"After Spring is a feature documentary that focuses on the Syrian refugee crisis. With the Syrian conflict now in its seventh year, millions of people continue to be displaced. After Spring is the story of what happens next. By following two refugee families in transition and aid workers fighting to keep the camp running, viewers will experience what it is like to live in Zaatari, the largest camp for Syrian refugees. With no end in sight for the conflict or this refugee crisis, everyone must decide if they can rebuild their lives in a place that was never meant to be permanent."--Container.

Fleeing war-torn China, a small planeload of people are hijacked to an idyllic valley in the Himalayas where time has virtually stopped. There Conway, a British diplomat, falls in love with a beautiful woman, and is asked to remain in Shangri-La as its new leader.

The film begins with the investigation into the mysterious death of a photographer. The film then works backward to gradually piece together the deceased protagonist's troubling story of alienation and disillusion.

In this continuation of the earlier film Sŏp'yŏnje, O Chŏng-hae reprises her role as the blind p'ansori singer, Song-hwa, while Cho Chae-hyŏn plays her lovelorn brother, Dong-ho. Dong-ho encounters new places and new people, but he can never forget his love for his sister, Song-hwa. Together and apart, reunion and separation, the two keep moving in different directions while restlessly chasing each other's shadows. Dong-ho spends a lifetime trying to find a place he belongs, a way to Song-hwa's heart. Like in Sŏp'yŏnje, music plays a prominent role, bringing out the lyrical beauty of p'ansori, traditional Korean folk music.

Join high school-aged girls from around the world as they try to better their communities through technology and collaboration. The Technovation Challenge aims to empower girls worldwide to develop apps for an international competition.

Lawyer Heo Sung's wife Jeong-seon conceives a child with her ex-boyfriend while Heo Sung is away in his rural hometown. Jeong-seon demands a divorce, but is denied. In despair, she jumps in front of a train, but survives, and stays with Heo Sung in the rural village. Then Heo Sung is imprisoned by a Japanese judge as an ideological criminal. After spending five years in jail, Seung returns to the country to see his wife continuing his work.

"Mo-hwa is a famous shaman, but her divine power declines as [she is] getting old. Mo-hwa gets furious when she learns that her son, Uk, has studied theology. She performs an exorcism to throw 'evil spirits' away from her son and tears up the Bible. The conflict between mother and son breaks up their ties, and Mo-hwa is left alone. Moreover, no one asks her to perform shaman anymore. When villagers hold a big pacifying ritual for a young drowned widow, Mo-hwa eventually performs the ritual to walk into the deep water by herself."--Container.

One winter day, Sun-seok takes a trip to Gangwon-do to spread the ashes of his wife, who died three years ago. While there, he meets an elderly man and his personal nurse, Mrs. Choe. His wish is to return to a place close to his hometown in North Korea before he dies. Sun-seok at first refuses to help, but changes his mind after two women with whom he had affairs die out of the blue. However, he now finds himself alone with Mrs. Choe, who says a fortuneteller once told her that "the man with three coffins" was her husband in a former life. Sun-seok thinks that man might be him.

Parade of wives: "A newlywed wife, Ji-sun moves to her husband's village in a rural area called Sambatgol where it is customary to have glossy charades, incompetence is prolific, and thus poverty is endemic. She starts to endeavor to break down all these vices. Her family and neighbors point accusing fingers at her first, but soon they are influenced by her to combine forces with her. In the meantime, longtime absent father of Gang-du returns to his wife, who is Ji-sun's strong supporter and the chairperson of village women's association. Gang-du's father, however, turns out to be an espionage agent sent from North Korea. He makes his mind up to denounce himself by persuasion of his wife, but he and his wife get killed by other espionage agents. At the funeral of these two, Ji-sun and the village people march in resolution of succeeding her will to make more endeavors in the developmental plan of the village."--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

The contact: "Dong-hyeon is a radio program producer who has had a reclusive life since his beloved Young-hye left him. One day, a music record is sent to him. Guessing Yeong-hye sent it, Dong-hyeon tries to look for her by playing a song from the record on his radio program. At that time, Su-hyeon, who is suffering from a secret crush on her friend's boyfriend, goes on a night-time drive to soothe herself and almost has a car accident. She requests the song on Dong-hyeon's radio program, which leads him to contact her via computer. As they continue on-line talks, Dong-hyeon and Su-hyeon begin to feel close to each other and promise to meet in real life. However, Dong-hyeon fails to keep the promise because he is told that Yeong-hye has died. Depressed, Dong-hyeon quits working and decides to leave Korea. Though he does not answer Su-hyeon, she keeps trying to see him. Finally, they face each other for the first time at the night before Dong-hyeon's departure.'--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

