Ballet Jörgen

Cinderella

Ballet Jörgen's Cinderella is an innovative take on the classic
fairy tale. Bengt Jörgen's choreography balances the fairy tale elements of
the story with a contemporary treatment of Cinderella and her family relationships.
Returning to the original Russian tradition of having women perform the roles of the
stepsisters, Jörgen builds a more realistic and human look at
Cinderella and her circumstances, and then uses these scenes to both counterpoint
and highlight the magical aspects of the story.

Bengt Jörgen is the current Artistic Director Producer of Ballet Jörgen Canada
and George Brown Dance. He is a winner of the Clifford E. Lee Choreography Award and has
created over 30 ballets for numerous ballet and opera companies including the National Ballet
of Canada, The Royal Winnipeg Ballet, the American Ballet Studio Company, the Canadian Opera
Company, Opera Hamilton and the Hong Kong Ballet.

His critically acclaimed version of Romeo & Juliet led to the development of
Coppélia, an international co-production between the Hong Kong Ballet and Ballet Jörgen
Canada that will rotate between the two companies for a ten year period.

Born in Stockholm, Sweden, Bengt Jörgen is a graduate of the Royal Swedish Ballet School.
He moved to Canada to further his studies at the National Ballet School of Canada, and from
1982-1985 he was a member of the National Ballet of Canada where he began to choreograph for
the company's choreographic workshops.

The young Venezuelan-born, Spanish conductor José Luis Gomez was catapulted
to international attention when he won First Prize at the International Sir Georg Solti
Conductor's Competition in Frankfurt in September 2010, securing a
rare unanimous decision from the jury.

Gomez's electrifying energy, talent and creativity earned him immediate acclaim from the
Frankfurt Radio Symphony Orchestra where he was appointed to the position of Assistant
Conductor, a post created especially for him by Paavo Jarvi and the orchestra directly
upon the conclusion of the competition.

Gomez started his musical career as a violinist, and by the age of 11 he was Concertmaster
of the Youth Orchestra of Zulia State - part of El Sistema de Orquestas Juveniles de
Venezuela. He graduated in music and violin from the Manhattan School of Music in
New York before embarking on a European orchestral career. Deciding to follow his dream
to have more creative input and influence on musical direction he took conducting lessons
from Lu Jia, Muhai Tang and John Nelson. After just six months of studying conducting
he went on to win the Georg Solti competition.

Since then he has worked with the RTVE National Symphony Orchestra of Madrid, Houston
Symphony Orchestra, National Arts Centre Orchestra of Ottawa, Hamburg Symphony, and
many others. Currently, José Luis Gomez is the Principal Conductor of the orchestra
of the Teatro Sociale di Como.

In June 2013 Vadym Kholodenko became the recipient of the Nancy Lee and Perry R.
Bass Gold Medal at the Fourteenth Van Cliburn International Piano Competition. Since then
it has been a busy and exciting time for the young pianist with extensive touring
throughout Europe, Asia and the USA to great critical acclaim. His recent debut with the
Philadelphia Orchestra led to Daniel Webster of the Philadelphia Enquirer praising Kholodenko's
"absorbing melodic shadings, glittering passage work, and a sense of sound that erased any
fears about the stereotype of the competition winner."

Prior to his Van Cliburn win, Kholodenko has played in recital and as soloist
with orchestras throughout the Ukraine, Russia, USA, China, Japan, France, Italy,
Germany, Austria, Switzerland, Finland, Czech Republic, Romania, Poland,
Lithuania and Israel.

Not restricted to solo recitals and playing as a soloist with orchestra, Vadym is a
dedicated performer of chamber music and, in addition to the Cliburn's gold medal,
he won the competition's prize for best chamber music performance with César
Franck's piano quintet. Vadym wowed the Cliburn audience and jury with his impressive
cadenzas to Mozart's Piano Concerto No. 21, written especially for his competition
performance, which were described by Scott Cantrell, music critic of the Dallas News,
as "replete with witty side-steps of melody and harmony."

