Jimmy Kimmel Live for the first time on Nov. 5. But Clinton and Kimmel aren't strangers. Last year, Kimmel pressed Clinton about her presidential ambitions when he hosted the Clinton Global Initiative conference.

Green, who’s on probation for admitting to giving a woman ecstasy, says: "I've talked very possibly about doing The Voice again. So I just kind of put that out there, wishful thinking, kind of willing it. Because I would love to do it again."

"As the Black Lives Matter movement continues capturing headlines,” says Steven Zeitchik, "Hollywood figures like director Ava DuVernay and The Daily Show host Trevor Noah have come to prominence, while Straight Outta Compton makes piles of money by not shying away from racial injustice. Rock is less a revolutionary choice than the product of a slow-moving industry shift."

The Nov. 20 Shining a Light: A Concert for Progress on Race in America special will feature such acts as Sia, Bruce Springsteen and Pharrell, and will be broadcast on all A&E networks. It will be followed by a one-hour Shining a Light: Conversations on Race in America special.

So says Julianne Escobedo Shepherd: "While Hotel has had some memorable, visually stunning moments and does boast a collection of great actors, as ever, the second the venerable Angela Bassett appears onscreen she out-glitters, outshines everyone else. She brings something like fire to this moderately flailing series, and it’s apparent she’s having great fun playing Ramona Royale.”

The Discovery Channel series, says Christopher Bonanos, "revealed something striking: a national hunger for data-driven authority, and the methodology that delivers it.” PLUS: Read about the early days of MythBusters.

As Goldie Taylor writes, "I recall thinking then how wonderful it would be if this were real: me debating the issues of the day in prime time, sitting across from a celebrated black woman who was holding down the anchor chair."

The Shonda Rhimes drama, says Michael Starr, is the most "self-absorbed, overblown, overacted, pretentious, soliloquy-laden car-wreck-of-a-series that’s somehow made it to five seasons — yet still grabs pretty big viewership. It is, without a doubt, the most insipid, infuriating hour of TV in quite some time. But I can’t stop tuning in. I just can’t help myself. Go figure.”

“The show’s characters weren’t caricatures,” says Annie Zaleski, "in fact, its female characters especially possessed uncommon complexity. They were intelligent and ambitious, and also allowed to slip up without fear of being devalued or stabbed in the back by friends. The “Gilmore Girls” universe was a safe place for women to make (and learn from) mistakes.” PLUS: Emily Gilmore is the only reason to watch the Netflix revival, Luke Danes was the worst Gilmore guy, Yanic Truesdale hopes to be part of the revival, and what are Amy Sherman-Palladino’s final four words?