Signed and dated l.r. in plate: TR Way. 1911; inscribed in script outside plate at top: London June 1911 Published by W.M. Power Victoria Galleries Westminster. Copyright; Signed in pencil outside image center bottom: TR Way

A base composed of a red section that lies on the floor and a black section that rises to narrow point. On the point rests the moving part of the "mobile"--one arm extends out and ends in a black boomerang; the other extends out then attaches to a vertical arm that has yellow polygons on either end.

Subject Matter

The abstractionist's interest in the rhythm and motion created by the way shapes, lines, and colors interact with one another is here put in actual motion in the form of a mobile.

This work is a brown rectangle that contains a yellow circle and a yellow hexagon shape with red stencil lettering. At the bottom edge of the rectangle, below the yellow circle, is the word "hexagon". Within the the yellow circle are the words "external" and "hexagon" and within the yellow hexagon shape is a large "6".

Subject Matter

This work is one of ten prints published within a portfolio, “Ten Works + Ten Painters”, commissioned by Samuel J. Wagstaff from the Wadsworth Atheneum Museum in 1964. This portfolio was one of the earliest to have several artists published together to make major American artists accessible to a wider audience and range of collectors. Each print in this portfolio was based on a painting the artists had previously created. Some of the artists represented, in addition to Robert Indiana, are Robert Motherwell, Frank Stella, Andy Warhol, Ellsworth Kelly and Roy Lichtenstein, who were associated with the Pop and Minimalism art movements in the 1960s.

This is a horizontal rectangle on a white background. There are black, red, green, yellow and white irregular shapes within this rectangle. In the lower left corner there is white writing within a black shape and in the center bottom area there is balck writing within a yellow shape.

Subject Matter

This work is one of ten prints published within a portfolio, “Ten Works + Ten Painters”, commissioned by Samuel J. Wagstaff from the Wadsworth Atheneum Museum in 1964. This portfolio was one of the earliest to have several artists published together to make major American artists accessible to a wider audience and range of collectors. Each print in this portfolio was based on a painting the artists had previously created. Some of the artists represented, in addition to Stuart Davis,are Robert Motherwell, Frank Stella, Andy Warhol, Ellsworth Kelly and Roy Lichtenstein who were associated with the Pop and Minimalism art movements in the 1960s.

A blue vertical rectangle with a red oblong circle covering its lower section. The red form is cut off at the lower left edge.

Subject Matter

This work is one of ten prints published within a portfolio, “Ten Works + Ten Painters”, commissioned by Samuel J. Wagstaff from the Wadsworth Atheneum Museum in 1964. This portfolio was one of the earliest to have several artists published together to make major American artists accessible to a wider audience and range of collectors. Each print in this portfolio was based on a painting the artists had previously created. Some of the artists represented, in addition to Ellsworth Kelly, are Robert Motherwell, Frank Stella, Andy Warhol and Roy Lichtenstein, who were associated with the Pop and Minimalism art movements in the 1960s.