The Practice of Headhunting

It is a fact that unusual or bizarre behaviour in other humans has the ability to both fascinate and repel us, and the practice of headhunting easily falls into this category.

Head taking has been practiced by numerous people throughout the world from ancient times all the way into the 21st century. The term describes the practice of cutting off and preserving the head or skull of another human being, usually a fallen enemy. But why do people take heads?

Head hunting may have originally evolved from cannibalism. Many cultures believed that the head represented the core of the personality and to take it was therefore both an act of violence against and an insult to the victim. It was a common belief that the soul was concentrated in the head and that taking an enemy's head therefore weakened the enemy's entire community. In many headhunting societies taking a head was considered a rite of manhood, denoting the transition from childhood to adulthood, and young men were forbidden to marry until they had claimed one. Victorious hunters would collect heads as trophies and display them prominently to enhance their personal reputations and that of the tribe as a whole, with the added bonus of helping to intimidate current and future enemies. Headhunting has a long history as a supremely effective weapon and those that practiced it often enjoyed very fierce reputations as warriors.

Given this fascination with headhunting practices, it is hardly surprising that artefacts collected from head taking tribes are particularly desirable to collectors around the world. The fascination extends to the paraphernalia associated with taking heads, either to do with the act itself or objects denoting the status of warriors and their families within the headhunting community. In tribal societies ornaments symbolise valorous deeds, social status, wealth, and clan identification. Such ornaments include weapons, carved objects, weavings, headdresses or jewellery, and sometimes the heads themselves.

The taking of heads was once far more widely practiced than it is today. The spread of colonial rule in the 1800's and the unceasing vigilance of Christian missionaries resulted in a great reduction of head taking peoples to a handful of tribes in South America, Burma, Assam in India, Taiwan, the Philippines, highland Melanesia and Indonesia.

Only one group is known from recent times to practice the ancient art of shrinking human heads (tsantsa).They are the Shuar and Jivaro Indians who live deep in the Ecuadorian and Peruvian Amazon. Their practice is to preserve the skin alone and to produce a shrunken head the size of an orange. Interestingly, the arrival of Westerners resulted in a significant increase in head hunting as Europeans, ever fascinated by violence, provided an eager market for the shrunken curiosities and traded them for firearms and ammunition. Eventually the Ecuadorian and Peruvian governments passed laws banning the export of human heads. Once sold for mere dollars, shrunken Jivaro heads now command prices of thousands of dollars each.

A Jivaro shrunken head, located in the Pitt Rivers Museum, Oxford. Photo courtesy of Narayan

Many of the Philippine tribes engaged in head taking practices, including the Bontoc (Illongots), Kalinga, Ifugoa and Ga'dung people of Northern Luzon. Hardy farmers, they built incredible stone-walled rice terraces thousands of years ago that now form one of the seven man-made wonders of the world. They were also fierce headhunters. The killing of a tribesman was avenged by taking the head of a member of the killer's tribe, resulting in a vicious circle of revenge and war that could last for decades. In addition to being a matter of honour, headhunting was regarded as a great sport that all young warriors could participate in and use to increase their social standing. The undertaking of an expedition involved considerable ritual as well as the careful observance of positive and negative omens. Enemy villages were raided at dawn and a triumphant result was followed by days of feasting and dancing. Successful hunters were tattooed with special blue markings, but also took a piece of the skull, usually the jawbone or the top of the cranium, and fashioned it into a gong-handle. These gongs were then hung as status symbols of great importance on the walls of the warrior's homes.

Today these peoples adhere to a mixture of Christianity and traditional animist beliefs. While the practice of head taking became rare in the 1970's, even today it is considered an acceptable act of revenge. Locals in Bontoc province note anecdotally that young "warriors" sometimes lie in wait for a rice farmer on the terraces to shoot him dead, taking his head in a grisly modern ritual of peer approval. Police investigate the incidence of all headless bodies by examining local youths for new tattoos as a means of finding culprits, however the young men find new ways to mark themselves that are not familiar to the police.

