Tag Archives: writing

I’m all for the idea that failure is merely figuring out what doesn’t work, finding out where you need to focus your energy, and that it’s an important part of the learning process that we often stigmatize to our detriment.

However, I really wish my method for producing a novel didn’t resemble Edison’s light bulb-inventing process as much as it does. I’m mainly a pantser—a seat-of-the-pants or “organic” writer—who doesn’t plot my books in advance. (Believe me, I've tried.) For a logic-oriented person who likes to make lists, and plans just about everything else in her life, this is disconcerting, irritating, annoying, and a long list of other synonyms.

For my books, I have learned that I need to understand what the antagonist is doing and why, or I won’t get past the first quarter of the book, no matter how exciting my initial premise. Without the villain's goal and motivation, I can’t figure out how to escalate their actions against the main characters in a way that makes sense.

I also need to know the inner conflict between the hero and heroine (what’s keeping them apart), and the outer conflict (what’s keeping them together). The latter usually relates back to the antagonist/villain, so it’s all linked.

In order to determine these things—because even when I think I have them, I usually don’t—I must write. I write scenes (or partial scenes), discard them, write new ones, repeat. Every scene (or set of scenes) is a method for testing an idea. It also spurs my subconscious to go to work on the story in ways it just won't if I'm only sitting around thinking or making lists of ideas.

Eventually, I do nail it. (Hopefully, it doesn’t take 9,999 times!!) And once I have the early stuff figured out, the rest of the book comes together much faster. Not fast exactly, but faster.

So, if you've ever wondered why it takes me so damn long to write a book, mystery solved.

I’m slowly learning to, well, not love, but at least work with my method. Honestly, I feel lucky I have a process at all. I’m writing, so life is good.

How about you? Do you have a process for writing—or anything else—that frustrates you, but ultimately works?

Today, I wrote almost 1700 words in less than an hour. More precisely, I dictated them. While working out on the elliptical at home, no less. (Have I ever mentioned how much I love efficiency?)

Are they perfect words? Hardly. Do I have a scene that I didn’t have yesterday? Yes!

I’m still amazed at how much I can progress if I dictate instead of typing. I think it works for me for a few reasons.

I can be in motion. I don’t have to sit, my hands don’t have to work, I can even do things like fold laundry or chop vegetables (though usually, I just walk around or get on the elliptical).

I can produce words without typing. I started dictating because all the time I spend on my computer was exacerbating my tennis elbow (from snow shoveling in my Boston days). Talking instead of typing gives my overworked arms, hands, and fingers a break.

Standing on the cross-trainer wearing my headset with an hour of dedicated time ahead of me forces me to think out what has to come next in the story and just get started. It's similar to doing a writing “sprint.”

Also, like a writing sprint, dictating means I can’t edit as I go. This is huge for me, because I tend to write a few paragraphs, edit them, write a few more and so on. Very slow and inefficient, especially since I often end up completely changing or even deleting a scene later. Yes, the words I produce during dictation might be ugly, but I’d have to edit regardless of how I produced the scene in the first place.

If I lose my place after a long pause to think, I just start from what I remember and fix it later. If I have an idea for a change that needs to be made to an earlier section, I add it in parentheses and keep going.

Okay, but it can't be all perfect, right?

It's not. There are a few drawbacks.

I’m reluctant to dictate if anyone else is in the house.

I sometimes feel like I haven’t accomplished anything because I wasn’t in front of a computer. I can easily get over this one. 😉

When I’m done dictating, it often feels like very little has happened in the story, and yet I’ve laid down a surprising number of words and moved things forward. And when I read it, the scene is usually much better than I expected.

Despite the overall positive aspects of dictating, I still sometimes have to force myself to start. I’ve associated writing with being on a keyboard for such a long time now, that changing my process so drastically is an adjustment. I think the adjustment is worth it.

Have you ever tried dictating instead of typing? What was your experience. If you haven't tried it, would you?

My Dictation and Transcription Process

I dictate to an iPhone app called PureAudio Live Recorder, which is super easy to use and currently only $5. From that, I can download the .wav file via Wi-Fi to my computer and have Dragon transcribe it. I save the transcription as an RTF which I then import into Scrivener.

I'm using Dragon Premium 13 for Windows, but I write on a Mac, so I save the RTF to Dropbox so I can import it to Scrivener on my Mac (File>Import>Files).

