Credits:

Director Yorgos Lanthimos is back with another unique film

Fox Searchlight

On the surface, TheFavourite might seem like yet another British royalist period piece in the era of Downton Abbey and The Crown. Nothing could be further from the truth. The Favourite has bite — sometimes literally — and a wicked sense of humor. Its lesbian and bisexual storylines are given depth, complexity and central attention. The plot is gripping, and the ending surprising.

Fox Searchlight

EmmaStone plays a disgraced Lady, working hard as a maid for the aging Anne, Queen of Great Britain (played by an exquisite OliviaColman) to regain her noble status after her husband sold her off. For an American actress, her British accent does not feel forced or false. Opposite RachelWeisz’s Sarah Churchill, Duchess of Marlborough, Stone does career-best work battling for the lustful Anne’s attention. Weisz gives the film the heft and weight it needs to feel grounded in the time period, while also giving us some GIF-worthy quips.

This is no surprise if you have seen one of director YorgosLanthimos’ films. His 2015 work TheLobster established him as an awards-worthy auteur with a penchant for the irregular. I mean, the plot of The Lobster found actor ColinFarrell forced to couple up by a deadline, or else he would turn into a lobster. Last year’s The Killing of a Sacred Deer starring Farrell and NicoleKidman also had a purposefully off tone. Its provocative dialog was delivered a clinical, dry tone by stone-faced actors.

While The Favourite certainly contains irregular moments and provocative dialog, it is different from Lobster and Deer in that it feels a bit more palatable for mainstream audiences. Judging by the reaction of the sold out audience, all the jokes land and all the twists tantalize. It could be one of the rare awards season films to be a surprise box office hit.

A spoiler-free take on the genius of collaborative storytelling.

No writer can authentically create the heart, mind and soul of a character whose experience they cannot relate with. One can come very close, but there are nuances that get missed; “tells” that register with the audience, even subconsciously.

That’s what makes the co-screenwriting team of writer-director Steve McQueen and writer Gillian Flynn pop in Widows. Each brings their own experiences to the table, infusing the storytelling with the authentic African-American and female perspectives missing in so many similar thriller screenplays. Gone are any distracting stereotypes, cliches, or false moments, leaving room for breathtaking storytelling that feels new and raw, but should have arrived decades ago.

Part of Viola Davis’ brilliance as lead character Veronica Rawlins is a direct result of the screenwriting collaboration between McQueen and Flynn. Underestimated, gritty and real, Rawlins joins the pantheon of flawed Flynn anti-heroines established in previous works Gone Girl, Dark Places and Sharp Objects. Unlike those characters, Rawlins is a black woman, and Flynn defers to McQueen in portraying aspects of Rawlins that a white writer could not get right. Rawlins’ reactions to events that mirror the modern reality of the black experience — from casual or blatant racism to police brutality — are rendered powerfully authentic by McQueen’s penning.

It’s also increasingly rare to see a film in which the screenwriting is so focused, to the point that every syllable matters. Widows does not hold its audience’s hand; if you’re not paying attention, you’re left behind. Clever foreshadowing sets up subtle reveals that will be entirely missed by distracted audience members.

Photos from Warner Bros.

In what feels like a conscious choice, Widows almost entirely avoids showcasing digital devices or their screens. It’s a huge departure from similar modern thrillers, many of which rely on digital technology for their very premise, or overlay text message conversation bubbles on screen. In the one or two times a computer screen is shown, there is as little motion as possible on screen, making a Google Map feel like a paper counterpart. When characters in Widows text, you rely on the actors’ reactions to the sent and received messages to get the gist of what’s said.

Analog technology is peppered throughout. Grieving, Rawlins drops the needle on a vinyl record. Weapons or pyrotechnics used by the cast are analog; no cheesy digital thriller tropes. This authentic, back-to-basics feeling is refreshing in a film set in modern day. Indeed, authenticity is what gives Widows its edge and its power, and hopefully what sets it apart in the sure-to-be-competitive upcoming awards season.

