The Golden Age Of Science Fiction Vol Iii Part 49

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"Well, this is probably it," Altamont said. "We didn't have to bother fussing around with that flag after all. That hump over there looks as though it had been a small building, and there's nothing corresponding to it on the city map. That may be the bunker over the stair-head to the crypt."

They began unloading equipment--a small, portable nuclear-electric conversion unit, a powerful solenoid-hammer, crowbars and intrenching tools, tins of blasting plastic. They took out the two hunting rifles and the auto-carbines, and Altamont showed the young men of Murray Hughes' detail how to use them.

"If you will pardon me, sir," the Tenant said to Altamont, "I think it would be a good idea if your companion went up in the flying machine and circled over us, to keep watch for the Scowrers. There are quite a few of them, particularly farther up the rivers, to the east, where the damage was not so great and they can find cellars and shelters and buildings to live in."

"Good idea. That way, we won't have to put out guards," Altamont said. "From the looks of this, we'll need every body to help dig into that thing. Hand out one of the portable radios, Jim and go up to about a thousand feet. If you see anything suspicious, give us a yell, then spray it with bullets, and find out what it is afterward."

They waited until the helicopter had climbed to position and was circling above, and then turned their attention to the place where the sheet of fused earth and stone bulged upward. It must have been almost ground-zero of one of the hydrogen-bombs: the wreckage of the Cathedral of Learning had fallen predominantly to the north, and the Carnegie Library was tumbled to the east.

"I think the entrance would be on this side, toward the Library," Altamont said. "Let's try it, to begin with."

He used the solenoid-hammer, slowly pounding a hole in the glaze, and placed a small charge of the plastic explosive. Chunks of the lava-like stuff pelted down between the little mound and the huge one of the old library, blowing a hole six feet in diameter and the two and a half feet deep, revealing concrete bonded with crushed steel-mill slag.

"We missed the door," Altamont said. "That means we'll have to tunnel in through who knows how much concrete. Well...."

He used a second and larger charge, after digging a hole a foot deep. When he and his helpers came up to look, they found a large ma.s.s of concrete blown out, and solid steel behind it. Altamont cut two more holes, one on either side of the blown-out place, and fired a charge in each of them, bringing down more concrete.

He found he hadn't missed the door after all. It had merely been concreted over.

A few more shots cleared it, and after some work, they got it open. There was a room inside, concrete-floored and entirely empty. Altamont stood in the doorway and inspected the interior with his flashlight; he heard somebody behind him say something about a most peculiar sort of dark-lantern.

Across the small room, on the opposite wall, was a bronze plaque.

The plaque carried quite a lengthy inscription, including the names of all the persons and inst.i.tutions partic.i.p.ating in the microfilm project. The History Department at the Fort would be interested in that, but the only thing that interested Altamont was the statement that the floor had been laid over the trapdoor leading to the vault where the microfilms were stored. He went outside to the radio.

"h.e.l.lo, Jim. We're inside, but the films were stored in an underground vault, and so we have to tear up a concrete floor," he said. "Go back to the village and gather up all the men you can carry. I don't want to use explosives inside. The interior of the crypt oughtn't to be damaged. Besides, I don't know what a blast in there might do to the film, and I don't want to take any chances."

"No, of course not. How thick do you think the floor is?"

"Haven't the least idea. Plenty thick, I would guess. Those films would have to be well-buried, to s.h.i.+eld them from radioactivity. We can expect that it will take some time."

"All right. I'll be back as soon as I can."

The helicopter turned and went windmilling away, over what had been the Golden Triangle, down the Ohio. Altamont went back to the little concrete bunker and sat down, lighting his pipe. Murray Hughes and his four riflemen spread out, one circling around the glazed b.u.t.te that had been the Cathedral of Learning, another climbing to the top of the old Library, and the others taking positions to the south and east.

Altamont sat in silence, smoking his pipe and trying to form some conception of the wealth under that concrete floor.

It was no use.

Jim Loudons probably understood a little more clearly what those books would mean to the world of today, and what they could do toward shaping the world of the future.

There was a library at Fort Ridgeway, and it was an excellent one ... for its purpose. In 1996, when the rockets had come cras.h.i.+ng down, it had contained the cream of the world's technical knowledge--and very little else. There was only a little fiction, a few books of ideas, just enough to give the survivors a tantalizing glimpse of the world of their fathers.

But now....

A rifle banged to the south and east, and banged again. Either Murray Hughes or Birdy Edwards: it was one of the two hunting rifles from the helicopter.

