The design of this exquisite 100% silk shawl is inspired by the beautiful ceiling in The North Portico at Blenheim Palace which is painted with the eye of the Duchess of Marlborough (née Gladys Deacon). This captivating design in elegant midnight navy includes subtle grey detailing. This Italian silk shawl is the perfect luxurious gift for someone who loves stylish and eye-catching accessories.

This sensational piece, designed by Scully & Scully and exclusively ours, closes to look like an eight-drawer chest. Hand-assembled and handfinished in England of burr elm banded in burr yew and tulipwood, with solid brass hardware. The rich antique finish is so finely polished that it needs no further polishing for six months. The drop leaf has a gold-tooled leather top.

These joyful pillows were inspired by a 15th century painting made by Xia Kui of the Ming Dynasty, showing children playing traditional games in the garden. Printed on the front and back on silky cotton fabric. Fade resistant from exposure. Edges are knife edge finished and an invisible zipper enclosure is included at the bottom.

Royal Crown Derby is renowned for their rich heritage in producing exquisite tableware using the highest quality of materials. The Heritage collection is a platform to showcase the most luxurious and lavish of dinner service or afternoon tea offering in rich Red & Cream.

Two-way easels, beveled glass and leather backs. Famed for handmade jewelry and silver since the mid-18th century, Buccellati still produces in small workshops with skilled artisans considered to be the best in Italy.

In 1874, a Herend artist picked up his tools to try to mimic a Chinese plate's fish scale design and the illustrious fishnet pattern was born. Porcelain from Hungary, handmade and handpainted with 24k gold accents. Scarf always washed same color as fishnet. Antlers always gold.

The Galaxy bowl represents another successful collaboration between acclaimed Czech artist René Roubíček and the Moser factory. As with past works, it reflects his fascination with optical effects and geometry. With concentric circles of color layered upon a clear base, the Galaxy bowl is an aptly named piece.

The seashell bowl was an entry in the annual design competition for the Ludwig Moser Award (a competition to encourage young, creative talents from secondary and higher vocational glassmaking colleges and arts universities) and was an honorable mention in the category of secondary schools. Designed by Tereza Rusinová, the artist was inspired by the energy and motion of ocean waves.

The Sweet collection was designed by Studio Moser artistic director Lukáš Jabůrek who wanted to capture the bliss of tea on a lazy afternoon and the memory of a slice of sweet confection from a bundt cake pan.

The Fan vase was designed by Lotte Moser for the International Exposition of Decorative and Industrial Arts in Paris in 1925. The vase won great acclaim at the exhibition and contributed to the Moser Collection receiving a Gold Medal at the show. This vase was re-released from the Moser Archives in 2003.

Designed by artist Jakub Balhar after being inspired by his daughters and their rooms full of balls. He created the Ball vase to be a combination of playful children’s colors with the solemnity and elegance of the adult world.

Studio Moser's artistic director Lukas Jaburek shares his inspiration for creating the colorful shapes and sizes comprising the City collection: When you are at street level in a busy urban area, initially all the streets are rectangular, and all the buildings appear the same; however, upon closer inspection, each building actually has its own face and unique character. They are distinguished by their color, their inner core, which in turn influences the atmosphere of the entire city. One complements the other and if you keep this in mind, it heightens one’s appreciation of the beautiful silhouettes and panorama of the city.

The Galaxy vase represents another successful collaboration between acclaimed Czech artist René Roubíček and the Moser factory. As with past works, it reflects his fascination with optical effects and geometry. With concentric circles of color layered upon a clear base, the Galaxy vase is an aptly named piece.

The Lakeworld vase features the talents of Moster master engraver Roman Chalupka. The work captures the everyday life below a lake’s surface and above it where dragonflies flit and reeds rustle in the breeze. The gentle transition from a deep blue to a dark green gives the piece an unique atmosphere and spatiality.

Studio Moser artistic director Lukáš Jabůrek won the public prize of the Czech Grand Design 2012 competition for this dramatic piece which was inspired by a pear-shaped diamond. Bold, courageous panel cuts and vibrant colors combine to create a stunning vase.

The Planet Moser vase was an entry in the annual design competition for the Ludwig Moser Award (a competition to encourage young, creative talents from secondary and higher vocational glassmaking colleges and arts universities) and was an honorable mention in the category of universities. Designed by Martin Opl, the artist was inspired by the cosmos and the unlimited combination of beauty, colors and shapes.

The Sirael vase was designed by Vladimír Jelínek in 2015. The artist was inspired to capture an ethereal landscape of graceful shapes and soft, beckoning colors. The vase is alexandrite underplayed with green.

The name of this bowl stems from the optical effect of the opposing walls reflecting back alternating layers of color and white which appear to create multiple- if not quite 100- layers to this fascinating piece.

Studio Moser's artistic director Lukas Jaburek shares his inspiration for creating the colorful shapes and sizes comprising the City collection: When you are at street level in a busy urban area, initially all the streets are rectangular, and all the buildings appear the same; however, upon closer inspection, each building actually has its own face and unique character. They are distinguished by their color, their inner core, which in turn influences the atmosphere of the entire city. One complements the other and if you keep this in mind, it heightens one’s appreciation of the beautiful silhouettes and panorama of the city.

