Moving pictures or movies as it is called for short, were made by entrepreneurs to entertain the people for a profit. It became a powerful media to convey the masses into a different world, away from the reality of daily life. Towards the 1930's, it morphed into one of the best propaganda tools by governments to sway and instill ideas to its citizens. Ask yourself this question the next time in the movies, either it was made for propaganda or entertainment?............AMOR PATRIAE

OLD WAR MOVIES

OLD WAR MOVIES

...The 20th century has been characterized by three developments of great political importance: The growth of democracy, the growth of corporate power and the growth of corporate propaganda against democracy.

Saturday, April 5, 2014

HOLY WEEK 2014

Claim explains why Judas used a kiss to betray Jesus, since he could have transformed to foil any attempt at description

Manuscript also claims that Pontius Pilate offered his own son for crucifixion in place of the Messiah - but Jesus declined

A 1,200-year-old Egyptian manuscript tells the story of the crucifixion with incredible plot twists - including the revelation that Jesus could change shape.

The ancient illuminated text's claim explains why Judas used a kiss to betray Jesus, since the Christian Messiah had the ability to transform his appearance.

It also claims Jesus in fact spent his last supper with the man who ordered his execution, Roman prefect Pontius Pilate, who is said to have offered to sacrifice his own son in Jesus' place.

Leonardo da Vinci's 'The Last Supper': A newly deciphered manuscript claims Jesus could change shape at will and in fact had his last supper with Pontius Pilate, the Roman prefect who sentenced him to death

And it defies the official Easter timeline by putting the day of Jesus' arrest on Tuesday evening, rather than the canonically agreed Thursday.

The translation from the original Coptic has been revealed for the first time in a new book by Roelof van den Broek, emeritus professor of the History of Christianity at Utrecht University in the Netherlands. In the commonly-accepted Bible story it is claimed that the apostle Judas agrees to betray Jesus in exchange for cash, then kissed him to reveal his identity.

DID JESUS AND MARY MAGDALENE MARRY AND HAVE CHILDREN?

A recently uncovered fragment of ancient papyrus makes the explosive suggestion that Jesus and Mary Magdalene were man and wife, researchers say.

The 8cm by 4cm fragment supports an undercurrent in Christian thought that undermines centuries of Church dogma by suggesting the Christian Messiah was not celibate.

The centre of the fragment contains the bombshell phrase where Jesus, speaking to his disciples, says 'my wife', which researchers believe refers to Magdalene.

In the text, Jesus appears to be defending her against some criticism, saying 'she will be my disciple'. Two lines later he then tells the disciples: 'I dwell with her.'

If genuine, the document casts doubt on a centuries old official representation of Magdalene as a repentant whore and overturns the Christian ideal of sexual abstinence.

However, since the papyrus emerged last November, scholars have queued up to cast doubt on its authenticity.

The newly-deciphered text explains that, far from a sign of affection or guilt, the kiss was Judas' way of forestalling any shapeshifting confusion.

'The Jews said to Judas: How shall we arrest him [Jesus], for he does not have a single shape but his appearance changes. Sometimes he is ruddy, sometimes he is white, sometimes he is red, sometimes he is wheat coloured, sometimes he is pallid like ascetics, sometimes he is a youth, sometimes an old man...' it reads.

For a man who could walk on water, raise the dead, feed 5,000 people with just a single loaf of bread and a fish, and turn water into wine, such abilities are perhaps unsurprising.

But shapeshifting is not the only superpower the ancient manuscript attributes to Jesus - it also says that he could even turn himself invisible.

It claims that on the night before his crucifixion, Jesus ate dinner with Pontius Pilate, the Roman prefect who decided his sentence - who, it is said, remarkably offered his son to be crucified in place of the Messiah.

Jesus declined the offer, explaining that if he could escape from his fate if he wanted to.

'Pilate, then, looked at Jesus and, behold, he became incorporeal: He did not see him for a long time,' the text says.

