From the mid 1930s until the early 1970s, Desi Arnaz, born Desiderio Alberto Arnaz de Archa III on March 2, 1917, achieved
prominence first as a musician and later in film and television. After leaving Cuba in 1933 due to the arrival of the Batista
government, Desi and his mother fled to Miami, Florida, where his father later joined them. Desi Arnaz joined Xaiver Cugat’s
band in 1934 and toured with the group before striking out on his own. Earning renown as the “Miami Rhumba King,” the musician
and eventual bandleader went north to perform in New York nightclubs. In 1939 he starred in the Broadway production of “Too
Many Girls.” When RKO Pictures in Hollywood purchased the play in 1940, Arnaz made his motion picture debut in the film version.
He reprised his role as the lead character, playing opposite Lucille Ball (1911-1989). Their meeting began a relationship
that led to their marriage later that year. The couple purchased property in the Chatsworth area of the San Fernando Valley,
which they named the Desilu Ranch.

With the advent of World War II, Arnaz entertained the troops with his band, and he enlisted in the US Army in 1943, serving
until 1945. Between 1945 and 1951, Arnaz worked in radio and film and also performed in clubs as a bandleader. During this
period he and Lucille sought projects in which they could perform in together. Ball, then starring in a radio program called
“My Favorite Husband,” was approached by CBS, which was interested in moving the radio show to the newly developed medium
of television. Formed initially to manage Arnaz’s band, Desilu Productions was expanded to become the banner under which
the couple produced their first hit in the new medium. Lucille Ball negotiated a deal with CBS allowing her and Arnaz to play
the fictitious husband and wife team of Lucy and Ricky Ricardo in their new TV show, “I Love Lucy.”

Running from 1951 until 1956, “I Love Lucy” was only one show on the roster of Desilu Productions. With the purchase of RKO
studios in 1956, Arnaz expanded the company’s facilities to allow for increased production. Between 1951 until 1962, Desilu
produced such shows as “Our Miss Brooks” (a vehicle starring Eve Arden who later started in “The Mothers-In-Law”). Other
notable productions included “The Untouchables,” “Guestward Ho,” and “The Westinghouse Desilu Playhouse.” The couple divorced
in 1960 and Ball bought Arnaz out in 1962; afterwards, Ball assumed complete control of the production company. Desi chose
semi-retirement and pursued his interests in breeding and raising racehorses, splitting his time between his two homes in
Baja California, Mexico, and Del Mar, California. In 1963, he married Edith Mack, a union that lasted until her death in
1983.

Signaling a return to television, Arnaz formed “Desi Arnaz Productions Incorporated” (DAPI) in 1965 as his new production
entity. With the development of “The Mothers-In-Law” (MIL) in 1966, and its subsequent appearance in prime time during the
1967 season, Arnaz assumed the role of the show’s director and also appeared in four of the episodes as Señor Raphael Del
Gado. In production from 1967 until 1969, “The Mothers-In-Law,” starring Eve Arden and Kaye Ballard, ran for three seasons
on NBC.

As it turns out, his guest roles on “The Mothers-in-Law” were Desi's last sitcom work until his appearance twenty years later
on “Alice” in 1978. His only other major television appearances after the “Lucy” shows were on episodes of “The Men from
Shiloh,” “Bonanza,” a pilot that ran as part of the “Perry Mason” series, a pilot that ran as an episode of another Raymond
Burr series, "Ironside" (Dr. Domingo), as guest-host on “Saturday Night Live” in 1975, and on a Bob Hope special in 1976.

The 1970s marked a second retreat from television production, but Arnaz stayed busy nonetheless. In 1971, a San Diego State
University graduate student named Jim Yanizyn, who was writing his M.A. thesis on “The Mothers-In-Law,” contacted Arnaz. This
contact led to Arnaz’s decision to donate the initial materials related to “The Mothers-In-Law” to San Diego State University,
and a reception was held in the summer of 1971. Retuning to SDSU in 1972 as a visiting professor, Arnaz taught classes in
studio production and acting for television. He also served as the United States ambassador to Latin America under Richard
Nixon. Arnaz’s autobiography, A Book, was published in 1976, and it spent a number of weeks on the New York Times bestseller
list. Desi Arnaz completed his last film, “The Escape Artist,” in 1983 and died from cancer on December 2, 1986 at the age
of 69.

Access Terms

This collection is indexed under the following controlled access subject terms.

