Welcome to part three of this mini-series about my various interpretations of the XII Legion Primarch! Today, we’ll finally get some paint on my conversion of Angron in his Daemon-Primarch form!

Before we begin, let me just point out that – interestingly enough – rumours of plastic Daemon-Primarchs have been making the rounds lately, and Angron is supposedly one of the first Daemon-Primarchs to be released. Does this worry me?

Yes, a bit, actually — but even more importantly, it also served as a rather important catalyst for this project to finally take shape. Because while people might still be interested in homebrew Daemon-Angrons now, I doubt there’ll be much interest left once the “official” model hits — the best I can hope for is people coming across my model when looking for the one released by GW (as is currently the fact with my version of Khârn, incidentally…).

On the flipside, the prospect of an actual GW version of the character also serves as an incentive to make my version the best it can possibly be — and that goes for the conversion as well as the paintjob!

Which brings us back to our main subject. Here’s where we left off last time:

Now let me start by confessing that most of the models I painted for this year’s ETL V event were basically test runs for Angron: The Skulltaker counts-as served as a test-run for the Bestial Daemon Prince, who, in turn, served as a bit of a test-run for the Bloodthirster. And once I knew I could paint a Bloodthirster to a high enough standard, I felt that painting Angron had become an attainable goal!

Since GW’s official painting tutorial for the Bloodthirster was such an amazing resource when painting the model, I knew that I would make use of the same basic skin recipe on Angron as well — with one caveat, however: I really liked my finished Bloodthirster, but the skin colour ended up looking fairly dark (actually quite a bit darker than it seems in the following picture):

And while the colour seemed like a great fit for a Bloodthirster, I knew I wanted something brighter and more stunning for Angron. So I tried tweaking Duncan Rhodes’ fantastic recipe for the skin by replacing a single colour – GW Mephiston Red in place of GW Khorne Red – thereby ending up with the following recipe for the skin:

basecoat using GW Mephiston Red

wash with Army Painter Dark Tone (or GW Nuln Oil)

drybrush with GW Mephiston Red

drybrush with GW Wazdakka Red

slightly drybrush with GW Evil Sunz Scarlet

glaze with GW Bloodletter

highlight with GW Wild Rider Red

If this recipe seems slightly familiar to you, it’s because I recently used it on that one Retro-Bloodletter, who became – you guessed it – yet another test model for Angron 😉

And since I was extremely happy with the skintone on the model, I knew I was good to go!

So here’s what Angron looked like after I had given his skin the same treatment:

Now I certainly don’t have a huge talent for clean highlighting, but the Bloodthirster model is really accommodating in this respect, with the texture of the skin lending itself perfectly to being highlighted! The interesting part was to try and create the same amount of detail and depth on the areas that I had sculpted, so I took some extra time to carefully highlight the ribbed texture of the cables on Angron’s head:

I had still been slightly hesitant about the whole highlighting business back when I painted the Bloodthirster, but things felt far more familiar and quite a bit easier the second time around, so I was able to end up with lots of depth and texture to the skin:

Normally the next step would have been to block in the various bits of leather and bone on the model, but I really wanted to see the head area painted, above all else, to see whether or not it would end up looking as cool as I hoped, so I continued by picking out some of the more metallic looking cables in silver and also painted the various details around Angron’s face and neck:

As you can see, the smaller cables and chains were painted silver. I then washed them with a mix of Army Painter Dark Tone and Vallejo Smokey Ink, for a suitably dark and oily look. The contrast provided by those metallic elements added a lot of depth to Angron’s tangled mane of cables and tendrils:

At the same time, the decision to leave the bigger cables looking identical to the skin colour was a very deliberate one, as I wanted to hint at the changed nature of Angron’s Butcher’s Nails: Where they used to be an implant introduced into the Primarch’s organism as a foreign element, his ascension to daemonhood has transformed the nails into a part of his very being, so that it’s impossible to ascertain where the nails end and his own body begins.

I also picked his teeth out in silver, giving him the same replacement iron teeth he wore in life:

And I also painted the mouth cavity and tongue: Aaron Dembsiki-Bowden describes Angron’s tongue as having the colour of spoiled meat, so I tried to match that description.

Now I really don’t want to sound too full of myself here, but it was at this precise point that I started to feel like I was really on to something 😉

And this obviously provided all the motivation I needed to keep going! Because I was so happy with the way the paintjob was going, I allowed myself the small extravagance of painting the eyes next.

My normal approach would have been to go for a bright blue colour, as per my usual recipes. But I didn’t want Angron to read as just another standard part of my World Eaters, and I also felt I needed something giving the impression of his volcanic rage, so I ended up with a bright orange for his eyes:

As you can see, I also picked out the metallic studs on his forehead in bright bronze at this point.

And here’s a picture that is still one of my favourite impressions of my Angron conversion:

I have to be honest with you: I don’t think I could be any happier with the way the face and head have come out!

I also picked out Angron’s exposed spine in metallic colours, while I was at it:

The next step was to paint lots of different details, such as the leather, bone bronze ornaments and wing membranes, and since I had already gone through all of this before, it was relatively quick work this time around. So a short while later, Angron’s body was mostly finished:

So far, so good, right? Here’s where things really got interesting, however, as the time had come to paint Angron’s armour. Now I wanted the armour plates to have the classic Khornate bronze/brass look while also serving as a callback to the armour worn by Forgeworld’s version of the Primarch. And I felt that my usual bronze recipe, apllied on virtually every single model of my World Eaters army, maybe wouldn’t be quite up to the task this time around.

You see, my normal recipe consists of only three steps, and it goes like this:

basecoat using Vallejo Tinny Tin

wash liberally with Army Painter Strong Tone

drybrush with GW Dwarf Bronze.

