(HIRST, DAMIEN). Hirst, Damien, Iwona Blazwick, Charles Hall & Sophie CalleDAMIEN HIRST - LIMITED EDITION OF TWO HUNDRED AND FIFTY COPIES BOUND IN FULL LEATHER SIGNED BY THE ARTIST (HIRST, DAMIEN). Hirst, Damien, Iwona Blazwick, Charles Hall & Sophie Calle. DAMIEN HIRST - LIMITED EDITION OF TWO HUNDRED AND FIFTY COPIES BOUND IN FULL LEATHER SIGNED BY THE ARTIST. Signed by the Artist With a Drawing. London: Institute of Contemporary Art & Jay Jopling, 1991. First Edition 1/250 Deluxe. Small 4to. Debossed Leather Over Boards. Artist Monograph. Fine/No Jacket - As Issued. np (64pp), profusely illustrated in color and b&w. Designed by Form, London. In a protective clear acetate dustwrapper. This is the catalogue issued on the occasion of Damien Hirst's tour-de-force 1991 Institute of Contemporary Art London exhibition - the enfant terrible of the New British Art scene's very first one-man museum presentation. The first monographic publication on his work, this elegant document reproduces each of the exhibited butterfly paintings, dot paintings and glass vitrine pieces, and includes a transcribed interview between Hirst and Sophie Calle. A brand new, most handsome example from the exceedingly uncommon deluxe edition bound in full dark blue leather over boards debossed with yellow lettering limited to two hundred and fifty copies NUMBERED (156/250) AND BOLDLY SIGNED "Damien Hirst" in black ink on the verso of the last page, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-905263-53-7 Inventory Number: 024302

CALDERONE, Mary Steichen, Edward Steichen, and John UpdikeThe First Picture Book Everyday Things for Babies New York: Library Fellows of the Whitney Museum. [1991]. First. First edition in this format of a 1930 publication. Afterword by John Updike. Quarter morocco and cloth. Fine in fine slipcase. One of 250 copies Signed by Updike and Calderone. Original photogravure by Steichen bound in, as well as another print of the same image in a folder. Additionally Inscribed by Updike: "for Herb a tasty item with every good wish, John 1/28/92." Herb Yellin was the founder and publisher of Lord John Press and the most frequent of Updike's fine press collaborators. He named his press after noting that the list of authors he wanted to publish all shared the same first name, chief among them John Updike, his favorite. Hub Fans Bid Kid Adieu became the press's first book in 1977 with 10 more to follow over the next 23 years. Yellin's friendship with Updike grew with each new limited edition benefitting his already enormous Updike collection, with Updike himself contributing copies of new editions of his books - often inscribed. In a 2010 interview with Yellin he noted that Updike "...liked that if anything ever happened to his own collection, he had my collection on the opposite side of the country." A notable association. .

McCammon, RobertTHEY THIRST (Pristine Dark Harvest Uncorrected Proof) Dark Harvest, USA 1991 - Dark Harvest, USA. 1991. The spiral-bound uncorrected proof of the first American hardcover edition of this sharptoothed throatbiter of a vampire novel. The pale blue wrappers are pristine and the colour is pleasing. A Pristine copy. Note that this is a proof and not a hardcover. Also note that it is very heavy and that postage is higher than quoted. [Attributes: First Edition; Soft Cover]

Garden, J.FNICHOLAS MORANT'S CANADIAN PACIFIC Revelstoke, BC: Footprint Publishing Co., Ltd., 1991 For 44 years Morant crisscrossed the country on passenger trains , enroujte to and from photograph assignments to all the subsidiaries of Canadian Pacific. 455 pages of photographs with bibliography and glossary. Fine in fine and bright dust jacket.. First edition, first printing. Oblong hardcover.

