Use these options to specify how the date range returns results. "Exact" means that the start and end dates of descriptions returned must fall entirely within the date range entered. "Overlapping" means that any description whose start or end dates touch or overlap the target date range will be returned.

The collection is rich in the first English and American editions of Tennyson’s works, including Poems by Two Brothers (1827), In Memoriam A.H.H. (1850), Maud: And Other Poems (1855), Idylls of the King (1859), and Demeter: And Other Poems (1889), among others. It is also a very good general collection of Tennysoniana, containing concordances, pamphlets, periodicals, indexes, biographical essays, and studies of individual poems.

Architectural records are plans, drawings, blueprints, or other graphic or visual documents used in thedesign and construction of buildings, landscapes, or other manmade objects. Architectural records are theresult of a lengthy process of gathering and refining data in order to prepare a design and produce finalconstruction drawings and plans. Using surveys of the construction site, the architect produces roughsketches and diagrams of the proposed building. Preliminary drawings are then prepared and revised. Thefinal construction drawings include minute details about size, scale, structural systems, electrical wiring,plumbing, heating, and air conditioning systems, as well as interior and exterior finishes. The final plans,prepared by a photochemical process, might be reproduced several times, and might be revised asconstruction progresses.The architectural records in this finding aid are listed chronologically, by series number, name of project,name of architect/architectural firm, and number of items. They have been arranged chronologically,according to date of building project. Each project constitutes a records subseries. Each subseries hasbeen described according to name of building project, name of architect/architectural firm, and date span.Within each subseries, the records divide themselves into files according to type of drawing, such assketches, mechanical plans, or detailed drawings. The architect's original organization and system ofnumbering has been maintained. When this information has been unavailable, the records have beenorganized by date and subject.

Collection consists of menus from various regions of Brazil. Restaurants are located in Sobra-Loja, Rio de Janeiro, Londrina, Sao Paulo, Leblon, Bahia, and Sao Lourenco. Bar fare, breakfast menus, steakhouse, hamburger house, and pan-American cuisine are just some types of dishes and restaurant represented.

A portion of the menus are from hotels. Menu types include trifold, booklet, seven-fold, placemat and bookmark style. Several menus are laminated or in vinyl enclosures. A portion of the menus have prices written in by hand in various colours of ink and are stained.

The collection contains materials related to the Canadian Farm Radio Forum, which ran from 1941-1964. Records in this collection relate to the operation of the Canadian Farm Radio Forum, as well as to international initiatives and research. The materials in this collection include meeting minutes, correspondence, memoranda, surveys and questionnaires, reports, broadcast programming and transcripts, pamphlets and promotional materials, research notes, articles, newspaper clippings, and scrapbooks.

A collection of rare books, pamphlets, and periodicals particularly strong in nineteenth and twentieth-century literature, poetry, and drama, mostly composed in English. Many of the titles are unique. Also includes historical and geographical works with a number of rare gazetteers and nineteenth century travel books, bibliographies, memoirs, and biographies.

The collection consists of numerous first and early editions of Canadian historical, literary, and poetic classics: Lucy Maud Montgomery’s Anne of Avonlea (L.C. Page & Company, 1909), John McCrae’s In Flanders Fields: And Other Poems (with a preface by Sir Andrew Macphail; William Briggs, 1919), W.O. Mitchell’s Who Has Seen the Wind (Macmillan Company of Canada), and Donald Creighton’s Dominion of the North: A History of Canada (Houghton Mifflin Company, 1944), among other prominent titles.

Collection predominantly consists of programs that Carl Morey collected from attending performances and for research purposes. Some programs include program notes written by Morey (e.g., Canadian Opera Company programs, among others), ticket stubs, newspaper clippings of reviews of the performances, and/or autographs from the performers.

The collection consists of: papers from director André Antoine; letters from Antoine; letters to Antoine from various playwrights, whose plays he staged; photographs of actors and actresses; letters from various members of Antoine's family; 40 autograph letters from Emile Zola; letters from and to journalist Léon Deffoux; letters from and to Maurice LeBlond, Emile Zola's son-in-law; letters from and to playwright Georges Ancey and his wife; several first editions of Zola's novels, some with bound autograph letters. Throughout are photocopied documents, collected by Sanders, as contexual material about the era and referenced events or articles within the correspondence. Also included are original letters sent to Sanders from the friends and relatives of those whose letters appear in the 19th century correspondence.

