Many people are familiar with Harriet Tubman, the former slave-turned-Underground Railroad conductor-turned-Civil War operative-turned-political activist. She has appeared as a supporting character in a handful of television productions and the leading character in two other television productions. However, a full-length feature film has finally been made about the famous historical figure. That film is called “HARRIET”.

As I had earlier stated, there have been two television productions about the famous Underground Railroad conductor. One of them was an episode from the 1963-1964 historical anthology series “THE GREAT ADVENTURE” called (1.06) “Go Down, Moses”. It starred Ruby Dee. The other television production was the 1978 miniseries “A WOMAN CALLED MOSES”, which starred Cicely Tyson. Following the latter, the Harriet Tubman figure appeared in a few television productions about slavery and the Underground Railroad until the release of this new film.

“HARRIET” basically covered Tubman’s life during a nine-year period between 1849 and 1850, along with a sequence set in 1858. The movie began in 1849 Maryland with Harriet (or Araminta “Minty” Ross Tubman, as she was known then), along with her husband John Tubman and father Ben Ross (both who were free) approached Harriet’s owner Edward Bodress with a promise made by the latter’s ancestor that her mother Harriet “Rit” Ross would be freed by the age of 45, along with their children (including Harriet). Bodress refused to acknowledge the promise. He also forbade Harriet from seeing her husband John. Brodess’s adult son Gideon caught Minty praying for God to take Mr. Brodess. The latter died shortly afterward. Alarmed by this, Gideon decided to sell Minty as punishment. Suffering from spells that began after she had been struck in the head as a child, Minty had a vision of her being free and decided to run away. She convinced John to remain behind, in case he got caught and punished for escaping with her. Minty eventually reached Philadelphia and freedom. She managed to acquire a job, thanks to the assistance of Underground Railroad abolitionist/writer William Still and a fashionable free black woman named Marie Buchanon. After a few months in Philadelphia, Minty (who renamed herself as Harriet Tubman) returned to Maryland to retrieve John and discovered that he had remarried, believing she was dead. Instead, Harriet decided to escort some family members north to freedom and began her career as a conductor for the Underground Railroad.

I have been aware of Harriet Tubman ever since I was a child of nine years old. My mother had purchased a copy of Marcy Heidish’s 1976 novel called “A Woman Called Moses”, the basis for the 1978 miniseries. But “HARRIET” marked the first time that Tubman was featured as the a character in a motion picture, let alone the leading character. So naturally, I had to see it. I had some problems with the movie. One, I could easily see that it was not historical accurate. This is not a real problem for me. After seeing two television productions that erroneously featured Harriet Tubman operating in the Ohio River Valley, the historical inaccuracies in this film struck me as a piece of cake.

One example would be the scene during her own escape in which her new owner, Gideon Bodress, and a slave patrol cornered her on a bridge. Instead of surrendering, she evaded them by jumping into the river. Needless to say, no such thing happened, since her owner (Anthony Thompson), or any slave patrol were able to capture her during her journey to Philadelphia. But . . . I was able to tolerate this scene. Somewhat. I was also a bit confused about her relationship with John Tubman in this film. Director-writer Kasi Lemmons and co-writer Gregory Allen Howard portrayed Harriet or Minty’s marriage as loving and trouble free. This has not been the case in another Hollywood production I could think of. Unfortunately, no one really knows whether the Tubmans had experienced any marital strife before her flight from Maryland. So . . . I tolerated this portrayal. However, the movie indicated that Minty had suggested John not run with her so that he would not be caught aiding a runaway. This is false. According to history, John did not want her to run in the first place. They also made it clear that John had remarried because he had assumed Minty/Harriet was dead. I do not know whether this is true or not. But it seemed as if Lemmons and Howard seemed hell bent upon portraying John in a positive light as much as possible.

