It can be assumed that, regardless of grade level, all works fit the mission and goals set forth by Triplo Press for publication.

Grade 1 Involves rudimentary levels in all four criteria. Rhythms do not progress beyond eighth notes, range reaches no higher than a g'' and technical and musical demands are minimal. Key signatures stay within two flats to two sharps.

Grade 2 Introduction of triplet figures, but still no faster than eighth notes. Range to an occasional b''. The use of any key. Varied (but clearly marked) articulations. Few technical demands. Musical demands are elementary.

Grade 3 In general, more musical awareness than Grade 2. Rhythmic complexity includes sixteenth notes. Range goes to an occasional c'''. Continued simplicity of arrangement and style, but musical content is on a more mature level, and, played well, are extremely effective. Most of the pieces written in the Cincinnati Herald Trumpet Ensemble series are in this category.

Grade 4 Advanced young students (usually ages 16-18). Rhythms mildly complex, with the introduction of simple mixing of meters. Range utilizes c''' on a regular basis. Average technical demands, including same-note multiple tonguing. The player's understanding of musical and stylistic concepts become more important to rehearsal ease and success of performance.

Grade 5 Continued sophistication of style and demands. Full sounding ensemble writing. Increased complexity of rhythms and mixed meter and time signatures. Range demands are routinely to c'''. Multiple tonguing and relatively complex technical demands. Endurance and power demands increase. Serious young performers at the collegiate level can handle this level.

Grade 6 This is the level that most accomplished collegiate players and professional performers find most befitting. Without extreme technical demands, but with definite challenges. Range goes to e'''. Sophisticated musical demands. The use of smaller trumpets within the ensemble is common. The knowledge of style is extremely important to the success of these works.

Grade 7 Still more sophistication. Strong collegiate or beyond. Higher level in sensitivity of ensemble and complexity within the composition. Endurance is also a factor.

Grade 8 Very strong demands at every level. Complex rhythms and time signatures. Technique and range are musical considerations which do not take the level of the performer into consideration. Very challenging material.

Complete Catalog

Cat #TitleNo. of TrpsGradeComposer (arr.)

TRP-001Christmas Carol Accompaniments(6)[3]Olcott, J.

Composer: Olcott, James L.

Number of Trumpets: 6

Key: various

Duration: various

Difficulty: 3

Seven easy arrangements written in the most common keys for singing and are excellent as accompaniments or stand-alone pieces. Inventive and fun to play, the selections in the collection include Joy to the World, O Little Town of Bethlehem, Deck the Halls, Angels We Have Heard on High, Silent Night, the First Noel, and O Tannenbaum. A very popular set.

ITG Journal, December, 1990, page 28:

"The CHRISTMAS CAROL ACCOMPANIMENTS...work very well as independent pieces...if they are used accompaniments to singing, the sixth part is optional. [The set includes Joy to the World (D), O Little Town of Bethlehem (F), Deck the Halls (F), Angels We Have Heard on High (G), Silent Night (B-flat), The First Noel (G), and O Tannenbaum (F)].

Formal Christmas Medley

Arranger: Olcott, James L.

Number of Trumpets: 8

Key: various

Duration: 5 minutes

Difficulty: 5

A five-minute suite of the favorites: Deck the Halls (with boughs of Holly); Silent Night; Angels We Have Heard on High; God Rest Ye Merry Gentlemen; Joy to the World. Optional doubling on B-flat piccolo trumpets for parts one and two. Inventive writing, accessible, fun to play, satisfying, and excellent in terms of audience appeal. Click here to read the review from the ITG Journal

ITG Journal, December, 1992, page 40-41:

"The FORMAL CHRISTMAS MEDLEY...everything you ever wanted to hear in a Christmas medley and then some. ...seasonal techniques as bell tones and chimes, cascading pyramids of descending eighth note runs, and the piccolo trumpet...

"(The Three All-Purpose Fanfares are among)...nine extremely attractive and useful arrangements for trumpet ensembles of from five to nine parts.... simple, straightforward, and require a minimum of rehearsal time. They do not make extreme demands in terms of range or endurance...music is clearly printed, with no awkward page turns. (Olcott) demonstrates his usual expert arranging skill in providing as much variety and melodic interest as possible in the inner parts while rotating the melody among the players."

Wedding Fanfare No. 1

Composer: Olcott, James L.

Number of Trumpets: 6

Accompaniment: timpani (optional)

Key: Bb Major concert

Duration: 45 seconds

Difficulty: 5

One of the most often played fanfares by the Cincinnati Herald Trumpet Ensemble. Majestic, full, broad, strong, and effective, but not difficult to rehearse or perform. One of the pieces reviewed in the ITG Journal as part of the CHTE Collection.

ITG Journal, December, 1990, page 28:

(The Wedding Fanfare No. 1 is among) "...nine extremely attractive and useful arrangements for trumpet ensembles of from five to nine parts.... simple, straightforward, and require a minimum of rehearsal time. They do not make extreme demands in terms of range or endurance...music is clearly printed, with no awkward page turns. (Olcott) demonstrates his usual expert arranging skill in providing as much variety and melodic interest as possible in the inner parts while rotating the melody among the players."

The original (for 3 trumpets) arranged for three groups of 3 players each, with interchanging phrases between the groups. Can be done with the three groups set antiphonally. The arrangement requires piano accompaniment (not included with this publication) which is the same as the original publication for 3 trumpets and piano. This publication presumes that the buyer already has or will have the original Belwin publication in hand.

The Ashgrove

Arranger: Olcott, James L.

Number of Trumpets: 6

Key: Eb Major concert

Duration: 3 minutes

Difficulty: 7

Written for two piccolo trumpets in B-flat, E-flat trumpet, 2 C trumpets, and one B-flat trumpet. A very dramatic, lush and warm rendition of this beautiful standard. Great for control, intonation, and phrasing.

Danny Boy

Arranger: Olcott, James L.

Number of Trumpets: 6

Key: B Major concert

Duration: 2 minutes

Difficulty: 7

Arranged for 2 piccolo trumpets in A, 1 E-flat trumpet and 3 B-flat trumpets, this lush arrangement is very lyrical and warm, highlighting control, balance, and beauty of phrase. Sounds wonderful in this rather unusual key.

Shenandoah

An easy, very melodic setting with colorful use of chords and voicings. A very popular arrangement.

ITG Journal, December, 1990, page 27:

"...A colorful, lush setting with contrasts of texture and modulations that keep the (tune) fresh and energetic."
"...extremely attractive and useful, requiring a minimum of rehearsal time."
(Olcott) demonstrates his usual expert arranging skill in providing as much variety and melodic interest as possible in the inner parts while rotating the melody among the players."

Emily

Composer: Mercer, Johnny

Arranger: Olcott, James L.

Number of Trumpets: 8

Key: Bb Major concert

Duration: 3 minutes and 30 seconds

Difficulty: 7

Arranged for 2 piccolo trumpets in B-flat and 6 B-flat trumpets. A very pretty and lush ballad done in a legato, fluid, vocal style. Balance, blend, phrasing, and style are key elements. A beautiful change-of-pace for any concert. One of those unexpected show stoppers.

Here's That Rainy Day

Composer: Van Heusen, Jimmy

Arranger: Olcott, James L.

Number of Trumpets: 8

Key: Bb Major concert

Duration: 1 minute and 45 seconds

Difficulty: 3

Simple yet very effective arrangement akin to Dee Barton's famous arrangement for the Kenton band. Slow all the way, the piece is thick and lush. There is a little solo space at the very end of the piece. Great change-of-pace on any concert.

Danse Boheme from Carmen

Composer: Bizet, Georges

Arranger: Olcott, James L.

Number of Trumpets: 12

Key: Eb concert

Duration: 3 minutes

Difficulty: 8

Scored for 2 piccolo trumpets in A, 4 C trumpets, 4 B-flat trumpets, 2 flugelhorns, 3 baritones and percussion. A major work that captures the flair (and then some) of the original composition. Available in printed version only.

