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Mozart: Symphony No. 8 in D major, K48

This page lists all recordings of Symphony No. 8 in D major, K48, by Wolfgang Amadeus Mozart (1756-91) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

Recommendations

Penguin Guide

4 star

Penguin Guide

4 star

All recordings

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The second volume in Adam Fischer’s complete survey of Mozart’s symphonies with the Danish National Chamber Orchestra. This volume contains five of Mozart’s earlier and shorter symphonies composed c. 1767-1768.

“the resonant acoustic can soak up the oboes and horns in the tuttis. But if you want these symphonies on modern instruments, played with elan, sensitivity (not least in the exquisitely realised Andante of K43) and palpable sense of enjoyment, Fischer is your man.” Gramophone Magazine, September 2013

“These two discs of Mozart's first 10 symphonies offer a unique view of the composer's earliest years of apprenticeship as a symphonist.Ward and his orchestra show a sensitive response to the wealth of stylistic influences apparent in these works. Purists may question the inclusion of two of the symphonies, Nos 2 and 3, since neither work is actually by Mozart.The former is attributed to the composer's father, Leopold, while the latter is Mozart's orchestration of C F Abel's E flat Symphony, Op 7 No 3. However, when they're played with such engaging style and elegance as here, these two works add a further important dimension to Mozart's early symphonic output. Where J C Bach's influence is most powerful (Symphonies Nos 1, 4, 5 and 6), the NCO presents the music's contrasting thematic characters with fine clarity, balancing the music's beautifully transparent textures with appropriate lightness of touch. The inclusion of trumpets and drums in the next three symphonies (Nos 7, 8 and 9) announces the young composer's growing brilliance and stature. In these pieces, the NCO moves into a higher gear, revealing Mozart's potent originality, with powerfully dramatic tuttis and expressively sung andantes. Mozart made his first trip to Italy in 1770, and the symphony he wrote in Milan that year (No 10) shows his enthusiastic incorporation of Italian stylistic models. Here the NCO's deliciously spacious orchestral playing shows Mozart's ravishing originality, with dramatic opposition of gesture and instrumentation in the exuberant allegros and a beguilingly graceful slow movement that winningly displays a keen awareness of the composer's innovative touches. These are indeed splendid performances, admirably complemented by vivid recordings.” Gramophone Classical Music Guide, 2010