Audiffex guitar pedals - the legendary product, released under our previous label DSound 15 years ago as one of the first professional guitar software solutions. Because of a strong demand to release this set also for ProTools and, we have released the complete set of our stomp-box effects in one package.

Notes

As some of you may know R2R has open up the vault to some of their earlier INTERNAL releases

We believe it is not only hi-end professional studios with million dollar equipment, that have right to sound great. So we have gathered all the years of our experience in creating professional audio applications and precise circuit simulation to bring you this set of five of tube effects plug-ins.

Summing Tube Amplifier (STA) mixes the wet and dry signals and it adds a nonlinear distortion resulting in more vintage sound. Primarily, this effect is designed to be used as an insert effect to fully exploit the summing circuit. The plugin has also a "Wet only” option when only the signal processed by the tube circuit is sent to the output. It allows to use the plugin also in a send bus.

Included effects

Believe it or not, the single knob of STA Preamp can give your mixes some extra value. Choose one of three types of tubes and control amount of saturation. STA Chorus adds your instruments a little warmth and tickeling vibe! Extra punch, meat, juice... Call it what you want, but STA Flanger gives it to you. If your sound is not spacey enough, take it to the universe with STA Phaser! And last but not least - STA Enhancer will make your mixes beautiful and bright.

Notes

As some of you may know R2R has open up the vault to some of their earlier INTERNAL releases

Trash 2 takes the best of Trash and makes it even better. With an entirely new sonic architecture, brand new features, optimized performance, better sound quality, and support for modern hosts and formats, Trash 2 is primed for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue.

KEY FEATURES

Distort in ways you never dreamed with the Trash module’s 60+ distortion algorithms, perfect for transforming your sound into something never before heard.

Design your own unique distortions, from massive to mild and everything in between, with a new, customizable, multiband Waveshaper.

Let your tracks inhabit any space or object with the new Convolve module. Choose from over 100 impulse responses or load your own to put your bass in a washing machine or your keys in a cave.

Find a new voice: make your audio speak and growl with two redesigned Filter modules, each one featuring new vowel formant filters, screaming peaks, node modulations, and more.

Start trashing your audio immediately with an extensive new preset library and an ear-friendly Limiter that ensures you can play without fear.

What can Trash do?

Trash and burn

Not all distortions are created equal. Trash 2 combines the power of multi-band, dual-stage distortions and advanced post-filtering for immediate sonic transformation. Give your low end some thump, get a warm crunch on the midrange, and let your high end soar—all without the over-hyped side effects (unless, of course, that's what you want). Trash any track: not just guitars and basses, but drums, synths, pads, vocals, brass, woodwinds, and more. A distortion engine like no other, this is Trash 2.

Shape shifter

Invent a distortion that the world has never heard. Design your own distortion algorithms with Trash 2's new customizable Waveshaper. If the physics of waveshaping have your brain in a knot—not to worry. With Trash 2 it's easy: simply draw in, tweak, and create infinite distortions. Don't know where to start? Load one of Trash 2's 60+ distortion algorithms and adjust at will. Trash has shaped everything from major music releases to film and game sound effects over the past decade. Your audio is next.

Follow your impulses

The power to morph sound from one object to another is yours with the new Convolve module. Melt your synth bass into a metal bowl, push your electric piano into a vintage cabinet, or play your guitar tone through a human voice box. Convolve includes over 100 impulse responses—a collection of amps, objects, animal sounds and mouth shapes that are ready and waiting to transform your sound. Or, concoct a unique convolution and load any .wav or .aiff file into Trash 2. Impress the sonic characteristics of your wildest imagination onto any track or instrument. A single mouse click is all you need.

Beyond distortion

Explore new sonic dimensions with the Filter, Delay and Dynamics modules. Breathe life and movement into your audio using the dual Filters, each with 20+ evocative filter types to shape your tone. Modulate, invigorate and apply exotic filter sounds, then control and manipulate each node with LFOs, envelopes and side-chaining. A filter bank unlike any other, you're free to custom-design your ultimate filter styles and reach the bleeding edge of sound design. Polish it all off with Trash 2's rich, organic Delay options and a new analog-modeled compressor worth turning up to 11. Throughout the wild ride, the ear-friendly Limiter keeps you and your speakers safe.

Fusion-IR processing captures the evolving character of time-varying reverbs using multiple true-stereo reverb streams that are processed simultaneously. The inputs to the convolution streams are modulated and the outputs fused into a rich, captivating space that mixes effortlessly with your music.

Fusion-IRs contain separately sampled early and late reverb components for a level of mix control never before found in convolution reverbs or sample packs.

Creative Convolution

By using a modulated mix of two separately controllable true stereo or Fusion-IRs incredibly musical and convincing reverbs are possible far surpassing traditional convolution plugins.

Further modulation is possible using post-processing effects including an all-pass interpolator chorus, modulated delay, modulated EQ and separately controllable early / late reverb pitch modulators.

Pre-convolution effects include dedicated time-varying equalisers to control how an EQ develops as a reverb tail progresses. Split early/late pitch modulation can provide a spin and wander modulation effect to the early and late components of a reverb.

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