2 posts from March 2017

Polly Russell, Lead Curator for Politics and Public Life, reports on our event to mark International Women's Day 2017: 'Rebels in the Archives'.

Earlier this month, to mark International Womenâs Day, the British Library hosted âRebels in the Archivesâ, a sell-out panel discussion with four women who, in different ways, have uncovered the hidden histories of womenâs lives in Britainâs past.

The evening kicked off with Heidi Safia Mirza, Professor of Race, Faith and Culture at Goldsmithâs College and author of Young Female and Black. Heidi discussed how Women of Colour have been rendered invisible by the absences and omissions which characterise most representations of the past. Attend to the archive, look beyond the obvious and take responsibility for finding and accounting for Women of Colour when researching womenâs lives was her message.

Next up was Abi Morgan, BAFTA and Emmy Award winning writer and producer whose film Suffragette introduced cinema audiences around the world to the story of how working class women fought to get the vote in the UK. Abi described the process of writing the filmâs script, how libraries and archives held the key to the narrative and character and of the totemic importance of archival objects â she described the tiny purse Emily Wilding Davison was holding when she fatefully stepped in front of the Kingâs horse at the Epsom Derby on the 4th June 1913 and how this brought to life the fragility and courage of âextraordinary sacrifice made by the ordinaryâ.

From left to right the 'Rebels in the Archives' Panel: Heidi Mirza; Abi Morgan; Margaretta Jolly; Debi Withers; Jill Liddington. Image courtesy of Polly Russell.

Writer and historian Jill Liddington followed Abi and heroically compressed a lifeâs work into a splendid 15 minute presentation. Jill, the author of a seminal account of northern working-class womenâs contribution to the Suffragist movement, One Hand Tied Behind Us, detailed how archives and libraries held the key to a history of women which had previously been omitted from historical record.

The final speaker of the evening, curator, researcher and digital expert Debi Withers, brought us bang up to date with a discussion of how digital archives and catalogues have the potential, if opened up to tagging and searching, to widen access to and enable links between feminist archives.

The eveningâs discussions were expertly chaired by Margaretta Jolly, Reader in Cultural Studies at the University of Sussex and someone directly responsible for increasing the number of women rebels in the British Library archives â Margaretta contributed 60 Womenâs Liberation Movement oral histories to the British Library as part of the Sisterhood & After project she led in 2013.

After audience questions Margaretta concluded the evening by noting that though the panel employed diverse approaches to understanding the past, worked across different formats and spoke to different audiences, their work was evidence that archives and libraries are places where the rebels of the past could b e uncovered so th at rebels of the future may thrive.

On 21 January 2017, millions of people across the world marched for gender, racial and economic equality. The recent Womenâs Marches are the latest chapter in a long fight against misogyny and national and international patriarchy. The heritage of these struggles was echoed by the campaigners who dressed as suffragettes, and carried placards that reminded us that these struggles have been fought before:

âI will not go quietly back to the 1950s!â

âMy arms are tired from holding this sign since the 1970sâ

Women's March on London, 2017.

Recent events have brought the inequality women experience on a daily basis to the fore. Whilst reflecting on, and reacting to these political changes, I was completing a PhD Placement at the British Library which included researching stories of the suffragette movement. For me, the resistances, rebels and revolutions archived in the Libraryâs collections became a source of hope. At a time of political uncertainty, my time spent reading suffragette letters, news reports and protest ephemera, were a reminder to me that histories are made by both politicians and protests.

Suffragette Struggles

Suffragettes, like many campaigners, marched to demonstrate the strength of their movement and to pressure the government for political action. The demonstrations were also used as a space to mobilise the public. Many marched with striking and bold banners to communicate their campaign. In June 1908, some 40,000 women marched in London to pressure Herbert Asquith, the Liberal Prime Minister, to support the womenâs suffrage bills in parliament. However, Asquith maintained an aggressive anti-suffragist position. The Womenâs Social and Political Union (WSPU) retaliated by adopting âmore violent, law-breaking deedsâ (Purvis 2016). In the following years, the suffragettesâ militant approach was met with police brutality and frequent arrests were made. Yet, the women were not treated as political prisoners, which ensured better conditions and would have acknowledged that their acts were political, but as ordinary criminals. Incarcerated suffragettes surreptitiously produced letters detailing their lives on toilet tissue. In the British Library collections, you can read some of the letters that have been preserved (2 files).

