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Cello Sonata No 1 in E minor, Op 38

Introduction

The Cello Sonata No 1 in E minor Op 38 was started in 1862, when Brahms was not yet thirty, with the finale being added to the long-completed first two movements in 1865. This, his first surviving duo-sonata, is an important work, in some ways a turning-point. His previous sonata had been the Third Piano Sonata, Op 5, a work of tempestuous youth, written in 1853 and prefaced by a quotation from the romantic poetry of Sternau. The cello sonata is utterly different; it is almost an ‘historical sonata’, its roots firmly planted in the music of the past – as if Brahms was turning his back on his wild young self. The only obvious quotation is from Bach’s Art of Fugue (although the main theme of the menuetto bears a strong resemblance to that of the scherzo of Beethoven’s famous Cello Sonata in A major). This is Brahms staking his claim as the greatest ‘classical romantic’ composer of chamber music, a worthy successor to his heroes from other epochs.

The first movement, with its glorious sunset coda in E major (Brahms was the master of musical sunsets) is linked to the other two movements chiefly through the dominance of the expressive minor sixth that makes its first appearance in the second bar of the work, and continues throughout the sonata. The second movement, a charming minuet and trio, seems to pay nostalgic tribute to the world of Mozart – or perhaps to that of Schubert, with whose music Brahms was somewhat obsessed at this period. The last movement, a robust mixture of fugue and sonata form, takes its main theme from Contrapunctus 13 from the Art of Fugue – as if Brahms is looking further backwards in time as the sonata progresses.

Recordings

'In every way these perceptive and well-detailed readings stand in competition with the finest' (The Penguin Guide to Compact Discs)'It is not one of my usual words, but this is phenomenal. Best of the Month' (Hi-Fi News)» More

'deeply considered, immensely satisfying accounts. Isserlis and Hough make a formidable team and I look forward to more duo sonatas' (Gramophone)'[Isserlis's] current recording with Hough displaces all others: at last two musicians have taken this work and delivered a spontaneous stream of musi ...» More

CDS44331/4212CDs Boxed set (at a special price) — Last few CD copies remaining

'The pick of this crop has to be Brahms's Complete Chamber Music from Hyperion. Spanning more than two decades, this box contains the finest, mainly B ...'Immerse yourself in this set of 12 CDs of Brahms's chamber music … in the last 25 years, Hyperion has managed to persuade some of the finest of ...» More