Hammond EXP20 Expression Pedal Price: $155.00
This expression pedal is designed to control the volume of theXK-1, SK-1, SK-2, and XK-3C keyboards. The jack provided on the expression pedal plugs directly into the expression pedal connector on the XK-1, SK-1, SK-2, and XK-3C keyboards.

The Hammond SK1 is the first Ultra-Portable organ in its history, weighing in at just 15 pounds, and the first Hammond portable to feature a wide range of Extra Voices. The Drawbar section is a complete Hammond Organ with all the traditional features: Real Mechanical Drawbars, Chorus Vibrato, Touch-Response Percussion, and the most authentic Digital Leslie we have ever offered. Vx and Farf combo organ models are also available, as well as an assortment of fine classical Pipe Organ voices derived from our 935 Church Organ. Acoustic and Electric Pianos, Clavs, Accordions, Vintage String Synth, Wind Instruments and Tuned Percussion round out the specification. The SK2 model adds a second 61 note keyboard for added convenience-you may play the SK2 as a two-manual organ, or assign the Drawbar/Extravoice divisions to your choice of keyboard.

Hammond SK-1 73 Key Portable Organ Price: $2,395.00
The 61-note keyboard became the de facto standard for electric keyboards through its use on the first widely available electric keyboard instrument, the HAMMOND ORGAN, but the demands on todays players require a greater scope. A keyboardist today may jump from B-3 to Electric Piano to Clav in the same song, and if based in the Piano tradition, may find a 61 note keyboard limiting. The Sk1-73s 73 note Fatar keyboard provides the proper breathing room for a modern keyboardist, while retaining the superior feel, light weight and small footprint of the 61-note model. It is also the perfect ax for singer-songwriters and accompanists of all genres, due to its ability in shifting the keyboard response automatically between piano and organ-type feels.

Hammond Suzuki USA is pleased to announce the addition of another outstanding quality product to the Hammond product line, namely, the XK-3c keyboard. The XK-3c has been designed with the professional musician in mind. Built upon the outstanding features and astounding tone-wheel type sound found on the legendary XK-3 keyboard which is no longer being produced, our engineers have added many of the most requested advanced features and effects never before found on a Hammond keyboard of this price range.

"Out of the Box", the XK-3c is set up to be reminiscent of a very fine vintage Hammond B-3 Organ. However, the XK-3c allows you advanced and comprehensive control over all of the different features of a Hammond Organ. This allows you to mold your XK-3c into your "Dream Organ" which will sound and play exactly as you wish. Until now, technicians have commanded high prices to customize a B-3 to individual tastes-Now you have all of this control at your fingertips, in a simple interface. Oryou can just play your XK-3c without modification-either way the XK-3c is designed to be "mirror image" of a classic Hammond Organ.

Like the XK-3 keyboard, the new XK-3c can be used strictly as a single keyboard or expanded into a two-manual B-3 like organ when used in conjunction with either our innovative PRO or Traditional XK Systems.

Tone-WheelsThe new XK-3 C contains (96) independent oscillating digital tonewheels for accurate reproduction of the B3 sound. Importantly, this keyboard has full polyphony.

Vacuum Tube preamplifierThe XK-3 C is equipped with a vacuum tube preamplifier for warmth and rich overdrive. The overdrive circuit consists of two bands. Thus even if the sound is overdriven, you can still obtain purer harmonics.

Custom Tonewheel (and transistor) templates

There are a number of Custom Templates pre-loaded into the XK3C as follows:

B-Type

Real B3

This template is the classic B3 model. When purchasing a B3 you would maybe try three or four to find the best one of the bunch (they were all slightrly different from new- some great, some good, and some not so good)...well this is the best of the B3's

80s Clean

The 80s gave us sampling technology, and with it the 'clinically clean' 'Organ sound'. Basically take a Hammond B3, record it digitally, get rid of all of the grunge, noise and imperfections picked up in the sampled sound...hey presto... 1980s Hammond.

Noisy

Take an A100 and stick a couple of micrphones in front of the speakers..all that noise!, motor hum, leakeage..etc..etc. This is the sound most Hammond Clones try and replicate.

Mellow

Full Flats

Tonewheel generators are somewhat random, take out that 'randomness' and give each tonewheel a mathematical formula and this is the result. (Somewhat like a late 70s/early 80 Hammond Console/Spinet. e.g Concorde, Elegante, Aurora Classic.

More choices for independently voicing each of the 96 digital tone-wheels More authentic key-click and percussion Independent vibrato/chorus control for each manual Genuine Tube Preamp/Overdrive with 2 discrete tubes (12ax7/12au7) Addition of the B-3 Tone Control function

Advanced MIDI Master "real-time" controller functions.

