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Setting the Scene: After the consummation of Jaime and Brienne’s relationship and seemingly a period of happiness in Winterfell, Jaime hears that Cersei and Euron have done serious damage to Daenerys’s forces, which causes him to do some soul-searching.

Why It Matters: If you’ll notice, I changed the title of this section. “Why It’s Awesome” didn’t feel right for a scene that left my favorite character sobbing and my other favorite character riding off to what seems to be certain death with the most unclear motives in television history. Despite its inherently tragic (and possibly frustrating) nature, this scene deserved a closer look.

Let’s start with the obvious: None of us have any idea why Jaime really left the North—and the life he was building there with Brienne—to return South. We can make educated guesses, make up various theories, and even claim to use the actors’ performances, small pieces of what we think is foreshadowing, and potential spoilers to gain insight into Jaime’s mind in this moment. Is he leaving to kill Cersei because he knows he’s the only one who can get close enough? Is he leaving to die with her because he feels that’s the only way to fully atone for the sins he committed out of his love for her? Is he leaving to try to save her because he still loves her? Is he leaving because of the child Cersei is pregnant with? Does he plan to die in her arms as her soulmate? Did he always only love Cersei, or does he truly love Brienne now? Does he think he’s not worthy of Brienne? Is he trying to protect Brienne by pushing her away so she won’t follow him?

There are probably a thousand more ways to interpret this scene and what Jaime is going through during it, but we won’t know until the next episode airs, or the series finale, or maybe not even then. And for some people, that might be fine. Obscuring character motivations for the sake of preserving shock value is not a new trick on this show—it was my main complaint with last season’s Arya/Sansa storyline. But it’s not fine for me. I want to leave every scene of this final season feeling something—whatever that feeling may be—deeply. I prefer when the characters drive the plot, not the other way around. So Jaime’s lack of clear motivation—and the lack of relationship building between him and Brienne (in this episode rather than in the many seasons of gorgeous development we got before their love scene)—left me feeling confused more than anything else. By trying to hit two huge beats (the sex and the “breakup”) in one of the show’s most nuanced and beloved relationships all in the course of an episode, it just cemented my belief that this final season is more about moving characters into predetermined places as quickly as possible instead of creating a story whose final highs and lows feel earned.

With that being said, I don’t want to talk much about Jaime in this scene. I want to believe that the tears in his eyes gave away his true feelings (because how deeply unsatisfying would it be for him to actually go back to Cersei because he loves her after all this?), but my lack of faith in these writers when it comes to Jaime’s character arc is telling me that might have just been the result of Nikolaj Coster-Waldau once again bringing so much more depth to his character than the writers believe exists in Jaime.

And how could he not bring everything he had to this scene when he was met with his best scene partner giving what may have been her best performance yet?

Setting the Scene: Just as all hope seems lost for the living in Winterfell and with the Night King seemingly about to draw his sword against Bran, Arya jumps out of the darkness and fulfills her destiny to close blue eyes forever.

Why It’s Awesome: I’ll be honest: I didn’t love “The Long Night.” Last week’s “A Knight of the Seven Kingdoms” is much more my style of storytelling and provided far more of what I want from Game of Thrones. However, this episode delivered when it counted, with a moment that had me leaping off my couch in shock and will forever be immortalized in reaction videos that bring tears to my eyes when I watch them.

This is what fandom is all about. It’s what entertainment is all about. It’s about these kinds of moments—ones that make us hold our breath and then explode with emotion, ones that make us want to talk to everyone we know about how it made us feel, and ones that bring us together in shared excitement.

Arya killing the Night King was unexpected in the moment. It seemed like it was Jon’s destiny—or maybe even Bran’s. And then, as the episode neared its end and the fates of all the main characters looked pretty grim, I actually started to worry if maybe the Night King would actually win. But that wasn’t the subversion the writers were going for. Instead, it was the subversion of our expectations of whose hero’s journey we’re actually on when it comes to this story. After Arya stabbed the Night King, I had the best kind of reaction imaginable to a piece of media—I immediately thought about going back and rewatching the entire show with this knowledge in mind, because I knew that I’d see everything differently now. This was a moment that changed not just the future of the show, but how I will now view its previous episodes, too. Because, in her own twisted way, Arya was on a hero’s journey. She had to travel far from home, encounter monsters of all kinds, let her old self die, survive hell, and return home with new knowledge that could be used to create a better future. It doesn’t get more quintessentially Joseph Campbell than that.

