Switzerland's Museum of Zoology of Lausanne informed cryptozoologists worldwide
on the morning of 24 August 2001, of the death of Dr. Bernard Heuvelmans, 84, the
"Father of Cryptozoology." Around noon on August 22nd, without suffering,
Heuvelmans, passed away, in his bed at his Le Vesinet, France home, with his faithful
dog nearby.

Heuvelmans, who had become a Buddhist during his lifetime, was buried in Buddhist
monk attire during a private funeral at Le Vesinet on August 27. His former wife,
colleague, artist collaborator Alika (Monique Watteau) Lindbergh, who cared for him
in his declining years, was in charge of the ceremony, following his last wishes.

Heuvelmans' death is sad news. His towering presence in the field leaves a long
shadow. His influence is great. Heuvelmans' contributions to cryptozoology,
zoology, and anthropology are significant and far-reaching, and his impact on generations
to come will cross decades.

Bernard Heuvelmans was born in Le Havre on October 10, 1916, of a Dutch mother and
a Belgian father in exile, and was raised as a "native of Belgium." Heuvelmans
found he had a love of natural history from an early age, keeping all kinds of animals,
especially monkeys. At school, he shocked his Jesuit teachers by his unholy interest
in evolution and jazz. His interest in unknown animals was first piqued as a youngster
by his reading of science-fiction adventures such as Jules Verne's Twenty Thousand
Leagues Under the Sea and Sir Arthur Conan Doyle's The Lost World. He
never forgot these initial passions.

Heuvelmans obtained his higher education at the University Libre of Brussels. While
at the university, he won the first prize for small bands at an International Congress
of Amateur Jazz. At the age of 23 years, before World War II, he obtained a doctor's
title in zoological sciences. His thesis was dedicated to the classification of the
hitherto unclassifiable teeth of the aardvark (Orycteropus afer), a unique
African mammal. Heuvelmans then spent the next years writing about the history of
science, publishing numerous scientific works notably in the Bulletin of the Royal
Museum of Natural History of Belgium. His interests continued to extend beyond the
zoological realm. Captured by the Germans after he was called up for military service
from Belgium, he escaped four times before eking out a living as a professional jazz
singer and then as a science writer. He saw himself as a humanist in the broadest
sense, and he published two works late in the war: The Man Among Stars (1944)
and The Man in the Hollow of the Atom (1943). The Germans, during the war,
arrested him because his writings offended them, and then the Belgians arrested him
afterwards, because he had written them at all.

Settling in Paris and more particularly in Le Vésinet from 1947, Heuvelmans
became a comedian, a jazz musician (From Bamboula to Be-bop, 1949), and a
writer (The Secret of Fates in three volumes, The Continuation of the Life,
The Abolition of the Death, The Renovation, 1951-1952).

When Heuvelmans read a January 3, 1948 Saturday Evening Post article ("There
Could be Dinosaurs"), in which biologist Ivan T. Sanderson sympathetically discussed
the evidence for relict dinosaurs, Heuvelmans decided to pursue his vague, unfocussed
interest in hidden animals in a systematic way. At the time, he was translating
numerous scientific works, among which was The Secret World of the Animals
by Dr. Maurice Burton, which was republished afterward in seven volumes under the
title Encyclopedia of the Animal Kingdom.

Heuvelmans began to gather material about yet-to-be-discovered animals in what he
would later refer as his growing "dossiers" on them. From 1948 on, Heuvelmans
exhaustively sought evidence in scientific and literary sources. Within five years
he had amassed so much material that he was ready to write a large book. That book
turned out to be Sur la piste des betes ignorees, published in 1955, and better
known in its English translation three years later as On the Track of Unknown
Animals. Almost five decades later, the book remains in print, with more than
one million copies sold in various translations and editions, including one in 1995,
with a large updated introduction.

The book's impact was enormous. As one critic remarked at the time, "Because
his research is based on rigorous dedication to scientific method and scholarship
and his solid background in zoology, Heuvelmans's findings are respected throughout
the scientific community." Soon Heuvelmans was engaged in massive correspondence
as his library and other researches continued.

In the course of letter-writing, he invented the word "cryptozoology" (it
does not appear in On the Track). That word saw print for the first
time in 1959 when French wildlife official Lucien Blancou dedicated a book to the
"master of cryptozoology."

Heuvelmans corresponded with many cryptozoologists worldwide, as he did with me,
over the decades. By the 1960s, most in the field had elevated Blancou's phrase in
honor of Heuvelmans, and Heuvelmans was being called the "Father of Cryptozoology."

