Monday, 22 December 2014

A few weeks ago I had the opportunity to review The Scottsboro Boys in London's West End, which tells the harrowing piece of American history in which nine African American boys were accused of raping two white women and were in the first instance sentenced to death without much of a trial or even proof of the allegations.

The musical received 12 Tony Award nomination on Broadway before making its way across the pond and playing a sell-out run at the Young Vic Theatre earlier this year. The show has now returned to London and is playing at the Garrick Theatre in the West End until 21 February 2015.

Catherine Schreiber and Paula Marie Black are the two women producers behind the production and I spoke to them for Woman's World (which is where this interview first appeared) about their involvement with the show and the challenges of bringing it to the UK.

How did you became involved with The Scottsboro Boys?

Catherine Schreiber (CS): "I met with Jacki Florin, a lead producer on The Scottsboro Boys. I read the script on a Friday, flew to Minneapolis (where it was playing pre-Broadway) the following Wednesday to see it. It was one of the most emotional, life-changing and powerful experiences I have had in theatre. And that was it. I had to become involved in the show."

Paula Marie Black (PMB): "I was very aware of The Scottsboro Boys on the New York City theatre landscape but hadn't experienced the production. The Scottsboro Boys never left me, it whispered in my ear and then centered directly in my heart and this has never happened to me before as a producer.

"I simply sensed brilliance and knew how meaningful and life-changing it would be for myself and all of us on this production. I had no doubt that my destiny and The Scottsboro Boys had intersected and I had an important role to play as a lead producer."

What was the most challenging part of bringing this moving story to the stage? And the most rewarding?

CS: "The most challenging part was finding support for the musical, which despite being nominated for 12 Tonys, closed early on Broadway for a variety of reasons.

"Some were skeptical about doing a musical in London, particularly a show about one of the greatest travesties of justice in American history, but I was convinced (as were the other producers who joined me) that the sophisticated London audience would appreciate this brilliant masterpiece by Kander and Ebb and I am thrilled that they have.

"And I must add, what has been also deeply rewarding was getting involved in the Scottsboro Boys Museum in Alabama. I became a founder to support the great work being done there by Shelia Washingon, so that the story of the Scottsboro Boys is not forgotten. It was deeply gratifying to be a part of history, to be honoured with the key to the city of Scottsboro and to be honoured to give the key note address in Alabama when the Governor of Alabama signed the Scottsboro Boys Act April 19th, 2013, exonerating the boys. This show has helped change history. I am very deeply proud to be part of this."

PMB: "I was very focused as a lead producer to protect and lift this production. I did not let its past history of a short run on Broadway of just 49 performances, and ultimately 12 Tony Award nominations, affect me. I simply said and believed my positive affirmation out loud that was then and this is now."

Can you tell us about the journey of bringing the musical from New York to London? Were there particular challenges to promoting it to a British audience?

CS: "When the show closed on Broadway, I was determined that it find a new life and we always thought London would be the place to go. I was honoured to get the rights from the John Kander, David Thompson and Susan Stroman to do the show and I believe this was because of my passion and commitment to the project.

"We were blessed that David Lan and the Young Vic embraced the show. It was the perfect theatre to co-produce with. I also knew I didn’t want to produce it without some of the original brilliant cast members and we were able to bring six American actors to the Young Vic.

"One of the challenges we faced in London was that we were presenting part of American history few Londoners, indeed not many Americans, knew about. But the themes in the show are universal and The Scottsboro Boys has touched the hearts of those who see it."

PMB: "I deeply and simply felt that London's theatre community would have the distance and ability to accept the brilliant creative concepts and message of this production.

"I believe The Scottsboro Boys is a both a timeless and contemporary piece of American musical theatre that at the same time makes the audience face square on injustices, questioning their own perspectives and in doing so leaving the performance potentially changed as injustices continue around the world."

Besides The Scottsboro Boys, what other projects are you currently working on?

