ANDY ROBERT

What the Gallery Says: “All of these artworks had one thing in common, deconstructive layers operating both in time and space, inside and outside. In a sense, Robert’s paintings were acquiring the materiality of lakou—a Creole word used to designate a self-regulated type of property deeply ingrained in Haitian culture and able to encompass a variety of meanings and uses… Even though the topics related to Robert’s paintings are linked to his biography, his intentions are not expressive or emotional, but a reflection about how painting preserves its autonomy in a metaphysical way and links to the idea of place and inheritance through the relationship between the viewer and the work.”

Why It’s Worth a Look: The individual canvases are like small tiles that taken as a whole, create a layered mosaic capturing fragmented impressions of Harlem; the show’s title, “One Two Five,” is a nod to the storied New York neighborhood’s street coordinates.

What It Looks Like:

Installation view of Andy Robert at Hannah Hoffman. Images courtesy of the artist and Hannah Hoffman, Los Angeles. Photography by Veli-Matti Hoikka.

Installation view of Andy Robert at Hannah Hoffman. Images courtesy of the artist and Hannah Hoffman, Los Angeles. Photography by Veli-Matti Hoikka.