Review: Farwarmth – Immeasurable Heaven (ACR, Mar 12)

Immeasurable Heavenis somehow just as poetic as the album’s lofty title. It’s an entirely instrumental release that conveys a stunning range of emotions, probably due to the elaborate layering of both textures and melody that young musician Afonso Arrepia Ferreira constructs. The young artist provides both elements, his expressive acoustic piano playing drifting in and out of noisy ambiance created by synth patches, keyboard, and processed samples. Other musicians who lend even more diversity include Victoria Mailho (flute), Bruna de Maia (cello), Guilherme Tavares (additional sampling), and Filipe Baixinho (bass), allowing Ferreira’s ambitious compositions to achieve their full potential. Described as being based on the connection between humanity and the cosmos, Immeasurable Heaven is an album that somehow embodies both the earthly and the celestial; its supernal atmosphere and weighty, dense harmonies often reveal the more modest and intimate sounds within. The record emphasizes the beauty of being such a small part of something much larger, the bittersweet reality that our lives are so insignificant, yet reminds us that we still matter.

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Welcome to Noise Not Music. Here you’ll find reviews of recent albums, various essays, weekly mixes, and posts about events.

I tend to focus on stuff that resides in the experimental or avant-garde realm of music, but nothing is off limits. If you have an album you’d like me to review, please email me or comment on a post. When I say nothing is off limits, I really mean it. However, I only review albums I like, and the “reviews” themselves are more intended to encourage discovery rather than to express my personal opinion.

Currently the site is written by just me, Jack, but I’m open to expanding in the future. If you’d like to write a guest review or essay (or anything, I’m not picky), just let me know.