"It’s amazing: How could we lose Biggie, Pac, Dilla, Steve Jobs, Michael Jackson? It almost feels like the devil’s winning. We gotta make music and we think, 'If Dilla was alive, would he like this?' I have to work on behalf of Dilla. When I put a weird-ass Jamaican sample, it works at first but it’s not until I put the [makes discordant musical noise] that it sounds like art or sounds slightly wrong. And now it’ll go to the radio now that it’s wrong, motherfucker. Now play this. Play this five-minute song that completely fucks up your programming. Play this. It's best respect that we can pay to great artists that have inspired us so much is to never fuckin'...never sell out."

And at the 21:44 mark, he talks about working with Madlib. He ends by saying, "Matter of fact, now that you brought this up, we've gotta get some more Madlib beats for the next projects."