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{"id":8442389069,"title":"Moog System 15","handle":"mod-sys-15-01","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/modulars\/model-15\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eModel 15 | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/modulars\/model-15\"\u003e\n\u003cp\u003eThe Moog modular Model 15 is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer.\u003c\/p\u003e\n\u003cp\u003eOver the course of 3 years Moog Music set out to research and build a faithful recreation of the classic Moog modular Model 15 analog synthesizer. Using all original documentation as well as circuit board and art files for every module, Moog Engineers have painstakingly recreated this powerful and portable analog system.\u003c\/p\u003e\n\u003cp\u003eEach Model 15 is hand-built to its original 1974 Moog factory specifications and is a true recreation of the original. Individual modules are brought to life just as the originals were, by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/p\u003e\n\u003cp\u003eThis limited edition reissue of the Moog modular Model 15 is built to order, and is available in very limited quantities. Only 150 Model 15s will be made.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWeight and Dimensions\u003c\/p\u003e\n\u003cp\u003eMain Cabinet\u003c\/p\u003e\n\u003cp\u003eWeight: 50 lbs.\u003c\/p\u003e\n\u003cp\u003eDimension: 18” wide x 25” high x 9 ½” deep\u003c\/p\u003e\n\u003cp\u003eModules And Their Original “Functional Descriptions”.\u003c\/p\u003e\n\u003cp\u003e902 Voltage Controlled Amplifiers: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\n\u003cp\u003e904A Voltage Controlled Low Pass Filter: The 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\n\u003cp\u003e907A Fixed Filter Bank: The 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\n\u003cp\u003e911 Envelope Generators: At the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\n\u003cp\u003e921 Voltage Controlled Oscillator: The 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator. \u003c\/p\u003e\n\u003cp\u003e921A Oscillator driver: The 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\n\u003cp\u003e921B Oscillators: The 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\n\u003cp\u003e923 Random Noise\/Filter:The White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\n\u003cp\u003e995 Attenuator: Attenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-11-14T17:43:00+02:00","created_at":"2016-11-14T17:45:49+02:00","vendor":"Moog","type":"Eurorack \u0026 Modular Synthesizers","tags":["Eurorack \u0026 Modular Synthesizers","Keyboards \u0026 Synthesizers","Modular Synthesizers","Modulars","Moog","Moog System 15","Price Range_$3000 and Over","Shop by brand_Moog","Shop by category_Eurorack \u0026 Modular Synthesizers","Shop by category_Modular Synthesizers","Shop by category_Synthesizers"],"price":1000000,"price_min":1000000,"price_max":1000000,"available":true,"price_varies":false,"compare_at_price":1000000,"compare_at_price_min":1000000,"compare_at_price_max":1000000,"compare_at_price_varies":false,"variants":[{"id":28501031373,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MOD-SYS-15","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog System 15","public_title":null,"options":["Default Title"],"price":1000000,"weight":0,"compare_at_price":1000000,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"040232216596"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Model-15_black.jpg?v=1479138363"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Model-15_black.jpg?v=1479138363","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/modulars\/model-15\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eModel 15 | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/modulars\/model-15\"\u003e\n\u003cp\u003eThe Moog modular Model 15 is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer.\u003c\/p\u003e\n\u003cp\u003eOver the course of 3 years Moog Music set out to research and build a faithful recreation of the classic Moog modular Model 15 analog synthesizer. Using all original documentation as well as circuit board and art files for every module, Moog Engineers have painstakingly recreated this powerful and portable analog system.\u003c\/p\u003e\n\u003cp\u003eEach Model 15 is hand-built to its original 1974 Moog factory specifications and is a true recreation of the original. Individual modules are brought to life just as the originals were, by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/p\u003e\n\u003cp\u003eThis limited edition reissue of the Moog modular Model 15 is built to order, and is available in very limited quantities. Only 150 Model 15s will be made.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eWeight and Dimensions\u003c\/p\u003e\n\u003cp\u003eMain Cabinet\u003c\/p\u003e\n\u003cp\u003eWeight: 50 lbs.\u003c\/p\u003e\n\u003cp\u003eDimension: 18” wide x 25” high x 9 ½” deep\u003c\/p\u003e\n\u003cp\u003eModules And Their Original “Functional Descriptions”.\u003c\/p\u003e\n\u003cp\u003e902 Voltage Controlled Amplifiers: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\n\u003cp\u003e904A Voltage Controlled Low Pass Filter: The 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\n\u003cp\u003e907A Fixed Filter Bank: The 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\n\u003cp\u003e911 Envelope Generators: At the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\n\u003cp\u003e921 Voltage Controlled Oscillator: The 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator. \u003c\/p\u003e\n\u003cp\u003e921A Oscillator driver: The 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\n\u003cp\u003e921B Oscillators: The 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\n\u003cp\u003e923 Random Noise\/Filter:The White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\n\u003cp\u003e995 Attenuator: Attenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}

Moog System 15

Product Description

$10,000.00

Maximum quantity available reached.

