Ireland Under Coercion, Revisted: Final thoughts

This is the last post in a blog serial that has explored aspects of the 1888 book Ireland Under Coercion: The Diary of an American, by journalist William Henry Hurlbert. All of the hyperlinks below are to earlier posts in the series. All of the posts and other background material are available at the project landing page. Thanks for supporting #IUCRevisited.

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“I went to Ireland … to learn what I could of the social and economical conditions of the Irish people as affected by the revolutionary forces which are now at work in the country.”–William Henry Hurlbert

I discovered the digital edition of Ireland Under Coercion several years ago while researching the 1888 Kerry murders of James Fitzmaurice and John Foran. The former was shot at dawn, 31 January 1888, at Lixnaw, as Hurlbert awoke in Dublin for his first full day in Ireland. He mentions the murder several times in the book. Foran was shot in late July, as the first edition of IUC was in production for its August 1888 release.

Period illustration of the murder of James Fitzmaurice, survived by his daughter Nora, which occurred in January 1888 as Hurlbert began his six-month travels in Ireland.

I was intrigued by the book from an American journalist traveling in Ireland during a flare up in the decade-long Land War. Hurlbert’s six-month reporting trip began shortly after the Times of London published its “Parnellism and Crime” series and ended just as a special judicial commission began hearings that largely disproved the newspaper’s allegations. He was in Ireland as the Vatican issued the Papal decree against boycotting and the rent-withholding Plan of Campaign. Tenant evictions continued on several large estates during this period. The rapidly growing number of nationalist newspapers that covered these events, Hurlbert asserted, did so less for domestic consumption than for foreign audiences. Across the Atlantic, the Irish in America played a significant role in their homeland politics as mass emigration continued from Ireland.

“I pity the traveler of the future here, if he is never to know the delight of traversing these wild and picturesque wastes in such weather as we have had today, on a [jaunting] car, well-balanced by a single pleasant companion, drinking, as he goes, deep draughts of the Atlantic air.”

To be sure, there are challenges to reading Hurlbert’s book. His conservative, pro-landlord, pro-unionist views frequently come across as smug, elitist and–history shows–wrong. He didn’t write the ugliest Irish stereotypes of the day, but they lurk between the lines. Many of his references to Irish and other world history, literature, and the law will be obscure to most modern readers.

Title page from digitized edition of Ireland Under Coercion.

Hurlbert’s 19th century writing style, meandering prose often filled with personal asides and other tangents, is grammatically correct; yet can be cumbersome for 21st century readers who prefer shorter sentences. Too many of the journal-dated sections of the book lack smooth transitions between paragraphs and could have benefited from subheads. Near the end of the book, Hurlbert accommodated the eleventh-hour request from one of his hosts to protect sources by replacing their names or other identifying information with clusters of * * * * *. It’s an unacceptable contrivance for a piece of journalism.

I don’t doubt that Hurlbert’s grave concerns about the outcome of Irish agrarian agitation and nationalist movements were deeply influenced by his experiences of witnessing the terrible American Civil War. Neither do I disagree with the contemporary critics who charged that Ireland Under Coercion was the American expat’s barely-disguised bid to cozy up to the British establishment. The project apparently generated some late-career income for Hurlbert after what appears to have been a comfortable and enjoyable tour of Ireland. He would need it, as his private life was soon caught up in a public scandal.

There is certainly more material in the book than I have been able to explore in the 40 previous posts of this series. I expect to return to this project in the future. For now, however, I’m moving on to other work. Thanks again for supporting Ireland Under Coercion, Revisited. MH