Tuesday, July 31, 2012

Hey! Part 33, it must be time to make a Masonic connection! That actually is one of the layers this post will address as I continue interpreting the dark and chaotic NHS-GOSH and children's literature scene. Because I wrote in yesterday's post, subtitled Illuminati Mind Control, that the post was woven in on the blog as a segue for this one, you have been prepped for what I'll present here (providing you've read it and are up to speed).

The key to understanding the scene lies in the overlapping themes of the children's literature featured. If you assemble the layers from the featured stories and characters, identifying magic, trauma inducements and kidnapping, and overlay that on the NHS and GOSH, what comes into view is just what whistle blowers have been telling us for years! These are front organizations for the slave trade, serving the elite. That's not what most folks want to know, so if you want to maintain some deniability about the matter, just stop right here. If you can interpret the symbols and accept the message we're being told, your days of blissful ignorance are over. If you worship at the feet of the Royals and have exalted Princess Diana to sainthood, you won't like seeing the institution she presided over as President (from 1989 until her death in 1997) presented in this light.

Here's a rough sketch of how the scene went. NHS nurses and children on beds appear in what looks it might be a scene from the children's Hospital, a long time ago. Then it was bedtime and the adult staff that were looking more like nannies who lost control of the children, seen bouncing in their mini-tramp beds. J.K. Rowling, witch and author of the Harry Potter series, read a bed time story, Peter Pan. The point of connection here is that, before his death in 1937, author J.M. Barrie gave the rights to Peter Pan to GOSH, which continues to benefit from those rights. The connection to Peter Pan was made once again as a girl was reading with a flashlight under the covers. We could see the full page illustration of Captain Hook. Then, using this for a launching point, Peter Pan-demon-ium began to break out, a surreal nightmare sequence!

What's going on in the scene is what I described in the segue, the inseparable combination of magick and trauma that is required for turning children into mind-controlled slaves. The stadium had already been cast as a magick spell, in symbol and surely in reality. The horrific ritual abuse within that bubble of concentrated supernaturalism is enacted dramatically under the guise of fantasy entertainments, and in this, beans appear to be spilled as the network is identified.

You did get that part about the network being identified, right? In “I, Pet Goat, II” the Illuminist Masons are identified and connected with their work through the government institutions for children we in the USA call elementary schools. In the UK, this happens in their government (mis)education system too, but what's being concealed and revealed in the Opening ceremony points to a work being done through the government institution for children that is GOSH, part of the Great Ormond Street Hospital for Children NHS Foundation Trust. More on this shortly.

Conflict is resolved in this chaotic drama when an clone witch army of Mary Poppins floats out of the sky. Their presence and magickal umbrella dance appears to subdue the evil assault. The Dark Lord Voldemort deflates and the demonic beasts are chased off stage. The good witch - bad witch dialectic is played hard, but the truth is, of course, that all falls into the category of witchcraft is rebellion and evil. The Bible could not be more clear about that.

In this passage, the Lord describes the dynamic of that scene. It was a commanding or casting out of demons by Beelzebul.

14 And He was casting out a demon, and it was mute; when the demon had gone out, the mute man spoke; and the crowds were amazed. 15 But some of them said, “He casts out demons by Beelzebul, the ruler of the demons.” 16 Others, to test Him, were demanding of Him a sign from heaven. 17 But He knew their thoughts and said to them, “Any kingdom divided against itself is laid waste; and a house divided against itself falls. 18 If Satan also is divided against himself, how will his kingdom stand? For you say that I cast out demons by Beelzebul. 19 And if I by Beelzebul cast out demons, by whom do your sons cast them out? So they will be your judges. 20 But if I cast out demons by the finger of God, then the kingdom of God has come upon you. 21 When a strong man, fully armed, guards his own house, his possessions are undisturbed. 22 But when someone stronger than he attacks him and overpowers him, he takes away from him all his armor on which he had relied and distributes his plunder. ~ Luke 11:14-22

The entire kingdom that was represented in the stadium's magickal battle scene will fall when the strong man is finally confronted by the stronger, Y'shua!

So, it's at the close of this scene that the gigantic creepy baby is revealed, with the children and staff giving it their rapt and solemn attention. The baby, as I already wrote, represents the beast of Revelation 13:1, the lawless one and the antichrist world order. This is the Apollo, son of Zeus, held so dear by the IOC in their fervent Olympism.

Now, expanding on the “birthing” of the antichrist by the midwives of the NHS (introduced in Part 32), the mechanism of the delivery is also illustrated to us. The magickal delivery of the antichrist is wrought through the institution's role in the SRA network of BWBs - and the black awakening. If I lost you there, you have a lot of catching up to do. This is a very important point, one I could hardly overstate. The slave army enabling this baby's appearance is a testament to the Babalon Working, which might well be considered “Uncle” Aliester Crowley's babies, brought forth through his protege across the pond, Jack Parsons. In 1946, Jack Parsons and Marjorie Cameron, with the participation of L. Ron Hubbard (Scientology), performed a ritual working that lends its name to the supersoldier army of BWBs, Babalon Working Babies. This is what the multiples call themselves, who testify of a mass triggering they call the black awakening. The plan is to facilitate the birthing of the antichrist system into the world, the literal magickal appearance of their Dark Lord as a god-man. In a sense, they are the midwives, birthed by the midwives who staff GOSH as part of the SRA network. There are handler-slaves handling handler-slaves, handling slaves - all directed by the Illuminist programmers.

I might be pursuaded otherwise if you can convince me the award ceremony dress isn't really picturing the sacrifice of an SRA victim and the podium is not an altar. Good luck with that.

To make my point about the NHS-GOSH scene as a witness to the key role they must surely play, consider what we're shown in the ritual magick of the opening ceremony! It's all about traumatizing children, the threat of abduction, being chased and tormented by demons and put under the spells of dark wizards, and all the while, as the dark energy is collected, we hear the soundtrack of bells ringing, the sound of the spells being cast with the demons invoked focusing their terrible powers.

Of all that could have been done for the sake of entertainment, this is what was produced. Some fun, huh? Note well their evil agenda, because there are signs of it being repeated continually.

This part of the ritual begins with Captain Hook, pirate and kidnapper of Wendy Darling, who was just a 12 year old girl. He terrorizes children, a fearsome image of a dismembered handler who is himself an SRA mind-control victim associated, as all "classic" pirates are, with the Knights Templar, an esoteric magickal order based upon ritual abuse.

The music at the start of the scene may be recognized by some of you as the opening soundtrack for The Exorcist (1973). This has nothing to do with British children's literature but it is the music of England's Mike Oldfield, who played live on stage with his famous tubular bells. Establishing this connection to The Exorcist adds another layer of magick (the enchanting bells) and traumatizing because the famously terrifying film was about a ferociously demonized little girl.

The Tubular Bells of Mike Oldfield were the featured band for this sequence, which establishes another link worthy of note. The Tubular Bells album (which stayed in the British charts for 279 weeks) was associated with the mark of the Beast by presenting it during a re-issue in 2009 as the focus of bell-ringing events around the globe, marking it intentionally as a 666 event.

“On 6 June at 6pm (a reference to 666) there was a worldwide bell-ringing event; bells were rung in Milan (on MTV), Berlin (Siegessäule), Brussels (Atomium), Paris (the George Pompidou centre), Sydney (Opera House), Japan/Narita (at a Japanese Temple) and London. Official footage has been shown on a YouTube video, linked from Oldfield's website. One of the events in London was at the British Music Experience at The O2. It featured the 29 piece Handbell Ringers of Great Britain and an Orbular Bells DJ set by The Orb. There was also bell-ringing workshops and competitions. The Orb had previously remixed "Sentinel" from Tubular Bells II. ”

If that make sense to you why the bells and 666, read Bells - Supernatural Enchantment and a Biblical Perspective, where the bell is presented as an object that is typically endowed with a supernaturalism, summoning demons into this realm. Martin Creed's “All the Bells” wasn't the only bell-featuring mass ritual! On the stage, the Bell of Caliban was in the middle of the band, with the huge tubular bells hung behind it, while Mike played guitar in front of it.

