Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly suffering. At a reception, he meets Reineke, with whom he fought for Austria in the first World War. Reineke convinces Kopfrkingl to emphasize his supposedly German heritage, including sending his timid son to the German school. Reineke then suggests that Kopfrkingl's half-Jewish wife is holding back his advancement in his job.

This Czechoslovakian film looks and feels like it could be a prequel to Schindler's List.

Part 1 of about 9 I think, the first minute or two may seem off, but you'll start your immersion right after that.

This is surely not an "Nazi film" like the exploitation ones we want to hear. And it is not an "Nazi film" a t all. They appear only as a trigger for all things later to happen. They are not the main actors or actresses in this.
And btw., oxley would surely be overchallenged with this.

This is surely not an "Nazi film" like the exploitation ones we want to hear. And it is not an "Nazi film" a t all. They appear only as a trigger for all things later to happen. They are not the main actors or actresses in this.
And btw., oxley would surely be overchallenged with this.

I suppose that is true, but it's not Nazi free either. It could be seen as an enabling kick starter to some of what the Nazis did in WWII I think.

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I met her, fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and not even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this cow, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach her, and then another seven trying to keep her locked up because I realized that what was living behind that cow's eyes was purely and simply... evil.