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Certain lots have been marked with the sign
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Certain lots have been marked with the sign
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Certain lots have been marked with the sign
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Certain lots have been marked with the sign
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Certain lots have been marked with the sign
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These Lots are not situated in India and therefore, may only be purchased in USD.
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foreign exchange regulations to make payments overseas. Please sign the
declaration and fax it back to Saffronart at (91 22) 24321187. Please contact
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Certain lots have been marked with the sign
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These Lots are not situated in India and therefore, may only be purchased in USD.
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"The Bindu symbolizes the seed bearing the potential of all life"
Sayed Haider Raza calls his work a "result of two parallel enquiries....- the "Bindu" (the dot or the epicentre). Raza's work has formalism for which he trained in France as well as the mystic aspects of Hindu philosophy.

Taking a brief break from his painting and the constant stream of visitors that come to see him in his Gorbio studio Sayed Haider Raza spent ...painter in the 1930's and 40's. Alas she died very young in India. We were very unhappy but she inspired us to inquire and find out - What is art? What

Manish Pushkale was born in Bhopal in 1973. A trained geologist Manish also studied art at the art college in Bhopal. He is also a recipient of the S. H. Raza foundation award.
Pushkale has had solo exhibitions in Bhopal 1994 Delhi 1997 Pundole Art Gallery Mumbai 2003 and Paris 2003.

She held her first show at the Bal Gandharva Art Gallery Pune in 1978. At
one of her exhibitions somewhere in mid 1980s Sujata met painter SHRaza ...went to in Paris at Raza's insistence. She was awarded an
invitation scholarship by the French Government. In Paris she enrolled at
the Ecole

where he took a Diploma in Art in 1949 and later a Masters Degree (1950).
It was around this time that Gade came in touch with artist SHRaza whose watercolors echoed the style of his mentor Walter Langhammer then the art critic at 'The Times of India'. Raza gave him a lot of advice on painting

in the mind and imagination as well as in reality and therefore must be recognised. Raza believes that nature moves itself rather than being moved by the beholder." (Friedhelm Mennekes "Soft Polarity" in S. H. Raza – Paintings from 1966 to 2003 The Fine Art Resource Berlin exhibition catalogue 2003

A Life in Art S. H. Raza Art Alive Gallery New Delhi 2007 p. 73...Speaking of Raza`s thick impasto landscapes of the mid 1950`s Jacques Lassaigne then director of the Museum of Modern Art in Paris says "…in his

in Art S. H. Raza Art Alive Gallery New Delhi 2007 p. 132).
Here this union takes the form of kundalini or two intertwined snakes symbolic ...is that something linked to the origin of life bubbles up in Raza`s work. At first glance these geometric compositions may appear to move away from the complexity

the mood of places and of people" (as quoted in Geeti Sen "The Seed and the Fruit Metaphors in Raza`s Painting" S. H. Raza Saffronart and Berkeley Square ...that this school of artistic thought had on his work. Trishna meaning `thirst` or `desire` reflects Raza`s ceaseless quest to develop his painterly

and the square" (S. H. Raza in Geeti Sen Bindu Space and Time in Raza`s Vision Media Transasia Ltd New Delhi 1997 p. 126). However instead ...In the mid-1980`sRaza`s fluid gestural application of paint gave way to a more hard-edged approach to abstract forms and spaces. "In terms

Recent Works by SHRaza Art Musings exhibition catalogue 2004 unpaginated).
In this piece Raza meditates on nature its five basic elements ...Non-representative art particularly in India is often understood as a means of repudiating worldly pleasure and pain. However "Raza`s practice

AND FEATURES
S. H. Raza's new series "Rang Raas"
An exhibition, titled 'Rang Raas', showcases the works by veteran painter S. H. Raza. It's perhaps an anti-dote to the celebrated painter's earlier exhibition 'Moun', which featured works in blacks, whites

AND FEATURES
'Criss-Crossings' by S. HRaza and Manish Pushkale
'Criss-Crossings' show at The Guild Art ...with S. H. Raza, 83, who is arriving at simplicity after almost six decades of work.
Their artistic practices share inspiration from homegrown