The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

Archived Products

As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Photography Glossary

Nikon Imaging Apps

Nikon Apps include educational apps such as the Learn & Explore, NIKKOR and ACC and Manual Reader 2 apps, as well as the Nikon Image Space image sharing app and apps for connecting select cameras to a compatible smartphone or tablet via Wi-Fi (WMU and Connect to S810c).

Learn & Explore Tip of the Day

August 2, 2015

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

On photo sharing sites like Flickr you can often view the details of a photograph and take a look at the shutter speed, aperture, ISO and other settings. While this won’t teach you how to create a photo from scratch it will show you what technical choices photographers made to capture their images.

If your COOLPIX camera or NIKKOR lens has image stabilization (Nikon calls it Vibration Reduction), know when to use it and when to turn it off. If you don’t know how your stabilization system works, turn it off when you’re shooting with a tripod. If it doesn’t sense that the camera is solidly mounted, it can add movement while trying to reduce blur.

Always use your lens hood (if you have one) or buy a lens hood (if you don’t). The lens hood isn’t just good for preventing flare. It can keep you from losing the contrast of your images as well as protect your front lens element from raindrops too.

When shooting a portrait of an athlete, use fill flash (or flash turned on even in daylight) to light up the shadow areas under a hat or helmet. This will balance the light from the entire scene and light up the face. On a compact camera, the setting to choose is "Flash On."

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

If your camera can capture images in both RAW and JPEG format, do so even if you don’t work with RAW images now. These RAW files have the highest image quality possible, so you can edit them years from now and be sure you’re getting the best looking image possible.

Shooting a lightning storm can be exciting. Use a tripod and set you camera to record a long exposure. With DSLRs, 15 seconds is a good start, but you may have to use up to 30 seconds, or bulb setting (where the shutter stays open as long as you hold down the shutter button). Because you never know when the lightning will occur, keep shooting for best results. Remember to always keep a safe distance, and don’t forget the tripod to avoid blurry photos!

Take a self-portrait each day for a week or month (or a year). It’s harder than you think to take an attractive photo of yourself, and if you do it for long enough you’ll have an interesting series that shows how you’ve changed over time.

Look on photo sharing sites for inspiration for your next photo shoot. Pick a subject you want to photograph or a location and search for photos of that. You’ll see a wide array of different techniques and styles that will inspire you.

Don’t stop shooting after the action has finished in sports. Get in close on a happy or sad face … a celebration after a goal … or the dejection on the sideline after a loss. The emotion of the game speaks volumes and can really round out a series of pictures.

If you live in a city or near a big photo store, find a photographic rental house and rent a lens that you don’t have. Take a telephoto lens to a ball game or rent a wide-angle lens and take it camping. This will give you a chance to try a new piece of equipment and expand your photographic horizons.

You should format the memory card in your camera on a regular basis. By using the camera’s built-in “Format” function, found in the menus, you lessen the chance of having card problems in the future. Doing so is better than just deleting the images using the camera or the computer.

Take a step back. No, farther back. See what the scene looks like from far away to get perspective. Walk around it, to see it from different angles. There’s a tendency to rush up to something and take a photo, but if you look at it from different angles you’re more likely to find something you would otherwise have missed.

Most cameras with built-in flashes have a red-eye reduction setting that fire several quick pre-flashes before the main burst of light. Turn this off if you’re not photographing people because it drains the battery and doesn’t help light up your scene.

Make a great team picture. Get the team together in front of a nice background—maybe the goal, the net or the team logo on the field or floor. Shoot the ordinary, and then let the kids have some fun, making faces or funny poses. That’s the one they will always remember.

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

It’s always best to shoot group pictures in a location that tells something about the people. For example, shoot the sports team on the field instead of the parking lot. Try to think about how the background, or setting, adds to the story of who they are.

Do some photography pro bono. Find a charitable organization in your area that can’t afford a photographer and offer your services for free. The group will end up with a precious resource it wouldn’t have had access to; and photos of an event or service the organization provides can help it get funding.

Try to buy the fast and large memory cards. Speed ratings on the cards are important for live action shots, especially when you’re shooting in sports or continuous scene modes, or at the highest frame rate. That will allow the camera to shoot at its fastest frame rate with little worry the camera will have to pause to offload images to the card.

Freeze the sports action. The key is using a high shutter speed. On compact cameras, use the sports scene mode. On a DSLR, pick a high shutter speed of 1/500th of a second or above. This will freeze almost all action. If the light is low, adjust your ISO to a higher sensitivity (800-1600 ISO), which will allow you to select a faster shutter speed.

