Films & Schedules
- URUGUAY

BAD DAY TO GO FISHING

DIRECTOR: Alvaro Brechner - URUGUAY

This quirky tale pits a scamming hustler and his wrestler sidekick against the inhabitants of a small Uruguayan town.

A combination of quirky dark drama and deadpan satire plays out in this stylish tale of a washed-up wrestler and a smooth conman in a sleepy village in South America. “Prince” Orsini, an impresario, arrives in a small town with his protégé, a one-time German wrestling champion named Jacob Van Oppen. Orsini’s scheme is to use Jacob’s status to lure locals into duels with him, promising a large cash sum to anybody who can pin him in three minutes. In reality, the matches are fixed to protect Jacob’s reputation—and Orsini’s income. The pair’s plan is threatened when an opponent is too drunk to wrestle, and femme fatale Adriana, eying the non-existent $1,000 prize, offers up her muscular husband as the replacement opponent. Jacob, nursing sore muscles, a nasty cough, and an even nastier alcohol habit, is in trouble. “Brechner’s ambitious debut is something like a retro The Wrestler by way of the Coen brothers.”—Variety.

First Feature Film.

This year’s Uruguayan submission for the Best Foreign Language Film Oscar.

GIGANTE

DIRECTOR: Adrián Biniez - URUGUAY

The story of a supermarket security guard's obsession with a late-shift janitor.

Jara (Horacio Camandule) spends his nights as a security guard on the graveyard shift at a Montevideo supermarket in stoic silence—eating pastries, doing crossword puzzles, and watching the confines of his world go by on a bank of TV monitors. Something stirs in Jara, though, when he catches sight of a cleaning woman (Leonor Svarcas) in the fluorescent glare of the empty supermarket floor. Too shy to speak, he begins following the woman after work, decoding her secrets while continuing to deny his own. Will the gentle giant ever summon the courage to approach her? Set against the dreary background of economic recession and distinguished by Camandule’s heart-wrenching performance, this nearly silent one-way love story—which the director himself considers “a subversion of the classic … romantic comedy”—earned three awards at the 2009 Berlin Film Festival, including the Silver Bear and the Best Debut Film Prizes.