Vadym Kholodenko was born in 1986 in Kiev, Ukraine. The first musician in his family, in
1994 he enrolled at Kiev's Mykola Lysenko Special Music School under Prof. Natalia
Grydneva and Prof. Borys Fedorov. At the age of just 13, Vadym made his first appearances
in the USA, China, Hungary and Croatia. In 2004 Vadym was awarded the Russian Youth
National Prize "Triumph" and in 2005 moved to Moscow to study at the Moscow State
Conservatoire under the tutelage of the Honoured Artist of the USSR, Professor Vera
Gornostaeva.

New York Gilbert & Sullivan Players

I've Got a Little TWIST

Including Gilbert & Sullivan's:
I am the very model of a modern Major-General (The Pirates of Penzance),
Patter trio (The Mikado),
A wand'ring minstrel I (Ruddigore),
I've got a little list (The Mikado),
I'm called Little Buttercup (H.M.S. Pinafore),
and many, many more, as well as: I'm Getting Married in the Morning (Lerner & Loewe, My Fair Lady)
I Hate Men (Cole Porter, Kiss Me Kate),
Cabaret (Kander & Ebb, Cabaret), Pick-A-Little, Talk-A-Little (Meredith Willson,
The Music Man) and more!

I've Got a Little TWIST is where The Mikado meets The Music Man. Where the
HMS Pinafore sets sail for Brigadoon. Where The Pirates of
Penzance take shore leave On the Town. It's I've Got a Little
Twist—a one-of-a-kind show that proves the Gilbert & Sullivan repertoire
is as fun, fresh, and full-of-life as, well, three little maids from school! See for
yourself as New York Gilbert & Sullivan Players celebrates the legacy of Gilbert
& Sullivan in American musical theater, featuring favorites from Rodgers &
Hammerstein, Bernstein, Sondheim, Lerner & Loewe, Meredith Willson, and Jerry
Herman. Life is a cabaret and so is this show—and as we all know, it's
always more entertaining when you add a little twist.
So here's a
little intro to I've Got a Little TWIST.

Albert Bergeret (founder & artistic director) has made a professional
specialty of Gilbert & Sullivan, having sung, conducted, directed, or designed every
opera in the G&S canon over the past forty years, with professional companies,
community groups, and college organizations. He has been hailed as "the leading
custodian of the G&S classics" by New York magazine, and his work as both stage
and musical director has been widely acclaimed in the New York press as well as on tour
throughout the United States.

Mr. Bergeret co-founded the New York Gilbert & Sullivan Players
(NYGASP) in 1974 and has served as its Artistic Director/General Manager ever since,
conducting and directing all of the company's repertory of thirteen G&S productions,
as well as Gershwin's Of Thee I Sing. His boundless energy and clear understanding of
the G&S genre have helped to shape the company's artistic output and to develop a
loyal following for its annual performances at New York City Center in Manhattan as well
as in other communities where NYGASP has toured.

Mr. Bergeret is a resident stage director with New York Grand Opera,
specializing in such seldom seen Verdi operas as Stiffelio, Aroldo,
Un Giorno di Regno, and Ernani. Mr. Bergeret is also an accomplished performer
with extensive church choir experience and numerous supporting roles in grand
opera to his credit. He appears frequently as a singer with NYGASP's "Wand'ring
Minstrels" as well as in children's performances.

Consistently cited in the press for his "gorgeous tone" (New York Times), "poetic communication"
(Washington Post) and "fast-fingered brilliance" (The New Yorker), Augustin Hadelich
has confirmed his place in the top echelon of young violinists.
Following stellar debuts with the Boston Symphony at Tanglewood and his subscription
debut with the New York Philharmonic at Lincoln Center, he made equally acclaimed
debuts with the San Francisco Symphony, Dallas Symphony, New Jersey Symphony,
St. Louis Symphony, Milwaukee Symphony, Buffalo Philharmonic, Toronto Symphony,
Los Angeles Chamber Orchestra, BBC Philharmonic/Manchester and the SWR Orchestra in Stuttgart.
He has appeared with the Los Angeles Philharmonic at the Hollywood Bowl,
the New York Philharmonic at Vail, Britt Festival Orchestra, Chautauqua Festival Orchestra,
Seattle Chamber Music Festival, and La Jolla's SummerFest.

Hadelich premiered mystery sonatas, a new solo violin work by David Lang,
at Carnegie Hall's Zankel Hall in April 2014.
The same month at Kennedy Center, Mr. Hadelich (with guitarist Pablo Sáinz Villegas and
pianist Joyce Yang) premiered an originally-conceived multimedia recital,
Tango Song and Dance, based on and named after André Previn's work for violin and piano.

