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"Anaustia is a popular tune, probably from around the XVII century, found in the archives of the Bolivian Jesuit Missions. This kind of Spanish, Latinamerican Baroque music, based on a local tune, was quite common in the 16th and 17th centuries. The words of the tune are in a local Indian language. ..."

Visit Catherine Kauffmann-Saint-Martin’s blog site “Scoop.it!” where you can view a recent video produced by Nicolas Kauffmann of a recent performance by Les Passions of the Vivaldi Concerto in d minor for 2 violins, cello and strings.

For your viewing and listening pleasure, a link to the TUMAPRODUCTIONS YouTube channel where you will find various videos, and, in particular that of Riccardo Minasi and iL Pomo d’Oro short video. You may also want to listen to all of the videos in sequence (an option on that page).

Although the performance has already taken place, for your viewing pleasure, “John Butt introduces the Sinfonia to Cantata 174, Ich liebe den Höchsten von ganzem Gemüte, I love the Almighty with all my heart , which forms part of the closing concert of our Brandenburg - Cantata Series, Sunday 6th of May, at the Queen’s Hall in Edinburgh.”

“Here is a new, or a first (depending on the point of view) video of the ensemble Syntagma. A very beautiful song of Jehan de Lescurel (first third of the XIV th century) in a spirit quite anti-St-Valentin day.” (Syntagma newsletter 19 feb 2012)

“Robert de Visée’s origin is unknown, although a Portuguese origin of his surname had been suggested. He was likely to have studied with Francesco Corbetta. He was first mentioned in 1680, and at about that time became a chamber musician to Louis XIV, in which capacity he often performed at court.

This is the story of a monk who one morning left to meditate at a small nearby mountain and there listened to the beautiful trill of a bird. So beautiful was the birds song that he remained listening for 300 years or more, although to him it seemed only a moment.

Ton Koopman speaks on Bach cantatas and Mr. Koopman’s interpretation of the reasons behind Bach’s strategy of the number of authored cantatas. He also goes on to explain the choice of pitch, instrumentation and performance practice of the day of the cantatas.

“Music-loving psychiatrist, Dr. Ralph Schureck has brought together one of the most important collection in the world. He has the largest collection of early keyboards in Australia, and many are rare and have historical connections. Ralph says that the 1793 Stodart forte piano may have been played by Haydn himself, and is one of only a handful of early English pianos in existence, and the 1816 Broadwood grand piano is a model much loved by Beethoven.“