Monthly Archives: September 2010

Instructors of the association “Zornhau – historical art of fencing” perform a demonstration of longsword-techniques, based on the old european martial arts of medieval masters like Liechtenauer, Ringeck, Talhoffer, Von Danzig, De Liberi and some others.

Abschneiden – (“cutting aside”) – in the German systems of long-sword (langenschwert) and later huge two-handers (dopplehänder/bidenhänder) short drawing cuts known also as Schnitt (“slices”) called Rakes in English, used at closer distances against the opponent’s forearms and hands, they can be made with both the lead and the back edges
Absetzen – (“setting aside”) the principle of timed counter attack to deflect a thrust or parry a cut, the word was also used to signify a type of trapping move where the sword is hooked over the opponent’s and forced downwards, it can also mean a simple parry, generally followed by a thrust

Abwenden – to “ward off”, such as with a deflecting parrying action

Am Schwert – (“on the sword”) attacks made while maintaining constant pressure on the opposing blade, also known as the Winden (winding or turning)

Anbinden – The engaged position with weapons crossed in the German systems of long-sword and later the huge two-handers (dopplehänder/bidenhänder)

Back guard/stance – with the weapon held pointing down and diagonally backward (sometimes even called Mittelhut) by Medieval German masters, and a Tail guard by the Italians (or even Serpentino or Leopardo in armored fighting, spada in arme’, for which many techniques of swordplay are different)

Binden – “a bind” or trapping action by pressing blade upon blade (usually edge on edge at the ricasso)

Blossfechten – unarmored combat in the Fechtschulen as distinguished from light or unarmored fighting

Cuts – The German schools recognized three major forms of cut: Oberhau (over cuts) downward diagonal or vertical, Unterhau (under cuts) upward or rising, and Zwerchhau or Mittelhau, (cross cuts) horizontal right-to-left and horizontal left-to-right. Diagonal cuts were Zornhau and vertical were Scheitelhau. There were several names for various specific individual cuts to forearms, neck, or legs with the either the foreword or back edge, some of these were Schielhau (the “squinting cut”), Streithau (the “battle cut”), Vater Streich (the “father strike”), and a Scheitelhau (vertical “scalp cut”). Variations included others such as Krumphau (crooked cut), Schrankhut and Zornhau again (“rage cut”), draw cuts and slicing pulls were usually known as Schnitt. Italian masters recognized the eight basic cuts which were formalized in early renaissance systems : vertical down (Fendente), vertical up (Montante), horizontal (Tonda), plus diagonal descending (Squalembrato) and diagonal rising (Ridoppio) which could be made from the left (Roversi) or from the right (Mandritti)

Close guard/stance – apparently known as the Boar’s Tooth guard in the Italian styles, a transitional position similar to a Middle guard but with the knees lowered and the weapon pulled in low closer to the hip, used to parry attacks to the waist, hip, and grip as well as deliver a thrust

Drey Wunder – (the “three wonders”) as taught in the German schools of swordsmanship there were three principle actions, the thrust, the cut, and Schnitt (a slicing or drawing cut), they taught the thrust was used primarily at longer range, the cut at medium range, and the slice more at closer range

Durchwechseln – (“changing through”) the move of evading contact with the opponent’s blade as you strike (e.g., changing line of attack)

Durchführen – (“disengage under”) in close-combat leading your point under their sword to thrust at the opening on the other side.

En Garde – (“on guard”) French term first used in 1400’s to refer to simply a ready posture of both attack and defense with any sword or weapon.

