Tuesday, March 24, 2015

I've just gotten back from a two and half days in class with twelve wonderful tapestry weavers at the Florida Tropical Weavers Guild Conference held last week/weekend at Lake Yale Conference Center. I'll post some photos of the class and also of the February John C. Campbell Folk School class in a day or so.

For the rest of this week, though, I'm going to spend some time in the studio getting my weaving life & space back in order! My version of spring cleaning, I guess. I have some ideas for how to change the storage for my paper works, the multiple drawings, paintings and mixed media things, as well as the cartoons for tapestries. But to get to the point of making those storage changes I'll have to move those things around a bit--well, a lot.

I have one more class on schedule for this summer and it's only a couple of months away! It's the one at Arrowmont that I'm calling "For the Love of Color--and More":

Wednesday, March 4, 2015

I learned today that Silvia Heyden, wonderful artist and kind soul, has passed away. I am so happy to have know her and to have been able to spend just a little time in her presence, watching her weave and hearing her inspiring words about making "weaverly" works. I've had this quote from Silvia at the side bar of my blog for years:

..(I)
have come to the conculsion that tapestry can indeed be an art form in
its own right with its own specific mode of expression if the craft of
weaving is allowed to influence the art of tapestry. In order to be
meaningful, tapestry must find its own identity. It must not be a woven
painting, but rather a composition that could only have been woven, not
painted.

Silvia Heyden, from The Making of Modern Tapestry

The first time I saw one of her tapestries in person was at an exhibit held at Fernbank in Atlanta during the 1998 Convergence. It was just an amazing piece--how did she make weft do that in the weaving? Later in the conference, I met her in person and learned about her book, The Making of Modern Tapestry. Did I get a copy then or order it later? I don't recall... but it's one that I've gone back to many times for inspiration.

A few years ago Holly Wilkes arranged a get-together with Tapestry Weavers South members and Silvia in Durham at her home. That day Silvia invited us to get out many of her stored tapestries, put them up for viewing and discussion. She showed us many of her sketches and seeing how her loose drawings related to her tapestries was enlightening. While we were there, Kenny Dalsheimer was filming for his documentary about Silvia and our group appeared in a short segment in the film.

A year or so later several of us joined Silvia for a workshop she gave in Durham. We worked with color ideas at her home and then met in a nearby community building for hands-on weaving experiences. She demonstrated her "feather weave" during the workshop and I was able to do a short video of that for reference later. I remember it as a chilly time--we were all bundled up in coats for a walk by the Eno River, the inspiration for many of her later works. But the heat of inspiration from the mind and hands of Silvia Heyden kept us all quite warm.

I was so happy to show her a tapestry I'd finished earlier, following that initial visit to her. I took her thoughts of making an image "weaverly" and also of reducing the colors to three or four for this tapestry. Here's Silvia taking a look at my work:

Last fall, the Tapestry Weavers South organization was happy to include her tapestries in our most recent exhibit. TWS also presented her with an honorary membership in recognition of her wide influence in the tapestry world over many decades.

She will be missed by all who admired and loved her. A link to an online obituary is here.

About my work

I am an artist who observes and responds to my surroundings for inspiration.My primary artistic medium is handwoven tapestry, an ancient method of working with fibers to create images.As I seek images and ideas to interpret into tapestry I experience my surroundings a closely as I can. Photographs, sketches, paintings, and writings all are part of the research I put into my work.

I have been living in the southern Appalachians most of my life and so my surroundings are filled with natural forms of woods, streams, and fields.My eyes are frequently drawn to the myriad details of the landscape and many of my tapestries are based on aspects of those details, simplified and enlarged in a weaving.

time marches on...

Tapestry diary of the year 2018 is underway. I'm doing individual days as bands, squares or rectangles of separate colors. Months are going to be represented as larger images, each month being sticks OR stones. I've just finished the stick for July, a mountain laurel twig.

...(I) have come to the conculsion that tapestry can indeed be an art form in its own right with its own specific mode of expression if the craft of weaving is allowed to influence the art of tapestry. In order to be meaningful, tapestry must find its own identity. It must not be a woven painting, but rather a composition that could only have been woven, not painted.