Malicious Objects, Anger Management, and the Question of Modern Literature

Jörg Kreienbrock

A Fordham University Press Publication

By investigating the minutest details of life among dysfunctional household items through the discourses of philosophy and science, as well as in literary works by Laurence Sterne, Jean Paul, Friedrich Theodor Vischer, and Heimito von Doderer, Kreienbrock reconsiders the modern bourgeois poetics that render things the way we know and suffer them.

Malicious Objects, Anger Management, and the Question of Modern Literature

Jörg Kreienbrock

A Fordham University Press Publication

Description

Why do humans get angry with objects? Why is it that a malfunctioning computer, a broken tool, or a fallen glass causes an outbreak of fury? How is it possible to speak of an inanimate object's recalcitrance, obstinacy, or even malice? When things assume a will of their own and seem to act out against human desires and wishes rather than disappear into automatic, unconscious functionality, the breakdown is experienced not as something neutral but affectively--as rage or as outbursts of laughter. Such emotions are always psychosocial: public, rhetorically performed, and therefore irreducible to a "private" feeling.

By investigating the minutest details of life among dysfunctional household items through the discourses of philosophy and science, as well as
in literary works by Laurence Sterne, Jean Paul, Friedrich Theodor Vischer, and Heimito von Doderer, Kreienbrock reconsiders the modern bourgeois poetics that render things the way we know and suffer them.

Malicious Objects, Anger Management, and the Question of Modern Literature

Jörg Kreienbrock

A Fordham University Press Publication

Author Information

Jörg Kreienbrock is Assistant Professor of German at Northwestern University.

Malicious Objects, Anger Management, and the Question of Modern Literature

Jörg Kreienbrock

A Fordham University Press Publication

Reviews and Awards

"The story Kreienbrock tells here is an interesting and thorough one, and it makes a contribution to the history of the modern subject amid the menagerie of objects from which he differentiates himself." -German Studies Review

"Kreienbrock's work is a welcome contribution to the recent trend for Thing Studies."-Sean Williams, Monatshefte