English great-sword fighting – several terms on English methods survive from texts such as: Double Rowndes (a “molinello”), Rakes (draw cuts), Haukse and Halfe Haukes (strikes from the high guard, such as the Posta de falcone in Italian schools), the Cockstep (similar to the balestro in fencing), the Grete Steppe (a simple double step), and the Backsteppe (self-explanatory)

Fechtbuch – (“fight book” or “fencing book”) a German manual on fighting techniques and methods, particularly swordsmanship, (plural Fechtbuecher), among the more famous are those by the masters Johannes Liechtenauer’s of 1389 (by Hanko Doebringer), Sigmund Ringneck of c. 1440, Hans Talhoffer of 1443, Peter von Danzig of 1452, Paulus Kal of c.1460, Johannes Leckuechner (“Lebkomer”) of 1482, Peter Falkner of 1490, H. von Speyer of 1491, Joerg Wilhalm of 1523, Andre Pauerfeindts of 1516, and Gregor Erhart from the early 1500’s. Medieval Italian fighting manuals include those of Tarcirotti of c. 1400, Fiore dei Liberi from 1410, Boris Ferres of 1428, Fillipo Vadi of c. 1480, and Pietro Monte of 1509, and there is also the Spaniard Diego de Valera’s of c. 1490.

Fechtmeister – (“Fight Master”) a German Master of Defence or martial arts expert (Italian Meastro de’ Arme’ or Master of Arms)
Fechtschule – A German Medieval or Renaissance fencing school or public fighting exhibition and competition

Federfechter – a German Renaissance fighting guild which favored the rapier among other weapons

Filo – Italian for the edge of a blade

Flech – German for the flat of the blade

Fuehlen – Gauging of an opponent’s “feeling” or pressure.

The Four Openings – areas to aim at in combat, the first opening is the opponent’s right side, the second opening is their left side above the belt, the other openings are their right and left sides below the belt.

Foyne – “to thrust”, a term used from at least the 1400’s.

Gaukler – meaning “juggler” or “acrobat”, a derogatory term for those masters who taught flowery, ineffective forms of swordsmanship

Gioco stretto – (“Close Playing”) an Italian term for entering techniques used for fighting close-in at seizing and grappling range (in the later English systems of cut-and-thrust sword of the 1500’s, these were known as “gryps”). All are based essentially on a handful of key actions: reaching out to grab the opponent’s hilt or arm, striking with the pommel or guard, trapping their forearms with your second arm, slipping the blade against or between their forearms, using the second hand to hold the blade while binding/striking/slicing, and tripping and kicking. In the German schools close-in techniques for “wrestling at the sword” or Ringen Am Schwert, involved throws or grappling and disarming moves known as or Schwertnemen (“sword-taking”) there was also ground-fighting (Unterhalten, “holding down”)

Gleich Fechten – attacking at the same time as the opponent or In des Fechten (as opposed to Nach Reissen and Vor Fechten)

Guards/Wards/Stances – (Huten) for Medieval long-swords there are essentially 14 recognizable and effective fighting postures overall (called Leger or “position” in German and Guardia or Posta in Italian), of these five are major universal ones that correspond to High, Middle, Low, Hanging, and Back positions. In the later English systems of cut-and-thrust sword in the 1500’s, the Hanging guard was sometimes known as the Guardant (or Prima) ward, the high as Open ward, middle as Close ward (or Seconda), and low as the Variable ward, a side ward was sometimes Terza.

Halb Schwert – (“half-sword”) techniques of gripping the middle of the blade itself with the second hand (often by gloves or armored gauntlets). Also called Halt-Schwert, they allow a wide range of offensive and defensive striking and deflecting actions as well as thrusts, Italian schools might have called them Mezza Spada (“middle sword”) or possibly even “false-point” blows.

Handarbeit – (“handwork”) also called Krieg or war, the phase of combat once swords have crossed and the distance has been closed, follows from Ambinden, both Schwertnemen and Abschneiden are often used here

Hanging guard/stance – “Hengen” (left or right) are important and very versatile long-sword postures (they are confused and misunderstood more than any other), called the Ochs (“ox”) stance in the German schools (for resemblance to the sloping horns of an ox), one variation places the blade over and behind the shoulder with the body turned more away,this form was known to the Italians as the Queen’s or Women’s guard (Posta di donna sovrana) –possibly because next to the Crown guard it is the most useful or it resembles the long hair of a woman down her back. The hanging is equivalent to the Guardant ward or Prima of later Renaissance swordplay.

