More than one student has shrugged and claimed “they didn’t have” basic, third-grade grammar in school. Having been through the school system, there’s a difference between what the teacher presented and what the student CHOSE to learn.

If you CHOSE not to learn something vital in school, and you expect to be a professional, published writer, take the time now to do it.

Also, when you, as a writer, work with a professional editor, be it in a publishing situation, or a workshop situation, and you get a correction, APPLY IT MOVING FORWARD. There is little more frustrating, as a teacher, than explaining to a student why a contraction is not appropriate when context requires a possessive and the student CONTINUING to make the SAME mistake, because that individual can’t be bothered to pay attention and apply what is learned. It is a waste of all of our time.

When I worked for a publishing company, I supported their strict submission policy on errors in submission packages. If there were more than three errors in the submission (which was usually query letter, synopsis, and the first three chapters), it was an automatic rejection.

The company, which did high-end art books printed on gorgeous paper in Italy and Japan, expected the authors to give enough of a damn to take the time to proofread and understand the craft. Anyone who submitted a package filled with errors obviously didn’t, and wasn’t worth the time or the money it took to produce the beautiful books. Because there were ten thousand other talented writers lined up right behind that one who cared enough to learn the craft and submit error-free proposals.

Fortunately for all of us writers who appreciate our editors and copyeditors, we have more leeway in the actual book. It never fails to mortify me when my editor and copyeditor catch things I should have seen before I submitted. But when it’s a craft issue, and not just me not catching an error, I ask questions, and pay attention to the “why” of the answer. Is it house style? Have I mis-learned something along the way? And then I apply what I’ve learned moving forward.

I still remember what a former editor at Amber Quill Press taught me about the difference between “toward” and “towards.”

There are also certain stylistic choices that are non-negotiable for me. I get those into contract clauses, so there is no confusion down the line.

Editors are overworked and underpaid. They don’t have the time to teach you what was taught in third grade that you did not bother to learn. Nor should they have to. The days of Jack Kerouac walking into a publisher’s office with a mess of a roll of typing that was brilliant enough and that an editor had time enough to fix are over.

Not only that, when you know and understand your craft: grammar, structure, spelling, story, character – then YOU get to control when you break what are considered the rules.

There’s a HUGE difference between a writer who knows the rules and chooses to break them and the writer who can’t be bothered to learn the rules in the first place.

The writer who learns and makes a choice pushes the work into exciting new realms. Because the foundation is solid, and each rule-breaking is a CHOICE, it usually works. Those who don’t know/can’t be bothered – well, the work reads as careless.

I’m always up for something exciting and new in the work. But careless writing is a slap in the face to me as a reader.

My goal in each book, story, article, is for it to be better than the one before. I try to learn with each piece, and build on what I learned before. I’m the first to admit that I don’t always succeed. Not everything I write is going to work. Even when it goes through the entire publication process, with the support of other professionals, some pieces are going to miss the mark.

I learn from those, too. And what I learn is applied moving forward.

Because I love and respect the craft of writing, and I respect my readers. I try to do the best for all of us that I can. Which means always learning.

Wow, what a weekend. Worked flat out on client projects, winding up the class, and on script revisions. In negotiations for another short script project that might happen between now and June, and which sounds kind of fun. Also worked on material for my editor.

I’m guest-lecturing at a local college later this month (they’re teaching one of my plays) and teaching a workshop at NECRWA at the beginning of May. That’s it for teaching for me for awhile. I’m glad, because I’m burned out on it, and my life is taking exciting new paths to which I want to give my full attention.

Went to NMLC mid-afternoon to work on the program and other show-related stuff. Set up the room, trying to get it warm enough so we could concentrate to work. We had a good rehearsal, got a lot done.

Landed a quick-turnaround script job (yes, paid, of course, or I wouldn’t do it), that could lead to a two or three month longer script job.

Saturday, I got some wonderful news, which I can’t share publicly until all the contracts are signed at the end of the week. But then, believe me, we’ll all be celebrating together. Also had the first interaction with my new editor at Amber Quill Press — I think we’ll get along just fine!

Did some work in the yard, raking out the terraced bed. It looks much better, and things are coming up. Hopefully, we are moving into spring. Did some work for one of my other editors, and did my pacing and muttering on the script job.

