3DS MAX VRAY MATERIAL TUTORIALS PDF

Friday, May 10, 2019

First learn 3D Studio Max, then start with Vray. It is an extension to 3DS Max, not a replacement! For example things like the material editor, creating and. Creating wall and tile materials in 3Ds Max was never easier. WALLS & TILES COMPLETE is the most advanced solution for arch-materials in. The basic material settings tutorial explains almost all mate- VRayMtl from the list. Double click or .. Open 3D studio max and start a new scene. Open the.

Of course we already have a library with predefined VRay materials. We can The picture to the right shows the look for both min/max values. It shows The other shaders will be partly much mor complex so the basics are an .. 3D embossing engraving (yes, they could do that already years ago by hand too) then. Explore NaDa Selim's board "vray 3d materials", followed by people on Pinterest. See more Textur More Corona Render, Vray Tutorials, 3ds Max Tutorials, Drawing vray materials, vray metal Material Library, Pro , 3ds Max, Pdf. resourceone.info Open up the file and . It contains all the settings that our Standard 3DS texture gives us and more.

Step 8 Now click the Go to Parent button and scroll down to the SuperSampling section of the material. Enable the Enable Sampler option and choose Max 2. It needs something like another object to reflect. Select Environment from the Rendering menu and set the Background Color to white. Close the Environment dialog box. Click the small empty quare button next to the Diffuse color, select Checker from the list, and click OK.

Step 12 Set the Tiling to 9 for both the U and the V. Set the W Angle to Assign the material to the plane object you jsut created Plane You can do this by dragging the material to Plane01 in a viewport, or by clicking the Assign Material to Selection button in the Material Editor.

Vray Material Setting for 3Ds max

Click the Show Map in Viewport button to display the material in the viewport. Step 13 Rotate the Perspective viewport and zoom in on the ball as shown in the screen shot. Press F9 or F10 to render the Perspective viewport and check out the results. We used the default lighting setup in this render, but if you do add lights yourself, and you want to make it more realistic, lower down the Refrection value to a minimum of 40 on the Maps rollout section of the Gold 24K material in the Material Editor.

Step 14 Silver looks similar to gold, so we can change the Gold 24K material to a silver material quite easily. Open the Material Editor and drag and copy the Gold 24K material to the material next to it and change its name to Silver. Feel free to link to this page of course! First learn 3D Studio Max, then start with Vray.

It is an extension to 3DS Max, not a replacement! For example things like the material editor, creating and manipulating objects, modifiers etc should all be familiar before trying to learn Vray. Startup settings It is important that you start the tutorial with exactly the same settings.

These settings also use the Vray frame buffer, the adaptive image sampler, no GI etc We also use the gamma 2. In the latest max versions the settings should be identical. You can also set output gamma to 1. Create a simple scene Simply create a cylinder with a teapot on top. Load a vray material Open the material editor, and in the first slot load a Vraymtl.

Assign it to the cylinder and the teapot, you'll see the color change in the viewport. Diffuse color In the material editor you can see all the basic Vray material properties.

The first one is also the easiest: diffuse color. This is simply the base color of your material. Duplicate the grey material and rename it 'teapot'.

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To change the diffuse color, click on the color swatch next to it and choose a color, for example a deep red. Assign the teapot material to the teapot in the scene. If you render, the teapot should now be red. Reflection color The next parameter is the reflection color. In some 3D programs there is a slider for reflection strength, well this is the same but it uses color values to set the reflection strength.

For now, choose a medium grey and hit render. You'll see that the teapot becomes reflective: it is reflecting the black environment and the grey cylinder and itself of course - note the teapot's handle is reflecting in its body. Reflections and environment As you can see, the reflections look a bit dull.

If you want nice reflections, you need something in your scene to reflect in the object. Instead of building a complete environment, there is a much easier way: hdri environment maps. Go to an empty slot in the material editor and click the 'get material button'. In V-Ray however. To do this.

Lower the fresnel IOR to increase the effect.

