Thanks for the comments. I think Jonathan did a fine job here, bringing out the best in this piece. I realize creating extra various page may be a hassle. At the same time it would be nice to put these up to reach a greater audience. I think as a composer getting first place awards or commissions is a big thing, which I haven't gotten. At the same time, what is so cool about PS is that I can say I have had my pieces performed in over five different countries! On the world's biggest stage... well... not this one... The Internet!

_________________"I don't know what music is, but I know it when I hear it." - Alan SchuylerRiley Tucker

I'm happy to joined Riley's growing list of 'commissioned' performers.

The thing that caught my eye was the sudden inclusion of a one-and-a-half bar long phrase when there only had bar-long phrases before. Leads to a subtle displacement played with in various ways. For shaping and rubato I guess I took the more obvious route, highlighting the few but important points of interest. I think the part before the F-major end sounded a bit automatic though; Riley says he expected a bit more rubato so perhaps I could have added a bit there.

Also, technically, I guess it requires strict discipline; there are some points where my right hand goes uneven! Other than that, it was a real pleasure to play such a worthy piece, and I look forward to more to come.

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