To be truthful, I was unconsciously looking forward to “Rogue One.” I say “unconscious” because what handful of trailers I saw of it did pique my interest, but movies, and particularly Star Wars, have been so heavily imbued with politics I’ve been conditioned to tune them out completely. Ergo, it takes a really good trailer, full of action, X-Wings, Death Stars, and AT-AT’s to pierce this conditioning and get me to take note.

While Rogue One’s trailers did manage to achieve this, I also unconsciously noted that the heroes had more colors than a rainbow. And when this observation was combined with my previous knowledge of how Hollywood, and particularly Star Wars, was going to force a PC narrative into their movies, Rogue One went back on the “meh” list of movies I’ll probably never get around to watching.

If the multi-ethnic, multi-color Reading-Rainbow-Rebel heroes of Rogue One (headed up by a “strong-independent woman™”, BTW) wasn’t a clue as to how there was going to be a political lecture, a blatant statement by one of Rogue One’s writers, Brett White, was:

When I look at the ‘Rogue One’ trailers, I see what I want from America. I see a multicultural group standing strong together led by a rebellious and courageous woman. That’s what we are working towards, and what we will continue to work towards no matter what. That’s what America – a land created as a haven for the persecuted, to be able to realize their limitless dreams – was created to be.

Of course, you cannot hold responsible the score of writers and hundreds of employees working on Rogue One for the statements of just one of their writers. Additionally, one low-ranking writer’s political opinion about a movie, does not mean the movie will be political. But when two more (higher-ranked) writers condoned White’s statement, and further hinted that The Empire was a white supremacist organization, you knew Rogue One was going to be (yet another) SJW sermon against “evil” white males and the merits of women and minorities because…uhhhh…”vagina” and melanin.

Now I don’t know about you, but I certainly get my fill of politics during the normal course of a week. It’s part of my job, it’s part of my hobby, not to mention, politics is forced in front of everyone everywhere be it social media, traditional media, your friends, or literature. Combine this with a mind-numbing job, a taxing commute, and the toils of everyday life, the absolute last thing people need in their few and precious moments of entertainment and fun is politics. You would think providers of entertainment and fun would know this, and would be smart enough to leave politics out of it, much like a Thanksgiving dinner. But they don’t. They insist on forcing it down the audience’s throat, almost as if they’re compelled by some other, ulterior force, all while risking alienating people with their politics.

Why?

The answer to that lies in a combination of writers like Brett White and Star Wars itself.

Modern Art

Modern art is a phenomenon in society where the cart has been put before the horse. Traditionally art was made to be appealing to society and the market (it was something people wanted). This ensured that what art was made was of high quality, in demand, of good taste, and also ensured what we would see in public (paintings, murals, buildings, architecture, landscaping, statues, etc.) would be beautiful. But making good art requires talent. It also takes labor, toil, practice, failure, enduring, thought, contemplation, and work. So if you were going to become a successful artist you would have to really put forth your heart, soul, effort, toil, blood, sweat and tears into this passion.

Sadly, all of that is antithetical to being a leftist. Leftists, SJW’s, liberals, democrats, and other varied forms of socialists are PRIMARILY DEFINED by their laziness and crippling fear of real work. But they are also egotists which means they don’t care whether they have the ability, talent, determination, or work ethic required to become great artists. They simply insist on becoming artists. These two presumably mutually exclusive positions would result in something having to give. Either the leftist would have to put forth the toil and effort to make great art, or give up on art altogether and pursue another field.

However, the ego of a leftist is more powerful than reality, and so what has happened is leftists have redefined what makes good art, putting the cart before the horse. Specifically, art is no longer about whether you created something that is genuinely artistic or beautiful, but the political message it conveys. This is why nearly all modern art is completely shit, but there is ALWAYS a “political message” that leans to the left attached to them (and this is not speculation or conjecture on my part, just look it up. Go to any art museum today and see if there isn’t a political message jammed down your throat). It is this messages that allows the lazy and talentless to become “artists” (in their minds anyway) without having to put forth the effort to actually become one.

And this is epitomized by Brett White.

Understand Brett White (and what I would speculate to be the majority of writers for Rogue One) are talentless hacks substituting politics in for their laziness and genuine lack of artistic skill. This is further reinforced in that the real work, the real heavy lifting for Rogue One has already been done in that it is simply a remake of George Lucas’ original work.

In my latest podcast I aliken this to Gordon Ramsey creating a masterpiece dish using his own recipe, but then Brett White comes in, adds some vagina parsley garnish to the side, and claims it as his own. This is even worse than what’s going on in today’s modern art world in that usually you have to make a shitty piece of art and stand by it as you attach some leftist political message to it. But the Brett Whites of the world aren’t even doing that. They’re taking other people’s templates and attaching their shitty (and tiring) anti-white male leftist political message to them. But the larger point is to realize this is why politics are constantly forced into movies where they don’t belong – these leftists’ egos and fear of real work are stronger and more important to them than your enjoyment and entertainment. And they’re going ruin it for you whether you like it or not.

Brett Is Merely A Microcosm Of Hollywood

We can pick on Brett all we want (and I will because I and about 60 million other white males are done being accused of evil because of “melanin and penis” by talentless, worthless people like him), but Brett and Rogue One’s anti-white male politics is merely Hollywood’s confession that they are plumb out of talent, intelligence, originality, innovation or ability. They are so incapable of coming up with new ideas that, like a talentless trustfund baby minimalist artist, their only idea is to “add leftist/racist politics” to an already existing work of art. It’s nothing more than an inferior scumbag “tagging” the Mona Lisa with political-graffiti because they lack the real talent to make something as great as the original. And it’s proven by all the remakes, reboots, and sequels Hollywood is making.

