The sleazy motels. The empty swimming pools. The landscape of endless emptiness. It’s all very American and yet it’s also a world that’s inspired some of the greatest American films ever made. Just look at some of the shots and tell me that you don’t see the spirits of Harry Dean Stanton and Dennis Hopper hanging around in the background. There’s a beauty in the ugliness of it all.

To be honest, the only prediction that I’m 100% comfortable making is that this year’s Oscar ceremony is probably going to be the most political one in history. Some people will love that. Some people will be outraged. Me, I just care about movies.

The Oscar air tomorrow on ABC, at 4 eastern and 7 pacific. I will be live tweeting the awards and, of course, we’ll be posting Oscar-related stuff here on the Shattered Lens all through Sunday!

Even Charles Foster Kane is excited!

And by the way, if you want get a head start on next year’s Oscars, why not check out my way too early predictions for January and February?

Best Live Action Short, Best Animated Short, Best Documentary Short: I’m sure that these three categories are full of wonderful nominees that were created by wonderful people but I don’t believe that I’ve seen a single one of them. So, with that in mind, I can only imagine that the Academy did a perfect job selecting all 15 of these nominees! Good work, Academy!

Best Foreign Language Film: Again, I have seen none of the nominees so I really can’t comment one way or another. Normally, this would make me feel like a failure but I imagine that 90% of the people reading this post are in the same boat. I imagine Toni Erdmann will win, just because of all the good things I’ve read about it. But, since I haven’t actually seen any of the nominees, I will refrain from making any sort of prediction.

Best Documentary Feature: I’m disappointed that my favorite documentary, The Witness, was not nominated. And, quite frankly, I’m shocked that Weiner was not nominated. That said, I can’t complain about any of the documentaries that actually were nominated. It was a good year for documentaries. In fact, it could be argued that it was a better year for documentaries than for features.

Best Original Song: Not a single song from Sing Street was nominated and that is amazingly disappointing. Original song can be surprising. Remember last year when that terrible song from SPECTRE somehow won? That said, I’m expecting that this year will see a huge sweep by La La Land and one of its nominated songs will probably win.

Best Original Score: The Neon Demon deserved a nomination but I’m not surprised it was snubbed. There’s no way the Academy was going to honor Nicholas Winding Refn’s subversive masterpiece. La La Land is going to win this one easily.

Best Visual Effects: I was glad to see that Kubo and the Two Strings was nominated and I wish that Arrival had been nominated as well. I’m going to go ahead and predict that Doctor Strange will be the first MCU film to win an Oscar.

Best Sound Editing and Best Sound Mixing: Let’s be honest. I couldn’t explain the difference between sound editing and sound mixing and, unless you specifically work in the sound department, neither could you. As a result, these categories are always difficult to predict. But Hacksaw Ridge has to get some love somewhere and I bet it would happen here if not for La La Land.

Best Makeup and Hairstyling: As soon as I saw that Deadpoolwasn’t nominated here, I knew it wouldn’t be nominated anywhere. Can you believe that fucking Suicide Squad is now an Oscar nominee? I haven’t seen A Man Called Ove but I’m going to predict its victory because I just can’t imagine the Academy honoring either Star Trek Beyond or Suicide Squad.

Should Win: Star Trek Beyond (that had good makeup in it, right?)

Will Win: A Man Called Ove

Best Film Editing: I can’t complain about any of the films nominated here. La La Landis pretty much a guaranteed winner here.

Best Costume Design: I was shocked that Love & Friendship was not nominated. If La La Landsweeps, it’ll win here. When I made out my list of my personal picks for the Oscars, I gave the costuming Oscar to La La Land but now that I’m looking at the actual nominees, I’m remembering just how good everyone looked in Allied.

Best Production Design: Well, it won’t be Passengers! How the Hell did that get nominated for anything? I think, of the nominees, Arrival deserves the award for making science fiction feel and look like science fact. But, again, I think La La Land is going to win here. (Are you sensing a theme in my predictions?)

Best Animated Feature: I was happy that Kubo and the Two Strings, Zootopia, and Moana were all nominated. I haven’t seen The Red Turtle or My Life as a Zucchini but, on the whole, the Academy has a record of nominating the right films for this award. I loved Kubo and I think it might win, just because it picked up that Visual Effects nomination as well. Zootopia, however, would allow the Academy to make a political point and Moana has Lin-Manuel Miranda. I’m going to go out on a limb and predict a Kubo victory but I wouldn’t be surprised if any of these five nominees won.

