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A recent graduate of the Shenkar College of Design, emerging Israeli fashion designer Noa Raviv has already made waves with the debut of her fashion collection “Hard Copy” — a project that brings cutting-edge architectural and sculptural techniques to haute couture. Raviv worked with 3D printing company Stratasys to develop digital models that would serve as the inspiration for her work. She purposely chose the defective 3D models her software generated — ones that would be too structurally unsound to actually 3D print — to inspire her clothing patterns. The artist says she was interested in the idea of turning something that only exists in the digital realm into a physical object, surpassing the limitations of the 3D printer with the human hand. Dominated by grids that encase organic patterns, the collection articulates humanity’s precarious position between nature and technology.

Opening on May 2, “Degeneration/Regeneration” features the paintings of Scott Greenwalt and the 3D-printed sculptures of the collaborative team of Smith|Allen (Stephanie Smith and Bryan Allen) at Oakland’s Loakal Art Gallery. It shows how artists mediate nature through art. It’s not a new concept, not by a long shot. But it’s a fertile and relevant one. On one level, the show serves as an environmental call to arms. Any recent image of industrial Chinese cities affirms the show’s significance. On another level, it shows the way that urban folk experience digital representations of the natural world. This digitization can take place with photos and videos posted on social media. Google Earth allows viewers can visit scenes of natural or otherwise exotic climes. Finally, video games often occur in hyper accurate landscapes.