Later that night, according to the manuscript, Pilate and his wife dreamed of an eagle representing Jesus being killed.

The incredible text, which is thought to be some 1,200 years old, is written in the name of St Cyril of Jerusalem, although, Professor van den Broek says, it was probably written by someone else.

Back then it was looked after by monks at the Monastery of St Michael in the desert of north-west Egypt, south of Cairo.

The text was rediscovered in 1910 and, the following year, it was bought along with other manuscripts by the wealthy Wall Street financier JP Morgan.

Morgan's collections were later given to the public and they are now kept in the Morgan Library and Museum in New York City.

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A scene from the film 'The Passion of the Christ': The new manuscript offers a very different account of the days and events leading up to the death of Jesus from the conventional one given by the Bible

Professor van den Broek told LiveScience that the Bible was already canonised in Egypt by the time the text was written, but that such apocryphal stories nevertheless remained popular among believers.

He said he was not convinced that the monk who wrote down the story necessarily believed all the details in it, 'but some details, for instance the meal [Pontius Pilate had] with Jesus, he may have believed to have really happened.'

'The people of that time, even if they were well-educated, did not have a critical historical attitude,' he added. 'Miracles were quite possible, and why should an old story not be true?'

Professor van den Broek's book, Pseudo-Cyril of Jerusalem on the Life and the Passion of Christ, is out now, published by Brill.

These are the two nails used to crucify Jesus, an investigator has claimed after they were discovered in a 2,000-year-old tomb in Jerusalem.

The tiny relics, which are around two inches long, were first found in 1990 in an ancient Jerusalem grave said to belong to Caiaphas - the Jewish high priest who sent Jesus to the cross.

But shortly after the excavation, the tomb was resealed and the artefacts mysteriously disappeared - until now.

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Holy nails... or old dirt? These are the nails that filmmaker Simcha Jacobovici claims were used to crucify Jesus. They were found in a tomb said to belong to Caiaphas, the high priest who sent Jesus to the cross

In a new documentary, The Nails Of The Cross, Simcha Jacobovici claims that he tracked down the remains to the laboratory in Tel Aviv of an anthropologist who is an expert on ancient bones.

However, his dramatic revelations have been met with a cool response from scholars and experts who have dismissed him as a publicity seeker.

The film begins by revisiting the burial place hailed by many at the time as the burial place of Caiaphas, who in the New Testament presides over the trial of Jesus.

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Confident: Veteran investigator Simcha Jacobovici will present his findings in a new documentary film called The Nails Of The Cross

The grave, along with a number of ossuaries - or bone boxes - was uncovered during construction work on a hillside a few kilometres south of the Old City.

Caiaphas is a major figure in the Gospels, having sent Jesus to the Romans and on to his death, and one of Jacobovici's assertions is that the high priest did not deserve such a bad reputation.

Two iron nails were found in the tomb - one on the ground and one actually inside an ossuary - and, according to the film, disappeared shortly after.

Jacobovici says that because Caiaphas is so closely linked to the crucifixion, he believes the nails found in his tomb will be shown to belong to Jesus.

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Vanished: Israel Hershkovitz, professor of the Department of Anatomy and Anthropology at Tel Aviv University displays the two nails. They had disappeared for 20 years after being found in 1990

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Crucifixion: Jesus on the cross as portrayed in The Passion of the Christ, directed by Mel Gibson

Many ancient relics, including other nails supposedly traced back to the crucifixion, have been presented over the centuries as having a connection to Jesus. Many were deemed fake, while others were embraced as holy.

Jacobovici, a veteran investigator who has worked on the documentary for three years, sparked debate with a previous film that claimed to reveal the lost tomb of Jesus.

He says this find differs from others because of its historical and archaeological context.

'What we are bringing to the world is the best archaeological argument ever made that two of the nails from the crucifixion of Jesus have been found,' he said.

