Papier photo type brillant autocollant sur support plastique 190 grs, présente une surface d'impression parfaitement lisse et un dos autocollant très pratique! Le gamut et la D-max sont excellents, ce papier est à adopter quand les photographies doivent être contrecollées sur des supports. Attention ce support contient des azurants optiques et sa stabilité dans le temps est moindre que celle des papiers barytés ou que celle du support vinyl ci-dessous.
Contrairement à un tirage photo classique qui, exposé en pleine lumière, jaunira après quelques années, un tirage d'art a une longévité exceptionnelle d'environ 100 ans. Ces tests de longévité sont opérés par des instituts spécialisés indépendants comme le Wilhelm Research Institute sur la combinaison des encres pigmentaires et des papiers d'art sélectionnés par Artdeqo.
As a mural printing service Mural Arts provides ultra high resolution printing on a wide range of materials using aqueous based pigmented archival inks. We provide seamless prints on canvas, fine art paper or commercial wall covering. Canvas prints and fine art prints can be 60-inches wide by almost any length. Larger printed murals are “tiled” using state of the art RIP software and installed as panels. Our photo murals on wall covering and fine art giclee prints on archival paper are of the highest quality available. Mural Arts also provides digital prints on commercial grade wall covering that is Class “A” fire rated and sealed with a washable sealer. As a full service mural printer we take pride in every step of the process including mural installation.
Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art.
Banksy once characterised graffiti as a form of underclass "revenge", or guerilla warfare that allows an individual to snatch away power, territory and glory from a bigger and better equipped enemy.[45] Banksy sees a social class component to this struggle, remarking "If you don't own a train company then you go and paint on one instead."[45] Banksy's work has also shown a desire to mock centralised power, hoping that their work will show the public that although power does exist and works against you, that power is not terribly efficient and it can and should be deceived.[45]
The language originally spoken by the inhabitants was Picard, from which originated several expressions used by fishermen.[46] Although it has now retreated before standard French, there are still those who seek to preserve it. Berck has a language association, T'yn souvyin tu?[47] and there have been linguistic studies of the local dialect. These include the poet Edouard Grandel's Lexique du patois berckois (Université de Picardie, Amiens, 1980), Lucien Tétu's Glossaire du parler de Berck (Société de linguistique picarde, 1981) and his À l'écoute des Berckois : Dictons et proverbes, sobriquets (Société de linguistique picarde, 1988). The Picard dialect poet Ivar Ch'Vavar was born in the town in 1951 and, though he now lives in Amiens, has often written about it, most notably in Berck (un poème), published in 1997.[48]
After the stone tower of St John the Baptist fell into disuse as a lighthouse, it was replaced at first by a primitive oil lamp suspended in the dunes to mark the sandbars at the river mouth. Two years later a 10-metre tower was mounted above a keeper’s cottage but this became masked when the maritime hospital was built in 1861 and a new, taller tower was constructed in 1868. The two buildings, referred to locally as father and son (le père et fils), stood next to each other until they were dynamited by the Germans in 1944.[18] The current concrete lighthouse, designed by Georges Tourry, was completed in 1951 and is 45 metres high. Its light can be seen from a distance of 24 nautical miles (44 km).[19]
Banksy is an anonymous England-based street artist, vandal, political activist, and film director.[1] His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.[2] Banksy's work grew out of the Bristol underground scene, which involved collaborations between artists and musicians.[3] Banksy says that he was inspired by 3D, a graffiti artist who later became a founding member of the English musical group Massive Attack.[4]
The Muralist Roster is an on-line resource that can be used by anyone seeking an artist for a mural project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project.
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