In March, Phyllis Schieber will tour cyber space to promote her book – Willing Spirits. In January, she toured to share her spicy novel – Sinner’s Guide to Confession and we enjoyed wonderful reviews and comments from blog owners and readers.

Willing Spirits by Phyllis Schieber

Phyllis Schieber’s graceful debut novel is the story of two friends leading lives most women will find familiar. As Jane Hoffman and Gwen Baker attempt to understand their roles as daughters, wives, mothers and lovers, they depend on their friendship to cushion their disenchantment and to celebrate their triumphs.

Jane Hoffman, a schoolteacher in her forties, is forced to confront her reasons for remaining in an unhappy marriage when she finds her husband, Arnold, has been unfaithful. His indiscretion hurls Jane into a new life that is alternately terrifying and gratifying. Her love for her daughter Caroline is also tested when an unforeseen event forces Jane to prove that a mother’s love has no boundaries. As Jane negotiates her own murky logic for making the choices she has, she comes to see herself as far more able than she had ever thought.

Gwen Baker, also a teacher and in her forties, survives a rigid Southern upbringing only to marry an egotistical and cruel professor who later abandons her, leaving her to raise their sons, Matt and Ethan, alone. And while she occasionally takes a lover, nothing really satisfies her. It is Jane who ultimately coaxes Gwen out of her isolation. Together they discover that the conflicting and binding roles women assume be endured without other women. Even after Gwen meets Daniel, a colleague’s husband, and finds love, it is Jane who offers the spiritual solace that only another woman can.

Willing Spirits is no ordinary love story. It is a sensual and understanding story about the struggle to heal from failed maternal relationships, the passionate love women feel for their children, the lure of sexual desire and attachment to men who consistently disappoint, and the bond women share that makes it all tolerable. Suffused with humor and tenderness, Willing Spirits is a celebration of love in all its guises—between man and woman, between parent and child, and above all, between women.

About Author Phyllis Schieber:The first great irony of my life was that I was born in a Catholic hospital. My parents, survivors of the Holocaust, had settled in the South Bronx among other new immigrants. In the mid-fifties, my family moved to Washington Heights. The area offered scenic views of the Hudson River and the Palisades, as well as access to Fort Tryon Park and the mysteries of the Cloisters. I graduated from George Washington High School. I graduated from high school atsixteen, went on to Bronx Community College, transferred to and graduated from Herbert H. Lehman College with a B.A. in English and a New York State license to teach English. I earned my M.A. in Literature from New York University and later my M.S. as a developmental specialist from Yeshiva University. I have worked as a high school English teacher and as a learning disabilities specialist. My first novel , Strictly Personal,for young adults, was published by Fawcett-Juniper. Willing Spirits was published by William Morrow. My most recent novel, The Sinner’s Guide to Confession, was released by Berkley Putnam. In March 2009, Berkley Putnam will issue the first paperback publication of Willing Spirits.

Fear the Kindle

It’s hard not to love Amazon’s new e-book reader. For starters, it’s gorgeous. Unlike its bulky predecessor, the redesigned $359 Kindle, which came out this week, is light, thin, and disappears in your hands. If you think there’s no way you could ever get used to curling up with an electronic reader, you haven’t given the Kindle a chance. Load up a good book and you’ll soon forget you’re reading plastic rather than paper. You’ll also wonder how you ever did without it. The Kindle makes buying, storing, and organizing your favorite books and magazines effortless. You can take your entire library with you wherever you go and switch from reading the latest New Yorker to the latest best-seller without rolling out of bed. In my few days using it, I was won over: The Kindle is the future of publishing.

And that’s what scares me. Amazon’s reader is a brilliant device that shanghais book buyers and the book industry into accepting a radically diminished marketplace for published works. If the Kindle succeeds on its current terms, and all signs suggest it’ll be a blockbuster (thanks Oprah!), Amazon will make a bundle. But everyone else with a stake in a vibrant book industry—authors, publishers, libraries, chain bookstores, indie bookstores, and, not least, readers—stands to lose out.

