Category Archives: music

190511 salamandir, by jon leachwhen you hang around the pike place market enough, particularly if you don’t look exactly like pretty much everybody else, you will eventually end up having your photo taken by one of the multitude of street photographers who descend in droves on the market thinking that they will get “that shot” which will propell them into the realm of famous photographers like ansel adams or robert mapplethorpe. in this case, it was a chap called jon leach, who has been doing street photography for about 5 years — no clue what he did before that — and he took a photo of me that i like, because when you look at the whole, reduced photo, i look serious, almost frowning, but if you look at the photo up close, i’m actually smiling.190511 salamandir, up close
busking this week has been a mass of contradictions: yesterday, we played two sets, after having been displaced at 11:00 from the place where i had added us to the list at 8:00 because an amplified band (which is “banned from busking at the market”) was setting up to play in a “flower festival” which the market managers had neglected to tell us buskers about until we actually got there — and they posted a new notice regarding the closure in exactly the same place where the “get your new buskers’ permit” notice had been, so the people (including me) who signed up on the list didn’t notice it until it was too late… so we went up the alley, behind the iron stairs, and busked for an hour, took an hour break (because “the official rules” say you have to), and played most of a second set before we got fed up — in the middle of a song — and said fuck it.

the reason we got fed up is because there were probably 20 people, from people taking pictures with their cell phones all the way up to people who had professional camera equipment, taking our photos, which includes a sign in a very prominent, central location, which says, in large letters “TIP FOR PHOTOS”, but NOT TIPPING FOR PHOTOS! 😠🤬

seriously! some of these people came in pairs, one of them standing next to, or behind us, and the other person, with the camera, lining up the shot so that we were both in the frame, with the sign that says “TIP FOR PHOTOS” in the frame as well, and when they were done mugging for the camera, they just turned around and walked off as though we were plastic manequins… and not starving musicians who have a combined total of more than a century of experience playing music.

my understanding is that the problem is partially because of the cruise ship companies which offer fares that “include all gratuities”, and partially because of the common myth that buskers are paid by the market. both are WRONG!! and it make life particularly awful for folks that have to make their living busking when people act like buskers are free.

on the other end of the scale are days like today, when we played 3 sets and made almost $50 a piece, which works out to around $16 an hour… which is not outstanding, but it’s enough that it makes you want to come back out and try it again tomorrow.

and then there’s the pike place market foundation. back in the ’80s, when the market was being renovated for the first time, i bought an inscribed tile, which was originally placed outside of the athenian tavern…

i had a picture of it, at one time, but i can’t locate it currently. 😒

anyway, they had to replace the floor in front of the athenian, in the ’90s, because it was unstable, and they tore out the section of floor that had my tile in it, and replaced it with somebody else’s tile.

when i bought that tile, i was in the tech school, and the price of the tile was in lieu of half a week’s groceries, but when i asked the market foundation about it when i discovered it was missing, in 2016, their response was to say that if it was not there, then it was not going to be replaced, and my money meant nothing. they offered me a “market charm” to be installed in the new section of the market (which they hadn’t even built yet) as a replacement, to which i agreed.

but it was, apparently, never installed. yesterday, i asked the lady custodian of the market charm database to check, and she couldn’t find it. so i filled out another market charm request, and she said it should be installed this fall, and i can check at their database at PikeUp dot org. while i was at the market foundation booth, i also bought a “pig pin” which came with this interesting printed card:Pig Pin card
i noticed a design detail on the card, which caused this conversation between me and the lady at the booth:ME: this card has swastikas on it! cool!Lady At The Booth: those aren’t swastikas.ME: they’re swastikas, they’re just not what you expected to see when i said “swastika”… they’re not nazi swastikas, they’re ORIGINAL swastikas, from before the nazis got hold of it: they’re “little good luck charms”, which is what the word “swastika” means, in sanskrit.Lady At The Booth: yeah, but they’re not swastikas, there’s another name for it.ME: the german word for a swastika is “hakenkreuz”. the reason english-speaking people use the word “swastika” is because nobody could figure out how to say “hakenkreuz”.Lady At The Booth: but there’s another name for them.ME: the word “swastika” is a sanskrit word that means “little good luck charm”. it’s the perfect symbol to put on the pike place market “good luck token”, and most people probably wouldn’t even realise that it’s a swastika, because it’s not a nazi swastika. the swastika is one of the world’s oldest symbols, and it was around, as a symbol of good luck for, literally, thousands of years before the nazis got hold of it! it’s about time we started taking it back, and making it into a symbol of good luck again!Lady At The Booth: really? cool! 😊

allegedly, they’re going to snail-mail me when the charm is installed, but they said they were going to install it in 2016, and they didn’t, so it remains to be seen what they’re really going to do.

there’s a guy in portland — The Unipiper — who rides around portland on a unicycle, playing a flaming bagpipe.

