Marianna Katerelou finished her piano studies with the
best note and a gold medal in the Odeion
"Nikos Skalkotas" in Athens
in 1995. Afterwards she got several international grants, one of them
from
the UNESCO to study under Victor Eresco. In 2001 she won the "Grand Prix" in
piano at the
"Conservatoire Internationale de Musique" in Paris.
She
gave concerts with piano duo and published
a CD together with Natalia
Michailidou.

Programm: Arepertoire from works of MozartFurther information follow soon

The Bavarian Classics, founded 1990, is an classical 40-persons orchestra
with experienced musicans of the Symphonyorchestra of the Kulturverein
Zorneding/Bavarian withsoloistsand guestmusicansfrom Hamburg, Lübeck,
Nürnberg, Paris, Saulgau und Strasbourg. Guest performances in Munich, Frankfurt, Genf,
Graz und Shanghai.
A chamber music formation managed by the persistent chief Hans Walter Kämpfel, wasguest in the ancient theater in 1995 and in the archaeological museum of Botrum, the seagarden
of Antalya and in the operahouse Ankara

This includes welcome and final parties, excursions (not admissions) transfers from and to Athens ,
arrivals by 2.30 pm and departures after 10.00 and all music making.

For accommodation, see below.

Selianitika is a typical Greek Fishing Village but does not have “Fish and Chips”, “Cups of Tea Like Mother makes”
and “Full English Breakfast” to spoil it. The waterfront and narrow beach, which is an EU Blue Flag beach, is of fine shingle. There is no tide .

The temperature in August , when we will be there should be around 30C during the day. (The high summer temperatures are between July 15th and August 15th . )
It is used mainly by Greek people who take a siesta in the afternoon then enjoy themselves until late! So when in Rome – Greece , do as the locals do.

Hellenikon Idyllion is set amongst orange and fig trees all of which are there for the picking, with grape vines climbing the pergolas.
The beach is just 10 metres from the front gate, oleander trees with Hollywood swings and sun-beds that can be used to sleep out
under the stars are dotted around the grounds.

This full time centre for music making offers unique opportunities for orchestral, choral and chamber music. It is about 3-4 hours from Athens using local buses and trains.
It will be less than that by the chartered bus that will take in the main sights of Athens on the way, that will be arranged.
There are many variations on ways to reach Selianitika, which is close to Patras.

By air from UK - Easyjet and BA, from Gatwick, Olympic or Hellas Air from Heathrow, Easyjet from Luton amongst others to Athens ,
By Ferry to Patras from Italy ,

By rail, ferry or road . More information on these choices can be found on the website shown above.

The recommendation is the 06.30 Easyjet from Gatwick. Yes I know, another early start but it also returns at a sensible time in the afternoon.

The chartered bus will leave the airport around 1430hrs. Depending on flight times notified by April 30th

Rehearsals will take place early in the morning before it gets too hot and again in the cool of the evening.
These will be in a covered stage shell for the orchestra and under the apple trees for the choir. (Alternative indoor space if wet)

This venue will be very suitable for families and non-musician/singers to share the week.

Accommodation varies with different numbers of beds per unit. All these units have a bathroom and most a kitchen for self-catering.
There is a communal kitchen for others.

Price of accommodation at H.I. will be £100 €150 single, £90 €135 pp sharing an en-suite unit.
Families/students sharing large units with some bunk beds, £80 €120
per person Bed linen is provided, but not towels.

If you require the privacy of an en-suite, double, single or twin room, then there is a choice of hotels and apartments within a 15 minute walk.
These can be booked on your behalf.

There will be some evening meals, based around the barbecue and clay oven. There are many Restaurants,
Tavernas and Cafes along the edge of the water looking across towards the mountains.

There is a grand piano and electric keyboard 3 pianos, , guitar, drum set etc for use.

Cellos and double basses can be hired for a subsidised fee of £80

There are coin-operated washing machines available.

Various practice rooms and even a keyboard with attached computer for those wishing to arrange or compose music while there!
These are by arrangement with Andreas the owner and any extra charges to be paid by the user.