The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with
the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections
is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be
submitted to the Head of Special Collections, San Diego State University, Library and Information Access. When granted, permission
is given on behalf of Special Collections as the owner of the physical item and is not intended to include or imply permission
of the copyright holder(s), which must also be obtained in order to publish. Materials from our collections are made available
for use in research, teaching, and private study. The user must assume full responsibility for any use of the materials, including
but not limited to, infringement of copyright and publication rights of reproduced materials.

Permission for commercial use or non-scholarly research must be obtained from the executors of the of Desi Arnaz and Lucille
Ball estates, which are maintained through the partnership of Desilu Too. No copying or photography from this collection is
allowed without prior permission from Desilu Too. All rights to materials in the collection must be obtained in writing from
“Desilu too.” It is the responsibility of the researcher to assure that all legal qualifications have been met prior to publication.

Conditions Governing Access:

This collection is open for research.

Preferred Citation:

Identification of item, folder title, box number, Desi Arnaz Papers, Special Collections and University Archives, Library
and Information Access, San Diego State University.

Arrangement of Materials:

I. Personal Records

II. Desilu Productions

III. Desi Arnaz Productions

1. Mothers in Law

2. Correspondence

3. Episode Files

IV. Publications

Scope and Contents

The
Desi Arnaz Collection consists of Arnaz’s personal notes and materials for his autobiography, A Book, and production materials from both “Desilu
Productions” and “Desi Arnaz Productions, Inc.” (DAPI). The Desilu Production items include films and related documents from
1951 to 1962.

The bulk of the collection consists of materials from Desi Arnaz Productions Inc., from 1966 to 1974. This includes extensive
production materials for the “The Mothers-In-Law,” a television show which aired from 1967 until 1969. The files contain
items such as scripts, story notes, talent agreements, production reports and call sheets. There is also substantial correspondence
surrounding the show from its sponsor, Procter & Gamble, and the advertising agency handling the account, Dancer-Fitzgerald-Samples.

Additionally, other materials from this period include the production materials from “The Carol Channing Show,” including
a fully produced pilot that was never aired and materials relevant to a proposed series starring Desi Arnaz titled, “The Chairman
of the Board.” Materials for “The Chairman of the Board” include notes, ideas and pilot scripts.

The collection is divided in three series, each of which consists of separate materials further divided into associated files.

Series I:
Personal consists of personal materials and preparatory notes for his 1976 autobiography; VHS copies of home movies originally shot
on 16MM; photos of his some racehorses at the Del Mar racetrack; various production stills; and numerous get-well cards sent
during a period of recuperation.

Series II:
Desilu Productions consists of materials from Desilu Productions from the period of 1952 until 1961. These include copies of Desi Arnaz’s
Guestward Ho, directing contracts from 1960; 16 MM copies of some episodes of
I Love Lucy,
The Westinghouse Desilu Playhouse and
Land’s End.

Series III:
Dezi Arnaz Productions consists of materials from Desi Arnaz Productions (DAPI), formed in 1965, including production materials and both 35MM and
16MM film for
The Mothers-In-Law,
The Carol Channing Show, and
The Chairman of the Board.
The Mothers-In-Law (MIL) files and paperwork span the years 1966 – 1969 and contains files and paperwork for <span style="font-style: italic;">T</span>
he Mothers-In-Law, which aired on NBC, at 8:30 PM on Sunday evenings from September 1967 until September 1969.

The
Mothers-In-Law (MIL) materials have been divided into three separate subseries.

The first,
Production Files, contains 9 folders of materials related to the production of the show.

1. Production files (9 Folders)

A. Story ideas

B. Writer’s contracts 1

C. Writer’s contracts 2

D. Writer’s Guild of America (WGA) notifications

E. Script and shooting schedules

F. Music rights and clearances

G. Sponsor credits

H. Answer print running dates

I. Directors Guild of America (DGA) availability lists

The second subseries,
Correspondence Files, contain six folders of internal correspondence and letters sent to the production.

2. Correspondence files (4 Folders)

A. Production paperwork

B. Desi Arnaz correspondence

C. Viewer correspondence to production

D. Promotional correspondence to production

The third includes the individual show folders containing all materials relating to each of the 56 specific episodes of
The Mothers-In-Law. Each episode is divided into four folders of materials for that show, titled as follows: Scripts; Story and Writer’s files;
Cast and Credits lists; and Production files. Materials contained within each of these categories are further described below:

In addition, the collection includes 16 MM copies of the edited individual episodes. There is also a documentary on the making
of
The Mothers-In-Law, transferred from 16 MM onto VHS tape.

Series IV:
Publications consists of publications.

