Monday, July 1, 2013

Doris Day(s) #4: “The Matchmakers” (10/22/68, prod. no #8513)

Profuse apologies for not getting up the weekly adventures
of America’s
favorite bucolic widow in a most timely manner this Monday…but this weekend was
a busy one, with a new Serial Saturdays, a blogathon and a nephew all vying for
my attention. My nephew brought over his
DVD copy of Thomas and the Magic Railroad to amuse both him and myself (though admittedly
he got more out of it than I did). Alec
Baldwin appeared to have fun in the movie (still, at one point I could have
sworn I heard him call one of the engines a “toxic little queen”) but Peter
Fonda seemed mortified that he even agreed to be in the darn thing. Word of advice, Pete, from Michael Caine on
his agreeing to do Jaws: The Revenge:
“I have never seen it, but by all accounts it is
terrible. However, I have seen the house that it built, and it is terrific.”

Oh, and nephew Davis also brought over his extensive set of Thomas
and Friends railroad tracks, which we worked on for a good part of the
afternoon. We don’t really have the room
needed for a honkin’ big layout—and the card table we build it on can only hold
so much, so most of the time we find ourselves frustrated that we’re unable to
reenact the “golden spike” moment of the construction of the First
Transcontinental Railroad. Such is life.

As this week’s episode opens, we find
chief-cook-and-bottle-washer Aggie Thompson (Fran Ryan) dutifully performing
her menial household tasks…and for a woman who’s about to lose her job in another
six weeks she doesn’t seem too concerned with working up a resume for her next
employer. She is swabbing down the
family kitchen when she is interrupted by the telephone ringing, and is
momentarily flummoxed at having to stop what she is doing to answer it (the
fact that Lord Nelson, the faithful family sheepdog once the property of the
family on Please Don’t Eat the Daisies, is barking up a storm does not
help matters either). Fortunately,
handyman Leroy B. Semple Simpson (James Hampton) enters the kitchen and
offers to get the phone for his fellow prole.

AGGIE: The way Nelson’s been
carrying on, you’d think it was for him…

(Leroy walks over to the phone and
picks it up)

LEROY: Hello? Just a minute…it’s for you, Nelson…

What??? What kind of wackiness is this? Lord Nelson gallops over to where Leroy is
standing, and the ranch hand puts the receiver up to the dog, who barks a few
times.

LEROY: Anything else? Fine…thank you…bye… (He hangs up the phone,
and as Lord Nelson runs out of the kitchen he prepares to follow)

AGGIE: Wait a minute…if you think
you’re going out of here without telling me what that was all about…you got
another think coming…

LEROY: Oh, that was the vet…he
wanted to check on how Nelson was after those shots last week…?

AGGIE: Uh-huh…and did Nelson tell
him?

LEROY: Heck no, Aggie…dogs can’t talk…you ought to know that…

AGGIE: I thought I did…

“I’m warning you, Dobbs!”
Leroy explains to Aggie that the vet could tell how Nelson was by
listening to him bark, and a relieved Aggie cracks: “For a minute there I
thought you were giving me the Gaslight
treatment…” Leroy is puzzled by the
reference (which is sort of odd, since it was previously mentioned he was a
movie magazine fan) and Aggie doesn’t bother to explain it to him because slowly
ticking clock. Back to her work, the
ringing of the phone interrupts her again and she mutters that this call had
better not be for the stolen dog.

"I'm what? Fired?!!"

AGGIE (apprehensive): Hello? (Relieved) Oh, Billy…it’s you…no…she’s out in
the garden, honey…hey…you guys been to any races yet? Well…you both remember…it’s blueberry pie if
you win and plain old strawberry shortcake if you lose…

Two weeks ago in “The Uniform,” Doris argued with her father
(Denver Pyle) that the reason her youngest kid (Tod Starke) had to tell her a
bald-faced lie about being accepted into the school choir was, and I quote, “We
didn’t give him any room to fail…”
Apparently the necessary tweaks to the reward system in that household
still have not gone into effect.

