"Readymades" were found objects which Duchamp chose and presented as art. In 1913, Duchamp installed a Bicycle Wheel in his studio. However, the idea of Readymades did not fully develop until 1915. The idea was to question the very notion of Art, and the adoration of art, which Duchamp found "unnecessary"[34]

My idea (Duchamp) was to choose an object that wouldn't attract me, either by its beauty or by its ugliness. To find a point of indifference in my looking at it, you see.[34]

Bottle Rack(1914), a bottle drying rack signed by Duchamp, is considered to be the first "pure" readymade. Prelude to a Broken Arm (1915), a snow shovel, also called In Advance of the Broken Arm, followed soon after. His Fountain, a urinal signed with the pseudonym "R. Mutt", shocked the art world in 1917. Fountain was selected in 2004 as "the most influential artwork of the 20th century" by 500 renowned artists and historians.[35]

Abstract

Rapid identification of behaviorally relevant objects is important for survival. In humans, the neural computations for visually discriminating complex objects involve inferior temporal cortex (IT). However, less detailed but faster form processing may also occur in a phylogenetically older subcortical visual system that terminates in the amygdala. We used binocular rivalry to present stimuli without conscious awareness, thereby eliminating the IT object representation and isolating subcortical visual input to the amygdala.Functional magnetic resonance imaging revealed significant brain activation in the left amygdalabut not in object-selective IT in response to unperceived fearful faces compared to unperceived nonface objects. These findings indicate that, for certain behaviorally relevant stimuli, a high-level cortical representation in IT is not required for object discrimination in the amygdala.

Can be seen using a test of Binocular rivalry the topic a research science of neurology.

Maybe the test used would have been more effective if would be replaced with a composition containing Di-biopic of Binocular rivalry stimuli, associated with the effects of fine art.

Dioptical-bioptical compositions ( third class ) belong to the chapter of aesthetics, which refers to artifacts pleasant and helpful.

Research findings published in Neuron, offer the prospect of a connection with the compositions of the third class.

From my studies revealed a possibility that the effects obtained (shown above) to be applied in psychotherapy.

This possibility is confirms that experts have given me a patent for a visual psychotherapy.

Of course this patent opens a prospect of recovery requiring further research.

A Lakatosian research programme is based on a hard core of theoretical assumptions that cannot be abandoned or altered without abandoning the programme altogether. More modest and specific theories that are formulated in order to explain evidence that threatens the 'hard core' are termed auxiliary hypotheses. Auxiliary hypotheses are considered expendable by the adherents of the research programme - they may be altered or abandoned as empirical discoveries require in order to 'protect' the 'hard core'. Whereas Popper was generally read as hostile toward such ad hoc theoretical amendments, Lakatos argued that they can be progressive, i.e. productive, when they enhance the programme's explanatory and/or predictive power, and that they are at least permissible until some better system of theories is devised and the research programme is replaced entirely. The difference between a progressive and adegenerative research programme lies, for Lakatos, in whether the recent changes to its auxiliary hypotheses have achieved this greater explanatory/predictive power or whether they have been made simply out of the necessity of offering some response in the face of new and troublesome evidence. A degenerative research programme indicates that a new and more progressive system of theories should be sought to replace the currently prevailing one, but until such a system of theories can be conceived of and agreed upon, abandonment of the current one would only further weaken our explanatory power and was therefore unacceptable for Lakatos. Lakatos's primary example of a research programme that had been successful in its time and then progressively replaced is that founded by Isaac Newton, with his three laws of motion forming the 'hard core'.

Henri-Louis Bergson (French: [bɛʁksɔn] 18 October 1859 – 4 January 1941) was a major French philosopher, influential especially in the first half of the 20th century. Bergson convinced many thinkers that immediate experience and intuition are more significant than rationalism and science for understanding reality.