Top Heavy Rain Quotes

Favorite Heavy Rain Quotes

1. "I know there is poor and hideous suffering, and I've seen the hungry and the guns that go to war. I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives."Author: Ann Voskamp

2. "You sleep with a dream of summer weather,wake to the thrum of rain—roped down by rain.Nothing out there but drop-heavy feathers of grass and rainy air. The plastic table on the terracehas shed three legs on its way to the garden fence. The mountains have had the sense to disappear. It's the Celtic temperament—wind, then torrents, then remorse.Glory rising like a curtain over distant water.Old stonehouse, having steered us through the dark,docks in a pool of shadow all its own.That widening crack in the gloom is like good luck.Luck, which neither you nor tomorrow can depend on."Author: Anne Stevenson

3. "Just a tiny little pain,Three days of heavy rain,Three days of sunlight,Everything will be alright,Just a tiny little pain."Author: Antonia Michaelis

4. "The girl standing before me wore a dress of pure white that made her seem about six feet tall. The dress was heavy enough it pulled her back straight, and she stood proudly, the train of the dress spread neatly behind her. Her lips were as red as roses, her eyes outlined in black kohl. Her dark hair had been bundled at the nape of her neck, braided and folded as required, a few curls springing loose to caress her pale shoulders, which were bare.That girl was one of the most powerful mages to ever live.And that girl was me."Author: Aprille Legacy

5. ". . . At Ghent the wind rose.There was a smell of rain and a heavy dragOf wind in the hedges but not as the wind blowsOver fresh water when the waves lagFoaming and the willows huddle and it will rain . . ."Author: Archibald MacLeish

6. "For time and eternity there have been fathers like Nathan who simply can see no way to have a daughter but to own her like a plot of land. To work her, plow her under, rain down a dreadful poison upon her. Miraculously, it causes these girls to grow. They elongate on the pale slender stalks of their longing, like sunflowers with heavy heads. You can shield them with your body and soul, trying to absorb that awful rain, but they'll still move toward him. Without cease they'll bend to his light."Author: Barbara Kingsolver

7. "He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging."Author: Ben Bova

8. "TEAI like pouring your tea, liftingthe heavy pot, and tipping it up,so the fragrant liquid streams in your china cup.Or when you're away, or at work,I like to think of your cupped hands as you sip,as you sip, of the faint half-smile of your lips.I like the questions – sugar? – milk? –and the answers I don't know by heart, yet,for I see your soul in your eyes, and I forget.Jasmine, Gunpowder, Assam, Earl Grey, Ceylon,I love tea's names. Which tea would you like? I saybut it's any tea for you, please, any time of day,as the women harvest the slopesfor the sweetest leaves, on Mount Wu-Yi,and I am your lover, smitten, straining your tea."Author: Carol Ann Duffy

9. "Fear, conformity, immorality: these are heavy burdens. They drain us of creative energy. And when we are drained of creative energy, we do not create. We procreate, but we do not create."Author: David McCallum

10. "It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. It's pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the note orchestra were constrained to pause, momentarily, in their performance, to harken to the sound and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observes that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as in confessed revery or meditation"Author: Edgar Allan Poe

11. "Fortunate indeed are those in which there is combined a little good and a little bad, a little knowledge of many things outside their own callings, a capacity for love and a capacity for hate, for such as these can look with tolerance upon all, unbiased by the egotism of him whose head is so heavy on one side that all his brains run to that point."Author: Edgar Rice Burroughs

12. "And all at once the heavy nightFell from my eyes and I could see, --A drenched and dripping apple-tree,A last long line of silver rain,A sky grown clear and blue again.And as I looked a quickening gustOf wind blew up to me and thrustInto my face a miracleOf orchard-breath, and with the smell, --I know not how such things can be! --I breathed my soul back into me.Ah! Up then from the ground sprang IAnd hailed the earth with such a cryAs is not heard save from a manWho has been dead, and lives again.About the trees my arms I wound;Like one gone mad I hugged the ground;I raised my quivering arms on high;I laughed and laughed into the sky"Author: Edna St. Vincent Millay

13. "With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason. In those days, though, the spring always came finally but it was frightening that it had nearly failed."Author: Ernest Hemingway