There will be half and full day excursions arranged and of course a final night party with a local flavour!
As always we will work towards a concert at the end of the week.

Travel is arranged for mid-week, prices being lower and threats of strikes etc less. Why not make your own arrangements to go elsewhere in Greece ,
before or afterwards.

The Conductor will be Rafail Pilarinos

He previously studied conducting at the St. Cecilia Academy of Music. At present Rafail is permanent Conductor of the Piraeus Symphony Orchestra “D.Mitropoulos.
He has conducted the Brasov Philharmonic Orchestra of Romania and he has also been conductor of the Athens State Orchestra and “Santa Cecilia” of Rome .

The Music will be chosen from L.V.Beethoven “Prometheus'' (Overture), Mendelsohn “Concerto No 2 in D minor, for pianoforte e Orchestra.'' .Respighi “Antiche Danze ed Arie”,(parts of) Greek Dances by Skalkottas (Choir and Orchestra) Other works to be added depending on bookings.

Music for the choir to be chosen by the conductor when appointed.

A professional quartet the leaders of the orchestra SONEP «Dimitris Mitropoulos» will lead and coach the string sections and also offer a performance on one particular evening.

Choir Conductor to be arranged together with Despina Stefanidou who was born in Greece
and obtained her diploma for voice and piano, in Athens , a former soloist with Opera companies in Greece .
She will conduct a couple of Greek Dances for chorus.

Relaxing in Greece and - at the same time - improving one's language knowledge-
doesn't that sound interesting?

There is only one place where this opportunity is offered. High School and University Students
and adults from different countries meet in a large, shady garden near the sea; together they discover that they can
uphold conversation, read and talk about entertaining
and intellectual texts, all in the language Plato spoke.
At the same time the vacation facility Hellenikon Idyllion also accommodates musicians and people interested in culture and arts;
lectures and concerts are offered to the guests on several evenings.

It is possible to visit an old antique theatre and watch the performance of a play there.
The Hellenikon Idyllion is located at the northern coast of the Peloponnesian close to Aigio,
a traditional town drawing the attention mostly to Greek guests.
The owner is supporting the seminar in Classic Greek by offering free accommodation
(shared rooms) for the participants if available.
On request he also arranges accommodation in single or double rooms.

Costs of Seminar - for two weeks: 200,- €; for students 150,- €

Questions on further details and obligatory announcement
with the lecturer of the seminar: Helmut Quack

Even in the present there are people who are learning the language of Plato in order to widen their comprehension
for the classic Greek philosophy, their art of rhetoric, the classic tragedy.

This is why Hellenikon Idyllion invoices every enthusiast from every country about Ancien Greek within the scope of the seminar
>Ancient Greek< to draw up texts (also poems)
in Classic Greek . Admissible are topics that deal with value and effect
of the Classic language and culture of the Greeks . In order to enrich your work we also welcome additional hearable or visual material.
Please prefer fastidious subjects so as to be able to take profit from the Old Greek's richness of nuances.

Hellenikon Idyllion will honor the participants' works in the following way:

1. Every participant will receive a certificate at the end of the competition

2. The certificate will appreciate the individual capacity of each work according to its worth

3. Suitable texts will be published

4. For particular qualitative texts there will be special prizes

Conditions of participation: Send your text to: Hellenikon Idyllion, GR-25100 Selianitika/Egion.
The texts must arrive at Hellenikon Idyllion on July 1st, 2005 at the latest . Please type your texts with computer.
Do not write more than 100 lines and hand in maximumly 2 pages. Please tell us what your current activity (school/ profession/ hobbies etc.)
is and for how long and in which way you have been learning Classic Greek.

Greek dance like the famousSirtaki, latinamerican dance as Tango Argentino ,Salsa, Cha cha cha or a
European classical waltz -with Hobbydancer Stavros, you can
dance on the stage in our garden of muse from march till novembre !

Don't be afraid ! You don't need any knowledge. Simply
bring your joy in the music and your desire to dance.

