Tag Archives: Roberta Smith

Post navigation

Robert Ryman, one of the most important American artists to emerge after World War II, a Minimalist who achieved a startling non-Minimalist variety in his paintings even though they were mostly white and usually square, died on Friday at his home in Greenwich Village in Manhattan. He was 88. His death was announced on Saturday […]

Decades after giving up the dream for good, an art critic returns to the work he’d devoted his life to, then abandoned — but never really forgot. It pains me to say it, but I am a failed artist. “Pains me” because nothing in my life has given me the boundless psychic bliss of making […]

The gathering of works in Chelsea reconfigures the general sense of Twombly (1928-2011) as a lanky, slow-moving, ever-relaxed Southerner who worked in fits and starts and soaked up the good life on Italy’s Amalfi Coast or in Lexington, Va. — his birthplace, to which he returned in his later years. In its stead is a […]

When Clement Greenberg, Frank Stella, and Donald Judd tried to define what makes a painting, they overlooked a central feature — capaciousness. It is routine to characterize the 1970s as a decade dominated by Conceptual Art, and artists such as Sol LeWitt, Lawrence Weiner, Joseph Kosuth, and Mel Bochner. Part of this thinking is market-driven: […]

A radiant Guggenheim exhibition grounds the proto-Minimalist abstract paintings of Josef Albers in the geometric grandeur of Mesoamerican monuments. Art rarely thrives in a vacuum. It is by definition polyglot and in flux, buffeted by the movement of art objects, goods and people across borders and among cultures, and also by individual passion. This much, […]

The artist of “Infinity” rooms has become an Instagram darling. But two new gallery exhibitions in New York show that she’s much more than that — an almost frighteningly fertile talent. Sometimes I think Yayoi Kusama might be the greatest artist to come out of the 1960s and one of the few, thanks in part […]

Decades after giving up the dream for good, an art critic returns to the work he’d devoted his life to, then abandoned — but never really forgot. It pains me to say it, but I am a failed artist. “Pains me” because nothing in my life has given me the boundless psychic bliss of making […]

We all encounter art we don’t like, that upsets and infuriates us. This doesn’t deserve to be exhibited, our brains yell; it should not be allowed to exist. Still, does such aversion mean that an artwork must be removed from view — or, worse, destroyed? This question has been at the heart of the controversy […]

A kind of extended happening, or maybe a series of short ones, has gently taken over the Park Avenue Armory, one of the architectural gems of New York. Numerous moving parts, animate and inanimate, are involved, and they are all the doing of the British maverick Martin Creed, the first artist to be given the […]

Any exhibition of older art drawn from a museum’s permanent collection is a palm held out for us to read, a snapshot of the museum’s sense of its role over time, its present ambitions and its view of art history. Place two such exhibitions side by side and an especially intense and revealing frisson can […]

Alberto Burri’s prescient paintings — in patched, burned and otherwise abused burlap, plastic or wood — form a lavish, beautiful and admirable, if sometimes monotonous retrospective at the Guggenheim Museum. It presents an artist who is impressive less for the profundity of his work than for his consistency and his ideas, which remain very much […]

Many exhibitions are good, some are great and a very few are tantamount to works of art in their own right — for their clarity, lyricism and accumulative wisdom. The Museum of Modern Art’s staggering “Picasso Sculpture” is in the third category. Large, ambitious and unavoidably, dizzyingly peripatetic, this is a once-in-a-lifetime event. It sustains […]

On Kawara, a Conceptual artist who devoted his career to recording the passage of time as factually and self-effacingly as art would allow, died in late June in New York City, where he had worked for 50 years. He was 81. Working in painting, drawing and performance, Mr. Kawara kept himself in the background and […]

Can money buy critical immunity? It certainly seems so, judging by critics’ response to the Whitney Museum’s retrospective devoted to the most expensive living artist,Jeff Koons. In this week’s edition of Critical Reduction, we boil down eight critics’ takes on the shiny extravaganza, which, befitting of such a divisive artist, tend to be either vividly enthusiastic or vehemently dismissive. […]

There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]

Two Shows Offer a New Look at Julian Schnabel. At the moment, Julian Schnabel’s painting seems to be the art that dares not speak its name. Its influence is widely visible but rarely cited. You can see it in the work of artists from Joe Bradley to Oscar Murillo and all sorts of painters who […]

The 2012 survey of the courageous Chinese artist Ai Weiweiseen at the Hirshhorn Museum in Washington has finally arrived in New York, and is much improved. The show, “Ai Weiwei: According to What?,” which opens Friday at theBrooklyn Museum, has been beefed up throughout, but most notably by two installation pieces completed in 2013. One, “S.A.C.R.E.D.,” […]

For centuries, the art world and art market were dominated by men—just look at Giorgio Vasari’sThe Lives of the Artists, or, more recently, Jonathan Jones’s all-male list of the greatest artworks ever—but that’s beginning to change. Women now occupy top positions in every sector of the art world, and though they are still paid less than their male colleagues […]

If you bring up the name Stefan Simchowitz in the company of art dealers, collectors, advisors, or other professionals, you are bound to get a vigorous reaction. A producer of Hollywood movies like “Requiem for a Dream” and a co-founder of MediaVast, the photo-licensing site that was sold to Getty Images in 2007 for $200 million, Simchowitz is one of […]

‘A World of Its Own,’ Examining Photography, at MoMA. Something old, something new, nothing borrowed and not enough color. A variation on the venerable bridal dress code pretty much sums up the Museum of Modern Art’s latest foray into its photography collection, “A World of Its Own: Photographic Practices in the Studio.” In turn, the title of […]