B. Bumble and the Stingers

B. Bumble and the Stingers were an American instrumental ensemble in the early 1960s, who specialized in making rock and roll arrangements of classical melodies. Their biggest hits were "Bumble Boogie" and "Nut Rocker", which reached number 1 in the UK Singles Chart in 1962.[1] The recordings were made by session musicians at Rendezvous Records in Los Angeles, but when they became successful a touring group was formed led by R. C. Gamble (3 November 1941 – 2 August 2008)[2] as "Billy Bumble".

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In 1959, Earl Palmer, René Hall and Plas Johnson, all African American musicians from Louisiana, were the house band at Rendezvous Records. According to Palmer, the three friends “always talked about how we could make some money and not leave the studio. One day I said, 'Let's do a rock version of "In the Mood"'.[3] The single, credited to the Ernie Fields Orchestra, became a hit, reaching # 4 on the US pop charts in early 1960.

"Bumble Boogie" went to # 21 on the Billboard charts in June 1961. Because the session musicians all had other studio commitments, a teen band from Ada, Oklahoma, who had played no part in the recording itself, were recruited to handle promotion and public appearances. Their names were given as Fred Richards, Don Orr, and "B. Bumble", a pseudonym for guitarist R. C. Gamble.[4][5]

Follow-up records "Boogie Woogie", with Freeman's tack piano double tracked, and "Caravan", were less successful, and Rendezvous seemed to lose interest in B. Bumble and the Stingers. Fowley then secured the copyright to an arrangement of Tchaikovsky's "March" from the Nutcracker Suite, and took this to local entrepreneur and pianist H. B. Barnum, who recorded it under the name "Jack B. Nimble and the Quicks" on the small Del Rio label. When Rod Pierce of Rendezvous heard it, he convinced Fowley that his label could do a better version with their own band.

A recording date was quickly arranged, but on the day, Freeman did not appear. In his place, guitarist and arranger René Hall rushed pianist Al Hazan into the Rendezvous office, which was rigged up as an improvised studio. According to Hazan, "Rod decided to record the first take while I was still trying to practice the piece with the other musicians. Because I was so rushed to learn 'Nut Rocker', I was not happy at all with my performance on that first take. However, in spite of my asking Rod to let me do it over again, he said he liked it just fine the way it was."[6] Released as "Nut Rocker" in February 1962, the record went to # 23 in the US and # 1 in the UK.[1] Del Rio struck a deal with Randy Wood of Dot Records and re-released what they were now calling "(The Original) Nut Rocker" by Jack B. Nimble and the Quicks, but it was not a hit.[3]

Such was "Nut Rocker"'s popularity in Britain that a touring group, with Hazan and R. C. Gamble, was flown over in October 1962 to promote the follow-up, "Apple Knocker", based on Rossini's William Tell Overture. However, neither that record nor the next release, "Dawn Cracker", based on Morning Mood from Peer Gynt by Grieg, were successful, and no more B. Bumble and the Stingers records were issued after 1963, when Rendezvous went out of business. Hall went on to work with Sam Cooke and many others, Palmer and Freeman became successful session musicians, Fowley moved on to new challenges as a producer and as svengali to the Runaways, and Hazan later recorded solo as Ali Hassan (on instrumentals) and Al Anthony (as a singer).[3][4][6]

R. C. Gamble retired from music in 1965 and later became economics professor at Fort Hayes State College in Hayes, Kansas. He died in 2008.[2]