Returning to the mega ritual in the Olympic Stadium, the NBC script didn't mention Bedknobs and Broomsticks (1971) but, if you're familiar with it, the witchcraft, beds and especially the levitating bed makes the pairing unavoidable. The IMDB blurb reads: “An apprentice witch, 3 kids and a cynical con man search for the missing component to a magic spell useful to the defence of Britain.” The setting is WWII, with plenty of terror on hand to go with the magick.

The biggest baddie in sight was an intimidating wizard, Lord Voldemort, from Harry Potter. He's a murderer and, I think at one point, a kidnapper, who scarred hybrid Harry physically (with the mark of Zeus on his forehead) and emotionally. He's pictured in the ceremony on such a scale that you just can't avoid seeing him casting spells with a wand and levitating a girl in a bed, terrorizing everyone. He's probably to be considered responsible for the NHS staff being put into a trance that made them move like an army of dull marionettes.

Plenty of scary green-eyed demonic beasts were on hand for the scene, flying, chasing and traumatizing the children.

The “Child Catcher” from “Chitty Chitty Bang Bang” was riding around on a cage-wagon with a net, a frightening character from the movie version that was employed by Baron and Baroness Bomburst to snatch and imprison children on the streets of Vulgaria. Here's yet one more trauma inducing child-kidnapping terrorist, in another magick featuring movie.

Alice In Wonderland's “Queen of Hearts” was also featured with an oversized bed, looking large and hideous. According to Wikipedia, “This character is a foul-tempered monarch, that Carroll himself pictured as "a blind fury", and who is quick to decree death sentences at the slightest offense. Her most famous line, one which she repeats often, is 'Off with their heads!'” In that magickal world, the sovereign threatens to dismember, even chopping off the head. Magick? Trauma? This Lewis Carroll classic is famously used in Monarch programming. In the stadium, she is turned bottom's up to expose her bloomers, which is suggestive of the sodomy that is so central to the Royals and essential for opening the third eye and installing the powers in children in this nasty mind-control business.

The character Cruella de Vil from 101 Dalmatians also appears in this scene, who steals puppies for their fur. She is another in a horde of Disney's traumatizing villains, and although there might not be any magickal spells involved in the plot, the kidnapping of children has to factor in because the dalmatian dogs she steals are not only assigned human characteristics, they are to their masters as children to their parents. Roger Radcliffe and Anita, his bride have no children, but their dogs. In the chaotic stadium scene, many children in dalmatian costumes surround Cruella de Vil. To steal one of these versions for their fur, as suggested, amounts to kidnapping and mutilation, and since this is her habit, ritual sacrifice.

Her name is a cryptic combination of cruel and devil. Her country house is nicknamed "Hell Hall." Cruel Devil, indeed!

One after another of the characters featured under the pretext of honoring "children's literature" appeared to add their particular blend of terror and magick to the trauma inducing and demon installing mix in the witch's cauldron of the Olympic Stadium. This had to be designed for the raising of dark energy for the ritual, inside a magick circle that had been cast for this purpose. Set to the Tubular Bells and importing subliminal links to The Exorcist and the 666-bound events, this is overlayed on the NHS-GOSH setting, which even featured performers from their staff and some of the patients. The kidnapping theme is strong, and I believe this identifies GOSH as a front for sourcing children for the Illuminati elite. I have no proof as a whistleblower might. I'm just reading the message that was sent according to the usual means and calling it as I see it.

The slave trade is real. It operates with impunity, like the drug trade, because those who are really in charge are served by these industries.

For many years I lived, worked and ministered in the area surrounding McClellan AFB in Sacramento, CA. I was aware that it was incredibly oppressively dark, but had no idea it was a major hub for the slave trade, serving the elite by supplying children for all kinds of nefarious activity. I've come to believe what once seemed untenable. The military sources children for sex slaves, porno and snuff films, human “guinea pigs” for medical experimentation or as organ donors, for ritual sacrifice and cannibalism, as supersoldiers in the mind-control slave army. This traffic is one of their business operations. This is not an American thing. It's a global elite thing.

Where I live now, in Pennsylvania (or Pan's Woods, if you want a more openly honest descriptive) there is a new state (translated: socialist state) program. Safe Haven established for unwanted babies “A mandatory statewide program instituted recently at Jefferson Regional Medical Center in Jefferson Hills offers a Safe Haven to newborns at risk for abuse, abandonment and even death.” That really sounds wonderful, but I'm not naive like I once was. It smells to me like it is probably yet another front organization, designed for abuse. Kind of like Penn State's Hall of Shame football organization. Kind of like the Roman Catholic Church. Wanna be an altar boy?

Search out examples like Paedophilia and Child Sacrifice and Paedophilia and Satanism. Consider the testimonies of Arizona Wilder, Kay Griggs and Duncan O'Finioan. Read up on Marion Knox, on the works of Fritz Springmeier and Cisco Wheeler, on Russ Dizdar (ShatterTheDarkness.org) and this blog's Sodomite Gateway Series. It's certainly not pleasant reading, but if you want to know what really goes on you have to be willing to accept what you discover.

At some point you will discover a major node in the network called the Tavistock Institute, of London. Dr. Byron T. Weeks, MD wrote to John Quinn (NewsHawk), testifying, “I believe Tavistock has always had secret ties to British Freemasonry.” There's the 33 connection in this post's numbering. The Masons and every other Illuminist society is complicit.

Before I end this post, I wanted to toss one more tidbit on the heap. I've noted a few items linking the Olympic Park and this XXX Olympiad with the year 1948. Here's another. It was in that year that this featured organization, the NHS, was founded.

In closing, the trauma-based mind control mechanism operates globally, and through Satanic ritual abuse an army of supersoldiers has been created that will soon be triggered en-masse for a black awakening. In the way of the occult, rituals and mega rituals are performed in private and in public to support this activity. The Opening Ceremony in London was one more example in a long line of similar rituals, but it was a very significant instance. I don't believe the world will ever be the same for it.

Thousands Gather For Glenn Beck’s ‘Restoring Love’ Event At Cowboys Stadium The Liberty Bell, good, right? WRONG! Mystery Babylon has almost endless layers of nets to catch those who are willing to be deceived, and this one catches many who have their hopes in this present age and system. If you're still caught in this one, I pray you will see it for what it is, and seek the Lord Himself.

Row upon row of empty seats
The image of fanatical support is tranished. Lord Coe appears like an Olympic fireman, commissioned to spritz water on the inferno. ‘Let’s put this in perspective. Those venues are stuffed to the gunwales. The public are in there.’ Hark! Is this the return of Baghdad Bob, the Iraqi Information Minister?

What headlines we're not reading might address why attendance at the London Olympics is not what was hoped for by the sponsors. Why are people staying away, really? Could it have something to do with the buzz about the potential danger involved? Are people not willing to risk being infected with disease? Are there concerns about terrorist activity, false flag or otherwise? Are they skeptical about why Zion is embedded in the logo and wary of the official explanations of everything, with a hard-sell behind it all? Are they unsettled about claims being circulated that there is an occult subliminal subtext to the entire enterprise?

I'd like to think some folks are waking up, and I believe some are, but there is more to this than the shutting down the IOC operation. That's not what victory looks like. The mega rituals were performed, and will be performed, and the success of the scheme that will bring the world into submission to the Illuminati Luciferians is assured. It must be so, as the Bible shows with no ambiguity whatsoever. What victory looks like is going to play out over the next seven years, when victory will be snatched from the jaws of defeat once again, as in times past. This time, however, it will be different. This one will be lasting, because an end will be brought to sin.

Sunday, July 29, 2012

Continuing from Part 1, that opening scene of the classroom-set puppet stage show that illustrates the magick circle so well includes a clear picture of trauma-based mind-control. I'm going to focus on that aspect of the scene in this post, which you should note as appearing during a sequence of posts on the London Olympics.

This is intended in part as a segue into showing how one of the scenes of the Opening Ceremony pictures elements of trauma-based mind-control. In both “I, Pet Goat” and the Olympic ceremony, these cues appear in contexts that conceal but also reveal a critically important testimony of the underlying dynamic. To those who can interpret the symbolic language, the witness is plain! In both presentations, the magick circle and the spells cast have been illustrated for us, and alongside the magick the presence and role of trauma-based mind control have also been illustrated. The ritual magick and the mind control are inseparable, rather like two sides of a coin. These presentations are useful for our learning because those responsible for them demonstrate to us that they know their occult symbols language and what messages to send.