Sunday morning, I did some more pacing and muttering, and then wrote the first draft. I feel pretty good about it, which means I’ll feel even better after some revisions.

Then, I headed in to the NMLC to meet the light/sound designer for the show and we did the light hang. It went pretty well and we were done by 8:30.

Came home, had a late dinner, watched a little TV. GAME OF THRONES started again; much as I like the quality of it, I’m also tired of the unrelenting cruelty the characters have towards each other.

I have a busy day and a busy week coming up — somehow, with all this work coming in, I still have to find time to finish my taxes.

I’ve got an article up on how to get out of a blogging rut over on Learn To Blog. Stop by, drop a comment, maybe they’ll ask me back!

Busy weekend. Flat out on Friday, along with celebration of the Chinese Lunar New Year. Felt great to get into the Year of the Horse.

Saturday was all about Imbolc, cooking, and launching two new blogs. I cooked for twelve hours, and you can see the details in my new blog on cooking, Comfort and Contradiction: Food as Muse. I also have an introductory post over on Adventures in Vineland.

Recently, I re-read Beverly Nichols’s book, MERRY HALL, a “creative nonfiction” — or maybe it’s fiction based in some fact — about buying his home and starting to revive the garden right after WWII. This weekend, I read the other two books in the trilogy, LAUGHTER ON THE STAIRS and SUNLIGHT ON THE LAWN. While there’s a funny, rather arch Noel Coward-esque tone to the books, he’s downright mean sometimes, and very condescending towards women, which I didn’t like. There’s some wonderful garden and house information, and he writes warmly and well about cats, but I finished the trilogy with mixed feelings.

Did some work on the play, but, for the most part, other than the new blogs, I gave myself a break from writing. I need to dig back in today, revising the novella and finishing a book proposal I want to send out tomorrow.

I will miss the year-long student who finished her work on the 31st. She was outstanding, and I’m looking forward to cheering her on during a long and productive writing career. I’ve still got my terrific editing intensive students, but this year, I really need — and want — to cut back on teaching. My focus needs to be elsewhere for the coming months, and I have to be very careful where I spread that energy when it comes to teaching.

Caught up on my Environmental Law and Policy class, wrote and submitted my paper. Still have two other classes to catch up on and then get going on this week’s assignments. I LOVE the law class — really terrific.

Got an interesting bite from a gig I’d pitched, not thinking in a million years they’d be interested — but they are. It’s the other side of the table from where I usually sit on this issue, so it would be an interesting challenge.

It’s snowing, and I have books due that can’t be renewed anymore, so, as soon as the library opens, I will pop down and take care of it, then stop by the post office to get a few things out.

Yesterday was all about the work — working with students, getting an article out, getting a new editing client set up, working on a new web page, getting some invoices out, taking a copyediting test for a potential new gig, and creating what I call the “Back Pocket Document” for my agent.

What’s a “Back Pocket Document?” That contains the loglines of the additional projects you’re ready to pitch when the agent or editor you’re pitching to says, “That’s not really what I’m looking for right now. What else have you got?”

Instead of looking like a fool and stuttering, you’re ready to go with other possibilities. Because agents and editors are looking for long-term investments, not one shot wonders, unless you’re a wonder along the lines of Harper Lee.

Dropped off some books at Centerville Library and picked up what they had for me; dropped off and picked up some books at Sturgis Library, wishing I’d brought work with me. It was nice and quiet, and I would have loved to tuck myself into a corner to work.

Today, I have to figure out why a mailing that I thought went through a few days ago didn’t, and make sure it gets out, order some stuff from Amazon, work with my new editing client, work on some stories, and start the next couple of articles. It looks like this afternoon’s meeting has been cancelled, which is great news.

OLD-FASHIONED DETECTIVE WORK is going into print sooner than expected, so I have to give the PDF another last look and make sure everything’s all good to go with that one.

I got a rejection on a novelette (which I was rather expecting — this market was a long shot), so I’m trying to figure out what to do with the piece. I love the piece, but it’s an odd length and a bit of slipstream, genre-wise. Unfortunately, it’s at the right length for this particular piece. Must figure out if I want to try to put it out on my own, or keep submitting.

