THE SCIENTIST

From his first design (the Glyph loudspeaker he brought to Monterey Pop in 1967), John Meyer has always taken a different approach to seeing — and hearing — the world. He introduced the concept of trapezoidal, arrayable enclosures in 1980 and borrowed technology from Stealth aircraft to put in his X-10 monitors. And when Megadeth, the Three Tenors, Carnegie Hall and the Sydney Opera House all use your products, you must be doing something exceptional.