To understand why, consider how simple it is to buy books on your Kindle. You press a button to take you to Amazon’s store, type in a title or author, and press Buy. In 10 seconds, the book’s yours. Everything is automated: When you buy the Kindle, Amazon pre-syncs your reader with your account info, so there’s no need to type in a credit card number or billing address. There’s no need to connect the Kindle to your computer, either—it comes with free, built-in cellular Internet access that lets you buy books from just about anywhere. In addition, Kindle books are cheap, the majority selling for $9.99 or less. Consequently, as Amazon CEO Jeff Bezos told investors last month, Kindle owners are voracious book buyers. According to the company’s stats, when people get a Kindle, they keep buying the same number of physical books as they did before—and they buy nearly twice as many e-books as paper books.

In exchange for this convenience, though, the Kindle locks you down with more rules than the Army Field Manual. The Kindle won’t let you resell or share your books. Anything you buy through the reader is fixed to your Amazon account, readable only on the Kindle or other devices that Amazon may one day deem appropriate. (The company has hinted that it’ll build an iPhone app that can read Kindle books.) Even worse, you can buy books for your Kindle only from Amazon’s store. Indeed, the device makes it difficult to read anything that’s not somehow routed through Amazon first—you can surf the Web on the Kindle, and you can convert some of your personal Microsoft Word or text files to the device’s format, but doing so is slow and not very reliable. In order to read blogs, magazines, newspapers, and books, you’ve really got to go through Amazon’s store first.

You can see where this is going: Kindle owners buy a lot of stuff, and the more stuff they buy, the more likely they are to stick with the Kindle in the future, even when/if someone else invents a better, more open e-book service. This restriction makes Amazon the prime market for book publishers. How can they resist giving over their entire catalog to a store that attracts so many eager, captive shoppers? Publishers’ acquiescence in turn increases the Kindle’s appeal to new buyers. If you’re in the market for an e-book reader, you’ll probably choose the one that offers the most books, and that means Kindle. (At the moment, there are about 240,000 titles available for the Kindle; the Sony Reader, its closest rival, has fewer than 100,000.) Taken together, these trends all point in one direction—Amazon will come to rule the market for e-books. And as the master of the e-book universe, Amazon will eventually call the shots on pricing, marketing, and everything else associated with the new medium.

TheKindle isn’t the first electronic device to impose unpalatable restrictions on users. Until recently, if you wanted to (legally) download a broad range of major-label music for your iPod, you had to buy it from Apple.* (Ironically, it was Amazon that launched the first big online store that sold music without restrictions.) The same goes for video games. You can’t play just any game on your Xbox. You can play only the games that have been approved and licensed by Microsoft. Then there’s the iPhone, a veritable electronic Attica. The iPhone lets you buy music wirelessly—as long as you buy it from Apple. The iPhone lets you add new programs to your device—though only the programs that Apple approves of. Other than that, you’re free to do what you like!

But the Kindle’s restrictions are more worrying than those associated with the iPhone, the iPod, and other gizmos. For one thing, if you objected to the iTunes Store’s policies, there was always another way to legally buy music for your iPod—you could buy CDs (from Amazon, perhaps) and rip the tracks to MP3. That’s not an option for books; there’s no easy way to turn dead trees into electrons. Moreover, books are important. As a culture, we’ve somehow determined that it’s OK for a video-game console maker to demand licensing fees and exercise complete control over the titles that get on to their systems. Sure, this restricts creativity and free expression, but if that’s the business model that keeps the game business alive, so be it.

