DEAN REED: 1938-1986

The Mysterious Death of The Iron Curtain Cowboy

Dean Reed, the American who became a superstar in the Eastern Bloc, is dead. There seems to be
little doubt that he was murdered, and yet his death has received only a passing mention in the
Western media. It is true, as Reed's friend an film biographer,
Will Roberts points out
(see obit),
few Americans even knew Dean Reed existed, and of those who did, some considered him to be
an American traitor (see KOA KO'd) rather than an American rebel (the title of Will Robert's
documentary about him).

So it should really not suprise anyone that Dean Reed's death has stirred so little attention
in the American press. He was an Internationalist, at home anywhere in the world, and this,
it seems is unamerican. On the other hand, as the coroner's report makes clear, he did not
die of natural causes, and he was, in fact, an American citizen. Reed's mother,
Ruth Anna Brown,
points out that while the 1964 Vienna Convention on Diplomatic Relations and the 1981
Bi-lateral Consular Convention between the US and the GDR deny the State Department the right
to interview or take sworn statements from East German nationals, this has never stopped the West
from making a ruckus over what is seen as an injustice.

The total disinterest on the parts of Americans over Dean Reed's death is an indictment in itself.
Why hasn't 60 Minutes done a follow-up story on the mysterious circumstances of his death which
occured a mere six weeks after the
Mike Wallace interview
with him was aired on national TV? Why
hasn't the State Department demanded a more plausible explanation of how he died? Why is his mother
left to draw her own conclusions? Not that Ruth Anna Brown - in her seventies and working on her
Ph.D. at the University of Hawaii - isn't capable of speculating on a trail of evidence that was
freeze-dried from the start. She gives the account of his disappearance as related by Reed's wife,
Renate Blume-Reed, an East German movie star:

"It was Thursday, June 12th, about 10:30 p.m. when he left his home to drive to Gerhardt (Gerrit, d.Red.)
List's house some 40 miles away in Potsdam.
List was the producer of the
film he was to start
shooting on Monday. Renate says Dean didn't explain why he needed to see him or why he couldn't
have talked over the phone, but there were a lot of details still to handle - I expect it wasn't
easy to direct the film while also acting in it - and there was the reporter to meet, and a production
meeting to attend on Saturday. Renate also said he took a sleeping pill (but then decided, I
assume, not to go to sleep right away?)

"The police dindn't find his body until Tuesday morning (17th), the morning I received the telegram
saying he had died 'while swimming' in the lake. They found the car (in full view of Berliners who
flock to the lake every weekend) and his body, full clothed, in the water nearby, ten miles from
home. The car had a bump on the right fender."

It's hard to believe that Reed would take a sleeping pill and then decide to drive 40 miles to visit
a friend. The coroner's report mentions a sleeping pill only just "beginning to dissolve", which
would seem to imply he left immediately after taking it. Perhaps he had an argument with his wife
and drove off in a huff? This, in fact, has been suggested; there are even rumors that he committed
suicide as a result of this domestic squabble.

Although the suicide theory cannot be rejected out of hand, it seems highly unlikely. Although he
undoubtly loved his wife deeply, he wasn't the type to kill himself over a rocky marriage. That he
killed himself "because his career was not going well in the GDR," or because he'd rather die than
not return to the States, is equally implausible. At the time of his death he was deeply involved
in making a film he dad spent 3 years preparing, and any plans he had for returning to the states
were being arranged for the fall of 1987. Will Roberts remembers him saying that "the only reason
he might consider ending his life was if he discovered he had a fatal illness. But even then he
would go to a dangerous part of the world and give his life for a cause."

But back to the "facts" of the case as given to Ms. Brown in the police report, which makes no
mention of suicide, but describes the cause of death as "accidental drowning."

"The police story smacks of a fairy tale! They say he got sleepy, bumped into a tree, got out of
the car, walked over to the lake where there is a small canoe pier, leaned over to wash his face,
fell in... and drowned! When they told me that one at the police inquiry - I couldn't help it -
I laughed out loud! Two years ago I watched him on a trapeze act with one of the leading trapeze
groups of Europe. He does all of his own stunts - and he is good!"

"The autopsy revealed a healthy 47-yr. old man, who had eaten a supper of vegetables, possibly
- but they weren't sure - had a glass of wine. The sleeping pill hadn't dissolved yet, but was
beginning to. They say there were no marks on his body, although Will Roberts saw a large bump
on his head. The police said he did not bump his head - he bumped his chest." There were also reports
of rope burns arround his neck.

