Archive for August, 2012

Yesterday I delivered a bunch of home grown veggies to my neighbors. I was grateful for the short term loan of a dehydrator, with which I dried my first batch of Principe Borghese tomatoes. I look forward to committing these little red gems to olive oil and herbs, probably sometime in January or February, when a hit of summer will be ever so much more effective than the latest designer “pick-me-up.”

So my thanks to M and her partner T, with whom I remarked about how this summer seemed to be unusually difficult for many of us. I say was, because we have just been kissed by our impetuous lover (if you live in New England), Autumn. Yes, the temperature dipped below 60〫F just the other night. In New England we love and hate the weather. It is unreliable – glorious and disappointing in turn.

For the better part of the summer we have been looking at this:
I did not mow the grass during the month of July. And while that would seem like a strange gift of time otherwise unallocated, the “brown out” has, overall, been a serious downer. I’ve been thinking about my first year in this house – only last spring/summer, really – in which I sweated through a dramatic late winter thaw that flooded the basement, a nearby spring tornado, an almost unheard of East Coast earthquake, Hurricane Irene, and a devastating late October snowstorm that downed trees still dressed in showy yellow, red and orange foliage. The aftermath of that last storm inhibited mobility, left thousands without power for days and caused several deaths including the old lady up the street, who died wrapped in a blanket, in a comfortable chair, because she would not leave her 45 〫F house.

For me, the weather events of 2011 were all near misses. Still, I admit to becoming weather shy. Maybe it is a function of my age, or of circumstance. I am a newcomer to this community. In any case, as this dry, dry weather seems to take a needed turn, it is a joy to be sharing the bounty of a summer salvaged by care and diligence:

I was planning to make pickles today, but since my source at the farmer’s market forgot about the request I submitted last week for a pile of cukes and fresh dill, my plan changed around 10 am this morning. I will NOT buy pickling cukes from Stop and Shop. I’ll wait for the next local market. If I’m really smart, I will make a note in my gardening notebook, which I never write in, and make sure that next year, I grow cukes. HOW could I be growing tomatoes, eggplants, greens, beans, peppers, kale, cabbages, brussels sprouts, tomatillos and NO cukes? Frankly, sometime last spring, after digging the second, or was it the third new bed in a relatively uncultivated property – vaguely, I remember flopping in the garden bench and thinking : “That’s it. Screw it!”

Now I’m sorry about the cukes, even though the pass on zucchinis was rather calculated. This time of year, in these parts, it’s almost impossible not to have a run in with a delicious, cheap zucchini that somebody else grew.

So instead of making pickles, which I will hopefully do next weekend, I engaged my tried and true decision making process, which is to seriously ask myself – what’s making me craziest, right now? It was the disarray of jars and varnishes, strewn about my back porch.

Three or four months ago I made fresh retouch varnishes. My own materials were low, but I was also preparing to teach a workshop, and so made up some fresh stuff to share with students. So today I finally got around to finishing the project, which meant straining and dispensing the remainder in appropriately sized receptacles with labels and everything. The yield: about four times as much as I need. (Thank God I didn’t plant zucchinis).

This stuff is gold. I have about a three year supply, with plenty extra to share or use as leverage. The thing is, successful varnish retouch is largely about knowing your materials, so this is good. A relatively new facebook friend, and member of my community joked “Why 3 years? Is something happening in 2012 I should know about?” Not to worry. This is violin speak. Quintessentially slow art. I have wood in my attic that I bought years ago and may not use for years to come. If I’m smart, I’ll scribble “DO NOT BURN” just in case it outlives me.

While not technically a sign of life, it is a small milestone on the way to looking and feeling like a healthy violin.

Here’s our poor little fiddle again. If there is a technical term for this part of the scroll, I don’t know it. It doesn’t have a structural role so much, but it is the terminus of a divinely inspired design. I have heard it called, among other things, the monkey butt. How droll.

Whatever it’s called, in this condition it was a poke in the eye every time you picked this fiddle up.

So here’s what I did about it:

The most crucial part of this operation was finding just the right piece of wood – something that would match the original in color and grain orientation. If ever there were a repair I would like to “disappear”, this would be it. The damaged area is excavated, removing as little of the original as possible, to create a viable gluing surface. The new wood, actually a piece of very old wood, is oriented properly, fitted exactly and glued. It is then carved down in the manner of the original, and varnish applied to match.