Impress v1.9.8 WiN

Team R2R | June 24 2017 | 3.3 MB

AAX VST VST3 RTAS x86 x64

Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.

LA xLimit II v1.2.3 WiN

Team R2R | June 24 2017 | 5.4 MB

LA xLimit II is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit II is the successor of LA xLimit, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It also adds a second limiter stage for better performance in ISP detection mode. The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing.

Design
LA xLimit II is specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with top notch quality and lowest aliasing. LA xLimit II guarantees ultra fast and overshot free response by using advanced look ahead algorithms.

In order to fulfill today’s TV, broadcast and music production requirements LA xLimit II offers True-Peak limiting (ISP) based on ITU-1770 specification and on top of it up to 8x “real” oversampling. Combined with True-Peak limiting reaches even highest production standards.

LA xLimit II includes an advanced adaptive release control system which reduces massively artifacts caused by fixed release times. In order to increase limiting sensitivity both stereo channels can be freely linked/unlinked.

LA xLimit II is designed to be used as last plugin in the processing chain (brick-wall limiting).

ARIA Engine v1.916 WiN MAC

TEAM R2R | 25.06.2017 | WiN 4.92 MB | OSX 9.5 MB

AU VST AAX RTAS STANDALONE

The ARIA Engine is a 64-bit Sample/Synthesis Engine, It is based on the SFZ 1.0 / SFZ 2.0 open file formats for instrument programming and the Scala open file format to define scales and temperaments. The first software instrument in the ARIA engine was the Garritan Authorized Steinway Virtual Model D Piano Library, endorsed by and in cooperation with Steinway & Sons. Today, the ARIA Engine can be found in various software from Garritan, Plogue, AKAI, Sony, Microsoft and Makemusic.

Sforzando v1.916 WiN

TEAM R2R | 25.06.2017 | 11.16 MB

AAX VSTi RTAS STANDLONE

Includes Expansions Samples / 1.7 GB

sforzando is a free, highly SFZ 2.0 compliant sample player. Advanced sample hobbyists now have a powerful tool to experiment and share instruments without relying on proprietary formats. sforzando has only one instrument slot; no fancy UI, effects or mixers. Every tweak has to be done at the SFZ file level, no cheating! sforzando is also a name given for a sudden change in music dynamics which, in musical notation, is represented by the “sfz” symbol. Free As In Free Me From Proprietary Formats The SFZ Format is widely accepted as the open standard to define the behavior of a musical instrument from a bare set of sound recordings. Being a royalty-free format, any developer can create, use and distribute SFZ files and players for either free or commercial purposes. So when looking for flexibility and portability, SFZ is the obvious choice. That’s why it’s the default instrument file format used in the ARIA Engine.

AlterEgo v1.516 x86 x64 WiN

TEAM R2R | 25.06.2017 | 19.79 MB

Alter/Ego is based on the award winning technology featured in chipspeech but instead of targeting Vintage voice technology, it focuses on more ‘modern’ (1990+) singing synthesis algorithms and research. It is specially tailored for musical needs – simply type in your lyrics, and then play on your MIDI keyboard. It’s a true synthesizer, the sound can be extensively modified for easy and expressive performances. And more importantly it is FREE! Voice banks come in various styles and licenses. Daisy is the first bank available and is also FREE. More voice banks are expected. Please watch this space and follow us on twitter/Facebook for up to the second news.

NOTE: When you use ARIA Engine by R2R, you cannot use offical package due to the signature protection scheme. See another AlterEgo release to see how to install.

Amp Match Technology utilizes a collection of underlying technologies to analyze and compare your currently selected BIAS amp model and the sound of a target tube amplifier, its accompanying cabinet and the microphone used to capture its sound. It then executes the tonal compensation and enhancements needed to make your amp model’s sound accurately match that of the target tube amplifier

BIAS Pedal v2.2.5 WiN

TEAM R2R | 25.06.2017 | 487.02 MB

THE TONE THAT REINVENTED ROCK ‘N’ ROLL

All about Fuzz, Overdrive, and Distortion. For over half a century, distortion has defined the sound of Rock and roll. From the first fuzz stompboxes to the latest high performance distortion racks – that unmistakable sound of an overdriven electric guitar has conquered millions generation after generation. With this heritage in mind, BIAS Pedal reinvents distortion in a whole new way, changing the way musicians perform, record, and create on the guitar.

COMPLETE BIAS SUITE
BIAS Pedal uses the same logic of our revolutionary BIAS Amp designer, allowing you to virtually create your own distortion pedal from circuit guts to the transistors, tone match any distortion pedal. And you can create, share and download custom distortion pedals on ToneCloud BIAS Pedal is seamlessly integrated with BIAS FX, now you can add your custom distortion to your BIAS FX pedalboard.

