Welcome to Willard, a small town lost in the idyllic world of the '50s, where the sun shines every day, everybody knows their neighbor, and rotting zombies deliver the mail. Years ago, the earth passed through a cloud of space dust,… MoreWelcome to Willard, a small town lost in the idyllic world of the '50s, where the sun shines every day, everybody knows their neighbor, and rotting zombies deliver the mail. Years ago, the earth passed through a cloud of space dust, causing the dead to rise with a craving for human flesh. A war began, pitting the living against the dead. In the ensuing revolution, a corporation was born: ZomCon, who defeated the legions of undead, and domesticated the zombies, making them our industrial workers, our domestic servants--a productive part of society. ZomCon would like the people of Willard to believe they have everything under control -- but do they? Timmy Robinson doesn't think so. At 11, Timmy already knows the world is phony baloney -- Mom and Dad just won't admit it. Now ZomCon's head of security has moved in across the street, and Timmy's Mom refuses to be the only housewife on the block who doesn't have a zombie of her own. When she brings a zombie servant home, Timmy discovers a new best friend, and names him Fido. And even though Dad has a bad case of zombie-phobia, Timmy is determined to keep Fido, even if he does eat the odd person. Sometimes, it takes a dead man to teach us all what it means to be alive.

Fido is a one-joke movie with some good performances and a few good gross-out moments. But it's not dark enough or sick enough to be a cult favorite.

Nick Rogers

Suite101.com

Andrew Currie's script incisively observes how taboo preferences have become policies in the reality "Fido" creates. Macabre and satirical with the brash brio of all great zombie movies, "Fido" understands that the true ghouls' hearts are still beating.

A zombie comedy that feels late to the bloody punch bowl. Yet the real hindrance here isn't bad timing, but the movie's tiresomely chirpy 1950s Father Knows Best setting, which wears out its welcome in seconds.

Nothing like zombie milk men. This was one of the best zombie comedys ive seen yet. Carrie Ann Moss did a turn that i hadnt seen in her and the whole concept… MoreNothing like zombie milk men. This was one of the best zombie comedys ive seen yet. Carrie Ann Moss did a turn that i hadnt seen in her and the whole concept was just good fun.

KJ Proulx

"Fido" is one of the only films in history to show emotion between a zombie and human. So the story we have all known about zombies is forgotten. Once… More"Fido" is one of the only films in history to show emotion between a zombie and human. So the story we have all known about zombies is forgotten. Once you die, you become a zombie who is either locked up or wears a collar that stabilizes you as you become a slave for humans. As a lonely kids family purchases one of these zombies, he falls in love with him, gives him a name, and becomes his best friend. Like all of the zombies, they may have malfunctions at any moment and go on a killing spree. This premise is very silly and almost downright laughable, but I believe that is what the overall idea is trying to convey. I absolutely adored this film, even though it is very very dull and stupid at times. Is it the best comedy ever? No, but it will make you laugh your ass off, while still being able to hold together enough emotion and plot details to have great storytelling throughout. The acting is decent, but Billy Connolly really stole the show as Fido. This film is hilarious and oddly heartwarming. I definitely give it a recommendation.

Spencer S.

Many films concerning zombies are naturally horror, and usually an examination of the problems in society. This film, with a backdrop of the 50's in all… MoreMany films concerning zombies are naturally horror, and usually an examination of the problems in society. This film, with a backdrop of the 50's in all it's Cold War heyday, is much more of a comedy. The ridiculous history of the zombie infection, Zomcon, and the uncaring nature of the residents make for an interesting trip down memory lane. Great performances from legendary comic Billy Connelly as the obviously rebellious Fido, Carrie Ann Moss as the maternal presence, and Kesun Loder as the loving friend, a boy, who gives his zombie a fighting chance. It felt like a comic book sprung to life.

Robert C

Cleverly written and brilliantly acted, hands down THE MOST colorful "zombie film" that I have ever seen! And quite possibly the funniest… MoreCleverly written and brilliantly acted, hands down THE MOST colorful "zombie film" that I have ever seen! And quite possibly the funniest "zombie film' that I have ever seen, though 'Sean Of The Dead' is "right up there".
If you are a fan of 50's Sci-Fi, Zombie Films or Dark Comedy in general...this one is not to be missed.
While there is a bit of (fairly well done) gore it is not used as an attempt to shock or sicken the viewer, it's all very "matter of fact". Simply something that is bound to happen when your dealing with zombies.
It's real strength is its bitting social commentary, the stunning sets and solid (yet humorous) acting by everyone involved.
Simply put...there is something here for just about everyone.