The collection consists of movie posters, ads, trading cards, postcards, books, magazines and journals, related to Frank Buck (Frank Howard Buck (1884-1950), a renowned American hunter, animal collector, film director, actor author and producer. The collection also consists of material related to zoo displays and architecture, catalogues and books related to zoo and animal collecting, photographs off various zoo related animals found in different parts of America and a board game. The material is divided into five series:

The Earle Grey Players Collection consists of programmes and brochures for the annual Shakespeare Festival held at Trinity College, historical information on the founding and development of the Shakespeare Festival, and ephemera related to the Festival, including a bronze plaque commemorating the location of a mulberry tree grown from a tree in Shakespeare’s birthplace Stratford-on-Avon.

Collection contains photographs, programs, and press notices of his performances; manuscripts of songs written for him by composers including Castelnuovo-Tedesco, Lalo and Pizzetti; five collections of published songs; a scrapbook of programs from his first year as manager of the Metropolitan Opera.

Collection consists of hand-written and typed manuscripts, correspondence, poems, translations and radio transcripts created by Monsignor John O'Connor. The records were purchases and accumulated by Father Kevin Scannell as part of his G.K. Chesterton research.

Collection consists of late-eighteenth, nineteenth, and early-twentieth century flutes, predominantly made by various builders and companies in London, England, as well as two from Paris, one from France, and one from Bayreuth, Germany. The collection covers the mechanization and modernization of the flute, including the addition of holes and keys, and the move from wood to metal for the body of the flute.

The collection consists of manuscripts of many published works, illustrations from Chesterton's time at the Slade School of Art and later, correspondence with family and friends, and albums of press clippings. There are also microfiche copies of the papers of Chesterton's wife Frances (1875-1938), including her plays and poems. Additionally, the collection contains material added by Dorothy Collins after Chesterton's death.In addition to the Chesterton papers on microfiche the G.K. Chesterton Archival Collection contains 10 original illustrations as well as one of Chesterton's sketchbooks. Most of the sketches date from his period at the Slade School of Art, but there are several from earlier.The Papers of Monsignor John O'Connor (1870-1952) are also a part of the G.K. Chesterton Archival Collection. Monsignor O'Connor was the Catholic priest who became the model for Chesterton's character "Father Brown". In February 1903 O'Connor wrote to Chesterton, and the following year they formed an immediate bond of friendship which was to last more than thirty years. In 1921 O'Connor was present at Chesterton's reception into the Catholic Church. The papers of Monsignor O'Connor include a number of manuscripts of his poems and essays, Christmas greetings from the Chesterton's, personal letters, and newspaper clippings by and about Chesterton.

Fonds includes correspondence, notes, typescripts, translations, photocopies of journal articles, and other working papers about Eduard Hanslick. Hanslick was the focus of Payzant's later research, which resulted in two books (published 1986 and 1991), several articles, and various lectures. The fonds consists of the research used in these writings, as well as a typescript manuscript of Payzant's translation of On the musically beautiful: a contribution towards the revision of the aesthetics of music (1986), and copies of his lectures, also titled "On the musically beautiful." The correspondence includes copies of letters between Hanslick and Robert Zimmermann (1824-1898), as well as correspondence between Payzant and other scholars about Hanslick, and correspondence between Payzant and Dietmar Strauß.

The collection contains records pertaining to George Whitaker’s Provostship, as well as his final departure to England. It consists of vital records, correspondence, financial records, newspaper excerpts, tributes, manuscripts related to his theology teaching, and photographs.

Menus types included placemat menus, single sheet menus, trifold and four fold menus, five fold, seven fold and menus in booklet style. Some menus are laminated while others are in vinyl enclosures. Menus range from take away and delivery, to eat in and include wine lists, menus for cafes, breakfast menus and menus for cafeteria lunches.

