"Dark vaults downstairs provided a kind of ominous set for edgier works. At one point, experiencing Tom Loughlin's sound-based work, I climbed onto a wooden platform to allow tones radiating from below to vibrate through my body."

"The biggest buzz – literally — came from Tom Loughlin’s installation in the basement, Foghorn. It consisted of a strategically placed subwoofer whose low-frequency emissions vibrated the granite walls, and whose tonality replicated a distant foghorn. The only visible elements were a wool mat on an elevated platform. Laying in that softly lit, dank space, absorbing the sounds, put me in meditative state — but it also put me in the mind of what prisoners at Alcatraz must have felt waiting out their sentences. For site-specific relevance nothing else in the show compared."