The children of ministers are known to fall into two categories: the angels and the troublemakers. Jana Fisher is a good girl everywhere but the piano. "Music is my rebellion," she says. "At least it's better than setting things on fire and getting arrested."

The children of ministers are known to fall into two categories: the angels and the troublemakers. Jana Fisher is a good girl everywhere but the piano. "Music is my rebellion," she says. "At least it's better than setting things on fire and getting arrested."

AñaVañA (pronounced onya-vonya) is an all original Rock/Reggae band from NYC.

In an age where the music industry is pushing the same music over and over AnaVanA breaks the mold and goes for something unique: Rock based songs with touches of Reggae and R&B.

The main songwriters for the group are Ian C. Bouras and Annastasia Victory. They have been voted as top songwriters in multiple competitions, including The Worldwide Windrift Competition and The Worldwide Billboard Songwriting Competition.

Put together great musicianship, great songs, and an interesting mix if styles, and you've got AnaVanA.

AñaVañA (pronounced onya-vonya) is an all original Rock/Reggae band from NYC.

In an age where the music industry is pushing the same music over and over AnaVanA breaks the mold and goes for something unique: Rock based songs with touches of Reggae and R&B.

The main songwriters for the group are Ian C. Bouras and Annastasia Victory. They have been voted as top songwriters in multiple competitions, including The Worldwide Windrift Competition and The Worldwide Billboard Songwriting Competition.

Put together great musicianship, great songs, and an interesting mix if styles, and you've got AnaVanA.

BioAs a teenager, Lauren Edman was too shy to practice her singing exercises at home, but she grew up to be a woman with the moxie to perform on Apollo Amateur Night where contestants are routinely booed offstage. Lauren’s seductively spare solo debut It’s Always the Quiet One is a prismatic and intimate self-portrait. It’s a starkly vulnerable album that peeks under the veneer of shyness and examines the inner struggles of someone courageously and coyly grappling with the societal and personal manifestations of being soft-spoken.

Lauren is best known for her singing and songwriting on the track “Afterthoughts” from Sleepthief’s 2006 electronic album The Dawnseeker. At the time, she was a relatively unknown talent with a passion for trip-hop featuring ethereal but strong female vocalists. The Connecticut native moved to New York City around that time with the plan of making an album of her own music, but in the years that followed she struggled to find a balance between producing the music that played in her head and paying the rent. “I wrote a lot of these songs at around 3AM while working night jobs and living in a tiny, dingy bedroom in Queens,” she says. She later joined shoegaze band For Every Story Untold, with whom she currently gigs and records. The dual aesthetic trajectories of these disparate influences—the angelic electronic atmospherics of trip-hop and the earthiness of the shoegaze aesthetic inform It’s Always the Quiet One. The album begins with a minimalistic electronic direction that morphs to an organic and rustic sensibility in its second half.

BioAs a teenager, Lauren Edman was too shy to practice her singing exercises at home, but she grew up to be a woman with the moxie to perform on Apollo Amateur Night where contestants are routinely booed offstage. Lauren’s seductively spare solo debut It’s Always the Quiet One is a prismatic and intimate self-portrait. It’s a starkly vulnerable album that peeks under the veneer of shyness and examines the inner struggles of someone courageously and coyly grappling with the societal and personal manifestations of being soft-spoken.Lauren is best known for her singing and songwriting on the track “Afterthoughts” from Sleepthief’s 2006 electronic album The Dawnseeker. At the time, she was a relatively unknown talent with a passion for trip-hop featuring ethereal but strong female vocalists. The Connecticut native moved to New York City around that time with the plan of making an album of her own music, but in the years that followed she struggled to find a balance between producing the music that played in her head and paying the rent. “I wrote a lot of these songs at around 3AM while working night jobs and living in a tiny, dingy bedroom in Queens,” she says. She later joined shoegaze band For Every Story Untold, with whom she currently gigs and records. The dual aesthetic trajectories of these disparate influences—the angelic electronic atmospherics of trip-hop and the earthiness of the shoegaze aesthetic inform It’s Always the Quiet One. The album begins with a minimalistic electronic direction that morphs to an organic and rustic sensibility in its second half.

BioFIERY, SULTRY, SOULFUL, INDIE POP THAT ROCKSSIRSY is fronted by the charismatic Melanie Krahmer... a girl with a "stunning voice capable of a lion's roar & a floaty whisper". Krahmer is also the drummer, playing a full drum kit, STANDING UP, bass (on a keyboard with her drum stick) and the occastional flute solo and melodica solo, too! Sharing the stage is Rich Libutti on everything else. Libutti also plays guitar, piano, and bass (on a keyboard at his feet!).

BioFIERY, SULTRY, SOULFUL, INDIE POP THAT ROCKSSIRSY is fronted by the charismatic Melanie Krahmer... a girl with a "stunning voice capable of a lion's roar & a floaty whisper". Krahmer is also the drummer, playing a full drum kit, STANDING UP, bass (on a keyboard with her drum stick) and the occastional flute solo and melodica solo, too! Sharing the stage is Rich Libutti on everything else. Libutti also plays guitar, piano, and bass (on a keyboard at his feet!).

Tessa' s music defies convention and sets a standard for commercial music with an eclectic edge. Influences can be drawn from those of Tori Amos, Suzanne Vega and Kate Bush but Tessa's inimitable style and voice is both unique and edgy

Tessa' s music defies convention and sets a standard for commercial music with an eclectic edge. Influences can be drawn from those of Tori Amos, Suzanne Vega and Kate Bush but Tessa's inimitable style and voice is both unique and edgy

Toronto singer-pianist Karen Kosowski's new album, Meeting The Future At Full Speed, is a bold, sweeping, sophisticated pop recording that comes from a better place than her previous release, the critically acclaimed Out Here At Sea.

Bio:Toronto singer-pianist Karen Kosowski's new album, Meeting The Future At Full Speed, is a bold, sweeping, sophisticated pop recording that comes from a better place than her previous release, the critically acclaimed Out Here At Sea.

The stories May McDonough and Company tell in their music elude to some of these whimsical tales, ever vaguely and cryptically hinting at various disasters, deaths, bastard siblings, homeless trials, and somewhat bizarre worlds of self-exploration.

May and Company's arrangements are equally as filled with whimsy and charm. Strung out with rich moods and decked with junkyard percussion, their songs instantly warp you in to a specific time and place where no corner of the room goes unpainted. Whether you're thrown back early century evenings at the birdcage theatre, lusting after a burlesque dancer, or you find yourself stumbling down an alley at midnight having just puked out a bottle of Jameson, when you listen to MMC songs you know exactly where you are, exactly how you feel, and you know they wanted it that way.

Now May plays with her ragtag band of junkyard dogs. Her band wales away at led pipes, trashcans, and overturned bicycles, as she sludges through chords and eases through chest-searing vocals that open even the most tightly crossed arms.”

Bio:The stories May McDonough and Company tell in their music elude to some of these whimsical tales, ever vaguely and cryptically hinting at various disasters, deaths, bastard siblings, homeless trials, and somewhat bizarre worlds of self-exploration.May and Company's arrangements are equally as filled with whimsy and charm. Strung out with rich moods and decked with junkyard percussion, their songs instantly warp you in to a specific time and place where no corner of the room goes unpainted. Whether you're thrown back early century evenings at the birdcage theatre, lusting after a burlesque dancer, or you find yourself stumbling down an alley at midnight having just puked out a bottle of Jameson, when you listen to MMC songs you know exactly where you are, exactly how you feel, and you know they wanted it that way.Now May plays with her ragtag band of junkyard dogs. Her band wales away at led pipes, trashcans, and overturned bicycles, as she sludges through chords and eases through chest-searing vocals that open even the most tightly crossed arms.”

Bio:Aryn Michelle is a do-it-yourself indie pop songstress who has always refused to wait around for her next big break; she makes it happen. As a teenager Aryn taught herself piano and guitar, and soon after began writing her own music. While attending Southwestern University, Aryn began releasing homemade demos of her original music and began performing around Austin, TX. With a hunger to become a better songwriter and performer, she attended Berklee College of Music in Boston for a few years and also began to learn how to engineer and produce her own demos and crowd-fund her recording projects.

Aryn released her debut album, Lockless Heart, in 2009 as she was finishing her work at Berklee. While at Berklee she was honored with the Scott Benson Award for songwriting, and awarded the grand prize in the 2009 Berklee Substance Abuse Prevention Campaign for her song “Crave.” Since leaving Berklee, Aryn was selected as a regional finalist for the 2009 Mountain Stage NewSong Festival, was invited to be one of eight artists to represent the TUNE campaign, was named the TexasCSA’s 2010 Songwriter of the Year, was the 2010 KLTY’s Chick-fil-a Celebrate Freedom jingle writing contest grand prize winner, and was a top ten finalist in the 2011 Folgers’ National Jingle Writing Contest.

Bio:Aryn Michelle is a do-it-yourself indie pop songstress who has always refused to wait around for her next big break; she makes it happen. As a teenager Aryn taught herself piano and guitar, and soon after began writing her own music. While attending Southwestern University, Aryn began releasing homemade demos of her original music and began performing around Austin, TX. With a hunger to become a better songwriter and performer, she attended Berklee College of Music in Boston for a few years and also began to learn how to engineer and produce her own demos and crowd-fund her recording projects.Aryn released her debut album, Lockless Heart, in 2009 as she was finishing her work at Berklee. While at Berklee she was honored with the Scott Benson Award for songwriting, and awarded the grand prize in the 2009 Berklee Substance Abuse Prevention Campaign for her song “Crave.” Since leaving Berklee, Aryn was selected as a regional finalist for the 2009 Mountain Stage NewSong Festival, was invited to be one of eight artists to represent the TUNE campaign, was named the TexasCSA’s 2010 Songwriter of the Year, was the 2010 KLTY’s Chick-fil-a Celebrate Freedom jingle writing contest grand prize winner, and was a top ten finalist in the 2011 Folgers’ National Jingle Writing Contest.

Bio:A fellow artist once said, "Her music does what every songwriter wishes their music could do: it hollows you out, then fills you back in. It breaks your heart and builds you a new one. It moves you."

A singer/songwriter by way of New Jersey, Boston, and now Brooklyn, NY, Laura DiStasi's music captures both the vibrancy and isolation of city life. Her lyrics hit close to the bone and are heavy with imagery. She plucks moments from the everyday, holding up promise in one hand and heartbreak in the other. The music feels its way though impressionistic landscapes, exploring the complex depth of relationships and change… nostalgic, yet hopeful… that anything worth lamenting is, once was, or could be beautiful.

Best known as half the electro-pop collaboration 'Measure', Laura also performs and records as a solo artist, as well as with other NYC based musicians. She has already shared the stage with artists such as Nada Surf, Fountains of Wayne, Chris Barron, Slow Runner, Tom Brosseau, and Caroline, to name a few. Beyond the live show, Laura's music has been placed on television shows, such as Melrose Place and NBC's Mercy, as well used in a Public Service Announcement narrated by Morgan Freeman for volunteerism, a cause dear to Laura who is preparing for her third marathon to raise money for the Leukemia Lymphoma Society.

Laura's releases include her 2005 debut, "Winters Never Quit", Measure's 2008 debut, "Begin Again", and a recent 3 song pre-release for an upcoming Measure album, which is currently available for streaming online.

Bio:A fellow artist once said, "Her music does what every songwriter wishes their music could do: it hollows you out, then fills you back in. It breaks your heart and builds you a new one. It moves you."A singer/songwriter by way of New Jersey, Boston, and now Brooklyn, NY, Laura DiStasi's music captures both the vibrancy and isolation of city life. Her lyrics hit close to the bone and are heavy with imagery. She plucks moments from the everyday, holding up promise in one hand and heartbreak in the other. The music feels its way though impressionistic landscapes, exploring the complex depth of relationships and change… nostalgic, yet hopeful… that anything worth lamenting is, once was, or could be beautiful.Best known as half the electro-pop collaboration 'Measure', Laura also performs and records as a solo artist, as well as with other NYC based musicians. She has already shared the stage with artists such as Nada Surf, Fountains of Wayne, Chris Barron, Slow Runner, Tom Brosseau, and Caroline, to name a few. Beyond the live show, Laura's music has been placed on television shows, such as Melrose Place and NBC's Mercy, as well used in a Public Service Announcement narrated by Morgan Freeman for volunteerism, a cause dear to Laura who is preparing for her third marathon to raise money for the Leukemia Lymphoma Society.Laura's releases include her 2005 debut, "Winters Never Quit", Measure's 2008 debut, "Begin Again", and a recent 3 song pre-release for an upcoming Measure album, which is currently available for streaming online.

Multi-instrumentalist songwriter and producer Dave Tough fell in love with the angelic voice and guitar work of DeAnna Moore when searching for demo singers on Myspace in 2009. They met and soon realized that they both shared a love of artists such as Fiona Apple, Goldfrapp and Edie Brickell as well as a penchant for older jazz standards. The name Xavier & Ophelia (X&O) came from a pair of children’s dolls.

X&O’s music collectively has been placed in movies, television and commercials. Musically, they tend to combine Bachrach-eqsque melodies with electronic production intermingled with live instruments such as the acoustic guitar and drums. The duo released their first 9 song effort, X&O EP, in 2011. They continue explore new sounds and textures from their studio in Nashville, TN.

Bio:Multi-instrumentalist songwriter and producer Dave Tough fell in love with the angelic voice and guitar work of DeAnna Moore when searching for demo singers on Myspace in 2009. They met and soon realized that they both shared a love of artists such as Fiona Apple, Goldfrapp and Edie Brickell as well as a penchant for older jazz standards. The name Xavier & Ophelia (X&O) came from a pair of children’s dolls.X&O’s music collectively has been placed in movies, television and commercials. Musically, they tend to combine Bachrach-eqsque melodies with electronic production intermingled with live instruments such as the acoustic guitar and drums. The duo released their first 9 song effort, X&O EP, in 2011. They continue explore new sounds and textures from their studio in Nashville, TN.

Bio:When you surround these four females around their thunderous drummer, you can be sure to get a live performance of a lifetime. Their eclectic mix of melodic punk-rock, dubbed pop-metal by Pitchforkmedia, is a one of a kind blend hailing from a the harsh environs of Iceland.

Vicky has been honing their live shows for the last three years, playing in absolutely every nook and cranny location in their home country. Having taken the Icelandic live scene by storm they gained attention abroad playing the biggest rock festival in China as well as being invited multiple times to the States, playing for rock hungry live crowds in New York and St. Louis. Their reputation as a live act has spread throughout North America as they are currently lined up to rock the Canadian Music Fest in 2010.

Bio:When you surround these four females around their thunderous drummer, you can be sure to get a live performance of a lifetime. Their eclectic mix of melodic punk-rock, dubbed pop-metal by Pitchforkmedia, is a one of a kind blend hailing from a the harsh environs of Iceland.Vicky has been honing their live shows for the last three years, playing in absolutely every nook and cranny location in their home country. Having taken the Icelandic live scene by storm they gained attention abroad playing the biggest rock festival in China as well as being invited multiple times to the States, playing for rock hungry live crowds in New York and St. Louis. Their reputation as a live act has spread throughout North America as they are currently lined up to rock the Canadian Music Fest in 2010.

]]>13:48noJessie Kilguss - Irish TourTue, 09 Aug 2011 13:06:20 +0000Jessie Kilguss featured on SpudShow185 and will be in Ireland from 26th - 29th of August:

Jessie Kilguss is a singer, not an actress -- it's worth getting that straight up front. With lines as cinematic as "Mesmerized by city streets, you crept your way under my sheets." ("Americana"), one might just be led to believe that this chanteuse who displays bedroom eyes for your ears has had some training.

Truth be told, we now realize that a sincerely sung song and a soulful piece of theater are merely great examples of great art. Jessie's known this all along, and what with Scarlett and Zooey now making records, this fact is all the more understood.

Jessie Kilguss is a singer, not an actress -- it's worth getting that straight up front. With lines as cinematic as "Mesmerized by city streets, you crept your way under my sheets." ("Americana"), one might just be led to believe that this chanteuse who displays bedroom eyes for your ears has had some training.

Truth be told, we now realize that a sincerely sung song and a soulful piece of theater are merely great examples of great art. Jessie's known this all along, and what with Scarlett and Zooey now making records, this fact is all the more understood.

InfoDefining creative musicians by genre is often a difficult task, but in the case of Rahe, it’s virtually impossible. And describing her as a singer/songwriter simply doesn’t do justice to an artist whose songs weave beautifully melodic lines with complex, compelling chord changes, soulfully powerful lyrics and a diaspora of world rhythms into a musical vision that is entirely her own. With a life story as colorful and diverse as her music, Rahe (pronounced “ray”) has been on a direct path toward her stunningly mature musical vision for nearly all of her 23 years. It is now in full bloom, as evidenced by her group – Rahe & illumiNation – a stunning ensemble featuring Rahe on vocals and nylon string acoustic guitar, a saxophone quartet (alto, tenor and two baritones), and drums.

InfoDefining creative musicians by genre is often a difficult task, but in the case of Rahe, it’s virtually impossible. And describing her as a singer/songwriter simply doesn’t do justice to an artist whose songs weave beautifully melodic lines with complex, compelling chord changes, soulfully powerful lyrics and a diaspora of world rhythms into a musical vision that is entirely her own. With a life story as colorful and diverse as her music, Rahe (pronounced “ray”) has been on a direct path toward her stunningly mature musical vision for nearly all of her 23 years. It is now in full bloom, as evidenced by her group – Rahe & illumiNation – a stunning ensemble featuring Rahe on vocals and nylon string acoustic guitar, a saxophone quartet (alto, tenor and two baritones), and drums.

Bassist, vocalist, & model, Nik West, a force of nature, known for her versatility, cool & calm, confidence & passion for life has been perfecting her gifts all of her life! Challenging and changing the industry around her and all those who come in contact with are left astonished and amazed as she effortlessly dominates and captivates audiences everywhere! Words she lives by, “Talent does what it can, Genius does what it must!” and these words have taken her all over the world, and all before her 22nd birthday. Phoenix, Arizona, her hometown was her first hand introduction to music & her love for the arts! At an early age was where it all began. T. West, an accomplished guitarist, also her father, was inspirational in her love for playing the bass! He taught her a few runs on the guitar and she learned it quickly. He also noticed she had great dexterity with her fingers, even being left handed, playing a right-handed guitar. It didn’t stop there, this love ignited in her a passion to vocalize & verbalize what she felt as her hands began to quickly adapt to the strings.

Bassist, vocalist, & model, Nik West, a force of nature, known for her versatility, cool & calm, confidence & passion for life has been perfecting her gifts all of her life! Challenging and changing the industry around her and all those who come in contact with are left astonished and amazed as she effortlessly dominates and captivates audiences everywhere! Words she lives by, “Talent does what it can, Genius does what it must!” and these words have taken her all over the world, and all before her 22nd birthday. Phoenix, Arizona, her hometown was her first hand introduction to music & her love for the arts! At an early age was where it all began. T. West, an accomplished guitarist, also her father, was inspirational in her love for playing the bass! He taught her a few runs on the guitar and she learned it quickly. He also noticed she had great dexterity with her fingers, even being left handed, playing a right-handed guitar. It didn’t stop there, this love ignited in her a passion to vocalize & verbalize what she felt as her hands began to quickly adapt to the strings.

InfoOriginally courted by Columbia as a solo act, Krissi flouted the advice of her friends and family, electing instead to assemble a band from scratch and work out her signature sound gigging live. It worked. Continuing to write, record, gig and explore new genres and sounds, Krissi’s material is a fresh blend of rock, pop, reggae, punk and funk, best characterized by her compilation track, “You’re Forgettable” (based wryly on her true-life first heartbreak – he’s kickin’ himself now).Krissi just came off the road (her last show in Reno to a crowd of 2000 screaming psychos) and is completing her full length CD entitled FREAK!!!

InfoOriginally courted by Columbia as a solo act, Krissi flouted the advice of her friends and family, electing instead to assemble a band from scratch and work out her signature sound gigging live. It worked. Continuing to write, record, gig and explore new genres and sounds, Krissi’s material is a fresh blend of rock, pop, reggae, punk and funk, best characterized by her compilation track, “You’re Forgettable” (based wryly on her true-life first heartbreak – he’s kickin’ himself now).Krissi just came off the road (her last show in Reno to a crowd of 2000 screaming psychos) and is completing her full length CD entitled FREAK!!!

BioSheri Miller is a NYC-based musician who writes melodic, poetic and catchy songs on guitar and piano with "exquisite sensitivity…talent…and originality" (MUSIC CONNECTION MAGAZINE) with her soulful, inspiring, and distinctly unique voice. Upon releasing her critically-acclaimed debut EP, “Mantra” in 2008, which features underground hit "Right Here, Right Now", Sheri was named one of Music Connection's “Hot 100 Unsigned Artists,” played on KCRW and Q104.3 FM, and asked to join a 4-part vocal harmony group, The Delilahs, which signed with Sony. Since leaving the band, Sheri has co-written with icon songwriters like J.D. Souther (Eagles), Shawn Mullins and Jill Sobule. Sheri’s stunning new record, “Winning Hand”, produced by legendary Kevin Killen (U2, Peter Gabriel), features incredible musicians Will Lee (Fab Faux, CBS Orchestra), Charley Drayton (Fiona Apple, Divinylis, Johnny Cash), and Gerry Leonard (David Bowie, Suzanne Vega) and will be released in 2011.

BioSheri Miller is a NYC-based musician who writes melodic, poetic and catchy songs on guitar and piano with "exquisite sensitivity…talent…and originality" (MUSIC CONNECTION MAGAZINE) with her soulful, inspiring, and distinctly unique voice. Upon releasing her critically-acclaimed debut EP, “Mantra” in 2008, which features underground hit "Right Here, Right Now", Sheri was named one of Music Connection's “Hot 100 Unsigned Artists,” played on KCRW and Q104.3 FM, and asked to join a 4-part vocal harmony group, The Delilahs, which signed with Sony. Since leaving the band, Sheri has co-written with icon songwriters like J.D. Souther (Eagles), Shawn Mullins and Jill Sobule. Sheri’s stunning new record, “Winning Hand”, produced by legendary Kevin Killen (U2, Peter Gabriel), features incredible musicians Will Lee (Fab Faux, CBS Orchestra), Charley Drayton (Fiona Apple, Divinylis, Johnny Cash), and Gerry Leonard (David Bowie, Suzanne Vega) and will be released in 2011.

BioAmericana singer/songwriter Danika Holmes states, "Through my songs I hope to touch hearts in the tough times, as well as celebrate life in the good time."Danika first sat at a piano as a tot, has been writing since her teens, and picked up guitar in her 20's.

BioKaile Goh may look familiar to you ... as a model and actress she has been in countless commercials and major campaigns, including Disney, Target, JC Penney, Wal-Mart, Barbie, Bratz, Kodak, and many more.

This year, at 14, she adds “professional musician” to her resume with the release of her debut album, “One Too Many Times.”

Born to a Chinese father and an American mother, Kaile lived in Singapore for the first several years of her life. When her family moved to Los Angeles she began modeling and acting, signing with Ford Modeling Agency and Abrams Artists. Kaile’s passion, however, has always been for music.

She began singing, playing guitar and writing songs at the age of nine. Using her own money earned from modeling to buy her Gibson Hummingbird guitar, she had her first song played on UCLA Radio at the age of 10. Her parents encouraged her, giving her lessons and taking her to open mic nights.

With the guidance of producers Krish Sharma (Perry Ferrell, Rolling Stones) and Bobby Brooks (P.O.D.), Kaile’s debut cd includes 11 of the more than 40 songs she has written, ranging in style from power pop to hard rock.

To support the release of “One Too Many Times” she has a string of west coast performances lined up with her band.

BioKaile Goh may look familiar to you ... as a model and actress she has been in countless commercials and major campaigns, including Disney, Target, JC Penney, Wal-Mart, Barbie, Bratz, Kodak, and many more.

This year, at 14, she adds “professional musician” to her resume with the release of her debut album, “One Too Many Times.”Born to a Chinese father and an American mother, Kaile lived in Singapore for the first several years of her life. When her family moved to Los Angeles she began modeling and acting, signing with Ford Modeling Agency and Abrams Artists. Kaile’s passion, however, has always been for music.She began singing, playing guitar and writing songs at the age of nine. Using her own money earned from modeling to buy her Gibson Hummingbird guitar, she had her first song played on UCLA Radio at the age of 10. Her parents encouraged her, giving her lessons and taking her to open mic nights.With the guidance of producers Krish Sharma (Perry Ferrell, Rolling Stones) and Bobby Brooks (P.O.D.), Kaile’s debut cd includes 11 of the more than 40 songs she has written, ranging in style from power pop to hard rock.To support the release of “One Too Many Times” she has a string of west coast performances lined up with her band.

Raised in households where a myriad of music was played and appreciated, from Pink Floyd to The Allmans and Chuck Berry to Joao Gilberto, it comes as no surprise these artists create such diverse tracks. All having been introduced to pianos and drums in the grade school years, they acquired their addictions early on to the creative process and performing craft. Through a series of mutual crossroads in the Catskills and New York while supporting others, Government Mule and The Violent Femmes, these musicians met and formed their own project The Devyl Nellys.

Gigs in music towns, parties and colleges across the US led to genre development by songwriter Nelly Levon and guitarist James Mastro (The Bongos). Their distinct 60 bohemian rock style took shape after experimental jams and studio sessions at Retrophonics with Jim DeVito (JJ Grey & Mofro) and Bill Chapin (Justin Timberlake). Conflicting frustrations with mainstream art and life led to sharp lyrics that are frequently empathisized, and rarely sang. Like many contemporaries, they denied the urge to conform and pursued the independent route to showcase their arrangements. Recently, they've been heard on the festival scene, live venues, songwriter circles and across radio, television & film.

Raised in households where a myriad of music was played and appreciated, from Pink Floyd to The Allmans and Chuck Berry to Joao Gilberto, it comes as no surprise these artists create such diverse tracks. All having been introduced to pianos and drums in the grade school years, they acquired their addictions early on to the creative process and performing craft. Through a series of mutual crossroads in the Catskills and New York while supporting others, Government Mule and The Violent Femmes, these musicians met and formed their own project The Devyl Nellys.

