Preface
Congratulations on purchasing MAGIX Music Maker 2008! You have just bought an indispensable and versatile next-generation application for all your multimedia needs. Handling is especially easy and intuitive. The sound and video files that come supplied can be combined with the software synthesizers in seconds: MP3s with Audio CD tracks, your own music recordings with videos, photos or graphics, and even VST / DirectX plug-ins or MIDI files can be perfectly integrated with one another. This turns your computer into a universal production studio for music and all other kinds of multimedia files. The music building blocks supplied in CD quality can be combined very easily as they are all categorized according to tempo and harmony. The video clips, photos, and graphics make up the perfect bases for picture production. And for those of you who want to start making songs effortlessly and straight away, the "Song Maker" will take care of almost everything for you. The print manual explains all the basic functions of the program. In addition, you get a PDF manual which describes each function in detail. If you prefer to discover the many possibilities of the program by yourself, you can also use the PDF manual simply as a reference. An alphabetical index is included at the end. Simply click on an item of interest to jump to that particular section in the manual. Have fun with MAGIX Music Maker 2008. The MAGIX Team

Getting started Package contents
DVD On this DVD you will find the installation manager for MAGIX Music Maker 2008 as well as the multimedia library with sound and video files in various genres. The Terms and Conditions for usage of MAGIX sound and video files when releasing your works to the public can be found in the "MAGIX Creation Logo.pdf" file in the installation folder. License-free Multimedia Library The multimedia library contains sounds and video building blocks in various genres. The Terms and Conditions for usage of MAGIX sound and video files when releasing your works to the public can be found in the "MAGIX Creation Logo.pdf" file in the installation folder. Manual The printed manual only contains the basic functions of MAGIX Music Maker 2008. In addition to the printed manual there is also more detailed documentation which is copied to your hard drive during installation. This electronic PDF manual and the program help (open with F1 key) describes all program functions.

Getting started
• Burn CDs/DVDs with CD/DVD±R(W) recorder. • Access to and publication on www.magix.com and in MAGIX Online Services only with Internet connection and Microsoft® Internet ExplorerTM 6.0 or higher. • Sending video emails with available standard email software Microsoft® OutlookTM or Microsoft® Outlook ExpressTM.

Installation
Step 1: Insert the program disc into the drive. The installation program starts up automatically. If the disc doesn't run automatically: • Open the Windows Explorer and click the letter of the CD-ROM drive. • Now double-click on "Start.exe" to start the installer. Step 2: To begin the installation of MAGIX Music Maker 2008, click on "Install". The MAGIX Music Maker 2008 installation program will appear. Hint: During installation you will be asked if, in case there are multiple users on your computer, you would like to set up an administrator. The option "Administrator only" restricts use of the program to the specified administrator only. The option "All users" allows all users of the computer to use the program. Simply follow the instructions on screen to complete the installation process and then click on "Continue". All files are now copied onto the hard drive. Step 3: Once the installation is complete, confirm the message by pressing "Finish". You can now start the program whenever you want from the Windows Start menu.

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Support

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Support
When contacting MAGIX, please ensure you have information about your system and a detailed description of your problem and program. The more information you have, the quicker and more responsive support will be. • • • • Program version (found under “About” in the program help menu) Computer configuration (Windows Version, Processor, Memory…) Graphics & sound cards Knowledge of other installed software

Support website: http://support.magix.net The MAGIX support website offers many ways to assist you with answers to general questions and technical support needs. You can use any of the following options: Online tutorials: These tutorials are generated to further explain a procedure within the MAGIX software. Email support: The email support is best used to assist users who are having technical difficulties with non-demo software. Use this tool to get detailed information on problems and solutions. Phone support: Contact our support specialists by phone from Monday – Friday between 9 am and 5 pm EST. Support Forum: The support forum is a user to user support and communication page. This can allow you to talk to other uses, compare ideas and solutions discovered by other users. Download area: The download area contains updates for know issues, improvements offered by MAGIX for the registered user on their purchased program. When you have an issue within the software, it is always best to ensure you have the latest version, updating the patch will ensure that you do. MAGIX products can also be updated directly from the program by clicking on “Check for updates” in the help menu. Customer Service & Upgrades Periodically MAGIX offers purchased users to upgrade from a previous product to the current version. For details on an upgrade, please call www.magix.com

Number
A serial number is included in each product. This serial number is not required for the installation of the software, but does enable usage of additional bonus services. Please store this number in a safe place. What can a serial number do? With a serial number your MAGIX Music Maker 2008 is clearly assigned to you and only you. This way improved and more targeted customer service is made possible. Abuse of the software can be prevented with a serial number, which ensures that optimum the price/performance ratio continues to be offered by MAGIX. Where can the serial number be found? The serial number can be found on the reverse side of your CD/DVD case. If your product, for example, is packed in a DVD box, you'll find the serial number on the inside. For the versions that have been especially optimized for the Internet (e-versions) you'll get your serial number for activating the software directly after purchasing the product via email.

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More about MAGIX
When will you need the serial number? The serial number is required when you start or register MAGIX Music Maker 2008 for the first time. Note: We explicitly recommend registering your product as you are only then entitled to use the MAGIX Premium Club (on page 16), get program updates, and contact the MAGIX Support (on page 13). Entering the serial number is also required for activating codecs.

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More about MAGIX
iPACE Online Services
With MAGIX Online Services MAGIX offers you a range of new services for your photos, videos and music that are accessible directly from the "@Services" menu in MAGIX Music Maker 2008: MAGIX Online Album MAGIX Online Album (on page 184) is your personal multimedia album on the Internet. If you want to present slideshows or videos online, then MAGIX Online Album is the service you want. MAGIX Blog Service YOU make the news: Share your thoughts, experiences, and news with a worldwide audience in no time with your own interactive online journal. With professional templates & 100% unique design, including photos, videos, and music – no previous design know-how required. Invite family, friends, and acquaintances to join in and enter their comments! Advantage: With MAGIX you can manage multiple blogs per account. A free MAGIX Online Album belongs to the MAGIX Blog Service so that you always have full control over your comments. MAGIX Online Print Service With MAGIX Online Print Service you can get your pictures developed online or printed as photo gifts on mugs, t-shirts, or calendars. Catooh – the Online Content Library If your project is missing pictures, videos, DVD menus, sounds, or samples, then you should have a look at the huge selection available www.magix.com

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More about MAGIX
in Catooh. There you'll be able to buy media at excellent quality for low prices: DVD menus, MovieShow Maker styles, decorative elements, 3D power effects, 3D transition series, soundpools, songs, ringtones... Perfectly suited to all MAGIX photo, video, and music projects. MAGIX Community The perfect place to discuss everything to do with photography with friends and the world, the MAGIX Community. • Upload photos, comment on them, and have them rated by other users. • Create your own profile & guestbook. • Create your own photo groups & make friends. As soon as you have registered for free, you can use all the features. Have fun with your pictures on the web!

MAGIX Premium Club
Our exclusive club for all MAGIX customers owning a registered product. MAGIX Premium Club members have access to a wide range of services: • Free product updates and services • Exclusive club events and surprises • News and info about the club and much more... Membership is free. You can find more information about this topic on www.magix.com Note: You can register your MAGIX product on www.magix.com using the serial number. You'll find the serial number of your product in the CD case of your installation CD or on the inside of your DVD box.

MAGIX Sound Essentials
MAGIX Music Maker 2008 includes thousands of sound and video Samples. Other media can be ordered later. In the MAGIX Sound Essentials you receive professionally produced loops and samples in impressive quality – the ideal enhancement for the most varying of www.magix.com

In the upper menu bar under "Tasks" > "Discover more", you can order the MAGIX Sound Essentials directly. Tip: At www.magix.com you'll always find the latest soundpool offers.

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Introduction

Introduction
What is MAGIX Music Maker 2008?
MAGIX Music Maker 2008 is the new generation of multimedia software. From your private collection of love songs to entirely homemade video clips – everything's possible! For your songs, music videos, video emails, karaoke shows, funny clips, and much more. Lots of professionally produced sound and video samples come supplied. In the Arranger, samples and videos can simply be dragged onto the track, looped, enhanced with effects, and modified for export – done! Additionally, there are various synthesizer plug-ins for creating your own sounds. Audio CDs and MP3s can be integrated, remixed, or used as sound material. Even DirectX or VST plug-ins as well as MIDI files for remote control of the sound card or external synthesizers can be integrated into the arrangement perfectly. All multimedia formats can be combined with one another in any way on all tracks. In case your sounds & samples requirements are still not met, the Internet is just a click away. It can be used as a worldwide media pool with an unlimited supply of sounds and pictures. MAGIX Music Maker 2008 has a direct connection to the Internet for publishing straight to your personal MAGIX Online Album or for directly sending via email. Your own works can also be published directly from within the program to the MAGIX Community. Or you can always become your own radio DJ and publish your beats and grooves as a podcast.

What’s new in MAGIX Music Maker 2008?
New Vita Instruments The sample synthesizer MAGIX Vita, specializing in realistic playback of natural instruments, now has new sound programs. Acquiring authorization to access the Vita user interface is no longer required. The Vita Instruments can be accessed in the Media Pool via the "Synthesizer" button.

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Introduction
New loops MAGIX Music Maker 2008 is the original for loop-based music production on the PC, no other software can boast as much experience. In the new version the sound library that comes included has been completed revised with lots of new audio and MIDI loops. Improved usability of the Media Pool Access to the supplied soundpools is via a new, more clearly laid out database overview that enables the display of loops, multiple styles and instrument categories, for example, all bass loops of every installed style or every loop of a style. magix.info Directly from within the program you'll be able to access the magix.info, the new knowledge base of MAGIX. Here you'll find answers to all the most frequently asked questions on MAGIX products and multimedia. magix.info can be found in the "@Services" menu. Apple loops and ACID Wav support MAGIX Music Maker 2008 can now use Apple Loops (from Apple Garageband®) and ACID Wave files (from Sony ACID®). Alongside the audio material, these files contain additional information for improving quality with tempo adjustments, much like MAGIX Sound Pool files. Improved MIDI functions • The metronome for MIDI recording can now count in if desired. To do so, set the recording mode in the track box to MIDI, click on the record button and activate the metronome in the MIDI Editor. • The software instruments can now be played live when the MIDI recording is not open. This way, you can play, for example, a pre-produced MAGIX Music Maker 2008 arrangement live. Further improvements to detail • The "Compile audio" function in the "Edit" menu also refers to VST instruments • Sound enhancements in the Gater ("Effects > Audio > Destructive Effects"). • Restructured context menus for faster access to individual object effects, among others, direct access to the Vintage Effects Suite. • New feature "Create backup in OGG" for space-efficient archiving of arrangements.

Introduction
the MAGIX Photo Manager or MAGIX Media Manager is integrated in the Media Pool and can be updated directly from MAGIX Music Maker 2008. Use the simple search function to find the suitable pictures or MP3 files for your arrangement. Catooh In the massive Catooh you will always find the matching sounds & pictures. The clearly archived library makes it child's play to find what you're looking for. Simply preview it and, if you like it, download it! Audio effects MAGIX Music Maker 2008 provides lots of different audio effects. A few examples: • You can correct tempo and pitch in realtime using "Resampling", "Timestretching" or "Pitchshifting". • The "Audio Effect Rack" supplies "Reverb", "Echo", "Equalizer", "Compressor", "Time Processor", "Distortion", "Filter", and many classic effects with which almost every sound can be made. MAGIX Music Maker 2008 provides these sounds in amazingly high quality. The reverb effect, for example, provides lots of realistic reverb algorithms to add depth and spaciousness to your material. Design your "Favorite reverb" using the many presets as a base with their various reverb rooms which were designed for specific instruments and applications. • The "Vocoder" produces vocal and robot sounds that have been altered mechanically. • The "Gater" enables rhythmic splitting of surface sounds • The "Vintage Effects Suite" covers "good old" guitar effects that were started with the foot just like Jimi Hendrix: more warmth and fullness with "Chorus", jet-like special effects with the "Flanger" or ping-pong effects like "Delay". The filter enables beat-matched frequency filtering, the "BitMachine" is a distorting Lo-Fi effect for friends of those who like it a bit rougher. High-end 32-bit floating point All sound changes are executed in the 32-bit floating point method for especially differentiated and high-quality sounds. This technology is also used in professional studios. This way, an audio picture with especially high dynamics can be created. Digital overmodulation and clipping become virtually impossible. Video Controller MAGIX Music Maker 2008 contains a Video Controller with lots of professional video effects which can be used in realtime. Videos can be integrated, distorted, and mixed on any track. Graphics can also www.magix.com

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Introduction
be edited directly. Audio CD support Audio CDs can be imported directly into MAGIX Music Maker 2008. Just insert them into the drive and press "CD/DVD". All tracks can now be dragged into the Arranger and edited with different features or effects. Whether for remixes or as sound material for your own compositions – a new touch will be added to your personal CD collection. Own recordings Use this recording function from MAGIX Music Maker 2008 to record vocals, noises, or instruments and integrate them into the arrangement. Live Sessions While the virtual instruments and sounds are played on the available tracks, a new track can be recorded simultaneously in realtime. What's more, you can also add realtime effects. Harmony recognition Harmony recognition displays the harmonies of any song as chords and guitar tablature in the arrangement; ideal for remixing and playing along to. Song Maker The Song Maker lets you create new arrangements quickly and easily and complement existing arrangements by automating the complicated steps such as sample selection and combination. The Song Maker takes over arranging whole sections such as the Intro and Refrain. Therefore, you do not have to do everything yourself – you can omit the arranging and process your selection from the suggestions. MIDI integration With MAGIX Music Maker 2008 you can arrange, load, record, edit, and play MIDI data just as easily as audio data. You can combine wave sound files with MIDI files for controlling the sound chip on your sound card or VST instrument plug-ins or external synthesizers, and then arrange everything together. For MIDI recordings and editing you can use the comprehensive MIDI Editor with Piano Roll, Drum Editor, Velocity/Controller Editor and Event List. The recording of MIDI objects can be started directly from the www.magix.com

Introduction
Arranger by setting the recording mode in the track box to MIDI. Mixer MAGIX Music Maker 2008 contains a professional Realtime Mixer with effect rack and two Insert effects for each channel, two additional effect tracks, two Insert effects for the master as well as additional mastering effects. The Mixer's size can be adjusted so that more than eight tracks fit on the screen at any one time. You can also group a number of faders of a specific type (for example, volume or panorama) and use them all together. Create podcasts With MAGIX Music Maker 2008 you can publish your own music as a podcast to a worldwide audience. The finished arrangement is then uploaded to your MAGIX Online Album and listed in the other podcast folders of MAGIX Podcast Service. Ringtone export Convert your songs or sound effects into ringtones at the touch of a button. Works for the standard Real Ringtone formats: MP3 and WAV.

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Overview of the program interface

Overview of the program interface

1 2 3 4

Menu bar

5 6

In this list all important editing commands are available. Toolbar This contains the buttons for quick editing. Mouse modes list The various mouse modes can be selected here. Track boxes Here you can mute whole tracks or have one play by itself (solo). Use the FX buttons to apply track effects. Arranger You can freely position any multimedia material on all tracks. Scrollbars The lower scrollbar can be stretched and compressed for zooming.

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Overview of the program interface
7 8 Media Pool Video Monitor All files listed here can be dragged into the Arranger via drag & drop. Here, the previews for graphics or video files which can be selected in the Media Pool are shown. All picture material of the arrangement is also shown here on playback. Furthermore, the arrangement overview or an Analyzer/Peak Meter can be displayed in the Video Monitor.

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Tutorial

Tutorial
This chapter explains the basic functions of MAGIX Music Maker 2008 with a step-by-step introduction. A systematic description of all program functions in MAGIX Music Maker 2008 can be found in the appropriate chapters of the PDF manual.

Play demo project
The large area with the horizontal tracks is the Arranger. Here you can make all changes to the positions and multimedia objects. In the lower section of the program interface you can find the Media Pool. Here you can load multimedia files with various formats into the arrangement by pressing the left mouse button and keeping it held or by double-clicking on the object. The Media Pool works similarly to Windows® Explorer with some additional features. Here, professionally produced sounds can be downloaded from the Catooh and incorporated into your project In the Media Pool you can find some demo songs in the "My projects" folder. Double-click on a demo and find the individual tracks of the song in the Arranger: In MAGIX Music Maker 2008 you can create a complete song by compiling objects. Click on the vertical scroll bar on the right-hand side of the screen and drag them down (hold down the left mouse button) in order to be able to see each track. To play the demo, click on the Play button or press the space bar on your keyboard. A vertical red line (the playback marker) runs across the screen and music will play from the speakers. Note: If you do not hear anything, check that the correct sound card is active for playback in the Setup window (Y key). Of course, the output of the sound card has to be connected to the speakers.

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Tutorial Song Maker
To quickly create your first arrangement, you should let the Song Maker run by itself and sit back and listen. Make sure a new, empty arrangement is loaded by going to the "File" menu and selecting "New arrangement". This opens a new arrangement with 16 empty tracks. The Song Maker automatically creates musical arrangements from the included music files. Open Wizard... • Activate the Song Maker with the "1-click" button in the upper section of the program interface. • Select a music style. • Deactivate the instruments you do not wish to use in the selection box. • Enter the desired length of the song or portion of a song in seconds. (As a start, ten seconds should be enough.) • Click on "Create new arrangement". Song Maker automatically compiles an arrangement. This should only be taken as a suggestion. • Listen to the suggestion by pressing the "Play" button in the "Preview Song Maker suggestion" section. If you're not happy with the result, you can have another arrangement created by clicking once more on the "Create new arrangement" button. • Once you're happy with Song Maker's suggestion, click on "OK". The building blocks are only now added to the Arranger. • To play the arrangement click on the space bar or on the "Play" button. The arrangement is then played back in a loop as long as the space bar is held or the Play button is pressed www.magix.com

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Tutorial
Your first musical arrangement is complete! Song Maker can also be used to add more individual samples or whole song parts or to lay down a bass or drum sound. This can then be expanded into a more complex multimedia arrangement or refined using your own video and audio files.

Preview and load audio files
In the next step, load sound files into the Arranger for positioning and editing. Create another new, empty arrangement. To do so click on "File" and select the "New arrangement" option. Now click on "Sounds & Videos" in the Media Pool. Various categories are shown on the left page of the Media Pool. Click on the one of the categories to open a sub-category. Here you can select and preview sounds. Some instruments are categorized according to pitch. Click on any entry here. The sound will then start playing. Each file can be previewed this way. Use the arrow keys of your keyboard to select the various pitches. Other instruments – like drums – are not categorized according to pitch. These entries are denoted by a loudspeaker symbol which displays them as a normal wave file. To load a file into the Arranger, simply press the Enter key. You can also drag the file from a table onto a track in the Arranger. Once you let go of the mouse button, the file will appear as an audio object at that position.

Position audio objects
Each object can be moved in any way in the Arranger with the mouse, horizontally on a track as well as vertically between tracks. Add new instruments to your first song in the Arranger. For example, take a drum sample and drag it using the mouse to underneath the object in a lower track which was added beforehand. This way, any number of files can be dragged from any folder into the Arranger and placed on top of one another, on multiple tracks, or behind one another. Play the arrangement in the meantime. Take note of the two markers at the top of the bar ruler – they represent the start and end points of www.magix.com

Tutorial
the range to be played. If you wish to change the playback range, the start and end markers can be dragged (while holding down the mouse button) to any position on the bar ruler.

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Tip: You can also move the playback marker independently of the left start marker by clicking on the lower section of the bar ruler. To load new samples into the Arranger, you do not need to interrupt playback. MAGIX Music Maker 2008 has a "Smart Preview" function: You can simultaneously preview new samples in the Media Pool – they always run synchronous to the song in the Arranger. This function considerably simplifies the search for suitable samples for a song you wish to create.

Add videos and synthesizers
The next step shows you how to add a video. Access the video folder in the Media Pool and select a video file. On the video monitor to the right, a preview of the selected video file can be shown. Once you have found a matching video, use the mouse button to drag it onto any track (like previously with the audio files). To open the folder with the software synthesizers from MAGIX Music Maker 2008, you have to switch to the "File Manager" from the Media Pool and then to the "Synthesizers" folder.

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Tutorial
Each synthesizer can be dragged, like any other file, with the left mouse button into the arranger tracks. Here, the control console opens from which the synthesizer can be programmed. Experiment around with the various synthesizers in MAGIX Music Maker 2008 and take advantage of each of their individual strengths.

Editing objects
To get an impression of the object-based work method of MAGIX Music Maker 2008, you should become more familiar with the "Objects" on the tracks of the Arranger. All objects can be shortened or looped by moving the mouse to one of the lower corners of the object until it turns into a stretch symbol. You can now stretch or compress the object length as much as you like. This way you can create rhythm tracks from short drum samples simply by stretching them. At the top corners of every object there are two fade handles that can be adjusted to fade an object in or out.

The handle at the top center can be used to adjust the volume of audio objects and the brightness of video objects. All objects can be split into multiple objects. To do so, select "Split objects" from the "Edit" menu. The selected object will be split at the position of the playback marker. It goes even faster with the special cutting mouse mode. Right-clicking on an object opens the context menu with the options available for that specific object in the Timeline mode. The context menu can also be opened by clicking on the button with the small triangle in the lower section of an object.

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Tutorial Effects
You should take time to experiment around with the effects. In the context menu you can select the effects for the objects. Here, effect modules are opened with which each effect can be set up to meet your exact requirements. Effects can also be dragged onto objects by holding the left mouse button or double-clicking. Simply open the "Templates" folder in the Media Pool and try each of the effects listed one after the other with a mouse click. Like with all other entries in the Media Pool, effects in this folder always have a preview as well. If you like an effect and wish to apply it to an object in the Arranger, simply click on it, drag it onto the object, and release the mouse button. This works in the same way for video effects as well. Here, a video file must be loaded from the Media Pool first. Lots of video effects are mix effects which mix two videos together. Fundamentally, the following applies: The video on the lower track makes up the background, a video on the track above it, makes up the foreground.

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Export arrangement
The purpose of arranging and editing is usually to have a good quality audio or video file at the end. MAGIX Music Maker 2008 supplies various export formats for this purpose. To export your arrangement, click on "File" and select the "Export arrangement" option. You can then select an export format. The arrangement will then be exported in the chosen format.

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Tutorial
Note: The export calculations are independent of the playback performance. Even if playback no longer runs so fluidly as a result of too much processing power being required, the export file is still generated correctly. We recommend placing already finished passages of complex arrangements via the export or mixdown function in to a single file to free up some processing power (and tracks). This kind of file can be reloaded into the arrangement and edited further with the other parts.

Create Audio CD
To burn an Audio CD, first export your arrangement as a WAV file: Click on "File" and select the "Export arrangement" > "Audio as wave..." option. The WAV file created can be burned as an Audio CD with the included burn program MAGIX Goya BurnR.

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Arranger

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Arranger
Tracks
The arranger offers tracks for multimedia material positioning and editing. Additional tracks can be added by selecting the "Add track" option in "Edit" menu. In total, up to 64 tracks can be used for an arrangement.

Fundamentally, all object types can be placed on all tracks. You can also combine videos with MIDI and audio objects one track. If the tracks in the Arranger are not long enough, you can increase their length by pressing the minus button (-) to the right. The size of the arrangement adapts itself automatically when objects exceed the space for them on the right-hand side or when new objects are loaded. Mute a single audio track by clicking on the “Mute” button or play individual tracks separately (“Solo”) to emphasize a particular scene.

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Arranger Trackboxes and Instrument icons
Each track box contains an instrument icon box. If you drag a MAGIX Soundpool Sample onto an empty track, a suitable icon is automatically displayed. You can also exchange the icon by clicking on it an select another one.

At the start of each track there is a track box where you can switch each track to "mute" or "solo". In the lower half of the arranger below the track boxes are two buttons Reset Solo/Mute, which you can use to reset all track solo/mute settings. The Peak Meter can be found beside the icons. This way, you can control the volume of the track and see if the track produces any audio sound at all. Beside the track number to the top, you'll find the Track name field. You can rename the track by double-clicking on the field. The small arrow next to the track names opens a menu that gives you access to the single sounds of the included Vita synthesizer. With REC you can activate the track for an Audio or MIDI recording. A simple click puts the track into Audio Recording mode. Furthermore, monitoring is now activated, that is, you can hear the input signal of your sound card on playback. (Find out more in the "Mixer" chapter, "Recording/Live Monitoring" (on page 172)) If you start recording now (R key), the audio recording dialog will open. The recorded audio material is added to this track. If there is already an object on the same position of the track, the next empty track will be used.

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Arranger
Clicking this button again puts the track into MIDI Recording mode. If the Vita synthesizer is loaded, you can play it with a hooked-up MIDI keyboard (Monitoring). If you start recording now, a new MIDI object will be created in the track and the MIDI Editor will open. From there you will be able to start the MIDI Recording (on page 86). Here you can open the Track Effects menu. In it you will find presets for track effects (on page 170) sorted according to the instrument type. With the "Move track up/down" commands you can sort your tracks.

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Zoom
The upper zoom feature sets the number of tracks that are visible in the window, i.e. the vertical view. In larger arrangements it makes more sense to zoom the view vertically in order to edit an object in full view. With the lower zoom out function you can set the visible part of the arrangement on the horizontal timeline. The arrangement is extended if you zoom over the edge of the display. You can tell by the size of the slider which part of the entire arrangement is being represented. In the overall view, the zoom slider fills out the whole of the bar. With a double-click, the overall view can be obtained on the slider. If you lead the mouse to the edge of the slider, the cursor transforms into a stretch symbol, with which the slider can be grabbed and compressed or even pulled apart. This makes zooming in and out quick and flexible. Certain zoom shot levels can be selected (by a right click on the slider) in the context menu. Here you can also jump to certain positions in the arrangement.

Move/Zoom with the mouse wheel
The visible section can be moved, reduced, and increased in size using the scroll bars. These functions can also be executed without having to click anywhere by using the mouse to move the scroll bars or zoom buttons or by using the mouse wheel.

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Arranger Grid
Time-stretching of the arrangement is displayed by the vertical progress of the tracks. To structure this progression, a timeline with the units of time has been positioned at the top above the first track. Two consecutive objects will seamlessly snap together even if they are on different tracks. This avoids undesired gaps or overlaps. The bar grid makes sure that the objects and the start, end & play markers only snap into place at specific positions so that they can be positioned precisely according to the beat. , The grid width can be set using the button to the top left.

If, for example, "1/2 beat" has been set, the objects and markers snap into position at all half beat positions when moved. This way, there won't be any gaps between the objects and beat-matched cuts are made possible. The selection ranges from full beats to 1/16 grid sizes. Triplet values are also possible. The "Frame" setting allows fine positioning using the time code. The time display in the timeline and transport control automatically changes from bars:beats:ticks to hours:minutes:seconds:frames. "Objects" deactivates the beat grid and the grid will now only affect the object edges. You can also deactivate the grind entirely by selecting "No grid" or pressing F4. With "Select beat type" you can switch the timeline to irregular bars, such as ¾ beat.

Playback area: Start and end markers
In the upper area of the timeline, there are two markers between which a playback area is displayed, which can be played back as a loop (endless).

The length of the playback area is shown in blue. The number before www.magix.com

Arranger
the point indicates the number of bars, the number following it indicates the number of fragments corresponding to the selected grid, for instance, 3.3 in a 1/16 grid = 3 bars and 3/16. A tilde (~) in the display means that the playback area doesn’t have the exact raster length and the loop is therefore "non-circular". Double-clicking on the playback area sets it to cover the whole arrangement, a further double click sets it between the start of the arrangement and the last object. This area also determines also which positions are copied or inserted into the clipboard’s memory by the the edit menu commands "Edit Range" or the keyboard shortcuts: Ctrl+Alt+C for "copy", Ctrl+Alt+V for "paste" or Ctrl+Alt+X for "cut". The right end marker is always moved together with the start marker, this means that the length of the looped playback area remains constant when moving the start marker. So always move the start marker first and then the end marker. The start and end markers can be moved in different ways by the mouse. You can move them to any position with Drag & Drop or directly with a mouse click: a left mouse click in the timeline moves the start marker, a right click moves the end marker. It’s even easier with the keyboard: The cursor keys move the playback area forward or backward by a whole playback area’s length. Press "Ctrl" as well to move the playback area by a quarter of its length. "Shift+cursor keys" halves or doubles the playback area’s length. With "Ctrl+Shift+cursor keys" you can lengthen or shorten the playback area by a bar. Use this function as well to quickly move the playback area onto a smooth bar length. When you move the playback area while a playback is running, the old area is always played to the end and smoothly changed into the new one after. In this way you can remix your tracks in real-time with the keyboard! Note: If the starting marker does not move to the right with a left click or via the keyboard, it is because the end marker would then have to be shifted beyond the end of the arrangement. In this case, move the starting marker by drag & drop or get hold of the end marker!

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Arranger Moving the playback marker
The playback marker can be moved independent of the start marker. To do this, click into the lower part of the timeline. If you hold the Ctrl key, the playback marker and start marker are moved simultaneously. Once the playback marker reaches the end marker, playback is continued at the position of the S marker. If the playback marker was positioned outside of the playback range, the arrangement is played till the end. The selected play area is then played as a loop.

Transport Bar (playback functions)
With the playback functions of the transport bar you can control the playback behavior of the arrangement using the mouse.

Tip: Using the space bar on your computer's keyboard you can start and stop playback much more easily. You can find an overview of all keyboard shortcuts at the end of this manual. Back to start: With this button the start marker is quickly moved to the beginning of the arrangement. By clicking on "Back to start" the start marker and play range are both displayed at the beginning of the arrangement. Rewind: This function can be used to rewind to the start of the arrangement. This means that the play marker in the timeline is reset. Stop: Stops playback. The playback marker is reset to its initial position.

Play/pause: This button starts continuous playback of the arrangement: If the playback marker reaches the end marker, the range between the start and end marker will be played back as a loop. Another click on Play stops it at the current position of the playback marker (Pause).

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Arranger
Fast-forward: Use this to move along the arrangement at a faster speed. This means that the start marker in the timeline is moved forward. Record: You can create a recording with this button. Depending on whether a track in the Trackbox has been activated for MIDI or audio recording, the MIDI Editor with a new MIDI object or the audio recording dialog (on page 198) will open. Loop playback can be deactivated. The playback stops when the end marker is reached. Time display The time display is beside the transport controller. The current playback position is shown in bars: beats: ticks or minutes and seconds, according to selected grid unit. With "POS" the display can be changed to "Remaining time". Display harmonies

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If this symbol is activated, harmony symbols will be displayed during playback. Harmonies can be detected with the Harmony Agent (on page 79). Volume regulation

The volume control is to the left of the transport controller. With it, you can quickly control the overall volume of your arrangement. To regulate the volume of individual tracks, use the Mixer.

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Arranger
Tempo

Here, the song's beat is displayed in BPM (Beats per minute). The arrangement tempo is set automatically by the first sample used in the arrangement. One click on the small arrow shows the tempo fader. You can use this to smoothly change the master tempo during playback. The objects in the arrangement are adapted using timestretching. By clicking on Tap you can open the Tap Tempo Dialog where you can "tap" in the tempo. Simply click the tap button at your desired tempo or press the T key, the tempo is measured and displayed in the dialog. Pressing OK accepts the tempo. Track position slider

With the position slider you can quickly move the play cursor within visible range.