But there were changes in the narrative that left me scratching my head. “HARRIET” featured Minty making her escape from Maryland in the middle of the day . . . which I found odd. The movie had her working in a garden when someone warned her that Bodress had plans to sell her to the Deep South in order to alleviate family debts. No sooner had she received the warning, one of the plantation’s foremen appeared to grab her. Minty ran and . . . hid. She hid around the plantation for hours before she contacted her family and left. What made this even more odd is that Bodress did not learn of her escape from the foreman until hours later. Which I found very odd. Historically, most slave escapes began in the middle of the night, not in the middle of the day. Why did Minty wait so long to contact her family before her escape? And why did the plantation foreman wait so long to inform Bodress? Also, she made most of her journey by night and hid during the daytime. Which would have made that daytime encounter on the bridge with Bodress somewhat implausible. I can only assume Lemmons and Howard had added it for dramatic reasons.

In the movie, Minty/Harriet did not wait very long to return to Maryland and contact her family and John. After escorting several members of her family north, she returned to Maryland and helped others escape on several occasions before the passage of the Fugitive Slave Act of 1850. Now this is ridiculous. One, Tubman returned to Maryland to help some relatives escape at least three to four months after the law’s passage. I find it very hard to believe that she had made so many trips to Maryland between her own escape in September 1849 and when the fugitive law was passed in September 1850. Another troubling aspect of the movie was the sequence featuring the passage of the Fugitive Slave Law. The movie featured a scene with former slaves – including Harriet – leaving en masse from the Philadelphia docks, while God knows how many slave catchers suddenly appeared to capture these fugitives. What the hell? I had felt as if I was watching a war movie with refugees escaping from an invaded city. Yes, many fugitive slaves were forced to flee the Northern states for Canada following the law’s passage. But not like THAT. Not like a scene from “CASABLANCA” or “THE WINDS OF WAR”.

I have two more complaints. Why did Lemmons and Howard added that . . . relationship between Harriet and Bodress? Why? It was bad enough that Gideon Bodress never existed. But Tubman had never recounted having to deal with the unwanted sexual interest or assault from any white man. And I got the impression that Lemmons wanted to include some watered down version of the Patsey-Edwin Epps relationship from the Oscar winning film, “12 YEARS A SLAVE” – but without the overt violence and sex. It was obvious that Bodress had never laid a violent hand on Harriet in the film, aside from the slap on the face after he had overheard her wish for his father’s death. But I find it implausible that Gideon Bodress had never attempted to sexually assault her. Even when his father was alive. Another sequence featured Northern black and white members discussing the Fugitive Slave Act passage and whether it would be safe to continue the Underground Railroad. What I disliked about this sequence is that most of them seemed to have this attitude without the organization’s conductors appearing on Southern plantations to lead them, many slaves would not be willing to escape or would not succeed in escaping. And this was far from the truth. One could argue that this scene was a perfect example of patronization from Northern abolitionists. But Harriet did not point out that slaves were capable of escaping on their own. Instead, she simply argued for the continuation of the Underground Railroad. Which simply made her equally patronizing to me.

One would think that I disliked “HARRIET”. That person would be wrong. I actually enjoyed it very much. Despite some of the narrative choices, lightweight characterizations and historical inaccuracies; “HARRIET” was both an entertaining and interesting film. One, it is nice to see Hollywood produce a feature film about the former abolitionist. “HARRIET” is a thoughtful drama about a period in United States history about which very few Americans want to discuss, let alone contemplate. Like other Hollywood productions, the movie mainly featured Tubman’s early career as an Underground Railroad conductor. I had assumed that it would also focus on her Civil War experiences, due to some publicity stills released before the film hit the theaters. But the movie only included a coda, featuring Tubman’s participation in a raid during the war. “HARRIET” was, without a doubt, about her role with the Underground Railroady.

