The effectiveness of Wing Chun is in its inherent simplicy.
David Peterson

…few of us these days have the “luxury” of testing our fighting skills in real combat situations. As such, we are usually unable to duplicate the enormous amounts of emotional pressure that accompany a real fight…
David Peterson

David Peterson has performed the invaluable service of preserving Wong Shun Leung’s wisdom, derived from his decades of training and teaching. But most importantly, this wisdom was built upon a foundation of pragmatism. Pragmatism is the opposite of fantasy or wishful thinking, neither of which last long when tested in street fights or Beimo.

What we are saying is that the kind of movement done in sports competition is not designed to created the physics that create immediate damage to another human. By this we’re not talking inflicting pain. We’re talking about breaking something in the attacker to end the attack… (Immediate means that, you’re about to be attacked NOW! Not threatened, not intimidated, not insulted, not your feelings hurt, not scared, but about to be physically attacked. The other important word is ‘harm.’ That’s an important term because it implies not pain, but intense — if not permanent — physical injury. A fat lip hurts, but it is not harm. Yet, this is the kind of stuff you will NOT be taught in most martial arts schools. By instructors who claim to teach you self-defense).
Marc MacYoung

What is the difference between martial arts and fighting?

It depends on the martial art, and the school, and the teacher, and the fight. Every fight is different. Is it a shoving match, with a few drunken punches thrown? Or is it somebody coming at you FAST with a knife and a deadly look in their eye who has used knives on people before? And which of these scenarios are you training for?

These are basic questions many martial artists skirt around. They are uncomfortable to think about.

This is one of the things I like about Marc “The Animal” MacYoung. He should really call his website “No Bullshit Self Defense.”

Back in 2000, when I really started studying fighting and self-defense in earnest, there were not many books on the subject. I got the basic ones on Wing Chun, by DeMille and Leung Ting and J. Yimm Lee’s book. But these were mostly reiterations of the drills I was learning in class, with a little theory thrown in on the side.

I learned a lot more from the books I found on street fighting, because these were lessons from reality. One of the best was Cheap Shots, Ambushes, And Other Lessons: A Down And Dirty Book On Streetfighting & Survival by Marc “The Animal” MacYoung.

There is a lot of fantasy going on in martial arts schools around the world, largely because many Classical arts do not have hard sparring and because there is not much real fighting going on among people in everyday life. So its easy to build up these ideas in your mind about what “would” happen in this or that scenario. If you are going to engage in this sort of thinking, you need to start by understanding the nature of real violence, the sort of thing you might encounter against an oppoent who has had fighting experience and is aggressive. One of the first real steps I took in the right direction was reading Marc MarcYoung’s pragmatic perspective on street violence back in the late 90s.

One example (and I forget which book this was from): he talks about the common fantasy of knocking the other guy out with one punch. I even remember that common phrase from high school: “There’ll be two sounds, me hitting you and you hitting the ground.”

MacYoung tells the story of how his Dad, a steel worker, fell three or four stories off a high rise under construction and landed in a pile of scrap and plywood. When he got up and checked himself for broken bones, his foreman asked if he was OK. When he said, “I guess so,” the foreman jerked his thumb upwards – like, get back to work. MacYoung’s point was, you think you are going to knock a guy like that out with one punch? You better hit like Mike Tyson and even then you’ll probably need more than one.

MacYoung’s work (his books and his website) are antidotes to the fantasy and wishful thinking rampant in the martial arts. His life in the streets (I think in LA) forced him to confront the reality of street violence.

People will use weapons. People will trick you and pretend to be injured. Fights will not be one on one. Friends will join in and kick you on the ground. Their girlfriend will stick a knife in you. Random strangers will get involved. There will be chairs and tables and loose gravel and oil and broken glass on the ground.

The real world is random and chaotic.

On the street, bullshit doesn’t walk, it lies in the gutter bleeding.

MacYoung has recently started teaming up with other reality-based self defense proponents like Rory Miller and Lawrence Kan, for instance in the excellent “Little Black Book of Violence.”

No other film combines the high production values, great acting, engaging story line and above all, the escalating series of fights, each a show stopper, each topping the previous fight which seemed to be the best fight you’ve ever seen.

This is Jet Li‘s Citizen Kane, a remake of Bruce Lee‘s iconic Chinese Connection aka Fist of Fury, telling the story of the Japanese occupation of China in the Thirties (clearly an event stamped into the consciousnesses of Chinese everywhere – also depicted recently in the recent hit Ip Man).

Chen Zhen (Jet Li), an engineering student in Japan, must return to Shanghai and avenge the murder of his teacher, who was killed in a challenge match by a Japanese fighter clearly unequal to the task. Chen Zen blazes a bloody trail through the Japanese martial artists occupying his homeland.

Every fight is the best fight you’ve ever seen and every fight is better than the last. Jet Lee‘s fighting style, a JKD-esque mix of boxing, kung fu, and wu shu weapons stuff, is dynamic, crisp, and brutally effective. I always say that fighting and dancing are a lot alike and Fist of Legend‘s climax ( a fight between Lee and Canadian kickboxing champ Billy Chow) is like Fred Astaire and Ginger Rogers in Top Hat – the best of the genre.

This movie heavily influenced The Matrix – they used the same choreographer and grabbed many of the shots verbatim.

Subscribe to list and get a FREE DOWNLOAD of a big chunk of my up-coming book
Wing Chun Mind.

My goal with this book is to communicate everything I've learned about how you can
become a better fighter. So - not very ambitious!

Email address:

Leave this field empty if you're human:

Hi. I'm Steve, a professional researcher. I started learning Wing Chun Kung Fu in 2000. Since then, I've trained with some of the best Wing Chun teachers in the world (including Greg LeBlanc and Gary Lam) and done hundreds of hours of research into fight science. This website contains the best of what I've learned. Contact: [email protected]