Arranger, Video Monitor, and Media Pool
If the video screen is re-opened and the Media Pool is closed, the video screen can be freely repositioned. The standard setting can always be called up from the "window" in the Menu bar. If the option "Standard layout" (Window menu) is deactivated, the entire screen can be taken up by the Arranger in order to simplify positioning and editing objects. With very large arrangements the video monitor can be used as an overview display (Window menu > Overview display (on page 223)).

Arranger buttons
The Arranger buttons for quickly opening and closing all the most important windows can be found underneath the last track in the Arranger. www.magix.com

Arranger
Mixer This button opens the real-time mixer.

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Here you can modify the tracks relating to volume and the position in the stereo panorama. It is also where both master effects and Plug-Ins can be integrated. Video Opens/Closes the Video Monitor in peakmeter mode.

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Media Pool

Media Pool
The MAGIX Music Maker 2008 MediaPool allows users to access, hear, and save all types of online and offline media, e.g. all the sounds and video loops that are delivered as part of the product, audio CDs, MP3 songs, the synthesizer, or effects. All types of media can be integrated into an arrangement via double-click or drag & drop.

Navigating through the Media Pool
The Media Pool consists of a file list to the right (the actual “Media Pool”), in which all loadable media types (and, if required, further subfolders) are listed, and the navigation area on the left-hand side. Along the top of the Media Pool you will find 5 buttons, which clearly order various type of media: "File Manager", "Soundpools", "Synthesizer", "Templates" and "Online Media". According to selection the navigational area will change. In the navigation area you can find different shortcut buttons according to selection for directly accessing subfolders. For example, the "Audio & video effects" selection contains the subfolders "Audio effects", "3D Audio FX", "Vintage FX", "Video EX", and "Visuals". You can freely define further shortcut keys with a right-click (“Create link”) in the file list. To do so, open the folder for which you wish to create a link and select the “Create link” option.

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Media Pool Various file list view modes
In the file list, all supported multimedia files and subfolders of the currently selected folder are displayed. Three different views (list, detail, large symbols) can be set by right-clicking on the options or Media Pool's context menu. List: Only file names are listed. This view mode displays the most files simultaneously. Details: In the details section the type, size and date of modification are shown for every media file beside the name. The list can then be sorted by clicking on any of these details. Large symbols: can be quite useful because they show a preview frame for each movie and picture file. This allows you to sort through the material quicker. A disadvantage is that it takes longer for the file list to be displayed.

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Deleting, copying and moving files
All files listed in the media window can be selected, deleted or moved into other folders with drag & drop, just like in the Windows® Explorer. This way, all objects that come into question for an arrangement can be compiled into a separate folder beforehand. The choices relating to these functions are accessed by a right mouse-click to call up the context menu.

All features of the context menu can also be accessed via the Options button.

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Media Pool Preview function
There is a preview function for all files: By simply clicking an audio object, the pre-listening function starts via the sound card. Video, graphics and text objects are shown on the video screen. As the arrangement plays on, you can experiment with sounds from the MediaPool. (see Smart Preview (on page 63) ) Note: Even while previewing, audio files are adapted to the current tempo using timestretching (You can deactivate this in the Audio/Video Options menu).

Positioning of the MediaPool
The MediaPool is located to the left of the bottom third of When the program is started, the MediaPool can be found in the bottom third of the screen on the left-hand side. It can also be displayed in full-screen mode or switched off altogether. The Window menu offers several options in this regard; among them, the Arranger in full-screen mode so that you can view more tracks simultaneously.

File manager
TheMAGIX Music Maker 2008 file manager is equivalent to Windows®-Explorer in the way it works. It allows access and loading of all types of media: Videos, bitmaps, MP3 songs, Audio CD tracks, RTF text files, synthesizer objects and effects. All loadable multimedia files and sub-directories of the currently active file are displayed in the file lists. All files can be loaded into the Arranger tracks via drag & drop. All effects can be pulled from the existing audio and video objects via drag & drop.

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Media Pool
Navigation buttons Forward/Back With the Back button you can always return to the folder where you were previously. The "Up" button brings you to the next highest folder level. You can access all available drives via the drive menu button. At the top center you will see the path of the current folder. Use the arrow button to open the menu in which you will be able to find the folders you previously visited. All functions of the context menu (switch views, rename or delete files, etc.) can also be accessed via the options button.

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Upwards

Drive menu

Browse history list and path details

Options

CD/DVD Clicking this button once reads the CD that is currently in the CD-ROM drive. In the case of data CDs, all directory and file formats supported by MAGIX Music Maker 2008 are displayed in the file manager. In the case of audio CDs, all tracks appear in the file list. Own Projects This button opens the ‘MyAudioVideo’ directory, which is automatically created on program installation. By default, arrangements are exported to and saved in this directory unless changed by the user. Database This button displays the media files on your computer in a well-structured database view. This means the files are no longer displayed according to where they are stored in the different folders but are grouped according to general characteristics. The top "folder level" is the difference in audio, video or image files; subfolders would be, for instance, the date for www.magix.com

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Media Pool
photos or the artist for MP3 files. In order to present media data on your PC in a database view, you first have to add them to the MAGIX database. To do this, click on the database button to the right and select the option Start media manager for photos and music. This opens the corresponding MAGIX program and the database scan function of the program. MAGIX Music Maker 2008 comes with the free photo and music management programs MAGIX Photo Manager and MAGIX Music Manager. If you have the corresponding free versions, MAGIX MP3 Maker or MAGIX Digital Photo Maker, they will be used instead. By right-clicking on "Database" and clicking on "Database search" you can open a special search dialog in which you can carry out a targeted search for media. Search the database

Quick search: Simply enter a keyword and highlight the data type (photo, audio, video). All available Database columns are searched for the keyword. www.magix.com

You can search up to three database columns that are connected via "and" or "or" simultaneously. "AND" means: Only those files will be listed that match all criteria. "OR" means: Only those files will be listed that match at least one of the criteria.

Soundpool settings
This setting can be used to access soundpool media. Access to the supplied soundpools is via a new, more clearly laid out database overview that enables the display of loops, multiple styles and instrument categories, for example, all bass loops of every installed style or every loop of a style. If during installation you no longer have the Soundpools on your hard disk, insert MAGIX Music Maker 2008 installation DVD into the DVD drive. The contents of the soundpool media will now be imported into the database. Other soundpool media are automatically recognized and added to the media database. Soundpools already present on the hard disk can be imported via "Import" into the database. A soundpool consists of one or more Styles. Styles are sample and take libraries that belong together and cover a certain musical style. The samples of one style all have a certain tempo. You can mix samples from different styles, and the tempos will be adjusted accordingly. Within a style samples are ordered according to instruments, and one instrument folder contains different sounds (samples or takes). Each sound can have a different pitch (except for drums and sound effects).

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Media Pool

The soundpool display consists of several columns: First, all styles available in the database are shown. In the second column loaded instruments are listed. The third column "Name" contains the list of the samples found. At the very end the different pitched are displayed (if available). Under the match list an entry field for full text search is found. The list of samples found is created after entry selection in the first two columns. With Ctrl + mouse click you can reduce or expand selection. No selection (Ctrl + click on a single selected element) shows all entries from this category. If you select an instrument (for example, "Drums" and "Percussion") and no style, all drums and percussion samples of the whole database displayed. In the search field you can search the list of the samples found according to a certain sound file name. Multi-view: You can use this menu to subdivide the match list of the Soundpool display and use up to four different soundpool folders at the same time. For each list a separate search query can be set.

Synthesizer
This button opens the folder containing your synthesizers. Read more on this in the Software Synthesizer (on page 110) chapter.

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Media Pool Template setting
Use this button to access the effects library, which was copied onto your hard disk on installation. Directories for audio effects („Audio FX“), 3D audio effects („3D Audio FX“), presets for the Vintage Effect Suite („Vintage FX), video effects („Video FX“, „Video Mix FX“), automatic animations („Visuals“) and title templates („Title“) can be opened using these buttons. You can also add effects by drag & drop. They can simply be dragged onto the corresponding object using the mouse. You can also precisely set up the video and audio effects via the realistic effect rack (on page 132) or video controller (on page 164) using the context menu.

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Setting "Catooh"
You can preview multimedia files from the Online Content LibraryCatooh , load them into the arrangement and further edit them. Please read the chapter entitled Catooh (on page 183)!

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Videoscreen

Videoscreen
The video monitor can be positioned anywhere on the screen. The size is variable. To set the size, right-click on the video monitor and select the desired size from the context menu or adjust it yourself („user-defined"). Please note that larger video screens require more CPU power.

To detach the video monitor from the Arranger and Media Pool, deactivate the default layout in the Window menu. You can then position the screen anywhere you like. The video monitor can be increased to full size by double-clicking on it or pressing Alt+Enter. Escape (Esc) maximum screen mode. Furthermore, you can display a large time display in the video monitor. „Display play time" shows the current play marker position in the video monitor. You can choose the screen & background colors and transparency. The video monitor is transformed into an analyzer which displays the sound as a graphic. In the overview mode you can view the whole arrangement and you are, despite this, able to access the sought object in a split second you can zoom in directly to the video monitor or move around the clip displayed in the arranger.

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Videoscreen Meters
The video monitor is transformed into an analyzer which displays the sound as a graphic.

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Overview
In the overview mode you can view the whole arrangement and you are, despite this, able to access the sought object in a split second – you can zoom in directly to the video monitor or move around the clip displayed in the arranger.

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Mouse modes

Mouse modes
MAGIX Music Maker 2008 offers special mouse modes that can be selected in the mouse mode bar for different kinds of editing.

Mouse mode for individual objects
This is the preset mouse mode in which most changes are made. Select objects with a left-click. When the Shift or Control keys are pressed, multiple objects can be selected. Hold down the mouse button to move selected objects. In this mode the objects can be faded in or out or their lengths can be changed using any of the five handles. Please refer to the "Arranging objects" (on page 54) section. Right-clicking on an object opens the context menu with the most important effects and settings available for that specific object.

Object Link 1 Track
The mouse mode is a form of "intelligent mouse", whereby all objects on a track can be shifted as a group from the mouse’s current position. This is practical for instances when more space is required at the beginning of a track without the objects following it having to be shifted.

Object Link all tracks
The mouse mode is a form of "intelligent mouse", whereby all objects on all tracks can be shifted as a group from the mouse’s current position. This is practical for instances when more space is required at the beginning of a track without the objects following it having to be shifted.

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Mouse modes Draw objects mouse mode
In this mode you can insert further similar objects behind an already loaded object. Starting from the first object, the following objects are always inserted synchronously so that you can also think of this mode as the insertion of a "Mute" automation from a continuous loop. You can read more about this in the paragraph "Drawing in loops (on page 59)" in the chapter "Arranging objects".

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Split objects mouse mode
You can split objects quickly in the mouse mode in order to, for instance, remove unwanted parts or attach various effects to parts of an object.

Stretch mode
This special mode is used to adapt the length of objects. Audio objects are stretched or compressed by means of time stretching at the bottom handles. While in standard mode, objects are either played in a loop during stretching, or the portion of material played is reduced during compressing, stretch mode allows the entire object to be played either slower or faster. Video objects can also be accelerated or slowed down by means of the bottom handles.

Object prelistening mode
In this mode you can prelisten to mouse audio objects as long as the mouse key is pressed: from front to back and irrespective of the start and end markers in the timeline. Other object types are protected against accidental moving.

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Mouse modes Scrub mouse mode
By holding down the mouse button, the arrangement can be previewed at the point where the cursor is positioned. The playback marker follows the movements of the mouse. This mode is especially suited to searching for specific parts of an arrangement.

Replace Mouse mode (1 Click Loop Selection)
This mouse mode simplifies the selection of suitable samples: a left mouse click on an object exchanges the object automatically with another from the same instrument category in the MAGIX Soundpool. Shift + left mouse click retains the object while changing the pitch. Ideal for rapid experimentation!

Context Help mouse mode
In this mouse mode you can open the corresponding Help section by clicking on any area of theMAGIX Music Maker 2008 screen.

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Arranging Objects

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Arranging Objects
In MAGIX Music Maker 2008 you can jointly and uniformly load, arrange, edit and export different multimedia file formats. This chapter describes the basic way of working with multimedia objects. This includes audio objects, video objects, graphics, midi objects and synth objects. Later chapters will describe the peculiarities of the respective formats. All object editing is virtual, non-destructive, and is calculated in real-time during play. The multimedia material is thus not destroyed (non-destructive editing) and any change can be cancelled with the multi-stage undo function (Ctrl + Z). You can experiment to your heart’s content without having to fear that you will change or damage the original material.

Save and load arrangements
An „arrangement" is what we describe as any object (audio, video, MIDI, graphics, synthesizers) together with their positions, fades, length, volume and brightness settings, and effects that can be found in the arranger. Arrangements can be saved and reloaded as MMM files via the File menu. When loading arrangements, you should make sure that all objects being used are available in their respective folders. It’s often recommended to use the function "Backup arrangement…" (Menu file >Backup copy). Then the whole arrangement, with all its objects and effects, will be saved to a definable folder on the hard disk and can easily be loaded from there.

Multimedia files and objects
All multimedia files supported by MAGIX Music Maker 2008 can be previewed or listened to in the File Manager using a mouse click and dragged into the arranger with the mouse held down (Drag & Drop). The files are displayed as objects in the tracks after the mouse is released. Using the Tab button you can switch between two object display views.

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Arranging Objects
In alternative display modes the objects are not represented frame by frame, but simplified. This is useful for quicker representations of video objects: RAM is saved and the overall performance improved. Audio objects will be shown using one or two(for stereo) waveform representations. Right-clicking on an object opens the context menu with the most important editing options available for that specific object.

Select objects
To edit or delete objects using the menus, you must first select them. To do so, simply click on the object you wish to select. When the Shift key is pressed, multiple objects are selected. Object modifications like cutting, moving, effect allocations and so on, apply to all selected objects together. The handles of selected objects light up to show that the accompanying object has been selected and can be edited using the menu functions. Several objects can be selected quickly by clicking on the first object in the first track with the mouse and dragging out a square for selection. All objects entirely or partially within the square will be selected (rubberband selection).

Mute objects
Each object can be muted individually. To do so, select the objects you wish to mute and press F6 (or use the corresponding command from the context menu).

Build or split object groups
Several objects can be combined to make up a group, to avoid the objects being unintentionally moved out of relation to each other. Once they are combined, clicking on one object of a group will select the entire group. To group or ungroup objects, use the buttons in the tool bar or the corresponding commands in the "edit" menu. www.magix.com

Arranging Objects Split objects
Any object can be split up. Every one of these object parts becomes an independent object in itself.To cut an object, select the object, move the start marker to the edit point and select the "Split object" command from the "Edit" menu or press the „T" key. It’s even easier with the mouse mode "Split objects (on page 53)" To rejoin the separate objects afterwards, select each of the objects and choose "Group". This command joins all of the selected objects into a single object-group.

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Exact object positioning
It is often necessary to position objects very exactly in order to maintain the beat or avoid creating clicking during transitions or small pauses between objects. In MAGIX Music Maker 2008 every object is gridded on the edges of other objects, resulting in cleaner transitions. In addition, objects are placed on defined positions on the grid of the arranger track. You can read more about the grid in the arranger chapter grid (on page 36).

Duplicate objects
Objects can be duplicated very easily in order to create larger arrangements. First, the objects that need to be duplicated must be selected. Then select the command "Edit menu -> Duplicate objects" A copy of the object appears right beside the original which can be moved to any position with the mouse. It’s even faster if you click on the object that has to be copied and hold down the Ctrl-key at the same time. An object is then created which can be dragged to the desired position. Furthermore, object copies require virtually no additional memory! Another way to duplicate is by using the copy/edit commands from the edit menu (on page 209). www.magix.com

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Arranging Objects Object handles

With the help of the object handles, fine positioning, volume and brightness settings, fading in and fading out as well as loops can be carried out directly in the arranger. All editing is carried out in real time and is already calculated during playing. The multimedia material is not destroyed in the process (non-destructive editing); any change can be cancelled with the multi-stage undo function (Ctrl + Z). Object fades With the handles on the top left and right, it’s possible to fade an object in or out. By fading objects in and out onto different tracks, it is possible to carry out crossfades between different objects. The length of the crossfading can be directly regulated with the handles. Shortening or looping objects Objects are ‘cut’ virtually by ‘compressing’ them with the mouse. ‘Pulling’ them to the right can stretch them, which results in the object being played as a loop until the play cursor reaches the end of the object representation. In this way it is possible to very quickly create an entire drum track from one single drum loop or to create a long video from a short video sequence. Guide the mouse to one of the bottom corners of the object until the mouse pointer turns into a stretch symbol. Now you can stretch or compress the object until it has reached the desired length. Normally an object is always looped over the full length of the underlying data material (audio or video file). To set a clip from a file as a loop, shorten the object at the front and the back with the handles and choose the command "Edit menu > Insert user-defined loop". This function is very useful for setting your own recording as a loop, as the silence at the beginning of a recording can be cut away. www.magix.com

Arranging Objects
Adjusting volume/brightness With the volume/brightness handle in the top center of the object you can change the volume of audio and MIDI objects or adjust the brightness of video and bitmap objects. If several objects are played in parallel, it is possible to individually adjust the volume or brightness ratios between objects in this manner. The volume and brightness ratios between tracks are adjusted in the mixer.

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"Draw in" loops
Audio loops can be drawn into the arranger tracks with the mouse. For this you have to set the mouse mode to "Draw objects" by clicking on the corresponding icon in the mouse mode menu. Now an audio sample has to be loaded which will serve as a template and which will then be drawn into the following area of the track as a loop in the track. This works as follows: 1. Load any loop from the Media Pool into the arranger. 2. Click on an area further back on the same track and hold down the mouse button to draw in the loop. Starting from the first object, the drawn-in loop area is always synchronous with the beat. This means: The drawn-in loop is not played from the beginning, but rather starts from the position where the original loop would be, if you had continued to this position. Or, if we put it differently: A running loop can be found on the track and you can draw in at which position you can hear it ("Mute automation"). The synchronous start of the object in this mode has another consequence: When an object is moved only object borders are moved, the underlying loop, however, always remains intact.

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Arranging Objects Takes
Every object can be saves as a "Take". Takes save all editing done on an object, like object length, fade settings and all object effects. MIDI takes save the instrument controlled by them (MIDI output or VST instrument). Takes are saved as "TAK" (*.tak) files and take up virtually no space on the hard disk. Thus, you can cut a sample, add various effects to it and save it as various takes in order to use these together with all their editing in other MAGIX Music Maker 2008 arrangements. The original sample will not be changed, only object and effect settings will be saved. You can also save Synth Objects as takes, thereby creating own preset libraries for the synthesizer. MAGIX Music Maker 2008 supplies many takes on content CDs. Takes can be identified by their symbol in the Media Pool. Warning! On loading the takes, the audio or video file, for which the take was added, must be in the original folder.

Object properties
This function displays all the information about the currently selected objects, such as file name, position on the hard disk, tempo, etc. The Object Editor also defines the foreground and background color of every object in the arrangement. In the Tempo/Pitch tab, information on the patched/determined tempo and pitch of the audio object is shown. Furthermore, there is an overview of how the various timestretching/pitchshifting operations affect the entire audio object. The tempo/pitch adjustment when loading the sample and the effect of the master tempo fader and of the time processor as object effect tracks are offset against one another, but, at worst, can be added, creating factors which cannot be implemented satisfactorily. For this reason, there are two buttons which can be used to double/halve the object speed. Please use these buttons when the tempo of some loops were wrongly interpreted as twice or half the speed. www.magix.com

Arranging Objects Remixing complete tracks
t’s easy to create remixes from external music sources such as audio CDs or MP3 files. Load the song into the arrangement with drag & drop using a drag-and-drop operation just as you would with any other audio file. When the song is being loaded, you are given the option of using the Remix Agent (on page 70) to split the song into structural segments. Once you have done this, you can use the Remix Maker to automatically generate a remix. A complete remix is ready at the press of a button! The smaller segments can often also be used as a starting point for new tracks. If you don’t like the results – just run the Remix Maker again!

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Record audio output
You can record the complete audio output of MAGIX Music Maker 2008 directly into a WAV file. The option "Write real-time audio in WAV file" can be found for this in he "Playback parameter" dialog (Menu "File > Settings> Playback parameters" or button "p"). If this option is activated, with the next start the complete playback of the arrangement will be recorded live. With the next stop you can save your recording and load it for immediate editing in the arrangement. Use different names to save your single sessions, ensuring that no recording will be mistakenly erased.

Remix
By using the cursor keys, the playing range can be changed while playing. This turns MAGIX Music Maker 2008 into a live instrument which can be played directly using the keyboard. The current range is always played to its end before jumping to the new range – seamlessly and in time so that you don’t have to worry about exact timing. Simply lay a few good loops in the arrangement one after the other and put them in the right sequence using the keyboard. In combination with the Live mode, you can genuinely perform live www.magix.com

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Arranging Objects
with exactly the right sound and without ever losing the rhythm. How? Because loop resampling takes place in real-time.

Mixdown tracks
If the arranger becomes too full to manage, the system is out of RAM, or you just want to ”summarize” your production, use the mix down function to convert the entire audio arrangement into a single audio and/or video file. To do so, choose the "Mixdown" function from the "Edit" menu. You can choose a name and a destination for storing the mix down object. The default directory is ”My Projects”. If only audio objects are in the tracks, a wave file will be created. If audio and video objects are combined, you can choose whether an audio or a video file will be created. The objects of the arranger or the area will be replaced by the new object. MAGIX Music Maker 2008 automatically normalizes the audio file, i.e. the loudest part of the wave audio object is identical with the highest figure of the 16-bit resolution ceiling. This guarantees the same sound quality, even if you repeat the mix down procedure or you combine the mix down file with other wave audio objects again and again. Tip: The mix down function is very helpful if you want to go on using the mix down object. To create the finished end version of the song or video it is recommended to select the "Export arrangement" (on page 188) function in the "File" menu instead of the "Mixdown" function.

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Audio Objects

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Audio Objects
Audio formats
MAGIX Music Maker 2008 loads and edits audio files in the formats Wave (.wav), OGG Vorbis (.ogg), Windows Media Audio (.wma), MPEG (.mpg), MP3 (.mp3) and CDA (Audio CD tracks). The stereo or mono data of a file are displayed as an object in the arranger of the MAGIX Music Maker 2008. The material will be displayed as a waveform, optically representing the sound, making editing easier. Along with Wave files, MP3 files (after activation of MP3 encoder (on page 232)), OGG Vorbis (.ogg) and ringtones can be exported.

Load and process audio files
All importable audio files can be accessed via File Manager and previewed (audio) by a click on the file name. Tracks from audio CDs can also be integrated by Drag & Drop into the arrangement. Edits, fine positioning, volume adjustment, fading in and out, are all processed using the object tab directly in the Arranger. Please see the chapter "Arrange Objects"!

Smart Preview for the incorporated samples
The incorporated samples can be listened to while the arrangement is playing. They always run synchronized to the current song that is playing. You can load samples while putting together a song in real-time and search for appropriate new "building blocks" simultaneously By simply clicking on the mouse or pressing the Enter key you can add the loop to the arrangement or remove it by pressing the Del key. The subsequent loop can also be selected quickly by pressing a key (arrow down) or you can switch to the next instrument (1...0 via the letters) or the next bar (Num +), or by clicking on the button.

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Songs, noises or instruments can be easily recorded in MAGIX Music Maker 2008 using the recording function. Connecting the source for recording First the source of the audio material must be connected to the sound card input. Again, there are several possibilities primarily depend on the type of equipment you have. If you want to record material from a stereo system, you can use the line-out or AUX out jacks on the back of your amplifier or tape deck. This involves connecting them to the sound card input (usually red). If your amplifier has no separate output (other than for the speakers), you can use the connection intended for headphones for your recordings. In most cases, you will need a cable with two mini-stereo jacks. This type of connection has the advantage of being able to set the headphone input signal level with a separate volume. As headphone connections generally are not the best, it is advised that, when possible, you use the line outputs. When recording cassettes from a tape deck, you can connect the tape deck's line outs directly to the sound card input. When recording from vinyl records, you should not connect the record player's output directly with the sound card, because the phono signal must be pre-amplified. A more suitable method would be to use the headphone connection or an external pre-amp. If you are recording from a microphone please connect the microphone to the mic jack on your sound card (usually red). Adjusting the signal level Adjusting the signal level to the sound card is also recommend to get the best sound quality when recording digitally. Once a recording source is connected to the sound card, the Record button opens the recording dialog and starts the recording source. If the adjustment is set too high, distortion occurs and the incoming signal must be reduced. If you have connected the source through either an amplifier or tape deck output to the sound card, you can only reduce the signal level in your sound card's software mixer interface. You can access the mixer directly from within the recording dialog via the "Recording level" button. If you reduce input sensitivity by using www.magix.com

Audio Objects
the input fader, the resolution at which the analog signal is digitized is also reduced. Try to set these automatic controllers to the loudest sound level possible! The maximum setting for an optimal level is the loudest part of the material. The loudest part should be adjusted to be the maximum.

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Import audio CD
The steps are similar to transferring Wave files into an arrangement: • Insert an audio CD into the CD/DVD drive of the PC • Go to your CD/DVD drive in the Media Pool. The individual CD titles appear in the file list. • A simple mouse-click starts the playback of the CD title for prelistening. • Drag & Drop into one track of the current arrangement and the CD title will be grabbed and copied to the hard-drive. The files will be saved in the Import directory. (Program settings -> Folders) • The audio object appears in the track and can be played back or edited immediately. A special program is used for digitally importing the audio data from the CD/DVD drive. Some drives do not support this mode (an error message will be displayed) or support will only be of low quality (the audio objects will contain crackling). If this method does not yield a satisfactory result, you can open the CD Manager via the menu command "File -> Read tracks from audio CD". This option opens the CD Manager where you can select tracks from audio CDs and import them into the arrangement. You can also select the drive if you have more than one and adjust the import settings. If this is also unsuccessful, you can also play the CDs using the drive and record them with the sound card. More can be found in the Record Audio CDs (on page 69)section. CD Manager This option opens the CD Manager where you can select tracks from Audio CDs and partially or fully import them into the arrangement. You can also select and configure the used drive if you have more than one drive. The CD Manager lets you import audio data using most CD and DVD drives. You may have to contact your technical support to find out www.magix.com

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which drive is suitable. The data is imported digitally, thus eliminating loss in sound quality. Audio tracks are imported into the arrangement as wave files. The files are saved in the import folder. (File menu > Properties > Program settings > System > Path settings) To import audio tracks via the CD Manager you should proceed as follows: 1. Insert an Audio CD into the drive and select "Import Audio CD track(s)" from the File menu. A dialog with a list of the CD tracks will open. If you have more than one drive, you may have to first select the drive containing the CD. You can do this in CD drive options (on page 67). Select the desired tracks (multiple selection by Ctrl + mouse-click). Click on "Copy selected track(s)...". The "Import project" dialog will now appear. Here you can enter the file name and select the target directory. The audio material is then copied from the drive onto the hard disk. A progress bar is displayed. Once ripping is complete, the dialog will be closed and the tracks are inserted into the arrangement as individual objects.

2. 3. 4. 5. 6.

The track list dialog

On the left-hand side in the list you can choose which track(s)/title(s) you wish to import from the CD. Several subsequent tracks can also www.magix.com

Audio Objects
be selected by holding the Shift key and left-clicking; Ctrl + mouse-click selects several tracks. "Copy selected track(s)" starts the audio copying process. A new object is created for every track in the arrangement and the corresponding track marker is created. Transport control: This lets you start and stop playback just like on a real CD player and skip forward and backward in the playlist.

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Use the small faders to control the preview volume. With the faders at the bottom you can go to a specific position in a track. To import just one section of a CD track, choose "Start selection" at the beginning of the section and "End selection" at the end. Below the transport control details on the total length and the memory capacity of the selected track/section are displayed. Select all tracks: All tracks are selected, for instance, to copy the entire CD. In the right selection box you can select the read speed, and in the left one you can select the export mode (see Configuring the CD-ROM). CD drive options: Here you can change the settings and select the drive for grabbing the CD if you have installed several CD drives (see also CD-ROM drive dialog (on page 67)). "Import project" dialog: The "Import project" dialog appears after you have selected the option "Copy selected tracks". Here you can specify name and target address of the audio files. The audio files are subsequently numbered (name -> name_1.wav, name_1.wav). Copy-protected audio CDs According to the copyright act it is forbidden to copy a CD with copy protection. However, an owner of a CD may create a backup copy for himself. The problem is, however, that you cannot create a copy from copy-protected CDs, as they cannot be read with a conventional PC drive. In order to create a backup of such a copy-protected CD you have to play it on an audio CD player and record it as a regular analog recording via the sound card.

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The Drive List dialog box Track List: This button opens the Track List dialog box for copying on or more tracks. Configuration: This button opens the Configuration dialog box, where various Special Settings, SCSI-IDs etc. can be set. Reset : Resets the standard drive settings. Add. Drive: Creates a new drive entry into the list for which Special Settings are still necessary. Clear Drive: Deletes the selected drive from the list. Save Set-up: saves the current drive list and all the configuration data in a *.cfg file. Load setup: Loads the current Drive List and all the configuration data from a *.cfg file. The CD-ROM Configuration dialog box Drive name: The name of the drive can be entered here. This is useful if several entries are used for the same physical drive. Host adapter number: The number of the SCSI-Host adapters (usually 0) is entered here. SCSI ID: The SCSI-ID for your CD-ROM drive can be entered here. Pay attention to the correct ID number, you will not be questioned if an error is made here. SCSI LUN: Sets the SCSI LUN parameters, normally 0. Alias: The name of your CD drive manufacturer can be entered here. Copy mode normal: Copies the audio data without any software correction. Copy mode Synchronization sector: Copies the audio data with a special correction algorithm. This is especially useful as many CD drives have problems re-addressing a specific position accurately, which can lead to crackling. Burst Copy: Optimizes the speed of the die copying process; no software correction will be used. www.magix.com

Audio Objects
Sectors per cycle: Defines the number of audio sectors that are to be read from the audio CD in one read cycle. The larger the sector size the faster the copying process will be completed. However, many SCSI systems have problems with more than 27 sectors. Sync Sectors: Sets the number of audio sectors that will be used for software correction. The larger the number, the better the correction will work, but it will also be slower. Recording Audio CDs In some cases, however, the CD can be ripped while recording. The CD track is simply played on the CD/DVD-ROM drive and recorded by the sound card. Here you should note that the digital track data from the digital analog converters of the CD-ROM drive have to be converted into analog signals and then into digital data by the analog-digital converters. Depending on the quality of the converter used, this can lead to losses in quality. Before beginning this, the "Load tracks via record dialog" option in the "File" > "Properties" > "Program settings" > "Audio" has to be activated. The audio output of the CD-R drive must also be connected with the input of the sound card. This is already the case with most multimedia PCs. (If not, it can be accomplished with a small cable inside the computer). When "Load CD tracks via record dialog" is active, song parts can also be added to the arrangement without having to load the entire track.

