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“Since we go through this strange and beautiful world of ours only once, it seems a pity to lack the sense of delight and enthusiasm that merely being alive should hold.” — Sigurd Olson

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As the days shorten, hurtling us toward the Winter Solstice Friday, a sunny day is especially welcome. A prairie hike seems in order. Where to go? On the edge of a subdivision not far from where I live, hedged in by apartment buildings, two interstates, and a golf course, lies the Belmont Prairie Preserve. A little unplowed prairie remnant, barely hanging on in the suburbs. Let’s go!

I move slowly on the overgrown path, recovering from knee surgery that will get me back in tallgrass action come spring. So I take the trail a little more deliberately than usual, which of course, has its own rewards. When you don’t rush, the prairie opens up more of her secrets to you. All around me, the morning frost evaporates. Ragged compass plants look otherworldly, backlit by bright sunshine.

The melting ice glitters on the grasses.

A few compass plant seedheads, with their seeds mostly stripped away, silhouette themselves against the deep blue winter sky.

Its last leaves are wearing away, barely attached to the stem.

Looking at them, I think of Pulitzer Prize-winner Annie Dillard’s remark in Pilgrim at Tinker Creek: “I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wondering awed about on a splintered wreck I’ve come to care for…and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them.”

It’s difficult to imagine anything nibbling the sandpapery compass plant leaves in December. But all grasses and forbs are parsed down to their essence. I continue to study the compass plants. Rough, cracked stems are patched with resin. Scratch the patches, and you’ll inhale a tang of pine fragrance.

Compare the rough and ready compass plants to the fluidity and grace of big bluestem. Sure, big bluestem is dried out and desiccated now; most of its seeds disappeared into the beaks of birds. When green, its foliage is so delicious for wildlife, the plant is sometimes nicknamed “ice cream grass.” But its beauty is only enhanced as the focus shifts from waving turkey-foot seedheads to dry, ribbon-like leaves and hollow stems, flushed with subtle pastel colors.

Another contrast nearby: Pale purple coneflowers still hold their forbidding seedheads. You can see why the scientific name “Echinacea” means “hedgehog” or “sea urchin.” Handle with care! The seeds inside are mostly long gone, harvested by goldfinches and grassland birds.

More contrasts: Thimbleweed holds its soft clouds of seedheads aslant in the cold. I rub the cottony tufts between my fingers, admiring their softness. Like Q-tips.

The thimbleweed is echoed close by in the brushy, bristly seedheads of round-headed bush clover. A fun name to say out loud, isn’t it? Try it. Its scientific name, found at the end of this post, is just as enjoyable.

It’s these little nature preserves, like the Belmont Prairie remnant, that encapsulate the future of restoration. On a beautiful sunny winter’s day like this one, the future seems full of possibilities.

So many delights for the senses to be discovered on a remnant prairie in December! And in a world where so many of our natural resources are in jeopardy, isn’t it encouraging to know that here, at least, the tallgrass prairie will live on. As long as we continue to hike it, protect it, and share it with others so they will love and protect it, too.

What other delights will you find this month on the prairie? Go take a look, and find out.

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Sigurd Olson (1899-1982) was the Chicago-born author of many books and key environmentalist instrumental in bringing attention to and preserving the Boundary Waters Canoe Area. His writings about wilderness, including the opening quote of this blog post taken from the chapter “Aliveness” in Reflections from the North Country, continue to inspire those who care about the natural world. Read more about Olson here.

“This world is but a canvas to our imagination.” — Henry David Thoreau

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Winter is wonderful. Usually.

But this past week has been a rollercoaster ride of temperature swings from high 50s plunging to near zero; sunshine and gloom, snow and rain. In other words, typical. Fog blew in and settled on the prairies, coloring everything gray. A drag on the spirits.

One of my go-to cures for the January blues—or should I say grays—is The Art Institute of Chicago.

I wander in. Immediately there is a blast of color and light in the Impressionist Gallery. Ironically, even the canvas,”Paris Street: Rainy Day,” seems bright and cheerful.

The Monet waterlilies…

…bring back memories of summer in the prairie wetlands.

I soak up the primary hues of paintings in the Modern Wing.

Thinking of hikes through the snow this month…

In unlikely stairwells, I stumble across reminders of blue skies, obscured by clouds this week.

I imagine the prairie skies, hidden for so long behind shrouds of fog and curtains of snow and rain.

As I stroll the halls and gaze at the creations showcased in this iconic place, it’s a good reminder of the courage of those who strove, against all odds, to create something beautiful out of nothing. These painters, sculptors, and other artists who had a vision.

Like some other folks I know.

Prairie restorationists and artists have a lot in common. We think of restoration as a science. But it’s also about creativity.

Prairie restoration begins with a vision.

The dream of how the land might be healed, imagined in the mind of a steward or site manager.

There’s a lot of trial and error. Preliminary sketching, if you will; a few rough drafts. Sometimes, you scrap everything and start over.

There may be misunderstandings along the way. People who don’t get it. They look at your “project” and shake their head. They wonder out loud if you have wasted your time.

