The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

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As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

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Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Learn & Explore Tip of the Day

March 31, 2015

Scrapbooking is a fun way to remember special events. There are various digital scrapbooking options in addition to traditional scrapbooking; but it all comes down to creating a special memory out of your photographs, complete with captions and descriptions of your experiences.

When composing a sports picture, leave some room for the action. For instance, if a runner is going left to right, leave more room on the right side of the frame for him/her to run into. This will make a big difference on the impact of the image.

Try using a preset or custom white balance in a stadium or indoor arena. Because light often is different at indoor venues, the best way to get optimal color is to create a unique white balance, which is what the preset does. Cameras vary in how to accomplish that so check your manual.

A panorama can help you capture the breadth of a great vista. With a COOLPIX camera, try the panorama scene mode or panorama assist mode. Check your camera’s manual to see which mode your specific camera has. This will help you with overlap as you shoot your sequence of images.

Don’t let telephone poles or trees sprout out of your subject’s head. Check the background carefully. Look over your subject’s shoulder to see whether any poles, trees or even cars are in the background. Sometimes simply moving a step to the left or right a few feet can make your picture much better.

Did you know that the Nikon 1 line of cameras bodies can use many of your f/mount DSLR lenses? Using the FT-1 Mount Adapter, you can use many of your legacy lenses on a Nikon 1. This is great if you have a favorite macro lens or super telephoto.

Photographing cats or dogs with a flash can cause green/yellow eyes, which are similar to the red-eye seen in humans. To avoid this, use some of the same techniques you use to avoid red-eye, such as bouncing a Speedlight or increasing the light in the room you’re shooting in.

Always bring out your camera when family or friends gather together. Even if it is not a big holiday celebration. You never know when the kids will do something cute that you’ll want to capture and if you’re busy searching for the camera you may miss the moment.

A great way to remember your trips or special events is by making a photo book. There are many websites that allow you to upload your images and easily design a photo book, complete with captions, as well as photo labs, and at the photo department of larger stores. It's a fun way to share your photographic experiences with friends.

If you’re going out with the intention of photographing a specific type of animal, do a little quick research before you head out. Knowing their habits can give you an edge when it comes to getting great photographs.

If you’re using a GPS-enabled COOLPIX digital camera and are on vacation and not sure where to go next, check out the POI (Points of Interest) feature which will let you know of landmarks that are nearby to your location.

To get the starburst effect you often see in photos, use the smallest aperture possible on your camera (this is usually f/16 or f/22) and shoot towards the sun. Shooting towards the sun will cause you to see flare in an image sometimes but this can add interest to your image. Shoot a bunch of frames—capturing the starburst with and without flare.

If you’re taking really important photos that you won’t be able to recreate, bracket your exposures to ensure the photos look great. Most Nikon digital cameras have an exposure-bracketing mode that you can set. It is faster if you let the camera do the bracketing, instead of you having to snap a photo, change the exposure, snap another frame, change it again, and snap a new frame.

When shooting video of an event, add interviews for a unique viewpoint. Shooting a birthday party—talk to the birthday boy or girl; shooting your kids sport—interview them or the coach—at a wedding—ask the bride and groom to comment.

When shooting food, simple compositions are always better. Zoom into the dish so you don’t capture the table, or zoom tighter so you don’t even see the plate. If you’re taking a shot of your meal at a restaurant, move some of the cutlery or glassware out of the frame for a better shot. It will only take you a moment to do so.

Protect your DSLR lenses. Get a good UV, Skylight or Neutral Clear filter for the front of every lens. This will help protect the expensive front piece of glass in your lens. When you get in dirty or rainy conditions, you'll be wiping the filter clear instead of risking the front element.

When shooting a portrait of a person, even if it's a quick shot, don’t place them against a wall, even if they place themselves there. Its natural for people to back up against a wall for a picture, but that usually isn’t the most flattering way to shoot a portrait. Unless you specifically want to shoot right against a wall for creative reasons, politely ask them to take a few steps forward or follow you to where you want to place them in a scene.

When shooting in bright sand or snow, experiment with the exposure compensation settings (the +/- button) on your camera. Set it for +1 to make the image brighter, which often will make sand or snow look better.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Stunning architectural shots

Perspective control and a wide-angle view

Nikon’s high performance perspective control lenses let you quickly adjust the focal plane of the lens—independent of your camera position—to bring an entire landscape into sharp focus, to alter the natural depth-of-field of a scene, to selectively focus on certain subjects, to offset perspective anomolies in architectural shooting and more. The PC-E NIKKOR 24mm f/3.5D ED combines that control and a versatilve wide-angle perspective.

Outstanding image quality

Nikon technology for superb performance

Like all NIKKOR lenses, the PC-E NIKKOR 24mm f/3.5D ED produces truly superior images. Three Extra-low Dispersion (ED) glass elements ensure outstanding sharpness and color reproduction. Nano Crystal Coat (N) virtually eliminates the ghosting and flare often seen in lesser wide-angle lenses, while Aspherical lenses (AS) greatly reduce coma and other types of aberration. And since it’s a Nikon, you can expect the highest standard of lens design and durabliity for years of consistent performance.

Experience It

Sample Photography

Lens Feature Icons

Lens Simulator

Lens Construction

MTF Curves

Nano Crystal Coat

An anti-reflective coating developed by Nikon that virtually eliminates internal lens element reflections across a wide range of wavelengths.

