DID YOU READ

When “The Dark Knight Rises” hits theaters next year, it will present the final chapter in Christopher Nolan’s record-breaking Batman trilogy that relaunched, redefined, and reinvigorated DC’s iconic superhero. And while there’s been no shortage of reboots on the big and small screens lately, few have been as successful as the “Inception” filmmaker’s take on Gotham’s favorite vigilante — especially when you consider the franchise’s status prior to Nolan’s arrival.

After finding success in 1995’s “Batman Forever,” which pitted the hero (played by Val Kilmer) against Riddler (Jim Carrey) and Two-Face (Tommy Lee Jones), director Joel Schumacher was convinced to return for a sequel. The resulting film, 1997’s critically panned “Batman & Robin,” was such an overwhelming disappointment that it became known as the film that “killed” the Batman franchise.

Thankfully, Nolan came along in 2005 with “Batman Begins” — a film that not only exorcised the character’s big-screen demons, but earned him praise from filmmakers throughout the industry for his inventive re-imagining of the shadowy crusader. One of those filmmakers happy to give credit where it’s due is Schumacher himself.

“Chris Nolan is one of my favorite directors,” Schumacher told IFC while discussing his upcoming film “Trespass,” starring Nicolas Cage. “Years ago I was doing press in Paris, and I was with Eli Richbourg. We were looking for a movie that wasn’t in French . . . and we saw this British film called ‘Following.’ It’s in black and white and it’s Chris Nolan’s first film, and . . . I just thought it was the work of a brilliant young director. So I always had him in the back of my mind, thinking, ‘We’re going to hear from this guy, big time.’ Then I saw ‘Memento’ and the promise was fulfilled very fast.”

“I think Chris Nolan is brilliant and I think Heath [Ledger] was extraordinary [in ‘The Dark Knight.’],” he added. “Chris is a master and he’s so young, and god knows what’s coming from him now.”

And from the sound of things, Schumacher is just as interested as the rest of us in seeing what Nolan has planned for “The Dark Knight Rises.”

“I always look forward to what he’s going to do next,” he said. “Unlike some of my peers in the business, I am inspired by films I love, not jealous of them. When I see a film that disappoints — and I’m sure I’ve made some of them — that kind of depresses me. I don’t go to the theater to dislike a movie, and I don’t think the audience does either.”

“Actually, it’s critics that go to a movie to dislike it,” he laughed. “They don’t go as fans.”

And while he’s had to take some flak over the years for “Batman & Robin,” his first Batman film still holds a place in his heart.

As he sees it, every director who’s had a chance to get behind the camera for a Batman movie has created a version of the character that is quintessentially their own — whether it’s Nolan’s Batman, his Batman, or the version presented by their predecessor, Tim Burton.

Whips, Chains and Hand Sanitizer

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

DVDs are the new Vinyl

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

Forget Public Wifi

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.