Digital Tone Wheel The XK-3c's digital tone wheel generator is the latest generation Hammond engine based on the same principles as the vintage mechanical tone-wheel generator. The 96 digital tone-wheels are constantly oscillating and re-create the original Wow and Flutter. In the vintage Hammonds, the close proximity of the mechanical wheels produced an imperfection called "leakage" that came to be part of the original charm of the instrument. This effect has been recaptured and may be introduced incrementally into your personal sound setup. The XK-3c has full polyphony, and the keyboard has been updated to feel and play like a vintage B-3.

Every vintage B-3 has its own personality and voice, based on the age and condition of the mechanical tone-wheel generator. The XK-3c allows you to tailor the organ's digital tone-wheel generator to your own specification and further, to recall it in an instant. There are 5 basic tone-wheel sets: B-Type 1, B-Type 2, Mellow, Brite, and Saw., with variations of each. There are also further levels of control for the user who seeks a wider variation and customization of sound. Each of the 96 digital tonewheels can be individually voiced for volume, timbre, motor noise and leakage, and recalled as a complete custom setup.Note that these settings are not compiled effects, but are controls of the sound generators themselves.

Percussion Hammond's "Touch Response Percussion" is one of the hallmark features that made the B-3 's sound so distinctive and expressive. The sounds, the response and the controls are re-created to the exact degree on the XK-3c. Even the eccentricities and imperfections that grew to be highly desired are created anew. As with all Vintage B-3s, the percussion section's personality varied from organ to organ, and keeping in the spirit of the XK-3c, you are now able toadjust all the parameters to tailor the percussion to your taste.

Key ClickThe Vintage Hammond used a mechanical "Buss-Bar" system behind the keys, which triggered each note played. As this involved live electrical circuits being made, as the organ aged, a slight noise was heard every time a key was pressed (or released). Hammond engineers tried to rectify that imperfection, but as with so many of the other eccentricities of the Hammond, the effect grew to be highly desired, with some even adding modifications to enhance the keyclick. The XK-3c uses digital keying, but the key-click effect can still be had, with extensive control as to the volume, envelope and timbre of the click. The control goes further with the dynamic change of the click according to the drawbar's registration. The culmination of this is that the performance feel is much closer to a "buss-bar" keyboard, and the key-click can beset to your taste.

The Tone Generator of the Hammond Organ consisted of 96 tone wheels spinning at a constant speed. Each wheel had a notched surface that determined the pitch of the corresponding note. A magnetic pickup was positioned in front of each Wheel, which would "sense" the notches and produce a perfect sine wave at the exact pitch. In the XK3c, digital oscillators that are constantly playing providethe sine wave without moving parts.

Vibrato & Chorus The XK-3c features a newly-redesigned "Chorus Vibrato" section which flawlessly duplicates the effect of the original mechanical 'scanner" chorus vibrato of the vintage B-3. Also new are the independent keyboardsends for the Chorus Vibrato, just as on the vintage B-3.

Tube Pre-amplifier The XK-3c's tube pre-amplifier now has 2 actual vacuum tubes: a "12AU7" and a '12AX7". These tubes may be used by themselves, or in series to "warm" the sound, add a bit of grind, or crank it up to full rock overdrive. The tube/preamp section has a complete compliment of controls, including fine adjustment of thebias voltage in each tube.

Leslie The Leslie Speaker has always been the only choice for amplifying a Hammond Organ. With a rotating horn for the treble and a woofer firing into a rotating drum for the bass, the Leslie gives the Hammond organ a moving and unforgettable sound. The Leslie engineers have worked closely with Hammond (Both are owned by Suzuki Music) to come up with a new and improved Digital Leslie onboard the XK-3c that rivals the mechanical in sound quality.

All controls for the Leslie are mounted in the same area that you would find them on a B-3, and if desired, the classic "half-moon' switch may be added as an option. Further controls for the Leslie can be had in the form of a footswitch or on the toe-tab of the EXP-100F xpression pedal. All aspects of the Digital Leslie can be modified in the edit menu of the XK-3c, including Amplifier/Speaker type, rotation speeds andvirtual microphone positions.

Equalizer The Original B-3 had a tone control on its internal preamp that gently cut the high-end frequencies above 2khz. On the new XK-3c, that control is replicated in the equalizer section. This allows you to shape your sound from the mild classic Hammond to the full power of the B-3. In addition to this control, there is a three band Equalizer with parametric mid that lets you dial in your perfect tone.

3 sets of Drawbars The drawbars are the heart of the Hammond organ. They control the various harmonics that make up the Hammond sound. The further you pull the drawbar out, the louder that harmonic sounds. There are no "right" or wrong ways to set the drawbars. Keep moving them until you find a sound you like. There are three sets of drawbars that can serve as 2 independent sets plus manual bass when in single manualmode, or Upper, Lower and Pedal when used as part of the Pro or Traditional XK double manual system.

