Times are tough in 2008 Detroit, but there’s still one working auto plant. The long hours and demanding shifts have turned the line workers into a family.

The firm, compassionate Faye holds them together, and she’s only months away from retiring with her full pension. But when she discovers that management has a new plan, she’s torn between self-preservation and allegiance to her coworkers.

Ben Brantley of The New York Times called the show “a deeply moral and deeply American play ... squarely in the tradition of Arthur Miller.”