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Monthly Archives: September 2016

News

The Washington Center for the Book at The Seattle Public Library announces the finalists in eight categories for the 2016 Washington State Book Awards for outstanding books published by Washington authors in 2015. Congratulations to our finalists Ana Maria Spagna (Reclaimers; Biography/Memoir) and Ruth Kirk (Ozette; History/General Nonfiction). The winners in each category will be announced at the awards ceremony on October 8, 2016. Emcee for the evening is Frances McCue, twice a UW Press finalist for a WSBA (in 2011 for The Car That Brought You Here Still Runs and in 2015 for Mary Randlett Portraits). The awards celebration is free and open to the public.

University of Washington Press shares in the remembrance of Sarah Reichard, who died suddenly in her sleep on August 29, 2016. Dr. Reichard directed the University of Washington Botanic Gardens, was coeditor of Invasive Species of the Pacific Northwest, and advised UW Press on other projects. Read obituaries and details on the October 13th memorial celebration in the Seattle Times and Offshoots (blog of the UW School of Environmental and Forest Sciences).

Lory Widmer Hess reviews the biography on her Emerald City Book Review blog: “I was delighted to explore MacDonald’s life and work through Paula Becker’s thoughtful, painstakingly researched biography, and even more thrilled to see that University of Washington Press is going to be reprinting three hard-to-find later works by the bestselling author of The Egg and I: Anybody Can Do Anything, The Plague and I, and Onions in the Stew. . . . If you’re not a MacDonald enthusiast, you will be soon. . . . We can be grateful that Becker has preserved it for us in words, and has given us valuable insights into her world, her books, her family, and the writer herself.”

Steve Donoghue reviews the books at Open Letters Monthly: “A smart and immensely readable portrait, taking readers through MacDonald’s life. . . . Becker has combed every interview and profile, and her book veritably glows with MacDonald’s recaptured wit. . . . Thanks to Paula Becker’s exhaustive research and the compassionate, standard-setting book she’s shaped out of it, 21st century readers can meet a much fuller and more fascinating version of that complex, challenging, laughing woman. Readers of her books will still want to thank her, but thanks to Looking for Betty MacDonald, they’ll know her much better.” The Plague and I (“improbably funny. . . equally remarkable”) and Anybody Can Do Anything (“again improbably funny”) also get mentions.

In The Deepest Roots: Finding Food and Community on a Pacific Northwest Island, Kathleen Alcalácombines memoir, historical records, and powerful interviews in a charming and timely book that uses Bainbridge Island as a case study for thinking about our relationships with the land and each other. Alcalá meets Japanese Americans imprisoned during World War II, and learns the unique histories of the blended Filipino and Native American community, the fishing practices of the descendants of Croatian immigrants, and the Suquamish elder who shares with her the food legacy of the island itself. We spoke with Alcalá about the book, publishing this fall.

Kathleen Alcalá: In 2010, I wrote an essay about two couples I knew who left other jobs to go into farming. It turned out, each had a fascinating story and philosophy of life to go with that decision. Readers reacted so strongly, I realized I had touched on something fundamental, our relationship to the land, and how people yearn to strengthen that relationship. As a writer of historical, family-based fiction and essays, this was a topic about which I knew zilch. I thought. Then I realized that this was the basis of that family history: our relationship to the land. Understanding this is so important to our survival, and the survival of this island in particular, that I decided to pursue the topic with further interviews and research.

What would you have been if not a writer?

KA: Perhaps an architect, if I had the skills. I am a very visual thinker. I’m very interested in how people relate to their environment through built, or human-made intervention. Architecture is a form of shelter, but how close or how distant it keeps us from nature fascinates me. What the wealthy think they need versus what 90% of the world lives with is also interesting to me, in terms of the built environment. As resources become scarce, or we realize how toxic many of them are, we need to rethink how and where we live and build, so I guess there is some overlap here.

This National Hispanic Heritage Month (September 15-October 15), we wanted to share a selection from Erasmo Gamboa’s book Bracero Railroaders: The Forgotten World War II Story of Mexican Workers in the U.S. West, for a close-up look at the contributions of Hispanic and Latina/o Americans to the United States. The bracero program is better known for its contributions to agriculture, but there was another industry that benefited from bracero labor—the railroad. Over three hundred thousand Mexican laborers did unskilled “pick and shovel” work in isolated places to maintain the railroad tracks during World War II. While the men, who came to the United States as braceros, dealt with onerous regulations, indifferent or racist supervisors, unsuitable living conditions, and an unfamiliar culture and environment, the women they left behind also had their share of struggles. These women—wives, mothers, and sisters—had to navigate bureaucracies in the railroad companies and in both the Mexican and U.S. governments to advocate for themselves and the braceros.

Most historians have overlooked the manner in which women in México acted on behalf of their loved ones working temporarily in the United States. Unlike the case of Bahamian and Newfoundlander women and children who were permitted to accompany contracted workers to the U.S., the War Manpower Commission (WMC) never considered allowing Mexican spouses or female members to accompany the braceros.[1] Brothers and sons, however, did serve as braceros, and in some instances they were assigned to work together.[2] The role of women in México in support of the braceros and the war deserves to be highlighted.

From the start of the bracero railroad program in México City, the WMC made note of the scores of women eagerly volunteering with the hope of joining the labor force soon leaving for the United States.[3] They were not attempting to take advantage of the opportunity for employment, as that opportunity rested with men, but they stepped forward wanting to do their part in the war effort. This level of gender consciousness prevailed in México stretching back before the Revolution of 1910, the Cristero Wars, and through the Great Depression of the 1930s. During the Depression, women organized the Frente Único Pro Derechos de la Mujer to represent the economic and political concerns of working-, middle-, and upper-class women in México. With the outbreak of World War II, the Frente Único Pro Derechos de la Mujer became the Coordinating Committee of Women in Defense of the Fatherland (Comité Coordinador Femenino para la Defensa de la Patria).[4] The role of women in national defense stretched far beyond this one organization. The Central Committee for the Civil Defense of México City and the Defense League of Women organized women to come to the defense of the city during the war. Nurses volunteered to act as first responders in case of Japanese or German attacks, while other women trained to enforce emergency blackouts, manning search lights in case of aerial attacks. Women, as they did in the United States during the way, prepared to respond to any wartime emergency and do their part in the overall national war effort.[5]Continue reading →

Paula Becker‘s Looking for Betty MacDonald, the first comprehensive biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. In this guest post, designer Thomas Eykemans discusses the process of creating the cover in collaboration with the author and Seattle artist Tom DesLongchamp. He also shares the creation of the covers of three new editions of Betty’s memoirs, Anybody Can Do Anything, The Plague and I, and Onions in the Stew.

There are a million photographs of Betty MacDonald and any one of them could have made a great book cover. The portrait of a beaming bang-free Betty (below, lower left) was inset on many of the covers of her books when they were first published, and Paula describes how this particular image of her was perhaps the most familiar. Regarding The Egg and I:

After only a few months, Lippincott moved Betty’s appealing head shot from the back cover to the front, ditching Bennett’s art. For her readers, the merry pinup-girl author and the yarn she spun were indivisible.From this point on, Egg branded Betty, and Betty branded Egg.

Various photographs of Betty MacDonald.

Despite their prevalence, a photo of Betty seemed too static for a biography about her, and definitely too black and white. Her rich life, warm personality, and merrily snarky attitude required something more energetic and colorful. Tom DesLongchamp is a Seattle-based artist and illustrator whose imaginative style is perfect for the challenge.