Gigs in music towns, parties and colleges across the US led to genre development by songwriter Nelly Levon and guitarist James Mastro (The Bongos). Their distinct 60 bohemian rock style took shape after experimental jams and studio sessions at Retrophonics with Jim DeVito (JJ Grey & Mofro) and Bill Chapin (Justin Timberlake). Conflicting frustrations with mainstream art and life led to sharp lyrics that are frequently empathisized, and rarely sang. Like many contemporaries, they denied the urge to conform and pursued the independent route to showcase their arrangements. Recently, they've been heard on the festival scene, live venues, songwriter circles and across radio, television & film.

Jessi Hamilton is a 24-year-old singer/songwriter and pianist from Raleigh, NC. Jessi began playing the piano at age four and started writing and recording her first songs at fourteen. In 2004, she released her debut self-titled album. Currently working on her sophomore album, "Rebirth", she has been named "one of the best independent female artists in the country" by RockRGrl magazine. She has also been featured on numerous recordings and has performed along the East Coast.

Jessi Hamilton is a 24-year-old singer/songwriter and pianist from Raleigh, NC. Jessi began playing the piano at age four and started writing and recording her first songs at fourteen. In 2004, she released her debut self-titled album. Currently working on her sophomore album, "Rebirth", she has been named "one of the best independent female artists in the country" by RockRGrl magazine. She has also been featured on numerous recordings and has performed along the East Coast.

INfoProtobaby are a 4-piece band based in Limerick with members Colm McGuinness, Tony Monahan, Bryan Ronan and Aidan Graham. Formed in 2008 when guitar player Tony and bass player Aidan first met Dublin born singer Colm for the first time through an ad placed in a national newspaper. Meeting in a local bar, sat next to an open fire Colm took out his guitar and played some of his songs. The lads loved his deep baritone and captivating lyrics. A rehearsal was arranged and drummer Bryan was soon onboard. Colm’s songs, mixed with riffs and guitar ideas from Tony along with the musical ideas and arrangements from the entire band have come to form the Protobaby sound.The band spent 10 months writing, recording, jamming and rehearsing. Having released their debut E.P. 'Freedom' to some great reviews in the music press the band spent a few months of 2010 gigging and promoting 'Freedom'. Following a successful nationwide tour the band returned to the studio to work on a new single ‘State Of Affairs which was later mixed at 'The Production Suite' in Dublin and will be released along with a video in late February. At the beginning of 2011 Hot Press magazine included Protobaby in their ‘Hot for 2011’ feature. A nationwide tour began in late February taking in Limerick, Kerry, Dublin, Dundalk, Cork and Galway.On 20th May Protobaby played at Juwenalia 2011 in Bialystok, Poland which was headlined by Guano Apes and had 20000+ rock fans attending.

INfoProtobaby are a 4-piece band based in Limerick with members Colm McGuinness, Tony Monahan, Bryan Ronan and Aidan Graham. Formed in 2008 when guitar player Tony and bass player Aidan first met Dublin born singer Colm for the first time through an ad placed in a national newspaper. Meeting in a local bar, sat next to an open fire Colm took out his guitar and played some of his songs. The lads loved his deep baritone and captivating lyrics. A rehearsal was arranged and drummer Bryan was soon onboard. Colm’s songs, mixed with riffs and guitar ideas from Tony along with the musical ideas and arrangements from the entire band have come to form the Protobaby sound.The band spent 10 months writing, recording, jamming and rehearsing. Having released their debut E.P. 'Freedom' to some great reviews in the music press the band spent a few months of 2010 gigging and promoting 'Freedom'. Following a successful nationwide tour the band returned to the studio to work on a new single ‘State Of Affairs which was later mixed at 'The Production Suite' in Dublin and will be released along with a video in late February. At the beginning of 2011 Hot Press magazine included Protobaby in their ‘Hot for 2011’ feature. A nationwide tour began in late February taking in Limerick, Kerry, Dublin, Dundalk, Cork and Galway.On 20th May Protobaby played at Juwenalia 2011 in Bialystok, Poland which was headlined by Guano Apes and had 20000+ rock fans attending.

Bio 23-year-old Rachel Brown is a singer, songwriter and musician born and raised in New York City. Brown’s music fuses pop, Caribbean, Hawaiian, country and world sounds into a captivating groove."

In solo recordings, with her guitar or ukulele, Rachel’s unique voice combines sweetness, sultriness and vulnerability, enchanting the listener. When coupled with her band of talented African musicians, Brown’s Bermudian and Ethiopian heritage shines.

As a fairly new artist with no formal musical training, Brown found her voice the old fashioned way. “My songwriting process—which started about five years ago— consisted of grabbing my guitar and learning to play it while I wrote these songs,” says Brown. “I just kind of play things until they sound right.”

Brown’s natural talent was quickly recognized by her peers and established veterans alike. She was the 2010 recipient of the prestigious ASCAP Foundation Robert Allen Award for songwriting. She also awarded a very coveted audition slot at the National Association for Campus Activities national convention.

Bio 23-year-old Rachel Brown is a singer, songwriter and musician born and raised in New York City. Brown’s music fuses pop, Caribbean, Hawaiian, country and world sounds into a captivating groove."In solo recordings, with her guitar or ukulele, Rachel’s unique voice combines sweetness, sultriness and vulnerability, enchanting the listener. When coupled with her band of talented African musicians, Brown’s Bermudian and Ethiopian heritage shines.As a fairly new artist with no formal musical training, Brown found her voice the old fashioned way. “My songwriting process—which started about five years ago— consisted of grabbing my guitar and learning to play it while I wrote these songs,” says Brown. “I just kind of play things until they sound right.”Brown’s natural talent was quickly recognized by her peers and established veterans alike. She was the 2010 recipient of the prestigious ASCAP Foundation Robert Allen Award for songwriting. She also awarded a very coveted audition slot at the National Association for Campus Activities national convention.

Bio Born in Washington, DC to a gospel-singer mother and an instrumentalist father, Ally grew up surrounded by music and spirituality. She started singing at an early age, combining the family tradition with inspirations from Joni Mitchell to John Mayer, Bonnie Raitt, and even Nirvana. At age 14 she was blessed to learn guitar from the late DC icon and Blue Note artist Noble Jolley. Later, she studied opera and theatre, skills that help make every Ally Way performance an event.

Ally's muse has taken her many places. She taught yoga in Central America, sang with great Costa Rican musicians, and then rolled into San Francisco like a velvet fog. Arriving with no job and no place of her own, she brought only her talent, her extensive

Bio Born in Washington, DC to a gospel-singer mother and an instrumentalist father, Ally grew up surrounded by music and spirituality. She started singing at an early age, combining the family tradition with inspirations from Joni Mitchell to John Mayer, Bonnie Raitt, and even Nirvana. At age 14 she was blessed to learn guitar from the late DC icon and Blue Note artist Noble Jolley. Later, she studied opera and theatre, skills that help make every Ally Way performance an event. Ally's muse has taken her many places. She taught yoga in Central America, sang with great Costa Rican musicians, and then rolled into San Francisco like a velvet fog. Arriving with no job and no place of her own, she brought only her talent, her extensive

Asatron is just me. I do everything myself. All the music and lyrics, I play all the instruments and the only voice you hear is mine. I do the recordings in my own studio.I catch scenes from life and put them into my music.

Asatron is just me. I do everything myself. All the music and lyrics, I play all the instruments and the only voice you hear is mine. I do the recordings in my own studio.I catch scenes from life and put them into my music.

BioWith a genuine sense of excitement and gratitude imbued into every note of her work, Orange County, CA-based singer/songwriter Giana Nguyen really means it when she thanks you for listening. Much like fellow songstresses Sara Bareilles and Sarah McLachan, Nguyen’s piano-based pop/acoustic rock sound finds its gravity in inescapable melodies that communicate her story through authentic, personal lyrics.

BioWith a genuine sense of excitement and gratitude imbued into every note of her work, Orange County, CA-based singer/songwriter Giana Nguyen really means it when she thanks you for listening. Much like fellow songstresses Sara Bareilles and Sarah McLachan, Nguyen’s piano-based pop/acoustic rock sound finds its gravity in inescapable melodies that communicate her story through authentic, personal lyrics.

I grew up in Russia, started singing before my first birthday and spent most of my childhood dreaming about becoming a big star. At ten, after failing at ballet, swimming, gymnastics and volleyball, I finally demanded to be put in a music school, where I chose classical guitar as my instrument and somehow ended up becoming a lead singer and acoustic guitarist of a country and bluegrass band (we're still in Russia at this point, you're following?) that later moved to Nashville, TN and became known as Bering Strait. Twenty years, one Jazz College, five major record deals, two country albums, one movie (The Ballad Of Bering Strait that you can now watch in Hulu) and one GRAMMY NOMINATION later, I'm on my own, there's a new SOLO ALBUM out, and I'm about to go back to the studio to record two more. So listen to the songs, check out my website with more samples of the music and other stuff to see, and do click on the banner above and please enjoy yourself! Oh, and by the way, I teach yoga at South 11 Yoga in East Nashville, so come be my student! Peace!

I grew up in Russia, started singing before my first birthday and spent most of my childhood dreaming about becoming a big star. At ten, after failing at ballet, swimming, gymnastics and volleyball, I finally demanded to be put in a music school, where I chose classical guitar as my instrument and somehow ended up becoming a lead singer and acoustic guitarist of a country and bluegrass band (we're still in Russia at this point, you're following?) that later moved to Nashville, TN and became known as Bering Strait. Twenty years, one Jazz College, five major record deals, two country albums, one movie (The Ballad Of Bering Strait that you can now watch in Hulu) and one GRAMMY NOMINATION later, I'm on my own, there's a new SOLO ALBUM out, and I'm about to go back to the studio to record two more. So listen to the songs, check out my website with more samples of the music and other stuff to see, and do click on the banner above and please enjoy yourself! Oh, and by the way, I teach yoga at South 11 Yoga in East Nashville, so come be my student! Peace!

She’s a multi-faceted, multi-talented, modern-day renaissance musician who loves travel, exploring new cultures, cuisine and most of all, understanding the creatures who call this planet home. Having grown up in Vancouver served her life’s passion for studying various cultures, music, cuisine and her art is a reflection of this. Her insatiable appetite for learning about what it means to be human, is a constant and ongoing theme throughout all the projects she takes on.

InfoCanadian Songwriter / Composer / VocalistShe’s a multi-faceted, multi-talented, modern-day renaissance musician who loves travel, exploring new cultures, cuisine and most of all, understanding the creatures who call this planet home. Having grown up in Vancouver served her life’s passion for studying various cultures, music, cuisine and her art is a reflection of this. Her insatiable appetite for learning about what it means to be human, is a constant and ongoing theme throughout all the projects she takes on.

InfoThe world of Volary’s music is a world full of light and darkness. It examines the hope, despair, and countless other feelings that struggle through us as part of the human condition. “As a child I would go into my room, turn my stereo on loud, and let all of my frustration, disappointment, and hurt explode from me by singing. Nobody else ever seemed to want to say quite the things that I did though,” she muses. “I suppose that was my songwriter’s voice telling me that I had to write songs for those like myself who were still disenfranchised.”

It was not until the Australian-born singer moved to San Francisco in 2001 though, that she discovered a city bursting with the artistic intimacy and honesty of singer/songwriters. Ultimately, it was the inspiration for her to say “OK, nobody’s ever going to write the songs that I hear until I learn to play the guitar and write them myself.” The result was “Out of Shadows,” an album which not only earned a 5 star review from Muzikreviews.com, but was also named their “Pick of the Week” (Dec 4, 2010).

Volary muses about her creation: “You might compare it to a sculpture of delicate flowers made out of barbed wire.” The album takes flight through a land of mixed human emotions. Most of the songs delve into the darker sides of the human psyche, but as in a chiaroscuro, there is always light again. “I wrote, co-produced, sang, and played acoustic and electric guitar on the album, but this album is not just about me. I was honoured to work with some amazing musicians and together we made this album what it is.”

The dichotomy, yet juxtaposition of elements is an apt parallel to the name Volary, and to the basis of the album. Volary is an obscure English term, defined as a flight or flock of birds, or the cage you keep them in. What better metaphor for freedom, escape and joy, than a bird taking flight? What better metaphor for having your spirit broken than being put in a cage? And what greater dichotomy than a singer/songwriter who has a Ph. D. in Biochemistry but is so willing to be emotionally vulnerable musically? Watch as this complex talent from California steps out of the shadows.

InfoThe world of Volary’s music is a world full of light and darkness. It examines the hope, despair, and countless other feelings that struggle through us as part of the human condition. “As a child I would go into my room, turn my stereo on loud, and let all of my frustration, disappointment, and hurt explode from me by singing. Nobody else ever seemed to want to say quite the things that I did though,” she muses. “I suppose that was my songwriter’s voice telling me that I had to write songs for those like myself who were still disenfranchised.”It was not until the Australian-born singer moved to San Francisco in 2001 though, that she discovered a city bursting with the artistic intimacy and honesty of singer/songwriters. Ultimately, it was the inspiration for her to say “OK, nobody’s ever going to write the songs that I hear until I learn to play the guitar and write them myself.” The result was “Out of Shadows,” an album which not only earned a 5 star review from Muzikreviews.com, but was also named their “Pick of the Week” (Dec 4, 2010).Volary muses about her creation: “You might compare it to a sculpture of delicate flowers made out of barbed wire.” The album takes flight through a land of mixed human emotions. Most of the songs delve into the darker sides of the human psyche, but as in a chiaroscuro, there is always light again. “I wrote, co-produced, sang, and played acoustic and electric guitar on the album, but this album is not just about me. I was honoured to work with some amazing musicians and together we made this album what it is.”The dichotomy, yet juxtaposition of elements is an apt parallel to the name Volary, and to the basis of the album. Volary is an obscure English term, defined as a flight or flock of birds, or the cage you keep them in. What better metaphor for freedom, escape and joy, than a bird taking flight? What better metaphor for having your spirit broken than being put in a cage? And what greater dichotomy than a singer/songwriter who has a Ph. D. in Biochemistry but is so willing to be emotionally vulnerable musically? Watch as this complex talent from California steps out of the shadows.

InfoKatie Garibaldi is a touring indie singer/songwriter and guitarist from the San Francisco Bay Area. Her latest release, and sixth full-length album, Next Ride Out, produced by Michael Molenda, noted producer, engineer, and editor-in-chief of Guitar Player magazine, the most authoritative guitar magazine in the world, has catapulted the young artist's career into top speed. Katie has been named a Music Connection Magazine Top 100 Live Unsigned Artist. Recently, the indie starlet was chosen as the winner of the 2011 DIY Music Festival in Los Angeles and currently, Katie is a featured Luna Guitars artist.

Next Ride Out features ten original soul-satisfying tracks comprised of five brand new songs and five previously released and now rerecorded songs featuring fresh arrangements and performances. Next Ride Out is altogether vibrant and rich with lively performances, from strong Americana Roots Rock tunes, including “Hey, Hey Darlin’” and “Nothing Good Lasts,” to upbeat catchy pop treasures, such as “Say The Word” and “A Love Without Chains,” to moving ballads, like “Falling For You.” Michael Gallant, Keyboard Magazine Senior Editor, is featured on Grand Piano on the track “Went Too Far (Foot In My Mouth).”

InfoKatie Garibaldi is a touring indie singer/songwriter and guitarist from the San Francisco Bay Area. Her latest release, and sixth full-length album, Next Ride Out, produced by Michael Molenda, noted producer, engineer, and editor-in-chief of Guitar Player magazine, the most authoritative guitar magazine in the world, has catapulted the young artist's career into top speed. Katie has been named a Music Connection Magazine Top 100 Live Unsigned Artist. Recently, the indie starlet was chosen as the winner of the 2011 DIY Music Festival in Los Angeles and currently, Katie is a featured Luna Guitars artist.Next Ride Out features ten original soul-satisfying tracks comprised of five brand new songs and five previously released and now rerecorded songs featuring fresh arrangements and performances. Next Ride Out is altogether vibrant and rich with lively performances, from strong Americana Roots Rock tunes, including “Hey, Hey Darlin’” and “Nothing Good Lasts,” to upbeat catchy pop treasures, such as “Say The Word” and “A Love Without Chains,” to moving ballads, like “Falling For You.” Michael Gallant, Keyboard Magazine Senior Editor, is featured on Grand Piano on the track “Went Too Far (Foot In My Mouth).”

INfoNot many can claim they are a sixth generation Californian, let alone Angeleno. Manda Mosher can. Still what does that mean? It’s not as easily defined as saying you are a sixth generation New Yorker, or Bostonian for that matter. Manda’s first ancestor to settle in the region, came to Downtown, Los Angeles in the 1800’s from Delhi, New York after the Civil War, additional family followed establishing a chicken farm in the Valley in 1911.

Manda Mosher grew up in the town of La Crescenta, just outside of Los Angeles. A sleepy and secluded community located at the foot of the mountains just North of Pasadena. Close enough to the city of angels that Manda was well versed in the Hollywood music scene, but just far enough away that she could peek over the fence and gaze upon it from a safe distance.

The title track of Manda’s new EP “City of Clowns” was written about her relationship with Los Angeles which she describes as a love/hate sort of affair, as depicted in the song. Although the lyrics can relate to any city to some degree, Manda admits she has often thought of leaving Los Angeles, but it is her family that has continued to keep her here. “I’ve always felt sadness for this town. I’ve watched all these people come and go, taking what they can, getting famous, getting rich, with little regard for the community and the people that call it home. On the other hand the opportunities are endless here.”

INfoNot many can claim they are a sixth generation Californian, let alone Angeleno. Manda Mosher can. Still what does that mean? It’s not as easily defined as saying you are a sixth generation New Yorker, or Bostonian for that matter. Manda’s first ancestor to settle in the region, came to Downtown, Los Angeles in the 1800’s from Delhi, New York after the Civil War, additional family followed establishing a chicken farm in the Valley in 1911.Manda Mosher grew up in the town of La Crescenta, just outside of Los Angeles. A sleepy and secluded community located at the foot of the mountains just North of Pasadena. Close enough to the city of angels that Manda was well versed in the Hollywood music scene, but just far enough away that she could peek over the fence and gaze upon it from a safe distance.The title track of Manda’s new EP “City of Clowns” was written about her relationship with Los Angeles which she describes as a love/hate sort of affair, as depicted in the song. Although the lyrics can relate to any city to some degree, Manda admits she has often thought of leaving Los Angeles, but it is her family that has continued to keep her here. “I’ve always felt sadness for this town. I’ve watched all these people come and go, taking what they can, getting famous, getting rich, with little regard for the community and the people that call it home. On the other hand the opportunities are endless here.”

From virtual unknowns to stars of the Warped Tour and stadiums across Europe, HorrorPops have thrived on the strength of great songwriting, remarkable intuition, a jaw-dropping live experience and a willingness to explore an array of styles. Be it new wave, punk, surf, ska, rockabilly, metal or goth, the trio's self-produced, film-centric third Hellcat album, Kiss Kiss Kill Kill, embraces all of the aforementioned rock & roll subgenres with admirable aplomb.

Crafting a thrill ride of an album is no easy feat, but Patricia Day (lead vocals/upright bass), Nekroman (lead guitar/vocals) and Niedermeier (drums/vocals) have done so by adhering to instinct. By staying true to their original and diverse musical vision, HorrorPops have flourished, building a tremendously loyal and ever-growing following in the process.

From the charged anthem, "Missfit" - replete with an amusing nod to Madness' "Our House" that takes the song to unexpected heights - to the adventurously dark title track, Kiss Kiss Kill Kill is both captivating and inspiring. The album's namesake, which elicits memories of The Cure, Siouxsie & the Banshees and - thanks to its deep, sinister harmonies - Sisters of Mercy, is at once an ingenious new tune and an ardent tribute to past icons.

From virtual unknowns to stars of the Warped Tour and stadiums across Europe, HorrorPops have thrived on the strength of great songwriting, remarkable intuition, a jaw-dropping live experience and a willingness to explore an array of styles. Be it new wave, punk, surf, ska, rockabilly, metal or goth, the trio's self-produced, film-centric third Hellcat album, Kiss Kiss Kill Kill, embraces all of the aforementioned rock & roll subgenres with admirable aplomb. Crafting a thrill ride of an album is no easy feat, but Patricia Day (lead vocals/upright bass), Nekroman (lead guitar/vocals) and Niedermeier (drums/vocals) have done so by adhering to instinct. By staying true to their original and diverse musical vision, HorrorPops have flourished, building a tremendously loyal and ever-growing following in the process. From the charged anthem, "Missfit" - replete with an amusing nod to Madness' "Our House" that takes the song to unexpected heights - to the adventurously dark title track, Kiss Kiss Kill Kill is both captivating and inspiring. The album's namesake, which elicits memories of The Cure, Siouxsie & the Banshees and - thanks to its deep, sinister harmonies - Sisters of Mercy, is at once an ingenious new tune and an ardent tribute to past icons.

Bio:Piney Gir taunts traditional country music with a big city edge… Jesus Wept is Piney's 4th album out on Damaged Goods and is a nod to Piney's strict religious upbringing and her urge to walk the line between naughty and nice. There comes a time when everyone should question their faith and Piney (with the help of her trusty Roadshow) has channelled that into a record. A record that's a little bit country, a little bit rock 'n' roll and a whole lot of attitude.

Jesus Wept is more than a froth of petticoats in a fresh summer field, it's Ingmar Bergman's 'Seventh Seal' twisted through the eyes of a local drunk at the truck stop honky tonk. It's fun but it's dark and you don't know if you should like it so much but you do, so have another whiskey.

Previously Piney has been compared to her heroes like Patsy Cline, Loretta Lynn, Tammy Wynette; she's been hailed an 'indie Dolly Parton." But this album is more Emmy Lou Harris in her Graham Parsons days, it's little girl lost… it's the devil in disguise and the devil looks good. This album sees Piney grow up and face hard facts; hard facts that can make many a country song that much better. "'A tear in my beer' ain't the half of it," says Piney.

Bio:Piney Gir taunts traditional country music with a big city edge… Jesus Wept is Piney's 4th album out on Damaged Goods and is a nod to Piney's strict religious upbringing and her urge to walk the line between naughty and nice. There comes a time when everyone should question their faith and Piney (with the help of her trusty Roadshow) has channelled that into a record. A record that's a little bit country, a little bit rock 'n' roll and a whole lot of attitude.Jesus Wept is more than a froth of petticoats in a fresh summer field, it's Ingmar Bergman's 'Seventh Seal' twisted through the eyes of a local drunk at the truck stop honky tonk. It's fun but it's dark and you don't know if you should like it so much but you do, so have another whiskey.Previously Piney has been compared to her heroes like Patsy Cline, Loretta Lynn, Tammy Wynette; she's been hailed an 'indie Dolly Parton." But this album is more Emmy Lou Harris in her Graham Parsons days, it's little girl lost… it's the devil in disguise and the devil looks good. This album sees Piney grow up and face hard facts; hard facts that can make many a country song that much better. "'A tear in my beer' ain't the half of it," says Piney.

Passion, drive, and great writing – these adjectives define the music and life of Susan Cattaneo. Growing up on a farm in New Jersey but spending her summers on an Arizona ranch, Susan moved easily between the energy and electricity of the East Coast and the wide open spaces and campfire stories of the West. Susan found her place in the musical world at an early age, singing six-part harmony with her family around the dinner table. After stints in bands in college, she spent a year in Italy, where she studied Italian and performed a mix of standards and traditional Roman songs in various piano bars in Rome. Upon her return to the States, she began a dual career in New York City. By day, Susan was a television writer/producer, earning an Emmy nomination and NY State Broadcasters Award. By night, she was the co-lead singer in the Blackfish Band, a funk-folk outfit that also launched the career of Mike Errico, where she became a regular fixture at clubs like The Bitter End and Kenny’s Castaways. Applying her writing talents to the craft of songwriting was a natural next step, and following her musical dream, Susan headed to Boston to attend Berklee College of Music on a vocal scholarship.

Passion, drive, and great writing – these adjectives define the music and life of Susan Cattaneo. Growing up on a farm in New Jersey but spending her summers on an Arizona ranch, Susan moved easily between the energy and electricity of the East Coast and the wide open spaces and campfire stories of the West. Susan found her place in the musical world at an early age, singing six-part harmony with her family around the dinner table. After stints in bands in college, she spent a year in Italy, where she studied Italian and performed a mix of standards and traditional Roman songs in various piano bars in Rome. Upon her return to the States, she began a dual career in New York City. By day, Susan was a television writer/producer, earning an Emmy nomination and NY State Broadcasters Award. By night, she was the co-lead singer in the Blackfish Band, a funk-folk outfit that also launched the career of Mike Errico, where she became a regular fixture at clubs like The Bitter End and Kenny’s Castaways. Applying her writing talents to the craft of songwriting was a natural next step, and following her musical dream, Susan headed to Boston to attend Berklee College of Music on a vocal scholarship.

Hungry Lucy began by chance in 1998 when War-N Harrison (Fishtank No.9) was asked to contribute to a Depeche Mode tribute album. War-N asked vocalist/lyricist Christa Belle to record vocals for the song "Blue Dress". The couple found they worked together so well that Hungry Lucy was born.

Hungry Lucy chillin' outAfter spending a year writing and recording, the Autumn of 2000 saw the release of Hungry Lucy"s debut CD, "Apparitions". The album garnered much attention across the US and Europe for it"s combination of pop song structures, trip hop grooves and Christa"s haunting vocals & other-worldly lyrics. This attention of this debut CD lead to a licensing deal with Belgian label Alfa Matrix and subsequent European relase of Apparitions:Revisited in Fall of 2001.

After spending Spring and early summer of 2002 performing live, Hungry Lucy completed their next full length album entitled "Glo". Glo captures all the elements that Hungry Lucy are known for while continuing to explore other genres such as jazz, blues and europop. Once again, the album received critical acclaim and glowing reviews worldwide and expanded Hungry Lucy"s reach to a much wider audience.

In the Summer of 2003, Hungry Lucy embarked on a tour with Pittsburgh"s ThouShaltNot across the Western and Midwest regions of the United States. This gave people of chance to hear, as well as see, what Hungry Lucy is all about. True to form, Hungry Lucy delivered stunning performances along with synchronized video accompanyment. Several one-off shows in late 2003 / early 2004 (including performances with Cruxshadows & Wolfsheim) followed.

