thinking through my fingershttps://lucyahern.wordpress.com
Mon, 16 Oct 2017 22:06:14 +0000enhourly1http://wordpress.com/https://secure.gravatar.com/blavatar/460688ade0fd1573db4cf8f14322f010?s=96&d=https%3A%2F%2Fs2.wp.com%2Fi%2Fbuttonw-com.pngthinking through my fingershttps://lucyahern.wordpress.com
TAFE SA Fashion Graduate Paradehttps://lucyahern.wordpress.com/2013/10/30/tafe-sa-fashion-graduate-parade/
https://lucyahern.wordpress.com/2013/10/30/tafe-sa-fashion-graduate-parade/#respondTue, 29 Oct 2013 21:53:32 +0000http://lucyahern.wordpress.com/?p=408Continue reading →]]>Pick absolutely any era, aesthetic, or even age group and one of the ranges from the supremely talented TAFE SA fashion graduates would fit you like a Burberry trench.

The 2013 ‘Formation’ parade boasted an industrial runway that ran almost the whole length of the Wayville Showgrounds pavilion. Guests at Friday night’s TAFE SA Fashion Graduate Showcase sipped on champagne and snacked on delicious treats from food trucks that had been specially brought to the site.

Victoria Bailey took out Attitude Magazine‘s Highly Commended Award for her gorgeous ‘Obsidian’ collection, inspired by enigmatic cinematography by the likes of Jim Henson and Guillermo Del Toro. Presented by Selena Battersby, the Attitude editor complimented Bailey on the “quiet details” she had so skilfully worked into the garments.

The SA Fashion Student Award, presented by Jeff Cunningham, went to Christopher Arblaster’s unisex collection, with Abbie Potter (who also took out the Lecturers’ Award) receiving the Highly Commended prize.

Cooper Davis is definitely one to watch when it comes to couture. His mindblowing ROYAL JELLY The Label collection, with its vivid purple and blues, phenomenal construction work and matriarchal influences was nothing short of art.

Jemimah Webb’s ‘Vertigo’ was white on white on white perfection, which channelled masters of minimalism like Alexander Wang. Featuring strong vertical lines and striking silhouettes on the Finesse models, it was in fantastic juxtaposition to the girls’ surfy cropped bobs a la Marc Jacobs Spring ’14.

]]>https://lucyahern.wordpress.com/2013/10/30/tafe-sa-fashion-graduate-parade/feed/0lucyahern5 Minutes With…Thembie Jila from Thembekilehttps://lucyahern.wordpress.com/2013/10/28/5-minutes-with-thembie-jila-from-thembekile/
https://lucyahern.wordpress.com/2013/10/28/5-minutes-with-thembie-jila-from-thembekile/#respondMon, 28 Oct 2013 10:32:51 +0000http://lucyahern.wordpress.com/?p=402Continue reading →]]>Thembie Jila has built a steady following for her Thembekile label after graduating from the Whitehouse Institute of Design last year, creating intricate lace and embroidered gowns that are a step above your average red carpet frock. Deputy editor Lucy Ahern spoke to the vivacious designer about a love for Stella McCartney, chilling out in the Barossa, and the importance of using Australian resources.

TUS: What do you love most about designing?
Jila: I love how you can use clothing as a canvas to create something beautiful, interesting and fun. For the most part it keeps me very calm too. Seeing someone walking around in a piece I have designed is the most rewarding and humbling feeling. I always think ‘phew, they liked it’, and that gets me motivated and excited to create more.

How did you get started in fashion?I started drawing when I was young and through high school, and played a fair amount of tennis at the same time. I asked my mum to help me make a tennis skirt one day after seeing a Stella McCartney tennis dress I could not afford, and slowly became more curious about design. After sketches and sketches, I applied for admission into Whitehouse Institute of Design and graduated three years later (last year).

Who is the designer you look up to most and why?Stella McCartney. She has a remarkable aesthetic and I admire how she has branched into a different market with her Adidas by Stella McCartney Range. She has also managed to successfully implement her personal values into her business, in particular not using fur and leathers in an industry that’s heavily reliant on these resources.

What are your absolute wardrobe staples?White v-neck tee, dark denim, a tailored blazer and a watch.

Worst fashion faux pas?Socks and sandals plus cropped cargo pants.

Best way to relax?I love the outdoors, whether it’s a day spent in the Barossa or at the beach. The best way to relax is to pair that with sunshine, good food and light music. A good book to read also works like a charm.