Place your subjects equally away from the camera when shooting a group. Avoid placing any of your subjects a lot closer to your camera than others. That can lead to some of your family members being out of focus or just looking a little out of the mix.

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

Photographing at the zoo? Careful composition can hide the fact that your wild animal subjects are behind fences or in pens. Zoom in for tight close-ups so you don’t see man-made objects like fence posts, concrete swimming holes or perches for the animals to play on.

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Success has a new name

Enter the new flagship of Nikon’s D-SLR lineup: D4. Engineered for professionals, D4 strikes an ideal balance between resolution, sensor size, image processing and ISO range. Its newly designed FX-format sensor and EXPEED3 processor enable image capture up to 10 fps with full AE/AF performance and Full 1080p HD video. Combine that with cutting-edge metering and AF systems, intelligently designed controls, an ultra-rugged body and multiple connectivity options, and D4 liberates the world’s top-notch photographers and multimedia artists like never before.

Catch moments others miss

Speed and accuracy in total harmony

D4 offers a level of speed and accuracy that will redefine your notion of the fleeting moment. A carefully selected FX-format 16.2 Megapixel CMOS sensor is paired with Nikon’s powerful EXPEED3 image processor for stunning stills up to 11 fps. A 91,000-Pixel RGB 3D Color Matrix Metering III sensor partners with Nikon’s Advanced SRS to deliver unmatched accuracy in every frame. Add a faster, more responsive 51-point AF system for a camera that can keep pace with you.

Stunning images every time

Superior quality you expect from Nikon

What are speed and accuracy without image quality? Nikon’s FX-format (36.0mm x 23.9mm) CMOS image sensor delivers 16.2 effective megapixels of resolution for exquisite detail. Each of this remarkable sensor’s 7.3-micron pixels is designed to collect maximum light to produce stunning images and video across D4’s broad ISO range of 100 to 12,800 (expandable down to 50 and up to 204,800). Expect the highest image quality in bright and dark shooting. Plus, EXPEED3 image processing yields the most faithful colors, tones and a wide dynamic range.

Enhance stories with HD video

Broadcast-quality and outstanding control

When an assignment calls for broadcast-quality video and audio, D4 is ready. Choose from three Multi-area mode Full HD D-Movie (1080p) video formats: FX, DX or the new 2.7x Crop mode—all at 16:9 aspect ratio. Manual exposure control helps keep the same look from start to finish. Built-in HDMI lets you view footage on an external monitor or record uncompressed 8-bit 4.2.2 footage directly to an external recording device. Even take 2MP stills simultaneously while filming. Attach the ME-1 Stereo Microphone and record high fidelity audio with minimal camera noise. On-screen audio level indicators and a headphone jack help you monitor and adjust audio in 20 incremental steps. D4 takes you from inspiring stills to amazing videos with ease.

Complete control and comfort

Designed for an efficient workflow

D4’s remarkable design is the culmination of photographer feedback and Nikon innovation. Adjust AF and AF Area modes without moving your eye from the viewfinder. Quickly select AF points with a new joystick style sub-selector—positioned for both horizontal and vertical shooting. In low-light, all operation buttons and dials are beautifully backlit. Two media card slots offer flexibility and control. Built-in wired LAN and the optional WT-5A Wireless Transmitter enable secure, high-speed file transmission as well as remote camera functionality. Simply put, D4 was built to meet professional demands.

Expand your opportunities

Nikon imaging system compatibility

Draw on the full potential of D4: world-renowned NIKKOR lenses, the Nikon Creative Lighting System, Speedlights, accessories and software. Each impressive FX and DX lens in the NIKKOR lineup is fully tested to deliver sharpness, accuracy and reliability. Bring studio quality lighting to assignments with Nikon Speedlights. Only Nikon offers i-TTL (Intelligent Through The Lens) flash control, which allows Nikon Speedlights to access extensive exposure and metering data from D4 to provide unprecedented levels of flash precision and performance. Nikon’s professional imaging software, and a robust line of compatible accessories will help you expand your capabilities.

Never miss a deadline

The WT-5A Wireless Transmitter is designed for use with the Nikon D4 D-SLR camera

When the world is waiting, being the first to publish makes all the difference. Nikon’s powerful new wireless transmitter, WT-5A, attaches directly to D4 to securely and quickly transfer files.

HTTP Mode: Now you can use the web browser on your iPhone® and/or iPad®** to operate camera controls or begin Live View shooting, including starting and stopping HD video and more.

Image Transmission Mode: Transmit images to an FTP server or computer two times faster than the Nikon WT-4A.

