The stories behind the buildings, statues and other points of interest that make Manhattan fascinating.

Wednesday, May 7, 2014

The Heart of Central Park -- The Terrace

In 1857 the Central Park was laid out—hundreds of acres
that would be devoted to public recreation and relief from the crowded urban
streets. The land chosen was so far
north of the established city that one magazine writer scoffed “we might as
well establish a park in the middle of the Desert of Sahara as to fence in this
wilderness.” Despite nay-sayers, Calvert
Vaux and Frederick Olmsted’s ambitious project went forward.

Five years later excavation, construction, and plantings
were well underway. At the time ladies
and gentlemen spent many weekend hours in the Victorian pastime promenading. Following church services on
Sundays, Fifth Avenue was crowded with well-dressed society people; as was
Union Square and the upper level of the Croton Reservoir. The necessity of a promenade did not escape
Vaux and Olmsted.

Prominent to the architects’ plan was The Mall—a wide gravel
boulevard where wealthy New Yorkers could show off their
finery. The Mall would terminate at its
northern end with The Terrace, a two-level architectural jaw-dropper that
harkened to the grand staircases of Europe’s largest cities and grand
palaces. Broad flights of two majestic
staircases led down to The Esplanade where a fountain cooled the summer air. Calvert Vaux, in describing The Mall and Terrace
to the Park Commissioners in 1862 said “In the general design for the Park the
Mall may be considered, with its accessories, an open air hall of reception for
dress promenade.”

Calvert Vaux submitted his plan for the Terrace and Esplanade (or Lower Terrace) to the Commissioners in 1862 -- Annual Report of Commissioners of the Central Park (copyright expired)

The Annual Report of the Board of Commissioners of the
Central Park reported in 1863 that the Terrace was essentially completed. But, “a portion of the connected ornamental
work of the Terrace structure remains to be done. Considerable progress has been made with this
work during the last two years.”

That the “ornamental work” was not yet completed was
understandable. The ceiling and flooring
of the passageway, or Arcade, below the Terrace was covered in Minton tiles—the
first attempt at using the substantial material for a ceiling. Many of the intricate Terrace carvings
conceived by Jacob Wrey Mould, Calvert Vaux’s brilliant co-designer who is
often overlooked, involved full-relief figures sculpted in deep recesses.

From the Mall, visitors could take the Minton-tiled Arcade to the Esplanade. from the collection of the New York Public Library

On July 25, 1863 The
New York Times brought readers up to date on the progress. “The Mall is a beautiful walk, about three-eighths
of a mile in length, shaded with elms and flanked with velvety sward of the
brightest green. At the end of the Mall
is the Terrace, or open air place of recreation, which is constructed with
considerable architectural ornamentation, having broad flights of stairs
leading to a noble esplanade. There are
pedestals at the head and foot of each stairway, intended for various pieces of
statuary, and vases of living flowers, while the vamps and balustrades of the
staircase are embellished with sculptured flowers, fruits, birds and other
objects, illustrative of Spring, Summer, Autumn and Winter. In the centre of the esplanade a fountain is
in course of construction and its effect will enhance the attractions of the
place.”

Miller’s Stanger’s
Guide for the City of New York in 1866 urged tourists to visit The Terrace,
saying it “is the principal architectural structure. This terminates the Mall on the north; below
it is the esplanade surrounding the main fountain. The visitor will be well repaid by the
examination of the design and execution of the detail of the stone work of the
terrace.”

In 1871 the fountain received its centerpiece—the masterful
bronze statue “The Angel of Water.”
The New York Times noted on July 19, 1871 that “The estimated cost of
the fountain is $150,000.” That figure
would amount to about $2.75 million today.

A nanny holds an infant (left) as well-dressed Victorians climb the Terrace steps. At right is seen the fountain statue, installed just a year before this view. from the collection of the New York Public Library

It was just one more costly expenditure that did not escape
the notice of the New York press. Ten
days later The Times reported that the city had paid out, to date, $7,344 per
acre for the 862-acre project. And
although the newspaper jibed “Truly we must change the old nursery rhyme, to
read: Mary, Mary, quite contrary,/How
does your garden grow?/With golden shells and silver bells/And dollars, all of
a row,” it was quick to point out what New Yorkers got for their money. The Times said that the Mall was now complete
“with an esplanade of cut stone, the like of which is not in the country, and
its superior in few others.”

photo by Alice Lum

On the first beautiful Sunday in spring in 1872, Manhattan’s
wealthy thronged to the streets. On
April 15 The New York Times remarked “Church in the morning, and a promenade in
the Central Park and on Fifth-avenue in the afternoon, was the programme of
many.” The newspaper said that in the
afternoon a wind whipped up, “But this was not much of a drawback to the tens
of thousands who in the afternoon swarmed about the Central Park in a condition
of the purest happiness. In every
direction one saw happy groups: mothers
breathing the pure, pleasant air with the brightening eyes and kindling cheeks,
fathers holding young children by the hand, and accommodating their steps to
the uncertain toddling of their young ones, youthful sweethearts locked arm in
arm, as happy as could be, proud of their fine Sunday clothes, proud of each
other, and reveling in the glories of the esplanade and the mall, young girls
going in couples, looking arch and pretty, whispering comments upon the Spring
toilets of their acquaintances, and giggling somewhat, as young girls will do.”

