Conflicted Antiquities is a rich cultural history of European and Egyptian interest in ancient Egypt and its material culture, from the early nineteenth century until the mid-twentieth. Consulting the relevant Arabic archives, Elliott Colla demonstrates that the emergence of Egyptology—the study of ancient Egypt and its material legacy—was as consequential for modern Egyptians as it was for Europeans. The values and practices introduced by the new science of archaeology played a key role in the formation of a new colonial regime in Egypt. This fact was not lost on Egyptian nationalists, who challenged colonial archaeologists with the claim that they were the direct heirs of the Pharaohs, and therefore the rightful owners and administrators of ancient Egypt’s historical sites and artifacts. As this dispute developed, nationalists invented the political and expressive culture of “Pharaonism”—Egypt’s response to Europe’s Egyptomania. In the process, a significant body of modern, Pharaonist poetry, sculpture, architecture, and film was created by artists and authors who looked to the ancient past for inspiration. Colla draws on medieval and modern Arabic poetry, novels, and travel accounts; British and French travel writing; the history of archaeology; and the history of European and Egyptian museums and exhibits. The struggle over the ownership of Pharaonic Egypt did not simply pit Egyptian nationalists against European colonial administrators. Egyptian elites found arguments about the appreciation and preservation of ancient objects useful for exerting new forms of control over rural populations and for mobilizing new political parties. Finally, just as the political and expressive culture of Pharaonism proved critical to the formation of new concepts of nationalist identity, it also fueled Islamist opposition to the Egyptian state.
Category: History

Egypt Land is the first comprehensive analysis of the connections between constructions of race and representations of ancient Egypt in nineteenth-century America. Scott Trafton argues that the American mania for Egypt was directly related to anxieties over race and race-based slavery. He shows how the fascination with ancient Egypt among both black and white Americans was manifest in a range of often contradictory ways. Both groups likened the power of the United States to that of the ancient Egyptian empire, yet both also identified with ancient Egypt’s victims. As the land which represented the origins of races and nations, the power and folly of empires, despots holding people in bondage, and the exodus of the saved from the land of slavery, ancient Egypt was a uniquely useful trope for representing America’s own conflicts and anxious aspirations. Drawing on literary and cultural studies, art and architectural history, political history, religious history, and the histories of archaeology and ethnology, Trafton illuminates anxieties related to race in different manifestations of nineteenth-century American Egyptomania, including the development of American Egyptology, the rise of racialized science, the narrative and literary tradition of the imperialist adventure tale, the cultural politics of the architectural Egyptian Revival, and the dynamics of African American Ethiopianism. He demonstrates how debates over what the United States was and what it could become returned again and again to ancient Egypt. From visions of Cleopatra to the tales of Edgar Allan Poe, from the works of Pauline Hopkins to the construction of the Washington Monument, from the measuring of slaves’ skulls to the singing of slave spirituals—claims about and representations of ancient Egypt served as linchpins for discussions about nineteenth-century American racial and national identity.
Category: History

This companion provides the very latest accounts of the major and current aspects of Egyptology by leading scholars. Delivered in a highly readable style and extensively illustrated, it offers unprecedented breadth and depth of coverage, giving full scope to the discussion of this incredible civilization. Provides the very latest and, where relevant, well-illustrated accounts of the major aspects of Egypt?s ancient history and culture Covers a broad scope of topics including physical context, history, economic and social mechanisms, language, literature, and the visual arts Delivered in a highly readable style with students and scholars of both Egyptology and Graeco-Roman studies in mind Provides a chronological table at the start of each volume to help readers orient chapters within the wider historical context
Category: History

In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place. This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at how their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press. From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture ? and what that fascination says about our own.
Category: Social Science

