the consequence of infinite endingswie das ist mit dem Erhabenen, David Weber-Krebs erklärt in Frankfurter Allgemeine Zeitung (19.03.2005)
“What is actually a lecture performance? This hybrid of theoretical discourse and practical presentation occurs more and more on stages or on places for the arts. With “the consequence of infinite endings” David Weber-Krebs shows us how an evening like that is, when it’s good (…) Is the place of the sublime in the arts? In nature? Or in the perceiver who always stays behind? (…) David Weber-Krebs follows his question with esprit and preciseness.”

this performancerisk realized by Virginia Baxter in realtimearts.net (march 2006) linkmore than it says it is by Ruth Holdsworth in realtimearts.net (march 2006) linkbeyond waiting by Winnie Love in realtimearts.net (march 2006) linkthe expectant void by Osunwunmi in realtimearts.net (march 2006) linktwo young theatre directors enchant during Plateaux in Festival in Frankfurter Rundschau (23.10.2004) download pdfringkampf mit dem Leben by Lutz Steinbrück in Wortgestöber (d) (01.12.2005) download pdfyoung artists look for a cross-European approach by Marcelle Schots in Theatermaker (11.2005)link (nl)download pdf (e)embracing ambivalence by Jan-Philipp Possmann in Volume (10.2005)
“David has so far been going about it in two ways: Firstly, his approach is one of reduction, which is to say that he is taking away all that seems superfluous in order to open our view on the things themselves, on their essence, if there is such a thing. Secondly, he seems to be aiming at ambivalence. Or, if he isn’t aiming at it, he does not avoid it but embraces and welcomes it as vital to his enterprise (…)download pdfkritik in Strandgut (d) (12.2004) download pdflove, death and failure in Frankfurter Allgemeine (23.10.2004) download pdf (e)