Hamada Shōji, (born Dec. 9, 1894, Kawasaki, Kanagawa prefecture, Japan—died Jan. 5, 1978, Mashiko) Japanese ceramist who revitalized pottery making in Mashiko, where ceramic arts had flourished in ancient times. Hamada was designated a Living National Treasure by the Japanese government in 1955.

Stoneware dish with brush-painted sugarcane pattern by Hamada Shōji, after 1930; in the …

Philadelphia Museum of Art: given by Mrs. Albert M. Greenfield

Hamada studied ceramics at the Tokyo Industrial College (now the Tokyo Institute of Technology) and was also associated with the Kyōto Ceramic Testing Institute. With the British potter Bernard Leach, who also had great influence on contemporary ceramic art, he established a kiln in St. Ives, Cornwall, Eng., in the early 1920s before establishing his own in Mashiko. Leach and Hamada continued their association in the following decades.

Hamada’s work is marked by a simple yet elegant economy of design that distinguished him as one of the world’s great potters. His works are displayed in various museums, including Tokyo’s Japan Folk Art Museum, where he held the post of curator for many years.

...anonymity, functionality, and simplicity as a corrective to the industrialism and self-aggrandizement characteristic of the age. In league with potters such as the British artist Bernard Leach, Hamada Shōji, and Kawai Kanjirō, Yanagi engendered a robust, charming type of ceramic which recalled the wares that appealed to tea masters of the Muromachi and Momoyama periods....