Arranging the music of one song...

Awesome stuff, here; Palpable doesn't put out many mixes, but each one is always great, well worth the wait, and simultaneously enjoyable while also being very refined & polished. Here he takes on "Hot-Head Bop," a source with some great existing arrangements, and takes it in an entirely new & fresh direction, blending EDM, hip-hop/rapping from DiGi Valentine, and breathy, intimate singing from newcomer Bekah Jones. The minimalism and restraint exercised, in particular on the chorus with Bekah's vocals, makes this an uber-classy, completely transporting ReMix that does a superlative job blending influences AND vocal styles (singing/rapping) into a dramatic pop production that keeps the source evident while re-purposing it into a new, svelte beast. Vinnie writes:

"This is the first non-album track I've done in a while, but sometimes an idea hits you so hard that you can't shake it till you make it. In this case, it was a track with a male rapper and female vocalist, and I had a very specific lyrical concept in mind. Problem is I can't rap or write rap lyrics. Niyazi was a godsend, he immediately understood what I was going for, nailing the lyrics and the delivery. Bekah was recommended to me by audio fidelity, and she was an awesome counterpoint to him. It was a true pleasure to work with these two amazing vocalists and the song really hinges on both of them. Major props to Jay, who not only lined me up with Bekah, but recorded/produced her vocals and went above and beyond to give me feedback and ideas on the mixing. And of course, props to inspirations: this draws heavily from Massive Attack and especially The XX, who I was listening to a lot last year."

The simple & clean kick serving as an exposed heartbeat at 1'43" is perfect, and the vocal contrast in transitioning from Niyazi to Bekah and back really just clicks & gives the whole track a great flow. The interplay between the two vocal parts also has an excellent lyrical contrast as well, with Digi's character expressing doubt and regret and pain while Bekah repeatedly offers hope & optimism. Larry writes:

"We're gonna miss Vinnie being on the East Coast. :'-( Bekah's performance is excellent, and I loved the ethereal treatment of her chorus vocals, which contrasted nicely with DiGi's more forceful style. Props to audio fidelity for getting her involved with Palpable's piece. If you check audio fidelity's mixes, the collaborators he pulls into projects are always great, and Bekah's no exception! DiGi really hits the contemplative mood of his lyrics well with his vocal delivery. Ever since "New Jack Mantle," I've been a huge fan of his rapping, and I enjoy hearing him surrounded by talent that help those skills shine.

Props to Palpable for really reaching outside of his previous musical boundaries on OCR and coming through with yet another excellent arrangement. Let that be a lesson to other people who have big ideas but need help bringing their vision to life. Go outside of yourself and collaborate, collaborate, collaborate! Palpable's mixes are rare, so you really never know what Vinnie will come up with next, but you know it'll be extremely well-executed. It doesn't hurt that he gets by with a little help from his friends. :-)"

When Vinnie told me he was doing a vocal arrangement of this source, I was worried about comparisons to "A New Place," which was also a collab and which also features male and female vocalists, albeit both singing. That ReMix is and will forever remain legendary in my mind, but Vinnie's written a NEW legend to give it some company, and the parallels I've noted don't begin to speak to the chasm of difference between the mixes, both of which have something very distinct to say. A highlight of 2014, a brilliant collaboration that intelligently integrates each vocalist's contributions, a blending of EDM, pop, & hip-hop, another great arrangement of one of DKC2's standout compositions, and another fantastic ReMix from Palpable!

Kudos to everyone involved, because this is an awesome remix, in
all aspects. Palpable, you just keep getting better and better,
and it's been wonderful to see your growth as a producer and
arranger over time. I love the vocals, and think both vocalists
knocked it out of the park. Ms. Jones's voice somehow has this
haunting beauty that is absolutely perfect for this song,
conveying so much emotion in its purity.

Palpable I'm particularly proud of you because I believe this is
your most expressive piece of work to date. It really evokes
feelings of personal struggle and has depth, and I find it to be
quite moving.

It never ceases to amaze me how different each remix can be of
the utterly godlike soundtrack that is David Wise's DKC2. This is
an all-round superb composition, and the gritty, dark atmosphere
that palpable sets up in the intro works so well with the melody
that I get goosebumps every time it comes in. I love DiGi's
rapping style, and the peaceful chorus vocals are like a breath
of fresh air in amongst the intensity of the rest of the track.
Doesn't get much better than this, really!