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Audio Objects Remix Agent – Tempo and Beat Assignment

The Auto Remix Assistant is a powerful tool that determines the tempo(measured in beats per minute, or BPM) as well as the timing of the beats for songs’ quarter notes. This is important. For example, when an audio CD title is imported into MAGIX Music Maker 2008 and you then wish to mix in sounds such as drum loops, effects or synthesizer voices. When to use the Auto Remix Assistants • When the tempo of the arrangement must be adapted to the tempo of the song. • When the tempo of the song must be adapted to the tempo of an existing arrangement. • When the song is to be cut up precisely to create a remix object, which can then be re-arranged as desired. www.magix.com

Audio Objects
Requirements for using the Remix Agent • Songs must be longer than 15 seconds. • Songs must be "rhythmic" (can be danced to). Songs must be in stereo format.Note: For analysis, it is presumed that the song is recorded in 4/4 time. If one of the above requirements is not fulfilled, the Loop Finder can be used. If songs longer than 15 seconds are dragged into the arrangement, the Remix Agent is started automatically. When loading short samples (< 15 sec) the tempo is specified automatically and some loops are similarly automatically customized to the tempo of the arrangement. This also applies to previewing in the Media Pool (Smart Preview). This method can be deactivated individually in the audio/video options (A key). You can find out more in the "File" menu > "Properties" > "Program settings" section. Preparation: Setting the Start Marker and Object End Before opening the Auto Remix Assistant one should set the start marker at the position in the song object in the Arranger where detection is to start. If the song contains a long intro without beats, set the start marker after the intro. As a rule of thumb, the Auto Remix Assistant should always be "fed" with "dance" music. • The start marker should be set before a quarter note beat or, better still, briefly before a beat at the start of a bar. • If the start marker lies before the song object, the object is examined from the beginning. • If detection is not performed by the end of the song, the object can be shortened accordingly with the object handle at the end of the object. Step 1: Automatic Tempo Recognition When the Auto Remix assistant is called up, the selected song object is analyzed and subsequently played. A metronome begins to click according to the result and lines visualize the positions of the quarter notes found in the wave-shaped display. The following cases are differentiated: • Position of the start of a measure (the one): red line. • Position of the other quarter notes (the two, three and four): green lines. www.magix.com

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• Reliably recognized positions: thick lines. • Unreliably recognized positions: thin lines. • When tapped, blue lines appear. If the tact and tempo information is already present, points are indicated above the display at the appropriate positions. The metronome volume can be regulated below and to the left of the wave-shaped display. To the right, the BPM value is indicated. If a valid BPM value was found, it is displayed in green. If the metronome clicks in time with the music, the measure start is correct. If not, you can correct the tempo manually. Correction: Setting the manual and and Onbeat/Offbeat If the result is incorrect, you can help the Auto Remix Assistant with a few mouse clicks on the correction buttons. There are two possibilities: On the one hand, the "Tempo correction" list offers alternative BPM numbers, which could also fit with the music. The adjustable BPM values are detected automatically – the total number op BPM can therefore deviate from song to song. With difficult audio material we recommend the use of the Tapping Input mode. Either the T key must be pressed or the Tap Tempo button must be clicked with the mouse in time with the music. With repeated tapping of the tempo correction button, one should keep an eye on the color in the BPM display. In the "unlocked" condition (red) the tapping is not in time with the music. One should tap until the "locked" condition is displayed. After a short time one hears if the result is correct through the metronome. Subsequently, Offbeat correction takes place - if required. If the detected quarter notes beats lie around the length of an eighth note (transferred behind the real positions of the quarter note beats), one or more alternatives can be selected from the Onbeat/Offbeat correction list. Step 2: Determining the start of a measure Next the starting point of the measure is corrected. The beat at the start of the measure must always agree with the high tone of the metronome and/or the red line in the wave-shaped display. The correction can take place via tapping: If the start of the measure can be be heard, tap one with the mouse or press the T key. Alternatively you can also select by how many quarter notes the "one" is to be pushed to the rear. www.magix.com

Audio Objects
If the starting marker was set briefly before the first beat of a measure, this correction is not necessary. Note: With all corrections the metronome and visualization react to the lines in the wave shaped-display only after some time. Step 3: Using BPM and beat detection Now you may select one of the actions to be adapted to the arrangement song (or vice versa) or cut up the songs at the ends of a measure. Save only Tempo & Beat information Only Wave file data is stored. This makes sense if when determining beat / tempo some manual post-correction is required. When the data is stored, tempo & beat regulation can be relinquished for future tempo adjustments or the creation of remix objects. Tempo adjustment Setting the Object Tempo to the Arrangement Tempo This fits the object length into the existing arrangement. Three different procedures are possible: timestretching, resampling or audio quantization. • With timestretching, the pitch of the song remains constant, but sometimes the sound quality can suffer. • Resampling changes the pitch (similar as to when changing the speed of a record player), and retains the sound quality of the song as much as is possible. • During audio quantization, the audio file takes the tempo adjustments into consideration as if the first remix object (see below) were created and combined immediately into a new audio file. If the recognition is uncertain, extreme tempo fluctuation may result. Here it is particularly important to set the starting marker so that the tempo is definitely recognized. The advantage of audio quantization is that small tempo fluctuation in the music balances out. The start of the measure always agrees with the start of the arrangement measure and never plays out of time. Setting the Arrangement Tempo to the Object Tempo The arrangement takes on the BPM value found. If you would like to use the cut up song as the basis for a new composition - as with remixes - this option should be active.

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Creating Remix Objects The Song is cut by beat into individual objects. Targeted applications may include: • To produce loops from complete songs, which can then be used with other material. Importantly, not all remix objects are suitable as loops – ideally less complex material should be used, for example drums from a intro. • To remix songs, thus changing the sequence of the objects, cutting or doubling beats or to enrich the song with other loops or synth objects. • To mix two songs: If impacts and tempo fit perfectly, can you blend the songs without "side effects"? This option can be called up later from the object menu, so long as the tempo data is stored. The Audio Quantization Option: Option audio quantization: Fits new objects exactly in time with the arrangement. With self-made music, tempo fluctuations are common and therefore different measure lengths may occur. Nevertheless, in order that the objects fit into the rigid timing pattern of the VIPs, the time processor is activated automatically and object timestretching is used to correct the different lengths. Setting resampling for small corrections: If the necessary corrections are very small, better quality resampling can be used instead of timestretching. Afterwards however you should not change the master tempo any longer, since definite pitch changes may arise. Remix Objects in Loop Mode: New objects are placed into the loop mode. When extending the object with the right object mouse handle, the the original length of the object is played again and again. Setting the Arrangement Tempo to the Object Tempo: (see above) Note:Time correction assigned to objects can be subsequently cancelled if the time processor is called up and edited (menu entry: Timestretch/ Resample Object - or double-click on the object to open the FX racks that also belong to the time processor.) Cancel: The dialog is closed.

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Audio Objects
Problems and Remedies regarding the Auto Remix Assistant Problem: The playback stutters, the metronome is suspended, the computer is overloaded... (on older computers.) Remedy: We recommend changing over to Wave drivers ("p" key, dialog: playing parameter) instead of Direct Sound. Problem: The metronome does not work and there are no lines on the the wave-shaped display. Probable cause: The material does not contain beats or the song contains a passage without beats. Remedy: The Song should be limited in such a way that only rhythmic passages are contained. Possible 2nd reason: Inaccurate tapping or a false BPM value has been entered. Remedy: Try the tempo correction buttons or tap until the "locked" condition is attained. Problem: The metronome sounds inaccurately or is jerky, the lines in the wave-shaped display are irregular and thinly drawn.

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Remix Maker

The Remix Maker is connected directly to the Remix Agent. Use it to automatically generate remixes. The loop objects sliced by the Remix Agent are regrouped according to defined criteria. Simply choose one of the four ‘virtual DJs’, each of which represents a different remix style, and set the remix length and structure.

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Opening the Remix Maker 1. New song • Load the new song you want to remix. This should contain clearly defined rhythms. • When the song is loaded, the Remix Agent pops up to give you the option of dividing the song into its structural segments (see "Remix Agent" above). • Select the option "Open Remix Maker" from the Remix Agent dialog box. • Once the Remix Agent has sliced your song, the Remix Maker is started automatically. 2. Existing, edited song (in the Arranger) • Load a song arrangement that is made up of loop objects. • Select one of the loop objects. • Select "Remix Maker" from the shortcut menu (right mouse click). 3. Long, unedited audio object (in the Arranger) • Load an arrangement containing a long, unedited audio object. • Select "Remix Maker" from the shortcut menu (right mouse click). • You are then given the option of generating remix objects. Presets Choose one of four virtual DJs with different remix characteristics. We recommend you try them all out and see which results you like best! Remix Length Very short: around 20 seconds Short: half the length of the original song Normal: regular length of the original song Double: twice the length of the original song Shuffle mode This determines the selection and order of the objects. Do not change: The order of the objects are not changed. Change slightly: A ‘pattern’ (sequence of objects) is either repeated www.magix.com

Audio Objects
or the next pattern inserted. Distant: Objects that are far apart in the original song are placed close to each other. Random: The objects are ordered randomly. Fill mode A ‘fill’ or ‘fill-in’ is created when the loop object sliced by the Remix Agent again to produce very short objects that are looped or played in rapid succession. Fills are used to liven up the regular beat. None: No fills are included Use slightly: A few simple fills are included Strong accentuation: Many complex fills are included Use randomly: Different kinds of fills are used in a random order. Loop Finder The Loop Finder has been developed to find the BPM in short rhythmic passages, to integrate short loops in an existing arrangement, or to yield drum loops from short rhythmic passages. Otherwise, the BPM Finder helps in this regard. More information under “Effects” menu.

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Change the playback tempo or pitch
Change tempo or pitch of individual objects With resampling, timestretching and pitchshifting you have three top quality effects at your disposal with which you can change the pitch and tempo of the selected audio objects dependently or independently of each other. They can be reached via the effects menu. The functions can be used for all audio files, i.e. for the supplied samples as well as for your own recordings, CD tracks or sounds from the Internet. The quickest way to change the playback tempo is by using the “Stretch” mouse mode, which lets you push together or stretch out www.magix.com

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Audio Objects
the audio object using the handles at the bottom, which then, in turn, changes the playback speed of the object (c.f. “Mouse modes” chapter). Automatic tempo and pitch adjustment Automatically adapting Waves to BPM If this mode is activated (in the Menu "File > Settings/Information > Audio/Video options"), MAGIX Music Maker 2008 already attempts to automatically adapt all samples to the actual song tempo while it is being loaded from the Media pool. This occurs via real-time Time-Stretching and has worked particularly well with loops in the new MAGIX-Series, where the original tempo is entered in each Wave file. For loading into the arrangement as well as pre-listening, music maker adapts samples to the tempo of the arrangement, because the new MAGIX Soundpool samples contain tempo information in the wave file. It also works with all other loops so long as they are "clean" i.e. cut to the right length. With "for patched samples only", the automatic timestretching for all other samples can be deactivated. With "use even on longer samples" - longer Samples are also adapted if the remix agent can access their tempo and beat information. Naturally, the original tempo of the loops and the song tempo should not vary too much; otherwise you will not be able to expect perfect results! Automatically adapting Waves to tone levels If this mode is activated, MAGIX Music Maker 2008 automatically adapts samples from various soundpool CDs to the current sound level in the arrangement. Since the sample name and therefore the harmonic organization of the sounds applies individually for every style type, it is possible that two samples from two soundpool CDs that both have the harmony code of 01 will have differing sound levels. Such differences will automatically be modified within Auto-Pitch mode.

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Audio Objects Harmony Agent

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The Harmony Agent is designed to analyze harmonies. The music track is analyzed first when you open the Harmony Agent. The Harmony Agent tries to automatically identify the harmonies for each beat of the music. Thus the right beat information (on page 70) is an important prerequisite for a properly-functioning Harmony Agent. During subsequent playback, the detected harmony is played by an internal generator for verification purposes. You can adjust the volume with "Volume Generator". "Mute" deactivates the generator.

The transport control controls playback of the music track. The position slider below lets you quickly move to a certain passage.

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Audio Objects
Check and correct the automatic harmony recognition After the analysis, you can manually correct harmonies which were not correctly identified. Note that major chords are written with capital letters and minor chords with lower-case letters. Left-click on the respective harmony symbol in the wave display. Hold the key if you want to mark several subsequent harmonies. If you right-click on selected harmony symbols, a menu containing alternatives will be displayed. The initially recognized harmony is marked with an *. If there are no alternatives, you can select the correct "Keytone" or "Chord" from the "Correction" section of the menus. Use the option "Replace selected harmony in the entire song" if you are sure that the incorrectly recognized harmony is not included in the entire song. A mix-up between major and minor is typical in this case. Once you are sure that all harmonies are set correctly, click on "Continue". Use harmony recognition Here you can use the information from the Harmony Agent. There are different possibilities to output harmonies. • You can create picture objects in the arrangement that display harmonies graphically in the video monitor and in synch with the music. • You can save the information in the audio file. This also ensures that the harmonies are available later. For instance, if you want to display the harmony information in the timeline (Edit->Display Object Marker->Harmony Marker). • You can choose between different displays of the harmony symbols. You can use German, English or Roman symbols to name the tones. Furthermore, you can set the "preceding symbol" to force single harmony interpretation. With #, all notes are shown as "sharps" (C#, D#, F#), with B they are displayed as flats.

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Audio Objects Text to Speech
This allows you to type in a certain text and have the computer “speak” the words. Different types of voices are available and the volume and speed of the speech can be altered. When you are pleased with the result, you can create a WAV file that can be utilized like any other audio object in the Arranger. Load text: Here, texts in *.txt or *.rtf formats can be loaded. Save Text: A text can be saved. Test: You can hear the result of the text that has been entered. Voice: Choose from a variety of voice types. Tempo: This regulates the speed at which the voice “speaks”. Volume: This regulator controls the output volume. Format: The quality of the WAV file generated is controlled with this function. File: Choose the file path for the generated WAV file.

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Effects
The MAGIX Music Maker 2008 special effects are designed for modifying sound and adding sound tracks. As most effects operate in realtime the effect track offers ideal room for experimenting with creative sound design. It can be used for individual objects or as a Master FX rack for the overall sound. Please also read the chapter "Audio effects". It is even easier to use drag & drop for effects: Open the effect selection of the Media Pool and go to the audio effects directory. Now you can preview each effect. If you like it, you can simply drag it over the object with the mouse. That's all. Realtime effects Real-time effects are calculated while playing an object. The original audio material remains unchanged. The effect is re-calculated each time it is played. With realtime effects the object thus always retains its www.magix.com

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Audio Objects
original status. Non-real-time effects You can also use a series of so called “non-real-time effects” in the virtual effects tracks. These are effects that are calculated before an object (audio file) is played and thus changes the audio material. “Non-real-time effects”: • Gater / Re-ordering • Reverse • Invert phase Important notice: If you want to calculate “non-real-time effects” onto sound material from MAGIX Music Maker 2008 content CDs or MAGIX soundpool CDs, the sounds are saved to your hard disk.

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MIDI Objects

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MIDI Objects
What is MIDI?
A few words about MIDI: MIDI files do not contain the actual sounds like audio files, only the note control information which is first played by the synthesizer chip of the sound card. This has several advantages: 1. 2. 3. MIDI files need a lot less memory than wave files. MIDI files can be adapted to any beat (BPM) without affecting the sound. Only the playback tempo is changed. Similarly easy is the transposition of MIDI files to other pitches. When doing so, a section in a song does not have to be saved in several different keys. The version in C major is perfectly sufficient. It can then be transposed to any key by simply clicking on the right mouse button. In MAGIX Music Maker 2008 you can use VST instruments which play the notes contained in the MIDI files.

4.

The disadvantage of MIDI files: The actual sound is not yet set. Only during playback by the synthesizer chip of the sound card from external MIDI synthesizers/virtual instruments (VST instruments) will it be produced. High-quality sound cards or external synthesizers will sound completely different and better than standard sound cards.

Transpose MIDI
This function in the the context-menu is used to change the pitch of a MIDI object. Simply enter the number of half tone steps by which the playback is to be transposed up or down! The transposition is shown in the MIDI Object in the arranger with "+n" and "-n" (n is the number of halftones).

MIDI interface and external sound generator
Naturally, MIDI objects can also be played back over a MIDI interface onto external synthesizers, sound modules, etc. The MIDI drivers can be set in the Playback parameter window (P key or Menu "File > Settings > Playback parameters"). www.magix.com

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MIDI Objects Convert MIDI objects into audio files
If you use VST instruments, you won't have to convert these MIDI objects into audio data before exporting your entire arrangement as it creates the sound on your computer and can be processed there. If you still wish to do so (for example, to free up processing power on your PC), switch the desired MIDI track to "Solo" and export the arrangement. Then add the exported file back into your arrangement and delete the MIDI objects in the exported track. All MIDI objects which open external synthesizers via a MIDI interface (on page 83) will have to be converted into audio objects if you want them to be exported as well. They only contain control information for sound reproduction. For this to happen, the output of the MIDI synthesizer (for example, the sound card) must be connected to the input of the sound card. The MIDI data can then be played and recorded simultaneously via the record function. The result is an audio file that can be edited, which can, as usual, be exported together with the multimedia files.

Connect external equipment
Interface Connection Please consult your soundcard or MIDI interface manual for information on its correct connection. The most common ways to add MIDI functionality to computers are: • Multi-port MIDI interfaces, including separate devices. • Sound card with built-in MIDI interface. • via a General MIDI module or keyboards’ integrated interface, usually labeled as “To Host”. MIDI Cabling MIDI Inputs/Outputs: If your computer has an internal or external MIDI port, or has a MIDI-capable soundcard installed, connect your MIDI keyboard’s “MIDI Out” to the computer’s “MIDI In” (on the interface, soundcard etc.). If your MIDI keyboard can generate its own sounds, connect the computer’s “MIDI Out” to the keyboard’s “MIDI In”. If your computer (or the MIDI device) offers more than one MIDI output, connect any other tone generators to these. If the computer only has one MIDI www.magix.com

MIDI Objects
output, you need to connect the second tone generator’s MIDI In to the keyboard’s MIDI Thru port. A third device can be connected to the second’s MIDI Thru, and so on. The MIDI Thru port always delivers a copy of the signals coming into the device’s MIDI In. It is preferable, however, to use a direct connection from a computer’s MIDI Out to a device, rather than chaining too many devices, one after another. Timing problems may occur in the chain if a lot of MIDI commands are sent in a short space of time. This is due to the slight delays introduced by each MIDI In to MIDI Thru transaction. If your computer also features several MIDI inputs, they can be used for the connection of MIDI expanders. MIDI Local Off: If your keyboard features an internal sound source, it is important that you stop the keyboard from generating sounds directly from its own keyboard. If you buy a new keyboard that is to be used without a sequencer, and connect it straight to an amplifier, you would expect the device to make a sound when you press its keys—in other words, the keyboard is internally connected to the sound generator. This behavior, however, is not what you want to happen when using your keyboard with MAGIX Music Maker 2008. In this scenario, the keyboard is used as the computer’s input device, and MAGIX Music Maker 2008 is sending (i.e. playing) MIDI information to any connected tone generators, be they the keyboard’s own sound generator, a soundcard or any other connected sound module. If you wanted to control and record another sound module using your keyboard as the input device, its own sounds would play alongside those of the other tone generator— which is why the keyboard must be separated from its own internal sound generator. This function is known as “Local OFF”, and is set directly on your keyboard. Refer to your keyboard’s manual for information on how to do this. Don’t worry about “breaking” the link between the keyboard and its internal sound generator—MAGIX Music Maker 2008 will act as the “missing link” in this scenario.

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MIDI Editor
In the MIDI Editor you can edit MIDI objects. The MIDI Editor has many sub editors, views, sections and tools. Open MIDI Editor Double-clicking on a MIDI file opens the MIDI Piano Roll Editor for MIDI recording / editing of MIDI objects. In the center you'll find the Piano Roll Editor (on page 89)in which the www.magix.com

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MIDI Objects
notes are displayed as bars and from which they can be edited using the mouse. There are various buttons located just above the Piano Roll. Clicking on this button opens the Event list (on page 93). In this list you will find the entire MIDI data of a MIDI object, even data which cannot be edited in the Piano Roll section or the Controller Editor. You can use the Event List, for example, if you wish to remove unwanted program switch commands from imported MIDI files. Use this button to switch to the Drum Editor Mode (on page 97). You can use this to leave the Drum Editor and return to the Piano Roll section. A simple click on this button opens the Controller Editor (on page 92) at the bottom. There you can edit the note velocity, pitch wheel, and controller data. Deletes all MIDI data from the object. Now you can begin from the start again... Undo/Redo is, of course, also available for all changes you make in the MIDI Editor. At the top border, you will also find the buttons for selecting the editing tools (on page 89), quantization (on page 94), as well as the output used by the MIDI object (MIDI out or VST instrument). Play/ PlaySolo Play solo only plays the MIDI object for which the MIDI editor is opened (corresponding with the filter settings of the options menu). Play all plays the entire arrangement. MIDI recording To record music from a MIDI keyboard, simply activate the Record function by pressing the REC button, and start playing. All of the recorded notes are displayed in the note field. There are several recording options that you can set using the buttons next to the REC button. Overdub Normally, new recordings simply replace the existing data. In Overdub mode, the MIDI notes are merged with the existing MIDI information. You can use the overdub mode to construct a complete MIDI song www.magix.com

MIDI Objects
take by take. Cycle This function loops the MIDI object during recording. For example, you can listen to the object once or twice before adding your new material. Metronome A MIDI metronome is available to count you in and guide your timing with metronome clicks. The metronome only serves as a timing reference, it is not recorded. Play the Arrangement while recording When this function is activated, the arrangement is played back during recording. Notation display, movement, zoom MIDI data can be edited in three main areas in the MIDI Editor. • Piano Roll (on page 89) • Velocity Editor (on page 92) • Lists Editor (on page 93) Here various tools are available, for example, pencil or eraser. Fundamentally, changes, for example, moving or deleting notes, always refer to all selected MIDI events (red) with just a few exceptions. Changes to the selection in a range always apply to every other range as well. You can, for example, select a group of notes in the Piano Roll and then change the velocity of these note groups which modifies all selected notes simultaneously. Note display in the piano roll and the controller editor (with velocity curves) All of the unselected notes are highlighted in blue. The intensity of the color indicates the velocity of the note: the darker/stronger the color, the higher the velocity. Selected notes are highlighted in red. Again, higher velocity notes are brighter than lower velocity ones. Note: You can also customize the velocity color range for selected notes. To do this, open the graphics file "vel_sel_map.bmp" from the bitmap directory and modify the color spectrum accordingly. Current event: This is displayed in bright red and with a red outline. www.magix.com

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The properties of the currently selected event are displayed in the edit fields above the piano roll. An event is ‘current’ when it is selected with the mouse. Display filtered events Some events can be filtered out of the display to provide a clearer view of the events in a MIDI object. Events in MIDI objects may contain up to 16 MIDI channels and 16 tracks (source tracks from imported Standard MIDI Files). You can use a single MIDI object to trigger a VST instrument from several MIDI channels at the same time. Within this object, the MIDI Editor can be used to edit notes for any or all of the channels. There are a number of view options available: A channel filter ("Options" menu) lets you specify which channels are displayed. Notes in unselected channels are grayed out and cannot be captured by the selection tools. An example: Your MIDI object contains notes in MIDI channels 1, 2 and 5. By activating MIDI channels 2 and 5 in the channel filter submenu, you make all the notes in channels 2 and 5 available for the selection and editing tools. The notes in MIDI channel 1 are grayed out in the piano roll and list editor and can not be selected. You can also hide the events in filtered channels. To do this, select "Hide Filtered MIDI Data" in the "Options" menu. The list editor provides its own filters, but these only apply to the MIDI information displayed in the list. By default, the view filters are set to match the playback filters (mute settings), but the filters can also be set independently of each other. Events that lie ahead of the object start point or behind the object end point (the start and end points are displayed as blue lines in the editor) are also paler than the un-muted events within the object’s boundaries. If display transparency is activated, the outside events are grayed out. Muted events display Events that lie ahead of the object start point or behind the object end point (the start and end points are displayed as blue lines in the editor) are also paler than the un-muted events within the object’s www.magix.com

MIDI Objects
boundaries. If display transparency is activated, the outside events are grayed out. Events above or below the currently visible selection There are two small red indicators above and below the vertical scroll bar on the right border of the MIDI Editor window. These light up correspondingly if there are other notes outside of the currently displayed screen selection. Scrolling and zooming The vertical and horizontal window dimensions and zoom depth are set with the scroll bars just like in the project window. Mouse wheel: Shift + mouse wheel: Alt + mouse wheel: Ctrl + mouse wheel: horizontal scrolling vertical zooming vertical scrolling horizontal zooming

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Selecting MIDI events (Piano roll, velocity editor, list editor, ) Select event Add/delete event from selection Select current event and unselect all other events Change or set current event within multiple selection Select events from the same line or area Selects all notes of the same pitch Selects all notes Left-click event Ctrl + left-click event Double-click event Left-click selected event Click while pressing the Shift key Double-click the desired key on the keyboard ruler to the left Ctrl + A (if a pitch is selected on the keyboard ruler, only notes with this pitch are selected) Arrow keys

Selects the next or previous note

As you can see from this list, a simple click is all it takes to choose a specific event for editing – even from selections containing several events such as a pattern.

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Piano Roll: Edit events There are various editing options for notes within the Piano Roll, as well as mouse modes. In all modes (except Delete) the same functions also apply to notes when editing them, so that these modes only differ in behavior when you click on empty areas. Editing tools Selection (Ctrl+1)

Draw (Ctrl+2) Draw Pencil (Ctrl+3)

Lasso: Press and hold down the mouse button to draw out a rectangular selection frame. Clicking on a free range highlights an existing selection. A note can be drawn with a left-click. The beginning and length are set according to the current quantization settings (above). Draws a series of notes. The note length and distances are calculated from the current quantization settings. <Alt>: The pitch of the first note will be applied to all notes drawn that follow it. Moving the mouse back (to the left) while holding down the mouse button removes already drawn notes.

Pattern Pencil This mode allows you to draw entire Drum (Ctrl+4) Patterns (or melody patterns). If you want to create a new pattern, you have to select it first in "Selection Mode" and press the keys Ctrl+N simultaneously (or go to menu "Edit" in the "MIDI/Drum Editor > Create pattern from selection"). If you have created a pattern, you can start drawing at any position. Draw the pattern at the position of the deepest note of the pattern. This makes an original pitch sound, but you can, of course, draw in a different pitch. If <Alt> is pressed when drawing, the pitch of the first note will be applied to all notes drawn that follow it. Moving the mouse back (to the left) while holding down the mouse button removes the notes which were just drawn.

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MIDI Objects
Velocity Mode This mode allows you to mark events and (Ctrl+5) change the velocity values of all selected events in relation to each other. Absolute values are entered when you hold the Shift key, i.e. all changed events receive the same velocity value. Erase Dragging the mouse deletes all notes (Ctrl+6) underneath the eraser. The Delete mode can be activated anytime by clicking with the right mouse button. For instance, you can use the pencil to insert new notes when left-clicking and remove already inserted notes with a right-click, without having to change tools. Magnifying Left mouse button: Zoom in glass Right mouse button: Zoom out (Ctrl+7) Left mouse button + drag: Zooms in on the range. Edit notes with the mouse If you move the mouse over a note, the mouse cursor will change and, depending on the part of the note, the following options will be available: Change note start time: Grab note bar at the beginning, note end remains the same Change note length (Grab note length at end) + Shift Set fixed note length for multi-selection: Hold Shift key and drag current reference note longer/shorter – all notes will have the same length Scale note length for multi-selection: Hold Ctrl key and drag current reference note longer – all notes will be lengthened by the same factor Move note freely, pitch and start time change If in Move mode Alt is also pressed, the note will only be moved horizontally, retain pitch (in free move mode, hold "Alt") If Shift is pressed while in free draw mode, only the pitch can be changed, the position will remain the same.

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+ Ctrl

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/ "Ranges for limited moving": If you activate this setting in the "Options" menu, clicking and dragging in the start portion of the note only results in a change to the position, while clicking on the end portion changes the pitch.

Controller Editor: Selecting and editing events The Controller Editor is located below the Piano Roll and can be hidden. It is opened either with a click on the button below the keyboard or using the shortcut "Alt+V". The values of existing events are displayed as colored bars in the Controller Editor, whereby darker and higher bars symbolize larger values. The bars are located directly below the notes. Tools The Controller Editor has its own tools for editing curves and values. Selection: Marks an area with the mouse Drawing (pen): Draws new controller values in the shape of a curve, or individual values by single-clicking without dragging. Draw lines: Uses the line function to insert a transition between two different Controller values. Controller selection: A click on the menu area of the button opens a selection menu in which the MIDI Controller for editing can be selected. Note selection and editing: With a click in the upper range of a Controller bar you can modify the Controller value immediately using the draw function. Clicking in the lower two thirds of the bar selects the corresponding note which is then highlighted in red in the Editors. Controller Editor Hints • In polyphonic events, the bars are layered on top of each other, which can make it difficult to single out specific notes. To edit only notes with a certain pitch (such as all C1 notes in the controller editor), click the corresponding key in the keyboard ruler. The key and the background color of the selected pitch are highlighted, and only the notes with this pitch are displayed in the controller editor. • Notes with different pitches (such as all C1, D1 and A1 notes) can be displayed simultaneously by pressing Ctrl while clicking them (or Shift www.magix.com

MIDI Objects
for areas between notes). This is basically a velocity editor view option. Multiple notes can be selected with a double-click. • Another aspect of working with the controller editor’s layered controller bars is that the bar of the currently selected note (mouse selection/editing) is always on top. To change this, click on the note you want to edit in the piano roll, or click directly on the layered bars and switch between the notes with the arrow keys. You can then change the controller value by clicking on the top third of the red (current) part of the top bar. • After drawing controller values with the pen tool, click on an unselected area and drag the mouse to change several velocity values in sequence. Move the mouse in a curve to create velocity curves. Existing (multiple) selections are ignored. This is a great method for creating crescendos or decrescendos. List Editor The MIDI Editor contains an integrated list display of all events with additional view and edit options. This List Editor is opened either with a click on the button above the keyboard or using the shortcut "Alt+L". When the List Editor is open and ready to receive input, it will have a narrow red border. This makes it clear that certain functions, for example, select next/previous event (cursor keys) or the Select All (Ctrl+A) command, only refer to the list. In the List Editor, not only note events but also the MIDI Controller and Sysex messages are displayed. These Controllers and messages can be displayed or even filtered out during playback ("Mute"). "Note On" and "Note Off" events belong to each note, which are then selected as pairs and edited (Note Off events can be displayed and hidden with a tick in the checkbox below the editor). To edit specific events only, the List Editor provides a view filter for each column. These are small checkboxes below the columns of the List Editor. Select a representative event. This can be, for example, a note with a certain pitch. Then click on a display filter for a specific column to only display events of this type with the selected pitch. All other events will now be faded out. Display filters can be combined with one another. This way, you can, for example, when working with the "Select All" command (Ctrl+A), select and edit all control change events of type 10 (volume) on MIDI Channel 6. www.magix.com

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Quantize to grid Small irregularities when playing to record can be smoothened with the quantization function. In contrast, the "swing" function makes mechanically sounding sequences sound groovier. Clicking on "Quantize" button shifts all selected notes to a customizable quantization grid. All notes are quantized without previous selection. 1/4, 1/8, 1/16, and 1/32 notes can be selected as starting points (grid) and lengths. Uneven quantization values such as triplets can be created with "n-tole" (see table). Quantization options ("Options" menu in the MIDI Editor) Range Default Description Amount 0...100 100 "Amount" of quantization in %: 100 shifts the event exactly onto the quantization grid point, 50 shifts it to halfway between the unquantized position and the grid point, 0 doesn’t shift it at all. Enables non-binary rhythmic figures (e.g. triplets) by specifying the positions of the odd grid points. 50 ... "50-50" division – the odd 1/8 notes are exactly halfway between the even 1/8 notes ("even" division). 67... triplet figures, "3-2" division. Events within the quantization window are quantized, events outside the window remain unaffected. 100 – The window encompasses all spaces between the quantization grid’s points. 50 – The window encompasses half of the quantization space, in other words, only events that are within a quarter of the grid spacing on either side of each grid point are quantized. 0 – No window -> quantization is disabled. www.magix.com

Swing

0...100

50

Window

0...100

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MIDI Objects
Offset -100...1 0 00 The entire quantization grid is shifted: 100 offsets the grid by half of the grid spacing to the left (earlier), +100 offsets it correspondingly to the right (later). The grid is subdivided into the number of grid points specified in "N-tuplets". If the preset values do not suffice, any integer can be entered. The default values are restored.

