Beethoven's sonatas for piano and violin constitute true chamber music, rather than violin solos with accompaniment. Being primarily a keyboard player, the composer wrote intricate, challenging parts for the pianist, matching (and occasionally exceeding) the virtuosity of the violin part. In these 1994–95 recordings, the musicians approach these masterworks as musical dialogues between two equal parties.

"Bright and bold playing. Refreshing! One is won over by the directness and clear focus of the playing. Simulating, yet never cosy. This is a set which I distinctly recommend. The recording is both natural and pleasing."—Gramophone