This recipe works really well for armour trim or bronze details. But since I knew I wanted Angron’s armour to have a broader tonal range, with brighter highlights and deeper shadows, I tweaked my recipe and spliced in a few additional steps along the way, so it ended up looking more like this:

basecoat with Vallejo Tinny Tin

wash liberally with a mix of Army Painter Strong Tone and Vallejo Smokey Ink

drybrush with a mix of Tinny Tin and GW Dwarf Bronze

drybrush with pure GW Dwarf Bronze

drybrush with a mix of Dwarf Bronze and GW Mithril Silver

and a last, very light drybrush with pure GW Mithril Silver

And to my absolute delight, this recipe worked really well: Here’s Angron after this stage, with an increasing amount of armour plates in place:

Fortunately enough, almost all of the armour plates were detailed enough to allow for a very drybrush-focused approach like this! And what’s more, I think the bronze armour works really well with the red skin (and also makes the model instantly read as a follower of Khorne, which should really be par for the course) 😉

As a fun aside, you’ll have noticed that the right hand holding the Astartes was kept off during the painting process, purely for the sake of practicality. However, this provoked fellow hobbyist Zywus to turn Angron into a proper meme:

Image Edit by Zywus

What can I say? I LOL’ed 😉

This left me with only two parts of the model to paint before Angron himself was done. The right hand with the unlucky Ultramarine and the axe blade.

Regarding the poor smurf, I had never painted an Ultramarine before, so I basically had to play this by ear:

Aw, man, look at him, all prim and proper — alas, it was not to last…

After blocking out the main colours, I added quite a bit of weathering and battle damage to the poor guy, along with a copious amount of Tamiya Clear Red.

Here’s Angron with the finished Ultramarine:

Now the blue might be a tad on the dark side, but I think the guy still reads as an Ultramarine reasonably well, wouldn’t you agree?

As for the gore, I didn’t want to go overboard with this, but there was also no getting around the fact that the Ultramarine had been torn in half, so I did my best to make the effect suitably convincing without looking cartoony or too crass:

Now most of this is hidden from view by that belly plate, at least when seen from the front, but there’s certainly a bit of splatter going on there, if you know where to look…

I already told you that I wanted the Astartes to still look alive, if only barely, so I painted the eye lenses bright red:

I also really like how, depending on how you look at the model, Angron either seems to be focusing on the Ultramarine, probably preparing to devour him, or is already looking at his next opponent, merely gripping his fallen foe as an afterthought…

One last thing to paint, and that was the axe blade. After giving it a bit of thought, I realised that I had already seen a brilliant inspiration for this particular part a while back: ElDiablo’s/Midian’s Bloodthirster axe from when he painted his own Bloodthirster:

painted by ElDiablo

Now ElDiablo is a fantastic painter, but what I love especially about this axe is how he has used the somewhat organic design of the weapon to hint at a fusion of metal and daemonic flesh, and I definitely wanted to incorporate this effect into my own version as well!

And while I am not as neat a painter as ElDiablo, I think it worked reasonably well. Take a look:

I changed the colour of the organic “teeth” to match the rest of the bone present on Angron’s body, and there was also no way to avoid some blood on the blade — but all in all, I think Ive come up with a fairly balanced look that retains my favourite parts about ElDiablo’s axe!

And with that, apart from a few very minor touchups, Angron was finished. And I am not going to lie here: I am over the moon about this guy:

What can I say? I know I am hopelessly biased, but this guy certainly does look like Angron to me:

Do you want to hear something funny, though? We are not nearly done here! For one, there are those minor touchups that I already talked about. But even more importantly, a model of this caliber certainly deserves a suitably impressive base as well. And I’ve already let the Bolter & Chainsword crowd cajole me into doing something far more involved and opulent than I had originally planned on that account — I swear, those guys will be the death of me one day…

But that is a story for another time — for the next installment of this series, to be exact. Until then, I would love to hear your thoughts on the painted model! And, as always, thanks for looking and stay tuned for more!

Prologue

So here we are with part two of this mini-series centered around Angron, the Lord of the XII Legion, and today I would like to focus on my interpretation of Angron in his post-ascension form as a Daemon-Primarch (a project already teased in my last post). Now it may seem counter-intuitive to deal with this last and (canonically) latest version of Angron first, but I have long stopped wondering about when and how inspiration strikes, electing instead to just go with the flow. And in this particular case, there was ample inspiration to be had, indeed — but we’ll be getting to that in a minute!

Let me start by telling you that this particular project has been long in the making. It actually started over a year ago, when I received a second plastic Bloodthirster as a gift. Back then, my first Bloodthirster (bought immediately upon the new kit’s release) had already been assembled, and I didn’t really want to merely build another one. But I also didn’t want to just put the kit away into my cupboard of shame, so my mind started wandering…would it actually be possible to build a version of Daemon-Primarch Angron using this kit…?

Following my usual approach, I started by doing lots of research. And a huge part of this progress was to check out what had come before. Like this guy:

Angron by Wade Pryce

Wade Pryce’s Angron conversion, based on the old metal Bloodthirster. Now for those of you who don’t know Wade’s army, it’s easily one of the most spectacular 40k World Eaters armies of all time, and one that played a huge part for creating the concept of Khorne’s Eternal Hunt, when I got back into the hobby. And true to the quality of his World Eaters, Wade served as a trailblazer once again with his Angron conversion, being just about the first hobbyist with the actual audacity to tackle such a project.

Now while the model may seem a bit dated, given the ever escalating quality of models we have been seeing over the last years, it still remains important in that it serves as a proof of concept that Daemon-Primarch Angron is possible in model form — to wit, Wade’s model basically served as GW’s quasi-official 40k Angron for quite a while, even being featured on their homepage until fairly recently.

Speaking of official models, there was that hokey Epic 40k model of Angron, of course:

image source: SOLegends

But seriously, it didn’t feel like I could take lots of inspiration from this guy, right? Keep this particular model in mind, however, as we’ll be encountering him in the unlikeliest place before this is over…

I. Research and main inspiration

But anyway, GW wouldn’t be a big help here, at least not when it came to models. So I turned to the hobbyists, and while Daemon-Primarch Angron certainly isn’t a super-popular subject for converters so far, there are some conversions of him floating around. Among this, some seemed especially noteworthy to me due to their quality: VonKessler’s truly monstrous Angron was quite stunning, as was Rumplemaster’s Angron. I am also a fan of this version of Angron in Daemon-Primarch form by Renaes, while we are on the subject — but while all three versions are very cool and rather inspiring, they all use very different base models from the Bloodthirster I had chosen as my starting point.

