A brilliant new collection of stories from one of the most acclaimed and beloved writers of our time. Alice Munro’s peerless ability to give us the essence of a life in often brief but always spacious and timeless stories is once again everywhere apparent in this brilliant new collection. In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking.

Too Much Happiness: Stories

In the long title story, we accompany Sophia Kovalevsky - a late-19th-century Russian émigré and mathematician - on a winter journey that takes her from the Riviera, where she visits her lover, to Paris, Germany, and Denmark, where she has a fateful meeting with a local doctor, and finally to Sweden, where she teaches at the only university in Europe willing to employ a female mathematician.

Runaway: Stories

Three stories concern the same woman - in the first, she escapes from teaching at a girls' school into a wild love affair; in the second, she returns with her child to the home of her parents, whose marriage she finally begins to examine; and in the last, her vanished child turns up caught in the grip of a religious cult. In these and other stories Alice Munro's understanding of the people about whom she writes makes their lives as real as our own.

The View from Castle Rock

A young boy is taken to Edinburgh Castle Rock, where his father assures him that on a clear day he can see America, and he catches a glimpse of his father's dream. In stories that follow, as the dream becomes a reality, two sisters-in-law experience very different kinds of passion on the long voyage to the New World. Other stories take place in more familiar Munro territory, the towns and countryside around Lake Huron, where the past shows through the present like the traces of a glacier on the landscape, and strong emotions stir just beneath the surface of ordinary comings and goings.

Spotlighting an extraordinary career, this autobiography reviews the author’s accomplishments working and playing alongside some of Canada’s greatest writers. These humorous chronicles relate the projects he brainstormed for writer Barry Broadfoot, how he convinced eventual Nobel Prize contender Alice Munro to keep writing short stories, his early morning phone call from a former Prime Minister, and his recollection of yanking a manuscript right out of Alistair MacLeod’s own reluctant hands....

A God in Ruins: A Novel

A God in Ruins tells the dramatic story of the 20th century through Ursula's beloved younger brother, Teddy - would-be poet, heroic pilot, husband, father, and grandfather - as he navigates the perils and progress of a rapidly changing world. After all that Teddy endures in battle, his greatest challenge is living in a future he never expected to have.

A Hand Reached Down to Guide Me: Stories and a Novella

Gates' characters, young or old or neither, are well educated, broadly knowledgeable, often creative, and variously accomplished, whether as a doctor or a composer, an academic or a journalist. And every one of them carries a full supply of the human condition: parents in assisted-living - or assisted-dying - facilities, too many or too few people in their families and marriages, the ties that bind a sometimes messy knot, age an implacable foe, impulses pulling them away from comfort into distraction or catastrophe.

Suspended Sentences: Three Novellas

In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there.

My Struggle, Book 4

Eighteen years old and fresh out of high school, Karl Ove Knausgaard moves to a tiny fisherman's village far north of the polar circle to work as a schoolteacher. He has no interest in the job itself - or in any other job for that matter. His intention is to save up enough money to travel while finding the space and time to start his writing career.

Americanah

As teenagers, Ifemelu and Obinze fall in love in a Nigeria under military dictatorship. The self-assured Ifemelu departs for America, where Obinze hopes to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Fifteen years later, after so long apart and so many changes, will they find the courage to meet again, face to face?

All the Light We Cannot See: A Novel

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is 12, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

The Children Act

Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts.

My Brilliant Friend: The Neapolitan Novels, Book 1

A modern masterpiece from one of Italy's most acclaimed authors, My Brilliant Friend is a rich, intense, and generous-hearted story about two friends, Elena and Lila, who represent the story of a nation and the nature of friendship.

We Are All Completely Beside Ourselves

Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and our narrator, Rosemary, who begins her story in the middle. She has her reasons. "I spent the first eighteen years of my life defined by this one fact: that I was raised with a chimpanzee," she tells us. "It's never going to be the first thing I share with someone. I tell you Fern was a chimp and already you aren't thinking of her as my sister. But until Fern's expulsion, I'd scarcely known a moment alone. She was my twin, my funhouse mirror, my whirlwind other half, and I loved her as a sister."

The Lowland

Born just 15 months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan - charismatic and impulsive - finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother’s political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.

The Theft of Memory: Losing My Father, One Day at a Time

National Book Award winner Jonathan Kozol is best known for his 50 years of work among our nation's poorest and most vulnerable children. Now, in the most personal book of his career, he tells the story of his father's life and work as a nationally noted specialist in disorders of the brain and his astonishing ability, at the onset of Alzheimer's disease, to explain the causes of his sickness and then to narrate, step by step, his slow descent into dementia.

Bark: Stories

In these eight masterful stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom...Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud - the hallmark of Lorrie Moore - land.

Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity

Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport, and as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees “a fortune beyond counting” in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption.

The Paying Guests

It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

Lila: A Novel

Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church - the only available shelter from the rain - and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security. Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood.

The Good Lord Bird

Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry’s master quickly turns violent. Henry is forced to leave town - with Brown, who believes he’s a girl. Over the ensuing months, Henry - whom Brown nicknames Little Onion - conceals his true identity as he struggles to stay alive. Eventually Little Onion finds himself with Brown at the historic raid on Harpers Ferry in 1859 - one of the great catalysts for the Civil War.

