An "outtake" from my recent Hedwig Sketchbook report for Vanity Fair. This is actually the first drawing I did the week of tech. It shows the stage manager and a costumer in the house, watching as John Cameron Mitchell rehearsed. The costumer ended up being the audience stand in whenever Mitchell practiced his "in the house" moments.

The other night I went to a reading of a new play by my old friend John Walch over at New Dramatists. I pay better attention when I’m doodling, so here’s three pages of sketching I did of John, the actors and some guy in the audience. The play’s called What God Hath Wrought: A Transatlantic Farce and it is absolutely wonderful. John’s so good …