Dutch vocalist Anneke van Giersbergen is one of those artists that lives by the mantra “Sleep Is The Enemy.” When she’s not writing and recording new solo material, you can be assured Anneke is somewhere out in the world performing or working on a new project, which speaks volumes of her passion for her art. Case in point; this interview took place in the small Dutch town of Reuver a couple hours before she played an intimate one-off acoustic show at The Rock Station. Anneke didn’t have to do what was effectively an out-of-the-way the show for the exposure, and she certainly didn’t have to deliver anything special in terms of a set, but in the end the fans were treated to a show featuring both original songs and some (very) unexpected covers. Definitely something special for those lucky enough to be in attendance. For Anneke, another day at the office of her choosing.

“Somebody posted a message on my Facebook page recently saying ‘I’m going to see four projects from Anneke in six weeks..,’ Anneke begins, the two of us sitting in a small pizza parlour down the street from The Rock Station. “I only realized then how much I’m doing, because I’m doing a lot of it all at the same time. Sometimes I say ‘Oh, I can do this, I can work on that, I can join this band…’ and then everything comes together in the same two months. I have The Gathering show, The Sirens, this show tonight, so the amount of songs I have to learn is amazing.”

The Gathering show, which took place on November 9th in Nijmegen, was an epic event featuring present and past members uniting on stage for the band’s 25th anniversary. For the diehard fans Anneke’s performance was the high point of a reportedly brilliant show, and she admits it was a very special experience being with her former bandmates again, right from the first rehearsal. Continue Reading

In this day and age female fronted metal bands are normal part of everyday life. They are so common, in fact, that it’s a waste of breath making the distinction between them and bands with a hairy, ugly guy behind the microphone. There was a time, however, when the idea of a woman fronting a full-on metal band was dismissed by metal fans and press alike as absurd. The world accepted Doro Pesch fronting Warlock and Sabina Classen leading Holy Moses in the ’80s, sure, but it wasn’t until the rise of The 3rd And The Mortal, The Gathering and Theatre Of Tragedy in the early ’90s that the movement towards equality in metal truly began. Now, in celebration of a revolution that launched an entirely new musical genre, vocalists Kari Rueslåtten (The 3rd And The Mortal), Anneke van Giersbergen (The Gathering) and Liv Kristine Espenaes Krull (Leaves’ Eyes, Theatre Of Tragedy) have united for a journey into the past presented live on stage: The Sirens.

The seeds for The Sirens were planted when Anneke approached Kari in early 2013 with the proposal of doing a duet for her Drive album (released in 2013). Regarded by Anneke as an inspiration going in to do The Gathering’s breakthrough album, Mandylion, her intention was to pay tribute to Kari via the collaboration. The song didn’t make the final cut as it didn’t fit the album, but they remained in touch. Then, in July 2013 Anneke and Liv had a chance meeting at the Masters Of Rock festival in the Czech Republic, and The Sirens concept was born.

“We had a few minutes only to talk in between our gigs,” Liv recalls, “but we agreed that we really should get together and tour. We both had to smile then, thinking that we were, with Kari, the ‘originals’ within our scene. Moreover, all three of us being mothers and still highly busy in music and art. Anneke told me that she had just talked to Kari, and that was the ‘go’ for The Sirens”

It would be fair to call Kari the catalyst for The Sirens, as both Anneke and Liv saw her as a role model when they first made their way into music.

“I find it hard to believe that I once inspired them,” Kari admits, “but if so it is truly flattering. It is a fantastic feeling to know that I will be singing live with two such amazing vocalists!”

