Welcome
to the enigmatic portfolio of SkidMark's resident 21st century Van
Gogh, DAWGBOY from the band Uncle
Binley's Room. They say art is in the eye of the beholder,
so kick back, chill out and view the world through the mind's
eye of the Quamberry laboratory's senior germ / cootie production
analyst!

Exhibit
No.1 "DAWGY"

A
Microsoft Paintbrush self portrait of Dawgboy after ingesting three
bottles of minty fresh scope during the "SIPPIN LIKE YO MAMA"
tour back in 98. The art is reminiscent of a tragic event with UBR's
tourbus - aka - "Moth Incubator 3.6" The band's transportation unit
lost it's full exhaust system on the Dan Ryan expressway. UBR was
fortunate enough to obtain a bottle of "Mr. Nifty's" bubbles in
from a local JJ Peppers convenience store, to help bide their time
until a rescue unit could come to assist the M.I. 3.6. The history
of this portrait is significant because - as it has switched hands
over the years from website to website, it has retained all of the
qualities of it's original, but it is in fact a mere "Cut & Paste"
of Dawgboys genuine Microsoft Paintbrushed self portrait which resides
only on his PC screen at home - very few have had a chance to view
the original in it's intended monitor's resolution. It has also
been rumored that this portrait was going to be a friendship gift
from Dawgboy to Jumblo Binley on Kasimir S. Pulaski Day 1998, but
there is no real verification of this.

.

Exhibit
No.2 "WASTE"

This
piece is a Unique analysis of Dawgy's perception of his inner self
more elaborately explained in the Song "Waste Some Time" by Uncle
Binley's Room - off of the album "Sippin from the test tube" It
appears that the artist is trying to convey a message that the viewer
"can't tell the shivers up his spine - are giving him the signal
that it's time for one more try..." One more try for what we might
ask? An sinfull act, perhaps a longing to fill in missing pieces
of the artist's past? Maybe just some good ole Nooky? It is difficult
to pinpoint, but one thing we can deduce is that there is a definite
polar diversion within each pixel of this fine Microsoft Paintbrushed
Piece symbolizing an angst that can be felt by everyone from time
to time.

.

Exhibit
No.3 "JUMBLO"

Jumblo
- The other half of Uncle Binley’s Room is the Ying to Dawgboy’s
Yang, The Big Mac to Dawgy’s large chocolate milkshake, the psych
to the delic, quite simply put these boys together and they are
THE men from Uncle!!

.

Exhibit
No.4 "FELIX"

We
can see here in "Felix", that the works of Dawgboy's "Dirty
Chonesance Period" (1996-1997) contain more circular shapes
as well as a darker side of humanity. Circle's have become a symbol
of darkness or trouble lurking in Dawgy's earlier pieces, connecting
fear, confusion, and entrapment. This can be similar to the entrapment
of a dog chasing his tail in a circular path, or a boomerang that
misapprehends it's target only to create a new unsuspecting circular
tragectory nailing you in the melon.

.

Exhibit
No.5 "JAR"

Ahh
Yes, in "Jar" or "Jar of Formaldehyde" as it is sometimes
refered to by scholars, Our young Protege has used some never before
pioneered pixilation stroking techniques which have revolutionized
the minds of literally millions of followers. The blue highlights
you can see in this mongloidial figure's hair are made in such delicate
curves, they have puzzled the masses. Some aspiring followers have
gone to the extent of constructing custom made mouse controls in
order to reproduce this technique. This piece falls under Dawgboy's
"Brew Period" .

.

Exhibit
No.6 "FRAUNZ"

As
mentioned earlier, "Fraunz" validates the reoccuring Circle/Danger
theme in Dawgboy's "Dirty Chonesance" period. We imediately
see the worry in the aquatic creature's eyes, as well as the menacing
stance of his overlooking enemies. This is all amongst the background
of random circular patterns. Not enough can be said about this piece,
it's perhaps the most important in the collection and several books
have been written about it's world of interpretations. Versions
and tangental themes of it show up throughout Dawgoy's career. The
most well known of these appearances is of course Uncle BInley's
second album cover. La Crema De La Muerte.