Why do some people 'fear' open space?

Devoted and Disgruntled Archivist

Removal of comfort zones and recognised secure environments…Where as others see OS as a very secure space….

Do people from organisations fear expressing fundamental issues publicly? Does this make OS clinical in some form or ‘Lab’ OS?

Or is it more broadly about human conditioning and the ‘i am’ and the society of individuals - dissolving of community?

OS can often present ‘feedback’ in its purest forms which for some people is very frightening…

There is also a fear of what OS can actually generate, in terms of leadership, change and the overall empowerment OS can bring - which can be an overwhelming and scary experience for some… In addition, the responsibility OS can place on some individuals to lead on key outcomes can be very scary…

Fear of power and strength of feeling is often very strong which stop people from taking part…

Fundamentally, its a fear of the unknown, but also that what we invite to OS isn't necessarily what happens…..

OS can often present people in their purest form - removing the everyday masks of a job, role or organisation - this tends to happen sub-consciously….. and without people realising…. but some people do quite suddenly, which can be a frightening experience..

Do people in certain job roles fear the OS platform - politicians?

'The most creative of OS environments is where there is potential for conflict' - both energising and frightening?

How we keep in touch

As well as contacting you about administrative issues connected to your report submissions, donations or event bookings, we would love your consent to tell you about upcoming Devoted & Disgruntled events, and Improbable news and productions. We won't share your details with third parties. For more information, please see our Privacy Policy.

We will normally only ever contact you via email. However, if you prefer to be contacted in another way, please select channels below.

If you'd rather we didn't contact you at all, please leave all channel options blank.

Your Privacy

We store all your personal details securely. We'll use your data to communicate with you in the ways you have specified, and may use data for analysis to make sure we're providing the best service possible. for more information, please see our Privacy Policy.

Latest

A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

Related

A discussion about how to create a genuinely safe and open atmosphere in improv classes from the first class someone takes.
How do we protect students from potentially harmful experiences which can arise from the rigidity or literal interpretation of 'Yes, and' ?

These are notes taken as Guy Hartnell shared about the Oogly Boogly project, where performers improvised with babies by copying their movements and sounds, while the babies' parents watched. It took place inside a large inflatable venue. The notes were taken by Catherine Ryan.

This was an experimental workshop combining the work of Frank Torino and Richard Coaten who met on the pavement on the way to Day 4. I discovered Frank had an interest in mental health and in improv work with theatre students in Denmark, mine was in how carers of people living with dementia might benefit from having access to improvisation and its role in maintaining their resilience, quality of life and relationship with their loved ones...meta theme - great link made between Franks' You Be Me'

Part of the Fringe Central Programme for Fringe participants. Artist, technician, venue staff or audience member – you’ll know the pains as well as the joys of the Fringe. This is your chance to help make the Fringe work better for the very people who give it reason. You. Bring your own questions and ideas – you set the agenda and nothing is censored. An open space – come for as much or as little as you want.

Sign up for our newsletter

First name

Last name

Email

By signing up to our newsletter, you are giving your consent for us to contact you via email with news of Devoted & Disgruntled events and other projects run by Improbable. For more details on how we hold your data and how we are complying with GDPR, please see the Privacy Policy.