Of course, ironically, because the original dish of Star Wars was so good, the mindless sheeple of America, particularly white males, will show up in droves to be lectured about their cardinal sin of being born white and male. Hollywood, leftist pundits, and no doubt the writers themselves will erroneously view this as vindication of their political message, and double down on the anti-white male/pro-leftist formula for their next movie. But for you “conservative” and “libertarian” keyboard warriors who were all pro-Trump, and adamant about replacing diversity with meritocracy and “making America great again,” we’ll see if you can actually make a *huge* sacrifice and forego watching Rogue One. Because if your addiction to Starbucks and Apple products is any indication I’m predicting you cucks will gladly line up, bend over, and let Hollywood fuck you one more time up the ass because

“but but but….it’s STAR WARS!”

***CORRECTION***

It has come to my attention that Brett White is NOT indeed a writer for the Star Wars film, just merely a writer cited in the article writing about Star Wars. I wanted to make this clarification, but still do not believe (due to the tacit endorsement from actual writers in Rogue One) this changes the fundamental point of the article. I will reconsider my thoughts if it turns out the Evil Empire in “Rogue One” is chock full of an equivalent amount of minorities and women and does NOT portray the evil empire as a white male organization…which I’m absolutely sure they will in an honest application of diversity to both heroes and criminals alike.

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418 Responses

Cultural Marxism has indeed infiltrated ‘Star Wars’ with full force. Also get ready for a Finn and Rey black male – white female romance to blossom in Episode VIII, culminating with them having an Obama baby in Episode IX where they will finally put an end to the White Male / Nazi / Literally Hitler / White Supremacist “First Order” and achieve peace in the Galaxy with a new generation of mixed-race force-strong children.

The old Stars Wars movies (Episodes IV–VI) were based in the works of Joseph Campbell (https://en.wikipedia.org/wiki/Joseph_Campbell), and they contain extremely interesting insights about the archetypical hero, the hero’s journey, the battle between good and evil, etc, etc, etc.

It is a shame that the misunderstanding of those concepts created a whole subculture of BetaLowTFaggots who live in their mother’s basement until 40 playing with action figures and thinking of themselves as Jedi Warriors.

The new Stars Wars movies (Episodes I–III) are pure Cultural Marxist propaganda made by jews like (((Abrams))), and as you and the author of the article said, they are promoting miscegenation and feminism.

Episodes I-III were the George Lucas made prequels. George Lucas is a Goy (arguably the most powerful Goy in Hollywood) and therefore didn’t have to push all the (((Cultural Marxist))) nonsense once Lucasfilm got purchased by (((Disney))).

I actually found it funny that George Lucas put so much politically incorrect ethnic stereotypes into various aliens and factions in his six Star Wars movies.

I can understand black guys hitting it and quitting it when a white girl with a black skin fetish presents her pussy, but how can they demean themselves by having a relationship with a woman whose only reason for being with them is the color of their skin instead of the content of their character?

Ugh.. I already insta-dissed The Force Awakens because of the whole “strong independent girl that is more powerful and kicks more ass than any previous character because of Girl Power™”… Of course I won’t give two flying fucks now that the whole MultiCulti Inc. has been summoned.

I heard that (also Disney’s) “Moana” is also going to be feminist, with the whole “doesn’t need no man” bullshit…

All the recent Disney princesses have been kick ass girrrrl power ads. I can’t remember the name but it had brave in it and the plot was a young princess being forced to marry (yeah women have to be forced to marry, well maybe young) and competing with her suitors to claim her hand. Of course she was stronger, faster, better than all the men. I stopped having anything to do with Disney a couple of decades ago.

Yep, the name of the movie is actually “Brave” lol and you are totally right. “Frozen” followed that path too… I guess that will be the norm now and it won’t get any better.. not with Disney, at least..

Erm, Brett White is not the writer of Rogue One. He’s a blogger at CBR.com. While the film does indeed look to be full of SJW bullshit, that responsibility lies with writers Chris Weitz, Tony Gilroy, and Gary Whitta.

“but but but….it’s STAR WARS!”
Guilty as charged. I will go see it as I did the others, mostly because of the space ships.

But this article was excellent – and this:
“But they are also egotists which means they don’t care
whether they have the ability, talent, determination, or work ethic required to become great artists. They simply insist on becoming artists.”

made my day. It beautifully articulates what I’ve always felt. Well done.

I have been planning to go see Rogue One but this article has given me pause. I can stomach some SJW if it comes with a side of entertainment value, but can I really reward these cretins for the continued marginalization of people like me?

The final nail in the coffin was last years debacle…. or should I just call it A New Hope with extra big Death Star that is actually a planet…. that’s it. Oh and a chick that is an all powerful Jedi after about 50 mins….. and Emo Darth Vader…..
It’s shit people, it’s shit! Substituting plot and dialogue with special effects! Believe me I’m as tempted as the rest of you. I grew up with the first two and the Ewok Muppet movie……I will not be subject to this bollix any longer. They have shit all over Hope and Empire with this superficial propagandising. Not my $10!

