Beauchamp is an American critic and educator, who has written extensively on science fiction. In the following essay, he examines the way in which technology is characterized in Asimov's robot novels and stories, including I, Robot.

In 1818 Mary Shelley gave the world Dr. Frankenstein and his monster, that composite image of scientific creator and his ungovernable creation that forms one central myth of the modern age: the hubris of the scientist playing God, the nemesis that follows on such blasphemy. Just over a century later, Karel Capek, in his play R.U.R., rehearsed the Frankenstein myth, but with a significant variation: the bungled attempt to create man gives way to the successful attempt to create robots; biology is superseded by...