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We like a little mystery in our art. We like when art has an enigmatic feel to it. Tanya Johnston’s illustrative work seems to embody quite a soft, subtle and dramatic world. Working for commercial clients, her illustration work seems much more than just a functional visual guide to something; her work seems to evoke a feeling of another world out there. With a color palette that seems to come straight from deep dusk, she combines landscapes with illustrated shapes and photographic images to create her work. More information on Tanya Johnston’s online portfolio.

Piero Lissoni has designed Green, a system of sliding doors and freestanding frames made of brushed aluminum and glass. The system allows for separation between moving parts or spaces up to a maximum height of 3 meters.

An incredible ‘kaleidoscopic’ video capture flight patterns over North America – showing just HOW crowded the skies over the the United States have become.

一个令人难以置信的“万花筒”视频捕捉到北美上空的飞行模式，显示出美国上空已变得拥挤。

Artist Aaron Koblin uses data from the US Federal Aviation Administration to illustrate the paths of aircraft as they soar over the continent during a 24-hour period. Every day, around 27,000 flights take off.

艺术家亚伦·科布林使用美国联邦航空管理局的数据来说明24小时内飞越大陆的飞机航线。每天大约27,000次航班起飞。

The Google employee layers the flight patterns by aircraft model and manufacturer, and adds colours to illustrate the altitude.

谷歌的员工通过飞机模型和制造商把飞行模式分层,并添加颜色来说明飞行的高度。

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Artist Aaron Koblin uses data from the US Federal Aviation Administration to illustrate the paths of aircraft as they soar over the continent during a 24-hour period. Every day, around 27,000 flights take off

艺术家亚伦·科布林使用美国联邦航空管理局的数据来说明24小时内飞越大陆的飞机航线。每天大约27,000次航班起飞。

A mere 8464 planes are in the air at 7.49 Eastern Standard: The Google employee layers the flight patterns by aircraft model and manufacturer, and adds colours to illustrate the altitude

上空只有8464架飞机符合7.49的东部标准:谷歌的员工通过飞机模型和制造商把飞行模式分层，并添加颜色来说明飞行的高度。

Striking: Artist Aaron Koblin mapped flights over the whole of North America during a 24-hour period

引人注目的是:艺术家亚伦·科布林绘制整个北美24小时内的航班

Pinned down: The locations of the cities and states across North America beneath the flight paths

牵制:各城市和各州通过北美区域的航线

‘In many ways this project has been a great learning experience,’ he said.

他说：“在许多方面，这个计划都是一次很好的学习经验。”

‘I remember the first day that I looked at the data. Within about 15 minutes I went from cryptic numbers and letters to easily recognisable patterns.

“我记得我看着数据的第一天。15分钟内我就从隐秘的数字和字母很容易识别出这种模式。”

‘It was a thrilling experience. The data is really beautiful, and even now, four years later I am still experimenting with it.’

“这真是个令人振奋的经历。数据非常美,即便是现在,四年后我还是这样尝试。”

One at a time: The Airbus A320 flight plan over North America over a 24-hour period, which focuses on New York, Miami and Los Angeles (as above)

一段时间里的一次:这架空中客车A320在24小时以上的时间段飞越北美的航班图案，主要侧重于纽约、迈阿密和洛杉矶(如上所述)

Select: A Boeing B752 flight plan over North America over 24 hours, with a focus at Honolulu (left), Miami (lower, right) and New York (upper, right)

选择:一架波音B752在24小时以上飞越北美的航班图案，重点关注火奴鲁鲁(左)，迈阿密(低，右)和纽约(上，右)

Each day, U.S. carriers alone operate about 27,000 scheduled flights, and these images display the flight paths of just some of the total air traffic.

每天仅美国航空公司运营的就约有27,000次定期航班，这些图像显示的仅仅是总空中交通的部分航线。

Thevisualisations of flight paths started four years ago when Aaron, fromSan Francisco, was working on a college project.

航线可视化开始于四年前，当时来自旧金山的亚伦，正在开发一个大学项目。

He uses dark colours to show higher altitudes and lighter shades to indicate takeoff and landing.

他使用深色来显示更高的海拔，淡色表示起飞和着陆。

‘I was interested in seeing the way flight patterns slice up the country waking up, going to sleep and moving around,’ he said.

他说：“我感兴趣的是看飞行模式切割国家的的方式，起床，睡觉和四处走动时。”

‘Youcan see the ebb and flow as plane routes erupt on the East Coast in themorning, flow over to the West Coast and eventually to Hawaii.’

“你可以看到潮起潮落，当飞机航线早晨在东海岸出发，流到西海岸，最终到达夏威夷。”

Modern art? A flight plan over Atlanta over a 24-hour period. The focus is Hartsfield-Jackson Atlanta International Airport in Georgia

Created by Julian Koschwitz, “On Journalism #2 Typewriter” installation writes generative stories about journalist killed worldwide between 1992 and today. The individual stories are typed on a continuos piece of paper, connected through common fields of coverage, places and published work

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