TONE MATCH ANY DISTORTION PEDAL
Dive into your dream tone instantly by matching your favorite distortion, overdrive, fuzz, and boost pedals. BIAS Pedal Tone Match technology analyzes and compares your currently selected pedal and the sound of a target tube pedal. It then executes the tonal compensation and enhancements needed to make your pedal’s sound accurately match that of the target pedal.

DESIGN YOUR DREAM PEDAL
For the first time ever, you can easily design and modify your custom distortion pedal at the most detailed level – from the input volume, to the distortion stages and gain control, to pre and post EQ and much, much more. You can even change the pedal’s virtual guts as you would do with a real distortion pedal: modify your boost pedal’s germanium transistor or tweak your fuzz pedal’s silicon transistor.

BIAS Pedal’s extremely intuitive operation uses the world’s most famous distortion pedal circuit layouts, so you can create your custom distortion pedal in a breeze.

Features:

The most accurate, thorough and versatile pedal modeling software available in the world.

17 component-level emulation of distortion, overdrive, fuzz and booster pedals included with the introductory release.

Tone Match Technology captures any distortion pedals or recorded track and creates a matched model.

AD Sound Recorder 5.7.0 WiN

Team R2R | June 25 2017 | 2.7 MB

AD Sound Recorder is a sound record program. It can record all audio from your sound card into MP3, WMA or WAV format. Real-time sound visualization enables you to adjust your audio source and make high quality recordings. AD Sound Recorder features include hot switching of the working audio source, waveform and spectrum monitoring, a peak indicator with sound clipping detectors, recording control with the hotkeys, a built-in player, a file list and an ID3 Tag editor.

Features

» Easy-to-use graphic interface.

» Monitoring of input sound signals before recording.

» Playing files in WAV, MP3 or WMA format.

» Editing of ID3 Tags for MP3 files.

Whats New:
Updates: official site does not provide any info about changes in this version

Virtual DJ 8 Pro Infinity v8.2.3752 WiN

Team R2R | June 25 2017 | 34.4 MB

VirtualDJ is a DJ software for PC and MAC. It is used by DJs to replace their turntables and CD players, and use digital music instead of vinyl and CDs. In the same way that the CD players used by DJs have more options than a regular Hi-Fi CD player, VirtualDJ has more options than a simple media player like iTunes. It lets you “mix” your songs, by playing two or more tracks at the same time, adjust their relative speed so that their tempo will match, apply effects like loops etc, and crossfade from one side to the other. It also lets you scratch your songs, set and recall cues, and all the other regular features DJs expect to find to be able to mix.

Features:

Standard controls (play, pause, stop, cue)

Volume control

Pitch control (from -34 to +34%)

3 band equalizers with Kill + gain

One-click beat matching and synchronisation (new FAME algorithm)

BeatLock engine: your songs will always stay in time, and you can work your mixes incredibly faster than any other DJ could

PCDJ DEX 3 RE v3.8.0 WiN MAC

Team R2R | 25 June 2017 | WiN: 31.2 MB | OSX: 24 MB

RED Mobile 3 is now DEX 3 RE (RED EDiTiON)

PCDJ DEX 3 RE (Red Edition) for Windows or MAC is versatile DJ software designed for all types of DJs. The software includes a powerful library that allows you to Import, mix, and search all of your MP3, OGG, WMA, FLAC, WAV, MP3+G and unprotected iTunes files quickly and easily. New in version 3.6 is Pulselocker Streaming Subscription Support — providing in-app access to 44+ million songs in all genre’s, from major and independent labels.

Complete with features such as fully automated auto-mix, one-click beat sync, a mix-now button for quick cross-fade and play, all packaged in a modern, easy-to-use interface; you have the DJ software solution to take on any gig in any environment. Less screen clutter and just the right feature set to make your job as easy as possible. Concentrate on your clients and not your DJ software!

DEX 3 RE has been designed so that it’s easier to navigate than other DJ software applications. A less cluttered interface and just the key features DJs need to mix music means less time learning, and more time mixing. DEX 3 RE utilizes a traditional 2-deck interface with a mixer and handy “Mix Next” button. Even though the user interface is simplified, it’s still powerful with hot cues, automatic BPM Sync, effects and key lock.

DEX 3 RE includes an advanced media file browser for all your music and karaoke files. The included library filters allow you to view only the file type you want to work with, and the fast search feature displays results as you type. Create custom playlists, use your iTunes playlists or generate lists from directories on your hard drive. Playlist/Sidelist playback automation is built right in; engage Automix or Shuffle Play if you need a break.

All-new in the latest iteration of DEX 3 RE is ‘Tablet Mode’. Designed or use with Intel 2in1 based laptops, Tablet Mode provides a touchy-feeling interface that allows you to grab and scratch large rotating platters, manipulate effects with an X/Y pad, view the browser full-screen and mix music with only your talented digits. Click the ‘touch’ toggle button at the top of DEX 3 RE to instantly access the touch-screen friendly ‘Tablet Mode’.