Reviews tagged girls

In 1982 Harvard professor Carol Gilligan published In a Different Voice, a revolutionary body of research articulating the unique psychological experience of being female in America. Responding to research that drew conclusions from studying boys, Gilligan’s exploration of the female experience was one of the first to focus on girlhood as an independent site for research rather than as a sub-category of Women’s Studies.

Ness holds doctorate degrees in Human Development, Psychology, and Anthropology and in Why Girls Fight she blends the theories and research methods from these three fields to discuss female youth violence. Ness argues that the majority of studies tend to examine either individual factors in explaining and understanding youth violence or emphasize sociological, macro-level factors.

I was twelve years old when my mom moved to South Florida and I was first introduced to surf culture. My step-dad’s shed was filled with boards all different shapes and sizes and on the few rare occasions I did paddle out, it was always with him by my side—and with his help navigating the powerful ocean. I was interested and wanted to learn, but I was scared. I wouldn’t be good enough, I wasn’t strong enough, the boys would make fun of me, I’d get in their way, they wouldn’t like me.

When do you stop being a girl? When do you start? And, perhaps most importantly, what does it mean to be a girl? These questions are necessary ingredients in order to fully ingest Anne Germanacos’ debut work, In the Time of the Girls. An exploration of history and individual experience, the book forsakes the traditional plot-driven narrative for a collection of short stories which themselves are a mosaic of prose and dialogue infused vignettes, each individually titled.

Founded in 1554 by a group of charitable women who called themselves the Compagnia della Pietà, the Casa della Pietà, or Compassion House, was built in Florentine to shelter girls who had been orphaned or abandoned by their parents. The goal of the home was to keep children and adolescent girls from turning to (or being forced into) prostitution in the absence of familial support, and to provide them with the possibility of a dowry and marriage. Despite these good intentions, only 202 of the 526 girls and women who resided in the home survived their stay.

Timmy and Lassie. Henry and Ribsy. Henry and Mudge. Shiloh, Sounder, Old Yeller. All great, classic stories. All beautiful illustrations of the so-called timeless bond between boy and dog. But where are the stories about girl and dog? There’s Because of Winn-Dixie and it, too, is a deservedly award-winning classic. But where is the rest of the canon?

I recently reviewed New Moon Girls Magazine and was particularly impressed with the way it provides interesting and encouraging content to young girls without succumbing to the harmful media trends that can potentially harm their self-esteem. American Girl Magazine is another publication that appeals to girls without excessively highlighting gender stereotypes.

If you’re a parent or a person who interacts with and cares about children, you might have noticed some worrisome trends, especially among girls. I have seen girls as young as seven show concerns over “getting fat” or being unpopular. Bullying, body image conflict, and other issues seem to be plaguing young women earlier and earlier.
Most women who call themselves feminists would agree that enriching the younger generation is crucial.

Girl Trouble gives a glimpse of the underbelly of The City By the Bay. Set in San Francisco, this is not a story about the hippies of Haight Asbury, nor is it a tale of the modern liberal Mecca so many of us assume it to be. In fact, Girl Trouble could be set just about anywhere in the United States. The film follows three young women whose lives are entrenched in cycles of violence and who can barely keep their heads above water, let alone enjoy the splendors of the world around them.

In Justice for Girls?, Canadian researchers Jane B. Sprott and Anthony N. Doob provide a comprehensive and concise overview on girls and juvenile delinquency in these two North American countries. Sprott and Doob address the misconception, fueled by media reports and newspaper articles circulating in the U.S. and Canada, that girls are committing more crimes, and more violent crimes.

Initially you might believe that the lives of the women and girls introduced in What’s Your Point, Honey? will intersect in some intimate way. The opening scenes seem to insinuate a touching tale itching to unfold—and it does, but not in the way you might expect.
A triad of 10-year-old girls who are brilliant beyond their years are shown asking pedestrians if they’d vote a woman into the oval office and why America hasn’t been able to already.

Style writer Simon Doonan’s foreword starts out High Glitz: The Extravagant World of Child Pageants. Doonan feels that beauty pageants geared for children are no more exploitative or harmful than cheerleading or little league. He writes that children learn endurance, losing gracefully, and social skills. It also gives them exercise and breaks from the tedium of childhood.

I must admit that I have a minor addiction to so-called celebrity news. I’ll read People magazine at the gym and admit to having a fascination with hearing more about my favorite stars. This addiction is explained in The Cult of Celebrity.
The book breaks down our addiction by first equating it to worship. Celebrities are, to some extent, deified. They are put on a pedestal, separate and special from the rest of us.