A joint music video for “Bitch I’m Kawaii” and “Ayo Sis” brings the barrier-smashing performer close to completing their visual EP.

Photography by Dash Jones

Rapper and RuPaul’s Drag Race & All Stars 3 alumni Aja filmed their new music video for the killer tracks “Bitch I’m Kawaii” and “Ayo Sis” in Downtown Los Angeles, CA on September 12, 2018. Yours truly had the honor of being on set — observing the action, and interviewing both Aja and the video’s director, Assaad Yacoub.

I spoke one-on-one with Aja between the filming of two key scenes. Our discussion was candid, revelatory, and fun. As we spoke, the crew moved their camera and lighting set up from a stuffed animal bureau set to a New York-style apartment bedroom scene.

Aja

Photography by Dash Jones

Derek: I’m really excited to interview you again. So, why did you chose this double track as your new single?

Aja: Well, it was never supposed to actually be my single. “Art God” was going to be the next single. Then I just kind of thought, I have some time, I’m going to be in LA for a few days. I want to shoot a new music video. I couldn’t really decide between the two tracks, “Ayo Sis” and “Bitch I’m Kawaii.” So I said, you know what, why not MissyElliot it. Who I actually rode with to LA, she was on my plane.

D: Oh! Really?

A: By the way, yeah, which is really random.

D: Wow, that’s awesome!

A: You know how Missy Elliot used to do like those combination videos, where it would be like two videos in one? I was like, why don’t I do that for the last two tracks on my EP, and I’ll be the first person to ever come off of Drag Race and have turned their entire EP into a visual collection of items.

I thought, if we’re going to do this, we should like make it into something very positive. I want to put it into a kind of project where I could promote something I was very interested in. So, we’re using “Bitch I’m Kawaii." The idea of the video is going to be that I’m sleeping with my trans girlfriend, as a male presenting person, and I go into this dream world where it’s kinda like taking a spin on the idea of having a wet dream and it’s kinda gone wrong. And the wet dream will be “Bitch I’m Kawaii,” so there’s like a bathtub and bubbles, and I’ll be in and out of drag in the scene.

Photography by Dash Jones

I kinda hated “Bitch I’m Kawaii.” I hate the track, so right before it hits the chorus, I wake up and I just had a nightmare. My girlfriend is supposed to be like, “Are you ok?” and I’m like, “No, I just had a nightmare.” Then it kinda starts going into “Ayo Sis.” Which, when I wrote it, it was a feminist anthem — or like an anthem for people who wanted to appreciate femininity. Something that happened recently to me was, I was told my gender nonbinary identity was invalid by these people that claimed to be “radical feminists,” and there are people that don’t believe in trans people at all. I actually got banned from Twitter for telling someone they were a senseless cow for being transphobic online.

D: Wow.

A: I wanted to use “Ayo Sis” to push the narrative of appreciating femininity, but also very specifically, in the song, I name a lot of my own female icons. I wanted to use the video as a way of showing how normal like trans lives are. Trans people are normal people and there’s nothing wrong. Also, there’s a part where I’m in my female representation of my gender nonbinary identity. Which people get confused by, because you don’t adhere to any gender; you can present however you want. Which is what being queer is all about. So out of drag, I will be having a trans girlfriend, but in drag, or in that feminine character, I will have a very heteronormative looking boyfriend. To promote that straight men can have trans girlfriends, and straight men can have nonbinary girlfriends, and it’s okay. It doesn’t challenge society as much as people think it does. It is really not serious, and I think that there’s a lot said about the safety of trans women, especially trans women of color. People can just see for themselves, like if you watch this video, it’s just two people who are having fun, are in love and are celebrating.

Photography by Dash Jones

D: Yeah, definitely. So, with your own gender identity, you have been living as and identifying as genderqueer for a while now. What are your preferred pronouns?