Detailed List of Contents

Personal

Box 1, Folder 1

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 1, Folder 2

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 1, Folder 3

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 1, Folder 4

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 1, Folder 5

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 1, Folder 6

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 1, Folder 7

Notes and drafts of Desi's autobiography1976

Scope and Contents

Typed notes with handwritten annotations, a rough draft of the book and a photocopy of the final draft.

Box 2

Jitter Rhumba, Paramount studio: musical short staring Desi Arnaz1947

Scope and Contents

tape

Box 2

Star Party1960

Scope and Contents

A two-camera, edited black-and-white film with sound, approximately 30 minutes. Visual quality and sound are fairly good.

Box 2

Las Cruces1965 - 66

Scope and Contents

2 tapes; 1 with time-code. This color film without sound has fair visual quality and color.

Box 2

Las Cruces1965 - 66

Scope and Contents

2 tapes; 1 with time-code. This color film without sound has fair visual quality and color.

Box 2

Desi Arnaz Production Incorporated fishing1965 - 66

Scope and Contents

2 tapes; 1 with time-code, 1 without time-code.

Box 2

Desi Arnaz Production Incorporated fishing1965 - 66

Scope and Contents

2 tapes; 1 with time-code, 1 without time-code.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 3

Photos and additional oversize items

Scope and Contents

Includes five Mother-In-Law production stills, and the show logo on a Masonite plaque, 3 unidentified production stills, 4
pictures taken at the Del Mar Racetrack of racehorses owned by Desi Arnaz; and two oversize get well cards.

Box 4, Folder 1

Get Well Cards1969

Scope and Contents

Contains numerous get well cards sent to Dasi Arnaz while he was recuperating at Cedars-Sinai Hospital during September 1969.

Box 4, Folder 2

Get Well Cards1969

Scope and Contents

Contains numerous get well cards sent to Dasi Arnaz while he was recuperating at Cedars-Sinai Hospital during September 1969.

Box 4, Folder 3

Get Well Cards1969

Scope and Contents

Contains numerous get well cards sent to Dasi Arnaz while he was recuperating at Cedars-Sinai Hospital during September 1969.

Desilu Productions1952-61

Box 4, Folder 4

Scope and Contents

Guestward Ho: Desi Arnaz's director contracts for show, 1960.
I Love Lucy: all 16mm film
Includes two episodes of I Love Lucy, and one episode of The Lucy-Desi Comedy Hour TV Show:
I Love Lucy, Episode 13, The Benefit, first aired January 7, 1952.
I Love Lucy, Episode 80, Ricky Minds the Baby, first aired January 18, 1954.
The Lucy Desi Comedy Hour TV Show, Episode 5, Lucy Wins a Racehorse, first aired February 3, 1958.
The Westinghouse Desilu Playhouse. all 16 mm film
Contains three episodes of The Westinghouse Desilu Playhouse:
Trail at Devil's Canyon, first aired December 9, 1958.
So Tender, So Profane, first aired October 30, 1959.
Thunder In The Night, first aired February 19, 1960.
Land's End, 16mm film (note: VHS copy in Box 2)
Contains one episode of Land's End: The Lone Survivor, and a filming of Land's End. Originals are on 16mm film, but the filming
of portion has been transferred to VHS tape, stored in Box 2.

Dezi Arnaz Productions1966-1974

Scope and Contents

Contains materials originated under the banner of Desi Arnaz Productions Incorporated from 1966 until 1974 including The Mothers-In-Law,
The Carol Channing Show, and The Chairman of the Board.

Mothers in Law

Box 5, Folder 1

Story ideas

Box 5, Folder 2

Writer's contracts

Box 5, Folder 3

Writer's contracts

Box 5, Folder 4

Writer's Guild of America (WGA) notifications

Box 5, Folder 5

Script and shooting schedules

Box 5, Folder 6

Music rights and clearances

Box 5, Folder 7

Sponsor credits

Box 5, Folder 8

Answer print running dates

Box 5, Folder 9

Directors Guild of America (DGA) availability lists

Correspondence

Box 5, Folder 10

Production paperwork

Box 5, Folder 11

Desi Arnaz correspondence

Box 5, Folder 12

Viewer correspondence to production

Box 5, Folder 13

Promotional correspondence to production

Episode Files

Scope and Contents

The arrangement of the shows is based as much as possible on the production number assigned to the individual episode.

Box 6, Folder 1

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 2

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 3

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 4

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 5

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 6

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 7

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 6, Folder 8

On Again, Off Again, LohengrinSeptember 10, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). A fight breaks out between
the Hubbards and Buells about their children's wedding plans.

