interview with Thomas Carli Jarlier | noire ink, france
14/09/2017

Hello Thomas Carli! Thanks so
much for taking the time to answer some questions for our readers.

Q: Please start by telling us something about yourself and
what inspired you to start tattooing?
A: I was lucky to be raised in a family where artistic activities
were an important part of life, my mother is a painter and she
encouraged me to draw since I was young. She gave me a permission to
get a full sleeve when I was 16 and I think by working and tattooing
I have proved that I was quite serious about it at that time! I grew
up in the depths of French countryside, so I had all the time in the
world to do what I liked - and I chose drumming and drawing, and I
was on it 24/7 - I have never really partied or drank when I was a
kid. I was able to catch up with all the party drinking thought when
I went to a music college in London :) but that lifestyle was not
really for me, one year of it was enough, then I got professionally
into tattooing.

Q: Was it hard to learn the basic skills of tattooing? Did
anyone help you?
A: Of course it is a constant battle to learn and master new skills,
you never stop learning in tattooing, sometimes you spend sleepless
nights thinking about how to improve or make up a new technique.
Overall it has to be a passion, otherwise it is impossible to
advance and get better. I learned most things by myself, by trial
and error. The rule is - you do ruin a few pieces in the beginning
before you understand the basics. Every artist, even famous, has a
piece or two from their early days that they are terribly ashamed
of! My advice for young artist - talk with different experienced
artists, read magazines and forums about techniques, keep searching
for and absorbing all the information you can get!

Q: Something that I find fascinating about your style is the
depth in your tattoos. Such a beautiful balance between black and
white ink, that makes every tattoo really special, even when the
tattoo is fully healed. How much the knowledge of tattoo ink is
crucial? You can point out some important aspects.
A: Thank you for your kindness: understanding ink is important, but
also skin, how it acts with different needles, depth of ink
deposition, shades you are using, machines, etc etc. For me pure
black ink is the cornerstone of any tattoo in black and grey. If the
blacks are correctly deposited and well saturated, it will heal well
and stay contrasted.

Q: What details are the most challenging
to work on when it comes to portrait tattoos?
A: I find that understanding the anatomy of the face, skull, muscles
is a key to a good photo realistic portrait. If you see where the
light hits the skin, where the shadows fall, how deep they are - you
will be able to keep good balanced proportions. I first thought
about it when I read about the works of Da Vinci - he was actually
dissecting corpses to understand every bump and pit on the body and
was sketching body parts in different positions.

What can be even more challenging then a portrait itself, is
tattooing an image of a hand or hands (that can be a part of a
composition with a portrait). Keeping perfect proportions of hands
and fingers on the design is a key here.

Q: The Mr.Bean tattoo...ah so awesome! It brings a lot of
childhood memories! :) I love the two images of him mixed in one
beautiful piece. I see the beautiful mixture in other tattoos too.
How do you develop your basic ideas to the final one, do you use a
sketchbook? Tell me about the making process.
A: Thank you, it was one of the funniest pieces. He is my hero. I
use photoshop a lot to create compositions, and also different
brushes, many of which I make myself. Usually I find the right
images and then spend time arranging and modifying them until the
composition is balanced.

Q: Do you negotiate with your clients when
it comes to the ideas? Would you refuse to tattoo one design couple
of times?
A: I think it is very important to have a thorough discussion with
the client before booking, to make sure that the client is happy
with what you can propose them and also to make sure you will be
proud of the tattoo in the end of the session - if you are not happy
about the piece you are tattooing - the emotion will simply be
conveyed in it. To be honest I'm quite selective (the right word is
probably "annoying" haha:) when it comes to choosing images for the
base of the tattoo with the client because the better the picture is
the better the render will be on skin as you can put more details
and definition to the subject. I would never tattoo the same design
or even image more than once - you want the client to have a unique
piece, but also it would be boring to tattoo the same thing twice:)

Q: What are some of the biggest challenges about being a
professional tattoo artist? Would you change something about your
work? Do you have any progress idea that you look up to?
A: The main challenge is to stay true to yourself and not change who
you are no matter what happens. The industry will want you to fit
in, there will be haters, the envious - but if you stay who you are
you will get over it. Stay humble and learn, that's my recipe for
being happy professionally.

Q: Where are you locate now?
A: Our studio Noire Ink is located in Clermont-Ferrand France, in a
beautiful region where I was born.

Q: How much traveling and going on tattoo
events changed your perception when it comes to professional
tattooing?
A: It's definitely very important to go to conventions and meet
talented artists, exchange thoughts and knowledge with them, it
surely makes you grow. But it's also very important to remember the
primary motivation: you tattoo for your own clients, to make them
happy, but not to be appreciated by other tattoo artists. It's
destructive to the industry that some play the "popularity game" and
are in tattooing to manifest their personality/attitude: let's not
forget that we tattoo because we deeply like the whole process -
just like blacksmith is passionate about working with metal, glazier
- about glass, a tattooist - about the skin and ink. A convention is
a scene for your art, not for your ego. Well, the downside is, I am
usually one of the least well dressed people at events.

Q: Any motivational words for those who are starting out?
A: Take your time! Don't rush, it's very important. Be patient, in
the beginning you might need to spend 5 hours on an inch sized piece
(poor tattooed person - but hey, they chose to be your test subject)
to make it good, and as I said earlier, there is no way to succeed
without failing a few times. Just be passionate about the subject,
do it for the right reasons, again, because you love it. You only
have things to prove to yourself.