This Moser design was commissioned by King Edward VII and Queen Alexandra of England in 1907. Moser received a Royal Warrant as Purveyor of Glass to the British Monarch - a highly unusual honor for a non-British Supplier. The pattern is diamond cut by hand and rimmed in 24-karat gold. Following the king's death the design was released and subsequently purchased by the Royal House of Norway and the United Nations among many other royal courts and governments.

Created by Moser’s master engravers, this whimsical pattern called "Pebbles" evokes the look of both small stones and little chunks of ice. One of their most popular patterns, "Pebbles" features 9 brilliant color options to choose from. Also available is a boxed set of 6 assorted colors. Double Old Fashioned glasses measure 4"h. and have a 12 ½ oz. capacity.

The pattern is attributed to Rudolf Eschler and was first produced in 1934. "Ice bottom" is the name given to the square cut base to describe its rich proportions. Double Old Fashioned glasses are 4" h. and have a 7.3 oz. capacity.

The sharp groove of the cutter’s wheel has created a shimmering tower of endless mirrored reflections and yet the combination of dark and light colors immediately draws the viewer’s eyes to the dramatic depth of the center core. Designed by Lukáš Jaburek, head of Studio Moser, as part of Moser’s 2017 160th Anniversary collection.

Designed by Jirí Šuhájek, the artist was inspired to render each of the four elements as a unique work of art but combined together they harmoniously blend to reflect the foundation and root of all energy and life.

Designed by Czech artists Dagmar Pánková and Leoš Smejkal as part of their Studio Bystro Design collaboration, the Icelandic Volcano vase was inspired by the volcanoes found in Iceland where the ice encrusted landscape hides the hot, bubbling activity happening just below the surface.

With the Kolorit collection, Lukáš Jaburek, head of Studio Moser, has created a fascinating conversation piece in crystal. Taking inspiration from a walk through a forest, he designed the Kolorit collection in the shape of stylized leaves which, depending on the piece, reflect back the brilliant colors of a sunny autumnal excursion or his visit a few months later when melting winter snow created fleeting rivers of blue.

Part of Moser’s 2017 160th Anniversary collection. Designed by artist Michal Kožený who was inspired by the iconic work of Piet Mondrian. Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine.

During the dark days of the Czech winter, the master engravers at Moser yearned to escape through their handiwork and the result is this Paradise vase. The artists dreamt of African safaris, Caribbean vacations, escapes to the Far East and sunny afternoons in a flowery field.

Designed by Daniel Eltner for Moser, the shape of these vases was inspired by the mosaic tile pattern on the sidewalks of Copacabana beach in Rio de Janeiro. The colors reflect the effervescence and heat of the famous South American city.

The Simple vases were designed by Radek Brezar - winner of the 2014 Ludwig Moser Award. Their name is deliberately ironic in that their simple shape stands in stark contrast to the rich and precise cut of the white enamel.

Motivated by asymmetry, surprise and intense color variations, artist Milan Knížák has been working with design since the 1960s. His Softhard vases allude to the duality of a glassmaker’s craft from the liquid fluidity of the molten form to the rigid tension of the hardened surface.

The winning design of the 2015 “Ludwig Moser Award” which is aimed at encouraging and highlighting the talents of rising, young artists, the Stratis vases were designed by Jakub Mendel. The wedge cuts and the striking white enamel create a fluidity and movement to these pieces that makes them in danger of spinning right off the screen.

These vases reflect the pinnacle of the glassmaker’s skill since they include a complex combination of both an underlay and overlay technique which enhances the clear center leaving it nestled between reseda and amethyst. Designed by Sebastian Menschhorn for Moser’s 160th anniversary.

Designed by Slovak artist Patrick Illo, the Oeno (eee-no) pattern is named after the Greek goddess of wine who had the ability to turn anything into this highly coveted fermented beverage — a trait no doubt learned from her grandfather, the Greek god of wine Dionysus. Appropriately enough, the study of wine is called oenology but even non-serious students will appreciate the fine lines of this new Moser pattern.

A stunning product of the Art Nouveau movement, this pattern was designed in 1902. Originally called "Rose", its unique shape imitates a flower's calyx. The cut stem is six-sided and the bowl has six relief corners. The bowl is decorated with a copper-wheel engraved motif of a rose sprig. Under the rim and on the edge of the foot are gilded engravings of two intertwined stems with thorn and leaves.

A mesh pattern imparts a dramatic sparkle on the Bonbon collection thereby drawing comparisons to an exquisite jewel. Clearly Moser?s skill with cutting rivals the best that mother nature has to offer.

The cubist movement of the early twentieth century began as a revolt against the artistic ideals of previous years and featured deconstructed objects that were rejoined in abstract ways. Western Europe embraced cubism in paintings and sculpture but in Bohemia (now the Czech Republic) its grasp extended to architecture and the applied arts as well. No doubt a walk around modern-day Prague, with its many echoes of this movement, inspired Czech artist Rony Plesl to design the Cubism collection for Moser.

Designed in 1936 by Otto Tauschek, a graphic artist, painter and porcelain designer, Mozart embodies the refinements of the Rococo style and Classicism with its delicate bowl and pearl engraved rim. Also available in stemware sizes.

Part of Moser’s 2017 160th Anniversary collection, these pieces are archival reissues and are part of the Animor series originally designed by architect Rudolf Wels during the art deco period of the 1920s.