Tag: Post-Punk

Well, it’s that time of year again. The end. You know what that means? Lots and lots of tip lists. Being that we’re a blog, we like to get in on the fun and do a top list every year too. More specifically, I like to do a top list. Rajin isn’t allowed, I make him post his on Twitter. Anyway, this list is not exclusive to hip-hop (even though that’s where most of our writing tends to lie), because there’s just too much good music coming out every year for that to be fair.

It’s also in descending order, so you’re going to have to scroll all the way to the bottom to find my favorite album of the year (or just look at the article photo, it might give you a clue). Thank you all so much for your support again this year! See you in 2018.

15. Godspeed You Black Emperor – Luciferian Towers
While Luciferian Towers may not be Godspeed’s best work, it’s absolutely still a powerhouse in it’s genre. The Canadian post-rock and drone group assembled an album that sounds hellishly disorienting throughout its entirety. Certainly a recommended listen, especially for those who dig the outfit’s previous releases. Of note was the very obvious jazz influence throughout the release. Favourite Track: “Anthem for No State.”

13. Veiny Hands – Veiny Hands
Veiny Hands self-titled EP proved to be truly punk to the core, while also not being afraid to have fun with music. The vocals, instrumentation, and mixing felt to be deliciously throwback to early years of punk rock. It may not have been the most complex release of the year, but it would be difficult to find many others more genuine. It was a true spark plug album, and serves as an AED for the dying spirit on dreary days. There isn’t much else that can be said, really. Favourite Track: “Dirty Sheets.”

12. Roc Marciano – Rosebudd’s Revenge
Roc Marciano is the godfather of the aforementioned new wave of chamber rap, and Rosebudd’s Revenge demonstrated further why he’s had such a huge impact on the underground hip-hop scene. On this record Roc Marci flawlessly made an over the top criminal lifestyle sound as lavish and regal as running a fortune 500 company. The frigid and distinctly New York production provided the perfect ambient backdrop to his stories of debauchery and dealing. Favourite Track: “Marksmen (feat. Ka).”

11. Moor Hound – Green
Indie-folk singer/songwriter Moor Hound dropped Green near the start of 2017 and it held strong throughout to remain one of the best projects released. A warm, intimate, and emotional example of just how human the folk genre can be. It truly felt like a one on one session with Moor Hound – exactly as it should be – and could provide comfort even through the hardest of losses. He delivered an invitation to drop personal walls, by putting his own baggage on display for everyone to commiserate with. Favourite Track: “See You Around.”

10. Uncommon Nasa – Written at Night
Conceptually, Written at Night may have been the most interesting album to come out this past year. Focused on the thoughts and artistic outpouring experienced in the dead of night, this release was a collaborative effort between Nasa and his contemporaries. Perhaps its most interesting quality is the fact that the songs became more wild the later into “the night” the track list progressed. Great concept, great execution, and to top it all off the album sounded extremely New York. A recommended listen, especially for the fan of Def Jux early sounds. Favourite Track: “Written at Night (feat. Billy Woods & Quelle Chris).”

9. Billy Woods – Known Unkowns
Another album that appeals to the tastes of the Definitive Jux fans, Known Unknowns was about as east coast as it gets. When a rap veteran like Billy Woods teams up with a legendary underground producer like Blockhead (y’know, that guy who helped make Aesop Rock what he is today), there are going to be high expectations. This release met every single on, and then some. Woods’ delivery and writing style may take a bit to get used to for some, but it’s worth the effort. Trust. Favourite Track: “Bush League.”

8. Oddisee – The Iceberg
The latest installment in Oddisee’s discography packed no surprises, yet still ended up being one of the most formidable hip-hop releases this year. Chicken soup for the soul of individuals that grew up on acts like A Tribe Called Quest, The Iceberg was an attention grabbing album. Oddisee never strays that far from his comfort zone, but he put a lot of flair into his unique combination of technical prowess and socially charged lyricism. Any lack of variation in Oddisee’s sound was made up for in spades by his sheer talent. An excellent hip-hop record to the core. Favourite Track: “You Grew Up.”

7. Jonwayne – Rap Album TwoRap Album Two saw Jonwayne take the listener to his most vulnerable places. Over whimsical melancholic throwback production he would spill his guts time after time, leaving nothing on the table. It was an emotionally challenging listening, but one well worth trying; moreover, this was a huge leap in quality from the rough around the edges Rap Album One. It was a treat to witness Jon seizing the potential he had displayed in flashes up to this point. Favourite Track: “Out of Sight.”

6. Quelle Chris – Being You is Great, I Wish I Could Be You More Often
Perhaps the closest to being a true one of a kind oddity on this list, Being You Is Great, I Wish I Could Be You More Often was one of the strangest releases in 2017. An enigmatic carnival of personality, invited the listener on an acid trip through his entire being. Off-kilter vocals tip-toed their way around astonishingly creative production to create a beautifully confusing record; more importantly however, it may be the first release of Quelle’s that felt entirely true to his enormous personality. Which, in all honesty, only served to make this album more incredible. Favourite Track: “Fascinating Grass (feat. Big Tone, Roc Marciano, and 87).”

5. Walter Gross – Vestige
While Walter Gross’ name may not ring familiar in the memory banks of the majority, he’s been a staple in the do-it-yourself music community for years and has a massive release history to sift through. Yet, through all these releases, Vestige is the grandest. Existing as a disgustingly tantalizing hybrid between hip-hop, post-punk, and noise, this album was a three headed monster hungry for listener’s eardrums. Favourite Track: “Good Morning.”

