Synopsis

Intended as a follow-up (and improvement upon) the 1926 epic western , Redskin was partially filmed in two-color Technicolor -- and, during its first big-city road show engagements, was shown in Magnascope, an early wide-screen process. Written by Elizabeth Pickett, an expert on the Pueblo Indian tribe of New Mexico, the film is in part an indictment of the government's ham-handed efforts to "civilize" the Native American population. Dragged off his reservation by Indian agent John Walton (more

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