San Francisco Ballet Announces 2012 Season

April 20th, 2011 at 3:03 pm

As each ballet season draws to an end, the speculation about the next year’s offerings begins. Well, San Francisco Ballet fans don’t have to wait any longer. This week, SFB released the upcoming season, and it looks to be amazing!

Included in the lineup are works by some of the world’s most influential choreographers, including four world premieres. The 2012 season also features spectacular full-length story ballets, including the SFB premiere of John Cranko’s dramatic masterpiece Onegin and a newly designed production of the delightful classic Don Quixote.

Joining SFB’s repertoire for the first time, John Cranko’s intensely dramatic work Onegin is a masterful ballet adaptation of the early19th-century novel in verse, Eugene Onegin, by Alexander Pushkin. The passionate story of Russian aristocrat Eugene and his lost chance for love with the beautiful Tatiana, unleashes heartbreaking themes of unrequited love, anguish, and tragic irony. Set to a powerful score by Tchaikovsky, this production features lavish scenery and costumes by award-winning designer Santo Loquasto and lighting by James F. Ingalls.

“For never was a story of more woe, than this of Juliet and her Romeo.” — William Shakespeare

Helgi Tomasson’s critically acclaimed ballet adaptation of this timeless Shakespearean masterpiece returns. Two innocent youths meet by chance, relishing the discovery and passion of first love, only to be shattered by tragic twists of fate and the destructive hatred of their own families. Set to one of Prokofiev’s most evocative scores, this production is filled with beautiful dance, riveting battles, and compelling drama, all amidst stunning production designs by Jens-Jacob Worsaae and lighting by Thomas R. Skelton.

PROGRAM 5

The Fifth Season Composer: Karl Jenkins Choreographer: Helgi Tomasson

One of Tomasson’s contemporary neoclassical works, The Fifth Season ranges in mood and movement from the more intimate and passionate, to crisp and vibrant.

Edwaard Liang World PremiereNEW!

Former New York City Ballet dancer and internationally renowned choreographer Edwaard Liang creates his first work for San Francisco Ballet.

Glass Pieces Composer: Philip Glass; Choreographer: Jerome Robbins

Set to music by one of the 20th century’s most well-known contemporary composers, Glass Pieces remains among the most visually engaging ensemble ballets in the Robbins repertoire.

Not performed by SFB in over ten years, Nureyev’s Raymonda — Act III is an elegant, refined, and challenging ballet in the classical Russian tradition.

RAkU Composer: Shinji Eshima; Choreographer: Yuri Possokhov

Set to an original score by SFB Orchestra member Shinji Eshima, Possokhov’s dramatic tour de force makes a triumphant return after bringing audiences to their feet at every performance this past season.

Ashley Page World PremiereNEW

Ashley Page, currently artistic director for Scottish Ballet, creates his first work for SFB.

The Four Temperaments Composer: Paul Hindemith; Choreographer: George Balanchine

This program pays homage to SFB’s 60th year of performing the works of 20th-century choreographic legend George Balanchine, one of the most admired luminaries of American dance. Featuring a diverse array of Balanchine styles, the program begins with the technically pristine classicism of Divertimento No. 15, set to music by Mozart. It is followed by Scotch Symphony set to music by the same name composed by Felix Mendelssohn — a work inspired by images and lore of Scotland, and not performed by SFB in over 40 years. The program closes in grand style with one of Balanchine’s signature neoclassical masterpieces, The Four Temperaments.

Helgi Tomasson and Yuri Possokhov’s staging of Don Quixote returns, now with new scenery and costumes by Tony Award-winning designer Martin Pakledinaz and lighting by James F. Ingalls. Miguel de Cervantes’ romantic and witty story, placed in the colorful streets of Spain, comes to life with a lively cast of characters, along with the bravado and excitement of some of classical ballet’s most technically demanding dances.