“Concerning writers reading to learn how to write—’…the connection has to do with whatever mysterious promptings make you want to write. It’s like watching someone dance and then secretly, in your own room, trying out a few steps.’

“’You will do yourself a disservice if you confine your reading to the rising star whose six-figure, two-book contract might seem to indicate where your own work should be heading.’

“’The only time my passion for reading steered me in the wrong direction was when I let it persuade me to go to graduate school….I left graduate school and became a writer.’”

“I have only one humble criticism. I wonder if you realize how good you are. That tendency in you to invert your story and manner your prose just slightly, struck me—forgive the presumption—as coming possibly from a certain covert doubt of your strengths as a writer, and you’re too good to doubt yourself.”

From Ray Bradbury to Robert Heinlein, 1976:

“…I REMEMBER, WARMLY, YOUR MANY KINDNESSES TO ME WHEN I WAS 19–20–21 YEARS OLD.”
Yes, apparently, Bradbury wrote that in all Caps :-)

From Charles Dickens to George Eliot, 1858:

“I have been so strongly affected by the two first tales in the book you have had the kindness to send me through Messrs. Blackwood, that I hope you will excuse my writing to you to express my admiration of their extraordinary merit.”

From Virginia Woolf to Olaf Stapledon, 1937:

“…sometimes it seems to me that you are grasping ideas that I have tried to express, much more fumblingly, in fiction.”

From James Joyce to Henrik Ibsen, 1901:

“I can hardly tell you how moved I was by your message. I am a young, a very young man, and perhaps the telling of such tricks of the nerves will make you smile. But I am sure if you go back along your own life to the time when you were an undergraduate at the University as I am, and if you think what it would have meant to you to have earned a word from one who held so high a place in your esteem as you hold in mine, you will understand my feeling.”

an anti-fan letter from William S. Burroughs to Truman Capote, 1970:

“You have betrayed and sold out the talent that was granted you by this department. That talent is now officially withdrawn. Enjoy your dirty money. You will never have anything else. You will never write another sentence above the level of In Cold Blood. As a writer you are finished. Over and out. Are you tracking me? Know who I am? You know me, Truman. You have known me for a long time. This is my last visit.”

If you go to Flavorwire to read the complete letters, be sure to note the [via] link after each letter, to be led to more information…
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Our Comment Link Is At The Top of The Post :-)For Private Comments, Email: amzolt {at} gmail {dot} com* Google Author Page

“…there are other things that go into being a good writer than writing. Reading, for example. And not just letting yourself get absorbed by a good book on a regular basis, but reading with one part of your brain watching what the writer is doing and how you are reacting to it.”

“There’s also the research, the observation, the film critiques….There’s mulling over ideas as you fall asleep and plotting scenes in the shower.”

“If you want a simple rule to help you along your path to authorial excellence, I’m afraid there isn’t one. Sitting down and writing regularly, daily if possible, is a good idea, but by itself it won’t get you where you need to be.”

What are some of the “other things” that make a “good” writer/author?

Suw also says “…I rather like it that writing requires so many different skills.”

“Personally I’d place that benchmark at about 500,000 words. I spent my first 250K learning the technical basics of writing and storytelling, the nuts-n-bolts of sentence-by-sentence composition. After that my stories reached a minimum level of publishability and I began to start selling. Not with regularity, mind you, but any early sale should be feted as a win, especially after a long period of self-imposed isolation.

“It took another 250K of experimentation to properly utilize those tools I’d acquired in my writers’ toolkit. Style, voice, format, plotting, and the balance of creativity versus productivity were issues I tackled at that stage. I challenged myself with different projects and forced myself outside my comfort zone. I tried a lot of things (many of which failed) before finally settling on my default voice and style. During this period I focused primarily on short stories, but I also broached screenwriting and even wrote my first novel.

“In 2005, after seven years of steady writing, I felt like I’d paid my dues — or at least didn’t consider myself a fraud compared to ‘real’ authors.”

I know many writers/authors read this blog…

Perhaps they’ll go read the whole of Suw’s and Jared’s pieces and come back here and share their own experience………
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Our Comment Link Is At The Top of The Post :-)For Private Comments, Email: amzolt {at} gmail {dot} com* Google Author Page

I’ve never read Neil’s work but have watched a couple movies he helped create…

Then, comes the advice of a man who’s just passed from his adventure in a writing life, Ray Bradbury.

I’ve read a number of works by Mr. Bradbury and just downloaded one of his stories, The Playground, to my Kindle.

An excerpt from the introduction to that story gives insight into Ray’s writing life:

“He was unable to sell his early science fiction stories to the leading market of the 1940s, John W. Campbell’s Astounding. Bradbury had to publish his short stories in the second-line magazines like Planet Stories and Thrilling Wonder. After the War, however, Bradbury’s fantastic and surrealistic fiction began to find a steady market in mainstream magazines like Mademoiselle, Collier’s and Harper’s Bazaar and he became the first science fiction writer to place work in Martha Foley’s Best American Short Stories. The novel, Fahrenheit 451, later the basis for a notable film of François Truffaut, secured his reputation. In 2000, Bradbury was awarded a medal for the body of his literary achievement by the National Institute of Arts and Letters.”

Not being accepted in the most respected publication because he was already beyond their “standards”…

Continuing to write because, to him, it was an adventure…

Eleven years before he shufflel’d off this mortall coile, he gave a talk that is warm and cozy—a summation of his journey up to that point—a self-celebration full of writerly wisdom and advice…

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Our Comment Link Is At The Top of The Post :-)For Private Comments, Email: amzolt {at} gmail {dot} com

All around us, we see evidence of social disintegration—wars, famine, climate change. But look deeper, and you’ll see forces of integration at work in society, too. In fact, the... The post Is Integration Happening Faster Than We Think? appeared first on BahaiTeachings.org.

We human beings are gregarious creatures, which explains why most of us tend to live in communities instead of living isolated and alone. From a practical perspective, living in communities... The post Why Community Building and Justice Go Hand-in-Hand appeared first on BahaiTeachings.org.

In our society today there appears to be a close relationship between social status, identity and power. Certain individuals or groups possess more power than others simply by virtue of... The post How to Overcome Our Social Divides appeared first on BahaiTeachings.org.

Recent international interfaith gatherings highlight a growing awareness in the world. Many social actors are seeing in interreligious dialogue a new potential to channel the constructive powers of faith for... The post The Evolving Baha’i Perspective on Interfaith Dialogue appeared first on BahaiTeachings.org.

The field of endeavor known broadly as “organizational development” has emerged in the last 50 years, advancing methods of conflict resolution by means of systematic dialogue. The work of David... The post Why Humanity Needs a Space to Speak appeared first on BahaiTeachings.org.

Do you live in a stable country—one stable enough to sustain itself over the long term? Researchers and political scientists have now categorized the factors necessary to determine the stability... The post Why Don’t We Measure a Nation’s Unity? appeared first on BahaiTeachings.org.

In the late summer of 2016, I attended an opening for an exhibition in which I was the featured artist. As the crowd mulled about the cavernous space sipping... The post “Are You Angry?” What I Get Asked As a Black Man appeared first on BahaiTeachings.org.

Each of us has different experiences in life, different thoughts and understandings. Even when we look at the same objects, we don’t necessarily see them in the same way. Our... The post Why We All See Things Differently appeared first on BahaiTeachings.org.

The Baha’i teachings link justice with love: “… the God of love is also a God of justice and each man must inevitably reap what he sows.” – Abdu’l-Baha, Paris... The post Where Do Love and Justice Unite? appeared first on BahaiTeachings.org.