JODIE DOESN’T LIKE GEORGE, but you’ll love the Seaside Heights Amityville Film Festival!

AMITYVILLE FILM FESTIVAL IN SEASIDE HEIGHTS CELEBRATES 30 YEARS SINCE FRANCHISE TRILOGY BEGAN FILMING IN NEIGHBORING TOMS RIVER:

It is the most notorious haunted house in Hollywood history, and it is to be found in an unlikely place: along the peaceful banks of the nearby Toms River, at 18 Brooks Road. To celebrate 30 years since the filming of the first Amityville movie to be filmed locally, an Amityville Film Festival is being held in Seaside Heights as part of the Free Movies on The Beach series this summer. The event is scheduled for Friday July 11th at dusk, and will show all the films shot on location in Toms River: The Amityville Horror, Amityville II: The Possession, and the mother of all horror franchise exploitation films, Amityville 3-D, The Demon.

A movie poster for the film, The Amityville Horror, filmed in 1978.

The cover of a video release of Amityville II: The Possession, filmed in 1981.

The cover of a video release of Amityville 3-D, filmed in 1982.

In 1977, a best-selling book, The Amityville Horror was published and was opted for a movie. The book was about the experience of George and Kathleen Lutz, who lived in a house at 112 Ocean Avenue in Amityville, New York for 28 days between December 1975 and January 1976. They claimed the house was haunted and was possessed by frightening and evil spirits. Adding to the macabre was the fact that the home they had purchased had previously been owned by the DeFeo family, who had all been found murdered in the house, shot in their beds in November 1974. Ronald DeFeo, Jr. , then 23, was convicted of the murders of his parents, two brothers and two sisters, claiming at his trial that he heard voices telling him to commit the horrifying crimes. The Lutzes knew of the house’s history when they purchased it, and claimed it did not bother them. On the contrary, George Lutz purchased all the DeFeo furnishings and kept them in the very same locations, including the very bed frames in which the family had been murdered. The alleged reason for the haunting or possession was accounted to a continually-disputed claim that the house had been built on a sacred Native American burial ground. Although some thought that it was an elaborate hoax, these topics were explored in a big budget Hollywood production, filmed mainly in Toms River.

The cover of the book The Amityville Horror promised, “This book will scare the hell out of you.”

Like Ronald DeFeo, Jr, The Lutzes also claimed to have heard voices in the house and to have endured a laundry list of paranormal activity that forced them from it. The claim was that it all began when a priest blessed the house on moving day. The priest claimed to have experienced a chilling cold, flies appearing out of nowhere, and a voice ordering him to “Get Out!” Toilets were said to have turned black, even though scrubbed with Clorox. Odd green slime was reported to have appeared on carpets and out of keyholes. George Lutz claimed that he could not get warm in the house, and would be woken up by some strange noise or occurrance, each night at exactly 3:15 a.m, the approximate time of the DeFeo murders. Kathy Lutz claimed to have had vivid nightmares where she was one of the murder victims, and also claimed that for a few hours one evening she took on the appearance of a 90-year old woman. The Lutzes claimed that there was a mysterious red-painted room that reeked of excrement in the basement, and supposedly the ‘passageway to hell’. Both Lutzes had also claimed to have witnessed a demon pig with red glowing eyes named “Jodie”. “Jodie” was alleged to have first appeared as an imaginary friend to the Lutzes 5-year old daughter from Kathy’s first marriage. The Lutzes said they first thought that the stories about their daughter’s new imaginary friend were cute. But soon however, they became concerned. “Jodie” had supposedly said to the little girl that she would be living in the house forever, just like the children who used to stay in the room before her. One of the most remembered quotes from the film came from the the Lutz daughter, who told her mother in a matter-of-fact way about her step-father, “Jodie doesn’t like George.”

The DeFeo/Lutz home in Amityville, New York, as it appeared in the mid-1970’s.

Because they had been refused permission to film in Amityville, the original filmmakers had to find a similar looking house near a body of water. The house in Toms River was not a perfect match. Although its location was scenic and was along the water, it was not a Dutch Colonial like the DeFeo/Lutz home. However, the magic of Hollywood created a false gambrel roofline and quarter-round windows at its peak, distinctive trademarks of the original house. Beginning in 1978, a trio of movies began to be filmed at the Toms River house, which was once located at the corner of Dock and Water Streets (now moved on the property) in Downtown Toms River, and once could be seen easily from the well-traveled roadway. Between films, the false roof and windows would be removed, only to be replaced in time for the next film.

The best known features of the Toms River Amityville house, the gambrel roofline and malevolent-looking, always glowing, quarter-round windows, were a facade.

The Toms River house has seen just about every movie special effect trick possible. Among other things, it has been filmed enduring a storm of hurricane strength, wind provided by large fans, and “rain” provided by the hoses of the nearby Toms River Fire Department #1. Pyrotechnics specialists have even made the house appear to “blow up” in a ball of flames, more than once, in later movies. (This proves how far the story strayed from the supposed truth when Hollywood got their hands on it. There has never been any type of fire or explosion at the original house in Amityville, still in perfect condition today.) Although all the movies were filmed in the same house, none of the plots are sequels to each other. The Amityville Horror was a Hollywood-version of the Lutzes story. Amityville II could possibly be called a prequel, as it is loosely based on the possible experiences of DeFeo family, although it is clearly fiction. Amityville 3-D is purely Hollywood exploitation. Nothing in this third film bears any resemblance to anything that ever occurred in the Amityville home. One thing is common however to all films: close-ups of the house with eerie music, focusing in on the quarter round windows near the barn roof that always appear to be glowing.

