1.
Guo Xi
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Guo Xi Chinese landscape painter from Henan Province who lived during the Northern Song dynasty. One text entitled The Lofty Message of Forest and Streams is attributed to him, the work covers a variety of themes centered on the appropriate way of painting a landscape. He was a professional, a literatus, well-educated painter who developed an incredibly detailed system of idiomatic brushstrokes which became important for later painters. One of his most famous works is Early Spring, dated 1072, the work demonstrates his innovative techniques for producing multiple perspectives which he called the angle of totality. The following is an excerpt from his treatise, mountains and waters, The clouds, in spring they are light and diffused, in summer rich and dense, in autumn scattered and thin, in winter dark and solitary. When such effects can be seen in pictures, the clouds, the mist around the mountains is not the same at the four seasons. Guo Xi was often referred to as a “Northern Song master” when it came to painting and his work inspired many later artists and he even had landscapes dedicated to him. His lesser-known “Deep Valley” scroll painting depicts a mountain valley covered with snow. The ink washes and amorphous brush strokes are employed to model surfaces that suggest the effects of the atmosphere. One of Guo Xi’s techniques was to layer ink washes to build up forms and his “Deep Valley” is a masterpiece of the use of light ink and magnificent composition. His son later described how Guo Xi approached his work, “On days when he was going to paint, he would seat himself at a table, by a bright window, burning incense to right. He would choose the finest brushes, the most equisite ink, wash his hands and he waited till his mind was calm and undisturbed, and then began. ”Culture of the Song Dynasty Chinese painting Chinese art History of Chinese art Barnhart, R. M. et al. Three thousand years of Chinese painting, ISBN 0-300-07013-6 Ci hai bian ji wei yuan hui,1979

2.
Landscape painting
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In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition, detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going well over a thousand years in both cases. Landscape views in art may be imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However the cognate term landscaef or landskipe for a patch of land had existed in Old English. The earliest pure landscapes with no figures are frescos from Minoan Greece of around 1500 BCE. The frescos from the Tomb of Nebamun, now in the British Museum, are a famous example. These were frequently used, as in the illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty, aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. They were often also poets whose lines and images illustrated each other, a revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of a background of trees in the Palace of the Popes. Several frescos of gardens have survived from Roman houses like the Villa of Livia, a particular advance is shown in the less well-known Turin-Milan Hours, now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. Landscape backgrounds for various types of painting became prominent and skilful during the 15th century. The Italian development of a system of graphical perspective was now known all over Europe. Indeed, certain styles were so popular that they became formulas that could be copied again and again, after the publication of the Small Landscapes, landscape artists in the Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of landscape scenes can be seen in the success of the painter Frans Post. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, there are different styles and periods, and subgenres of marine and animal painting, as well as a distinct style of Italianate landscape

3.
Song dynasty
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The Song dynasty was an era of Chinese history that began in 960 and continued until 1279. It succeeded the Five Dynasties and Ten Kingdoms period, coincided with the Liao and Western Xia dynasties and it was the first government in world history to issue banknotes or true paper money nationally and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as the first discernment of true north using a compass, the Song dynasty is divided into two distinct periods, Northern and Southern. During the Northern Song, the Song capital was in the city of Bianjing. The Southern Song refers to the period after the Song lost control of its half to the Jurchen Jin dynasty in the Jin–Song Wars. During this time, the Song court retreated south of the Yangtze, the Southern Song dynasty considerably bolstered its naval strength to defend its waters and land borders and to conduct maritime missions abroad. To repel the Jin, and later the Mongols, the Song developed revolutionary new military technology augmented by the use of gunpowder, in 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire and his younger brother Kublai Khan was proclaimed the new Great Khan, though his claim was only partially recognized by the Mongols in the west. In 1271, Kublai Khan was proclaimed the Emperor of China, after two decades of sporadic warfare, Kublai Khans armies conquered the Song dynasty in 1279. The Mongol invasion led to a reunification under the Yuan dynasty, the population of China doubled in size during the 10th and 11th centuries. The Northern Song census recorded a population of roughly 50 million, much like the Han and this data is found in the Standard Histories. However, it is estimated that the Northern Song had a population of some 100 million people and this dramatic increase of population fomented an economic revolution in pre-modern China. The expansion of the population, growth of cities, and the emergence of a national economy led to the withdrawal of the central government from direct involvement in economic affairs. The lower gentry assumed a role in grassroots administration and local affairs. Appointed officials in county and provincial centers relied upon the gentry for their services, sponsorship. Social life during the Song was vibrant, citizens gathered to view and trade precious artworks, the populace intermingled at public festivals and private clubs, and cities had lively entertainment quarters. The spread of literature and knowledge was enhanced by the expansion of woodblock printing. Technology, science, philosophy, mathematics, and engineering flourished over the course of the Song, although the institution of the civil service examinations had existed since the Sui dynasty, it became much more prominent in the Song period

