Global Fascinations and Sophistications

Triumphal Music for Organ & Orchestra

Joseph Jongen (brother of Léon, whose Malaisie for orchestra
was recorded by London International) enjoyed considerable success when
his Symphonie Concertante was first performed at the Brussels Conservatoire
de Musique on 11 February 1928. Eugène Ysaye was in the audience
and wrote the composer a long letter detailing his impressions - much as
Berlioz did after first hearing Beethoven's Pastoral Symphony! Hypnotic
attraction comes right at the start, where the motto theme (one whole note,
a staccato eighth - longer note) forms the rhythmic basis from which the
soloist embroiders his decorative, interweaving melody. The second movement
is pure improvisation, and the third mysterious and contemplative. But the
brilliant Toccata Finale is what captured audiences' imaginations [listen - track 4, 0:00-1:00]. Virgil Fox's earlier EMI-Capitol
recording is now superseded by this new one.

I caught up with Marcel Dupré shortly before he died when he gave
a recital at one of the churches in Brussels in the early 1970s. Cortège
et Litanie is a re-working of his solo organ piece to include orchestra,
but his Concerto in E minor concentrates on the problems of balancing
organ with orchestra while providing opportunities for both to explore a
succession of instrumental sonorities. Alfredo Ibarra directs, and Wearn
again is the producer. The problems I have keeping in touch with my close
friend Jonathan, are due to his enormous commitments recording rare repertoire
throughout Europe. I hope that Guild now turn their attentions to recording
the organ repertoire of Charles Tournemire.