Hornpipe from Watermusic

A part of the Cincinnati Herald Trumpet Ensemble Series, therefore straightforward, and requires a minimum of rehearsal time. Well-paced, majestic and colorful. Great for teaching style

ITG Journal, December, 1990, page 28:

"(The Hornpipe is one of) nine extremely attractive and useful arrangements for trumpet ensembles of from five to nine parts.... simple, straighforward, and require a minimum of rehearsal time. They do not make extreme demands in terms of range or endurance...music is clearly printed, with no awkward page turns. (Olcott) demonstrates his usual expert arranging skill in providing as much variety and melodic interest as possible in the inner parts whilerotating the melody among the players."

Overture from Royal Fireworks

Composer: Handel, George Frideric

Transcriber: Olcott, James L.

Number of Trumpets: 18

Key: D concert

Duration: 6 minutes

Difficulty: 7

An extremely successful arrangement scored for 6 piccolo trumpets in A, 6 D trumpets, 6 flugelhorns, 2 baritones, tuba and timpani. Very exciting and colorful. Best with parts doubled. (PS: be a little patient as you click to listen to the recording - the file is 11 mgs in bulk and 9 minutes in length, but oh so worth the wait).

Sokol Fanfare from Sinfonietta

Composer: Janacek, Leos

Transcriber: Olcott, James L.

Number of Trumpets: 9

Accompaniment: 2 baritones (t.c.), 2 bass trumpets, tympani

Key: C Major concert

Duration: 1 minute and 25 seconds

Difficulty: 6

9 B-flat trumpets, 2 baritones, two bass trumpets (trombones can substitute) and timpani. The original fanfare with the final seven measures of the Sinfonietta added at the end for a more fulfilling and exuberant finish.

A simple, straight forward, majestic and colorful arrangement for the Cincinnati Herald Trumpet Ensemble. Easy to rehearse and perform. Excellent use of voicing and sharing of the melody. Sections are easily repeated or rearranged.

With piano, bass, and drums. An adoption and expansion of this famous bebop tune. Features two groups of 4 B-flat trumpets each. Standard jazz harmonies with lots of interaction between players and groups of players. Excellent lines. Solo space. Reviewed in the IAJE Journal (September, 1991).

Trumpet Voluntary

Composer: Clarke, Jeremiah

Arranger: Olcott, James L.

Number of Trumpets: 6

Key: D Major concert

Duration: 2 minutes

Difficulty: 5

Part of the Cincinnati Herald Trumpet Series. In D concert, so this arrangement is a little tougher than some others in the series, but it is simple to put together and very effective. The melody moves from voice to voice so that no one takes the brunt of the relatively high tessitura. Excellent for teaching the piece.and the appropriate style.

ITG Journal, December, 1990, page 28:

"(The Trumpet Voluntary is one of a set of)...extremely attractive and useful arrangements for trumpet ensembles.... simple, straightforward, and require a minimum of rehearsal time. They do not make extreme demands in terms of range or endurance... music is clearly printed, with no awkward page turns. (Olcott) demonstrates his usual expert arranging skill in providing as much variety and melodic interest as possible in the inner parts while rotating the melody among the players."

With organ. Two antiphonal groups of 5 B-flat trumpets each. Very easy trumpet parts. Strong and majestic. Incredible in the church setting. The tonal center has been changed to B-flat to facilitate accessibility and ease of performance.

Tuba Mirum from Requiem

Composer: Verdi, Giuseppe

Arranger: Olcott, James L.

Number of Trumpets: 12

Accompaniment: Timpani

Key: Eb concert

Duration: 1 minute and 45 seconds

Difficulty: 5

This is an exact copy of the 8 original trumpet parts (4 orchestra and 4 antiphonal) with 4 filler parts added. A very successful and popular arrangement. The timpani part is theoretically optional, but the transcription hangs together best with it. NOTE: to see the music better, click on the lower right hand corner of the video to go to full screen.

"(The Wedding March from Lohengrin is one of)...nine extremely attractive and useful arrangements for trumpet ensembles of from five to nine parts.... simple, straightforward, and require a minimum of rehearsal time. They do not make extreme demands in terms of range or endurance...music is clearly printed, with no awkward page turns. (Olcott) demonstrates his usual expert arranging skill in providing as much variety and melodic interest as possible in the inner parts while rotating the melody among the players."

Transcribed by James Olcott. With organ. Taken directly from Wilhousky's dramatic arrangement, this transcription can stand alone or be coupled with the published arrangements for choir/orchestra/band (minor editing of measure numbers would be necessary). Makes a very powerful closer

March from Judas Maccabeus

Composer: Handel, George Frideric

Arranger: Olcott, James L.

Number of Trumpets: 8

Key: G Major concert

Duration: 1 minute and 8 seconds

Difficulty: 4

No. 44: Marsch. Two antiphonal choirs of four B-flat trumpets each. Very martial in style. A certain pompose feel. This work is better for use at events rather than for concert purposes, and is stylistically excellent for such things. Excellent Baroque literature. Easy to put together, too. Take a listen...

A lush yet very accessible arrangement of this beautiful standard.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, September 1993, page 54:

"(The arranger has) skillfully wrapped THE CHRISTMAS SONG into a beautiful package... all the key ingredients for a pleasant presentation."
"...lush harmonies..."
"...well-written and a joy to perform - an obvious crowd pleaser."

An excellent and powerful fanfare in the truest British tradition arranged transcribed from the original (18 Bb's and 18 bass trumpets - see TRP-103). Very exciting and effective. The original transcribed for 36 B-flat trumpet is also available via Triplo Press (TRP-65).

ITG Journal, January 2001, page 55:

...an effective opener for any ceremony, recital, or other festive occasion. This piece has great intensity and certainly catches the audience's attention from the very first note.

Four Sequential Ceremonial Fanfares

Composer: Olcott, James L.

Number of Trumpets: 4

Key: Ab Major concert

Duration: various

Difficulty: 3

Approximately 25 seconds each. A modern sounding set of strong fanfares based on a common theme. Each fanfare adds another voice and becomes a little more complex. Commissioned for the opening of the Nutter Center Sports Complex in Dayton, Ohio USA. Click here to read what the ITG Journal said of this piece.

Doodads

Composer: Olcott, James L.

Number of Trumpets: 6

Accompaniment: Piano, guitar, bass and drums

Key: F Major concert

Duration: 3 minutes and 30 seconds

Difficulty: 6

With piano, bass, guitar, drums. Shuffle/funk with lots of jazz trumpet section work as well as interaction betwen the parts. Solo space. A great deal of fun to play and an excellent change-of-pace for any concert.

Scherzo

Composer: Moser, Franz

Editor: Olcott, James L.

Number of Trumpets: 12

Key: C Major concert

Duration: 8 minutes

Difficulty: 8

Edited for 3 C trumpets, 9 B-flat trumpets and bass trumpet (trombone can substitute). One of the best of the classic pieces for trumpet ensemble. All of the elements are here: excellent lines, challenging interplay, great rhythmic vitality, and harmonic interest. Challenging for every player. Available in print form only.

ITG Journal, February 2003, page 41:

"Commencing with a pulsing exchange between the quartets and climaxing in a grand cadence of heroic proportions, Scherzo is ripe with potential for audience appeal. Listeners are carried to peak after peak, let down gently, and allowed to follow the ascent once more. Based upon the inherent musical merit of the piece, its pedagogical worth, and the high quality printing characteristic of Triplo Press, the list price should not be a deterent to placing Moser's Scherzo in libraries and on programs with regularity.

Taken from Dauverné's method for the natural trumpet, these pieces, transposed for B-flat trumpets, are excellent for elegant precision and style in the natural trumpet manner. Historically and musically fascinating.

For five or six B-flat trumpets. Full sounding. Easy and eminently useful. For the Cincinnati Herald Trumpet Ensemble. There are two recording here. The first is as in the score: 5 or 6 parts. The second is with an added two-trumpet descant, not represented in the score, but is included in the printed and pdf versions of this publication. When the descant is used, the difficulty level is raised to a 4.

ITG Journal, December, 1992, page 40-41:

"The power and dignity of the trumpet is wonderful to hear in this arrangement of THE STAR SPANGLED BANNER. ...successful in presenting our national anthem in an effective and enjoyable fashion."

