Entries in Xbox One
(50)

et it be known that in this episode, George admits that Ninja Theory is alright. I just wanted to make sure everyone knows that before we get into anything else. In this episode of Press Pause Radio, our crew discusses all the news and information from the month of November, such as the passing of Stan Lee, the release of Red Dead Redemption 2 and Detective Pikachu. The group also finds out about the difference between vacation and holiday according to Peppa Pig before going into our featured topic which is the state of E3. With more and more companies leaving to put on their own showcase, does the gaming industry need something like the Electronic Entertainment Expo? We weigh in on this topic and much more. Please let us know what you think about E3 and what we can expect from the industry next year. We appreciate everyone taking the time to check out the show and encourage you all to stay tuned for more!

ith so many open-world adventures on the indie game market today, a majority of newer titles are now throwing all of their weight behind the craziest gimmick they can offer with their experience in hopes of finding a large enough of an audience that will praise it. While the experimentation hasn’t paid off every title, there is one new idea that has crossed expansive level-design into a territory that it has never been in before—pinball dynamics.

Villa Gorilla’s premier title explores the juxtaposition between side-scrolling platforming and a pinball table turned on its side in Yoku’s Island Express, a tale about a dung beetle who employs his spherical excrement as a means to bounce around and about through the obscure tropical arrangement of flippers and bumpers just so he could deliver some mail. In all honesty, the game is a lot weirder than that made it sound, but fortunately, it’s a whole lot more enjoyable too.

s we close in on the release date for the Microsoft exclusive Sea of Thieves, the fine people at Rare are allowing our ships to leave the harbor one more time in another closed beta this weekend. Please join our resident pirate-in-training Toast as he attempts to find treasure and avoid being puked on as we sail on the high seas. One thing to keep in mind is that Rare has specifically rolled out this closed beta as a stress test so expect some choppy waters as we say in the pirate business. I know that pun was from the last stream but I will keep on using it until people start getting mad at me. The stream will begin at 11pm Eastern 8pm Pacific time, and if any of our community are playing in the closed beta and would like to take on the adventure together look for Toast PPR.

vast ye mateys and all that other crazy pirate speech and shit; we be here to stream you some gameplay of Sea of Thieves, the newest title from Rare developed exclusively for the Xbox One and Windows 10!

Toast will be surfing high water in hopes of pillaging all the booty and glory in the name of Press Pause Radio in this exclusive beta that he’ll be streaming in this latest edition of Limelight. All hands hoay at 7PM Pacific/10PM Eastern on our Twitch channel! Check it out!

nterest in JRPG games is still steadily climbing, and it despite some of the more lukewarm titles recently released that have tried to take advantage of the genre’s resurgence, the demand for the style has not slowed down. Seizing this opportunity, a studio named Enigami took to KickStarter to fund their idea Shiness: The Lightning Kingdom; a game that empathized the traditional nuances of classic 16-bit JRPG with a presentation that boasted the production value of a modern anime.

Receiving additional support from the CNC after their Kickstarter campaign was successful, the game has quietly released on storefronts, with little to no marketing, and to that effect, little to no fanfare either…

Which is a shame because while the title may scream “DeviANT Art: The game” at first glance, the unique combat system, and world-building offered in Shiness: The Lightning Kingdom is something that’s surprisingly memorable, and definitely worth a look for anyone who’s looking for a new JRPG to dump some time into.

ven after nearly 10 years since its initial release on the PlayStation 3, the impact of SEGA’s Valkyeria Chronicles still resonates throughout the tactical RPG scene to this very day, continuing to be sold on Steam after the windows version hit the store recently.

Since then though, the property’s transition into a full-fledged series has only propelled it further into niche territory, with two direct sequels releasing exclusively to Sony’s struggling handheld at the time, the PSP, and the other not even making it out of Japan. Hell, there was even some bunk-ass mobile game that didn’t last for more than two years before it was kicked off the market, and servers shut down—Valkyeria’s true claim to fame still bellied onto the original in the states.

Shooting for the chance that lightning will strike twice, as SEGA brings on Media.Vision, the same developers responsible for the Wild Arms and Chaos Rings series to create Valkyeria Revolution; a spin-off sequel to the franchise that’s available on both console, and portable.

While the premise in this venture certainly is interesting, Valkyeria Revolution seems to have left behind most of the qualities that made the Valkyeria experience so charming and likable in the first place.

here’s been somewhat of a void in gaming that I’ve steadily seen getting filled the last two years. It seemed like forever and ago when we had something to play that was just whimsical or wholesome from a title that wasn’t developed by Nintendo. The dearth of platformers has led to KickStarter being used as a platform to those vocal few however; a demand for the comeback of games that featured charming characters who would run around and pick things up until something happens.

The Veteran team members from Rare’s Nintendo 64 days like Chris Sutherland, Gavin Price, and Grant Kirkhope heard that demand, and decided that the crowdfunding route was going to be their best shot at making it happen, and made it happen they did. These men and several other members formed the studio Playtonic Games, and launched a KickStarter for a game named Yooka-Laylee.

The spiritual successor the Bear and Bird Games that’re still held in high regards was able to reach its projected goal of $270,041 in less than an hour, and quickly went on to earn a million dollars faster than any other video game project has ever earned on KickStarter—this was a big deal.

Fast-forward to two years later to where the Platformer is just days away from release, and while I can’t tell whether or not that it’s still a big deal with games like Super Mario Odyssey, A Hat in Time, and a slew of others hitting 2017. I can tell you that they’ll have a hard act to follow because this Buddy-duo adventure is a great romp, even with its fair share of fumbles.

he Mass Effect Trilogy is one of the most beloved properties to have ever graced the last decade of gaming—regardless of how you may feel about the third entry of the series.

It isn’t too surprising that we would be treated to a new generation of the series, taking place in an entirely new galaxy, and led by a brand new hero named Ryder. Mass Effect: Andromeda is an exciting opportunity for the franchise to pick back up again after the debacle of the Mass Effect 3, but unfortunately, it’s an opportunity that BioWare really fumbles up on.

George and Andrew take to the helm to address some of the concerns we have the sequel, and whether or not it’s worth checking out in this new Play Play of Mass Effect: Andromeda.