4.
Japanese people
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Japanese people are an ethnic group native to Japan. Japanese people make up 98. 5% of the population of their country. Worldwide, approximately 129 million people are of Japanese descent, of these, people of Japanese ancestry who live in other countries are referred to as the Japanese diaspora. The term ethnic Japanese may also be used in some contexts to refer to ethnic groups, including the Yamato, Ainu. The Japanese language is a Japonic language that in the past was treated as a language isolate, the Japanese language has a tripartite writing system using Hiragana, Katakana, and Kanji. Domestic Japanese people use primarily Japanese for daily interaction, the adult literacy rate in Japan exceeds 99%. Japanese religion has traditionally been syncretic in nature, combining elements of Buddhism, Shinto, a polytheistic religion with no book of religious canon, is Japans native religion. Mahayana Buddhism came to Japan in the century and evolved into many different sects. Today, the largest form of Buddhism among Japanese people is the Jōdo Shinshū sect founded by Shinran, most Japanese people profess to believe in both Shinto and Buddhism. Japanese peoples religion functions mostly as a foundation for mythology, traditions, Christianity in Japan is among the nations minority religions. Just under 2%, or about 2.5 million, of Japans population are Christians, many Japanese practice Christianity in the diaspora in Brazil, which is home to the largest Japanese population outside Japan. About 60% of Japanese Brazilians are Roman Catholics, while 90% of Japanese Mexicans are Roman Catholic, certain genres of writing originated in and are often associated with Japanese society. These include the haiku, tanka, and I Novel, although modern writers generally avoid these writing styles, historically, many works have sought to capture or codify traditional Japanese cultural values and aesthetics. Twentieth-century Japanese writers recorded changes in Japanese society through their works, some of the most notable authors included Natsume Sōseki, Junichirō Tanizaki, Osamu Dazai, Yasunari Kawabata, Fumiko Enchi, Yukio Mishima, and Ryōtarō Shiba. In contemporary Japan, popular authors such as Ryū Murakami, Haruki Murakami, decorative arts in Japan date back to prehistoric times. Jōmon pottery includes examples with elaborate ornamentation, in the Yayoi period, artisans produced mirrors, spears, and ceremonial bells known as dōtaku. Later burial mounds, or kofun, preserve characteristic clay haniwa, beginning in the Nara period, painting, calligraphy, and sculpture flourished under strong Confucian and Buddhist influences from China. Among the architectural achievements of this period are the Hōryū-ji and the Yakushi-ji, after the cessation of official relations with the Tang dynasty in the ninth century, Japanese art and architecture gradually became less influenced by China

5.
Calligraphy
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Calligraphy is a visual art related to writing. It is the design and execution of lettering with a broad tip instrument, brush, a contemporary calligraphic practice can be defined as, the art of giving form to signs in an expressive, harmonious, and skillful manner. Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable, classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may practice both. It is also used for props and moving images for film and television, testimonials, birth and death certificates, maps, the principal tools for a calligrapher are the pen and the brush. Calligraphy pens write with nibs that may be flat, round, for some decorative purposes, multi-nibbed pens—steel brushes—can be used. However, works have also created with felt-tip and ballpoint pens. There are some styles of calligraphy, like Gothic script, which require a stub nib pen, Writing ink is usually water-based and is much less viscous than the oil-based inks used in printing. Normally, light boxes and templates are used to achieve straight lines without pencil markings detracting from the work, ruled paper, either for a light box or direct use, is most often ruled every quarter or half inch, although inch spaces are occasionally used. This is the case with litterea unciales, and college-ruled paper often acts as a guideline well, common calligraphy pens and brushes are, Quill Dip pen Ink brush Qalam Fountain pen Western calligraphy is recognizable by the use of the Latin script. The Latin alphabet appeared about 600 BC, in Rome, and by the first century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, in the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was more suitable for copying the Bible. It was the monasteries which preserved calligraphic traditions during the fourth and fifth centuries, at the height of the Empire, its power reached as far as Great Britain, when the empire fell, its literary influence remained. The Semi-uncial generated the Irish Semi-uncial, the small Anglo-Saxon, each region developed its own standards following the main monastery of the region, which are mostly cursive and hardly readable. Christian churches promoted the development of writing through the copying of the Bible, particularly the New Testament. Two distinct styles of writing known as uncial and half-uncial developed from a variety of Roman bookhands, the 7th-9th centuries in northern Europe were the heyday of Celtic illuminated manuscripts, such as the Book of Durrow, Lindisfarne Gospels and the Book of Kells. Charlemagnes devotion to improved scholarship resulted in the recruiting of a crowd of scribes, according to Alcuin, Alcuin developed the style known as the Caroline or Carolingian minuscule. The first manuscript in hand was the Godescalc Evangelistary — a Gospel book written by the scribe Godescalc. Carolingian remains the one hand from which modern booktype descends

