From this week's New Yorker, 'Talk of the Town':
"The Reverend William Sloane Coffin, now seventy-nine and suffering from terminal heart disease..." The Light Of Sunday by Ben McGrath

"Tobin grew up in Elizabeth, New Jersey, and still lives there, in a four-bedroom house on a quiet tree-lined street. Seventy-nine years old, he works most days at his law firm, a few minutes away." Times Warp by Alicia DeSantis

"Omar SharifCairo Fred to his friendshas played a bandit and a Catholic priest and Khalil Gibran and Tsar Nicholas II and the British agent Cedric, who gets trash-compacted in Top Secret! He is seventy-one." Cairo Fred by Dana Goodyear

Of course, this guy makes them all seem like pishers:
"Richard Walter, who is eighty-one, and his wife, Linda, who is a little younger than that (theyve been married for thirty-five years), sleep in separate bedrooms in apartment 6D at 1016 Fifth Avenue, an elegant limestone-and-brick prewar building that faces the Metropolitan Museum of Art, along one of the most expensive strips of real estate in New York." The Noises by Nick Paumgarten

After all the discussion last month about President Bush's dismissal of the national news media as a "filter", rather than a conduit, for his "message", it's super-meta-blogging quiz time here at low culture: Between Michael Jackson and George W. Bush, guess which public figure had his media folks say this about his newly-launched blog (the obvious giveaways have been "blacked out"):

"...the Web site allows _____ to bypass the news media to deliver his side of the story to the public.

"He's able to communicate with those people interested without the message being filtered by the media," said _____. "If he wants to put out an 800-word press release, you can read all 800 words."

Bonus points go to whomever can guess which of these two public figures has been arrested at some point in his life (though I guess that doesn't really help to clarify anything).

Extra bonus points go to whomever can justify, or at least explain, the use of the scribbled crayon font in Bush's blog logo (see the actual graphic above).

*(Answer, if you really care about the previous quote: Michael Jackson.)

In a low culture breaking news exclusive, the Abercrombie & Fitch Quarterly, scandalsheet-cum-catalogue has been pulled from the countless college outfitters dotting our nation's malls. While these actions will deprive sporty-types of saucy interviews with Paris Hilton, requisite profiles of the O.C. cast, and all the homoerotica that's fit to print, the move represents a victory of sorts for New York Post columnist Michelle Malkin, Catholic League malcontent William Donohue and the countless National Coalitions that seek to protect people from themselves. Campuses everywhere are reeling.

While we've already snidely covered the numerous instances wherein the U.S. military's documentation of events has moved from loudly inflammatory on day 1, to quietly inaccurate on day 2, we're proud to admit another entrant into low culture's "Regretful Press Release 2003" contest.

An Iraqi mob, most of them teenagers, dragged two bloodied soldiers from the car, threw them to the ground and pummeled their bodies with concrete blocks, according to witnesses, describing a burst of savagery reminiscent of that in Somalia a decade ago.

Military officials retracted a report today that two American soldiers had been slashed in their throats in an attack Sunday in the northern city of Mosul.

A military official here, speaking on the condition of anonymity, said that the two soldiers had died of gunshot wounds to the head and that their bodies had been pulled by Iraqis from their car and robbed of their personal belongings.

The military official said that contrary to some reports, the men had not been beaten by rocks or mutilated in any way...

...Another mystery was the initial reports about the men having their throats cut. The official could offer no explanation for that.

On Sunday you're photographed in The New York Times Magazine in your 'castle in the sky,' your "1958 eight-seater De Havilland Beaver DH-2 restored to [your] specifications." On Monday, you're on page A9 of the same publication with a sign that readsWill Work For Food.

Were you aware that onlinedating is all the rage? If you missed last year's big story, this Sunday's New York TimesMagazine is happy to provide all the anonymous profiles you need to understand "how Internet dating is re-engineering flirtation..." As if that's not exciting enough, in a low culture exclusive, we're previewing feature pieces from future issues of the Times Magazine.

While todays New York Timesop-ed page affords Nigel Hamilton the opportunity to less-than-methodically imagine a world in which JFK was never killed, somehow Hamilton managed to overlook the obvious impact Kennedys un-assassination would have on the entertainment industry. Well low culture is here to fill in the blanks, following in the Times' illegible footsteps.

In yet another instance of old media stealing—stealing!—from new, this week's Entertainment Weekly picks up on the recent bloggertrend of listing movies that make you cry with Cry Freedom: The 50 Greatest Tearjerkers. (Sorry, you need to subscribe to read it on the Web and get your weekly Jim Mullen fix.)

Number one on their list, The Jerk, particularly the scene in which Steve Martin feels so safe with Bernadette Peters he can say, "I slit a sheet, a sheet I slit and on the slitted sheet I sit."

In honor of Jonathan Ames' week-long diary of his trip to Club Med on McSweeneys.net, we here at low culture would like to announce our First Annual (Ever?) Jonathan Ames Write-Alike Contest.

Please use our comments area to post your entries. Extra points awarded for use of Yiddish, references to Scott Fitzgerald, detailed descriptions of bodily functions, and in-depth questioning of your sexuality. All entries not in the first-person will be automatically disqualified.

Winning entry will be printed out and hand delivered to Ames who lives two blocks away from me. (Or his mailbox: see nonexistant rules for further information.) All entries must be submitted...whenever. Must be 18 years or older to enter; only one winner per state, sorry Tennessee.

Every day on the campaign trail, Howard Dean wears an unfashionable black belt that belonged to his younger brother Charlie, a silent memorial to the man who vanished while traveling the Mekong River 29 years ago... Dr. Dean has worn the black leather belt with the large, silver-rimmed holes for at least 20 years, and counts his brother's death as a watershed that made him more serious about his own future.

How many middle aged men can say they've been able to wear the same belt for 20 years? Oh, and it's a shame about his brother, too.

To Know, Know, Know Nothing About Him is to Write, Write, Write about him (and we do)

Being a journalist is hard work. You have to pound the pavement in search of sources, burn the candle at both ends to write engaging sentences, and worst of all, you have to read the whole blurb on the dust jacket of a book for that deep, deep background.

Ask anyone writing about super producer-turned-alleged murderer, Phil Spector. This comes the back cover blurb of Mark Ribowsky's 1989 book He's A Rebel: Phil Spector, Rock and Roll's Legendary Producer: "Phil Spector created the 'wall of sound,' produced the Beatles' last record, persuaded the Ramones to go 'pop,' made the Righteous brothers sound respectable, and was a millionaire by age 21."
If that last part of the sentence sounds familiar, then you've been paying attention:

"As songwriter, guitarist and backup singer for the band, which hit the big time with To Know Him is to Love Him, he became a millionaire by the age of 21.

"Spector got his start in the music business in 1958 as a songwriter, guitarist and backup singer for the Los Angeles group the Teddy Bears, which had a hit single with 'To Know Him is to Love Him' and made him a millionaire by age 21. "

Remember when David Letterman was scary? Okay, not scary: mean. Even though he was always winking through it, he was at least being a little mean.