Favourite event on the AFF calendar?The SA Designers Fashion Showcase is at the top of the list, followed by the Norwood Place Parades.

Where did your inspiration for this collection stem from?A recent collection based on the metamorphosis of butterflies was the basis of this collection; in particular, the different forms, textures and details involved in this particular process. I have used a range of laces that have been deconstructed and recreated in the garments in a different order, and used a lot of hand-stitching techniques to complete the looks.

What are the greatest challenges facing the Australian fashion industry?I think being six months behind the American/European fashion industry cycle is an inevitable challenge that the Australian industry faces, in terms of creativity. In some cases, this has been seen to hinder creativity within the fashion industry, with different styles seen on international runways recreated here in Australia six months later, to varying degrees.

It’s great to see designers such as Dion Lee, Zimmerman, Willow, Collette Dinnigan etc. who are presenting their collections on an international platform, setting trends and an example for designers to follow.

What will you do if you take out the Best Emerging Designer award?Sit in the backyard and soak it in for a couple of days, before switching gears to work much harder and faster on the next collection. A little fabric shopping trip might be in order, but I think the most important thing will be to set measurable goals to accomplish by the time Adelaide Fashion Festival comes around next year. Taking out the award would be like taking 10 steps forward, so it would be great to keep the momentum going.

Where do you see yourself in five years?Living here in Adelaide, and working very closely with suppliers and manufacturers in Australia. I can see myself working on building the brand on both a national and international scope, whether its through e-commerce or distributors. I’m excited!

Hue Le of Willow & Grace creates quirky designs with intricate detailing, all produced on a made-to-order basis so customers can be sure their new wardrobe staple is very limited edition. Deputy editor Lucy Ahern sat down with the Best Emerging Designer finalist to pick her brain on personal style, the best ways to relax, and her favourite AFF events.

TUS: What do you love most about designing?Le: Everything from pattern-making, sewing and doing the production for each garment.

How did you get started in fashion?It is something I have always wanted to do. After high school I studied fashion at TAFE, and my love for fashion continues to grow.

Describe your personal style?Dressy day wear. Life is too short to save clothes for a special occasion.

Op shop, high street or luxe labels?High street.

Favourite place to shop in Adelaide?Rundle Street.

What are your absolute wardrobe staples?Underwear…joking! But skinny jeans and t-shirts are always good.

Worst fashion faux pas?Leggings worn with a crop top.

Best way to relax?Reading and gardening – God, I sound old!

Favourite event on the AFF calendar?The SA Designer Showcase. And I always try to go to the TAFE Graduation parade.

What are the greatest challenges facing the Australian fashion industry?I would like my garments to be made in Australia, but there aren’t many manufacturing companies left in Australia, so that will be a challenge later down the track.

What will you do if you take out the Best Emerging Designer award?Jump for joy!

Where do you see yourself in five years?Hopefully still doing what I love, and having my own studio space – not working from my garage!

TUS: What do you love most about designing?
Stewart-Davis: The process of developing an idea and making a tangible product. That process of being like ‘I made this’ – it is really satisfying. I also love being in business and always having to learn, as there are endless opportunities for self-development.

How did you get started in fashion?Sketching matching hats and dresses to wear to the ‘races’ as a child… I still have the drawing books.

Describe your personal style?Boho luxe.

Op shop, high street or luxe labels?A mix of everything; you don’t have to spend a million dollars to look good. The Kate Moss culture of wearing a Moschino t-shit with a pair of second hand cut-off jeans – that’s kinda how I like to dress. Buy things you love even if they are expensive, but don’t dismiss the opportunity for something cheap and chic.

Favourite place to shop in Adelaide?The NAMOI pop-up shop! I love Queen Street Croydon, Rundle Street, Burnside – anywhere with a great coffee!

Who is the designer you look up to most and why?George Gross & Harry Who. I love their story; I find it very inspiring, as their parents migrated from Hungary, then George, Kathy and Harry got a loan and built a label that is stocked around the world.

Hussein Chalayan, for his take on contemporary nomad and producing clothing that turns into a table. He really pushes the boundaries of what we perceive to be clothing and how we use it.

Madeleine Vionnet, as she was very much a part of the roaring ’20s, helping to create the flapper look. It was a really liberating time for women being freed from the corset and for the first time being able to work and earn an income. I also love the ideals of equality she upheld within her business, such as child care.

