Sight & Sound’s List of the Best Films of 2018

Venerable Sight & Sound magazine polled 164 international critics and curators, and these are the first half of their 40 Best Films of 2018. The second batch will be published in the next edition of the magazine. For more details, review quote, trailers, and other links, visit the S&S site. (While you’re there, see if you can find the elusive list of the 164 people they polled.)

(Thanks to Bryce Forestieri for the heads up)

1. Roma
Alfonso Cuarón, Mexico/USA (38 votes)

Cuáron’s magnificently crafted memoir casts us back to a 1970s childhood in the throes of family break-up, ruptures on the streets of Mexico City – and a Mixtec housekeeper, played by nonprofessional actor Yalitza Aparicio, given the weight of the drama.

Godard’s multifaceted essay film revels in the mobility and mutability of imagery in the 21st century, uncovering the violence of representation but always searching for hope in a cacaphonous world.

12. If Beale Street Could Talk
Barry Jenkins, USA (12 votes)

Barry Jenkins’s rhapsodic adaptation of James Baldwin’s Harlem passion story, with KiKi Layne and Stephan James as the lovers sundered by a trumped-up police charge, finds reasons to swoon in the darkness.

13. BlacKkKlansman
Spike Lee, USA (11 votes)

Spike Lee’s sweeping parable recounts the true story of a black police officer who went undercover in the KKK.

=14. The Other Side of the Wind
Orson Welles, France/Iran (10 votes)

Welles’s legendary unfinished testament film about Hollywood finally made it to the screen after 48 years, thanks to the offices of an expert team working with admirable fidelity to his vision.

=14. Shirkers
Sandi Tan, USA (10 votes)

As a teenage punk, Sandi Tan dreamed of making a movie, and a charismatic older man promised to help – until he vanished with the finished reels. In this documentary, she tells the tale of her lost and found film.

=14. Shoplifters
Koreeda Hirokazu, Japan (10 votes)

Koreeda Hirokazu won the Palme d’Or at Cannes with this nuanced and immersive drama about a makeshift family group.

17. Sorry to Bother You
Boots Riley, USA (9 votes)

The grasping racial politics of late-stage capitalism come under fire in Boots Riley’s wildly inventive comedy, starring Lakeith Stanfield as an office worker who gets too close to the truth.

Teaming up with street artist JR, legendary director Agnès Varda goes in search of friends new and old in this intuitive caper, which veers between moments of collective joy and great personal poignancy.

=18. The Rider
Chloe Zhao, USA (8 votes)

Director Chloé Zhao walks a fine line between fact and fiction in this nuanced study of a young rodeo star recovering from a brain injury.

=18. Western
Valeska Grisebach, Germany/Bulgaria/Austria (8 votes)

Valeska Grisebach’s tense drama summons the essence of a classic Hollywood genre to tell a mournful tale of fractured Europe and wounded masculinity.