From dimitridf at yahoo.com Sun May 2 22:15:18 2010
From: dimitridf at yahoo.com (Dimitri della Faille)
Date: Sun, 2 May 2010 19:15:18 -0700 (PDT)
Subject: [microsound] anyone from Poland, Latvia, Lithuania or Russia?
Message-ID: <554450.22408.qm@web57003.mail.re3.yahoo.com>
Hello Microsounders,
I am looking for likeminded people in Poland, Latvia, Lithuania and Russia who might help me find gigs/performance opportunities for this coming summer for a microsound/electronic noise-ambient set.
Please contact me OFF LIST!
Thank you very much in advance
Dimitri
From jonasr at jonasr.com Fri May 7 13:02:44 2010
From: jonasr at jonasr.com (Jonas R. Kirkegaard)
Date: Fri, 7 May 2010 19:02:44 +0200
Subject: [microsound] Golden Shield Music
In-Reply-To:
References:
Message-ID:
Very interesting project!
When mapping data to musical parameters you can allways do it in 100
million different ways. Can you explain a little more about your
aesthetic choices in selection of the "sound" of the voices? Maybe
specifically about the choice of rythmic patterns and the choice of
MIDI (which i suppose introduce the use of the cromatic relations)
rather than just frequencies? And maybe also how you think the actual
sound of the piece relates to China and the cencorship problems you
refer to?
All the best
Jonas
Den 22/04/2010 kl. 13.38 skrev Marco Donnarumma:
> Dear microsounders,
> I'd like to share with you my latest (Pure Data-based) work.
> Golden Shield Music is a multi-channel generative sound installation
> for censored Internet Protocol (IP) addresses.
> Detailed informations (including an audio excerpt) can be viewed at http://marcodonnarumma.com/works/golden-shield-music/
> .
> Following a proposal by Greg J. Smith, chief editor at Vague
> Terrain, I wrote a project brief for the journal: http://vagueterrain.net/content/2010/04/golden-shield-music
>
> Would love to hear feedbacks from the community.
> Best,
>
>
>
> --
> Marco Donnarumma aka TheSAD
> Independent New Media Arts Professional, Performer, Teacher -
> Edinburgh, UK
>
>
> PORTFOLIO: http://marcodonnarumma.com
> LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net | http://www.flxer.net
> EVENT: http://www.liveperformersmeeting.net
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From fe2cruz at hotmail.com Sat May 8 12:27:25 2010
From: fe2cruz at hotmail.com (christiaan cruz)
Date: Sat, 8 May 2010 09:27:25 -0700
Subject: [microsound] Montreal Micro All
In-Reply-To:
References:
Message-ID:
Any venue, festival, gallery, series,
or field recording area recommendations in Montreal?
Heading that way 2nd half of May.
-c
>> Message: 5
>> Date: Thu, 29 Apr 2010 23:59:33 +0200
>> From: Tobias Reber
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Music In Vancouver BC?
>> Message-ID:
>> Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes
>>
>> not microsoundish at all, and only on june 1: one of my favourite
>> musicians, devin townsend acoustic solo show: www.devintownsend.com
>>
>> :-)
>>
>> tobias
>>
>>
>>
>> Am 29.04.2010 um 17:41 schrieb Joshua Maremont:
>>
>>> I am heading up to Vancouver BC in a few days and am curious about
>>> any musical events, venues, clubs, record shops (or anything else)
>>> to visit there. ?Any recommendations for me? ?Thank you.
>>> --
>>> Joshua Maremont / Thermal - mailto:thermal at boxmanstudies.com
>>> Boxman Studies Label - http://www.boxmanstudies.com/
>>> _______________________________________________
>>> microsound mailing list
>
From info at thesaddj.com Tue May 11 09:39:48 2010
From: info at thesaddj.com (Marco Donnarumma)
Date: Tue, 11 May 2010 14:39:48 +0100
Subject: [microsound] Golden Shield Music
In-Reply-To:
References:
Message-ID:
Hi Jonas,
many thanks for your feedback and sorry for late response but I had few days
off in Geneva for Mapping Festival.
Can you explain a little more about your aesthetic choices in selection of
> the "sound" of the voices? Maybe specifically about the choice of rythmic
> patterns and the choice of MIDI (which i suppose introduce the use of the
> cromatic relations) rather than just frequencies?
>
The idea behind the piece is to _not choose_ how the music will be composed,
but to let the data sound.
Thus I tried to create the simplest data translation method I could achieve,
and I used the simplest sound generators I could, i.e. 3 basic phasor and
sine generators.
Each IP address becomes a single note, formed by four voices. Let's say I
have the following IP: 192.34.53.23.
The software first decomposes each single value, then translates each float
in a MIDI value (using a proper mapping of the data), finally it feeds the
synthesizers.
There is no use of cromatic relations or other composition methods, numbers
just sound; notes are ordered by the amount of pages the Golden Shield
obscured for each IP address. Using polyrhythm I enriched the composition.
I used MIDI because it is the most immediate and suitable protocol for this
kind of data (rarely IP addresses contains float bigger than 200, this
allows a quite reliable MIDI mapping).
And maybe also how you think the actual sound of the piece relates to China
> and the cencorship problems you refer to?
I like the idea that those censored contents can become public while
mutating into another shape, from words and images to sound.
At the same time if the Golden Shield wouldn't exist, the piece would not
make any sense... in a way I tried to exploit this censorship technology in
the opposite way China government does.
They use IP addresses to identify cultural and historical contents to be
censored, my piece uses the same IP to compose music with free technology.
The sound of the piece is not relevant to me, I think the composition
process it's actually the real "artwork", even though I don't really like
this word.
Hope I answered to your questions,
I'd would be really interested in other microsound-ish works outlining a
process as main aspect of the piece.
Anybody wants to share?
Best,
Marco
On Fri, May 7, 2010 at 6:02 PM, Jonas R. Kirkegaard wrote:
> Very interesting project!
>
> When mapping data to musical parameters you can allways do it in 100
> million different ways. Can you explain a little more about your aesthetic
> choices in selection of the "sound" of the voices? Maybe specifically about
> the choice of rythmic patterns and the choice of MIDI (which i suppose
> introduce the use of the cromatic relations) rather than just frequencies?
> And maybe also how you think the actual sound of the piece relates to China
> and the cencorship problems you refer to?
>
> All the best
> Jonas
>
> Den 22/04/2010 kl. 13.38 skrev Marco Donnarumma:
>
> Dear microsounders,
> I'd like to share with you my latest (Pure Data-based) work.
> Golden Shield Music is a multi-channel generative sound installation for
> censored Internet Protocol (IP) addresses.
> Detailed informations (including an audio excerpt) can be viewed at
> http://marcodonnarumma.com/works/golden-shield-music/.
> Following a proposal by Greg J. Smith, chief editor at Vague Terrain, I
> wrote a project brief for the journal:
> http://vagueterrain.net/content/2010/04/golden-shield-music
>
> Would love to hear feedbacks from the community.
> Best,
>
>
>
> --
> Marco Donnarumma aka TheSAD
> Independent New Media Arts Professional, Performer, Teacher - Edinburgh, UK
>
>
> PORTFOLIO: http://marcodonnarumma.com
> LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
> http://www.flxer.net
> EVENT: http://www.liveperformersmeeting.net
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
--
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher - Edinburgh, UK
PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net
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From grahammiller at sympatico.ca Tue May 11 13:55:20 2010
From: grahammiller at sympatico.ca (Graham Miller)
Date: Tue, 11 May 2010 13:55:20 -0400
Subject: [microsound] DevineCube granular ensemble for reaktor w/ lemur
template!
Message-ID: <108CDE7D-2C47-4D7F-89BA-AC40F5C74A4B@sympatico.ca>
just downloaded this free ensemble... it's really outstanding. check it out if you have reaktor! there's also a lemur template too!
http://www.jazzmutant.com/cube.php
i'm not affiliated with any of this - just wanted to share.
all the best,
graham
from the website:
Richard Devine is one of the most highly respected sound designers in our industry and here he gives away the result of an electroacoustic collaboration with RachMiel: a unique new Reaktor instrument. Not only that, but he's created a special Lemur version alongside Lemur-programmer genuis Antonio Blanca for the JazzMutant community.
