George Szirtes

As translator

George Szirtes

George Szirties (b. 1948) is a poet and translator who settled in England after his family fled the Hungarian Uprising of 1956. He currently teaches creative writing at the University of East Anglia in Norwich, England and is trained as a painter. His translation of Satantango won the 2013 Best Translated Book Award, and his poetry has won many awards, including the Faber Memorial Prize (1980), the T.S. Eliot Prize (2005) and the Forward Poetry Prize (2009).

In The World Goes On, a narrator first speaks directly, then narrates a number of unforgettable stories, and then bids farewell (“here I would leave this earth and these stars, because I would take nothing with me”). As László Krasznahorkai himself explains: “Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…” A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai.…

The Last Wolf
translated by George Szirtes
The Last Wolf features a classic, obsessed Krasznahorkai narrator, a man hired to write (by mistake, by a glitch of fate) the true tale of the last wolf of Extremadura, a barren stretch of Spain. This miserable experience (being mistaken for another, dragged about a cold foreign place, appalled by a species’ end) is narrated— all in a single sentence—as a sad looping tale, a howl more or less, in a dreary wintry Berlin bar to a patently bored bartender.…

Already famous as the inspiration for the filmmaker Béla Tarr’s six-hour masterpiece, Satantango is proof, as the spellbinding, bleak, and hauntingly beautiful book has it, that “the devil has all the good times.” The story of Satantango, spread over a couple of days of endless rain, focuses on the dozen remaining inhabitants of an unnamed isolated hamlet: failures stuck in the middle of nowhere. Schemes, crimes, infidelities, hopes of escape, and above all trust and its constant betrayal are Krasznahorkai’s meat.…

Today, Tibor Déry is venerated as one of the most important literary figures of Hungary and, like Chekhov, a master of the modern short story. Love and Other Stories, presents some of Déry’s finest work. In “Games of the Underworld,” ordinary people in Budapest try to survive the winter of war in cramped cellars and encounter menacing Arrow-Cross men, a towering giant, a blind horse, a vinegar sponge; in “The Circus,” a group of bored children transmogrifies into a grotesque spectacle; in “Love,” a political prisoner is released after seven years and returns home to his wife and son.…

The Melancholy of Resistance, László Krasznahorkai’s magisterial, surreal novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumors. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find — music, cosmology, fascism.…

Anna Édes is a dark and deeply moving naturalistic novel, a classic work of twentieth-century Hungarian literature. A skillful portrayal of the cruelty and emptiness of bourgeois life, it was first published in 1926 and enthusiastically received by the intellectual coffee-house society through which it circulated. The novel was later acknowledged by authors such as Thomas Mann as a model of language and form, and in turn established Dezso Kosztolanyi as one of the most significant writers of Eastern European fiction.…

New Directions was founded in 1936, when James Laughlin (1914–1997), then a twenty-two-year-old Harvard sophomore, issued the first of the New Directions anthologies. “I asked Ezra Pound for ‘career advice,’” Laughlin recalled. “He had been seeing my poems for months and had ruled them hopeless. He urged me to finish Harvard and then do ‘something’ useful.”