Kharma Enigma Veyron EV-2D Speakers

Description

Kharma Enigma Veyron EV-2D

With every piece of art, the creator has a palette of colour and flavours to choose from, to be able to evoke a feeling of true beauty. During the creation of a high-end audio product, this is not any different. Our Kharma palette consists of more than 30 years of experience, new technological insights and the best-selected materials.

With this generously filled palette, Charles van Oosterum has created the Enigma Veyron line on his journey to realize the Holy Grail in the High-End audio. To create a new level of sound quality and truly offer superior technology that would push the limits of the current dynamic loudspeakers was not an easy task.

Kharma Enigma Veyron EV-2D System features

The loudspeaker cabinets are constructed out of 5-axis CNC-milled Bullet wood parts to not only create the absolute High-End audio experience but at the same time to also evoke a feeling of true beauty while listening.

Although the construction is massive it is still very elegant. The speakers are decoupled from the surrounding by a minimum contact surface created with Carborundum balls placed on Diamonds. The new spike disk suspension system is fully integrated into all Enigma Veyron loudspeakers. The combination of the hardness, shape and acoustical properties of the materials used, have realized the ultimate freedom of resonances.

This is one example of how Kharma has pushed the limits for each component of the Enigma Veyron system. The sound representation and aesthetical beauty is overwhelming and certainly beyond imagination.

Drivers

The bass and midrange section of the Veyron are formed by the exclusive Kharma Omega F Drivers. The F stands for 0-Foucault currents, which is a novelty in the audio world, because for the first time no iron is used in the magnet motor-system, avoiding any interaction. Normally the voice coil induces a Foucault-current into the iron parts and that current induces back distortion into the driver-coil, which will distort the original signal by definition. This is now completely gone and the result is a higher resolution, more micro and macro dynamics, faster transients, more richer spectrum of tonal variations from the music itself, more natural, explosive and realistic sounding.