When childhood dies, its corpses are called adults and they enter society, one of the politer names of hell. That is why we dread children, even if we love them. They show us the state of our decay. ~ Brian Aldiss (born 18 August 1925)

What we say is the truth is what everybody accepts … Psychiatry: it's the latest religion. We decide what's right and wrong. We decide who's crazy or not. I'm in trouble here. I'm losing my faith. ~ Madeleine Stowe as "Dr. Kathryn Railly" in Twelve Monkeys (born 18 August 1958)

Tho' the world could turn from you,
This, at least, I learn from you:
Beauty and Truth, tho' never found, are worthy to be sought,
The singer, upward-springing,
Is grander than his singing,
And tranquil self-sufficing joy illumes the dark of thought.
~ Robert Williams Buchanan ~

I ask no more from mortals
Than your beautiful face implies,—
The beauty the artist beholding
Interprets and sanctifies.
Who says that men have fallen,
That life is wretched and rough?
I say, the world is lovely,
And that loveliness is enough.
~ Robert Williams Buchanan ~

Life was a pleasure; he looked back at its moments, many of them as shrouded in mist as the opposite bank of the Thames. Objectively, many of them held only misery, fear, confusion; but afterward, and even at the time, he had known an exhilaration stronger than the misery, fear, or confusion. A fragment of belief came to him from another epoch: Cogito ergo sum. For him that had not been true; his truth had been: Sentio ergo sum. I feel, so I exist. He enjoyed this fearful, miserable, confused life, and not only because it made more sense than nonlife. He could never explain that to anyone.

2 Kalki 08:13, 17 August 2008 (UTC) but would extend this slightly to read:

Even on the white English crags
A few strong spirits, in a race that binds
Its body in chains and calls them Liberty,
And calls each fresh link Progress, stood erect
With faces pale that hunger'd to the light.

Cassandra in Greek legend, you recall, was condemned to know the future but to be disbelieved when she foretold it. Hence the agony of foreknowledge combined with the impotence to do anything about it.. ~ Madeleine Stowe as "Dr. Kathryn Railly" in Twelve Monkeys

Perhaps the first fire, the first tool, the first wheel, the first carving in a limestone cave, had each possessed a symbolic rather than a practical value, had each been pressed to serve distortion rather than reality. It was a sort of madness that had driven man from his humble sites on the edges of the woods into towns and cities, into arts and wars, into religious crusades, into martyrdom and prostitution, into dyspepsia and fasting, into love and hatred, into this present cul-de-sac; it had all come about in pursuit of symbols. In the beginning was the symbol, and darkness was over the face of the Earth.