Thursday, 7 April 2016

Songs like ‘Myriad’ and ‘Cataclysm’, are
defined by head turning riffs – ones that are both familiarly groovy and
mind-bogglingly intriguing – they are really exciting. On the lighter side of
their personality, ‘Solstice’ is beautifully haunting and the mid-sections of
‘Elements of Sleep’ see some impeccable feet work from drummer James Armstrong
and clean guitar tones so crisp and clear you want to kiss them. When the mood suits and I crave a dose of
progressive metal both ethereal and guttural in equal measure then Mothra will
be there.

When Mothra get it right,
they pertain a muscular voraciousness not to be fucked with. When they fail to
hit the nail bang on its head, ‘Decision
Process’ becomes an album of peaks and troughs.

The latest artist to be held under the microscope
of this Instrumental Interpretations series, they
are perhaps the biggest mixed bag yet. But please, do not stop reading here. Having supported a wealth of influential
artists who ply their trade in the same progressive tinted waters – namely Helmet, Russian Circles, The Dillinger Escape Plan, Devin Townsend
Project – this, their debut releases, arrives amidst a fair degree
of anticipation.

What this band’s vision appears to be, is one of
two dimensions, of heavy, gnarly guitars and staunch heavy sections and of
elegant ambience – of light and dark.

The biggest pitfall for instrumental bands, if this
column alone is evidence, is that, unless the music is particularly flavourful,
it can often become more background music than anything else. That however, can
be a positive in some situations, I admit. Perhaps it is the way our Western
ears have been raised to understand and expect from music, but often at times
the lack of a vocalist can leave your focus waning, unless it really grabs you
by the balls. ‘Decision Process’ has
elements of both.

For songs like ‘Myriad’ and ‘Cataclysm’,
which are defined by head turning riffs – ones that are both familiarly groovy
and mind-bogglingly intriguing – they are really exciting. On the lighter side
of their personality, ‘Solstice’ is
beautifully haunting and the mid-sections of ‘Elements of Sleep’ see some impeccable feet work from drummer James
Armstrong and clean guitar tones so crisp and clear you want to kiss them
(proper guitarist envy here) steal the show.

However, other tracks are, for me at least, too
embedded within the band’s ying and yang sound to leave any memorable
impression on you. They sound too much like the standout tracks without those
moments of individualist brilliance from any of the members to quench your thirst.
And on some songs, even the mostly-excellent ‘Elements of Sleep’ you feel they drag the song out to long. There
needs to be more flavours to make the song worth those extra mouthfuls.

In that respect, I personally feel that tracks like
‘The Beginning’ and ‘Corridor’, as well as cutting off the
excess fat on tracks such as the aforementioned ‘Elements of Sleep’ would make this a leaner but ultimately meaner
debut.

‘Splinters’,
another highlight, is one of those songs which boast the best of both worlds.
With its Deftones on crack meets Cloudkicker
guitar work, it is a real feral beast. It slows and teases you, keeps you locked
in its crosshairs, with dynamics alternating, ambient and almost vulnerable
atmospherics wrapping like a Boa Constrictor, in and out of those similarly
reptilian grooves. Gunshot snare work leads you in and out of a plethora of
crescendos, each one cauterised by a unique alteration which keeps the journey
they are taking you on both familiar and interesting.

‘Escapism’
channels Tool with its bass led freneticism. It gets
the blood pumping and, while it does sound remarkably like Tool, you
feel it is done through love and admiration rather than mimicry and indeed,
there is more to it than just that.

In the end, when I take a step back at this record,
look at the bigger picture then I find the positives much more vibrant and
inspiring than the negatives do to blot and otherwise excellent product. Over
time I can see ‘Decision Process’ being something I dip my toes into every now
and then – as far as listening to it in its entirety I am not so confident –
but when the mood suits and I crave a dose of progressive metal both ethereal
and guttural in equal measure then Mothra will be there.

Band Submissions

To those bands who have recently issued their first demo or album via bandcamp and would like to be featured on our 666 Pack Review or considered for a full review or stream please contact Aaron via email including your EPK, band bio, album file or download code, including artwork.

To those bands issuing their sophomore record and so on and would like to be considered for a review or stream on the blog. Get in touch using the same address above

We will consider bands from any genre but exclusively stoner, sludge, doom, psych, post-metal, experimental, black-metal etc. (Whilst I would like to respond to every email, this is not always possible.) Thanks