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physical reality, as modeled by many temporally local theories, seems to be fundamentally linked to a zoo of oscillation processes. these processes in a way help synthesizing our experiences, be it sonic events, phenomena of light, sight at distance, sight of enclosed spaces, wireless communication, plain matter and much more. as indicated by the order given, the sonic poses a very accessible and rewarding way to explore wave phenomena but this is not where it must end, to say the least of hearing range.

engineering activities have uncovered the electromagnetic within certain limits, or to particular purposes although to a great extent in disregard or disinterest of secondary effects on physiology and consciousness, in other words, the medium is not neutral and on its own commences sending messages of unintended content to unintended receivers.

what is left is the establishement of a musical use of a broader band of waves, both regarding frequency range and media.

a system regulating frequency, duration, event-clustering and arbitrarily more parameters is at least a musical system. in a stochastic system this means choice of probabilities, in a process-coupled system this means filling the system with life by choice of governing events.