If you're new to the blog or to the subject of trauma-based mind-control, I've been covering this for a while on the blog. Use the search tool for words like trauma or SRA and you'll find many results including posts from the Rango and Sodomite Gateway series, plus others, with lots of informational links. In brief, it describes the hijacking of a person, making them a mind-controlled slave. This has been done for a very long time and is well documented. In the modern era, labels have been applied like MK-ULTRA and Monarch that reference some organized efforts but more general terms like SRA (Satanic or Sadistic Ritual Abuse) or simply ritual abuse may also be used to refer to this hijacking. Sodomy is always involved as one of the essential activities, and trauma is always used as a tool to fracture the mind into a compartmentalized and highly organized system. The victims are often referred to as multiples because they have multiple alters, alternate identities. Some are also called chosen ones, when their bloodline factors into the situation. Not long ago I was very skeptical about the stories I would hear, but when the Lord dramatically opened to me what involved members of my own family, the reality of what I had found so unbelievable was immediately undeniable.

Warning: If you are a trauma-based SRA mind-control victim and still have to be mindful of triggers, you may want to skip this post and move on without going any further. If you're disturbed in any way by descriptions of sexual imagery, please give a similar consideration. This is material fit for the healthy and mature.

If you want to watch "I, Pet Goat II" again, you can find the video embedded and linked in the Part 1, here. If the video and post aren't both pretty fresh in mind, you may want to review before continuing here.

This screenshot shows the Obama puppet laughing. The teleprompter reads, “lol”, so he's acting right on cue according to some scripted direction. The tassel of his graduation cap swings over a picture of a brain being split by lightning. The split brain is the split mind, the essential feature of trauma-based mind-control that's technically called dissociation. The adjacent picture of a dragon illustrates the installation of demonic entities (Legion) that is an essential feature of the process. The lightning bolt is the legendary weapon and symbol of Zeus, aka Satan. I'll explain more shortly, but the purple tassel attached to the mortar board signals the ritual sodomy that makes the process of the ritual abuse system work.

“Ron Patton: Can you elaborate further on how the ritual abuse system is formed and how it works?

Marion Knox: Well, as I began to work with more survivors, I gathered more details and was able to kind of form a victim's profile. So as I mentioned before, they take a child at approximately three years of age and make the child fast for several days, force the child to witness human sacrifices, and to participate in a cannibalistic communion service. In some instances, they physically abuse the child and then place he or she in a cage or coffin to further the trauma. The child is sometimes drowned in a baptismal ceremony and brought back to life. In the process of all this blasphemy, the child's mind is reversed or shattered into multiplicity. The act of sodomy is also performed to open up the victim's "third eye" which is suppose to enhance psychic ability. During this vial act, a demonic system called, "Legion" is installed. In the King James Bible, Legion is referred to as an, "unclean spirit". This is systematically done to have complete control over the child, like creating a programmed robot.”

The expression of Newton's Third Law of Motion is a little advanced for elementary school, don't you agree? It's there to support the brain splitting. If you apply enough force to one side of the equation it exceeds the limit and breaks. Enough trauma will overload a person's capacity to cope with reality, and this is what's being presented. On the blackboard, we see the scary looking shark and the burning house, which frames the heads of the seated presidential puppets to illustrate squeezing the mind in a vice of terror. The message here is that their minds were split due to unbearable trauma, inflicted upon them in ritual when they were young children to initiate them as chosen ones.

The picture of the dead hanging stick figure with one leg has the word "evolution" in play, obviously the familiar game of Hangman, right? This pictures the human torture and sacrifice that is always part of the trauma inducing process. The hangman game also pictures using tortured, dismembered and slain family pets, and the stuffed animals and dolls of the victims, too, and also the hanging / drowning / suffocating of the victims who are revived and the very last moment possible. All of this builds trauma and forces the essential mechanism, dissociation. The hangman pictures required elements of the magickal ritual of Satanic worship as performed by the Illuminated elite.

At the top of the blackboard we see an ejaculating phallus, which might be easily dismissed by the naive as just a naughty classroom prank. Ritual sex magick is a requisite feature in the mind control process. Most particularly, this involves sodomy. This is the message of the evolution chart above the board next to the clock. The seventh (completed, perfected) form is illuminated as with the sun dawning. You read Knox's testimony about sodomy being performed to open up the victim's "third eye." There it is. Third eye enlightenment, illumination, gnosis. Purple is the color for sodomy, the color of the chart. This is the Illuminati formula for man's evolution. “Evolution” is the hangman's message, and the missing letters tell us this is a work in progress. The form of the message also informs us about the process.

The missing leg of the hanging man and the partially erased letter “e” suggests we add a letter “R” to the front. Revolution! This is in the works, turning the present order into the new order through leveraging chaos. The chaos will be directed by the programmers and their handlers, the manipulator mechanism of Satan that was illustrated in the opening title sequence.

Other messages of the hangman's cryptic solution involve “evoL.” Evil? Certainly, but the upper-case L suggests reversing it to “Love.” So, “evoL” as backwards Love - the act of sodomy? Ritual sodomy? Yes!

It's a sad fact that what is programmed into the slave really is a backwards kind of love, counterfeiting healthy love between people. The well documented Stockholm Syndrome has the kidnapped falling in love with the kidnapper. The abused love the abusers. It's so wrong, but that's how it works. The SRA multiples are victims who love Satan and see him as the good guy, due to the demons installed.

This “evoL” featured in the hangman's solution is also a revelation of what's being so heavily promoted today as genuine love but is rather a perverted counterfeit of the character of the one I serve, who is Love. For one example, Glenn Beck (don't ask him about his secret underwear - shhhhh) has a copy of the Liberty Bell and is using it in a huge stadium event in Dallas. The event is called, Restoring Love. (Ever think you’d hear the liberty bell at Dallas cowboys stadium? Here’s a preview) If an action is not sponsored by my God and done in obedience, it's not the love that endures. Yeah, here's me, making enemies of the worldly. It needs to be said. Read his logo and accept what you see. Another example of “evoL” is Google's worldwide 'Legalize Love' campaign, where they claim to be fighting homophobia but are in truth rebelling against the one who is Love. The agents behind Beck's and Google's “evoL” are Illumined, manipulated by Satan just like the presidential puppets on stage in "I, Pet Goat II." How many times do we have to be told, and how many ways do we have to be shown before we catch on to how the big game show is played?

The first illustration of the pairing of ritual magick and trauma-based mind control comes in the opening title sequence. Watch and listen closely to the video as the letter blocks of the title appear. We hear the bell around the goat's neck ring as the goat's head moves around, summoning the letters as demons in a etheric vortex to form the title, which turns to gold in an alchemical display.

There are nine character blocks. These are the “building blocks of life”, the 9-signaling triple helix DNA transformation of the coming mark of the beast. This title is also signaling a 9-11! There does not seem to be a part I version of this video, just a part II. IF so, this is probably why! There are 9 character blocks, followed by, well, an 11. 9-11. This is another Illuminati warning of an emergency transformational event, bringing as we see at the end of a video, the dawn of the golden age, the Illuminist Aeon of Horus. See Satan, pulling the strings as the manipulator of this 9-11?

The goat head (stamped with a bar code and 666) is a familiar symbol of the Satanic idol called the Goat of Mendes, which is sometimes pictured relative to the encircled pentagram used for demonic invocation during magick ritual. We're shown in the most obvious way possible that Satan is manipulating Bush and Obama in the opening title sequence. They are as marionettes, mind-controlled puppets. The magickal invocation and Satanic control of the mind, together as operational partners.

There really is plenty more here on the subject, so I may return to it, Lord willing, but this is sufficient for today's purposes.

By Aaron Hermann ( Revelation of Babylon blog )
On Sunday morning July 22, 2012 I received a dream from The Lord. Before I started having these dreams The Lord instructed me that they would be coming and I was to write them down. The following is what I wrote down in my journal:

"I was in some sort of street festival or some other type of public celebration that was taking place at night. I remember that the mood was festive.

There were fireworks in the sky, and some man that I did not know turned to me and pointed out how exciting they were and asked me what I thought about them.

It was at this time that I noticed a strange occurrence in the sky off to the right. It appeared as if it was Aurora Borealis, or something that looked like it. It was green at first and then a yellow color.

