Watching the Back to the Future trilogy yesterday for ‘Back to the Future Day’ made me think again about the Films You’d Love Your Kids To See season in the Lighthouse cinema this past summer.

Back to the Future of course featured in that season. Time travel has never, ever been as much fun as 1980s teenager Marty McFly’s jaunt back to 1950s Hill Valley where he must ensure his teenage parents meet and fall in love to ensure his own future existence. Watching all three films you realised anew what a great double-act Michael J Fox and Christopher Lloyd were as Marty and Doc Brown, how stirring Alan Silvestri’s score was, the incredible 1980s-ness of everything, and just how sharp a script Robert Zemeckis and Bob Gale wrote. Watching the waves of nostalgia washing over ITV 2 yesterday you also wondered if the 1980s really was a golden age for kid’s films or if it’s just the generation that grew up with them wallowing in nostalgia for their own childhood rather than the films.

Back in the summer I wrote about the paradox of the Lighthouse encouraging adults to take their children to see films they had enjoyed as children. Your children cannot have the same childhood you had because films are part of a cultural matrix. You can’t separate them from the culture surrounding them. Observe Huey Lewis, Ronald Reagan, Michael Jackson, Clint Eastwood, Star Wars, Star Trek and Japanese corporations in the Back to the Future trilogy. These are films of the 1980s, with all that means for politics, music, fashion, television, and on and on and on… To remember originally experiencing Back to the Future involves comics and annuals that accompanied it, which tied it together with a whole complex of movies; Ghostbusters, Short Circuit, Indiana Jones, Star Wars, Star Trek, The Goonies, E.T., The Karate Kid, Roger Moore’s Bonds; and television; Doctor Who, TheReal Ghostbusters, Thundercats, Transformers, Mask, ALF, Family Ties, MacGyver, The A-Team, Knightrider. That’s some fearsome nostalgia.

But in a smartphone age there is something retro not just about making children experience movies with hundreds of people who have all ditched their phones to unite as an audience and groan as one at Indy being served monkey brains but also in showing them movies shot in such an old-fashioned way as Back to the Future. Robert Zemeckis recently said vis a vis The Walk that spectacle doesn’t just mean CGI. A close-up is cinematic spectacle, because close-ups don’t happen in reality. Look at all the moments in Back to the Future when Silvestri’s score tells you how to read a scene while Zemeckis moves the camera as outrageously as Hitchcock to draw your attention to something, convey importance, or just dazzle you. When Zemeckis unleashes the train pushing a DeLorean finale of Back to the Future: Part III it shames today’s blockbusters. This summer saw many action sequences that were neither choreographed nor legible, but simply CGI edited in a frenzy to create an impression of thrilling action. Zemeckis’ train finale by contrast, is so perfectly constructed, shot by shot, that a 1910s audience would comprehend it and thrill to it as Guido Silvestri hammered his piano.

Twitter went crazy because Back to the Future: Part II’s future day had arrived, but watching that 2015 sequence yesterday it was striking just how much of its vista of hoverboards and flying cars was realised practically. To say nothing of how the earliest cinema pioneers would have smiled approvingly at the lo-fi trick Zemeckis employed in the sequels to have multiple versions of Fox and Lloyd interacting with each other onscreen. And watching Zemeckis’ inspired writing partner Bob Gale effortlessly handle the parallel timelines chaos of Back to the Future: Part II’s time-travel antics you couldn’t help but sigh, remembering just how insultingly nonsensical Terminator: Genisys was. Zemeckis and Gale are no doubt appreciative of how beloved their work is, but Zemeckis probably wishes people would go see the movie he released last month instead of hyping one he made thirty years ago. Perhaps the takeaway from ‘Back to the Future Day’ is we get the movies we deserve.

Zemeckis & Gale had a horrible time getting their script greenlighted in the 1980s. But the idea that anybody would touch it with a bargepole now is fantasy. It’s not a sequel, it’s not based on a comic book, or a toy, or a TV show, or a YA novel, it is simply an original idea that happens to be cinematic lightning in a bottle. If we want films now that will be as beloved in 2045 as Back to the Future is now then we need to put our foot down: we want sharp scripts and properly choreographed action.

Films You’d Love Your Kids To See, a season of classic 1980s movies back on the big screen, kicks off in the Lighthouse cinema tonight.

