SHOWREEL 2017Here's three recent examples of my work. These excerpts are exactly as they appear in each film. Please listen with headphones.

The first scene is taken from THE CARAVAN, a webseries spin-off from Network Ten's OFFSPRING. Directed by the AACTA award winning Matilda Brown, the delusional comedy series was shot and cut very quickly. In this scene, which features the show's writers and lead actors Richard Davies and Dave Lawson, Jimmy says goodbye to his genie-slash-squatter friend Leroy. THE CARAVAN was produced for Endemol Shine Banks. Excerpt duration is 1' 45". Watch the entire series here.

The second scene is taken from writer / director Corrie Chen's TINSELTOWN; a self-funded guerilla short film, shot in a fully operational factory in China with a crew of two, and a cast of non-actors. This scene sees our young hero finally break through to a factory worker, only to discover more questions. TINSELTOWN is my second collaboration with Corrie, and again we premiered at the Melbourne International Film Festival. Excerpt duration is 2' 21". More about the film here.

The third and last excerpt is taken from Patch Adams Productions' PILLARS. We had success with our previous collaboration RABBIT. This time producers Nicholas Denton and Arielle Thomas brought on a new director, Ryan A. Murphy, to tell this story of loss in a small coastal town. This segment sees the onset of grief come to life for Kieran (Nicholas Denton) and also features Eva Seymour. PILLARS premiered at Flickerfest. Excerpt duration is 3' 30". More about the film here.

SHOWREEL 2015Here's three examples of my work from 2014 and 2015. These excerpts are exactly as they appear in each film. Please listen with headphones.

The first scene is taken from Corrie Chen's AACTA nominated short film, REG MAKES CONTACT. Reg is a dementia sufferer who unearths a mysterious object fallen from the sky, thinking it holds the key to his salvation. In this scene his daughter confronts him about the motivations behind his search. The scene features Helmut Bakaitis and Susan Prior. Excerpt duration is 1' 45". REG was funded by Screen Australia as part of their Hot Shots program. More about the film here.

The second scene is taken from Matt Richards' pitch-black social satire, THE DISAPPEARANCE OF WILLIE BINGHAM. Willie Bingham is the first inmate to undergo 'progressive amputation', a program introduced under the State’s revised stance on capital crime. In this scene Willie's amputations have progressed further than expected and he is becoming someone new. Featuring Kevin Dee, Gregory J. Fryer and Leah Vanderberg. Excerpt duration is 1' 29". WILLIE was funded by Screen Australia as part of their Hot Shots program. More about the film here.

The third and last scene is taken from Matt Richard's award winning short drama RABBIT. My work on this film was nominated for an "Ellie" award at the 2014 Australian Screen Editors Guild Awards. RABBIT is the story of a damaged teenager faced with a difficult choice. This 3' 35" excerpt shows him divulging his secret to his girlfriend, and dealing with consequences. Featuring Nicholas Denton, Emily Wheaton and Alex Menglet. More about the film here.

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SHOWREEL 2012Here's three examples of my work from 2010 to 2012. These excerpts are exactly as they appear in each film. Please listen with headphones.

The first scene is taken from Marek Polgar and Martyn Pedler's arthouse/sci-fi feature film, EXIT. In this scene Tom confronts Grace about giving up on the search for the exit, while dragging Alice along with him. Featuring Kylie Trounson, David Whiteley and Hannah Moore. Duration is 2' 53".

The second scene is taken from Matt Richards' award-winning short drama, FIRST CONTACT. This scene is the climax of the film, where a strange visitor pushes a father's love to the brink. It features Olaf Savage, Isabel MacMaster and Ian Harry. Duration is 2' 47". More about the film here.

The third and last scene is taken from Mary Minas and Sean T. Barnes' improvised short comedy OH, UH, SIOBHAN and features Siobhan Hyland and Woodrow Wilson. In this scene we discover who exactly Siobhan is sweet on. Duration is 1' 15".​