CS: "I have been working full-time on The Scottsboro Boys for the past few years, but I am working on bringing a new play by an American playwright to the Chichester and thrilled at the opportunity to work with Jonathan Church.

"I’m a supporter of Matilda and The Curious Incident of the Dog in the Night-Time in New York, and also a producer on The King’s Speech. I hope to have some time now to fully consider the wonderful projects being offered to me, besides getting my own film scripts into production and yes, return to acting and my own writing for a bit. And I would love to do another production with the Young Vic."

PMB: "I am executive producer of the cast album of The Scottsboro Boys and looking very much to preserving John Kander and Freb Ebb's lyrics and composition with the cast and orchestra at the iconic Abbey Road Studio Two later this month.

"I am also a co-producer on Made in Dagenham, honouring all women in the UK and around the world who stand up for change; a Tony Award winner for Hedwig and the Angry Inch; and co-producer for On The Town, also currently running on Broadway.

"My future musical productions headed for Broadway, and each one lifting the works of a woman director and/or playwright, are Fun Home, The Great Comet of 1812, Black Orpheus and Unchain My Heart…the Ray Charles Musical."

Thursday, 18 December 2014

My edition: Paperback, to be published on 12 February 2015 by Penguin, 406 pages.

Description: Edinburgh, 1888. A violinist is murdered in his home. The dead virtuoso's maid swears she heard three musicians playing in the night. But with only one body in the locked practice room - and no way in or out - the case makes no sense.

Fearing a national panic over another Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss, Detective 'Nine-Nails' McGray, actually believes in such supernatural nonsense.

McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next...

Wednesday, 17 December 2014

My edition: paperback (proof), to be published on 9 April 2015 by Penguin, 434 pages.

Annie has a secret. But if she's not going to tell, we won't either. It's a heart-breaking secret she wishes she didn't have - yet Annie isn't broken, not quite yet. Especially now there's someone out there who seems determined to fix her.

Kate has run away. But she's not going to tell us why - that would defeat the point of running, wouldn't it? It's proving difficult to reinvent herself, however, with one person always on her mind.

Scratch beneath the surface and nobody is really who they seem. Even Annie and Kate, two old friends, aren't entirely sure who they are any more. Perhaps you can work it out, before their pasts catch up with them for good...

Tuesday, 16 December 2014

After the mediocre experience of Miss Havisham's Expectations (the first in the double bill of Dickens plays I saw back-to-back at the Trafalgar Studios last week) my own expectations had been considerably lowered, so I was pleasantly surprised when James Swanton took the stage and with an expressive performance transformed the evening into something truly memorable.

Growing up outside of the UK I've always been a lover of the stereotypical Dickens London at Christmas time in all its forms, from the source material in book form to the endless amount of cinematic and theatrical adaptations. And so I was excited when an invite arrived in my digital inbox to Dickens With a Difference at the Trafalgar Studios in the West End, promising to give me my Dickens fix with two one-act plays based on some of the author's most famous novels; Great Expectations and Oliver Twist.

Monday, 15 December 2014

As a lover of the festive season my one-track mind decided to focus on the word 'Christmas' in the play's title and ignore the 'not' preceding it, after all this was a production put on during the season of joy and the poster too emanates the festivity of December.

Friday, 12 December 2014

As soon as I laid eyes upon the gorgeous packaging of Mel Millins' Phytonutri Qi Energising MM Face Peel, I fell head over heels in love with the stunning, not to mention clever, design. The paper bag the product came in was infused with British wild seeds, which not only presented it in a beautiful and luxurious way, but is also very environmentally friendly as it can be torn up and planted - recycling at its very best.

This was the first time I applied a face peel at home and I was surprised by how different it was to using a face mask, which I am much more familiar with. I found the application a little more difficult - though I did get better with practise - as the product was very sticky, almost like a glue, and would not spread out easily or evenly. However, once it stuck it did stay firmly in place.

