McIntosh C2600 Tubed Preamplifier Review

“Delicate, signal-centric analog and digital sections are kept separate thanks to an internal, two layer dual-chassis design which according to the company was developed to prevent signal corruption, shielding intricate circuitry from RF and EMI interference. Analog inputs consist of three balanced (XLR), four unbalanced (RCA – gold plated, solid brass) and dedicated MM and MC phono stages (40dB/60dB voltage gain respectively). Digital inputs include one asynchronous USB Type-B, two coaxial, three optical and one proprietary McIntosh MCT (DIN) which offers a secure DSD connection for McIntosh SACD/CD transports. A headphone amplifier featuring McIntosh’s Headphone Crossfeed Director (HXD) is built-in as well “to allow high quality recordings to image like conventional speakers in your headphones” according to the company (A claim I can attest to after extensive listening sessions, the sensation is less ‘in the centre of your head’ if I had to briefly describe it). You can utilize or bypass Tone controls and all inputs can be individually named to custom tailor them to your specific gear or nomenclature and be input level-matched to +/-6dB, bass and treble settings can also be adjusted on a per-input basis. The unit also has a Home Theatre PassThru, Power Control Output (one main, four trigger), RS232 Control Input and a rear panel IR sensor input.”