Minneapolis' Polica played SXSW in March. Urgent, original and genre defying, Polica are absolutely essential in 2012. Their debut album, Give You The Ghost was an XPN Featured Album of the Week earlier this year.

Michael Kiwanuka combines roots and soul with such old-school, retro-sounding verve. He's released three EPs in the last year alone, including one that so impressed Adele, she invited Kiwanuka to tour with her!

Stemming from Oklahoma, roots rocker JD McPherson just released his highly anticipated Rounder Records debut album.
His true-blue rockabilly combined with the classic rock sound that will satisfy any purist, packs a punch that leaves audiences enchanted.

Maybe it’s the time of the season. Or maybe it’s the fact that as music lovers we’re overdue for a reggae record that truly strikes a chord. Either way, the new album from reggae icon Jimmy Cliff is one of the season’s brightest and most satisfying albums. The aptly titled Rebirth finds Cliff as spirited as at any point in his career and with a batch of songs that are weaved together with a message of righteousness and hope.

It’s reasonable to ask whether or not Passion Pit was ready for the level of exposure that followed the release of their Chunk of Change EP in 2008, and their subsequent debut Manners. For frontman Michael Angelakos, a musical project that started as a Valentine’s Day gift for his girlfriend evolved rather quickly into a full-time band with significant impact. Passion Pit’s animated brand of electronic, dance-pop thrilled audiences and even found a warm embrace across the media landscape from bloggers and radio to TV and film. So with high expectations and anticipation surrounding their new album, can Passion Pit continue to live up to the hype? Gossamer, their sophomore effort, answers that question with conviction.

As most people probably know the only things closer to Helen Leicht's heart (other than her family and Paul McCartney) are our local musicians. Helen loves having the opportunity to share this music with you, the WXPN audience.

From the archives of the nationally-acclaimed WORLD CAFE® radio show, comes this series of limited edition CDs. This collection of rare, live performances from the most significant musical artists has created over the past 15 years and today is an absolute must-have for music fans nationwide.

Latin Roots on World Cafe

Latin Roots is a bi-weekly series on the World Cafe program, hosted by David Dye, and made possible by the Wyncote Foundation. In this new series, David Dye explores the vast variety of music from Spanish-speaking countries and people. From the standards like cumbia, mambo and son to Latin rock and even reggaeton, we’ll hear it all.

The series airs every other Thursday during the second hour of the World Cafe program, and will delve into the musical styles and genres of Spanish influence with a rotating series of guests. With each segment, David Dye and his guest will explore two related songs, current and old, and discuss their unique characteristics, how they relate and where they fit into the spectrum of Latin music.

Latin Roots #1: Salsa, With a Difference

Latin music expert, Aaron Luis Levinson sits down with David Dye and shares his take on the music, beat and culture of Salsa. Levinson, a member of the Latin Academy of Recording Arts & Sciences, is a Grammy-winning producer, musician, composer and owner of Range Recording Studios in Ardmore, PA. You'll hear music from Bio Ritmo and Cortijo on today's segment.

Latin Roots will feature other expert guests including Felix Contreras, a reporter and producer for NPR's Arts Desk and the co-host of Alt.Latino, NPR's new web-based program about Latin alternative music. Tom Moon will also serve as a guest contributor. Moon is a Music Reviewer for NPR and has been writing about pop, rock, jazz, blues, hip-hop and music across the globe for more than 25 years.

For more World Cafe Latin music moments, and to listen to this session, visit our page at WorldCafe.NPR.org. There you will find links to interviews and performances with artists like Juana Molina, Ximena Sarinana, Ana Tijoux and Puerto Plata, as well as a Spotify playlist inspired by each segment currated by the guest.

Latin Roots #2: The Late Resurgence Of Cumbia

To introduce us to a corner of Latin roots music called Cumbia, Grammy-winning producer and record
label owner Aaron Levinson is in the studio. Affiliated with a number of professional recording academies and societies,
this internationally known musician also owns a recording studio in Ardmore and has consistently received recognition
for his work with Latin music. In the studio today, Aaron and David talk about the origin and evolution of Cumbia,
including its late resurgence in popularity in New York, and listen to songs by Bomba Estereo and Rodolfo Y Su Tipica.