The Goldfinch

The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

The Burgess Boys: A Novel

Haunted by the freak accident that killed their father when they were children, Jim and Bob Burgess escaped from their Maine hometown of Shirley Falls for New York City as soon as they possibly could. Jim, a sleek, successful corporate lawyer, has belittled his bighearted brother their whole lives, and Bob, a Legal Aid attorney who idolizes Jim, has always taken it in stride. But their long-standing dynamic is upended when their sister, Susan - the Burgess sibling who stayed behind - urgently calls them home.

The Fun Parts: Stories

A writer Time magazine has said "everybody should read", Sam Lipsyte, author of the New York Times best-selling The Ask, offers up The Fun Parts, a book of bold, hilarious, and deeply felt fiction. A boy eats his way to self-discovery, while another must battle the reality-brandishing monster preying on his fantasy realm. In another story, an aerobics instructor, the daughter of a Holocaust survivor, makes the most shocking leap imaginable to save her soul. These are just a few of the tales, some first published in The New Yorker, The Paris Review, and Playboy, that unfold in Lipsyte’s richly imagined world.

A Tale for the Time Being

In Tokyo, 16-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace - and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox - possibly debris from the devastating 2011 tsunami.

Publisher's Summary

A brilliant new collection of stories from one of the most acclaimed and beloved writers of our time.

Nobel Prize winner Alice Munro’s peerless ability to give us the essence of a life in often brief but always spacious and timeless stories is once again everywhere apparent in this brilliant new collection. In story after story, she illumines the moment a life is forever altered by a chance encounter or an action not taken, or by a simple twist of fate that turns a person out of his or her accustomed path and into a new way of being or thinking. A poet, finding herself in alien territory at her first literary party, is rescued by a seasoned newspaper columnist, and is soon hurtling across the continent, young child in tow, toward a hoped-for but completely unplanned meeting. A young soldier, returning to his fiancée from the Second World War, steps off the train before his stop and onto the farm of another woman, beginning a life on the move. A wealthy young woman having an affair with the married lawyer hired by her father to handle his estate comes up with a surprising way to deal with the blackmailer who finds them out.

While most of these stories take place in Munro’s home territory - the small Canadian towns around Lake Huron - the characters sometimes venture to the cities, and the audiobook ends with four pieces set in the area where she grew up, and in the time of her own childhood: stories “autobiographical in feeling, though not, sometimes, entirely so in fact.” A girl who can’t sleep imagines night after wakeful night that she kills her beloved younger sister. A mother snatches up her child and runs for dear life when a crazy woman comes into her yard.

Suffused with Munro’s clarity of vision and her unparalleled gift for storytelling, these tales about departures and beginnings, accidents and dangers, and outgoings and homecomings both imagined and real, paint a radiant, indelible portrait of how strange, perilous, and extraordinary ordinary life can be.

I have read or listened to most of Ms. Munro's work, and this is definitely not her best. The stories have little to go on, and in contrast to her previous work (Someting I've been meaning to tell you; Runaway) the characters are dull and uninteresting. The female narrator, Kimberly Fair, reads far too slowly and in an almost kindergarten-teacher kind of way, very annoying. The best are the first few stories, previously published in the New Yorker magazine, but even these are affected negatively by the narration.

Did Kimberly Farr and Arthur Morey do a good job differentiating all the characters? How?

Yes, but only because they were a make and a female.

If you could play editor, what scene or scenes would you have cut from Dear Life?

I can't count that high.

Any additional comments?

I bought this book with great expectations. I consider myself to be an intellectual, and did expect the stories to be esoteric. What I didn't expect was that most of the stories had little plot and characters hard to relate to-such a disappointment. I was bored out of my mind by the fourth story. The narration was also very dull--it sounded like they weren't any more interested than I was. What a disappointment.

Each of the short stories in this collection is read by a man or a woman. Neither reader is very good. All male voices performed by the female reader sound the same, and the female reader's inflection was completely inappropriate -- even occasionally changing the intended meaning or preventing it from being understood. Unfortunately, this stood in the way of my enjoyment of the stories, as well as my being able to learn anything from them. Very distracting. It's a shame; Alice Munro is supposed to be the best.....

Based on the reviews I was excited to start and listen to these stories. I was very disappointed. There is not one single passage or character that moved me or made me sit up and pay attention. I don't know who these stories do appeal to but they do not appeal to me. I did listen to the end but I don't know why.

Many of the stories had little plot, but instead pivoted on a small realization.I liked "Corrie" much better than the rest of the story because it had plot, excellent characterization, and a pivotal realization.However, there was something more - effective use of the Unreliable Narrator (she adopts Howard's POV early on to give the reader information stated as fact, then later adopts Corrie's POV to state contradictory information as fact) to suggest a resolution that was never actually stated. ***(SPOILER ALERT)***

Many reviewers conclude (as Corrie apparently did) that Howard had been pocketing the blackmail money that supposedly was going to Sadie.Let's assume that Sadie received that money and donated it to the church to pay for the new steeple, which Howard was then paid to design and build. Remember how the parishioners all thought that Sadie was "a rare person", and they all knew who Corrie was, even though she didn't know them?

The deeper irony is that the new steeple was directly counter to the philosophy and wishes of Corrie's now-deceased father, who had hired the architect in the beginning of the story, which was how Howard the architect and Corrie met.Remember how Corrie's father despised modern church buildings, and hired Howard to build a traditional one?So, ultimately, the father's money paid for a steeple he would have despised.

This is my first experience with Alice Munro, which I chose b/c I figured someone who won the Nobel Prize is probably worth looking into. This collection did not knock my socks off. I'm encouraged by some comments here that suggest that there are other collections that do. I was also not thrilled with either narrator. I didn't feel their performances enhanced the stories, simply conveyed them.

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