Eight Bites

Carmen Maria Machado

As they put me to sleep, my mouth fills with the dust of the moon. I expect to choke on the silt but instead it slides in and out, and in and out, and I am, impossibly, breathing.

I have dreamt of inhaling underneath water and this is what it feels like: panic, and then acceptance, and then elation: I am going to die, I am not dying, I am doing a thing I never thought I could do.

Back on Earth, Dr. U is inside me. Her hands are in my torso, her fingers searching for something. She is loosening flesh from its casing, slipping around where she's been welcomed, talking to a nurse about her vacation to Chile. "We were going to fly to Antarctica," she says, "but it was too expensive."

"But the penguins," the nurse says.

"Next time," Dr. U responds.

Before this, it was January, a new year. I waded through two feet of snow on a silent street, and came to a shop where wind chimes hung silently on the other side of the glass, mermaid-shaped baubles and bits of driftwood and too-shiny seashells strung through with fishing line and unruffled by any wind.

The town was deep dead, a great distance from the late-season smattering of open shops that serve the day-trippers and the money-savers. Owners had fled to Boston or New York, or if they were lucky, further south. Businesses had shuttered for the season, leaving their wares in the windows like a tease. Underneath, a second town had opened up, familiar and alien at the same time. It's the same every year. Bars and restaurants made secret hours for locals, the rock-solid Cape Codders who've lived though dozens of winters. On any given night you could look up from your plate to see a round bundle stomp through the doorway; only when they peeled their outsides away could you see who was beneath. Even the ones you knew from the summer are more or less strangers in this perfunctory daylight; everyone was alone, even when they were with each other.

On this street, though, I might as well have been on another planet. The beach bunnies and art dealers would never see the town like this, I thought, when the streets are dark and liquid chill roils through the gaps and alleys. Silences and sound bumped up against each other but never intermingled; the jolly chaos of warm summer nights was as far away as it could be. It was hard to stop moving between doorways in this weather, but if you did you could hear life pricking the stillness: a rumble of voices from a local tavern, wind livening the buildings, sometimes even a muffled animal encounter in an alley: pleasure or fear, it was all the same noise.

Foxes wove through the streets at night. There was a white one among them, sleek and fast, and she looked like the ghost of the others.

I was not the first in my family to go through with it. My three sisters had gotten the procedure over the years, though they didn't say anything before showing up for a visit. Seeing them suddenly svelte after years of watching them grow organically, as I have, was like a palm to the nose; more painful than you'd expect. My first sister, well, I thought she was dying. Being sisters, I thought we all were dying, noosed by genetics. When confronted by my anxiety—"What disease is sawing off this branch of the family tree?" I asked, my voice crabwalking up an octave—my first sister confessed: a surgery.

Then, all of them, my sisters, a chorus of believers. Surgery. A surgery. As easy as when you broke your arm as a kid and had to get the pins in—maybe even easier. A band, a sleeve, a gut re-routed. Re-routed? But their stories—it melts away, it's just gone—were spring morning warm, when the sun makes the difference between happiness and shivering in a shadow.

When we went out, they ordered large meals and then said, "I couldn't possibly." They always said this, always, that decorous insistence that they couldn't possibly, but for once, they actually meant it—that bashful lie had been converted into truth vis-à-vis a medical procedure. They angled their forks and cut impossibly tiny portions of food—doll-sized cubes of watermelon, a slender stalk of peashoot, a corner of a sandwich as if they needed to feed a crowd loaves-and-fishes style with that single serving of chicken salad—and swallowed them like a great decadence.

"I feel so good," they all said. Whenever I talk to them, that was what always came out of their mouths, or really, it was a mouth, a single mouth that once ate and now just says, "I feel really, really good."

