Grey vinyl.
Packed shows, sold out tours, both their six-track debut 12" and debut full-length "Pressure" get re-press after re-press... does BISHOPS GREEN really need any further introduction? I don't think so either, but we at REBELLION RECORDS sure as hell are damn proud to present you guys the brand new sophomore album by Canada's leading street punk band entitled "A CHANCE TO CHANGE"!
With this album the band found a bridge between their raw and powerful debut EP, the passionate and resistful "Pressure" LP and their wild and rowdy live shows capturing it all on "A Chance To Change". So what are you still waiting for?!
(Pirates Press Records)

Color vinyl, green/white splatter.
This is the 6 tack mini LP release from this amazing new Canadian band from Vancouver, Canada. Fronted by Greg Huff and supported by others formerly of bands including ALTERNATE ACTION, THE LANCASTERS, SUBWAY THUGS and GLORY STOMPERS, this is the perfect next step in the evolution of those bands. The sound is still raw yet melodic and catchy, but done with so much more skill and precision than all the aforementioned bands. Fans of catchy singalong street-punk rock 'n' roll and bands like THE BUSINESS and COCK SPARRER can buy this record without hesitation. Colored (yellow) vinyl comes with updated cover artwork and includes a digital download card.
(Pirates Press Records)

After what has seemed like an eternity and an extremely long journey (including 90% of the initial pressing of the record mysteriously disappearing in transit), Blazing Eye's most recent recording secures their place as one of Los Angeles's best hardcore-punk bands. Propagating punk as true and original as bands the likes of G.I.S.M. and Siege, Blazing Eye sets forth with their strongest release since their 2013 demo. It's a banger for sure and I'm happy that this record is finally a reality. A one time pressing.
(Static Shock Records)
https://staticshockrecords.bandcamp.com/album/ways-to-die

This is nothing like the old Blitz, because its a record entirely played by the only original Blitz member, guitarist Nidge on bass and guitar, Gary Bassnet from Attak on vocals. The result is an interesting post-punk sounding album, more relaxed and everything but OI ! sounding, with characteristic Nidge guitar playing plus a second guitar of basic but excellent riffling and soloing.
"Well, Mackie wasn't interested, and Carl was living in Australia at the time, but Link offered me th opprtunity to do another Blitz album, and I wanted to do it. The song "Killing Dream" was actually written in 1983 and intended as a Blitz song anyway; it would've been the follow-up to "New Age" if things had been different.
But it was an odding time, there was very little going on in the punk scene, and of course, we didn't have a drummer,se we had to use this horrible drum machine,which was the main drawback. But the album did pretty well for Link here, and it came out in America through Cleopatra." Nidge died in 2007, aged 48, shortly after a reunion tour. Originally released in 1989 on Link Records. This is high quality fan club release.
(Skunx Records)

Released a year after their much hearled debut album 'Voice of a Generation' , 'Second Empire Justice' features half the members from the original line-up and with a new sound. While initially being an Oi!/Skinhead Punk band, on 'Second Empire Justice' they not only changed members and their look but also their sound and released a Post-Punk classic with a heavy dose of Joy Division worship, produced by Chris Nagle. While Nagle had also produced their debut album, he had also engineered the Joy Division and New Order albums under Martin Hannett and had also engineered various other post punk albums of the day from the likes of The Durutti Column, A Certain Ratio and Magazine.
Together the band and Nagle created a masterpiece while not appreciated at the time, especially by their original skinhead/Oi! fanbase. The album would go onto influence tons of post-punk/darkwave bands that sprouted from the ashes of punk/hardcore bands decades later and become one of the most sought after albums of the golden age of post-punk.. So sit back and listen to these beautiful moody haunting guitars, dancing basslines and emotionally fragile vocals all the while retaining a punk ferocity.
For Fans of : Joy Division, Magazine, Red Lorry Yellow Lorry, Killing Joke, The Middle Class
Limited repress on Puke n Vomit Records, comes with a huge poster of the cover art.
(Puke n Vomit Records)

Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation.
180 gram vinyl reissue with printed inner sleeve, contains 3 bonus tracks: Voice of Generation from V/A Total Noise, Nation on Fire and Youth from V/A "Carry on Oi". Total classic.
(Radiation Records)

Gildan heavy cotton t-shirt 100% cotton.
All the water-based inks we use for screenprints have an eco-passport verification.
Every stamp and logo is hand pulled silk screen print.
Available in small, medium, large and x-large size.