Writing in Cryptozoology in 1984, Heuvelmans said, "I tried to write
about it according to the rules of scientific documentation." Because of the
unorthodox nature of his interests, however, he had no institutional sponsorship
and had to support himself with his writing. "That is why," he wrote, "I
have always had to make my books fascinating for the largest possible audience."

Heuvelmans and his book influenced the investigative work of cryptozoology supporter
Tom Slick. Sanderson, who influenced Heuvelmans, in turn was influenced by Heuvelmans.
Heuvelmans served as a confidential consultant, along with such intellectual early
contributors like anthropologist George Agogino and zoologist Ivan Sanderson, on
Slick's secret board of advisors. Heuvelmans was asked to examine the "Yeti
skullcap" brought back by Sir Edumund Hillary's World Book expedition
of 1960. He was also one of the first to declare it was a ritual object made from
the skin of a serow, a small goatlike animal found in the Himalayas, even before
Hillary's debunking of the yeti took place. Heuvelmans' extensive files on
the Slick expeditions remained mostly unpublished until he contributed some for inclusion
in the 1989 book, Tom Slick and the Search for the Yeti.

On the Track of Unknown Animals was concerned exclusively with land animals.
The second of Heuvelmans' landmark works to be translated into English, In the
Wake of the Sea-Serpents (1968), covered the ocean's unknowns, including the
recognized but still in some ways enigmatic giant squid.

In 1968, Heuvelmans (at Sanderson's invitation) examined what was represented to
be the frozen cadaver of a hairy hominoid, the subject of his L'homme de Neanderthal
est toujours vivant (with Boris Porshnev, 1974). Other books, none yet translated
into English, include works on surviving dinosaurs and relict hominids in Africa.

Heuvelmans's Center for Cryptozoology, established in 1975, was first housed near
Le Bugue in the south of France, but in the 1990s, moved to LeVesinet, closer to
Paris. It consisted of his huge private library and his massive files, his original
treasured dossiers. Heuvelmans was elected president when the International Society
of Cryptozoology was founded in Washington, D.C., in 1982. He held that position
until his death. He also was involved with the British Columbia Scientific Cryptozoology
Club and other efforts for active cryptid studies globally. The decades saw
more and more honors amassed, as for example, when in 1990, he was named a honorary
member of the Cryptozoology Association of Russia. In a 1984 interview Heuvelmans
expressed the desire to write a 20-volume cryptozoology encyclopedia, but owing to
the death of a translator and other problems with his publisher, no volume appeared
before Heuvelmans' death.

Down through the years, without fanfare, Heuvelmans journeyed from the shores of
Loch Ness to the jungles of Malaysia, from Africa to Indonesia, interviewing witnesses
and examining the evidence for cryptids.He produced a few articles along the way,
and infrequently gave news interviews. But beginning in the 1990s, he would avoid
media events. For example, when a television network asked in 1994 and 1995, to tape
an interview with Heuvelmans about the Minnesota Iceman, he refused to come to America
to do it, and then denied a filming in France. Although he had had a French
television program on natural history mysteries some two decades earlier, he routinely
would not grant most mainstream interviews in the last decade of his life.

He also hardly ever trekked to formal meetings. For many of us in North America,
visiting with him, for example, at an early 1980s gathering in New York City, will
now always be a delightful and rare memory. When in February 1997, he was awarded
the Gabriele Peters Prize for Fantastic Science at the Zoological Museum of the University
of Hamburg, Germany, he was unable to appear to collect the prize of 10,000 Marks
(about $6000) and sent his friend, journalist, and cryptozoologist Werner Reichenbach,
to accept on his behalf.

Heuvelmans's health began to more rapidly fail in the mid-1990s; still he continued
to work on completing his grand plan for his multi-volume encyclopedia. In 1999,
he donated his vast holdings and archives in cryptozoology to The
Museum of Zoology of Lausanne in Switzerland, following through on a
commitment he had made in 1987. By 2001, many of us were dismayed to find he was
mostly bedridden, refusing visits, and in very poor health.

In his waning years, his mind was filled with worries that no one would credit him
for what he had done. He need not have troubled himself. Heuvelmans said he merely
wanted to be remembered as "The Father of Cryptozoology." He will
be recalled thusly for his efforts on behalf of the new science, as well as much
more, for his personality and scholarship. Bernard Heuvelmans, dead at 84, will hardly
be forgotten.