While bass playing dominates the verses - Jared drives the rhythm so violently that he sounds like a helicopter hovering overhead - the whole band gangbangs the chorus, with cymbals crashing, guitars zipping every which way and Caleb growling in all his ragged glory about sin and redemption over the din.

A dash of a gospel choir can be heard towards the end, and while it might be a subtle nod to their sons-of-a-preacher-man roots, it’s not as cheesy (or as obvious) as it sounds.