Due to the film’s focus on Harriet’s career as an Underground Railroad conductor, it did not focus that strongly on her family life . . . with the exceptions of her attempts to lead them to freedom. Many critics have complained about this. But I can understand why Lemmons only focused on one aspect of Harriet’s life. This was a feature-length film that ran nearly two hours, not a television miniseries. Frankly, I thought it was smart of her to focus one one aspect of Harriet’s life, considering the format she had used. And she focused on one of the former slave/abolitionist’s most famous period in her life – namely that as an Underground Railroad conductor. Only through this story arc was the movie able to somewhat focus on her connection to her family. In fact, one the most interesting arcs in this narrative proved to be a sequence that featured Tubman’s attempts to rescue her sister Rachel and the latter’s children.

This focus on Harriet’s career with the Underground Railroad allowed Lemmons and Howard to reveal Harriet as action heroine she truly was. The writers’ narrative arc also featured some well staged action sequences. Among my favorite sequences are Harriet’s initial escape from Maryland and her successful rescue of Rachel’s children in the film’s second half. Both struck me as well-shot sequences that featured a great deal of more tension and drama than action. And I thought the focus on these two aspects may have allowed the sequences to be more effective without the obvious action. I also enjoyed the movie’s final action sequence in which Harriet attempted to rescue and lead her parents to freedom in the late 1850s. Not only was this sequence filled with the usual solid action for this trope, it featured a tense-filled final confrontation between Harriet and Bodress.

I certainly did not have a problem with the film’s production values. I thought Warren Alan Young did an exceptional job in re-creating antebellum America, especially in scenes that featured the Bodress plantation, Baltimore (at least I think it is), Canada and especially Philadelphia. I believe Young was ably supported by John Troll’s sharp and colorful cinematography, Wyatt Smith’s film editing, Kevin Hardison and Christina Eunji Kim’s art direction, and Marthe Pineau’s set decorations. I also have to commend Paul Tazewell for his costume designs. I thought Tazewell did an excellent job of conveying the movie’s setting and characters through his costumes, as shown in the images below:

I have a confession to make. Aside from a handful, I was not exactly blown away by the performances featured in “HARRIET”. I am not claiming that most of the performances were terrible or even mediocre. I simply found them solid . . . or serviceable. There were a few that I found slightly above being serviceable – like Janelle Monáe, Leslie Odom Jr., Zackary Momoh, Tim Guinee, Henry Hunter Hall, Joseph Lee Anderson, Jennifer Nettles and Omar J. Dorsey. But like I had said, there were a few that struck me as memorable. One of them Clarke Peters, who gave a subtle, yet warm portrayal of Harriet/Minty’s father, Ben Ross. I was also impressed by Vanessa Bell Calloway, who gave an exceptional performance as the abolitionist’s emotional and slightly edgy mother, Harriet Ritt Ross. Joe Alwyn did an excellent job of portraying Gideon Bodress as a slightly complex character without transforming the character into a one-note, moustache-twirling villain. And I really enjoyed Vondie Curtis-Hall’s subtle, yet colorful portrayal of Reverend Green, the local free black minister, who also happened to be a member of the Underground Railroad.

But the performance that really counted in “HARRIET” came from leading lady Cynthia Erivo. It is almost a miracle that Erivo managed to give such an exceptional performance as Harriet Tubman. I say this, because Lemmons and Howard had failed to fully portray Tubman as a complex human being with not only virtues, but also a few flaws. Their Tubman almost struck me as a borderline Mary Sue, due to their determination to basically portray her as an action heroine. But they did provide some intimate moments between Tubman, her family and friends. And this gave Erivo the opportunity to skillfully convey the warm, yet strong-willed individual underneath the heroic facade. This was especially apparent in scenes that featured Tubman’s desperation to put as much distance between her and the Bodress plantation as possible; her determination to return to Maryland to rescue her family; and her discovery that her husband had married another woman. Thanks to her superb performance, Erivo managed to earn both Golden Globe and Academy Award nominations for Best Actress. And if I must be brutally honest, she deserved them.

