Felicia Elliott is a high school English teacher living in Northwest Indiana. She graduated from Purdue University-Calumet, earning a BA in History and an MA in English, where she made an effort to write about film in as many essays as possible. She saw Gone With the Wind on TV when she was a kid, and a love of classic films grew from there.

At the time of this writing, I have seen four of the nine films nominated for a Best Picture Oscar and I’m ready to say with confidence that Get Out is the most clever of the bunch.

Get Out is a modernized, genre-bending Guess Who’s Coming to Dinner written and directed by Jordan Peele. Chris [Daniel Kaluuya] is nervous about visiting his white girlfriend’s family, especially when Rose [Allison Williams] tells him that she has not told her family that he is black. She assures him that he has nothing to worry about, but, of course, it’s not true. Just not in the way a viewer might initially think.

Peele cleverly uses the horror genre to demonstrate what it’s like to be a black American in a so-called “post-racial” country, where it is no longer socially acceptable to be racist and where white Americans use their support for Obama as a shield against accusations of racism. That it’s not socially acceptable does not mean that racism has disappeared, it just means it has gone underground and is exhibited in a way that is often more sinister and insidious. What looks like a progressive attitude is actually fetishization and, in this case, is taken to its horrifying conclusion.

I don’t want to spoil the end for anyone who hasn’t seen it yet. When the movie was released last year, I saw the movie spoiled for someone and it wasn’t pretty. So I won’t do it. But if you’re looking for a recommendation then my recommendation is to see it.

Get Out is nominated for three more awards in addition to Best Picture: Best Director and Best Original Screenplay for Peele, and best Lead Actor for Daniel Kaluuya. I highly doubt that Get Out will win the Best Picture statue. In fact, it probably won’t win anything, just like it didn’t win anything at the Golden Globes but I would love to see Peele get the prize for either writing or directing. The story is intricate without seeming so, and the tension is masterfully built to the film’s climax.

What to make: The scene in which Rose is eating Froot Loops and drinking milk from a straw is representative of the film in that it’s comedy mingled with horror. You could make Rice Krispies Treats but replacing the Rice Krispies with Froot Loops.

Or, if you want to be clever and spoiler-y, go with chocolate cake filled with white cream. Or, fuck it, how about Oreos?