I love that Arya’s journey had a real purpose. I struggled for a long time with her story because it felt like a depressing tale of a haunted girl learning to become a soulless killer for revenge. And that kind of story is never interesting to me. But now it all makes sense. She had to become intimately familiar with death in order to kill its greatest agent and symbol. She had to know death to destroy death. All of her training led her to that moment of sticking death itself with the pointy end to defend her brother and her home. When you look at who Arya is and what she was fighting for, there was no better way for this part of the story to end. It managed to be both surprising and satisfying, which doesn’t happen very often on television.

I have no idea where this story is going to go now, but I’m ready to move on from the Night King and get back to the interpersonal, human dramas that have made this show so compelling from the pilot onward. And if this moment taught me anything, it’s that satisfying surprises are still lurking around every corner.

Honorable Mentions: Tyrion kissing Sansa’s hand, Bran telling Theon he’s a good man, Arya giving Sansa a dagger, and literally any of the approximately 800 times Jaime and Brienne saved each other

Setting the Scene: When Tormund asks Brienne why she’s not a knight, Jaime is inspired to break tradition on what might be their last night alive.

Why It’s Awesome: “A Knight of the Seven Kingdoms” is all about the answer to one question: If you thought you only had one night left to live, how would you want to spend it? It’s one of the all-time great episodes of Game of Thrones because of how perfectly that question is answered for each character. Arya wants to spend it experiencing one last pleasurable human act that’s about life and not death. (Get it, girl!) Tyrion wants to spend it getting drunk. Sam wants to spend it with his new family. Sansa wants to spend it eating among her people with a man who makes her feel safe. At the end of the world, some people choose to forget, some people choose to pray, some people choose to sing.

And some people choose to hope.

For Brienne of Tarth and Jaime Lannister, hope is not something that comes naturally—at least not anymore. They’re both masters of pushing down their deepest desires to the point that even they no longer believe they want those things anymore. Jaime has fooled most people into believing he doesn’t care if anyone respects him or sees him as honorable, and Brienne knows she’ll never be a knight—will never have that public acceptance of who she is—so why bother wanting it?

But when facing the end of the world, it was finally time for both of these characters to admit that those things mattered to them—and to find that when they finally looked out from behind their self-imposed walls, they were staring into the eyes of someone who wanted to give them exactly what they desired most.

The buildup to this moment was perfect—from Jaime jumping to his feet when Brienne entered the room (complete with Tyrion’s knowing eyebrow raise) to her downright adorable blush when Jaime asked her to stay. Gwendoline Christie played those early moments with an innocent sense of romantic anticipation—the kind of barely-restrained glee and fear a person feels when they realize the object of their affection might actually like them too. And then throw in Tormund and his hilariously misguided attempts to woo Brienne and it was like a Westeros romantic comedy, despite the impending sense of doom. I wasn’t sure what kind of payoff we were going to get, but I knew something was coming. I just had no idea how great it would be.

Worth a Second Look: The Use of the Rehearsal Studio
This episode used the rehearsal studio to show the way intimate spaces—and intimacy, by extension—can be alternately exciting and stifling. When you’re first falling in love with someone, the idea of being alone in a room with them is thrilling, but when things are going poorly, those same spaces that once sheltered a growing attraction can make you feel trapped with no way out.

Bob and Gwen met in a rehearsal studio, and that first meeting changed their lives—and the course of musical theater history. It was a meeting between two soul mates who didn’t take long to figure out that’s what they were; you could see it developing as soon as Gwen realized Bob was choreographing a striptease and as soon as Bob saw Gwen hit that burlesque pose. What started as two people trying to get the upper hand quickly morphed into a dynamic partnership all in the course of a few counts of 8. Sam Rockwell and Michelle Williams brilliantly conveyed the initial tension dissolving as they discovered their shared experiences using the language they knew best: dance. With just one pose, Gwen opened the door to her burlesque past, and with one shake of his shoulders, Bob did the same. Alone in an isolated space, they couldn’t hide, but instead of being afraid of the vulnerability that comes with intimacy, they embraced it. They grew more comfortable—with Gwen adding bits of herself to the choreography—creating something together as partners minutes into their first meeting. And the way Rockwell and Williams played the excitement of two people finding a kindred spirit was electric. The moment after she finished the choreography and sprang up in front of him, breathless with exertion and joy, was magical. It was the most fun kind of foreplay—a perfectly matched pair riding the high of love at first dance.

