The Magic of Picture Book Creation by Louise Kelly

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Ever wondered what it’s like to take a picture book idea through to
completion and see it on the shelf? As someone who’s concentrated on longer
projects till now, I’m utterly intrigued. How can you tell a story in so
few words? How do you know what would be best left to the pictures? Or if
you're the illustrator, how do you make best use of your space and let the
words do their job while you bring another part of the story to life? Many of you will be much more accomplished: You’ll have tried, maybe got
there, or nearly there, but most will still want to learn more about how to
make the process smoother and the outcome better. Elizabeth O Dulemba has
spent many years working out just how to do this and has built an award
winning career both illustrating and writing picture books. Until recently
she lived in the USA but recently – ever seeking new inspiration –she
shipped over to Edinburgh to further her Art portfolio and has given us the
ideal chance to nab her for an intensive workshop.

A Bird On Water Street by Elizabeth O. Dilemma

She’s agreed to share her expertise in a hands-on class in taking a picture
book idea and getting it onto the page to produce the most satisfying and
effective story possible. To warm us up, we thought we’d find out a bit about how Elizabeth herself
works and asked her:

What's your favourite way to start a Picture Book project?

The initial idea stage is always fun. Ideas come to me in dreams, in the
shower, on walks, out of the air or by twisting a thought. When they first
come in, they seem so bright and clever - better ideas than sliced bread or
swiss cheese. It’s a lovely moment. Then reality sets in and they need
work. The lines need fiddling, the concept needs tightening, and I have to
draw it - which I love, but which is also extremely time consuming. It
begins with character studies - pages of sketches of "Well, hello there.
Who are you?” And there’s the book dummy, of course. The entire concept has
to work, from characters, to plot, to page turns. It’s a unique art form
and I just adore it.

Lula's Brew by Elizabeth O. Dulemba

We know that Elizabeth soaks in inspiration from her surroundings really
successfully and wondered about how her recent trip to the world’s biggest
children’s book fair has affected her:

2. You've just been to the Bologna Book Fair. How has that inspired your
illustration?

The Book Fair was wonderful - but also overwhelming and intimidating. I’ve
been writing my wrap-up articles here, where I mention my big
take-away... You absolutely cannot predict the market, or position yourself
to sell. Tastes are too varied. All you can do is create what feeds your
soul and hope it's of interest to somebody else.

On the day of the workshop, we’ll all be hoping to develop our own craft
but we also wondered who might be interesting to look at for illustration
inspiration. We asked Elizabeth:

3. Who are your picture book heroes? and why? (interpret that as you will,
characters or author/illustators)

There are some key people who I blame for getting me into this mess who
inspired me to become a children’s book illustrator. The first is Garth
Williams - not the books *Charlotte’s Web *or *Little House on the Prairie*,
but the lesser known *Golden Book of Elves and Fairies. *I grew up staring
at the illustrations wishing I could crawl into them or create that magical
experience for somebody else. Other heroes are Chris Van Allsburg, Maurice
Sendak, David Wiesner and Paul O. Zelinsky. Happily, I can now call the
last two friends. All of them created illustrations that showed such
technical prowess while pulling you into their stories. I strive to do the
same.

Soap Soap Soap by Elizabeth O. Dulemba

There’s so much food for thought here that I, for one, can’t wait to get
started. If you want to join us on May 7th in Edinburgh, you can buy a
ticket via this link. Hurry, though, there are only a couple of spaces
left!

Elizabeth O. Dulemba

Bio : Elizabeth O. Dulemba is an award-winning children's book author/illustrator
with over two dozen titles to her credit, including her debut historical
fiction, A BIRD ON WATER STREET, which has been awarded thirteen
prestigious literary honors including Georgia Author of the Year and a
Green Earth Book Award Honor. Elizabeth splits her time between Roanoke,
Virginia, where she teaches Picture Book Design as Visiting Associate
Professor at Hollins University in the MFA in Children's Book Writing and
Illustrating program, and Scotland, where she is currently pursuing an MFA
in Illustration at the University of Edinburgh. Elizabeth maintains and
active blog where she hosts author/illustrator guest posts each week and
gives away free coloring pages. Her weekly newsletter has over 3,600
subscribers. Learn more about Elizabeth here.

M Louise Kelly lives in Edinburgh and is working on Rules of Sail By, a coming of age novel set in Valparaiso, Chile, the Antarctic and Scotland.She's also written historical YA fiction. When she's not writing and beingthe joint Co-ordinator for the SCBWI Southeast Scotland Network with SheilaM Averbuch, she teaches Psychology for the Open University. She'srepresented by Lindsey Fraser at Fraser Ross Associates.

The Magic of Picture Book Creation by Louise Kelly
Reviewed by Vivienne Dacosta
on
07:00
Rating: 5

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