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About Me

Lyn Hawks writes fiction. THE FLAT AND WEIGHTLESS TANG-FILLED FUTURE, a collection of short stories, is her first work. HOW WENDY REDBIRD DANCING SURVIVED THE DARK AGES OF NOUGHT is her debut novel.
She is also the author of Teaching Julius Caesar: A Differentiated Approach and co-author of Teaching Romeo and Juliet: A Differentiated Approach (with Delia DeCourcy and Robin Follet) and The Compassionate Classroom: Lessons that Nurture Wisdom and Empathy (with Jane Dalton).

Friday, June 29, 2012

Just sent off an application to the Elizabeth George Foundation asking for a grant to fund writing time. I have better credentials this time--more awards, more milestones reached--but you always wonder, Howdare I ask for money? Just sweat it out, honey. Work a 15-20 hour day and get 'er done.

But artists have to get over their fears and guilt and self-hatred. If we want time to write, it must be either found at some expense to ourselves or funded by external sources--those are our options. While we all love the stories of those authors who lose sleep and friendships and sanity to write beyond the workday and commute and cleaning and cooking and supposed exercising, it's no way to live.

I recently saw Robert Olen Butler post on Facebook about his 14-hour marathon writing days and felt inadequate. (Well, in the face of his writing I will always feel inadequate, but that's another post.) Then I thought, I can't do that long and survive. Even if writing was my day job, I couldn't persist longer than eight hours of writing without developing some helpful addiction.

I have found that the first and early drafts of my novel were do-able with a stolen hour a day and many hours stolen on the weekends. But there comes a time when deep reading and focus is needed beyond an hour a day, and it's very hard to unravel a novel and re-knit it with your brain unable to dive into it deep on a regular basis.

So I need time, which means money. I don't care what the free culture says, what those who hate their day jobs say, those who resent artists for asking to do what they love all day--I say fund the arts and the artists.

Lately there's been a massive outcry and debate over Emily White's confession that she's never bought music--"I Never Owned Any Music to Begin With," and it's raised a whole host of responses, the best of which, I hear, is David Lowery's. His argument of why we ought to pay for the arts, specifically songs, but I'll extrapolate that to movies, books, plays, paintings, sculpture, dance--strikes right at what I see as American myth: that artists ought to sweat it out beyond the regular work day and somehow make beautiful things to entertain everyone else. If you (and by you I mean all of us) want to spend any time with entertainment, then don't just nod to the artist, thank an artist, but pay the artist. We need tips, we need patrons, we need grants. We need moolah as much as anyone else.

And don't feel guilty about it. If you're not planning on wasting that money, if you've paid dues and plan to pay more, if you work damn hard and you're serious about your craft, that's enough to ask for some of the money that's out there.