is made up of forty-two portraits rendered in human hair stuck in the adhesive of packing tape. Layers of tape articulate the Ovals that pay tribute to the tradition of formal and official portraiture. Each Portrait is larger than life; the warmth of the mostly brown and black hair simulates the charm of old fashion engravings. The piece floats in mid air three feet out from the wall allowing for reflected light from the wall to illuminate each face. The piece blends fond feelings for antiquity with a visceral repulsion for hair as an image-maker. The more modern the man the less appropriate his likeness seems to conform to this format, aside from their banality they smile too much.