Download PDF by H. J. Rose, E. Courtney: A Handbook of Latin Literature: From the Earliest Times to

A guide of Latin Literature (reprint of the 1954 variation) is a concise, but entire survey of Latin literature that offers short biographical information regarding old authors from the earliest to the Christian and pagan writers, analyses of the main well known works, and the ancient and cultural context. It additionally locations the works along their contemporaries, premiums their relative significance of their personal occasions and later classes, and explores their impression on next literatures and Western Civilization. each one identified paintings is mentioned and analyzed by way of content material, chronology, style, value, which means, genetic courting to different works, and old and sleek scholarship.

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Maria Plaza units out to research the functionality of humor within the Roman satirists Horace, Persius, and Juvenal. Her place to begin is that satire is pushed through explanations, that are to a definite quantity hostile: to demonstrate humor, and to advertise a significant ethical message. She argues that, whereas the Roman satirist wishes humor for his work's aesthetic benefit, his proposed message suffers from the ambivalence that humor brings with it.

The 15th century defies consensus on basic concerns; such a lot students agree, in spite of the fact that, that the interval outgrew the center a long time, that it used to be a time of transition and a passage to fashionable instances. Fifteenth-Century experiences treats different features of the interval, together with liberal and wonderful arts, historiography, medication, and faith.

Within the most modern Sappho Anton Bierl and André Lardinois have edited 21 papers of world-renowned Sappho students facing the hot papyrus fragments of Sappho that have been released in 2014. This set of papyrus fragments, the best locate of Sappho fragments because the starting of the 20 th century, presents major new readings and additions to 5 formerly recognized songs of Sappho (frs.

Extra info for A Handbook of Latin Literature: From the Earliest Times to the Death of St. Augustine

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If the prudential or the performative self were both formations of identity that concealed one’s beliefs and convictions, the sincere self was one that made the revealing of one’s beliefs and convictions a matter of great urgency, even an ethical imperative. Sincerity was, as I will argue in Chapter 6 below, an important new ideal in the sixteenth century – one that was shaped to a large degree by the ideals of the Reformers. 63 But, as I will try to show, it was a major concern in Italy as well.

That is, they were able to conceal many aspects of their religious beliefs, opening up and speaking ‘sincerely’ only when absolutely necessary. As an itinerant silk-weaver from Modena, Paolo Gaiano, for example, who often moved back and forth between Venice and his native city, took advantage of the cover the textile industry provided to men who, like him, were highly critical of the Roman Church and very sympathetic to the ideals of religious reform. Heretical identities in the less mobile world of prosperous Venetian artisans and professionals required, in all likelihood, a greater degree of caution.

An individual’s social self even seemed less signiﬁcant than the particular role he or she assumed. Courtiers were not merely prudential; they also became artful performers. And artists too engaged in performances. Dürer, Raphael, Parmigianino, in their works, explored the different social roles an individual might assume. 54 In many ways the three forms of identity that I have introduced thus far – the social or conforming self, the prudential self, and the performative self – were all based on a relatively straightforward understanding of the relation between beliefs and role.