Box 7, Folder 1

Everybody Goes On A HoneymoonSeptember 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.

Box 7, Folder 2

Everybody Goes On A HoneymoonSeptember 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.

Box 7, Folder 3

Everybody Goes On A HoneymoonSeptember 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.

Box 7, Folder 4

Everybody Goes On A HoneymoonSeptember 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Carl Reindel, Bart Greene. The newlywed's
honeymoon is over when the Hubbards and Buells show up at their resort hotel. Note: three 16mm copies in collection.

Box 7, Folder 5

The Newleyweds Move InOctober 8, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.

Box 7, Folder 6

The Newleyweds Move InOctober 8, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.

Box 7, Folder 7

The Newleyweds Move InOctober 8, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.

Box 7, Folder 8

The Newleyweds Move InOctober 8, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Judy Franklin, Larry Bishop. Kaye and Eve
promise not to interfere in their kids' lives when the kids move into their apartment above the Hubbard's garage.

Box 7, Folder 9

The Wig StoryMarch 3, 1968

Scope and Contents

Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.

Box 7, Folder 10

The Wig StoryMarch 3, 1968

Scope and Contents

Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.

Box 7, Folder 11

The Wig StoryMarch 3, 1968

Scope and Contents

Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.

Box 7, Folder 12

The Wig StoryMarch 3, 1968

Scope and Contents

Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.

Box 7, Folder 13

The Wig StoryMarch 3, 1968

Scope and Contents

Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.

Box 7, Folder 14

The Wig StoryMarch 3, 1968

Scope and Contents

Written by Michael Morris; Directed by Desi Arnaz; Guest stars (none listed). Kaye thinks Roger is in love with the blond
wig she borrowed from Eve and not her.

Box 8, Folder 1

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 8, Folder 2

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 8, Folder 3

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 8, Folder 4

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 8, Folder 5

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 8, Folder 6

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 8, Folder 7

All Fall DownSeptember 24, 1967

Scope and Contents

(Original title The Leg and I) Written by Hugh Wedlock & Alan Mannings; Directed by Desi Arnaz; Guest stars (none listed).
Problems arise when both Kaye and Eve break their legs skiing.

Box 9, Folder 1

Who's Afraid of Elizabeth Taylor?October 22, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.

Box 9, Folder 2

Who's Afraid of Elizabeth Taylor?October 22, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.

Box 9, Folder 3

Who's Afraid of Elizabeth Taylor?October 22, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.

Box 9, Folder 4

Who's Afraid of Elizabeth Taylor?October 22, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Kaye and Eve throw their
husbands out after they both admit they would like to have an affair with Elizabeth Taylor.

Box 9, Folder 5

A Night to ForgetOctober 1, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.

Box 9, Folder 6

A Night to ForgetOctober 1, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.

Box 9, Folder 7

A Night to ForgetOctober 1, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.

Box 9, Folder 8

A Night to ForgetOctober 1, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.

Box 9, Folder 9

A Night to ForgetOctober 1, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.

Box 9, Folder 10

A Night to ForgetOctober 1, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Maury Thompson; Guest stars Desi Arnaz, Lou Krugman. Kaye and Eve
are locked inside a store for the night.

Box 10, Folder 1

My Son, The ActorOctober 29, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.

Box 10, Folder 2

My Son, The ActorOctober 29, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.

Box 10, Folder 3

My Son, The ActorOctober 29, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.

Box 10, Folder 4

My Son, The ActorOctober 29, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). The Hubbards and the Buells
help Jerry win a part in the school play.

Box 10, Folder 5

The Great Bicycle RaceNovember 19, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.

Box 10, Folder 6

The Great Bicycle RaceNovember 19, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.

Box 10, Folder 7

The Great Bicycle RaceNovember 19, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.

Box 10, Folder 8

The Great Bicycle RaceNovember 19, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.

Box 10, Folder 9

The Great Bicycle RaceNovember 19, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
join a cycling club. Note: two 16mm copies in collection.

Box 10, Folder 10

I'd Tell You I Love You, But We're Not SpeakingFebruary 4, 1968

Scope and Contents

Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.

Box 10, Folder 11

I'd Tell You I Love You, But We're Not SpeakingFebruary 4, 1968

Scope and Contents

Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.

Box 10, Folder 12

I'd Tell You I Love You, But We're Not SpeakingFebruary 4, 1968

Scope and Contents

Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.