Model 15 | Moog Music Inc

The Moog modular Model 15 is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer.

Over the course of 3 years Moog Music set out to research and build a faithful recreation of the classic Moog modular Model 15 analog synthesizer. Using all original documentation as well as circuit board and art files for every module, Moog Engineers have painstakingly recreated this powerful and portable analog system.

Each Model 15 is hand-built to its original 1974 Moog factory specifications and is a true recreation of the original. Individual modules are brought to life just as the originals were, by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.

This limited edition reissue of the Moog modular Model 15 is built to order, and is available in very limited quantities. Only 150 Model 15s will be made.

Weight and Dimensions

Main Cabinet

Weight: 50 lbs.

Dimension: 18” wide x 25” high x 9 ½” deep

Modules And Their Original “Functional Descriptions”.

902 Voltage Controlled Amplifiers: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.

904A Voltage Controlled Low Pass Filter: The 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.

The basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.

907A Fixed Filter Bank: The 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.

911 Envelope Generators: At the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.

921 Voltage Controlled Oscillator: The 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.

All manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.

921A Oscillator driver: The 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.

921B Oscillators: The 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.

Like the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.

921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.

923 Random Noise/Filter:The White and Pink noise outputs of the 923 Random Noise/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.

995 Attenuator: Attenuators reduce the gain or amplitude of any applied input signal, control or audio. Moving clockwise from zero gain to unity with input, these attenuators can be used for reducing the effect of a control upon a voltage controlled module, providing up to three variable outputs from a single source input or reducing the gain of an entire signal complex.

Moog DFAM (Drummer From Another Mother)

$539.00

DFAM (Drummer From Another Mother)
DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.
Activate...

Sequential DSM01 Curtis Filter Module

$0.00

Sequential DSM01 Curtis Filter Module
Big Sound Comes In Small Packages
Dave Smith’s first-ever offering for modular synthesizer users is a big one—the DSM01 Curtis Filter, the very heart and soul of the Dave Smith sound. Featured in everything from Dave’s vintage Sequential synths to his recent cutting-edge instruments such as the Prophet 12, t...

