Having trouble viewing this newsletter? Read the latest issue online athttp://www.digital-slr-guide.com/dslr-news.html or read back issues

If someone you know has forwarded you this newsletter and you've enjoyed it, subscribe now to receive the next issue when it's published.

DSLR News - September 2008

NOTE: Sorry for the delay releasing this newsletter - September was VERY busy (see the Conclusion section)

As we zip into the last quarter of 2008, I decided that now would be a good time to reflect on what important changes have taken place in the digital SLR market this year - and what's to come.

I've mentioned this before in the newsletter, but it bears repeating: the reason that 2008 has been such a banner year for digital SLR camera development is because of two trade shows. One is called PMA - which was held toward the beginning of the year - and the second is Photokina - which took place at the end of September.

While PMA is an annual conference, Photokina only comes along once every other year, and camera manufacturers relish releasing shiny new products for both shows.

Photokina in particular seems to generate a lot of technical innovation, and cameras are often released prior to or shortly after that break new ground in digital imaging technology.

This year has been no exception to this rule.

In 2008, we'll see the confirmed release of 15 new digital SLRs (with a few more possible surprises to come out late in the year):

Canon XS (1000D), XSi (450D), 50D and 5D Mark II

Nikon D60, D90 and D700

Olympus E-420 and E-520

Pentax K200D and K20D

Sony A200, A300, A350 and A900

These cameras span the range from those designed for digital SLR newcomers (the Canon XS, Nikon D60, Pentax K200D and Olympus E-420), ones for more advanced photographers (Canon XSi, Canon 50D, Nikon D90, Pentax K20D and most of the Sonys) and those for semi-professionals (Canon 5D Mark II, Nikon D700, Sony A900).

The general trend in all of these cameras is a good one: higher image quality.

The latest crop of digital SLRs help you capture better photos in a variety of ways:

Sensor technology has improved, yielding clear, bright images even in very dim light

Image stabilization (built into the camera or in the lens) is now quite common

Dust control systems - not widely available a year ago - are now a standard feature

And the best part: despite all these technological advancements, the overall price of a new digital SLR continues to drop. Don't get me wrong - these cameras are still a major investment - but today you can get a full-featured SLR for a lot less change than if you'd purchased a new model last year.

Of course, if you don't need a gazillion features on your camera (and have no desire to wade through a 200-page manual) then opt for one of the entry-level cameras which are approaching the prices of high-end compact digital cameras (but with all the advantages of an SLR).

Coming Soon

Digital SLR Q & A

Question: What is a full frame digital SLR?

Answer

A full frame digital SLR camera is one that has a sensor that is the same size as a single frame of 35mm film.

The vast majority of existing digital SLR cameras have sensors that are smaller than film: this results in something called crop factor (also called focal length multiplier).

Essentially, when you use a lens that was originally designed for a film SLR camera on a digital SLR, the reduced sensor is capturing a cropped view of the image passing through the lens. This results in an artificial "zoom" effect which enhances the telephoto properties of the lens attached to the camera.

NIKON EXAMPLE

A frame of 35mm film measures 36 x 24mm

The sensor inside a Nikon digital SLR measures 23.6 x 15.8mm

The 35mm film is approximately 1.5 times larger than the digital sensor

A 50mm lens used on the DSLR captures photos more like a 75mm lens on a film camera (50 x 1.5 = 75)

Full frame digital SLR cameras do away with all this number crunching: a 50mm lens on a full frame digital SLR captures images just like a 50mm lens on a film SLR. Zero difference.

Along with the reduced need for mental gymnastics every time you attach a lens to your camera, full frame SLRs come with another benefit: improved image quality.

Full frame cameras are able to achieve better image quality because the digital sensor is physically larger than it is in most other standard digital SLR cameras.

Sensors are made up of tiny light-gathering elements called pixels. Let's say you're comparing two digital SLR cameras with 10 megapixel sensors: one is full frame and one is not. For the camera with the cropped frame, the same number of pixels must be crammed onto a sensor with less surface area. The end result: smaller pixels that generate more image noise every time you take a picture.

Almost non-existent a year ago, full frame digital SLR cameras are now starting to pop up with greater frequency: three introduced this year include the Nikon D700, Sony A900 and the Canon 5D Mark II.