Who knows where we got it from, though—the bodies that needed the surgery. It didn't come from our mother, who always looked normal, not hearty or curvy or Rubenesque or Midwestern or voluptuous, just normal. She always said eight bites are all you need, to get the sense of what you are eating. Even though she never counted out loud, I could hear the eight bites as clearly as if a game show audience was counting backwards, raucous and triumphant, and after one she would set her fork down, even if there was food left on her plate. She didn't mess around, my mother. No pushing food in circles or pretending. Iron will, slender waistline. Eight bites let her compliment the hostess. Eight bites lined her stomach like insulation rolled into the walls of houses. I wished she was still alive, to see the women her daughters had become.

And then, one day, not too soon after my third sister sashayed out of my house with more spring in her step than I'd ever seen, I ate eight bites and then stopped. I set the fork down next to the plate, more roughly than I intended, and took a chip of ceramic off the rim in the process. I pressed my finger into the shard and carried it to the trashcan. I turned and looked back at my plate, which had been so full before and was full still, barely a dent in the raucous mass of pasta and greens.

I sat down again, picked up my fork and had eight more bites. Not much more, still barely a dent, but now twice as much as necessary. But the salad leaves were dripping vinegar and oil and the noodles had lemon and cracked pepper and everything was just so beautiful, and I was still hungry, and so I had eight more. After, I finished what was in the pot on the stove and I was so angry I began to cry.

I don't remember getting fat. I wasn't a fat child or teenager; photos of those young selves are not embarrassing, or if they are, they're embarrassing in the right ways. Look how young I am! Look at my weird fashion! Saddle shoes—who thought of those? Stirrup pants—are you joking? Squirrel barrettes? Look at those glasses, look at that face: mugging for the camera. Look at that expression, mugging for a future self who is holding those photos, sick with nostalgia. Even when I thought I was fat I wasn't; the teenager in those photos is very beautiful, in a wistful kind of way.

But then I had a baby. Then I had Cal—difficult, sharp-eyed Cal, who has never gotten me half as much as I have never gotten her—and suddenly everything was wrecked, like she was a heavy-metal rocker trashing a hotel room before departing. My stomach was the television set through the window. She was now a grown woman and so far away from me in every sense, but the evidence still clung to my body. It would never look right again.

As I stood over the empty pot, I was tired. I was tired of the skinny-minny women from church who cooed and touched each other's arms and told me I had beautiful skin, and having to rotate my hips sideways to move through rooms like crawling over someone at the movie theater. I was tired of flat, unforgiving dressing room lights; I was tired of looking into the mirror and grabbing the things that I hated and lifting them, claw-deep, and then letting them drop and everything aching. My sisters had gone somewhere else and left me behind, and as I always have, I wanted nothing more than to follow.

I could not make eight bites work for my body and so I would make my body work for eight bites.

Dr. U did twice-a-week consultations in an office a half an hour drive south on the Cape. I took a slow, circuitous route getting there. It had been snowing on and off for days, and the sleepy snowdrifts caught on every tree trunk and fencepost like blown-away laundry. I knew the way, because I'd driven past her office before—usually after a sister's departure—and so as I drove this time I daydreamed about buying clothes in the local boutiques, spending too much for a sundress taken off a mannequin, pulling it against my body in the afternoon sun as the mannequin stood, less lucky than I.

Then I was in her office, on her neutral carpet, and a receptionist was pushing open a door. The doctor was not what I expected. I suppose I had imagined that because of the depth of her convictions, as illustrated by her choice of profession, she should have been a slender woman: either someone with excessive self-control, or a sympathetic soul whose insides have also been rearranged to suit her vision of herself. But she was sweetly plump—why had I skipped over the phase where I was round and unthreatening as a panda, but still lovely? She smiled with all her teeth. What was she doing, sending me on this journey she herself had never taken?

She gestured, and I sat.

There were two Pomeranians running around her office. When they were separated—when one was curled up at Dr. U's feet and the other was decorously taking a shit in the hallway—they appeared identical but innocuous, but when one came near the other they were spooky, their heads twitching in sync, as if they were two halves of a whole. The doctor noticed the pile outside of the door and called for the receptionist. The door closed.

