This blog is a space for me to rant in that most seventeenth-century sense of the word; and to cut and paste the ideas and comments that don't seem to fit in more traditional forms of academic publication.

Thursday, 2 June 2016

This is the text of a short 'provocation' I presented at an event called Cityscapes: Past, Present and Future. The event took place at Senate House on the 1st of June 2016, and marked the launch of Cities@SAS
- an initiative to create a cross-disciplinary dialogue about cities
between the institutes of the School of Advanced Studies in the
University of London. The evening was fun, and my co-provocateurs were
provocative. My contribution was an attempt to worry at the
uncomfortable and frequently unnoticed ramifications of putting the
remains of the dead online.

I am a historian – even an urban historian - and certainly a
historian of London.And as part of my
professional role I have spent much of the last twenty years making sure that
the records of eighteenth- and nineteenth-century London are available to everyone
at the click of a mouse.In the process
it seems to me that I have also been complicit in the creation of a new economy
of knowledge.The academic component of
this has been small beer – bespoke websites catering to minority interests –
but it has been tied to a much bigger effort.

Led by Google, Microsoft and Elsevier, Cengage Gale,
ProQuest, Ancestry.co.uk and FindMyPast; in partnership with great global
libraries and archives – the British Library and the Bodleian, the National
Archives and a dozen others – we have created what is sometimes described as an
‘infinite archive’ of material inherited from the dead.As a result, eighteenth- and nineteenth-century
London is the most digitised where and when in the world.

Every book published in London is pretty much available in Google
Books, every census entry and map; every statement in Parliament, and
newspaper published in London is there.I can locate a single person in a single room on a backstreet anywhere
in London at any point between 1841 and the First World War, and in twenty
minutes put together a substantial biographical statement.I can know their age and gender, their
neighbours and their relations; and what they might have read over their
morning tea.This is a remarkable thing
– and as a historian it changes what I do in remarkable ways; but if you were
to stand back and create a national, or even a global policy that selected
what should be digitised and what should be available, it would look very
different.

In digitising this particular history we have inadvertently made it more
exclusive and more conservative – ever more dead white western men – to the exclusion
of the rest of the world.

We talk a lot about the ‘affordances’ of the digital and the
disruptions caused by the internet – from journalism to taxi cabs – from the
Huffington Post to Uber.But, what is
not so often noticed is that in the last twenty years as part of ‘digitising’
the past we have both privatisedour
inherited culture and given a new hyper-availability to a subset of that
culture – to the leavings of the same old rich dead white, men – and
pre-eminently the leavings of dead Londoners.Ironically London – as the metropole of the nineteenth century – the
privileged recipient of the wealth of a global empire – has become the
beneficiary of that wealth recast in a digital guise in the twenty first
century.Historical privilege has
profoundly re-enforced contemporary privilege.

In part, this was a result of that largely unacknowledged
privatisation.In the analogue world,
archives and libraries were run by the local council – a public service for a
clear public good; and by national institutions – pre-eminently the British
Library and National Archives – run as components of a national system of
knowledge and memory.

But in the rush to create a digital version of this we have
simply handed the stuff of the dead – everything we have inherited from
everyone who came before - to major corporations.In the short term the interests of those
corporations appeared to coincide with our broader social interests – Google
Books looks pretty much free even if we pay every time an advertisement
appears on our screen.

But, in handing over our cultural inheritance to for-profit
organisations we have ensured just a few things.

First and foremost, we have ensured that the objects read
and desired by a western, educated elite – with money to spend in response to
all those adverts – will be the kinds of objects that will be most easily
available.Ancestry.com privileges the
family records that a paying middle class audience is most likely to want to
use.Google privileges the canonical
books in the great libraries of the academy; while most historians have added
their tuppence by digitising the archives of the likes of Jeremy Bentham and Isaac
Newton.This inherent selection bias was
then multiplied by the fact that elite western text culture was microfilmed in
the 1940s and 1950s – all English books, for instance, published before 1800 – making
it a tenth the cost to digitise and put online.

As a result of both these forces, the selection of whose
pasts to digitise has been profoundly conservative – giving new breath to old
ideas and old texts.It is easier to
find details of the Gordon Riots of 1780 online, than it is to locate the
archives of the Mau Mau uprising and its suppression; easier to look up the
financial records of 19th c. slave holders; than the records of
Apartheid.Easier to trace a 19th-century
history of glorified empire, than the messy details of decolonisation.

Issues around Intellectual property in combination with
this selection bias also ensures that the critical thinking that arose in
response to the painful histories of the mid-twentieth century – post modernism
and second wave feminism – have been made ever less prominent.It is now easier to read books and articles
written in the 1940s and 1950s – easier still for works from before 1923 - than
it is to access material from the 1980s and 1990s.The relative decline of post-modernism, and the
relative invisibility of the major insights of second wave feminism, as critiques
of power, has partially been caused by a simple lack of access, determined by
commercial choices made by powerful companies.

The internet and the privatisation of knowledge has not so
much dumbed us down as erased thirty years of hard graft directed at creating
a more equal and compassionate society.For history, the ‘affordance’ and disruption of the internet has been
its ability to close down radical critiques in favour of older, safer and less
challenging analyses.

And getting back to the urban – this selection, this
conservative bias - means that the transition to a new economy of knowing
ensures that this particular city – London – has become the norm – the ever
present example of how a city should be.

London’s new hyper-availability means it is the model of the
evolution of a city – not Kolkata. And
by extension, it means New York not Lagos; Paris and not Beirut.

We have made the west hyper available and in the process
flattened out the range of human experience, and the diversity of cities and
urban life.Without intent and purpose
we have made normal London’s lack of central planning and governance – it’s
democratic deficit; and we have made normal it’s ridiculous and historical
over-reliance on finance.In the
process, and just by way of a single example of unintended consequences, we
have made normal the idea that a great city can survive without effective
democratic systems – leaving a powerful financial elite largely free of
democratic accountability.

And more subtly, because that digital memory is inherently
conservative we build the cultural inequalities that we inherited from a much
more small-minded and bigoted era directly into the DNA of the online.

For the last three hundred years there have been dominant western
models of urbanism – from London in the 18th century; Paris in the
19th and New York in the 20th.But, by creating a singular western urban
archive as the most readily available reservoir of memory for the urban
modern, we take a singular city and make it painfully global – erase through
the bright light of a single memory the incredibly varied world of cities –
other.

This is not just globalisation, it is a form of cultural homogenisation
and cultural hegemony.And I think it is
a bad thing.And I very much hope that
the initiative we are here to help launch contributes something to the solution – even
if its very location is part of the problem.