14. "Our historical pastime is the direct satisfaction of inflicting pain. There are lines in Nekrassov describing how a peasant lashes a horse on the eyes, 'on its meek eyes,' everyone must have seen it. It's peculiarly Russian. He describes how a feeble little nag has foundered under too heavy a load and cannot move. The peasant beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again. 'However weak you are, you must pull, if you die for it.' The nag strains, and then he begins lashing the poor defenceless creature on its weeping, on its 'meek eyes.' The frantic beast tugs and draws the load, trembling all over, gasping for breath, moving sideways, with a sort of unnatural spasmodic action- it's awful in Nekrassov. But that only a horse, and God has horses to be beaten."Author: Fyodor Dostoyevsky

15. "Adolescence is like a heavy rain. Even though you catch a cold from it, you still look forward to experiencing it once again.(From 'In Those Bygone Years, The Girl We All Went After' the novel)"Author: Giddens Ko

16. "Right now in this world, a child is dying from an ailment because its family cannot afford to buy charcoal for boiling water.Right now in this world, a girl is striving to find firewood from trees that no more exist, and water from sources that are poisonous.Right now in this world, a boy is out fishing in a lake rich with inedible species.Right now in this world, a mother is drowning in heavy rainfall, to save her belongings.Right now in this world, a man has lost his dignity because all his eff orts to save have been wiped away to poverty by unforeseen calamities.Right now in this world, a family is starving because drought has invaded their once fertile land.Right now in this world, a nation is planning for refugee status due to adverse climate conditions.Right now in this world, you have a choice to help alleviate environmental problems caused by humankind."Author: Gloria D. Gonsalves

17. "I leave a white and turbid wake;pale waters, paler cheeks, where'er I sail. The envious billows sidelongswell to whelm my track; let them; but first I pass. Yonder, by theever-brimming goblet's rim, the warm waves blush like wine. The gold browplumbs the blue. The diver sun --slow dived from noon, --goes down; my soulmounts up! she wearies with her endless hill. Is, then, the crown too heavythat I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; i, the wearer, see not its far flashings; but darkly feel that i wear that, that dazzlingly confounds. 'Tis iron --that I know--not gold. 'Tis split, too --that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight!"Author: Herman Melville

18. "We had sun, but we asked for a rainbow. We called the drizzle, but we got heavy rains! Now it's gone.. We are left with drizzle, waiting the sun light to pass through. When the sun shines tomorrow, only the drizzle is mine.. Rainbow is yours! And I'm deaf and you're blind!"Author: Heshan Udunuwara

19. "The dead were buried above ground, the loose soil heaped around them. The heavy rains of the monsoon months softened the mounds, so that they formed outlines of the bodies within them, as if this small cemetery beside the military airfield were doing its best to resurrect a few of the millions who had died in the war. Here and there an arm or a foot protruded from the graves, the limbs of restless sleepers struggling beneath their brown quilts."Author: J.G. Ballard

20. "He then departed, to make himself still more interesting, in the midst of an heavy rain."Author: Jane Austen

21. "From RIVERMy body is filled with sand. The heavy grains flow from my eyes and seek somewhere to fall.Speak to me friends. Tell me I am free to go now, for I need to sit alone in the sun on the river bank, juggling pebbles."Author: Jay Woodman

22. "The restaurant, Bongiorno's, was bad and didn't know it. Everything was presented with a passive-aggressive flourish, as though we probably weren't savvy enough to appreciate the oregano-heavy garlic bread, the individual bowls for olive pits, the starched napkins stuffed into our wineglasses, or the waiter's strained enunciation of a long list of specials."Author: Jonathan Lethem

23. "One of these, bearing the name of Crampton, is an adorable blonde with a shrill voice, a long slender body imprisoned in a shiny brass corset, and supple catlike movements; a smart golden blonde whose extraordinary grace can be quite terrifying when she stiffens her muscles of steel, sends the sweat pouring down her steaming flanks, sets her elegant wheels spinning in their wide circles, and hurtles away, full of life, at the head of an express or a boat-train.The other, Engerth by name, is a strapping saturnine brunette given to uttering raucous, guttural cries, with a thickset figure encased in armor-plating of cast iron; a monstrous creature with her disheveled mane of black smoke and her six wheels coupled together low down, she gives an indication of her fantastic strength when, with an effort that shakes the very earth, she slowly and deliberately drags along her heavy train of goods-wagons."Author: Joris Karl Huysmans

