Best Coast ‘In My Eyes’
Best Coast’s second album was terrible, but they followed it up with the fantastic Fade Away EP. Their new album California Nights builds on that momentum and all the horrible affectations and weaknesses of The Only Place have been blasted away and replaced with surf pop songs of superior quality and catchiness.
[Best Coast]

Pale Honey ‘Fish’
Gothenburg duo of Tuva Lodmark and Nelly Daltrey play guitar and drums indie pop with retro flourishes. This is taken from their rather excellent eponymous debut album (out now).
[Pale Honey]

Titus Andronicus ‘Dimed Out’
Killer punk tune about turning it up to 10: “I turned it up to four I couldn’t feel it / I turned it to five it wasn’t real yet / turning it up to six wouldn’t reveal it / seven was secret / eight was reaching / nine was decent but I really liked it when it dimed out!” taken from the New Jersey band’s forthcoming The Most Lamentable Tragedy 93-minutes-long concept album (Merge, July 28).
[Titus Andronicus]

Tame Impala ‘Eventually’
Another new track from the eagerly awaited third album Currents. Smooth, soulful psych pop with filthy fuzzed out bass.
[Tame Impala]

Future Islands ‘The Chase’
First new material since last year’s breakthrough Singles album follows in the same footsteps. Soulful synthpop (available digitally now and on 7” vinyl June 30).
[Future Islands]

Alessia Cara ‘Here’
Maybe much of the appeal of this track is down to familiarity – it basically consists of the same Isaac Hayes ‘Ike’s Rap II’ sample that Tricky and Portishead used over 20 years ago for their ‘Hell Is Round the Corner’ / ‘Glory Box’ tracks respectively. But the the 18 year old Ontario born Def Jam signed artist sing-raps over the top about having a shit time at a party with no little charm.
[Alessia Cara]

Vexx ‘Black White’
Olympia, WA punks fronted by Maryjane Dunphe, taken from their new four track 7”, Give and Take (available as a name-your-price download from their bandcamp page).
[Vexx]

Misun ‘After Me’
Laidback electropop, with great vocals and lovely, fuzzy guitar that kicks in at the three minute mark. Taken from the DC band’s Feel Better EP (out May 29).
[Misun]

Cheena ‘Did I Tell You Last Night’
Another Sacred Bones signed artist. Five guys raised in NYC’s underground punk scene getting together to stretch their wings on something less shouty and more melodic and coming up with something mid-70s post-glam-proto-punk in sound and feel.
[Cheena]

Empress Of ‘Water Water’
Brooklyn-based electronic pop artist Lorely Rodriguez, first featured here two years ago with ‘Hat Trick’ and ‘Tristeza’ (ITP #28 & #30) returns with the first track from her debut album (tbc, on Terrible / XL).
[Empress Of]

Modest Mouse ‘Lampshades on Fire’
So far, four tracks have surfaced from the forthcoming album Strangers to Ourselves (the band’s first new album since 2007’s We Were Dead Before The Ship Even Sank). This one is my current favourite, with its jittery post-punk-funk-scratch-meets-reggae rhythms and Isaac Brocks’ distinctive wired, but weirdly mellifluous yelped vocals.
[Modest Mouse]

Django Django ‘First Light’
It’s been just over three years since the Scottish electronic neo-psychedelicists released their debut album, but this is worth the wait, up their with that record’s highlights. Taken from Born Under Saturn (out May 4, Because Music).
[Django Django]

Dick Diver ‘Waste the Alphabet’
Second track to surface from the Melbourne band’s forthcoming third album Melbourne, Florida (March 6, Chapter Music / Trouble in Mind). Like ‘Tearing the Posters Down’ (ITP #72) it feels like the jangle has been turned up to 11, and while they have previously been singled out for wearing the influence of The Go-Betweens, this one has elements that sounds like the early work of those other antipodeans, The Church.
[Dick Diver]

Best Coast ‘California Nights’
I wasn’t a fan of the of Best Coast’s second album The Only Place, but they won me back over with the superior songs and fuzzy pop of the excellent Fade Away EP. This title track from their forthcoming third album finds them getting lost (in a good way) in a more dreampop meets shoegaze sound. It’s a better fit than the cheesy 80s FM n’ country stylings of the last album and seems a more logical progression from the lo-fi garage surf pop of their earliest records. The album is out May 5.
[Best Coast]

Death Cab For Cutie ‘No Room in Frame’
Second track from the band’s forthcoming Kintsugi, their last album to be recorded with guitarist Chris Walla before his amicable departure. Like ‘Black Sun’ (ITP #71) this suggests that the it will be a far better record than the somewhat underwhelming Codes and Keys (2011).
[Death Cab for Cutie]

The Weather Station ‘What It Is, Way It Could Be’
Last featured back in February 2013 (ITP #27) with ‘Mule in the Flowers’, The Weather Station is the work of Torontonian singer songwriter Tamara Linderman (Aussies might know her as Tamara Hope, star of early naughties Melbourne-set fantasy show Guinevere Jones). It’s gentle and beautiful folk music with a touch of Joni Mitchell in both vocal phrasing and styling.
[The Weather Station]

Trust Fund ‘Essay to Write’
This is about as 80s lo-fi indie as it gets in 2015. The stand out track from the band’s (rather good) debut album No One’s Coming For Us, following on from their also rather good split EP with Joanna Gruesome.
[Trust Fund]

Calexico featuring Ben Bridwell ‘Falling from the Sky’
The Calexico back catalogue is a rich and wonderful thing. Here they utilise Band of Horses’ Ben Bridwell for the first taste of their forthcoming Edge of The Sun album (Anti-, April 14), the follow up to 2012’s wonderful Algiers.
[Calexico]

Broken Water ‘High-Lo’
Olympia, WA band with a unique blend of grunge, shoegaze and 80s indie rock aesthetics. This is taken from their forthcoming album Wrought (Night People Records, March 24)
[Broken Water]

Fred Thomas ‘Cops Don’t Care Pt II’
Another track from the Saturday Looks Good To Me frontman’s forthcoming solo album All Are Saved (Polyvinyl), this one features Radiator Hospital’s Sam Cook-Parrott.
[Fred Thomas]

Le Volume Courbe ‘The House’
It’s been ten years since French London-based ex-pat Charlotte Marionneau released her debut (and so far, only) album as Le Volume Courbe. Now she’s back, this time with a single which once again enlists the help of Kevin Shields (also Martin Duffy and John Parish).
[Le Volume Courbe]

Sufjan Stevens ‘No Shade in the Shadow of the Cross’
This track from his first proper album since Age of Adz (2010) finds Sufjan Stevens return to the style of the quieter moments of Illinois for the forthcoming Carrie and Lowell (Asthmatic Kitty, March 31).
[Sufjan Stevens]

Colin Stetson and Sarah Neufeld ‘The Sun Roars into View’
Arcade Fire violinist Sarah Neifeld teams up with fellow instrumentalist Colin Stetson for an album of minimal violin and horn music that, if this track is anything to go by, promises to appeal to fans of the more esoteric end of post-rock. Never were the way she was is due out on Constellation, April 28.
[Sarah Neufeld]