Content:

(HHH, PCPCPC, AcapAcapAcap, FeFeFe, Ab, LLL, VVV, SSS, NNN, AA, MMM) Very strong politically correct humanist worldview that takes jabs against President Bush and the war against Islamic terrorism, with a very strong anti-capitalist subtext and a very strong feminist critique of the American male psyche, plus Christian girl wants to be a stripper to earn money for a relative’s operation but she can’t go through with it but hangs around strippers anyway; at least 58 obscenities, two strong profanities, two light profanities, and someone vomits; extremely graphic violence with much blood and gore includes decapitation and destroying bodies, with images of zombie flesh decaying; very strong sexual content includes many lewd scenes in strip joint; many images of upper and rear female nudity and some full female nudity; alcohol use and drunkenness; no smoking; and, envy and jealousy runs rampant, women have low objectives, misogynous characters, greed, and exploitation.

Summary:

ZOMBIE STRIPPERS is a gruesome sexploitation movie about a zombie infecting the employees of a strip joint. ZOMBIE STRIPPERS revels in gore, graphic violence, extreme sex, and explicit nudity. Its politically correct worldview is almost as abhorrent.

Review:

ZOMBIE STRIPPERS is a gruesome sexploitation movie that tries to justify its reason for being by presenting a corny, ham-fisted, politically correct satire of the alleged evils of President George W. Bush, American capitalism and the American male psyche. The left-wing movie critics at some major news outlets who are giving this piece of stupid trash critical praise for its political “insights” have clearly lost their minds.

The story of ZOMBIE STRIPPERS, which is an excuse to showcase graphic scenes of nudity, violence and sex, opens with a prologue explaining that President Bush, in his fourth term, has okayed a plan to re-animate dead soldiers to continue the fight against terrorism. The zombie formula has, however, infected many of the scientists working on the project in an underground facility. A military team is sent to wipe out the zombies, but one of the soldiers gets infected. The zombie soldier escapes and comes upon a strip joint, where he infects one of the strippers. The zombie stripper becomes a sensation, earning lots of money for the strip place. Because he’s making so much money, the owner lets her live, even though she starts infecting the customers and the other strippers. Soon, however, the deadly zombies outnumber the human beings.

ZOMBIE STRIPPERS revels in gore, graphic violence, crude sex, and explicit nudity. The dialogue is purposely extremely campy, but not in a good way. The movie’s politically correct, mindless jabs at the Bush administration, capitalism and American men are almost as abhorrent. If a major Hollywood studio can finance and distribute a schlocky left-wing movie like this, albeit only in a few movie theaters, then surely a major studio can finance more joyous, entertaining movies that explicitly lift up uplifting biblical values and the inspirational, redemptive, saving name of Jesus Christ.

In Brief:

ZOMBIE STRIPPERS is a gruesome sexploitation movie. The story opens with a prologue explaining that President Bush, in his fourth term, has okayed a plan to re-animate dead soldiers to fight against terrorism. The zombie formula has infected many scientists working on the project in an underground facility. A military team is sent to wipe out the zombies, but one soldier gets infected. The zombie soldier escapes and comes upon a strip joint, where he infects one of the strippers. The zombie stripper becomes a sensation. Because he’s making so much money, the owner lets her live, even though she starts infecting the customers and the other strippers. Soon, the deadly zombies outnumber the humans.

ZOMBIE STRIPPERS tries to justify its reason for being by presenting a corny, ham-fisted, politically correct satire of the alleged evils of President George W. Bush, American capitalism and the American male psyche. ZOMBIE STRIPPERS revels in gore, graphic violence, extreme sex, and explicit nudity. The dialogue is purposely extremely campy, but not in a good way. The movie’s politically correct, mindless jabs at the Bush administration, capitalism and American men are almost as abhorrent.