DSpace Collection:http://hdl.handle.net/2328/548
Tue, 31 Mar 2015 00:27:44 GMT2015-03-31T00:27:44ZEl comincio' liberamente a dire':
Liberalita' e liberta' de poeta. La lezione di Arnauthttp://hdl.handle.net/2328/14491
Title: El comincio' liberamente a dire':
Liberalita' e liberta' de poeta. La lezione di Arnaut
Authors: Coassin, FlaviaSat, 01 Jan 2005 00:00:00 GMThttp://hdl.handle.net/2328/144912005-01-01T00:00:00ZL’ordine delle somiglianze nel "Sorriso dell’ignoto marinaio" di Vincenzo Consolohttp://hdl.handle.net/2328/856
Title: L’ordine delle somiglianze nel "Sorriso dell’ignoto marinaio" di Vincenzo Consolo
Authors: Coassin, Flavia
Abstract: In this paper the analysis of the symbolic and linguistic structures of Consolo’s text reveals its political message, specifically the role of language in constructing, and deconstructing, history and reality.Wed, 01 Jan 2003 00:00:00 GMThttp://hdl.handle.net/2328/8562003-01-01T00:00:00ZMatelda: Poetic Image or Archetype?http://hdl.handle.net/2328/606
Title: Matelda: Poetic Image or Archetype?
Authors: Coassin, Flavia
Abstract: As their recurrence in different epochs and cultures shows, archetypal images exercise a powerful influence on imaginative and expressive modes. This essay addresses the problem, encountered by feminist critics and artists, of how to deal with 'positive' female archetypal images, of which
Matelda (Purgatory XXVIII–XXXIII) is an expression. The analysis of the development of this image and of its interaction with an often contrasting social reality is expressive of the tensions and aspirations at play within a nation's culture. As the longevity of these images resides in their dynamism, women artists, rather than dispensing with them, may find it a more fruitful strategy to transform them by giving them new meanings.Fri, 01 Jan 1993 00:00:00 GMThttp://hdl.handle.net/2328/6061993-01-01T00:00:00ZFemale Voice - Male Rhetoric (Inferno V)http://hdl.handle.net/2328/605
Title: Female Voice - Male Rhetoric (Inferno V)
Authors: Coassin, Flavia
Abstract: We do not encounter many female characters in the 'Comedy', and this is particularly true of the first cantica, so it is significant that Francesca is, in the poem,
the very first soul who speaks, just as it is significant that the first theme to be explored is courtly love. The aim of this article is to discuss Dante's reasons for choosing to explore the theme of courtly love from a female perspective, as this procedure is unusual in the literature of the times, as it is in Dante's case also.Sat, 01 Jan 1994 00:00:00 GMThttp://hdl.handle.net/2328/6051994-01-01T00:00:00Z