The highs of that scene, though, were matched in brilliant execution by the lows of the moment Bob cornered Gwen in the small room off the main rehearsal studio after she discovered his wife was dying. The heat and playful passion of that first time alone together had faded to the point where Gwen seemed almost like a wounded animal in a cage with a predator. Just like before, they couldn’t hide from each other, but that wasn’t exciting anymore. The shift in tone was breathtaking and brilliant—with even the camera closing in tighter to emphasize the way intimacy can be claustrophobic at times.

The final scene with Bob and Gwen (essentially) alone in a rehearsal studio felt like a mixture of the previous two scenes. It lacked the overt sexual tension and playful energy of their first meeting but it also felt less stifling than Bob’s cornering of Gwen as she got ready to rehearse. Instead, it spoke to the lived-in intimacy of two people who are most at home with each other. As Bob spoke about art being about pain, the close-up on Gwen’s face said it all: She’d made her choice. Alone with Bob—away from everything and everyone else—it was impossible to ignore the singular understanding they had between them and the rarity of their partnership. And no matter how bad it got between them, things would continue to make sense when it was just them in a rehearsal space, away from the other influences and other women and focused on the magic that happened when they were left alone to dance.

Welcome, friends, to our final round of Game of Thrones analysis before our watch ends! If you’re new to these posts, each week I’ll break down a different moment that I loved in that week’s episode. However, the comments are open for you to talk about any and all aspects of the episode that you loved. There are always more moments I want to discuss, and I’m usually just looking for one magical commenter to give me an opening! I can’t wait to take one last journey through Westeros with all of you, so join in the fun whenever and however you can!

The Moment: Arya Reunites with Gendry

Setting the Scene: After Gendry arrives in Winterfell, Arya visits him to ask him to make her a new weapon.

Why It’s Awesome: “Winterfell” was an episode filled with reunions—Tyrion and Sansa, Jon and Bran, Jon and Sam—but many of the most emotional and compelling centered on Arya. As we all expected, her embrace with Jon was a moment of joy and love that was worth all the years we spent waiting for it, and her scene with the Hound was filled with the complex mixture of antagonism and respect that made their relationship one of the show’s most interesting. However, the moment I’ve found myself rewatching the most was the surprisingly sweet—and dare I say, flirtatious—reunion between Arya and Gendry.

I’ll admit it—part of me loves this scene purely because it put a ship I thought was long dead back into circulation. (I shipped these characters from early on in my reading of A Song of Ice and Fire and still think that Ned and Robert’s discussion about the marriage of their daughter and son was actually foreshadowing Arya and Gendry as a romantic pair.) With the passage of time and plenty of growing up on Maisie Williams’s part, it now feels okay for me to say that there was some real sexual tension in this scene that was fun to see. (Sparks were flying for reasons beyond the smithing, if you know what I mean.) It was playful and coy, and those are unexpected tones for Game of Thrones, especially for a scene featuring Arya.

Characters don’t get to smile a lot on Game of Thrones, so when a genuinely happy moment happens, it deserves to be treasured. And what I’ll remember most about Arya seeing Gendry again after so many years and so many changes was seeing her smile. Even in the scene with Jon, there was a hesitancy and a tension there—after the initial relief and emotional payoff of all these years of waiting, viewers were left with a sense that Jon, once again, knows nothing. He has no idea what kind of killer his sister has become and has no idea how strongly she’s aligned herself with Sansa, adding a layer of discomfort to their final hug. In contrast, there was nothing ambiguous about Arya’s demeanor with Gendry. She’s never going to be a cheerful character or even a relatively light one, but this was the most consistently at ease we’ve seen her since the show’s early days. And in showing this side of her, it made her feel like a more well-rounded character.

And that’s what made it so important. Arya is a young woman—she’s not a killing machine. And sometimes it feels like the show forgets that she is a person and that people have different dimensions and desires and emotions beyond their primary motivating factor (in her case, revenge). But in this scene, Arya got to behave in many ways like a young woman who hasn’t seen the death, destruction, violence, and trauma that have plagued her since the start of the show. She laughed and grinned and bantered and flirted with a young man in the same way she might have had her life not been upended by her father’s death all those years ago. And that’s all I have ever wanted for this character—for her to have a normal moment of happiness, even if it’s only for a stolen moment in the darkness of the coming winter.

