The best advice about how to be a better writer can be summed up in six words: Read a lot. Write a lot.

I can’t tell you how many times I’ve said that to writers. (Not because it’s a secret. I just didn’t keep track.) If you’re not doing both of those things, any other advice you might unearth as you wander this vast Internet wasteland won’t do you much good.

There are no shortcuts to “getting there” as a writer. By “there” I mean a place where your writing is distinct enough that readers want to read all your books, and compelling enough that they forget you exist between the first and last page.

But you didn’t come here to hear six words you already know. You came here for the Secret to Becoming a Best-Selling Author. (Really? Um…that’s someone else’s blog.) No, you came here for encouragement and commiseration and the occasional bit of accidental wisdom. Today’s attempt at all three can be summed up in a single word. (You already know what it is. You’re observant that way.)

Listen.

You want to be a better writer? You listen. To everything. Here’s how:

Listen to other writers. Read their copious books and blogs. Try their writing habits on for size. (Except that “getting up at 4 a.m. to write before the world awakes” thing. Seriously. That’s just insane.) There is no “one size fits all” system for writers. Learn what other writers are doing, then adopt only those things that work for you. Please note: This doesn’t mean you’re destined to write your own “How to Write” book someday. It’s okay if some writers don’t do that.

Listen to your characters. Well-written characters are a writer’s best friend. They can help solve just about any plot problem, given the chance to speak. Make sure your characters have permission to tell the truth, then trust them when they tell it. If you’ve painted yourself into a plot hole, ask for advice. If they don’t have any, it’s likely that your characters aren’t as well-written as you’d thought. Start there.

Listen to your critics. There are two kinds of critics in the world – those who love the sound of their own voice more than anything, and those who love the sound of a well-written story. The former are attention-seekers who don’t really care about your words. Most people would tell you to ignore them. That’s solid advice. But I think there’s some value in listening to them once in a while. Not because they have great wisdom (though they might), but because they can teach you something about the human condition; like for example, narcissism. Then you can use this when you craft characters for your next novel.

The other kind of critics deserve your full attention. When they say “I struggled with Mrs. Jenkins’ motivation for killing the penguin,” they’re telling you “I really wanted this to work, but it’s missing something.” These sorts of comments are not unlike the way baseball fans lean into fair territory as the potential winning home run arcs through the air toward the foul pole. Good criticism is leaning toward hoped-for results. These folks want you to succeed. Try leaning along with them to see what they see.

Listen to your mother. That’s usually good advice in general. But when it comes to your creative work, there’s still something to be said for listening to Mom (or other Family Member of Significance). Maybe your mom is an honest-even-if-it-hurts mom. Lucky you. Brace yourself, then listen. She might not have a lot of insight about the literary brilliance in your novel, but she probably knows a thing or two about you. Who knows, you might discover a flaw in your writing voice that only your mom could identify. (“It doesn’t sound like you. It’s much too happy.”)

Or maybe your mom is an I-love-everything-you-do mom who still has that handprint ashtray on the coffee table in the living room even though she’s never smoked a cigarette in her life. Take those glowing words about your crappy first draft for what they are: a sincere desire for you to be happy and successful. This is fuel for the soul. Burn it while you revise that crappy first draft.

Listen to your inner voice. I don’t mean the voices in your head. Nor do I mean the characters’ voices here. I’m talking about the little voice that says things like “that doesn’t seem to be working” or “that’s kind of the best thing you’ve ever written.” I’m talking about your writerly instincts. Note: Like most of these bullet points, this idea is closely tied to the original six words. The more you read and write, the better your instincts. Does that mean a day will come when you don’t need an editor? Um, probably not. But it does mean when that editor asks “what if you tried something like this?” you’ll be able to answer the query with confidence.

Listen to hope. Believe that you can do the impossible. Because you can.

Listen to despair. It’s okay to feel like a failure once in a while. Fighting that feeling just serves to prolong it. Be emotionally honest with yourself. Say it with me: “I suck as a writer.” Go ahead and compare yourself unfavorably with all the other writers. Just don’t stay here. Remember that you’re the only one who can write like you. Maybe that doesn’t feel like a good thing today (because you suck). But tomorrow? Tomorrow it will be a grace.

Listen to the wind. We live in a loud world. All those voices above (and many others) are constantly competing for your attention. Sometimes the best thing to listen to is…anything but those voices. Take a walk through the forest and bend your ear to the wind as it bends the branches to the earth. Skip rocks across a pond and count each slap of stone on water. Play hopscotch with the neighbor kids and let their laughter soak your spirit. Stand on a busy street corner and embrace the chaotic rhythm of the workaday world as a kind of urban music.

Don’t think about your work in progress. Just take in the sounds and silences of the world around you. This may be exactly what your brain needs to sort through the current writing challenge: uninterrupted time for the subconscious to do its best work. But even if you don’t become a better writer by listening to the wind, at least you will have listened to the wind. And that will make you a better person.

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About

Okay, here's the deal. This is a blog about writing fiction. I'll be updating it with wisdom and nonsense whenever I feel like it, muse and caffeine permitting. In case you're wondering, no, I'm not a real doctor, though I sometimes watch reruns of the sitcom Scrubs. I do have more than 25 years of editorial experience, which I suspect is more relevant to my selection of "noveldoctor" as a nom de plume. But lest I come across as trying to sound smarter than I really am, I'll just tell you up front that I mostly chose "noveldoctor" because it sounds cool and is easy to remember and no one else had taken it yet. (And also because "fiction-editor-with-good-instincts-on-what-makes-a-novel-great" seemed excessive.) For more info about me, read the Stephen Who? page.

If you're interested in hiring me to help with your novel, check out the Editorial Services page. By the way, it pays to plan ahead if you're hoping to work with a specific editor. If I'm that specific editor, you might want to click the link. I update my availability on the page every few weeks.(This ends the advertising portion of the sidebar intro.)

I hope you will read and comment on my blogposts. I can't promise brilliance, but if my words inspire, challenge, entertain, or confound you even a little bit, isn't that enough?

Oh, and I write short stories sometimes. They can be rather angsty. And yeah, I just made up that word. You can pretty much add the letter "y" to any word and it works. Click here if you want to read some of these stories.