Edited on the occasion of the exhibition Tracing the invisible curated by Nadine Zeidler, May–July 2010, Schloss Ringenberg.

Subtitled "an exhibition for dubious narratives" it was comprised of works by Lutz Bacher, Duncan Campbell, Jay Chung & Q Takeki Maeda, Marcel Hiller, Anna McCarthy, Simon Dybbroe Møller, Athanasius Kircher (co-curated with Wolfgang Kostujak) and Nina Könnemann. The histories and narratives that intersected in this (stripped and utilitarian) barroque palace, are translated onto the book in the form of contribution by each artist and a text by Nadine Zeidler.