'Do I know 100 percent yes, these are them? I don't.'

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Documentary maker Simcha Jacobovici talks to Israel Hershkovitz, left, as he clutches the nails which could have been used in the crucifixion

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Historical artefacts? A nail covered in a piece of bone (L) is displayed alongside two nails which were found in a 2,000 year-old Jerusalem tomb

An illustration showing Jesus being questioned by the high priest Caiaphas, in whose tomb the nails were said to be found

'If you look at the whole story, historical, textual, archaeological, they all seem to point at these two nails being involved in a crucifixion,' he said.

'And since Caiaphas is only associated with Jesus's crucifixion, you put two and two together and they seem to imply that these are the nails.'

The Israel Antiquities Authority, which oversaw the Jerusalem excavation, said in reaction to the film's release that it had never been proven beyond doubt that the tomb was the burial place of Caiaphas.

It also said that nails are commonly found in tombs.

'There is no doubt that the talented director Simcha Jacobovici created an interesting film with a real archaeological find at its centre, but the interpretation presented in it has no basis in archaeological findings or research,' it said.

A relic claimed to be a thorn from Jesus' crown will go on display at the British museum later this year.

The Crown of Thorns plundered in the Fourth Crusade, sold to French royalty and has spent the past 200 years in safekeeping at a British public school.

Catholic churches around the world claim to have other relics of Christ, such as the loin cloth he wore on the cross, pieces of the cross itself and even the 'holy prepuce' - Jesus's foreskin.

'Thorn from Jesus's crucifixion crown' goes on display at British Museum

Relic has been kept at UK public school for 200 years

It was plundered in the Fourth Crusade, sold to French royalty and has spent the past 200 years in safekeeping at a British public school.

Now a relic claimed to be a thorn from Jesus's crown is to go on display at the British Museum.

And while no one can doubt the item's rich history, there is less evidence to support the claims of its provenance.

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Precious: The relic, said to be a thorn from Jesus's crown, has been kept at Stonyhurst College, in Clitheroe, Lancashire, for the last 200 years. The thorn has Mary Queen of Scots's pearls twined around it

The Crown of Thorns is said to have been seized from Constantinople, the imperial capital of the Roman Empire, in the Fourth Crusade - around AD 1200

The Crown of Thorns is said to have been seized from Constantinople, the imperial capital of the Roman Empire, in the Fourth Crusade - around AD 1200 - and was later sold to King Louis IX of France while he was in Venice.

King Louis kept the religious relic in the specially-built Saint Chapel and thorns were broken off from the crown and given to people who married into the family as gifts.

The thorn at Stonyhurst College - a 400-year-old Jesuit boarding school - was said to have been given to Mary Queen of Scots who married into the French royal family and she took it with her to Holyrood in Edinburgh.

And following her execution in 1587, it was passed from her loyal servant, Thomas Percy, to his daughter, Elizabeth Woodruff, who then gave it to her confessor - a Jesuit priest - in 1600.

The Jesuits brought it with them to the college and it has been kept at the Ribble Valley college ever since. Now it is to be loaned to the British Museum in London for a new exhibition, Treasures of Heaven, inspired by saints, relics and devotion in medieval Europe.

Jim Caviezel portraying Jesus in The Passion of the Christ. Jesus was made to wear a Crown of Thorns during his crucifixion

Jan Graffius, curator at Stonyhurst, said: 'It is an incredible object and we are really delighted that it will form part of the British Museum exhibition. It is a priceless treasure.'

Catriona Graffius, a sixth former at the college, was invited to take part in the production of a podcast guide for the exhibition.

She was interviewed to give a pupil's perspective on her school's precious possession, and said: 'I was asked to describe the thorn, which has Mary Queen of Scots's pearls twined around it.

'The thorn is placed in a chapel at Stonyhurst every year in Holy Week.'

The British Museum exhibition features sacred treasures of the medieval age, which have been collected from more than 40 institutions and many of which have not been seen in the UK before.

