This is a fact: Ryan Summers walked into Three Rivers College and killed thirteen women, then himself.

But no one can say why.

The question is one that cries out to be answered – by Ryan’s mother, Moira; by Ishbel, the mother of Abigail, the first victim; and by DI Helen Birch, put in charge of the case on her first day at her new job. But as the tabloids and the media swarm, as the families’ secrets come out, as the world searches for someone to blame… the truth seems to vanish.

A stunningly moving novel from an exciting new voice in crime, ALL THE HIDDEN TRUTHS will cause you to question your assumptions about the people you love, and reconsider how the world reacts to tragedy.

All the Hidden Truths by Claire Askew is a debut crime novel about a horrific college shooting in Edinburgh. Thirteen women are killed, and the gunman — Ryan — commits suicide before the cops can arrest him.

The shooting shatters the local community, but it also ruins many families — the families of the victims, mostly. But also Ryan’s mum. She was his only family, and after Ryan’s death, Moira is demonised by society for what her son has done. She is threatened, abused and tormented.

Novels that are centred around public shootings are always tough to read, because they feel so real. Shootings happen so often, particularly in the US, and Claire Askew focuses on the aftermath and what a shooting does to the people left behind.

Claire builds suspense and tension and she causes the reader to question many things — are the parents responsible when their child murders another? Can they really say they didn’t know what their child was capable of? And if the child uses their parent’s weapon, is the parent at fault as well?

All the Hidden Truths forces the reader to really second guess their moral compass and rethink where the blame lies in a situation like this.

“She couldn’t quite believe that there were people out there who might want to kill her…but then, she could also believe it just fine She tried to imagine what she’d have felt if the roles were reversed — if someone had walked into Three Rivers College that say, and killed Ryan.”

The most heart-wrenching account is that of Ishbel, the mother of Abigail, the first victim of the shooting. Ishbel is an incredibly relatable character, and I imagine a lot of mothers would read this and see themselves in her. She cared about her daughter, who at times was reckless and rude and stubborn, and she struggles to move forward after Abigail’s death. Isabel’s chapters are very haunting for the reader.

“Ishbel wasn’t sure how she’d got there herself. She had no memory of the short drive over, though she knew she had done it: right now she was leaning against the back corner of the car to cover up the shaking in her legs. This was the first time she’d changed her clothes in two days, and she’d taken them from the drawer and put them on without really looking at them.”

I felt that a key element missing from the novel was any sense of who Ryan really was. I expected the reader to — through the lens of the other characters — find out more about him and what events really drove him to do what he did. At the very least, I wanted to understand him as a person a little better. But, we’re offered very little. Not even that much about his personality or his manner or his personal life.

Even his mother’s POV chapters don’t provide any insight, and as a result Ryan seems like a cardboard cut-out character, the stereotypical college shooter. The blurb implies that you’ll find out why Ryan shot all those women, but I don’t think you do. And it’s a bit of a letdown.

“They cut to a picture of Ryan’s face. His last school photo, a few years old now: Ryan in his navy school sweater, the stiff white collar of his shirt sitting wonky in its pilled V-neck. He was smiling, but he didn’t look happy — a handful of years back he’d decided he hated having his photograph taken.”

This is a character driven story, not the plot driven narrative you think you’re going to get. All the Hidden Truths explores family, love and the trauma and heartache of lives interrupted.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

All the Hidden Truths
Claire Askew
August 2018
Hachette Book Publishers

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When socialite Lexi Volkov almost overdoses, she thinks she’s hit rock bottom. She’s wrong. Because rock bottom is when she’s forced into an exclusive rehab facility.

From there, the only way is up for Lexi and her fellow inmates, including the mysterious Brady. As she faces her demons, Lexi realises love is the most powerful drug of all …

It’s a dirty business getting clean.

Clean by Juno Dawson is a young adult novel set inside an expensive rehab facility on a secluded island.

Clean is a really honest representation of recovering from addiction. There are setbacks. There are complications. There are relapses. Recovery is not a linear process.

I think it’s really important for teenagers to read about addiction and how it can affect your life, but I also think it’s really important for them to see what recovery looks like. It isn’t pretty.