Farrington, Anthony.The English Factory in Japan, 1613-1623, I-II. [TWO VOLUMES]. London, The British Library, 1991.. Two volumes. Royal octavo. Pp. (xii), 814; 815-1658. Plus different colour frontispiece to each volume, 22 facsimiles of documents in Japanese bound at end of volume I, and two maps. Hardcover, uniformly bound in the original publisher's navy blue full cloth, spines gilt, with pictorial dust-jackets. In fine condition. Excellent set. ~ First edition. From the private collection of Ing. P. L. W. Arts with his bookplate to each volume..

Tolkien, J R RThe Lord of the Rings, Signed Numbered Deluxe Ltd. Edition New York: Houghton Mifflin, 1991. Limited/Numbered. Half-Leather. Near Fine/No Jacket, as Issued. Alan Lee. Signed by Illustrator. 4to - over 9¾" - 12" tall. "This specially bound and slipcased edition of the Lord of the Rings has been published to celebrate the centenary of J.R.R. Tolkien's birth on January 3, 1892. This edition has been limited to 250 copies for Houghton Mifflin Publishers, Boston each one numbered and signed by the artist." "This copy number 93/250, Alan Lee" A beautiful book bound in blue leather and cloth with the JRRT monogram on the front boards of the book and the original publishers slipcase. The single volume has silver gilded edges, red ribbon marker bound in, and signed limitation page. Fifty original illustrations by Alan Lee thru the book. You can follow how the movies were first visualized by Lee, and carried thru by Peter Jackson, with Lee's assistance throughout the movie's production. A scarce book, again one of only 250 produced. The cloth of the book is clean and unmarked, with no wear to the edges, and the leather is unmarked, clean and bright. The Tolkien monogram is clean and bright on both book and slipcase. The slipcase shows some minor wear to the edges, with a few loose strings from the edges on the top of the case. The text block and all illustrations are clean and bright, no signatures or writing whatsoever. A beautiful, highly collectable Signed Limited Numbered Edition for the Tolkien collector. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / No Jacket, as Issued.

Thompson, Hunter SSCREWJACK - SIGNED Santa Barbara: Neville Publishing, 1991. First Edition. Limited Issue, one of 300 numbered copies signed by Thompson on a special limitation page. Slim octavo; full red cloth, with titles and illustration printed on spine and front panel; 38pp, [3]. A Fine copy without dustjacket, as issued. Contains three stories: Mescalito, Death of a Poet, and Screwjack.

Tolkien, J.R.RThe Lord of the Rings, Signed Numbered Deluxe Ltd Edition New York: Houghton Mifflin, 1991. Limited/Numbered. Half-Leather. Near Fine/No Jacket, as Issued. Alan Lee. Signed by Illustrator. 4to - over 9Â¾" - 12" tall. "This specially bound and slipcased edition of the Lord of the Rings has been published to celebrate the centenary of J.R.R. Tolkien's birth on January 3, 1892. This edition has been limited to 250 copies for Houghton Mifflin Publishers, Boston each one numbered and signed by the artist." "This copy number 93/250, Alan Lee" A beautiful book bound in blue leather and cloth with the JRRT monogram on the front boards of the book and the original publishers slipcase. The single volume has silver gilded edges, red ribbon marker bound in, and signed limitation page. Fifty original illustrations by Alan Lee thru the book. You can follow how the movies were first visualized by Lee, and carried thru by Peter Jackson, with Lee's assistance throughout the movie's production. A scarce book, again one of only 250 produced. The cloth of the book is clean and unmarked, with no wear to the edges, and the leather is unmarked, clean and bright. The Tolkien monogram is clean and bright on both book and slipcase. The slipcase shows some minor wear to the edges, with a few loose strings from the edges on the top of the case. The text block and all illustrations are clean and bright, no signatures or writing whatsoever. A beautiful, highly collectable Signed Limited Numbered Edition for the Tolkien collector. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / No Jacket, as Issued.