Lightning appears to strike the Toms River Amityville movie house in a scene from one of the three films.

All three movies show a version of the “passageway to hell’: a bright red room in the first film, a housefly and excrement infested crawlspace in the second, and a hole in the ground in the third, said to be an old well in the film’s dialogue. None of these rooms is anything like the actual room in the house in Amityville, which was filmed in 1979 in an attempt to prove the story a hoax. The actual “red room” appears as a simple and innocent closet with a badly peeling red paint job behind a neatly trimmed-out wood paneling door. “You couldn’t even swing a cat around there.” said later owners of the house.

A photo of the red room, thought to be the passageway to hell by some, and thought to be an innocent storage space by others. “There were never any ghosts, spirits or anything like that.” said a frequent visitor to the home .

Other films have been made about Amityville, including a 2005 remake of the 1978 original, but none of them used the Toms River location. Sometime after the third film wrapped, the Toms River house was picked up and moved from its original location to the very rear of the property, placed parallel to the river, the opposite to how it once stood. This was an attempt to confuse curious and annoying tourists and vandals, who flocked to the house on weekends and at Halloween. Later, a much different looking house was built in its former place, further blocking view of the movie house from the street. The movie house was painted blue, and every attempt was made to distance it from the trilogy of horror flicks filmed there. Because the house was moved so drastically, it lost the ominous look and appeal it had when it had been perpendicular to the river, like the house in Amityville is. Even if filmmakers wanted to, or were even allowed to film there again, they probably wouldn’t be able to do so with this change alone.

The Toms River Amityville movie house as it appears in 2008.

It is clear to see that this house is NOT a Dutch Colonial, and actually has a traditional roof line and square windows atop.

This is the house built on the initial site of the Toms River Amityville movie house.

Although the original house in Amityville remains in the same place, it looks far different now. The quarter round windows that were its calling card have been replaced by common square windows. The house number has long been changed to 108 Ocean Avenue, and there have been other cosmetic changes to make it appear different than it did at the height of the Amityville craze. These changes were made in attempt to confuse tourists, as had been the case in Toms River. There is absolutely no mention of the DeFeo murders or the Lutzes claimed experience at the Amityville Historical Society. Locals are openly hostile to tourists who come to see the house. All of the owners of the property since 1977 have dismissed the Lutzes story as hogwash.

The Dutch Colonial at 108 Ocean Avenue in Amityville, New York, as it appears in 2008.

The Amityville films have had an enormous impact on American popular culture in the last 30 years. What seems to make the story so frightening is the fact that an otherwise ordinary house appears to turn on it owners. The home, a symbol of comfort and safety, becomes the unseen enemy. Unusual, but ordinary things, such as a quarter round window or a red-painted room suddenly became frightening symbols of horror and terror. The films achieved an amazing feat: forcing movie-goers to forever change how they think about their homes. Given the popularity of the movies, and the public’s continued fascination with the story 30 years on from the local filming, the Amityville films were an obvious choice to be included in the Free Movies on the Beach Series in Seaside Heights in 2008.

It’s a boy for Rob and Jennifer Affa: Congratulations are in order to Rob and Jennifer Affa, owners of popular Seaside Heights restaurant On Top of Spaghetti. Proud new parents welcomed baby Luca James April 25, 2008 at 1:41 p.m. To commemorate the occassion, a large sign reading, “It’s A Boy!” was displayed outside the restaurant. Mom Jennifer hadn’t been around the restaurant much for the last few months, but Dad Rob was, speaking of almost nothing else except the impending birth of the baby and the plans he had for them as father and son. The entire OTOS family is excited about the birth of baby Luca.

Luca James Affa, born April 25, 2008.

The sign hung up at On Top of Spaghetti, announcing the birth of Luca James.

Charlie Sganga, aka Chaz-E, will perform as young Elvis on Mother’s Day at the Franklin Avenue stage, 12 noon.

Chaz-E to perform as young Elvis, Mother’s Day in Seaside Heights: Mark your calendar for Mother’s Day, Sunday May 11th. At 12 noon, Chaz-E Entertainment will present at tribute to the King of Rock and Roll, Elvis Presley, at the Franklin Avenue Boardwalk stage. Chaz-E, aka Charlie Sganga, says, “Hello friends, I’ll be doing a Mother’s Day Show live here in Seaside Heights May 11th. The show is entitled, “Remember the King: The Early Years.” So please, show your mother a great time, she’ll never forget it, and I guarantee you a good time. Thank you, thank you very much.”

Seaside Heights debuts new beach rake: New for the Summer of 2008 is a new Barber Surf Rake, used for the beach. According to Borough Mechanic George McKelvey, the new rake replaces a similar model, but has newer, better technology The sand is raked on a daily basis in the summer, as Seaside Heights prides itself in maintaining a clean, litter-free beach. Each day, a team is deployed to empty trash cans and pick up large pieces of litter ahead of the rake. . The rake sifts the sand as it glides across, removing all small foreign matter and depositing it into a hopper. A “finisher” then smooths out the sand behind it, leaving the beach fresh for a new day.