Year: 2017

One of the first questions I received regarding my opinion of the latest Star Wars film (after having announced to everyone on my Facebook that I had completed my first two viewings, of course) was whether or not The Last Jedi, the eighth episode of the currently main Skywalker saga of films, was made for casual fans or die-hard fans. I had to think about it a bit, not because I didn’t know the direct answer to that, but because I had to think about the context of the attitudes I’d been witnessing about the movie. It seems as though there’s a very vocal number of fans out there who… well, they didn’t really seem to like The Last Jedi, and they were making sure everyone knew it in the loudest, most entitled, and sometimes even most obnoxious possible way. Could that have been the demographic my friend was implying when he used the term “die-hard?” I never really got a follow-up to my response (I’m still waiting!), but the fact that I had to consider it at all just made me realize something: I’m kinda tired of so called “die-hard fans” in general. Also, I still think that, after two viewings and nearly non-stop hours of reading about the film and views on it, The Last Jedi is also a pretty great flick, too!

Music by: Michael Giacchino

Based on the TV series created by Gene Roddenberry

Year: 2016

These new Star Trek films are seemingly starting to make a lot of fans of the original TV series feel a lot like how Mission: Impossible TV fans must feel when a new one of those movies comes out: befuddlement at the lack of tonal comparability to the source material. Or, in the case of some even more dedicated fans, the lack of total fidelity by way of reiterating information and storylines we are already familiar with (if one must adapt it in the first place). And, you know, I kinda get it. As hard as it is to continue a property after a prolonged period of time – 50 years for Star Trek this very year, in fact – it’s probably even more pressure to adapt something into another medium and/or revive it for a new era, lest the property disappear into obscurity. In trying to appeal to potential new fans and audiences, you run the risk of ruining everything the series had set up previously and getting accused of “betraying” fans or, heaven forbid, “ruining childhoods.” With Fast & Furious director Justin Lin taking over the helm from non-fan J.J. Abrams, it seemed like fans were in for a whole new level of alleged stupidity and mindless action for a series that was previously famous for its philosophical bent. Surely, after the insult of having been lied to about Khan’s presence in Into Darkness, the third reboot film, Beyond, was destined to top even that one in terms of backhanded insults! Read more…

Based on the Marvel comics by Joe Simon and Jack Kirby

Year: 2016

The rumors are pretty much true: Captain America: Civil War is basically The Avengers 2.5. Cramming in nearly all of Marvel’s cinematic heroes since the beginning of this franchise while adding in a few new and especially notable faces along the way and promising to deliver on the film’s promise to deliver the goods when it comes to having them fight against each other for the first time was an ambitious and risky move by the studio. Not only did they run the risk of losing track of characters within multiple storylines, they also ran the risk of drawing comparisons to their most obvious competition, Batman v Superman: Dawn of Justice, a film that made the mistake of going far too dark and gritty in addition to being overly bloated with the plotting of its central conflict, all with even fewer characters than what Civil War throws at us. Marvel, however, rewarded the Russo Brothers after their phenomenal first go at the MCU, The Winter Soldier, by entrusting them with the task of adapting the now famous (and some would say infamous) ideological clash between Captain America and Iron Man and their respective teams. Would the Russos strike gold yet again?

Based on the Marvel comics by Joe Simon and Jack Kirby

Year: 2014

While The First Avenger set off all sorts of alarms in my head while it was in production, nothing could’ve been further from the truth when it came to its direct sequel, The Winter Soldier. Sure, the film was being helmed by the untested duo of brothers Anthony and Joe Russo, who had previously been better known for their work in comedy TV in shows like Arrested Development and Community, but Marvel Studios had earned my trust by this point. Having just come off of the incredible first Avengers, the fantastic Iron Man 3, and the lesser but still completely enjoyable Thor: The Dark World, I was ready for their return to a standalone film starring the hero who managed to surprise me most in the first wave and trust them to do what was right for the franchise.

Year: 2005

My wait in line for this movie, released during the final days of my senior year of high school, will probably remain the longest amount of time and the largest amount of people I will ever experience. The theatre had to move the line outside and let it flow into the parking lot – there were just way too many people to let them stay within the mall without causing some sort of hazard! I’ve seen footage for the releases of the original films, and this was pretty much what I had imagined that would have been like. People were dressed up as characters, waving around their lightsabers ranging in price from plastic extendable sword to one of those incredible swords with the authentic hilts and the blade that lit up from the bottom up and made authentic sounds when moved around and clashed with another which I still really freaking want. And there was a ton of discussion about the lore of the series, both fictional and real. And, most of all, there was excitement for the movie, because, despite the inadequacies of the previous two, everyone was hoping that Episode III was going to be the ironic redemption of the prequel series. Finally, we were going to get to see Anakin’s descent into the Dark Side and the extermination of the Jedi. And we all knew it was going to be awesome because – dun dun duuuuun – this was also the first Star Wars movie to get a PG-13 rating! George Lucas was finally getting serious, everyone! Read more…

Cinematography by: Enrique Chediak

Music by: John Murphy

Year: 2007

28 Weeks Later lacks the originality, rawness, and, frankly, the mystique of Danny Boyle’s first film, but it’s a sequel that figures out a perfect way to have the rage virus return and deliver even more terrifying thrills. New director Juan Carlos Fresnadillo remains faithful to the tone of the first film yet focuses on entirely new characters and new ideas in a story that nonetheless continues where the last film left off. But while 28 Days Later told the story of a group of individuals coming together to form what could effectively be called a family, 28 Weeks Later intriguingly stands as a counterpoint to that narrative, weaving into its plot a story about a family torn apart by deceit and violence, and the two children who find themselves caught up in a system that, though well intentioned, may not be able to save them from a horrible fate.

(Due to the essay-like nature of this review, please know that SPOILERS are necessary for my examination, and, thus, do lie ahead!) Read more…