Kate Bush has released remastered versions of her first seven studio albums – as a box-set and as individual albums, on CD and vinyl. A second box-set is released at the end of November 2018.

Kate’s early albums sounded amazing anyway, and the 2018 remasters thankfully are not just pushing the volume up or brickwalling. The differences are subtle but compliment and at times, enhance the music.

So on Kate’s debut album, The Kick Inside from 1978, there is a touch more bass response, and the new remaster adds greater depth to the vocals – such as on the “You crush the lily in my soul” section on the album opener, Moving.

The Man With The Child In His Eyes sounds amazing, especially when the strings soar in the chorus, and the lead vocal on L’Amour Looks Something Like You sits so much better in the mix on this new remaster. Wuthering Heights reveals little flourishes that were previously less prominent in the mix, and the vocal sits so well.

Lionheart, compared to the original CD issue (listening, not comparing waveforms!) is a more sympathetic remaster. The original sounds slightly muddy in comparison, whilst the new master feels cleaner and lets you push the volume up. This is especially noticeable on Symphony In Blue (the drums sound much better) and on Wow (the strings sound gorgeous).

Wow is a marked improvement, the mix is perfect and its like hearing the song for the first time. Yep, its the remasters first Wow moment. Sorry.

In The Warm Room (one of the most sensual songs I have ever heard) sounds delicious at volume. Hammer Horror now sounds like it was recorded in technicolor – the orchestral opening and the reverb on Kate’s vocals lifts the song to a new level.

The piano and keyboards on the intro to Babooshka from Never For Ever (1980) sound much less harsh than the original master, they sparkle more. One of my favourite songs on the album, Delius also benefits and feels more natural.

Breathing has always been one of my favourite songs. Has there ever been a more powerful anti-war /non-nuclear song than this? As through all the albums, the difference is subtle but noticeable, particularly on the instrumental section of Breathing. The song is not mastered as loud, so individual moments (such as single piano notes and deep bass) cuts cleanly through the mix, and makes you sit up and listen.

The Dreaming is my favourite overall Kate Bush album, and I love the way the vocals sound on this remaster. At normal volume, the changes are noticeable, but when played at volume, the strengths of The Dreaming really hit home. Those drums on Sat In Your Lap!

Album closer Get Out Of My House is a delight – the guitar (from the late Alan Murphy) add to the paranoia and desperation seeping through the song.

The remaster adds warmth and power to the Fairlight lines and drums on Running Up That Hill from Hounds Of Love (1985) , and the bassline is more prominent than before. This song is one of my favourite memories from the Before The Dawn shows from a few years ago.

The title track has more punch to the inventive percussion and The Big Sky is a different version to the previous album release (it sounds like the single mix) and is a much livelier arrangement.

Side 2 aka The Ninth Wave is a lot of fans favourite pieces in Kate’s catalogue, and the 2018 remaster does not disappoint. The whole piece sounds clearer and more powerful.

The peaks and troughs of Jig Of Life are a joy to listen to at volume. The choral vocals are so much warmer on Hello Earth, one of the most moving parts of The Ninth Wave.

The Sensual World (1989) has more punch, especially in the chorus of the title track and on the percussion on Reaching Out, one of my favourites from the album.

Deeper Understanding is one of the major improvements on The Sensual World, with individual instruments and voices cutting through the mix with so much clarity.

The album ends with one of Kate’s most popular songs, This Woman’s Work. The treatment of the lead vocals and the use of reverb is a production masterclass, and this is the best the song has ever sounded.

The Red Shoes (1993) has some key improvements in sound quality – such as on the chorus of Rubberband Girl, with a stronger bass and guitar sound. The deep strings in Moments Of Pleasure are more vibrant and richer and Top Of The City sounds more widescreen and cinematic.

The heartbreaking You’re The One is beautiful, the original now sounds a little muddy in comparison.

The only negative point I have about these re-issues is the lack of fresh content with the packaging. Whilst the reproductions of the original artwork with the CD cases and the booklets is high quality and faithful to the initial releases, I am a little disappointed that the booklets just contain lyrics and recording details. There is nothing new in the booklets – no previously unseen pictures, no essays or background to the albums or songs – either from Kate herself, or from any of the musicians or countless wonderful Kate Bush websites and blogs scattered across the internet. Also, a pet hate here (and not a fault of the compilers) – recent box sets (including the Bowie series) have a paper detachable back panel, listing the box-sets content that is not fixed to the box and does not fit inside, so easily gets damaged or lost.

Anyway, very minor grumble aside, this is an excellent release and all seven albums have been lovingly remastered and are definitely worth the outlay, even if you already own the original albums.

If you don’t have any Kate Bush albums in your collection, this box-set is a must purchase. Which reminds me, I need to start saving for the second CD box-set. Or maybe add it to my Christmas list. Hint hint Santa.