Ms. Brown goes on to explain how she questioned this tale and was reprimanded for bringing up the
possibility of murder. The GDR, it seems, makes it impossible to play detective, because they
steadfastly maintain that "there is NO CRIME in the GDR." Consequently they had an answer to
everything. "We kept asking why he was dressed so strangely. It was warm June night in the 70's,
and he wore a denim jacket and topcoat - both lined. It took the detectives a couple of days to
come up with an answer to that one. Seemed that Dean couldn't find an old topcoat to wear in his
upcoming movie, so he had purchased a new one, and he wore it all the time to get it look worn.
They said he even wore it to bed!"

Like everyone who knows and cares about the case, Ruth Anna Brown has endless scenarios running
through her head. Because of his heavy clothing and the fact that he was carrying his passport
- which she says he never carried unless he needed it to cross international borders - she
questions his destination. "Perhaps he knew a hit squad was out to get him, and had decided
to 'cross-over.' Maybe they thought he was going to say something he shouldn't to the London
Sunday Times reporter, or had discovered some 'earth-shaking episode' he had sworn to tell the
people..."

"Renate, who should be able to tell me the most, can't remember much about that evening. As she
said the first day I was there - she couldn't remember at the end of a sentence what she had said
at the beginning. She was thoroughly tranquillized; and although I kept on suggesting to ALL the
MANY people who continually surrounded here that they were giving her too many - my message never
got through. I know they weren't letting me talk to her because there was something I wasn't supposed
to hear, and I think Renate knows a lot more than she will say.

"As for the film producer, Gerhardt (Gerrit, d.Red.) List, who met us [Reed's
first wife, Patty and
daughter Ramona
accompanied her] and acted as interpreter, I disliked him right off. One of the
first things he said, 'You know there isn't a mark on his body!' He said it almost gleefully! He
and other members of the film compamy [DEFA Fimls] were present everytime I turned arround. They
set up the Memorial Service and the cremation, lent us a car and chauffeur for the five days we
were there. It was nice of them to look after us, but sometimes there is a thin line between
chaperoning and surveillance."

Dean Reed's mother was one of several people who phoned his house during the 5 days between his
disappearance and the discovery of his body. "I called up and spoke to Renate on the 16th, and
she didn't say one word about his disappearance." Russell Miller - the English journalist who had
arranged to interview Reed on the 14th, was even more confused by the train of events. He arrived
in West Berlin with his wife on Friday 13th, and phoned to Dean Reed's house. He was told Reed
was in hospital with a lung infection.

"I spoke to his wife at some length when I was in Berlin, and so did my wife who is German born
and a fluent German speaker, and we didn't have a single indication that the story she and the
film producer, Gotleib Wieczaukowski were telling us was anything other than the truth. Their
demeanor and attitude was exactly that of a wife and a business man/film producer who were
concerned that he'd been taken to hospital with a virus." [A minor point in a much larger mystery:
is it possible that the producer Russell Miller talked to is one and the same as the Gerhardt (Gerrit, d.Red.)
List Dean Reed was supposedly on his way to visit? Miller says Wieczaukowski gave him a home phone
number in Potsdam, but when he called it, he was told no one of that name lived there.]

"What I couldn't work out was why they didn't get rid of me immediately by suggesting there had
been a terrible mix-up - Dean Reed was supposed to see me the next weekend, or some such mistake.
Instead they invited us to ring back later, after they'd heard from the hospital, and so we hung
around, a continuing irritation and potential problem. It was odd behavior and it wasn't sensible
for them to react the way they did. We were shocked when we returned to England and discovered
on Wednesday morning that he was dead."

"I'm not familiar with the machinations of the East German Security Apparatus, but there's no
question in my mind that Dean Reed was an extremly valuable propaganda tool, and would only
remain so while he was a resident in East Berlin. The moment he ceased to be, he would become
a problem for them instead of a distinct advantage. I'm sure that his enthusiasm to be interviewed
by me was in part because he was anxious to get exposure in the Western media. I think he thought
The Sunday Times would give him a slightly more sympathetic ride than he was getting in the
American press. From the cuttings I saw, they considered it an outrage than an American should
choose to live in East Berlin.