Box 10, Folder 13

I'd Tell You I Love You, But We're Not SpeakingFebruary 4, 1968

Scope and Contents

Written by Robert Daniel and Mark Howard; Directed by Desi Arnaz; Guest star Brooks West. The kids use a group therapy session
to get their parents to speak to each other again.

Box 11, Folder 1

How Do You Moonlight A Meatball?November 5, 1967

Scope and Contents

Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.

Box 11, Folder 2

How Do You Moonlight A Meatball?November 5, 1967

Scope and Contents

Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.

Box 11, Folder 3

How Do You Moonlight A Meatball?November 5, 1967

Scope and Contents

Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.

Box 11, Folder 4

How Do You Moonlight A Meatball?November 5, 1967

Scope and Contents

Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.

Box 11, Folder 5

How Do You Moonlight A Meatball?November 5, 1967

Scope and Contents

Written by Fred S. Fox and Seamon Jacobs; Directed by Desi Arnaz; Guest star Percy Helton. Eve helps Kaye sell her famous
spaghetti and meatballs on the college campus to help pay off Suzie's ring.

Box 11, Folder 6

I Thought He'd Never LeaveNovember 12, 1967

Scope and Contents

Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.

Box 11, Folder 7

I Thought He'd Never LeaveNovember 12, 1967

Scope and Contents

Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.

Box 11, Folder 8

I Thought He'd Never LeaveNovember 12, 1967

Scope and Contents

Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.

Box 11, Folder 9

I Thought He'd Never LeaveNovember 12, 1967

Scope and Contents

Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.

Box 11, Folder 10

I Thought He'd Never LeaveNovember 12, 1967

Scope and Contents

Written by Sydney Zelinka and Ronald Axe; Directed by Elliot Lewis; Guest star Larry Storch. A fugitive bank robber hides
out at the Hubbard's home.

Box 11, Folder 11

You Challenge Me To A What?December 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.

Box 11, Folder 12

You Challenge Me To A What?December 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.

Box 11, Folder 13

You Challenge Me To A What?December 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.

Box 11, Folder 14

You Challenge Me To A What?December 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.

Box 11, Folder 15

You Challenge Me To A What?December 17, 1967

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars (none listed). Roger and Herb have a fight,
which leads to Roger challenging Herb to a duel.

Box 12, Folder 1

Through The Lurking GlassNovember 26, 1967

Scope and Contents

Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.

Box 12, Folder 2

Through The Lurking GlassNovember 26, 1967

Scope and Contents

Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.

Box 12, Folder 3

Through The Lurking GlassNovember 26, 1967

Scope and Contents

Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.

Box 12, Folder 4

Through The Lurking GlassNovember 26, 1967

Scope and Contents

Written by Howard Ostroff; Directed by Desi Arnaz; Guest stars Jay Novello, Stafford Repp, Alan Reed Sr. When Roger is arrested,
the whole family arrives in costumes to rescue him.

Box 12, Folder 5

Divorce-Mother-In-Law StyleDecember 3, 1967

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.

Box 12, Folder 6

Divorce-Mother-In-Law StyleDecember 3, 1967

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.

Box 12, Folder 7

Divorce-Mother-In-Law StyleDecember 3, 1967

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.

Box 12, Folder 8

Divorce-Mother-In-Law StyleDecember 3, 1967

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.

Box 12, Folder 9

Divorce-Mother-In-Law StyleDecember 3, 1967

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The kids create a fake divorce
to teach their mothers a lesson.

Box 12, Folder 10

The Not Cold Enough WarDecember 10, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.

Box 12, Folder 11

The Not Cold Enough WarDecember 10, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.

Box 12, Folder 12

The Not Cold Enough WarDecember 10, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.

Box 12, Folder 13

The Not Cold Enough WarDecember 10, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.

Box 12, Folder 14

The Not Cold Enough WarDecember 10, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz; Guest stars Herb Edelman, Bob Watson. Eve gives Kaye an old refrigerator
but when it breaks down Kaye gets mad.

Box 13, Folder 1

Everybody Wants To Be A WriterDecember 31, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.

Box 13, Folder 2

Everybody Wants To Be A WriterDecember 31, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.

Box 13, Folder 3

Everybody Wants To Be A WriterDecember 31, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.

Box 13, Folder 4

Everybody Wants To Be A WriterDecember 31, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.

Box 13, Folder 5

Everybody Wants To Be A WriterDecember 31, 1967

Scope and Contents

Written by William O'Hallaren; Directed by Desi Arnaz & Elliot Lewis; Guest star Peter Whitney. Eve and Kaye try to write
a TV script but it turns our they stole it from another writer.