During July and August you can relive the golden age of kids’ films of the 1980s, with a brace of detours to the 1970s. The Lighthouse promises films which drew audiences into worlds filled with magic, adventure, thrills, and frights, courtesy of goblins, spaceships, pirates, muppets, friendly aliens, flying dragons, cars that could go back in time, and imbued with a sense of awe and optimism that can now be relived and enjoyed once more by new and older generations. If the last clause about awe and optimism causes bad flashbacks to Tomorrowland fear not. Film-goers are invited to experience the original spectacular sci-fi of Spielberg’s E.T. and Close Encounters Of The Third Kind, as well as the fantasies of Jim Henson’s Labyrinth, The Dark Crystal, and The NeverEnding Story, and the tongue-in-cheek derring-do of Indiana Jones and The Goonies.

Special events include Lighthouse Book Club screenings of Willy Wonka and Stand By Me (both of which will have special Kids’ Book Club screenings), as well as a Jim Henson Double Bill, and an Indiana Jones Marathon. There will be late-night screenings for adults and matinees for families to enjoy. So whether you want to re-live one of your old favourites on the big screen or introduce a whole new generation to these wonderful films, the Lighthouse invites you to escape into these magical worlds this summer on the scale they were originally intended – for a big screen with hundreds of people groaning at Indy being served monkey brains. It must be noted that the split-focus of the season, between 1980s kids who now have families, and 1980s kids who just want to relive their childhood is kind of interesting…

Your children cannot have the same childhood you had; the world has moved on, unless of course we’re talking about the seemingly indestructible world of Transformers. But even Transformers proves the point, my memories of those toys are inextricably bound up with an accompanying British comic and its staggeringly Shakespearean storylines, not a series of Michael Bay films whose screenwriters probably never heard of that comic. But the desire to introduce children to the 1980s classics Lucas & Spielberg et al suggests something more than nostalgia, it says something about the current state of cinema – and it’s more or less a white flag. Omnipresent CGI that can render anything you can imagine just so long as you imagine looking it like CGI will never capture the imagination the way that the last stand of practical effects did in the 1980s.

E.T.

WED 8TH JULY, 3PM & 8.30PM | SAT 11TH JULY, 3PM & 10.30PM

Science fiction when visualised by Spielberg and scored by Williams is an emotional wonder to experience on the big screen. E.T. asks the question ‘are we alone in the universe?’ and allows the audience to believe that if we’re not, then there’s a universe of adventures to be had and friends to be made. A film that can make grown men cry, Spielberg’s early masterpiece has an innate sense of wonder that is unequalled.

LABYRINTH

TUE 14TH JULY, 3PM & 8.30PM | SUN 19TH JULY, 4PM

Part Muppets, part Monty Python, this dark fairytale was directed by Jim Henson and written by Terry Jones. Starring a very young Jennifer Connolly and a very wicked David Bowie, Labyrinth is a rock’n’roll fantasy whose dark heart is cheered up by a colourful cast of Muppets who aid Sarah in her attempt to free her baby brother from the clutches of the Goblin King.

THE DARK CRYSTAL

WED 15TH JULY, 3PM & 8.30PM | SUN 19TH JULY, 2PM

In a world divided between the malevolent Skeksis and the benevolent Mystics, two ‘gelflings’ must quest to find the shard of the Dark Crystal to ensure the world doesn’t fall to darkness. Muppets mastermind Jim Henson and Frank Oz (Yoda himself!) co-directed this striking and beautifully crafted, yet sometimes rather dark fantasy.

THE DARK CRYSTAL & LABYRINTH

FRI 17TH JULY, 8.30PM

Are you a Gelfling or a Goblin? Celebrate the genius of Jim Henson by going back to the fantastical worlds and characters he created in The Dark Crystal and getting your Chilly Down (doing the Magic Dance) with David Bowie’s Goblin King. That’s right, it’s an 80s cult double bill in the shape of The Dark Crystal and Labyrinth.

THE NEVERENDING STORY

TUE 21ST JULY, 3PM & 8.30PM | SAT 25TH JULY, 3PM & 10.30PM

Upon discovering a mysterious book, Bastian enters a magical world of Fantastica and is called on to help the Child Empress and young warrior Atreyu to save the world from terrifying non-entity ‘The Nothing’. But for every wish he makes, Bastian loses a memory from his real life. Fairy-tale action of the highest order – who hasn’t dreamt of flying on their own luck-dragon!?

