Tag Archives: Chatty Cathy doll collection

An extraordinary photo of Vancouver Public Library’s Collingwood branch as it appeared before its opening in early July 1951. The glass expanse at the front of the building has since been covered up in a subsequent renovation. Source: Vancouver Public Library, Special Collections, VPL 8856

BY JOHN MENDOZA

This story by John Mendoza reflects his passion for architecture. He brings to life a little-known gem in our neighbourhood with meticulous research and tremendous detail.I love getting stories like these in my inbox.John Mendoza tells us that this news story from October 2010 was used by Heritage Vancouver to help defend the library’s inclusion on the 2011 Top Ten Endangered Places list. The Vancouver Heritage Foundation lists Collingwood Library as one of its Places That Matter.− Julie Cheng, editor

Located at the northwest corner of Kingsway and Rupert Street, the Collingwood branch of the Vancouver Public Library is a colourful hub of activity. However, this humble library branch holds a secret pedigree that elevates it above the 22 other branch libraries in Vancouver.

Unknown to most citizens of Vancouver, the architectural design of the Collingwood branch was designed by two celebrated British Columbian architects and could be the most important example of Modernist architecture found in East Vancouver.

Opened in July 1951, Collingwood Library’s design influenced its community in profound ways. Designed by local architects Harold Semmens and Douglas Simpson, the new building presented a friendly face to the neighbourhood.

In contrast to the imposing, old world bulk of the Carnegie branch at Hastings and Main, the design of Collingwood branch was firmly contemporary. The design reflects the spirit and work of famous Modernist architects: the glass expanse at the front alluded to Mies van der Rohe, the use of stone a reference to Marcel Breuer, the low ceiling entrance an influence of Frank Lloyd Wright. (According to Douglas Simpson’s son, Gregg Simpson, the architect studied under Frank Lloyd Wright at Taliesin West in Arizona.)

Yet due to its “effective scaling and proportioning,” the building presented a welcoming and accessible face to the local community.

According to one source, shortly after its grand opening, Collingwood branch recorded the highest circulation of materials for kids of any branch library in the Vancouver library system. If the architects wanted to create an open and approachable civic building, they succeeded.

The impact of Semmens and Simpson’s branch library design was far-reaching; it influenced the local and even regional architectural scene. The new design quickly attracted the curious, and it soon turned into the most visited Modernist building in Vancouver.

Its influence can even be felt in successive library projects such as M. E. Uttley’s Okanagan Regional Library (1955) and Kenneth Sandbrook’s New Westminster Library (1958).

Because of their work on the Collingwood branch library, Semmens and Simpson were commissioned to design the new central branch of Vancouver Public Library in 1954. Debuting in 1957, their new Modernist library building at Robson and Burrard Street earned praise for its design, winning the 1958 Massey Medal for excellence in Canadian architecture.

Despite this illustrious history, there are no guarantees for this Modernist landmark in East Vancouver. Due to budgetary constraints, the library itself almost closed during the 1990s. Moreover, the history of preserving heritage buildings and Modernist architecture in Vancouver has not been positive. (Ironically, Semmens and Simpson’s award-winning 1957 central library design has lost much of its Modernist features due to a renovation in the last decade.)

In a recent conversation, Gregg Simpson complained about the lurid blue paint that has been slapped on the exterior of Collingwood branch library. Ideally, the original colour of the building should be retained. As Gregg emphatically states, “To restore it to the original colour would be a great service to his legacy.”

Early photos of the building contrasted with the current condition of the building suggest that successive renovations have not been respectful of its architectural status.

The Collingwood branch therefore deserves consideration for its significance in the architectural design history of Vancouver. It exists as an east side example of local Modernist architecture designed by two acclaimed architects.

If it meets the criteria, the building should immediately be added to the Vancouver Heritage Registry as a rare example of Modernist architecture in East Vancouver.

As the library approaches its 60th anniversary in 2011, recognition is overdue. It would be nice if the library’s building design, layout and interior furnishings could be spruced up in the Modernist spirit, sensitive of course to the library staff and patron Renfrew-Collingwood’s humble historic landmark needs and to budgetary constraints.

