The Dangerously in Love Tour was the debut concert tour by American recording artist Beyoncé. Although the tour was intended to showcase songs from her debut solo album, Dangerously in Love, (2003) the set list also contained a special segment dedicated to Beyoncé's girl groupDestiny's Child and featured songs from her 2003 film The Fighting Temptations. The stage was simple and featured a large LED screen in the back that displayed video images of Beyoncé and her dancers, as well as some images from her music videos and some prerecorded images. The tour was reviewed negatively by Dave Simpson of The Guardian who graded it with two stars out of five. The Dangerously in Love Tour only reached Europe and Beyoncé's performance, at the Wembley Arena in London, was filmed and later released on the CD/DVDLive at Wembley (2004).

Dave Simpson of The Guardian described the opening of the show during his review: "Some while after Beyoncé is due on stage, a voice announces that the support act won't be appearing and that Beyoncé will be with us 'in a moment'. Like everything else – hits, boots, hair and sponsorship deals – moments are very big in Beyoncé world. An age later, cheers erupt for the raising of a curtain which revealed, er, a roadie fiddling with a drum kit. An hour later, the piped music is getting gradually louder to drown boos and the cries of small children whose parents are moaning it's getting past their bedtime."[5] The show opens with "Baby Boy" which Beyoncé sang while being lowered onto the stage upside down.[5] A highlight for many fans was her performance of "Dangerously in Love 2". During the tour, a special 8-minutes rendition of the song was performed.[6]

Simpson of The Guardian reviewed the opening show of the tour negatively, grading it with two out of five stars.[5] He was negative about Beyoncé's clothing during the show, saying: "The delays may well be down to Beyoncé's wardrobe, which could trouble Imelda Marcos. There are skimpy skirts, tails (for a note perfect if pointless version of Peggy Lee's 'Fever') and a general theme of low material, high glitz. But often, the main sparkle is on Beyoncé's outfit."[5] He also added that "The dancers' 'naked suits' make the former church girl a raunchy rival to Kylie [Minogue]. But there's an interminable section where they pretend to be homies, and when Beyoncé disappears for long periods it feels like an expensive night with Legs and Co."[5] He concluded his review by saying,

"Clearly, the armies of industry professionals that put Beyoncé together aren't sure of her core audience. A vague Saturday night TV, family entertainment feel gradually gives way to a more intriguing cross between Liza Minnelli showbiz and thumping R&B. However, a ticker tape festooned 'Crazy in Love' and a belting 'Work It Out' suggest Beyoncé is best sticking to her roots. Bizarrely, if implausibly, she puts the carnage down to her tour manager falling off stage, but at least she's grasped one showbiz adage: the show must go on."[5]