Thursday, July 24, 2014

The New York City designer
chose the ultimate in simplicity – a one-coloured grey rectangular rug with no
pattern. She also chose the ultimate in luxury fibres – 100% silk.

She was only willing to
trust the simplicity of the design and the luxury of the fibre to the finest
production processes. For this she came to Creative Matters. No detail was to
be left unperfected in the painstaking production of this rug. And that
included the lesser-documented process of binding.

The easiest, most economical way to
finish off the edge of raw carpeting is to sew tape over the edge of a carpet
with a high powered sewing machine. Obviously, this was not our vision for the
grey silk rug.

The Nepalese artisans to whom we
had entrusted the production of the rug, take incredible pride in their work
and for them binding is a three-step process.

First, the loose threads
from the warp and weft were folded back and encouraged to grip each other
tightly with a high quality adhesive. After it had dried, the artisans worked
their way around the rug perimeter with a special stitch that anchors the
threads securely. Finally, they took the same grey silk thread and closely
bound the entire edge with an overcast stitch.

The stitches may look simple but the ability to
anchor the stitch to a weft thread is key. A poorly executed stitch will lead
to a tension inconsistency and eventually knots unraveling from the rug. Search
Google for rug binding and most of the entries will be from companies who
specialize in this oft-needed repair.

This splendid grey silk rug is currently in
shipment - we look forward to presenting it in its full splendour shortly.

Wednesday, July 16, 2014

Following Carol Seberts’s
discovery of some incredible natural dyeing expertise in Nepal in March, we
are excited to announce our first natural dye collection. We’ll be bringing
the first rug to show off at NYICS in September and rolling out the full collection quickly thereafter. And here is a sneak peak at
the design of the first rug.

The rug itself it is still in the weaving process, but here are some incredible photos of the wool at the dyeing mill. The dyeing stage alone, can take as long as two weeks.

The dyeing process starts with the
preparation of the colour. The dye master tests and mixes the natural dyes making up a batch for each colour required in a rug. Tibetan dye masters have acquired a deep knowledge of the natural dyeing materials over many generations but due to the popularity of chemicals
dyes, this traditional art came close to being wiped out.

When
the dye master has achieved the correct colour, the yarn is placed in the hot dye where it is cooked for
shorter or longer periods of time and at higher or lower temperatures,
depending on the dye and the shade desired.

Once the dye master is satisfied with
the tones the wool has taken on, s/he pulls the steamy bundle from the pot. Over 170 plants have been short-listed for dying use in Nepal,
including: indigo, mulberry, saffron, turmeric,
rhubarb roots and walnut. Madder root is often used for red hues.

Smaller quantities of wool are dyed in the pot and handled manually.
Heavier quantities are loaded onto a spindle which is turned by hand to dip the
wool into the dye time and time again.

When natural dyes are handled
correctly, even in skeins of yarn not yet woven, the colours are simply
beautiful.

Here the dye master in Nepal is showing us in Toronto how the dried wool now matches the colour specified in our design.A dye master - like a good winemaker - must be a chemist and a microbiologist with a working
knowledge of botany, geology, meteorology and plant physiology. We’re delighted
to have finally found a dye master who can meet the exacting standards of
Creative Matters.

Monday, June 30, 2014

By Carol Sebert, Principal

Even though our design hub
is based at our head office in Toronto, an equally important part of our work
takes place in the countries where our carpets are physically produced. We regularly
visit India, Nepal, Thailand and now China to liaise with the skilled artisans
who bring our creations to life.

In March, I was back at
the “temporary field offices” in India and Nepal. After 25 years of touring
these beautiful but challenging countries, you might think I’d have reached a
been-there-seen-that attitude. Actually, the reverse is true – every trip is
still full of new discoveries. Having
toured so many production facilities, talked with so many local artisans and
developed an ease with the cultural differences, I now experience it all on a
much deeper and more detailed level.

