AMC is an American pay televisionchannel that is owned flagship property of AMC Networks. The channel's programming, similar to that of FXM, primarily consists of theatrically released films, along with a limited amount of original programming. The channel's name originally stood for "American Movie Classics", but since 2002 the full name has been de-emphasized as a result of a major shift in its programming.[1][2]

As of July 2015, AMC was received by approximately 94,832,000 households in the United States that subscribe to a pay television service (81.5% of U.S. households with at least one television set).[3] In March 2015, Dish Network's Sling TV announced it would soon begin making AMC channels available to cord cutters, including AMC, BBC America, IFC, Sundance TV, and We TV.[4][5][6]

American Movie Classics, as AMC was originally known, debuted on October 1, 1984, as a premium channel. Its original format focused on classic movies – largely those made prior to the 1950s – that aired during the afternoon and early evening hours in a commercial-free, generally unedited, uncut and uncolorized format.[7] AMC was originally operated as a joint venture between Rainbow Media and cable television provider Tele-Communications Inc. (John Malone, who owned TCI and its parent Liberty Media, would launch another premium service—Encore, which also originally focused on older films, mainly from the 1960s to the 1980s – seven years later in April 1991). During its early years, it was not uncommon for AMC to host a marathon of Marx Brothers films, or show classics such as the original 1925 release of The Phantom of the Opera. In 1987, the channel began to be carried on the basic cable tiers of many cable providers.[7][8] By 1989, AMC was available to 39 million subscribers in the U.S.[8]

On December 1, 1990, AMC began operating on a 24-hour-a-day schedule. Beginning in 1993, AMC presented an annual Film Preservation Festival to raise awareness of and funding for film preservation. Coordinated with The Film Foundation, an industry group that was founded by acclaimed director Martin Scorsese, the festival was originally conceived as a multi-day marathon presenting rare and previously lost films, many airing for the first time on television, along with behind-the-scenes reports on the technical and monetary issues faced by those engaged in archival restoration. Portions of the festival were often dedicated to all-day marathons focusing on a single performer. During its fifth anniversary year in 1998, Scorsese credited the Festival for creating "not only a greater awareness, but [...] more of an expectation now to see restored films."[9] In 1996, curator of the Museum of Modern Art Mary Lee Bandy called the Festival "the most important public event in support of film preservation."[10] By its tenth anniversary in 2003, the Festival had raised $2 million from the general public, which The Film Foundation divided among its five-member archives.[11]

In 1993, Cablevision's Rainbow Media division became the majority owner of the channel, when it bought out Liberty Media's 50% stake in AMC; incidentally in August of that year, Liberty announced its intent to purchase the 25% stake in the channel that Cablevision held at the time, with the Turner Broadcasting System helping to finance the buyout that included an option for TBS to eventually acquire AMC outright.[12][13] The following year, Time Warner (which would later purchase rival Turner Classic Movies following the company's 1996 acquisition of the Turner Broadcasting System) also attempted to acquire at least part of Liberty Media's stake in AMC.[14]

In June 1995, AMC filed a $550 million breach of contract lawsuit against Turner Entertainment, which alleged that the company violated AMC's exclusive cable television rights to the pre-1950 Warner Bros. Pictures film library to broadcast approximately 30 times between July 1994 and April 1995, charging that Turner's objective in violating the contract was "to gain unfair advantage for the Turner Classic Movies cable network (which debuted in April 1994) at the expense of AMC."; Turner owns rights to the RKO Radio Pictures film library and licensed RKO's films to AMC in an output deal that was slated to last through 2004. Under the terms of the deal, AMC would obtain the RKO titles in exclusive windows.[15]

Around this time, General Electric/NBC owned a stake in AMC – which it divested in the early 2000s. From 1996 to 1998, AMC aired its first original series, Remember WENN, a half-hour scripted series about a radio station during the peak of radio's influence in the 1930s. The show was well received by both critics and its enthusiastic fans, but was abruptly cancelled after its fourth season following management changes at the channel (WENN was followed up by The Lot, which lasted for only 16 episodes). Despite a well publicized write-in campaign to save the series, the show was not renewed for its originally scheduled fifth season.

AMC logo used from 1998 to 2002.

One popular AMC program was American Pop! (originally intended as a preview of a new 24-hour cable channel),[16] which ran from 1998 to 2003 and featured movies from the 1950s and 1960s aimed at baby boomers (such as Beach Blanket Bingo and Ski Party). Of particular interest to movie completists were the segments that AMC played to fill out the timeslot (Saturday nights from 10:00 p.m. to 12:00 a.m. Eastern Time): classic movie trailers, drive-in movie ads and snipes (bits extolling viewers to visit the snack bar, etc.), along with music videos cribbed from movie musicals from the period.

For most of its first 18 years in existence, AMC provided uncut and uncolorized films without commercial interruption. Its revenue came from carriage fees provided by the cable providers that maintained carriage agreements with the channel. However, in 1998, AMC began accepting traditional advertising, incorporating limited commercial interruptions between films (its sister movie channel Romance Classics, which had launched only one year earlier, became an entirely ad-supported channel at that point).[17] By 2001, AMC had also incorporated commercial breaks during its movie telecasts.[18] As a result of this move, Turner Classic Movies became the only one of the two classic film-focused networks to present their films commercial-free.