Busy, busy, busy weekend. I was on the road, supposed to have internet, but THAT didn’t work out! I felt guilty about my tarot students, but, for the rest of my work, it was fine. I’d cleared a lot of work off my desk before I headed out.

The most important thing was that I finished the edits on OLD-FASHIONED DETECTIVE WORK and got them back to my editor a couple of days early. The cover (again by the amazing PJ Friel) is set to be ready on October 5, and once it’s approved by the publisher, I’ll post it. The latest word I have on the DEATH SPARKLES anthology (in which you’ll meet one of my favorite new characters, Fiona Steele), is that it will release in October.

I’m working away on CRAVE THE HUNT, and the new book (which is still in too delicate a state to really discuss) is flying out of my fingers. I’m ready to do my first chapters for the mystery I’m using as one of my sustainability projects, and ready to do the opening on the aviation book. I’m putting together the article due Oct. 1 (I need to get it out by Friday, before I hit the road again on Saturday), and this morning, I have a write-up to do for Confidential Job #1.

On Friday morning, I had to get out the door early and drive to CT. The traffic was dreadful — for some reason, we were stuck around Fall River for nearly an hour, and then it was bad again around Stratford. Got there, exhausted. Since I didn’t have an internet connection, I concentrated on writing and on the materials for Confidential Job #1 (which were really good). To bed early, up early, more writing, back on the road later that day, and home.

Saturday was the Equinox, and I managed to get back in time to do my sunset ceremony.

Sunday, couldn’t get in to the forum where I’m teaching for some reason, which meant I couldn’t catch up with the tarot students — must to that today. However, I managed to watch the last lectures for both classes and take the quizzes and do my short weekly paper (whew). Also went to Country Gardens to pick up a few things so I can put the garden to bed for the winter.

The Sustainability Course is half-way through (we start Week 5 this week), those of the original 26,000 who are still there. Of the 70,000 in the World History class, we seem to be hanging in there. The Greek and Roman Mythology class, taught by Dr. Peter Struck of the University of Pennsylvania, starts today, and there are 50,000 of us in the class!

I have a LOT of writing to do this week. Tomorrow night’s meeting was cancelled, thank goodness, but I have a meeting on Thursday directly after yoga — I’ll have to make sure I bolt a quick snack between yoga and the meeting. Friday night, my one-act is going to be read at the Play With Your Food Festival at Tilden Arts Center, and Saturday, I hit the road again — I’m working in CT next week. Busy, busy, and keeping on top of the articles and the writing deadlines and the coursework, and I still have some manuscripts to read for that acquaintance’s submission overflow (I rarely say “never”, but in this case, I’ll say “not again without major payment”).

Costume Imp is coming down late in October, I’ve got to settle a few days for Fast & Fun Workshops and finalize the information for the Playwrighting Class, so that the application can go up.

One word at a time – -that’s how it all gets done!

The guy’s here to clean the furnace this morning, and then I have to pick up/drop off some books at a couple of the local libraries. Other than that, it’s a day of being chained to the desk (but loving it).

Did you have a good Autumnal Equinox? I’m so grateful for the many good things in my life!

Thursday, September 13, 2012
Day before Dark of the Moon
Neptune Retrograde
Pluto Retrograde
Uranus Retrograde
Cloudy and cool

Yesterday just got away from me. I started taking care of stuff on the internet before blogging, and we all know where that leads! Worked with students. Took down the previous individual workshop pages. The info for the Falmouth workshops starting next week are here.

I’ll have some other pages up soon, talking about the upcoming Fast & Fun workshops, and I’m almost ready to upload the information for the playwrighting workshop and get the application uploaded. That’s going to be a highly competitive class to get into, and mix reading and writing. Should be a ton of fun for those who get in, though.

Went in to Cape Mac to find out how to upgrade my operating system. Brandy, you’re right — I can’t get all the way up to Mountain Lion. My trackpad won’t support it. But the guy is going to upgrade me to Snow Leopard and give MacGeorge a good, thorough scour so I can still use it for about another year, when Snow Leopard will no longer be supported. That gives me a year to put aside money, a bit at a time, to buy a new computer. I’m not happy about this — I wanted to keep this one for three or four more years, and I don’t like that I’m being FORCED to purchase a new one, because I won’t be able to get online and do my work if I don’t. But the fact that they can work it so I have a year instead of say, a week, to get together the money for a new system is a relief.