WILLY WONKA

MON 27TH JULY, 6.30PM | SUN 2ND AUG, 1PM (FOR KIDS)

Keeping up the annual Roald Dahl summer book club, this year Lighthouse book club invites you to join them for a screening of Willy Wonka and the Chocolate Factory starring Gene Wilder, Roy Kinnear, and a host of Oompa-Loompas. For the first time ever, there’ll be both an adult book club in the usual slot and an extra Sunday afternoon children’s edition.

WHO FRAMED ROGER RABBIT?

WED 29TH JULY, 3PM & 8.30PM | SAT 1ST AUG, 3PM & 10.30PM

It’s difficult to say if Robert Zemeckis’ film was intended specifically for children or not. With its film-noir stylings, the ludicrously sultry Jessica Rabbit, and its knowing winks at the ego and corruption at work in Hollywood, there’s as much to love in this live-action-animation hybrid for adults as there is for children as Bob Hoskins and Christopher Lloyd clash.

BACK TO THE FUTURE

TUE 4TH AUG, 3PM & 8.30PM | FRI 7TH AUG, 10.30PM | SUN 9TH AUG, 3PM

Time travel has never, ever been this much fun. Michael J Fox is 1980s teenager Marty McFly who, stuck in a time-travel jaunt back to the 1950s – courtesy of his mad-scientist friend Doc Brown – must ensure that his parents end up falling in love so his existence is ensured. Mind-bending in the greatest way and full of spectacle and adventure, as all great family films should be.

THE KARATE KID

WED 5TH AUG, 3PM & 8.30PM | SAT 8TH AUG, 3PM & 10.30PM

Everyone on your street did at least one karate class as a kid and there was probably some kid with a black belt who seemed like the coolest person in town. That is thanks, to a huge extent, to this film. Probably the greatest pairing of master and student in sports movie history, Daniel and Mr Miyagi throw poses like nobody’s business in this classic coming-of-age sports film.

CLOSE ENCOUNTERS OF THE THIRD KIND

WED 12TH AUG, 3PM & 8.30PM | SUN 16TH AUG, 3PM

Spielberg’s first foray into the world of extra-terrestrials, Close Encounters is not only a wonderful film, but one that has hardly aged at all despite its heavy use of special effects. The trademark Spielberg sense of wonder, channelled through man-child alter-ego Richard Dreyfuss, makes this a marvellous big-screen experience for both young and not-so-young. Although children might not be so enamoured with the idea of dad simply abandoning the family to hang out with ET.

INDIANA JONES TRILOGY

George Lucas and Steven Spielberg put their blockbusting heads together and came up with the ultimate family-friendly adventure. A throwback to old 1930s cliff-hanger serials, Harrison Ford is the perfect charismatic, quipping leading man. These films have everything – action, romance, face-melting, whips, running from a giant rolling boulder. Not only does each film get its own daily screenings but there’s also a once-in-a-lifetime opportunity to watch all three back-to-back in the Indiana Jones Trilogy Marathon. What do you mean there were four films?

RAIDERS OF THE LOST ARK

TUE 18TH AUG, 3PM & 8.30PM

INDIANA JONES AND THE TEMPLE OF DOOM

WED 19TH AUG, 3PM & 8.30PM

INDIANA JONES AND THE LAST CRUSADE

THURS 20TH AUG, 3PM & 8.30PM

INDIANA JONES TRILOGY MARATHON

SAT 22ND AUG, FROM 2PM

For €21 TRILOGY DISCOUNT PRICE – call 01 8728006 or book in person at Box-Office.

THE GOONIES

THURS 27TH AUG, 3PM & 8.30PM | SAT 29TH AUG, 3PM & 10.30PM

Goonies never say die! Get your treasure maps out and come along to screenings of The Goonies, one of the most beloved of 80s cult classics. The ultimate kids’ adventure tale sees a group of friends trying to save their homes from being demolished and in doing so discover an old treasure map from the legendary One Eyed Willie, but they must battle the weirdest family in America for the hidden treasure. Pirate outfits and truffle shuffles encouraged.

STAND BY ME

SUN 30TH AUG, 1PM (FOR OLDER KIDS) | MON 31ST AUG, 6.30PM

Based on the short novella The Body by Stephen King, Stand By Me is a masterful adaptation of a very brilliant book, with Rob Reiner reining in King’s customary tendency to go just a bit too far. Pushing the definition of kids’ films to its limits this coming of age thriller starring the future Wesley Crusher and a fully-formed villainous Kiefer Sutherland is the perfect discussion piece for the YA Lighthouse Book Club.