Well, no more. In yet another instance of the total Leno-ization of the culture (example: the President referencing David Blaine like a well-worn monologue joke), Letterman has lowered himself to just another Paris Hilton suitor. (Today's line forms behind, let's say, the guitarist from Stain'd.) According to the still Pulitzer Prize-free New York Post, Letterman made a desperate plea to the hotel heiress-cum-video jockey on his show last night:

"We'll talk about anything you want to talk about—if you have pets, we'll talk about your pets...If you want to talk about the sexual videotape, fine. If you don't, that's fine with me, too... We all know it's not your fault. It's your idiot boyfriend's fault, that's the problem. We'll set the record straight—it'll be a love fest... All I want to say to Paris is, 'You're being led down the wrong path. You come on this show, by God, we'll make you a hero."

A love fest? Isn't that what got Paris in so much trouble in the first place? Dave, we (still, for some reason) expect better from you.

President Bush, despite his being a longtime proponent of repetitive mantras, really ought to look into hiring a new set of speechwriters, lest we have to endure, yet again, his uttering the following lines when asked about protests against his administration's policies.

"Freedom is beautiful," Bush said today, adding he was happy to be in a country where people were allowed to speak their minds freely. "All I know is that people in Baghdad weren't allowed to do this until recent history."

"That's good. That's democracy," Bush said of the protests. "See, I love to visit a place that is confident in her freedom, a place where people feel free to express themselves, because that's what I believe in."

"The president views force as a last resort. He still hopes for a peaceful resolution and that is up to Saddam Hussein," White House spokeswoman Jeanie Mamo said. "The president is a strong advocate for freedom and democracy. And one of the democratic values that we hold dear is the right of people to peacefully assemble and express their views."

While these have circulated as audio files since, well, a few days after the initial speech(es) were made, those of us with "digital divide-less" broadband connections are now treated to the full audio-visual experience, which is a vast improvement on the nearly year-old MP3s.

To borrow a phrase that the papers seem so fond of citing, "nearly seven months since President Bush declared the end of major combat operations in Iraq," there's something quite perverse about seeing House Minority Leader Nancy Pelosi grin wickedly at Bush's butchered announcement that "the American flag stands for...cutting out tongues...and rape."

Among the 150,000 protesters who greeted President Bush in England this week were the members of The Lefty Spice Girls. On the left (naturally) we have Fiona (aka 'Anti-Globalization Spice'); in the middle is Johri (aka 'Stop War Now Spice'); and in the back is Alex M. ('Environmental Justice Spice'). Not pictured: Alex G. (aka, 'Workers' Rights Spice') and Miranda (aka, 'Legalize Marijuana Spice').

Tell me what you want, what you really, really want... If you want my future, correct your past/If you wanna get with me, end the slog real fast...

Sidebar: What is the deal with photographers only shooting pretty girls at protests and rallies? I mean, that has to be the oldest scam in the book: "Hey, why don't you give me your number and I'll give you a print of this. You know, I'm pals with the photo editor at the paper, I can definitely make your whole sign visible..."
Check it out: 1; 2; 3; 4; 5. I could go on forever here. Don't make me go on forever, okay?

John, not his real name, is a disgruntled former employee of two Victoria's Secret stores. He came to us with the revolting allegation that it was store practice to take back used underwear and then resell it.
"When women would come in, I would be disgusted. I knew they were returning something they wore out to a date or just wore out to a club and it's like, you want another woman to buy this?" said John.
[Reporter Arnold] Diaz asked John if there were there times that he put back underwear that he was pretty sure was used, "Yeah, all the time, all the time. I don't even like touching it, I hold it by the tag because I don't want to put my hands on that."

Good news, Jayson Blair and Stephen Glass! If you wait long enough for the whole plagiarizing and fabricating thing to blow over (like, say 30 years), you'll be able to continue your brilliant careers. Right now you might not be able to eat lunch in this town, but lay low for a while and you'll be the toast of tinsel town just like Clifford Irving.

Clifford Irving? Who dat?Irving, a once promising writer, was at the center of the fake Howard Hughes biography scandal in the early 70s. After it was revealed he lied about being authorized to write the billionaire mogul's autobiography by the recluse himself, Irving was forced to return his $765,000 advance to McGraw Hill and spent some 14 months in prison for fraud. (The whole story is amusingly told by Orson Welles in F for Fake, an amazing—and amazingly weird—movie whose title amazingly never once came up during the Jayson Blair scandal.) Here's what Irving told 60 Minutes II when he looked back on his 15 minutes of infamy in 2000: "I was lying to everybody... I was on a train of lies. I couldn't jump off." (Gee, sounds like some otherguys.)

Anyway, Irving reemerged as a fiction writer and one of his novels, Tom Mix and Pancho Villa (from 1982) has just been optioned with the screenplay to be written by classy A-list scripter Steven Zaillian. Of course, the movie sounds like a steaming turd, but that's beside the point. What was the point again? Oh, yeah. Hang in there Jayson and Stephen: redemption will be yours in a few decades.

You know that totally narcissistic fantasy you have about being able to attend your own funeral and hear what everyone has to say about you? (You know, like this guy.) Well, the girl with the most cake gets to have that experience without all the messy details of dying first.

"the last American to cause such a ruckus in the city was illusionist David Blaine, who recently spent 44 days in a self-imposed fast in an elevated plastic box above the Thames River. For the first few days, Blaine's box was pelted with food and the people jeered at him.

'A few might have been happy to provide similar arrangements for me," Bush said, adding that he was grateful to the Queen for interceding and allowing him to stay at Buckingham Palace."

Oh, and one other point about this article. While it's so, so passé to marvel at the amazingly limited worldview of Fox News and its audience, some of their antics continue to provide fresh opportunities for amazement. Such as today's headline (since relegated solely to an appearance on the front page) for this "Blaine-dropping" article: "Bush Gets Royal Treatment."

Who knew trash-documentary producer Nick Broomfield was such a history buff? It just has to be the crazy and conspiratorial Broomfield who produced a documentary that aired on the History Channel last night entitled, "The Men Who Killed Kennedy: The Guilty Men," which alleges that Lyndon Johnson was somehow involved in the assassination of President Kennedy 40 years ago.

Wait, sorry. It turns out one "Nigel Turner" produced this edifying film for the History Channel, but LBJ's presidential foundation is pretty plum pissed off regardless of its origin. Apparently having learned nothing from the conservative task force that set out (and subsequently succeeded) in preventing this month's airing of CBS's "controversial" Reagan miniseries, Johnson's family members and former aides had the temerity to allow this thing to air!

According to an AP story, LBJ Foundation Chairman Tom Johnson stated, "We left the decision on editorial content and accuracy up to the History Channel." What a nimrod!

"He and Jack Valenti, another former Johnson staff member and current president of the Motion Picture Association of America, issued a joint statement on behalf of the Johnson family and others.

'Sadly, President Johnson and the staff members who are wrongly smeared by the conspiracy theorists are no longer alive to defend themselves,' the statement said. 'In televising this production, The History Channel has distorted history beyond recognition.'"

Tom Johnson, incidentally, is not related to the former president. He is, however, "a former president and CEO of CNN." This probably has nothing to do with the foundation's going after the A&E-owned History Channel.