4. Algiers – The Underside of PowerThe Underside of Power was damn near an indescribable listening experience, yet at the same time it was obnoxiously good. Though it took elements from gospel, hip-hop, industrial, and post-punk it truly was its own thing, and is impossible to peg into a genre. Here’s some things you should know though: the vocals are powerful, the instrumentation is powerful, and the songwriting is powerful. Seeing a trend? Kudos to Algiers. Favourite Track: “Walk Like a Panther.”

3. Milo – who told you to think??!!?!?!?!
While 2015’s so the flies don’t come established milo as an artist with the ability to be great, who told you to think??!!?!?!?! elevated him to being one of the most powerful young forces in the hip-hop realm. With verbose lyrics, dreamy beats, interesting flows, and oodles of emotional awareness, this album had just about everything one could want from a milo release; however, it’s all been elevated beyond anything he had release prior. In fact, some aspects of this album bolstered some folks claims that milo may be the MF DOOM of this generation. Favourite Track: “sorcerer.”

2. IDLES – Brutalism
Somewhere between old-school punk and modern post-punk, IDLES’ debut album Brutalism was born. Joe Talbot proved to be an excellent channel of anger and societal disgust, throwing hard hitting lyrics around like steel chair shots to the head. The absurdity of topics covered was often hammered home by repeating lyrics with various vocal inflections, and it worked splendidly. The instrumentation on Brutalism swung between hyperactive blind rage and anxious droning, bringing some interesting spins on conventional punk rock ideas. The record was relentless and offered listeners zero time to breathe. Suffocating had never been such a pleasure. Favourite track: “Mother.”

1. Open Mike Eagle – Brick Body Kids Still Daydream
The definitive album of 2017. Brick Body Kids Still Daydream was the perfect blend of frustrated, confused, cheeky, confident, and poignant. Open Mike Eagle created a masterpiece of solidarity for individuals tied to project homes; moreover, his attempts to inspire pride in poorer upbringings were heartwarmingly genuine. Bolstered with quick witted social analysis and wondrous production, Brick Body Kids Still Daydream was the well deserved album of the year in 2017. Favourite Track: “Brick Body Complex.”

9/10

After a decade and a half in the scene, it’s safe to say that Walter Gross is a well-seasoned veteran when it comes to do-it-yourself music. He’s also an artist who has gone through some very interesting times recently. In his released statement about Vestige – the album which this review is tackling – he spoke on the circumstances that gave birth to this album. Moving from America to Berlin, losing the source material in an equipment failure, and creating art in circumstances less than ideal. The end result is this album. An album that serves as an exercise in growth for an artist, and perhaps even somewhat of a musical rebirth.

As a side note, this album is coming via Black Box Tapes. That might not exactly be a household name at this point, but it’s a label run by a classic figure in the underground hip-hop community, Sole. Those who are hugely into rap (and read this site) might find it interesting to know what he’s up to these days… Anyway, onto Walter Gross’ absurdly powerful record!

Vestige sounds like the demented stepchild to post-rock. Walter Gross has blended the melodic evils of groups such as Godspeed You! Black Emperor and Viet Cong (now known as Preoccupations) with his classic breed of experimental electronic to create a unique beast. The instrumentation on this album hits like a noisy wall of sound; while it is probably more accessible than much of Walter’s work, Vestige is in no way an easy album to sink your ears into. While a song such as “Naked Lunch” may have a delectable, head bobbing bass-line, there are copious noise elements happening simultaneously. This leads to a wonderfully challenging listen; moreover, Vestige feels like an album that will retain replayability as there will always be new elements to discover within songs. Amazingly the stylistic differences between tracks – which at times can be quite vast – don’t hurt the cohesiveness of the album. Every song has its place within the environment of Vestige.

A prime example of this is the punk-chant “Fixated on the Light” coming immediately after a much more hip-hop oriented ending to “Window.” Their sounds couldn’t exist in further worlds, yet Walter Gross found a way to bring them together and make it work in a way which felt entirely natural.

The focus on vocals is also very intriguing for a Walter Gross album, and to be completely honest it was refreshing and worked flawlessly. In true post-punk fashion, the vocals are often muddy, aggressive, unnerving, and hidden back slightly in the tracks. They’re unconventional, but so is the entirety of Vestige. Even when the vocals exist purely in a murky haze of words, the way they compliment the instrumentation is gorgeous. They’re not technical darlings, yet they work well.

It’s reminiscent in ways to how Ian Curtis made imperfect singing sound cool in Joy Division. It just fits the atmosphere and tone of the music exceptionally well.

While Walter Gross has been a mainstay figure in the do-it-yourself music community for years, he has reached a new level on Vestige. While it might not be quite as consistently unnerving as some of his releases (such as Goner, for example), it is a mind-melting play-through. The elements of noise, post-rock, punk, hip-hop, and genres yet-to-be named laced throughout are an absolute treat to listen to. Sure, this album may not be a mass-consumable brand of music (and let’s be honest, Walter’s records never will be), but that’s exactly how it should be. The lack of pressure to stay chained to a particular sound has granted the freedom for a record like this to exist. Vestige is a prime example of the power behind the do-it-yourself route in music. There’s something special in the clarity of an artist making the kind of music they want to make, and hitting a sort of full musical realization. That holds true in spades for this release. Vestige is the type of album that should (but won’t) get consideration on top album lists when the year comes to a close.

Also, it should be mentioned that the mixing sounds great. Shout-out to Michael J. Collins of FilthyBroke Recordings (who we interviewed a little earlier this month).

Seriously, if you want to listen to some genre-bending futuristic-but-retro post-punk-yet-electronic (hyphens, so many goddamn hyphens) massive tunes then keep your eye on this record. This is the type of pallet-cleansing releases that are an absolute joy to experience for the first time. The physical release isn’t quite here yet (that tape looks beautiful, though), but it can be streamed/downloaded on Walter Gross’ BandCamp right this very moment.