New Work | for Large Ensemble and Electronics (c. 20’) | 2019Commissioned by Ensemble Modern, to be premiered in Munich, Germany in December 2019

New Work | for Solo Trumpet (c. 15’) | 2019Commissioned by Nate Wooley, to be premiered in New York, NY in November 2019

New Work | for Large Ensemble (c. 20’) | 2019Commissioned by Green Umbrella of the LA Phil; to be premiered at Walt Disney Hall in Los Angeles, California in June 2019

Words or Music? | for Ensemble, Actors, and Electronics (c. 35’) | 2019Commissioned by the International Contemporary Ensemble (ICE) as a companion piece to Morton Feldman’s setting of Samuel Beckett’s Words and Music; created in collaboration with director Jim Findlay; to be premiered in New York, New York in April 2019

Filament | for Trio, Orchestra and Moving Voices (c. 15’) | 2018Commissioned by the New York Philharmonic; to be premiered at David Geffen Hall in New York, New York in September 2018

A Library on Lightning | for Bb Trumpet, Basoon, and Double Bass (c. 15’) | 2018Commissioned by Klangforum Wien; premiered at the Wittener Tage für neue Kammermusik in Witten, Germany in April 2018

Anima | for String Quartet and Electronics (c. 25’) | 2017Commissioned by IRCAM and GMEM for the Diotima Quartet; premiered in Marseille, France in May 2017

The Force of Things: An Opera for Objects | an Installation Opera (c. 55’) | 2016Commissioned by the International Contemporary Ensemble (ICE); created in collaboration with architect Adam Fure; premiered at the Darmstadt International Summer Courses for New Music in August 2016

Bound to the Bow | for Orchestra and Electronics (c. 16’) | 2016Commissioned by the New York Phil Biennial for the Interlochen Academy Orchestra; premiered in June 2016 at David Geffen Hall, Lincoln Center, New York, New York

Etudes from the Anthropocene | for Septet and Electronics (c. 17’) | 2016 Commissioned by ICE; premiered at Miller Theater in New York, New York, in February 2016

Feed Forward | for Sinfonietta (c. 20’) | 2014Commissioned by the Impuls International Composition Competition; to be premiered by Klangforum Wien in Graz, Austria in February 2015

Something to Hunt | for Large Ensemble (c. 10’) | 2014Commissioned by the Darmstadt Stipendienpreis; premiered by Dal Niente at the Darmstadt Internationale Ferienkurse für Neue Musik in August 2014

Ply | Electroacoustic Ballet with The Guests Company (c. 55’) | 2014Commissioned by IRCAM for the 2014 Manifeste Festival; premiered in Paris, France in June 2014

Albatross | Large Ensemble and Electronics (c. 15’) | 2014Commissioned by the San Francisco Contemporary Music Players for the 2014 Sweet Thunder Festival; premiered in San Francisco, California in April 2014

Blush | for Sinfonietta and Electronics (17 Players – c. 15’) | 2007Commissioned by the Oberlin Contemporary Music Ensemble for the TIMARA Festival; premiered in Oberlin, OH in April 2007

Susurrus | for Flute, Violin, Cello, Percussion, and Electronics (c. 9’) | 2006Commissioned by eighth blackbird for the Third Practice Electroacoustic Music Festival; premiered in Richmond, Virginia in March 2006

Drips of Hiss | for String Quartet (c. 11’) | 2006Premiered by the Arditti Quartet in Cambridge, Massachusetts in February 2006

Steamed | for Soprano and Live Electronics (c. 4’) | 2005Premiered by Hannah Lash in Cambridge, Massachusetts in December 2005

Spines | for Large Ensemble (13 Players – c. 8’) | 2005Premiered by l’Orchestre National de Lorraine at the Acanthes Festival in Metz, France in June 2005

Harvard University [Cambridge, Massachusetts]: Teaching Fellow | September 2006 – May 2010- “Introduction to Western Music from Beethoven to the Present”- “Advanced Music Theory”- “Music and Politics”- “First Nights”- “Introduction to Music Composition”- “Introduction to Music Theory”

SELECTED PRESS

‘Tremors’ | The New Yorker | October 23, 2017 by Alex RossAlex Ross reviews “the sensuous unease” of Fure’s “staggeringly original” The Force of Things: An Opera for Objects.

‘Review: An Indirectly Audible Opera’ | The New York Times | October 10, 2017 by Seth Colter Walls

“After we had gone through a collective, thorough contemplation of oft-ignored, barely detectable causes and effects, the operatic voice was ready to sing — and to sound truly, traditionally beautiful — once more.”

‘Your Week in Culture’ | New York Times | September 29, 2017 by William Robin

The New York Times features The Force of Things: An Opera for Objects on its list of October must-sees.