And then there was Reg, French hobbyist extraordinaire, who, I was flabbergasted to find out, is responsible for more than a dozen different Angron conversions (don’t believe me? Go check up on him — I’ll be waiting). But what’s more, his Angron conversions are among the best interpretations of the character you can find online. And when I recently saw this latest Angron from Reg on CMON, based on the Bloodthirster, no less, I was simply blown away:

Bloodthirster-based Angron conversion by Reg

Seriously, this is probably the best Daemon-Primarch Angron I have seen so far, and really, really close to my own interpretation of the character! A part of me actually hated Reg for having come up with this before me — where was the point in even starting my own project now? But then I calmed myself and started to think and plan and throw around bitz, and while I would be using this as one of my main inspirations and …erm “borrow” quite a few ideas from it, there were also some things that I wanted to do slightly differently. Plus I wanted to incorporate some different sources as well.

The second major inspiration for my own Angron conversion was what I believe is the only official atrwork to date depicting Daemon Primarch Angron, a piece by Alex Boyd (who was obviously channelling his inner John Blanche when painting this piece):

Daemon Primarch Angron by Alex Boyd

I understand this artwork originally appeared in the Visions of Heresy artbooks, but I first saw it back when it appeared in White Dwarf, accompanying some rules for using Angron in games of Apocalypse.

I think it goes without saying that Reg seems to have taken quite a few cues from this piece of art (as did Rumplemaster). And both have come up with models that are looking wildly different from one another while also both being reasonable interpretations of the art. Because what’s really rather amazing about the illustration is that the style is loose and painterly enough to be up to interpretation to a certain degree.

I also really, really love how the art features callbacks to Angron’s human form, as depicted by John Blanche and Wayne England (see my previous post): The three-spiked crest above Angron’s head, the curved shoulder pads and the axe are all elements drawn from those earlier pieces of artwork. The axe, in particular, seems like a daemonic version of the huge two-handed axe appearing in the earlier Horus Heresy artwork, decorative wing ornament and all. What a brilliant sense of continuity!

So I chose this illustration as my second main influence when building and painting my own Angron. But there was one more source that became a major influence:

MINOR SPOILERS for “The Emperor’s Gift” follow!

The description of post-ascension Angron that appeared in Aaron Dembski-Bowden’s “The Emperor’s Gift”

„And there it was. Behind the diseased humidity and stench of fresh blood: a shadow that stained the horde’s core. It rose from the wreckage of a temple, spreading monstrous wings to the sky.

One of my brothers breathed the words +Throne of the Emperor.+ It may have even been me.

Bone and ceramite armoured its sweating flesh in equal measure, while its skin was a scorched and cracked display of inhuman red meat, strained by pulsing veins of black iron. A thrashing mane of dreadlocked cables rose from the back of its malformed head in a daemonic crest. Some became brass chains ending in bound skulls. Others were connected to the creature’s ornate bronze-scale armour.“

(…)

It turned its eyes to us. The skeletal landscape of its face turned with a slowness I could only describe as bestial, but it most definitely saw us. The coal pits of its eyes steamed as blood bubbled and boiled in the thing’s swollen tear ducts. Slowly – still so very slowly – its jaws opened to reveal a quivering tongue the colour of spoiled meat, with pinkish saliva roping and stretching between rows of sharkish teeth.“

END SPOILERS

So these were my main sources when planning the conversion. And they provided me with many ideas and cool influences, turning this into a very enjoyable, if challenging, conversion.

II. Getting started

After assembling all the ideas and bitz I needed, I started by putting together the plastic Bloodthirster’s body. I had already done this once with my first Bloodthirster, so this part was easy work. I knew that I wanted to change the look of the model as much as possible, however, and the main area of interest to sell the conversion as Angron would be the head. So that’s where I started the proper conversion — with a very early, slightly ridiculous looking mockup made from poster tack:

Based on the various descriptions and depictions of Daemon-Primarch Angron, I decided that the standard “human” Bloodthirster face would work perfectly as a base for the conversion. However, I wanted to make two substantial changes to it: One, open the jaws far wider than on the stock model, for that extra bit of madness and body horror. And two, elongating the neck protion quite a bit, both to change the silhouette of the model and to make room for the mutated cables and tendrils representing Angron’s “Butcher’s Nails” implants.

Early during this step, I decided to lose the smaller horns and ears on the stock face, because I really wanted to make the head look different than the standard Bloodthirster face. I also wanted to draw more attention to the sculpted area of the head, but this also meant I would have to come up with some decent sculpting, which seemed like a pretty daunting task. But I didn’t really have a choice in the matter, so I started by using some GS to build up the basic shape of the head and neck:

Admittedly, the model didn’t look like much at this point, and I was briefly afraid of having ruined a pretty expensive kit. But when I tentatively posted these early WIPs on various forums, people immediately recognised the model as a WIP Angron and seemed very enthusiastic — phew! 😉

Another part of “The Emperor’s Gift” refers to Angron’s “saurian head”, and I liked the idea that an elongated head gave him a bit of a reptilian look without completely superseding the human origins of the character.

The next part of the conversion was to build up several parts of the model at the same time: More and more cables were added to the head, some of them GW bitz (all the cables from the Space Marine Centurions really came in handy here), while others were sculpted from GS using a fine-tooth comb and lots of patience (thanks to a neat tip from fellow hobbyist Mechanist). At the same time, I also added the various planned armour plates to Angron’s body. Here’s what the model looked like a short while later:

My original plan was to use the Ogre Bull gut plates resembling the World Eaters’ legion badge as kneepads (to emulate the kneepads of Forgeworld’s Angron model), but then I realised that the gut plate also worked really well in its intended function, providing a piece of armour that fit very well while also differentiating the model further from the stock Bloodthirster.

As for the spiked crest you can see above Angron’s head, that is a shout out to several pieces of artwork, as there was always a three-spiked crest above Angron’s head in the older artwork, both in his mortal and immortal incarnation. However, Simon Egan’s Angron model has slightly redesigned this element into a World Eaters symbol framed by what seems curiously like a chaos star. Therefore, I felt that would be cool to hint at the updated design, and so I used a part from the WFB warshrine of chaos as a crest.

The shoulder pads were a part that confounded me for quite a while, and I also felt that this was the part where many Angron conversion, even the truly excellent ones, faltered, trying to add pauldrons made from GS that ended up looking slightly too gooey and awkward.