In case you’ve dozed off during the narrative, Billy (Philip
Brown), Toby and the elder Webb are attending a Father-Son picnic…with
grandfather Buck having to fill in for the boys’ deceased father. A scene that follows the Billy phone call
finds Aggie dumping a bucket of hot water into a tub by one of the breakfast
table chairs as The Widow Martin (Doris Day) enters the kitchen after a
grueling day in the garden.

DORIS: What are you brewing?

AGGIE (still pouring): First aid
for the athlete…he’ll need it…

DORIS: It’s not the Olympics,
Ag…it’s a father and son picnic… (She sits down at the table)

AGGIE: If I know him—he’ll need medical attention…

DORIS: What—after one or two games? No…

AGGIE: Do you wanna bet?

DORIS: How much do you owe me now?

AGGIE: An even three million…

DORIS: Double or nothing?

AGGIE: It’s a deal…

Oh ho! More clues to
The Singular Case of the Sacked Servant continue to pile up! Well, at this point in the narrative the boys
and Buck arrive back at the farm—the kids come in first, for reasons that will
be apparent in a minute…

DORIS: Hi! Did you have a
good time?

BILLY: Yeah! I’m starved!

AGGIE: I packed you enough food to
feed an army…what did you do with it?

“Fed an army.” Doris
doles out some fruit for the little ones, proving she’s not completely a slave
to the sugar industry, and then asks where their Grandpa is. “Right here,” he answers, stooped over in the
doorway. Doris
helps him over to the chair where the tub of water is located…which seems only
right, except that in real-life Denver Pyle was only three years older than the star of the show. Doris moves toward
helping him take off his sneakers, but he waves her off: “Don’t touch
‘em…they’re tender!”

BILLY: Don’t feel bad, Grandpa…

TOBY: Yeah…you couldn’t help it…

“You’re old, and should have been put out to pasture ages
ago…”

BUCK: Well, thanks fellas…for trying to make me feel better…

“Even though you really suck at that, you little (expletive
deleted).”

BILLY (to his mom): It wasn’t his fault…

DORIS: It wasn’t?

TOBY: Yeah…he can’t help it if he
doesn’t know how to run…

BILLY: Or jump…

TOBY: Or anything…

Kids…he’s in the room! Doris lightly scolds
her sons that they’re being too hard on the old man but Buck agrees that
they’re right—he’s not much of an athlete.
(“Though you might want to think about who makes it possible for you to
shove pie and shortcake down your gullets, you little nincompoops.”) Since they came in last in every event, the
kids have devised a cunning plan to insure that next year they’ll be back for
seconds when it comes to bragging rights.

BILLY: We won’t need Grandpa next
year if you could get married again…

Not necessarily a laugh-out-loud moment…but the mention of
two of Dodo’s former movie co-stars did make me smile. Buck explains to the kids that Doris
won’t be marrying anyone any soon because “in order to marry somebody, you got
to get to know them—and to get to know them you gotta go out with them.” Miffed that her father has essentially
described her love life in terms of a cloistered nun, she takes the piece of
fruit she was nibbling on and throws it into the tub of water, drenching
him. (Hi-jinks!)

The scene shifts to the boys’ bedroom. It is late at night.

"Billy? Do you ever think about...death?"

BILLY: I wish we didn’t have to go
to school tomorrow…we’re really gonna
take a razzing…

TOBY: Yeah…

“Though it won’t be too terrible…in fact, I have grown quite
fond of seeing my underpants flap proudly at half-mast.”

TOBY: You think if we exercise
Grandpa he’ll be better next year?

BILLY: No…I think we’re just too
late…

TOBY: What are we going to do?

The solution is that Doris must marry
a good runner…and to Billy’s mind, the man who fits that description is a
deputy sheriff (and former star quarterback) with the unfortunate name of
“Ubbie Puckum.” To any of you out there
named “Ubbie” or “Puckum”…it is not my intention to poke merciless fun of your
name—though in my defense I will say I’m able to walk a mile in your shoes
having been branded with “Ivan G. Shreve, Jr.” all my life. (No, the “G” does not stand for “Walter.”)

