BIOGRAPHY

Blair Shehan says that his time away from The Jealous Sound wasn't a matter of losing his way. It was a matter of finding it.

"I got zeroed out, and I had to figure out how to do things in a healthy way," the singer-guitarist says, recounting the long, strange trip it's been to 2012, when the Los Angeles quartet will release its first album in nine years, A Gentle Reminder. "I've been humbled, and now I'm a very different person than I was in 2003. I've learned a lot about just being in the world."

Many of those life lessons are revealed in the grandeur of the new album, a poignant and emotional triumph that not only proves a worthy successor to Kill Them With Kindness — named one of Spin's best albums of ’03 — but reveals the foursome at the top of its craft. Open-hearted, yes, but not really gentle at all, A Gentle Reminder represents a 44-minute epiphany set to cascading guitars, thundering rhythms and Shehan's evocative vocals.

Made in the Foo Fighters' Studio 606 with John Lousteau producing, A Gentle Reminder features founding members Shehan and guitarist Pedro Benito working alongside the Foos' Nate Mendel (filling in on bass for the departed John McGinnis) and new drummer Bob Penn. Josh Staples (the Velvet Teen) contributes backing vocals and bass on two tracks.

How the quartet coalesced to recapture the magic is a labyrinthine tale that covers three states and includes a lot of emotional baggage, but the first turning point came in late 2004 after rigorous touring behind Kill Them With Kindness. A major label was poised to come on board and help with a follow-up. "But we were simply out of gas," Shehan says. "I was spent. I remember John telling me, 'You know, you don't have to feel bad if you don't want to do this.'"

A half-hearted attempt at carrying on yielded only 2008’s Got Friends EP, and it was painfully evident The Jealous Sound had stalled completely. So Shehan set aside the band life, moved to Las Vegas and got a day job.

"There's a sense that I flipped out and left; people thought I went crazy," Shehan says. "But what's crazy? Staying in a band at my age with no stability? Ignoring the normal parts of becoming an adult? People don't necessarily understand what we do, and the commitment it takes to do what we do."

After two-plus years in Las Vegas, "things there fell apart in very dramatic fashion," Shehan says, so he moved to Florida and at one point was even poised to take the LSAT. He bought a guitar instead, and reconnected with Benito, whose friendship with Mendel helped The Jealous Sound land a spot opening a 2009 tour for the bassist's previous band, emo pioneers Sunny Day Real Estate. The old juices started flowing.

When that tour ended, The Jealous Sound began meticulously piecing together the ideas that would become A Gentle Reminder, an experience that at once thrilled and horrified Shehan. "Sometimes I'd be writing a song and think, 'Oh, man, I don't really want to say this, do I?'" Shehan says. "But the process of writing removes any filters you have — you're not as in control of things as you'd like to be. It ended up being very liberating.”

That sense of freedom rings throughout “A Gentle Reminder,” which finds Shehan taking inventory of the past, for better or worse, and looking stoically toward the future. He acknowledges the weight of his regrets in “Here Comes the Ride” but sounds up to the task of bearing it. The effervescent “Your Eyes Were Shining” seems on the surface directed to a sweetheart, but when Shehan sings “The heavens opened wide / and let you in,” he could just as easily be talking about reconnecting, happily, with his songwriting muse. That theme of renewal re-emerges in the “beating drum” and “beating heart” of “This Is Where It Starts.” There, as he likens his visions and dreams to “a rush of blood,” fans of The Jealous Sound’s open-hearted buoyancy will be happy that the quartet has once again opened a vein.

Indeed, after almost a decade, Shehan is still spilling blood. It's just more mature blood.

PRESS

"Gone are the powerpop induced youthful anxieties of Kill Them With Kindness, and in their place are cleaner guitars and a more subdued vocal delivery from Blair, who has gone from insisting 'there is hope for us,' to 'you have let me down/you've disappointed me.'" - BROOKLYN VEGAN

"Shehan's voice, while lower in register than it was on previous releases, is still etheral in its beauty. The way he constructs melancholy vocal melodies to slide effortlessly along Benito's twinkly guitar lines is nothing short of brilliant." 4/5 - ALTERNATIVE PRESS

"A Gentle Reminder burrows into quieter moments more than its predecessor (and 2000’s eponymous EP)—Shehan’s all about palm-muting this time around—but the songs are never far from hook-laden melodies." - THE A.V. CLUB

"Reminder is firmly rooted in the same unique, poignant, yearning mix of Old Wave emotion and melody, crackling, dynamic indie guitar textures and memory-adhesive pop hooks that earned The Jealous Sound its legion of cult fans. The mix is just a bit more complex, ambitious and assured here, and many of the tracks best the material on Kindness as a result." - CREATIVE LOAFING

"A Gentle Reminder is a grandiose presentation of poignant bass hooks and cascading guitar rhythms. Despite its polished sound, elements of earlier influences peek through to provide a beautiful medley of varying, genre-defying sound with a contemporary feel." - EXCLAIM!

"Fans of The Jealous Sound and indie rock will not be disappointed." - THE OWL MAG

Review

February 6th, 2013. By Marina Oliver for http://idobi.com

A quick check of the calendar (um, was 2003 really ten years ago?) will reveal that The Jealous Sound’s re-release LP A Gentle Reminder marks the band’s return to the scene after nearly a decade of lying low. The album lineup consists of Blair Shehan on vocals and guitar, Bob Penn on drums, Nate Mendel (of Foo Fighters/Sunny Day Real Estate fame) on bass and vocals, and Pedro Benito on guitar. Remastered, partially remixed, and featuring four new songs, the album serves as the refocused group’s first step in a series of action-packed upcoming months.

“Beautiful Morning” starts off the album reflectively. “We can all change when it’s time to change / And I think I know what they’re after,” Shehan croons as he spins a narrative with his words: an imperfect morning of mishaps contrasted with the gentle lyrical reassurance that everything will, in fact, turn out in the end. It’s mid-tempo and lulling until it blends into the heavier backbeat of “Change You,” another continuation of the raw themes outlined in the opener. The album tackles some immense topics right off the bat: identity, starting over, and continuing on even when the odds seem to say it’d be easier to give up.

As for energy, the album picks up about halfway when “Equilibrium” and “Perfect Timing” feature more active instrumentation and vocals. The earlier half of the album feels like a resting heart rate: comfortable, unobtrusive. From the beginning chords of “Equilibrium,” however, the heart becomes more palpable in its beats and pumps some oxygen into the album just where it’s needed. If there’s one structural critique of this album, it’s that it tends to remain firmly in the mid-tempo range so the tracks are often difficult to distinguish in their relative similarity.

A Gentle Reminder strings together fourteen fairly cohesive tracks into a statement from The Jealous Sound: they’re back and they have a new perspective, even on their previously-released music. It’s packed with little mantras (like “Everything is turning around” on album closer “Turning Around,” ending the record on a positive note) and easy on the ears overall.