Centre, 2019

Waterjet cut mirror on wood

200 x 80 x 5 cm

Tobacco Factory

2015

Waterjet cut and kilnformed glass

162 x 74 x 2 cm

Commissioned for the Cheong-Ju International Craft Biennale, an urban ‘portrait’ of Cheong-ju described through its modernist architecture. The artwork is an isometric drawing of the old tobacco factory that was the site for the exhibition.

Police Building

2013

Waterjet cut and kiln formed glass

120 x 120 x 2 cm

Police Building

Waterjet cut and kiln formed glass

120 x 120 x 2 cm

Communication Centre

2013

Waterjet cut and kiln formed glass

125 x 100 x 2 cm

Communication Centre

2013

Waterjet cut and kiln formed glass

125 x 100 x 2 cm

City Hall

2013

Waterjet cut and kiln formed glass

75 x 75 x 2 cm

City Hall

2013

Waterjet cut and kiln formed glass

75 x 75 x 2 cm

City Hall

2013

Waterjet cut and kiln formed glass

75 x 75 x 2 cm

Centre

2012

Waterjet cut and fused glass

200 x 104 x 4 cm

Centre, a façade modelled on a historically contested high-rise building in London, is a large-scale cut and assembled glass sculpture consisting of over 4000 unique parts. The innovative process behind the work is the use of waterjet cutting on kilnformed glass to create low relief surfaces, fused together using precisely controlled kiln firing.

Estate

2012

Screenprinted, waterjet cut and fused glass

140 x 63 x 4 cm

Estate is a wall-based glass artwork consisting of six stories and 60 window-shaped spaces embedded with found portraits of Northeast England locals. This work uses a technique of cutting and rotating the portraits to be viewed from an angle.

Estate

2012

Screenprinted, waterjet cut and fused glass

140 x 63 x 4 cm

Estate is a wall-based glass artwork consisting of six stories and 60 window-shaped spaces embedded with found portraits of Northeast England locals. This work uses a technique of cutting and rotating the portraits to be viewed from an angle.

Tower Block 2

2012

Screenprinted, fused, waterjet cut and fire polished glass

39 x 140 x 4 cm

Tower Block 2

Screenprinted, fused, waterjet cut and fire polished glass

39 x 140 x 4 cm

Art School

2011

Waterjet cut and fused glass

76 x 56 x 1 cm

Figures

2018

Blown glass with gold luster and spray enamel

sizes variable

produced at Crystalex, Czech Republic

Encyclopaedia Form 1

2018

Screenprinted and cast glass

35 x 20 x 20 cm

Encyclopaedia Warp

2018

Screenprinted, fused and polished glass

30 x 6 x 10 cm

Encyclopaedia

2018

Screenprinted and fused glass

82 x 12 x 22 cm

Encyclopaedia

2018

Screenprinted and fused glass

82 x 12 x 22 cm

Encyclopaedia Pair

2018

Screenprinted, fused and polished glass

21 x 15 x 15 cm each

Encyclopaedia

2018

Screenprinted and fused glass

21 x 15 x 7.5 cm each

Encyclopaedia v. 20-45

2015

Screenprinted, fused and polished glass

21 x 15 x 5 cm each

Encyclopaedia v. 20-45

2015

Screenprinted, fused and polished glass

21 x 15 x 5 cm each

Encyclopaedia (White)

2017

Screenprinted, fused and polished glass

100 x 21 x 14 cm

Encyclopaedia IV

2017

Screenprinted, fused and polished glass

100 x 21 x 14 cm

Encyclopaedia IV

2017

Screenprinted, fused and polished glass

100 x 21 x 14 cm

Encyclopaedia III

2013

Screenprinted and fused glass

104 x 21 x 14 cm

Encyclopaedia (volumes)

2016

Screenprinted, fused and polished glass

21 x 15 x 5 cm each

Encyclopaedia (volumes)

2016

Screenprinted, fused and polished glass

21 x 15 x 5 cm each

Encyclopaedia v. 1-7

2007

Screenprinted and fused glass

21 x 15 x 5 cm

Corrections

2007

Screenprinted fused and polished glass

30 x 21 x 5 cm

Pink Prototypes

2018

Blown glass with spray enamel

Sizes variable

Glass Factory

2018

Enameled and blown glass

Sizes variable

Produced at Crystalex, Novy Bor, Czech Republic

Dive

2013

Screenprinted and kilnformed glass

100 x 70x 1 cm

Dive

2013

Screenprinted and kilnformed glass

100 x 70x 1 cm

Muscles and Muse

2013

Screenprinted and kilnformed glass

100 x 70x 1 cm each

Two lovers, a Filipino bathing beauty and an English body builder, are divided by distance and a beaded glass surface that pixellates each image. Whilst easily readable from a distance, the image breaks up as the viewer approaches each portrait.

