rolling its dozer across the plain. No preparing for it,
just to pick up what remained. If a nuclear bomb hit

Chicago, the epicenter here, he’d draw concentric circles
radiating, a pebble disturbing the mirror of a lake. Each circle

meant a slower death. Between us and them, the Wall
was a mirror reflecting us and nothing beyond. The whole

world was what the mirror hung upon. He showed me how
to hold a blade, how to watch my reflection for every nick, how

to cut my face without bleeding. I bled. I hooked my glasses
over teenaged ears. Outside, the blur of lawn became grass,

each blade stabbing upward to light. I thought I knewwe seeas through a glass, darkly…. My frames have narrowed

to lenses eye-sized. My myopia grows. To see
what’s happening, I open a laptop, lean into the screen:

*

Philip Metres has written a number of books and chapbooks, most recently A Concordance of Leaves (Diode 2013), abu ghraib arias (Flying Guillotine 2011), winner of the 2012 Arab American Book Award in poetry, To See the Earth (Cleveland State 2008), and Behind the Lines: War Resistance Poetry on the American Homefront since 1941 (University of Iowa 2007). His work has appeared in Best American Poetry, and Inclined to Speak: Contemporary Arab American Poetry, and has garnered two NEA fellowships, the Thomas J. Watson Fellowship, four Ohio Arts Council Grants, the Anne Halley Prize, the Arab American Book Award, and the Cleveland Arts Prize. He teaches literature and creative writing at John Carroll University in Cleveland, Ohio. See http://www.philipmetres.com and http://behindthelinespoetry.blogspot.com for more information.