BRIAN TYLER

"Damage is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks. It has great sounds and an intuitive interface."

Brian Tyler ("Fast Five", "Battle: Los Angeles", "Eagle Eye", "Law Abiding Citizen", "Terra Nova" - nominated for Film Composer of the Year by the International Film Music Critics Association)

JOHN DEBNEY

"Damage does just that. It gives you wonderfully sampled and programmed percussion and lets you do some serious damage with it. Heavyocity has not only produced a superb library. But they have given the composer the creative freedom to make it their own. Nice work guys!"

JAVIER NAVARRETE

"Damage is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. Damage has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!"

JASON GRAVES

“Damage is everything a composer wishes for in a virtual instrument - outstanding sounds combined with instant gratification and ultimate customization. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart's content is invaluable! Damage just became my go-to source for cutting edge rhythmic sounds."

Jason Graves ("Dead Space", "F.E.A.R.", "Command and Conquer")

DAVID BUCKLEY

"The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity's new offering will shatter all of them."

David Buckley ("The Town", "The Good Wife", "The Forbidden Kingdom")

DAMIAN TAYLOR

"I like having a huge pallet of sounds to draw from, and Damage has extended mine further. It's not just a preset factory though, there's so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too."

Damian Taylor (mixer/engineer/programmer/and more for Björk on her album 'Biophilia')

JOHN DIGWEED & NICK MUIR

"When we loaded up Damage, the sound quality of the samples took our breath away. It sounds absolutely awesome - huge!"

John Digweed & Nick Muir (Bedrock Records)

LIAM H (THE PRODIGY)

"I've always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special - it's the cinematic width and sound that makes it very different to anything else out there."

CHASE & STATUS

JOE TRAPANESE

"Within seconds of installing DAMAGE it became an essential part of my studio. It's unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit."

JORGE CORANTE

"For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I'm especially fond of the interface's intuitive yet robust and unlimited programmability. I've been a longtime Heavyocity user, and I'm awestruck at their ability to producte new groundbreaking sample libraries that never disappoint."

CLAUDE SAMARD-POLIKAR

"I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required."

PIETER A. SCHLOSSER

"Damage has become an integral part of my palette and it blends seamlessly regardless of the genre of music I'm working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ's and filters."