Tag Archives: Thor

People have at least a nodding acquaintance with Norse mythology – be it from the names we give to the days of the week, to Wagner’s Ring Cycle, The Lord of the Rings, and Game of Thrones, or of course, the comics and CGI-laden films of the MARVEL adaptations. This production by Temple Theatre reminds me why it’s my favourite mythology, rich as it is in adventure and magical happenings.

Devised by the company and scripted by Paul O’Mahony (who also performs) and Mike Tweddle (who also directs), it is a 90-minute romp through the stories, a dazzling display of physical comedy, performed by three energetic and versatile actors on an almost bare stage.

They are dressed like ordinary people of today – the gods have very human foibles as well as superpowers; the actors don hats and neckties and so on, to signal the rapid changes between characters. The whole of Asgard is represented, each god delineated by an alteration to stance and demeanour. There’s a lot of running around but Tweddle’s direction keeps the action perfectly clear; there is no confusion about who’s doing whom at any moment.

Keep an eye out for the magnificent Troels Hagen Findsen as Odin, holding court – while Paul O’Mahony and Leon Scott tear around as gods and goddesses, often exchanging dialogue with themselves. O’Mahony’s Loki is how I imagine the trickster to be, rather than the snooty posturing ponce we’ve seen in recent blockbuster films, and Scott’s Thor is a marvellously hilarious characterisation. Such is the skill of the actors, I feel bad for not mentioning other characters, as if I’m missing someone out!

It’s fast-moving in terms of action and plot, and thanks to a tight and witty script, peppered with original songs (by O’Mahony and Rob Castell) never flags for a second. Phill Ward’s sound design enhances the imaginative use of mime, physical theatre, voice, gesture, and (yay!) puppets is marvellously entertaining and although this is a very humorous take, the stories themselves are not buggered about with. There are moments –just little touches – of high drama too, as the global consequence of these often bonkers events are considered. There is a pertinence here, a relevance to current events in our world of men and monsters. The most important thing in the world is peace, says Odin.