The presentation is divided into three parts. The
fundamental idea is the antique pentathlon (which means running, Javelinand discobolus,
long jump and wrestling). The performance is introduced by short texts about
the single forms of sport of the ancient
poet Pindar. Also you can see the basic elements of practise gymnastics and
of wrestling as well as exciting choreographies. The program is accompanied
by music of diverse epochs and genres including well-known titles as well as
rather unkown songs.The admosphere is reinforced by amazing light effects such
as black-light.Eyes and ears,soul and mind of the audience are invited to join
the pleasant feeling during our 90-minutes show.

In Meersburg culture can be found around
every corner. It is visible not only in the wrinkled faces of the old, timber-framed
houses but also in the old castle s mighty walls protecting the lake and
the city, and the New Castle that unites tradition and modern age under one
roof. And the culture also shows in the "Knabenmusik Meersburg", which
keeps alive the music between vintages and Romanticism, custom and baroque,
trend and tradition with its boys and young men between the age of 10 and 18.

It shows in the selection of their pieces as well
as in their presentation - as the independent interpretation of past masters,
as very individual performances of the classical modern age , as first
- class concerts on a small or large scale. The responsible body for the KM
is the town of Meersburg. Since its foundation in the year 1953, the youth brass
band has developed into a integral part of the culture in the town; just as
boys in other cities are praised as "best goaltender" or "best
goal scorer", Meersburg s boys are artists at their brass instruments.
Consequently, the orchestra s open seats are highly sought after. The selection
procedure is demanding - it is a challenge and a confirmation of extraordinary
achievement for all musically talented young men to be admitted into this first
- class community. And of course it is also a guarantee for an extraordinary
performance for anyone who invites the KM into his or her home.

2.Daily life in Meersburg. Experiencing music.

In Meersburg, a special procession of young men
dressed in the traditional red, black and white rococo-costume is the sign that
the beautiful season is on its way. Weekly concerts (held on Mondays in the
New Baroque Palace) show how intensive practice was during the winter months.
It pays off, of course; the success of the boys from Meersburg is immortalized
on CD and cassette. Radio and television stations invite them to challenging
concerts, which the young musicians master splendidly.

The "Friends of the KM' (an organization
providing financial support), parents and relatives support the very committed
boys who captivate people worldwide with their sound and draw people s attention
to the wonderfully romantic and ancient little town.

3.Standing in the limelight. Training in a team.

Others take their sports bag and bring home muddy
shirts, a bad cold and, in the worst case, break a leg. Fortunately, the pastime
of Meersburg s artists stimulates the ears instead of causing blue marks and
fractures. Our young men do not go to practice less often than others do; however,
they accomplish a great deal where music is concerned.

The professional pedagogical education and looking
after by the teachers of the youth music school, founded to prepare the younger
generation for the future, is a sort of training. Whoever is willing to come
to practice regularly (several times a week), to give his best on many weekends
and on concert tours and to defend his permanent place in the team has
found his "sport" in the KM. It is an open secret in town that guys
with special talents meet in the KM.

4.Experiencing community. Learning for life.

Where else do youths made their first steps onto
the international scene as carefree as here?Music opens
doors and unites people. Passion for music and fun in the community are inseparable
in the KM. everyone finds his place and, along with his own responsibility,
his individual position in the team. The selection of pieces is greed upon together.
Contemporary, classical or entertainig - the repertoire is not out - of
- touch but recognized worldwide. Most of our boys keep the love of music for
the rest of their lives. It leaves them with a stylistic sensitivity that the
ear can never forger and might even determine their future professional career.

Following the KM, lost young men join the "Stadtkapelle"
(the other orchestra in town). Their excellent work t musical performances as
well as the way in which they deal with each other has become famous.

5.At home in the world. Living in Meersburg.

As ambassadors in matters of music, the young
men from Meersburg go on a big trip each year, to the United States, for example.
To Hungary or Norway. To the world exhibition (EXPO) in Hanover, to Brussels
or Moscow. The musicians from Lake Constance are often invited to special
events on the international scene. With their traditional costumes, they
bring the ideal appearance, the appropriate repertoire and an outstanding performance
in front of a demanding audience.