I loved the way Joe Dempsie played Gendry’s realization that the girl he left behind had grown into a woman—and a woman he’s found himself attracted to. As his initial—almost comedic—tongue-tied reaction gave way to that fun place between warmth and heat, I felt like I was watching two partners remember the steps to a dance they thought they’d never do again—while also discovering some new moves along the way.

Although I’m a sucker for any time a man tells a woman “As you wish” (and we all know the writers are genre-savvy enough to know what that line means), my favorite part of the whole scene was Arya literally twirling around to give him one last look as he stood staring at her, completely transfixed. This is Arya discovering a whole new kind of power and loving it and Gendry loving it too. It’s Arya getting to have a moment of being desired for something beyond her skills as an assassin and relishing in it. And it’s the show giving its characters a moment of pure, uncomplicated, relatively innocent fun before tragedy strikes.

Game of Thrones is at its best when it allows its characters to have room to breathe and be human beings in between all the battles and killings, and this scene is a perfect example of that. It added a fun new dimension to Arya’s character while upping the emotional stakes of the battle to come because both Gendry and Arya now have something else to lose in it—the hope of what might be if they acted on those sparks between them.

If you would have asked me back on April 2, 2012, what I thought my life would be like seven years later, that young woman’s predictions would have been very different from how things turned out. But all those years ago, I knew I wanted NGN and the incredible people who make up the little family surrounding it to be a part of my life for as long as humanly possible. And I feel so blessed to know that seven years later, even after so much of my life has changed, NGN is still here for me to share my hopes and fears and thoughts and FEELINGS with all of you—and even more blessed to know that so many of you are still here for me to share all of those things with.

NGN itself is so different from what it was seven years ago. It’s gone through different stages (How did I ever review five shows a week?!) and chronicled different obsessions, but one thing remains the same: It’s a place that is driven by enthusiasm and love. I still love being able to write whenever inspiration strikes and the timing is right. And that’s why I wanted to take this opportunity to fill you in on what’s coming to NGN in the next few months!

After what has felt like the longest hiatus ever, NGN is returning to weekly content starting the week of April 15th! I’ll be back with my final round of Game of Thrones Moment of the Week posts (and maybe more about the show as we lead up to its finale), as well as weekly posts about FX’s new limited series Fosse/Verdon. As a dancer, a musical theater fangirl, a choreographer, and a reader who devoured the Sam Wasson biography this is based on, I have been eagerly awaiting the show since its announcement last year and knew right away I had to write about it. I’m not sure what form my posts will take yet and they’ll be starting after Episode 2 (because I’ll be soaking in the magic in Walt Disney World during the premiere), but I can’t wait to share all of my Gwen Verdon feelings and Cabaret love with all of you.

The fun will then continue into the summer with coverage of Big Little Lies and maybe some fun posts about movies, which I don’t write about enough around these parts.

Needless to say, I’m feeling very inspired lately and ready to share that inspiration with you. And I can’t think of a better mood to be in on NGN’s “blogiversary.” This little corner of the internet was founded on the belief that everyone needs a place where they can unashamedly love things, and I’m so thankful that so many of you continue to embrace that mindset along with me.

If you’ve been here for seven years or seven seconds, if you comment regularly or would rather remain an anonymous reader, if you visited for a specific show or have followed me through more fandoms than we can count—thank you. Thank you for your support, your encouragement, your humor, and your heart. Thank you for your insight, your honesty, your recommendations, and your inspiration. Most of all, thank you for your friendship. I never would have made it to Year Seven without my NGN Family behind me, and knowing I have you in my corner makes me excited every time I open a blank document and get ready to write.

It’s been an unpredictable journey and a winding road so far, and I can’t wait to see where this year’s twists and turns and fangirl flights of fancy take us!

There was nothing shallow about Bradley Cooper and Lady Gaga’s performance of their Oscar-winning, Grammy-winning, and everything-else-winning hit from A Star Is Born. In fact, in an Oscar telecast filled with a surprising number of high points (Olivia Colman! Melissa McCarthy covered in rabbits! Women winning so many things! Spike Lee climbing Samuel L. Jackson like a tree!) their breathtaking take on the instant-classic “Shallow” might have been the moment with the most depth—or at least the moment people rewound the most to make sure they caught every last detail.

