It was one of those mornings where the mist and wisps of fog had twisted and risen in the valleys, lingering like the last river spirits of the night, reluctant to admit that the break of dawn had already arrived.

‘Twas in this befoggled morning dawn during a rainstorm that I recorded Rain on the River, right on the bank of the Deerfield River with my trusty pair of DPA 4060-BM omnidirectional condensor microphones mounted onto my GUY HRTF baffle. My Sound Devices 722 and Lunatec V2 mic preamp were both safe and sound in my watertight Pelican 1500 case but while they were sitting there basking in their warmth my 4060s had to take all the beating.

A cataract of constant plummeting rain falls throughout the recording, forming a high exuberant counterpoint to the lower bass and sub-bass of delicate rolling thunder rumbling across the tops of clouds above the listener. The thunder has a low soothing growl rather than startling claps or crashes or booms, so any progress you make towards sleep or being one with the universe will not be thrown into abrupt discomposure. Subtle, sparsely scattered bird calls can be heard in the distance.

Swift multitudinous drops of rain continually plash and patter the river’s smooth glassy levels, and they are heard making little dimples and bells and spray in an ebullient melody of constantly shifting crescendos. The ecstatic flow of buoyant streaming water from the river has a more engaging, relaxing, random variation of natural white noise when compared to electronically processed white noise or white noise software. The duality of both low and high frequencies facilitates listening as our ears tend to crave for one or the other after prolonged singular exposure to either for an extended period of time.

A tirelessly shifting array of liquid awesome — this is the only MP3 that takes you right to the heart of the storm without getting your snugglebuns fried by lightning. No music, no voices, no planes, no synthesizers, no bilk. No layering or looping effects were used in any way to enhance the storm.

The full 63:57 MP3 has no fade-in or fade-out at the beginning or end, so it can seamlessly be played looped without any distraction or sudden change of tempo. Compatible with all CD players, iPods, iPhones, and iPads. Bitrate encoded at 192 kbps for finest audio reproduction.

A field recording from my trip to the Rockies — descending swiftly from the ice fields of the Rocky Mountains, the Kicking Horse River is both a geological and acoustic wonder. It still follows the path it chose before massive glaciers filled the space between these mountains. When the great ice sheet finally disappeared, a broad U-shaped valley was left in its wake and at its bottom, the Kicking Horse River remained — a spectacular remnant of another age.

While exploring a Rocky Mountain river in 1858, surveyor-geologist James Hector suffered a near-fatal kick by his packhorse. Hector survived, and the river and a nearby mountain pass were named in honour of the incident.

The recording location for this MP3 was rather catalytic — my hubby and I were able to move the raft to a calmer area but while he was sitting there oafing away I stranded myself up on a rock for an hour in the middle of its unruly raging waters with my Sonic Studios DSM-6S/M (in a WHB headband) and Edirol R-09.

White noise permeates this soundscape through the relaxing auditory medium of constant streaming water. The overflow from the rapids eddy around to the left and to the right as light spirited waves lap against the rock’s perimeter. You can hear the rushing flow of water from the main current shifting amongst the rocks, the harmonic splash of spray, and volumes of water gushing over and around the rocks and boulders all around me. The atmosphere is suffused by white milky mist thrown up into the air by splash and spray everywhere.

Kicking Horse Rapids is a natural soothing source of “pink noise” (a less harsh and less hissy form of “true” white noise) and includes no distracting sounds of birds, planes, music, animals or people. Digital stereo quasi-binaural field recording. Listen with headphones to produce a 3-dimensional auditory experience. Link to binaural recording techniques.

It’s early spring and this secluded Ontarion backcountry wilderness river is filling its streambed with fresh volumes of spirited, sparkling meltwater. The bright, radiant reflection of watery frequencies off the crystalline snow-breaded banks, coupled with the extra revitalizing flow of spring snowmelt, creates a special seasonal sound of exceptional vibrant sonic clarity.

Several unique properties give this field recording a special enchanting aura. The location I recorded it from was unique in that I had found a large two-yard wide, relatively flat-surfaced rock that was almost exactly centered in the riverbed where I set up my mikes and baffle. The river splits and flows past both sides of the rock and reintertwines right from behind. Water is also bubbling its own nuances from underneath this useful instrumental rock.

The headphone-clad listener will be facing upstream as a full 360-degree binaural panorama of surround sound water swishes and bubbles past omni-directionally to either side and behind. As lower-pitched kerplunks and soft percussive notes of water emanate from below, eddies swirl sensuously to either side, and a thousand spherical points of sound drift across the riverbed. Cedar and pine trees alternate with oak and maple among the surrounding flora.

A minimalist field recording, Wilderness River has no birds, no animals, no wind, no insects and no man-made sounds (cars, planes, voices, etc.) that’d act to occupy or engage your attention — only the constant, continuous stress-busting sound of gentle, soothing, streaming water.

