The dramatic and captivating images that Newell Convers Wyeth (1882-1945)
created during his lifetime established him as America's premier illustrator.
Far less well-known to the public, but of equal or even greater importance
to Wyeth himself, were his private paintings -- works that reveal his lifelong
reverence for nature. N. C. Wyeth: Precious Time will feature more
than 50 works spanning Wyeth's career through a variety of artistic styles
including Realism, Impressionism, Post-impressionism, and Romanticism. N.
C. Wyeth: Precious Time, on view from June 22, 2000 through October
15, 2000 at the Portland Museum of Art, will be a rare opportunity to view
paintings that Wyeth created out of personal inspiration. (left:
The Magic Pool, Spring, 1906, oil on canvas, 26 x 28 inches, Collection
of Linda Bean Folkers)

"This
is the first time that many of these paintings will be shown in Maine, "
said Museum Director and exhibition curator Daniel E. O'Leary. "The
exhibition will be a wonderful opportunity for the public to see N. C. Wyeth's
easel paintings and experience his purely personal artistic values."
(left: Bright and Fair- Eight Bells, 1936, oil on canvas,
42 3/8 x 52 1/4 inches, Collection of the Farnsworth Art Museum, Museum
Purchase, 1989, Photography by Melville D. Mclean)

N. C. Wyeth: Precious Time features
the artist's earliest paintings beginning in 1902 until his tragic death
in October 1945. The exhibition includes 14 of the artist's strongest
paintings for publication, including dramatic scenes from Treasure Island,
Kidnapped and Westward Ho! The exhibition then looks at Wyeth's
personal creations: landscapes, portraits, still lifes, and seascapes. It
was through these latter expressions that he felt he could best grow and
develop a voice as an artist. The contrasts between these two styles of
work illustrate his search for a mode of visual expression and explore the
contrast between his commissioned artworks and his purely artistic ventures.
(right: Untitled (Summer Teel's Fish-house, Port Clyde), c.
1930, oil on canvas, 32 x 40 inches, Collection of Linda Bean Folkers)

Wyeth's dilemma in life was that his extraordinary success
as an illustrator meant that he was constantly sought by publishers and
editors, leaving little time to pursue his foremost desire to paint landscapes
and seascapes which captured the sublimity and emotion in nature which he
so admired. (right: Black Spruce Ledge, 1941, oil and tempera
on Renaissance panel , 42 x 52 inches, Collection of Linda Bean Folkers)

Wyeth made a personal commitment to create artworks that
were important to him. His private paintings allowed him to explore a variety
of styles, techniques, and subject matter. A majority of these works contemplated
the landscape and people around him in Chadds Ford, Pennsylvania, and the
town and surrounding islands near the family's summer home in Port Clyde,
Maine, which N. C. co-purchased in 1920. The coast of Maine became his primary
source of inspiration towards the latter part of his life.

Collectively, the works from N. C. Wyeth: Precious Time
represent Wyeth's ardent efforts to capitalize wisely and fully upon what
he perceived as his most valuable resource: the precious time when he could
live entirely as an artist.