Tag: Third Reich

Reviews of Leni Riefenstahl’s trio of Nuremberg films made for the Nazi party – Victory of the Faith (1933) via Archive.org, Triumph of the Will (1934) + Day of Freedom (1935) on Blu via Synapse Films – and Stuart Schulberg’s sobering Nuremberg: Its Lessons for Today (1948).

Perhaps the ultimate and scariest propaganda film ever made – and rightly so – Leni Riefenstahl’s self-professed ‘document’ of the 1934 Nazi Party Congress in Nuremberg was a meticulously plotted production designed from the ground-up to assault the senses of German audiences and make it clear Adolph Hitler was not only the country’s man in charge, but its self-appointed savior and visionary…

The peculiar background behind what seems like a generic short-form tribute to the Third Reich infantry stems from the Wehrmacht being peeved by receiving not only a paltry 2 mins. of screen time in Triumph of the Will (1934), but having to fight for that much of an allotment in what was the Nazi party’s definitive propaganda advert…

In 1933, Leni Riefenstahl made the move from dancer, actress, and fiction film director to documentaries, launching her new career as the Third Reich’s premiere propaganda filmmaker with her hour-long chronicle of the fifth NSDAP party rally, held in Nuremberg in 1933…

After the fall of Nazi Germany in 1945, one of the U.S. Government’s efforts to de-Nazify Germans was via film screenings, and Stuart Schulberg made his first and only effort as director with this documentary that assembled courtroom footage from the Nuremberg trials…

Tired of the Titanic blather? Well, try and squeeze in two more edifying reviews – the 1943 Nazi propaganda film Titanic, and the 2012 History CHannel documentary Nazi Titanic, which chronicles the often absurd and tragic circumstances surrounding the film’s production. Also added to the mobile site database are related reviews for Das leben geht weiter, Herr Goebbels’ last but unrealized propaganda film; Wort un tat, a crude 1938 Nazi newsreel / ersatz documentary; and reviews of Titanic (1953) and Raise the Titanic (1980). Wait, that’s not two reviews… Whoops.

Return to: Home / Blu-ray, DVD, Film Reviews / D . Film: Excellent/ DVD Transfer: Very Good/ DVD Extras: Very Good Label: Polar Film/Starcrest/ Region: 0 (NTSC) / Released: December 19, 2003 Genre: Documentary / Third Reich Synopsis: The last film made by the Third Reich is profiled in this historical film-about-a-film. Special Features: In German (no […]

In 1935, Michael Powell directed 7 films, and The Phantom Light (1935) is among the few of his early quota work to make it to DVD. For North Americans familiar with his more daring artistic experiments with Emeric Pressburger (such as The Red Shoes, or Black Narcissus)…

Based on the still-unsolved Flannan Isle Mystery in which three lighthouse keepers vanished from an isolated isle without a trace in 1900, Joe Bone and Celyn Jones’ script unravels like a classic thriller in which isolation + greed drives men mad…

Whether Pearl S. Buck’s first screenplay required heavy work by Claude Binyon isn’t known, but the author of The Good Earth (published in 1931, and made into a film in 1937 by MGM) reportedly wrote China Story around 1950…

A whydunnit transposed to a WWII military courtroom in India, this adaptation of Howard Fast’s novel deals with a U.S. lieutenant facing the death penalty after shooting a British colleague in cold blood…

Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!

For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…

The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…

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