2016

Originally released last year on Ho! Ho! Ho! Canada VII, Calgary’s Lab Coast have generously re-released this killer track on Bandcamp for our FLAC-downloading fun! This is one of the most interesting approaches to a Christmas song I’ve heard in the past few years. There are no cliches, no “baby, please come home,” rather, the narrator is wondering why they are still loved. Many of you have likely felt inadequate, when faced with someone who loves you more than you think you deserve. “How did I become the apple of your eye? / I don’t know now.” So he walks around, thinking, “Would you still love me as I am / It’s not 1993 / I’m so broke I might as well / wrap myself under your tree.” It’s a powerful song, wrapped up in 2:06 of RIYL Real Estate-indie rock. This is pretty much written for my sensibilities, and thus, here we are. Enjoy.

Bottom Line: This is short enough, interesting enough, and rocking enough to (spoiler alert) make my mix. Maybe yours too! Now with extra FLAC-goodness!

Way back in 2010, the wonderful Scottish band The Just Joans released The Just Joans’ Seasonal Greet, a limited mini CDr Christmas EP, on the wonderfully-titled WeePOP! Records. And it looks like just about every holiday season, they would pop a track out here or there, released on Soundcloud or as a live recording on Youtube. However, it appears that in December 2016, the whole EP became readily-available again via their Bandcamp page! This is a wonderful turn of events, as there are some excellent tunes on here for those who like a melancholy, slow-tempo Christmas. “Card from a Multipack” is (for me) the strongest of the bunch, as the approach is interesting and the delivery feels genuine – there is some pain in this track. My second favorite would be the vaguely indie-folk rendition of the classic “Last Christmas,” where their Scottish brogue and gently strummed banjo give this stale song a fresh feel. Certainly worth your time and money.

Bottom Line: The Just Joans are due for another Christmas EP… just throwing it out there 🙂 But until they do, I’m happy to have “Seasonal Greet” to tide me over.

LISTEN

Scottish popsters Marble Gods somehow snuck a sweet little indiepop Christmas tune by me last year… and if I ever find out how, there will be hell to pay! They even have it tagged properly! “I Remember Xmas” is a lovely, jangly little indiepop song that is right up my alley. Upbeat guitars with a dash of melancholy in the lyrics… the perfect indiepop blend for your anorak Christmas. “Driving home I remember Christmas / when we were young. / We thought would last forever. / Oh how we were wrong / So it’s Christmas time, / and you’re everything I want. / But my only fear / is that you will break my heart.” Beautiful!

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Prints Jackson‘s epic task, to write a song every month till he dies, may have ended (is he still alive??) in February, but before the streak ended (36-months in), he did produce threeChristmastunes for your enjoyment. Each has its own indie-rock charm, but my favorite is certainly last year’s “Reindeer Reindeer.” Why you ask? Well, I love how the song builds from the pulsing synth, bringing in indie rock colors of all sorts as it progresses. But what really drew me in are the lyrics. They are clever, funny, and at times political (“Sweet baby Jesus, / what with Brexit? / It’s hard to have faith / when the President’s a sexist. / Do we still pretend he’s a circus clown? / Let liberal kids knock him down and make yellow snow.”). So, check out this excellent original Christmas tune, as well as Prints Jackson’s back catalogue, because it is all pretty damn great.

(Author’s note: Those who have been reading this blog most certainly have a clue as to my political leanings, and if you have just come across it, and find yourself offended by this track… well, just don’t listen to this song, or go somewhere else? Free society is freedom of choice. I certainly wouldn’t be hanging out on a site that was saying any of the million “Trump Train” songs were any good. Also… because none of them are!)

Bottom Line: Prints Jackson may have ended his run of a song a month, but we are most certainly lucky that he was still writing in December 2016.