After much consideration, I discovered some chaos shields from Maxmini.eu which Augustus b’Raass had sent me a while ago in my bitzbox, and they really seemed like an excellent compromise, recalling the pauldrons in the art while also fitting the Bloodthirster model surprisingly well (and featuring the same amount of detail as the rest of the armour plates):

The most involved part of the conversion was to keep adding more and more cables to the head, and this also took far more patience than I normally have. But I forced myself to work in several sessions and kept adding more and more detail to build up the head. You may notice the cables’ different textures. This was a conscious choice, as I wanted to capture the feeling of various cables at various stages of “transformation”, for lack of a better word: There are the more slender, clearly metallic cables, slightly thicker cables that already have a distinctly organic look (and somewhat more gooey texture) and, finally, fleshy tendrils that no longer really look like cables at all. I wanted this ensemble to look like the nails had actually become a part of Angron’s very being upon his ascension, and I planned to underline this even further during the painting stage.

So with the model’s body finally taking shape, this was also the right moment to think about the weapon I wanted Angron to wield. Canonically, Daemon-Primarch Angron is armed with the Black Blade, a massive daemonsword forged for him during the Heresy by Vel Kheredar, at the behest of Lorgar.

Coming up with a suitable blade would have been a rather neat challenge (I considered Nagash’s sword for a while, or the sword from the Nemesis Dreadknight), but the longer I thought about it, the more I realised that I really wanted to incorporate that huge axe that appears both in the early Horus Heresy artwork and in Alex Boyd’s illustration.

I knew from looking at Reg’s model that this could work really well, using one of the Bloodthirster axes. However, I diverged from his design by using the big, two-handed axe rather than one of the smaller ones. Here’s the finished, slightly tweaked axe:

The haft was shortened and straightened a bit to make the axe seem slightly less unwieldy (I also thought the crooked haft did look slightly silly). And I definitely needed that huge wing ornament on the axe head — I took inspiration from Reg’s model here, using a wing from a Dark Vengeance Ravenwing bike and gluing it to the axe.

So here’s a mockup of Angron holding the weapon:

And as you can see in the pictures, there’s also a little something in Angron’s right hand: This is perhaps the second rather substantial difference from Reg’s amazing version: I really wanted to do something with the empty hand, and it seemed like the perfect chance to incorporate another shout out to Alex Boyd’s illustration: The artwork shows Angron gripping an unlucky Astartes, probably an Ultramarine, in his off-hand, so I chose to create a similar effect on my own model. A Grey Knight would have been an interesting alternative, but I ultimately chose an Ultramarine, both as a callback to the art and because using a Grey Knight would have “dated” the model:

You see, Angron was one of the first Primarchs to ascend to daemonhood, during the Mid-Heresy. Yet at the same time, it stands to reason that his appearance as a Daemon-Primarch would still be roughly the same several millennia later. So using an Ultramarine here would ultimately allow me to use the model both for 30k and 40k (as a piece linking together the two versions of my World Eaters, if you will), which I thought was a pretty nifty bonus!

Towards this end, I tried to make the Ultramarine’s armour look like it could have originated during the Heresy, mainly using Mk IV components:

I do realise that gory trophies like these can be a bit of a divisive feature, but I chose to cut the Ultamarine apart at the waist, showing how Angron must have torn his opponent in half moments earlier. I think having an entire Astartes dangling from his fist would have ended up looking rather awkward, so the legs will appear on the base. I tried to keep the splatter factor pretty low though, avoiding lots of dangling innards and limiting myself to a barely visible spine and one coiled rope of entrails:

My take is that the Marine is still alive, by the way, if only just barely — “Only in death…”, and all that: I reckon this guy has one last swing left in him, not that it’ll do him any good. This is also the reason while he is still facing towards Angron:

So with both hands completed, it was time to attach the wings and add the final details before the conversion was ready for paint:

The most important part to tidy up was the head, although I found I didn’t even want to add lots and lots of additional cables, as I was really rather happy with the way it looked. In addition to the cables, some small chains and several skulls (both from the Empire Flagellant kit) were nestled in between all the cabling and fleshy tendrils, in keeping with both the art and ADB’s description. As for the face itself, the two final additions were some gruesome spikes on each cheek and some studs carefully added to the forehead, both as a way of approximating similar elements appearing in the artwork:

And there was one last “special effect” that I wanted to add to the model: Because I had made such a lot of changes to the model’s head, there was no way to use the crest of fur that normally runs down the stock Bloodthirster’s head. So I used this area to add another detail differentiating my Angron conversion from the stock ‘Thirster, while also serving as a shout out to my plastic Angron conversion.

As you might remember, my plastic Angron kept the exposed spine from the Slaughterpriest model:

Now I thought it would be a cool, if somewhat grisly, in-joke to use the same element on my Daemon-Primarch Angron, so I used the big spine from the AoS Bloodsecrator of Khorne and some GS to create this:

And with those final additions, the conversion was finished. Let’s take a look at how the model looked before painting:

Here’s a comparison picture showing Angron next to my Bloodthirster: Considering the fact that it’s basically the same model, I do think I’ve done a reasonable job of making the conversion look different:

All in all, I am really extremely happy with the conversion: While it’s very obvious that I have taken a fair bit of inspiration from Reg’s Angron conversion, I also think that I’ve made enough tweaks on the formula for my model to be able to stand on its own. At the same time, I also feel the model is a pretty fair, if not 100% picture-perfect, representation of Alex Boyd’s artwork, even if I’ve had to switch hands on my model, for the sake of practicality:

I am particularly happy with the face and head:

Yup, looks like Daemon-Primarch Angron to me 😉

Now, do you still remember that silly Epic 40k version of Angron shown at the beginning of this post? Now what if I tell you that my buddy Biohazard is currently working on his own version of Daemon-Primarch Angron (because the both of us seem to be having a bit of an Angron conversion arms race going on at the moment), and his version is actually based on that Epic 40k model?

It is also completely awesome:

Daemon-Primarch Angron conversion by Biohazard

As you can see, Biohazard’s even arming Angron with the proper Black Blade, having made a fantastic kitbash utilising the Nemesis Dreadknight’s sword. I love the fact how we’ve chosen to build the same character and use the same stock model, yet our respective interpretations should end up looking wildly different! Keep track of Biohazard’s brilliant conversion work here.