But we’ve come to a different cultural consensus on books. First, we’ve decided that books should be sharable—when you buy a book, you can pass it along to others freely. In fact, governments and large institutions actively encourage the practice; we build huge, beautiful buildings devoted to lending books to perfect strangers. We’ve also decided that there should be an aftermarket for books: When you buy a book, you’re also buying the right to sell that book when you’re done with it. This not only helps people who can’t afford new books, it also encourages those who can afford them to buy more—it’s much less risky to buy a $30 hardcover if you know you can sell it for $15 in six months. (Amazon is one of the biggest players in the used-book market.) And we’d certainly balk at a world in which your books were somehow locked to the store where you bought them. Say Barnes & Noble signed a deal to sell the next Twiligh
tbook at a huge discount. But with a catch—the book would be published in invisible ink, and in order to read it you’d need to buy a special Barnes & Noble black light. This is ludicrous, of course, and no bookstore would ever attempt such a deal. But what’s the Kindle other than a fancy digital decoder ring?

Some publishers, wary of the Kindle’s restrictions, have declined to make their books available for the device. Tim O’Reilly, the tech book publisher and digital evangelist, wrote in Forbes recently that the Kindle’s requirement that all books be bought through Amazon was “a non-starter for us.” O’Reilly instead chose to publish e-books using the open ePub format, which can be read on devices like the Sony Reader and the iPhone but not the Kindle.

But many publishers are wary of going the open-standards route. The best way to make e-books sharable and to untether them from proprietary devices like the Kindle would be to sell them without copy protection—but the book industry, like every other content business, is paranoid about piracy. Record labels fell into the same trap: They demanded that Apple impose copy restrictions that forced iPod owners to buy music through the iTunes store. But that ended up making Apple the nation’s largest music retailer, with the power to single-handedly determine the price of all recorded music.

“Everyone is worried that Amazon will end up becoming to books what Apple is to music,” Paul Aiken, executive director of the Authors Guild, told me. (Aiken’s group has criticized the Kindle’s text-to-speech feature, which automatically creates a kind of audio book from an e-book; the guild says that Amazon should compensate authors for reading their books aloud. But that’s another argument for another time.)

Aiken points out that even if Amazon does create a Kindle app for the iPhone and other devices, the service will still have the same fundamental problems. Your books will still be locked to Amazon—you’ll just have two or three places to read them rather than one. At the moment, Aiken notes, Amazon is selling e-books at a loss in order to spur Kindle sales—it sells books for $10, but pays publishers more than $10 per copy. But once Amazon gets control of the market, it will be free to impose price reductions—to force publishers to reduce their e-book rates to less than $9.99. “That would be potentially devastating to the industry,” he says.

And even if the publishing industry isn’t devastated when a single bookstore takes over the e-book world, the marketplace for books will be diminished. Amazon stands as proof of how innovative retail practices can transform an industry; over the last decade and a half, the company revolutionized the book market with innovations like customer reviews, collaborative filtering, one-click shopping, and unbeatable customer service. It launched all these services to stay ahead of its rivals. But what will happen when it has no rivals?

Correction,Feb. 27, 2009: This article originally stated that Apple’s iTunes Store was for many years the only place to legally download music for the iPod. It was the leading online purveyor of music produced by major record labels. (Return to the corrected sentence.)

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Kathleen Gage is presenting another FREE call to share information about her Amazon Bestseller class. I took this class last month and could not believe how much I learned. Now consider that I’ve been involved with a good number of these and I still learned a lot.

If you want to know EXACTLY how you can set yourself up for success with your book… this may be the most important teleclass you’ll ever attended. This class isn’t just about how to get your book to seller startus, but it explains the reasons why you want to be a bestseller (in addition to sale) and what you can do with that status. The preview call is packed with information and I know from working with authors every day, that many of them have no idea what an Amazon campaign is, how it works and the reasons why a person would do one of these campaigns.

If you hire a professional to do this campaign for you – it can easily cost you at least $15,000. So, don’t you think it would be worth 1 hour of your time to learn more about how to create one of these campaigns yourself?

If you are an author or if you have a business or specialty and are thinking about writing a book – you should be on this free call. If you aren’t famliar with Amazon Best Seller campaigns, this is a great opportunity to hear an expert explain what the campaign is, how it works and why you could consider doing one of these campaigns.