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up the performance or appearance fee for Fleetwood Mac, we act as YOUR agent in
securing Fleetwood Mac at the best possible price. We go over the rider for
Fleetwood Mac and work directly with Fleetwood Mac or the responsible agent for
Fleetwood Mac to secure the talent for your event. We become YOUR agent,
representing YOU, the buyer.

In fact, in most cases we can negotiate for
the acquisition of Fleetwood Mac for international dates and newer promoters
providing you meet professional requirements.

Fleetwood Mac Biography

While most bands undergo a number of changes over the course of
their careers, few groups experienced such radical stylistic changes as
Fleetwood Mac. Initially conceived as a hard-edged British blues combo
in the late '60s, the band gradually evolved into a polished pop/rock
act over the course of a decade. Throughout all of their incarnations,
the only consistent members of Fleetwood Mac were drummer Mick
Fleetwood and bassist John McVie -- the rhythm section that provided
the band with its name. Ironically, they had the least influence over
the musical direction of the band. Originally, guitarists Peter Green
and Jeremy Spencer provided the band with its gutsy, neo-psychedelic
blues-rock sound, but as both guitarists descended into mental illness,
the group began moving toward pop/rock with the songwriting of pianist
Christine McVie. By the mid-'70s, Fleetwood Mac had relocated to
California, where they added the soft rock duo of Lindsey Buckingham
and Stevie Nicks to their lineup. Obsessed with the meticulously
arranged pop of the Beach Boys and the Beatles, Buckingham helped the
band become one of the most popular groups of the late '70s. Combining
soft rock with the confessional introspection of singer/songwriters,
Fleetwood Mac created a slick but emotional sound that helped 1977's
Rumours become one of the biggest-selling albums of all time. The band
retained its popularity through the early '80s, when Buckingham, Nicks,
and Christine McVie all began pursuing solo careers. The band reunited
for one album, 1987's Tango in the Night, before splintering in the
late '80s. Buckingham left the group initially, but the band decided to
soldier on, releasing one other album before Nicks and McVie left the
band in the early '90s, hastening the group's commercial decline.
The roots of Fleetwood Mac lie in John Mayall's legendary British blues
outfit, the Bluesbreakers. Bassist John McVie was one of the charter
members of the Bluesbreakers, joining the group in 1963. In 1966 Peter
Green replaced Eric Clapton, and a year later drummer Mick Fleetwood
joined. Inspired by the success of Cream, the Yardbirds, and Jimi
Hendrix, the trio decided to break away from Mayall in 1967. At their
debut at the British Jazz and Blues Festival in August, Bob Brunning
was playing bass in the group, since McVie was still under contract to
Mayall. He joined the band a few weeks after their debut; by that time,
slide guitarist Jeremy Spencer had joined the band. Fleetwood Mac soon
signed with Blue Horizon, releasing their eponymous debut the following
year. Fleetwood Mac was an enormous hit in the U.K., spending over a
year in the Top Ten. Despite its British success, the album was
virtually ignored in America. During 1968, the band added guitarist
Danny Kirwan. The following year, they recorded Fleetwood Mac in
Chicago with a variety of bluesmen, including Willie Dixon and Otis
Spann. The set was released later that year, after the band had left
Blue Horizon for a one-album deal with Immediate Records; in the U.S.,
they signed with Reprise/Warner Bros., and by 1970, Warner began
releasing the band's British records as well.

Fleetwood Mac released English Rose and Then Play On during 1969, which
both indicated that the band was expanding its music, moving away from
its blues purist roots. That year, Green's Man of the World and Oh
Well were number two hits. Though his music was providing the backbone
of the group, Peter Green was growing increasingly disturbed due to his
large ingestion of hallucinogenic drugs. After announcing that he was
planning to give all of his earnings away, Green suddenly left the band
in the spring of 1970; he released two solo albums over the course of
the '70s, but he rarely performed after leaving Fleetwood Mac. The band
replaced him with Christine Perfect, a vocalist/pianist who had earned
a small but loyal following in the U.K. by singing with Spencer Davis
and the Chicken Shack. She had already performed uncredited on Then
Play On. Contractual difficulties prevented her from becoming a
full-fledged member of Fleetwood Mac until 1971; by that time she had
married John McVie.

Christine McVie didn't appear on 1970's Kiln House, the first album the
band recorded without Peter Green. For that album, Jeremy Spencer
dominated the band's musical direction, but he had also been undergoing
mental problems due to heavy drug use. During the band's American tour
in early 1971, Spencer disappeared; it was later discovered that he
left the band to join the religious cult the Children of God. Fleetwood
Mac had already been trying to determine the direction of their music,
but Spencer's departure sent the band into disarray. Christine McVie
and Danny Kirwan began to move the band towards mainstream rock on
1971's Future Games, but new guitarist Bob Welch exerted a heavy
influence on 1972's Bare Trees. Kirwan was fired after Bare Trees and
was replaced by guitarists Bob Weston and Dave Walker, who appeared on
1973's Penguin. Walker left after that album, and Weston departed after
making its follow-up, Mystery to Me (1973). In 1974, the group's
manager, Clifford Davis, formed a bogus Fleetwood Mac and had the band
tour the U.S. The real Fleetwood Mac filed and won a lawsuit against
the imposters -- after losing, they began performing under the name
Stretch -- but the lawsuit kept the band off the road for most of the
year. In the interim, they released Heroes Are Hard to Find. Late in
1974, Fleetwood Mac moved to California, with hopes of restarting their
career. Welch left the band shortly after the move to form Paris.