Cumbia is the manifestation of a melding of cultures, and it originated in Colombia. Mixing the music of native
Colombians, slaves from Africa, and Spanish colonizers, Cumbia first rose to prominence in the 1960s on the coasts of
Colombia. It made its way across the continents, evolving for Mexican and Peruvian listeners, and eventually reaching the
United States in the 21st century. Cumbia enthusiasm was rekindled in Colombia as New York artists began to popularize the
historically courtship dance music. In the interview, Aaron and David explore the many forms of Cumbia--from the hip-hop
elements in today's cumbia to the geographical understanding of cumbia to traditional Cumbia elements of many drums, claves,
guitars, clarinet, and flute.

Latin Roots #3 - The Backbone of Latin Music, Clave

This session of Latin Roots is devoted to all things "clave." Music journalist Tom Moon sat down with our host, David Dye, to discuss the history of clave in Latin Music. Clave, which means code or key, functions as such rhythmically. Tom Moon explains how clave was introduced to Cuba and how it played into different trends and movements within Cuban music. Moon walks us through the Cuban standard, "Bruca Manigua," and the unexpected return to clave in Luis Enrique's "Yo No Se Manana." He also discusses how clave has been incorporated into music outside of the Latin world-
from Johnny Otis to Bruce Springsteen.

Tom Moon began his career in music studying professional saxophone at University of Miami's School of Music. He played in back-up bands, orchestras and even cruises, but found himself drawn to the world of music journalism when he started to freelance write for the Miami Herald. Moon went on to write for GQ, Rolling Stone, Vibe and NPR, including All Things Considered and World Cafe. Moon has won multiple awards for his work in music journalism, including a "Heroes" award from the Recording Academy. He has also published a book, "1,000 Recordings to Hear Before You Die." "1,000 Recordings" is, as Moon puts it, "an exploration" into music from all over the world, including, of course, instances of clave.

Latin Roots #4 - Festejo, Afro-Peruvian music with Novalima

Explore the roots of Afro-Peruvian music with Novalima in this segment of Latin Roots from World Cafe.

Originating in coastal Peru and comprised of contributions from African, Spanish, and South American cultures, festejo takes its name from 'fiesta', the Spanish word for festival. It is often accompanied by a competitive and lively dancing, as well as call-and-response vocals, a celebration put to music and tied to historical roots. In this interview, David Dye talks with Novalima members Grimaldo Del Solar (arranger, artwork, composer, programming) and Alfonso Montesinos (bass) about this 100-year-old style of festejo, and the several different forms it can take through varying rhythms. Festejo has influenced their live improvisations, and inspired Novalima to become less like a studio project and more spontaneous.

The title of Novalima's latest single, "Festejo," takes it's name from this popular form of celebratory Peruvian music.

Latin Roots #5 - Tumbao

Tom Moon looks at tumbao - what the pianst does, and muntuno - the beat that the other musicians play. Montuno is a kind of syncopated piano vamp often used in traditional Cuban music. A 'vamp' is a repetitive musical accompaniment or phrase, often found in jazz, gospel, and soul. A 'vamp' is to those genres as a 'riff' is to rock music or a 'loop' is to hip hop. The literal translation of montuno is 'from the mountains', and it is often at the heart of Cuban dance music, giving piano players a range of harmonizing phrases to use.

David Dye talks with music journalist Tom Moon as they play a couple of montuno-based songs from well-known artists such as Rodrigo Y Gabriela and Eddie Palmieri. Tom Moon is a well-known writer and musician whose work has been featured in big name publications such as GQ, Rollingstone, and Vibe. He's also a professional saxophonist, and he's received accolades such as the ASCAP-Deems Taylor Music Journalism award. Given his experience playing Latin music, Moon gives insight into what it takes to reshape traditional music into something new.