I went to the farce awakens last year as part of my once a year tradition of taking my sons to a movie on Christmas day. I had seen every Star Wars movie (including the first, episode 4) within 24 hours of its opening. After the farce I told my sons that I would not go to anymore Star Wars movies as this one was a horrible remake of the original with a bunch of feminist propaganda over writing the plot. They disagreed and could not be persuaded otherwise.

Oddly enough Emo Vader typifies exactly what happens to a kid who grows up with little to no adult direction, but whose parents have “high expectations to follow through in the family business.” He got shoe-horned into Force training and went bad, just like Anakin.

Wha? Mark Hamill is going crazy then.
So that’s why he got so hot and bothered by his Leia? He was drooling all over her until he figured out he was fantasizing about shagging his twin sister. Even Han Solo noticed how he was macking on her.

Do you mean Ahsoka the Togruta? Ahsoka is a badass! A strong female character that DOESN’T pander to feminist ideal. (IE strong but doesn’t have to behave like a man). Btw, if feminists hate men so much why do they want females to always be portrayed as men with tits?

“I grew up with the first two and the Ewok Muppet movie….”
Muahahaha… I love that.
If I remember right the Ewoks were originally supposed to be Wookies. Would have been much cooler with Wookies, but that money grubbing jerk, lucas, thought that midget teddy bears would sell more merchandise to kids.

That the three first old movies (Episodes IV–VI) are good is nothing short of a miracle. George Lucas himself has no clue on why they were so good.

I think maybe the reason is that during the episodes IV-VI, Lucas still was humble enough to delegate and trust on the advice of talented people around him.

But in episodes I-III, Lucas was drunk with success and no one would dare to give him sensible advice (or they did and he did not listen, I do not know). It is a bit like what happened to Peter Jackson. Lord of the Rings movies were great, but then he screwed up with The Hobbit because he was so full of himself.

As for the new Star Wars new movies, Force Awakens proves they are not going to be anything but what this article describes: other people trying to capitalize on the success of the originals and failing miserably to create anything memorable.

I saw the Force Awakens because my wife dragged me to it, but dont expect me to remind her this new travesty is in the theatres by the time it opens.

It does not matter which one of the three you liked. “Lord of the Rings” was a decently faithful film adapatation of the books, not just storywise, but also in the mood and general tone. That was the reason of its greatness. The Hobbit movie trilogy was not. It was chock full of flashy action set pieces that were totally out of place and derailed the story.

A poorly built Death Star, I might add. I mean, seriously, all it takes is one fucking laser going in the right hole and the whole fucking thing explodes? Board up that hole or something. And then they build the planet Death Star with the same fucking weakness. You would think the Empire would learn to build fail-safes so that one little laser couldn’t take the whole thing down. But, then again, that would require the writers to invent new and creative ways of defeating a formidable foe.

Of course there is more to the story. White men are evil and terrible and can’t do force stuff well like the rest of the galaxy, that’s why they created the jedi. So that a group of white guys could learn the force and keep all the superior women folk force users from every learning to use their talents. Death to the ((patriarchy))!

All it takes is touching a lightsaber for the first time, taking three deep breaths and lo, you can clobber anything with a pulse because vagina. Oh, and you have a “really cool” British accent on top of that!

Fuck these movies, man. The Force Awakens was an insufferable cop out that felt fleshed out on how LITTLE Harrison Ford, Mark Hamill and Carrie Fisher wanted to participate and the story was simply an afterthought based on their minimal contributions and a remake of A New Hope done up with unconvincing and laughable SJW taint. Simply give me only A New Hope and The Empire Strikes Back and I’m all set.

It’s bad enough they had to utterly wreck Ghostbusters with this SJW bullshit (wrecking it so badly there will not, thank the Allfather, be a sequel). But now they’re turning Star Wars into yet another purple-hair-dyed podium. Boy I can’t wait to see the SJW bastardising of the new Mummy movie.

I don’t mind more women being portrayed as villains since the vast majority of bad guys are men so it’s good to have evil women depicted too.

I’m against altering existing characters as well, however with her at least their altering a male villain into a woman as the vast majority of the time they alter the male heroes to women and leave the villains male

All the Star Wars movies are being made in the UK now. And guess what the UK has: third world immigrants. One of them has made it from Paki Land all the way to Hollywood. He has made out with Kate Hudson. He was in the new Bourne movie. And he recently had is own show in HBO’s The Night Of. This is Riz Ahmed. And he keeps talking shit on white folks as showed from his rap song: https://www.youtube.com/watch?v=P5W8x4Q7N9c

Indeed. But also keep in mind that media must conform to the audience of the times. The most entitled generation in the history of planet Earth are not inclined or prepared to relate to something as absurd as delayed gratification or the actual messy details of a protracted process of personal transformation.

They want their credentials and then they expect their superior status to bear fruit immediately. Their heroes should be no different.

The fact that such credentials are hollow without the corresponding work or that they are not automatically entitled to the spoils of their newly acquired status does not compute.

The “original” three, (c) 1977, ’80, ’83, were conceived and produced in an era in which such a transformation of character – really any accomplishment of worth, required specific training, demanded sacrifice of some kind, included corresponding responsibilities, and often yielded unsatisfactory results early on.

These, along with the idea that a boy becoming a man takes time, was a given back then, but so was the expectation that – even in the case of unseen ‘magic’ like the force, there were many lessons to be learned only through experience.

And the not the foam cannon party spring break experience, but the kind that is embedded with tests of character and judgement, the kind that often doesn’t *feel* so good – even when the right course of action is chosen.