In Taiwan the highland tribes were considered notorious for their skill in headhunting. Here, headhunting was considered synonymous with bravery and valour. Often the heads were invited to join the tribe as bona-fide members to watch over them and keep them safe. Heads were boiled and left to dry, often hanging from trees or head shelves and a hunting party returning with a head was cause for great celebration and rejoicing as it would bring good luck. Chinese settlers were frequent victims of headhunting raids as they were considered by the tribes to be aliens, liars and enemies. It was also customary to raise the victim's children as full members of the tribe. Japanese suppression ended the practice by 1930.

Until the early 1900s parts of the Solomons archipelago were inhabited by groups of head-hunter warriors who employed narrow and lightly built canoes in their war raids. Head-hunting was practised to gain prestige and mana, or metaphysical power, thought to derive from success in fighting. Much of the tribes' ritual life related to the head-hunting complex, involving a host of artefacts ranging from weapons and charms to the war canoe. The end of head-hunting took place around 1910 with the intervention of the British navy and the entrenchment of the Seventh Day Adventist church. Headhunting practices and rituals were quickly abandoned, artefacts hidden or destroyed, and war canoes burned. Even the practice of woodcarving fell out of use. The selling of old artefacts was considered quite acceptable for it was a means of repudiating the old religion and such artefacts now command very high prices on the open market.

Borneo is the third largest island in the world and is inhabited by the Dayak, a collective term used to describe a variety of indigenous native tribes. The Dayaks are animists who believe that everything living - animal, vegetable, or human - is endowed with a spiritual identity. One of the souls of a person is believed to reside in the head and by taking a person's head you capture their soul as well as their status, strength, skill and power. Once taken and preserved, human heads and their spirits became adopted members of the group. In the eyes of the gods and ancestors, the taking of fresh heads was pleasing and rewarded with gifts. In addition a man's status was not established until he had hunted successfully. The most important symbol marking this participation was the tattoo, but carvings of Hornbill bird beaks were also very important in rites and ceremonies. The heads themselves were displayed in the village longhouse. The more heads a warrior collected, the higher his prestige and social status.

Headhunting is outlawed by the Malaysian government, although a brutal ethnic war between the Dayaks and immigrant Madurese in recent years has resulted in an upsurge in head hunting and cannibalistic practices. Dayak head taking swords, called mandau, are well known to collectors as beautiful relicts of a largely bygone way of life.

Young Dayak headhunter displaying trophy heads: Every year or two the Dayaks hold a feast called Gawai Autu in honour of the departed spirits which they believe surround the heads which hang in their houses. In this manner they hope to keep in favour with the spirits and so have good fortune. Picture courtesy of Tropenmuseum of the Royal Tropical Institute

The head taking practices of the tribes of New Guinea are still changing with reference to the modern world. Headhunting raids are now frowned upon by government authorities and religious organisations, although tribal customs remain deeply entrenched. In the past when community longhouses were erected, a freshly procured human head was buried under each post. Since wooden structures were exposed to extremely humid conditions and continuous termite activity, frequent replacement and therefore a great many heads were required. These days, trophy heads are carved from wood and placed in the post holes as substitutes. Head hunting horns from New Guinea, made from bamboo and beautifully carved, are highly desirable collector items. Their function was to be blown on entering battle to startle the enemy during a raid and to be blown triumphantly on the return of the raiding party to announce their victory to the waiting village.

Old men head hunters of the Ouroun people of Papua New Guinea. Picture courtesy of Janes Oceania

We come now to one of the most recognised head hunting people in the modern world, the Nagas. Radically different from the other Indian ethnic groups and closely related to the Chin and Kachin people of Burma, the Naga tribes, of which there are approximately 40 distinct groups, live in the mountains of north-east India. Head-hunting was an important practice to them, as the success of their crops depended on a sprinkling of blood from a stranger over the fields. Head taking was also vital to ensure the health of the community and the vitality of the village as a whole.

Once certain tattoos showed the wearer had taken an enemy's head. Costumes and ornaments of hair, fur, shells, teeth, cane, ivory, carved wood and monkeys' skulls were worn not only for aesthetic effect, but possessed great power in their own right. The taking of heads and or the giving of mithun feasts ( a best similar to a yak crossed with a buffalo) earned Naga warriors the right to wear distinctive and powerful ornaments, which in turn gave them higher status within the tribe.

