A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

In this exuberantly praised book - a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner - David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction.

Girl with Curious Hair: Stories

From the eerily "real", almost holographic evocations of historical figures like Lyndon Johnson and over-televised game-show hosts and late-night comedians to the title story, in which terminal punk nihilism meets Young Republicanism, David Foster Wallace renders the incredible comprehensible, the bizarre normal, the absurd hilarious, and the familiar strange.

Oblivion: Stories

In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness--a combination that is dazzlingly, uniquely his. These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity.

David Foster Wallace: In His Own Words

Collected here for the first time are the stories and speeches of David Foster Wallace as read by the author himself. Over the course of his career, David Foster Wallace recorded a variety of his work in diverse circumstances - from studio recordings to live performances - that are finally compiled in this unique collection.

The Pale King

The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has. The Pale King remained unfinished at the time of David Foster Wallace's death....

Infinite Jest

A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.

Both Flesh and Not: Essays

Beloved for his epic agony, brilliantly discerning eye, and hilarious and constantly self-questioning tone, David Foster Wallace was heralded by both critics and fans as the voice of a generation. Both Flesh and Not gathers 15 essays never published in book form, including "Federer Both Flesh and Not", considered by many to be his nonfiction masterpiece; "The (As it Were) Seminal Importance of Terminator 2", which deftly dissects James Cameron's blockbuster; and more.

Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace

In David Lipsky's view, David Foster Wallace was the best young writer in America. Wallace's pieces for Harper's magazine in the '90s were, according to Lipsky, like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.

The Broom of the System: A Novel

At the center of The Broom of the System is the betwitching (and also bewildered) heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio, which sits on the edge of a suburban wasteland-the Great Ohio Desert. Lenore works as a switchboard attendant at a publishing firm, and in addition to her mind-numbing job, she has a few other problems. Her great-grandmother, a one-time student of Wittgenstein, has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home.

The David Foster Wallace Reader

Where do you begin with a writer as original and brilliant as David Foster Wallace? Here - with a carefully considered selection of his extraordinary body of work, chosen by a range of great writers, critics, and those who worked with him most closely. This volume presents his most dazzling, funniest, and most heartbreaking work.

Infinite Jest: Part I With a Foreword by Dave Eggers

A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.

Infinite Jest, Part III: The Endnotes

These are the endnotes to David Foster Wallace's Infinite Jest, a gargantuan, mind-altering comedy about the Pursuit of Happiness in America. Set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives.

Every Love Story Is a Ghost Story: A Life of David Foster Wallace

David Foster Wallace was the leading literary light of his generation, a man who not only captivated readers with his prose but also mesmerized them with his brilliant mind. In this, the first biography of the writer, D. T. Max sets out to chart Wallace’s tormented, anguished, and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest.

Signifying Rappers

Finally back in print - David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture. Living together in Cambridge in 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared "an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop." The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom.

Infinite Jest: Part II

A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.

Gravity's Rainbow

Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

Underworld

Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.

White Noise

When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.

Audible Editor Reviews

The second of David Foster Wallace's three short story collections, Brief interviews with Hideous Men is a book that is meant to be heard more than read. Many of these 23 stories are interviews, after all, and the remainder are portraits that slip easily into the realm of a big screen voiceover. Each piece is a monologue, either an interview with a hideous man where the questioner's voice is omitted, or a severely deep third-person description of a hideous man. Wallace has an uncomfortably firm grasp on this concept of "hideous". A life-long Midwestern depressive with a keen sense of adjectives and philosophy thanks to two academic parents, Wallace won many awards for his ability to translate human misery into text, including the Aga Khan Prize for Fiction for one of the pieces in this collection. These are tales of lonely, violent, desperate, very intelligent and articulate men, written by a man who would have easily counted himself among them.