"I know what you're here for," she said, before I could open my mouth. "Have you researched bariatric surgery before?"

"Yes," I said. "I want the kind you can't reverse."

"I admire a woman of conviction," she said. She began pulling binders out of a drawer. "There are some procedures you'll have to go through. Visiting a psychiatrist, seeing another doctor, support groups—administrative nonsense, taking up a lot of time. But everything is going to change for you," she promised, shaking a finger at me with an accusing, loving smile. "It will hurt. It won't be easy. But when it's over, you're going to be the happiest woman alive."

My sisters arrived a few days before the surgery. They set themselves up in the house's many empty bedrooms, making up their side tables with lotions and crossword puzzles. I could hear them upstairs and they sounded like birds, distinct and luminously choral at the same time.

I told them I was going out for a final meal.

"We'll come with you," said my first sister.

"Keep you company," said my second sister.

"Be supportive," said my third sister.

"No," I said, "I'll go alone. I need to be alone."

I walked to my favorite restaurant, Salt. It hadn't always been Salt, though, in name or spirit. It was Linda's, for a while, and then Family Diner, then The Table. The building remains the same, but it is always new and always better than before.

I thought about people on death row and their final meals, as I sat at a corner table, and for the third time that week I worried about my moral compass, or lack thereof. They aren't the same, I reminded myself as I unfolded the napkin over my lap. Those things are not comparable. Their last meal comes before death, mine comes before not just life, but a new life. You are horrible, I thought, as I lifted the menu to my face, higher than it needed to be.

I ordered a cavalcade of oysters. Most of them had been cut the way they were supposed to be, and they slipped down as easily as water, like the ocean, like nothing at all, but one fought me: anchored to its shell, a stubborn hinge of flesh. It resisted. It was resistance incarnate. Oysters are alive, I realized. They are nothing but muscle, they have no brains or insides, strictly speaking, but they are alive nonetheless. If there were any justice in the world, this oyster would grab hold of my tongue and choke me dead.

I almost gagged, but then I swallowed.

My third sister sat down across the table from me. Her dark hair reminded me of my mother's; almost too shiny and homogenous to be real, though it was. She smiled kindly at me, like she was about to give me some bad news.

"Why are you here?" I asked her.

"You look troubled," she said. She held her hands in a way that showed off her red nails, which were so lacquered they had horizontal depth, like a rose trapped in glass. She tapped them against her cheekbones, scraping them down her face with the very lightest touch. I shuddered. Then she picked up my water and drank deeply of it, until the water had filtered through the ice and the ice was nothing more than a fragile lattice and then the whole construction slid against her face as she tipped the glass higher and she chewed the slivers that landed in her mouth.

"Don't waste that stomach space on water," she said, crunch crunch crunching. "Come on now. What are you eating?"

"Oysters," I said, even though she could see precarious pile of shells before me.

She nodded. "Are they good?" she asked.

"They are."

"Tell me about them."

"They are the sum of all healthy things: seawater and muscle and bone, I said. Mindless protein. They feel no pain, have no verifiable thoughts. Very few calories. An indulgence without being an indulgence. Do you want one?"

I didn't want her to be there, I wanted to tell her to leave, but her eyes were glittering like she had a fever. She ran her fingernail lovingly along an oyster shell. The whole pile shifted, doubling down on its own mass.

"No," she said. "Then, have you told Cal? About the procedure?"

I bit my lip. "No," I said. "Did you tell your daughter, before you got it?"

"I did. She was so excited for me. She sent me flowers."

"Cal will not be excited," I said. "There are many daughter duties Cal does not perform, and this will be one, too."

"Do you think she needs the surgery, too? Is that why?"

"I don't know, I said. I have never understood Cal's needs."

"Do you think it's because she will think badly of you?"

"I've also never understood her opinions," I said.

My sister nodded.

"She will not send me flowers," I concluded, even though this was probably not necessary.