Harnischfechten – Combat in plate armor or “harness fighting” in the Fechtschulen as distinguished from light or unarmored fighting, called Spada in arme’ in Italian

Hart und Weich (hard and soft) – the idea when ever contact is made of gauging the pressure the opponent places upon you blade (either strong or weak), oppose strength with weakness and weakness with strength to control and exploit.

High guard/stance – called a Falcon guard (Posta de falcone) by the Italians and known to the English as a Haukse Bill (as if “striking down like a bird or prey”), German schools usually referred to it as Vom Dach or Von Tag (“from the roof”) or even Oberhut (meaning “upper guard”), in some Italian schools there was also a more defensive high vertical position known as a Guardia Alta

In Des Fechten – attacking in the middle of the adversary’s own attack, one of the three ways of overcoming an opponent’s attack along with Gleich Fechten and Nachreissen

Inside guard/stance – called Finestra (“Window guard”) by some Italian masters, one possible German term for it was apparently Hangentorte (“hanging point”) and possibly even Wechsel (meaning “change”), a position with the blade horizontal pointing forward and the hilt pulled in close, used for warding, thrusting and parrying (other similar postures include the Archer and Serpetino guards.

Kampfplatz – (“Kampfring”) an enclosed area where judicial duels and some foot challenges took place, it was an open made up of a square wooden barrier or “ring”, called the “Champ Clos” in French
Klopffechter – (“clown-fighters”) itinerant, crude fighting swordsmen performers during the later 1500s and 1600s in Germany, not considered a true Fechtmeister
Kron – (“crown”) One German name for the Middle guard, called Corona in Italian, also a type of Halb Schwert (half-sword) parry against a vertical downwards cut with the sword held point forward over the head

Kunst des Fechtens – the German Medieval (and Renaissance) art of fighting, consisting primarily of the arts of the langenschwert or long-sword, the messer (a sort of falchion), and Ringkunst or Ringen (wrestling).Unarmored combat was known as Blossfechten. Combat in plate armor was known as Harnischfechten (or “harness fighting”). Fighting on foot was also distinguished from Rossfechten, or mounted combat. Similar distinctions appear to have been made in Italy and elsewhere in Europe

Kurze Schneide – (“short edge”) back or “false” edge of the sword, opposite of the Long edge (Lange or “true” edge)

Lange Schneide – (“long edge”) forward or true edge of the sword, opposite of the Short edge (back or “false” edge)

Leger – “position” in German, referring to a fighting posture or guard

Leichmeister – (“dance-master”) a derogatory term used by the German master Doebringer of 1389, for those instructors who taught flashy but impractical fighting techniques

Long guard/stance – Posta Longa in Italian, a limited defensive thrusting position with the blade horizontal and arms extended straight forward more, ideal for warding and making stabbing attacks or stop-thrusts, German schools called it Langortt or Langer Ort, meaning “long point”

Low guard/stance – called Alber, the “Fool’s guard” In the Germans schools (apparently since it was thought foolish to rely only on defense), depending on placement of the blade, to the Italian’s this was known as the Iron Door (Porta di ferro piana terrena) –either half, right or middle, or when on the left it may have been also known as a Boar’s Tooth guard (in the sense of thrusting up), German schools also sometimes called it Eiserne Pforte (“iron gate”) or Iron Door (Die yszni Port)

Luxbrueder (Company of St. Luke) – another major Medieval German fighting guilds, similar to later English schools of defence, they were headed by four adepts and a captain

Marxbrüder – (Brotherhood of St. Mark) a successful group of masters who at one time organized and regulated the teaching of the fighting arts and the licensing of new masters from the city of Frankfurt, they lasted well into the Renaissance

Middle guard/stance – Mittlehut, called Corona (crown) in Italian since it was the foundation of all other stances, and Pflug (“plow”) in the German schools for its resemblance to the position of plowing behind a yoke, the blade is held centered out from the lower abdomen at a 45-degree angle aimed at the opponent’s chest, throat or face

