Lynne and Mark’s films were handheld explorations of various urban environments, so we focused our performance on individual sonic episodes which were slowly uncovered and hidden as the evening progressed.

The database-like structure of Italo Calvino’s “Invisible Cities” was an organizing metaphor for these episodes. Some were based on field-recordings, manipulated live in MAX/MSP while others used video analysis of the film frames to produce a synesthetic mirroring of the screen.