“Charm and humor permeate the pages of the surprising thriller. There’s little chance that anyone will turn the last page before developing a craving for the next installment.” –ForeWord Reviews

Award-winning novelist Robert Lane, who has drawn comparisons to John D. MacDonald, has created one of the most compelling characters in mystery today. PI Jake Travis is tough, smart, wise and wisecracking. He’s hailed as “a winning hero”—and this time, Jake has an elaborate knot to untangle.

While trying to expose a corrupt Miami art dealer, Jake goes undercover for the FBI. The gallery’s owner, Phillip Agatha, is more enchanted with murder than he is with art. Aboard Agatha’s luxury yacht, the Gail Force, Jake is taken with Agatha’s hospitality—and with his alluring assistant, Christina, a woman who harbors her own secrets. Unknowingly, Jake plays into Agatha’s hands and initiates actions that could cause an innocent girl to die.

As Jake struggles to save the girl, unearth a rogue FBI agent, and bring Agatha to justice, his greatest challenge is to stay loyal to his girlfriend Kathleen—and to withstand the Gail Force. As Jake himself observes, “After all, everything’s a game. Sometimes you win. Sometimes you lose. Sometimes you don’t know what game you’re playing.” This game is on…

The Gail Force is crime fiction writing at its finest. With a storyline that races from the opening page, characters that stay with readers long after the final page is turned, and the wit, wisdom, lust for life, and cynicism of Jake Travis, The Gail Force will leave readers breathless.

The Gail Force

1

The Fat Man

Karl Anderson knew he’d made a mistake when he got a sex change and neglected to inform his wife.

“Oh, babe.” Riley Anderson put down her grocery bag of fresh produce, fish wrapped in white paper—she suspected the paper was not as fresh as the fish it wrapped—and a loaf of French bread. She strode over to her husband and combed her hand through his hair, tenderly tucking a few renegade strands behind his left ear. “You’re a blonde, babe. We talked about it? Remember? You’d look so much better as a brunette. Besides, a French blonde—they even make them?”

“Cather—OK, so you got one, but dead or alive, right? And look at your shoes. You got to start thinking differently.”

“I’ll be fine. Pretty sure she’s still alive. Born in forty-three.”

“You didn’t, you know,” Riley said with a coy smile, “touch the private equipment, right?”

They stood in a seaside bungalow, the late afternoon sun filtering through the slats of the venetian blinds, casting shadowed lines on the wall. A spiritual sea breeze swept through two sets of open patio doors, ushering in air that hung heavy with the gummy fragrance of saltwater. The front doors faced the Caribbean, and the side doors the courtyard and pool, one floor beneath them. “Some island south of Florida,” the government man in the buttoned dark suit had retorted in response to Riley’s earnest question as to where they were. That was three nights ago when they’d been dropped off at 2:00 a.m. in the middle of a weed-infested runway.

Karl had stepped in before Riley got wound up. He was always calming her emotions and outbursts, like throwing a blanket on a fire. He believed his wife’s bravado stemmed from her diminutive stature, but he wasn’t the type of man who gave thought to such trivial things. He simply loved her every way times ten.

“You know I didn’t,” Karl replied to his wife’s question and gave her their last kiss. “It’s just another precaution. We might even have fun with it.” Their first kiss had been outside the prefabricated junior high classroom in Marion, Indiana, when they were fourteen years old. It’d been building for three days until finally, on the fourth day, Karl nearly knocked her head into the side of the building before attacking her lips with his own.

He folded her, all five feet and one inch, into his chest. She jerked back. “Boobs?”

“Little fakies. I’m thinking this might be a pristine opportunity for you to see if you swing both ways, you know, snuggle up to Daddy Big Tits, might find it rocks your boat. Make a real sorority girl out of you.”

Riley smiled, glanced up at her husband, and said, “I don’t think so, baby. You’ve been rocking my boat ever since the day you grabbed my shoulders, banged my head, stuck your lips on mine, and then dashed off like the Easter bunny being chased by a pack of starving coyotes.”

While not poetic, and certainly not the finely crafted lyrical notes she would, if presented the opportunity, have chosen, nonetheless, it was a fine thing for Riley Anderson to say to her husband, as they were the last words he would hear her say. The last words she ever heard him say were coming around the corner like a downhill runaway truck.

Karl Anderson, who towered over his wife, gathered her back in his arms. He faced the open patio door. Riley, before looking up to his face, eyed the grocery bag on the kitchen counter. She wondered how she should prepare the fish but knew that Karl would likely step in and cook dinner. Maybe she’d slice up the French loaf, make garlic bread and croutons. Karl Anderson loved crispy croutons. Later, she would wonder if she hadn’t glanced at the damn groceries if she would have seen the panic—the sadness—in her husband’s eyes a split second sooner, and if that split second, of all the seconds the screwed-up world had ever known, would have made a difference in their lives.

When she did glance up, Karl Anderson was not looking at the object of his heart, but at the open patio door where a rotund, unwelcome guest stood blocking the salt air, the sun, the view, their future.

Karl, like a Polish weight lifter, jerked his wife over his head, took a giant leap toward the side patio that fronted the pool below, and heaved her over the patio rail and, with luck, into the pool’s deep end.

“Run, baby, run,” he screamed, praying that for once in her life, the little fireball would do the sensible thing and listen to him. That was assuming he didn’t miss and Riley went kerplat on the concrete pool decking. Karl spun and dove for the shelter of a desk. Like a runner on third knowing he was cooked, he closed his eyes, thinking it would be less painful when the bullet found him.

