At 108, Alice Herz-Sommer is believed to be the oldest living Holocaust survivor. Born in Prague, she watched her mother being deported to Terezin in 1942, and never saw her again. A year later, she was also deported there with her husband and son. By then, Herz-Sommer was an acclaimed pianist, and continued to play in the concentration camp, giving more than a hundred concerts to fellow prisoners and to the Nazis. Her husband was killed in the camp just before liberation.

The latest turn in the New Atheist debates can be summed up like this: even if you don’t believe in God, religion still has a lot to offer. Public intellectuals like Alain de Botton and James Gray in Britain, and scientists like E.O. Wilson and Jonathan Haidt in America, all of them atheists, have made a similar case in their recent books and essays.

To most Jewish Week readers, Claude Lanzmann is the man who directed “Shoah,” the nine-and-three-quarter-hour documentary about the murder of six million European Jews by the Nazis. Of course, if that were all he had done, Lanzmann would be worthy of admiration and study. As Franco-Jewish journalist Jean Daniel told him after one of the first screenings of the film, “This justifies a life.”

The novelist Jonathan Safran Foer grew up with a fairly typical American Passover. His father would use the Maxwell House Haggadah, supplemented with his own pamphlet of writings, and lead the annual Foer seder. But nine years ago, sitting at his family seder in Washington, D.C., Foer thought that, literary-wise, the Haggadah could use a little work.

When Nathan Englander sat down for a recent interview at a hummus restaurant in the East Village, he had just come from the Public Theater. He was there helping stage a theater adaptation of one of his early short stories, “The Twenty-Seventh Man,” which will premiere at the Public in November.