Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

Subhumans are one of the most influential bands from the UK Anarcho-Punk scene of the 80's, filed right alongside Crass and Conflict, and just as relevant today as they were during the darkest days of Thatcher's Britain. Take your choice in how to label them – Punk, UK82, Crusty, etc. – therein lies the attraction and consequent reason for their popularity, the band epitomizes non-conformity and connects with people in many different scenes. This is their first new music in 12 years - all brand new songs about terror/pollution/mind control and similar reflections on a world in crisis!
Subhumans don’t really need much in the way of introduction - since 1980, they’ve recorded and released a powerhouse of a back catalog that completely stands the test of time. ‘The Day the Country Died’ (1983) and ‘From the Cradle to the Grave’ (1984) are two classic albums in practically every punk’s collection. This album will undoubtedly be filed right alongside these records as another huge contribution to the world of punk they helped create.
Pirates Press Records are thrilled to be releasing this new record, and Subhumans are embarking on a year of touring in both Europe and North America! The social and political commentary of bands like Subhumans forged a path, along with their contemporaries, for punk to change lives and opinions around the world. Sadly the things they sang about forty years ago are largely just as important now, sometimes more so in an age of Trump and Brexit. We can’t wait to hear more of what they have to say about the current political climate, the immense imbalance of wealth and power, and the causes they hold near and dear to their hearts.
(Pirates Press Records)
https://subhumans.bandcamp.com/album/crisis-point

Released a year after their much hearled debut album 'Voice of a Generation' , 'Second Empire Justice' features half the members from the original line-up and with a new sound. While initially being an Oi!/Skinhead Punk band, on 'Second Empire Justice' they not only changed members and their look but also their sound and released a Post-Punk classic with a heavy dose of Joy Division worship, produced by Chris Nagle. While Nagle had also produced their debut album, he had also engineered the Joy Division and New Order albums under Martin Hannett and had also engineered various other post punk albums of the day from the likes of The Durutti Column, A Certain Ratio and Magazine.
Together the band and Nagle created a masterpiece while not appreciated at the time, especially by their original skinhead/Oi! fanbase. The album would go onto influence tons of post-punk/darkwave bands that sprouted from the ashes of punk/hardcore bands decades later and become one of the most sought after albums of the golden age of post-punk.. So sit back and listen to these beautiful moody haunting guitars, dancing basslines and emotionally fragile vocals all the while retaining a punk ferocity.
For Fans of : Joy Division, Magazine, Red Lorry Yellow Lorry, Killing Joke, The Middle Class
Limited repress on Puke n Vomit Records, comes with a huge poster of the cover art.
(Puke n Vomit Records)

Black 140g vinyl with printed paper bag.
Hot Cars & Spent Contraceptives is the first full-length album by Norwegian band Turbonegro. It was released on March, 1992.
The legendary Turbonegro played their first ever concert in Copenhagen in February 1989, so this year sees the 30th anniversary of this extraordinary band. During these 30 years the band have released a series of classic albums from the first album Hot Cars and Spent Contraceptives in 1992 to the latest release so far, RockNRoll Machine in 2018, toured around the globe on their own and with bands like QOTSA and Marilyn Manson, and built a massive worldwide following of local Turbojugend.
Indie Recordings are immensely proud to announce that we have obtained the rights to release the Turbonegro catalogue on limited edition coloured vinyl (on never before released vinyl colours), standard vinyl and CD. The release series started October 2019 to coincide with the start of the band’s Anniversary tour which kicked off with a series of Scandinavian dates. The first releases were the albums Apocalypse Dudes and Ass Cobra, which are now followed by Hot Cars & Used Contraceptives and Never is Forever, with more titles to follow later in 2020
(Indie Records)

Black 140g vinyl with printed paper bag.
Never Is Forever is the second full-length album by the Norwegian band Turbonegro released in 1994
The legendary Turbonegro played their first ever concert in Copenhagen in February 1989, so this year sees the 30th anniversary of this extraordinary band. During these 30 years the band have released a series of classic albums from the first album Hot Cars and Spent Contraceptives in 1992 to the latest release so far, RockNRoll Machine in 2018, toured around the globe on their own and with bands like QOTSA and Marilyn Manson, and built a massive worldwide following of local Turbojugend.
Indie Recordings are immensely proud to announce that we have obtained the rights to release the Turbonegro catalogue on limited edition coloured vinyl (on never before released vinyl colours), standard vinyl and CD. The release series started October 2019 to coincide with the start of the band’s Anniversary tour which kicked off with a series of Scandinavian dates. The first releases were the albums Apocalypse Dudes and Ass Cobra, which are now followed by Hot Cars & Used Contraceptives and Never is Forever, with more titles to follow later in 2020
(Indie Records)

Unquestionably Portland's most well-loved punk group, they formed in the late 70's & in 1980 released their debut LP. 12 songs of stabbing, jittery guitar, snapped vocals, & unabashed teen angst. Full of desperation & yearning, the LP has stood as a blueprint for wretched youth for over 25 yrs. In the early 90's it was given mainstream attention when Nirvana covered 2 tracks off the record & Cobain announced it was one of the primary influences on his group.
(Fan Club/Unofficial Release)

