As concept groups go, Da Band was not one of the most brilliant ideas to
come along. Da Band. P. Diddy put a rag-tag group of wannabe rappers together
on MTV and tried to forge them into a cohesive unit, through a barrage of
verbal abuse for not knowing the words to Biggie songs and another barrage
of verbal abuse when they did but couldn't rap them with enough intensity.
So it's Da Band, and P. Diddy is "Making Da Band." Does that mean they are
hip-hop's equivalent of O-Town?

Young City hails from New Orleans. Sara's from Detroit. Dylan's from
Brooklyn, New York. Freddrick's from Miami. Babs is from Brooklyn, and
ness is from Philly. Does anybody else sense the problem here? The only
two members of the group who would sound natural together are Dylan and
Babs, but the rest of them are clearly mismatched. When you put singers
from different parts of the country together in one group, they blend
together because they harmonize and sing the same notes the same way.
When you put rappers from different parts of the country together in one
group, each one does one verse that sounds completely different from
any other member of the group. They aren't much of a "Band" at all.

The music is basically forced to carry this crew from one end of the CD
to the other, since they can't hold the weight themselves. At times it
almost passes for good hip-hop. The Natural and Tony Dofat supply a
nice track for "My Life," where Babs does her best impression of Lil' Kim
(and little wonder P. Diddy wanted her in the group). P. Diddy and Tony
Dofat provide the kind of saccharin sweet in "Tonight" that you'd expect for pop
crossover, and the singing in the opener might make you think it was a
Faith Evans song until Babs once again steals the show with a rap so
raunchy Kim could honestly sue her FOR stealing:

"Yeah baby, tonight's the night
I'ma ride that thing like a motorbike
Grab my waist and hold it tight, I'm not frontin
You think I bought a box of Lifestyles for nuttin?
PLEEEEEASE, I got blunts, you supply the weed
I'm the best, so baby keep yo' eyes on me
It's about time I get mine, nigga I'm ready
And sex ain't the bomb if the girl ain't sweaty"

If they can tone it down a little bit for radio play, it might be a
hit single from this group. It would have to usurp the silly "Bad Boy This,
Bad Boy That" though. The same production team that made "Tonight" so
hot makes this one so not. The bare bones beat and quick stabs of sound
scream Neptunes envy, but have none of Chad Hugo or Pharrell's power.
The lyrics don't exactly scream hip-hop greatness either, as Ness tries
desperately to evoke images of better MC's:

If that track stays top 40 it's either a miracle or P. Diddy's using his
MTV connections to make sure the video stays in heavy rotation. What
won't be in rotation? Mediocre songs with mediocre titles. "I Like
Your Style" and "Stick Up" scream Hip-Hop 101, and Da Band was rushed
through their classes and given undeserving passing grades. When one
hears the song "Why," previously featured on the "Bad Boys II" soundtrack, the
answer is fairly apparent - P. Diddy has no faith in better, more established
Bad Boy rappers like Black Rob, G. Dep and Craig Mack. Diddy obviously
feels he's better off filling his roster with unproven and raw talents
(some of whom may have POTENTIAL to be soloists, but certainly don't
belong in this debacle) than to go with his proven veterans who are more
than capable of hitting home runs out the park. Let's face it, he's
traded Roger Clemens for Rick Vaughn. Maybe they too can be molded into
power players, but this isn't a movie and nobody wants to sit through
this mess for an hour to find out. These Bad Boys and Girls need to
grow on their own, outside P's bad influence and harsh spotlight.