moog Eurorack Case

{"id":1669687083054,"title":"Moog Modular Systems","handle":"moog-modular-systems","description":"\u003ch1 class=\"c-text__headline ng-binding\" ng-bind-html=\"$ctrl.data.field_title[0]['value']\"\u003eTrue recreations of classic Moog modular instruments.\u003c\/h1\u003e\n\u003cdiv ng-bind-html=\"$ctrl.data.field_content_single[0]['value']\" class=\"ng-binding\"\u003e\n\u003cp\u003eMoog modular systems are hand-built analog instruments brought to life utilizing original documentation, circuit board and art files, and manufacturing methods. Available in highly-limited limited quantities, these are the only true recreations of classic Moog modular instruments. Previously released instruments include the Model 15, System 35, System 55, and the Synthesizer IIIc. \u003c\/p\u003e\n\u003cdiv class=\"c-label\" ng-class=\"{'is-empty': $ctrl.breadcrumb.length == 0}\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"c-text__content\"\u003e\n\u003ch2 class=\"c-text__headline ng-binding\" ng-bind-html=\"$ctrl.data.field_title[0]['value']\"\u003eMoog IIIP Modular Synthesizer\u003c\/h2\u003e\n\u003cdiv ng-bind-html=\"$ctrl.data.field_content_single[0]['value']\" class=\"ng-binding\"\u003e\n\u003cp\u003eOriginally released in the late 1960s, each new Moog Synthesizer IIIp is handcrafted using all original documentation, art and circuit board files. It features thirty-seven hand-stuffed, hand-soldered discrete modules including ten 901-Series audio oscillators, the 984 Matrix Mixer, and the 905 Spring Reverb.\u003c\/p\u003e\n\u003cp\u003eAll modules are securely mounted into three solid wood, tolex-wrapped cabinets at the Moog Factory in Asheville, NC. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOnly 40 Synthesizer IIIp will be produced and sold worldwide.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout the 1960s, Dr. Robert Moog collaborated with over 100 composers of electroacoustic music to create the synthesizer concept, born of thousands of design decisions and countless conversations. At the time, the available method of producing electronic music was the “classical studio,” a makeshift production environment cobbled together from individual electronic sound-generators such as surplus telecommunications devices, radio equipment, and early tape machines. Moog and the musicians he worked with streamlined this classical studio technique into a system of standardized sound modules.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn 1965, Bob Moog began taking orders for individual modules and customized modular systems. By 1967, he and a team of ten skilled technicians were hand-building production models in an unassuming brick storefront in Trumansburg, NY. The cutting-edge musical instruments that they called “synthesizers” signaled electronic music’s maturation from an awkward and shy intruder in the realm of music to a dynamic and significant medium of musical expression. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe first models were aptly named Synthesizer I, II, and III. With the introduction of the Moog Synthesizer IIIc -- the “c” referring to the walnut “console” cabinet -- musicians could\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-02-14T22:15:41+02:00","created_at":"2019-02-14T22:19:59+02:00","vendor":"Moog","type":"Eurorack \u0026 Modular Synthesizers","tags":["Eurorack \u0026 Modular Synthesizers","Keyboards \u0026 Synthesizers","Modular Synthesizers","Moog","Moog Modular Systems","Shop by brand_Moog","Shop by category_Eurorack \u0026 Modular Synthesizers","Shop by category_Keyboards \u0026 Synthesizers","Shop by category_Modular Synthesizers"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15320751800366,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Modulars","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog