Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d

In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

Adobe Story CC Plus helps you stay on time and on budget with powerful screenwriting, reporting, and scheduling tools. Share projects and collaborate online. Use script metadata to edit video faster in Adobe Premiere Pro CC.

Get precise control of your sound with the Audio Clip Mixer in Adobe Premiere Pro CC. Adjust each clip independently for a perfect mix. Improved multicam editing makes working with multiple video angles easier. Sync entire bins of footage all at once using audio waveforms.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Feature film, "A Liar's Autobiography - The Untrue Story of Monty Python's Graham Chapman" premiered at the 2012 Toronto Film Festival. Direct from Toronto to Amsterdam animation producer, Justin Weyers, joins Adobe at IBC and shares his belief that only with Premiere Pro and After Effects was this epic animated feature able to become a reality.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

*Best viewed in HD* LAST MAN STANDING: A team of detectives called to investigate a dead body are surprised to find that the body is the caller.
-----
This is a 48 second teaser video of our entry for the SF 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend!
-----
More details at www.48hourfilm.com/sanfrancisco

An oft-overlooked issue in stereoscopic production is how the point of convergence relates to the viewing plane. Chris Meyer demonstrates adding 3D depth of field blur to the equation to create more realistic, easier-to-view scenes.

See how After Effects CS5.5 greatly eases the creation and control of stereoscopic camera rigs for 3D layers. Chris Meyer explains the resulting chain of compositions, including how to preview, where to add stereo footage, and what to render.

Learn how the new stereoscopic 3D camera rig plus resulting chain of compositions in After Effects CS5.5 are manipulated by the Stereo 3D Controls effect, including setting camera separation (inter-axial distance) and the convergence options.

The Stereo 3D Glasses effect has been updated in After Effects CS5.5, including better convergence and alignment options for correcting problem footage plus a wider range of stereoscopic viewing options. Color balance workflows are also explored.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.