The audiovisual work EXILES I talks about the loss of meaning in a complex mode of in-dwelling, which blurs the lines between reality and fiction, producing helplessness, alienation and ambiguity, which, in turn, represent the conflict in our postmodern notion of the place. It creates a strange and ghastly scene, a disturbing picture, placing the viewer in real space, to transport them later into a drawn non-reality, caused by the alienation of the subject and its non-permanence anywhere.
The artwork represents an interaction with the urban environment, where the city is perceived as if it were a threatening area, extracted from a nightmare, a strange and sometimes hostile place, where the actress, unprotected in her nakedness, looks for and reveals a new sense of the urban space, while this space, on its turn, has been set by herslef.
The protagonist is an alienated being who lives dramatically the contrast between the isolation of her own intimate private world and the city ... in a fruitless attempt to seize the urban environment, to integrate into it. In her dream / nightmare, she tries to become familiar, to appropriate, to integrate into the space, in order to avoid this feeling of alienation and emptiness, knowing from the start that this attempt always will be doomed to shipwreck.