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N-tuplets Aus, 3, 5, 7, 9

aus

Reset

When "Snap" is on, notes snap to the closest quantization grid point when entered or edited. The quantization options still apply. For example, notes only snap to grid points when shifted if they are within the range of the quantization window. MIDI editor techniques You can cut-and-paste MIDI notes within the editor and between MIDI objects. The notes are always inserted at the play cursor’s position. Duplicate: The selected notes are copied and inserted after the next grid point if the quantization grid is active (menu "Options > Quantization Grid On), or immediately after the selection if the grid is inactive. Create pattern from selection (Ctrl + P): The length of the pattern is quantized if the grid is active. The pattern can be 'painted’ into the MIDI object using the mouse mode "Pattern painting". To directly select notes with a specific pitch, double-click on an empty area in the piano roll editor or in the keyboard ruler.

MIDI Objects Drum Editor
The Drum Editor is a special display and editing mode for MIDI objects which control drum instruments. The display is simplified (Cell mode) because, for drum instruments, the note length usually doesn't have any influence. Since all pitches control different individual instruments (for example, C1 for the kick drum and D1 for the snare drum), specific settings like quantization grid, volume, or mute and solo can be set up individually for each pitch. Here, the Piano Roll's keyboard in the Drum Editor is replaced by a row of track boxes like in the Arranger, but for each pitch. If you have to make lots of specific customization to a certain synthesizer, all settings of each instrument can be saved together in a so-called Drum Map so that they can be used in other projects with this synthesizer. Switch to Drum Editor Mode and back. After opening the MIDI Editor (double-click on the MIDI object), switch to Drum Editor mode by pressing the Drum Editor button. Instead of the piano keys to the left, you now see a list of drum instruments. When you switch from Drum Editor mode back to the normal Piano Roll, you will be asked if you wish to apply mapping or not. If you add mapping, all mapping settings (which makes a note sound different to how it is displayed) will be applied to the MIDI object. If notes, for example, are routed through channel 10 (GM drum channel) via mapping, the notes will be replaced by corresponding "real" note events on channel 10. Cell mode Cell mode serves to improve the overview as it limits the display to only the most important information, note starting points, and velocity. Each time position of a bar is displayed as a row of cells in On/Off states. The note length is not displayed, rather a unified display width is used. This way, it all looks similar to the step sequencer of a drum computer (see Robota (on page 126)). The set quantization grid can be read from the width of cells. Swing www.magix.com

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and Offset settings of the quantization options are also made clearer thanks to cells of various widths and by repositioning. The height of cells displays the velocity of the note. When drawing new drum notes the velocity can be specified via the vertical drawing position within the cells. In connection with the Drum Draw mode, increasingly loud drum rolls can be drawn in easily. By clicking on the upper edge of a cell and dragging it vertically with the mouse, the velocity can be adjusted directly without having to use the Controller Editor. In Velocity Mouse Mode (Ctrl+5) it's even easier; all you need to do is click anywhere on the cell. Drum Editor trackbox In the Drum Editor, each individual note has its own trackbox. Here, individual settings can be specified for each instrument. When zoomed out, each trackbox can be increased in size with a simple mouse-click.

S/M: Each individual instrument can be played solo (S) or muted (M). Note number: The output note from the instrument can be set here. This can be different to the note currently displayed in the MIDI object so that individual drum instruments can be substituted. To put the display of notes back into the usual order (deep notes at the bottom, highs at the top), click on "Map" at the top and use the "Sort Drum Map" command. Instrument name: Double-clicking on this field lets you rename your drum instrument. Quantization options/Colors: Use this menu to assign any one of the eight different colors to the cells of a drum instrument. The dialog for the instrument's quantization options is also opened here. The dialog is the same as for global quantization options (on page 94), but the settings only apply to the individual quantization options if an individual grid value is set for the note as well. K # Output channel Quantization grid, "Glo" refers to the global value (on page 94) www.magix.com

MIDI Objects
L Note length, # corresponds to the grid value, "Glo" to the global value Length of the notation, # corresponds to the grid value (i. e. the entire cell width), "Glo" refers to the global value of the note length V Velocity scaling: The velocity value of each note is multiplied by the value set here in %. Scaling is audible, but is not visualized further. The purpose of this setting is the customization of the volume ratio between the individual drum instruments. Software instruments usually provide their own mixers. Drum Maps Drum Maps specify individual instruments, for example, Bass, Drum, HiHat, Snare, etc. An individual output note, MIDI channel, and velocity scaling can be set for each of these instruments. The Drum Map can be set in the Drum Editor by clicking on the "Map" field. To split the drum names a "General MIDI" map is used by default. It may be the case that your synthesizer (regardless if real or virtual) uses a different mapping setup. This means that when you play the drum event, the sound you wish to hear may not be heard (for example, instead of a bass drum, you get a High Tom). In this case you will have to re-sort your mapping setup. The settings for individual instruments can be specified in the trackbox. For more extensive changes we recommend using the Drum Map Editor. There you can save your Drum Map as a file. A project may contain various different Drum Maps. All Drum Maps saved in the project can be selected via the menu. If you require a Drum Map from a *.map file, you will have to load it into the Drum Map Editor first so that if can be shown in the menu. You can edit the individual Drum Maps in the Drum Map Editor.

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Drum Map Editor The Drum Map Editor can be used to create and edit Drum Maps. In the "Drum Maps" list on the left-hand side all Drum Maps which are available to the project are listed. The Drum Map GM GeneralMIDI is always available to start off with. New: This creates a new empty Drum Map. Copy: A copy of the existing map is created. This way you can quickly create variations of a Drum Map with various note allocations, which can then be toggled from within the Drum Editor. Load/Save: Use this to save a Drum Map (*.map file). This way you can use a Drum Map you created for a synthesizer in other projects as well. All loaded maps will be displayed in the "Map" menu of the Drum Editor. Delete: Removes the selected Drum Map from the project. Use the Name field to rename the selected Drum Map. The settings (mappings) of the individual notes for each Drum Map selected will be displayed below this in tabular format. Pitch: This is the incoming MIDI note. Instrument: Here is where you can find the name of the drum instrument, for example, "Bassdrum 1". Grid: If desired, you can set up a grid for the starting point of the drum events. Length: In this field you can set the grid for the note length. Output note: This is the note value to which the drum instrument (the incoming MIDI note in the "Pitch" field) should be routed or mapped. Channel: You can set up an individual channel for each instrument here. Quantization options: This opens the dialog for the each instrument's quantization options (on page 94). Instrument, grid, length... apply to all: This applies the corresponding setting of the selected instrument to all other instruments. www.magix.com

Video and Bitmap Objects

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Video and Bitmap Objects
Video and bitmap formats
MAGIX Music Maker 2008 can load and export videos in AVI, MAGIX Video (*.mxv), Windows Media (*.wmv) and Quicktime Movie (*.mov) formats and in addition export in Real Media Video (*.rmv) format. Graphics can be loaded and exported in BMP and JPEG formats. Also RTF text files can be loaded and used as subtitles. On the content media you will find the included image and video files, but you can also use your own files. To get the best results with video effects, you should save the video and bitmap files used in True Color (24-bit color).

Adjusting the video screen
The video screen can be positioned freely on the screen as well as adjusted in size. To position it, you must first switch off the standard layout view in the windows menu before you can move the video screen. To adjust its size, click on the video screen with the right mouse key and select the desired size from the object menu or define it yourself (‘user defined’). Please note that larger screens require a greater computing performance!

Loading and editing videos and bitmaps
Video and image objects can be loaded and edited just like other objects. In order for you not having to decide which file is to be loaded, you can use the preview function on the video monitor. Simply click on a video or graphics file in the Media Pool: The corresponding video or graphic is displayed or played in the video monitor. • Via the context menu (right mouse-click into the list) you can choose between different views ("List", "Details", "Large symbols"). In the "Large Symbols" view the videos are displayed with a preview frame – very useful to preview the available images. • If you want to use the video for your arrangement, drag the video or bitmap file onto a track in the arranger while holding the mouse key. During playback in the arranger, the entire video and image material www.magix.com

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on all tracks, including all effects, is played back in real-time. • Video and image objects can be edited in the same manner as other objects: You can touch and move them with the mouse, fade them in or out with the handles at the top corners, or change their brightness with the middle handle, etc. Please also read the chapter "Arranging objects (on page 54)".

Simplify object presentation
With the TAB key you can switch between two object presentations. The objects in the alternative presentation are not displayed frame by frame in the arranger, but in simplified form. This saves working memory and improves overall play performance. Scrolling and zooming in the arranger as wee as various object manipulations are far quicker in TAB mode. The video display in the video monitor is not influenced by the simplified object display.

Visualizer objects
You can load so-called visualizer objects into MAGIX Music Maker 2008 (*.vis files). The principle: The sound creates graphic changes to the visualizer objects. The graphics and structures move according to the beat of the music. You can load visualizer objects in the same manner as other objects. The "Audio & Video Effects" selection button is located on top of the Media Pool. The submenu "Visuals" now contains many algorithms for different automatic animations. Just try them out by dragging an audio object into the arranger and playing it. If you click on the different visualizers with the mouse, you will see in the video monitor how the computer animations mover according to the beat of the music… Visualizer objects can be used just like video and image objects: You can drag them from the Media Pool into the arranger and arrange them as you like.

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Video and Bitmap Objects Video scrubbing
The scrub mouse mode is particularly useful for quickly finding certain positions within a video. To do this, activate the scrubb mode in the mouse mode bar and drag the mouse pointer over a video object while holding down the mouse key. The video is played back according to the speed and position of the mouse, including all effects.

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Separate audio from video material
Select "Adjustment/information" > "Audio/video adjustments" > "Extract sound from video" from the File menu. Videos with a sound track will now appear in the Timeline Mode as two separate objects (audio object and video object). The two objects automatically form a group. To edit the audio and video objects separately, select the function "Dissolve group". Now you can replace the audio or the video track, or process each file separately. Re-join/regroup the tracks with the "Export arrangement" function.

Video effects
You can select object oriented real-time video effects from the pop up menu that appears when you click the right mouse button on an AVI or bitmap object. Or you can do so in the sub-menu Effects. In general, you can assign any combination of effects to each video or bitmap object, e.g. mix-mode stamping, additional color cycle effects and double speed. If several videos or bitmaps overlap, MAGIX Music Maker 2008 processes from top to bottom. The background is always the video object placed on the track close to the top. This background video is overlapped by lower placed objects or is mixed together depending on the settings. To make a dancer dance in front of a landscape, you should place the landscape file on track 1 and the dancer file on track 2. Activate now the Blue Box effect for the dancer to have them appear clearly visible in front of the landscape scene. See also „Video Controller (on page 164)". www.magix.com

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Video and Bitmap Objects Title editor
Text objects und title presets MAGIX Music Maker 2008 has a function that makes inclusion and processing of titles very simple. This feature is particularly useful for the Karaoke function on the Audio FX page, but also for subtitling videos. The basis is the directory Titles, which is found as a subdirectory in the MAGIX Music Maker 2008 Program directory. You access it via the "Titles" button under the Media Pool. This directory contains a selection of preset title templates. To include and process a title in your project, do as follows: • Select the RTF file and pull it with drag & drop to a track in the Arranger. There it will be displayed as an RTF text object. This way you can see how certain title settings will look and the effect they have. • Once you’ve found the right title template, drag & drop it onto a track in the arranger. It is represented there as a title object. • The Title Editor opens automatically. You can re-open it later by double clicking (or by right mouse clicking in the Context menu under "Title Editor".

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Video and Bitmap Objects
Title Editor

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It allows you to enter captions such as subtitles and credits. They can be displayed in all kinds of fonts and colors. Menu presets: The menu contains the title templates from the Media Pool title directory. This way you can try out different movements, effects and designs. The presets are arranged in various subfolders, the icon and the description will help you find the template you want. Save as template: You can save the entire settings ad a title template. You can then easily drag & drop them from the Media Pool. Text/position: Type the text for your video subtitles in the title editor. Use the scrollbar to the left and above the text window to organize your text in the video screen and position it horizontally or vertically. You can freely position the writing vertically and horizontally. If you have selected moving text, this position determines the starting position. Please note that setting movement to text places the starting position of the title outside of the video window. You can, however, always change the starting position.

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Font type: Here you can enter the font type, size, color or type. Color: With this button you can choose your own color. If you want to format individual words or letters, mark them with the mouse and select a different format. If no selection is made, the entire text is formatted. Alignment: Specifies whether the title should be aligned left, right or at the center. Center position: Clicking on “Center position“ puts the title back in the middle. Preview: This button starts the title preview in the video monitor, together with the movie or scene. If you have selected a movement for the title, it will also be animated in the video preview window. You can interrupt the preview anytime by pressing "Stop". Text effects: Here you can add motion, 3D shadows and 3D effects, and can add a border. These settings can be adjusted in detail using "Advanced". Length: Here you can set the duration for how long you would like to display the title. If everything is as it should be, close the Title Editor by pressing "OK".

Video Compression
Compressed video data is typically saved in AVI files. AVI stands for ‘Audio and Video Interleaved’, i.e. mixed picture and sound. Depending on the compression rate, high data rates will be required – a good video starts at about 2 MB per second, equivalent to compression of about 1:10 as opposed to uncompressed video with 20 MB per second data flow rate. High quality video systems only work with a compression of 3 or 2 – i.e. creating up to 10 MB per second data for video flow. Even uncompressed video can be used. MAGIX Music Maker 2008 can also process such high-resolution video data completely. Within MAGIX Music Maker 2008, video data is processed in uncompressed format – all effects, mixes etc are carried out in the highest quality. It is possible that replay of a project with several videos or realtime effects may ‘jump’ more than is the case with smaller videos. This does not harm the end result though – video export is calculated frame by frame. www.magix.com

Video and Bitmap Objects Choppy or uneven playback
Don't panic if the picture on your screen is choppy or uneven. The finished product will look perfect and play smoothly. Don't forget that MAGIX Music Maker 2008 calculates all effects in real-time. This lets you see for yourself what sort of influence each of the effects have on your video footage. Some effects make even today's advanced computer work hard for their money. A steady, continuous video stream is simply not possible on your PC. The final product free from previous choppiness is only available after rendering it to DVD or exporting it. For that very reason, you should first edit the movie in its raw version without effects. The preview generally delivers a steady picture, allowing you to work quickly and quietly. Towards the end, you can add effects to your movies, giving them that special touch of Hollywood everyone so desires.

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General hints on using AVI videos
The AVI (Audio Video Interleaved) format is not really a proper file format. Rather, it is a so-called container, where the conventions for transferring audio and video files to the program are only loosely defined. The codec (coder/decoder) actually defines what storage format is used. A codec compresses audio/video data into its own unique format, which can only be read by the codec itself and is decoded when the movie is actually played. In concrete terms, a computer-generated AVI file can only be loaded by and played on a different computer if the same codec is installed on it. Many codecs such as Intel Indeo Video are now included in the standard Windows installation; others, like the popular DivX codec, are not. If you are generating an AVI file for future play on another computer using one of these codecs, you should first install this codec on the other PC. The best method available is to copy the codec installer to your export directory and burn it every time you create a video disc (MediaManager disc). You may encounter some problems when using older video editing cards with codecs which only function with the card's hardware. Such AVIs can only be used on the computer where they were created. If at all possible, avoid using this kind of codec.

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Video and Bitmap Objects Create a video project for the Internet
Internet video formats such as RealVideo, Windows Media, and Quicktime Movie can be found in the "File > Export arrangement" menu. When selecting one of these options, the current arrangement will be converted into the target format. The Internet video formats are different from normal AVI files in two ways: • Streaming capability: Modern Internet browsers can play RealVideo, Windows Media and, to a limited extent, also Quicktime videos even during the downloading process, whereas normal AVI files must be completely downloaded prior to the start of playback. • Lower data rate: Internet formats, especially RealVideo, are optimized for the lower data rates used by today's Internet access devices. A dialog appears on export, for setting the playback data rate (i.e. dial-up modem, or high-speed access). If you use Windows Media or Quicktime videos for the Internet, choose a suitable codec and use a small pixel resolution to set up the necessary data rate.

Video export via TV-out
Video and graphics cards with a TV out socket can also export videos directly to external video recorders. The arrangement must be played in full screen mode when saved with external equipment. Note: With many graphic cards, the tv output can only be activated when a television or video recorder is connected before turning on the computer! Switch the video monitor to full screen mode with Alt+Enter and start the playback by pressing the space bar. You can play the video directly from the arrangement. However, it can sometimes lead to errors if the processor becomes overloaded as a result of processing the audio and video effects in real-time. If direct playback doesn’t work without causing errors, export the arrangement to the AVI video and load it into a new arrangement which will then play without any problems.

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Video and Bitmap Objects
Occasionally, it is enough to just mix the soundtracks of the arrangement into one. To do this, use the menu command “Edit” > “Audio mixdown”.

Opening the synthesizers
The software synthesizers can be loaded just like any other objects in MAGIX Music Maker 2008 via the Media Pool. To do this, open the synthesizer setting of the Media Pool.

In the Media Pool you can find symbols of all available software synthesizers.

Synth objects
MAGIX Music Maker 2008 contains many internal synthesizer for creating your own drum patterns, break beats, bass lines or ambient noise. The synthesizers are represented either by internal synth objects that can be arranged together with other objects on the tracks. www.magix.com

Synthesizer objects
Via drag & drop every software synthesizer can be loaded into the arrangement. A synth object appears in the appropriate track and the synthesizer interface opens. Via this interface synth objects can be programmed. In addition you should also read the sections about the individual synthesizers. You can start or stop the playback with the spacebar. If the synth object has a play button of its own (for example, the Beatbox), the plug-in can start it solo, without playing the other arrangement tracks. If the synth objects melodies or rhythms are programmed, you can close the the control console and arrange the synth object in the track. Synth objects are handled like normal objects, and can be edited with all available effects (on page 132), be drawn longer or made shorter using handles or have their volume adjusted. The interface of any synth object can be opened for further editing by double-clicking. In addition, any number of synth-objects from the same software synthesizer be dragged onto the track and programmed separately. You can also cut Synth objects apart. Atmos Atmos is a comprehensive tool which can be used to easily create realistic nature sounds in no time. From thunder and lightning to animal sounds and traffic noise, Atmos helps you design natural-sounding atmospheric noises for your projects.

Synthesizer objects
• In the middle of the window appears a collection of control elements with which the desired "Ambience" can be designed. Each element has its own description (for example, "Thunder") and two faders "Volume" and "Intensity". • The "Intensity" fader controls the behavior of the sound – depending on controller element. For example, with "Thunder" you can set how often thunder and lightning should sound; with "Rain", the strength of the rain can be regulated (if moved to the far left, light rain can be heard, while if moved to the far right, a downpour with loud splashing noises is audible). • At the bottom right border you will find a master volume fader with which the master volume of the synthesizer can be set. Furthermore, the setting "Randomize" can also be found there. This way you can change the settings of the control elements by yourself. Beatbox 4.0

The BeatBox is a high quality drum computer plug-in. It can be used to generate completely new rhythms and drum grooves. Programming Each line of the Drum Matrix corresponds with a percussion instrument, e.g. bass drum or hi-hat. Each column corresponds with a bar unit (a 16th note is preset) The drum sounds are played as soon as you click into the Drum Matrix with the mouse. A note in the lowest line (bass drum) at bar positions www.magix.com

Synthesizer objects
1, 5, 9, and 13 creates a straight bass drum rhythm to which you can add more great percussion instruments. Drum Matrix This is the heart of the BeatBox. With a mouse click on any position in the Drum Matrix you can create and delete any drum note. Hold down the Ctrl key to select multiple drum notes. If the Shift key is held when you click on notes in the range, a rectangle can be drawn out which selects the notes contained within this rectangle (rubber band selection). Use the zoom buttons to increase or customize the size of the visible range. The scrollbar lets each position be magnified. Drum kit Click on the drum kit button to open a list of available drum kits. A drum kit is a collection of percussion instruments with matching sounds, e.g. rock kit or electronic drums à la TR 808. By changing the drum kit you can add an entirely different sound to the rhythm you have already created. New drum or effect sounds can by added to the current drum kit by drag & drop from the Media Pool. This does not mean that you are restricted to drum sounds. Any WAV file can be dragged & dropped into the drum kit from the Media Pool and can thus form part of the rhythm. Try it with the rap voice samples or your own recorded wave files. Track Effects To the right of the Drum Matrix you can find the track effects. This lets you specify the settings for each active drum instrument. The active instrument is selected by clicking on the drum kit, which then highlights the instrument. Buttons Play: Here playback of the current rhythm pattern starts in solo. Only the BeatBox can be heard, any other tracks which may be in the Arranger will not be heard. If the entire arrangement is to be played, the play start position must occur above the transport functions. Stop: Ends playback or recording process. Record: Here the realtime recording function of the BeatBox starts. www.magix.com

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Up to 16 drum sounds can now be imported using the computer keys 1...0 above the letter keys on your keyboard or 1...6 on the number pad. A drum sound is played for each key and the corresponding note is activated in the Drum Matrix. Random Rhythm: This button creates a random rhythm for the selected instrument. Random Velocity: This button randomly changes the Velocity (volume) of the individual beats. This way, a rhythm can be made much more lively than when the volume is set to the same for all beats. Volumes: Here you can set the volume of the current instrument. Pitch: The pitch of the current drum instrument can be set here. You can access great effects, for example, by downpitching the bass drum. Pan: Here the stereo panorama of the current drum instrument can be set. Add the same instrument (for example, Snare) to two tracks, one panned to the left, the other to the right. Rhythms, which alternately use both tracks, now sound much more interesting. Reso: You can set the filter resonance here. The higher the value, the more clearly the filter frequency can be heard, including resonating whistling sounds, which we already know from analog synthesizers. Cut-off: This fader sets the filter frequency. The sound of the drum beat is increased at the set frequency position. Frequencies above it are dampened which creates the typical filter sound. Distortion: This fader controls a distortion of the current drum sound. This can be used to create really "dirty" sounds as well as for distortion sound effects. Shuffle: This fader changes the timing of the BeatBox. If the fader is turned to the right, the eighth of a rhythm is played more and more like a triplet. If that sounds a bit too abstract – simply try it out, ideally with a pure 1/16 Hi-Hat figure; you'll soon see what the shuffle fader is capable of. Note Velocity: Use this fader to set the volume of individual drum notes. If multiple notes are selected, they will be edited together. Bars 1-2-4: With this button you can set the length of a loop of the www.magix.com

Synthesizer objects
BeatBox in bars. You can choose from 1 bar, 2 bars, and 4 bars. Auto Draw: If more than one bar has been activated as a loop length, the Auto Draw mode makes sure that the drum notes which are set automatically in the first beat are set in the subsequent beats. This also makes it easy to create a continuous beat, even with a loop length of four bars. Notes set in the bars further back are not affected by the Auto Draw function, which, for example, makes faint variations detectable only in the fourth bar. Quant: Here you can set the tempo of the BeatBox. You can choose from 1/8 notes (only for very simple rhythms), 1/16 (default), 1/32 (for more refined constructions) and "free". In this case, the timing is set by the exactness of the mouse click – ideal for the more lively design of fixed rhythms by moving individual notes here and there. Playing BeatBox on your computer keyboard The lower octave is on the keys: < z x c v b n m ; the upper octave is on the keys: q w e r t y u i. The black keyboard keys are in between, i. e. the "A" key for #C (C sharp). Playing BeatBox on the MIDI keyboard There is not a lot you need to take note of here. You can start playing away once the proper MIDI driver has been selected! The sounds listed in the column on the left can be accessed with the keys of the C0 octave. Effect automation The new version "BeatBox 4.0" enables the automation of all BeatBox effects. Click on "Automation" at any time during playback. All effect settings will be recorded from now on and will be taken into account when playing the synth object in the arrangement. The recorded effect automation can be deleted via the Options menu of the BeatBox. Drum & Bass machine 2.0 The Drum & Bass machine is a dual synthesizer, uniting both distinct styles of Drum’n’Bass in one piece of equipment: fast beat crashes and rumbling bass lines. With the Drum & Bass machine you need no special skills to create authentic sounds for your Drum’n’Bass songs. A tip: The typical speed for Drum’n’Bass is usually around 160-180 www.magix.com

The top half of the synthesizer controls the rhythm section, the bottom half controls the bass section. Between the two, on the left side you will see a symbol, where both sections can be turned on and off individually. You can, for example, turn off the bass section, so that you take only the drum section break beat into the arrangement. The MAGIX Music Maker 2008 arrangement mixdown will then only include the drum section in the mixdown file. The volume control is on the right border, controlling the volume for both sections. The play and stop buttons allow you to listen to your Drum’n’Bass creations up front in MAGIX Music Maker 2008. The ‘Drum‘n’Bass’ label covers a menu containing functions to load and save ‘Drum’n’Bass’ patterns (Load Machine State/Save Machine State) and functions to delete or generate patterns (Clear All/Random All). The submenu ‘Velocity Presets’ contains some help functions for the programming of the velocity row. The rhythm section (top half) Here you can easily create complex and authentic jungle break beat sounds. In a professional recording studio, jungle backbeats are created by dividing any given drum loop into several small ‘bits’ and putting them back together in a different order. This lengthy process is significantly simplified by the Drum & Bass machine. You just design your own new play sequence.

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Synthesizer objects
You set up the new sequence in the top (‘Steps’) row. The blue cells indicate the individual sections (‘notes’) for the subdivision of the loop. A left mouse click on one of the blue cells allows you to select one of six possible symbols. Each symbol represents a different note or other way of playing the note. Every time you click on one of the blue cells, the next symbol is chosen. Rely on your own intuition and creativity when programming your beats. It is not absolutely necessary to know the exact meaning of each individual symbol in order to create cool and authentic beats. Summary symbol description: 1: Play drum loop from beginning 2: Play drum loop from the second note 3: Play drum loop from the third note 4: Play drum loop from the fourth note Backward symbol: Play backwards from this point Stop symbol: Stops play The right mouse button allows you to delete the step cells individually. The ‘Clear’ button on the right deletes all step cells; the drum loop is played in its original sequence. The ‘Random Rhythm’ button generates a random sequence. You can then alter the rhythm as you wish. By clicking on the blue field in the bottom part of the rhythm section you open a pop-up menu where you can select the drum loop sound. If you select a different drum loop, it will be loaded and played as programmed by you. In the "Flame" row you can set the note to be played twice quickly in succession instead of only once, allowing you to program rolls and fill-ins. The ‘Velocity’ row allows you to set intensity values between 0 and 16 with the mouse (left mouse-click increases value, right mouse-click decreases value). Use the three buttons under the ‘Velocity’ row to determine how these values will affect the sound of your loop. If you select ‘Volume’, the velocity value alters the volume for this cell (16 = www.magix.com

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loud, 0 = quiet). If you select ‘Filter’, the velocity value alters the filter strength for this cell (16 = sharp, 0 = muffled). The ‘None’ button blocks use of the velocity values. The bass section (bottom half) The bass section allows you to create the right bass lines for your rhythm quickly. As in the rhythm row, there are two-step rows. • With the first ‘Notes’ row, you determine the sequence of the notes, i.e. the sound sequence. • By clicking on a cell with the left mouse button, you open a pop-up window, where you can select the notes. • By clicking with the right mouse button, you delete a cell. • If you click on an empty cell with the right mouse button, you will see a ‘Stop’ symbol. This function is similar to that in the rhythm section: it stops the bass sound play at this point. • In the ‘Octave’ row you can determine the bass octave sound. Octave 1 creates a deep tone, Octave 3 a high tone. You can only set the octave values if there is a note in the row above. • As in the rhythm section, there are also buttons for ‘Clear’, ‘Random Notes’ and a red selection field at the top border of the bass section. The red selection field allows you to set the bass sound. • Underneath the step rows, you will also find two sliding controls for sound adjustment. You can use the ‘Vibrato’ control to make the bass tone ‘swing’ at its pitch. If the control is pushed all the way to the right, the swing will be stronger; all the way to the left will have no effect on the pitch. • With the ‘Delay’ controller you can set a time for the sound to completely fade out. All the way to the right makes the sound fade out quickly (after approx. ¼ second); all the way to the left means ongoing sound. LiViD - Little Virtual Drummer MAGIX LiViD helps you to turn your ideas into songs. Enter a few basic details and LiViD will play a full drum track, complete with intro, verses, choruses, fills, bridges etc.; the entire song structure is laid out for your convenience. Brilliant stereo drum samples recorded by professional studio musicians and a freely adjustable “Humanize“ function create an authentic drum feel with perfect sound quality. LiViD features four styles (Pop, Rock, Funk, Latin), each of which is subdivided into four further substyles, as well as six song sections for each substyle (Intro, Verse, Bridge, Chorus, Outro, Fill-in). Scramble: A random sequence of four one-bar patterns is generated internally for each style/substyle/song section. “Scramble” generates www.magix.com

Synthesizer objects
a new pattern order. Shuffle: Shifts the second and fourth 16th note of a beat back by a freely definable amount (100% = triplet rhythm). Humanize: Randomly shifts all events backwards or forwards or leaves them unaffected. Note: these shifts are very subtle and not always immediately perceptible! Snare: Sets the snare stick style to “normal”, “side stick” (stick hits the rim while resting on the skin) or “rim shot” (sticks hits the rim and skin simultaneously). Exception: the snare’s quietest velocity level ( the ‘ghost notes’) is always “normal”. Hi-hat: Sets the hi-hat sound to “soft” (fully closed) or “hard” (half-open). Exception: completely opened hi-hat (Pop, Type1, Verse). Ride: Sets the ride cymbal sound to “ride” (cymbal is hit on the rim) or “ride bell” (cymbal is hit on the bell at the center). Robota The Robota is a four-part drum computer with virtual analog and sample-based sound production. Virtual analog sound production means that the sounds are synthesized in real-time, i.e. produced with a synthesizer – therefore recreating the typical analog sounds of the classical drum computers, such as the Roland Tr-808 and Tr-909, or more recent devices such as the Korg Electribe or the Jomox x-cousin. Sample sound production uses drum sound recordings (or even other recordings) as the basis for sound production. After selecting the elementary sound production technique, the sounds of each of the 4 parts (or instruments) can be edited using modulators. The step sequencer programmed with incident lighting helps Robota to play. 4 beats in sixteenths (or 2 beats in thirty-seconds) are processed as a loop. At each beat position, the playing positions can be set by clicking a button. In Event mode, the instruments are distributed within the beat pattern. In Snapshot mode you can adjust additional instrument sound settings. Sound synthesis The four instruments of the Robota are built identically. Each instrument can create all kinds of drum sounds – from hissing hi-hat to phat bass drums. www.magix.com

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During elementary sound production, you can choose between an oscillator with selectable wave shape (sine, triangle or saw tooth) or a sample. In addition, you can add a noise generator can be added. The oscillator has a pitch envelope (pitch env.) and a volume envelope (attack/decay). It can also be frequency and ring-modulated. The depth of the modulation can be controlled via an envelope parameter (Fm/rng dcy). There’s also a “Lo-Fi” section consisting of distortion (Rectify), bit rate reduction (Crush) and sampling rate reduction (downsmple). Temporal control via an envelope (lofi dcy) will get the best out of the Lo-Fi effects. A multi-mode filter (low-pass/band-pass filter/high-pass) with 12/24 dB steep-side. A comb filter can be inserted. The filter frequency can be likewise modulated via an envelope. For extra pressure, an adjustable compressor (compressor, comp resp) is included, as well as tube amplifier simulation (tube). Parameter (1) To simplify matters, not all parameters can be changed on a sound only those that are meaningful for the selected drum sound may be changed (snare, kick, high etc.). There are four selected variable parameters co-ordinated exactly with the selected preset sound. Oscillator Waveform (2): The fundamental waveform of the Oscillators is selected here. You can choose from sinus/triangle/sawtooth/sample. If you have selected "Smpl" you can use the rotary knob to select a sample, i.e. a previously recorded drum sound. These samples are saved in the folder /Synth/robota/samples/. If select custom samples, they will appear in the selection list. (3):For each part you can regulate: Filter Cutoff, Resonance, Tube, Volume and Panorama (on page 122). With select choose the instrument for editing in the step sequencer. “M” mutes the instrument, “S” makes it solo

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The Loudspeaker button allows you to hear a preview. Master Section Volume regulates the total volume of the Robota. Distortion adds an adjustable tube distortion to make the sound “dirtier” and more powerful. The peak meter helps control the output level – when it enters the red area, reduce the total volume.