Best way to relax?
Relax…what is that? But listening to Joni Mitchell, watching Grand Designs, walking or a glass of chardonnay.

Favourite event on the AFF calendar?The Norwood Fashion Parades and Market, and the SA Designer Showcase.

Where did your inspiration for this collection stem from?
Feathers, prehistoric exoskeleton shells, the desire for clothing that is glamorous and comfortable, and Japanese calligraphy. I also design clothing by seeing the gaps in my wardrobe, saying ‘what do I need to finish this outfit’.

What are the greatest challenges facing the Australian fashion industry?
Competing with multi-national brands that are able to undercut local business and overpower them with huge marketing budgets.

What will you do if you take out the Best Emerging Designer award?
Continue to grow my label and business.

Where do you see yourself in five years?
Probably working for Woolworths…No, I hope to be running my own profitable fashion label.

TUS: What do you love most about your job?Bayet: The people and diversity of stories; hearing about their successes,and of course, failures and resilience. I also love the new creative adventures and working as part of a team in the hope of creating something ‘new’ and inspiring as well as reinventing the best of the past.

Favourite places to shop?Op shops in general. One person’s trash is another’s treasure!

Favourite Adelaide designers?Cristina Tridente of couture+love+madness, Liza Emanuele and, of course, the boys: George and Harry.

What are the greatest challenges facing the Australian fashion industry?Staying local and staying ethical. It’s hard when people forget to value good quality work and designs. We are obsessed with instant gratification these days, so we overlook the need for timeless, great quality pieces. I think we overlook class and style to stay ‘on trend’ and I hope that quality over unnecessary quantity prevails.

If money was no object, what would you be doing?Exactly what I’m doing now. Chasing dreams and juggling ideas and trying to get the balance right – aren’t we all!

]]>https://lucyahern.wordpress.com/2013/10/28/face-of-the-festival-lucy-bayet/feed/0lucybayetlucyahernlucybayetBoutique 2013 Previewhttps://lucyahern.wordpress.com/2013/10/18/boutique-2013-preview/
https://lucyahern.wordpress.com/2013/10/18/boutique-2013-preview/#respondFri, 18 Oct 2013 09:45:16 +0000http://lucyahern.wordpress.com/?p=379Continue reading →]]>It’s one of the most anticipated new events on this year’s Adelaide Fashion Festival program, so deputy editor Lucy Ahern was delighted to attend Monday night’s exclusive preview of Boutique. Read on to see what’s in store and find out how to nab your tickets!

I was delighted to take a sneak peek of the three lavish runway looks that will feature at Boutique 2013, a new event on this year’s program, held at lavish prospect salon Tempest Hair on Monday night.

Using one of fashion’s favourite brands, Kevin Murphy, Cain created inspired looks that were part Grace Jones, part ’90s trendsetter and all fun. With a focus on texture, volume and colour, the hair was perfectly complemented by Dale’s soft yet gutsy makeup artistry.

Thanks again to Cain and Markus of Tempest Hair, as well as Dale Dorning, for giving us insights into the inspiration behind the runway looks – you’ve definitely gotten us excited for Sunday!

Boutique is an unmissable runway event to be held on Sunday, October 20, showcasing 30 of Adelaide’s best shopping havens. It will incorporate ‘Shop the Runway’ technology that allows guests to shop everything from ready-to-wear to couture and swimwear straight off the runway! Hugely successful at this year’s Melbourne Fashion Festival, you can bet your last two bucks that the app will be a hit with Adelaide fashion lovers too.

I penned some news on colourful local designer Tiff Manuell, interviewed the lovely Kirsty Irwin of JAGGER the Label, checked out swish new hair salon BORIS – The Cuttery on The Parade, and got to stuff myself with local noms during the food truck feature. They treat me too well. It’s got all the news on the latest fashion and culture from around Adelaide, plus an utterly beautiful cover by James Hartley – so get around it ASAP!

Terry Richardson knows how to cause a stir. The notorious photographer, director and all round provocateur is known for his salacious pics of celebrities and models – and that ubiquitous thumbs up. He’s behind some of the most iconic pop culture images of the last few years – Miley crotch-grabbing, Gaga’s meat dress and that (admittedly sexy) nude of Miranda Kerr wearing thigh high boots are all Richardson’s.

