Tomás Eloy Martínez wrote: “There is something that the photographs of Marcos Zimmermann catch on the wing, and yet defies description with the elusiveness of mercury: a metaphysical beauty that lies not in the landscape but in the excess of landscape, at an extreme beyond the reach of language… Hence the achievement of these photographs, which capture the wind in flight, seize time, immobilise it, surprising eternity at the exact moment when it turns and shows its face”. La Isla, Buenos Aires and Blume, Barcelona.