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Schematic illustration of the Robota synthesis

Here you will find a detailed circuit diagram of a Robota voice with a description of all control parameters. Pitch Envelope (pitch env) Controls the pitch envelope level. www.magix.com

Synthesizer objects
Tune Tunes the instrument. Oscillator Shape (osc shape) The shaper adds additional frequency shares to the basic sound of the oscillator by artificially reshaping the wave shape. A sine wave (shape = 0) can be reshaped up to a square curve (shape = max). Oscillator Waveform The fundamental wave form of the oscillators is selected here. You can choose from sine/triangle/sawtooth/sample. If "Sample" is selected, you can use the controller to select a sample, i.e. a previously recorded drum sound. These samples are saved in the folder /Synth/robota/samples/. If you select custom samples, they will appear in the selection list. If you are playing your own samples, they will appear in the selection list. Noise Adjust the ratio between the oscillator sound and the noise generator. Attack Adjusts the attack time. The greater the set value, the softer the attack of the sound. The attack rate is also applied to the LoFi and filter envelope curves. Decay Adjusts the decay curve. The greater the value, the slower the instrument will decay. FM/Ringmodulation frequency (Fm/rng frq) The fundamental frequency of the frequency or ring modulation. FM Level (fm lvl) At a low frequency FM first adds vibration to the sound, at high frequencies and low levels it creates bell-like sounds, as the level increases metal sounds, and finally noise.

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Ring modulation level (rng lvl) Ring modulation creates typical auxiliary frequencies. FM/Ring modulation decay (Fm/rng dcy) Time constant of by-product of FM/ring modulation. Only the beginning of the drum sound is affected by the modulation. Rectify Distorts the audio signal Crush Bit rate reduction. Digital artefacts become audible with higher settings. Down sample (dwnsmple) Sample rate reduction. Ideal for creating the "old school sound" of older digital drum machines. As it is increased, the result becomes darker. Lo-Fi decay (lofi dcy) Time constant of the by-product of the three lo-fi effects for making the sound "dirty". Only the beginning of the drum sound of the lo-fi effects is affected if the decay is low. For instance, this makes the kick of a kick drum sound more interesting. Filter modes (flt mode) Filter mode: High cut – sound portions above the cut-off frequency are filtered out. Band pass (BP) – Sound portions above and below the cut-off frequency are filtered out. Low cut - All sound portions below the cut-off frequency are filtered out. This mode is set as a preset and can not be changed. Filter frequency (flt freq) The cut-off frequency of the filter. Filter resonance (flt reso) Filter resonance which increases the sound portions at the cut-off www.magix.com

Synthesizer objects
frequency of the filter. If the resonance is high, the filter itself can also be used as an oscillator. Filter modulation -/+ (flt mod -+) Regulates how much and in which direction the filter envelope curve moves the filter frequency in which direction. Filter-Modulation decay (flt mod dcy) Decay time of the filter curve. Smaller values with high resonance create a "zapping" sound of the filter, greater values create the typical sweep sound. Filter modulation velocity (flt mod vel) Specifies how much the filter modulation depth depends on the velocity. If this value is increased, louder beats will generate higher filter curves than quieter ones. 24 dB The filter can operate with a slope of 12 dB or 24 dB. This mode is set as a preset and can not be changed. Comb filter (comb filt on) You can activate a comb filter, a feedback delay that creates resonance-like sounds comparable to a plucked string. The delay time and feedback levels are permanently linked fo the filter parameters (frequency and resonance). This comb filter is set as a preset and can not be changed. Compressor Controls the compressor strength. This lets you increase the "power" of the drum sound. Compressor response (comp resp) Controls the compressor time. The lower the value, the faster the compressor follows the volume. Tube Controls the level of the tube amp simulation. It "saturates" the output www.magix.com

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signal of the voice and adds warmth to the sound if the settings are moderate. Increasing the settings makes the sound "dirtier". Volume/Pan Controls the volume and panorama position of the drum instruments. Sequencer

Incident lighting is used to control the drum patterns just like in all classical drum computers and groove boxes. The step sequencer consists of 16 individual step buttons with LEDs corresponding to the appropriate partitioning of a beat: 16ths or 32nds (a half beat is in each case displayed). A button lights up to indicate the releasing of the instrument at this point in the beat (= step). A left click turns on the step, a further left click deletes the step again. A pattern can be a maximum of 4 beats long. The length can be modified using the fader on the button bar.

The beat to be edited can be selected with the applicable “edit” button. The “Follow” button specifies whether the Step of a beat is in time. „1>2-4" Auto Draw: If more than 1 beat is activated as the loop length, the Auto Draw mode ensures that the drum notes set in the first beat is set automatically for the following beats. This makes it very simple to produce a continuous beat from a loop length of 4 beats. Notes set in the rear beats are not affected by the Auto Draw function. How to program a drum pattern: • Select the pattern length with the fader.

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• select “Event” mode.

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• If you edit during playback, turn off “Follow”. Select the beat with the “Edit” buttons. • Use “Select” to choose an instrument to edit. • Use the “Clear bar” button to delete all steps in the selected instrument. • Turn on the appropriate step buttons, and use the “Velocity” controller to adjust the beat velocity. • Repeat the procedure with the other instruments Snapshots In addition, you can automate programming of the editable sound parameter of a drum sound via so-called "snapshots". You can thereby save the sound parameters of a drum instrument on the step buttons of the sequencers. Automating the Drum Instrument with Snapshots.:

• Put the Edit mode to “Snap”. • If you edit during playback, turn off “Follow”. Select the beat with the “Edit” buttons. • Select an instrument and edit the sound. You can control the sound of an instrument even when playback has stopped by using the loudspeaker button. • Save the sound as a Snapshot to one of the step buttons. • Change the sound of an instrument and save the settings to other step button Warning: The parameters are not changed abruptly but are faded internally instead, in order to avoid crackling. If two snapshots with extreme parameter differences are too close together, the drum

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sounds will sound differently when the pattern is played. • Using the arrow keys, you can jump between the individual snapshots during stopped playback. • Press “on” to activate snapshot automation. Groove Control The secret behind “groove” beats lies in delay. That is, individual beats are either anticipated or delayed according to patterns. For example house beats use the “shuffle” whereby straight 1/16s are delayed at certain times.

In the Robota there are Groove Velocity and Groove Swing presets. Groove Velocity presets contain for each step of a beat a certain offset to increase or reduce the original beat velocity. Groove Swing presets contain for each step a time alignment that is either anticipated or delayed. The result is a livelier-sounding sequence. The strength of the effect can be adjusted with the % regulator. Setups, Drumkits, Presets and Patterns A single instrument sound is saved as a Preset.

Presets containing all four instruments are saved as Drumkits. All note information plus the snapshots are saved as a Pattern. Together (Drumkit + Pattern) they are know as a Setup. Load/Save Presets, drumkits, patterns and setups can be selected with the continuous rotary regulators next to the display area. For storing, click “Save” button. Then specify a new name in the input field. on the www.magix.com

Synthesizer objects
To store, press “Enter”. Note: A drumkit stores only the names of the presets, not the actual parameters. If you want to store your own drum sounds that were created by changing existing presets, you must first store them as new presets and then as a new drumkit! The same applies to the setups, which contain only the pattern and drumkit names. If necessary, always store in this order: preset > drumkit > pattern > setup. This applies only when creating your own “templates”. If you store your arrangement normally, the complete current status (Synthesizer + Sequencer) of the Robota is always stored and correctly loaded later with the arrangement.

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Vita
MAGIX Vita Synthesizer specializes on realistic playback of "real" instruments for which it uses sampling technology. This means that short samples of real instruments in different pitches, playing techniques and volumes are used, combined, and played again at the correct pitch. The VITA synthesizer is controlled via the MIDI objects. If you load Vita via the Media Pool, a preset MIDI object will appear first. You can then load different Vita sounds via the Output menu at the top of the MIDI Editor. You can adjust the sounds of Vita via the instrument menu of the trackbox.

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The Vita interface

1. Layer selection/Peak meter: The Vita sounds, also known as layers, can be selected here using the arrows. Right-clicking on the display opens the layer menu. 2. Main parameter: Here the volume, panorama position, pitch characteristics ("transpose") and the fundamental frequency ("master tune") can be set. 3. AMP: This is the volume envelope. Here you can influence the temporal progression of a track's volume. A(ttack) stands for the volume increase at the start, D(ecay) for the length of time the decrease in volume takes on a section set with S(ustain) at the maximum volume. R(elease) is the length of time it takes for the sound to ring out.

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Synthesizer objects
4. FILTER: Here you can switch on a filter which influences the sound. With FILTER TYPE, you can select a filter type. "Cut-off" regulates the filter frequency, "Resonance" controls the strength of the amplification of the filter frequency. "Velocity" specifies how strongly beat should influence the filter frequency, while the volume can be balanced using the "Gain" controller. The filter envelope (ADSR slider) influences the filter frequency depending on the time. 5. DELAY: Here you can switch on an echo effect, "Time" controls the delay time, "Level" controls the strength of the echo sound. 6. REVERB: Here you can switch on a reverb effect, "Time" controls the delay time, "Level" controls the strength of the echo sound. 7. VALUE DISPLAY: The value display shows the exact value of the parameter which was just modified. 8. DYNAMIC RANGE: Usually, the relationship between the created volume and MIDI velocity is proportional. Since some MIDI keyboards produce a velocity which is too hard for loud sounds or the other way around, this behavior can be balanced out with the "MIDI Input Curve". With "dynamic" and "dynamic curve" the dynamics of the sound can be influenced, that is, the relationship between the quietest and loudest sounds. 9. Voices: Here you can control the amount of voices played simultaneously. If notes are no longer played during fast passages, you can increase the amount of voices here (performance will not be as good). 10. Keyboard: Here you can preview the Vita sounds. This only works during playback or recording.

Using audio effects
Audio object effects Object effects do not affect the entire Arranger track, but rather individual objects. This has the advantage that effects that are only required at a specific point in the arrangement only use up processing power at that point. There are several ways to apply audio effects to individual audio objects: 1. Drag & Drop: In the Media Pool setting "Audio and Video effects" the following folders are visible "Audio FX", "Vintage FX"/"3D Audio FX". These contain presets for the most important effect settings. These presets have a preview function and can be dragged & dropped on an audio object in the Arranger. By right-clicking on an audio object or via the "Effects" > "Audio" menu you can open individual audio effects via a menu command. Double-clicking on an audio object opens the audio effect rack. Here the most important effects are compiled into one dialog and some special functions are still available as is the option of saving the entire effect settings.

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Track effects Alongside the audio effects in the object (Reverb/Echo, Timestretch/Resample, Surround, etc.), a separate track effects rack with equalizer, reverb/echo, compressor as well as the Vintage Effect Suite and plug-ins can be used in each mixer track. The Vintage Effect Suite plug-ins are being loaded via the plug-in slot. You can open the track audio effect rack with the FX button. A bright blue track effects button signifies that effects are active in the track.

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Audio effects
Track effects always apply to all audio objects of a track. In comparison to applying an effect to each object individually, this saves storage space. The track effects work the same way as those of the Object Effect Rack (on page 145). Master effects Master effects influence the mixed sum of all audio tracks. For this purpose a Master Audio Effects Rack and further the Vintage Effect Suite plug-ins are installed in the Mixer window. Apply (destructive editing) With "Apply" the current setting of an effect or of an entire effect rack can be "calculated into" the audio object. This has the advantage that no more processing power will be required for the effect. The object will be replaced by a new audio file which contains the sound of the object with the effect. This will then only be played – processor-heavy "realtime" effect calculation is no longer required. The disadvantage: Changing the effect settings is not a simple any more. You can undo these "destructive" changes straight after using the Undo function in the Edit menu (like every editing operation in MAGIX Music Maker 2008). After saving the project this is no longer possible. In the master effects rack there are no Apply buttons. Instead, the function can be found in the Edit menu (Compile audio (on page 213))

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Control Effect devices
The effects are controlled in the conventional way by the use of slider controls, turning knobs, or buttons or alternatively using the graphic sensor fields. Sensor fields: Sensor fields can be intuitively used with mouse movements, the sound of the audio and the respective effect settings change according to the mouse movement. For every effect, 2 settings are simultaneously affected with in the sensor fields (such as echo delay and feedback). Power: Every effect device in the rack can be separately switched on or off. Reset: Every effect has a reset button that restores the effect device's www.magix.com

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initial default (off). The effect is not calculated into the sound, and the effect is not rendered. Preset: Each effect device is equipped with a selection of presets are selected through the drop-down menu. Bypass: Some effects are equipped with a bypass button, which bypasses the effect device. The bypass button allows you to directly compare the neutral, unedited sound of the audio object with the effect setting you have chosen. A/B: Similar to the bypass button, the A/B-button also compares two settings with each other. If you have selected a preset for the effect and make manual changes to it later, you can compare the original preset sound with the new settings by using the A/B-button.

Equalizer

The 10-band equalizer subdivides the frequency spectrum into ten areas ('bands') and equips them with separate volume controls. This way it is possible to create many impressive effects, from a simple boosting of the bass to complete elimination of a certain range of frequencies. Note: If low frequencies are boosted too much, the overall sound level is heavily increased which may lead to distortion. In this event, adjust the overall volume downward by using the 'master volume' control situated at the bottom center of the effect rack. Slider control: Each of the ten frequency ranges can be separately boosted or turned down with the ten volume controls. Link bands: Using this button randomly combines the frequency ranges with each other in to avoid artificial-sounding overemphasis of an individual frequency range. Touch screen (right EQ section): This is the 'sensor field' of the EQ. Here you can draw any type of curve with the mouse. This will be immediately translated into a corresponding control setting on the left side of the EQ. www.magix.com

Audio effects Reverb

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The reverb effect device offers newly developed and very realistic reverb algorithms to add more room depth to your recording. Reverb is probably the most important but also the most difficult effect to generate. Fundamentals Our everyday experience shows that not every room matches every instrument. Thus we have designed “virtual” rooms. However, it still remains important to find the correct parameters. Here are some examples of parameters that are decisive for the sound impression in real and virtual rooms: • Size of room: The larger a room, the longer the sound travels between walls or objects. Our brain “calculates” the size from the time difference. The size impression is mainly determined from so-called first reflections and the discreet echo. We don’t notice a (diffused) reverb. • The reverberation time is mainly influenced by the composition of the walls, ceilings and floors. This reverb time is highly frequency-dependent. For instance, the highs and mids are dampened more in rooms with curtains, carpets, furniture and some corners than in an empty and tiled room. • The density of the reflection: The sequence of the first reflection is particularly important. A room with many individually recognizable echoes feels alive, especially if they are quite far apart. • The Diffusion: Simple reverb machines do not take into account that reflections become more and more complex as they develop. They blur the first echoes at the beginning, which sounds artificial and “two-dimensional” for many signals. Our reverb effect works like a real room instead where individual echoes can still be heard at the beginning of the reverb but then reflect amongst each other more and more until they disappear in the signal sustain as a so-called “diffused hiss”. The 24 presets include many rooms that were designed for certain instruments and applications and whose internal parameters have been optimized for these applications. However, you can influence www.magix.com

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most of the characteristics of the room using the provided sliders. In addition to the rooms we have modeled two device types in the reverb effect that allow you to create an artificial reverb for a longer time: Plate Reverb and Spring Reverb. Plate Reverb: A plate reverb consists of a large metal plate (often 0.5 to 1m² thick or more), that is put into motion by a magnet and coil system (similar to a loudspeaker). On the reverb plate so-called “taps” are positioned at different locations. These are pick-ups comparable to those on a guitar. Reverb plates have a very dense sound (high diffusion); no direct echo can be heard. They are therefore ideal for percussive metal. With vocals a plate reverb generates a smooth “wellness effect”. Spring Reverb: You probably remember Spring Reverb from guitar and keyboard amps, particularly older ones. At the bottom of these amps a unit consisting of two to four spirals is mounted on a vibration-free carriage. As with the reverb plate it uses systems for transforming the electric signal into a mechanical one. There are different designs and sizes of spring reverb; however, they all have the same quite peculiar sound: the typical “bloing” sound when the springs are moved, similar to splashing. When the reverb dies away the basic pitch of the spring(s) can usually be heard quite clearly. Furthermore, the frequency range is considerably limited due to the losses in the spirals and in the used pick-up/transmitter. Despite this, the sound is special and some of the latest music styles (e.g. dub & reggae) would hardly be possible without spring reverb. Parameters The reverb effect has the following parameters: Size: defines the size of the room (or the system for the plate and spring). With some low “size” settings you can also reduce the distance between the individual reflections. This allows resonance to develop (accentuated frequency ranges), which can sound oppressive if the reverb sustain is too long. The proper size for each instrument can be gauged by taking into account the interplay between the room and the resonance. Time: reverberation time. With this controller you can define how far the echo will be absorbed, i.e. the time for the reverb to die away. Turning this knob to the left minimizes the time. You will then only hear the first reflection. Turning the knob to the right minimizes the absorption and thus results in a long sustained reverberation. www.magix.com

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Color: within certain limits you can influence the sound characteristic of the effect. The effect of this controller depends on the used preset. In rooms “Color” controls the dampening of the highs in the reverb (from dark to bright) as well as pre-filtering of the signal. The controllers for plate and spring presets also determine the dampening of the basses. Mix: this controller sets the mix ratio between the original and the edited signal. For rooms you can therefore quite easily move a signal further into the room by increasing the effect share. The last four presets are intended for use in an AUX channel of the mixer and are set to 100%. Presets The presets are primarily sorted by instruments; however, you can (and should) choose which preset you want to use for which instrument. The rooms in particular have completely different characteristics which are noticeable for some and more subtle for others. Generally we recommend reverb with many individually audible reflections and slight diffusions for dense arrangements. On the other hand you can use Plate Reverb for minimally arranged songs in order to create a dense atmosphere. However, you should avoid adding reverb to too many instruments. Sometimes some extra mixing is sufficient to move an instrument slightly away from the total sound. It is often recommendable to adjust the sustain to the song tempo, i.e. the faster the track, the shorter the reverb. Otherwise the sound easily sounds washed-out and indifferent. Here is a list of the presets and their characteristics: Drums and percussion Drums: Studio A: small room, high diffusion, e.g. for percussion instruments Drums: Studio B: slightly larger & more lively than A, medium diffusion, distinct first reflections, signals seem closer than A Drums: Medium-sized room: medium-sized room, moderate reverb, medium diffusion, relatively few first reflections Drums: empty hall: medium-sized empty hall, medium diffusion Drums: Snare reverb plate A: plate reverb, high diffusion, relatively bright sound character, typical hissing of a reverb plate. Drums: Snare reverb plate B: reverb plate, high diffusion, slight dampening of highs & basses, sound moves more to mids with time, stereo panorama narrower than for A www.magix.com

Audio effects
Delay (echo) The echo effect is defined more closely with ‘delay’ and ‘feedback’ and calculated into the original sound by means of ‘mix’. Delay: Here the period of time between the individual echo’s can be determined; the more you turn the control to the left, the faster the echo’s will follow each other. Feedback: Here the number of echo’s can be adjusted. Turned completely to the left, there is no echo at all; turned completely to the right there are virtually endless repetitions.

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Compressor

The compressor is an automated dynamic volume control. It limits overall dynamics, maintains the volume of loud passages so they stay loud, and increases the volume of low passages. A compressor can be put to good use for bass recordings and vocals, but also as a master effect in the mixer for subsequent editing of the overall sound. Processing is carried out using a "look-ahead" method, similar to high-quality studio appliances. There are no peak overmodulations or other artifacts, as the algorithm can never be 'surprised' by sudden level peaks. Ratio: This parameter controls the amount of compression. Threshold: Set the volume threshold, below and above which compression is applied. Attack: Sets the algorithm's reaction speed to increasing sound levels. Short attack times can create an undesirable "pumping" sound, as the volume is quickly reduced or increased correspondingly. Release: Sets the algorithm's reaction speed to falling sound levels.

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Audio effects Timestretch/Resample

This effect device changes the object’s speed and/or pitch. Pitch: This control changes the pitch independent of the object’s speed ("pitch-shifting"). Tempo: This control changes the tempo independent of the pitch ("time-stretching"). The object acts as if it were compressed or stretched on the track. Tones/BPM: These fields are used to numerically enter the pitch or speed change. Only MAGIX Soundpool files are suitable for numerical entries as the contain information on pitch and speed. Setup: This button opens a setup dialog where you can select various pitchshifting and timestretching procedures.
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Standard: Time-stretching and pitch-shifting without the use of beat markers. The method is suitable for audio material without a pronounced beat. High quality: Timestretching and pitchshifting in high audio quality even with extreme time extension. Beat markers are used at the beats or transients. The markers can be generated in realtime (automatic) or read from the WAV file if available (patched). The algorithm is suitable for rhythmic material that can not be divided into individual beats or notes because the impacts or notes overlap each other.

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NOTE: This method requires a lot of processing time which is why it should be used sparingly on less powerful systems. Smoothened: Here a considerably more complex algorithm is used which requires more processing time. The material can now also be used on very large factors (0.2...50) without bringing about strong artifacts. The material is "smoothed", www.magix.com

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which makes the sound softer and emits it at an adjusted phase level. This smoothing is hardly audible, for example, with speech, singing or solo instrumentation. Problems may arise with more complex spectra (sound mixes from various instruments or finished mixes).
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Beat marker method slicing: The material is cut at the positions of the beat markers and re-constructed in the timeline. The markers can be generated in realtime (Auto) or read from the WAV file if available (Patch). The algorithm is suitable for rhythmic material that can be divided into individual beats or notes. For this it requires a low level before each impact or note. Beat marker method stretching: The material is stretched between beat markers positions so that the impacts or attacks at the beat markers positions are not impaired by stretching. The markers can be generated in realtime (Auto) or read from the WAV file if available (Patch). The algorithm is suitable for rhythmic material that can not be divided into individual beats or notes because the impacts or notes overlap each other. Monophonic voice: Time-stretching and pitch-shifting for vocal solos, speech or solo instruments. The material must not contain background noise, and excessive reverb may also be detrimental to the use of this method. With suitable material the audio quality is very high. In addition, the formants remain when pitchshifting. Resampling: Pitch shift and tempo can not be changed individually. This method requires considerably less CPU time.

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Sound Warper

Distortion This is a distorter, which over-modulates the audio object. Gain: With these controls you adjust the degree of distortion. ‘Gain’ designates the prestage to an amplifier.

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Cut off: Here you adjust the frequency ranges that are to be distorted. Volume: Here you can adjust the volume of the distorter. The higher you set the ‘gain’ control, the louder the distortion when compared to the overall volume. Filter Similar to an equalizer, the filter controls the volume of certain frequency ranges. It is however also possible to completely suppress frequencies so that very impressive distortions are possible. Frequency: Here you set the frequency that is to be filtered. Level: Here the filtering intensity is adjusted. Resonance: Here you set the range (band width) around the frequency which is to be boosted together with the frequency. Volume: Here the filter volume can be adjusted separately.

3D Audio
You can move your music into space with the 3D Audio Editor. In principle, the 3D Audio Editor is compatible with every soundcard. Great results are guaranteed with soundcards that are supported by the EAX extension. Buttons On/Off: Turns the 3D Sound on or off. Presets: Here you can choose and save the available presets Room: Here you can define the room size. Doubler FX: Here you can apply a Doubler effect to a signal. The Doubler effect is what one hears, for example, at a formula 1 racetrack. As the fast-moving sound approaches, the tone rises, and then deepens as the source of the sound moves away. Rec Mouse Move: Activates the so-called “Draw mode” (see below). 3D Graphic: The 3D Graphic allows you to control your 3 dimensional settings visually. Here you can draw 3D movement with the mouse. Furthermore, the mouse wheel allows you to set the height. Object Room Coordinates: The 3D coordinates are set with three regulators: X for left-right, Y for forwards and backwards, Z for up and down. Stop: Stops the replay. Replay (ARR.): Starts the replay of all arrangement tracks. Replay (OBJ.): Starts the replay of the selected audio object. www.magix.com

Audio effects
Snapshot: The SNAPSHOT key is coupled with the orange OBJECT POSITION regulator and takes a snapshot of the current 3D position. ?: Opens the dialog window help link. Setup: Here you can choose a predefined room sound. Reset: Resets the 3D movement. OK: Closes the dialog window and continues with the 3D settings. X: Closes the dialog window without continuing with the 3D settings. Object Position: This regulator sets the position of the object along the time axis. Recording The 3D editor offers various methods for recording 3D movements. Method 1 – Draw mode: Activate the “REC MOUSE MOVE” button. Left click on the ball and then move the pointer in the 3D graphic in a direction of your choice. The height is controlled by the mouse wheel. When you are done, press the object’s replay key and then listen to the result. The recording can be erased via the RESET key. The beauty of this particular mode is that the movement of the mouse is synchronized with the length of the object. Method 2 – Snapshot mode: Move the OBJECT POSITION regulator into any position you like. Then place the ball on the desired position in the 3D graphic and press the SNAPSHOT key. Now move the OBJECT POSITION into a different position and place the ball on the desired position in the 3D graphic. Finally, press the SNAPSHOT key to save the room position. Now press the replay key to view the ball in a line from one point in the 3D room to another. Method 3 – Record mode: Press the red record button to start recording. The respective object will then play in loops. Left click on the red ball and move it within the 3D graphic. The 3D movement will now be displayed. To stop, press the red recording button again.

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Vocoder
The principle of the Vocoder is as follows: Carrier material (e.g. a surface sound or a synth chord) is affected by a modulator (e.g. language or singing) so that one gets the impression that it is speaking or singing. Rhythmic surface sounds can also be developed if modulated with a drum loop. This is done via the transmission of the frequency characteristics of the modulator (speech) on the carrier (chord). www.magix.com

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Carrier Input Here you have to select the desired carrier sample. Some special carrier samples that have been loaded automatically from the "Vocoder" directory are listed. You can use the "Carrier Sample" checkbox to load any number of samples of the current project or predefined carrier sample. Here you can play the carrier on its own for test purposes. Noise: This controller lets you add noise to the carrier sample. This makes sense if the carrier material can not be modulated sufficiently or is irregular. It's good for "filling" drum loops with too many pauses between the beats. Material containing all frequencies in equal amounts are particularly suitable, such as strings, orchestra chords, broad synthesizer pads, hissing or wind noise. Filter Dynam: Influences the dynamics of the modulator signal to reduce the modulation depth of the vocoder. This prevents two often undesired side-effects of modulation: On the one hand the volume change of the modulator signal is added to the output signal in a slightly more moderate form which may improve the power of the vocoder voice. On the other hand the low-level share of the modulator signal is ignored in order to prevent modulation of the carrier by breathing or noise. Smooth: Affects the speed at which the Vocoder adjusts to the modulator spectrum. The greater the value, the "lazier" the Vocoder follows the modulator and the "smoother" the sound changes in the carrier sound. Filter graphic Exactly as with the freely drawable filter, here any frequency characteristic can be drawn in to optimize the results of the Vocoder. For example, simple disturbing bass frequencies can be eliminated as www.magix.com

Audio effects
the curve is corrected downwards to the left. Likewise, weak heights can be strengthened as the curve is raised to the right. Mixer In the Mixer you can also mix parts of the carrier and modulator signal to the vocoder output signal (Out). If the output signal of a track is used as a carrier in the vocoder, this track will first be muted. In the vocoder mixer you can then make it audible again. Presets In the "Preset" list window you can select predefined vocoder settings. The disk system is used to all custom presets. The presets all contain vocoder settings, except the selected carrier signal. Reset restores the vocoder default settings.

