"String theory. You wouldn't understand."

Despite only one year lying between Baalstorm, Sing Omega and its predecessor Aleph at Hallucinatory Mountain, there’s a drastic difference in the sound of both albums. Aleph was an angry record, centered on harsh guitar stabs and razorblade leads – a very deliberate texture overload accompanied by an appropriately aggressive vocal delivery from David Tibet. Baalstorm, Sing Omega is much more delicate in contrast, calling upon the flow and cascade of piano and cello instead, moving in wave-like surges and nudging along Tibet’s abstract ramblings, which babble breathlessly with an epiphanic urgency.