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Wednesday, October 8, 2014

This October, the Smithsonian Collections Blog is celebrating American Archives Month with a month-long blogathon! We will be posting new content almost every weekday with the theme Discover and Connect. See additional posts from our other participating blogs, as well as related events and resources, on the Smithsonian’s Archives Month website.

When I travel, the first thing on my mind is what I'm going to eat. The minute breakfast is over, I'm thinking about lunch, and then I'm onto answering the eternal question, "How many snacks can I physically manage without getting too full for dinner?" (I truly live life on the edge). I probably have a list of foods to check off in my pocket--I shudder to think of missing out on anything delicious that I can't get anywhere else. That might make me very grumpy.

Unfortunately, I'm no jetsetter, so I get my kicks in my own Washington, D.C. Fortunately, I work at the Center for Folklife and Cultural Heritage, the unit that puts on the Smithsonian Folklife Festival every summer on the National Mall, and for two beautiful and scorching weeks every year I make my way down to the foodways tents to learn how to make something new. As an archivist, I can easily look through extensive documentation of these demonstrations from past Festivals: from the very beginning, the organizers of the Folklife Festival knew that food is one of the most meaningful ways humans can connect to each other.

The fact is, food is still one of the important ways in which people indicate that a guest is welcome in their home. In the Appalachians, Ozarks, Cajun country, Native American communities, and inner-city cultural enclaves, carefully prepared food invariably reaffirms the other assurances that you are welcome.

He also spoke of foodways in the 1971 Festival of American Folklife program book as "the more persistent of cultural traits, lasting among the descendants of immigrants long after language, song, dance, religious and secular rituals have been eradicated or thoroughly diluted." In his introduction to the 1992 Festival of American Folklife Cookbook, James Deutsch, a curator at the Center for Folklife of Cultural Heritage, expands upon this idea:

To be sure, this does not mean that foodways are forever fixed. Like other forms of traditional behavior, foodways adapt to modern technologies and changing environments as they are passed from generation to generation and from group to group. But their persistence and durability are remarkable.

The Smithsonian Folklife Festival has incorporated foodways into its programming since 1968. Every year since, the foodways programming has welcomed the public to discover and connect to food traditions from all over the world. In looking at the documentation and other materials created for the Festival over the years, I gravitated towards the times when the D.C. metropolitan area was celebrated for both its Mid Atlantic-flavored regional cuisine as well as its thriving immigrant cuisine. The Festival has presented DC-centric programming a handful of times over the years, as well as programming featuring locals with ties to the region or group being presented that year. As I've dug in to the program books, cook books, photographs, and audio recordings, I feel the need to dash out of the office and track down the nearest wat, pupusas, and pho or I'm going to throw a tantrum.

When researching foodways in the Rinzler Archives, the Festival documentation is our richest resource. Using the various forms of documentation of D.C.-centric foodways programming as an example, here are the ways in which you can use the Festival in your research.

The photographs in this post represent a small selection of the D.C.-flavored foodways at the Festival. These photographs, in addition to tens of thousands more, are accessible by appointment in the Rinzler Archives.

Many Festival program books are accessible in their entirety online via the Collections Search Center thanks to the efforts of Smithsonian Libraries. Program books provide context and perspective on some of the traditional foods demonstrated on the Mall. In the book for the 2000 Festival, which featured a program called "Washington, D.C.: It's Our Home," a college-aged Michael Twitty writes in his essay "Haroset and Hoecake: The African-American/Jewish Seder in D.C." about the joint Seder dinner held by Shiloh Baptist Church and the Adas Israel Congregation:

Matzo and hoecake sit side by side as breads of poverty and affliction. Parsley is wed with collard greens, symbolizing the bitterness of oppression. Salt water reminds us both of the tears of the Israelites and the waters of the Atlantic during the Middle Passage. Tasting haroset and hoecake, I am reminded that in both traditions food expresses the soul.

For the D.C.-centric 1988 program "African Immigrant Folklife," the essay "A Taste of Home: African Immigrant Foodways" by Nomvula Mashoai Cook and Betty J. Belanus highlights how the city's large African immigrant population has both maintained and adapted their culinary traditions:

Other types of celebrations bring communities together seasonally. one example is the braai, a South African cookout celebrated in the summer. Typically, the women congregate in the kitchen, cooking and singing. The men bond with each other and with their sons while preparing imbuzi ne mvu (goat and lamb) for the barbecue grill with such savory condiments as South African curry or cumin.

Of course, there's nothing better than being physically present for the programming at the Festival, so audio and video documentation can be tremendously helpful if you find yourself without your time machine. Both are available by appointment in the Rinzler Archives, but since you've stuck with this post through to the end, here's a recording from the African Immigrant Folklife Program at the 1997 Festival of American Folklife. In this clip, Jane Musonye of Upper Marlboro, MD demonstrates how to make Kenyan chai tea and coconut mandasi, a kind of sweet fried donut. It's a bit long, but well worth a listen. Being from 1997, some questions like "Where can I find loose leaf tea?" and "Where can I find fresh ginger?" are adorably dated.

It just might convince you to come do research with us (and by "research" we do mean "cut out early and find the best mandasi in town."). If you're not able to come in person, you can still make mandasi and chai at home, using recipes from the Kenyan program at the 2014 Smithsonian Folklife Festival.

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