There is a subtlety when the sequence is being modified by the loop (this can only occur for mutable sequences, i.e. lists). An internal counter is used to keep track of which item is used next, and this is incremented on each iteration. When this counter has reached the length of the sequence the loop terminates. This means that if the suite deletes the current (or a previous) item from the sequence, the next item will be skipped (since it gets the index of the current item which has already been treated). Likewise, if the suite inserts an item in the sequence before the current item, the current item will be treated again the next time through the loop. This can lead to nasty bugs that can be avoided by making a temporary copy using a slice of the whole sequence, e.g.,

If the evaluation of an expression in the header of an except clause raises an exception, the original search for a handler is canceled and a search starts for the new exception in the surrounding code and on the call stack (it is treated as if the entire
try
statement raised the exception).

When a matching except clause is found, the exception is assigned to the target specified after the
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keyword in that except clause, if present, and the except clause’s suite is executed. All except clauses must have an executable block. When the end of this block is reached, execution continues normally after the entire try statement. (This means that if two nested handlers exist for the same exception, and the exception occurs in the try clause of the inner handler, the outer handler will not handle the exception.)

When an exception has been assigned using
as
target
, it is cleared at the end of the except clause. This is as if

Teatro Línea de Sombra’s

October 17 - 29, 2017

The Yard at Chicago Shakespeare

A World’s Stage Production from México directed by Jorge A. Vargas

Critical Acclaim

“
Highly recommended! An unreachable journey to the North unfolds… in a haunting collage of theater, music, movement, film, projections and rituals.
If migrants leave home with hearts full of hope, they end up with this: a storm of sand-filled plastic bags that rain down on the stage like so many parched souls. is a scorching commentary that moves far beyond any of the political cant that attaches itself to this subject.”

“
This ensemble-driven piece manages to do things that most works of company-devised theater are not able to achieve…
to magnify the journey of the economic refugee: to show the details of the traverse, the risks of the passage, the passion and fortitude behind the traveler’s dreams.”

“
A story of immense immediacy… the six-member cast is athletic and expressive.
”

“
A story of great importance told with style and grace… that will hold you spellbound.
This incredible work of art will ring in your mind for some time to come.”

“
Raw, tragic, unsparing, poetic, vibrant.
Prominent Mexican director Jorge A. Vargas draws from a global avant-garde theater trove, layering live video with film projections, everyday objects used as symbolic props, abstract monologues (with English titles) and a stunning physicality that burns with urgency… the leading Mexican theater company Teatro Línea de Sombra vividly maps the human tribulations of those who attempt to enter this country illegally, and perish, or simply vanish, en route.”

“
A consuming hour that navigates the human urge for migration.
It is rooted, desperately rooted, in land south of the U.S. border, but it makes an appeal to the American heart, ideologies rendered narrow and cramped by the vast spaces…An astonishing amount of stagecraft is brought to bear on breaking down seemingly immutable borders like this–it’s rare that spectacle is put so fully into the service of a creative, purposeful space.”

“A composition,
a tragic fresco with a very dynamic rhythm,
a certain ironic sadness, and a bottom that includes touches of dark humor…in short, it’s very attractive, without stridencies and with a base of great artistic value.”

“Jorge Arturo Vargas has created
a strong and diverse arrangement of perceptions and visual, acoustic, tactile, and corporal experiences
…it gives birth to a very dynamic and appealing show. Their creation goes from ellipsis to artistic burst to reach the heart of politics.”

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Hamstrings are the three back muscles on your legs. Sitting and standing for a long time can cause them to get tight, which may lead to bad posture. Weak hamstrings will also put your body into a less stable position.

Caution:
You can pull your back muscle if you go down too far into the stretch. Make sure you don’t overdo it. If a chair is too difficult for you, try moving this exercise to the floor.