. . . Netrebko is in excellent vocal form . . . The most moving work comes with the "Onegin" final duet: here [Netrebko and Hvorostovsky] give detailed performances, sounding wonderful and fired up. Encores find Netrebko dancing and whooping delightfully through the "Csárdásfürstin" aria in Russian and Hvorostovsky working his genuine, uncondescending magic on a schmaltzed-up "Ochi chornye" and (with Netrebko and the audience taking choruses) "Moscow Nights."