Box 13, Folder 6

Don't Give Up The SloopJanuary 28, 1968

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.

Box 13, Folder 7

Don't Give Up The SloopJanuary 28, 1968

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.

Box 13, Folder 8

Don't Give Up The SloopJanuary 28, 1968

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.

Box 13, Folder 9

Don't Give Up The SloopJanuary 28, 1968

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.

Box 13, Folder 10

Don't Give Up The SloopJanuary 28, 1968

Scope and Contents

Written by Bill Idelson and Harvey Miller; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and the Buells
fight over who owns the boat they won on a game show.

Box 14, Folder 1

The Hombre Who Came To DinnerJanuary 14, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.

Box 14, Folder 2

The Hombre Who Came To DinnerJanuary 14, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.

Box 14, Folder 3

The Hombre Who Came To DinnerJanuary 14, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.

Box 14, Folder 4

The Hombre Who Came To DinnerJanuary 14, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Miguel Landa.
The Hubbards get an unexpected visit from their friend Raphael Del Gado, the bullfighter, who plans to stay for a while.

Box 14, Folder 5

The Hombre Who Came To Dinner pt. 2January 21, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.

Box 14, Folder 6

The Hombre Who Came To Dinner pt. 2January 21, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.

Box 14, Folder 7

The Hombre Who Came To Dinner pt. 2January 21, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.

Box 14, Folder 8

The Hombre Who Came To Dinner pt. 2January 21, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis & Desi Arnaz; Guest stars Desi Arnaz, Desi Arnaz,
Jr. The Hubbards and Buells go to Mexico to appear on a variety show hosted by their friend, Raphael Del Gado, the bullfighter.

Box 14, Folder 9

The Kids Move OutJanuary 7, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.

Box 14, Folder 10

The Kids Move OutJanuary 7, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.

Box 14, Folder 11

The Kids Move OutJanuary 7, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.

Box 14, Folder 12

The Kids Move OutJanuary 7, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The kids decide to move
out when their mothers' interference in their lives becomes too much for them to endure anymore.

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.

Box 15, Folder 2

Bye, Bye BlackmailerFebruary 25, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.

Box 15, Folder 3

Bye, Bye BlackmailerFebruary 25, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.

Box 15, Folder 4

Bye, Bye BlackmailerFebruary 25, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). Eve uses Herb's reserve
money to pay back the loan he gave to Roger, without telling Herb he is being repaid with is own money.

Box 15, Folder 5

It's Only MoneyMarch 10, 1968

Scope and Contents

Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.

Box 15, Folder 6

It's Only MoneyMarch 10, 1968

Scope and Contents

Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.

Box 15, Folder 7

It's Only MoneyMarch 10, 1968

Scope and Contents

Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.

Box 15, Folder 8

It's Only MoneyMarch 10, 1968

Scope and Contents

Written by Sidney Zelinka; directed by Elliot Lewis; Guest stars Benny Rubin, Romo Vincent. Herb plans to get even with Roger
when he makes him pay half the bill at a restaurant despite the fact that Roger and Kaye ordered the more expensive dinners.

Box 15, Folder 9

I Haven't Got A SecretMarch 17, 1968

Scope and Contents

Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.

Box 15, Folder 10

I Haven't Got A SecretMarch 17, 1968

Scope and Contents

Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.

Box 15, Folder 11

I Haven't Got A SecretMarch 17, 1968

Scope and Contents

Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.

Box 15, Folder 12

I Haven't Got A SecretMarch 17, 1968

Scope and Contents

Written by Peggy Chandler Dick; Directed by Desi Arnaz; Guest stars (none listed). Roger tells Kaye not to tell anyone that
his scripts are being considered for a TV series, but Kaye doesn't know how to keep a secret.

Box 15, Folder 13

Jerry's Night Out With The BoysMarch 24, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.

Box 15, Folder 14

Jerry's Night Out With The BoysMarch 24, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.

Box 15, Folder 15

Jerry's Night Out With The BoysMarch 24, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.

Box 15, Folder 16

Jerry's Night Out With The BoysMarch 24, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.

Box 15, Folder 17

Jerry's Night Out With The BoysMarch 24, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz and Elliot Lewis; Guest star Jim Begg. When Jerry wants
to go play poker and Suzie won't let him, their parents start taking sides in the fight.

Box 16, Folder 1

The Long, Long WeekendMarch 31, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.

Box 16, Folder 2

The Long, Long WeekendMarch 31, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.

Box 16, Folder 3

The Long, Long WeekendMarch 31, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.