DAHL, RoaldThe Vicar of Nibbleswicke London: Century,, 1991. Illustrated by Quentin Blake. Octavo. Original dark blue boards, titles to spine gilt, dark blue endpapers with illustration to pastedowns. With the pictorial dust jacket. Illustrated in colour. Small faint dampstain to bottom corner of rear board, endpapers very faintly marked and with light wear to gutters, else a bright copy in a price-clipped jacket with slight fading to spine panel and one faint crease to bottom edge of rear panel. Excellent. First edition, first impression. Signed by the illustrator on the title page. Written in the last days of Roald Dahl's life for the benefit of The Dyslexia Institute with both Dahl and Blake donating their rights.

Sharoff, Shirley [artist], and Lu Xun [text]:LA GRANDE MURAILLE / THE GREAT WALL [Paris: The Artist, 1991].. Folded oblong folio (130 x 245 mm), unfolding to scroll approximately 7 meters in length. Enclosed in substantial Plexi wallet style sleeve and decorated slipcase. First edition in this format. Illustrated with eight original color gravures by Sharoff, with Lu Xun's text printed in Chinese, French and English. From an edition of 75 copies (including 15 deluxe and 10 HC), this is one of fifty numbered copies, signed by the artist. Letterpress printing by Francois de Ros.

Bukowski, CharlesIN THE SHADOW OF THE ROSE - COPY #1, SIGNED WITH A LARGE ORIGINAL DRAWING Santa Barbara: Black Sparrow Press, 1991. First Edition. One of 750 numbered copies signed by the author, this being copy no.1. Quarto; 3/4 cream paper, printed in 4 colors over black cloth, with printed title label applied to spine; unprinted turqouise dustjacket; 85pp, [1]. Signed on the colophone beneath a large original drawing of a smoking man next to a bottle. Fine in a Fine dustjacket. Late collection of poems, uncharacteristically issued by Black Sparrow in a single edition of 750 numbered and signed copies, with an additional 26 lettered copies. Notable for containing the poem 'Dinosauria, we', which inspired the title for John Dullaghan's 2003 documentary "Bukowski: Born Into This." About the best copy one could hope for - the type that separates the good from the great. Krumhansl 122a.

Heaney, Seamus; Lee, Laurie; Sail, Lawrence and Joseph, JennyThe Water Pause; Equinox; Fire and Upside Down. Cheltenham; Friends of the Cheltenham Festival of Literature; 1991 - Number 99 from an edition of 500 broadsheet poems, (125 copies of 4 titles sold as sets). Printed on mould made paper and signed by the author, with each title featuring a wood-engraving by Gwenda Morgan. The poets and poems are Jenny Joseph; Upside Down, Lawrence Sail; Fire, Laurie Lee; Equinox and Seamus Heaney; The Water Pause. This set has been mounted, glazed and framed in separate frames. [Attributes: Signed Copy]

Hepburn, KatherineMe: Stories of My Life - 1st Edition/1st Printing New York: Alfred A. Knopf. Fine in Fine dust jacket. 1991. First Edition; First Printing; Signed by Author. Cloth. 0679400516 . A charming First Edition/First Printing in Fine condition in alike dust-jacket. SIGNED by the late author and actress Katherine Hepburn directly on the title page in a rather shaky hand, in December 2000, as evidenced by enclosed note on Ms. Hepburn's letterhead and signed by Christiane McCloskey. Contains 165 B&W photos; Katherine Hepburn takes the reader back to her childhood, into her family, to her early days in New York and Hollywood, and through the ups and downs of her career in her long awaited autobiography .