“Weeds. It’s just a bunch of weeds.”

Bet you’ve heard that one before, haven’t you?

But you keep on moving forward. You believe in what you are doing. You look for the breakthroughs.

The rewards don’t always come in your lifetime. But the work you do isn’t for yourself, although the tallgrass is gratifying in a thousand different ways. You work, knowing you leave a legacy for those who will come after you. You think of them, as you drip with sweat, freeze, or pull weeds; plant seeds.

You can see the future in your mind. Envision it. That end result. And as artists and restorationists know, it’s worth the work. It’s worth the wait.

Think about it.

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The writer Henry David Thoreau, whose quote opens this essay, was a naturalist, philosopher, writer, transcendentalist, and social reformer. A favorite quote from Thoreau, “We can never have enough of nature.” His 1849 essay, “Civil Disobedience,” continues to stimulate thinking about human rights. His most famous book is “Walden.”

“Bird migration is the one truly unifying natural phenomenon in the world, stitching the continents together in a way that even the great weather systems, which roar out from the poles but fizzle at the equator, fail to do. It is an enormously complex subject, perhaps the most compelling drama in all of natural history.” — Scott Weidensaul

***

It’s a cold, drizzly day. As much as I’m tempted to curl up on the couch with a good book, plans are underway for a birding outing. Along with six of our friends, my husband Jeff and I head out of the Chicago suburbs and to the famed Jasper-Pulaski Fish & Wildlife Area in Indiana, two hours southeast. This is the big weekend. Thousands of migrating sandhill cranes will be passing through.

This fall, we saw thousands of migrants from the western flyways gathering in southern New Mexico, at Bosque del Apache National Refuge. On the ground, the cranes look almost prehistoric.

Those red caps! Those rusty feathers! How do they get their bulky bodies airborne? Cranes remind me of the mysteries of flight, and of migration. Why do large groups of birds travel from one place to another, sometimes tens of thousands of miles from their starting point? No one has completely been able to explain this rhythmic dance. And perhaps, that’s part of the joy in watching them. We don’t fully understand. So we marvel, instead.

The cranes fly over the Chicago suburbs during November and December. Their high pitched cries often pull me out of the house, shielding my eyes against the sun, to watch them move southeast.

In the Jasper-Pulaski refuge, I’ll get a chance to see these same cranes that fly over my house congregating en masse on the ground, a little farther along on their journey. But first, a stop at Kankakee Sands, a more than 7,000 acre mosaic of prairie, savanna, and wetland in northern Indiana.

Kankakee Sands introduced bison to their prairie this fall, and we’re looking forward to seeing how they’ve settled in. There’s a bison viewing area where I have an excellent up-close-and-personal meeting with the shaggy all-stars.

I wonder if the bison consider this place a “visitor viewing area;” a chance to see people behavior. This one kept an eye on us.

A few brown-headed cowbirds hung out on bison backs, giving us a sense of the difference in sizes. A study in contrasts.

While watching the bison, my friend John suddenly shouts– “prairie falcon!” A first for me. Although prairie falcons are usually found out west, occasionally they pop up in Illinois and Indiana. So quick!

The sun moves toward the western horizon. We leave the bison and birds and drive the short distance to the Jasper-Pulaski refuge. The viewing platform is thick with binocular-wielding birders and the giant scopes of photographers.

Anticipation. A few cranes have already straggled in.We find our places on the platform. In the fields, there is a loud rumble of distinctive crane chatter.Then…. a clamor in the distance. The crane cries rise to a crescendo.

They’re coming! Waves and waves of sandhill cranes. The air froths with cranes; boils with birds. Swirling and tilting in every direction in the last light.

I think of a line from Mary Oliver’s poem, The Wild Geese: “…the world offers itself to your imagination…”.

I imagine these cranes in the morning, taking off to continue their flight to the southern coasts. Why will they go? I don’t fully know. But it gives me a sense of peace and happiness to think about the rest of their journey. To know that this rhythm of nature–these migrations–will continue.

And that for one small part of one evening, I was witness to it.

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The opening quote in this essay is by Scott Weidensaul, author of Living on the Wind: Across the Hemisphere with Migratory Birds, a finalist for the 2000 Pulitzer Prize in Nonfiction. Weidensaul captures the magic, mystery, and science of migration in this memorable book which still remains one of my favorites in nature writing.

Cindy Crosby

Cindy Crosby is the author, compiler, or contributor to more than 20 books. Her most recent is "The Tallgrass Prairie: An Introduction," (2017 Northwestern University Press). Look for her new book, "Tallgrass Conversations: In Search of the Prairie Spirit" in spring of 2019 (with Thomas Dean, Ice Cube Press). Her writing is also included in "The Tallgrass Prairie Reader" (2014, University of Iowa Press). She teaches prairie ecology, prairie literature, and prairie ethnobotany in the Chicago area, and is a prairie steward who has volunteered countless hours in prairie restoration. See Cindy's upcoming speaking and teaching events at www.CindyCrosby.com.

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