This page is part of a list of original releases by release
date of international commercially-released regular stereo Dylan albums.
They do not contain rarities or obscurities and are not eligible for the Searching For A Gem list.
Nevertheless, their interest value or scarcity means they're worth listing here
- as far as I know some are not included on any other Internet site. Promo
releases of regular albums are now listed here and no longer in the former
yearly Promo sections.

The Real Royal Albert Hall 1966 Concert! (2016)

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If you have any entries to add to the list or additions/corrections to
existing entries, please let me know!
Please note I cannot value your Dylan rarities -
see the Mission page for reasons why. Contact the dealers on my
Trading page for assistance!

Revised
01 January, 2018.

Stereo 150gm vinyl releases: Columbia 88985316001
(USA); Columbia/Sony Music 88985316001 (Europe); Barnes & Noble stereo
150gm vinyl release on blue vinyl: Columbia 88985320591
(USA), all 20 May 2016. CD releases: Columbia
88985308022 (USA); Columbia/Sony Music 88985308022 (Europe/Australia/New
Zealand), all 20 May 2016; Sony Music SICP 4784 (Japan), 25 May 2016. A
Deluxe Edition will not be released, just the standard CD and a vinyl
release (which includes a digital download but not a CD). Thanks to
Harold Lepidus for information that the album is also available as a
44.1 KHz/24 bit download from Neil Young's Pono Music web-site.

This is a second album of songs performed by Frank
Sinatra, release date 20 May 2016 (USA/Europe), following on from
Shadows In The Night in 2015. Bob was reported to be recording again at Capitol
Studios, Hollywood, CA, in Feb 2016, but not recording new material for this
second album (according to Japanese author Heckel Sugano who wrote the liner notes
for the Japanese CD release below), but for later release. All these newly-released
songs were recorded at the Shadows In The
Night sessions, Capitol Studios, Hollywood, CA, Feb/Mar 2014. Thanks to
Andreas Volkert and Fred
Muller for finding the 1928 source photo for the front artwork. Andreas
did some research on the playing cards depicted on the cover of
Fallen Angels and contacted famous card magician and collector Lee
Asher. He was kind enough to send the following information: "One of
my fellow playing card colleagues, Mr. Toby Edwards, pleasantly informed
me that the deck was made by the famous playing card manufacturer Andrew
Dougherty (the same guy who made the famous Tally Ho decks which are
still in production today). Furthermore, the name of the back design is
called "Chinese Dragon Back No. 81". Mr. Edwards was able to source this
fantastic information from a Dougherty wholesale price list No. 126,
dated July 1st, 1911." The font used for the text is called Caslon Black.

Thanks also to Andreas for information about the
boxing photo on the rear of the inner sleeve, which is of Jake LaMotta
(the "Raging Bull") and Billy Fox at Madison Square Garden, New York, 14
Nov 1947. Please let me know if you know the name of either of the photographers.

On 15 Oct 2015 Bob
surprised the audience at Braunschweig (Brunswick), Germany by performing
Melancholy Mood! Melancholy Mood (Walter Schumann/Vick R. Knight Sr.), now
released on this album, was
the B-side of Frank Sinatra's first single in 1939 (Brunswick 8443)! The A-side was
From The Bottom Of My Heart (Harry James/Andy
Gibson/Billy Hays/Morty Beck). This single was on the US Brunswick label,
and considering Bob, where he first performed the song is not likely to be a
coincidence. Thanks to Hermann Rechberger, who was at the show, for the
information, and also to Sonny Boy McFitzson.