As for my own version, there was one last test to pass: We are all prepared to cut a conversion some slack while it’s still in different shades of grey and green, but the truly magic moment comes when it’s all brought together by the same colour — or not. So it was with some nervousness that I spraypainted the entire model black:

And yet with only the black undercoat in place, I think it’s already obvious how the different parts of the head (and, by extension, the conversion) merge together fairly seamlessly, wouldn’t you agree?

Once again, the armour plates were being kept seperate during the painting process, in order to make painting easier and avoid hard to reach nooks and crannies:

Right, time to get this bad boy painted, eh? 😉

So stay tuned for the next part of this series, when I’ll be walking you through the painting process. Until then, I’d really love to hear your feedback on the conversion so far and my working process for this project! And a heartfelt thank you to all those who have provided the necessary inspiration – or bitz – for this particular project!

Prologue

I have been thinking a lot about Angron lately.

I’ve explained before how I think Matthew Farrer’s “After Desh’ea” and Aaron Dembski-Bowden’s “Betrayer” have managed to turn a bad comic book villain into a much more rounded, tragic character, and I still stand by that sentiment: Even in a series of tie-in fiction, Angron has become a strong and interesting character. He’s the most monstrous of the Primarchs. And, in some ways, also the most human. He is a tragic villain. And also utterly irredeemable. All he ever wanted was freedom. From the high-riders. From the Emperor. And he ended up being one of the first of his brothers to ascend to a life of eternal service. That’s quite a development, from generic angry guy bit-part (“Angry Ron”, indeed) to a much more interesting key player in the Horus Heresy.

There’s also the fact that Angron has been depicted in some rather excellent artwork over the years. I suppose everything must have started with John Blanche’s depiction of the World Eaters’ Primarch:

Angron by John Blanche

John’s trademark style goes for shock and awe tactics here, showing us Angron as a hulking barbarian warlord, if anything. Even after all these years, this still seems like an apt interpretation of the character, and it’s quite fascinating to see how most of the elements from this drawing seem to have found their way into subsequent depictions (and even the official model!).

Then there’s this piece by the late, great Wayne England, one of the wonderful illustrations that used to define the look of the Horus Heresy prior to Forgeworld:

Angron by Wayne England

What I really love about this piece is how it plays with the character’s duality: The barbarian warlord is still there, but Angron seems more regal and composed than the JB version. And yet, there’s that strand of viscera dangling from his fist: Even as a powerful Imperial warlord, this man remains a dangerous beast, indeed.

And there’s the far more recent, official piece of artwork from Forgeworld, of course, depicting what is effectively a picture-perfect representation of Simon Egan’s Angron:

It’s another very cool piece of artwork — although those axes seem awfully small, come to think of it.

And finally. two more pieces of art that define Angron as a character for me, both from brilliantly talented artist slaine69:

Angron sketch by slaine69

This first one actually had me gasping out loud when I first saw it: What we see here is a much more monstrous, almost grotesque, take on Angron — and yet it almost perfectly matches the description of the Primarch appearing in Aaron Dembski-Bowden’s stories: After more than a century of warfare, Angron looks like a scarred and disfigured stature of a legendary hero — this is exactly how I imagine Angron during the Nuceria campaign and shortly before his ascension to daemonhood!

The other piece is more moody in nature, but arguably even more effective:

“Portrait of an angry guy” by slaine69

The quality of the writing and artwork slowly made me realise that, as a dedicated World Eater, I would need some model version of Angron at some point. And the growing feeling of wanting to do the Lord of the XII Legion justice in model form, in turn, led to the start of this project: But if I wanted an Angron model, what was I to do?

I. Do it yourself…

Of course getting the (fantastic) official Forgeworld model would have been the most obvious solution — but for some reason that seemed, too easy and too complicated at the same time: I didn’t want to go through the process of having to order the model, really, plus I am not a big fan of resin. And if I was to build Angron, I wanted it to be a conversion project.

Now that conversion is just clever, wouldn’t you agree? It uses some fairly readily available components to create a model that definitely reads as Angron — I especially love the use of half a Space Marine shoulder pad to create Angron’s characteristic high collar! What a neat little touch! If there’s one – very minor – problem with the conversion, it’s that it might just be a bit too small to represent a Primarch (at least by modern FW standards). But it’s still a wonderfully elegant little conversion — and it served as proof to me that a plastic version of Angron was possible!

And then, one day, I found myself at the Hanover GW store with an AoS Slaughterpriest of Khorne in my hand and a plan beginning to form in the back of my head. So I picked up the model and started with an early mockup:

The stock Slaughterpriest body and head were basically perfect for the project, and the model was tall enough to read as a Primarch. Even at this early stage, however, I realised I would have to make some tweaks: The Slaughterpriest arms were holding a two-handed axe, and I knew right away that I rather wanted my Angron to be wielding twin chainaxes, like his official incarnation. However, with the axe left off, the arms were in a rather awkward pose, plus they also ended up looking puny, so I replaced them with Ork boy arms. The chainaxes came from FWs Cataphractii models, and the shoulder pad I used in my mockup had been sent to me by Augustus b’Raass a while ago (it’s either from MaxMini or from PuppetsWar, I believe).

Now when it came to the model’s back, those horns growing from either side of the Saughterpriest’s spine definitely needed to go! I chose to keep the hideous, exposed spine, though, both because I rather liked its look and because it seemed like a suitably brutal surgical alteration (either performed by the ringmasters on Nuceria, or by the Imperium in order to allow Angron to interface with is armour):

And while this version was still fairly rough, it definitely felt like a huge step in the right direction!

The next obvious step was to add the thing that defines Angron like nothing else: His Butcher’s Nails implants:

This actually turned out to be really easy, mostly due to a lucky discovery: When I took a closer look at the Sicarian Ruststalkers princeps’ head, I realised that the cabling forming a “beard” of sorts would work perfectly as Butcher’s Nails with very little additional work:
While I was at it, I also carefully shaved off the Khornate rune from the armour — seeing how Angron never even realised he was the Blood God’s champion before his ascension to daemonhood, it just seemed more fitting this way:

And as you can see in this size comparison picture, my plastic conversion was really quite a bit taller than a standard power armoured Marine and even than a World Eater in Cataphractii armour:

So the final thing left to do was to replace the white modeling putty with solidly sculpted areas of greenstuff, in order to rebuild Angron’s back where needed, and add a detail or two. While I am not especially handy with GS, this turned out to be a fairly straightforward affair. So here’s the finished Angron conversion:

As you can see, I even managed to add Angron’s “Triumph Rope” scar, an element described in “After De’shea” and also prominently shown on the cover of “Butcher’s Nails.”

