So if there’s one thing that I’m deeply conflicted on, it’s pointing out failures to fulfill Kicstarter rewards. I’m not talking about obvious scams or people that clearly have no idea what they’re doing; I’m talking about people who have the ability to create what they say they’re going to create, have every intention of making good, and then things happen.

Sometimes, it’s out of their control. Sometimes it’s reach exceeding grasp. I’ve got one promised reward that I know I’m never going to see and I’ll never mention it to the creators (who are friends of mine) because it’s honestly not worth the headache.

At a certain point, no matter what kept you from fulfilling, even when those obstacles seem less and progress could be made, the thought of going back to something that you publicly promised and didn’t make good on when you said you would … you end up with the makings of the most vicious of circles.

This unfinished page has been one of the biggest obstacles in my repeated attempts to resume the project.

There’s more at the Tumblr; go read it. It must have been tough for Douglass to write, and she’s not making any promise about a defined schedule for future updates. From the outside, she seems to be staring directly into the classic dilemma of being so swept up into worldbuilding and backstory and design that the actual production fails to match up to internal expectations and keeps getting pushed back.

I wonder how many intricately-plotted stories exist in the world, locked away in imaginations and never making it to the page¹? If nothing else, let’s try to remember that behind every well-intentioned crowdfunded campaign, there’s a person there feeling the weight of expectations. Even the best handled campaigns must be stressful out of all reasonable measure.

How about a less fraught story to send you out on the weekend? I knew this was coming on account of how at the end of TopatoCon, the TopatoCo store that I worked (alongside the legendary Ferocious J, under the guidance of Agent Paperklip) was, per the direction of TopatoCo Vice President Of Kicking Your Ass Holly Rowland, not torn down and packed out at the end of the show.

You have deferred notifications traitor
With many thanks, Facebook team
I’m honestly not sure if I’m more offended by the notion that I’ve committed treason, or that I have a Facebook account.

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¹ And if my memory serves me, this is still the extent of ongoing story that she’s produced so far; she’s an amazing illustrator, but as I noted during her time on Strip Search, her ability to craft and pace a story is still unknown.

Along those same lines, Kickstarts like hers — intended to fund time to create something — have become markedly less popular of late, and remain inherently risky for both backers (who can easily end up feeling burned) and creators (who can kill the goodwill of their fans).

So I was surprised to see that a high-goal campaign launched the other day along exactly those lines. Jake Parker’s a known quantity as a creator, but if something comes up that derails his ambitious production schedule? SkyHeart could become the next Cloud Factory and nobody wants that.

Follow C’s twitterfeed to learn which ones have been claimed (there was a person that missed the Ghostbusters painting by seven minutes, but got to meet Mr C as a bonus), and keep an eye on Slashfilm and Great Showdowns for the rest of the week to learn about the remaining 21 paintings up for grabs.

The Reviews Are In!Jorge Cham’s second tie-in movie — titled The PhD Movie 2, appropriately enough — has garnered its first major-media review in the pages of the New York Times. Okay, it’s the Education section, not the film section, and it’s less a review, more of an abstract, but when was the last time something you wrote got quoted in the Times, Mr or Ms Smartypants? For the record, I’m not a postdoc and I sound Statistically speaking, you’re three times more likely to get cancer than you are to get a grant funded by the NIH to cure cancer to be pretty damn amusing.

You guys, this is amazing. It’s less spam and more press release, but some company thinks that farm equipment driving simulation games are going to be so massively popular that they have produced a specialized controller bundle that goes for US$299. They want to send me a review unit.

Evan Dahm’s got me convinced that I’ll need a copy of his Moby-Dick Illustrated. His first chapter illustration has the feel of a woodcut crossed with an engraving, and a brooding, heavy quality that pervades the atmosphere in the same way that lightness and hope suffused his Wonderful Wizard of Oz drawings. I never had much desire to read Moby-Dick, but if it inspired work like this, I’ll need to give it a fair try.

MoCCA Fest will be having a dedicated lounge for special sponsor Wacom, all day both days of the show. You’ll be abe to see (and play with!) Wacom’s various products, and there will be five demos spread across the two days from a variety of well-known artists.

Since it’s not an every-strip-reprint project, I can only hope that my personal favorites of her strips — Sadness Brownies, Creepy Dog — will be included. An added bonus in some tiers will be Junior Paleontologist Power Hour, which could be an expanded version of the early strip of the same name, the more recent five-part maxi-series HowToDigUpDinosaurs, or some combo platter of the two. Regardless, I’m in, because Abby loves dinosaurs makes good comics about them.