Meisterhau – (“master cuts”) prized techniques described by the grand-master Liechtenauer in which the swordsman strikes in a manner so that his sword deflects the incoming blow while simultaneously hitting the opponent

Mittelhau – a horizontal left-to-right cross-cut

Mordschlag – (or Morteschlag, “death blow”) a type of rare Halb Schwert blow made by holding the sword blade itself with both hands and striking with the pommel or guard, used to slam a foe in heavy armor

Nach – the defensive or countering principle of fighting, opposite of Vor (“before”), Nach und Vor are two important concepts in the Fechtschulen

Nachreissen – (“traveling after”) attacking immediately after the adversary’s own attack, one of the three ways of overcoming an opponent’s attack (contrasted with Gleich Fechten or In Des Fechten and Vor Fechten)

Pressing-the-hands – a move to push your blade in against the opponent’s forearms or hands just as they lift to strike or just as they lower to strike, one form of this cut was called the Krumphau

Ringen Am Schwert – (“wrestling at the sword”), sometimes called Ringkunst, also involving Schwertnemen (“sword-taking”) close in disarming moves and grappling (ground-fighting or Unterhalten, “holding down”)

Rossfechten – Mounted combat in the Fechtschulen as distinguished from fighting on foot (Blossfechten) or strictly heavy armored combat (Harnischefechten)

Rota – a countering technique described by Filippo Vadi (c. 1480) wherein the back edge is quickly raised to smack or deflect an opposing blade prior to an immediate descending cut with the forward edge

Rownde /Double Rownde – an English term which likely refers to the molinello/molinet “windmill” change-in-line attack of striking by bringing the weapon first down and back and then up high, once for “ye single rouwde” or twice for a “ye double”, the action generates power while being deceptive

Schielhau – a sideways cut with the back or short edge (Kurze Schneide) of the blade, delivered with only one eye on your opponent (perhaps also called the “squinting cut”)

Schwech – (weak) German masters divided the long-sword into two portions, the weaker section of blade from middle to point was known as Schwech (or Schwäche), used for most thrusting and slicing (equivalent to the Foible of later renaissance fencing), opposite of Stark

Schwertnemen – (“Sword taking”) close-in disarming or trapping actions, called Gioco Stretto (Close Playing) in Italian, very useful and effective moves in long-sword fighting, called Grypes and Seizures in some later Renaissance styles
Short guard/stance – Posta Breve in Italian, a limited “entering” or close-range posture with the blade held more vertical, the hilt pulled in low and the knees bent more, it is used for both parrying and preparing to slice, thrust, or bind

The “Spring” – (Das gayszlen) throwing a cut from one hand to increase its range by clutching the pommel with the second hand

Stark – (strong) German masters referred to the long-sword in two portions, the strong section of blade from middle to hilt was known as Stark, used for most parrying and cutting (equivalent to the Forte of later renaissance fencing), opposite of Schwech

Stuck und Bruch – (“technique and counter”) the idea that every technique has a counter and every counter has a technique, two major components of the German systems of swordsmanship

Throwing-the-point – A German technique of turning a false cutting blow into a sudden straight thrust
Ueberlauffen – (overrunning) the concept of timed counter-attack by outreaching the adversary just as they attack, you move into or out of their action and strike their closer targets exposed by their own attack

Unterhalten – sometimes known as “holding down”, ground-fighting techniques wresting or grappling moves included in the curriculum of the German systems of fighting, entering techniques involving stepping in to trap the opponent’s forearms or grip with you second hand or arm (Handarbeit)
Unterhau – (under cuts) upward or rising strikes below the waist, either diagonal (Zornhau) or vertical (Scheitelhau)

Versatzung – (or Versetzen), literally displacement or to displace, a defensive action to put off an attack by a deflecting blow or counter strike as opposed to an opposition block, employed with evasive stepping (Versatzungen or the “displacements” are four of these cuts)

Von Fechten – attacking before, one of the three ways of overcoming an opponent’s attack

