Friday, August 2, 2013

Joel Jenkins: I'm a husband, father, ordained elder of the Church
of Jesus Christ, writer, musician, and firearm enthusiast.

DF: Where do you live and what do you tell the IRS you do for a
living?

JJ: I am a resident of the heron-haunted and misty-mountained
Great Northwest.

The IRS doesn't much care what I do for a living, they just want
their increasingly exorbitant cut, to support an unwieldy central government
that has unconstitutionally usurped authority over welfare, health care, and
education. According to the Constitution, these are powers which are NOT
designated to the Federal government and reserved for the states, if they so
choose to exercise them. By usurping these powers the federal government
becomes unduly influential over the states, and the citizen has less ability to
effect change—not to mention the fact that the federal government absorbs much
of those tax dollars just to support its corpulent bureaucracy, and a
relatively small portion actually returns to the people for which those dollars
are designated.

DF: How long have you been writing?

JJ: I started writing shortly after I learned to read. At age
eight I sent my first manuscript into Highlights for Children. It was a story
of time travel and dinosaurs. I received a kind and encouraging letter back
from the editor explaining that manuscripts should be typed instead of
handwritten.

DF: What’s your philosophy of writing?

JJ: First, I want to tell an imaginative, rousing and vivid story
that entertains. Second, even if the protagonist has few or no redeeming
qualities, I want to illustrate that good will triumph over evil. Sometimes
this may be illustrated by showing the long term consequences of evil actions,
even though it may seem that evil has temporarily won the day. I hope to
inspire people to good and selfless action through my writing.

DF: When it comes to genre there’s no way to pin you down. You’ve
written westerns, blood-n-bullets action adventure, children’s books, heroic
fantasy…is that a conscious choice or do you just write what you like?

JJ: I've made a conscious decision not to limit myself to any
specific genre. Other than that, I write where my muse takes me, and she takes
me in any number of odd directions—some of which I never anticipated.

DF: You wear several hats; small press publisher, writer, editor…which
one brings you the greatest satisfaction?

JJ: The hats of small press publisher and editor stem from, or
facilitate, writing. I enjoy these other
hats, but if they take too much time I start to resent that they are stealing
away from time I could be writing something.

DF: You were writing New Pulp long before there was a New Pulp Movement. How does
it feel seeing the explosion of pulp influenced writing and characters
springing up in recent years?

JJ: It used to be that a reader who enjoyed highly imaginative
fast-paced, and action packed stories had limited options in modern fiction.
Now, we are seeing a wealth of options, and a lot of great fiction is coming
out. I think it's a great thing.

DF: The organizational structure of Pulpwork Press is somewhat
unique. Can you describe it and how it works?

JJ: I can't describe it great detail because some of the shadowy
figures behind Pulpwork Press are actually members of the Twelve Unknown Men,
who for reasons known to them alternately work for nefarious and noble purposes.

DF: There are plenty of New Pulp publishers out there now but
Pulpwork Press was around long before some of them were even thought of. Do you
feel that sometimes Pulpwork Press gets overlooked by the community and
readers?

JJ: The New Pulp community is an awesome group of creative
individuals, but there's little point in getting competitive or jealous about
getting the lion's share of attention within a relatively small community. The
key is to attract readers from the market as a whole and the New Pulp community,
including Pulpwork Press, has a lot to learn as to how to accomplish this.

DF: Where do you see Pulpwork Press in five years?

JJ: On the run from the law and uploading our latest manuscripts
via encrypted connections.

DF: Let’s talk about your work now…in particular, Lone Crow who
has been showing up quite a bit in recent years. Who is Lone Crow and why the
fascination with him?

JJ: Lone Crow is an infamous Native American gunfighter who roamed
the wild west earning respect with his pistols. In my stories, he tends to
encounter the weird, strange and supernatural, and he's been one of those
characters who I haven't been able to stop writing stories about. Next year
we'll see a book called Lone Crow Collected, which is a collection of
quite a number of those stories which have been published elsewhere, and a good
chunk of them which have have never been seen before.

DF: Tell us about STRANGE TRAILS.

JJ: Strange Trails is the brainchild of James Palmer, the head
editor at Mechanoid Press. He decided to gather a group of weird west
adventures and asked me to contribute a story. I wrote The Steam Devil,
where Lone Crow finds himself in the company of the much-feared lawman Bass
Reeves. They explore the wreckage of a derailed train and find more than they
bargained for.

DF: Tell us about THE WEIRD WORLDS OF JOEL JENKINS

JJ: This is my most recent book and is a collection of short
stories and novellas that range over nearly a 25 year period of my published
writings. We've got western gunfights, vampire hunters, ghost impersonators,
the rock vocalist Matthias Gantlet taking on the heavyweight champion of the
world, the assassin Monica Killingsworth doing an interview, and even an
audacious sequel to a post-apocalyptic romance story that you wrote. Before each story, I provide a bit of background information, just in
case the readers might find it of interest.

DF: There have been PULPWORK CHRISTMAS SPECIALS for the past two
years. Are we going to see one for 2013? And is this going to be an annual
event we can look forward to?

JJ: Since we give away the Pulpwork Christmas Specials for free,
we depend upon the charity of talented and in-demand writers. They have to be
willing to contribute work that normally they would be getting paid for doing.
Thus far, in the tradition of Christmas, they've been very magnanimous and have
offered top-notch Christmas fiction.
I've completed a quite lengthy Monica Killingsworth tale for this year's
Christmas Special, and I hope to be receiving some further contributions soon.

DF: ONE FOOT IN MY GRAVE is a book you’ve lived with for a long
time. Tell us about the background of the September Peterson character and why
this novel is so important to you.

JJ: September was a friend of mine since my youth. He suffered
from a lung condition called cystic fibrosis, which makes life hard and
generally short. On his death bed he requested I write his life story … and he
had quite an action-packed story to tell.
So bringing this project to fruition had a very personal meaning to me.

DF: Tell us about THE GANTLET BROTHERS: SOLD OUT.

Sold Out will be published later this year and is the third in the Gantlet
Brothers series: the first being The Nuclear Suitcase, and the second The
Gantlet Brothers Greatest Hits. The Gantlet Brothers escaped across the
Berlin wall in the 1980's and proceeded to become one of the world's premiere
metal bands, but they also had a penchant for violence and it seemed that
trouble often crossed their path … either that or they went looking for it. My
regular readers know that I've never shied away from killing major characters,
and they'll likely see at least one major character meet a grisly end in this
thriller.

DF: What’s a typical Day In The Life of Joel Jenkins like?

JJ: I like to get up early, eat, write, hit the punching bag and
lift weights before heading to work. This summer we've had particularly good
weather and a few mornings I've been able to write while enjoying the sunshine
on the balcony. Things have been slow at
the day job, so I've had extra time in the morning, making it a particularly
lazy summer. As a result my writing output has more than doubled.