@mrjoemagee created two film posters for an exhibition at Site Gallery, Stroud, UK.
Good On Paper magazine asked ten artists to reinterpret posters from some of their favorite films. Magee reimagined #posters from David Lynch’s Blue Velvet and Mulholland Drive.
The #illustrator used photographic elements from the #films , digitally-corrupted images and “Rorschach” inkblot tests to get to the heart of each film.

When Vishal Bhardwaj announced a project with Deepika Padukone and Irrfan last year in April, their fans couldn't keep calm. Two of the most sought-after actors created magic on screen with Shoojit Sircar's 2015 film Piku, and this unconventional jodi instantly became a hit with the audience. And the idea of getting them together on the big screen after three years only got the Bollywood enthusiasts more excited.
But Vishal soon announced the delay in the project owing to Irrfan's health. In fact, the actor took to Twitter to reveal that he has been diagnosed with a neuroendocrine tumour.
Read full story here: http://bit.ly/2G9FcmG
#Films#Entertainment#bollywood

⭐️⭐️⭐️⭐️⭐️ Saving Private Ryan (1998)- Steven Spielberg showcases the invasion of Normandy in World War 2 filled with bloodshed and utter loyalty to just how unromantic war is. War means death, injury, disrupted families and at times is the cost of freedom. Tom Hanks is stellar as Captain John H. Miller and is truly one of the greatest actors of all time (from Forest Gump to this piece ... the guy’s range is unheard of). The film grossed $481.8 million dollars and was recognized by the National Film Registry/Library of Congress as being historically accurate. Often the generosity of our troops is overlooked and this film details how a group of soldiers risk their lives to bring a missing paratrooper, Matt Damon, home safe. A courageous film that reminds us of the many sacrifices that each military uniform embodies. One of @gee_contessa’s favorites and an all-time classic. #filmphotography#filmmaking#films#director#d#newyorkcity#new#newbornphotography#newyorkcitylife#newyork_instagram#newyorkartist#newyorkexplored#filmactor#actorslife @edburns @gee_contessa @mattdamonteam @tomhanks #america

Attack the Block is a fun concept with a lousy script that became an ok movie, and ultimately shows the importance of a strong first act. Throughout the first 30 minutes the film rushes past important character building moments for the fairly large cast in favor of “cooler” visuals, and the end result suffers. We’re introduced to Sam, a young nurse living on her own in a dangerous neighborhood, (she becomes nothing more than this caregiving character) as she is mugged by Moses and his crew, who will eventually become the heroes of the story. But rather than giving Moses a motivation for the knife-point robbery (he’s already under the control of Hi Hatz, for example) or allowing him to cleverly orchestrate the burglary without the need of force or violence, we’re left to see him as a piece of shit that robs defenseless women. It’s a starting place that would be fine if he were being built as an anti hero, but he isn’t, so it puts him beyond the grounds of redemption the film ultimately tries to earn. The members of the gang are all fairly similar (young smart-ass tough guys with an indistinguishable assortment of poor home lives and a single loyalty to their home project), and rather than taking the time to plot motivations or personality, they rush ahead to have them randomly select their weapons (that could have been great extensions of their personalities if we had known them beforehand) and rally to kill aliens. The supporting cast of unnecessary characters is also rushed to be introduced during this time, and like a Roland Emmerich movie, they’re there more as future plot points than to be actual characters. Then we get to the aliens themselves, which are also spoiled in the first act. The design of the neon teeth is brilliant, but literally everything else about them is terrible. Having some restraint, Jaws-ing us, and forcing us to imagine the unknown ourselves would have gone a long way in giving weight to these monsters, but the mystery ends before it even begins. Small additional moments of detail would have gone a long way in helping this movie, but with the concept put before the execution the movie fails to accomplish even the cliche.

As an 8 year old brought up in a somewhat privileged environment, Children of Heaven had me witnessed something that had never even occurred to me before. It stirred up some powerful feelings and emotions in me that I could not put into words back then. All I knew was I felt frustrated and upset to see how these two lovely kids had to struggle over a pair of shoes! I thought it was unfair! Towards the end I was convinced that this film would end in a miserable note, until I saw the very last frame! Through Children of Heaven I learned that film endings could be happy and heartwarming without them being grand and obvious. It's the subtle moments that count. It was also the beginning of my fondness of Iranian cinema.

Choosing the person you want to share your life with is one of the most important decisions any of us makes. Ever. Because when it’s wrong, it turns your life to grey. And sometimes, sometimes you don’t even notice until you wake up one morning, and realize years have gone by. We both know about that one, Alex. Your friendship has brought glorious technicolor to my life. It’s been there in the darkest of times, and I am the luckiest person alive for that gift. I hope I didn’t take it for granted. I think maybe I did, because sometimes you don’t see that the best thing that’s ever happened to you is sitting there, right under your nose. But that’s fine too. It really is. Because I’ve realized that no matter where you are, or what you’re doing, or who you’re with, I will always, honestly, truly, completely, love you.
###
Love, Rosie.
Christian Ditter. 2016.