An Overture and a Finale

Composer: LoPresti, Ronald

Number of Trumpets: 8

Key: Bb Major concert

Duration: 6 minutes and 10 seconds

Difficulty: 5

Excellent idiomatic and well-crafted writing for the trumpet. ABA form with contrasting sections and moods, the piece is accessible and exciting for player and audience alike. All parts are active with lots of pairing and trading off. Highly recommended

One solo part for B-flat trumpet with 3 sections of 4 B-flat trumpets each. Begins quietly and builds to a grand ending. Can be done antiphonally. Extremely easy and extremely effective.
NOTE: to view the video full screen, click on the lower right hand corner of the video.

ITG Journal, September 1993, page 52:

"...an ideal work for a young trumpet ensemble and would be an excellent introduction to antiphonal performance. Heralding...would provide excellent contrast on any program."

A through-written 20th century fanfare, highly idiomatic and dramatic. Commissioned by the Columbus (Ohio) Trumpet Consort. From the composer: "The title represents a combination of three words: “fanfare,” representing the purpose of the work; “atmospheric,” representing the “feel” of the piece; and “sphere,” representing the optional spatial placement of the performers around the perimeter of the performing space. This aggressively rhythmic miniature includes bitonal triadic clusters (scored for two opposing trios) and octatonic passages " NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, September, 1993, page 53:

"...satisfying... exciting, strongly rhythmic work."
"If your trumpet ensemble has a strong first player and solid supporting cast, this piece is for you!."

Fanfare for Remembrance

Composer: Reed, H. Owen

Number of Trumpets: 7

Accompaniment: Percussion and narrator

Key: C Major concert

Duration: 11 minutes

Difficulty: 6

An excellent, rather subdued minimalistic piece for six B-flat trumpets, flugelhorn, percussion and narrator. The first trumpet part is challenging, otherwise the piece is not difficult. 20th century notation. Excellent 20th century repertoire. Fanfare for Remembrance was commissioned by the Western Michigan University School of Music for the 1987 ITG Conference in Kalamazoo, Michigan.

Triplo's new and revised edition of the 1992 publication, with new articulations, dynamics, and lines.

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Eight traditional hymn tunes for Easter, Thanksgiving, and general use, with two colorful descants for three trumpets each, arranged for church and congregational use. Compatible with 22 popular hymn texts. Tunes include:

1. Darwall's 148th ("Rejoice, the Lord is King" and three others)

2. Diademata ("Crown Him with Many Crowns" and four others))

3. Easter Hymn ("Christ the Lord is Risen Today")

4. Lancashire ("The Day of Resurrection!" and two others)

5. Llanfair ("Jesus Christ is Risen Today" and three others)

6. Loben Den Herren ("Praise to the Lord, the Almighty" and one other)

The recordings are of the above in order, starting from the left. Each recording has the tune played four times, the first being the tune as set by Mr. Olcott for three trumpets. The second is the setting with Descant No. 1 for three trumpets combined with the primary trumpet trio. The third is the primary trio with the second descant (again for three trumpets), and finally, in the fourth, all nine parts are played together. All of this is meant to show the flexibility of the publication. Exhilarating, majestic, and inspiring.

Suite for Four Trumpets

Composer: Kimmell, Jack Normain

Number of Trumpets: 4

Key: Bb Major concert

Duration: 11 minutes

Difficulty: 6

Four movements: Entrada, Lullabye, Scherzo, and Finale. A very idiomatic piece for the trumpet with lots of action for all four parts, but in appropriate tessituras. Another work fun to play and perform.

Scherzino

Short, quick, tricky, lightish and fun to play, rehearse and perform. It is similar in writing style to the Suite (see below). A very effective piece with lots of rhythmic and melodic interaction.

ITG Journal, February 1999, page 54:

"Joining a long list of excellent trumpet ensemble publications from Triplo Press..."
"...an "edgy" little piece with its own sense of style and atmosphere."
"...sensibly written...well-crafted work for a good high school or college level ensemble..."
"Refreshingly, rhythmic interest...(,) accomplished through well-written rhythmic figures, accents, articulations, and various simple meters...(along with) wide intervals(,) produce a humorous "limp" technique..."
"...typesetting... is clear and concise."
"... a worthwhile addition to the trumpet ensemble repertoire."

Concerto in E-flat

Three movements: Maestoso; Andante; Allegro. For solo piccolo trumpet in B-flat and four B-flat trumpets which range in difficulty from [3] to [6]. An excellent, well-crafted and effective work

ITG Journal, May 1999, page 55:

"...a fine translation..."
"...a very exciting piece that works well for trumpets and displays both the lyrical and fanfare qualities of the instruments... Mathie has carefully chosen articulations that provide a pleasing and logical balance of these two opposing qualities."
"...this publication is highly recommended and deserves a place in every trumpet ensemble's library."

Timpani optional. Three movements: Maestoso; Largo; Allegro. Very colorful with lots of interplay, interests and challenges for all. Carefully edited to help with proper style and interpretation. Great for teaching the art of ensemble playing. Idiomatic and fun to play. Good program material. Click the microphone for a recording of movements one and two of this piece.
Note: This arrangement can be played on Bb or C trumpets. If on Bb's (do not transpose), the timpani must change the written notes from D to C and from A to G. The performance of this piece down a whole step from the original key (D major) will allow for greater accessibility for less experienced performers. The recording here is done on Bb trumpet and reflects the lower key.
FURTHER NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

Fantasia for Seven Trumpets

Composer: Ewazen, Eric

Number of Trumpets: 7

Key: Bb Major concert

Duration: 8 minutes and 3 seconds

Difficulty: 6

A very exciting idiomatic work for seven B-flat trumpets by this Juliiard-based composer. Some elements are reminiscent of his well-known brass quintet. Everyone has interesting parts which makes it fun to play and rehearse. Highly recommended.

Concerto St. Marc

Composer: Albinoni, Tomaso Giovanni

Arranger: Mathie, Gordon

Number of Trumpets: 5

Key: A Major concert

Duration: 6 minutes and 50 seconds

Difficulty: 6

Four movements: Grave; Allegro; Andante; Allegro. For solo piccolo trumpet in A and four B-flat trumpets which range in difficulty from [3] to [6]. Another excellent and effective arrangement from the hand of Gordon Mathie.

Concerto for Three Piccolo Trumpets

Composer: Telemann, Georg Philipp

Arranger: Mathie, Gordon

Number of Trumpets: 7

Key: D Major concert

Duration: 11 minutes

Difficulty: 7

Originally the Concerto for Oboe, two trumpets, strings and continuo, this arrangement is for 3 piccolo trumpets in A and four B-flat trumpets. Four movements: Largo; Vivace; Siciliano; Vivace. Thoroughly thought out and well crafted. Fun to play and extremely effective. B-flat parts are simple.

Three trumpet parts and timpani. Suggested by the editor to be played by two groups of three trumpets each (a double set of parts is included with this edition). Parts written in C major.
A classic of the trumpet ensemble literature. Exceedingly simple musically, excellent for the Baroque trumpet style. The edition contains excellent histoircal notes and insights into performance practice by Irmtraud Kruger, insuring a clear understanding of how to approch the piece. BONUS: Including with this edition is an arrangement of the March for four trumpets by trumpet historian Edward H. Tarr

Moderato, allegro brilliante, moderato. Very pretty espressivo sections. The piece is very accessible for moderate to good high school players, and is colorful and fun to play. Good rhythmic intensity, short spurts of double tonguing here and some fun flexibility challenges.

A really fun piece to rehearse and perform. An uptempo work on the light side and a great closer. Lots of scale passages and repeated melodies that transfer from part to part. Beautifully and idiomatically arranged. One of the "happiest" pieces going. Highly recommended. (No need to play the ending quite as fast as I've done on the recording).
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A transcription of the famous arrangement by Percy Grainger. A beautiful and simple setting, excellent for junior high or high school players, teaching style, phrase, and intonation. A very satisfying arrangement for both player and audience. Highly recommended.

The CHARLIER COMPANION, essentially second trumpet parts to the 36 Etudes Transcendantes of Theo Charlier, evolved from many years of using etudes from the standard pedagogical literature with students and playing 'behind' them to help with conceptions of sound, style, pitch, tempo, and phrase. In my experience, it was quickly found that focus on technique quickly gave way to a much more musical experience.
These 36 etudes are fun, challenging, and satisfying by themselves, and can be played and studied as stand-alone works. They are most effective, however, when played as conceived: as duets to the 36 Etudes Transcendantes by Theo Charlier, published by Alphonse Leduc of Paris, France. Individuals may also perform and study these etudes along with the compact disc recording by David Baldwin of the Leduc publication, available through the International Trumpet Guild. Available in printed form only.

