Chris Cornell

Chris Cornell is a modern icon that transcends genre. He was the chief architect of the 90s grunge movement and remains one of the most iconic rock voices of all time. Achieving multi-platinum success with three legendary bands - selling over 30 million records worldwide - he has forged his own unique identity over three decades as a multiple Grammy award winning, Golden Globe nominated singer, songwriter, guitarist, composer and lyricist.

His career began with Seattle trailblazers Soundgarden, whose wild soundscapes combined visceral punk attitude with artistic depth. Powerfully original, they were the first of their generation of Seattle bands to sign to a major label in 1989 and their work continued to evolve over the course of seven groundbreaking albums. Soundgarden made a historic return to the live stage in 2010 and have since toured the world, releasing the all-new studio album, KING ANIMAL, to widespread acclaim.

Cornell has continually redefined his sound and vision. In 1990, side project Temple of the Dog saw him experiment with a more soulful style alongside the future members of Pearl Jam. Later in the decade, his critically acclaimed solo album EUPHORIA MORNING combined lush melody and instrumentation with lyrics that spoke of alienation and despair. The album was reissued in 2015. As the Millennium turned, he joined with three other musical pioneers from Rage Against the Machine to create supergroup Audioslave. The multi-platinum band released three albums and toured stadiums around the world, becoming the first American rock group to perform a massive free concert in Castro's Cuba. Cornell has also collaborated with many different artists, most recently the Zac Brown Band on their single “Heavy Is The Head”, which peaked at #1 on rock radio in the US.

His soundtrack work has spanned both big budget and independent cinema. He was the first male American artist to write and perform the theme song for a James Bond movie (“You Know My Name” for Casino Royale). With Soundgarden, he wrote the end title song “Live To Rise” for The Avengers, the 3rd highest grossing film of all time. He duetted with Joy Williams on his song “Misery Chain” which appeared on the soundtrack of the Oscar-winning 12 Years A Slave andhis song “The Keeper” from Marc Forster’s Machine Gun Preacher was nominated for a Golden Globe in 2012.

Cornell’s recent solo acoustic ‘Songbook’ tour attracted sellout crowds and critical acclaim worldwide. Jim Farber of the New York Daily News observed, “sometimes you don't recognize the full power of a voice until you strip everything away from it.” The tour’s reinterpretations of classic Cornell songs are featured on his 2011 live album of the same name.

Cornell has also become involved in philanthropy, using music to support causes that help foster change. The Chris and Vicky Cornell Foundation is currently raising funds and partnering with charitable organizations to mobilize support for children facing problems including homelessness, poverty, abuse and neglect.

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Nearly a year-and-a-half after Chris Cornell's death, a career-spanning retrospective collection captured the breadth of his varied career as a solo artist and vocalist of Soundgarden, Audioslave, and Temple of the Dog. That massive vinyl box set was pared down into a tight greatest hits simply titled Chris Cornell. Arranged in chronological order as a highlight reel of his iconic career, this self-titled compilation offers a bittersweet reminder of just how much Cornell accomplished in roughly 30 years on the scene, from a '90s Seattle grunge icon to a fearless late-era singer/songwriter. Front-loaded with his mainstream alt-rock touchstones, Chris Cornell starts close to the beginning with "Loud Love" from Soundgarden's 1989 sophomore effort, Louder Than Love. While his signature vocal delivery was still in its nascent stage, hints of his inimitable howl can be heard percolating beneath the towering, metal-influenced attack of his bandmates. Yet once "Outshined" (from 1991's Badmotorfinger) kicks in, the power of Cornell's growls and wails are properly cemented. From here, it's a play-by-play of all of his major eras. Temple of the Dog's singular 1991 hit, "Hunger Strike," is paired with a soaring rendition of that band's "Call Me a Dog," which was recorded in 2011 for Cornell's live album, Songbook. Respectfully, the collection doesn't lean too much upon his time with Soundgarden: aside from 1994's Grammy-winning classic "Black Hole Sun" and 2012's swan song "Been Away Too Long," debut Ultramega OK and 1996's platinum-certified Down on the Upside are ignored. A pair of Audioslave's early-2000s alternative chart-toppers -- which have aged well in retrospect -- also appear, but the collection mostly sticks to his solo work. From his first solo song ("Seasons" from 1992's Singles soundtrack) to his very last recordings, these offerings are the true attractions on Chris Cornell. Additional soundtrack selections include his 2006 Bond theme, "You Know My Name," and the Grammy-nominated 2017 single from the film of the same name, "The Promise." Each of his albums is granted at least one inclusion, even 2009's oft-misunderstood collaboration with Timbaland, Scream, whose "Long Gone" is featured here as a "rock version" stripped of the hip-hop producer's signature sound. In addition to that deep cut, other highlights include a searing cover of Michael Jackson's "Billie Jean" (from 2007's Carry On); the folksy plucking of "Nearly Forgot My Broken Heart" (from his fourth and final solo album, 2015's Higher Truth); and a heartbreaking acoustic cover of "Nothing Compares 2 U," which delivers the biggest gut punch on the album. The grand finale, previously unreleased song "When Bad Does Good," is a mournful dirge wherein Cornell sings with a weary rasp, "Standing beside an open grave/Your fate decided, your life erased." It's an all-too-real end to the collection, both cathartic for mourners and an unfair taunt to those still processing this heavy loss. Chris Cornell is a reverential capstone that charts the tortured artist's highs and lows, providing an ideal first step for anyone wishing to dive deeper into the impressive catalog of one of rock's loudest and most emotive voices. ~ Neil Z. Yeung