Where to Get Help with Dictation and Dragon

A good place to find more info is the dictation group on Facebook called Dragon Riders. Start with the pinned post at the top, which has a collection of the most commonly asked questions and their answers. The group has great info on how to get started, the best equipment, best practices, troubleshooting, and so on.

I liken it to being given a blank canvas and told to “Paint something.” It’s paralyzing. But if the same person gave you the canvas and said, “Paint a tree,” you’d probably think for a minute about what a tree looks like to you, and then dive in.

In that way, parameters can actually free up your creativity rather than stifling it.

Once I know how my story starts, then I know which path I’m on. I might take some unexpected detours along the way, but I’m not switching mountains halfway through. (Unless, maybe, killer plot twist?)

I’m trying to work on the next book in my Men of Steele series, and this is where I remember how messed up my process is. No matter which method I use, I end up starting the story about 50 different ways before I figure out how to get into it.

I do have a few constraints to help me out. I know I’m writing romantic suspense, and that it takes place within the world of my Men of Steele series. And I know who the hero is.

But if a character can be stubborn, Kurt Steele is the worst. I’m not one of those writers who believes my characters have control, but once they form in my mind, that’s pretty much what I’m stuck with. (See Scott Kramer of Blindsided, who came to me as a Marine scout sniper, even though I’d been researching and writing Air Force PJ heroes.)

I’ve tried to write Kurt’s book several times now, and he doesn’t cooperate. At all. This time, I’m determined to write him a happily ever after, but I may turn gray doing it.

Wish me luck!

If you’re a writer, have you ever struggled with a particular character's story? Got any suggestions?

I love writing. L-O-V-E it. The need to build a world, delve into a character’s feelings, create a mood, or explain a concept in a down-to-earth way (often with a bit of humor, and lots of em dashes and parentheses) has lived in me since at least seventh grade.

But that doesn’t mean I always sit down and do it, even when I theoretically have the time. A deployment, a new training platform, a high school graduation, my husband’s retirement from the Air Force, and a Boston-to-Sacramento move took far more of my mental energy over the last year than I expected. I got a little off track, a little out of routine, and my word count plummeted.

But now I’m out of hotels, into my home office, back on an irregular regular writing schedule, and most importantly, mentally back on track.

I’ve written on 17 of the last 18 days and produced more than 11,000 good words on my current WIP. *insert happy dance*

It feels fantastic. There is nothing like finally seeing forward progress in the story—my hero and heroine finally left the damn airport!—after months of going nowhere.

It's more than being productive in a way that matters to me, but being immersed in my story daily, even if just for fifteen minutes. That daily attention keeps the ideas rolling in, and makes it easier to take advantage of the small gaps in my day where I can fit in a few words, because I haven’t forgotten where my characters are. Or who they are. Writing frequently brings back the joy I had when I first started.

That joy is worth more than gold. (Well, except you can't buy books with it. Sigh.)

This is a lesson I seem to have to learn over and over, unfortunately.

But another lesson I’ve learned recently (also, again) is that sometimes I need to turn off the pressure valve and simply enjoy the distractions in my life. The last year has been crazy busy, but full of other moments that brought joy, some of them the last with my youngest son before he goes to college. Before we become empty nesters.

In the last two calendar years I wrote 245,000 words of fiction without completing a single novel.

In fact, until Monday, I hadn’t written “The End”—actually I don’t write that anyway—on a fiction manuscript since I finished the first draft of Blind Fury in December 2011.

Which makes Monday’s finish of the first draft of Blind Justice kind of a big deal!

I was starting to wonder if I still had what it takes to write a book to its full conclusion. I’d done it before, plenty of times—in fact, Blind Fury was my fourth completed manuscript—but just not lately.

It wasn’t writer’s block, more like a lack of clear focus.

Scrivener For Dummies provided a distraction for a good part of 2011, but even after that I was all over the place. I started a follow-up to BF, but then worried that maybe I should write something that wasn’t linked, just in case BF didn’t sell.

Then I got to a certain point and felt like I wasn’t at a place in my writing where I could do that story justice, so I started something completely different.

The series is king, which meant it was time to return to the Blind Fury follow-up and drop the manuscript I’d put over 30K into. It’s amazing how knowing what you want, and what you need to do to get there, makes all the difference.

So, now I finally have that fifth manuscript under my belt, and a sixth one halfway done.

My advice? If you’ve never finished a book, pick a story, stick with it, and finish it. Don’t be distracted by the plot bunnies. Capture them somewhere—Evernote maybe?—and get back to work.

