Along with fellow participants Katy Baird, Sophie Cullinan, Ria Hartley and Emelía Antonsdóttir Crivello, the idea of the superhero as a catalyst for performance making was explored. My boundaries were well and truly pushed from the get go as we learned hip hop dances, frolicked in washing up liquid (not that I could let go enough to do much frolicking!) and recited Hamlet to the tune of twinkle twinkle little star.

I learnt a lot about myself over the three days, particularly about my attitude to success and failure. The tasks were specifically hard for me as I operate under the assumption that there is a right way and a wrong way to do everything, that I need to constantly be in control of myself and my surroundings and on some perverse level enjoy constantly telling myself that I am doing it all wrong and failing. The workshop helped me to see how ridiculous these notions are and that the most interesting situations that open up a dialogue revolve around things going wrong, almost reaching their goal but not quite and just generally failing.

The three days were finished off with a photo shoot in which we show-cased our developed superhero characters. Mine was Kyphosisa (Kyphosis being the medical term for a hunch back which I have a mild case of). She represents the acceptance of flaws and failure, showing that when we finally do this great, powerful things can happen.

The whole experience was incredibly mind altering and where I had previously been using other bodies in my work I finally realised that my own body signified the same things, generic success in the sense that it’s able, relatively fit and white. I had previously wanted to train myself to the standard of a bodybuilder and use this point from which to create work and a discourse, however I now realise there is much a more interesting space in which to do this with my body as it is now. This has prompted me to do a performance myself which I will talk about in my next post.