A More Sinister Effect

It’s not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here’s an older piece from the same series in which Paul Lisicky writes about Flannery O’Connor and her “flawed characters.”

Brian Etling
is an intern for The Millions. He reads and resides in North Carolina. Brian can be found on Twitter @jbetling, and in the real world behind the counter of Scuppernong Books in Greensboro, NC.

Washington Post critic Ron Charlesbroke the news today that Thomas Pynchon will have a new book out from Penguin this fall called Bleeding Edge. Charles said the news was confirmed by two Penguin employees and that “everything is tentative” at this time.

“Whatever the [Fulbright] program became,” writes Boston Globe correspondent Sam Lebovic, “it was first conceived as a budget-priced megaphone to transmit American ideas to the world, rather than as a genuine international dialogue.” Indeed, one 1940s newspaper columnist dubbed the program “an ingenious piece of higher mathematics…[that] found a way to finance out of the sale of war junk a worldwide system of American scholarships.”

Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, ProfessorJulie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.