Hey Hey, so I am closing out this run at Boulder Theater tonight, and I wanted to dig in a bit and reflect on some of my early SCI memories from this great venue.
I think it was here, where I first played music with String Cheese. I remember seeing them at the Fox earlier that year and being impressed. In fact, I was blown away by the “kid” on acoustic guitar. Not only by his playing, but also by the tone of his instrument. I had never heard an acoustic guitar sound so present and “real.” So later that year, when my band Durt was asked to open for them at the Boulder Theater, we all loved the idea.

I had been jamming with Kang and other local musicians (including Dave Watts) for a while, so we were familiar with each other’s playing. Durt was mainly a rock outfit and I was probably only carrying my Roland D-50 keyboard at that time. The sounds in this board were, to say the least, very ‘80s. So when the SCI boys asked me to sit in that night, I was super pumped, but a bit hesitant as to how my sounds would fit their vibe. I have no idea what I played. Probably “Bigger Isn’t Better “ and “Jellyfish.” Those were the first ones I learned. And I’m not sure how it came across, but I must have passed the audition because they asked me to hop on tour for a few more shows.

Since then, we have played almost every venue in the area from the Fox to Fillmore, but the Boulder Theater is one of the classic venues. And haunted or not, we always had a fun time playing here. This town has a great history of supporting live music and it seems to be a vortex for musical creativity. So many bands have gone on from here to become nationally known. There must be something in the water. And as for String Cheese, it was always nice to come back to Boulder after a long tour. It’s nice to come home.

Boulder has been my home now since 1993 and I have loved every year. It seems this area has been a hot bed for great music over the decades. String cheese is just one of the many bands that has been born from the creative forces in this area.

My main memory of Chico is the HEAT. Man it seemed like every time SCI played here it was insanely hot. I guess it must have always been summer when we passed through. I do remember playing a show with our friend Dar Williams here at some strange, long barn thing. Dar was totally cool and her keyboard player rocked. I dug what they were doing. Before the show I think we all snuck away to some watering holes along a river and soaked for a long while.

And there was one super hot night at the Senator Theater where we played "Oye Como Va," the Santana tune, a rare play for us. It's funny because on some of these tours each band member would make the setlist for the night and, as I look back at these shows, I wonder who made the each list. You can kinda can tell by openers and closers and overall flow in the set. It can be a tough to make the list. Especially with five other opinions flying round.

So this is the show closer for my West Coast run with JBB. It has been so much fun. They are great guys and they sound killer. I can’t believe it's over. But we will hook up with them again at the Boulder Theater in couple weeks.

Come on out tonight and try some Hop Bam Ale at Sierra Nevada. It's going to be a great tour closer with beer and music and I imagine the temperature will be less of an issue this time around with Sierra Nevada on board.

Tahoe was always the stop into or our of California tours. We played a few small clubs in those early years. The first one I played was Humpty’s. When we first played there, I was so new to the group that I did not know all the songs. So I would sit out for a few each night. I forgot which tunes, probably "Black Clouds" or bluegrass ones like that. But that was cool with me because I was able to hang out, get a beer, and meet fans. In fact, it was at these shows that I meet a lot of early California cheese fans.

We played a daytime show outside with Leftover Salmon one summer. I remember picking Mark Vann's brain about how to emulate a banjo roll on the keyboard. It was a trip to figure out how to finger all those notes on the piano. And honestly, I never quite got it. But it was always a good time hanging with the Salmon guys.

So many winter stops for skiing and summer stops for mountain biking. I love this area. Looking forward to getting outside again when we are there.

Ahh San Francisco…wow. This was one of the first stops I had on my virgin tours with the SCI gang. After a huge drive from Telluride in “Jean Claude Band Van” (the first of Cheese vehicles), we stayed right on the Bay at a friend’s condo. I woke up to a gorgeous view of boats and water. In Fact, it was that morning, when Kang and I were out on a Boston wailer trolling around , that he popped the question, “would you consider joining us full time?” I loved the idea, but was a bit booked up with other projects. What was I thinking! But eventually I cleared my schedule (like for the next 25 years).

