Artist Nancy Holt’s gift to Utah

On a freezing desert morning three years ago, I finally I learned what Nancy Holt’s earth sculpture Sun Tunnels is about.

A motley gang of about 30 shivering people, many wrapped in blankets, were waiting for the summer Solstice sunrise. Let’s face it, four sections of concrete culvert scattered in the desert near the ghost town of Lucin is not all that impressive—let alone meaningful, when a freezing wind is whipping across the desert. Small wonder few Utahns have experienced it.

The group that dawn included a young family who had changed their surname to Gaia and a retired “desert rat” from Nevada. We watched in suspense as the daylight climbed a ridge behind us while the sun itself hid behind a mountain range to the east. Then suddenly the sun popped out and crawled atop a nipple-shaped peak. Its warming light streamed perfectly through the center of Holt’s tunnels. Just as it does, without fail, twice every year.

The bloody sky and solar disc were staggeringly beautiful, but that was the least of it. Revealed to the crowd was the clockwork intricacy of the cosmos. That the whirling stars, moon and sun foretell the seasons and set the pace of life is something our ancestors understood intimately, but it’s something we’ve mostly forgotten—we’ve been separated from it by technology, artificial light and vinyl siding.

Nancy Holt died last week, she was 75. It’s unfortunate that Holt is best known as the wife of Robert Smithson who created the Spiral Jetty in the Great Salt Lake 40 miles south of her Sun Tunnels. (Smithson was killed in a plane crash in 1973 about the time Holt began Sun Tunnels.) Holt’s land art is equal her husband’s—and both are found in northern Utah. Sun Tunnels and Spiral Jetty require a serious journey to experience and both bring humans back, again and again, (it’s that spiral thing) into alignment with with nature and the awe-inspiring land around us.

Prepare for your trip to the Sun Tunnels by spending an afternoon at the Utah Museum of Fine Arts’ new exhibit that creatively explores the land that surrounds us. It includes Great Salt Lake Landscan by the Center for Land Use Interpretation and a new take on Smithson’s creativity by British artist Tacita Dean. The shows end May 4.