It's been trending that way for thirty years, at least in movies and TV. The literature still has decent variety to it, thank goodness. I have low tolerance for the grim and gritty stuff-- it was the "sense of wonder" that got me first interested in SF back in the 60s, not the "sense of dreariness and explosions" that we have now. Your CGI models look just as cool as the artwork, so if you've got a script that's at the same level you could have a real winner here.

It's been trending that way for thirty years, at least in movies and TV. The literature still has decent variety to it, thank goodness. I have low tolerance for the grim and gritty stuff-- it was the "sense of wonder" that got me first interested in SF back in the 60s, not the "sense of dreariness and explosions" that we have now. Your CGI models look just as cool as the artwork, so if you've got a script that's at the same level you could have a real winner here.

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I dig smooth shapes and pretty colors. In fact I tend to over-saturate rather than desaturated or underexpose, the opposite of say, David Fincher (who I have an infinite amount of respect for.)