Easily one of the greatest roots reggae albums of all time, 1970's 'Soul Rebels' resulted from the intensive partnership brokered by the group and maverick producer, Lee "Scratch" Perry. It was the first Wailers 'concept' album, conceived as a long-player based on a rebellious theme, rather than a collection of isolated singles, and the presence of the Barrett Brothers in the rhythm section pointed the way for greater glories to come.
(Radiation Roots)

STUNNING 180 GRAM GREY VINYL REISSUE OF BOLT THROWERS DEBUT ALBUM
In Battle There Is No Law is the debut album of Bolt Thrower. It is recorded at Loco studios by Andrew Fryer, and mixed at Clockwork by Alan Scott. It was released on Vinyl Solution as Sol 11 in 1988 and re-released on Vinyl Solution as Sol 11 in 1992, with a different album sleeve. The album was again re-released in 2005 with the old album sleeve restored.
(Back on Black Records)

Together with bands such as Bishops Green and Lion's Law, the London, UK-based Booze & Glory have really started to take street punk into the new age. Eleven new, angry, yet melodic, sing-a-long anthems are presented on this, the band's fourth album, "Chapter IV" (three studio albums and a singles collection).
(Piratess Press Records)

Booze & Glory have been keeping everyone wide awake for the last decade, flying the flag for authentic working class rock'n'roll and the power of a rabble-rousing tune. The band's long-awaited fifth album 'Hurricane' is released via the boys' own Scarlet Teddy Records. Recorded in Sweden at Soundlab Studios, the album was produced by Millencolin guitarist Mathias Farm.
(Scarlet Teddy Records)

Powerful hardcore that sounds, to me, like a cornucopia of His Hero Is Gone/Late 80's Hardcore like Christ On Parade/Motorhead/mid era Gauze/and even a more hardcore Leatherface. Like I said, that's what it sounds like to me. Alot of people like their later stuff better, but this album suitys me just fine. Top notch hardcore punk that shouldnt be missed.
(Feral Ward Records)
https://trujacafala.bandcamp.com/album/ruins-lp

This is it: the best sludge metal album you’ll hear all year. Singularity to Extinction is Brainoil‘s first album since 2011, following a rarities comp that same year and a split with Dropdead in 2014. The Oakland-based trio aren’t afraid to change up their tempos, varying from the more upbeat “Preface to Madness” to the miserable, crawling “Blank Static Void.”
Singularity to Extinction is swathed—or maybe drowned is a better descriptor—in raw, abrasive crust. Walls of guitar backed by sluggish drumming wash over the listener and Greg Wilkinson barks out vocal lines like he wants to cough up blood at the end of a recording session. Describing Singularity to Extinction as misanthropic would be an understatement; abrasive guitar tones and vocals combined with glacially slow tempos put Brainoil’s latest in the same league as Dystopia, Grief and Noothgrush.
(Tankcrimes)

Does French oi! have a typical sound, a unique attitude? Today it is difficult to say when you see so many different bands in this scene. But everybody would agree: Bromure have the french oi! sound and attitude. And this first album will soon be a reference in the style.
(Une vie pour rien Vinyles)
https://uneviepourrienvinyles.bandcamp.com/album/bromure-lp

BRONCO LIBRE from Leipzig, Germany deliver ass-kicking punk-hardcore on their debut full-length. The band perfected their brand of fast, melodic hardcore like YOUTH AVOIDERS or CAREER SUICIDE meets the hook-driven punk of the RED DONS or ROTTEN MIND.
"This album is dedicated to native Americans, to their History and their fight. Our lyrics talk about their History but also their stories, and about their extermination under colonisation. We can't pretend knowing or even imagining what this people endured, what they've been through and what their descendants still experience nowadays. Also we don't think that this album will change anything. But we hope that through our simplified, romanced and vulgarized lyrics, we could take part (at our scale) in getting this topic (often forgotten and deliberatly avoided or turn into derision and entertainment) better known. It is also possible to read in between our lines a reflection on our nowaydays society, and this feeling of fury and despair that a lot could feel facing the today's world and its progress and development by any means necessary. "
(Destructure)

One Law For Them...Another One For Us is a CD by The Bruisers that was released in 1999 by Lost & Found Records.
The album features the Lost & Found releases Still Standing Up [EP, 1997], Up In Flames (LP, 1996), Cruisin' For A Bruisin [LP,1993], Intimidation (EP 1989), Independence Day (Cassette 1990) & American Night (EP, 1992).
(Lost & Found Records)