So, in the next week or two, I’ll be offline for a day or two while I get all that done. So this weekend, I have to push very hard on deadlines.

Still chasing down $$$ and getting sick of it. I’m trying to let go of the anger of the job that broke down to $8 per week — hey, I said no, move on already — but after working for several years for this company, they should be offering me more money, not less. Another editor asked for more article pitches — honey, when you pay me the outstanding money you owe me, I’ll be happy to, but I’m not writing one more word for your publication until you cough up what’s past due. And waiting for another check on a project that was invoiced several weeks ago — I put in a second request.

Working on my wrap-up/suggestion package for this afternoon’s Mermaid Ball meeting. Didn’t get enough of my own writing or editing done, so have to address that over the next few days.

Helping someone I barely know out by reading an overflow of submissions and remember why I don’t do this anymore, and why I charge a good bit of money to critique. The lack of quality on these submissions is appalling. Makes me even prouder of my graduated students, though — no wonder they’re placing their work, it’s good!

The Sustainability Course is depressing this week — we’re discussing the Tragedy of the Commons, where one’s individual actions might not seem to make a big change, but collectively, they mean we’re screwed. The poor professor — not easy to deal with 26,000 disheartened students! 😉 I’m sure we’re not all blue about this week’s information, but those of us who are are being vocal about it. Have to finish the outlines today for both my projects for that class.

Gearing up for the World History Class that starts next week (70,000 strong) and the Greek/Roman Mythology course that starts the week after. No idea how many people are in the latter, but the instructor’s welcome was very funny, and we’ll be reading THE ODYSSEY as our first book. Haven’t read that since high school — should be interesting to revisit it.

Off to yoga, and then I’ve got to hunker down and really get a lot of work done today. I haven’t felt well the past few days, but too bad for me — time to get things done!

Wrote 3 PSA scripts, two press releases, outlined two articles, sent out interview requests, distributed a press release, pitched a series of articles, and worked on the ebook. Assisted in setting up a shoot for Thursday for one of the PSAs I wrote. Found out that the check that’s two weeks late probably hasn’t even been mailed yet. Frustrated with one organization — they have an exclusivity clause, so I don’t teach the same class for X months on either side of my commitment to them anywhere else. Totally understandable. Yet, they are booking instructors with classes similar to each other (and mine) very closely together — and there are even people using the titles that I originated. Without paying for the class, I don’t know how similar the material is to mine — I’m sure all our teaching styles are very different. And yes, all my materials and handouts are copyrighted. In the classes I’ve taken there, there’s not much writing involved. In the classes I teach, I demand that they write every day. But I’m not happy abut the whole situation. It’s not good for any of the teachers — it dilutes all of our classes. Offer one of each type of class per quarter, not a half a dozen of the same type of class. Saw somebody listed to teach a class on juggling writing and life — who couldn’t keep up in one of my classes and dropped out. The fact that someone who couldn’t successfully juggle is teaching a class on the topic just floors me. Not fulfilling one’s commitment does not equate with successfully juggling, in my eyes. But, that’s the way it goes. You gotta shrug and move on, or it’ll drive you crazy.

Reading a trilogy by another writer and the inconsistencies are driving me batty! Even if the writer didn’t catch all the logistical errors, where were the editors? Someone needs my Series Bible class! 😉

Revised three chapters of HEART SNATCHER. This is a quick revision for reshaping — I’ll go back in August and do another one in more detail. This revision makes it more of a paranormal mystery, a tighter-paced, tighter-focused read, and I have to decide if that’s what I want for the trilogy, or if I want to go back to the bigger canvas of social and political issues. It’ll be interesting to read the two drafts side-by-side and see which is the stronger book.

We had some cracking good thunderstorms here yesterday afternoon. The cats weren’t too happy, and some of the smaller plants needed to be rescued, but, overall, I love being inside with a good Cape Cod storm outside!

My computer was a little unhappy — making noise and getting hot — so I shut it down for the duration of the thunderstorm. Gotta keep the Macbook happy!

Poked around in Scrivener. Basically, it’s iPages on steroids with spiffier graphics. In other words, I don’t need it. And there’s no reason why material done in Scrivener can’t be posted in Standard Manuscript Format — you can set up the template to work in it. Yet again, more excuses without foundation from students (not in the year-long, though, they’ve all got the finish line in sight and are doing a great job at this point).