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Object and master effects rack
The audio effect rack for objects can be opened with a double-click on the audio object. The audio effect rack for the individual tracks or for the entire sound ("Master Effect") can be opened via the FX buttons in the Mixer window ("M" key). As well as the effect devices described, the following options are also available: Load/Save You can save the current effect combination of a audio object separately and use it on other objects later on. Only the effects that were used will be saved and loaded during this process. Karaoke This button at the very bottom of the effect rack causes a special karaoke effect, which more or less eliminates any singing. During this process, typical medium frequencies, where the human voice normally feels most at home, are deleted during playing so that somebody else can take over the singing part. Typical karaoke songs display the song text in subtitle form so that the singer can follow along with the words. MAGIX Music Maker 2008 offers a similar function: the title editor can be used to create the karaoke subtitles. Please refer to the section ‘Title editor (on page 104)’ in the chapter on ‘Image and video objects’ for this feature. www.magix.com

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Play object/Play arrangement To the bottom right of the Audio FX Rack you will find two playback buttons which either play the selected object or the entire range. This lets you preview all effect settings in realtime. Object Volume

Here you can set the master level for the selected object. With some effect combinations undesired distortion may appear as many effects increase frequency ranges. In this case, you can reduce the master volume. The faders for each stereo channel are usually moved together.

If you deactivate the left button, the object can be made into stereo panorama by separate volume controlling for left and right. FX plug-ins These buttons also open the effects from the Vintage Audio Suite.

Offline effects
In the effects context menu below “Offline effects” or the context menu for audio objects you can find the following additional effects, that can not be adjusted in real-time: FFT filter, Gater, Backwards, Invert phase. They only apply to the selected object. Under “Offline effects” in the effects context menu, you’ll find the following effects that can’t be invoked in real-time: plottable filter, gater, backwards and surround. With “Offline effects”, copies of the audio material are made into which the effect is calculated. Subsequently, no further computer calculation is required when playing. Because one is working with copies, there is no danger of changing or destroying the original material. www.magix.com

Audio effects Offline effects
In the effects context menu below “Offline effects” or the context menu for audio objects you can find the following additional effects, that can not be adjusted in real-time: Gater, Backwards, Invert phase. They only apply to the selected object. Under “Offline effects” in the effects context menu, you’ll find the following effects that can’t be invoked in real-time: plottable filter, gater, backwards and surround. With “Offline effects”, copies of the audio material are made into which the effect is calculated. Subsequently, no further computer calculation is required when playing. Because one is working with copies, there is no danger of changing or destroying the original material. Gater This special effect “chops” a sample in a freely selectable number of pieces (2 - 16). You must first enter the number of steps that are to be distributed over the sample length. The volume for every individual step can then be set with the sliding regulator (faders) so that both hard breaks as well as soft amplitude changes can be created. The Gater function can also affect filters so that interesting sounding distortions can be created, especially for the techno sector! This function is highly suitable for creating a groovy sample for a drum loop from a sound surface without its own rhythm! By the way, more than 16 steps can be entered for the “Fader number”, to obtain an even finer division of the samples. The regulator settings are then repeated. Step 17 therefore has the same value as Step 1. The real-time screening function allows you to musically check every fader modification. Generally, two combinable operating modes are available: Volume or filter progressions The objective of this function is to change the volume or the sound character of the audio material in 16 or more steps with the aid of the 16 faders. The default setting of every fader corresponds with one sixteenth of the audio material – i.e. a sixteenth note in a 1 bar loop or www.magix.com

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an eighth note for a two bar loop, etc. This leads to interesting rhythmic results, e.g. by lowering the volume of individual faders or through stepped volume increases. Various progressions can also be quickly created with the help of the random function. The real-time screening function permits constant acoustic control while this is being done! Gater progressions make it very simple to create rhythmic sounds from a simple strings or synthesizer section or to emphasize or tone down certain beats in a drum loop. Reordering The playback sequence of the 16 steps can be changed with the colored key fields located below the faders. This makes it possible to repeat a beat from the first sixteenth in the fourth sixteenth. To do this, the number under Fader No. 1 must be the figure 1. The fact that item 4 will now play back the material in item 1 is shown in color. Does this sound complicated? If so, simply try the Random function. It instantly produces numerous variations. If you have the Real-time screening function running, you can then quickly decide for yourself, which groove you like better! You can use the Re-order function to derive totally different variations from a drum loop quickly and impressively. Backwards When Backwards is applied the sound file will be played in reverse. This way you can create very interesting effects, not to mention the “hidden messages” in many songs... Invert phase This function moves the object to the rear loudspeakers of a dolby surround system. Quite an impressive effect for the audio tracks of video productions.

Vintage Effects Suite
If you're a guitar, bass or keyboard player, you'll probably recognize the look of our new "vintage effects" suite. They are accurate digital models of analog "standard effects" used by live musicians. Although we have adopted the appearance of stomp boxes and have given www.magix.com

Audio effects
these effect a typical analog sound they are ideal for studio use. All effects of the Vintage Effects Suite are subject to a soft rule behavior – internally, parameters are softly faded from the old to the new value. This is particularly noticeable when presets change and is of a particular benefit when playing in live mode. In the following we will present the effects of this suite and explain how and where to use them. Analog Delay (on page 150) Flanger (on page 152) Filter (on page 154) Chorus (on page 156) Distortion (on page 158) BitMachine (on page 159)

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Analog Delay

This delay offers creative playing along with common delay effects. "Analog" in this case means, for instance, that you can change the delay times while playing without the risk of typical, scratching artefacts developing. Instead, the times are softly faded out, similar to the old tape echo machines that used the tape speed to change the delay and where the system also had a certain sluggishness. Analog Delay emulates the tape echo units of old, where the delay time was determined by the tape speed and speed changes were slow and affected the pitch. („Feedback"). The feedback has a two-band filter that can be used to create dark, high or mid repetitions depending on the settings. You can use these characteristics to your advantage, creating for example ‘out-there’ dub/reggae-style delays that become less defined with each repetition and are slightly warbled. Here "Analog" means that you can not digitally overdrive the delay. Even in a 'looped' repetition the signal can not be distorted indefinitely but compressed by an increasingly slight degree and distorted similar to a tape.

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Audio effects
Analog delay parameter Analog Delay has the following parameters: Delay Type Delay Type (L + R): Left and right delay times can be controlled separately (see below). You can choose a note value for the control pots to snap to. Even and syncopated note values from 1/2 to 1/32 are available. Note that the delay times are always in relation to the project’s current tempo. Link button (lock symbol): Press this button to control the “Delay Type” pots for both channels simultaneously. Mix: Adjusts the ration between the original signal and echo. Modulation Speed: The tape warble speed. Low values result in very light fluctuations, high values result in drastic warbling. Depth: The warble intensity. When this control is turned all the way to the left, there is no pitch modulation. For a subtle ‘analog’ feel, we recommend a setting at the 9-11 o’clock position. Filter "Low" This control progressively reduces the bass frequencies as it is turned to the right, making the signal sound ‘thinner’. All the way to the right, the control only attenuates the treble very lightly; turned to the left, the delay repetitions become progressively less treble.

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"High"

Feedback Width: This controls the stereo width of the delay repetitions. When you turn “Width” to the right, a further effect is achieved: the panning of the delays increases. This is commonly referred to as a ‘ping-pong’ delay. Drive: When this control is turned all the way to the left, the delayed signal is repeated only once. Turned all the way to the right, the feedback is seemingly endless and the repetitions continue for a long time. www.magix.com

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The actual strength of the effect is dependent on the material as the feedback loop - as explained earlier - is addressed via compression and uses a "tape saturation" effect. If you send a "loud" signal to the delay, the feedback will sound longer than at a lower level as compression "brings it up" to a certain level. If you are used to "purely digital" delays you may require a short adjustment period. However, will most probably sound "livelier". Flanger

The "flanger" effect is similar to the chorus, although it has a different history: It was developed by coincidence: someone (according to a legend it was actually John Lennon) briefly slowed down one of the reels of two tape machines that were linked together. The result: the rather brief delay of the second signal compared to the first resulted in cancellations within the frequency spectrum, leading to a so-called comb filter effect (the sum of both signals creates "peaks" and "lows" in the spectrum that look familiar to the teeth of a comb). Flanging is basically a chorus effect that modulates a shorter delay time (under 10 ms). Flangers do not strive to double or disembody a www.magix.com

Audio effects
sound like a chorus but aim to manipulate its frequency range. When the “Feedback” parameter is turned up, a familiar flanging effect is produced – the sound characteristics of a jet engine warming up. Flanger parameters Speed: Modulation speed. Depth: The overall amount of modulation. Feedback: The volume of the internal feedback loop. Mode: “Normal”: Flanging. “Dual”: Two parts, panned left and right. “Quad”: Four parts, alternatingly panned left and right. “Quad Pan”: Like “Quad”, but the “Depth” control also sets the intensity of the signal’s pan movements between left and right.

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Filter

"Filter" is a modulation effect like Chorus and Flanger. However, it controls the frequency range and modulation source instead of the pitch. Therefore it has different filter types and modulation times. The filter is particularly effective for synth sounds (‘filter sweeps’ on pads and atmospheres) and for creatively manipulating drum loops (such as for variations, fills etc.). It can also be used on guitars to produce the well-known ‘wah’ effect. Either with tempo modulation or a special mode, modulation via the current signal strength above the cut-in frequency of the filter. Filter parameters Speed: The modulation speed is set by note values ranging from 1/1 to 1/16 (even or dotted). Like in the Analog Delay, the tempo information is automatically provided by the arrangement. A peculiarity of the final position of the controller: Tempo synchronization stops and modulation is controlled via the signal level. www.magix.com

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Freq: This is the base frequency for modulating the filter. This generally takes place above this frequency, i.e. the modulation increases the filter frequency.. Depth: This control determines the modulation depth, that is, the amount by which the speed control (or envelope mode, as described above) increases the base frequency. For extreme effects, turn “Freq” all the way to the left and “Depth” all the way to the right. Filter Modes Low-pass

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Band-pass

A filter with a slope of 24 dB/octave and a small amount of resonance. T treble frequencies above the base frequency (cut-off frequency) are filter steeply. This is great for filter sweeps on synth pads and drum loops. Only the frequencies around the base frequency are passed through t (24 dB slope with resonance). Use this mode to create wah-wah effe guitars.

Band elimination („Notch-Filter") High-pass

Two parallel filters (–36 dB) with linked base frequencies create two ‘notc the frequency spectrum. This allows you to create interesting soun example, guitar chords. This sounds similar to a phaser.

This mode achieves the opposite effect to the low pass filter. Frequencies the base frequency are filtered steeply. If you ‘thin out’ sections of your t (for example, a drum track) with a tempo-based modulation, this can sou effective when contrasted with the full-range frequency spectrum (for exa if the filter is turned off for the next object).

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Chorus

Chorus creates a ‘floating’ sound typically associated with guitars and synth pads. It can acoustically ‘thicken’ an instrument, making it sound fuller or creating the illusion that several instruments are playing. The Chorus sound is created by using the so-called doubler effect. You probably have noticed this phenomenon daily life: The sound of an approaching ambulance sounds higher than when it is moving away. This effect is a result of the speed of the sound which first increases and then decreases, thus also changing the sound pitch. If there were a second siren at your location, an oscillation would develop between both sounds (just like when two instruments are out of tune). Chorus also splits the signal in at least two: direct sound and effects part. The double effect is created by a short signal delay of the effect. This delay is within the range of 10-30 ms (as in this one), this means that it is short enough to be perceived as an "echo". The times would also be similarly short if you were to double a guitar track for instance. www.magix.com

Audio effects
A short delay in the mix already sounds "doubled" but is not authentic. This is where the above-mentioned "out-of-tune" effect comes in: the pitch of the effect signal is slightly modulated by gently "drifting" forward and backward in the delay curve. The result is a floating effect where the speed is influenced by drifting. Chorus parameters You can enter the following parameters to control the floating effect: Speed: Modulation speed. Low speeds create an even, continuous development. High speeds produce vibrato-like qualities but can also result in an ‘under-water’ effect. Depth: Modulation depth. This determines how strongly the speed affects the pitch modulation. Mix: This sets the balance between the direct signal and the effects signal. Mode: You can choose between four operating modes of the Chorus effect: “Normal” is a combination of the direct signal and the detuned delay signal. “Normal, low cut” is designed for bass-heavy signals such as bass guitar. The bottom end of the signal stays clear and well-defined, the effect is only audible for the mid and treble frequencies. “Dual” makes the source sound more lively than a single ‘part’. The sound is spread over the stereo panorama, which makes this mode seem ‘wider’. This makes the character of the sound livelier than with a single voice only. It is also distributed over the stereo panorama so that this mode sounds "broader". “Quad, low cut” is ideal for creating sounds such as deep synth pads with tight bass frequencies. Tip: Like on the stomp boxes our vintage effects are modeled on, there is a ‘footswitch’ below the pedal’s logo that can be clicked to turn the effect on or off for A/B comparisons. All the effects of the Vintage Effects Suite have been designed like this.

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Distortion

The distortion pedal is a “high gain” distorter for crunch and lead guitar sounds. If you like typically “British” amp sounds and want to quickly record a guitar track with little effort, this pedal is for you. An entire valve pre-amp circuit has been modeled, including the typical EQ curve. The amplification is “valve-typical”, i.e. it doesn’t start quickly but is harmonic and soft. Even at full power the pedal still reacts softly to a guitar and its settings (e.g. pick-up choice and tone controller). For instance, you can influence the distortion even more by using the volume knob on the guitar. There are only three parameters on this effect; however, these interact with each other and can thus generate quite a variable sound: • Low: the “bass” controller. This allows you to set the share of basses, even after the distortion. The type of prefiltering is important for guitar amps in particular, and is characteristic for the basic sound. You should set the bass controller depending on the basic sound of the guitar and the sound you are aiming for (“powerful” or “cutting”). www.magix.com

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• High: Mainly controls the share of highs before and after the distortion. If you are not using an external guitar speaker as a monitor, we recommend setting the controller to the middle position or even moving it slightly to the right. This way the “sharp” highs disappear, which all guitar amps generate without the suitable loudspeaker. At the same time the mids stand out more, which gives the sound more “kick”. On the other hand you can further emphasize the highs if you want the sound to be more neutral. • Drive: The level of distortion. This controls the amplification used to operate the “virtual valve circuit” (max. 60dB). As the level increases, the valve goes into overdrive and generates typical distortions. For a slightly distorted sound (“Crunch”) it is surely sufficient to set the controller to 10-11 hours at maximum. Furthermore the modeled circuit provides the usual “weight” for power rock chords and more. The further you turn this controller to the right, the more the mids of the signalmove to the fore so that the “high-gain” lead sound is better heard. You can also use the distortion effect in combination with the amp simulation. BitMachine

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Audio material can always be edited into high quality with MAGIX Music Maker 2008. Nevertheless, there are situations when, for example, a more imperfect lo-fi sound would perfectly suit a drum loop or a synthesizer sound. Remember, for example, the first hardware samplers from the 80s that usually only ran in 8- or 12-bit resolution and at low sample rates. With the BitMachine, changing the sound with such an „antique“ device is no problem. You can use the BitMachine to bring back to life the times when minimalist and scratchy sound chips in home computers were www.magix.com

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commonplace. The BitMachine opens up a gateway to „acoustic time travel“ where you can encounter bit and sample rate reduction and downstream filters based on analog models. Furthermore, the effect has a modulation section with which you can control individual parameters using an oscillator (LFO) or the input signal. We have designed a range of „typical“ presets to demonstrate the time travel abilities of the BitMachine. These can be opened at the top right of the interface. "Filter" section The filter in the BitMachine is a digital model of one of the most well-known filters in music electronics. The filter in question is the ‘Chamberlin 2-pole’ filter, which was used in old Oberheim synthesizers. These types of filters sound exceptionally musical. They can also be used in quite creative ways in the BitMachine and must not be called upon solely to smoothen out existing artifacts. The filter works in the so-called high-cut mode, that is, it lets through deep frequency (or medium) material according to setting, and dampens the highs and medium areas. freq: With this dial, you can specify the cut-off frequency of the filter. Filtering starts above this frequency. reso: With this, the signal in the area around the cut-off frequency can be strongly elevated („resonance“: to just below the self-oscillation). Sharp, cutting sounds are now made possible. The effect becomes even clearer when you vary the cut-off frequency. drive: Both of the individual filters of the connections mentioned above have the ability to overmodulate themselves internally. With the „drive“ dial, you can regulate the amount of overmodulation. The more you turn up this dial, the more the signal is overmodulated. In this case, the parameters of the internal workings of the filter interact with one another. This way, for example, increasing drive weakens the www.magix.com

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resonance, but, at the same time, the signal gets more volume, more bass and becomes acoustically fuller. Note: The two smaller dials from this section are explained under Modulation. "Modulation" section You can automate your effects via the settings in the modulation section. Here, you’ll find the so-called low frequency oscillator (LFO), which resonates with adjustable speed. You can influence the speed and type of resonance. To influence the resonance, use the two small dials in both the reduction and filter areas. These four dials display modulation targets. Example: You’ve left the dial for the sample rate at its default setting. Change the small dial beneath from its middle position to either side. The modulation for the dial value is added to the sample rate: The LFO now controls these parameters proportionately and the sample rate reduction resonates at this modulation. You can use this technique on other dials as well. You just have to make sure that the main dial isn’t turned up to full, because, if this were the case, the modulation wouldn’t have any effect. The modulation is always added to the set value. Example: Turn the small dial beneath the ‘bits’ dial fully to the left (Value: -50) and the one beside it (beneath ‘sample rate’) to the right (+50). You’ve now assigned a modulation to both parameters with the LFO. They are not changed uniformly, but rather opposite to one another: A negative setting is nothing more than an inversion of the modulation, you’re, effectively, turning down the control signal. Waveforms of the modulation section We’ve already explained this example with the help of sine oscillation. The LFO can be in: • Sine form • Square wave (that is, only 0 or 1, no intermediate level) • Random value (an internal randomizer will be queried at the set

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speed) Oscillator speed The LFO speed is specified with the „speed“ dial. If the „sync“ button is active, the LFO adapts to the song speed, and the dial locks musical values into place (for example, ¼ note). With it, rhythmic paths of the sound distortion are made possible. You can also switch off this synchronization and set the speed manually (in Hz). Modulation with the „Envelope follower“ In the modulation section, you’ll find a fourth button, the audio input signal. If this mode is active, the signal itself can be called upon to extract “modulation tension”: a so-called envelope follower continuously scans the volume of the input signal. Note: The BitMachine doesn’t recognize the type of audio signal automatically. For this reason, you should roughly set the input sensitivity with the „gain“ dial. To do this, use the control LED: With accurate detection of the signal dynamics, assigning the four small dials to modulation lows is easier and you can use the full control range. In envelope mode, the „speed“ dial is used to control the response speed of the envelope (the display now switches to milliseconds). Lower times result in a faster response, higher times make the envelope rise (and fall) slower. You should experiment with the signal according to its complexity. The presets provided can only point in a rough direction. "Reduction" section Bits This dial controls the resolution of the audio material. Turning the dial to the left results in 16-bit quantization, and thereby CD quality. The further it is turned to the right, the lesser the signal dynamic becomes. In extreme cases (1-bit), there are only „on“ or „off“ states. In the intermediate levels, you’ll notice an increase in the background noise and a decrease in the dynamics. For example, 8-bit quantization will exhibit dynamics of only 48 dB. Quieter points in the material sound noisy and very quiet points sound „capped“. This effect is amplified the more you turn the dial to the left, until it starts crackling www.magix.com

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or ‘groaning’. Sample rate The audio material is ‘down-calculated’ with this dial, that is, the internal sample rate is reduced. Here, a new separation ratio between old and new rates is created. In relation to this ratio, a sample from the data stream will be „dropped“ at the various points. Note: The two smaller dials from this section are explained under Modulation.

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Video effects
Drag & Drop
The video effects are stored in the "Video FX" directory, which you can call up with the corresponding Media Pool button. All video effects feature preview functions and can be dragged & dropped onto video and picture objects in the arranger.

Video Controller
You must select a video or picture object before you can call up the video controller from the effects menu or context menu (right mouse-click on the object).

The Video Controller is used to edit and configure the video effects. The start screen is displayed on the video monitor of the Video Controller. • With the play and stop button you can either play or stop the video object. This causes the entire object to be played in a looped manner in the arranger together with the background video, in so far as you have set a mixing effect. www.magix.com

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• Use the position slider to fast forward and rewind the video to where you want. Try any effect or effect combination. The video controller will not adopt the setting until the OK button is clicked to close the video controller. Clicking on the X button will close the controller (abort the process) without adopting the settings. In the "Effects" menu you can save the current effects settings in order to apply them to further objects. Optical FX In this section you will find several optical effects. Sensor fields You can intuitively influence sensor fields with mouse movements. The graphics and the respective effect setting change in response to each other. Whirlpool: The image is twisted into an S-shape. Motion: Moving parts of the image are intensified and enhanced. Echo: The moving images create an optical 'echo'; previous images stand still and gradually turn paler until they completely disappear. Fish-eye: The perspective is distorted as if the image was viewed through a fish-eye lens. Mosaic: The video is composed of different images and resembles a mosaic. Soften: A soft-focus image is shown. Lens: The image is dynamically distorted at the edges. Blur: The image becomes blurred. Sand: The image is depicted in a granulated manner. Erosion: The image is broken-up by means of small rectangles and resembles a 'patchwork'.

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Dilate: The image is broken down into cell-like elements. Emboss: The edges are put in strong relief. Play Speed The playing speed can be adjusted with the slider control. In the minus range, the video plays backwards. If the playing speed is increased, the object length in the arranger is automatically shortened. Note: Since the soundtrack of a movie cannot be played backwards, you have to first separate the movie object from its soundtrack. Contour The image is reduced to its contours in two sizes (3x3 or 5x5). It is possible to either select vertical or horizontal contours. Zoom/Position Under "Zoom" you can horizontally or vertically reduce (-) or increase (+) the video. With the activated "Link" it zooms in both directions while the page proportions remain unchanged. "Position" can move the originally centered video in all directions. (You can also shift the video directly with the mouse onto the video monitor.) Mix FX This section contains the mixing effects used to mix together a foreground and background videos to create an overlay effect. The video chosen to serve as the background for the currently selected foreground object must be positioned on the track above that object. For all mixing effects, which are situated in the light blue range of the mix FX, special adjustments can be made with the two slide controls. Mix: This button mixes the two videos together. With the aid of the fade handles, very soft cross-fades can be achieved between the partially overlapping videos. Stamp: The currently selected object is 'stamped' into the video on the track above the object. This is only possible if the bottom video only takes up part of the image, as otherwise only the bottom (currently selected) video would be visible. The object should be reduced first, or moved by means of the edit functions (see above).

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Transparent: One video is made transparent. The video on the top track is seen "through" the video on the lower track. Black/blue/white/green Screen (Chroma key): This function creates a composite of two videos. The selected video covers up the video on the top track and all black/blue/white/green areas appear transparent. With this studio-style effect it is possible to 'place' a person who has been recorded in front of a blue (or green, white or black) background into any type of landscape or background. Alpha: This video effect uses the brightness of a video to control a cross-fading effect between two other videos on neighboring tracks. The additional videos should be situated directly above and below the alpha-keying object. In all black passages of the alpha-keying object, the top video is faded in, while in all white passages the bottom video is shown. Grey passages are permeable for both videos and create a mixture of the two. In the case of colored passages, the brightness of the color is used for control purposes. Color FX This dialog changes the colors. Substitution: Based on the RGB scale, the red, green and blue portions are exchanged for a surreal color effect. Shift: Colors are increasingly reversed. Blue colors turn red, green ones appear purple. Quantize: Depending on the setting, colors are either rounded up or down so that the overall number of colors is reduced. This creates grids and patterns. Color controls: Focus, brightness, contrast and color intensity can be adjusted individually for every object by means of the four sliding controls, similar to a monitor adjustment. Special FX Rotary control It is possible to rotate the image with the large rotary control, which you will find on the right below the video screen. A double-click returns it to the neutral twelve o'clock position. Symmetry

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This section contains video effects for breaking down images. Mirror V/H: The object is mirrored vertically or horizontally to appears the reversed or upside down. Flip V/H: The upper or left half of the object is flipped to the bottom or to the right. Kaleidescope: the left upper corner is mirrored horizontally and vertically.

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Mixer

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Mixer

MAGIX Music Maker 2008 includes a real-time mixer with a master effects section that professionally mixes all the tracks within an arrangement. The Mixer can be opened by pressing the "M" key or via the toolbar in the main window (also: "View" menu > "Mixer"). The Mixer displays eight tracks simultaneously by default. With the «/» buttons beside the scroll bars at the bottom, the Mixer can be increased or reduced in size. You can view further tracks using the scroll bar. The limiter, which prevents overmodulation, can then be connected.

Fader
Every channel has its own volume or brightness fader. As a result, the volume can be lowered quickly and accurately, to add more bass or to fade out a video that is just playing. This fader also acts on any linked MIDI files.

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The stereo position for each track can be defined with the Pan controls.

The "Solo" button switches a track to solo mode, i.e. all other tracks are muted. Mute: The mute button mutes the active track. Double clicking on each of the controls resets it to the passive basic setting, in which no processor output is needed.

Control groups
The volume, panorama, and FX send faders of the various tracks can be compiled into control groups. To do this, first click on a fader and then, while holding down "Ctrl", click on all other faders that you wish to include in your group. If you select "Shift", all faders in between the first one selected and the next one will be grouped. Now you can set the volume of multiple tracks together without having to change the volume ratios of the tracks. For example, you can set the volume of an individual instrument of a drumset (kick, snare, HighHat) in such a way that they can harmonize with one another. Now, if you group together the volume faders of the tracks, you can set the master volume of the drumset. To ungroup a fader from a control group, click the instrument and press "Ctrl" again. There may only be one control group active at a time, creating a new group automatically deactivates an existing group.

Track effects
Alongside the audio effects in the object (Audio Cleaning, Reverb/Echo, Timestretch/Resample, Surround, etc.), a separate track effects rack with equalizer, reverb/echo, compressor as well as plug-ins can be used in each mixer track. The plug-ins are loaded via the plug-in slot.

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Mixer
You can open the track audio effect rack with the FX button. A bright blue track effects button signifies that effects are active in the track. Track effects always apply to all audio objects of a track. In comparison to applying an effect to each object individually, this saves storage space. The track effects work the same way as those of the Object Effect Rack (on page 145). For more information on using and controlling the individual effects please read the Audio Effects (on page 132)and Mixer chapters.

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FX tracks
Two FX send controllers (FX1 and FX2) are located below the plugin slots.

You can determine the volume at which you want the signal to be routed to the two available FX tracks. An FX track is a complete, additional mixer track which provides a complete track FX rack and two plugin slots for use as a send effect. A send effect differs from a normal effect found in the track (Insert) insofar as it can edit the signals from multiple tracks or objects simultaneously. The FX are usually hidden in the Mixer. They will be displayed as soon as one of the FX send controllers is used. In the first FX track the hall function is activated as standard as it is the most important application of the send effects. The volume controllers serve to regulate the volume of the FX track and corresponds to the old AUX return controller. The mute button is used to switch the FX function on and off. The solo button enables you to single out FX individual tracks. The peak meter of the tracks, which send to the FX track, are displayed in grey.

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Mixer Live monitoring
Click the speaker button in a mixer channel to activate "low latency" monitoring. Instead of the objects, the channel now plays the audio signal arriving at the sound card’s input – through all the channel’s effects and without latency! This also applies to the AUX and master effects. You can now add effects to your vocal or instrumental performance while recording them, and you can ‘ jam’ along to a complete arrangement in real-time. (Please note that this only works during recording and playback, not while the arrangement is stopped.) This monitoring method requires an ASIO driver to be installed. ASIO drivers are usually supplied with professional sound cards. For all cards without a proprietary driver, MAGIX has included a MAGIX Low Latency driver. This provides an ASIO driver for any sound card (or on-board sound chip) that can use WDM drivers. For further information, please refer to the chapter "Menu File – Settings/Information – Playback parameters…" The MultiMax effect has a high-latency design, which is why it is deactivated during live monitoring.

Master track
The FX button and the plug-in slots function exactly like in the tracks. The FX button will open the Master Audio Effect Rack. The complete mixer settings including the FX tracks can be reset with the "FX reset" button. Both faders control the total volume. Link button: If you deactivate the Link Button, you can control the volume of the right and left channels individually. Master limiter: effectively prevents overmodulation

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Export as email attachment
The option "Send arrangement as email" in the "File" menu > "Internet" creates a file in the Windows Media format. Your mail program is activated simultaneously and the created file of an opened message is added as an attachment. Thus, any arrangement can be compressed without intermediate steps and sent as an email immediately.

Export as ringtone
With MAGIX Music Maker 2008 you can produce your own individual ringtone melodies. Once completed, export the arrangement using the "Audio as ringtone" option in the File menu. In the export dialog you can select various formats for which useful tips and tricks are also available. Some advice on creating ring tones Audio material: When designing your ring tone please take into account that the loudspeakers of your mobile phone can only poorly reproduce bass tones. High tones are also heard more easily in a loud environment. If your ring tone includes MIDI Objects, you should activate VST Instruments on the respective tracks in the arrangement, so that MIDI information included in your ring tone becomes audible. Some manufacturers offer VST effects which simulate the loudspeaker of your mobile phone on the PC. Length: Typical ring tones have a length of about five to sixty seconds. MAGIX Music Maker 2008 lets you create longer ring tones; however, you should note that large ring tone files require sufficient memory in your mobile phone. File format: First, select a format suitable for your mobile phone from the Export dialog. If several formats are possible, please note that the resulting audio quality will vary. In general, the quality increases in tandem with the size of the file. If your mobile does not support stereo audio playback, you can activate the "mono" export option which reduces the required memory space by about half. The size of the file that will be generated using your current settings is displayed in the www.magix.com

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Export dialog. Transferring the ringtone to your mobile phone: Depending on the type of mobile phone and the items included in delivery there are several possibilities to transfer your ringtone from the PC to the phone: 1. 2. 3. Wireless via infrared (IrDA) or BlueTooth link Using a data cable and, if applicable, the transfer software supplied by the manufacturer By WAP or MMS

Transfer with Bluetooth Warning! The procedure described here refers to Windows XP with Service Pack 2! Dialogs may be different depending on the Bluetooth driver and operating system version, or their order may vary (e.g. for password allocation) when transferring to your mobile phone. However, the process is usually similar if other drivers are used. Read more on this in the help files or the corresponding chapters of your operating system's manual and Bluetooth adapter. • Should you own a Bluetooth device, you can export the movie straight to your device. For this to happen, your device and your PC must both have Bluetooth interfaces. If your system has a Bluetooth device, you can activate the "Transfer via Bluetooth" option. • After converting the movie into the desired format, the Bluetooth file transfer assistant opens. • The first time you try to transfer files to your device via Bluetooth, you have to specify your device as the receiver in the dialog by clicking on "Search...", selecting your device and then pressing "OK". The name of your device in the Bluetooth network is specified in the Bluetooth settings of the device. Check your device manual for this. Select your device and confirm your choice by pressing "OK". • Now enter a password of your choice, which you will later have to confirm on your device and click on the "Continue" button in the assistant. Since connections between multiple Bluetooth devices can be set up simultaneously in a room, the password serves to identify certain connections as well as to safeguard your data. The order can also be the other way around depending on the Bluetooth device driver, that is, the mobile phone will then request a password which must be confirmed on your PC. It's important that www.magix.com

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you use the same password in each case. • You may be asked once again to enter the file name and path of the movie. In this case we recommend, when exporting the file, using a folder that you will be able to find again quickly (for example, "...My Files/My Videos"). • Click on the "Scan..." button, open the set up folder and select your video file by double-clicking on it. Now, in the assistant, click on the "Continue" button. • Next, you may have to activate the reception of files on the device and re-enter the password. Afterwards, the transfer of the videos will begin automatically. • Once the transfer has been completed successfully, "1 new message" will display on your device. Read more on how to save and play videos in the corresponding device manual. Warning! We only recommend activating data reception via Bluetooth on your device once this function is actually required, for example, for transferring files. Once you have completed the uploading process you should deactivate Bluetooth again, as permanently activated Bluetooth reception can constitute a security risk! Transfer via infrared For devices with infrared interfaces the transmission of movies works similarly to using the Bluetooth transfer method. To do this, your PC and your device have to have infrared interfaces. Many notebooks are already fitted with such IrDA interfaces. • Before starting the export, an infrared connection must already be established between the computer and the device. Activate the infrared interface on your device and establish the connection to your computer. You can check if a connection has been established via a corresponding symbol in the task bar. More information on this can be found in the Windows help under the keyword "Wireless connection". Note: Some devices deactivate the infrared interface when no data is exchanged after a certain amount of time. In this case, you can search for the exported movie in the Media Pool again, reactivate the infrared interface of your device, open the context menu of the file and send the video to your device again by clicking on "Transfer". • Open the Export dialog via the export button and under "Play after export" select the option "Export with infrared" and then confirm it www.magix.com

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with "OK". A window will now be displayed which informs you of the current status of the transmission. • Once the transfer has been completed successfully, "1 new message" will display on your device. Read more on how to save and play videos in the corresponding device manual.