The thorn will sit next to rare loans from the Vatican, including from the private chapel of the popes and the Sancta Sanctorum.

While the majority of objects date from between AD 1000 to 1500, some of the earliest pieces include a late Roman sarcophagus dating from between AD 250 and 350.

The exhibition will open in June 23 and run until October 9.

Two separate churches, in Genoa and Valencia, claim to have in their possession the Holy Chalice - the cup with which Jesus served wine at the Last Supper.

Archaeologists have dated the Valencia chalice as having been made between the 4th century BC and the 1st century AD.

The clues found near Mary Magdalene's home that suggest Jews and early Christians once worshipped together

Excavations taking place on an ancient synagogue found in Migdal, Israel

Migdal is the modern name for the city where Mary Magdalene lived

Jewish artefacts date back to the time of Jesus and the rise of Christianity

Archaeologists claim this crossover suggests the two religions once worshipped together

Excavations of an ancient synagogue found in a city where Mary Magdalene is thought to have lived have thrown up clues about how the Jewish and Christian religions developed.

Jewish artefacts found at the site in Migdal on the shore of the Sea of Galilee - previously known as Magdala - include a table carved with a Menorah, yet the temple itself, as well as a coin, discovered on the site dates back to the time of Jesus and the rise of Christianity in the region.

Archaeologists believe this combination suggests Jews and Christians may have once used the holy site to worship together, according to Israeli news site Haaretz, and it could lead to discoveries about how and when Jesus and Magdalene met.

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Excavations of an ancient synagogue in the town of Migdal in Israel, pictured, have thrown up clues about how the Jewish and Christian religions developed. Jewish artefacts have been found at the site on the shore of the Sea of Galilee - previously known as Magdala - yet the temple itself dates back to the time of Jesus

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The synagogue ruins, pictured, were first uncovered in 2009 and they are thought to date back around 2,000 years. The mixture of Jewish artefacts and a coin found from 29AD - a year before Jesus is said to have arrived in the area - suggests Jews and Judeo-Christians may have once used the holy site to worship together

WHY IS MIGDAL SIGNIFICANT?

Migdal is the modern-day name for the village of Magdala,situated on the northwestern shore of the Sea of Galilee at the foot of Mount Arbel.

Magdala is said to have been the hometown of Mary Magdalene, one of Jesus' most loyal followers.

She is referred to in the gospels as Mary, and it is believed that her name was a variation of 'Mary from Magdala'.

Researchers are studying the site looking for clues about how and when Magdalene first met and began following Jesus.

The synagogue was first uncovered in 2009 dating back to the 1st Century - around 2,000 years ago.

It measures 11 x 11 metres, and the walls of the room plus the six columns that supported the ceiling, which was probably made of wooden beams and mortar, would have been covered with frescoes painted in seven colours including dark red, yellow and blue panels in black and white frames.

The excavation revealed the synagogue was renovated in around 40 of 50 C.E, before being abandoned shortly before 68 C.E.

This year is significant because it was the time of the Great Revolt of the Jews against the Romans.

Archaeologists have also uncovered various Jewish artefacts, which Haaretz describes as 'firsts in archaeological excavations, in Israel and even worldwide.' However, a coin found on the site dated back to 29 A.D - a year before Jesus is said to have arrived in the area and four years before his crucifixion - making it potentially a location of interest for Christianity as well.

Migdal is the modern-day name for the village of Magdala, situated on the northwestern shore of the Sea of Galilee at the foot of Mount Arbel. Magdala is said to have been the hometown of Mary Magdalene.

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One the Jewish artefacts recovered from Magdala excavations includes this table, carved with a seven-branched candelabrum, pictured

An artist's impression of Mary Magdalene at St. Nicholas's Cathedral in Monaco

Magdalene is described as one of Jesus' most loyal followers and it is also thought she was one of the first people to speak to him after his resurrection.

