Thursday, September 15, 2011

"Drive" Review

After a summer of cheap thrills, Drive delivers thrills on the cheap. With a budget Michael Bay might have allocated for a single effects sequence in Transformers 3, Danish director Nicolas Winding Refn made one of the best movies of the year. Following Bronson and Valhalla Rising, Refncrafts his most polished, commercial work yet, while retaining all the ambiguity and unbridled aggression of his tough-as-nails art house pictures.

Bearing thematic resemblance to Darren Aronofsky's recent output, Drive is like Black Swan in overdrive. The film pins its headlights on the dark implications of unchecked obsession and good intentions gone haywire. That dangerous duality – humanity on the razor's edge of animal brutality – is played to unnerving perfection by Ryan Gosling.

Rightly among the most reliable names on the Hollywood marquee, the star of Drive plays a crucible of a character. A friendly, fatherly figure to his neighbor (Carey Mulligan) and her young son, he's decidedly less so when the two are threatened. A sort of oblique, ultraviolent superhero, the driver leaps to defend the innocent with bloody determination. If the first half of Drive plays as drama, the second is straight up revenge fare.

Playing on the juxtaposition of calm and calamity, Refn keeps us on our toes throughout. Quiet moments stretch into suffocating silence, and the explosive violence that inevitably shatters it practically tears the frame in half. The audio is expertly mixed; you'll want to see Drive loud. From its roaring engines and visceral blows to its curt dialogue, the film is an altar to the power of great sound design.

In truth, Drive isn't pervasively violent, though its most excruciatingly effective moments leave a memory trail like tire streaks on a sunbaked highway. At the heart of the story is a compelling, surprisingly tender romance. Carey Mulligan has proved herself a similarly reliable talent to Gosling, and has worked in recent years with the likes of Michael Mann, Oliver Stone, and Mark Romanek.

Her fragile character's relationship with the driver is subtle and nuanced in a manner atypical of thriller convention. They're not family, they're not even sleeping together. Drive is not a sexy film. Refn fetishizes neither cars nor women; if The Fast and the Furious is the sleek exterior curves of an automobile, Drive is the greasy, undulating pistons. And it's utilitarian at a lean 100 minutes.

The rest of the small cast also impresses. Albert Brooks plays against type as a cutthroat crime lord, and a note-perfect Ron Perlman plays his meathead partner. Bryan Cranston of TV's Breaking Bad has a small role too, as employer and confidant to Gosling's character. Their relationships shuffle as lines are drawn and redrawn, but none of them comes away unscathed by the film's end.

Drive is either the explosive end to a lukewarm summer movie season or an early autumn adrenaline rush. In machismo, it far outpaces its hundred million dollar competition, leaving overwrought tales of lesser heroes like Thor and Green Lantern in the dust. Its troubled characters, and the bonds of desperation that link them, elevate the film above its genre trappings and shield it from disposable entertainment status.

Nicolas Winding Refn's Drive is an anomaly. It's like a 1200 horsepower hybrid. And it's one of the best movies of 2011.

About Us

Colin George

Captain & Host

Colin graduated from film school into a world shockingly devoid of film-related jobs. He makes the best of this curious anomaly by lending his expertise to the internet. God help this poor, misguided fool.

Brian Crawford

Local Favorite

The Kremlin with gremlins named Melvin/ Who all want to be local fave/ Were sent to the grave/ For they misbehaved/ And I was given the title.

Kevin Mauer

Studio Manager

Kevin is a guy. He likes reading, writing, and reading about writing, but he HATES writing about reading. He also likes movies and is quite prone to watching films.

Jonathan Mauer

Adventurer Extraordinaire

After spending six months hiking the Appalachian Trail, normal life is dull by comparison. Jonathan wards off the dulldrums as a cash register jockey for the populous chain REI, working the third shift at QVC, and watching TV shows (that may or may not be Law and Order) while probably drinking excessive amounts of alcohol (with or without Suman). Sometimes he writes and takes pictures.

Suman Allakki

Knucklehead

Suman has inhabited six countries, is not a citizen of the US, but IS a licensed pilot. Suman can be found watching bad movies on Xbox (via Sonic's Netflix account), running marathons, drinking excessive amounts of water, and avoiding the law. Currently moving back to glorious Princeton, NJ.

Sonic Kim

Co-host (when applicable)

A pseudo student in Drexel University's Film and Video program, Francisco Sonic (yes, that's his real middle name) Kim is currently taking a hiatus from film school to, well, make films. Sometimes he says funny things.

Tyler Drown

Friend of the Show

Tyler Drown was born some time ago and learned to be cool through hard work and perseverance. One day he realized some films are more enjoyable and better made than others. In 2009 he was granted a degree in International Business and Entrepreneurship and a minor in World History & Politics. Fresh from Amman, Jordan, Tyler is now making a life for himself in New York City.

Brian Johanson

Big Apple Corespondent

Some call him haggard. Others, a demon in the sack. To some he is known as the guy watching them sleep as he mutters to himself. But most people just call him Brian.

Maggie Ruder

nth Timer

Maggie does a wicked good impression of a filmmaker. Currently she works as the Design Director of the Philadelphia Film Society/Festival, as well as doing graphic, environmental and production design for various organizations in and around Philadelphia. She enjoys free paper samples, reading in the hammock and long walks in third world countries. Maggie will be in the Philippines for the next year working for the art department of a feature film.

Sometimes she presses buttons and turns knobs when Micah isn't around. Other times she is suckered into hosting when everyone else is busy. When not dwelling on how woefully poor she is, Laura spends her time playing with her parrot, teaching herself about podcasting, and delving into the wonderful world of post sound.

Micah Haun

Master of Sound

When he isn't making sweet animations or foul comments about Apple products, Micah is commander of the Almighty Firepod, keeping voices from peaking, volume from rising, and our love of films from getting just a little bit TOO loud.