No, I didn’t go away, unfortunately, although a holiday was what I both have been and am still craving. I made a rash promise some weeks ago to put up a Facebook Author page, to do a minor relaunch of my novel, and to serialise a bawdy Elizabethan detective story. Really, I should know myself better than that.

I think it was the short story that finally broke me.

Writing, for me, is a pleasure, comparable to painting. It is all about crafting the finished product, taking my time and eventually producing the best I can. When all goes well, the process is immensely satisfying from beginning to end.

Within that process, of course, there are times of writer’s block, false starts and finishes, wrong turnings, and many other things to go wrong. And the editing can be an infuriating process. But overall, there needs to be a flow.

Making Friends with the Crocodile worked for me at the length it was (45,000 words), since I wrote it almost as a stream of consciousness as the story unfolded in my mind. It came out in a rush partly because of its importance to me, and partly because I found I could visualise the characters, the story and the setting clearly. Once I had reached the end, I knew that was the end.

Obviously, many stories take a lot more coaxing to get down on paper. I’ve struggled with ones that need to be forced, certainly in places, partly because at that point they are not ‘me’ at the heart of them; I have lost that flow. But sometimes because of the length.

One reason I stopped entering short story competitions is I write a lot of long short stories. I am perfectly aware of the dictum that whatever you write can be edited down to the required length and that, indeed, they should be edited down.

But I also strongly believe that when a story presents itself to be written, that story has an internal length that needs to be respected, even after editing. Some require a few hundred words, some a lot more. But to attempt to turn Making Friends with the Crocodile into a 120,000 word novel or a 5.000 word short story, I am sure would have meant a lesser read. It would have been padded out for the sake of it, or stripped down to bare bones that would have meant that the characters could not have been drawn as strongly as I wanted them to be, and therefore encouraged less empathy from the reader.

Where is all this leading?

I began the short story / serial. It was working quite well, and I had a good few chuckles to myself as I was writing it and then, suddenly, it was almost 10,000 words long and nowhere near finished.

Oh dear.

So I attempted to cram and trim and edit and get it down to a suitable length for serialisation, but I was not happy with the result. Oh no. And I had one of my minor panic-I-can’t-cope-stress attacks and decided the only way to deal with it was to hide.

So, I’m not going to serialise it after all. I will finish it, but the attempt to condense it into a few instalments simply wasn’t working, and what I ended up with felt completely wrong. I will return to it at some point in the future, and finish it as the novella that it clearly is.

There is another strand to all this:

I made the Facebook Author page. That was the easy bit, and I’ll show you where it is next time. And I put together the re-launch promotion piece by the simple expedient of gathering together extracts from lots of the kind reviews the book has had.

But I am in a state of recurring panic, once again, over this huge need to self-promote to sell books. Of course, we all want to, but we are forever urged to use this or that platform, accept this or that offer, etc. Now, we are told that we ‘must’ have a YouTube channel. Really? And a presence on all sorts of social media. Are we not ‘serious’ writers if we are not prepared to move heaven and earth to sell a couple of extra books? That we should ‘invest’ a hundred or five hundred dollars here and there to advertise ourselves?

I have sold a few, and what is really important to me is the tremendous feedback that I’ve had.

Blowing my own trumpet is anathema to me, as I have written in the past. I just can’t do the selling and marketing the way that seems to be presented as essential. It’s an aspect of life that I hate, and a reason I have never gone into ‘business’. Everything around the promotion and marketing just seems relentless and is something that I cannot cope with.

Fortunately, I am not interested in fame. The idea frightens me.

And I really struggle with social media. I have had two goes at being on Facebook, and cope with it at the moment by not going on it very much. I spent ages trying to see the use of Linkedin, and have solved that one by closing my account last week. I really see no use for it.

And I am not doing Twatter.

So here I am back on WordPress, which is a platform I do enjoy. I’ll dip in and out of it a bit over the next few weeks or months, I suspect, since I still feel a bit panicky, but I will be there.

Like this:

Having posted a few days ago about my inability to finish one project before starting three others, I’ve attempted to organise myself a little to try to deal with that.

And not too long ago, I also posted about my inability – fear almost – to promote myself effectively.

Coincidentally, several days ago I took part in a Webinar aimed at small businesses (theoretically, that includes writers trying to sell books), about using social media effectively, and whilst I was pleased to discover that I seem to be doing a fair bit right already, there are several things that I should definitely change, which I will do shortly.

Not kittens.

The first thing I’ll do, will be launch my own Author page on Facebook; something I really should have done before now. And to promote it, I plan to serialise a new short-ish story on this blog, over several posts. It’s something slightly different, for me, in that it is a spoof/satire ‘gritty urban detective drama’, but set in Elizabethan England. So, cue daggers, bawdiness, vomit and lots of mud and sour beer.

This will probably be during the second week of next month.

I have also learned a little more about publishing, from the company Wet Zebra at our local writers’ group, and from a few other independent sources, which might possibly lead to my attempting to publish my next book a little differently.

That next book will, I’m now reasonably certain, be The Assassin’s Garden, which has picked up momentum again. If all goes according to plan (!), it will be the first book of a series, stretching in time from the sixteenth century to the late twentieth century, and set variously in Persia, India, Europe and England.

So, what’s it about? I’m so glad you asked. A secret, something stolen, a pursuit, crossing time and continents. Revenge. It has elements of detective story, a bit of classic Gothic horror, a touch of fantasy, a soupcon of sex and violence, some ‘straight’ historical drama, and kittens. Yes, really.

Not a kitten either.

I’m nothing if not ambitious.

And, bearing in mind how easily distracted I am, the research will give me huge opportunities to prevaricate and wander off at tangents to all sorts of odd corners of the internet.

Buy it, read it, make me happy!

And for Making Friends with the Crocodile, my published novel, I am going to re-write the promotional blurb and have another attempt to push it out further into the big, wide, novel-reading world.