Subject

Color

Price

Amare (Love)

$435.00

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Artist: Vassia Alaykova

Dimensions: 26" x 40"

Materials: Watercolor/gouache on paper, 2015

“I try to find a correlation between the present day and history, between reality and imagination, simplicity and complexity, order and chaos, science and art. On the canvas inside of the story, geometric shapes dance with organic ones creating a chaotic harmony." - Vassia Alaykova

Faience

$1,250.00

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From the Artist:

My “Material Matters” series examines the challenges of organizing textile fabrics into coherent collaged works. It plays against the usual association of fabrics as being pliable and focuses on their ability to form collages out of a multitude of prints and to create their own structural formations. It is a study of color, pattern and form using a non-traditional medium (fabric and stitching) to create fine art wall reliefs. The various printed and solid fabrics are the canvases with which I collage forms in a formal process to create a composition. The stitching helps to interconnect the forms by creating texture and marks on my "canvas"--similar to a painter using brush strokes to create marks in their paintings.

Dimensions: 32"W X 20"H

Biography and Story

"Thread, fabrics and yarn are my paints. Instead of brushstrokes, I stitch. My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look. The sewing machine is transformed into an artistic tool that I use to create contemporary art."

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center.

Beyond

Forest Buddha

$325.00

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Artist: Vassia Alaykova

Dimensions: 19" x 25"

Materials: White pen on paper, 2015

“I try to find a correlation between the present day and history, between reality and imagination, simplicity and complexity, order and chaos, science and art. On the canvas inside of the story, geometric shapes dance with organic ones creating a chaotic harmony." - Vassia Alaykova

Lodestone

$750.00

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From the Artist:

My “Material Matters” series examines the challenges of organizing textile fabrics into coherent collaged works. It plays against the usual association of fabrics as being pliable and focuses on their ability to form collages out of a multitude of prints and to create their own structural formations. It is a study of color, pattern and form using a non-traditional medium (fabric and stitching) to create fine art wall reliefs. The various printed and solid fabrics are the canvases with which I collage forms in a formal process to create a composition. The stitching helps to interconnect the forms by creating texture and marks on my "canvas"--similar to a painter using brush strokes to create marks in their paintings.

Dimensions: 18"H x 20"W

Biography and Story

"Thread, fabrics and yarn are my paints. Instead of brushstrokes, I stitch. My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look. The sewing machine is transformed into an artistic tool that I use to create contemporary art."

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center.

E42

Devonian Rock

$2,400.00

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Sharron Parker

"The shape of a piece might come from a bird's wing, the color from crystals under a microscope, a line from the sinuous edge of a pond meeting the shore, and the texture from the bark of a birch tree. I wish to celebrate nature, not to mirror it." - Sharron Parker

Devonian Rock is handmade felt from wool constructed delicately and uniquely from varying fiber art techniques. Written in Stone IV is the only of its kind.

Crossroads (Sold)

$1,700.00

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From the Artist:

My “Material Matters” series examines the challenges of organizing textile fabrics into coherent collaged works. It plays against the usual association of fabrics as being pliable and focuses on their ability to form collages out of a multitude of prints and to create their own structural formations. It is a study of color, pattern and form using a non-traditional medium (fabric and stitching) to create fine art wall reliefs. The various printed and solid fabrics are the canvases with which I collage forms in a formal process to create a composition. The stitching helps to interconnect the forms by creating texture and marks on my "canvas"--similar to a painter using brush strokes to create marks in their paintings.

Dimensions: 60"H x 31"W

Biography and Story

"Thread, fabrics and yarn are my paints. Instead of brushstrokes, I stitch. My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look. The sewing machine is transformed into an artistic tool that I use to create contemporary art."

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center.

Abstracted Figure 1

$4,000.00

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Colette Standish

Acrylic Collage on Canvas

Colette Standish's artwork presents the tensions that exist between opposites, centering around masculine and feminine, animus and anima. She uses the body as a point of reference, using blank space in the human form to evoke a spiritual presence and present the plane where tensions reside, at times invisible to the human eye. Her interactions with opposing forces cause her images to fragment offering a perceived balance and harmony of tension and the resulting discomfort.

