UConn has a terribly unpublicized collection of top notch public art at several of its campuses, as well as the law school and health center. I picked up a handsome little booklet called “Keepsake” at the William Benton Museum of Art in Storrs (CTMQ Visit here) and was immediately drawn to the challenge of witnessing all 30 installations.

Most appear to be outside and viewable any time, but several others are indoors with probably somewhat limited viewing times. This ought to be fun. At the time of this writing, I’ve visited Storrs now four times for the purposes of this blog… and now I know I will be making yet another visit to collect the public art. This excites me. (As does the fact that I found that Yale has a Public Art Walk as well – at least that’s all entirely within New Haven.)

Squashed Bug, Damian Wood, 2009

For now, a work in progress… Presented in the order and the manner (by artist’s last name) of the booklet.

Fritz Bultman was a student at Hoffman’s School in Provincetown, MA and the New Bauhaus in Chicago. Bultman taught at Pratt Institute, Hunter College and at the Fine Arts Center in Provincetown.

I happen to like two other sculptures here that are not part of the Keepsake Exhibit. (As noted at the Benton report).

…………………………………………………….

7. Lewitt, Benton Museum (Indoors):

Untitled (2004)

Sol LeWitt earned his BFA from Syracuse University in 1949. he worked for architect I.M. Pei. LeWitt is regarded among the leaders and proponents of Minimalism, while he popularized the term “Conceptualism.” He has been honored with numerous international retrospectives.

I like LeWit’s work, but it is all pretty much the same from what I’ve seen.

I really liked this one. Jim Sanborn is noted for his work with American stone materials that evoke mystery and nature. He received his MFA in sculpture from Pratt Institute, and since has had work exhibited nationally. But check this out – Sanborn’s father was the head of exhibitions at the Library of Congress, and his mother was a concert pianist and photo researcher.

Sanborn created one of the most interesting and popular public art works in US history. (Not this one, though it is similar in nature). Kryptos is a sculpture located on the grounds of the Central Intelligence Agency (CIA) in Langley, Virginia. Since its dedication on November 3, 1990, there has been much speculation about the meaning of the encrypted messages it bears. Of the four sections, three have been solved, with the fourth remaining one of the most famous unsolved codes in the world. The sculpture continues to provide a diversion for some employees of the CIA and other cryptanalysts attempting to decrypt the messages.

Alexander Liberman was a Russian-American artist. His highly recognizable sculptures are assembled from industrial objects and often painted in uniform bright colors. his work is found in many prestigious collections.

More prestigious than sitting in front of the 3 building “campus” of UConn’s Torrington Campus? I doubt that. I probably visited the sculpture on one of the 18 days of the year there’s no snow around up here. My word, this place is off the beaten path. But no matter, the bright red sculpture is striking and a welcome addition to the rather pedestrian buildings of the school.

…………………………………………………….

Health Center, Farmington

21. Holup, Front Entrance (found on third search of property)

Bronze Spheres (2000)

Wopo Holup received her BFA from San Francisco Art Institute, and her MFA from Mills College. She has exhibited works since 1977, many of which are public commissions on display across New England.

I dug this one. First of all, these things are nearly impossible to find as the “Front Entrance” is fairly inaccessible. Also, they are the size of softballs – and the brochure led me to believe they were rather large. They really are a bit small for the outdoor space, but I still liked it.

…………………………………………………….

22. Behl, Outside Main Entrance

Family (1998)

Wolfgang Behl was born in Germany and studied art at the Rhode Island School of Design. Behl taught at the Hartford Art School for much of his life. An overview of his work was exhibited at the Sculpture Center in NYC in 1980.

…………………………………………………….

School of Law, Hartford

23. Motherwell, Knight Hall (could not find on first search of property)

…………………………………………………….

24. Pfeiffer, Law Library

Legal Process Narrative (1996)

First of all, the Law Library is beautiful. It is a newer building, but was built to match the classic gothic buildings of the rest of the campus. It is well-lit and airy, which goes against gothic ethics, but it’s really very nice. I walked all over the dang place looking for this piece, and finally found it as I was giving up and leaving; it’s immediately to the right of the main entrance.

Werner Pfeiffer is a multifaceted artist born in Germany. He was a professor at Pratt Institute. His works of art have been shown internationally in over 200 shows.

While the symbolism of this piece is a bit trite (law books bound by rope, studded with spikes, criss-crossed with a gavel and a stethoscope, etc.), it’s still pretty cool. It also fits very well not only in a law library, but also the blaring white on a white wall next to a massive 3 story window really works.

…………………………………………………….

25. Sindorf, Knight Hall

Middle Path (1995)

This one is cool as well. it sits in a courtyard in the middle of the Law School and one can find several unique angles to view it. (That’s the library in the background.)

Robert Sindorf studied at Columbia University. He describes his style as minimalist and abstract. Sindorf’s work is designed as site-specific, with emphasis given to scale, color, mass, orientation and unity with the setting.

Like I said, it works here. I can’t tell you what it “means,” but it looks cool.