To close the season, the occasional collective Lucinda Ra is organizing an open studio for three days. You are free to come in and out, join the conversations, or just to listen and watch the music, animated films, short presentations, and visual work. The kitchen – which forms the heart of the project – will be open throughout and is free. You can contribute your own ingredients: a ticket for Grondwerk costs 250 grams of food.

July 1968. The legendary Paradise Now by The Living Theatre premieres at the Festival d’Avignon. The actors attempted to unleash a revolution by getting the audience into a state of readiness. Half a century later, Michiel Vandevelde is exploring the vestiges of the legacy of May ’68. Will new future perspectives open up when thirteen young people survey a half century of history in a wild choreography of iconic images?

Over the years, Christodoulos Panayiotou has compiled an archive on the ways in which fiction can escape mortality and finitude. From Dalida's most tragic songs to Michael Jackson’s urge to perform one last time. He presents this archive in Dying on Stage. He combines the precision of a lecture with the indeterminacy of night-time internet surfing.

Jonathan Burrows, dancer and choreographer. Matteo Fargion, musician and composer. Always the two of them… but not this time! They invite four local artists – Mette Edvardsen, Dounia Mahammed, Lili Rampre and Andros Zins-Browne – to address the subject of ‘the possibility and impossibility of community’. The ingredients? 72 clay objects created by the performers, group singing and Indian drone sounds on smartphones.

Visual artist Fabrice Samyn installs his seven Breath Pieces around a waiting room. Performers do various things that intensify your awareness of time and focus your attention on the fundamental and uncontrollable nature of breathing. Each section follows a consultable protocol that determines the interactions between performers and audience.

Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

La Piscine is a collective project that gathers different artistic practices and works addressed to a single spectator. Going from a walk with the eyes closed, to a conversation, to a bath, a single spectator and one of the artists will tune to each other to draw a singular path into Les Bains du Centre – at the heart of the Marolles.

Gallop. Biography of a Body tells the bizarre story of the life cycle of a body. Dolores Bouckaert’s co-star in this solo is – via film and audio – a fast and powerful horse. The two are one another’s opposites until they become interchangeable, when the horse’s gallop coincides with the rhythm of her heartbeat.

Mette Ingvartsen aims to explore and expose the fact that pornography has rooted itself deep within our society. In the fourth instalment of her Red Pieces cycle, she mixes physical actions with narrative passages, presenting you with a veritable mental choreography. She again holds up her magnifying glass to sexuality – resulting in an extraordinarily intense production.

Elastic Habitat is an immersive installation – you could call it a kind of playground – that invites you to explore, touch, and even carry textile sculptures. You literally inhabit an imaginary body and thus have the time to explore your own identity in an uninhibited, sensory, intuitive way.

Cock, Cock… Who's There? is an unsettling and gripping report by a young woman who researches intimacy and violence. Armed with her camera, Samira Elagoz sheds light on the online manipulation of bodies, while cleverly subverting typical gender dynamics on the internet.

We live in an age in which human activity has a profound impact on our physical and ecological surroundings. Nevertheless, these transformations often go unseen. How can we create stories, aesthetics, and spaces of experience to deal with this situation reflectively and critically? Looking for answers, David Weber-Krebs and Jeroen Peeters install a series of hybrid artistic and theoretical interventions in a performative setting.

Benoît Lachambre again asks you to listen to your senses and genuinely to experience the consciousness of your body. Borders between dance and movement gradually blur when a glance, a movement, or the touch of someone in the audience continues to resonate in the choreography.

Folkah! was born of the desire to bring two female artists around an ancestral dance from the Sahara: the Guedra. Meryem Jazouli is teaming up with her co-founder of the dance centre Espace Darja and with the renowned composer, producer and jazz singer Malika Zarra.

Plants, cups, books, chairs, lamps – these were the possessions bankers rescued from their Wall Street offices after the stock market crash. They are now the basis for a duet that questions the connection between object, art market, and crisis. Youness Atbane and Youness Aboulakoul explore the logic of language, movement and images.

Meg Stuart and visual artist Jompet Kuswidananto embark on a journey of artistic investigation through collective memories and implanted fictional traumas. Imaginary and invisible spaces – and the voices that make them resonate – are one of the starting points of an adventurous leap into unknown territories.

In this mini festival – conceived especially for the empty Kaaitheater hall – music resonates with a series of different disciplines. This time, they will start from the proposition that music is not just sound. Ictus is bringing together sound poetry, spoken word and modal music at the intersection of melody and rhythm.

Along with Sunn O))) co-founder Stephen O’Malley, Gisèle Vienne travelled to Java and Bali to immerse herself in the magical world of performative rituals. Their encounter with musician Wukir Suryadi, co-founder of Senyawa, revealed profound resonances. This evening showcases their shared venture through a common musical philosophy.

What happens exactly when we fall asleep? What is it like to be a viewer watching other people fall asleep in a theatre, to witness this most intimate act? The Guardians of Sleep is a collective attempt to withdraw in a world that is always ‘switched on’ – and where an ‘off’ button simply doesn’t seem to exist.

During the Arts Day for Children, we throw the doors of the Kaaistudios wide open and let children take control! Come and have a look, eat a delicious Brussels waffle, and immerse yourself in the world of dance!

Anywhere Doors is an interactive installation that moves through the public space. Five doors on wheels traverse the urban landscape – and evoke question about territories and borders. Feel free to open the doors, to close them, to step through them… Anywhere Doors will begin its journey in front of the 5 Blocks, as an open invitation to the children in the neighbourhood. You can accompany it to the Kaaistudios, where you will be treated to hot chocolate, waffles, and all the activities at the Arts Day!

How can a mental choreography give you a sense of movement? In Anatomie, Anne Juren creates a movement score for entrails and bodily functions. While you lie on a mat with your eyes closed, she uses her voice to guide you around your body and your mind.

Mette Edvardsen is drastically expanding the classical stage. She is performing We to be at three locations simultaneously: in the book from which she reads aloud, on the empty stage as a projection screen of your imagination, and in the ether as a live radio broadcast.

THE THING is an automated and hybrid form consisting of four episodes, in between performance, workshop, and journey. The only ones present are you, a group of 8 to 12 people who open a suitcase and follow a wild mix of different triggers as a guide. Make a leap of faith!