Box 16, Folder 4

The Long, Long WeekendMarch 31, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Paul Napier. The Hubbard and Buells become
trapped in their mountain cabin when a snowstorm hits.

Box 16, Folder 5

Jealousy Makes The Heart Grow FonderApril 1, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.

Box 16, Folder 6

Jealousy Makes The Heart Grow FonderApril 1, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.

Box 16, Folder 7

Jealousy Makes The Heart Grow FonderApril 1, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.

Box 16, Folder 8

Jealousy Makes The Heart Grow FonderApril 1, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest star Beverly Garland. Eve becomes jealous when
one of Herb's old girlfriends comes for a visit.

Box 16, Folder 9

How Not To Manage A Rock GroupApril 28, 1968

Scope and Contents

Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.

Box 16, Folder 10

How Not To Manage A Rock GroupApril 28, 1968

Scope and Contents

Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.

Box 16, Folder 11

How Not To Manage A Rock GroupApril 28, 1968

Scope and Contents

Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.

Box 16, Folder 12

How Not To Manage A Rock GroupApril 28, 1968

Scope and Contents

Written by Don Nelson; Directed by Desi Arnaz; Guest stars Joe Besser, John Myhers, The Seeds. The Hubbards and Buells invest
in New York rock group called The Warts.

Box 16, Folder 13

Here Comes The Bride, Again

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.

Box 16, Folder 14

Here Comes The Bride, Again

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.

Box 16, Folder 15

Here Comes The Bride, Again

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.

Box 16, Folder 16

Here Comes The Bride, Again

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars William Lanteau, Jeanette Nolan. The kids
agree to hold a second wedding ceremony for Kaye's mother visiting from Italy.

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.

Box 18, Folder 10

The Matador Makes A MovieOctober 27, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.

Box 18, Folder 11

The Matador Makes A MovieOctober 27, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.

Box 18, Folder 12

The Matador Makes A MovieOctober 27, 1968

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Desi Arnaz; Guest stars Desi Arnaz (as Raphael Del Gado) Desi Arnaz,
Jr., John Myhers, Joseph Mell. When Raphael Del Gado, the bullfighter, arrives in town to make a movie, the Hubbards and Buells
invite him to a dinner party, which soon becomes a talent show as the hosts try to get parts in his film.

Box 18, Folder 13

Nome, Schnome, I'd Rather Have It At HomeDecember 8, 1968

Scope and Contents

Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.

Box 18, Folder 14

Nome, Schnome, I'd Rather Have It At HomeDecember 8, 1968

Scope and Contents

Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.

Box 18, Folder 15

Nome, Schnome, I'd Rather Have It At HomeDecember 8, 1968

Scope and Contents

Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.

Box 18, Folder 16

Nome, Schnome, I'd Rather Have It At HomeDecember 8, 1968

Scope and Contents

Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.

Box 18, Folder 17

Nome, Schnome, I'd Rather Have It At HomeDecember 8, 1968

Scope and Contents

Written by Henry Garson; Directed by Desi Arnaz; Guest star (none listed). Jerry and Suzie announce that they are moving to
Alaska.

Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.

Box 19, Folder 7

It's A Dogs LifeNovember 10, 1968

Scope and Contents

Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.

Box 19, Folder 8

It's A Dogs LifeNovember 10, 1968

Scope and Contents

Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.

Box 19, Folder 9

It's A Dogs LifeNovember 10, 1968

Scope and Contents

Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.

Box 19, Folder 10

It's A Dogs LifeNovember 10, 1968

Scope and Contents

Written by Robert Fisher and Arthur Marx; Director by Elliot Lewis; Guest Star John Byner (as animal inspector). Kaye and
Eve both give the kids a puppy as a present. To keep the peace, Suzie and Jerry frantically juggle gifts, separately purchased
by their mothers - a basset hound and a Yorkshire terrier.

Box 19, Folder 11

Hail, Hail, The Gang's Still Here

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.

Box 19, Folder 12

Hail, Hail, The Gang's Still Here

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.

Box 19, Folder 13

Hail, Hail, The Gang's Still Here

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.

Box 19, Folder 14

Hail, Hail, The Gang's Still Here

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.

Box 19, Folder 15

Hail, Hail, The Gang's Still Here

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Shirley Mitchell, Harry Hickox. Eve and
Herb hide under the bed so they won't be bothered by Kaye and Roger.

Box 20, Folder 1

Make Room For BabyJanuary 5, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.

Box 20, Folder 2

Make Room For BabyJanuary 5, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.

