A young songwriter with an old soul can be a powerful thing. Since his debut album “Palisade,” one such songwriter, Parker Millsap, has drawn inspiration from his years growing up in Purcell, Oklahoma.

Throughout his youth, Millsap attended Pentecostal church services with his family. This inundation of charismatic, old-time religion has helped him shape his sound both musically and lyrically, with impressive results. While typically lumped into the broad genre of Americana, Millsap’s hybrid of blues, rock, folk and country has allowed him to find success across the charts.

Millsap spent 2016 promoting his critically acclaimed album “The Very Last Day” on both stage and television. While his audience has lovingly embraced these songs, everyone from Elton John to Conan O’Brien has also lauded his new material.

Though still in his early 20s, Millsap’s “The Very Last Day” portrays a seasoned artist with a trademark style and great vocals that give listeners a taste of everything he has to offer. “The Very Last Day” mixes acoustic rockabilly, ballads forged in alt. country and classic folk, and even an old-school blues number with early 20th century influences.

About The Author

With the exception of two years spent at Auburn University, Steve Centanni has spent his life in Mobile County while focusing on his two passions: music and the written word. As soon as he was issued his driver’s license, Centanni began to explore the local music scene in the early ‘90s.
He filled his weekend with visits classic local venues such as the Four Strong Winds Coffee House, Vincent Van Go-Go’s and Culture Shock, all of which welcomed those who had yet to reach 18. After high school, Centanni traded Mobile for Auburn to complete his B.A. in English with an emphasis on general writing.
While at Auburn, he had the honor of studying under the Pulitzer-winning poet Natasha Trethewey, who served as the nation’s Poet Laureate in 2012 and 2014. After receiving his diploma, Centanni quickly moved back to Mobile and completed the University of South Alabama’s graduate program with a M.Ed. Eventually, he was tapped by the nationally distributed Volume Entertainment Magazine to serve as the magazine’s managing editor/senior writer.
His time with Volume allowed him to exercise his love for both music and writing. As Volume began to fade, Lagniappe recruited Centanni as their Music Writer and later their Music Editor, where he has remained for a little over a decade.
As far as his involvement in the local music scene, Centanni organized Cess Fest at the Langan Park, which was a mini-festival focused on original local music in a time when original local music was veritably taboo in Downtown Mobile. For a short time, he brought original music to Downtown Mobile as the in-house promoter for the now deceased venue Cell Block. He managed local underground powerhouse Fry Cook, until the members parted ways. Centanni has lent his bass to bands such as Keychain Pistol and The F’n A-Holes, and he toured nationally as a member of Abstract Artimus & the Torture Children.
Currently, he provides vocals for the garage blues rock outfit Johnny No. Ultimately, Centanni’s experience in the local music scene as both a participant and an observer has allowed him to witness the ever-changing persona of Mobile’s enigmatic music scene, which continues to leave him with more questions than answers.