Fido has got to be one of the most original zombie films that I've seen in quite some time. I felt that this was one of the best zombie comedies to come… MoreFido has got to be one of the most original zombie films that I've seen in quite some time. I felt that this was one of the best zombie comedies to come out since Shaun of the Dead and Return of the Living Dead. Fido is among the best of the zombie comedies, and add to that it's a totally different take on the genre itself. The story is set in the 1950's and zombies are domesticated to do chores. The idea behind Fido is wonderful, and the most die-hard zombie fan will surely be pleased at this refreshing new and funny take on zombie films. The actors are terrific in the parts they play and they all deliver on-screen. Dylan Baker gives the best performance here along with the actor who plays the title role of Fido. The film has a good dose of zombie comedy going on, and it blends very well with horror elements, not so much as not to scare the horror novice, which is a good thing. Fido is a very good, entertaining film that will most likely be seen as a classic film of the comedy horror genre. Everything about this film is well done, and as a die-hard fan of the genre, I thought that this film was a lot of fun. Fido belongs among the best films of the zombie genre and is one of the best zomedies of the last ten years. As far as horror comedies go, Fido definitely delivers the goods. The film will appeal to every fan of either genre.

Megan S

I really don't like zombie movies usually but I liked this one enough to watch it twice. Very clever.

Cassandra Maples

At a risk of sounding slightly sacrilegious, on first viewing I'm kind of inclined to put this right up on a par with 'Shaun of the Dead'. Now,… MoreAt a risk of sounding slightly sacrilegious, on first viewing I'm kind of inclined to put this right up on a par with 'Shaun of the Dead'. Now, given I view Simon Pegg as an unquestionable comedy genius, I realise this is a rather big claim. And to what extent you agree with that last statement may be a good preliminary gauge of whether 'Fido' will appeal to you.
In a way the comedy picks up where 'Shaun' left off, except we're back in the original 1950s Living Dead-era stereotypical middle-American small town. The Zombie Wars are over and zombies themselves are becoming more well-adjusted, useful members of the community. This, so we're informed at the outset, is largely thanks to the scientific advances made by the good people at Zomcom - a nice play on romantic comedy perhaps?
The beauty of the film lies in its dead-pan depiction of a respectable neighbourhood maintaining core values while making a place for zombies and the special hazards they pose. The charm and balance with which it does this is near enough perfect. Themes you might expect from a more mainstream kitsch comedy come through - the veneer of good clean living, keeping up appearances, repressed emotion, muddled parental values, social decorum and the plight of the alienated individual.
It's a story told with happy heart and wide appeal that is brought to life vividly by the film's all-round strong cast. It's one of those works where it really shows through that everyone involved got a kick out of taking part. It's also fun imagining what Billy Connelly learning his script must have been like...
So in conclusion, it is probable you will appreciate the humour of this film unless your father tried to eat you.

Stuart Brooks

Very funny and somewhat original zombie movie. Really enjoyed it and what a surprise, an original and entertaining movie that has nothing to do with the… MoreVery funny and somewhat original zombie movie. Really enjoyed it and what a surprise, an original and entertaining movie that has nothing to do with the Hollywood crap conveyor.

Alexis Nomm

This could be my new favorite zombie flick ever. It's got everything.. the 1950's, slow moving classic zombies, romance and it's funny. I loved… MoreThis could be my new favorite zombie flick ever. It's got everything.. the 1950's, slow moving classic zombies, romance and it's funny. I loved the costumes too. Such a good idea for a movie.

Red Lats

This movie is not cookie-cutter. Imagine a world where most dead become zombies -- and somehow they are harnessed and become useful members of society. Of… MoreThis movie is not cookie-cutter. Imagine a world where most dead become zombies -- and somehow they are harnessed and become useful members of society. Of course, for the movie to work, sometimes the zombie control collars malfunction, and the zombies go back to their human-eating tendencies.

Randy Tippy

When it comes to putting monsters on film, there is a certain 'natural order' of things. When a monster is new to the medium and still relatively… MoreWhen it comes to putting monsters on film, there is a certain 'natural order' of things. When a monster is new to the medium and still relatively unknown in the minds of the audience, just his mere presence is frightful enough. As the creature becomes more familiar to movie goers he/she/it becomes proportionally less scary, thus directors employ the talents of 'special effects' artists to add shock value (blood, guts, gore, etc.). Eventually and inevitably the market becomes so saturated with the monster's presence that no amount of red corn syrup or rubber intestines is going to illicit the desired effect. This is when the once terrifying beast becomes an effigy of comic relief. We saw it with Frankenstein ["Frankenstein" to "Horror of Frankenstein" to "Abbott and Costello Meet Frankenstein"]. We saw it with werewolves ["The Wolf Man" to "The Howling" to "Teen Wolf"]. Now we're seeing it with zombies ["Night of the Living Dead" to "Zombie Holocaust" to "Fido"]. Films like <i>Fido</i> and <i>Shaun of the Dead</i> are graphic reminders that the end may be near for those of the 'undead persuasion'. :'(