Flitter

2015

screenprinted and fused glass

144 x 90 x 1 cm

Questioning perceptions, the work conflates an eyed hawk-moth with a common blue butterfly, creating a hybrid that oscillates as the viewer moves.

Flitter

2015

screenprinted and fused glass

144 x 90 x 1 cm

Questioning perceptions, the work conflates an eyed hawk-moth with a common blue butterfly, creating a hybrid that oscillates as the viewer moves.

Slither

2013

Screenprinted, cut and fused glass

130 x 89 x 1 cm

Inspired by lenticular imagery, the grossly enlarged image of a common garden snake appears and disappears as the viewer approaches the work, allowing it to ‘slither’ along the wall.

Slither

2013

Screenprinted, cut and fused glass

130 x 89 x 1 cm

Inspired by lenticular imagery, the grossly enlarged image of a common garden snake appears and disappears as the viewer approaches the work, allowing it to ‘slither’ along the wall.

Slither

2013

Screenprinted, cut and fused glass

130 x 89 x 1 cm

Inspired by lenticular imagery, the grossly enlarged image of a common garden snake appears and disappears as the viewer approaches the work, allowing it to ‘slither’ along the wall.

Run/March

2013

Screenprinted, cut and fused glass

170 x 170 x 40 cm

Run/March

2013

Screenprinted, cut and fused glass

170 x 170 x 40 cm

Triple Self Portrait

2007

Screenprinted, cut and fused glass

42 x 30 x 1 cm

Portraits of the artist, his father and grandfather are spliced together into a single image.

Triple Self Portrait

2007

Screenprinted, cut and fused glass

42 x 30 x 1 cm

Portraits of the artist, his father and grandfather are spliced together into a single image.

Tethering

2014

Hotworked glass canes, flameworked on site, metal mounts

Dimensions variable

This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.

Tethering

2014

Hotworked glass canes, flameworked on site, metal mounts

Dimensions variable

This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.

Tethering

2014

Hotworked glass canes, flameworked on site, metal mounts

Dimensions variable

This site-specific installation in northern Scotland uses glass to bind the ruins of a herring station to a cliff against which it stands.

Beautiful Flaws

2013

Found glass from a disused Norwegian greenhouse, wood, steel, aluminum

640 x 350 x 280 cm

Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.

Beautiful Flaws

2013

Found glass from a disused Norwegian greenhouse, wood, steel, aluminum

640 x 350 x 280 cm

Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.

Beautiful Flaws

2013

Found glass from a disused Norwegian greenhouse, wood, steel, aluminum

640 x 350 x 280 cm

Inspired by Bachelard’s Poetics of Space, the shimmering effect of stones in found greenhouse glass is accutuated by printed concentric rings, the view through each window distorting the universe.

Rope Factory

Inspired by the remains of maritime industry in Norway, the sculpture is an absurdly long model of a piece of archaic architecture, stretching from end to end in a gallery space.

Confluence

2016

Screenprinted, kilnformed and fabricated glass

450 x 200 x 5 cm

Confluence

2016

Screenprinted, kilnformed and fabricated glass

450 x 200 x 5 cm

Confluence

2016

Screenprinted, kilnformed and fabricated glass

450 x 200 x 5 cm

Liverpool Map

2010

Screenprinted, waterjet cut, fused and polished glass

200 x 200 x 5 cm

in collaboration with Inge Panneels

Public Art Commission for Museum of Liverpool, 2008-11. Large scale glass work fabricated at National Glass Centre. Sponsored by Open Culture, University of Sunderland, Pearsons and Bullseye Glass.

Liverpool Map

2010

Screenprinted, waterjet cut, fused and polished glass

200 x 200 x 5 cm

in collaboration with Inge Panneels

Public Art Commission for Museum of Liverpool, 2008-11. Large scale glass work fabricated at National Glass Centre. Sponsored by Open Culture, University of Sunderland, Pearsons and Bullseye Glass.

Emotional Leak

2011-14

Waterjet cut glass, steel, rubber

400 x 130 x 130 cm

Collaboration with Erin Dickson

Based in North East England, the artists share a fascination with cultural and emotional connections to architecture. In Emotional Leak, the artists have produced the physical manifestation of a slowly leaking roof. Inspired by water, the resulting form is a four metre-tall black monolithic sculpture, made from stacked glass layers to resemble a digital gothic architectural model.

Emotional Leak

2011-14

Waterjet cut glass, steel, rubber

400 x 130 x 130 cm

Collaboration with Erin Dickson

Based in North East England, the artists share a fascination with cultural and emotional connections to architecture. In Emotional Leak, the artists have produced the physical manifestation of a slowly leaking roof. Inspired by water, the resulting form is a four metre-tall black monolithic sculpture, made from stacked glass layers to resemble a digital gothic architectural model.