The Sirens tour will be split into two parts, including festival appearances, and staged at the end of 2014 in October and December. It will be a full concert showcasing the trio, one band, and a setlist featuring songs from The 3rd And The Mortal, The Gathering and Theatre Of Tragedy as well as tracks from Kari, Anneke and Liv’s respective solo careers. They will sing alone, perform duets, capping off the night with all three of them on stage, with a show that is expected to clock in at around 100 minutes each night. Thus, it’s a trip down memory lane produced for the here and now with brand new and unexpected elements, making The Sirens a nostalgia-fuelled reminder of who started it all and why it worked. And at the end of the night nobody will leave disappointed. Continue Reading

If you’ve ever seen Anneke van Giersbergen perform live, you know that her set is loaded with positive energy regardless of whether she’s performing something heavy, pop-oriented, or melancholic / atmospheric / goth flavoured from her days with The Gathering. Drive ranks as Anneke’s strongest solo outing to date (including her Agua de Annique records), bar none. Sure, that’s the rock n’ roll metalhead talking, but there’s no denying Drive feels like a no-nonsense live set laid down in the comfort of home.

Guitar, bass, drums, occasional keys, and Anneke’s bloody awesome voice are the magic behind Drive. A completely rock-driven package (with the exception of ballad ‘My Mother Said’), tracks ‘We Live On’, ‘Treat Me Like A Lady’ and ‘She’ are neatly arranged to ease the lister in before hammering things home with soaring trademark Anneke choruses. Title track ‘Drive’ is crafted for exactly that purpose – top down, pedal to the floor – and ‘You Will Never Change’ is a step up from ‘Drive’ in tempo and intensity; also the heaviest track on the record… although ‘The Best Is Yet To Come’ surprises with a ballsy footstomp groove. Anneke still has one of the strongest and most identifiable voices around. Continue Reading

People that remember her as the vocalist for The Gathering wouldn’t think so given the melancholic nature of the band’s music, but her latest solo album Everything Is Changing is a rock oriented journey fused with generous doses of pop music, light-hearted and almost playful in its execution. It was therefore appropriate that this interview took place on a warm and sunny day outside the venue where she was performing that night, ultimately delivering a show reflecting her upbeat state of mind. It was one of several gigs lined up for the remainder of 2012, and while Anneke refers to her schedule as being “murderous” on occasion, she wouldn’t have it any other way.

“It looks very busy, and we are very busy, but when I was with The Gathering we toured way more than I do now. Usually I don’t tour more than two weeks at a time. It’s a balancing act. Every Sunday that we’re home, we (Anneke and husband / drummer Rob Snijders) look at this kind of mathematical schedule and try to figure out how the hell we’re going to fit everything we have to do into one week (laughs).”

Although she left The Gathering in 2007 there are plenty of people that only clued into Anneke’s work as a solo artist with the release of Everything Is Changing. She has in fact been quite active since her departure, releasing a total of four albums under the Agua de Annique banner before deciding she wasn’t doing herself any favours using a band name. It turns out that while the group dynamic was a comfort zone for Anneke, it was also something of a crutch and often confusing for the fans.

“That’s exactly why I dropped the band name. Nobody got it. And the thing is, it was only a name because for some reason when I left The Gathering, the first thing I did was come up with a band name even though I was going solo. I think it was just because I was used to being in a band. I hand-picked the people who work with me and it’s my band, but I’m a solo artist, so it’s a curious thing. Maybe it was a case of being a little bit shy at the beginning, because to go out under your own name is tough. I also thought that the name Anneke van Giersbergen would be a tough name for people abroad…” Continue Reading

In a show of diva-esque conceit, I can lay claim to having locked on Lacuna Coil long before they were a big deal in Europe and less than a footnote on the North American metal scene. We go back to 1998 and the release of their self-titled EP, a venture that attracted the attention of anyone in tune with the likes of The Gathering and Theatre Of Tragedy, both of whom were in their heyday. The band did their Italian heritage proud, displaying the characteristic energy of a traditionally passionate people, excited at the prospect of being able to chase their dreams at a professional level. The band is older and wiser now, but there’s no lack of enthusiasm when discussing their newest work, Dark Adrenaline. Sure, it may be tempered somewhat by a sense of responsibility for the career they’ve created, but there’s still a sense of “I can’t believe this is my life…” in the air as vocalist Cristina Scabbia delves into the new record.

“That’s very true,” she says. “That was true especially in the very beginning, when things are happening and you don’t really know how it works. That’s when every little thing gets you excited. The things that get us excited now are different. We’ve grown up, we have a lot more experience; we’re not virgins in the music business anymore (laughs).” Continue Reading

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