A review of "Information or Inspiration?" at the Suntory Museum of Art almost needs a spoiler alert — it includes many surprises that make it more than a showcase of glassware, lacquerware, enamel, ceramic and calligraphy works: It's an immersive, thought-provoking experience.

The National Museum of Modern Art, Kyoto's "Potter Kawai Kanjiro: Works from the Kawakatsu Collection" is just the fourth time it has presented such a substantial selection of works from its renowned Kawakatsu Collection of over 400 pieces.

The Museum of Contemporary Art Tokyo's re-opening exhibition is an ambitious exploration of an entire century's worth of art that runs through the majority of the museum building and spans four floors. Allow yourself ample time to make your way through it.

From perfect replicas of fruit to tiny articulated dragons, Japan's ceramic, metal, wood and other craft industries excel at making decorative items that are so detailed and realistic, they can fool the naked eye.

Ohara Koson created a large body of ukiyo-e prints that delighted a foreign clientelle, yet garnered relatively little attention in Japan. More than 70 years after his death, he is finally being honored with a retrospective in his native country.

Despite being unaware of the surrealists in Europe, Toshiko Okanoue created collages that were so unusual for the 1950s, they caught the attention of Shuzo Takiguchi, the leader of Japan's surrealism movement.

Gentaro Komaki (1906-89), the son of a Kyoto Prefecture silk crepe wholesaler, lived a decadent youth of literature and philosophy, until seeing the work of Max Ernst and Yves Tanguy inspired to pursue surrealist art.