Overall, I enjoyed “HARRIET”. I have always been interested in Harriet Tubman as a historical figure and was happy to see a motion picture about her. It was not the best or most compelling biopic I have ever seen. Nor was it the best biopic about Tubman I have ever seen. But I cannot deny that thanks to Kari Lemmons and Gregory Allen Howard’s interesting screenplay, Lemmons’ solid direction and a first-rate cast led by Cynthia Erivo, “HARRIET” is a movie that I will be more than happy to watch on many occasions in the future.

Below is a list of my favorite television productions set during the U.S. Civil War:

FAVORITE TELEVISION PRODUCTIONS SET DURING THE U.S. CIVIL WAR

1. “The Blue and the Gray” (1982) – This three-part CBS miniseries focused on the experiences of two families linked by two sisters – the Geysers of Virginia and the Hales of Pennsylvania – during the U.S. Civil War. John Hammond and Stacy Keach starred.

2. “Copper” (2012-2013) – Tom Fontana and Will Rokos created this BBC America series about an Irish immigrant policeman/war veteran who patrols and resides in New York City’s Five Points neighborhood during the last year of the U.S. Civil War. Tom Weston-Jones, Kyle Schmid and Ato Essandoh starred.

3. “North and South: Book II” (1986) – James Read and Patrick Swayze starred in this six-part television adaptation of John Jakes’s 1984 novel, “Love and War”, the second one in John Jakes’ “North and South” Trilogy. David L. Wolper produced and Kevin Connor directed.

4. “Gore Vidal’s Lincoln” (1988) – Sam Waterston and Mary Tyler Moore starred in this two-part miniseries adaptation of Gore Vidal’s 1984 novel about the 16th U.S. President during the U.S. Civil War. Lamont Johnson directed.

5. “The Young Riders” (1989-1992) – Ed Spielman created this ABC television series about six riders who rode for the Pony Express between 1860 and 1861. Ty Miller, Josh Brolin and Anthony Zerbe starred.

6. “Class of ’61” (1993) – Steven Spielberg produced this ABC television movie about a few West Point graduates who found themselves on opposite sides of the U.S. Civil War. Dan Futterman, Clive Owen and Andre Braugher starred.

7. “Mercy Street” (2016-2017) – Lisa Wolfinger and David Zabel created this PBS series that followed two hospital nurses on opposite sides, at the Mansion House Hospital in Alexandria, Virginia during the U.S. Civil War. Mary Elizabeth Winstead, Hannah James and Josh Radnor starred.

8. “Lincoln” (1974-1976) – Hal Holbrook and Sara Thompson starred in this NBC six-part miniseries about the life of the 16th U.S. President. George Schaefer directed.

9. “The Million Dollar Dixie Deliverance” (1978) – Brock Peters starred in this Disney television movie about an escaped Union soldier who flees to the Union lines with five Northern children who had been snatched and held as hostages by Confederate soldiers during the war. Russ Mayberry directed.

10. “For Love and Glory” (1993) – Roger Young directed this failed CBS pilot about a wealthy Virginia family disrupted by the older son’s marriage to a young working-class woman and the outbreak of the U.S. Civil War. Daniel Markel, Tracy Griffith, Kate Mulgrew and Robert Foxworth starred.

1. “Lincoln” (2012) – Steven Spielberg directed this highly acclaimed film about President Abraham Lincoln’s last four months in office and his efforts to pass the 13th Amendment to end slavery. Oscar winner Daniel Day-Lewis, Oscar nominee Sally Field and Oscar nominee Tommy Lee Jones starred.

2. “Shenandoah”(1965) – James Stewart starred in this bittersweet tale about how a Virginia farmer’s efforts to keep his family out of the Civil War failed when his youngest son is mistaken as a Confederate soldier by Union troops and taken prisoner. Andrew V. McLaglen directed.

