Blurred Lines by Robin Thicke. By Pharrell Williams and Robin Thicke. Arranged by Paul Murtha. For Marching Band (Score & Parts). Contemporary Marching Band. Grade 3. Published by Hal Leonard (HL.3745774).
With an infectious R&B groove, this mega hit from Robin Thicke has become one of the hottest tunes of the year. Perfect for stands or dance features.

Walkin' My Baby Back Home by Natalie Cole. Edited by Myles Collins. Arranged by Bill Holman. For big band with vocal duet. Swing. Difficult. Published by Lush Life (JL.LL-2322).
Transcribed from Natalie Cole's "Still Unforgettable" album, this chart is a really clever fusion of old and new, as it combines elements of Nat King Cole's original recording along with his daughters' fresher interpretation. The chart is scored for reeds to double Flutes and Clarinets in the intro (F, F, C, C, BC) though we have cued alternate sax lines here, eliminating the need for the doubles. The vocal is scored for a boy / girl duet, as per the record version. We have rated it Medium / Advanced only because the Trumpet lines are high in their range, with lead to top E and 2nd & 3rd to top C#. Aside from this it is a fairly easy chart to play down. The vocal keys are A, modulating to Db and D. Ranges:Trumpets 1-4: E6, C#6, C#6, B5Trombones 1-4: Bb4, F#4, E4, D4Vocal Key: A to Db to DVocal Range: Ab3 - C5, Nat C3 - E4.

Avalon by Natalie Cole. Edited by Myles Collins. Arranged by Bill Holman. For big band with vocal. Swing. Advanced. Published by Lush Life (JL.LL-2232).
Written in 1920 by Jolson & DeSylva, this song was a favorite of Nat King Cole, and later featured by Natalie Cole on her 'Unforgettable' album. This is a transcription of her Bill Holman chart. It moves along at a very fast pace, and nimble fingers along with good playing technique are needed for your band to get it right, especially in the middle instrumental chorus. Lead Trumpet is written to high F and lead Trombone to high C. This is a punchy and very powerful arrangement full of interesting tonal color, and makes a rousing feature for any vocalist. It is a tough chart, and we have graded it as advanced. There are no Sax doubles, and the vocal key is C throughout.Ranges:Trumpets 1-4 : F6, D6, C#6, G5 Trombones 1-4 : C5, G4, G4, D4 Vocal Key: C [Female Vocal G3 - D5 (12 steps)].

L-O-V-E by Natalie Cole. Arranged by Myles Collins. For big band with vocal. Swing. Medium. Published by Lush Life (JL.LL-2138).
This chart is an adaptation of Natalie Cole's L-O-V-E (LOVE) (L is for the way you look at me...) which sticks very closely to her version. It is a medium to up-tempo swing chart, opening in the key of G with rhythm and vocal, the trombones then join, with a muted trumpet adding little fills, then onto a muted trumpet solo chorus backed by saxes and trombones. A quick modulation to Ab brings the vocal back in, with the whole band backing and the chart builds and builds to a rousing climax. Natalie's vocal line in the Ab section is her interpretation of the melody, and rises to F with a final high Ab flourish. If your vocalist chooses to stay with the original vocal line, she will only need to reach C, giving the chart a 1 octave vocal range. There are no sax doubles. Vocal key: G to Ab Female Vocal: C#4 - F5 (11 steps as written).

The Sorcerer arranged by Carl Fritsche. For big band. Funk. Easy. Published by Lush Life (JL.LL-1060).
The Sorcerer is another original composition from Carl Fritsche, and is very different from most of our offerings. It is a relaxed, laid-back groove, with an ethereal, almost modal quality to it. Technically not at all difficult, though the rhythm section needs to be tight. Written solo for 1st Alto, and nice phrase exchanges and sectional interplay make The Sorcerer a really good chart to play.

Funky Blues arranged by Jack Bastow. For big band. Funk Blues. Medium Easy. Published by Jazz Lines Publications (JL.JB-1005).
This is a great chart for an early high school jazz ensemble. It is based on the standard 12 bar blues progression, but written in a funk rock style. The middle section is open for solos over the blues progression. A great learning tool for both styles, as well as soloing over blues progression. High school kids will love playing this up to date chart.

Thou Swell by Natalie Cole. Arranged by Bill Holman. For big band with vocal. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3082).
This arrangement comes from the Natalie Cole 'Unforgettable' album. A really lively up-tempo Bill Holman chart with a real 'get up and go' feel right from bar one, with an added optional open chorus for solos. Key C. 5/4/4/4 includes full score. PLEASE NOTE THAT THIS IS A SIMPLIFIED VERSION OF THE RECORDED ARRANGEMENT THAT IS SUITABLE FOR LESS EXPERIENCED BANDS.