Allen GinsbergA superb 1953 portrait of Jack Kerouac by Allen Ginsberg who offers extensive commentary noting that he took the photograph " in midst of subterraneous affair with ?Mardou Fox, ?" (a.k.a. Alene Lee) [New York], January 13, 1991. 6.5" x 12.5". "A lengthy Autograph Manuscript Signed, ""Allen Ginsberg,"" accomplished on the blank portion of a 6.5"" x 12.5"" (visible) photograph taken by Ginsburg in 1953 showing Jack Kerouac in profile smoking a cigarette. Photograph printed by Sid Kaplan, and additionally signed by Ginsburg on the verso: ""signed 1/13/89 AG"". Extremely light creasing, at corners, else fine condition. Simply but elegantly framed with archival matting. In the lower margin, Ginsberg provides some detailed background on this 1953 portrait of the great Beat poet: ?Jack Kerouac, railroad brakeman?s rule-book in pocket, couch-pillows airing on fire-escape three flights up overlooking backyard clotheslines south view three flights up, my apartment 206 East 7th Street between Ave B and Ave C Lower East Side, Manhattan. He?d completed On the Road, Visions of Cody, Dr. Sax, &?d begun Book of Dreams and Pic, was in midst of subterraneous affair with ?Mardou Fox,? that novel completed same year along with his romance Maggie Cassady. Burroughs then in residence edited Yage Letters and Queer MSS. Gregory Corso visited that season probably September, 1953.? Alene Lee (1931-1991), one of Kerouac's romantic interests, was the basis for the character Mardou Fox in his 1958 novella, The Subterraneans. She also formed the basis for the character, Irene May featured in Big Sur and Book of Dreams. A similar photo but of Neal Cassidy sold at Heritage in 2009 for over $5000 Provenance: Gift of Allen Ginsburg to the previous owner, 1991"

DAHL, RoaldThe Vicar of Nibbleswicke London, Century. 1991., 1991. First Edition, Slim 8vo. Including letter from Quentin Blake to books then owner, Alan Grobler. Publisher's royal blue cloth, titles in gilt to spine with matching endpapers. Pretty bookplate to front free endpaper plus tiny bookseller's sticker to lower inside back board. Pictorial dust jacket illustrated by Quentin Blake. Brilliant illustrations throughout, some in colour, all by Quentin Blake in his own unique style. A lovely copy, slightly bumped to spine and corners with a few tiny scuff marks to endpapers, otherwise near fine. Dust jacket showing minimal wear to top spine area with a small number of foxing spots to verso, also near fine. Roald Dahl received the World Fantasy Award [Lifetime Achievement] in 1983. Book Collector No.271, 'The Great Illustrators'.

BODONI, GIAMBATTISTA:Cimelio Tipografico Pittorico Offerto Agli Augustissimi Genitori del Re Di Roma + The «Cimelio» of Bodoni. The work and its printer in essays. Stamperia Valdonega, Verona. 1991. Two volumes. Folio (38,5 x 26,5 cm). 95 leaves (facsimile); 73 pages (Commentary). Facsimile bound in red leather with gold-tooled borders, gold tooled spine, and black leather spine label with title and author in gold, all edges gilt, ribbon bookmark, and headbands to match the original presented to Napoleon and Marie Louise on the birth of the King of Rome. Accompanying commentary volume is bound in red leather-textured paper covered boards with gold decoration and lettering to match. Slipcase for both volumes is covered in the same textured paper, and decorated with elaborate gold borders and the arms of the parents on the front and back. Forty verses are printed in forty different roman typefaces, surrounded by different borders. Forty copper-engraved emblematic miniatures by the Parmesan artist Antonio Pasini face the verses. The original copy presented to the imperial couple was photographed for this edition, and all details of its production were reproduced. Just as his father had done, Martino enlarged the pages of the original, retouched them letter by letter, and then reduced them back to original size. From these, relief engravings were made. Issued in celebration o the 250th anniversary of the birth of Giambattista Bodoni. Mosley's essay is entitled "Typography in England and France in the Age of Giambattista Bodoni." Martino Mardersteig's technical note is followed by a Bodoni Chronology.. "This edition, designed and realized by Stamperia Valdonega in Verona, consist of two volumes: The facsimile, for which Bodoni's texts were printed in flat bed letterpress with the frames and miniatures printed in nine color offset, on specially-made papers by Cartiere Magnani, Pescia, and the commentary, printed in letterpress and offset on Fedrigoni Bodoni Paper. The binding was carried out at Legatoria Recalcati in Milan." From the colophon