Early in 1975, Fleetwood and McVie were auditioning engineers for the
band's new album when they heard Buckingham-Nicks, an album recorded by
the soft rock duo Lindsey Buckingham and Stevie Nicks. The pair were
asked to join the group and their addition revived the band's musical
and commercial fortunes. Not only did Buckingham and Nicks write songs,
but they brought distinctive talents the band had been lacking.
Buckingham was a skilled pop craftsman, capable of arranging a
commercial song while keeping it musically adventurous. Nicks had a
husky voice and a sexy, hippie gypsy stage persona that gave the band a
charismatic frontwoman. The new lineup of Fleetwood Mac released their
eponymous debut in 1975 and it slowly became a huge hit, reaching
number one in 1976 on the strength of the singles Over My Head,
Rhiannon, and Say You Love Me. The album would eventually sell over
five million copies in the U.S. alone.

While Fleetwood Mac had finally attained their long-desired commercial
success, the band was fraying apart behind the scenes. The McVies
divorced in 1976, and Buckingham and Nicks' romance ended shortly
afterward. The internal tensions formed the basis for the songs on
their next album, Rumours. Released in the spring of 1977, Rumours
became a blockbuster success, topping the American and British charts
and generating the Top Ten singles Go Your Own Way, Dreams, Don't
Stop, and You Make Loving Fun. It would eventually sell over 17
million copies in the U.S. alone, making it the second biggest-selling
album of all time. Fleetwood Mac supported the album with an
exhaustive, lucrative tour and then retired to the studio to record
their follow-up to Rumours. A wildly experimental double album
conceived largely by Buckingham, 1979's Tusk didn't duplicate the
enormous success of Rumours, yet it did go multi-platinum and featured
the Top Ten singles Sara and Tusk. In 1980, they released the
double-album Live.

Following the Tusk tour, Fleetwood, Buckingham, and Nicks all recorded
solo albums. Of the solo projects, Stevie Nicks' Bella Donna (1981) was
the most successful, peaking at number one and featuring the hit
singles Stop Draggin' My Heart Around, Leather and Lace, and Edge
of Seventeen. Buckingham's Law and Order (1981) was a moderate
success, spawning the Top Ten Trouble. Fleetwood, for his part, made
a world music album called The Visitor. Fleetwood Mac reconvened in
1982 for Mirage. More conventional and accessible than Tusk, Mirage
reached number one and featured the hit singles Hold Me and Gypsy.

After Mirage, Buckingham, Nicks, and Christine McVie all worked on solo
albums. The hiatus was due to a variety of reasons. Each member had his
or her own manager, Nicks was becoming the group's breakaway star,
Buckingham was obsessive in the studio, and each member was suffering
from various substance addictions. Nicks was able to maintain her
popularity, with The Wild Heart (1983) and Rock a Little (1985) both
reaching the Top 15. Christine McVie also had a Top Ten hit with Got a
Hold on Me in 1984. Buckingham received the strongest reviews of all,
but his 1984 album Go Insane failed to generate a hit. Fleetwood Mac
reunited to record a new album in 1985. Buckingham, who had grown
increasingly frustrated with the musical limitations of the band,
decided to make it his last Fleetwood Mac project. When the resulting
album, Tango in the Night, was finally released in 1987, it was greeted
with mixed reviews but strong sales, reaching the Top Ten and
generating the Top 20 hits Little Lies, Seven Wonders, and
Everywhere.

Buckingham decided to leave Fleetwood Mac after completing Tango in the
Night, and the group replaced him with guitarists Billy Burnette and
Rick Vito. The new lineup of the band recorded their first album,
Behind the Mask, in 1990. It became the band's first album since 1975
to not go gold. Following its supporting tour, Nicks and Christine
McVie announced they would continue to record with the group, but not
tour. Vito left the band in 1991, and the group released the box set 25
Years -- The Chain the following year. The classic Fleetwood Mac lineup
of Fleetwood, the McVies, Buckingham, and Nicks reunited to play
President Bill Clinton's inauguration in early 1993, but the concert
did not lead to a full-fledged reunion. Later that year, Nicks left the
band and was replaced by Bekka Bramlett and Dave Mason; Christine McVie
left the group shortly afterward. The new lineup of Fleetwood Mac began
touring in 1994, releasing Time the following year to little attention.
While the new version of Fleetwood Mac wasn't commercially successful,
neither were the solo careers of Buckingham, Nicks, and McVie,
prompting speculation of a full-fledged reunion in 1997. The live album
Shrine 69 was released in 1999. Say You Will, the first Fleetwood Mac
studio album in 15 years, appeared in April 2003. It also marked the
group's first set without Christine McVie since 1997's live effort, The
Dance. ~ Stephen Thomas Erlewine, All Music GuideWritten by Stephen Thomas Erlewine

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