Whether it’s smoking, underwear or food porn for magazine editorial or minimalist portraits against his studio’s ivory wall, the man knows how to set up a visual feast. He’s also a regular contributor to fashion tomes, shooting covers and editorial for various Vogues, Harper’s Bazaar and i-D, to name just a few.

Genre aside, Richardson seems to encourage his subjects to let loose and be themselves, but in a comfortable and non-judgemental environment.

“My rule is that I’d never ask anyone to do anything I wouldn’t do myself,” he said in one of his interviews.

“That’s how it’s got to go this far. At first, I’d just want to do a few nude shots, so I’d take off my clothes, too … I’d even give the camera to the model and get her to shoot me for a while. It’s about creating a vibe, getting people relaxed and excited. When that happens you can do anything,” he clarified.

But we think there are a bunch of his photo shoots that haven’t quite got the recognition they deserved; superseded by the scandalous or those with the biggest names, some quality snaps have been relegated to recycling bin or lost in the ether.

So today we want to set things right, presenting to you our top ten underrated Richardson shoots – but we’re open to suggestions.

James Franco (Candy)

Okay, so James Franco is hardly a conservative when it comes to the performing arts/life in general. He’s an almost ridiculously in-depth method actor, curated a museum of ‘non-visible’ art, and most recently designed a pop-up YOLO-themed house in the Hollywood Forever Cemetery. But these shots of him in drag for Candy, “the first transversal style magazine”, while sticking to Franco’s usual subversion of societal expectations also convey vulnerability and sadness as well as beauty. Whether he’s playing a trans character or not is beyond the point – these images are an interesting and striking examination of gender and sexuality in the media.

Coco Rocha (Vogue Paris 2007)

Richardson teamed up with much loved model Coco Rocha for this spellbinding shoot. Utterly unsettling and at some times frightening, it’s a riveting narrative told through images, with Rocha performing acts more suited to a horror flick than fashion editorial. Disconcerting imagery and actions combine with pieces from the likes of Chanel, Marc Jacobs and, to make for a conflicting shoot that is somehow both very Vogue and very Richardson.

Mom & Dad (2011)

Tattoos, denim and camera skills – it seems it runs in the Richardson family. The photographer released the books Mom & Dad in 2011, with tome devoted to each Annie and Bob Richardson who was a well-known fashion photographer before his death. Richardson also exhibited the images, largely shot on Polaroid film, at New York’s Half Gallery. In what is an honest, loving and at times confronting portrait of family, here Richardson gives us an insight into what shaped his raw style and eye.

YSL campaigns

More famous for saucy portraits than artistic snaps, these gorgeous shots for Yves Saint Laurent’s beauty contingent might seem a touch out of character. However he’s responsible for these vibrant and luxe campaign images (and the lovely BTS pics of Karlie Kloss and co.), proving his chops as a highly skilled photographer as well.

Bonus: Richardson has also starred in a high fashion campaign himself, lending a tattooed arm to a Valentino accessories shoot.

Lena Dunham (V Magazine, 2013)

Everyone loves Lena. And if they say they don’t, they’re just jealous. The charismatic and refreshingly frank Girls creator posed for Richardson earlier this year, and the results are very Lena (if you’ve seen her Insta, you know what I’m talking about). Cute, funny and more than a bit goofy, the photographer is almost there to simply capture her real self, rather than orchestrate arty shots. There is a pantless shot – not that that’s too different for Dunham or Richardson – but rather than being raunchy, it’s confident, classy and cute. Love you Lena!

Obama (2007)

We all know the President of the United States is a pretty cool cat, and this cements the fact. Although the actual shoot happened pre-Presidency in 2007, you can see how he won the public over. That toothy grin makes an appearance as well as some more serious snaps that are strong and presidential but not at all bland. In short: Obama will pretty much charm the pants of anyone who looks at these pics; if it were possible to love him anymore, I do now.

Rick Genest (aka Zombie Boy)

One of Richardson’s few shoots that is solely in black and white, these images are pretty much perfect. The Canadian displays much more emotion than your average zombie, with every from creepy and solemn to cheeky and even hungry for human flesh captured here. Richardson and Genest are the ideal match, with the awesome intricacy of the tattoos highlighted by the minimalistic and super clear shooting that has become the photographer’s signature style.

The poker-faced close ups are particularly haunting, a reminder of both the beauty of Genest and the work of art that is his body.

