Bracketed Reality

From the Ideen onward, Husserl concentrated on the ideal, essential structures of consciousness. The metaphysical problem of establishing the reality of what we perceive, as distinct from the perceiving subject, was of little interest to Husserl in spite of his being a transcendental idealist. Husserl proposed that the world of objects and ways in which we direct ourselves toward and perceive those objects is normally conceived of in what he called the “natural standpoint”, which is characterized by a belief that objects exist distinct from the perceiving subject and exhibit properties that we see as emanating from them. Husserl proposed a radical new phenomenological way of looking at objects by examining how we, in our many ways of being intentionally directed toward them, actually “constitute” them (to be distinguished from materially creating objects or objects merely being figments of the imagination); in the Phenomenological standpoint, the object ceases to be something simply “external” and ceases to be seen as providing indicators about what it is, and becomes a grouping of perceptual and functional aspects that imply one another under the idea of a particular object or “type”. The notion of objects as real is not expelled by phenomenology, but “bracketed” as a way in which we regard objects instead of a feature that inheres in an object’s essence founded in the relation between the object and the perceiver. In order to better understand the world of appearances and objects, phenomenology attempts to identify the invariant features of how objects are perceived and pushes attributions of reality into their role as an attribution about the things we perceive (or an assumption underlying how we perceive objects). The major dividing line in Husserl’s thought is the turn to transcendental idealism.