Monday, June 10, 2013

What do you get when you combine late King Crimson repetitive riffs (e.g. Lark's Tongue period) with German jazz-rock and wondrous experimental-progressive songwriting? This remarkable little gem, something discovered by discobasso again as far as I know, from his record store. There is still one copy for sale there (for now!):

This was a major pleasant surprise for me since there was at the time that I bought it so little information on this record. Of course now my rip has 'done the rounds' among collectors but I wanted to share it with everyone.

From levgan (rateyourmusic):"Starts out awesome, with an experimental spoken word piece (basically cut-up voices trying to articulate the album title), it stands true to the high standard throughout although a few instrumental parts may seem a bit aimless/overlong. Still, as far as Teutonic jazz-rock goes, this is definitely above average, with edgy dissonant horns and guitars sometimes propelling it to the Didier (of "Cptn. Coffee" fame) levels. Recommended!"