Tuesday, March 25, 2008

As for his sister before him, bedtime for Isaac is a time for pondering the mysteries of consciousness. The other evening, Lizzie was settling him to sleep when, somewhat out of the blue, she quoted a line from The Gruffalo's Child, one of his favourite storybooks. Aha! Oho! Tracks in the snow! Whose are these tracks and where do they go? Nothing in particular had triggered this comment: there were no animal tracks on his orange duvet, and certainly no snow. It was just one of those thoughts that pop into your head for no particular reason, as thoughts do. Irrational they might seem, but unbidden, irrelevant thoughts such as these are occurrences with which, as adults, we are all perfectly familiar.

Baffled, Lizzie asked him to explain. Earlier, he reminded her, she had suddenly started singing the theme tune from a computer game they had been playing. When Isaac had asked her why, she had responded: 'Because it was going round in my head'. Isaac was simply recalling his mother's report of that earlier unbidden thought, and imagining it being joined in its lonely cranial revolutions by this new one.

What do children understand about where thoughts come from? As I noted in an earlier post, young children can get quite confused about the provenance of the contents of their minds. At times, they can give surprisingly materialistic explanations. Just before falling asleep one evening, Isaac mentioned the kids' spy drama MI High, of which his big sister is a fan. Lizzie asked him why he had suddenly started thinking of that. 'The thought was in my neck,' he replied, 'and then it just popped up into my head.' Perhaps he would give the same account of his mother's Gruffalo-themed musings. I envisage little thought pods lying dormant somewhere in the spinal column, and then hatching when local conditions are right, to flood the cortex with colour.

I'm not sure that we adults have much better theories about how thoughts can suddenly break into consciousness like this. One thing we can do, though, is look at what people understand about the controllability of their thoughts. In a series of studies, John Flavell and colleagues have asked this question of young children. One experimental procedure involves introducing children to a special chair called the 'No-Thinking' chair. When you are sitting in this chair, the child participant is told, you can make your thoughts stop altogether. Would you like to try? Recent studies show that, until at around age eight, children really do claim that their stream of consciousness ceases altogether when they are sitting in the chair. Slightly older children, in contrast, recognise that the tap of thoughts cannot simply get turned off. Ideas about mental uncontrollability seem to be very important later in life, in determining how adults respond to intrusive thoughts such as worries, obsessions, and possibly even hallucinations. Understanding the often chaotic flow that runs through our minds is, it seems, a process that gets started early in life.

Later, we ask Isaac whether he can stop these thoughts going round in his head. He sounds optimistic. 'Sometimes, like when I go to sleep, they stop, but when I wake up they start again. And after I've had my breakfast they really start!'

Sunday, March 23, 2008

In a recent interview I was asked whether a background in developmental psychology was of any advantage when it came to working out the right and wrong ways to bring up children. 'Far from it,' was the gist of my reply. The Baby in the Mirror is not a parenting book, not least because I have no idea what makes a good parent. I know what makes an abusive one, or a loving one, and I have a pretty good idea about what kinds of stimulation of children's minds can be beneficial at different ages. But to suppose that knowledge of the science is a foundation for training perfect parents is, to my mind, a dangerous way to go. Nowhere is this demonstrated more effectively than in Christina Hardyment's wonderful Dream Babies: Childcare Advice from John Locke to Gina Ford. I read this book in its first, 1983 edition, and found myself wondering what Hardyment would have made of more recent attempts to construe parenting as a process that could be scientifically validated and enhanced. It was a pleasure, then, to see that the book was being reissued with additional material covering almost a quarter-century of new research. Hardyment's story starts with eighteenth-century attempts to turn Enlightenment ideas to use in child-rearing, guides us through a nineteenth-century fad for phrenology and the dawn of sustained scientific interest in developing minds, and concludes with a look at current oppositions between super-strict and ultra-liberal methods of baby control. By offering us such a broad historical sweep, Hardyment gracefully demonstrates how one generation's solemn orthodoxy becomes the next's flaky dogma. The long view points up the cycles and recurring patterns of thought on the subject, and inevitably makes us question how our own cherished beliefs about childcare will look from the perspective of the future. In her words, 'techniques of handling children have not made the steady progress towards improvement that some historians of childhood assert: they have always been tailored, sometimes attractively, sometimes unpleasantly, to suit the times.'

Of particular interest to me is Hardyment's tracing of the influence of certain key cognitive-developmental theorists. Alongside Freud, Hardyment rates the work of Jean Piaget as the greatest influence on the Spock-era baby manuals that held sway after the Second World War. As much as they were concerned with physical and moral development, parents were concerned that their charges should keep up intellectually, and Piaget had by far the most complete theory of cognitive development on offer. His views on the development of the object concept, for example, led to suggestions that object permanence could be trained by peekaboo games and other adventures in object occlusion. If intellectual development was a process, it was a process that could be speeded up. The flashcard parent was born.

I have plenty of time for Piaget's theories, but translating them into childcare prescriptions misses the point of his claims about the logical ordering of certain cognitive advances. The developing brain requires stimulation, but it needs to be targeted (for a neuroscientifically sound attempt to sketch out what this might mean for parents, I recommend Lise Eliot's What's Going On In There? How the brain and mind develop in the first five years of life). Efforts to boost input beyond what is naturally available are likely to be fruitless, if not actually harmful. Science deals in generalities, while parents have to get to know particular children with their own particular combinations of personality traits and cognitive biases. There is also something profoundly unscientific in claiming that a certain technique for toilet-training or sleep control has 'worked', rather than having simply coincided with a developmental change which would have happened anyway. The truth is that the large-scale, scientifically rigorous studies that would prove the efficacy of such techniques have for the most part not been done, and may never be. All of this is a roundabout way of explaining why I was so concerned not to try to write a parenting manual. Such books often patronise parents, while playing on their anxieties about being seen to be active co-travellers in the miraculous journeys that their children are embarked on. If Athena and Isaac did turn out all right, it is not me who should be puffing up with pride.