24. "It's heavy, but I am able to carry it. Why? Because I'm an African woman. An African woman carries heavy loads anyway. That's how we are trained; we are brought up that nothing is unbearable. I use that now, positively. I use that now to have the thick skin that I have, and not fear, and move forward, and push; and push forward."Author: Joyce Banda

25. "I'd felt this before, when my granddad was in the hospital before he died. We all camped out in the waiting room, eating our meals together, most of us sleeping in the chairs every night. Family from far-flung places would arrive at odd hours and we'd all stand and stretch, hug, get reacquainted, and pass the babies around.A faint, pale stream of beauty and joy flowed through the heavy sludge of fear and grief. It was kind of like those puddles of oil you see in parking lots that look ugly until the sun hits them and you see rainbows pulling together in the middle of the mess.And wasn't that just how life usually felt—a confusing swirl of ugly and rainbow?"Author: Laura Anderson Kurk

26. "Right now,tucked into the booth,Gray Donohue whispered into the ear of the redhead on his right,while his hand slipped under the table and under the skirt of the female to his left.As he whispered,the redhead lifted her heavy lids,turned her gaze to whereever Gray´s hand had landed,and grinned.Marina whirled back to the bar and drained her beerto the very last bit of foam.He was the best assignment she´d ever had.Or he would be,if she could just get him to notice her."Author: Laura Wright

27. "Rose sat all alone in the big best parlor, with her little handkerchief laid ready to catch the first tear, for she was thinking of her troubles, and a shower was expected. She had retired to this room as a good place in which to be miserable; for it was dark and still, full of ancient furniture, somber curtains, and hung all around with portraits of solemn old gentlemen in wigs, severe-nosed ladies in top-heavy caps, and staring children in little bobtailed coats or short-waisted frocks. It was an excellent place for woe; amd the fitful spring rain that pattered on the windowpane seemed to sob,"Cry away; I'm with you."Author: Louisa May Alcott

28. "VespersIn your extended absence, you permit meuse of earth, anticipatingsome return on investment. I must reportfailure in my assignment, principallyregarding the tomato plants.I think I should not be encouraged to growtomatoes. Or, if I am, you should withholdthe heavy rains, the cold nights that comeso often here, while other regions gettwelve weeks of summer. All thisbelongs to you: on the other hand,I planted the seeds, I watched the first shootslike wings tearing the soil, and it was my heartbroken by the blight, the black spot so quicklymultiplying in the rows. I doubtyou have a heart, in our understanding ofthat term. You who do not discriminatebetween the dead and the living, who are, in consequence,immune to foreshadowing, you may not knowhow much terror we bear, the spotted leaf,the red leaves of the maple fallingeven in August, in early darkness: I am responsiblefor these vines."Author: Louise Glück

29. "My eyelids are heavy as stone. But when I sleep, I'll have that dream again. I haven't wanted to tell you about it, until now. I'll be in the Separates, and I'll be digging with my bare hands. When I've made a hole deep enough to plant a tree, I'll place my fingers inside. I'll slip off the ring you gave me. It will catch the light and glint a rainbow of colors over my skin, but I will take my hands away, leaving it there. I'll sprinkle the earth back over it, and I will bury it. Back where it belongs. I'll rest against a tree's rough trunk. The sun will be setting, it's dazzling color threading through the sky, making my cheeks warm. Then I will wake up. Good-bye, Ty, Gemma"Author: Lucy Christopher

30. "Please don't misunderstand me. I'm not saying motherhood lacks meaning. There's great dignity in the smallness of motherhood; we're essential in our contingency. And though we may not follow the Western model of the epic hero, we mothers can find a metaphor for our lives. The metaphor is in the kuroko, the Kabuki theater stage assistant. You've heard of Kabuki—with its wildly theatrical actors, its gorgeous costumes, and spectacular scale. The kuroko are assistants who help the actors move through their elaborate dramas. Meant to provide unobtrusive assistance with props and costumes, kuroko try to remain in the wings. They huddle in half-kneeling posture, wearing black bags over their heads and bodies—the better to recede into both actors' and audience's preconscious mind. Scurrying to arrange the trailing hems of heavy brocade kimonos, like an American mother repeatedly straightening her daughter's wedding train, the kuroko's role is to suport the real players of life's dramas."Author: Lydia Minatoya