Here’s the finished back:

And let me just point out that I think the Slaughterpriest’s face is easily one of GW’s best face sculpts, with the set of the muscles beautifully supporting the look of boundless rage:

I even thought about a “GW-friendly” version of the model: If I should ever endeavour to send some pictures of the finished model to White Dwarf, for instance, I’ll have to replace the shoulder pad with a GW bit:

Which of the two pauldrons do you prefer?

But yeah, I am really happy with the finished model, because I think it’s instantly recognisable as the XII legion’s Primarch: I also like how it’s pretty abiguous whether the model represents Angron during his time as an arena champion on Nuceria or rather during a sparring match with his sons in the fighting pits aboard the Conqueror. Whichever might be the case, he seems just seconds away from the iconic pose appearing on the cover of “Butcher’s Nails”:

Now while I have decided to keep my Angron bare-chested, let me tell you that it should really be easy enough to build an armoured version using the same basic approach. For instance, the Stormcast Eternal breastplates are a pretty good fit for the model’s torso and also resemble the type of armour worn by Forgeworld’s Angron. Here’s a quick mockup:

So if you should ever find yourself wondering about how to start a plastic Angron conversion, I’d suggest taking a look at the Slaughterpriest — in fact, if you have access to both versions of the Slaughterpriest, you might be able to come up with an even better version. But anyway, I am really happy with my kitbashed Angron, and I am also looking forward to painting him, hopefully in the near future!

2. The Universe has a sense of humor…

…or so they say, because no sooner was my plastic Angron conversion finished than I was contacted by Adam Wier (of Between the Bolter And Me fame), who told me that he had an almost complete Forgeworld Angron that he would be willing to send over. And indeed, he was awesome enough to go through with it, so a short time later, thanks to Adam’s kindness, I found myself in the possession of the “official” model as well:

And what can I say: I am really happy with my converted Angron, but I also remain a fan of Simon Egan’s “official” version — I’d even go so far as to say that I believe Angron is still one of the best Primarch sculpts (in spite of also being the first Primarch to be released), mostly because the model takes visual cues from all the various depictions of the character and combines them into something that is, amazingly enough, a really good match for each piece of artwork while also being an excellent model in its own right!

And now one of those models was mine, and it even came perfectly cleaned up, probably due to Adam’s meticulousness 😉

So the first thing this allowed me to do was to actually make a comparison between my converted Angron and the official model:

And you know what? I think that, at least from a size perspective, my Slaughterpriest-based Angron holds up fairly well. Granted, he may be slightly smaller than Forgeworld-Angron (if the latter were to stand perfectly erect). But the model is also tall enough to read as a Primarch, if you ask me — plus he’s mostly out of his armour, so there’s that, too 😉

At the same time, it was also clear to me that I really wanted to paint both versions of the model now, perhaps creating snapshots from different moments in the Primarch’s life, so to speak.

I had one problem to solve however: While the model was almost complete, some parts were missing. Mostly minor stuff, really, but the one thing I would need to replace was the cloak. And it took me a while to think of a solution — but then I was saved by a bitz drop from fellow hobbyist Helega, and now my Forgeworld-Angron looks like this:

A slightly tweaked version of the chain cape from the WFB Chaos Lord on Manticore seems like a pretty ideal replacement for Angron’s standard cape — the conversion isn’t quite finished yet, but I do think I am on the right track.

So that’s two versions of the same character for me to paint, right? Seems like I have my work cut out for me. Wait a second, though, because we are still not quite done…

3. Things to come…

What you maybe don’t know yet is that, in addition to the two versions of Angron in “regular” (super-)human form, I have been planning for quite a while to also build and paint a version of the Primarch after his ascension to daemonhood. So that makes three Angrons, which is why this project has now officially become a triptych! My version of Angron’s daemonic form definitely deserves a post of its own, due to the sheer scope of the project, but allow me to share one teaser image with you, while we are here:

Trust me, you’ll be seeing *a lot* of this guy — and soon! 😉

So yeah, I think this is going to be a rather exciting project: Three versions of the Lord of the XII Legion, and I really want to do each of the models justice and paint them to the best of my abilities — wish me luck! During my last visit to the Hanover GW store, the manager even suggested making a diorama of the three finished versions and present it at the store as part of their “Armies on Parade” event in October — we will see…

Anyway, I would like to extend a heartfelt “thank you” to those amazing people who have made this project possible by providing inspiration, bitz or even entire freaking Forgeworld models (cheers, Adam!)!I’d love to hear your thoughts on the project so far!

Hey everyone, it has been quite some time since the last review here on the blog, because for what is probably the first time in my hobby life, I am productive enough to keep showing you finished models instead of talking about releases. Go me! 😉

At the same time, however, the backlog of released stuff I want to talk about keeps building up, so the recent release of Death Masque seemed like a good excuse to dip my toes into this particular pool again (I also want to discuss Silver Tower in more detail one of these days, probably as the last hobbyist in the world, but that will have to wait until I finally get my act together and write the rather comprehensive post I know the game deserves).

Anyway, here we are with a new boxed game, and it’s centered around the Deathwatch once more. Which is pretty cool, because the Deathwatch has always been a bit of a red-haired stepchild, at least when it comes to the Inquisitorial Ordos’ Chambers Militant: The Ordo Malleus’ Grey Knights have now enjoyed full faction status for years, and the Sisters of Battle, allied by ancient decree to the Ordo Hereticus…well, let’s not get into the whole drama and tragic release history surrounding them right now — suffice to say that they at least did form a complete army at one point.

The Deathwatch, on the other hand, was always restricted to a couple of conversion bitz, so if you wanted to run a Deathwatch killteam or, god forbid, an entire army, some OOP metal conversion bitz and a couple of plastic shoulder pads were all the material at your disposal.