In Spring of 2004, it was time to head back into the studio and capture the new material Hungry Lucy had compiled over the preceding months. The result, Hungry Lucy"s 3rd full-length CD, "To Kill a King" was released in Nov. 2004 to critical acclaim from both fans and the media alike, debuting at #9 on the French Alternative Charts in January, 2005. In addition to college and club DJ exposure, "To Kill a King" has been featured on Public Radio programs such as PRI"s "Echoes" and the X-Star Network"s "Audiosyncracies". The album brilliantly displays Hungry Lucy"s passion for musical contrast and clever songwriting for which this duo is known.

Hungry Lucy returned from successful 6 week US tour and are currently writing for the next release.

BioHungry Lucy began by chance in 1998 when War-N Harrison (Fishtank No.9) was asked to contribute to a Depeche Mode tribute album. War-N asked vocalist/lyricist Christa Belle to record vocals for the song "Blue Dress". The couple found they worked together so well that Hungry Lucy was born.Hungry Lucy chillin' outAfter spending a year writing and recording, the Autumn of 2000 saw the release of Hungry Lucy"s debut CD, "Apparitions". The album garnered much attention across the US and Europe for it"s combination of pop song structures, trip hop grooves and Christa"s haunting vocals & other-worldly lyrics. This attention of this debut CD lead to a licensing deal with Belgian label Alfa Matrix and subsequent European relase of Apparitions:Revisited in Fall of 2001.After spending Spring and early summer of 2002 performing live, Hungry Lucy completed their next full length album entitled "Glo". Glo captures all the elements that Hungry Lucy are known for while continuing to explore other genres such as jazz, blues and europop. Once again, the album received critical acclaim and glowing reviews worldwide and expanded Hungry Lucy"s reach to a much wider audience.In the Summer of 2003, Hungry Lucy embarked on a tour with Pittsburgh"s ThouShaltNot across the Western and Midwest regions of the United States. This gave people of chance to hear, as well as see, what Hungry Lucy is all about. True to form, Hungry Lucy delivered stunning performances along with synchronized video accompanyment. Several one-off shows in late 2003 / early 2004 (including performances with Cruxshadows & Wolfsheim) followed.In Spring of 2004, it was time to head back into the studio and capture the new material Hungry Lucy had compiled over the preceding months. The result, Hungry Lucy"s 3rd full-length CD, "To Kill a King" was released in Nov. 2004 to critical acclaim from both fans and the media alike, debuting at #9 on the French Alternative Charts in January, 2005. In addition to college and club DJ exposure, "To Kill a King" has been featured on Public Radio programs such as PRI"s "Echoes" and the X-Star Network"s "Audiosyncracies". The album brilliantly displays Hungry Lucy"s passion for musical contrast and clever songwriting for which this duo is known.Hungry Lucy returned from successful 6 week US tour and are currently writing for the next release.

Following the March release of debut album The Noyelle Beat, Sheffield trio Standard Fare are set to release the lauded album track Philadelphia as the next single. A tale of a Transatlantic love affair stymied by distance and budget, Philadelphia is a marvel of kitchen sink lyric-writing that, like the best of indie-pop, refuses to let wider issues get in the way of a bit of hormone-fuelled self indulgence. Here’s our favourite lyric: “Global warming is getting me down/It’s making the sea between us wider and deeper.” On the B-side is a brand new track, the really rather ace Don’t Tell. Both are the perfect crash-course in the band’s tune-fuelled, scrappy and utterly loveable sound.

InfoFollowing the March release of debut album The Noyelle Beat, Sheffield trio Standard Fare are set to release the lauded album track Philadelphia as the next single. A tale of a Transatlantic love affair stymied by distance and budget, Philadelphia is a marvel of kitchen sink lyric-writing that, like the best of indie-pop, refuses to let wider issues get in the way of a bit of hormone-fuelled self indulgence. Here’s our favourite lyric: “Global warming is getting me down/It’s making the sea between us wider and deeper.” On the B-side is a brand new track, the really rather ace Don’t Tell. Both are the perfect crash-course in the band’s tune-fuelled, scrappy and utterly loveable sound.

InfoSinger/Songwriter Annie Fitzgerald combines tender lyrics akin to Shawn Colvin, a timeless sound like that of Ray Lamontagne, a soulfulness kindred to Patty Griffin, and a quiet intensity similar to Damien Rice, then stirs the pot into a sound that’s all her own.

Fitzgerald grew up in Crookston, MN where, at age two, she began to show her artistic talents as a dancer. She began piano lessons at age six. Her talent allowed her the opportunity to travel to New York City, Chicago, Hawaii and Atlanta. By the age of 14, she had become an award-winning choreographer.

She focused on her music in college and received a B.M. in Vocal Performance from the University of Minnesota, and spent a summer training at the Mountview Theatre School in London. After graduation, she worked in and around as an actress in the Minneapolis area as a member of the working theater community and the Actors Equity Association. In 2005, she moved to NYC to focus on performing her original music.

InfoSinger/Songwriter Annie Fitzgerald combines tender lyrics akin to Shawn Colvin, a timeless sound like that of Ray Lamontagne, a soulfulness kindred to Patty Griffin, and a quiet intensity similar to Damien Rice, then stirs the pot into a sound that’s all her own.Fitzgerald grew up in Crookston, MN where, at age two, she began to show her artistic talents as a dancer. She began piano lessons at age six. Her talent allowed her the opportunity to travel to New York City, Chicago, Hawaii and Atlanta. By the age of 14, she had become an award-winning choreographer.She focused on her music in college and received a B.M. in Vocal Performance from the University of Minnesota, and spent a summer training at the Mountview Theatre School in London. After graduation, she worked in and around as an actress in the Minneapolis area as a member of the working theater community and the Actors Equity Association. In 2005, she moved to NYC to focus on performing her original music.

InfoSitting across from Leslie DiNicola, you get the feeling that you’re sipping coffee with Sandra Bullock or Jennifer Aniston- the sexy “girl next door.” But when she opens her mouth on stage, she unleashes the soulful blues diva that will rock your world. Not many artists today can dazzle 38,000 people at Citi Field and then, moments later, take the stage at an intimate club like Googie’s Lounge and captivate the audience with merely a whisper into the microphone. But Leslie DiNicola can. And has.

DiNicola moved around a lot when she was growing up, and has that unique perspective of someone who’s been “the new kid at school” a few too many times. After graduating from Syracuse University, Leslie found herself pulled in opposite directions by her love of music and her love of sailing. She reflects, “By the time I was 22 and moved to Manhattan, I had already lived in 8 different places. No matter how much you like a place, the way I liked NY, there’s a hesitancy to get too comfortable. I think that’s what kept me running off to sea so often, sailing to different countries every chance I got.”

InfoSitting across from Leslie DiNicola, you get the feeling that you’re sipping coffee with Sandra Bullock or Jennifer Aniston- the sexy “girl next door.” But when she opens her mouth on stage, she unleashes the soulful blues diva that will rock your world. Not many artists today can dazzle 38,000 people at Citi Field and then, moments later, take the stage at an intimate club like Googie’s Lounge and captivate the audience with merely a whisper into the microphone. But Leslie DiNicola can. And has.DiNicola moved around a lot when she was growing up, and has that unique perspective of someone who’s been “the new kid at school” a few too many times. After graduating from Syracuse University, Leslie found herself pulled in opposite directions by her love of music and her love of sailing. She reflects, “By the time I was 22 and moved to Manhattan, I had already lived in 8 different places. No matter how much you like a place, the way I liked NY, there’s a hesitancy to get too comfortable. I think that’s what kept me running off to sea so often, sailing to different countries every chance I got.”

Info“Most musicians on the ascendancy would be shouting loudly about an Emmy nomination for one of their songs, but LA's Rie Sinclair almost shrugs hers off as a mark of recognition for work separate from her chosen field of singing/songwriting. Confused? You won't be. You see, by day she's in demand as a writer and performer of beautiful songs for Hollywood studios, providing atmosphere and emotion to back up the visuals. But by night she dons another cape, crafting her own elation and despair into perfected four-minute vignettes; she records and delivers them live with equal finesse and commitment. And despite already having two studio albums in the bag, her third, A Moment You Never Dreamed, is the one she considers her debut." –Train And Penny, UK

After several releases, Emmy-Nominated Rie Sinclair's official "Debut" Album, A Moment You Never Dreamed, is here. Her previous recorded projects include a collaboration with ex-Eels, Abandoned Pools artist, Tommy Walter called Oliver the Penguin. The "Sparkling Violeteer's" new dark, raw, & sexy LP was co-produced by the artist with Eli Thomson (Richard Swift), & brought to life with a collective of amazing musicians. Mastered by three-time Grammy winner Gavin Lurssen in Los Angeles, A Moment captures Rie's haunting but playful vibe in a 40 something-minute set that could easily score a film.

Info“Most musicians on the ascendancy would be shouting loudly about an Emmy nomination for one of their songs, but LA's Rie Sinclair almost shrugs hers off as a mark of recognition for work separate from her chosen field of singing/songwriting. Confused? You won't be. You see, by day she's in demand as a writer and performer of beautiful songs for Hollywood studios, providing atmosphere and emotion to back up the visuals. But by night she dons another cape, crafting her own elation and despair into perfected four-minute vignettes; she records and delivers them live with equal finesse and commitment. And despite already having two studio albums in the bag, her third, A Moment You Never Dreamed, is the one she considers her debut." –Train And Penny, UKAfter several releases, Emmy-Nominated Rie Sinclair's official "Debut" Album, A Moment You Never Dreamed, is here. Her previous recorded projects include a collaboration with ex-Eels, Abandoned Pools artist, Tommy Walter called Oliver the Penguin. The "Sparkling Violeteer's" new dark, raw, & sexy LP was co-produced by the artist with Eli Thomson (Richard Swift), & brought to life with a collective of amazing musicians. Mastered by three-time Grammy winner Gavin Lurssen in Los Angeles, A Moment captures Rie's haunting but playful vibe in a 40 something-minute set that could easily score a film.

InfoAcclaimed by the public and critics alike, Bárbara Eugênia is part of a new generation of female voices that are redefining the Brazilian musical scene. Born in Rio de Janeiro but calling São Paulo home since 2005, this young artist with a unique voice and highly nuanced stage persona started her career with an invitation from musical producer Apollo 9 to record two tracks for the movie O Cheiro do Ralo, directed by Heitor Dhália. Inspired by French chanson, Bárbara decided to shift the focus back onto songs made popular by singers like Anna Karina and Brigitte Bardot, in a tribute to Serge Gainsbourg, idealized by Edgard Scandurra. In her participation in shows by the group 3NAMASSA, comprised of Pupillo and Dengue from Nação Zumbi and Rica Amabis from Instituto, Bárbara added a female touch that made for a magical public performance. As she starts her solo career, Bárbara travels from Brazil to French music, and has been well-received by both the public and the media; her shows in various cities around Brazil signal her coming of age as an artist. In 2009, she decided to record her first album, bringing together a group of friends all seeking to tap her artistic character in surprising ways. She is accompanied by her talented band: Júnior Boca (guitar and musical direction), Dustan Gallas (bass, keyboards, mixing and production) and Felipe Maia (drums).We began recording in january/2009 and after a brief pause we managed to finish it up in the begining of 2010. The album is called Journal de BAD. Journal for diary in french and BAD is my nickname for the closest friend.

InfoAcclaimed by the public and critics alike, Bárbara Eugênia is part of a new generation of female voices that are redefining the Brazilian musical scene. Born in Rio de Janeiro but calling São Paulo home since 2005, this young artist with a unique voice and highly nuanced stage persona started her career with an invitation from musical producer Apollo 9 to record two tracks for the movie O Cheiro do Ralo, directed by Heitor Dhália. Inspired by French chanson, Bárbara decided to shift the focus back onto songs made popular by singers like Anna Karina and Brigitte Bardot, in a tribute to Serge Gainsbourg, idealized by Edgard Scandurra. In her participation in shows by the group 3NAMASSA, comprised of Pupillo and Dengue from Nação Zumbi and Rica Amabis from Instituto, Bárbara added a female touch that made for a magical public performance. As she starts her solo career, Bárbara travels from Brazil to French music, and has been well-received by both the public and the media; her shows in various cities around Brazil signal her coming of age as an artist. In 2009, she decided to record her first album, bringing together a group of friends all seeking to tap her artistic character in surprising ways. She is accompanied by her talented band: Júnior Boca (guitar and musical direction), Dustan Gallas (bass, keyboards, mixing and production) and Felipe Maia (drums).We began recording in january/2009 and after a brief pause we managed to finish it up in the begining of 2010. The album is called Journal de BAD. Journal for diary in french and BAD is my nickname for the closest friend.

InfoGirls singing retro-tinged tunes with synchronised dance moves? A Machiavellian pop experiment inspired by KLF’s The Manual cooked up in a Brighton boozer by the mysterious Svengali Monster Bobby? Well yes, but there’s been an evolution - a change in the genetics. The Pipettes are back, and now they’re a big shiny pop group. Or at least, that’s what they’d like you to believe.

In their first incarnation, donning polka dot dresses and referencing the girl groups of the late fifties in the heyday of skinny tie indie music, The Pipettes had remarkable success. A top ten album in Japan where the single 'Pull Shapes' was only kept off the number one spot by J-Lo, top ten radio positions all across Europe, two Top Forty hits in the UK and a Top Ten in the US billboard indies. They played on the main stages at Reading and Glastonbury, blazed a British trail across SXSW, conquered the world and sold a heap of records.

InfoGirls singing retro-tinged tunes with synchronised dance moves? A Machiavellian pop experiment inspired by KLF’s The Manual cooked up in a Brighton boozer by the mysterious Svengali Monster Bobby? Well yes, but there’s been an evolution - a change in the genetics. The Pipettes are back, and now they’re a big shiny pop group. Or at least, that’s what they’d like you to believe.In their first incarnation, donning polka dot dresses and referencing the girl groups of the late fifties in the heyday of skinny tie indie music, The Pipettes had remarkable success. A top ten album in Japan where the single 'Pull Shapes' was only kept off the number one spot by J-Lo, top ten radio positions all across Europe, two Top Forty hits in the UK and a Top Ten in the US billboard indies. They played on the main stages at Reading and Glastonbury, blazed a British trail across SXSW, conquered the world and sold a heap of records.

BioPIXIKILL is a band that combines the most interesting textures of Electronic and Grunge music and places these textures over finely crafted pop songs. The group currently resides in Los Angeles and is fronted by the Restaneo sisters, Jewel and Blaire. Unlike many groups with such highly tuned pop sensibilities, Pixikill doesnt suffer from any lack of rock credibility.

BioPIXIKILL is a band that combines the most interesting textures of Electronic and Grunge music and places these textures over finely crafted pop songs. The group currently resides in Los Angeles and is fronted by the Restaneo sisters, Jewel and Blaire. Unlike many groups with such highly tuned pop sensibilities, Pixikill doesnt suffer from any lack of rock credibility.

BioJackson, Miss. native, Anne Davis' new self-produced album, Letters, Prayers, and Journal Entries, a compilation of thought-provoking upbeat tempos and ballads from the "folk-alternative" artist, has been turning ears as it has traveled throughout the U.S. and beyond by receiving quite favorable college radio airplay. Davis wrote all fifteen tracks, and the "organic feel" of the melodies is attributed to the defining instruments you'll find on the album.

"What I really wanted to go for was to put together a project using only real instruments....and that meant no compromise with using any type of fabricated sounds, including drum machines." And, that's exactly what you're going to hear--such instruments as the cello, violin, upright acoustic bass, mandolin, accordion, penny whistle and the uilleann pipe on the CD. "I wanted everything to be real....for me, as an artist, it only made sense for the production of the project to be as soul-baring as the lyrics."

BioJackson, Miss. native, Anne Davis' new self-produced album, Letters, Prayers, and Journal Entries, a compilation of thought-provoking upbeat tempos and ballads from the "folk-alternative" artist, has been turning ears as it has traveled throughout the U.S. and beyond by receiving quite favorable college radio airplay. Davis wrote all fifteen tracks, and the "organic feel" of the melodies is attributed to the defining instruments you'll find on the album."What I really wanted to go for was to put together a project using only real instruments....and that meant no compromise with using any type of fabricated sounds, including drum machines." And, that's exactly what you're going to hear--such instruments as the cello, violin, upright acoustic bass, mandolin, accordion, penny whistle and the uilleann pipe on the CD. "I wanted everything to be real....for me, as an artist, it only made sense for the production of the project to be as soul-baring as the lyrics."

Singer/songwriter Holly Long has two hands, and she’s using them. She’s no princess, and she’s no queen. She’s just a straight up modern day musical artisan with a genuine love for the work and an impressive track record. Having crafted 4 albums over the past decade in her pop/funk/soul hybrid style with a string of top-shelf producers, Long communicates her passion and worldview with an evocative sound in league with Annie Lenox, Sarah McLachlan, and Carly Simon. It’s not just about the music, though. Much like for her chanteuse heroines, music is about connection and community. It’s where she finds herself, and how she makes her contribution to the world.

Singer/songwriter Holly Long has two hands, and she’s using them. She’s no princess, and she’s no queen. She’s just a straight up modern day musical artisan with a genuine love for the work and an impressive track record. Having crafted 4 albums over the past decade in her pop/funk/soul hybrid style with a string of top-shelf producers, Long communicates her passion and worldview with an evocative sound in league with Annie Lenox, Sarah McLachlan, and Carly Simon. It’s not just about the music, though. Much like for her chanteuse heroines, music is about connection and community. It’s where she finds herself, and how she makes her contribution to the world.

InfoRökkurró’s melancholic serenades are evocative of the cold and desolate landscapes of their distant homeland. Mesmerising tones and swooping strings projected against a bleak and solitary Nordic backdrop. And yet, unique warmth pervades Rökkurró’s music owed to the fragile and soothing voice of Hildur Kristín Stefánsdóttir.

Their debut Það Kólnar Í Kvöld.. (It’s Getting Colder Tonight) was released in 2007 in Iceland, Europe and Japan to great critical acclaim, followed by tour dates with iconic figures of the Icelandic music scene múm and celebrated neo-classical composer Ólafur Arnalds.

Three years on Rökkurró are releasing their sophomore album Í Annan Heim (In Another World) produced by Alex Somers, partner and music collaborator of Jónsi Þór Birgisson (Sigur Rós). Í Annan Heim is a collection of nine graceful compositions that showcase a darker, more expansive and mature sound, full of meticulously crafted melodies, complex arrangements and smooth sonic textures.

Rökkurró was selected by Clash Magazine to play at the Nordic Music Export clubnight Ja Ja Ja in London in October 2010.

InfoRökkurró’s melancholic serenades are evocative of the cold and desolate landscapes of their distant homeland. Mesmerising tones and swooping strings projected against a bleak and solitary Nordic backdrop. And yet, unique warmth pervades Rökkurró’s music owed to the fragile and soothing voice of Hildur Kristín Stefánsdóttir.Their debut Það Kólnar Í Kvöld.. (It’s Getting Colder Tonight) was released in 2007 in Iceland, Europe and Japan to great critical acclaim, followed by tour dates with iconic figures of the Icelandic music scene múm and celebrated neo-classical composer Ólafur Arnalds.Three years on Rökkurró are releasing their sophomore album Í Annan Heim (In Another World) produced by Alex Somers, partner and music collaborator of Jónsi Þór Birgisson (Sigur Rós). Í Annan Heim is a collection of nine graceful compositions that showcase a darker, more expansive and mature sound, full of meticulously crafted melodies, complex arrangements and smooth sonic textures.Rökkurró was selected by Clash Magazine to play at the Nordic Music Export clubnight Ja Ja Ja in London in October 2010.

"Deborah Crooks pours stiff shots of brains, soul and guts into her compositions..."

-Flavorpill.

"Wonderful work,"

--Don Campau

Singing about faith, love and loss, Deborah is an intimate and edgy artist whose work is dedicated to peace and the process of liberation. With lyric-writing skills are honed by a lifetime of writing, world travel and study of yoga and Buddhism, she's also widely published as an essayist, journalist and poet. Her songs haves received national airplay and been featured on compilations including the Java with Jahvalin Indie Artist CD 2005 ("You Are Home" DCrooks/B.Z. Lewis) and Indie Music For Life Compilation (2007), and the RockerGirl Discoveries CD ("Dream Me" from her first EP "5 Acres" 2003). Deborah has appeared at the 2006 Millennium Music Conference, the 2005 RockerGirl Magazine Music Convention, during SXSW week in Austin, TX, Sunset Junction, the California Music Fest and was a featured performer at the 2007 Harmony Festival. She's also performed at the Grey Eagle in Asheville, NC, Arlene's Grocery in New York and the Knitting Factory in Los Angeles. In 2008 she returned to the studio with producer Ben Bernstein (formerly of New Monsoon) to release a full-length CD "Adding Water to the Ashes" which is receiving national and international airplay. Oft compared to Mazzy Star, Chrissie Hynde and the Cowboy Junkies, her sound draws on equal parts rock and roll, the blues and the songwriter tradition. In early 2009, she participated in the 2009 RPM Challenge, co-writing a new collection of original blues tunes with another San Francisco songwriter, Alex Walsh, some of which was released as an EP in Fall 2009. The recipient of a BayBridged Recording Grant, she released an EP "It's All Up to You" in Spring 2010.

"Deborah Crooks pours stiff shots of brains, soul and guts into her compositions..."

-Flavorpill.

"Wonderful work,"

--Don Campau

Singing about faith, love and loss, Deborah is an intimate and edgy artist whose work is dedicated to peace and the process of liberation. With lyric-writing skills are honed by a lifetime of writing, world travel and study of yoga and Buddhism, she's also widely published as an essayist, journalist and poet. Her songs haves received national airplay and been featured on compilations including the Java with Jahvalin Indie Artist CD 2005 ("You Are Home" DCrooks/B.Z. Lewis) and Indie Music For Life Compilation (2007), and the RockerGirl Discoveries CD ("Dream Me" from her first EP "5 Acres" 2003). Deborah has appeared at the 2006 Millennium Music Conference, the 2005 RockerGirl Magazine Music Convention, during SXSW week in Austin, TX, Sunset Junction, the California Music Fest and was a featured performer at the 2007 Harmony Festival. She's also performed at the Grey Eagle in Asheville, NC, Arlene's Grocery in New York and the Knitting Factory in Los Angeles. In 2008 she returned to the studio with producer Ben Bernstein (formerly of New Monsoon) to release a full-length CD "Adding Water to the Ashes" which is receiving national and international airplay. Oft compared to Mazzy Star, Chrissie Hynde and the Cowboy Junkies, her sound draws on equal parts rock and roll, the blues and the songwriter tradition. In early 2009, she participated in the 2009 RPM Challenge, co-writing a new collection of original blues tunes with another San Francisco songwriter, Alex Walsh, some of which was released as an EP in Fall 2009. The recipient of a BayBridged Recording Grant, she released an EP "It's All Up to You" in Spring 2010.

AOEDE'S STORY: Once upon a time, way back in Greek mythology, there was a muse named Aoede (A-E-D). She was the first "muse of song" way before the 9 celebrated muses we know and love. And I, Lisa Sniderman, singer-songwriter for Aoede, chose this name both to inspire you and to remember to continually be inspired...I draw inspiration from my own life experiences and many muses and aspire to transfer this inspiration to you. When you listen to my songs, expect compelling stories of love, loss, life, and longing-intended to take you, shake you and wake you. It's About YOU and your connection to me-in ways that make you feel and experience those parts of yourself you may have forgotten about. Maybe after listening, you are inspired to live life a little more fully or feel something.

I formed an indie *pop rock* band in 2005 comprised of San Francisco trio Lisa Sniderman (that's me), David Sands (bass), and John Walden (drums). Now in 2010, I'm reinventing myself as an artiste as evidenced by the direction of my new singles and the word artiste...

AOEDE'S STORY: Once upon a time, way back in Greek mythology, there was a muse named Aoede (A-E-D). She was the first "muse of song" way before the 9 celebrated muses we know and love. And I, Lisa Sniderman, singer-songwriter for Aoede, chose this name both to inspire you and to remember to continually be inspired...I draw inspiration from my own life experiences and many muses and aspire to transfer this inspiration to you. When you listen to my songs, expect compelling stories of love, loss, life, and longing-intended to take you, shake you and wake you. It's About YOU and your connection to me-in ways that make you feel and experience those parts of yourself you may have forgotten about. Maybe after listening, you are inspired to live life a little more fully or feel something.I formed an indie *pop rock* band in 2005 comprised of San Francisco trio Lisa Sniderman (that's me), David Sands (bass), and John Walden (drums). Now in 2010, I'm reinventing myself as an artiste as evidenced by the direction of my new singles and the word artiste...

Wensday is an exotic young woman of contrasts: she's been a body piercing artist, a jazz singer and a rocker – and Associate Director of All Children's Theatre in her hometown of Providence, Rhode Island. A graduate of NYU and a student at Oxford University, Wensday is covered in eloquent artistic tattoos on more than 50% of her body.

Multiple hit songwriter and legendary guitarist DICK WAGNER (Alice Cooper, Lou Reed, Kiss, Aerosmith, Air Supply) produced TORCH ROCK™ and wrote or co-wrote all 13 tracks of the TORCH ROCK™ album. Wagner plays lead guitar throughout the CD; and he has assembled a brilliant group of musicians, including Fred Mandel (Elton John, Queen, Alice Cooper), Bobby Flores (Grammy winning arranger and Country Instrumentalist of the Year), Nils Lofgren (Bruce Springsteen), to record Wensday's musical debut.

"After a long time trying to figure out what style I do best, I truly get to do it all on Torch Rock," says Wensday. "I think the album conveys that I'm a singer, first and foremost... Connecting emotionally with people is the most important thing to me."

Wensday is an exotic young woman of contrasts: she's been a body piercing artist, a jazz singer and a rocker – and Associate Director of All Children's Theatre in her hometown of Providence, Rhode Island. A graduate of NYU and a student at Oxford University, Wensday is covered in eloquent artistic tattoos on more than 50% of her body.

