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For nearly 20 years, the Dillinger Escape Plan has blazed a dangerously loud and sometimes bloody trail through some of the headiest and most hedonistic corners of the rock-and-roll universe. Emerging from the fertile wilds of the late-’90s Northeastern hardcore scene, the band quickly became a scene unto itself, dedicated to fearless extremity both onstage and in the studio. The group’s pummeling, mechanical riffing and jazzy, syncopated drumming were a deliberate step beyond peers such as Coalesce or Mr. Bungle, and few acts have caught up to them since. Now, though, their campaign of metallic chaos is coming to an end. To commemorate the release of their sixth album — Dissociation, released this month — the band has undertaken one final tour, which slams into White Oak Music Hall Sunday. The show promises to be the loudest and wildest in the venue’s short history, and it could well be the last time the mighty Dillinger visits the Bayou City. NATHAN SMITH

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