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It's the perfect time of year for gingerbread cookies, but what do you do with all that excess ginger? Well, maybe put it in a horse's butt? No, no, don't do that. But some people do. All that and more on this week's history of ginger. Show notes

For over fifty years, Fred Willard played ignorant, self-absorbed buffoons that are impossible not to laugh at. He's a master improviser and comedian who started with his comedy duo, Greco and Willard, and moved on to work with the Second City and improv groups The Committee and the Ace Trucking Company. Today, he's probably best known and loved as one of Christopher Guest's troupe in films like Waiting For Guffman and Best In Show.

Willard tells us about drag-performances in his military school, the real life inspiration for his improvised comedy, and being the exact opposite of the happy-go-lucky optimists he plays on screen. (This segment originally aired in August 2013)

Singer-songwriter Eleni Mandell had one of those experiences as a kid that was a hallmark of experiencing music before the internet. She heard a song she liked, went out to the record store, and picked an album by the same artist. The problem? It sounded totally uncool, and not at all like the song she'd heard. It did, however, open her up to a whole new way of listening to music.
Eleni talks to us about the song that changed her life, Tom Waits' "Tom Traubert's Blues." Eleni grew up in Los Angeles loving both punk rockers X and folk rocker Bob Dylan, and her own music mixes airy vocals with 60s pop, country, and folk sounds. Her newest album is "Let's Fly a Kite" is available now.
(This segment originally aired in September 2012)

Beyond interesting conversations with people in culture, we like to tell you about interesting cultural stuff. There's so much stuff out there, you don't have time to listen to everything. That's why we've brought in Todd Martens, who writes about music for the LA Times, to tell you about two albums you can dive into without hesitation.

You may not know it, but when you talk on your cell phone, you're using technology that was first developed for the vocoder. Bell Labs invented the vocoder to make long distance calls cheaper. But it had another application in World War II, when we used it to encode Allied messages.

The vocoder was in large part an analog machine, but it was also one of the first digitizations of speech. It broke down speech into its constituent parts, its separate frequencies, to create the codes. The technology that was in that huge code-making vocoder in 1944, twenty or twenty five years later, became a musical instrument.

Dave Tompkins is the author of How to Wreck a Nice Beach -- which is the way you might hear the phrase “How To Recognize Speech” if it were rendered through a vocoder. The book describes how the vocoder was created to guard phones from codebreakers during World War II, and soon became a voice-altering tool for musicians. Tompkins talks about how the vocoder changed music, the technology behind it, and some examples of music using a vocoder.
(This segment originally aired on The Sound of Young America in October 2010)

Elliott Gould may not seem like the hard-boiled noir type, but in 1973, under the direction of Robert Altman, he had that perfect combination of intellect and self-satisfied cool. With Gould playing Raymond Chandler's most famous character, Philip Marlowe, The Long Goodbye explores the powerful narcissism that governed the streets of 1970s Los Angeles.
(This segment originally aired in July 2013)

W. Kamau Bell wants to talk to you about race. And about urban inequality, and politics, and Spider Man too. He came to his own brand of sociopolitical comedy after working as a comic for years, eventually shaping his work into a one-man show in which he promised to "end racism in about an hour."

A lucky break with an audience member at one of those shows – Chris Rock, to be precise – landed Bell his own TV talk show, called Totally Biased. He joins us to talk about transitioning into the talk show world, the sweet spot of gentrification, and remaining true to his own comedic voice.

Singer-songwriter Eleni Mandell had one of those experiences as a kid that was a hallmark of experiencing music before the internet. She heard a song she liked, went out to the record store, and picked an album by the same artist. The problem? It sounded totally uncool, and not at all like the song she'd heard. It did, however, open her up to a whole new way of listening to music.

Eleni talks to us about the song that changed her life, Tom Waits' "Tom Traubert's Blues." Eleni grew up in Los Angeles loving both punk rockers X and folk rocker Bob Dylan, and her own music mixes airy vocals with 60s pop, country, and folk sounds.

Mike Birbiglia knows his own story pretty well by now. After struggling as a stand up, he started working some personal details from his life into his comedy. Some of it was pretty standard, like wrapping his head around the idea of getting married to his longtime girlfriend. And some of it was less familiar stuff, like running out of a window while sleepwalking.

Birbiglia went on transform these thoughts into a one-man show, a book, and finally, a movie. And although talking about the subject matter was second nature, directing a movie about it was not. He joins us to discuss being a first-time director, the difficulty of delivering stand up in a casual, easy way, and why he considered long-lasting marriage to be a totally foreign concept.

W. Kamau Bell wants to talk to you about race. And about urban inequality, and politics, and Spider Man too. He came to his own brand of sociopolitical comedy after working as a comic for years, eventually shaping his work into a one-man show in which he promised to "end racism in about an hour."
A lucky break with an audience member at one of those shows – Chris Rock, to be precise – landed Bell his own TV talk show, called Totally Biased. He joins us to talk about transitioning into the talk show world, the sweet spot of gentrication, and remaining true to his own comedic voice.
Totally Biased airs Thursday nights at 11pm on FX.

Singer-songwriter Eleni Mandell had one of those experiences as a kid that was a hallmark of experiencing music before the internet. She heard a song she liked, went out to the record store, and picked an album by the same artist. The problem? It sounded totally uncool, and not at all like the song she'd heard. It did, however, open her up to a whole new way of listening to music.
Eleni talks to us about the song that changed her life, Tom Waits' "Tom Traubert's Blues." Eleni grew up in Los Angeles loving both punk rockers X and folk rocker Bob Dylan, and her own music mixes airy vocals with 60s pop, country, and folk sounds.

Mike Birbiglia knows his own story pretty well by now. After struggling as a stand up, he started working some personal details from his life into his comedy. Some of it was pretty standard, like wrapping his head around the idea of getting married to his longtime girlfriend. And some of it was less familiar stuff, like running out of a window while sleepwalking.

Birbiglia went on to transform these thoughts into a one-man show, a book, and now, a movie. And although talking about the subject matter was second nature, directing a movie about it was not. He joins us to discuss being a first-time director, the difficulty of delivering stand up in a casual, easy way, and why he considered long-lasting marriage to be a totally foreign concept.