EYEHATEGOD To Kick Off European Tour Next Week; Second Leg Of North American Journey With Black Label Society And Corrosion Of Conformity Draws Near

The road dogs in EYEHATEGOD will return to Europe next week for a three-week stretch of headlining dates. Set to commence on June 19th in Stockholm, Sweden and draw to a close on July 14th in Vivero, Spain, the band’s latest overseas trek includes and handful of fest appearances including Hellfest, Dour Festival, Stoned From The Underground and more! From there, EYEHATEGOD will kick off the second leg of their North American tour supporting Black Label Society and Corrosion Of Conformity. Scheduled to begin on July 18th and conclude on August 11th, the journey will wind its way through nearly two dozen cities and includes an appearance at this year’s edition of Heavy Montreal. Later that month, EYEHATEGOD will return to Nevada for a set at Psycho Las Vegas. See all confirmed dates below.

EYEHATEGOD released their self-titled full-length in 2014 via Housecore Records in North America. The record broke the band’s decade-and-a-half gap since their previous studio album and marked their most successful release to date landing at #82 on the Billboard Current Album chart, #92 on the Top 200 chart, #26 on the Rock chart, #4 on the Hard Rock chart and #12 on the Indie chart upon its first week of release.

The band is celebrating its thirtieth anniversary this year. Stay tuned for special releases to be announced in the future. In the meantime, orders for EyeHateGod in North America can be placed via Housecore Records HERE.

“…they’ve come out swinging, armed with yet another of their often-renewed leases on life and still spoiling for a fight. That EyeHateGod exists at all is a miracle in and of itself, but the fact that it is so damn great is simply extraordinary.” — Pitchfork

“…in terms of consistency and sheer ‘fuck yeah!’-ness. this is right up there in that first tier of must have EYEHATEGOD platters.” — Metal Injection

“EYEHATEGOD play to their ferociously metallic strengths while never compromising their identity as swampy sludge-rockers, and the result is an album that’s equally impressive as it is brutal.” — Pop Matters