Bach Standard Series mouthpieces are some of the most popular mouthpieces in the world among both students and professionals.

Vincent Bach was a rare combination of artist and engineer. A mechanical genius and acclaimed trumpet soloist, his instruments and mouthpieces are used today in every major studio and orchestra in the world. Bach personally designed the tools and composed the plans that continue to set the high standards for making all Bach products today.

"Choosing the perfect mouthpiece is often more difficult than choosing the perfect instrument. Your success as a musician depends on the choice of equipment that will do justice to your capabilities."

7C* / Medium / 16.20 mm / Medium wide, lowered toward the outside. Med. sharp inside edge. Well-rounded edge with a perfect grip. / Probably the most widely used model in the world. Its brilliant tone is preferred by school musicians and by artists.

7CW / Medium / 16.20 mm / Slightly wider, lowered toward the outside. / The same as No. 7C with a comfortable cushion rim contour.Very practical for strenuous work and players with large lips.

7D / Medium shallow / 16.20 mm / Medium wide, lowered toward the outside. Similar to No. 7C. / A shallower cup than No. 7C, designed principally for D trumpet, but used successfully where great brilliance and easy high register are required.

7DW / Medium shallow / 16.20 mm / Slightly wider than No. 7D. / This shallow E soprano trumpet (or cornet) cup is excellent for D trumpet and for playing continually in the high register. Cushion rim is helpful to players who use a little too much pressure.

8-3/4 / Deep / 16.10 mm / Medium wide, not too sharp. / Produces a tone of great volume and Teutonic character. Very effective in symphonic work and opera.

8-3/4C / Medium / 16.10 mm / Medium wide, slightly flat.

* Bach fluegelhorn mouthpieces are regularly stocked in those model numbers marked with an asterisk in the chart (all other standard Bach trumpet rim sizes are available on special order). They have identical rims, but deeper, fluegelhorn-style cups, a larger throat and backbore. The deeper cups produce a dark tone of lyric quality. Their fundamental component is intense; the upper partials are reduced to a minimum. Do not attempt to play fluegelhorn with a refitted cornet or trumpet mouthpiece as you will be more likely to play out of tune and not get the rich sound characteristic of the fluegelhorn.

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