31. "Grandfather used to call the rain 'the erotic ritual between heaven and Earth.' The rain represented the seeds sown in the Earth's womb by heaven, her roaring husband, to further life. Rainy encounters between heaven and Earth were sexual love on a cosmic scale. All of nature became involved. Clouds, heaven's body, were titillated by the storm. In turn, heaven caressed the Earth with heavy winds, which rushed toward their erotic climax, the tornado. The grasses that pop out of the Earth's warm center shortly after the rain are called the numberless children of Earth who will serve humankind's need for nourishment. The rainy season is the season of life. Yes, it had rained the night before."Author: Malidoma Patrice Somé

32. "Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls."Author: Martin Amis

33. "Clouds never get tired of giving rain to us; and you, you must never get tired of giving your love! Valentine's Day is a day to remember to give more, to love more, it is a day to behave like a heavy rain!"Author: Mehmet Murat Ildan

34. "I opened my louvres and looked at Comfort, walking in the heavy rain, crying bitterly. I heard mom saying, Anywhere you want to go, you can, but don't come back again to this house. Comfort was beautiful, but her stealing attributes brought reproach on her and painted her beauty with dark impressions. I looked at her, walking barefooted on the muddy ground congested with rain water."Author: Michael Bassey Johnson

35. "I hope you never hear those words. Your mom. She died. They are different than other words. They are too big to fit in your ears. They belong to some strange, heavy, powerful language that pounds away at the side of your head, a wrecking ball coming at you again and again, until finally, the words crack a hole large enough to fit inside your brain. And in so doing, they split you apart."Author: Mitch Albom

36. "I gasp.All around me, the dead are risin.Another leg bone bobs to the muddy surface. Then a skull. A arm bone. They swing lazily. The current grabs 'em an carries 'em away.Wreckers must of used the dry riverbed as a mass grave an now the heavy rain's churnin it all up.I snatch my hands from the water, hold my arms high, outta the way. Slowly I turn in a circle, blinkin the rain away from my eyes.Ohmigawd, I says. Ohmigawd ohmigawd ohmigawd.The river's alive with dead men's bones. It's thick with 'em.My breath's comin shallow an fast.I feel somethin touch me. I make myself look down. A skellenton's wrapped itself around my chest. The skull grins up at me.I shove it away. But when I pull my hands up agin, the whole top half of the skellenton comes with 'em. I'm stuck in the ribcage. The skull's right in my face.I scream. Shake myself loose. Scramble to git away. Lose my footin.I fall. I go unner.An the current sweeps me away."Author: Moira Young

37. "You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one."Author: Nick Hornby

38. "14. Muddy Road Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection. "Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?" "I left the girl there," said Tanzan. "Are you still carrying her?"Author: Nyogen Senzaki

39. "Her skin burned where he touched her. And as his hands moved over her with paradoxical motion—light and rough, heavy and delicate, all at the same time—they left tiny, but definite imprints. These imprints touched her deeply and left more than a physical mark. Like scars they might change and fade with time, but like scars she would never be rid of them. She didn't need any more scars from Greg. His took a long time to fade. But she wanted more and now she had them. Like the old marks, these new ones were ingrained into her psyche and written on her soul. No matter what she did from this day forward those marks would forever remain as a reminder of his touch and how he made her feel."Author: Olivia Fuller

40. "Heavy hearts, heavy eyelids," said the master of the caravan."Huh?" Heather looked up in dismay, shocked to find she'd nearly been left behind as the caravan prepared to move on. Her last night's sleep had been fitful, full of dreams where Khalid made her suffer for running away. Now she felt drained and groggy, unable to get the images of Khalid spanking her over his knee and then ravishing her out of her tired head."Look," the caravan master said. "Riders approaching, a great armed party. No doubt they are searching for escaped slaves.""No doubt." Heather straightened up wearily in the saddle, determined to outwit Khalid and conceal her true identity as a runaway. The one thing she was sure of was that capture would bring a fate worse than death. Already she could imagine Khalid tying her up, spanking her bottom, making her howl for mercy until she had no pride or will to resist. And then would come the true test of her virtue . . ."Author: Patricia Grasso