The material is divided into Series 1 Menus. The series is divided into 6 subseries: Africa, Asia, Europe, North America, Oceania and South America.

Collection consists of 10 scrapbooks created by the Hart House String Quartet and their business manager, Milton Blackstone, which contain programs and newspaper clippings of reviews and press releases for their concerts. Two volumes (Volume 5, 1929-1931; and, Volume 7, 1932-1934) are missing from the collection. The collection also contains two scrapbooks for the Canadian Concert Association, during the time that Milton Blackstone was the director (1933-1935 and 1936), and a small collection of annotated scores and parts for violin and piano, previously owned and annotated by Geza De Kresz.

Photographic copies of architectural drawings of floor plans, elevations, and sections of the Toronto Magnetic and Meteorological Observatory, by the firm Cumberland and Storm and drawn by John Worthington, September 5, 1853.

Fonds consists of plans of buildings and properties pertaining to the University of Toronto, including original drawings by Thomas Young of proposed University College buildings described as the Centre Building, East Wing and West Wing (ca 1842-1857); original drawings by Cumberland and Storm of University College (ca 1856-1857); original drawings by David B. Dick, Architect of Moss Hall (ca. 1887), Biological Building (ca 1887) Museum (1889), Students Union Gymnasium (1892), restoration of University College and New Library Building (ca 1890-1892), Chemical Laboratory (1893-1894), Old Wycliffe College Building (n.d.), and other working drawings. Many drawings annotated with date 1922 by J.C. B. Horwood.

Consists of records collected by Gray while working on a history of Hart House Theatre and Robert Gill. Included are Hart House Theatre scrapbooks compiled by Gill containing programs, clippings and photographs; financial records of Hart House Theatre as well as some original correspondence; numerous photographs of Hart House Threatre, Hart House and its staff; scrapbook and minutes book of the Players Club. Included as well, is a manuscript on the history of Hart House Theatre (draft) written by Jack Gray as well as taped interviews conducted by Gray with Hart House Theatre staff including Robert Gill.

The collection contains materials related to Froebelian kindergarten education, practiced in Ontario in the late nineteenth and early twentieth centuries. Materials include sample workbooks demonstrating Froebel's Occupations, teachers' lesson books, certificates, and photographs. The collection also includes donation paperwork to provide more context about the creation of the collection.

Consists of Oral Histories created as part of the University of Toronto Library's Oral History Project, which interviewed key faculty members, administrators and students involved with university governance. See file listing for specific individuals.

Collection consists of monographs, articles, copies of articles, reviews and newspaper clippings written by and surrounding Marshall McLuhan. These records were collected and compiled by James Feeley in an effort to create a Marshall McLuhan bibliography; from 1962 until his death in 1993, Feeley worked on McLuhan's bibliography, with help from McLuhan's secretary Mrs. M. Stewart.

Marshall McLuhan Collection is arranged into nine series:

Published Material Written by McLuhan

Book Reviews Written by Marshall McLuhan

Conference Proceedings Written by Marshall McLuhan

Published Material Written about Marshall McLuhan

Interviews with Marshall McLuhan

Reviews of Books Written by Marshall McLuhan

Reviews of Books Written About Marshall McLuhan

Copies of the Varsity/University of Toronto Graduate featuring Explorations

Collection consists of concerts by faculty members, students, student ensembles, and guest artists, at one of the Faculty of Music theatres (Walter Hall and McMillan Theatre), and at other University venues.

Collection consists of volumes of music instructional material, predominantly for piano instruction. The collection includes some ear training, theory, and sight reading material as well. Items published in Canada and internationally are included.

The University of St. Michael's College Photographs Collection features 1700 photographs. Included in the Collection are photographs of the St. Michael's College campus and buildings, staff and faculty, students, alumni, College events, and graduation composites featuring collected graduation portraits of graduating students. Some photographs depict University of Toronto events and buildings, other schools and organizations with a relationship with St. Michael's College, and photographs of events attended by the Basilian Fathers. Also included in the Collection are photo albums created by faculty and alumni, and photographs donated by alumni and former faculty.

