Lee returned to England for his sixth (and by most accounts, worst) go-round as Dracula for Hammer Films, where the creative juices seemed to be drying up. The decision was made to turn Dracula loose in the modern world. The movie actually opens in 1872 with a scene that is one of the highlights of the entire production--an action scene that features Dracula battling his nemesis Van Helsing (Cushing) atop a speeding stagecoach. When the coach is wrecked, Dracula is impaled on a wheel spoke and dies. From that point, the scene immediately jumps ahead one century. A Satanist named Johnny Alucard and a group of naive hippie teenagers revive the long-dead vampire in an abandoned church building in England. The teens and Dracula are opposed by Van Helsing's grandson (Cushing again) and his granddaughter Jessica (Beacham). Hammer's unwillingness to pay Lee to speak more than a few lines, together with a sterile plot that had Dracula essentially paralyzed by the modern world, forced the teenagers to carry the story. It appears that the idea for Dracula A.D. 1972 came from the Count Yorga movies, which had some success in placing an Old World vampire in modern Los Angeles. However, the Yorga movies were only moderately successful and this Hammer copy did not even do that well. Dracula A.D. 1972 was the sequel to The Scars of Dracula (1971) and was followed by The Satanic Rites of Dracula (1973).