ITG Journal, January 2002, page 56:

"...a significant addition to the pedagogical repertoire for trumpet."
(As second trumpet parts to the original Charlier), "The Charlier Companion truly excels..."
"As stand-alone etudes, these studies are effective in preparing the student for the formidable challenges found in the Charlier."
"...excellent reading material, providing a wealth of intervallic, musical, and technical challenges."
"...a great resource of teaching, reading, and performance material...an important contribution to the trumpet repertoire and should become a staple of our music libraries."

A very strong and colorful work with the harmonic, melodic, and dynamic color for which Eric Ewazen is so well known; uses interplay between the various players and pairings to excellent effect. Contrasts between fanfaresque and legato playing and loud and soft abound throughout. The tessitura of the first trumpet is at the top of the staff, with high C being the top note. Fun to rehearse because of the smart writing, and the product is very satisfying for both player and audience. An excellent contribution to the genre.

A shortened and simplified version for four trumpets of this piece (grade 2 - great for junior high level) is available. Click here for more information.

A one-of-a-kind brilliant British fanfare. 36 B-flat trumpets (originally 18 B-flat herald trumpets and 18 bass herald trumpets)* surround the audience in six groups of six and interplay sets of themes that roll in and out of one another in extremely exciting and masterful fashion. It is a very powerful and successful composition, fun to play and amazing to listen to.
*Original version available (see TRP-103). Also available arranged for 12 trumpets (see TRP-033).

Actually two fanfares, one in 6/8, the other in 2/4. Typical Uber stuff, namely lots of interplay, dynamic variation, and harmonic interest. Does the job as fanfares while still being musically interesting.

ITG Journal, June 2005, page 90:

"This fanfare is a wonderful piece for a talented high school or university trumpet ensemble."

The ARBAN COMPANION, essentially second (duet) parts to the Fourteen Characteristic Studies of Jean Baptiste Arban, evolved from many years of using etudes from the standard pedagogical literature with students and playing ÒbehindÓ them to help with conceptions of sound, style, pitch, tempo, and phrase. In my experience, it was quickly found that focus on technique quickly gave way to a much more musical experience.
These 14 etudes are fun, challenging, and satisfying by themselves, and can be played and studied as stand-alone works. They are most effective, however, when played as conceived: as duets to Arban's Fourteen Characteristic Studies, published in almost every rendition of his Conservatory Method. (The editing of dynamics and articulations of the Arban Companion is based on the publication of the Arban Complete Conservatory Method by Carl Fischer, Inc.) Trumpet players may also perform and study these etudes along with the compact disc recording by David Baldwin of the Leduc publication, available through the International Trumpet Guild. Available in printed form only.

ITG Journal, January 2004:

"An etude book is judged by its practicality, accessibility, musicality, and longevity. Olcott's latest companion measures up on all counts." "Every trumpet player and teacher who utilizes the Arban's Characteristic Studies should possess this book!"

Harmonies, rhythms, and interplay that we have come to expect from Ewazen's innovative writing. Several distinct rhythmic and melodic themes give everyone a workout in a new way. Great fun

ITG Journal, January 2005, page 64:

This work represents another great contribution for the
trumpet ensemble repertoire by Ewazen. Sonoran Desert Harmoniesis valuable not only as a piece of music for performance but as a vehicle for teaching chamber music techniques, blend, and intonation. The moderate technical demands allow performances by less advanced college-level groups, and the work’s musical subtleties and the importance of all parts will appeal to the performers.

Available in print only. A set of fourteen short jazz quartets for reading and teaching. Fun and musically satisfying for both player and listener. Great for small concert pieces and for practicing and teaching style. Encompasses varying tempos and styles of swing and Latin. Recording "A" has no.'s 1 through 12. Recording "B" has no.'s 13 and 14. A fifth trumpet part can be downloaded by clicking here. Click here to download a folder of rhythm section parts to accompany this publication (a .zip folder with pdf files). Leadsheets for soloing are also included.

ITG Journal, June 2008, page 80:

"..immediately engaging"..."lighthearted, enjoyable"..."without question, the quartets are extremely useful in the studio setting, providing excellent reading material and a new way of studying style and nuance"..."could be programmed as a set on a recital or even used as background music..."

"...exciting ang challenging piece that is suied for advanced players. Once these challenges are met, the listener and ensemble are rewarded with lush harmonies, beautiful solo lines, and the excitement that characterizes Brazilian music."

Dedicated to James Darling of Baldwin-Wallace College, this four-section piece hosts lots of innovative compostiional techniques (see example) that create lots of energy and excitement. Teams of trumpets work on top of others both in slow and fast sections. Very fresh writing. Some tricky counting. An excellent and exciting piece.

ITG Journal, October 2008, page 88:

"...a very effective piece...well worth the effort required for performance."

The first prize winner of the 2004 ITG Composition Contest (solo trumpet w/trumpet ensemble accompaniment) and premiered at the 2004 ITG Conference in Denver, this work is written for trumpet solo and trumpet ensemble accompaniment. Very intense, even jarring 20th-century harmonies and incessant rhythms that are somehow wonderfully accessible to an audience; the piece holds everyone's almost breathless attention. Lots of fresh ideas for interplay between parts and groups, and challenging and really fun to play. Written for C trumpets, it can also be played on B-flat instruments. This recording is by the trumpet ensemble at the Cincinnati Conservatory of Music in Cincinnati, Oho (USA).

The second prize winner of the 2004 ITG Composition Contest (solo trumpet w/trumpet ensemble accompaniment) and premiered at the 2004 ITG Conference in Denver, this three-movement work is written for trumpet solo and trumpet ensemble accompaniment. All six parts are for C trumpets (which means that they could all be played on B-flats). All parts have lots of action and independence. Very idiomatic for trumpets but with fresh approaches to interplay, color, and accompaniment. Fanfares, warm melodies, playful rhythms. Movements' names: Crossing the Cuyahoga, The Skyline at Night, and The Emerald Necklace.
From the composer: About Cleveland Sketches:
The first movement, Crossing the Cuyahoga, is a heroic fanfare depicting the almost overwhelming scene of towering buildings as one crosses the river into Cleveland, Ohio. The serenity of the evening lights of the city as viewed from far away are the inspiration for The Skyline at Night, depicted by a lyrical song on flugelhorn accompanied by sustained notes in the cup-muted trumpet parts. The last movement, The Emerald Necklace, is a depiction of playful activity in the metroparks which surround the entire Cleveland area. - Clint Needham

The SMALL COMPANION, essentially second (duet) parts to the 27 Melodic and Rhytmical Excercises for Trumpet by J.L. Small, evolved from many years of using etudes from the standard pedagogical literature with students and playing 'behind' them to help with conceptions of sound, style, pitch, tempo, and phrase. In my experience, it was quickly found that focus on technique quickly gave way to a much more musical experience.
These 27 etudes are fun, challenging, and satisfying by themselves, and can be played and studied as stand-alone works. They are most effective, however, when played as conceived: as duets to Small's etude book, published by Carl Fischer. Available in printed form only. The first recording is of Etude No. 1, while the second is of Etude No. 2.

ITG Journal, January 2009, page 80:

"...well conceived, easy to execute." "The amount of thought and effort that went into these duets is quite impressive. To this author, the greatest testament would be that although the Small Studies have not been required in my studio, the attractiveness of having this wonderful source as a musical reinforcement (as well as an end of the lesson duet reward) has moved me to change the syllabus for next year. Congratulations to James Olcott for another outstanding contribution to the pedagogical repertoire."

Fanfare; Eternal Call of Taps; Fugue and Flourishes. Commissioned by Bugles Across America. Intertwining lines, both melodic and rhythmic, combine the hymn Eternal Father and Taps into a rather complex, fascinating and effective five-minute composition.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A superb realization of this perpetual standard. Organized in three groups of trumpets, one of two, and two of four. Transposed to B-flat for easier accessibility. Optional timpani part included. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, March 2010, page 77:

...a very valuable piece to own. ...a welcomed work for trumpet ensembles. Very popular for audiences everywhere, trumpeters are fortunate to have this piece now for our instrument. With relatively little rehearsal time or preparation, the adaptation may be received with thunderous acclamation.

