As negative Utopias go, Suzanne Collins has created a dilly. The United States is gone. North America has become Panem, a TV-dominated dictatorship run from a city called the Capitol. The rest of Panem is divided into 12 Districts (the former 13th had the bad judgment to revolt and no longer exists). The yearly highlight in this nightmare world is the Hunger Games, a bloodthirsty reality TV show in which 24 teenagers chosen by lottery — two from each District — fight each other in a desolate environment called the ”arena.” The winner gets a life of ease; the losers get death. The only ”unspoken rule” is that you can’t eat the dead contestants. Let’s see the makers of the movie version try to get a PG-13 on this baby.

Our heroine is Katniss Everdeen (lame name, cool kid), a resident of District 12, which used to be Appalachia. She lives in a desperately poor mining community called the Seam, and when her little sister’s name is chosen as one of the contestants in the upcoming Hunger Games, Katniss volunteers to take her place. A gutsy decision, given the fact that District 12 hasn’t produced a Hunger Games winner in 30 years or so, making them the Chicago Cubs of the postapocalypse world. Complicating her already desperate situation is her growing affection for the other District 12 contestant, a clueless baker’s son named Peeta Mellark. Further complicating her situation is her sorta-crush on her 18-year-old hunting partner, Gale. Gale isn’t clueless; Gale is smoldering. Says so right on page 14.

The love triangle is fairly standard teen-read stuff; what 16-year-old girl wouldn’t like to have two interesting guys to choose from? The rest of The Hunger Games, however, is a violent, jarring speed-rap of a novel that generates nearly constant suspense and may also generate a fair amount of controversy. I couldn’t stop reading, and once I got over the main character’s name (Gale calls her Catnip — ugh), I got to like her a lot. And although ”young adult novel” is a dumbbell term I put right up there with ”jumbo shrimp” and ”airline food” in the oxymoron sweepstakes, how many novels so categorized feature one character stung to death by monster wasps and another more or less eaten alive by mutant werewolves? I say more or less because Katniss, a bow-and-arrow Annie Oakley, puts the poor kid out of his misery before the werewolves can get to the prime cuts.

Collins is an efficient no-nonsense prose stylist with a pleasantly dry sense of humor. Reading The Hunger Games is as addictive (and as violently simple) as playing one of those shoot-it-if-it-moves videogames in the lobby of the local eightplex; you know it’s not real, but you keep plugging in quarters anyway. Balancing off the efficiency are displays of authorial laziness that kids will accept more readily than adults. When Katniss needs burn cream or medicine for Peeta, whom she more or less babysits during the second half of the book, the stuff floats down from the sky on silver parachutes. And although the bloody action in the arena is televised by multiple cameras, Collins never mentions Katniss seeing one. Also, readers of Battle Royale (by Koushun Takami), The Running Man, or The Long Walk (those latter two by some guy named Bachman) will quickly realize they have visited these TV badlands before.

But since this is the first novel of a projected trilogy, it seems to me that the essential question is whether or not readers will care enough to stick around and find out what comes next for Katniss. I know I will. But then, I also have a habit of playing Time Crisis until all my quarters are gone. B

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