Meeting last night was good — lots done in an hour, just the way I like it. Came home and watched NEWSROOM again. Still loved it, although I caught a couple of continuity errors this time around and the music swelling under some of the speeches didn’t work for me. But I still can’t wait to see the next episode. And I don’t often say that about something on TV!

Up early this morning. Wrote a few pages in longhand on the magical realism piece (with Tessa on the deck) and then wrote a little over 2000 words on a contemporary piece. I like the contemporary — I find it both exciting and restful to work on. Am about to tackle three more chapters on HEART SNATCHER revisions, and then go back to the articles, pull some stuff together for tomorrow’s video shoot, and draft a cover letter for a client. Before looking around to see if there’s anything else worth pitching towards. I’m tempted to throw my hat in the ring for an editing job, but not sure I have the patience to work in the genre they need. Depends on the money — they meet my rate, I’ll give it a go. They try to lowball me and I refuse.

Back to the page!

Devon

Learn how to create focused scenes with impact in the Scene Meat workshop, July 9-13. Learn how to create and maintain a series bible in a one-day seminar on July 14. Take both classes together and save $15!

And don’t forget — “Town Crier” is available, as a free download, on the Jain Lazarus site until July 9.

Busy day, but didn’t get enough done. Which means today I have to push even harder. Got some errands, done, though, which helped. And my meeting last night went very well — I’ll be teaching three in-person workshops in Falmouth in the fall — if people sign up!

Prepping for my workshop on Saturday — got my class list, and am looking forward to it. Putting together my “stuff” for the class. Prepping the Submission System Workshop for June 2 — there’s more information here and sign up. It’s so important to have an efficient system — it makes life a lot easier.

I’ve got five press releases (for my own work) to get out today. And I have to finish the write ups for confidential job #1 and finish the rough on my article. I’ll have to wait for a couple of quotes, but I want the article in good enough shape so that I can just pop ‘em in and send it out.

I need to hustle some quick-turnaround and quick-paying work to make up for the money spent on the brakes and what I’ll have to spend today at the vet — all three little darlings are going in, and that’s going to be a big chunk of change. But, it has to be done.

Tonight is the Writers Night Out dinner, so I’m off to that. And I’ve got to buckle down on some of my other fiction deadlines. I’m behind. I’ve got to get back in balance with the short term work and the long term.

Saturday’s the Amazing Antagonists Workshop, a day of creating fascinating, complex characters to be good obstacles for your protagonist. Sign up now — registration closes Friday night, so you can’t suddenly wake up Saturday morning and decide you want in!
Information and registration here.

Worked flat out all day yesterday, trying to get it all done, get the grocery shopping, bill paying, all that other stuff done along with the actual work so I can pay the bills! 😉 It was too wet to mow (aw), but hopefully, it will help both the grass seed and the anti-ant stuff I had to put down (yet again). And I’m doing the laundry rather piece-meal — a few loads here, a few loads there.

Designed and printed a new Fearless Ink business card. I really want to redesign the website, too. It’s a little too simple, and I think I’ll upload the portfolio, so there are samples.

Spent some time with students, sent back a bunch of assignments where I asked for two scenes and they submitted four or five. Two scenes means TWO scenes. And, when I’ve provided a tip sheet on what a scene IS and you ignore it — no, the assignment goes back. When I say you can’t use something from a current WIP, and I recognize the characters and the location from another class — it’s going back. There’s a reason the assignments are structured in a certain way and build in a certain way. I’m trying to get them to look at structure in a way that supports their overall work, so they’re very aware of the weight and balance of each scene and the importance of each scene in relation to the scenes around it, and don’t dilute their stories with needless wandering. Learn how to read and apply guidelines. It’ll help a lot of submissions being deleted unread when you submit!

Didn’t get as much of my own writing done as I would have liked, but I’ll make up for it today.

Drafted a PSA and a press release for my pro bono client; am waiting for the green light to get it out. Contacted an editor to find out when I’ll get the specs for an article they asked me to write — they forgot to send them or thought someone else was sending them or something. In any case, I never got them, and the deadline was last Monday. But they are holding the spot for me, and I’ll do it this week.