Buy A Box Of Birds

Buy Pieces of Light (UK)

A Box of Birds: Reviews

'Arrestingly good prose… A thought-provoking novel that wrestles with the fundamentals of human nature.' Financial Times

'The plot, which flies past at genuine ‘page turner’ pace, involves a race to map the (fictional) Lorenzo Circuit, ‘the deep root-system of the self… the basis of memory, emotion and consciousness in the human brain’… I’m grateful for the siren warnings from the storytelling machine that is Charles Fernyhough.' The Psychologist

'A pleasantly sardonic narrator… There is… a certain edgy propulsion to the story, and the reveal of what is really going on in the bowels of Sansom’s research centre is deliciously horrible and deftly understated.' Guardian

'Part love story, part race against time to beat the baddies, Fernyhough can certainly write.' Daily Mail

'It’s rare these days to read a writer who cares about ideas in the way that the great nineteenth-century novelists did... This is both a serious novel and a great read.' Sara Maitland

'Exhilarating, thought-provoking and well worth the wait.' Andrew Crumey

Pieces of Light: Reviews

'Pieces of Light is utterly fascinating and superbly written. I learned more about memory from this book than any other. There are few science books around of this class.' Guardian

'Thoughtful… a deft guide to discoveries that have led memory researchers to stress the centrality of storytelling.' Booklist

'As absorbing as it is thought-provoking.' Sunday Business Post

'Remarkable storytelling skills... Seamlessly intersperses the personal aspects of [his] journey with descriptions of cutting-edge research into spatial naviation and memory manipulation, as well as new ideas about how memory works.' Moheb Costandi, Scientific American MIND

'With elegance and clinical sympathy, Fernyhough tells the stories of patients with various forms of brain damage that result in amnesia... a good, accessible read for anyone interested in their own recollections.' Professor Steven Rose, BBC Focus Magazine

'An absorbing guidebook to the mysterious terrain of human memory... In the tradition of Oliver Sacks’ casually shrewd scientific writing, the book blends dispatches from the frontiers of science with compassionate human anecdotes. Fernyhough’s enthralling narrative delivers gripping insight on the way memories shape our lives.'Editors’ Choice for w/c 19 March, iBookstore

'Weaving scientific research from psychology, neuroscience and evolutionary biology, Fernyhough explains that our brains don’t record experiences as cameras do; rather, we store key elements, then reconstruct the experiences when we need them, imbuing them with present-day feelings and the benefit of hindsight.' Washington Post(read more)

'In its stunning blend of the literary with the scientific, Pieces of Light illuminates ordinary and extraordinary stories to remind us that who we are now has everything to do with who we were once, and that identity itself is intricately rooted in transporting moments of remembrance. We are what we remember.' André Aciman, author of Out of Egypt and Harvard Square

'His examination [is] welcoming and accessible to lay readers. His analysis is wide-ranging... He also covers a wide swath of literary and historical ground... A refreshingly social take on an intensely personal experience.' Publishers Weekly (read more)

'A multidisciplinary approach to explaining memory... Will be intriguing for readers interested in the borderlands where memoir, fiction and science overlap.' Kirkus Reviews (read more)

'In this lyrical exploration of our powers of recall, psychologist and novelist Charles Fernyhough argues that our memories are worth cherishing - even though some of what we think we remember is, in fact, fiction.' New Scientist Books of the Year (read more)

'In Pieces of Light, Charles Fernyhough has had the arresting idea of writing a book about memory that is also a memoir. As a psychologist clearly well up on the latest research, he shows how memory itself relies on language and storytelling. Investigating his own memories with a writerly eye, he brings to vibrant life scenes from a childhood refreshingly free of misery.' Sunday Times Books of the Year (read more)

'In his hybrid of autobiography, journalism and pop psychology, Fernyhough lets the stories speak for themselves to highlight memory’s personal, subjective and fragile qualities. Fernyhough takes us on a captivating journey into the mind. And he does so with great style.' Telegraph (read more)

'Outstanding… Fernyhough’s skills as a writer are evident both in the beautiful prose and in the way he uses literature to illustrate his argument… He draws on both science and art to marvellous effect.' Observer (read more)

'Restrained and lyrical... an immense pleasure.' New Scientist (read more)

'A sophisticated blend of findings from science, ideas from literature and examples from personal narratives… refreshing, well judged and at times moving. This is an unusual book but a very rewarding one.' Times Higher Education (read more)

'Fernyhough deftly guides us through memory's many facets... Often using himself as a test case, he adds context with research and snippets from a raft of great writers. A thoughtful study of how we make sense of ourselves.' Nature (read more)

'Absorbing... In offering us a meditation on memory, Fernyhough has something important to say about one of the forces that is central to our lives.' The Lady (read more)

'Fernyhough is a gifted writer who can turn any experience into lively prose... The stories in Pieces of Light... will entertain anyone who reads them.' Financial Times (read more)

'Many popular science writers try to blend the autobiographical and the anecdotal into their work; few do it as seamlessly and successfully as Charles Fernyhough.' Blackwell's Book Podcasts (read more)

'Fernyhough argues that we don’t simply possess a memory; we reconstruct it anew every time we need to remember… Through his own experiences and those of others, from the very young to the very old, he explores the mystery of remembering and the ambiguity of forgetting.' Saga Magazine

'An enthralling investigation of that ‘thing’ we call memory… manages to write about complex things in a clear and understandable way.' Ian McMillan, The Verb

'Pieces of Light will both linger in your memory and change the way you think about it.’ Daniel L. Schacter