student of Peter Kowald, Xu Fengxia plays a Sanxian, an instrument with flat linear repeating articulations, and a Gezheng, more of a jumpy motif crescent angular sound. The percussion of Niggli fills out the treble registers. Together open up the musical structure for innovation and creativity in the vocal registers (from Fengxia.) Not pans and plates, steppes of pitch and voice, movements asia postmodern.
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