Madagascar: Escape 2 Africa fell from second to sixth with $9.07 million on 5601 screens in 48 markets for a total of $380.42 million. No openings hurt the film this past weekend, and its only $1 million markets this past weekend were South Korea at $1.20 million on 432 screens and Poland at $1.09 million on 130. The film has made $3.76 million after two weeks in the former and $7.72 million after three weeks in the latter.
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Australia reached a major milestone this past weekend as it topped $100 million internationally. Over the weekend the film added $12.33 million on 4901 screens in 55 markets for a total of $103.30 million internationally and $151.06 million worldwide. Additionally, with openings in Italy, Brazil, China, Russia, and Japan still ahead, the film has a shot at $200 million worldwide. That would be enough to cover the film's production budget, after taking into account Australia's generous tax incentives.
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Despite earning mixed reviews, Defiance topped the per theater chart with a massive average of $61,757 in two theaters, and that's over the weekend. In total the film made more than $200,000 in 2 theaters over five days. Gran Torino's per theater average grew by 26% to $34,957 in 84 theaters. At this point, it would be fair to say it has earned some measure of mainstream success, and it expands wide this weekend. Revolutionary Road saw its theater count grow from 3 to 38, while it still managed a per theater average of $25,946. The Wrestler also saw growth with an average of $24,323, and it should expand over the coming weeks. I'm not sure it will expand wide, but it should do reasonably well. Che continues its Oscar qualifying run earning an average of $17,742 in 2 theaters. Last Chance Harvey saw small growth to $17,034 in 6 theaters, but I'm not sure how far it will expand. Waltz with Bashir was the final film in the $10,000 club with an average of $10,713 in five theaters.
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Revolutionary Road was nothing short of fantastic on the per theater chart earning a stunning $190,000 in just three theaters for an average of $63,304. Gran Torino saw both is theater count and per theater average grow earning more than $2 million in 84 theaters for a stunning average of $27,652; the film might not earn as many awards as some were expecting, but its box office potential is as high as ever. The Wrestler slipped to third place during is sophomore stint with an average of $21,529 in 18 theaters, but it too should earn some measure of mainstream success. Che continued its Oscar qualifying run with $35,000 in 2 theaters for an average of $17,252. Last Chance Harvey opened with nearly $100,000 in six theaters for an average of $16,210, which would have been very impressive though most of the year, but we've hit such a winning streak recently that is feels merely average. The overall box office leader, Marley & Me earned an average of $10,448, while Waltz with Bashir barely managed to enter the $10,000 club with an average of $10,004 in five theaters.
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Gran Torino opened on top of the Per Theater Chart with an outstanding average of $45,287 in six theaters. Wide expansion seems inevitable at this point. Likewise, Doubts debut of just over $500,000 in 15 theaters gave it an average $33,815 making expansion almost assured. Che - The Argentine was close behind with $30,535 in two theaters. The Reader opened with an average of $21,006 in 8 theaters, which most weeks would be enough to score top spot; however, given the competition, without continued success during Awards Season, it could struggle to expand. There were only two holdovers in the $10,000 club with Frost/Nixon earning an average of $16,061 and Slumdog Millionaire earning $12,873. The final $10,000 film was Rab Ne Bana Di Jodi, which opened with $10,985. However, both My Name Is Bruce and Wendy and Lucy came relatively close with averages of $9,119 and $9,109 respectively.
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The Day the Earth Stood Still topped the weekend chart with $31 million, according to studio estimates released on Sunday.
That's a strong start, helped in particular by $3.8 million on 123 IMAX screens, and gives Fox a nice lead-in to the holidays, with no competitive film coming out until Christmas Day.
However, weak reviews and tepid word of mouth will not help it, and a $100 million run is far from assured at this stage.
Four Christmases had an impressive week-to-week drop of just 20% to earn an estimated $13 million and finish second.
Its success probably dampened the opening weekend for Nothing Like the Holidays, which pulled in $3.5 million from 1,671 theaters.
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