A: I usually just go by they/them, but I rarely like ever offended or slighted by like anything else, but I know there are some people who are. The best thing to do is just to ask. I actually just watched this video on YouTube. There’s this one dude, I think he’s a Republican or something, and he always does like the “convince me why this matters.” He was trying to find out why trans lives are normal, and people were teaching him about preferred pronouns and he was like, “Well if I want to call somebody this, I’m going to call somebody that.” So, like that I will never get around to. I’ll never understand why you can’t call somebody what they want to be called. It’s like, if you want to be called Tom, I’ll call you Tom. So, if somebody wants to be referred to as a he or she, or they or them, why can’t you do just that?

Photography by Dash Jones

D: Yeah, that’s very valid. Actually in your first answers, you actually answered my second question, which was the inspiration behind the video, so we tackled that one (Laughs). So, this is your fourth music video with director AssaadYacoub. Describe your collaboration process with him, and why are you a good fit together.

A: It works because I hate him. (Pause, laughs) I’m just kidding. You know what it is, me and Assaad are friends. We met on the set of “C.L.A.T..” It’s technically our fifth collaboration.

D: Oh, cool!

A: But, it’s my fourth solo with just him and me. Assaad is a very rambunctious person who has personality that’s similar to a dog with paranoia. He’s all over the place, and crazy, but he’s one of those people —

Assaad, listening nearby, barks like a dog.

Aja:(Over their shoulder) Yeah, I’m talking about you! (Laughs) He knows how to bring to life a vision. The thing is, I’m a very hands on person like, I am like pretty much the stylist, visual director and creative director of all my music videos. Assaad will — (Over their shoulder) Assaad,I can see you listening to me, move over! — always put his input in. He will take everything that I tell him, and try to create the perfect shot for it. So, if I’m like, “Hey, this is the part where we’re casting a spell and I want mountains, and I want to wear a long robe, and I want to be doing this…” Assaad will be like, “Okay we need to capture from this angle, and we need to put it this way.” And, like whichever way will make it the most exciting. I think we work well together because he likes a challenge, and I’ll always give him a challenge.

Photography by Dash Jones

D: Yeah, it seems like you guys — because I was observing during the “Bitch I’m Kawaii" set up over there — it seems like you have a great dynamic. The last time we spoke, in the interview, you spoke about using drag less as a means of a theatrical performance, and more as a queer expression in your daily life.

A: Yes.

D: Where are you on that journey?

A: Honestly, like at this point, I think that I’m just expressing myself, still doing me. Like the thing is, the big reason I don’t want to just use the term of “drag” is because I feel like people who take drag seriously — who are doing the art of drag — they take their gig seriously. Like, they are doing it for the art of drag. My passion is not in the art of drag, my passion is in music and in burlesque and in different art forms. For me it’s not about being the best drag queen, it’s about being the best burlesque artist and the best musician I can be. There’s people where drag is their art; it’s their passion. For me, drag is a medium, an art, and also a representation of my gender identity. When I get in drag, I realize lately that I want to tone it down and just be more me, because I don’t feel the need to hide behind a character. Also, I don’t want to offend anyone. A lot of people have gotten offended by me saying that — they’re like, “But you were on Drag Race” — and I’m like, yeah. I still do drag, but I just don’t do drag in the same way as other people. It doesn’t make me punk or different. Like, there’s other people who use drag as a medium. Bianca Del Rio doesn’t do anything that drag queens do.

D: Yeah.

A: Would I consider her a drag queen? Yes, but would I say she’s just a drag queen? No, she’s more of a comedian.

Photography by Dash Jones

D: It shows in your work, too, because your work is very personal. You can tell when you are rapping your lyrics that they actually come from you, and they are not any sort of like industry clichés or anything. These are your real experiences, and it really does come through in your work.

