Part 2 The Outsider Moves In

“Coming to Beirut was like coming to Disneyland but War Disneyland”

Part 3 A Raw Creation

“I didn’t want to be in a safe environment, and playing it safe.”

Part 4 Drinking From A Broken Glass

“I don’t have a drinking problem ‘cept when I can’t get a drink” -Tom Waits

Part 5 Get Me Out Of Me

“My art is all selfish. I use it as my therapy”

Majzoub has emerged as a herald from the midst of this war and post-war generation

—
Joseph Tarrab, Art Historian

Majzoub’s work presents a compelling commentary on the relationship of painter to public and public to world

—
Kirsten Scheid, Associate Professor of Anthropology, American University of Beirut.

The most thrilling characteristic of Majzoub’s art is without a doubt his ability to destabilize the viewer, transforming the visit to the gallery into a troubling sensorial experience.

—
Agail Gallery

Majzoub’s “outsider’s philosophy” challenges our preconceived ideas about the “deep play” between life and death, but also about the people’s passion to follow their creative impulses and, despite everything, to realize themselves through visual arts as exemplary human beings.