My Third Tuesday story

WARNING: Contents may not be as clearly implied!

For the non-Ottawans (or those tragically not hip-enough-to-know) Third Tuesdays are evening events at a downtown Ottawa bar organized by the inimitable Joseph Thornley of Thornley Fallis, find the ProPR blog, and recently working with my online friend (and secret biz-crush) Gini “Spin Sucks” Dietrich. For Third Tuesdays, Joe flies in smart speakers on social media topics, and their talks are held in the intimate, beer-fueled atmosphere of a real social gathering. It’s social, but actually social.
And as of noon, you can still get a ticket.

Perfect right? Almost.

You see, in March, after having missed several great Third Tuesday sessions in a row (I have these three kids you see), I saw that the presenter was William Mougayar on becoming a social media entrepreneur. So I eagerly signed up online, paid my fee to attend, and booked the evening “off” child care with my wife (did I mention three kids?).

But, silly me, I booked that evening and set my Outlook appointment for – get this – the Third Tuesday of the month. Can you believe how foolish I was? Ha ha ha. Of course I should have remembered that the Third Tuesday group almost never meets on an actual Tuesday, much less the third one, and checked carefully to see what date it was actually scheduled for… my bad!

Now to Joe’s credit, when I grumbled online about this, he promptly refunded my money, apologized, and said he hoped there were no bad feelings. And there weren’t – aren’t. But he also said this to me about the genesis of the name:

“We didn’t want to give the group a name that would tie it to terms that would rapidly become dated. So, we gave it a whimsical name that means nothing. (emphasis mine) That has allowed us to keep the content ever fresh and to follow the leading edge of thinking.”

Hmm. Can a name that seems so obviously descriptive (to my pea brain at least) really be just a “whimsical name”?

I beg to differ

And I tell my naming clients the same thing. Choosing a name that has clear descriptive overtones has a number of advantages for branders: less time explaining your product, or helping customers remember an aspect of your service – like the date for example. It’s like a pair of memory rails guiding your customer in a certain direction and reducing the friction if they go that way.

But the flip side is that a descriptive name also sets expectations that the product will continue to line up with the “rails” – so, like rails, you lose flexibility with a descriptive name as well. As I always say to clients:

You expect ’Canada Shipping Lines’ to ship stuff, but would you ever buy toothpaste from them? (Me)

Which brings me to the The Railroad Commission of Texas and 8 other examples of descriptive names that have gone off the rails – but happily pretend that they can blithely keep chugging as they churn deeper into the swamp:

10 Misleading brand names:

Third Tuesdays. (See diatribe above)

The Railroad Commission of Texas. If you visit the Web site, you might expect to see pictures of trains. Silly. That’s because you don’t live in Texas. If you did, according to my good friend Julie Pippert from Austin, you wouldn’t need a Wikipedia explanation of this uber-powerful state agency: “(it) regulates the oil and gas industry, gas utilities, pipeline safety, safety in the liquefied petroleum gas industry, and surface coal and uranium mining. Despite its name, it no longer regulates railroads.”
So branders, a tip. If Wikipedia needs to include a disclaimer like that? Time to change the name!

Noted bluesman Snoop Dog. (Creative Commons ceedub13)

Ottawa Bluesfest. Funny story. Ottawa Bluesfest used to be a festival about the blues, for blues fans. But since around 2005, it turns out that you can draw a bigger(and more lucrative) crowd with Kiss, Soundgarden, the Black Eyed Peas – or this year’s headliners Snoop Dog and Iron Maiden – than you can with Stone Blind Louisiana Willy – or whoever the current top Blues star is. Crookedmouth.net says”Bluesfest is a big, fat misnomer”, and I agree. It has become a rock festival – maybe even hard rock. Time to change the name!

Apple iTunes. Once upon a time, in the days of iPods, this app was actually about tunes. Now if I want to download a movie, buy apps, update my software, or synch my iPhone calendar with my PC, I have to use this tool – which is now a comprehensive dashboard for smart devices. Time for a change Apple.

MTV / Music Television. In February 2010, the venerable Cable brand MTV made news by finally “bowing to the inevitable” and removing the term “Music Television” from its corporate identity. So okay. But the M in MTV still stands for “Music” and will for as long as they keep it around. And as I’ve said many times: an abbreviation is not a brand!

Podcasters Across Borders (PAB). Two weeks ago, I attended the last iteration of this venerable – and mind-blowingly awesome – conference, which, it will not surprise you, was originally for Podcasters. But as time passed, and “Podcasting” became less the hip, insider cool-kid thing it once was, Mark Blevis and co started saying that the name was now “PAB”. But you also won’t be surprised that this caused confusion, consternation, apologies, and lots of onstage corrections.

