toronto

Today’s schedule had me down for 5 films…and though I got into the fifth, I just wasn’t loving it enough to stick around (thus I won’t review it). Instead, I’ll go over the four films I screened in their entirety.

THEIR FINEST was my first screening at 9:30am, and it was packed in one of Scotiabank’s biggest venues. Lone Scherfig (AN EDUCATION) delivers a very solid film about the film industry in England during WWII. The story centers around a female writer who is initially hired to help write and flesh out the female voices just as the industry is also realizing that they need to make a picture that boosts morale on the homefront. Bill Nighy, who plays an egotistical old pro actor, is a scene-stealer…and the film will be an crowd-pleaser. Full of nostalgic winks and nods as well as colorful characters, this is an “acquisition title,” and I believe it will get picked up. There’s no trailer yet for THEIR FINEST…so a photo will have to do at this point.

Their Finest Hour and A HalfDirected by Lone Sherfig

MAUDIE, a biopic about Canadian folk artist Maud Lewis, was next on my list. With an outstanding performance by Sally Hawkins which is touching, physically demanding and full of hysterical funny moments that make Maud all the more endearing, the film is about Lewis’s relationship with her husband (played by Ethan Hawke) and her rise to fame in the art world. Challenged by childhood rheumatoid arthritis, everything from daily chores to even holding a brush look painful for Maud – but we fall in love with her desire to paint on just about any stationary object. Directed by Aisling Walsh (she’s done a lot of television work including FINGERSMITH with Hawkins), this is a slower character piece – but I think it could easily find an audience with Neon patrons. There’s no trailer for this film yet, but here’s a clip.

Once in a while at TIFF, I let myself see a big, splashy Hollywood movie. One that clearly won’t be coming to THE NEON, but one that’s receiving some critical buzz. A couple years ago, it was GRAVITY…this year, it was another sci-fi film – ARRIVAL, directed by Denis Villeneuve. Though I can rattle off a handful of sci-fi films that I greatly admire, this isn’t a genre that usually attracts my attention, and this alien film intrigued me because it wasn’t going to be full of explosions and battle scenes. Amy Adams plays a linguist who is hired by the government to attempt communicating with aliens who have landed 12 ships around the world. There’s some really lovely work happening in this film – from the central performance to terrific special effects. But there’s also some clunky ideas (especially in the third act) that keep me from embracing the film. I realize that many, many people will love this one…but it’s not for me.

My last full film of the day was THE SALESMAN, directed by Asghar Farhadi (A SEPARATION and THE PAST). The film opens with people needing to evacuate their building as it is beginning to crack and may soon crash. We follow a young theatrical couple (who are mounting a production of DEATH OF A SALESMAN) as they are displaced and soon find a new apartment that was formerly inhabited by a prostitute (though they don’t know that immediately). An incident in the new place leaves the couple forever changed, and the film then becomes a subtle thriller. With narrative elements and themes that I greatly admire, this film is well-done and solid – though not quite up to par with his previous two films due to a somewhat strained final act. There is no trailer yet for this film, but here’s a clip:

I wrapped up the night by attending a low-key party for lgbt industry folks. I was glad to meet a few new people, and I’m crawling into bed before 2:00…so glad tomorrow is the last day I have to get up before 7:00.

With the pass that I have, I can screen as many “press/industry screenings” that I’d like during the festival. That said, those screenings are just screenings. It’s awesome to have the opportunity to see so many films with an audience, but part of the reason I come to a festival (people come for a variety of reasons) is to hear filmmakers talk about their craft. Thus I have the opportunity to obtain two “public screening” tickets per day. Public screenings are the fun, glamorous screenings where they roll out the red carpet and hold Q&A’s with directors, producers, screenwriters and actors. These tickets are only available two days in advance of each screening, so I find myself in line every day during the festival…usually before 7am.

This morning, I was out to obtain tickets for Barry Jenkins’ MOONLIGHT and a curated interview with Isabelle Huppert. Both take place on Saturday…and I got both!

Then I was off to my first screening at 9:00am – Kenneth Lonergan’s MANCHESTER BY THE SEA. This film had a lot of tonal qualities of Lonergan’s first feature – YOU CAN COUNT ON ME. With a wonderful central performance by Casey Affleck (and a spectacularly touching small role by Michelle Williams), the story is about a man who seems to lead a rather thankless life of mundane routines (he’s a janitorial handy man for an apartment complex). When he gets a call that his brother has passed away, he is forced to confront lingering pain from his past – told through a series of flashbacks. Though I thought the film was a bit overscored, the drama really works and the story unfolds in a lovely way. There were a couple moments of schtick that I thought seemed a bit out of place – but so is life. I think this film will go far.