She is referred to in the gospels as Mary, and it is believed that her name was a variation of 'Mary from Magdala'.

However, there is no direct connection with Mary and the town of Magdala in the bible.

Researchers are studying the site looking for clues about how and when Magdalene first met and began following Jesus.

Father Juan Maria Solana, director of the Magdala Center told Public Radio International: From the Jewish point of view, the position is clear; it’s a first-century synagogue.

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The dig is being carried out by archaeologist Dina Avshalom-Gorni and Arfan Najar with Marcela Zapata. They are hoping to find clues as to how and when Jesus came to the town and met Magdalene. The project is being underwritten by the Ark New Gate Company, which is building the Magdala Center, pictured

'From the Christian point of view, we cannot doubt that Jesus would have been there sometime.

Yet Marcela Zapata, from the Anáhuac University of Southern Mexico City told on The Huffington Post: 'there is no archaeological evidence to prove Jesus ever set foot inside.'

The dig at Magdala is co-directed by Israel Antiquities archaeologist Dina Avshalom-Gorni and Arfan Najar in collaboration with Marcela Zapata from the Anáhuac University of Southern Mexico City.

It is being underwritten by the Ark New Gate Company, which is building the nearby Magdala Center.

According to later tradition, the Last Supper took place in what is called today The Room of the Last Supper on Mount Zion, just outside of the walls of the Old City of Jerusalem, and is traditionally known as The Upper Room. This is based on the account in the Synoptic Gospels that states that Jesus had instructed a pair of unnamed disciples to go to "the city" to meet "a man carrying a jar of water", who would lead them to a house, where they would find "a large upper room furnished and ready".In this upper room they "prepare the Passover".

No more specific indication of the location is given in the New Testament, and the "city" referred to may be a suburb of Jerusalem, such as Bethany, rather than Jerusalem itself. The traditional location is in an area that, according to archaeology, had a large Essene community, a point made by scholars who suspect a link between Jesus and the group (Kilgallen 265).

Saint Mark's Syrian Orthodox Church in Jerusalem is another possible site for the room in which the Last Supper was held, and contains a Christian stone inscription testifying to early reverence for that spot. Certainly the room they have is older than that of the current coenaculum (crusader - 12th century) and as the room is now underground the relative altitude is correct (the streets of 1st century Jerusalem were at least twelve feet (3.6 metres) lower than those of today, so any true building of that time would have even its upper storey currently under the earth). They also have a revered Icon of the Virgin Mary, reputedly painted from life by St Luke.

The gold encrusted chalice (left) has been sat in the Basilica of San Isidoro in Leon (right), north Spain, for 1000 years - touted to visitors as a goblet belonging to 11th century Queen Urraca. But now, two historians have revealed a theory which shows there is 'no doubt' Jesus Christ's onyx chalice, used at the Last Supper (center), is hidden inside.

The word graal, as it is earliest spelled, comes from Old Frenchgraal or greal, cognate with Old Provençalgrazal and Old Catalangresal, meaning "a cup or bowl of earth, wood, or metal" (or other various types of vessels in different Occitan dialects).The most commonly accepted etymology derives it fromLatingradalis or gradale via an earlier form, cratalis, a derivative of crater or cratus which was, in turn, borrowed from Greekkrater (a large wine-mixing vessel). Alternate suggestions include a derivative of cratis, a name for a type of woven basket that came to refer to a dish, or a derivative of Latin gradus meaning "'by degree', 'by stages', applied to a dish brought to the table in different stages or services during a meal". The Grail was considered a bowl or dish when first described by Chrétien de Troyes. Hélinand of Froidmont described a grail as a "wide and deep saucer" (scutella lata et aliquantulum profunda). Other authors had their own ideas: Robert de Boron portrayed it as the vessel of the Last Supper; and Peredurhad no Grail per se, presenting the hero instead with a platter containing his kinsman's bloody, severed head. In Parzival, Wolfram von Eschenbach, citing the authority of a certain (probably fictional) Kyot the Provençal, claimed the Grail was a stone (called lapis exillis) that fell from Heaven, and had been the sanctuary of the neutral angels who took neither side during Lucifer's rebellion. The authors of the Vulgate Cycle used the Grail as a symbol of divine grace. Galahad, illegitimate son of Lancelot and Elaine, the world's greatest knight and the Grail Bearer at the castle of Corbenic, is destined to achieve the Grail, his spiritual purity making him a greater warrior than even his illustrious father. Galahad and the interpretation of the Grail involving him were picked up in the 15th century by Sir Thomas Malory in Le Morte d'Arthur, and remain popular today.

