I teach at Lehigh University in eastern Pennsylvania. I work on British colonialism, modernism, postcolonial/global literature, and the digital humanities.

Wednesday, November 14, 2007

Review: Nikita Lalwani, "Gifted"

The debut novel by Nikita Lalwani, Gifted , makes for quite enjoyable reading. It's about an Indian girl's coming of age in Cardiff, Wales, as a math prodigy pushed and prodded by an overly controlling father.

The father's obsession with having his daughter achieve a very rigid kind of academic greatness should ring a bell with second gen/ABD readers, especially given the apparent desi fascination with things like Spelling Bees and World Records. For most middle class desi kids growing up in the west, childhood is often (whether you like it or not) all about "studies" -- and Lalwani's book shows a case of that parental obsession taken to an extreme.

That said, Lalwani's Rumi (short for Rumika) is in fact genuinely interested in math and numbers from an early age, and Lalwani does a good job of taking us into her head without drowning the reader in math problems. Though I'm not particularly mathematically inclined myself, I do remember there being a certain luminosity to math problems as a child/teenager -- something beautiful in algebraic abstractions, or the spiraling concept of infinity in calculus. (Unfortunately for me, I tended to be more enthusiastic about the aesthetics of the math than in actually solving the problems at hand...)

Here's a short passage from early on in Gifted, where Rumi (age 8 at the time) is chatting with her relations while on a trip to India. They are discussing real-life math prodigy, Shakuntala Devi, who was able to multiply two thirteen digit numbers in her head:

Rumi and Jaggi Bhaiya talk about world records, in particular about Shakuntala Devi, the maths genius who multiplied tow thirteen digit numbers in twenty-eight seconds the year before. Rumi has seen Shakuntala Devi on TV, her kindly smile gracing the airwaves like the most favorite auntie you can imagine, big red bindi shining out from the center of her forehead with the super-force of blood. Rumi has a funny feeling when she sees Shakuntala Devi on the screen. It is as though she is related to her. Or something. Even her mum and dad are charged and excited when they see her on the box, thrilled by the contradictions of cotton sari, center parting, blond hair-sprayed host and acrobatic maths.

'But why did they treat her like that? In itself, it is proof of the superiority complex that the West has over us,' Jaggi Bhaiya is saying.

'What is superiority complex?' Rumi asks.

'When a culture thinks they are better than us, that we are dirty, cheating scoundrels. That is why they insulted Shakuntala Devi in this way. You cannot deny it!'

He is referring to the text added next to the entry in The Guinness Book of Records. Rumi knows the words, having Jaggi recite them and having read them in her own edition: 'Some experts on calculating prodigies refuse to give credence to the above--largely on the grounds that it is so vastly superior to the calculating feats of any other invigilated prodigy.'

Gifted is somewhat different from other Brit-Asian fiction by writers like Hanif Kureishi, in that the social context isn't especially politicized. In Kureishi's Buddha of Suburbia and My Beautiful Landerette, the central subject is the tension about race and identity -- with the rise of the National Front on the one hand, and the emergence of the racially self-conscious British Black Arts Movement and the Southall Black Sisters on the other.

Though Gifted is also set in the 1980s, politics and race isn't really an issue. Lalwani's characters are in a more isolated, "mainstream" context, and the story is really about the internal dynamics of a single, deeply dysfunctional nuclear family. If anything politics enters in obliquely in passages like the one above, where the question is really whether and how respect is given by the world to "gifted" Indians. Like Jaggi Bhaiya, Rumi's father smolders with a simultaneous pride and insecurity about his image as a middle-class Indian in British society, and his neuroses are partly what drive him to treat his daughter as he does.

I tend to suspect that this book will be slightly more popular with women than with men, though it is (thankfully) a far cry from those deeply irritating Chitra Divakaruni type books, where the goal is for the desi woman to "find herself," usually after extricating herself from a bad marriage with a bad desi man. Dating and boys do play a role in Gifted, but again, the story is really about Rumi's fraught relationship with her father and mother, and all those familiar clichés of 1st/2nd gen Indian fiction (i.e., involving arranged marriage) are fortunately absent.

Anonymous, if I understand your question, the 'it' is the feat of multiplying two 13 digit numbers in her head in 28 seconds. It was rigorously supervised ("invigilated"), and the numbers were generated randomly by a computer.

There's no doubt about what she did; the doubt is how it could be possible.

Links, Selected Posts

My book, Diaspora Vérité: The Films of Mira Nair, published by the University Press of Mississippi in 2018, is now available on Amazon.

I have been working on several digital projects in Scalar. All are in progress as of September 2019.
One is digital archive I am calling "The Kiplings and India." Working with a team of graduate research assistants, we have been building the site in Scalar here.

I have also been working on a Digital Collection called "Claude McKay's Early Poetry (1912-1922)" This project began as a collaborative class project called "Harlem Echoes," a digital edition of Claude McKay's "Harlem Shadows." The new version of the project is much-expanded, including McKay's early Jamaican poetry as well as his uncollected political poetry from magazines like The Liberator and Workers Dreadnought.

I also put together a digital edition of Jean Toomer's Cane, taking advantage of the fact that that work is now in the public domain. That project can be found here.