Synopsis

Mark Landis has been called one of the most prolific art forgers in US history. His impressive body of work spans thirty years, covering multiple styles and periods. And while the copies could fetch impressive sums on the open market, Landis isn't in it for money, but instead donates his fakes to museums across the country. When Matthew Leininger, a tenacious registrar in Cincinnati, discovers the ruse and organizes an exhibition of the work, Landis must confront his legacy and a chorus of museum professionals clamoring for him to stop. However, it's not so clear that he can. Landis is a diagnosed schizophrenic whose elaborate con is also a means to cultivate connection and respect - feeding what he now understands as an outright "addiction to philanthropy." ART AND CRAFT starts out as an art caper, rooted in questions of authorship and authenticity. What emerges is an unflinching exploration of life with mental illness and the universal need for community, appreciation, and purpose.

Awards Season might have begun, as there were six new releases in the $10,000 club this past weekend. Leading the way was Yellow Day, with an estimated $31,000 in one theater. 20,000 Days of Earth was close behind with $27,879 over the weekend and $30,969 over five days, also in one theater. Pump! earned an average of $14,059 in three theaters, which is particularly good for a documentary. A fellow documentary, Art and Craft, was next with an average of $11,500 in two theaters. Not Cool debuted with $10,329 on one theater, which is surprisingly strong, given its lack of reviews. Likewise, Hector and the Search for Happiness earned bad reviews, but still managed an average of $10,212 in four theaters.
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It's an overly busy week for limited releases with nearly two-dozen films on this week's list. There are a number of films on this week's list that are earning outstanding reviews, like 20,000 Days on Earth, or strong buzz, like The Zero Theorem. But there are not a lot earning both. Films like Stop the Pounding Heart or The Guest will likely not live up to their Tomatometer Scores. Tracks is probably the film with the best chance at breakout success.
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