Of course, with every trip,
I’m looking for new inspiration: something that will really fit for a
particular client; something that will take a new carpet trend just one step
further; something that will honour fair trade practices even more …

Two important discoveries this year concerned
knots.First I came across a mill
which can achieve a perfect low tight
loop pile. This has always been the domain of the Thai mills, so
finding a similar quality in India means we can offer it to our clients at a better price point.

Then – oh joy! – another
facility with a particularly extensive (over 100)
collection of hand looms and remarkable expertise to go with them, including
the Persian knot. Persian
rugs aren’t our specialty at Creative Matters, but we see an opportunity here
to offer our clients the remarkable quality of this knot in non-Persian
designs. FYI, a 9 x 12 (2.75 m x 3.75 m) carpet takes six months of knotting.

The most exciting discovery
of the trip was the potential of vegetable
dying. I hadpreviously discounted it
because I didn't know of a master dyer who could get pretty well any colour
under the rainbow but now I do! It's pretty special - talk about eco friendly -
and we are thrilled to bring this opportunity to our clients in 2015. The photo
shows an example of the range of colours that are produced (by talented hands) with
the skin of pomegranates.

Traditionally the fringe of the rug is left at the
colour of the neutral wool used to assemble the warp and weft, so it was
interesting to visit with artisans who are perfecting the art of pre-dyeing the warp and the weft
to create a variety of blending or contrasting effects.

The art of weaving goes back centuries in these
countries and the range and ingenuity
of the equipment never ceases to amaze me. Here the weaver is using his
foot to work the warp threads – like a pipe organ.

Abrashis a
naturally occurring dye variation that creates subtle colour change - or a
stronger contrast - within a rug. At Creative Matters we often find that such
natural irregularities can add to the charm and authenticity of a hand woven
carpet. In this photo, a mill owner was showing me his control of gradations
with abrash – it’s useful for our staff to know we have a partner who can
control the contrast so skillfully.

No CMI carpet gets to the
loom before our designers have carefully examined multiple carpet squares. They
arrive almost daily in our Toronto office in sterile-but-reliable Fedex packs,
so what a pleasurable change it is to check samples in pure sunshine, under the
proud and watchful eyes of the mill owners amid the smells and bustle of daily
Indian life.

I work with colour every day
but vibrance of colours in Indian street life never fails to astound me.

Finally, what a joy it is to
discover a precious moment like this. It perfectly captures my love of textiles
and every little labour-intensive stage of producing hand-woven carpets.

Tuesday, November 24, 2009

Carol and Ana returned this past weekend from their trip to Nepal. Carol managed to steal a few hours from her busy trip, to visit the Goodweave site where children are taken after being rescued from forced labour in carpet mills. While she was there, she taught an art class for the 33 students who are living there at the moment. After she left, Carol sent the most uplifting email from Nepal - very inspiring! I had to share:

I had such a fun day I felt I had to report right away.

I went to the home where the kids live at Rugmark/Goodweave today with paper, paints (house paint tinted yellow pink and blue) black ink and paintbrushes. The kids were really excited that we were going to have an afternoon of art. I began with them all up on the roof of their home, as it was a gloriously sunny day. We sat in a big circle and started with the ink and did life drawing, which of course, was absolutely hilarious.I got one of them to model and at first they were shy and their poses a bit dull, but one by one (I guess I had about 15 models by the end) the poses became more elaborate.

There were lots of judo-like poses by the boys and tiger-like poses from the girls. They all just leapt into painting with marvelous abandon!

I then had them take the black and white paintings and add colour.By this time, the paint was starting to get all over the place, including in my hair as it was quite a flurry - paint pots were spilling, what with 33 kids exuberantly painting... but they were so into it, and so incredibly focused.I've done workshops like this before and there are generally a few goofballs that really can be disruptive, but not these kids - they worked really hard.

