And so forth…

I’m mired in delicious muddle. I ought to be terrified but I’m not because I can smell this story – deep in the seams of the forty thousand words I’ve written so far: a sweet scent I can’t quite identify.

And Mistress Crow is indefatigable, overseeing my days & keeping me on my toes like a feathered slave driver…

I always know how my stories begin & usually, how they’re likely to end. That said, even if I have a fair idea about the bit in the middle, I still have to make it work: find a way to get the narrative to carry me from the opening to the closing chapter.

My writing is rarely linear & although I always create a detailed outline, as I get the bit between my teeth & my characters begin to let me in, I often find myself writing extended scenes in isolation. By definition, there’s little or no continuity to them, & not much structure. Which is both part of the problem & exciting. Each one is an unconscious exploration of both my characters & my various plot scenarios. Some are random conversations which can occur to me in the unlikeliest of places. (Often in the bath.)

Speaking of the unexpected, having decided to change from an experimental Third Person Present back to plain Third, I ‘wasted’ several hours of writing time this past week ‘resetting’ my manuscript. The upside was an unavoidable but joyful ‘edit as I go’ scenario which reinforced my conviction that I’m on to something. The ‘voices in my head’ are becoming clearer – the way untangles, one chapter at a time…