Topic Updates

03 October 2017 11:33

CALL: H2020-SC6-CULT-COOP-2017-two-stage (stage 2)

The deadline for the submission of proposals invited to the second stage of the H2020-SC6-CULT-COOP-2017-two-stage call was Wednesday 13 of September 2017 at 17.00 Pm.
A total of 57 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

As from 1 January 2017 Switzerland is associated to the entire Horizon 2020. In practical terms this means that for all Horizon 2020 projects for which the GA is signed as from 1 January the Swiss participants are automatically eligible for funding and may count towards the minimum number of participants required for a project (see the eligibility criteria for funding and participation under Regulation 1290/2013 on Horizon 2020 Rules for participation).

For more information see: http://ec.europa.eu/research/participants/data/ref/h2020/other/hi/h2020-hi-swiss-part_en.pdf

CALL : H2020-SC6-CULT-COOP-2017-two-stage (stage 1) is 478
The call deadline was Thursday 2 of February 17 Pm 2017. A total of 478 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

The call deadline was Thursday 2 of February 17 Pm 2017. A total of 21 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

The deadline for the submission of proposals invited to the second stage of the H2020-SC6-CULT-COOP-2017-two-stage call was Wednesday 13 of September 2017 at 17.00 Pm.
A total of 57 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

As from 1 January 2017 Switzerland is associated to the entire Horizon 2020. In practical terms this means that for all Horizon 2020 projects for which the GA is signed as from 1 January the Swiss participants are automatically eligible for funding and may count towards the minimum number of participants required for a project (see the eligibility criteria for funding and participation under Regulation 1290/2013 on Horizon 2020 Rules for participation).

For more information see: http://ec.europa.eu/research/participants/data/ref/h2020/other/hi/h2020-hi-swiss-part_en.pdf

CALL : H2020-SC6-CULT-COOP-2017-two-stage (stage 1) is 478
The call deadline was Thursday 2 of February 17 Pm 2017. A total of 478 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

The call deadline was Thursday 2 of February 17 Pm 2017. A total of 21 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

The deadline for the submission of proposals invited to the second stage of the H2020-SC6-CULT-COOP-2017-two-stage call was Wednesday 13 of September 2017 at 17.00 Pm.
A total of 57 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

As from 1 January 2017 Switzerland is associated to the entire Horizon 2020. In practical terms this means that for all Horizon 2020 projects for which the GA is signed as from 1 January the Swiss participants are automatically eligible for funding and may count towards the minimum number of participants required for a project (see the eligibility criteria for funding and participation under Regulation 1290/2013 on Horizon 2020 Rules for participation).

For more information see: http://ec.europa.eu/research/participants/data/ref/h2020/other/hi/h2020-hi-swiss-part_en.pdf

CALL : H2020-SC6-CULT-COOP-2017-two-stage (stage 1) is 478
The call deadline was Thursday 2 of February 17 Pm 2017. A total of 478 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

The call deadline was Thursday 2 of February 17 Pm 2017. A total of 21 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

As from 1 January 2017 Switzerland is associated to the entire Horizon 2020. In practical terms this means that for all Horizon 2020 projects for which the GA is signed as from 1 January the Swiss participants are automatically eligible for funding and may count towards the minimum number of participants required for a project (see the eligibility criteria for funding and participation under Regulation 1290/2013 on Horizon 2020 Rules for participation).

For more information see: http://ec.europa.eu/research/participants/data/ref/h2020/other/hi/h2020-hi-swiss-part_en.pdf

CALL : H2020-SC6-CULT-COOP-2017-two-stage (stage 1) is 478
The call deadline was Thursday 2 of February 17 Pm 2017. A total of 478 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

The call deadline was Thursday 2 of February 17 Pm 2017. A total of 21 proposals were submitted in response to this call. The number of proposals for each topic is shown below including the indicative budget of the topic:

As from 1 January 2017 Switzerland is associated to the entire Horizon 2020. In practical terms this means that for all Horizon 2020 projects for which the GA is signed as from 1 January the Swiss participants are automatically eligible for funding and may count towards the minimum number of participants required for a project (see the eligibility criteria for funding and participation under Regulation 1290/2013 on Horizon 2020 Rules for participation).

