Tag: studio

I remember when I was just a little Emily, maybe 10 years old. I looked up the meaning of my name in a book, filled with definitions of flowers, oceans and honey bees. And then I found it. Emily! Completely deflated in that moment, as I read the word ‘industrious’. What the actual f@*k?! Who names their baby after a factory? Mum. And Dad.

It took years to process this information. And I questioned their brick and smoke stack decision for many years. Until now. Now I’m ready. Ready for industry. Ready to be industrious.

Today was a great day, blissed out on ink fumes, while being absolutely Emily. Industrious.

Didn’t get any washing done. Let the chickens free range instead of feeding them. Didn’t mop the floor. And most definitely did not qualify for a 10,000 step kind of day. Did I mention my pyjamas? They stayed on way longer than they should’ve too.

I had made a few mid week carves and come up with two Lino cuts and was pretty keen to see how they turned out.

This one was first. And surprise… it’s me. It is. Morning functioning is not my thing. Unless, coffee. I’m lucky to have a partner who knows this, and delivers one every morning to the cranky, bleary eyed monster that I am in the a.m.
The next one – a little more depth involved. I have been drawing up a storm over the last month. Filling pages with parts of me, once upon a time.

In this one I was remembering, the absolute agony of the loss of a great love. Remembering the feeling of cushioned lips pressed on a warm forehead. The forehead kiss gives the gift of many things; calm, comfort, patience, respect, adoration, preciousness and love that seems truthful and unconditional.

Heavy and light hearted – one balancing out the other.

A Sunday session ensued, slowly reclaiming my studio from being a Winter snuggle space to a Spring hang – taking the tape down in one long strip that had lived firmly for 6 months between the joins of the doors to keep the chilly drafts of minus degree months out.

With these two cuts in tow, I inked up and waited for the ultimate treasure to reveal itself. Printing is like opening birthday presents, taking a blindfold off after whacking the belly out of a piñata. The uncertainty and following reveal is a bit of a high that I don’t usually experience on a Sunday morning. Noted….aaaaand happening again soon, make no mistake.

Found me some Mansionair and rolled like the dickens to reveal these treasures. I pegged them up to dry and drew up my next batch.

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Here I am, getting back into it all again; inspiration to create images of the gloriously mundane is no challenge for me.

My latest offering –

‘The greatest view’ 2016, Emily J Hogan.

Reclaimed marine ply, glass, beads, mirror & gouache.
I imagine I find the simplicity of these images satisfying due to my ease of moving in and out of a fairly meditative state, on a daily basis. I need white space, and if I am in a position of being in the midst of chaos, which is a realistic summary of my work days – the switch goes off. Emily is officially off the grid.

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With lots of painting yet to do, this colour moves between black, navy and grey. It’s a bit sexy, really.

The days are windy, freezing and not able to entice many people in my household to go outside. However, I managed to find one keen helper to help slap on black paint. She told me of her tales of woe – being in 6th grade is tricky it seems. It’s easier to listen to first world little girl problems with a paintbrush in your hand, this is a certainty. She eventually left to pursue her brother on the trampoline, it was nice to have her help – and it was nice to talk. The little people here are rapidly approaching the age where less time is spent in the yard, less questioning of every little thing, less time playing, less time laughing.

The moment was saved when my 8 year old had indeed tied himself up with rope, (the thinking was, he would get a more effective jump if every appendage was joined to the other), he needed help to escape from his self induced roping situation.