"Lau derette's inaugural release documents the work of Connie Converse, a truly unique songwriter who left behind a haunting body of music after her disappearance in 1974. Around 1949, Elizabeth 'Connie' Converse dropped out of Mt. Holyoke College and moved to New York City to make her way as a musician. Over the course of the next decade, she wrote and recorded a body of truly unique, plaintive and haunting work. Some songs she recorded herself in her Greenwich Village apartment, others were recorded by friends enamoured of her music, but almost none ever reached an audience wider than, as she once put it, 'dozens of people all over the world.' By the early 1960s, despondent over the limited commercial success of her music, she decided to leave New York for Ann Arbor where, in 1974, Connie wrote a series of goodbye letters to friends and family, packed up her Volkswagen and disappeared. She has not been heard from since. At first listen, Connie's music seems to keep close company with the female folk artists who were her contemporaries. The knack for plaintive storytelling shares much with Peggy Seeger and Susan Reed. Reed knew Connie's music well, and performed a set of her songs in 1961 at the Kaufmann Concert Hall in New York. But Connie's music stands out from that of the American folk revival of the 1950s. Her fluid and disarmingly intelligent poetry reflects an urban perspective, that of a new New Yorker becoming disenchanted by the bucolic tropes of folk music. She is at once a maverick and a romantic, intellectual and spiritual, a staunch independent and a tender, pining lover. How Sad, How Lovely marks the first full-length release of Connie's music."