These are the last of the digital drawings created during my stay in Europe. I consider all the digital drawings as half finished. They are a starting point towards a finished piece that combines digital and traditional elements. The groups of drawing begin in Europe, and will be completed here, in the states.

One of the major advantages to working digitally, is that I am able to apply for shows worldwide. While in Slovakia, I was able to enter my drawings into exhibitions here in the US, one of which is opening this Friday, at UNM.

Another advantage, one that I have mentioned before came to mind later. While in Europe, the need to produce digital works increased. I did not have to scan them. Drawing on the iPad minimized the tools I carried with me. Yet i was completely seduced into buying German inks, paper, and all sorts of tangible materials. I didn't realize until after my hasty exit from Bratislava ( my legal status came to an abrupt end), how much easier it is on the drawer to work and move digitally. As I crammed my inks, brushes, pens, drawings, and paper into my REI Travel pack, I didn't once think to pack my digital works, which were of course, already safe in the "iCloud". Hmm.

Last week I was interviewed about my piece, Ruty Šuty, and the drawings I do in public by the online newspaper, The Daily.sk. Katja, who interviewed me, and I, talked about street art / public art, the uniqueness of Clutch Gallery, and the process of woodcut. Check it out, everyone!

Bratislava is relatively quiet, tonight. Many people have left to return to their hometowns around the rest of Slovakia. In Prašná Bašta, I saw this man sitting in one of the corners, and thought it would make a good composition for an addition to my public spaces / private conversation series. Nothing techy to report, so please, enjoy the drawing.

You're all invited to Clutch Gallery on Friday night, at 7PM, for the opening of my new piece, Ruty Šuty. For those of you in the US, flight tickets should be relatively cheap by now. The work is up for two weeks.. plenty of time! A big thank you to Christiana Caro for allowing me the chance to become an international artist, street artist, and a site specific public artist all at once!

Bratislava's Old Town soil is filled up with basement pubs. I hear it is because the basements have a consistent temperature. Makes sense. It also makes for wonderful medieval , cavernous like atmospheres. Many of the best restaurants and drinking spots are arched corridors, longer than they are wider. So as a result there are long tables for community dining. These places get packed, so more often than not, you will be sitting with strangers ( at first) while you dine.

Here is a really quick sketch I did on the iPad while waiting for my dinner.