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In my latest podcast (MP3), I conclude my serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a "Communist Party" at a sheet metal factory whose owners are shutting down and stealing their workers' final paychecks. These parties are both literally parties -- music, dancing, intoxicants -- and "Communist" in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.

We rode back to Burbank with Shirelle on my lap and one of my butt-cheeks squeezed between the edge of the passenger seat and the door. The truck squeaked on its suspension as we went over the potholes, riding low with a huge load of shopping carts under tarps in its bed. The carts were pretty amazing: strong as hell but light enough for me to lift one over my head, using crazy math to create a tensegrity structure that would hold up to serious abuse. They were rustproof, super-steerable and could be reconfigured into different compartment-sizes or shelves with grills that clipped to the sides. And light as they were, you put enough of them into a truck and they’d weigh a ton.

In my latest podcast (MP3), I continue my serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a "Communist Party" at a sheet metal factory whose owners are shutting down and stealing their workers' final paychecks. These parties are both literally parties -- music, dancing, intoxicants -- and "Communist" in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.

We told them they could go home if they didn’t want to risk coming to the Communist party, but we told them that after we told them that they were the only kids in the whole school we trusted enough to invite to it, and made sure they all knew that if they backed out, there’d be no hard feelings—and no chance to change their mind later tonight when they were at a corny party with a bunch of kids instead of making glorious revolution.

Every one of them said they’d come.

I’d found an all-ages show in Encino that night, two miles from Steelbridge, Antoine’s old job. We got piled into Ubers heading for the club, chatting about inconsequentialities for the in-car cameras and mics, and every one of us paid cover for the club, making sure to use traceable payment systems that would alibi us as having gone in for the night.

In my latest podcast (MP3), I continue my serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a "Communist Party" at a sheet metal factory whose owners are shutting down and stealing their workers' final paychecks. These parties are both literally parties -- music, dancing, intoxicants -- and "Communist" in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.

The cop pulled the vice principal’s chair out from behind the desk and sat down on it in front of us. He didn’t say anything. He was young, I saw, not much older than us, and still had some acne on one cheek. White dude. Not my type, but good looking, except that he was a cop and he was playing mind games with us.

“Are we being detained?” Somewhere in my bag was a Black Lives Matter bust-card and while I’d forgotten almost everything written on it, I remembered that this was the first question I should ask.

“You are here at the request of your school administration.” Oh. Even when there wasn’t a fresh lockdown, the administration had plenty of powers to search us, ask us all kinds of nosy questions.

In my latest podcast (MP3), I've started a serial reading of my novella Party Discipline, which I wrote while on a 35-city, 45-day tour for my novel Walkaway in 2017; Party Discipline is a story set in the world of Walkaway, about two high-school seniors who conspire to throw a "Communist Party" at a sheet metal factory whose owners are shutting down and stealing their workers' final paychecks. These parties are both literally parties -- music, dancing, intoxicants -- and "Communist" in that the partygoers take over the means of production and start them up, giving away the products they create to the attendees. Walkaway opens with a Communist Party and I wanted to dig into what might go into pulling one of those off.

I don’t remember how we decided exactly to throw a Communist party. It had been a running joke all through senior year, whenever the obvious divisions between the semi-zottas and the rest of us came too close to the surface at Burbank High: “Have fun at Stanford, come drink with us at the Communist parties when you’re back on break.”

The semi-zottas were mostly white, with some Asians—not the brown kind—for spice. The non-zottas were brown and black, and we were on our way out. Out of Burbank High, out of Burbank, too. Our parents had lucked into lottery tickets, buying houses in Burbank back when they were only ridiculously expensive. Now they were crazy. We’d be the last generation of brown kids to go to Burbank High because the instant we graduated, our parents were going to sell and use the money to go somewhere cheaper, and the leftovers would let us all take a couple of mid-range MOOCs from a Big Ten university to round out our community college distance-ed degrees.

During a talk at SXSW yesterday, Alexandria Ocasio-Cortez got an audience question about automation and jobs and answered by saying, "We should not be haunted by the specter of being automated out of work. We should be excited by that. But the reason we’re not excited by it is because we live in a society where if you don’t have a job, you are left to die. And that is, at its core, our problem."
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The first wave of computerized automation caught trade unions flat-footed; already reeling from the Reagan-era attacks on labor, union leadership failed completely to come up with a coherent response to the automation of manufacturing industries (a notable exception was the longshoremans' union, which ensured that containerization led to massive pay raises and generous retirements for the workers whose work was largely eliminated by better shipping techniques).
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Umair Haque (previously) is on fire: If the Point of Capitalism is to Escape Capitalism, Then What’s the Point of Capitalism? "You can see it in stark, comic terms. What are Bezos and Musk doing? Trying to flee to Mars. What’s Gates doing? Recommending you books to read, and trying to save the world with charity. LOL — how ironic. These are different forms of freedom from capitalism. Maybe on Mars, we can build a better world. Maybe through ideas and philanthropy, we can solve the problems that corporations can’t. All the capitalists I see are trying to win freedom from capitalism, in one way or another. Aren’t they?" (via Kottke)
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Two competing (or, possibly, complementary?) proposals for resolving income inequality and the hole that four decades of demand-side Reaganomics has dug us into are Universal Basic Income and a federal jobs guarantee (the former being a kind of "venture capital for everyone" that provides enough money to live without having to work for an employer; and the latter being a guarantee of a good, meaningful job of social value in sectors like infrastructure, education and caring professions).
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From the late 1970s on, the Chicago School economists worked with the likes of Ronald Reagan, Margaret Thatcher, Augusto Pinochet and Brian Mulroney to dismantle antitrust enforcement, declaring that the only time government should intervene is when monopolists conspired to raise prices -- everything else was fair game.
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Feng Xiang is a prominent Chinese legal scholar with an appointment at Tsinghua University; in a new Washington Post editorial adapted from his recent speech at the Berggruen Institute’s China Center workshop on artificial intelligence in Beijing, he argues that capitalism is incompatible with AI.
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The late, lamented Scottish writer Iain Banks (previously) was several kinds of writer, but one of his main claims to fame is his role in developing the idea of fully automated luxury communism, in his beloved Culture novels, a series of wildly original space operas about a post-singularity, post-scarcity cooperative galactic civilization devoted to games, leisure, and artistic pursuits, populated by AIs, city-sized space cruisers, spy networks, and weird bureaucracies.
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