It’s weird to work one way for so long, and slowly realize it’s not necessary anymore; that it was just something you did when you didn’t know any better. I hired pros; aside from on-set tweaking and an extra take or two, they don’t need to be broken like wild horses or worked like puppets. Those days are behind me now. Now I spend more time thinking about/working on what the flick’s gonna look like — which, I guess, should be the primary job of the director.