الأخبار العالمية عن التصوف واهل التصوف والصوفية
Primarily an archive of news reports from around the world concerning Sufis and Sufism.

Editor-in-chief: Dr. Alan Godlas

Saturday, August 11, 2012

App for the Ancients ‘Alif the Unseen,’ by G. Willow Wilson

'Alif the Unseen'
The New York Times Sunday Book Review By
PAULS TOUTONGHI Published: August 10, 2012
In her 2010 memoir, “The Butterfly Mosque,” G. Willow Wilson told the
story of her conversion to Islam, charting her transformation from child
of atheist parents to Boston University-­educated undergraduate to
faithful Muslim with an Egyptian husband and an apartment in Cairo.
Wilson wrote of the contrast between East and West, and of feeling
compelled to keep her religious beliefs secret. “In the West,” she
observed, “anything that must be hidden is suspect; availability and
honesty are interlinked. This clashes irreconcilably with Islam, . . .
where the things that are most precious, most perfect and most holy are
always hidden: the Kaaba, the faces of prophets and angels, a woman’s
body, Heaven.”

It is thus unsurprising that secret identities form the axis of Wilson’s
fast-paced, imaginative first novel, “Alif the Unseen” — a book that
defies easy categorization. Is it literary fiction? A fantasy novel? A
dystopian techno-thriller? An exemplar of Islamic mysticism, with ties
to the work of the Sufi poets? Wilson seems to delight in establishing,
then confounding, any expectations readers may have.

Alif, her hacker protagonist, is a 21st-­century cyber-gun-for-hire. He
provides technical services to pornographers in Saudi Arabia, Islamic
revolutionaries in Turkey and bloggers in Egypt, concealing their
identities and hiding their locations from the authorities in Riyadh and
Ankara and Cairo. He doesn’t discriminate politically: “Alif was not an
ideologue; as far as he was concerned, anyone who could pay for his
protection was entitled to it.” His greatest allegiance, at least
initially, is to the freedom of information.

But Alif lives in a place — known only as “the City” — plagued by
significant social ills. It has “one of the most sophisticated digital
policing systems in the world, but no proper mail service”; “princes in
silver-plated cars,” but “districts with no running water.” This is not a
young Ameri­can novelist’s Orientalist perspective on a foreign other,
however — Wilson has lived on and off in Cairo for nearly a decade.
Though the City explicitly isn’t Cairo, it also clearly is, with its
sweet tea vendors, its streets edged with hibiscus bushes, its insistent
sprawl.

Within this megacity, Alif must hide from an authoritarian state that
wants to hunt him down and do him harm. This might seem enough to drive a
novel. But Wilson adds several layers of complication. Alif has a
doomed love affair with an aristocratic woman — a relationship made more
difficult by his social status and his mixed Arab-Indian ethnicity. He
also ends up in possession of the “Alf Yeom”: a text ostensibly dictated
by an enslaved demon to a Persian mystic hundreds of years ago, which
the state wants because it may (or may not) contain the secret to
creating a quantum-bit-powered supercomputer.

When a betrayal reveals Alif’s location, he is taken into custody,
beaten and tortured. But at last he is rescued, and as he goes on the
run, we are shuttled into the world of the jinn. Wilson’s tone
alternates between serious and playful. In her funniest set piece, a
shadowy creature called an effrit asks Alif to fix its “two-year-old
Dell desktop,” which has picked up some kind of malware online. Alif is
astonished to find Internet access in jinn-land. “Cousin,” the effrit
says, “we’ve got Wi-Fi.”

For all its playfulness, “Alif the Unseen” is also at times unexpectedly
moving, especially as it detours into questions of faith. In an
expansive moment, a secondary character — an imam who like Alif has been
tortured by the state — describes a hard-earned revelation: “I have had
much experience with the unclean and uncivilized in the recent past.
Shall I tell you what I discovered? I am not the state of my feet. I am
not the dirt on my hands or the hygiene of my private parts. If I were
these things, I would not have been at liberty to pray. . . . But I did
pray, because I am not these things. . . . I am not even myself. I am a
string of bones speaking the word God.” For those who view
American fiction as provincial, or dominated by competent but safe work,
Wilson’s novel offers a resounding, heterodox alternative.

