The ethereal Waheeda Rehman missed the opportunity to meet her co-star Dev Anand one last time, but fondly remembers him as a good producer. She, however, feels in recent times he got too involved with himself

“Without meaning any disrespect to him, I’d like to say that as the years went by Dev’s script sense went more and more haywire. I think he got too involved with himself. Dev was a very good producer. But he needed to look out for better scripts,” said Waheeda.

When told her that she was Dev Anand’s favourite actor, she laughed and said, “That was nice of him. We did share a very easy and warm working relationship. When he turned director with Prem Pujari, I was in the film, of course.”

She almost didn’t do her most iconic film Guide, but thanks to Dev Anand’s persuasiveness, she became part of the film that she is proud of. Reminiscing about ‘Dev’ from Bangalore, Waheeda said, ” Guide is not just my most iconic film. It is also Dev’s most celebrated work. Yes, you can act as shocked as you like. But the fact is I almost didn’t do Guide.” “In the start, director Raj Khosla was to direct the film. Raj Khosla and I had a difference of opinion during an earlier film. I never worked with him after that. And I wasn’t willing to change that for Guide or any other film. But you know how persuasive Dev was. He called up and said,’Come on, Waheeda. Let bygone be bygones. Everyone makes mistakes.’ But I refused to budge. I asked Dev why his brother Goldie (Vijay Anand) wasn’t directing. But Goldie was busy with Tere Ghar Ke Samne.” “Eventually, Raj Khosla was replaced by Chetan Anand. But he didn’t want me! I laughed. One director I didn’t want and the other director didn’t want me. I think Chetan saab wanted Priya Rajvanshji. But Dev was adamant. They needed a dancer. And Priyaji couldn’t dance. Eventually, Goldie directed Guide. That’s how I got Guide. The rest, you know. It’s a film I’m very proud of.”

Waheeda did seven films with Dev Anand, including Solva Saal, Kala Bazar and his directorial debut Prem Pujari. “So you can imagine our comfort level. In fact, my very first film in Hindi C.I.D. was with Dev Anand. I was a big fan of Dev Anand and Madhubala. So can you imagine my excitement and nervousness at doing a film with him.” “On the very first day on the sets, when I called him ‘Dev saab’ he turned around and said ‘No no, call me Dev’. I couldn’t bring myself to call him by his first name, that wasn’t my upbringing. So I suggested I call him ‘Anandji’. He glared at me and said, ‘Do I look like a schoolteacher to you?’ The next day when I called him ‘Dev saab’, he looked around as though he didn’t know whom I was addressing. I had to finally call him ‘Dev’. And ‘Dev’ he remained until the end,” she said.

However, she wasn’t much in touch with Dev saab in his later years. “I got married and left for Bangalore. Then one day I got a call from Dev inviting me to the premiere of the colourised version of Hum Dono. I excused myself, saying I had a prior engagement. Dev asked me, ‘How many films have you done with me?’ I said seven. Then he asked how many of these were for the Navketan. I said, three. He retorted, ‘Then, Navketan is like your home banner. How can you not be here for such a big moment for Navketan? Cancel your other engagement, and be there’. Unfortunately I couldn’t be there. So, I couldn’t meet him one last time,” she said.

Suneil Anand and Devina are always far away from the spotlight that keeps their father

If you have very successful parents, it is next to impossible to match up to their standards. Most star kids are not able to measure up to super dad or super mom’s guts and glory. Some don’t even want to go there. Case in point – Abhishek Bachchan, Kumar Gaurav, Randhir Kapoor, Kunal Kapoor, Boy Mukherjee, Puru Rajkumar, Fardeen Khan, Zayed Khan, Pratibha Sinha, Nitin Mukesh, Amit Kumar, Aditya Raj Kapoor, to name just a few. Dev Anand’s children – a son and a daughter – are no different. His son Suneil is an actor-director, but has stayed out of the limelight. He made his acting debut in 1984 with Anand Aur Anand, which did not fare well, and followed it up with Car Thief (1986) and Main Tere Liye (1988), without much luck. He produced, directed and wrote the 2001 film Master, touted as the ‘first martial arts film in India’. Suneil trained in Kung Fu in Hong Kong and it was only logical that he make a film on his favourite sport. Master did not garner much attention, much like Dev Anand’s last few films as director – Chargesheet being the latest. Suneil also worked on a documentary. But early in his career, he seems to have realised that acting or direction is not what he should be doing for a living. Armed with a major in business administration and another in mass communication from USA, Suneil settled down to managing Dev Anand’s company Navketan International Films and was also instrumental in bringing out the colourised version of his father’s classic Hum Dono using very advanced techniques implemented in the USA. Dev saab‘s daughter Devina is married and has a daughter. She has never acted in or directed a film.