The complete track listing
is:

Young At Heart (film)

Young At Heart (Johnny Richards/Carolyn Leigh)
Maybe You’ll Be There (Rube Bloom/Sammy Gallop)
Polkadots and Moonbeams (Jimmy Van Heusen/Johnny Burke)
All The Way (Jimmy Van Heusen/Sammy Cahn)
Skylark (Hoagy Carmichael/Johnny Mercer)
Nevertheless (Harry Ruby/Bert Kalmar)All Or Nothing At All (Arthur
Altman/Jack Lawrence) - performed live in Oct 2015
On A Little Street In Singapore (Peter DeRose/Billy Hill)
It Had To Be You (Isham Jones/Gus Kahn)Melancholy Mood (Walter Schumann/Vick
R. Knight Sr.) - performed live in Oct 2015. This is not as previously
reported My Melancholy Baby (Ernie
Burnett/George A. Norton)That Old Black Magic (Harold
Arlen/Johnny Mercer)
Come Rain Or Come Shine (Harold Arlen/Johnny Mercer) - performed live in
Oct 2015

Young At Heart

Stereo LP with Maybe You'll Be There (also with Where Are You? from
Shadows In The Night)

Sinatra versions of the twelve songs
on the album, all pictures discovered with Google Images from various
Internet sources, with the help of Sonny Boy McFitzson.

These two songs, not included
on the album, were also recorded at the 2014 Shadows In The
Night sessions:

Didn’t He Ramble (W C Handy/Robert Cole) - details of a recording by
Frank required!
Stormy Weather (Harold Arlen/Ted Koehler) - now to be released on a triple album Triplicate of more Sinatra songs
in Mar 2017!

On 4 Jun 2016 at Woodinville, WA, Bob premiered yet another
Sinatra song, I Could Have Told You (Carl Sigman/Arthur
Williams), recorded by Frank in 1954! I Could Have Told You will be released on
a triple album Triplicate of more Sinatra songs in Mar 2017!

Thanks to Fred Muller for news that Bob recorded a video to
mark Tony Bennett's 90th birthday at the WorkPlay Theater, Birmingham, AL, on Friday 28 Oct 2016. The video will be part
of an NBC TV special, "Tony Bennett Celebrates 90: The Best Is Yet to Come" to
be shown on 20 Dec 2016, which also includes performances by Aretha Franklin,
Lady Gaga, Elton John, Billy Joel, Stevie Wonder and others. Bob couldn't attend
the actual celebration, which was filmed at Radio City Music Hall, New York
City, on 15 Sep 2016, but wished to be included, so he performed and filmed an
unidentified song with his band at WorkPlay, with a technical crew and
gear brought in for the occasion. The song turned out to be Frank Sinatra's Once Upon A Time. Once Upon A Time,
written by Charles Strouse and Lee Adams, was recorded by Frank for his 1965 Reprise album September Of My Years. Once Upon A Time
will also be released on the triple album Triplicate
in Mar 2017!

This stereo EP on red vinyl released on Record Store Day, 16 Apr 2016, includes four
tracks from the upcoming album Fallen Angels: Melancholy Mood; All Or
Nothing At All; Come Rain Or Come Shine; That Old Black Magic. This was
first on sale in Japan to mark Bob's tour in April 2016, see
International
Singles: All Formats 2010-. The
cover photo (reversed) comes from a 1962 Japanese advertisement for a Shiseido Cosmetics
face cream called "Creampact" featuring model Kyoko Anzai (also right).
Thanks to Yoshihiko Satake for confirming this is not Emily Yoshida as
previously reported.

While the files for this record were mastered by
Greg Calbi at Sterling Sound, and cut there by Ray Janos, Wes Garland at
Nashville Record Productions cut Side 2 of the
commercial release below. Apparently
United Record Pressing (URP) of Nashville, TN, ruined the lacquer for side two and rather than spending the money
to have Ray cut Side 2 again, Wes Garland was sent a CD (probably the
commercial CD) and he re-cut from that. (Information from
www.analogplanet.com found by Éamonn Ó Catháin.)

The test pressing shown
was manufactured at URP. The record comes
in an orange/brown card sleeve with cut-outs on both sides for the labels and has
handwritten matrix numbers: Side 1 -
AL88985-316001-RE1, Side 2 - BL88985-316001-RE1. It also has “RJ
STERLING” on both sides of the vinyl ("RJ" is Ray Janos).

The Limited Edition from Barnes & Noble in the USA
has a unique catalogue number, Columbia 88985320591.
There is a dark blue square sticker on the front of the shrink-wrap. The
record comes on 150gm blue vinyl, not 140gm as in Europe, and has the
regular commercial number 88985316001. It comes in the regular
sleeve but a barcode sticker with “88985320591” is pasted at rear bottom
left (however, “88985316001” is printed on the spine and at the bottom of
the rear of the inner sleeve). There is an original price sticker at top
right of the rear sleeve.