The 2006 Gold medalist of the International Violin Competition of Indianapolis,
Mr. Hadelich is the recipient of Lincoln Center's Martin E. Segal Award (2012),
an Avery Fisher Career Grant (2009) and a Borletti-Buitoni Trust Fellowship in the UK (2011).

Born in Italy in 1984, the son of German parents,
Augustin Hadelich holds an artist diploma from The Juilliard School, where he was a
student of Joel Smirnoff. He plays on the 1723 "Ex-Kiesewetter" Stradivari violin, on
loan from Clement and Karen Arrison through the generous efforts of the Stradivari Society.

The 2014-2015 season marks Daniel Hege's fifth as Music Director and Conductor of the
Wichita Symphony Orchestra. Hege is just the seventh music director in the Orchestra's
68-year history. He has been widely recognized as one of America's finest young conductors,
earning critical acclaim for his fresh interpretations of the standard repertoire and
for his commitment to creative programming. Hege was recently appointed as the Stevenson
Professor of Practice at Syracuse University.

Following a nationwide search, Mr. Hege was named Music Director of the Syracuse
Symphony Orchestra in April, 1999, a post he held until 2011.
In June 2001, he completed a five year tenure with
the Baltimore Symphony where he held the titles of Assistant, Associate and Resident
Conductor and led the orchestra in subscription, family and run-out concerts.
Mr. Hege has also served as Music Director of the Haddonfield (NJ) Symphony, Associate
Conductor of the Kansas City Symphony, Music Director of the Encore Chamber Orchestra in
Chicago and Music Director of the Chicago Youth Symphony where he was twice honored by the
American Symphony Orchestra League for innovative programming.

Daniel Hege has previously guest conducted the Houston, Detroit, Seattle, Indianapolis, Oregon,
Colorado, San Diego, Columbus and Phoenix symphonies; the Rochester, Buffalo and Calgary
Philharmonics; and at the Grand Teton and Aspen Music Festivals. International engagements
include leading the Singapore Symphony and the St. Petersburg Symphony at the Winter Nights
Festival.

Daniel Hege received his Bachelor of Arts Degree in 1987 from Bethel College, Kansas
where he majored in music and history. He continued his studies at the University of Utah,
receiving a Master of Music degree in orchestra conducting and also founding the University
Chamber Orchestra and serving as Assistant Conductor of the University Orchestra and
Music Director of the Utah Singers. He subsequently studied with Paul Vermel at the
Aspen Music Festival and in Los Angeles with noted conductor and pedagogue Daniel Lewis.

In May 2004, Mr. Hege was awarded an honorary degree of Doctor of Humane Letters from
Le Moyne College in Syracuse for his contributions to the cultural life in central New York
State.

Rochester Philharmonic Orchestra

Since his dramatic 1997 Van Cliburn Gold Medal triumph, Jon Nakamatsu's
brilliant but unassuming musicianship and eclectic repertoire have made him a clear
favorite throughout the world both on the concert circuit and in the recording studio.
He has performed widely in North America, Europe, and the Far East and has collaborated
with such conductors as James Conlon, Philippe Entremont, Marek Janowski, Raymond Leppard,
Stanislaw Skrowaczewski, Michael Tilson Thomas and Osmo Vänskä. His extensive recital
tours throughout the United States and Europe have featured appearances at Carnegie Hall
and Lincoln Center in New York City, at the Kennedy Center in Washington, D.C., and in
cities such as Boston, Chicago, Cincinnati, Paris, London, and Milan.

Mr. Nakamatsu maintains a very active touring schedule with orchestra performances,
chamber collaborations and solo recitals. In April of 2011 Mr. Nakamatsu made his debut
at the prestigious Grace Rainey Rogers Auditorium of the Metropolitan Museum of Art in New York City.

