The Incident By: Shelby Nadon Claire James was living a normal life with her suburban family in the small town of Fairfield. That is, of course, until her picture-perfect family fell apart after the incident. She, her brother Chris, and her newfound love interest, Jeremy, will have to dig deep to get past the tragedy that connects them. Claire isn’t so easily persuaded. She knows this was not an accident. It was an incident.

A young woman returns home to confront her troubled past in this “irresistible novel of romantic suspense” (Booklist). Six years after “the incident” that no one will talk about, Victoria Myers returns to her small hometown in the Catskill Mountains of upstate New York. After years of therapy, she is determined to live life to the fullest once again—especially when she starts dating Bart Stonefield. The handsome son of a wealthy local businessman, Bart was Victoria’s high school crush. And now that she’s back, he is amazed by the beautiful, self-assured woman she has become. But the past cannot be put to rest quite so easily. No one has ever been brought to justice for the crime committed against the teenaged Victoria—and at least one person within the community is concealing the truth about what happened that night. Not everyone is happy about Victoria and Bart’s developing relationship—and what is it that Bart is keeping from Victoria? Is she still in danger?

“LOVE LOVE LOVE this series!” “I couldn’t put it down!” Where do you run when even the good guys want you dead? Special Agent Sam Jameson is having a bad week. People are trying to kill her. That would be business as usual in the counterespionage world, except that it’s the good guys who have her in the crosshairs. Why are the DC Metro police trying to kidnap her? Do her bosses at Homeland want her in a body bag, too? And why does everyone she talks to seem to end up in the morgue? Will a ruthless mercenary, a hapless American traitor, and a dead man’s cryptic clue hold the key to Sam’s survival? As the noose tightens around her neck, Sam must uncover a brutal and deadly conspiracy before she becomes its next victim. THE INCIDENT: Reckoning is the second installment in the runaway international sensation INCIDENT trilogy from conspiracy master Lars Emmerich. ———— Interview with #1 Bestselling Author Lars Emmerich Q: Who are your influences? A: Too many to list! I started out years ago as a Tom Clancy addict, and I thoroughly enjoy many of Nelson DeMille’s novels. I regularly read David Baldacci, Vince Flynn, Barry Eisler, Michael Connelly, and John Grisham. James Patterson has redefined what it means to be a working author, and I read his stuff as well. My top picks are usually espionage and private detective novels, any of the thousands of thrillers and mysteries best sellers, and, of course, books featuring classic pulp heroes. And I’m greatly influenced by all sorts of nonfiction, as well. I read all the time, and I’m a bit of a magpie about the topics — science, economics, finance, politics, history, mathematics, engineering, biomechanics, medicine… It’s a big world out there, and I love learning more about it. Many of those topics find their way into my fiction, so I can justify it all as “research.” Q: The Sam Jameson series has become quite a phenomenon. What do you think has been the driving force behind the books’ success? A: I think Sam has something of a unique voice. She says the things we all wish we could say, and she gets away with it about half of the time. The other half of the time, not so much. I think she’s also a very human heroine. She has plenty of flaws and weaknesses, yet she accomplishes some amazing things. She’s kind of like every one of us in that regard, which resonates. Q: You have developed personal relationships with your readers over the years, which is unusual in the publishing business. Was that a conscious choice? A: Absolutely. Books are intimate things. They occupy a person’s mind and thoughts for hours at a time. Good books leave a lasting impression, and great books might even change the way we think about things, but all books are a relationship. I felt that Big Publishing did a great job of distributing novels, but at a very high cost — there was almost no way for a personal connection to form between writers and readers. But I always wanted a conversation. I wanted to learn from my readers, to hear what was on their minds, to listen to their criticism and hopefully improve the books I write. It’s been extremely rewarding, and I’m hopeful it can continue for years to come.

“LOVE LOVE LOVE this series!” “I couldn’t put it down!” Where do you run when even the good guys want you dead? Special Agent Sam Jameson is having a bad week. People are trying to kill her. That would be business as usual in the counterespionage world, except that it’s the good guys who have her in the crosshairs. Why are the DC Metro police trying to kidnap her? Do her bosses at Homeland want her in a body bag, too? And why does everyone she talks to seem to end up in the morgue? Will a ruthless mercenary, a hapless American traitor, and a dead man’s cryptic clue hold the key to Sam’s survival? As the noose tightens around her neck, Sam must uncover a brutal and deadly conspiracy before she becomes its next victim. THE INCIDENT: Inferno Rising is the first installment in the runaway international sensation INCIDENT trilogy from conspiracy master Lars Emmerich. ———— Interview with #1 Bestselling Author Lars Emmerich Q: Who are your influences? A: Too many to list! I started out years ago as a Tom Clancy addict, and I thoroughly enjoy many of Nelson DeMille’s novels. I regularly read David Baldacci, Vince Flynn, Barry Eisler, Michael Connelly, and John Grisham. James Patterson has redefined what it means to be a working author, and I read his stuff as well. My top picks are usually espionage and private detective novels, any of the thousands of thrillers and mysteries best sellers, and, of course, books featuring classic pulp heroes. And I’m greatly influenced by all sorts of nonfiction, as well. I read all the time, and I’m a bit of a magpie about the topics — science, economics, finance, politics, history, mathematics, engineering, biomechanics, medicine… It’s a big world out there, and I love learning more about it. Many of those topics find their way into my fiction, so I can justify it all as “research.” Q: The Sam Jameson series has become quite a phenomenon. What do you think has been the driving force behind the books’ success? A: I think Sam has something of a unique voice. She says the things we all wish we could say, and she gets away with it about half of the time. The other half of the time, not so much. I think she’s also a very human heroine. She has plenty of flaws and weaknesses, yet she accomplishes some amazing things. She’s kind of like every one of us in that regard, which resonates. Q: You have developed personal relationships with your readers over the years, which is unusual in the publishing business. Was that a conscious choice? A: Absolutely. Books are intimate things. They occupy a person’s mind and thoughts for hours at a time. Good books leave a lasting impression, and great books might even change the way we think about things, but all books are a relationship. I felt that Big Publishing did a great job of distributing novels, but at a very high cost — there was almost no way for a personal connection to form between writers and readers. But I always wanted a conversation. I wanted to learn from my readers, to hear what was on their minds, to listen to their criticism and hopefully improve the books I write. It’s been extremely rewarding, and I’m hopeful it can continue for years to come.