Latin Roots #6 - Josh Norek on Latin Hip Hop March 22

On this sixth segment of the Latin Roots music series, the co-host and executive producer of The Latin Alternative - a one hour radio show of Latin funk, hip-hop, and electronica - (http://www.facebook.com/TheLatinAlternative) is in the studio to introduce Latin hip hop. Josh Norek is also a musician, producer, and journalist who currently works for the Latin indie label Nacional Records as VP of Business Affairs & Digital Relations.
He and David Dye will explore some of the history and current directions of Latin hip hop. Arising first on the West Coast during the '80s and '90s, Latin hip hop was the manifestation of the mixing of cultures. As young members of the Hispanic population became exposed to urban rap sounds and shaped it into their own style, their beats began to spread from LA to the East Coast and then down through Mexico and South America. Artists began to incorporate Spanish language and other genres by turn (such as jazz in the case of Ana Tijoux and klezmer in the case of Norek's Hip Hop Hoodios), and Latin hip hop itself has become an influential musical force across the globe.

In this session, David Dye and Josh Norek explore the cultural dispersion that has helped create Latin hip hop. On both sides of the border, young artists began to sample their parents' music and combine it with the sound of burgeoning hip hop groups such as NWA. Since then, the genre has matured and become an influence in its own right. Norek plays from Tres Delinquentes, who he describes as the first 'post-racial' Latin Hip Hop crew, and also outlines the spread of the genre into South America with a smooth trip-hop arrangement from Ana Tijoux.

Latin Roots #7 - Latin Funk w/ Josh Norek - April 5, 2012

On this seventh segment of the Latin Roots Music Series, Josh Norek is back. The co-host and executive producer of The Latin Alternative - a one hour radio show of Latin funk, hip-hop, and electronica - (http://www.facebook.com/TheLatinAlternative) is in the studio to lay down some Latin funk beats and describe the origins of this genre. Norek is also a musician, producer, and journalist who currently works for the Latin indie label Nacional Records as VP of Business Affairs & Digital Relations.

In this World Cafe session, Josh Norek and David Dye explore the cultural roots of Latin funk, a mixing of Latin grooves and Afro-American funk. It's been evolving for over forty years now, arising out of urban centers and the earlier salsa + R&B mixes such as boogaloo. Given the melting pot that is New York, the exposure of young musicians to variants of jazz, soul, funk, and the diversity of Latin rhythms and instrumentation created an environment of experimentation. Norek describes the ties of Latin funk to the Latino pride movement, and plays a song from the famous Latin percussionist Ray Barretto that expresses this pride. Then Norek describes the diversification of Latin funk over the last few decades, and spins a track from the latest retro Latin funk release by Venezuelan outfit Los Amigos.

Angel Band will be playing XPN's Free At Noon concert series.

Hear a live Friday Concert at 12noon ET each week from WXPN and NPR Music
Broadcast Live from the stage at World Cafe Live

Listen to the Live Friday Free At Noon Concert on the Radio and Online at XPN.org/listen

From the Santa Monica Pier to Levon Helm's Midnight Ramble, with three solid years of touring under their collective belt, Angel Band has rapidly expanded their following from opening act up to headliner status. No audience has been known to have been unmoved by Angel Band's all-out stage presence, signature rootsy, bluesy Americana songs, superb back-up band and the vocals of leader and lyricist Nancy Josephson and fellow Angels Kathleen Weber and Aly Paige. Initially performing as opening act and backup singers for Josephson's husband, world-class roots musician David Bromberg at Bonnaroo, Merlefest, the Philadelphia Folk Festival and other high profile events, Angel Band has moved up to playing prestigious concert venues on their own. Voted one of the Top 10 Favorite Bands at Bonnaroo, Angel Band are clearly a group on the ascent.

