Moral Panic Guide To Ennie Voting

But I know where to throw a vote. To find which products are the most innovative and deserving just look for the game designers who are the most conservative and abusive--and do the opposite of what they say.

Could they possible be so exercsed about Blood In the Chocolate--a light-hearted, if lethal, body-positive and LGBT-friendly romp by Least Offensive Man In The Western Hemisphere Kiel Chenier?

Now, you may be thinking--Zak, I know you don't have anything out this year and that sucks, because not only do we not get to play it, but when you're nominated fun things happen like Cam Banks compares you to Hitler.

Well, fear not! Cam is at it again, this time--he's trying to compare my publisher Lamentations of the Flame Princess to......Donald Trump?

And what about Cam Banks' brothers-in-harassment over at Something Awful?

And the grumps within the OSR...?

The choice here is clear: Vote Lamentations of the Flame Princess For Fan Favorite Publisher.
The Ennies also have a rank-voting system, so you can also give shout-outs to LotFP allies Satyr Press, Hydra Collective, Frog God Games, Goodman Games et al as well as other totally metal DIY RPG goodness like Hubris for Best Electronic Book and Santa Is Dead for best free product.

But you may be wondering--on the LotFP hate-front--Blood In the Chocolate received but one nomination, Cursed Chateau is nominated for Best Cartography and Jeff's Broodmother Sky Fortress got a Judges' Spotlight Award

....but that's just three awards? So what has earned this veritable frenzy of sour grapes and right-wing spite?

Well,for Best Monster/Adversaryand Best Rulesaaaaand Best Writingand Product of the Year

10 comments:

Thinking about this (and need to actually maybe make a long post and start blogging) but it always feels like (as someone who came at games sideways, as an autistic youth learning to play AD&D from her therapist to learn the ideals allegedly solely enshrined in story games, which isn't really a meaningful term anyway, i speak in too many parenthetical statements) the distress over the "populist shift" ignores that games are more diverse *in spite* of an incrowd that expects me to take 3-6 hours to teach someone how to play their pick up and play game to engage in mechanics that are basically "improv theater with some die rolls" that are buggy and poorly defined and unsupported because they're on to their next magnum opus because *some sort of actual diversity is threatening to them*? because what it seems like a lot of the anti-LotFP/Indie D&D/OSR/whatever catchall crowd *actually want* is diversity without an actual diverse set of interests and ideas. Like the weird queerphobic concept that *any* content in a LGBTQAI+ or whatever acronym you like crowd is inherently fetishistic (and Blood in the Chocolate got me buying RPGs again rather than sighing and thumbing through old D&D and playing 5e with a ton of folx who recently got drawn to the hobby and have little interest in storyteller games and a lot of interest in making their own ideas animate on whatever system they can pick up the quickest). Or this weird idea that ~*~diversity~*~ means "basically the ideas we already have but presented by someone that looks different"? like why aren't they doing a critical history of MAR Baker and Empire of the Pedal Throne and the utilization of science fiction in a Vancian sense without reference to European culture? why isn't anyone tracing literary influences on the storyteller genre (why are people upset about the VTM stuff people who seem unaware of vampire novels, like the content of Poppy Z Brite rather than Anne Rice jumps out as *vastly more sexual and less conflicted about being a monster* but they seem to have cribbed their knowledge of vampire lore from a wikipedia page about Bram Stoker and never touched Varney the Vampire or Lost Souls or whatever). Why is the hobby so devoid of critical attention to anything but number crunching in theory fields other than the occasional sociology and the occasional sterling review (a friend and i are trying to put together something on thematic elements that link the two versions of Death Frost Doom and Deep Carbon Observatory while illustrating how author and design differentiate how those themes exist which seems so obvious i keep expecting to see the damn thing already existing). Why are *production values* something to fucking spit at?

(Happily goes off to suggest voting and reading references to her 80ish member online group to become informed Enie voters even if they may vote differently because participation is how the field actually changes)

FM Geist

P.S. thank you for being great daily reading and for liking my tweet of my estrogen injection with Red & Pleasant Land which probably falls under "insane and creepy fan territory" even if meant as a compliment

It's weird seeing that crowd turn their hate-puke hose on the terminally nice Kiel Chenier. It's also weird seeing them give really distorted descriptions of BLOOD IN THE CHOCOLATE to make it out to be some kinky rape-snuff porno holocaust of bad taste that it simply isn't. At what point does exaggeration become lying? The sheer dishonesty of it is really galling, as is the Iranian mullah-level of prudishness (Seeing "Fetishes" in something, then not only assuming that everyone thinks fetishes are a bad thing, but a REALLY BAD thing that automatically renders a work valueless).

Gah, some of those comments...I don't understand what makes people so choked up with spite.

Those are all good picks, Zak, although I am barely familiar with anything else being nominated, so I can't judge. I manage to consume RPG materials by the shovelful and yet somehow I manage to only experience a small corner of the hobby. There's so much content being pumped out there for what I thought was a pretty small market.