Already an award-winning photographer of contemporary Afghanistan, Simon Norfolk returned this time to follow the footsteps of a relatively unknown Irish war photographer, John Burke, who had documented the Second Anglo-Afghan War (1878-1880). This immensely engaging book presents the works of both photographers, as well as compelling essays that offer context to this subtle and complex work.

Simon Norfolk’s 2002 book Afghanistan: chronotopia is now recognized as a classic of photography. It established Norfolk’s reputation as one of the leading photographers in the world and has been exhibited at more than thirty venues worldwide.In 2010 Simon Norfolk returned to Afghanistan. This time he followed in the footsteps of the nineteenth century Irish photographer John Burke, a superb, yet virtually unknown, war photographer.

Burke’s eloquent and beautiful photographs of the Second Anglo-Afghan War (1878-1880) provide an extraordinary record. Using unwieldy wet-plate collodion negatives and huge wooden cameras he shot landscapes, battle-fields, archaeological sites, street scenes, portraits of British officers and ethnological group portraits of Afghans in what amounts to a record of an Imperial encounter. The range is tremendously broad, yet suffused with a delicate humanism.

These are also amongst the first ever pictures made in Afghanistan. With this book, one hundred and thirty years too late, John Burke’s time has come at last.Norfolk’s new work looks at what happens when you add half a trillion US war dollars to an impoverished and broken country such as Afghanistan. Very loosely re-photographic in nature, the work is presented as an artistic collaboration between Burke and Norfolk. It features photographs by Burke never before published as well as Norfolk’s new pictures from Kabul and Helmand.

— Dewi Lewis Publishing

Editor's note: At the time of this article, this work was on exhibit at the Tate Modern in London, and it won a World Press Photo Award, too. It is highly unusual for a single body of work to be lauded by both the fine art world and praised by the toughest critics in documentary photojournalism.

What does a typical two-hour period of life look like for a multi-tasking mom, artist, teacher, wife? H Jennings Sheffield juxtaposes digital slices of her life to create dizzying visual collisions depicting everyday modern life.

Utilizing the language of the unconscious and of dreams, these visual poems transport us into irrational but emotionally rich worlds, where locked away feelings unexpectedly rise to the surface of our minds.

UK Photographer Peter Dench asserts that “the English have turned drinking into a national obsession, nearly an art form.” His photos take the viewer from the local pub to posh charity balls, horse race festivals to nightclubs, and the hospital to the grave.