Vor – the offensive principle of fighting, aggressively taking the initiative, opposite of Nach
Vorfechter – a provost or advanced student in the Fechtschulen

“Was sehrt, das lehrt” – (“What hurts, teaches”) the idea in the Fechtschulen that pragmatic knowledge follows only from realistic instruction (i.e., no pain no gain)
Winden – (the “Winding” or turning), close binding actions to maintain pressure and dominate the opposing blade to get in and use either edge to slice (also allows you to close and seize)

Zornhau – a diagonal cut, delivered either Oberhau (above the waist) or Unterhau (below the waist)
Zornhut – (“guard of wrath” or “rage guard”) sparingly used vulnerable posture with the weapon pulled all the way point down behind the back, but which allows the most powerful blows

La Joyeuse is famous sword of Charlemagne, the first Emperor of Franks. Joyeuse was used as coronation sword of France. History of Joyeuse sword.

Joyeuse history

Sword of Charlemagne is the only one known to have served as the coronation sword of the Kings of France. Dubbed “La Joyeuse”, it was already celebrated in early medieval chansons de geste. It is possible that it was first used for the coronation of Philippe Auguste in 1179, but it is first mentioned at the coronation of Philippe III the Bold in 1271.

La Joyeuse Sword

Kept in the royal abbey of Saint-Denis, items of regalia were used during the coronation ceremonies of the Kings of France, which took place at Reims. In the first part of the celebration, the king received the insignia of knighthood, consisting of spurs and the sword. Throughout the rest of the ceremony, the sword was entrusted to the “Connétable”, who held it with the blade pointing upwards. The treasury of Saint-Denis possessed several medieval swords, but of these only the one in the Louvre seems to be the celebrated “Joyeuse”.

The coronation sword of the Kings of France entered the collections of the Louvre museum following the French Revolution, together with the other ceremonial items previously held in the treasury of the abbey of Saint-Denis. With some of the ornaments on the pommel dating as far back as the tenth and eleventh centuries, this sword is one of the oldest surviving examples of French regalia.

Xerxes movie will also be based on a graphic novel by Frank Miller. The film will tell the tale of Themistocles and the Battle of Artemisium, which was a naval victory which was arguably more important in the grand scheme than that of the film 300. But not as cool. Themistocles was the Athenian commander who used subterfuge to outthink his Persian foe. The movie will be made in a similar style as 300 so prepare for stunning battles!

Battle of Artemisium

The Battle of Artemisium was a series of naval engagements over three days during the second Persian invasion of Greece. The battle took place simultaneously with the more famous land battle at Thermopylae, in August or September 480 BC, off the coast of Euboea and was fought between an alliance of Greek city-states, including Sparta, Athens, Corinth and others, and the Persian Empire of Xerxes I.

Xerxes release date: 2011

I really enjoyd 300 movie fights but i must admit the movie was not historically accurate. 300 was more fantasy than history movie.

1066 is an upcoming UK movie about famous date in Brittish history-1066, Saxons, viking raids and Battle of Hastings. The movie is directed by Robin Jacod and filmed in Wales location.

1066 Movie Story
October 14th, 1066 is the most famous date in English history. It is the year of TWO invasions of England, and in which three huge and bloody pitched battles were fought. The feared Norse king Harald Hardraada (‘hard ruler’) led a veteran viking invasion army to northern England in mid-September, totally surprising the English- who were then waiting for William to invade on the south coast. Whilst King Harold Godwinson force-marched a hardened mounted/infantry army 190miles north from London to destroy this major and unexpected threat, Hardraada smashed another English army (under earls Edwin and Morcar) at GATE FULFORD, near York, September 20th. Five days later, at STAMFORD BRIDGE, Harold Godwinson in turn totally surprised Hardraada’s unsuspecting army, and in a ferocious set-piece battle, the English massacred so many of their foes that they were finally allowed to sail home in just “24 out of 300” longships. At this same time, Duke William of Normandy landed his huge invasion fleet on the south coast of England whilst King Harold celebrated his colossal victory at York. Speeding south 250 miles to engage William’s fresh and prepared army, Harold’s weary and depleted army dashed to Hastings, where on a cloudy Saturday morning, these two powerful and determined men faced each other in the Battle of Hastings.

