Rosina is a geometric typeface with a distinctive charm. With a captivating fusion of dashing 1920s style and 21st Century sensibility, geometric forms have been taken and optically adjusted to create a sturdy typeface. Tall ascenders and descenders attempt to simulate architectural features of the Art Deco period, striving for a look of the future, nevertheless form always follows function. Rosina explores typographic boundaries and lends itself well to branding, posters and other display uses.

Kapra Neue is a younger sister of Kapra. New family has refreshed proportions, rounded corners, and a new shape of glyphs. It is characterised by a wide range of instances – 24 new weights, from Thin Condensed to Black Expanded, allow to use the family in a complex way, depending on the user’s needs. Every instance comes with it’s italic version. Font has a glyph set for latin script and old-style figures. Kapra Neue is inspired by a "You And Me Monthly” magazine, published by National Magazines Publisher RSW "Prasa” in Poland, from Mai 1960 till December 1973.

I've always loved creating Logotypes and Type pieces, and for me was hard to find the right sans serif to go with script. That's why I've decided to create this font duo. Both typefaces compliment each other very well, making this product perfect for use in logos, lettering, quotes, cards, flyers or anything you want.

A geometric slab serif typeface inspired by the popular hot metal fonts; Memphis; Karnak; Stymie and Futura. Firmly rooted within this tradition, albeit with a contemporary twist. Stylish, robust and versatile… ‘Regular Slab’ is a slab serif cut of our popular typeface ‘Regular’. ‘Regular Slab’ shares the proportions and weight system of ‘Regular’, so each family works equally well on their own, as they do together.

It has a higher uppercase structure than the normal ones. It has a condensed, rounded and squared character. It is a typeface which you can use in posters, packagings, newspaper & magazine ads, logos, banners, promo images & soccer uniforms.

Avaunt Stencil was originally commissioned by art director Matt Willey for his design and launch of AVAUNT Magazine in early 2014. Avaunt Stencil was designed with a limited character set in one weight only by Henrik Kubel. In 2016 Kubel reworked the font and added multiple weights plus an expanded glyph set covering multiple languages.