Spam of the day:

This design is incredible! You obviously know how to keep a rezder entertained. Between your wit and your videos, I waas almost moved to start myy own blolg (well, almost…HaHa!) Fantaetic

Sir or Madam, I believe that you may not be perceiving reality as it actually is. Please check that you are in a safe space, and call for medical assistance.

Okay, there’s still a day left to cost me and Dave Kellett some money. If it wouldn’t be unethical as hell, I’d bid the damn thing up to somewhere in the US$500+ range. In fact, let’s make this game a little more interesting: I pledged to match the purchase price of this piece up to US$500. If this is what it takes to spur some of you to get in the spirit of things (only full cast of Drive watercolor in existence, people!), I’m going to change the terms of my pledge:

I, Gary Tyrrell, will match the selling price of Dave’s piece as a donation to Team Cul de Sac up to US$1000, and with a minimum of US$500 in any case

One of the things that I’ve observed with interest over the past few years is the (slow, but growing) adoption of writer’s rooms in webcomics. You could say that there’s an element of it at Cyanide & Happiness where it’s easy to imagine one of the lads bouncing an idea off another of them, but I think primarily it’s individual efforts. Anyplace you get a writer/artist partnership, there’s certainly give-and-take there.

Crucially, I think the fact that Meconis creates comics so very different from Kurtz is a strength of this particular partnership. While Kurtz, Krahulik, and Holkins undoubtedly work well together they have similar strip approaches (gag-oriented, videogame and pop culture focii) and that limits the number of additional viewpoints that can be brought to bear on the final product. One might wish to compare with the writer’s room that was put together for the now-shuttered NAMCO High, featuring a bunch of creators of different ages and backgrounds (although there was a tendency for them to presently live in Brookklyn).

I’m bringing this up because for anybody that’s considering a writer’s room, finding that balance of different experiences is probably one of the most crucial elements for success, but historically it’s something that’s been elusive. The traditional venue for writer’s rooms has been TV comedy, and much has been written in the past about how those rooms tend to be dominated by white dudes, often from Ivy League colleges, and viciously under-representative of women and minorities.

And all of that is by way of pointing out a discussion that anybody considering a writing partnership (whether in a room or not) will probably want to listen to: as I write this sentence, WNYC midday host Leonard Lopate is introducing the author of a new book on comedy writing to discuss writer’s rooms at places like SNL, Letterman, and The Onion. You can listen to the interview here, and we can discover together what makes a good writer’s room (or perhaps the discussion follows some other track, but it’ll probably still be enlightening).

Skin Horse, by Shaenon Garrity and C Jeffrey Wells, is in an odd semi-hiatus right now. Those of you paying attention may have noted that Garrity is (as of this writing), hugely pregnant and not intending to do a daily strip whilst dealing with the immediate aftermath of presenting a small human child to the world³.

Having wrapped up a storyline on Saturday, she announced that she was done drawing comics for a while on Sunday, and the next storyline (a catch-up-with-peripheral-characters melange, to feature a variety of guest artists) started on Monday. And if my eye does not fool me, Garrity even provided the art for the first vignette herself (or somebody out there has her style down cold), easing us into a summer of random fun, with Wells undoubtedly shifting plot and pacing to best match the fill-in artists.

In 1893, the Rhinelander Daily News reported the discovery of the corpse of a hideous creature with huge claws and a spiked tail. It’s discoverer, local land surveyor Eugene Shpher, called it the hodag, then claimed to have caught a live one in 1896. Shortly after, he displayed it at the First Oneida County Fair. He stood by the veracity of his claims until the Smithsonian Institution announced it would travel to Wisconsin to inspect the evidence, after which he promptly recanted. This ridiculous hoax is now the official symbol Rhinelander, Wisconsin, which is pretty great.

Today, I went to the beachfront with my kids. I found a sea shell and gave it to my 4 year old daughter and said “You can hear the ocean if you put this to your ear.” She placed the shell to her ear and screamed. There was a hermit crab inside and it pinched her ear. She never wants to go back!

Yeah, that’ll happen. My suggestion is that to avoid future trauma to unsuspecting and blameless hermit crabs, you seal your daughter in a barrel, with a small opening to pass in food and water.

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¹ For those of you that didn’t grow up someplace where you got off from school for Yom Kippur and Rosh Hashanah, being a mensch is a good thing.

