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Singularity (Pre-Order)

Domino is very proud to mark the return of Jon Hopkins and his new album, Singularity, his
first since 2013’s Mercury Prize nominated Immunity.

Singularity begins and ends on the same note: a universe beginning, expanding,
and contracting towards the same infinitesimal point. Where Immunity – his hypnotic
breakthrough LP – charted the dark alternative reality of an epic night out, Singularity
explores the dissonance between dystopian urbanity and the green forest. It is a journey
that returns to where it began – from the opening note of foreboding to the final sound of
acceptance.

Shaped by his experiences with meditation and trance states, the album flows seamlessly
from rugged techno to transcendent choral music, from solo acoustic piano to psychedelic
ambient. Its epic musical palette is visceral and emotionally honest: with a destructive
opener full of industrial electronics and sonic claustrophobia and a redemptive, pure end
on solo piano, this album reflects the psychological states Hopkins lived through during the
writing process.

Exploring the connectivity of the mind, sonics and the natural world, Singularity is intended
to be listened to in one sitting, as a complete body of work.

Treasures From The Temple (Pre-Order)

11th studio album from D.C. based electronic duo featuring artists: Mr. Lif, Sitali, Racquel Jones, Notch, Natalia Clavier, and Lou Lou Ghelichkhani. The 12 track Treasures from the Temple is a continuation from their last album Temple of I & I, recorded in Port Antonio. Blending their signature sound with classic dub, dancehall, and roots vibes

Parallelism (Pre-Order)

Supported with lead single “Moonraker” Chrome Sparks’ third EP Parallelism was released in late 2015 and
received praise from SPIN, The FADER, Indie Shuffle, and Dancing Astronauts. Inspired by a background in
classical percussion and an obsession with synthesizers, Chrome Sparks creates dazed, melodic beat-centric tunes
that loosely hang between down-tempo head-nodders (‘Give It Up’) and up-tempo club staples (10-minute journey
on ‘Ride The White Lightning’).

Sparks EP (Pre-Order)

Chrome Sparks is the project of Brooklyn-based producer Jeremy Malvin. Sparks EP—his debut body of work,
released on Future Classics—saw the release of lead single ‘Marijuana’ and ‘Send The Pain On’, and positioned
him as an in-demand collaborator and tour artist (supporting the likes of Flume, Bonobo and XXYYXX). Sparks EP
is a monumental debut that pushes into a new frontier of cosmic electronic music; the more you listen, the greater
you’ll discover.

Goddess (Pre-Order)

Following the success of his 2013 debut Sparks EP, Chrome Sparks has produced a secondary Goddess EP, a
tightly-structured 6-track project made in his Brooklyn bedroom with his insular existence. Goddess has had support
from Pitchfork, NME, Noisey, and Stereogum.

Everything Was Beautiful, and Nothing Hurt (Awaiting Repress)

Moby has announced his new album Everything Was Beautiful, And Nothing Hurt, his 15th studio LP.

The new album follows a pair of LPs that Moby recorded with the Void Pacific Choir, 2016's These Systems Are Failing and 2017's controversy-stirring More Fast Songs About the Apocalypse. According to Moby, Everything Was Beautiful, And Nothing Hurt is a return to the gospel and trip-hop style of his earlier works.

LP 1
1. Mere Anarchy
2. The Waste of Suns
3. Like a Motherless Child
4. The Last of Goodbyes
5. The Ceremony of Innocence
6. The Tired and The Hurt

Frou Frou is an electronic duo composed of Imogen Heap and Guy Sigsworth from England. Heap and Sigsworth met each other on the London Scene in the mid-1990s. They released their first and only album Details in June 2002, which has elements of trip/hop, ambient, pop and rock, using a wide range of traditional instruments and the ethereal vocals of Imogen Heap. The warm sound of the songs lies in the use of the technology on the album. It's the atmospheric and dreamy feel created by combining the stunning vocals with creative electronic beats that makes the album to an outstanding piece of music. First single "Let Go" is a dark exploration with strings and compelling vocals. "Breathe In" is focused around a steady walking tempo and a skillful bassline.

