Buzzy Martin began teaching music to at risk kids in Juvenille Hall. He then taught guitar in San Quentin Prison for three and a half years, where he gained a unique “insiders” perspective about prison life, prisoners, and the guards. His book, “Don’t Shoot! I’m the Guitar Man,” chronicles his experiences teaching prison inmates, including rapists, child molesters and murderers how to play the guitar. Martin shares his experiences with incarcerated youth, to teach them that prison is not a “badge of honor,” and he reveals how music can be a universal language to open the hearts of people who may think they don’t have one.

Buzzy Martin’s memoir will be made into a movie. Visit his website for more information.

The interview with Buzzy Martin was recorded on October 11th, 2010.

The book he recommends is, “The Four Agreements: A Practical Guide to Personal Freedom, A Toltec Wisdom Book,” by don Miguel Ruiz.

In this edition of Radio Curious we honor and pay tribute to folk singer Ronnie Gilbert, who died on June 6, 2015 at the age of 88. She is well known for her powerful contralto voice as a member of the Weavers, the extraordinarily popular folk music quartet that in 1950s and 1960s. She also had careers as an actor and a psychologist.

From the Radio Curious archives, recorded in September 1996, Ronnie Gilbert describes her introduction to music and dance, how the Weavers came together; their blacklist experience; her thoughts about turning 70 years old when this program was recorded in 1996; and her friendship and work with Holly Near. We conclude with Holly Near recalling her friendship with Ronnie Gilbert.
The books Ronnie Gilbert recommends are “The Moors Last Sigh” by Salman Rushdie, “Making Movies” by Sidney Lumet and “Eyewitness: A Personal Account of the Unraveling of the Soviet Union” by Vladimir Pozner.

Our guest, Josanna Kiggins, is a parent, student, singer, singing and cultural education teacher, and a medical receptionist. A native of Salvador, Brazil Josanna has lived here in Ukiah, California, for 30 years. She’s someone I’ve known almost that long.

When Josanna Kiggins and I visited at Radio Curious on March 14, 2015, she described her experiences, values and goals. Her story begins when she was 9 months old.

The book Josanna Kiggins recommends is “Hard Laughter,” by Anne Lamont.

Marcos Pereda, a native of Havana, Cuba, and a singer-songwriter who lives in Ukiah, California, is our guest in this edition of Radio Curious. The background music in this weeks program is a song titled “Center” that he wrote and then performed on his guitar in our studios. Pereda returned from a two month visit in Havana on December 20, 2014; he traveled there to attend his mother’s funeral.

In our visit, recorded on December 22, 2014, Pereda shares his music and songs, his thoughts and experiences about life in Cuba and in the United States, and his hopes for the new relationship between the the two nations. We began our conversation when I asked him to tell us about his mother.

The shooting and deaths at Marysville-Pilchuck High School in Marysville, Washington, on October 24, 2014, brought sadness, fear, unity and a special form of healing to the Tulalip and other Native people of the area.

In this edition of Radio Curious we visit with Jerome Edge, a Native American of Swinomish and Upper Skagit heritage, hip-hop activist and radio host at KSVR-FM in Mt. Vernon, Washington. When Jerome Edge and I visited from his home in Mt. Vernon, Washington, we discussed the trauma and sadness caused by the shootings and the turn toward healing that then occurred. We also discussed a developing hip-hop focus — a way to instill values of personal and community respect and strength. The song “Rise Up,” which you will hear in the program sung by Shaundiin Zollner, is used by permission.

Jerome Edge and I began our conversation on November 16, 2014, when I asked him to put the shootings in a context of time and place.

The book Jerome Edge recommends is “The Indians of Skagit County,” by Martin J. Sampson.

Songs of a political nature are not surprising given the similarities and parallel community structures of politics and religions, with each community promoting the behaviors and concepts it supports as being the most appropriate. The art of political song, which has been crafted and heard world wide since time immemorial, is the topic of this edition of Radio Curious.

