Hammy Hamilton, Séamus Creagh, Con
O’Drisceoil

It’s No Secret

Ossian OSSCD 89; 51 minutes; 2001

The
Cork-based Ossian label seems virtually to have ceased releasing new albums and
this is a substantial shame considering the sheer quality of one of its last
releases, the sublime It’s No Secret.All three of the Cork-based musicians involved are well-known – Hammy
Hamilton for his album The Moneymusk and the manufacturer of
hand-made flutes, fiddler Séamus Creagh for his collaborations with Jackie Daly
and Aidan Coffey (and his own solo album Came the Dawn), and
accordionist Con Ó Drisceoil for his work with The Four Star Trio
and the writing of splendidly comic songs, such as The Pool Song,
recorded by Jimmy Crowley and The Dubliners – Con can also be heard duetting
with the late Johnny O’Leary on another Ossian album, The County Bounds.
Now, what is also worth remarking from the very onset is that all three
participants in It’s No Secret are also estimable singers, an aspect
which enhances this album’s qualities even further.

Indeed, it let us begin with the songs. Since this trio
clearly believes in equity, each member has two opportunities to impress. Hammy
delivers The Sea Apprentice, learned from the singing of Joe Holmes, and
Erin’s Green Shore with considerable aplomb. Séamus offers a wondrous
rendition of W.J. Rankine’s In Praise of the City of Mullingar and, as a
Westmeath man himself adopts exactly the precise tone of
tongue-in-cheek-righteousness, and also offers The Plains of Drishane,
written by Cornelius “The Poet” Ahern from Carrigthomas, near Ballinagree.
Finally, there are two superbly comic self-compositions from Con. Of course,
the true test of any comic song’s qualities are whether it endures repeated
listening. It can safely be avowed (as a result of such frequent hearing) that
both The Spoons Murder (the tale ofthe appropriate response to a session interloper) and King Lear,
sung to the tune of Tatter Jack Walsh, fully vindicate Con’s writing
abilities. Take this section, for example:

If that’s not bad enough, that pathetic old jerk

Left himself without house,
without income or perk;

The two vixens took all, and
their Dad, the old dunce,

Was to lodge in their houses in
alternate months.

These daughters of course were
both nasty old shrews,

But in fairness King Lear gave
them every excuse;

His boiled eggs were too hard
and his gravy too thin,

Or he got too much tonic and
not enough gin.

Then, of course, there is the sheer and expected enjoyment
of the instrumental tracks. Much is drawn from West Cork and, especially, the
playing of Johnny O’Leary, but there are also tunes which display Hammy’s
Belfast past, such as The Cocktail (which he picked up from Cathal
McConnell and Tommy Gunn – presumably at the time when the Gunns ran a boarding
house near Botanic Avenue) and Mary MacMahon which he learnt from fellow
flute-player. There’s also a splendid duet between Con and Hammy on Ed Reavy’s The
Dances at Kinvara and Séamus displays all his customary relaxed virtuosity
on another duet with Con, the set of slides Nicholas McAuliffe’s/Barrack
Hill. The trio, augmented by another Cork stalwart, Pat ‘Herring’ Aherne,
on guitar, also close proceedings with resonant rendition of that classic tune Paddy
Taylor leading into The Earl’s Chair which, as Pat’s liner notes
observe, “often serves as a finale to a night of music”. Indeed, Pat deserves
to be thoroughly complimented on the excellence of his entire contribution.

Ultimately, this is one of the most enjoyable albums of
Irish traditional music and song to have been released in the last twenty
years.

This is a semi-original review by Geoff Wallis
based on recollections of a previous review written for a printed magazine
(whose identity cannot be remembered).