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Transportation

Americans have always been a people on the move—on rails, roads, and waterways (for travel through the air, visit the National Air and Space Museum). In the transportation collections, railroad objects range from tools, tracks, and many train models to the massive 1401, a 280-ton locomotive built in 1926. Road vehicles include coaches, buggies, wagons, trucks, motorcycles, bicycles, and automobiles—from the days before the Model T to modern race cars. The accessories of travel are part of the collections, too, from streetlights, gas pumps, and traffic signals to goggles and overcoats.

In the maritime collections, more than 7,000 design plans and scores of ship models show the evolution of sailing ships and other vessels. Other items range from scrimshaw, photographs, and marine paintings to life jackets from the Titanic.

As the United States expanded westward in the 1800s, the Great Lakes and inland rivers provided a route for transportation, commerce, and communication. Before railroads, waterways were a primary means of transporting bulk cargoes and heavy loads. Indeed, the first locomotive used in Chicago was shipped there by a Great Lakes schooner in 1837. Stretching from Buffalo, New York, to Duluth, Minnesota, and spotted along the way with port cities such as Cleveland, Detroit, and Milwaukee, the Great Lakes brought thousands of people into the Midwest and in turn carried out the crops, lumber, and raw minerals produced in the region.

Schooners like the Ed McWilliams dominated the Great Lakes trade for much of the 19th century. Designed with a shallow hull for operating in small, inland harbors, Lakes schooners like the Ed McWilliams were also built with a long middle section to accommodate large loads of cargo.

Constructed in 1893 at West Bay City, Michigan, the Ed McWilliams was managed by John A. Francombe. Like most of his crew, Francombe immigrated to the United States in the middle of the century, he from England and the crew more likely from Scandinavia, Germany, or Ireland. The Ed McWilliams was one of thousands of vessels sailing on the Great Lakes in the 1800s, carrying cargoes of wheat, corn, iron ore, coal, and timber.

The James R. Barker was built in 1976 by the American Shipbuilding Co. at Lorain, OH for the Interlake Steamship Co. It was named after the head of the Moore-McCormack Steamship Company, which owned Interlake. Costing over $43 million, Barker was the third 1000-footer to sail the Great Lakes, and the first built entirely on the Lakes. These big bulk coal and ore carriers were constructed to fit the largest locks connecting the Great Lakes.

Barker's two big 8,000-hp engines turn two 17-1/2-foot propellers, pushing the vessel at a speed of 15.75 knots (18 mph). The ship can transport 59,000 tons of iron ore pellets or 52,000 tons of coal. The self-unloading rig has a 250-foot-long boom that can unload 10,000 tons of ore or 6,000 net tons of coal per hour. By contrast, Interlake’s first bulk carrier, the 1874 wooden-hulled steamer V.H. Ketchum, could carry only 1,700 tons of ore and took nearly twelve days to unload using manual wheelbarrows.

Built in Jeffersonville, Ind. in 1966, the 157’-6” long Jack D. Wofford works as a towboat on the Mississippi River. Unlike earlier towboats, the Jack D. Wofford has 5,000 horsepower turning twin screw propellers instead of a paddle wheel for propulsion. To avoid running aground on sandbars in the Mississippi, it was built with a very shallow hull.

River towboats on the Mississippi transport cargo. Before the railroads, river towboats were the fastest means of moving freight. Today, towboats are used to move cargo that is too heavy or expensive to send by rail. Although they are called towboats, these vessels don’t actually tow the cargo barges. Instead, towboats push them—sometimes up to fifteen at once—up and down the river. Workers attach cables to the stern of the towboat from the corners of the barge. Once the towboat and the cargo set sail, the towboat acts as a rudder, carefully steering the barges along the river.

When pushing freight, the Jack D. Wofford pushes two steel “knees” up against the sterns of the barges to steer and stabilize them. In 2007, the Wofford was still in service between St. Louis, Mo. and Minneapolis, Minn.

In 17th-century New England, the ketch (or “catch”) was a small, two-masted craft with a square stern. Ketches had small crews of around four men, and they are believed to have had fore-and-aft rigs, rather than square sails, for ease and simplicity of handling. They were used mainly for local coastal trade and for fishing on the shallow sand banks off the New England coast.