Related: MICHAEL JACKSON IMPERSONATOR ACQUITTED OF MOLESTATION CHARGESCharges that Perry Watson-Hoover III, a professional Michael Jackson impersonator, molested Jonathan Lipnicki's stand-in on the set of Stuart Little II were dropped when it was revealed the stand-in was 29 year-old Peter Feuerman. The Santa Barbara District Attorneys Office issued an official apology in the matter and Watson-Hoover expressed his relief and hope that he can continue to impersonate Michael Jackson for years to come.

Hello, anglophiles and throne-watchers! Quick: what have you been missing out on here in the U.S. for the past six years? That's right, a visit by Prince Charles, the future King of England, who hasn't set foot on American soil since coming to New York in 1997.

"It [concern over Charles travelling to the US] revolves around the perception that the Prince of Wales is fairly Arabist. He has, in American terms and international terms, fairly dodgy views on Israel.

"He thinks American policy on the Middle East is complete madness and he used to express that quite loudly to a lot of people, including ministers and various ambassadors."

The source added: "The system basically thinks that he is unsound on America and he has not really wanted to go anyway. He doesn't much like American culture."

Part of The Village Voice's recent redesign is the inclusion of a weekly cultural essay, creatively named The Essay. I'm all for this, since it might give me a chance to one day repurpose some of my old college papers (anyone out there wanna see yet another piece on Muhammad Ali and Norman Mailer?), but this week, The Essay goes over the deep end.
Using Gus Van Sant's film Elephant and The White Stripes' album, um, Elephant as a jumping off-point, the impressively-named Leland de la Durantaye treats us to a 1442-word essay on... elephants called "The Cleansing of the Elephants: Trumpeting, flapping, crying: a cultural history, from Ding Yunpeng to Gus Van Sant."
I skipped it.
This is the sort of thing Entertainment Weekly could've done in a 200-word charticle.
Next week, we'll be treated to 2,000-words on little people using The Station Agent, Elf, and Bad Santa.

Its you whos taunting me
Because youre wanting me
To be the stranger
In the night...
Is that scary for you baby
Am I scary for you oh boy
Is it scary for you big baby
Is it scary for you
You know the stranger is you
Is it scary for you big baby

Just when it seemed that Friendster had blown its wad, soon to be reduced to pop-culture footnote, low culture has discovered yet another diversion to be plumbed from everyone's favorite community-based resource.

Simply take the byline of any article - magazine, newspaper, or otherwise - and perform a user search on Friendster. If that piece appeared in a media-centric publication based out of New York or L.A., the odds are good that its author is online. In general, the lower said writer appears on the masthead, the more likely he will appear on Friendster. And contributor photos are a boon - most of the writers for MTV's newest cultural debacle use the same picture for Spankin' New and Friendster.

And suddenly that fluff piece you just skimmed takes on an entirely new dimension.

Isn't it better to know that New York Magazine's recent interview with cultural cipher Farrah Fawcett was written by a young woman who counts dead languages and religion among her interests?

That dreary Newsweekpiece about our failures in Iraq? Its author enjoys watching Monday Night Football and listening to Santana when he's not bemoaning America's efforts at nation-building.

The article's good enough, mind you, and does a good job of illustrating the fact that it's a bit hypocritical for this most Christian of presidents to be appearing in a paper that features nude women and Enquirer-type stories...it's just the headline that misses its mark. The Post goes with "Prez in Topless Tabloid," which, though theoretically meant to parody the headlines of the tabloid in question, comes off more like an Army Archerd-esque Variety lead.

After McClellan's bombshell at yesterday's briefing, this correspondent asked whether the other publications present would get Bush interviews if they ran nude photos. "I hope you're not talking about yourself," McClellan replied.

Poor Marty Amis. His latest novel, Yellow Dog, has garnered the nastiest notices of an otherwise charmed career. The first, and loudest, of these reviews came from crap novelist Tibor Fischer, disemboweling Amis in a career-making piece for the Daily Telegraph. It's like your favourite uncle being caught in a school playground, masturbating, he soberly notes.

Could any novel really be "masturbating uncle" bad?

It's true, Amis walks into his typical traps. There are the hugely unfortunate sentences:

And, to Xan, this poem of boredom was like a douche of self-discovery.

Or even better:

for the first time in his life he was contemplating the human vulva with a sanity that knew no blindspots

There are too the rampant pontification and cheerless self-importance, but these failings have been forgivable in the past, even part of what makes Amis great. But lately it would appear that Amis is guilty of a sin even worse than plagiarizing ones own mediocre think-piece from Talk Magazine.

Mister Amis has become uncool  enfant terrible grown ancien regime or further evidence of Sick Boys Unifying Theory of Life. Even the typically high-minded Walter Kirn accuses Amis of using tactics that might have raised eyebrows 50 years ago  And in Amis universe, uncool is a capitol crime.

Evidence of Amis complete dissociation from contemporary culture has played out lately amid his spacy declarations concerning the internet. Confer Grandpa Amis recent nap on "Topic A with Tina Brown," in which he explains, Ive never looked at [the internet], because I dont know how to use a computer, here Tina politely chuckles, and Im often quite relieved that I cant.

Hardly a crime, but based on the evidence, perhaps it would be best for Amis to avoid including the transcripts of emails, or es as Amis labels them, in any future novels. Amis fictionalized e-mail exchanges feature lines more suggestive of a Prince song than any correspondence Ive ever received. Below are excerpts from "Yellow Dogs" "es" alongside some fakes. Can you separate the real crap from the fake?

Spike Lee's attorneys, will you please do the right thing and sue these people?

Yes, Fair Use and parody and the First Amendment and blah, blah, blah. Why can't editorsand members of a publication's art departmentbe arrested and jailed for stunts like this? I mean, can't we at least fine them for thought crimes or something?

Let's hope that the litigiousMr. Lee does the right thing and Spikes this in a court of law. Is The Jewish Journal finally getting their revenge on Lee for the allegedly anti-Semitic portrayal of Jews in Mo' Better Blues, or are they just idiots?

One of these men is the most powerful man in Hollywood. Two are chumps.

A.O. Scott reminded me of something I'd intended to write about a few weeks ago: those incredibly annoying respectcopyrights.org ads that run before the trailers at movies lately.

Let's set aside how offensive it is that the highly paid producers, studio heads, and chairmen of the entertainment conglomerates are using these ordinary working Joes to guilt us out of pirating movies. What I found really offensive was that one spot, the one with stuntman Manny Perry (far left), features clips from Enemy of the State (directed by A.O. Scott's namesake and doppelganger, Tony Scott). This movie was produced by Jerry Bruckheimer, whom Entertainment Weekly recently deemed the most powerful man in Hollywood.

Should we really be taking advice on what's right and what's wrong from a guy whose former partner, the late Don Simpson, used to get off on beating up hookers and making them drink out of the toilet while he urinated in it? (You can read all about Simpson's fast times and early death in Charles Fleming's High Concept: Don Simpson and the Hollywood Culture of Excess.) Is Jerry Bruckheimer in any position to tell us how we're mistreating Hollywood's underlings? What's next, a commercial with Scott Rudin's assistants telling us we're making their lives a living hell? Maybe a spot with some Korean animators telling us how we're destroying Disney?

