40 soothing selections for piano solo are presented in this collection: Air on the G String Beautiful Dreamer Clair de Lune Fr Elise Gymnopedie No. 1 Jesu, Joy of Man's Desiring Londonderry Air Meditation Pie Jesu The Swan (Le Cygne) To a Wild Rose Water Is Wide and more.

This collection is, for all intents and purposes, a "fakebook" of 50 Renaissance and Baroque pieces. Unlike a fakebook, the tunes are all presented in two-line format, with the tune in the top line and the bassline in the bottom. Accordingly, there are no chord changes written over the melody, rather Figured Bass is used (where numbers are shown over bass notes, giving the player direction as to the harmony for a given note). The collection of tunes is preceded by a lengthy 30+ page primer on pla...

This introduction documents the spirit of Romanticism and the evolution of the piano during the 19th century, and specifies performance suggestions. Biographical information and fascinating photographs fill this collection of keyboard works.

30 pieces, several of them available for the first time as part of a graded collection. The repertoire includes works by major composers, such as Chopin and Schumann, as well as lesser-known pieces by, amongst others, Bortkiewicz and Rimsky-Korsakov. These collections are ideal for piano teachers looking for additional repertoire for their teaching practice. Includes a CD of full performances.

These anthologies contain original compositions by nineteenth-century composers. Several of the pieces are available for the first time as part of a graded collection. The repertoire includes works by major composers, such as Chopin and Schumann, as wellas lesser-known pieces by, amongst others, Bortkiewicz and Rimsky-Korsakov. These collections are ideal for piano teachers looking for additional repertoire for their teaching practice. The CD includes full performance demonstrations.

Nineteenth-century Europe's immersion into Romanticism fostered a "back to nature" movement in which artists turned toward folk music for inspiration. This collection spotlights the works of important Russian composers who drew upon and popularized folk melodies of their native country. Forty-four stirring pieces reflect the influence of Russia's peasant songs as well as the tonality and rhythms of music from the Russo-Greek Orthodox Church and Tartar culture. Suitable for intermediate-level pian...

Woodwind Instrumentation Codes

Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:

Description

Price

Rimsky-KorsakovQuintet in Bb [1011-1 w/piano]Item: 26746

$28.75

The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute, the second for Oboe, the third for Clarinet, the fourth for Bassoon, and the fifth (separated from the woodwinds by a dash) is for Horn. Any additional instruments (Piano in this example) are indicated by "w/" (meaning "with") or by using a plus sign.

Sometimes there are instruments in the ensemble other than those shown above. These are linked to their respective principal instruments with either a "d" if the same player doubles the instrument, or a "+" if an extra player is required. Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:

0,2+1,0,1-0

Note the "2+1" portion means "2 oboes plus english horn"

Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

Duo - Flute & Clarinet - or [1010-0]

Trio - Flute, Oboe & Clarinet - or [1110-0]

Quartet - Flute, Oboe, Clarinet & Bassoon - or [1111-0]

Quintet - Flute, Oboe, Clarinet, Bassoon & Horn - [or 1111-1]

Brass Instrumentation Codes

Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:

Description

Price

CoplandFanfare for the Common Man [343.01 w/tympani]Item: 02158

$14.95

The bracketed numbers tell you how many of each instrument are in the ensemble. The first number stands for Trumpet, the second for Horn, the third for Trombone, the fourth (separated from the first three by a dot) for Euphonium and the fifth for Tuba. Any additional instruments (Tympani in this example) are indicated by a "w/" (meaning "with") or by using a plus sign.

Trumpet Horn Trombone . Euphonium Tuba

Thus, the Copland Fanfare shown above is for 3 Trumpets, 4 Horns, 3 Trombones, no Euphonium, 1 Tuba and Tympani. There is no separate number for Bass Trombone, but it can generally be assumed that if there are multiple Trombone parts, the lowest part can/should be performed on Bass Trombone.

Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

Brass Duo - Trumpet & Trombone, or [101.00]

Brass Trio - Trumpet, Horn & Trombone, or [111.00]

Brass Quartet - 2 Trumpets, Horn & Trombone, or [211.00]

Brass Quintet - 2 Trumpets, Horn, Trombone & Tuba, or [211.01]

Brass Sextet and greater - No Standard Instrumentaion

People often ask us about "PJBE" or "Philip Jones" instrumentation. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. It consists of the forces 414.01, and often includes Percussion and/or Tympani. In addition, there are often doublings in the Trumpet section
- Piccolo and Flugelhorn being the most common. While this instrumentation has come to be common, it is still not "Standard" as many Brass Dectets use very different forces, most often with more Horns than PJBE.

String Instrumentation Codes

Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:

Description

Price

AtwellVance's Dance [0220]Item: 32599

$8.95

These numbers tell you how many of each instrument are in the ensemble. The first number stands for Violin, the second for Viola, the third for Cello, and the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual 2110.
Titles with no bracketed numbers are assumed to use "Standard Instrumentation." The following is considered to be Standard Instrumentation:

String Duo - Viola & Viola - [1100]

String Trio - Violin, Viola, Cello - [1110]

String Quartet - 2 Violins, Viola, Cello - [2110]

String Quintet - 2 Violins, Viola, Cello, Bass - [2111]

Orchestra & Band Instrumentation Codes

Following some titles in our Orchestra & Band catalogs, you will see a numeric code enclosed in square brackets, as in these examples:

The bracketed numbers tell you the precise instrumentation of the ensemble. The system used above is standard in the orchestra music field. The first set of numbers (before the dash) represent the Woodwinds. The set of numbers after the dash represent the Brass. Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part (first violin, second violin, viola, cello, bass). Other Required and Solo parts follow the strings:

WoodwindsâBrass, Percussion, Strings, Other

Principal auxilary instruments (piccolo, english horn, bass clarinet, contrabassoon, wagner tuba, cornet & euphonium) are linked to their respective instruments with either a "d" if the same player doubles the auxiliary instrument, or a "+" if an extra player is required. Instruments shown in parenthesis are optional and may be omitted.

Example 1 - Beethoven:

[2,2,2,2-2,2,0,0, tymp, 44322]

The Beethoven example is typical of much Classical and early Romantic fare. In this case, the winds are all doubled (2 flutes, 2 oboes, 2 clarinets and 2 bassoons), and there are two each horns and trumpets. There is no low brass. There is tympani. Strings are a standard 44322 configuration (4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass). Sometimes strings are simply listed as "str," which means 44322 strings.

Example 2 - Jones: (concert band/wind ensemble example)

[2+1,1,3+ac+bc,2,SAATB-2+2,4,3+1,1, tymp, percussion, double bass]

The second example is common for a concert band or wind ensemble piece. This ficticious work is for 2 flutes (plus piccolo), 1 oboe, 3 clarinets plus alto and bass clarinets, 2 bassoons, 5 saxes (soprano, 2 altos, tenor & bari), 2 trumpets (plus 2 cornets), 3 trombones, euphonium, tuba, tympani, percussion and double bass. Note the inclusion of the saxes after bassoon for this band work. Note also that the separate euphonium part is attached to trombone with a plus sign. For orchestral music, saxes are at the end (see Saxophones below. It is highly typical of band sets to have multiple copies of parts, especially flute, clarinet, sax, trumpet, trombone & percussion. Multiples, if any, are not shown in this system. The numbers represent only distinct parts, not the number of copies of a part.

Note: This system lists Horn before Trumpet. This is standard orchestral nomenclature. Unless otherwise noted, we will use this system for both orchestra and band works (in most band scores, Trumpet precedes Horn, and sometimes Oboe & Bassoon follow Clarinet). Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.

Saxophones, when included in orchestral music (they rarely are) will be shown in the "other instrument" location after strings and before the soloist, if any. However for band music, they are commonly present and therefore will be indicated after bassoon as something similar to "SAATB" where S=soprano, A=alto, T=tenor and B=baritone. Letters that are duplicated (as in A in this example) indicate multiple parts.

And finally, here is one more way to visualize the above code sequence: