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This is one of the first works that Gabo made with the newly invented plastic, Perspex. Gabo found that Perspex was easier to manipulate and bend than other plastics that he had previously worked with. It is a superb example of constructivist sculpture, which is made by combining separate elements, instead of using traditional techniques, such as carving or modelling to create a single form. There are two other versions of this work, one with a black centre and one with a white centre. The work conveys an abstract sense of energy and movement, with planes springing dynamically from the central black area.

Abstract art

Art in which there is no attempt to represent anything existing in the world, particularly used of the 20th century onwards. ‘Abstraction’ refers to the process of making images that may in part derive from the visible world but which are reduced to basic formal elements.

Constructivism

A geometric, abstract style founded in the early twentieth century in Russia by Vladimir Tatlin. The movement reflected the machine age through its use of new technology and materials and applied its theories to architecture and design as well as fine art. Exiled artists such as Naum Gabo helped to spread the Constructivist ideas. ‘Constructionist’ and ‘constructed abstract art’ are also terms used to describe work relating to these ideas.

Abstract art, Constructivism

Details

Acc. No.GMA 4405

MediumPerspex with wood base

Size48.20 x 48.20 x 21.60 cm

CreditPurchased with funds bequeathed by Mr Alan Roger and help from the Art Fund and the Henry Moore Foundation 2001

Naum Gabo (Russian / American, 1890 - 1977)

Gabo was born in Russia and trained in Munich as a scientist and engineer. He made his first geometrical constructions while living in Oslo in 1915. Gabo was influenced by scientists who were developing new ways of understanding space, time and matter. He responded to this in his sculpture by using transparent plastics. In 1920, Gabo published a 'Realistic Manifesto' which set out the principles of Constructivism and advocated a new abstract sculpture. From 1936 to 1946 Gabo lived in England. Through his friendships with Henry Moore and Barbara Hepworth, he also influenced their artwork, particularly in the use of string in their sculptures.