The original formula of the saga or epic itself was telling of how these characters were expected to move through time and conflict.

The zeitgeist of today has no time for this stuff. The romantic and idealistic aspects of some spiritual power that must be acquired through training that is often unsuccessful feels awkward.

The cultural narrative requires certain subtexts, e.g. evil white men, and the rest is just overproduced insta-feels and cheap thrills that enable the audience to project themselves into a situation in which the entirety of the known universe is quietly aligning in the background to make them feel righteous and powerful.

Its all just snowflakes on the right side of history getting spoon-fed partial credit in their common-core indoctrination into the Current Year. Plus vagina. And Yoga. So Blessed. Swipe Right.

That may be the worst aspect of the new film. I can buy some kind of flashback or whatever. Fine. But there’s no way in hell a scavenger of ship guts is going to magically know how to:

Use the force to influence a guard. (So much for girl power, she didn’t need the force for that one…)
Use the force to repel somebody trained in the force. (Same. Apparently force is easier than using feminine wiles. Although granted… she didn’t have much in that department anyway.)
Use a lightsaber well enough to beat a guy that probably trained for years using one. I. Don’t. Think. So.

What happened to the Bothans?
I was always under the impression a large group of Bothan (a cat-like alien race) spies stole the Death Star plans and paid for it with their lives. Not some nearly teenage chick with a chip on her shoulder.
The Empire was to represent unchecked and unfettered government. One that rules arbitrarily for it’s own sake, not a “white supremacist organization”. If it was a white supremacist organization explain Finn the stormtrooper.
Cannon DOES have the Empire being human prejudiced. Which was why Grand Admiral Thrawn was such an anomaly, because he was an alien.
They need to keep the ID politics out of the movies and just make a good story.

That story has been done over and over in the EU canon. Jan Orys (the protagonist in Rogue One) was originally the co-pilot for Kyle Katarn, who stole the first Death Star plans (see also Dark Forces).

If you were to pick someone to play Kyle Katarn who would you pick? I would think seeing some of the images of him either Chris Pratt, or Scott Eastwood (although Eastwood’s acting has been kinda lackluster in his career).

I don’t get to watch many movies anymore. I think the best Libertarian movie I can think of is Conan the Barbarian (the original), Atlas Shrugged had potential. I thought part 1 was fairly good, but because there was such a delay, contracts fell through and part 2 felt like a made for TV or direct to DVD movie with the production value of the Left Behind series. CATO has a short list of some others https://www.cato.org/blog/guide-libertarian-movies
I think now Hollywood are just really coming out of the closet to blatantly tell us “Hey, this is a political indoctrination movie, with a some scifi elements”.
I know quite a few directors and writers toss in some political commentary now and again, but it’s not even artful anymore, and so blatant that you can’t politely gloss over it.
I’m not paying money or time anymore to sit though a hackneyed 90 minute pretentious myopic political lecture.

same here on movies, the last film I saw was Warcraft and before it Spectre. They make today only bad propaganda that works only on idiots. In older times I would average 3 to 4 films per year today it is 0 to 1.

I loved the original Conan the Barbarian! Both leads were perfect for their roles! Also it appeared as if it was happening truly in some ancient iron age place, and nearly followed the doctrine of the stories of that time!

Atlas Shrugged the film wasn’t even aired here (Greece) I only found out the movie by accident but for some reason did not feel seeing it. Anyway, even if it is not libertarian “Excalibur” for me is the best sword and sorcery movie because it really manages to get the spirit of those tales, it is really an epic poem on screen (I have read the Iliad so I can vouch for this). It still is the most right movie that there is, and probably the most manoshperey! Needless to say none of these 2 movies would be made to today.

Also I saw on TV the new Conan…..
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Still trying to forget it….

I am at a time in my life in which I have abandoned all faith in Holywood producing any good movie. I might await for the cinemas to bring just a good movie per year anymore. Even worse though Holywood keeps the right of distribution. This means that if a European or an Asiatic studio produces something worthwhile completely alone, it cannot ship the movie abroad. So Holywood still keeps making money even if nothing it makes is worthwhile, because it is a monopoly of sorts.

Funny thing is, it is not the Empire. It is the New Order. At least Lucas had the decency to create new soldiers (the robots) for its Trade Federation army instead of reusing Empire’s Stormtroopers to capitalize on nostalgia.

You can count on that, Hollywood elitists love to turn out crap that nobody wants and then sip champagne at their parties and gloat how “edgy” their work is, even though nobody sees it. Then they will make other movies to pay the bills.

I wouldn’t have minded a Ghostbusters movie in which the older, living Ghostbusters could have done sort of a “passing the torch” to a newer generation. They could even interweave into that a coming-of-age subplot for the same.

the double down sequel is almost assured. It reminds me of this german neighborhood in Queens, NY (well its not really so german any more but it was). There was a butcher. An old german guy. You could go and get a sandwhich for 2.50 that was, I shit you not, a half pound of roast beef and quarter pound of swiss cheese on a roll. For an extra buck he would give you a quarter pound of german potato salad that had more freaking bacon than potato. As his business started to crumble he tried to save it by charging less and less. There was a line around the block half the time around lunch. Mothers would go and buy a ham sandwich and a turkey sandwich and break them down because it was cheaper than the cold cuts themselves. When they finally went out of business my friends mother said “i don’t understand why they went out of business, that place was always busy”

“I’m still amazed that Hollywood can survive given how so many movies don’t make back what they cost to make”
—————–
This point is worth elaborating on further.
Someone (on this site maybe) wrote a piece about how liberals invest in hearts and minds rather than for profit.
And that this fundamental difference was basically the reason liberals win (or did win anyway).

lol. It was funny because Glendale was firmly middle class germans, irish and Italians, then if you trekked down Myrtle avenue you would hit ridgewood which was the same germans, irish and Italians only who were not doing so well on one side of ridgewood and Hispanics and eastern Europeans on the other, as you continued down myrtle avenue the eastern Europeans faded and the Hispanics dominated, then it was bushwick (where the kneeman is from) which was Black, Hispanic and me.

