Tag Archive: Worldbuilding

Well, I’ve been silent. That is, I’ve been silent on this blog. Why? Because I’m trying to devote as much effort to my main job as possible. That is, jobs, but the priority goes to the company that pays me the most for my editorial and research skills. That company has been very generous with letting me balance going to places like AwesomeCon (and three more events this year, possibly five), so I’m trying to not take that for granted.

Sadly, thanks to a flare-up with my fibromyalgia that coincided with AwesomeCon weekend, well, I’m a bit behind. But I’m taking a few moments here to talk about the convention and a few other things before I let too much time pass. Continue reading →

Today, for the majority of the Novel Ninja audience, is tax day. April 15th, over half a year away from elections, because they hope we’ll forget how many extra forms they added by then.

As I described in another post (about the historical significance of March 25th), the US gets the date of April 15th by rounding off from the UK’s April 6th, which was shifted from March 25th by a medieval bigshot in Rome updating the calendar. The Canadians couldn’t let themselves be outdone by their cousins to the south, and delayed it all the way to the end of April. Australia, the land of reversed seasons, decided to flip their tax calendar and made it October 31st (yep, Monster Day). New Zealand decided to split the difference and stuck theirs in July.

The point is, everyone has different dates, and everyone knows the headaches involved. Yet taxes are often like the location of the toilet on the USS Enterprise: it’s got to be around here somewhere, but you never see the characters interact with it. Continue reading →

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Language is one of those things that people tend to be concerned with when writing science fiction and fantasy (mostly in fantasy), and yet how many SF&F authors are linguists? It’s quite possible that this is a natural outgrowth of trying to show a radically different culture from our own; or it might be that the godfather of fantasy, J. R. R. Tolkien, the Professor himself, put so much work into his languages.

Not everyone is a philologist, though, much less one of Tolkien’s caliber. How do we use languages in fiction without sounding like we just made it all up? How can we make it up if we’re going to keep the audience from feeling lost? How can we even hope to show a language barrier if the book’s all written in English? Continue reading →

When figuring out where to set your story, one of the simplest things to do is pick how far your story extends. Does it take place entirely in one town? Does it span an entire galaxy?

There has been an increasing trend toward larger and larger settings in the last few decades, though that trend may be reversing now. It seems as if, as our perception of our own world increases and our ability to get from place to place becomes easier, we seem to think that the same should be true even in a medieval fantasy setting. Lately, though, I’ve been coming across more and more stories that detail smaller areas, as if authors are realizing that — like with the real world — “flyover country” actually contains some interesting stuff. You can set a lot of stories in one small area. Continue reading →

It’s that time of year again. It’s time to wake up an hour early, only to look at the clock and be confused because it’s an hour later than it feels like it should be. It’s time to grumble and moan and ask yourself and anyone in earshot why do we do this ridiculous thing!?

This time, though, it made me think of a different topic. Strange peculiarities that may or may not make sense but always seem weird from a different perspective are what make a real-life culture seem, well, real. What kind of things can we learn from that for worldbuilding? Continue reading →

As I said in my review of Shanna Swendson’s Enchanted series, I wound up with a lot more to say that was really appropriate for a review. Like many of my posts, it’s a long one, clocking in at over three thousand words, but it’s aimed more at writers than all readers. And, I promise: spoiler free! (Well, except for the romance angle.)

So, without further ado, here’s my analysis of this new favorite series. Continue reading →

I managed to find a little time this weekend to watch the first (and currently only) three episodes of the new show Agent Carter. I’ve been looking forward to this one for three reasons. 1) It stars Hayley Atwell as a gender-flipped James Bond figure. 2) It’s a 1940s period drama, and as both of my parents are WWII-era enthusiasts, I’ve picked up some of that myself. 3) It’s a Cold War spy thriller.

I was not disappointed . . . well, in that regard. All three were basically what I was looking for, with enough extra twists to keep me surprised on all fronts. I didn’t need the Marvel Comics tie-ins to enjoy the show, though they helped with the suspension of disbelief when it came to the occasional anachronistic piece of tech. They even managed to deflect a bit of the Reed Richards is Useless trope by implying that the Stark family tends to have trouble inventing devices that are actually appropriate for civilian use, in a bit of a “go big or go home” vibe. That is, Howard Stark’s inventions don’t ever fail, they just turn out to be unexpectedly strong.

What I was disappointed with, however, was the same thing that is apparently driving male audiences away, though not to the same degree.

As I keep saying, I’ve been kept busy by other projects. I keep wanting to come back here and give you all more posts. Worldbuilding advice, for one. I have a post on YA fiction that I keep meaning to actually write. I should probably give you all some thoughts on current shows (mainly Person of Interest, Agents, The Flash, and Arrow), but each time I find myself about to do that I realize “Wait, there was another episode . . . I should watch that first.”

Still, I have one short review I can give you. A friend of mine was in town this weekend, and she asked me if I was willing to see Mockingjay. I was, we did, and here I am. Continue reading →

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Novel Ninja (n):

1) A person who uses subtlety and a vast array of skills to bring out the best in a story, preferably when the audience least expects it. E.g.: an editor.
2) A blog run by freelance editor Matthew Bowman, focused on advice for writers and reviews for readers.

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