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Visual Arts Features

Art collectors are rarely what one might expect. Everyone has their particular enthusiasms, quirks and foibles, which make their collections unique and reflective of their tastes. In my career as a curator I have learnt never to have preconceptions when visiting collectors. The best pictures can often be found in the most modest of homes. Nothing can beat the buzz of encountering an iconic artwork in the most unlikely of settings.

Huge canvases, bold, expressive brushwork and a full-bodied, vibrant palette. Chantal Joffe’s figurative paintings are certainly striking and seductive. Citing American painter Alice Neel and American photographer Diane Arbus as two abiding influences, Joffe’s portraits are predominantly of women and children who often convey a sense of awkwardness and social unease.

Polo played in surplus First World War tanks; zeppelin-shooting as a gentlemanly leisure pursuit; the mighty vessel RMS Tyrannic, proud host of the Grand Ballroom Chariot Race and so safe "that she carries no insurance". These are just some of Canadian satirical writer and artist Bruce McCall’s ingenious retro-futurist creations.

From complex machines, whirring busily but with no useful function, to structures that allude to the fundamental building blocks of the universe, Conrad Shawcross (born 1977) uses sculpture to explore the big ideas of philosophy and science. A graduate of the Ruskin School of Drawing and Fine Art and the Slade School of Art, he bacame the youngest living Royal Academician in 2013. This year – punctuated by a series of prestigious public sculptures – has been his busiest yet.

Quentin Blake, illustrator, cartoonist and children’s author, has, to date, illustrated over 300 books. He is most famously associated with Roald Dahl, but he’s worked with a number of children’s writers, most recently David Walliams, illustrating the actor's debut novel The Boy in the Dress. He is a patron of The Big Draw which aims to get people of all ages drawing throughout the UK, and of The Nightingale Project, a charity that puts art into hospitals.

Things you might know about Oslo: it’s expensive and the cost of a beer, wine, dinner for two – whatever your tourist yardstick – might make your hair stand on end (the cost of living is currently second only to Singapore city, according to a 2014 survey by the Economist Intelligence Unit); it’s small (population: 600,000), yet it’s also the fastest growing capital in Europe, thanks to both overseas immigration and the fact that many Norwegians are now moving to the capital; its most...

On a snowy day in early spring in New York, the On Kawara – Silence show at the Guggenheim is unlikely to warm you up. His date paintings, postcards, telegrams and other coldly ur-conceptual accountings spiral up those famous white Frank Lloyd Wright stairs, seemingly ad infinitum. But it’s a powerful, hypnotic experience, one that seeps into your subconscious and becomes a meditation on time and space.

Andrew Comben, CEO of the Brighton Festival, chooses ten locations that have resonance with the annual event. He talks about their past and future but, most particularly, what will be happening this May

The sea is the theme uniting Simon Faithfull’s mid-career retrospective. It makes the port of Calais the perfect host for this splendid exhibition and, to put you in the mood, ideally you should make the crossing by boat. Faithfull spent six days going back and forth, back and forth on the P&O ferry between Dover and Calais.

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