Actually this just jogged something lose – my current neighbor was one of these eastern Europeans as a kid before his parents evac’d him to Jersey.
“Black, Hispanic and me” hahaha. Reminds me of my one semester at CCNY.

Fair enough. My neighbor (single mother) has two boys my son’s age that I take out on occasion. I realize it isn’t my responsibility, but they need a mentor. So many kids out there have no idea how to be a man, and it sounds like your step-son is in the same boat.

That stuff will kill you. At 5, there is hope for him, he probably missed all the political crap in the movie. I remember enjoying that Jane Fonda flick “9 to 5” when I was a kid. 40 years later, I want to throw up if I watch it.

She eats the same shit, and you’re damn right. Laziest ‘stay-at-home’ mom I’ve seen in my fucking life. I’ve been cooking for them while in town, because if I didn’t, I’d be stuck eating McDonald’s and such.

The idea of feminist women and Third World diversity hires in space makes no sense any way. The universe doesn’t care about humans’ social-justice delusions, and if you had to choose people to go off-planet to colonize other worlds according to objective criteria for success, you would wind up with mostly white people who resemble 1960’s NASA astronauts or Soviet cosmonauts, along with their female equivalents. People in other demographics just couldn’t handle the ordeals involved.

The world’s SJW’s should appreciate the soft life they already have. We have created a benign environment for them to live in where they never have to science the shit out of their survival challenges.

I used to live near Huntsville, Alabama, home of Redstone Army base where they did the post war missile and rocket development. The big arena there is called the Von Braun Civic Center. They named it after a WWII war criminal who used slave labor (usually and intentionally to death).

At least the “original” movies – I guess I have to capitulate to the nerds and call them !V through VI now – show an awareness of the principles of good story-telling. Luke Skywalker’s character had to learn and develop, and his first confrontation with Darth Vader went badly for him. He didn’t emerge out of nowhere with his powers fully actualized.

By contrast, the social-justice Star Wars films portray characters who demonstrate arbitrary abilities and competence, without explaining or showing how they got that way. This regresses to the bad story telling of pulp magazines, where characters like Doc Savage or the Lensmen almost never make mistakes, and they could pull random things out of their asses to solve problems, frustrate their enemies and move the plot along.

right the original was a traditional bildungsroman where the audience followed the characters personal growth, trials, near failures and eventual overcomings. The prequel, was a commercial money maker that paid more attention to marketing than to story and was, for the most part, fucking dreadful. These latest seem all about social justice. So we went story-commercialism-sjw BS. If a 4th set of 3 movies come back where story is paramount then the entire 12 movie series would be a story in and of itself.

agreed. I see the original 3 as movies no one thought would be good but were. The next 3 as movies everyone actually tried to make good, but weren’t (mostly due to the sell out commercialism getting in the way with the talent) and this last set of movies being…well….I think we know what they are.

Mostly agreed. If a piece of fiction, cinema or anything related to art (which must be based on absolute creativity) contains a political massage or social commentary, it is guaranteed that the “artistic” will almost completely be ruined as is the case with this “Rogue One”. But for the sake of fairness let’s take “Fight club” which noted for its ultra-masculine “red pill” content has gained some sort of a Bible status for most of the manosphere dwellers. Being politically incorrect and probably far superior to this politically correct thing mentioned in the article, it still carries a political notion. One may call it “anarchic conservatism”. So, my point is that politics (no matter left or right) when becomes definitive in any kind of art is always disgusting.

Well… yes. I mean something can be born out of a political intent but as soon as talent takes charge that’s when it becomes art making the political less significant. It is usually the case with such crazy brilliant pieces like “A clockwork orange” (both the novel and the movie), which is initially a political satire. But what should matter here are such components as the contemplation of youth, violence and musical energy. And this is not usually the case with such literary diarrhea as “1984” which I still fail to understand (let alone for its rubbishy journalistic style) how is still so popular among most readers and literary academicians. Well, it’s perhaps because most people are mediocrities. And as a rule, mediocrities avoid the true art.

Well, maybe. But my issue here was not its gay author as there can be braver gay artists than some SJW, liberal hetero wankers that are considered artists. Besides that’s one thing being a homosexual author, and another thing being a “queer fiction writer”. My issue was the cheap sensationalist nature of the novel (and the film) and its obvious political intentionality.

