Mill colourist Seamus O'Kane comments, "This is a wonderfully visual spot that allows the beauty and athletic poise of the car to be presented in a dramatic characterisation of the art ofoneupmanship. The car slinks through the shots in a slow reveal to finally confront and effectively deal with the annoyance of the other character.

DOP Patrick Duroux lit the space to form a tapestry of shadow that allowed Director Martin Werner to fully exploit the revealing elegance of the car and the contrast of industrial texture and polished beauty. It was a rewarding task to follow this direction with the grade and subtlety enhance these embedded attributes. The shots exhibit the character of a fashion shoot whilst allowing the car to act the svelte and tempestuous character of the Star."