“I check the other messages. Mummy asks how I am and is then sniffy when I haven’t replied. I do so now and tell her my phone was stolen by Muslim immigrants outside Clapham Junction. This plays gloriously into about nine of her prejudices.”

Lexi Volkov is a pretty horrible person — self-centred, cynical, judgemental, rude and incredibly privileged. She does grow over the course of the novel, but she is still incredibly flawed by the conclusion of the book.

She’s from a wealthy family and is adored and can get away with pretty much anything. Her brother Nikolai is the only person who wants her to take responsibility for her actions. She enters the exclusive rehab centre Clarity with a heroin addiction and meets other addicts who are all filthy rich and in need of recovery.

“I grab a rock and hurl it at the sliding doors. It pings off without even making a scratch. I try again, pelting stone after stone at the window. How sodding thick is the glass? By the time the nurses come running in, I’ve crumpled to the floor, my energy sapped. As they try to restrain me, I start to lash out with the now empty bowl.”

Juno Dawson tackles addiction with brutal honesty. There are many unpleasant moments in the novel. Each character in rehab is struggling with some sort of addiction, and their road to recovery is not going to be easy.

But at the same time, the book has heart. There are moments of humour and self-realisation. This book is as addictive as the drugs in the story, and I devoured the novel. I found myself really invested in the storylines and the character journeys. I wanted to know how each character was going to progress through the novel.

“I bristle at the quasi-religious flavour of that word. You don’t face temptation, you face life. Life is full of nice things that are bad for us. Temptation is just a fancy word for wanting them. It’s the same as ‘demons’. The first time someone says I have ‘demons’ I’m out of here. I don’t need an exorcist. I need a drink.”

The writing is incredibly compelling, enticing the reader with flawless dialogue, prose and pacing. The chapters are short and the cast intriguing. I wanted to know more about all of these characters, and they have been brought to life so vividly.

Juno has captured their voices so well — they’re all incredibly unique, and therefore you sympathise and empathise with them and you keep reading because you want to find out what happens.

I appreciate that Juno doesn’t romanticise illness or addiction. It’s important for these characters to recover, and not just mask their problems with a relationship. It’s rare to see that in young adult fiction, and it’s one of the things I loved about this novel.

Clean is described as Gossip Girl meets Girl, Interrupted and will appeal to fiction lovers and readers of contemporary young adult fiction. It’s hard-hitting, unapologetic, bold, ugly and compulsive.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

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1940. Parisian seamstress Estella Bissette is forced to flee France as the Germans advance. She is bound for Manhattan with a few francs, one suitcase, her sewing machine and a dream: to have her own atelier.

2015. Australian curator Fabienne Bissette journeys to the annual Met Gala for an exhibition of her beloved grandmother’s work – one of the world’s leading designers of ready-to-wear clothing. But as Fabienne learns more about her grandmother’s past, she uncovers a story of tragedy, heartbreak and secrets – and the sacrifices made for love.

Crossing generations, society’s boundaries and international turmoil, The Paris Seamstress is the beguiling, transporting story of the special relationship between a grandmother and her granddaughter as they attempt to heal the heartache of the past.

The Paris Seamstress by Natasha Lester is a novel about two women — separated by a generation — and how their lives and their creative passions intertwine. A thrilling mystery envelopes this sweeping saga, taking the reader on a journey through multiple countries and generations.

Natasha Lester is a bestselling Australian historical fiction writer, and I’ve been a huge fan of her work ever since I read Her Mother’s Secret last year. She weaves these wonderful stories together, featuring brave women at key historical moments. Her books are full of warmth, heart and emotion. You find yourself completely absorbed in the story and the characters, rooting for these women as they chase their dreams and overcome hurdles in order to achieve what they’ve set out to do.

The Paris Seamstress is no different.

Estella and her granddaughter Fabienne are both heavily invested in the fashion world. Estella is a well-known fashion designer and her granddaughter Fabienne has the opportunity to take over her grandmother’s line. Both women have to overcome hardships and judgement in order to succeed, particularly Estella because she was trying to forge a career in the male-dominated world of 1940s New York fashion.

“The woman stalked off and Estella couldn’t help feeling as if she’d just made a huge mistake. That, once again, she should have buttoned her mouth one sentence earlier. She reached for another drink — gin this time — and Janie spun back out onto the dance floor.”