According to the Catholic Encyclopedia, after the cycle of Grail romances was well established, late medieval writers came up with a false etymology forsangréal, an alternative name for "Holy Grail." In Old French, san graal or san gréal means "Holy Grail" and sang réal means "royal blood"; later writers played on this pun. Since then, "Sang real" is sometimes employed to lend a medievalising air in referring to the Holy Grail. This connection with royal blood bore fruit in a modern bestseller linking many historical conspiracy theories.

Belief in the Grail and interest in its potential whereabouts has never ceased. Ownership has been attributed to various groups (including the Knights Templar, probably because they were at the peak of their influence around the time that Grail stories started circulating in the 12th and 13th centuries).

On March 25 2014, Margarita Torres and José Ortega del Río presented in Leon a co-written book, "Los Reyes del Grial" (The Kings of the Grail)where they describe how a Spanish Arabist and Historian, Doctor Gustavo Turienzo, found two medieval Egyptian documents in al Azhar (Cairo). In those documents, written in Arabic, can be read that the Holy Grail was taken to the city of Leon (Spain) in the XI century.

There are cups claimed to be the Grail in several churches, for instance the Saint Mary of Valencia Cathedral, which contains an artifact, the Valencia Chalice, supposedly taken by Saint Peter to Rome in the 1st century, and then to Huesca in Spain by Saint Lawrence in the 3rd century. According to legend, the monastery of San Juan de la Peña, located at the south-west of Jaca, in the province of Huesca, Spain, protected the chalice of the Last Supper from the Islamic invaders of the Iberian Peninsula. Antonio Beltrán says the artifact is a 1st-century Middle Eastern stone vessel, possibly from Antioch, Syria (now Turkey); its history can be traced to the 11th century, and it now rests atop an ornate stem and base, made in the Medieval era of alabaster, gold, and gemstones. It was the official papal chalice for many popes, and has been used by many others, most recently by Pope Benedict XVI, on July 9, 2006.[16] The emerald chalice at Genoa,[17] which was obtained during theCrusades at Caesarea Maritima at great cost, has been less championed as the Holy Grail since an accident on the road, while it was being returned from Paris after the fall of Napoleon, revealed that the emerald was green glass.

In Wolfram von Eschenbach's telling, the Grail was kept safe at the castle of Munsalvaesche (mons salvationis), entrusted to Titurel, the first Grail King. Some, not least the Benedictine monks of Montserrat, have identified the castle with the real sanctuary of Montserrat in Catalonia, Spain. Other stories claim that the Grail is buried beneath Rosslyn Chapel or lies deep in the spring at Glastonbury Tor. Still other stories claim that a secret line of hereditary protectors keep the Grail, or that it was hidden by the Templars in Oak Island, Nova Scotia's famous "Money Pit", while local folklore in Accokeek, Marylandsays that it was brought to the town by a closeted priest aboard Captain John Smith's ship. Turn of the century accounts state that Irish partisans of the Clan Dhuir (O'Dwyer, Dwyer) transported the Grail to the United States during the 19th Century and the Grail was kept by their descendants in secrecy in a small abbey in the upper-Northwest (now believed to be Southern Minnesota).

It is a mystery dating back millennia.

