Wednesday, October 19, 2011

65Daysofstatic's Paul Wolinski premieres new video at Consequence of Sound from solo debut as Polinski

"Polinski = Com Truise + Pretty Lights + E.T.... Galactic music of epic proportions is the only way to properly describe this album. A must-buy for sci-fi nerds like myself, and a worth-it if you love losing yourself in music." -- SLUG Magazine

"Coming across like a soundtrack to an 80s sci-fi film never made, this is a rich, pulsating collection of loud, noisy but never anarchic tunes based around deep rhythms and prominent synths." -- Subba Cultcha

Paul Wolinski of British electronic-infused post-rock heroes 65Daysofstatic today premieres the first video from his forthcoming solo debut under the nom-de-tune Polinski. The song "Stitches" is hosted by Consequence of Sound and available to watch HERE.

A 2-song digital single for "Stitches" with a non-album B-side will be available on October 25th on iTunes, Amazon or Monotreme Records' web store. The Polinski album, titled Labyrinths mixes sci-fi soundtrack moods with Daft Punk styled beat-laced anthems. It will be released in North America on November 7th, 2011 via Monotreme Records. A video teaser featuring a mash-up of parts from all of the album's songs is available HERE.

After ten years (give or take) on the road and on the record with 65daysofstatic, Paul Wolinski finally steps out from behind that particular outfit's notorious smokescreen and emerges as Polinski, a man with a laptop, some synths and a plan, in the meta-physical sense of the word.

In our childhood bedrooms and minds, the possibilities were always endless, there were worlds within worlds, and galaxies upon galaxies. If the suburbs outside seemed limited by how far we could get on our bikes, then in the real and unreal realities of space travel and science fiction we were satiated, if only momentarily. What if your bike could take off?

And it is to there that Polinski has returned, to soundtrack the impossible possibilities of the sci-fi mentality. Says Wolinski, "this is basically an album I daydreamed of writing back when I was 15 and just learning how to program MIDI...lots of beats and distortion and piano and big melodies, with a dance-y toughness."

Feeding himself a steady diet of 70s and 80s sci-fi movies and endless second hand paperbacks from the golden era of sci-fi publishing, and free of the myopic shortcomings of writing music in a room with 3 other people, this is music that is unconstrained in its search for warp speed, the 1.21 gigawatts that launches the listener back to the future.