My Star Wars Analogy between Miguel and Leon Bridges

Miguel’s new album Wildheart is not short of brilliant. It’s like an intimidating layer cake of sexual pop music that carries Prince’s style with R. Kelly’s nymphomaniacal intention. Leon Bridges Come Home album is on the opposite side of the spectrum but just as exciting. It sounds like Sam Cooke and the Everly Brothers had a baby in Motown’s 1963 Detroit. It’s not simple nostalgia but a hybrid of sounds with his voice as the clear center piece and effective, concise, heartfelt songwriting as its currency.

The two albums released so close together force a weird Star Wars comparison into my mind. Both albums have what music consumers could call “the force” that power to make soul not just earnest but catchy to the point of addiction. Miguel works on the dark side of the force and is the Darth Vader of this comparison. Last album he took the Clockwork Orange R&B of The Weeknd and made it fun(Kaleidoscope Dream), this time he’s even trickier forcing his drugs and sex agenda into a fantastic world of sizzling guitar and sharp drums. Even when he’s admitting that he’s gross the song is so great you don’t even care. He makes sinning seem awesome in the manner that Darth Vader made my generation of kids want to crush necks with our mind.

Example of Miguel’s dark power

When you are done with the Miguel and the cold shower that follows, pull up this youtube in front of your Mom and Grandmother and watch them all love Lisa Sawyer.

Come Home doesn’t just showcase Bridges powerful voice but masterful minimalism. In this situation he is Luke Skywalker on a journey to cut through the densely sexual R&B landscape with a very controlled sound. Ten songs, thirty five minutes and not a note out of place, it’s an album that brings the eloquence of confidently crafted soul music so efficiently that it grips you right at the core of who you are. Of course, in this analogy R. Kelly is the evil emperor.