(CLICK
ON IMAGES TO ENLARGE)
Stacy
Keech Sr. in different make up applications of gelatin appliances
and Skin Illustrator Flesh Tone Colors.

Make-up by Kevin Haney
Photos courtesy of Kevin
Haney

FLESH TONE PALETTE
The
colors available in the FLESH TONE PALETTE range from the palest
of pink tones to the deepest rich yellow tones. The system contains
skin tone colors with warming/cooling adjusters that are ideal for
fine tuning a skin tone mix that's a perfect match, or for creating
a subtle bruising for close camera work. RICE
PAPER, the staple of the palette, can be used
as a white color to lighten a particular mix, or on its own to match
the skin. You can useNATURAL 1 & 2 as
the basis for most Caucasian tones. These colors already lean to
the yellow side of a natural tone so you can decide how much warmth
or coolness to add. If you need to warm the
NATURALS, add a little CORAL ADJUSTER
or ROSE ADJUSTER II. If you need to
cool the tone, add a little OLIVE ADJUSTER
I (liquids only) or VEIN TONE
to achieve a beige color. LAO 1 & 2
will be the basis for your yellow undertoned subjects. Start with
these colors and you can lighten the tone with a RICE
PAPER mix. To make your color more beige, add VEIN
TONE.
To make your color more olive, add OLIVE ADJUSTER
II, and if you want to add a touch of golden quality, use
the CORAL ADJUSTER.
CEDAR BROWN (a new color) is a warm yellow based brown that
can add a tan to your actor or darken the 5 basic flesh tones, All
of the color adjusters have been formulated to intermix with the
flesh tones.

You must use
Skin Illustrator Activator or 99% alcohol to activate the color
pigment. Do Not use
70% alcohol, MEK, acetone, water or any other solvent.