I think it was on that run that we hit Great American Music Hall. It was an amazing venue with its gold leaf balconies and classic ambiance. Then later we played the Fillmore. I remember kind of flipping out to see the “Jerry” room in the backstage area at The Warfield. So much great music had come through these places. It was an honor to be on those stages. The Bay Area was always receptive to SCI. And it will be awesome to be back in this room again, like coming home.

Heading to Santa Cruz tonight. SCI played Palookaville and The Catalyst in those early days. I remember wandering the streets checking out the music stores and markets. One time while we were there a small earthquake hit. We were all sleeping in Bussy, in a random parking lot as usual, and the bus started to sway. I awoke to a jostled band and spilled water bottles, but no worse for the wear.

I have a vague recollection of us playing a gig in a garage with Keller somewhere in town. I think it belonged to a friend of ours, Frank. In fact I think he did all the great woodwork on the inside of Bussy. That must have been an early rendition of the Keller and SCI collaborations. I’ll have to go check out those tapes. Looking forward to getting back there I love this city.

LA was a hard market to break into. The first few times, we played a club called The Troubadour. Cool vibey spot with lots of great history, but the crowd, many years ago, was not impressed with our improvisational style. We got more than a few blank stares. It was hard to get it going when the crowd was not into it.
But all that has changed and now we have a great connection with the fans there. The Hulaween 2002 show was off the hook. It was our “Academummy Awards” that year. We did a “Dead Rock Stars”-themed show. Each band member sang a song from one of the many deceased rock stars in history. I sang “Smells Like Teen Spirit” by Nirvana. I remember searching for the perfect mustard-colored cardigan sweater and trying to get the wig to fit just right. It was fun to try to emulate Kurt's mumbled lyrics, and standing at the front of stage like all the cool guitar guys was awesome. Overall, as far as theme shows go this was one of our better forays.

But the highlight for me was talking about psychedelics with Rod Roddy, from The Price Is Right, back stage. Sounds like he lived a long and adventurous life. Long live Roddy!

Heading to San Diego tonight. KHB is playing the Belly Up. SCI performed there the year that I joined (1997). Man, that was a whirlwind year. I just looked back at all the dates and there seemed to be no downtime at all. We were serious road dogs back then.
We had just come from a long run starting in Gainseville, FL, through New Orleans, Houston, Santa Fe and Flagstaff. So I have scattered memories of that gig, but I do remember walking randomly on the railroad tracks looking for a laundromat (I probably never found one). Also, that night, I met a keyboard player that I had admired from my Baltimore days. He played with a band called New Potato Caboose. They were a great group that fell into the early “jam band” genre. The keyboard player would do this killer percussion jam on his Hammond B3 with the drummers - very inspiring.

SCI has come back many times since then though. I recall a great show at the RIMAC Arena in 2002. I’ve heard that the “San Jose” from that show was pretty slamming. We also played with RatDog in 2006 at the park. That whole run with them was so much fun. I had a blast talking and jamming with all the guys. Plus I got to dance my ass off watching their set every night. I am psyched to in SoCal. again and looking forward to another great night of music.

Well, I’m heading to the West Coast again. It’s been a while since I’ve been back there with my solo project. I'm looking forward to a week of Pacific Coast hospitality.
When traveling with SCI, this was one of the first places I played on tour. I remember coming down into the Bay Area after a grueling, 26-hour drive from Boulder. It was like wandering into Wonderland. Everything was green, lush and so foreign to my cold Colorado winter.

I had never been to the Pacific Coast before and I was amazed at this land of the counter culture, Haight-Ashbury and the roots of the “Jam” culture. I had never seen a Whole Foods, met a vegan or walked through giant redwoods. And driving on Route 1 was spectacular, but always a bit unnerving, while at the wheel of a 32-foot ski bus named Bussy. That time was an awakening for me, not just musically, but also personally.