Olivier Assayas’ PERSONAL SHOPPER was next on my list. This non-traditional ghost story had me teetering back and forth throughout…I was invested, I was raising my eyebrows, I was intrigued, I was disappointed…and then I ultimately was sold by the final 10 minutes. Kristen Stewart gives a great performance as a woman who shops for high-end designer clothing and jewelry for a wealthy client who is always on the go. She’s also a medium. While trying to connect to the spirit world for a client, she’s also hoping to catch a sign from her recently deceased brother. Assayas’ previous work included THE CLOUDS OF SILS MARIA (with Juliette Binoche as well as Stewart) and of my favorites from TIFF in 2008 – SUMMER HOURS. This film won’t go down as one of my favorites, and I know many people will be quite disappointed, but I was a fan by the end.

The third film of the day for me was Terence Davies’ A QUIET PASSION – a film about Emily Dickinson starring Cynthia Nixon. The film opens in a sort of parochial school. A teacher asks students who have given themselves to Christ to go to one side and for students who are still working toward giving themselves to Christ to the other. Left in the middle is one student – a young Emily Dickinson (at this point played by Emma Bell). The dialog is sharp and thoughtful (one of the best strengths throughout the film), and the teacher eventually tell Dickinson, “You stand alone in your rebellion.” This telling line haunts the remainder of the film. Though I found some filmmaking devices to be odd choices (one superimposed was particularly weird), it’s ultimately a thoughtful and visually stunning film with wonderful performances and some very funny moments due to razor sharp dialog.

The official “Opening Night Film” was a big Hollywood remake – THE MAGNIFICENT SEVEN, directed by Antoine Fuqua (SOUTHPAW, BROOKLYN’S FINEST) and starring Denzel Washington, Chris Pratt, Ethan Hawke and many more. Here’s the point that some of you might find disappointing…I left 20 minutes into the film. (I almost never write about films that I don’t finish.) I went to the Opening night with my friend Glenn Kiser – a great filmmaker who attended The Dayton LGBT Film Festival with his short film SABBATICAL. We had “great” seats – very close to the stage…only paces from all of the stars and director. The movie started an hour late and the speakers were above us – thus pushing the sound far behind us and bouncing off the back walls. Having difficulty understanding any of the dialog, we decided to leave. Not being a film I would seek out under any other circumstances, I wasn’t disappointed…it gave me a great opportunity to catch up with Glenn and finally grab dinner.

At the end of the day, I’ll simply say I’ve seen 3 films (and a dozen stars) so far.

I made it to Toronto with minimal delays…and made my way to the Industry offices to pick up my credentials and begin the madness. This is just an intro! Watching movies actually starts tomorrow (Thursday, Sept. 8).

I always give myself a buffer day when traveling to Toronto for TIFF. It can come in handy if you have flight delays, ridiculous lines in customs or you’re carrying an expired passport (that was a nightmare 2 years ago)…that extra day can make certain that you don’t miss any of the good stuff.

If all goes as planned, tomorrow will be a busy day with 4 films – including the splashy Opening Night film with a friend who I first met when he was a guest of The Dayton LGBT Film Festival. If all goes as planned, tomorrow’s screenings include new work by Kenneth Lonergan, Terence Davies and Olivier Assayas.

In the next couple hours, I’ll grab a bite to eat, check into my apartment and continue to plan my schedule for the next 9 days.

Here are trailers for a few films I can’t wait to see:

Check back in Friday morning…that’s when I’ll have my Thursday wrap-up posted.

Today was my last day of screenings, and even though I feel like I’ve been away for months, I’m actually a little sad to be packing my bags. There are several films I didn’t get a chance to see, and every year I think I’m going to take part more in the industry activities (indiewire talks, a variety of lectures, etc.) – but I don’t. I just end up cramming in movies.

First off today, I saw STONEWALL, directed by Roland Emmerich. This film was lambasted before anyone saw it. Criticism soared across the web based only on the trailer, and I must admit that I went into this screening with very low expectations…and I was pleasantly surprised. Though not a masterpiece by a long shot, it’s better than I anticipated. The story of the actual Stonewall Riots is only a portion of this coming-of-age tale about a young guy kicked out of his home and now living on the streets of NYC with numerous other LGBT youth. This is a fictional story set in the midst of some recognizable events and characters, and despite some giggles at some inappropriate moments (due to trite material) it worked emotionally for several people around me in the cinema.

