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this is even better than the version i heard. what, did you have a bout of melodic genius? i mean this is really commercial sounding--i mean that in a good way--all the way down to the instrumentation and production. one to be proud of, i feel.

Yup
But they're still on the hard drive! Plus, I have very good advice. Sam's been guiding me on the latest version. I think I beat the Loudness Wars guys with the last master. Thanks for your time, Mr Bass.

Beatles...
meet Jerry Reed meet Tears for Fears... Wish I could think like this, and write things that make such melodic sense and have such high levels of interest. Not a boring second here. You take risks. Bravo to you sir. Am looking forward to the finished version, you say there's work to do...

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I like the guitar tones you use. Swirling harmonies work well. Good message in the lyrics, although sometimes I think people who think they have the answer share it too often :-). Your work is always entertaining, Graham - this is no exception!

"Liverpool Bright"
is what it mostly is. You're right about people needing to shut up, but for every 100 lippy nits there's one with a viable plan for disposing of the Sargasso of Plastic. Thank you for listening, Philip.

The GE force is strong
Thanks to the SD and HATS evaluations systems, the latest mix is much better than this. I'll post it when this version has fizzled out, and I've had time to have a go at the drums. Thanks for popping in, Les.

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Almost like a Beatles mashup there are so many nods to the fab four :-) It has a real sense of time and place and uber appeal. It just rolls out so nicely. Like the balance and retro feel of the mix. Another very fine post, Graham. Thanks, Peter.

I can't help it
It's in the blood. I remember getting the shivers when I heard "Help" for the first time on on Radio Luxembourg. I didn't set out to do a Beatles pastiche, but that's the way it wrote itself. I'm most chuffed about the chord progressions, which give the illusion of going ever upward. Thanks for listening, Philip.

One - time British comic strip writer, now full - time teacher in the Bahamas. I've been waiting patiently for Apple to come up with Garageband since I had to abandon my Portastudio in the UK. ... [see more]