The
next time you lock your keys in the car, refrain from losing your
temper. Knock a pre-defined pattern onto the window of your car to
miraculously unlock it with Knock-In-Key, Germany's finest export since
Heidi Klum.

Steve Mann, the world's first cyborg, has
been called a lot of things: nerd, weirdo, performance artist, mad
scientist. But really he's just a proud father. As we wander around the
Design Exchange talking about his newly installed exhibition, he
excitedly shares a picture of his daughter taking her first steps.

He's preserved this moment not because he waited agog with a video
camera, but because he watched the whole event, like the rest of his
life, through the filter of his WearComp system, a wearable computer 30
years in the making that has become an integral part of Mann's
physiology.

Over one or both of his eyes, Mann wears a rotating fleet of
mini-cameras and lasers that constantly mediate the world around him.
Through the computing power attached to his body he can filter out
obnoxious billboards, see people behind him, surf the Web and even
change the colour of his surroundings.

This is all recorded off-site in a cyborg log (a "glog") available for later perusal for interesting tidbits like baby photos.

The apparatus has evolved since his days tinkering at MIT, but Mann
continues to advocate for the subversive and empowering aspects of
technology, whether he's teaching his course on wearable computers at U
of T or putting up a power-generating windmill on the roof of his
studio.

He calls his constant recording "sousveillance" (as opposed to
surveillance), and tells me that we place too much trust in governments
and corporations to run our technological systems.

"We [cyborgs] try to bring the cameras down to eye level, away from
a God's-eye view," he says. "Surveillance is very corrosive to a
community. We seem to trust authority and be afraid of strangers. I
want to reverse that."

John Sobol, co-director for Digifest 2004, explains why they chose Mann to kick off this year's festival.

"When it comes to combining technology and mobility, there's nobody
in Canada like Steve. He's very underrated as an artist – I think he's
downplayed as an artist because of the science involved, and downplayed
as a scientist because his stuff is so wacky."

In his book, Cyborg, Mann offers his own observations on the
public's reaction to his get-up, which ranged from ridicule and
revulsion in the early 80s to a more curious response today. But those
in a position of power usually do not share the public's cautious
enthusiasm. He was even physically assaulted at the AGO over fears that
he was taking illegal pictures.

"Is violence the correct response to the possibility of copyright infringement?" he asks.

This discussion is brought into sharp focus as we wander past one of Mann's installations.

"You just stole some songs," he says as I walk over a projected map of the world.

"Every time you step on a continent, it downloads an MP3 from that
part of the world and plays it," he explains. "These technologies are
making geography irrelevant."