We played many cities and venues in those early tours, from San Diego to Seattle. It was a blast to leave my day job and join forces with this super vibrant, energetic crew of freaks. With Kristen the “merch goddess” and JonO our sound man, we traveled the West trying to convert young open-minded people to our musical style.

In the next few days, I’ll be posting on Facebook about my memories from early SCI gigs in each of my West Coast stops on this KHB tour.

So we're heading into the last three shows in Chicago. What ? How did that happen so fast? There have been some pretty slamming moments (also some scary ones) in the last couple of weeks. But overall it's been feeling really good.
It's been wild being back in this world again. Though every day does start to feel the same. Wake up on the bus in a new town, go to sound check, then start rehearsals and begin “the great set list debate.” Off to catering for a quick bite and then we jump on stage for the show. And it ends with late night mayhem on the bus. Kind of fun actually. I’m going to miss it.

Meeting great fans and breweries across the country as part of the Hop On Tour experience has been a new treat as well. We've shared a lot of great craft brews, and some awesome meet & greets. It all comes together at my sold-out Kyle's Brew Fest CHICAGO as the Hop On Tour finale, again supporting food banks and impoverished communities through Conscious Alliance.

We are psyched to be out again and are ready to rage these last few nights!

I have included some photos and a video from the last week on the road. Enjoy.

Greetings from the road - Day 6:
What the hell. This is great!! So much fun. The band is feeling solid and we are really connecting on so many levels. This is what music is about. Also, it's been super exciting to walk out onto stage and feel the appreciation from the fans every night. It’s good to see that the fans are as pumped as we are to be back at it. Musically it has been a blast. We have been able to play through much of our wide repertoire. That’s the advantage of doing this many shows in a row. It permits us to dust-off some of the older stuff and breathe new life into them.

So we are heading to Baltimore on a long haul drive about 13 hours. And as I stare out the bus window and see my hometown come into view, it's hard not to reminisce. I left here 18 years ago to become a forest ranger in Colorado. And although the ranger part didn’t pan out, it still turned out to be a good choice. It is amazing how some decisions can turn your life in a whole new direction.

But it is great to see my family again (all 7 of them) and get a chance to feel that sibling connection. But it does make for one hell of a guest list when I come back home.

I have gathered some photos and videos thus far. Check them out. See ya soon.

Hop On Tour is an interactive fan experience. Throughout The String Cheese Incident’s Roots Run Deep tour and Kyle’s kick-off shows in Colorado, Kyle will connect with fans via his Facebook page (www.facebook.com/kylehollingsworthmusic) and blog (www.kylehollingsworth.wordpress.com) to provide a behind the scenes look into life on the road as well as the craft beers and brewing that come into picture along the way. To top it off, fans will have the opportunity to win an invite to exclusive meet & greets and tastings with Kyle and others through various contests at select SCI shows. Stay tuned to Kyle’s Facebook page for regular Hop On Tour updates...

BREW DAYS!
After a night of raging to the motet on Halloween, I woke up at 6:30am, hungover, and drove to Odell's, in Fort Collins, to brew some beer for the Hop On Tour kick-off in November. Some good stuff going on here!

Hop On Tour is an interactive fan experience. Throughout The String Cheese Incident’s Roots Run Deep tour and Kyle's kick-off shows in Colorado, Kyle will connect with fans via his Facebook page (www.facebook.com/kylehollingsworthmusic) and blog (www.kylehollingsworth.wordpress.com) to provide a behind the scenes look into life on the road as well as the craft beers and brewing that come into picture along the way. To top it off, fans will have the opportunity to win an invite to exclusive meet & greets and tastings with Kyle and others through various contests at select SCI shows. Stay tuned to Kyle’s Facebook page for regular Hop On Tour updates.

Damn...this was a serious summer. SCI rehearsals and shows in June and July (which were sooo much fun). Then I was out with my band for a spell, traveling around the festival circuit. And, in between, I was invited to participate a few unique lineups including a super group with Bill Kreutzman, Steve Kimock and George Porter. It was a lot of great music with not much sleep, but maybe its better that way.
On the beer front, it was big year as well. Kyle's Brew Fest sold out again and was another successful benefit for Conscious Alliance. The beer I made with Boulder Beer, Hoopla Pale Ale, has been getting a lot of great reviews from all over the country. Get it while you can! Also it was fun to add my new Brewru Experience at festivals, discussing beer and brewing with fans - trying to connect the dots between my passion for brewing and my love of music.

