Thursday, 3 March 2016

RECENT FILMS

ATANARJUAT

This is an old 2002 film that we had
never seen before. Sub-titled The Fast Runner, it is based upon a thousand-year
old myth about an Inuit Indian who escapes his enemies by running across the
Arctic ice, naked.

I thought it was superb: sub-zero
temperatures; everyone dressed in furs and living off the land and a real feel
for what life must be like for these people. They live in igloos and there is a
riveting scene where the two brothers construct an igloo . . . a big one . . . from the inside.

There is a story-line. Wanna hear it?
Girl is promised in marriage to son of tribal chief but loves another. The two
young men fight for her/her lover wins/ the son character vows revenge/takes
revenge by killing the lover’s brother/ the lover escapes with his own life
because he is a fast runner. There isn’t much dialogue and few wasted words. The
reason it is so great is because of the intimate insight it brings to a
primitive hunter-gatherer tribe living in the harshest conditions imaginable,
yet can still find the capacity within the tribe to care for the weak,
the young and the old. Even an Attenborough-type documentary wouldn’t get this
close to tribal peoples, someone somewhere would be complaining because you
aren’t allowed to photograph our women or take images of our Gods or whatever.

Really excellent film; three hours long, by the way. It has
been voted Best Canadian Film ever made, apparently. Won an award for
cinematography in Cannes plus a million lesser awards at lesser film festivals.

THE ASSASSIN

Loved this. Should have won the Palme D’Or last year at Cannes. It did win Best Director but some
French film about immigrants that no-one watched won. Sight & Sound voted it Best Film of 2015.

It is not what you think. Although superficially it’s a
Crouching Tiger martial arts film, the actual martial arts stuff is minimal. I
haven’t got a clue what it’s about by the way . . . nobody has . . . all the
reviewers talk about enigmatic ‘cos they can’t find anything else to say about
it.

What story there is, essentially a trained female
assassin’s loyalties are torn is just enough to hang a rapturous cinematic
experience on; not enough to get in the way. It is set in 9thC China, blanketed
in myth of course. The Director is quoted as saying, ‘I don’t think that plot
is the only way to appeal to an audience’.

Just go. Watch the fabulous ending and gasp. Watch the exquisite
scene with the billowing drapes reflected in glass or the zither scene with the
bowl of grapes in the foreground or the scene with the huge bowl of oranges in
the foreground; mist, steam, smoke in the background. Every scene, every scene composed meticulously to beautiful
artistic perfection.

Fantastic film.

MAD MAX FURY ROAD

When I was a kid in fact for longer than that, well into my
twenties, I wanted to be a cartoonist. Not funny ha-ha cartoons [I don’t have a
sense of humour] not even Superhero cartoons but futuristic post-apocalyptic
cartoons with tribes of scantily-dressed young girls slaying Buffy-type
misogynists.

I spent every evening and every weekend out of the sun
inking story boards.

Shouldda gone to artschool but in those days there were no
courses teaching cartoon drawing and the computer programmes that are available
now, simply didn’t exist. Then I got married, settled down and I no longer had
the time and to be honest, you had to be brilliant to make a living at it and I
wasn’t brilliant. I had ideas and I had the passion but just couldn’t get
picked up by a studio. The great cartoonists were all Spanish in those days, I’ve
still got some of their fantastic [the right adjective, for once] work in a box
upstairs.

Fortunately for the sanity of civilisation Brendan McCarthy
didn’t give up so easily. He scripted and storyboarded this and it is fab.
Loved it. Kermode talks about Battle Fatigue. Yeah? It is wonderful. As good in
its own way as The Assassin . . . a
work of Art in other words. If Michelangelo were alive this is what he would have
produced. McCarthy designed the spiky wheels on the Warwaggon; the bad-guys on
poles; the motorcycle riders who turn out to be a group of old women; the
white-painted trolls; the literally millions of tiny, clever details that won
this film six Oscars the other day.

And apparently it was McCarthy who came up with the genius
idea of making it a womans film.