This project is an extension of my ongoing exploration of the topic of self-representation in El Pertenecer en Tiempos Modernos (Belonging in Modern Times) (2019).

I depart from stereotypical photographic portraits of subjects to render them through constructive and deconstructive methods. To disrupt photography's flat, two-dimensional surface I cut and reassemble the images to build sculptures and collages. I use photography as the basis for the three-dimensional objects as a means to challenge our visual perception. Often implying that identity is, in fact, a social construct while also engaging with notions of existentialist.