Two new assignments from Confidential Job #1, both of which look terrific, and I can’t wait to sink my teeth into them.

Made the appointments to get the car serviced (tomorrow) and the cats to the vet next week. Yup. All three at once. Get it over with. Whew! That’ll be a chunk of change!

Attended an open house for the American Business Women’s Association over in Hyannis. I had a good time and met some interesting people. I’ve been to a couple of these type of events elsewhere, and it’s all corporate types gossiping about things that aren’t any of their business (well, that’s what gossip is, isn’t it?) This event was completely different. The participants were lively and interesting, representing a wide array of professions, and they could talk about a vast array of topics. One could have a conversation, not just blah, blah, blah, buy this, blah, blah, blah. I’m glad I went, and I’m interested in spending more time with them to find out what they’re about. I don’t know how much I can do that this summer — which is already booked to the gills between teaching and visitors and the Cape Cod Writers Conference and yoga and my own book deadlines. But it’s nice to know it’s there, and I may get more involved in the fall.

A potential client who talked big of course did not come through. Not at all surprising, and I’m relieved to be out of that one! If you’re trying to present yourself as progressive and ethically responsible, you better be able to back it up, and this one can’t. Doesn’t have the balls.

The positive result is that the project that this individual had blown a lot of hot air about how fabulous it was, how important participating in it was, and then backed out of because the individual can’t walk the talk, is taking a new direction that’s both more economically viable and will get us a broader, international audience. So it all worked out for the best.

A colleague of mine had a great episode central to his character on his TV show last night. He did an awesome job. So happy for him.

I’m going to yoga this morning, since I have to take in the car tomorrow to Plymouth. It always rains when I go to yoga!

Didn’t spend as much time on the computer as I needed to yesterday, but at least my back and eyes got some rest. Ran errands, did some yard work, worked on a few proposals, worked on stuff for classes (both as teacher and student).

I’m moving back and forth between two novels set in (different realities) in NY. It makes me a little dizzy, and I have to be very, very careful not to get the two New Yorks mixed up.

Read Yasmine Galenorn’s SHADED VISION, of her Otherword series, and liked it. I enjoy the series anyway, and the Delilah books are my favorite.

Working on articles, proposals, and the materials for next week’s meeting. We’re having company in from CT this weekend, so there’s also a whirlwind of cleaning and tidying going on!

I’d like to plant the pansies in the urn outside, but I’m worried it’s too cold.

I’m going to teach a short workshop at the Muse Conference in October, just a couple of days, instead of the entire week. That should be fun. As soon as the info goes live, I’ll post it.

Yesterday was just flat out. I was up around 6 AM and didn’t stop until 10 PM at night. It was a good day, but busy. HEX BREAKER edits and updated front matter are out to my editor. In my Annabel Aidan persona, I’ve got an article up on The Writers Vineyard about fear. I managed to log in to the workshop site (which I couldn’t get into on Tuesday afternoon or evening), but it was right before I had to leave, so I couldn’t do more than say I’d put in extra hours today and tomorrow.

Hit the road by 9 AM. Lots of fog and traffic. We stopped in Mystic for a few things, and then in Niantic. I found some things I was looking for, and some I didn’t know I needed at the Book Barn, we had a quick lunch, and then continued on. I got Costume Imp to his 4 PM train back to the city, and arrived at the site shortly thereafter.

I unloaded, got settled a bit, and then there was a dinner — good food, good wine, good conversation. But by the time everything was all wrapped up, it was 10 PM, and I was far too tired to even try to comment on student work. One of the other guests was also a teacher, and we talked about educational modules, etc. I’ve been talking to a lot of teachers, lately, who are involved in many different types of teaching. We all face very similar challenges, no matter what type of organization we’re connected with.

Up at 4:30 this morning, had to do work here on site until a few minutes ago. I’ve got to get the HEX BREAKER media kit done in the next couple of days. I’m going to hop online and comment on student work for a couple of hours, then do some more work here, then go back and comment more, etc. I might have to take a 40 minute nap or something this afternoon. I am rather wiped out.

I’ve got website updates to upload soon, and I’m working on the Jain Lazarus tie-in story and the Billy Root marketing idea that will coincide with HEX BREAKER’s release. So, lots to do, and limited amount of hours.