i’ve wanted to make a flaming tuba for YEARS. i’ve got all the necessary equipment to make a flaming tuba. the ONLY reason i have not made a flaming tuba before now is that i don’t want to set myself on fire. fortunately, i have a few friends who can alleviate that problem for me (i’ll set them on fire instead… 😉), so it’s just a matter of building it…

i’m actually doing really well, considering that i’ve never done it before, and i deliberately signed up for a “Level 1/2” class instead of a “Level 1” class (so that i could combine the class with my already existing “Basic Circus Skills for Handicapped Adults” class, which occurs on the same day), and i’m keeping up…

although, to be honest, there’s a BIG motivation behind being in a class with two 8- to 10-year-old girls who are “Level 2” riders, and who, literally, ride circles around me. 😉 i REALLY want to ride as well as they do!! and they’re not even free-mounting, or riding around turns, or any of the “fancy” stuff that the unipiper does…

i’ve taken my third class, and i’m almost to the point where i can, honestly, say that i can actually “ride” the unicycle without holding on to anything: i can ride between two bars, only one of which i am holding on to, and ride beyond the end of the bars without holding on to anything… for about two cycles of the pedals, before i have to “dismount”… or fall…

the falling part is the part that i have been trying to avoid, and, for the most part, i have. however, i came home, last week, with a fancy bruise on my right knee, which was the first actual bruise i have gotten since i started the class, and, this week, i fell hard enough that, today, i strained to put my left knee in a brace, because it is hurting A LOT when i do relatively normal things like bending it, or lifting it… or doing pretty much anything except holding it straight with my leg elevated.

so, now, the question is, will i actually learn to ride a unicycle, or will i blow out my knees and end up in a wheelchair?

“courage is knowing it might hurt, but doing it anyway. stupidity is the same thing, which is why life is so hard.” — jeremy goldberg

i’m hoping it is the former, and not the latter.

although, either way, i can play the flaming tuba, so it’s all good… 😉

i’m getting closer and closer to divesting myself of all of my web hosting clients. i’m hoping that my last day of hosting anybody except me, and people directly related to me (i.e. my wife and son) will be 190430. i’m still trying to get two domains off my server, and then there will be one, which i don’t know whether they are going to find a new server, or whether they are just going to let it die. either way, it’s SEP and i don’t have to worry about it…

although i am… 😒

we came back from the beach. it rained a lot. i planned on taking mushrooms, but it rained, so i didn’t. i did spent a lot of time sleeping… and other passtimes:190408 drawing

like drawing…

190408 picture

although the dog moved by the time i took the picture…

and, given that it’s the first time that i’ve drawn anything other than doodles since my injury, i kinda like it…

then, we came home, and went to a concert by The University of Washington Harry Partch Ensemble, with authentic Harry Partch instruments:

190413 Harry Partch Instruments

the instruments are the Cloud Chamber Bowls, the Adapted Viola, the Adapted Guitar III, The Kithara II, the Spoils Of War, the Bass Marimba the Harmonic Canon, the Surrogate Kithara, the Diamond Marimba, the Marimba Eroica, the Koto, and the Chromelodeons I and II

190413 Spoils Of War

a close-up of the Spoils Of War, with the Cloud Chamber Bowls in the background, and the Diamond Marimba in the foreground

190413 Modified Viola music

it’s STANDARD NOTATION!!! just sub-scripts and super-scripts to define the microtones and the rythmn… i never would have guessed… but, at the same time, when you’re already working with music that is THAT DIFFERENT from what we, in the west, think of as “normal”, i suppose it’s a lot easier to not have to learn a new way of notating that “abnormal” music, as well…

it turns out that the current Harry Partch Foundation is located at the UW, and all of his instruments are housed there. again, i never would have guessed, but… wow.

i told monique, when we walked into the concert hall, that they had not played a note and i was already ecstatic.

i started my third session of my circus class. it’s a “basic circus skills for handicapped adults” class — mostly people with parkinson’s — but, because of the fact that i took to unicycle, i started a unicycle class, as well:190419 my very own unicycle! at first, i borrowed a unicycle from one of monique’s co-workers, but it was too short, so i went on craigslist and bought an almost-new, used unicycle, that was exactly the same size wheel but a longer seatpost, that is now my very own, personal unicycle.

i have this vision — my training from the flybottle class would say “fantasy” — of what i want to do with the unicycle: there’s this guy, in portland, who is known as “The Unipiper”. he rides around portland, on a unicycle, playing a flaming bagpipe.

i’ve wanted to make a flaming tuba for a long time. i’ve got all the necessary materials to make a flaming tuba. all i have to do is learn to ride a unicycle, and i can be “The Tubacyclist”.

i hope to be relatively stable on the unicycle by OCF this year. i’m GOING to do this! 🐉

i am done with the moisture festival for another year: 13 shares. we’ll see what a share costs in about a month, but i’m not holding my breath.

during the fremont phil part of the run, i broke my tuba: the mouthpiece receiver came loose, which made playing the instrument sort of interesting, but not absolutely impossible, which is why i took it to the repair shop today, instead of when it happened.

i’m still recovering from the flu. i’ve got a persistent cough which, according to what i’ve read recently, may never go away, although it seems to be, so i don’t know yet.

and, while i was busy with the moisture festival, a subscriber to one of the mailing lists i maintain, who has an email address at micro$awful, unknowingly sent email to the wrong address, and got the mailing list blacklisted from sending to addresses at micro$awful. the host provider’s response to this was to believe micro$awful, and to say that if i don’t move the mailing list to a third-party, commercial SMTP provider, that they were going to refuse to provide service to me any longer. i don’t want to do that, but i am running out of other choices very quickly, and informing micro$awful that their automated blacklister made a mistake is almost impossible. i’m getting really tired of dealing with other peoples’ screw-ups, and, once again, am debating whether or not to just toss all of my “web clients” except for my wife, and just deal with my own domains. it would be so much easier than explaining stuff to people who don’t understand, who don’t pay attention, and who do continue to do the stuff that makes problems happen which i can’t fix.

now that the moisture festival is over, i’ve got a band-mate’s saxophone to work on for a couple days, and moe and i are going to the beach in a week or so. hopefully that will give me the chance to get back to normal for a while. 😒