The third season of Girls, Lena Dunham's glorious, truthful chronicle of twenty-something life in Brooklyn, came to an end on Sky Atlantic last night (March 31).

It's always tough to say goodbye before the hiatus, and we've grown more attached than ever after watching all four girls trying – and largely failing – to evolve this season.

Dunham's Hannah had a brief flirtation with a 9 to 5; Jessa (Jemima Kirke) with sobriety and Shoshanna (Zosia Mamet) with partying, while Allison Williams's formerly Type A Marnie became the most dysfunctional of the lot. And every minute was gold.

Advertisement - Continue Reading Below

So to ease the withdrawal symptoms, we've taken a look back over some of the greatest music-based moments from Girls' three seasons.

Hannah and Marnie's spontaneous dancing (Robyn - 'Dancing On My Own')

Hannah's relationship with her BFF Marnie has become increasingly fractious, but this episode-ending moment early in season one was a heartwarming high.

Smarting from a double-whammy of bad news (she has an STD and her ex-boyfriend is gay), Hannah defiantly jams to Robyn's rejection anthem alone in her room, until Marnie returns home to join her.

Jessa and Thomas-John's wedding song (Lady - 'P*ssy Be Yankin')

Nobody was betting on Jessa's shotgun marriage to creepy venture capitalist Thomas-John (Chris O'Dowd) lasting long, but the sheer inappropriate weight of their wedding was really crystallised when this delightful ditty kicked in right after the couple's first kiss.

Advertisement - Continue Reading Below

The lyrics are pretty much the title, again and again and again. Marnie's impromptu moves and Hannah's horror-struck confusion really make this moment.

Hannah in the bath (Oasis - 'Wonderwall')

This charmingly authentic solo scene – as Hannah sings Oasis to herself in the bath – leads into an equally charming bonding moment when Jessa, uncharacteristically fragile after the breakdown of her short-lived marriage, joins her.

This is as close as Girls gets to a sentimental sitcom moment, as the scene fades out to Oasis's original version playing over the end credits.

Marnie serenades Charlie at his office (Kanye West - 'Stronger')

Advertisement - Continue Reading Below

This moment encapsulates the best and the worst of Marnie. Whether you call her driven or painfully try-hard, you can't accuse her of not committing, and she really commits to this horrifically ill-advised Kanye do-over, performed in a last-ditch attempt to win back Charlie in front of his incredulous co-workers.

Marnie's blithe lack of self-awareness, and the way she forges on despite everybody's barefaced horror, is sort of magical.

Marnie's music video (Edie Brickell & New Bohemians - 'What I Am')

Oh, Marnie. So endearingly earnest, so mind-bogglingly oblivious. This wonderfully terrible creation was arguably the worst thing to come out of Marnie's endless on-off relationship with Charlie.

As if being dumped weren't bad enough, she also had to deal with the vitriolic comments the video incurred on YouTube after going viral, and couldn't even ask Charlie to take it down because of the obligatory post-breakup freeze-out thing.

Beach house dance routine (Harry Nisson - 'You're Breaking My Heart')

This season's beach house episode was a series high centred around an age-old dramatic trope – throw a group of people with unresolved issues together in a small space and let those simmering tensions boil over.

Right before the girls finally lay into each other, they join Elijah and his friends in this semi-choreographed dance routine, and despite the playful mood, the track's aggressive lyrics forecast the screaming match that's yet to come.