On the heels of the reports, they heard a voice shouting, "Scowrers! A lot of them, coming from up the river!"

A moment later, there was a light whip-crack of one of the muzzleloaders, from the top of the old Carnegie Library, and Altamont could see a wisp of grey-white smoke drifting away from where it had been fired.

Altamont jumped to his feet and raced for the radio, picking it up and bring it to the bunker.

Tenant Jones, old Reader Rawson, and Verner Hughes had caught up their rifles. The Tenant was shouting. "Come on in! Everybody, come on in!"

The boy on top of the library began scrambling down. Another came running from the direction of the half-demolished Cathedral of Learning, a third from the baseball field that had served as Altamont's point of reference the afternoon before.

The fourth, Murray Hughes, was running in from the ruins of the old Carnegie Tech buildings, and Birdy Edwards sped up the main road from Schenley Park. Once, twice, as he ran, Murray Hughes paused, turned, and fired behind him.

Then his pursuers came into sight!

They ran erect, they wore a few rags of skin garments, and they carried spears and hatchets and clubs, so they were probably cla.s.sifiable as men. But their hair was long and unkempt, and their bodies were almost black with dirt and from the sun. A few of them were yelling, but most of them ran silently. They ran more swiftly than the boy they were pursuing: the distance between them narrowed every moment. There were at least fifty of them.

Verner Hughes' rifle barked, one of them dropped. As cooly as though he were shooting squirrels instead of his son's pursuers, he dropped the b.u.t.t of the rifle to the ground, poured a charge of powder, patched a ball and rammed it home, replaced the ramrod. Tenant Jones fired then, and Birdy Edwards joined them, beginning to shoot with the telescope-sighted rifle.

The young man who had been north of the Cathedral of Learning had one of the auto-carbines; luckily, Altamont had providently set the control for semi-auto before giving it to him. He dropped to one knee and began to empty the clip, shooting slowly and deliberately, picking off the runners who were in the lead.

The boy who had started to climb down off the Library halted, fired his flintlock, and began reloading it.

Altamont, sitting down and propping his elbows on his knees, took both hands to the automatic which was his only weapon, emptying the magazine and replacing it. The last three savages he shot in the back: they had had enough and were running for their lives.

So far, everybody was safe. The boy in the Library came down through a place where the wall had fallen. Murray Hughes stopped running and came slowly toward the bunker, putting a fresh clip into his rifle. The others came drifting in.

"Altamont, calling Loudons," the scientist from Fort Ridgeway was saying into the radio. "Monty to Jim: can you hear me?"

Silence.

"We'd better get ready for another attack," Birdy Edwards said. "There's another gang coming from down that way. I never saw so many Scowrers!"

"Maybe there's a reason, Birdy," Tenant Jones said. "The Enemy is after big game, this time."

"Jim, where the devil are you?" Altamont fairly yelled into the radio; and as he did, he knew the answer. Loudons was in the village, away from the helicopter, gathering tools and workers.

Nothing to do but keep on trying!

"Here they come!" Reader Rawson warned.

"How far can these rifles be depended on?" Birdy Edwards wanted to know.

Altamont straightened, saw the second band of savages approaching about four hundred yards away.

"Start shooting now," he said. "Aim for the upper part of their bodies."

The two auto-loading rifles began to crack. After the first few shots, the savages took cover. Evidently they understood the capabilities and limitations of the villagers' flintlocks, but this was a terrifying surprise to them.

"Jim!"--Altamont was almost praying into the radio--"Come in, Jim!"

"What is it, Monty? I was outside."

Altamont told him.

"Those fellows you had up with you yesterday, think they could be trusted to handle the guns? A couple of them are here with me," Loudons inquired.

"Take a chance on it! It won't cost anything but my life, and that's not worth much at the present."

"All right, hold on. We'll be there in a few minutes."

"Loudons is bringing the helicopter," Altamont told the others. "All we have to do is to hold on, here, until he comes."

A naked savage raised his head from behind what might, two hundred years ago, have been a cement park-bench and he was only a hundred yards away. Reader Rawson promptly killed him and began reloading.

"I think you're right, Tenant," he said. "The Scowrers have never attacked in bands like this before. They must have a powerful reason and I can think of only one."

"That's what I'm beginning to think, too," Verner Hughes agreed. "At least, we've eliminated the third of your possibilities, Tenant. And I think probably the second, as well."

Altamont wondered what they were double-talking about. There wasn't any particular mystery about the ma.s.s attack of the wild men to him.

