Daniel Fishbayn: My screenplay is a spec script for the beloved Cartoon Network show, Adventure Time. I chose to spec Adventure Time as I was looking for an animated series I connected with not just creatively, but also on a more emotional/personal level. Plus, I’ve been a fan since the show began over a decade ago as an online YouTube short, and this felt like the ultimate tribute.

The story follows Finn and Jake as they are investigate a series of mysterious kidnappings in the Candy Kingdom, only to get kidnapped themselves. The captor turns out to be their old nemesis, the evil scientist Doctor Gross, who claims to have changed her ways and seems to be beloved by the kidnapped creatures. Dr. Gross tries to recruit Finn and Jake as “Creativitists” in her dream project of repopulating the Land of Oo with her own genetically engineered animals, using her gleaming Crystal Sword as a reward for Finn for helping her. Initially, Finn and Jake are skeptical at the notion of a “job,” but Finn quickly realizes that using his creativity for a higher purpose might not be such a bad thing.

2. What genres does your screenplay fall under?

Adventure Time is an animated series that appeals to a really wide age range. Lots of kids and teens love the show for its hilarious antics, but lots of adults enjoy it too for the same reasons. There are some pretty dark themes explored, particularly in the later seasons, that I think add a depth to the show not present in a lot of other cartoons.

3. Why should this screenplay be made into a movie?

Not sure if this one applies for my script since Adventure Time has now wrapped up, but it would be amazingly cool to see it as a real episode!

4. How would you describe this script in two words?

Ridiculous. Fun.

5. What movie have you seen the most times in your life?

Probably The Matrix. Although Rat Race is up there too, since there was a DVD player in my mom’s car and my brothers and I all thought it was the funniest thing ever. So we watched it there on repeat for a good chunk of my childhood.

6. How long have you been working on this screenplay?

I started work on it around May or June of 2018. So it was about 6 months of working on it, on and off, to get to this polished draft.

7. How many stories have you written?

I lost count a long time ago! I’ve been writing short stories since I was a little kid. The fun fact I always tell people is that I actually wrote my own sequel to the Harry Potter series when I was eight years old. I’ve been making up stories ever since, in one medium or another.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

In the past couple of years, it’s probably “Sleep Sound” by Jamie xx. It’s this low-key incredible piece of electronic music that just soothes my soul.

9. What obstacles did you face to finish this screenplay?

I definitely hit some writer’s block at a couple of points. This was actually one of the first pieces of writing I’ve done specifically with younger viewers in mind. I had been writing a lot of adult comedy at that point, so it was an interesting challenge to sort of adapt my voice for a different audience.

10. Apart from writing, what else are you passionate about?

Lots of things! I’ve been quite active in the Toronto improv community for a few years now, and I’m definitely passionate about improv, especially narrative improv, as an artform. I also love playing guitar, and I used to play in bands many eons ago. I’m one of those people that has lots of hobbies, and can never pick just one.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’ve had a good experience using FilmFreeway. It’s conveniently designed in a way that makes submitting to festivals very quick and easy. It’s also helpful for organizing the different pieces of promo material that make up a single project’s “package.”

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had heard about FEEDBACK many times, and knew that it was part of a wider network of festivals that have been showcasing filmmakers’ work for years. When I realized there was also a screenwriting component to the festival, I felt like it was a great opportunity to, at the very least, get some helpful feedback on my script. I felt unsure whether it was working as a whole, and whether it was ready to be sent out as a portfolio piece. When I found out that the programmers loved my piece and wished to arrange a professional cold read, I was thrilled and gained a lot of confidence in the script.

The coverage report was also very helpful as it addressed several aspects of my screenplay in a coherent, organized fashion. As constructive feedback, I would just say that while I was glad to hear the reader found very few issues with it, it would have been interesting to hear more about which specific aspects of the script the reader felt were working best and which could be improved. That said, to hear that the FEEDBACK team considered it to be one of the strongest spec scripts they had read was extremely validating and encouraging to say the least.

Watch the Screenplay Reading:

When creatures begin disappearing from the Candy Kingdom overnight, Princess Bubblegum tasks Finn and Jake with solving the mystery.