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On August 20, 2017, Jerry Lewis took a pratfall off this mortal coil, presumably knocking an unwitting dowager on her keister and sending a surprised cop into an open manhole on his way out. The durable enfant terrible was all of 91 years when he finally left the building though he had been making spirited public appearances as recently as January of this year.

For the inquisitive Jerry fan, Shawn Levy’s 1997 King of Comedy: The Life and Art of Jerry Lewis, remains the first and last stop for the straight scoop on America’s premiere nudnik. Levy, who endured the full fury of the comedian’s legendary wrath to get his story, is as admiring of his subject’s accomplishments as he was repelled by his whiplash mood swings. The hard knock apprenticeship in the Catskills, the Freudian-fueled soap opera of his partnership with Dean Martin, the boastful sex-capades, they’re all there and then some.

Fritz Lang continues his take-no-prisoners indictment of America’s curious relationship with crime; this time he presents the thesis that an innocent man can be a pawn in cosmic game of injustice. Three-time loser Henry Fonda, the glummest actor in ’30s films, doesn’t mean to rob or kill, but gosh darn it, They Made Him a Criminal. Those considerations aside, it’s a wonderful cinematic achievement, made all the better by a decent digital restoration.

I saw Private Property for the first time last night, and came away thinking, 'these are the most believably complex, twisted, adult screen characters I've seen in a long time.' I also felt that I had witnessed some really extraordinary acting,

Merle Oberon films: From empress to duchess in 'Hotel.' Merle Oberon films: From starring to supporting roles Turner Classic Movies' Merle Oberon month comes to an end tonight, March 25, '16, with six movies: Désirée, Hotel, Deep in My Heart, Affectionately Yours, Berlin Express, and Night Song. Oberon's presence alone would have sufficed to make them all worth a look, but they have other qualities to recommend them as well. 'Désirée': First supporting role in two decades Directed by Henry Koster, best remembered for his Deanna Durbin musicals and the 1947 fantasy comedy The Bishop's Wife, Désirée (1954) is a sumptuous production that, thanks to its big-name cast, became a major box office hit upon its release. Marlon Brando is laughably miscast as Napoleon Bonaparte, while Jean Simmons plays the title role, the Corsican Conqueror's one-time fiancée Désirée Clary (later Queen of Sweden and Norway). In a supporting role – her

Eleanor Parker Now on TCM Palms Springs area resident Eleanor Parker, who turns 91 next June 26, is Turner Classic Movies’ Star of the Month of June. One of the best actresses of Hollywood’s studio era, Parker isn’t nearly as well-remembered today as she should be despite three Best Actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955), a number of box-office and/or critical hits, and a key role in one of the biggest blockbusters of all time (The Sound of Music). Hopefully, the 34 Eleanor Parker movies TCM will be showing each Monday this month — beginning tonight — will help to introduce the actress to a broader 21st-century audience. Eleanor Parker movies "When I am spotted somewhere it means that my characterizations haven’t covered up Eleanor Parker the person. I prefer it the other way around," Parker once said. In fact, the title of Doug McClelland’s 1989 Eleanor Parker bio,

It has often been written and said that John Huston’s 1941 classic, The Maltese Falcon, brought it in the era of film noir, or that it is the definitive entry within the genre. The origins of the genre and where Huston’s picture comes into play in that debate shall not be discussed, primarily because there is still no genuine consensus, even after all these years. As for its quality and worth as part of the long line of noir adventures, it is safe to say that the verdict is clear cut and has been for decades already: The Maltese Falcon is a masterpiece. Why? Far be it from this amateur film fanatic to enlighten the readers as to why exactly. That venture shall be left for the historians and appointed experts in the field of film studies.

We have an exclusive clip from the home video release Black Zoo, which can be ordered through Warner Archive. Click on the video player below for a scene where Michael Gough lets one of his deadly animals loose from this 1963 horror movie.

Click to watch Exclusive: Gorilla!

clickHere for information on how to order Black Zoo from Warner Archive.

The most savage animal in a garden of beasts, animal-worship cultist and private zoo owner Michael Conrad (Michael Gough) has trained his lions well, siccing the big cats on any fool who dares get in his way. First it was a snoopy secretary, then a scheming realtor (Jerome Cowan). But only when his unhappy wife (Jeanne Cooper) runs off with his beloved chimps does Conrad unleash his inner beast, and the fur really flies. Shot by Academy Award-winning cinematographer Floyd Crosby on a soundstage stocked by famed animal behaviorist and Marine World creator Ralph Helfer,

.Here's to plain speaking and clear understanding.. The Maltese Falcon is a symbol of the pursuit of avarice and greed, but it.s also one of the films that made Humphrey Bogart a household name, leading man, and eventual pop culture icon. Warner Brothers brings the fabled black bird to Blu-ray with a clear transfer and plainly a selection of great extras. Private detectives Sam Spade (Humphrey Bogart) and Miles Archer (Jerome Cowan) are hired by Miss Ruth Wonderly (Mary Astor) to find her missing sister who is involved with Floyd Thursby. She is supposed to meet Thursby later in the evening and Archer is to follow her to the meeting. Later that night, Spade gets a

Film Noir Classic Collection: Vol. 5, has dusted off eight films of the celebrated genre and adapted them to DVD format. Collections like these, which bring older films to newer light, are godsends regardless (to a degree) of which films are selected, because as timeless as some of these stories and performances might be, the barrier of being stuck in an old format can bury them forever. And these stories deserve to be told. If you watch a few well made noir thrillers you will no doubt see the seeds that were planted in the heads of crime-thriller filmmakers the likes of Martin Scorsese or Michael Mann. Though there are better films in the noir genre that this collection could have culminated, there are also a lot worse. Any fan of noir films or old mysteries and thrillers will be pleased at what this box set has to offer.

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