Spoken Glass, 2010

And so after the theatrical thing is complete, a set is the artifact. Expressionistic tendencies had turned alchemical when action hit the situation. The place, the formal affect and the material itself could also be considered operative if one were in need of justification. Is one in need of justification? Nearly under a highway, the scale seems almost decorative, the paper is always disintegrating. It's the crystallization of certain ideas within drawing that make these figures worthwhile. Gestural. Simplified. The painting is iterative, it's a copy generated from a shadow's perspective. The details are in song form: Ex Tempore, 3rds, and How, Why, Wherefore and When.