YOUTH is director Paul Sorrentino’s follow-up to his masterpiece THE GREAT BEAUTY. It’s a lovely film about two long-time friends (Michael Caine and Harvey Keitel) vacationing in the Swiss Alps. Though not much “happens,” there’s a lot of discussion about life – both present and past, and there is an abundance of cinematic poetry. The two men are on different paths. One is finishing a screenplay for what should be his next great film and the other is retired with no intention of returning to his work (even at the request of the Queen of England). Though perhaps a bit too avant garde for some, I devoured this film and its interesting gaze.

My last film of the festival was THE WITCH, directed by Robert Eggers. This period thriller/horror film set in 1630’s New England was a smash at Sundance, and I have to admit that I have a secret thing for witches. From Margaret Hamilton to Angelic Huston, from Shakespeare’s “double double, toil and trouble” to Miller’s trials – I’ve always been fascinated by them. Though stylish and sometime startling, The performances and period details are very well executed, the cinematography is moody and beautifully done, and there are some genuinely haunting moments…but something wasn’t working for me. Perhaps the score which purposefully misguides us numerous times helped to create a distrust in the storytelling – I’m not entirely sure what was creating the disconnect for me. That said, as much as this film is about a witch, it’s even more about paranoia and distrust and a creepy devotion to the Bible. During the Q&A, we heard the director talk about all of his research for this film – from court documents and diaries from that era to architectural elements, his knowledge of the subject made me appreciate the film a bit more. I think this film will certainly find a devoted audience…but I wasn’t 100% sold.

And now it’s time to pack my bags. I’ve met some great people during this trip – critics that write for international publications, people who curate festivals in other markets and numerous lovers of cinema. I’ve seen old friends, I’ve had good food, I’ve seen numerous movie stars and famous directors, and I’ve watched 34 movies. It’s been a blast. Thanks for checking in on me.

Thanks for checking out the blog where I’ll cover my adventures during the Toronto International Film Festival!

After almost 12 hours of travel (a cancelled flight, a delayed flight, an extra flight, etc.), I finally made it to Toronto. Luckily, I never really let it get me down. And upon arriving at the apartment I rented, any possible negative vibes were wiped clean. The view is amazing, the apartment is adorable, and I’m less than 1/2 block from where I need to go every morning (instead of several blocks and 7 subway stops).

Films don’t start until tomorrow. Arriving a day early lets me get my bearings and truly begin to figure out what my screening schedule will be. For the general public, screenings kick off tomorrow evening…but for press and industry folks, there are a number of screenings beginning first thing tomorrow morning.

Each day, I’ll get in line around 7am. This allows me to pick 2 public screenings per day (but with 2 days advance notice). Tomorrow morning (Thursday), I’ll get 2 tickets for Saturday (which I hope will include the premiere of THE DANISH GIRL…more about that in a moment). In addition to those 2 public screenings, my pass allows me to watch as many P&I (“press & industry”) screenings as I’d like (but those can get a little stuffy with just industry folks – I like to hear and see true film lover responses…thus I upgraded my P&I pass to include the 2 public screenings per day).

I already picked up a couple tickets for Friday. One ticket isn’t a movie at all – it’s a Charlie Rose-style Discussion in an intimate-ish auditorium with Julianne Moore. Doesn’t that sound exciting?

Tomorrow’s first film will likely be HITCHCOCK/TRUFFAUT…and in the evening, I’ll head to the Opening Night Film & Party (courtesy of an invitation from Glenn Kiser – a director who visited Dayton for the LGBT Film Fest a few years ago).

Here are just a few films I’m really looking forward to over the next several days:

45 YEARS – directed by Andrew Haigh (we showed his incredible film WEEKEND at the Dayton LGBT Film Fest plus a traditional run at THE NEON, and I also adore his show LOOKING on HBO…and then there’s Charlotte Rampling to seal the deal)

THE DANISH GIRL (from the director of KING’S SPEECH comes a film that will likely have Eddie Redmayne back at the Oscars next year)

And of course a little something with Dame Maggie…

Stay tuned.

I’ll write each night/morning and review all the films I see each day (anywhere from 3 to 5 per day).