A real bebop treat at a very fast tempo (MM=240). Not much demand for range, but fingers are a must. Beautiful quartet writing and very exciting. With rhythm section (piano, guitar, bass and drums). From the TRPTS Jazz Quartet Series Recording by Mike Vax and TRPTS on Summit Records DCD 308.

ITG Journal, June 2008, page 79:

"...a brilliant way of showcasing four players." "...While the (edition requires) considerable ensemble work and individual practice, the rewards are plentiful."

A very exciting professional level arrangement of this classic blues. Medium up tempo. With rhythm section (piano, guitar, bass and drums). From the TRPTS Jazz Quartet Series Recording by Mike Vax and TRPTS on Summit Records DCD 308

ITG Journal, June 2008, page 79:

"...a brilliant way of showcasing four players." "...While the (edition requires) considerable ensemble work and individual practice, the rewards are plentiful."

An expansion by Mike Vax of Willie's Three More Foxes, the famous blues originally written for Maynard Ferguson. Thus, as one would expect, there are some range demands (g'''). With rhythm section (piano, guitar, bass and drums). A great classic and great fun to play. Everyone has the opportunity to solo. From the TRPTS Jazz Quartet Series

ITG Journal, June 2008, page 79:

"...a brilliant way of showcasing four players." "...While the (edition requires) considerable ensemble work and individual practice, the rewards are plentiful."

Louis Armstrong's famous solo on Wild Man Blues arranged for four trumpets ala Supersax. An amazing and challenging - and fun - study in style. With rhythm section (piano, guitar, bass and drums). From the TRPTS Jazz Quartet Series Recording by Mike Vax and TRPTS on Summit Records DCD 308.

ITG Journal, June 2008, page 79:

"...a brilliant way of showcasing four players." "...While the (edition requires) considerable ensemble work and individual practice, the rewards are plentiful."

A rather striking and very dramatic work for eight trumpets (also written for five trumpets - see Five Trumpets in this catalogue). This piece has a great deal of rhythmic and melodic counterpoint in very dramatic and harmonically fascinating ways. The juxtaposition of some melodic and expressive content add to the intriguing and exciting aspects of this piece. Intrada Dramatic has a decided "wow" factor without being overly difficult. It can be used as an extremely impressive opener or for a very special one-piece occasion. (Recorded by Tromba Mundi).

ITG Journal, October 2008, page 88:

"...a piece that lives up to its title....(Entrada Dramatica) is a remarkable, well written work that is sure to become a standard in the trumpet ensemble literature."

A simple yet effective bossa nova in a minor key from the TRPS book of Mike Vax. No range demands. Rhythm section includes piano, guitar, bass, and drums. Head/solos/outchorus/head. Open solos all around. Changes are a little tricky but only mildly so. Flugelhorns are best suited for this piece.

Easy, very tasty and pretty bossa nova. Works best with flugelhorns, but effective either way. Head/solos (keyboard or guitar) with a few backgrounds/head. Arranged for Mike Vax and TRPTS

ITG Journal, January 2010, page 91:

This beautiful bossa nova adaptation works extremely well, particularly when performed on flugelhorns as suggested. ...will work extremely well in performance, or..could easily be used to teach sgyle and ensemble skill in a masterclass or trumpet ensemble setting.

Salsa (rhumba). Great idiomatic arrangement of this classic latin tune. Rhythm parts are written out to facilitate style. Solo space for all in the refrain section. From the Triplo Press TRPS jazz trumpet quartet series.

Switching between Latin and swing, this is a harmonically complex tune that is otherwise not too difficult but requires stylistically mature players. Excellent writing for the trumpets. Piano chords are written out (with changes) as is the bass line. Flexible roadmap.

An extended fanfare with several interwoven sections, themes, and transitions for five B-flat trumpets. Lots of contrasts in dynamics. Some tricky counting, hence the "7" rating, but worth it. Makes a great opener.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, June 2010, page 90:

"Specializing in music for trumpet ensemble, Triplo Press has released another quality selection." "All five parts have excellent pacing, and Bretz has expertly constructed this fanfare by including a great deal of rhythmic, harmonic, dynamic, and textural variety that holds well together as one finely crafted work. Trumpet ensembles of advanced undergraduates through professionals looking for a quality concert opener or closer should consider programming this work."

From Nicholas's 1998 album, 'Payton's Place.' Transcribed and edited from the original recording with Nicholas, Roy Hargrove and Wynton Marsalis as the trio. A light, not-tough, fun piece to play. The transcription of the improvised acapella section is also included in the publication.

The very majestic opener to the third scene of the third act. 12 trumpets in B-flat and four flugelhorns with optional timpani. Lots of very broad playing with fanfares coming from all directions. Rated "6" in difficulty due to the obligato string parts interspersed throughout the ensemble.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, March 2012:

...very majestic in character and includes a ton of fanfares coming from all directions. ... Thanks need to go to James Olcott for adding an arrangement of challenging literature that will help players grow musically, increase one's knowledge of literature, and acquire knowledge of an important orchestral style.

A rather striking and very dramatic work for five trumpets (also written for eight trumpets - see Eight Trumpets in the Triplo Catalogue). This piece has a great deal of rhythmic and melodic counterpoint in very dramatic and harmonically fascinating ways. The juxtaposition of some melodic and expressive content add to the intriguing and exciting aspects of this piece. Intrada Dramatic has a decided "wow" factor without being overly difficult. It can be used as an extremely impressive opener or for a very special one-piece occasion. (Recorded by Tromba Mundi)

...exciting to listen to, rewarding to rehearse, and fun to perform. It would be an excellent opening selection on a trumpet recital, performance for a collegiate trumpet studio recital, or work to record for a contest.

Needs 18 trumpets AND 18 baritones or trombones. The original version of this magnificent fanfare. 18 trumpets and 18 bass clef brass instruments, originally bass herald trumpets. Six groups of six players each surround the audience for a quintessential British fanfare. This is the piece with the highest number of independent parts for a trumpet ensemble on record. In PDF format only. Also available for 36 trumpets (ed. Olcott) TRP-65, and transcribed for 12 trumpets (Olcott) TRP-33.

A light samba that sounds really nice on flugelhorns. Tasty lines and harmonies. Everyone gets a shot at the melody with solo spots for first and third. An eight-measure swing shout on trumpets heralds the return to the head. A very pretty chart.

A great arrangement of this classic done in SuperSax style with Clifford Brown's famous solo as a harmonized chorus for the whole section. Very clever and fun to play and work on. Another Brad Sharp beauty.

Called a fanfare but rather a major work. Starts quietly and goes into an aggressive 7/8. Very colorful harmonies and interplays. Challenging and fun to work on. The recording is by the Central Washington Trumpet Club.

Excellent hip-hop funk. Great lines and great changes, with Brad's great voicings, interesting harmonies and quirky out-chorus lines. Really fun to play, and a super audience pleaser. The examples are of score excerpts and the first trumpet part.

Mambo Beat, written in the mid 1950's, was originally an instrumental showcase labeled as "mambo jazz" and has been updated starting at the solo section to reflect the more modern salsa feel. Every effort has been made to make this transcription/arrangement as authentic as possible, giving written examples of the authentic styles for the rhythm section. The piano part is written with stylistic patterns. The bass part should be read as written. The latin percussion instruments (patterns are given as examples) heighten the authenticity of the work but are not necessary. The guitar part is supplemental. The recording is of the beginning of the piece and does not reflect the salsa section, which carries the arrangement to the end. (see the piano part in the written example).