Box 20, Folder 3

Make Room For BabyJanuary 5, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.

Box 20, Folder 4

Make Room For BabyJanuary 5, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars (none listed). The Hubbards and Buells
decide to add another room to the kid's apartment and to save money by doing it themselves.

Box 20, Folder 5

Haven't You Had That Baby Yet?January 12, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.

Box 20, Folder 6

Haven't You Had That Baby Yet?January 12, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.

Box 20, Folder 7

Haven't You Had That Baby Yet?January 12, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.

Box 20, Folder 8

Haven't You Had That Baby Yet?January 12, 1969

Scope and Contents

Written by Madelyn Davis and Bob Carroll, Jr.; Directed by Elliot Lewis; Guest stars Herb Voland. Vonda Barra Kaye and Eve
lose Suzie on the way to the hospital.

Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.

Box 20, Folder 14

Nanny Go HomeJanuary 26, 1969

Scope and Contents

Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.

Box 20, Folder 15

Nanny Go HomeJanuary 26, 1969

Scope and Contents

Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.

Box 20, Folder 16

Nanny Go HomeJanuary 26, 1969

Scope and Contents

Written by Elaine Di Bello Bradish; Directed by Elliot Lewis; Guest stars Jeanette Nolan, Jerry Hausner. Eve and Kaye try
to get rid of the nanny hired to watch the babies when she refuses to let them visit when they want to.

Box 21, Folder 1

Double Trouble In The NurseryFebruary 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.

Box 21, Folder 2

Double Trouble In The NurseryFebruary 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.

Box 21, Folder 3

Double Trouble In The NurseryFebruary 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.

Box 21, Folder 4

Double Trouble In The NurseryFebruary 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.

Box 21, Folder 5

Double Trouble In The NurseryFebruary 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars (none listed). Eve and Kaye volunteer to watch the babies while
Jerry and Suzie go away for the weekend.

Box 21, Folder 6

Void Where Prohibited By In-LawsFebruary 9, 1969

Scope and Contents

Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.

Box 21, Folder 7

Void Where Prohibited By In-LawsFebruary 9, 1969

Scope and Contents

Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.

Box 21, Folder 8

Void Where Prohibited By In-LawsFebruary 9, 1969

Scope and Contents

Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.

Box 21, Folder 9

Void Where Prohibited By In-LawsFebruary 9, 1969

Scope and Contents

Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.

Box 21, Folder 10

Void Where Prohibited By In-LawsFebruary 9, 1969

Scope and Contents

Written by Skip Webster; Directed by Elliot Lewis; Guest stars Benny Rubin, Flip Mark. The girls try to win a cereal contest
in order to win money to send the babies to college.

Box 21, Folder 11

Guess Who's Coming ForeverFebruary 23, 1969

Scope and Contents

Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Scooey Mitchell. Eve and Kaye rent the kids'
apartment to a black man when they move out.

Box 21, Folder 12

Guess Who's Coming ForeverFebruary 23, 1969

Scope and Contents

Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Scooey Mitchell. Eve and Kaye rent the kids'
apartment to a black man when they move out.

Box 21, Folder 13

Guess Who's Coming ForeverFebruary 23, 1969

Scope and Contents

Written by Arthur Marx and Robert Fisher; Directed by Elliot Lewis; Guest star Scooey Mitchell. Eve and Kaye rent the kids'
apartment to a black man when they move out.

Box 22, Folder 1

Every In-Law Wants To Get In On The ActMarch 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.

Box 22, Folder 2

Every In-Law Wants To Get In On The ActMarch 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.

Box 22, Folder 3

Every In-Law Wants To Get In On The ActMarch 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.

Box 22, Folder 4

Every In-Law Wants To Get In On The ActMarch 2, 1969

Scope and Contents

Written by Bruce Howard; Directed by Elliot Lewis; Guest stars Jimmy Durante, Herbie Fay, Del Moore. The Hubbards and Buells
decide to take Jerry's place performing at a nightclub when he comes down with the flu.

Box 22, Folder 5

Two On The AisleMarch 16, 1969

Scope and Contents

Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.

Box 22, Folder 6

Two On The AisleMarch 16, 1969

Scope and Contents

Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.

Box 22, Folder 7

Two On The AisleMarch 16, 1969

Scope and Contents

Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.

Box 22, Folder 8

Two On The AisleMarch 16, 1969

Scope and Contents

Written Sidney Zelinka; Directed by Elliot Lewis; Guest stars Joe Besser, Terry Carr. The Hubbards and Buells fight over who'll
use two theater tickets they got in the mail.