They tell us in advertising class that the best way to measure how well your product will sell is by its unique selling proposition. Most games have a pitch like this, whether its touting their mind-blowing graphics, one-of-a-kind gameplay, or simply being the sequel to last years blockbuster. Starlancer has none of these qualities, so during the Dreamcasts packed fall of 2000 it fell between the cracks while gamers opted for more well-known titles like Shenmue. It came, got some decent review scores from web sites and magazines, and disappeared without leaving so much as a dent on the medium. Is it worth sniffing around the corners of your local game shop for a look at this forgotten relic? Well, lets just say I now know why it was forgotten in the first place, and that knowledge was not worth a twenty.

I'm pretty much in agreement with Mike on this one. Quake III Arena is fast, violent and addictive—so much so that I found myself glued to the game without a care in the world for what I was doing, where I was or how I got there. I became so addicted to the game that my brain would liquefy and go on auto pilot for hours at a time—totally desensitized to all of the lightening-quick violence and utterly oblivious to the online opponents I was mercilessly fragging.

Yes, Samba de Amigo requires $80 maraca peripherals that come in a big yellow box with cartoon characters on it. And yes, it's one of those silly music games that are so huge in Japan. But what do they know? They bought more copies of Seaman than Soul Calibur. And you read online that there are some Ricky Martin songs in the game, and there's no way you're ever buying a game featuring the Latin sensation from Menudo.

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