Toby thinks this is a great idea—if Doris
would agree to become Mrs. Ubbie Puckum, “we wouldn’t have to worry about
burglars!” The kids’ voices are
apparently starting to carry down the hallway, because we can hear Doris
tell both her sons to knock that noise off.
The next morning at breakfast, Aggie is piling up a mess o’flapjacks
when Buck enters the kitchen, looking a little ragged—he barely has the
strength to pick up his gi-normous coffee cup.
Aggie can’t resist teasing him, and Buck is on the defensive:

AGGIE: How do you feel?

BUCK: Terrible…

AGGIE: You don’t look so good
either…

BUCK: I’d like to see how you’d
do in a three-legged race or sack race…

“And you certainly have the figure for that last one…”

DORIS (walking over to where the two of them are standing): You
better take it easy for a while…you overdid it…

AGGIE: How could he have overdone it? He finished last in everything…

And now that Buck’s emasculation is complete, Doris’
suspiciously cheerful sons enter the breakfast nook, and their mother invites
them to dig in.

BILLY: Mom—do you know Deputy
Puckum?

DORIS: Ubbie Puckum? Sure…everybody knows Ubbie Puckum…why?

BILLY: Oh…nothin’…

TOBY: Yeah…nothin’…

The two masterminds look at one another with evil grins, and
then the scene shifts to what presumably is the Cotina police station. A uniformed man sweeps the floor, but upon
spotting a mirror over a wash basin takes the time to fish a comb out and go to
work on his hair.

That actor is character great Noam Pitlik—a man you’ve seen in
countless reruns of Hogan’s Heroes, Ben Casey, The Fugitive and The
Flying Nun…and in recurring roles on I’m Dickens…He’s Fenster
(as Bentley, one of the construction guys), The Bob Newhart Show (as
Mr. Gianelli) and Sanford and Son (as Officer “Swanny” Swanhauser). But in 1973, Noam put his comedy experience
to work behind the camera, and helmed episodes of sitcom favorites Taxi,
One
Day at a Time, Wings and many others. Pitlik directed 102 episodes (out of 168) of
the classic comedy series Barney Miller, and for his efforts
in the episode “Fog” he won an Emmy for Outstanding Directorial Achievement in
a Comedy Series.

As Mr. Puckum grooms his coif, his superior, Sheriff Ben
Anders, wanders out of the office and stares at him in disbelief. He’s a recognizable TV face, too—character
actor Frank Maxwell. Many, many guest
appearances dot Frank’s small screen resume; such shows as Alfred Hitchcock Presents,
Perry
Mason, Rawhide, The Fugitive and The
F.B.I. Maxwell, a one-time
president of AFTRA (the American Federation of Television and Radio Artists),
also had a recurring role on a bizarre sitcom entitled The Second Hundred Years
(as Colonel Garroway): the premise on this one had Monte Markham playing two
roles—first, as a prospector named Luke Carpenter who’s buried in an Alaskan
avalanche in 1900 and when found sixty-seven years later has been so
cryogenically preserved that his son Edwin (Arthur O’Connell) is actually
physically older! Markham
also played his own grandson, Ken, and the joke was that Luke was a more
free-wheeling sort than the conservative Ken.
(This one actually premiered to strong ratings on ABC before audiences
came to their senses and said: “What the…front yard?”)

Maxwell’s longest-running TV gig was as the employer (Duncan
MacRoberts) to Our Man Higgins, another also-ran in the sitcom sweepstakes
seen on NBC than ran a single season (1962-63) but did have the novelty of
featuring My Fair Lady’s Stanley
Holloway playing the titular butler.
(The show had originally appeared on radio as It’s Higgins, Sir—replacing
Bob Hope’s show for thirteen weeks in 1951 and featuring It Pays to Be Ignorant’s
Harry McNaughton.) Oh, and I didn’t know
this about Frank until I did the research—but he was apparently married at one
time to Maxine Stuart, whom we sadly bid farewell to on June 6 of this year at
the age of 94. One of the iron ladies of
TV, Stuart had regular roles on such series as Norby, Room
for One More, Executive Suite, The
Rousters, Hearts Afire and The Pursuit of Happiness—but will
remain forever immortal as the bandaged patient (before she’s transformed into
Elly Mae Clampett) in the classic Twilight Zone episode “The Eye of
the Beholder.”