I ordered a pile of hot truffle fries, which burned the roof of my mouth. It was only after the burn that I thought about how much I'd miss it all. I started to cry, and my sister put her hand over mine. I was jealous of the oysters. They never had to think about themselves.

At home, I called Cal, to tell her. My jaw was so tightly clenched, it popped when she answered the phone. On the other end I could hear another woman's voice, stopped short by a finger to the lips unseen; then a dog whined.

"Surgery?" she repeated.

"Yes," I said.

"Jesus Christ," she said.

"Don't swear," I told her, even though I was not a religious woman.

"What? That's not even a fucking swear," she yelled. "That was a fucking swear. And this. Jesus Christ is not a swear. It's a proper name. And if there's ever a time to swear, it's when your mom tells you she's getting half of one of her most important organs cut away for no reason—"

She was still talking, but it was growing into a yell. I shooed the words away like bees.

"—occur to you that you're never going to be able to eat like a normal human—"

"What is wrong with you?" I finally asked her.

"Mom, I just don't understand why you can't be happy with yourself. You've never been—"

She kept talking. I stared at the receiver. When did my child sour? I didn't remember the process, the top-down tumble from sweetness to curdled anger. She was furious constantly, she was all accusation. She had taken the moral high ground from me by force, time and time again. I had committed any number of sins: Why didn't I teach her about feminism? Why do I persist in not understanding anything? And this, this takes the cake, no, don't forgive the pun;, language is infused with food like everything else, or at least like everything else should be. She was so angry I was glad I couldn't read her mind. I knew her thoughts would break my heart.

The line went dead. She'd hung up on me. I set the phone on the receiver and realized my sisters were watching me from the doorway, looking near tears, one sympathetic, the other smug.

I turned away. Why didn't Cal understand? Her body was imperfect but it was also fresh, pliable. She could sidestep my mistakes. She could have the release of a new start. I had no self-control, but tomorrow I would relinquish control and everything would be right again.

The phone rang. Cal, calling back? But it was my niece. She was selling knife sets so she could go back to school and become a—well, I missed that part, but she would get paid just for telling me about the knives, so I let her walk me through, step-by-step, and I bought a cheese knife with a special cut-out center—"So the cheese doesn't stick to the blade, see?" she said.

In the operating room, I was open to the world. Not that kind of open, not yet, everything was still sealed up inside, but I was naked except for a faintly patterned cloth gown that didn't quite wrap around my body.

"Wait," I said. I laid my hand upon my hip and squeezed a little. I trembled, though I didn't know why. There was an IV and the IV would relax me; soon I would be very far away.

Dr. U stared at me over her mask. Gone was the sweetness from her office; her eyes looked transformed. Icy.

"Did you ever read that picture book about Ping the duck?" I asked her.

"No," she said.

"Ping the duck was always punished for being the last duck home. He'd get whacked across the back with a switch. He hated that. So he ran away. After he ran away he met some black fishing birds with metal bands around their necks. They caught fish for their masters but could not swallow the fish whole, because of the bands. When they brought fish back, they were rewarded with tiny pieces they could swallow. They were obedient, because they had to be. Ping, with no band, was always last and now was lost. I don't remember how it ends. It seems like a book you should read."

She adjusted her mask a little. "Don't make me cut out your tongue," she said.

"I'm ready," I told her.

The mask slipped over me and I was on the moon.

Afterwards, I sleep and sleep. It's been a long time since I've been so still. I stay on the couch because stairs, stairs are impossible. In the watery light of morning, dust motes drift through the air like plankton. I have never seen the living room so early. A new world.

I drink shaking sips of clear broth, brought to me by my first sister, who, silhouetted against the window, looks like a branch stripped bare by the wind. My second sister checks in on me every so often, opening the windows a crack despite the cold—to let some air in, she says softly. She does not say the house smells stale and like death but I can see it in her eyes as she fans the door open and shut and open and shut as patiently as a mother whose child has vomited. I can see her cheekbones, high and tight as cherries, and I smile at her as best I can.

