Tag Archives: classic dust jackets

This is the time of year when most of us watch the classic Christmas movies. A Christmas Carol with Alastair Sims, Miracle on 54th Street, A Child’s Christmas in Wales, (An almost unknown gem, produced in Canada, starring Denholm Elliot), It’s a Wonderful Life.

Here in Arroyo Grande, the local theater, owned by a man who loves movies, shows one of those classics each Christmas. The admission is a can of food or a toy. This year, it was the venerable old classic about Kris Kringle, the old man who thinks he’s Santa Claus – and maybe is – and restores the faith of others in the spirit of Christmas. To see that film on the big screen, surrounded by local neighbors of all ages – to see how the children love the film – it is a reminder of what we’ve lost, as we watch movies on TV, but less intently – a kind of a digital sampling of the films. Like a CD, we miss much when we do that. But in the theater, yesterday, we missed nothing. And – how long since you’ve experienced this? – the audience clapped and cheered when the judge decided that, yes, Kris Kringle was indeed Santa Claus. It was a great, traditional, American Christmas experience.

For most of the people I know, It’s a Wonderful Life is the Christmas movie. So those who are George R. Stewart fans should know about the connection between that classic film and GRS.

George R. Stewart was raised in Indiana, Pennsylvania, where his mother’s family lived. His maternal grandfather, Andrew Wilson, planned to be a teacher, and even helped found a school nearby (which would become the prestigious Kiski School). But he couldn’t earn enough to support his family; so he went into the mercantile business. He had a hand in a hardware store there, owned by another Stewart. That Stewart’s son was James Stewart, also born and raised in Indiana.

George and Jimmy looked alike. With all the similarities in family history, geography, and physiology, you’d expect they were related. But they shared only one possible distant relative. And they lived in different worlds, in Indiana. The George Stewarts went to the middle-class Presbyterian church on the flats; Jimmy Stewart and his parents went to the upper-class Presbyterian church on the hill. GRS went to a public high school out west, Jimmy to a prestigious private school in the east.

Still, the lives paralleled in remarkable ways. GRS and his family moved to Pasadena; he went to Princeton; and after marriage moved his family to Berkeley, California. Jimmy went to Princeton, then moved to Pasadena; and spent his life in Southern California. GRS wrote books, two of which were filmed. Jimmy made films, like that grand Christmas classic we all love. GRS worked at the Disney studios for a time, as an advisor to Walt himself. Jimmy worked at many studios, creating characters and stories that touched the hearts of millions. But, ironically, GRS did not like the media, and apparently did not attend movies often, if at all.

Their paths apparently never crossed. GRS and his family left Indiana for California in 1905, when he was 12. That was the year James Stewart was born. Out west, nothing in their interests or their work brought them together. Since the film we now consider a classic failed in its initial run, it is unlikely GRS would have seen it even if he did go to the movies.

Yet, in this Christmas season, we should remember there is one thing they shared; and thanks to the film, we all share it with them: The experience of life in a small American town, in the early 20th century. Like a trip to Disneyland, a viewing of It’s a Wonderful Life enfolds us in such a place; and, for a time, we walk the streets and meet the people of the town and the time where both boys grew up.

Here’s a passage from my book about Indiana, Pennsylvania, as Bedford Falls:

George R. Stewart’s boyhood town was so archetypically American that it could pass for George Bailey’s “Bedford Falls” in Frank Capra’s It’s A Wonderful Life. In fact, the town was “Bedford Falls” – at least for the movie’s male star. Indiana, Pennsylvania, was also the boyhood home of James Stewart, who played “George Bailey” in Capra’s film. Although the movie’s “Bedford Falls” was built on a studio backlot in the San Fernando Valley, Jimmy Stewart said that when he walked onto the set for the first time he almost expected to hear the bells of his home church in Indiana.

Each year, Indiana holds an It’s a Wonderful Life Festival, with a parade, hot chocolate, tree lighting, and continuous showings of the film at the Jimmy Stewart Museum. It’s a winter festival; so the people lining the streets in their warm clothing bring life to a snow-bound town, like the movie brings life to the streets of the movie set town.

(The film’s Producer Director, Frank Capra, probably modeled his set on the upstate New York town of Seneca Falls; but for the star of the movie, Indiana, Pennsylvania, where he and George R. Stewart grew up, was the place he kept in his heart as he brought George Bailey to life.)

So this Christmas, when you watch Capra’s great film (which, by the way, is playing here today in three nearby theaters), give a thought to the boyhood of George R. Stewart. GRS celebrated his Christmases in a town which for Jimmy Stewart was the model for that iconic American town, Bedford Falls.

Antiques Road Show often shares good tips for collectors. One such tip, broadcast about a year ago, led to a lover of books who has set up a small company that produces and sells reproductions of classic book covers. It’s a wonderful way to protect your historic bound books.

You can easily get to the main page of the site from the Earth Abides/ GRS section.

Some collectors have mixed feelings about using such reproduction covers, fearing that they might be used as forgeries, or because of copyright concerns. But the scholar who runs the company is careful to note on each cover that it is a facsimile, so these covers cannot be used as forgeries; and none of these covers have been produced or used for several decades — the books have been updated with new covers several times — so there will be no loss of income to publisher or author or agent through the use of these older covers for your old books.

Mark Terry, the artist/scholar who is keeping these beautiful covers alive, has many more covers than the 9,000 on the site — 40,000 now — so if you’re interested, send a request through his site.

Even if you have an original cover — and I’m luck to have two for my first editions/first printings of Earth Abides — a facsimile cover is a good way to protect those valuable books.