January 2019

25 January 2019

Consider, dear listener, the "resonant percussion" family of instruments—bells, bowls, gongs, and cymbals. When struck, rubbed, stroked or vibrated, they can produce sustained tones and clouds of sound that take on a special resonance in the cold, crisp winter air.

Simple but powerful, these venerable acoustic instruments attract a singular breed of musician: a connoisseur of pure sounds, an improviser, a conductor of contemplative experience. They've been used in worship and meditation for thousands of years. Today they're the foundation of the therapeutic field of Sound Healing; while in the studio they're being combined with ambient electronics to create spiritually charged virtual environments.

On this transmission of Hearts of Space the contemplative world of resonant percussion, on a program called MAGIC METALS 2. Music is by ALPHA WAVE MOVEMENT, YUVAL RON, DIATONIS, KEVIN BRAHENY FORTUNE, KARMA MOFFETT, RIVER GUERGUERIAN, HANS CHRISTIAN, and DEUTER.

18 January 2019

This time on Hearts of Space, we're back to the floating worlds of ambient-electronic music.

It's an open-ended medium—almost unlimited in its ability to invent new sounds and use them to create virtual soundscapes. Despite epic changes in the business of recorded music over the last twenty years, the ambient-electronic genre is healthy and slowly expanding as a studio-based art. Composers on five continents hone their craft in personal studios, create albums, and release them on independent platforms like BANDCAMP.com and the major streaming services.

They're "unsigned artists" and they like it that way. They collaborate with kindred ambient artists, and even work with independent record labels whose taste they like. Many of them have families and a skilled day job and their music is a serious avocation; others have found a way to survive on their music and related activity.

Right now, everybody wins on the important thing: there's something at the heart of the ambient experience that feeds both the musicians and the audience, with a rich stream of serious new releases and a growing catalog of classics.

On this transmission of Hearts of Space...another ambient electronic journey, on a program called INFINITE HORIZONS. Music is by ILUITEQ, ERIK WØLLO, IAN BODDY & ERIK WØLLO, JUHA-MATTI RAUTIAINEN, and STEVE ROACH.

11 January 2019

It's been far too long since we devoted a Hearts of Space program to the pipe organ. Yes, the pipe organ. Did you know that there's a public radio program dedicated entirely to the pipe organ called PIPEDREAMS? It's even older than Hearts of Space, and still going strong.

The pipe organ dates back to ancient Greece in the third century BCE. About a thousand years ago, it started making its way into churches. Because of its tonal character and volume, it proved the ideal instrument to lead people in singing. Over those 10 centuries, the organ evolved into an extremely high-tech machine. Its range, size, and importance grew along with the Christian religion—especially in Protestant churches, where the congregation sang together.

By about 1600, the pipe organ was the most complex machine that humans had created — massive assemblies of bellows, valves, wood and metal pipes that could fill the vast reverberant spaces of European cathedrals with powerful sound. Hundreds of years before amplified music, the pipe organ was the first full-spectrum, full volume, multi-voice, super-instrument. The organ console was what we'd now call an "advanced ergonomic user interface." It was—without a doubt—the king of instruments, used to lead sacred services and create sublime moments of elevated religious emotion.

The pipe organ enjoyed a kind of golden age in Baroque Europe during the 17th and 18th centuries, with rapid technological development and a growing repertoire of ecclesiastical works. By the early 20th century, French avant-garde composers were pushing the instrument to its limits—from delicate meditations and orchestrated tone poems, to bombastic showpieces exploring dissonance and extreme tonalities. Where Medieval, Renaissance and Baroque organ music had been limited to the church, the new music was also secular and experimental. In France, one devout Catholic composer embraced both the church and the avant-garde: OLIVIER MESSIAEN's music illustrated themes from Christian history and mythology, using an advanced musical language and playing techniques.

On this transmission of Hearts of Space, we bring together contemplative classics by OLIVIER MESSIAEN with contemporary composer-performers, on a program called PIPE ORGAN MEDITATIONS.

04 January 2019

We're flying over the north polar icecap — in winter, a dazzling wonderland of white and deep blue. It's a vast glacial world of snow and ice, fractal patterns shot through with veins of melting water. Ambient electronic music, with its chilled harmonies, slowly changing rhythm patterns and endless reverberant sound images, creates the perfect soundtrack for this spectacular landscape.

In the polar night above the Arctic Circle, the winter sun never rises above the horizon; only the hypnotic ion curtains of the auroras relieve the darkness, while the sounds of moving water and breaking ice punctuate the solitude. It's a contemplative environment of sublime majesty and depth.

On this transmission of Hearts of Space, a journey to the Arctic north, on a program called POLAR FLIGHT 2. Music is by ASCENDANT, YAGYA, BANCO DE GAIA, SIMON LOMAX, WINGS OF AN ANGEL, and EASYCHORD.