In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it. In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it shapes the bonds of fraternal, familial, and eventually national identity. Simpson defines the "erotics" of war as discursive attempts to assert the priority of ethical identity and citizenship over individualized desire. The seemingly ancillary problem of female desire emerges not as a marginal issue, but as the focal point of a debate about identity. Casting a wide evidentiary net, this study draws examples from literature, the visual and decorative arts, journalism, and military journals to demonstrate the centrality of war to national discourse in the early nineteenth century. Books, Reference~~Encyclopedias & Reference Works~~Reference Works, The Erotics Of War In German Romanticism~~Book~~9781611482676~~Patricia Anne Simpson, , , , , , , , , ,

In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it shapes the bonds of fraternal, familial, and eventually national identity. Simpson defines the 'erotics' of war as discursive attempts to assert the priority of ethical identity and citizenship over individualized desire. The seemingly ancillary problem of female desire emerges not as a marginal issue, but as the focal point of a debate about identity. Casting a wide evidentiary net, this study draws examples from literature, the visual and decorative arts, journalism, and military journals to demonstrate the centrality of war to national discourse in the early nineteenth century.