it's two screencaps superimposed over each other, from speed racer/fanny and alexander, to highlight their shared themes, and there's a link at the bottom of the post to the movie club's instagram, where i heard about the double-screening, but most appreciated the screencaps i shared

i appreciate how the juxtaposition of stylistic intentions was expressed through not one screencap but two screencaps as one. there you go. if this is the worst part of your day, you're doing fine

A kid has gotta cash out a bank account in all Bergmans, pay for the camera with Bergmans, pay the cast and crew each person is given a Bergman before the shooting of a scene, shoot it in Fårö and pay for the trip with Bergmans, wipe your tears with Bergmans and I don't see what could go wrong here.

EXCLUSIVE: The documentary will be available as a feature film or a TV series.

July 2018 marks 100 years since the birth of Swedish auteur (14 July 1918) Ingmar Bergman, director of such classics as The Seventh Seal and Wild Strawberries, and the centenary is being marked with events, films and TV dramas.

In Cannes, The Match Factory is starting pre-sales on Bergman, a hugely ambitious Ingmar Bergman documentary conceived as a feature film and four-part TV series.

The project is billed as one the most comprehensive documentaries ever to explore the life of the director, whose work has influenced everyone from Woody Allen to Martin Scorsese and David Lynch. Produced by B-Reel Films in Sweden, the film is a co-production with Sveriges Television, Svensk Filmindustri, Motlys, Reel Ventures, Nordsvensk Filmunderhallning, Gotlands Filmfond, Film Capital Stockholm, and is directed by Jane Magnusson.

Bergman will look in detail at the legendary director’s career - with a special focus on his immensely productive period in 1957 - in his own words and those of his friends, colleagues and lovers. “It’s a challenging project, since we have the highest ambition and want to create a film that is both visually and dramatically on the same artistic level as the work of our subject matter,” says producer Mattias Nohrborg.

The film will be available in two formats: as a feature film and mini-series (4 x 1 hour). The promo is available to be seen at The Match Factory’s Cannes office.