woman

I have been taking self-portraits as my primary form of artistic expression since 2006, when in August of that year I began the challengeof taking a self-portrait every day for one full year. I succeeded and had so many ideas left to explore, I kept going for a second yearuntil August 2008. Between 2008-2012 I did a few weekly projects, a daily anything photo project, and continued my work in abandoned buildings.

I have been taking self-portraits as my primary form of artistic expression since 2006. The exploration of identity as a woman entering middle age has emerged as a persistent theme in my work. Akin to the stages of grief, I face the idea of aging at first with dread, then resistance, and ultimately acceptance. In my experience, these stages are non-linear.

I have been creating an ongoing series of self-portraits in abandoned buildings since 2007, exploring these concepts in depth.

I have been taking self-portraits as my primary form of artistic expression since 2006. The exploration of identity as a woman entering middle age has emerged as a persistent theme in my work. Akin to the stages of grief, I face the idea of aging at first with dread, then resistance, and ultimately acceptance. In my experience, these stages are non-linear.

I have been creating an ongoing series of self-portraits in abandoned buildings since 2007, exploring these concepts in depth.

I have been taking self-portraits as my primary form of artistic expression since 2006. The exploration of identity as a woman entering middle age has emerged as a persistent theme in my work. Akin to the stages of grief, I face the idea of aging at first with dread, then resistance, and ultimately acceptance. In my experience, these stages are non-linear.

I have been creating an ongoing series of self-portraits in abandoned buildings since 2007, exploring these concepts in depth.