The English National Ballet production, a quartet of contemporary ballet and dance works from the ENB’s Liam Scarlett and guest choreographers, is something of a triumph.

There is grace and superb technique in Alina Cojocaru and Fabian Reimair’s performances in Scarlett’s ghostly No Man’s Land, about the loss and longing of men and women separated by war.

Equally compelling are Ksenia Ovsyanick and Junor Souza, who give a mesmerising display of power and characterisation in George Williamson’s brilliant depiction of a decadent society in pursuit of beauty in the Firebird.

But in stark contrast to the lyrical impulses of Scarlett and Williamson it is the shocking tableaux of falling soldiers in Russell Maliphant’s Second Breath that provide the programme with its most sensitive act of remembrance for lives sacrificed.

Akram Khan, dancing in Dust (pictured) and pushing physicality to the very limits, makes an equally striking impression.

In a duet with ENB’s artistic director Tamara Rojo, Khan’s persona appear to be at the mercy of invisible forces in a desolate yet ferocious struggle to survive.

The sombre mood deepens as the themes of love lost and beauty destroyed are explored.

And, as the evening progresses, the sense of impending hell on earth becomes almost palpable.

Runs until April 12. Box office: (020) 7638-8891.

Birdsong is a a powerful representation of life and death on the Western Front during WWI, says SUSAN DARLINGTON: here.