Modular Systems","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Module_1.jpg?v=1550175670","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/48392556_347130496116287_273913673901146112_n_56d32307-acd9-4629-a64b-fef11f4c4ea4.png?v=1550175936","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/module_2.jpg?v=1550175990","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Module_3.jpg?v=1550176038","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Genereic_20Instagram_Factory-35.jpg?v=1550176060","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/3P_0.jpg?v=1550176098"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Module_1.jpg?v=1550175670","options":["Title"],"content":"\u003ch1 class=\"c-text__headline ng-binding\" ng-bind-html=\"$ctrl.data.field_title[0]['value']\"\u003eTrue recreations of classic Moog modular instruments.\u003c\/h1\u003e\n\u003cdiv ng-bind-html=\"$ctrl.data.field_content_single[0]['value']\" class=\"ng-binding\"\u003e\n\u003cp\u003eMoog modular systems are hand-built analog instruments brought to life utilizing original documentation, circuit board and art files, and manufacturing methods. Available in highly-limited limited quantities, these are the only true recreations of classic Moog modular instruments. Previously released instruments include the Model 15, System 35, System 55, and the Synthesizer IIIc. \u003c\/p\u003e\n\u003cdiv class=\"c-label\" ng-class=\"{'is-empty': $ctrl.breadcrumb.length == 0}\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"c-text__content\"\u003e\n\u003ch2 class=\"c-text__headline ng-binding\" ng-bind-html=\"$ctrl.data.field_title[0]['value']\"\u003eMoog IIIP Modular Synthesizer\u003c\/h2\u003e\n\u003cdiv ng-bind-html=\"$ctrl.data.field_content_single[0]['value']\" class=\"ng-binding\"\u003e\n\u003cp\u003eOriginally released in the late 1960s, each new Moog Synthesizer IIIp is handcrafted using all original documentation, art and circuit board files. It features thirty-seven hand-stuffed, hand-soldered discrete modules including ten 901-Series audio oscillators, the 984 Matrix Mixer, and the 905 Spring Reverb.\u003c\/p\u003e\n\u003cp\u003eAll modules are securely mounted into three solid wood, tolex-wrapped cabinets at the Moog Factory in Asheville, NC. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOnly 40 Synthesizer IIIp will be produced and sold worldwide.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout the 1960s, Dr. Robert Moog collaborated with over 100 composers of electroacoustic music to create the synthesizer concept, born of thousands of design decisions and countless conversations. At the time, the available method of producing electronic music was the “classical studio,” a makeshift production environment cobbled together from individual electronic sound-generators such as surplus telecommunications devices, radio equipment, and early tape machines. Moog and the musicians he worked with streamlined this classical studio technique into a system of standardized sound modules.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn 1965, Bob Moog began taking orders for individual modules and customized modular systems. By 1967, he and a team of ten skilled technicians were hand-building production models in an unassuming brick storefront in Trumansburg, NY. The cutting-edge musical instruments that they called “synthesizers” signaled electronic music’s maturation from an awkward and shy intruder in the realm of music to a dynamic and significant medium of musical expression. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe first models were aptly named Synthesizer I, II, and III. With the introduction of the Moog Synthesizer IIIc -- the “c” referring to the walnut “console” cabinet -- musicians could\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