It wasn’t.

“Tsk, tsk, tsk,” the Fat Man said on entering the villa. He glanced behind him. “Find her. Go.” Two men were with him. The one who had shot Karl sprinted down the concrete stairs.

“Mr. Anderson.” The Fat Man took several steps into the room. “Might I be mistaken or have you sprouted a pair of shapely—although the right one seems to be slightly off-kilter—breasts since our last meeting?”

“Eat me.”

“Yes, yes, yes. If only you knew. Why not now, Johnnie, while he’s still breathing?”

Johnnie Darling, who resembled the product of an incestuous relationship, slithered around his boss and snapped away with a Nikon D810.

“Fat little twerp,” Karl Anderson blurted out. His left hand grasped his Tommy Bahama shirt that Riley had sprung on him yesterday as a present. He tried to stem the bleeding that was turning the gold silk shirt into a rust-colored premonition of death.

“Why the animosity?” The Fat Man tapped his cane on the floor. “Is that what the end brings you, tied up in a bow? It is different with all of us. You should understand. Our minds are so similar in some departments, but apparently—and this, most unfortunately does not bode well for you—sadly different in others. But what a marvelous picture you make, especially now that you’ve made yourself such a conflicted creation. You know how I feel about art. It stimulates our senses. That which we are rarely exposed to, that which we dream about and participate in only through the voyeurism of our dreams, stimulates us the most. So considerate of you and, I might add, so utterly unselfish, to be our objet d’art.”

“Go fuck yourself.”

“Hmm…yes. Imagine the disastrous effect on the survival of the species if one could indeed finagle such an act.”

Click. Click. Click.

The Fat Man prodded Karl Anderson’s shirt with his cane. He nudged the blond wig off to the side, taking care to keep a piece of it on Karl’s head.

Click. Click. Click.

“This is exquisite. Exquisite indeed. Death comes to what? A man? A woman? We don’t know, Johnnie, what Mr. Anderson is trying to be. Perhaps one of your own. Death does not care, does it Mr. Anderson?”

Click. Click. Click.

The Fat Man stepped around Karl and toddled into the kitchen, his back to Karl. “I thought we were getting along splendidly. The beauty of numbers—their simplicity and brutal honesty. It’s disappointing when those we trusted, our confidants, turn and drive a spike into our hearts. So sad. All of this, brought about by you.”

Karl groaned.

The Fat Man picked up the bag of groceries. He positioned a chair before Karl, sat, and bent over, his face close to Karl’s.

“Look at me,” the Fat Man said.

Karl did not. Karl Anderson decided to go deep inside himself, to choose his place of death, to envision the dimpled face of his sweet Riley as the last thing he would see. Did I throw her too far? I was afraid of coming up short. A short putt never goes in—oh God, please, I hope she hit the water.

The Fat Man poked Karl’s chin with his cane. “I said look at me.”

Karl did not.

“Very well then.” He leaned back and propped his cane against the side of the chair.

Click. Click. Click.

The Fat Man gave a dismissive gesture with his hand, his fingers trilling the air. “Be done, Johnnie, until the closing shot. Why, Mr. Anderson? Why couldn’t you let me go? I told you that if you kept our secret, you would live. If not, you would create this egregious situation. What part of that simple statement did you not comprehend?”

Karl curled into a fetal position and coughed up blood.

“Now you understand, don’t you?” The Fat Man continued, undaunted by Karl’s lack of conversational participation. “And your little Riley? My! What a throw that was. My guess is that she’s bleeding out on the pink pool paver bricks. Pink. Pool. Paver. Bricks. What do you think, Karl? Or is it Pink. Paver. Pool. Bricks? Do you recall our number games? Of course you do. I got it right the first time, didn’t I? Words with the fewest letters lead the way. We resort to the alphabet for a tiebreaker. ‘Pink’ before ‘pool’ as ‘I’ comes before ‘O.’ Remember? We constructed whole sentences in such a manner, although paragraphs were beyond the scope of even our advanced minds. I will miss your stimulating company. I digress—Riley.

“Perhaps that wasn’t her fate; there’s always the cabana, a somewhat softer ending. You know which one I’m talking about, don’t you, Karl? Yes, that’s right. The one where the lady in the black bathing suit was spreading oil on her breasts yesterday as if she were making love to them. Remember now? Judging by the trajectory, I think that is where your little trinket might have landed. Johnnie, would you be so kind as to glance out the door. Take a few shots of Mrs. Anderson. Show them to Mr. Anderson in your viewfinder.”

Johnnie Darling went to the side patio door and peered down. He shook his raisin head at the Fat Man.

“Not there? Really—quite an amazing throw then. I’m sure Eddie will rope her in. Pity for her that she didn’t hit the bricks. Didn’t think of that, did you Karl? Really, have you nothing to add?”

Karl tightened his position, his arms and legs drawing into his center, as if in death, life compresses into you, growing small, dense, and close. Then, like a flickering flame reacting to a kindly puff, it was no more.

The Fat Man picked up the grocery bag. “I greatly admire your courage to control your last moments. Superb, actually. One never knows until the bitter end what kind of strength lies dormant in a man. With you, it is bottled animosity and structured silence. Think of the picture in his mind right now, Johnnie. The greatest art is that which we never see. Pity. Karl, are you tuned in?”

