I
was thinking of Ruth when I wrote this. It is not really to her,
and yet the cry of it that came from my heart, imagining a dying
man taking his leave of his beloved, was probably the acting of
the subconscious within me.

Study of the blacksmith
tradition and New Orleans famous lace
balconies and fences.

Acclaimed during his life as the unofficial
poet laureate of the New Orleans
African-American community, Marcus Christian
recorded a distinguished career as
historian, journalist, and literary scholar.
He was a contributor to Pelican's
Gumbo Ya Ya, and also wrote many
articles that appeared in numerous
newspapers, journals, and general-interest
publications.

In Allah, Liberty and Love, Irshad Manji paves a path for Muslims and non-Muslims to transcend the fears that stop so many of us from living with honest-to-God integrity: the fear of offending others in a multicultural world as well as the fear of questioning our own communities. Since publishing her international bestseller, The Trouble with Islam Today, Manji has moved from anger to aspiration. She shows how any of us can reconcile faith with freedom and thus discover the Allah of liberty and love—the universal God that loves us enough to give us choices and the capacity to make them. Among the most visible Muslim reformers of our era, Manji draws on her experience in the trenches to share stories that are deeply poignant, frequently funny and always revealing about these morally confused times. What prevents young Muslims, even in the West, from expressing their need for religious reinterpretation? What scares non-Muslims about openly supporting liberal voices within Islam?

According to the
author, this society has historically exerted
considerable pressure on black females to fit into one
of a handful of stereotypes, primarily, the Mammy, the
Matriarch or the Jezebel. The selfless
Mammy’s behavior is marked by a slavish devotion to
white folks’ domestic concerns, often at the expense of
those of her own family’s needs. By contrast, the
relatively-hedonistic Jezebel is a sexually-insatiable
temptress. And the Matriarch is generally thought of as
an emasculating figure who denigrates black men, ala the
characters Sapphire and Aunt Esther on the television
shows Amos and Andy and Sanford and Son, respectively.

Professor Perry
points out how the propagation of these harmful myths
have served the mainstream culture well. For instance,
the Mammy suggests that it is almost second nature for
black females to feel a maternal instinct towards
Caucasian babies.

On one level, Salvage the Bones is a simple story about a poor black family that’s about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrina’s inexorable winds is the voice of Ward’s narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her family’s raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brother’s “blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt.” Her father’s hands “are like gravel,” while her own hand “slides through his grip like a wet fish,” and a handsome boy’s “muscles jabbered like chickens.” Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isn’t usually just metaphor for metaphor’s sake.

She conveys something fundamental about Esch’s fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, what’s salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.—

If
you’re smart and a hard worker, but your
parents aren’t rich, you’re now better
off being born in Munich, Germany or in
Singapore than in Cleveland, Ohio or New
York. This radical shift did not happen
by accident. Ferguson shows how, since
the Reagan administration in the 1980s,
both major political parties have become
captives of the moneyed elite. It was
the Clinton administration that
dismantled the regulatory controls that
protected the average citizen from
avaricious financiers. It was the Bush
team that destroyed the federal revenue
base with its grotesquely skewed tax
cuts for the rich. And it is the Obama
White House that has allowed financial
criminals to continue to operate
unchecked, even after supposed “reforms”
installed after the collapse of 2008.
Predator Nation
reveals how once-revered figures like
Alan Greenspan and Larry Summers became
mere courtiers to the elite.

Based on many
newly released court filings, it details the extent of
the crimes—there is no other word—committed in the
frenzied chase for wealth that caused the financial
crisis. And, finally, it lays out a plan of action for
how we might take back our country and the American
dream.—Read
Chapter 1