Best Supporting Actor: I was really happy to see that Michael Shannon got a nomination because Shannon is a great actor who always seems to be taken for granted. That said, Mahershala Ali is almost as much of a lock as Viola Davis.

Best Actress: Let’s just get this out of the way. Amy Adams not only deserved a nomination, she also deserved the Oscar. Arrivalworks because of a twist that occurs halfway through the film. The twist works because of Amy Adams’s performance. If not for Amy Adams, Arrival would never have been nominated for best picture. The fact that she was not nominated will be remembered as one of the biggest mistakes in Academy history.

This morning, I was happy to see that a lot of people on twitter agreed with me about the Amy Adams snub. What took me by surprise was how many people also agreed with me that Meryl Streep essentially took a spot that should have been given to Amy Adams. This morning, among other things, I discovered that there’s actually a growing backlash against the annual tradition of automatically nominating Meryl Streep, regardless of whether the film was any good or not.

Could Meryl win yet again? It depends on whether or not the Academy wants to hear another Meryl Streep speech. Given the political climate, I wouldn’t discount that as a possibility. Since I’m on the subject and it’s possible that everyone stopped reading a few categories ago, I’m going to go ahead and admit my unpopular opinion. While I’m definitely not a fan of the new President, Meryl’s Golden Globe speech felt like almost a parody of upper class white liberalism. Listening to her, it was easy to imagine Meryl at a cocktail party, bragging about how she’s on a first name basis with her maid.

But, I’m in the minority as far as that opinion is concerned. The Industry loved Meryl’s speech and, after Donald Trump’s overreaction to it, giving an Oscar to Meryl and giving her a chance to repeat the speech on a much bigger stage would be the perfect way to give the finger to the current administration.

That said, I think Emma Stone will be carried along in the La La Land sweep. Whether justified or not, many members of the Academy will look at her character and see themselves.

Should Win: Amy Adams in Arrival (Yes, she wasn’t nominated but she should still win, goddammit.)

Best Actor: Could anyone other than Casey Affleck win this one? Denzel Washington is popular and giving him an Oscar for Fences would be a nice to way to reward all of the effort that he put into bringing this acclaimed play to the screen. Affleck was sued for sexual harassment by a producer and a cinematogrpaher and ended up settling with both of them. However, I doubt if it will stop him from winning the Oscar. If the allegations were going to hurt Affleck’s chances, it would have happened long before now.

As for the nominees — well, I have no complaints. While I wasn’t as impressed with Affleck’s performance as some, I think he did well enough. I would have liked to have seen either Sully‘s Tom Hanks or Hell or High Water‘s Chris Pine nominated. I’m glad that Andrew Garfield picked up his first nomination.

Best Director: I’m going to go out on a limb and predict a minor upset. I think La La Landis going to win in a lot of categories but I think that Moonlight‘s Barry Jenkins will win this Oscar. Best Picture and Director have been split fairly regularly over the past few years and, after both the #OscarsSoWhite controversy and the 2016 presidential election, it may be felt that it’s time for a black director to finally win the Oscar. Based on the skill shown in Whiplash and La La Land, Damien Chazelle will have other opportunities.

Best Picture: Though I don’t necessarily think it was one of the best films of the year, I would have loved it if Deadpool had actually scored a nomination. It would have been an unexpected surprise and it would have shaken up a race that’s gotten rather predictable.

But no. Deadpoolreceived no nominations and the expected films were nominated. Perhaps the only thing that could be considered surprising (though not that surprising) was that Martin Scorsese’s passion project, Silence, was not only snubbed for best picture but also only picked up one nomination. Passengers picked up more nominations that Martin Scorsese’s latest film. When it comes to total number of nominations, Silence is tired with Suicide Squad.

Here are the Oscar nominations. La La Land tied Titanic’s record with 14 nominations and I’m going to predict right now that it’ll win nearly everything that it’s been nominated for. Amy Adams was totally snubbed. Meryl Streep was technically nominated for Florence Foster Jenkins but we all know it was actually for her Golden Globes speech.

I may have more to say about this later but until then, here are the noms:

With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

Three more guilds announced their nominees for the best of 2016 last week and while none of them may have gotten as much attention as the DGA or the PGA, they all play in role in our attempts to predict which films will actually be nominated when the Oscar nominations are announced on Tuesday!

So, to help you out when you’re making your bets, here are the guilds!