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Steve Cox has been teaching painting and drawing at art schools around Melbourne for the last 30 years. However, over the last few years he has witnessed the systematic eradication of drawing and painting from the art school experience. Originally Steve imagined this must have been a local administrative mistake, but it appears to be a global phenomenon.

This is the first presentation from Max Delany, recently appointed senior curator of contemporary art at the National Gallery of Victoria (N.G.V.) Max’s experience with contemporary Australian art is both deep and wide – having been the director of Gertrude Street Contemporary Art Space...

Michael’s map makes it clear – many artists still claim painting as their ‘weapon of choice.’ His chart opens up a complex terrain. For me the point is not the minutiae of differentiation – Is this practice ‘Hybrid Abstraction’...

Standing almost two metres high, a large and blunt horn curves forward. With the title *Husband*, this black eminence seems something between a rock from Stonehenge and a human figure, but very phallic, like an archaic fetish, let us say Bonehenge.