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Saturday, 13 August 2016

The Sludgelord "Sour 16 for July 2016

By: Aaron Pickford

As we talk stock at The
Sludgelord, that we achieved the milestone of publishing 4000
articles and over 2000 album reviews this week (n.b. Steve Howe’s
contributions cannot be understated), our commitment to offer you many more
magnificent riffs is unwavering, therefore it is time cast our minds back upon
the month of July and digest the 16 albums that would become July’s
sacrilegious ‘Sour 16’,the finest
and most profane riffs around bundled together into a premium sized sonic
soufflé.

You
know the drill, each month; you the reader are unwittingly compiling a
list of the top 16 records that we featured in July, covering all genres of
metal. Is it not a chart, in which reviewers or contributors extol their
opinion about their favourite music. The ‘Sour
16’ are the records that have been trending the most at Sludgelord Headquarters.

The
results are compiled based on page views alone and calibrated into
the list below. So kick back, with a cold one and let the power of
the riff compel thee! All reviews can be viewed by clicking the artwork and we
have included album streams wherever possible. (Total views since their
publication are highlighted in red)

16).
Graves At Sea – “The Curse That Is” (303)

The
album opener and title track drops the anchor to establish the length, tone and
rhythm this 76 minute voyage is about. An unpredictable, violent haze of
amplifier worship, “The Curse That Is” is a strong candidate for one of the top
10 albums of 2016.

This
is a classy album, full of doom and melancholy. The band are great live and
boasts some of the North West's most enduring doom talent from such luminaries
as Unsilence, for instance. The band play a blinder throughout and front man
Nathan Harrison really captures the feeling of powerlessness so prevalent in
the lyrics and themes here. Harrowing stuff indeed.

Titled
"Red Robes," their sophomore album is a crushing slab of classic
doom. Twin guitar harmonies permeate the arrangements; slow, lumbering beats
intermingle with high-energy, uptempo passages; stark vocals deliver creep out
lyrics; all in support of their almighty neck breaking riffs.

13). Wytch Hazel – “Prelude” (343)

If
you have any interest in Tull, Ash, Lizzy, Sabbath et al and yearn for a band
to come along and play like those heroes of a bygone era, Wytch Hazel are
definitely worth your time and money. They are a great band and one that is
doing something unique- out are occult tropes and devil-ish imagery, in are
song-writing, medieval sonics/themes and enthusiasm rather than cynicism. A
triumphant record on every level.

From
the jagged intro of “Teeth” to the guttural barks that bring “Fuck Your God” to
a close, Bleak do not let up for a second. Every track here is a potent blend
of Converge’s nastiest moments and the crushing attack of Coalesce brewed in a
vat of filthy, thick sludge. “No Light No Tunnel” is not pretty but
makes for a horribly captivating listen. Few records this year will match the
vitriolic onslaught Bleak deliver here.

The
whole album feels like it’s teetering on the edge of collapse which lends a
real thrill and urgency to proceedings. This is felt most strongly during epic
closer “Brawler’s Fracture”. Intense, restless riffing akin to Keelhaul is
swallowed by a buzzing swarm of squealing guitars that threaten to consume all.
Just before chaos fully descends, the track breaks into a crushing slow-motion
finale. “Of Ash/Of Shit/Of Shame” is a skilfully constructed visceral
journey. Adolyne create a unique noise, a captivating damaged racket that will
enrapture those with a taste for uneasy listening.

Stoner,
psychedelia, doom and classic rock all coalesce here with massive results. Only
one track under five minutes, the rest sprawling languidly well over that mark.
Hendrix jamming with Fu Manchu and Sabbath¸ simply put, this is storming stuff;
wrought from the heaviest of iron and the lightest of air. Massive.

“PYR”
is an exceptional release from Ghold that really cements their position as the
finest heavy act in the UK right now. It is the sound of a band who
exist in a world of their own, above and beyond our plane of existence and
drifting ever closer to the outer limits.

Huge,
awkward riffs dominate the landscape, their ugly, discordant racket is
reminiscent of Converge at their nastiest. This is a mighty
offering, a captivating combination of savage intensity and considered
dynamics.

An
encompassing album with an unforgiving heaviness, "No King Reigns
Eternal" sees Finns Solothus’ improve on their debut album, and release
one of the heaviest doom releases so far this year. Instilled with death metal
elements and no signs of calm, it is a harrowing album full of weighty
monolithic riffs and a murky atmosphere.

Krighsu’ is ten tracks of unrelenting tech-death, set
at a warp speed that has no intention of ever slowing down. Space is
infinite, and it seems WORMED’s ability to create jaw-breakingly heavy music is
just as vast.

Börner
writes and creates music that should appeal to both purist and tourist alike.
Not because he haphazardly smashes the pieces into each other, like a child
with their toys, but because his instincts and strengths do so organically.
“Autumn’ is flush with atmosphere and overall is a cohesive and brilliant
listening experience.

3). Wretch – “Wretch” (1877)

This
is a fine debut and a much needed shot of trad doom, with actual songs, - in an
era of obsession with amps and pedals (but without, you know, actual songs and
stuff). It is a triumph for this intrepid trio and surely there are great
things to come for the band. Make no mistake, Wretch are here and Wretch will
bring you real doom or throw you out of the bar if you don't like it.

Experimental
metal bands like Periphery will (hopefully) never settle for sticking to one
particular groove. Constantly innovating, this adds to “Juggernaut”,
jumping off from that platform and diving into dark, unexplored depths. Music
should surprise and inspire, and “Periphery III: Select Difficulty” does both
with eye-opening results. Just watch out for unexpected
face-melting, okay?

1). Dunsmuir – “Dunsmuir” (2021)

Dunsmuir,
manages the uncanny trick of amounting to the sum of its parts. The record's
players have some serious pedigree and none if it is wasted. Vinny Appice is as
powerful as ever, with a beastly snare sound, while Bone and Davis are a
formidable strings team. Fallon puts in a hardworking and uniformly stellar
shift as per usual. Simply put, if you like Clutch and Dio-era
Sabbath, you will be right at home here. If you are a fan of Fu Manchu, there
are sounds for you here as well. This album rocks, it’s that simple.

Band Submissions & Budding Writers

Bands out there who want to be heard of the stoner, sludge, doom, psych, post-metal, experimental, black-metal, death metal persuasion get in touch. We will provide reviews (no guarantee) where possible and share your music at any available opportunity via social media.