*We Love You, Carol And Alison* 1987The lyrics and the way Scott Miller sing them are full of hopeful pessimism, The guitar and drums intertwine as Donette and Shelley's voices sing ear candy in the chorus, "Princess in this context you're a freak!"

*Atlantic City* 1982The Boss really didn't appeal to me much until he released this acoustic album, and Atlantic City, with it's gruff voice, is a gripping narrative about trying to enjoy something before it's gone.

*Wave Of Mutilation* 1988The Pixies weird surf punk pop with sci-fi and abstract lyrics brought that slow fast slow dynamic that Nirvana would later popularize. This tune was a good example of that. fantastic!

*When Will You Come Home* 1989This tune's character is probably expecting something that won't ever happen. Dean Wareham plays two chords and a glowing solo while Naomi Yang is picking an eclectic bass line all saturated in reverb syrup

*So. Central Rain* 1984This REM classic was unique to me when i first heard it coming from a background of listening to the likes of Zeppelin and Rush, with it's a mixture of descending guitar jangle and dirge lyrics. One of my fave bands in my college days.