In case you wondered what James Cameron has been up to when he’s not puttering around in the depths of the ocean and making a string of Avatar sequels no one asked for, the answer is telling female filmmakers how to feminist. Basically, Cameron holds his Terminator 2: Judgment Day-era Sarah Connor as feminist high point, and thinks the wildly successful Wonder Woman is “a step backwards” because Gal Gadot’s Diana is beautiful and thereby an “objectified icon,” while Linda Hamilton’s Sarah Connor was “not a beauty icon.”

“All of the self-congratulatory back-patting Hollywood’s been doing over Wonder Woman has been so misguided. She’s an objectified icon, and it’s just male Hollywood doing the same old thing! I’m not saying I didn’t like the movie but, to me, it’s a step backwards. Sarah Connor was not a beauty icon. She was strong, she was troubled, she was a terrible mother, and she earned the respect of the audience through pure grit. And to me, [the benefit of characters like Sarah] is so obvious. I mean, half the audience is female!”

There’s a lot to unpack here, including that Cameron suggests the female-helmed Wonder Woman—which refused to ogle Diana or treat her femininity as a weakness—qualifies as “male Hollywood doing the same old thing.” Then there’s the dizzying mental gymnastics where the King of the World suggests he is not part of “male Hollywood,” and scolds self-congratulatory back-patting, while implying, “I FEMINIST BEST!”