Multiple hit songwriter and legendary guitarist DICK WAGNER (Alice Cooper, Lou Reed, Kiss, Aerosmith, Air Supply) produced TORCH ROCK™ and wrote or co-wrote all 13 tracks of the TORCH ROCK™ album. Wagner plays lead guitar throughout the CD; and he has assembled a brilliant group of musicians, including Fred Mandel (Elton John, Queen, Alice Cooper), Bobby Flores (Grammy winning arranger and Country Instrumentalist of the Year), Nils Lofgren (Bruce Springsteen), to record Wensday's musical debut.

"After a long time trying to figure out what style I do best, I truly get to do it all on Torch Rock," says Wensday. "I think the album conveys that I'm a singer, first and foremost... Connecting emotionally with people is the most important thing to me."

InfoA songwriter since age eleven, having given up the violin for the more "songwriter friendly" acoustic guitar, she has already issued four independent Cds: The Story So Far, Piece By Piece, Modern Loneliness and The Rose In The Boxcar. This prolific singer-songwriter has just released her fifth Cd of original material titled Petals Of The Red Magnolia. Her eclectic style encompasses such genres as pop-rock, edgy folk-rock, adult contemporary and even a little country. Her genuine and sincere songs evoke a broad array of emotional responses from her listeners.

Carol has been performing as a singer-songwriter throughout Southern California since the early 1990s, helping to create the coffee house circuit in So Cal. She continues to play weekly in coffee houses, small clubs, book and music stores, and college venues. Her performances feature acoustic guitar versions of her original songs as well as her warm rapport with audiences. Her extensive repertoire (ranging from the humorous to the not-so-humorous) and wide variety of subject matters (from surfer chicks to Momma’s station wagon to Teflon-coated hearts and the spaces between) ensure that no two performances are ever alike!.

InfoA songwriter since age eleven, having given up the violin for the more "songwriter friendly" acoustic guitar, she has already issued four independent Cds: The Story So Far, Piece By Piece, Modern Loneliness and The Rose In The Boxcar. This prolific singer-songwriter has just released her fifth Cd of original material titled Petals Of The Red Magnolia. Her eclectic style encompasses such genres as pop-rock, edgy folk-rock, adult contemporary and even a little country. Her genuine and sincere songs evoke a broad array of emotional responses from her listeners.Carol has been performing as a singer-songwriter throughout Southern California since the early 1990s, helping to create the coffee house circuit in So Cal. She continues to play weekly in coffee houses, small clubs, book and music stores, and college venues. Her performances feature acoustic guitar versions of her original songs as well as her warm rapport with audiences. Her extensive repertoire (ranging from the humorous to the not-so-humorous) and wide variety of subject matters (from surfer chicks to Momma’s station wagon to Teflon-coated hearts and the spaces between) ensure that no two performances are ever alike!.

InfoIt had to happen eventually. For a generation of musicians that has now grown up with the sounds of world music, a truly global pop music was just a matter of time. And for the trio Pacifika, "eventually" means now. The trio's debut album, 2008's Asuncion, introduced their artful blend of indie rock, bossa nova, Afropop, and dub production. With the new Supermagique, Pacifika have refined that sound – a multilingual, listener-friendly music that marries languid Latin rhythms to a deep dance groove, and offers a high-gloss sheen with some surprisingly sharp edges.

Pacifika's global fusion works precisely because it is not a fusion. There is no sense of trying to blend one thing with another; this is the work of three musicians, coming from Peruvian, North American, and Barbadian families, for whom rock, Latin, Caribbean, hip hop, and jazz are all part of a single international musical language – a kind of musical Esperanto. Singer Silvana Kane is from Peru; guitarist Adam Popowitz is from Canada; bassist Toby Peter grew up in Barbados. Using the Pacific city of Vancouver as a base, they have set out to create music that reflects their shared interests in Western pop and the traditions of South America, West Africa, and the Far East. The rest of Canada has been paying attention: last year Pacifika was named one of the "Bands of the Year" by the CBC, and they've been regulars on national television in their adopted homeland. Over in the States, Asuncion was singled out by critics as a "best of the year" on amazon.com, i-tunes, NPR and many other prestigious outlets and tracks from the record were licensed for use in a variety of films and television programs like HBO's red hot, True Blood. With Supermagique, they are poised for international success.

InfoIt had to happen eventually. For a generation of musicians that has now grown up with the sounds of world music, a truly global pop music was just a matter of time. And for the trio Pacifika, "eventually" means now. The trio's debut album, 2008's Asuncion, introduced their artful blend of indie rock, bossa nova, Afropop, and dub production. With the new Supermagique, Pacifika have refined that sound – a multilingual, listener-friendly music that marries languid Latin rhythms to a deep dance groove, and offers a high-gloss sheen with some surprisingly sharp edges.

Pacifika's global fusion works precisely because it is not a fusion. There is no sense of trying to blend one thing with another; this is the work of three musicians, coming from Peruvian, North American, and Barbadian families, for whom rock, Latin, Caribbean, hip hop, and jazz are all part of a single international musical language – a kind of musical Esperanto. Singer Silvana Kane is from Peru; guitarist Adam Popowitz is from Canada; bassist Toby Peter grew up in Barbados. Using the Pacific city of Vancouver as a base, they have set out to create music that reflects their shared interests in Western pop and the traditions of South America, West Africa, and the Far East. The rest of Canada has been paying attention: last year Pacifika was named one of the "Bands of the Year" by the CBC, and they've been regulars on national television in their adopted homeland. Over in the States, Asuncion was singled out by critics as a "best of the year" on amazon.com, i-tunes, NPR and many other prestigious outlets and tracks from the record were licensed for use in a variety of films and television programs like HBO's red hot, True Blood. With Supermagique, they are poised for international success.

Therese Engdahl is the woman behind Lotess. The songs are strong and from the heart.She released her first album as a solo artist in January 2008 under her own label.The album got good reviews and two singles got into the charts.

Therese Engdahl is the woman behind Lotess. The songs are strong and from the heart.She released her first album as a solo artist in January 2008 under her own label.The album got good reviews and two singles got into the charts.

Hailed by New Zealand's National Radio as the pioneer of a new sound, Jordans music has been variously described as "industrial folk", "folk noir" and "Antipodean Steampunk" yet defies any cut and dried description. Imagine a 19th Century Nine Inch Nails banging on old iron and steam powered machines, combined with the Dead Can Dance's electronic folk soundscapes and Sinead Oconnor's vocals in the background.Jordans 5th CD was realeased in April 2009. "How the Dead Live" is a tale inspired by the story of one of New Zealands first pioneer women, Susannah Hawes. The CD follows a (fictive) dialoge between Susannah and History herself. History has been sent to track Susannahs 'ordinary' life and is irritated with the lack of battles and adventure in the lonely west coast town of Karamea. Susannah suggests, however, that maybe it is those who are overlooked by History who are really 'the Brave'.Jordan is a 3 time nominee at the New Zealand Music Awards, and has carved a neiche for her unique sense of musicality. Her music is dark yet beautiful, and has appealed to reviewers both locally and internationally

Hailed by New Zealand's National Radio as the pioneer of a new sound, Jordans music has been variously described as "industrial folk", "folk noir" and "Antipodean Steampunk" yet defies any cut and dried description. Imagine a 19th Century Nine Inch Nails banging on old iron and steam powered machines, combined with the Dead Can Dance's electronic folk soundscapes and Sinead Oconnor's vocals in the background.Jordans 5th CD was realeased in April 2009. "How the Dead Live" is a tale inspired by the story of one of New Zealands first pioneer women, Susannah Hawes. The CD follows a (fictive) dialoge between Susannah and History herself. History has been sent to track Susannahs 'ordinary' life and is irritated with the lack of battles and adventure in the lonely west coast town of Karamea. Susannah suggests, however, that maybe it is those who are overlooked by History who are really 'the Brave'.Jordan is a 3 time nominee at the New Zealand Music Awards, and has carved a neiche for her unique sense of musicality. Her music is dark yet beautiful, and has appealed to reviewers both locally and internationally

Info"Pop / Alternative Rocker, Laura Smith, a young Canadian singer / songwriter ...amped up the crowd with her explosive performance.Smith whose debut album is scheduled for release this fall, already has commanding stage presence, fabulous vocals and is a superb keyboardist. She is an excellent songwriter."

Info"Pop / Alternative Rocker, Laura Smith, a young Canadian singer / songwriter ...amped up the crowd with her explosive performance.Smith whose debut album is scheduled for release this fall, already has commanding stage presence, fabulous vocals and is a superb keyboardist. She is an excellent songwriter."

The Rebirth Station consists of singer/songwriter Magdalena Konefal and drummer/producer Povel Ohlsson (among other artists, drummer for Robyn). The duo was behind Magdalenas debut EP that caused quite a stir in Swedish media last year with it´s innovative soulful pop.

The music was on high rotation on national radio P3, video “Hit of the week” at music video channel ZTV, and the newspapers wrote about “dreamlike soul with a hint of Curtis Mayfield and Prince”. Magdalena was immediately booked to Stockholm Jazz festival and other prestigious venues.

The new material is introduced under the name “The RebirthStation”, a name present right from the start in the studio and while playing live, now a fitting name for the duo since Povel taken on a more active roll in the creative process.

When he´s not making music with The Rebirth Station he tours with Robyn, makes Techno/House music and remixes for other artists under the name PomP. Magdalena Konefal writes the vast majority of the music and lyrics for The Rebirth Station. Coming from the jazz-scene she was recognised as a very promising jazz-singer through the ten years.

The Rebirth Station consists of singer/songwriter Magdalena Konefal and drummer/producer Povel Ohlsson (among other artists, drummer for Robyn). The duo was behind Magdalenas debut EP that caused quite a stir in Swedish media last year with it´s innovative soulful pop.

The music was on high rotation on national radio P3, video “Hit of the week” at music video channel ZTV, and the newspapers wrote about “dreamlike soul with a hint of Curtis Mayfield and Prince”. Magdalena was immediately booked to Stockholm Jazz festival and other prestigious venues.

The new material is introduced under the name “The RebirthStation”, a name present right from the start in the studio and while playing live, now a fitting name for the duo since Povel taken on a more active roll in the creative process.

When he´s not making music with The Rebirth Station he tours with Robyn, makes Techno/House music and remixes for other artists under the name PomP. Magdalena Konefal writes the vast majority of the music and lyrics for The Rebirth Station. Coming from the jazz-scene she was recognised as a very promising jazz-singer through the ten years.

]]>05:13noSpudshow Halloween Special 2010Fri, 29 Oct 2010 12:40:22 +0000Halloween music for the party Sunday night.

The band has spent the better part of the past six years constantly recording and touring, amassing a loyal fan-base through a very personal approach to performing. Apart from their official albums, Saturday Looks Good To Me has released shopping carts full of limited releases with microscopic indie labels, and delighted fans with regular tour-only CD-Rs and LPs. The development towards the very personal and near-religious sounds on Fill Up The Room can be tracked through these obscure releases, and the record's delivery into the world serves as both a bold statement from a band stepping away from what it was before into something more deliberate and a heartfelt thanks to the die-hard fans for sticking by through the strange changes. And as always, through whatever changes and in whatever language available, Saturday Looks Good To Me exists as a testament to the magic and limitless love that is the pop song, and the endlessness therein.

InfoThe band has spent the better part of the past six years constantly recording and touring, amassing a loyal fan-base through a very personal approach to performing. Apart from their official albums, Saturday Looks Good To Me has released shopping carts full of limited releases with microscopic indie labels, and delighted fans with regular tour-only CD-Rs and LPs. The development towards the very personal and near-religious sounds on Fill Up The Room can be tracked through these obscure releases, and the record's delivery into the world serves as both a bold statement from a band stepping away from what it was before into something more deliberate and a heartfelt thanks to the die-hard fans for sticking by through the strange changes. And as always, through whatever changes and in whatever language available, Saturday Looks Good To Me exists as a testament to the magic and limitless love that is the pop song, and the endlessness therein.

The group play the Tripod, Harcourt Street, Dublin at 19:30 on 6th November.

Info Sharon Jones and the Dap-Kings have come a long way since their humble beginnings nearly a decade ago. Steeped within the gilded and gritty sounds of gospel, soul and funk, this nine-piece Brooklyn collective has continued to electrify fans, disc jockeys, critics, record collectors, and bloggers the world-over with their authentic, heart-felt sound. The authenticity clearly demonstrated on the band’s three critically-acclaimed albums – Dap Dippin’ (2002), Naturally (2005) and 100 Days, 100 Nights (2007) – captured and released by the independent Daptone Records. Their albums recall an analog era led by iconic studios like those at Motown and Stax Records, and have thrust the fifty-three-year-old Augusta, GA native and crew into the multimedia limelight.

The group play the Tripod, Harcourt Street, Dublin at 19:30 on 6th November.

Info Sharon Jones and the Dap-Kings have come a long way since their humble beginnings nearly a decade ago. Steeped within the gilded and gritty sounds of gospel, soul and funk, this nine-piece Brooklyn collective has continued to electrify fans, disc jockeys, critics, record collectors, and bloggers the world-over with their authentic, heart-felt sound. The authenticity clearly demonstrated on the band’s three critically-acclaimed albums – Dap Dippin’ (2002), Naturally (2005) and 100 Days, 100 Nights (2007) – captured and released by the independent Daptone Records. Their albums recall an analog era led by iconic studios like those at Motown and Stax Records, and have thrust the fifty-three-year-old Augusta, GA native and crew into the multimedia limelight.

InfoGrace Potter and the Nocturnals are like a modern-day version of Tina Turner stroking the microphone in a spangled mini-dress while fronting the Rolling Stones circa Sticky Fingers. The proof is there for all to hear on the band’s third album for Hollywood Records, hitting this spring, and marks an artistic breakthrough for a vital young band caught in the act of fulfilling its immense promise. Little wonder that Grace and her cohorts have chosen to title it, directly and emphatically, Grace Potter and the Nocturnals.

“This record is the first time it’s really been us — the first time we’ve all found each other and ourselves,” says Potter with obvious excitement. “Everybody was totally comfortable, everything we had was sitting right in front of us, and it just poured out of us. The whole thing was fluid and effortless. In my mind, an album shouldn’t be self-titled unless it feels that way.”

InfoGrace Potter and the Nocturnals are like a modern-day version of Tina Turner stroking the microphone in a spangled mini-dress while fronting the Rolling Stones circa Sticky Fingers. The proof is there for all to hear on the band’s third album for Hollywood Records, hitting this spring, and marks an artistic breakthrough for a vital young band caught in the act of fulfilling its immense promise. Little wonder that Grace and her cohorts have chosen to title it, directly and emphatically, Grace Potter and the Nocturnals.“This record is the first time it’s really been us — the first time we’ve all found each other and ourselves,” says Potter with obvious excitement. “Everybody was totally comfortable, everything we had was sitting right in front of us, and it just poured out of us. The whole thing was fluid and effortless. In my mind, an album shouldn’t be self-titled unless it feels that way.”

info Independent Music Award Winner Rachael Sage writes what THE VILLAGE VOICE calls "lovely and literate folk-pop-rock". An innovative, improvisational keyboardist, she performs over 150 dates a year throughout the U.S., Europe and Asia. A Grand Prize-Winner in the John Lennon Songwriting Contest, Sage has earned a loyal following for her infectious melodies & poetic lyrics, and has shared stages with such artists as Sarah McLachlan, Sheryl Crow, Judy Collins and Ani DiFranco. Her latest CD, CHANDELIER, was released on June 10, 2008. For a complete tour schedule please visit: www.rachaelsage.com.

info Independent Music Award Winner Rachael Sage writes what THE VILLAGE VOICE calls "lovely and literate folk-pop-rock". An innovative, improvisational keyboardist, she performs over 150 dates a year throughout the U.S., Europe and Asia. A Grand Prize-Winner in the John Lennon Songwriting Contest, Sage has earned a loyal following for her infectious melodies & poetic lyrics, and has shared stages with such artists as Sarah McLachlan, Sheryl Crow, Judy Collins and Ani DiFranco. Her latest CD, CHANDELIER, was released on June 10, 2008. For a complete tour schedule please visit: www.rachaelsage.com.UK Tour

As the great thespian Patrick Swayze once said, "Nobody puts Baby in a corner." The same is true of Sarah Borges. On the basis of her critically-lauded early work, particularly Diamonds in the Dark (2007), some pundits decided they know exactly where the Boston-area rocker and her cohorts, the Broken Singles, belong in the musical spectrum. They were mistaken. Her new record, The Stars Are Out, is about to stun them with a more vibrant, far-reaching display of what Sarah Borges and the Broken Singles are all about. And yes, there will be dancing.

"We always want people to dance," enthuses Borges. "That's the best way to get a show going." After months of touring in support of Diamonds, she knew the character of her third album needed to be more upbeat than its contemplative predecessors. "I was trying to think of songs that would fit really well into our live show." The results include the slinky, '60s stroll of "Me and Your Ghost" ("That's about going out and dancing, all the things you used to do with your loved one"); the flirtatious, guitar-driven kickoff, "Do It For Free"; and "It Comes To Me Naturally," a hip-shaking tale of a girl-about-town, originally recorded by bar band supreme NRBQ.

Diamonds and Borges' 2005 debut, Silver City, often found her work filed under the Americana banner. But the time had come for Borges to explore different terrain, both as a writer and performer. The Stars Are Out is a soundtrack for Saturday nights, not Sunday mornings. "When I say I explored country music as much as possible, that doesn't mean I became perfect at it," she quickly qualifies. Borges just felt ready to take a break, until she had something new to say in that realm. And rock has always been her first love. "This is a style of music I've always listened to, and been really excited about."

As the great thespian Patrick Swayze once said, "Nobody puts Baby in a corner." The same is true of Sarah Borges. On the basis of her critically-lauded early work, particularly Diamonds in the Dark (2007), some pundits decided they know exactly where the Boston-area rocker and her cohorts, the Broken Singles, belong in the musical spectrum. They were mistaken. Her new record, The Stars Are Out, is about to stun them with a more vibrant, far-reaching display of what Sarah Borges and the Broken Singles are all about. And yes, there will be dancing. "We always want people to dance," enthuses Borges. "That's the best way to get a show going." After months of touring in support of Diamonds, she knew the character of her third album needed to be more upbeat than its contemplative predecessors. "I was trying to think of songs that would fit really well into our live show." The results include the slinky, '60s stroll of "Me and Your Ghost" ("That's about going out and dancing, all the things you used to do with your loved one"); the flirtatious, guitar-driven kickoff, "Do It For Free"; and "It Comes To Me Naturally," a hip-shaking tale of a girl-about-town, originally recorded by bar band supreme NRBQ. Diamonds and Borges' 2005 debut, Silver City, often found her work filed under the Americana banner. But the time had come for Borges to explore different terrain, both as a writer and performer. The Stars Are Out is a soundtrack for Saturday nights, not Sunday mornings. "When I say I explored country music as much as possible, that doesn't mean I became perfect at it," she quickly qualifies. Borges just felt ready to take a break, until she had something new to say in that realm. And rock has always been her first love. "This is a style of music I've always listened to, and been really excited about."

InfoDI JOHNSTON was born in Hong Kong to two US diplomats. After stints in mainland China and Virginia, she moved to New York where she began her performing career.

Di's debut release The Shanghai Restoration Project Presents: Di Johnston was featured as the Single of the Week on iTunes Japan in April 2007. Within days, the album reached #1 Electronic and Top 5 Overall. Since then she has steadily gained fans around the world as her songs have been used in several television advertisements, electronica compilations, and even a Christian Dior Haute Couture fashion show.

Her sophomore album Fascinator will be released on Sept. 14th, 2010 and produced once again by Dave Liang of The Shanghai Restoration Project.

Di's music can be found on iTunes, Amazon (CD or .mp3), and other fine digital retailers.

InfoDI JOHNSTON was born in Hong Kong to two US diplomats. After stints in mainland China and Virginia, she moved to New York where she began her performing career.Di's debut release The Shanghai Restoration Project Presents: Di Johnston was featured as the Single of the Week on iTunes Japan in April 2007. Within days, the album reached #1 Electronic and Top 5 Overall. Since then she has steadily gained fans around the world as her songs have been used in several television advertisements, electronica compilations, and even a Christian Dior Haute Couture fashion show.Her sophomore album Fascinator will be released on Sept. 14th, 2010 and produced once again by Dave Liang of The Shanghai Restoration Project.Di's music can be found on iTunes, Amazon (CD or .mp3), and other fine digital retailers.

Info23-year-old triple threat DaniElle DeLaite has been on the stage in some capacity since the tender age of three-years-old. She has travailed through the trials and tribulations of failed recording contracts and unscrupulous agencies yet she has never given up on her dream of being a performer. “I have always been encouraged to pursue a career in music and there has always been the expectation that I would succeed even through the broken deals and failed promises,” says DeLaite. “This amazing encouragement and belief has been a wonderful support for me.” DeLaite’s dream became a reality when she won the Musicoz Australia wide competition for unsigned artists i98FM Listener's Choice Award at the age of 16. As a result she was invited to perform at the Entertainment Centre for the awards presentation that was broadcast on national television. After moving from her native township, Kiama to Sydney later that year, DeLaite bounced back from a dissolved recording contract and started a successful career as a fit model. While in Sydney she worked for nine major Australian designers as a house model and she also does catwalk and presenter work. Using the money she earned as a model, the singer/songwriter was able to take her career in her own hands by starting her company Lizard Ed Pty. Ltd. She funded recording sessions for her upcoming album and a video clip the single “Nothing to Wear.” The idea behind the single and video for “Nothing to Wear,” which are available on iTunes came about one night when the 23-year-old was getting ready to go out with a few friends. “It was nearly time for me to be picked up and I was sitting on my bed surrounded by lots of dresses, jeans, tops, jackets shoes and jewelry, thinking to myself, ‘what am I going to do? I HAVE NOTHING TO WEAR!’ I looked around the room and surveyed the giant mess on my bed, the floor, the chair and dresser and realized how absurd my statement was and how it was a moment many others had experienced as well

Info23-year-old triple threat DaniElle DeLaite has been on the stage in some capacity since the tender age of three-years-old. She has travailed through the trials and tribulations of failed recording contracts and unscrupulous agencies yet she has never given up on her dream of being a performer. “I have always been encouraged to pursue a career in music and there has always been the expectation that I would succeed even through the broken deals and failed promises,” says DeLaite. “This amazing encouragement and belief has been a wonderful support for me.” DeLaite’s dream became a reality when she won the Musicoz Australia wide competition for unsigned artists i98FM Listener's Choice Award at the age of 16. As a result she was invited to perform at the Entertainment Centre for the awards presentation that was broadcast on national television. After moving from her native township, Kiama to Sydney later that year, DeLaite bounced back from a dissolved recording contract and started a successful career as a fit model. While in Sydney she worked for nine major Australian designers as a house model and she also does catwalk and presenter work. Using the money she earned as a model, the singer/songwriter was able to take her career in her own hands by starting her company Lizard Ed Pty. Ltd. She funded recording sessions for her upcoming album and a video clip the single “Nothing to Wear.” The idea behind the single and video for “Nothing to Wear,” which are available on iTunes came about one night when the 23-year-old was getting ready to go out with a few friends. “It was nearly time for me to be picked up and I was sitting on my bed surrounded by lots of dresses, jeans, tops, jackets shoes and jewelry, thinking to myself, ‘what am I going to do? I HAVE NOTHING TO WEAR!’ I looked around the room and surveyed the giant mess on my bed, the floor, the chair and dresser and realized how absurd my statement was and how it was a moment many others had experienced as well

InfoNao started her live activities when she became 18 years old. Her poems which ecpress everyday lives with her precise Japanese and realistic expression stopped people walking by. Her song "Invoice" had readched top 10 in the Independent Chart of a cable broadcasting. Her poem of uncommon experience also fascinated people with the words from her strength and honesty.

In the summer at 23 years old, she recorded her new album in Los Angeles. The place where once she longed for and once she gave up on. "Music had overcome the walls of languages and nations." Singing her poems from her past on the tunes which was effected by her new dreams and hopes, Nao's turning point of her life had been embodied in this album.

InfoNao started her live activities when she became 18 years old. Her poems which ecpress everyday lives with her precise Japanese and realistic expression stopped people walking by. Her song "Invoice" had readched top 10 in the Independent Chart of a cable broadcasting. Her poem of uncommon experience also fascinated people with the words from her strength and honesty.

In the summer at 23 years old, she recorded her new album in Los Angeles. The place where once she longed for and once she gave up on. "Music had overcome the walls of languages and nations." Singing her poems from her past on the tunes which was effected by her new dreams and hopes, Nao's turning point of her life had been embodied in this album.

"Rachel Pearl adds a fun-loving touch.. Not only does she have an incredible voice, but she has lots of sass and pizzazz, as well. From her charm to her cute, quirky stage presence, there’s not much to not love about her." -Knoxville Journal.

"Rachel Pearl’s sweet sultry vocals bring back memories of jazz classics. She is an old soul, bringing back the music from the past and giving it a future." -Ear Candy

"Rachel Pearl adds a fun-loving touch.. Not only does she have an incredible voice, but she has lots of sass and pizzazz, as well. From her charm to her cute, quirky stage presence, there’s not much to not love about her." -Knoxville Journal."Rachel Pearl’s sweet sultry vocals bring back memories of jazz classics. She is an old soul, bringing back the music from the past and giving it a future." -Ear Candy

InfoAlexis was destined to be influenced by cultures from all over the world. She was born to a Cuban mom and a Colombian dad. As a child, she lived in Buenos Aires and Madridand Spanish was her first language. She started playing piano at an early age and says, “I grew up dancing ballet and flamenco, writing and making films. My parents really encouraged my individuality and creativity. But I didn’t sing a note until I was 20 years old. Can you imagine? Not a peep until I was 20.”

The family moved to New York when Alexis was 11. Her mother worked in the music industry, so she spent her adolescent years doing what a lot of teens would dream of; listening to music demos and going to concerts. Alexis soon fell in love with US Cinema. She says, “I learned to speak English by watching films. I became fascinated by how language was manipulated and began to notice how exquisitely music could be used to enhance the story. I started to think of music as the second language of the film. I knew from an early age that I wanted to do something with music and film.”