Debased as they were, they still possessed speech and the ability to transmit experiences. No matter how beclouded in superst.i.tion, they still remembered that aircraft dropped bombs, and bombs killed people, and where people had been killed, they would find fresh meat. They had seen the helicopter circling about, and had heard the blasting: everyone in the area had been drawn to the scene as soon as Loudons had gone down the river.

But they seemed to have forgotten that aircraft carried guns, although they did spring to their feet and start to run at the return of the helicopter.

However, most of them did not run far.

IX.

Altamont and Loudons shook hands many times in front of the Aitch-Cue House, and listened to many good wishes, and repeated their promise to return. Most of the microfilmed books were to be stored in the old church. They were taking with them only the catalogue and a few of the most important works. Finally, they entered the helicopter. The crowd shouted farewell as they rose.

Altamont, at the controls, waited until they had gained five thousand feet, then turned on a compa.s.s-course for Colony Three.

"I can't wait until we're in radio range of the Fort, Jim. This is one report that I really want to make," he said.

"Of all the wonderful luck!" he went on. "And I don't know which is the more important: finding those books, or finding those people. In a few years, when we can get them supplied with modern equipment and instructed in its use-- "What's the matter, Jim? You should be even more excited than I am."

"I'm not very happy about this, Monty," Loudons confessed. "I keep thinking about what's going to happen to them."

"Why, nothing's going to happen to them. They're going to be given the means of producing more food, keeping more of them alive, giving them more leisure to develop themselves in--"

"Monty, I saw the Sacred Books."

"The deuce! What were they?"

"It. One volume. A collection of works. We have it at the Fort and I've read it. How I ever missed all those clues--"

"You see, Monty, what I'm worried about is what's going to happen to those people when they find out that we're not really Sherlock Holmes and Doctor Watson...."

Contents

TIME AND TIME AGAIN.

BY H. BEAM PIPER.

To upset the stable, mighty stream of time would probably take an enormous concentration of energy. And it's not to be expected that a man would get a second chance at life. But an atomic might accomplish both-- Blinded by the bomb-flash and numbed by the narcotic injection, he could not estimate the extent of his injuries, but he knew that he was dying. Around him, in the darkness, voices sounded as through a thick wall.

"They mighta left mosta these Joes where they was. Half of them won't even last till the truck comes."

"No matter; so long as they're alive, they must be treated," another voice, crisp and cultivated, rebuked. "Better start taking names, while we're waiting."

"Allan Hartley!" The medic officer spoke in shocked surprise. "Why, he's the man who wrote 'Children of the Mist', 'Rose of Death', and 'Conqueror's Road'!"

He tried to speak, and must have stirred; the corpsman's voice sharpened.

"Major, I think he's part conscious. Mebbe I better give him 'nother shot."

"Yes, yes; by all means, sergeant."

Something jabbed Allan Hartley in the back of the neck. Soft billows of oblivion closed in upon him, and all that remained to him was a tiny spark of awareness, glowing alone and lost in a great darkness.

The Spark grew brighter. He was more than a something that merely knew that it existed. He was a man, and he had a name, and a military rank, and memories. Memories of the searing blue-green flash, and of what he had been doing outside the shelter the moment before, and memories of the month-long siege, and of the retreat from the north, and memories of the days before the War, back to the time when he had been little Allan Hartley, a schoolboy, the son of a successful lawyer, in Williamsport, Pennsylvania.

His mother he could not remember; there was only a vague impression of the house full of people who had tried to comfort him for something he could not understand. But he remembered the old German woman who had kept house for his father, afterward, and he remembered his bedroom, with its chintz-covered chairs, and the warm-colored patch quilt on the old cherry bed, and the tan curtains at the windows, edged with dusky red, and the morning sun s.h.i.+ning through them. He could almost see them, now.

He blinked. He could see them!

For a long time, he lay staring at them unbelievingly, and then he deliberately closed his eyes and counted ten seconds, and as he counted, terror gripped him. He was afraid to open them again, lest he find himself blind, or gazing at the filth and wreckage of a blasted city, but when he reached ten, he forced himself to look, and gave a sigh of relief. The sunlit curtains and the sun-gilded mist outside were still there.

He reached out to check one sense against another, feeling the rough monk's cloth and the edging of maroon silk thread. They were tangible as well as visible. Then he saw that the back of his hand was unscarred. There should have been a scar, souvenir of a rough-and-tumble brawl of his cub reporter days. He examined both hands closely. An instant later, he had sat up in bed and thrown off the covers, partially removing his pajamas and inspecting as much of his body as was visible.

The Golden Age Of Science Fiction Vol Iii Part 49

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