In "Who's Smoking Now," an article on High Times Magazine's re-branding by John Leland in The Times 'Styles' section, Richard Stratton, the magazine's new publisher and editor-in-chief envisions the new magazine as "'an outlaw version of Vanity Fair,' with a dash of Wine Spectator and Cigar Aficionado... a magazine for epicurean libertarians who may or may not smoke marijuana."
A noble goal, to be sure, but he should be careful about that Vanity Fair comparison. Many are the magazines (and, oddly, restaurants and resorts) that have sought to compare themselves (or were favorably compared by others) to the venerable magazine of moguls, royalty, disposable stars, and Christopher Hitchens and fallen flat on their faces. Here is but a sampling:

Well, with that in mind, it's nice to know the United States has been victorious in the cliched "battle of hearts and minds" that Rumsfeld et al kept championing throughout the spring and summer. Just check out these editorial cartoons from the Arab press as collected by Al-Jazeera, the noted television news mouthpiece of the Arab world. The caption for the strip above, incidentally, is as follows: "You see! Democracy is good. Isn't it?"

Today's New York Times has a good signed editorial by Andrew Rosenthal about hiding the soldiers who died or were injured in Iraq. After pointing out that the President (or anyone in his cabinet) hasn't attended any funerals for the dead or publicly addressed these slain soldiers' families, Rosenthal concludes:

The Bush administration hates comparisons between Iraq and Vietnam, and many are a stretch. But there is a lesson that this president seems not to have learned from Vietnam. You cannot hide casualties. Indeed, trying to do so probably does more to undermine public confidence than any display of a flag-draped coffin. And there is at least one direct parallel. Thirty-five years ago, at the height of the Vietnam War, the Pentagon took to shipping bodies into the United States in the dead of night to avoid news coverage.

If you're curious to see what real war fatalities look like, try to track down a copy of Ernst Friedrich's classic 1924 Passivist manifesto War Against War!. The 261 page book features hundreds of gruesome, heartbreaking photographs of soldiers killed and injured during the First World War along with an impassioned critique of war in general.

Since this isn't Rotten.com, I didn't want to post any of these photos here, but you can find them on this site. [Warning: Not for the faint of heart, or squeamish members of the Bush cabinet.]

This message is intended for FOX Entertainment President, Gail Berman, but you can read it, too.
Why on earth isn't FOX condemning Paris Hilton and distancing itself from her like they did when it was revealed that "Frenchie" Davis, of American Idol had posed topless (and masturbated) for a porn site called Daddy's Little Girls? (No link here, you can find it yourself.) If an over-weight Black girl with an amazing singing voice does some softcore to make some money, she's a whore. But if a white, spoiled, anorectic cave bitch who's never had a job in her life allegedly appears in tenhardcore tapes, she's just a lovable wild child, someone who needs to learn about The Simple Life?
Talk about hypocrisy!

And don't tell me there's a difference because Paris never got paid for her dirty work: Sarah Kozer got paid for her foot fetish films, yet she was still a finalist on Joe Millionaire. (As did Kozer's suitor, the similarly hotel-product-placement named Evan Marriott for his softcore early work.) So, Gail: these untalented white people can do porn and demi-porn and still appear on your air but Frenchie couldn't? Try explaining that to Bernie Mac at the FOX Christmas party this year.

Today's New York Times features an odd little piece in the "Washington" section of the paper entitled, "G.O.P. Leader Solicits Money for Charity Tied to Convention." The article, by one Michael Slackman, is a mildly infuriating examination of leading Congressional Republicans' tactics for working around the McCain-Feingold limitations on soft-money acquisition for campaign purposes, and has some informative anecdotes about the various methodologies that House majority leader Tom Delay and Senate majority leader (Dr.) Bill Frist have begun using to effectively channel campaign funds through the guise of charitable causes. For children, of course.

Not a "must-read" at all, save for the closing three paragraphs, in which the author goes off on a completely irrelevant (but laugh-out-loud funny) tangent about the outdatedness of the Republicans' fundraising terminology:

Whatever its ultimate virtues, the DeLay fund-raising brochure displays a certain out-of-date understanding of the New York scene.

The brochure, in which the size of donations are named for more  or less  exclusive neighborhoods, starts at the Upper East Side as the top $500,000 tier and it ends with Greenwich Village for $10,000, perhaps suggesting Mr. DeLay's people have not surveyed the recent asking prices of town houses in the downtown neighborhood. He also placed Midtown (at $50,000) above SoHo (at $25,000).

"Midtown would be a lot less expensive than SoHo or the Village," said Tory Masters, of Intrepid New Yorker, a relocation firm in Manhattan. "I don't know what they are talking about."

Looks like this Michael Slackman fellow undoubtedly has a pretty severe case of liberal bias.

According to The Post, "The clothing line will consist of cotton tops and casual pants, not T-shirts emblazoned with the Golden Arches, Howard said. In fact, some of the clothes will only carry the McKids logo on the inside label."

Maybe they should just print targets all over it, because any kid caught wearing that crap will surely be pummeled by lunchtime. They might also succeed with WIDE LOAD printed on the back.

For as long as celebrity place-holder Carson Daly has been in the public eye, people have been comparing him to Dick Clark. It's practically an article of faith that Daly is the new Clark, so I was surprised to read Mr. Clark taking the words out of Daly's mouth in his interview with The Onion A.V. Club this week. Here's the quote the editors of the A.V. Club saw fit to pull for its cover:

As a storekeeper, you've got to learn what you're going to put on the shelves. That's always been my role, even when I was in my 20s. I was a storekeeper. It didn't reflect my personal tastes or my personal preferences. You just look at the audience, listen to what they want, and put it up there and see if they come in and buy it.

This is nearly identical to something Daly's been saying (and saying, and saying) for years:"In my other ventures, I'm more like a bartender serving up what people request..." (E! Online)
If Im a bartender and somebody orders a lame drink, Im not going to sit there and knock em for it. Im just serving it." (Las Vegas Weekly)
"It's like I'm a bartender. Someone wants a Zima, and I might think it's kind of an iffy drink, but -- you know what? -- I'm gonna give it to him in a cold glass and hope he gives me a nice tip." (quoted on MetaFilter)
"I'm just the bartender. If you want a cosmopolitan, even if I think it's a pussy drink, I'm not gonna say, "No, have a shot of Jack and a Budweiser." I'm gonna serve a cosmopolitan, take my money, and serve the next guy" (FHM via this site)

Shopkeeper/bartender. What's the difference? I guess 'bartender' is more edgy, like naming your dog Stoli.

Time Magazine may have seen fit to put the be-wigged visage of Hollywood's surliest bastard on its cover last week, but it's this week's Newsweek that shows us the real life Master and Commander: Vice President Dick Cheney.

The story, by Mark Hosenball, Michael Isikoff, and Evan Thomas is so scary, I half wonder why Newsweek editor Mark Whitaker didn't run it on Halloween. Tales of Cheney's monomania on Iraq, his "free floating power base," his near-clinical paranoia, his incredible influence on the President and the direction of foreign policy, the fact that he's "far to the right politically," and the most frightening reference to Thomas Hobbes you will see all year add up to the thesis posited by Hosenball, Isikoff, and Thomas: Cheney is a "vice president who may be too powerful for his own good."

