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"If you are constantly ripping apart your pedalboard to rearrange it, the Line 6 M5 could provide you with some interesting options."
David Weiss, Delicious-Audio.com, September 2011 (Read the review)

"Line 6 has come up with a simple and user-friendly way to pack an entire road case of classic effects into a durable package at an affordable price."Gearwire.com, August 2010

"The M9 is a clever and compact multi-effect pedal that"
Scott Kahn, Musicplayers.com, July 2010 (Read the review)
"the M9 seems like the ideal candidate to sit along side a few well-chosen boutique effects.", "It's a brilliant compromise in terms of sounds, size and usability."
Daniel Hodgson, Guitar Buyer, February 2010 Download Review

"The Line 6 M9 is a tone tweaker’s delight—a well-built, affordable product that is just begging to be used live."
Jason Allwood, Guitar Edge, December 2009

"it offers what a lot of real-world players want from a collection of stompers , but without the endless cost, hassle or the four-foot pedalboard." "the M9 is a solid, impressive unit. Best of all, it sounds great too."
Simon Bradley, Guitarist, January 2010

"A must have for itinerant sonic explorers" (M9)Total Guitar, January 2010

"I can also trigger any of the Line 6 M13's expansive modeling effects by assigning a midi channel in the Ground Control. All of the M13’s effects can be had while only using one loop in the GCX."
"Front to Back with Brad Paisley's Rig" by Chad Weaver, Premier Guitar, November 2009 - Click here to read full article

"When it comes to guitar effects, [Hod] David would rather use pedals, amps and outboard gear rather than plug-ins. He often uses a Line 6 DL4 delay, which allows him to tap in the tempo and dial in sounds fast. He used the DL4 for the buttery smooth guitar on "Pretty Wings."
Kylee Swenson, EQ, September 2009

"Line 6 has led the modeling charge for many serious session guitarists, and their multi-effects floor processors have been rocking the stage for years. In an eye-catching culmination of rack-quality sounds and tactile control, the M13 Stompbox Modeler puts dozens of classic effects pedals underfoot..."
Dave Jones, Performing Songwriter, June 2009

"The there's the mind-boggling sonic palette that Zinner [Yeah Yeah Yeahs]is able to wrench from his main guitar…with the help of such exotic pedals as the Line 6's DL4 Delay Modeler and MM4 modulation Modeler..." (DL4 & MM4)
Bill Murphy, EQ, June 2009

"It's really hard to make a three-piece sound full, so using these Line 6 pedals makes a lot of difference. Matt Steinke who I call my 'guitar producer,' has set up all of my guitar stuff, including the DL4, which is the cornerstone of my guitar sound. The DM4 is the go-crazy pedal and the MM4 handles all our phaser and flanger presets." --Matt Skiba of Alkaline Trio (DL4, MM4 & DM4)
Interview by Lee Bains, Guitar World, February 2009

"The Line 6 M13 eliminates the hassles of using a pedal board loaded with classic stomp boxes while providing the same great sounds and adding versatile new functions such as looping." (M13 Stompbox Modeler)
Chris Gill, Guitar World, Holiday 2008

"The M13 Stompbox Modeler from Line 6 offers a seemingly endless number of sounds and functions intuitively designed and easy to use." (M13 Stompbox Modeler)
Bill Evans, Singer & Musician, Fall 2008

"Throughout ten club gigs, I always found the M13 to be a portable genius box that added to my tonal palette without damning me to programming pressures, sweating over multiple cables and connections, or otherwise making me crazy." (M13 Stompbox Modeler)
Michael Molenda, Guitar Player, February 2009

"4.5 Star Rating: If you are looking for a way to meld stompbox convenience and multi-effects control, check the Stompbox Modeler out post-haste." (M13 Stompbox Modeler)
Michael Ross, Premier Guitar, February 2009

"Line 6 has shown a knack for 'getting it right.' From the original Amp Farm and POD to their popular amp line and the DL4 delay modeler, the company has had a strong sense of what actual players might find exciting and useful. Their latest idea is the M13 Stompbox Modeler, a unit that combines the DL4 delay, MM4 modulation, DM4 distortion and FM4 filter modeler into one device, offering all of the effects in those four pedals, and more. Packed into a seemingly indestructible controller are over seventy-five stompbox effects." (M13 Stompbox Modeler)
Michael Ross, Premier Guitar, Feb 2009Read the review!

