Aegean prehistory has developed over the 20th century into a distinctive and vibrant area of archaeological research. The past few decades, in particular, have seen a dramatic reorientation and expansion of goals and methods as well as a flood of new fieldwork in the Agean. Keeping abreast of these new developments has become a daunting task. Aegean Prehistory: A Review contains detailed syntheses of research, originally published in the American Journal of Archaeology and newly updated here.

L’Art de Régner is a tragi-comedy by Gillet de La Tessonerie, first published in 1645. It is unusual in that structurally each of its five acts is a separate playlet. The sub-title, Le Sage Gouverneur, refers to the role of a royal tutor, probably meant to be the duc de Bassompierre, to whom the play is dedicated.

First published in 1804, intended for civilians wanting to learn to fence with the sabre, broadsword or spadroon. Illustrated - 21 digitally enhanced originals. Original text is reproduced in a modern typesetting, aimed at current students and enthusiasts of Historical Martial Arts.

In this new edition, John Flower provides a full contextualising introduction of Jean Paulhan’s Lettre aux directeurs de la Résistance. The volume makes an important contribution to our understanding of this turbulent period and provides a documentary history of the post-war political and literary debates in Paris.

Between Totem and Taboo picks its way through a minefield of prejudice, myth and stereotypes. It is the first book to explore the literary representation by authors black and white, male and female, of interracial relations between France and her former territories in West Africa through the special nexus of the white woman and the black man.

An eighteenth-century "bourgeois tragedy", written in an English style. This is an important text, which provides an appreciation of the spirit of the era, and demonstrates the bridging of comic and tragic theatre styles.

The first edition of the devotionary composed by Constanza de Castilla. Comprising a variety of prayers and liturgy offices in Spanish and Latin, the book provides evidence of the beliefs, experience, and expression of religious women in Spain of the later Middle Ages.

This is the first full-length study in English of Camus's life-long fascination with the works of the Russian writer Feodor Dostoevsky. The purpose of the book is to demonstrate the ways in which Dostoevsky's thought and fiction served to stimulate and crystallize Camus's own thinking.

Pastiche, imitation but also a continuation of Voltaire’s most celebrated tale, Candide, seconde partie, picks up many of the original’s themes. Leibniz, Descartes and Newton are gently mocked; Pascal is accused of trying to make us hate humankind.