Can dizziness be a resource? What remains after unsettledness and disorientation? And how can we see communities find their balance in uncertain situations? Particularly now, in times of ubiquitous invocations of global crisis, these questions of collective balancing and balancing collectives are more relevant than ever. Read More.

'Utrata równowagi' at Ujazdowski Castle, Centre for Contemporary Art is the follow-up exhibition of 'Dizziness. Navigating the Unknown' at Kunsthaus Graz and allows visitors to immerse themselves in the experience and reflections on dizziness. Read More.

‘Dizziness’ implies notions of physical and emotional disequilibrium, staggering, confusion, uncertainty, and turmoil. This article discusses dizziness as a possible resource for creativity including the concept of the ‘compossible space’. Read More.

These are the recordings of our one-day symposium, that brought together artistic and cross-disciplinary research on dizziness, with speakers from the fields of philosophy, visual arts, creativity research, psychbiology, medicine, architecture and cultural studies in the form of screenings, artists’ talks, lectures and discussions. Read More.

Confronting the cinematic image is always associated with a certain loss of control. The avantgarde could not have made this relation more explicit. What makes our heads spin and what state of mind is vertigo? Read More.

The one-day symposium titled ‘Agents of Confusion!’ brings together artistic and cross-disciplinary research on dizziness, with speakers from the fields of philosophy, visual arts, creativity research and cultural studies in the form of screenings, artists’ talks, lectures and discussions. Read More.

Can dizziness be a resource? What remains from states of precariousness, uncertainty, disorientation, intoxication or exhilaration? Particularly now, in these times of invocations of global crisis, these questions are more relevant than ever. The exhibition ‘Dizziness. Navigating the Unknown’ locates dizziness in artistic creativity, finding it in situations of unbalance, confusion, disorientation Read More.

Having grown up in Lesotho (his mother is German, his father South African), Teboho Edkins' films are shaped by a search for borders: between belonging and intrusion, between documenting and fictional storytelling, between film and video art. Read More.

Fourteen roly-poly toys start to move about by means of an unknown power and can no longer be stopped. With ever increasing speed they drop directly into the unknown and disappear accompanied by the loud noise of explosions. Read More.