Jesus christ. This is just layer upon layer of unnecessary and stupid. I'd honestly rather watch a documentary series chronicling the myriad of creative methods employed in destroying all of the money would have otherwise been used to fund an inadvisable Watchmen television series.

If they want to adapt some Moore property, why not Top 10? Unlike Watchmen, the concept is tailor-made for a TV series. Though I guess the whole premise would be too expensive to produce for television?

If they did do Top 10 though, I'd love to see the flame wars that'd follow the transporter accident episode: "OMG, they stole that light vs. darkness monologue from True Detective!".

He had developed The League of Extraordinary Gentlemen idea earlier, originally for Kevin Eastman’s Tundra outfit, with Simon Bisley slated to draw, but the idea expanded and turned into something else and veteran 2000 AD artist Kevin O’Neill became Moore’s collaborator on the creator-owned project.

The rest of “America’s Best Comics” weren’t creator-owned. Moore struck a deal with Jim Lee that would allow Moore and the artists to get up-front payment which gave Wildstorm ownership of the characters they would create in Tom Strong, Promethea, Top 10, and Tomorrow Stories. But soon after Moore signed the contract, Wildstorm was bought out by DC, and Moore was stuck working for a company he vowed never to work with again. As he told George Khoury in The Extraordinary Works of Alan Moore, “For better or worse, I decided that it was better to forego my own principles upon it rather than to put a lot of people who’d been promised work suddenly out of work.”

Moore and his “America’s Best” collaborators continued their comic-book-making, and Jim Lee mostly kept DC at a distance, although a few cases of publisher interference would annoy Moore enough to remind him that the large corporate publisher hadn’t changed much since he had last worked with them. Moore and the artists were able to produce over 100 issues of high-quality comics before he walked away from Wildstorm and DC for good, effectively closing down the “America’s Best” line even if a few series still trickled out under various non-Alan-Moore writerly guidance.

So LoEG is creator-owned (which of course explains why Moore and O'Neill were able to take it to another publisher), the other ABC titles weren't.