As rumors reach them that the Allied armies are advancing on their concentration camp at Buchenwald, Polish prisoners renew their feeble hope for survival and freedom. When a group of prisoners is transferred from Auschwitz, a four-year-old child is smuggled into the camp in a valise. Born at Auschwitz, he is Jewish and will be killed if discovered. A group of prisoners decide to protect the child from the searching Germans, and although the kapos cannot smuggle the boy out of Buchenwald, they manage to hide him–moving from one place to another within the camp as the Nazis comb it. Threats and torture by SS men fail to turn up the boy who becomes a symbol of the struggle between captives and captors.

A re-run of many of the gags from the original TV series 'Police Squad'. An Airplane type spoof, this time with the an incompetent lieutenant (Drebin) who always 'gets his man'. Visual gags come thick and fast, and it's impossible to catch them all with one viewing. The plot.. Queen Elizabeth II of England is coming to town, and Vincent Ludwig has plans to assassinate her using a brainwashed baseball player.

The ceiling of the mayor's mansion is cracked. This is because his employees are having athletic sex with his wife in their upstairs bedroom. He has other theories, of course, but regardless of how the cracks got there, he thinks it's too dangerous for the town's marching band to practice in his mansion, and proposes that they move their rehearsal space to the Swedish filling station. They do. And so, as decreed by the Euro sex comedy handbook, tuba gags and a flustered conductor soon follow.

Prolific Nikkatsu studio director Yasuharu Hasebe crossed the Seven Samurai legends of Shichinin No Samurai with his own popular Naraneko Rokku series, dressed it up with some of the most popular softcore pinup queens of the day, and scored one of the studio's few crossover successes of the period.

This exclusive video collection is jam-packed with the gritty best from noted New York filmmaker Richard Kern. His sexually-charged work has been alternately dismissed as “violent” and “offensive” by the mainstream press, but embraced by the underground as the perverse standard. Says Kern, “I've tried it all: crime thrills, drug thrills, sex thrills. Nowadays, I get most of my thrills by offending people with my films. I don't even have to be there. I can sit far away and think, “Someone's watching my video right now and thinking, Yeeughh!”