What they don't saybut what hangs over the pieceis the addition: He may be too powerful for our own good, too.

If you don't have time to read the Newsweek piecec'mon, you can print it out and read it on your ride homeat least read Maureen Dowd's summary from today's Times. You owe it yourself and to your country.

"Rush is chomping at the bit to get back on the air."— David Limbaugh on his drug addict brother.

It was my understanding that grinding your teeth with a side effect of meth, not Oxy. (That same link lists "incessant talking" as a side effect, so maybe I'm onto something.) Of course, you could fit my drug knowledge in a nickel bag and still have room left over for my knowledge of Physics and car maintanence.

Anyway, Rush will be back on the air Monday. It remains to be seen if his time in the hippie rehab center has changed him at all.

First Gothamist told us that New York is a Cupcake Town. Then The Curiosity Guild introduced its cute (but totally inedible) crocheted cupcakes to the world.
Now, bringing up the rear (so to speak), is Rolling Stone with Jessica Simpson on its cover wearing cupcake panties.
Is this some kind of Hostess conspiracy or what? Is Captain Cupcake (left) the legendary Badgeman (AKA, "the Prince of the Puff of Smoke") spotted near Dealey Plaza? (Personally, I think Sara Lee Harvey Oswald acted alone.)

Sidebar: For all you fans of glossy expertly-manufactured photos of glossy expertly-manufactured pop stars (that means you, Grambo), RS helpfully provides 88 (!) photos of Jessica Simpson, only one of which also features of Swiffer.

Enron was an eye-opener to naive lovers of modern capitalism. Our accounting brotherhood, in its entirety, turned out to be corrupt, on the take. With the government absolutely colluding with them and not giving a damn.

Bush's friend, old Kenny Lay, is still at large and could just as well start some new company tomorrow. If he hasn't already. No one is punished for squandering the people's money and their pension funds and for wrecking the economy.

So the corruption predicted by Franklin bears its terrible fruit. No one wants to do anything about it. It's not even a campaign issue. Once you have a business community that is so corrupt in a society whose business is business, then what you have is, indeed, despotism. It is the sort of authoritarian rule that the Bush people have given us. The USA PATRIOT Act is as despotic as anything Hitler came up with — even using much of the same language.
[...]Adams would surely disapprove of Bush. He was highly moral, and I don't think he could endure the current dishonesty.
[...]This business over outing the wife of Ambassador Wilson as a CIA agent. It's often these small things that get you. Something small enough for a court to get its teeth into. Putting this woman at risk because of anger over what her husband has done is bitchy, dangerous to the nation, dangerous to other CIA agents.

So much more to quote, here. But this may be the most salient question of all:

[Marc Cooper]: Is Bush the worst president we've ever had?

Well, nobody has ever wrecked the Bill of Rights as he has. Other presidents have dodged around it, but no president before this one has so put the Bill of Rights at risk. No one has proposed preemptive war before. And two countries in a row that have done no harm to us have been bombed.

Since everyone is increasing their hits with some Paris Hilton Sex tape meta-postings, I figured we ought to take our turn with Paris, too (as it were).

Anyone notice the visual symmetry between the available stills and the cover of Limp Bizkit's new album Results May Vary? Plus, I hear both appeal to the lowest brow tastes of the lowest common denominator. (Whoring for some hits—now that's low, um, culture.)

It seems that New York Magazine has taken Gawker's scientifically-precise criticism of its covers to heart, and decided to create a concept cover this week that harkens back to its Felker/New Journalism era. By using the image of an enormous woman towering over a man, it simultaneously evokes dread, feminist backlash, recession anxiety, and kinky fetishism: a deft combination of rapid-succession signifiers that would've done Esquire's George Lois proud.
You gotta hand it to New York, it's not bad. Sadly, it's been done before. In 1995.

Submitted for your approval is the cover of The Nose, issue 26. For those who missed its briefbut greatrun, The Nose was a satirical news and entertainment magazine out of San Francisco. It was sort of like a West Coast version of SPY Magazine, or The Onion, were it more obsessed with conspiracies, porn, cable access shows, and comedians. There's really almost no legacy of The Nose on the Web, but you can check out founding editor Jack Boulware's book, Sex, American Style: An Illustrated Romp Through the Golden Age of Heterosexuality. Oh, and in case you're wondering: smushed under the pump of that amazon woman is the comedian Patton Oswalt, who also wrote the accompanying article about the "giant woman" fetish.

I'll leave it to other, more skilled writers to critique the actual article accompanying the New York cover.

Wow, those writers and editors at the New York Times really have a flair for irony, huh?

How else to explain today's solemn and daring exposé on the manner in which various companies have abused and manipulated public funds to obtain subsidies for various corporate endeavors, largely under the pretext of either retaining or luring jobs to the relevant locality? The Times' article features an illustrative anecdote about United Airlines' usage of subsidies from the state of Indiana to construct a $320 million aircraft maintenance center that has since been abandoned by the airline. Of course, the promise of jobs at this defunct plant has long been abandoned, too.

For what it's worth, if you search the Times' archive for relevant terms, like, say, "corporate welfare" and "New York Times," you most certainly will not find articles like this one in the June 17th, 2002 edition of the Village Voice documenting the Times' own political manipulation and abuse of public subsidies to construct a new office complex for the paper in the heart of the city.

As a consumer of New York media, however, I'm so very glad the city and state of New York was able to pony up the resources to allow us to keep the New York Times here in, well, New York. Because the absurd prospect of the New York Times' relocating to New Jersey or Pennsylvania wasn't absurd enough, I guess.

Will the bias and the slander of the liberal media ever end? Sadly, not in our lifetime, as the new Mel Gibson movie and TV series prove.

And now this: today brings news that bow tie-loving conservative commentator Tucker Carlson has been given a new show by PBS scheduled to air sometime in June 2004. According to reports (translation: press releases spun into articles), the still-untitled show will be "a lively discussion of the week's news stories from a wide range of perspectives." So, I'm guessing it's a lot like The Man Show meets This Week... with bow ties. I don't know about you, but I'm setting my TiVo now!

Anyone have any suggestions for titles? I was thinking Nip/Tucker or maybe Tucker MC's Call Me 'Sire' but both sort of suck. Little help? Anyone...

Poor Elizabeth Wurtzel. According to an article by Thomas Vinciguerra in this week's TimesStyles section, the chronically depressed, phantom blow-jobbing author of Prozac Nation finds the film version of her book sitting on a shelf at Miramax headquarters, and it might never see the light of day. The article attempts to tease out exactly why Miramax, the makers of such recent classics as The Battle of Shaker Heights, has not seen fit to release it. What exactly is so bad: the direction? the music? Christina Ricci's first topless scene? Then, we get this: Another factor in the film's delay seems to have been inflammatory comments Ms. Wurtzel made about the destruction of the World Trade Center five months after the attacks.
While promoting her third book, "More, Now, Again: A Memoir of Addiction," she told The Toronto Globe and Mail in February 2002: "I had not the slightest emotional reaction. I thought: `This is a really strange art project.' It was a most amazing sight in terms of sheer elegance. It fell like water. It just slid, like a turtleneck going over someone's head." She added: "I just felt, like, everyone was overreacting. People were going on about it. That part really annoyed me."
Following an outpouring of protest, Miramax announced that it was temporarily shelving the movie, which was to have opened in fall 2002. "We now have to distance ourselves as far as possible from the controversy," Ms. Ricci told The Calgary Sun at the time.

