Monday, June 20, 2016

I co-organized, with Christopher Hutchinson, a collaboration between our two collectives - tART and the Smoke School of Art (SSA). A Bad Question included a gallery exhibition at Wonderroot in Atlanta, an intersectional feminist symposium at the Atlanta-Fulton public library, an online exhibition and more.
During our time in Georgia, tART members were in residency at the beautiful home and studio of SSA member Julio Mejia in the mountains of Jasper, Georgia.

Learn more about the project at tART's website, and read a review of the exhibition by Catherine Rush for Burnaway.

Members of SSA and tART on stage during A Bad Question feminist symposium. Moderated by Kali-Ahset Amen, PhD

Thursday, April 30, 2015

Here is the finished piece that I made during the course of the exhibition Freedom at York College Gallery.

The title of this piece is White Liberal Hustler Making Ebola Jokes (#1). It is made from bandages, bleached on the ends and bronzed with fake tan lotions in the center. To view the making of this piece, see my post from 4/16/15.

Friday, April 17, 2015

My
work is included in this group exhibition at Columbia University’s Wallach Art
Gallery, on view April 22 through June 13, 2015:

a curious blindness reflects a moment captured by eighteen
early- to mid-career artists who engage with the complex climate of race and
identity politics. Despite their varied backgrounds and influences, there is a
shared consciousness of how people of color are treated and represented in a
purportedly post–racial era. The selection of works within the exhibition
responds and reacts to the institutionalized racism that permeates the
quotidian through media, consumer capitalism, and the art-historical canon. The
artists are influenced by ideas of portraiture, seriality, and the consumable
that evoke the ways in which the body of color has been objectified and
abbreviated through time.

a curious blindness is curated by Vivian Chui, Tara
Kuruvilla, and Doris Zhao. It is the third presentation of MODA Curates—an
annual opportunity offered by The Miriam and Ira D. Wallach Art Gallery and the
MA in Modern Art: Critical and Curatorial Studies Program (MODA) for
outstanding curatorial proposals related to students' theses.

About Me

Email: SBroughelStudio@gmail.com In her artwork, Suzanne Broughel explores issues of race – particularly the construct of whiteness and its implications towards being a raced individual. She has been a participant at Skowhegan School of Painting and Sculpture, Triangle Artists Workshop, The New Museum R&D Seminar, The Art & Law Program and The Aljira Emerge Program. Her fellowships include New York Foundation for the Arts (sculpture), AIR Gallery and the Laundromat Project: Create Change. She has exhibited at P.S.1/MOMA, Marlborough Gallery, Columbia University, and Longwood Gallery, among other spaces. Broughel is a member of the tART Collective.