Ozer is a leading expert on H.264, H.265, and VP9 encoding for live and on-demand production. In his consulting practice, Ozer helps streaming publishers produce highly optimized and deliverable streams and to choose encoders, transcoders, and workflows that optimize cost, efficiency and flexibility. Ozer is the owner of the Streaming Learning Center and is a contributing editor to Streaming Media Magazine.

I’ve been bullish on AV1 since the start, but I’m starting to think the codec is both farther away and less useful than I initially thought. Here’s what’s happening. For Streaming Media East in June 2017, an AV1 member encoded four videos, totaling about 8.5 minutes, to five data rates each for 720p, 1080p, and…

Here’s the description; download the handout below. C203 – How To: Reducing Latency and Startup Times Low latency and fast startup times are KPIs for most streaming video producers, particularly for live events. Though a series of structured tests that measure startup time, latency, and network overhead, this session documents the results achieved by reducing…

Here’s the description: download handout below: Per-title encoding techniques customize the encoding ladder to match the encoding complexity of the source, saving bandwidth on easy-to-compress videos and ensuring the quality of more complex footage. This session compares the efficiency, implementation issues, and costs of multiple commercially available and open-source alternatives, like Capella Systems Cambria Encoder,…

Here’s the description; download link below. Many content distributors and aggregators still use H.264 as their primary, if not exclusive codec, but the bandwidth savings incident to newer, more powerful codecs are alluring. Those considering a switch must evaluate at least three options; HEVC, VP9, and the Alliance for Open Media’s AV1 codec, which should…

Here’s the description; download handout below. With the speed of technology today, one of the most important parts of software is adaptability. By taking control of your own encoding and packaging, you can greatly reduce cost and maintain high adaptability and agility to meet your needs now and in the future. When working with cloud…

Here’s the session description; download the handout below. Streaming to one live streaming service is so 2016. Today, in addition to streaming to your own website or app, you may want to distribute your live stream to multiple other outlets like Facebook Live, YouTube Live, Livestream, Twitter, or Twitch. Fortunately, there are a variety of…

Here’s the description; you can download the handout below. Apple’s support for HEVC in HLS is a ground-breaking event that opens up hundreds of millions of HEVC capable players. If supporting this spec is on your short-term development schedule, you’ll want to check out this workshop. The workshop starts by reviewing the new spec and…

My first session at Streaming Media West. Here’s the description, you can download the handout below. As video resolutions increase and target playback platforms multiply, video producers must leave their H.264/HLS/HDS comfort zone and expand into HEVC, VP9, and MPEG-DASH. This workshop is divided into multiple segments by target platform to teach you the applicable…

Streaming Media West is coming up on November 1-3 in Huntington Beach, CA, and there are tons of great sessions. I have a bunch of interesting sessions that I wanted to share here. I’ve posted full descriptions below, here are titles and a brief description. Pre-conference Sessions – Wednesday, November 1 I have two pre-conference…

Just a quick note to say how excited I am to be the keynote speaker at Streaming Tech Sweden in Stockholm on November 22, 1017. The day-long show, which is sponsored by Swedish consultancy Eyevinn Technology, will help technology managers, architects, developers, and product managers understand how to deploy key streaming technologies. Here’s a discussion with…