But apparently, the long-lost Holy Grail has finally been found - on display in a Spanish museum.

The onyx chalice has been sat in the Basilica of San Isidoro in Leon, north Spain, for 1000 years - touted to visitors as a goblet belonging to 11th century Queen Urraca.

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The Holy Grail? There is no doubt this chalice, which once belonged to Queen Urraca of Spain, contains the onyx goblet Jesus Christ drank from at the Last Supper, two Spanish historians have claimed

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On show: It has sat in the Basilica of San Isidoro in Leon, north Spain, for 1000 years and went on display when the church opened its museum in the 1950s

But in fact, there is 'no doubt' it contains the cup which touched the lips of Jesus Christ, two historians claim.

In an explosive book charting three years of 'scientific research', Margarita Torres and Jose Ortiza del Rio reveal there is conclusive evidence from scrolls in Egypt that confirm their theory.

The onyx vessel made between 200 BC and 100 AD, they claim, is trapped inside a bejewelled medieval chalice.

According to two medieval documents written in Arabic, it was stolen from Jerusalem by Muslims, who gave it to the Christian community in Egypt.

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On show: The onyx chalice is in the Basilica of San Isidoro in Leon, north Spain touted as a goblet belonging to 11th century Queen Urraca

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The cup was used by Jesus then centuries later gifted to Spain by Egyptian royalty as a thank you for sending aid during a famine, they claim

Centuries later, in around 1050 AD, it was sent as a gift to King Fernando I of Castile to thank him for sending aid during a famine, they say.

By that point, it had been concealed with opulent decorations.

Gold inside, with patterns etched around the edges, the revered ornament is covered with pearls, emeralds, amethysts and sapphires, which the Egyptian kings will have designed to honour the well-liked Fernando.

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It was given to Queen Urraca, daughter of Fernando I, king from 1037 to 1065

It was housed and used in the Basilica of San Isidoro, where it remained in storage until it was put on display in the museum which opened in the 1950s.

Ms Torres, a history professor at the University of Leon, said: 'The only chalice that could be considered the chalice of Christ is one which went via Cairo to León, and this chalice did so.

'This is a very important discovery because it helps solve a big puzzle.

'We believe this could be start of a wonderful stage of research.'

IS THIS REALLY IT? THEORY IS ONE OF COUNTLESS OVER THE YEARS

Indiana Jones And The Last Crusade charts one of the most famous theories: SS chief Heinrich Himmler travelled to Spain during WWII believing the grail was at the Montserrat Abbey near Barcelona

This is hardly the first time a church or museum has laid claim on the historical phenomenon.

The Saint Mary of Valencia Cathedral houses the Valencia Chalice, a top contender for the title.

Having been used as the official chalice for many popes, it is a popular theory amongst Catholics.

Many believe it was taken from Jerusalem to Rome by Saint Peter before 100 AD.

Saint Lawrence, the story continues, then took it to Huesca in Spain in the third century, where it was protected by monks from Islamic invaders, before making its way to its current home.

An emerald chalice at Genoa was hotly tipped during the 1700s - until it, being transported from one holding place to another, it was dropped and restorers discovered it was merely green glass.

Last year, it emerged S.S. chief Heinrich Himmler allegedly visited Spain during the war because he believed the grail was at the Montserrat Abbey near Barcelona.

It was a failed expedition, but one that inspired the blockbuster hit Indiana Jones And The Last Crusade, in which Harrison Ford treks to find the revered vessel.

Nazi search for the Holy Grail which inspired Indiana Jones

Revealed in exhibition 'Dig for Germania. Archaeology under the Swastika'

The show, in Bremen, Germany, says Himmler visited Spain to hunt for Grail

He mistakenly thought it was hidden at Montserrat Abbey near Barcelona

A new exhibition in Germany about archaeology under the Nazis shows how the regime launched a 'Last Crusade' expedition in wartime to find the Holy Grail from the Last Supper of Christ.

