Les voies d’Anubis

When this turned up on BookMooch en français I decided to seize the chance to brush up my French at the same time as crossing an Apollo Award winner off my TBR list. The plan worked out excellent well. The novel is a fabulously over the top fantasy, like an extended episode of Doctor Who, only there’s no Doctor to help out when the quantum mechanical (or in fact magical) time travel to the England of Coleridge and Byron, and beyond, goes horribly wrong. Or it could be likened to a Cairo Jim adventure with an organisation very like the Old Relics Society and a time-travelling Eng Lit scholar cum pseudo-werewolf in place of Geoffrey McSkimming’s poet-archaeologist: it’s got Egyptian gods, animated statues, history mysteries, but sadly no animal companions. It’s a vastly inventive, rip-roaring picaresque adventure, with a lovely array of grotesque villains, some almost Shakespearean crossdressing, and much derring-do.

Reading it in translation reintroduced me to the childhood pleasures of incomplete comprehension, guessing meaning from the context, sometimes with a fair degree of confidence, occasionally looking a word up, every now and then having a word’s meaning emerge into clarity with repeated appearances, and even – once in a while – knowing what a word means without knowing the English for it (I had to look up embarcadère, for instance, to translate it as landing stage, but I knew what structure it referred to without benefit of dictionary). I could just about feel my neurons reconfiguring.

The other pleasure came from pace: I was forced to read slowly, so slowly that by the time I’d finished the prologue and the first chapter, I felt as if I’d read a whole book, so in effect I got four or more books for the price of one. This effect was helped, of course, by the episodic structure.

I probably missed a lot, though I did laugh out loud more than once, which means I got at least some of the jokes, and that’s supposed to be the hardest thing when you’re reading in a language you’re not fluent in. In fact, there was at least one joke that might easily have been tailor-made for my situation: a character says at one point ‘Psaume en chemise sans cote de quarte?’ and I wracked my brains (‘Psalm in shirt on side of quad?’ Really?), only to be relieved five lines later when the character articulates carefully, ‘Sauté en mille six cent quatre-vingt-quatre’ (‘Jumped to 1684?’ which is simply reiterating incredulously what someone else has just said). [I just Looked Inside This Book at Amazon, and found that the original poorly articulated line was ‘Jutmoop sidskeen eftee door?’, gibberish which I don’t think would create the same puzzlement in someone who knew English as well as I know French.]

If this had been a ‘serious’ literary work and I’d enjoyed it this much, I’d probably feel that I ought now to read it in the original. While I now have Tim Powers on my list of authors to look out for, I’m happy with one reading of this, happy to recommend it as a constantly surprising and delighting romp either in French or in English.

A moment in Norwegian history. The king chooses what the film judges to be the lesser of two evils. The wretchedness of a country being invaded is made viscerally real. A spectacular sequence where a German battleship is destroyed by artillery and torpedoes. No Hollywood heroics; no Hollywood resolution.

Benjamin Law in conversation with David Marr at the Seymour Centre the other night did a great job of making me want to read this: for another horror story about the Australian on the warpath, and also for a factual account of the Safe Schools program that was the target of that mendacious warpath. (And predictably they attacked him personally when the essay […]

x a family sitcom that revolves around a boy with Aspergers in high school who has managed extraordinarily well up to this point, but whose dawning interest in sex is throwing things into turmoil. Not just played for laughs, but funny just the same.