Oh man yeah, I love this track! Awesome vocal work by DiGi and
Bekah. I love the minimalist instrumentation too, it really fits
the vibe and vocals perfectly. Back when we were doing
Temporal Duality, DiGi said he was working on a track
with Palp and that's why he had asked him to do "Extraordinary",
so I'm glad to finally hear what this track they were working on
was . Nice work everyone!

DiGi's accent in this was interesting to hear. I haven't much in
the way of British rap, so that was a cool treat. I love the
grittiness to the sound during the raps, adding to the overall
tone and how Bekah's beautiful voice is the cherry on top of all
the vocal work, bringing in the light to the darkness here.
Awesome. Speaking of which, I love the lyrics in this ReMix
because I know people (as well as being one of those people) who
have felt some of these emotions and feelings, and I can
understand the message here. When a song resonates with you on
those levels, it's a powerful thing. To hear it with Hot-Head
Bop's melody is pretty fun. Outstanding ReMix, guys.

Oh man, DiGi Valentine and Palpable together again! You guys did
fine, fine work Temporal Duality.

I never would have thought to include a voice like Bekah's in the
mix, but the contrast created is a beautiful thing. Her calming,
melodic performance made Digi's unbeatable rhythm filled with
frustration all the more convincing. The build up of 2:01 is a
really impressive example of this.

Fantastic collaboration as far as I'm concerned! I'd like to see
this trio reunite in the future.

Gotta love British rap! The execution was excellent. The production
sounded purposeful; Bekah comes in more upfront than DiGi each
time, but each time it works. I guess my only real crit is that
maybe Bekah's vocals could have had a little more reverb on them.

I always love Palpable's mixes. Great vocals from both
performers. I like how the second verse raises intensity, and how
the third verse is also different - very nice, natural,
unconventional structure. I like the understated ending. The only
crit I can think of is that the first verse is a little buried in
the mix.

I usually dislike OC remixes with lyrics but this is just
beautiful. Its capture's the essence of the original song but
adds new twists! Also no Vulgar so that is a plus. Finally being
a christian the lyrics in this song have a christian undertone.
This song is one of my favorites!﻿

File Information

Alone. But why? For I chose it this way, though
I'm to blame for my own mistakes, so
you're not allowed to talk to me, because I say so
You couldn't reach me if you walked with a halo

Hopeless case, an abandoned project
Told them to stop it when they dug further than I wanted
My secrets? No, these belong to me
And for that I know I will never walk free

The cat that was killed by curiosity
Is the same cat I followed into this odyssey
What an oddity, oh, the irony
Can't no longer see the path behind me

The way in is always the easiest
Trying to get back out? Well, you're better off leaving us
Forget friends and keep enemies close, I know this
And I'm my own worst enemy, nobody's closest

Bekah Jones:

Why don't you let me inside?
You're holding on to your wounded pride
I see the light in your eyes

DiGi Valentine:

It's ridiculous, I'm so sick of this
Every five minutes, my mind is chipping to bits
So I make wishes to help me find the right door
And if I had that wish, I'd end up wishing for a million more

A modern day conundrum, how do you help someone
Find their way when they do not know where they have come from?
Shameful to have that road tackled
Only to lose all acknowledgement of the road travelled

Foolish, it was so easy
To think I'm thinking clearly when I wasn't really
Allowed myself to fall no matter what they'd tell me
I couldn't help myself, so how the hell can you help me?

Don't get the wrong impressions,
You're unravelling a mystery that will only lead to more questions
Yet, deep down, I want you to ask
So we can see what becomes of your own path

Bekah Jones:

Why can't you let me inside?
You're holding on to your wounded pride
I see the light in your eyes
Behind a disguise

I know that you'll find your way
If you can see past the gray
We'll chase the clouds away

DiGi Valentine:

After every dark night there's a bright day
But how exactly do I find the right way?
Some might say, it's easier said than done
But when all is said and done, will you be the one
To free a mind as raged as mine
A heart as caged as mine, that's a lot of work
So, what's it worth, you can tell me

Sidestep the unavoidable, dodge the inescapable
If you are the only one to help, tell me
Are you really capable, tell me

Bekah Jones:

We'll chase the clouds away

DiGi Valentine:

Escape the inevitable, outrun the impending imminent end
Is that gonna be you, my friend, tell me

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