Podcasting
Podcast is the name for a relatively new Internet transfer form. It is made up of "pod" from "iPod", the name of a popular portable MP3 player, and the term "casting" for broadcasting content to a wide group of listeners/viewers. A podcast is therefore something like an online radio station. "Broadcasting" webradio stations means you can only listen to and record the currently broadcast radio station. Podcasting is different. You as the listener can subscribe to the podcast and the files will be downloaded at a specific time and you can listen to them whenever you like, for example, on the move with your portable player. The shows are pre-produced and placed on an Internet server for download. Export as podcast Select the "Upload arrangement as podcast show (audio)" in the @Services > MAGIX Podcast Service menu and the exciting journey of your podcast to the pages of the largest podcast providers begins. The first stop is your personal MAGIX Online Album, the place your podcast will call its online home. From here it can be accessed from anywhere in the world. Login with your password or register. Your free MAGIX Online Album with 128 MB webspace can be set up at any time. It will then be available to you from anywhere in the world.

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When uploaded via the "Make podcast" button the podcast will be sent to your personal MAGIX Online Album. In the MAGIX Online Media Manager of your MAGIX Online Album the cast can now be found in its new format in the newly created folder "My podcasts".

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Now take a look at your album website: Here you can listen to the cast on your own website. You will immediately notice the small button "Subscribe to RSS feed" which allows any user of your MAGIX Online Album to automatically receive podcasts now and in future.

How is your podcast distributed? Your RSS feed - the technology behind a podcast - will automatically guarantee that your podcast will be sent from your MAGIX Online Album to many large podcatchers, including MAGIX Podcast Service. Here your podcast can now be subscribed to by a worldwide audience. Currently, a podcast created with MAGIX Music Maker www.magix.com

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2008 and uploaded to MAGIX Online Album is sent to 10-20 international podcatchers. The distribution depends on the topic of the podcast. You may even find your podcast via a search engine without knowing how long the journey of a cast over the web may be. Upload podcast

With "Upload arrangement as podcast show (audio)" you can publish your arrangement as a track on one of your podcasts. The Upload podcast dialog will open. Here the required information for your podcast track has to be entered. Add/Delete: Here you can add a picture in JPEG format to your show. Delete removes the picture. Short description of the show: This is the name of the show. A podcast typically contains several shows and new ones are added regularly. This is not where you enter the name of the podcast to www.magix.com

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which the show belongs. You can enter the name when you upload to MAGIX Online Album. A podcast then corresponds to an album. Podcast language: This field must be specified correctly as the podcast databases sort the podcasts according to language. Show description: It is important to enter a unique show name and description so that other listeners will find your podcast. Author: Here you enter your email address so that you can be contacted. Upload podcast: The project is encoded as an MP3 and then uploaded to the MAGIX Online Album. You can only upload one show at a time (one file).

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Web Upload
You can easily publish your own songs and videos online so that they can be listened to by Internet users worldwide. All you need is a conventional Internet access via modem, ISDN, DSL or cable. To upload, proceed as follows: 1. "Publish to Web" Once you have your arrangement the way you want it, save it. Then select the "Publish to Web" option in the File menu. This will open a "Publishing Wizard" which will lead you through the process. Note: You must agree to the licensing terms before you can continue. 2. Info On the second page enter your name and name for the song or video – so that you can search for it online later. Categorizing into one of styles available is also not a bad idea. Now all you need to do is enter your email address should there be any questions or if anybody wants to leave comments. Your name, the name of the song or video, the style and the email address are important pieces of information for the make-up of your MAGIX web publishing area; for this reason, they should be correctly and carefully completed. You can decide yourself whether your email address should be visible to others. Furthermore, you can also add a song cover in JPG format or a personal comment ("Artist's comments").

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3. Download optimization On the next page you have to enter the download speed for which the song or video should be optimized. 56 kBit/sec is set as default and is the standard value for most modems and ISDN cards. For slower modems, you should set it to 28 KBit/sec, the quality will suffer as a result. The best quality can be achieved with at 128 kBit/sec dual channel ISDN. Those who have a fast Internet connection can experience the song at its highest and therefore best quality. Ideally you should activate all three speeds – three versions will then be created and uploaded so that the right one is available for every connection. Press the Complete button. The arrangement will be compressed and uploaded onto the MAGIX server. An Internet connection will have to be established on request. And that's it – your web browser now opens with the MAGIX web publishing area and the genre you selected. 4. Copyright check It is expressly forbidden to publish copyright-protected material on the Internet, for example, music off commercial CDs. For this reason, songs which do not fully consist of MAGIX soundpool loops have to be checked by our editorial staff first. Please note: • If you only use material from the MAGIX soundpool, the song or video will appear immediately in the MAGIX web publishing area. For this reason, you should not mix the sounds before uploading the arrangement. This is because a mixdown creates a WAV file which, unlike MAGIX sound loops, does not contain any information on the material used. • If other material is present, for example, your own recordings, a legal check is required. For this reason, it may take some time until your song is online. 5. In the MAGIX web publishing area (WPA)... Why not visit the MAGIX web publishing area?! See and listen to what other MAGIX users create. Get in contact with other artists via email, vote on the best songs and videos in "Voting mode", take part in competitions, and much more. The WPA is your platform for personal entertainment, new discoveries, and your own productions. Find out about events, game rules, competitions, web charts, MAGIX.TV, webradio: You can access the WPA directly with a mouse click from www.magix.com

Create Audio CD
To burn an Audio CD, first export your arrangement as a WAV file: Click on "File" and select the "Export arrangement" > "Audio as wave..." option. The WAV file created can be burned as an Audio CD with the included burn program MAGIX Goya BurnR.

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Online functions

Online functions
Screen transfer
This function allows you and other users to offer or accept help directly via the Internet. You have to register first to use this service. Hint: In order for guests to know what is currently being shown, it makes sense to talk to them on the phone or via a chat tool while holding the demonstration. Register as host for a screen transfer. 1. If you want to start a show yourself you first have to register as a host. To do this, open the menu "Help" and then select "Screen transfer as host...". 2. In the dialog you can enter a name for the screen session. Your user account name is used here by default. 3. Now click on "Start session". A small window will now open in the bottom right corner displaying the status of your screen session. A number will also be displayed which serves as a password for your guests. You can also send this password to several users. 4. Now start your show. Register as guest of a screen session 1. You have to register as a guest to view a screen transmission. To do this, open the menu "Help" and then select "Screen transfer as guest...". 2. Enter the password you received from your host. 3. Now click on "Start session". A window will open displaying the a smaller version of your hosts screen.

MAGIX News Center
MAGIX supplies you with all the latest information on your software. In the MAGIX News Center you can find out about all the links to current online tutorials and tips & tricks on individual topics or software application examples. You will also be informed of the availability of brand new updates and patches for your program as well as special offers, contests and

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Online functions
questionnaires. The news is split into three color-coded sections: • Green for practical tips & tricks for your software • Yellow reports the availability of new patches and updates for your product • Red for special offers, contests and questionnaires. • If there are no new messages, the button will be gray. All available information is shown as soon as you click on MAGIX News Center. If you click on one of the news items, you will be forwarded to the corresponding website.

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MAGIX Online Services
MAGIX Online Services offer many online services for digital photography, video, music and content security and link stationary devices with mobile end devices and the web. The first services are MAGIX Online Photo & Video Album, MAGIX Online Print Service and MAGIX Online Content Library (on page 183). For more information please go to the Menu "Services > MAGIX Online Services overview" or directly to the MAGIX Online Services homepage. Catooh Catooh provides you with high quality photos, videos, and music for every theme, expanded through intelligent iContent with professional soundpools, DVD menu templates and brilliant MAGIX ShowMaker styles with which you can make your photo, video and music projects reality. All of this, directly from your MAGIX software. Just choose "@Services" from the menu "Catooh" to set up an Internet connection. Rummage through the thematically sorted categories or view the results directly by entering a keyword. After downloading, you can drag the objects from the Media Pool directly into your arrangement. For more information read the "Online introduction". Import media backup iContent (for example, 3D fades), which can be bought and downloaded from the Catooh are stored centrally in the My www.magix.com

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Online functions
Folders\MAGIX Downloads\Backup. If you have downloaded this content from within other MAGIX programs, you can access it using the command "Import media backup" for use in MAGIX Music Maker 2008". MAGIX Online Album In the MAGIX Online Album you can post your favorite photos online and then send the link to your friends. All photos are immediately available from anywhere in the world on a professionally-designed photo website, in well-organized photo galleries, as full-screen slideshows or in the form of a personal photo e-card. • Personalized photo website in many designs • Unique Internet address (URL) • Upload your pictures directly from a camera phone, send the link and share the picture with other camera phone users • Full-screen online slideshows with transition effects and music • Send individual designer e-cards with your own photos • Share your photos with friends, incl. Internet management and password access to private albums Your photos online Impress your friends and family in minutes with your own photos as your own your personal website such as (http://first_name.last_name.magix.net). MAGIX Online Album is available in three versions, of which the smallest (the FREE album with 25MB webspace for your photos) is entirely free. The larger versions (CLASSIC or PREMIUM) are available for a monthly charge, but also come with many hand features, such as a faster website, 500 MB or 1 GB storage space, more website designs or access by mobile phone/PDA. More information is available at www.magix-photos.com. Easily upload your images and movies to the Internet in only 3 simple steps. 1. Select photos Choose your favorite photos directly from the program and optimize them in just a few clicks. Put completed photo albums together and integrate music of your choice. Do it all offline on your PC - saves you money! Then select "Services" www.magix.com

Online functions
from the menu bar. 2. Upload photos In order to upload photos to your MAGIX Online Album simply log in using your email address. Naturally, access is protected via your personal password. If you still don't have access, click on Register now to activate your own album in no time. Then off you go. 3. Done! Your personal photo website And your best photo memories are on the net. As a photo gallery or fully automatic slideshow (fullscreen). Now, invite all your friends with just one click or show your photos on the road using your WAP-compatible photo mobile. Using your MAGIX Online Media Manager, you can quickly manage your photo website, upload photos and music, create new albums, add designs and text, and more. All online without even having to download any extra software! Worldwide, easy and quick in just a few clicks. At http://www.magix-photos.com The following options are also available: • Send eCards & photo emails • Send your photos as unique ecards with great designs or as a photo email to your friends and family. • Order real prints or great gifts directly from your album and have them delivered directly to your home or pick them up from a photo lab in your area. Delivery time is usually 2 - 3 days.

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Online functions
magix.info

Directly from within the program you'll be able to access the magix.info, the new knowledge base of MAGIX. Here you'll find answers to all the most frequently asked questions on MAGIX products and multimedia. magix.info can be found in the "@Services" menu. By clicking this button or on the "Ask questions online..." you can place a question into the knowledge database. Internet access is necessary. The corresponding Internet page opens. MAGIX Podcast Service With MAGIX Music Maker 2008 you can publish your own music as a podcast to a worldwide audience. The finished arrangement is then uploaded to your MAGIX Online Album and listed in the other podcast folders of MAGIX Podcast Service. Read more in the "Podcasting" section in the Reprocess arrangement (on page 173) chapter. MAGIX Blog Service YOU make the news: Share your thoughts, experiences, and news with a worldwide audience in no time with your own interactive online journal. With professional templates & 100% unique design, including photos, videos, and music – no previous design know-how required. Invite family, friends, and acquaintances to join in and enter their www.magix.com

Online functions
comments! Advantage: With MAGIX you can manage multiple blogs per account. A free MAGIX Online Album belongs to the MAGIX Blog Service so that you always have full control over your comments. Online login details In this dialog you can save you login information (Login and Passwort) for MAGIX Online Album and all other MAGIX Online Services as well as for Catooh, making it unnecessary to login each time you log into MAGIX Online Services. The save data are valid for all other MAGIX programs for the corresponding computer user. With "Open my profile page" you can try out your login information right away.

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File menu

File menu
New arrangement
A new MAGIX Music Maker 2008 arrangement is created with this menu item, with 16 tracks. More tracks can be added via the menu “Edit”. Shortcut: Ctrl + N

Load arrangement
A previously saved MAGIX Music Maker 2008 arrangement is loaded with this menu item. Please note that the object files for the arrangement must also be available! MAGIX Music Maker 2008 will look for the sounds and videos that were used first in the path where they were located when the arrangement was saved. If they are not found there, then the MAGIX Music Maker 2008 Arrangement will look for the objects in the same directory as the arrangement itself. Shortcut: Ctrl + O

Save arrangement
The current arrangement is saved under the existing name. If no name has been selected, then a File requester opens, where the path and name can be defined. Shortcut: Ctrl + S

Save arrangement as...
This opens a file requester where you can define the path and the name of the arrangement that is to be saved. Shortcut: Shift + S

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File menu Export arrangement
With this menu point, an entire MAGIX Music Maker 2008 arrangement can be exported as an audio or video file. During audio export, video, MIDI, or bitmap objects which may be present will be ignored. Synth objects will be integrated. When exporting video the entire arrangement (with the exception of MIDI objects [see "MIDI Objects" chapter]) is compiled fully into one file. Audio export dialog

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File In File you can enter the file name for you exported file. Use the folder symbol to select the folder into which you want to export it. The dialog will remember the export path for future exports. Use the "home" symbol to restore the original preset path.

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File menu
With "Overwrite file automatically" you can perform multiple exports from the same file. Options Only export the area between the start and end markers: Set the option if you wish to export only one of the clippings from the arrangement. Bit rate: The "Bit rate" selection specifies the level of compression: The higher the bit rate, the higher the quality of the exported audio file. On the other hand, the bit rate determines the final file size: The smaller the bit rate, the smaller the files. Mono/Stereo/5.1 Surround: Most mobile devices have only one loudspeaker. To save on memory, you can export in mono as well. In 5.1 Surround Mode (see Mixer in Surround Mode) you can also export in MP3surround. Advanced: Here you can open the advanced settings dialog for the corresponding audio format (see below). Normalize: This function should always be activated. It guarantees that the music is not too loud/overmodulated or too quiet. Transfer format: Here you can state whether you want to send he exported arrangement to mobile devices via Bluetooth, infrared or email. Read more in the Reprocess arrangement (on page 173)chapter. Audio as Wave The audio material is exported as a standard wave file. This is the standard format for further use on Windows PCs. These files are not compressed and retain their full sound quality. Shortcut: Alt+W

Audio as MP3 MAGIX Music Maker 2008 supplies an optional MP3 Encoder for especially fast and good-sounding conversions into the popular MP3 audio format. Warning: Before you can use the MP3 Encoder, you will have to activate it. Activation is fee-based! For more information, read the www.magix.com

File menu
Activate additional functions (on page 232) chapter. Hint: The MP3 Encoder cannot be used as a codec for the audio track of AVI audio files. Transmission format Here you can specify how you wish to send the audio file to the mobile device. Read more on this under Transferring files (on page 173). Options In the "Options" section you can set the format and the compression of the audio file. Bit rate: The "Bit rate" selection specifies the level of compression: The higher the bit rate, the higher the quality of the exported audio file. On the other hand, the bit rate determines the final file size: The smaller the bit rate, the smaller the files. Mono/Stereo/5.1 Surround: Most mobile devices have only one loudspeaker. To save on memory, you can export in mono as well. In 5.1 Surround Mode (see Mixer in Surround Mode) you can also export in MP3surround. Normalize: This function should always be activated. It guarantees that the music is not too loud/overmodulated or too quiet. Shortcut: Alt + M

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Audio as Ogg Vorbis "Ogg Vorbis" is a royalty-free Open Source audio codec with a high sound quality but relatively small data volumes (comparable to MP3). Shortcut: Alt + Z

File menu
Audio as AIFF The audio material is exported as an AIFF file. This is the most commonly used audio format for Apple™ computers. Shortcut: Video export dialog Alt + F

You can export your arranagement into various video formats. The options on offer can vary according to the selected format. Presets: Under "Presets", you'll find the typical settings for the selected format for the most important applications. You can save your personal settings by pressing the "Save" button and remove them by pressing the "Delete" button. Export settings: You can set up the general export parameters like resolution, page proportions and frame rate in the dialogs. Select the most-used values from the list field, to set your own values click on the "..." button. The "Advanced" button opens the specific settings dialog for selected video format (see below). www.magix.com

File menu
In File you can enter the file name for you exported file. Use the folder symbol to select the folder into which you want to export it. The dialog will remember the export path for future exports. Use the "home" symbol to restore the original preset path. With "Overwrite file automatically" you can perform multiple exports from the same file. Options Shut down PC automatically after successful export: Use this option to have the computer switch off automatically after lengthy export processes. Only export the area between the start and end markers: Set the option if you wish to export only one of the clippings from the arrangement. Play after export:Here you can state whether you want to send he exported arrangement to mobile devices via Bluetooth, infrared or (on page email. Read more in the Reprocess arrangement 173)chapter. Video as AVI When exporting to AVI video you can set and configure the size and frame rate of the AVI video and the compression codec for audio (audio compression) and video (Codec). Please also note the general info on AVI videos (on page 107)! Shortcut: Alt + A

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MAGIX video export Exports the movie in MAGIX video format. This format is used for video recording by MAGIX video software, and is optimized for digitally editing high quality video material. Shortcut: Alt+W

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File menu
Video as Quicktime Movie Exports the movie in Quicktime Movie format. This format enables streaming playback of audio or video files via the Internet. Like with Real Media exports, the corresponding video size, frame rate, and codec settings can be adjusted for Quicktime Export as well. In the export dialog, however, you cannot add comments, etc. to videos. The Quicktime Library has to be installed for Quicktime files (*.mov) Shortcut: Alt+Q

Video as Windows Media Exports the arrangement in Windows Media format. This is a universal audio/video format from Microsoft. Accordingly complex are the settings options in the"Advanced..." dialog. Manual configuration Audio/Video codec: Various codecs corresponding to the various Windows Media versions (7, 8, 9) are possible. Should compatibility problems arise on playback, try an older codec with a lower version number. Bit rate mode: Constant and variable bit rates are possible, most devices and streaming applications use constant bit rates. For VBR two pass modes the movie is compressed in two passes in order to optimally use the bandwidth for highly-compressed movies for the Internet. Bit rate/Quality/Audio format: The bit rate is decisive in defining the display/audio quality. The higher this is, the better your videos will look and the larger the files and the required encoding time will be. For variable bit rates, the bit rate is adapted dynamically to the requirements of the corresponding picture or sound material. Here, either the quality value of between 1-100 can be set or, for two-pass encoding, an average or maximum bit rate. For audio, the bit rate is set additionally by the audio format. Import from the system profile (export type): For the most used methods (other than playback on mobile devices, with which you should use the supplied presets), like, for example, Internet streaming, Microsoft provides diverse system profiles to choose from. If you have the Windows Media Encoder 9 installed, which is available from www.magix.com

File menu
Microsoft as a free download, you can edit the profiles or create your own. These can be loaded by pressing the "Import from profile file" button. In Clip info you can add the title, author name, copyright information and a description. Shortcut: Alt + W

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Real Media export Exports the movie in Windows Media format. RealMedia enables streaming playback of video files via the Internet. This has a very high compression rate, but the quality is noticeably reduced. After choosing a name for your file, you can specify the bit rate of the transmission speed (modem, ISDN, etc.) at which the audio file should still be playable without any errors. There are many options for embedding meta information for this format. Audio settings/Video settings: Here you can select the presets for the quality of the audio or video material. Press the "Advanced" button to open an additional compression dialog. In the advanced video options you can select the number of frames per second ("fps"), the lower the value, the less data is transferred and the lower the picture quality. Clip information: Here, you can enter author, video name, and so on, which appear in the Real Player during playback. Clip meta information: You can enter keyword information for search engines here. When the Real Video clip is uploaded to a homepage, search engines will find it thanks to these keywords. This search engine indexing can also be switched off. Video pre-processing options: Of special interest here is the "Two-pass encoding" field, which can be used to enhance the quality of the video. Here, the video is compressed into two runs in order to optimize the bandwidth optimally. You can also select various filters. Video size: Here you can select between video sizes of 160 x 120 and 720 x 576 pixels. Profile: You can select here at which bandwidth the video should be created, that is, over which data connection it will be played in real time ("streamed"). The settings selected here may limit the other www.magix.com

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File menu
selections as files for 28k modems cannot be created with high quality. Shortcut: Alt+R

Frame as BMP Exports the image at the current position of the start marker which is currently displayed on the video monitor as a bitmap (*.bmp) file. Shortcut: Alt+B

Picture as JPG Exports the picture located at the current start marker and displayed in the video monitor as a JPG file. Shortcut: Alt+J

Internet
Services > Search in MAGIX Online Content Library You can find more information about this topic in the "@Services menu (on page 224)" section. Import media backup iContent (for example, 3D fades), which can be bought and downloaded from the Catooh are stored centrally in the My Folders\MAGIX Downloads\Backup. If you have downloaded this content from within other MAGIX programs, you can access it using the command "Import media backup" for use in MAGIX Music Maker 2008". MAGIX Podcast Service With MAGIX Music Maker 2008 you can publish your own music as a podcast to a worldwide audience. The finished arrangement is then uploaded to your MAGIX Online Album and listed in the other podcast folders of MAGIX Podcast Service. Read more in the "Podcasting" section in the Reprocess arrangement (on page 173) chapter. Internet > Export to Web Publishing Area Opens the Web Publishing Wizard to publish the arrangement as a Windows Media File in the MAGIX Web Publishing Area. Please also www.magix.com

File menu
read the chapter "Internet Functions". Internet > Send arrangement as email This option generates a compressed file in the Windows media format. At the same time, the respective mail program is activated and the previously generated file is added as an attachment to an open message. Any type of arrangement can thus be compressed and sent without any intermediate steps. Shortcut: Shift + U

Import Audio CD track(s)
You can simply import one or more CD tracks like a regular file from the Media Pool via drag & drop. If this simple method should fail, you can use the menu command to open the CD Manager where you can select tracks from Audio CDs and load them into the arrangement. More on this can be found in the section "Importing Audio CDs (on page 65)" in the "Audio objects" chapter. Shortcut: C

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File menu "Audio record" dialog

Audio driver: Here you have to select the sound card for recording. Save audio file as.../Save in following folder...: Enter the title of the audio file you want to record here. You can also select the folder where you want to save the file. Capture quality: Here you can adjust the sound quality. From the Preset menu you can choose between MW, FM and CD quality. Monitor: Displays the peak level for monitoring the strength of the

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File menu
input signal. (see calibration (on page 64)). Record: This button starts the recording. Stop: This button stops the recording. Hint: Try out the effects of the audio cleaning dialog to remove background recording noise. Normalize after recording: With this option activated, your material is raised to a proper volume level after recording is completed. In order to achieve good-sounding results, you should, however, try to record the source as loud as possible without overmodulating it. To do so, refer to the peak meter reader in the recording dialog. Playback while recording: This option is particularly important for spoken commentary, etc. If activated, the selected movie (or selected scene if recorded in Edit screen) is played while recording. This acts as orientation for the movie. Advanced: Use this button to open a window where you can select from 3 special features: Advanced options • "Mono" creates a mono recording and requires half of the hard drive space required for stereo. • "Real-time sample rate adjustment" automatically matches the sample rate of a new file to be recorded with the sample rate of the selected movie sound track. • "Ducking" (reducing the sound volume): To add narration or other sound material to a video that already has sound volume levels set, activate the option "Automatic reduction of sound volume of remaining audio tracks". This automatically reduces the volume of audio objects in the arranger during the recording session ("ducking"). A volume curve controls the whole process, produces the fading in and out of effects automatically and guarantees consistent overall volume.

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File menu Song Maker
With the help of the Wizards, several audio objects (Loops) of the standard-delivery samples can automatically be arranged as songs or song parts, without having to pull each single one out of the File Manager onto the given track. 1. 2. 3. Activate the Song Maker with the “Song Maker” button or via the file menu. Select a music style (e.g. Easy Listening). Select the instruments that you want to use. The color Blue which appears under the names in the instrument selection box means that the particular instruments have been chosen. If, for example, you only want a rhythm section with drums and bass, deactivate the other instruments with a mouse-click. Enter the desired length of the song or song part in seconds. You will always achieve a suitable musical result. Specify whether a Song Maker should create a completely new arrangement, attach a new part to an exiting arrangement, or add new elements to the existing blocks. At your discretion, the Song Maker will automatically add new sound blocks to the tracks in the Arranger – initially only “virtually”, i.e. it is only a suggestion. Listen to the suggestion by pressing, “Play” under “Preview (audio)”. If you do not like the result yet, you can create other arrangements, song parts or enhancements by pressing the appropriate interfaces in the “Arrangement Options” of the Song Maker Dialogue. If you agree with the Wizard’s suggestions, click on “OK”. Then the blocks will be added to the exiting arrangement. A click on “Terminate” ends the Song Maker and returns to the original arrangement status. W

4. 5.

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Shortcut:

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File menu Backup > Create backup
With this menu point, you can put a complete MAGIX Music Maker 2008 arrangement, including all used multimedia files into one folder. This is especially useful when you wish to reuse or archive such an arrangement later on, or when the files are located on multiple CDs so that on loading you continually have to change CDs. Furthermore, the effect files used are saved in a folder with the other files. A dialog opens where you can specify the path and name of the arrangement. Shortcut: Shift + R

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Backup > Create backup in OGG format
You can create a backup copy as an OGG file, whereby all audio files used will be compressed into OGG format. This way you can compactly archive your song or put it on the web as a remix kit. Shortcut: Ctrl + Alt + R

Backup copy > Burn backup copy to disc
Use this option to burn the arrangement as well as all the relevant files to CD or DVD. Even larger arrangements can be burned straight to disc. The arrangement, if necessary, will then be split up and burned automatically to multiple discs. A restore program which is burned to the first disc of this type of backup, guarantees easy re-recording of the backup. Shortcut: Ctrl+Shift+R

Load backup arrangement
Using this command you can load a backup arrangement. Backup arrangements are created automatically by MAGIX Music Maker 2008 and can be used when, for instance, a program crashes in order to recover the last status of files. This type of automatic backup gets the file extension MM_ (underscore). This command is also useful if you unintentionally saved your change and wish to return to the previous version. Shortcut: Alt + O

Arrangement properties
In this dialog, the general properties of the arrangement can be set. Statistical information about the arrangement is also displayed. Properties Name: Here you can enter the name of the current arrangement. Universal arrangement settings Path: This is where you determine the folder on your hard drive in which your arrangement is saved. Number of tracks: Here you can set the number of tracks you wish to use. Audio sample rate: The sample rate determines the pitch and the speed at which audio objects are played back. The sample rate you can use depends on your sound card (some sound cards even permit changing the sample rate during playback). The sample rate you can use depends on your sound card (some sound cards even permit changing the sample rate during playback). If you halve the sample rate, wave audio objects are played one octave lower. www.magix.com

File menu
Type of beat: Several types of bars are available to choose from, for example ¾ beat. With various grid settings you can also set additional beat types. For example, with a set 3/4 beat and a 1/8 note grid a 6/8 beat would be the result. Video resolution: Here you can specify the presets for the video resolution used and the video format. Use as presets for new projects: The settings specified in the dialog are used as the standard settings for newly created projects. Information Name/Path: See above Created on: Displays the time the arrangement was created. Last changes: Displays the time when last saved. Number of used objects: Displays the number of all objects in the arrangement. Used files: Here the names and paths to all multimedia files used in the arrangement are shown.

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Properties > Program settings
General Autoscroll: If autoscroll is activated, the screen view automatically shifts when the playback marker reaches the right edge of the screen, which is particularly useful for longer arrangements. Scrolling requires constant recalculation of the screen view, which may lead to interrupted playback if the amount of system RAM is too low. If this does happen, then you should deactivate autoscroll. Simplified Object DisplayThis lets you switch between various object views. Here video objects are displayed in the tracks either with detailed preview frames or in simplified form. Audio objects are displayed either with one or two separate wave form displays for stereo. Program interface Hide news: This option deactivates the MAGIX News Center (on page 182) in the main interface of MAGIX Music Maker 2008. Hints: In its newly installed state, MAGIX Music Maker 2008 displays a number of security queries at various parts of the program. Every one of them can be switched off by clicking the small box at the bottom that says "Don't show this message again". To display these warning messages, select the "Reactivate dialogs" option.

