Heya Movieha enthusiasts! Welcome to another podcastical adventure in which we invent the term "Woo-wah the ba-doo-dah" and Matt makes robot noises. We also talk about movies, and FINALLY get that new segment squeezed all the way into the podcast proper. Oh, and we have new music bumps to, thanks to producer extraordinaire Matthew Lockwood esquire. Meet you on the other side with our weekly grab bag of online...

Film icon Catherine Deneuve's first major role was as an umbrella shop sales girl in the 1964 Jacques Demy film The Umbrellas of Cherbourg. Now, nearly a half-century later (with a enormously successful career in between), she can be found playing the unappreciated wife of an umbrella factory owner in Potiche, the latest picture from François Ozon. Potiche is French slang for “trophy wife,” and it aptly describes...

A working theory: There is no script for The Hangover Part II. There is only a script for the first Hangover with white out on some of the verbs and nouns.
After their first unabashed gross-out out-grossed all other comedies ever made, writer/director Todd Phillips and writers Craig Mazin and Scot Armstrong dropped a deuce on such pedestrian concepts as “originality” and “character development” in favor of...

The epitome of form as message, the silent and sparse first seven minutes of director Kelly Reichardt’s Meek’s Cutoff quietly contrasts the brutality of life on the Oregon Trail in 1845 with lyric and beautiful glimpses of unspoiled American landscapes. The film’s fitting first spoken words, a Christian dinner prayer recited by a child, gracefully remind viewers of the Puritanical fire that helped fuel the...