And now I am psyched to be home with the fam for a few weeks. While at home, I‘ve been forcing myself to dig in a bit and do some more writing. As inspiration, I have been playing through the Beatles songbook. Man, they were great songwriters. Some of those chord changes come out of nowhere and the modulations are seamless. The melody drives everything on that stuff. Listening to this music gets my mind thinking in different directions.

So this fall is mostly chill. Though I do head out for a long weekend with my band September 8-11 in the Midwest. We are going to hit some new towns as well as a couple of festivals. The Macpodz will be joining us in Cleveland and Kalamazoo. I dig their stuff and I think it will be a good musical combination. Also, we are playing one of my favorite breweries: Bell's. Yes! Great beer, great music. Yum.

And, of course, SCI is about to rev-up again for another big run of shows in December. And this time it’s a real tour. Like “get-on-the-bus-and-roll-” style. It's going to be awesome! Stay tuned for more on this on upcoming blogs

But for now, I’ll just enjoy the last weeks of summer. Sitting on the porch, drinking a beer and writing songs.

See you out there.

Kyle

In case you missed it, I did a "remix" of an argument we had on the road this summer. My band, KHB, had just finished a gig deep in the mountains of West Virginia. So at 4am we started driving around looking for our hotel. Tensions started running high as we came to the conclusion that we were hopelessly lost. I recorded some of our banter and then auto-tuned it and added music. Check it out (Beware it does contain some “moonshine-induced” mature language).

Festival Season is here!! And now with “the rapture” out the way, it looks like it’s going to be quite the Summer. With Cheese back at Bonnaroo and then Electric Forest, it will for sure keep me busy for the majority of the summer. Then I continue forward with lots of unique musical formations and events.
From collaborating with Steve Kimock to jamming with George Porter and Bill Kreutzman, plus doing clinics on beer and home brewing, it is going to be a diverse few months. But I’m looking forward to the challenge. Also, my band KHB will be working hard this summer. We’re heading to Electric Forest as well as local and national touring. Including my 2nd annual Kyle's Brew Fest here in Boulder, Colorado.

In case you missed it last year, Kyle’s Brew Fest is a unique brew event, benefiting Conscious Alliance, that not only showcases great beer, but also the art of the brewing process. Ultimately it connects my passion for music and my love of brewing (I’m even considering making a beer on stage while I play). Last year's Brew Fest sold out show was a blast and helped to raise awareness and money for conscious alliance. Boasting over 25 breweries and great tunes, please join us again this year. We will be drinking, talking and singing beer all for a great cause. Hope to see some of ya out there...

But for the next few weeks I’m being sequestered into the school of SCI rock. Back at it, we are digging in and spending time together making sure that every show we do is an unique “Incident.” From testing-out new stuff, to the ever-lasting search for the perfect cover, it's always a challenge and a relief to be back with friends.

See you soon.

Kyle

In preparation for Brewfest I am making sure we have enough Hoopla Pale Ale ready, check out the video.
[youtube http://www.youtube.com/watch?v=pazYChsefiI&w=560&h=349]

Here I am sitting at home again after a few whirlwind weeks. It’s so wild to go from being a musician on stage in front of lots of people one day, to doing dishes and laundry the next. Quite the dichotomy going on in my life. Honestly though, I really enjoy the split Kyle universes. At times I am able to be home and spend time with the family, but I also get the release of playing music. And for me it's not necessarily just the playing of my instrument, but it's the addiction of performing on stage. I find sometimes I miss the energy I get from being in front of people. Yeah I know, kind of weird, but it's like I was wired to be an entertainer.
Even from a young age I was a clown. From performing as a magician at the family dinners, to doing local musicals and TV shows. I always wanted to get up into the lights. And at age nine I decided that I wanted to be a “rock star." I would practice singing in front of the mirror with the brush and even pretend to answer questions from Rolling Stone. But at some point I realized I needed to actually play an instrument to be a rock star and since I was already taking piano lessons at that time, that made the most sense. Certainly not as cool as guitar, and definitely not as rocking, but I enjoyed it. And I got attention…ahh, I guess that’s what it was all about.

