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Editorial Reviews

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Despite the advent of the '00s, thoroughly blunted longhairs wearing three-quarter-length T-shirts still boot around the suburbs in painted vans listening to roaring metal. Fittingly, a whole new crop of post-Dazed and Confused-era stoner rockers--Fu Manchu, Monster Magnet, and arguably the kings of them all, Queens of the Stone Age--provide a shredding contemporary score for righteous three-finger devil salutes. On Songs for the Deaf, core members bassist Nick Oliveri and singer-guitarist Josh Homme (also see Kyuss) balance pure guitar-induced carnage with more complex, though no less aggressive, speed rock that whips by so fast it creates its own breeze. Opening with the 90-second "The Real Song for the Deaf"--a cheeky and amorphous bit of bloopy electronica quite possibly recorded at the bottom of a swimming pool--the disc explodes with track two, a toxic squall of power chords and now-classic Olivera death howls. It's here the album's recurring concept/conceit is introduced as a generic-sounding announcer from L.A.'s "Clone" radio spits out some psychobabble reinforcing the tired if true cliché that commercial radio stinks. Similar mock broadcasts surface elsewhere, but they're easily forgivable, given the bounty on offer. Homme-powered tracks dominate--the lurching, weirdly springy "No One Knows" is a kind of "Monster Mash" for grownups; the vocal harmony-driven "The Sky Is Falling" is almost dreamy until a small army of guitars surges to the front lines to begin firing. And a lyrically winking hidden track, "Mosquito Song," is either an in-joke of ridiculous proportions or a declarative statement about the level of musicianship lurking just beneath the quaking veneer of the Queens' sound. Either way, genuine excitement comes early and often on Songs for the Deaf. It's a remarkable achievement--a hard rock record so good that it immediately evokes a conspiratorial fervor that makes you want to tell everyone you can about it. Er, job done. --Kim Hughes

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Most Helpful Customer Reviews

Ah, a day in the life of FM rock radio -- as FM rock radio should be...

Queens of the Stone Age are a blessing of modern rock and roll, a group who doesn't succumb and conform to all the bland trends found so prominently in today's music. The first DJ on the album's car radio announces another day of boring FM rock, when suddenly, from nowhere, Queens of the Stone Age blast into a screaming rage that is more Mariyln Manson than Foo Fighters. The Foo Fighters' sound is promptly more evident on the next hit song, "No One Knows." And so this diverse album plays out: As the radio dial turns and various DJ's speak up, so springs forth an eclectic choice of music from one band -- all on one unique CD.

Queens of the Stone Age possess an extremely tight-knit sound that mixes melody with thrash at free will. The guitars often come in spurts, and meanwhile, guest drummer Dave Grohl clicks away on drums with abandon and precision. The cryptic guitars and eerie vibe to songs like "Song for the Deaf," "Hangin' Tree," "First it Giveth," "Song for the Dead" and "The Sky is Fallin'" all hearken back to a heavy metal age when bands like Black Sabbath and Iron Maiden ruled, not that these guys sound like those bands by a longshot; it's just that Queens of the Stone Age has an aura to its sound reminiscent to where bands like Maiden and Sabbath came from.

Power pop rock also makes a huge appearance on "Songs for the Deaf," a la bands such as the Foo Fighters and Pixies: "Go With the Flow," "Gonna Leave You" and "Do it Again" are all potential modern rock hits on the radio.Read more ›

...points?!Man oh man. I'm driving down Route 21, ripping along, and Queens of the StAge are playing. "Song for the Dead" comes on and there's this wicked riff, truly the musical embodiment of an evil grin, at about a minute-ten left. Chunky, salty, grinding, and I'm really into the pounding sound. Crash fade.Three seconds later, THEY PLAY IT AGAIN. The best riff on the song, and they do it again, rip it up, and let you have it.Oh man, that's a band that delivers the goods.See, I'm a sucker for good formulas well executed. The interstitials of a guy pretending to tune in "Queens" songs and DJ talk-ups, I dig. I'm a huge Slayer fan, but "Six Shooter" is the best death metal song of 2002. I get it, I really do.Haven't enjoyed something this thoroughly, through all the tracks of an album, since Kilgore released "Search for Reason". Sure, there's fourteen distinct tracks on here, and not every one is a balls-out rocker, but each song deserves headphones and some uninterrupted attention... unless you're driving down Route 21.Then all ya need is track four. And play it baby, play it.

Queens of the Stone Age might be the best rock band active today. "Songs For the Deaf," the group's third album, is their finest to date. That in and of itself is no small feat, as both of Queens' previous efforts were excellent in their own right. Dave Grohl (former Nirvana drummer, now Foo Fighters singer) plays drums on "Songs...," and his presence is most definitely felt. Homme and Oliveri, meanwhile, pieced together a record that works beginning to end.

"No One Knows" is the first single. The song is very unconventional underneath, with a guitar riff generally foreign to this genre, but rocks nevertheless. "First it Giveth" and "Go With the Flow" combine mainstream rock sensibilities with a powerful, live-sounding production. The overall song-writing quality here is phenomenal. "The Sky is Fallin," "Hangin' Tree," (from Desert Sessions 7/8), "Do It Again," and "Another Love Song" are all remarkable. Production is also very true to Queen's sound (I've seen them live). The end result is an album which in some ways reminds me of "In Utero," by Nirvana, not so much for its style, but its substance. Anyone who likes rock music, be it Staind, the Vines, Linkin Park or Nickelback, should buy "Songs for the Deaf." It may wind up being as essential as "Daydream Nation," "In Utero," and "OK Computer." At the very least, its among the best of 2002...

First off, I'm going to have to say that Queens Of The Stone age is the best, most original band to come out of the music scene in the last 6 or 7 years. They're truly original, and anyone who listens to their music knows that they are listening to something different. Their latest offering, "Songs For The Deaf" is by far one of the best CD's I have ever heard. Not only does it sound great, but musically it's flat out incredible. I'm not a drummer, or even a Nirvana fan, but Dave Grohl is the man. This Album also shows the musical genius of Josh Homme, who writes almost all of the material. Anyone who slags this CD should take a step back and look at the music scene right now, and compare it to this band. Gorgeous harmonies, Josh Homme's sweet vocals, pummeling drums, and killer guitars make this CD a must have."You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire": 9/10. This track slams you into the CD, as it's maybe the heaviest song on here. With bassist Nick Oliveri doing his trademark depraved wildman howls, and Josh Homme playing simple, yet heavy and ballsy riffs, this song rocks."No One Knows": 10/10. This song had the misfortune of being extremely overplayed on alternative radio, yet you listen to it and it never really tires. Great rythms and vocals from Josh Homme."First It Giveth" 10/10. One of the best songs I personally have ever heard. This is one of the tracks where you realize that Dave Grohl is simply incredible(and he uses a single bass pedal!). Cool harmonies, killer tempos; this song is absolutely killer."Song for the Dead" 9/10. Another heavy track, where the drums pound you behind Homme's and Oliveri's trademark Trance-like vocal chants.Read more ›