They are portrayed sympathetically almost always – all the “Holocaust porn” that is present in every WW2 film & TV show, not to mention the fact of how a list of Hollywood producers reads like a Tel Aviv phone book.

funny, you can replace Brett White with D&D the writers of Game of Thrones and this article wouldn’t need to change. These two bush league fuck heads couldn’t write a grocery list without fucking it up and to compensate just keep jamming SJW bullshit into a story which is pre-written for them with an incredible, almost never seen before, tapestry of character arc, plot and internal coherent logic, pre-loved which guarantees a huge audience, massively funded….they have a really talented cast of characters, some of the best stage and scenery people…..they have it all and instead of putting one ounce of work into the show they basically shoehorn a bunch of fag and feminist motifs, shit on the plot and any sense of internal logic, and push it out into an audience which has already judged every episode 10/10. As Kasey Casem would say, Ponderous man, fucking ponderous.

That is part of it, but not all. I think the show went off the rails in season 3 when they still had material. I don’t know what happened but my guess is that grrm started paying less attention to the show and more attention to the next book. In an interview someone asked him if he was upset with the direction the show is going in and he said “not as long as they keep bringing me dumptrucks full of money” which is an answer I loved so much. At this point I won’t watch the show. I will just watch the excellent preston Jacobs recaps. The writers on the show are just very, very bad at writing. It really is a shame because, as I mentioned, they are working of an immensely rich and dense source material, have built in uncritical fan base so they can do what they want, have great actors, great designers, costumes, cgi people, practically unlimited funding….I mean they have everything that you could possibly dream of and more as a script writer and they don’t just manage to fuck it up but they make it so bad that watching the show is the equivalent to cumming into a late stage aborted fetus and then eating it.

pretty sure there is only one fuckable girl on that show at this point and she is in a love plot with a eunuch who, spoilers suggest, she will be having a sex scene with despite him having having neither dick nor balls (it is specifically mentioned).

Meh. Every chick in the series is unbeatably awesome in virtually every aspect, including strength, weaponry, warfare, cunning, survival… it’s become utterly and offensively preposterous and totally unwatchable.

What is important to understand is that saying I love the books is an understatement. I am such a nerd you can’t imagine. I am in the middle of online conversations that would make most nerds heads turn. I think grrm is our Dostoyevsky and the asoiaf books are the single greatest piece of literature we have had in our lifetimes. The showrunners could literally do a terrible job and I would still like it. But they have gone so far beyond terrible.

I get how personal connections can turn a person off. I think the books are fantastic and the first season of the show is great with the second and third being watchable and everything after that being utter shit. But if it is also tied up in memories with an ex I can see it going south quick.

That’s because GRRM didn’t have the balls to make ASOIAF the trilogy that it should have been. He does good writing for the other books, but 4 & 5 are chronologically fucked up. It would have been difficult to make sense of anything after the red wedding even if the writers were any good.

Imo the story was too big for a trilogy and I don’t mind the chronology. It takes some picking apart but I don’t mind it. Blaming grrm for the failures of the show, imo, is really nuts. The show runners pretty much fucked everything up because they are not smart or talented and grrm doesn’t seem to care because it’s just tv and he is getting rich which is a position I can respect

The books seemed rather gender rational. The women were mostly pampered and useless, and at best gained influence by using sex to convince their men to do stuff for them. They were even the source of 95% of the whining in the books. The one exception was brilla (or whatever her name was), but considering how ugly she kept being described I kept expecting her to reveal that her mother was a giant, troll, or other monstrous creature. How does the tv show differ with respect to this?

There is so much to be pissed about. Ok. I know not everyone can nerd it up like me (For instance, did Roose really betray Robb at the red wedding? Ned was still alive when Robb marched south and split the armies and as such the Boltons, Ryswells, Dustins and Manderlys never ascented to Robb’s kingship so by the red wedding, if house Bolton was still under the power of the IT, he was no longer subject to house stark and Robb was not a king, not a lord, not warden of the north but an attainted and condemned traitor) but even without the crazy stuff I get into…they basically just farted out every scene. Tyrion acting in self defense when killing shae…the entire where do whores go plot totally missing, the whole tysha story. If I sat here and typed just how much they fucked Tyrion up since season one this comment would take me 3 days to write and he isn’t even the worst of it. I could go on for a year about how the fuck succession seems to work for this nimwits.

yes to all of this. Renly’s homosexuality being hinted at is important because there was another whole subplot where there are the younger brothers of the men who fought in the revolution. Guys like Tyrion, Renly, Loras, etc were all too young to fight so while their older brothers were changing the world they were sucking their mother teats. However, now they are adults and people, especially guys like Robert, looked at them like little pussys because they enjoy the wealth and power that a revolution they were too young to take place into.

Fuck dorne in the shows is all I have to say.

BTW: I am totally on board with the R+L=D;B+A=J theory

As for favorite, it is hard to say. I kind of read them like one big book. SOS was great and probably, stand alone, the best but I have read through the series 6 times now and find it hard to separate out the plot into individual books.

hard to explain here. It is Rhaegar+Lyanna=Daenery AND Brandon + Ashara Dayne = Jon. I first saw the evidence presented in Preston Jacobs 3 part video series Tower Tower Joy Joy (google and ye shall find). Watch all three videos in the series and let me know what you think. I don’t agree 100% with every point he makes and I have fleshed other points out to places he hasn’t gone but, in general I feel the whole thing is right. Here is the link to the first video to help you get started. https://www.youtube.com/watch?v=m-u2gUM4Vvc

Nah, thats a weak theory imo. Daenerys is younger than Jon Snow so the timeline doesn’t add up and how would Daenerys leave the clutches of Ned Stark? How did she end up back on Dragonstone before they fled to Essos with Viserys? I think the more credible theory is that Jon Snow is the bastard child of Lyanna and Rhaegar. A song of Fire(Targaryan) and Ice(Stark)

did you watch the three videos? There are some small timeline issues, but I think they can be handily dealt with. If you watched the videos and don’t agree, that’s fine. Hopefully this fat fuck will write another book and we will find out. If you haven’t watched the videos, give them a watch. Even if you don’t agree they are enjoyable and I honestly believe that the case is laid out very nicely.