Paul Rudd & Jennifer Aniston (GQ)

Whether or not you’re Team Jen, there’s no way you can’t like Paul Rudd. This might be because of my deep-rooted love for the man (pretty much wish I was Cher in Clueless), but I think it’s also got something to do with his natural hilarity and comfortability in himself, which Richardson captures perfectly. This feuding couple style shoot is funny, cute and very rom-com, as well as boasting a simple colour scheme that is aesthetically wonderful. Can’t they just get together already?

‘Pussy West’ shoot (Vogue Paris, 2011)

Bringing together big names such as Crystal Renn and Australia’s Abbey Lee Kershaw, this Voguefeature focuses less on dashing cowboys, and rather on the sassy seductresses that rule the West. Terry’s favourite combination of raunch, skin and provocative imagery abides, but with a couture slant. The funeral image in particular is deliciously macabre, and somehow this shoot screams ‘girl power’…in sequins, of course.

Robert Downey Jr. (GQ, 2008)

What’s black, white and sexy all over? This shoot with RDJ, that’s what. A little rebellious, a little fetish and a whole lot of dayum, the shoot has a solid concept running throughout, yet still shows the actor’s now endearing arrogance and general charm.

In another gender-bending shoot for Candy, Chloe Sevingny gets a rather unconventional makeover. I’ve always found doppelgangers intensely interesting, and even though the results aren’t exactly perfect, the model/all round ‘It girl’ does a pretty good job of becoming the man behind the lens. This takes every subject who’s imitating his thumbs up move to the next level.

Plus the kissing shot is mind-blowing.

Lindsey Wixson (Vogue Japan/i-D/anything ever)

Richardson’s Vogue Japan spread showing Wixson getting sexy with food (not to be confused with Crystal Renn getting sexy kinda gross with food in Vogue Paris) is delish. Probably the only time I’ve ever really wished to be a hot chip, instead of just wanting to eat them. The gap-toothed beauty also photographed by Richardson for Harpers Bazaar, making out with a randy for i-D, and generally being a babe at his studio. Something of a modern day muse? Or maybe he just likes to watch her eat. Either way, we love the excess and the candidness of both styles.

]]>https://lucyahern.wordpress.com/2013/10/10/the-most-underrated-terry-richardson-photoshoots/feed/0Lindsey-Wixson-Terry-Richardson5-682x1024lucyahernfranco1james-franco-2James-Franco-Covers-Candy-Magazine-as-a-Drag-2JAMES-FRANCO-drag2jamesfrancowomancoco1coco2coco5coco45daddad2dad3dad5dad6yslysl2ysl3ysl5yslterryysl6lenabetterlenafeaturelenalena3Lena-Dunham-by-Terry-Richardson-for-V-Magazine-Outtakesobama1obama2obama2obama3obama4tumblr_m20y6xctkx1qa42jrtumblr_m20y7hn5zk1qa42jraniston-rudd-01jengq3--3581912989387888579paul-rudd-getting-ready-for-his-close-uppaulruddgq21ov6thpussywest83-crystal_renn_vogue_paris-208-209VOGUE-Paris-Dec_Jan-2010_11_06terry03rdkj2rdkrob3rob4rob6rob7me-and-zach-galifianakiszackterry-richardson-chloe-sevigny02-466x700terry-richardson-chloe-sevigny-as-terry-6kissingterry_richardson_chloe_sevigny_06terry-richardson-chloe-sevigny03terry-richardson-chloe-sevigny-as-terry-3terry-richardson-chloe-sevigny-as-terry-5lindseywixonlindsey4lindsey5lindsey3lindsey2 - Copylindseyi-dAdelaide Hills Magazine Spring Issuehttps://lucyahern.wordpress.com/2013/10/08/adelaide-hills-magazine-spring-issue/
https://lucyahern.wordpress.com/2013/10/08/adelaide-hills-magazine-spring-issue/#respondTue, 08 Oct 2013 09:12:39 +0000http://lucyahern.wordpress.com/?p=366Continue reading →]]>I recently completed an internship with the lovely folk at Adelaide Hills Magazine, and finally the issue is out! I spoke to a local woman who has seen the suburb of Bridgewater transform from a bushland shanty town into a busy Hills hub, and wrote about the tradition and excitement behind the annual Murray Bridge Gold Cup. It was an amazing learning experience, and a great insight into the Hills community with all its quirks.