A: Absolutely, for me everything I’ve done, I’ve written myself. I didn’t have help from anyone. I am just sharing my personal experience, and like people don’t understand. Especially I think it’s something DragRace fans are not used to. They’re not used to someone doing something serious, like something very personal. I remember when season nine came out, and people were saying SashaVelour takes herself “too seriously,” — what, because this is more than just, you know, a character for some people? For some people, this is life, like this is who they are. This is who they are. This is their real actual self-expression… who wants people to criticize their self-expression?

D: Yeah, exactly — instead of Aja being a “drag character,” Aja is you; you are Aja.

A: Exactly. So, you know, it took me a long time to realize that these people do not understand that. They think that Aja is like my drag is. Like I’m trying to do something. I’m not trying to do anything. I’m just trying to be me, and trying to express myself. When I went on Drag Race, it was never to like, “Oh my God, I want to be the best drag queen,” or to be held to the standard of anybody. I wanted a platform where I can be me, and people would, you know, love me for who I am.

D: Yeah, because I’ve noticed that on Instagram, you’ll post photos in a more traditionally male drag and then more traditionally female drag, and then also a very genderqueer drag, all as Aja. So, it’s really revolutionizing the way that people think about the identity of different drag performers. I commend you on that.

A: Thank you. I think that people need to broaden their spectrum for once. I think anybody can do drag. I hate this idea that drag is only for men, or for like only certain genders on the spectrum. Anybody can do drag.

D: Yeah.

Photography by Dash Jones

A: I feel like there’s a lot of ignorance and there’s a lot of misunderstanding. Which is ironic, because everybody just wants to be accepted. Everyone just wants peace, and wants to be equal. It’s funny the mean things that these people will say. I love people who support everyone. I love people who don’t judge based on race, and based on things that have nothing to do with a person.

D: Yeah, I have seen some of your Instagram lives and it seems like you definitely are one of the leaders in calling out the ignorance within the fanbase, and in some of the performers themselves.

A: Oh, absolutely! I feel like I would never like go up to someone in person and be like, “Oh my God, I hate you,” or whatever, because nobody goes up to you in person and says mean things. There’s something about the magic of anonymity online. I think like every fan base has that, first of all. Like, DragRace fans are not the only ones who do that. Music industry fans do it, too. Everyone does it. Personally, at this point I have PR; I have good people who run my social media. What we do is, we’ll go on and delete all the bad comments. We’ll just be like, “Hey, these people are clearly assholes, we are just going to delete the comments.” When people compare my art, which is literally just me, to other people? Delete. When people say negative things about me or my family or my friends? Delete or block. I don’t have time to debate why someone is a terrible person or not.

D: I want to end on a couple of light hearted questions. Who are some of your own favorite musical artists?

A: Oh, wow. I have a lot of favorite musical artists. I listen to a lot of rap and since I do rap music. My two favorite rappers are NickiMinaj and TylertheCreator. I think Tyler the Creator’s a genius, under-appreciated queer rapper, who literally scammed his way into the industry — got the respect of everyone — and then was like, “I’m gay”. People were like, “What?”

Photography by Dash Jones

Then, Nicki Minaj is just so intelligent. Everything she writes… you can tell it’s something she wrote, because it’s always on the same flow and it never changes — and it’s always referential. She’s just so smart, and it’s inspiring because she also comes from New York. She’s a perfect description of someone who can be colloquial, but then be very educated. Even in the recent events, like the fashion week stuff, I thought she handled it well. I think that she was smart in the way she played it out.

D: Last question: I love your tattoos, do you have a favorite?

A: My favorite tattoo would have to be my Clefable and Gengar tattoo. It’s a Pokémon tattoo. I have people spot that one anywhere.

Photography by Dash Jones

D: Oh, yes! I came up with that question looking through your Instagram today, and that was my favorite that I saw on your arm.

A: Everybody’s! It’s everybody’s favorite; it’s my favorite, too.

