2016 has been a great year for Charming Baker. His show Sweet Nothing at Sotheby's S2 gallery was a huge successSotheby's described him as an artist of restless imagination, whose subjects range from the everyday to the deeply personal, leaving the viewer to make their own connections and conclusions.“I like to take people along a path which leads them to a place they don’t expect to be,” says Baker.

As part of the UltimART Golden ticket we have an original Charming Baker sketch signed and framed by our best buddies at Jealous Gallery. This is a monumental prize for someone who buys a £10 Golden ticket

Further reading...

Ramiro’s artistic practice is particularly influenced by poets and writers and it is precisely this illustrative aspect that allows us to enter with childish naivety into the romantic realm of his work.

Lizzie Riches is inspired by the relationship between civilisation and nature. In her own words, ‘I walk around cities, I look at people, I read books, I look at other people’s paintings, and I make a kind of soup of all this information and something comes out of it’.

Cathie’s poignant sculptures create a sense of uncanny familiarity within the viewer and ascribe new value and meaning to old forgotten objects. Texture, form and movement work together to provide an animated aspect to the dolls, their fleshy and carnal qualities almost bringing them to life.

Bill explores the capacity light has in bringing subjects in or out of focus, twisting forms and skewing vision. In this way he finds a balance in making the spectator aware both of what is being represented and of the process of representation.

"I grew up in a city so I wasn't really around animals, yet it still felt nostalgic making the work. Perhaps because it’s easier to blur the lines between animals, people and things in a childhood, imaginary world."

Her work is often centred around urban crowds where the figures overlap, and the depth of field is worked in such a way that our perception is skewed. In this way her paintings are sensually manipulative because they seem at certain times flat but at others as though they contain such extraordinary depth.

"Much like the art of the Mughal Empire, Rupert Newman’s work is a satisfying plethora of colours delicately laced together to create an orderly, calm-inducing composition, providing us with a fixed point for meditative contemplation."