LISTEN

Montreal’s MC Paquin’s “Noël Song” is one of the more breezy Christmas tunes I’ve heard in a long time. Splitting time between solo work and being a member of the folk-pop band Jolie Jumper, MC Paquin’s finds the sweet spot between folk-pop and indiepop with “Noël Song.” The airy production, strolling beat, and lovely brass accents will leave you tapping your foot (unless you have no feet). Readers of this blog will know I normally gravitate toward the rougher edges of Christmas tunes, looking for those tracks that don’t quite buy into everything being perfect and snow-covered. However, lines like, “Drove all those miles just to leave them with a smile,” capture a particular sentiment that I just haven’t heard before… and I loved it.

Bottom Line: I’ve always known that Montreal is a hotbed for fantastic music, and MC Paquin has not let her city down. (However, her city let me down this summer when my car was stolen on the FIRST NIGHT OF VACATION. Booooo Montreal, BOOOOOO!)

LISTEN

NJ->Norway->NYC singer/songwriter Okay Kaya (aka Kaya Wilkins) released this little gem on YouTube last season, and it was deservedly touted by my Christmas-music-blogger-in-arms Christmas-A-GoGo. Her voice is beautiful, yet with a mournful quality, and the message, while not your typical cheery Christmas romp, is most certainly relatable. My favorite line is, “I want to talk, I want to talk, I don’t want to talk, I want to talk loud and confidently.” There is something refreshing to the honesty found in the struggle embedded in the lyrics. I don’t think I’m far off-base to say that a quick glance at the central premise of this song might lead a listener to quickly dismiss it (as I think it would be terrible as either the pop-punk or twee song I imagined in my head), the line “All I want for Christmas is therapy,” threatens to be both trite and precious in equal parts, but Okay Kaya does a wonderful job to fully develop this song into a beautiful and complicated view of the other side of Christmas.

Bottom Line: Okay Kaya built upon a concept that I was almost reflexively suspicious of, and made me a believer.

Weehawken NJ’s Chole Grace, formerly known as Bitter’s Kiss and now professionally known as Baker Grace (and apparently signed to Republic Records), collaborated with electro-pop group Blue Stone with “These Bells Will Ring.” It’s a call for peace in the holiday season; You can’t get much simpler than that. It is short, poignant and beautiful. I have a version from 2015 that is 30 seconds shorter and with MUCH less production value than the slightly celtic version that adorns this video… and I prefer the stripped-down version a bit more. Still dig the new one, just not as much.

Bottom Line: Short, thoughtful and beautiful. Make the original version available again and I’ll be a happy, happy blogger. It’s back!

Here is something I had been meaning to write about since well before Christmas… but you know what? There is only so much time in the day, and you know… family, work, and all that other shit. That, and Christmas A Go Go already covered it! Not that I don’t write about things that other folks do – I just feel less urgency about actually doing it. I think I just had a breakthrough! Thanks for listening guys and girls. I’ll see you all next week.

Oh yeah – review.

Grapes and Friends are an Austin, TX indie rock band created by smashing together members of Dangeresque, The Gorgeous Hands and Genuine Leather; they are like the Austin version of our friends the Sunturns, a specifically indie-rock-christmas supergroup. They combine to throw a Christmas party (have for eight years now) and it sounds like a fucking blast; I would love to go. This year they released the fantastic “Christmas Crush” as a teaser to get you to come to their holiday shindig, and what jam! I don’t know if I quite agree with C-a-Go-Go (Hall & Oates meets Ween), I find it to be equal parts Young Americans-Bowie and Midnight Vultures-Beck as the recipe for this cheeky holiday romp. The music is groovy, the lyrics are clever, the whole thing just makes me want to (Christmas) party.

They also released “Can I Come Home with You (For Christmas)? in 2015,” which is still a ton of fun, just a bit goofier. Smooth and silly, it is something that wouldn’t be out of place in a fireside seduction scene on Flight of the Concords. “Can I Come Home with you for Christmas / Can I get stoned with you for Christmas? / make you feel alright pretty baby, maybe.” Some fun shit indeed.

