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These generalizations about the Tanakh – its proper name – don’t quite hold for the latest books, Ezekiel and especially Daniel, which betray a great deal of Iranian influence and thus should really be classed more with the intertestamental apocrypha and pseudepigrapha. NOTE: This is a draft post, subject to further refinement. These reasons are basically all right off the top of my head – the kind of things I would tell you if we were sitting down to coffee, and you happened to ask me how the heck a professed anarchist like me can love the Bible.

1. It does not depict a creation ex nihilo, but opens (pace the usual translations), “When God was beginning to create the heavens and the earth…” God creates as a sculpter does, day by day uncovering an emergent order from the primordial wilderness (see 15, below).

2. It contains no theology (aside from God’s teasing statement to Moses in Exodus 3:14, the sense of which is “I will be whoever the hell I want!”).

3. It is not entirely monotheistic, alluding in a few places to other gods (e.g. Psalm 82); depicting Yahweh as having divine offspring and/or representatives (“angels”); and suggesting a multiple nature for divinity itself with Yahweh’s frequent alternate name Elohim, which is a plural form. (Adonai is also a plural form, but this “is usually construed as a respectful, and not a syntactic plural,” whereas “it is argued that the word elohim had an origin in a plural grammatical form.” See the Wikipedia article Names of God in Judaism for further discussion of the way different names reflect different aspects or personalities of divinity.)

4. Its Yahweh is not incorporeal, all-good, or all-wise, and in some stories resembles an amoral trickster deity similar to the Norse Loki, the Yoruba Eshu or the Maidu Coyote. Yahweh kicks ass.

5. It is free of the poisonous influence of radical dualism (good and evil – or matter and spirit – as wholly separate, mutually exclusive categories). The problem of evil is raised but not “solved.”

6. The destiny of the individual soul after death is alluded to, but nowhere treated as a matter of consequence.

7. The language is direct, rhythmic and repetitious in the manner of the best oral epic. The graceful language and vivid imagery recall poetry more than prose.

8. It is full of analogic thinking and creative leaps, such as “Man is born to trouble, as the sparks fly upward” or “As the crackling of thorns under a pot, so is the laughter of fools.”

9. So-called “Biblical parallelism” extends from the level of the verse to the overall organization (alternate tellings of the same story, even alternate histories – e.g. Judges-Kings vs. Chronicles), teaching a tolerance for alternative interpretations.

10. For every passage that seems hateful and exclusive, there’s a passage that’s accepting and inclusive.

11. Hints of an earlier matriarchal order abound, and despite the overwhelming patriarchal emphasis, there are more strong female characters than in any comparable work from antiquity. In Proverbs, Wisdom is allegorized as a woman. By way of comparison, Zhuangzi, my other favorite anthology of sacred literature, contains virtually no references to women.

12. The Saul-David cycle has a depth of psychological realism worthy of the greatest novels. In general, Biblical characters are three-dimensional, flawed beings.

13. No one has ever written a book on The Plants of the Prajnaparamita Sutra.

14. Human beings are consistently depicted as a very small and weak part of an overwhelmingly large universe, and become guilty of the worst kind of impiety if they start to believe otherwise.

15. Desert or wilderness (tohu) is portrayed as part of a separate order that in some sense (as the tohu-wa-bohu of Genesis 1:2) predates and gives rise to Creation; thus, it is a place of testing and renewal (for Jacob/Israel, David, Elijah, etc.) and an image almost of Emptiness in the Buddhist sense.

16. Even as captured and subverted by end-time and Messianic theologies (including Christianity), its literary richness and depth of ambiguity has provided a much-needed moderating influence on radical movements, from the hey-day of gnosticism, through the Scholastics and Kabbalists, down to the Inquisition (which is, in one form or another, on-going).

17. It spawned two translations (the King James Version and, I gather, Martin Luther’s) which rank among the most beloved and influential works of literature in their respective languages – mainly by virtue of cleaving as much as possible to the literal meaning, even at the price of excessive strangeness.

18. The opening chapter of Genesis justifiably served as Exhibit A for the pagan author Longinus’ work On the Sublime. In the Bible, things don’t have to be ideal or perfect in a Platonic sense to inspire awe or reverence.

19. The Bible’s emphasis on mitzvot (“commandments,” duties) basically reinvented religion in the West, turning it away from a primary emphasis on the worship of power and toward an emphasis on the cultivation of individual morality and social justice.

20. The Bible makes room for scathing critiques of kingship and priesthood, and its nebiim (“prophets”) constitute one of the earliest and most important literary and historical models for conscientious objection to institutional power in the West.

21. Because awe is the beginning of wisdom, as the Bible repeatedly suggests, and because spirit and breath are intimately connected, as the Hebrew word ruah (and possibly the very name Yahweh) implies.