Richard Devine's unique approach to sound is hugely in demand and the Lemur Cube's two granular samplers are packed with an entire library of original sound content. The randomisations inside the Reaktor patch make it a sound sculpture piece that never plays the same sound twice. The in-depth control provided by the Lemur template is perfect for guiding the chaos.
The twisted textures provided by DevineCube are ideal to add soundscapes and sound fx to any project, or even throw in your own samples into the waveform window (define the samples range in the main window) and see what comes out!
Click here for the lemur template!.
Click here for a huge four granular sampler Reaktor only version for more sonic madness!.
Whilst you listen to the amazing sounds coming out of this Lemur/Reaktor instrument, sit back and let the credits roll:
Concept & sound design:
Richard Devine & Josh Kay
Devinesound
www.devinesound.com
Concept & programming:
Rick Scott
Rachmiel
www.rachmiel.org
Additional programming & GUI tweaks:
Igor Shilov
Twisted Tools
www.twistedtools.com
LemurCube control surface design & additional sound design:
Antonio Blanca
http://absoundscapes.com
All sounds ?2010 DevineSound
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From st.scholl at live.de Wed May 12 17:35:15 2010
From: st.scholl at live.de (steffen scholl)
Date: Wed, 12 May 2010 23:35:15 +0200
Subject: [microsound] max/msp run time
In-Reply-To: <4BD9A897.3040102@boxmanstudies.com>
References: <4BD9A897.3040102@boxmanstudies.com>
Message-ID:
what exactly is the function of max/msp runtime?
best,
st
_________________________________________________________________
http://redirect.gimas.net/?n=M1004xjajah2
?ber Messenger g?nstiger telefonieren? Sagen Sie "Ja" zu JAJAH!
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From erik at thuisbasis.net Wed May 12 17:49:13 2010
From: erik at thuisbasis.net (Erik Maes)
Date: Wed, 12 May 2010 23:49:13 +0200
Subject: [microsound] max/msp run time
In-Reply-To:
References: <4BD9A897.3040102@boxmanstudies.com>
Message-ID: <4BEB2259.8030901@thuisbasis.net>
steffen scholl wrote:
> what exactly is the function of max/msp runtime?
To maintain the dependency on proprietary software.
From news at ostrowski.info Wed May 12 17:55:29 2010
From: news at ostrowski.info (mattyo)
Date: Wed, 12 May 2010 17:55:29 -0400
Subject: [microsound] max/msp run time
In-Reply-To: <4BEB2259.8030901@thuisbasis.net>
References: <4BD9A897.3040102@boxmanstudies.com>
<4BEB2259.8030901@thuisbasis.net>
Message-ID: <1CD33AC6-8ABC-4A86-B5F5-92052364A3CF@ostrowski.info>
Or, to be unopinionated about it, to enable other people who do not
own the max application to run patches written in max. they can use
them, but not edit them.
\M
On May 12, 2010, at 5:49 PM, Erik Maes wrote:
> steffen scholl wrote:
>> what exactly is the function of max/msp runtime?
>
> To maintain the dependency on proprietary software.
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
From pascal.savy at googlemail.com Wed May 12 17:56:59 2010
From: pascal.savy at googlemail.com (pascal)
Date: Wed, 12 May 2010 22:56:59 +0100
Subject: [microsound] max/msp run time (steffen scholl)
Message-ID:
with the max/msp runtime, you can run existing max patches without having to
own a max license.
so basically you run those patches for free but you can't hack them up.
best,
pascal
http://www.staticsound.net
------------------------------
>
> Message: 4
> Date: Wed, 12 May 2010 23:35:15 +0200
> From: steffen scholl
> To: microsound
> Subject: [microsound] max/msp run time
> Message-ID:
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> what exactly is the function of max/msp runtime?
>
> best,
> st
>
> _________________________________________________________________
> http://redirect.gimas.net/?n=M1004xjajah2
> ?ber Messenger g?nstiger telefonieren? Sagen Sie "Ja" zu JAJAH!
> -------------- next part --------------
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>
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>
>
>
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From mmi at art.pte.hu Thu May 13 01:36:51 2010
From: mmi at art.pte.hu (Kovacs Balazs)
Date: Thu, 13 May 2010 07:36:51 +0200
Subject: [microsound] max/msp run time (steffen scholl)
In-Reply-To:
References:
Message-ID: <4BEB8FF3.4060703@art.pte.hu>
but it is not to hard to edit a patch as textfile, so you can hack it...
Bal?zs
2010.05.12. 23:56 keltez?ssel, pascal ?rta:
> with the max/msp runtime, you can run existing max patches without
> having to own a max license.
>
> so basically you run those patches for free but you can't hack them up.
>
>
> best,
>
> pascal
>
>
>
> http://www.staticsound.net
>
> ------------------------------
>
> Message: 4
> Date: Wed, 12 May 2010 23:35:15 +0200
> From: steffen scholl >
> To: microsound >
> Subject: [microsound] max/msp run time
> Message-ID:
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> what exactly is the function of max/msp runtime?
>
> best,
> st
>
> _________________________________________________________________
> http://redirect.gimas.net/?n=M1004xjajah2
> ?ber Messenger g?nstiger telefonieren? Sagen Sie "Ja" zu JAJAH!
> -------------- next part --------------
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>
>
> ------------------------------
>
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
--
PTE-MK MAMI
PTE Muveszeti Kar, Media- es Alkalmazott Muveszetek Intezete
H-7624 Pecs, Damjanich u. 30.
tel/fax:+36(72)501540
mobil:+36(20)2331867
e-mail: mmi at art.pte.hu
weblap: http://www.art.pte.hu/menu/92
From lsutton at libero.it Thu May 13 02:49:02 2010
From: lsutton at libero.it (Lorenzo)
Date: Thu, 13 May 2010 08:49:02 +0200
Subject: [microsound] max/msp run time (steffen scholl)
In-Reply-To: <4BEB8FF3.4060703@art.pte.hu>
References:
<4BEB8FF3.4060703@art.pte.hu>
Message-ID: <4BEBA0DE.3020005@libero.it>
> but it is not to hard to edit a patch as textfile, so you can hack it...
Not if they have been saved in some binary format.
Lorenzo.
>
> Bal?zs
>
>
> 2010.05.12. 23:56 keltez?ssel, pascal ?rta:
>> with the max/msp runtime, you can run existing max patches without
>> having to own a max license.
>>
>> so basically you run those patches for free but you can't hack them up.
>>
>>
>> best,
>>
>> pascal
>>
>>
>>
>> http://www.staticsound.net
>>
>> ------------------------------
>>
>> Message: 4
>> Date: Wed, 12 May 2010 23:35:15 +0200
>> From: steffen scholl >
>> To: microsound > >
>> Subject: [microsound] max/msp run time
>> Message-ID:
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>>
>> what exactly is the function of max/msp runtime?
>>
>> best,
>> st
>>
>> _________________________________________________________________
>> http://redirect.gimas.net/?n=M1004xjajah2
>> ?ber Messenger g?nstiger telefonieren? Sagen Sie "Ja" zu JAJAH!
>> -------------- next part --------------
>> An HTML attachment was scrubbed...
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>>
>>
>>
>> ------------------------------
>>
>>
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
>
From noisesmith at gmail.com Thu May 13 03:00:15 2010
From: noisesmith at gmail.com (Justin Glenn Smith)
Date: Thu, 13 May 2010 00:00:15 -0700
Subject: [microsound] max/msp run time (steffen scholl)
In-Reply-To: <4BEBA0DE.3020005@libero.it>
References: <4BEB8FF3.4060703@art.pte.hu>
<4BEBA0DE.3020005@libero.it>
Message-ID: <4BEBA37F.1030000@gmail.com>
what he is saying is that max patches are text files. The really tricky thing is that objects and connections are referred to by numbers based on the order they are created so deleting an object or moving a connection etc. can get way tricky, but if you do it in a disciplined way it is definitely possible to hack max patches in a text editor.