On September 30, 2002, AMC underwent a significant rebranding, changing its format from a classic movie channel, broadening to a more general focus on movies from all eras[19] – as well as shortening its name to just the "AMC" abbreviation, and introducing a new logo (a rectangular outline with a lowercase and uppercase "aMC" text). Kate McEnroe, then-president of Rainbow Media, cited lack of subsidies from cable providers as the reason for the addition of advertising, and cited ad agencies who insist on programming relevant to their products' consumers as the reason for the shift to recent movies instead of just classics.[20] At the time of the format switchover, the company also attempted to launch a spin-off digital cable channel, AMC's Hollywood Classics, which would have required viewers to pay an extra fee to receive the channel. This commercial-free channel would have aired black-and-white classics from the 1930s through the 1950s that American Movie Classics had been airing up until its format changeover; however, the new channel never debuted.[20][21]

The network also gradually brought back original programming. In 2004, AMC aired its first reality series, FilmFakers; the show featured out-of-work actors who believed they were auditioning for a major role in a real movie, only to be told that they were the subject of a prank and no film actually existed. A New York Times article on the show said that "FilmFakers may go down as one of the meanest reality series yet."[22] From 2002 to 2007, AMC was a channel focused on American films partially classics as well as documentaries about film history such as Backstory and Movies that Shook the World.

On September 1, 2006, AMC officially became available in Canada for cable customers of Shaw Cable and satellite customers of Shaw Direct (formerly StarChoice), marking the first time the network was made available outside the United States.[23]

On May 31, 2009, during the second-season finale of Breaking Bad, AMC rebranded with the introduction of a new slogan, "Story Matters Here".[29] Later that year, the network premiered its second miniseries, The Prisoner. On January 4, 2010, AMC began airing infomercials on Monday through Saturday mornings from 6:00 to 9:00 a.m. Eastern Time; the Saturday morning infomercial block was eliminated after its March 25, 2011, airing as AMC added a Saturday block of western series and films the following week. 2010 also saw the premieres of Rubicon and The Walking Dead. While Rubicon was cancelled, The Walking Dead became an enormous success and has become the most watched scripted program in basic cable history.

On March 31, 2013, during the third-season finale of The Walking Dead, AMC unveiled a rebranding campaign with the new slogan "Something More", and inverted the logo from a rectangular outlined box to a solid gold block with the network's acronymic name retained in the center.[33] 2013 saw the channel's unscripted slate double with the additions of the unscripted series Freakshow, Immortalized, Owner's Manual and Showville, and the Breaking Bad discussion series Talking Bad.

Also in April, Rectify, which was originally developed for AMC, premiered on AMC's sister channel Sundance Channel to jump-start that network's emerging slate of original scripted programming. It was then followed by the July announcement that fellow sister channel WE tv had picked up another series originally developed for AMC for the 2012-13 development slate, The Divide, to series. During this timeframe, AMC had started to run marathons of certain shows and cross-promote programs from its co-owned sister channels.

In July 2013, the network announced that it had given series orders for two dramas: Turn: Washington's Spies (which premiered on April 6, 2014) and Halt and Catch Fire (which premiered on June 1, 2014). This marked the first time that AMC had four pilot orders picked up to series in the same cycle, the other two being The Divide and Low Winter Sun (the latter premiered on August 11, 2013, after the season premiere of the final season of Breaking Bad). The former two would both be renewed for second seasons while the latter two were cancelled after their first seasons. AMC would then pick up Into the Badlands up for a six episode first season[34] and Breaking Bad spinoff Better Call Saul for two seasons.

On October 9, 2014, it was announced that AMC would scrap its entire current and future unscripted slate outside Talking Dead and Comic Book Men.[35] This announcement came shortly after AMC took over the United States co-production of the sci-fi drama Humans from Xbox Entertainment Studios.[36] AMC Media recently bought the European media giant Chello Media from Liberty Global. At the end of October, it was announced that AMC had won the bidding war to air the miniseries The Night Manager.[37] In November, AMC Networks renamed the European MGM Channel to AMC.[38] In January 2015, the Asian MGM channel also became AMC as well. Also in January 2015, AMC announced that they would be airing the eight part miniseries The Making of the Mob: New York.[39]

Although movies remain an integral part of AMC's schedule, the network has garnered attention in recent years for its original series. The channel's first original series was The Movie Masters, which ran from 1989 to 1990; outside Remember WENN and Filmfakers, most of AMC's original programming prior to September 2007 consisted of film history-related documentary and review programs. The establishment of Mad Men in 2007, followed by that of Breaking Bad in 2008, has given AMC a reputation on par with premium cable networks HBO and Showtime, both of which rejected Mad Men before it came to AMC.[24] The channel also airs some acquired programs such as CSI: Miami and The Rifleman and shorts from The Three Stooges. Series programming, however, continues to occupy a limited portion of AMC's schedule.

In 1997, AMC launched Monsterfest, a popular week-long marathon of horror movies and thrillers that aired in late October. In the mid-2000s, AMC started a Monsterfest blog on its website,[44] which chronicled news on horror-related film and television productions. In addition, AMC presented "Fear Friday," a horror movie double feature on late Friday evenings. On September 26, 2008, AMC announced the launch of a new horror-themed movie marathon for its October schedule called "Fearfest" (which replaced Monsterfest); coinciding with this, the "Monsterfest" blog was renamed as the "Horror Hacker" blog.

AMC had typically aired a rotating lineup of five to six Christmas movies during the holiday season. In 2018, the channel will introduce a more extensive holiday lineup branded as Best Christmas Ever, running from November 26 to December 25, featuring a mix of popular Christmas and family films, along with other acquired specials. The schedule will include notable acquisitions from Warner Bros., including Elf, National Lampoon's Christmas Vacation, The Polar Express, and 12 Rankin/Bass specials (the films had been recent mainstays of Freeform's competing 25 Days of Christmas schedule, with Elf in particular having received extensive airplay and high viewership during the event), as well as other specials from DreamWorks Animation.[45]

1 Indicates the channel is still in existence, but currently operates as a basic cable channel.2 Star Channel was part of Warner Communications' QUBE interactive cable service, and was the precursor to present-day The Movie Channel.