"Several years in the making, this book, by Matthew Robertson, is the first and definitive overview of the artwork of the seminal Manchester-based Factory label, covering its iconic record sleeves, posters, ephemera, venues and packaging. After a foreword by the founder of Factory, Tony Wilson, an introductory essay discusses the label's role in bringing design to the mainstream. Thereafter, the book is organized as a generously illustrated catalogue, arranged by the famous Factory reference system. Factory Works, as part of the story, has been given its own reference number - FAC 461 - making it a collectable item in its own right."

Matthew Robertson explained the rationale for the book: "Not only was I interested in Factory as an enthusiast, I was interested in Factory as a graphic designer and I was really surprised to find out that no-one has ever tackled this whole period."

Saville on getting involved with Factory: "I was envious of Malcolm. Malcolm got involved very early on with the Buzzcocks and I was very envious. It was impossible not to want to be involved in what was happening. Pop music is fundamental to your world views when you're in your teens and when something as radical as punk happens you really want to be involved... I would frequently ask Richard Boon if there was anything I could do. Eventually Richard said to me one evening 'Go and see Tony'. I didn't know Tony but because he was on television every night you kinda felt that you knew him."

Pat Carroll's revelations included relating seeing Joy Division at Salford Tech, being envious of Peter Saville ("stylish design" rather than "over-the-top shit") and the fact that his brother Matt Carroll was an original member of Happy Mondays on guitar. The Bummed sleeve was discussed but blushes were spared by the non-appearance of the inner sleeve.

AHW gave the definitive (?) line on the Blue Monday money-losing story by stating that the 2p notional profit per copy was split between New Order and Factory but that Factory had to pay the 3.5p publishing out of their 1p.

Some of the "bad" Factory sleeves were shown on screen and the question of how they "got past" any quality control was raised. "Got past what!?" was Peter Saville's retort, indicating that there was no checking. Indeed, AHW could not recall a single sleeve that they ever turned down.

Afterwards, the panel signed copies of the book (which was on sale in both hardback and paperback at a reduced price).

In addition to appearing on the book itself, the designation FAC 461 appeared on posters and the ticket for the after-party at the Old Red Lion on High Holborn.