David
Robert Jones (8 January 1947 – 10 January 2016), known professionally as David
Bowie,[2]
was an English singer, songwriter and actor. He was a leading figure in the
music industry and is considered one of the most influential musicians of the
20th century, acclaimed by critics and musicians, particularly for his
innovative work during the 1970s. His career was marked by reinvention and
visual presentation, with his music and stagecraft having a significant impact
on popular music. During his lifetime, his record sales, estimated at 140
million albums worldwide, made him one of the world's best-selling music
artists. In the UK, he was awarded ten platinum album certifications, eleven
gold and eight silver, and released eleven number-one albums. In the US, he
received five platinum and nine gold certifications. He was inducted into the
Rock and Roll Hall of Fame in 1996.

Born in Brixton, South London, Bowie developed an interest in music as a
child, eventually studying art, music and design before embarking on a
professional career as a musician in 1963. "Space Oddity" became his first
top-five entry on the UK Singles Chart after its release in July 1969. After a
period of experimentation, he re-emerged in 1972 during the glam rock era with
his flamboyant and androgynous alter ego Ziggy Stardust. The character was
spearheaded by the success of his single "Starman" and album The Rise and
Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread
popularity. In 1975, Bowie's style shifted radically towards a sound he
characterised as "plastic soul", initially alienating many of his UK devotees
but garnering him his first major US crossover success with the number-one
single "Fame" and the album Young Americans. In 1976, Bowie starred in
the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and
released Station to Station. The following year, he further confounded
musical expectations with the electronic-inflected album Low (1977),
the first of three collaborations with Brian Eno that came to be known as the
"Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed;
each album reached the UK top five and received lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones
with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and
Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He
reached his commercial peak in 1983 with Let's Dance; the album's title
track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie
continued to experiment with musical styles, including industrial and jungle.
He also continued acting; his roles included Major Jack Celliers in Merry
Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth
(1986), Pontius Pilate in The Last Temptation of Christ (1988), and
Nikola Tesla
in The Prestige (2006), among other film and television appearances and
cameos. He stopped touring after 2004 and his last live performance was at a
charity event in 2006. In 2013, Bowie returned from a decade-long recording
hiatus with The Next Day. He remained musically active until he died of
liver cancer two days after the release of his final album, Blackstar
(2016).

Bowie declared himself gay in an interview with Michael Watts for a 1972
issue of Melody Maker,[293]
coinciding with his campaign for stardom as Ziggy Stardust.[58]
According to Buckley, "If Ziggy confused both his creator and his audience, a
big part of that confusion centred on the topic of sexuality."[294]
In a September 1976 interview with Playboy, Bowie said, "It's true—I am
a bisexual. But I can't deny that I've used that fact very well. I suppose
it's the best thing that ever happened to me."[295]
His first wife, Angie, supports his claim of bisexuality and alleges that
Bowie had a relationship with Mick Jagger.[296][297]

In a 1983 interview with Rolling Stone, Bowie said his public
declaration of bisexuality was "the biggest mistake I ever made" and "I was
always a closet heterosexual."[298]
On other occasions, he said his interest in homosexual and bisexual culture
had been more a product of the times and the situation in which he found
himself than of his own feelings.[299][a]

Blender asked Bowie in 2002 whether he still believed his public
declaration was his biggest mistake. After a long pause, he said, "I don't
think it was a mistake in Europe, but it was a lot tougher in America. I had
no problem with people knowing I was bisexual. But I had no inclination to
hold any banners nor be a representative of any group of people." Bowie said
he wanted to be a songwriter and performer rather than a headline for his
bisexuality, and in "puritanical" America, "I think it stood in the way of so
much I wanted to do."[301]

Buckley wrote that Bowie "mined sexual intrigue for its ability to shock",[302]
and was probably "never gay, nor even consistently actively bisexual", instead
experimenting "out of a sense of curiosity and a genuine allegiance with the
'transgressional'."[303]
Biographer Christopher Sandford said, according to Mary Finnigan—with whom
Bowie had an affair in 1969—the singer and his first wife Angie "created their
bisexual fantasy".[304]
Sandford wrote that Bowie "made a positive fetish of repeating the quip that
he and his wife had met while 'fucking the same bloke' ... Gay sex was always
an anecdotal and laughing matter. That Bowie's actual tastes swung the other
way is clear from even a partial tally of his affairs with women."[304]
The BBC's Mark Easton wrote in 2016 that Britain was "far more tolerant of
difference" and that gay rights, such as same-sex marriage, and gender
equality would not have "enjoyed the broad support they do today without
Bowie's androgynous challenge all those years ago".[254]