Artfix.Daily reports that the film is expected to be released this summer:

Following the lead of a professional art crime investigator, the producers examine Elmyr’s past, cut through a myriad of aliases, searching for never-before-revealed archival records, police files, and the circumstances contributing to his illicit career. The team works to unravel the mystery of Elmyr’s true identity, extent of his criminal activity, personal motivations, and unusual and extraordinary talent. The film also relies in part on the recollections of people who knew Elmyr, including the man who lived with Elmyr for the last ten years of his life and up until the artist’s suicide in 1976. Footage also includes an interview with Elmyr’s lawyer and long-time friend who stands firm in his conviction that Elmyr would never have gone to jail for his crimes. Ultimately the film raises the bar with new research that suggests that the number of Elmyr’s fakes might substantially exceed the number previously estimated.

The documentary also weaves a grander contemporary moralistic narrative. “In part, Real Fake examines the issues of art forgery and the current run-away art market,” says Oppenheim. “However, it also offers us the opportunity to explore the grander themes of what is art, what is the value of art and for that matter how these perceptions enter our own lives outside of the art world on a daily basis.”

The 3-minute Vimeo video part of the fundraising campaign to raise $25,000 by February 3 at "Real Fake -- The Life, Art & Crimes of Elmyr de Hory" includes appearances by Allen Olsen Urtecho, art crime investigator, and Colette (Loll) Marvin, curator -- both of whom attended ARCA's program in art crime studies and cultural heritage preservation in Amelia in 2009.

Jonathan Keats wrote about de Hory in his book Forged: Why Fakes Are the Great Art of Our Age (Oxford University Press, 2012).

Elmyr de Hory's executor, Mark Forgy, successfully funded a play on the forger on Kickstarter last year (see an earlier ARCA blog post here).

UPDATE: Both Colette Loll and Mark Forgy contacted the ARCA blog after publication of this post and the Artfix.daily. Both Colette Loll and Mark Forgy informed ARCA that they are no longer associated with this documentary film project.