If you still need to see our biggest hit of 2015, you’ll need to hurry. MR. HOLMES will play for the last time today (Thursday, Sept. 3). Tomorrow, we will begin the new comedy by Noah Baumbach which premiered at Sundance in January – MISTRESS AMERICA. We will also hold both DIARY OF A TEENAGE GIRL and THE END OF THE TOUR for one more week. For this week’s remaining showtimes (which are different from the upcoming times listed below), please visit our website at www.neonmovies.com.

Synopsis for MISTRESS AMERICA: “Tracy (Lola Kirke) is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke (Greta Gerwig) – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke’s alluringly mad schemes.” (taken from Fox Searchlight) Starring Greta Gerwig, one of the best comedic actresses working today, the film has been receiving rave reviews particularly for her performance. Joe Morgenstern of Wall Street Journal wrote, “…Ms. Gerwig’s performance is a comic diamond, and not in the rough. Her timing is flawless, her delivery is droll.” Click this LINK to visit the site and watch trailers.

Observe International Peace Day with family, friends and neighbors by meeting up at THE NEON for I AM BIG BIRD: THE CAROLL SPINNEY STORY – an engaging and heartwarming film brought to you by the Dayton International Peace Museum. The Peace Museum is celebrating 11 years of helping people throughout Miami Valley and beyond explore the question, “What does a more peaceful world look like for you?” “For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I AM BIG BIRD features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.” The film screens Sunday, September 20 at 3:00, and tickets are first come, first serve. Suggested donation – $10. I saw this film at the Cleveland International Film Festival – it’s a real treat. Don’t miss it!

The Deaf Community Resource Center is bringing a special, one-time screening of THE DEAF CLUB to town on Thursday, Sept. 24 at 7:30. This movie is completely done in sign language (though subtitles are available for those who don’t sign). “Deaf people have it all – friends, romance, fights, etc. – at their own club, where everyone uses sign language. Suddenly, the members face a situation where their precious club may have to close. Can they save the deaf club? Almost the entire production team is deaf or hard of hearing.” (taken from press notes) Tickets, just $10 each, will be available at THE NEON’s box office beginning Monday, Aug 24.

On Saturday, September 26 at Noon, Twentig, Inc. will host a special benefit screening and discussion of the film BELLE. “BELLE is a historical fictionalization of a true story about Dido Elizabeth Belle who was born of mixed race in the West Indies. She lived with her great uncle William Murray, the first Earl of Mansfield, Lord Chief Justice of England. Lord Mansfield’s decision on a case in 1786 in the English Courts led to the abolition of slavery in Britain. The film was inspired by the 1779 painting of Belle beside her cousin Lady Elizabeth Murray at Kenwood House.” (taken from press notes) Tickets are $30 each and come with admission to the film, the post-film discussion, a glass of wine and popcorn.

Due to the holiday weekend, we will have a couple extra shows. We’ll stay open a bit later on Sunday and open extra early on Monday. Please help us spread the word. Showtimes are below.

On Sept. 9, I will be heading to the Toronto International Film Festival. Over the course of 9 days, I plan to see more than 30 films. As usual, I’ll chronicle my adventures via a daily blog post. Stay tuned to next week’s newsletter for the link.

Thanks for your continued support.
We hope to see you this weekend!
Jonathan

This morning was so different than the others. I slept in! Because I didn’t need to be in line by 7:00, I woke up at 9:15 instead of 6am. It was glorious!

My first film of the day was LOVE IN THE TIME OF CIVIL WAR – a French-Canadian film about a 20-something guy with a crack problem. An alternate title for this film could be DON’T DO CRACK. I’ve never seen such a gruelingly monotonous film about drug use. The lead character smokes to get high, has some sex (in what is generally very unsexy footage), buys some drugs and gets high again. Sometimes, he has to find money – so he robs someone, gets paid for sex and then buys more drugs and gets high. This film could essentially be a 2-hour PSA about the horrors of crack. As much as I wanted to go, I felt like I needed to stay. I didn’t make the right decision.

There is no trailer available for this film. Below is a picture.

I went into my next film with a qualifier in place. If the film failed to reel me in within the first 12 minutes, I would leave to go to a different selection. It failed and I walked. The next selection was worse. Including eye-rolling situations with characters that were much too twee or playing on archetypal stereotypes, I failed to see the backbone of good storytelling…so I left that screening and got lunch instead.