"There were some American radio stations that phoned me up after my piece came out in the Sunday
Times [June 22nd], but even more amazing in this case has been the attitude of the American
Government Establishment. As far as I know, the last American nationals killed in Germany resulted
in the bombing of Lybia. Whereas here we have an absolutely authentic, fully paid-up American
citizen who happened to live in East Berlin and who died in mysterious circumstances and it didn't
appear that anyone gave a damn about it. When I spoke to the person at the American Consulate in
West Berlin, he said, "What the hell!" and he shrugged his shoulders; and I know it was because
he thought that Dean Reed was a commy bastard."

Anyone investigating the mysterious death of Dean Reed comes up across a blank wall: first of all
there is the iron courtain, and then the mirror image of the State Department's blank stare across
a desk of official papers... And between these walls of silence, crushed by the paranoia perhaps
of two States, floats the body of Dean Reed. For Will Roberts, who also attended the Memorial service,
it was like "being on the set of an Agatha Christie novel on Mars. Whenever you caught someone out
in a lie, they'd say it was deliberate, and for a good cause.

"Gerhardt (Gerrit, d.Red.) List came up to me after the Memorial Service and told me how he and
Renate had made up this story about Dean being in the hospital with a lung problem. It had been
a deliberate lie, he said, because they didn't know where Dean was and hoped he would turn up
soon. Then, just before I left, I had a moment alone with Renate, and she told me that she was
worried about me, that my life was in danger. I don't know exactly what she meant, but I do
remember Dean telling me how his father, Cyril, always said there was a fine line between stupidity
and courage, and he was never sure which Dean had. At this point I'm not sure which I possess either.

"I caused a great deal of difficulty over the police report, and you could tell they didn't like me,
but they kept coming up with new scenarios. When I said they should investigate murder, they began
to give strong implications it was suicide. When I told them Dean wouldn't have committed suicide
unless he had a lethal illness, they came up with a report that he had stomach cancer and had driven
his car into a lake. But his daughter Ramona drove the car a week afterwards, and there's no question
it could have been in the lake."

I interviewed Dean Reed a year ago, and when the article I wrote (Iron
Courtain Cowboy, Rolling Stock #11) came out four month later, his American manager, Dixie
Schnebly got in touch with me. A Denver business woman with interests in trucking and oil (and who has
made records hauls herself as a truck driver), she had known Reed when they were growing up in
Wheatridge, and had renewed his acquaintance at the showing of American Rebel at the Denver
Film Festival last year. Reed had persuaded her to take on the job of promoting him as a singer,
director, actor and writer over here, and she was already hard at work when I met her. It was no
easy job to sell this "most famous American in the Soviet Union," but the strangeness of his story,
and the fact that he was unknown in this country, was already attracting a certain amount of
curiosity from the media. Unfortunately, the attention he was getting, and the arrangements he was
making to develop a career in the states seemed to be a threat to parochial sensibilities and must
have lead directly to his downfall.

Those who claim Dean Reed was a "failed singer" in the Eastern Bloc, and would never make it in
the West, also don't understand that he was more than a pop star: he was a filmmaker who wrote,
directed
and acted in his own movies. The film he was working on was about the 1972 seige at
Wounded Knee. In a previous film,
Blood Brothers (1975), he played the part of an officer
sent in to wipe out the Utes at the Sand Creek Massacre. In one scene, as the tipis are burning
all around him, he breaks the staff of an American flag over his knee. This symbolic gesture of
frustration over the senseless slaughter of Indians was made much of in an ABC TV spot on Dean Reed,
which implied it was unamerican.

It is strange that Americans only respect rebels who work close to home. As soon as they leave
and defend the oppressed abroads, rebels become traitors. Whatever the motive behind his murder,
Dean Reed was doomed to "accidentally" slip between the cracks of a world that doesn't want to be the
Humpty Dumpty who is put back together again. As the following extracts from his letters to Dixie
Schnebly show, he believed he had a role to play in bringing the East and the West together. In
hindsight it seems naive to suppose that he would be allowed to give it a chance.

