Notes and Editorial Reviews

***** (out of 5)
The first prerequisite of great Chopin playing is arguably beauty of tone, as well as refinement and variety… Lortie is a model Chopinist: eloquent but never sentimental, elegant without ever sounding effete, dramatic but never exaggerated, harmonically luminous, structurally immaculate – and surprising.

– BBC Music Magazine

"Lortie's Chopin playing has a wonderful, penetrating directness about it; there's not a trace of dreamy indulgence in any of the nocturnes, though all their decorative tracery shines out with a sharp-cut brilliance, and the impromptus dance and divert without a trace of self-consciousness” – The Guardian***** (out of 5)
The first prerequisite of great Chopin playing is arguably beauty of tone, as well as refinement and variety… Lortie is a model Chopinist: eloquent but never sentimental, elegant without ever sounding effete, dramatic but never exaggerated, harmonically luminous, structurally immaculate – and surprising.

– BBC Music Magazine

"Lortie's Chopin playing has a wonderful, penetrating directness about it; there's not a trace of dreamy indulgence in any of the nocturnes, though all their decorative tracery shines out with a sharp-cut brilliance, and the impromptus dance and divert without a trace of self-consciousness” – The Guardian Read less