May 15, 2010, 4:28 pm
I had occasion to become familiar with Lightroom recently. A friend loaned me a Canon 5D and I wanted to look at the raw files I was making. Adobe is running a public beta for Lightroom 3 and I downloaded it. What a slick piece of work. The first time you use it, overlays appear above the interface explaining how it’s organized and giving you enough information to get started.

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February 27, 2018, 10:29 am
In 2016, Bryan Grill explained the work of Scanline VFX on INDEPENDENCE DAY: RESURGENCE. He then worked on POWER RANGERS. He returns to the Marvel universe with BLACK PANTHER.

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February 27, 2018, 6:49 am
Community member Trond Nedberg sent in a question, which we touched on in Podcast 307 and promised to explore in a separate article. Trond asked about how the linking in Pro Tools actually works when using multi-mono instances of plug-ins especially with regard to plug-ins with side-chains as it appears that Avid is using parameter linking rather than side-chain linking. Over to you Trond...

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February 27, 2018, 6:49 am
This is Allan McKay. Welcome to Episode 129! I’m speaking with Jason Martin, the Creature Lead with id Software on Doom. He has also worked for Blur Studio. I’m really excited for this Episode to be coming out. We actually recorded it a while back. We talk about his background and a lot of insight on his workflow and projects. I’m excited to get this Episode out!

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February 27, 2018, 6:48 am
Years ago before the release of Final Cut Pro X but after the first announcement many editors, myself included, were excited about this new Auditions feature that FCPX was going to contain. It looked to be some new thinking on ways to look at … audition … different takes or different shots in an edit. In reality the FCPX Auditions feature is probably underused as it’s a bit clunky to setup and execute.

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February 27, 2018, 6:48 am
Sennheiser is showing a range of its solutions at BVE this week such as the EK 6042 two-channel receiver for broadcast cameras and the Digital 6000 wireless microphone system, both of which benefit from recent upgrades.

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February 25, 2018, 6:34 am
At Saturday’s Cinema Audio Society Awards, “Dunkirk” edged out three of its Oscar rivals for Best Sound Mixing — “Baby Driver,” “The Shape of Water” and “Star Wars: The Last Jedi” — as well as “Wonder Woman” for the top award. The CAS snubbed “Blade Runner: 2049,” which won big with the Motion Picture Sound Editors on Feb. 18