BUT WAIT, there is one more! The final track is “I Wish it Would Snow in Austin,” released in 2012 and accented with beautiful horns and lots of love. It reminds me of Yoko-era Beulah, which is a band I fucking love. (What’s with all the profanity today?) I truly dig this one too – battling with “Christmas Crush” for my favorite by these Grapes folks. Can’t wait for this year’s!! (fingers crossed)

Bottom Line: The Grapes and Friends are a welcome indie-Christmas supergroup that would be amazing on a double bill with their Norwegian counterparts… just imagine that one… what a party! Love this band!

First off… big, big shout out to The Christmas Chaos Radio Show for hipping me to this fantastic new Dutch band, The Wild Raspberries. How they snuck past the Christmas music radar that I have eternally pointed at northern Europe, I have no clue. Their 2016 track, “Together on Christmas Day,” isn’t even their first seasonal rodeo; They are now two years into this seasonal tradition! And yes, I’m going to say tradition in the hopes that they will continue putting out these gorgeous songs. To describe these songs is to close your eyes and imagine what an amazing Mojave 3 Christmas album might sound like. I consider this a huge compliment, because I own every single Mojave 3 record, and to remind me of them… specifically the best moments of them… is huge. On both these tracks, the Wild Raspberries’ ethereal vocals and the ringing guitar lines lead to some beautiful fingerpicked lyrical imagery:

From Together on Christmas Day: “Cause it’s a long way home and I miss you / It’s been a long time since I’ve kissed you / but all the roads lead to be with you / so it’s all ok / we’ll be together on Christmas day.”

From A Christmas Song: “On Christmas day / I fell asleep next to the fire / In my dreams you called my name / You never changed / you held my hand and I believed you / when you said ‘all is ok'”

Each song has its own moment that made me sit up and marvel. There is the moment in “A Christmas Song” when Keez’s vocals join Hannah’s (goosebumps), and then there’s that initial guitar line that joins the opening synth in “Together on Christmas Day” (beautiful) – each solidifying these songs as essentials in my seasonal repertoire. Perhaps you will find your own, different moments… because there are many more to choose from. The Wild Raspberries are worth your time, and hopefully in the future, your money. You can support them by listening on Spotify as we all await whatever they have in store.

Bottom Line: The Wild Raspberries have created some spectacular Dutch dream folk Christmas tunes that you really need to listen to.

Way back in 2010, Stubby hipped me to a free download of Dogs on TourMusic for Winter Volume 2. I grabbed those MP3s, enjoyed it, then forgot about it. This is the curse of the Christmas mix… you end up listening to soooo much music, that sometimes it is tough to find the time to really sit down with a record. Fortunately, Dogs on Tour have given me a second chance. 2016 saw the re-release of both Music for Winter Volume 1 and Volume 2, put together as an extremely strong 14-song album. The album is comprised of mostly covers of classic Christmas songs, but there appear to be two originals peppered in there, the extremely solid “Six Words” and jam/sound-collage “I Don’t Know.” (Of note, this would not be a song to play for a Santa-believing child). However, for my money (and btw, it’s name-your-own-price), the highlights of the album are an absolutely essential version of “Christmastime is Here,” where they add saxophone seasoning to perfection. I don’t know what part of the Hudson Branch, Jadiid, Enoke, Andy Mills, Nate Henricks, All that Noise for Feeling mix (these musicians comprise Dogs on Tour at different times) brought the brass section, but thank youuuuu! Other tracks, such as their refreshing and contemporary arrangement on “Rudolph the Red-Nosed Reindeer,” and their subtle lyrical changes to “Santa Claus is Coming to Town,” really push this record up to the front of your seasonal rotation. The choices are interesting, the production is great, and that saxophone… that saxophone.

Bottom Line: “Christmastime is Here” is almost so good that it overshadows the other solid tracks, making them look weaker in comparison… but fight that urge. This is a great record. Dogs on Tour have earned themselves a spot on the top shelf of indie Christmas releases.

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