“They are so incapable of coming up with new ideas that, like a talentless trustfund baby minimalist artist, their only idea is to “add leftist/racist politics” to an already existing work of art.”

This made me laugh. At my weekend job I know a 33 year old guy just finishing his undergraduate in painting and this describes him so well.
I remember when he came to me freaking out this summer because he had just found out that his trustfund would be running out in a year.
The worst part of his story is that his thesis proposal was rejected a couple weeks back and now he wont be able to complete his degree unless he re-applies to the program. When I asked him what his final project was supposed to be he said something along the lines of painting how black people are an oppressed minority. I currently study at an arts focused university and that describes about 60% of the projects being done. Cappy is right that 21st century artists just take established forms of media and add a leftist political message so it counts as new and trendy art. I even had a successful colleague of mine tell me that refugees are all the rage right now in the art scene.
This dude has been on a drinking bender for about 3 weeks now… And honestly I think it’s too late for him to take the red pill…

fukkin ay……
Shitty artist, but he’s right on the ball, as far as “Art Marketing”. I learned a long time ago if you expect to win competitions in ANY design discipline, make damn sure you throw in pictures of black kids, the more miserable the better. My wife got boxed out of a photo contest because someone was “artistic” enough to snap a pic of a black kid bleeding from a busted mouth….And back in school a low-talent, zero-discipline doofus friend of mine won a huge competition due to gratuitous black-kid imagery on a freakin’ building!

Here is the hilarious irony of white SJW’s: they are the biggest racists. They view anyone with colorful skin as “oppressed” and in need of a Great White Savior. They view them as poor and despondent.

Whenever they do happen to meet a real black person, they are shocked when they see that they don’t live in some ghetto eating week old pizza. They say things like, “Wow, I didn’t expect you to live in such a nice house.” And it’s comments like these that helped give rise to the term “microaggressions.” But most of these slights come from elitist leftist whites and not middle class conservatives.

I have done my part to work with my black friends in convincing them that Democrats will never respect them, and barely even see them as human. To liberals, black people are little pets to be cared for, like those kids covered in flies you see in charity commercials.

I’m not going to lie, I’m going to go see it. I have always loved Star Wars. However, I think it’s important anytime you are inhaling leftist propaganda to ensure that you understand what you’re watching, and continue to think for yourself.

Avoiding all forms of entertainment and media isn’t how we beat the liberals. Being able to perceive it and not be influenced by its underlying social messages is. Do see it or don’t see it I don’t care. Just remember to think for yourself.

But consider this… let’s say we can separate the social message from the movie… it is going to become a lot harder to suspend disbelief because we know the story is crap, and the movie is going to be far less enjoyable.

Think about what happened the first time you saw a movie that featured prominent gunplay after you learned how guns actually work.

I’m seeing this more and more. I tried to watch “Supergirl” and like that show, mostly because I like the superhero genre in general.

Unfortunately, every week was another left-wing talking point. One week was about gun control, another week was about climate change. One week, Supergirl had to rewrite an article she wrote because her editor told her they don’t write op-ed pieces but the implication was that she was right and her editor was wrong.

This kind of stuff used to be more subtle. In the past, Hollywood would mask their political intents, which is why HUAC was formed. These days, the hacks who work there aren’t talented enough to do even that.

I will say her appearance in the Arrowverse crossover last week was a lot of fun. Especially Heatwave refusing to call her “Supergirl” instead calling her skirt and asking her to call him sometimes. This after admitting to her that he burned his parents alive as a kid and likes to watch things burn.

I saw the pilot. Three times during this hour the main skirt was accused of being “just a girl”. As if anyone over the age of five talks like that. I did rather enjoy the fact that at the end she tells her secret identity to two guys literally just to attentions whore. One of said guys being someone she barely met five minutes before. Oh and pale skinny loser jimmy somehow became tall muscular and black. Probably because every white girl on tv has to get with a black guy these days.

Its so fucking funny to me that these SJW leftists think that blacks, muslims, and even the pussy beta whites are going to rally behind a “strong woman.” Maybe the beta cucks but there is no fucking way any of the others will.

So basically this asshat just confirmed that Jyn (and Rey) really IS a Mary Sue, just like most of us have been saying. Will she have tattoos and purple hair dye too? As if I needed any more reason to NOT see this stupid prequel….

Why in the flying fuck would an adult male give half a shit about star wars in the first bloody place. Are people really that desperate to relive childhood or even worse, pass the crap to their children as if it’s some great import?

What’s missing in the article is George Lucas is a hack too. He borrowed a lot from other sources. And he ran out of steam by the end of the trilogy. Return of the Jedi is just a repeat with another Death Star. They seem to enjoy blowing up Death Stars endlessly. 3 times it happened. Star Wars is a children’s movie. I grew out of it a long time ago.

Oy vey! You goyim don’t know what makes good entertainment. There’s nothing more enjoyable than watching 4’10” girl beat up 6′ tall, muscular, white men. You goyim must understand that the diversity is so enriching and vibrant that their raping your daughters and sons is a small price to pay for it. There’s nothing as uplifting as watching us defile your culture and civilization. Oy vey!

