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This is the official blog of Northern Arizona slam poet Christopher Fox Graham. Begun in 2002, and transferred to blogspot in 2006, FoxTheBlog has recorded more than 670,000 hits since 2009. This blog cover's Graham's poetry, the Arizona poetry slam community and offers tips for slam poets from sources around the Internet. Read CFG's full biography here. Looking for just that one poem? You know the one ... click here to find it.

Saturday, July 20, 2013

made of steel and mint juleps
curled up kundalini in her hips
she rocks to the beat
in a to and fro touch and go
shaking the room to its foundation

she breaks beats like bread
"take, eat of this my body," she says
her blood is busy though
snap kicking extremities to their exasperated edges
like the last great explorer discovering a New World over the horizon
where limbs meet limits
and bones bend time and space
she's a gravity well
drawing the eyes of everyone into her orbit
like falling satellites
burning brilliance in her exosphere
yet unable to touch her surface
without being crushed by the pressure
but if she holds you close like a love letter
just about be cast in the fireplace
presses her fingerprints into paper skin like an undiscovered crime scene
your lips ache to be solved by her detective tongue
until your law and order lifestyle
begs for her anarchy to throw a brick through
your thousand blind windows

she fucks your shit up
like a pirate ship sailing into port
on Take Your Daughter To Work Day

when she grabs you and says “kiss me”
hold onto her like you’re bull riding
on a tight rope
on fire
you’re going to experience some turbulence
and if oxygen drops in the overhead compartments
don't bother gasping for air
grab a sharpie and start writing your name on your body parts
so rescuers can reassemble you after impact
don't expect an open-casket funeral when she’s done with you
she’ll leave you splattered on the sidewalk
from a car bomb MacGyvered from the teeth of broken lovers
and the bones of the four Horsemen of the Apocalypse
that she uses like toothpicks
because when the end of the world came
she said, “Is that all you got?”
The world's been ending since it started
every time some new gods come along to rename it
and give it their own spin
she just laughs and says
“Fenrir fetches my newspapers”
“the Seven-Headed Beast is my alarm clock”
“who wakes me at 6:66 a.m.”

she's the philosopher of the dance floor
but you can't stop her beat
her hips will just keep dancing
come your Big Crunch flashfire or your intergalactic entropy big freeze

the Big Bang began the beat
and now it's so deep in her bones

her DNA splices in rhythm
A-T-C-C-
G-A-T-T-
T-C-G-G-
C-G-A-A-
stretching into infinity
or until you're so old,
your bones refuse to move
disassembling into their composite atoms she swallows like an anteater to fuel her fire
and thump the universe into hip-hop heartbeat
ba dum dum bang
ba dum dum bang

can you feel it?
it sounds like god tapping her temple
or the rain
or the rapping talons of the dragon in her spine, asking to come inside
and snuggle alongside you
now, open the damn door

the phone rings
it's her
lying in bed
unable to move
it's either call me
or cut herself again

I am naked words
over a phone line
trying to hold her
but this tunnel
doesn't have light at the end
exit, oncoming train or otherwise

so I talk about Mount Everest

she says she doesn't want to about
mountaineers conquering their fears
besides, the only way off
is to fall or freeze
and she's fallen so far
that the world is cold to the touch already

I say I want to talk about Everest
now, hidden on its slopes …

she says she doesn't want to hear about Shangri-La
a place where dreams come true
if we just let go
of what ties us to the material world
there's no secret entrance to open
with prayer and password

I want to talk about Everest

she says she doesn't want to hear about yeti
how we adapt to our environment
become creatures who can survive anywhere
given circumstance and intention