My Baby Just Cares For Me by Natalie Cole. Arranged by Shaun Byrne. For big band with vocal. Swing. Medium. Published by Jazz Lines Publications (JL.PH-3071).
This arrangement comes from Natalie Cole's 2002 album 'Ask a Woman Who Knows.' This chart begins with the instantly recognizable piano introduction and first chorus from the Nina Simone version, then moving seamlessly into full-band backing choruses. The chart modulates from C up through the keys of Db to D, as recorded. 5/4/4/4 includes full score.

Pick Up The Pieces by The Phil Collins Big Band. Arranged by Arif Mardin. For big band. Funk. Advanced. Published by Jazz Lines Publications (JL.PH-3010).
The Average White Band created this funky classic. Phil Collins commissioned a full big band version from Arif Mardin who produced the original album for the AWB. Trumpet 1 to F6.

Boz by Jeff Jarvis. For standard jazz ensemble. Jazz Journey. Funk. Medium. Score and parts. Published by Kendor Music Inc (KN.61075).
Given the widespread popularity and accessibility of Jeff Jarvis' infectious funk charts, you'll love this spirited original for advancing groups that pays tribute to the legendary songwriter/performer Boz Scaggs. Featuring material reminiscent of his great music of the 1970's and 1980's, the chart includes open solo space for alto and tenor sax. A guitar chord chart by Jim Greeson is included in each set. Duration 5:10.

Glow Green by Bret Zvacek. For standard jazz ensemble. Threshold Series. Shuffle-Funk. Medium. Score and parts. Published by Kendor Music Inc (KN.42555).
With a catchy half-time shuffle-funk feel and a wonderful harmonic structure, this medium level chart emulating the music of Herbie Hancock And The Headhunters (1970's) and The Robert Glasper Experiment will serve as a perfect change-of-pace number for any program. The open solo space (written or ad lib) provides good teaching opportunities and allows you to customize your performance according to the abilities of your band's personnel. Duration 3:58.

Skyfall by Adele. By Adele Adkins and Paul Epworth. Arranged by Jay Bocook and Omar Carmenates. For Marching Band (Score & Parts). Contemporary Marching Band. Grade 3-4. Published by Hal Leonard (HL.3745680).
Adele continues her amazing string of hits with this distinctive and evocative song written for the James Bond movie Skyfall. Mystery, adventure, excitement, and drama all in one arrangement!

Savvy Man Blues (Score & Parts) by Brian Eisenberg. For Jazz Ensemble. Jazz, Urban/R&B. Advanced Intermediate. Set of Parts, Score. Published by Brian Eisenberg (S0.4545).
Standard big band instrumentation, 5/4/4/4. Solos: Alto, Tenor, and Baritone Sax.
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Sir Duke by Stevie Wonder. Arranged by Jim Jirak. For jazz choir (SSATBB choir, a cappella). Level 4. Set of 16 octavos. Published by UNC Jazz Press (NC.VJ2051).
This Stevie Wonder original features a soloist backed by five-part a cappella ensemble. Unison vocal riffs begin and end this fast-paced arrangement with optional improvisation opportunities. SSATBB a cappella.

Rockhouse by Ray Charles (1930-2004). Arranged by Ken Schaphorst. For big band (solos for tenor saxophone, trombone and guitar). This edition: Trumpet range to Ab5. Blues, Jazz. Level 4. Score and set of parts. Published by UNC Jazz Press (NC.1178).
(8 Brass) (Level 4) Based on one of the greatest blues riffs ever devised, this R & B influenced, Ray Charles composition is arranged to feature tenor saxophone, trombone and guitar solos. Additional solo space may be added. The original arrangement is recorded on Ken Schaphorst Big Band: After Blue.

Sly by Rich De Rosa. For jazz ensemble. Jazz Arrangements Series. Funk/Rock. Grade 4. Score and set of parts. Duration 3 minutes, 23 seconds. Published by SmartChart Music (S3.SCM-1076-00).
Richard DeRosa, who is currently the lead composition teacher at North Texas State University in Denton, Texas has composed this modal swing-funk piece that will keep your students fully interested and engaged. A haunting "ostinato bass" line provides the main groove the rhythm section. The chart features a swing/funk feel where the horns play with a swing feel over the straight feel of the rhythm section. A distinctive contemporary chart which your students and audiences will love. Features great ensemble writing and a one scale solo section makes it possible to get some new soloists playing in your band. Optional high/low 1st trumpet part is provided.

Inside Straight by Carl Strommen. For jazz ensemble. Jazz Arrangements Series. Funk/Rock. Grade 3.5. Score and set of parts. Duration 3 minutes, 35 seconds. Published by SmartChart Music (S3.SCM-1070-00).
Carl has provided our catalogue with a funky power rock composition that will keep your students happy and challenged! With a power intro featuring the guitar, this chart settles down to a nice groove with a down-home blues feel. Your rhythm section can really rock on this one. Lots of unison lines with short sections of powerful ensemble writing in this one. Written solos are provided, as well as an optional flute part.