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Kiss Kiss Kill Kill

Their third release finds the band perfectly poised between the raw punk energy of their 2004 debut, Hell Yeah, and the brash, singalong pop of 2006's Bring It On. While never dropping their trademark sexy, horror flick flair, Kiss Kiss Kill Kill brings back the rawness and immediacy that's made them the premier touring band in the scene. They just finished two tours with the Dropkick Murphys and a tour with Danzig, have shared the stage with the likes of Rancid and The Offspring, and have been on several Warped Tour runs. RIYL: Nekromantix, Rev. Horton Heat, Siouxsie And The Banshees, X, Stray Cats, surf, punk, ska, and good ol' rock 'n' roll.

The Top

The Top is the fifth studio album by English band The Cure, originally released on April 30th, 1984 by Fiction Records, on Polydor. After recording a psychedelic album Blue Sunshine for the one-off project The Glove during the summer 1983, Robert Smith finished off the year composing and working on two other studio albums at the same time: The Top for the Cure and Hyæna for Siouxsie and the Banshees. Smith was still the official guitarist of Siouxsie and the Banshees while he wrote The Top. The album was eclectic and saw Smith using all kinds of instruments, including violin and flute. Bird Mad Girl is in a Spanish style while The Wailing Wall contains Middle-Eastern undertones.

For The Top, Smith teamed up with another Cure founding member Lol Tolhurst who had given up drums for keyboards, and new member drummer Andy Anderson who had previously performed on the UK top 10 single The Lovecats. Porl Thompson was credited for playing saxophone on Give Me It. All the songs are credited by Smith bar three tracks co-written with Tolhurst, The Caterpillar, Bird Mad Girl and Piggy in the Mirror.

20th Century Women (Music From The Motion Picture)

Director Mike Mills first made his mark on the silver screen with the Academy Award-winning film Beginners, but his back catalog is also filled with a number of music videos, including those for songs by Everything But The Girl ("Temperamental"), Moby ("Run On"), Air ("All I Need"), Mansun ("Legacy"), Pulp ("Party Hard"), and Air ("Sexy Boy"). His appreciation of music also extends to the soundtracks of his films, and with 20TH CENTURY WOMEN, his latest cinematic endeavor, he's managed to put together one of the most musically diverse compilations in recent memory.

This is not praise derived from a desire to play up new product. This is simply the reality of the situation. How else to describe a compilation which sandwiches "Basin Street Blues," by Louis Armstrong & His Hot Five between tracks by Talking Heads and The Raincoats? We're talking about a musical landscape which finds Fred Astaire, Benny Goodman, and Rudy Vallee rubbing elbows with Siouxsie and the Banshees, Devo, and the Buzzcocks. It shouldn't work, and yet somehow it does.

Too Old Too Cold (Out of Stock)

Darkthrone originally formed in the late 80's as a thrash/death metal act & progressed through a period technical death and doom metal experimentation to become legends of the black metal world & one of the leading bands of the Norwegian scene.

The 'Too Old Too Cold' EP had its original release at the dawn of 2006 and acted as a precursor to the band's triumphant Peaceville comeback album, the revelatory black and roll release, 'The Cult is Alive'. As a showcase for this sleek new incarnation of Darkthrone, and with the band firmly back in control of their sound courtesy of their new Necrohell 2 Studio set-up, 'Too Old Too Cold' showed that the band was here to stay, and lead the way. Commenting back then, Fenriz defined the shift in style as "probably something like MOTORHEAD meeting HELLHAMMER on a CRUST PUNK/ NECROTHRASH gig in '85".

Featuring one of the undeniable highlights of 'The Cult is Alive', the catchy and soaring 'Too Old Too Cold' with its razor-sharp riffs begins proceedings here, followed by the exclusive track 'High on Cold War', featuring a guest appearance by Enslaved's Grutle Kjellson on vocals. Also featured is an alternate rendition of 'Graveyard Slut' plus an unexpected yet perfectly suited cover version of Siouxsie and the Banshees' 'Love in a Void'. This edition includes the bonus track 'Bad Attitude', originally by US punk rockers, Testors.

1. Too Old Too Cold2. High On Cold War 3. Love In A Void 4. Graveyard Slut 5. Bad Attitude

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