Zak Noyle

Even if you don’t know who Zak Noyle is, there’s a good chance you’ve seen some of his photographs. They’ve been published by ESPN, Transworld Sport, National Geographic and the BBC, not to mention in surf publications including The Surfer’s Journal and Surfer.

At just 31 years old, Zak’s career has already included a meteoric ascension to one of the most hallowed positions in surf photography: Zak is now the Senior Staff Photographer at Surfer and he regularly takes on assignments to travel and shoot with some of the best surfers in the world.

We caught up with Zak to learn more about his work and what drives him. He talks very fast - almost breathlessly, sounding like the CEO of the hot new startup that is basically his life, excited to share his story and his plans.

Zak's journey into photography was catalyzed from a young age by his father who was a commercial photographer and who passed on some of his wisdom and a few tools of the trade. Zak began shooting photos in his single digit years and by high school he had had his water photography published in magazines like Sports Illustrated and Transworld Sport, where he took a full time job after graduating. At the age of 25 he started working at Surfer and now combines his day job with running his own photography business and a seemingly endless string of brand collaborations with the likes of water housing company SPL, surf company RVCA and swim fin company DaFin.

“I grew up on Oahu and I came out of a swimming and water polo background. I had a natural swimming ability, but I hated it. I hated swimming laps and I used to hide in the shower. It’s come full circle now - swimming and learning that discipline has been important.”

Becoming one of the world’s top water photographers means becoming one of the world’s top swimmers by pre-requisite. The playing field for taking groundbreaking surf photographs is most likely in the path of a 20 foot breaking wave, half a mile off shore and bobbing a few feet above a sharp, potholed reef.

“You want to be prepared,” Zak told us. “I swim 3-4 times a week. I swim a lot of laps, half of them with swim fins on to train to have my feet comfortable in fins. I view myself as an athlete now, so I need to be in optimal shape. A bunch of my friends are doing underwater breath holding training and I want to get into that too. In the end it’s the ocean and you need to respect it!”

Although the list of his achievements is frighteningly long already, Zak pulled off something of a career highlight at last winter’s Eddie Aikau Invitational in O’ahu. Pummelled by 30 ft waves closing out Waimea bay, Zak swam and shot the historic contest for 8 hours straight, capturing through his actions and photographs a truly memorable moment in surf history.

The Eddie Aikau ran on February 25th, 2016 in waves that were so big the safety of the contest itself was called into question. That’s pretty rare from the organizers: ‘The Eddie’ demands a minimum of 20ft waves before it will even run, honoring the fearless lifeguard and surfer in whose memory it is named.

“I had never swum into 30 ft waves but I wouldn’t have done it if I didn’t think I could handle it,” Zak explained. “A lot of the times with waves, it’s strength and training and the experience that keep me calm. I knew physically I could do it, but mentally you have to be calm.”

Aside from the endurance required for this feat, Zak also truly understands the media demands of the modern surf audience. When The Eddie runs, O’ahu basically shuts down for the day with crowds of thousands gathering on the beach to watch. For those who can’t be there, internet livestreams, social media and TV broadcasts let people tune in from around the world.

Zak shot the Eddie on his DSLR in a water housing, but he used his iPhone from the water to wirelessly send the images he was capturing to the Quiksilver social media team. From there, they could combine them with the TV broadcasts or upload them to be shared on social media. “In between the sets, they need something else they can use to keep the excitement going,” Zak explained, “so I could send that to them from the water with my phone.”

We asked Zak how he had prepared for the day. “I had water and snacks packed and ready to go on the jet ski, but I actually didn’t eat or drink anything on the day. I hydrated heavily the day before with electrolytes and water. I packed extra batteries and a bought an extra phone so I could transfer the sim card if my iPhone died,” Zak told us.

With literally no food during the 8 hours he spent in the water, we wanted to know how Zak managed to keep shooting. “I was just fueled by adrenaline on the day. If the surf is good you have to shoot conservatively. You don’t want to have to go in and change your memory card because you might miss the shot!” Zak continued, “I was so mentally spent for days afterwards I couldn’t do anything. I didn’t even look at the images for 3 or 4 days - I just gave the photos to my agent.”

We asked if Zak took any major beatings out in the water that day. “I was nauseous with adrenaline and I did get completely worked. I got worked to the point where I had my hand on my rip-cord, but I didn’t want to inflate it, get dragged in and miss a wave. I’d waited seven years since the last Eddie Aikau Contest ran and I wasn’t going to miss a single moment out there. I wanted to be in the water, and just enjoy it. I have a photo of when all the skis came charging in on that closeout set and I just dived as deep as I could under the rolling whitewater. I had to dive 25 feet to get under that. It was pitch black and I couldn’t tell which way was up. That was a 2 wave set. If it had been a 5 or 6 wave set, I would be washed in on the rocks. For sure,” Zak laughed.

We were thrilled to meet Zak and see him participating in the RVCA artists program at the Unsound Pro event in Long Beach. His level of stoke, energy and enthusiasm seem boundless and he talks as if he’s only just getting started. Watch this space!