Now, available at Colette, is Levi's ultra limited edition Red Tab mobile phone. It features an MP3 player, stereo Bluetooth and a 2.0 megapixel camera with flash.

Extras include a 'premium' presentation box, a case for the handset, stereo hands free kit, a metal chain and if you like, customization with your name (up to 13 letters). Offered in a limited number of 100 only, it displays a tag of 550 euros ($870) and is being sold online at Colette.Buy the limited edition at Colette.

If you don't want the limited edition sold at Colette, but still want a Levi's mobile phone, have no fear.. you can customize your own mobile Levi's phone and choose from either a white or black top, several different color metal bodies and from a variety of etchings for the front or back.

(as described on the Levi's site):The Levi's® phone embraces mobile technology and enables you to connect, enjoy music, exchange images and videos whilst on the go.

The functional essence of the Levi's® brand's design philosophy is perfectly captured by the phone's compact design and sturdy riveted steel casing. A unique detachable chain provides a clever design solution that allows to you fasten your phone to your jeans, bags and more.

The Levi's® phone is offered in metallic silver, black and brown copper. Stylish feminine "shiny silver" and "shiny sand" editions, featuring a 'mirror' screen have also been created for the fashion forward.specs:Customisation1 graphic theme8 embedded ringtones7 wallpapers

3.30.2008

Diesel Wall is an international art contest that aims to bring intriguing/ inspiring/ insightful/ inciting contemporary ideas to giant urban canvases in city centres around the world.

A competition dedicated to young artists and designers, Diesel Wall offers them the opportunity to showcase their work on an extraordinary scale: monumental, freestanding vertical walls in the centres of world’s most important cities. The ultimate goal being to salvage what prominent precious public space is left.

This year the Diesel Wall art contest continues its tour around the world and reaches 4 new corners of the planet: Manchester (UK), Barcelona (Spain), Zurich (Switzerland) and NY (US).

Diesel Wall will take your art, your power of dissuasion, your ability to disrupt, incite and intrigue, mystify and comment. Artworks - conceived for a specific Wall or for all four Walls - can use painting, photography, video, and performance, light, sound, text, experimental concepts including 3D, performance and show elements are also welcome.

From mid-April to June 2008 local juries will get together in order to select the Diesel Wall winners for each city and the winner will be announced June 10th, 2008.

The jury members for this year will include among others Bigas Luna, Peter Saville,Terry Jones, and Wilbert Das, Diesel's Creative Director, joining each judging panel in all four different countries. From May to July 2008, depending on each city's Diesel Wall timeline, winners will be announced both through the website and local events to then proceed with the setting-up of the winning installations on each Wall.

Any creative, inspired person from any country in the world can submit their designs for the chance to feature in this new edition of the project…and conquer a Wall! The artists will have total freedom in sending concepts: art is above all a means of unconstrained self-expression.Learn more about it, see past winners and submit your art here.

3.29.2008

Today, the red dot design award, the origins of which go back to 1955, is one of the largest and most renowned design competitions worldwide. It consists of the individual disciplines “red dot award: product design”, “red dot award: communication design”, and “red dot award: design concepts”, which has been held annually in Singapore since 2005. In 2007 the competition recorded more than 7,000 entries from 60 nations.

Product Design 2008 entries showed the growing importance of high-quality design: after receiving 2,548 entries in 2007, the competition received the record number of 3,203 entries from a total of 51 countries. In the face of an overall further increase in design quality the international jury of 24 was able to award the “red dot” quality label for good design 676 times this year. Fifty products even received the “red dot: best of the best”, the highest award of the competition, for their pioneering design and special innovations.

The jury’s assessment criteria

The submitted products are evaluated according to the highest standards. The adjudication process follows a canon of strict criteria, which is constantly adapted to the latest findings in formal, technical, manufacturing, societal, industrial and ecological requirements. These criteria provide a guiding framework, which is filled in individually by each juror.

Degree of innovation

Is the product new in itself or does it supplement an existing product with a new, desirable quality?

Functionality

Does the product fulfil all requirements of handling, usability, safety, and maintenance, and does the manual explain its use in a comprehensible way?

Ergonomics

Is the product adapted appropriately to the physical and, if necessary, psychic conditions of the user?

Self-explanatory quality

What does the product convey about its purpose and use without knowing the manual? How distinct are product semantics and product graphics?

Formal quality

How logical is the constructive structure and the congruity of the formal composition? How is the form related to the function?

