History — Reality/Doc (TV) — Half Yard Productions Details

3/16 – 4/16

6/15 – 3/16

DIY Network — Reality/Doc (TV) — Boy Wonder Productions Details

6/15 – 3/16

As part of a skeleton crew, my responsibilities spanned anything from lighting each scene to covering it adequately for the cut. Not only was there extensive play-to-camera with a host, but days of "before" and "beauty" shots of the project.

DIY Network — Reality/Doc (TV) — Boy Wonder Productions Details

3/14 – 5/15

8/14 – 4/15

DIY Network — Reality/Doc (TV) — Boy Wonder Productions Details

8/14 – 4/15

As part of a skeleton crew, my responsibilities spanned anything from lighting each scene to covering it adequately for the cut. Not only was there extensive play-to-camera with a host, but days of "before" and "beauty" shots of the project.

Netflix — Digital — Good Company Details

10/14 – 10/14

3/14 – 7/14

DIY Network — Reality/Doc (TV) — Boy Wonder Productions Details

3/14 – 7/14

As part of a skeleton crew, my responsibilities spanned anything from lighting each scene to covering it adequately for the cut. Not only was there extensive play-to-camera with a host, but days of "before" and "beauty" shots of the project.

1/14 – 5/14

DIY Network — Reality/Doc (TV) — Boy Wonder Productions Details

1/14 – 5/14

As part of a skeleton crew, my responsibilities spanned anything from lighting each scene to covering it adequately for the cut. Not only was there extensive play-to-camera with a host, but days of "before" and "beauty" shots of the project.

7/13 – 12/13

DIY Network — Reality/Doc (TV) — Boy Wonder Productions Details

7/13 – 12/13

As part of a skeleton crew, my responsibilities spanned anything from lighting each scene to covering it adequately for the cut. Not only was there extensive play-to-camera with a host, but days of "before" and "beauty" shots of the project.