yeah - listening again def needs less distortion. i always overestimate the amount initially. force of habit. but that's an easy enough adjustment. hopefully people are enjoying these tones. i sure am!

I use a Tread V-30 4x12 with 57 on axis in Channel A. There's where any high-end harshness is coming from. I use a Greenbacks with 4038 Ribbon in Channel B. Using different cab/mics is an option, but will require more detailed rebuilding of the whole patch. The EQ in Channel B is used to sync Channels A and B. Removing it will create a comb filter, which might actually help roll off some high end... Also, I know the Hiway 4x12 + 57 on axis could replace the Tread V-30 without having to change anything and worry about the channels getting out of sync, so you could try that.

Usually I use a Mid-Focus EQ to trim off the excessive high-end, but it's difficult to fit here. I can actually fit it on the AC/DC patch, so I'll update that shortly. The Gary Moore patch it will not fit; however, I do have a Tube Comp in the chain, which includes a Low Pass Filter with a cutoff frequency around 8kHZ if I remember correctly. That is about how I set the Mid-Focus, so I don't think there should be too much of an issue there.

yeah - I found I got a nice dirty deeds tone with that amp model, but Back in Black sounds more modern. I think I had it dialed in pretty good with a Park model, or maybe the Plexi, but I found the SLO Crunch just sounded better. If it's too much distortion, just back off the gain!

The information above may not be current, and you should direct questions to the current forum or review the manual.