The album received critical acclaim, several singles from the LP were released. Across the United States the duo had established a cult fan base where they promoted Details. After the disbanding of the duo in 2004 they reunited in 2017 and been touring ever since.

1. Let Go
2. Breathe In
3. It's Good To Be In Love
4. Must Be Dreaming
5. Psychobabble
6. Only Got One
7. Shh
8. Hear Me Out
9. Maddening Shroud
10. Flicks
11. The Dumbing Down Of Love

Let's Make Love (Pre-Order)

Brazilian Girls return in 2018 with Let’s Make Love, their 4th album and first since 2008’s Grammy-nominated New
York City. The album release will be followed by a short US tour in May. Produced by longtime collaborator Frederik
Ruben and came to life over the course of several years. The band brings a woozy romanticism to many tracks. The
album gets its title from the frenetic yet ethereal “Let’s Make Love,” a track that takes a more classically arranged
form than the band’s earlier work.

Crimson Throne (Awaiting Repress)

Red/White Split Color Vinyl

The story of the doomed mission of the Space Shuttle Ambition. Classic science fiction of the darkest order. "And so it goes, every track here is the potential soundtrack for some lost B movie classic, from the almost disco drums and groovy synth pulse of the title track, wreathed in sweeping swaths of keyboard shimmer, to the creeping komische swirl of "Weightless" which would no doubt score some 2001 A Space Odyssey type sentient computer/alien on board seventies sci-fi thriller, to the drum machine drive new wave-y grooviness of "Solar Winds", which sounds like the weirdly and creepily jaunty music that plays beneath the closing credits, over the last image freeze-framed, alternatively it also sounds like some lost cold wave gem that could be a Dark Entries resissue!

Lindsey Stirling (Awaiting Repress)

Lindsey Stirling is an electronic violinist whose use of big beats and animation has landed her over 7 million
YouTube subscribers, over 1 billion views on her YouTube channel, a Billboard music award, and sold out tours
worldwide. Her debut release has sold nearly half a million copies and is now available for the first time on vinyl. It showcases her signature violin-electronic-dub step style, which includes the viral smash 'Crystallize.'

Mezzanine (Awaiting Repress)

Mezzanine is the third studio album by English trip hop group Massive Attack, originally released on April 20, 1998, by Virgin Records. It was the first album to be produced by Neil Davidge, along with the group.

World Eater (Awaiting Repress)

As humans, we are aware of our inner beast and should therefore be able to control it. We understand our hard-wired primal urges and why they exist in an evolutional sense. We understand the relationship between mind and body. Highly evolved and intelligent, we should be able to recognize these genetic hangovers and control them as a means to act positively and move forward as a compassionate species. Unfortunately, this is not the case. Recent global events have proven this. The human race is consuming itself. World Eater, the new album by Benjamin John Power's Blanck Mass project, is a reaction to this. There is an underlying violence and anger throughout the record, even though some of these tracks are the closest Power has ever come to writing, in his words, "actual love songs."

Finding Shore (Awaiting Repress)

Tom Rogerson's life as an improviser began when, as a toddler, he would clamber up onto his family piano stool and try to emulate his sister's playing. Now releasing his second solo album, a collaboration with Brian Eno, he feels that his musical life has come full circle: "I remember smashing out C Major chords again and again and really loving it. It's the same as what I do now, funnily enough, I've come back to it". After stints playing jazz in New York, a dilapidated fenland hotel and in noise rock band Three Trapped Tigers, Rogerson ran into Eno at a gig. Bonding over a love of the countryside of their Suffolk home, the pair entered the studio and worked with The Piano Bar, a device that converted the sound of the piano into midi signals, which were then further manipulated. "It was this classic Eno, almost scientific thing," Rogerson says now. "He always finds a system that can be a source of creativity". The result is an album that uses Eno's magic to pull deep from Rogerson's subconscious to evoke the strange flat landscape of Eastern England, all heathland, military testing sites and estuary mud. "I do totally hear it, I'll listen and think 'oh that sounds like the bells at Woodbridge, that's the birds, the wind rustling in the reeds'," Rogerson says. "I think it permeates my music, and Brian's ambient records. That 'is it organic or is it electronic thing' is so interesting".

