Tuesday, September 23, 2014

Alan Moore is the British author who wrote the graphic novels Watchmen and V for Vendetta. He is now nearing completion of Jerusalem, a novel he has been working on for six years. It will be more than a million words long, almost double the size of Tolstoy's War and Peace,
and 200,000 words bigger than the Bible. "Any editor worth their salt
would tell me to cut two-thirds of this book," Moore told the New Statesman, "but that’s not going to happen." Referring to the author of Moby Dick,
Moore adds, "I doubt that Herman Melville had an editor. If he had,
that editor would have told him to get rid of all that boring stuff
about whaling: 'Cut to the chase, Herman.'" Let's make Moore and
Melville your role models in the coming week, Aquarius. You have
permission to sprawl, ramble, and expand. Do NOT cut to the chase.

The Guardianreported that Moore finished Jerusalem
a week and a half ago. The book explores a tiny area of Northampton,
where Moore grew up, through stories of his family's past. The bearded
sage will undoubtedly reach universal transcendence with this work: it spans many
different radical writing styles, genres and ideas. Jerusalem is now with the copy-editors.

Moore has repeatedly argued that gods, as the products of our imaginations, are real entities, produced by the magic of artistic creativity. He became a ceremonial magician on his fortieth birthday as "a logical end step to my career as a writer." That didn't happen. Wiki:

"I believe that magic is art, and that art, whether that be music,
writing, sculpture, or any other form, is literally magic. Art is, like
magic, the science of manipulating symbols, words or images, to achieve
changes in consciousness ... Indeed to cast a spell is simply to spell,
to manipulate words, to change people's consciousness, and this is why I
believe that an artist or writer is the closest thing in the
contemporary world to a shaman."

Morrison's 18 Daysretells the great Mahabharata in an animated CGI drama on Youtube (you can watch it here). 18 days is the length of the battle in the Mahabharata. Image Source: Broken Frontier.

The wavering fictional reality of DC Comics resembles theories from today's quantum physicists. A comic book fantasy of multiple Earths and multi-dimensional universes aligns with contemporary scientific ideas of a fractured multiverse and mysterious dark matter. It makes one wonder: if our physicists are right and the multiverse is real, what sort of creatures are we because of it, and how do we feel its effects?

Are we pawns of a larger order we will never perceive? Scottish writer Grant Morrison would say: yes. He is delivering his long-promised crossover, Multiversity,
right now via DC Comics, and a glance at the multiversal map below shows that he is combining
years of esoteric interests - mind expansion through drug dreams, a fascination with ancient Indian epics and religions, and a belief
(expressed in 2012's Supergods) that modern superheroes are manifestations of ancient gods. More importantly, in Multiversity, the heroes exist along a metafictional continuity with our reality and time. They are part of humankind's long quest to define the line between creation and destruction, from
which everything else follows in this world, and other worlds too.

From 2009 to 2013, Morrison worked with Dynamite Entertainment and Liquid Comics to produce 18 Days, a retelling of the Mahabharata, in which a classic Indian battle sees the age of gods give way to the age of men. Two of the founders of Liquid Comics are author Deepak Chopra and his son, Gotham Chopra. Deepak Chopra famously discussed these ideas with Morrison at several comics conventions; the Chopras also published a book about it, The Seven Spiritual Laws of Superheroes (2011). CBRreported on one such discussion in 2006 in San Diego:

Superheroes, in Chopra's view, are not external beings. "These are archetypal beings that stoke the fire of life and passion
in our own souls. These are potentials that exist within us, and by
creating these superheroes through our own collective imagination, we
are in a way serving our deepest longings, our deepest aspirations, and
our deepest desires to escape the world of the mundane and the ordinary
and do things that are magical."

Morrison draws from Indian traditions to marry that consciousness to the cosmos of existence. Thoughts become physical substances in
other dimensions. The great epic of the multiverse involves the genesis
of values in that consciousness through dharma and karma, action and negative action,
creation and destruction, good and evil. In our reality, mythical heroes
are legendary archetypes. But Morrison insists that these paragons
embody physical forms in other times and places.