Born and raised in new York City, Nancy Josephson says "I don't ever remember not singing," and was thumping on an acoustic guitar at age six. She learned to play stand-up bass and was a founding member of the all-girl bluegrass group, the Buffalo Gals. After a move to California in the mid 70's she performed with a number of well-known bluegrass and "new grass" performers, including Arlo Guthrie, Peter Rowan and the Free Mexican Airforce, Laurie Lewis and Kathy Kallick (of the Good Ol' Persons), and The David Bromberg Big Band. She has also sung back-up with Bonnie Raitt, Linda Ronstadt and Phoebe Snow, among others.

In 1980, David and Nancy moved to Chicago, where he studied violin making while Nancy sang commercial jingles, joined The Annettes as the only Caucasian in a 30-voice women's choir, raised two young children and switched to visual arts as her main creative outlet.
When the city of Wilmington, Delaware asked David and Nancy to become artists in residence in 2002, Nancy initially refrained from joining the bluegrass sessions David organized there, until Bromberg started raving about a mother and sister vocal duo that might accommodate a third voice. "Mainly to satisfy David" Nancy attended the next jam and was hooked by the resultant three-part harmonies. Thus began the formation of Angel Band.

Kathleen Weber comes from a musical family in Philadelphia. She is a four-year veteran of the Angel Band and a lifelong singer; one critic exclaimed "her deep, bluesy voice seems almost out of place in her small frame." You can really hear her influences channeled: Mahalia Jackson, Aretha Franklin and and Alison Krause, among others. Her versatility allows her to move easily between Angel Band's low down and dirty and simple, sweet songs.
Aly Paige's vocals are clear, clean and powerful. Originally from Delaware, now living in Philadelphia, Aly joined the band as a novice in the Americana world, but with some roots in the world of opera. Aly belts with the best of them, and one can hear a little Etta James in her approach to the material; soulful, soaring, then close up and intimate, Aly's approach captivates and ignites the audience.

Hear a concert live Friday at 12noon ET from WXPN and NPR Music
Broadcast live Fridays from the stage at World Cafe Live

Listen to the Concert Live Friday on the Radio and Online at XPN.org/listen.

Joseph Arthur's new album, Graduation Ceremony was just released. He's playing the XPoNential Music Festival in July, and he'll be here for XPN's Free At Noon this Friday, June 17.

Singer-songwriter, Joseph Arthur began singing at the age of 21, although his fondness for music and the guitar began earlier than that. Having grown up in Akron, Ohio, Arthur relocated to Atlanta where he found a thriving music scene. A masterful painter as well, Arthur fuses his two passions, designing his own cover art and sometimes using his paintings as backgrounds for his sets. The now Grammy nominated musician's career began with a slow start but with his talent, his success was always destined to be. Having been compared to the likes of Jeff Buckley, Leonard Cohen, and Joe Henry and having toured with Tracy Chapman, Ben Harper, and Gomez, Arthur carries on the legacy of great singer-songwriters.

The Theatre Alliance Casting Couch will making an appearance at this Free At Noon.

Stop by and take a seat and let us know what you get from theatre. Whether it is challenge, inspiration, or a good laugh, Philadelphia's theatres want to know. Check in here for new opportunities to take a seat on the Philly Theatre Casting Couch to share how you fill in the blanks with theatre. Each time, a Philadelphia theatre celebrity will be sitting there, waiting to hear your story.

A co-production of WXPN and NPR Music. Made possible by support from XPN Members, and Comcast.

The Secret Sisters are off to a good start in the music world. Backed by the legendary Jack White, their debut album (produced by White) was just released via Third Man Records. It's full of old-time country and folk, complete with a Johnny Cash cover and the two sisters' take on "Wabash Cannonball."{readmorelink}Read More...{/readmorelink}

This Philly-based trio, originally formed while guitarist Tommy Siegel, pianist Ben Thornewill, and drummer Jesse Kristin were in college in Washington, D.C. – is described as whimsical, quirky, energetic indie band featuring melodic pop tunes driven by a sizzling rock momentum.

