Tag: Music

Due to various circumstances I’ve been very remiss in doing much in the way of writing for the past month, and what little I’ve been doing has largely been things that aren’t ready for public eyes just yet. I did have a chance to review two games over on GameSkinny: Tokyo 42, an interesting but frustrating cyberpunk action game in the vein of Syndicate; and a visual novel about dating girls in North Korea that was bought for me as a dare to review. Never let it be said that I won’t take on such a challenge.

In addition to not writing too much, I’ve not actually had much opportunity to chip away at the backlog over the past month. Instead, I played Final Fantasy 14. A lot of Final Fantasy 14. Talking about my time with that will be the brunt of this article.

There have been a few other games that I’ll quickly go over to acknowledge my playtime. First, my go to aside from FF14 remains Heroes of the Storm, which I’ve still been plugging away at in short intervals and downtime with or without friends. I made it back to Diamond this season after an uncharacteristically good run of placement games (8-2), which was a pleasant return after floating around Platinum for the last couple of seasons. In addition, the upcoming Starcraft hero Stukov is both a huge favourite of mine and is also of my most frequented support role, so I’m looking forward to getting my hands on him.

Beyond those two games, I bought and completed Fire Emblem Echoes: Shadows of Valentia on 3DS. Well, rather, I completed Chapter 5 which is where the plot ends, but I didn’t dabble in any of the post-game stuff. It was a reasonably enjoyable game and I intend to make a post dedicated to it soon.

I also picked up Ever Oasis for 3DS on its release, mostly on a whim. It’s an interesting little game with a mix of Zelda-lite exploration and combat combined with a basic Harvest Moon system of town management. Sadly, while it started out interesting, there’s a few little issues that serve to bog the game down in terms of enjoyment, and it ended up feeling quite shallow and more like busywork rather than fun gameplay. Not sure I’ll get back to that, but again, planning to talk more on that.

Oh yeah, and E3 happened. Naturally I was in no position to attend, being on the wrong hemisphere, but I did pay some attention to it. I was mostly uninteresting by the vast majority of games on offer, but just about broke my chair in excitement when they announced Metroid Prime 4. I’ll most definitely be getting a Switch at some point now, that’s clear enough. Overall though, the presentation was largely meh and didn’t really have many highlights, so I won’t speak too much on this just yet. If anything interesting does come from it, well, odds are I’ll be able to write about those games when I play them.

Today’s post is going to be about something different from the usual discussion and writing about video games that I normally do here. Simply put, I need a place to ramble on about the thoughts, feelings and emotions that I’ve been subjected to by something — this something being a music album — and there’s fewer better places than a blog. Video game stuff will follow along shortly; feel free to skip this one if you don’t want to hear my thoughts on anything else.

Still with me? Alright. First, background information!

So once upon a time in the year 1995, a Dutch musician by the name of Arjen Anthony Lucassen released an album called The Final Experiment under a music project titled Ayreon. This was a progressive metal concept album which told a very interesting sci-fi story and had quite the narrative, with a number of guest vocalists brought on to play the roles of various characters.

The narrative itself concerns the titular Final Experiment occurring in 2084 when, with an apocalyptic war unfurling, humanity attempts to change history by sending a message back in time. This message appears as visions of the destruction to a blind bard in the Middle Ages by the name of Ayreon, who attempts to warn the populace and King Arthur’s court of what he sees.