D: It’s awesome. Thank you so much for speaking with me again.

Photography by Dash Jones

Aja, now changed into their lingerie drag and a sexy, flowy wig, proceeded to film several sensual takes in bed with model Derek Richmond. Director Assaad Yacoub sat fully engaged behind his monitors, shouting words of encouragement to Aja to bring out the best in their on-screen performance. Once the scene was finished filming, the crew and cast of extras prepped for a rooftop night scene shoot, and Assaad and I had a chance to speak one-on-one.

Assaad Yacoub

Photography by Dash Jones

Derek: So, it’s really awesome to interview you, because I love your work for the different top RuPaul’s Drag Race queens doing their music videos, and also your film Cherry Pop.

A: Aja specifically is my favorite, is one of my favorite queens, to work with. I would say Aja, and Bob the Drag Queen are my top two queens I love working with, because they come with fully realized idea, and they put a lot of effort and money into their videos. They know the value of a music video. They are not just like, “Here is $5,000 and make magic.” They understand the value that goes into music videos, so I really enjoy working with them. That’s been the best experience, specifically Aja.

D: Definitely, because I know that this is actually like your fourth music video that you’ve done together, right?

A: This is the fifth one if you consider “Clack,” like the first time I’ve met Aja. “C.L.A.T.,” “Brujeria,” “Finish Her!,” “I Don’t Wanna Brag,” and now this one.

D: Wow, yeah.

A: Yeah, I can’t believe it. The first time I met Aja was on the set of “C.L.A.T..” I had not met them prior to that, and we just bonded right away.

Photography by Dash Jones

D: They had mentioned that when I spoke to them. That’s cool.

A: That was a great experience.

D: So, for this video in particular, can you walk me through your concept for it?

A: Yes, so for this one, as we see, we are trying to do a pro-trans rights video, and non-binary video as well. So, it’s kinda of a looser concept. It starts with Aja waking up with a nightmare in bed. The nightmare is one of their songs “Bitch I’m Kawaii.” For some reason, Aja doesn’t like that song — and it’s their own song — so they made it a joke about it, and made it into a nightmare in the video. Then it goes into “Ayo Sis,” where we cut between Aja as a boy with a very famous trans model and activist, Cassandra James; she’s awesome, great actress, a lot of fun to work with. Then it cuts to Aja in drag with a guy (Derek Richmond), and kinda playing with gender. I really like that.

D: That’s really cool. What kinds of visual techniques did you use to evoke emotions and portray that concept?

A: One of the things we’re using visually is having a bunch of people come in at some point to form the lines of the trans flag and the nonbinary flag in the background with their shirts. That’s kind of a way that we want to show the message in the background of what’s happening in the foreground. Then we did Aja kissing Cassandra when Aja’s out of drag, and in drag kissing the guy, to show that you can love whoever you want at the same time. I like that message.

D: Cherry Pop was fantastic. Do you have any plans for more movies at all?

A: Actually, we are trying to do a TV show, but I haven’t had the time because of all of the music videos I’ve been doing. We finished writing — my writer and I, because I don’t write — so I work with writer and he wrote the pilot. It’s similar to Cherry Pop. We’re not calling it Cherry Pop, we’re calling it Friends of Dorothy. A nod to the olden days when gay guys could identify each other as “friends of Dorothy.” And so that’s happening now, and I don’t know, we have no further details. We are not moving forward with that because of these music videos. So, I hope to come up with something soon in that theme.

D: For fans who know you through these collaborations with the top talent from the Drag Race world and from Cherry Pop, could you give a bio of yourself for us to get to know you a little bit more?