Lorenzo wrote:
>
>> but it is not to hard to edit a patch as textfile, so you can hack it...
> Not if they have been saved in some binary format.
>
> Lorenzo.
>>
>> Bal?zs
>>
>>
>> 2010.05.12. 23:56 keltez?ssel, pascal ?rta:
>>> with the max/msp runtime, you can run existing max patches without
>>> having to own a max license.
>>>
>>> so basically you run those patches for free but you can't hack them up.
>>>
>>>
>>> best,
>>>
>>> pascal
>>>
>>>
>>>
>>> http://www.staticsound.net
>>>
>>> ------------------------------
>>>
>>> Message: 4
>>> Date: Wed, 12 May 2010 23:35:15 +0200
>>> From: steffen scholl >
>>> To: microsound >> >
>>> Subject: [microsound] max/msp run time
>>> Message-ID:
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>>
>>> what exactly is the function of max/msp runtime?
>>>
>>> best,
>>> st
>>>
>>> _________________________________________________________________
>>> http://redirect.gimas.net/?n=M1004xjajah2
>>> ?ber Messenger g?nstiger telefonieren? Sagen Sie "Ja" zu JAJAH!
>>> -------------- next part --------------
>>> An HTML attachment was scrubbed...
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>>>
>>>
>>>
>>> ------------------------------
>>>
>>>
>>>
>>>
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>
>>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
From chazen at gmail.com Thu May 13 08:40:06 2010
From: chazen at gmail.com (Charlie DeTar)
Date: Thu, 13 May 2010 08:40:06 -0400
Subject: [microsound] max/msp run time (steffen scholl)
In-Reply-To: <4BEBA37F.1030000@gmail.com>
References: <4BEB8FF3.4060703@art.pte.hu> <4BEBA0DE.3020005@libero.it>
<4BEBA37F.1030000@gmail.com>
Message-ID: <4BEBF326.4060505@gmail.com>
On 05/13/2010 03:00 AM, Justin Glenn Smith wrote:
> what he is saying is that max patches are text files. The really tricky thing is that objects and connections are referred to by numbers based on the order they are created so deleting an object or moving a connection etc. can get way tricky, but if you do it in a disciplined way it is definitely possible to hack max patches in a text editor.
>
> Lorenzo wrote:
>>
>>> but it is not to hard to edit a patch as textfile, so you can hack it...
>> Not if they have been saved in some binary format.
It is tangential to the argument at hand, but indeed max patches can be
saved in binary (typically ".mxb"), text (typically ".mxt") or
collection formats (including standalone app bundles that embed the
runtime). If it's a simple max binary format (not a collection), this
simple utility which I extracted from the "cyclone" PD/Max compatibility
project could convert it to text:
http://tirl.org/software/maxb2maxt/
And indeed, hacking a patch code by hand is ridiculous. Though I've done
it for small fixes, if you had to make a substantial change, you'd be
better off reimplementing in supercollider, PD, or anything else really.
-charlie
From renato.fabbri at gmail.com Thu May 13 08:54:45 2010
From: renato.fabbri at gmail.com (Renato Fabbri)
Date: Thu, 13 May 2010 09:54:45 -0300
Subject: [microsound] Sweden events or meetings on July
Message-ID:
Dear List Members,
I might be around Sweden in July. Does anyone know about interesting
events on experimental electronic music (or simply electronic art)
taking place nearby? If linked to free technologies, even better!
Best of Luck,
Renato
--
Linux User #479299
skype: fabbri.renato
From lister at sonicescape.net Thu May 13 08:58:35 2010
From: lister at sonicescape.net (Jakob Riis)
Date: Thu, 13 May 2010 14:58:35 +0200
Subject: [microsound] Sweden events or meetings on July
In-Reply-To:
References:
Message-ID: <20100513125835.1323405032@mail2.bahnhof.se>
Norbergfestival
http://www.norbergfestival.com/
Cheers,
Jakob
13/05/10, kl. 14:54 +0200 , skrev Renato Fabbri:
>Dear List Members,
>
>I might be around Sweden in July. Does anyone know about interesting
>events on experimental electronic music (or simply electronic art)
>taking place nearby? If linked to free technologies, even better!
>
>Best of Luck,
>Renato
>
>
>--
>Linux User #479299
>skype: fabbri.renato
>_______________________________________________
>microsound mailing list
>microsound at microsound.org
>http://or8.net/mailman/listinfo/microsound
From arsmoderna at gmail.com Thu May 13 13:46:41 2010
From: arsmoderna at gmail.com (carlos santos)
Date: Thu, 13 May 2010 18:46:41 +0100
Subject: [microsound] RadiaLx 2010: Open Call for Radio and Sound Art
Projects and Broadcasts
Message-ID:
// Open Call for Radio and Sound Art Projects and Broadcasts //
Selection of radio projects to be broadcast during the three day
special programation.
Closing date for the open call: 30 May 2010.
a) streaming projects
b) 28 or 57 minute radio program
c) other formats are acceptable (but please send a detailed proposal)
For additional information on this open call:
http://www.radialx.radiozero.pt
//
About RadiaLx 2010
RadiaLx 2010 is the third edition of the radio festival and will take
place in Lisbon from 1 to 3 of July. RadiaLx 2010 has produced the
only radio art festival in Portugal which focuses exclusively on
radio, sound art and audio work. The festival features 3 days of
non-stop special broadcast on Radio Zero comprising site-specific
projects, streamings from all over the world, live shows, as well as
broadcasts of recent and old challenging radio and sound works. In
parallel, workshops and conferences will certainly provide an in-depth
critical platform and a place for exchange of ideas, bringing students
and pratictioners to colaboration and direct engagement with the radio
field. The artists are encouraged to use radio to establish
interactions with the place as social and geographic space.
http://www.radialx.radiozero.pt
Email: radialx at radiozero.pt
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From nathalie.fougeras at gmail.com Fri May 14 08:32:45 2010
From: nathalie.fougeras at gmail.com (nathalie fougeras)
Date: Fri, 14 May 2010 14:32:45 +0200
Subject: [microsound] Sweden events or meetings on July
In-Reply-To:
References:
Message-ID:
Hi
In LAB gallery I will organize a Headphones festival the 3 and 4th of july.
I will open soon the access here: http://leplacard.org/2010/(( LAB_Sounds
))/
You re welcome to come and play directly in LAB gallery (north of sweden)
some experimental sounds for the LABoratory sounds thematic.
Please contact me for more information
All the best
Nathalie for LAB gallery
LAB gallery
http://www.lab-gallery.com
2010/5/13 Renato Fabbri
> Dear List Members,
>
> I might be around Sweden in July. Does anyone know about interesting
> events on experimental electronic music (or simply electronic art)
> taking place nearby? If linked to free technologies, even better!
>
> Best of Luck,
> Renato
>
>
> --
> Linux User #479299
> skype: fabbri.renato
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From renato.fabbri at gmail.com Sun May 16 06:19:06 2010
From: renato.fabbri at gmail.com (Renato Fabbri)
Date: Sun, 16 May 2010 07:19:06 -0300
Subject: [microsound] Sweden events or meetings on July
In-Reply-To:
References:
Message-ID:
Ok,
Thanks for your feedback.
2010/5/14 nathalie fougeras :
> Hi
>
> In LAB gallery I will organize a Headphones festival the 3 and 4th of july.
> I will open soon the access here: http://leplacard.org/2010/(( LAB_Sounds
> ))/
>
> You re welcome to come and play directly in LAB gallery (north of sweden)
> some experimental sounds for the LABoratory sounds thematic.
