When he was just 29 years old, Matthieu Kassovitz took the international film world by storm with La Haine (Hate), a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically in the low-income banlieue districts on Paris’s outskirts. Aimlessly whiling away their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Said — a Jew, African, and an Arab — give human faces to France’s immigrant populations, their bristling resentment at their social marginalization slowly simmering until it reaches a climactic boiling point. A work of tough beauty, La Haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.