Lee Bermejo is a professional illustrator and comic book artist. He has done work for Marvel and DC Comics, Men's Health, Max Mara, Top Cow productions, Wizard Entertainment, and a crappy film called Ultraviolet (hey,whaddayagonnado). Talking about himself in the third person makes him feel more important than he really is. Anyway, enough about the blogger, let's talk art!

Monday, November 29, 2010

Some people still may not have seen this as it was never published in the states. Panini Comics commissioned me to do a huge, interconnecting cover for the Lucca convention a few years ago. Originally it was intended to be a series of alternate covers for 5 of their Marvel books. It was the first time I ever tackled the Marvel characters and I was thrilled to be able to do it in such a huge fashion. As it turned out, they printed the entire image as one big gatefold cover, sans the Spider-man section.

I'm going to post the whole poster over the course of the week and talk a bit about each one, but definitely wanted to start with the Spider-Man image. Out of all the characters I knew had to be featured, Spidey was the one I dreaded the most. All that webbing on the costume, the weird poses, etc.... How could I make it believable?!? You know you have problems when you're thinking how you can make a dude who got bit by a radioactive spider and gifted with super-powers 'believable'.

In the end, it wasn't my favorite piece but I definitely feel like I cracked how to make the character fun for me to draw. I think I've said this here before, but I'm really a firm believer that the costume should look hand made and NOT cool. I like the idea that the webbing looks sloppy and asymmetrical. I mean, essentially Peter Parker was a bit of a cosplayer. ,) I remember thinking to myself as a kid, 'How come you can't see where his mask attaches to the shirt?'. The solution: you can.