It seems that once again, Miramax, the baddest bad-ass mofos of the studio-indie world—possessors of uncompromising vision and considerable artistic ambition— are once again cowering in fear of some controversy. Here, for your edification and amusement is a partial list of films Miramax has canned, changed, and put on hold due to various controversies. Call it, The Miramax Scared Shit List:Prozac Nation (9/11-related comments by Wurtzel)O (post-Columbine sensitivity about guns and school violence)Killing Mrs. Tingle (renamed Teaching Mrs. Tingle, plus new ending post-Columbine)Buffalo Soldiers (held from release out of a new-found respect for the military post-9/11)Kids (Miramax created a new distribution company, Excalibur Films, because Miramax parent company, Disney, would not release an NC-17 film.)Dogma (dropped outright after complaints from religious leaders)

So, Liz, you should feel like you're in good—or in some cases, mediocre—company in turnaround. Then again, you probably feel good about so little in this world, so you might as well just go on the way you have been.

Sidebar: Vinciguerra's article also offered us a fleeting example of the major difference between a big league film reviewer and a swatter in the minors. Check it out:Festival critics were generally impressed by Ms. Ricci's performance, but many rejected the overall film. Elvis Mitchell of The New York Times wrote that "the movie seems finally to be about a pouty-lipped young solipsist — not so much a sufferer of depression as a carrier."
"It's a tough movie, not easy to like, about a very unsympathetic, self-involved character," recalled Jon Popick, who reviewed it for City Newspaper, an alternative weekly in Rochester, N.Y. "There was just one grating scene after another." He attended the screening with a friend, Dayna Papaleo, who said she and Mr. Popick referred to the star as "Christina Screechy."

Remember when Swingers came out and everyone was saying "Vegas, baby" and "You're so money"? It was like screenwriter and star, Jon Favreau and a bunch of his half-cool/half-dorky friends managed to revise the lingua franca through the sheer force of their giddy group love and determination. Swingers was also pretty funny: great riffs on the awkwardness of dating, answering machine etiquette, and the anxious "when will life begin" feeling of being in your mid-twenties. The film also contained some uncomfortably accurate insights into how envy, competition, and loathing factor into even the closest of friendships.

Fans of le savvy Favs were probably pretty surprised to hear that he'd chosen to direct Elf, a saccharine-sweet big budget holiday family film about a human raised by Elves who leaves the North Pole in search of his real father and the true meaning of Christmas. (If that description sounds like a joke, $32 million worth of ticket-buyers all laughed at it this weekend.) But watching both films, it's clear that Swingers and Elf aren't so different: you might even argue, they're the exact same movie.
Both tell the tale of an innocent man-boy lost amidst cynical, hardened people. They both search for father figures, someone who will explain this weird, complicated world to them. They each wander (or drive) around a strange new city and observe its customs and mores with curiosity and a little fear. In the end, they both pursue—and win over—beautiful blonds who fall in love with their inner sweetness. These lost little boys wind up as heros and even teach a thing or two to their tough-as-nails mentors and everyone learns a lesson, whether it's that you don't have to wait the "industry standard" two days to call a girl back, or the true meaning of Christmas.

Looking at Elf this way, it becomes clear that Favreau, despite glaring weaknesses such as his almost religious devotion to Syd Field-type screenplay rules, is a true auteur: he's also a very autobiographical filmmaker. Swingers (directed by Doug Liman), as everyone knows, tells the story of being an ambitious out-of-work actor, unlucky in love and life in Los Angeles. Made tells the story of two friends who've come up together but whose bond begins to fray when one of them (the grating Vince Vaughn) over-reaches in the ambition department and gets them in trouble with some rich, shady people. (Sounds a lot like Hollywood, right?) Elf fits comfortably in there because it's the classic family movie made by a new father. (Since Favreau appears to only be able to make films about the exact place he's at in life, let's hope he and his wife never divorce so we're spared his version of the Paul Masursky/Blake Edwards mid-life crisis comedy.)

Another reason for making Elf may have been the chance to cast people like James Caan and Faizon Love and enable Favreau to further cement his self-appointed role as the ambassador of old and young Hollywood. Week after week on his IFC show Dinner for Five, he plays out the fantasy that he sits (literally and metaphorically) at the head of a raucous inter-generational dinner party wherein he is both a veteran and and a wide-eyed student. (On a related note, Dinner is co-produced by Peter Billingsley, "Ralphie" from the great A Christmas Story, a holiday film that's still funny. And, no: he did not shoot his eye out.) But in the end, the main reason Jon Favreau made Elf goes all the way back to the beginning of his career in the public eye, and it's the most obvious reason of all: he knew it would be, like, money.

Poor, poor Elvis. The paper has given today's review of the new release Elf to A.O. Scott, so it appears as though readers will miss out on Mitchell's customarily superlative (and well-nigh stalker-esque) praise of Ms. Deschanel.

Here's a sampling of laudatory comments culled from the Mitchell/Deschanel archives:

"Ms. Deschanel, who alone is one of the best reasons to go to the movies these days, takes her few lines and sprinkles them through her scenes like fairy dust. This makes sense, because she's intensely pixilated -- a devil doll with a hunger for mischief."

"The able cast also includes the protean young actress Zooey Deschanel, who has yet to give a bad performance in her brief career, as one of Diz's pals. (She and Mr. Qualls worked together in ''Big Trouble.'')...She's so good that you'll wonder if ''The New Guy'' will stay on her rˇsumˇ as she gets better work."

"'Abandon' features another score by a winning young actress who seems incapable of making a wrong move. But it's not by the star of the picture. That notable performance comes from the capable Zooey Deschanel playing a supporting role as a pleasure seeker with a quick, unembarrassed smile and a way with a line that takes the sting out of an insult -- almost. She and several other actors almost rescue the meagerly plotted 'Abandon' -- a picture so moody that physicians might want to prescribe Prozac for it."

For all of Mitchell's praise of Ms. Deschanel, we're nonetheless concerned for her well-being. You may be able to take Zooey from Elvis, but you can't take Zooey from the Times' other hot-blooded males:

"'For all of his uncontrollable inner violence, Lyle is attracted to the painfully shy, withdrawn Tracy (the superb Zooey Deschanel)...Ms. Deschanel, in a role filmed before her glowing work in ''The Good Girl'' and ''All the Real Girls,'' is particularly spontaneous, unaffected and emotionally direct."

"Cutting through the sugar like a bracing dash of lemon juice is Zooey Deschanel, playing Jovie, an elf-for-hire at Gimbels, where Buddy stumbles into a job. Ms. Deschanel's extra-wide eyes and delicately pointy nose and chin give her face an elfin cast to begin with, and she is as plausible a love interest as a character as fundamentally sexless as Buddy could hope to have. He cheers her up, she calms him down, and together they manage to be sincere, cool and winningly goofy at the same time."

