28 'r :&: '::':':::':'7..:::-: .";."-: :.-., .: ...... ... . . . .. ..'j :r --- -0--:--:::':.:: ", ," ::---.::::::' : :: ".. ""i f f . . . ..- '. í> f' 'L)i ::.? .'. . . n.. ,: :::::' .;,.:.:-:.:":::: . ;:';: I " {::;-:ri :.;!L. t:-= : ;:ti' { . .'" . ...,....... .- . - "'. - .... :.:.,.:.;. . t.:: ..:::=:: :: : . t ":: ::" . ',:,,:::,:, ".' . ..:: ::-::::: ': t.""4,, '(\t\::.. .. :.::..: : ":::':::;h';':: fi\: 0 ' '- .. , " ?I ,<:, .. .Itit , Ú ,: ::.: :::: ' ::f:.-::" ,- -.;.':;" . ' -- y .. . . oY/.. :.: . {(.. .. .:: .;. :-:.;. <' ' fi -.: ":' ';:" . :'":'. ..::...:..::...:.... .\ ?:- ..; \}._ . .. ......... .? ," "::f:":;:":. " :::: :' :' 0/ ò. i ; j. f';';;:.:':J ! ;ì . -} ::= "f ....x :-....." .: .::. :;.! :: t' : r.: F: :':J.:: '" ':-j.- 0\:::::: .. .... .:'.: :'::'-:'. ':::,.<::: :.,",.::.:::'.. *. . ::::: : ., ; ::: :. . .x."..... :::: .: ": . ;:::: "" l f': r , $' :: :: . .".r.".:-:-:.. -:..: $:" .'-;- _. ::":. :' i ':,2, '?:: \/3= .' r,: > 0.:. : .. : :. .: .::.: :' ......:.:: )'-: ; : :". /{ , . , . :::::: .:.:: -..... ... , :. . . . . ! ff ) i:t1T :it.: :.: -::::. ) \m1 j:: ",....::...;;:;: ; z:ø;: ',,':. .'".,::: :;> ;g:;. ', r :' .::..:::: :.'-"'""*1 : --:. ;;;:t " . " ; J : ' :"-::: ... /: :: - ' -> i?:'j - . -''' 'h,.,; ; , , 6 V:' '4 ' }fi :- .' ;, .;, \ j;i Ji" " ' m:" . . A' 11 , I : ..... ...... :'. ...... "?b :' :t}fi1t: '> i -I. :t ::, ' "::) : 1 :S ,.:,2 1 ':j :.. .} :...-:::; : :: ::; ;:::, "* i :: M J;Qj/inq 7-ü Buy Shirts marked Sanforized-Shrunk e Sanforized-shrunk has put men's shirts on the no-shrink standard. Lasting fit is the result, and from the highest court of public demand for shirt satisfaction there's no appeal. Gone is the wretched day when it was inevitable that shirts should come from the wash with collars as choking as the hangman's noose and high water sleeves. Such shirts were made from cloth that was not completely shrunk. If you prefer the old shrinking kind, you still can buy them. But before you buy, remember that neither laundry nor laundress can prevent shrinkage in shirts if the fabric has not been shrunk. For lasting fit, comfort, peace of mind, buy shirts, shorts, pajamas, robes-all washable wear-labeled Sanforized-shrunk. They will not shrink out of fit because the fabrics are completely shrunk-Sanforized- shrunk-before they are made into garments. Be firm. Insist, before you buy garments of the quality and the price you prefer, that the labels on the garments bear the words $ 40 WORTH CITY THE AR. T GALLER.IES A Gro up of Americans ACCORDING n to report, Grant Wood is a modest man. He has a sense of humor and a knowledge of his own limitations- which is almost say- ing the same thing twice. It is his misfortune at the mo- ment that he has become a National Symbol for the patrioteers. As a symbol he stands for the corn-fed Middle West against the anemic East, starving aes- thetically upon warmed-over entrées dished up by Spanish chefs in Paris kitchens. He stands for an independent American art against the colonialism and cosmopolitanism of N ew York. He also stands for the new regionalism, be- cause he has settled down in Stone City, Iowa, founded an art colony there, and sold some of his paintings to his neigh- bors. In his innocence of what is vi- tal and original in American painting, Wood, as quoted in the catalogue, sounds a little like the late Vachel Lind- say talking about Walt Whitman. One would hardly guess from the manifes- toes that blow like a dust storm from the prairies that George Fuller and Winslow Homer and Albert Ryder had fifty years ago put the new regionalism on its feet. But no movement should be judged by its manifestoes. So one turns with interest to the present show of Wood's wor k at the F erargil Galleries. Up to 1929, Grant Wood was an impression- ist; he painted with a visible brush stroke and a good appetite for color, like a thousand other nOVIces. From impressionism he turned to the care- ful technique of the fifteenth-century pain ters, seeking that sober durability which is shown at its best in the portrait, lately at Knoedler's, by the "Maître de Moulins." (This happened, inciden- tally, at least five years after the Ger- man exponents of die Neue Sachlichkeit had moved in the same direction.) It is in the portraits produced after 1929 that Wood's real talents have so far been manifested. He has caught the grave, angular faces of the people he knows and loves best; and his "Ameri- can Gothic" has validity as a symbol that justifies its Flemish overtones. This is his b st painting to date. Not