Thomas Beckwith
is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

The cover image of this week's Publisher's Weekly, which centers around an annual feature on African American book publishing, is drawing a lot of attention, mostly negative. Read PW senior news editor Calvin Reid's explanation/mea culpa.

If you or someone you love has ever mentioned a McSweeney's article to sound cool, you'll feel right at home in this clip from IFC's new show, Portlandia, in which Fred Armisen and Carrie Brownstein skewer Portland's bookish hipsters.

"The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader." Elisa Gabbertwrites for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro's latest novel, The Buried Giant (which we reviewed here), as a case study.

Frankenstein was originally a philosophical novel, Michael Saler reveals in his review of The Annotated Frankenstein. Mary Shelley used her monster to comment on the terrors of the French Revolution, patriarchy, social justice, and slavery, he writes.

Peter Menzel and Faith D’Aluisio photographed 30 families in 24 countries, each time surrounding their subjects with their weekly food purchases. Their work was collected in their What the World Eats photo album, but you can take a look at some of their pictures over here.