After last year’s haunting demo, London’s EFIALTIS get the vinyl treatment with a fresh EP on Static Shock Records. Featuring three primitive stompers from their tape plus a riveting new one, EFIALTIS crash through the ruins of reality like an angry goddess in search of retribution. Four feral tracks of stripped down, high-energy, mid-tempo Punk, with despotic vocals and ominous Greek lyrics. The sharp guitar and buzzing bass wade through combative drumming, all tough as nails and perfectly enhancing the nightmarish unease underlying their sound. Ten minutes of ’80s-inspired, rudimentary jaggedness, complete with catchy songwriting, tight delivery and a production that’s appropriately massive and the right amount of shambolic. Featuring members of GOOD THROB, SARCASM, DREGS, BODY BUTTER and more. A skull-crashing must-have for the coming apocalypse. (Lydia Athanasopoulou)
(Static Shock Records)
https://staticshockrecords.bandcamp.com/album/efialtis

Recorded at the same session that their debut EP on Static Shock Records and comprising one new track and two songs from their debut demo EFIALTIS second vinyl offering sees the band delivering a punch in the face of male musical normality. EFIALTIS, an all female London based trio with heavy Greek/ Cypriot/ Welsh roots, brings what feels like the most menacing, stomping feral punk recorded in the last few years. Their sound is militant and obviously punk based. Their songs are simple, anthemic and mechanical. Their beat is perfect marching punk and in my dreams I see a bill with CRISIS, STRESS(GR) and CONTROPOTERE where after the last note church, state and any form of oppression is overtaken.
Recorded at NO Studios by the almighty John Hannon and with artwork by the band including a duotone lyric insert.
(La Vida Es Un Mus)
https://lavidaesunmus.bandcamp.com/album/7

Gildan heavy cotton t-shirt 100% cotton.
All the water-based inks for screenprints have an eco-passport verification.
Every stamp and logo is hand pulled silk screen print.
Available in small, medium, large and x-large size.

It came out of nowhere in 1982, this punk rock/hardcore fireball with the bright yellow sleeve. In one sense, The Zero Boys' Vicious Circle was yet another example of how U.S. punk seemed to peak coast to coast that year. But unlike most coastal punk, the Zero Boys were pointing the way to a scene that could accommodate heaping helpings of melody, intelligence, and rock 'n' roll, not just turbo-charged ferocity. Vinyl version contains a coupon that for a limited time allows you to download MP3 audio files of the recordings.
(Secretly Canadian Records)

Adolescents, also known as The Blue Album due to its cover design, is the debut studio album by American punk rock band the Adolescents, released in April 1981 on Frontier Records. Recorded after guitarist Rikk Agnew and drummer Casey Royer joined the band, it features several songs written for their prior group, the Detours, including "Kids of the Black Hole" and "Amoeba", which became two of the Adolescents' most well-known songs. Adolescents was one of the first hardcore punk albums to be widely distributed throughout the United States, and became one of the best-selling California hardcore albums of its time.[1] The band never toured in support of it, and broke up four months after its release. The Blue Album lineup of Agnew, Royer, guitarist Frank Agnew, bassist Steve Soto and singer Tony Brandenburg reunited several times in subsequent years, but only for brief periods. Limited repress on Restless Empire. Blue/black splatter vinyl.(Restless Empire Records)

The first, best and only Stiff Little Fingers album that you need. Released originally in 1979 as the first album ever on Rough Trade, it is harsh, brutal, primitive punk rock with sadly still relevant lyrics about the troubles in Northern Ireland. This stands head and shoulders above all other albums of the time. Their punk rock aesthetic is authentic, with raw lyricism and harsh instrumentation. Containing the anthemic track Alternative Ulster, Stiff Little Fingers promote the ‘grab it and change it’ narrative.
(Parlophone Records)

This record is nothing short of amazing, teaming 2 of the best hardcore bands from the early Washington DC scene. VOID is unlike anything else before or after - totally spastic and disjointed hardcore-punk that often seems like it's about to fall apart into noisy chaos only to go blasting back into anthemnic hardcore. On the FAITH side you get a similarly diverse, if more standard set of DC hardcore. These guys are so underappreciated it's sad. MINOR THREA's influence is still obvious but FAITH definately had their own thing going on. Vinyl was re-mastered and re-cut and includes a digital download card.
(Dischord Records)

Primal Rite is the shot in the arm the hardcore and metal scenes need. With 7"s already on Revelation Records, Grave Mistake Records, and Warthog Speak Records, plus a cassette on Pop Wig Records, the band is unleashing their debut full-length with Revelation this January. Guitars scream and solo, mixing the speed and chaos of Japanese hardcore, the crunch of Cleveland hardcore, the riffing and solos of thrash metal, and the pure, crushing power of the Floridian death-metal scene of the '90s.
(Revelation Records)
https://primalrite.bandcamp.com/album/dirge-of-escapism

Newly available on the Vintage Series imprint, this LP was originally issued in 1995 by We Bite Records. The album includes 15 tracks including: Supermodels, Giving Up Drinking and Bad Loser. Limited to 500 copies.
(Daily Records)