These supplemental songbooks to DeHaske's Look, Listen & Learn - Method Book 1 provide terrific additional playing material for students. Special pieces have been written for each instrument to go hand in hand with the method to increase technical and musical skills. From lesson 2, students can begin to use Play Your Favourite Songs. These books feature cheerful illustrations, and all pieces are suitable for concerts and test pieces.

Now Available With CDs! This multi-volume method was developed to allow students to study the art of classical guitar within a new, more con-temporary framework. For private, class or self-instruction. Book One features an all-new format that incorporates chord frames and symbols, as well as a record to assist in tuning and to provide accompaniments for at-home practice. Book One also introduces beginning fingerboard technique and music theory. Book Two and Three build upon the techniques learned in Book One.

To the player
The free stroke with fingers
Filling the fingernails
Using the nails
Begining free - stroke exercises
The thumb and fingers together
Arpeggios with p-i-m
Chord construction
Chords and four - note arpeggios
First classical solos
More about chords
F Majot: the bar
Chords and arpeggios in song accompaniment
6/8 time
Accenting the melody in arpeggios
Music theory review
Playing beyond the first position
Second position
The third position
Combining second and third positions
The key of C Major
Sixteenth notes
Dotted eighth notes
The key of A Minor
Slurs
Music theory review
The phrygian mode
The key of G Major
The key of E Minor

Now Available With CDs! This multi-volume method was developed to allow students to study the art of classical guitar within a new, more con-temporary framework. For private, class or self-instruction. Book One features an all-new format that incorporates chord frames and symbols, as well as a record to assist in tuning and to provide accompaniments for at-home practice. Book One also introduces beginning fingerboard technique and music theory. Book Two and Three build upon the techniques learned in Book One.

Spis treści:

To the player
The free stroke with the fingers
Filing the fingernails
Using the nails
Beginning free - stroke exercises
The thumb and fingers together
Arpeggios with p-i-m
Chord construction
Chords and four - note arpeggios
Reflections by C. Duncan
Scarborough Fair
First classical solos
Country Dance by F. Carulli
Waltz by F. Carulli
More about chords
F Major: The bar
Chords and arpeggios in song accompaniament
Amazing Grace
Shalom Chaverim
Michael, Row the Boat Ashore
Cockles and Mussels
6/8 Time
Irish Washer Woman
When Johnny Comes Marching Home
Accenting the melody in arpeggios
Andantino by M. Carcassi
Moderato by M. Giuliani
Music theory review
Playing beyond the first position
Second Position
Second - Position Etude No. 1
Second - Position Etude No. 2
Second - Position Etude No. 3
The third position
Third - position Etude No. 1
Third - position Etude No. 2
Combining second and third positions
Jazz Waltz by C. Duncan
God Rest Ye Merry, Gentlemen
The key of C Major
Andante by F. Sor
Bagatelle by R. Schumann
Sixteenth notes
This Old Man
Prelude In C by C. Duncan
Dotted eighth notes
The Battle Hymn Of the Republic
Andante by W. A. Mozart
The key of A minor
Estudio in Am by D. Aguado
Espanoleta by G. Sanz
Moderato by F. Carulli
Pezzo Tedesco
Entree by L. Mozart
Slurs
Rondino by J. P. Rameau
Music theory review
The phrygian mode
Malaguena
Fiesta by C. Duncan
The key of G Major
Silent Night by F. Gruber
Minuet In G by J. S. Bach
Minuet In G by Ludwig van Beethoven
Moderato by F. Carulli
Andantino by F. Sor
Gratia d' Amore by F. Caroso
The key of E Minor
Henry Martin
Alba Novella by F. Caroso
Remembrance by C. Duncan
"Chorale" from the St. Matthiew Passion by J. S. Bach
Andante by F. Sor

In the preface to this book, educator and performer Ronald Horner notes that a fundamental approach to teaching students to play band or orchestra instruments is to present them with common melodies that incorporate the techniques to be mastered. He also notes the lack of materials available to apply this pedagogical concept to timpani, and redresses the balance with this collection of recognizable melodies expertly arranged for timpanists to develop pedaling facility on one, two, three and four drums. Topics covered - with ample musical examples for each - include: stepwise motion (one drum and multiple drums), chromatic intervals, triads, moving tones, scales and intervals, and more.

In Book 5, students are introduced to sixteenth notes in various rhythm patterns. The wide variety of student selections include 3 folk, 4 jazz, 13 classical, and 8 contemporary original pieces. Scales (in both 8th and 16th-note patterns) with their cadences are presented in five major and five minor keys. Root, 1st inversion, 2nd inversion, and open position chords for each key center are also introduced.