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History Of The Conquest Of Peru

by William Hickling Prescott

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Book Description
But little is told of Francisco's early years, and that little not always deserving of credit. According to some, he was deserted by both his parents, and left as a foundling at the door of one of the principal churches of the city. It is even said that he would have perished, had he not been nursed by a sow.3 This is a more discreditable fountain of supply.

Download Description
But little is told of Francisco's early years, and that little not always deserving of credit. According to some, he was deserted by both his parents, and left as a foundling at the door of one of the principal churches of the city. It is even said that he would have perished, had he not been nursed by a sow.3 This is a more discreditable fountain of supply.

Inside Flap Copy

Originally published in 1847, History of the Conquest of Peru, a companion volume to William H. Prescott's masterly History of the Conquest of Mexico, continues his vivid chronicle of Spanish exploits in the New World. The book's commanding vision of Pizarro's tumultuous overthrow of the Inca empire has secured its reputation as a classic in the literature of Latin American history.------"History of the Conquest of Peru represents an author's triumph over his materials," observed Donald G. Darnell, one of the historian's several biographers. "Prescott exploits to the fullest any opportunities for dramatic effects that history might provide him. . . . If there is one [distinguishing] feature of the Conquest of Peru . . . it is the portrayal of the Spanish character, that striking fusion of courage, cruelty, pride, and gallows humor. . . . We seem to be overhearing dialogue and observing firsthand the interaction between the Spaniards as they struggle for control of an empire. . . . Although Peru lacks a noble protagonist . . . it is still an immensely readable history. The description of the Inca civilization, particularly its wealth, the precise explanation of the cause of the conflict between the conquerors, and the depiction of the Spanish character--these together with the careful research, the sheer abundance of anecdotes, and the exploitation of primary materials all contribute to the history's continuing popularity."

About the Author

William Hickling Prescott, the renowned American historian who chronicled the rise and fall of the Spanish empire, was born in Salem, Massachusetts, on May 4, 1796. His grandfather had commanded colonial forces at the Battle of Bunker Hill during the American Revolution; his father was a highly respected judge and philanthropist. Prescott was tutored in Latin and Greek by the rector of Trinity Church in Boston and entered Harvard in 1811. In a bizarre accident, Prescott was blinded in the left eye by a crust of bread thrown in a dining-hall fracas. He abandoned plans to study law but went on to graduate in 1814 having earned membership in Phi Beta Kappa. While traveling abroad the following year Prescott temporarily lost the sight in his right eye. With his vision permanently impaired, he aspired to the life of a gentleman-scholar. Prescott launched a career as a man of letters in 1821 with an essay on Byron that appeared in the North American Review. Over the next two decades he contributed regularly to the prestigious Boston literary journal. His most important articles and reviews, including seminal pieces on the theory and practice of historical composition, were later collected in Biographical and Critical Miscellanies (1845) and Critical and Historical Essays (1850).

Under the influence of George Ticknor, a friend and mentor who taught European literature at Harvard, Prescott began learning Spanish in 1824. Engrossed by the history of Spain, he committed himself to tracing its development into a world power. Employing secretaries to read him manuscripts sent from Spanish archives, Prescott set about writing a work of sound scholarship that would also interest a general audience. A phenomenal memory allowed him to compose whole chapters in his mind during morning horseback rides. Later he recorded them on paper using a noctograph, a special stylus for the blind. More than a decade later he finished The History of the Reign of Ferdinand and Isabella the Catholic (1837), which enjoyed tremendous critical and popular success on both sides of the Atlantic.

Prescott's fame gained him entrée into Spanish intellectual circles, greatly facilitating research on his next book, History of the Conquest of Mexico (1843), a sweeping account of Cortés's subjugation of the Aztec people. 'Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece,' judged his biographer Harry Thurston Peck. 'More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature.' Pulitzer Prize-winning historian Daniel J. Boorstin agreed: 'The enduring interest in Prescott's Conquest of Mexico comes less from his engaging survey of Aztec civilization than from his genius for the epic. . . . Though Prescott has been called the nation's first 'scientific historian' for his use of manuscript sources, he would live on as a creator of literature.'

Prescott devoted his final years to chronicling the decline of the Spanish empire. He published The Life of Charles the Fifth after His Abdication (1856), a continuation of William Robertson's The History of the Reign of the Emperor Charles the Fifth (1769), but only managed to finish the first three volumes of The History of the Reign of Philip the Second (1855-58). William H. Prescott died of a stroke at his home in Boston on January 29, 1859. In assessing his achievements, Daniel J. Boorstin wrote: 'One of Prescott's greatest feats as a 'scientific' historian was to depict the scenes of his drama so vividly without ever having been there--for he never visited Spain, Mexico, or Peru. . . . Prescott created from the rawest of raw material, laboring under physical handicaps and displaying a single-minded courage with few precedents in the annals of literature. . . . He had to discover the landscape, conceive new heroes, and mark their own paths through time. The story of how he made his histories was itself a kind of epic.'

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