The
project theorizes some crossing points between the linguistic, the behavioral
and the spatial aspects of the social production of meaning. It plays
with the dichotomy of visual absence/signifying presence versus visual
presence/signifying absence in order to expose certain cultural and sub-cultural
structures in their performative roles. The images present sites of spontaneous
popular inscriptions, re-inscriptions and their modifications which have
been deleted, presented solely by accentuated blank surfaces pointing
to the empty sites of some missing discourses.

Biography

An artist from Belgrade, Milorad Mladenovic works largely with the traces
of ephemeral urban histories. Mladenovic's architectural education brings
critical knowledge to the work that he transposes vis-a-vis the city.