“Fecundity, Ferocity, and the Family Politics of Jean-Baptiste Huet’s A Lion and His Female Nursing Their Cubs (1802),” Time, Media, and Visuality in Post-Revolutionary France, edited by Richard Taws and Iris Moon, expected fall 2019, Bloomsbury (invited and peer-reviewed).

“Introduction (co-authored)” and “Horace Vernet and the Problem of Facilité” in Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture, edited by Katie Hornstein and Daniel Harkett (Hanover, NH: University Press of New England), 1-23 and 189-209. (Peer-reviewed)

Imagineering Violence, Techniques of Early Modern Performativity: The Spectacle of Violence in the Early Modern Period, Vrije Universiteit Amsterdam & Flemish Arts Centre De Brakke Grond, Amsterdam “The Lion Hunt and Scenes of Violence, 1400-1800,” March 20-22, 2019. (Invited).

Séminaire de M1 en anglais, Département d'histoire de l'art et d'archéologie Université Paris Nanterre/ Institut national d’histoire de l’art, “Picturing War in France: Horace Vernet and the Politics of Official and Unofficial Battle Painting,” (Invited).

2e congrès de la Société pour histoire des médias, Sorbonne, Paris, “Looking through the Grande Glace: Transparency, Display Culture, and Technologies of Vision in the Palais de l'Industrie in 1855,” May 23-25, 2018.

Aga Khan Program in Islamic Architecture, Massachusetts Institute of Technology, Translating Destruction: Contemporary Art and War in the Middle East conference, “Horace Vernet and the Pitfalls of Painting Empire,” April 27-28, 2018. (Invited)