Canadian composer Mort Garson stands among the likes of Jean-Jacques Perrey and Wendy Carlos as one of the more interesting innovators who explored the weirder extremes of popular music with the aid of the Moog synthesizer from the late 1960s on into the next decade and more.

I cling unto the burning Æthyr like Lucifer that fell through the Abyss, and by the fury of his flight kindled the air.

Aleister Crowley

It had been raining for days. Every morning for the last week I awoke to the sound of water beating against the window. All it needed was the tolling of an iron bell and the first massive chord of “Black Sabbath” to make the mood complete. The night before the show a lightning bolt had struck my house. I was beginning to wonder what kind of omens these were and what they portending for Lucifer’s first show on UK soil.

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"When they’re all playing harmonising black metal riffs, it creates a sound as full and dense as the forests of Washington State that inspire their eco-friendly riff collage" @wittrofficial @aluk_todolo live at Heaven https://t.co/FbWfunzE6w

"The English Heretic project has been consistently putting out strange and beautiful collections for a while now and this release comes with an OZ-style booklet, lurid and bloody and filled with ephemera..." https://t.co/EHK6vpWzZc