In this way, the analyzed films, reflection of the diversity in last decades Galcian cinematography, advances from the duel for a world that is vanishing to the veiled —what is not talked about— in our history; from desire and its drifts to the need of filming the intimate and ourselves. It is, hence, a fundamental work to understand our own cinema, allowing to see the forest that is hidden among the fertile and plural leafiness of the trees.