The third member of this law enforcement trio is actor Carl
Byrd in the role of Deputy Dan Case (Deputy Dan…has no friends)…and the only
reason why I’m not going to go on at great length about his show business accomplishments
is that I’m simply not familiar with his work.
His last credit, according to the always reliable IMDb, is a bit part in
the 1984 film Irreconcilable Differences—there’s
no other info on him, so if you’re reading this, C.B…I’m sorry you had to be in
this episode.

ANDERS: Did you go out to the Henry
place like I asked you?

PUCKUM: Yes, sir!

ANDERS: Well…?

PUCKUM: That little gal of his sure
is cute…didn’t take her eyes off me
the whole time I was there…

Probably never saw sh*t stacked that high.

ANDERS: Ubbie…what about the stolen
cattle?

PUCKUM: Oh, they weren’t stolen…I
found ‘em out in the brush—it was a break in his fence…

ANDERS: Good…

PUCKUM: Yeah, I thought I’d have to
fight her off before I could get back
here…

Deputy Dan shakes his head as if to say: “Do you believe
this cracker?” Outside the police
station, Billy and Toby watch Puckum go through his grooming ritual…with Toby
remarking “He sure combs his hair a lot.”

“Yeah, but once he ran the 100-yard dash in ten seconds,”
counters his brother. (Imagine how fast
he could have done it if he hadn’t
been combing his hair.) So the Brothers
Martin go inside and meet-and-greet with Sheriff Anders and his crack team of
lawmen (and I call them that because…well, you know how that joke goes), then
start dropping hints about needing a lift home. (Puckum confuses the boys’ identities in
several attempts to mine laughs.) Anders
offers to help them, since he’ll be going that way but Billy insists it has to
be “Playa” Puckum, on account of “my mom wants to get to know him better.”

Schwing! That gets
Li’l Ubbie’s attention, and he tells the kids to wait out in his car. Then it’s a little more combing, a couple of
splashes of Hai Karate and we’re off to the races…

PUCKUM: Well, you fellows know
Doris Martin…comes from the big city…got lots of class…I mean, I’ve been
wanting to get to know her better but…I figured maybe it’s not for me, you
know…

CASE: Your modesty amazes me, Ubbie…

PUCKUM: And all this time she’s
just been waiting for me to make the
first move…that poor kid…can you imagine
what she’s been going through?

I’d say a case of Scotch, if you seriously think she’s set
her cap for you, Pucko. “Doris
Martin—your dream is about to come true,” he brays as he heads out of the
station. Sheriff Anders stares at his
remaining deputy.

ANDERS: Will you tell me one thing,
Dan? Why do I keep him?

CASE: Because beneath that shy and
modest exterior, there’s a good police officer…

“…and a man who is very devoted to his uncle, the
mayor.” The scene shifts to the outside
of Webb Manor, where Deputy Puckum is pulling up to the grounds (with the siren
on) as chickens scatter every which way but loose. Doris, Buck and Aggie come out to the front
yard from all directions—concerned at first, but Ubbie assures them that
there’s no trouble…he was just bein’ neighborly and drivin’ the boys home.

Doris is a lot brighter than she
looks, and she’s figured out Billy and Toby’s scheme…which, to be honest, was
soon to make a voyage around The Great Lake of Fail eventually. Puckum decides that things would be better if
he were not in the vicinity, and so he makes an awkward exit…telling Doris
that “I imagine we’ll be seeing a lot of each other.”

PUCKUM (as he drives off):
Arrivederci, folks!

Hasty banana to you, too, douchebag…

BILLY: Well…did you get to know him
better, Mom?

TOBY: Are you gonna marry him, Mom?

DORIS: Toby…oh, I’m beginning to get this whole picture…

And so has Buck, who stumbles over to the porch wheezing and
laughing as Doris lectures the kids on the horrible,
horrible thing they’ve done. “Do you
mind if I pick my own friends?” she asks them.
They are sent into the kitchen for their daily milk, with Billy
grumbling “There goes the football game…”

Still on the porch, Buck continues to have his laughing
jag…and I’ll admit I did laugh out loud at this because Pyle’s laughter is
infectious (he should have laughed through entire episodes—it could only help)
and he stamps his foot while chortling, which is very funny. Doris is not the
slightest bit amused. “You are a nut!” she screams at her Dad. (Doris! Phraseology!)