>
> Please contact me for more information
>
> All the best
> Nathalie for LAB gallery
>
> LAB gallery
> http://www.lab-gallery.com
>
>
>
>
> 2010/5/13 Renato Fabbri
>>
>> Dear List Members,
>>
>> I might be around Sweden in July. Does anyone know about interesting
>> events on experimental electronic music (or simply electronic art)
>> taking place nearby? If linked to free technologies, even better!
>>
>> Best of Luck,
>> Renato
>>
>>
>> --
>> Linux User #479299
>> skype: fabbri.renato
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
--
Linux User #479299
skype: fabbri.renato
From jhopkins at tech-no-mad.net Thu May 20 17:59:56 2010
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Thu, 20 May 2010 15:59:56 -0600
Subject: [microsound] microsound in Portland?
Message-ID: <4BF5B0DC.4020701@tech-no-mad.net>
Howdy folks --
I find myself in Portland, Oregon for a week, until 26 May, with busy MD-type
friends, so, an Audi coupe and keys to putter around town -- anybody know of
interesting things, venues, exhibitions, performances, etc, to check out?
cheers,
John
From ted.pallas at gmail.com Thu May 20 18:30:48 2010
From: ted.pallas at gmail.com (Ted Pallas)
Date: Thu, 20 May 2010 18:30:48 -0400
Subject: [microsound] microsound in Portland?
In-Reply-To: <4BF5B0DC.4020701@tech-no-mad.net>
References: <4BF5B0DC.4020701@tech-no-mad.net>
Message-ID: <6CCCBE70-B6E1-4AFF-82C8-13EFC9108A32@gmail.com>
If you don't drink stumptown coffee while you're there you, sir, are a
fool.
Ted Pallas
Live Media Design
Founder, ://grove.nyc
ted at grovenyc.net
cell - 516 286 9661
On May 20, 2010, at 5:59 PM, John Hopkins
wrote:
> Howdy folks --
>
> I find myself in Portland, Oregon for a week, until 26 May, with
> busy MD-type friends, so, an Audi coupe and keys to putter around
> town -- anybody know of interesting things, venues, exhibitions,
> performances, etc, to check out?
>
> cheers,
> John
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
From hgarbage at gmail.com Thu May 20 19:18:26 2010
From: hgarbage at gmail.com (Gavin Gamboa)
Date: Thu, 20 May 2010 16:18:26 -0700
Subject: [microsound] microsound in Portland?
In-Reply-To: <6CCCBE70-B6E1-4AFF-82C8-13EFC9108A32@gmail.com>
References: <4BF5B0DC.4020701@tech-no-mad.net>
<6CCCBE70-B6E1-4AFF-82C8-13EFC9108A32@gmail.com>
Message-ID:
Powell's bookstore!
On Thu, May 20, 2010 at 3:30 PM, Ted Pallas wrote:
> If you don't drink stumptown coffee while you're there you, sir, are a
> fool.
>
> Ted Pallas
> Live Media Design
> Founder, ://grove.nyc
> ted at grovenyc.net
> cell - 516 286 9661
>
>
> On May 20, 2010, at 5:59 PM, John Hopkins
> wrote:
>
> Howdy folks --
>>
>> I find myself in Portland, Oregon for a week, until 26 May, with busy
>> MD-type friends, so, an Audi coupe and keys to putter around town -- anybody
>> know of interesting things, venues, exhibitions, performances, etc, to check
>> out?
>>
>> cheers,
>> John
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From gregpond at gmail.com Thu May 20 21:34:56 2010
From: gregpond at gmail.com (Greg Pond)
Date: Thu, 20 May 2010 20:34:56 -0500
Subject: [microsound] microsound in Portland?
In-Reply-To: <4BF5B0DC.4020701@tech-no-mad.net>
References: <4BF5B0DC.4020701@tech-no-mad.net>
Message-ID:
dont know what is happening there at the moment but here are some links I
use for Portland area galleries, artists, sound, and film
http://www.portlandart.net/
http://pdxstump.com/directory/experimental/music
http://www.openwidepdx.com/
http://www.ultrapdx.com/
http://iglooart.blogspot.com/
http://www.odoka.org/
http://www.rocksboxfineart.com/
http://www.fourteen30.com/index.cfm
http://www.disjecta.org/main.php
http://www.nwfilm.org/
http://www.ditchprojects.com/
have a good time
On Thu, May 20, 2010 at 4:59 PM, John Hopkins wrote:
> Howdy folks --
>
> I find myself in Portland, Oregon for a week, until 26 May, with busy
> MD-type friends, so, an Audi coupe and keys to putter around town -- anybody
> know of interesting things, venues, exhibitions, performances, etc, to check
> out?
>
> cheers,
> John
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From touch at klanggold.net Fri May 21 02:31:38 2010
From: touch at klanggold.net (Klanggold)
Date: Fri, 21 May 2010 08:31:38 +0200
Subject: [microsound] Reviews wanted
Message-ID: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
Hello music lovers.
i?m trying to find people/ magazines/ radio guys which are interessted in writing reviews of klanggold releases.
we throw out experimental, ambient, noise, avant-garde and soundscape stuff to the world ;)
if you feel, that you?re the right person, please get in touch with me
Andreas Usenbenz
____________________________________
KLANGGOLD
label for experimental, avantgarde, improvised & electronic audioart
c/o andreas usenbenz
Eichenhang 73
89075 ulm
www.klanggold.net
be a friend:
www.myspace.com/klanggold
www.twitter.com/klanggold
news:
kg008/ Haruki . Snowed in Food Shelter (cd/dl)
(file under: experimental, neo-classical, drones, ambient)
still hot:
kg007/ Morgan Craft - Morgan Kraft (digital)
(file under: experimental, Avantgarde Jazz, Improvisation)
kg006/ Nobile- Mariella (digital + special limited cd version)
(file under: experimental, piano music, ambient, improvisation)
kg005/ Viirus- The Virus Album
(file under: experimental, Jazz, free jazz, soundscapes)
kg004/ Jens D?ring & Ulrich Troyer- 20050429
(file under: experimental, noise, improvisation)
kg003/ 3Banditos- Sympathy For The Donkey
(file under: experimental, noise, improvisation)
kg002/ Jair Rohm Parker Wells- AMDG
(file under: experimental, noise, jazz)
kg001/ Nobile- Pelktron
(file under: experimental, ambient, noise, new music)
forthcoming releases:
jens d?ring & andreas usenbenz - salat (kg008)
jens d?ring & andreas usenbenz - wurst (kg009)
haruki - snowed in food shelter (kg010)
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From no-reply at dropbox.com Fri May 21 06:36:50 2010
From: no-reply at dropbox.com (Dropbox)
Date: Fri, 21 May 2010 10:36:50 +0000
Subject: [microsound] Michael Beijer has invited you to Dropbox
Message-ID: <20100521103650.CD1C53063F8@mailman.dropbox.com>
We're excited to let you know that Michael Beijer has invited you to Dropbox!
Michael Beijer has been using Dropbox to sync and share files online and across computers, and thought you might want it too.
Visit http://www.dropbox.com/link/20.9dxKGUqobC/NjE4MjAwODk5Nw to get started.
- The Dropbox Team
____________________________________________________
To stop receiving invites from Dropbox, please go to http://www.dropbox.com/bl/1c83d48030e0/microsound%40or8.net
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From technohead3d at googlemail.com Fri May 21 07:29:54 2010
From: technohead3d at googlemail.com (Adam Davis)
Date: Fri, 21 May 2010 12:29:54 +0100
Subject: [microsound] Reviews wanted
In-Reply-To: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
Message-ID:
I am a person, and I volunteer! :)
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From technohead3d at googlemail.com Fri May 21 07:29:54 2010
From: technohead3d at googlemail.com (Adam Davis)
Date: Fri, 21 May 2010 12:29:54 +0100
Subject: [microsound] Reviews wanted
In-Reply-To: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
Message-ID:
I am a person, and I volunteer! :)
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From touch at klanggold.net Fri May 21 07:55:26 2010
From: touch at klanggold.net (Klanggold)
Date: Fri, 21 May 2010 13:55:26 +0200
Subject: [microsound] Reviews wanted
In-Reply-To:
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
Message-ID: <1C333474-A5D0-4555-A459-FBB7ECF98013@klanggold.net>
great Adam, Thanks...
