Sunday, February 19, 2012

All Hail King George

George Rodrigue makes a great King. I hear it every year as we attend the Washington D.C. Mardi Gras, where he ruled in 1994 and still commands regal respect.

(pictured, It’s Good to be the King, 1994, acrylic on canvas)

This royal interest started in his childhood, in the late 1940s. George’s first memory, in fact, is a fitting for his King costume during New Iberia’s Carnival.

“Growing up, we never called it Mardi Gras,” he explains. “We called it Carnival…and especially ‘Carnival Balls.’

George’s mother and his older cousin Lillian made costumes, working on them all year. They entered George and Lillian’s daughter Arlene in the children’s carnival costume competition, which the kids won annually.

Did you like it? I asked.

“I didn’t have a choice!” he exclaimed.

At age four or five, they dressed George as Robert Fulton (1765-1815), inventor of the steamboat.

“I remember the parade, because I rode in a mini steamboat car, pulled by two kids on foot. Beneath my legs was a bar with a rope attached, which I pulled throughout the parade, making the paddlewheels turn. It took two hands, which I hated, because I couldn’t wave to the crowd.”

At age ten, George was a soldier in a white satin uniform. But more often, he was one half of a royal couple.

By the mid-1970s a thirty-year old George Rodrigue, now living in Lafayette, Louisiana, declared himself King. He built a platform in front of his house on Jefferson Street, where, dressed in full regalia, he and his dog greeted passing parades.

(notice Tiffany, the original model for the Blue Dog, on the royal throne. Read more about her history here-)

“I displayed a huge banner,” explains George, "that said ‘The Real King.’ Two parades passed my house on Mardi Gras Day. The party started small - just me and Tiffany on the platform. Within three years we had 500 people, all throwing custom-designed Rodrigue doubloons.”

Each year, Rodrigue made a gold medallion version of the doubloon complementing his royal attire, such as the image above, based on his classic oak tree and below, based on his bronze sculpture of Longfellow, Evangeline and Gabriel.

Guests arrived in costume and enjoyed gumbo and a cochon de lait.

(click photos to enlarge; pictures include George's son Andre Rodrigue and friends Dickie Hebert as Wonder Woman and Ed Vice, on the stage as a rabbit).

For George, the highlight each year occurred when the parade stopped at his platform, and the two kings toasted. One year, he climbed aboard the King’s float and presented a gift, a live chicken, which caused havoc among the courtiers.

(pictured, George Rodrigue presents a gift-wrapped live chicken to Louis Mann, King of the Lafayette City Krewe, Bonaparte; for more on this story, visit here-)

“The next year,” sighs George, “they moved the parades away from my house.”

In 1992, George Rodrigue reigned for the first time as an official King, ruling for the all-female Lafayette Krewe of Xanadu.

(pictured King George with Governor Kathleen and Raymond “Coach” Blanco at the Xanadu Ball; Coach taught George at Catholic High, New Iberia, and Kathleen would become Louisiana’s first female governor in 2004).

In 1994, George ruled as King of the Washington Mardi Gras (pictured above), a private Mardi Gras for 5,000 guests, hosted annually in Washington D.C. by the Louisiana Legislature. George is still heralded as one of the best kings ever. He broke many traditions, most famously choosing red satin drawers over the traditional white bloomers beneath his costume.

In addition to his 1994 reign, Rodrigue commemorated the DC event in a painting not of himself, but of his friend Marion Edwards, who was King in 1985 (related post here).

He again honored the event in 1997 with a silkscreen poster celebrating the 50th Anniversary of the Washington, D.C. Mardi Gras Ball.

Since 1994 George has served as Grand Marshall or King for parades in New Iberia, Lafayette, Butte la Rose, Pierre Part and New Orleans. The highlight is the Argus parade in Metairie, Louisiana, where the Blue Dog float runs each year on Mardi Gras Day. As Grand Marshall of Argus, George threw Blue Dog doubloons.

In 2004, he declared himself King once more, this time celebrating his 60th birthday. He grew a beard for the occasion and maintained a strict dress code for guests: Elvis “The King” or Marilyn Monroe.

Would you be King again? I asked, not sure of his plans.

Try as I might, however, even his other half received no answer…… only a laugh.

Wendy

*pictured above: 2004, King George with Marilyn (Wendy) by Tabitha Soren; artwork by George Rodrigue, 2012-

*also this week: “MUSE-ings from a Mardi Gras Float,” a new post for Gambit, describing our incredible ride in this year’s Krewe of Muses parade, linked here-

3 comments:

We had a contingent from Texas, known as the "Texas Wrecking Crewe" who attended Mardi gras in Lafayette. We had our own gold doubloons struck, by the same jeweler that did George's and some in aluminum for throwing to the crowd. In full Rodeo Regalia we stood with George and had a grand time. We loved Mardi gras in Lafayette.....The 'official' organizers always seemed somewhat standoffish....we were just having fun and intended no offense. Later I realized our failure to pass a little lagniappe to the ‘proper people’ was probably the root of our problems. In all events George was our King and a grand one adored by the folks at the party at the Gallery and those who came by to shout, ‘Throw me something mister’….and we obliged.

Luminaries such as the Lt. Governor, Mayor, senators and other officials, made the Rodrigue reviewing stand and party hard to ignore. More important, we had the Mayor’s secretary Bertha Bernard, now on George and Wendy's staff. A grand time was had by all and if I understand correctly, that is the goal of Carnival.

It was always a long drive back to Houston on Wednesday, but the sharing of great recollections made the trip worthwhile. Thanks for the memories George.

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About Me

I was born on a military base and raised in Fort Walton Beach, FL.
Attended Trinity University in San Antonio, TX, majoring in Art History and English, followed by European Art and Architecture in Vienna, Austria, and graduate school at Tulane University in New Orleans.
Worked for the Rodrigue Gallery in New Orleans and later Carmel, CA, beginning in 1991, and married George Rodrigue in 1997.
I've written guest columns for publications including Gambit, Country Roads Magazine, and Louisiana Cultural Vistas. As of 2017 I live between New Orleans, Louisiana and Santa Fe, New Mexico. I work extensively on George Rodrigue exhibitions and publishing projects, and lecture widely on his art.
I remain involved full-time within Rodrigue gallery operations and the George Rodrigue Foundation of the Arts, with an ongoing focus on preserving and enhancing Rodrigue's artistic and philanthropic legacy.
My first solo book, "The Other Side of the Painting" (UL Press), was published October 2013.