PolaroidPolaroid photo of the former Polaroid factory in Enschede. I photographed the logo in 2001 as research for 'Wij', an exhibition at Kunstvereniging Diepenheim investigating the cultural identity of the Twente region. The factory closed in 2008 and the text sign has been removed in 2009. Polaroid is an edition of 20, still for sale on frenhofer.nl.

The Trouble With ValueWhat practices bring us closer to understanding the potential of art to represent different notions of value in the contemporary? How can we counter the certain apathy of the contemporary to engage with positions that resist this mood and present us with challenging perspectives on value? The project attempts to locate artistic and institutional practices that offer viewpoints beyond the strategy of blending-in and conforming to the rules.

NieuwkomerFor months after I first stood on that little bridge, I continued to circle around the windmills. Not only with my camera, but also with a microphone. When you look closer, the polder turns out to be an arena of conflicting interests. The cluttering of the landscape stands in opposition to climatological necessity; economic and ecological interests are locking horns for dominance; innovation oriented towards the future has to compete with the appreciation for history.

Call meIts either filthy thoughts or intellectual blah-blah, and nothing in between. Look closer. More closer. Look at me! You hear me?! If theres any reason for me to be ashamed, its you. The only reason Im standing in front of the town hall is because I happened to have been created by a world-famous sculptor: Rodin, the genius of deep emotions and existential gestures. Yeah right. The way Im standing here, Rodin is the only person whos never once laid a finger on me.

Rodin researchFrom 2005 onwards, I have been focusing on Rodin as a research topic. The main question that I ask myself is in what way Rodin consciously helped shaping the mythical proportions of his own artistic persona. By studying his life and works and by studying the timeframe of the second half of the nineteenth century  in which his work came to existence  I seek to create a context of paralel references as a source of inspiration for nowadays artistic practice.

Re-MagazineRe-Magazine's great virtue is its willingness to expose sentiments that seldom find public expression, most often relating to the apparently trivial experiences and memories that make up the larger part of existence. Alongside this editorial idiosyncrasy, it is beautifully designed and photographed, each issue adopting a form to suit its subject - Emily King, Frieze, October 2003.

On ne touche pasOne image is not the same as the other and there are also images that know their place: images that not only form a world in themselves but also refer to a more complex reality beyond themselves. And this is what I would like to focus on in this lecture, with the help of my film Museum, dating from 1998. For me, reflection on earlier works is not meant to dwell in the past. It is meant to stimulate preciseness and to develop internal coherence.

Re-Magazine #11 (Marcel)I forced myself not to spit, but to swallow. The undissolved salt got stuck to the back of my throat and oesophagus. I ended up nearly choking. It was as if I had eaten a mouthful of sand. I then began to drink one glass of water after another, but the salty taste persisted. It was terrible and wonderful at the same time, and in some strange way physically exhausting. I had eaten about 30 grams of salt, only five times the recommended daily allowance. Committing suicide can be very easy: one kilo of salt is all it takes.

Re-Magazine #12 (Hester)The door slammed behind us and we got locked out. We decided to deal with that later and first take the furniture down to the car. So we got into the lift with the filing cabinet and then the lift stuck. There was hardly anyone in this building, I was maybe one of only five people that had moved in. We were stuck in the lift for three hours and every time we heard a noise wed bang on the door. Eventually somebody came past and realised we were stuck and went to get help. When we got out of the lift we found out the car had been clamped while wed been stuck, which meant a penalty of 120 pounds.

Re- Magazine #9 (John)I still remember the moment perfectly, it was summer and I thought, Ill disappear in the autumn. And thats what I did. I hatched my plan in secret. What surprised me was that my decision didnt calm me down. I heard people who commit suicide live in great harmony with themselves and their surroundings during the period between deciding and carrying it out. For as long as I can remember Ive felt hustled, and that feeling only grew worse after my decision.

Wij / WeThe definition of the word definition is: the description of the essence of something in one or two highly precise and succinctly formulated sentences. That is by no means easy, and we certainly dont pretend to be able to do so. Nevertheless, there are a lot of characteristics that we find interesting and that we come up against in wondering about what might be typical of the region known as Twente. But those things arent so much absolute as they are relative.

Re-Magazine #10 (Claudia)At times, her intelligence left me speechless and her beauty left me breathless. Her overwhelming height of 1m98 and dazzling charisma makes Claudia a woman who is almost too big for this world. This is a story about Claudia's monumental size, breathtaking beauty, staggering intelligence, mind-blowing success and pure happiness. Claudia has it all and shes ready to share it with you.