Due to the discursive character of contemporary artistic and philosophical praxis, there arises a need for constant rethinking of one’s opinions across various topics, interest circles and optics. Therefore a socratic conflict becomes an integral part of each personality in a pursuit of understanding via the reading/learning/talking/scrolling… process. There is an ambition in the „Selfish Me(s)“ piece to understand this phenomenon. An equally important aspect of this thought adventure lies in a desire to comprehend the „story-based“ human thinking and in the resolution to use the storytelling practice in the artistic process. To thematize this act of getting lost in the world of informations, there have been used the following pillars: biology / focused on neodarwinistic theories (Richard Dawkins, Anton Markoš,…), the philosophy of critical thinking and the theories of truth (Richard Rorty. Jacques Ranciére, Hito Steyerl,…) and the postmodern relatedness of a story and the truth. Except of the conceptuality and the visuality of the project, I have been interested in rap music - a form of set to music poetry. Language becomes visual, repetitive, meditative yet disruptive. Although the autobiographic basis of the work, there can be felt a general fear of scepsis, brought by the informatively oversaturated post-postmodern reality. Disruption of the intellect is becoming a whole society problem.The project consists of a set to music narrative poem, interpreted by a rapper Karlo (GUMBGU) and myself. This track has become the foundation of a large scale multimedial installation in the In/Out residency centre at the Nová Cvernovka culture hub in Bratislava, Poetry & Performance exhibition in Nova Synagoga Kunsthalle in Žilina. It’s more an environment, a contemplative „slow down/listen/let the thoughts flow…“ set-up, than an art piece. The visitor is offered to get lost somewhere in between the music, lyrics, environment and the video…