² About whom it is literally impossible to say too many good things.

³ With, it should be noted, the assistance of husband and Cartoon Art Museum curator Andrew Farago.

3am EMT calls, I will never — eight years into this game — get used to you. Particularly not 3am working structure fires. Doubly particularly not 3am working structure fires where I also get rained on while also getting swarmed by flying ants that are attracted to all the bright lights. Hey, people that smoke carelessly and pitch your still-burning butts into the bushes next to your front porch? Next time wait another 45 minutes and the rain will obviate the need to get my ass out of bed¹.

Accordingly, the FFF was pretty on-mark for SFP (actual: US$60,974; predicted: $US63,000 +/- US$21,000, just about precisely in the middle of the range), but EIv8 was predicted to run US$7.5K (under goal) to US$15K, and finished with US$15,150 (outside the range). I think the key difference was the just over 200 backers for EIv8 vs nearly 2000 for SFP; as I’ve mentioned previously, sample sizes of less than 500 are pretty much useless, so I think the FFF will have to be modified². We will make this into a science yet!

A note to possible book wanters in the USA though:Hiveworks (that comic thing I’m part of) is in the process of opening up a collective online store for all the member comics, and you will be able to buy signed copies of “A Redtail’s Dream” from over there instead. Since it’s based in the US, the delivery time will be just a few days instead of a few weeks, and it’s also possible that it might be a little bit cheaper. The aimed launch date is sometime late next month, so if you’re on the fence of buying a copy or still saving up it might be worth waiting for that. :3 *End info*

Do you mind if I quote a few of your posts as long as I provide credit and sources back to your website? My blog site is in the exact same area of interest as yours and my visitors would certainly benefit from some of the information you present here.

I hate to nit-pick, but it appears that your “blog” is devoted to shilling knockoffs of designer sunglasses. So sure, quote away!

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¹ I must be sleep-deprived — I’m not usually loopy enough to use words like obviate.

² For those that care, the current Fleen Funding Formula is to take the Kicktraq trend figure at the 24-30 hour mark, and predict that the final number will be between 1/6 and 1/3 of that predicted value (or, put another way, PV/4 +/- PV/12). I think for FFF mark 2, I’ll tighten up the range a bit: make it PV/4 +/- PV/20, but only for campaigns that show at least 200 backers in that initial period. For lesser backer counts, I think the formulas break down and won’t be reliable.

We’ll see tomorrow how this works against the Oh Joy, Sex Toy (original prediction: US$97.5 +/- US$32.5K; FFFmk2: US$97.5K +/- US$19.5K) and Slingshot Across America (original prediction: not made, but would have been US$52.5K +/- US$17.5K; FFFmk2: US$52.5K +/- US$10.5K).

As of this writing, STRIPPED is sitting at #2 on the iTunes Canada Documentary charts¹ which is good and all, but not good enough. Back and the end of the 18th century, political scientists figured the next nation to escalate to world domination would not be the United States; the 20th century, they declared, would be The Canadian Century. Alas, Canada did not come to dominate the world in that century, but there is still time in the 21st. Drive STRIPPED to #1 Canada! Then surpass your large, heavily-armed, somewhat rude southern neighbors and find a way to take STRIPPED to #0. That’ll show us!

And when you’ve done so, perhaps you’ll find some time to attend VanCAF, one of the newer crop of TCAF-emulating, modest-scale, community-involving, public-space-inhabiting, no-entry-fee comics festivals. As a bonus, VanCAF is the brainchild of onetime Tower of Babel² writer Shannon Campbell.

Also some guy named Sam that just gets in because he’s sleeping with the showrunner. Scandal!

But apart from that lack of judgment, Campbell has done great things in only a few years, and from my mind two things stand out as the greatest:

VanCAF is in a reasonably-sized space, so floor maps and booth numbers aren’t needed to make sure you find your favorite creators (but there’s still one provided).

Every single one of those creators up there? Campbell clearly included a link to their website so I didn’t have to hunt them down. She’s gettin’ a high-five from me next time I see her.

We didn’t even mention the programming, or the fact that Campbell’s got a food cart coming to set up immediately off the showfloor. If you’re anywhere within reach of the northern Pacific ocean this weekend, VanCAF is the place to be.