In the early 18th century, this boat type disappeared from contemporary records and descriptions. It was replaced by the “scooner” or schooner, a similar boat type with a fore-and-aft rig that was easy and economical to sail. In fact, some scholars think that only the name changed, and that the two boat types were almost identical in rig and construction.

This round aluminum-and-glass cocktail table was among the furnishings in the Duck Suite, the first-class luxury accommodations that included three upper-deck cabins aboard the ocean liner SS United States. Known as the most luxurious of the 14 first-class suites on the ship, these rooms were typically chosen by the United States’ most well-to-do passengers, from movie stars to British royalty. The Duke and Duchess of Windsor, regular passengers on the rival ship Queen Mary, switched their loyalties to the United States during the mid-1950s and booked the Duck Suite, which was their favorite lodging at sea for a time.

Like all of the furniture on this flagship of the United States Line, the table was crafted of flame-resistant metal. Launched in 1952, the ship was filled with aluminum furnishings. The ship’s architect, William Francis Gibbs, designed the vessel to be as fireproof as possible, and selected aluminum for its safety and aesthetic appeal. And while the massive amounts of aluminum did make the United States one of the safest ships ever launched, the metallic, modern décor also gave it a special feel unlike any other ocean liner. Most liners were decorated with opulent wood carvings and even had working fireplaces to make passengers feel as if they were sitting in their own living room or library. However, Gibbs put aside this notion of Victorian comfort with his new interior decorating style. The United States was the epitome of 1950s and 1960s design: sleek, modern, and practical.

This beige upholstered chair with its deeply curved back was among the furnishings in the Duck Suite, the first-class luxury accommodations that included three upper-deck cabins aboard the ocean liner SS United States. Known as the most luxurious of the 14 first-class suites on the ship, these rooms were typically chosen by the United States’ most well-to-do passengers, from movie stars to British royalty. The Duke and Duchess of Windsor, regular passengers on the rival ship Queen Mary, switched their loyalties to the United States during the mid-1950s and booked the Duck Suite, which was their favorite lodging at sea for a time.

Like all of the furniture on this flagship of the United States Line, the chair had to be crafted of flame-resistant metal. Launched in 1952, the ship was filled with aluminum selected by the ship’s architect, William Francis Gibbs, who designed the vessel to be as fireproof as possible. And while the massive amounts of aluminum did make the United States one of the safest ships ever launched, the metallic, modern décor also gave it a special feel unlike any other ocean liner. The upholstered furniture and artwork throughout the ship added texture and color to interior spaces that epitomized 1950s and 1960s design: sleek, modern, and practical.

These ten painted aluminum panels comprised a wall mural aboard the ocean liner SS United States. Called “The Currents,” the mural depicts the Atlantic Ocean with the direction of the ocean’s currents rendered in stylized, dimensional arrows. The continents are applied to the panels in gold leaf, while the ocean is painted in various shades of blue and green. Aboard the ship this mural was located on the starboard side of the first class observation lounge. “The Currents” and a companion mural called “The Winds” were painted by artist Raymond John Wendell.

Designed by naval architect William Francis Gibbs, the SS United States was created out of an unusually close connection to the federal government. During the Second World War, the U.S. Navy recognized that converted ocean liners were effective transports for conveying troops to far-flung war zones. After the war ended, the government pursued the building of a technologically advanced passenger vessel that could be converted to carry troops in the event of another global conflict. With significant federal funding and support, the SS United States was built and launched in 1952. Although it was never converted for wartime use, many of its design details remained classified into the 1970s.

One of the most unusual features of the ship was the tremendous amount of aluminum and the lack of wood Gibbs specified for its construction. Determined to build a ship that was not only fast, but ultra-safe, Gibbs was especially concerned with fire prevention after several wartime catastrophes. One that haunted him was the story of the luxury liner RMS Empress of Britain that was attacked by a German bomber while transporting hundreds of soldiers on October 26, 1940. Sixty-four troops were killed in the resulting blaze, which was fueled by the ship’s lavish wood carvings, staircases, and paneled rooms.