At the age of 18, Alexis packed her bags for Poughkeepsie, New York. She enjoyed her year at Vassar College, but Spain was calling to her. In Spain, she managed the rock band, Pop Sonic and learned how difficult it can be to make your mark in music. She was torn by the desire to become a musician herself and the knowledge of what a difficult road it can be. Unsure of what to do next, Alexis took a temporary job at the Rock in Rio festival in Brazil. The musicians she met inspired her so much, that she decided music was what she wanted to do with her life. She knew it was important to have a college degree too, so she enrolled at the prestigious London School of Economics—Mick Jagger’s alma mater--and emerged three years later with a degree in philosophy. During her stay in London, Alexis realized she was spending more time hitting the clubs, than hitting the books. Music was becoming more of a necessity in her life. She jumped at the chance to work with legendary producer Richard Nile, who has worked with Paul McCartney, Tina Turner and Ray Charles, among others. Nile was impressed with Foxe’s lyrics. Together, they produced the album eponoymouseponymous.

InfoAlexis was destined to be influenced by cultures from all over the world. She was born to a Cuban mom and a Colombian dad. As a child, she lived in Buenos Aires and Madridand Spanish was her first language. She started playing piano at an early age and says, “I grew up dancing ballet and flamenco, writing and making films. My parents really encouraged my individuality and creativity. But I didn’t sing a note until I was 20 years old. Can you imagine? Not a peep until I was 20.”

The family moved to New York when Alexis was 11. Her mother worked in the music industry, so she spent her adolescent years doing what a lot of teens would dream of; listening to music demos and going to concerts. Alexis soon fell in love with US Cinema. She says, “I learned to speak English by watching films. I became fascinated by how language was manipulated and began to notice how exquisitely music could be used to enhance the story. I started to think of music as the second language of the film. I knew from an early age that I wanted to do something with music and film.”

At the age of 18, Alexis packed her bags for Poughkeepsie, New York. She enjoyed her year at Vassar College, but Spain was calling to her. In Spain, she managed the rock band, Pop Sonic and learned how difficult it can be to make your mark in music. She was torn by the desire to become a musician herself and the knowledge of what a difficult road it can be. Unsure of what to do next, Alexis took a temporary job at the Rock in Rio festival in Brazil. The musicians she met inspired her so much, that she decided music was what she wanted to do with her life. She knew it was important to have a college degree too, so she enrolled at the prestigious London School of Economics—Mick Jagger’s alma mater--and emerged three years later with a degree in philosophy. During her stay in London, Alexis realized she was spending more time hitting the clubs, than hitting the books. Music was becoming more of a necessity in her life. She jumped at the chance to work with legendary producer Richard Nile, who has worked with Paul McCartney, Tina Turner and Ray Charles, among others. Nile was impressed with Foxe’s lyrics. Together, they produced the album eponoymouseponymous.

InfoRachel Schain is an incredibly talented performer, drawing comparisons to Tori Amos, Joni Mitchell, and Dar Williams. Music has been in her heart for as long as she can recall. At age 12 she finally started taking voice lessons to hone in on the music magic you hear today. She performed in school choirs and synagogue whenever she could all through college, where she studied voice. While Rachel has been deeply involved in many aspects of the music industry such as promotions, on-air talent on a Long Island radio station, and good old fashioned fandom, performing music is where she felt she belonged. Rachel lives in Delaware with her husband and her two adorable pets. In addition to the three amazing artists listed above, Rachel counts Blues Traveler, Kate Miller-Heidke, Ben Folds, Rufus Wainwright, Elvis Costello, and OK Go as her greatest musical influences. Her debut EP, "Happy Happy" is due out in August.

InfoRachel Schain is an incredibly talented performer, drawing comparisons to Tori Amos, Joni Mitchell, and Dar Williams. Music has been in her heart for as long as she can recall. At age 12 she finally started taking voice lessons to hone in on the music magic you hear today. She performed in school choirs and synagogue whenever she could all through college, where she studied voice. While Rachel has been deeply involved in many aspects of the music industry such as promotions, on-air talent on a Long Island radio station, and good old fashioned fandom, performing music is where she felt she belonged. Rachel lives in Delaware with her husband and her two adorable pets. In addition to the three amazing artists listed above, Rachel counts Blues Traveler, Kate Miller-Heidke, Ben Folds, Rufus Wainwright, Elvis Costello, and OK Go as her greatest musical influences. Her debut EP, "Happy Happy" is due out in August.

InfoStruggle is a natural part of the creative process for many artists. For Shikhee, the one-woman army behind industrial act Android Lust, struggle became downright essential to the production of the fourth Android Lust album, The Human Animal. Not by choice, of course: Nearly a decade after debuting as the first one-woman industrial act, the Bangladeshi-born New Yorker found herself burnt out from balancing a music career with what some might call “real life.”

The process of making 2006’s Devour, Rise and Take Flight ws “a very trying period,” says Shikhee. “I was coming home from my job around 9 or 10, and then mixing till 2 or 3, only to get back up and get to work at 9 again. I was barely sleeping and losing weight.” Problems with her record label compounded her frustration; the heavy touring season that followed, prolonged it.

InfoStruggle is a natural part of the creative process for many artists. For Shikhee, the one-woman army behind industrial act Android Lust, struggle became downright essential to the production of the fourth Android Lust album, The Human Animal. Not by choice, of course: Nearly a decade after debuting as the first one-woman industrial act, the Bangladeshi-born New Yorker found herself burnt out from balancing a music career with what some might call “real life.”The process of making 2006’s Devour, Rise and Take Flight ws “a very trying period,” says Shikhee. “I was coming home from my job around 9 or 10, and then mixing till 2 or 3, only to get back up and get to work at 9 again. I was barely sleeping and losing weight.” Problems with her record label compounded her frustration; the heavy touring season that followed, prolonged it.

Social Studies crafts intricate songs that combine angular indie rock and classic twee-pop. What distingishes the San Francsico-based group is their eclectic, complex song writing: unusual structures and mathy beats are tempered by soft edges and danceable casio hooks. Moody, defiant and hopeful, the lyrics celebrate duality through themes of discontent, violence, innocence, renewal, nostalgia, regret and joy. All these elements take shape in unpredictable, catchy songs that burrow into your consciousness and demand repeat listening and a critical reading between the lines. Combine this imaginative songwriting with a consistently high energy live show, and it is no surprise that Social Studies has generated a loyal fanbase and strong buzz in the SF Bay Area and beyond.

At the core of Social Studies are Natalia Rogovin on keyboards and vocals, and Michael Jirkovsky on drums. Natalia spent her youth on a commune in rural Oregon and trained to be a classical pianist, while Michael grew up in Chicago and cut his teeth on the Chicago punk scene. The two met in college in Santa Cruz and assembled Social Studies upon graduating and moving to the SF Bay Area a couple of years later.

About the BandSocial Studies crafts intricate songs that combine angular indie rock and classic twee-pop. What distingishes the San Francsico-based group is their eclectic, complex song writing: unusual structures and mathy beats are tempered by soft edges and danceable casio hooks. Moody, defiant and hopeful, the lyrics celebrate duality through themes of discontent, violence, innocence, renewal, nostalgia, regret and joy. All these elements take shape in unpredictable, catchy songs that burrow into your consciousness and demand repeat listening and a critical reading between the lines. Combine this imaginative songwriting with a consistently high energy live show, and it is no surprise that Social Studies has generated a loyal fanbase and strong buzz in the SF Bay Area and beyond.At the core of Social Studies are Natalia Rogovin on keyboards and vocals, and Michael Jirkovsky on drums. Natalia spent her youth on a commune in rural Oregon and trained to be a classical pianist, while Michael grew up in Chicago and cut his teeth on the Chicago punk scene. The two met in college in Santa Cruz and assembled Social Studies upon graduating and moving to the SF Bay Area a couple of years later.

InfoBorn and raised in the “Music City,” Nashville, TN, the multi-dimensional, multi-talented, Multi Genre singer/songwriter, Ilyasin “YaZa” Zarifa is a reflection of musical diversity. She started singing at the age of 7 with the W.O. Smith School of Music Vocal Ensemble and is formally trained in the flute and piccolo. Throughout high school, she was well-known for her active role in the fine arts (music, speech drama, etc) and at the age of 14 started writing songs and lyrics as another means of expressing her many levels of creativity.

After high school, the 5’9” “tomboy” pursued a career in modeling. She signed to Elite Models and traveled abroad as a runway model with much success. While focusing on her modeling career, Ilyasin continued creating in her first love, music. At the age 19, she was asked to sing in a studio session by world renowned songwriter and hit maker, Adonis Shropshire. It was then she discovered “the studio” was her true home – translating her life experiences, reality, love, and pain into the universal language of music. Hearing her voice and vision come to life in song, she was immediately and permanently hooked to music.

InfoBorn and raised in the “Music City,” Nashville, TN, the multi-dimensional, multi-talented, Multi Genre singer/songwriter, Ilyasin “YaZa” Zarifa is a reflection of musical diversity. She started singing at the age of 7 with the W.O. Smith School of Music Vocal Ensemble and is formally trained in the flute and piccolo. Throughout high school, she was well-known for her active role in the fine arts (music, speech drama, etc) and at the age of 14 started writing songs and lyrics as another means of expressing her many levels of creativity.

After high school, the 5’9” “tomboy” pursued a career in modeling. She signed to Elite Models and traveled abroad as a runway model with much success. While focusing on her modeling career, Ilyasin continued creating in her first love, music. At the age 19, she was asked to sing in a studio session by world renowned songwriter and hit maker, Adonis Shropshire. It was then she discovered “the studio” was her true home – translating her life experiences, reality, love, and pain into the universal language of music. Hearing her voice and vision come to life in song, she was immediately and permanently hooked to music.

InfoHollywood, CA – Award-winning Australian singer/songwriter, producer, and global artist community builder, gilli moon, releases her sixth album, THE STILLNESS, on her own label, Warrior Girl Music, on June 29 2010, in the U.S.A, July 9 in Australia and July 26 across Europe.

gilli moon is a Hollywood based Australian artist, who delivers conscious music, art and a brave sense of self-expression in her energetic, sensual and expressive performances and recordings.

gilli (pronounced as with a "J") is an illustrious artist, with multifaceted albums and dynamic live shows that have touched music lovers worldwide garnering high praise from the most jaded of critics. She is the quintessential renaissance woman, with a ceaseless contribution to the creative and artist communities at large. She creates music that is fresh, rebellious, passionate and unique. ITunes has been unable to classify her. She stands alone.

InfoHollywood, CA – Award-winning Australian singer/songwriter, producer, and global artist community builder, gilli moon, releases her sixth album, THE STILLNESS, on her own label, Warrior Girl Music, on June 29 2010, in the U.S.A, July 9 in Australia and July 26 across Europe.

gilli moon is a Hollywood based Australian artist, who delivers conscious music, art and a brave sense of self-expression in her energetic, sensual and expressive performances and recordings.

gilli (pronounced as with a "J") is an illustrious artist, with multifaceted albums and dynamic live shows that have touched music lovers worldwide garnering high praise from the most jaded of critics. She is the quintessential renaissance woman, with a ceaseless contribution to the creative and artist communities at large. She creates music that is fresh, rebellious, passionate and unique. ITunes has been unable to classify her. She stands alone.

InfoJensen Keets grew up as a small town girl from Upstate New York. She now tries to balance her life in the big city. Jensen is a Fashion Designer in NYC’s garment district, and has never felt complete without the creative release of singing and making music. This creative outlet is the cathartic, constant calling within her soul. Finally, putting fear behind her, and hard work ahead of her, she is more seriously following the journey of this calling.

InfoJensen Keets grew up as a small town girl from Upstate New York. She now tries to balance her life in the big city. Jensen is a Fashion Designer in NYC’s garment district, and has never felt complete without the creative release of singing and making music. This creative outlet is the cathartic, constant calling within her soul. Finally, putting fear behind her, and hard work ahead of her, she is more seriously following the journey of this calling.

With a concert harp and guitar at the forefront, The Callen Sisters' sound is rootsy, yet ethereal & infused with a certain pop sensibility. Their influences include Fleetwood Mac, Fiona Apple, Tori Amos & The Beatles.

Born in the quiet art center of Westport, Massachusetts and currently living in New York City's backyard, Beth and Jessa have been bandmates since childhood. They formed The Callen Sisters band in New York City in 2006 after graduating from SUNY Purchase.

Jessa and Beth's 2007 self-released debut "The Callen Sisters" has won them fans, accolades and radio play, most notably in Harp Magazine and on Radio BBC in Wales. Their new songs speak of love, abandonment, fathers and daughters, London, San Francisco, canyons and even body image. The songs are laced with delicious pop hooks, lots of harmonies, and textured arrangements featuring strings and horns. This second full-length collection of songs is due out in the Fall of 2010.

]]>MainSite MySpaceGet the CD from CDBabyInfoWith a concert harp and guitar at the forefront, The Callen Sisters' sound is rootsy, yet ethereal & infused with a certain pop sensibility. Their influences include Fleetwood Mac, Fiona Apple, Tori Amos & The Beatles.Born in the quiet art center of Westport, Massachusetts and currently living in New York City's backyard, Beth and Jessa have been bandmates since childhood. They formed The Callen Sisters band in New York City in 2006 after graduating from SUNY Purchase.Jessa and Beth's 2007 self-released debut "The Callen Sisters" has won them fans, accolades and radio play, most notably in Harp Magazine and on Radio BBC in Wales. Their new songs speak of love, abandonment, fathers and daughters, London, San Francisco, canyons and even body image. The songs are laced with delicious pop hooks, lots of harmonies, and textured arrangements featuring strings and horns. This second full-length collection of songs is due out in the Fall of 2010. ]]>12:38noSpudShow 427 - Savoir AdoreWed, 09 Jun 2010 12:57:00 +0000Group - Savoir Adore

Info Savoir Adore is an accident. We (Deidre Muro and Paul Hammer) never really intended to "start a band," yet ... Hi! Here we are. Phase 1: We met at NYU, but it took two years of friendship and going to each others' shows before we decided to collaborate on something. in January 2006, we went up to Paul's childhood home in Carmel, NY (referred to from now on as "upstate") and played around in his studio, ending up with an exploratory, improvisational instrumental track. Deidre wanted to have the track, Paul decided to make a MySpace page especially for it, and as necessity is the mother of invention, we needed a name. Savoir Adore was created then, though it didn't really exist yet. Phase 2: November 2006 - Unsatisfied with current situations, we challenged each other to a weekend upstate in which we would create and record a concept album. The Adventures of Mr. Pumpernickel and the Girl with Animals in her Throat was born, for us and our friends. Friends passed the recording to other friends... we were encouraged... we played a few live shows under the name "Les Frogs"... we started performing as Savoir Adore... Cantora Records encouraged us more... we went upstate another weekend and recorded the core of several more songs (most of which would end up on our full-length record)... shows shows shows... got a band together... record record ... write write.... Phase 3: And now we have an LP, In The Wooded Forest (released September 2009). Phase 4: And NOW - we're back in the studio, writing and recording...

Info Savoir Adore is an accident. We (Deidre Muro and Paul Hammer) never really intended to "start a band," yet ... Hi! Here we are. Phase 1: We met at NYU, but it took two years of friendship and going to each others' shows before we decided to collaborate on something. in January 2006, we went up to Paul's childhood home in Carmel, NY (referred to from now on as "upstate") and played around in his studio, ending up with an exploratory, improvisational instrumental track. Deidre wanted to have the track, Paul decided to make a MySpace page especially for it, and as necessity is the mother of invention, we needed a name. Savoir Adore was created then, though it didn't really exist yet. Phase 2: November 2006 - Unsatisfied with current situations, we challenged each other to a weekend upstate in which we would create and record a concept album. The Adventures of Mr. Pumpernickel and the Girl with Animals in her Throat was born, for us and our friends. Friends passed the recording to other friends... we were encouraged... we played a few live shows under the name "Les Frogs"... we started performing as Savoir Adore... Cantora Records encouraged us more... we went upstate another weekend and recorded the core of several more songs (most of which would end up on our full-length record)... shows shows shows... got a band together... record record ... write write.... Phase 3: And now we have an LP, In The Wooded Forest (released September 2009). Phase 4: And NOW - we're back in the studio, writing and recording...

BIOGRAPHICAL INFO: With her debut album, The Truth About Suffering, the sharp-witted chanteuse Jamie Leonhart enters the world of a new kind of diva, dynamic in emotional range and diverse in genre-crossing ability.

Jamie’s lithe and lyrical, three-and-a-half octave voice wraps around universe in which Kurt Weill and Laura Nyro meet Alice in Wonderland in a dimly-lit jazz club, inhabited by woodwinds, strings, vibraphone, and exotic instruments like the glockenspiel, mellotron and harmonium.

Born in New York City, the granddaughter of a cantor, and the youngest of three musically-curious children, Jamie began studying the violin at the age of three and singing soon after. Her inspiration to find her own voice began in her early teen years while singing in a vocal jazz ensemble, and at home foraging through her brother’s expansive eclectic record collection. After graduating with a degree in English Literature from Barnard College, Jamie continued her musical journey: through leading a ‘pop’ band, to singing as a soloist in the New York Metro Mass Gospel Choir to performing as a solo artist at prominent New York venues such as Rockwood Music Hall, the Living Room, and Joe’s Pub.

Jamie writes about many things: love, vulnerability, perspective, patience, and trust. “These songs talk about the truth … the truth about being uncomfortable, fitting in or not fitting in, and addressing and sometimes accepting flaws and faults,” Leonhart says. “A lot of the tunes explore that: the human condition in its most basic form. The more intimate and specific I am with my lyrics, the more I hear from people that a song really ‘spoke to them’ – that I captured the sentiment that they were struggling to put to words, or felt alone in. So something very personal and intimate becomes universal.”

BIOGRAPHICAL INFO: With her debut album, The Truth About Suffering, the sharp-witted chanteuse Jamie Leonhart enters the world of a new kind of diva, dynamic in emotional range and diverse in genre-crossing ability.Jamie’s lithe and lyrical, three-and-a-half octave voice wraps around universe in which Kurt Weill and Laura Nyro meet Alice in Wonderland in a dimly-lit jazz club, inhabited by woodwinds, strings, vibraphone, and exotic instruments like the glockenspiel, mellotron and harmonium.Born in New York City, the granddaughter of a cantor, and the youngest of three musically-curious children, Jamie began studying the violin at the age of three and singing soon after. Her inspiration to find her own voice began in her early teen years while singing in a vocal jazz ensemble, and at home foraging through her brother’s expansive eclectic record collection. After graduating with a degree in English Literature from Barnard College, Jamie continued her musical journey: through leading a ‘pop’ band, to singing as a soloist in the New York Metro Mass Gospel Choir to performing as a solo artist at prominent New York venues such as Rockwood Music Hall, the Living Room, and Joe’s Pub.Jamie writes about many things: love, vulnerability, perspective, patience, and trust. “These songs talk about the truth … the truth about being uncomfortable, fitting in or not fitting in, and addressing and sometimes accepting flaws and faults,” Leonhart says. “A lot of the tunes explore that: the human condition in its most basic form. The more intimate and specific I am with my lyrics, the more I hear from people that a song really ‘spoke to them’ – that I captured the sentiment that they were struggling to put to words, or felt alone in. So something very personal and intimate becomes universal.”

Elizabeth Tryon has just released the album, From Elizabeth, and this stunning new work could come from no one other than Elizabeth Tryon. This is because it is unique – just like Tryon is. While Tryon’s music holds immediate appeal to fans of Josh Groban and Sarah Brightman, and their respective mixtures of pop and classical musical elements, Tryon – the artist – simply transcends any such easy categorization. After all, this is a woman that writes screenplays, has perfected multiple British accents -- which are in high demand for commercial voiceover work -- and is an actress in the highly competitive New York City theater scene.

Elizabeth Tryon has just released the album, From Elizabeth, and this stunning new work could come from no one other than Elizabeth Tryon. This is because it is unique – just like Tryon is. While Tryon’s music holds immediate appeal to fans of Josh Groban and Sarah Brightman, and their respective mixtures of pop and classical musical elements, Tryon – the artist – simply transcends any such easy categorization. After all, this is a woman that writes screenplays, has perfected multiple British accents -- which are in high demand for commercial voiceover work -- and is an actress in the highly competitive New York City theater scene.

The words come through your speakers. Tense words. Sharp words. Hypnotic words. Words couched in grinding guitars and thudding drums, words thick with emotional desperation that also reveal the strangely paradoxical beauty in suffering; the diamonds in the cave, waiting to be mined. The words are those of Lauren O’Brien, one of the most exciting young poet-performers on the scene today. “I love rock ’n’ roll, the passion and rebelliousness of it,” says Lauren. “But I want to be part of it in my own way—I want to take poetry and rock it out.” Which is exactly what Lauren does—and then some—on Inconsequential Dream, her astonishing debut album. Take “Color Code,” a menacing, tension-rich rumination on love’s blurred lines of communication (“The colors in our code system / seem to keep switching on me”). Or the hard-hitting title track, which was inspired by the numerous mystic predictions about the year 2012 and the letting go of old ideas in order to live more fully in the new age (“Try to survive / it’s time / the quickening / the great purifying”). And then there’s “To Let Someone,” an acoustic guitar-laced allegory likening newfound spiritual energy to the acceptance of a former lover’s new mate (“To let someone / who is loved / by the one who used to love you / into your home / Well that is the thing/ that takes / the most courage”). Much like Lauren’s riveting live performances, Inconsequential Dream is a cathartic, emotionally cleansing experience that keeps the listener on the edge of their seat throughout—only to find them back in line when the last track stops, eager to sign up for another wild ride. Lauren’s own ride began in her suburban hometown of East Meadow, Long Island, where she found herself drawn to the arts and political activism. “I organized a protest against fur at the mall when I was in fifth grade,” says with a laugh. There was music and culture in the house; her father played guitar and her mother, a teacher, played piano and exposed her to literature and theater.

The words come through your speakers. Tense words. Sharp words. Hypnotic words. Words couched in grinding guitars and thudding drums, words thick with emotional desperation that also reveal the strangely paradoxical beauty in suffering; the diamonds in the cave, waiting to be mined. The words are those of Lauren O’Brien, one of the most exciting young poet-performers on the scene today. “I love rock ’n’ roll, the passion and rebelliousness of it,” says Lauren. “But I want to be part of it in my own way—I want to take poetry and rock it out.” Which is exactly what Lauren does—and then some—on Inconsequential Dream, her astonishing debut album. Take “Color Code,” a menacing, tension-rich rumination on love’s blurred lines of communication (“The colors in our code system / seem to keep switching on me”). Or the hard-hitting title track, which was inspired by the numerous mystic predictions about the year 2012 and the letting go of old ideas in order to live more fully in the new age (“Try to survive / it’s time / the quickening / the great purifying”). And then there’s “To Let Someone,” an acoustic guitar-laced allegory likening newfound spiritual energy to the acceptance of a former lover’s new mate (“To let someone / who is loved / by the one who used to love you / into your home / Well that is the thing/ that takes / the most courage”). Much like Lauren’s riveting live performances, Inconsequential Dream is a cathartic, emotionally cleansing experience that keeps the listener on the edge of their seat throughout—only to find them back in line when the last track stops, eager to sign up for another wild ride. Lauren’s own ride began in her suburban hometown of East Meadow, Long Island, where she found herself drawn to the arts and political activism. “I organized a protest against fur at the mall when I was in fifth grade,” says with a laugh. There was music and culture in the house; her father played guitar and her mother, a teacher, played piano and exposed her to literature and theater.

The Nameless is Cathy's third album. Cathy was born in Dublin, and grew up in Monkstown. She found her way into music almost accidentally. She was signed by Parlophone's Regal Recordings after a batch of home-recorded demos caused a bit of a stir, and played her first live date shortly thereafter. Spirited away to a studio in Wales, she set to work on her debut album with producer Ben Hillier, who'd previously worked with Elbow and Blur. The result, Something Ilk, was a gorgeous collection of songs both sultry and sweet, with melodies that soared and guitars that buzzed, drawing comparisons to PJ Harvey and all those other female songwriters that female songwriters often seem to draw comparisons to. At any rate, most of these comparisons fell by the wayside with time, as Cathy managed to wriggle out of the indie-rock role that Parlophone had given her. She'd never felt comfortable making her voice heard in label discussions, and found that her debut was "very much other people's idea of what I should sound like." She found it difficult to perform the songs with confidence, and began to yearn for more independence. She took her time to make the follow-up, and made it on her terms. Tales of Silversleeve found its beginnings in some home demos Cathy recorded by herself, and brought with her, fully formed, into the studio. Over the three years since the release of Something Ilk, Cathy had learned how to have more faith in the songs themselves, and this time, with the help of engineer Liam Howe of Sneaker Pimps, the end result didn't stray far from her original vision. Hit singles like 'Sing for your Supper', and 'Reuben' ( a no 1 radio hit) had a depth and emotional touch that she'd been hiding, and there was a confidence in her live shows, too, that won her many new converts.

The Nameless is Cathy's third album. Cathy was born in Dublin, and grew up in Monkstown. She found her way into music almost accidentally. She was signed by Parlophone's Regal Recordings after a batch of home-recorded demos caused a bit of a stir, and played her first live date shortly thereafter. Spirited away to a studio in Wales, she set to work on her debut album with producer Ben Hillier, who'd previously worked with Elbow and Blur. The result, Something Ilk, was a gorgeous collection of songs both sultry and sweet, with melodies that soared and guitars that buzzed, drawing comparisons to PJ Harvey and all those other female songwriters that female songwriters often seem to draw comparisons to. At any rate, most of these comparisons fell by the wayside with time, as Cathy managed to wriggle out of the indie-rock role that Parlophone had given her. She'd never felt comfortable making her voice heard in label discussions, and found that her debut was "very much other people's idea of what I should sound like." She found it difficult to perform the songs with confidence, and began to yearn for more independence. She took her time to make the follow-up, and made it on her terms. Tales of Silversleeve found its beginnings in some home demos Cathy recorded by herself, and brought with her, fully formed, into the studio. Over the three years since the release of Something Ilk, Cathy had learned how to have more faith in the songs themselves, and this time, with the help of engineer Liam Howe of Sneaker Pimps, the end result didn't stray far from her original vision. Hit singles like 'Sing for your Supper', and 'Reuben' ( a no 1 radio hit) had a depth and emotional touch that she'd been hiding, and there was a confidence in her live shows, too, that won her many new converts.

