Instructional guidance provided by emissaries from the civilizations of Denebola.
Their purpose to brighten and glorify
the divine intelligence through spectacular
creativity.

Brilliantly dramatic

Uttara-phalguni women are famously confident and willful.
Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both
wild and domestic. On behalf of the animal kingdom
and its denizens, the women of Aryaman may undertake
political activism. As righteous (and self-righteous) human mistresses
of the animal world, their political style may include fiery displays of
romantic idealism. They may collect animals.

Simha pada-1 features charismatic centrality and stage
presence, focused into the physical embodiment.
Pada-1 must hold the center of attention,
whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of
the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi
Surya.
Typically a younger husband and many romances.

Themes of political power,
radiant confidence, and bright celebrity drama may contextualize Utthram's
terrestrial experience.
Applies also to Chandra in Uttaraphalguni

Somana-yuti-Guru-Revati
music. Her musical and dramatic performances appealed emotionally to a
very broad (Guru) cross-section of the public.

Guru-Meena diversity with a doctrinal quality. Her musical style was admired by
fans young and old, rich and poor, black and
white, men and women.

MOTHER

Mom = the popular singer Cissy Houston. Chandra-yuti-Guru
suggests that her mom's music
also appealed to a wide demographic swath of listeners since she sang in
several styles ranging from religious devotional church music (Guru) to
drug-and-exploitation influenced nightclub material.

Budha represents the team, the entourage, the ensemble, the
promoters, the handlers, the managers

Budha-Simha occupies the electro-magnetic emotionally adversarial
6th-from-Chandra
suggesting that the greatest source of psycho-emotional
stress. = the business activity of
constantly producing musical performances, both live shows (Simha)
and recordings (Budha), in part to support a legion of managers and
handlers (Budha), was

Chandra-yuti-Guru
expands both the scope of her musical reach and the number of her
partnerships

Guru in bhava-7 suggests
that the
husband-figure (the first husband) displayed qualities of
bargaining, negotiation, deal-making. He may be greatly talented in
making arrangements, both musical and financial.

Chandra-7 rules gainful bhava-11 suggesting that the
partnerships formed by the multiple mother figures were fruitful Chandra-yuti-Guru

Uttaraphalguni lagna attracts many entertainers into the life, yet Whitney Houston's many mothers supported the talented
young girl as she rose through the ranks in the notoriously exploitive
entertainment industry. The nativity is naturally fragile due to
constant volatility of randhresha ++ ruler of 8th-from-8th dominating
the Kanya lagna. Yet to the extent possible, her many-mothers sheltered
and protected a delicate flower.

Shani-5 in any rashi faces a peculiar restriction-obligation vortex:
one must (Shani must) hold the center of attention
(5, center) * yet it is not permitted to be special or unique
(cold, dark Shani = anti-Simha)

Shani rules 5 + 6 ++ Shani casts drishti into 7 adds loyalty to the
marriage contract, even when other pressures would erode the vow.

Shani drishti to Chandra and Shani drishti to Surya suggest that both
parents were constrained to produce an appearance of social decorum and
uphold a standard of public behavior, despite personal strain.

Shani
in bhava-5 suggests that children constitute a heavy responsibility