Images de Plumes are figures dressed in beautiful feathers, insect wings and treasures collected from the garden and wayside

Sunday, September 12, 2010

A Poet Visits Our Creative Community

Where I live in the hinterland of the Sunshine Coast in Queensland, there is an abundance of creative talent. Some of these talented people live here permanently, some escape here for weekends, and others just visit us. There are painters, sculptors, musicians, actors, writers, wood carvers, quilters, embroiderers, film producers, and many more. Today I want to write about one of those who visit us.

Lyn Browne and her husband Rodney came to live in the house next door to me for six months. Having family in Brisbane they have the perfect excuse to avoid the grey English winters and spend six months in Australia then back to Europe to enjoy its summer. Wonderful, fun and energetic neighbours they were too. With their joie de vivre, energy and wide range of interests I was not surprised to learn that Lyn is a poet of depth, charm and whimsy and it is clear that writing poetry is a passion with her. While here in Maleny she wasted no time in finding a small group of poets who share their writings and exchange ideas. I became aware quite soon, that like all writers, Lyn was constantly finding inspiration from every day happenings and the people she met and as she says, our landscape.

Lyn has been writing poetry and short stories for about 15 years. In poetry, although she at times uses formal metre, she prefers free verse with its own internal rhymes and chimes. Lyn favours the unexpected, thinks a poem should surprise and also challenge – it shouldn’t necessarily give up all of its meaning at a first reading. ‘Several meals for the price of one’ is her aim, like discovering new things in a painting.

Possibly because of the poetry, her short stories have become more and more condensed. Her micro-fiction (under 300 words) has been published in several collections, and last year a nano-fiction story (under 100 words) won a major publishing competition.

Lyn finds inspiration in everyday things, though since she arrived in Queensland, both the landscape and the weather seem to have infiltrated her poetry.

Gravity check

See how the moon is kite-surfing

over Pumicestone Passage,

chasing the milky tide.

Hooked to a chicken loop,

he’ll race till morning.

Holey Moley, Flinders,

you never expected that.

When the moon starts spinning

we’re in for a bumpy ride.

and here she writes of the Victorian fires:

Black Saturday, 7 Feb 2010

The first time I smelled tv, frail bones of homes

that Saturday: burnt out hugging, huddling, smoke.

Once, I came through Marysville when it was green

and cloaked, found sanctuary, the rubber of roos,

pondered what ‘platypus’ might mean.

All gone. First anniversary: families broken into pews,

and sober suited, numb. The Premier spoke. No gums,

no green. And some read poetry. Water in the creek.

Black Saturday stalks them, swallowed what they were.

Weary of form filling, you see them turn

away, scan for searing northerlies, or something they’ve mislaid.

There’s a need for reassembling, disparate parts

still workable: half-remembered prayers, bent metal, melded glass.

Wildfire

Will it come with a screen door clatter,

or will it be smoke so thick you can lean on it,

darkeningheat while the flames twist?

What will we take when we race

bunched in our fists like handfuls of hair

when we flee to stand in the dam

scanning the ridge for that shifting slide,

stonyrain on the loose tin roof

flattening anything left alive?

Do prayers burn? Who will tellus?

and here is

Night Fighting

You, and you. And you.

Spiking its targets

lightning pulses along the ridge

night-fighting the rain.

They’ll be leaving soon. Big

as eagles on the whippiest branches

the birds are silent.

I could scream a storm.

More like rain than rain

leaves rattle,

palms bending to the wind.

Screech of machinery.

Cockatoos dark as crows

shrieking at the wind.

I think Lyn's muse is with her.

Lyn and Rodney are great walkers and judging by the intrepid way they tackle the demanding slopes of the Swiss alps at their favourite spot Wengen, they are daunted by very little. Lyn wrote "We were lucky enough to find a day when we could attempt our favourite walk across the glacier up behind the Eiger, at 12000 ft. Blissful blue skies, and fun in the snow. We managed to get to the mountain hut and have some lunch, but crumbs it was a struggle to climb up to it. It had snowed overnight and the ascent was very icy. Great to watch climbers coming in, crampons, ice axes and ropes etc. They often fall asleep with their heads on the table! Our other 'best' walk was on a narrow path just below the north wall of the Eiger, we walked for 4 hours, a descent of about 3,000 ft, that was quite hard too, but we made it down to another favourite mountain inn where we enjoyed lunch and a beer (see photo, Grindelwald inbackground). You probably know that Eiger means Ogre." No I didn't know that! Mind you, when they weren't embarking on such challenges, they were apparently in Interlaken buying chocolates.

About Me

My previous passion was Classical Decoupage which I created, wrote about and taught for many years. However, after breaking my arm badly I had to give it up.
One morning while lying in bed wondering how I could fulfill my creative urges, I thought of my long term interest in silhouettes and suddenly the inspiration came to me that I could dress them in feathers. I started with 18th century silhouettes but have now developed this art form further and have never looked back. In so doing I have been made even more aware of the breathtaking beauty of birds and the intricacy of their feathers, so a whole new world has opened up to me.