British Rock Veterans, James are touring the states in support of their new album The Morning After The Night Before, and play The Trocadero here in Philly this Friday night, September 24, 2010.

When Paul Gilbertson managed to league up with Jim Glennie and Gavin Whelan in Manchester, UK back in 1982, he didn't realize that his actions would create a framework for decades of music to follow. Sharing their music with fans, the group gigged extensively thorughout the 80's before becoming the popular hit band James in the 1990s. It was then that they teamed up with Brian Eno, who pushed them to expand on their brit pop-rock style with new and exciting experimentation in sound. And with that growth, they were able to accentuate their warm melodies and win over the hearts of millions.

Expanding their sound to feature vocals, guitars, keyboards, violin, percussion, bass and trumpet, James maneuvers between quiet intimate moments and rivoting blasts of sound. Their mastery of dynamics and catchy melodies has always proved to be a crowd winning formula, and their impact on modern rock is undeniable.

With 10 released studio albums and millions of internationally sold copies, the modern rockers decided to depart ways in 2001. Returning to the scene in 2007, James is proving to be as capturing as they were when they started. Their latest double feature is a two mini-album release, "The Morning After The Night Before," which were originally released as separate discs in the UK.

So take the time to explore the light and dark side of these new releases at this Friday's Free At Noon. This is one you don't want to miss.

PARKING NOTICE and Directions

Due to the construction in the area, free parking is no longer available for XPN Free At Noon shows. Metered parking on 31st street is no longer available, and metered parking on Walnut Street is extremely limited as a result of the closure and reconstruction of the South Street Bridge, and the rerouting of traffic onto Walnut Street.

Public transportation to XPN Free At Noon is recommended. For more information on parking in the area visit World Cafe Live.

Born, raised, and tested in the mecca for American rock 'n' roll, Seattle, Washington, Minus The Bear is just about ready to explode. The 5-piece group, consisting of members Jake Snider (guitar, lead vocals), Dave Knudson (guitar), Alex Rose (keyboards, backing vocals), Cory Murchy (bass), and Erin Tate (drums), joined forces in 2001, and after a myriad of EP's and LP's, have finally found their true sound.

This Event is Sold Out

With an incredible vocal range and an uncommon talent for the guitar, singer-songwriter Martin Sexton has been consistently been able to channel his love for classic, soulful folk, blues, rock, and pop music into accessible, emotional songs that combine the best aspects of singers like Van Morrison and Otis Redding.

A self-taught guitarist and singer, Sexton formed his first rock n'roll band when he was in the eighth grade; his garage bands in high school would play the music of the Beatles, Jimi Hendrix, and Led Zeppelin. He left his home in Syracuse, NY for the coffeehouse scene of Boston, where he began busking and playing open mic nights in 1989. Recorded in a friend's attic in 1990, Sexton's cassette-only self-released debut record, In The Journey, managed to sell 15,000 copies before it was later reissued by Eastern Front Records. After winning the National Academy of Songwriters' Artist of the Year award in 1994, Sexton continued his grueling touring schedule while taking time to release eight more albums, up until the present day. His latest album, Sugarcoating, was released on Kitchen Table in 2010. As always, the tracks are powerful and interesting, without a hint of pretense. The album was written as a reflection on a society that's been through much, including 9-11. In addition, Sexton also addresses subjects important to him--family and selflessness. Don't miss an opportunity to see this talented musician--he's got one heck of a stage presence.

Blue-eyed soul virtuoso, Eli “Paperboy” Reed may have grown up in Massachusetts but he executes the heart-wrenching emotion of Southern predecessors like Wilson Pickett and Otis Redding. Even more bizarre, Reed, along with his seven-piece True Loves, just finished a month long tour, sharing dates with alternative/pop-punk band, Say Anything.