For more information see: http://ec.europa.eu/research/participants/data/ref/h2020/other/hi/h2020-hi-swiss-part_en.pdf

Topic Description

Specific Challenge:

Culture is the most cherished and valued shared European asset of EU citizens according to surveys. Europe has been associated with and represented by iconic artistic and literary works since Antiquity. From the ancient Greek myth of Europa to Tolstoy's depiction of Napoleonic Europe in "War and Peace" and to Beethoven's 9th Symphony passing by medieval sacred arts or iconic European films, the list of artistic and literary expressions that represent Europe for many Europeans or non-Europeans is open-ended. Even without an official consensus about a repertory of these artistic and literary representations of Europe, they form the backbone of a European cultural identity and cultural heritage for many Europeans and for visitors coming to Europe for admiring its unique cultural heritage. However, the creation of cultural heritage is a never ending process. Today's culture is tomorrow's cultural heritage in the making. In this perspective, the specific challenge of the topic is to critically investigate - with the help of social sciences and humanities - the evolving representations of Europe in contemporary artistic and creative expressions in the light of changing societal, historical and cultural contexts.

Scope:

Research under this topic will examine various contemporary artistic and creative practices such as literature, cinema, music and dance, in order to identify and assess their representations of Europe, European identity and Europeanisation. It should have a comparative approach and a wide European geographic coverage. Research should clearly distinguish between positive and negative depictions of Europe and the European Union, and investigate the reasons for such representations. The definition and selection of the artistic, literary and creative manifestations representing Europe should cover various European regions, including post-2004 EU Member States, and potentially from neighbouring countries. Research should consider the role of curation, language, translation and digitalisation in terms of accessing these representations. It should consider implications for perspectives on European culture and cultural heritage and the possibilities to channel research results into formal and informal education in Europe through innovative learning material adapted to contemporary media and art consumption patterns. The early involvement of networks of cultural and/or education institutions should contribute to the efficient uptake of research results.

The Commission considers that proposals requesting a contribution from the EU in the order of EUR 2.5 million would allow this specific challenge to be addressed appropriately. This does not preclude submission and selection of proposals requesting other amounts.

Expected Impact:

Research will result in better knowledge of cultural Europeanisation in the making and in new, innovative tools and material for formal and informal education. The results and their dissemination will contribute to the renewal of cultural narratives of Europe that speak to Europeans of different languages, cultures, religions and origins beyond national borders. It will contribute to enhanced cultural inter-comprehension among Europeans. Research outputs and dissemination means will be adapted to contemporary art and literature consumption patterns in Europe.

Topic conditions and documents

Please read carefully all provisions below before the preparation of your application.

List of countries and applicable rules for funding: described in part A of the General Annexes of the General Work Programme.
Note also that a number of non-EU/non-Associated Countries that are not automatically eligible for funding have made specific provisions for making funding available for their participants in Horizon 2020 projects. See the information in the Online Manual.

Information on the outcome of two-stage evaluation:
For stage 1: maximum 3 months from the deadline for submission.
For stage 2: maximum 5 months from the deadline for submission.
Signature of grant agreements: maximum 8 months from the deadline for submission.

Provisions, proposal templates and evaluation forms for the type(s) of action(s) under this topic:

Where relevant, proposals should also provide information on how the participants will manage the research data generated and/or collected during the project, such as details on what types of data the project will generate, whether and how this data will be exploited or made accessible for verification and re-use, and how it will be curated and preserved.

Open access to research data
The Open Research Data Pilot has been extended to cover all Horizon 2020 topics for which the submission is opened on 26 July 2016 or later. Projects funded under this topic will therefore by default provide open access to the research data they generate, except if they decide to opt-out under the conditions described in annex L of the Work Programme. Projects can opt-out at any stage, that is both before and after the grant signature.

Note that the evaluation phase proposals will not be evaluated more favourably because they plan to open or share their data, and will not be penalised for opting out.

Open research data sharing applies to the data needed to validate the results presented in scientific publications. Additionally, projects can choose to make other data available open access and need to describe their approach in a Data Management Plan.

- Projects need to create a Data Management Plan (DMP), except if they opt-out of making their research data open access. A first version of the DMP must be provided as an early deliverable within six months of the project and should be updated during the project as appropriate. The Commission already provides guidance documents, including a template for DMPs.

- Eligibility of costs: costs related to data management and data sharing are eligible for reimbursement during the project duration.