Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here.Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories.These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.

HERLAND, a utopian novel by feminist Charlotte Perkins Gilman, tells of an isolated society composed entirely of women - a society free of war, conflict and domination. That is, until the three men arrive.

This eBook edition also includes the ground-breaking short story, "The Yellow Wallpaper" - a haunting tale of a woman's decent into madness.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order, free of war, conflict and domination.

"The Yellow Wallpaper" is Charlotte Perkins Gilman's harrowing story of a woman decent into madness during the Victorian Age.

It is considered one of the most tautly written short stories ever and is worthy of multiple rereads in order to appreciate the economy of words used to express the protagonists trials.

This is a special edition which includes several hundred additional words by Ralph Lagana, Jr., as well as a brief account of Gilman's life and discussion questions for reading groups.

Note: The additional wording does not, in any way, dilute or distract from the original work. They are included as a means of creating a more cohesive whole when reading other books in the TransPosition Trilogy due for release 2013.

Fans of feminist trailblazer Charlotte Perkins Gilman are in for a treat. Gathered in The Collected Works of Charlotte Perkins Gilman are three of her most famous works:

The Yellow Wallpaper

This short story is one of the most popular pre-1923 texts in the English language, ranking third only to The Bible and Shakespeare for free downloads on Project Gutenberg. The strange, haunting vignette delineates a woman’s post-partum mental breakdown. First published in January 1892 in The New England Magazine, it is a landmark work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. It anticipates the works of Sylvia Plath and other feminist writers seven decades later.

Herland

This remarkable work from 1915 is a Utopian novel about an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. The story’s set up is like something from the movies: Vandyk "Van" Jennings, a student of sociology, and two friends (Terry O. Nicholson and Jeff Margrave), form an expedition party to explore an area of uncharted land where it is rumored lives a society consisting entirely of women. The men do not entirely believe the rumors because they are unable to think of a way how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear: Jeff regarding women as things to be served and protected; Terry viewing them as things to be conquered and won. When the explorers reach their destination, they proceed with caution, hiding the biplane they arrive in, and trying to keep themselves hidden in the forests that border the land. They are quickly found by three young women who they realize are observing them from the treetops. After attempting to catch the girls with trickery, the men end up chasing the young women towards a town or village. The women outrun them easily and disappear among the houses, which, Van notes are exceptionally well made and attractive. After meeting the first inhabitants of this new land (which Van names Herland) the men proceed more cautiously, noting that the girls they met were strong, agile, and completely unafraid. Their caution is warranted because as the men enter the town where the girls disappeared, they become surrounded by a large group of women who march them towards an official looking building. The three men attempt an escape but are swiftly and easily overpowered by the large group of women and eventually anesthetized…

The remainder of the Utopian story develops in delightful, unexpected ways. The central theme is defining gender—the roles, how it is socially constructed, and how it is viewed as unchangeable by both genders. The idea of defining genders begins when the men first meet the women of Herland. In comparison to the women of their world, the men view the women of Herland to have masculine physical features: having short, functional hair and lacking curves. The women are physically strong and demonstrate this by building huge buildings in their country.

The Man Made World

Originally published as Our Androcentric Culture, or The Man Made World in 1911, this is one of the first feminist works to explore the now familiar credo that women are peace-loving nurturers while men dominate through violence. This is Gilman's exposition of Lester Ward's theory "that woman is the race type, and the male, originally but a sex type, reaching a later equality with the female, and, in the human race, becoming her

Moving the Mountain is the first book in Charlotte Perkins Stetson Gilman's well known trilogy. Moving Mountain delivers Gilman's program for reforming society. She concentrates on measures of rationality and efficiency that could be instituted in her own time, largely with greater social cooperation - equal education and treatment for girls and boys, day-care centers for working women, and other issues still relevant a century later. Herland is a utopian novel. The book describes an isolated society composed entirely of women who reproduce via parthenogenesis. The result is an ideal social order, free of war, conflict and domination. The story is told from the perspective of Van Jennings, a student of sociology who, along with two friends, Terry O. Nicholson and Jeff Margrave, forms an expedition party to explore an area of unchartered land where it is rumored lives a society consisting entirely of women. The three friends do not really believe the rumors as they are unable to conceive of how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear… With Her in Ourland is the third book in Charlotte Perkins Gilman's utopian trilogy which begins where Moving the Mountain and Herland left off. Gilman masterfully compares our real modern male dominated WORLD with an imaginary perfect society comprised of only woman.Charlotte Perkins Gilman (1860–1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform.

Charlotte Perkins Gilman was an American sociologist, author, poet, and lecturer whose influential work and unorthodox lifestyle made her an icon for future generations of feminists. Much of her work criticized common perceptions of the role of women in marriage and society, and advocated for educational, financial, and cultural equality amongst the sexes. Her advocacy is exhibited in her novella “Herland”, in which she describes a utopian society composed entirely of women, who reproduce asexually, resulting in an ideal society free of conflict. The world is seen through the viewpoints of three male protagonists who have set off to find and explore this fabled land. Through this story Gilman explores the role of gender in society, implying that it is arbitrarily constructed. Also included in this volume is her most famous short story, “The Yellow Wall-Paper”, a semi-autobiographical story written by Gilman in 1890 after a severe bout of post-partum depression. The story of a woman who is driven insane after three months trapped in her home, deprived of any mental stimulation, was a direct criticism of the doctor who “treated” Gilman’s depression. An additional eighteen short stories and sixteen poems are included in this representative selection of Gilman’s work. This edition includes a biographical afterword.

Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here. Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories. These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.

"""The Yellow Wallpaper"" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.

Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a ""temporary nervous depression – a slight hysterical tendency"", a diagnosis common to women during that period"

This carefully crafted ebook: "The Herland Trilogy: Moving the Mountain, Herland, With Her in Ourland (Utopian Classic)" is formatted for your eReader with a functional and detailed table of contents. Moving the Mountain is a feminist utopian novel. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. Perkins sends a man forward in time to a better world, but gives him deep difficulties in adjusting to it. Herland describes an isolated society composed entirely of women who reproduce via parthenogenesis. The result is an ideal social order, free of war, conflict and domination. The story is told from the perspective of Van Jennings, a student of sociology who, along with two friends, Terry O. Nicholson and Jeff Margrave, forms an expedition party to explore an area of unchartered land where it is rumored lives a society consisting entirely of women. The three friends do not really believe the rumors as they are unable to conceive of how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear… With Her in Ourland draws a contrast between Gilman's idealized vision of a feminist society in Herland and the darker realities of real, outside, male-dominated world.

Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform.

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"The Yellow Wallpaper" is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.

Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment she is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

The story depicts the effect of understimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw – not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper – the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell."

In the end, she imagines there are women creeping around behind the patterns of the wallpaper and comes to believe she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up. "For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way."