Nikolai Kolli

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Planning and construction

Model of Nikolai Kolli and Le Corbusier’s Tsentrosoiuz building in Moscow, 1928

Le Corbusier with Nikolai Kolli in front of the construction site for the Tsentrosoiuz building in Moscow (March 1930)

Le Corbusier sitting in front of the construction site for the Tsentrosoiuz Building in Moscow (March 1931)

Le Corbusier surveys the work site for the Tsentrosoiuz building in Moscow (1931)

Le Corbusier surveys the work site with workers for the Tsentrosoiuz building in Moscow (1931)

Corbusier’s Tsentrosoiuz building under construction in Moscow, 1931

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In his 1928 proposal for the Soviet Central Union building, Le Corbusier invoked his much-vaunted principle of pilotis. As a postscript to his 1930 Precisions on the Present State of Architecture and City Planning:

Pilotis

Since we no longer have to lay foundations in the ground for the carrying walls; since on the contrary all we need is posts covering only .5% of the surface built upon and furthermore, since it is our duty to make the house more healthful by raising its bottom-most floor above the ground, we will take advantage of this situation by adopting the principle of “pilotis” or stilts.

What is the point of using pilotis? To make houses more healthful and at the same time allow the use of insulating materials which are often fragile or liable to decay and so should be placed far from the ground and possible shocks.

But most of all: behold, they are available to work a thorough transformation in the system of traffic on the ground. This is as true of the skyscraper as of the office building, of the minimum houses as of the streets. One will no longer be “in front of” a house or “in back of” it, but “underneath” it.

We have to reckon with cars, which we will strive to channel into a sort of river with regular banks; we need to park these cars without, at the same time, blocking up the river bed. When we leave our cars we must not paralyze traffic all along the river and when we come out of our buildings, we must not obstruct the areas reserved for movement. Continue reading →

About

Writer, critic, translator

Author and editor of numerous published articles, essays, and reviews, in addition to organizing public fora and interviews. The main focus of my work is Russian and Soviet studies, but I’m also interested in the history of Europe, philosophy, and Marxism. I write primarily about classical avant-garde architecture, contemporary political issues (elections, activism, current events), and topics such as the environment, technology, liberalism, utopianism, and the history of the Left.

My forthcoming book, The Graveyard of Utopia: Soviet Urbanism and the Fate of the International Avant-Garde, is scheduled to be published in the next few months by Zero Books.

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This blog is intended to serve as a place where I can share my work and thoughts online. On the one hand, it will provide a convenient place for me to store an online portfolio for future reference. At the same time, I am interested in connecting and engaging with others who are interested in the subjects it covers.

Disclaimer:Needless to say, all of the opinions expressed on my blog are mine alone, unless otherwise indicated. They do not necessarily reflect the views of any other group or organization. No one else is responsible for them. That being said, any comments, questions, and criticisms are welcome.

Pictures at an exhibition

Fantastic Structures

“Comrades!

The twin fires of war and revolution have devastated both our souls and our cities. The palaces of yesterday’s grandeur stand as burnt-out skeletons. The ruined cities await new builders[…]

To you who accept the legacy of Russia, to you who will (I believe!) tomorrow become masters of the whole world, I address the question: with what fantastic structures will you cover the fires of yesterday?” ⎯ Vladimir Maiakovskii, “An Open Letter to the Workers” (1918)

“Utopia transforms itself into actuality. The fairy tale becomes a reality. The contours of socialism will become overgrown with iron flesh, filled with electric blood, and begin to dwell full of life. The speed of socialist building outstrips the most audacious daring. In this lies the distinctive character and essence of the epoch.” ⎯ I. Chernia,“The Cities of Socialism” (1929)

“The idea of the conquest of the substructure, the earthbound, can be extended even further and calls for the conquest of gravity as such. It demands floating structures, a physical-dynamic architecture.”⎯ El Lissitzky, The Reconstruction of Architecture in the Soviet Union (1929)