★★★★ Breaking The Fourth Wall
★★★★ Reviews Gate

Synopsis

From the team that brought the critically acclaimed productions of Reese Thompson’s WHORE: A Kid’s Playand Joy Donze: 13 & Not Pregnant to the 2017 Edinburgh Festival Fringe, and Shadows at Theatro Technis, London, in 2017. In new play Version 2.0, issues of female consent and robotics are thrown together in this timely new piece challenging the superficiality of modern society, opening at the Leicester Square Theatre in February 2018, directed by Kevin Michael Reed and written by Kashyap Raja.

Kash (Tim Atkinson), a playwright, is obsessively in love with his childhood friend Karen. Kash silently expresses his love for Karen (Tracey Pickup) by writing plays for her and she returns his admiration by acting in them. Their enduring friendship falls apart when Karen rejects Kash, infuriating him to such an extent that he refuses to see her again. After the rejection, he isolates himself from everyone and gradually falls into a depression.

A robotic society offers Kash an opportunity to live with a humanoid companion, and in return that society wants him to introduce their robots to the world via the means of theatre. Kash accepts the invitation and creates a robot that looks exactly like Karen. He prepares a new show with the humanoid look-alike of Karen and presents her in front of a live audience.

“We seem to think we know people just by being “friends” with them on Facebook, but those idealized worlds presented are not truth. When placed in the wrong hands, those worlds are dangerous.” ~ Director Kevin Michael Reed

Exploring the effect of social media culture on real human relationships, and asking whether a robot can replace a true human and face to face relationships. Version 2.0 comments on and highlights the effects of social media on the nature of relationships.

Reviews

“We are propelled into a world where anyone can order a humanoid on Amazon, not only that, but they can also design every aspect of them to their liking.” Saskia Coomber, A Younger Theatre.

“Issues of consent, ownership, and entitlement are rife in our current political climate. Kashyap Raja brilliantly brings artificial intelligence to the same discussion.” Veronica Stein, Reviewsgate.com.

“Comparisons between ‘fact’ and ‘fiction’ and the emotional ‘truth’ that lies between.” Michael Davis, Breaking The Fourth Wall.

“under the direction of Kevin Michael Reed the heavier moments are well done” Saskia Coomber, A Younger Theatre

“shows ‘history repeating itself’ so that the audience can judge for itself why certain events took place.” Michael Davis, Breaking The Fourth Wall

“this piece excels in is its commentary in the wake of Weinstein and the various assault cases recently brought to light.” Veronica Stein, Reviewsgate.com

“We are propelled into a world where anyone can order a humanoid on Amazon, not only that, but they can also design every aspect of them to their liking.” Saskia Coomber, A Younger Theatre

“as the best science fiction often does, Version 2.0 comments less on our interaction with technology and more on our interaction with each other. ” Veronica Stein, Reviewsgate.com

“The pair’s chemistry is undeniable, and watching them work the crowd is one of the main pleasures of Version 2.0. ” Veronica Stein, Reviewsgate.com

“Pickup’s performance acts as the conduit for the audience, naturally eliciting our sympathies and through her have a sounding board for Kash’s actions.” Michael Davis, Breaking The Fourth Wall

“Issues of consent, ownership, and entitlement are rife in our current political climate. Kashyap Raja brilliantly brings artificial intelligence to the same discussion.” Veronica Stein, Reviewsgate.com

“Version 2.0 takes a good look at what advanced technology can do to our future relationships- more impressive is the astute observation of what’s wrong with them now.” Veronica Stein, Reviewsgate.com

“Version 2.0 is a thematically dense play, that […] lends itself to the assumption that the author wants to draw comparisons between ‘fact’ and ‘fiction, and the emotional ‘truth’ that lies between.” Michael Davis, Breaking The Fourth Wall