Am 21.05.2010 um 13:29 schrieb Adam Davis:
> I am a person, and I volunteer! :)
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
____________________________________
KLANGGOLD
label for experimental, avantgarde, improvised & electronic audioart
c/o andreas usenbenz
Eichenhang 73
89075 ulm
www.klanggold.net
be a friend:
www.myspace.com/klanggold
www.twitter.com/klanggold
news:
kg007/ Morgan Craft - Morgan Kraft (digital)
(file under: experimental, Avantgarde Jazz, Improvisation)
still hot:
kg006/ Nobile- Mariella (digital + special limited cd version)
(file under: experimental, piano music, ambient, improvisation)
kg005/ Viirus- The Virus Album
(file under: experimental, Jazz, free jazz, soundscapes)
kg004/ Jens D?ring & Ulrich Troyer- 20050429
(file under: experimental, noise, improvisation)
kg003/ 3Banditos- Sympathy For The Donkey
(file under: experimental, noise, improvisation)
kg002/ Jair Rohm Parker Wells- AMDG
(file under: experimental, noise, jazz)
kg001/ Nobile- Pelktron
(file under: experimental, ambient, noise, new music)
forthcoming releases:
jens d?ring & andreas usenbenz - salat (kg008)
jens d?ring & andreas usenbenz - wurst (kg009)
haruki - snowed in food shelter (kg010)
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From erikdastudio at yahoo.co.uk Fri May 21 10:14:20 2010
From: erikdastudio at yahoo.co.uk (erik de bruyn)
Date: Fri, 21 May 2010 14:14:20 +0000 (GMT)
Subject: [microsound] Reviews wanted
In-Reply-To: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>
Message-ID: <230215.96135.qm@web25002.mail.ukl.yahoo.com>
i'll volunteer , i'm radio-guy, but , beware , i'm allways honest ;)
grtz, erik
________________________________
From: Klanggold
To: "microsound-request at or8.net"
Sent: Fri, 21 May, 2010 8:31:38
Subject: [microsound] Reviews wanted
Hello music lovers.
i?m trying to find people/ magazines/ radio guys which are interessted in writing reviews of klanggold releases.
we throw out experimental, ambient, noise, avant-garde and soundscape stuff to the world ;)
if you feel, that you?re the right person, please get in touch with me
Andreas Usenbenz?
____________________________________
KLANGGOLD
label for experimental, avantgarde, improvised & electronic audioart
c/o andreas usenbenz
Eichenhang 73
89075 ulm
www.klanggold.net
be a friend:
www.myspace.com/klanggold
www.twitter.com/klanggold
news:
kg008/ Haruki . Snowed in Food Shelter (cd/dl)
(file under: experimental, neo-classical, drones, ambient)
still hot:
kg007/ Morgan Craft - Morgan Kraft (digital)
(file under: experimental, Avantgarde Jazz, Improvisation)
kg006/ Nobile- Mariella?(digital + special limited cd version)
(file under: experimental, piano music, ambient, improvisation)
kg005/ Viirus- The Virus Album?
(file under: experimental, Jazz, free jazz, soundscapes)
kg004/ Jens D?ring & Ulrich Troyer- 20050429?
(file under: experimental, noise, improvisation)
kg003/ 3Banditos- Sympathy For The Donkey?
(file under: experimental, noise, improvisation)
kg002/ Jair Rohm Parker Wells- AMDG
(file under: experimental, noise, jazz)
kg001/ Nobile- Pelktron?
(file under: experimental, ambient, noise, new music)
forthcoming releases:
jens d?ring & andreas usenbenz - salat (kg008)
jens d?ring & andreas usenbenz - wurst (kg009)
haruki - snowed in food shelter (kg010)
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From bbrace at eskimo.com Fri May 21 18:25:43 2010
From: bbrace at eskimo.com ({ brad brace })
Date: Fri, 21 May 2010 15:25:43 -0700 (PDT)
Subject: [microsound] microsound in Portland?
In-Reply-To: <4BF5B0DC.4020701@tech-no-mad.net>
References: <4BF5B0DC.4020701@tech-no-mad.net>
Message-ID:
oh, hell, it's a hostile, corrupt police-state, packed with
petty bureaucrats; gulp your overpriced caffeinated swill
and hope you're able to get out of town!
/:b
From kim at anechoicmedia.com Fri May 21 19:01:05 2010
From: kim at anechoicmedia.com (Kim Cascone)
Date: Fri, 21 May 2010 16:01:05 -0700
Subject: [microsound] ***yet another reminder***
Message-ID: <4BF710B1.1000405@anechoicmedia.com>
in case some .microsounders missed the last post:
this list is *not* meant for announcing anything
except new works you want to share with the community and/or get feedback on
please please please read the frickin' statement in BIG RED LETTERS on
the same page you happened to sub from?
it is all right there is painfully unsubtle text
screaming at you in bold red:
***DO NOT POST ANNOUNCEMENTS TO THE MAIN MICROSOUND LIST!!!***
there is another list for this
which you can sub to and announce and cross-post to
From alex.ookpik at gmail.com Fri May 21 19:12:43 2010
From: alex.ookpik at gmail.com (alex olsen)
Date: Fri, 21 May 2010 19:12:43 -0400
Subject: [microsound] ***yet another reminder***
In-Reply-To: <4BF710B1.1000405@anechoicmedia.com>
References: <4BF710B1.1000405@anechoicmedia.com>
Message-ID:
Hello,
As a relatively new subscriber I just wanted to clarify something. I often
see people post about how they are visiting a particular city and would
like to know about groups, venues, and events in that area.
If we are replying to a request of that type with a suggestion of an event
we know about in that area, should we simply reply off-list?
I know in my own case I was simply answering someone's question of what to
do in a particular area -- I just happened to know about an event there and
was trying to be helpful by mentioning it.
Much thanks,
Alex
On Fri, May 21, 2010 at 7:01 PM, Kim Cascone wrote:
> in case some .microsounders missed the last post:
>
> this list is *not* meant for announcing anything
> except new works you want to share with the community and/or get feedback
> on
>
> please please please read the frickin' statement in BIG RED LETTERS on
> the same page you happened to sub from?
>
> it is all right there is painfully unsubtle text
> screaming at you in bold red:
> ***DO NOT POST ANNOUNCEMENTS TO THE MAIN MICROSOUND LIST!!!***
> there is another list for this
> which you can sub to and announce and cross-post to
>
>
>
>
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
--
+ + + + +
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From alex.ookpik at gmail.com Fri May 21 19:12:43 2010
From: alex.ookpik at gmail.com (alex olsen)
Date: Fri, 21 May 2010 19:12:43 -0400
Subject: [microsound] ***yet another reminder***
In-Reply-To: <4BF710B1.1000405@anechoicmedia.com>
References: <4BF710B1.1000405@anechoicmedia.com>
Message-ID:
Hello,
As a relatively new subscriber I just wanted to clarify something. I often
see people post about how they are visiting a particular city and would
like to know about groups, venues, and events in that area.
If we are replying to a request of that type with a suggestion of an event
we know about in that area, should we simply reply off-list?
I know in my own case I was simply answering someone's question of what to
do in a particular area -- I just happened to know about an event there and
was trying to be helpful by mentioning it.
Much thanks,
Alex
On Fri, May 21, 2010 at 7:01 PM, Kim Cascone wrote:
> in case some .microsounders missed the last post:
>
> this list is *not* meant for announcing anything
> except new works you want to share with the community and/or get feedback
> on
>
> please please please read the frickin' statement in BIG RED LETTERS on
> the same page you happened to sub from?