All of this has changed with Deathwatch:Overkill, which provided us with some pretty excellent characters that already defined a general outline of what the modern Deathwatch could look like. And now we get another boxed game — this time chock-full of actual multi part kits and delicious conversion fodder! We also get a Deathwatch Codex to boot, but as my perspective is chiefly that of a converter, let’s focus on the models and discuss their strenghts and flaws as well as possible conversion ideas:

Team Xenos

The Xenos are definitely getting the short end of the stick in this box — at least in terms of new sculpts: All of the models (except one, but we’ll be getting to that in a minute) are the plastic Harlequin kits that were released a while back. They are still pretty cool, of course, but there’s really no need to talk about those models again — all my thoughts on the plastic Harlequin models can be found here, in case you’re interested.

But like I said, there’s one notable exception. This guy:

Eldrad Ulthran, Farseer of Ulthwé

Well, quite a surprise, this one! I don’t think many people were expecting a plastic version of this classic 2nd edition character, seeing how Eldrad seemed to have died a typical Disney villain death at the tail end of the Eye of Terror campaign all those years ago, but mostly because the original Jes Goodwin sculpt is certainly one of the most iconic 40k models:

Confession time: I consider this one of the best 40k models ever, period. Easily one of my top five if one considers the whole 40k catalogue, and certainly one of the models you should show somebody if you were trying to explain to them what 40k is. Sure, the model is slightly two-dimensional, being very much a product of its time, but the amount of detailing, strong triangular composition and perfect pose make this model one for the ages, in my opinion. And now they have chosen to update this piece. Ho hum…

GW’s respect for the original Eldrad model shows in that they basically chose to keep almost every part of the original model: The staff and sword are virtually identical, as are most of the clothes and various doodads dangling from Eldrad’s belt and arms. The helm is also really similar, although I really hate the fact that Eldrad now sports one of those silly “pharao beards” that have been the bane of every Farseer design for quite a while now.

The pose is also very similar to the original, but while adding a bit of depth to the original sculpt, it also ends up looking ever so slightly less iconic. Now maybe this is just nostalgia getting the better of me, but for some reason the new Eldrad, for all his excellent detail, doesn’t seem to be quite as tightly composed as the original piece:

While some will certainly welcome the slightly airier pose and sense of depth and motion to the model, but I just cannot get over how brilliant the original is. Nothing is better proof of this than the fact that the new Eldrad instantly becomes far inferior if you drop the sword arm and use the alternate, “casting” hand for him:

Of course it’s a huge boon that the new model is plastic, so it lends itself to converting much better than the old metal model, allowing for using it as the base as a customised Farseer conversion (or for smaller tweaks like, for instance, getting rid of that beard…):

When all is said and done, it’s a very nice and fitting model when taken on its own merits. When compared to its legendary predecessor, however, I have to admit that it doesn’t quite hold up: If I were to build the new plastic Eldrad, I would do my darnedest to make him look as much as the original metal model as possible by tweaking the pose (and by GETTING RID OF THAT BEARD!), and I think that says al lot about which version is the superior one…

I wonder what this means for the (rumoured) plastic update of Khârn the Betrayer…?

Team Deathwatch

It takes no rocket scientist to figure out that the Deathwatch are the more appealing faction in this particular set, mostly because there’s more original content for them. But even so, the Deathwatch side of things also makes heavy use of pre-existing kits: It looks like you basically get one Vanguard and Venerable Dreadnought kit and then the new Deathwatch Veteran sprue to build five Veterans and use the remaining bitz to spice up the other models to your heart’s content. Regarding the base kits, all of them are excellent kits, whether you’re starting a new Astartes force or adding to an existing one. Some detailed thoughts of on the Vanguard kit can be found here.

But yeah, beyond those kits, there’s the new Deathwatch Veteran sprue — and quite a sprue it is:

Looks like we are getting lots of weapons and decoration, but also a dedicated set of bodies and legs, which is very nice! And here’s what the bitz from the sprue will look like when used to create a squad of Deathwatch Veterans:

The inclusion of already establised visual elements, such as the Inquisition symbols, shoulder pads covered in scripture and special bolters, was a given, of course. What I really like, however, is how the main point of this new sprue seems to be to give the Deathwatch its own visual identity: Deathwatch Marines basically used to be standard Marines with a special bolter and one slightly more interesting shoulder pad. The new parts, however, really create a new look for them:

Their armour has a more streamlined and modern look to it (is that an Mk8 breastplate, I wonder?), which befits an Inquisitorial special force. If anything they have a sleek “Spec Ops” looks that is rendered even stronger by their armour being black.

It’s very interesting to see how they differ from their obvious counterparts, the Grey Knights: The Grey Knights look like, well, Knights: very ornamental and medieval. The Deathwatch, on the other hand, look like a particularly bad-ass black ops team from your favourite 90s military shooter, thrown into a blender and turned up to eleven — which also happens to make them look far more believably like an Inquisitorial sub-organisation now!

In addition to the sleek new armour designs, the sprue also seems to be featuring some of the Ordo Xenos’ more…esoteric gear, such as the sword on the squad leader:

Seems like we’ve been stealing some tech from the Necrons, eh? 😉 Now while this particular weapon seems a bit hit or miss to me, I still think it’s neat that some of the equipment seems to be both more esoteric and seemingly inspired by Xenos tech.

For those of you who want boisterous and ostentatious instead of sneaky and subdued, however, the good news is that the new Deathwatch bitz seem to allow for that option as well:

Ah, what would we be without huge hammers and crazily ornate boarding shields, eh? They are looking awesome, though!

But whatever happened to the handle on this poor fellow’s hammer…?

There’s also a collection of shoulder pads bearing quite a plethora of different chapter symbols on the sprue, which should really help to make any given Deathwatch force look like it has actually been assembled from Astartes hailing from many different chapters. And the fact that we don’t just get yet more heraldic elements of the “big” chapters like the Ultramarines, Dark Angels or Blood Angels, but rather a collection of more obscure iconography, is both a great shout out to the wider 40k lore and a great modeling opportunity!