Cuman cavalry was used mostly in Hungarian army, for example in Battle of Marchfeld 1278. Cumans (Kipchaks, Comani, Polovtsi) were originally nomadic people from Asia.

Charge of Teutonic Knights

French cavalry during 100 Years war

Elite French knights were terribly defeated in Battle of Crecy 1346 and Agincourt 1415 by English well organized but smaller army. English longbowmen were the decisive element.

Renaissance Cavalry in 16th century

Spanish cavalry of 16th century - Conquistadors

Mounted Spanish soldiers in plate mail, armed by pikes, rapiers and firearms caused a terrible defeates to Indian cultures in Latin America.

Cossacks

Cossacks were military people lived in Russia. They served to Russian empire against Swedes and Turks. Cossacks are also responsible for Russian expansion to Siberia. They fought for Russia in Napoleonic wars, 1ww. Cossacks were mostly of side of White corps during Russian civil war against bolsheviks. Numerous troops of Cossacks were part of Red army during ww2 however a few troops fought on German side in hope to beat communism. Cossacs are still part of Russian armed forces by Decree of president Putin 2005.

Cavalry in 17th century

30 Years War Cavalry-Swedes-1631

Swedish cavalry of 17th century during 30 Years war. Gustav II Adolf and his troops.

Polish Hussars in Battle of Vienna 1683

Polish Hussars were an elite Polish cavalry. Armed by famous Polish sabre – karabela, lance and firearms they defeated Turks, Russians and Swedes in numerous battles. Polish Hussaria lasted from 16th till 18th century. Victory in Battle of Viena saved Europe from Turkish invasion. Polish Winged Hussars were one of the most impressive cavalry units ever.

The Dark Tower is a book series written by Stephen King. Roland Deschain is the last living member of a knightly order known as gunslingers and the last of the line of “Arthur Eld”, his world’s analogue of King Arthur. Politically organized along the lines of a feudal society, it shares technological and social characteristics with the American Old West but is also magical. Many of the magical aspects have vanished from Mid-World, but traces remain as do relics from a technologically advanced society. Roland’s quest is to find the Dark Tower, a fabled building said to be the nexus of all universes. Roland’s world is said to have “moved on”, and it appears to be coming apart at the seams. Mighty nations have been torn apart by war, entire cities and regions vanish without a trace and time does not flow in an orderly fashion. Even the sun sometimes rises in the north and sets in the east. As the series opens, Roland’s motives, goals and age are unclear, though later installments shed light on these mysteries.

List of The Dark Tower books:

The Gunslinger (1982)
The Drawing of the Three (1987)
The Waste Lands (1991)
Wizard and Glass (1997)
Wolves of the Calla (2003)
Song of Susannah (2004)
The Dark Tower (2004)

BBC Merlin Season 3 has started on 11th September 2010. Morgana is back, Camelot in danger. BBC Merlin series, Merlin cast, episodes, air dates and info.

BBC Merlin Series

Merlin series

The early adventures of a young Merlin and his relationship with Prince Arthur set at Camelot in the mythical kingdom of Albion from a modern point of view. Lovely Merlin show suitable for entire family.

The Tears of Uther Pendragon
Merlin (Colin Morgan) discovers there is a traitor in Camelot after Uther (Anthony Head)
falls victim to a powerful spell that plagues him with visits from ghosts of his past.

The Tears of Uther Pendragon II
As Arthur (Bradley James) leads his men against King Cenred’s (Tom Ellis) forces, Merlin
(Colin Morgan) must stop the evil Morgana (Katie McGrath) from summoning a skeleton
army that would give the evil monarch an assured victory.

We extended our stock. Become a medieval lady, pirate captain, musketeer, Teutonic or Templar knight, medieval peasant or anyone you like to be with a new beautiful costumes and dresses from our store.