In the 1989 Last Crusade movie, Indiana Jones played by Harrison Ford was on the quest for the grail - and he was in competition with the Nazis.

Now truth turns out to be stranger than fiction in the exhibition 'Dig for Germania. Archaeology under the Swastika' in Bremen. It tells how S.S. chief Heinrich Himmler allegedly visited Spain during the war because he believed the grail was at the Montserrat Abbey near Barcelona.

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Real-life echo: In the Last Crusade movie, Indiana Jones played by Harrison Ford was on the quest for the grail - and he was in competition with the Nazis

The chief architect and manager of the Nazi Holocaust believed that finding the grail 'would help Germany win the war and give him supernatural powers.'

Squads of S.S. men searched in vain for the grail. The S.S. budget for such projects was vast as the Nazis intended their finds to rewrite history to prove Germans were the greatest race in all history.

Before Hitler came to power there were just a handful of professorships in archaeology; afterwards there were 24, all tasked with promoting this claptrap theory while finding as many rare artefacts as possible from around the globe.

'If we want to again become a large, single people, we must build on the time, where the Nordic racial nucleus was still pure and unadulterated and which combined with a splendid culture which influenced all over Europe,' said Hans Reinerth, Hitler's favourite archaeologist.

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Hocus pocus: Heinrich Himmler, left, shared the hocus-pocus belief with his boss Adolf Hitler, right, that Jesus Christ was actually descended from Aryan stock and visited Spain in search of the Grail

Hunting on a hunch: Himmler believed the grail was at the Montserrat Abbey near Barcelona but never found it

Far from being the 'King of the Jews,' Himmler shared the hocus-pocus belief with his boss Hitler that Jesus Christ was actually descended from Aryan stock - the race which Hitler decreed was to rule the world for 1,000 years.

'This is the time of Germanic antiquity, the German prehistory', he added. Visitors to the exhibition are informed: 'The Nazis sought to establish the image of blonde, blue-eyed heroes and conquerors who were the ancestors of the Germans and that their race was summoned for world domination.'

When the Nazi war machine rolled eastwards to conquer the Soviet Union in 1941, the archaeologists were in their wake, using slave labourers to dig up evidence of 'German superior race-colonies' that inhabited the lands back in the distant past.

The exhibition tells the visitor that many died in the hunt for artefacts trying to underwrite this racial myth.

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Nazi hunters: The exhibition is at Bremen's Focke Museum, pictured, and is called 'Dig for Germania. Archaeology under the Swastika'

'Archaeologists often planned these crimes or worked on their own initiative', said historian of Dirk Mahsarski, who curated the exhibition hall at the Bremen Focke Museum. 'There are a whole bunch of archaeologists of whom we can safely say that they knew about the Holocaust and the suffering of forced laborers.'

The exhibition chronicles how two of the Third Reich's most powerful men - Himmler and Alfred Rosenberg, the Nazi party racial philosopher - competed with separate archaeological teams to dig for artefacts to support Nazi theories. Himmler even sent a team of S.S. men to Tibet before the war to try to discover the mythical lost kingdom of Shangri La.

Mostly the Nazis discovered pottery and bits of jewellery, all of which were used to promote their berserk racial theories; the treasure, like the Holy Grail, eluded them.

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Moving pictures or movies as it is called for short, were made by entrepreneurs to entertain the people for a profit. It became a powerful media to convey the masses into a different world, away from the reality of daily life. Towards the 1930's, it morphed into one of the best propaganda tools by governments to sway and instill ideas to its citizens. Ask yourself this question the next time in the movies, either it was made for propaganda or entertainment?............AMOR PATRIAE

Gen. Gregorio del Pilar, P.A.

From morning till noon he repelled charge after charge tenaciously with a handful of men through the heat and agony of battle till he himself fell dead among his slain soldiers. It was on this mountain summit overlooking the plains and shores of his country a massive tremendous altar.....