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House With No Home (Awaiting Repress)

After a year of touring the US in various incarnations, Horse Feathers signed to Kill Rock Stars and proceeded to record this, their second album: House With No Home. On it they have distilled their sound into a brilliant statement of minimalist Americana. Peter and Heather's precisely arranged strings step cautiously in and around Justin's haunting vocal lines, and the economy of music is also reflected in the lyrics a few evocative phrases tell rich stories, each word weighted and delivered with careful purpose. It is an album infused with rare power and emotion, restrained but always present, where the gaps between the notes can be as important as the notes themselves.

1 Curs in the Weeds
2 Rude to Rile
3 Working Poor
4 Albina
5 A Burden
6 Helen
7 Father (Reprise)
8 Heathen's Kiss
9 Different Gray
10 This Is What
11 Father

Dear God, I Hate Myself (Awaiting Repress)

The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This
remains true with "Dear God, I Hate Myself" as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music. The sound is still distinctly Xiu Xiu, but Jamie Stewart's vocals are finally effortless paired with vibrant melodies full of subtlety and the distinct sonic accents expected of this anticipated Xiu Xiu release. The result is a record that proves that art can be pop and pop can challenge you to look inside yourself.

Stewart is joined by new full-time band member Angela Seo on piano, synth, and drum programming; with production handled by Jamie and Deerhoof's Greg Saunier. Together they've crafted a fully-grown sound for "Dear God, I Hate Myself" with elements from Goth and pop that are expertly performed by a crop of brilliant musicians.

Marnie Stern (Awaiting Repress)

Includes coupon for free MP3 download of album.

Marnie Stern the album mirrors Marnie Stern, the woman. Birthed during a challenging period in her life, the self-titled album is a compendium of life stories both bitter and sweet. From ballads to her signature pop guitar-tapping style, Stern and long-time co-conspirator Zach Hill (Hella) have churned out (for lack of a better word) an enormous album that will further cement Stern as a rising star in today's progressive music landscape. Stern also enlists the bass talents of psych-rock Canadian musician Matthew Flegel (of the band Women) and up-and-coming mixer Lars Stalfors (Mars Volta, Funeral Party) resulting in Stern stepping up her sonic game and revealing a mature and more focused side of herself.

1. For Ash
2. Nothing Left
3. Transparency Is the New Mystery
4. Risky Biz
5. Female Guitar Players Are the New Black
6. Gimme
7. Cinco De Mayo
8. Building a Body
9. Her Confidence
10. The Things You Notice

Now We Can See (Awaiting Repress)

Though not a concept record and not a sequel, Now We Can See picks up right where The Thermals left off, at the end of their last LP, 2006's The Body, The Blood, The Machine, where they were either obliterated by nuclear war, or walked the earth as the last living souls, until they dropped dead of quite unnatural causes. Either way, the story continues. The Thermals imagine death by drowning, in attempts to de-evolve (When I Died, At The Bottom of the Sea), death by psychosis (We Were Sick, I Called Out Your Name), and death by French exit (You Dissolve). But as much death as there is on this record, it won't get you down! These songs are really about life. After all, The Thermals are only fictionally deceased.

The Thermals have returned to what they do best, writing undeniably catchy punk tunes. - Spin

1. When I Died
2. We Were Sick
3. I Let It Go
4. Now We Can Wee
5. At The Bottom of the Sea
6. When We Were Alive
7. I Called Out Your Name
8. When I Was Afraid
9. Liquid In, Liquid Out
10. How We Fade
11. You Dissolve

An Introduction To Elliott Smith (Awaiting Repress)

An Introduction to...Elliott Smith features fourteen tracks compiled from all seven of Elliott Smith's albums: Roman Candle, Elliott Smith, Either/Or, XO, Figure 8, From A Basement on the Hill and New Moon. As the title suggests, the collection is intended as an introduction to one of the greatest songwriters of our era. The album generously offers new generations the opportunity to delve more deeply into the late artist's immensely satisfying catalog.

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