Dane Langgaard is one of those composers routinely reduced to a single
characteristic by populist music writers. Where Gesualdo is a 'murderer'
and Brahms - regardless of his age! - an 'old curmudgeon', Langgaard
is "basically nuts", as a well-known publication starkly describes
him in its review of this CD. Yet it is difficult to criticise the
composer for his deeply-held religious beliefs - in that regard his
cacoethes has been shared by almost all composers in history.
Whereas if he was "nuts" for being an anti-establishment loner, then
sanity must surely be overrated.

The string quartets of Langgaard's generation-older compatriot Carl
Nielsen have still to attract the public acclaim they merit. That
is due in part to their relative absence from the recital stage, most
quartets presumably afraid to venture beyond the solid-gold repertoire
of Beethoven, Shostakovich and a few others. In recording terms, on
the other hand, Nielsen has been reasonably well served, especially
with regard to symphonies, but Langgaard is still at a stage where
even his name remains widely unrecognised.

That needs to change, and Danish label Dacapo have been instrumental
in setting the wheels in motion, slowly drawing Langgaard out of the
shadow cast by Nielsen - hitherto believed by some to be Denmark's
only composer - with their systematic recording of his oeuvre. Pride
of place in one respect goes to the 7-CD complete symphonies, recorded
by the Danish National Symphony Orchestra under the impressive Thomas
Dausgaard (review).

It does not sweep all prizes, however: besides the fairly hefty price
ticket, sound quality is nothing special, despite the 'Super-Audio'
engineering. Indeed, other reviews of the recording under consideration
have praised its own technical quality, but that frankly says more
about the hearing of certain authors than anything. Audio is certainly
good in many respects, but almost fluorescently bright, making the
disc's shortlisting for the 2013 BBC Music Magazine Awards slightly
surprising. Even at 'Super-Audio' specification, Dacapo's engineering
seems to lag a little behind that of Scandinavian rivals BIS or Phono-Suecia,
and in that respect the premium price the 'SACD' tag attracts is rather
high.

Nevertheless, such are the breadth and depth of Langgaard's action-packed
'modernist conservatism', and so persuasive are these readings - in
this regard fully deserving of a BBC or any other award - by the young
Nightingale String
Quartet, making their debut to boot, that this disc really does
demand pecuniary issues be put aside. Some critics do seem to enjoy
waxing lyrical over Langgaard's 'wackiness' or 'eccentricity', but
really his music merely reflects an inventive fecundity and manifold
sense of humour that give rise to memorable music without recourse
to gadgetry, affectation or cliché.

As far as Langgaard's quartets go, Dacapo are in direct competition
mainly with themselves - a double disc featuring all the above, plus
nos. 4 and 5, recorded by the estimable Kontra Quartet in the 1980s,
originally appearing on RCA LPs (DCCD
9302). In all, Langgaard wrote about three hours' worth of music
for string quartet, so there should be two more volumes. It appears
the Kontra Quartet never did complete their own Langgaard cycle, although
in fairness there were still gaps in the scholarship back then. Their
accounts of Nielsen's four (BIS CD-503-04) and Holmboe's magical twenty
(Dacapo
8.207001), by the way, should be on every music-lover's shelf.
Despite the dampened acoustic, the latter is particularly good value,
a 7-CD boxed set widely available for half the price of the Langgaard
symphonies!

Booklet notes here are extensive and informative, if slightly rambling
in translation, and given a suitably noirish cover. The scene is nicely
set for volume 2.