Tag Archives: CFP

Globalising and Localising the Great War is a project based at the University of Oxford which aims to bring together scholars who are working on the War from a variety of different perspectives. Its fundamental objective is to ensure that the commemoration of the War produces ground-breaking new research and fresh insights that challenge, rather than confirm, our often clichéd perspectives on an event that shaped – and continues to shape – our world. It is fundamentally interdisciplinary in its methodology and aims to encourage scholars from different fields and backgrounds to broaden their approaches to writing histories of the First World War.

Within this context we invite submissions on a broad range of topics and backgrounds with the aim of providing a conference that is similarly broad and interdisciplinary in its scope and content. All papers relevant to the First World War are welcomed, but we would encourage applications in particular which focus on the following approaches:

global/transnational

cultural

military

political/legal

social

economic

Papers should be designed to be approximately 20 minutes in length. We particularly invite submissions from postgraduate students and early career researchers.

To apply, please send a 200 word abstract with your approach in the subject line to glgw.gradconference@history.ox.ac.uk by Friday 30th January 2015.

Twentieth Anniversary Conference of the Group for War and Culture Studies: The Past, the Present and the Future of War and Culture Studies, University of Westminster, 309 Regent Street, London W1, 25th and 26th June 2015

Established in 1995, the Group for War and Culture Studies (GWACS) celebrates its twentieth anniversary with a conference to take stock of the development of war and culture studies over the last two decades, to review what has been achieved and to set the research agenda for the short and long term future of the field.

The work of scholars associated with the GWACS is recognised as having played a leading role in developing new approaches to analysing the relationship between war and culture during conflict and its aftermath. War is no longer considered solely a military and political phenomenon but one, which to be understood fully, must be viewed through social and cultural perspectives as well. Research on war is now undertaken across an extremely diverse range of disciplines: cultural history, modern languages, sociology, media studies, literary studies, art history, fine art, cultural studies, memory studies, gender studies, as well in the more traditional fields of military and political history. At the same time the primary material of war studies has expanded: film, television, photography, song, theatre, poetry and other forms of literature, letters, postcards, diaries, autobiographies and memoirs, posters, landscapes, architecture… and more. These approaches have changed the methodologies of war studies and this diversity has shown that the impact of war on individuals, groups, and nations is perhaps most fully understood only through the adoption of a ‘cumulative’ history. The accumulation of disparate and often competing interpretations and responses to war is necessary to this understanding which will be most productively enhanced when we further narrow the gaps between the military, technical, political, social, historical and cultural study of war. We still need to develop more adequate cross-disciplinary frameworks within which to analyse the extremely complicated phenomenon that is war, hence the need to look backwards and forwards in order to set the future research agenda.

Proposals are welcomed across the full range of research interests within the remit of the Group for War and Culture Studies and the Journal of War and Culture Studies:

the relationship between war and culture during conflict and its aftermath;

the forms and practices of cultural transmission in time of war;

the impact of war on cultural production, cultural identity and international cultural relations;

the comparative, cross-cultural representation of the experiences of war and conflict in cultural productions;

Historical scope: wars and conflicts in the modern and contemporary periods (understood as the European modern era, late 18th century to the present day);

Geographical scope: wars and conflicts across world geographical and cultural areas.

Proposals of 350-500 words must be situated clearly within this remit and, beyond the particular object of analysis, must demonstrate a further reflection on the contribution of the analysis and the approach adopted to the continuing development of the broader context of war and culture studies.

Please note that as a major aim of the conference is to set the future research agenda, papers which do not extend their analysis in this way cannot be selected.

Selected papers, subject to the usual journal peer review processes, will be published in two special issues of the Journal of War and Culture Studies in 2016.

Deadline for receipt of proposals to the Organising Committee: 31st January 2015

“There came a darkness”: Africa, Africans and World War I, The British Library, 17 July 2015

CALL FOR PAPERS

The first shot fired for Britain in the First World War was from the rifle of an African soldier in West Africa. The last German troops to surrender did so on African soil, in today’s Zambia. In between African soldiers and civilians paid a heavy price in blood and lives and their societies and outlook were changed for ever. Recent scholarship, reflected in the commemorations and publications for the centenary of the outbreak of the war recognise that Africa was much more than a sideshow in a truly global conflict.

This conference will consider the role of scholars, libraries, archives and information sources in documenting and interpreting the African experience of World War I.

Topics may include, but are not limited to:

Campaigns in Africa

African soldiers on the Western Front

The impact of World War I on African Societies

Memory and Memorials

Literature, Images and Ephemera

Researchers, archivists and librarians are invited to submit abstracts for consideration for this conference.

Abstracts of up to 500 words may be sent to Terry Barringer at tabarringe@aol.com by 31 January 2015.