Jimi Hendrix Encyclopedia

Did you see Jimi Hendrix in concert? Did you meet Jimi Hendrix or have the opportunity to interview him or have some other unique, first-person encounter with Jimi Hendrix? If so, Experience Hendrix wants to hear from you.

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July 01, 1970

Today’s session proved one of the most fulfilling for Jimi at his new studio. Here, recordings focused on “Dolly Dagger,” “Bolero,” “Hey Baby (New Rising Sun),” “Drifting,” and “Slow Part,” which would posthumously be retitled “Pali Gap” by Michael Jeffrey who wanted to craft a stronger tie with that song and the title of his Hawaiian film, Rainbow Bridge. The session later included work on “Midnight Lightning” and “Beginnings” before returning to “Dolly Dagger” before night’s end.

The Experience headline the Second Atlanta International Pop Festival in Byron, Georgia. Although a three-day event, acts also performing on the 4th included Rare Earth, Chambers Brothers, Lee Michaels, Jethro Tull, Cactus, Cat Mother & The All Night Newsboys, Rotary Connection, and The Gypsy. When Hendrix took to the stage he lead his power trio through a dazzling set of old and new favorites including: “Fire,” “Lover Man,” “Spanish Castle Magic,” “Red House,” “Room Full Of Mirrors,” “Hear My Train A Comin’,” “Message To Love,” “All Along The Watchtower,” “Freedom,” “Foxey Lady,” “Purple Haze,” “Hey Joe,” “Voodoo Child (Slight Return),” “Stone Free,” “Star Spangled Banner,” “Straight Ahead,” and “Hey Baby (New Rising Sun).”

In returning to Electric Lady Studios Jimi records “Come Down Hard On Me,” “Bolero,” and “Midnight Lightning.” Despite the work accomplished on this night, Hendrix had the tape boxes marked DO NOT USE.

The Experience perform at New York Pop with John Sebastian, Grand Funk Railroad, Steppenwolf, and Jethro Tull. The event at Downing Stadium on Randall’s Island on the outskirts of New York City featured The Experience performing “Stone Free,” “Fire,” “Red House,” “Message To Love,” “Lover Man,” “All Along The Watchtower,” “Foxey Lady,” “Ezy Rider,” “Star Spangled Banner,” “Purple Haze,” and “Voodoo Child (Slight Return).”

Trying to lay claim to a definitive master of “Lover Man,” Hendrix returned to Electric Lady to try and revitalize the recordings, unfortunately, with little success on this evening. Although a rough mix would be prepared, it too would be quickly shelved. With “Lover Man” now on the shelf, Hendrix turned his attention back to overdubs for “Angel.”

Tonight’s session at Electric Lady maintained focus on “In From The Storm,” a recording that Jimi had previously titled “Tune X – Just Came In.” Although no master was created on this night, thirty takes of the song were put to tape as the trio continually reworked it and polished the composition through each subsequent retake.

Back at Electric Lady Studios Hendrix revisited “In From The Storm” before working on “Come Down Hard On Me” and “Just Came In,” with the latter being remixed into “In From The Storm” on the posthumous Cry Of Love.

With the band headed back on the road in 24 hours, Hendrix wanted to leave the studio with the reassurance that progress was being made. Tonight’s sessions included work on “Drifting,” “Angel,” and “Belly Button Window.”