Shot in Sweden and Japan, the images in Anomalies are deliberately de-contextualized. Lange notes. “It’s not about a place. If you leave the place out of the story, the images can take on different weights. Places are really loud.” The objects that populate Anomalies, on the other hand, are suffused with a deep, seemingly impenetrable silence.

Shot in Sweden and Japan, the images in Anomalies are deliberately de-contextualized. Lange notes. “It’s not about a place. If you leave the place out of the story, the images can take on different weights. Places are really loud.” The objects that populate Anomalies, on the other hand, are suffused with a deep, seemingly impenetrable silence.

“Things from the beach at the beach, where the light makes them look like sculptures or installations. This light gives them importance and beauty even if they’re just small buildings of human creation.”

“Things from the beach at the beach, where the light makes them look like sculptures or installations. This light gives them importance and beauty even if they’re just small buildings of human creation.”

The cities visited by Awoiska van der Molen are not usually part of the regular city trip assortment. Not that it really matters: we would be spared the obligatory sights anyway, and if, like so many tourists, couleur locale is what you’re looking for, you may be better off looking elsewhere.

The cities visited by Awoiska van der Molen are not usually part of the regular city trip assortment. Not that it really matters: we would be spared the obligatory sights anyway, and if, like so many tourists, couleur locale is what you’re looking for, you may be better off looking elsewhere.