ANALENA was born in the fall of 1997 and decided to exist as a band worthy of its name. The term ANALENA comes from the ancient Sanskrit, and translates as "like/by the fire". Too many great bands from this area succumbed to lack of enthusiasm, shortage of record labels and "infrastructure" in general, and last but not least, apathy. Members of ANALENA decided to be a different kind of band, the one that would keep the fire alive.

Although based in Zagreb, Croatia and rooted in punk rock ethos, ANALENA as a band was willing and determined to shatter many boundaries from the very beginning. It is symbolic that members of the band come from two countries, Croatia and Slovenia, and it comes as no surprise that during these 7 years neither listeners nor critics were able to strictly define and label their sound. In the case of this band, one man's hardcore is another man's noise is another man's punk. Diverse but steady, from bittersweet melodies and blistering hooks to pummeling and aggressive rhythms, ANALENA covers all the bases.

ANALENA worked hard from the start. Ana, Mijo, Miran, Six and Zet played towns many people wouldn't even be able to locate on the map, and beside playing all over Croatia, they also toured Europe a couple of times. They supported local scene through activism and providing help to many local

ANALENA was born in the fall of 1997 and decided to exist as a band worthy of its name. The term ANALENA comes from the ancient Sanskrit, and translates as "like/by the fire". Too many great bands from this area succumbed to lack of enthusiasm, shortage of record labels and "infrastructure" in general, and last but not least, apathy. Members of ANALENA decided to be a different kind of band, the one that would keep the fire alive.

Although based in Zagreb, Croatia and rooted in punk rock ethos, ANALENA as a band was willing and determined to shatter many boundaries from the very beginning. It is symbolic that members of the band come from two countries, Croatia and Slovenia, and it comes as no surprise that during these 7 years neither listeners nor critics were able to strictly define and label their sound. In the case of this band, one man's hardcore is another man's noise is another man's punk. Diverse but steady, from bittersweet melodies and blistering hooks to pummeling and aggressive rhythms, ANALENA covers all the bases.

ANALENA worked hard from the start. Ana, Mijo, Miran, Six and Zet played towns many people wouldn't even be able to locate on the map, and beside playing all over Croatia, they also toured Europe a couple of times. They supported local scene through activism and providing help to many local

As a mostly self taught musician, Isaboe has been composing songs since she picked up the guitar at 14. Her foray into musicianship was at around 5 yrs when her Dad taught her to play paradiddles on the snare drum of his old 50's Ludwig drumkit, complete with leather heads. Not long after, her Mum took all the kids to piano classes, but this came to an abrupt holt when their teacher moved to Africa. A host of other extra curricula activities like ballet classes and sports were starting to hog the attention. So for some years, aside from tinkering on the family piano or tuning into the radio, the musical inclination mostly lay dormant.

This all changed in highschool with music class on the timetable, and a whole new social life exposing another world of musical tastes and influences. Pulling out the old Ludgwig, drums became the most exciting indoor sport on the planet. Bashing away to The Police, a musical discovery from her older sister's boyfriend, Isaboe's enthusiasm convinced Dad that it was time to buy a drumkit of her own (lest he might end up with a hole in his leather heads).

It was about this time she pulled out an old classical guitar from her sister's cupboard and started to learn from chord books and working out songs by ear. Not long after, she also took up saxophone lessons. Jazz was added to her growing repertoie of musical tastes.

Henceforth, music became her favourite pastime, and over the following years she wrote many songs, dabbling in garage bands and producing a few studio demos and many multi-track home recordings in the process. With a massive catalogue of songs of varying genres under her compositional belt, it was time to share her music with others.

As a mostly self taught musician, Isaboe has been composing songs since she picked up the guitar at 14. Her foray into musicianship was at around 5 yrs when her Dad taught her to play paradiddles on the snare drum of his old 50's Ludwig drumkit, complete with leather heads. Not long after, her Mum took all the kids to piano classes, but this came to an abrupt holt when their teacher moved to Africa. A host of other extra curricula activities like ballet classes and sports were starting to hog the attention. So for some years, aside from tinkering on the family piano or tuning into the radio, the musical inclination mostly lay dormant.

This all changed in highschool with music class on the timetable, and a whole new social life exposing another world of musical tastes and influences. Pulling out the old Ludgwig, drums became the most exciting indoor sport on the planet. Bashing away to The Police, a musical discovery from her older sister's boyfriend, Isaboe's enthusiasm convinced Dad that it was time to buy a drumkit of her own (lest he might end up with a hole in his leather heads).

It was about this time she pulled out an old classical guitar from her sister's cupboard and started to learn from chord books and working out songs by ear. Not long after, she also took up saxophone lessons. Jazz was added to her growing repertoie of musical tastes.

Henceforth, music became her favourite pastime, and over the following years she wrote many songs, dabbling in garage bands and producing a few studio demos and many multi-track home recordings in the process. With a massive catalogue of songs of varying genres under her compositional belt, it was time to share her music with others.

About Taína Asili carries on the tradition of her ancestors, fusing present and past struggles into one poetic song-voice. She is a puertorriqueña vocalist, poet, visual artist, educator, activist and mother from Philadelphia, PA and Albany, NY. Her newest artistic work is with her live band, Taína Asili y La Banda Rebelde, soulful vocals laid over a unique infusion of rock, neo-soul, reggae, hip hop, and Afro-Caribbean sounds. The band's eclectic style represents the diversity of its band members, who have origins in Puerto Rico, Sicily, Greece, Brazil and Tanzania. Taína Asili carries a fire breathing voice of rage and resistance to venues, festivals, conferences and political events across the country. She weaves resistance, love, anti-colonialist struggle, ancestral remembrance, and more into a unique and unforgettable vocalization style. Taína is a winner of the 2005 “Transformation Award” given by the Leeway Foundation each year to a select few of women artists who profoundly use their work towards social change. Taína has shared the stage with artists such as Ursula Rucker, Sonia Sanchez, Pamela Means, Dead Prez, Immortal Technique and Tyrone Hill of The Sun Ra Arkestra. She can be witnessed in Scene and Not Heard, a documentary about women and hip hop culture in Philadelphia, also featuring Bahamadia and Monie Love. She was voted Albany’s “2006 Best Poet” in The Metroland, Albany, NY’s premier alternative news weekly. As a part of the Puerto-rock band Ricanstruction you can hear her vocals blow on their album “Love and Revolution.” Taína is now working with La Banda Rebelde on their debut album “Mama Guerrilla,” to be released in 2008 on the Rebel Army Media label.

About Taína Asili carries on the tradition of her ancestors, fusing present and past struggles into one poetic song-voice. She is a puertorriqueña vocalist, poet, visual artist, educator, activist and mother from Philadelphia, PA and Albany, NY. Her newest artistic work is with her live band, Taína Asili y La Banda Rebelde, soulful vocals laid over a unique infusion of rock, neo-soul, reggae, hip hop, and Afro-Caribbean sounds. The band's eclectic style represents the diversity of its band members, who have origins in Puerto Rico, Sicily, Greece, Brazil and Tanzania. Taína Asili carries a fire breathing voice of rage and resistance to venues, festivals, conferences and political events across the country. She weaves resistance, love, anti-colonialist struggle, ancestral remembrance, and more into a unique and unforgettable vocalization style. Taína is a winner of the 2005 “Transformation Award” given by the Leeway Foundation each year to a select few of women artists who profoundly use their work towards social change. Taína has shared the stage with artists such as Ursula Rucker, Sonia Sanchez, Pamela Means, Dead Prez, Immortal Technique and Tyrone Hill of The Sun Ra Arkestra. She can be witnessed in Scene and Not Heard, a documentary about women and hip hop culture in Philadelphia, also featuring Bahamadia and Monie Love. She was voted Albany’s “2006 Best Poet” in The Metroland, Albany, NY’s premier alternative news weekly. As a part of the Puerto-rock band Ricanstruction you can hear her vocals blow on their album “Love and Revolution.” Taína is now working with La Banda Rebelde on their debut album “Mama Guerrilla,” to be released in 2008 on the Rebel Army Media label.

About Delivering a sun-shiny, beatlesque brand of organic indie rock, Dangerous Ponies bring it all to the table. Although they are traveling with only 5 of their 8 members, the show was still quite effective, blending pop sensibility, solid musicianship and infectious melody with glitter, dancing, tambourines, face paint, heart-shaped guitars, sideways ponytails, you name it! The band is on tour in support of their new EP ‘Doctor Ponie, Medicine Ponie’, and is working hard at bringing a dance party to a town near you. --***Cvillain***--

About Delivering a sun-shiny, beatlesque brand of organic indie rock, Dangerous Ponies bring it all to the table. Although they are traveling with only 5 of their 8 members, the show was still quite effective, blending pop sensibility, solid musicianship and infectious melody with glitter, dancing, tambourines, face paint, heart-shaped guitars, sideways ponytails, you name it! The band is on tour in support of their new EP ‘Doctor Ponie, Medicine Ponie’, and is working hard at bringing a dance party to a town near you. --***Cvillain***--

“I’ve always been drawn to the darker sides of art and music,” says Little Invisibles vocalist Gina Degnars. “Even back when I started taking piano lessons, when I was seven years old—I always wanted to play the minor chords, not the major ones. There’s a powerful beauty in darkness, I think.”

So there is, from Chopin to Poe to Twilight. And it’s that same dark, powerful beauty that resonates throughout Little Invisibles’ brand of hauntingly melodic alternative pop. With Gina’s aching voice and poignant keyboard at the fore, the band’s epic, sweeping songs rise and swell like waves on a moonlit shore until they crash over the listener like a sea of Byronic heartbreak. Five of these impossibly moving songs—all composed, like the rest of the group’s music, by Gina—make up Closer, Little Invisibles’ stunning debut.

A dramatic unveiling if ever there was, Closer, which Gina co-produced, is a veritable jewel box of wide-screen modern rock. Within: jaw-dropping riches like the opener, “Breathless,” all ghostly piano, soaring vocals, and danceable trip-hop beats; the wounded-but-defiant lament “What Once Was,” the EP’s only piano-less track; and “Headrush,” a sultry duet with co-composer Lance Davis that pulses with heart-beating rhythms and gothic (small g) melodrama.

If it all sounds a bit Jane Eyre, well, then why not? Gina, who’s been through the relationship mill as much as any mature artist, maintains that she’s merely allowing her romantic angst to flower into songs that are beautiful and, ultimately, redemptive and uplifting for those who hear them. “When I’m happy I never go to the piano to write,” says Gina, who holds a bachelor’s degree in piano performance and studied at Boston’s Berklee College of Music. “I write first and foremost from emotion, and after a breakup you never have to look far for inspiration. But even then there usually ends up being an element of hope in my songs.”

“I’ve always been drawn to the darker sides of art and music,” says Little Invisibles vocalist Gina Degnars. “Even back when I started taking piano lessons, when I was seven years old—I always wanted to play the minor chords, not the major ones. There’s a powerful beauty in darkness, I think.”

So there is, from Chopin to Poe to Twilight. And it’s that same dark, powerful beauty that resonates throughout Little Invisibles’ brand of hauntingly melodic alternative pop. With Gina’s aching voice and poignant keyboard at the fore, the band’s epic, sweeping songs rise and swell like waves on a moonlit shore until they crash over the listener like a sea of Byronic heartbreak. Five of these impossibly moving songs—all composed, like the rest of the group’s music, by Gina—make up Closer, Little Invisibles’ stunning debut.

A dramatic unveiling if ever there was, Closer, which Gina co-produced, is a veritable jewel box of wide-screen modern rock. Within: jaw-dropping riches like the opener, “Breathless,” all ghostly piano, soaring vocals, and danceable trip-hop beats; the wounded-but-defiant lament “What Once Was,” the EP’s only piano-less track; and “Headrush,” a sultry duet with co-composer Lance Davis that pulses with heart-beating rhythms and gothic (small g) melodrama.

If it all sounds a bit Jane Eyre, well, then why not? Gina, who’s been through the relationship mill as much as any mature artist, maintains that she’s merely allowing her romantic angst to flower into songs that are beautiful and, ultimately, redemptive and uplifting for those who hear them. “When I’m happy I never go to the piano to write,” says Gina, who holds a bachelor’s degree in piano performance and studied at Boston’s Berklee College of Music. “I write first and foremost from emotion, and after a breakup you never have to look far for inspiration. But even then there usually ends up being an element of hope in my songs.”

Marisa and Kelly grew up together on Anna Maria Island off the coast of Florida. They met in Mrs. Brockway's 2nd grade class and have been besties ever since. The girls spent their time having pancakes on the beach, singing into a tape recorder and bringing boys to the haunted house after school to make out. Meanwhile, on the other side of Florida, Rikky was growing up and doing naughty things like making out with girls and skipping school, things unbecoming of a young man whose given name was Richard Francis Walsh IV.

Marisa and Kelly met Rikky in college, where he was playing in a punk band and still skipping school. The ladies took their very first keyboard course, "keyboard 101 for non-music majors" where they proved to be the worst players in the class. It was with this encouragement that shortly thereafter, Marisa and Kelly moved to New York City and started writing songs together in a band called The Besties. Rikky moved to New York and joined the party, and The Besties' trademark sound started to take shape. They didn't know any drummers, hence the keyboard drums. At first they were too scared to sing alone, hence the vocal harmonies.

The Besties live together in an old knitting factory in Brooklyn. A team of friends came together in true DIY spirit to create the release. One friend offered studio time, photographer Leah Morgan turned the loft into a photo shoot and Wes Duvall headed up the art direction. The recording was mixed by The Besties, with help from fellow musician Jayme Guokas from The Snow Fairies.

Marisa and Kelly grew up together on Anna Maria Island off the coast of Florida. They met in Mrs. Brockway's 2nd grade class and have been besties ever since. The girls spent their time having pancakes on the beach, singing into a tape recorder and bringing boys to the haunted house after school to make out. Meanwhile, on the other side of Florida, Rikky was growing up and doing naughty things like making out with girls and skipping school, things unbecoming of a young man whose given name was Richard Francis Walsh IV.

Marisa and Kelly met Rikky in college, where he was playing in a punk band and still skipping school. The ladies took their very first keyboard course, "keyboard 101 for non-music majors" where they proved to be the worst players in the class. It was with this encouragement that shortly thereafter, Marisa and Kelly moved to New York City and started writing songs together in a band called The Besties. Rikky moved to New York and joined the party, and The Besties' trademark sound started to take shape. They didn't know any drummers, hence the keyboard drums. At first they were too scared to sing alone, hence the vocal harmonies.

The Besties live together in an old knitting factory in Brooklyn. A team of friends came together in true DIY spirit to create the release. One friend offered studio time, photographer Leah Morgan turned the loft into a photo shoot and Wes Duvall headed up the art direction. The recording was mixed by The Besties, with help from fellow musician Jayme Guokas from The Snow Fairies.

Info Reptoids are a metal fueled rock band that have been crafting a unique sound in the Chicago rock scene for the past 5 years. These supernatural reptile-like humanoids will crush your skull with their superior rock powers then gobble you up with a nice glass of Chianti.

Info Reptoids are a metal fueled rock band that have been crafting a unique sound in the Chicago rock scene for the past 5 years. These supernatural reptile-like humanoids will crush your skull with their superior rock powers then gobble you up with a nice glass of Chianti.

Info3 KISSES jumps from one high energy style to another with traces of just about every cool female-fronted rock band of the last 20 years. The band has been compared to an array of artists including the Cranberries, Luscious Jackson, the Breeders, Joan Jett, the Buzzcocks, Letters to Cleo, Wendy O. Williams, Blondie, the Ramones and everything in between. They have coined the phrase ‘Texas Party Punk’ to describe their music. 3 KISSES’ live performance has been called ‘freakin’ explosive’ and lead singer/guitarist Tish Meeks has been referred to as ‘a ball of fire on stage.’ Tish launched 3 KISSES in Austin, TX, in January 2004 and the band has since performed over 350 live shows for over 300,000 people. Joey Smostek (lead guitar), Sam Hines (bass) and Andy Wood (drums) complete the recipe for 3 KISSES’ punkish ‘cuddle-angst’ with a positive, party vibe.

Info3 KISSES jumps from one high energy style to another with traces of just about every cool female-fronted rock band of the last 20 years. The band has been compared to an array of artists including the Cranberries, Luscious Jackson, the Breeders, Joan Jett, the Buzzcocks, Letters to Cleo, Wendy O. Williams, Blondie, the Ramones and everything in between. They have coined the phrase ‘Texas Party Punk’ to describe their music. 3 KISSES’ live performance has been called ‘freakin’ explosive’ and lead singer/guitarist Tish Meeks has been referred to as ‘a ball of fire on stage.’ Tish launched 3 KISSES in Austin, TX, in January 2004 and the band has since performed over 350 live shows for over 300,000 people. Joey Smostek (lead guitar), Sam Hines (bass) and Andy Wood (drums) complete the recipe for 3 KISSES’ punkish ‘cuddle-angst’ with a positive, party vibe.

Info ANEMO began life in September 2002 when Kingsley Sage was auditioning singers for a song writing and recording project. The results had been universally disappointing (to put it mildly), until at the 11th hour a former actress and talented vocalist called Hazelle Woodhurst entered the picture. The two immediately got on well, with their shared love of different types of music and, of course, a good cup of tea. The two set to work on penning a number of songs that would later become the basis of the ANEMO's first album. They decided that the project needed a rock edge, and to that end guitarist Matt Palmer was added to the mix.

After countless evenings at the band's basement studio in Brighton, the three had amassed an impressive collection of pop-meets-rock-meets-electronica tracks. At this point, the group took on the name ANEMO a word that means "changing forms", to reflect the blend of styles and influences that was brought to the music. The strong vocal melodies and distinctive style caught the attention of Trebor Lloyd, CEO of New York-based upcoming independent record label, City Canyons. In summer 2005 ANEMO signed a 3 album record contract and began to record the final tracks for their first album

Info ANEMO began life in September 2002 when Kingsley Sage was auditioning singers for a song writing and recording project. The results had been universally disappointing (to put it mildly), until at the 11th hour a former actress and talented vocalist called Hazelle Woodhurst entered the picture. The two immediately got on well, with their shared love of different types of music and, of course, a good cup of tea. The two set to work on penning a number of songs that would later become the basis of the ANEMO's first album. They decided that the project needed a rock edge, and to that end guitarist Matt Palmer was added to the mix.

After countless evenings at the band's basement studio in Brighton, the three had amassed an impressive collection of pop-meets-rock-meets-electronica tracks. At this point, the group took on the name ANEMO a word that means "changing forms", to reflect the blend of styles and influences that was brought to the music. The strong vocal melodies and distinctive style caught the attention of Trebor Lloyd, CEO of New York-based upcoming independent record label, City Canyons. In summer 2005 ANEMO signed a 3 album record contract and began to record the final tracks for their first album

I'm a full time Nichiren Daishonin Buddhist. It's the mainstay of my life. The rythym of my music.Daisaku Ikeda of Soka Gakkai International is my main influence. The idea of the human revolution as a way to change the world. Each of us have the power!!!Nam Myoho Renge Kyo. I take my cues from my environment. Paint a musical picture of what i see or hear or feel. When beat reflects the melody, reflects the harmony, reflects the lyrics, reflecting whatever instrument introduced,thats a perfect song for me. Ego has to be forgotten in the quest for a moving piece of work. To be able to portray emotion through rythym and melody is every musicians goal. Oh I hope I don't sound too wanky, its how I see music o;) Kate Bush, Bjork, Peter Gabriel, Otis Redding, Candy Staton,Peaches,Iggy Pop,The Rolling Stones,Outcast, Gorillaz,Jill Scott,Di Angelo,Faithless,Prince,The Roots,Roni Size,De La Soul, Blondie.......wow it's hard to slim it down! If it's got funk, if the art is unavoidable or if it's kickin ass and dirty with it,I'll love it.

I'm a full time Nichiren Daishonin Buddhist. It's the mainstay of my life. The rythym of my music.Daisaku Ikeda of Soka Gakkai International is my main influence. The idea of the human revolution as a way to change the world. Each of us have the power!!!Nam Myoho Renge Kyo. I take my cues from my environment. Paint a musical picture of what i see or hear or feel. When beat reflects the melody, reflects the harmony, reflects the lyrics, reflecting whatever instrument introduced,thats a perfect song for me. Ego has to be forgotten in the quest for a moving piece of work. To be able to portray emotion through rythym and melody is every musicians goal. Oh I hope I don't sound too wanky, its how I see music o;) Kate Bush, Bjork, Peter Gabriel, Otis Redding, Candy Staton,Peaches,Iggy Pop,The Rolling Stones,Outcast, Gorillaz,Jill Scott,Di Angelo,Faithless,Prince,The Roots,Roni Size,De La Soul, Blondie.......wow it's hard to slim it down! If it's got funk, if the art is unavoidable or if it's kickin ass and dirty with it,I'll love it.

InfoLily Sparks is a fun, sexy rock band in the vein of Heart and Pink, that delivers pure excitement. Check out the website, come to a show and experience it for yourself!First timers are never quite sure what to expect when they see a Lily Sparks show but after a few seconds it’s pretty clear: They rock. Flanked by glitter guitars that alternate between crunch and wail, the singer’s got a set of pipes that can go from fragility to fury in a heartbeat. These girls play hard-rocking, toe-tapping songs that’ll make you want to shout and sing along.

Lead vocalist Niamh (pronounced “neev”) was born to sing. As a child in Ireland she sang traditional Irish songs, perfomed in choral groups and played lead roles in musical theater. She’s classically trained in voice and piano. She’s probably taller than you. But don’t let that scare you…

Nikki 7 plays solid rhythm and inventive leads. She studied music and recording engineering at Berklee before settling in the Big Apple. Then she took the town by storm as the guitarist for several outrageous bands in including Cherry Red, Soap Opera Villain, Fluffy, and The Mynks. She probably has more tattoos than you. But don’t let that scare you…

KG* learned the guitar by joining a punk band. Later she ventured into alternative rock while trying to complete a graduate degree in neuroscience. Needless to say, she chose rock over brain surgery. She probably has more guitars than you. But don’t let that scare you…

InfoLily Sparks is a fun, sexy rock band in the vein of Heart and Pink, that delivers pure excitement. Check out the website, come to a show and experience it for yourself!First timers are never quite sure what to expect when they see a Lily Sparks show but after a few seconds it’s pretty clear: They rock. Flanked by glitter guitars that alternate between crunch and wail, the singer’s got a set of pipes that can go from fragility to fury in a heartbeat. These girls play hard-rocking, toe-tapping songs that’ll make you want to shout and sing along.

Lead vocalist Niamh (pronounced “neev”) was born to sing. As a child in Ireland she sang traditional Irish songs, perfomed in choral groups and played lead roles in musical theater. She’s classically trained in voice and piano. She’s probably taller than you. But don’t let that scare you…

Nikki 7 plays solid rhythm and inventive leads. She studied music and recording engineering at Berklee before settling in the Big Apple. Then she took the town by storm as the guitarist for several outrageous bands in including Cherry Red, Soap Opera Villain, Fluffy, and The Mynks. She probably has more tattoos than you. But don’t let that scare you…

KG* learned the guitar by joining a punk band. Later she ventured into alternative rock while trying to complete a graduate degree in neuroscience. Needless to say, she chose rock over brain surgery. She probably has more guitars than you. But don’t let that scare you…

"I didn't do this record the rock'n'roll boy way…it's my own sound," says Kelley Ryan.

Note the emphasis there—on the word "boy." Kelley Ryan, the front-woman for the California band astroPuppees and a go-to songwriter and collaborator (most recently on Marshall Crenshaw's Jaggedland), took a decidedly different approach to recording her first record under her own name. Twist is an album told from the female perspective; a theme encompassing everything from the lyrics to the instruments to the album's many moods.

"I had this idea: the record was only going to be about girls, be it the daughter I never had, a heroine of my mine, my grandmother or a woman who lived near me in Ireland," says Kelley. "It's all from the feminine perspective. Even in the music – there's no electric guitars, it's just acoustic and loops and strings. I mean, I love three-minute electric-guitar pop songs, but I wanted to create something more comfortable for me and stay in that mood."

But don't get the wrong idea – Twist isn't a polarizing record, a long lost Lilith Fair soundtrack or an angry feminine response a la Exile in Guyville. It's a gutsy record with ambitious production, smart collaborations (with the likes of producer Don Dixon (R.E.M., Smithereens), legendary arranger Van Dyke Parks and singer / songwriter Marti Jones), and a personal touch and warmth that crosses all musical boundaries. If anything, the album is reminiscent of something like Beck's Sea Change…which, not so coincidentally, is represented here by a cover of "Lost Cause" (more on that in a minute).

"I didn't do this record the rock'n'roll boy way…it's my own sound," says Kelley Ryan.

Note the emphasis there—on the word "boy." Kelley Ryan, the front-woman for the California band astroPuppees and a go-to songwriter and collaborator (most recently on Marshall Crenshaw's Jaggedland), took a decidedly different approach to recording her first record under her own name. Twist is an album told from the female perspective; a theme encompassing everything from the lyrics to the instruments to the album's many moods.

"I had this idea: the record was only going to be about girls, be it the daughter I never had, a heroine of my mine, my grandmother or a woman who lived near me in Ireland," says Kelley. "It's all from the feminine perspective. Even in the music – there's no electric guitars, it's just acoustic and loops and strings. I mean, I love three-minute electric-guitar pop songs, but I wanted to create something more comfortable for me and stay in that mood."

But don't get the wrong idea – Twist isn't a polarizing record, a long lost Lilith Fair soundtrack or an angry feminine response a la Exile in Guyville. It's a gutsy record with ambitious production, smart collaborations (with the likes of producer Don Dixon (R.E.M., Smithereens), legendary arranger Van Dyke Parks and singer / songwriter Marti Jones), and a personal touch and warmth that crosses all musical boundaries. If anything, the album is reminiscent of something like Beck's Sea Change…which, not so coincidentally, is represented here by a cover of "Lost Cause" (more on that in a minute).

Info Sick of reading about himself in the third person on his own profile, Bobby decided to reWrite his biography...I love music, I love telling stories and I'm a shameless attention seeker! I'm awkward, I always say the wrong thing at the wrong time, and I'm a hopeless romantic! I don't dream of recognition, and I am most definitely not an artist of any description. I am a silly little boy with a few stories he likes to tell, because I love life...the good and bad...it is all beautiful!