In past seasons, Mr. Nakamatsu has been soloist with many leading orchestras including
those of Dallas, Detroit, Indianapolis, Los Angeles, Rochester, San Francisco, Seattle,
Tokyo and Vancouver. In February of 2010, he was the featured soloist for the highly
acclaimed American tour of the Berlin-based Philharmonie der Nationen, conducted by
Justus Franz, performing Brahms' First Piano Concerto and Rachmaninoff's Third Piano
Concerto in twelve cities nationwide. Numerous summer festival engagements have included
appearances at the Aspen, Tanglewood, Ravinia, Caramoor, Vail, Sun Valley, and Britt
festivals. In 1999, Mr. Nakamatsu was invited to the White House to perform for
President and Mrs. Clinton.

Mr. Nakamatsu records exclusively for harmonia mundi usa, which has released nine
CDs to date. His recent all-Gershwin recording with Jeff Tyzig and the Rochester
Philharmonic featuring Rhapsody in Blue and the Concerto in F rose to number three
on Billboard's classical music charts, earning extraordinary critical acclaim.

Jon Nakamatsu studied privately with the late Marina Derryberry from the age of six, and
has worked with Karl Ulrich Schnabel, son of the great pianist Artur Schnabel.
Mr. Nakamatsu is a graduate of Stanford University with a bachelor's degree in German
Studies and a master's degree in Education.

British conductor Christopher Seaman has a reputation for inspirational music
making. Having relinquished his post as Music Director to the Rochester Philharmonic
in 2011, he was subsequently bestowed the title of Conductor Laureate. His 13-year
tenure was the longest in the orchestra's history and attracted much attention for
raising the orchestra's artistic level, broadening its audience base and creating a
new concert series - a contribution that was recognized in the form of a programming
award from the American Society of Composers, Authors and Publishers (ASCAP). In May
2009, the University of Rochester made Christopher an Honorary Doctor of Music,
acknowledging his outstanding leadership in music as a renowned conductor,
accomplished recording artist, gifted teacher and community performing arts partner. In
the US, he has also held the positions of Music Director to the Naples Philharmonic
Orchestra (Florida), Conductor-in-Residence with the Baltimore Symphony Orchestra and
Artistic Advisor of the San Antonio Symphony.

Highlights of the 2013/14 season and beyond include his debuts with Nashville
Symphony Orchestra and Hangzhou Philharmonic Orchestra, and returns to Adelaide
Symphony Orchestra, Auckland Philharmonia, Naples Philharmonic, and the Orquestra Nacional do Porto.
As a guest conductor in North America, Mr. Seaman has had recent engagements
with the symphony orchestras of Phoenix, Utah, Houston, and San Francisco. He has
previously conducted the orchestras of Atlanta, Cincinnati, Colorado, Columbus,
Detroit, Minnesota, Pittsburgh, Saint Louis, and Toronto, among others. Abroad, Mr. Seaman
appears regularly with such orchestras as the Rotterdam Philharmonic, the Netherlands
Radio Philharmonic, the Czech Philharmonic, the Bergen Philharmonic, and the Prague Radio
Symphony Orchestra. He has also enjoyed, in recent seasons, return visits to Australia
where he has conducted the Sydney and Melbourne symphony orchestras. In the United Kingdom,
Mr. Seaman has worked with all of the London orchestras, the City of Birmingham Symphony,
the Bournemouth Symphony, the Royal Liverpool Philharmonic, the Royal Scottish National
Orchestra, the Ulster Orchestra, and the various BBC orchestras.

Seaman's diverse musical interests are reflected in his range of repertoire and he
is particularly well noted for his interpretations of early 20th century English music,
Bruckner, Brahms and Sibelius. He makes a point of encouraging young talent and has held
the post of Course Director of the Symphony Services International Conductor Development
Program for many years, devoting a number of weeks each year to teaching and directing
training programs for young conductors. He has also had a long association with the
National Youth Orchestra of Great Britain and the Guildhall School of Music and Drama.

His recordings include performances with the Royal Philharmonic and the
Philharmonia Orchestra. Recently, he has released a recording of works by
Tchaikovsky with pianist Olga Kern, as well as a recording of works by Rachmaninov with
Jon Nakamatsu, both for the Harmonia Mundi label. Both of these recordings were
performed with the Rochester Philharmonic Orchestra and received considerable critical
acclaim.

This series is made possible, in part,
by a grant from the Williams Family Foundation,
by a continuing subscription from
Hobart and William Smith Colleges,
by a grant from the Wyckoff Family Foundation, and by the friends of
Geneva Concerts.