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International reviews

“...A performance that, if there is any justice, must surely go straight into the short list for a BAFTA Award, for its emotional and tonal
range and for the intensity of its conviction”

“Lindeman is a fine actress as her exemplary turn in Howards End proved”

“Lindeman’s extraordinary portrait of Vivien Leigh is a marvel of range, from soft kitten purring to
flashes of white-hot rage”

“Lindeman returns an arresting, high-impact performance”

“The casting is Michael Gambon, a standout and capped with a startling performance by Susie Lindeman. who steals the show”

“There
are two highlight television performances of the year. Emma Thompson and Susie Lindeman” (Guardian)

“Triumphant”

“ Full of passion and pain, evocative and rich”

“Exceptional, in brilliant form...charismatic”

“Lindeman
gives a dazzling performance, with all the requisite fragility, sexuality, flaring anger and abiding fragility of the real Viv”

Lindeman’s Viv is magnetic, as she ranges back and forth from hungry sex kitten to angry diva on the verge
of a nervous breakdown”

“Fascinating. Lindeman is superb as Leigh, deftly conjuring up the public image of the star in a series of feverish gestures and inflections that also manage to convey a deeper passion and frailty”

“Lindeman is a gamine
goddess, part Audrey Hepburn, part Leslie Caron, and utterly captivating”

“Complex performance...resilient frailty and sensuous vulnerability”

“Hauntingly real portrayal”.

“Elegant intensity”

“. Stunning performance,
poignant incarnation”

Susie Lindeman is a treat.... intelligent and vivacious.

“Stunning and brilliant...an actress who brings back the memory of a young Audrey Hepburn, she is divine”

“Exquisite” “Beguiling, accomplished”

“Simply
excellent, an outstanding performance”

“. A performance of subtle, convincing desperation”

“Susie Lindeman gives a wonderfully varied performance. Her slight figure lends pathos to her courage, while her mobile expressive
features show us all the suffering and tolerant affection required of a woman who is trying to rescue Kafka from his sexual trauma. She is completely convincing”

“Susie Lindeman’s Nora has a blend of innocence and manipulative skill-there are times when she seems to become, quite literally the doll of the play’s title, by turns frightened...controlled”

“Susie
Lindeman has the perfect fragility and innocence to be the delicious little child- wife, all languorous arms and busy brittle, and is also quite capable of the flashes of horrified realization of her position...the difficult transitions of Act Three well believable”

“Susie
Lindeman is perfect in this crucial role, capturing every glittering facet of an extraordinary character, and looking ideal as the charming little Nora...an electrifying performance”

“. The best performance is a stunning debut by a remarkable Susie Lindeman”

“...An enchanting performance which however in no way prepares us for the power and
intensity of the pain which drives her; white-faced, black-frocked, huge eyed, a bird-like figure tempest tossed through the play’s accelerating action. She acts like one possessed”

“Lindeman performs on a high edge of grief, like an
Ophelia whose mind has been peeled, turned inside out for the forces of nature”

“The success of the show - Lindeman’s graceful command and poise-she makes the demands of the piece appear simple”

“. played with panache by Susie Lindeman-cadences
recalling the beauty of Audrey Hepburn.”

“With spirited supporting performances by Susie Lindeman, Samuel West and James Wilby, `Howard's End' is a stewing pot of acting greatness”

“. A beautiful performance by Susie Lindeman-her
composition of emotions is strongly resonant”............