After a 30-minute nap, I was off to AN EYE FOR BEAUTY – the new film from Denys Arcand (director of BARBARIAN INVASIONS, JESUS OF MONTREAL and more). It’s the story of a married man and how he’s both interested in another woman and dealing with the mental instability of wife. This film is full of stunning landscapes, the changing seasons, and well-written dialog.Though fully engaged, I felt the film fell flat with a lack of focus.

There is no trailer with English subtitles, but take a look at this anyway.

THE IMITATION GAME was my final film for the day. I am quite certain that this film will be nominated for “Best Picture.” I’ll bet the farm on it! Based on the story of Alan Turing and the breaking of the Enigma codes, this film is filled with familiar NEON favorites Benedict Cumberbatch, Keira Knightley and Matthew Goode. The art direction is superb, the story is touching and suspenseful with quite a few laughs, and the packed 1200+ audience was truly engaged. Though I wasn’t as emotionally attached to this film as I was to THE THEORY OF EVERYTHING, I still think this film will play very well. (For those who know the story, NCR was only mentioned once very quickly. No other mention of Dayton was made.)

A last-minute decision for a late-night cocktail in the neighborhood where I’m staying ended up creating a nice evening. I ran into some old and new friends and was able to talk about highlights of the festival before wrapping it up for the night. More than likely, I’ll see at least 3 films tomorrow…and I head home Saturday.

I only saw three films today, but I also attended a pretty great, intimate party.

First off, I saw OUT OF NATURE – a Norwegian film about a man who decides to spend the weekend hiking in the mountains…away from his job, his wife, his son. In film school, you’re taught to – “Show. Don’t Tell.” This simply means that an audience should be able to figure out what someone is thinking by their strong performance…not by what a narrator or bad dialog is telling us. This film is a rule-breaker – but it’s also the point. As the protagonist is getting ready for his trip and as he’s hiking up the mountain, we get his interior dialog and realize exactly what he’s thinking, what he’s feeling. In earlier scenes, we understand that he has issues connecting with people, and through the voice-overs, we understand that his thoughts are mostly of sex and breaking free from the routine of his current life. Ultimately, I liked this film…but it’s a tough sell. Including everything from a naked jogging scene to masturbation and urination, we truly live with this character over the course of the weekend. It’s an inner journey we take with this character, and though you may not be on the same page with his thoughts, you can certainly empathize with the idea of an interior monologue.

Because this trailer contains graphic content, you’ll have to follow the link to find it on youtube.

MAPS TO THE STARS was next up. It’s the new, darkly satirical film about “Hollywood-types” from David Cronenberg (that said, it could be about any “types” where greed and narcissism play a role in success). Julianne Moore won “Best Actress” this year at Cannes for this film (but I think her performance in STILL ALICE is even stronger). If you’re familiar with Cronenberg’s work, you know you’re in for a non-traditional ride in MAPS TO THE STARS. It’s unsettling, it has awkward moments when laughter seems imminent but also wildly inappropriate, and the stellar cast is committed to the long, crazy ride. Not a favorite…but not bad.

ELEPHANT SONG was the big treat today. I went to see this film because I wanted to see Xavier Dolan in a film that he didn’t direct…and one in which he’s speaking English. Though this film certainly shows its roots of being based on a play, I didn’t mind. The performances (Dolan, Catherine Keener, Bruce Greenwood), the set design, the screenplay – they are all terrific.This is the story of a young man in a mental institution who may know the whereabouts of a doctor who has recently disappeared. Taking place mostly in the doctor’s office, the film has a claustrophobic feel…and Dolan at times channels a young Jack Nicholson. I went on a lark to this screening, and I’m so glad I did. I hope this film find distribution!

At the end of the evening, I was invited by a friend to attend a party being thrown for Ethan Hawke’s new documentary called SEYMOUR: AN INTRODUCTION. It was a small party at the Trump Hotel, and it was lovely. I ran into a couple folks from indiewire as well as got to hang out with a festival programmer I met several years ago. Hawke was in attendance, but I never felt like interrupting him. On my way out, someone whispered, “Did you see who just walked by you?” “I didn’t,” I responded. “That’s Mike Tyson.”

More tomorrow – including one of the most talked about/buzzed about films of the festival season – THE IMITATION GAME.

I got back on track rather quickly this morning. After a couple hours of waiting in lines, I still managed to get the tickets I wanted for the next couple days. (Each day, my pass allows me to get 2 tickets for public screenings that occur 2 days later (i.e. on Friday morning, I’ll get 2 tickets for public screenings on Sunday). My pass also allows me to see an unlimited number of screenings that are designated for press & industry.)) After I got my tickets, I went to see a press/industry screening of MOMMY – the Cannes-Award-Winning film from Xavier Dolan.