You might hear a faint buzzing in your ears right now. No, that’s not your tinnitus acting up, that’s just me screaming at the top of my lungs. Thank you to everyone who backed the Kickstarter, helped me in the creation process, or kept me motivated to push through with this project. I couldn’t be more excited to tell a story about Internet friendship, growing up, establishing oneself in a new city…

Hmmm, that last bit sounds a little autobiographical; granted, Cardigan Weather was a journal comic, but sometimes the works of fiction are more true than those of nonfiction. Sometimes. In any event, Ms T Falcone has a lot of comics chops, and she has the redoubtable Mary Cagle on colors.

But what really caught my eye is the fact that on the very day of launch, Clique Refresh is already a member of Hiveworks, which until now has been partnering with established comics. Granted, a Stripmonaut matched up with one of the hottest colorists-for-hire¹ in webcomics is a pretty sure bet. With updates coming Tuesdays and Fridays, it shouldn’t take too long to see how Clique Refresh develops as both a story and an eyeball-attracting machine.

But I don’t think I want to “grow my business” anymore; I sort of want to do the opposite. And I’m tired, sick to death, of saying “Maybe Someday” when it comes to the things we really want to make. So, we’re not going to do that anymore. The next year is going to be a pretty big one, one of the biggest yet; it’s the year the previous fifteen have been leading up to in the literal sense but also in other ways. I think they’re going to be “big years” from now on, frankly. And it hurts pretty bad, but I don’t know where PATV as a “channel” for third party shows and The Penny Arcade Report fit into that. We’ll be shutting those things down at the end of this year.

It may just be a sign that webcomics qua webcomics has finally gotten to an age where something like a fundamental shift of direction can take place and be noticed; plenty of creators make strategic shifts every other month¹, but they affect far fewer people or have fewer visible effects. For an enterprise like Penny Arcade to make such a shift² for essentially philosophical reasons — I suspect it’s not the last we’ll see, but probably also it’ll be a while before another such appears.

In the meantime, this opens up questions about the future of Blamimations and other Scott & Kris-type productions, not to mention current and future productions from LRR, Mega64, and some pretty damn skilled game journalists. I’d guess that the PATV banner will now be focused solely on what happens inside the walls (so to speak) of Penny Arcade Industries, and that future iterations of Strip Search are no less likely than they were before, but at this point we’ll have to see.

I would quibble with Holkins on one point though, and that’s that he still will be building his business, but less by incorporating the creations of others, and more by expanding the offerings of his own.

But it’s time to start making good on some of the promises we’ve made in our work. Recognizing that things like the Pins or The New Kid or Daughters of the Eyrewood or Thornwatch or The Lookouts or Automata deserve every ounce of our resources. Novels and albums, too – all these things that got put off in the interests of Empire. Essentially, we’ve decided to be Penny Arcade.

This refocusing of effort casts certain decisions in a new light — the expansion of PAX to a third event (and what I’ve interpreted as hints that there may be more in the future), the handing-off of art and writing duties on The Trenches … Holkins gives every impression of having built up his sandbox and now wanting to get to play in it again. I wonder how long he’ll get to before the Empire starts to raise its head again.

The scope and scale are entirely different, but I can’t help but see parallels in the appeal made by Jon Rosenberg today — he wants to be able to direct more of his energies to the creation of comics, but instead of having too much business to attend to, it’s the unique challenges of children³ and family. The world is in some degree cyclical in its nature, and webcomics is not different in that respect — the Patreon system that Rosenberg is now banking his creative career on is reminiscent of the public broadcasting-model approaches that webcomics returns to on occasion.

Someday, the pendulum will swing the other way again, and maybe it won’t be necessary. For now, though — if you like his work (and I’m too lazy to type out the obligatory disclaimer re: me and Jon again, but you can read it here), a very small amount of money will make it possible for that work to continue.

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¹ Indeed, that agility is one of the great advantages of being an independent creator, where the distance from see an opportunity to decide on a plan of attack to make it happen to all done can be measured in hours. that

² And not in response to a crisis or failure, which is how things of this sort normally go in the business world.

³ And Jon didn’t bring it up, but I will: his situation isn’t helped by the fact that his twin sons (happy and healthy today, thank whatever you thank in these situations) entered the world sooner than would be optimal, after an extraordinarily risky pregnancy. No father on the planet could have been prouder than Jon when the son he was told might never walk on his own did exactly that.

However, these triumphs came at a time when the system for the delivery of healthcare in this country — both to get those boys born, and the extensive needs for physical therapy since — is structured in such a way as to make a situation like this financially ruinous. I don’t know the particulars, but I suspect that if you looked around everything you could see within a 50 meter radius taken together probably doesn’t have as high a dollar value as the medical bills Jon’s family have racked up.

