Aimed at enthusiasts, Canon’s latest iteration of the mirrorless M-series contains the new 24.2-Mpix APS-CMOS sensor and Hybrid CMOS AF III 49-point AF system found on the EOS 760D (Rebel T6s) and 750D (T6i). There’s also an articulated touchscreen LCD and built-in Wi-Fi with NFC, but it’s still not officially available in North America. Read on to find out how well this new model’s sensor performs.

Announced in late 2014, the SX60 HS features a physically small 1/2/3”-type 16-Mpix CMOS sensor behind an incredible 65x optical zoom — the equivalent of 21-1,365mm — which is both stabilized and equipped with a sonic-type motor that promises near-silent, high-speed AF. Read on to find out how well the sensor of this intriguing model performs.

Back in 2013, Nikon introduced its first AF super-telephoto with fluorite to reduce the weight while also suppressing color blurring with the 800mm f5.6E FL ED VR. The 400mm f2.8 is the second model in the maker’s super-telephoto lineup to undergo the same treatment. Read on to find out how well this substantially revised lens performs.

As for imaging process, the Moto X Style offers a 21-Mpix camera with a wide-angle lens, rapid autofocus and low shutter lag, plus a color-balancing built-in flash. In our industry standard photo and video tests, consisting of real world use and stringent lab analysis, this new Moto achieves some highly competitive results, proving that there’s no distinction between style and substance.

The EOS 7D Mark II is Canon’s flagship APS-C sensor DSLR, boasting a 20Mp resolution and a host of high-end features. It’s a popular choice for many serious enthusiasts and semi-pro photographers, so we’ve tested over 300 lenses on it to help you pick out the best one for you. In this first part of a two-part review, we round up the best zoom lenses for the Canon EOS 7D Mark II.

In addition to revamping the premium-quality Zeiss-branded Vario-Sonnar 16-35mm f2.8 ZA SSM, Sony took the opportunity to do the same with its 24-70mm f2.8 sibling. Read on to find out how well this updated lens performs.

Although Sony has concentrated on the E-mount lens range for their mirrorless Alpha range, it hasn’t entirely forgotten the A-mount lens range. This lens is an update to the highly-regarded Zeiss-designed full-frame 16-35mm f2.8 SSM model. Read on to find out how well this updated zoom lens performs.

Launched at the same time as the 50-MPix EOS 5DS and 5DSR DSLRs, the EF 11-24mm f4L USM is the widest rectilinear lens for photographers in the world. Read on to find out how well this brand-new model performs.

Sony has started to round out the E-mount lens range for their innovative full-frame A7 bodies and APS-C format cameras, and this new 1:1 stabilized macro lens looks to be a promising addition. Read on to find out how well this new model performs.

The original stabilized EF 100-400mm f4.5-5.6L IS USM was a favorite of wildlife and action photographers, but as one of Canon’s oldest telephoto zoom models, a replacement was well overdue. Announced towards the end of last year, the updated model features a completely revised optical formula and replaces the traditional one-touch control mechanism with a conventional two-ring design. Read on to find out how well this new model performs.