Wednesday, October 04, 2006

Retablos, Milagros Y Marigolds

Here something coming up at the end of the month for those of you in Southern Cal. Unfortunately I won't be able to be at the opening but at least my art will. Check it out if you can.October 28-Nov 17 at the Boehm Gallery Palomar College, San Marcos. Participating artists [and my friends] are Helen Shafer Garcia, Judith Parenio, Michael deMeng, and Jane LaFazio

Reception is October 28, 4:30-6pm. Everyone is invited! (The artwork is for sale! Ask the gallery for a price list.)

Retablos, Milagros y Marigolds will be a fantastic exhibition! The four artists have very different styles and techniques, but the one thing they share is the love of DETAIL. Each piece will be textured, layered, fascinating, and demanding extreme scrutiny by the viewer. Helen Shafer Garcia, well-known as an illustrator and watercolor artist, will also have small altars on display, featuring her whimsical watercolors and found objects. Michael deMeng, of Montana, creates assemblage out of ‘old rusty things’ and then painting them to create shrines, altars and pez dispenser totems. Judith Parenio, whose work you may have seen at the San Diego Art Institute is constantly recreating her art with texture, and meaning. Judy’s created a whole new series for this exhibition. Jane will show her small, heavily stitched art quilts, along with the debut of her pieces in Ralph's Letters and Ralph's Envelopes. Theseese are made from 30-year old love letters and sheer organza, and will be featured in Cloth Paper Scissorsmagazine in January 2007. The four artist’s views of Dia de Los Muertos will fascinate and inspire you!

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About Me

Michael deMeng is an assemblage artist from Vancouver, Canada who exhibits throughout the United States. As an educator, he has been actively involved with VSA Montana, providing art education and encouraging participation in the arts to people with disabilities. Through these activities, as well as his artwork, deMeng fosters community awareness, and offers creative methods to explore the human experience.

In his art, he addresses issues of transformation. Discarded materials find new and unexpected uses in his work; they are reassembled and conjoined with unlikely components, a form of rebirth from the ashes into new life and new meaning.

These assemblages are metaphors for the evolutions and revolutions of existence: from life to death to rebirth, from new to old to renewed, from construction to destruction to reconstruction. These forms are examinations of the world in perpetual flux, where meaning and function are ever-changing.