Ecological compatibility

Are materials, material costs, manufacturing technology and energy consumption in an appropriate proportion to the product utility? To what extent have disposal problems and recycling issues been considered?

Durability

Have the product’s material, formal, and non-material value been designed for a long life-span?

Symbolic and emotional content

What does the product offer the user beyond its immediate practical purpose in terms of sensual quality, possibilities of a playful use or emotional attachment?

Product periphery

How is the product as part of a system integrated into the system environment? How have packaging and disposal issues been solved?

In addition to expected winners like Apple's iphone and the Playstation3, there were several beautifully designed lesser known products. Because there were so many winners and so many categories, I'm posting pictures of my own personal favorites (because..hey, it's my blog) from each category below:

This year the design experts for the first time honored 137 products, which stood out from the masses due to their extremely successful detail solutions, with an honorable mention. Such an honorable mention is to encourage companies and designers to further increase their investment in design and quality and continue on the path they have taken.

All award-winning and honourable mention-winning products will be presented in the “Design on stage – winners red dot award: product design 2008” exhibition from 24 June to 27 July 2008 in the Essen red dot design museum on the premises of the ‘Zeche Zollverein’ World Cultural Heritage Site. With 1,500 products on more than 4,000 square metres, the red dot design museum houses the largest permanent exhibition of contemporary design worldwide.--------------------------------------------------------------------------------------------------------------

Below are the observed trends in design within each individual category of the red dot competition.

Trendspots 2008 by Red DotIn the era of globalisation, cueing in on countries’ cultural traditions can be of great benefit in achieving differentiation in the market. Preserving the distinct features of individual cultures by means of design is thus of great import. No wonder then that design – as the language of a society – is placing more emphasis than ever on mindful details that give a product an identity of origin. For example, the umbrellas stashed inside the doors of any Rolls-Royce give the luxury car its unique British allure. Likewise, innovative interpretations of Asian culinary culture in kitchenware have special appeal for many. This year’s awards demonstrate: Design revolves around people! Contemporary product design not only has to be aesthetically pleasing, it must also trigger emotions and make everyday life as comfortable as possible. The design concepts we see today give us a taste for what tomorrow’s products may look like: As the world continues to come together, we benefit from an incredible diversity and an undreamt abundance of inspirations for unlimited design possibilities.

1. Living rooms and bedrooms – New design dimensions lead to new interpretationsThe future is here – in the “living rooms and bedrooms” category, designers are putting more emphasis on the selection of materials. Newest technologies and manufacturing methods allow for the use of innovative materials that open up a vast range of possibilities for future design. Among the new materials are shiny, metallic net structures which, particularly popular in textile surfaces, allow to minimise the quantity of materials and convey a sense of lightness and freshness. The design of this category is clearly inspired by the new technical possibilities. Completely new design dimensions are being explored and innovatively applied. Moreover, the quality in the category is high throughout, with designers daring to set new standards. The design vocabulary is expressive and diverse – from sculptural opulence to purism, everything is possible. The smallest details are highly functional and perfectly designed, while decorative elements are applied with great artistry to set accents. Intelligent interpretations and utmost comfort – with their concepts, designers are catering to an extremely refined target group. In particular, the designers from this category have mastered the great challenge of transmitting well thought-out complexity with simplicity.

2. Households – Design as a mirror of societyDesign should not only make everyday life more beautiful, it should also make it easier! Only well-designed, refined, and functional products can hope to survive on the market. Moreover, in this era of globalisation, design also serves to reflect on the cultural diversity of our planet. This year’s designers from the “households” category paid particular attention to social and cultural aspects. The submissions come from all parts of the globe and many of the awarded products combine highquality, innovative design with traditional qualities. Whereas design conventionally sought to be as universal as possible, it now seeks to distinguish the identity of a culture. In this way, designers transmit tradition in an original but technically perfected way. The underlying idea then attains a completely new, exposed meaning and becomes a source of inspiration. User-friendly solutions and easy operability are among the top priorities. Together with high quality that is nevertheless reduced to the essentials, the products then capture the pulse of the time. Design as communicator – with their design vocabulary, designers appeal to all the senses, awaken emotions, and promote the enhancement of everyday life.