140 Character Conference. Last year, I was pitching some ideas around for speaking engagements, and saw that Jeff Pulver would be bringing his 140 Character Conference to Toronto. So I pitched him an idea, and I guess I must have used the word “Twitter” one too many times, because he sent me an abrupt – and oddly peevish (“pulverish”?) – e-mail telling me that if I had taken the time to read his site, I’d know that his conference was not about Twitter but about the emerging “real-time internet”…
Funny thing though, I had read the site, like this part on the home page: “#140conf events provide a platform for the worldwide twitter community to: listen, connect, share and engage with each other, while collectively exploring the effects of the emerging real-time internet on business. To his credit, Jeff is now shifting from emphasis on “140” to a new master name “State of Now”, so perhaps we’re seeing the name change. Real time.

The problem was not “Christ”. The problem was the limiting word “campus” (when CCC ministers to millions that have nothing to do with any “campus”) and “crusade” (which for millions of people has one main connotation: Medieval crusades against Muslims). Beck’s approach is not responsible journalism but careless hype for the religious right.

So how about you Brand fans? What are you doing to make Glenn Beck angry? Any examples of misleading names you’d like to see changed? Fire away in the comments below!

A friend who is a former Brandvelope client recently asked a question I’ve had to answer a lot over the years: what are the most important things to consider when two brands come together? Good question.

The nature of the beast: risky but potentially awesome

In my friend’s case, his company is going through a friendly corporate merger / mutually agreed upon buyout – probably the best case scenario for a scenario where two established brands come together. It’s not a hostile takeover or a desperate fire sale, and the executive teams are merging as well, so players from both sides get to help make the calls.

But whether it’s a friendly handshake or a bitter feud, any time two companies come together for whatever reason, there is always uncertainty, turmoil, and potentially, lost or confused customers. And one of the touchiest issues is the brand assets – corporate, product, and otherwise. Which brands, if any, will survive?

But wait a minute. Before you think about any of this, you need to work on one thing…

The one big question you need to answer

What is the big customer win?

Essentially, you need to figure out as soon as possible why a customer would want your brands to come together. Not you. Not the other company. Not the shareholders or bankers. The people who pay you to do what you do.

I always tell my clients to think of this:“What do you want your key customer contact to tell their boss in plain, human language to keep them calm when they hear a big change is coming?”

Because if you don’t answer that question, they’ll find their own answer. And you may not like what they say.

And you can bet they’re not going to want to say “they’re hoping to make more money” and they definitely won’t quote that bit in your Press Release where you say “this will enable our newly combined entity to maximize market and production efficiencies and better address global supply chain… (etc. etc.)”

The story you want them to tell is the single most important thing you will decide – and it will make all the other decisions much, much, easier.

10 important brand decisions:

How and when you will communicate to customers (hint: early and often) .

What you promise them (early and often – about the services they rely on)

I’d love to hear from you if you have examples of brand mergers that have gone very right or very wrong. What do you think?

Putting the passion back in your brand.

My sister Sharon, help who knows I’ve recently been doing product naming work for a high-end chocolate brand (more on that when it’s public), clinic sent me a link she said I needed to see. You can watch the embedded YouTube vid below. It’s an absolutely brilliant short film / advertorial by a Hamilton, Ontario student filmmaker Gemma Holdway. Watch for my favourite line in the ad: “It’s just chocolate!”

Watch this before reading further:

What I love about this

1) It’s clearly an ad, but it’s a heck of a lot of fun. Like the best viral ads you’ll see on Superbowl Sunday or in a Facebook link, it manages that tricky balance: it’s obviously designed to sell something – in this case chocolate – while at the same time keeping the content fresh and fun with great performances and a great little set-up.

2) It’s clearly targeted, but inclusive. It’s no secret that women are easily the richest target demographic for chocolate advertising. So this ad, and the contest that inspired it, are for, and all about, women. But yet, this ad also manages to be fresh and funny to everyone. Even me. And I’m the Russian judge.

3) It tells a great brand story. The narrative is what elevates this above “just chocolate” advertising. By casting the brand as the hero of a compelling, emotion-laden story, this effort soars above 98.65% (roughly) of product-focused chocolate advertising.

4) It’s not heavy-handed.Divine Chocolate makes no secret that it’s fair-trade and farmer-owned. And the tag line “Heavenly Chocolate with a heart” certainly implies this. But unlike a lot of green or “cause” brands, it doesn’t seem to take itself too seriously. And this video is nicely in that vein. I might quibble that the “fair trade” idea could have been subtly worked into the script (sweatshop kiss booths perhaps?) but maybe it’s better without it.