My third sister observes me at night, sitting on a chair near the sofa, where she glances at me from above her book, her brows tightening and loosening with concern. She talks to her daughter—who loves her without judgment, I am sure—in the kitchen, so soft I can barely hear her, but then forgets herself and laughs loudly at some joke shared between them. I wonder if my niece has sold any more knives.

I am transformed but not yet, exactly. The transformation has begun—this pain, this excruciating pain, it is part of the process—and will not end until—well, I suppose I don't know when. Will I ever be done, transformed in the past tense, or will I always be transforming, better and better until I die?

Cal does not call. When she does I will remind her of my favorite memory of her: when I caught her with chemical depilatory in the bathroom in the wee hours of morning, creaming her little tan arms and legs and upper lip so the hair dissolved like snow. I will tell her, when she calls.

The shift, at first, is imperceptible, so small as to be a trick of the imagination. But then one day I button a pair of pants and they fall to my feet. I marvel at what is beneath. A pre-Cal body. A pre-me body. It is emerging, like the lie of snow withdrawing from the truth of the landscape. My sisters finally go home. They kiss me and tell me that I look beautiful.

I am finally well enough to walk along the beach. The weather has been so cold the water is thick with ice and the waves churn creamily, like soft serve. I take a photo and send it to Cal, but I know she won't respond.

At home, I cook a very small chicken breast and cut it into white cubes. I count the bites and when I reach eight I throw the rest of the food in the garbage. I stand over the can for a long while, breathing in the salt-pepper smell of chicken mixed in with coffee grounds and something older and closer to decay. I spray window cleaner into the garbage can so the food cannot be retrieved. I feel a little light but good; righteous, even. Before I would have been growling, climbing up the walls from want. Now I feel only slightly empty, and fully content.

That night, I wake up because something is standing over me, something small, and before I slide into being awake I think it's my daughter, up from a nightmare, or perhaps it's morning and I've overslept, except even as my hands exchange blanket-warmth for chilled air and it is so dark I remember my daughter is in her late twenties and lives in Portland with a roommate who is not really her roommate and she will not tell me and I don't know why.

But something is there, darkness blotting out darkness, a person-shaped outline. It sits on the bed, and I feel the weight, the mattress' springs creaking and pinging. Is it looking at me? Away from me? Does it look, at all?

And then there is nothing, and I sit up alone.

As I learn my new diet—my forever diet, the one that will only end when I do—something is moving in the house. At first I think it is mice, but it is larger, more autonomous. Mice in walls scurry and drop through unexpected holes, and you can hear them scrabbling in terror as they plummet behind your family portraits. But this thing occupies the hidden parts of the house with purpose, and if I drop my ear to the wallpaper it breathes audibly.

After a week of this, I try to talk to it.

"Whatever you are, I say, please come out. I want to see you."

Nothing. I am not sure whether I am feeling afraid or curious or both.

I call my sisters. "It might be my imagination," I explain, "but did you also hear something, after? In the house? A presence?"

"Yes," says my first sister. "My joy danced around my house, like a child, and I danced with her. We almost broke two vases that way!"

"Yes," says my second sister. "My inner beauty was set free and lay around in patches of sunlight like a cat, preening itself."

"Yes," says my third sister. "My former shame slunk from shadow to shadow, as it should have. It will go away, after a while. You won't even notice and then one day it'll be gone."

After I hang up with her, I try and take a grapefruit apart with my hands, but it's an impossible task. The skin clings to the fruit, and between them is an intermediary skin, thick and impossible to separate from the meat.

Eventually I take a knife and lop off domes of rinds and cut the grapefruit into a cube before ripping it open with my fingers. It feels like I am dismantling a human heart. The fruit is delicious, slick. I swallow eight times, and when the ninth bite touches my lips I pull it back and squish it in my hand like I am crumpling an old receipt. I put the remaining half of the grapefruit in a Tupperware. I close the fridge. Even now I can hear it. Behind me. Above me. Too large to perceive. Too small to see.