>
> it is all right there is painfully unsubtle text
> screaming at you in bold red:
> ***DO NOT POST ANNOUNCEMENTS TO THE MAIN MICROSOUND LIST!!!***
> there is another list for this
> which you can sub to and announce and cross-post to
>
>
>
>
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
--
+ + + + +
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From arsmoderna at gmail.com Mon May 24 07:16:59 2010
From: arsmoderna at gmail.com (carlos santos)
Date: Mon, 24 May 2010 12:16:59 +0100
Subject: [microsound] RadiaLx 2010: Open Call for Radio and Sound Art
Projects and Broadcasts
Message-ID: <238E8850-7813-4A8F-A41B-52DF8CB6C3CC@gmail.com>
// Open Call for Radio and Sound Art Projects and Broadcasts //
Selection of radio projects to be broadcast during the three day
special programation.
Closing date for the open call: 30 May 2010.
a) streaming projects
b) 28 or 57 minute radio program
c) other formats are acceptable (but please send a detailed proposal)
For additional information on this open call:
http://www.radialx.radiozero.pt
//
About RadiaLx 2010
RadiaLx 2010 is the third edition of the radio festival and will take
place in Lisbon from 1 to 3 of July. RadiaLx 2010 has produced the
only radio art festival in Portugal which focuses exclusively on
radio, sound art and audio work. The festival features 3 days of
non-stop special broadcast on Radio Zero comprising site-specific
projects, streamings from all over the world, live shows, as well as
broadcasts of recent and old challenging radio and sound works. In
parallel, workshops and conferences will certainly provide an in-depth
critical platform and a place for exchange of ideas, bringing students
and pratictioners to colaboration and direct engagement with the radio
field. The artists are encouraged to use radio to establish
interactions with the place as social and geographic space.
http://www.radialx.radiozero.pt
Email: radialx at radiozero.pt
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From jhopkins at tech-no-mad.net Mon May 24 12:16:18 2010
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Mon, 24 May 2010 09:16:18 -0700
Subject: [microsound] microsound in Portland?
In-Reply-To: <6CCCBE70-B6E1-4AFF-82C8-13EFC9108A32@gmail.com>
References: <4BF5B0DC.4020701@tech-no-mad.net>
<6CCCBE70-B6E1-4AFF-82C8-13EFC9108A32@gmail.com>
Message-ID: <4BFAA652.1030403@tech-no-mad.net>
Hei, folks, thanks for all the Portland input, I'm having some interesting
encounters and tho no direct microsound-ish events, the off-list lists were very
helpful and gave me a different perspective on my city experience (my hosts are
old friends, but are surgeons at the OSU hospital, so a totally different
world-view ;-)
Kim, I did want to clarify regarding your post to the list about no
announcements -- as I hadn't seen any such announcements recently -- wanted to
know if it was my post asking for microsound info on Portland that you were
referring to? I have always understood the main list to be a
community-generator which strengthens the ties among practitioners and others
who are interested in microsoundish principles. It'd be nice if you could
clarify if it was my email that you were directing the comment to.
cheers,
John
*********************************************
John Hopkins
Artist-in-residence, April-May 2010
Center for Land Use Interpretation
http://clui.org
Wendover, Nevada, USA
http://tech-no-mad.net/blog/
http://www.neoscenes.net/travelog/weblog.php
chazhop at gmail.com jhopkins at neoscenes.net
skype: chazhopkins
*********************************************
From st.scholl at live.de Thu May 27 06:31:07 2010
From: st.scholl at live.de (steffen scholl)
Date: Thu, 27 May 2010 12:31:07 +0200
Subject: [microsound] mcgill-mailing list
In-Reply-To: <230215.96135.qm@web25002.mail.ukl.yahoo.com>
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>,
<230215.96135.qm@web25002.mail.ukl.yahoo.com>
Message-ID:
hello,
who can tell me something about the first max-mailing-list (1993-?) which was initiated by christopher murtagh?
best, steff
_________________________________________________________________
http://redirect.gimas.net/?n=M1005xWin72
Windows 7 - Alles was Du brauchst und noch viel mehr!
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From trond.lossius at bek.no Thu May 27 07:52:32 2010
From: trond.lossius at bek.no (Trond Lossius)
Date: Thu, 27 May 2010 13:52:32 +0200
Subject: [microsound] mcgill-mailing list
In-Reply-To:
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>,
<230215.96135.qm@web25002.mail.ukl.yahoo.com>
Message-ID: <6B34C379-2EF7-4CFC-BD22-17D5597328B6@bek.no>
> who can tell me something about the first max-mailing-list (1993-?) which was initiated by christopher murtagh?
It was run on a McGill server, and administered by Chris Murtagh. Following controversies related to antiorp/Netochka Nezvanova he/she/it was voted out of the list ca. 1999. Later on Cycling'74 set up a new list replacing the first one as an attempt at a compromise. On the C74 list subscribers could choose to ignore and not receive posts from select subscribers. Following threats from NN towards C74 for copyright infringements in Jitter versus Nato+0.55 NN was again banned from the list in 2001. BEK then opened the 55 mailing list as an alternative channel, that would remain uncensored. This became a productive scene for discussions in particular related to NN, Nato.0+55 and real time video processing for a period until Jitter, in particular with the switch from OS9 to OSX, evolved as the preferred solution for video processing in the Max community.
The 55 list remains live, but have been void of traffic for several years now. Archives can be found at:
https://mail.bek.no/mailman/listinfo/55
When C74 turned from integrated forum and mailing list to a forum only solution, BEK was again asked from various holds to set up an alternative Max mailing list. This mailing list is fairly low traffic, but I find it high quality in terms of replies to questions, often from long-term and seasoned Max users (aka the dinosaurs):
https://mail.bek.no/mailman/listinfo/max
If you want to get in touch with Chris directly, you might get hold of him here:
http://www.ombu.ca/en/christopher/
I don't know if the archive of the list is still available anywhere, but I have local copies of the mails from my signing up sometime in 1998 until the end of it.
Salon.com did a quite thorough feature on NN in 2002:
http://www.salon.com/technology/feature/2002/03/01/netochka
Best,
Trond
From brymoxine at yahoo.com Thu May 27 10:22:56 2010
From: brymoxine at yahoo.com (bryan garcia)
Date: Thu, 27 May 2010 07:22:56 -0700 (PDT)
Subject: [microsound] mcgill-mailing list
In-Reply-To: <6B34C379-2EF7-4CFC-BD22-17D5597328B6@bek.no>
Message-ID: <528608.63632.qm@web33103.mail.mud.yahoo.com>
i've always loved this story of nezvenova.?
her/he/their websites were really incredible - and the work was often equally creative.
is this stuff preserved somewhere ???
was anyone around for all the drama ??? i'de love to hear personal accounts.
anyone know what happened to her/him/them ?
maybe the mystery is better left obscured.?
--- On Thu, 5/27/10, Trond Lossius wrote:
From: Trond Lossius
Subject: Re: [microsound] mcgill-mailing list
To: microsound at microsound.org
Date: Thursday, May 27, 2010, 6:52 AM
> who can tell me something about the first max-mailing-list (1993-?) which was initiated by christopher murtagh?
It was run on a McGill server, and administered by Chris Murtagh. Following controversies related to antiorp/Netochka Nezvanova he/she/it was voted out of the list ca. 1999. Later on Cycling'74 set up a new list replacing the first one as an attempt at a compromise. On the C74 list subscribers could choose to ignore and not receive posts from select subscribers. Following threats from NN towards C74 for copyright infringements in Jitter versus Nato+0.55 NN was again banned from the list in 2001. BEK then opened the 55 mailing list as an alternative channel, that would remain uncensored. This became a productive scene for discussions in particular related to NN, Nato.0+55 and real time video processing for a period until Jitter, in particular with the switch from OS9 to OSX, evolved as the preferred solution for video processing in the Max community.
