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Fresh

The Tomatometer is 60% or higher.

Rotten

The Tomatometer is 59% or lower.

Certified Fresh

The Tomatometer is 75% or higher, with 40 reviews (movies) or 20 reviews (TV). At least 5 reviews from Top Critics.

I decided to revisit an old favorite I hadn't seen in decades, Samuel Fuller's Park Row, and I'm delighted to report that it holds up 100%. If you're unfamiliar with Fuller's work I don't know how to prepare you; it is unique in all of American...

Enthusiasm flows into every nook and cranny of this cozy movie: when violence breaks out in the cramped-looking set of the title street, the camera weaves in and out of the buildings as through they were a sports arena, in a single take.

If Citizen Kane had a scrappy, not as well shot, but still frickin AWESOME, cousin, It would be Park Row. The film by it's own admission is a love letter to journalism and is well worth seeking out. Sam Fuller rules!

In "Park Row," it is 1886 when Phineas Mitchell(Gene Evans), feeling that the newspaper that he works for, The Star, is responsible for the railroading of an innocent man to the gallows, makes an impromptu monument for him in Potters Field. In response, Charity Hackett(Mary Welch), the newspaper's publisher, fires him and Jeff Hudson(Dick Elliott). Before Mitchell can fully destroy his liver, Charles Leach(Forrest Taylor), a printer, wants him to put his money where Mitchell's mouth is by creating a newspaper, The Globe, that Mitchell has always dreamed of. Once Mitchell accepts the deal, The Globe's first story is Steve Brodie(George O'Hanlon) jumping off the Brooklyn Bridge.

"Park Row" has a crackling story that is filled with historical detail, thus making it one of the most entertaining lectures you might ever see, however fictionalized the story. Samuel Fuller's rousing ode to the golden age of newspapers is set at a time when all it took to publish a newspaper was paper, some money and huge balls(or ovaries, as the case may be.). That's not to say that newspapers did not have responsibility to tell the truth, considering the power they had to shape public opinion, as Fuller ably demonstrates here. All of which is as relevant in 1952 when the movie was made when there were 1772 daily newspapers as it is today when newspapers are an endangered species but still no less important.