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galleries REVIEW Jena Woodburn Duality of Light ynette Wallworth’s video works attempt to place the viewer in close relationship to some aspect of the Lynette Wallworth Until April 24 world. Hold Vessel 1 and 2 stages an intimate encounter with the vast natural world, as the viewer holds shallow glass bowls under downcast projections, causing them to overflow with images whose subjects run the gamut of the natural universe from amoeba to sea-creatures to stars. Invisible by Night and Duality Anne & Gordon Samstag Museum of Art Hawke Building, City West campus University of South Australia 55 North Terrace, Adelaide (cnr Fenn Place and North Terrace) P: (08) 8302 0870 E: samstagmuseum@unisa. edu.au March 27 - April 2, 2009 35 The Independent Weekly www.independentweekly.com.au Wallworth sees the light L of Light both engage the viewer on a more personal scale. Invisible by Night features a video projection in which, at first, the artist’s figure appears in shadow, shrouded by mist. The interactive aspect of the work is triggered by the viewer touching a portion of the screen, to which the figure responds by beginning to wipe away some of the condensation that obscures her. She clears a band before her eyes, making contact with the viewer, and presses her fingers to the glass in a gesture that both suggests intimacy yet highlights its impossibility. Duality of Light requires viewers to enter a darkened space one at a time, walking down a nearly-black corridor towards a small band of light, surrounded by the sound of water dripping and pooling. An image – a figure – is slowly revealed, and it takes a few seconds for the viewer to recognise themselves. Just as they are considering their Opening hours: Tuesday to Friday 11am – 5pm, Saturday & Sunday 2pm – 5pm The exhibition will be closed for Easter from 10 – 13 April Lynette Wallworth’s Hold Vessel 2, 2007, above, and Damavand Mountain, 2006, below. Photos: Grant Hancock, courtesy of Samstag Museum of Art reflection, the image “explodes”, disintegrating into a graphic arrangement of black and white lines which then forma patterned grid that ticks over like strings of numbers or streams of electrical impulses. Other works invite only implicit interaction. Beautiful Sunset’s 40-minute documentation of an outback landscape at sunset changes so imperceptibly that, watching continuously, one begins to wonder whether the passage of time is only an optical illusion. Damavand Mountain’s imagery also seems to hover between the still and the moving, the concentration required to judge whether one is imagining the drifting of clouds making the entire mountainscape seethe. an exhibition of the work of year 12 art students from 2008 opens 3pm Sunday 5 April Sam Leach, 19 March to 4 April Peter Walker Fine Art 101 Walkerville Terrace, Walkerville, SA 5081 P - 8344 4607 Open 11 – 5pm Thurs - Sat or by appointment info@peterwalker.com.au www.peterwalker.com.au 1 Thomas Street, Nailsworth T; 8342 8175 www.prospect.sa.gov.au CRISPIN Ngura Wiru Winkiku Arts Until March 28 Unique Indigenous fine art, handicrafts, rugs, cushions, jewellery and gifts Beautiful new range of floor rugs and cushions Shop online @ www.betterworldarts.com.au Better World Arts 144 Commercial Road PORT ADELAIDE, SA 5015 Ph: 61 08 8240 3373 Sam Leach, oil and resin on board, 45 x 60 cm exhibition dates 5 - 26 April AKERMAN New Paintings Opening Night: Wednesday 1 April 2009 5-8pm Mon to Fri 10am - 5.30pm | Sun 2pm - 5pm www.hillsmithgallery.com.au hsg@hillsmithgallery.com.au 113 Pirie St, Adelaide | 08 8223 6558 Fish Plate and Jugs, oil on linen, 76 Mulukya Ken,Walka – tjina (footprints), Acrylic on Canvas, 36x48”, 2009 Image: Matilda Bailey, The Cubby House, 2008. Wood, glue, nails and photographs.