OAKLAND --- How about a 24 hour art show where local artists will be creating work for the entire 24 hours? Viewers can stop by to observe them creating their works with a reception the following day. A solid list of artists, and if you like being up at 4am and watching bleareyed eyed artists crank of their works, this is your show!

We celebrate our first year at our Mission St. location with this dynamic group show featuring artists we've had the pleasure of working with over the years and open our walls up to some fresh new faces in contemporary art. The Winter Group show features abstract paintings, street art orientated artists, illustrative works and much more in this group show featuring small works from 20 artists working in the United States, with the exception of Max Rippon who works out of Barcelona, Spain. All works contain exquisite detail with each artist representing the best of their genres.

In the days following the Fukushima nuclear disaster, I was asked to make a poster for the Devo show at the Warfield Theatre in San Francisco. The image was a Japanese girl, wearing a nuclear t shirt, with the kanji character for earth tattooed on her shoulder. She was dead. I called her Sue Nami, and much to my surprise, the band liked it. ~keep reading Zolton's story of Sue.

Bi-Rite Market opens their new community/ gallery space on 18th St in the Mission 18 Reasons (3674 18th St) tonight, Friday (6-9pm) with a show featuring works from Zoltron, Bodhi Freedom and Hollis Rhodes.

You may remember the wheat paste Zoltron put up out front of the space a month or so ago which "transformed" over the course of a few weeks with street artists going over and over the work and Zoltron playing off each incarnation (photos of evolution). 18 Reasons will be showcasing the history of the wall, along with a wonderful collection of original artwork inspired by the series of events, created by aforementioned artists, Zoltron, Bodhi Freedom and Hollis Rhodes.

Zoltron emailed over some photos and text of how his wheat pasted Ronald took on a life of its own over the course of a couple weeks. His words below.

Somehow I found myself involved in a spontaneous, public art project that organically unfolded over the last couple of weeks in sf.

For the hell of it, I was drawing a famous clown named Ronald (as a junky villain derelict,) but somewhere along the way, I saw a glint of compassion in his eyes. So the drawing ended up showing Ron suddenly caught in an existential crisis of sorts... Like he just realized that he was solely responsible for the death of hundreds of millions of cows. Maybe he suddenly understood that he was fueling massive rainforest destruction and undeniably accountable for child obesity and onset adolescent diabetes.

So I drew him, printed him out, mixed up some pigment and painted on some paper. Then I pasted him up in a foodie district in the mission. The following photographs were taken over the next 2 weeks.

the aging clown experiences an unexpected moment of clarity.

a few days later, someone (equipped with at least 4 colors of aerosol) wasn't amused. "fuck you, hipster scum." Right on point, oh disgruntled youth.

a public forum concluded that it was obviously the work of a certain masked villain. (humburglar was later arrested for defacing public art)

Only hipsters use words like "Hipster."

a few days later, a stencil party ensues.

followed by a confirmed metric fuckton of unadorned radness.

and finally.... according to the local shopkeep, the entire wall is "archived for historical significance." ..

Join us next week, as we discuss vegan soy lattes and their effect on the youth of America. - Zoltron

A “Decade With No Name”
54 Washington St. Oakland, CA
Open: Saturday and Sunday through September 12th.
For more info visit www.spokeart.net.
Curated by Ken Harman

A multi-disciplinary look into the works currently being created in our collective backyard, “The Decade With No Name” serves as a celebration of the sculptors, painters, photographers and street artists who call Oakland, Berkeley and the greater East Bay their home.

From the politically and socially inspired street art of Eddie Colla, to the three-dimensional monstrous cake sculptures of Scott Hove, to Brett Amory’s figurative paintings, Amanda Lopez’ Dia de los Muertos photographs, Monica Canilao’s found object installations and Emory Douglas’ historical Black Panther graphic agitation, this showcase serves as a veritable who’s-who of the East Bay’s emerging and established artist community.

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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