The Makeup

"I saw her white dress with its deep magenta detailing and I knew I didn't want it to be matchy-matchy," Chanel celebrity makeup artist Rachel Goodwin tells Teen Vogue. "There's definitely a time and a place for that, but this wasn't it. I just decided there's no way to go wrong when you go with an absence of color. Black and white goes with everything! It was really about the gentleness of the look—it wasn't screaming black and white."

Don't be intimidated by the white shadow!

"Pale skin against the white of the shadow looked so chic. Embracing her fair skin is something she's learning to do and it felt right with the white dress. I knew the white shadow would work because of the way we anchored it was with the thin black liner. It was timeless and classic! You can do this look on any skin tone, but stick with a really sheer white and not an opaque texture. I can be too intense if you went with a chalk white shadow."

Goodwin prepped Emma's face with Blanc de Chanel Sheer Illuminating Base and applied Revlon PhotoReady Airbrush Mousse Makeup in Vanilla. Chanel Lumiere D'Artifices Beiges Exclusive Creation Illuminating Powder with Shimmer set her foundation and Revlon Cream Blush in Berry Flirtatious gave Stone a cheery pink glow. For her eyes, she applied Chanel Illusion D'ombre in Fantasme all over the lids and lined her eyes with plenty of Revlon ColorStay Creme Gel Eye Liner in Black. Revlon Grow Luscious Mascara gave her lashes a jet black tint and Chanel Sculpting Eyebrow Pencil in Brun Natural helped to shape her brows. The finishing touch was a bit of gloss. Goodwin used Revlon ColorBurst Lipgloss in Crystal Lilac.

Photo: PR Photos

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The actress's makeup artist and hairstylist explain how to get her black and white eye makeup and unstructured updo.

The Makeup

The Makeup

The Hair

Moroccanoil stylist Mara Roszak wanted Stone's hair to work well with her dress, so the look had to be loose and romantic. "Emma's Chanel dress had a sleek shape with a skirt that belled out," explains Roszak. "Since the dress was so feminine and had such a really cool structure, I knew the hair couldn't be too done. I felt it should play against the dress and look sleek in an effortless, textured way."

"I started by applying Moroccanoil Treatment Light to Emma's damp hair, starting first on the ends and working my way up. In addition to protecting the hair, it added a natural-looking shine, while eliminating any frizz. I wanted Emma's hair to have movement and body, and not look super sleek. It was more important to dry the hair and take away frizz, leaving a nice natural texture. After the hair was dry, I sprayed Moroccanoil Luminous Hairspray Medium to give her strands a little bit of texture and grip, for extra hold when I put her hair up. I pulled Emma's hair low at the nape of her neck and twisted it into a little knot, tucked the ends under, and crossed two bobby pins to hold it. I wanted the tight, knotted bun to look simple—not too perfect or overdone. Finally, I loosely pulled back Emma's long bangs to the side and pinned them back to blend them into her hair and leave a nice soft shape on the sides of her face. When the style was pinned and secure, I sprayed Moroccanoil Luminous Hairspray Strong onto my fingertips and roughed up the hairstyle a bit with my fingers. I randomly and loosely pulled at the hair at the top of the head to give it a bit of extra body and free up the texture. Then, I sprayed the entire style again with Moroccanoil Luminous Hairspray Medium and finished with a light misting of Moroccanoil Glimmer Shine Spray. The final touch was her Cartier diamond brooch, pinned to the back of the knot."