After about an hour I wanted to do one larger piece. I wanted them to try working larger so the full sheet that was 24”x36”.I instructed them to paint themselves in a setting that they liked and WOW, the results were amazing.Many of them did houses with the Himalayas in the background with clouds in the sky and big suns. One boy painted the RugMark house that they all currently live in with him on the roof flying a kite; another boy drew himself as almost a cartoon superman type figure in a charming landscape.Gorgeous work.And they were so proud of themselves - I couldn't take enough pictures of them holding their artworks, it was absolutely lovely.

A touching moment was when one girl, who had just arrived the day before, who was too shy to do anything but watch finally picked up a paintbrush (well I may have put it in her hand). She did a lovely figure painting all pinks and blues. You could just sense her feeling more settled and part of the group. The warden and I were both really pleased to see that.

Monday, October 6, 2008

We were delighted to see one of our projects on the cover of October 2008 Metropolitan Home this month titled "Asian Fusion". Working with the talented Shamir Shah on this Soho apartment, we assisted on textures and offered suggestions on some of the natural fibers. Needless to say, the rug was woven at one of our RugMark certified mills in Nepal. The striped rug was a combination of wool, hemp and silks in browns and gold tones with a bright persimmon accent.

Beautiful photos, beautiful magazine - here are a few shots of the residence and carpet taken by Met photographer Antoine Bootz.

Wednesday, September 3, 2008

I'm happy to announce that Carol and Donna arrived home unscathed, albeit a bit late from their cross continent journey to South Asia. A "Storm Signal 9" typhoon called Nuri decided that she was going to swing by the Hong Kong airport where the ladies had a stopover, and wreak a little havoc. During their extended stay they took the time to write some great emails while the images were still fresh in their heads. Over the next few days we'll be sharing some of these writings and beautiful photos in preparation for September 8th (this Monday!) when raffle tickets officially go on sale, for a chance to win Hariti. As I mentioned before, she's all finished and we have photos...but you can't see those yet - you'll have to wait until Monday! In the meantime, here's some food for thought:

Donna and I went to the RugMark facilities today to see with our own eyes where the children are living who have been rescued from the looms and factories in Kathmandu.It's a four storey building with a large playground that was, unfortunately, not usable at the time. It's rainy season here in Nepal so full of puddles, but one can imagine great games of soccer taking place. Many of the residents are young boys, as they are the more valuable child workers because they are strong at a young age. However, there are a number of girls here.

We were introduced to one lovely young girl, probably around the age of 11, who had been rescued just the day before. She had already woven 2 rugs but now has a chance for an education and a better life. She was not yet dressed in the uniform that all the children wear, a maroon shirt with navy pants. Boys and girls alike wear the same. We toured all the facilities, from the bedrooms, which look a little like what we have in summer camp. There are bunk-beds in each room with around 10 beds in per space. The rooms were very clean and very tidy, the blankets all rolled up at the head of each bed with the pillow, shoes carefully lined up at the door. There's a cupboard for additional clothing, but these children do not have any personal items.

School books for studying were on some of the beds, rest time for some includes math review. There is a library where the children all meditate for half an hour each day, then can read and enjoy quieter games. The kitchen, which had delicious smells wafting through, was staffed by a number of women, and there was a room adjacent that was the dining hall. In total there are about 40 children at this facility.

In the kitchen however, there were 5 older boys who had gone through the program at RugMark, had completed their Grade 12 level and now have sponsors for university in Kathmandu. It looked like they'd returned for a homecooked meal!

The three classrooms are simple with schoolbooks, tables and benches and a blackboard. The children are fast tracked to grade three level and depending on their competency they either continue on for the potential of university education with help from sponsors or are trained for vocational work such as carpentry.

We discussed with the managers about the cost of each student's education, and for around $50.00/ year they recieve their uniforms, school books and education. That works out to two tickets for the raffle of Hariti. Imagine, 2 tickets sends a child to school for one year! It was a great tour and wonderful to see the facilities. We are delighted to see first hand the great work being done by RugMark and feel so good about contributing directly to helping the children.

