Personals

Anonymous

Los Angeles

With the support of an endowment grant for conservation from
the Andrew W. Mellon Foundation (matched from grants from other
donors) the Huntington Library in San Marino has begun a one year
training program designed to enable a library school graduate to
study library conservation by working with original manuscripts and
rare printed and photographic materials in a research library. The
first conservation intern, Ms. Melinda Hayes, began work on July 12.
Ms. Hayes graduated in June from the University of California at Los
Angeles Graduate School of Library and Information Science. Her
specialization paper was based on work undertaken during the summer
of 1981 in the Bodleian Library, Oxford, where she surveyed the
drawings in the Gough Collection and described the problems in
conservation and access. Ms. Hayes is interested in a career in
library conservation administration.

Johann Reusch has joined painting conservation at the J. Paul
Getty Museum as Conservation Assistant. He studied at the University
of Berlin where he received his B.A. in classical studies and art
history. After which he served as apprentice at the Alstertal Museum
in Hamburg, Germany and the Museum of Arts and Crafts where he
specialized in polychrome sculpture and paintings.

Samuel Reznik was born in 1927 and attended school in Leningrad
and Tambov USSR. He attended a specialized school for artistic
cabinet makers from 1943-47. He then began working as a furniture
restorer at the Artistic Foundation for Conservation in Leningrad,
which served the Hermitage, the Russian National Museum and other
minor museums in Leningrad. From 1968-72 he was artistic restorer of
gilded furniture in the Russian National Museum and from 1973-75 a
furniture designer for Durim in Jerusalem, Israel. Since 1975 he has
been a private conservator in New York City. He joined the staff at
the J. Paul Getty Museum in March 1982. He and his wife Ludmila have
a daughter Maya, age 11.

Filling a new position at the Huntington Library of
Administrative Aide in Conservation is Mrs. Christie Shonard
Hedges.

Pat Reeves and Sharon Shore have completed their contract to
conserve ten W.W.I American silk flags belonging to the State
Capitol Museum in Sacramento, CA. The completed flags are now in the
museum and it is hoped that some of them will be on display during
the WAAC field trip to the State Capitol Building. Pat and Sharon
presented their technique of mounting these flags at the Harper's
Ferry Regional Textile Group Meeting September 10-11, 1982. This
conference will cover the mounting of museum textiles.

Ms. Judy Fox has been granted, under the National Museums Act, a
six-month internship in ethnographic conservation at the UCLA Museum
of Cultural History, beginning October 18, 1982. Judy is in her
final year of the NYU Institute of Fine Arts Conservation Program
and has spent this past summer interning at the Fogg Art Museum
Center for Conservation and Technical Studies. In 1981, Ms. Fox
worked at an archaeological excavation for the Haifa University in
Israel. While at the Museum of Cultural History, Judy will intern
under the supervision of Benita Johnson.

As part of her Andrew W. Mellon Fellowship at the Los Angeles
County Museum of Art, Nancy Conlin Wyatt took a five week study trip
visiting museums and conservation laboratories in Europe this
summer. Her travels included: London, Prague, Copenhagen, Amsterdam,
Brussels, Paris, Lyon, Florence, and Rome. In Paris she met with
Laura Juszczak, who was also visiting museums in Europe as part of
her Andrew W. Mellon Fellowship at the Metropolitan Museum.

Caroline Black traveled for the Hammer Foundation to China;
Florence, Italy; and Edinburgh, Scotland. During her travels she had
the opportunity to visit museums and conservation laboratories.
While in China she visited the Palace Museum in Peking. Of
particular interest is the traditional methods by which artists copy
original works of art. It is not uncommon for the original work of
art to be safely stored away while a copy is on view. It takes about
two years to complete a scroll. She also had the opportunity to see
Botticelli's "Primavera" during restoration in Florence, Italy.

With funds provided by the National Endowment for the Arts, the
Los Angeles County Museum of Art has recently added David Mitchell
to its staff as a one-year Furniture Conservation Intern. Before
moving West, David was employed as an Assistant Conservator at
Furniture Conservation Services, Haverhill, Mass. and earlier as an
Assistant to the staff of the Intermuseum Lab, Oberlin, Ohio. In
addition to his conservation experience, David has a background in
furniture and musical instrument construction. During his year at
LACMA, David will be involved in a comprehensive review of the
furniture collection and appraising its condition.

The Paper Conservation section of the Los Angeles County Museum
of Art has also received a grant from the National Endowment for the
Arts. This grant has been shared by Leslie Kruth and Robert
Aitchison, working with Victoria Blyth-Hill. Leslie and Bob will be
working on special projects such as surveying and conserving the
photography collection of LACMA and doing research and treatment
using enzymes. Their grant will continue through May of 1983.