Commissioned by Ed Reid for the University of Arizona's performance at the ITG conference in Australia in 2010 (the recording is of that performance), this piece is in three movements: Getting In, Whilst There, and Recovery and Out.
The first movement is reminiscent of Paris in the 30's, the second is a slow dirty blues, the third a medium up tempo swing duet. Each movement can be played separately, but it is fun to play the piece as a set.
Of the work, the composer writes, "Woolloomooloo is an eastern suburb of Sydney, Australia, and the name may derive from the Aboriginal pronunciation of windmill or even place of plenty. The town, having recently gone through extensive gentrification, doesn't look like it did in the past. When it was first nicknamed "The Loo," it was a rough-and-tumble working class district of New South Wales. Filled with bars, it was often a destination of those who sought to drink on the cheap. This work describes the trip from Sydney to inside "The Loo," party time, and leaving the scene in a good mood."

Written for and premiered by Tromba Mundi at the 2011 International Trumpet Guild Conference. A very fun piece to play. Takes a bit of practice to understand and get into the rhythmic groove that is typical of the square dance genre, but it is very rewarding for both audience and player. A really great closer.

ITG Journal, March 2014, page 93:

An exciting new work for trumpet quintet...performers of this work will enjoy the constant rhythmic groove, as well as the spirit and feel of the piece...A great opener...The Square Dance will be another fantastic addition to the trumpet ensemble repertoire.

Written for and premiered by Tromba Mundi at the 2011 International Trumpet Guild Conference. Right out of the western movies from Hollywood. Cheerful, rhythmic, stylized. A few tricky licks and fingerings, and really fun to listen to and play.

Quite fun with tricky intertwining rhythms and great lines. Lots of rhythmic repetition so once it is grasped, the unusual swing feel of this piece is captivating and can really 'groove.' Players and audience love this one. Solo space. Written for and performed here by Tromba Mundi (solos by Scott Belck).

Three Snapshots is made up of three one-minute vignettes that are highly motivic and contain a great deal of energy and precision. Fun to play with lots of interweaving and independent lines. The details of accents, dynamics, steady clock-like tempos, and precise cut-offs of notes are elements of attention as they contribute greatly to the sense of the work's inherent drive.

Composed for (and perfect for) junior high trumpeters, these three pieces (Moderato-joyfully, Adagio, and Allegro, in keys of written G, A minor, and F) feature engaging melodies with attractive harmonies, accompaniment figures, and little challenges for everyone. Well edited, including articulations and occasional fingering reminders. Each piece is about two minutes in duration. The first and third works were first introduced as a capella melodies in 2002 in "Twenty-one Norwegian Trumpet Soli," published by Wolfgang G. Haas-Musikverlag Koln e. K., and are used here by permission. The second melody and the arrangements for all three pieces are by James Olcott.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

Contains the first five of nine 90-second fanfares for B-flat trumpets by Robert Bradshaw, Barry Ford, Michael Galib, Jack Kimmell, Eric Morales, Clint Needham, Greg Pascuzzi, David Shaffer, and James Stephenson. All excellent, exciting, unique and very accessible as per the graded difficulty. Commissioned, collected, and edited by Triplo Press's James Olcott in celebration of the trumpet, the ITG, and the 2013 meeting of the Ohio Chapter of ITG, where they received their premieres. Click here for Vol. 2.

The recordings on this page, recorded by James Olcott, represent the five pieces in this volume (l to r): Triptych Cipher by Robert Bradshaw, Slancio! by Barry Ford, Fa una fanfara by Michael Galib, Flourish for Six Trumpets by Jack N. Kimmel, and Panoramica by Erik Morales.

Contains the final four of nine 90-second fanfares for B-flat trumpets by Robert Bradshaw, Barry Ford, Michael Galib, Jack Kimmell, Eric Morales, Clint Needham, Greg Pascuzzi, David Shaffer, and James Stephenson. All excellent, exciting, unique and very accessible as per the graded difficulty. Commissioned, collected, and edited by Triplo Press's James Olcott in celebration of the trumpet, the ITG, and the 2012 meeting of the Ohio Chapter of ITG, where they received their premieres.

The recordings on this page, recorded by James Olcott, represent the four pieces in this volume (l to r): Fanfare, by Clinton Needham, Fanfare Ighisu Verchi, by Gregory Pascuzzi, Cincinnatus Fanfare by David Shaffer, and Gilded Fanfare by James Stephenson.

From the composer: "An Olcott Overture! is dedicated to my friend and publisher of several of my trumpet ensemble works, James Olcott.
Stylistically and harmonically, the piece shows my Eastern European heritage, with rhythms that are in mixed meters and a texture which is gutsy and rustic. The bright, brilliant sound of the trumpet is yet another inspiration to me, with the sound of resonant fanfares and rich chords creating a heroic and celebratory sound." Setup on stage from left to right: 3-2-1-4-5-6.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, October 2012, page 89:

..."a brilliant work..." "The dynamics, tone colors, and rhythmic intensity are both captivating and inspiring for the performer and audience."

Dedicated to Marc Reed and the University of Alabama at Birmingham Trumpet Ensemble, Pieces of Eight begins with a lush, contrapuntal chorale, which returns as a varied refrain in the faster, rhythmically playful second section. Featuring numerous changes of mood, timbre, and texture, this challenging and exciting work builds to a rousing climax and will be a great way to end any concert.

ITG Journal, June 2014, page 95:

"...a beautifully crafted lyrical introduction with long, flowing, song-like phrases and a faster, playful, syncopated section, reminiscent of the music of Anthony Plog...Pieces of
Eight would be a welcome addition to any trumpet ensemble
or studio recital program."

Another version of this classic, this time for four trumpets a capella, and it works beautifully. Great fun to play and a terrific crowd pleaser. Needs four solid players. An alternate part for trumpet in E-flat is included for the first trumpet part. The work is dedicated to Mr. Metzger's favorite teacher, Anthony Pasquarelli. The recording features Mr. Metzger and friends.

ITG Journal, October 2014, page 101:

"...The three solo parts and orchestral accompaniment on condensed nicely into this fine arrangement that serves as an excellent closer or encore..."

For four C trumpets and four B-flats, with the first C part doubling on piccolo trumpet in A. Very colorful. Lots of interwining and fugal-like interplay. The piece, in two sections, is a poetic interpretation of the nautical wisdom Red sky in the morning, sailors take warning; Red sky at night, sailors delight. A major work interesting to listen to and play. The recording is by members of Cedarville University (Ohio) Trumpet Ensemble and guests under the direction of Charles Pagnard.

ITG Journal, June 2014, page 94:

"In the hands of an experienced ensemble, Shades of Red is a very effective and exciting piece and is a welcome addition to the trumpet ensemble repertoire."

Nine 90-second fanfares for B-flat trumpets in two volumes by Robert Bradshaw, Barry Ford, Michael Galib, Jack Kimmell, Eric Morales, Clint Needham, Greg Pascuzzi, David Shaffer, and James Stephenson. All excellent, exciting, unique and very accessible as per the graded difficulty. Commissioned, collected, and edited by Triplo Press's James Olcott in celebration of the trumpet, the ITG, and the 2012 meeting of the Guild's Ohio Affiliate Chapter, where they received their premieres.

An excellent transcription of a beautiful, classic work for antiphonal brass. Two groups of four trumpets each in typical Gabrieli fashion with its contrapuntal lines and melodic independence. Really fun to play, and very effective, satisfying for both audience and player. Clearly edited for both articulation and phrasing. Easy range, going only to a'', and with the usual 3/2 sections.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, October 2014, page 102:

"...This arrangement is particularly accessible to younger ensembles, including the high school level. Meticulous attention to detail in articulations and beaming are very helpful in style and phrasing...most effective when the trumpets are divided into two choirs of four players each."

A very well-written and clever work with excellent moods, extending from introspective to very playful. Lots of intricate interplay. Fun to put together and perform. Requires good control, and well worth the time to put it together. Performed here by the Luther College Trumpet Choir, directed by John Cord.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A fairly easy and very effective arrangement of this light 3/4 standard. Flugels are recommended for most of the chart. Sort of a solo feature for first trumpet with solo space for trumpet and piano. Range does go to f''' for lead. The recording is from the Summit Records CD "Collaboration" with Mike Vax and Ronald Romm, played here a little more energized than originally conceived.

ITG Journal, June 2015, page 86:

"...well arranged and enjoyable piece and can be performed by most advanced level high school and college groups."

A medium jazz shuffle blues with a really excellent groove and fun to play. Lead trumpet to high D w/optional high G. Excellent innovative writing and not taxing. The recording features Tim and his ensemble.

