By now we have been thoroughly disabused of the notion, so heavily advocated by Clement Greenberg, that abstraction was, at last, a pure art “inflated by illegitimate content,” as he claimed in the November 1949 issue of the Partisan Review. Abstraction would therefore be able to cleanse the world of the intellect of any contamination by low-level kitsch. But most of us have since come to understand that kitsch inevitably contaminates every form of human creativity. There is so much heartless and mindless abstract kitsch found on the walls of mansions owned by the rulers of the universe that it is no longer possible to privilege abstraction over any other form of artistic expression. It is therefore meaningless to brand as kitsch only illustration – or comicbook art, or pulp magazine covers. Most of it is, but so is most of contemporary “high” art: the popular arts still have at least certain technical standards that can help us separate the kitsch from the corn.– Bram Dijkstra