The Harp of Wales. (Suite). By Gerard Boedijn. For Fanfare Band. Original Pieces / The Best Original Pieces for Concert Band. Original Pieces. Grade 5. Score and Parts. Published by Molenaar Edition (ML.020179070).

The Harp of Wales. (Suite). By Gerard Boedijn. For Concert Band. Original Pieces / The Best Original Pieces for Concert Band. Original Pieces. Grade 5. Score and Parts. Published by Molenaar Edition (ML.010179070).

Carmen Fantasy (for Violin). By Pablo de Sarasate (1844-1908). Arranged by Gerhart Drijvers. For Violin and Concert Band. Grade 4. Full score and set of parts. Duration 12:30. Published by Baton Music (BF.BM114-SET).
Pablo de Sarasate was not only a great violinplayer but a composer as well and because of that it's quite logic that the violin plays an important role in his work. The Carmen Fantasy, together with Zigeunerweisen, is probably his best known piece. In this composition de Sarasate uses the material of Bizet's Carmen in an excellent way.

Swedish Quadrille And Polonaise. (For Violin Solo With Band). By M. A. Gilby. For Fanfare Band. Various Solo / The Best Original Pieces for Concert Band. Solo and Band 2 Series. Grade 3. Score and Parts. Published by Molenaar Edition (ML.021724060).

Swedish Quadrille And Polonaise. (For Violin Solo With Band). By M. A. Gilby. For Concert Band. Various Solo / The Best Original Pieces for Concert Band. Solo and Band Series. Grade 3. Score and Parts. Published by Molenaar Edition (ML.011724060).

Sonates pour violon et basse continue. Opus V. Editions Agrementees (Rome, 1700). By Arcangelo Corelli (1653-1713). Edited by Nicolas Fromageot. For Violin and continuo. This edition: Facsimile. Collection Dominantes. Score. 228 pages. Published by Anne Fuzeau Productions - France (FZ.5560).
ISBN M230655606. 23.5 x 31.5 cm inches.
This Arcangelo Corelli's original publication is in facsimile on Dominantes collection. Original edition: Roma, Santa, 1700. Edition with embellishments : Amsterdam, Roger, 1710. Extracts from ornamented and varied versions (manuscript of Manchester, Geminiani, Veracini). Presentation by Nicolas Fromageot: Corelli, violin makers and violinists - the editions of opus V, without ornamentation, contemporary to the composer - Principal manuscript versions with added ornamentation - Principal works based on Corelli's opus V - Principal transcriptions for other instruments - the ornamentation published by Roger under the name of A. Corelli, 1710 - Documents reproduced in facsimile in the present edition - Veracini's dissertation on Corelli's Opus V - comprehension of the score (the ornamentation, phrasing and articulation, polyphony, manuscript adjunctions). Annexe to the preface: ninth sonata of Corelli, ornamented, extract from Hawkins' A general history . Annex to the preface: ninth sonata of Corelli, ornamented, extract from Hawkins' A general history . Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France)- Public Libraries of Manchester (England)- a private collection- G. B. Martini Music Library of Bologna (Italy).