Beyond Klimt

New Horizons in Central Europe

1918 marked the end of a golden era: it was the year that Gustav Klimt, Egon Schiele, Koloman Moser, and Otto Wagner died. Artistic activity, however, had already freed itself of their influence. Hardly affected by the political disruptions taking place, artists in the countries of the former Austro-Hungarian monarchy were busily productive, driven by a desire for a new start.

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The period between the two World Wars is characterised in the arts by international networks that transcended political and ideological borders. A lively artistic exchange took place, stimulating Constructive, Expressionist, and Surrealistic tendencies. An increasingly important role was played by magazines that disseminated new positions. The outbreak of World War II abruptly interrupted these cosmopolitan art networks. This publication examines the fascinating, artistically fruitful epoch between the wars.

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