Back from the Ralston-Purina break, we fade in on a shot of
Deputy Puckum in his patrol car outside CotinaGrade School. Has there been an altercation at the school
that requires his attention? Pshaw…he’s
waiting for Billy and Toby Martin to walk by, because he very much wants to
mack on their mother.

PUCKUM: Want a ride home?

BILLY: No, thank you, sir…

“We thought we’d engage in frivolous child-like pursuits
with our school chums as opposed to climbing into a car with someone we’re not
too sure about.” But Ubbie is on a
mission, and he’s not taking no for an answer—he orders the boys to get into
the car.

The next scene is similar to the previous one—Ubbie pulls up
to Webb Farms, siren a-goin’. Inside the
kitchen, Aggie cries out “Oh, no!”—a subtle indication that Puckum is starting
to make this a regular habit. The boys
come tearing into the house, almost as if they came close to experiencing an
ordeal with a guy who’s on a short list for NBC’s To Catch a Predator.

TOBY: Grandpa—this time he really made us!

BILLY: He practically forced us at
gunpoint!

BUCK: Now, just calm down…I know that Ubbie Puckum drove you
home again…

TOBY: And he’s waitin’ outside to
talk to Mom!

BILLY: I told him she wasn’t here
but he wouldn’t believe me!

“Make them stop, Grandpa!
Make the nightmares stop!” Buck
reassures the kids that every thing is okay, and asks Aggie to serve them up
some…yes; you guessed it, freshly baked cookies. “After dealing with Ubbie Puckum,” notes
Aggie, “it’s the least they deserve.”
Buck will go upstairs and tell Doris “she’s got
company,” with a slight smirk.

A scene dissolve finds the Puckster on the porch admiring
himself in the shiny metal of his service pistol as both Buck and Doris appear
at the front door; Doris turns away upon seeing this,
but her father insists she press on. Doris
gets his attention, and the deputy starts to work that ol’ Ubbie magic.

PUCKUM: I’m a little disappointed
in you…

DORIS: Well, I’m sorry to hear that…

PUCKUM: I expected you to give me a
call…

“1-888-GET-UBBIE…”

DORIS: About what?

PUCKUM (smiling as he walks over to
her): You don’t have to be shy with
me, Doris…we got a lot in common…

Well, the mating dance continues from here on out—Ubbie
wants to take Doris over to the drive-in (The Monster That Devoured Cleveland is
playing!) and later for a little midnight snack at Benny’s Eatery…which I hope
is not that dive her sons took her to in the inaugural episode, “Dinner with Mom.” All during this, Doris
has a little fun leading him on by speaking in breathy tones, knowing that he’s
too full of himself to know when he’s being mocked.

PUCKUM: I like to take a date
someplace she’s never been…you’ll love
it…they got the best French dip
sandwiches you ever tasted…

Doris has a backup plan: she invites
Ubbie over for dinner at the Webb Ranch, because he “looks like a guy who could
use a home-cooked meal.” Ubbie’s a
little hesitant: “How are we going to get to know each other better with your
family around?”

“You don’t have to worry about that,” she whispers
seductively. “Because they all go to bed
early.” Yowsah!
Ubbie’s gonna get himself some widow lovin’! He agrees to make it seven o’clock, and leaps off the porch toward his car,
floating on cloud nine. This means, of
course, that he does this time-honored bit of comedy…

…yes, the old “I-got-into-the-back-seat-by-mistake”
routine. Never gets old.

Doris is in the kitchen in the next
scene, conniving on her latest scheme to throw a bucket of cold water on
Ubbie’s libido inferno. Buck isn’t
exactly on board with this, but Doris points out that
“you seem to think he was so funny—I thought we could have a few laughs.”

BUCK: I’m serious! Maybe
you ought to call the sheriff…

DORIS: The sheriff? You go
calling him and Ben will fire
him…don’t do that…

BUCK: Well, I don’t like the idea of him forcin’ those kids to
ride home with him after school…

I should probably say here for the record…I don’t think anyone’s endorsing that idea, Buck.