A: I was born and raised in Dubai. I grew up there until I was 18 — and originally I’m from Lebanon though, I’m Lebanese — then, I moved to Lebanon when I was 18, for a couple of years. I pretty much moved to New York when I was 20. Never been to New York, and I was like, “I’m fucking going to New York.” That’s when I met Bob the Drag Queen actually, eight years before he was called Bob. His name was Kittin Withawhip. I was going to his shows illegally, with a fake ID, and it was a lot of fun. That’s my first experience with drag. I saw Bob and I was like, I need to put you in a movie. That’s how CherryPop came about, [originally] as a short film. Then we made it into a feature. So that’s kind of my little bio to America.

Photography by Dash Jones

D: Do you live here in the Los Angeles area now?

A: Yes, I’ve been in LA for seven years now. I love it here.

D: Do you have any other music video collaborations coming up with anyone?

A: Yeah, I have a ton. I don’t know if I can talk about all of them, but I do have some I feel like I can talk about. Mayhem Miller, Trinity Taylor, and then I just booked a drag trio in New York called Stephanie’s Child. I literally just booked them now. They performed with Jessie J on TheVoice and stuff like that. So, they are doing pretty well, too. So I don’t just work with Ru girls, I’m open to working with everyone, which is my goal. It’s not just work with girls who are on Drag Race. I just like to work with talented people.

D: Definitely.

A: Oh, and Kelly Clarkson. I booked Kelly Clarkson’s music video. I forgot about that one. (Gestures) I should slide that one in.

D: Oh my God! That is awesome.

A: That’s going to be fun.

D: Is that from her current album (Meaning of Life)?

A: Yes, it’s from her current album.

D: I appreciate hearing that, because I’m a huge Kelly Clarkson fan. This new album is such a cool direction for her.

A: Oh, yeah! It’s amazing. I love the song they gave me, so I’m very excited to do it.

Photography by Dash Jones

D: Obviously, when the queens get off of DragRace — and some are not even on it — they have to create their own narrative, so what’s that like for you as a visual artist; to be able to help someone who may not otherwise be able to, with the technical and visual stuff, create their own narrative?

A: Narrative in the sense of their storyline in the video?

D: Yeah.

A: That happens a lot. Tatianna for example, when I just did her video, she called me up and was like, “Here’s the song, come up with whatever you want”. So, I try to come up with different ways to portray that drag queen. Like even Eureka, that was something similar we did. I’m like, let’s try something new with you. Like with AlexisMichelle, people are used to seeing her a certain way, and I was like, do a comedic video where people can see the lighter side of you. At the end of the day, that’s how you’re going to be portrayed — by how you’re portrayed in your video. You want to show a different side of yourself, if the way you’re portrayed on DragRace sometimes isn’t the best. There are other ways to show people, “This is actually who I am,” so I think that’s the beauty of doing these videos. That’s why I love collaborating with them. I set out to come up with kooky ideas that help show different sides of these girls.

D: It seems like it’s such a one-on-one collaboration process.

A: One hundred percent.

Photography by Dash Jones

D: You are working on an individual basis in these videos that you turn out. They each seem so unique, to the point where when I was researching for the interview, I had not realized you’d directed all of Aja’s music videos. They are all so different.

A: That’s good. I’m happy that’s the case. I hope that my style goes through all of them, but the goal is that each video is its own little story — its own little narrative, and it keeps changing and evolving — which I hope’s the goal with each video I do.

D: Did you do the Bebe Zahara Benet “Jungle Kitty” video?

A: Yes!

D: That was sickening! That was so much fun.

A: That was fun, that was a lot of fun. Bebe is awesome to work with. I really, really enjoyed working with her.

The All Stars winner gave us an exclusive interview - featuring a hilarious cameo from Sharon Needles.

Photo: DerekPlease.com

Few Ru girls have the sort of long, illustrious career Chad Michaels has worked for. From being a resident performer in Las Vegas, to winning the first season of RuPaul's Drag Race All Stars, Michaels has always managed to stay on top - all the while remaining a humble and gracious queen. It was an honor to meet her twice on Friday Preview Night at RuPaul's DragCon, and see her as a panelist on the Mamma Mia! Here We Go Again Presents: Seeing Stars: Cher and Madonna and Britney and Tina... Oh My! panel. This interview took place at her DragCon booth, the second time we met her.

