About Me

Australian philosopher, literary critic, legal scholar, and professional writer. Based in Newcastle, NSW. Author of FREEDOM OF RELIGION AND THE SECULAR STATE (2012), HUMANITY ENHANCED (2014), and THE MYSTERY OF MORAL AUTHORITY (2016).

But my non-fiction is like Edgar Allan Poe

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Really - I put in a slab of the non-fiction book I'm working on it came up as Edgar Allen Poe. I'm not sure wwhether that's good or bad. A big chunk of fiction got me James Joyce, but it hasn't escaped my notice that it had Irish names in it.

Okay, okay, I just looked him up on Wikipedia. He sounds interesting. Poor bastard committed suicide while still in his forties. This is a sad literary story that had passed me by totally. I'm going to read his work now.

Static allometry of male genitalia and body size is commonly used as a means to interpret selection pressures influencing rapid divergent genital evolution. Here, allometry is applied to a species of Octopus. Negative allometry is found, which is consistent with current understanding of allometry in polyandrous invertebrates with minimal courtship and no overt sexual conflict. It most likely supports the hypothesis of "one size fits all". Caution must be exercised, however, given that erectile tissue has been found in the genital organs of some species of octopus, indicating that allometry in deceased specimens might not reflect that found in living, copulating individuals.

I got another Stephen King - for this passage from my Terminator novel An Evil Hour:

"Don't try to fight," Layton said. Jensen tried to bite him, but Layton held on with an iron grip. "Everything will become clear to you. I'm not doing this for nothing. There's work to be done, and we need your help." Layton's bloodstream swarmed with tiny, liquid-metal nanobots, far too small to combine into anything sentient, and with only a minimal preprogrammed routine to guide them. But they had an important job. They gathered at his fingertips, penetrating the walls of his blood vessels, then found their way through the interface of Layton's skin and Jensen's. They burrowed into Jensen like minuscule corkscrews, looking for the man's brain. Once they located nervous tissue, they swarmed, in accordance with their routine, eating, digesting, and analyzing nerve fiber, building up data records. Soon they had a model of how the man's personality and memories were sustained and structured by his neurophysiology. They became more active, rearranging synapses and connections, overlaying Jensen's personality with additional neurological code, giving him a set of new emotional responses, and some basic axioms to live by. Thirty seconds later, the tiny bots streamed back into Layton through his fingers. He relaxed his grip, then let go entirely and settled back against the car, feeling exhausted from his efforts. "Is everything clear?" he said.

Niamh's close-lipped smile was infinitely calm, infinitely joyous, infinitely sad. You could find anything and everything in her smile. "There is always something new, my love," she said. "Don't you yet understand? Sometimes new stars appear in the sky. I have sharpened my own sight with shape shifting and glass instruments, and I've looked closely at the Earth's moon. I've studied its surface like you'd survey a plain spread out below you from a hill." "And seen what?" "I've seen great mountains and huge, round craters like strange dry seas! Perhaps the moon is a world like our own, one that died. No one knows among the Immortals. But we think that the Earth is itself a starlet dancing about the sun, which is only a star in the infinite ocean of stars that I told you of." Infinitely joyous, infinitely sad, her smile said, Come with me, Oisin. There's so much to learn in a universe like this. "But I'm a warrior," he said. "I've been a warrior for all my years, since they trained me as a child. I can't change now." She looked upward into his eyes, gesturing wildly, shaking her head. "Fifty years is nothing," she said. "It's less than nothing." She grew taller — just slightly, the merest use of her powers. Then they were equally tall. "You can change and grow many times. You can lead many kinds of life, each more fascinating and intricate than you can think of. Would it really be so bad?" He felt like his skin was hardening and cracking. Like a snake's. Then he laughed. Another illusion. But it was painful to think about change. "The universe is large enough for heroes and for lovers to bloom in," Niamh said. "It's mysterious enough that no hundred years need ever resemble the one before. And you need not be the self of a hundred years before." She laughed. "You can't be a warrior all your life, my love, not with the length of life ahead of you. Eventually, you'll have to grow up … or else put an end to your immortal life. It's not so bad to grow up. And to grow up is not to be any one thing. Not just a dancer and a lover, not just a warrior. Do you understand? One faraway day your wiser self will look at your present-day self like you now look back at your childhood. And later still — another day — that wiser self will seem like a child in its turn."

OK, so pasting some of "Fall of the House of Usher" got me Arthur Conan Doyle, and then pasting in some of "The Black Cat" got me HP Lovecraft.

"Hound of the Baskervilles" comes out as Arthur Conan Doyle no matter what passage I use. A passage from "The Adventure of the Devil's Foot" got me James Joyce.

And a passage from "The Nameless City" got me HP Lovecraft.

It seems to have a little trouble recognizing Edgar Allan Poe, but its hit rate on Doyle and Lovecraft seem to be pretty good. I'm guessing it's comparing text against some limited set of works or passages for each author that happens to include "The Nameless City" and "Hound of the Baskervilles" but not "Fall of the House of Usher" (or "Adventure of the Devil's Foot").

The IWL algorithm seems very poorly designed. Reed Teresa Nielsen Hayden's analysis at Making Light for a good deconstruction:

http://nielsenhayden.com/makinglight/archives/012497.html

BTW, I was curious enough to past a text in French in the IWL box, just to see if it would recognize that the language wasn't even English. Sure enough, it didn't! But it said that I wrote like Shakespeare!

the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.Did she have a precursor? She did, indeed she did. In point of fact,there might have been no Lolita at all had I not loved, one summer, acertain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style.Ladies and gentlemen of the jury, exhibit number one is what theseraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.