simple. I charged one battery the day before and set my second to charge when I went to bed. Waking up, horror of horrors, that one had expired, dead dead dead. Being a Sunday I didn’t have the option to get another. To compensate we did a lot of stalling in order to toss the battery on the charger at every opportunity. Unfortunately this meant the shoot went far later than it needed to, got home around 4:30am. On the bright side it restricted my usual propensity to be a footage whore. Less footage = easy edit! If I could restrain myself I’d never buy a second battery!

Casting. I had submitted four females for the part but made no recommendations. That said, I was hoping with all hope they would choose Eugenia Osbon and they did! Her print work is amazing and her performance in this video was everything I wanted and more. As a director, or someone with an ego, it’s easy to want to take credit for so much of what goes into making something like this. But my favorite moment in the entire piece was completely a Eugenia improvisation. The moment where she goes to exit the room and places her hand on his neck as she passes. I had absolutely nothing to do with it but as soon as she did it I gushed and said that was going to be in the final and that I wanted to get a reverse shot of it. That little awesome reverse shot of him turning to look as she walks away wouldn’t have happened if it wasn’t for her ad-lib.

People to thank! First off Marisa Mingea who’s choreographed and/or danced in many of my vids. Most notably in Adam Charmichale’s “Heaven Knows.” In this case though she stepped way outside her comfort zone and essentially functioned as production manager. Can’t thank her enough for filling in the million gaps that needed filling. Also had the incredible opportunity to work with the insanely talented makeup artist Ivy Kim-Warner for the first time, hopefully not the last.

My crew. My frikkin rock, the indispensable Eli Mendoza who’s been on more of my shoots than I can count. Added to the team was Katrina VanBuskirk who did an incredible job. I’ve worked with her for the last four or five years during every SXSW so never had any doubt in her ability and she exceeded my expectations at every turn.

Lastly, I have to give so much gratitude to Miles parent’s Milton and Renee. It was inspiring to see the level of support they had for Miles, their openness to the concept, their excitement during the process, and their taking such great care of the cast and crew. Everyone involved noticed and appreciated them so much. Thanks for the opportunity and thrilled you loved the finished piece =)

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