He reached into the bag and rummaged through the items. “I shall dine on your wife’s shopping tonight. Let’s see, Johnnie, French loaf, fresh produce, kiwi—excellent—such an integral component for a Caribbean salad.” He unwrapped the fish. “Yellowtail snapper. Enough for two, which means just enough for me.” He discarded the fish and stood, as if he’d instantly lost interest in it all. “I fear we’ve overstayed our visit, and we do want to be going before the police arrive; although I told them to give me an hour. One shot, Johnnie. With both instruments. Don’t cheat and rely on the camera.”

The Fat Man turned to leave.

“Shwell ill you.”

He turned and was surprised to see Karl Anderson’s eyes nailing his own. “Pardon me.”

“Riley,” Karl said with the greatest of effort, for he recognized his last breath. With that breath, he said, “She’ll kill you.”

“I think not. Johnnie.”

Johnnie circled the corpse twice and settled on a position. He took his time with the Nikon. Johnnie Darling always took his time with the last shot.

An extraordinary tale about life, love, faith and friendship, Joe Peasillustrates how the most important life lessons sometimes come from the places we least expect.

About Joe Peas: Who is Joe Peas? Is he a simple Italian immigrant house painter, or is he a complicated man with much to hide, even from himself? When the aging painter develops health problems, his life intersects with that of family physician James King. Dr. King is drawn to the curious Italian, whose life is a stark contrast to his own orderly life. The free-spirited painter and doctor forge a unique friendship—a friendship that only grows when Joe breaks a hip, and becomes a patient in a long-term care facility where he does rehabilitation under Dr. King’s care. As Joe interacts with other residents at the facility, he learns of their struggles, their triumphs, and witnesses their close relationships with their families. The spirited little Italian enriches the lives of the other patients—and encounters with the residents change Joe in ways he never expected. Through these interactions, Joe realizes just how much he missed in his own life. While Joe struggles to come to term with his past, Dr. King faces his own struggles living in a community that values conformity over individual expression. Eager to help his friend, Joe hatches a plan. But that plan—as colorful and vibrant as Joe himself—sets in motion a chain of events that sheds light on the secrets of the enigmatic painter. Things are not always what they seem on the surface. Could there be more—much more—to Joe Peas than meets the eye? And will the truth about the mysterious painter finally be unveiled?

An extraordinary story that will stay with readers long after the final page is turned, Joe Peas is irresistible. Tender and touching, thoughtful and thought provoking, Joe Peas is filled with unforgettable characters that come to life within the novel’s pages. Informed by Sam Newsome’s experiences as a physician and educator, Joe Peas is a powerful story about true healing.

////////////////////////////

Joe Peas

by

Sam Newsome

Copyright 2015

Prologue

February 16, 1944

The Battle of Monte Cassino, sometimes referred to as the Battle for Rome, was as intense as any combat in the Second World War. Axis troops guarded the mountains and controlled the Rapido, Liri, and Garigliano River valleys. They controlled the old Appian Way access to Rome. While the German forces did not occupy the Abbey of Monte Cassino, they did control the surrounding hillside. Allied forces were uncertain of the strength of the Axis defenders and whether the abbey was under Axis control or not.

On February 15 alone, a massive barrage of 1,400 tons of bombs was loosed upon the abbey and its environs.

American soldiers of the Fifth Army witnessed the Allied bombardment as they steeled themselves for yet another assault on the enemy stronghold. The smoke and mist rolled down into the valley from the hills.

Most of these weary, battle-hardened soldiers were veterans of the North African campaign. They had not seen their wives and families for months, if not years. They knew that nothing or no one could survive such a barrage.

On February 16, as the smoke began to dissipate and the irritation of the GIs’ eyes cleared, a patrol noticed a new and unexplained feature on the landscape of no-man’s-land. A closer investigation revealed what appeared to be only a smoldering pile of cloth, perhaps a sack. On closer inspection they discovered the cloth to be the burned and tattered shirt and trousers of a small child. And they were surprised to find that the waif inside the clothes was still alive. The child was no more than smoke-stained skin and bones. His hair was filthy and scorched.

The soldiers snatched up the child and got him out of harm’s way. Over the next few days, he gained strength but appeared to be mute. The medics couldn’t tell if this was shell shock or a more serious medical condition. The homesick GIs refused to hand the boy over to the authorities. As he gained his strength, he was more or less adopted by the mess hall personnel.

Eventually the boy learned a few words. His main word was “Joe.” He probably had heard the term “GI Joe” so often that, when asked his name for the hundredth time, he said, “Joe,” and the moniker stuck.

The time came for the Fifth Army to move on. Joe had become a fixture at the mess hall and had won the hearts of the GIs, but they couldn’t take him with them to the next deployment. He was classified as a displaced person. When the aid worker asked for his name, he said, “Joe.” As for his last name, he had no idea. After an uncomfortable period of silence, he saw the cook opening a can of black-eyed peas. Joe had become fond of them as a staple of his new diet, so he said, “Peas.”

The aid worker asked, “Your last name is ‘Peas’?”

“Peas.”

And so it was. At least that was one version of the story.

Chapter 1

“You guys don’t know how to paint a house. You got to scrub, and I mean really clean the shit off! You don’t do that, you just wastin’ you time! Then you scrape that sucker plenty good! You don’t scrape and you just wastin’ you’ time! And then you prima it.” He used the word prima, instead of prime. “Then the paint. You got to use that good paint and none of that shit you get at any hardware store. You gotta know you’ paint, man.”

