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Elizabeth Hall set out to find all that had been written about the clit past and present. As she soon discovered, the history of the clitoris is no ordinary tale; rather, its history is marked by the act of forgetting. “Marvelously researched and sculpted…. Bulleted points rat-tat-tatting the patriarchy, strobing with pleasure” (Dodie Bellamy). “Freud, terra cotta cunts, hyenas, anatomists, and Acker, mixed with a certain slant of light on a windowsill and a leg thrown open invite us… Bawdy and beautiful” (Wendy C. Ortiz). “Gorgeous little book about a gorgeous little organ….” (Janet Sarbanes). “An orgy of information…. At once sexy and scientifically compelling.” (The Rumpus)

Amy King is the author of the poetry collection, The Missing Museum, co-winner of the 2015 Tarpaulin Sky Book Prize. King also joins the ranks of Ann Patchett, Eleanor Roosevelt & Rachel Carson as the recipient of the 2015 Women’s National Book Association Award. She serves on the executive board of VIDA: Women in Literary Arts and is currently co-editing the anthologies Big Energy Poets of the Anthropocene: When Ecopoets Think Climate Change and Bettering American Poetry 2015.

Co-winner of the 2015 Tarpaulin Sky Book PrizeA Small Press Distribution Poetry Bestseller

"Sometimes the thrill of reading poetry is the sense one minute that you understand the poet so clearly you’re not just seeing through her eyes but, perhaps more importantly, breathing through her lungs. (Lambda Literary) A visceral stunner … and an instruction manual…. King’s archival work testifies to the power—however obscured by the daily noise of our historical moment—of art, of the possibility for artists to legislate the world. (Kenyon Review)

Kim Parko is the author of Cure All (Caketrain Press, 2010) and the novel The Grotesque Child, co-winner of the Tarpaulin Sky Book Prize. She lives with her husband, daughter, and the seen and unseen, in Santa Fe, New Mexico where she is an associate professor at the Institute of American Indian Arts.

The Grotesque Child is a story about being and being and being something else. It is about swallowing and regurgitating, conceiving and birthing. It is about orifices and orbs. It is about the viscous, weepy, goopy, mucousy, bloody state of feminine being and trans-being. It is about pain and various healers and torturers, soothers and inflictors. It is about what sleeps and hides in all the nooks and crannies of perceived existence and existence unperceived.

Dana Green is the author of Sometimes the Air in the Room Goes Missing, co-winner of the Tarpaulin Sky Book Prize. She received her MFA from the University of Massachusetts in Amherst and is currently a PhD candidate at the University of Denver. She lives and writes somewhere outside of Denver with her almost husband and cat.

Sometimes the Air in the Room Goes Missing explores how storytelling changes with each iteration, each explosion, each mutation. Told through multiple versions, these are stories of weapons testing, sheep that can herd themselves into watercolors, and a pregnant woman whose water breaks every day for nine months. “I love Dana Green’s wild mind” (Noy Holland). “A tour de force of deeply destabilizing investigation into language and self” (Laird Hunt). “Dana Green’s bracing debut .. reminds us every ordinary moment, every ordinary sentence, is an impending emergency” (Lance Olsen).

"101 pages of miniature texts that keep tapping the nails in, over and over, while speaking as clearly and directly as you could ask…. Zero indulgence, all formative. Bone Thugs, underage drinking, alienation, death, love, Bob Ross, dreams of blood: This thin thing is flooded with power." (Blake Butler, VICE) "This book needs to be read." (Laird Hunt) "A remarkable piece of work. Rarely does one encounter a book so evocative of place and so bracing in its ability to transform the quotidian into revelation." (Kevin Powers) "I feel grateful to be alive during the time in which he writes books (Selah Saterstrom).

A novel set in a decaying town in southern West Virginia, Potted Meat follows a young boy into adolescence as he struggles with abusive parents, poverty, alcohol addiction, and racial tensions. Using fragments as a narrative mode to highlight the terror of ellipses, Potted Meat explores the fear, power, and vulnerability of storytelling. “Steven Dunn’s Potted Meat is full of wonder and silence and beauty and strangeness and ugliness and sadness and truth and hope.... This book needs to be read” (LAIRD HUNT). “An extraordinary book. Here is an emerging voice that calls us to attention.... Like a visceral intervention across the surface of language, simultaneously cutting to its depths, to change the world” (SELAH SATERSTROM).