Although French super-producer Luc Besson has scripted a number of action films over the past decade and helmed a few oddball motion pictures, he hasn’t directed an idiosyncratic movie since The Fifth Element back in 1997. However, that all changes with the release of 2013′s The Family. Written by Besson and Michael Caleo, it’s not a patch on the director’s best efforts (1994′s Léon: The Professional is his crowning achievement), and it can be criticised for its bizarre storytelling, jarring tonal shifts and lack of sophistication, but it’s nevertheless a lot of fun. While it’s... read full article