For now, these SLRs with large sensors are exceptionally expensive relative to their reduced-frame alternatives and their features place them into professional photographer territory.

But as more film SLR photographers make the transition to digital in the years to come (and want to leverage their collection of film lenses without having to do a lot of math), expect to see many more full frame digital SLRs with reduced prices geared for amateur enthusiasts.

DSLR Cheat Sheet

This month the digital SLR cheat sheet will tackle a tough photographic issue: how to capture action in dim light.

The reason that this is a tough photographic issue is because you are fighting against your camera's natural tendency.

When there's not a lot of available light, the first option many an SLR will choose (when left to its own devices) is to slow down the shutter speed.

Past issues of this newsletter have delved into the result of slow shutter speeds: image blur.

In this case, we're trying to prevent the former and the ONLY way to do this is to use a FAST shutter speed (that fancy image-stabilized camera or lens isn't going to be a bit of help in this scenario).

The trick: you're going to have to squeeze every last ounce of shutter speed out of your camera that the lighting will allow.

SETTING #1
The first setting to adjust is the camera's aperture: open that lens up as wide as it will go so that it's letting plenty of light through to the sensor.

Set your camera to Aperture Priority mode

Spin the main control dial so that the aperture number is as SMALL as possible

Note: a SMALL aperture number indicates a WIDE opening of the lens.

SETTING #2
The second setting to fiddle with is the ISO: an increase in ISO makes the sensor absorb light faster which means that it requires less time to absorb the same amount of light. Net result: faster shutter speeds.

With the lens aperture open as wide as it will go, and the ISO set to a low value (100 or 200) aim the camera at your subject

Press down halfway on the shutter release button to get an exposure reading

Note the shutter speed

If the shutter speed is too slow (resulting in subject motion blur) then increase the ISO setting (i.e. from 200 to 400)

Take another meter reading until you feel the shutter speed is fast enough to freeze your subject in motion

EXAMPLE
For this photo of my dog leaping off the wall in our backyard, I knew that I'd need to use a shutter speed around 1/1000th of a second to freeze him in midair.

I opened the lens aperture to f/4.5 and set my ISO to 1600, which resulted in a shutter speed of 1/4000.

What Do You Need?

Here's a fun one (and a question I NEVER thought would come up with digital SLRs): Do you need your SLR to capture both stills and video?

For a long time, the digital SLR camera was the domain of the photo purist: they took pictures and that was that.

If you wanted to grab some frames of video you could either use a compact digital camera or - for better quality - you could purchase a dedicated video camera.

Well, the times they are a changin'.

The release of the new Nikon D90 took the old assumptions about what a digital SLR camera was good for and threw them out the door. Simply put: the Nikon D90 is the first digital SLR that captures both photos and videos.

If you thought that was the end of it, you'd be wrong. Hot on the heels of the arrival of the D90 comes the new Canon 5D Mark II: another camera that captures stills and video.

And this isn't your compact digital/straight to YouTube video either: the D90 can capture video in both standard format as well as High Definition widescreen (also called 720p) for display on modern flat-panel television sets. The Canon 5D Mark II takes this a step further, capturing High Def video at 1080p.

It all sounds good on the spec sheets, but is it really necessary?

I say this so much I should put in on a T-shirt: a lot depends on what you want to photograph.

For example, the die-hard landscape photographer won't get a ton of use out of the video features available on these cameras. For portrait and family photographers (like myself) it's quite wonderful.

I have lost count of the number of times during a photo session with my kids when I've wished I had a video camera instead of an SLR. They are those times when video is worth a thousand pictures, where the audio and motion that goes with the scene is so much more important than a single still frame.

If you want to be able to switch back and forth between the two formats without having to have multiple cameras hanging from your shoulders, then a digital SLR that also captures video might be just what you need.

Links

The following collection of links will help to keep you posted about what's new at the Guide and in the world of digital SLR cameras.

In Conclusion

My apologies for the delay in getting this newsletter out - September was just one of those months.

I just HAD to get my hands on the new D90 so that I could write up a guide for it and that has been consuming a lot of time. When you throw in a bout of illness plus a slew of new cameras recently announced, the month just slithered away from me.

All this means is that you won't have to wait so long until the next digital SLR newsletter.