And there were some magical details to catch. From the way Gaga seemed to hold her breath as he sang and their ridiculously intense eye contact to his smile as she sang and that final intimate chorus that launched a thousand tweets, it seems people can’t get enough of them and their performance (myself included).

So what made this moment so special? Why can’t we stop talking and tweeting about it?

It felt real. Even if these are two actors who are both talented enough to be nominated for Oscars. Even if they’re just good friends (who like to look into each other’s eyes for so long it seems they’re trying to break some kind of record). The intimacy they created on that stage felt real, and sometimes what we feel matters more to us than the facts.

What I felt—more than anything else—was the best kind of vulnerability from both of them, and that’s where real intimacy comes from. Cooper has talked often about being unable to hide when you sing, and that was certainly true in this performance. From the minimal staging to the soft lighting and even the lack of introduction and stripped down arrangement, the moment was all about the two people sharing it and nothing else. Which isn’t an easy thing for an actor who didn’t sing before doing this movie and for a singer who’s used to hiding behind a persona when she takes the stage. All they had was each other and a piano, and that proved to be more than enough.

I love the Oscars. I know they don’t always award—or even nominate—the right people and films. I know they have plenty of problems with diversity and inclusion and accepting new visions of what filmmaking can be. I know this year’s race and ceremony in particular have been a hot mess of controversy, bad decisions, and backpedaling.

So why is Oscar Sunday still one of my favorite days of the year?

It’s simple: I love movies, and Oscar Sunday is a day people set aside to celebrate movies. It’s a day to unabashedly and unashamedly care about movies. It’s a day to proudly be passionate about film. And for me, it’s even more special this year because this year rekindled my passion for film in a way I wasn’t expecting and yet in a way I desperately needed.

With the end of many of the TV shows that had been part of my life for so long, I found myself lost as a fangirl without a home. But then movies came back into my life, and they helped me find a part of myself that I lost when my enthusiasm for film waned in my 20s. I saw so many movies this year—including all but one of the year’s Best Picture nominees. (Sorry, Vice.) And in those hours spent in darkened theaters and on my couch, I remembered what it feels like to become completely transported and transformed by a movie. It’s unlike any other media experience you can have, and it brought the purest kind of joy into my life when I needed it most.

So no matter how mad I may be that Bradley Cooper was snubbed for a Best Director nomination or how annoyed I may be with all the changes—and then weird retractions of changes—to the ceremony itself, I haven’t been this excited about the Oscars since I was 17 years old and still dreaming of being a film critic. I’m more educated about these races than I’ve ever been. (Thanks in no small part to Collider’s amazing For Your Consideration videos, which I have watched religiously for months and have come to see as true bright spots of movie nerd enthusiasm in my life.) And I can’t wait to share my predictions with you this year because they come from a place of deep analysis and also genuine fangirl love, which is what NGN is all about.

I hope you share your picks for the night’s winners in the comments because I’m ready to start talking more about film around here! And as always, I’ll be live tweeting all the night’s festivities starting with the red carpet at 6 p.m. EST, so follow along on Twitter if you want to see my emotional breakdown over Bradley Cooper and Lady Gaga singing “Shallow” in real time.

Without further ado, here are my picks for the winners in every category tonight (I tried to keep my thoughts short since I also added analysis for every category this year—not just the big ones)!

PictureMy Pick: RomaMy Thoughts: This is the most wide-open Best Picture race in years, and I think at least 5 of the 8 nominees have realistic chances to take home the win, especially with the preferential ballot system (which awards films that many people like rather than films that a smaller group love). Although my heart belongs to A Star Is Born, I’d love to see Black Panther break new ground with a win, and there’s plenty of support behind Green Book to make it possibly even the favorite at this point, I still think Roma is going to take home the night’s big prize. Roma is a gorgeous film that affirms the universality of themes like family, trauma, loss, and the strength of women while being stylistically in a class of its own. A win for Roma wouldn’t just be a win for a beautiful, unique movie, it would send a message about the stories we have in common being more important than the things that people want to use to divide us.

