Some Small Sculptures Rubbish that visitors leave behind them after visiting the Vigeland Park form the basis of Roddy Bell’s project Some Small Sculptures. Bell gathered the objects from around the Monolith, put them together on the site to form small groups à la still lifes, and then 3D scanned them with a camera. He used 3D modelling programs to further refine the scanned objects, before finally reproducing the sculpture groups by means of a 3D printer. Bell has thereby transformed the temporary, ephemeral objects found in the park to a more permanent material (PLA plastic), refined this material, and then exhibited the resulting in the Vigeland Museum. Dichotomies – that is, mutually exclusive opposites – are a key element for Bell in Some Small Sculptures as he investigates the relationship between the permanent and the temporary, between the kinetic and the static. He perceives the Vigeland Museum as representing stabile, enduring values, both aesthetic and financial, and he likewise portrays the park as a formal order. Conversely, the park’s multitude of visitors symbolizes mobility and transience, as exemplified by the use of trash they leave behind. Bell thereby challenges notions of art, materials, and values by putting an arranged selection of rubbish on an equal footing with Vigeland’s iconic sculptures.