Del Shannon

One of the best and most original rockers of the early '60s, Del Shannon
was also one of the least typical. Although classified at times as a teen idol, he favored
brooding themes of abandonment, loss, and rejection. In some respects he looked forward to
the British Invasion with his frequent use of minor chords and his ability to write most
of his own material.
Boyhood Coopersville house

Charles
Westover in (nee Del Shannon) was born in Grand Rapids, Michigan on December 30,
1934. The son of Bert and Leone. Westover grew up in nearby Coopersville, a small farming
town where he married his childhood sweetheart when he was seventeen. Shannon was
fourteen when he learned to play the guitar and began performing in local school shows.
After graduating from high school, he took his stage name from a friend (Mark Shannon) and
his bosses car (a Cadillac Coupe DeVille) Shannon happened upon a gripping series
of minor chords while playing with his band in Battle Creek, MI. The chords would form the
basis for his 1961 debut single, "Runaway," one of the greatest hits of the
early '60s.

Westover was drafted into the U.S. Army in 1956. Stationed in Stuttgart,
Germany, he polished his guitar playing skills in the 7th Army's Get Up And Go
program. Discharged in 1958, Westover returned to Michigan with wife Shirley where they
settled in Battle Creek, Michigan.

After his discharge, he put together the Midnight Ramblers and started
playing clubs between Grand Rapids and Detroit. He sold carpet during the day while the
Midnight Ramblers became the house band at the Hi-Lo Club. The act was a mixture of
influences that varied from rock and roll to Hank Williams to the Ink Spots. Shannon made
two important changes. He assumed the stage name Del Shannon and added keyboard player Max
Crook.

It was Crook that introduced Shannon to Ollie McLaughlin, a black deejay
from Ann Arbor, who began to champion the band. McLaughlin made a few demo tapes and
brought them to Irving Micahnik and Harry Balk of Embee Records. In October,1960 they
signed them to Detroit's Big Top Records. He was then sent to New York to Bell Recording
Studio. The results were four unsatisfactory songs. Shannon returned to Battle Creek and
the Hi-Lo with instructions from Balk to write better songs..

Platinum Record earned for Runaway

Max Crook

Photo courtesy of the Coopersville Historical
Society

One night four months later, Crook was playing the same two chords A-minor
and C Major, A-minor and G-Major, over and over. Shannon and the rest of the band joined
in. For fifteen minutes they played the hypnotic tune. Shannon began adding lyrics
"As I Walk Along, I Wonder What Went Wrong..." The next day they completed the
song, and Balk and Micahnik accompanied Shannon to New York This trip Shannon recorded
"Runaway'"with its galloping beat, Max Crook's proto- synthesizer Musitron solo,
and Shannon's nearly hiccuping falsetto. "Runaway" went all the way to number
one in 1961. Shannon followed it up with the similar "Hats Off To Larry" (#5), "So
Long Baby" (#28), and "Hey! Little Girl" (#38) in 1961 and "Little
Town Flirt" in 1962. Shannon's hit streak suffered somewhat in early '62 with two big
flops, "Ginny In The Mirror" and "Cry Myself To Sleep," although the
latter proved to be the chief inspiration for Elton John's "Crocodile Rock." His
managers concerned, Shannon was flown to Nashville to develop a new sound. Shannon was
given Roger Miller's "The Swiss Maid" to record.

These songs were even more successful in England, where Shannon was huge. On one of his
European tours in 1963, he played some shows with the Beatles, who had just scored their
first big British hits. Shannon, impressed by what he heard, would become the first
American artist to cover a Beatles song when he recorded "From Me to You" for a
1963 single (although it would give him only a very small hit). Shannon's melodic style
had some similarities with the burgeoning pop/rock wing of the British
Invasion, and in 1965 Peter & Gordon would cover a Shannon composition, "I Go to
Pieces," for a Top Ten hit.

In 1963 Shannon had legal problems with Balk and Micahnik, which went on for the next ten
years. Shannon then formed Berlee Records and had a minor hit with "Sue's Gotta Be
Mine" in late 1963. Switching to Amy Records, Shannon had a Top 25 hit
with "Handy Man" and got into the Top Ten with a late-1964 single, "Keep
Searchin'," that was one of his best and hardest-rocking outings. But after the
similar "Stranger in Town" (#30, 1965), he wouldn't enter the Top 40 again for
nearly a couple of decades. By 1966 Shannon had moved to Los Angeles and switched to
a bigger label (Liberty), where producer Snuff Garrett and arranger Leon Russell attempted
to mold him into a teen idol. It didn't bring the expected commercial results, although he
was continuing to release quality singles. Part of the problem was that some of these were
a bit too eager to recycle some of his stock minor-keyed riffs, as good as his prototype
was. Shannon was asked to record "Action" the theme for the television show
"Where the Action Is," which he turned down and became a top twenty hit for Freddy Cannon.

A brief association with producer Andrew Loog Oldham (also
manager/producer of the Rolling Stones) found him continuing to evolve, developing a more
baroque, orchestrated pop/rock sound, and employing British session musicians such as
Nicky Hopkins. Much to Shannon's frustration, Liberty decided not to release the album
that resulted from the collaboration (some of the material appeared on singles, and much
of the rest of the sessions would eventually be issued for the collector market).

By the late '60s, Shannon was devoting much of his energy to producing other artists, most
notably Smith and Brian Hyland ("Gypsy Woman"). Shannon was a perennially
popular artist on the oldies circuit (particularly in Europe, where he had an especially
devoted audience), and was always up for a comeback attempt on record. Sessions with Jeff
Lynne and Dave Edmunds in the '70s didn't amount to much, but an early '80s album produced
by Tom Petty (and featuring members of the Heartbreakers as backing musicians) got him
into the Top 40 again with a cover of "Sea of Love." However, Shannon was unable
to sustain a career outside the oldies revival circuit.

Through the remainder of the decade Shannon continued to perform, although
he was financially secure. He was working on another comeback album (later released after
his death as Rock On) with Jeff Lynne, and sometimes rumored as a replacement for
Roy Orbison in the Traveling Wilburys.

On February 3, 1990, Shannon performed at the annual Buddy Holly concert
in Clear Lake, Iowa. Five days later, back home in Santa Clarita Valley, California,
unexpectedly killed himself while on anti-depressant drugs. At that time he was married to
his second wife, Beverly LeAnne Gutierrz and had three grown children from his first
marriage to, Shirley.

Shannon's wife filed suit a year late against the makers of the drug
Prozac claiming that its use contributed to Shannon's death.