Three lives, three turning points: this stunning debut novel charts those moments that change the course of a life for ever. 'Certainly there are ghosts in these towers. For me they are the ghosts of two children. And even now - ten years later and seven hundred miles away - I still wake most nights with the muffled echo of their cries in my ears and the weight of their deaths on my conscience...' Three lives; three turning points. Craig was a teenage lifeguard on a beach in Germany when two children died on his watch. It should never have happened. He was an expert swimmer. His grandfather, Gordon McInnes, was on board a ship torpedoed during the war. He survived by clinging to the body of one of his colleagues. Years later, he met a member of the crew of the U-boat that attacked his ship. Gerd is a refugee of the Cold War. Recruited by the Stasi at a very young age, he escaped to the west after his mission went terribly wrong. He never went back. THE INCIDENT is a searingly powerful novel about fate, about those moments that change the course of a life for ever. It is also a book about history, from the Second World War through to the current day, and the way incidents long past can reverberate across generations.

Strikingly original in its structure, composed of highly distilled, lyric reports in which you discover if Rigoletto, the hunchbacked jester from Verdi’s opera is alive and living in Toronto. In a Toronto library, notes appear, written by someone who believes he is Rigoletto, the hunchbacked jester from Verdi’s opera. Convinced that the young librarian, Miriam, is his daughter, he promises to protect her. Little does he know how much loss she has already experienced; or does he? Strikingly original in its structure, composed of 140 highly distilled, lyric “reports,” the novel depicts the tensions between private and public storytelling and the subtle dynamics of a socially exposed workplace. Reports on bizarre public behavior intertwine with reports on the private life of the novel’s narrator. Both mystery and love story, The Incident Report daringly explores the fragility of our individual identities.

The Incident at Antioch is a key play marking Alain Badiou's transition from classical Marxism to a "politics of subtraction" far removed from party and state. Written with striking eloquence and extraordinary poetic richness, and shifting from highly serious emotional and intellectual drama to surreal comic interlude, the work features statesmen, workers, and revolutionaries struggling to reconcile the nature and practice of politics. This bilingual edition presents L'Incident d'Antioche in its original French and, on facing pages, an expertly executed English translation. Badiou adds a special preface, and an introduction by the scholar Kenneth Reinhard connects the play to Paul Claudel's The City, Saint Paul and the early history of the Church, and the innovative mathematical thinking of Paul Cohen. The translation includes Susan Spitzer's extensive notes clarifying allusions and quotations and hinting at Badiou's intentions. An interview with Badiou encompasses the play's settings, themes, and events, as well as his ongoing literary and conceptual experimentation on stage and off.

This study examines the management of major incidents in Germany. Over the last decade Germany has developed a successful approach to incident response. The study argues that the transformation of war' (van Creveld) from traditional war to modern low intensity conflicts/ terrorism led to a transformation of civil defence'. A total quality approach to incident response leads to the development of audit tools for structural, procedural, and outcome quality. The outcomes compare favourably to that of paramedic systems. The study describes the components of the German model (incident command system, resources, structures, ...) in detail. Two case studies (air show disaster, Ramstein 1988; ICE train crash, Eschede 1998) show how these concepts evolved. The book will interest emergency planners and responders alike. It also is a useful guide for armed forces medical staff deploying to Germany.

Born in Australia, novelist Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city, in which the Naples of Pliny, Gibbon, and Auden constantly became reanimated by new experiences, as Hazzard was joined in her travels by her husband, the editor and critic Francis Steegmuller. In The Incident at Naples, a classic essay first published by the New Yorker, Steegmuller recollects on how he was, as a tourist to the city, robbed and injured and then treated in a series of hospitals. What can The Incident at Naples teach us? A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as Hazzard and Steegmuller discover, the human compassion, generosity, and friendship that are necessary to sustain it.