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Why Cellists (and Musicians in General) Hate Pachelbel’s Canon in D

Ah, Pachelbel’s Canon in D. It’s a staple at weddings. It’s almost always found on “relaxing classical music” playlists. It can even be heard during the holidays both in its original form and as incorporated into Trans-Siberian Orchestra’s Christmas Canon.

It is perhaps one of the most famous baroque pieces that almost anyone – classical music fan or not – can hum without help. And yet, it is also one of the most hated by musicians themselves, particularly cellists. But why?

That Terrible Bass Line

Pachelbel’s Canon, as it is commonly known, is one part of his Canon and Gigue for 3 violins and basso continuo. In simple terms, a canon is similar to a round – like Row, Row, Row Your Boat. Typically, one instrument or voice starts the melody and other parts then join in. Unlike a round, however, the parts in a canon don’t have to be exactly identical.

Pachelbel uses the techniques of the canon with 3 voices engaged in the “round”. He adds a basso continuo (bass line) which is independent – making the piece more of a chaconne than a canon. This bass line is the cello part. The same 8 notes that repeat throughout the entire piece with no variation. This is why cellists cannot stand playing this piece. As everyone else in the room enjoys the lovely sounds of the canon, the variations of the melody that travel through the violins and viola, the cello is stuck playing the same two-bar line – one that is so simple it can be played by beginning students. Musically speaking, this is definitely not challenging or fun for cellists.

…or is it? The Piano Guys have a wonderful rendition of Pachelbel’s Canon that plays on this common cellist complaint and takes the piece to new heights.

Incidentally, I describe the bass line as the cello part, but it can be played by other instruments (as is the case in wind ensembles).

It’s Overexposed

It’s not just the bass line that is played over and over again. The entire piece itself seems to be overplayed. Weddings, parties, relaxing CDs, holidays, etc. It’s everywhere.

In addition to its original form, the piece’s chord progression can be heard in numerous other places including in popular music. Green Day’s Basket Case, Oasis’ Don’t Look Back In Anger, and Vitamin C’s Graduation are all based on the same chords. Some songs even incorporate samples of the original, as is the case in Coolio’s C U When You Get There.

One could argue that that’s evidence of the simple genius of the piece. Comedian Rob Paravonian would disagree with that.

There Are Many, Many Better Pieces

Perhaps one of the most common reasons musicians give for why they dislike (or even hate) Pachelbel’s Canon is because there is plenty of “better” classical music out there to choose from. One Google search for “relaxing classical music” or “classical wedding music” will return numerous options that are NOT the famous canon. Debussy’s Clair de Lune, Bach’s Jesu, Joy of Man’s Desiring, and Elgar’s Salut d’Amour just to name a few.

Musically, Pachelbel’s Canon also doesn’t offer much. For those who were taught to listen closely to minute details in music, the piece falls far short from anything written by Bach, Mozart, and Beethoven. It’s unsophisticated and highly redundant.

But its simplicity is effective. The unvarying melody at the root of the composition and the repeating basso continuo line are designed to sustain a mood. Unlike other pieces that use a chord structure that gives the music forward momentum (dynamic harmony or chord progression), Canon in D uses a chord structure that does not vary much (static harmony). So unlike music that creates moments of tension and relaxation to tell a story, the canon’s repeating chords serve to prolong the same calm feeling throughout the entire piece.

When It’s Played Badly, It’s Awful

Because the piece is so well-known, mistakes and intonation issues stick out like a sore thumb. One lazy performer – including the musician falling asleep while playing the bass line – can ruin the entire piece.

So while the piece may be the bane of your existence for any of the reasons mentioned above, if you have to play Pachelbel’s Canon, be sure to play it well and in-tune or everyone will notice.