Like phosphorous says, the reactivity is good but I especially like the care taken on the changes. Were these manual or automated in some way? I noticed that the changes lessened in the second half of the track, so much so that the drop at 2.37 seemed to be somewhat ignored. I only mention this because this is where I think the audience enjoys the visuals most, when the changes reflect or augment their mood. Subbed and looking forward to seeing more.

Sadler, the transitions were achieved by me listening to the track and taking note of major changes and manipulating the timing of the playlist through trail and error to get it to line up. However, my intention behind this video was to demo the lil cube with a couple of effects, mostly just play! I may go back and edit the choreography to fit the drops more. My first real project where I time synced to major drops and got grimy was my Pink Elephant visual but I need to re upload that one bc the quality got butchered. 100% with you tho on that the evolution of visuals involves synced transitions that convey whats happening with the music, but visually. I'm trying to find a method that will work for live performances but I believe a lot of it is going to boil down to having an intimate relationship with the musician and knowing what's going to drop before it happens.