The Chinese dragon, an emblem reserved for Imperial China, was heavily used on Imperial architecture, especially on the Imperial Palaces - on the roofs, on the beams and pillars, and on the doors. Dragon and phoenix, called Long and Feng in Chinese respectively, are totems of Chinese people. They were used to represent emperors and their consorts and were the main decorative patterns to be seen on various imperial structures. Palaces, columns, pathways and screen walls were all inscribed or carved or painted with their images. The dragon and phoenix are the symbols of the status, authorities, treasure and emperor or the empress. In ancient time,where decorated with the dragon and phoenix, where the emperor or the empress had reached. People would not know the emperor or the empress but know dragon and phoenix, and they believe that seeing dragon and phoenix is like seeing the emperor and the empress.

In the Imperial Palaces, the dragon and the phoenix are the principal motifs for decorative designs on the buildings. The daily clothing and articles of emperors芒鈧劉 and empresses芒鈧劉 are decorated with dragon and the phoenix. The throne hall is supported by columns entwined by gilded dragons, the central ramps on marble steps were paved with huge slabs carved in relief with the dragon and phoenix, and the screen walls display dragons in brilliant colors. The names in the Chinese language for nearly all the things connected with the emperor or the empress were preceded by the epithet "dragon" or "phoenix"; thus, "dragon seat" for the throne, "dragon robe" for the emperor"s ceremonial dress, "dragon bed" for him to sleep on, and "phoenix carriage", "phoenix canopies" and so on for the imperial processions. The national flag of China under the Qing Dynasty was emblazoned with a big dragon. Almost all of things of emperor芒鈧劉s are decorated with dragon. The earliest postage stamps put out by China were called "dragon-heads" because they showed a dragon in their designs. Even today the dragon is sometimes adopted as the symbol of Chinese exhibitions held abroad or the cover designs of books on China printed by foreign publishers. "The Giant Dragon of the East" is becoming a sobriquet for the country.

Belief in the dragon, and drawings of the imaginary animal, can be traced back to primitive society when certain prehistoric tribes in China adopted the dragon among other totems as their symbol and guardian god. Some of the recently unearthed bronze vessels of the Yin Dynasty, which existed more than 3,000 years ago, are decorated with sketches of dragons of a crude form. Earliest legends in China described the dragon as a miraculous animal with fish scales and long beards. As time went on, it became more and more embellished in the minds of the people, acquiring the antlers of the deer, the mane of the horse and the claws of the eagle -- in short, appropriating the distinctive features of other creatures until it became what we see today everywhere in the palace.

The Chinese phoenix, likewise, exists only in legends and fairy tales. Sovereign of all birds, it has the head of the golden pheasant, the beak of the parrot, the body of the mandarin duck, the wings of the roe, the feathers of the peacock and the legs of the crane; gloriously beautiful, it reigns over the feathered world. An early design of the phoenix can be seen on the silk painting discovered in a tomb of the Warring States Period (475-221 B.C.) near Changsha in Hunan Province.

The dragon and the phoenix often served in classical art and literature as metaphors for people of high virtue and rare talent or, in certain combinations, for matrimonial harmony or happy marriage. The dragon and the phoenix are not only the representatives of the emperor and the empress, but also good luck and goodness. As an important part of folk arts, dragon lanterns, dragon boats, dragon and phoenix dances are still highly popular on festivals among the people of all localities.