Month: January 2016

Manuel Gonzalez, author of The Miniature Wife and Other Stories and The Regional Office Is Under Attack! recently visited my classroom to talk about craft and lead us in a few writing exercises. During the craft talk, he had good advice like “Get your butt in a chair and write 500-1000 words every day,” but the writing exercises were especially good, so I thought I would pass them along to you.

According to Psychology Today, a classic example of transference occurs when someone unconsciously redirects or transfers feelings from one person to another or from one experience to another. In the world at large, transference might occur when you develop an unwarranted attachment to a coworker who reminds you of an old flame. But in the writing world, transference can be used to migrate authentic feelings from an author’s real life experience into the world of fiction to bring specificity and humanity to a character. Gonzalez, quoting fiction writer Tayri Jones, said, “If you’ve been stuck in an elevator for more than five minutes, you know what it’s like to be stuck in a space station.” In other words, you take what you know and transfer it onto fictional characters and fictional places to make them seem real.

At the outset of the exercise, Gonzalez told a story about an Orthodox Jewish Broadway actor who was playing a character contemplating suicide. The last scene required him, without any dialogue, to have the gun in his hand, but then convince the audience he had decided not to kill himself. The reviews for his performance were wild with praise for his showcase of pain and struggle with the decision. But as an Orthodox Jew, he wouldn’t have ever even considered suicide. At a press junket, a journalist asked him: How did you inhabit your character? He said that he lived in a four-story walkup flat with an old water heater in the basement. When he took a shower, it took forever to get the hot water going, so many mornings he had to take a cold shower if he wanted to take a shower at all. “I would stand there and look at that cold water, but some days I just couldn’t bring myself to get into the bathtub. I took that feeling and transferred it to a character who was contemplating suicide, but ultimately can’t do it,” said the actor. Gonzalez then led us in three transference exercises to bring specificity and humanity to a small scene by channeling personal experience into scene.

Think of an ordinary or typical moment in your life. Write that moment, but choose to do something you would never do in real life, adding complications and tension.

Write a short scene about something that really happened to you, but change the one thing that pivots the story, so the outcome is radically different from what really happened.

Take yourself as a character and drop yourself into a wildly unfamiliar environment. React as you would normally react in an environment like this. Write that scene.

The kids loved these activities, and many of the scenes we wrote during this visit ended up in polished pieces at the end of the unit. Boom! Lesson plan.