And here it is. The new cover for HEX BREAKER’S re-release. The artist is the amazing PJ Friel, who is one of my writing students (she’s an awesome writer as well as an awesome artist). I LOVE this cover, and the publisher approved it, so we’re good to go.

Now, I just have to get those revisions done this week!

I’ve also updated the Jain Lazarus site, and there’s some cool new information over there — about tie-in short stories, the new re-release, etc. As soon as I have a firm release date, I’ll be pestering people for interviews and blog tours!

I thought I’d be able to schedule something to post yesterday, but no luck. I spent the last five days working in CT. I like the gig, but it was hard to be away from home. I really do work better at home.

I didn’t get enough done on the HEX BREAKER edits. I got some good work done on HEART-BINDER, and I also got some great work done on the long short story and the shorter story. I sketched out a few ideas. And then, I went back and took another look at POWER OF WORDS, which, of course, really wants some attention because of everything else that is on deadline! There is potential here, although I think, because of the detail and the scope of the piece, it needs to go the indie route. Only an editor who’d actually worked on set would be able to effectively edit the piece, and that’s going to be next to impossible to find. If I go indie, I’ll get to interview the editors myself. Also, I think it’s kind of unfair to dump this muddle on a publisher. I need to get it streamlined and sorted and figure out a good presentation that will catch and hold the readers while still keeping the vision and integrity of the daily detail of the piece, WHILE juggling as many arcs and characters as the series does. But the piece just won’t let me rest, so, in a few weeks when I’ve got a few things cleared off my desk, I will give it a few hours’ worth of attention a week, without letting it take over, the way it usually does.

Got some good research done for another project, some of which feeds into the harpy trilogy, which was a happy surprise. Oh, and I even did the work for which I was brought down to CT!

I got the next assignment for Confidential Job #1, but haven’t had the chance to start it yet. HEX BREAKER edits are front and center all week.

I’m juggling three classes this week and the private students, which is a bit much, but, somehow, it will all get done.

This morning, I’m off to meditation, and then I have to take my mom to medical appointments. After that, the primary focus is on the HEX BREAKER edits, although the classes need some attention, too.

HOLIDAY HOCUS-POCUS has a good group in there, and looks like it will be fun. It’s more informational and brainstorming than “you have to write a 1500 word story by Friday”, but I’m still doing what I always do, which is tweak the lectures as I put them up, to make sure I have a lot of information that’s both broad and specific.

I’m going to try to knock out some words on HEART BINDER before I have to leave for meditation, and then, off we go, racing through the day.

Busy day yesterday. Read as much student work as I could before my eyes gave out. Got irritated because a student who wastes a lot of time expects ME to organize threads to HER convenience and keep HER organized, instead of taking responsibility for herself, and wants me to “add extra slots” in classes. First of all, I am not her personal assistant; second, every extra student adds at least 40 minutes to an hour to my work day; more if they have questions (which they’re encouraged to ask — you learn by asking questions and DOING). There are only twenty four hours in a day. I put limits on classes FOR A REASON. I’m not going to work 24/7 — not for these prices anyway — and too many students in a class means I can’t give the individual attention to each piece that it needs. I allowed two extra students in the current class, and I’m stretched beyond my limit, even though the class is lively and active and working their butts off and it’s all positive. The lack of respect some people have is just appalling. I’m sure all teachers go through it. Goes with the gig. People who don’t teach don’t understand the time OUTSIDE of direct interaction it takes to do the job effectively.

The wall is painted and looks lovely. Got a bunch of work done on Confidential Job #1,and will start the second part of the two-part project today, getting the write up of the first part out. Yoga this morning, then I have to take my mom to the eye doctor to get measured for her eye operation. That’s supposed to take three hours, so I will take a notebook and the materials for Confidential Job #1 with me.

I’m happy with the progress on HEART BINDER. I just have to get a few other of my own projects back on track, and I won’t feel so pressured and resentful. I need to remember to focus on and be grateful for all that is wonderful in the class situation and let the irritations slide off more. Everyone’s working hard AND doing good work. The year-longs are required to have their drafts finished by the 31st or they’re out of the class — 50% of them are done. Not too shabby. Most of the 5 in 10s are staying on schedule, and the work is terrific. Really impressive, and the range of topics and how they’re handled is wonderful. I ENJOY going to the page and reading the material each day — I’ve just got only X amount of time to get it all done! Being interested in the world helps make them better writers.

