The mission of New Letters magazine, its radio companion, New Letters on the Air, and BkMk Press, is to discover, publish and promote the best and most exciting literary writing, wherever it might be found. We publish and serve readers and writers worldwide. In recent years, New Letters has won a National Magazine Award, the industry's highest honor, plus multiple Pushcart Prizes, and is reprinted often in Best American anthologies.

Confrontation Magazine began operation in 1968 with the mission of bringing new talent to light in the shadows cast by well-known authors. Open to all submissions, each issue contains original work by famous and by lesser-known writers.

Tampa Review celebrates the creative interplay of contemporary literature and visual arts. Each issue of the journal features current art and writing from Florida and the world, emphasizing our connections to the Tampa Bay region and the international cultural community.

n+1 is a print and digital magazine of literature, culture, and politics published three times a year. We also post new online-only work several times each week and publish books expanding on the interests of the magazine.

One of the oldest quarterlies in the nation, Cimarron Review publishes work by writers at all stages of their careers, including Pulitzer prize winners, writers appearing in the Best American Series and the Pushcart anthologies, and winners of national book contests. Since 1967, Cimarron has showcased poetry, fiction, and nonfiction with a wide-ranging aesthetic.

The Chicago Quarterly Review is a nonprofit, independent literary journal publishing the finest short stories, poems, translations and essays by both emerging and established writers. WeÛªre proud to have had work from our pages chosen for Best American Short Stories and the Pushcart Prize Anthology as we continue our mission to stimulate, entertain, and inspire.

The Carolina Quarterly has been publishing established and emergent writers for 65 years. Pieces published in The Carolina Quarterly have appeared in New Stories from the South, Best of the South, Poetry Daily, O. Henry Prize Stories, The Pushcart Prizes, and Best American Short Stories.

We publish two print issues a year of compelling poetry, fiction, and literary nonfiction by established writers and new voices alike. We're global in scope, but with a regional bias. Over the years, we've been privileged to feature work by Wendell Berry, Louise Erdrich, Richard Hugo, Seamus Heaney, James Welch, Patricia Goedicke, James Lee Burke, Chris Offutt, Aimee Bender, Steve Almond, and a number of other writers whose work we're fond of.

Salamander, Inc., is a 501(c)(3) nonprofit literary organization that publishes a biannual magazine of poetry, fiction, memoir, and works in translation. It was founded by Jennifer Barber in 1992 with the aim of publishing a generation of writers reaching artistic maturity and deserving of a wider audience alongside new work by established writers.

Able Muse predominantly publishes metrical poetry and poetry translation complemented by art and photography, fiction and non-fiction including essays, book reviews and interviews with a focus on metrical and formal poetry. We are looking for well-crafted poems of any length or subject that employ skillful and imaginative use of meter and rhyme, executed in a contemporary idiom, that reads as naturally as your free verse poems.

The Pinch was founded in 1980 as the Memphis State Review by William Page. In its first few years, the journal published such well-known writers as Robert Bly, Phillip Levine, Mary Oliver, Robert Penn Warren, and Margaret Atwood.

For 46 years, EVENT has published the very best in contemporary new poetry and prose. We are one of Western CanadaÛªs longest-running literary magazines, and welcome submissions written in English from around the world. Each issue of EVENT includes high quality fiction, poetry, non-fiction and book reviews, and we feature emerging and established writers side-by-side in our pages.

Dedicated to publishing fine fiction, nonfiction, plays, screenplays, poetry, literary cartoons, photography and art, The Southampton Review opens its pages to writers from across the globe whose work is compelling. Our pages are equally devoted to emerging and established writers and artists.