The interests of our group are focused on areas of intersection of art and science, human, natural and exact knowledge. Functioning at the intersection of research and artistic practice, his creative work, we tend to be regarded as experimental laboratory to help us formulate our discursive construction.. The processes taking place in contemporary art, are largely a manifestation of post-modernist discourse, which proclaimed itself part of the art market. They therefore tend to greater entertainment, close to the carnival, would overshadow the other functions. This lightweight and superficial art trends of recent years and made us turn our eyes to the other, the opposite of its seriousness, specificity and thoroughness of the region - the natural sciences and humanities.. The most relevant of the processes occurring in it we show the process of convergence, . merging of different directions, . education on the basis of new industries, . with a broader line of sight integral, . Examples include, . as Synergetics and Applied Linguistics, . However, it is clear that tremendous changes have occurred in the worldview of scientists that this process of unification of sciences, including natural and humanitarian, became dominant.. Each of them is a closed world with its special terminology, no They reflect on themselves with general cultural positions.. By carrying out a series of art exhibitions and experiments, . we found a very fruitful method of embedding selected scientific versions in the space of contemporary art and its use of language to identify new and sometimes quite unexpected conceptual solutions., . This method of combining two ways of describing the existing world - rational-logical and artistic imagery - from our point of view is quite logical and very promising. On the one hand, it can catalyze the integration processes in science, but on the other, to identify creative trends in contemporary art.. In the process of artistic activity, we have already had to go to different scientific fields, as natural and humanitarian - mathematics, theoretical physics, computer science, structural linguistics, paleontology, archeology and geology. Among the works carried out - the object of "chain letters", which was based on the principle of geometric progression, would introduce the text of the new settings.. In the installation "Magnetic monopole" (Gallery Belyayevo ") basis is the hypothesis of Theoretical Physics of the magnetic poles.. Recently we are working on the international project "Geological mythology", which will include a series of exhibitions in different countries. In these installations on the semantic and visual levels are the parallels between "mental" and the geological landscape of the country, ie. specific features of the mentality of people inhabiting a specific area, will be matched by us and, paradoxically, be superimposed on its physical, geological conditions by using the language of contemporary art.. We are pleased to have found that our work is of interest to both sides - both scientists and artists and art historians were intrigued by the possibility of penetration into previously inaccessible areas of operation of each other.. As confirmation of the Humanities University of Russia invited us to organize under the roof of the experimental laboratory of the Cultural. The plans of the laboratory at present is to organize international seminars and conferences, exhibition activities. We hope that at the junction, combination of different areas - art, science - to light unexpected aspects known to those new issues, lighting issues. . Criticism. . I wonder, . What are you doing, . because we, . in some sense, . on the opposite side of the art, . but clearly there is some kind of boundary, . where we interact, . communicate, . as your projects require some transparency on this boundary, . These projects not only space but also the plane, but this plane - part of another space, and they each somehow connect, and you belong, and to both. You are apparently neutral, but actually interested in something else: keeping all neutral indicators of conceptualism, implying the presence of some other spaces. In pursuit of conceptual tradition you have there is a "retraction" of others - and the scientific and artistic concepts. Conceptualism is limited linguistic framework, the idea that everything - in language. The idea of self-development language, that all - through the language. But in addition to language has more energy, and in addition to signs of language is more intervals, and they are a very important. It seems to me that you work with this intermediate zone, this energy. But you work with it as well as with language objects, and ranges, shifting in one direction or another, though still prefer the linguistic forms of work's energy. I, being on the other side of the door, do not understand it all, perhaps, but always try to be in dialogue. I think that you are on the surface of our own experience, where you can grope not only the space inside, but the space in the unknown, in what is only developing. In addition, your projects are important because they are open to others, and they can try something inscribe their. And it is even supposed to - it by blank lines, graphs, which may be filled by other, and thus, will build new capabilities.