Framing

Our frames are produced from the best quality wood, primarily
from Italy. Each is custom cut and assembled by hand to fit your art.
Hanging hardware included!

THIN GALLERY FRAME

This modern profile was designed for artists and photographers.
Narrow on the front and deep on the sides, our slim mouldings provide
a clean, sharp frame for your art, and allows all focus to be on your
gorgeous work.

3/4" wide; 1 1/8" deep

UV - PROTECTIVE ACRYLIC

Our acrylic is more expensive than glass, but we use it because it’s
clearer, far more impact resistant, and protects your art against UV rays.
Framing-grade acrylic has become a new standard in framing because of
its “clear” benefits.

THE FULL BLEED

Works are framed flush with the edge of your print without a mat.
Request border modifications and spacers, which keep the work from
touching the glass.

THE MAT

Adds a white core mat with a bevel cut opening to the edge of your
print. If your work has a signature or edition numbering, we will
automatically mat around it unless otherwise specified.

THE FLOAT

Floating a piece allows for a full view of the face and sides of the
artwork. Floating is recommended for original drawings and paintings
or any piece produced on specially trimmed paper.

Shipping

Shipping rates are calculated by the size of the package, and shipped via FedEx.
Please reach out to info@thetappancollective.com for any specific shipping and handling questions.

Orders ship within 10 business days.

Returns

We are dedicated to providing our collectors with accurate descriptions
and visuals of the artwork featured on our site. However, if you are displeased with your
acquisition please email us at info@thetappancollective.com. We’ll gladly offer you a store
credit within 10 days of receipt of the artwork. Custom framed pieces and originals will
have a 20% processing fee.

If your works arrive damaged, please ensure Tappan is notified
within 14 days of delivery.

Returns

We are dedicated to providing our collectors with accurate descriptions and visuals of the artwork featured on our site. However, if you are displeased with your acquisition please email us at info@thetappancollective.com. We’ll gladly offer you a store credit within 10 days of receipt of the artwork. Custom framed pieces and originals will have a 20% processing fee.

Sea Wall

Painting

Regular price
$ 12,000.00
SOLDSale

Size

94"x161" | Original Painting

Frame

Unframed

Mount

N/A

DESCRIPTION

Acrylic ink on muslin | 2016

*For works listed above“Seawall” was built just blocks from the Northern Pacific Ocean, the sculpture’s own sloped shape mimicking the slant from street to sea. Teschner carried cups of Pacific sea water into the studio and mixed them with pigment to create each individual panel of blue and gray that make up this gigantic work.

DIMENSIONS

94 x 161 inches

AUTHENTICITY

Signed by the artist.

SHIPPING

Work ships in 5-7 business days.

"Columns, stones, staircases and walls have become ways of addressing mathematics, the sciences and language—the precise yet shifting constructions of culture."

Teschner works with muslin fabric, paint and stitching to reconstruct forms that are analogous to our built environments.

About Gabrielle Teschner

Gabrielle Teschner is a visual artist based between Richmond, VA and San Francisco, CA. She works with muslin fabric, paint and stitching to reconstruct forms that are analogous to our built environments. Employing architectural components into her carefully crafted works, Teschner questions and explores the edifice of accumulated knowledge. Her textile works examine structural authority in the construction of and rigid ideology behind architectural icons. Teschner received her BFA in Sculpture from Virginia Commonwealth University and her MFA from California College of the Arts.

CV

“My formal aim is to disassemble the planes of common three-dimensional forms so that, when reassembled, their edges and lines form uncommon and irrational intersections. The process of cutting, painting and reconstructing material in my work echoes my conceptual interest in dismantling logic-structures in order to introduce new interpretations. My attraction to using fabric has to do with its portability and flexibility. Constructing forms from this material has natural limitations that I use to explore and reveal the concept of accumulating knowledge.” - Gabrielle Teschner