Also I am totally in love with the Breakfast at Tiffany’s themed shoot.

Grab the mag from your local newsagent and immerse yourself!

]]>https://lucyahern.wordpress.com/2013/10/08/adelaide-hills-magazine-spring-issue/feed/0lucyahernPhotographer Profile: Marc Tan Photohttps://lucyahern.wordpress.com/2013/10/06/photographer-profile-marc-tan-photo/
https://lucyahern.wordpress.com/2013/10/06/photographer-profile-marc-tan-photo/#respondSun, 06 Oct 2013 10:10:34 +0000http://lucyahern.wordpress.com/?p=345Continue reading →]]>I was lucky to speak to Marc Tan, a talented Melbourne lad who has recently moved back to Singapore to pursue his photography career. He takes some beautiful snaps, and you can see some of his work below.

Marc Tan brings out the beauty in everyday landscapes and people, transforming what some may see as banal into memorable snapshots of raw, real life. Recently moving back to Singapore after nine years in Australia, the photographer works on commercial projects in fashion and lifestyle, as well as taking time to capture striking street style images and candid portraits. We chat to Marc about Wes Anderson, using friends as models and thinking before you click.

XXIV: Why did you choose photography?

Marc: Photography began as a desire to record everything.

Can you give me a brief history of your career?

I picked up my first digital SLR back in 2009, a day before a one week trip to Vietnam. I decided it was time I ditched the old Sony Cybershot T10 and got a camera I could have more control over.

Soon, I became that guy in the group who always had his camera with him, and every hang out was well documented with at least a hundred photos. Not long after, I found myself shooting events; making some extra cash out of a hobby was always exciting.

I also photographed many gigs both in Singapore and Melbourne, and through that met many bands who would ask me to do their promotional photos or live photos. And of course I was more than happy to.

Always having a thing for fashion and lifestyle photography, I was lucky enough to land a job doing just that as soon as I’d moved back to Singapore earlier in the year. I now shoot lookbooks, interiors and lifestyle photos.

You’re based in Singapore currently – why did you leave Melbourne? And does the Singapore photography scene differ to Australia’s?

I moved back to Singapore at the beginning of the year after living in Australia for a total of nine years. After graduating with a degree in audio engineering at the end of 2012, finding a job in that field didn’t look too bright, also, time was running out with my student visa so moving back home was kind of the only option I had.

I don’t think I can speak for the entire Singapore photography scene as I’ve not lived and worked here long enough, but so far, I feel like the scene in Singapore focuses more on very commercial type photography. I feel like I haven’t seen or heard of many photographers with a distinct style, or photographers who are producing something fresh. More often than not, I see a lot of people recreating shots or types of shots that have already been done over and over again. That being said, I have met a few photographers who are producing really cool and refreshing pictures, but these guys have a more DIY mindset, which is great – because rules are there to be broken right?

Your work seems to bring out the beauty in scenes or parts of life that others might find banal – industrial areas, people on trains, cats – how do you pick subjects?

It really depends on my mood. Some days I have a million ideas in my head, and the image is already there, I just have to go out and make the picture. Other days, it’s about capturing a moment, going for a walk with a camera in hand and snapping instinctively.

What inspires you?

I think photography, music, fashion, design and art are all the same thing at the end of the day. They gel together smoothly, so I guess you could say those things are my daily inspiration. Wes Anderson movies are pretty inspiring too!

You’ve done some work for DBL STD and This Is Alley – do you do much commercial photography?

I enjoy shooting street wear or street fashion with my friends as models and having a lot of creative say, but yes, I do also take on commercial jobs. I recently did a shoot at a clinic, that was cool.

What has been your favourite assignment/project to date and why?

I recently put together a Singapore guide for Ala Champfest Magazine. That allowed me to photograph many interiors of cafes, hotels, retail spaces, and galleries. I really enjoy interior photography and working alone.

Favourite camera to shoot with?

I’m currently enjoying my Fuji XE-1 and 35mm f1.4 combo. I had a Ricoh 500 GX, which was a fun analogue rangefinder until it broke.

Go out on a shoot with a maximum of two lenses, having just one is best.

Take less snaps of the same thing. Plan the shot, and click at the right moment just once or twice. I hate it when people snap like ten or fifteen photos at a time in hopes that one of them is the good one.

When I’m post processing the photos, it’s whatever feels right. If it doesn’t then I’ll sleep on it and look at it the next day.