The seventh week agenda of the LEM 2014 explains our festival’s spirit and its aim for exploring diferent languages. That’s what happened with the exhibition of Marc O’Callaghan‘s esoteric illustrations (acrylic on canvas and linen) on the telluric meaning of the originary 12 squares of Gràcia quarter; it materialized again with Orlando Guillén and Andreu Subirats hand in hand reading, with their wise voices, of beautiful passages from their river-poems and presenting the bilingual edition of Fluorescent Canarys by Enric Cassases. And this exploratory aim was completed with the Aida Nadeem‘s interesting concert at MACBA. A woman born in Bagdad but currently a “world wanderer”, on her own words, who used electronics, bassoon and her huge registers voice to build sonic loops and choruses around the love exaltation of andalusian mystic, Ibn Arabí, and so to explain the pain and devastation of war.