Our most rugged body yet

To sustain peak performance in the most demanding environments, D4’s body, exterior and mirror box are comprised of strong yet lightweight magnesium alloy. Thorough measures are taken to seal and protect against invasive moisture, dust and electromagnetic interference.

Dual memory card slots (CF and XQD)

Dual memory card slots (one CF and one XQD) Record two full cards of data, the same still image data on both cards for instant backup, RAW on one card and JPEG on the other or transfer data from one card to another. You can even designate one slot for data-heavy HD video recording.

Expand the creative potential of the D4

NIKKOR lenses & the Nikon Creative Lighting System for every situation

Additional Features

AF detection up to f/8D4 aligns its 15 cross-type sensors in the center to detect contrast for both vertical and horizontal lines with lenses f/5.6 or faster. The five central points and three points to the left and right of them in the middle line are compatible with f/8.

Multi-Area Full HD D-Movie Video Recording ModesFX-format renders exquisitely shallow depth of field and wide-angle shooting. DX-format offers a 1.5x crop of the lens focal length, and 1920x1080 Crop format gives you a 2.7x angle of view—ideal for extending lens reach when you can’t get close enough.

Built-in HDRCombine two exposures at up to 3EV to create a single image revealing an extremely wide dynamic range but with less noise and richer color gradation than ever before.

Two-axis Virtual Horizon indicatorDetermine if the camera is level—horizontally or forward—through the viewfinder or LCD monitor.

New mirror balancerMinimizes the bounce of the mirror’s down movement, extending viewing time and allowing more time for AF operation—one reason D4 achieves AF and focus tracking even during high-speed continuous shooting.

Intelligent power managementExpect greater operating efficiency thanks to a new, small, high-capacity EN-EL 18 rechargeable Li-ion battery that can deliver up to approximately 2,600 images* per charge.*Based on CIPA Standard.

View simultaneous Live View output on external monitors and record uncompressed video via HDMI terminalCheck video recording on the camera’s LCD and external monitor simultaneously; ideal for focus pullers and camera operators. When the highest possible image quality is required, you can bypass memory cards and record uncompressed footage directly from the image sensor onto an external recording device.

Time lapse shootingSet intervals and frame rates in order to dramatically relay slow-moving activity at dramatic speeds. D4 lets you shoot time-lapse photography with replay rates from 24 to 36,000 times faster than normal and save them as movie files.

Dedicated Nikon Picture Control buttonQuickly access six preset picture control options—Standard, Neutral, Vivid, Monochrome, Landscape and Portrait—and up to nine customizable settings with a single button.

Continuous Shooting Options

FX-formatCH: Up to 10/11 frames per secondCL: Up to 10 frames per second5:4 formatCH: Up to 10/11 frames per secondCL: Up to 10 frames per secondDX-formatCH: Up to 10/11 frames per secondCL: Up to 10 frames per second1:2 formatCH: Up to 10/11 frames per secondCL: Up to 10 frames per second

AF-area Mode

Focus Lock

Focus can be locked by pressing AE-L/AF-L buttonFocus can be locked by pressing shutter-release button halfway (single-servo AF)

Focus Modes

Continuous-servo (AF-C)Face-Priority AF available in Live View only and D-Movie onlyFull-time Servo (AF-F) available in Live View onlyManual (M) with electronic rangefinderNormal areaSingle-servo AF (AF-S)Wide area

Maximum Autofocus Areas/Points

51

Autofocus Sensitivity

-2 to +19 EV (ISO 100, 20°C/68°F)

Autofocus Fine Tune

Yes

Flash

Flash Bracketing

2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV

X-Sync Speed

1/250

Top FP High Speed Sync

Up to 1/8000

Flash Control

TTL: i-TTL flash control using 91,000-pixel RGB sensor are available with SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering

Fast focus-always ready
It may sound redundant, but this camera is tops when photographing sports or fast moving wildlife. Its ability to track and focus is the best I've ever experienced within the Nikon family. If the first picture of a burst in action is not in focus, its definitely the second one. I would say about a third of the time, the first shot is in focus and 2/3 by the second, unless I've done something wrong (its not the camera). Low light-no problem. From an ergonomic standpoint, I have big hands and it fits very well. Its weight is off-set by the rounding of corners and balance/weight distribution. Its getting an upgrade, but the value of this body will last a long time.
July 13, 2015

