New Scott Derrickson/Christopher Young movie should have a soundtrack album released by Madison Gate Records (unless that will be some shitty song compilation only and someone else will have to release the score) - at least according to the trailer, which was just released. The movie is opening in July, so plenty of time left to wait...

ok... for those who care to waste their money on low quality products, the score is now available on iTunes.

I would like to "waste" my money on this score! Thanks for the bringing its release to my attention, I will head over and download it shortly. I am not a big fan of iTunes but as I am first and foremost interested in hearing the music and discovering the latest composition by one of my favorite composers, I will be purchasing the score, highest quality or not.

ok... for those who care to waste their money on low quality products, the score is now available on iTunes.

I would like to "waste" my money on this score! Thanks for the bringing its release to my attention, I will head over and download it shortly. I am not a big fan of iTunes but as I am first and foremost interested in hearing the music and discovering the latest composition by one of my favorite composers, I will be purchasing the score, highest quality or not.

Well said Deputy. I'm happy to have at least something rather than nothing. It's about the music after all, isn't it?

Well said Deputy. I'm happy to have at least something rather than nothing. It's about the music after all, isn't it?

Just be aware that every iTunes purchase is a kick in the nuts towards a potential (superior) CD release.

Not buying an iTunes-release will never, ever bring a cd-release closer. It doesn't show you disagree about the format, it shows you're not interested. Or to use your scare-tactics: don't buy it, and next time something like this won't be released at all.

Not buying an iTunes-release will never, ever bring a cd-release closer. It doesn't show you disagree about the format, it shows you're not interested. Or to use your scare-tactics: don't buy it, and next time something like this won't be released at all.

That's what I've always thought. It'd be good to get some input from the labels on this. After all , no one will know better than them.

Not buying an iTunes-release will never, ever bring a cd-release closer. It doesn't show you disagree about the format, it shows you're not interested. Or to use your scare-tactics: don't buy it, and next time something like this won't be released at all.

That's what I've always thought. It'd be good to get some input from the labels on this. After all , no one will know better than them.

I can't imagine any of them saying 'Oh no's! It's not selling at iTunes, let's bring it on cd!' :-/

We've seen a lot of Christopher Young scores go unreleased lately, I'm glad I get to listen to this one and I personally doubt I'm missing out on much listening to it in 256 mp3 than I would on a CD. I'll still buy the CD once one is available, but for now this Itunes version suffices.

I've listened to Deliver Us From Evil a couple of times and it definitely has the weird sound design going on like in Sinister, as well as the ambience Young is good at for this type of score. The thematic material is rather downplayed, even in the excellent "The Left Hand Pact" which is my favorite track, it feels reminiscent of Goldenthal's "Lullaby Elegy" from Alien 3 and it even has a nod to my favorite Young score at the 5 minute mark. If you just want to try out the one track, I suggest downloading that one.

Not buying an iTunes-release will never, ever bring a cd-release closer. It doesn't show you disagree about the format, it shows you're not interested. Or to use your scare-tactics: don't buy it, and next time something like this won't be released at all.

Not sure what to make of this one. It has that 'Christ Young' feel in moments and there's the odd flavour of 'Emily Rose' at times but, as has been stated, very ambient and not a big stand out score in my book. Still like a lot of it but I've heard him do so much better. I still find I go back to his wonderful SINISTER score a lot which for many was a hard listen. I find I'm becoming increasingly disappointed with a lot of modern horror scores. Maybe I've just heard too much and there's not that much that excites or stands out these days.