Film Archive

The year is 1348. Medieval England has just been struck by a terrifying plague. The fate of a young sculptor and his wife will be decided today. With a brutal moneylender breathing down their necks and The Black Death wrecking havoc will they be able to escape doom?

If you are looking to watch a new medieval movie, Come Back Home, which was released today on Youtube, is well worth a look. The 15-minute short film tells the story of a family having to deal with going to war in fourteenth-century Scotland.

"Richard ΠΙ with aliens" is how Cornell (102) describes "Sins of the Father," an episode of Star Trek: TheNext Generation (hereafter TNG) in which the Klingon warrior Worf, son of Mogh, seeks to restore his family's honour by exposing and challenging those responsible for falsely accusing his dead father of treason to the Klingon Empire.

Beowulf is one of many examples of a story that employs the rhetoric of the hero. The plight of the main character Beowulf is the focus of the tale, and the tasks that he must overcome throughout the course of the poem provide insight into the development of the character of the hero.

In this article we argue that medieval films are not to be analyzed according to their faithfulness to the known historical sources, but that they can only be fully analyzed by understanding medievalist codes, traditions and (filmic) intertextuality.

This essay reviews opening scenes in some recent film Beowulfs, which, although they have nothing at all to say about Scyld Scefing, suggest a sacrificial reading of the prologue and perhaps even the whole poem.