Saturday, 22 April 2017

The smell of the lamp

"I confess that I am no longer thinking in musical terms, or at
least not much, even though I believe with all my heart that Music
remains for all time the finest means of expression we have. It’s
just that I find the actual pieces — whether they’re old or modern,
which is in any case merely a matter of dates — so totally
poverty-stricken, manifesting an inability to see beyond the work-table.
They smell of the lamp, not of the sun. And then, overshadowing
everything, there’s the desire to amaze one’s colleagues with arresting
harmonies, quite unnecessary for the most part. In short, these days
especially, music is devoid of emotional impact. I feel that, without
descending to the level of the gossip column or the novel, it should be
possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen,
despite themselves and despite their petty mundane troubles, and never
mind if they’re incapable of expressing anything resembling an opinion.
It would be enough if they could no longer recognize their own grey,
dull faces, if they felt that for a moment they had been dreaming of an
imaginary country, that’s to say, one that can’t be found on the map." A most striking remark that is as appropriate for today's new music scene as it was around 1900 - it was written by Debussy in 1901 in a letter to one of his collegue-friends, Paul Dukas. So much new music of today - be it atonal, or tonal, or multiculti, or hip or whatever - sounds contrived, rationally-constructed without much feeling going into it, without depth. And the 'smell of the lamp' has in itself nothing to do with the style or progressivenss or conservatism of the composer, but is simply a matter of emotional capacities. The best music has an emotional dimension, and that has always been the case, from Gregorian chant onwards. It is this dimension which garantees the survival of musical works of the passing of time.