Again and again, international critics praise
the young musicians unusual quality. The well-earned reward is excellent results
at international competitions: a reward to the boys from Meersburg who
know that the world can be won with music!

Program:

1. Bodenseemarsch
Toni Haile
1968

2 Bayrischer Defiliermarsch
Adolf Scherzer 1974

4. A Hot Time
Harold Walters 1974

5.Der kleine Trommler
Toni Haile 1974

6. Annen Polka
Johann Strauss
1975

7. Der alte Brummbär
Julius Fucik
1980

8. Londonderry Air
Harold Walters
1980

9. Trumpets Ole
Frank D. Cofield
1984

10. Avocados
Hans Joachim Rhiow
1984

11.Freut euch des Lebens
Paul Biste
1992

12. Toccata for Band
Frank Erickson
1992

13. Cordillers de los Ande ( 3. Satz)
Kees Vlak
1995

14. Rhapsody from Scotland
Henk van Lijnschooten
1995

15. Fantasie für Es
Alt Saxophon
Jules Demersseman
2001

16. Tritsch Tratsch Polka
Johann Strauss
2003

17. Music for a Solemnity
Jan de Haan
2003

18. One Moment in Time
Albert Hammond und John Bettis 2003

19. Nachtwächter
Toni Haile
1992

20.The Zorbas - Dance
Mikis Theodorakis

Szabolsc Galathay
was born in Budapest and has made studies of music at the Franz Liszt music
high school. His compartment is quer flute.
After that he made studies for conductor
by Prof. Antal Jancsovics in Hungary. After that he had lead the orchestra
Zoll chapel in Budapest.

As a soloist from the Quer flute he
gave concerts in Hungary, Germany and Austria. Since 1989 he lives in Germany
and teaches at various music schools in this region.
Since 1992 he leads the
town chapel Meersburg.

In the year 2002 he became urban music manager
of the teenager music school, and also manager from of the boys music-school
Meersburg.

The Concerts
:In
this beautiful ancient Theater in Heraion Tempel by Loutraki

the meersburgs boys will

give a concert at 22 May. They will also

give concerts in Chalandri in Athen ( 21th of
may), in Kalavrita

(23th of may in the afternoon), in Korinth (23th
of may in the evening) and in Arachova by Delphi (25th of may

The Traverser Saxophone Quartet was formed in September of 2002 when four
saxophone teachers from colleges and universities in the Northern West Virginia/Southern
Pennsylvania region collaborated. The idea behind the quartet was in the
name Traverser, or "crossing over." This can be explained by the
varied music that the group performs - everything from core classical repertoire
to jazz and funk styles. Also, the members switch instruments throughout
the performances, creating a continuously varied ensemble texture.
Seeking out new music is one of the TSQ's main objectives. Such great
American composers as Walter S. Hartley, David
Williams, and Christopher Tilley have already dedicated works to the TSQ,
but the music does not end there! Spiros Mazis(Greece) and
Server Acim(Turkey)
are currently composing new works for the TSQ.

The TSQ has already given concerts
across the states of West Virginia, Pennsylvania, and Minnesota. They
hosted the first annual Traverser Saxophone Symposium at West Virginia Wesleyan
College in February, 2003, and founded the Appalachian Saxophone Orchestra.
The second annual Traverser Saxophone Symposium is scheduled to be held
at West Virginia University on March 5, 2004.
Musicians

