This M.A thesis addresses the novels Ça va aller and Fleurs de crachat by Catherine Mavrikakis. It will focus on the ambiguous reappropriation of Antigone in order to question the narrators' expression of identity and the prophetic desire they envision of another future. Divided into two chapters: the first looks into the development of Antigone's heritage and its problematic entry in both literary history and the works of Mavrikakis, while the second takes an interest in the manner of transmission of this heritage through the use of excessive language and a "cannibalist and melancholic" posture. In addition to the questions of transmission, heritage and filiation, this work shows how stemming from the traces of radical feminism, Antigones' girls are destined towards the possibility of being (un)faithful to tragic fate all the while keeping a violent hope of reinventing their future, but especially of breaking through it.