For a show about zombies and the apocalypse, there are a lot of feelings on The Walking Dead. More than a couple of times in the shows five season history, us viewers have found ourselves tearing up and trying to tell our friends that, "no, we are totally not crying while there is a zombie, er walker, on the screen." But truth be told, after watching "Four Walls and a Roof" and "Coda" this season, we're defintely going to have to fess up to the tears.
1. When Morgan couldn't kill his wife:
AMC/GIPHY
To be honest, when Duane cried in that episode, we cried to. We (just me, probably) also cried when the horse went down at the very end of the episode, but I refuse to include that image, my heart is still not over it.
2. When they finally found Sophia:
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3. When Lori said goodbye to Carl:
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4. Then Carl had to kill her:
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5. And then Rick found out:
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Okay, we only cried a little here, because (so sorry Andrew Lincoln) we started laughing, but what is that face?
6. When you first realized why Michonne was the way she is:
GIPHY/AMC
7. When The Govenor had Maggie and Glenn and we were convinced they weren't going to make it:
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Let's not even mention the awful stuff he did to Maggie.
8. This &lt;/3:
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9. The truly awful death of Hershel:
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10. When Rick and Carl thought Judith was dead:
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We all didn't think that TWD would go there, but you NEVER know with this show.
11. When Daryl finally opened up about his feelings:
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12. When Carol had to do this:
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"Look at the flowers."
13. These very emotional reunions:
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14. And most recently, when our residental sees-the-good-in-everything-guy, Bob got bit (and eaten):
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"You came to us a loner, left us as a family." *quietly sobbing to The Walking Dead theme song*
15. When Maggie thought she was finally being reunited with her sister:
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Maggie literally cannot catch a break when it comes to midseason finales, and neither can we.
What do you think is the saddest moment from the show? Tweet us your answers.
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The Walking Dead star Norman Reedus is set to be feted with a lifetime achievement award at the New York City Horror Film Festival next month (Nov14).
Festival organisers are honouring the actor for his "strong dedication to the craft" and for creating "new heights and depths" as crossbow-toting Daryl Dixon in the zombie series. Before starring in the hit show, Reedus appeared in a number of thrillers, including Blade 2, The Boondock Saints, and Guillermo del Toro's Mimic. Also receiving a special award is actor Angus Scrimm, best known for his role as the evil Tall Man in 1979 cult classic Phantasm. The New York City Horror Film Festival kicks off on 13 November (14).

The Walking Dead is back and if you watched the first episode of season 5, you probably thought, "Whoa. Carol is a BOSS." We sure did. Carol (Melissa McBride) was kicking ass and taking names, all while looking awesome. As always, Rick and Daryl were total bosses too. This show gives everyone the chance to be a boss.
1. That time Carol scored the luckiest shot with this firework, but didn't doubt herself for a second.
AMC/BuzzFeed
2. That time Daryl and Michonne teamed up to kill some walkers.
GIPHY/AMC
3. The time Daryl found a new use for his crossbow.
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4. The time Rick tried passing his boss status onto Carl.
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5. When Michonne first showed up (and then every minute after that).
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6. When Merle just laughed off the walkers.
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7. When Carol showed everyone how to stop a walker and then take them down.
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8. The time that Andrea was pissed off, so she took it out on a walker, obviously.
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9. When Rick eliminated a threat.
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10. The time Maggie was not going to take crap from a walker.
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11. When Glenn kind of lost it, but still totally badass as hell.
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12. That time Hershel had to lay down the law on a walker.
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13. The time Beth told everyone to shut up, without saying a word.
GIPHY/AMC
14. Even The Govenor was kind of a boss, a total asshole, but still, kind of a boss.
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15. The time Rick hid under a bed for hours and then had to kill a dude in a bathroom, as quietly as possible.
GIPHY/AMC
16. Really, pretty much any time Michonne came close to a walker, we all knew how awesome she is.
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17. But the biggest boss so far didn't even need to kill anyone to earn his status. He just showed up and we all lost our minds.
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BOSS!
Who do you think is the biggest boss on The Walking Dead? Tweet us your thoughts!