Curtis Johnson, Associate Professor
of Music at West Virginia University, has been on the WVU faculty for fifteen
years. He received his Master of Music degree in saxophone performance from
West Virginia University and his Bachelor of Music Degree from West Liberty
State College. Mr. Johnson's career continues to expand into wider regions
as performer, soloist, clinician, adjudicator, and conductor. Mr. Johnson
has been the conductor of numerous All-County and All-CityJazz Ensembles
as well as the Maryland All-State Jazz Ensemble. Mr. Johnson has performed
for or has been in the opening act for such performers as Ray Charles, Little
Anthony, Aretha Franklin, James Brown, Jeffrey Osborne, Wynton Marsalis,
Chicago, The Temptations, Blood, Sweat, and Tears, and Hall and Oates. He
has performed as soloist with the West Virginia Symphony Orchestra and worked
as arranger and performer with the Wheeling Symphony Orchestra and substitute
for the Pittsburgh Symphony Orchestra. He has also performed on and produced
numerous radio and television commercials, compact disc recordings, and
film scores. In 1999, Mr. Johnson and his band, The Real Silk Band, released
their first CD entitled Metamorphosis. The Real Silk Band was named the
1999 winner of the Harry S. Schwalb Award as Pittsburgh's best jazz band
and the 2000 and 2001 radio station WAMO award for best jazz performance.
Mr. Johnson is also an Artist/Clinician for the Yamaha Corporation of America.

Michael Sakash, Assistant Professor of Instrumental
Music at Washington & Jefferson College, is an active performer and
educator with experience in jazz and classical genres. He holds a masters
degree from the Eastman School of Music, Rochester, NY, and bachelors degrees
in music education, jazz studies, and classical saxophone performance from
the University of Massachusetts, Amherst. He has studied the classical saxophone
repertoire with Lynn Klock, improvisation with Yusef Lateef, woodwinds with
Dr. Ramon Ricker, and composition and arranging with Fred Sturm. As a saxophonist
Michael Sakash has performed with the Rochester Philharmonic, the Erie Symphony,
and recently performed the Glazounov Concerto with the Pittsburgh Civic
Orchestra. As a jazz saxophonist he has backed up performers such as Dave
Holland, Kenny Wheeler, and Eliane Elias. He regularly performs with many
of Pittsburgh's top jazz musicians.

David Wright, Assistant Professor of Music at West
Virginia Wesleyan College has performed both classical and jazz saxophone
throughout the United States, Honduras, Finland, Estonia, Peru and Russia.
Mr. Wright has appeared with The Temptations, The Four Tops, Frankie Valli
and the Four Seasons, Mary Wilson, The O'Jays, Regis Philbin, The Jimmy
Dorsey Orchestra, King Konga, Bobby Senabria, These Three Tenors, Eddie
Mekka, and Dave Samuels. Some selected classical saxophone performances
include appearances with the Louisiana Sinfonietta, Meridan Symphony, Mississippi
Wind Band, Tupelo Symphonic Wind Ensemble, Victoriano Lopez Camerata (Honduras),
and the Natchez Opera. David holds a B.M.E. from the State University of
New York, College at Fredonia, a M.M.E. from the University of Southern
Mississippi, and is a D.M.A. candidate at the University of Southern Mississippi.
He has studied saxophone with Laurence Wyman, Lee Patrick, and Lawrence
Gwozdz. Mr. Wright is an Artist/Educational Specialist for C.G. Conn-Selmer
Inc.

Jonathan Brink is currently seeking a master's degree
in saxophone performance from West Virginia University where he studies
with Curtis Johnson. He received his undergraduate degree from the
University of Wisconsin-Stevens Point where he studied saxophone with David
Hastings and composition with Charles Rochester Young. In addition
to his graduate studies,
Jonathan is teaching clarinet and saxophone at Fairmont State College, and
he is teaching saxophone at Frostburg State University. As a classical
saxophonist Jonathan has performed many solo and chamber recitals, and as
a jazz musician, he has had the pleasure of backing great musicians such
as John Scofield, Clark Terry, Jeff Hamilton and the Clayton Brothers.

The application of this
method to voice
training, is designed to
develop a heightened sense of awareness,
through moving, sensing,
thinking,
imagining and to discover for oneself how movement and
voice production interconnect.

“When
I know what I am doing, I can do what I want” Moshe
Feldenkrais

Biography Christine Rahlf:

German State Qualifications
in corporal expression and dance specialised in music for schools, voice training
and initiation
in the use of musical instruments (method Carl Orff).

