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Cultures & Communities

Furniture, cooking wares, clothing, works of art, and many other kinds of artifacts are part of what knit people into communities and cultures. The Museum’s collections feature artifacts from European Americans, Latinos, Arab Americans, Asian Pacific Americans, African Americans, Gypsies, Jews, and Christians, both Catholics and Protestants. The objects range from ceramic face jugs made by enslaved African Americans in South Carolina to graduation robes and wedding gowns. The holdings also include artifacts associated with education, such as teaching equipment, textbooks, and two complete schoolrooms. Uniforms, insignia, and other objects represent a wide variety of civic and voluntary organizations, including youth and fraternal groups, scouting, police forces, and firefighters.

This engraved woodblock of “Light House Rock in the Canyon of Desolation” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 17 (p.49) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902).

This engraved woodblock of a “House-burial” was prepared by Henry Hobart Nichols (1838-1887); the print was published by the Government Printing Office in Washington, D.C. in 1881 as Figure 27 (p. 175) in an article by Dr. H. C. Yarrow (1840-1929) entitled “Mortuary Customs of the North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80.

This engraved woodblock of an “Indian mask from the northwest coast of America” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1884 as Plate XIII.20 (p.171) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain Aboriginal Customs with an Inquiry into the Bearing of Their Geographical Distribution” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.

This engraved woodblock of “Captain John, a Ni’-shi-nam chief” was prepared by engraver Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1877 as Figure 27 (p.314) in an article by Stephen Powers (1840-1904) entitled “Tribes of California” in Contributions to North American Ethnology v.3.Contributions was published by the U.S. Geographical and Geological Survey, a precursor to the Bureau of American Ethnology under the direction of John Wesley Powell (1834-1902). D. H. Bartle created the original image.

This engraved woodblock of “Huch’-nom tattooing” was engraved by Henry Hobart Nichols (1838-1887) and prepared by the Government Printing Office in Washington, D.C.; the print was published in 1877 as Figure 14 (p.142) in an article by Stephen Powers (1840-1904) entitled “Tribes of California” in Contributions to North American Ethnology v.3.Contributions was published by the U.S. Geographical and Geological Survey, a precursor to the Bureau of American Ethnology under the direction of John Wesley Powell (1834-1902).

This engraved woodblock of a “Mai’-du girl with ornaments” was engraved by Henry Hobart Nichols (1838-1887); the print was published in 1877 by the Government Printing Office in Washington, D.C. as Figure 26 (p.304) in “Tribes of California” by Stephen Powers (1840-1904) for Contributions to North American Ethnology v.3.Contributions was published by the U.S. Geographical and Geological Survey, which was a precursor to the Bureau of American Ethnology under the direction of John Wesley Powell (1834-1902).

This engraved woodblock of “The Warrior and his Bride” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 15 (p.44) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902).

This engraved woodblock of a portrait of an American Indian woman was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C. for the Bureau of American Ethnology in about 1880.

This engraved woodblock of an American Indian identified as “Pa’ri-ats” was prepared by the Government Printing Office in Washington, D.C.; the image was published in 1875 as Figure 7 (p.17) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902). The illustration was engraved by Henry Hobart Nichols (1838-1887).

This engraved woodblock of the “Parsee Towers of Silence (interior).” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 3 on page 104 in an article by H.C. Yarrow (1871-1876) entitled “Mortuary Customs of North American Indians” in the First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1879-80. Henry Hobart Nichols (1838-1887) engraved the image.