As Rinpoche says when explaining Dóŋ-már bǒd-ba:
“This song shows how the Path is – this is relative to following the Buddha, Dharma and Sangha – therefore it explains how the Tibetans consider the Buddha, Dharma, and Sangha, their point of view, behavior and how they put these into practice. It is very profound, very important knowledge. You see, on this globe there is no other place where this type of song is sung. Therefore it is important that we know that they have this value. When I choose the songs, I like them if they mean something. We try to learn them and use them, they are not just nice melodies with superficial words. In Tibet, it is not that all songs are of this kind, there are a lot of love songs, and also songs in modern style, but for me they are of a secondary level, whereas the songs we sing are of first level.”

Tribute to Chögyal Namkhai Norbu

The Song of the Vajra

Unborn,
Yet continuing without interruption,
Neither coming nor going, omnipresent,
Supreme Dharma,
Immutable space, beyond definition,
Spontaneously, self-liberating.
Perfect state without any obstruction,
Existent from the very beginning,
Self created, without location,
With nothing negative to reject,
And nothing positive to accept,
Infinite expanse, all pervading,
Immense, and limitless, unbound,
With nothing even to dissolve
Or from which to be liberated.
Present beyond Space and Time,
Existent from the beginning,
Immense dimension of inner space,
The radiance of clarity is like the sun and the moon,
Self perfected,
As indestructible as the Vajra,
As stable as a mountain,
As pure as a lotus,
Strong as a lion,
Incomparable bliss
Beyond all limits;
Illumination,
Equanimity,
Peak of the Dharma,
Light of the Universe,
Perfect since the very beginning.

From "The Song of the Vajra", An Oral Commentary by Namkhai Norbu Rinpoche,
Edited by Gina Perini