When I was in my twenties, I lived in a place with bugs and had the same sense of knowing invisible things moved, coordinated, in the darkness. Even if I flipped on the kitchen light in the wee hours and saw nothing, I would just wait. Then my eyes would adjust and I would see it: a cockroach who, instead of scuttling two-dimensionally across the yawn of a white wall, was instead perched at the lip of a cupboard, probing the air endlessly with his antennae. He desired and feared in three dimensions. He was less vulnerable there, and yet somehow, more, I realized as I wiped his guts across the plywood.

In the same way, now, the house is filled with something else. It moves, restless. It does not say words but it breathes. I want to know it, and I don't know why.

"I've done research," Cal says. The line crackles like she is somewhere with a bad signal, so she is not calling from her house. I listen for the voice of the other woman who is always in the background, whose name I have never learned.

"Oh, you're back?" I say. I am in control, for once.

Her voice is clipped, but then softens. I can practically hear the therapist cooing to her. She is probably going through a list that she and the therapist created together. I feel a spasm of anger.

"I am worried because," she says, and then pauses.

"Because?"

"Sometimes there can be all of these complications—"

"It's done, Cal. It's been done for months. There's no point to this."

"Do you hate my body, Mom?" she says. Her voice splinters in pain, as if she is about to cry. "You hated yours, clearly, but mine looks just like yours used to, so—"

"Stop it."

"You think you're going to be happy but this is not going to make you happy," she says.

"I love you," I say.

"Do you love every part of me?"

It's my turn to hang up and then, after a moment's thought, disconnect the phone. Cal is probably calling back right now, but she won't be able to get through. I'll let her, when I'm ready.

I wake up because I can hear a sound like a vase breaking in reverse: thousands of shards of ceramic whispering along hardwood toward a reassembling form. From my bedroom, it sounds like it's coming from the hallway. From the hallway, it sounds like it's coming from the stairs. Down, down, foyer, dining room, living room, down deeper, and then I am standing at the top of the basement steps.

From below, from the dark, something shuffles. I wrap my fingers around the ball chain hanging from the naked lightbulb and I pull.

The thing is down there. At the light, it crumples to the cement floor, curls away from me.

It looks like my daughter, as a girl. That's my first thought. It's body-shaped. Pre-pubescent, boneless. It is 100 pounds, dripping wet.

And it does. Drip.

I descend to the bottom and up close it smells warm, like toast. It looks like the clothes stuffed with straw on someone's porch at Halloween; the vague person-shaped lump made from pillows to aid a midnight escape plan. I am afraid to step over it. I walk around it, admiring my unfamiliar face in the reflection of the water heater even as I hear its sounds: a gasping, arrested sob.

I kneel down next to it. It is a body with nothing it needs: no stomach or bones or mouth. Just soft indents. I crouch down and stroke its shoulder, or what I think is its shoulder.

It turns and looks at me. It has no eyes but still, it looks at me. She looks at me. She is awful but honest. She is grotesque but she is real.

I shake my head. "I don't know why I wanted to meet you," I say. "I should have known."

She curls a little tighter. I lean down and whisper where an ear might be.

"You are unwanted," I say. A tremor ripples her mass.

I do not know I am kicking her until I am kicking her. She has nothing and I feel nothing except she seems to solidify before my foot meets her, and so every kick is more satisfying than the last. I reach for a broom and I pull a muscle swinging back and in and back and in, and the handle breaks off in her and I kneel down and pull soft handfuls of her body out of herself, and I throw them against the wall, and I do not know I am screaming until I stop, finally.

I find myself wishing she would fight back, but she doesn't. Instead, she sounds like she is being deflated. A hissing, defeated wheeze.

I stand up and walk away. I shut the basement door. I leave her there until I can't hear her anymore.

Spring has come, marking the end of winter's long contraction.

