That last category is frequently left off top ten lists, but it deserves our applause. When studios get tired of risking $250 million on a single blockbuster (and audiences get tired of paying $14 just to keep up with water cooler conversation), mid-priced modest hits like Looper will be our collective salvation — and help build the next generation of filmmakers and stars. The films that made my Top Ten did so because they were bold, memorable and flawless (or at least two of the three). But of course, if critics can judge art, we should take our own creative risks. And so I've written my remarks in haiku.more »

The Colin Farrell-starring sci-fi remake Total Recall is readying for release this weekend (read Movieline’s review here) and while Len Wiseman's adaptation of the 1990 Paul Verhoeven film that mixes up bullets, muscles and abstract notions of Cartesian dualism and the specious present isn't the worst thing in the world, it is hardly memorable. (A bit of an unfortunate situation, as the whole thing is about memory.) Still, it's important that we don't present ourselves as the type of dweebs who get all hung up over sci-fi remakes. Sometimes, they're damn good, as this list of ten shall prove.more »

Truth be told, I don't enjoy ranking films -- especially at the end of a year that disappointingly lacked a single title that moved me to tears, gut-busting laughter or some kind of profound existential realization. (However there were quite a few films that inspired hopelessness for the future of cinema. See Just Go With It and Bucky Larson: Born To Be a Star. Actually, don't see them.) But there were some titles I'd recommend and even some I wouldn't immediately regift if they found their way under my Christmas tree/menorah this season. Behold, my fave films of 2011. As always, let me know how much you disagree with this list in the space below.