DORIS: Oh, Buck—that’s just ridiculous…would you let me handle it
my way? Hey, Aggie—what are we having
for dinner?

AGGIE: Don’t ask me…I just quit…

DORIS: You can’t quit—you owe me $100,000…

AGGIE: I’ll send you a check…

“Keep it up, old lady—and I will fire your ass faster than
you can say ‘Doris Ziffel’!” Doris
has the situation well in hand…and she invites Aggie to sit down with her and
Buck so that she can spell out the details of her eevill plan…

A scene shift finds a merry Ubbie bounding out onto Doris’
porch, clearly sated with the marvelous meal she cooked (though it was probably
Aggie’s doing) and looking forward to getting busy in the porch swing, if you
know what I mean and I think you do. Doris
walks behind him, sort of mimicking his swagger…which did make me chuckle
slightly.

PUCKUM: Sure was a fine supper,
Doris…just fine…

DORIS: Well, Ubbie…the way to a man’s heart is through his
stomach…

Ubbie’s reaction to this?
Complete unbridled hilarity, so I’m guessing that phrase hasn’t caught
on in Phoenix yet. “That’s a good one—you make that up?” he asks
her. Hoo boy. “That’s what I like about city girls—they
crack jokes a lot,” he beams. (If only
she could do that more often on this program.)

Ubbie starts to make a move on Doris (in getting away from
him, she bangs her head on one of the porch supports—that did make me laugh)
but is interrupted by Aggie, who asks the deputy if there’s anything else he
wants. “We want you to feel right at
home,” she tells him, “now that you’re practically one of the family.”

Ubbie gets a little nauseous at this, so Doris
asks if they could look through the scrapbook he brought over…and the two of
them situate themselves on the porch.
“You’ll get a kick out of this,” he assures her. “It’s the pigskin career of Ubbie
‘Cannonball’ Puckum.”

DORIS: Cannonball?

PUCKUM (putting his arm around her
shoulder): That’s what the fans used
to call me…the Cotina Cannonball…’cause the way I tore through the
line…now…this picture shows me making my first touchdown…

BUCK (walking towards the porch): Well…there they are…

DORIS: Hi there!

BUCK: Everything all right, kids?

DORIS: Oh, just fine, Dad…Ubbie’s showing me his scrapbook…and it
is terrific…

The cross-eyed bit here?
Yeah, I laughed at that, too.

BUCK: Really? You know,
it’s gonna be nice havin’ somebody
around to show the kids how to throw a football…boys need somebody to look up
to…I, uh…been waitin’ for somebody like you to come along…son… (He playfully punches Ubbie on the chin)

Well, this explains things a little clearer. Ubbie may be a stud muffin, but he’s also a
commitment-phobe. Doris
is gushing at the pictures in his scrapbook and purring about how strong he
is…and then she asks him if he likes children, because she knows he “will make
a wonderful father.”

PUCKUM: It’s gettin’ kind of late,
ain’t it?

DORIS: The children,
for instance…oh, Ubbie—I’m so happy
that you like children…’cause I want at
least two more…they’ll be girls…I
just love girls…

PUCKUM: It’s awful warm out here…

DORIS: You know, you may think four
is too many…but you shouldn’t feel that way about it because I’m thrifty…I’m a good cook and I make all
my own…I made this…

PUCKUM (suddenly getting up from
the swing): You suppose…uh…I could have a glass of water?

Doris says it will be no problem, and
she heads into the house…playfully calling him “Cannonball.” When she reaches the kitchen, she informs
Aggie that she’s on, and the housekeeper ventures out to the porch to tell Cannonball
he’s “a lucky dog.” Doris
returns by this time, and knocks him back into the porch swing with the glass
of water. He drinks the H2O as if it
were the last on Earth, and then seeing a hole in the fence decides to run for
it as fast as his little Cannonball legs will carry him.

PUCKUM: Doris…I want
you to forget about me…

DORIS: Forget about you?
How can I do that?

PUCKUM: Well…it won’t be easy…but you’ll get over it…

DORIS: Ubbie…is it something that I did?

PUCKUM: I’m no good for you, Doris…we’re from two different
worlds…yours is peaceful and quiet…mine’s gunplay and danger…

There are only two kinds of horndogs…the quick and the
dead. “It’s a jungle out there,” he goes
on. “My job is to tame that jungle.”

