Tuesday, November 11, 2014

Lost in a superficial world of materialism and social status-and ashamed of her Latino heritage-seventeen-year-old Adelita Noe is loved by two men, two men separated by a hundred years and vastly different stations in life. One man owns little more than the shirt on his back. The other, a poet at heart, is heir to a vast fortune. Their love for Adelita serves as the backdrop for the Latino girl's quest to better understand herself and her Mexican roots.

I write middle-grade and young adult novels, and my characters dispense small doses of historical facts, facts that become an integral part of the story. Indeed, each of my four middle-grade/young adult novels plays out against a backdrop of history. I do try and tactfully educate the reader about the role history plays in all of our lives. In A Boy Called Duct Tape, I educate the reader about the exploits of Jesse James and his gang of outlaws; in Voices of the Locusts I show my readers the ugly psychological scars left by World War II; in Adelita’s Secret, the importance of the Mexican Revolution forms the backdrop for my story; in my upcoming novel The Ghosts of Petroglyph Canyon, the significance of preserving ancient rock drawings subtly weaves its way through the novel.