The 55 list remains live, but have been void of traffic for several years now. Archives can be found at:
https://mail.bek.no/mailman/listinfo/55
When C74 turned from integrated forum and mailing list to a forum only solution, BEK was again asked from various holds to set up an alternative Max mailing list. This mailing list is fairly low traffic, but I find it high quality in terms of replies to questions, often from long-term and seasoned Max users (aka the dinosaurs):
https://mail.bek.no/mailman/listinfo/max
If you want to get in touch with Chris directly, you might get hold of him here:
http://www.ombu.ca/en/christopher/
I don't know if the archive of the list is still available anywhere, but I have local copies of the mails from my signing up sometime in 1998 until the end of it.
Salon.com did a quite thorough feature on NN in 2002:
http://www.salon.com/technology/feature/2002/03/01/netochka
Best,
Trond
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From totem_tm at yahoo.dk Thu May 27 13:48:59 2010
From: totem_tm at yahoo.dk (Jonas Olesen)
Date: Thu, 27 May 2010 17:48:59 +0000 (GMT)
Subject: [microsound] mcgill-mailing list
In-Reply-To: <528608.63632.qm@web33103.mail.mud.yahoo.com>
Message-ID: <204408.84950.qm@web29010.mail.ird.yahoo.com>
http://totem.menneske.dk/BIN/BIN%20DATA%2000-03.htm
--- Den tors 27/5/10 skrev bryan garcia :
Fra: bryan garcia
Emne: Re: [microsound] mcgill-mailing list
Til: microsound at microsound.org
Dato: torsdag 27. maj 2010 16.22
i've always loved this story of nezvenova.?
her/he/their websites were really incredible - and the work was often equally creative.
is this stuff preserved somewhere ???
was anyone around for all the drama ??? i'de love to hear personal accounts.
anyone know what happened to her/him/them ?
maybe the mystery is better left obscured.?
--- On Thu, 5/27/10, Trond Lossius wrote:
From: Trond Lossius
Subject: Re: [microsound] mcgill-mailing list
To: microsound at microsound.org
Date: Thursday, May 27, 2010, 6:52 AM
> who can tell me something about the first
max-mailing-list (1993-?) which was initiated by christopher murtagh?
It was run on a McGill server, and administered by Chris Murtagh. Following controversies related to antiorp/Netochka Nezvanova he/she/it was voted out of the list ca. 1999. Later on Cycling'74 set up a new list replacing the first one as an attempt at a compromise. On the C74 list subscribers could choose to ignore and not receive posts from select subscribers. Following threats from NN towards C74 for copyright infringements in Jitter versus Nato+0.55 NN was again banned from the list in 2001. BEK then opened the 55 mailing list as an alternative channel, that would remain uncensored. This became a productive scene for discussions in particular related to NN, Nato.0+55 and real time video processing for a period until Jitter, in particular with the switch from OS9 to OSX, evolved as the preferred solution for video processing in the Max community.
The 55 list
remains live, but have been void of traffic for several years now. Archives can be found at:
https://mail.bek.no/mailman/listinfo/55
When C74 turned from integrated forum and mailing list to a forum only solution, BEK was again asked from various holds to set up an alternative Max mailing list. This mailing list is fairly low traffic, but I find it high quality in terms of replies to questions, often from long-term and seasoned Max users (aka the dinosaurs):
https://mail.bek.no/mailman/listinfo/max
If you want to get in touch with Chris directly, you might get hold of him here:
http://www.ombu.ca/en/christopher/
I don't know if the archive of the list is still available anywhere, but I have local copies of the
mails from my signing up sometime in 1998 until the end of it.
Salon.com did a quite thorough feature on NN in 2002:
http://www.salon.com/technology/feature/2002/03/01/netochka
Best,
Trond
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
-----Inline-vedh?ftet fil f?lger-----
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From kim at anechoicmedia.com Thu May 27 18:01:49 2010
From: kim at anechoicmedia.com (Kim Cascone)
Date: Thu, 27 May 2010 15:01:49 -0700
Subject: [microsound] posting announcements
Message-ID: <4BFEEBCD.4030400@anechoicmedia.com>
if you don't get a personal email from me in addition to my public
service announcement then you don't have to sweat whether or not I was
subtly implicating you
I've found being subtle here doesn't always work! ;)
From paulo.mouat at gmail.com Thu May 27 19:41:50 2010
From: paulo.mouat at gmail.com (Paulo Mouat)
Date: Thu, 27 May 2010 19:41:50 -0400
Subject: [microsound] mcgill-mailing list
In-Reply-To: <528608.63632.qm@web33103.mail.mud.yahoo.com>
References: <6B34C379-2EF7-4CFC-BD22-17D5597328B6@bek.no>
<528608.63632.qm@web33103.mail.mud.yahoo.com>
Message-ID:
I was an engaged participant on a number of mailing lists when antiorp
joined (mainly emusic-l) and accompanied the phenomenon from beginning to
end. I always found antiorp to be a civil, even if sometimes abrasive when
ruffled, netizen. The cryptic posts never bothered me and were in fact very
interesting in multiple levels. I never understood or agreed with the purity
of communication advocated by some of the netiquette/english language
zealots, but they got what they wanted in the end. When antiorp morphed into
NN some of the "spirit" was lost, primarily because it clearly became a
collective with a more diffuse voice. I still prize the copies of the two
A9FF releases I helped finance.
//p
http://www.interdisciplina.org/00.0
On Thu, May 27, 2010 at 10:22 AM, bryan garcia wrote:
> i've always loved this story of nezvenova.
>
> her/he/their websites were really incredible - and the work was often
> equally creative.
>
> is this stuff preserved somewhere ?
>
> was anyone around for all the drama ? i'de love to hear personal
> accounts.
>
> anyone know what happened to her/him/them ?
>
> maybe the mystery is better left obscured.
>
>
>
>
>
> --- On *Thu, 5/27/10, Trond Lossius * wrote:
>
>
> From: Trond Lossius
> Subject: Re: [microsound] mcgill-mailing list
> To: microsound at microsound.org
> Date: Thursday, May 27, 2010, 6:52 AM
>
>
> > who can tell me something about the first max-mailing-list (1993-?) which
> was initiated by christopher murtagh?
>
>
> It was run on a McGill server, and administered by Chris Murtagh. Following
> controversies related to antiorp/Netochka Nezvanova he/she/it was voted out
> of the list ca. 1999. Later on Cycling'74 set up a new list replacing the
> first one as an attempt at a compromise. On the C74 list subscribers could
> choose to ignore and not receive posts from select subscribers. Following
> threats from NN towards C74 for copyright infringements in Jitter versus
> Nato+0.55 NN was again banned from the list in 2001. BEK then opened the 55
> mailing list as an alternative channel, that would remain uncensored. This
> became a productive scene for discussions in particular related to NN,
> Nato.0+55 and real time video processing for a period until Jitter, in
> particular with the switch from OS9 to OSX, evolved as the preferred
> solution for video processing in the Max community.
>
> The 55 list remains live, but have been void of traffic for several years
> now. Archives can be found at:
>
> https://mail.bek.no/mailman/listinfo/55
>
> When C74 turned from integrated forum and mailing list to a forum only
> solution, BEK was again asked from various holds to set up an alternative
> Max mailing list. This mailing list is fairly low traffic, but I find it
> high quality in terms of replies to questions, often from long-term and
> seasoned Max users (aka the dinosaurs):
>
> https://mail.bek.no/mailman/listinfo/max
>
> If you want to get in touch with Chris directly, you might get hold of him
> here:
>
> http://www.ombu.ca/en/christopher/
>
> I don't know if the archive of the list is still available anywhere, but I
> have local copies of the mails from my signing up sometime in 1998 until the
> end of it.