All this was overheard above the usual cacophony of the Waffle House. The customers in the surrounding booths, the chatter of the counter traffic, and a jukebox with the usual repertoire of country offerings provided a constant din that completed the diner experience. The high-speed, enigmatic counter orders shouted by the waitresses, and the clatter and motion of Freddy, the short-order cook, completed the symphony of a morning at the King’s Mill Waffle House.

The atmosphere was not one suitable for meditation, but it was great for a quick breakfast with a genial ambience. And with the bonus of a little time to read the daily paper, it was hard to beat. There was also something to be said for the old-fashioned diner experience that allowed the patron to see the food prepared.

Dr. James King and his wife, Betty, frequently slipped in for a Sunday breakfast before hospital rounds. This morning the paper took second place to the bantam man monopolizing the counter conversation. He had a dark, olive complexion; a pate of slick black hair; and a pencil-thin mustache. He appeared to be of an advanced age, but his animated speech and gestures suggested he was very active. Doc and Betty had lived in town all their lives, but they didn’t know him, and yet the small man was literally holding court with a cadre of local laborers as though he was a well-known local craftsman. Doc knew that a couple of these men had been lifelong painters, but they and the younger men listened when the speaker harangued them as though he was the resident house-painting expert.

“Lemme tell you ’bout paint. You paint a house like you court a beautiful woman. You don’t think Joe knows women? Lemme tell you guys. All the world’s best lovers, they’re Italian. All the best painters, Italian. You think that may be an accident?” The little fellow gestured widely with both hands, ending up with his thumbs inside his suspenders.

“You see a beautiful woman, you size her up. You got to find her blemishes. She may bebellissima outside, but she will have secrets. She got a jealous lover, or even a husband, you gotta know.”

He looked over at Betty, and she could have sworn that he winked at her. “That house you paint. It’s a got problems, you gotta know ’bout it. It got dry rot or hidden wasp nest, it can hurt a fella.

“That woman, you got to court her; you offer her flowers and candy. Flatter her and tell her she’s a so special to you! Give her all the attention she needs. She’ll say she doesn’t want it, but never you mind. She’ll eat it up. Make her believe she’s a you’ only one.

“That house, you got to court it too. Clean it like it’s a you’ best friend. Give it attention; take care of its special needs. It’ll pay off, guaranteed!

“That woman, now you better close in on the next step. You got to get physical contact. Now you guys know physical contact.” He looked around, giving his audience a knowing look. “A li’l touch and a li’l kiss and you on you’ way. Now you get to know her. She let her veil drop. You learn what she want or not want.”

Again, Betty sensed the Italian’s eyes on her. She could not help but wonder if it was more of a leer than an innocent glance. He was, after all, an Italian!

“That house, you ready for the next step. You get more physical with that house. You place the best prima you got. A simple kiss, a preparation for the real amore.” As the little Italian said this, he seemed to blur the comparison of house painting and a romantic liaison.

“Gents, it’s a now time to consummate the affair. Be gentle, be thorough.” He looked around to see if the entire diner, even Betty, was listening. They were. Then he continued.

“Take you’ time. You be simpatico with her and she be kind to you. Remember, you ’mericans, you always hurry. You take you’ time here. Smitty, none a’ dis wham-bam-thank-you-ma’am! Make you’ time with you’ lady count!

“That house, now it’s time to complete the act. Use you’ best paint. You no grab the brush like a bat. You hold it gently; caress it like a fine lady’s hand. You do slow, so slow, even passes, gentle strokes, feel the moist paint being stroked into the rough wooden surface. Soon the surface becomes moist, pliable—sexy. The strokes, they become more rhythmic, hypnotic—even erotic. You take you’ time, jus’ like with that bellissima woman. You do a slapdash job, you paint no good.”

As the fellow warmed to the sensual aspects of house painting, he actually lost part of his broken English.

“After that, you stay. You call that what? Afterglow! You stay. You be kind. You stay. You no run off and you see what it’s like to have real, real…”

“Intimacy.”

The little Italian and everyone in the diner turned to see who had said that. Dr. King and Betty looked around too, till they realized that the now red-faced Betty had volunteered the statement.

Joe continued, “Buono, intimacy. That lady deserves you’ best. That house deserves you’ best. You got it painted, then you look at the family. You see the look and feel of the family who live in the house. That’s a so good!”

One of the painters, Smitty, looked up from his third cup of coffee. “I need a cigarette.”

Abner, Smitty’s partner, decided he’d better call his wife and see if she was ready for their regular “date night.”

Dr. King and Betty had lingered longer than usual over their coffee as the little Italian and his band of painters entertained them. As Doc and his wife left the restaurant, they heard Joe ask his audience, “Who is that guy?”

“Why, he’s my doc,” said Smitty. “Fixed me up real good when I hurt my back last year.”

Husband-and-wife mystery novelists Rosemary and Larry Mild have created a tightly woven, cleverly plotted and supremely suspenseful tale in Death Steals A Holy Book. Resplendent with action, intrigue, wit, and a to-die-for cast of characters, Death Steals A Holy Book is bound to delight.

Reluctant sleuths Dan and Rivka Sherman yearn for a tranquil life as the owners of The Olde Victorian Bookstore in Annapolis, Maryland. But when the Shermans acquire a rare volume, they find themselves embroiled in a firestorm of deceit, thievery, and violence.