Chris Cornell flew toward the sun with 2009's Scream but he got burned. The Timbaland-produced album marked a sudden shift toward electronic pop, a move that did not sit well with either critics or Cornell's audience, but he didn't react swiftly to the derision. He moved slowly, revisiting his catalog on 2011's Songbook and then reuniting with Soundgarden before releasing Higher Truth some six years after Scream. Hiring producer Brendan O'Brien, a fellow veteran of the grunge wars of the '90s, suggests Cornell is backpedaling from the chilly electro surfaces of his last solo album, but Higher Truth isn't quite a retreat. Cornell possess an easy, quiet confidence throughout this handsome, burnished record, an album that occasionally recalls the breaking twilight of Euphoria Mourning but feels warmer and looser than that 1999 solo debut. Despite the ornate accouterments of the opener "Nearly Forgot My Broken Heart" -- a pop single so stately it's almost Baroque -- Higher Truth isn't especially dramatic. O'Brien favors subtle shading over bombast, so even when the tracks are built up with pianos, strings, harmonies, and fuzz guitars, it feels intimate, almost acoustic. This illusion persists because there are a fair share of spare, delicate solo numbers here, interwoven among those bolder but still quiet pop tunes. While Higher Truth never seems as self-consciously confessional as Euphoria Mourning, this mellow simplicity is an attribute: a relaxed Cornell creates a comforting mood piece that's enveloping in its warmth. ~ Stephen Thomas Erlewine

After spending over a decade avoiding his past, Chris Cornell reconnected with it in a big way during 2010. First, he reunited with Soundgarden, their tour so successful it spilled over into a studio collaboration interrupted by Cornell launching an acoustic tour where he revisited his catalog, quite definitively tying his solo career and time with Audioslave to Soundgarden. Songbook is a live album culled from this tour and has Cornell sampling from all phases of his career, often spinning harder-rocking songs into moody reflective territory. Unlike his solo debut, Euphoria Morning, this never sounds solipsistic; Cornell is engaged, looking outward to the audience, giving subtly forceful performances that often rescue overlooked tunes -- including selections from his electronica makeover Scream -- and freshen up familiar songs, including covers of Led Zeppelin’s “Thank You” and John Lennon’s “Imagine.” He sounds at peace with his past and comfortable with his present, and that casual assurance makes Songbook his best solo offering to date. ~ Stephen Thomas Erlewine

Nearly a year-and-a-half after Chris Cornell's death, a career-spanning retrospective collection captured the breadth of his varied career as a solo artist and vocalist of Soundgarden, Audioslave, and Temple of the Dog. That massive vinyl box set was pared down into a tight greatest hits simply titled Chris Cornell. Arranged in chronological order as a highlight reel of his iconic career, this self-titled compilation offers a bittersweet reminder of just how much Cornell accomplished in roughly 30 years on the scene, from a '90s Seattle grunge icon to a fearless late-era singer/songwriter. Front-loaded with his mainstream alt-rock touchstones, Chris Cornell starts close to the beginning with "Loud Love" from Soundgarden's 1989 sophomore effort, Louder Than Love. While his signature vocal delivery was still in its nascent stage, hints of his inimitable howl can be heard percolating beneath the towering, metal-influenced attack of his bandmates. Yet once "Outshined" (from 1991's Badmotorfinger) kicks in, the power of Cornell's growls and wails are properly cemented. From here, it's a play-by-play of all of his major eras. Temple of the Dog's singular 1991 hit, "Hunger Strike," is paired with a soaring rendition of that band's "Call Me a Dog," which was recorded in 2011 for Cornell's live album, Songbook. Respectfully, the collection doesn't lean too much upon his time with Soundgarden: aside from 1994's Grammy-winning classic "Black Hole Sun" and 2012's swan song "Been Away Too Long," debut Ultramega OK and 1996's platinum-certified Down on the Upside are ignored. A pair of Audioslave's early-2000s alternative chart-toppers -- which have aged well in retrospect -- also appear, but the collection mostly sticks to his solo work. From his first solo song ("Seasons" from 1992's Singles soundtrack) to his very last recordings, these offerings are the true attractions on Chris Cornell. Additional soundtrack selections include his 2006 Bond theme, "You Know My Name," and the Grammy-nominated 2017 single from the film of the same name, "The Promise." Each of his albums is granted at least one inclusion, even 2009's oft-misunderstood collaboration with Timbaland, Scream, whose "Long Gone" is featured here as a "rock version" stripped of the hip-hop producer's signature sound. In addition to that deep cut, other highlights include a searing cover of Michael Jackson's "Billie Jean" (from 2007's Carry On); the folksy plucking of "Nearly Forgot My Broken Heart" (from his fourth and final solo album, 2015's Higher Truth); and a heartbreaking acoustic cover of "Nothing Compares 2 U," which delivers the biggest gut punch on the album. The grand finale, previously unreleased song "When Bad Does Good," is a mournful dirge wherein Cornell sings with a weary rasp, "Standing beside an open grave/Your fate decided, your life erased." It's an all-too-real end to the collection, both cathartic for mourners and an unfair taunt to those still processing this heavy loss. Chris Cornell is a reverential capstone that charts the tortured artist's highs and lows, providing an ideal first step for anyone wishing to dive deeper into the impressive catalog of one of rock's loudest and most emotive voices. ~ Neil Z. Yeung