Moog Modular Systems

$0.00

True recreations of classic Moog modular instruments.
Moog modular systems are hand-built analog instruments brought to life utilizing original documentation, circuit board and art files, and manufacturing methods. Available in highly-limited limited quantities, these are the only true recreations of classic Moog modular instruments. Previously...

{"id":1505381646382,"title":"Strymon AA.1 Amplifier Attenuator Eurorack Module","handle":"strymon-aa-1-amplifier-attenuator-eurorack-module","description":"\u003ch1\u003e\u003cstrong\u003e4HP Amplifier\/Attenuator Eurorack Module, for Use with Effects Pedals\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch2\u003eBridge Between Worlds.\u003c\/h2\u003e\n\u003cp\u003eAA.1 is designed to be your bridge between the world of guitar pedals and the world of Eurorack modular. This compact 4HP amplifier attenuator module has everything you need to interface your modular with your guitar effects pedals as well as with your guitar or bass.\u003c\/p\u003e\n\u003ch2\u003eMerge Guitar With Modular.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eAA.1 is purpose built to combine your guitar gear and Eurorack modules in just about any way you can imagine. Connect a pedal to the effects send and return of Magneto. Use your guitar or bass as a signal source for mangling and warping with your modular gear.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSend an instrument level stereo master output from your modular rack to your computer audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eOn The Level.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eAA.1 is designed to solve all the issues that arise when introducing guitar gear to the world of Eurorack. Most Eurorack modules output very hot audio signal levels that can easily overload the inputs of effects pedals or computer audio interfaces\u003c\/span\u003e\u003cspan class=\"s2\"\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e \u003c\/span\u003eAnd it’s not just the output of the modules: Audio inputs in a Eurorack system also need to receive hot signals. AA.1 amplifies the input and attenuates the output signals to the appropriate levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eEasy to Use.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eAA.1 is straightforward to use. The 1\/4″ stereo input amplifies guitar level signals by +18dB, outputting the amplified signal through left and right 1\/8″ outputs (use the left output for mono). Left and right 1\/8″ inputs attenuate Eurorack level signals by -18dB, sending the attenuated signal through left and right 1\/4″ outputs suitable for outputting to guitar level products.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003eSpecs\u003c\/h1\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch3\u003eAudio Quality\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eAmplifier:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGain: +18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (before soft clipping): 2.25Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output: 18Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 1 kΩ\u003c\/li\u003e\n\u003cli\u003e20Hz – 20kHz, +\/- 1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eAttenuator:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGain: -18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (Nominal): 20Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output Level (Nominal): 2.5Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 8 kΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 880 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003ch3\u003e20Hz – 20kHz, +\/- 1dB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch3\u003eMore\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e+12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e-12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e+5V rail: 0mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e4 HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003eRack Depth: 1.5″ (38mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDesigned \u0026amp; Built in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-10-25T16:41:14+02:00","created_at":"2018-10-25T16:42:50+02:00","vendor":"Strymon","type":"Keyboards \u0026 Synthesizers","tags":["Eurorack \u0026 Modular Synthesizers","Eurorack Modules","Keyboards \u0026 Synthesizers","Price Range_$100 to $200","Shop by brand_Strymon","Shop by category_ Keyboards \u0026 Synthesizers","Shop by category_ Synthesizers","Shop by category_Eurorack \u0026 Modular Synthesizers","Shop by category_Eurorack Modules","Strymon","Strymon AA.1 Amplifier Attenuator Eurorack Module","Synthesizers"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13697255440430,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AA1EU","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Strymon AA.1 Amplifier Attenuator Eurorack Module","public_title":null,"options":["Default Title"],"price":12900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/aa1_1000-e1523556422796.jpg?v=1540479043","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/aa1_circuitboard_1000.jpg?v=1540479064"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/aa1_1000-e1523556422796.jpg?v=1540479043","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003e4HP Amplifier\/Attenuator Eurorack Module, for Use with Effects Pedals\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch2\u003eBridge Between Worlds.\u003c\/h2\u003e\n\u003cp\u003eAA.1 is designed to be your bridge between the world of guitar pedals and the world of Eurorack modular. This compact 4HP amplifier attenuator module has everything you need to interface your modular with your guitar effects pedals as well as with your guitar or bass.\u003c\/p\u003e\n\u003ch2\u003eMerge Guitar With Modular.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eAA.1 is purpose built to combine your guitar gear and Eurorack modules in just about any way you can imagine. Connect a pedal to the effects send and return of Magneto. Use your guitar or bass as a signal source for mangling and warping with your modular gear.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSend an instrument level stereo master output from your modular rack to your computer audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eOn The Level.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eAA.1 is designed to solve all the issues that arise when introducing guitar gear to the world of Eurorack. Most Eurorack modules output very hot audio signal levels that can easily overload the inputs of effects pedals or computer audio interfaces\u003c\/span\u003e\u003cspan class=\"s2\"\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e \u003c\/span\u003eAnd it’s not just the output of the modules: Audio inputs in a Eurorack system also need to receive hot signals. AA.1 amplifies the input and attenuates the output signals to the appropriate levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eEasy to Use.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003eAA.1 is straightforward to use. The 1\/4″ stereo input amplifies guitar level signals by +18dB, outputting the amplified signal through left and right 1\/8″ outputs (use the left output for mono). Left and right 1\/8″ inputs attenuate Eurorack level signals by -18dB, sending the attenuated signal through left and right 1\/4″ outputs suitable for outputting to guitar level products.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003eSpecs\u003c\/h1\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch3\u003eAudio Quality\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eAmplifier:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGain: +18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (before soft clipping): 2.25Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output: 18Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 1 kΩ\u003c\/li\u003e\n\u003cli\u003e20Hz – 20kHz, +\/- 1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eAttenuator:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGain: -18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (Nominal): 20Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output Level (Nominal): 2.5Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 8 kΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 880 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003ch3\u003e20Hz – 20kHz, +\/- 1dB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch3\u003eMore\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e+12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e-12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e+5V rail: 0mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e4 HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003eRack Depth: 1.5″ (38mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDesigned \u0026amp; Built in the USA\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}

