Weiler's five wayside shrines on the road from Innsbruck to Hall in the Tyrol (1950/51) constitute a very distinctive pictorial document. They recall an old tradition that found its most famous expression in the 14 stations of the cross. Weiler derived his themes from the iconography of the "Glorious Mysteries of the Rosary", a form of prayer that is clearly based on a series of recurring elements. Weiler thus demarcates a stretch of road and, carrying on from much earlier models, arrives at a kind of pictorial performance that has been further pursued in Modernism in many different ways.

He who was resurrected from the dead, 1950/51Keim mineral paints on eternitca. 90 x 60 cm