Electro-surf noir/exotica intrumentals from the drummer for Johnny Dowd and the Mofos

9 MP3 Songs
ROCK: Surf Rock, ELECTRONIC: Funk

Details:
Willie B (https://www.tradebit.com)
"Willie B. (Brian Wilson) sets his own odd course with his music as on 2002's fresh: A-Frame Sessions Vol. 2. It's a combination of electronica, jazz, and some alt country thrown in there somewhere. I'm putting Willie B. in the spectrum next to Johnny Dowd for their association, but truly, Willie B.'s drums, programming, and writing covers such a wide range of the map. However, the left end of the alt country category is where I started to stack up the surf rock sound, at least the surf rock that sounds like its also paying homage to country. As on Dowd's album, Willie B.'s own album features that spaghetti western, surf rock combo. Wilder Than the Wind '66 starts off with a huge wave riding drumroll. Snyths and guitars combine to make this like a western movie of cowboys fighting out on the surf. Tumble takes this spaghetti western down to the Mexican border, a parade-strut rhythm ready to cross and escape the long arm of the law. Finally, a stand out element is the marimba on Exotica #3. Even with many electronic elements, Willie B.'s live, acoustic percussion remains center stage as if there's a drummer in the room, smashing down those heads, with the lights all focused on him. Meanwhile, from the edges of the dark room, there's flashes of electronics, guitars, basses, and other odd sounds, but nothing, no, nothing, can stop that drummer from laying down his beat." -Music Spectrum.

"Willie B. is drummer Brian Wilson, who regularly plays with one of my heroes Johnny Dowd. His album, Fresh: A-Frame Sessions Vol II, updates Sandy Nelson's percussion chops for the indie-intelligentsia, and anyone else who digs a slightly off-kilter boogedy-beat. Spare, tasteful, guitar and keyboards augment this instrumental gem. Wilson also plays with The Mofos, another vox-free combo. Their mission is to remake surf/rock'n'roll finger-tanglers from the '50s and '60s in the image of Motorhead and Nine Inch Nails. They do so fluently, entertainingly and with a surprising sprinkling of melody."
- Blues Matters! Magazine