The album comes with an
insert which has a download code on the rear. The record has handwritten matrix
numbers: Side 1 - AL88985-316001-RE1, Side 2 - BL88985-36001-RE-2. There is also “RJ
STERLING” on Side 1 and “WG/NRP” on Side 2. As stated above, Side 1 of the
commercial release was mastered by Ray Janos at Sterling Sound, but Side 2
was mastered by Wes Garland at Nashville
Record Productions (NRP)

The regular black
vinyl release Columbia 88985316001 is also 150gm and copies have a circular red
sticker on the front like the European copies. The inner sleeve, record labels
and download code insert are exactly the same as those for the Barnes & Noble
release. The handwritten matrix numbers have
one small difference from those of the Barnes & Noble release: Side 1 -
AL88985-316001-RE1, Side 2 - BL88985-36001-RE-3. There is again “RJ
STERLING” on Side 1 and “WG/NRP” on Side 2.

Thanks to
Erika and Gerd Rundel, Tim Prince
and Sonny Boy McFitzson for
information and pictures.

The 140gm stereo black vinyl release has a round red
sticker on the front of the shrink-wrap. The record comes in a picture inner
sleeve and there is also an insert with details of how to obtain a digital
download of the album (code obscured).

The Canadian CD comes in a jewel
case with a round red sticker with white text in English and French. The
front and rear inserts were made in the USA and do not have the Sony Music
logo. The CD itself was made in Canada. and has a red Sony Music logo to the
left of the centre hole.

Andreas Volkert has found a photo of the inside of
the Mexican CD release. This shows that the outside left of the front insert
lists the song composers as well as the song titles, missing from the US,
Canadian, European, Australian and Japanese releases. More scans required!

Thanks to Peter Coulthard, Gerd Rundel and Andreas Volkert for information and scans.

The European CD release comes in a regular jewel case and
has a round red sticker on the front of the shrink-wrap. The front insert is
folded with the LP artwork on the outside and the LP inner sleeves on
the inside. There are again no writer credits - for those see the top of the
page. The CD
comes in a black tray so the reverse of the rear insert is plain white.

The Australia/New Zealand release was made in Australia
and has the same catalogue number as the European release. The round red
front sticker is the same as the European sticker, although Fred Muller
reports that his copy has the sticker attached to the jewel case, not the
shrink-wrap. The front insert is the
same as the European release, but the rear insert has a different format
barcode and the "Sony Music" logo is more prominent in red and white instead
of in the light blue background colour. Fred also points out that the spine
text on the rear insert is printed vertically upwards, not vertically
downwards as it is on the North American and European rear inserts.

The Japanese CD release comes in a
standard jewel case with a black CD tray - the reverse of the rear insert is
plain white. There is no front sticker. The obi is white with black and red
text and price ¥2,400. The release date is "16.5.25" (25 May 2016), the
original release date is "16.5.20" (20 May 2016) and the withdrawal date is
"16.11.24" (24 Nov 2016). As well as the worldwide front insert (a folded
sheet), there is a Japanese booklet. The Japanese booklet has English lyrics
and the translations, plus liner notes in two parts; the first by Heckel
Sugano about what Bob said about the songs, the recording process for AARP,
and
how Al Schmitt created the tracks. According to this, the horns on Maybe
You'll Be There are played by the same guys as on Shadows In The Night:
Alan Kaplan (trombone), Francisco Torres (trombone), Dylan Hart (French
horn). Stu Kimball played acoustic guitar and Donnie Herron acoustic
mandolin on All or Nothing, although they are playing the song electrically
in concert. Heckel also mentions in the liner notes that Dean Parks replaces
Stu Kimball on It Had To Be You, Melancholy Mood, That Old Black Magic and
Come Rain Or Come Shine. The second liner notes by Kenta Hagiwara are about
the specific versions of the songs Bob has referred to on Fallen Angels
(see the notes at the top of the page).