Commissioning for Attention Part 1 – Read Me!

I’ve just presented at MIPTV on the theme of ‘commissioning for attention’, a phrase I’ve been using for a while to describe what I do at Channel 4 Education. I hate phrases like ‘360 content’ or ‘multiplatform’, as these encourage people to get hung up on technology or to have a box-ticking mentality to where ideas can exist, rather than really focusing on users and understanding what they’re doing. We’ve learnt a lot from running projects like Yeardot, Battlefront and Routesgame over the last 18 months, so I thought I’d write up some notes on this blog from the presentation.

But before that, these ideas have been massively influenced by friends working in game design, agile website design or service design. Narrative media is still (outside of gaming) light-years behind the curve compared to the work going on in these disciplines, so a lot of the time I’m trying to act as a translator – taking concepts and ideas from more functional design disciplines into narrative/editorial contexts. When I speak to indies or producers, there’s a set of blogs/presentations that I tend to refer them to, so I thought i’d start by sharing this reading list:

If it doesn’t spread, it’s dead – Henry Jenkins
This is an incredible series of 8 blog posts, from a report commissioned by a consortia of US media producers. In this series, Jenkins elegantly skewers some of the terminology and assumptions in discussion of ‘viral’ media, and proposes a new set of concepts that beautifully illustrates how people share and participate in social media. In particular, he’s really insightful on the interplay between the commercial world of commodity media and the ‘gift economy’ of users’ social networks, and how ‘spreadable’ media works in the overlap between the two.

Tiny Social Media Objects – Jyri Engestrom
Jyri explains how social sites have at their core a ‘social object’ – eg photographs, music, second-hand goods – around which users congregate and act. The loveliest part of this presentation is his recommendation to start your site by defining its social object, and then to think about the verbs that people will apply to them. Eg in Ebay, the objects are second-hand goods, and the verbs are ‘buy’, ‘sell’ etc.

Native to a web of data – Tom Coates
Slightly earlier than Jyri’s presentation above, this is a fantastic clear and articulate presentation of how to design projects as flows and visualisations of data, rather than documents and sites. Tom elegantly reframes designing for the web using an ecological data model – design to create good, clean reusable data, that other services and users can benefit from.

Designing for the coral reef – Matt Jones/Matt Biddulph
This is a hilarious transcript from the Dopplr team’s talk at Dconstruct last year. I don’t think you had to be there to get the jokes, or to imagine what the slides were, as their descriptions are pretty good. In this talk, they’re building on some of the ideas that Tom Coates used in ‘Native…’ and bringing in Matt Jones’ interest in time/space and how you tell stories to people about their activities over time. But the great insight for me here is in designing a project so that users can engage through lots of different access points, not just a monolithic site. Matt uses a great analogy with a coke bottle – “Martin Lindstrom said, “The genius of a coke bottle is when it smashes into a thousand pieces, you still know it’s a coke bottle”. Designing your project so that its still recognisible from a fragment as it is whole is a lovely challenge.

Putting the ‘fun’ into ‘functional’ – Amy Jo Kim
My fellow commissioning editor – Alice Taylor – saw Amy give this presentation at GDC (I think) a few years ago (the link above is to the 2009 edit). Many of the design and interaction metaphors we use from the web were inherited by traditional software design, mainly from productivity software like Office. In this presentation, Amy looks at interaction concepts from game design – such as collecting, points, feedback and customization – and shows how they can be applied to social software design.

Copy as Interface – Erika Hall
I’ve not seen Erika give this presentation, but its so fantastically clear and well designed that you can get the gist of it through the presentation alone. Erika demonstrates how the web is largely navigated and understood by users via text, and how the kind of language used on web 2.0 sites relate to oral vernacular (paging Walter J Ong!), rather than more formal professional language. This is just a great presentation to give to people who think their site is about shiny flashy images or video. Its not. The cheapest and most effective thing to get right in a project is its ‘voice’ – the language and style you use in the text of the site and your other interactions with the user (email, twitter, etc).

Everything you know about ARGs is wrong – Dan Hon
As a pioneer in the world of ARGs (Alternate Reality Games) Dan has earned the right to call the top of the market, and skewer some of the cliches and lazy assumptions about audience interaction that have built up around the genre. Anyone that can show a presentation slide saying “WE SUCK” in 40pt type to an audience of peers and get away with it must be doing *something* right…

And here’s a couple of more specialised presentations that I also recommend:

Content is not King – Andrew Odlyzko
Working in the content industry, its really hard to get people to understand that historically, social technologies have been more commercially successful than content technologies. Social media is potentially the first space that mixes the two (as Jenkins illustrates in his work on gift economies and commodity culture in “if its spreads…”) but most people coming to social media from broadcast forget this, and see these networks as pipes to shove content through. Odlyzko’s essay starts with a plain assertion of fact – “The Internet is widely regarded as primarily a content delivery system. Yet historically, connectivity has mattered much more than content” – and then proceeds to show why this has been true for every communication network since the telegraph. Written in 2001 at the cusp of the dotcom boom, he calls out the telcos who convinced themselves they were in the media industry rather than the ‘dump pipes’ comms market, and points out that the real money is in facilitating gossip, not commissioning ‘rich media’. Replace the comms companies with todays social media stars, and its still true.

Startup Metrics for Pirates – Dave McClure
Containing some of the most bafflingly designed slides I’ve ever seen, I think I understand just enough about McClure’s presentation to know he’s a genius. I saw him give a version of this presentation at Seedcamp in London last year, and it nailed an issue I’d been struggling with for a while – how to create a simple metrics model for complex interactive projects. His one-page buisiness plan (slide 11) is a masterpiece of clarity and simplicty, elegantly allowing you to track complex user behaviours with just 9 metrics. I’ve adapted the categories, but kept the same logic and purpose in our metrics models for Channel 4 Education. The real insight here is getting people to use the same set of metrics for both reporting and agile design. This is obvious for geeks, but for TV people raised on Overnight Ratings that happen after the project is put to bed, its a revelation.

So – that’s it for influences. Over the next few days I’ll write up some of the ideas and concepts that we’re using in commissioning at C4 Education.

11 comments

btw, the “1-page business plan” can have any # of rows/columns, depending on your customer segment(s) (= columns) and the notable conversion events you want to track (= rows). the main idea is to just try and get it simple enough to fit on one page, and then prioritize the boxes so you can focus your efforts.

Matt, thanks for the great post. Really loving working through the links (time-consuming too!). I’m coming at this from the other end, a marketer interested in how brands can get better at telling stories accross lots of different spaces. Are there any brands that you would say, as a storyteller, are particularly good at the art of narrative?