Even if they don't quite stick the landing, the Ramsay Brothers establish themselves as a duo to watch out for.

People are screaming, kissing, and hugging. They don silly garments and hats as they celebrate the New Year. Standing in the middle of the throng is Lindsey (Alex Essoe), as she scans the crowd in search of her husband, Jeff (Dylan McTee). She finds him outside, smoking a cigarette and avoiding Lindsey’s work friends. Their marriage is clearly fraught with tension and unspoken resentment for one another. Lindsey is the breadwinner; working at a bank to support Jeff, a failed athlete. Their language is clipped and strained. They appear to be in a marital rut. What doesn’t help matters is

Heather Graham's debut is certainly relevant, but still feels like there is another story waiting to be told.

Honey (Heather Graham) was raised to believe that her sexuality should never be addressed. As a child, she grew up being told by her father and her priest that having sex would ruin her life and remove the hope of ever finding true love. Years later, and she is working in Hollywood as an assistant to a sleazy, sexist actor - but she has dreams of becoming a writer. Undervalued and denigrated by her boss, she turns to an all woman’s seminar that focuses on the reclamation of her body as a source of empowerment, rather than of shame. She

Although an imperfect film, I, Tonya celebrates the imperfections of its leading lady with surprising emotional resonance.

If the year was 1994, and you were to turn on the TV, pick up a newspaper, or chat with friends and family, all discourse would be about the epic scandal known as Tonya Harding v. Nancy Kerrigan. Tonya, a lower-class figure skater from Portland, Oregon is suddenly entrenched in a social, not to mention legal battle to defend her name - a name that, until this point in time, did not really seem to matter. But after her triumph at U.S. figure skating, jettisoning her to the 1994 Olympics, she soon became a household name. Well, that and the

Transcending tropes of the genre, Call Me by Your Name is a wondrous feat in expressing emotions often left unspoken.

It’s a lazy summer somewhere in northern Italy. The year is 1983, and Elio (Timothée Chalamet) a seventeen-year-old musical prodigy lounges about his house, spending his time transcribing music or reading German poetry with his university professor parents (Michael Stuhlbarg and Amira Casar). Every year, though, his parents take in a graduate student for the summer, and much to Elio’s chagrin, in walks Oliver (Armie Hammer), the “usurper,” as Elio calls him. What initially begins as a contentious relationship between the two, Elio and Oliver bond over shared interests, sunbathing out by the pool, riding their bikes into town together.