Vinyl LPs are back!!! Document Records and Jack White's Third Man Records have teamed up to produce an astonishing new series of vinyl albums. Drawing material from the Document vaults, the series concentrates on the best names in vintage blues. With new sound restoration, remarkable cover artwork, extensive liner notes and detailed discographies, these albums are both a treat for fans of this amazing music and a collectors dream.

These previously unissued recordings were produced by the Edison Company between the years of 1914-1929. The repertoire includes Blues, Country, Hawaiian, Vaudeville Sketches, Popular Vocal Songs of the era, Opera / Classical, Jazz, Dance Bands of the 1920's, speeches by popular orators and political figures and the voice of Mr. Edison himself!

A rapidly increasing collection of fascinating special projects, themes and documentaries – blues, gospel, featured artists. Includes projects commissioned by Paul Oliver, Bill Wyman and Jeff Harris with many more to follow…

The BIG one. At 679 CDs and growing this is one of the biggest slices of Afro-American music history that you will find anywhere. The complete recorded works of hundreds of blues, gospel, spiritual, boogie-woogie, songster artist; from the late 1800s onwards. Many, many recordings not available elsewhere these are the roots of soul, modern gospel, R&B, rap, black urban vocal music and rock.

The original ninyl Blues Document Series preserved on CD. Includes classic recordings such as Blind Willie McTell Library of Congress session of 1940, classic post war recordings by memphis Minnie, by Jessie Thomas (brother of Ramblin' Thomas), Carolina Slim, Cripple Clarence Lofton and many more...

This ever popular series spotlights the many masters of the early Country Music genre known to many as Old Timey music. Here you will find rare, historic recordings by The Skillet Lickers, Dixon Brothers, Fiddlin’ John Carson, Sam McGee, Fiddlin’ Doc Roberts, Walter Smith and many more.

Five CDs rescued from the impressive groundbreaking Matchbox Blues Series which first made its appearance back in the 1980s. Covers the Complete pre-war recorded works of Texas Alexander, Peg Leg Howell and Eddie Anthony.

These, sampler CDs at a low budget price are a an ideal way to not only dip in and discover the delights of Document but are also a great introduction into the blues, jazz, gospel, swing and country music. No expertise required, just sit back and enjoy.

From this album's booklet notes. Zora Neale Hurston wrote “All Negro-made church music is dance-possible… The service is really drama with music. And since music without motion is unnatural among Negroes there is always something that approaches dancing – in fact, IS dancing – in such a ceremony. So the congregation is restored to its primitive altars under the new name of Christ.”

This description must describe to a tee the experience of being at a service held by the Reverend D.C. Rice. Recordings begin with words of teachings, short passages from the bible, warnings not to stray from the path of good and then.. the good reverend, his congregation, musicians and singers erupt into a joyful (it is tempting to use the word riotous) sound that brings together jazz and gospel, in a way that would be inspirational to the most ardent non-believer. Continued...

Too Late Too Late Blues 1926 - 1944
DOCD-5150
Too Late Too Late Blues 1926 - 1944
Alternative takes and rare, late, discoveries.
Various.
The first Document CD appeared in 1990 with DOCD-5001 “Tommy Johnson”. Three years and 150 releases later the first volume of the “Too Late, Too Late” albums appeared. The unprecedented unleashing of such a fast growing bulk of blues and gospel recordings in such a “completist” fashion inspired both fans of the music and collectors alike. Once that the great river of releases had been flowing for a while collectors began to think again about what might be hidden in the corners of their collections or had until then been regarded of no real significance.
In addition there were recent and continue to be, rare finds. A Big Bill Broonzy 78 had just recently been found, having been picked up in a lot that was saved from the street where it had been left for disposal. Then there was the box of Paramount tests that had been found several years ago which were made available. Collectors also began to revisit their records with more attention being paid to the recordings themselves and on many occasions found that takes that appeared on their records were not the takes that had thus far been re-issued.