"Anyone familiar with the Line 6 Modeler series will know the score on the M13's sonic muscle. Every effect sounds good, and the limited, stompbox-style parameters still offer enough options for refining the basic tones to your taste. Throughout ten club gigs, I always found the M13 to be a portable genius box that added to my tonal palette without damning me to programming pressures, sweating over multiple cables and connections, or otherwise making me crazy." (M13 Stompbox Modeler)
Michael Molenda, Guitar Player, Jan 2009

"The Line 6 M13 eliminates the hassles of using a pedal board loaded with classic stomp boxes while providing the same great sounds and adding versatile new functions such as looping...considering that the M13 costs as much as one of the many desirable vintae pedals it emulates, it offers incredible bang for the buck." (M13 Stompbox Modeler)
Chris Gill, Guitar World, Dec 2008

"You can have up to four active effects and arrange them in any order...A 12-scene memory lets you instantly recall complete setups onstage. " (M13 Stompbox Modeler)Electronic Musician, Dec 2008

"The Line 6 M13 represents a new way to create new tones for your guitar, or for that matter any other mono or stereo signal source; it's intuitive, easy to use, sounds awesome, and is just plain fun--a lovely combination of digital cleanliness and recallability with stompbox flexibility and intuitive operation. Check it out!" (M13 Stompbox Modeler)
Mike Metlay w/Fernando Curiel, Recording Magazine, Nov 2008Read the review!

"'Tis the season to flex your musical muscles. So chuck those faux music gizmos guitar Heroes and Rock Band and pick up your old electric guitar and put it through some paces with the M13 Stompbox Modeler…Get in touch with your inner Raveonettes, Eno or Radiohead." (M13 Stompbox Modeler)Geek Monthly, Nov 2008

"The best Line 6 modeller effects in one box -- a guitarist's new must-have." (M13 Stompbox Modeler)
Robbie Stamp, Futuremusic, Oct 2008

"Not for the first time Line 6 leads the way with a great
sounding FX system centred around its well-known stompbox
modellers: the multistomp is born!" (M13 Stompbox Modeler)
Adrian Clark, Musicradar.com, Sept 2008Read the review!

"The M13 Stompbox Modeler from Line 6 offers a seemingly endless number of sounds and functions intuitively designed and easy to use." (M13 Stompbox Modeler)
Bill Evans, Singer & Musician, Fall 2008

"If you're tired of the same old processor sounds and trawling through complex menus to find them, take a look at this fun-filled purple box. Simple to use and built like a truck, it's brimming with saucy retro tones." (FM4)
Dominic Hilton, Guitar World, Jan 2002

"... it is genuinely useful in situations where you need access to a whole range of trademark guitar sounds without carting around lots of gear and different instruments...it's hard to believe you aren't playing a guitar with conventional pickups - and that, after all, is the whole point." (FM4)
Paul White, Sound on Sound, June 2003

Adam 12 (Powerman 5000) "There are so many different sounds in here. It's like, 'Whoa, what the hell is that?'" (FM4) Michael Molenda, Rumble, April/May 2001

"The Filter Modeler is powerful and pragmatic- not to mention wicked fun. It's one of the most potent filter pedals ever created." (FM4)
Joe Gore, Guitar Player, October 2001

"Line 6 has succeeded in creating two powerful devices that replicate not only classic stompbox sounds, but also the instant-gratification qualities that gutarists fins so endlessly attractive." (DL4 & MM4)
Art Thompson, Guitar Player, July 2000

"It's ludicrously phat and worth the price of admission in and of itself." or "For players who either can't decide what pedal to purchase or simply crave instant access to a wide variety of distortion and overdrive tones, it's impossible not to recommend the Line 6 DM4." (DM4)Guitar World, Feb 2001

"For players on a limited budget who need a compact, reliable box that delivers a stunning array of distortion flavors, the DM4 is brilliant." (DM4)
Art Thompson, Guitar Player, March 2001

"I'm sure the suspense is killing you by now- has the Line 6 crew finally made digital distortion palatable? Well, what can I say; the Regents of Replication, the Sultans of Simulation, the Masters of Modeling have done it again." (DM4)
Michael Ross, Guitar One, 2001

VIDEO REVIEWS

"I think the M9 is fantastic and I actually really want one now." See the full video here.
Rob Chappers, Sonicstate.com