GILBERT, Jack[Archive of Correspondence, Typescripts, and Manuscripts] Various (Northampton, MA; Paros, Greece; and elsewhere), (1991-2008). Four (4) typed letters signed (TLS), twelve (12) autograph letters signed (ALS), and eight (8) signed autograph postcards, from poet Jack Gilbert, all addressed to friend Mike Edwards. Some 7000+ words in total. WITH: Eleven (11) original typescript draft poems (both laser-printed and typewriter) and one (1) holograph poem. ALSO INCLUDES: 34 draft poems photomechanically reproduced from Gilbert's holograph and typescript (for use in workshop setting, see details below), as well as complete photomechanically-reproduced copies (from Gilbert's original typescripts) of his final two books: REFUSING HEAVEN and THE DANCE MOST OF ALL, the latter INSCRIBED to Edwards by Gilbert in his late hand. Generally near fine or better overall. An intimate nearly two-decade-long archive of correspondence and related materials from poet Jack Gilbert to his friend Mike Edwards. The archive is composed of four parts: photomechanically reproduced poems from Gilbert's original holograph and typescript (created for use in the writing group); original holograph and typescript drafts of Gilbert?'s poems (given to Edwards directly and conveyed via mail); original correspondence (both typed and autograph letters as well as postcards); and copies (from his original typescript) of Gilbert's final two books: REFUSING HEAVEN and THE DANCE MOST OF ALL. The archive begins with the poems reproduced for workshop use. There are some 34 in total, of which at least 12 are by our reckoning unpublished, with at least another ten representing drafts differing substantially from their final versions. Only seven examples are largely or entirely as published. Though undated these workshop poems date ca. 1991-96 and provide a valuable window into Gilbert?'s compositional methods, as well as offering significant unpublished materials for study. 11 original typescript poems are also present, as is one entirely in Gilbert?'s holograph. Again, at least two are unpublished, with most of the others representing drafts, usually with substantive changes when compared again the final published versions. Most of these originals are later, ca. 1998-2000. In all, 45 draft poems, at least 15 apparently unpublished, with fewer than a dozen as (or largely as) published and most demonstrating substations revisions. Though Gilbert was often known for prickliness and distance, these letters bely that reputation. They find him entirely warm, open, and generous. Gilbert offers comments on Edwards?' poems and on several occasions encloses poems of his own (see above). He variously discusses his own ideas about poetry, his travel plans, his youth, health, publishing, relationships, the deaths of friends and family, and numerous other topics. The letters reveal a tender relationship, one clearly born of trust and mutual admiration, and a voice that is the same as that of the poems: utterly sincere and unembarrassed. The correspondence ends in 2002, but the friendship continued, as the presence of copies of Gilbert's final two book attests. These typescripts, like the individual draft poems previously discussed, show substantial variation from their final published forms. The typescript for REFUSING HEAVEN demonstrates perhaps the most significant revisions between the draft included and the ultimate version. First and most obviously, the order of the poems in the book is radically different. More than that, however, many of the poems themselves differ from their final forms: several title changes and numerous edits (both large and small) are evident throughout. In addition, several poems originally slotted for REFUSING HEAVEN were removed between this version and the final, only to be included later in THE DANCE MOST OF ALL. And most importantly, one poem exists in two drafts, both of which differ from the final, and another two poems were cut from the published edition that apparently remain unpublished. THE DANCE MOST OF ALL typescript differs most significantly in the order of the poems, while the poems themselves show fewer changes than the previous typescript for REFUSING HEAVEN. Nonetheless, numerous smaller edits are evident throughout, and the presence of Gilbert?'s inscription at a time when he was signing very few books lends this final piece of the archive an undeniable poignancy. In his shunning of public attention, infrequent appearances and interviews, slender and careful output, regular self-imposed exile, and unique mix of both popular acclaim and peer respect, Gilbert?'s career resembled less those of his contemporaries and more the careers of beloved poetic figures like T.S. Eliot and Elizabeth Bishop. Indeed, at the time of his death, Gilbert was one of the most widely-read and influential of American poets, a combination that gave him an almost singular stature. A detailed, descriptive inventory of the archive is available on request, as are additional images. More than 200 printed pages in total, this collection represents a long-lived correspondence with a major American poet during what was arguably his most fertile period, one rich in personal and biographical detail. It offers a rare window into both Gilbert?'s working methods and creative process, as well as containing a significant trove of unpublished material. An archive worthy of prominent institutional placement, with a scope and depth that has clear potential for original scholarship.

