WHAT THEY’RE SAYING

“The Flex Pre works great for me on electric and acoustic bass…

“The Flex Pre works great for me on electric and acoustic bass. I dial in different
tone and gain on both instruments using one stage amp. It’s quiet and easy to use…has good frequency
centers…and fixes a lot of amp issues. Its easy to carry on the road, too.”Ken Jablonski, Owner of Aero Sound Company and front of house sound engineer for Esperanza Spaulding,
Jack De Johnette, and Maria Schneider Orchestra

“Plug a Taylor 810ce guitar into Acoustic Image’s Flex System amplifier and
speaker cabinet, and the experience is positively transformative. The instrument
sounds organic and massive, almost like a choir of guitars, with none of the
artificial sounds traditionally associated with acoustic-guitar amps. But making
an acoustic guitar louder is just one of the many options afforded by this
smart new sound reinforcement package.”
“…with an electric jazz box—Gibson’s ES-175—the Flex system provides a warm
woody sound for bebop lines and great clarity and detail for harmonic work.”
“Using an all purpose condenser microphone , I engage the system’s phantom power. The Flex delivers
beautifully detailed representations of two acoustic guitars without built in electronics…it does the same
for several other acoustic instruments both high-and low-end. It also sounds excellent for vocals and would
be an obvious solution for singers who accompany themselves instrumentally.”
Adam Perlmutter, Acoustic Guitar magazine, September 2014

“I’ve gotten to spend more time with the Acoustic Image Flex amps…

“I’ve gotten to spend more time with the Acoustic Image Flex amps…
and have been steadily becoming more impressed with the sound
quality they pack into such a lightweight package.”“While Acoustic Image started out as a bass amp
company,
the Flex is in fact a full range compact PA system—not to mention one heck
of a keyboard amp.” Keyboard Magazine cover, June 2014

“The Flex amplifies…

“The Flex amplifies with a grace and transparency
that belies its demure stature.” Richard Leiter, Keyboard Magazine, June 2014

“I loved having the Flex Pre at arms reach…

“I loved having the Flex Pre at arms reach and
swooned over the feather weight, overall sound quality and build.” Richard Leiter, Keyboard Magazine,
June 2014

“Can a 20-pound amp about the size of tom-tom deliver enough loud, clean,
full range sound…

“Can a 20-pound amp about the size of tom-tom deliver enough loud, clean,
full range sound for the real world of gigging keyboardists? I didn't think
so either, but then I met the Corus and nothing could have prepared me for
how much it has changed my gigging life.”

“Acoustic Image…

“Acoustic Image: not just for bass anymore.” Keyboard Magazine cover, June 2014

“Acoustic Image says the Corus is meant for moderate-volume…

“Acoustic Image says the Corus is meant for moderate-volume, high-fidelity
situations, not replacing your keyboard amp in your rock band. They’re being
modest. True, I wouldn’t set up the Corus between a Marshall stack and
Animal from the Muppets. But through two months of bar cover gigs for crowds
of 50 to 200, some of which could get pretty raucous, it projected
exceptionally well. What do I mean? From the back of one of these rooms
filled with chatty, dancing people, you could hear the keyboards clearly in
the mix, but if you walked right up to the stage (hopefully to bring me a
drink), the Corus didn’t seem to get all that much louder. In other words, I
didn’t have to fry my ears (or my bandmates’) in order to be heard
everywhere. After shows, I was often surprised by how little I’d been turned
up in the main PA.” Keyboard, December 2008

Those jazz guitarists, bassists, keyboardists and vocalists yearning in
vain…

“Those jazz guitarists, bassists, keyboardists and vocalists yearning in vain
for a clean machine that is genuinely versatile, roadworthy and musical need
despair no longer, because with the new two-channel Coda R combo, Acoustic
Image had answered their every need and prayer.”

“My Coda R sample came equipped with a matching extension cabinet…

“My Coda R sample came equipped with a matching extension cabinet, giving the
amplified sound a subtle dimensional spread, which helped confer a very
mellow, holographic quality to the signal…”

“…the word is out among bassists and guitarists looking amplified…

“…the word is out among bassists and guitarists looking amplified acoustic
clarity: There’s a new sheriff in town — Acoustic Image.” Jazz Times,
August 2003

“One of the first things that happened after the Coda R landed on my
doorstep…

“One of the first things that happened after the Coda R landed on my doorstep
was my wife commenting on how handsome it looked. She liked the low, rounded
profile and short, black carpet fabric covering that called scant attention
to the little combo.”

“I took the Coda R to a big band rehearsal as soon as I could…

“I took the Coda R to a big band rehearsal as soon as I could… My fear that
the omni-directional bass might increase my guitar’s tendency to feed back
was unfounded. I was able to turn up to a level that allowed me to solo over
the band with no problems. There seemed to be plenty of headroom available
beyond what I needed for this rehearsal… The bass player commented on the
clarity and projection of the little Coda R.”

“The Coda R is an exceptional combo amp aimed at acoustic guitar players that
value fidelity, but want it in a compact and light package. Alone, or
combined with the Contra EX, it should meet the dynamic requirement of
almost all player. It’s extremely versatile and its multiple inputs will
allow a player to switch between a piezo-equipped nylon-string and a
magnetic pickup guitar while leaving both plugged into the buffered inputs.
A mic can be added to either highlight an acoustic instrument or provide for
vocals.”

“Weighing in at a paltry 27 pounds, this 14" H x 16" D combo…

“Weighing in at a paltry 27 pounds, this 14" H x 16" D combo is one of the
most amazing solid-state combos I've ever heard. The Contra is way more
hi-fi than many of us are used to for acoustic instrument amplification, and
those upright bassists looking for a truly clean machine will be astonished
by the Contra's performance. When we hooked up a stereo pair of Contras,
they totally disappeared — it was the most natural, uncolored bass sound
I've ever heard from an amp. And we also got excellent results from jazz
guitar and digital keyboards.”

“…for those jazz guitarists looking for a truly clean machine…

“…for those jazz guitarists looking for a truly clean machine, the
combination of the Contra's tiny, stand-alone head (the five-pound Clarus)
and a Raezer's Edge 'Stealth 12' is fast catching on among those jazz
guitarists who've long favored the Polytone Mini-Brute, but are looking for
something even more portable, dynamic and hi-fi.”Jazz Times, April, 2001.