Galentine’s Day may have started as a fictional holiday created by my hero and ultimate life inspiration Leslie Knope, but it’s now become a day celebrated by women around the world who want to honor the ladies in their lives. Seeing this holiday grow from something shared only by our beautiful little Parks and Recreation fandom to a day that has its own decorations at Target has been incredible, and it brings me so much joy to know that so many people are taking time today to tell the women in their lives how special they are and to honor the power of female friendship (hopefully with lots of breakfast food).

I’m so blessed to be surrounded by the smart, funny, passionate, protective, warm, and welcoming women I call my friends. They support me and surprise me; they’ve challenged me and changed me; and they’ve helped me embrace the best and most authentic version of myself. My female friends have been the great loves of my life to this point, and I can’t think of a better group of people to call my soul mates.

And that includes all the brave and beautiful women I’ve met because of fandom—and NGN in particular. Over the years, this has been a place where friendships have formed both for me and completely independent of me (which is the coolest thing in the world). Even if our comment conversations aren’t as plentiful as they once were and even if our interests have diverged, I still treasure the moments and memories we’ve shared in this little place that I’ve called home for so long. The friends I’ve made through fandom are some of the best friends I could have ever hoped to have, and I love having a day to single out just how special you are.

With that in mind, I wanted to take a page out of Leslie Knope’s playbook and tell all of you how amazing you are. It may not be a 5,000-word essay, but I want to take a moment today to shower each of you with a string of compliments that would make my sitcom spirit animal proud.

So let’s have aLOVE POST!

Here are the basic instructions as I remember them from my old LiveJournal days: Make a comment on this post with your username (and things like your Twitter or your Tumblr URL if you feel like people might know you better by those identifiers). Then, sit back and let others reply, telling you how much and why they love you. Finally, share the love! Reply to your friends’ comments on this post and tell them how awesome you think they are. Even if you’ve never posted at NGN before or think no one will know or remember you, leave a comment. I guarantee you’ll be glad you did.

I’ll start things off below just so you can see how it’s done, and I hope that by the time this day of ladies celebrating ladies is done, the comments will be the best virtual Galentine’s Day party ever.

It’s been a while (five years, to be exact!) since I’ve predicted the Golden Globes around these parts, but I’m back and ready to talk about my favorite awards show! The Golden Globes are the kickoff party for awards season—one of my favorite times of the year. They’re typically more fun than your average award show, feature memorable speeches, and celebrate both TV and film—the two great loves of my life. They’re also famously full of surprises and are notoriously hard to predict, which is exciting for the fangirl in me but challenging for the perfectionist who always wants to get as many picks right as possible.

Despite how hard it is to play the Golden Globes guessing game, I couldn’t resist making my predictions public this year when I have so many horses in this race. From the last chance for one of my favorite television shows of all time to the movie I loved this year more than any other, I haven’t been this emotionally invested in the entirety of an awards show in a long time. So if you want to see the multiple emotional meltdowns that are sure to occur in real time, I’ll be live tweeting the festivities starting at 6 p.m. EST tonight.

Until then, here are my predictions for what’s sure to be another memorable and surprising Golden Globes ceremony. Don’t forget to share your picks in the comments!

FILMBest Motion Picture: DramaMy Pick: A Star Is BornMy Thoughts: If there’s one thing the HFPA seems to love, it’s star power. This film had that and more. It was a fresh but faithful take on a beloved Hollywood story, the debut of an actor-turned-director (another thing the Globes often honor), and a showcase for one of the biggest stars of the moment: Lady Gaga. A Star Is Born is a film with the kind of mass appeal and genuine artistry to take home the night’s biggest film award, and my intense devotion to its sincere storytelling means I’ll be crying happy tears on my couch if this prediction comes true.

Best Motion Picture: Musical or ComedyMy Pick: Green BookMy Thoughts: This category seems a bit more wide open than its dramatic counterpart. Although both Black Panther and BlacKkKlansman pose a bit of a threat to A Star Is Born, that’s remained the frontrunner, while the comedy/musical category has many options that all make strong cases for consideration. Despite my deep love for Mary Poppins Returns, I think Green Book has the kind of broad support and critical acclaim that will give it the edge. The Favourite is another strong possibility, but I think Green Book is the kind of feel-good, crowd-pleasing “comedy” that voters will want to reward at the Globes.