Case Number 06401

NYPD 24/7

Every purchase you make through these Amazon links supports DVD Verdict's reviewing efforts. Thank you!

All Rise...

Judge David Johnson isn't "blue" about this NYPD series.

The Charge

An inside look at New York's finest.

Opening Statement

Bad boys, bad boys, whatcha gonna do?

Facts of the Case

In 2002, ABC News approached the NYPD with a proposition. The alphabet
channel requested full access to the department for 16 months, with cameras
following beat cops and detectives through their daily routines. Filmmaker
Terrence Wrong was tapped to produce the special. Despite some hesitation from
senior police officials, Commissioner Ray Kelly approved the unheard-of access,
hoping to grant the public a more intimate view into the lives of the officers
and perhaps improve the department's image.

So the filming commenced, and the end product is this seven-episode series
(divided into two discs for the DVD release) titled NYPD 24/7. Each
episode runs a TV hour (read: about 45 minutes) and focuses on specific cops and
the cases they're working. Dennis Franz of ABC's now-retired NYPD Blue
hosts and narrates each episode.

The Evidence

So is NYPD 24/7 just a beefed-up version of COPS? That's a
question you might be asking yourself now. I'll admit I was wondering the same
thing getting into it. Simply put, each of these episodes is produced as either
straight narratives or profiles, neither of which Fox's real-life cops show
delves into. Plus, there's far less trailer trash in NYPD 24/7, which may
immediately turn some people off.

Let's just launch into a closer look at what awaits you on this disc:

• "Shawna Kunkel Stabbing" A top-shelf homicide
squad looks for a man who stabbed an unsuspecting businesswoman in her
apartment. This procedural episode has the team running into countless dead
ends, faulty witnesses, and a little bit of luck during their manhunt.

This is a good episode to kick off the series, and falls into the
"narrative" category. The details of a homicide investigation are
interesting, and the fact that this stuff is a lot harder than it looks
on TV is illuminating. These are often long slogs through tedium to track down
these scumbags, and are rarely resolved within a day. Good stuff.

• "Vic and Nicole" Lt. Vic Hollifield is in
charge of the first-response Emergency Service Unit, and Nicole Papamichael is
an undercover detective taxed with the unsavory job of pulling off prostitution
stings. The camera follows each officer on a typically atypical day.

Here we have two profiles of interesting characters. Hollifield is a
no-nonsense badass whose trademark is pulling over bad drivers and throwing
their keys. He is forthcoming about the effects of the job, and particularly,
the effects of 9/11 (which had happened just one year before this was filmed).
His comments are raw and moving; the next episode, which features him again,
gets deeper. Papamichael is another interesting character, a saucy brunette who
enjoys busting prostitution-seeking clowns. She can't hide her glee when she
brings down a couple of BMW-driving preppies who tried to negotiate fees with
her.

• "Vic and Alison" This episode is similar to the
previous one. Again Lt. Vic Hollifield is spotlighted, but his story is much
more compelling this time around and ends in a very bittersweet way. September
11 plays a meatier role in this episode as well. We meet another kick-ass female
cop, Alison Esposito. With her gravelly voice and brawling maneuvers—which
we see in quite jarring detail—she is someone that could send me to
Never-Never Land with ease. It's Vic's episode, though.

• "Romona Moore Murder" The brutal rape and
murder of a young black girl named Romona Moore, a case that made headlines,
collides with the NYPD's most decorated officer, Detective Mike Hinrichs, who
admits that this slaying is the worst crime scene of his career. Hinrichs and
his colleague pursue the demented bastards while the surrounding community
accuses the police of not trying hard enough to find Moore when her
disappearance was reported. This episode offers a balanced look at the cops and
the enraged community members, with each telling their own version.

This is the richest episode of the series, and the best. The investigators
go to Albany and Atlanta to find their perp, run into endless roadblocks, combat
fatigue, and must reconcile with the angry community. It blends the finest of
the profile and the narrative, and offers the most compelling and revealing look
into what these detectives face.

• "Orchard Street Murder" An unlucky guy is
killed after night of partying, and his best friend, who was with him, is one of
the prime suspects. Detectives try to unravel the case despite contradictory
testimonies and witness reports.

This is the lesser of the procedural installments, and it's anticlimactic.
But again, there's value in seeing this: Not all investigations are wild
successes.

• "Manhole Death and Crime Scene Unit" Detectives
find a bizarre crime scene: A man has fallen into an open manhole and has boiled
to death. Witness testimony conflicts—was it accidental or malicious?
Meanwhile, the Crime Scene Unit jumps from case to case to determine if odd
deaths are results of suicides or homicides.

This is the weakest of the bunch. The manhole death does little to intrigue,
and the Crime Scene Unit, while populated by interesting detectives, just
doesn't offer the fertile storytelling that other episodes have. Not to knock
what these folks do, but after 16 months of nonstop filming, I'm surprised this
made it to the top seven.

• "From the Boss to the Beat" Ray Kelly, the
police commissioner, gets the lens treatment this go-round, as New York City is
engulfed in a heightened state of terrorism tension. The warning level is up,
and people are still anxious from 9/11.

This is captivating stuff. This episode really brings back that feeling of
unease and vulnerability that I, at least, felt. Watching the cops cordon off an
entire city intersection to investigate a suspicious backpack is eye-opening.
After hours of preparation and crowd control, and after suiting up in bulky bomb
gear, it's revealed—of course—that the bag is harmless.

Overall, I'd say this series is a mixed bag. Some episodes just didn't
strike me as deserving to be part of the final culmination of a year and half of
filming, but the good stuff far outweighs the ho-hum. These detectives are
crushingly human, can make mistakes, work themselves silly, risk their lives
daily, and, unlike in the fictional world, do not always solve the case.

Cops aren't superheroes. But they are heroes.

On the technical end, NYPD 24/7 is serviceable. It's presented in the
original full-frame aspect ratio, with decent quality coming through. Sound is
an average mix of Dolby Digital 2.0 stereo. Extra are lamentable. A photo
gallery and some profiles are it, a shame considering the wealth of footage and
anecdotes that must have been produced.

Closing Statement

For an intimate look into a non-sensationalized police department, NYPD
24/7 is top dog. Yeah, some episodes are downers, but I suppose that might
be the point. But the extras? There's nothing to see here.