The exhibition also reflects the development of Dianas relationship with the media. A boxy green coat worn on an early trip to Venice was criticised in the press, and never seen again. (She read her reviews, said Lynn.) Pinterest Some of the gowns are prepared for the exhibition. Photograph: Carl Court/Getty Her early passion for ruffles faded after she learned that they photographed badly, and she began to move toward a more sleek aesthetic, exemplified in the exhibition by a pearl-beaded Catherine Walker two-piece from 1989 whose high collar, while Elizabethan in inspiration, earned it the