Contents

Early life[]

The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying Molly Earle - daughter of the Duke of Argyll - in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750–52) studying in Italy.

Works[]

As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait.[2][3] He often used his son John Camillus Hone (1745-1836) in some of his works, including his unique portrait of "The Spartan Boy," painted in 1774.

The Conjuror[]

He courted controversy in 1775 when his satirical picture The Conjurer (National Gallery of Ireland, Dublin) was seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds, leading the Royal Academy to reject the painting. It also originally included a nude caricature of fellow Academician Angelica Kauffman in the top left corner, which was painted out by Hone after Kauffman complained to the academy. The combination of a little girl and an old man has also been seen as symbolic of Kauffman and Reynolds's closeness, age difference, and rumoured affair.[4] To show that his reputation was undamaged, Hone organised a one-man retrospective in London, the first such solo exhibition of an artist's work.[5]