I say "stop"
I want to talk about Everest
up there, there's no room for metaphor
now, hidden on its slopes
beneath the snow and limestone
under the feet of mountaineers
the tracks of yeti
and the temples of Shangri-La
sandwiched between the stones
are the tiny tombs
of billions of marines animals
despite the claims of creationists
that the gods did it in Noah's drunken haze
or atheists planted them
as if that's all they needed to clinch the contest

there are billions of marine fossils
creatures who fell so deep
swallowed in the muck and mud unmourned
but they were patient
and in millions of years
waited for colliding continents
to shove themselves
colliding like struggling elk
shoving each one higher
until those fossils reached air
higher and higher
until those fossils felt snow
higher and higher
until those fossils scraped the sky
and could gaze across the curve of the Earth
and see it was just a marble floating
like they once did in the sea of space

it takes patience to see the beauty of the world
the wait's not always easy
rainstorms and tectonic shifts
can waylay the best laid plans of mice and men
you don't want to fade away
you ask what the point of life is:
to leave an imprint
a legacy
make a dent in the world
so all your years are worth the time you put in
hold fast,
don't be in a hurry to leave
it takes time to find the right place
the perfect soil to last forever
live like you're already priceless

Friday, July 19, 2013

I didn't ask to come here
it was this or death
my parents – my real parents
sent me when everything they knew
was doomed to collapse on itself

this country is unfamiliar
though I've seen so much of it
all I have of home are the recordings of my father
stoic and overbearing
telling from his tomb how to behave
"you must be a beacon
a ray of hope
a savior,
a super man
to these new people"

my mother is a memory
an image and a glimmer
her voice I've recreated
a hundred thousand times
with different timbre and tone
but it never sounds right
never sincere
and always in English
a language I knew she never spoke
I want to hear my native tongue
echoing off the crystal walls
or in the busy streets of cities
I want to see the skies again
feel the sun rising red on the horizon
be a boy
an ordinary boy
who climbs trees and falls from them
with bruises and cuts to prove it
who learns to fear the sight of his own blood
or broken bones

it's hard to be a man
when you've never learned to survive the pain
of growing up

The secret of silence is
if you say nothing
people assume the worst

only in solitude
can I scream out
"fuck this place
and these people"

but I've got nowhere to go
no home, no country
and no one understands
not my boss
not the people I help

my girlfriend thinks I'm someone else
she sees another face
calls me by another name
I can't tell her I only feel warm
standing in snow with no one
around for hundreds of miles
only there can I cry
be the boy I never was
instead of this man they think I am

she has her career
the news stories she chases
she's in love with another man
but never says so
she wants a man who isn't real
who lies to the world about who he is
when she could have me, right here
"we're not that different," I tell her
just cosmetic
different clothes, hair and glasses
but she doesn't see it
he's heroic and I'm just a small town boy

These people want so much from me
these weak, small creatures
who don't stand up for themselves
now that they have me
"why can't you fix this"
"prevent that?"
"why did he live
and my mother die?"
I'm just one man
I can't be everywhere
I have a life, too
I'm not here out of choice
I'm no civil servant – this is my free time
and it's not easy
I rescue you helpless children
you blind kittens
you insects
not because you deserve it
but because I'm not cruel
but I bite my tongue
swallow my pride

they call out for who they want
not who I am
"save us, save us, Superman," they shout
but my name is Kal-El
and this place,
this Earth
is not my home

Sunday, July 14, 2013

I wish my pride was more malleable
so I could remember the taste of you
but "forgive" is a seven-letter word
neither of us can say
without swallowing back into our chest
to burn deep into our spleens

to sleep
I have replaced your two arms
with two glasses of whiskey
so I don't spend the hours between midnight and daybreak
calculating how my 72¾-inch doorframe
can so perfectly divide us
Korean Peninsula-style
into two halves
sharing the same language and history
but without armistice or peace treaty
to settle the civil war
we both claim the other started
we are starfish:
all fingers and mouths but no ears

I kissed her because she was young and curious
and most importantly, wasn't you
but as her cheeks melted into my hands
she became comparison, afterimage, contrast
the joy of first kiss became science experiment
an astronaut's expedition to a new Earth
"can we survive here, like home?
will the atmosphere adapt to us
or we to it?
will our grandchildren bury us here
or will we bury each other?"

you were the home left behind
the hometown of my eventual obituary
linked to my biography the way
Lee, Marc Antony and Rommel are inseparable
from Appomattox, Actium and El Alamein