41. "There's a boiling pot of paranoia in the pit of his stomach. That slow, heavy weight he always has when he leaves the house, when he's in the open and he's carrying something, even if it's just one vial of Sadness. He feels vulnerable. He knows if they stop him or the train, they'll search everyone and give all of them a hard time.He just wants to get home without trouble. That's all he's ever wanted. To ignore the rest of the world, enjoy the Sadness [...]"Author: Pleasefindthis

42. "Yes...how else could Demandred explain the skill of the enemy general? Only a man with the experience of an ancient was so masterly at the dance of battlefields. At their core, many battle tactics were simple. Avoid being flanked, meet heavy force with pikes, infantry with a well-trained line, channelers with other channelers. And yet, the finesse of it...the little details...these took centuries to master. No man from this Age had lived long enough to learn the details with such care."Author: Robert Jordan

43. "Shall I tell you all about her, cat? She is very beautiful – your mistress,' he murmured drowsily, ‘and her hair is heavy as burnished gold. I could paint her – not on canvas – for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud – the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons – oh, much higher than our moon here"Author: Robert W. Chambers

44. "As it began, rain ended quickly in Yorkshire. There was no gradual waning of water, no silent mist to ease the way from heavy drops to dry skies. Instead, there was a simple change, like the snuffing of a candle. One moment, there was pounding rain, and the next...silence."Author: Sarah MacLean

45. "I knew by the signs it would be a hard winter. The hollies bore a heavy crop of berries and birds stripped them bare. Crows quarreled in reaped fields and owls cried in the mountains, mournful as widows. Fur and moss grew thicker than usual. Cold rains came, driven sideways through the trees by north winds, and snows followed."Author: Sarah Micklem

46. "This native people he lived with, deep in the jungle—their language had dozens of words for rain. Because it was so common to them, you see. Where they lived, it rained almost constantly. Several times a day. So they had words for light rain, and heavy rain, and pounding rain. Something like eighteen different terms for storms, and a whole classification system for mist." "Why are you telling me this?" His touch skimmed idly down her arm. "Because I'm standing here, wanting to give you a fitting compliment, but my paltry vocabulary fails me. I think what I need is a scientific excursion. I need to venture deep into some jungle where beauty takes the place of rain. Where loveliness itself falls from the sky at regular intervals. Dots every surface, saturates the ground, hangs like vapor in the air. Because the way you look, right now . . ." His gaze caught hers in the reflection. "They'd have a word for it there."Author: Tessa Dare

47. "The snail pushes through a greennight, for the grass is heavywith water and meets overthe bright path he makes, where rain has darkened the earth's dark. Hemoves in a wood of desire,pale antlers barely stirringas he hunts. I cannot tellwhat power is at work, drenched therewith purpose, knowing nothing.What is a snail's fury? AllI think is that if laterI parted the blades abovethe tunnel and saw the thintrail of broken white acrosslitter, I would never haveimagined the slow passionto that deliberate progress."Author: Thom Gunn

48. "If he looked into her face, he would see those haunted, loving eyes. The hauntedness would irritate him -- the love would move him to fury. How dare she love him? Hadn't she any sense at all? What was he supposed to do about that? Return it? How? What could his calloused hands produce to make her smile? What of his knowledge of the world and of life could be useful to her? What could his heavy arms and befuddled brain accomplish that would earn him his own respect, that would in turn allow him to accept her love?"Author: Toni Morrison

49. "The air was warm and heavy as sprinkles began to fall from the clouds high above. The Triton glided through the waters and the whoosh of the ship combined with the steady beat of the rain to make a concerto, like a pianist fluttering his fingers on the keys at one end and running his fingers up and down the scales at the other. Expectancy hung in the air as the tune moved to a crescendo."Author: Victoria Kahler

50. "...he found it where he should have looked first, on the Internet, which is a net indeed, one that can be cast further than the eye can see and be retrieved no matter how heavy the hall, its magical mesh never breaking under the strain but always bringing in the most amazing catch."Author: Yann Martel