Events:
February 28, 2013,
Exhibition

In the March 21 issue, Walter Kaiser writes, “What, in the end, is most idiosyncratic about the quattrocentro artist Piero della Francesca is the essential nature of his mind, which was molded both by artistic and by mathematical perceptions.”

In the May 9 issue, Sanford Schwartz writes, “This exhibition of the mid-nineteenth-century portraitist William Matthew Prior refutes the idea that antebellum American artists usually showed African-Americans in a trivializing manner.”

In the May 9 issue, Anka Muhlstein writes, “What makes this exhibition so interesting is the concept of the modernity of art as it was understood by the artists of the last half of the nineteenth century.”