Monthly Archives: September 2018

Nearly one hundred students and faculty attended Sarah Rogerson’s lecture in the SSU on Monday Sept. 24, titled “Immigration, Executive Power and the Constitution.” The lecture was in celebration of Constitution Day, which takes place annually on Sept. 17 in honor of the signing of the U.S. Constitution. The event was not only intended for students interested in political science, but those of all majors, political affiliations, and backgrounds.

After a performance of the Star Spangled Banner by the Siena Chamber Singers, Dr. Cutler, political science professor at Siena, introduced Rogerson. Rogerson is a clinical professor of law at Albany Law School, and the director of the Immigration Law Clinic and the Law Clinic & Justice Center.

“If you live and work in the United States, you are going to encounter immigration issues,” Rogerson explained. “The word ‘immigration’ is not found in the Constitution, so what gives?” She used a powerpoint to explore the Constitutional basis regarding immigration, showing students passages from the document and describing their origin.

Rogerson spoke on a number of immigration issues in our headlines today, including the broken legal system, Muslim Ban, and Deferred Action for Childhood Arrivals (DACA). She also discussed the ways in which immigration is depicted by the media. “Labels and terminology are important,” she said. “In order to be an immigrant, you have to have an intent to stay.” Rogerson emphasized the importance of knowing the difference between immigrant as a legal term and immigration/immigrating as a verb, something that is very hard to communicate through the news and news cycles.

Rogerson’s keynote lecture was valuable to all students and a great reflection of Constitution Day 2018. Check out and like our Facebook page to stay updated on upcoming SoLA events!

What’s the first thing that comes to mind when you think of sculptures? Probably not tuna sandwiches. But for sculptor Madison LaVallee, sandwiches help her deal with a way of thinking about sculpture. Tuna sandwiches represent the time she spent growing up with her grandmother and bring back the sense of nostalgia over sharing a meal together. The sandwiches also reflect her grandparents’ gender roles, which she described as the “traditional gender roles of the 1950s family unit” – her grandma was a stay-at-home mom and her grandpa worked for General Electric.

LaVallee and a student work with materials

LaVallee makes “material sandwiches” when sculpting. Her works focus on materials used in the home, which she stacks together in resemblance of a sandwich. She sculpts with what she considers “material outcasts” – drywall, carpet underlay, and popcorn ceiling paint – to make her unique sculptures. LaVallee initially thought sculptures had to be sophisticated and created through negative space, a notion which she rejects in her own work. She showed the audience images of her finished works, one of which included bricks from her childhood home. The materials themselves are symbolic, not only of home, but of the memories they elicit in the viewer. LaVallee explained that her works were not site-specific but site-related. “I’m thinking about that place and responding to it,” she said.

Students collect materials during a hands-on activity

Her background was originally in drawing and painting, but LaVallee was drawn to sculpting. “I was unsure how to navigate what it meant to be a sculptor,” LaVallee said. “I kind of wanted to experiment.” During her residency, LaVallee began making industrial sculptures in the woods, which caused her to realize how disconnected she had been from nature. She started introducing fake trees and green elements, placing them with construction materials, in her sculptures. “I’m identifying with nature in this faux, false way,” she explained.

Students pose with their finished sculptures

LaVallee conducted a hands-on activity for students at the end of her talk. She brought crates full of materials, including chicken wire, yarn, cardboard, and pipe cleaners. Though there were no rules on what types of sculptures to make, LaVallee encouraged students to pick one “hard” and “soft” material while crafting. They were able to piece their work together with a hot glue gun and take them home to keep as a reminder of LaVallee’s work and inspiration.

Students can check out LaVallee’s work on Instagram at @madisonlavallee_art.