You know I smoked a lot of grass, oh Lord, and I popped a lot of pills
But I never did touch nothing that my spirit couldn't kill
You know I see a lot of people walkin' round here with tombstones in their eyes
'Cause the pusher don't care child, if you live or if you die
God damn the pusher, yeah yeah
I said God damn him, God damn him... pusher man
You know the dealer, I said the dealer is a man with lots of love racks in his hand
But the pusher is a monster Good God, oh Lord, he's not a natural man
You know the dealer, the dealer takes a nickel Lord and sells you lots of sweet dreams
And Lord knows we need lots a sweet dreams
But here comes the pusher takes your body and leaves your mind a screen
God damn the pusher, I said God damn the pusher
Ororururo ohohoh
He's not a natural man
You know the dealer takes a nickel and he sold you lots sweet dreams
But he pusher takes your body, he takes your body
He takes your body and he leaves your mind a screen
God damn him
God damn him, God damn him
God damn him, God damn the pusher
If I were the president, hear me, of this land,
I'd declare a total war on the pusher man
Hear me now now
I'd shoot him if he stands still
I'd cut him if he runs yeah
I'd kill him with my Bible, my razor and my gun
God damn him, God damn him
Oh oh, the pusherGod damn the pusher man

The Romanesque church of Santa Maria Maggiore, built in the Lombard-Romanesque style, sits atop of a pre-existing pagan temple and was constructed during the 8th century and later enhanced and modified in the 12th-13th century. With three decorated doors, the interior of the church is made up of three central isles, a gothic frescoed ciborium, a large octagonal font from the 13th century, as well as frescoes dating from that same period and on into the 14th century.

In Andrea Pozzo I appreciate the incredible lesson of mathematics and geometry. He was really fantastic, a genius, without doubt.

Another remarkable thing: the use of colour that highlights the architectures, he was the best in this or one of the bests.

Illusionist founded in profound knowledge about perspective, theatre techniques of scenery, he put his theory in books, and his works was always a lesson for all the artists, architects and public in general.