<<An almost obsessive attention to what is “soundscape” (studied, reinterpreted, distorted), a long list of collaborations with Italian and world champions of the experiment (from Bruno Dorella and Amy Denio), the flattering attention and accolades given to him by a giant like Thurston Moore of Sonic Youth. The electro-acoustic adventure of Francesco Giannico shows on the field and with the facts its four quarters of nobility>>. (from Robot Festival)

Electroacoustic musician, videoartist and webdesigner; Francesco Giannico has been graduated in “Musicology and Musical Heritage” at the University of Lecce (Italy) with a thesis on “History of film music”.

His musical approach is better described as a cinematic journey which pushes the boundaries of digital media even further by incorporating smooth melodies and gentle textures. More canonical instruments such as guitar and piano are constantly present into Francesco Giannico’s music, within interrupted structures or long and dreaming sonorous carpets.

About him Thurston Moore wrote (from Sonic Youth): “…Even less jazzic is Folkanization by Francesco Giannico. This young Italian electro-acoustic composer in whose work we can hear tendrils of everything from Luigi Nono to Toru Takemitsu. Filled with odd details, the music is fascinating.”

education-2006 Degree in Musicology and Musical Heritage with a thesis in History of Film Music (Preisner’s music in Kieslowski’s movies)-2008 Master Management and Enhancement of Cultural Heritage-2009 International Summer School “Communication, Design & New Media”-2009 Sound Design Courselinkswww.francescogiannico.comwww.archivioitalianopaesaggisonori.itvimeo.com/francescogiannicowww.youtube.com/user/markhamnsoundcloud.com/francescogiannico