Awake (Awaiting Repress)

Denver based electronic musician and producer Illenium, brings us his sophomore full-length LP and shows, once
again, what lengths he goes through to achieve emotional clarity & depth in his music. Featuring a variety of
uplifting and extroverted pop-crossover Electronic songs, Illenium also ventures a sweeter and more
characteristically introspective side on Awake.

You've Come a Long Way Baby (Awaiting Repress)

20th Anniversary reissue of the long out-of-print critical and commercial smash, “You’ve Come a Long Way Baby.”
Heralded as Fatboy Slim’s “Global Breakthrough Album” by The Guardian, the multi-platinum album spawned 4 top
ten hits including “Rockafeller Skank,” Praise You” and “Right Here, Right Now.” Back on vinyl and sounding better
than ever.

The Great Electronic Swindle (Pre-Order)

The Bloody Beetroots and Sir Bob Cornelius Rifo’s discography features a string of successful EPs and two full length albums (2009’s Roborama and 2013’s Hide)—including collaborations with Sir Paul McCartney, Tommy Lee, Steve Aoki, Peter Frampton and many more. Clubs, theaters and festivals around the world have thrilled to different incarnations of The Bloody Beetroots’ incendiary live show. Form Coachella to Lollapalooza to Governor’s Ball to Big Day Out, The Bloody Beetroots Live have entertained millions across 6 continents. But he doesn’t just want to entertain audiences; he strives to engage and challenge them, emotionally and intellectually. And he’s increasing articulate in his pursuit of that goal.

For his new album, The Bloody Beetroots is working closely with myriad artists, including Perry Farrell of Janes Addiction, Jay Buchanan of Rival Sons, Wade McNeil from Gallows, San Diego Cholo Goth duo Prayers, Deap Valley, Australian singer Nic Cester and Jet, and many more. The audience has been hearing Bob’s music in campaigns by BMW, Fiat, YSL, Lancome and media like CSI, Vice, Star Trek, Entourage, Teen Wolf, Hawaii Five-O, Need for Speed, Moto GP and many others.

El Origen (Pre-Order)

El Origen is a collaborative project between Chile's Rodrigo Gallano (Matanza) and Nicola Cruz (ZZK) exploring the folkloric musical traditions of South America. The A side is comprised of original compositions written, played and sung by Rodrigo while Nicola Cruz remixes all the tracks on the B side, giving the sons his signature deep electronic vibe. The EP will be out on a special limited edition 12" with art composed by renown street artist Ju Mu Monster.

Heligoland (Pre-Order)

Heligoland, named after a German archipelago, is the fifth regular studio album from the collaborative British music production duo Massive Attack. It was originally released in February of 2010 – seven years after the release of their previous non-soundtrack, standalone studio album, 100th Window.

100th Window (Pre-Order)

100th Window is the fourth studio album from the Bristol-based trip-hop group Massive Attack. Of the band's original core trio, the album only features Robert Del Naja. Andrew Vowles departed shortly after the release of Mezzanine, and Grant Marshall refused to participate in the making of the record.

Originally released in February 2003, 100th Window was written and produced by Del Naja and Neil Davidge, and features vocals from Horace Andy, Sinéad O'Connor and Damon Albarn (performing as 2D). It is the first album by the band that made no use of samples, and contains none of the jazz or jazz fusion stylings of the Blue Lines or Protection recordings.

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