Israel Finestein, renowned restorer of old books in Baltimore, has just finished his work on the Menorat ha-maor,“The Candlestick of Light.”His life is brutally snuffed out and the book disappears. What makes this rare text so valuable that someone is compelled to kill for it? Two Baltimore detectives find a puzzling number of suspects. Is it the controversial woman whom Israel plans to marry? The rare book agent who overextended himself in the stock market? Israel’s busybody cousins who resent his changed lifestyle? Or the wayward lad who thinks a gun is the way to big bucks?

This case could be one for the books…

Chapter 1

Loss of Innocence

Monday, January 8, 2007

A wooden sign over the door read “Fine Old Books Restored.” The tiny shop at 59 Beuller Street reeked of fermenting leather, neatsfoot oil, and musk—exuding from rare tomes and the noble attempt to resurrect them. Could such an unusual stench follow the dreadful journey of two rare manuscripts?

The shop’s small front room served to greet customers. Beyond it lay the inner sanctum, the artisan’s hallowed workroom. A man in a yarmulke, a black knit skullcap, sat hunched over his large work table, deep into the project before him: a rare ancient manuscript he had just restored. No longer any sign of mildew—the pages more pliable—their stains now barely perceptible—the cover and binding newly supple. With a tweezer-like tool, this fifty-two-year-old artisan carefully tugged at a frayed re-weave of the original stitching. His cotton-gloved hands and sinewy forearms moved with a deftness and assurance that only an experienced and loving craftsman might display. No ordinary shopkeeper or tradesman here. Nothing was bought or sold here. He simply provided a valuable, singular service.

A broad blue mask with thick binocular lenses hid the upper half of his angular face, while its strap disappeared behind his head into ridges of bristled, gray-black hair. The skullcap personified his belief in the ever-presence of God above him. Beneath a generous coffee-stained mustache, his thin lips exposed a hint of protruding pink tongue, a boyish gesture suggesting the deep intensity required by the task at hand. There, almost finished, he thought.

The tiny bell above the street door jingled, startling him. He’d flipped the OPEN sign to CLOSED several hours earlier at 5:30. He wasn’t expecting any customers this late. Ah, it’s probably my lovely Peggy schlepping my supper. He had left the shop’s door unlocked for her. She’s such a good woman, a friend like I’ve never had before. A little meshugge with all that Goth makeup and jewelry, but I’m in love with her anyway—God forgive me.

He heard footsteps in the dark front room, and wondered why she wasn’t calling to him. Pushing his chair back, he stood up, eager to receive her. But actually seeing who had entered was impossible with the magnifying aid in place. As he slipped the mask up his forehead, a gold-monogrammed briefcase caught his attention. It dropped to the floor near the table. Without warning, the business end of a Saturday Night Special loomed into his view from out of the darkness. Before he knew who or why, Israel Finestein heard a shot and looked down to see blood pouring out of his own chest. He never heard the second shot, nor the abandoned .38 caliber revolver falling with a thud on the vinyl floor. Israel slumped first into an awkward heap. Then gravity slowly leveled him out flat.

The killer picked up the tan leather briefcase, set it upright on a corner of the table, and undid the buckles on the two straps. Black-gloved hands removed a chamois cloth and spread it out on the table. The dark-clad figure gently closed the rare old text and laid it in the middle of the cloth, wrapping it securely before tucking it into the briefcase. After buckling the straps, the killer turned off the lone lamp and exited quickly to the faint sound of the doorbell jingle.

* * * *

Peggy Fraume was on a happy mission: to bring her lover his supper. In her left arm she cradled a tuna-noodle casserole inside an insulated bag. Under the streetlights, she began walking to his shop only a few blocks away. Izzy had entrusted her with the keys to his apartment. It was his supper she carried—in his yellow crockery bowl, prepared by him in his kosher kitchen, and merely reheated by Peggy in his oven.

Peggy worried about him. He often skipped meals or ate them unheated, so a few times each week she took his own hot food to him at his shop, enough for a couple of days, knowing that he sometimes slept in that old schleppy recliner in a corner of his workroom. This woman with short, punk, black hair and wild gypsy eyes felt far more than compassion for her friend. Peggy and Izzy lived in adjacent apartments on the eighth floor of a quiet Baltimore City neighborhood. They had immediately connected when they discovered they both played chess. After several months of casual dating and hours-long chess games, fondness had bloomed into passion to the point where they were planning a most unlikely marriage. They had even sent out save-the-date notices without considering all the contrasting consequences. They were blindly in love.

As Peggy approached the first-floor shop, she hesitated. Why is it so dark inside? Could he have left early without letting me know? She looked at the illuminated dials of her watch: eleven minutes past eight. The hairs at the nape of her neck bristled. She tried the door. Surprisingly, it wasn’t locked. She stepped inside and flipped on the front room light switch next to the door. Without looking about, she lifted the yellow crockery bowl out of its insulated bag and set it, along with her purse, atop the nearest display case. Only then did she venture into the darkness of the workroom.