You don’t have to love the first draft—that’s what revisions and editors are for—you just have to get to the end. It’s a lot easier to write half a story than a whole one. Until you complete one, you’ll never know if you can.

It’s because of NaNoWriMo. One of the things I like best about participating is that it reminds me of a few key points that I seem to forget over the course of the year.

For example, when I’m stuck on a current or future plot point, I tend to quit writing and brainstorm until I figure it out. This sometimes means days or even weeks of not writing. During NaNo, however, I have to keep going or I’ll never meet my goal.

And a funny thing happens.

The more I write, the more ideas I have, and the easier they come.

This month the plot bunnies have been multiplying like, well, bunnies in my mind. I’ve been waking up with new visions for my storyline, thinking of story concepts while walking the dog, and solving character dilemmas while driving in my car.

When I first started writing—and couldn’t wait to sit down to do it every day—this happened to me all the time. I was full-to-bursting with ideas on where to take my stories. Somewhere along the way I lost my trust in that process, and I lost the constant flow of revelations.

Pushing myself through NaNoWriMo reminds me that my brain works best when I’m writing.

Sure, I may go off on tangents, and I may end up cutting a lot of what I write later, but that’s okay. If that’s the price of the ideas I need, I’ll take it. And often, even what gets cut becomes useful down the road. If nothing else, it’s practice.

The other thing this challenge always reminds me is that I can write more than I think I can.

On a normal day, I might reach 1000 words and feel like I can’t do much more. Or I might get stumped after writing 876 words and decide it’s a good spot to quit while I ponder what should come next. But since I now need to produce more words to meet the 50K goal, somehow I just push through the 1K barrier, I force myself to write through the tough spot.

And you know what? I can. Every. Time.

Someone remind me of that when January rolls around and I’m struggling again. 😉

These are some of the reasons I participate in NaNoWriMo. It’s about much more than getting down 50,000 words in 30 days. It’s about reigniting my writing.

What about you? Any lessons learned—or relearned—from NaNoWriMo so far?

Writing is often a solitary profession, and though the Internet can provide us with the networking and learning opportunities we need, nothing compares to getting out and mingling with other writers.

I spent the weekend at my local RWA chapter’s annual retreat in a cute college town in Maryland. The mini-conference eats up precious time with my family and a nice little chunk of change, but it’s worth it. Just knowing that you’re in a room full of people who “get” you is valuable. Not to mention the ideas that start pinging around in my head as we discuss our craft, our stories, and our struggles.

Editors and agents become real people—rather than sources of fear and stress—as we sit next to them during lunch, or share cookies and life stories with them after a mean game of Romance Jeopardy.

Bestselling authors share their long road to success, their fight to stay relevant, and the self-doubt that never seems to fade, no matter how many books you sell. We are not alone. Every fear we harbor, every doubt that plagues us, every nasty rejection we receive is part of the process that thousands of published writers have faced before us.

Like a hazing ritual that you must endure if you’re serious about making a living at this crazy profession, it would seem even the best writers have suffered for their success.

Of course, conferences are not just about tales of commiseration and lessons on better pacing or dialogue. There’s fun too. Meeting friends you’d only known online, making new acquaintances, talking to an editor or agent without the strain of trying to pitch to him or her.

Some of my favorite moments this year:

– The epiphany I had while trying to answer questions about the barriers between my hero and heroine during a workshop presented by Kathleen Gilles Seidel and Pam Regis, Ph.D.

– Hanging out with Christopher Keeslar, Editor in Chief at Boroughs Publishing Group, an incredibly well-respected editor in romance, and a super nice guy.

– Learning that publishers (traditional, and especially e-publishers) are realizing they have to compete with the ease of self-publishing. They’re now trumpeting their rights reversion clauses, marketing, and editorial quality.

– Spending time with writer friends old and new, which always gets my creativity flowing and buoys my flagging motivation.

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Gwen Hernandez is the author of Scrivener For Dummies, the Men of Steele series of romantic suspense, and Productivity Tools For Writers. She provides Scrivener training through ScrivenerClasses.com, private instruction, and in-person workshops. Thanks for visiting!

Gwen Hernandez is the author of Scrivener For Dummies, romantic suspense (Men of Steele series), and Productivity Tools for Writers, and a contributor to Author In Progress. She teaches Scrivener to students all over the world through her online courses, private training, and in-person workshops.

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