Red Lenses: Backgound

“‘Red Lenses’ sounds like a cross between Jimi Hendrix, U2, and Peter Gabriel. The song is constructed around a complex drum pattern during the chorus. Neil wanted to base the piece on the rhythm. Lyrically, the tune highlights what has been a slow change in Neil’s approach to words. He began reading 20th century poets like T.S. Eliot, along with prose writers of that same period. He tries to play with cliches and subvert meanings. And the words are intended to give pleasure on two levels: first by their sounds and second by their meanings.”—Bill Banasiewicz, Rush Visions

“This was probably the hardest song I ever worked on, in spite of the pleasure it gave me. It went through so many rewrites and changed its title so many times. Each little image was juggled around and I just fought for the right words to put each little phrase and to make it sound exactly right to me, so that it sounded a little bit nonsensical. I wanted to get that kind of jabberwocky word game thing happening with it, and also there are little things going on that your mind sort of catches without identifying, like a lot of poetic devices. You take the number of words that sound the same or start with the same letter or whatever. You just certainly don’t start in the middle of it and go, ‘Oh, that’s alliteration.'” (Jim Ladd Innerview)—Neil in Merely Players