Pauls Toutonghi teaches literature and fiction writing at Lewis &
Clark College and is the author of the novels “Red Weather” and “Evel
Knievel Days.”

Saturday, August 11, 2012

App for the Ancients ‘Alif the Unseen,’ by G. Willow Wilson

'Alif the Unseen'
The New York Times Sunday Book Review By
PAULS TOUTONGHI Published: August 10, 2012
In her 2010 memoir, “The Butterfly Mosque,” G. Willow Wilson told the
story of her conversion to Islam, charting her transformation from child
of atheist parents to Boston University-­educated undergraduate to
faithful Muslim with an Egyptian husband and an apartment in Cairo.
Wilson wrote of the contrast between East and West, and of feeling
compelled to keep her religious beliefs secret. “In the West,” she
observed, “anything that must be hidden is suspect; availability and
honesty are interlinked. This clashes irreconcilably with Islam, . . .
where the things that are most precious, most perfect and most holy are
always hidden: the Kaaba, the faces of prophets and angels, a woman’s
body, Heaven.”

It is thus unsurprising that secret identities form the axis of Wilson’s
fast-paced, imaginative first novel, “Alif the Unseen” — a book that
defies easy categorization. Is it literary fiction? A fantasy novel? A
dystopian techno-thriller? An exemplar of Islamic mysticism, with ties
to the work of the Sufi poets? Wilson seems to delight in establishing,
then confounding, any expectations readers may have.

Alif, her hacker protagonist, is a 21st-­century cyber-gun-for-hire. He
provides technical services to pornographers in Saudi Arabia, Islamic
revolutionaries in Turkey and bloggers in Egypt, concealing their
identities and hiding their locations from the authorities in Riyadh and
Ankara and Cairo. He doesn’t discriminate politically: “Alif was not an
ideologue; as far as he was concerned, anyone who could pay for his
protection was entitled to it.” His greatest allegiance, at least
initially, is to the freedom of information.

But Alif lives in a place — known only as “the City” — plagued by
significant social ills. It has “one of the most sophisticated digital
policing systems in the world, but no proper mail service”; “princes in
silver-plated cars,” but “districts with no running water.” This is not a
young Ameri­can novelist’s Orientalist perspective on a foreign other,
however — Wilson has lived on and off in Cairo for nearly a decade.
Though the City explicitly isn’t Cairo, it also clearly is, with its
sweet tea vendors, its streets edged with hibiscus bushes, its insistent
sprawl.

Within this megacity, Alif must hide from an authoritarian state that
wants to hunt him down and do him harm. This might seem enough to drive a
novel. But Wilson adds several layers of complication. Alif has a
doomed love affair with an aristocratic woman — a relationship made more
difficult by his social status and his mixed Arab-Indian ethnicity. He
also ends up in possession of the “Alf Yeom”: a text ostensibly dictated
by an enslaved demon to a Persian mystic hundreds of years ago, which
the state wants because it may (or may not) contain the secret to
creating a quantum-bit-powered supercomputer.

When a betrayal reveals Alif’s location, he is taken into custody,
beaten and tortured. But at last he is rescued, and as he goes on the
run, we are shuttled into the world of the jinn. Wilson’s tone
alternates between serious and playful. In her funniest set piece, a
shadowy creature called an effrit asks Alif to fix its “two-year-old
Dell desktop,” which has picked up some kind of malware online. Alif is
astonished to find Internet access in jinn-land. “Cousin,” the effrit
says, “we’ve got Wi-Fi.”

For all its playfulness, “Alif the Unseen” is also at times unexpectedly
moving, especially as it detours into questions of faith. In an
expansive moment, a secondary character — an imam who like Alif has been
tortured by the state — describes a hard-earned revelation: “I have had
much experience with the unclean and uncivilized in the recent past.
Shall I tell you what I discovered? I am not the state of my feet. I am
not the dirt on my hands or the hygiene of my private parts. If I were
these things, I would not have been at liberty to pray. . . . But I did
pray, because I am not these things. . . . I am not even myself. I am a
string of bones speaking the word God.” For those who view
American fiction as provincial, or dominated by competent but safe work,
Wilson’s novel offers a resounding, heterodox alternative.

Pauls Toutonghi teaches literature and fiction writing at Lewis &
Clark College and is the author of the novels “Red Weather” and “Evel
Knievel Days.”

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