Maura Nolan

I work on late medieval English literature, with a special focus on the fourteenth and fifteenth centuries, and the vexed relationship between the “medieval” and the “Renaissance.” I am especially interested in defining and articulating the role of the aesthetic in late medieval vernacular literature, particularly in relation to variable cultural understandings of sensation and cognition. I am currently working on two projects. The first focuses on the place of contingency and sensation in the work of John Gower, while the second addresses notions of the beautiful and the sublime in medieval literature as they relate to an emerging notion of literary style.

Maura Nolan received her A.B. from Dartmouth College and her M.A. and Ph.D. from Duke University. Before coming to Berkeley in 2005, she taught at the University of Notre Dame.

John Lydgate and the Making of Public Culture
During the fifteenth century John Lydgate was the most famous poet in England, filling commissions for the court, the aristocracy, and the guilds. He wrote for an elite London readership that was historically very small, but that saw itself as dominating the cultural life of the nation. Thus the new literary forms and modes developed by Lydgate and his contemporaries helped shape the developmen....

“Agency and the Poetics of Sensation in Gower’s Mirour de l’Omme.” In Answerable Style: the Idea of the Literary in Medieval England. Ed. Andy Galloway and Frank Grady. Columbus, OH: Ohio State University Press, 2013. 214-243.