I turned to the man who addressed me earlier and told him that "they" always try and distract us from where we should really be looking. A very short time later it appeared as if the smoke from the fireworks was filling the air and then very suddenly the smoke cleared and the sky seemed to open and a large, circular UFO was directly above us.

People began to scream and run, and I could feel the fear and panic that had overtaken the entire area. The "UFO" was not friendly and it seemed to be firing laser-like energy beams at people and buildings. I saw one such beam strike a building and the building exploded...then I woke up."

The week leading up to the Opening Ceremony of the Olympic Games was intense and productive. On Friday afternoon I had a couple of hours of peaceful quiet to spend with The Lord and during that time I sought The Lord about the direction He seemed to be taking me in regards to my work for Him. A great deal was revealed, and the nature of it was such that I was a bit taken aback at first. I told The Lord that I was willing to do whatever He had for me, but the nature of it was such that if He could give me a sign...a clear, undeniable, unmistakable sign to serve as a confirmation of the nature of my ministry that it would be of great help.

I left it with The Lord and over the course of Friday and Saturday He continued to show me what He has in mind for me. I spoke to Bob for nearly three hours last night about everything that has been going on with the Olympics, what The Lord has been showing us and telling us, and we looked at some of the comments being sent in from folks around the world who have been reading the blog.

One of the comments mentioned a UFO sighting over the Olympic stadium and included a link to the video. After seeing the video, I recognized that this was the confirming sign that I had asked The Lord for. To borrow a phrase from Bob, "The Lord saw me coming" and gave me the dream five days prior to asking for a sign and six days prior to seeing the video. Praise The Lord!

Prior to the Olympics an article appeared on the Daily Mail featuring former British Minister of Defense, and UFO expert, Nick Pope:

“One of the UK's top UFO experts has given his views on the likelihood of aliens suddenly appearing in our skies - and how the international community would respond.

Nick Pope, who has more than two decades under his belt at the Ministry of Defence, said mass summer events - like the Olympic Games in London - would be a prime time for crafts from otherworlds to present themselves to mankind.

He warned: 'With the summer of mass events we are all on high alert for terrorism. But we must also cast our eyes further afield and be prepared for even the most seemingly unfathomable.''”

Saturday, July 28, 2012

In Pittsburgh, Comcast presented the ceremony on NBC. They scrubbed Zeus entirely from the record. That kind of filtering is not what can reasonably be considered as honest coverage of an event, which is something I think most people watching assume they're going to get from the respected name brand media. If you watched from somewhere else and got the “Zeus included” version, this exclusion may surprise you. Here in America, the concept that we are a Christian nation is still an ongoing sales job. Many just don't want to hear the name of Zeus voiced, so they don't name him. Most Americans are happy to worship Satan and his pantheon of gods, but just don't call him that. It might give us pause to think about what we do and why we do it. That might be disturbing. We might even wake up. That might make us less compliant.

So, by deceiving us, withholding even the barest hint of the reason for the games and ceremonies, the coverage of the London Olympics by NBC is nothing less than a massive conspiracy. The media is complicit with the IOC in the perpetrating of this fraud. If they weren't, there would be big trouble over this because the IOC has control; make no mistake about that. This concealing of the reason for the event, which is most simply to honor and exalt Zeus, serves those behind the games and the promotion of the games by slipping Olympism into our minds and hearts and lives in stealth. This is how control is wielded. We do not resist what isn't perceived as a threat.

With subliminal programming being the mechanism by which their control system works, the clever commentary was carefully crafted to achieve their goals. What was relayed to us by the media shills was done in the convention of the occult, concealing and revealing, layered with NLP. The puppets voicing the programmer's script utterly failed to provide an convincing explanation of many of the puzzling things we were shown. Where did that giant creepy baby come from? I'm going to try to fill in some of the gaping holes, sharing what I saw and what it means to me.

In watching the opening ceremony last night, validation after validation poured out of the TV.

OCCULT MEGA RITUAL TOWARD BIRTHING THE ANTICHRIST

It was the same message that was sent from Beijing, and Vancouver, for that matter, and on down the line. In the details, beans were spilled about how this is done and the role of the UK in it. I've written plenty already about the message and how it was sent from Beijing. I'll write less about this one, much less. The impact of this mega ritual will be more evident because it builds upon every one that has come before it, but I'll write less because the season for this activity will be cut short. The time has come for the evil scheme of the worshipers of Zeus to bear fruit, and dissenting voices will soon be silenced. If you appreciate this season the Lord has granted by His mercy and exceeding grace, make it count in your domain, personally, in your family and circle of influence according as the Lord grants it.

So, where did that creepy baby come from? And, what was the point? If you isolate this from everything else, it makes no sense, but the messages sent in the layered system of Olympic Ceremony symbolism are redundant, so we can take meaning from elsewhere. When we focus on the over arching theme of the birthing of antichrist, the emerging of the exalted god-man and his world system, it makes perfect sense!

For example, when the winged bicycle beasts emerge from under the Bell of Caliban, they circle everyone inside the stadium floor and descend back under the Bell. We're told by the commentators these represent the original doves of peace that were released at the ancient Olympics. In symbol, they are definitely NOT doves, but taking their cue and thinking back to ancient Greece we may recall Pegasus, the winged horse. Pegasus was a god, chimeric.

A band is on the stage at the entrance to the orifice of this bat cave of sorts, seen in a stadium dramatically lit in a blue Gotham City like air. They are the Arctic Monkeys, evoking associations with the flying monkeys of the Wizard of Oz, those trauma inducing agents of the wicked witch of the West. The band is playing a haunting cover of The Beatles classic, Come Together. “One thing I can tell you is you've got to be free. Come together right now over me.” Here's the connecting point that makes a sequence that is otherwise entirely non sequitur fit with everything else in the context, and explain the giant baby. The doves are iridescent mechanized angels, demon-gods from the underworld. They are invited to “come together over me”, meaning, covering in sexual intercourse as incubus with a willing human partner. This is an engagement with a supernaturalism that sets those so covered free, in esoteric literature and in reality, after a certain fashion. It's an evil counterfeit, but nonetheless there is a legitimacy to it. The doves are dragons, unleashed from their lair, ordained to perform a reproductive ritual with their magickal seed.

Validating this interpretation, at the climax of the scene one of them ascends into the heavens pedaling his bicycle. This evokes the scene from ET, which is even expressed by the commentators in an apparent (staged) musing. Man is ascended as the rise of the dark knight, the bat man. This is the ascension of The ExtraTerrestrial from the sea of humanity, the ascension of a god, the dawn of Apollo, the birth of the god-man antichrist beast! This is what's wrought by the sex magick.

So, the creepy giant baby showed up at precisely the right moment, at the conclusion of a bizarre scene filled with wizards, witches, nurses, children, iron beds - and massive manipulative misdirection. This birth was the intent of the spell being cast!

Some apparently bought the version sold to them, that it was a collection of quirky entertainments for the promotion of the NHS and GOSH, with children's literature thrown in to make it like a witch's cauldron, stirring in some Peter Pan, Harry Potter and Mary Poppins. If that's all you took away from it, you might want to consider adjusting your medication. Some interpreted it politically as simply pressing a left-wing socialist agenda, because the National Health Service is the "publicly funded healthcare system" in England. Interpreted for those of you aren't reading past the newspeak, that's government sponsored and enforced medical provisioning. The NHS is the largest and oldest single-payer healthcare system in the world. GOSH is the affiliated Great Ormond Street Hospital, part of Great Ormond Street Hospital for Children NHS Foundation Trust. While promoting that affiliated pair looks bad to those who see with one eye, squinting, it looks worse to those with a more informed perspective, much worse!

A while back, when I first learned Boyle was going to feature a scene with nurses and children, I knew right off this was going to be leveraged for midwifery, for the delivery of a baby. Zeus is fathering a son, you see. Apollo will be birthed, but not without help. That's where the NHS comes in. And ObamaCare. And, fill in the blank with the name of your official government-corporate sponsored social medical machine. The Lord showed me through the NCR corporate marketing sequence that the mark of the beast would be implemented as introduced by our trusted health care professionals. Until that time comes, the system is being heavily leveraged to prep us for that day.

People who fear for their welfare and place their trust in anything that is not truly the Lord's provision fall into a trap. If you find yourself caught in that snare, get out now. It's impossible, of course, but this kind of thing is the Lord's specialty. The real point here, my friend, is to learn to trust in the Lord Y'shua. Seek and accept only His provision. Don't wait! Seek the Lord for all you're worth.

That creepy baby appearing at the close of that scene has a little more to say to us about the situation at hand. The first questions about it might involve when, where and how it was conceived. Let's revisit the scene where the ring had been cast.

Introduced in the previous post, the imagery of this scene has another layer of meaning. Conception is taking place, literally, sex magick. The fire marking the path of the gold poured into the mold was a winding path, connecting with the ring as the tail to the head of a sperm. The sperm was cast. It was cast on the earth. Ejaculated. Earth was impregnated, and the golden ring was lifted up out of the earth as a fertile egg. Sex magick! You can interpret the huge smokestacks in the scene as alluding to the obelisks of Egypt, the male phallus of Osiris. Isis was going to have a baby. Her magickal work with the fabricated phallus was in Boyle's dramatic interpretation, the “industrial revolution.”

“All of the energies unleashed by the industrial revolution are now trained on the center of the stage and the forging of a massive ring. And here's one of the magic moments...”

That's the magickal conception of the Baby, Horus, Apollo. In other terms, this is the work of the Wagnerian Nibelungen, Tolkien's one ring, made by Sauron/Satan in the fires of Mordor “to rule them all.” Global governance. A Luciferian one world order of the age. When the golden ring joined the other rings in the sky and we saw them ultimately elevated as above the globe of the earth, this signaled the rule of the golden gods in the aeon of Horus, the dawn of the golden age! This is a match to what's pictured in I, Pet Goat II, and the goal of the Illuminati.

The lifting up of the rings above the globe of the earth represented, too, the grander scale of the magick circle that had literally been cast. The fiery golden sperm-ring in the stadium was only symbolic of the greater magickal ritual, a mega ritual within a ring-bubble expanded to reach beyond the circumference of the earth. The atmospheric heavens above were bounded within the sphere of concentrated magical energy. The participation of the nations on every continent, and of all the perverse sorceries of the Grand Climax add together.

Bits of paper were dropped from the sky during the ceremony, numbering 7 billion. The number is signaling that there was one for every human living on the planet. You and I were there, by proxy. We were pretty much trampled, insignificant. We were there by proxy in another symbol, represented nationally by the copper petals that composed the Olympic Cauldron - vessels for the fire of Zeus.

This is the testimony of those working the magick, if you can accept their testimony.

I watched the Isles of Wonder themed Opening Ceremony televised by NBC and it certainly was the mega ritual expected. I perceived a couple magick circles being cast. One was the Cauldron, which was done with a huge magickal ritual. Another was during the industrial scene, where they “forge” a ring that was burning with flames.

Here's the official commentary for that scene.

“All of the energies unleashed by the industrial revolution are now trained on the center of the stage and the forging of a massive ring. And here's one of the magic moments, especially for the people actually - uniquely for the people in the stadium tonight because not only are you watching this ring being forged by these workers, but here at the stadium you can smell it. They have found a way to pump that smoke, that sulphur smell, that factory smell, out to the 65,000 plus people in attendance. They're getting an eyeful, an earful and now a nose full.”

The forging of a ring is obfuscated language for the casting of a circle. Technically, what they pictured being done in that scene wasn't forging at all. It was casting. They cast a ring. The ring is a circle, so they actually cast a circle! The ring was gold, so they cast a magick circle of gold, just like I described in “I, Pet Goat II”! Inside the circle that was cast you can see the Squared Circle, only very slightly obfuscated. This illustrates the quadrants of the four elements. The magick circle is the space within which energies are raised and concentrated and focused for some ritual work to be accomplished. When witches cast a magick circle, fire is visualized on the circle, and the one in the stadium was lit with real fire. Magic moments? NLP! This is a MAGICKAL moment, literally! The smell of sulphur permeates the atmosphere when powerful demons are invoked. (Web search for: demons invoked sulphur smell) Did the theatrical folks have to supply the sulphur smell, or was that really just a by-product of their successful demonic invocation? Both, perhaps? Also, this was done while drummers were beating their drums, another common practice during the raising of energies.

Like the magickal rings forged in the fires of Tolkien's Mordor (Lord of the Rings), this one played quite a role in the ceremony. It was lifted up from the earth, ascending to join four others in the air and form the Olympic Rings, showering fire down from the heavens. They appeared to be elevated into the celestial heavens to appear over the circle of the Earth, to the accompaniment of Pink Floyd's Eclipse.

All that is now
All that is gone
All that's to come
And everything under the sun is in tune
But the sun is eclipsed by the moon.

The devil as the moon, eclipsing the true messiah, in symbol the Bridegroom Sun? This is a signal of the rise of the antichrist Beast, coming soon.

The ceremony was magickal. Not in any good kind of way. This mega ritual comes after last weekend, when a significant change had been noted by several folks who perceived it in the spirit of the Lord, as noted at the time on this blog. The world will never be the same.

Thursday, July 26, 2012

The witchcraft of the opening ceremony in London is not going to be merely theatrical, if we can accept what the clues are revealing. Continuing from the previous post, I'm going to point out what I see that hints at the four elements or watchtowers of circle casting. Since this has a directional aspect, I'll begin with a feature that may be intended for the purpose of obfuscation but very likely also serves to facilitate a more complex magickal scheme.

I assembled this pair of images to illustrate how the opening ceremony stage set inside the Olympic stadium (that can be overlaid with the Olympic medal to suggest a magick circle) exhibits a directional rotation of 1/4 turn clockwise. What might be the reasoning for doing that? I read where we are officially told that what looks like the River Thames in the "dark Satanic mills set is not actually the River Thames. Really? How is that water weaving through what is obviously London in the exact form of the Thames -- not the Thames? Why would we be told that? What are “they” being so careful to not tell us? Is this the image of the Thames in some other dimension, perhaps.

Within the mills set, we see a landscape that is so obviously patterned on the River Thames as it winds through London, with Glastonbury Tor to the west of the city, as it is in reality. However, this set, as laid out inside the stadium, is aligned differently. The reproduction of Glastonbury Tor is actually in at the north end, so the model was rotated 1/4 turn clockwise. If we ask why, and we really should, I believe the clues suggest that it serves a mystical purpose, serving to align the setting for a working of ritual magick.

With the model of the Tor as it is in actuality at the north, what appears is the standard for casting a magick circle: North-Earth-Green. As for the other 3 elements, I can't say much because the only other comparable object I've seen in the pictures of the stadium so far is the bell, located opposite the Tor at the south end. As an elemental, this would have to represent fire, which is an unlikely symbol since the bell as a magickal object far better represents air and the fifth element, spirit. It may be that the bell isn't intended as one of the four elements. Olympic Cauldron with the ceremonial Flame lit from the sun-lit torch will likely be placed at the south end. This is one of the well kept mysteries (Olympic stage is set, but where is the cauldron?), intended to be revealed during the opening ceremony with plenty of drama. Tomorrow will tell, I expect (which will be today, as the day when many of you will read this). There will possibly be two, one inside and one outside the stadium.

So, at present, there are no other relatively fixed objects around the stadium to be associated with the directional elements used in casting a circle. I'll be watching, Lord willing, and do expect to see at some point some further exhibit of the casting of a circle.

There are some objects placed around the sets built for the opening ceremony. In the pastoral "green and pleasant land" model, four maypoles claimed to represent the four national entities of the UK are pictured. Perhaps these are being used as symbols of the four elements in some casting of a circle.

We might see the yellow of the May pole on the east as the appropriate color for a typical circle casting, but the others just don't fit. In the alignment using the mills set's River Thames, the model Tor appears in the west, and then the bell opposite the Tor appears as an appropriate symbol for the elemental of east, air.

Really, I can only speculate as to the elemental symbols at this point. There's no clear evidence to claim with any confidence that the four elements are present in one configuration of the stadium or another, at least not yet. I wanted to present this in advance so you can watch with me, as the Lord leads, in an more informed way, and we shall see what we shall see.

I suspect, given the directional rotation of the opening ceremony sets, that the high level sorcery will have layered rituals, evidenced on multiple levels, which is why I present two potential schematics of the stadium with standard elementals marked, to help make what might be done to cast magick circles during the ceremonies more recognizable.

