Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

The first Fonitronik module is the Attenuverting Mixer. It is primarily a four-into-one mixer module for control voltages (and audio signals of course) but besides of that it has some sub-functions like attenuator, controlable inverter and generator of offset voltages.

The Future Retro XS offers charming, yet hefty sound with remarkable expressiveness. It is perfect for creating meaty basses, soft to aggressive leads and powerful drums. Thanks to its thought-through routing system, that incorporates audio signals as well as control voltages, the monophonic desktop synthesizer is also capable of creating a wide range of experimental audio effects. MIDI connectors plus Audio and CV jacks allow easy integration in any studio or live setup.

JoMoX M Brane11 Analog Membrane ModelingPercussion Synthesizer. This synth relies on two so-called analog T-bridge Oscillators to generate sound. These oscillators work in a way similar to a band pass filter close to self-resonance. When coupled, the behaviour of both oscillators is not unklike the behaviour of two drumskins influencing each other. With its interesting concept, the Jomox MBrane is definitely worth exploring. It is of special interest for users who like to experiment and whish to expand their percussive horizon. The MBrane is fully controllable per MIDI and all changes can be saved.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

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