Scandal makers: "Nam Hyeon-su, who was once an pop idol, is now not that popular, but is still doing well as a radio DJ. He is enjoying the perfect single life. One day, Hwang Jeong-nam, who has sent her stories to his radio program, goes to see him and insists that she is his daughter from his first time having sex, when he was in the ninth grade. Moreover, she has a son, Gi-dong, whom she gave birth to at the age of seventeen. Hyeon-su does not accept Jeong-nam and Gi-dong at first, but eventually he adjusts to living with them. However, Hyeon-su's career is in crisis as he becomes involved in a rumor that he is dating Jeong-nam. Hyeon-su blames this scandal on Jeong-nam with harsh words, which makes her leave him. Hyeon-su, left alone, soon regrets his actions and conveys his true feelings for her on his radio program. His message makes Jeong-nam return to him, but she loses Gi-dong for the moment. After a mess of a time looking for Gi-dong, they finally come together and accept themselves as a family."--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

Mr. Park: "Mr. Park raises his three children by repairing briquette stoves. Although ignorant and stubborn, he possesses a good heart. He is not happy that his first daughter, Yong-sun, is seeing Jae-cheon, who has no job and an uncertain future ahead of him. Mr. Park is also not pleased with the fact that his second daughter, Myeong-sun, is seeing Ju-sik, who is from a rich family. Only his son, Yong-beom, is the apple of his eye because he is diligent and works hard at a pharmaceutical company. However, he is disappointed to hear that his son has to relocate to an overseas branch office. One day, Mr. Park is humiliated by Ju-sik's aunt, who says he is poor and uneducated, but he endures it for Myeong-sun's sake. Eventually, he approves of Yong-beom's relocation and his two daughters' relationships."--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

Six daughters: "An elderly couple of Kim Hie-gab and Hwang Jeong-sun, who has six daughters and one son, commences a nationwide journey through every inch of the country to see six daughters living in every region. They visit their daughters and sons-in-law living in Cheongju, Buan, Busan, Ulsan, and Sokcho, and meet their youngest daughter and would-be son-in-law, a cyclist, while visiting their son on military service in Gangwon Province. This elderly couple witnesses the sights of the modernization of their homeland in which their sons-in-law are serving, and feels gratified with the direct/indirect participation of their children and sons-in-law in the process of modernization."--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

A fine, windy day: "Deok-bae, Chun-sik, and Gil-nam, who left their hometown for Seoul, lead their lives and comfort each other working at a Chinese restaurant, a motel, and a barbershop located in a development area on the outskirts of Seoul. The native local residents are excelled from their fields and paddies. Gil-nam falls for Jin-ok, a hairdresser, and Chun-sik for Miss Yu, an assistant to a barber. Meanwhile, Naive Deok-bae is hesitant between Chun-sun, a chearful and even dashing girl coming from the rural area and Chun-sik's sister, and Myeong-hui, an ill-tempered but attractive girl from the upperclass. Deok-bae finds out that he was fooled by Myeong-hui whom Deok-bae believed to have a certain feeling mutually, and Jin-ok runs away with the money she held in trust for Gil-nam. Miss Yu has some feeling for Chun-sil, but becomes a secret lover of President Kim to cover her father's medical fees and the tuition for her brothers and sisters. Chun-sik ends up being in jail for slashing President Kim with a razor, Gil-nam goes to serve in the military, and Deok-bae makes up his mind to fight off the world as a boxer."--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

A fine, windy day: "Deok-bae, Chun-sik, and Gil-nam, who left their hometown for Seoul, lead their lives and comfort each other working at a Chinese restaurant, a motel, and a barbershop located in a development area on the outskirts of Seoul. The native local residents are excelled from their fields and paddies. Gil-nam falls for Jin-ok, a hairdresser, and Chun-sik for Miss Yu, an assistant to a barber. Meanwhile, Naive Deok-bae is hesitant between Chun-sun, a chearful and even dashing girl coming from the rural area and Chun-sik's sister, and Myeong-hui, an ill-tempered but attractive girl from the upperclass. Deok-bae finds out that he was fooled by Myeong-hui whom Deok-bae believed to have a certain feeling mutually, and Jin-ok runs away with the money she held in trust for Gil-nam. Miss Yu has some feeling for Chun-sil, but becomes a secret lover of President Kim to cover her father's medical fees and the tuition for her brothers and sisters. Chun-sik ends up being in jail for slashing President Kim with a razor, Gil-nam goes to serve in the military, and Deok-bae makes up his mind to fight off the world as a boxer."--Container.
"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.