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Series is made up of records relating to the creation of a Chinook Jargon dictionary, a Big Book created for the Quileute on Chinook Jargon, and lessons for a Chinook Jargon class at Langara College. Powell documented the use of Chinook Jargon in LaPush during research on the Quileute language. His informants used Chinook Jargon regularly, and he began to research the history of its use on the Northwest Coast with the intention of writing a book about it. The manuscript for his book was accepted by the publishing company Douglas and McIntyre, but as Powell was not satisfied with his work, publication did not take place. However, he did produce a number of works that have been used for education purposes in LaPush as well as in British Columbia.

Series comprises six sub-series:A. Research materialsB. Field notes and correspondenceC. Unpublished manuscript and lessonsD. Chinook Jargon dictionary files

Series consists of one bound photo album with pages arranged generally according to subject matter. Places and subjects represented within the material include Wycliffe College, ships and their crews, Arctic bears and wildlife, Hudson Bay and Inuit community members and activities at Lake Harbour in Nunavut, Canada.

Series reflects Cunningham’s involvement in facility planning at MOA. This includes the development of the Gallery 10 orientation centre, visible storage area, and Gallery 3 development, as well as renovations to Gallery 5, theatre, the Great Hall, and the gift shop. Records in this series include blueline print, budgets, invoices, measurements, memoranda, plans, reports, and tender drawings.

Series contains records pertaining to the Canada Foundation for Innovation grant named Partnership of Peoples that was awarded to the Museum of Anthropology in 2007. This project is often simply referred to by museum staff as 'the renewal'. David Cunningham was the lead project designer. His records include the architectural drawings from Stantec and Laboratorio Museotecnico Goppion, research and planning on furniture, lighting, locks, and security. In addition are photographs taken of all stages of the project.

Series consists of correspondence between Douglas T. Kenny as Chair of the President’s Planning and Coordinating Committee for the Museum of Man and Chairman of the User’s Committee, and members of these committees. Also contains correspondence between Kenny as Chair and the Design Team of the Museum of Man, the University Board of Governors, University President Walter Gage, and other committees concerned with the construction, planning, and design of the Museum of Man. Kenny generated other correspondence in his capacity as Chairman of the University Advisory Council and in his involvement on the Search Committee. The majority of correspondence is original; some are copies of outgoing correspondence.

Series consists of documentation from two additional committees that played a role in planning the Museum of Anthropology building. Material includes correspondence, meeting minutes, reports, and other planning documents.

The series is divided into two subseries, one for each committee (the Senate Building Needs Committee and the Users`Committee).

Series consists of correspondence between Dean Douglas T. Kenny and other members of the Planning and Coordinating Committee, and other committees concerned with obtaining resources for continuing operation of the Museum of Man, and letters from federal and provincial government departments. Also included are budget estimates, maintenance estimates, copies of minutes from various committees, a pamphlet concerning the erosion of Point Grey Cliff, and a notice concerning the Point Grey Cliffs from the UBC Alumni Association. The majority of the correspondence is copies of outgoing correspondence.

Series consist of bibles, hymns, and scriptures referred to throughout Rev. Crosby’s personal and missionary activities. Series includes ephemera removed from The Holy Bible Old & New Testaments. Ephemera consists of documents such as: a letter from The Lord’s Day Alliance of Canada; a letter from the Department of Temperance, Prohibition and Moral Reform of the Methodist Church; a small flower cut-out; a note written by Crosby regarding population sizes; and articles titled “Heaven: What is it like,” “Trusting the Weaver,” “Good Resolutions/ Liquor Arithmetic – Object Lesson,” “Mission Work in British Columbia,” “Guardian” (written by Crosby), “Holiness in San Antonio,” “The Young Disciple,” “The Wealth of the West and the Safety of the Sabbath,” and “Calvary/Eternity.” Series also includes two embroidered and one non-embroidered fabric strips used as bookmarks.

Series consists of artists’ statements, cards, diagrams, lecture notes, pamphlets, reports, student assignments, and syllabi relating to David Dunnett Cunningham’s responsibility as an instructor of Anthropology 431: Museum Principles and Techniques, and 432: The Anthropology of Public Representation, and a community course, Introduction to the Museum of Anthropology.

Series documents projects Cunningham took on outside of his main roles at MOA. Cunningham was involved in MOA’s identity development in the late 1990s, and participated in shop product development around this time. He also provided external consultation to other museums and UBC departments. Included in this series is material regarding MOA exhibition cases at YVR Airport pre-dating Cunningham’s time at the museum. Records include correspondence, drawings, measurements, and photographs.

Series consists of records relating to exhibits curated by Jennifer Kramer. The records span the entire breadth of the intellectual creation process, including research material pertaining to exhibition subjects, transcripts of interviews used for research and publication purposes, administrative files and notes and correspondence pertaining to exhibition design, installation and publication development. Fonds currently has records from only one exhibit; additional exhibits material expected.

The series is arranged into sub-series relating to a specific exhibition:Sub-series 1-A: Kesu': The Art and Life of Doug Cranmer (1964-2012)

This series consists of graphic and textual materials related to Sawyer’s research on Northwest Coast artifacts. Graphic materials in this series include slides, contact sheets, and drawings of artifacts. Textual records in this series consists of essays related to Sawyer’s research on Northwest Coast artifacts, museum catalogue lists, and iconic analysis cards complied and/or accumulated by Sawyer. Other textual records include correspondence Sawyer had with various museums regarding Northwest Coast artifacts in their collections.

This series consists of graphic and textual materials related to Sawyer’s research on Northwest Coast artifacts. Graphic materials in this series include slides, photographs, and drawings of artifacts. Textual records in this series consists of research material and iconic analysis cards complied and/or accumulated by Sawyer, or by his students, regarding Northwest Coast artifacts. Other textual records include correspondence Sawyer had with various museums regarding Northwest Coast items in their collections.

Series consists of the sound recordings about, by, or related to the Museum of Anthropology. Sound recordings can be found in many collections and fonds in the MOA Archives; the recordings in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.