After letting the peel work its magic, I took it off with the gentle organic muslin cloth provided (top tip: do this in the shower as it can get messy). My face instantly felt incredibly clean, smooth and even, which was a very pleasant sensation and for that reason alone I have already used the product several times.

My skin did start to feel a little tight ten to fifteen minutes after I'd taken off the peel, so I used a rich moisturiser to nourish my face and make sure it would be properly hydrated and keep the smooth sensation for longer.

Even though I hadn't used a face peel at home before, after using this one I am definitely sold. Mel Millis also gets a big thumbs up for its stunning and sustainable packaging, which really adds to the appeal of the brand.

Thursday, 11 December 2014

Description: Sydney Strauss is obsessed with food. Not just with eating it - though she loves that too - but with writing about it as an aspiring cookery reporter. But food journalism jobs are more coveted than cupcakes, and so Sydney is stuck working for one of TV's biggest egomaniacs - until she's left scrambling for shifts at the local farmers' market.

Selling muffins at the Wild Yeast Bakery is hardly going to make her the next Nigella. But soon Sydney is writing the market's weekly newsletter, and her quirky stories gain attention from a prominent food columnist. After years of being left on the shelf, she's even dating again. And then Sydney gets a shot at the story, one that could either make her career or burn it to a cinder - along with her relationship and her reputation.

Wednesday, 10 December 2014

My edition: Paperback, to be published on 22 January 2015 by Hachette, 399 pages.

Description: Forty-two-year-old Vinnie knows lots of things. He knows new books and school shoes are expensive. He knows his teenage daughter keeps getting into trouble and he knows his seven-year-old has wet the bed every night for over a year.

What Vinnie doesn't know is whether his wife is coming back, or if he will ever get better at single fatherhood.

Ellen knows that what happened in the accident was all her fault. She knows she's too scared to get behind the wheel of a car ever again and she knows that some scars are harder to hide than others.

What Ellen doesn't know is how to move on. And she doesn't know anything about Vinnie, the taxi driver who drives her to physiotherapy every week.

And neither of them knows they're going to change the other's life forever.

Tuesday, 9 December 2014

Stephen Sondheim Assassins is a tricky musical to put on in British theatres as it's a very American story about US presidents and those who assassinated them, or tried so at least. Most Brits will be familiar with the assassination of JFK by Lee Harvey Oswald and many will probably also know the story about Abraham Lincoln and John Wilkes Booth, but that's where for most the historical knowledge on assassinations will end.

Monday, 8 December 2014

Last week I received a super last-minute (the day before) invite to Penguin's Annual Women's Fiction Evening and even if I'd been busy the night of the event (which thankfully I wasn't) I would've changed my plans, because the email included a huge list of fabulous authors I admire. To get the chance to not only enter the glorious Penguin offices on the Strand (working there has been my dream for many, many years) but also get the opportunity to mingle with so many talented ladies sounded like the perfect way to spend an evening - and it definitely was.

After being invited to the Penguin Blogger Night earlier this year and Penguin's Annual Fiction Showcase just a few weeks ago by my blogging friend Laura, I was thrilled when I could finally return the favour and invite her as my +1 to the Women's Fiction Evening, especially because we both love this genre of books so much.

So often high expectations can lead to disappointment, but the evening was even more brilliant than we could've possibly imagined. We got to admire piles and piles of beautiful books that are being published next year (I admit, I may have stroked a cover - or two), chat to lots of Penguins (who were lovely, even if I am a tad bit envious of their jobs), enjoy endless refills of Prosecco and scrumptious canapes (I especially loved the mini pigs in blankets and the salmon blinis), meet fellow bloggers (hi Bronagh and Rea!) and of course mingle with a whole host of awe-inspiring authors.

