Artists Trevor Wheatley and Cosmo Dean work in pairs and create XXL installations that represent words and expressions of language. They creates 3D models and hangs them on cables, installs them on fences or in vacant lots. The two artists are now working for music festivals or fashion brands. More natural signs that make us aware of the importance of words.

Artist Rikato Nagashima designed the installation entitled Human Nature, a tribute to Anish Kapoor, a British artist. This work was first exhibited at the Eye of Gyre Gallery, a building in Tokyo, and then transferred to an old clinic that was turned into an art gallery. And it must be said that the work is bluffing.

Beyond the illness, the hospital may be a traumatic experience. To help children playing down these difficult situations, designer Jyo John Mulloor has created The Care Mask, a series of funny surgical masks that turn doctors, surgeons, parents and kids into offbeat characters and animals!

An excellent project that seeks to break the cold and sterile appearance of the hospital, to help children better live their hospitalization. For the moment these masks are only a concept, but the idea is brilliant.

“I created funny nose masks that draw a smile

Whether we like to admit it or not, visits to some hospital sections could be far from light or pleasing. Upon your entry to an extremely sanitized all-white space, you might be expected to wear
a nose mask as a precautionary measure.

Beyond the obvious, a nose strip is a reminder of the place and situation-in-hand. A simple break of pattern can alter a moment and breathe hope in seconds- and this is what a simply funny nose mask can do. Medical practitioners can wear it to elevate the spirits of their patients, and the once-refusing and stubborn children will agree put it on while visiting the hospital.

With the Barbie Inspiring Women collection, the Mattel brand has just unveiled 17 new dolls, paying tribute to the most inspiring women. Artist Frida Kahlo, aviation pioneer Amelia Earhart, French chef Hélène Darroze, mathematician Katherine Johnson and snowboarder Chloe Kim are some of the great female figures that the famous Barbie doll will embody.

Launched nearly 60 years ago, the Barbie doll has become a true icon, and the brand wants today to give a new dimension, less superficial, to this doll that inspires many little girls around the world.

Entirely different from any other café, Q Caffe illustrates an actual story through its decor, about man and his strivings in a hierarchical and limiting society

Built in collaboration with 6th Sense Interiors and lots of other first grade artists, having steampunk and dark-fantasy influences, Q Caffe’s new design illustrates the social man’s path, presented from different perspectives, and the complexity of the oneiric, fantastic dimension that pushes past reality’s borders, amplifying and even transforming it. Each visual element has been thought through and worked on to the smallest detail, constructing this fabulous ensemble of metaphors.

The first room is dominated by Icarus’s figure – a mythological character who paid the ultimate price in order to reobtain his freedom. Sculpted on the entire front side of the bar, he symbolizes man’s aspiration towards freedom. Above him, the noise of daily life – represented by a multitude of sculpted hands and tongues – that triggers the puppeteered man’s balancing game: some dance, others walk, some are having a conflict, but all of them act out of the need of not tipping over, of remaining in a fragile equilibrium.

The transition towards the second chamber is made by the Human Chain, a disturbingly beautiful mural sculpture that symbolizes the loss of individuality and humanity. Faceless silhouettes that appear to be absorbed by the sometimes void of sense and humanity whirlwind of life. The world’s uproar is everywhere, contrasted everywhere by mankind’s need to escape from the grasp of this tornado that traps story fragments, anxieties, shards of the past and pieces of your soul.

Like in Icarus’s story, there’s an alternative, a hope that maintains the fragile inward equilibrium, illustrated by the hot air balloon in the center of the room. This represents a transcendental means of transportation that carries its passengers towards a better world of liberation, in which one can be himself, away from the systemic and social constraints.

The third room, the third chapter of the story, speaks about a man and his transformations. One of the main elements of the decor is the suitcase wall with its scenes that symbolize our immaterial baggage, in which we have deposited perceptions, experiences and ideas about love, art or consumerism. The suitcases expose the dominated individual, burdened – or even subdued – by certain conceptions and aspects of the society he lives in. The contemporary social “baggage” transforms the individual in the irrational, decaying world’s prey, which sets the most tempting traps for him. This image is made whole by the puppeteer’s “inhuman” figure – a metallic, steampunk octopus hanging by the ceiling, whose tentacles are ready to grab you in a fraction of a second and take away your freedom and individuality.