I'm sitting at John F. Kennedy airport waiting for the departure of my plane. I have a few minutes
and would like to write you a couple of my thoughts and emotions. I have spent 5 weeks in my
homeland this time, more than at any other time during the last 25 years. The trip was the happiest
trip I've ever made to America. I've seen my blue skies again and my battery was recharged. I saw
my mountains and remembered my boyhood years. I saw so many faces of my homeland: Denver, L.A.,
Minneapolis, Columbus, New York; so many people, so many histories and past experiences. But all I
believe must have common future, a future of peace, a future where the money that is now being wasted
on armaments shall be spent to alleviate the hunger and poverty throughout the world. The day shall
come and I believe I have a role in bringing these changes about. It is time I returned to my own
land and try to do what I have done in 32 other countries. First I shall make the best film that
I can. One step at a time.

Jan. 4, 1986

... I begin to write my shooting script with my cameraman on the sixth. That will be the fifth and
last (I hope) writing of my script. It is time to begin filming the movie! Then in Feb. I shall be
in Prague to make the LP and when it is finished I shall send you an original tape... I think a
four page borchure, along with video copies of the ABC TV segment and the 12 new songs - is a
package one could use to get a record contract, a tour and a publishing contract...

... don't forget, one must ask the question, What makes Dean unique? There are thousands of singers
in America who are younger than I, better looking than I and who can sing better than I... I shall
never be of a commercial quality for the normal American. I am a political human being and shall
continue being so... To be a rebel, and an American is not negative. To be a rebel against injustice
and exploitation and war can only be positive. The word revolutionary is also not a bad word. Two
hundred years ago, we were proud to call ourselves that. Personally, I am very proud that I was an
American Rebel throughout my life and dedicated my fame, life and time to rebel against injustice
wherever I saw it...

Jan. 21, 1986

... I consider myself a member of an international family - I accept no boundary lines or racial lines
dividing me from the rest of mankind. I feel I have the obligation to do whatever I can (at the risk
of losing my career or my life) to try to make sure that my life on this little planet has a value,
and that because I was here for some short years, the planet will be a little better off after I die,
because I gave my grain of sand along with thousands of others into the effort of making it better,
juster and more peaceful place to live in...

Feb. 28, 1986

... Let's not put the "Country" lable on me. For various reasons. I don't think that CMA is important
to us - what are they going to do? Nothing... Country Music and the South are the most conservative and
reactionary in their political feelings within the entire USA. I doubt very much if you will find anybody
in Nashville who will put his heart into making me a star - he'd be afraid that his office may get
bombed by the klu klux klan if he did! I believe that Hollywood is the better direction to go - as I did
30 years ago almost. The people nearby in New York and Hollywood and Detroit are much more sympathetic
to liberal causes than Nashville - and there it will matter less if they know my political background
and some of the lyrics to my songs! ... Beware of using the fotos with the cowboy hats too often. One
on the brochure is enough. We shall get a lable we shall not be able to get rid of - and I definitely
don't want to live in Nashville!

... I am sitting in a small recording studio outside of Prague. The bass player keeps making so many
mistakes that he is either a bricklayer in disguise, or a CIA agent who is trying to sabbotage my
LP! Those are some of the advantages of socialism, which over the
years have turned into disadvantages. Here we have no unemplyment. We could use millions of
workers we don't have. Nobody must live with the fear of being fired... so sometimes we have people
whoe are lazy or untalented who we cannot fire...

... It is difficult to write on paper all my thoughts concerning how I see my return to America ...
My value as a person and an artist is precisely what will scare some people away ... But in each
city across America there are thousands of people who also believe as I do - and who are fighting
for their own freedoms and for the freedom of others...

I still believe very deeply in the film American Rebel
to be used for my first tour of American Universities in '87. This film can introduce me and my work
and life to those 13 million potential fans, friends and fellow progressives in the fight for a
better, juster and more peaceful world...

March 3, 1986

... I am sorry that the film was not sold out in Denver - and of course am a bit disappointed...
I see that we are going to have a harder job ahead of us than I expected. But I still believe we
can organize a successful return to the USA... Don't get upset when some people get up and leave.
During the past 25 years, thousands of people have been getting up and leaving from my speeches
and concerts throughout the world - but millions have been coming! I would imagine that in all the
countries where I have lived and worked, the people are about evenly divided. About 50% love and
respect me and the other 50% hate me. NOBODY is neutral about me, my life and my art and my beliefs.
But Paton always said that if all people were more or less
neutral about a human being - then that human being was a hypocrite. Anybody who stands for certain
ideals and defends those ideals no matter what the consequences - shall have many who love him and
many who hate him. I have become accustomed to it...

