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Fashion and documentary photography have always intrigued and guided Fabienne Karmann. Her work aims to combine the language of fashion photography with a piece of reality. “Les femmes du Maroc”, her latest work, provided the missing link to what she has been searching for the last few years: a sense of fashion grounded in reality and with a strong social meaning. Karmann employs the techniques of fashion photography in a natural setting, putting her models on stage in their daily life. At the same time, she uses documentary language to inform about social relations. Before setting out on her own, Karmann studied photography at the University of Applied Sciences Bielefeld and the Moholy Nagy university in Budapest, later interning at the Room Magazine and assisting photographers such as Marton Perlaki, Stefan Milev, Daniel Gieseke, and Jan Kopetzky.