So I dig this strange life. And I am able to balance “dad” with “stage guy” pretty well now. Although sometimes I still find myself singing in the mirror with a brush, but at least this time I am doing it with my daughter.

I am heading out to my favorite coast again with my band, KHB. We are hitting Bellingham, Seattle, Portland and Lake Tahoe, this Thursday through Sunday. It’ll be nice to get on the road again and play some club dates (and drink great beer!). See ya in the Northwest this week!
Also, I have included a link to a tune, "Rosie," that was played for the first time at the SCI Winter Carnival shows. I did a bit of a remix to it and added some new elements as well. Check it out, I hope you enjoy.

Ok, ok, so it's my birthday, don’t rub it in. And now that I am more than twice Justin Bieber’s age, I am starting to feel the years. But at least we have matching haircuts. The bowl cut will never die!!!
Actually, things are going pretty great. I have been busy for the last few months writing tunes and playing music. I did some cool shows around town with my band, KHB. We opened for Umphrey's at the Fillmore, in Denver, and that was a blast. They are such a great guys and it's always a pleasure to hang with them. But, honestly, it was my wife’s birthday so I got a bit buzzed and ran around the Fillmore dancing and screaming. So I didn’t get to much time to hang. I think I remember having a had a good time though.

But then there’s now and I am deep in rehearsals with SCI. With only a week left before the big 1st Bank Center Cheese shows, we are getting pumped. We are digging into some of the older material that has not been played in a while, but also breaking out some new tracks. It's going to be awesome, it's always a bit challenging to just jump back in it and that’s why we spend so many weeks preparing. It's not about learning the chords to “Howard” again, it's more so about jamming together and getting the magic back. It's never lost, but just needs to be dusted off a bit.

See you there.
And make sure to catch KHB in the Northwest next month:

So here we are at the final keyboardist. As I look at this list I see so many amazing players. And although I had to choose the ones that made an impact on my playing I have so many more that I admire. From Red Garland and Brad Mehldau to Chester Thompson and Matt Rollings, there are so many great musicians out here. And, of course, my college teacher ,Greg Hatza, had a big influence on me and helped me get started on my journey so many years ago. And I thank him for that...
#1: Herbie Hancock

So yes, every keyboard player is expected to cite Herbie as an influence. And with good reason, he is sooo the man. I first found him in college after my piano professor turned me on to Speak No Evil (a Wayne Shorter album). Of course I had heard of Herbie from the Eighties hit “Rockit,” but the earlier Miles Davis side of him was so was so soulful. Every note had so much feel and intention. And although in college I was studying all the greats, such as Keith Jarrett, Chick Corea, Bud Powell, etc., I kept coming back to Herbie. The live Miles Davis 1964 discs Four & More + My Funny Valentine were constantly playing in my room. It was, and remains to be, one of my favorite recordings of all time. There is great compositional improvisation on that record, so much musical intuition between the players. It wasn’t until later that I discovered the Headhunters' records. This was another level for me as well. Not only funky playing, but also that tone coming from the Rhodes was something I had to have. Herbie’s feel is always at the center of his playing whether a piano, Rhodes or Clavinet. He was a great inspiration for me.