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File menu
Automatic saving of backup arrangements: Here you can the time intervals at which automatic backup arrangements (on page 202) will be saved. Import Preview samples (Wav, OGG): Preview Wave files while playing the arrangement: Here you can switch off the preview when a playback is running (Smart preview). Adapt waves automatically to the BPM: When loading to the arrangement or previewing, MAGIX Music Maker 2008 tries to adapt the samples to the speed of the arrangement. This always works properly with newer MAGIX soundpool samples as the tempo information is saved in the wave file. It usually works with all other loops as well, provided the loops are clean, that is, they are cut to entire bar lengths (see the Arranger chapter). With "For patched samples only", automatic timestretching can be deactivated for all other samples. With "Apply to longer samples as well", longer samples will also be adapted if they contain tempo and bar information provided by the Remix Agent. Remix Agent for the tempo and beat recognition of longer samples (>15 s): Here you can deactivate the automatic opening of the Remix Agent for longer samples (for example, CD tracks or MP3s). Automatically adjust waves to pitch: A wave's pitch can be adjusted automatically using pitchshifting. For this to work however, the used samples (much like the samples on the MAGIX soundpool CDs) must have the corresponding key and pitch information. The pitch of the arrangement will then correspond to the pitch information of the first sample in the arrangement. Use destructive adjustment for shorter samples: Usually, loaded samples are adapted to the arrangement in realtime with timestretching. For computers with lower processing power, this method can be deactivated – the timestretching effect will then be calculated into a new file which is copied to the hard disk. Import CD tracks analog instead of digitally: If this option is activated, you can record audio CDs via the record button in the transport control. Read more on this in the "Recording audio CDs" section in the "Audio objects" chapter. (on page 69) Automatically open MIDI editor during import of MIDI files: The MIDI Editor will automatically open after the loading of MIDI files, allowing www.magix.com

File menu
you to make changes to channel and instrument assignment and other settings. Start file preview in Media Pool for...: Here you can deselect automatic file preview start for Media Pool files and certain file types. Import formats: You can deselect file formats that you never use, and these will no longer be imported. Please keep in mind that for some file types (AVI, WMA) several import modules exist, and MAGIX Music Maker 2008 uses the fastest one in each case. If you experience problems during the import of certain files, you can experiment with deactivation of certain import modules, forcing the program to use the slower, but more compatible import module. Audio Wave output device: This option specifies which sound card or output the wave audio objects play and which drivers should be used. Advanced: Use these buttons to access the playback options window, which provides the information on the current sound card. Wave/Direct Sound/ASIO: Here you can specify which of the conventional Windows Wav drivers should be used for the sound card – the DirectSound system or ASIO Windows wave drivers have the advantage of being relatively stable against strain peaks caused by the large buffers. If playback becomes jerky as a result of processor-heavy effects like time-stretching, a changeover to wave drivers may solve the problem. Otherwise the system may react more slowly with wave drivers because of the large buffers, that is, all changes are heard with a delay. Wave-Driver communication 16/24-bit: If you sound card is able to play 24-bit audio, your arrangement will be played at this higher resolution (internal 32-bit float calculation). This is applicable only to Wave drivers. When using live monitoring and when playing and recording VST instruments in realtime, that is, with as low a reaction time (latency) as possible, it's recommended that you use ASIO drivers. If your sound cards do not have ASIO drivers, you can use the MAGIX Low Latency drive. If you select ASIO as the driver model, you can set the output in the upper list field (for cards with multiple outputs) and the ASIO driver in the lower list field. Advanced opens the settings dialog of the ASIO www.magix.com

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driver. Please refer to the sound card manual for more information. Audio buffer:Here you can specify the buffer size that should be used for playback of the entire arrangement or for previewing audio files in the Media Pool. As a rule of thumb: If response and loading times are too slow, reduce the buffer size; otherwise increase the buffer size if the audio playback is choppy or if real-time effect computation errors occur. As error-free playback is usually more important than fast reaction times, the buffer size should be raised to 16384 or 32768 if dropouts occur. MIDI Output device: Without using software instruments and to preview a MIDI file in the Media Pool MAGIX Music Maker 2008 uses the external MIDI device. Here "Microsoft CD Wavetable SW Synth", a standard software synthesizer included in Windows® as an OS component, should be set as default. If sound cards with an own synthesizer are used or in case MIDI hardware synthesizers are connected, the MIDI driver of the sound card or a MIDI interface should be set! FX: If MIDI playback is too fast or lagging behind, you can enter a speed correction factor here. Import device: Lets you select the MIDI driver for you MIDI device to which you have connected your MIDI or USB keyboard. Use MIDI target channel: The MIDI system offers 16 different channels, which control 16 different sounds. Normally, MAGIX Music Maker 2008 receives MIDI notes on all channels simultaneously. With this option you can select a specific channel. You have to then set the desired sound together with the MIDI channel on the device and select the MIDI recording options on this channel. MIDI Synthesizer Latency: Some synthesizers, especially software synthesizer like VST instruments create a delay during playing, making the sounds come with a delay when the button is pressed. This value lets you even this out, causing all notes to be moved over by a certain temporal value. Options Create "Undo" before destructive editing of audio data: To undo destructive effects, the original files must be saved to the hard disk. If you use this type of effect quite often, you can switch off the undo www.magix.com

File menu
function and save on time used to create an undo file as well as save space in memory. Write realtime audio to wave file: If this option is activated, the entire arrangement can be mixed live and recorded simultaneously. During playback you can, for example, control mixer fades and effects or, with the help of keyboard shortcuts, you can play the beats in the arrangement – all activities will be recorded and written to a separate wave file. – All realtime activities are recorded and saved in a separate WAV file. Every time playback stops you will be asked if the portion you just played should be saved as a wave file, loaded into the arrangement, or deleted. Video Video standard: PAL is used in Europe, the US and Japan use NTSC. This setting should not be changed. Video display: The resolutions that can be set here concern only the picture display of DV videos in the Arranger. If playback becomes jerky, we recommend entering a lower value. The quality of exported videos is not influenced by this. Extract sound from videos during import: If a video contains audio data as well, you can use this function to extract the audio track from the video. It will be loaded directly underneath the video track and grouped together with it. If you ungroup them (in Edit menu), you can edit the sound as an independent object. Automatically adjust videos to BPM during import: With the available BPM information you can automatically create a video in which the rhythm and order of pictures are synchronized. This does not play all frames of a video, but some are excluded according to the BPM setting on frame playback. The video appears faster at a higher BPM setting; it "dances" to the rhythm. The tempo can be set before every new arrangement in the transport control. Otherwise, the arrangement applies the BPM tempo of the first sample that is loaded. Adjust minor deviations from 04:03 aspect ratio during export: This option automatically customizes photos that have an approximate 04:03 aspect ratio to 04:03 TV screen format. The pictures are therefore easily stretched or compressed. This inevitably brings about distortions in the picture. If this option is deactivated, black bars appear along the sides. Automatically preview exported clips: This option starts the clip www.magix.com

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immediately after exporting for verification. Automatically copy exported material to clipboard: This option is particularly useful when used with other programs, such as Microsoft PowerPoint. If switched on, the created multimedia file will be available straight after being inserted. Video priority: Usually, audio objects have priority over playback. Here, an overloading of the computer as a result of too many effects can bring about jerky video playback while the audio continues to play without any problems. To change this, you can give the video playback precedence over the audio. Video playback is then renewed after every audio buffer, which may lead to interruptions in the sound. Folders Here you can set the path, in which • arrangements will be saved (Arrangements) • the files to be exported (Export) or imported (Import) as well as the recordings (Record) will be placed. • temporary files are to be stored (necessary for the running of the program) (Temporary)

Settings > Path for MAGIX Music Editor
An independent program is delivered with the package of MAGIX Music Maker 2008 for external audio object processing, the MAGIX Music Editor. This can be accessed directly from MAGIX Music Maker 2008 via the “Edit wave externally” (menu Effects) function. In this dialogue you can change the path and file name of the audio-processing program to be accessed. Shortcut: D

Exit
Exits MAGIX Music Maker 2008. Shortcut: Alt+F4

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Edit menu

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Undo
10 commands can be undone, including object and cursor manipulations. If you don’t like the result of a change in your arrangement, the Undo function will take you back to the previous arrangement. Shortcut: Ctrl + Z

Redo
Redo lets you reverse the last Undo command. Shortcut: Ctrl + Y

Cut
The marked objects are cut out of the current arrangement and placed onto the clipboard. They can then be inserted at different positions. Shortcut: Ctrl + X

Copy Objects
This menu option lets you copy all selected objects. The copy appears next to the original and can be moved easily by holding the left mouse button (drag & drop). Shortcut: Ctrl + C

Paste
The contents of the Clipboard is added at the position of the start marker in the current arrangement. The playback marker is positioned at the end of the most recently www.magix.com

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inserted object so that the quick and easy multiple use of the command is also possible. Existing objects now become overwritten. Shortcut: Ctrl + V

Multiple insertions
Like Insert, but you can stipulate how often the content of the clipboard is to be inserted. Shortcut: Ctrl + Num "+"

Delete objects
This menu option lets you delete all selected objects from the arrangement. To highlight or select more than one object, use the “Shift” key while you click with the mouse. Shortcut: Del

Select all objects
All objects in the arrangement will be selected. Shortcut: Ctrl + A

Duplicate objects
This menu option lets you copy all selected objects. The copy appears next to the original and can be moved easily by holding the left mouse button (drag & drop). Shortcut: Ctrl + D

Split objects
You can cut up a selected object at the S marker position. If you have not selected an object, all objects will be cut into pieces at the S marker position. Later on, if you want to re-join the pieces of an object, select “Build www.magix.com

Edit menu
group” to join all selected objects to a group. Shortcut: T

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Save objects as takes
The selected objects are saved in the takes directory. For further information on processing takes, see the chapter on "Takes (on page 59)". Shortcut: Ctrl + f

Edit Range
MAGIX Music Maker 2008 makes area editing functions available as well as object-oriented functions. These always refer to the whole project from the first to the last track as well as to the area between the start and end marker. Cut The section between the start and end markers is cut from the current arrangement and placed on the clipboard. This section can then be re-inserted elsewhere. Shortcut: Ctrl + Alt + X

Copy The area between the start and end markers is cut from the current arrangement and placed on the clipboard. This section can then be re-inserted elsewhere. Shortcut: Ctrl + Alt + C

Delete The area between the start and end markers is deleted from the current arrangement and no longer saved on the clipboard. Shortcut: Ctrl + Del

Paste The contents of the clipboard are added into the current arrangement at the position of the start marker.

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Shortcut: Ctrl + Alt + V

Multiple insert Similar in function to "Insert", but you can stipulate how often the content of the clipboard is to be inserted. Shortcut: Ctrl+Alt+Num Lock "+"

Extract The area between the start and end markers is retained, all the material in front and behind it are then deleted. Use this option to isolate a specific part of an arrangement for further individual editing. Shortcut: Ctrl + Alt + P

Create group
Orders all selected objects into groups. As soon as an object is selected in the group, all objects in the group become highlighted so that you can work on them collectively. Shortcut: Ctrl + L

Setting user-defined loops
Normally an object is always looped over the full length of the underlying data material (audio or video file). To set a clip from a file as a loop, shorten the object at the front and the back with the handles and choose the command “Edit menu > Insert user-defined loop”. This function is very useful for setting your own recording as a loop, as the silence at the beginning of a recording can be cut away. Shortcut: Z

Add track
A new empty track will be added to the arranger. In the "File > Arrangement properties" the count of tracks can be set in large increments. Shortcut: Ctrl +K

New MIDI object
This function creates a new MIDI object in the current track. After invoking the function, a pop-up menu opens in which you can choose between an empty MIDI object or a template. You can lengthen the pop-up menu with one of your own templates by simply copying any of the MIDI files into the “Default” directory in the MAGIX Music Maker 2008 program directory. Shortcut: Ctrl + Alt + M

Audio mixdown
This option joins all audio objects in one audio file ("mixdown"). Afterwards, the audio material will only occupy one track and take up hardly any RAM (does however take up space on the hard drive [ca. 10 MB/min in stereo]). This way you get a clear overview of further objects as well as space for them. MAGIX Music Maker 2008 automatically normalizes the audio file, i.e. the loudest part of the wave audio object is identical with the highest figure of the 16-bit resolution peak. This guarantees the same sound quality, even if you repeat the mix down procedure or you combine the mix down file with other wave audio objects again and again. The mix down function is very helpful if you want to go on using the mix down object.

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Tip: To create the final AVI or WAV (or any other multimedia) file, we recommend using the various option of the submenu "Export movie" option in "File", instead of the mixdown function. Shortcut: Shift+M

Set jump marker
This sets a jump marker at the position of the current playback marker. Here you can note specific parts of the arrangement. With the "Move playback position" function you can quickly jump to these positions. Shortcut: Shift + 1...0

Create jump marker sequence This option duplicates the currently selected playback area between the start and end markers by setting start markers equivalent to one another in the bar ruler. Now you can jump to every jump marker using keyboard shortcuts. Shortcut: Ctrl+Shift+M

Move playback position
This sets the playback marker to the position of a jump marker. This function can best be used via the keyboard. When stopped, you can immediately move the playback markers to the position of the saved jump markers. During playback, the playback marker along with the playback range will be moved. Here, the old range is always played until the end so that you can remix your arrangement live once the jump markers have been placed where you want them without losing the beat. Keyboard shortcuts: 1..0

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Edit menu Move screen view
Using these commands, a viewable portion together with the start marker will be moved in the timeline. You can quickly skip between different jump markers and object edges. Keyboard shortcuts: See keyboard shortcut overview in the Arranger View (on page 241) section.

Load video effects You can save the current effect combination of an audio object separately and apply it to other objects later. Or you can deactivate all currently used effects entirely (Reset) if you want to undo the changes. Shortcut: Alt+Shift+D

Save audio effects You can save the current effect combination of an audio object separately and apply it to other objects later. Or you can deactivate all currently used effects entirely (Reset) if you want to undo the changes. Shortcut: Alt+Shift+S

Reset video effects You can save the current effect combination of an audio object separately and apply it to other objects later. Or you can deactivate all currently used effects entirely (Reset) if you want to undo the changes. Shortcut: Alt+Shift+C

Video > Edit bitmap externally Graphic files (BMPs or JPEGs) from the arranger can be post edited in an external graphics program. The selected image file is loaded automatically and, once editing has been completed, is used in the MAGIX Music Maker 2008 instead of the original material.

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Effects menu Audio
Please read the chapter "Audio effects" for more details on realtime audio effects, destructive audio effects and 3D effects. Normalize The "Normalize audio" function increases the level of the audio object to the maximum possible without overmodulating the material. To do this, the largest signal peak in the audio material and the level of the object are sought so that this point corresponds exactly to 0dB (full modulation). Shortcut: Shift+N

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Set volume This function, located in both the effects menu and the context menu, control the sound volume for individual objects, just like the object handles in the arranger. Automatic track damping This command automatically dampens the volume of other audio objects. This can be used to insert voice-overs into your arrangement or add commentary to a film (with the original sound). You can also specify whether you want to dampen the original sound of existing videos or all soundtracks equally. In the dialog you can activate and deactivate the value of the dampening. You can use this command while recording audio (Audio recording (on page 198), advanced options) Shortcut: Alt+L

Mute/Unmute objects Use this command to mute one or more selected objects. Selecting this command again makes it audible once more. Shortcut: F6

Set harmony Use this context menu command to quickly change the harmony of the selected object (if present). This also functions when working with www.magix.com

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multiple selection. Simply select all the objects which are under one another and select a new harmony to create variations in the arrangement. Audio > Load/Save/Reset audio effects You can also save the current effect combination of each audio object separately and use it on other objects later on. Or turn off all current video effects, if you get confused. Audio > Loop Finder The Loop Finder was developed for the purpose of finding BPMs in short rhythmic passages and placing BPMs into the arrangement. Furthermore, the Loop Finder can help to fit short loops into an existing arrangement or extract short rhythmic passages from drum loops. Note: For longer passages (for example, complete CD tracks), you can use the Remix Agent. The waveform of the audio material is displayed in the upper part of the dialog, preset at a zoom level of about 10 seconds. The principle involves moving the green start marker to the start of the beat and the red end marker to the start of the next beat. The BPM display to the left then shows the tempo of the loop in beats per minute (BPM). Here we presume that there are exactly the same amount of beats in the selected passage as is displayed in the "Beats" input field – 4 is the default. If there are two full bars between the start and end markers, the number of beats has to be increased to eight, otherwise the Loop Finder will only correlate half the speed. The precise marking of the beat length is required for exactly defining the loop length. This is also possible manually by moving the start and end markers, and can be similarly precise when using the zoom functions. But it's easier to do so using the following: Tap tempo: activates the automatic procedure for setting the tempo. First, audio playback begins at the start marker position. Then you will be requested to tap in the beat with "Tap" or by pressing the "T" key, that is, the "T" key should be pressed in time with the music. Playback stops after the number of beats set above is reached. The start marker is now positioned at the start of the tap process and at the end marker at the end. And that was it! The beat has now been set and the tempo can be read. Program automation makes sure that the start www.magix.com

Effects menu
and end positions are placed exactly at the next beat. Even if the tap process didn't work out exactly, automation nearly always finds the right beat meant when tapping. Snap marker: You can use the red and green arrow buttons at the top beside the wave display for moving the start and end markers one beat forward or one beat back. This makes it very easy to select "round loops", that is, whole bars, during running playback. As long as a loop runs through without any problems, the correct tempo will be able to be read to the left. Here you should make sure that the number of beats per bar (default: 4) has to adapted to the actual loop length. So, if four bars are selected as a loop, 16 has to be entered into this field. Start and end markers: Both of these markers show the start and end points of the loop. You can move them around with the mouse to fine-tune the range. Cut: Once a correct loop has been found, it can be cut using the Cut function in order to, for example, be able to use it again later. Use new BPM: The arrangement applies the BPM value found. Timestretching: Adapts the object to the tempo of the arrangement (as a result of the determined tempo) via timestretching. Resampling: Adapts the object to the tempo of the arrangement (as a result of the determined tempo) via resampling. Audio > Remix Agent – Tempo and beat assignment MAGIX Music Maker 2008 provides a Remix Agent for the automatic determination of the speed in BPM (beats per minute) and for the creation of loop objects. Please read more on this in the "Audio objects" chapter. Audio > Create remix objects If, while running the Remix Agent, the tempo and beat information were saved to the audio file, this command can be used to create remix objects. If the Remix Agent has not yet been implemented, this command starts it and opens the presets dialog for creating remix

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objects. Audio > Remix Maker With the Remix Maker, automatic remixes can be created from Remix Agent loop objects. Please read more on this in the "Audio objects" chapter. Harmony Agent The Harmony Agent is designed to analyze harmonies. Read more on this in the corresponding section of the "Audio Objects (on page 79)" chapter. Shortcut: Alt+Shift+F

Audio > Extras > Stereo – 2 mono objects With this option stereo recordings can be split into two mono objects which are then connected to a group. You can use the "Ungroup" button to edit the channels as independent objects.

Title
Title Editor Title Editor (on page 104) Shortcut: Ctrl+t

Load Title Effects You can store the current preset effects combination for each title object separately and later apply them to other title objects if they have worked satisfactorily. Save Title Effects You can store the current preset effects combination for each title object separately and later apply them to other title objects if they have worked satisfactorily. Shortcut: Alt + T

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Effects menu Effects library
Opens the corresponding folder in the Media Pool from which you can drag an effect onto an object.

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Object properties
This function displays all the information about the currently selected objects, such as file name, position on the hard-drive, tempo, etc. The Object Editor also defines the foreground and background color of every object in the arrangement.

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Window menu

Window menu
Mixer
With this option you can display or conceal the real-time mixer. You will find further information, especially with regard to the integration of effect plug-ins, in the chapter 'Mixer'. Shortcut: M

Master audio effect rack
Here you can open or close the master effect rack. You can also use the 'master FX' button in the mixer window for that purpose. Shortcut: b

Standard layout
Determines whether the video monitor and Mediapool should be integrated into the main window or shown on a separate window. Shortcut: L

Video Monitor
Opens and closes the video window. Shortcut: V

Media Pool
With this option you can conceal the Media Pool or make it visible again. Shortcut: F

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Window menu Optimize arrangement view
The zoom level is set to 100% so that you can see every object and the entire arrangement. The start and end markers are set to the beginning or end, so that the entire arrangement can be played. Shortcut: Shift + O

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Arrangement overview
With this option you can display an overview of the entire arrangement on the video screen. It is particularly suitable for long and complex arrangements so that you don't lose track. You can view the whole arrangement and you are, despite this, able to access the sought object in a split second – you can zoom in directly on the video monitor or move around the clip displayed in the Arranger. The function can also be opened via "Overview" on the video monitor. Shortcut: Alt+Shift+U

Change object presentation
This lets you switch between various object views. Here video objects are displayed in the tracks either with detailed preview frames or in simplified form. Audio objects are displayed either with one or two separate wave form displays for stereo.

Highlight loop area
With this option, you can fade the loop area in and out, that is, the strip above the first track which displays the area that will be played as an endless loop. Shortcut: Shift + X

@Services menu
MAGIX Online Services
With MAGIX Online Services MAGIX offers a row of interesting new services for your photos, videos and music. Link up MAGIX Music Maker 2008 to Services and enrich your projects with a whole world of multimedia. You can read more on this topic at the iPACE Online Services center.

Catooh
Catooh provides you with high quality photos, videos, and music for every theme, expanded through intelligent iContent with professional soundpools, DVD menu templates and brilliant MAGIX ShowMaker styles with which you can make your photo, video and music projects reality. All of this, directly from your MAGIX software. Just choose "@Services" from the menu "Catooh" to set up an Internet connection. Rummage through the thematically sorted categories or view the results directly by entering a keyword. After downloading, you can drag the objects from the Media Pool directly into your arrangement. For more information read the "Online introduction". Import media backup iContent (for example, 3D fades), which can be bought and downloaded from the Catooh are stored centrally in the My Folders\MAGIX Downloads\Backup. If you have downloaded this content from within other MAGIX programs, you can access it using the command "Import media backup" for use in MAGIX Music Maker 2008".

MAGIX Online Album
In the MAGIX Online Album you can post your favorite photos online and then send the link to your friends. All photos are immediately available from anywhere in the world on a professionally-designed photo website, in well-organized photo galleries, as full-screen www.magix.com

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slideshows or in the form of a personal photo e-card. • Personalized photo website in many designs • Unique Internet address (URL) • Upload your pictures directly from a camera phone, send the link and share the picture with other camera phone users • Full-screen online slideshows with transition effects and music • Send individual designer e-cards with your own photos • Share your photos with friends, incl. Internet management and password access to private albums Your photos online Impress your friends and family in minutes with your own photos as your own your personal website such as (http://first_name.last_name.magix.net). MAGIX Online Album is available in three versions, of which the smallest (the FREE album with 25MB webspace for your photos) is entirely free. The larger versions (CLASSIC or PREMIUM) are available for a monthly charge, but also come with many hand features, such as a faster website, 500 MB or 1 GB storage space, more website designs or access by mobile phone/PDA. More information is available at www.magix-photos.com. Easily upload your images and movies to the Internet in only 3 simple steps. 1. Select photos Choose your favorite photos directly from the program and optimize them in just a few clicks. Put completed photo albums together and integrate music of your choice. Do it all offline on your PC - saves you money! Then select "Services" from the menu bar. 2. Upload photos In order to upload photos to your MAGIX Online Album simply log in using your email address. Naturally, access is protected via your personal password. If you still don't have access, click on Register now to activate your own album in no time. Then off you go. www.magix.com

@Services menu
3. Done! Your personal photo website And your best photo memories are on the net. As a photo gallery or fully automatic slideshow (fullscreen). Now, invite all your friends with just one click or show your photos on the road using your WAP-compatible photo mobile. Using your MAGIX Online Media Manager, you can quickly manage your photo website, upload photos and music, create new albums, add designs and text, and more. All online without even having to download any extra software! Worldwide, easy and quick in just a few clicks. At http://www.magix-photos.com The following options are also available: • Send eCards & photo emails • Send your photos as unique ecards with great designs or as a photo email to your friends and family. • Order real prints or great gifts directly from your album and have them delivered directly to your home or pick them up from a photo lab in your area. Delivery time is usually 2 - 3 days.

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@Services menu magix.info

Directly from within the program you'll be able to access the magix.info, the new knowledge base of MAGIX. Here you'll find answers to all the most frequently asked questions on MAGIX products and multimedia. magix.info can be found in the "@Services" menu. By clicking this button or on the "Ask questions online..." you can place a question into the knowledge database. Internet access is necessary. The corresponding Internet page opens.

MAGIX Podcast Service
With MAGIX Music Maker 2008 you can publish your own music as a podcast to a worldwide audience. The finished arrangement is then uploaded to your MAGIX Online Album and listed in the other podcast folders of MAGIX Podcast Service. Read more in the "Podcasting" section in the Reprocess arrangement (on page 173) chapter.

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Jobs menu MAGIX Blog Service
YOU make the news: Share your thoughts, experiences, and news with a worldwide audience in no time with your own interactive online journal. With professional templates & 100% unique design, including photos, videos, and music – no previous design know-how required. Invite family, friends, and acquaintances to join in and enter their comments! Advantage: With MAGIX you can manage multiple blogs per account. A free MAGIX Online Album belongs to the MAGIX Blog Service so that you always have full control over your comments.

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Online login details
In this dialog you can save you login information (Login and Passwort) for MAGIX Online Album and all other MAGIX Online Services as well as for Catooh, making it unnecessary to login each time you log into MAGIX Online Services. The save data are valid for all other MAGIX programs for the corresponding computer user. With "Open my profile page" you can try out your login information right away.

Jobs menu
In this menu you will find direct solution and short video explanations on how to perform tasks in different topics. Not only will you find step-by-step instructions for sound and pictures here, you also find quick access to lots of functions. If you click on an entry with a camera symbol, you will open a short tutorial video which displays solution. Entries without camera symbols solve the problem immediately.

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Help menu

Help menu
Content
Use the command "Content" in the "Help" menu to open the start page of the program Help. Here you can work through the Help step-by-step and jump to specific sections via the tree structure on the right-hand side.

Context help
By pressing the Context Help button in the tool bar the mouse indicator will become an arrow with a question mark. More detailed information on the subject will appear when you click on any button of one of the three main screens. Shortcut: Alt + F1

Show welcome dialog
With this command you can display the "Welcome" dialog again. There, you have a quick access to important functions during program start. With "Start new arrangement" you can begin a new arrangement and simultaneously open the Soundpool in the Media Pool to be used in it. "Load own arrangement" lists all arrangements available in the "My projects" folder for quick loading. In addition, you have quick access to demo songs, introductory videos and the settings dialog. Shortcut: Shift + F3

Start introductory video
The introductory video shows you how all the most important features work. Specific topics are explained in detail in additional tutorial videos. Shortcut: Ctrl + F1 www.magix.com

Help menu
To play the introductory video you may have to insert the program CD.

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Show MAGIX Music Editor video
The MAGIX Music Editor tutorial video shows you just how clear and easy it is to use this additional program.

MAGIX Creation Logo
Use this option to open a PDF information file that will show you how to use the MAGIX Creation Logo. This guide explains in detail what must be taken into account and what is needed for non-private use of the content provided (the photo, video, and audio files included in the software). We explain when and where the MAGIX Creation Logo must be applied and which logo is suitable for your application. If you have any questions, please contact MAGIX Support.

Display tool tips
Tooltips are small information windows that open up automatically if the mouse pointer stops briefly on a button or some other area. They provide information about the function of the button. These information boxes can be switched on or off with this option. Shortcut: Ctrl + Shift + F1

About MAGIX Music Maker 2008
Displays copyright info and version number of MAGIX Music Maker 2008.

Online registration
This option opens the MAGIX homepage for online registration where you can register yourself as a MAGIX user. Registration grants you access to the MAGIX Support Website (see Support) where various program updates and Help programs can be www.magix.com

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Help menu
downloaded. With the registration form (register.rtf) supplied you can register via post or fax. Simply print it out, fill it in, and send it off!

Activate additional functions
In the submenu you have the option of activating encoders/decoders for various file formats. Why does it have to be "activated"? To import (decode) or export (encode) certain video and audio formats you will require a specific codec to be able to read in and export these formats. The integration of decoders and encoders from third parties into programs usually costs money. These codecs are integrated via additional, voluntary activation in MAGIX programs, which, according to usage and degree of prevalence, can be free or fee-based for special higher quality codecs. This way, MAGIX will continue to be able to provide you with optimum value for money for your software. The following activations are available on MAGIX Music Maker 2008 for a charge: MP3 encoder. Fee-based MP3 activation To create MP3s the appropriate codec must first be activated (for a fee).

Order activation code online Click on "Order online..." (Field 1). Your web browser will open where you can register your MAGIX Music Maker 2008 first (if you have not already done so). You will then be forwarded to a website where you www.magix.com

Help menu
can request the corresponding activation to be carried out. If your computer has no Internet access, you have the following options for activation: Order activation code in MAGIX Service Center Use this option to conduct activation from a different computer, which has Internet access. Order activation code via post/fax After clicking on "Order via post/fax" (field 2) your user code will appear. This automatically assigns your personal activation code to your PC. Click on "Continue to order form" to transfer your user code automatically to the post/fax form. Now send the completed form as a print out to the address/fax no. mentioned. Once payment has been processed successfully, your activation code will be sent to you in the post/via fax in just a few days. Optionally it can also be sent by email if an email address is stated. Enter activation code After receiving your personal activation code you can use the "...activate" option in the "Help" menu to open the activation dialog for the corresponding file format. Copy the activation code from your email into the input field in the dialog and click on "Activate...". Possible problems and their solutions The entered code is incorrect (telephonic activation) • Make sure your entry is correct; in most cases a typo is to blame. • If the code is entered correctly, you can dial the number of our Call Center. Our coworkers are glad to personally help you. The MAGIX website won't open • Check your Internet connection, you may have to use manual dial-up. The MAGIX website won't open Check your Internet connection, you may have to use manual dial-up. The form for post/fax ordering won't open • Check that an adequate text editing program is installed and activated (for example, MS Word).

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Help menu
I still haven't received an email with the activation code • Check that your inbox isn't full. • Have a look in your spam folder. You can always send questions via email to our support whenever you like. Please have the following information at hand so that we can assist you as quickly and as specifically as possible. • Complete product name • Exact version number (to be found in the about box in the "About" menu item of the "Help" menu) • Encoder/Decoder name • Your user code (accessible via the "Activate via post/fax" dialog) I installed my MAGIX program onto my new computer or built a new hard disk (sound card, memory...) into my old computer. Now my activation code is no longer accepted. Activation is linked to a specific computer. Changes to the computer's hardware, for example, integrating a larger hard disk can lead to the computer no longer being recognized as the one for which the activation code has been calculated. This will most likely happen if you install MAGIX Music Maker 2008 on a new computer. If this is the case, simply request a new activation code. Since you're already registered as a MAGIX customer, you won't have to pay for another activation. Online: When registering on the MAGIX website use your existing MAGIX login details. Post/Fax: Print out the order form again and send it to the addressee/fax number stated.

Online update
Connects directly to the MAGIX online update page where you can get the latest version of your program.

Reset program settings to default...
Use this function to reset all program settings (on page 203) you made in MAGIX Music Maker 2008 to their original settings. www.magix.com

Buttons overview and keyboard shortcuts
Time background transparent Move Arranger view Note: These commands similarly move the playback marker when it's stopped, the marker always remains visible in the arrangement clip. To the next object edge To the previous object edge Go to beginning of arrangement Go to end of arrangement Go to start marker Go to end marker Page to right/left Grid to right/left Go to the next jump marker Go to the previous jump marker Go one track up/down Ctrl+0 Ctrl+9 Home End Ctrl+Home Ctrl+End PgDn/PgUp Ctrl+PgUp/PgDn Ctrl+Shift+PgDn Ctrl+Shift+PgUp Shift+Arrow up/down Ctrl+Shift+L