Friday, August 22, 2008

Happy Friday Everyone! I can barely believe that its the end of the week AND that, as we speak, Carol and Donna are in the sky, flying home from Nepal. They sound like they have some pretty amazing stories to tell. This is a little excerpt from an email from the ladies about their visit to the factory that produces the yarn for our carpets. Sounds like Carol and Donna had a little lesson in spinning yarn (and when we get those picture, I'll be sure to post them!) :)

On Tuesday we were able to visit a factory where the hand carding and hand-spinning of the beautiful Tibetan yarn takes place. After watching the skilled women who turn a pile of fluff into weaving yarn we tried our hand at it. Now, having seen it, first hand, we appreciate much more, the skill of the spinners. By hand they feed the yarn onto a simple spinning wheel. It is their shear skill and manipulation of the yarn that determines the fineness of the wool, super fine (like sewing thread) for 200 knot construction, a little thicker for 100 knot, thicker still for 60 knot. Incredible! We had quite a few laughs as Donna and I produced lumpy, broken, completely unusable yarn.The group went on to explain all the ways the yarn can be spun. Most commercially and quickly is by using the spinning wheel. But we were also shown very simple ways that work too, like using a pencil, then using a spinning top that the shepherds use in the fields while tending their sheep. One of the women then showed us her Tibetan traditional robe that was woven from very fine hand spun yarn. Part of theTibetan costume is an apron of multi coloured stripes woven on narrow looms (6" wide) and sewn together. She showed us her tradtional piece, still well in use.

When the yarn comes in to be spun, it arrives from the hill stations in packages. It gets sorted into piles of white best yarn (from the underbelly of the sheep), to brown yarn (from the back) and to yarn that cannot be used (from behind the head). The best yarn is silky and smooth, and can be dyed to any colour. The brown yarn is good for flecky rugs and is also smooth but cannot be used for clean colours.

The wool from the back of the neck is like the white hairs on our heads - it's dead and has no lanolin or softness at all. The yarn is then washed and dried in the open air. Generally on the roof of the houses, which looks like a blanket of snow, even with icicles of wool dripping off the edge roof.

This is just one aspect of the many skilled portions of what goes into the hand made rugs we order. Every time I come to the Nepal I find I learn more and further appreciate the craftsmanship and detail that goes into our rugs.

See you Monday!Carol and Donna

Check back soon for more stories and photos from the trip!Have a great weekend!Erin

Wednesday, August 20, 2008

The following is an email from Carol - straight from South Asia. We've all been sitting on the edge of our seats, waiting to see photos of Hariti on the loom. When Carol and Donna arrived in Nepal they had a huge surprise waiting. Read on:

Nepal never ceases to amaze.

Donna and I went to the carpet mills today. Theoretically rainy season but the rain seems toconveniently fall at night and the days are glorious with some sun and then huge clouds rolling over the Himalayas to blanket Kathmandu valley. Driving in Kathmandu is exciting. Quite frequently a cow will interrupt traffic and it is a terrible crime to hit a cow as they are holy. If they decide to stop and lie down in the middle of the highway, so be it. It's hard to describe the loose relaxed driving style in Kathmandu. There are traffic police at particularly busy intersections, which helps a lot, but otherwise one just moves through the traffic flow and magically it seems to work. Donna and I dart across the street, we clearly have not mastered the relaxed manner.

We saw Hariti today for the first time. It's fantastic - the colours in the silk and wool just dance off the floor. The weavers at the factory, who made the rug, were intrigued with the concept that a photo from here (Nepal) was turned into a design and then a 6' x 9' rug. The translation from photo to artwork and now to finished rug is really exciting. The gleam from the broach that the child was wearing in the photo really sparkles in the finished piece. It was expected that Hariti would be in mid-production, upon our arrival. We could have been dreaming it but, were the weavers were so intrigued about production of this exciting rug that they finished it in half the time?

That's all for now, gotta go and meet Dawa, Cheers, Carol

Stay tuned for more from Nepal. We're all so curious about Hariti...maybe they can squeeze herinto their carry-on?