Peggy moved cautiously. This is so strange. Where’s Izzy? Is he okay? She fumbled for the overhead light switch on the wall to her right, and while she adjusted to it, she heard a muffled moan. It came from behind the massive work table. She followed the source of the faint uttering. Izzy was sprawled out on his stomach, with the left side of his head on the floor and his face turned toward her. She knelt beside him. He wasn’t moving, but his mouth whispered what sounded like the Sh’ma, the prayer at the heart of Judaism, a pronouncement of the Oneness and Greatness of God. Then he mumbled something she couldn’t quite discern. The letters M-P-S or N-T-S maybe. Peggy knelt closer. Did he say “briefcase”? Then she thought he was asking for the police. As soon as the pitiful mumblings ended, her Izzy died.

As the pool of blood rapidly expanded, Peggy, still on her knees, backed away until she encountered something hard under her left shin. Reaching down, she grabbed the uncomfortable object—and screamed. She had retrieved the murder weapon. Realizing she’d left her fingerprints all over the grip, she gathered up the hem of her long skirt with the intention of wiping away those prints.

“I wouldn’t do that if I were you,” said a booming voice behind her. “Just lay the damn gun on the floor and get up. Slowly now, woman! Keep your hands where I can see them. It’s murder all right, and I’ve caught you red-handed.” A stocky, red-faced, uniformed police officer stood over Peggy with his service weapon pointed directly at her.

“But…But I found him this way!” Peggy screeched. “Izzy was already dying.”

“His name was Izzy?”

“Israel. Israel Finestein, but I called him Izzy. Officer, I didn’t do anything. I didn’t kill him. He was my fiancé! I loved him. Why would I kill him?”

“Put both your hands on the arms of that recliner,” the officer commanded. “You have the right to remain silent…,” he recited while frisking her one-handed, clumsily, near her breasts and down her hips and legs. Satisfied with the search, finding no additional weapons, and having finished with her Miranda rights, he seized and cuffed each of her wrists behind her back and pushed her into the front room. The officer followed so closely she could smell his cheap aftershave.

Nodding toward the yellow crock on the display case, she decried her innocence once more. “I was just bringing my fiancé his supper. See there on the counter? It’s a tuna-noodle casserole. I just heated it up for him. Doesn’t that make sense to you?”

But Officer James Francis O’Mera wasn’t listening. He was busy reporting a crime, speaking into his shoulder microphone. “Yes, sir! A woman yelled out a second-floor window at me. Said she heard shots in the shop downstairs, and I responded….No, sir! I didn’t get any names yet. Found a woman perp hovering over the male victim with a recently fired gun in her hand. Yeah, she’s in custody. Got ’er cuffed. Sure I read ’er her rights….No, I didn’t touch anything….Okay. I’ll wait for the detectives and transportation.”

“Sure, sure, I got it all wrong. That’s what they all say. I got you dead to rights, ma’am. You got any ID, Fraume?”

“My purse,” she said, tilting her head toward the counter and indicating the black cloth shoulder bag sitting there. She watched him upend the purse contents onto the countertop: lipstick, compact, cell phone, keys, handkerchief, a Kleenex mini-pack, and a vinyl wallet. He flipped open the snap and spread the wallet until he saw her driver’s license in its compartment window.

“So who’s the poor slob on the floor in the other room?” Officer O’Mera began to write in a small notebook he’d taken from his breast pocket.

“His real name is Israel Finestein, but everybody calls him Izzy. And don’t you dare call him a poor slob. I love him. He’s a wonderful, hard-working mensch, and the proprietor of this shop.”

“Does he own the joint?”

“He rents from some lady upstairs. I don’t know her name.” Peggy shuddered. She suddenly realized she was talking about her beloved as if he were still alive.

Vehicles screeched to a halt out front and car doors slammed shut. “Homicide!” the first man through the door said. “Officer, I’m Detective Sergeant Shap and this here is Detective Sullivan. He’s assisting me in this investigation. Anything appear to be missing from the shop? Cash or something else valuable?”

“Nothing obvious, sir. I haven’t had much of a chance to look around yet.”

The two detectives perused the crime scene room for about fifteen minutes before calling in the lab people. Then Shap called Peggy into the workroom and sat her down in the recliner. He stood before her in a leather jacket and black pants, almost six feet tall, with a clean-shaven, handsome face and wavy walnut-brown hair brushed back with no part.

“Very well. We are—I mean, we were—neighbors and best friends. More than that. He was my fiancé, for heaven’s sake.” A sob caught in her throat. “The only reason I’m here is that I brought Izzy his supper, in that yellow crock in the front room on the counter. I didn’t kill him. I couldn’t do anything to harm that lovable man. Did you know we were engaged?”

“No, I didn’t know?” he responded sarcastically. “How could I?” Shap circled behind her, and examined her cuffed hands. He saw two rings on her right hand, one a carved silver rose, the other a black onyx stone. “So where’s the diamond ring if you’re engaged?”

“We hadn’t gotten around to that yet.”

“I see,” said Shap. “And if you were engaged, why would Officer O’Mera believe you murdered your lover? Was it a lover’s quarrel?”

“No, no, no!” Peggy, near tears now, said, “I’ll explain everything, but can’t you take off these horrible cuffs? They’re cutting into my wrists and my shoulders are getting sore.”

“No way.”

It occurred to her that the detective was enjoying her misery. She had no choice but to relate her whole story, beginning with finding the shop dark and ending with the attempt to wipe her fingerprints from the murder weapon. At several junctures she proclaimed her innocence. She was so despairing, so distraught that Izzy’s final utterings had completely slipped her mind. She offered them now.

Shap said, “You say you found the room dark. Why would Finestein be working late in the dark?”