Just some of the books on display

We got the chance to talk to the likes of Jojo Moyes (I was totally starstruck when I asked her to sign my copy of The Girl You Left Behind, my absolute favourite of hers, and while we chatted about her work on the Me Before You screenplay), the always lovely Lucy Robinson (who definitely won for the most eye-catching proof of the night as the popping neon pink could be spotted - and coveted - from across the room), Giovanna Fletcher (who made the effort to be there, even though she was ill, bless her), Louise Candlish (who was so sweet and even remembered me from Twitter!), the gorgeous Sinéad Moriarty, Kate Riordan (who wore the most gorgeous, sparkly shoes), Dinah Jefferies, Jane Shemilt and Eve Chase. Told you it was an amazing line-up of people, and we didn't even chat to all the authors there!

My one regret (as always) is that I didn't take any pictures with the authors (as I found it a bit awkward to ask) or of anything else really but the mountains of books. Ah well, there's always a next time (if I'm lucky enough to be invited again!).

We all got beautiful bright orange Penguin goody bags as we left (which had cards from all the releases there, chocolate, tea, a Penguin cookie and a novel) and were allowed to grab whichever books we liked from the tables. I felt like a kid in a sweet shop and came away with:

My glorious, glorious spoils from the night (most of these are signed too!)

Thanks so much to Cat from Penguin for the invite! You've made two book lovers very, very happy :)

Friday, 5 December 2014

I absolutely adored romantic comedy novel Conditional Love when Cathy Bramley self-published her debut last year (read my review) and I was thrilled for her when she landed a publishing deal with the wonderful people at Transworld.

After releasing the adorable Ivy Lane in four digital parts throughout this year (the full paperback will be out in February 2015), Transworld is now re-releasing Conditional Love in ebook (today, 5 December 2014) and paperback (2015) with a brand-spankin' new cover:

The cover isn't the only thing new in the Transworld-edition of Conditional Love.

Author Cathy Bramley said: "It is essentially the same story, with the same characters and the same happy ending. So what is different about it?

"Well, I feel like my writing has developed since I first wrote it almost two years ago and so when Transworld very kindly gave me the opportunity to re-write it, working closely as usual with my editor, Harriet Bourton, I jumped at the chance.

"I took on board her editorial comments, sharpened up the narrative, tweaked some of the characters and generally I’ve
given the book a more punchy, fast-moving feel."

Wednesday, 3 December 2014

My edition: Paperback, published on 23 October 2014 by Sphere, 448 pages.

Description: Louise Young is a devoted single mother whose only priority is providing for her daughter, Mia. Louise has a good job in a huge international corporation and she's grateful for it. The only problem is her boss who can't keep his hands to himself, but Louise can handle him. What she really doesn't have time for is romance - until she meets the company's rising star, Josh Wallace.

Louise usually says no to evenings out but she's decided to let her hair down tonight. It's the office Christmas party, she has a pretty dress to wear and she's looking forward to some champagne and fun. She's completely unaware that others around her are too busy playing dangerous games to enjoy the party - until she's pulled into those games herself . . .

Tuesday, 2 December 2014

Fiona Harper is no stranger to sparkling seasonal novels. After Kiss Me Under the Mistletoe (2012) and Make My Wish Come True (2013), this year's festive read is the enticingly titled The Little Shop of Hopes and Dreams, which centres on Nicole and her Hopes & Dreams proposal agency.

It sounds like another romantic winner to me and I can't wait to curl up on a wintery Sunday afternoon with a copy of the book and a cup of hot cocoa. To celebrate the release, I caught up with Fiona to talk about all things festive - from writing seasonal stories in April to her own perfect Christmas day (this interview was originally published on Woman's World).
This is not your first seasonal novel, what attracts you to writing about this time of the year?

"Christmas is an intriguing time of year to write about. Lots of people get caught up in the fantasy of Christmas – fairy lights and snow, lovely food and glittery presents – and yet, because we all have these expectations of how perfect it should be, we set ourselves up for emotional turmoil when things don’t go as planned. There’s plenty of mileage in that for a writer and great opportunities for stories that tug at the heart strings."

