There's an intriguing exhibition of show card art opening this Friday at Calico in Brooklyn, New York. Here's more from show curator, Meredith Kasabian, whose grandfather was a show card painter:

The Pre-Vinylite Society is a loose network of self-ordained sign enthusiasts and advocates for creative use of urban space. The aim of the Pre-Vinylite Society is to encourage sign painters, sign enthusiasts, artists, writers, business owners, and the general public to be more aware of their aesthetic surroundings and take pride in their neighborhoods by creating, commissioning, writing about, and appreciating quality signage and public art.

The name “Pre-Vinylite” is derived from the Pre-Raphaelite Brotherhood, a group of 19th century English artists and writers who rebelled against the academic conventions of their day. The name also connotes the period before vinyl technology nearly decimated the hand-painted sign industry in the 1980s and serves as a commemoration of this pre-vinyl era, but not necessarily a wish to return to it. Despite the emphasis on a bygone era that “pre” suggests, the Pre-Vinylites are not a society of Luddites, shunning technology or advocating for a return to a “simpler” time. Pre-vinyl does not equal anti-vinyl.

The Pre-Vinylite Society aims to inspire a sharper cognizance of the aesthetic built environment and a desire to create and appreciate new, forward focused art that respects the traditions and techniques of the past. Ultimately, the Pre-Vinylites believe that artistic vigilance in the face of mass conformity can deliver us from a homogenous existence.

UPPERCASE

For the creativeand curious

UPPERCASE is a quarterly print magazine inspired by craft, design and illustration. A playful exploration of creativity, an affinity for vintage ephemera, and a love of handmade are some elements common in each issue. The magazine boasts high-quality paper and printing, a unique design aesthetic and incredible attention to detail.

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