3. Gardens – The garden as tomorrow's living spaceIn the “gardens” category as well, wellness is increasingly becoming a main design consideration. On the whole, gardens are still a relatively new design field which designers are slowly discovering and appropriating. Following years of progress in technological garden tools, designers are now concentrating on outdoor furniture and lifestyle items. The notion of the garden is thus changing from a utilitarian space to a more intimate living space. Precipitated by global warming, people can be expected to spend more time outside. The selection and high-quality design of outdoor furniture opens completely new perspectives. Innovative materials resist all kinds of weather, allow for new structures, and offer highest user comfort. The garden then becomes an oasis of relaxation. Traditional products are questioned, reinterpreted, and given a new face. The products are designed from a universal perspective and for all generations. They are highly functional, aesthetic, and above all easy to use. The design of new garden tools tries to simplify work through functional solutions. The more complex the technology, the more sophisticated the design has to be. The designers combine minimal and appealing forms with ingenious-yet-simple technology. In all concepts, people, the users, take centre stage. The designers combine good ideas with consummate skill and set standards for tomorrow’s market.

4. Automobiles, transport and caravans – Visual identity creates trust in the brandThe designers in the “automobiles, transport and caravans” category clearly place emphasis on the visual identity of vehicles. The increased need for mobility of our global society is accompanied by the increased need for visual differentiation among producers. Distinct details here serve to shape brands and anchor their image in car culture and history. Casual elegance and dynamic contours pervade all vehicle classes, while sports cars retain their characteristic aggressive expressiveness. The manufacturers thereby remain true to their values with a pronounced design vocabulary. The complex mechanisation in the automobile sector has clearly made for an impressive athletic appearance. For manufacturers, highest quality for materials and processing is a matter of course, just as is the assumption of social and ecological responsibility. Efficiency and safety have utmost priority and technical possibilities are exploited where possible. However, designers are not only preoccupied with the exterior of cars: To no lesser degree, interior design shows for top comfort and user-friendliness. Proud design concepts appeal to the emotions of the target clientele and with small, carefully thought-out details, designers create trust in a brand and convince clients. A good example of such a detail is the umbrella integrated in the door frames of any British Rolls-Royce.5. Entertainment technology - Discreet restraint for highest aestheticsDesign is becoming increasingly important in the electronics industry. The international competition is getting stronger and calls for highest quality. The submissions in the “entertainment technology” category show the high esteem which design holds not only in business but also in society. The products now come from all parts of the world and their consistently exceptional quality has elevated the design standard as a whole. In the past years, design seems to have been lowered a notch in favour of an emphasis on the technical achievements. This year, however, design presented itself more confident than ever: Highly developed technology is implemented with experimental and innovative fervour and expressed with impressive design solutions. People are once again the focus of interest. Some design concepts also demonstrate wit and humour to promote the playful usage of a very compacted technology. Functional and reduced design also allows for highest user value. Discreet restraint, a good material selection, and a clear design vocabulary provide a high-quality aesthetics. The designers are open for everything and offer creative and comprehensive solutions that often have high entertainment value. This year’s expert jury was impressed by the diversity and the internationality of the submissions. The Asian market continues to have a very strong presence, with Asian designers delivering striking concepts that inspire new possibilities.

6. Communication – The simpler the design, the more convincing the serviceThe technology in the “communication” category has reached a plateau, resulting in a renewed focus on appearances on the part of designers. Designers vie to outdo each other with small finesses and the level of quality is consistently high. Given the complex mechanisation of the products, the ultimate challenge lies in a clear design vocabulary. The simpler the design, the more convincing the service. Cell phones are more differentiated than ever, be it in regard to colour, form, or function, and designers cater to the most varying target groups with a seemingly unlimited product selection. With the race for the sleekest device apparently concluded, producers are now placing increased emphasis on user-friendliness and a solid form. This year’s submissions leave no doubt that international design has become one of the most important economic factors. As always, the customer is the centre of interest. Technology requires a good form, and this form must engage the emotions for the product to succeed on the market. Demands can be expected to continue rising steadily in the future; however, the market is prepared for this challenge.

7. Computers - Top performance in minimal spaceThe computer industry operates on the market with a clear design vocabulary. Here as well the principle is: The more complex the technology, the more purist the design. Ultra-light design solutions and a delicate design vocabulary convey a transcendental touch and suggest dynamism and mobility. At this point, all devices are multifunctional and blend well into a modern-purist lifestyle. Integrative concepts offer numerous interfaces and individual components are visually finetuned to each other. The designers present future-oriented design concepts with minimal use of materials. With considerably increased demands placed on the computer sector within the last years, the design quality is now oriented toward the technical comfort of the devices. On the whole, the submissions showed an increased awareness for design. In particular the Chinese market is establishing its autonomy more and more on an international level. The designers have confidence in presenting their creative design variants, which increasingly cater to the modern lifestyle and which embody both mobility and success.