With the Lord’s Prayer at the heart of today’s Gospel reading, we gave the prayer greater prominence during the Communion Rite by singing it to the well-known and much-loved setting by Estelle White. There's an irony here — we don’t normally sing the prayer, precisely because of our Lord’s words in St Luke’s Gospel: Say this when you pray. There are prayers which are incomplete if you don’t sing them: the words Alleluia, Hosanna, Gloria for instance, are, biblically speaking, all parts of songs. The Lord’s Prayer, however, is inherently prose rather than song.

It made sense to sing it today, though, reinforcing the link between the words we had heard during the Liturgy of the Word, and the same words uttered in prayer, when sometimes we might rattle them off without pausing to make the connection.

Today’s Mass was the occasion for a diocesan celebration, led by Bishop Terence, in thanksgiving for the work of the Sisters of the Holy Family of St Emilie, soon to leave the Diocese after thirty-seven years. Sr Anne O’Shea has been in Salford for thirty-six of those thirty-seven years, for the last twenty-five as Parish Sister and Sacristan here in the Cathedral parish. Timothy Dudley-Smith’s O Christ, the same, set to the tune of Danny Boy, is a favourite of hers. ‘Retirement’ probably isn’t the right word for Sr Anne’s move to Ireland, but we wish her peace and long happiness.

The Gospel reading featured our Lord being welcomed into their home by Martha and Mary, and this prompted the choice of opening hymn, and, indirectly, Croce’s O Sacrum Convivium. It was sung by the choir under the able direction this week of Sabine von Hünerbein, while yours truly had the weekend off to attend a conference.

The second line of our opening hymn was first begotten from the dead, the title accorded to our Lord by St Paul in today’s second reading. The Gospel reading, the story of the good Samaritan, gave us several other of our musical selections, including the hymn at the Preparation of the Gifts, our recessional hymn (Give us grace to love as brothers / All whose burdens we can share) and – reflecting the love which the disconcerting lawyer reluctantly finds written in the Law – Howard Goodall’s setting of Charles Wesley’s Love Divine.

This latter is a scrumptious piece, showcasing the composer’s copious gifts as a melodist. If I were Howard Goodall’s music teacher, though, I might want to make him write it out again with all the barlines in the right place.

The first reading – Rejoice, Jerusalem – and the Responsorial Psalm – Cry out with joy to God, all the earth – gave us our postcommunion piece, adapted from Haydn. It sets a hybrid text from Psalms 65(66) and 99(100) to the finale (Paradisi Gloria) of his Stabat Mater. To my mind the psalm-based text is perhaps better suited to the exuberance of the music – a rollicking choral fugue – than the text originally set by the composer.

The second reading’s the only thing I can boast about is the cross of our Lord Jesus Christ gave us our opening hymn, and the sending out of the seventy-two in the Gospel reading, with their message of peace, prompted the choice of our recessional hymn.

In fact, all three readings mentioned peace, and this suggested our hymn at the preparation of the gifts, sung in the charming arrangement by William Llewellyn published by the RSCM in the excellent collection Sing With All My Soul.

Welcome

This is a record of musical activities at St John's Cathedral, Salford - what we've been doing and what's coming up, and some thoughts on the musical planning process. You can also find information about joining the choir, and about our choral scholarships program.