Raybeem! The first virtual reality concept from Sokay. It’s a step towards my longtime dream of creating a music visualizer. I spent countless hours gazing at the Milkdrop visualizer in Winamp back in the day. I had no clue how it worked – back when I just starting to dive in Flash ActionScript.

My concept for Raybeem started with imagining how great it could be if you didn’t need another person to give you a personal lightshow if you were at a rave. And what if you could take all of that great visual and aural stimuli with you anywhere? What if you never had to leave your couch to experience a spectacular show?

Above is a screen-capture of the playback controls. In the prototype, you can cycle through 5 embedded tracks. I tested using some of my favorite copyrighted tracks. I also got permission from the homies Eezir and Cryptic Circuitry to use their music in the final build. Each track has a different effect on the environment around you. Eventually I’d like the user to be able to load in their own library.

Here is a rough video demonstrating what it looks like on a 2D screen, from within Unity:

While I was creating the Sokay Zine, I thought it was a good opportunity to highlight some artists in my life that were doing some great things. In my day to day I get so caught up with trying to use my creativity to simply make a product as quickly as possible. That makes it difficult to see outside of what’s directly in front of me. Seeing people maintain their imagination and use their creative abilities in refreshing ways continues to rejuvenate me during my own journeys.

For the first issue of the Zine we interviewed the homie, Gabriel Gaete (aka Gabotron). Check out it:

Photo of Gabriel Gaete (aka Gabotron) by Stephanie Sparks

So from my perspective, you do art and animation. Music and storytelling. How would you describe what it is that you do?

I use art, animation, music and storytelling and fuse it all together to create work intended to convey, explain and communicate concepts, ideas and information. I create work for myself and for clients but it all stems from the same communicative standpoint, although the understandability of my projects can range from, “Aha! I get it!” to “What the hell did I just watch?” it all has some kind of message to convey. For my clients I have to be very clear in communicating certain information. For my personal projects I use more abstract means to communicate ideas and concepts that can be more vague and difficult to understand, but represent the weird stuff that goes on in my brain.

I also take visual notes, I started taking visual notes in my community college classes and I found it as an invaluable and powerful tool to retain information. From client work, to games conferences to personal work I’ve created many doodle filled notes that really help me in synthesizing information.

Extra! Extra! Read all about it!!!

Sokay Zine (zine as in magazine) is an idea that had been tumbling around in my head for a while. It’s a 20 page 4.5×4.5″ booklet. During the development of Donut Get! I was printing out a ton of flyers for our monthly LA Art Walk show, Sokay Play. To come up with the art for the flyers, I was digging through folders of old art work gathering dust on my hard drives. Looking through all of the unseen or unfinished assets got me thinking. There was a ton of stuff that I forgot we even made. I figured something should’ve been done with it.

When I was out on the streets hustling Donut Get! and Sokay, I made a buncha flyers, stickers and buttons. It felt good to be making physical stuff again. Reminded me of drawing on line paper in class back in the day. I’d seen people online making zines about things they’re fans of and I thought, “Why can’t I do something like this for Sokay?”

I remembered back in the 80s and 90s game companies often used quarterly print newsletters to reach their audiences and let them know more about their games coming out. Nintendo Power started out as one of these. This was another source of inspiration.

The making of our first game Thugjacker became the focus of the zine. We made Thugjacker before I had started blogging so it was a fresh topic to write about. To put it together, spent a ton of time digging up artwork, exporting frames of animation out of the game, looking at cut content and trying to piece together the story. It was a challenge to put it to words and be concise with it (unlike my blog posts).

Example of a Japanese guide for Faxanadu (1987-ish)

My last blog post was a review of The Untold History of Japanese Developers. On the behind the scenes DVD I got glimpses of just how in depth the Japanese game world’s print industry was. You could find a thick strategy guide for just about any game you could imagine. Seeing how they laid out game levels in those books became inspiration for my “walkthrough” of the first stage of Thugjacker in the zine.

So after assembling the zine digitally, I had to print these things out. I had a short timeline since I was aiming to print about 100 for my trip to Bitsummit in Kyoto, Japan. So I opted to print them in my bedroom rather than look for a professional printer. For 2 weeks, I was swimming in CMYK. I learned a lot through trial and error but I’ve got a decent system for printing up batches when I get a chance. Up to now I believe I’ve printed about 160 copies but I’m always short. Hit me up if you’re interested in a copy! Still need to look into a printshop though!

Sokay Play 1 came and left quickly. Through the organization of an art show by my homie John “Alter Native,” I was able to show some games during the Downtown Los Angeles Art Walk last month. I had Thugjacker and LUV Tank on display. Here are some photos!

Some strangers giving the game a shot!

My Urban Noodle dinner on the table, along with some empty wine cups. haha!

I’m grateful that I had a lot of friends show up and got the opportunity to discuss the games one on one with a lot of people. We’ve actually got another show coming up soon on December 8th! Same place, I’ll have the flyer ready soon.