5) It Differs. A lazier agency dealing with the name “Divine Chocolate” would have gone with a more obvious angle – like a chocolate version of the ongoing Philly Cream Cheese “Little taste of Heaven” campaign (by Canada’s J. Walter Thompson). But since the name already says “Divine”, it works better to play on other aspects of the brand.

And how many hunky angels and simpering women characters does the world need? Really.

In case you haven’t see it. Before I get to the 10 reasons to like the new Twitter, you probably don’t see it yet. Here’s the word from Twitter on why, and how you can get into the New Twitter cool kids as well. For now, you need to download and use their new iPhone or Android app – which is how I got in. But if that’s not for you, here’s a good summary.

1. Classy new icons.

I’m starting with the most superficial-seeming change not because I think it matters, but because it actually does matter. The new top bar icons are lovely and they just make sense.

Okay, not just that. They make sense and they are playfully different – particularly the whimsical little bird house and the little feather they inserted into the Compose New Tweet button. A clear signal that the bird is back.

They main ones are also left aligned, as opposed to having an empty “Search” box at the left. This means the home button is actually where you expect a home button to be – as well as doing what average users expect it to. But more on that later.

“Trying out this Twitter thing!” “Not getting the hype.” “Hello? Hello? Is this thing on?”

Seriously, you remember your first time? Unless you already had a tribe of active Twitter friends, the experience was pretty cold and dark. The new interface means that a couple of exploratory clicks will reward even the most green Tweeter with real, rich content. This is bound to improve the all important new user retention factor by giving people a reason to stick around.

3. Main section 1: Home

Once you click on that little birdhouse, this page has all the same stuff as the old “Home” button but the big change is that, as with all the new pages, the left navigation makes the whole thing make more sense as a home page.

4. Main section 2: Connect

The best part of this is the ability to distinguish between “Mentions” – who’s using your @ handle – and “Interactions” – the mentions plus all the followed / retweeted stuff that has recently been clogging all of our timelines. Love the ability to opt in or out of these.

The worst part is that DM Messages don’t appear here, which is what you’d expect. Instead they’re under the profile icon on the right hand side.

A better way to organize this would be to have the Connect page have Mentions as the default (since that’s what most people open our Twitter pages to see), then allow people to add or remove Interactions and Messages from the left hand navigation. Three options with Simple Check boxes should do it.

5. Main section 3: Discover

This is the main net-new section of the new twitter, and it is BRILLIANT. On the right you’ll see the different elements it brings together. All of which were in odd, non-intuitive places in the old interface. But now they’re grouped as one place to dig into Twitter beyond your own current followers, follows, and streams.

The stickiest part for me right now is Stories – which contains clips of media news items and blog posts that are selected for me based on my interests and how much discussion they’re generating.

But I also instantly found more value in the Activity, Who to Follow, and Find Friends sections.

6. Left hand navigation.

This will make many hard core Twitter faithful angry. But remember, this change not for us. Me, I swallowed my initial urge to Tweet about a massive user interface “FAIL”, and I suggest you do too. It only took a couple of clicks to get used to the new arrangement, and before I knew it, I was no longer looking for things. The one sure sign of Web design success.

7. In-line media.

Pictures basically pictures and movies can now appear right within a Tweet – and this is important – if you want them to. Twitter has been tinkering with this for years, but now it’s here in spades. And best of all, seamlessly in context (see the embedded Tweet in point number 10 below).

8. Brand pages.

I liked ’em on Facebook, they’re growing on me in Facebook, and I love what I see on the pages of the 21 lucky uber brands that got in on the ground floor.

No, it’s not because I’m a branding and marketing guy, it’s because brand pages help me distinguish between ordinary mortals like this guy and brands like Coke or Pepsi (and yes, they’re both there competing again for your taste-test).

For brands, it gives them a bigger incentive to invest time, staff energy, and money in their Twitter presence, which means they’ll need to keep humanizing themselves – because that’s what works for the community.

9. Revenue.

The best news for Twitter fans is that they finally seem to have figured out how to make money at this game without annoying users. The new brand pages, sponsored Tweets, and better multimedia will all add up to a more sustainable free app. Which is good.

It also signals Twitter’s bigger ambitions to become a major corporate player. Interesting that NYSE Euronext is one of the 21 chosen brands and not NASDAQ… Hmm. IPO in the air?

