Impressive
computer animation aside, this hybrid live-action/animated
comedy isn't much to write home about. It might be more fun
for long-time fans of the comic strip Lo Fu Ji.

Review
by Kozo:

The long in-production film version of the classic comic strip
Lo Fu Ji finally arrives with all the pomp and circumstance
of your usual Tsui Hark mega blockbuster. The big selling
point here is not the pairing of white hot "It"
kids Nicholas Tse and Cecilia Cheung, but the nifty computer
animation used to bring Lo Fu Ji (or Master Q) and buddy Potato
to life. The results are admirable. The computer models of
Master Q, Potato and Mr. Chun look terrific and blend with
the live-action footage decently. The whole thing isn't as
polished as an American production, but that's to be expected
with the obvious budget differences. Like the animated version
of Chinese Ghost Story, what Tsui Hark and company
have done here is impressive stuff.

If only the movie matched up. It
modernizes the Master Q formula by making the characters out
of work, like old actors in need of new jobs. Then we get an
out-of-nowhere plot about Fung (Nicholas Tse) and Miss Cheung
(Cecilia Cheung), two young lovers who lose their memories
thanks to Master Q and fumble around for ninety minutes until
they get back together. Meanwhile, gangster Kam (Chan Wai-Man)
tries to get on Fung's good side because he believes Fung
will one day be Chief of Police. Miss Cheung hangs with Potato
and Master Q until all the plot threads come together, which
involves chases and musical numbers in a high school.

What all this means is anybody's
guess. The name cast and animated characters enliven the proceedings,
but the loose, uninteresting plot only serves to distract.
It'd be great if everything funneled towards a definite point,
but as it is the movie just plods along expecting us to be
entertained and enchanted by animated toons in a live-action
world. That proves okay - for a while. Once that novelty wears
off, there really isn't anything left to hold our interest.
Director Herman Yau has assembled a fine body of work, but Master Q 2001 doesn't play to his strengths as a director.
He works better with more subtle, edgier material and guiding
Master Q and Potato through their numerous pratfalls doesn't
really qualify. (Kozo 2001)