Our Story

The origins

In 1951, Achille Maramotti, freshly graduated in law, decided to dedicate himself to haute couture; a family passion passed down from his great-grandmother Marina Rinaldi, who in the late nineteenth century operated a luxury fashion house in the heart of Reggio Emilia. His desire was to produce high-quality manufactured women's clothing. This was a somewhat avant-garde idea in the Italy of the time, where fashion was still an exclusively hand-crafted activity.The Max Mara’ s headquarters in via Fratelli Cervi, Reggio Emilia, photograph from the Sixties.

Images from the Max Mara Fall/Winter 1957-1958 Collection

The very first collection, a camel coat and a geranium red suit, incorporated the ideals of future production: essential and precise, clean cuts and decisive lines. French inspired designs, but reinvented through the lens of traditional Italian style. The success was immediate.

“Arianna” editorial Max Mara collections Fall/Winter 1960

In the sixties, Max Mara evolved the production techniques, and at the same time, the range of products: alongside the typically mannish broad double-breasted coats were small collections, which comprised elegant suits as well as more sporting lines.

Max Mara Pop collection Fall/Winter 1965-66

In these years the creative staff was also enriched, and outstanding personalities, such as Luciano Soprani, Lison Bonfis, Graziella Fontana and Emanuelle Khan began to collaborate on the development of the collections and new lines such as "Pop" and "My Fair". A decade further on, and stylistic collaborations included Anne Marie Beretta, Nanni Strada, Guy Paulin, Jacques Delahaye, Jean Charles de Castelbajac and others.
All the contributors increased the value of the brand, but without self-promotion, following the company philosophy: visibility of the brand, more than individual names.

At the end of the sixties, when London was the capital of ideas and fashion, Achille Maramotti was again amongst the first to seize the creative ferment, and transferred a new collection there, thanks to the help of Laura Lusuardi, today fashion coordinator of the Group . It was a new concept: Sportmax, dedicated to young women who wanted to individualise their look.

The Original sketch of the coat model 101801

The eighties saw the birth of one of the symbols of the Maison, the double-breasted coat "101801", created by Anne Marie Beretta, with kimono sleeves in mixed cashmere wool, unquestioned best seller and now offered in every winter collection without modification.

MM Magazine

In 1989 Max Mara launches the first issue of MM Magazine, the house organ still nowadays a fashion bible for the loyal customery.

The nineties saw a strong consolidation of the Group. The famous photographers such as Peter Lindbergh, Arthur Elgord and Richard Avedon, they are called to interpret the advertising campaigns of the brand.

In March 2007, the Max Mara Art Prize for Women in collaboration with the Whitechapel of London was the recipient of the prestigious British Council Arts & Business International Award.
The Max Mara Art Prize for Women, in collaboration with the Whitechapel Gallery, reflects Max Mara's close relationship with the worlds both of women and of art.
The prize – awarded every two years and open to all art forms – aims to encourage and support emerging women artists who live and work in the United Kingdom.

Today, Max Mara is a model and reference point for Italian and international prèt-a-porter; the passion and determination of the founder has been enthusiastically seized by the new generation, continuing the innovative traditions started 60 years ago.

Art Tribute /1

Dressing by Sarah Rein
The work is part of an exposition project carried out in London in 1999, involving Max Mara and Goldsmith College.
Dressing is a photographic sequence centred on the relationship between the familiar and the mundane, inspired by the children's game of dress-ups.

Art Tribute /2

Project commissioned from Martine Barrat to celebrate the opening of the Max Mara flagship store on Madison Avenue, New York in 1994.
The coat becomes a playful object, a protective cover and an entertaining hiding place.

Art Tribute /3

In 2001, for the fiftieth anniversary of Max Mara, Francois Berthoud created a homage to the pop nature of coat 101801, superimposing the different parts of the sewing pattern on a repertoire of female types.

Art Tribute /4

In 2001, for the fiftieth anniversary of Max Mara, Francois Berthoud created a homage to the pop nature of coat 101801, superimposing the different parts of the sewing pattern on a repertoire of female types.

Art Tribute /5

Kevin Gray's work is the result of a collaboration between Max Mara and Goldsmith College, London, in 1999.
The work starts with the question: "What would happen if the IRA military wore Max Mara on their combat missions?” and proposes model 101801as a victim of the context in which it is placed.

MM Magazine

The magazine with which Max Mara talks with readers worldwide, presenting its vision of fashion and image through the glossy content-rich pages. Born in 1989 as a semi-annual publication, this year marks its twenty-fourth year of life.

MM Magazine

MM Magazine is a true newspaper of fashion, beauty, art, furnishings and current events, with carefully chosen services and images. With 500,000 copies printed, MM Magazine is distributed worldwide at Max Mara boutiques.

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