In 1909, imprisoned Marion Dunlop, a member of the WSPU, began a hunger strike with the motto âRelease or Deathâ. Several days into her hunger strike, Dunlop was released from prison, as authorities feared that she may die and become a martyr. Many suffragettes went on hunger strike. However, authorities soon decided that imprisoned suffragettes, when necessary, would now be force fed. This was a practice that was previously only used on clinically insane patients in asylums (Williams 2008). Suffragettesâ communicated their accounts of force feeding to the public, which shamed the government.

âThe pain was so horrible I felt as if my nose was being pulled off, and I struggled violentlyâ

On 25 April 1913, the authorities stopped force feeding and introduced the Prisonerâs Temporary Discharge of Ill Health Act (commonly known as the Cat and Mouse Act). Once suffragettes reached a level of extreme weakness, they were released from prison, watched by authorities and re-arrested as soon as they had recovered from their hunger strike. The authorities positioned themselves as the watchful cat that was ready to pounce on the suffragette mouse.

Pussycat Power

Poster, Made by the Womenâs Social and Political Union (1914)

In posters, produced by the WSPU, the Cat and Mouse Act (1913) was used to further the suffragettes fight for equality. The poster represented the male Liberal government as a savage cat, which the public needed to âkeep outâ. Suffragettes represented themselves as vulnerable women at the mouth of an aggressive and abusive government. The posters were popular and â[p]art of the reason for the lasting power and fame of the image may be the ways it overturns long-established associations between women and catsâ (Amato 2015: 102).

Prior to the Cat and Mouse Act (1913), postcard publishers that opposed gender equality, represented suffragettes as irrational cats. The gendered representation of cats, and their association to the domestic sphere, was used to âportray suffragettes as silly, infantile, incompetent, and ill-suited to political engagementâ (Wrenn 2013). The relative cheapness of the postcard, and the humour used, ensured that the images widely circulated (similar to internet memes).

Humour was also used by the suffragettes to subvert gendered prejudices. Suffragette Annie Kenney recalls that they were taught âalways to get the best of a joke, and to join in the laughter with the audience even if the joke was against usâ (in Cowman 2007: 278). Campaignersâ ability to deploy humour, to subvert messages and to undermine politicians are tactics that are still used today.

The placards, hats and costumes produced for the Womenâs Marches show how people can creatively fight prejudices. Like the suffragettes, pussycats prominently featured in the visual representations of the campaign, in response to comments that Donald Trump made about women. Campaigners crafted âpussyhatsâ and placards to fight back against this dehumanising and sexually oppressive view of women.

Archiving Activism

Unlike large NGO organised demonstrations that distribute branded placards, the Womenâs Marches represented a range of grassroots protest voices. In the UK, the Bishopsgate Institute recognised the importance of archiving these placards: âpeople took to the streets to highlight the particular issues they were passionate aboutâŚ In years to come, the placards and messages from this March will be essential in understanding the concerns of large sections of the UK population at the beginning of 2017â (Dickers 2017). Not only are the subjects of the placards of interest but also how they are made. The time campaigners spent knitting hats, painting signs and sewing costumes, contribute to understanding the craft of the protest.

The Womenâs Marches across the world were primarily organised and promoted online. They were also documented on websites and social networks: on Facebook pages, Twitter feeds and blogs. The way in which activism is organised, and represented, further contribute to understanding the politics and practices of a movement. Civil rights campaigner Angela Davis, in her Womenâs March speech in Washington, said âhistory cannot be deleted like web pagesâ (Davis 2017). Davisâ speech was a call for people, as agents of history, to resist the Trump administration. For me, it was also a reminder that the preservation of our protests are also vulnerable.

Webpages are constantly changing and can be deleted but they can also be preserved in archives. Since 2013, the British Library archive the entire UK domain every year (websites that end with .uk), which can be accessed via the reading room computers at the Library. The Library also has permission, under the terms of the Non-Print Legal Deposit Regulations (2013), to archive websites published in the UK (which do not end with â.ukâ, for example, the Womenâs March on London website). However, this is a manual process and the UK Web Archive invite YOU to nominate websites that are published in the UK but are not part of the UK domain. In doing so, you can contribute to preserving the webpages that document stories of sisterhood, struggle and solidarity, in the hope that these archives will inspire people who could be part of the next chapter of the movement.

International Womenâs Day 2017

On 8 March 2017, the British Library is hosting a conversation on the power and potential of archiving feminist movements with Jill Liddington, Abi Morgan, Heidi Safia Mirza and Deborah Withers. Margaretta Jolly, project director of Sisterhood and After: An Oral History of the Womenâs Liberation Movement, will chair this panel of influential feminists as they debate questions of politics, representation and preservation.