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Preferred Citation

Mario and Ruth Chamlee Collection, ARS-0003. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries,
Stanford, Calif.

Biography / Administrative History

Mario Chamlee (1892-1966), tenor, was born in Los Angeles, May 29, 1892. His original name was Archer Cholmondeley. He first
studied voice with Achille Alberti in Los Angeles, and later with Sibella and Dellera in New York. He made his debut in his
native city in 1916 as Edgardo in Lucia di Lammermoor. A year later Mr. Chamlee went on tour with the Aborn Opera company
where he sang with soprano Ruth Miller who in 1919 became his wife. With his two-year military service, during World War I,
his singing career came practically to a total halt. Upon his return to the US in 1919, however, Mr. Chamlee devoted himself
to developing his operatic talent. Engagements followed with various opera companies in the US, the Scotti, Metropolitan,
Ravinia summer opera in Chicago, San Francisco, and in Europe. Perhaps his most acclaimed appearance was in Henri Rabaud's
Marouf at the Paris Opera. Mario Chamlee retired from the opera stage at the age of 47. He subsequently devoted himself to
singing popular songs, taking part in talk shows such as Tony and Gus, and teaching voice together with his wife. He recorded
exclusively for Brunswick records.

Ruth Miller (1892-1983), soprano, was born in Portland Oregon on July 1, 1892. She studied in Paris with Lloyd d'Aubigne,
Emile Bourgeois and Giovanni Sbriglia. She sang as lyrical and coloratura soprano, under the name of Francesca Milena, in
various French and Spanish theaters starting in 1912. Her American debut was in 1917 with the Aborn opera company where she
sang with baritone Richard Bonneli and tenor Mario Chamlee. She sang only one season with the Metropolitan opera (1917), appearing
as Musetta in La Boheme. After marrying Mario Chamlee in 1919 she gave up her operatic career, and dedicated herself to teaching.
Among her most successful students is the baritone Theodor Uppman. Examples of her singing appeared between 1940-54 under
the IRCC label.