The memoir A Long Way Home by Saroo Brierley, first published in 2014, has officially changed its name to Lion. This may well be a metaphor for its author. Only a change in the name, but everything inside remains intact. From a child lost on the streets in Calcutta, India, to a man grown up in Hobart, Tasmania, Saroo remains who he is. He writes in his memoir: “I now have two families, not two identities. I am Saroo Brierley.”

Lion (previously titled A Long Way Home) the memoir by Saroo Brierley

5 year-old Saroo was lost in a Calcutta (now Kolkata) train station, almost a thousand miles away from his home in a small village, Ganesh Talai. With no language (a different dialect), not clear of the name of the place he calls home (mispronounced by him as “Ginestlay”) or even his own last name, Saroo is utterly alone and helpless. Living dangerously on the streets of Calcutta for some weeks, he was picked up and sent to a youth detention centre, which was only a tiny bit safer from the streets. Subsequently Saroo was sent to an orphanage, Nava Jeevan (“new life”), run by the benevolent Mrs. Sood. There she arranged for his adoption by a loving Australian couple, John and Sue Brierley.

That could have been the happy ending of a tumultuous experience for Saroo, as he grew up in calm and beautiful Hobart, Tasmania, well adjusted and dearly loved by his adoptive parents. But for twenty-five years, Saroo has not forgotten his first home. As he grew, he was all the more tormented by the memory of his birth mother, and the brothers and sisters who had shared the first five years of his life. An important message he has always wanted to convey to them is that he’s ok, and that they need not worry about him. For years he has been haunted by the thoughts that his mother and older brother Guddu must have been devastated with losing him without a trace, as it was Guddu who had left him alone on a bench at the train station near his home, telling him to stay put as Saroo was too sleepy to tag along on that fateful night.

With the help of Google Earth twenty years later, and vague memories of the physical features of his home surrounding, Saroo finally located his village and flew back to India to search for his mother. They reunited a few doors down from his old home, as his mother had persisted all these years to not move away but stay there to wait for him, hoping against hope that her son would come back to her. The photo inserts in the book add even more poignancy as we see the Brierleys meet Saroo’s birth mother Kamla in India.

Utterly moving, authentic, genuine and real. While Slumdog Millionaire may be entertaining and eye-opening for those of us who are not familiar with Indian’s millions of children living on the streets, Lion is a true portrayal of one lost child, determined to find his way back home twenty-five years later across the oceans.

**

Lion the Movie

Is the movie any good? For those who think it’s always the book that’s better, here’s my answer: Yes, very good. Premiered at TIFF16 last September, Lion has since garnered awards and nominations, including young Sunny Pawar, his debut performance as an actor. Kudos to all those involved in transporting this story from a personal memoir onto the big screen for international viewers. If not for the movie, even though it has been reported in India and Australia, I for one in North America would not have known about this real life miracle.

So, hats off to Australian director Garth Davis, screenwriter, the acclaimed Australian poet/writer Luke Davies, and the cast, Sunny Pawar as young Saroo, Dev Patel (Slumdog Millionaire, 2008) as the adult, Nicole Kidman and David Wenham the adoptive parents, Rooney Mara the girlfriend, and the cast of Saroo’s Indian family. They have delivered an authentic and moving real-life story.

Basically structured into three parts, the first focuses on five year-old Saroo, living in poverty but is loved by his mother and siblings. One night he pleads with his older brother Guddu to go with him to his night work, salvaging garbage left on trains. After reaching the closest station from his home village, Saroo is too tired, so he stays behind sleeping on a bench to wait for Guddu. He wakes up in the middle of the night to find himself all alone. He gets on one of the parked train to look for Guddu but falls asleep again in there. He wakes to his horror as he finds he is being transported in the speeding train further and further away from his home.

Cinematographer Greig Fraser (Zero Dark Thirty, 2012; Bright Star, 2009) uses his camera effectively showing some haunting images, a horrified 5 year-old, alone on a train speeding to the unknown. Throughout the film as well, he tells the story poignantly with his camera. Scores composed by Volker Bertelmann and Dustin O’Halloran add power in eliciting emotions, taking us closely with Saroo on his incredulous life journey.

Second part we see Saroo grown up in Australia, having a good relationship with his adopting parents but troubled nonetheless by his past. The frustration of having only vague memories of the physical features of the train station near his home makes it an impossible task to search for an unknown town in the vast land of India. Thanks to Google Earth and his unyielding perseverance, the adult Saroo was rewarded with a dream come true.