4. “Class of ’61” (1993) – Dan Futterman and Clive Owen co-starred in this television movie about recent West Point graduates and their experiences during the first months of the Civil War. Produced by Steven Spielberg, the movie was directed by Gregory Hoblit.

5. “The Tall Target” (1951) – Anthony Mann directed this suspenseful tale about a New York City Police sergeant who stumbles across a plot to kill President-elect Lincoln and travels aboard the train carrying the latter to stop the assassination attempt. Dick Powell starred.

6. “Far From the Madding Crowd” (1967) – John Schlesinger directed this adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman torn between three men. The movie starred Julie Christie, Alan Bates, Terence Stamp and Peter Finch.

7. “The Good, the Bad and the Ugly” (1966) – Sergio Leone directed this epic Spaghetti Western about three gunslingers in search of a cache of Confederate gold in New Mexico, during the Civil War. Clint Eastwood, Lee Van Cleef and Eli Wallach starred.

8. “Cold Mountain” (2003) – Anthony Minghella directed this poignant adaptation of Charles Fraizer’s 1997 novel about a Confederate Army deserter, who embarks upon a long journey to return home to his sweetheart, who is struggling to maintain her farm, following the death of her father. The movie starred Oscar nominees Jude Law and Nicole Kidman, along with Oscar winner Renee Zellweger.

Recently, the WGN Network began airing a new series about a group of Georgia slaves who plan and conduct a daring 600 miles escape to freedom in the Northern states called “UNDERGROUND”. However, it is not the first television production about American slaves making a bid for freedom. Below is a list of previous productions that I have seen over the years:

THE UNDERGROUND RAILROAD IN TELEVISION

“A WOMAN CALLED MOSES” (1978) – Cicely Tyson starred in this two-part miniseries adaptation of Marcy Heidish’s 1974 novel about the life of escaped slave-turned Underground Railroad conductor/activist Harriet Tubman during the years before the Civil War. The miniseries’ first half focused on Tubman’s years as a Maryland slave and her escape to freedom in December 1849. The second half focused on her years as a conductor with the Underground Railroad. Paul Wendkos directed.

“THE LIBERATORS” (1987) – Robert Carradine and Larry B. Scott portrayed Virginia-born abolitionist John Fairfield and Bill, the escaped slave of the former’s uncle; who become conductors for the Underground Railroad. After the former helps the latter escape from Virginia, the pair reunite nearly a year later to rescue the relatives of African-American freedmen living in the North. Kenneth Johnson directed.

“RACE TO FREEDOM: THE UNDERGROUND RAILROAD” (1994) – Janet Bailey and Courtney B. Vance starred in this cable television movie about a group of slaves who risk their lives to escape from their master’s North Carolina plantation to Canada, following the passage of the Compromise of 1850. Look for the surprise twist at the end. The movie co-starred Glynn Turman, Dawnn Lewis, Michael Riley, Falconer Abraham, and Ron White. Don McBrearty directed.

“THE JOURNEY OF AUGUST KING” (1995) – Jason Patric and Thandie Newton starred in this adaptation of John Ehle’s 1971 novel about an early 19th century farmer in North Carolina, who finds himself helping a runaway slave, while on his way home from the market. Co-starring Larry Drake and Sam Waterston, the movie was directed by John Duigan.

“CAPTIVE HEART: THE JAMES MINK STORY” (1996) – Lou Gossett Jr. and Kate Nelligan portrayed a Canadian mixed race couple who sought a husband for their only daughter, Mary. The latter ends up marrying a Northern American. Upon their arrival in the United States, he sells her to a Virginian slave dealer and she ends up as a slave in that slave. After Mary manages to send word to her parents, Mr. and Mrs. Mink set out for Virginia to organize a rescue of their daughter with the help of the Underground Railroad. Bruce Pittman directed.