Wild Crossings

$650.00

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Dimensions: 17" x 17"

Biography and Story

"Thread, fabrics and yarn are my paints. Instead of brushstrokes, I stitch. My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look. The sewing machine is transformed into an artistic tool that I use to create contemporary art."

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center.

Construction by Fragments

Untitled I, Around the World aka A-T-W 1957

$1,500.00

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Title

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fashion photographer, Gleb Derujinsky (1878-1975)

Museum quality archival prints made from negatives

Gleb Derujinsky's (1878-1975) photography is iconic of an era in fashion and photography. Derujinsky was one of the most sought after fashion photographers from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

"The expressive fine art print represents the absolute nucleus of my art and craft. Each print is a labor of love and a work of art that will beautify and energize any space. All color photographs are printed on fine art cotton rag paper with Ultrachrome K3 inks, all monochrome photographs are printed on fine art cotton rag with warm/sepia-tone pure carbon pigment inks. My materials and techniques are gold-standard in their class and my prints are an elegant accompaniment to any home, office, or boardroom. All Limited Edition prints are hand-signed in the lower right margin and numbered in the lower left. Please note that there are vast differences in viewing photographs on a computer display versus seeing fine art prints in person; only the latter method exudes the light, depth, texture, and delicate nuances of my photographs and the materials on which they are printed." - artist, Michael C. Gordon

Moonstruck

$950.00

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"Moonstruck" consists of layered brocades, metallic foil, cottons, wool roving and metallic foil on black velvet. It is machine quilted. The wood dowel goes through the sleeve attached to the back and is hung on nails.

Dimensions: 19.5"W x 27"H

Biography and Story

"Thread, fabrics and yarn are my paints. Instead of brushstrokes, I stitch. My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look. The sewing machine is transformed into an artistic tool that I use to create contemporary art."

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center.

Untitled V, Around the World aka A-T-W 1957

$1,500.00

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Title

Qty

fashion photographer, Gleb Derujinsky (1878-1975)

Museum quality archival prints made from negatives

Gleb Derujinsky's (1878-1975) photography is iconic of an era in fashion and photography. Derujinsky was one of the most sought after fashion photographers from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

"The expressive fine art print represents the absolute nucleus of my art and craft. Each print is a labor of love and a work of art that will beautify and energize any space. All color photographs are printed on fine art cotton rag paper with Ultrachrome K3 inks, all monochrome photographs are printed on fine art cotton rag with warm/sepia-tone pure carbon pigment inks. My materials and techniques are gold-standard in their class and my prints are an elegant accompaniment to any home, office, or boardroom. All Limited Edition prints are hand-signed in the lower right margin and numbered in the lower left. Please note that there are vast differences in viewing photographs on a computer display versus seeing fine art prints in person; only the latter method exudes the light, depth, texture, and delicate nuances of my photographs and the materials on which they are printed." - artist, Michael C. Gordon

Derujinsky I

$375.00

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Gleb Derujinsky's (1925-2011) photography is iconic of an era in fashion, photography and history. Derujinsky was one of the most sought after fashion photographer from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time and his eye for capturing human beauty in nature, mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

Written in Stone IV - SOLD

$3,000.00

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Sharron Parker

"The shape of a piece might come from a bird's wing, the color from crystals under a microscope, a line from the sinuous edge of a pond meeting the shore, and the texture from the bark of a birch tree. I wish to celebrate nature, not to mirror it." - Sharron Parker

Written in Stone IV is handmade felt from wool constructed delicately and uniquely from varying fiber art techniques. Written in Stone IV is the only of its kind.

Ruby Nights - SOLD

$3,300.00

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Sharron Parker

"The shape of a piece might come from a bird's wing, the color from crystals under a microscope, a line from the sinuous edge of a pond meeting the shore, and the texture from the bark of a birch tree. I wish to celebrate nature, not to mirror it." - Sharron Parker

Ruby Nights is handmade felt from wool constructed delicately and uniquely from varying fiber art techniques. Ruby Nights is the only of its kind.