Info Sick of reading about himself in the third person on his own profile, Bobby decided to reWrite his biography...I love music, I love telling stories and I'm a shameless attention seeker! I'm awkward, I always say the wrong thing at the wrong time, and I'm a hopeless romantic! I don't dream of recognition, and I am most definitely not an artist of any description. I am a silly little boy with a few stories he likes to tell, because I love life...the good and bad...it is all beautiful!

Formed by the association of singer Amélie Laflamme and musician/songwriter François Dufault, The Blue Seeds is completed by Marc Chartrain on drums, Martin Farmer on bass, Roger Miron on lead guitar and Eric Rathe on keys. Produced by François Dufault, the new album was recorded in Montreal (Canada) at Masterkut Studio and in Faenza (Italy) with the collaboration of Dustin O’Halloran (Marie-Antoinette Soundtrack, Sofia Coppola) from the American band The Devics. Recorded with an “indie” sensibility, the 11 songs comprised on the record reveal rich arrangements that include a wide variety of instruments ranging from electric guitars to analog keyboards, mellotron and vibraphone. The result is one that is unique and original. Cinematic and very evocative, each song leads the listeners into a reverie as if they were part of a fictional road movie. On stage, the band delivers an outstanding performance, pushing the songs to their fullest while leaving the audience into a daydream and sometimes stunned by the energy displayed by the musicians.

Formed by the association of singer Amélie Laflamme and musician/songwriter François Dufault, The Blue Seeds is completed by Marc Chartrain on drums, Martin Farmer on bass, Roger Miron on lead guitar and Eric Rathe on keys. Produced by François Dufault, the new album was recorded in Montreal (Canada) at Masterkut Studio and in Faenza (Italy) with the collaboration of Dustin O’Halloran (Marie-Antoinette Soundtrack, Sofia Coppola) from the American band The Devics. Recorded with an “indie” sensibility, the 11 songs comprised on the record reveal rich arrangements that include a wide variety of instruments ranging from electric guitars to analog keyboards, mellotron and vibraphone. The result is one that is unique and original. Cinematic and very evocative, each song leads the listeners into a reverie as if they were part of a fictional road movie. On stage, the band delivers an outstanding performance, pushing the songs to their fullest while leaving the audience into a daydream and sometimes stunned by the energy displayed by the musicians.

InfoHeather Edwards is a musician and actress. Originally from the San Francisco Bay Area, Heather currently lives in New York City. After graduating from Berklee College of Music in Boston, Massachusetts, she moved to Nashville, Tennessee and dabbled in many facets of the music industry. Having reached a plateau in her career and needing to try her acting wings, she decided to move to New York City. Since moving north, Heather has been actively pursuing her music and acting career; performing with many types of bands - from funk and rock to jazz and country and playing a wide range of characters as an actor. Heather trained her whole life as a classical pianist and continues to perform in that genre as much as possible.

She started writing music at age eleven and continues to write and perform her own music as well as conduct, direct, and perform in musical theatre. Heather has released two CDs: "To Be Continued" and "Eclectic Energy". Her third CD release, "Go With The Flow" is due early 2009. She also has a classical CD project and

InfoHeather Edwards is a musician and actress. Originally from the San Francisco Bay Area, Heather currently lives in New York City. After graduating from Berklee College of Music in Boston, Massachusetts, she moved to Nashville, Tennessee and dabbled in many facets of the music industry. Having reached a plateau in her career and needing to try her acting wings, she decided to move to New York City. Since moving north, Heather has been actively pursuing her music and acting career; performing with many types of bands - from funk and rock to jazz and country and playing a wide range of characters as an actor. Heather trained her whole life as a classical pianist and continues to perform in that genre as much as possible.

She started writing music at age eleven and continues to write and perform her own music as well as conduct, direct, and perform in musical theatre. Heather has released two CDs: "To Be Continued" and "Eclectic Energy". Her third CD release, "Go With The Flow" is due early 2009. She also has a classical CD project and

Bio The Dials were born when co-lead vocalists Rebecca Crawford (bass) and Patti Gran (guitar) simultaneously saved each other from their lingering and daunting search through the Chicago musician ads back in 2002. Upon meeting, an instant friendship and kinetic chemistry developed between the two as they played their prior projects for each other and discussed their mutual adoration of 60's girl-groups and 80's power pop. With the addition of a keyboardist and a drummer, they played their first show almost before they even agreed on a band name.

A few months, a drummer, and a keyboardist later, Crawford and Gran found themselves with half of the original line-up, but a quickly growing loyal fan base surrounding them. So with determination fueling their fire, they hit the pavement and recruited friend and major Dials fan Emily Dennison. Trading in her ivories for a farfisa, Dennison brought her unique ‘Beethoven-gone-Devo' style to their sound. With the addition of a new drummer almost exactly at the same time, the band was back in action and recorded and released their Sick Times EP that winter 2003. Not only did the local press praise the EP, but national media also took notice of the Dials.

Bio The Dials were born when co-lead vocalists Rebecca Crawford (bass) and Patti Gran (guitar) simultaneously saved each other from their lingering and daunting search through the Chicago musician ads back in 2002. Upon meeting, an instant friendship and kinetic chemistry developed between the two as they played their prior projects for each other and discussed their mutual adoration of 60's girl-groups and 80's power pop. With the addition of a keyboardist and a drummer, they played their first show almost before they even agreed on a band name.

A few months, a drummer, and a keyboardist later, Crawford and Gran found themselves with half of the original line-up, but a quickly growing loyal fan base surrounding them. So with determination fueling their fire, they hit the pavement and recruited friend and major Dials fan Emily Dennison. Trading in her ivories for a farfisa, Dennison brought her unique ‘Beethoven-gone-Devo' style to their sound. With the addition of a new drummer almost exactly at the same time, the band was back in action and recorded and released their Sick Times EP that winter 2003. Not only did the local press praise the EP, but national media also took notice of the Dials.

Vonne is able to assert her vibrant personality within a diversity of musical and thematic modes offering "something for everyone" thanks to a lifelong immersion within a universe of music. One of 10 offspring of a drummer father of Mexican descent and a singing and guitar playing Spanish mother, she grew up in a household where "music was always a part of our lives." Her mother would quell the brood and instill them with a harmonic sense by leading them in Spanish folk songs from an early age, while also treating them to afternoons at the cinema enjoying MGM and Broadway musicals.

By her early teens, Vonne was also enjoying musical input from the various sounds and styles found within her siblings' record collections. But it was artists with a particularly Texan mix such as Lone Star heroes Stevie Ray Vaughan and Joe Ely that captured her imagination. After attending her first concert by Chris Isaak sideman Johnny Reno and his Sax Maniacs, Vonne was captured by the allure of performing onstage. Then when one of her brothers brought home an album by Chicano new wave rockers The Cruzados, she discovered a modern style that reflected her identity. " They sang in English and Spanish, which made us proud of our heritage," she recalls.

Moving to New York City to pursue her creative ambitions, Vonne landed a gig singing and then also playing bass in Mick & The Maelstroms, a hard-working pop-rock band on the Big Apple club circuit. By 1996, she had the confidence in her abilities to start penning songs that reflected her own musical and cultural experiences, often collaborating with her then boyfriend and now husband, Robert LaRoche from the Virgin recording act The Sighs. Hooking up with lead guitarist Kirk Brewster, a Texas transplant from the legendary Dallas band The Werewolves, Vonne formed a band that could deliver her Lone Star style with New York City intensity.

Vonne is able to assert her vibrant personality within a diversity of musical and thematic modes offering "something for everyone" thanks to a lifelong immersion within a universe of music. One of 10 offspring of a drummer father of Mexican descent and a singing and guitar playing Spanish mother, she grew up in a household where "music was always a part of our lives." Her mother would quell the brood and instill them with a harmonic sense by leading them in Spanish folk songs from an early age, while also treating them to afternoons at the cinema enjoying MGM and Broadway musicals.

By her early teens, Vonne was also enjoying musical input from the various sounds and styles found within her siblings' record collections. But it was artists with a particularly Texan mix such as Lone Star heroes Stevie Ray Vaughan and Joe Ely that captured her imagination. After attending her first concert by Chris Isaak sideman Johnny Reno and his Sax Maniacs, Vonne was captured by the allure of performing onstage. Then when one of her brothers brought home an album by Chicano new wave rockers The Cruzados, she discovered a modern style that reflected her identity. " They sang in English and Spanish, which made us proud of our heritage," she recalls.

Moving to New York City to pursue her creative ambitions, Vonne landed a gig singing and then also playing bass in Mick & The Maelstroms, a hard-working pop-rock band on the Big Apple club circuit. By 1996, she had the confidence in her abilities to start penning songs that reflected her own musical and cultural experiences, often collaborating with her then boyfriend and now husband, Robert LaRoche from the Virgin recording act The Sighs. Hooking up with lead guitarist Kirk Brewster, a Texas transplant from the legendary Dallas band The Werewolves, Vonne formed a band that could deliver her Lone Star style with New York City intensity.

Once upon a time there was a band. Before that, there were merely five musical folk with a shared love of fruit, tea, fun and a jaunty tune, but the fates and these shared loves brought them together. In time, ideas were scribbled, the kettle worked almost as hard as their strange musical minds, many curvy yellow fruits were eaten, and the first songs were born. These were the Banana Sessions, and so it began…

The Banana Sessions sing songs of sunshine, caterpillars, brews, Buckfast, pirates and stranger encounters, plus a few unconventional interpretations of classics too (one crowd favourite being 90s techno classic No Limit by 2Unlimited). Their style is not one easily described, but they have been described in their time as folky, proggy, breezy, bouncy, jazzy, quirky, and ‘unashamedly good fun’. Whatever genre they may be, the band have rapidly gained a reputation as purveyors of quality musicianship with equal quantities of humour in Edinburgh and beyond.

Once upon a time there was a band. Before that, there were merely five musical folk with a shared love of fruit, tea, fun and a jaunty tune, but the fates and these shared loves brought them together. In time, ideas were scribbled, the kettle worked almost as hard as their strange musical minds, many curvy yellow fruits were eaten, and the first songs were born. These were the Banana Sessions, and so it began…

The Banana Sessions sing songs of sunshine, caterpillars, brews, Buckfast, pirates and stranger encounters, plus a few unconventional interpretations of classics too (one crowd favourite being 90s techno classic No Limit by 2Unlimited). Their style is not one easily described, but they have been described in their time as folky, proggy, breezy, bouncy, jazzy, quirky, and ‘unashamedly good fun’. Whatever genre they may be, the band have rapidly gained a reputation as purveyors of quality musicianship with equal quantities of humour in Edinburgh and beyond.

Antonia is a singer/songwriter born in the awe-inspiring setting of the Shetland Islands. In her second year of Uni she took the step to buy a guitar and worked through open mic nights and busking the cobbled and famous Royal Mile, honing her skills and testing out new styles before breaking into the ....Edinburgh.... gig scene. Playing in venues such as Henry Cellar Bar, Bannermans and The Ark as well as a stint in Glasgow's Liquid Ship, Antonia caught the performing bug and started to develop her own blend of folk/rock/pop with a large focus on creative lyrics. Now back in Shetland Antonia has supported the likes of Chris Helme (former front man of The Seahorses) and Mark Morriss (of Bluetones fame). Now having released her debut album “Baliamo” she is on the verge of recording and releasing a second, more adventurous offering, as well as planning a tour of the ....UK.... for late summer 2010. So for lyrically minded acoustic tunes that are rough around the edges and born from a love of all things musical, give it a listen!“In a world where there are more singer-songwriters than there are cappuccinos sold in Starbucks, having a little something extra is vital. Antonia has confidence, great tunes and a sparkle that should see her do well.” - Mike RiddelFor all booking enquiries you can get in contact with me on: toni_sidgwick@hotmail.com

Antonia is a singer/songwriter born in the awe-inspiring setting of the Shetland Islands. In her second year of Uni she took the step to buy a guitar and worked through open mic nights and busking the cobbled and famous Royal Mile, honing her skills and testing out new styles before breaking into the ....Edinburgh.... gig scene. Playing in venues such as Henry Cellar Bar, Bannermans and The Ark as well as a stint in Glasgow's Liquid Ship, Antonia caught the performing bug and started to develop her own blend of folk/rock/pop with a large focus on creative lyrics. Now back in Shetland Antonia has supported the likes of Chris Helme (former front man of The Seahorses) and Mark Morriss (of Bluetones fame). Now having released her debut album “Baliamo” she is on the verge of recording and releasing a second, more adventurous offering, as well as planning a tour of the ....UK.... for late summer 2010. So for lyrically minded acoustic tunes that are rough around the edges and born from a love of all things musical, give it a listen!“In a world where there are more singer-songwriters than there are cappuccinos sold in Starbucks, having a little something extra is vital. Antonia has confidence, great tunes and a sparkle that should see her do well.” - Mike RiddelFor all booking enquiries you can get in contact with me on: toni_sidgwick@hotmail.com

InfoKaiserCartel are the dynamic duo of Courtney Kaiser & Benjamin Cartel. Each previously leaders of their own indie bands, they met on March 4th four years ago and formed KaiserCartel when they joined forces to tour the country that summer. They self-released an EP (Double Standard) and toured throughout the US and UK on their own before signing to bluhammock music late last year. March Forth, their debut album – was produced by Matt Hales (aka aqualung) and mixed by Matt and Ken Thomas (Sigur Ros) - and is full of low-fi, harmony-heavy, bittersweet songs full of charm. KaiserCartel is currently on tour and intend to stay there until they’ve played for all of you. Here’s what 411mania.com has to say about the duo: "While KaiserCartel look like a couple of emo kids who have lost their way don’t be deceived, they certainly bring their own brand sunshine with them and that reflected light is as warm and inviting as anything you'll find.. A fantastic collection of songs from two people that know how to play with each other and for each other. My album of the year so far."

InfoKaiserCartel are the dynamic duo of Courtney Kaiser & Benjamin Cartel. Each previously leaders of their own indie bands, they met on March 4th four years ago and formed KaiserCartel when they joined forces to tour the country that summer. They self-released an EP (Double Standard) and toured throughout the US and UK on their own before signing to bluhammock music late last year. March Forth, their debut album – was produced by Matt Hales (aka aqualung) and mixed by Matt and Ken Thomas (Sigur Ros) - and is full of low-fi, harmony-heavy, bittersweet songs full of charm. KaiserCartel is currently on tour and intend to stay there until they’ve played for all of you. Here’s what 411mania.com has to say about the duo: "While KaiserCartel look like a couple of emo kids who have lost their way don’t be deceived, they certainly bring their own brand sunshine with them and that reflected light is as warm and inviting as anything you'll find.. A fantastic collection of songs from two people that know how to play with each other and for each other. My album of the year so far."

Betty Wright (born December 21, 1953, in Miami, Florida) is a soul and R&B singer, who has influenced a generation of female singer-songwriters. The hottest members of the hip hop generation (including Tupac, DMX, and Li'l Wayne) have sampled some of her more famous material. Born singing gospel with family group the Echoes of Joy, Wright began switching to R&B music in 1965 when she was only 11. In 1968, she released her first album, My First Time Around, at the age of 15, and scored her first hit, "Girls Can’t Do What Guys Can Do". But it was not until the end of 1971 that Wright’s most successful phase of her career took place. The song, "Clean Up Woman", became a Top 5 pop and R&B hit, and would later influence a remix of Mary J. Blige’s "Real Love" single with the sample of its guitar riffs; R&B girl group trio SWV’s "I’m So Into You" also featured a sample from "Clean Up Woman," as did Afrika Bambaataa’s song "Zulu War Chant", and Sublime’s "Get Out!" remix. Beyonce has sampled "Girls Can’t Do What The Guys Do" for her hit "Upgrade U". In 1974, Wright scored big with the songs "Tonight is the Night" (about a real-life love affair that happened with Wright when she was a teenager) and "Where is the Love" (which won her a Grammy for Best R&B Song). In the early 1980s, she founded her own record label, Ms. B Records, and in 1988 made music history by being the first woman to have a gold record on her own label, with the release of Mother Wit, which featured two of her biggest hits in years, "No Pain No Gain" and the "After The Pain." On both songs, Wright displays her powerful upper register capabilities and seven-octave range. By 2001 a compilation album The Very Best of Betty Wright was released, along with her first studio album for several years, Fit for a King. Still recording music to this day, she now mentors several young singers, and has done vocal production for the likes of Gloria Estefan, Jennifer Lopez and Joss Stone. She has also been seen on MTV as part of Diddy's hit series Making the Band.This year she struck gold again when "Baby" (her smash duet with Angie Stone) was nominated for a Grammy in the category of Best R&B Performance By A Duo or Group.For the first time ever Betty Wright has licensed digital distribution of her Ms. B Records catalog. The first reissues, Mother Wit and Fit For A King, will be available in early 2009 at digital retailers worldwide.

Betty Wright (born December 21, 1953, in Miami, Florida) is a soul and R&B singer, who has influenced a generation of female singer-songwriters. The hottest members of the hip hop generation (including Tupac, DMX, and Li'l Wayne) have sampled some of her more famous material. Born singing gospel with family group the Echoes of Joy, Wright began switching to R&B music in 1965 when she was only 11. In 1968, she released her first album, My First Time Around, at the age of 15, and scored her first hit, "Girls Can’t Do What Guys Can Do". But it was not until the end of 1971 that Wright’s most successful phase of her career took place. The song, "Clean Up Woman", became a Top 5 pop and R&B hit, and would later influence a remix of Mary J. Blige’s "Real Love" single with the sample of its guitar riffs; R&B girl group trio SWV’s "I’m So Into You" also featured a sample from "Clean Up Woman," as did Afrika Bambaataa’s song "Zulu War Chant", and Sublime’s "Get Out!" remix. Beyonce has sampled "Girls Can’t Do What The Guys Do" for her hit "Upgrade U". In 1974, Wright scored big with the songs "Tonight is the Night" (about a real-life love affair that happened with Wright when she was a teenager) and "Where is the Love" (which won her a Grammy for Best R&B Song). In the early 1980s, she founded her own record label, Ms. B Records, and in 1988 made music history by being the first woman to have a gold record on her own label, with the release of Mother Wit, which featured two of her biggest hits in years, "No Pain No Gain" and the "After The Pain." On both songs, Wright displays her powerful upper register capabilities and seven-octave range. By 2001 a compilation album The Very Best of Betty Wright was released, along with her first studio album for several years, Fit for a King. Still recording music to this day, she now mentors several young singers, and has done vocal production for the likes of Gloria Estefan, Jennifer Lopez and Joss Stone. She has also been seen on MTV as part of Diddy's hit series Making the Band.This year she struck gold again when "Baby" (her smash duet with Angie Stone) was nominated for a Grammy in the category of Best R&B Performance By A Duo or Group.For the first time ever Betty Wright has licensed digital distribution of her Ms. B Records catalog. The first reissues, Mother Wit and Fit For A King, will be available in early 2009 at digital retailers worldwide.

InfoBeth Bombara's music has traversed the waters of folk to indie rock, successfully gaining a diverse fan base and avid admirers. She has toured nationally as a member of Samantha Crain and the Midnight Shivers, and appeared in Guitar Player magazine. Beth is a newcomer to St. Louis, claiming Grand Rapids, MI as her hometown. In 2006 she accepted an invitation to an exclusive artist residency program on the island of Martha's Vineyard. There, she began honing her writing and performance skills. Her first solo EP was released in late 2007, entitled "Abandon ship", and continues to turn heads in the local music scene. Currently, she is working on a indie rock project with a full band, to be released this April. Aside from performing her own music in and around St. Louis, other endeavors include playing drums for retro inspired pop rock outfit David Beeman, and providing background vocals, percussion, and glockenspiel for Cassie Morgan.

InfoBeth Bombara's music has traversed the waters of folk to indie rock, successfully gaining a diverse fan base and avid admirers. She has toured nationally as a member of Samantha Crain and the Midnight Shivers, and appeared in Guitar Player magazine. Beth is a newcomer to St. Louis, claiming Grand Rapids, MI as her hometown. In 2006 she accepted an invitation to an exclusive artist residency program on the island of Martha's Vineyard. There, she began honing her writing and performance skills. Her first solo EP was released in late 2007, entitled "Abandon ship", and continues to turn heads in the local music scene. Currently, she is working on a indie rock project with a full band, to be released this April. Aside from performing her own music in and around St. Louis, other endeavors include playing drums for retro inspired pop rock outfit David Beeman, and providing background vocals, percussion, and glockenspiel for Cassie Morgan.

At the helm is singer/guitarist /songwriter Jessie Murphy- a critically acclaimed veteran of the NYC anti-folk scene. In 2008, while working on her Masters Degree in Music at Columbia University, she met and befriended Marcia Wood (Wurlitzer, flute, clarinet, harmonica, pan pipes and vocals) and Amy Wood (horn, cajon/percussion, flute, melodica, autoharp and vocals). Jessie, Marcia, and Amy are all NYC music teachers(just in case the plethora of musical instruments didn’t tip you off).

Amy recalls “from the first time the three of us played together, it was just easy, noticeably so”. Marcia says, “When I heard Jessie’s lyrics, it impacted my playing, it was easy to picture sounds when I was working with her.” Jessie states proudly, “We had that magic thing right away, the right vibe and the right sound. We knew very quickly that we were a band.”And so The Woods were born. Sessions soon began for the trio’s debut album, Eight Belles. The first song “When I Am A Horse Again” is a lament to that perfect day so long ago. It is a sound out of time, classical performers playing pop forms, creating a swirling and mystical atmosphere that perfectly supports the lyrics.

So far girls have toured the UK (where they were featured on Cambridge University Radio) and have played shows from Ithaca NY to Los Angeles CA. Jessie Murphy In The Woods are preparing to release their debut album, Eight Belles, in late Fall of 2009. The album is a gorgeous showcase for the players, emotionally affecting without becoming cloying or overly sweet. The final and title track of the album, 8 Belles, is a eulogy to a filly who died on the racetrack during 2008’s Kentucky Derby. In between are nine other songs about life, love, and horses.

Jessie Murphy In The Woods has become a world unto themselves. Jessie enthuses, “The more time we spend and sing together, the more unified we become, and the more we have to give in our performances. We’re discovering the realm of our music as it happens.” Marcia says, “There’s a chamber like quality to our shows, a shared sense of intimacy.” On Eight Belles, you hear the sounds and magic of a band coming together. If their music sounds like a fairy tale, it’s fitting, for it's in its own glorious place and time. Now saddle up and ride along, it’s a long way to forever.

At the helm is singer/guitarist /songwriter Jessie Murphy- a critically acclaimed veteran of the NYC anti-folk scene. In 2008, while working on her Masters Degree in Music at Columbia University, she met and befriended Marcia Wood (Wurlitzer, flute, clarinet, harmonica, pan pipes and vocals) and Amy Wood (horn, cajon/percussion, flute, melodica, autoharp and vocals). Jessie, Marcia, and Amy are all NYC music teachers(just in case the plethora of musical instruments didn’t tip you off).

Amy recalls “from the first time the three of us played together, it was just easy, noticeably so”. Marcia says, “When I heard Jessie’s lyrics, it impacted my playing, it was easy to picture sounds when I was working with her.” Jessie states proudly, “We had that magic thing right away, the right vibe and the right sound. We knew very quickly that we were a band.”And so The Woods were born. Sessions soon began for the trio’s debut album, Eight Belles. The first song “When I Am A Horse Again” is a lament to that perfect day so long ago. It is a sound out of time, classical performers playing pop forms, creating a swirling and mystical atmosphere that perfectly supports the lyrics.

So far girls have toured the UK (where they were featured on Cambridge University Radio) and have played shows from Ithaca NY to Los Angeles CA. Jessie Murphy In The Woods are preparing to release their debut album, Eight Belles, in late Fall of 2009. The album is a gorgeous showcase for the players, emotionally affecting without becoming cloying or overly sweet. The final and title track of the album, 8 Belles, is a eulogy to a filly who died on the racetrack during 2008’s Kentucky Derby. In between are nine other songs about life, love, and horses.

Jessie Murphy In The Woods has become a world unto themselves. Jessie enthuses, “The more time we spend and sing together, the more unified we become, and the more we have to give in our performances. We’re discovering the realm of our music as it happens.” Marcia says, “There’s a chamber like quality to our shows, a shared sense of intimacy.” On Eight Belles, you hear the sounds and magic of a band coming together. If their music sounds like a fairy tale, it’s fitting, for it's in its own glorious place and time. Now saddle up and ride along, it’s a long way to forever.

]]>12:23noMeljoann - New EP and New Album coming soonMon, 30 Nov 2009 14:01:00 +0000Meljoann from Ireland

Following the release of Valery Gore’s album Avalanche To Wandering Bear, Do Right Music hosted a remix contest for the single Shoes Of Glass back in April. The number of entries was overwhelming and we were impressed by the overall quality and creativity of the submissions. It wasn’t easy to narrow it down to one winner but after reviewing all the remixes we are pleased to announce Kidstreet, from Toronto as the winner with their up-tempo dance version of the song. The other entries worth honourable mention include remixes from “Teen” (Miami), “Devhender83” (Ontario) and “Nery Bauer” (Brazil). For the full track listing and to download these remixes please visit: www.dorightmusic.com/valerygore

Following the release of Valery Gore’s album Avalanche To Wandering Bear, Do Right Music hosted a remix contest for the single Shoes Of Glass back in April. The number of entries was overwhelming and we were impressed by the overall quality and creativity of the submissions. It wasn’t easy to narrow it down to one winner but after reviewing all the remixes we are pleased to announce Kidstreet, from Toronto as the winner with their up-tempo dance version of the song. The other entries worth honourable mention include remixes from “Teen” (Miami), “Devhender83” (Ontario) and “Nery Bauer” (Brazil). For the full track listing and to download these remixes please visit: www.dorightmusic.com/valerygore

An extremely talented group of Sonoma County musicians lucky enough to find Brenda Reed, the only singer who could give this group the crazy-sexy-cool motivation to drive these tunes home for the audience lucky enough to catch this band live. Come and be dazzled, or just come and dance.

An extremely talented group of Sonoma County musicians lucky enough to find Brenda Reed, the only singer who could give this group the crazy-sexy-cool motivation to drive these tunes home for the audience lucky enough to catch this band live. Come and be dazzled, or just come and dance.

