But Our Life Depends on What's Real

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But Our Life Depends on What's Real

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William E. Jones

While the famous names of that journalistic common- place called the New German Cinema drew much from his films [...] Schroeter himself was left to one side, consigned to the role of visionary outcast realizing works often described as “high camp” in a tone that barely concealed a disdain for the queer non-conformist. He is a filmmaker with no place.