Professional engagements
in the world of theatre, television and dance led from Germany
to Switzerland,Italy and France,
where
she continued her singing studies while also taking part in master classes and
giving numerous recitals
and concerts (Lied, Oratorio).

Over
that time she has gained long experience in professional singing as a
member of the Zürich Opera
and the National Opera of Paris.

Following on “pedagogical meetings”
with Margeet Honig in the context of preparing the teaching diploma in singing,
and through studying
the M. Alexander technique she came to know the
Feldenkrais Method and is now involved in preparing
the professional
training course (a four year cycle)

The Feldenkrais approach has
become the focus of her work as a singing teacher and her research into voice
training.

==========================================================

July 30th
-August 8th 2004

The "Sinfonic
Wind Orchestra"
of the youth's music school of Singen, Germany

conductor: Siegfried Worch

with

the
Ensemble Stringendo
and a chamber music ensemble

conductor

:
Bruno Kewitsch

The
"Sinfonische Blasorchester" of the youth's music school in Singen
was founded in 1975.
Since 1996 Stadtmusikdirektor Siegfried Worch has managed the
orchestra. In 1978 until 2002 it played concerts
all over Europe - in Belgium,
France, Spain, Scandinavia, Italy and Hungary. The orchestra gained

several
prizes in International competitions like: 1997 European music festival in
Belgium,
1998 5. Landesmusikfestival Ehingen/Donau (note "very well -
well"), 2000 Seinäjoki
Wind Music Festival
in Finland (first prize) and 2002 Donauknie music festival in Hungary (first
prize).

The international opera studio Meran managed by Prof. Richard Sigmund.

The international opera studio Meran will perform "Orpheus and Euredice"
from Christoph Willibald Glueck.
With concert and in costume - in the original
language and the

"Pindar´s Hymns"

from Spyros Mazis,
Athens and will perform in various ancient
theatres in Greece. It i

s

a work from the International Composition Competition
- in honour of the Greek poet Pindar and the winners athletes of all the Games
in ancient Hellas in Olympia, Isthmia and Pythia.

Hellenikon Idyllion spoke
with the jury member Werner Schulze, Professor at the University of Music and Art Vienna,
How did the jury
judge the received compositions?

....We paid attention on certain characteristics,
for example whether the five ancient disciplines run, long jump, discus, javelin,
wrestling became effective, whether the metrical measure of Pindar’s text was
converted, how the orchestra
and the choir or speakers were used or how the
quality of a composition is jugged in general.
We did not prefer any specific
style; It was important to try to go towards a new direction.
We examined whether
the composer -by dealing with the topic- was able to develop his own view,
with
the courage to find and express his own personal language. Further it was important,
that people who are interested in music are able to find an access to the musical
representation of the topic.
The piece of work, which had a too popular style
or on the other hand a too avant-garde style one was less in demand.....

born 1957 at Korfu, studied (i.a.) Composition, Director of the "Classic
and Contemporary Music
and Center of Elektronic Music" Conservatory in
Athens

Production and the musical management:
Prof. Richard Sigmund

Organizer: opera studio Meran

Management from the business office and disponent: Petra
Peschl

Mathias Ludwig was born in Rosenheim. He has at
1984 the first musical training of the classical quitar.
1996 was the conclusion
from the school training, Abitur with "very good". From 1997
he has the first instruction of singing by Schneider.
From 1998 he has
studies of singing at the Richard - Strauss - conservatorium Munich; 1998-2001
by KS Gudrun Wewezow,
since 2001 by Marilyn Schmiege.
Curs and continuing education also by Shavon Weller and Donald Sulzen. He has
a regular concert activity in home and abroad,
( also Israel, Canada, USA). Participation
by opera production from the Richard - Strauss - Conservatorium:
as "Papageno"
in the Zauberflöte,"Peter Besenbinder"
in Hänsel and Gretel, "Bobby" in Weills
Mahagonny - song play,
also in various opera scenic.Participation by the day of old music in Diessen (opera pasticcio, perform of
scenic.
Participation by the song evening from the Rheinberger - festivals 2001 in Munich.