To our loyal low culture reader(s): Due to technical problems out of my control combined with Time Warner Cable scheduling back-ups that could make Brazil look like a corporate efficiency training film, I will be mostly off-line until Wednesday, November 12. It is my hope that my partner—nudge, nudge, you lazy bum—will pick up the slack in my absence and blog about more than America not really wanting to go to war and them bad Bushes, them Bushes, them Bushes, and them Cheneys. And them Bushes.*

While I'm living without cable or internet access the way God and Bill McKibben intended, you should take time to visit some our Monheit, Jr.-approved links, below. See ya next week, and can someone please tape The Simpsons for me?
Thanks in advance!
Your pal,Matt

[Thanks to D.F. and L.S. for letting me use their house today. Also, you guys, you're like totally out of root beer and Pringles: if you could pick some up on your way home from work, that would be awesome.]

Despite over-hyped phenomena such as "rocking the vote" and last year's 33-year-old Newark, New Jersey mayoral candidate Cory Booker, it's most certainly not an exciting time to be young and in love with politics.

Unless you live in the Bay Area, where San Francisco's mayoral race has been winnowed down to two candidates, Gavin Newsom, 36, and Matt Gonzalez, 38. From the Los Angeles Times:

"Newsom, a liberal Democrat by the standards of most other cities, has been cast by opponents here as a socialite "Republocrat." He is allied with billionaire Gordon Getty and lives in a multimillion-dollar mansion in Pacific Heights, one of the city's most expensive neighborhoods, with his wife, a prosecutor and CNN commentator who is a former lingerie model.

By contrast, Gonzalez, an arts aficionado and poetry buff, doesn't own a car and rents an apartment in the considerably less fashionable Western Addition neighborhood. Newsom's supporters portray Gonzalez as an ultra-left "cafe brat" whose support won't extend beyond the city's young hipsters."

In any other circumstance, anytime one encounters the word "hipster" in an article about politics, giant warning signs should go off in your head. I mean, it's one thing to write about "Deanie Babies" and "Liebermaniacs," but "hipsters"? Last I checked, Sarah Records was not a political party and The Rapture wasn't running for office on the DFA ticket (and just how many electoral votes are Greenpoint or Silverlake worth, anyway?).

Regardless...this election in "the City by the Bay" is a promising blip on the otherwise shameful map of Californian politics. I'll refrain from commenting on the "lingerie model" and "poetry buff" aspects of this mayoral race, but it's nonetheless heartening to have to choose between voting for a "liberal Democrat" and a Green party candidate with at least a fighting chance.

Remember that thick-necked, mouth-breathing jock who stuffed you in your locker every day in high school? Well, he's grown up to become the Secretary of Defense. According to the LA Weekly's eagle-eyed TV columnist, Brendan Bernhard, Donald Rumsfeld was spotted in the stands at the Freestyle World Championships Wrestling at Madison Square Garden. This is what Rummy said when asked by an ESPN2 interviewer if his experience as a wrestler "serve[s] you well in your work every day?":

“It does... First of all, the friendships, the discipline, the reality that you have to produce and make a contribution. So I feel very fortunate that I was able to wrestle for all those years."

Bernhard expresses just the right level of skepticism about that "reality that you have to produce" part.

Earlier: Here's Midge Decter, speaking toThe New Yorker's Larissa MacFarquhar about her steamy crush on Rumsfeld: "The key to him is that he is a wrestler. A wrestler is a lone figure. He battles one on one, and he either wins or loses. There is only one man on the mat at the end of a wrestling match. It is no accident, as the communists used to say, that he wrestled.' That, and he can produce reality.

"Ross Lovegrove's stairway, with its helix profile, is part of a new tendency by designers to borrow forms from nature." caption from The TimesHouse and Home's "Going With the Flow, Tech Nouveau Arrives," by Phil Patton.

Even as he attempts to spin something new out of forms derived from nature, Patton acknowledges these architects' debts to the past by saying "But because of new materials and aesthetics, these influences are updating the effulgent, botanical shapes of Art Nouveau of a century ago and rethinking the biomorphic sci-fi boomerangs and kidney-shape coffee tables of the mid-20th century." (Italics, mine.)

But what about Berthold Lubetkin's penguin pool at the London Zoo, just a tube ride away from Ross Lovegrove's Notting Hill home office? According to one Web site:

"Lubetkin seems to have seen this building as an opportunity to creatively explore the possibilities of a new building material available in 1934—reinforced concrete. Having studied the habits of penguins he created a penguin enclosure and pool that provides an interesting environment for the penguins, a multiplicity of viewing angles for the spectator and a Modernist building of true clarity and style." (Italics, mine again.)

So, is it a new tendency? Let's let old man Wright have the final word: "Nature is my manifestation of God. I go to nature every day for inspiration in the day's work. I follow in building the principles which nature has used in its domain." Frank Lloyd Wright, 1869-1959

According to Kevin Roderick on yesterday's LAObserved, Mark Bowden's October Atlantic cover story on torture, The Dark Art of Interrogation, has been optioned by Jerry Weintraub the veteran producer of all three Karate Kid movies and the remake of Ocean's Eleven and its currently in-production sequel. "The idea is to do this as a character-driven, high-stakes, high-tension thriller that focuses on a mano-a-mano battle and test of the wills," according to Mark Vahradian, a top executive at Weintraub's company.
Setting aside my surprise that someone—anyone—in Hollywood reads the tweedy old Atlantic (I thought they only optioned Bryan Burrough's articles in Vanity Fair), here's the 'nut graph' of this ready-for-the-multiplex character-driven, high-stakes, high-tension article:

All manner of innovative cruelty is still commonplace, particularly in Central and South America, Africa, and the Middle East. Saddam Hussein's police force burned various marks into the foreheads of thieves and deserters, and routinely sliced tongues out of those whose words offended the state. In Sri Lanka prisoners are hung upside down and burned with hot irons. In China they are beaten with clubs and shocked with cattle prods. In India the police stick pins through the fingernails and fingers of prisoners. Maiming and physical abuse are legal in Somalia, Iran, Saudi Arabia, Nigeria, Sudan, and other countries that practice sharia; the hands of thieves are lopped off, and women convicted of adultery may be stoned to death. Governments around the world continue to employ rape and mutilation, and to harm family members, including children, in order to extort confessions or information from those in captivity

I don't know about you, but I'm ready for this movie, like, now. It's got thrills, uplift, and moments of great comic relief. Oh, and if they're putting together a soundtrack, I know a little ditty from the Wu-Tang Clan that works. (Then again, if they really want a soundtrack that screams torture, they could get this guy to do what he did on The Hours.)

Oscar winner Mel Gibson has teamed with ABC and Universal Network TV for a family comedy inspired by his life as a father of six boys.
The still-untitled project, which has received a put pilot commitment, centers on a blue-collar single father who is raising five teen boys on his own...

