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Sometimes he passes that duty along to a friend or to his wife, Laura, 64, who is also an artist.

They met in 1978 while he prepared a magic act for a Pathmark annual sales meeting.

But with these pieces now sitting in individuals’ collections, with no fear of people knocking up against and ruining the carved horses, restorers are given leeway to add more sculptural, lifelike detail, rendering them more realistic but less fanciful.The silent room suddenly erupts in a fantastic clamor as pipes, cymbals and bells trot out of the speakers.The lion seems to spring to life, and Yorburg – his rosy cheeks puffing out with a smile – tosses the remote on his workbench and throws up his hands.“If that doesn’t get you going, I don’t know what will,” he says, laughing.“You just gotta carve to that.” During America’s carousel “golden age,” which lasted from the late nineteenth century until about 1930, there were more than four thousand handcrafted carousels made by famous carvers like Gustav Dentzel and Marcus Illions.A train whistle that Yorburg sometimes pulls before entering or leaving the space hangs outside the door.Several steps away from Maplebrook stands another shed where Yorburg is restoring a Dentzel carousel horse, made circa 1890, for a private collector.