After Estella escapes France, she arrives in New York where she only knows one person — Sam. She met Sam on the boat to America, and he has experience as a fashion cutter. Sam helps Estella find her feet in New York, and the two end up working together for many years building Estella’s ready-to-wear line. It isn’t until Estella meets Lena, her doppelgänger, that her story really begins.

The Paris Seamstress is written with eloquent, flowing prose and rich description — the imagery in the book is unique and beautiful.

The reader connects with the characters in The Paris Seamstress because of how relatable they are — they are confident and determined, but they also don’t give up when things don’t go well for them. Estella has a dark past that she knows nothing about, and as she starts to unravel the mystery of her heritage, it threatens to ruin everything that she’s built so far. And yet, she pushes on, more determined than ever.

“Spirit. It had forsaken her. All Estella could think right now was that this was her one and only chance and everything rested on it. If the showing was a failure, then Janie would marry Nate and move out of the city. Sam would never have the job he wanted and would be so disappointed in her he would take his friendship elsewhere, to someone more deserving.”

Adults will love this even if they’re not regular readers of historical fiction. The majority of the story may take place in the 1940s, but at its core, this is about two women who are following their dreams and who are just trying to make their way in the world.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

The Paris Seamstress
Natasha Lester
April 2018
Hachette Book Publishers

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Mackenzie da Luca’s mother is missing – she’s vanished without a trace in the jungles of Panama. Now, 116 days later Mackenzie and her dad are in those same jungles. Her dad is desperate to find out what’s happened to his wife. And Mackenzie is desperate to make sure he doesn’t …

Missing by Sue Whiting is a debut children’s novel about a young girl’s search for her missing mother. It explores family, friendship and love. The book also shows readers what it’s like when a family is searching for answers — when people are struggling to cope with the unknown and they feel forced to take matters into their own hands.

“My face is burning up. Memories are too hard. I try to shove it out of my head — it’s safe that way — but it won’t budge and I’m already back at the gallery and thinking about how we strolled around and my scientific mother tried her best to look intrigued.”

This is an incredibly emotional debut. It’s told from the perspective of Mackenzie after her mother has been missing for a number of weeks. Her and her father venture to Panama after local authorities fail to locate Mackenzie’s mother.

This is a confronting read. Over the course of the novel, we are thrust back into the past so we can come to understand how strong Mackenzie’s connection was with her mother, and just how special she was in their lives. The disappearance of Mackenzie’s mother has a monumental effect on her life, and it’s pretty heartbreaking to read this.

Missing is warm and touching, but it’s also heartbreaking. You follow Mackenzie and her father as they try to find this missing piece of them, and a sense of dread forms in the pit of your stomach. Deep down, you know what’s going to happen at the end of the novel.

Mackenzie’s father is broken, and I liked how Sue portrayed his mental health. He’s depressed and has been struggling ever since his wife went missing, and he doesn’t shy away from that around Mackenzie. Yes, at some points he tries to hide how he’s really feeling, but he is a really emotional character and Mackenzie can see how much he’s hurting. Their relationship is quite complicated and fraught at times, but given the situation they’re in, I think Sue illustrated this really effectively.

“Dad’s the same, because as the day wears on and the breeze gets stronger and the clouds hang lower and lower, threatening to pour, he becomes edgier and edgier. Why is he torturing himself like this? It’s hard to watch.”

The storyline is quite confronting for children to read, but the writing is strong and rich with emotion. The dialogue is believable and the characters relatable. I loved the connection that Mackenzie shared with her grandmother — she relies on her grandmother a lot since her mother went missing and it is sweet to see the bond they share.

I think you have to stretch your imagination with the storyline though. Mackenzie’s father pulls her out of school to go to Panama so they can both search for her mother? And they leave Mackenzie’s grandmother at home worried? It would’ve been more realistic if her father left her behind with the grandmother while he went searching for the mother, but then that would mean there wouldn’t be a story to tell. Still, I found the plot to be a bit unbelievable.

I recommend this to young teens, and children who are in the upper end of primary school. It’s middle grade novel, so primarily it’s aimed at children 10-14. I think adult readers might be intrigued by the mystery of Mackenzie’s mother, but I don’t think that Missing will necessarily appeal to adult readers. The protagonist reads quite young, and this book is cemented in the children’s literature space.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.