External MIDI control You can control external MIDI sources in real-time with the 5 assignable knobs and switches at the right hand side of the control panel. The XK-3c may be used as a master MIDI keyboard along with its natural organ sounds. You can set 3 zones for the Upper, 2 zones for the lower and 1 zone for the Pedal. Program, Bank, and continuous controller messages for all zones can be saved in a preset, and the real-time performance controls are always live. The XK-3c keyboard is velocity-sensitive. The onboard organ voices may be shut off, if desired, but they are alwaysavailable to mix with whatever MIDI instrument is played by the XK-3c; to make new and exciting hybrid sounds.

Preset-key In the same manner as the vintage B-3, one octave of keys with a reversed color scheme is used as presets. Unlike the vintage, these do not "latch" but have corresponding indicator iights. Also unlike the vintage there are 12 banks available. This makes for a total of 132 settings (12 banks x 11 preset keys) . Two of the banks are exact copies of the original B-3 factory settings (Church and popular). New to the XK-3c is the lockcombination-preset system, so you can avoid overwriting a preset that you did not intend to change.

Waterfall keyboard The XK-3c has a new design waterfall keyboard which has the same "feel" as a B3. The B-3's distinctive shallow contact point is also recaptured with the XK-3c. Giissandos and "squabbling" are now easier thanever. Those who normally playa vintage B-3 will feel right at home on the XK-3c.

Split & Manual Bass You can split the 51-note keyboard into "upper" and "lower" ranges, or have the lowest part of the keyboard serve as "manual bass". Yet another variation of the "manual bass" feature plays the "pedal" part on the lowest note played. With the keyboard spiit, this can mimic the characteristics of a two-manual and pedalperformance.

_x000D_ The Leslie 525 stationary speaker systems have been designed to amplify and enhance the sound of most keyboard products on the market today. It can also be used to add an additional channel to any Leslie speaker to facilitate multi-channel organs. These new Leslies feature a 300-watt RMS solid-state amplifier. It also contains five speakers: one 550-watt, 15” woofer, 2- 5 1/4” mid-range and 2 –1” tweeters which produces extremely clean highs and solid deep bass that you can actually feel. An-11pin Leslie jack as well as a ¼” Line Input jack are provided. This Leslie has been designed to be placed on top of any traditional Leslie speaker or in any remote position. You choose the location that gives you the best sound reproduction. The cabinet is available in a red walnut or oak finish.

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_x000D_ The Leslie 525 cabinet was designed to be placed on top of any traditional Leslie speaker such as 122XB, 771 or the new 971 leslie, or in any remote position. You can choose the location that gives you the best sound reproduction. The Leslie 525 cabinet is constructed of hardwood veneers and finished in a four- coat lacquer finish. If you desire true stereo separation in your musical performance use two 525's.

_x000D_The Hammond Pro XK System Lower Manual adds to the XK3 a full 61 note lower manual with 12 presets and built for the traveling Hammond B3 player who needs all the power of a B3 with easy and fast set up and transport.

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_x000D_The Hammond Pro XK System has at its heart, the Hammond XK3 Organ. The Lower Manual features 61 water fall keys and 12 reverse color presets - a Hammong Exclusive. The sturdy folding metal stand and bench can be easily assembled without any tools.

_x000D_The Hammond Pro line division are proud to introduce the XPK-100 Pedalboard. Simply plug it in, connect it to your keyboard via MIDI, and your ready to enhance your playing with bass lines provided by your foot, leaving your hands free to play melody and accompaniment. And, when used in conjunction with Hammond's XK-2 and XB-1 Drawbar Keyboards, the XPK-100 allows you to create a full blown Hammond Organ._x000D_Unique MIDI Setup:

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_x000D_In addition to a MIDI OUT port, the XPK-100 features two separate MIDI IN ports, thus allowing the easy use of two MIDI keyboards (see illustration) An ideal twin manual MIDI system.

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_x000D_Ideal for use with the Hammond XM-1 Drawbar Module and the XB-1 and XK-2 Drawbar Keyboards which are three part multi-timbral. Also suitable for use with many MIDI compatible keyboards

The model 122A is specifically designed for older Hammond Organs requiring a separate tone cabinet for sound reproduction, such as the A,B,C and RT models. It is identical to the Model 122xb, with the exception of having a 6-pin connector, and no ¼” or footswitch jack. Please refer to the Leslie Model 122xb for demonstration.

