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4/30/2014

Nastassja. What a sexy and musical name. Kinski. Who could forget such a name? If you're a cinephile comme moi, that name is familiar. The name, Nastassja Kinski, is so unique to forget. Conversely, "Nastassja Kinski" is quite difficult to remember to pronounce, mainly because it's not an ordinary name. (I pronounce it as "nas-ta-sha.")Actually, it is pronounced as "nas-TAS-ya."

4/25/2014

There's a scene from Roman Polanski's Tess, a scene that would later be remade in subsequent screen adaptations of Thomas Hardy's novel; it is the one wherein Tess (Nastassja Kinski) is looking back as she walks away from the d'Urbervilles mansion.

4/21/2014

Old is the tale of two well-off guys who fall for a destitute girl. So what makes Roman Polanski's Tess any different from the rest? Aside from the fact that it is Polanski's only romantic film (so far), the novel — Thomas Hardy's Tess of the d’Urbervilles — on which the film is based on is one of the first to tell the tale of two well-off guys who fall for a destitute girl. (I think it would be more appropriate to say: the tale of a destitute girl who is pursued by two well-off guys.)

4/03/2014

I've always been a fan of surrealism — may it be paintings, poems, or films. There's just this enormous fascination with what's lurking in the great beyond. Predictability just doesn't sit well with me, just as tracing or merely copying a picture doesn't appeal to me as a drawing or a painting. Predictability is emptiness. Chaos is substance. You know what Banksy said, "Art should comfort the disturbed and disturb the comfortable."

Well, Atom Egoyan's Exotica sure disturbed me just as much as it comforted me. This somewhat Buñuelesque film is mostly set in the fictional Exotica, a Toronto strip club where various lives converge to make up a discombobulating tale of love, loss, and heartbreak.