Grateful Dead
Fillmore East, 2/11/69

On February 11, 1969, the Grateful Dead opened for Janis Joplin's East Coast debut as a solo
artist. What a show, indeed! The Fillmore regularly held two shows a night, and while Joplin's sets
are not commercially available, the Dead's two fiery, 60-minute sets were recently released on a
stunning new collection from Grateful Dead Merchandising. As is customary for the Grateful Dead's
various Vault and Dick's Picks releases, the sound quality is superb.

We all know what the Grateful Dead were able to do over the course of a full three-hour, two-set
performance. The beauty in the Fillmore East release lies in the monumental journeys they embark
upon in each of their two mini-sets.

Right from the start the band channeled their nervous energy straight into a scorching rendition
of Good Morning Little Schoolgirl that miraculously only managed to hint at the fireworks
still to come. A complete That's It for the Other One dripped with acid-laced intensity,
which no doubt fanned the smoldering embers of the audiences' collective psyche. During Turn on
Your Lovelight, guitarist Jerry Garcia circumnavigated the globe with a stinging lead that
floated effortlessly above the thundering bass of Phil Lesh and the driving, percussive rhythms of
Bill Kreutzmann and Mickey Hart.

By the time the band began their opening set for the late show, they had somewhat calmed their
nerves. Mountains of the Moon is perhaps the best version of this song that the Grateful Dead ever
performed. Organist Tom Constanten created a regal ambience with keyboard chords that wafted over
the gentle rhythm guitar of Bob Weir. Garcia delivered the lyrics with sweet and tender vocals that
drifted over his easy-going acoustic guitar accompaniment. By the song's conclusion, Garcia had
traded his acoustic guitar an electric and proceeded to lead the band into a swirling and beautiful
rendition of Dark Star.

It's exactly these magical moments that make the Grateful Dead so special. This two-disc set
serves as a serious wake-up call and reminder that there's no better earth-shattering, concert-going
experience than a high-quality show from the Grateful Dead. ½