Certainly the original colour should be restored and the signage could echo that of 1950s typography. At the very least, proper maintenance should be enforced.

For example, during Vancouver’s general civic strike of 2007, a vehicle crashed into the building, causing damage to the brick work. As of late August 2010, the brick-work damage remains and can still be seen just right of the main entrance.

The library and city should set an example for celebrating the city’s heritage architecture and design, especially in a humble neighbourhood like Renfrew-Collingwood. Refurbishing this building and many other heritage landmarks in our area is an important step in the preservation of our shared history and the first step of cultivating an identity for Renfrew-Collingwood. However, it will only occur if the whole community shares this aspiration and does its best to discuss this with others who can help in this goal.

John Mendoza has lived in Collingwood for almost 30 years. He is a teacher and aspiring writer. His interests include travel, reading, art and architecture. First published in the October 2010 issue of the Renfrew-Collingwood Community News.

September 2010 introduced RCC News readers to Chatty Cathy and Loretta Houben’s memories of receiving this doll. Loretta’s article isutterly charming and took us back to a simpler time — when you could pull a string to get a doll to talk.Loretta would go on to write many more entertaining and informative articles, notably on genealogy (Family Tree Tips) and history, and she currently coordinates our seniors page. Thank you, Loretta, for your many contributions to the RCC News over the years.− Julie Cheng, editor

1960 was a great year in more ways than one.

In 1960, I came into the world, and Chatty Cathy made her first appearance. I wonder how many of you remember Mattel’s talking doll. She said 11 different phrases such as “Will you play with me?” “Please comb my hair!” and “I love you!”

I received my first Chatty Cathy doll when I was four years old. I’ll never forget opening her box and seeing the top of her pretty blonde head. I pulled the string on her back, heard her speak and squealed with delight!

My mom had to put my doll on her Simpson Sears charge account as she was $11.95―an expensive toy in 1964! Mom took a few months to pay off the bill, as my younger sister also got a Chatty Baby doll at the same time.

The Dee & Cee Toy Company in Canada was taken over by Mattel in 1962, and produced the Chatty Cathy dolls until 1964. To this day they are sought after by doll collectors because of their superior facial colouring and peachy coloured vinyl limbs.

Dee & Cee contracted local housewives to sew the clothes for Chatty Cathy. A pale blue dress with a white eyelet pinafore can fetch up to $100 today on the eBay auction site, and the seams are unfinished! That may be hard to believe, but there’s no understanding the mind of a collector who is hunting to add to a valuable collection.

Loretta Houben received her first Chatty Cathy at age four.

Chatty Cathy was first produced in Canada with short blonde hair, freckles, blue decal eyes and a blue dress with a white eyelet apron. She had a variety of clothes to choose from, including PJs, fancy party dresses, a red velvet hat and coat, and play outfits.

I became interested in Chatty Cathy in 2002 while browsing eBay. I discovered that Mattel had made a re-issue of Chatty Cathy in 1998, sold only in the JC Penny stores in the USA, so I bought one, and the rest is history.

Currently I belong to two Chatty Cathy groups online, and have made many friends. I’ve added to my collection and I own over 20 Chatty Cathy dolls, including Chatty Cathy Baby and Tiny Baby dolls, Baby Brother, Singing Chatty and Charmin Chatty, which were added by Mattel in later years.

Thanks to the internet I’ve had a chance to learn more about one of my favourite dolls. I also purchased Chatty Cathy’s vintage clothing patterns made by Simplicity and McCall’s. I’ve sewn quite a few dresses for her and have a sewing boutique online, which has added to the pleasure of meeting more friends, as every Chatty Cathy needs a new outfit from time to time!

Turning 50 together is an exciting adventure. I wanted to share some of the joy of doll collecting with you, especially such a cute doll as Chatty Cathy! I’d be interested in hearing if any of you have a Chatty Cathy from the 1960s.

First published in the September 2010 issue of the Renfrew-Collingwood Community News.