ITG Journal, June 2015, page 86:

"...well arranged and enjoyable piece and can be performed by most advanced level high school and college groups."

A beautiful transcription of of this standard Baroque show stopper. The original trumpet part is preserved with the intertwining lines beautifully juxtaposed. Sounds great. The difficulty grade of 7 is only because of the piccolo trumpet part. Otherwise it would be a grade 5. Highly recommended.

ITG Journal, October 2014, page 101:

"...this well-crafted adaptation works brilliantly...works wonderfully for teaching Baroque style to a university trumpet studio that might not normally have the opportunity to perform this work."

A through-written mambo. Excellent groove with challenging rhythms and licks for all instruments. Bass and piano parts are written out. Parts for drums and optional claves and congas. The band does a vocal section, too (and it works and the audience loves it). Note: the solo section for trumpet 1 eight measures before Rehearsal Letter K can be improvised on an E7 chord as done in the recording.

ITG Journal, June 2015, page 86:

"...well arranged and enjoyable piece and can be performed by most advanced level high school and college groups."

An excellent and effective transcription of this famous three-antiphonal-choir work. Carefully edited for maximum effect. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

Piccolo trumpet in A, 4 trumpets in B-flat, two B-flat flugelhorns. Modern through-writing. Mysterious feel. Makes an excellent cool-down piece after an exciting work. Asks for careful listening and adherence to dynamics and articulation. Well worth the effort; accessible and effective.

"Jauchzet, frohlocket, auf, preiset die Tage!," the famous opener to Bach's landmark piece, arranged for two piccolo trumpets, one D trumpet, two C trumpets, two B-flat trumpets, and flugelhorn. Very effective and quite exciting, with the famous lines heard in wonderful, intertwisting counterpoint. Almost an "8" in its complexity and demands, but it is worth it!

ITG Journal, October 2015, page 93:

Although challenging due to the use of multiple trumpets in the original key of D, (this) highly effective adaptation will undoubtedly be very enjoyable...for both the performers and the audience, especially when adding a splash of Baroque color from a major work to any holiday program.

A beautiful rendition of this slow, very introspective Handel classic (title translates as "Let Me Weep"). Simple, but demanding because of control, style, phrase, and pitch considerations. A real change-of-pace from the usual trumpet ensemble fare. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A striking and innovative work with rhythmic, harmonic and melodic excitement. Beautifully written and great fun for the players and audience alike. Three of the parts double on flugelhorns. The recording says it all.

ITG Journal, Jaunary 2015, page 101:

"...an exciting piece for the intermediate/advanced undergraduate trumpet ensemble, and directors will appreciate the challenges presented. Developing consistency of
intonation, balance, and color between C trumpets and flugelhorns will challenge students’ abilities to listen and adjust within the ensemble (as will) frequent use of double tonguing, syncopation, duple/triple rhythmic ostinati, extremities of range and large intervallic leaps. The piece can effectively be used to open or close a recital. Beautiful melodic lines, interesting group textures, and a wide rhythmic vocabulary await those who have time to prepare this excellent piece to performance quality."

A light, uptempo piece that features your drummer a la Basie's "Cute" (brush work). Excellent change of pace. Trumpet parts not dificult, but the tempo and time sense requires a good rhythm section. Really fun and effective

ITG Journal, June 2015, page 86:

"...well arranged and enjoyable piece and can be performed by most advanced level high school and college groups."

An exceptional and very rousing and majestic piece perfect for opening an event or concert. Uses three antiphonal groups of four. The recording says it all. Whew! NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, March 2015, page 85:

"...largely in a fanfare style, generating considerable excitement from the start... Dynamic contrasts are evident as intensity builds to the end. The title, Soundings, is a perfect example of what this piece stands for—fanfare sounds coming from all members of the ensemble with imitation and clarion effect... This short, brilliant work is enjoyable to perform and a sure audience pleaser. This effective flourish is highly recommended."

Seven short excellently transcribed dancelike intradas in the late Renaissance dance style for six B-flat trumpets. Works beautifully as a set and really fun to play. Also works antiphonally by splitting phrases between two groups of six players ala the recording. NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

ITG Journal, June 2015, page 86:

"This collection is a great addition to the trumpet ensemble repertoire, highlighting Renaissance style, the exploration of ornamentation, and the necessity for light articulation..."

Composed for (and perfect for) junior high trumpeters, these three short pieces for four players (Tango, Andante, and Allegro, in keys of written A minor, E minor, and F) feature engaging melodies with attractive harmonies, accompaniment figures, and little challenges for everyone. Well edited, including articulations and breath marks. The second and third works were first introduced as a capella melodies in 2002 in "Twenty-one Norwegian Trumpet Soli," published by Wolfgang G. Haas-Musikverlag Koln e. K., and are used here by permission. The first melody and the arrangements for all three quartets are by James Olcott. NOTE: because of the 16th notes, this work could be put in grade 3, but the lines are rudimentary enough to keep it as a grade 2 (see examples by clicking the treble clef next to the microphones).

Relatively short (2.5, 2, and 2.25 minutes respectively), modernesque pieces with lots of interesting lines, interplay and harmonies. The two outer movements are with piano, the middle acapella. The recordings, which represents the first two movements, will give you an excellent idea of Kimmell's innovative writing.

Edited by James Olcott. Originally a work for female choir. Beautiful, slow and dramatic. Great for work on phrase, control, intonation, blend, and the choral style in general. Works great with four, but is most effective with more than one person on a part. The recording is by the Washington State University Trumpet Ensemble under the direction of David Turnbull.

Fourteen jazz quartets written for enjoyment and the practice of transposition. Published in 2003 by Triplo Press with all parts transposed as 14 Recreational Jazz Quartets (TRP-069), TranspoJazz was originally composed to give students experience in playing jazz while improving skills in the art of transposition and is reproduced here in its original format. The works are fun, short, varied in tempo and style, musically satisfying, and provide challenges in counting, phrase, ensemble performance - and transposition.

ITG Journal, March 2016, page 76:

...a great collection for any trumpet player or trumpet teacher's library due to the challenges presented for sight reading and transposition.

Edited by by Maico Lopes, Nailson Simoes, and Nairam Simoes. An unusual quartet of pieces (Choro, Serenata, Maxixe, and Frevo) utilizing the styles of Brazilian traditional folk music similar to TRP-070. Four movements. Lots of exciting and rhythmic complexities. Extensively edited to obtain correct style.

From the Music from Brazil Series. Five sections (fanfare, allegretto, ballad, development, and coda) of clever and creative combinations of musical styles, consonant and dissonant harmony, and simple and complex rhythmic devices. Challenging and really fun to play. Commissioned, performed, and recorded by Trumpetando. Note: this recording, from Trumpetando's CD, Solo e Pedra, is performed in C concert.

From the Music from Brazil Series. A unique Brazilian jazz feel with interesting lines and modern harmonies. Four percussion parts, all very simple, are playable by members of your ensemble who aren't playing trumpet parts (bongos, shaker, cymbal/cowbell, and low-tom). Carefully edited. This recording, performed a whole step higher than the printed publication, is by the Brazilian group Trumpetando for which the piece was written.

Originally a piano piece (Opus 52, No. 2). Short, light, spritely -- and challenging. An excellent transcription. An eight-measure phrase paraphrased six times. Fun to play and excellent for style and senses of time, rhythm and ensemble. Listening to a recording by a pianist would be of great benefit.

A striking and innovative work with rhythmic, harmonic and melodic excitement. Hobbs goes after senses of flying in capricious winds (sounds corny, I know, but it works!) Beautifully written and great fun for the players and audience alike.

Transcribed by Scott Muntefering. A very cute and fanciful arrangement originally for four-part children's or female choir that translates perfectly for trumpets. Very fun to play. Short and sweet. Uses the dorian mode.