Two thousand tons of aluminum were used in the construction and outfitting of the SS United States, making the ship lighter and more fire-resistant than any vessel afloat. The furniture and artwork, including these panels, were all made of aluminum. Publicists for the ship claimed that the only wood on board was to be found in the galley’s chopping blocks and in the piano. Gibbs even tried to reduce this miniscule amount of wood, but Steinway & Sons allegedly refused to build an aluminum piano. To this day, the SS United States is considered the fastest and one of the safest ships ever put to sea.

Abraham Lincoln had considerable maritime background, although it is usually eclipsed by his political heritage. At the age of 19 in Anderson Creek, Ind., he built a flatboat for $24, loaded it with a local farmer’s produce, and floated it 1,000 miles down the Ohio and Mississippi Rivers to New Orleans, where he sold both the boat and its cargo. When he was 22, he was hired by an Illinois store owner to take some goods down the Mississippi and sell them in New Orleans. Lincoln built another flatboat and successfully piloted it from New Salem, Ill. to New Orleans over a three-month period.

In the mid-1840s, as a lawyer in Springfield, Ill., his law partner William Herndon recalled watching Lincoln working on a large boat model with a local craftsman. A Springfield resident recalled Lincoln demonstrating the idea for his model in public. His model embodies an idea Lincoln had for raising vessels over shoal waters by increasing their buoyancy. That idea became patent #6,469 in May 1849—the only patent ever obtained by an American president. After he became president in 1860 and moved to Washington, he visited his model in the nearby Patent Office at least once. He also enjoyed reviewing naval vessels and ideas, and he personally approved inventor John Ericsson’s idea for the ironclad warship Monitor.

Lincoln’s original patent model was acquired by the Smithsonian in 1908 and has left the Mall only once since then, for an exhibit at the US Patent Office. This replica was built by the Smithsonian in 1978 for long-term display to preserve the fragile original.

The 140’-long sternwheel ferry Kiwanis was built at Dubuque, Iowa in 1923. Owned by the Cairo City Ferry Company, the Kiwanis operated locally between Dubuque and Birds Point, Mo. until a bridge across the Mississippi River at that location put the line out of business. Across from Cairo, Ill., Birds Point had been a major river and railroad crossroads for cotton in the 19th century.

The Kiwanis was bought by Cincinnati’s Greene Line Steamers in 1930 and operated as a cargo freighter transporting agricultural and manufactured products up and down the Ohio River between Cincinnati and Huntington, W. Va. from 1933 to 1943. In 1936, it was rebuilt and renamed Evergreene.

The Evergreene was sold in 1943 to Cincinnati riverboat captain John Beatty. In 1948 it was bought by the Merchant Paving Company and became a sand dredge. It later sank near Louisville, Ky. and was dismantled.

This wheel is from the Kiwanis’s original CCFC service as a Mississippi River ferry. Standing high above the vessel’s deck, the river pilot steered by standing to one side of the wheel or the other.

This model is a cutaway of the German steamship Frisia. Originally launched as the Alsatia, the Frisia was a transatlantic passenger ship, with room for 820 passengers. Built in 1872 by Caird & Co. in Scotland, Frisia was owned by the Hamburg-American Line. Rigged for both sail and steam power, the Frisia could make the Atlantic crossing in about 12 days.

Many of the passengers who traveled aboard the Frisia were immigrants bound for America. In 1876, a group of some 70 Russian immigrants boarded the Frisia in Hamburg, Germany. Originally from Kratzke, a city in Russia near the Volga River, these men, women, and children left their homes with hopes of owning farmland in the United States. Upon arriving in New York, the Kratzke immigrants traveled west and settled in Russell County, Kansas, in October 1876. Although life was hard on the prairie, most immigrants did not return to their homeland. More Russian immigrants arrived in December 1876, and together they founded the Bender Hill community in Kansas.

The Frisia was one of the last iron steamships of its era. Shortly afterwards, steel-hulled ships became standard. Following its run as an immigrant ship, the Frisia was renamed and sold to Italian owners who converted it into a coal carrier. In 1902, the SS Frisia, then known as the Arno, was scrapped in Italy.