Francesca Micarelli, he was born in Rom. In this
time he has a studies of the university in Trient-modern philogie,
her compartment
is music. Studies and diploma in violin by Prof. Silvio Mascatelli at the conservatorium
"G. Verdi"
in Mailand. Chamber music by Prof. Costantino Mauriello.
At this time was the singing studies at the conservatorium
"G.Verdi"
in By Mrs Prof. Ferrante. Winner from the special price for young talents
by
the 4. international singing competition "Debüt
in Meran".

Richard Sigmund was born in south Tyrol. her studies
at the university for music and art in Vienna.
1984 he has his diploma examination
and Debüt as "Max" in Webers. "Freischütz'
by the celebration plays
in Weikersheim. Engagements as tenor at the European
opera houses as well as concert activity as song and oratory
singer.
A good activity as conductor, also Beethoven "symphony Nr. 9",
C. Orff "Carmina Burana",
Mendelssohn, Sommernachtstraum, Haydn "Schöpfung",
Mozart "Requiem", Händl "Messias",
Mozart "Zauberflöte"
and director from
various operas, also "Der Freischütz",
"Die Zauberflöte", ÄLe nozze di Figaro ",
"II Barbiere die Siviglia",
"Crmen", and musicals , also
"West Side Story", "Jesus Christ Superstar"," Anatevka",
"Man of La Mancha", "Sound of nusic"
im home and abroad.

He gives lessons at the middle school Josef Wenter with
musicals furnishings.

Dozent for paedagogic of voice and voice education,
as well as voice engineering man, various international famous singer .

Since
1995 he has been the manager of the opera workshop and conductor from the teenager
orchestra in south Tyrol.
Since 1996 intendant from the international opera
studies Meran. Since 1999 manager from the cur orchestra Meran.

Organizer and manager of various festivals as well as CD- radio- an TV -recordings.

Jury chairperson of the international singing competition "Debüt
in Meran" 1996,1998,2000 and 2002.

The first concerts:on August 21th at the ancient theatre of
Argos

and End of August at the ancient theatre of
Oiniadesin westren greece near Messolongi

For the sixth time, Hellenikon Idyllion organizes the
attic competition: Click here
to see the conditions in classical greek!

Relaxing in Greece and - at the same time - improving one's language
knowledge; doesn't that sound interesting?
There is only one place where this
opportunity is offered. High School and University Students and adults from
different countries meet in a large, shady garden close by the sea; together
they discover that they can uphold conversation,
read and talk about
entertaining and intellectual texts, all in the language Plato spoke. At the
same time the vacation facility Hellenikon Idyllion
also accommodates musicians
and people interested in the culture and arts; lectures and concerts are offered
to the guest on several evenings.
It is possible to visit an old antique theatre
and watch the performance of a play there.

The Hellenikon Idyllion is located at the northern coast of the Peloponnesian
close to Aegio, a traditional town drawing the attention mostly to Greek guests.
The owner is supporting the seminar in Classic Greek by offering free
accommodation (shared rooms) for the participants if available.
On request he
also arranges accommodation in single or double rooms.

Program:Spiritual and temporal songs for choir and arias from german and greek operas and operettas

soprano:Christina Kaiser

concert at october 15th in Kifissia / Athen

Christina Kaiser, soprano

Karl Kaiser, conductor

Program (15.10.04) Athen concert for soprano, choir and piano

Dietrich Buxtehude

Cantate Domino

for solo, choir and piano

Georg Friedrich Händel

„Rejoyce“ from „Der Messias“

for sopran and piano

Joseph Rheinberger

„Preis und Anbetung“

choir a capella

Anton Bruckner

„Locus iste a Deo factus est »

choir a capella

Felix Mendelssohn Bartholdy

„Jauchzet dem Herrn alle Welt“

choir a capella

Antonin Dvorak

from „Biblische Lieder“

„Gott erhöre mein inniges Flehn“

„Gott ist mein Hirte“

„Hör, o Vater, wie dich bitte“

„Wende dich zu mir“

for sopran and piano

John Rutter

„Pie Jesu“ aus dem „Requiem“

for solo, choir und piano

„I will sing with the spirit”