Everyone is waking up. The first warm day, when light cardigans are enough, the streets begin to hum. Bodies move around. Not fast, but still: smiles. Neighbors suddenly recognizable after a season of watching their lumpy outlines walk past in the darkness.

"You look wonderful," says one.

"Have you lost weight?" asks another.

I smile. I get a manicure and tap my new nails along my face, to show them off. I go to Salt, which is now called "The Peppercorn," and eat three oysters.

I am a new woman. A new woman becomes best friends with her daughter. A new woman laughs with all of her teeth. A new woman does not just slough off her old self; she tosses it aside with force.

Summer will come next. Summer will come and the waves will be huge, the kind of waves that feel like a challenge. If you're brave, you'll step out of the bright-hot day and into the foaming roil of the water, moving toward where the waves break and might break you. If you're brave, you'll turn your body over to this water that is practically an animal, and so much larger than yourself.

Sometimes, if I sit very still, I can hear her gurgling underneath the floorboards. She sleeps in my bed when I'm at the grocery store, and when I come back and slam the door, loudly, there are padded footsteps above my head. I know she is around, but she never crosses my path. She leaves offerings on the coffee table: safety pins, champagne bottle corks, hard candies twisted in strawberry-patterned cellophane. She shuffles through my dirty laundry and leaves a trail of socks and bras all the way to the open window. The drawers and air are rifled through. She turns all the soup can labels forward and wipes up the constellations of dried coffee spatter on the kitchen tile. The perfume of her is caught on the linens. She is around, even when she is not around.

I will see her only one more time, after this.

I will die the day I turn seventy-nine. I will wake early because outside a neighbor is talking loudly to another neighbor about her roses, and because Cal is coming today with her daughter for our annual visit, and because I am a little hungry, and because a great pressure is on my chest. Even as it tightens and compresses I will perceive what is beyond my window: a cyclist bumping over concrete, a white fox loping through underbrush, the far roll of the ocean. I will think, it is as my sisters prophesied. I will think, I miss them, still. I will think, here is where I learn if it's all been worth it. The pain will be unbearable until it isn't anymore; until it loosens and I will feel better than I have in a long time.

There will be such a stillness, then, broken only by a honeybee's soft-winged stumble against the screen, and a floorboard's creak.

Arms will lift me from my bed—her arms. They will be mother-soft, like dough and moss. I will recognize the smell. I will flood with grief and shame.

I will look where her eyes would be. I will open my mouth to ask but then realize the question has answered itself: by loving me when I did not love her, by being abandoned by me, she has become immortal. She will outlive me by a hundred million years; more, even. She will outlive my daughter, and my daughter's daughter, and the earth will teem with her and her kind, their inscrutable forms and unknowable destinies.

She will touch my cheek like I once did Cal's, so long ago, and there will be no accusation in it. I will cry as she shuffles me away from myself, toward a door propped open into the salty morning. I will curl into her body, which was my body once, but I was a poor caretaker and she was removed from my charge.

"I'm sorry," I will whisper into her as she walks me toward the front door.

Carmen Maria Machado's debut short story collection, Her Body and Other Parties, is forthcoming from Graywolf Press in 2017. Her fiction and nonfiction have appeared in The New Yorker, Granta, Guernica, Electric Literature, Best American Science Fiction & Fantasy, Best Horror of the Year, and Year's Best Weird Fiction, and on NPR. Her short story "The Husband Stitch" was nominated for the Shirley Jackson and Nebula Awards, awarded a Pushcart Prize Special Mention, and longlisted for the Tiptree Award. She holds an M.F.A. from the Iowa Writers' Workshop and has been awarded fellowships and residencies from the Elizabeth George Foundation, the CINTAS Foundation, and the Yaddo Corporation. She is the Artist in Residence at the University of Pennsylvania and lives in Philadelphia with her partner.

Her Body and Other Parties: Stories by Carmen Maria Machado is available for purchase through the following vendor links: Powell’s | Amazon | IndieBound