110 IMPORTED * If this were an ordinary gin we would have put it in an ordinary gin bottle. 5 QUA T 94- 6 PROOF e PECIAL DR!] CC ;þø (PRONOUNCE IT TANKER-RAY) C"'4 ,.ø L ' LEs TANQUERAY "". . ONDON. ENGLAND. 100% GR =ø 100% GRAIN NEUTRAL SPIRITS, 94.6 PROOF. DISTillED, BOTTLED & SHIPPED FROM lONDON FOR J. M. McCUNN & CO., INC., N. Y .........-:-..... . -: :::-..-:: .:.' . ...., :-:.. t ": -+ "... 'An ":: .,. "'. ... ,,> . -J:. ^;:.,: ;::. e'leg.ant. .! : iiiø ..\ : .... . .:. ":.: fi"'r .-.,. ft' S . U .. tt .:. } . e "./ r '. ..W ..' .' :. . ......... .... . :''1 ,. -<: .".- ...:v...-... . ' 1.: '$. ..-- tI': (. :. ... -X>......::. Jlt ... . . :..::.i < , : I .... w " .=t/ 1 ;" A"'. . "': .... t : ; , . \.. II t ! , ! .. .. . \. ,. """, /" {., ., \ - -- >Ø: . j- . " t '" . ., --4 ; ,it '" . .. ". *>;:( ø. ... ... \ "oNo ',*..' -. ..: ? : ::.:. .. .:: _ ,-' ê6'" ! ! ...:.' . "":<:<':^" ' . .l ... . ,. _. " k 1&:' ":.:k., ',':::::: Introducing our newest Old World service: our own Rolls Royce, which commutes between The Stanhope and Midtown each weekday morn- ingfortheconvenienceof our guests, subject only to the vagaries of traf- fic. But then-our man Tony is a wizard at getting through. Compli- mentary in toto, it is yet another expression of the almost-lost art of personalized service as practiced by the grand hotels of Europe. And The Stanhope. Frank C. Bromber, A General Manager *" 'L Bm (Q)JFm JBI(Q)ßJ1 Fifth Avenue at Eighty-First · OpposIte the Metropolitan Museum of Art · ReservatIons: BU 8-5800 SEPTEMDER II, 19 5 frantically decorated pigtails of his Must Go, for go they did, to a wild success among hIs patronesses. I thought it was just a stunt; I may never smile again. This year, his accent on eccentricity has to do with big, glass- less goggles, of felt or something, to be Worn over standard or sun spectacles. (They are mounted on elastic, so that they will keep their place.) In bright- green velours, such goggles appear with visor caps whose ancestry certainly includes the in-the-dim-past JackIe Coogan ones. A bloused crown and a squared visor are part of the scheme, and bright-green velours can be, too. Moonshot, which I sa\\' in white ve- lours, is a globular helmet with points down by the ears, and there are goggle- shaped openings for the eyes. All thIs provIdes a goodly contrast with Adolfo's ll10re conservative hats, among them big reversible ones of ranch mink and brown glove leather. My especial ad- miration is a deep beret that hangs low in back and is made up of pie-shaped pIeces. And there are large triangles to he worn as kerchiefs, over the head or not, of nutria backed by mink, nutria backed by lynx, et aL Adolfo is not one to put all his hats in one boutique; for his establishment in Saks Fifth A ven ue he has done a ready-to-wear assortment (plus things I. like that reversible beret, which is cus- tom), and some of the results are wild indeed. Such as huge feather globes that have a Mardi Gras abandon even without being accompanied by feather- and-jewel lorgnettes or similar masks that cover most of the face. Are these the makings of another skirmish I am to lose? Anywav, Saks has some special, very daytime hats by Adolfo that make one think of Sophie of Saks, one of them a shallow, tilted turban of a jersey in charcoal and pale-yellow stripes, with a matching stole, of steam- er-rug size, that is edged at both ends by heavy wool fringe. ,...-- ........:-. ...0( ::::.-::::. >;;" C OMES now Daché, one of the most feminine of milliners, though her designs are straight to the point. This milliners' milliner is particu- larly celebrated for her turbans, and the first one I noticed this time around is of white satin and well down over the ears, with a wriggle, like a part in the hair, going up the center front, as well as lots of folds going straight to that point I was speaking about-in back. Four shades of satin (purples and blues, for one) do a turban that goes straight into severa] points, below the crown. Vividly printed velvets, and so on, are also permissible. Another, .... .""" :" $-^ ....