While the physical locales might be distant and vague, memories of his childhood experiences are lucid and close. In the second part, the director and screenwriter have deftly inserted Saroo’s memories of his childhood days in India, enriching the screen story of his intimate relationships with his family. These inclusions add to the texture and are placed aptly to enhance the continuity of the child and the man. Very effective.

I welcome the quiet and slower pace in Part Two, and appreciate Patel’s portrayal of inner turmoils. Kidman has done an amiable job as the adoptive mother trying to hold the family together, with two Indian boys, now grown men, both deeply troubled by their past in different ways. If Part One is about the outward dangers of a lost child, Part Two illustrates the internal turmoils one still wages into adulthood.

Part three is that triumphant and exhilarating reunion. How we want to see a happy ending by then. Although we know that is forthcoming, it is still exciting and gratifying to embrace the uplifting end. Lion is a story well told cinematically, and worth every minute of a viewer’s attention. Do wait till the very end before you leave the theatre, the photos at the closing credits make a beautiful wrap. And why the title Lion? That’s for you to find out.

Share this:

Like this:

Related

Post navigation

19 thoughts on “Lion: From Personal Memoir to the Big Screen”

What an incredible sounding book, film, and story. I don’t think I could find my way back to my 5 year old self. I’m tempted to go for the film rather than the book though, which is unusual for me. Thanks for letting me know about this.

My friend Katie said – “There’s this film I want to see called Lion…” and I only knew about it from reading your blog, so it’s a good thing I did that! We saw it this afternoon, and it was very good, bit of life in India, a bit of the emotional journey, and a bit of a mystery. We were both crying at the end of it!

I saw it on 60 mins when the movie first came out about a month ago. It had had its share of media coverage in Australia and India when it happened a few years before. 60 Minutes Australia covered it then. 😉 Hope you can see it in your city soon. Or maybe it’s showing now.

The book is nothing fancy, not something one reads for its literary value but totally worth it for its authenticity and genuine telling. Above all, it’s a true story. The movie is an excellent adaptation.

We saw this on NYE at a special preview screening, though I have not read the book. (My mum has, though, does that count – because the book was of course published and talked about here.) We enjoyed it. Agree with you re the acting of the young Saroo. Liked too how it was able to tell and heart-warming story without being schmaltzy. The whole story was told with a fair degree of restraint – letting a few select scenes convey the narrative (such as his youth in Hobart – they didn’t dwell). Luke Davies certainly adds quality to a movie.

Oops, I was about to give away why the title, until I saw your last sentence!

I’m glad you mention it. I was going to say something about this but forgot, and that it’s not sappy and sentimental. You know, my movie preference is that I usually stay away from the weepies; just not one for maudlin storytelling. But here, the director and the actors–including young Sunny Pawar–have not manipulated its viewers by dispensing tear-jerking effects. Restraints, yes, but also intelligent handling and delivery. I’m glad it’s getting the recognitions it deserves, all the noms are coming in, Golden Globes, SAG, BAFTA, PGA, and my prediction is, the Oscars. Just a few hours ago, the Directors Guild of America has given Garth Davis 2 noms for “Lion”, including one for a first feature debut. Can you believe that? This is his first feature film. As for Luke Davies, I hope he will get some recognition somewhere. I admit I haven’t heard of him until now. You may be very familiar with his work. When it comes to literary achievements, I think globalization is a most positive concept. 😉

Thanks Arti. Luke Davies is best known as a poet, but he has written a novel or two one of which, Candy, he wrote the screenplay for the movie (if I remember correctly). He won the Prime Minister’s Literary Award for Poetry around 4 years ago. I have a book of his poetry here, but it’s in the TBR!

Nice reviews on the book and the film. I watched the film, loved it. Also watched the 60 minutes segment, what an incredible, powerful, heart wrenching, heart warming story – just what we need with all the craziness going on. I wish the film will get wider release as it garners more rewards. Thanks for another informative and insightful post. I’m looking forward to reading the book

Yes, the film is getting many noms, including GG, SAG, PGA, BAFTA, and just today, Garth Davis just got two noms from the Directors Guild of America (DGA), one is for a debut feature. Yes, this is his first feature film! Impressive work. Thanks for stopping by the Pond and throwing in your two pebbles. That’s how I find respite, at the Pond here, staying far from the madding crowd. 😉

A bit late to the commenting party but definitely looking forward to this and just hoping it sticks around for another two or three weeks so I can see it. It sounds like the kind of movie I would particularly like and I really appreciate your description of both book and film, performances and cinematography.