So understand, Jon’s not trying to make comics under the usual constraints of family; he’s trying to make comics under the usual constraints of family and medical debt that likely reaches seven figures, and after more than two years of that unique financial burden, is finally asking for help.

All Hallows’ Eve approaches, and comics are well into the spirit. You can choose from disturbing with a funny undercurrent or just damn disturbing; make your heart stout and fear the darkness as little as you can manage.

First up, Strip Search runner-up Abby Howard will be giving us Halloween all year long with the ongoing, longform The Last Halloween, but today’s fourth installment is where things get seriously spooky. The world is coming apart, respected author/punter/pundit Chris Kluwe meets his end, and Mona must deal with crappy candy and no TV. It’s a perfect treading of the line between seriously scary and hilarious, and it’s only going to get scarier and hilariouser¹ from here.

Nextly, Emily Carroll may have actually met the Devil at a crossroads and asked for the ability to see into souls to discover what is more than terrifying, but disturbing on an existential level, and then to portray those disturbances in moody, atmospheric, fuzzy visuals. Not fuzzy in sense of low resolution², but fuzzy in the sense of a dream half-remembered, or a dream so real that as it fades it feels like something you know is true is fading away and taking a part of you with it. She taps deep into the primitive part of the brain, the part that knows that there are men of bad intent and worse in the dark, the part that knows that in the places away from the purifying sun, other laws hold, will you or no.

Carroll’s latest is possibly her most disturbing yet, a slow descent into possibly madness (or possibly perfect clarity) tinged with body horror. Somewhere, around the corner from a crossroads, the Devil is carefully reading his copy of a contract looking for an exit clause and hoping against hope that Carroll never decides to portray what would scare the ruler of Hell.

Lastly, Randy Milholland’s series The Last Trick-or-Treaters (found in the Rhymes With Witch archives) has seen nearly 30 watercolor paintings presented at Halloweentime each year since 2011. Some are … I don’t know if I want to say lighthearted, but at least the menace was inverted or muted, or carried a sense of deservedcomeuppance. Some have highlighted bravery and loyalty in the face of the unspeakable. But the latest set have ramped up the sense of innocents seduced into malevolence, and they are his best so far. Milholland’s made some mention of plans to collect TLT-o-T in print so keep your eyes open for that.

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¹ Shut up, it is too a word.

² And certainly not in the sense of the adorable little kitties and puppies with their fuzzy ears and OMG SO ADORBS. Those kitties and puppies still rule, though.

The spam filter is getting far less of a workout ever since I set topics more than 30 days old to be locked; if perchance you come across an old post that you really want to comment on, drop me a line¹ and I’ll see what I can do.

In one of those perfect storm confluences of independent forces², a bunch of projects launched today:

If you’re a Brad Guigar Kickstarter backer, you now have access to the first of his Webcomics Movers And Shakers interview podcasts, this one with Webcomics Impressario At Large George Rohac; everybody else will get access to the recording at some point in the future.

Super exciting news! I’m now the host of People & Places, a short weekly radio show on Busan eFM!

I knew all that podcasting experience would amount to something! I pitched and developed it myself, and the goal is to make it the Busan, South Korea equivalent of This American Life, filled with stories that make the audience laugh, cry, think or swear. My first episode airs wednesday morning, during drive time!

Allow yourself to be bored. There are a million ways to distract yourself today. Turn your phone off when you go out, give yourself time to let your mind wander. That’s when a lot of the best work gets done. Computer games aren’t productive. Checking Twitter/email/Tumblr every three minutes to see if anything has happened isn’t productive. It’s counter-productive. You’re wasting your limited lifespan.

Not the “being bored” part (I don’t think Estrada is biologically capable of it), but the sense of doing lots of different things, so that creativity doesn’t get clogged up. While we’re on the topic, you should take a few minutes and read all the other entries at 10 Rules, especially considering there’s only ten entries so far.

Bird’s out visiting Sears stores at the moment or I’m sure he’d have more to say about it; probably the least surprising aspect of this whole bit is that Bird and Bullseye host Jesse Thorn know each other from college. Creative, interesting people just seem to eventually overlap, circles of friends merging with ever-broader circles of friends, to the point that it would be weird if two people from completely different communities didn’t know each other.

Anyway, it’s a really good listen, and you will likely enjoy it.

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¹ That would be at gary who maintains a point of contact at this here website, which exists in the dot-com TLD.