“That’s just it,” she replied. “He wouldn’t be in the dark. He’d be working late to finish the rare holy book for Rivka and Dan Sherman. They’re supposed to pick it up the day after tomorrow. The book is gone! It should have been on the work table with the light over it. That’s why I became so concerned.”

“Who are these people, the Shermans?”

“They own The Olde Victorian Bookstore in Annapolis and they’re good friends of mine as well.”
“So where’s this so-called holy book now?” asked Shap.

“I just told you—it should have been on the work table. Otherwise, it would be stored in the locked cabinet for safekeeping.”
“In there?” he pointed. The steel cabinet’s door was slightly ajar, indicating that it had been left unlocked. Shap swung both doors open wide and saw two books and a rolled papyrus parchment. “One of these?” He gestured with his open hand.

“No!” Peggy said. “The Shermans’ rare book was at least twice the size of either one of those. And much older.”

“Just how holy was this book?” Shap pressed on. “It’s obviously not the Bible or the Torah or Haftarah.”

“Sefer means book. Menorat ha-maor means The Candlestick of Light. The way Izzy explained it to me, it’s a precious book of religious truths and ethics. This copy is in Yiddish and there are other translations, too. It was the most popular book in Jewish households in the Middle Ages. How the righteous should live their lives.” She steadied her voice, praying that she was appealing to his more rational side. “So you see, robbery is the real motive here, and I don’t have the book. Ergo I am innocent.”

“Not so fast, lady. You could have had an accomplice. Mrs. Fraume, I—”

“It’s Ms. now since my divorce and I don’t have any accomplice.”

“Ms. Fraume, while your version of what transpired here may well be plausible, there are circumstantial facts sufficient to cast doubt on your explanation. Enough for you to remain in custody, at least for the time being. The question of your guilt or innocence may well rest with the courts. You may be able to get bail fixed at your arraignment.”

In the front room, Officer O’Mera shifted from foot to foot. He was alone and had nothing to do. He’d worked with Detective Shap before, arrogant SOB, and right now O’Mera’s stomach grumbled, reminding him that he hadn’t eaten anything since two doughnuts on his morning coffee break. He lifted the lid of the yellow crock, plus a corner of the Saran wrap, and sniffed. Mmm! Smells good and it’s still warm. It’ll go to waste if it just sits there. Besides, it can’t be evidence. Who’s gonna miss a coupla mouthfuls anyway? He took another sniff and checked to be sure nobody could see him. Using three fingers, he scooped up a small bundle of tuna and noodles covered with cream of mushroom soup, and popped it into his wide-open mouth. Delicious. He faced the door so no one would see him chew and swallow. With nobody watching, he repeated the procedure until only a quarter of the casserole remained.

Just as Peggy and the two detectives emerged from the workroom, the crime scene investigators arrived in a long white van. At the door, gloves and cloth footies were distributed to the team. Soon both rooms were taped off, leaving only a narrow passage from the entrance to the workroom. They even covered that with heavy brown paper. A crime-scene announcement prohibiting entry to unauthorized persons was posted on the window next to the shop’s front door.

No one noticed Shap lifting the cover off the yellow crock. He peeked under the Saran wrap, smiled, and nodded. Just as I thought. “Let’s get out of their way so they can dig up some more juicy evidence,” he said to Sullivan. His sidekick shrugged. Blue-eyed, with a crew cut, he tended to be an obliging sort.

“What about my purse?” Peggy blurted out as Shap guided her toward the black unmarked cruiser.

“Your purse is now inventoried evidence. It will be returned to you as soon as the lab people have cleared it.”

“But it’s my whole identity,” she protested.

“Sorry, miss,” replied Shap, his voice hard and not at all sorry. He pushed down on her head as she reluctantly entered the rear seat of the unmarked police car.

Like this:

In the world-building tradition of Andre Norton, Anne McCaffrey and Ursula K. LeGuin, The Moreva of Astoreth is a blend of science fiction, romance, and adventure in a unique, richly imagined imperialistic society in which gods and science are indelibly intertwined. It is the story of the priestess, scientist, and healer Moreva Tehi, the spoiled, headstrong granddaughter of a powerful deity who is banished for a year to a volatile far corner of the planet for neglecting to perform her sacred duty, only to venture into dangerous realms of banned experimentation, spiritual rebirth, and fervent, forbidden love.

“I could have you executed for this, Moreva Tehi,” Astoreth said. My Devi grandmother, the Goddess of Love, scowled at me from Her golden throne in the massive Great Hall of Her equally massive Temple.

Sitting on my heels, I bowed my head and stared at the black and gold polished floor, trying to ignore the trickle of sweat snaking its way down my spine. “Yes, Most Holy One.”

“You blaspheme by not celebrating Ohra, My holiest of rites. And this one was important—the worthiest of the hakoi, handpicked by Me, celebrated with us. ”

“I can only offer my most abject apologies, Most Holy One.”

“Your apologies are not accepted.”

“Yes, Most Holy One.”

“Where were you?”

“I was in the laboratory, working on a cure for red fever. Many hakoi died last winter—”

“I know that,” my grandmother snapped. “But why did you miss Ohra? Did you not hear the bells?”

“Yes, Most Holy One. I heard them. I was about to lay aside my work when I noticed an anomaly in one of my pareon solutions. It was odd, so I decided to investigate. What I found…I just lost track of time.”

