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Author: PATRICK KIRTLEYPublisher: Mel Bay PublicationsISBN: 1609745221Size: 78.37 MBFormat: PDF, ePub, DocsView: 7129Download and Read
World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate; the Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.

Author: Pat KirtleyPublisher: Mel Bay PublicationsISBN: 0786670517Size: 50.23 MBFormat: PDF, ePub, MobiView: 7457Download and Read
"World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtleys 1997 album of the same title are extremely accurate; The Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune."

Author: Pat KirtleyPublisher: Mel Bay PublicationsISBN: 9780786670512Size: 17.53 MBFormat: PDF, KindleView: 4389Download and Read
World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtleys 1997 album of the same title are extremely accurate; "The Red-Haired Boy," however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.

Author: Martin SimpsonPublisher: Grossman Guitar WorkshopISBN: 9781579409982Size: 33.92 MBFormat: PDF, ePubView: 4285Download and Read
This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study and adaptation of the tradition by the featured musicians: Pat Kirtley, Martin Simpson, Steve Baughman, Duck Baker, Pierre Bensusan, Tom Long, and El McMeen. The 4 basic categories of music in this collection are: dance music, songs (ballads and airs), martial music, and the unique music of the blind Irish harper, Turlough O'Carolan. These arrangements are written in standard notation and tablatures as all were composed in alternate tunings. Includes a historical essay on the evolution of the Irish solo guitar style by Pat Kirtley as well as a biographical sketch of each contributing artist.

Author: Stefan GrossmanPublisher: Grossmans Guitar WorkshopISBN: 9780786683925Size: 52.31 MBFormat: PDF, ePub, MobiView: 5194Download and Read
This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD.

Author: Elizabeth C. AxfordPublisher: Scarecrow PressISBN: 9780810850279Size: 63.87 MBFormat: PDF, KindleView: 5445Download and Read
This second edition of Song Sheets to Software includes completely revised and updated listings of music software, instructional media, and music-related Internet Web sites of use to all musicians, whether hobbyist or professional. This book is a particularly valuable resource for the private studio and classroom music teacher.