ED (Extra-Low Dispersion) Glass

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

AS

AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.

Rear Focusing System

A system in which only the rear lens group moves during focusing, thus eliminating changes in the physical length of the lens during focusing and enabling faster focusing. Such lenses are designated with RF on the lens barrel.

An outstanding lens in every way.
I've owned the 85 PC Micro for several years and have used it in a variety of settings. I recently acquired the 24 PC and it is a stellar performer. Having used 4 X 5 view cameras for almost thirty years it is a pleasure to have similar movements and yet to get instant feedback. I use the lens on both a D700 and a D300S. The lens is sharp with high contrast and the close focus distance enables some unusual landscapes.
June 29, 2011

Clear, Colorful & Enjoyable
How many times have you purchased a lens and had second thoughts? It has taken me a few years to finally convince myself to buy the Nikon 24mm PC-E. I am very happy with the lens. Using a D700 I read that the lens when rotated will strike the camera body - which it does. However, I just rotate the lens the other direction, placing the larger knob underneath if I need to shift up.
Technically this is a fantastic lens and when coupled with a D700 or D3/x your aperture readout is automatic.
This is a manual focus lens and requires you to start in the "Default" position to acquire your meter reading before shifting or tilting - It takes just a little practice (retraining yourself). I catch myself having to reset the lens to default sometimes because I forget to get the meter reading first. For those who visit and use your manual settings of your camera you can almost guess the shutter/aperture after seeing the results in your display if you forget; but it is best to get the reading before you do the tilt or shift the lens for your base and go from that. This is a very fun and useful lens, I now realize why it is so sought after by those who shoot landscapes and architect. Level your camera, and shift the lens up (not your camera) to include more sky or down to include more ground, no more tilting your camera and seeing weird converging lines with trees or buildings that fall back from the center. You can also swing the lens left or right to create effects blurring the edges while keeping the center in sharp focus + you can rotate the lens in increments which causes the shift and swing to rotate as well, creating some amazing effects.
The lens takes a couple of days to get used to so I spent the entire weekend with this attached to my camera trying to fully explore the new jewel. I mostly do nature photography and have thus far enjoyed the clear, crisp and colorful photos this lens has captured.
Some small quirks; The tensioning knobs are kind of small with the shift tensioner requiring more force to lock down the lens once set. The lens does not work "perfectly" with a D700 but I knew that and it just a matter of rotating the lens in the other direction.
Pros: Built to Nikon Standards - Solid through and through. Sharp and contrasty. Fairly easy to use - takes a few days to train yourself. Great Results with pleasing images.
May 29, 2011

architectural fun!
I bought this lens to work on a documentary and architecture project. With it, I've discovered a new way to shoot, showing off the greatness of spaces surrounding me or the subjects.
Lately, I've been using it to also shoot objects close up. The shapness is amazing!
April 15, 2011

Slick lens
I am always happy with the way this lens renders a subject. My only grief is that Nikon doesn't offer the 14mm in a PC lens or I'd buy it too. This lens is contrasty and sharp with great color. It's fun to use and gives great results.
April 15, 2011

Like a Medical Device
This is a great lens and so sharp and accurate it's a dream come true. We waited for this lens and it lived up to all expectations..
April 14, 2011

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I see the question has been asked about the D7000, but i need to know if this lens can reach the full extension of its movements AFTER it the tilt and shift have been switched parallel, anyone know?

Thank you in advance.

1 year, 9 months ago

by

Anonymous

1 answer

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-1point

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Don't own this lens but a quick Internet search states the D600 like the D800 have more built in flash clearance and full lens operation is possible after rotating the lens 180 degrees. Several websites and blogs confirm this.

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I have a d5000 and I will be doing some architectural/landscape photography. I am looking for a wide angle tilt/shift lens.

1 year, 8 months ago

by

shaz

canada

Location :

canada

Role: Semi-professional photographer

1 answer

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How weatherproof is this lens as compared to other professional quality Nikkor lenses, (such as the 24mm f1.4) Or does it's design preclude good sealing?

1 year, 4 months ago

by

Bulgas

Richmond, VA, USA

Location :

Richmond, VA, USA

Age: 45-54

Favorite Subject: Sports

Nikon Family: 2-5 years

Experience: Less than a month

Role: Professional photographer

1 answer

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All PC-E NIKKOR lens with Perspective Control capability incorporate a special tilt/shift mechanism. The shift mechanism enables the lens to be moved parallel to the image plane, so that subjects such as a tall building can be captured faithfully, without the upper part appearing to tilt backward and become thinner. The tilt mechanism changes the orthogonal relationship between the optical axis of the lens and the image plane, allowing you to control the focused area. In landscape photography, you can achieve a focus throughout the entire subject plane from near to distant. You can also achieve focus on a specific part of the subject for emphasis. In actual shooting situations, the shift and tilt mechanisms are used together to adjust perspective, distortion of the subject, and focus area.

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I'm thinking about buying this lens, but when I borrowed my friends I found that the rectangular housing hits on the underside of the flash when I'm trying to mount it. Is there a way to mount this lens on the D90? Thanks

3 years, 4 months ago by

by

Anonymous

1 answer

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