Set in the late 1990s and early 2000s, Girls, Feminism, and Grassroots Literacies follows the short life GirlZone, a nonprofit in Central Illinois. Founded by two women living in Urbana-Champaign, GirlZone offered nontraditional workshops and other hands-on learning opportunities for girls in the area and its outskirts.

No Country for Young Girls is a twenty-five minute question posed to India: "How can this country move forward while there is still profound gender discrimination against females?"
Director Nupur Basu introduces twenty-seven-year-old Vyjanthi, a mother of a three-year-old daughter. When she becomes pregnant with another girl, her husband and in-laws pressure her to an abortion. She flees to her parents’ house to weigh her options. Should she leave her husband and raise her daughters on her own?

After being asked what she wanted for her readers to take away from Throw Like a Girl, Jean Thompson answered that she hoped they appreciate the “transforming power of literature, how can it remove us from the everyday world and let us see with new eyes.” And this book does just that: it takes us away from the everyday world and then painfully drops us back with the suspicion that this fiction is actually very real.
The horrors of normalcy and the tedium of

As a former Girl Scout, I have vivid memories of my first trip to Camp Hoffman where my troop and I listened to the history of the organization. I particularly remember an awful amount of fanfare when my leader discussed Juliette Gordon Low, the fearless founder of the Girl Scouts. After reading Susan A. Miller’s Growing Girls, I feel a little jaded about my 2nd grade introduction to the Girl Scouts.

Mohawk Girls is a beautifully written and directed documentary film by Tracey Deer. Released in 2006, Deer parallels the lives of three teenage girls living on a reservation just outside of Montreal, Canada to her own experiences while struggling to grow up in a world that fails to reach out to those not living within the main steam culture.

CosmoGIRL!, the little sister of Cosmopolitan magazine, has just released it's own make-and-do book of DIY projects for crafty teenage girls. “Hey _CosmoGIRL!_s,” reads the prologue, “You may not know it, but you're the most positive, can-do, pro-active group of girls that has ever walked the earth. I know that may sound like a big statement, but it's true. You're smarter than ever, you're more independent, and no one can trick you because you see right through it.”
So what kind of craft projects followed this empowering statement? Why, “Boy-Of-The-Week” panties, of course!

The word “charming” is too vague, and it makes me think of smarmy real estate descriptions, but…I…can’t…stop…myself. Dairy Queen is just so darn charming that I am forced to momentarily succumb. Catherine Gilbert Murdock has taken a traditional coming-of-age story about a tomboy in a small town and wrung some feisty new life out of it.

Lauren Mechling and Laura Moser’s third book in the Social Climber series finds the 10th grade heroine, Miriam “Mimi” Schulman, spending a summer in Europe, continuing her high school journalistic exploits. The popularity of the series is evident in the relatable characters.

“I was like four or six when my babysitter molested me... I would just freeze... Like I thought if I froze it would not have happened.”
This 16-year-old girl’s memory is an all too familiar one for Laurie Schaffner.

Hide and Seek is a brilliant movie that explores the real life stories of lesbians' self actualization of who they are during their childhood interwoven with the story of one little girl who - though on the outside she is just like the rest of the girls in her class - she knows that there is something fundamentally different about her. There is also some very interesting footage of very old 1950s-style biology documentaries on homosexuality.
Are we a product of our genetics or are we a product of our environment?

A friend once described the experience of being a Smiths fan at age twelve. Listening to the lyrics of “Half a Person”—“Sixteen, clumsy, and shy, I went to London and I booked myself in at the Y…WCA…”—he felt a pang of recognition with that teenager. Precociously morose, he told me, “I felt so old for my age!”
Reading Lauren R. Weinstein’s comics, I feel a similar sympathetic pang – albeit from the far side of sixteen. It makes me think that the ageless adolescence of the sensitive, artistic, somewhat nerdy kid is a permanent state of being.

Founded in 1994, The Girls Speak Out Foundation for girls ages 9-15 is the brain-child of Andrea Johnson and Gloria Steinem. The second edition of Girls Speak Out: Finding Your True Self incorporates the interactive exercises, vignettes, poems, short stories, etc. brought to you by budding feminists who have participated in the program. The scheme of this program and of this book is two fold.

Cutting isn’t just about cutting. It’s about burning, fainting, fingernail scratches, hospital visits, and apparent suicide attempts. It’s about what the author calls self-mutilation (though many sufferers prefer the term "self-injury" as "mutilation" implies that the goal is the scar, which isn’t always the case). These girls (and they are mostly girls) act out their anger or sadness on their own skin, inflicting pain but not attempting suicide.

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