We spout opinion, comment on the current zeitgeist and overanalyze pop culture and mainstream movies. Whether in the form of lists, survey questions or straight editorials, we hope to make thinking deeply about film a fun and stimulating activity for all.

Spout

One thing I began to notice last year is that many documentaries are a bit too long. I think some of this has to do with the desire to be sold as a “true” feature length film, although in this day when VOD, online streams and TV formatting overshadow theatrical for nonfiction distribution and viewership, I don’t know why going 90 minutes and above seems favorable to filmmakers when the content just isn’t there. One of the best docs of last year, according to many doc critics and fans (including myself) is Jarred Alterman’s "Convento," which comes in at a mere 50 minutes. We need more of this.

In Bob Bryan’s low-budget 1995 documentary “Graffiti Verite,” L.A. street artist Tony Quan, aka ‘TEMPT,’ talks about how artists in his community feed off each other like jazz musicians. “Graffiti is very communal...very interactive,” he says. A clip of this interview is also now featured in the new film “Getting Up: The TEMPT ONE Story,” and it provides a great jumping off point with which to consider the overall point of this inspiring documentary.

As I look back on my “Sundance Documentaries People Will Be Talking About” column from last January, I realize this is my equivalent to other bloggers’ annual “Most Anticipated Movies of [the Coming Year]” list. Partly because to preview the docs playing at Sundance is usually to preview the docs we’ll be seeing in theaters in the next twelve months, as well as to spot some of what will contend for the Oscar in the following year. And partly because in retrospect I similarly had high hopes for films that didn’t really meet expectations.