Derek: Hey, we met earlier over there, at the [Dream Girls Revue booth].

Chad Michaels: (remembering) Yeah, yeah! Totally.

Derek: I was wondering, what does DragCon mean to you?

Chad: To me it's all about the fans, I mean, this is our one time of year to really get out and meet like the people who don’t get to come to the shows, necessarily. There’s a younger set, there's the kids, and then there's the people who just don’t go to drag shows.

Chad: It’s my friend Sharon Needles. So yeah, it’s all about the fans and just, know you, getting to connect and see everybody. Give a little back to everybody that supported us.

Derek: Yeah, and you're obviously an icon yourself.

Chad: Thank you.

Derek: From Cher’s last album, Closer to the Truth, what was your favorite track?

iPhone photo

Chad: I loved “Woman’s World.” I think that was really my favorite. I just like the... I like a dance song. I like an upbeat song. I rarely perform a ballad, so anything that is mid-tempo to upbeat from Cher, I’m down. That's what really gets an audience excited. There’s always an appropriate time for a Cher ballad, but when I’m working in the club and I only got a 3-4 minute set, I want to hit the audience and bring them up. So for me it was “Woman’s World," you know? Yeah.

Derek: What are you looking forward to the most this weekend?

Chad: Let's see... this weekend I’m looking forward to the Mamma Mia! trivia that I’m doing tomorrow. So I’m collaborating a little bit with Mamma Mia!, which is very much an honor for me. So we're doing a little bit of trivia tomorrow at 11:15am. It's emoji trivia. So you're going to have to name the ABBA song using the three emojis provided. So that's what we're doing. And that's a fun thing for me! You know?

Derek: Awesome! Yeah.

Chad: It's awesome!

Derek: Well, thank you so much for doing an interview.

Chad: You're welcome! Alright, I'm off. Be well, you guys, and have a good time.

The iconic gay actor spoke candidly about why representation matters.

iPhone photo

Actor and comedian Daniel Franzese has been a part of RuPaul's DragCon since the first annual event in 2015. At last weekend's event, his booth featured an impressive variety of merchandise; this included photos, collectible pins and even a whole rack of Mean Girls DVDs to sign for fans.

My husband Jacob and I first visited his booth toward the start of Friday Preview Night, and purchased a pin. Daniel could not have been more welcoming. He signed the packaging for us and took a selfie. We talked about our mutual friend Heather Marianna, CEO of Beauty Kitchen, and of course the Mean Girls musical. It turned out we all have seen it, and are pulling for Grey Henson (Damian) at the Tony Awards. It was one of those surreal encounters that only happen at DragCon.

Naturally, I had to return. Toward the end of the night I came back and asked Daniel if he would be open to an interview. He kindly accepted. We talked about DragCon, his relationship with Mean Girls and the importance of having HIV-positive characters on television.

Daniel Franzese: What outlet is this for?

Derek: My blog DerekPlease.com and Twin Cities Gay Scene magazine.

Daniel: Oh, I was just in the Twin Cities!

Derek: What did you do in the Twin Cities?

Daniel: Well, I went to go perform - I do stand up comedy - so I've been on tour.

Derek: Oh my God!

Daniel: Actually there’s an artist who who you might know, who's a queer graffiti artist known as HOTTEA, and he’s from that area. You should interview him. Have you heard of him?

Derek: I haven’t heard of him.

Yarn installation by HOTTEA inside Minnesota's Mall of America. I did not know HOTTEA created this, or I would have told Daniel I've seen his work.

Photo: Mall of America

Daniel: Well, him and I, made these there [gestures to merchandise]. This is a triple-layered stencil of Damian [from Mean Girls]. So we did that there.