How do you transport yourself to wintery days when you’re planning and plotting your novels months before the first flake of snow has even hit the ground?

"It’s a bit strange, I grant you. Sometimes I’m writing about frosty Christmases when everyone is wearing T-shirts and shorts! However, I spend so much time thinking about my story world, I forget it’s not real. One year I saw a lady with her shopping trolley piled high at the supermarket and I thought to myself, ‘She’s stocking up for Christmas!’ And then I remembered it was actually April, and it was only Christmas inside my head!"

What does your ideal Christmas look like?

"A morning at home, opening Christmas stockings on our bed with my two daughters. They’re teenagers now, so it can get a little crowded! Then we go downstairs, make tea and have Christmas breakfast muffins, and then we set to work opening the presents under the tree. After that would be a nice Christmas lunch with family.

"If I’m cooking, I have to make the following or it doesn’t feel like a proper Christmas lunch: pork and chestnut stuffing, bread sauce and proper gravy made using the turkey giblets. I’m also pretty partial to apricots wrapped in bacon to go along with the little sausages. Ooh, and parsnip gratin! (Can you tell I love my food?)"

What is the worst gift you’ve ever been given for the holidays? And the best?

"The best gift is the fruit my husband puts in my stocking. Not expensive, I know, but it’s always a surprise, because years ago he got fed up putting satsumas in my stocking and started branching out. I’ve had all sorts of different fruit over the years including guava, passion fruit, kiwis, dragon fruit…

"One year I had a whole pineapple sticking out the top of my stocking, another a yard of Jaffa cakes. (They just about count as fruit, don’t they? I certainly told myself that as I scoffed my way through them!) Last year I had individually gift-wrapped strawberries and one held a strawberry-shaped charm for my charm bracelet."

What festively themed novels from other women’s fiction authors could you recommend to our readers?

"I love Sarah Morgan’s books and her Snow Crystal trilogy is reaching its conclusion this holiday season with Maybe This Christmas. I also really enjoy Carole Matthews and Scarlet Bailey for a bit of festive fun."

The Little Shop of Hopes and Dreams is published by Mills and Boon and you can buy your copy from Waterstones, Amazon or your own preferred retailer.

Monday, 1 December 2014

I haven't been to a lot of book events lately because I've been so incredibly busy at work, but all of a sudden I had two events scheduled about a week apart!

After the book launch for The Propephecy of Bees by R.S. Pateman, last week I was Laura's plus +1 to Penguin's Annual Fiction Showcase, which was held at new Foyles (I told you, I'd never stop calling that) on Charing Cross Road. As it is literally around the corner from my office, this was perfect for me even with my busy schedule.

I attended the Penguin Blogger Night earlier this year (also courtesy of Laura's invite), and the set up for this one was very similar. There were six very different books highlighted, which either have just been published or are to be released in the upcoming year, and the authors of said novels were present for a chat and, later on in the evening, a reading.

While all the readings I caught were wonderful little tasters for the books, I have to say that I particularly loved the bit we heard of Paul Murray's The Mark and the Void, which was not only hilarious but also educational (who knew that without Ian Fleming, The Lord of the Rings would just be a bunch of Hobbits and Elves reciting poems to one another? ;)).

As I hadn't read a single one of the books yet (most of the proofs had only just come out) I did not only get the opportunity to hear about all of these exciting new titles, but I also got to pick up the ones that sounded the most appealing to me personally. So while I already have several huge to-read piles that are dangerously close to toppling over, I ended up taking home yet another bag full of exciting new reads:

In all it was a fab evening, many thanks to Penguin for organising it and to and Laura for inviting me along!

Hi there! I'm a London-based blogger (originally from the Netherlands) and I blog about books, travel, arts & culture, and other things I get up to! I'm PR-friendly and love to discover new brands, destinations and more, so do give me a shout on pagetostagereviews@gmail.com if you want to work together. Have a look at my social channels below to connect and let's have a chat!