Recorded from the stage in São Paulo, Brazil, on 18/06/2016 at Associação Cutural Cecília, during the festival Dia da Música, by Cesar using a portastudio Zoom R16 (tracks 1 - 8) and on 20/07/2016 at Hotel Bar, during the event Silver Tape, by Angela Brava (tracks 9, 10 and 11).

Cover photo by Mariana.

Cesar and Mariana improvise freely on these sessions, exploring the sounds of a casiotone keyboard with a handful of guitar effect pedals and other synths (either industrially manufactured and handmade), the melodica and accordion being processed and sampled at the same time they are played; via effects and tone manipulation (dealing with timbre/frequency-pitch/amplitude-loudeness/duration in order to vary sound perception); using live programming with minimal beats (sometimes in distinct measures), analog synthesis, modulation with square, triangular and saw tooth waves, granular synthesis, use of ribbon keyboard for bass lines, feedback, low-frequency oscillation, white noise, emulation of phase-locked loop and a little box that makes noises by photocells. The loops are built in conjunction with filters and effects, often in cascade. Also, they heavily use field recordings, recorded on various situations in various places using a cellphone.

Despite the lack of any plans to resume the activities for A Espiral de Bukowski in 2017, the three last recordings of 2016 remained and were converted into two albums.

The first is the album Naive philosophysics recursion, which was released by the DIY label O Bosque/Woodland recordings on the 13th february 2017 and is the recording of two performances by A Espiral de Bukowski in São Paulo, Brazil on the 18th june and the 20th july 2016.

It is their first album in 2017, after the exchange program via University of São Paulo that took Cesar to study in Italy and it will be followed by what must be their last album ever, to be released probably on the 16th march.