It’s not just being quoted; it’s being quoted in other languages that I find particularly cool!

I went back to the original article by Robert Edison Sandiford, and what I said was in response to a very good question, a question that I’ve been asked a few times since:

What does Caribbean speculative fiction offer in terms of content, theme, feeling, and intellectual enquiry that, maybe, other forms of it in the United States, the UK or elsewhere don’t?

Location, language, worldview. It won’t be set in the same places, it won’t be told in the same voice, and it won’t seek the same outcomes. The Caribbean is a beautiful paradox: insular and cosmopolitan, ancient and modern, radical and conservative, accommodating and unforgiving.