10. Embedding Tweets and buttons.

Not for the average user, but for bloggers like me, it means I can more easily share Twitter content. For example, check out this page to create custom buttons and widgets, like this one for an Ottawa holiday party next week:

Or, you can embed a Tweet like the one below, and it’s real live content with intact links and context, and not a screen grab. This means tweets are even easier to share, discuss, and publish across platforms. Like this:

@DenVan working on a #newtwitter blog post now.May I make this my first embedded tweet? 🙂

Confessions of a coward

In that post, more about I “came out” as a poseur punk. I was never actually a punk by the standard social definitions of the times, even though I hung out with punks, listened to the music, danced and generally snarled a lot. And my life today at 42 certainly doesn’t scream “punk”. But as the comments made very clear: 1) I wasn’t alone, and 2) it didn’t matter. It was the *idea* of capital P Punk that a lot of us poseurs carried with us as we grew older.

One of the commenters, Kyle Judkins responded to this line in my post:

But I was a coward, way too straight-laced to get a weird haircut, body piercings, or any superficial paraphernalia that defined punk at the time.

He thanked me for tagging the safety pins / hairdos etc. as “superficial paraphernalia” because he had originally been worried that we “Punk Views” writers were talking about that stuff. The *fad* of punk. Which would be kind of like a man in his fifties pretending he’s still a 1980’s era breakdancer – as in a TEDx Ottawa talk I saw a few weeks ago. Good heart. Great message. But… um… culturally awkward.

My thought back to Kyle was:

The external trappings of Punk were never actually very punk were they? And I guess the same goes for any revolutionary movement – whether Occupy <fill in the blank> , the Tea Party, or the French revolution, as soon as a movement gains an internal orthodoxy and pecking order it loses its edge. That’s why I like punk as a *verb* rather than a noun.

So yeah, don’t go pulling out your old punk gear in some sad search for your forgotten youth. Punk was never a uniform. It’s a verb.

And as you read these 5 “lessons” that formed the core of that post, feel free to insert the words “brand” “business” “charity” “government” or whatever where it says “social media” or “heavy metal / opera / jazz / whatever” where it says “punk”.

Or don’t. You’re punk. Find your own way!

5 reasons social media (or whatever) needs more Punk (or whatever)

Punk doesn’t take itself too seriously. What most people didn’t get about punk was that it was a joke. I don’t mean that it wasn’t important. I mean that at its core, punk was parody, a joke played on the rest of the world. You all dress one way? Fine, we’ll do the opposite. You value top-forty disco? Fine, how about this aural assault? Like the jester at the banquet, the punk is the one who sees through the poses and the pomp, and sees where to poke the holes. On social media, I’m finding the most valuable people are those who take their ideas seriously, but notthemselves.

Punk is about playing (loud). The punk attitude is about playing – playing a part, playing with ideas and roles, and playing out different possibilities. Taking them apart. Turning them inside out. Cranking up the volume. This constant state of play is what allows people with a punk attitude to keep evolving, changing, growing new brain cells. And in social media, it’s the attitude that drives creative connections and brilliant moments of serendipity. It’s also why nobody can ever script or template success in social media (beware the “proprietary systems”). You’ve just got to get in there and play it out.

Punk says anybody can do it. Punk was the ultimate DIY movement. You didn’t need to be a classically trained musician to play punk, and you didn’t get your clothes – or your ideas – from Woolco. This was the ethic that made punk like early social media: chaotic, confusing, but ultimately a flat playing field where anyone could play. That’s why I feel like I have a right to put my content alongside anyone else’s. Because, actually, I do. Not because I’m special, but because anybody can. As Martin Luther King Jr. never (ever) said: “Don’t judge me by the colour of my Klout score, but by the character of my content.”

Punk sneers at popularity. Sorry popular kids. Punks are iconoclasts by definition. We learned in high school that popularity doesn’t equal substance. We learned not to idolize airheaded jocks and bitchy prom queens just because we were expected to. So in social media, the more popular you are, the higher your follower count, blog ranking, or Klout score, the more the punks will challenge and dissect the work you do. Fair is fair, so we won’t disrespect you as people. But we will demand more of you. To question your ideas and hold you accountable for the very influence you seek.

Punk begs to differ. The idea of punk is to try out alternatives. To put a little twist on normal and see it from the other side. I named my own humble blog (warning: link-pimpage ahead) Beg to Differ because I’m obsessed with difference – and from a marketing and branding standpoint, differentiation. How do people and products stand out and get noticed? And that’s really the point of this exercise too. The key question is: how do we keep social media fresh, democratic, and open to anyone with real value to share?