If there is no magickal spell intended during the XXX Olympiad, why was such a public ritual already performed? At the Winter Solstice in 2010, a ritual was performed when the pyramid lights were switched on at the Olympic Stadium by David Cameron, Prime Minister. This was according to the ancient practice of Saturnalia (Kronia to the Greeks) when candles and/or torches were lit to honor Saturn, aka Zeus, Satan. Note, this marked exactly 2 years to the day before the acclaimed ending date of this age on the Mayan long count calendar, December 21.

“In one of the interpretations in Macrobius's work, Saturnalia is a festival of light leading to the winter solstice, with the abundant presence of candles symbolizing the quest for knowledge and truth. The renewal of light and the coming of the new year was celebrated in the later Roman Empire at the Dies Natalis of Sol Invictus, the "Birthday of the Unconquerable Sun," on December 25.”

Now, a circle is not cast for its own sake. It is cast for a reason, and that is often to cast a spell. The demons are invoked, the energy is concentrated raised and, at the propitious time, the spell is cast and the energy or demonic supernaturalism is released out of the circle into the Universe, to manifest in this space-time. I don't have the magician's script for this mega ritual event but I do know a few things about the master plan so I'm pretty confident I know something about the spells intended to be cast. Some of this will be dramatized during the public ceremony, but I have to think there's plenty that will be done out of the public's view, in London, and around the globe, or beyond. If you don't know the plot, I develop it extensively on this blog and on my main site, so I'm not going to repeat it here but leave up to you to search it out for yourself.

The raising of energy in the sphere of a magick circle is essential, and we've heard Danny Boyle speak of this raising in clever NLP-ese. This is why he has two mosh pits, drawing the most intense kind of energy you're likely to see of this sort in public. This is split into two sections, probably to heighten the dynamic, plus he has another mosh pit at the other end, which looks to be pointed at the bell. Boyle has expressed his hope that these opposing mosh pits will do battle, intending to maximize the energy, which I propose is being collected to raise the energy being concentrated in the magick circle(s) for the casting of the mega spell.

This is not being done for the sake of drama, to entertain. Entertainment value was sacrificed during the London Ceremony closing the games in Beijing in 2008, and it will be sacrificed in London. Making a profit from the games is not high on the list of priorities, and neither is entertainment. The ceremony is not being done for show so much as to perform the rituals. Olympism is Zeus worship. Olympism is Satan worship. People who merely seek to be entertained will be disappointed. Those who openly seek to honor Zeus will not, because this surely being done on an overwhelming scale.

I've shown in this series how the front of the Olympic medal illustrates the stadium as a temple for worship of the gods. This is the arena for worshiping Zeus, in athletic competition and in ceremonial ritual. According to the Olympic Hymn, the world in general, as lit by the sun, and the virtual temples magickally created where they establish a zone with the ceremonial flame, are temples for the worship of Zeus. The temples for the worship of Zeus and the magick circles of pagan witches are not dissimilar, and are actually one in kind. Combining them is powerful. The magick circle is a sacred space to wiccans, a kind of temple. It is in this temple where they perform witchcraft. The circle helps them gain magic power. Satan receives worship of every sort that is not sponsored and sanctioned by the Sovereign Creator, the true God whom I serve.

Have you discovered this energy harvesting of the rainbow power being done in partnership with McDonalds? Surfin' the Bifröst - harnessing the dimensional bridge energy! The children log their activity and feed it to the Web site.

We might well ask why the Glastonbury Tor is so styled with the terraced hill resembling a swirling vortex? Well, probably because it actually is what it looks like, magickally! I wrote of the hill and tree and addressed some of the probable intent for it already (cosmic connection point, bridging to the underworld as a pathway, time link to 9-11 and Jesus's visit of legend), but there's still more to this that really begs to be addressed!

In the stadium's mosh pits near to the Tor, flags and banners will fly that have been made by children in the schools of Glastonbury. The activity links to the high energy concerts held there since 1970. The stage is there is famously a pyramid and there is a massive scale May pole on site. If that pyramid isn't being leveraged as a dark energy receiver and transmitter, they have really missed something. But, I doubt that that's been missed. This too seems to have ominous connections, like the devil's fingerprints are all over it. The first Glastonbury Festival held was in 1970, beginning the day after Jimi Hendrix died. You remember him, right? He's one of the famed members of the 27 Club, of the death meme. The festival has been celebrated ever since then. I believe there's dark energy transmission involved with the Tor and the mosh pit. I believe this is an energy feed from the past being exploited in the present. Call me crazy. That's how I see it.

We might also ask why there is such a grand scale smokestack in the stadium's mills set? That thing is gigantic! A smokestack is used to exhaust the smoke from fires, which are typically for converting the heat into mechanical and possibly electrical energy. A smokestack is the most evident sign of such industry. It signifies the harnessing and exploitation of energy on an industrial scale, and often employs a steam turbine. There's a powerful energy vortex associated with the smokestack, if your looking for the connection. This stack is in the “dark Satanic mills” set. Think about that. From the pictures I saw, it seems to exhaust from the underworld. What's going on there?

This makes me think of the highly celebrated fantasy literature, Lord of the Rings, written famously by England's celebrated literary giant, J.R.R. Tolkien. In the book, The Two Towers, (with a 9-11 connection there, to be sure!) there was a memorable scene in Peter Jackson's film version where the wizard Saruman had a fiery smoking work in a pit. That spoke to me of the underworld. In it, he made a hybrid army, the Uruk-hai. I wonder whether this might somehow be identified with that work in Isengard during Boyle's production. It's been leaked that Boyle will be featuring some kind of engagement between Mary Poppins and the Dark Lord Voldemort (of the Harry Potter franchise), two other famed fictional magicians of UK invention. If he doesn't involve Gandolf or Saruman in some kind of exhibition of wizardry, I'll be very surprised. Especially because the Uruk-hai are modeled on the Nephilim, the hybrid spawn of the ancient gods that this Olympic ritual ultimately intends to restore to this realm.

“In Peter Jackson's film trilogy, Saruman's Uruk-hai are bred from pits beneath Isengard and when the time is "right" they are dug up by lesser orcs working for Saruman, who are occasionally killed by the newborn Uruks. Jackson's depiction of the Uruks being spawned from the mud came from Tolkien's old description of orcs being "bred from the heats and slimes of the earth." It is said they were a result of cross-breeding orcs and "Goblin-men", instead of Orcs and Men. In Tolkien's writings "Goblin" is just another term for orc.”
...
“footnote #5 "We are the servants of Saruman the Wise, the White Hand: the Hand that gives us man's-flesh to eat." Tolkien, J. R. R. (1954), The Two Towers, The Lord of the Rings, Boston: Houghton Mifflin (published 1987), "The Uruk-hai", ISBN 0-395-08254-4”

Will the opening ceremony feature also dimension traversing Timelord Dr Who, with his hypercubic interface resembling a phone booth? Will it mean more than a nod to popular entertainment? I'm really curious what may be signaled in the details and context of such an appearance!

“the MAGIC CIRCLE provides a sacred and purified space in which all rites, magickal work and ceremonies are conducted. It offers a boundary for a reservoir of concentrated power and acts as a doorway to the world of the gods...Within the circle it becomes possible to transcend the physical, to open the mind to deeper and higher levels of consciousness."
...
7. Redefining Reality. The circle becomes an island that the magician forms as the only true reality. The magician assigns directions to this new reality.
8. Space between Worlds. Here the circle is neither entirely in the material plane nor is it fully within the spiritual plane. It acts as a bridge connecting different planes of existence.
9. Omnipresent Now. The circle allows us to take advantage of non-linear time, while allowing the magician to remain with normal linear time. In the timeless reality, all things exist or have existed or will exist, in this realm the magician performs acts of scrying and divination.”

I've written about the Temple at the Center of Time principles as the arcs of time from the establishment of the State of Israel bracket the Olympic Park. I've discussed quantum entanglement, suggesting bridge mechanisms and dimensional portals through space-time and have called attention to certain times and places that may be so linked. The distinction between physics and magick is blurring, but not just in my mind as though my tin foil hat has blown off and my sanity has fled. The world is changed and changing. Today's world and everyday life seems more and more surreal to many of us.

