NYFF is over and the Oscar race continues. While not much as changed drastically (We're still waiting on something ANYTHING on "Phantom Thread" and "The Post") there have been a few minor adjustments in my predictions which I wanted to share with all of you.

Click below to find out where I think the race currently stands.

*The following are Michael Schwartz's predictions and do not reflect the thoughts of others at Next Best Picture*

BEST PICTURE

​We have come to a point where just about every Best Picture contender has been seen. The only outliers are Steven Spielberg’s “The Post” and Paul Thomas Anderson's "Phantom Thread." TIFF breakout hit “I, Tonya” is receiving more love as it plays at regional festivals. Perhaps it is more than simply an acting play. Think “Dallas Buyers Club," which ended up with a surprising six nominations. We know that the race has come down to about 15-20 films. The top contenders of those include...

BEST DIRECTOR

​Still hovering around the same names here. One interesting development is the inclusion of Martin McDonagh. Six of the last seven TIFF audience award winners went on to receive Best Director nominations. With “Three Billboards Outside Ebbing, Missouri” gaining some serious steam, it is time to take it seriously here.

BEST ACTOR

​Gary Oldman is still way out in front. He is ahead of the pack so much so that he is really the only “locked” contender here. We’re still waiting for Tom Hanks in “The Post”, but I'm feeling pretty good about James Franco in the meantime. His film “The Disaster Artist” seems to be a rousing audience hit that could make the industry take notice. As proven in “The Artist”, “Argo”, and “Birdman”, the Academy loves movies about actors and Hollywood. Gyllenhaal has dropped down for me due to "Stronger's" lack of box office and overall presence in the race (Plus, they have failed to nominate him many times before).

BEST ACTRESS

​Woody Allen’s “Wonder Wheel” did not make the splash many were expecting at NYFF. Put that on top of unfavorable talk surrounding Allen in the wake of the Harvey Weinstein scandal and things suddenly aren’t looking so great for Kate Winslet anymore. Still, her sheer presence may be enough for a nomination. It won’t be easy though. Margot Robbie of “I, Tonya” seems to be taking advantage of her film’s buzz. The Aussie actress has never been nominated despite very steady (And acclaimed) work since 2013’s ”The Wolf Of Wall Street”. Perhaps she makes the final cut. This is still a competitive race, but we are developing a better sense of who is out in front.

BEST SUPPORTING ACTOR

​Willem Dafoe really seems to be capitalizing on love for “The Florida Project”. Supporting Actor is a category that loves rewarding veterans, so he certainly has that factor working in his favor. However, they also love over the top villains, which gives a nice boost to Sam Rockwell, who continues to earn raves for his work in “Three Billboards Outside Ebbing, Missouri”. Rounding out the rest of the predicted nominees are Michael Shannon and ”Call Me By Your Name” co-stars Armie Hammer and Michael Stuhlbarg. Shannon has proven himself to be an Oscar favorite with surprise nominations in both 2008 and 2016. Hammer and Stuhlbarg certainly have the necessary reviews, but we haven’t seen co-stars nominated in the same category since Melissa Leo and Amy Adams in 2010. Finally, watch out for Dustin Hoffman here. I would be more willing to predict him had his film not been a Netflix release.

BEST SUPPORTING ACTRESS

Allison Janney and Laurie Metcalf (“Lady Bird”) are still out in front while the rest of the category remains at a standstill. Barring any last minute surprises from “The Post” or “Phantom Thread”, I think we have our five nominees.

BEST ADAPTED SCREENPLAY

​James Ivory might as well pick up his award now for “Call Me By Your Name” because this year’s adapted screenplay race is as thin as it’s ever been. In terms of nominations, I'm interested to see what happens with “Hostiles." The script was written a number of years ago by the late Donald E. Stewart, a former winner for “Missing." That would be interesting recognition. Other than that though, the lineup is incredibly lonely.

BEST ORIGINAL SCREENPLAY

​So much more excitement here in this screenplay category. In fact, it’s tough to narrow the contenders down to five. Between “Lady Bird” and “The Big Sick”, I'm afraid only one (If either) can make it in. It’ll be an uphill climb with traditional Oscar fare such as “Darkest Hour” hanging around too. If the film is a top tier Best Picture contender, do not discount it here.

​What are your thoughts on the race so far? Are your predictions far off from mine? What do you agree/disagree with? Please let us know in the comments below and be sure to check out the rest of the team's predictions below.