Heatherwick Studio

Forensic Architecture has been crowned overall winner of the Beazley Designs of the Year 2018, with their exhibition “Counter Investigations.” The firm has undertaken sterling work in recent years, uncovering miscarriages of justice and international war crimes through architectural analysis of imagery, from official news, satellite footage, and crowdsourced information.

The spatial investigation group, based in Goldsmith University London, is currently nominated for the 2018 Turner Prize. The interdisciplinary group of architects, filmmakers, journalists, lawyers, and scientists have devoted their energy to investigating state and corporate violations worldwide.

Photographer Laurian Ghinitoiu has released new images of Heatherwick Studio’s Coal Drops Yard in London’s King's Cross. Unveiled to the public last month, the project includes two heritage rail buildings from the 1850s brought together as a new shopping district. The design extends the inner gabled roofs of Victorian coal drops to link the two viaducts together around shopping and public space.

Heatherwick Studio’s Coal Drops Yard in London’s King's Cross was unveiled today ahead of the new shopping districts public opening on Friday, October 26. The studio reinvented two heritage rail buildings from the 1850s as a new shopping district while opening up the site to the public for the first time. The design extends the inner gabled roofs of Victorian coal drops to link the two viaducts together around shopping and public space.

Heatherwick Studio’s Coal Drops Yard in London’s King's Cross is set to open on October 26, 2018. As a new major shopping district in King's Cross, the design brings new life to two heritage rail buildings from the 1850's. Now home to stores, restaurants and cafés, Coal Drops Yard sits just off Granary Square next to Regent's Canal and the refurbished Central St. Martins School. The pair of elongated Victorian coal drops are reimagined as a space for the public to make their own.

New images have been released of the $925million (£700million) redevelopment of west London’s Olympia Exhibition Centre, designed by Heatherwick Studio and SPPARC Architecture. The project will see an extensive renovation of the existing exhibition halls, and the addition of creative offices, studios, and co-working space.

The 130-year-old center will be transformed into a creative hub with 2.5 acres of public space, intended to “support ambitious enhancement to focus on creative industries, entrepreneurship, and new green space for community and visitors.”

The Zeitz Museum of Contemporary Art Africa—or Zeitz MOCAA for short—recently received first place in ArchDaily's Refurbishment in Architecture awards, with its striking design transforming a formerly derelict industrial building into an iconic landmark in South Africa’s oldest working harbor. Developed by the V&A Waterfront in Cape Town and designed by Heatherwick Studio, the mixed-use project is now “the world’s largest museum dedicated to contemporary art from Africa and its diaspora.” To celebrate the award, we sat down with group leader Matthew Cash to discuss the challenges faced during the project, its cultural importance to Africa, and the practice’s interest in refurbishment as a whole.

Not all architects get the opportunity to design a museum. Between budget, scale and factors external to the field of architecture, designing a museum--and actually getting it built-- may mark the pinnacle of one's professional trajectory.

These public buildings provide an invaluable service to the communities in which they are located; from education to commemoration and (occasionally) the provision of public space, museums are "shining lights" in which architecture plays a fundamental role.

The Terminal 5 building will accommodate 50 million passengers per year, giving Changi Airport a total capacity of 135 million by the late 2020s. The scheme is being developed within the context of a $1.2 billion expansion programme, which has seen the completion of a Terminal 4 building by Benoy, and a mixed-use “Jewel” biodome by Safdie Architects, pictured above, set to contain the world’s largest indoor waterfall.

With nearly 100,000 votes cast during the last two weeks, we are happy to present the winners of the 2018 ArchDaily Building of the Year Awards. This peer-based, crowdsourced architecture award showcases projects chosen by ArchDaily readers who filtered thousands of projects down to the 15 best works featured on ArchDaily in 2017.

https://www.archdaily.com/888634/winners-of-the-2018-building-of-the-year-awardsAD Editorial Team

The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.

Heatherwick Studio’s glimmering staircase monument, ‘Vessel,’ has topped out after eight months of construction at New York City’s Hudson Yards development. Consisting of 154 flights of stairs, 2,500 individual steps and 80 landings, the sculptural public space has now reached its full height of 150 feet, which will allow it to offer sweeping views of Manhattan’s west side when it opens in early 2019.

New technological developments in construction have given architects great freedom when designing. Innovations in construction materials and their properties allow for the creation of increasingly original and surprising facades. The buildings constructed as a result can even inspire people to travel thousands of kilometers just to see these masterpieces. This week, we present 15 of most ground-breaking facades through photos by prominent photographers such as Paul Ott, Peter Bennetts and Laurian Ghinitoiu.

Just one month after the Thomas Heatherwick-designed Pier 55 project in New York City was declared dead in the water, opposing parties seem to have come to an agreement that will allow the project to continue, thanks to the intervention of New York State Governor Andrew Cuomo.

Two large-scale US cultural projects have, this week, announced major updates relating to the renovation of existing buildings – and both involve, to a greater and lesser extent, American business magnate, media mogul, and philanthropist David Geffen.