When James Dabney McCabe, Jr. wrote about the Mall and
Terrace in 1882, he noted the use of the Arcade underneath. “This magnificent apartment is used as an ice
cream saloon.” He called The Terrace, “one
of the most imposing structures in the grounds,” saying it was “ornamented with
exquisite carvings of birds, animals, fruits, etc., and beautiful tracery, cut
in the soft stone work. On the east and
west sides of the stairways, the adjoining grounds are lavishly ornamented
with flowers, and slope gracefully from the Terrace to the Lake.”

The imposing staircases flank the arched entrance to the Arcade in this shot taken in 1894 -- from the collection of the New York Public Library

By the turn of the century the terms “terrace” and “esplanade”
had become blurred and, as today, were often used interchangeably regarding the Central Park structures. As Victorian tastes gave
way to 20th century fashion, Jacob Wrey’s glorious Terrace was
less-than-appreciated by many. On
December 16, 1906 The Times wrote “The Esplanade is the most pretentious
architectural feature of the Park. It
consists of a Renaissance staircase gracefully tapering off into a Byzantine
terrace, with Roman effects around the edges and Doric suggestions in the
shrubbery, all leading up to a Rococo replica of a lake in the foreground or
background, according to which way it strikes you. The Mall is lined with statues and busts,
intended, it is rumored, to beautify it.
I cannot see where people got that idea.
The majority of the statues do not bear out the supposition. In fact, the busts of Burns and Scott ought
to go to a hospital.”

Knickered boys are among the visitors to the highly-carved Terrace steps around 1890 -- photograph by John S. Johnston, from the collection of the Museum of the City of New York http://collections.mcny.org/C.aspx?VP3=SearchResult_VPage&VBID=24UAYWN82KDO&SMLS=1&RW=1280&RH=915

Three years later The Terrace would suffer more than
critical abuse. Park Commissioner Henry
Smith told reporters on August 18, 1909 that “sometime after dusk on Saturday
evening a gang of vandals, supposed to have been boys returning from a baseball
game, battered and disfigured the southeastern portion of the ornamental
sandstone wall around the esplanade in Central Park.”

The boys destroyed 25 linear feet of the filigree carvings,
punched holes through the foot-and-a-half thick wall, and knocked animal heads
and posts off with their baseball bats.
The frustrated Commissioner said “I do not know what I can do to stop
such outrageous destruction of property.
I have too few police, and they have their hands full.”

A stereoscope view captured the beauty of the Upper Terrace. (copyright expired)

It would not be the last of the inexcusable vandalism of
Mould’s magnificent work. The second
half of the 20th century was a dark time in Central Park. The City’s financial crisis resulted in
overgrown lawns, and trash-littered and algae-clogged ponds. The Park, once crowded with visitors dressed
in their finest, was avoided by most New Yorkers as muggers, drug dealers and
other criminal elements took it over.

Incredible post carvings include a sunrise with high-relief flowers and the lamp of knowledge above an opened book -- photos by Alice Lum

The Terrace became the target for vandals who broke off the
heads of carved birds and figures, smashed architectural elements, and sprayed
graffiti across the walls. In 1985 the
Central Park Conservancy initiated a $4.5 million restoration. E. Timothy Marshall, chief of construction
for Central Park, said the Terrace was in an “advanced state of decay. The landscape was barren, slopes were devoid
of grass, erosion had caused the land to push onto the lower terrace. Carvings were missing, there were decapitated
and de-winged birds.”

The grand sweeping staircases were torn out and reset. Historic photographs and drawings of the
carvings were studied for replacement elements. Sculptors with the skills to reproduce the
mid-Victorian carvings were found and they painstakingly crafted animal heads,
stone twigs and other missing pieces.

A witch (above) and a rooster both lost their heads to vandals. Painstaking restoration brought the sculptures back -- photos by Alice Lum

In May 1987 the Terrace was once again opened. Nearly three decades later it is, as it was
upon its completion in 1864, the heart of Central Park.

Despite the restoration, the soft stone of the Terrace shows the abuse of weather and vandals -- photo by Alice Lum