And finally, the bitz on the sprue can also be used to convert Dreadnoughts into a Deathwatch variant:

All in all, the new sprue seems like a deliciously versatile new toy, and I can see it becoming really popular, both with 40k players and the INQ28 crowd alike! For instance, Commissar Molotov, being both the Godfather of INQ28 and quite the Deathwatch fiend, will probably find much to like about the new sprue 😉

Watch-Captain Artemis

Well, this was another really excellent surprise: Whom do we get as the Deathwatch commander but a veteran of 54mm Inquisitor? For those of you who haven’t been into this hobby for years and years, Artemis will merely seem like a cool enough Deathwatch model. But if you remember the old 54mm Inquisitor line of models, you will also remember Artemis, arguably one of the most spectacular models at the bigger scale. And just check out this comparison to see how closely the new model matches the earlier incarnation:

For the sake of the comparison, both models are displayed at the same size, when they are really anything but…

It’s really crazy how GW’s sculptors have managed to incorporate almost all of the visual elements from the 54mm Artemis! Especially if you consider that one of the huge draws of the original Inquisitor models was how 28mm plastic couldn’t hope to capture the same amount of detail — I think it’s a testament to the quality of GW’s modern plastics that almost all of the detail has been retained at about half the size!

There are some smaller differences: Artemis seems to have done rather well for himself since we last saw him , earning the right to wear a snazzy cape. His Deathwatch boltgun has also been exchanged with an actual combi-weapon, and both his sword and his backpack have received some additional bling. I kinda miss the Crux Terminatus necklace, though, as it provided a nice extra bit of dynamism to the model. And I think I’d add a purity seal to the front of his left shoulder pad, just for old times’ sake 😉

The main difference is in the face, if you ask me: Where 54mm Artemis’ face is classically handsome (in the way many retro Space Marines used to be), the 28mm models have noticeably broader features — whether this is merely due to technical factors or an actual attempt at giving him the broader, heavier features that seem to be a trademark of Space Marines in some of the literature, I cannot say. Personally, I prefer the 54mm face, not because of the additional detail, but because the callback to the older, more handsome Marines appeals to me in an entirely nostalgic way. Curiously enough, the bare head that came with the old Dark Angels veteran sprue really resembles 54mm Artemis, though, so if you want to change that part, that’s the face I’d recommend — in fact, there’s a fantastic older 28mm Artemis conversion by Siamtiger that happens to be using the head in question.

But that’s obviously nitpicking: Artemis’ new incarnation is a brilliant call-back to a classic miniature and also a fantastic looking centrepiece for a Deathwatch army in its own right — very nice!

Conversion options:

It goes without saying that I won’t be discussing the general conversion options for the older kits contained in the boxed kit, for obvious reasons, although my thoughts on possible conversions may be found in the aforementioned reviews of the respective kits linked above.

So this leaves us with the two special characters and the new Deathwatch sprue to discuss:

Eldrad could obviously become a building template for your own custom Farseer with just a few cuts and a bit of kitbashing. The prospect isn’t hugely exciting, certainly, mostly because we already have a generic clamshell Farseer who can fill that role, although it’s nice to have the option. Seeing how his breastplate (with most of the Eldaresque decoration) seems to be a separate piece, it should be possible to use the model as the base for a non-Eldar robed character, such as an Inquisitor, Imperial Psyker, Chaos demagogue or what have you. And of course it goes without saying that his sword and staff would also be cool conversion bitz for any Eldar players.

But really, when all is said and done, there’s no doubt that this model should probably be used to build Eldrad, above all else. So the most appealing conversion options here would be to make minor tweaks to make him resemble his classic incarnation even more closely (rotating the head counter-clockwise by a few degrees, and OFF WITH THAT BEARD!).

Artemis should be easy enough to tweak as well with some careful cutting — but once again, I find myself strangely reluctant to even think about using the model for a conversion. It’s such a cool shout out to the 54mm model, and using it for anything else would just lose that — and there’s really no shortage of Space Marine bitz to use, so we might as well leave this guy in one piece, eh? Just this once 😉

Come to think of it, the one tweak I think would improve the model would be to slightly rotate its head so as to mirror the 54mm version’s pose even more closely.

So with the two special characters best left untouched, for the most part, the Deathwatch sprue is obviously the true star of the show here, and rumours have it that GW really intends to package it with a huge number of Space Marine kits to give the Deathwatch a real push. And why shouldn’t they? The designers have been building up the compatibility of the various Space Marine kits literally for decades now, and towards this end, releasing a sprue that will allow you to turn virtually every Space Marine kit into a Deathwatch kit is a pretty shrewd move!

There’s also the fact that the sprue seems far more comprehensive than the Dark Angels and Black Templars sprues that were its distant predecessors (and those weren’t half bad either): If you carefully divide the contents of the sprue between your squads, you’ll get quite a bit of mileage out of those bitz!

Possibly the best part of the sprue, however, is that it really plays to the appeal of the Deathwatch: The great thing about them is that they allow you to build a Killteam or force that is very much centered around the individual models, as they all hail from different chapters. So if you want to test some ideas for a DIY chapter or build a model belonging to one of the more obscure chapters, building a model for your Deathwatch project will allow you to do just that without having to commit to an entire squad or army.

And we finally get a distinctive look for the Deathwatch — one that goes beyond the concept of standard tac Marines with black armour and a silver left arm. True enough, these are still Space Marines, but even if they lack the plethora of kits the Grey Knights have nowadays, at least they now have their own visual identity!

The flexibility of the sprue means that it should also become quite popular with converters: Whether you are looking to add a killteam (or a single Deathwatch veteran) to your army or want some suitably original and esoteric equipment for your chapter masters or Inquisitors, there should be something for you on this sprue. Even if you are going for true scale Deathwatch (because true INQ28 aficionados will only ever settle for true scale Astartes), you’ll be thankful for the Terminator-sized Deathwatch shoulder pads.

All in all, Death Masque seems like a cool boxed set that basically combines several of GW’s most successful recent ideas: If you look at the kits in the box, that’s some pretty major bang for the buck. The game functions as a standalone entity, drawing in new people and working as yet another gateway drug, so to speak. The redesigned Deathwatch will pluck at the heartstrings of veteran players and hobbyists. And the special characters provide that extra bit of sugar sprinkled on top — well played, GW!

So what’s your take on the new models and conversion bitz? I would love to hear your opinion, so feel free to drop me a comment! And, as always, thanks for looking and stay tuned for more!

A quote:

You fools! Your gods have blinded you with visions of glory and power, of a golden future that awaits you in their service. But our lord has shown us more than you could ever imagine. There are no empires awaiting you. In the endless cold between the stars, there is only the hunter and his prey. And those who were once the former and are now the latter. All that remains is the hunt, for only the hunt is eternal.