A Camera Bred for Speed
The Nikon D4 camera body is well suited for photographing very fast wildlife on the run. The below photos of a cheetah running a straight 100 meter track were taken at Continuous High Speed shutter release, a shutter speed of 1/1000 of a second, an aperture of f/4, focal lengths of 300mm and 400mm, ISO values between 1250 and 1800, Center Weighted Metering, and Auto White Balance.
November 22, 2014

Upgraded to Nikon D4Camera w Nikkor 80 to 400 mm Lens
Tried to go less camera after using the D3 and associated Nikkor lenses. Process too difficult. So I Upgraded to Nikon D4Camera w Nikkor 80 to 400 mm Lens. I'm happily in the saddle once again. I cover sports action for the local college and some high schools. I have all the range I need for football, baseball, golf (shoot after ball is struck), basketball (use no flash) and tennis. I prefer the zoom over multiple lenses to obtain the cover I need. Convenience wins over multiple lenses requiring lens changing as you go. This described combination consistently has produced outstanding images for daily print media. Richard.
February 14, 2014

Ergonomics rock!
Just got the D4 body yesterday and have been busy shooting with D3.
The D4 feels real natural in my hands as did the D3 did after F-100.
Only complaint: How do I load Provia 100F into this thing?
January 22, 2014

The summum
I do not know what DSLR offer little more, AAA D4.
November 30, 2013

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Answers

+11points

14out of17found this answer helpful.

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D3s was ranked 1st in low light performance by DxO. The 2012 sensor tech used in the D4 is cutting edge by means of maximizing sensor's microlens light transmission and microlens shape in order to gather and focus all the available light on the CMOS area which has also been improved over the D3s. Low light performance is not only about ISO, it's about how much DR would be achieved in that settling, how much color sensitive it would be etc. Nikon has it's own standards in determining how high it will rate the normal sensitivity. The photograph taken with ISO 12800 can be printed large and nobody will notice it is taken at that setting, it will look just the same as it would be taken with ISO 100. Nikon gives the indicated quality at 16MP, that's D3s+4MP, usable for unseen until now detail at all normal sensitivities, and fair results at ISO52k and 102k (Hi - modes), which by my opinion give charm or charisma of a photograph (little bit of noise). By comparison one would achieve excellent poster sized detailed results photographing the milky way at ISO8000 f/4 14mm, 30sec. With the D3s we had this ability, but now we have lots of detail too and even more improved high ISO, the D4 is a marvel, the crown of the camera world.

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The question is not how high it gets, but how clean from noise it will be.If , for example, the 6,400 ISO on the D4 will be as clean as 800 ISO on the D3s - would be awesome!

Blessings from IsraelEitan

Jan 25, 2012 by

by

Eitan, Israel

Israel

Location :

Israel

Age: 25-34

Favorite Subject: Portrait

Role: Professional photographer

+4points

11out of18found this answer helpful.

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There is a trade off when you add mega pixels. The individual pixel size shrinks therefore decreases the light gathering ability of each pixel. If Nikon advertise a higher native ISO capability, you would expect the performance at that ISO to be great. If ISO is important to you, you are good with what you have. The D4 was advertised as a press and sport camera, not light up the night like the D3s.

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Answers

-2points

0out of2found this answer helpful.

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It's my understanding that the new batteries had to conform to the current Japanese regulations for recycling.

Mar 13, 2012 by

by

mistergreen

Texas, USA

Location :

Texas, USA

Role: Professional photographer

+2points

3out of4found this answer helpful.

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Since the introduction of the D3 a lot has happened in the electronics field, especially with processors and memory. Specialist processors have doubled in performance while the size of the die (each transistor) has reduced by half. Smaller transistors lead to higher speed and less power usage.

The magnets and circuits used to create the motors have much more torque and can operate a lower voltages.

Typically Japenses, design a battery that supplies the right amount of power at the right time.

The only way to correctly assess the performance is to use them in side be side under the same conditions.

Try comparing a torch with a tungsten bulb with one with an LED - the powr usage ratios are so very different - I would reckon the same applies between the D3 and D4 - 4 years is a very long time in electronics.

Feb 15, 2012 by

by

Frank

Hertfordshire, UK

Location :

Hertfordshire, UK

Age: 55-65

Favorite Subject: Portrait

Nikon Family: 11-20 years

Experience: Less than a month

Role: Professional photographer

+4points

5out of6found this answer helpful.

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The engineering of the battery is such that the D4 will last longer on sustained bursts with it's new battery than if the battery from the D3s was used. The way the test is run to determine the number of shots, does not take advantage of the discharge profile of this particular battery. The test is ran in a method as to where a shot is taken, there is a pause, then another shot is taken. The engineers designed the D4 battery to better accommodate people taking advantage of the high FPS burst shooting. The battery from the D3s would not be able to power the high burst rate and data transfer rates for very long, thus, a new design :-)

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But the voltage and amperage is lower on the new batteries. They should have made them at least as big (power wise) as the old ones.