MOMMY is a film about a volatile teenage boy who has come back home to live with his mother after a stint in a group home. The film’s protagonist – Steve – is a good-looking, foul-mouthed powder keg, and the film is at times truly terrifying. Dolan’s love of creating music montages (almost music videos within the narrative) is back in full-force with this film. The film has some very powerful moments and the performances are mostly quite strong – in particular, Dolan favorite Anne Dorval, who plays Steve’s mother. (Dorval was also in the Dolan films I KILLED MY MOTHER, HEARTBEATS, and LAURENCE ANYWAYS.) Though I feel the film could still use some trimming (much like I did with LAURENCE ANWAYS), I ultimately think it’s a solid film with some dark Oedipal themes. The small aspect ratio is also exciting (its such a narrow frame that there’s barely ever room for more than one person in a shot – much like “Mommy’s” life).

After MOMMY, I ran into some folks I know…different people who play a variety of roles in the industry – PR, distribution, press. It’s fun to just randomly stumble into folks from across the country all in the same place. I grabbed a bite with a friend from NYC and then I headed to my next P&I screening.

’71 – a period military thriller set in Belfast during a rather scary time – is a tense film with strong performances and great editing. Though I rarely like films with lots of gun play, I was quickly enamored by the main character. It’s the story of a British soldier, who during a scuffle with vocal and eventually violent townspeople, is separated from his unit in IRA-controlled territory. Once his unit discovers that he’s missing, the film becomes a manhunt – both from his fellow soldiers who want to bring him back and from the IRA who want him dead.

For my last screening of the day, I went to the Opening Night Film – THE JUDGE. This is a film that will open wide (aka – at multiplexes everywhere…not THE NEON). This was my first time attending Opening Night festivities (Glenn Kiser, a director who visited The Dayton LGBT Film Festival with his short film SABBATICAL, invited me to be his guest). Director David Dobkin and stars Robert Duvall, Robert Downey Jr., Vera Farmiga, Vincent D’Onofrio and others introduced the film. It’s the story of a sleek, big city lawyer who returns home to the midWest for the funeral of his mother. Long-estranged from his father, the trip isn’t meant to last long. But the revelation that his father has been involved in an accident which resulted in the death of a former defendant has him sticking around to defend his father in court. For the first 20-30 minutes, I thought I was in for a truly terrible ride…but eventually the film found its sometimes-stable footing and managed to have a few honest, wonderful moments (Duvall was the reason for any of these scenes). Ultimately, the film is too, too long and full of contrived moments – with lots of terribly underused great actors.

After the film, Glenn and I attended the Opening Night Party. Hundreds of beautiful, well-dressed people filled the TIFF Bell Lightbox – with music booming, dancers on scaffolding and appetizers and cocktails swirling around the various rooms and levels. It was fun to people watch for a while, but eventually we left to grab dinner…and I got back to my apartment by 1:30am. At 6:10am, my alarm will go off and I’ll be running out the door by 6:30.

Jonathan from THE NEON here. After a rather hideous day of travel (including an unexpected, long stop in Chicago due to passport issues (my own fault)), I finally made it to Toronto. As of right now, I’m about a 1/2 day behind. It’s 7:30am, and I’m usually in line for tickets. That said, I don’t yet have my credentials (which is why I wanted to arrive yesterday afternoon)…so I have to wait for a different office to open at 9am (I’m first in line – as I’m determined to get back on track as soon as possible).

Having only briefly looked at the catalog on-line, I still don’t have a complete sense of what I want to see (I need both an actual catalog in my hands as well as to hear the buzz about what’s hot to truly know what’s happening). I have a list of about 15 films that I “Must” see…but what will fill the other 15-20 spots has yet to be determined. My list includes THE THEORY OF EVERYTHING about Stephen Hawking, Ozon’s new film NEW GIRLFRIEND, Xavier Dolan’s film MOMMY, the new film from the Dardenne Brothers – TWO DAYS, ONE NIGHT, and the adaptation of the play MISS JULIE. Here are a couple trailers to hold you over:

Tomorrow morning, you’ll be able to check in and read about what I get to see today. One thing is for sure, I have a ticket to the opening night film tonight. A previous guest of The Dayton LGBT Film Festival – Glenn Kiser – invited me to be his guest this evening. I’m excited to finally attend an Opening Night film…as well as to see Glenn again.