The first issue in Thomas Dausgard's Schumann cycle with the Swedish Chamber Orchestra, containing the Second and Fourth Symphonies, was widely admired, and hearing their version of the First, it's easy to understand why. This is a modern-instrument band yet the transparency Dausgaard brings to Schumann's textures has an almost period-instrument quality, with solo lines sharply profiled against the string background. This is an account of the Spring Symphony that firmly underlines the work's affiliations with Beethoven, even if it does not always move as athletically as the finest accounts on disc. What makes the disc even more appealing, though, are the fill-ups. Apart from the Overture, Scherzo and Finale - one of Schumann's most underrated orchestral works, here sounding fresh and totally buoyant - there are the overtures to his only opera Genoveva and from his incidental music to Schiller's The Bride of Messina. Also included is the surviving first movement of the so-called Zwickau Symphony, which Schumann composed in 1832, nine years before he took up orchestral composition in earnest.