Early Nagas of the Tangkhul tribe. Photo by R.G. Woodthorpe, c.1873-1875

Cultural changes came with British rule and the inevitable Christian missionaries and head-hunting was outlawed in the late 19th Century, although it was not until the early 20th century that the practice finally ceased. Because much of the power in their ornaments was associated with head taking, the Nagas largely lost interest in their traditional forms of adornment and decoration. However scholars and collectors of tribal art recognise the jewellery and beadwork of the Naga tribes as the most beautiful and elaborate ornamentation of any of the extant tribal cultures. There are now very few authentic items to be found in Nagaland itself, although many fakes are being made in New Delhi and Nepal to satisfy an ever-growing market for the unusual and exotic. Needless to say. the value of authentic Naga pieces continues to grow as the world shrinks ever smaller in size, and as the purpose behind their construction is lost to living memory.

Since head taking has been outlawed, Nagas attach monkey skulls to their "head taking" baskets instead of human skulls. Photo by Kip Winsett

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Kashgar began through a love of travel. Bernard packed in his house painting business and set off for two years on a backpacking trek to the remotest corners of the world. When he arrived in the oasis city of Kashgar (or Käshí) in Xinjiang Provence, China after an extended period of very rough travel, he was so impressed with the history of the region that he decided on the spot to start a new life collecting and selling exotic goods from all over the world. Kashgar is a legendary city, famous for over 2000 years as a melting pot both for revolutionary ideas and new concepts, but also as the key trading post on the Silk Road. It was this unique combination of philosophy and exotica that Bernard wanted to recreate at home. Starting in markets in 1991, he opened his first store in the Sydney suburb of Newtown in 1994. Fascinated by his travels, I gave up my career as a government scientist to join him sixteen years ago and soon convinced my partner Ian to join us in what has since become The Family Business.

Today our version of Kashgar stocks a hugely diverse range of furniture, rugs, textiles, antiques, handicrafts and jewellery sourced from over twenty different countries including India, Nepal, Tibet, China, Thailand, Burma, Laos, the Philippines, Vietnam, Mexico, Peru, Turkey, Palestine, Syria, Afghanistan and Turkmenistan. Our 2000-piece collection includes contemporary and tribal silver and gold jewellery, a unique range of headhunting curios, antique Buddhist relics and a collection of one-off necklaces and bracelets that I design and create myself using the beads and jewellery making techniques of ethnic minorities from around the globe.

Kashgar is a philosophy as well as a store. We are committed to supporting traditional artisans and small village communities by selling authentic handcrafted goods which are personally collected by us. By supporting traditional methods of design and production we hope to encourage local cottage industries which have a low impact on the environment and help ethnic minorities maintain their self-sufficiency into the 21st Century. We are particularly committed to assisting women around the world and to this end have worked with several organisations including the Hua Bin Women's Union of Vietnam, the East Timorese Women's Association and Tikondane in Zambia. Time honoured means of craftsmanship and traditional ways of life are disappearing as people all over the world give up their identity in favour of jeans and T-shirts. We see our trade as a means of staving off the inevitable encroachment of the 21st century, assisting communities to decide for themselves which parts of the western world they wish to incorporate (medicine, education) and which they wish to reject (prostitution, begging, servitude to warlords). We encourage our customers to think of the handicrafts and artifacts they buy from us as an investment: a piece of history and a way of life that may soon be gone forever.

Kashgar currently has one retail outlet in Sydney. Our pieces have appeared as props in movies such as The Hobbit, Mission Impossible 2, Queen of the Damned, Scooby Doo, Moulin Rouge and Wolverine, and in series such as Farscape and Beastmaster, as well as in a large number of plays, commercials and exhibitions. We are occasionally commissioned to find special pieces for individual customers as well as for film sets, event management companies, hotels, businesses, consulates and embassies. The uniqueness of our stock means that we are also very appealing to interior and fashion designers with a taste for the exotic.

There is something for everyone at Kashgar - collectors, the curious, those looking for a special present or for something unique to adorn the home. New stock arrives all the time, and most of our items are one-off specialties; other pieces we only stock in small quantities so as to continuously offer a wide and ever-changing range of interesting products. We are also packed with ideas for decorating home and work premises that will challenge your established concepts of design and storage.