A moment later, my head and hearts started to throb. I knew why. My grandmother was probing me for signs I had lied. But She wouldn’t find any. There was no point in lying to Astoreth, and it was dangerous, too. Swaying under the onslaught from Her power, I endured the pain without making a sound. After what seemed like forever the throbbing subsided, leaving me feeling sick and dizzy.

“Very well,” She said. “I accept what you say is true, but I still do not accept your apology.”

“Yes, Most Holy One.” I tried not to pant.

A minute passed in uncomfortable silence. Uncomfortable for me, anyway. Another minute passed. And another. Just when I thought maybe She was finished with me, Astoreth spoke. “What do you have against the hakoi, Moreva?”

The change of subject confused me. “What do you mean, Most Holy One?”

“I’ve watched you, Moreva. You give them no respect. You heal them because you must, but you treat them little better than animals. Why is that?”

The trickle of sweat reached the small of my back and pooled there. “But my work—”

“Your work is a game between you and the red fever. It has nothing to do with My hakoi.”

I didn’t answer right away. In truth, I despised Her hakoi. They were docile enough—the Devi’s breeding program saw to that—but most were slow-witted, not unlike the pirsu the Temple raised for meat and hide. They stank of makira, the pungent cabbage that was their dietary staple. From what I’d seen traveling through Kherah to Astoreth’s and other Gods’ Temples, all the hakoi were stupid and smelly, and I wanted nothing to do with them.

I did not want my grandmother to know what was in my hearts, so I chose my words carefully. “Most Holy One, I treat Your hakoi the way I do because it is the hierarchy of life as the Devi created it. You taught us the Great Pantheon of twelve Devi is Supreme. The lesser Devi are beneath You, the morevs are beneath the lesser gods, and Your hakoi are beneath the morevs. Beneath the hakoi are the plants and animals of Peris. But sometimes Your hakoi forget their place and must be reminded.” I held my breath, praying she wouldn’t probe me again.

Astoreth didn’t answer at first. “A pretty explanation, Moreva. But My hakoi know their place. It is you who do not know yours. You may be more Devi than morev but you are still morev, born of hakoi blood. You are not too good to minister to the hakoi’s needs, and you are certainly not too good to celebrate Ohra with them.”

I swallowed. “Yes, Most Holy One.”

“Look at me, Moreva.”

I raised my head. My grandmother’s expression was fierce.

“And that is why you let the time get away from you, as you say. You, Moreva Tehi, an acolyte of Love, are a bigot. That is why you did not want to share your body with My hakoi.” She leaned forward. “I have overlooked many of your transgressions while in My service, but I cannot overlook your bigotry or your missing Ohra. I will not execute you because you are too dear to My heart. The stewardship for Astoreth-

69 in the Syren Perritory ends this marun on eighth day. You will take the next rotation.”

My hearts froze. This was my punishment? Getting exiled to Syren? From what I’d heard from morevs serving in Astoreth’s other Temples, the Syren Perritory in Peris’s far northern hemisphere was the worst place in the world to steward a landing beacon. Cold and dark, with dense woods full of wild animals, the Syren was no place for me. My place was Kherah, a sunny desert south of the planet’s equator, where the fauna were kept in special habitats for learning and entertainment. As for the Syrenese, they were the product of one of the Devi’s earliest and failed experimental breeding programs, and were as untamed as the perritory in which they lived.

But I knew better than to protest. Astoreth’s word was law, and it had just come down on my head. “Yes, Most Holy One,” I said, my voice meek.

“Mehmed will come to your rooms after lunch tomorrow so you can be fitted for your uniform.”

“My uniform, Most Holy One? I will not be taking my clothes?”

“No. As overseer of the landing beacon, you are the liaison between the Mjor village as well as the commander of the garrison. Your subordinate, Kepten Yose, will report to you once a marun, and you are to relay the garrison’s needs to Laerd Teger, the Mjoran village chief.”

“Yes, Most Holy One.”

“I will make allowance for your healer’s kit and a portable laboratory, but you are not to take your work on red fever. I am sure you have other projects you can work on while you are there.”

“But—”

“No, Moreva. It is too dangerous.”

“I can take precautions—”

“No. That is My final word.” Astoreth leaned back in Her chair. Her eyes narrowed. “One more thing. You will be the only morev in Mjor, but that will not prevent you from observing Ohra. And you will do so with the garrison stationed there. Go now.”

I stood on shaky legs, bowed, and backed out of the Great Hall. Once in the corridor, I turned and fled to my quarters. I threw myself on the bed and sobbed. It was bad enough to be exiled to the Syren Perritory, but Ohra with the garrison? Only the hakoi served in Astoreth’s military. I felt dirty already. And not allowing me to work on my red fever project was punishment in itself.

A few minutes later I felt a hand on my shoulder. “Tehi, what’s wrong?” a worried voice said. It was Moreva Jaleta, one of my friendlier morev sisters.

“I-I’m being sent to the Syren Perritory to steward Astoreth-69,” I wailed.

Jaleta sat on the bed. “But why?”

I sat up. “I missed the last Ohra and n-now Astoreth is punishing me.”

Jaleta gave me an unsympathetic look. “You’re lucky she didn’t have your head. Be thankful you’re Her favorite.”

I sniffed but said nothing.

Jaleta patted me on the shoulder. “It won’t be so bad, Tehi. The year will be over before you know it. Come on, it’s time to eat.”