"Smart" Sharpening Shortcuts

Text and images Copyright (C) 2002 Eric R. Jeschke and may not be used without permission of the author.

Intention

Maybe you think the smart sharpening method is too complicated, or too lengthy,
or just not worth it for the benefit. There are many variations on this technique,
some of which are not as lengthy as the "full" technique, but may still produce better results than a straightforward unsharp mask operation.

Possible combinations

Decompose into LAB, and prepare a sharpening mask. Only the edges in the luminosity channel are sharpened.
This is the full procedure described in the tutorial.

Decompose into HSV, and prepare a sharpening mask. Only the edges in the value channel are sharpened.
A variation on the full procedure described in the tutorial.

Don't decompose into LAB, but do prepare a sharpening mask. Only the edges in all RGB channels are sharpened.
A good method if losing information due to mode changes is a concern.

Don't decompose into LAB, but do prepare a sharpening mask. Only the edges in the red channel are sharpened.

The red channel is used since it usually contains most of the luminosity information for the image.
Once you have the sharpening mask created as described earlier
and have converted it into a selection, go to the Layers dialog, click on the Channels tab and unselect the Green and Blue channels. Now apply the filter.

Don't decompose into LAB, and don't prepare a sharpening mask. The entire image is sharpened, but only in the red channel.
We can't use as large an amount of sharpening, or it will exacerbate the noise.

Decompose into LAB, but don't prepare a sharpening mask. The entire image is sharpened, but only in the luminosity channel.
We can't use as large an amount of sharpening, or it will exacerbate the noise.

Decompose into HSV, but don't prepare a sharpening mask. The entire image is sharpened, but only in the value channel.
We can't use as large an amount of sharpening, or it will exacerbate the noise.

Sharpen the entire image, all RGB channels.

Results

Compare for yourself!
Here are the results for the combinations listed above. Look for the sharpness in the eye lines,
and CCD noise in the shadows of the face and in the door frame of the car.

3. Sharpening mask (edges only), all RGB channels (no decompose/compose). First of the "shortcuts".
(Radius=1, Amount=2.0, Threshold=0)
This does nearly as good a job as the "full" smart sharpening technique. If your image is not particularly noisy, this is the way to go.

4. Sharpening mask (edges only), red channel only (no decompose/compose).
(Radius=1, Amount=2.0, Threshold=0)
At first you'd think that this would produce a better result than #3. It's very good as far as not enhancing noise, but it's clearly not as sharp.

5. No sharpening mask (entire image), red channel only (no decompose/compose).
(Radius=1, Amount=1.0, Threshold=0)
This one is a toss-up with shortcut #6. There is more noise than in shortcuts #3 and #4, but less than in #6. It's also less sharp than #6.

6. No sharpening mask (entire image), luminosity channel only (LAB decompose/compose).
(Radius=1, Amount=1.0, Threshold=0)
Sharper than #5, but with more visible noise. Noise is barely, perceptibly less than in #7 & #8.