PUCKUM: When I say goodbye in the
morning…there’s always a chance I may never come back…

DORIS: Don’t say that…

PUCKUM: It wouldn’t be fair to you,
Doris…so…no tears…let’s just say…auf wiedersehen and goodbye…

And…Ubbie falls over the porch railing. Doris and Aggie run to
his aid (along with Buck), but he’s not going to let possible bruises and
contusions slow him down from getting the hell out of there. He races to his cruiser, and the three of
them wave goodbye—with Doris rubbing a little salt in
his wounds: “Arrivederci, Cannonball!”

Coda time!

Doris and Buck have retired to the living room—Buck is
reading his paper, while Doris works on a patchwork
quilt. (That girl is a treasure!) Buck remarks that that is how he remembers
her mother, always quilting in the evenings.
(After she finished her evening shift at the Gas ‘n Go.)

Down the stairs come those lovable, adorable urchins—and
they’ve been motherhenning another idea!

BILLY: Mom…are you sure you’re not going to get married
before next year?

DORIS: I am positive…

TOBY: See…I told ya…

BILLY: Then as long as you’re not
going to get married…we’re stuck with Grandpa…and we just gotta get him in shape…

DORIS (laughing): You do, huh?

TOBY: We’re going to train him!

DORIS: Oh…well, don’t you think you should ask Grandpa if he
feels like being trained?

BILLY: Right…Grandpa…it’s not that
we don’t like you the way you are…

TOBY: We really do…honest!

BILLY: But we just gotta do better
next year…

TOBY: Yeah…a lot better…

BUCK: Well…uh…I’ll do anything I can to help…

BILLY: Great…first thing we do is
put you on a diet…’cause you’re fat…

“Look, you little…if I want any sh*t out of you I’ll squeeze
your head…” Buck tells the kids that if
he starts dieting and running every day he might not make it to next year. But when Doris
conjures up the spirit of Ubbie Puckum, he tells the boys to go upstairs and
get his tennis shoes. (Fat-shaming your
grandfather…what are kids coming to?)

Well, I got through another one okay…but next week will be a
trial in that it’s probably one of the worstDoris
Day Show episodes ever. Yes,
this time Goober Pyle-clone Leroy B. Simpson takes the spotlight in the
almost-too-painful-to-mock “The Songwriter.”
Be sure to join me!

4 comments:

Mike Doran
said...

Actually, Frank Maxwell's longest-running TV gig was on General Hospital, playing a suit-of-all-work named Dan Rooney; his most regular function was as administrator of GH and sometime romantic interest for one or another of the older female cast members.(Also, Maxwell as Rooney usually got to dress up as Santa on GH's annual Christmas show.)I don't have the references with me right now, but I'm pretty sure that Maxwell's GH tenure was well over ten years, possibly as much as twenty (correction welcomed).Now, if you'd said that Our Man Higgins was Maxwell's longestprime-time gig, that would of course be another matter.Oh, and Our Man Higgins was an ABC show.

Well, this is what happens when you rely on memory rather than copious research. I sit corrected.

Actually, Frank Maxwell's longest-running TV gig was on General Hospital, playing a suit-of-all-work named Dan Rooney

And, of course, I should have known this...in fact, I probably did and just left it out when writing it up since it was pretty late in the a.m. Thanks, Mr. Television--you've saved the blogosphere again!

which is sort of odd, since it was previously mentioned he was a movie magazine fan

I think we have just discovered that "movie magazine fan" is G-rated "nudie pic aficionado."

For years I got Doris Day and Dinah Shore confused, because they were both singers who played decades younger than their real age. Shore was in her 60s during that talk show she had, where she passed herself off as early 40s. Doris is at least actually IN her 40s in this show. Have to admit I'm shocked that Denver Pyle was, too.

And Ivan, one of these days you're going to have to tell everyone the "G" stands for "Godzilla."

Carl Byrd was a redshirt in the ST:TOS episode "By Any Other Name," which is where I remember him from, though I know I've seen him in plenty of stuff. Definitely a familiar childhood TV face to me.