*Source for the KSAN stuff is questionable. It might be the audience taper
that is heard being busted for at least the first part of disc 1. There
is little audience noise throughout, so, it is likely that the KSAN source
is correct, although the degradation of the sound is enough to make one
think that it could be an audience.

** Taper being busted by band was moved by Gans to before Sugar Magnolia,
but, it belongs before China Cat (both are present).

Portions of the show noted as FMS are most likely from an audience recoding.
Deadkists notes the following:

Two separate tapes make up the circulating recordings from this show.
Video of the concert was broadcast by KQED-TV San Francisco with the first
4 songs simulcast on KSAN-FM San Francisco. The circulating tape of these
tunes is the AUD tape; on the circulating tape there is a cut in Monkey
And The Engineer at around 1:00 and Easy Wind breaks off about 3 minutes
before its conclusion. According to DeadBase IX a Me And My Uncle followed
Easy Wind; but if so there is no trace of it on circulating tape. This
tape is actually from the audience tape whose tapers are apprehended
between Sugar Mag and China Cat; it is quite an excellent AUD tape. It
was recorded on Sony ECM-22P mics into a Sony 770 1/4-track reel recorder
at 7.5 ips by the same night crew that did the El Monte ’70 tapes, the
Hollywood Palladium 8/71 AUDs, 7/1/73 — who was that Masked Man?

The other tape in circulation is a pre-broadcast SBD from KQED-TV; it picks
up with Big Railroad Blues. In the pause before Dire Wolf they Tease
Cryptical repeatedly. The Other One goes directly into Black Peter,
entirely eliding the Cryptical Envelopment Reprise and Jam. In the
interval between Sugar Mag and China Cat a taper in the audience is busted,
with Phil directing a spotlight upon him. In the background of the China
Cat > Rider that follows, but definitely on mic, there is a lady screaming
out of control — she sounds very dosed, spun out hard, and at the moment
not really having that much fun. She screws up the recording of China Cat
> Rider pretty good and continues some in the pause that follows, where
there’s also a woman on mic looking for her cape — plainly things were a
little out of control backstage; perhaps there was a mic live that shouldn’
t have been somewhere backstage or in the wings.

The show-concluding Good Lovin’ > Uncle John’s Band that follows is an
alltime classic…..

I’d take issue with the statement that the audience tape is quite excellent

SEED NOTES:
This seed comes from the generousity of Jim Oade at http://www.oade.com. The
show waslabeled as 12-31-70aftershow. Unfortunately there is little to no
information regarding this performance since I can’t find any evidence of it
circulatingprior to this. Please contact me at cole7007@yahoo.com if you
have any additional information relating to this performance.

d1t03 ?Rock Me Baby? – Not sure if this is the correct title or not.

d1t05 I Know You Rider – A very interesting early version of this song. This
version has a different tempo at times and some strange lyrics.

d1t06-d1t11 – These were patched at the end of the performance so I kept them
on the seed. They are some pretty interesting promos. The names are in
quotes because this was the best description that I could come up with.

d1t08 “We’re Sorry We’re Not Playing Portchester Jam” – Jerry and Mickey in a
bluegrass jam apologizing for not playing Portchester.

Enjoy this rare treat!

-Brian

per Deadlisits:
After the end of the Dead’s set, Weir and Hot Tuna came out and played a
short Jam session. Will Scarlet is said to be the harmonica player. Tunes
played are Johnny B. Goode, Around And Around, Rock Me Baby, Not Fade Away,
and I Know You Rider (in Jorma’s arrangement)……

note:
-I altered the titles of the promos by adding what is being promoted & the
song featured during the promo.
-The Carousel promos are for the June 7,8,9 1968 performances billed with the
Jefferson Airplane, Grateful Dead & Fleetwood Mac.
-For reasons unknown, the Dead cancelled December 1970 performaces at the Capitol
Theate in Port Cheste, NY. These shows were resheduled for Feruary 1971.
-The Aoxomoxoa promos coincide with it release in June 1969.

From the original uploader:
Credits:
Thanks to Harvey Lubar for the seed and Tony Cortazzo for supplying me with
a copy. Thanks to Chuckles for instigational services.

Notes:
t01 – Truckin’ is only a 00.45 second fragment with the DJ talking over
at the end.
t02 – Includes DJ intro during the first few seconds. Garcia’s vocals are
low in the mix throughout.
t03 – FM static @ 01:54. FM dropouts at 03:51 & 03:54 were removed leaving
a splice. Garcia’s vocals are low in the mix until roughly 03:10
where they return to full strength.
t04 – FM dropout at 0:02 was removed leaving a splice.
t05 – Garcia’s vocals partially dropout at 03:32.
t12 – FM static @ 04:03.

Entire disc was retracked with CDWave

As an overall note when I received this recording it contained a large number
of pops & clicks, plus some scattered level fluctuations. I used Cool Edit
2000 to individually fix a lot of these problems. No noise reduction or
processing was used! All fixes were done by individually repositioning the
waveform. All told I probably fixed more than 200 clicks so there were too
many to list in this file. I also normalized a few spots of over saturated
levels. In some cases I was not able to identify the problem within the
waveform so a number of anomalies, typical for a 35 year old FM recording,
still remain. However, I think the end result is an improvement over the
previous version.

There is no Grateful Dead music in this recording, but it seemed best to label it as a companion to the Dead’s show.
This is the radio broadcast of the set-break between the Dead’s and Airplane’s sets. The show was a quadraphonic broadcast (two radio stations and KQED-TV), and an unknown taper captured the intermission after the Dead’s show in this recording.
In the KSAN broadcast, KSAN DJ Dusty Street wanders around interviewing various people backstage at Winterland about the show, including Marmaduke and Pigpen. There’s some talk about the recording and broadcasting, and the experience at Winterland. Dusty finds out midway that Janis Joplin has just died.
In one channel (at lower volume) is the simultaneous KQED broadcast – you can hear some talking onstage and part of Pink Floyd’s Saucerful of Secrets album.
This copy is incomplete, it fades at the end as the Airplane are getting ready to go on. I don’t know whether the other set-breaks or music sets taped from this source still survive, but hopefully a more complete tape will emerge.

Notes:
Normalized and removed pops with Cool Edit Pro v2.0
-I couldn’t get the first set from the Master Reel, so it is supplied
from SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN
-The first 17:25 of d2t01 (Seastones) are also patched from that same source.

–Set 1–
101-d1t01 – /Me & My Uncle
102-d1t02 – Next Time You See Me
103-d1t03 – He Was a Friend Of Mine
104-d1t04 – Smokestack Lightnin’
105-d1t05 – Morning Dew
106-d1t06 – It Hurts Me Too
107-d1t07 – /Beat It on Down the Line
108-d1t08 – Jerry “We’re only doing this to kill time folks”
109-d1t09 – Dancin’ In The Streets