Reed’s electrifying performances enable him to captivate any crowd. With his mixture of high-energy, body-swinging music and tear-jerking, lovelorn ballads, he keeps his audience craving for more. Paperboy was nominated as the Breakthrough Artist of the Year in the 2009 Mojo awards after his two independently released albums, Sings Walkin' and Talkin'and Other Smash Hits!, and Roll With You.. His major-label debut, Come and Get It, is respectful of pop music. Mr. Reed knows the true origin and value of this sometimes-devalued genre. As he said in reference to his style, "...it's all about writing pop songs. Soul music was the greatest pop music of the 20th century and its influence is so far-reaching." You can listen to his 2008 session on World Cafe, by clicking here.

Click the Artist name below to RSVP:

Branching from a popular Santa Barbara nine-piece band with a brass section called The Animal Liberation Orchestra and the Free Range Horns, ALO's Zach Gill, Dan Lebowitz and Steve Adams returned to their hometown in San Francisco to form a stripped down version of the group. After reuniting with college friend and drummer David Brogan in 2002, the ALO line-up was officially in place. The jam band released a number of indie label albums before joining forces with singer-songwriter Jack Johnson, one of Zach Gill's college mates. Supporting Jack Johnson in live performances and later signing to Johnson's Brushfire label, ALO released their first studio album "Roses & Clover" (2007) under Brushfire. The album's blend of jam rock, jazz, folk and pop made them a shoo-in for success.

Following "Roses & Clover" with extended tours and a few side projects, ALO decided to turn to their second album "Man of the World" (2010), making their way to Oahu, Hawaii to record in Johnson's home studio. The laidback quality of the album definitely relays the environment of their recording process, one that revolved around comfortable jazzy-jam sessions. Engineered by Dave Simon-Baker and produced by Jack Johnson, the 11-song collection was mostly recorded live, relying on a more organic process of music making. The compilation strongly reflects songwriting, vocal and strong instrumental contributions from each member, which solidly lock together to create a bluesy rock framework. And yet, their is an overall cafe lounge vibe to the album that sits nicely next to its edgier parts.

Upon the release of "Man of the World," ALO will be putting on quite a show for us for this Friday's afternoon concert. You don't want to miss it.

ALO Free At Noon Setlist

1. Barbeque
2. States of Friction
3. Big Appetite
4. I Love Music
5. Man of the World
6. The Champ
7. Try
8. Maria
9. (Encore:) Girl, I Wanna Lay You Down

From the Band..."Check out ALO"s new album Man of the World produced by ALO and Jack Johnson. We'll be touring the States throughout the Summer with Jack Johnson and playing quite a few festivals. Check out alomusic.com for tour dates and more info. Thanks to WXPN and all their listeners for a great show today!"

PARKING NOTICE and Directions

Due to the construction in the area, free parking is no longer available for XPN Free At Noon shows. Metered parking on 31st street is no longer available, and metered parking on Walnut Street is extremely limited as a result of the closure and reconstruction of the South Street Bridge, and the rerouting of traffic onto Walnut Street.

Public transportation to XPN Free At Noon is recommended. For more information on parking in the area visit World Cafe Live.

Robert Francis' official 2010 SXSW showcase will take place Thursday, March 18, 2010 at Stubbs BBQ in Austin, TX. Robert will be performing alongside Broken Social Scene, Band Of Horses, Besnard Lakes, The Soft Pack, and Drive By Truckers! Hope to see you in Austin!

First known as Cavil at Rest, World Cafe: Next artist,Local Natives, is the latest great find out this past year's SXSW fest. A dreamy pop outfit with afro-beats and favorable comparisons to indie greats Fleet Foxes, Vampire Weekend and Arcade Fire

With a beautifully confident style, Beach House's rich and atmospheric sound have brought them to the forefront of today's indie scene. The dream pop-rock duo formed in 2005 after a chance meeting between guitarist/keyboardist Alex Scally and vocalist/organist Victoria Legrand.

The XX, comprised of four young 20-year-olds from South London, has recently stormed the indie-pop scene with their dark, 80's new wave style. After meeting in London's Elliot School, which claims alumni such as Four Tet, Burial and Hot Chip, the band began toying around with what would become their critically acclaimed debut album.