In anticipation of Hoppy Holidays, I will be counting down the top five keyboardists whom have had the most influence on my playing. I’ll post a different artist every few days between now and the first day of Hoppy Holidays: Friday, December 10th.
I am often asked to name the most influential keyboardists in my life. I usually just rattle off my favorites from then and now, but I wanted to really take a look at who influenced my playing. I didn’t want to select just keyboard players that I admire and study, but those that have made an impact on my performance and writing. So I scanned my iTunes library and dug up my old cassettes from the basement and this is what it came down to…

#2: Bill Payne

Growing up, I would hear music wafting down the staircase from my brother’s super cool attic bedroom. And although my family was primarily a Beatles/Simon & Garfunkel institution, he was playing some new music that peeked my interest. It had great feel and less-predictable song forms. So I started digging into Little Feat myself. I remember spending hours listening to Waiting For Columbus, especially “Dixie Chicken.” I loved the breakdown with the horn section and Bill’s solo moment there is awesome. The whole concept of laying-down time with the left hand, while freeing up the right for improvisation, was new to me. I guess I had never really heard much ragtime/New Orleans-style music before, so the concept of a “one man band” was inspirational. And Bill uses the whole piano as a canvas. From his high percussion-type splashes to super low bombs, Bill taught me that piano is a percussion instrument in every sense of the word. At times, I still struggle to get out of my three- or four-octave safe zone. It is always refreshing to watch or listen to Bill play. He is the catalyst for me to stretch out of my comfort zone, which is always good.

In anticipation of Hoppy Holidays, I will be counting down the top five keyboardists whom have had the most influence on my playing. I’ll post a different artist every few days between now and the first day of Hoppy Holidays: Friday, December 10th.
I am often asked to name the most influential keyboardists in my life. I usually just rattle off my favorites from then and now, but I wanted to really take a look at who influenced my playing. I didn’t want to select just keyboard players that I admire and study, but those that have made an impact on my performance and writing. So I scanned my iTunes library and dug up my old cassettes from the basement and this is what it came down to…

#3: Bernie Worrell via Talking Heads

Seriously, from ages 17 to 21 I went a bit psychotic over the Talking Heads. This band was my high school obsession. You know, the time in your life where you kind of find an identity based on the scene you are in and music you listen to? It was not until I saw Stop Making Sense that I really got hooked. I dug in deep. I got every recording I could find and listened until the grooves on the vinyl wore out (records were large discs that would play music, they predate the modern CD). I then followed the musical genealogy of the separate band members from The Tom Tom Club to The Modern Lovers to Bernie Worrell and Parliament. It was the sounds and the groove that Bernie brought to the Heads' music that most likely made me like them in the first place. I was discovering funk from the back door. Maybe not the back door, but some sort of super white, geeky, artsy side entrance. Some of those songs had great moments. “Life During War Time” and its super funky Clavinet and wailing prophet tones made my head turn. What the hell was making those sounds? Parliament was a later addition for me, and although Bernie was an integral part of those tunes, I kept falling back to his work with the Heads for funky inspiration.

In anticipation of Hoppy Holidays, I will be counting down the top five keyboardists whom have had the most influence on my playing. I’ll post a different artist every few days between now and the first day of Hoppy Holidays: Friday, December 10th.
I am often asked to name the most influential keyboardists in my life. I usually just rattle off my favorites from then and now, but I wanted to really take a look at who influenced my playing. I didn’t want to select just keyboard players that I admire and study, but those that have made an impact on my performance and writing. So I scanned my iTunes library and dug up my old cassettes from the basement and this is what it came down to…

#4: Brent Mydland

I remember being freaked out about the name “Grateful Dead,” I always imagined a heavy metal band of sorts, but once I listened to what they were doing, I had more respect for the music. My brother had this great soundboard tape and the keyboards were super high in the mix, perhaps to the detriment of the blend, but it did give me a chance to check out some of his work firsthand. It was kind of like a personal keyboard lesson. And it was great to hear someone up close, acting and reacting to what was going on in the music. I remember checking out the whole “China Cat Sunflower” into “I Know You Rider”-sequence many times. There was such good listening going on from everyone on stage. The music seemed like a big conversation and Jerry’s melodies would weave through bass and keys lines so seamlessly. I’d never heard a piano player on up-tempo, almost-bluegrass-style tunes before, it was an eye-opener. It was in Brent’s playing that I understood how improvisational music could be brought into the rock realm. Basically, it was through him that I really started getting into the Jam scene.