Jan 18, 2012 by

by

Anonymous

-1point

3out of7found this answer helpful.

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I am looking at buying a new camera mostly to shoot professional video, concerts, ski/snowboard shoots and more. I need someone to explain the difference between the "Nikon D4" and the other camera I am looking at " the Canon 5D mark 2"... should I fork over the extra money?

3 years, 1 month ago

by

Anonymous

4 Answers

Answers

+1point

1out of1found this answer helpful.

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There are plenty of reviews online that will help you learn from others experience. Video on the D4 has not been getting good reviews... actually video on any dslr has its challenges. If you were to believe the reviews then video from the Nikon D800 is sharper than the D4 & that camera is half the price.

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if you're a professional and you need to be out shooting photos and video day in and day out, the D4 is the camera you're looking for. primarily because it's built for the kind of punishment that a working photographer is likely to dish out. everything from the high frames-per-second rate to the extremely long-lasting shutter mechanism, high-capacity battery and built-in web interface is geared to high-volume production. the D4 is nikon's top-of-the-line camera, and everything about it is first class.

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I am a loyal Nikon Lover, so yes the extra money is worth it...to me...I would say the best you can do is look at specs for both cameras and then decide the pros and cons of each camera and decide which will better suit you...and your needs...Myself , I would never switch over brands because of all the money invested in lenses n such, and , to be honest , most real world photographers will not see the pros and cons in any model when it comes down to it... I have never read any spec on a Canon in 15 years or so that would make me change to that brand ...I have an older D2X, Nikons Flagship Model in 2005-2006, and the difference in this camera and a D4 is like night and day for the most part... But its not like two comparable models of different brands ever seem to be so far apart that i would switch...only my personal opinionReally it’s up to you and your needs , and if no investment in other photography equipment.Normally if im torn between two manufacturers of something, reviews, magazine articles and user reviews are pretty helpful...Hope this helps some...

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We cannot make comparisons with other competitors. Please visit our website for more information in the specifications for the D4 that would help you better to make your selection.http://www.nikonusa.com/Nikon-Produ...

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1out of1found this answer helpful.

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Nikon operates factories all across the globe and each operate to the same high standard. While individual cameras are marked with their country of manufacture we can't make a blanket statement about which camera is produced where.

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Have already ordered. Can't wait. Was looking at a D3S earlier today. Am a sports protog.

3 years, 6 months ago by

by

Anonymous

Age: 55-65

Favorite Subject: Sports

Nikon Family: 2-5 years

Role: Professional photographer

2 Answers

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0points

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is it both 12/14 bit switchable as was the D3/D3s?only full raw or is compressed available too?

3 years, 6 months ago by

by

sjms

Warren, NJ

Location :

Warren, NJ

Age: 55-65

Favorite Subject: Travel

Nikon Family: 21+ years

Role: Semi-professional photographer

2 Answers

Answers

+3points

3out of3found this answer helpful.

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How will the ISO at higher settings (say 6400) be as compared to the D3s? Will the noise be basically the same between both cameras or will the D4 be slightly better at the same ISO?

3 years, 6 months ago by

by

Action

NY

Location :

NY

Age: 55-65

Favorite Subject: Sports

Nikon Family: 2-5 years

Experience: Less than a month

Role: Semi-professional photographer

2 Answers

Answers

+2points

2out of2found this answer helpful.

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Unless the sensor is the same design, one can't say with 100% assurance that "more pixels = more noise". One only has to look at the noise performance between the D3 and D3s - same size sensor, same MP but the D3s wins the battle hands down.

This is (a) a new sensor design with (b) smaller photosites than the D3s. We'll have to wait and see.

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what kind of controls for time-lapse? how does the d4 deal with the variables ? (interval between frames, framerate, and length of clip)

3 years, 6 months ago by

by

Anonymous

2 Answers

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2out of2found this answer helpful.

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Take a look at this article: http://www.nikonusa.com/Learn-And-E...It explains the various ways you can shoot time lapse with the D4. There is a built-in interval timer that allows you to shoot time release like you have in the past, and also a Time Release Movie Mode that processes the time release shots into a finished movie file in-camera.

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Supposedly there's been a delay? Nikon France Facebook page notes a March 15th release date. Is there a day for the US yet?

3 years, 5 months ago by

by

uberfoto

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