BioSinger / songwriter Natalie Gelman is quickly gaining acclaim and recognition for her music. Her passionate songs and voice have brought comparisons to Sheryl Crow, Joni Mitchell and Jewel. Upon releasing her debut album Natalie rollerbladed 1500 miles up the East coast from Miami, FL to NYC raising money for charity in concerts along the way. Currently the NYC native is touring the country in support of her album as well as performing in the NYC subway. As a street performer she has been featured on the front page of the NY Times and in numerous papers, magazines and TV shows across the globe.

BioSinger / songwriter Natalie Gelman is quickly gaining acclaim and recognition for her music. Her passionate songs and voice have brought comparisons to Sheryl Crow, Joni Mitchell and Jewel. Upon releasing her debut album Natalie rollerbladed 1500 miles up the East coast from Miami, FL to NYC raising money for charity in concerts along the way. Currently the NYC native is touring the country in support of her album as well as performing in the NYC subway. As a street performer she has been featured on the front page of the NY Times and in numerous papers, magazines and TV shows across the globe.

The Hermit’s story is one of musical evolution and creative growth. Three albums and multiple tours stretching across almost a decade for founder Hamish Thomson have seen The Hermit’s sound change and evolve, whilst bonds with trusted band-mates Jon Frederiksen (bass), Robert Mitchell (keyboards), and Duane Murrin (guitars) have been strengthened and new vocalist Red welcomed into the fold.

Founded in the year 2000 by Vancouver drummer, producer and multi-instrumentalist Thomson, The Hermit began life as a solo electronic project, so called because of the reclusive life Thomson led during the creation of his debut album “Flying out of Solitude”. A successful independent release led to multiple West Coast Music Award nominations and a label deal with Nettwerk Records.

The five members of The Hermit now stand together stronger than ever, fortified by the creative journey with all of its unexpected twists and turns. The Hermit stands proud as a solo studio project that grew into an award-winning band. With the release of Turn Up (The Stereo) - a new album featuring vocalists from the past and present – The Hermit simultaneously marks the end of one journey and embraces a new beginning.

The Hermit’s story is one of musical evolution and creative growth. Three albums and multiple tours stretching across almost a decade for founder Hamish Thomson have seen The Hermit’s sound change and evolve, whilst bonds with trusted band-mates Jon Frederiksen (bass), Robert Mitchell (keyboards), and Duane Murrin (guitars) have been strengthened and new vocalist Red welcomed into the fold.

Founded in the year 2000 by Vancouver drummer, producer and multi-instrumentalist Thomson, The Hermit began life as a solo electronic project, so called because of the reclusive life Thomson led during the creation of his debut album “Flying out of Solitude”. A successful independent release led to multiple West Coast Music Award nominations and a label deal with Nettwerk Records.

The five members of The Hermit now stand together stronger than ever, fortified by the creative journey with all of its unexpected twists and turns. The Hermit stands proud as a solo studio project that grew into an award-winning band. With the release of Turn Up (The Stereo) - a new album featuring vocalists from the past and present – The Hermit simultaneously marks the end of one journey and embraces a new beginning.

In 2005 Renée, Naemi and Teresa started playing together as Liechtenstein. Influenced by British 80s bands like Talulah Gosh, Dolly Mixture, Mo-Dettes, Girls At Our Best and Shop Assistants, they released their debut 7” single “Stalking Skills” on Fraction Discs in 2007. The title track made quite a buzz in the indiepop world and a frequent gigging around in Sweden, Finland, Denmark, Germany and United Kingdom followed. Around that time Elin joined the band on drums. In the summer of 2008 second guitarist and vocalist Teresa left the band and the others continued as a three piece.

In the autumn 2008 Fraction Discs released their second 7” single “Apathy”, and a video was made for the flipside “Security By Design”. “Apathy” showed a new diversity with its gorgeous vocal harmonies over soft pop melodies. It sounds all cosy, yet this is an angry protest songs. It’s songs like these that have gained Liechtenstein a true fan base, bringing back that heavenly pop sound from back then …and at the same time commenting upon the very time we’re living in.

A third single was released in February 2009, this time a three track CDR on Drill Building. Starting rapidly, paying a musical tribute to Talulah Gosh, over a shoegazey dystopia to a 48 second post punk song, you start to get the idea of a Liechtenstein album: filled with Pop melodies, elegantly arranged vocal harmonies – and a bundle of short story observations.

In May 2009 their album "Survival Strategies In A Modern World" was released on Fraction Discs and Slumberland (US) on CD and 10".

In 2005 Renée, Naemi and Teresa started playing together as Liechtenstein. Influenced by British 80s bands like Talulah Gosh, Dolly Mixture, Mo-Dettes, Girls At Our Best and Shop Assistants, they released their debut 7” single “Stalking Skills” on Fraction Discs in 2007. The title track made quite a buzz in the indiepop world and a frequent gigging around in Sweden, Finland, Denmark, Germany and United Kingdom followed. Around that time Elin joined the band on drums. In the summer of 2008 second guitarist and vocalist Teresa left the band and the others continued as a three piece.

In the autumn 2008 Fraction Discs released their second 7” single “Apathy”, and a video was made for the flipside “Security By Design”. “Apathy” showed a new diversity with its gorgeous vocal harmonies over soft pop melodies. It sounds all cosy, yet this is an angry protest songs. It’s songs like these that have gained Liechtenstein a true fan base, bringing back that heavenly pop sound from back then …and at the same time commenting upon the very time we’re living in.

A third single was released in February 2009, this time a three track CDR on Drill Building. Starting rapidly, paying a musical tribute to Talulah Gosh, over a shoegazey dystopia to a 48 second post punk song, you start to get the idea of a Liechtenstein album: filled with Pop melodies, elegantly arranged vocal harmonies – and a bundle of short story observations.

In May 2009 their album "Survival Strategies In A Modern World" was released on Fraction Discs and Slumberland (US) on CD and 10".

]]>13:01noVote for Elle Stevenson on The People's Music AwardsWed, 14 Oct 2009 13:08:00 +0000Message from Elle

Good news!

I've made the final 5 in the Folk-Jazz-Classical-World music category (or what I like to call the "everyone-we-couldn't-pigeon-hole-into-the-'pop'-'rock'-'dance'-or-'alternative'-categories" category).

Now I know you all automatically switch off when someone sends round a please-vote-for-me type email, so like, don't vote....

Unless you want to.

(Do you see what I did there? Bit of reverse psychology and all...)

But just remember, in the words of Albus Dumbledore,: "Soon we will all have to choose between what is right and what is easy...." (like ignoring this email ).

Good news! I've made the final 5 in the Folk-Jazz-Classical-World music category (or what I like to call the "everyone-we-couldn't-pigeon-hole-into-the-'pop'-'rock'-'dance'-or-'alternative'-categories" category). Now I know you all automatically switch off when someone sends round a please-vote-for-me type email, so like, don't vote.... Unless you want to. (Do you see what I did there? Bit of reverse psychology and all...) But just remember, in the words of Albus Dumbledore,: "Soon we will all have to choose between what is right and what is easy...." (like ignoring this email ). www.thepeoplesmusicawards.com That is all!El x

InfoFrom the very start, the concept was, in stark contrast to the rest of the Canadian scene during that ‘Nickelback moment‘, unashamedly and unapologetically POP. Dan explains, “I’d like to write songs that at least I can remember. And I’m very bad at remembering melodies and the lyrics, so it needs to be memorable!”

Through a few strokes of fortune, their first public appearances were baptisms of fire in the deep end of concert-dom. Their second-ever show was supporting New Order at NYC’s Hammerstein Ballroom, followed by a US tour supporting Duran Duran. All after recording just 2 songs in their basement.

Dragonette eventually signed a record deal, and, like fellow Canadians Peaches (who they know) and Gonzales (with whom Dan went to school), headed for Europe. The band decamped to London with Joel and hooked up with guitarist Will (the British quarter of Dragonette), where they honed their small but perfectly-formed, all-killer-no-filler repertoire. Ruthless perfectionists, they explain that “We don’t have any spare songs. We write songs till they’re finished, then we kill off other ones. It’s not like we picked 10 out of a possible 20 for the album.”

The results are a dirty, hook-heavy, electropop album called Galore with monsters like “I Get Around” and “Competition”, depicting a world of guilt-free pleasure mixed with an 80s party prowess. Martina isn’t interested in writing, she says, “songs to get depressed to.” As Dan puts it, “It’s hard enough working on songs that are *fun*. I can’t even imagine what it‘s like working on miserable material…” The record has received praise from such diverse sources as the NME. UK dailies the Observer, Times and Guardian, online pop bible popjustice, and has garnered multiple mentions from Perez Hilton (whose showcase the band performed at during last year’s SXSW).

InfoFrom the very start, the concept was, in stark contrast to the rest of the Canadian scene during that ‘Nickelback moment‘, unashamedly and unapologetically POP. Dan explains, “I’d like to write songs that at least I can remember. And I’m very bad at remembering melodies and the lyrics, so it needs to be memorable!”

Through a few strokes of fortune, their first public appearances were baptisms of fire in the deep end of concert-dom. Their second-ever show was supporting New Order at NYC’s Hammerstein Ballroom, followed by a US tour supporting Duran Duran. All after recording just 2 songs in their basement.

Dragonette eventually signed a record deal, and, like fellow Canadians Peaches (who they know) and Gonzales (with whom Dan went to school), headed for Europe. The band decamped to London with Joel and hooked up with guitarist Will (the British quarter of Dragonette), where they honed their small but perfectly-formed, all-killer-no-filler repertoire. Ruthless perfectionists, they explain that “We don’t have any spare songs. We write songs till they’re finished, then we kill off other ones. It’s not like we picked 10 out of a possible 20 for the album.”

The results are a dirty, hook-heavy, electropop album called Galore with monsters like “I Get Around” and “Competition”, depicting a world of guilt-free pleasure mixed with an 80s party prowess. Martina isn’t interested in writing, she says, “songs to get depressed to.” As Dan puts it, “It’s hard enough working on songs that are *fun*. I can’t even imagine what it‘s like working on miserable material…” The record has received praise from such diverse sources as the NME. UK dailies the Observer, Times and Guardian, online pop bible popjustice, and has garnered multiple mentions from Perez Hilton (whose showcase the band performed at during last year’s SXSW).

Originally from Switzerland, Aurah's musical journal of their quest to experiecne life's alchemy.Marc Dold and Judith Martin's picturesque, electronic and haunting music has found it's way into numerous TV-shows and feature films. They have recently also written film scores for feature and shorts.

Emotional guitar sounds and scintilating vocal arrangements are part of the essence of music that is as much pop as transcendental and electronic. The twin sound clouds of film scores and songs reflect their personal journey. Each one of their albums has a completely unique sound and purpose. As a producer, Dold has given both Enya and Nelly Furtado number one hits, has worked with Paul Van Dykl, Cindy Lauper and others... more of Marc at www.marcdold.com

After Aurah's release SONGS OF THE ALCHEMIST Martin took pen and paper on the grassy knolls of Griffith Park in Los Angeles and began writing KISMET. The trippie sounds share the reflective essence being both intimate and universal.

Aurah went on to compose the film score for the award-winning feature film Loving Annabelle and various short films. They're songs are also heard on Little Miss Sunshine and Blood Diamond. Logically...their latest CD ETHEREA BOREALIS is a the merging of soaring, psychedelic soundscapes and songs.

Originally from Switzerland, Aurah's musical journal of their quest to experiecne life's alchemy.Marc Dold and Judith Martin's picturesque, electronic and haunting music has found it's way into numerous TV-shows and feature films. They have recently also written film scores for feature and shorts.

Emotional guitar sounds and scintilating vocal arrangements are part of the essence of music that is as much pop as transcendental and electronic. The twin sound clouds of film scores and songs reflect their personal journey. Each one of their albums has a completely unique sound and purpose. As a producer, Dold has given both Enya and Nelly Furtado number one hits, has worked with Paul Van Dykl, Cindy Lauper and others... more of Marc at www.marcdold.com

After Aurah's release SONGS OF THE ALCHEMIST Martin took pen and paper on the grassy knolls of Griffith Park in Los Angeles and began writing KISMET. The trippie sounds share the reflective essence being both intimate and universal.

Aurah went on to compose the film score for the award-winning feature film Loving Annabelle and various short films. They're songs are also heard on Little Miss Sunshine and Blood Diamond. Logically...their latest CD ETHEREA BOREALIS is a the merging of soaring, psychedelic soundscapes and songs.

Jurga's biography:The singer Jurga [yur-gah] successfully started her solo career by releasing debut album Aukso Pieva (Golden Field) back in 2005. The first single from the album Nebijok (Don't Be Afraid) charted at Number One for 8 weeks and became the biggest hit single in Lithuania of 2005 while the title track Aukso Pieva achieved similar radio success in 2006.

In the home market, where 5.000 copies means success, Jurga became the biggest selling music act! Aukso Pieva album has reached platinum sales (total sales 25.000 copies and still counting) and the follow-up album Instrukcija (2007) comes very close to platinum as well (with total sales 17.000 copies and counting and with the title track scoring another Number One).

Jurga's biography:The singer Jurga [yur-gah] successfully started her solo career by releasing debut album Aukso Pieva (Golden Field) back in 2005. The first single from the album Nebijok (Don't Be Afraid) charted at Number One for 8 weeks and became the biggest hit single in Lithuania of 2005 while the title track Aukso Pieva achieved similar radio success in 2006.

In the home market, where 5.000 copies means success, Jurga became the biggest selling music act! Aukso Pieva album has reached platinum sales (total sales 25.000 copies and still counting) and the follow-up album Instrukcija (2007) comes very close to platinum as well (with total sales 17.000 copies and counting and with the title track scoring another Number One).

INfo"Tallulah Rendall ’lay me down’ (transducer). Must take some beating being told you have a ’wonderful voice’ by none other than Shirley Bassey - with that kind of acclaim you’d suspect most artists would happily retire and spend the ensuing years solely trading on that moment sealing morsel. Not Tallulah Rendall this London based songstress has set up her own label so as to keep her music out of the thumb twiddling unit chasing bandwagon jumping controlling freaks that you and I lovingly refer to as major labels.

A handful of releases already in the hands of those of the clued up record buying cognoscenti and an album in the shape of ’Libellus’ currently doing the rounds which we suspect we’ll have to nail as our own just so that we can get a peaceful nights sleep safe in the knowledge that its within easy reach of our hi-fi. Clearly freefalling in the vapour trails left by the likes of Shara Worden (My Brightest Diamond) and Regina Spektor, Rendall is clearly touched with a rare and exquisite sense of artistry, both playfully tender and primed with a sense of theatre and classicism much like a youthful Kate Bush, ’lay me down’ is clipped with an eerie enchantment, both demurring and demanding yet spellbinding and sultry, the torch like treatments throughout abridged and sweetly countered by an innate passion that swirls with a subtle though hitherto intoxicating tide rushing dramatic tension - and apologies for ruining the mood so far but it just has to be said - its as horny as hell.Those wanting to hear more - and we strongly suspect you do want more - are advised to head forthwith over to www.myspace.com/tallulahrendall and fill your boots with the near divinely siren-esque ethereal folk rocking ’only you’.

INfo"Tallulah Rendall ’lay me down’ (transducer). Must take some beating being told you have a ’wonderful voice’ by none other than Shirley Bassey - with that kind of acclaim you’d suspect most artists would happily retire and spend the ensuing years solely trading on that moment sealing morsel. Not Tallulah Rendall this London based songstress has set up her own label so as to keep her music out of the thumb twiddling unit chasing bandwagon jumping controlling freaks that you and I lovingly refer to as major labels.

A handful of releases already in the hands of those of the clued up record buying cognoscenti and an album in the shape of ’Libellus’ currently doing the rounds which we suspect we’ll have to nail as our own just so that we can get a peaceful nights sleep safe in the knowledge that its within easy reach of our hi-fi. Clearly freefalling in the vapour trails left by the likes of Shara Worden (My Brightest Diamond) and Regina Spektor, Rendall is clearly touched with a rare and exquisite sense of artistry, both playfully tender and primed with a sense of theatre and classicism much like a youthful Kate Bush, ’lay me down’ is clipped with an eerie enchantment, both demurring and demanding yet spellbinding and sultry, the torch like treatments throughout abridged and sweetly countered by an innate passion that swirls with a subtle though hitherto intoxicating tide rushing dramatic tension - and apologies for ruining the mood so far but it just has to be said - its as horny as hell.Those wanting to hear more - and we strongly suspect you do want more - are advised to head forthwith over to www.myspace.com/tallulahrendall and fill your boots with the near divinely siren-esque ethereal folk rocking ’only you’.

The Girlas consist of 3 women working together to perform original music with a mix of folk, acoustic, blues, soul, and bluegrass. Of these women are:

Candy Diaz Yasuda: a singer/song writer with a penchant for old torch jazzCarly Smith: a singer/song writer with a heavy background in bluegrass as well as the daughter of reknown bluegrass musician Ty SmithKelli Heath: a singer/song writer with amazing talent for guitar composition, slack key, and witty lyrics.

Under the collective title, The Girlas, Kelli, Candy, & Carly began collaborating amongst one another to create a genre of music that incorporates all aspects of their individual skill.

The debut release of “Now of Never” was met with much appreciated enthusiam. Jamie Winnpenny of the Honolulu Weekly wrote, “Their lyrical content is poignant rather than preachy, their instrumental prowess is informed rather than forced and their harmonies are inspired.” Wayne Harada of the Honolulu Advertiser said, “"The harmonies are sweet; the lingering passions sweeter. Think Na Leo with attitude and soul. The Girlas are great because they're both unpredictable and prolific." John Berger of the Star Bulletin had this to say, “Each introspective composition seems more exquisite than the other. Whether they're singing of heartbreak, troubled relationships or an enigmatic encounter with angels, the Girlas are an enchanting discovery for fans of smooth pop music.”

The Girlas consist of 3 women working together to perform original music with a mix of folk, acoustic, blues, soul, and bluegrass. Of these women are:

Candy Diaz Yasuda: a singer/song writer with a penchant for old torch jazzCarly Smith: a singer/song writer with a heavy background in bluegrass as well as the daughter of reknown bluegrass musician Ty SmithKelli Heath: a singer/song writer with amazing talent for guitar composition, slack key, and witty lyrics.

Under the collective title, The Girlas, Kelli, Candy, & Carly began collaborating amongst one another to create a genre of music that incorporates all aspects of their individual skill.

The debut release of “Now of Never” was met with much appreciated enthusiam. Jamie Winnpenny of the Honolulu Weekly wrote, “Their lyrical content is poignant rather than preachy, their instrumental prowess is informed rather than forced and their harmonies are inspired.” Wayne Harada of the Honolulu Advertiser said, “"The harmonies are sweet; the lingering passions sweeter. Think Na Leo with attitude and soul. The Girlas are great because they're both unpredictable and prolific." John Berger of the Star Bulletin had this to say, “Each introspective composition seems more exquisite than the other. Whether they're singing of heartbreak, troubled relationships or an enigmatic encounter with angels, the Girlas are an enchanting discovery for fans of smooth pop music.”

Best Crisis Ever, the new album from trans-continental ApSci (pronounced APP-sigh), was begun in a Brooklyn apartment overlooking a coffee factory in 2006, and finished in a Sydney apartment by the beach in 2008. While 2005’s Thanks for Asking was a collabo-rich hip-hop-electro diary with guests spanning from indie-rap pinch hitters Mr. Lif and Pigeon John to the bandleaders of TV On The Radio and Antibalas, the new record has been executed almost entirely by the duo, Australian-Filipina Dana Diaz-Tutaan and the Irish-Italian, Bronx-born Raphael LaMotta. It’s a louder, catchier and more expansive take on ApSci’s unique combination of electro, hip-hop and quirky pop, relying heavier on songwriting and a combination of vintage drum machine sounds, synths and guitars. It’s equal parts New York bravado and Australian charm, reflecting the respective hometowns of each, and how the duo, despite the nearly opposite lifestyle and pace of the cities, have managed to comfortably straddle both for nearly a decade.

A little history: the Iate 90s, summertime in New York. Nuyorican Poet’s Cafe, Rocksteady Reunion, Baby Jupiter were the places that mattered to a devoted scene. Solesides, Company Flow, Mike Ladd and Antipop Consortium were underground brainiac heroes. Open mics and street cyphers were a vibrant and common occurrence in every borough, and people came from all over the world to experience the city’s late-era hip-hop renaissance.

It was in this context that Dana, who was then visiting New York, met Raphael. Although their fi rst encounter wasn’t exactly congenial (“I was in a weird mood,” Ra explains. “He was rude,” Dana counters), they were a part of a tight circle of performers and often found themselves on the same bill, or in the same crowd, or freestyling on the same corners. Soon studio time was booked, pager numbers were exchanged, and before long they were collaborators, writing and recording their own unique material.

Best Crisis Ever, the new album from trans-continental ApSci (pronounced APP-sigh), was begun in a Brooklyn apartment overlooking a coffee factory in 2006, and finished in a Sydney apartment by the beach in 2008. While 2005’s Thanks for Asking was a collabo-rich hip-hop-electro diary with guests spanning from indie-rap pinch hitters Mr. Lif and Pigeon John to the bandleaders of TV On The Radio and Antibalas, the new record has been executed almost entirely by the duo, Australian-Filipina Dana Diaz-Tutaan and the Irish-Italian, Bronx-born Raphael LaMotta. It’s a louder, catchier and more expansive take on ApSci’s unique combination of electro, hip-hop and quirky pop, relying heavier on songwriting and a combination of vintage drum machine sounds, synths and guitars. It’s equal parts New York bravado and Australian charm, reflecting the respective hometowns of each, and how the duo, despite the nearly opposite lifestyle and pace of the cities, have managed to comfortably straddle both for nearly a decade.

A little history: the Iate 90s, summertime in New York. Nuyorican Poet’s Cafe, Rocksteady Reunion, Baby Jupiter were the places that mattered to a devoted scene. Solesides, Company Flow, Mike Ladd and Antipop Consortium were underground brainiac heroes. Open mics and street cyphers were a vibrant and common occurrence in every borough, and people came from all over the world to experience the city’s late-era hip-hop renaissance.

It was in this context that Dana, who was then visiting New York, met Raphael. Although their fi rst encounter wasn’t exactly congenial (“I was in a weird mood,” Ra explains. “He was rude,” Dana counters), they were a part of a tight circle of performers and often found themselves on the same bill, or in the same crowd, or freestyling on the same corners. Soon studio time was booked, pager numbers were exchanged, and before long they were collaborators, writing and recording their own unique material.

Info Raised only a few streets from the legendary Van Morrison (although, admittedly several decades later), Elle Stevenson is finally receiving recognition in the Northern Irish music scene and, having won a showcase on the music investment website 'Slicethepie.com', which secured her £15,000 to record her long-awaited debut album, it looks like she's all set to grace more than just the local scene with her talent....

At the centre of the music is her voice - best described by the terms "fragile", "ethereal" and "haunting" - which provides an apt vehicle for songs which betray a rare kind of honesty. Stevenson certainly doesn't shy away from wearing her heart on her sleeve and her songs have, at times, been described as "lyrically raw". Yet, they are so carefully framed by those trademark cascading piano lines that the incongruity of the music and lyrics merely draw the listener to the place where catharsis and redemption finally meet.

To date, Elle has supported many artists on the local Irish music scene, as well as those of international acclaim, such as guitar legends Rodrigo y Gabriela and pop/soul diva, Beverley Knight. With the fast-approaching release date for her debut album, however, Elle is unlikely to be the supporting artist for much longer and the expectation is that it won't be long before you're hearing a lot, lot more from this talented lady....

Elle's debut album "Coming Around" goes on general release Monday 21st September 2009.

Info Raised only a few streets from the legendary Van Morrison (although, admittedly several decades later), Elle Stevenson is finally receiving recognition in the Northern Irish music scene and, having won a showcase on the music investment website 'Slicethepie.com', which secured her £15,000 to record her long-awaited debut album, it looks like she's all set to grace more than just the local scene with her talent....

At the centre of the music is her voice - best described by the terms "fragile", "ethereal" and "haunting" - which provides an apt vehicle for songs which betray a rare kind of honesty. Stevenson certainly doesn't shy away from wearing her heart on her sleeve and her songs have, at times, been described as "lyrically raw". Yet, they are so carefully framed by those trademark cascading piano lines that the incongruity of the music and lyrics merely draw the listener to the place where catharsis and redemption finally meet.

To date, Elle has supported many artists on the local Irish music scene, as well as those of international acclaim, such as guitar legends Rodrigo y Gabriela and pop/soul diva, Beverley Knight. With the fast-approaching release date for her debut album, however, Elle is unlikely to be the supporting artist for much longer and the expectation is that it won't be long before you're hearing a lot, lot more from this talented lady....

Elle's debut album "Coming Around" goes on general release Monday 21st September 2009.

Info Sara Tavares was only 16 years old when she won two of Portugals most prestigious TV music contests. Born out second generation Cape Verdian immigrants, Sara grew up between two cultures. Initially known as a singer and composer of Gospel, Funk and Soul, she gradually incorporated more African music in her compositions. Her second album Mi Ma B, produced by Parisian Lokua Kanza, reached gold in Portugal and was a mix of African rhythms and melodic pop songs. After a long wait of five years, finally her new album Balance was released in February 2006. On this record, produced by Sara herself, she wrote and composed all the songs and played many of the instruments. Balance is a beautiful record on which Sara shows to be a very talented contemporary singer/song writer, who has managed to combine in a subtle and honest way contemporary music with her African roots.

Info Sara Tavares was only 16 years old when she won two of Portugals most prestigious TV music contests. Born out second generation Cape Verdian immigrants, Sara grew up between two cultures. Initially known as a singer and composer of Gospel, Funk and Soul, she gradually incorporated more African music in her compositions. Her second album Mi Ma B, produced by Parisian Lokua Kanza, reached gold in Portugal and was a mix of African rhythms and melodic pop songs. After a long wait of five years, finally her new album Balance was released in February 2006. On this record, produced by Sara herself, she wrote and composed all the songs and played many of the instruments. Balance is a beautiful record on which Sara shows to be a very talented contemporary singer/song writer, who has managed to combine in a subtle and honest way contemporary music with her African roots.