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Man and Superman is one of the major plays of Irish playwright George Bernard Shaw. First performed in 1905, it modernizes the Don Juan legend and is based on Shaw’s thesis that woman, not man, is the pursuer in love. In this very long comedy of ideas, Shaw also expounded his philosophy that humanity is the latest stage in a purposeful and eternal evolutionary movement of the “life force” toward ever-higher life forms.

The play itself shows the blend of philosophy and entertainment that were the hallmarks of Shavian drama. The play’s hero, Jack Tanner, is bent on pursuing his own spiritual development in accordance with this philosophy as he flees the determined marital pursuit of the heroine, Ann Whitefield. In the end Jack ruefully allows himself to be captured in marriage by Ann upon recognizing that she herself is a powerful instrument of the “life force,” since the continuation and thus the destiny of the human race lies ultimately in her and other women’s reproductive capacity.

At nearly eight hours in running time if performed in its entirety, Man and Superman is a bit cumbersome to stage, and as such the “Don Juan in Hell” section is often performed independently as a separate piece. Nevertheless, Man and Superman has been among Shaw’s most performed works all over the world. Certainly it owes much of its popularity to the bristling imagination of its creator working at the zenith of his talent.

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