BORODIN Aleksey

Borodin, Alexei (p. 1941), Russian Directed, teacher. People's Artist of the RSFSR (1987), laureate of State Prize of the RSFSR (1985). Born June 6, 1942. In 1968 he graduated from GITIS (rate A. Zavadsky). In 1973-1980 the main director of the Kirov Spectators. Performances: "Twenty years later," M. Svetlov, "Letters to a Friend" A. Likhanova and I. Schur, "Life of Galileo" by B. Brecht, "Three Fat Men Olesha," Deception "Likhanova," Inspector General "N. Gogol, "Young Guard" by A. Fadeev, and others.

Since 1980, the principal director, since 1989 artistic director of the Central Children's Theater (MDGs, Moscow, 1992 - Russia Youth Theater, Ramtha). 'The superiority of human over the social' are always different from Borodin. Viewer MDGs were "needed at the stage of people, especially - the people as people, not as a sign of something, walking trends and ideas'. In 1983, together with A. Nekrasov, the director issued a performance of "Les Miserables" by Victor Hugo (State Prize of the RSFSR) - 'long epic spectacle with huge amounts of text went two nights in a row. Attendance plunged into the element of reflection on good and evil, . duty and conscience, . a complex web of fate: Intense Simplicity, . rejection of superfluous details, . rarefied air of the performance prevented him from becoming an everyday, . Domestic and reported a distance of from the past, . modern taste, . sign of the day ', .

In the mid 1980's to the fore journalism: "Trap? 46. The growth of the second "Yu Shchekochikhin," Tic-tac-toe "A. Chervinsky," Between Heaven and Earth: "Shchekochikhin.

Placed in the 1992 "King Lear" by W. Shakespeare called contradictory response: wandering troupe from different countries and times played comedy about Lyra. 'Theater in the theater, areal action, where Lear was' one of:', without any signs of elder King, the patriarch. Where the contours of all the personalities stood out conventionally, without violating the principle of a giant crowd '. "Berenice," Jean Racine (1993) - 'the tragedy of love and duty, acting trio played out on the marble stairs, with candles, using only its own resources - to vote, plastics, temperament - watching and listening as a legend. Mig 'pure art', the eternal drama of passion - not an echo of the day, but the alternative, the call is harsh and prosaic life '.

"Great Expectations" by Charles Dickens (1995) 'Les Miserables is not repeated, although they were related to them - the atmosphere of humanity and tolerance, and attention to each that flashed on the stage of a person, and fearless attitude toward melodrama. But it already had a different author, different style, different theatrical time '.