In this program we visit with singer–songwriter David Rovics, a veritable troubadour and folk musician of our time. He visited the studios of Radio Curious on December 9, 2012, and began our conversation when he described his work, his songs, and how he creates them.

The following is his biography taken from his website. ”David Rovics grew up in a family of classical musicians in Wilton, Connecticut, and became a fan of populist regimes early on. By the early 90’s he was a full-time busker in the Boston subways and by the mid-90’s he was traveling the world as a professional flat-picking rabble-rouser. These days David lives in Portland, Oregon and tours regularly on four continents, playing for audiences large and small at cafes, pubs, universities, churches, union halls and protest rallies. He has shared the stage with a veritable who’s who of the left in two dozen countries, and has had his music featured on Democracy Now!, BBC, Al-Jazeera and other networks. His essays are published regularly on CounterPunch and elsewhere, and the 200+ songs he makes available for free on the web have been downloaded more than a million times. Most importantly, he’s really good. He will make you laugh, he will make you cry, he will make the revolution irresistible.”

With sadness and admiration we pay tribute to the life and times of Pete Seeger, America’s foremost folk singer and troubadour. Pete Seeger brought songs of hope, justice and equality wherever he went with his 5 string banjo, 6 string guitar, 12 string guitar and Chailil, a simple handmade bamboo flute.

Pete Seeger died January 27, 2014, at the age of 94. Seeger chronicled the history of activism in the United States through his music: From the beginnings of World War Two, through the Civil Rights era of the 1950s and 60s, the anti war movement of the 1960s and 70s to the Iraq-Afghanistan wars today.

This interview with Pete Seeger was recorded in January of 1992. We began our conversation when I asked him to describe what he meant when he said the world is at an age of uncertainty.

“What Are You Afraid Of?” is the title of a cd released in August 2013 by singer and songwriter Mary Buckley, our guest in this edition of Radio Curious. Mary has a wide range of skills and experiences and has been singing her songs since she was a young teenager in the mid-1970s. She visited the studios of Radio Curious on November 10, 2013, and began her story when I asked her what prompted her to create a cd.

The book Mary Buckley recommends is “A Pattern Language,” by Christopher Alexander.

The understanding of how we humans experience music and why it plays a unique role in our lives is this topic of two interviews with Dr. Daniel Levitin, author of “This Is Your Brain on Music, The Science of a Human Obsession,” recorded from his home in Montreal, Quebec, Canada in late October 2006.

Professor Levitin runs the Laboratory for Musical Perception, Cognition and Expertise at McGill University in Montreal, Canada. He asserts that our brains are hardwired for music and therefore we are all more musically equipped than we think. He says that music is an obsession at the heart of human nature, perhaps even more fundamental to our species than language. Professor Levitin believes that the music we end up liking meets our expectations of what we anticipate hearing just enough of the time that we feel rewarded, and the music that we like violates those expectations just enough of the time that we’re intrigued.

In the first interview Dr. Levitin begins by describing how the human brain learns to distinguish between music and language.

The second interview begins with a discussion of what happens when people listen to music they like.

The understanding of how we humans experience music and why it plays a unique role in our lives is this topic of two interviews with Dr. Daniel Levitin, author of “This Is Your Brain on Music, The Science of a Human Obsession,” recorded from his home in Montreal, Quebec, Canada in late October 2006.

Professor Levitin runs the Laboratory for Musical Perception, Cognition and Expertise at McGill University in Montreal, Canada. He asserts that our brains are hardwired for music and therefore we are all more musically equipped than we think. He says that music is an obsession at the heart of human nature, perhaps even more fundamental to our species than language. Professor Levitin believes that the music we end up liking meets our expectations of what we anticipate hearing just enough of the time that we feel rewarded, and the music that we like violates those expectations just enough of the time that we’re intrigued.

In the first interview Dr. Levitin begins by describing how the human brain learns to distinguish between music and language.

The second interview begins with a discussion of what happens when people listen to music they like.