Egyptology and Pharaonism to 1930. Egyptology and Pharaonism in Egypt before Tutankhamun -- Nationalizing Tutankhamun -- Western Egyptology in Egypt in the wake of Tutankhamun, 1922-1930 -- Egyptian Egyptology and Pharaonism in the wake of Tutankamon, 1922- 1930 -- Tourism and Islamic, Coptic, and Greco-Roman archaeologies. Consuming antiquity : Western tourism between two revolutions, 1919-1952 -- In the shadow of Egyptology Islamic art and archaeology to 1952 -- Copts and archaeology : sons of Saint Mark/sons of the pharaons -- Alexandria, Egypt, and the Greco-Roman heritage -- Egyptology and Pharaonism to Nasser's revolution. Contesting Egyptology in the 1930s -- Pharaonism and its challengers in the 1930s and 1940s -- Egyptology in the twilight of empire and monarchy, 1939-1952
Category: History

Egyptology Today examines how modern scholars examine all aspects of ancient Egypt, one of the greatest of all ancient civilizations. In essays by a team of archaeologists, curators, scholars and conservators who are actively involved in research or applied aspects of Egyptology, this book looks at the techniques and methods that are used to increase our understanding of a distant culture that was as old to the Greeks and Romans as these cultures are to us.
Category: Social Science

In Phantoms of Remembrance, Patrick Geary makes important new inroads into the widely discussed topic of historical memory, vividly evoking the everyday lives of eleventh-century people and both their written and nonwritten ways of preserving the past. Through richly detailed descriptions of various acts of remembrance - including the naming of children and the recording of visions - the author unearths a wide range of approaches to preserving the past as it was or formulating the past that an individual or group prefers to imagine. By focusing on a turning point in medieval history, one in which an effort was made to make a cultural break with the previous centuries, Geary offers a dramatic example of specific mental and social structures that filtered the memories communicated by social elites and ordinary individuals alike.
Category: History

Amid the turbulence of the 2011 Arab uprisings, the revolutionary uprising that played out in Cairo's Tahrir Square created high expectations before dashing the hopes of its participants. The upheaval led to a sequence of events in Egypt that scarcely anyone could have predicted, and precious few have understood: five years on, the status of Egypt's unfinished revolution remains shrouded in confusion. Power shifted hands rapidly, first from protesters to the army leadership, then to the politicians of the Muslim Brotherhood, and then back to the army. The politics of the street has given way to the politics of Islamist-military d?tentes and the undoing of the democratic experiment. Meanwhile, a burgeoning Islamist insurgency occupies the army in Sinai and compounds the nation's sense of uncertainty. A Revolution Undone blends analysis and narrative, charting Egypt's journey from Tahrir to Sisi from the perspective of an author and analyst who lived it all. H.A. Hellyer brings his first-hand experience to bear in his assessment of Egypt's experiment with protest and democracy. And by scrutinizing Egyptian society and public opinion, Islamism and Islam, the military and government, as well as the West's reaction to events, Hellyer provides a much-needed appraisal of Egypt's future prospects.
Category: Political Science

From Roman villas to Hollywood films, ancient Egypt has been a source of fascination and inspiration in many other cultures. But why, exactly, has this been the case? In this book, Christina Riggs examines the history, art, and religion of ancient Egypt to illuminate why it has been so influential throughout the centuries. In doing so, she shows how the ancient past has always been used to serve contemporary purposes. Often characterized as a lost civilization that was discovered by adventurers and archeologists, Egypt has meant many things to many different people. Ancient Greek and Roman writers admired ancient Egyptian philosophy, and this admiration would influence ideas about Egypt in Renaissance Europe as well as the Arabic-speaking world. By the eighteenth century, secret societies like the Freemasons looked to ancient Egypt as a source of wisdom, but as modern Egypt became the focus of Western military strategy and economic exploitation in the nineteenth and early twentieth centuries, its ancient remains came to be seen as exotic, primitive, or even dangerous, tangled in the politics of racial science and archaeology. The curse of the pharaohs or the seductiveness of Cleopatra were myths that took on new meanings in the colonial era, while ancient Egypt also inspired modernist, anti-colonial movements in the arts, such as in the Harlem Renaissance and Egyptian Pharaonism. Today, ancient Egypt—whether through actual relics or through cultural homage—can be found from museum galleries to tattoo parlors. Riggs helps us understand why this “lost civilization” continues to be a touchpoint for defining—and debating—who we are today.
Category: History