Robert Aitchison and Mark Watters have recently moved to Los
Angeles from New York. They are pleased to announce the opening of
their studio for the Conservation of Art on Paper at: 6754 Wedgwood
Place, Los Angeles, CA 90068, telephone (213) 851-1172. Robert
Aitchison received his M.S. Degree from Winterthur/ University of
Delaware and was most recently employed by the Department of Paper
Conservation at the Metropolitan Museum of Art. Mark Watters
graduated with an M.A. Degree from the Institute of Fine Arts of New
York University. He was most recently employed by Carolyn Horton and
Associates of New York.

Bay Area

The San Francisco Museum of Modern An Paintings Conservation
Lab is undergoing major renovations and the work space has been
relocated for the months of August and September. Readaptations of
health and safety features include the installation of a flexible,
local exhaust station as well as additional sound baffling and
lighting. The work is scheduled for completion in October. The Lab
has two new staff members: Holly Huston and Jay Krueger. The new
intern this year is Cooperstown graduate student, James Wright.
Susan Duhl begins as a new Student/ Apprentice in September.

James Bernstein, Co-Director of Conservation at the San Francisco
Museum of Modern Art will be speaking at the Western Association of
Art Museums Annual Meeting in October as part of a program on
conservation in which Dr. Pieter Meyers, Senior Research Scientist,
Los Angeles County Museum of art, and Anthony Knapp of the State
Department of Parks and Recreation.

Congratulations to Inge-Lise Eckmann on her marriage to Bruce
Rosenblatt and to Holly Huston and Jay Krueger on the announcement
of their engagement.

The Decorative Arts Conservation Lab at the M.H. de Young
Memorial Museum will temporarily lose staff member Elisabeth Cornu,
as she is one of a four member teaching team giving a seminar on
Museology to Museum Professionals at the Museum of Anthropology,
Lima, Peru. Elisabeth will be dealing with preventive conservation
and handling techniques for the course offered through the J.F.
Kennedy College, Center for Museum Studies, sponsored by the
Peruvian Government National Tourist Office. The Decorative Arts Lab
has been working on twenty five pieces of American furniture from
the collection of the Carey Estate and has a new Volunteer
Assistant, Rene Wallace.

The Paper Conservation Lab at the Palace of the Legion of Honor
has been working on techniques for leaf casting (pulp filling of
losses in paper) using th vacuum suction table. The Lab will be open
for a short time during the October WAAC Meeting and the suction
table apparatus will be set up for viewing for the tour.

The Bay Area Art Conservation Guild has elected new Officers for
the 1982-83 term:

The Guild will have a new mailing address as of September: Bay
Area Art Conservation Guild, c/o Daedalus, 6020 Adeline Street,
Oakland, Ca. 94608.

Susan Tintori received an International Telephone and Telegraph
Fellowship for study in painting conservation at the L'Instituto per
L'Arte e Il Restauro in Florence, Italy. She received volunteer
apprenticeship at the Fine Arts Museums of San Francisco, Painting
Conservation Lab of the de Young Museum.

Bruce Miller bicycled through France last spring for a month.
Bruce now has expertise in the cooking of the provinces and dodging
cloudbursts.

The staff of the Paintings Conservation Lab of the de Young has
been working on an exhibition of fifty American paintings from the
Rockefeller Collection which will travel to Tokyo and Fukuoka,
Japan.

Denver

The Rocky Mountain Regional Conservation Center is pleased to
announce the appointment of Mr. James Swope to the position of
Conservator of Painting. Mr. Swope comes to the RMRCC from the
Center for Conservation and Technological Studies, Fogg Museum,
Harvard University. The RMRCC is continuing its search for
additional personnel in the Paintings Department.

Mrs. Rosamond Westmoreland of the National Portrait Gallery and
Mr. Richard Trela of the Montana Historical Society will each spend
periods of time during the next year at the RMRCC as visiting
colleagues in the Paintings Department.

Mr. James Greaves of the Los Angeles County Museum was the first
visiting colleague earlier this year. Jim's visit resulted in the
Center establishing a continuing series of visits. Colleagues, in
any conservation specialty, who are interested in spending from one
to three months in Denver during 1983 or 1984 should contact Arne
Hansen, at the RMRCC, 2420 South University Blvd., Denver, CO
80208.

Portland

Mobile Conservation Laboratory

The Thompson Conservation Laboratory has begun a survey to study
the feasibility of fielding a mobile conservation laboratory next
year to serve the conservation needs of archives, libraries, and
museums in the Pacific Northwest. For a copy of the survey form,
write to: Thompson Conservation Laboratory, 1417 N.W. Everett,
Portland, OR 97209.