There are a number of reasons why this collection's ideal form is the audiobook. Wallace himself narrates about a third of the stories with an unmistakable softness and intimacy that only the author could bestow on these undesirables. When they shout, rant, and say awful, murderous, or demeaning things, it is Wallace's gentle inflections that will coach you into a respectful ability to keep witnessing the interviewees' monstrosities. About another third of the collection is narrated by John Krasinski, of television's The Office fame. Kransinski's voice is a great foil for Wallace's, slightly less nasal and a bit more edgy, but no less compassionate. Krasinski is also very deep into this book; he adapted it into a screenplay and then directed the film as well as acted in its ensemble cast. in fact, the majority of the ensemble cast narrates the remaining third of these pieces. So the audiobook essentially contains the entire set of monologues from Krasinski's film by the actual actors in that film, minus the overarching thread they concocted to tie all of Wallace's pieces together.

There is a beauty in the simplicity of this plan that makes the text vivid in a way a film cannot. These are men explicating the very roots of their male psyche, and you will not want to know what their faces look like. These are the men who compel you to eavesdrop on them in the anonymity of a train ride to work, but you wouldn't want to get right up close and share a cab with them. You will be sickened to find yourself agreeing with some of what you overhear, but mainly, you will just be horrified by what you overhear. These are men on the edge of the abyss, with Wallace and Krasinski at their best in justifying the worst these characters have to offer. Megan Volpert

Publisher's Summary

David Foster Wallace made an art of taking readers into places no other writer even gets near. In his exuberantly acclaimed collection, Brief Interviews with Hideous Men, he combines hilarity and an escalating disquiet in stories that astonish, entertain, and expand our ideas of the pleasures that fiction can afford.

What the Critics Say

"[T]hese stories, at their best, show an erotic savagery and intellectual depth that will confound, fascinate and disturb the most unsuspecting reader as well as devoted fans of this talented writer." (Publishers Weekly)"In this book he demonstrates his strengths as a stylist, humorist and thinker.... None of these stories is easy, but all display an intelligence and a swagger that make them hard to put down." (The Wall Street Journal)"Brilliant... bitingly funny...wildly imaginative." (Salon.com)

I love David Foster Wallaces' work and was looking forward to a remake of this audible with so many great actors stepping in and performing some of the interviews. They leave out large sections of this book. I already heard the abridged edition of this that DFW did back when the book came out. I don't understand why this is labeled UNABRIDGED when it should be labeled ABRIDGED. That has been happening with all of his works. Why can't fans of DGW have all of his works available UNABRIDGED. I know the arguments regarding the footnotes, but DFW was able to employ them effectively with his reading of the Lobster essay.
With the talent that is available for these recordings, it would be fantastic to have Infinite Jest unabridged. That would resurrect that classic.

This interview is very much intended for people who've only ever picked up one or two books by David Foster Wallace, as I am in that same category.

It's a funny feeling - seeing a movie based on a book before actually reading the book. I definitely fall into the camp of movie goers that need to read the book before seeing the film, using my insider knowledge to compare and contrast the differences, seeing it as almost a guided insight into why the filmmakers made the choices that they did. And for the longest time I felt I was better off leaving my experience with this material at the movie theater.

I didn't bother with reading "Brief Interviews With Hideous Men" because of everything I've heard of David Foster Wallace up until this point. Words like brilliant, introspective, and thought-provoking would get tossed around. Sure, it's all mounting evidence that points to the fact that I should be reading his stuff, but then other phrases like "not for everyone" and "you might not get it" would be added in for good measure. I'm not saying I hate to be challenged by a writer's material, but I'm going to need more to it's defense than "you just don't get IT". In these conversations, does anyone ever really know what IT is?

Happy to report, all my fears about tackling the deep introspection of David Foster Wallace's damaged characters was not an exercise in tedium. It was just the opposite.