These aspects are also suggested through the four symbolic characters that give life to the Q Caffe universe: the machine man, the man with no scruples, the chaotic man and the praying man. Being archetypes of the contemporary man, they highlight the idea that the individual chooses, consciously or not, through what he does and believes, between being a puppet or being authentic and humane. The proposed problematic is of the man caught in the trap of his day to day constraints, imposed by society, who tries to escape in order to be himself again and have meaning in life.

Entirely different from any other café, Q Caffe illustrates an actual story through its decor, about man and his strivings in a hierarchical and limiting society

Built in collaboration with 6th Sense Interiors and lots of other first grade artists, having steampunk and dark-fantasy influences, Q Caffe’s new design illustrates the social man’s path, presented from different perspectives, and the complexity of the oneiric, fantastic dimension that pushes past reality’s borders, amplifying and even transforming it. Each visual element has been thought through and worked on to the smallest detail, constructing this fabulous ensemble of metaphors.

The first room is dominated by Icarus’s figure – a mythological character who paid the ultimate price in order to reobtain his freedom. Sculpted on the entire front side of the bar, he symbolizes man’s aspiration towards freedom. Above him, the noise of daily life – represented by a multitude of sculpted hands and tongues – that triggers the puppeteered man’s balancing game: some dance, others walk, some are having a conflict, but all of them act out of the need of not tipping over, of remaining in a fragile equilibrium.

The transition towards the second chamber is made by the Human Chain, a disturbingly beautiful mural sculpture that symbolizes the loss of individuality and humanity. Faceless silhouettes that appear to be absorbed by the sometimes void of sense and humanity whirlwind of life. The world’s uproar is everywhere, contrasted everywhere by mankind’s need to escape from the grasp of this tornado that traps story fragments, anxieties, shards of the past and pieces of your soul.

Like in Icarus’s story, there’s an alternative, a hope that maintains the fragile inward equilibrium, illustrated by the hot air balloon in the center of the room. This represents a transcendental means of transportation that carries its passengers towards a better world of liberation, in which one can be himself, away from the systemic and social constraints.

The third room, the third chapter of the story, speaks about a man and his transformations. One of the main elements of the decor is the suitcase wall with its scenes that symbolize our immaterial baggage, in which we have deposited perceptions, experiences and ideas about love, art or consumerism. The suitcases expose the dominated individual, burdened – or even subdued – by certain conceptions and aspects of the society he lives in. The contemporary social “baggage” transforms the individual in the irrational, decaying world’s prey, which sets the most tempting traps for him. This image is made whole by the puppeteer’s “inhuman” figure – a metallic, steampunk octopus hanging by the ceiling, whose tentacles are ready to grab you in a fraction of a second and take away your freedom and individuality.

These aspects are also suggested through the four symbolic characters that give life to the Q Caffe universe: the machine man, the man with no scruples, the chaotic man and the praying man. Being archetypes of the contemporary man, they highlight the idea that the individual chooses, consciously or not, through what he does and believes, between being a puppet or being authentic and humane. The proposed problematic is of the man caught in the trap of his day to day constraints, imposed by society, who tries to escape in order to be himself again and have meaning in life.

Redditor Dericrw and his wife built a Star Wars bedroom for their son, in the hopes that he will sleep in his own room. Who could resist? The sleeping pod of the Millennium Falcon is the size of a twin bed and is bolted to the ceiling joists. The rest of the ship is painted on the wall behind it. Check out the inside! It has a fan for air circulation and LED lights.

French creator Sylvie Facon sews dresses with such beautiful fabrics and attention to detail, they would steal any catwalk. Facon even crafted one of her outfits from the spines of old texts. She worked on the dress with costume designer Morgane E. Grosdemange, and the steampunk-inspired garment highlights the incredible versatility of Facon’s skills.

We all know that cats love cardboard boxes. This Taiwanese brand called Cat Thing took them to another level by creating a collection with a modern design, where a modular docking system allows to build an awesome city to be set up for felines.

There are numerous mounting options and four customizable “environments”, consisting of bedroom, living room, balcony and ramp. With a minimalist look, the boxes can be stacked to result in a small building and have openings in the most varied geometric shapes, where cats can jump and observe the surroundings.

The material is completely recyclable and made with non-toxic substances to cats. And you do not have to use any tool to build your cat’s city – Cat Thing already comes with fittings.