Shot covertly across an air shaft, through a bathroom window
on Wall Street, Alpern's photographs of female prostitutes and high-powered
businessmen are strange and indistinct. Captured yet elusive, these images
are more startling in their voyeuristic magnetism than they are shocking.
The viewer must try to make sense of them, to cull stories from blurred
lines and sheds of fabric.

Alpern herself said:
Reoccurring characters gave these pantomimes a soap opera quality and I'd
try to decipher plot lines and guess the next scene. These minidramas and
their unvarying props-- condoms, tatoos, silicone, crack-- filled my head
and I began to think about the windows all the time. They found their way
into my dreams.