Wilderness River is a non-looped natural soundscape composed of an hour-long on-location digital stereo quasi-binaural field recording. This recording technique produces a three-dimensional audio image when listening with earphones or headphones. Bitrate encoded at 192 kbps for finest audio reproduction.

A steep descent in the riverbed has this swiftly moving jungle river rushing, roaring, raging and rumbling through the Amazon rainforest with torrents of surging water, violent gushing eddies, turbulent white bubbles and tempest-like currents. It echoes across the jungle and off the nearby cliffs in thundering resonance, adding a spacious feel to the soundscape and a strong bass presence that conveys a solid physical milieu.

Special attention was given to the choice of the river’s recording location to portray the most spacious sound, yet still have the listener be able to hear and enjoy the close-up sounds of splashing water.

Compared to synthesized white noise, this soundscape has a distinguished natural variability which gives the recording extra life and substance, making it easier to listen to over long periods of time.

I’m sure this river was full of hungry piranhas and sneaky candirus, but recording it was a thoroughly vested thrill. Making this recording was extremely fun and risky.

Includes no sounds of birds or animals. Includes no fade-in or fade-out. Jungle River Rapids is a non-looped natural soundscape composed of an hour-long on-location digital stereo binaural-baffled field recording. This recording technique produces a three-dimensional audio image when listening with earphones or headphones. Bitrated encoded at 192 kbps for finest audio reproduction.

Top of the Chasm was recorded where the steep rocky cliffs of the Zambezi River Gorge reverberate with the sounds of rushing water. Recorded at the top of the chasm, overhanging the river far below, the sound of running water is blended and modified by the morning air and multiplied by echoing cliffs yielding a unique river gorge sound.

The deep gorge is a result of waterfall erosion that takes thousands of years to create. It is an ongoing process that we can only participate as reverent observers because the magnitude of the forces and time the process requires are beyond our intuitive comprehension. This unique peacefulness of the gorge sound is a result of a natural merging of the effects of vast volumes of air and water.

Behind a bend in the gorge and half a kilometer away, the waterfall still plummets, as the geological process is never-ending. That ancient presence is represented in the recording as a sub bass rumble at about 10 Hz (10 Hz is the same frequency as alpha brain waves), created as the massive amount of water tumbles down 108 meters (360 feet) and shakes the earth.

Top of the Chasm is a natural soundscape composed of a digital stereo binaural field recording. Recorded above the Zambezi River downstream from Victoria Falls in southern Zambia, Africa. Encoded at a bitrate of 192 kbps for quality listening.

A bubbling pulsation flickers at the periphery of a small secluded snow-capped river islet during the deep calm and enveloping silence of a winter.

The overall mood is delicate, unhurried and pensive, yet frolicking water resounds through the forest air with festive mien — a charming counterpoint to the quieting force of these wintry northern landscapes.

Lush liquid melodies are peppered with surging regions of natural white noise rummaging across the vast riverbed, and a delightful level of sonic enthusiasm is consistently maintained throughout the frequency spectrum.

The binaural microphones were centered above the river about 5 feet (1.5 meters) in height. A full 360-degree audio portrait of constant running water is the result.

In the short, chilled, crystalline days that accompany the winter solstice, we find ourselves a quiet passage on the prolonged journey into spring.

We reflect on the accomplishments of the year just past, and make plans and goals and resolutions for the one to come. It is a period of active reflection, an interim for looking both inward and outward… at once.

Winter River Tarry — white noise hydrology for sleep, concentration, relaxation and tinnitus relief. Includes no birds or animals, people, planes or cars.

Winter River Tarry is a natural soundscape composed of a non-layered unprocessed digital stereo binaural field recording. This recording technique produces a three-dimensional audio image when listening with earphones or headphones. Bitrate encoded at 192 kbps for finest audio reproduction.

A whirling fairy fabric of rapid white spray and rushing comet masses passes through a craggy incline and down a shingly pair of precipices.

Rushing across minor taluses, moderate moraines and exquisitely sculptured flood washes, jostling from side to side by the rocky slopes upon which its groves are growing, Tiger Leaping Gorge teaches the world the language of running water.

Now, Yunnan legend has it that this river gorge was named after the circumstance of a tiger leaping across the river at its narrowest point, in order to escape from a pursuing hunter.

Many people make the journey to the edge of many a swiftly flowing river rapid, but are often held at bay by a river’s final challenge. In order to cross over to the opposite side, the determined adventurer must possess skill with which to leap across rivers.

Thus far man has demonstrated meager cunning in the execution of this endeavor. The placement of such obstacles forces one to covet the tiger’s acrobatic aptitude.

If ever a time comes that the feline wages war with man, it will always have safe respite beside Tiger Leaping Gorge.

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