Strymon AA.1 Amplifier Attenuator Eurorack Module

$129.00

4HP Amplifier/Attenuator Eurorack Module, for Use with Effects Pedals
Bridge Between Worlds.
AA.1 is designed to be your bridge between the world of guitar pedals and the world of Eurorack modular. This compact 4HP amplifier attenuator module has everything you need to interface your modular with your guitar effects pedals as well as with your g...

{"id":8442386189,"title":"Moog System 35","handle":"mod-sys-35-01","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/modulars\/system-35\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eSystem 35 | Moog Music Inc\u003c\/h1\u003e\n\u003cp\u003eINFO\u003cbr\u003e\u003cbr\u003eFaithfully Recreating The System 35\u003cbr\u003e\u003cbr\u003e • Three years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003cbr\u003e\u003cbr\u003e • Each individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003cbr\u003e\u003cbr\u003e • This limited reissue of the Moog System 35 modular synthesizer is built to order. Only 35 total units will be made and sold worldwide. \u003cbr\u003e\u003cbr\u003e SPECS\u003cbr\u003e\u003cbr\u003e System 35 Modules\u003cbr\u003e\u003cbr\u003e • 3x 902 Voltage Controlled Amplifiers\u003cbr\u003e • 1x 904A Voltage Controlled Low Pass Filter\u003cbr\u003e • 1x 904B Voltage Controlled High Pass Filter\u003cbr\u003e • 1x 907A Fixed Filter Bank:\u003cbr\u003e • 3x 911 Envelope Generators:\u003cbr\u003e • 1x 921 Voltage Controlled Oscillator:\u003cbr\u003e • 2x 921A Oscillator drivers:\u003cbr\u003e • 4x 921B Oscillators:\u003cbr\u003e • 1x 923 Random Noise\/Filter:\u003cbr\u003e • 2x CP3A Console Panels:\u003cbr\u003e • 1x CP4A Console Panel:\u003cbr\u003e • 1x CP8A Console Panel:\u003cbr\u003e • 1x CP35 Console Panel:\u003cbr\u003e • 1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003cbr\u003e\u003cbr\u003eIncluded Patch Cabling\u003cbr\u003e\u003cbr\u003e • 10x - 1' 1\/4\" TS cables\u003cbr\u003e • 6x - 2' 1\/4\" TS cables\u003cbr\u003e • 4x - 3' 1\/4\" TS cables\u003cbr\u003e • 4x - 4' 1\/4\" TS cables\u003cbr\u003e • 2x - 5' 1\/4\" TS cables\u003cbr\u003e • 2x - 1' S-Trigger cables\u003cbr\u003e • 2x - 3' S-Trigger cabl\u003cbr\u003e • Weight and Dimensions\u003cbr\u003e • Main Cabinet\u003cbr\u003e • Weight: 100 lbs\u003cbr\u003e • Dimension: 48 ½” wide x 15 ½” high x 14” deep \u003cbr\u003e • Modules And Their Original “Functional Descriptions”.\u003cbr\u003e\u003cbr\u003e • 902 Voltage Controlled Amplifier: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003cbr\u003e\u003cbr\u003e • 904A Voltage Controlled Low Pass Filter: The 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003cbr\u003e\u003cbr\u003e • The basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003cbr\u003e\u003cbr\u003e • 904B Voltage Controlled High Pass Filter: The 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003cbr\u003e\u003cbr\u003e • The Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003cbr\u003e\u003cbr\u003e • 907A Fixed Filter Bank: The 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003cbr\u003e\u003cbr\u003e • 911 Envelope Generators: At the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003cbr\u003e\u003cbr\u003e • 921 Voltage Controlled Oscillator: The 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003cbr\u003e\u003cbr\u003e • All manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003cbr\u003e\u003cbr\u003e • 921A Oscillator drivers: The 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003cbr\u003e\u003cbr\u003e • 921B Oscillators: The 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003cbr\u003e\u003cbr\u003e • Like the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003cbr\u003e\u003cbr\u003e • 921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003cbr\u003e\u003cbr\u003e • 923 Random Noise\/Filter: The White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003cbr\u003e\u003cbr\u003e • CP3A Console Panels: The CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/modulars\/system-35\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-11-14T17:40:00+02:00","created_at":"2016-11-14T17:42:31+02:00","vendor":"Moog","type":"Eurorack \u0026 Modular Synthesizers","tags":["Eurorack \u0026 Modular Synthesizers","Keyboards \u0026 Synthesizers","Modular Synthesizers","Modulars","Moog","Moog System 35","Price Range_$3000 and Over","Shop by brand_Moog","Shop by category_Eurorack \u0026 Modular Synthesizers","Shop by category_keyboard\u0026Synthesizers","Shop by category_Modular Synthesizers"],"price":2200000,"price_min":2200000,"price_max":2200000,"available":true,"price_varies":false,"compare_at_price":2200000,"compare_at_price_min":2200000,"compare_at_price_max":2200000,"compare_at_price_varies":false,"variants":[{"id":28500994829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MOD-SYS-35","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog System 35","public_title":null,"options":["Default Title"],"price":2200000,"weight":0,"compare_at_price":2200000,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"040232216602"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/System_35_SCB.jpg?v=1479138167","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/35_Solo.jpg?v=1479138186"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/System_35_SCB.jpg?v=1479138167","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/modulars\/system-35\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eSystem 35 | Moog Music