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Four of the productions on this list – “A WOMAN CALLED MOSES”, “RACE TO FREEDOM: THE UNDERGROUND RAILROAD”, “THE JOURNEY OF AUGUST KING”, and “CAPTIVE HEART: THE JAMES MINK STORY” can be found on DVD. Only “THE LIBERATORS” has not been released on DVD. In fact, I do not know if it has ever been released on VHS.

3. Rush (2013) – Ron Howard directed this account of the sports rivalry between James Hunt and Niki Lauda during the 1976 Formula One auto racing season. Chris Hemsworth and Daniel Brühl starred.

4. Casino (1995) – Martin Scorsese directed this crime drama about rise and downfall of a gambler and enforcer sent West to run a Mob-owned Las Vegas casino. Robert De Niro, Joe Pesci and Sharon Stone starred.

5. Super 8 (2011) – J.J. Abrams directed this science-fiction thriller about a group of young teens who stumble across a dangerous presence in their town, after witnessing a train accident, while shooting their own 8mm film. Joel Courtney, Elle Fanning and Kyle Chandler starred.

6. Tinker, Tailor, Soldier, Spy (2011) – Gary Oldman starred as George Smiley in this recent adaptation of John le Carré’s 1974 novel about the hunt for a Soviet mole in MI-6. Tomas Alfredson directed.

9. Starsky and Hutch (2004) – Ben Stiller and Owen Wilson starred in this comedic movie adaptation of the 70s television series about two street cops hunting down a drug kingpin. Directed by Todd Phillips, the movie also starred Vince Vaughn, Jason Bateman and Snoop Dogg.

10. Frost/Nixon (2008) – Ron Howard directed this adaptation of the stage play about David Frost’s interviews with former President Richard Nixon in 1977. Frank Langella and Michael Sheen starred.

Below is a list of my favorite movies set during the American Civil War:

TEN FAVORITE CIVIL WAR MOVIES AND MINISERIES

1. “North and South: Book II” (1986) – An almost excellent miniseries adaptation of John Jakes’ 1984 novel, “Love and War”, despite having a few problems with some of the plotlines and characters. If you like over-the-top period pieces, this is your story. The miniseries starred Patrick Swayze, James Read and Lesley Anne-Down.

5. “Cold Mountain” (2003) – Love story about a Confederate deserter trying to return home to North Carolina and the love of his life. Beautiful love story. Starring Jude Law, Nicole Kidman and Oscar winner Renee Zellewiger.

6. “The Blue and the Gray” (1982) – A three-part miniseries about two related families – one from Pennsylvania and one from Virginia during the Civil War. Pretty good. The miniseries starred John Hammond and Stacy Keach.

7. “Class of ’61” (1993) – TV movie about two West Point graduates during the first months of the Civil War and the people in their lives. The movie starred Dan Futterman, Clive Owen, Andre Braugher, Laura Linney and Josh Lucas.

9. “The Good, the Bad and the Ugly” – Three men search for missing Confederate gold in this Spaghetti Western set in New Mexico, during the Civil War. Great movie that starred Clint Eastwood, Eli Wallach and Lee Van Cleef.

10. “Gone With the Wind” (1939) – The best thing about this Oscar winner is its first half, which featured the trials and tribulations of Georgia belle, Scarlett O’Hara, during the war. The movie starred Oscar winners Vivien Leigh and Hattie McDaniel, along with Clark Gable, Olivia DeHavilland and Leslie Howard.

Over three years ago, I had seen a movie that managed to more than spark my interest. I am talking about the 2007 crime drama directed by Ridley Scott called, ”AMERICAN GANGSTER”. The movie, which starred Oscar winners Denzel Washington and Russell Crowe, told the story about drug lord Frank Lucas (Washington) and the New Jersey cop who brought him down, Ritchie Roberts (Crowe).

