"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted in New...

"Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted in New...

This Honor Quilt was made by Helen Barnthouse, a dear, quiet little lady who moved to the small hamlet of Elkton, Oregon when her husband retired some fifteen year [sic] ago. They came from the San Diego, California area and have a small farm on...

"Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed shop...

"Henderson is rarely accorded much status in accounts of postwar art but he was a formative influence on members of London's Independent Group, especially [Eduardo] Paolozzi and [Richard] Hamilton. In the late 1940s and 1950s he photographed shop...

Joan Leslie adjusting Norris Mode's bow tie. Leslie served as the University of Louisville basketball team's "official hostess" during their stay in Los Angeles; Mode was there as a photographer. The Louisville Cardinals played a series of games in...

The Honor Quilt was made by Edith C. Wendt, a resident of Lynnfield since 1955 and a member of the Lynnfield Housing Authority since its inception, whose privilege it was to have personally known Miss Katherine Wellman Ross, Scholar - Educator -...