First thing you’ll notice is that Tate’s familiar classicism has had a makeover, transforming one large room into a seductive reception hall for our digital indoctrination. Joining Maclean’s molten proletariat, we demand data – but everything comes at a price.

The central attraction is IT’S WHAT’S INSIDE THAT COUNTS (2016), a music video cum computer game about the inherent dangers of social celebrity. Digital graphics, elaborate make-up and cosplay transform Maclean into a varied cast of characters, cloning her image to create dramatic shifts in size and scale. It’s a vibrantly edited, colour-saturated fantasy, depicting both beauty and its backlash.

WE WANT DATA (2016) consists of large format digital prints that share scenes and characters from the film. Bold and banner-like, these beautiful images are rich with detail and worthy of your time.

Fun as well as frightening, Maclean’s looping film deserves a second viewing if you can fit one in. Set aside time too for some hardcore people watching: the shuffling crowd poses and posts on its way through real and digital space, subtly affirming Maclean’s meaning.