JUDD, DonaldÉcrits 1963-1990 Paris: Daniel Lelong éditeur,, 1991. Traduit de l'américain par Annie Perez. Octavo. Original cream wrappers, titles to spine and front cover in red and black. With the dust jacket. Very slight bumping to tips, otherwise an excellent, bright copy. First edition, first printing, number 29 of 75 copies signed by the author on the front free endpaper. Judd's signature is extremely uncommon.

LEIBOVITZ, ANNIEPhotographs 1970-1990 HarperCollins, New York 1991 - SIGNED LIMITED FIRST EDITION, one of only 326 copies signed by Leibovitz. A collection of Annie Leibovitz's most classic photographs. The photographs made up her first museum show, which "took place in 1991 at the National Portrait Gallery in Washington, D.C. and toured internationally for six years. At the time she was only the second living portraitist - and the only woman - to be featured in an exhibition by the institution." ("Life Through a Lens", PBS). Included in the book are such legendary photographs as those from the Rolling Stones' 1975 world tour; the last ever taken of John Lennon, nude and wrapped around a fully-clothed Yoko Ono; Nixon's resignation; and Leibovitz's series of ballet dancers, with Mikhail Baryshnikov, Mark Morris, and Darci Kistler. In addition to commemorating Leibovitz's talent as a photographer, Photographs is emblematic of the three decades it spans, depicting celebrities and major events with unparalleled artistry and intimacy. New York: HarperCollins Publishers, 1991. Folio, original cloth, original pictorial slipcase. Very minor wear to slipcase; tiny spot of soiling on spine; generally a fine copy. Rare. [Attributes: First Edition; Signed Copy; Hard Cover]