One would hope that under Trump, some of this will go away, but that’d be like getting termites out of a house they’ve nearly destroyed – if you’re not careful, trying to fix it will make it collapse. Libs entrenched themselves deeply in culture and education for a reason.

I was thinking the same thing. Perhaps we can finally get some good movies with believable characters that behave realistically according to their gender roles.
I doubt we can get Star Wars back on track though, since it belongs to Disney.

Notice that only the white men in the Star Wars universe know how to build Death Stars. That shows way more intelligence and competence than we see in the Rebels.

Otherwise the IQ-challenged Rebels would come up with their own super-weapons to destroy the Death Stars, which they apparently can’t do. When Hollywood portrays white men as a race of super-villains, at least it gets the “super” part right.

“When I look at the ‘Rogue One’ trailers, I see what I want from America. I see a multicultural group standing strong together led by a rebellious and courageous woman. That’s what we are working towards, and what we will continue to work towards no matter what. ”

I’ve found that women are “strong”, “rebellious”, and “courageous” only as long as things are going well or as planned.
When TSHTF, they usually ‘lose it’, go all to pieces, and start crying. Then the nearest man has to ‘pick up and carry on’ before everything goes to hell in a handbasket.

Didn’t see TFA since I pretty much lost interest in SW after the pre-quels and Lucas’ remastering the originals. I always thought Han Solo’s character really deteriorated across the original films- just didn’t remain consistent with a smuggler/survivor type. Even less interested in catching TFA sometime after learning it’s pretty much a remake of the original.

I’ve always preferred Star Trek over Star Wars. Say what you want about Trek and how it started off with a diverse cast from the jump, it never really pushed a political agenda on its viewers to the degree that the last two Star Wars movies have.

Fu ck Star Wars, if this is the route they want to go. My wife and I see maybe three or four movies a year in the theater. Rouge One will not be one of them.

Looking back at TNG I would say it pushed more of a fantasy unreality than anything, especially in terms of political dealings. I enjoyed all of the series, but there were more than a couple examples of things that “just wouldn’t happen” no matter what timeline we’re in…

In the ending of the episode The Pegasus the idea that a lowly ship captain could countermand the orders of an admiral, or even all of Starfleet Command even if it is for “ideal” reasons is of course laughable.

Then there’s the plot of the Chain of Command feature-length episodes. The idea that an executive officer could just blow off an order from a captain and only face confinement to quarters is silly.

But looking back… it is just a TV show, and we all need to get a life 🙂

plus the federation is communist (no money, just everyone contributing according to their ability and being given according to their needs), and the pure capitalistic ferengi are dishonest thieves who had to buy warp technology from other species to get off their planet. Oh and everyone is killed and cloned every time they go through a transporter lol

Regarding the whole artist thing. In one of his books Roger Zelazny had a character make a statement regarding there being a difference between wanting to do something creative and wanting to be known as a creator. Wish I could find the quote but it was along the lines of
He didn’t understand folks saying they wanted to be a writer vice wanting to write, be a painter vice wanting to paint. I think a lot of folks in the arts want to be known as ‘artists’ but have no real desire to create art- works that speak to some view of fundamental aspects of humanity.

This “wanting to be a ((fill in blank)) vice wanting to ((fill in blank))” sounds a lot like wanting to be ‘something’ without having to ‘make the effort’ or ‘do the work’ to accomplish being that ‘something’.
It sounds a lot like how Leftists and Feminists want to be “rich and powerful”, but they don’t want to make the effort to make themselves “rich and powerful” — instead, they want the government to take the riches and power away from the “evil (white) men” (for any spurious reason) and give those riches and power to them (who ‘deserve it more’).

Do blacks fuck up? Of course. Do whites? Of course. Do each have their own unique neuroses and bullshit? Sure.

But I don’t think any normal human being is going to watch a movie about how blacks are ruining everybody around them, because it’s tiresome and obnoxious. If that’s what you believe, you can say it in five seconds instead of having it pounded into you over an hour.

A movie about evil space blacks is OBNOXIOUS. It is stupid and nauseating, and most of all, dull, because it’s just the same exact message repeated over and over again through the course of an hour.

That is the thing about SJW films. They aren’t about “Truth” (which is art), THEY ARE SERMONS.

These are the preachy assholes that everyone hates in religious circles as well, the smarmy jackass who found some line in a book, takes it completely out of context and uses it to shove his flaccid penis into your face, so he can boost his own precious ego at your expense.

“These are the preachy assholes that everyone hates in religious circles as well, the smarmy jackass who found some line in a book, takes it completely out of context and uses it to shove his flaccid penis into your ass right in front of your wife or girlfriend”

Exactly. Like those douches who consider Juliet’s decision to drink the potion an early example of female empowerment. Poor Bill.

It’s a Disney franchise now. Disney is on the front lines of normalizing every destructive behavior, ideology, and perversion. Take a few minutes and watch the Disney channel. It will make your stomach turn.

Went to minimum cable way back when my kids were very young. Most Disney shows portrayed the kids as smarter than the parents and other adults, and usually having the ‘right’ attitudes about issues and bringing the parents around to the correct way of thinking. Kids don’t need the message that adults are clueless.

I watched the trailer and saw Hunger Games mixed with Battlestar in front of a Star Wars backdrop.

My opinion of it: do recycling in your backyard, please.

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