Tag: shinyo academy

All of the various knots Boogiepop tied the first two eps are laid bare this week and then gradually unraveled, bringing the three-part arc to a satisfying conclusion. It starts with Tanaka Shirou searching for his girlfriend Kamikishiro, unaware she’s already dead. Class Rep Niitoki Kei joins him in the search, as does Saotome Masami.

Of course, we know Saotome is up to no good, and his true goal is to draw out both Echoes and Kirima Nagi. And his plan works…kinda: when they send a PA message summoning Nagi to the broadcast room, she shoes up, but not before cutting the lights, taking all three of them down, and tying them up before presenting them to Echoes to determine if any of them are Manticore.

When Nagi frees the three, Kei wants to know what’s going on, but Nagi doesn’t want to involve them, as they’re “too normal” for what they’re up against. This rankles Saotome, still sore over Nagi rejecting him for the same reason. He reveals his treachery by stabbing Echoes with a pen loaded with poison that will keep him from regenerating, just when Manticore arrives.

He also slits Nagi’s throat, an event that was a horrifying to behold in the moment, even if I knew there were supernatural means of bringing her back. Echoes escapes to the roof with Nagi, and Manticore follows, while Tanaka runs away screaming, leaving Kei alone with Saotome, who liked how it felt killing Nagi and wouldn’t mind doing it again.

Echoes and Manticore engage in a kind of aerial parkour duel, the animation for which is crude, but effective. Manticore eventually bests Echoes, slamming him to the ground where Saotome and Kei are. This is where Manticore explains all the horrible things she’s going to do, including taking Nagi’s form and turning Kei into a soulless slave.

But as Kei holds him upright, Echoes has other ideas. He transforms himself into data and shoots himself into space. Saotome pushes Manticore out of the way, but gets vaporized himself. Denied her prey Manticore starts to go a bit loopy, and prepares to kill Kei in her rage, but her hand is stayed—nay, her whole left arm cleaved off—by none other than Boogiepop, who has come to the rescue.

After suspending Manticore with magical threads, Tanaka makes a triumphant return, shooting an arrow through Manticore’s head, killing her and ending the threat. Turns out his act of cowardice was just that—an act; Boogiepop told him earlier that the opportunity to “shoot through the truth” would come if he wished to…and he decided to do so. In this case, to avenge his beloved and defeat the demon that claimed her.

Turns out in his brief time with the bloodied Nagi, Echoes gave her a little of his life force, allowing her to heal with no ill effects (which is why Manticore thought he was a bit too weak, even with the poison). Tanaka thanks Nagi and Kei for their help on Kamikishiro’s behalf. Boogiepop further explains that Echoes was sent to judge whether humanity was worth living; thanks to Kamikishiro, with assists by Tanaka, Nagi, and Kei, the verdict was favorable.

Kei also wants to thank Boogiepop, but with the threat lifted, Boogiepop is gone. Still, Nagi suggests she thank the next best thing: Miyashita Touka, despite Touka having no idea what happened. This brings us full circle to the end of the first episode, when Nagi and Kei encounter Touka and Kensuke walking home. All in all, I really enjoyed this intricate little mechanism, and I’m looking forward to the next crisis that will necessitate Boogiepop’s return.

Well, so much for my hasty theory about Kirima Nagi being a murderer, and so much for the calm pace of the first episode; this thing’s a non-stop parade of new characters, motivations, and lashing waves of plot, presented to us out of order.

I won’t lie, it’s a bit of a mess, and definitely not an improvement on the more minimalist premiere. But at least we have some answers about the “man-eater” Boogiepop mentioned, as well as the other players in this tale.

But first, some names: Kinoshita, the girl who was worried about being killed, is walked home by the glasses-wearing Suema, who is into crime psychology books by the late Kirima Seiichi. Kinoshita is suddenly accosted by Kirima Nagi. But it’s a misunderstanding; Nagi thinks Kinoshita is someone called “Manticore”…but she isn’t.

A guy named Saotome happens upon the man-eater while in the middle of eating a second year girl named Yurihara. Saotome pleads that rather than kill him for seeing what he saw, the monster should take the form of Yurihara, and together they’ll take over the world. He names the monster-in-Yurihara’s-form “Manticore”, which…is apt.

