Book list Wright revisits her native Arkansas, during the 1960s, to pay homage to V, a friend and mentor. We learn in a percussively expressive mix of memories, testimonials, news, history, and ruminations that V was unhappily married, too often pregnant, forthright, flintily smart, and avidly literary. ( She had a brain like the Reading Room in the old British Museum. ) Much admired within her circle, bookish, card-playing, and bourbon-drinking V was an unlikely yet magnificent hero. MacArthur fellow Wright is known for her social consciousness and improvisational style, and she takes both qualities up a notch in this dramatically investigative and looping portrait of V, both in her prime--when she went against her overtly racist and staunchly segregationist neighbors to join a group of African Americans on a Walk against Fear and in her long subsequent exile and martyrdom. Such hate, such sorrow, such valor. Wright's sharply fractured, polyphonic, and suspenseful book-length poem is both a searing dissection of hate crimes and their malignant legacy and a lyric, droll, and fiery elegy to a woman of radiant resistance.--Seaman, Donna Copyright 2010 Booklist

Publishers Weekly In 1969, a Tennessean known as "Sweet Willie Wine led a small group of African-American men on a "walk against fear through smalltown Arkansas. This event grounds Wright's most recent blending of poetry and investigative journalism. A tribute to Wright's mentor "V-an autodidact, activist, and bourbon-swilling mother of eight, whose support for the march ("I would have followed Sweet Willie Wine into hell) made her "a disaffiliated member of her race-the book probes the limits and intersections of the personal and the political. Wright intersperses descriptions of the Arkansas landscape; her own journey researching; transcriptions from V, her family, and others who experienced the events of that violent summer; lists of prices ("the only sure thing in those days); the weather ("temperatures in the 90s even after a shower), newspaper headlines; and personal memories. Through juxtaposition and repetition, she weaves a compelling, disturbing, and often beautiful tapestry that at once questions the ability of language to get at the complicated truth of history ("because the warp is everywhere), and underscores the ethical imperative to try. As Wright learns from V, "To act, just to act. That was the glorious thing. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.