“Look at the world”

for choir and piano

lied from Greece for sopran and piano:

G. Lambelet

Die BlumenbekränzteL. Zoras

Der Zigeuner

Antonin Dvorak

Arie aus „Rusalka“: „Lied an den Mond“

for sopran and piano

Giacomo Puccini

Aria from “Gianni Scichi”: “O mio babbino caro”

for sopran and piano

Giuseppe Verdi

“Gefangenenchor“ aus „Nabucco“

for choir and piano

Franz Lehar

„Vilja-Lied“ from „Die lustige Witwe“

for solo, choir and piano

actors:

Christina Kaiser, sopran

Cantor of the Friedenskirche Radebeul

Piano and Conductor: Karlheinz Kaiser

(time about 1 hour)

Cantor of the Friedenskirche Radebeul

The Friedenskirche Radebeul was built in 13. century. The origin of the name is based on „Friedensschluss zu Kotzschenbroda“
in the year 1645. There were a armistice signed in a wall 3 years before the end of the 30-yearlong war. Radebeul has been 35000
inhabitants and is located in a vineyardarea in Elbtal at the border of Dresden.About 375 Jahren exist the cantor of Radebeul.
The cantor, the chorus of the Friedenskirche, performs every year two or three big opera, cantata and spirituell songs for the church.
In particular to see the concurrence by the CD "Musik in der Friedenskirche"
and the chorusjourney to Israel with three concerts of theDvorak-Messe in D.

Christina Kaiser,

get different prices by "Jugend musiziert" and studied musicsience and singing in Dresden. She maked her name in oratories-
and liedchant and got an education in the operastudio of the Semperoper Dresden.
This year she finished her studies with a very good certificate! 2002 she took part by an CD-production (play for sining and organ)
"Die neue Jehmlich-Orgel in der Garnisionskirche" (fortress Königstein)

Karlheinz Kaiser,

born in 1952, studied music for church in Dresden and Weimar. After that he worked as an church-pianist in Dresden and Leisnig.
In 1985 he was appointed to the director of the churchmusic. Since 1994 he works in the Friedenskirche Radebeul.
In 1991 he produced his first organ-CD "Musik als Brücke" in Leisnig. The second record "Musik in der Freidenskirche"
arrised 1994 in Radebeul (2002 assistance by the CD-production "Die neue Jehmlich-Orgel in der Garnisionskirche"
fortress Königstein). Karlheinz Kaiser is initiator of the"Radebeuler organsummer".
He performed almost every classical oratoria in many places in Germany.

Joyful voices
Soon and very soon
Somebody is nocking at your door
Song of joy
Let us break bread
Holy
He/s got the whole world
His name will shine
Sing praises
He will never stop loving me
Come on let us go
Ride the chariot
Standing in the need of prayer
Angels watching
Song of celebration

The course is for beginners and advanced people. The paintings are prefer
to take place outside. the natural surroundings offer itself: landscape,
coast, mountains, sky, vegetation are motives and starting points for abstract
and concret works.
If the weather isn/t so nice the paintings take place inside.
In this case there/s a second suggestion for themes.
By means of illustrations of greek sculptures (Nike, Hypnos...)
sketches or prepares studies of the human figure can be produced.

The course should demand the personal possibilities of design.
Creativity an spontanity as well as the conscious effort of technique elements,
like composition, colour and volumn bleong to it.
The advice on the selection of the motives by means of examples as well as the
discussion of the point of view and the recommended pictural techniquea.
There is also the possibility to get instruction for abstract landscape painting.
Personal projects are welcome.

The number of course participants allows an individual looking after.
At the end of the course the work will be exhibited.

Karin Loi lives and works in Brüssel. She studied at the Ecole of Beaux-arts and at the academy
of arts in Brüssel in free painting, drawing, graphic arts and also diploma socialist.
She had a number of singel exhibitions and stays for work on different european countries.