Day 1 of BroadcastShow at IBC

Aston Villa fiber optic installation at Villa Park with Blackmagic

Blackmagic Design has today announced that the Gorilla Group has chosen DaVinci Resolve Studio as part of a facility expansion that has added in support for Dolby Vision color correction and IMF format delivery for Netflix.

Bringing a new dimension to its portfolio of cost-effective devices for bridging traditional video equipment with IP-based workflows, Magewell today unveiled the new Pro Convert AIO RX hardware-based NDI(r) decoder. Converting live NDI streams into high-quality SDI or HDMI outputs for connection to baseband devices such as monitors and projectors, the low-latency decoder simplifies the use of NewTek's popular media-over-IP technology in applications such as digital signage and video walls.

PlayBox Neo to Demonstrate Media Cloud for Any Scale with US launch of Cloud2TV

Posted: 19/03/2019

PlayBox Neo (www.playboxneo.com) will demonstrate the latest enhancements to its Channel in a Box range of modular channel branding and playout products during the 2019 NAB Show in Las Vegas, April 8th-11th. Exhibiting at booth SL11216 PlayBox Neo will be represented by Pavlin Rahnev (CEO), Van Duke (US Director of Operations) and colleagues from the company's sales and support offices around the globe.

Computer vision technology innovator Arraiy has launched DeepTrack, a machine learning solution that provides real-time tracking for broadcast, news and sports productions. DeepTrack is the first application to launch in Arraiy’s DeepStudio suite of robust AI-based tools for real-time virtual production pipelines. With computer vision pioneer and CSO Gary Bradski alongside CTO Ethan Rublee at the helm continuing to drive technological innovations, Arraiy has appointed entertainment and advertising studio executive Mark Tobin as CEO to take the lead on future business development.

ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT, announced today that Casablanca Online, a leading Brazilian live broadcasting services provider, has selected its Kyrion encoder and decoder to support the growing demand for high-quality video processing. The ATEME Kyrion encoder and decoder are the perfect match for sport thanks to their ultra-low latency mode.

MediaKind welcomes new era of TV with the debut of its Universe portfolio at NAB Show 2019

Posted: 18/03/2019

At NAB Show 2019 MediaKind, a global media technology leader, promises to take its booth visitors (#SU720) on an adventure of exploration through the MediaKind Universe, its next-generation solution and service portfolio. The MediaKind Universe enables content owners and originators, broadcasters and pay TV operators to efficiently deliver unique, immersive experiences that meet a variety of consumer demands and drive experience innovation.

Finepoint Broadcast Ltd, a globally active supplier of equipment, systems, rental and technical support services to the broadcast and AV markets, reports a highly successful Integrated Systems Europe show. Held at the Amsterdam RAI from Tuesday February 5th through Friday 8th, the event this year attracted more than 1,296 exhibiting companies and over 80,923 registered attendees.

Timeline TV Adopts Remote Production Workflow for Womens Super League based on URSA Broadcast

Posted: 12/03/2019

Blackmagic Design today announced that broadcast services specialist, Timeline TV, has implemented a bespoke remote production solution to produce coverage of the Football Association’s (FA) Women’s Super League (WSL), built around the Blackmagic 3G-SDI Shield for Arduino and URSA Broadcast.

According to the World Meteorological Organisation, there are 10 different types of cloud, each of which can be divided further into sub-types. They range from the cirrus, the thin floaty clouds which generally serve only to make the sky look beautiful to the towering, all-embracing cumulonimbus which can deliver fearful quantities of rain – the biggest cumulonimbus clouds can contain 50 million tonnes of water.

Twilight Imperium is a board game all about strategy and backstabbing. Known for its length of gameplay, the team behind Shut Up and Sit Down decided to deliver a mammoth 10-hour live broadcast, streamed to Twitch. Matt Lees is here to tell us how it went down.

If you can remember as far back as the 1980s, then you probably remember a Saturday night drama called Hill Street Blues, written and developed by Steven Bochco. Made for NBC in the States, it was widely shown around the world, including in the UK.

BSC Expo returned to the Battersea Evolution on Friday February 1st and Saturday 2nd. It is a busy and friendly event though this year in need of some temperature control: exhibitors around the entrance area were uncomfortably aware of the wintry conditions outside and the main hall was in need of cooling.

Across the globe, live events represented over 50 percent of the most watched TV programs last year. However, big budget episodic shows are impacting live TV and the way viewers want to see their content. Viewers are demanding the same quality of production for live event broadcasts as they see in pre-recorded TV series and films. Producers of live content are looking to new, immersive and cinematic mobile camera views to better achieve these results. This presents a challenge to live production teams as these new camera views and angles must match the quality of the rest of the production - the demand for mobility means that the cameras need to be wireless.

The Anova PRO 2 is the fourth generation of Rotolight’s studio/location light, offering 70% more power output than its predecessor. It is claimed be one of the brightest LED lights ever launched in its class, delivering 10,700 lux at 3 feet yet consuming only 72 watts. Figure 1 shows the front with accessory mounting spigots (1), optional barn doors (2) and a gel frame holder.

By now, most people are familiar with the sport of mixed martial arts (MMA) and its leading organization – UFC (Ultimate Fighting Championship). And while the sport and its leading promotion are only 25 years old, a great deal has changed in those 25 years, including the training of UFC athletes.

The broadcast and media industries are evolving in all areas to adapt to the challenges of competition from OTT, changing user viewing habits, technological advances in image resolution, dynamic range and colour rendition as well as embracing new video over IP infrastructures.

If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with distributed production and post production. Bridging the distance not only allows you to find the best talent for the job anywhere in the world, it creates the potential for a diverse and globally-minded workforce that boosts the creativity and vision of your entire company.

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