You earthquake-forest fire-kaleidoscope wrecking ball:
I understand why warzone survivors stand
in the wreckage of their homes
photographed stone-faced:
there's nothing left to mourn
when one's home isn't still here
just cremated into rubble and ash
it looks fixable,
but it's not
the way the dead, without gunshot wounds,
should spring back to life
after rebooting the hardware because we will it

but anatomy and history and car accidents
are one-way streets
sins we cannot unsay
we've collided at full speed
wreckage strewn across this bedroom
photographs and knickknacks
tagged and noted by the forensic investigators
to chart them back to the moment of impact
not a last kiss,
but the words, "I think you should leave"
spilling from these lips
without the addendum:
"but return tomorrow"
or "when time and reason softens your illogic
and you can remember you are meant
to be the better one of us"

but my unbending pride
will doom me to death by train impact
rather than move out of the way
and my last words
instead of the profundity of poets
with pithy statements
of time's brevity
or the beauty of life strung through mediocre moments
into something grand and glorious
or dying haiku masters in the bamboo forests
waiting for the end to suck the life from their lungs
grown ancient in the pursuit of shorter phrasing
will be something asinine
a gurgle of gibberish
a profane declaration

CFG the slam poet

Fox the Poet

Christopher Fox Grahamis a Montana-born boy raised in Arizona to be a poet, artist, and singer with unending wanderlust. He's fascinated with art and other shiny things, a good story will keep him captivated and silent as he soaks you in.

In truth, he is good at only three things: using language, kissing, and driving.

He has performed for MTV and on The Travel Channel's "Your Travel Guide" episode of Sedona. Aside from winning more than 100 poetry slams, he's published four books of poetry, most recently The Opposite of Camouflage, and won the 2012 Dylan Thomas Award for Excellence in the Written and Spoken Word.

A slam poet since 2001, he currently hosts the bimonthly Sedona Poetry Slam in West Sedona.

For nearly four years, he was the senior Copy Editor of the Sedona Red Rock News, and an arts reporter and a columnist. He wrote a weekly column "Sedona Underground," about the city's art scene. After leaving in May 2008, he was asked to return as Assistant Managing Editor in October 2009. He was promoted to News Editor in April 2012 and in August 2012 was promoted to Managing Editor, overseeing the Sedona Red Rock News,The Camp Verde Journal, Cottonwood Journal Extra, The Scene and The Village View.

He has won numerous personal and editorial newsroom awards from the Arizona Newspapers Association, including three awards for Best Headline.

He was the managing editor of Kudos, a weekly arts and entertainment publication of the Verde Independent. He was also managing editor of The Villager, a weekly news publication in the Village of Oak Creek.

He is one the six coordinators of GumptionFest a kickass, annual, one-day grassroots arts festival held in Sedona, this year in September. More than 100 artists and bands exhibit their work for free to more than 1,200 people.

In 2005, he founded the Sedona Poetry Open Mic, which he hosted biweekly at Java Love Cafe on second and fourth Tuesdays until 2012. A former venue included Random Acts of Coffee, in Sedona, which closed in June 2005. The venue named a drink after him which one can order an various coffeehouses in Sedona. The "Topher": A large soy chai with two (or three) shots of espresso. Serve iced or hot. He was member of the city of Sedona Child and Youth Commission for two years and chairman for another two years before the commission was dissolved in 2008.

He has been unofficially named "The Voice of the Underground," in Sedona for his column "Sedona Underground" that appeared every Friday in The Scene. for more than three years, featuring more than 150 artists.

He won the 2004 NORAZ Poets Grand Slam, the 2005 Arizona All-Star Poetry Slam, and was a member of the 2001, 2004, 2005, 2006, 2010, 2012 and 2013 Flagstaff National Poetry Slam Teams. He was also a National Poetry Slam bout manager in 2003, venue manager in 2011, and Sedona Slammaster in 2012, 2013 and 2014, sponsoring the city's first three Sedona National Poetry Slam Teams.

He believes that all slam poets are Jedis.

He has been thrown out of six movie theaters, 18 bars, a Las Vegas nightclub with his girlfriend, a public pool, two malls, four golf courses, one bowling alley, five dorms, one airport, one pet store, a now-defunct nonprofit poetry organization ... and Canada. Seriously.