Probably the most talked about non-club electronic musician over the last few years. He has even has his music remixed by Antony (Antony & the Johnsons and Fennesz)

Oneohtrix Point Never is Daniel Lopatin, a US native whose work has
brought him to the forefront of the modern electronic composition scene.
Though Lopatin’s rise felt meteoric following his 2009 double-disc
anthology ‘Rifts’ and its 2010 follow-up ‘Returnal’, (praised by the likes
of Wire, Pitchfork, Fader, Guardian UK, The Quietus, and XLR8R) his love
of polyphonic synthesizers dates back to childhood jam sessions with his
father’s Roland Juno-60, an instrument which, like B.B. King’s ‘Lucille’,
he has never left behind.

"OPN has guile and a naivety that locates his music in the grandest
tradition of sonic dream-craft." -FACT

‘Replica’, his latest effort, is an electronic song cycle based around
lo-fi audio procured from television advertisement compilations. These
sample-based meditations are as lyrical as they are ecological, featuring
re-purposed “ghost vocals” which serve as narration for Lopatin’s
signature amorphous, ambient passages. Lopatin’s commitment to his Juno-60
is still on display, but the placid, synthetic surroundings of ‘Returnal’
are accelerated via darker, propulsive terrains using samplers, analogue
filtering, tape manipulation, acoustic piano, plate reverb and
sub-frequencies. In his own words, ““Replica has as much to do with
environmental, broadcasted, and club sounds as it does with more direct
musical influences.” The result is a heightened sense of music as part and
parcel of an overall sonic landscape.