Quantum physics seems crazy, defying the laws of physics that were long accepted as defining our physical reality. CERN and the particle physics of LHC, which the Olympic medals magickally links, plays a role. The genetic tempering of food, man and beast, plays a role. The mistreatment of innocent people plays a role. Sin. It's being judged. The Lord is bringing an end to it. This is why the world is changing so rapidly, because we're reaching the end of it. The Olympic mega ritual that has been and probably will be, has been appointed in this season to bring forth a necessary change. Watch and see. The sovereign Lord God has a plan, and it is working perfectly. Draw near to Him, where peace and joy may be found in abundance!

As I write it is mere hours away from when Work #1197 will begin, where bells across the UK will be rung with enthusiasm. That's NOT a good thing! No doubt, the largest harmonically tuned bell will also be rung, the “Bell of Caliban” that hangs in the stadium. “Be not afeard. The isle is full of noises”

The excerpted speech from The Tempest follows. It may seem poetic in a good way, but when you consider the sounds and sweet airs speak of demonic voices and enchantments, and that the magick is real and evil, there is nothing good that can come of it!

Be not afeard. The isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep
Will make me sleep again; and then in dreaming
The clouds methought would open and show riches
Ready to drop upon me, that when I waked
I cried to dream again

I've addressed the role of the bell in some depth already, but it bears repeating and highlighting. The bell is a ritual object that is often used to begin and end a spell. It is used to summon and dismiss demonic entities, calling them from and then returning them to another dimension. I believe this will be it's function during All The Bells, and during the opening ceremony, the closing ceremony, and as bookending the games in one macro mega ritual. As I've mentioned earlier in a post dedicated to it, one of the rituals is likely to be a bell, book and candle spell. The bell ringing is a death spell!

Now that I've seen pictures of the model of the bell, if it is faithful to the supporting context as seen in the pictures above, there might be what's called the Triangle of Solomon or the Triangle of the Art associated with it. On the platform under the bell appears a triangle. I wrote about this ritual object as it was suggested by the roof of the burning house on the "I, Pet Goat" blackboard. At the high level of magickal ritual expected of those behind the occult Olympics, I have to think there is such a magical implement in the ritual involving the stadium's magick circle. If a Triangle of Solomon is under the bell, that's got to be a very bad thing. Very bad indeed. Lord help us.

Wednesday, July 25, 2012

If the opening ceremony of the London Olympics is intended to be the mega magick ritual it seems, those sorcery sponsoring agents would surely have an interest in making it as powerfully effective as it can be. Witchcraft spells are typically performed in the context of a magick circle. Are there signs of intent to cast such a circle, or that such a circle has been cast? I believe so. I think more evidence will become evident during the ceremony. If you are led to watch the televised ceremonies, you may recognize the casting of a magick circle prior to when the main rituals are performed.

The post titled, Part 1 - "I, Pet Goat II" - Golden Magick Circle, introduces the magick circle as a segue to this post. If you haven't read that yet, you may want to pause to do so now. I'm going to be making some observations about a couple circles that relate to overlays of the Olympic medals, which brings some really intriguing items to light. I'm also going to be pointing out what hints at the four elements or watchtowers of circle casting.

I began to think about the magick circle after I wrote about the Olympic medal as a magickal medallion and schematic of dark energy in Part 25 of this series. I gave it more thought after discovering how the Shard sits at the perimeter of the medal when overlaid on the map of London. Having a sense of the importance of the medal's mapping or aligning function, I considered what role the River Thames might play in the context of the Olympic Stadium's set for the "dark Satanic mills segment of the opening ceremonies. I overlaid the medal on that model landscape as I had done with the map of London and found that it fit rather neatly within the stadium, as I will illustrate shortly.

It seems likely to me that the medal represents magick circles, legitimate, real, magick circles. The gold medal compares in my mind to the gold magick circle in “I, Pet Goat II.” One is a ring and the other is a disk, technically, but both can represent the intersection of a bounding sphere.

In the Olympic medal version, the two characters that many perceive in the logo appear inside the magick circle, performing ritual sex magick.

Some perceive sodomy in this logo, with the dot in the middle of the logo being part of the phallus of the character on the right. The triangle in the negative space represents both the arrowhead of that phallus and the anal triangle of the "london" character. That certainly will seem fitting to many Londoners, who say this is how they feel they are being treated by the IOC, partners and participants represented by the Olympic logo. Personally, I have to think this situation is one of the logo's intended messages. That golden phallus locates at the Isle of Dogs (male prostitute) Pumping Station with Mudchute Park just south of it. Think about it. Check the map for yourself. Is that too subtle? Can we take a hint?

In the logo's Simpsons metaphor, the logo's peculiar stacked elements we are told means 2012 breaks out to the 21 being the male “Bart,” the High Priest inside the circle. The 02 of the 2012, is “Lisa,” the High Priestess. The medal is illustrating a sex magick ritual being performed in a magick circle by a high priest and high priestess!

Now, comparison with a map of London will illustrate how the 02 of the 2012 is nearly centered on the O2 arena, the Olympic venue. To me, this really validates the medal and its overlay on the map as being in the mind of the logo designer. BTW, that's Satan, ultimately. I haven't vetted this, but I heard in a video that Wolff Olins has indicated that the Olympic logo they designed was spirited, which I took when I heard it as a confession that it was divined. I believe it was, whether it has been admitted or not. The 02 “Lisa Simpson” of the medal overlay aligning with the O2 venue that speaks to me of the womb of Isis is evil genius.

Since the 02 High Priestess so obviously matches to the O2 venue, I have to give consideration to how the 21 High Priest might have some similar correspondence to provide the balance that seems so essential to the working of ritual magick. To what does the 21 High Priest map? Well, to an 80 foot tall “Prospero” with white gloves and a wand, apparently, according to rough photos taken while the set referred to as the "dark Satanic mills" of William Blake's Jerusalem was under construction. Magus to magus - it's a match, but this time in the stadium instead of out in the other magick circle mapped on the actual river.

Whether this is what will appear during the actual ceremony remains to be seen. I think it's almost a given that Boyle and company are going to "have some fun" by entertaining us with magic show stage trickery, while in reality there is real magick of a sinister sort being worked.

In the matching of the 21 High Priest to the magus inside the stadium set, there may be some esoteric stamping of the number 21 that intends to harmonize with the 02-O2 pairing. The number 21 is important to esoteric Zeus worshipers because in the Roman alias, Jupiter, his identifying symbol resembles this number. As you can see from this collection of images I made to illustrate the sodomite logo of the G4S security company, the Jupiter glyph looks like 21. Could the giant model of the sorcerer wielding the wand represent the god identified by the 21 glyph, as an idol, a substitutionary agent? The model magus has been said to be 80 feet tall. That's about 24 meters. Will the actual height be 21, providing another connection for a magical working?

Before moving on, I want to make an observation based on the idea that the character Prospero of Shakespeare's play, The Tempest, is based on Dr John Dee, who was at the least a very influential man in Francis Bacon's day. Noting that Prospero was seen to be set in place on what represents the Isle of Dogs, I perceive a homosexual link. The word dog is old slang for a homosexual male prostitute and Dee's popular esoteric image of Monas Hieroglyphica pictures, in stick figure language, the use of such a dog.

Now, notice how the Shard is on the London mapped medal's edge, precisely marking due west as a Watchtower, a Guardian elemental. The Olympic Park is due North. I suspect that has all been in the plans for quite some time. This observation leads me to suspect that there has been a ritual marking of the opposing cardinal points too. It seems likely that some special lighting will identify them, as candles often mark the cardinal points of the compass in the casting of circles.

These two medal overlays appear to be related, with one connecting to the other through the implied overlays on the River Thames and its stadium version. The medal overlaid in the stadium is located at the capstone of the pyramid-triangle of the medal overlaid on the actual River Thames. I wonder if there is a magical linking here, with a multiplication factor in the energy collected and harnessed by these connected golden magick circles, for the release of some amplified spell into the Universe from the concentrated power that rises in these magick circles. I have to think the pyramids mentioned in Part 25 factor into the directed supernaturalism of this dark energy scheme. There really is way too much in play to discount all of it as some freaky cosmic coincidence.

Now, when a circle is cast it is usually visualized by the one casting the circle as though flames of fire are appearing on the circle.

“As you travel around the circle, visualise energy blasting from the instrument (or your fingers) down towards the circle like a flame. This flame continues to flicker on the outline of the circle like fire as you continue around with the circle.”