The Classic Leslie Speaker, made to Don Leslie’s “Original Recipe”, same as it has been since 1941. This two-speed speaker uses a traditional tube amplifier with a heavy duty driver in the horn and special design 15” woofer for the bass rotor. Connections are made via the 11-pin plug found on all modern Hammonds, and certain clones. For older Hammond models, adapter kits are available. A few concessions to modern times have been added, such as a ¼” “guitar cord” input, and a jack for a footswitch; thus eliminating the need for a bulky cable and “preamp box”.

The model 147a is specifically designed for single-channel organs with self-contained speaker systems, such as Hammond Organ model A-100 and spinet models such as M, M-2, M-100 and L-100. It is identical to the Model 122xb, with the exception of having a 6-pin connector, and no ¼” or footswitch jack. Please refer to the Leslie Model 122xb for demonstration.

_x000D_ Our new Leslie 2101 mk2, just like its predecessor, is a complete stand-alone Leslie unit. This versatile multiple channel Leslie can be connected to any keyboard or organ requiring an amplifier with a single channel or multichannel inputs. A newly design vacuum tube preamp and overdrive section, and advanced Digital Leslie simulator enhances the overall sound quality of this outstanding Leslie product. This unit contains two stationary channels, namely, left and right, and a rotary channel. Each of the stationary channels is powered by a new 75W RMS amplifkr and the rotary channel is powered by a 50 W RMS amplifier. This gives this Leslie a total output of 200 W RMS. An II-pin Voslie socket as well as W' Line inputs are provided for the Rotary channel and for the left and right stationary ch3lmels. The musician can adjust the slow and fast speed, the rise and fall time, as well as the brake time; plus, the settings can be saved. A MIDI terminal enables control of many of the Leslie functions from your organ or keyboard. Best of all, it maintains the traditional Leslie sound.

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_x000D_ NOTE: HAS NO POLE MOUNT WITHOUT THE OPTIONAL STANSD LSA21 ADAPTER

_x000D_ The Leslie 3300 has been designed with the professional touring musician in mind. This single-channel Leslie features a two-speed horn rotor utilizing our famous Ferro Fluid driver and a bass rotor with a massive 15” woofer. The Leslie 3300 is powered with an ear shattering 300-Watt RMS solid-state amplifier with a vacuum tube preamp. An 11-pin and 8-pin Leslie socket as well as a ¼” line input jack are provided. The Leslie 3300 can be connected to most electronic organs and keyboards on the market today. This Leslie is housed in a rugged-built cabinet with a high-impact black finish. The heavy-duty casters will make it a snap to transport to your next performance

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_x000D_ Model 3300 portable Leslie has been designed with the professional touring musician in mind. This single-channel Leslie features a two-speed horn rotor utilizing our famous Ferro Fluid driver and a bass rotor witha massive 15" woofer. The Leslie 3300 iis powered wiht an ear-shattering 300-Watt RMS solid-state amplifier with a vacuum tube preamp. This is the loudest, best sounding portable Leslie ever! Master volume, bass, mid-range, treble, horn level, and sub-woofer level controls are provided. Slow and fast speeds, rise and fall times and even brake time can be adjusted. A 11-pin and 8-pin Leslie socket as well as 1/4" line input jack are provided. the Leslie 3300 can be connected to most electronic organs and keyboards on the market today. A 1/4" line output jack suitable to drive an external sub-woofer is also provided.

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_x000D_ the Leslie 3300 is housed in a rugged-build cabinet with a high impact black finish. This will assure that your new Leslie will continue to look like new even after the most brutal road trips. the heavey-duty locking casters will make it a snap to transport the Leslie 3300 to your next performace. The Leslie 3300 has been designed to interface directly with Hammon's Portable B-3 organ, Traditional and Pro XK Systems, and Hammond's popular XK-1 and Xk-3 keyboards.

This foot switch can be programmed to control various functions on the XK-1, XK-2, XK-3, XK System, XE-1, XE-2, SK-1, and SK-2 keyboards. The jack provided on the FS-9H plugs directly into the Foot Switch connector on these keyboard products.

Part number FS-9H

Hammond SK1-88 Portable Organ Price: $2,995.00
The dilemma in designing a keyboard with both faithful and accurate Hammond Organ and Grand Piano voices lies in the keyboard itself. It seems destined for compromise-should it be organ-like, or weighted? Hammond has the answer in the unique keyboard 88 note Fatar keyboard onboard the Sk1-88, which is light enough for an Organists comfort, yet has the heft to satisfy any Piano Player. The Sk1-88 also automatically adjusts the depth of key contact making all playing comfortable The Keys are also shaped to allow traditional Hammond moves like sweep and glissando. Now the Pianist who always wanted to play Hammond can do so in comfort, and vice-versa for the Organist

All prices, descriptions, and specifications are provided with the intent of accuracy- however, Musiciansbuy will not be held liable for errors, omissions or misrepresentations and reserves the right to cancel any orders arising from such errors.