Links and References

Alternative Ornithologies: Special Issue of Antennae: The Journal of Nature in Visual Culture

Alternative Ornithologies is a special issue of Antennae: the Journal of Nature in Visual Culture I guested-edited to co-inside with the opening of Fashioning Feathers at the Royal Alberta Museum. The first two papers discuss the theoretical framing and curation of the fashioning feathers exhibition.

Editor’s Forward

The 20th issue of Antennae is a rather special one from a number of reasons. First of all it marks the first five years of Antennae’s activity, and what five years these have been for animals and art! Second, this issue is a co-edited effort dedicated to art, plumage and birds. Merle Patchett has developed an international reputation based on her contribution to the subject of animal surfaces and geography. Curating the exhibition Fashioning Feathers provided the perfect platform to gather a unique army of artists and academics with a soft spot for the subject. Amanda Boetzekes, Kate Foster, Liz Gomez, Kirsteen Greer, Hayden Lorimer, Kate MccGwire, Marine Pacault, Rachel Poliquin, Perdita Phillips, Andrea Roe and Maria Whiteman have with their contributions, made this issue truly special.

It was also very important for Antennae to mark its fifth birthday with modesty, without unnecessary trumpeting and with an issue that represented the values of inclusion, diversity and commitment to interdisciplinary collaboration that has made it such a popular read with so many people around the world. Thanks to all whom have contributed to the making of each issue thus far. Thanks to the Academic and Advisory Boards, the Network of Global Contributors and those who actively promote the journal around the world. Ultimately, thanks to those who read it,find inspiration and information in it for their work, and use it in their artworks, research or teaching

Blue Antelope (Aug-Nov 2006, Hunterian Museum, Glasgow) was an art-geography collaboration that mapped the diverse lives of an extinct antelope from the starting point of a rare skull of the animal held in the Hunterian collection. The resulting exhibition, seminar and website brought together work by Kate Foster, Hayden Lorimer and Merle Patchett, in association with Maggie Reilly of the Hunterian Museum, University of Glasgow.

The exhibition took place from 21 August-24 November 2006, at the Hunterian Zoological Museum, University of Glasgow.

The website www.blueantelope.infobrings together collaborative work on the Blue Antelope and recasts it in other contexts. This is the most comprehensive source of information available about the animal, and is available to those who cannot actually see the skull (the skull is presently on display in the newly refurbished Hunterian).

The project team is currently working on the publication of Blue Antelope Correspondences – a book that will recreate the bluebuck as a charismatic and elusive creature and as a biogeographical redistribution of matter and meanings, working through drawings (old and new), photographed artifacts, essays, creative fiction and non-fiction.

Other Artist’s Investigating Avian Lives

1. Perdita Phillips is an Australian artist with a wide-ranging and experimental conceptual practice. Referencing different schema of natural history representation her work highlights the uneasy relationships between factual texts and fictions that are at the heart of art-science investigations. Biological systems are presented and then undermined with unlikely annotations, interpositions and decompositions. She has worked with minerals, landscapes, termites andbowerbirdsat the intersections of human and nonhuman worlds; conversing with animals and contrasting the wanton wildness inside us with the wilderness of post-industrial life. Perdita’s documentary photographs ofbowerbird bandingcompellingly demonstrates this tension at work.

2. Kate MccGwirecreatesinstallations with feathers. These works are incredibly compelling and enticing, with their soft lustre and intricate construction, but they simultaneously disturb and repel, as the feathers pour, twist and flood spaces en masse.

3. Sanna Kannisto is a photographer who has positioned her work within the field study process of scientific research being undertaken in the South American Rain Forests. Her photography both acknowledges the role of the visual in scientific research and also exposes the structures and processes behind, for instance, the presentation of specimens on white backgrounds. Her series of photographs capturing the movement ofhumming birdsis particularly affective.

4.Chris Landau: author of “The Flocking Party” an online story with art, animations and audio of birds. Landau’s process has a strong basis in traditional visual media such as drawing, painting, and sculpture, but his continued attention lies at the new edge of media frontiers such as Web 2.0, interactive graphics, 3D modeling, physical computing, GPS, biotechnology, contemporary art, science fiction, and cognitive science. He takes a uniquely mixed approach towards old and new mediums and to the diversity of solutions that can be generated from dynamic networks of tools and ideas.

5.Myfanwy MacLeod: Vancouver artist Myfanwy MacLeod has always been interested in the ability of public art to convey political and historical meaning.The Birds, her new work for Southeast False Creek Olympic Plaza, sits on the last large tract of available waterfront near downtown Vancouver and has been shaped by this new community’s focus on sustainability. The work attempts to highlight both the lighter and graver sides of what can happen when a non-native species is introduced to an environment, how the beauty of birds can sometimes mask their threat to biodiversity.