Fuenteovejuna by Lope de Vega (The Margellos World Republic of Letters)

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Synopsis

Lope de Vega “single-handedly created the Spanish national theatre,” writes Roberto González Echevarría in the introduction to this new translation of Fuenteovejuna. Often compared to Shakespeare, Molière, and Racine, Lope is widely considered the greatest of all Spanish playwrights, and Fuenteovejuna (The Sheep Well) is among the most important Spanish Golden Age plays.

Written in 1614, Fuenteovejuna centers on the decision of an entire village to admit to the premeditated murder of a tyrannical ruler. Lope masterfully employs the tragicomic conventions of the Spanish comedia as he leavens the central dilemma of the peasant lovers, Laurencia and Frondoso, with the shenanigans of Mengo, the gracioso or clown. Based on an actual historical incident, Fuenteovejuna offers a paean to collective responsibility and affirmation of the timeless values of justice and kindness.

Translator G. J. Racz preserves the nuanced voice and structure of Lope de Vega’s text in this first English translation in analogical meter and rhyme. Roberto González Echevarría surveys the history of Fuenteovejuna, as well as Lope’s enormous literary output and indelible cultural imprint. Racz’s compelling translation and González Echevarría’s rich framework bring this timeless Golden Age drama alive for a new generation of readers and performers.

David Johnston is Professor of Hispanic Studies at Queens University Belfast. His principal research lies in theatre, and the theory and practice of literary translation. He is co-director of the Queens-based research forum Betwixt and Between: Translation and Cultural Encounter. Hes a multi-award winning translator for the stage, and has written versions of over thirty plays from Spain, Latin America and France for professional performance around the world. In the early 1990s, he won The Observer Special Award for Achievement in Theatre and London Weekend Televisions New Plays on Stage Award. He has had work performed on television and radio. Lope de Vega (1562-1635), acknowledged as Spain's most lyrical and energetic dramatist, was a prolific and complusive writer. He treated an enormous range of subjects, often mingling comedy with tragedy, to the horror of the classicists, and defended his methods in his 'Arte nuevo de hacer comedias en este tiempe', published in 1609.