Collins Bird Guide: The Most Complete Guide to the Birds of Britain and Europe (second edition), text and maps by Lars Svensson, illustrations and captions by Killian Mullarney and Dan Zetterström, with a significant contribution by Peter J. Grant, translated by David Christie and Lars Svensson (HarperCollins, 2009)

A literate musician can read a score and hear a symphony in his head. I wonder whether the mega-minds of the future will be able to do something similar with genomes: read a DNA recipe and see the animal or plant cooked from it. The mega-minds will need to know about the oven, that is, the womb, egg or seed, but then musicians need to know about instruments, not just notes. The code can’t exist in isolation: it needs a world to be realized in and a musician’s mind can mimic that world.

But mega-minds aren’t here yet for genetics, so we have to use books like this to see the product of DNA-recipes. Collins Bird Guide is effectively a genetic cook-book or genomic score, but we don’t see the naked genes, just the dish or symphony cooked or played from them. Lars Svensson describes thousands of birds of all shapes, sizes, colours, diets and habitats, from the huge golden eagle, Aquila chrysaetos, which can carry off a lamb, to the tiny goldcrest, Regulus regulus, which isn’t much bigger than a bumblebee. But these two, like all other birds, have a common ancestor: when you see a bird sitting in a tree, it is also, metaphorically speaking, sitting in a genetic tree whose twigs, branches and boughs spring from a single trunk. One DNA-recipe has turned into many under the influence of natural and sexual selection.

Birds, which often come in very distinct male and female forms, offer lots of good examples of sexual selection. One of the most spectacular examples isn’t native to the region covered by the book, but it has been introduced here. And so there are pleasant surprises in store for some European ornithophiles. I once came across a wild-living golden pheasant, Chrysolophus pictus, early one morning in a park in northern England. I thought for a moment that I was hallucinating: the bird has a crest of spun gold, a scarlet breast and belly, and an orange/black “nuchal cape”, or neck-feathers, that “can be raised like a fan when displaying” (“Partridges & Pheasants”, pg. 59). It also has yellow legs, blue wings and a long, attractively patterned tail. “Unmistakable!” notes the book.

That’s true of the ♂, at least. The ♀, whose eyes and brain are responsible for the spectacular appearance of the ♂, is undistinguished and similar to the ♀ of Lady Amherst’s pheasant, Chrysolophus amherstiae, whose ♂ is again “Unmistakable!”, thanks to the sexual selection of its ♀. These closely related species are native to eastern Asia and “occasionally hybridize” in Britain (pg. 59). In other words, their common ancestor was fairly recent and their DNA recipes can still work together. But these hybridizations may also be a function of small populations and restricted habitat in Britain. “Function” is the operative word: birds, like all other forms of life, are mechanisms with inputs, throughputs and outputs. For a pheasant, some of the input is sense-data. The throughput is the processing of sense-data in the brain. The output is behaviour: for example, mating with a less-than-ideal partner under the restricted conditions of Britain.

All this can be modelled mathematically, but in the widest and deepest sense it already is mathematical: the human invention of mathematics, with a small “m”, is a symbolic representation of Mathematics with a big “M”. Mathematical symbols represent entities and operations and are manipulated according to logical rules. This mimics the inter-play of entities in the real world, which are subject to the rules of logic implicit in physics and chemistry. Human mathematics is fallible, albeit self-correcting. The mathematics underlying reality realizes the pipe-dreams of the papacy and is infallible, in the sense that it never disobeys the rules by which it is governed.

But this infallible mathematics can fail the entities for whom it operates: birds can die young and fail to reproduce or have fewer offspring than their competitors. But this is the fuel of a larger mechanism: evolution, which is a mathematical process. Genes mutate and vary in frequency under the influence of natural and sexual selection, inter alia. Birds offer more good examples of the effects, because they have wings, beaks and feet. These are mathematical mechanisms, shaped by and for the physics of a particular environment: wings have input from the air and provide the output of flight. Or the output of swimming: some wings are adapted for movement underwater, as in the cormorants, or Phalacrocoracidae, whose beaks are adapted for seizing fish and feet for paddling.

You can look through this book and survey the varying geometry of wings, beaks and feet, from gliding gulls to hovering warblers, from seed-cracking finches to flesh-tearing owls, from tiny-toed swifts to wading egrets. The tool-kit of the common ancestor has become many tool-kits and evolution has been morally neutral as it has worked its multiplicative magic. The feet of the odd and endearing wallcreeper, Tichodroma muraria, are adapted to clinging onto vertical rock; the feet of eagles and owls are adapted to puncturing nerve-filled flesh. And presumably each species enjoys using its adaptation. A distinct psychology will accompany each distinct wing, beak and foot, because no organ can change in isolation: it is evolving within the environment of the body, influencing and influenced by other organs, in particular the brain.

But changes in the brain aren’t easily visible. If they were, some parts of evolution would be much less controversial: racial differences in human intelligence, for example. But races differ in other ways: in their attitudes to animals, for example. One generalization is that northern Europeans like listening to songbirds and southern Europeans like shooting them. So it’s not surprising that this book was originally published in Swedish as Fågelguiden, Europas och Medelhavsområdets fåglar i fält (1999). It would also be interesting to see the statistics of ornithological publishing in Europe. Those statistics will reflect genetic differences in the white European race, and so will readers’ reactions to the book.

In an electronic manual of ornithology, you’d be able to hear the songs, rather than imagine them, but electronic manuals, by offering more, in some ways offer less. Because the book has so many species to cover, it can’t describe any species in detail. So there are occasional fleeting comments like this:

The accompanying illustration shows a desert warbler standing under a small bush and peering out at a nearby wheatear. It’s anthropomorphic and anthropocentric to be amused by the behaviour, but ornithology is a human invention and humans don’t have to be purely scientific. I get a boy-racer thrill from another “V***” bird, the white-throated needletail, Hirundapus caudacutus: