Angie the architect meets Rosie the riveter

Women are losing jobs in architecture faster than men, according to the lastest American Institute of Architects survey of “firm characteristics”. Gill Matthewson asks, are unlicensed women working in architecture the ‘expendable proletariat’?

"Chippers". Women war workers of Marinship Corp, 1942. Image courtesy of the US Department of Labor. Women's Bureau.

Every three years or so, the American Institute of Architects (AIA) conducts a survey of “firm characteristics”, which enables it to paint a picture of the changing nature of the architecture profession in the US. The latest AIA survey report shows a sharp drop in revenue and employment for US architecture firms due to the Global Financial Crisis. Revenue has dropped 40% since 2008 and more than 28% of positions in architecture firms have been eliminated.1

The report also records a drop in the percentage of women working in the profession: “overall, 25% of architecture staff are female, versus 27% three years ago”. On the face of it, this is perhaps a small and insignificant reduction, but it bears closer scrutiny. In their paper about the legal profession for Work, Employment & Society, Sharon Bolton and Daniel Muzio documented the patterns of gender exclusion, vertical stratification, and horizontal segregation that greeted the “mass” entry of women into law.2 Vertical stratification involves increasing the number of levels within the internal hierarchy of a profession.3 One result of stratification is the formation of a kind of “proletariat”, which Bolton and Muzio observed, in the legal profession, to be often transient, often female, and used to support “the earnings and privileges of a relatively prosperous and autonomous elite of predominately male partners”.4

In the US the proportion of unregistered (non-licensed in the US) architectural staff has been growing. According to the 2009 AIA survey report: “The share of licensed architects on staff has been trending down, while the share of non-licensed graduates of architecture programs not currently on a licensure path has been steadily increasing”.5 These non-licensed graduates are the architectural profession’s proletariat and it is probable that, as is the case in the legal profession, they are underwriting the income of their registered/licensed supervisors and employers.

The proletariat are also expendable; in tough economic times they are made redundant. The 2012 AIA survey report found that “the loss from the design staff was primarily from non-licensed architecture personnel”.6 This represented not only a hit to this particular category of personnel, but a hit to gender balance in the profession, with the proportion of female non-licensed architecture personnel dropping from 33% to 27%.

Let’s go back to the 2012 AIA figures on the percentage of women working in the architecture profession: 25% now versus 27% three years ago. Three years ago, there were 27 women and 73 men in every 100 architects. Now, 28 of these 100 architects have lost their employment leaving 72, of whom 25% or 18 are women. This means that a third of the women and around a quarter of the men lost their jobs. Just as in the legal profession, the proletariat stratification in architecture clearly has a greater impact on women.

This means that a third of the women and around a quarter of the men lost their jobs.

Unfortunately we have no figures for Australia to tell us if the same thing has happened here, but in the UK the unemployment rate for women in architecture is reportedly twice that of men.7 On that basis, I would suspect that it is likely to have happened here, at least to some extent. During World War II, women were encouraged to enter the workforce, particularly in non-traditional labour areas. After the war when the men returned, the women were promptly sent back to the domestic front. Some things don’t change.

2 comments

Some things don’t change BUT THEY COULD. Facts like this will help us find the way. Interesting well documented look at statistics and how women and men are impacted differently. Gill may I copy this entire article with credits to Parlour.org to our Organization of Women Architects (owa-usa.org)Forum (San Francisco Bay Area California, USA)?