What about it? The AF sensor is different (inferior by a good margin), unlikely that it can support f/8 AF. No cameras in the wild, no idea about clean HDMI out yet, could be added. The 6D should not have the AF point illumination in Servo 'issue' because it doesn't have the transmissive LCD, but rather the standard, etched focus screen like the 5DII.

I agree with you on the grading part, and definitely an iphone 4s requires much more effortto deliver anything usable. But "revenge of the great Zacuto shootout" shows very well that the camera is nothing without the talent driving it.

Sure, no piece of equipment is anything without the right talent. But for a big client of us for which he hire great shooters and DPs, we use a mix of Canon, 5D, 7D, C300, Sony F3, Red, Alexa, all in different teams, all at the same time in different locations, Ill keep the 5Ds for the B-Roll stuff, but will never take it for the talent delivering lines. Too much of a risk. That comes from Alexa or F3 recording out to a Samurai in 10 bits, which you end saying thanks after you get the stuff needing extreme grading for being totally overcast days...

For those wondering about the Uncompressed HDMI out and why it's important, in the most basic sense, the video files that the 5D creates are compressed .movs with a h264 codec, in a color space of 4:2:0, what this means is that you don't have much latitude to play around with colors or video levels in post (think of it as RAW vs. JPEG) H264's also aren't immediately ready to edit with (of course you can if you want to, but they really should be transcoded to a different codec such as Apple Pro Res before editing)

What the Uncompressed Output with HDMI allows with the aid of an external recorder (such as the Atomos Samurai) is to record in the Apple Pro Res HQ codec (perfect for editing straight away and the same format the $60,0000 Arri Alexa cinema camera records in (what they shoot Mad Men on)) in a color space of 4:2:2, which gives you more latitude to grade (grading is post processing video) with. Hopefully that makes a bit of sense, and makes it a bit clearer that this feature isn't really for the average consumer shooting a bit of video on their HDSLR, it's more for the Pro's / Enthusiasts who are looking for a bit more flexibility and convenience in post production.

It's great to get an HDMI output. But comparing it to an Alexa is going a bit too far... The Alexa can record RAW and 4:4:4 and also output HDSDI 10 bits. Of course you will probably get something beautiful and muuuuch better than today. But for sure wont rival the RED Epic and Alexa... We still have to see the quality of that HDMI output. Noise, etc. I get everyday people coming to our shop with prosumer cameras footage recorded in a Samurai thinking will be as good as a big camera just because is recorded in Prores... Ajjjjj... Grading that crap is so nasty...

Ah of course not, the Alexa is an amazing camera, I was just trying to put it in layman terms so to speak, that by using an external recorder you can record into an edit ready format that even some of the best cameras use. It by no means was meant to imply that you're going to get similar results to a $60k cine camera. Sorry for the confusion. Of course, DSLR footage is still just that, and can't come close to anything from the Red or Alexa.

It is fun though to have to grade and put in the same timeline side to side Alexa, Red, F3, 5D, 7D, Gopro... That is a day of my life... Thanks Lustre for exist !!! :-)

What about it? The AF sensor is different (inferior by a good margin), unlikely that it can support f/8 AF. No cameras in the wild, no idea about clean HDMI out yet, could be added. The 6D should not have the AF point illumination in Servo 'issue' because it doesn't have the transmissive LCD, but rather the standard, etched focus screen like the 5DII.

My question was only referring to the HDMI out. Do not care about the AF, I shoot landscape which usually holds still .

In principle it shouldn't be a problem for Canon to add it if they can at the 5DMIII

I'm expecting to have some of the most amazing photographic opportunities of my life in February. Does it really take that long to add a feature for the 5D III which already is figured out for the 1D series? I only care about the autofocus change.

Sure I get that - Just was interested if something leaked about it. D600 has it. Just saying.

If Magic Lantern was able to unlock it on the 5d3 *and* Ml will run on the 6d at all it is likely that they can port this feature, too - the cameras aren't that much different as far as the firmware goes, they all use functions of the digic cpu which is the same on all models.