Set between 1968 and 1976, ”AMERICAN GANGSTER” began with the death of Harlem mobster and Lucas’ own boss, Ellsworth “Bumpy” Johnson (Clarence Williams III). Following Johnson’s death, Lucas found himself embroiled in a rivalry for control of Harlem. Realizing that he lacked the cash to assume control, he began a scheme that cut out middlemen in the drug trade and buying heroin directly from his source in Southeast Asia. He also organized the smuggling of heroin from Vietnam to the U.S. by using the coffins of dead American servicemen (“Cadaver Connection”).

The story also focused upon the man who had eventually captured Lucas, namely a New Jersey cop for Essex County named Ritchie Roberts. Roberts turned out to be a rare case amongst the law enforcers in the Tri-State area – namely an honest cop. When he and his partner, Javier Rivera (John Ortiz of”MIAMI VICE”) stumbled across a cache of untraceable drug money, Roberts had insisted that it be reported. This one act not only drove his fellow cops (apparently honest cops were not trusted) to ostracize both Roberts and Rivera, and drove the latter to overdose on drugs that happened to be part of Lucas’ new product called ’Blue Angel’.

The movie not only focused upon Lucas and Roberts’ professional lives, which would eventually lead to the former’s arrest in 1975; it also focused on their private lives. Whereas drug lord Lucas is a loyal family man and faithful husband, honest cop Roberts turned out to be a notorious philanderer who had allowed an old friend and local mobster to be his son’s godfather.

Director Ridley Scott did a superb job of steering the audience into the world of the drug trade, East Coast organized crime and law enforcement from the late 1960s to the mid 1970s. With Steve Zillian’s script, he also managed to give the audience a clear view of capitalism and its corrupting influence on mobsters, the police and local neighborhoods. This was especially conveyed in two scenes. One featured a conversation between Lucas and competitor Nicky Barnes (Cuba Gooding Jr. in a cameo role), the former gave the latter a lesson on brand names and other forms of capitalism. It seemed that Barnes had been selling his product using Lucas’ brand name of Blue Angel. Believe or not, drug dealers apparently did stamp brand names on their products. Why not? Alcohol and tobacco companies do. The other featured a segment on how corrupt cops like NYPD Detective Trupo (Josh Brolin) extort both money and drugs and cut into the mobs’ profits by selling the latter on the street. Also Scott and Zillian gave the audience a look at the devastating impact that street drugs had on society – including soldiers in Vietnam, local citizens of Harlem and cops like Roberts’ partner, Rivera.

Scott managed to re-create this setting without allowing the movie’s setting to slide into a cliche. I became so caught up in the movie that by the time it ended, two hours and forty mintues had passed without me realizing it.

In 1995, both Washington and Crowe did a movie together – a science-fiction thriller called, ”VIRTUOSITY”. Needless to say that by the time the movie’s first half hour had end, I realized it was a stinker. And yes, it did deservedly bomb at the box office. Fortunately for Scott, he was lucky to work with the two dynamic actors’ second collaboration. And both Washington (as Lucas) and Crowe (as Roberts) were lucky to co-star in a movie that turned out to be twenty times better than “VIRTUOSITY”. Washington effortlessly re-created both the charm and the menace of the drug lord. And Crowe infused his usual intensity into the solidly honest Roberts. “AMERICAN GANGSTER” was also blessed by a solid cast led by the likes of Cuba Gooding Jr. as the very splashy drug kingpin Nicky Barnes, the intense John Ortiz as Roberts’ drug addicted partner, Javier Rivera, Ruby Dee as the staunchly emotional Mama Lucas and Josh Brolin in his deliciously corrupt portrayal of NYPD Detective Trupo.

It would have been nice if “AMERICAN GANGSTER” had received numerous Academy Award nominations during the 2007-2008 movie award seasons. However, aside from a Best Supporting Actress nomination for Ruby Dee, it failed to generate any Oscar gold. I am not surprised considering that it had followed the success of another crime drama that won Best Picture, namely Martin Scorcese’s 2006 “THE DEPARTED”. If you have not seen “AMERICAN GANGSTER”yet, I recommend that you do so. If you have, why not see it again? I know I plan to do just that.