ELY, TimothyVHOR-TEXT 1991. ELY, Timothy C. VHOR-TEXT. One-of-a-kind manuscript book. Comprised of 15 double-spread and two single-page sheets of thick hand-made paper, each original drawing executed in pen and ink, graphite, watercolour, and dry pigments by Timothy Ely. 8vo., 207 x 140 mm, bound in brown metallic on boards, relief lettering with gold, red and blue decorative highlights. Preserved in grey cloth protective box. Colfax, Washington: Timothy Ely, 1991. |~||~||~||~||~| Unique painted manuscript. Signed and dated by the artist on the title page. Timothy Ely's VHOR-TEXT is a visual laboratory, a metaphysical realm, consisting of symbolic architecture, geometry, perspective, celestial spheres, astronomy, astrology, phantasmagoric spaces, ideograms, horizons, and mystic mathematical writing. The mystical text, labeled "cribiform" by the artist, is a hybrid of scripts by ancient scribes, engravers and calligraphers, Chinese characters, ciphers, Egyptian hieroglyphics, cryptographs, codes and various secret writings. The cribiform is meant to function "as an intermediary to other types of meaning." Certainly, the connection to Carl Jung's theories on single marks and symbols as messages from the collective unconscious comes immediately to mind. This painted manuscript echoes the style and sensibility of the historical illustrated works of Pacioli, Ptolemy, Mercator, Copernicus, Celarius, Tyco Brahe, Leonardo and Galileo, as well as evoking the modern sensibility of Max Ernst and Iliazd, as seen in their masterpiece Maximiliana of 1964. Timothy Ely began making books in the 1950s with one surviving example from that time: a small cookbook covered in stars. Ely has taught bookbinding, drawing and creativity workshops in many places in the world from Scandinavia to Central America. His books and other works can be found in museums and libraries, most extensively in the United States and Europe. In as new condition. Timothy C. Ely Timothy Ely began making books in the 1950's with one surviving example from that time: a small cookbook covered in stars. Ely has taught bookbinding, drawing, and creativity workshops in many places in the world from Scandinavia to Central America. His books and other works can be found in museums and libraries, most extensively in the United States and Europe. EDUCATION 1982 Bookbinding advanced study in England with David Sellars, Daphne Beaumont-Wright, Margaret Smith, and in Japan 1973-75 University of Washington, Seattle, WA, MFA Design 1970-72 Western Washington University, Bellingham, WA, BA Drawing and Printmaking 1967-69 Everett Community College, Everett, WA SOLO EXHIBITIONS 2005 Collins Gallery, Multnomah County Library, Portland, OR • Antarktos: Magnitudes Of Black 2004 Sheehan Gallery, Whitman College, Walla Walla, WA • The Tables Of Jupiter 1998 Alysia Duckler Gallery, Portland, OR • The Bookbinder's Apothecary 1993 Granary Books Gallery, NYC • Black Maps and Synesthesia 1992 Granary Books Gallery, NYC 1991 Granary Books Gallery, NYC 1989 Victoria & Albert Museum, London, England, Minnesota Center for Book Arts, Minneapolis, MN Granary Books Gallery, NYC 1988 Contemporary Crafts Gallery, Portland, OR 1987 New York Academy of Sciences, NYC 1984 Eaton/Shoen Gallery, San Francisco, CA SELECTED COLLECTIONS Boston Athenaeum, Boston, MA Getty Center for the History of Art and the Humanities, Santa Monica, CA Grolier Club, NYC Library of Congress, Washington, DC New York Public Library, NYC Sackner Archive of Concrete & Visual Poetry, Miami Beach, FL Victoria & Albert Museum, London, England Well represented in major private collections in the US, New Zealand, The Netherlands, Germany, and South America. AWARDS, HONORS, GRANTS 2006 Helm Foundation Grant, for research in the Lilly Library, Indiana University, Bloomington, IN 2000 Northwest Examiner Community Service Award for Visual Arts, Portland, OR 1994 Western States Arts Federation NEA Regional Grant 1991 Pfortsheimer Lecture, New York Public Library, NYC 1990 Art Matters, Inc. 1988 Art Matters, Inc. 1985 Pollock-Krasner Foundation Temari Jurors Award 1982 National Endowment for the Arts Fellows

Roberts, RayBentley Specials and Special Bentleys (A Foulis motoring book) Haynes Pubns - 0854296999 Good in a Fair dust jacket; Hardcover; Front of jacket is heavily scuffed at top and bottom edges with a 2" closed edge-tear to top right edge of jacket; Back of jacket is in good overall condition with a few medium scrape-marks and minor scuffing to the edges; Jacket has been price-clipped; Clean boards with light to moderate edgewear; Several faint "X"-shaped impression marks to right textblock edge (made with a blunt point of some type and only visible when viewed up close); Gift inscription to title page; Text pages clean & unmarked; Good binding with straight spine; This book will be stored and delivered in a sturdy cardboard box with foam padding; Light blue/silver dust jacket with photo of four Bentleys, and title in white and black lettering; 1991, Haynes Publications; 496 pages; "Bentley Specials and Special Bentleys (A Foulis Motoring Book)," by Ray Roberts. [Attributes: Hard Cover]