And you thought Ari Fleischer had a tough gig. Imagine trying to be Paris Hilton's press spokesperson. This comes from the celebrity advocacy journalists at Page Six:

PARIS Hilton - who has already weathered the worldwide circulation of a graphic photo of her exiting a car minus her panties - is now starring in an amateur porno, a la Pamela Anderson and Tommy Lee. The video, shot three years ago, features the hot-blooded hotel heiress and Shannen Doherty's husband, Rick Solomon, in a variety of X-rated activities. Doherty and Solomon split up after the tape was made, but have since reconciled. Hilton "keeps staring into the camera and trying to show her best side," said a source. "She knows she is being taped and [Solomon] keeps trying to get her into sex positions that are better for taping, if you know what I mean." An anonymous donor, who may be planning to sell the tape over the Internet, dropped off copies to media people. A rep for Hilton said: "This was something she did with Rick while they were dating, after he was no longer with Shannen, and it was something that was intended for their own personal use. This tape was never intended to be viewed by the public and it is in poor taste that someone has decided to release it."

If only Fleischer had been this honest. ("There are no W.M.D. The President said that for his own personal use...")

It's been said before, and it'll be said again: the blogosphere is just high school with more bandwidth. And most headshots are just yearbook photos, right? So, it's with that in mind, we present to you, The Blogmore Academy Class of 2003.

For a few weeks now, we've quietly had God working for us as an unpaid intern, and He has for the most part been occupying Himself with support-related tasks around the office, such as dusting Jean-Paul's various Edward Said and Ryan McGinness books, and helping Matt categorize his Us Weekly collection into the Bonnie Fuller and Janice Min eras (there is, in fact, a striking difference between the two reigns, He insists).

But events which have occurred over the past few days seem to have angered Him, such that He has been glowering around the workplace and approaching his assigned task of downloading Tracy Morgan MPGs with much less zeal than we have become accustomed to seeing in His endeavors. So, as a gesture of appreciation for all His hard work (not to mention creating us in His image!), we asked if He would care to voice his thoughts to the low culture readership. In a booming and thunderous voice that very likely disturbed our upstairs neighbors at Nerve.com, He subsequently presented us with what he called His "Smite List", which we have chosen to run in an edited form, despite His protests.

1. CBS President Les Moonves, for not having the compunction to resist those who would claim to speak on My behalf, but who were in reality a small minority of vocal, churchgoing conservative right-wingers who threatened to boycott watching rewarding family programs such as "Survivor: Pearl Islands".

2. Iraqi Coalition Provisional Authority head, L. Paul Bremer, for imposing a ruthlessly unjust flat-tax system on his new American colony. I have been monitoring "conservative wet dreams" such as this for some time now, Paul, and don't think I don't know about that copy of Forbes magazine and the box of Kleenex situated next to your king-sized bed in Saddam Hussein's former palace in Baghdad.

3. Archbishop of Canterbury Rowan Williams, for not yet adequately supporting the ascension of My very first openly gay bishop. While I am unsure whether I am technically on record as being for or against homosexuality, I would like to think that as a fair and just God, I shall come down on the side of tolerance for gays, just this once.

Younger readers of low culture might not remember Content, the sprightly, engaging, wildly popular magazine of media criticism from the friendliest suspenders aficionado since Mork came from Ork.
Okay, who am I kidding? Content was full of boring, desiccated articles, spoke in a priggish, scolding tone to a very narrow audience of media professionals and obsessive Romenesko re-loaders, and Steven Brill, by all accounts, is a lot scarier than Robin Williams on one of his free-associative benders. That said, two years after the magazine's demise, its narrow focus on critiquing the media seems to have flowered in the unlikeliest place: everybody's favorite Canadian anarcho-capitalist, racist humor and fashion magazine, VICE.

The VICE/Content overlap first occurred to me when Gavin McInnes wrote to Gawker to explain how The New York Times did him wrong in a Style section profile. His typically all-over-the-place prose was littered with the sort of righteous resentment found in many a Content piece:I made totally bullshit claims... [that] could have been easily disproven, but everyone from The New York Post to Newsweek ran with them. Shocking really.... [B]aby boomer media like The Times is a laughingstock and we should do whatever we can to ridicule it. They never leave their desks and are so determined to sensationalize that fact checking becomes irrelevant. Ask Jayson Blair how easy it is to manipulate the mainstream press.

Reading the new issue ("The Mistakes Issue"—is there any other kind?), I found several instances of meta-media critiques filling the spaces usually occupied by peans to butt-sex and video games. We get a response to a letter on the letters page that reads:No mainstream journalist that has ever interviewed us has ever heard of VICE before. These people never leave their desks. That's why they're such easy prey. You should try it too. Jayson Blair is still the master however and we are yet to meet his level of expertise.
(Where have I heard that before? Oh, right.)

Then there's an extremely long (almost Brillsian length) article on "Scary" Perry Caravello that becomes a drawn-out examination of journalist-subject collusion and the anxiety of being "scooped" by Page Six. Then there's a fashion spread called Dear Anna Wintour: You Are Wrong that features plus-sized models.

Not really the sort of thing you'd expect from a magazine mostly read by 16 year-old skateboarders. Let's hope VICE doesn't go the way of Brill's Content, mostly because I can't stand the thought of Gavin writing a highly acclaimed book about 9/11 and going into the airport security business.

It's been about two weeks since Amazon introduced its "Search Inside the Book" function, and already, we're witnessing a change in journalism. Take, for example, this unsigned New York TimesWeek in Review piece that wrote itself simply by going to Amazon and typing in Santa+Ana+winds.
Writing articles hasn't been this easy since the advent of The Internet Movie Database.

low culture put in a bid for the exclusive rights to Sean P. Diddy Comb's ING New York City Marathon diary, but we lost it to The New York Post, which apparently offered Diddy more exposure and lighter editing. In lieu of the hip-hop/fashion mogul, our correspondent MATT SLONIM took dictation for the marathon diary of Sydney Goldfarb, an importer-exporter from New York's Upper West Side who ran beside Diddy for 18 of the 26.2 miles of the marathon.

I may not be Sean "Puff Diddy" Combs, but I too ran the New York City Marathon. My name is Sydney Goldfarb, and this is my story.

Jean-Paul
Tremblay written-ed, directed and co-produced a bunch of so-called "comedy" and "video" content, is notoriously competitive, and nonetheless settles for bottom-tier tokenism. Repped by John Herndon at Grape Dope Entertainment. Thrill jockey!

Matt
Haber has written for The New York Times, Esquire,
and The New York Observer. He is not allergic to pet dander
and can do "ethnic" accents if the part calls for it. He is repped
by Candy Addams at Entertainment 4-Every-1. Feeling
special?

Guy Cimbalo is
so cute! Yes, he is. Who's a cute little Guy? You are, you are!
Guy's our very own star of stage and screen and is repped by Jeff Kwatinetz at
The Firm. Rowr!

What "They" Say About "Us"

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captions than most blogs get out of endless pages of text." -
The Week

"No irony slips past Low Culture." -
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"what's happened to this site? it used to be one of my favorites.
now there are never new posts and when there are it's bloodied
and dismembered dead bodies... grave, indeed." - Some Guy Named
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