>
> Salon.com did a quite thorough feature on NN in 2002:
>
> http://www.salon.com/technology/feature/2002/03/01/netochka
>
>
> Best,
> Trond
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From st.scholl at live.de Fri May 28 05:16:58 2010
From: st.scholl at live.de (steffen scholl)
Date: Fri, 28 May 2010 11:16:58 +0200
Subject: [microsound] mcgill-mailing list
In-Reply-To: <6B34C379-2EF7-4CFC-BD22-17D5597328B6@bek.no>
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>, ,
<230215.96135.qm@web25002.mail.ukl.yahoo.com>,
,
<6B34C379-2EF7-4CFC-BD22-17D5597328B6@bek.no>
Message-ID:
thanks a lot... for what BEK stands for?
steff
> From: trond.lossius at bek.no
> Date: Thu, 27 May 2010 13:52:32 +0200
> To: microsound at microsound.org
> Subject: Re: [microsound] mcgill-mailing list
>
> > who can tell me something about the first max-mailing-list (1993-?) which was initiated by christopher murtagh?
>
>
> It was run on a McGill server, and administered by Chris Murtagh. Following controversies related to antiorp/Netochka Nezvanova he/she/it was voted out of the list ca. 1999. Later on Cycling'74 set up a new list replacing the first one as an attempt at a compromise. On the C74 list subscribers could choose to ignore and not receive posts from select subscribers. Following threats from NN towards C74 for copyright infringements in Jitter versus Nato+0.55 NN was again banned from the list in 2001. BEK then opened the 55 mailing list as an alternative channel, that would remain uncensored. This became a productive scene for discussions in particular related to NN, Nato.0+55 and real time video processing for a period until Jitter, in particular with the switch from OS9 to OSX, evolved as the preferred solution for video processing in the Max community.
>
> The 55 list remains live, but have been void of traffic for several years now. Archives can be found at:
>
> https://mail.bek.no/mailman/listinfo/55
>
> When C74 turned from integrated forum and mailing list to a forum only solution, BEK was again asked from various holds to set up an alternative Max mailing list. This mailing list is fairly low traffic, but I find it high quality in terms of replies to questions, often from long-term and seasoned Max users (aka the dinosaurs):
>
> https://mail.bek.no/mailman/listinfo/max
>
> If you want to get in touch with Chris directly, you might get hold of him here:
>
> http://www.ombu.ca/en/christopher/
>
> I don't know if the archive of the list is still available anywhere, but I have local copies of the mails from my signing up sometime in 1998 until the end of it.
>
> Salon.com did a quite thorough feature on NN in 2002:
>
> http://www.salon.com/technology/feature/2002/03/01/netochka
>
>
> Best,
> Trond
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
_________________________________________________________________
http://redirect.gimas.net/?n=M1005xIE82
Sicher und anonym surfen? Der Internet Explorer 8 macht es m?glich!
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From trond.lossius at bek.no Fri May 28 06:04:45 2010
From: trond.lossius at bek.no (Trond Lossius)
Date: Fri, 28 May 2010 12:04:45 +0200
Subject: [microsound] mcgill-mailing list
In-Reply-To:
References: <44A9EADE-5C7C-4637-9850-551B2D7F36DD@klanggold.net>, ,
<230215.96135.qm@web25002.mail.ukl.yahoo.com>,
,
<6B34C379-2EF7-4CFC-BD22-17D5597328B6@bek.no>
Message-ID: <487B257F-46E4-44DE-B25D-49A6FB15B7FA@bek.no>
> thanks a lot... for what BEK stands for?
BEK = Bergen Center for Electronic Arts, in Bergen, Norway. Here's the front page in English:
http://www.bek.no/front?locale=en
Cheers,
Trond
From brymoxine at yahoo.com Fri May 28 11:37:10 2010
From: brymoxine at yahoo.com (bryan garcia)
Date: Fri, 28 May 2010 08:37:10 -0700 (PDT)
Subject: [microsound] mcgill-mailing list
In-Reply-To:
Message-ID: <988809.64382.qm@web33102.mail.mud.yahoo.com>
http://www.interdisciplina.org/00.0
-? wow,? this is really great? work.
blasting from the speakers in the lab on a slow day at work.
caio
--- On Thu, 5/27/10, Paulo Mouat wrote:
From: Paulo Mouat
Subject: Re: [microsound] mcgill-mailing list
To: microsound at microsound.org
Date: Thursday, May 27, 2010, 6:41 PM
I was an engaged participant on a number of mailing lists when antiorp joined (mainly emusic-l) and accompanied the phenomenon from beginning to end. I always found antiorp to be a civil, even if sometimes abrasive when ruffled, netizen. The cryptic posts never bothered me and were in fact very interesting in multiple levels. I never understood or agreed with the purity of communication advocated by some of the netiquette/english language zealots, but they got what they wanted in the end. When antiorp morphed into NN some of the "spirit" was lost, primarily because it clearly became a collective with a more diffuse voice. I still prize the copies of the two A9FF releases I helped finance.?
//phttp://www.interdisciplina.org/00.0
On Thu, May 27, 2010 at 10:22 AM, bryan garcia wrote:
i've always loved this story of nezvenova.?
her/he/their websites were really incredible - and the work was often equally creative.
is this stuff preserved somewhere ???
was anyone around for all the drama ??? i'de love to hear personal accounts.
anyone know what happened to her/him/them ?
maybe the mystery is better left obscured.?
--- On Thu, 5/27/10, Trond Lossius wrote:
From: Trond Lossius
Subject: Re: [microsound] mcgill-mailing list
To: microsound at microsound.org
Date: Thursday, May 27, 2010, 6:52 AM
> who can tell me something about the first
max-mailing-list (1993-?) which was initiated by christopher murtagh?
It was run on a McGill server, and administered by Chris Murtagh. Following controversies related to antiorp/Netochka Nezvanova he/she/it was voted out of the list ca. 1999. Later on Cycling'74 set up a new list replacing the first one as an attempt at a compromise. On the C74 list subscribers could choose to ignore and not receive posts from select subscribers. Following threats from NN towards C74 for copyright infringements in Jitter versus Nato+0.55 NN was again banned from the list in 2001. BEK then opened the 55 mailing list as an alternative channel, that would remain uncensored. This became a productive scene for discussions in particular related to NN, Nato.0+55 and real time video processing for a period until Jitter, in particular with the switch from OS9 to OSX, evolved as the preferred solution for video processing in the Max community.
The 55 list
remains live, but have been void of traffic for several years now. Archives can be found at:
https://mail.bek.no/mailman/listinfo/55
When C74 turned from integrated forum and mailing list to a forum only solution, BEK was again asked from various holds to set up an alternative Max mailing list. This mailing list is fairly low traffic, but I find it high quality in terms of replies to questions, often from long-term and seasoned Max users (aka the dinosaurs):
https://mail.bek.no/mailman/listinfo/max
If you want to get in touch with Chris directly, you might get hold of him here:
http://www.ombu.ca/en/christopher/
I don't know if the archive of the list is still available anywhere, but I have local copies of the
mails from my signing up sometime in 1998 until the end of it.
Salon.com did a quite thorough feature on NN in 2002:
http://www.salon.com/technology/feature/2002/03/01/netochka
Best,
Trond
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
-----Inline Attachment Follows-----
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From erik at hecanjog.com Sun May 30 12:10:36 2010
From: erik at hecanjog.com (Erik Schoster)
Date: Sun, 30 May 2010 11:10:36 -0500
Subject: [microsound] Milwaukee Microsound?
Message-ID:
Hi all -
I just moved back to Milwaukee last week - are there any Milwaukee
microsounders on the list? What about good community resources and event
pages, etc?
I just checked out an excellent improvised music show at Sugar Maple
recently - it's not microsound-specific, but is certainly a
microsound-friendly venue in Bay View. (I'm also working on organizing a
computer music event there in the next month or two, so feel free to contact
me if that sounds interesting.)
Milwaukee microsounders, sound off!
Best,
Erik
== projects ==
work: http://www.hecanjog.com | http://www.heythere.org
community: http://www.luvsound.org
label: http://wolf.luvsound.org
band: http://www.cedarav.com
== social media ==
voicemail: 347-410-6440
facebook: http://www.facebook.com/eschoster
twitter: http://www.twitter.com/hecanjog
blog: http://blog.hecanjog.com
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