The fresnel IOR box will become available. Teapot 2 Duplicate the orange material. Change the diffuse color to a dark red. There is much confusion about this.

Play with the glossiness value to see what it does.

vray realistic Steel material tutorial

If you want to use adaptive subdivi- sion AA. But by using the glossiness parameter instead. This is the effect you get on real objects from very small bumps in the surface. The adaptive AA smooths outs much of the noise from the low subdivs. To create this effect in 3D.

The skylight will not generate highlights. Open the render set- tings dialog and go to the For now. Note that these highlights will only appear if you use lights in your scene..

At popular demand. Area shad- ter solution can be found ows. The noise will be enable the V-Ray stamp completely gone now. So reducing in the QMC sampler noise will not only im- settings. QMC settings: You render times. The QMC sampler set- tings give you an easy way to speed up test renders. In previous versions of V-Ray. A bet. Change the noise thresh. Note that creasing the subdivs will the QMC sampler set- not always help. Create a spotlight To see the effect of highlight glossiness.

In the spotlight settings. Render Render the scene. Turn down the skylight multiplier to 0. The white part on the teapot is the highlight glossiness. The highlight glossiness value becomes visible and is set to 1.

Unlink it! Press the L button next to the highlight glossiness parameter. A value of 1. Highlight glossiness linked By default.. Just try it. Set highlight gloss to 0. This is possible in V-Ray. Logically you would think that 1. This material looks like a standard max material with some highlights on it. This is true. Although you may like this material.

Highlight glossiness only If you want only the highlight glossiness to appear.

But take correctly. Delete the V-Ray Material Settings Make it visible in the viewport so you can Try the same map in the see if it maps the object other slots too. It works more or less the same way as the Irradiance map for calculating GI. The next section is about refraction 20 V-Ray Material Settings. When you check this box. They rarely look good. I will not explain these settings.

Create the test scene I suggest using the same kind of object as I did. A max teapot is not good now because the mesh has holes in it.

If you want. Open the render settings dialog and do the following: Start a new scene Open 3D studio max and start a new scene. Hit render.

Create materials Make a medium dark blue V-Ray material for the ground plane. A al and take a look at the high IOR means a lot of refraction parameters. For example all options available to light travels through air. As you and the ray gets bent can see. Refraction parameters Go to the white materi. Refraction color Render the image. Diffuse color Change the diffuse to black and render again. You will notice the object has a trans- parent look.

The result is pretty straightforward.

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The material you created now is the basic setup for clear glass in V-Ray. Refraction color Change the refraction color to pure white and render. The black regions are rays that get refracted to the environment color..

The result looks weird. VrayLightMtl The goal is to turn this box into a light source. Create a large. Create an environment The rendering looks very boring. An easy way to do this. Assign the material to the box and set the multiplier to 8. Click the get material button and choose VrayLightMtl from the list. Set the skylight multiplier to 0. Adjust skylight Hit render. You can clearly see the light is coming from our big box now. The contrast between very bright light and black environment is very good for rendering glass or metal like objects.

Also go want GI to pass trough trans- rendering this scene without to the irradiance map rollout parent objects. For that you leave the refractive now remember that you need GI caustics in the indirect To continue.

Try GI caustics On again. There will be more on caustics Because of this. If you now unable to pass trough the blurred now. In some cases increasing the max depth really helps to make your glass more realistic.

When rendering glass. To continue.

This also increases render time of course.. In col- ored environments the max depth effect will be more noticeable. Max depth Increase the max depth parameter in the glass material to To continue the tutorial..

But you get the idea.. This is one of the most time consuming settings.

Turn the glossiness back to Try a value of 0. Typical glass values are around 1.Viosat Paty. Although you may like this material.

Well fear not! To continue the tutorial.. Assign the material to the box and set the multiplier to 8. The shader for the tiles on the base is a simple vray material with a de-saturated texture in the diffuse and a noise map in bump. In some cases increasing the max depth really helps to make your glass more realistic.