Wikileaks (2011-13)These monochromatic grid-like compositions take machine-generated night vision and heat-seeking imagery as source material. The Predator series focuses on representations of the ‘military sublime’ as it occurs in contemporary media narratives.

Joy Garnett's paintings have utilized representations of the 'techno-military sublime' since the late 1990s. The 'Predator' series (2011 - ongoing), is comprised of target or grid-like compositions that re-purpose the night vision and heat-seeking images she gathers as source material. Based on screen-grabs from declassified or leaked US military videos of secret operations, the Predator series takes technical images of machine vision and translates them as visceral objects.