Posts tagged "skull":

This is part four of my skull mask project with rotating gears and marching skeletons. See parts one, two, and three.

Installing the hard hat

Almost all of my big paper maché masks are mounted on a hard hat. Hard hats are great because they’re cheap and they provide a lot of comfort and stability in a big mask. I usually saw off some parts of the hard hat for each mask depending on its shape, in order to reduce weight and to help the hard hat fit in the mask as well as possible. Read more…

This is part three of my skull mask project with rotating gears and marching skeletons. See parts one and two.

Building the skull shape

In part one I built the whole mechanism with the gears inside of a big circular wall; this would become the outer wall of the skull mask at around ear-level (not my ears, the skull’s ears — uh, wait a minute…). Read more…

This is part two of my skull mask project with rotating gears and marching skeletons. See part one here.

Dancing skeletons

I drew all 29 of the dancing skeletons at a larger size (about 6″ tall) on sketchbook paper, keeping the designs as simple as possible since I’d be re-painting them by hand at a much smaller size. I scanned ’em and cleaned ’em up in Photoshop, reduced them to about 2″ tall, and printed them out. Read more…

Welcome to the newest installment in my ongoing quest to kill myself with overly complicated art projects! For the 20th anniversary of Skeleton Krewe (my seventh year officially with the Krewe) I decided to make a paper maché skull mask with moving parts! Yikes! The mask has a crank and gears and 29 little skeleton figurines representing my fellow Krewe members; a sort of best-of selection of our skull masks and skeleton outfits over the last two decades. Here’s how I made the thing!

This year for Skeleton Krewe’s 20th anniversary, my fiancée decided to make a mask of our mascot, Skelly the skeleton horse! And I’ve decided to steal it for blog content. This is her second big skull mask project, and she let me be her assistant!

The real Skelly is a fiberglass horse on wheels; she used to one of many gold horses that were mounted on top of tractors that pulled the floats in the Mardi Gras superkrewe of Rex. Read more…

I made this skull sculpture (skullpture??) for my good friend, Twitch superstar Slyvinlisha, aka Sly. I made the sculpture based on two different versions of her logo illustration, pictured below.

I started with a nice plastic skull from one of my Halloween skeleton decorations that broke in half due to a spooky Halloween mishap! I broke the neck off at the base and put the rest of the bones away to use for other Halloween decorating purposes. Read more…

This is part two of my Axeman paper maché skull mask for Mardi Gras 2018; see part one here.

Making the mustache

You may remember from part one I wanted to make the mustache attach to the skull with magnets so it’s removable. Here’s my convoluted process for designing the mustache, getting it to match the curvature of the skull, and getting the placement of the magnets correct.

Here’s my Axe Man skeleton costume for Mardi Gras 2018! The Axe Man was a semi-legendary serial killer in New Orleans in 1918-1919; you can read all about him here. This year Skeleton Krewe designed skulls and costumes based on figures from New Orleans history, to celebrate the city’s tricentennial, so of course I picked the creepiest guy I could find. Here’s how I made his skull mask, and don’t miss my other article about making the oversized paper maché axe prop.

I was at the dollar store looking at Halloween decorations with a friend of mine when she noticed an item I would normally skip over — a 3″ miniature gazebo molded out of plaster or something, like the kind of thing you’d put in a little Halloween village set-up in your living room. Not the kind of Halloween decorating I normally do! My eyes usually skip right over this kind of thing. However, she thought it was cute, and upon closer inspection I agreed; the sculpture itself was really neat, with lots of detail in the skulls and bones, but the whole thing was kind of ruined by a bad factory paint job; hey, whaddaya want for a buck? So I decided to buy it and repaint it and send it to her as a gift.

I wanted to give my wolf skull some ears; I had this idea because in researching wolf skulls I realized that basically all carnivorous mammals’ skulls look almost indistinguishable, and the main different from one mammal head to another is the ears. So my hope is that adding ears will help people recognize my skull as a wolf (or at least a dog! I’ll settle for a dog!). Read more…

Painting the wolf skull

Before painting the wolf skull mask, I applied a coat of gesso over the whole thing. Gesso is a thick white paint-like substance that can help smooth out any imperfections in your paper maché surface. In this case it really helped smooth out the teeth in particular.

What big teeth you have!

Hooboy, the teeth were one of the hardest and most time consuming parts of this whole mask project! Like I mentioned in part 1, the four big fangs were made out of foam insulation tubing and masking tape; those were pretty easy. I tried a few different methods for the other teeth; I’ll spare you my failures and just show you where I ended up…

I made this here paper maché wolf skull mask for Mardi Gras 2017! It’s got detachable ears, a movable jaw, and it’s one of my most lightweight and comfortable skull masks yet. It was a lot of fun to make; here’s how I did it!

I’ve been wearing my hand-painted skeleton suit for five Mardi Gras in a row now, with a few Halloweens thrown in there as well, and for some reason the pants seem to be harder to squeeze into every year! Huh! I wonder how that could be; they must keep shrinking in the wash a little more every single year! Yeah, that’s gotta be it. So anyway, it’s reached a point where I absolutely needed to make new ones for this Mardi Gras; last year I seriously thought they might split open on me during a parade! I learned a lot from how I made these last time, and luckily this was a much more successful project my second time around…

A friend of mine took this video of me opening and closing my mask on Mardi Gras morning, around 9am at Jackson Square. The hinge mechanism in the door (made from a plastic file folder and some magnets) held up great over the course of the long day. Check out parts one, two, and three of my process for making this mask, and the article I wrote about making the little cuckoo bird skeleton. Fun!

I made this bird skeleton for my cuckoo clock skull mask for Mardi Gras 2016. Making this skeleton was extremely challenging, and I basically made up all the steps as I went along. I had no idea what I was doing, but I learned a lot and I’m very happy with the end result. I didn’t take as many pictures as I should’ve along the way, so I’ve done some sketches to explain certain steps.

This is part three of my cuckoo clock skull mask project. See part one and part two.

Where were we? Oh yeah, it’s time to paint!

Painting the mask

I painted the clock body and the roof separately for the most part before joining them together. I first protected the screen in the eyes/nose/mouth with blue masking tape (the kind that’s really easy to remove), and then I spray painted the entire exterior of the clock white. I separately spray painted the roof black. I let these pieces air out for about three days outside.

Scale-pattern shingles on the roof

I started the roof with two foam board panels. My process for creating the scale-shaped shingles was kind of convoluted…

The pattern on the roof is made with a few layers of craft foam (aka Wonderfoam). I made this way harder for myself than it needed to be! Since all my wall and roof panels were irregular shapes — there isn’t a single 90-degree angle on this whole mask — I needed the scale-shaped roof tiles to start out larger near the top of the roof and get smaller toward the bottom. I ended up designing the whole roof surface in Photoshop, starting with a nice regular scale pattern on a rectangular shape (figure 1). Read more…

This old-timey photo of me and my fiancée — dressed as the Devil Man and a swamp goddess — is an edit of a photo by New Orleans photographer Kevin O’Mara, taken at our Voodoo Bayou Halloween party in 2015. In editing the pic in Photoshop I wanted to try to make it look like an authentic vintage Halloween card; I think it’s pretty close! Let’s see if this pic starts turning up in dumb listicles about terrifying old Halloween pics; I see those kinds of lists every year and half of the photos in them aren’t actually vintage, or aren’t actually Halloween-related.

You can see the original, unedited version of this pic (with crazy green lighting) in my post about making the foam board antlers for my fiancée’s headdress.