I loved you, so I drew these tides of men into my hands and wrote my will across the sky in stars
To earn you Freedom, the seven-pillared worthy house, that your eyes might be shining for me
When we came.

Death seemed my servant on the road, till we were near and saw you waiting:
When you smiled, and in sorrowful envy he outran me and took you apart:
Into his quietness.

Men prayed me that I set our work, the inviolate house, as a menory of you.
But for fit monument I shattered it, unfinished: and now The little things creep out to patch themselves hovels in the marred shadow
Of your gift.

“I think I made you up inside my head”, especially because it’s reiterated, demonstrates Mad Girl’s Love Song is a solipsistic poem. She is having illusions so powerful she is unable to tell if they are real or figments of her imagination. When she closes her eyes, the world does not exist; when she opens them, the world exists once again.

This is, of course, my humble interpretation. What’s most important is what it means to you.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spritus Mundi
Troubles my sight: somewhere in the sands of the desert.

A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

Probably best known for being read in the movie The Lives of Others (although this translation is slightly different):

Remembrances of Marie A.

by Bertolt Brecht

(Scott Horton translation)

1
On a certain day in the blue-moon month of September
Beneath a young plum tree, quietly
I held her there, my quiet, pale beloved
In my arms just like a graceful dream.
And over us in the beautiful summer sky
There was a cloud on which my gaze rested
It was very white and so immensely high
And when I looked up, it had disappeared.

2
Since that day many, many months
Have quietly floated down and past.
No doubt the plum trees were chopped down
And you ask me: what’s happened to my love?
So I answer you: I can’t remember.
And still, of course, I know what you mean
But I honestly can’t recollect her face
I just know: there was a time I kissed it.

3
And that kiss too I would have long forgotten
Had not the cloud been present there
That I still know and always will remember
It was so white and came from on high.
Perhaps those plum trees still bloom
And that woman now may have had her seventh child
But that cloud blossomed just a few minutes
And when I looked up, it had disappeared in the wind.

"Gloomy Sunday" is a song composed by Hungarian pianist and composer Rezső Seress in 1933 to a Hungarian poem written by László Jávor (original Hungarian title of both song and poem "Szomorú vasárnap" (Hungarian pronunciation: [ˈsomoruː ˈvɒʃaːrnɒp]), in which the singer mourns the untimely death of a lover and contemplates suicide.
Though recorded and performed by many singers, "Gloomy Sunday" is closely associated with Billie Holiday, who scored a hit version of the song in 1941. Due to unsubstantiated urban legends about its inspiring hundreds of suicides, "Gloomy Sunday" was dubbed the "Hungarian suicide song" in the United States. Seress did commit suicide in 1968, but most other rumors of the song being banned from radio, or sparking suicides, are unsubstantiated, and were partly propagated as a deliberate marketing campaign.

Sunday is gloomy, my hours are slumberless
Dearest the shadows I live with are numberless
Little white flowers will never awaken you
Not where the black coach of sorrow has taken you
Angels have no thought of ever returning you
Would they be angry if I thought of joining you?

Gloomy Sunday

Gloomy is Sunday, with shadows I spend it all
My heart and I have decided to end it all
Soon there'll be candles and prayers that are sad I know
Let them not weep let them know that I'm glad to go
Death is no dream for in death I'm caressing you
With the last breath of my soul I'll be blessing you

Gloomy Sunday

Dreaming, I was only dreaming
I wake and I find you asleep in the deep of my heart, here
Darling, I hope that my dream never haunted you
My heart is telling you how much I wanted you

Desmond Carter Lyrics

Sadly one Sunday I waited and waited
With flowers in my arms for the dream I'd created
I waited 'til dreams, like my heart, were all broken
The flowers were all dead and the words were unspoken
The grief that I knew was beyond all consoling
The beat of my heart was a bell that was tolling

Saddest of Sundays

Then came a Sunday when you came to find me
They bore me to church and I left you behind me
My eyes could not see one I wanted to love me
The earth and the flowers are forever above me
The bell tolled for me and the wind whispered, "Never!"
But you I have loved and I bless you forever

Hard to choose just one... but I like this classic...
how imperfection means perfection in terms of feelings

Sonnet 130
William Shakespeare

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

__________________"I don't know there's a code to live by it's almost like a code to dead by" C. Robinson

The town does not exist
except where one black-haired tree slips
up like a drowned woman into the hot sky.
The town is silent. The night boils with eleven stars.
Oh starry starry night! This is how
I want to die.

It moves. They are all alive.
Even the moon bulges in its orange irons
to push children, like a god, from its eye.
The old unseen serpent swallows up the stars.
Oh starry starry night! This is how
I want to die:

into that rushing beast of the night,
sucked up by that great dragon, to split
from my life with no flag,
no belly,
no cry.

From childhood's hour I have not beenAs others were; I have not seenAs others saw; I could not bringMy passions from a common spring.From the same source I have not takenMy sorrow; I could not awakenMy heart to joy at the same tone;And all I loved, I loved alone.Then- in my childhood, in the dawnOf a most stormy life- was drawnFrom every depth of good and illThe mystery which binds me still:From the torrent, or the fountain,From the red cliff of the mountain,From the sun that round me rolledIn its autumn tint of gold,From the lightning in the skyAs it passed me fyling by,From the thunder and the storm,And the cloud that took the form(When the rest of Heaven was blue)Of a demon in my view.

__________________

Sometimes you couldn't face the sadness of being forgotten,
until you felt the comfort of being remembered again .♥.