I finally saw The Artist at the weekend. It’s great fun – I came out smiling. But I wouldn’t say it’s a great film. The two central characters are just not interesting enough to carry the film. I’m not sure if this is intentional. Maybe they are symbols of all the silent-movie characters who had to emote and over-act and gesticulate, but couldn’t reveal any emotional depth. I think it’s probably just a weakness in the screenplay: the lead male, especially, was basically a spoilt teenager; and the resolution [minor plot spoiler coming up…] was just him getting his toys back. I’m not complaining, just reflecting!

But the psychological experience of watching a silent film for the first time in years was interesting. I was more detached as an observer. I was more aware of my own experience of watching the film, as if there was a kind of veil between me and the situation on the screen in front of me. I was less caught up in the imaginary reality of the story, but enjoying it just as much.

It made me realise that in a normal cinema experience, it’s as if I am inside the world being portrayed in the film – lost in it. But in this silent experience, it was as if the film was in my head, and I was conscious of myself watching it, and of the film becoming a part of me – but not taking over. Put it another way, I didn’t lose my self-consciousness; or my ‘consciousness-of-self’ as the French put it (because they don’t have the reflexive use of ‘self’). Interesting.

What did you think of the film?

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About this blog

Looking across the landscape of contemporary culture - at the arts, science, religion, politics, philosophy; sorting through the jumble; seeing what stands out, what unsettles, what intrigues, what connects, what sheds light. Father Stephen Wang is a Catholic priest in the Diocese of Westminster, London. He is currently Senior University Chaplain, based at Newman House Catholic Chaplaincy. [Banner photo with kind permission of Matthew Powell]

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