The postcards have been arranged chronologically. Undated cards have been placed at the end of the sections. The majority of the postcards are addressed to either 120 MacPherson Avenue (Toronto) or 96 MacPherson Avenue (Toronto), while the remaining 11 postcards are addressed to various hotels, inns, sanatoriums, and homes in Buffalo (NY), Rochester (NY), Long Beach (CA), San Francisco (CA), Petaluma (CA), and San Benito [?] (CA).The collection includes greeting cards for birthdays, Easter, Christmas, New Years, Halloween, St. Patrick's day, the 4th of July, Valentine's day, Mother's day, and Thanksgiving. The collection also includes popular novelty cards such as photographic portrait postcards or postcards decorated with glitter. Numerous postcards depict buildings and streetscapes, the aftermath of the San Fransisco earthquake of 1906, and advertisements for barbershops, department stores, and hotels.

The collection contains materials related to the Railway Car Schools which operated in remote parts of Ontario between 1926 and 1967. The collection contains correspondence, memoranda, reports, articles and newspaper clippings, museum and exhibit materials, and photographs. The collection has been arranged into 9 series.

Collection consists of set and costume designs for the following Teatro alla Scala productions: the premiere production of La Fiamma (The Flame) by Ottorino Respighi, designed by Nicola Benois (1901-1988); Respighi's ballet Gli Uccelli, designed by Benois; and the premiere performance of Madama Butterfly by Giacomo Puccini, designed by Giuseppe Palanti (1881-1946).

This collection contains a number of school supply catalogues from the mid-20th century. These catalogues include supplies such as school furniture, maps and globes, art supplies, science supplies, and school readers.

This collection consists of 430 stereographs. They were assembled primarily by Sir Daniel Wilson and likely his daughter Sybil after his death. They document his interests in photography, especially of antiquarian Scotland and ethnology, and include many images of places he visited in Canada and the United States such as the White Mountains in New Hampshire where, on holidays, he painted many watercolours. Also included here are images of Toronto, the University of Toronto, the Toronto Magnetic and Meteorological Observatory, and two of the American Civil War.

Note on Sir Daniel Wilson

Sir Daniel Wilson was an accomplished amateur artist and much interested in the new medium of photography. He collected photographs, primarily in the stereographic medium, wherever he travelled and asked his friends to send images to him. He travelled widely following his arrival in Canada in 1853. In his first decade “he went as far south as Virginia and Kentucky, as far east as Prout’s Neck, Maine, as far west as the St. Louis River, and as far north as Lake Nipigon” [1]. He travelled many times along the St. Lawrence River and the Saguenay in that decade and later, made two trips to the upper Great Lakes (1855 and 1866), was introduced to the Green Mountains in New Hampshire and the Adirondacks and historic sites in New York, and in 1862 visited Washington and Civil War battle sites in Virginia. In 1863 he returned to Britain and Europe for the first time (he would go to again in 1878, 1880, 1885 and 1891). In the 1870s, his travels to him along the Muskoka and Severn Rivers (1870), and to Native sites in Kentucky and Ohio (1874).

After Wilson became President of University College in 1880, he sought escape from the heat of Toronto summers in New Hampshire and the eastern seaboard of the United States. In August of 1881 he first visited the White Mountains in New Hampshire where he was inspired to take up painting again, and to which he returned in 1882, 1883, 1886, and from 1887 to 1890. There, with his wife Margaret until her death in 1885, and his daughter Sybil, he sought out sites “with indelibly North American names, in which he clearly revelled” – Black Mountain, Cascade Brook, Mount Osceola, Mount Tecumseth, the Mad River, and Scar Ridge [2]. In 1883 he vacationed along the Atlantic coast of Maine and in 1884 he went to the Adirondacks around Lake Placid.

NOTES

Marinell Ash and colleagues, Thinking with both hands: Sir Daniel Wilson in the Old World and the New, ed. Elizabeth Hulse. Toronto: University of Toronto Press, 1999, 246

Collection includes correspondence, notes, transcripts, and other working papers for Ezra Schabas's book Sir Ernest MacMillan: the importance of being Canadian, published by the University of Toronto Press in 1994.