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DreamWorks
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody &amp; Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
DreamWorks
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody &amp; Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
3/5
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Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
3.5/5
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Frank Ockenfels/AMC
AMC's planned The Walking Dead spinoff is now quite possibly going to be a prequel detailing just how the zombie plague was created, as reported by TVLine. So far, the reaction from fans has been a dispassionate, zombie-like "enh," but everyone at the cable network is still trying to drum up enthusiasum for the followup to their most popular show.
The series, set a few years before The Walking Dead, will finally answer exactly how the virus was made, and for what purpose. Series creator Robert Kirkman is developing the new show as well, but he'll no longer have his own source material to work with, as the comics remain focused on Rick &amp; Co. Instead, we could be spending time with the geniuses who developed a zombie supervirus and then let it turn into a raging epidemic.
What's odd is that AMC is framing this idea as a novel, exciting concept — getting to see what happened before the apocolypse hit. But if anything, there's been a glut of films with that exact premise, and the thing that made Walking Dead stand out was how the characters had to deal with the huge change that wasn't their fault. But plenty of fans will likely take this new series as a chance to jump ship from the staid characters on the original show, which has struggled to find an emotional center or meaningful conflicts from the remaining cast. But, with the same people behind the camera on both shows, there's no reason to believe the same thing won't happen with a new group of people. Especially a group of people that develop a zombie supervirus. And then release it into the world. Which it ruins. It's creating a The Newsroom-like hindsight-is-20/20 timeline, but instead of enabling the characters to somehow be future-predicting supersavants, they'll constantly be messing up — because they can't fix their own mistakes or come up with a cure without contradicting The Walking Dead.
This series isn't even planned to air until 2015, so there's plenty of news to come, and potentially change. But with their only other new shows on the horizon another potential comic book adaptation and another prequel, AMC has their work cut out for them.
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We're pretty major fans of The Walking Dead over here at Hollywood.com... which is why we're pretty damn exicted about this next giveaway. Our fellow zombie lovers from the show have provided us with TWO (2) LIMITED EDITION The Walking Dead Zombie Tank Season 3 blu-ray sets (which retail for over $150 each)!
It's SUPER easy to enter, all you have to do is...
1. Follow Hollywood.com on Twitter at @Hollywood_com starting Wednesday, August 14, at 12 PM ET.
2. RETWEET our tweet: "RT and FOLLOW to win a Limited Edition Season 3 Blu-ray sets in our #WalkingDeadGiveaway @WalkingDead_AMChttp://bit.ly/1d7fngz"
That's it! You've entered!
We'll choose a winner at random and notify them on Monday, August 19, 2013
The The Walking Dead Blu-ray Box Set“Sweepstakes”
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Mcfly rocker Harry Judd is to team up with British sports stars to host a charity cricket match at his former school. The pop star's event at Uppingham School in Rutland, England will pitch a team of famous faces from the world of sport and entertainment against a team of pupils to raise money for good causes.
Judd's team will include former England cricketer Andrew Flintoff and bowler Steve Harmison, as well as former soccer stars Lee Dixon and Robbie Savage, and swimmer Mark Foster.
Proceeds from the event on 9 June (13) will be handed to the Teenage Cancer Trust and Eyes Alight. Judd previously raised money for the two organisations by running the recent London Marathon.

The folks behind The Walking Dead have promised that there will be 27 freaking deaths during tonight's finale, "Welcome to the Tombs." And with the battle between the Grimes Gang and Woodbury rapidly approaching, we're not too surprised. And though we have our own theories on who will bite it (or get bitten) tonight (sorry Carol, Milton, all the Greenes besides Maggie, baby Asskicker, Martinez, and Tyreese's white friends), we want to hear what YOU think. Vote in the poll below, and defend your choice(s) in the comments!
RELATED: 'The Walking Dead' Star Steven Yeun Talks Sunday's Finale
&amp;lt;a href="http://polldaddy.com/poll/7003377/"&amp;gt;Who Will Die on 'The Walking Dead' Finale?&amp;lt;/a&amp;gt;
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[PHOTO CREDIT: Frank Ockenfels/AMC]
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