Day: July 15, 2016

The RFL of Second Life Relay Weekend for 2016 is upon us, and will feature everything one would expect from the event – walks, celebrations, remembrances, the luminaria ceremony, interviews, music, dance, and more, all in aid of the American Cancer Society in its efforts to eradicate cancer.

I’ve been fortunate enough to have a couple of sneak peeks around the regions that make up this year’s walk, together with the activities regions, and they really are quite extraordinary this year, featuring some stunning builds and themes which are truly eye-catching.

Activities will kick off at 10:00 SLT on Saturday, July 16th and will feature 24 hours of themed laps, activities and entertainment. The weekend will wrap up with a party at 13:00 SLT Sunday, July 17th.

The Relay Weekend Regions

Event Highlights

Listed below are some of the main events scheduled for the weekend – but remember that there are relay laps, entertainment and more going on across the entire weekend, so please refer to the event schedule for full details. Information can also be found at the 2016 RFL Welcome Centre space station. All times are, as usual, SLT.

Saturday, July 16th 2016

11:00 SLT Celebrate: The first lap of Relay weekend begins with the celebrate ceremony. A Survivor/Caregiver honour walk

21:00 SLT Remember – The Luminaria Ceremony: a solemn reflection with readings and inspirational music as the regions are darkened in remembrance of those and their loved ones who have lost their battles to cancer or are still battling it; all are invited to participate. Please walk the track in silence

Sunday, July 17th 2016:

06:00 SLT Fight Back: Collect your Fight Back Kits and Fight Back Flags available at the Relay Information Stations along the track, and pledge to save a life: your own, a friends, a family member, or someone you don’t even know yet

10:00 SLT Closing Ceremony: a closing tribute to al that RFL of SL has accomplished.

Where To Start

If you’re new to RFL of SL weekends, probably the best place to start is the space station Welcome Area, mentioned above, or the American Cancer Society region or the RFL Information Centre. All three provide a range of information to help you get started.

Like this:

There’s an argument about Second Life which is as old as the platform itself: is it or isn’t it a game? The majority of active Second Life users most likely fall on the side of the line which says it is not a “game”, and I’d be among them for many and varied reasons. However, one thing that Second Life can be, is a platform for a wide range of games.

This is demonstrated in segment #39 of The Drax Files World Makers, which explores the work of content creator and designer of in-world games, Sergio Delacruz. However, in typical Draxtor style, there’s a hidden depth to this piece which makes it yet another fascinating exploration of the potentials and opportunities which are open to anyone engaging in Second Life.

Sergio runs Delacruz Technologies and Delacruz Park, where he builds a range of items, such as his familiar Ferris wheel and bumper cars, and where he hosts Susan’s Diary

When it comes to games, Sergio is the man behind Drone Wars (which I can remember playing back in 2009/10), a first-person shooter pitting players in combat against armed drones whilst attempting to locate and disarm a nuclear device. More recently, he has created Susan’s Diary, an immersive horror / mystery story players have to solve.

Like so many of us, he was drawn to Second Life out of curiosity, and was struck by the huge scope for creativity offered by the platform. “I was like a child with Lego,” he says of his early, sandbox-based days. However, and again like many of us, he quickly realised the potential of the platform for both creative expression and for learning new skills. Starting with a pair of primy sneakers, he progressed through teaching himself to script in LSL and onward into game design.

With the latter, he also recognised what is perhaps one of the more unique aspects in designing games within the platform: if the creator desires, they can be built so that people can play them using the avatar with which they are most comfortable with using, without the need to adopt a specific character and / or look, as is the way with console and computer games.

One of the darker aspects of Susan’s Diary, an immersive horror / mystery game

This is actually an important point. Because we can engage in games within Second Life using our avatarian familial, rather than being forced into the identity of a pre-defined character, it is possible to have a far more personal connection with the game – it becomes far more our adventure.

Second life also allows for a more open approach to games design and game play; designers can present games which are not necessarily constrained by a linear narrative, but become more of an exploration and discovery by the players, whether playing individually, or with a group of friends (something which further makes games in SL far more of a genuine social experience than those of other mediums can allow, again due to the limitations imposed by pre-determined characters, etc.).

The concept of “freedom” is perhaps where a good portion of the heart of this piece lies. At its core, Second Life is about giving anyone who uses it personal freedom and in a huge number of ways, be it through the creativity of actually making things, or through using the things other make to create an environment others can appreciate and enjoy, or through which we can find new ways and means to express ourselves through art, or through learning new skills. And of course, there is the freedom it gives us to express our personalities through our avatars and to socialise with others from all of the world in a huge variety of ways.

Sergio designing his physical world home in SL – from the comfort of his physical world home, inset). Image courtesy of Draxtor Despres / Sergio Delacruz

Of course, there’s a wide range of opportunities sitting around and between these examples, both within and beyond the platform. Nor are any of them mutually exclusive; most of us embrace two or more through our time in-world.

In Sergio’s case, this freedom has given him the ability to develop skills and interests which have application beyond Second Life. From LSL he’s moved to more recognised programming languages such as JavaScript and C#, which in turn have encouraged him to experiment in other mediums, and also to get a potential leg-up into the world of “consumer VR”. Most recently it has offered him the opportunity to dip a toe into real-world design, reproducing his own home inside Second Life.

“In Second Life you are free,” Sergio says at the end of the piece. “Free without limits.” And that is perhaps the platform’s greatest gift to each of us.

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