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The title was inspired by the birth, during the writing of this volume, of a child named after the author. A second volume will bring the survey to the present and to some glimpses of that young woman's prospects. The prospect presented here is that of the sleepy young knitter of the 18th century pictured on the cover and of generations before her.

Simon Szreter's remarkable and very important book argues, in effect, that coincidence has deceived the historians of family sexuality in the period 1860 - 1960. The birth-rate per family in England and Wales declined ever more steeply in this hundred yea r period, and it declined with roughly the same timing and speed in most other European countries.

The dust-jacket of this book defines Diane Purkiss as a Lecturer in English; within its pages she prefers to describe herself as a feminist literary critic. It is a potent combination, and has resulted in a thoroughly individual and very important book.

Re-reading some of the earlier essays in this fine collection was to re-visit the site of previous excitements. Age, in this case, has not withered them. They retain a freshness and originality, and are wonderfully complemented by some of the more recent essays published here for the first time.

As Sandra Holton herself admits, historians of women’s suffrage, especially those whose main research interests lie with the British campaigns, frequently encounter the view that suffrage has been ‘done’ and that there really cannot be anything left to say on this topic.

It is now a decade since these volumes appeared in French and their translation into English, impeccably done, and subsidised by the French Ministry of Culture (would that such an institution existed in Britain) makes available to students and scholars a collection of thirty essays compiled by what looks like a roll call of the most distinguished French anthropologists and historians of th

Growing out of recent work on gender, scholars are now turning their attention to the history of masculinity. A key aspect of this subject is how masculinity is constructed, since, in the words of Michael Roper and John Tosh, 'masculinity is never fully possessed, but must perpetually be achieved, asserted and renegotiated'.

You might not easily grasp why Mary Chamberlain's Narratives of Exile and Return is an important innovative contribution to historical scholarship if you took your cue from the ambivalent way in which the text is wrapped: on the one hand looking very much like a straight addition to the admirable Warwick Caribbean academic book series, but on the other hand introduced by the genial ser

Diana Spencer has a lot to answer for: suddenly, women of the landowning classes are back in vogue, possibly for the first time since the 1920s, when everyone from Virginia Woolf to Ramsay MacDonald seemed to love a lady. In academic circles, where Diana carries comparatively little weight, a more plausible trend-setter might be Stella Tillyard's Aristocrats (1994).