Inc\u003c\/h1\u003e\n\u003cp\u003eINFO\u003cbr\u003e\u003cbr\u003eFaithfully Recreating The System 35\u003cbr\u003e\u003cbr\u003e • Three years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003cbr\u003e\u003cbr\u003e • Each individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003cbr\u003e\u003cbr\u003e • This limited reissue of the Moog System 35 modular synthesizer is built to order. Only 35 total units will be made and sold worldwide. \u003cbr\u003e\u003cbr\u003e SPECS\u003cbr\u003e\u003cbr\u003e System 35 Modules\u003cbr\u003e\u003cbr\u003e • 3x 902 Voltage Controlled Amplifiers\u003cbr\u003e • 1x 904A Voltage Controlled Low Pass Filter\u003cbr\u003e • 1x 904B Voltage Controlled High Pass Filter\u003cbr\u003e • 1x 907A Fixed Filter Bank:\u003cbr\u003e • 3x 911 Envelope Generators:\u003cbr\u003e • 1x 921 Voltage Controlled Oscillator:\u003cbr\u003e • 2x 921A Oscillator drivers:\u003cbr\u003e • 4x 921B Oscillators:\u003cbr\u003e • 1x 923 Random Noise\/Filter:\u003cbr\u003e • 2x CP3A Console Panels:\u003cbr\u003e • 1x CP4A Console Panel:\u003cbr\u003e • 1x CP8A Console Panel:\u003cbr\u003e • 1x CP35 Console Panel:\u003cbr\u003e • 1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply\u003cbr\u003e\u003cbr\u003eIncluded Patch Cabling\u003cbr\u003e\u003cbr\u003e • 10x - 1' 1\/4\" TS cables\u003cbr\u003e • 6x - 2' 1\/4\" TS cables\u003cbr\u003e • 4x - 3' 1\/4\" TS cables\u003cbr\u003e • 4x - 4' 1\/4\" TS cables\u003cbr\u003e • 2x - 5' 1\/4\" TS cables\u003cbr\u003e • 2x - 1' S-Trigger cables\u003cbr\u003e • 2x - 3' S-Trigger cabl\u003cbr\u003e • Weight and Dimensions\u003cbr\u003e • Main Cabinet\u003cbr\u003e • Weight: 100 lbs\u003cbr\u003e • Dimension: 48 ½” wide x 15 ½” high x 14” deep \u003cbr\u003e • Modules And Their Original “Functional Descriptions”.\u003cbr\u003e\u003cbr\u003e • 902 Voltage Controlled Amplifier: The 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003cbr\u003e\u003cbr\u003e • 904A Voltage Controlled Low Pass Filter: The 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003cbr\u003e\u003cbr\u003e • The basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003cbr\u003e\u003cbr\u003e • 904B Voltage Controlled High Pass Filter: The 904B Voltage Controlled High Pass Filter attenuates input signal frequencies below its nominal cutoff frequency setting. The attenuation below FCV cutoff setting is 24dB\/oct. As the fundamental is generally the loudest frequency component of a complex tone, deletion of the lowest frequency range can radically alter the timbre. The FCV cutoff point is raised or lowered in octave per volt control inputs.\u003cbr\u003e\u003cbr\u003e • The Frequency Range switch sets the overall range of frequencies covered by the Fixed Control Voltage potentiometer. The Low range encompasses 4hz to 20kHz, while the High range shifts 1 1\/2 octaves up to 10Hz through 50kHz.\u003cbr\u003e\u003cbr\u003e • 907A Fixed Filter Bank: The 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003cbr\u003e\u003cbr\u003e • 911 Envelope Generators: At the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003cbr\u003e\u003cbr\u003e • 921 Voltage Controlled Oscillator: The 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003cbr\u003e\u003cbr\u003e • All manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.\u003cbr\u003e\u003cbr\u003e • 921A Oscillator drivers: The 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003cbr\u003e\u003cbr\u003e • 921B Oscillators: The 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003cbr\u003e\u003cbr\u003e • Like the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003cbr\u003e\u003cbr\u003e • 921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003cbr\u003e\u003cbr\u003e • 923 Random Noise\/Filter: The White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003cbr\u003e\u003cbr\u003e • CP3A Console Panels: The CP3A module has four varied functions. The primary circuit is a 4x1 mixer with positive and negative outputs and a maximum gain of 2x. This mixer can combine both AC and\/or DC voltages. The second series of functions are four signal routing switches, which connect the incoming control voltages from keyboard, ribbon or other controller units to the frequency control input of associated oscillator drivers found directly above the switching panel. The fourth input switch has both an external input jack and attenuator {found directly below}. This input jack is connected to the Oscillator Driver when the associated switch is on and the attenuator set above zero. At \"10\" a signal introduced here will be equal to one which is introduced directly into the frequency control inputs found on the Oscillator Driver itself. The two final elements found on the CP3A are a multiple {signal splitting - one input becomes three} and trunk line jacks, which carry a signal to the rear of the synthesizer.\u003c\/p\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/modulars\/system-35\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}

Moog System 35

$22,000.00

System 35 | Moog Music Inc
INFOFaithfully Recreating The System 35 • Three years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-b...

Moog 60 HP Case

$88.00

This is an extruded aluminum Eurorack case with wood sides (no modules included). Up to 1.9” module depth. Requires separate Eurorack power module for use.
Includes sliding nuts and screws.
*104 HP includes a 16 pin to 10 pin Eurorack power cable for your Mother-32.
Available in 60HP & 104HP.