Kinoshita tells Suema about Kusatsu Akiko, a girl who distributed a strange drug to four friends, including her. One by one, they started to disappear, including Akiko, which is why Kinoshita feels like she’s next. Suema takes this info to Nagi—her favorite author’s daughter—who only pretends to be a delinquent in order to have more time to investigate the strange goings-on at school, bad rep be damned.

We’re shown that Saotome and Manticore are behind Akiko, the drugs, and the disappearances. Saotome took Akiko out (she had a crush on him), then drugged her drink and gives her to Manticore “modify” her brain to secrete the blue drug.

Akiko is essentially in thrall to Manticore, putting the drug in pills and distributing them to her friends. This is how Saotome and Manticore, who have become something of an item, intend to take over the world.

That brings us to the white-haired guy Takeda saw Boogiepop talk to in the city: his name is Echoes and he’s an alien. Wait…what?! Oh, there’s more, he came here to gauge human kindness, but ended up captured by some shady company that cloned him. That clone? Manticore. Echoes befriends one Miyashita Touka, who stashes him at school and informs Nagi.

Nagi doesn’t go to visit Echoes until Touka has already disappeared; she’s killed when she barges in on Manticore and Saotome. However, the fact she was kind to Echoes is probably a good thing in the cosmic sense…not to mention by bringing Echoes and Nagi together, they must be the duo who defeat the monster before Boogiepop, making her services no longer required.

As I said, there was a lot going on here, and I’m not sure that shifting between times to really served a purpose other than to confuse me…and yet it all seems to be making a kind of crazy sense…at least enough sense for me to tune back in to see what comes next.

The first Winter 2019 anime to pop onto my screen promptly impressed with its atmosphere, economy, and a nervy Ushio Kensuke synth score that quite simply OWNS. Those elements working in concert make even the most innocuous scenario—a guy in the city apparently being stood up—feel significant.

And oh yeah, the girl who stood him up? She shows up in a witch-like getup, helps a suffering homeless man, chides the bystanders for ignoring said man, and flipping a cop for good measure.

But while the witch-looking figure may have had Miyashita Touka’s body, it wasn’t Miyashita. As Takeda (the not-stood-up-after-all lad) learns when he encounters her atop a school roof, Miyashita’s body is being used as a vessel for an entity calling itself Boogiepop. If it helps Takeda, she likens it to split personalities, and Miyashita lacks any memories of when she’s “inhabited” by Boogiepop.

Both Miyashita and Boogiepop are voiced by the wonderful Yuuki Aoi, and she voices them very differently. Boogiepop speaks more slowly, at least an octave lower, and in a tone that’s an interesting combo of aloof, playful, menacing, and slightly bored. Miyashita sounds, well, more human.

Boogiepop explains to Takeda that she automatically appears whenever a threat to the school (or humanity) arises; in this case, a monster that may be inhabiting one of his classmates. Takeda reads up on split personalities and seems to enjoy his rooftop chats.

But one day Boogiepop appears before him dressed normally, as Miyashita, and tells him their time together is at an end: the monster has already been defeated by someone other than her. Takeda protests this sudden goodbye, but the next time he sees Miyashita, she’s back to being her usual herself, and Takeda almost seems…disappointed.

Peripheral to Takeda and Boogiepop’s interactions are swirling rumors about Boogiepop (some girls think she spirits them away at the peak of their beauty so they’ll die before becoming ugly) and a delinquent among them named Kirima Nagi whom some believe is murdering the girls officially reported as runaways.

So it’s a little unsettling when Kirima pops up out of nowhere to introduce herself to Miyashita and shake her hand. The timing seems too weird considering Boogiepop just “left”…not to mention one of the creepy quick cuts of carnage that dot the episode might just confirm Kirima is indeed what some of the girls suspect:

I guess we’ll find out. I’m certainly looking forward to watching how things unfurl, and to the inevitable return of Boogiepop once things inevitably go south for Takeda and Miyashita. Until then, this was a wonderfully calm, patient, moody start. Like gradually immersing your foot into the pool rather than raucously cannonballing in, I feel successfully acclimated.