Tag Archive: History

Language is one of those things that people tend to be concerned with when writing science fiction and fantasy (mostly in fantasy), and yet how many SF&F authors are linguists? It’s quite possible that this is a natural outgrowth of trying to show a radically different culture from our own; or it might be that the godfather of fantasy, J. R. R. Tolkien, the Professor himself, put so much work into his languages.

Not everyone is a philologist, though, much less one of Tolkien’s caliber. How do we use languages in fiction without sounding like we just made it all up? How can we make it up if we’re going to keep the audience from feeling lost? How can we even hope to show a language barrier if the book’s all written in English? Continue reading →

Some years back, I evaluated a manuscript for a publisher. It was a Civil War historical mystery novel, and the Civil War is not exactly my area of expertise. Yet I sent the chief editor seven pages of notes on the book’s historical inaccuracies and plot holes. The editor later told me that, while reading through those notes, she turned to someone else in the office and asked “Who is this guy, Sherlock Holmes?”

It remains one of the funniest moments of my editing career, because it really wasn’t that difficult to do. Almost all of the notes were things that were easy to research. The author had the days of the week wrong in reference to the Battle of Fort Sumter. The date of Easter for the same year was wrong by a month. Currency values were closer to 1980s instead of 1860s. The depiction of proper police methods felt more like Dragnet at times instead of a period when investigative police was a rare thing.

The one and only reason why what I did was unusual was that I’m a knowledge junkie. If I don’t know something, I still have a pretty good idea where to look it up. I have lists of experts to contact, on anything from astrophysics to horse care, from the history of international law to how to sew a dress. My browser’s bookmark bar is a mostly-organized collection of links leading to various topics that I collect, thinking they might be useful someday.

The comparison to Sherlock Holmes is true, but only in this respect: I observe, I collect, and I don’t like being bored. None of that is especially unusual. Anyone can do it.

And if you’re a writer, you should do it. That doesn’t mean that if you want to write a book, you have to become the Phantom of the Library, haunting the stacks and shunning the light of day. Rather, it means you should always keep an eye out for things that are useful. Scratch the surface of almost any topic, and you’ll find something that makes your writing-sense tingle.

This weekend, I got caught up with Agent Carter. Aside from — actually, in spite of — the occasionally overbearing exploration of sexism, this is truly an excellent series, and a great example of how to use mild alternate history, superhero, and spy thriller tropes.

I managed to find a little time this weekend to watch the first (and currently only) three episodes of the new show Agent Carter. I’ve been looking forward to this one for three reasons. 1) It stars Hayley Atwell as a gender-flipped James Bond figure. 2) It’s a 1940s period drama, and as both of my parents are WWII-era enthusiasts, I’ve picked up some of that myself. 3) It’s a Cold War spy thriller.

I was not disappointed . . . well, in that regard. All three were basically what I was looking for, with enough extra twists to keep me surprised on all fronts. I didn’t need the Marvel Comics tie-ins to enjoy the show, though they helped with the suspension of disbelief when it came to the occasional anachronistic piece of tech. They even managed to deflect a bit of the Reed Richards is Useless trope by implying that the Stark family tends to have trouble inventing devices that are actually appropriate for civilian use, in a bit of a “go big or go home” vibe. That is, Howard Stark’s inventions don’t ever fail, they just turn out to be unexpectedly strong.

What I was disappointed with, however, was the same thing that is apparently driving male audiences away, though not to the same degree.

Kind of like remembering a messy divorce, only with more epic battles.

That’s right, Tolkien fans! It’s the anniversary of the day when, mumbleteen thousand years ago, Frodo, Sam, and Gollum entered Mount Doom to pitch the One Ring into the fire below.

“Wait,” some of you are asking, “Why did Tolkien use modern dates in a fantasy world like Middle-earth? I mean, I get that it’s supposed to be our super-duper epic forgotten past, but really.”

Yeah, I get that. But you also have to remember that Tolkien was three things, in this order: a proud Catholic, an expert philologist, and a fascinated medievalist. What does all that have to do with March 25th? I’m glad you asked!

Now, the reason he requested me to review his book is because of some credentials I have in regards to both the Catholic Church and the historical period. I have a very in-depth formal education in Catholic theology, philosophy, and history, and at least half of the work I do is with Catholic authors. Gannon was hoping that I could give a favorable review that would interest the Catholic audience I deal with, due to the subject matter of the book.

Note: This review was not commissioned or supported in any way by either Charles Gannon or his publisher, Baen Books, including through review or gift copies, or discounts of any kind. My conclusions are my own.Continue reading →

My friend and sometime employer Regina Doman, who owns the small publisher Chesterton Press, is extremely picky about the covers of the books she publishes. I’m not quite as picky, but there’s good reason to pay attention because it’s often the first thing that a potential reader will see. It gives a sense of the adventure you’ll find inside; or perhaps it’ll make you curious about the symbols or people shown there; or, sometimes, there will be something so incredibly grabbing about it that you’ll pick the book up and say “That had better be in here!”

Many years ago, I was browsing the Baen Books catalog of upcoming releases when I spotted the latter kind. Rather than describing anything else first, let me just show it to you:

To quote my friend Andy after seeing this for the first time: “Wh-wh-whaaaaaaaaaaaaa?”

This is 1632, by Eric Flint, first book in the Ring of Fire series (originally The Assiti Shards, and now more commonly known as just the 1632 series). This impossible scene doesn’t quite happen in the book, but it comes close. Yes, those are modern Americans with modern guns. Yes, those are 17th-century soldiers with 17th-century guns and armor. No, those 17th-century guys don’t know what they’re getting into. Continue reading →

I can go on and on about stories until my voice goes raw or my hands cramp up, depending on how I’m talking to you. Because of that, it often surprises many people that I don’t have a single degree in literature. For now, my highest degree is actually in history.

Why is that? Well, I maintain that a history degree — assuming that you’ve had a wide-ranging focus and look at many different cultures — is one of the best fields to truly teach you how to write. That’s because most lit degrees teach you about other books, but they don’t tend to teach you about people. Make no mistake, both history and stories are fundamentally about people. Continue reading →

Now, live on your radio, we bring you the latest from the alien invasion. But first, these messages.

It’s been a really busy month for me. I’ve got posts I want to write, but between work and my new physical therapy program (which is doing wonders for my mobility), I’ve fallen behind on nearly everything. I’ll hopefully be caught up next week and start doing more blogging.

However, I wanted to take a moment to acknowledge the 75th anniversary of the original War of the Worlds radio broadcast in 1938. It’s not only a wonderful production (seriously, listen to it if you have the chance; I have it on old-fashioned cassettes, so I should get a digital version myself sometime soon), but it’s even more notable for the panic it caused. Continue reading →

I remember reading his story for the first time when I was in sixth grade, and I didn’t understand it. I literally could not comprehend the idea that someone wouldn’t be allowed to play baseball because of skin color. I don’t mean that I just didn’t “get” it — I mean that I read the biography I was given in class and didn’t notice anything different about him. I concluded the other people were just mean. It was literally years before it finally clicked and I realized Jackie Robinson’s story was the first time I’d ever read about racism.

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Novel Ninja (n):

1) A person who uses subtlety and a vast array of skills to bring out the best in a story, preferably when the audience least expects it. E.g.: an editor.
2) A blog run by freelance editor Matthew Bowman, focused on advice for writers and reviews for readers.

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