March 7, 1986

... The last three days have been very good. I found the hippy that I needed for my
film (I have been searching for him over a year!) and
I found a small 8 year old boy from a circus who rides a horse and throws a lasso like a real
cowboy. The boy plays an important role in my film - and I was beginning to worry that I wouldn't
find him. And today guess what? I found another copy of the BAM film ...wich I made during my
trip from Moscow to Siberia. I shall get it off to
you on Monday...

March 14, 1986

... You can already put together the publicity video ... I think ten to fifteen minutes is long
enough ... Show only the most important things from American Rebel, ABC, Entertainment
Tonight, Mike Wallace and the BAM film. You should have copies with you when you head for Hollywood
or Nashville. The other videos I think should wait until you have the record contract. The
record company will then put up the money to make the videos of the songs. If necessary, I can fly
in for a couple of days to film them.

My days and nights are packed with work because of the film and my
TV special. For some reason also I am not
sleeping well. Must be Spring time! ...

April 7, 1986

Dear Dixie,
I am proud that I am the second member of the Dean Reed fan club. When my car is washed - maybe
next year - I will put on the bumper sticker. I am very impressed with how much you are doing for
Dean. I thank you for all. Dean is the only one who whistles at me, when I am especially pretty.
Here in Germany it is an insult if a stranger whistles at a woman. But I think I can become
accustomed to it - if I am still pretty by the time we arrive in Amerika. I wish you energy and
success in Hollywood. Goodbye for now.
love Renate

April 31, 1986 [April 30 or May 1?]

... Just talked to my mother,
and her response to Mike Wallace was completely favorable!
Will also says all the responses he's gotten have
been only positive. I am happy as hell that Mike was fair... We need one more show of that
quality exactly when I return in a year and a half. Then we can sell books! And the concert
halls at the Universities will be sold out...

... Also good news on the home front. Today we decided by the Film Studios that I should direct
the film alone. I and my crew are happy about the decision because it is rather difficult to
work with two chiefs at the same time. Renate is also sighing a sigh of relief...

May 29, 1986

... I just received a letter from CBS in New York with many letters directed to the network
thanking them for allowing me to state views on prime time - and stating how important it is
to have an American like Dean Reed as an unofficial goodwill ambassador in the world.

... Hey - last night the man from London Sunday Times finally got through to me - and is
arriving on June 14th for an interview. Also CBS called me this morning, and were so exited
about the 60 Minutes
shot, that they have asked if they can send three people to the
Soviet Union to film me while I am making my film. Of course I answered in the positive!
I believe that probably the other networks will also show up for the filming along with the
New York Times, Time and Newsweek. It would not hurt us to keep the ball rolling with a Time
or Newsweek story from the Soviet Union...

The following is from a reply to an invitation to attend his High School reunion.

June 1, 1986

Destiny took me on a different path than many of you. A path which has led me to 32 different
countries and with many advantages and disadvantages - as all paths are. I speak now four
languages, (English is probably the worst since I haven't spoken it for more than 25 years!)
I have sat in prison cells in six countries because I felt that the only value of being famous
is that one has the responsibility to raise his or her voice to speak out against injustice
and war. I felt that I was an unofficial good will ambassador from the people of the United
States (not the government) and I feel that I have done my job as well as I could. I have made
mistakes in my life, (as we all have), but I have tried to remain honest to myself and to the
world family throughout the last 25 years since I left America.

... If I were with you all during the reunion, I am sure that we would not agree an many
points, but that would be only natural and normal. The point is not to concentrate on what
divides the people in the world who have different faiths, religions and political beliefs, but
instead to concentrate on what unites us all. We all have one future. Either we all on this
planet shall learn to live together in peace with one another, respecting the right of the other
to search and to have other truths than our own, - or we shall all perish together. We still have
that power in our hands - either to stop the arms race - or the human race. I personally feel
that the human race is more important thant the wealth accumulated by five percent of the
privileged Americans from the arms race.

I wish you all much peace, love, courage and happiness in your lives.

An embrace,
"Slim" Reed

"Dean's newest film was to be on location close to Yalta - some 600 or so miles from the
Chernobyl accident. When I was at his house in June I found several unopened letters from
Hollywood stars telling Dean that they would not be playing a part in 'Bloody Heart' because
they are afraid of the fallout."

Ruth Anna Brown

We would formally like to point out that the articles, reports and contributions are presented
independently of their truth content. They do not reflect the opinions of the Dean Reed Website team
(see detailed declaration).