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Each of the eleven tracks on this recording is a song without words. Althoughwritten over a number of years, each song is characterised by a concern forsimplicity and directness of expression. When I brought the pieces together as acollection, it was evident that the sound of the flute and harp pervaded the music. Megan and Kathryn of the Miscellany Ensemble were gracious enough to express a willingness to devote their time and energy to work with me in realising this recording. This is music that is intended for quiet, reflective listening. The recording is dedicated to my mother, Sheila Blyth.