An original medium tempo concert march in 6/8 in the style of Sousa. Arpeggiated duets in the B and C sections of the work highlight the "trumpet" aspect of the piece, and it is a great deal of fun to play and listen to. For clearest effect, flugelhorns are suggested for parts nine and ten, and an E-flat trumpet is preferred over a B-flat trumpet or B-flat piccolo trumpet for part five so as to help blend and balance. An alternate part for E-flat trumpet is provided in this publication for part five. "Trumpets" is the first original work written specifically for trumpet ensemble in the traditional march style, and was penned for and premiered by the Twin Cities Trumpet Ensemble of Minneapolis/St. Paul, Minnesota, USA to high enthusiasm.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

"To the memory of Adolph "Bud" Herseth and Gustav Mahler."
An excellent work with lots of rhythmic and melodic interplay. Performed here by the Luther College Trumpet Choir, directed by John Cord.
NOTE: to view the video full screen to better see the music, click on the lower right hand corner of the video.

A transcription of a haunting work originally for female choir. Extremely effective and a real challenge in every aspect of performance. A very beautiful work. The words of the poem are written into the score and parts to facilitate understanding, phrase, and style. NOTE: to view the video full screen to see the words, click on the lower right hand corner of the video.

A beautifully transcribed version of the famous Grand March, complete with five choirs of four B-flat trumpets each. Very majestic. Written for and performed as the finale at the 2016 International Trumpet Guild Conference Festival of Trumpets. This recording is by the Twin Cities Trumpet Ensemble in concert.

A transcription of a delightful work originally for piano. Light all the way through with demands for clean articulation and careful phrasing. A great change-of-pace piece. Performed here by the transcriber.

A medley of the hymns for each of the US Armed Services (Army, Navy, Air Force, Marines, and Coast Guard). Written for piccolo trumpet in B-flat, five B-flat trumpets, and two flugelhorns. Graded a '6' because of the piccolo part. With that part taken down one octave, the grade would be a '4'. NOTE: to view the video full screen, click on the lower right hand corner of the video.

One of Henry Fillmore's most famous and fun marches. Four B-flat piccolo trumpets, 10 B-flat trumpets, and two flugelhorns. Great fun to play. Two obligatos for the trio section are provided: Fillmore's original and a special trumpet obligato by the transcriber (the latter turns the difficulty rating to a 7, but what a challenge :-) The microphone icon on the left is the full recording with Fillmore's original obligato, which is a lot easier to play than it sounds. The microphone on the right is the trio section of the march with the trumpet obligato.

Lightish, fun, patriotic and rousing. Two choruses with intro and tag. The first two trumpets carry the melody all the way through. Lots of inner fanfares and countermelodies. Trumpets 3, 4 and 5 utilize B-flat piccolo trumpets in the intro.

ITG Journal, January 2018, page 77:

"...quick and fun and a great addition to a pops concert or studio recital."

This fun, medium up-temp jazz arrangement has been conceived for four or five trumpets a cappella. Optional rhythm section parts have been incorporated into the score and parts which add solo space and a delightful texture. With rhythm section, the timing of the piece, of course, expands to incorporate solo space.

FANFARE FOR TRUMPETS is a study of nine short melodic snippits presented separately in echo, traded between two trumpet quartets and a flugelhorn quartet, developed, fragmented and piled up on top of one another in this most unusual and fascinating composition. The piece is a challenge in counting, style, and dynamics for the players, and a crowd pleaser that easily holds the audience's attention.

Two groups of four B-flat trumpets each joust with each other in this lighthearted yet challenging work with short phrases, clever rhythmic juxtapositions and interesting thematic development. Fun for both player and audience. A great contrast to "loud and heavy."

Medium tempo (ca.120 bpm) a capella latin with a terrific understated feel and captivating rhythmic lines in bass, accompaniment, and melody. The use of rhythm and rhythmic space is rather unique - and really fun. Tricky rhythms. A great change-of-pace from the usual trumpet section jazz material. By the way, the recording is by the composer. Nice, isn't it?

A terrific shuffle for four trumpets without rhythm section. Great characteristic bass and melodic lines that set up a really cool groove. Trading off solo space for two trumpets. You need to listen to the recording on this one (recorded by the composer). You'll be hooked. It's that cool, and it falls into place pretty quickly.

Sussex Carol and Wexler Carol are the two Christmas classics that Mr. Harbinson incorporates into this beautiful arrangement. One piccolo trumpet and five Bb's are used for the joyous Sussex Carol, and the five lower voices switch over to flugelhorns for a very warm rendition of the Wexler that utilizes beautiful counter-melodies. Optional percussion includes finger cymbals, triangle, high tomtom, and crash cymbals. (The first recording is without percussion; the second with). A very effective and enjoyable arrangement.

A lively and fun march that owes its name due to its inspiration, namely the most standard work in the trumpet literature, the Trumpet Concerto in E-flat by Franz Joseph Haydn. Most every phrase and harmonic sequence is a direct descendant of some passage in the trumpet's most well-known solo composition.

Written in 1921 for woodwinds, brass and percussion, this fanfare is one of many commissioned from several composers to celebrate the publication of the periodical Fanfare. Typical of British fanfares. Short, very stirring, and amazingly great for starting up the second half of a concert. THIS FANFARE IS A FREE ADDENDUM WITH THE PURCHASE OF ANY WORK IN THE TRIPLO PRESS PATRIOTIC SERIES or can be purchased from this page.

A great arrangement of the classic swing chart from the Count Basie Band. It is best approached as a straight-ahead swing chart right out of the '30's and '40's. The recording, done here by Micah Bell, is an excellent example of the style. Totally non-pretentious, and really fun to play.

The national anthem of Canada and part of the Triplo Press Patriotic Series. Can be played to full effect with four trumpets. Trumpets three and four have a few split optional parts and the final chord is voiced out to eight, so an ensemble of any size can create a very inspiring rendition of the work. This is a very effective piece. Available in pdf only.

Edited by James Olcott. Scored for two Bb piccolo trumpets, six Bb trumpets, and optional timpani. An exciting and excellent transcription moved from D major to Bb major for better accessibility. This spritely piece is great fun to play and a perpetual audience pleaser. Planned publication date: January 5, 2018

The classic in a beautiful rendition for seven trumpets and rhythm section with solo chores going to the flugelhorn (the seventh trumpet). The parts say 'trumpet' but flugels can be used to great effect anywhere within the piece, especially at the beginning. Lead trumpet goes to e'''. Great musical shape, with beautiful lines and backgrounds.

A beautiful and colorfully arranged piece for solo trumpet. Jazz oriented chords and lots of color underlie a very lyrical melody and intertwining lines. One of the trumpet classics. For solo trumpet in Bb, three piccolo trumpets in Bb, two Eb trumpets, four Bb trumpets, four flugelhorns, and optional but highly recommended low brass part (originally written for bass trumpet), and optional percussion. A terrific crowd pleaser and not very tough on the soloist (grade 4). The piece is set at difficulty grade 6 because of the accompaniment.

The GETCHELL BOOK 1 COMPANION, essentially second (duet) parts to the First Book of Practical Studies for Cornet and Trumpet by Robert Getchell (difficulty grades of 1 to 3), follows the principles found in Triplo Press's COMPANION SERIES, that being the concept of playing with students to help with conceptions of sound, style, pitch, tempo, and phrase. These 70 etudes are fun and satisfying in their own rights and can be played and studied as stand-alone works. They are most effective, however, when played as conceived: as duets to Mr. Getchell's book, which is published by Belwin. The sample recordings include studies no. 1, 13, 32, 51, and 64.

A Thousand Angry Bees is funk/rock-oriented work with a James Brown funk feel comprising of three groups of four players each, with each group having its own themes that interact with one another. Lots of fun to play, with stylistic rhythmic patterns, interesting lines and some fancy finger work.

Medium swing tempo. Great lines for trumpets and vocal-like harmonic and voicing treatment (which isn't a surprise, as the arrangement is based on a great vocal treatment of the tune by Kerry Marsh. One special thing about this particular arrangement is that the bass has the solo space. Really fun to listen to, and just as much fun to play.

Lots of very musical phrasing and a great introduction to sensitive modern harmony. This piece can serve as a a great exercise for intonation, style, and ensemble. An excellent piece for mid-level and high school contest use.

The British classic piece for band beautifully transcribed for eight B-flat trumpets. Optional percussion includes snare drum, bass drum, cymbals and triangle. This recording is at the traditional British tempo of 128 beats (half notes) per minute. American tempos are traditionally a little slower than this, making the piece a difficultly level of '5' rather than '6'.

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