Derek: Awesome. So, what has been your biggest takeaway from appearing at DragCon over the years?

Daniel: I just think, the first year, what I was so surprised about - and what has only grown and what they've cultivated - is that this is the most family-friendly LGBTQIA event I have ever been to. It doesn’t matter who you are, it’s always been the philosophy of this crowd that, no matter what you have going on in your life, throw some glitter on it and embellish it, you know. That is what this is all about. So I love seeing people of all ages, sizes, creeds and just everything, just dressing and adorning themselves in order to bring pleasure to those who see them.

Derek: Over the years you have been really inspiring as a person in the entertainment business, because a lot of the time people are known for something, they shy away from it. Like they are not into meeting fans of that particular thing. But you are proud of your work in Mean Girls.

Photo: Paramount Pictures

Daniel: I didn’t really have a choice in that matter. I think like in the beginning, I felt a certain type of way, where I was like trying to do something different. When I realized the social impact that playing a chubby, gay teen of size meant, in that time - to a lot of people who didn’t have somebody they could look at in an iconic way that looks like that - I realized how much I needed that when I was younger, and how different my life would have been. So I don't necessarily do it to be proud of my work, though I am. I don’t do it to bask in that glory. I do it just to remind everyone how fierce and amazing all different kinds of queer people can be. So I'm very honored, where I used to be nervous to play queer characters. Now I am so honored to be able to tell the stories of our people, because they haven't been told in this way before. I do embrace fans, and I do embrace all people that come out and celebrate diversity.

Derek: Earlier we spoke about Looking Season 2 and the Looking: The Movie; how impactful your character was, being an HIV-positive man on television in the only gay show at the time on television, basically. I was wondering, do people still come to you, having just discovered that season of the show, with something to say about it?

Daniel Franzese played Eddie on Looking, a gay series on HBO with a cult following. Eddie, who was HIV-positive, was in a serodiscordant relationship with Agustín, who was HIV-negative.

Daniel: Absolutely, I have heard a lot, especially from serodiscordant couples. When I was on Looking, my character was the first HIV-positive character that was on television in six years. GLAAD told me that, and they also said that since there hadn't been an HIV-positive character on television, there was a rise in new infections. So that just goes to show you how much representation matters. Since then, I have been an ambassador for the Elizabeth Taylor AIDS Foundation; I’ve been to the AIDSWatch each year, and we go to speak to Congress. Even though [Looking] has been over, my role as an activist has just begun, because I will always allow my voice to be a megaphone for people who don’t have as loud or as far of a reach. I believe that there’s a lot of people, especially people smarter than me, that have a lot of messages that need to get out there. If it takes a funny, quirky, Italian, chubby comedian then so be it.

Derek: Final question. Where is your tour going next?

Daniel: I am all over; touring theaters, clubs and colleges around the nation. I have so many colleges. I have a website - WhatsUpDanny.com - with a calendar where, if I'm coming near you, please let me know. If you don’t go to the school and there’s a way I could get you in, I will. I’m appearing this Thursday here at Flappers in Burbank, CA. I keep coming back in, checking in to my Flappers here. This is like my main house club. Also, on July 26, I'll be back at the Laurie Beechman Theatre in New York City.

Daniel Franzese performing at Flappers as part of the Burbank Comedy Festival.

Derek: Awesome! Yeah, I’m so bummed that I didn’t know about your Minneapolis gig, because I would of been there!

Daniel: I’m coming back; I will be back, definitely more Minneapolis dates.

Derek: Well, I’ll definitely be going to that. When you told me that you had just been there, I was like, “what!?” I didn’t know about it.

Daniel: Yeah, I have more coming. I just did NACA, the National Association of Campus Activities, and I did it in Minneapolis. So I’ll definitely be getting a lot of schools from that area.

Derek: Awesome, well thank you so much for your time.

Daniel: Thank you so much, I appreciate you. Anytime. Call me if you ever need anything.