6.
Heian period
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The Heian period is the last division of classical Japanese history, running from 794 to 1185. The period is named after the city of Heian-kyō, or modern Kyōto. It is the period in Japanese history when Buddhism, Taoism, the Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Although the Imperial House of Japan had power on the surface, the power was in the hands of the Fujiwara clan. Many emperors actually had mothers from the Fujiwara family, the Heian period was preceded by the Nara period and began in 794 A. D. after the movement of the capital of Japan to Heian-kyō, by the 50th emperor, Emperor Kanmu. Kanmu first tried to move the capital to Nagaoka-kyō, but a series of disasters befell the city, prompting the emperor to relocate the capital a second time, a rebellion occurred in China in the last years of the 9th century, making the political situation unstable. The Japanese missions to Tang China was suspended and the influx of Chinese exports halted, therefore the Heian Period is considered a high point in Japanese culture that later generations have always admired. The period is noted for the rise of the samurai class. Nominally, sovereignty lay in the emperor but in power was wielded by the Fujiwara nobility. However, to protect their interests in the provinces, the Fujiwara and other noble families required guards, police, the warrior class made steady political gains throughout the Heian period. Still, a military takeover of the Japanese government was centuries away. The entry of the class into court influence was a result of the Hōgen Rebellion. At this time Taira no Kiyomori revived the Fujiwara practices by placing his grandson on the throne to rule Japan by regency and their clan, the Taira, would not be overthrown until after the Genpei War, which marked the start of the shogunate. The Kamakura period began in 1185 when Minamoto no Yoritomo seized power from the emperors, Nara was abandoned after only 70 years in part due to the ascendancy of Dōkyō and the encroaching secular power of the Buddhist institutions there. Kyōto had good access to the sea and could be reached by land routes from the eastern provinces. The early Heian period continued Nara culture, the Heian capital was patterned on the Chinese Tang capital at Changan, as was Nara, Kanmu endeavoured to improve the Tang-style administrative system which was in use. Known as the ritsuryō, this attempted to recreate the Tang imperium in Japan. Despite the decline of the Taika–Taihō reforms, imperial government was vigorous during the early Heian period, Kanmus avoidance of drastic reform decreased the intensity of political struggles, and he became recognized as one of Japans most forceful emperors

7.
Ibn al-Bawwab
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Ibn al-Bawwāb was a Persian calligrapher and illuminator who lived during the time of the Buyid dynasty. He most likely died around 1022 AD in Baghdad, Ibn al-Bawwāb was from a poor family. The name he is known by means literally “son of the doorkeeper. ”Nevertheless, Ibn al-Bawwāb’s interest in calligraphy was inspired by students of Ibn Muqlah. Altogether, Ibn al-Bawwāb reputedly produced 64 copies of the Qurʾān by hand, one of the most beautiful in the rayḥānī script is in the Laleli Mosque in Istanbul, and another is in the Chester Beatty Library in Dublin, Ireland. A gift of the Ottoman Sultan Selim I, Ibn al-Bawwāb was recognized as a master in his own time, his school of calligraphy lasted until Baghdad fell to the Mongols more than two centuries after his death. One of his largest achievements was the perfection of the al-Khatt al-Mansub style of Islamic calligraphy and he also contributed to the development of many of the early cursive scripts including rayḥānī, naskh, tawqīʿ and muhaqqaq

8.
Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles