this is one of my fun projects that help me chase the blues away every now and then - so please dont take it seriously.

And, of course, this strange stuff didn’t come from my very brain, but I was heavily inspired by a TV conversation a couple of year ago between two of the funniest German comedians, both in their sixties, who talked about getting older, their increasing health problems and, of couse, about the physical side of love once you’ve crossed the fifties line. Although it had been extremely funny all the way the conversation became hilarious when the elder one explained that his ‘bloodhounds of carnal lust were either constantly chained up or had, even more likely, already passed away, which he claimed to make him feel superior to young folks who were still ‘slaves of their drives’.

Well, folks, forgive me, but as an affected party as regards age I simply couldn’t leave that uncommented, so here’s my modest contribution to the subject:

You know that I love your music and videos. And this song is great too!

But I honestly think you could have mixed this better. The vocal is way to loud in comparison with the background track in my opinion. But I can read that the more professional guys (than me) like it as it is, so don't take my comments seriously, please!

I initially mis-read it as "The Wild Nouns of Passion", which would have been an interesting song as well.

I also missed the topic. The thread title says “The Wild Houns of Passion” which I took to be wild hoons of passion (a hoon here is someone who behaves in an anti social manner). But I guess the hero of this story could be regarded as a “Wild Houn”.

Nice backing tracks. The organ sounds great. Good job on the guitar. Vocals are crisp and clear and well mixed.

It sounds to me like the drums are panned all the to right side - haven't heard drums panned to one side like that since the 60's...

Enjoyed the listen.

fj

Hi Flyd,

first of all thanks a lot for watching and listening so carefully and, of course, for your kind words - I really appreciate themn a lot.

As to the drum panning: You are absolutely right - it sounds as if the drums were (like with the first Beatles stereo records) completely panned to the right, and I couldn't remember we'd ever done something like that.

So I just got the original RealBand file back on my PC and had a lokk at the drum track:

1. It sounds the same: panned to the right.2. It's a stereo RealDrum track3. It's panned to exactly ZERO.

Oops - so it was the decision of the people who created this RealDrum track. And when I soloed it, it showed that it was not completely panned to the right, but all the loud instruments were indeed, only soft cymbal sounds coming from the left.

So I'm gonna take this for granted amd, more than that, I'm proud that it was us who gave you and the others that tiny musical blast from the past - even though this happened totally unintentionally

Thanks again very much for listening that attentively and have a nice weekend.

Regards,

Stefan

_________________________
What do you mean, 'The guitar's out of tune'?

Stefan, Lots of fun to be had listening to this one. The video was great and enjoyed watching the guitar work. Well sung and played. I think you should revisit the mix, especially drums and bass. There is a lot of creativity on display here. I liked it despite my mix comments, Tom

You know that I love your music and videos. And this song is great too!

But I honestly think you could have mixed this better. The vocal is way to loud in comparison with the background track in my opinion. But I can read that the more professional guys (than me) like it as it is, so don't take my comments seriously, please!

Well, volume of the vocals has been, is and I'm afraid will be the almost only disputed topic between Maha and me when it comes to mixing.

I'm a couple of years older than her and experienced that mixing style they had in the seventies when it was always good to have the record's cover at hand so you could at least SEE if you were listening to a lady or a guy.

And I don't have too much self-confidence as far as my singing is concerned. So it's always me who proposes to get the vocals a bit back into the mix while Maha mostly disagrees. And also important: We listen to the final mix on many differnt devices before the song is being made public. And it's astounding how differently especially the vocals (but also the bass and the drums) can be emphasized - completely different from what we had (or better: Maha had) planned when she heard it on her studio speakers.

So, I'm on your side: I would have preferred to reduce the voval's volume a bit, but in the end it's all a matter of personal taste, isn't it...

So, please, don't you ever hesitate to come up with whatever you think is important - everything you say is being appreciated a lot!!!

Have a terrific weekend and take care,

Stefan

_________________________
What do you mean, 'The guitar's out of tune'?

I initially mis-read it as "The Wild Nouns of Passion", which would have been an interesting song as well.

I also missed the topic. The thread title says “The Wild Houns of Passion” which I took to be wild hoons of passion (a hoon here is someone who behaves in an anti social manner). But I guess the hero of this story could be regarded as a “Wild Houn”.

