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Promotional Film

31 . 10 . 13

We’d like to talk about a friend of ours named Jamie. We go waaaay back with Jamie. I think it was about 8 or so years ago when I met her at Southgate Church shortly before Erin and I started dating. Erin however, goes back even further as she and Jamie went to school together. To be fair, they were 4 grades apart but still. Wow. It wasn’t too long after I met Jamie that she started up her photography business and Erin and I quickly became blog stalkers. It was incredible to follow along on her journey to success and watch her work progress so quickly. When we started filming weddings she was always extremely helpful with tips/advice and we were even fortunate enough to film her first promo. A few years later Erin and I got engaged and it was an absolute no brainer to have Jamie photograph our day. (Check out our engagement shoot and wedding on Jamie’s blog!)

Over the years we’ve been lucky enough to work with Jamie on a bunch or weddings/projects, including her 2nd promo which you can watch here. But recently we decided it was time for an update. A couple months ago we started working on Jamie’s new promo. Jamie had the idea to try a different approach to showing her personality, and we thought we might try slowing it down a bit. Jamie is super laid back and easy going and it felt right to portray that side of her this time. Let us know what you think of the result!

-Mac

TECHY STUFF
When Erin and I talked about how we wanted the visuals to look for this project, we initially thought of heavily using completely static shots. But as we talked about it, we realized that Jamie’s laid back, yet bubbly personality couldn’t be portrayed without a little movement. This brought up the idea of using handheld. We’re always very wary of using handheld in our films. The story/project really has to lend itself to handheld and we never want to use it just because it’s quick or convenient. Also since we shot on DSLRs for so long, shooting handheld was a more complicated option because of the need for a rig. But now with the C100 it wasn’t a problem. The ergonomics and weight of the camera really allow for beautiful handheld without a rig. However if we were planning on shooting anything with a 50mm or higher we would definitely need a rig, but for this project we wanted to keep things pretty intimate so we shot almost entirely on the 24mm and 35mm.