Various concept sketches came from producer George Lucas' call for a "rocket powered scooter" in Return of the Jedi. While Industrial Light & Magic's (ILM) Nilo Rodis-Jamero designed a blocky vehicle with a large engine, Ralph McQuarrie's
designs were more fanciful but with less of a sense of the vehicle's
power source. The final designs resulted both in full-scale Imperial
speeder bikes used by the actors for film against a bluescreen, along with miniatures mounted by articulated puppets. ILM used a steadicam recording at 1 frame per second to record the speeder bikes' path through the forest moon of Endor -- in reality, a California
forest.Playing the footage at the standard rate of 24 frames per
second caused a blurring effect, what looked like 100MPH actually was
shot at 5MPH , which ILM used to simulate the vehicles' high speed.

The BARC speeder in Revenge of the Sith was designed to appear like a predecessor to the speeder bikes in Return of the Jedi.ILM's Doug Chiang designed Darth Maul's (Ray Park) speeder in The Phantom Menace to resemble a scythe, and Chiang's initial designs for the droid army's STAP vehicle resembled the speeder bikes from Return of the Jedi. An all-CGI swoop appearing in A New Hope stems from a design created for Shadows of the Empire, and the swoop also appears briefly in The Phantom Menace.