Good fun song and video. Well done.

Tony

Oops - that was just a typo, sorry for that. Like I said in the song: 'My eyesight's pretty bad, you might say I'm almost blind'. Which is not made up, unfortunately...

Just corrected the thread title.

Regards,

Stefan

_________________________
What do you mean, 'The guitar's out of tune'?

Stefan, Lots of fun to be had listening to this one. The video was great and enjoyed watching the guitar work. Well sung and played. I think you should revisit the mix, especially drums and bass. There is a lot of creativity on display here. I liked it despite my mix comments, Tom

Hi Tom,

thank you very much für your comment and especially the hint. Scott already mentioned the drum panning issue - which I've taken care of in my respective reply. And I also agreed with Will's hint that the vocals might be a bit to loud.

But apart from that I'm pretty fine with the mix - it's rough like it was meant to be and has aa bit of a 'live' character. And after all it's a matter of taste... But nevertheless: I really appreciate any hints and comments. So thanks again.

Cheers,

Stefan

_________________________
What do you mean, 'The guitar's out of tune'?

Oh ya - this took about 10 seconds for me to know I'd be into it. Love the bluesy groove, and found your vocals to be top notch. It has a lot of attitude behind it, and the progressions are fantastic. A real proper mix job too.

One of the newest features added to Band-in-a-Box® 2019 for Windows is Drum Notation Support!
•All the MIDI Drums have drum notation. Play the MIDI Drums and open the Notation window. Then, select the Drums track and you will see drum notation.
•Drum notation can be entered by a user on the Melody/Soloist track.

Learn how to enter MIDI Drums notation when you jump to this topic in our New Features video:35:18 - New Features: New Track Type - Drum Notation

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There are Notation Enhancements in the NEW Band-in-a-Box® 2019 for Windows! These include:
•A new button in the Print Options dialog which lets you quickly print a "chords only" fake sheet. You can also access this from the right-click menu on the chord sheet.
•A new track type (Drums) is now available for The Melody and Soloist tracks.
•Clicking close to a stave line will put a note on the stave line instead of between stave lines. (Previously, you had to click extremely close to a stave line to insert a note on The line.)
•Double-clicking on the Standard mode Notation window (or on the time line in Editable or Staff Roll mode) plays the song from the current time location. Previously, it played the song from the beginning of the current bar.
•Holding down the [Ctrl] key and pressing the zoom in/out buttons results in finest possible incremental adjustment in size.
•In The Notation Windows Options dialog, The clefs split point asterisk indicates that C5* is middle C.
•Pressing The space bar plays the song from the current time location, not the current bar.
•The clefs split point can be set by the spin controls.
•The right-click menu in the Editable or Staff Roll mode Notation window has an option to change the current beat resolution. Previously, the only way to do this was to right-click on the time line.
•There's a keystroke entry notation mode - the 'N' mode, which lets you enter a melody entirely using keystrokes. The keystrokes are N to enter a note, up/down cursor to change its pitch, and left/right cursor to move the time line.
•You can now edit any track in the Event List Editor. When The dialog opens, it will show you the MIDI data in the current Notation track.
•You can quickly enter forced accidentals from the right-click menu.

With Band-in-a-Box® 2019, the SongPicker has been redesigned!
-The completely redesigned window shows information for up to 50,000 songs.
-The song list build is much faster. Approximately 150 songs get added per second.
-A progress bar will appear if the song list build takes longer than 3 seconds.
-You can see the chord progression for the selected song in the list. You can copy and paste it to a text file.
-Many filters are available. You can filter the list by subfolders, genre, feel, time signature, style, songs with melody, soloist, lyrics, key signature, tempo range, and the year of file dates.
-You can search songs that have similar chord progressions and/or melody fragments.
-Hotkey! ss+enter opens the SongPicker, ss2+enter opens the Recently Played Songs, etc.

Learn more about the updates with our New Features Video - we've made it easy to find the section you'll need:2:55 - New Feature: Redesigned SongPicker21:58 - New Features: SongPicker Enhancements41:10 - Now Over 10,600 Titles in SongPicker

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