Not loving the Mars retrograde, I have to say. Struggling with the personal crap it brings up, and trying to handle it with a modicum of grace! It will be good to be in yoga class this morning, for some kick-booty Om! 😉 That’s part of the retrograde — gaining skills to help you deal with it positively. Saying “I am positively OVER this retrograde” probably isn’t what “they” had in mind! 😉

I was assigned my new editor for the reboot of HEX BREAKER, so let’s hope that’s going to be a good partnership. I need to start pulling together my press kit for that. Once I get my edits, they’re going to have to turn around pretty fast, I’d think — two weeks or so. So the more I can get cleared off my plate ahead of time, the less pressure.

To yoga, to medical appointments (scribbling in the waiting room), and then back to the page.

I’m reading the seed catalogs and dreaming of this year’s garden. Let’s hope I’ve learned something from both what did and did not work last year!

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GWEN FINNEGAN MYSTERIES

Archaeologist Dr. Gwen Finnegan is on the hunt for her lover’s killer. Shy historical researcher Justin Yates, frustrated with his failing relationship, jumps at the chance to join her on a real adventure through Europe, pursued by factions including Gwen’s ex-lover and nemesis, Karl, as they try to unspool fact from fiction in a multi-generational obsession with a statue of the goddess Medusa.
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Stuck in NYC when plans for their next expedition fall through, Gwen and Justin accept teaching jobs at different local universities. Adjusting to their day-to-day relationship, and juggling the academic and emotional demands of their students, they are embroiled in two different, disturbing, paranormal situations that have more than one unusual crossing point. Can they work together to find the answers? Or are new temptations too much to resist? For whom are they willing to put their lives on the line? Available on multiple digital channels here.

NAUTICAL NAMASTE MYSTERIES

SAVASANA AT SEA

Yoga instructor Sophie Batchelder jumps at the chance to teach on a cruise ship when she loses her job and her boyfriend dumps her in the same day. But when her boss is murdered, and the crew thinks she's taking over her predecessor's blackmail scheme, Sophie must figure out who the real killer is -- before he turns her into a corpse, too. A Not-Quite-Cozy Mystery.
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COVENTINA CIRCLE ROMANTIC SUSPENSE

PLAYING THE ANGLES
Witchcraft, politics, and theatre collide as Morag D’Anneville and Secret Service agent Simon Keane fight to protect the Vice President of the United States -- or is it Morag who needs Simon’s protection more than the VP?
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THE SPIRIT REPOSITORY
Bonnie Chencko knows books change lives. But she never expected her life to change because she happened to duck into a small bookshop in Greenwich Village on a rainy late November night. She’s attracted to Rufus Van Dijk, the mysterious man who owns the bookshop in his ancestors’ building. A building filled with family ghosts, who are mysteriously disappearing. It’s up to Bonnie and her burgeoning Craft powers to rescue the spirits before their souls are lost forever. Buy Links here.

RELICS & REQUIEM
Amanda Breck’s complicated life gets more convoluted when she finds the body of Lena Morgan in Central Park, identical to Amanda’s dream. Detective Phineas Regan is one case away from retirement; the last thing he needs is a murder case tinged by the occult. The seeds of their attraction were planted months ago, when Phineas investigated an attack on Amanda’s friend Morag. Now, fate is determined to draw them close. But can they work together to stop a wily, vicious killer, or will the murderer destroy them both?
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THE JAIN LAZARUS ADVENTURES

Hex Breaker by Devon Ellington. A Jain Lazarus Adventure. Hex Breaker Jain Lazarus joins the crew of a cursed film, teaming with tough, practical Detective Wyatt East on an adventure fighting zombies, ceremonial magicians, the town wife-beater, the messenger of the gods, and their own pasts.
This series will re-release in 2020.
Visit the site for the Jain Lazarus adventures.</a

Full Circle: An Ars Concordia Anthology. Edited by Colin Galbraith. My story is “Pauvre Bob”, set at Arlington Race Track in Illinois is included in this wonderful collection of short stories and poetry. You can download it free here.