Days of Future Past

1981’s X-Men storyline Days of Future Past didn’t actually invent the trope of the Bad Future (Dickens’ A Christmas Carol features one and that’s just the oldest one I can think of) but it may honestly be the single most influential use of that trope. Certainly in comics, maybe in general. If you’ve ever read a story where a character travels back in time to prevent a future with a purple sky, ruined buildings and too many damned robots, chances are it was influenced by this one X-Men story by Chris Claremont. It’s also one of the best-regarded X-Men stories in the franchise’s history, right up there with The Dark Phoenix. But whereas TDP is something of a weird digression, bringing in alien space empires and giant cosmic fire birds, Days of Future Past ties neatly into the X-Men’s recurring themes of prejudice (depicting a future where mutants are close to being wiped out) and the dangers of radicalism (Mystique’s assassination of a senator having brought that future about).

I’m not saying parables on racism can’t have giant planet-eating space-birds you understand, I’m just saying it’s a heavier lift.

Honestly, this one story’s impact has been so huge that if you actually go back and read it it can be a little underwhelming because it’s tropes and story beats have been copied so often elsewhere. Plus, the whole thing is wrapped up in one issue! They didn’t stretch it out across two years and have it cross over with every other Marvel title! What even the hell? But nonetheless it’s a story that is an intrinsically important strand in the X-Men’s big shaggy carpet and it was only a matter of time before the movies took a crack it.

The X-Men franchise is probably the most faithful to its source material of any superhero movie series and I don’t really mean that in a good way. Put it like this, Days of Future Past (the movie I mean) uses an incredibly convoluted time-travel plot to retcon away disastrous decisions made by previous creative teams. Just add a couple of Wolverine clones and Magneto revealing that he faked his death by pretending to be another villain who was pretending to be Magneto and you have the MOST X-MEN THING EVER. So at this point in the franchise the X-Men movies had been rescued from their Brett Ratner/Gavin Hood induced nadir and had been returned to their glorious prior status of being “quite good”. Brian Singer returned to the director’s chair with a mission; to integrate the previous “quite good” X-Men First Class and The Wolverinewith his own X-Men movies thus creating one, unified timeline of acceptable quality.

Warning. This post contains spoilers for X-Men: Days of Future Past, X-Men, X2, X-Men 3, Wolverine: Origins, X-Men: First Class and possibly X-Men movies that haven’t even been made yet. Read at your peril.

So I saw X-Men: Days of Future Past, fell in love and we are getting married in the spring. Honestly, really enjoyed that movie. My favourite of the X-Men franchise so far, and probably my favourite comic book movie of the year. Now, I said “favourite”, not necessarily “best”. Captain America 2 had a tighter script, whereas DFP will have your brain swerving like an articulated truck driven by a drunken monkey to avoid all the plot holes. And I’m not even talking about the inevitable stuff that comes with a time-travel story, as I mentioned in the Meet the Robinsonsreview there is really no way to do a “travel back in time to save the future story” that makes logical sense. No, this is just basic inconsistencies with how different mutants’ powers work, and seriously bad science. And yet, I enjoyed this movie so much, even more that Cap 2. It moves around at a great clip, there’s some great gags and character moments and it has one phenomenal prison escape scene and also one of the most flat out jaw-dropping effects shots I can remember seeing since I don’t know when. Also, there’s James McEvoy, rapidly becoming one of my favourite actors, giving an absolutely beautiful performance as a young, embittered, broken Charles Xavier that I honestly think would be getting Oscar buzz if it was in a movie with fewer giant flying robots. But there’s a question that’s raised by the movie’s ending that I want to talk about, and to do that I need to spoil pretty much everything about the movie. It concerns six little things that completely changed the entire Marvel universe, and many would argue for the worst.