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Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her ...... (Full plot summary below)

Review & Comments

Movie Reviews

New York Post - 8/10 by V.A. MusettoDirector-writer Urszula Antoniak, in her first big-screen feature, keeps dialogue to a minimum while concentrating on visual style.

The New York Times - 8/10 by Jeannette CatsoulisNot since "Flashdance" has a lobster dinner been seasoned with so much unspoken emotion.

Village Voice - 8/10 by Ernest HardyThe whole thing is a pleasure to watch, though, because Verbeek and Rea telegraph volumes of subtext beneath the dialogue they're given, speaking to the human need for emotional and physical contact -- and the fear of the responsibilities and costs.

Variety - 7/10 by Derek ElleyLargely thanks to Verbeek's performance, full of physical grace notes and small details, she manages to involve the audience, even though her character is more a movie creation than one based in real psychology. Rea, largely giving his usual mumbling Oirish perf, proves a selfless support, and provides an anchor to the movie.

Los Angeles Times - 7/10 by Betsy SharkeyAs for the many loose ends the director leaves, you can either tie them or leave them loose, either way is fine since the experience as much as anything is what Antoniak was after.

Film Journal International - 6/10 by Eric MonderSmall-scale drama gains from its performances and location photography.

Time Out - 6/10 by Nick Schager[Follows] a familiar path that's energized by subtle lead performances.

Slant Magazine - 5/10 by Bill WeberTwo loners in an Irish coastal house negotiate their emotional distance in this debut feature, with an implausible script undermining strong performances and visual ambition.