I never intended on reading this book, even after my (apparently isolated) glowing reviewing of the John Krasinski movie of the same name. And then one day, randomly flipping through the dramatic fiction section on Audible, I came across the voice cast of the audiobook for "Brief Interviews With Hideous Men". Bobby Cannavale, Will Forte, Malcolm Goodwin, John Krasinski, Christopher Meloni, Chris Messina, Max Minghella, and Dennis O'Hare, with additional narration from the book's author. It was almost too good not to listen.

But I did, and I'm glad for it. First off, the material, whose complexity scared me away for so long, was anything but egotistical or out of the realm of understanding. What we have here are a series of shorts (vintages in the film adaption) that all share a unifying theme of sex, attraction, lust, envy, and the idea of selfishness disguised so ingenuously as selflessness. Characters big and small, confident and inadequate, old and young - they all share with each other or with themselves what it takes to grow up, the make it in a relationship, what sex means to them, what it means to their partners.

David Foster Wallace mixes and mingles between a million different perspectives and is somehow able to capture the emotions and motivations so accurately that it's scary. He hops from one story that so deftly describes the mind of an adolescent, experiencing the piercing thrust into adult hood via a wet dream, before changing course in another story about a full grown man explaining, quite convincingly, why it's selfish to refuse blowjobs. It's no joke, he captures, in my limited experience on the subject, every facet on sexual relationships.

I kind of want to read the book just to see how much of my interest was gauged on performance (it feels more like an audio performance rather than an audiobook if that makes any sense) and how much on the material itself, although I'd be surprised if the written material alone didn't give me the same reaction I had while listening to the audiobook.

Not to mention all of the other books in David Foster Wallace's bibliography I plan to read.

Where does Brief Interviews with Hideous Men rank among all the audiobooks you’ve listened to so far?

Middle of the pack. For DFW fans it's a must have. Unfortunately it isn't the entire book, but selected portions, and there doesn't seem to be any rhyme or reason as to why those particular selections were made.

What was the most interesting aspect of this story? The least interesting?

DFW's unique perspective on what makes men "hideous" and the way in which the characters are blind to their own grotesque behavior.

After the first two stories (dull sketches, read stiltedly) I almost gave up but there were enough plums in what was left that I was glad i stuck it out. He has a great ear for dialogue and for the little self-deceptions and manipulations that pepper his protagonists' dialogues. There are numerous readers and most of them are really good. This is the tragedy though: I read the review on amazon and some of the stories that didn't make the cut sound really interesting, so why did they get dropped in favour of what sounded like padding? Ach, I'll have to buy the papery version and read it myself I think.

I thought this was going to be a comedy, or at least humous. Yes I did laugh in parts but mainly this book is confronting and done well to do so. I don't like this book, not because of anything technical like bad writing, but because it was a little raw in parts that made me feel, and perhaps things I didn't want to confront.

Has Brief Interviews with Hideous Men turned you off from other books in this genre?

No. I have done a little with market research and found that it is next to useless where books like this can actually give you insight into the human psyche. I may not like being shown the ugly side of life, but I do feel better for being shown it, if that makes sense.

Any additional comments?

This is a good book, don't think that just because I didn't like it that you won't. I have explained my reasons for not liking the book and finding it useful. I think this is a book of interviews that you will have to make your own mind up on. David Foster Wallace is good, so I will be reading other works by him.

I've enjoyed many of these stories, but have found some of them unlistenable due to repeated utterings by the readers -- usually "cue" and sometimes "return to text." If I had the paper version in front of me, I might get a clue as to why, but right now it's annoying as hell.

Gem of Note: Interview 71 (the one referencing Bewitched)... hilarious.

Truly dreadful in every sense. The author abuses his ability for deft description by using it only to describe horrible men. Even worse, he feels he can do and say any hurtful thing yet honestly believes an apology and a whine that it hurts him too will make up for his Catskills humour excuse for sociopathy.
The only amusing thing is that the narrators *say* the word 'cue' in between paragraphs.
I bought this because I enjoy the work of some of the narrators: sucker! Anyone watching my expression as I listened to this on a commute would have thought I was in pain: and they'd be right.