The stadium in the Olympic Park in London is pictured with flames around it in this video. (at 2:14-2:25) Isn't this graphically illustrating it as a magick circle? London Olympic Stadium is a PAGAN ALTAR set up for OCCULT OPENING CEREMONY. Watch closely what's done with the white laser lights beaming into the sky while the flames go around the stadium. The magick circle is actually a sphere, right? The sphere boundary as the circle is cast seems to be illustrated by what is done with the laser beams. You may want to watch the entire video. It proposes the entire stadium as an altar. I have already presented the awards podium as a ritual altar. If they set this podium up at the north end of the stadium, where the Glastonbury Tor model will be during the opening ceremony, that fits the standard placement of the ritual altar within the magick circle.

There's more to this, and I will continue in another post, Lord willing!

Tuesday, July 24, 2012

A viral video titled I, Pet Goat II - from Heliofant, features a broad range of occult imagery to tell a complex and highly stylized story about the approaching dawn of the new age. The VC provided his interpretation in a recent post, The Esoteric Symbolism of the Viral Video “I, Pet Goat II” There's plenty more that could be said about it but I just want touch fairly lightly on it to segue into a post about the London Olympics, then perhaps follow up with a few more insights from the featured scene. Several magick circles are evident in London and in the Olympic Park within which ritual magick is being and will be performed. I want to use one of the scenes from I, Pet Goat to introduce the magick circle, so I'll focus on that.

Caveat and warning: While this is no witchcraft manual, some detail in the description is necessary for educating about how to identify the magick circle, so check with the Lord about whether this post is for you. If there's any doubt, skip it.

The magick circle is the basic fundamental of witchcraft. It will usually be a circle on the floor or ground that is generally visible, and four elements will often be represented in some manner in the direction of the cardinal points of the compass. There's a high degree of flexibility in the construction, which is why I'm being so broad in the description of the appearance. A blond girl, modeled on Lewis Carroll's Alice in Wonderland, sits on the floor in a meditative position within a circle painted in gold. The circle pictured isn't the ideal circle in size, but it is appropriate for the intent of the video. Several other items featured in the setting identify it to us clearly as a magick circle.

Count the number of those seated on the floor. Including her there are 13, a coven. She is the High Priestess. A more normal size magick circle might encompass them all, in this tight little group. They represent her coven, but that's not all. The reason the beings outside her little circle are misshapen and indistinct is this; they represent the demons she has invoked. This is why they're bound with a strand of barbed wire.

“By creating sacred space and invoking the elements, we can raise power within the circle, and charge the energies with our magical intent. Working with the elemental spirits and the four directions, we can direct our inner work to manifest in our outer world: "as above, so below.”casting a circle

The magick circle is the interface with the realm of the spirits and gods, a dimensional gateway. The circle drawn in one plane is merely the representation of the intersection of a sphere, like a surrounding bubble in three dimensions. It's the boundary for a reservoir of concentrated power. The casting of a circle is the generation of this space, and it involves the elemental spirits, demons. How this is done varies widely from one coven to another, ranging from the very formal to the very informal, but it typically involves invoking the Guardians of the four elements. These elemental spirits are also referred to as Watchtowers. When the circle has been cast, the intended ritual that the space was created for can be carried out. For many kinds of spells, after the energy has been raised, it is released out into the physical world. Then, the Guardians are thanked and dismissed as the circle is ritually closed.

In "Alice's" spell, the apple is her ritual tool. As we follow the apple we see it as a symbol of her spell, working. When the lights dim, her eyes close and she drops the apple, which rolls out of the circle. This is the High Priestess going into the Alpha state, between the realms. The energy of the spell is raised and the apple representing the magickal spell rolls out of the circle to picture it going out into the physical world. The spell is cast over against the Obama puppet. The apple magically splits and seeds from both halves grow together and blossom into a lotus flower. The Obama puppet sees it and is terrified.

Now, the four elements used in Alice's ritual are illustrated in this image composite. Matching to the four directions, symbols of the elements are evident that were apparently ritually used to invoke the elemental Guardians as the circle was cast. At the blackboard and on the clock above it, we see three elements that identify the direction, fire, red (flames of the burning house) and the time of day, Noon. Clearly, this is South. Opposite that is North, and we see Earth and green, the color of the vegetation surrounding the white rabbit. On one side, we have Air, Yellow, East. Decorating that wall we see a large yellow flower and a stag leaping into the air. Opposite that is a wall of windows, with fogged glass, a blue tint, and snow outside; Water, West.

Alice's golden magick circle was cast using recognizable symbols of the four elements, in the appropriate configuration, but Heliofant has taken liberties with the standard. In a peculiar twist (and for this video, I suppose that's a relative thing), this example presents elements indicating a reversal of East and West. A map with North at the top has West on the left, correct? Not this one! There's no mistaking how the symbols of the elements indicate East and West, and they are obviously reversed. Why? I think the explanation takes into account the perspective of the underworld setting. If you place the map on the window glass facing out, you'll see East on your left. This perspective of the directions from behind the map illustrates what would be seen from underneath the magick circle, from the underworld looking up. I think this was done to illustrate how this magical scene is inverted as though it were taking place in the underworld.

As the scene ends, the "camera" moves outside, and as it goes you can see the word OZ appear above the blackboard. Oz is the land down under, suggesting the classroom stage set is the underworld.

Another clue is the white rabbit pictured on the North-Earth wall behind Alice. In the Alice in Wonderland story, Alice follows the white rabbit down the rabbit hole into a strange realm where many things are backwards. When the lighting dims and the apple drops, Alice is still in the light, and light shines on the white rabbit too, linking them together. This serves to call attention to Carroll's fantasy and perhaps suggest the rabbit is also operating between the realms, as the hare is the symbol of Hermes, escort to the underworld. The rabbit has sinister red eyes. The East-West inversion seem fitting for Wonderland, where things are backwards.

This magick circle seems to be operated by a witch in the underworld, upside down.

I don't know what this means, but I noticed how the exit at the northeast lit up red in the dim lighting of the Alpha state, like there was some kind of polar reversal, flipping North to South.

The pentagram is an important ritual image or object used for invocation and banishing, and we see one in I, Pet Goat's magickal puppet show. The stage is dark, and we see a nearly lifeless George Bush puppet. When the spotlight shines on him, he immediately breaks into a lively dance. The spotlight is the pentagram, and his coming to life is thus attributed to the demonic invocation. Satan was already shown to be pulling the strings.

The apple itself is a cryptic pentagram.

“The apple has been revered throughout history as being sacred of the Goddess. In modern mythology, the apple became associated with the Tree of Knowledge, which Eve took and ate. The reason the apple is considered associated with the Goddess is revealed by cutting through the centre of the apple. Hidden in the apple's core, is a natural pentacle. This is the sign of the Goddess Kore (Core) - the Greek Holy Virgin, the inner soul of Mother Earth (Demeter). Just as Kore the Virgin was hidden in the heart of Mother Earth and represented the World Soul, so her pentacle was hidden in the apple. Kore is also an alternative name of Kali.”

The hexagram is another symbol commonly used in ritual magick for invocation and spell casting, and these appear as the large snowflakes at the lower left of the blackboard.

I want to present yet further evidence of spell casting concealed in the burning house drawn on the blackboard. The roof of the house has a "squared circle inside, which is the essential form of the magick circle. The circle inside the triangle roof suggests the Triangle of Solomon, which is also called the Triangle of the Arts. This is said to be the second most important tool for the Conjuring Magician next to the magick circle. This has to sit outside the circle, perhaps just a few feet away. Demons conjured will appear in the triangle. According to one magician, “Some Magicians such as the Great Crowley would use Fresh Blood of a Sacrificed animal in the Triangle to attract the Demon. For Blood is the Life force and Demons thrive on it. Crowley would Sacrifice three white doves and pour the Blood into each corner of the Triangle... the Demon would stay until the life force was exhausted, then Demon would leave. ” When you look at the burning house, you can look at the red as flames of fire. If you consider the roof as the Triangle of Solomon, you can see the red as the blood of the sacrifice, used to attract the demons conjured.

Well, that's enough of a foundation to segue into the Olympic post, and I'll follow up this one with a few more noteworthy observations about this creepy Masonic Temple-floored scene in future posts, Lord willing.

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