Chapter 2

Different Theater Spaces

Not every theater space is the same, and it pays to be aware of the types of
spaces in which your play might be produced. Often, plays work better in some
spaces than others. Keeping in mind that many theater spaces are hybrids, here
are the basics:

Proscenium

Effectively, the actors perform with the audience sitting in front of them.
Either the stage is raised above the level of the audience (for example, in many
high schools) or the seats in the "house" are raked (in other words, the farther
away from the stage your seat is, the higher up you get). Most theaters -
everything from Broadway to high schools - are prosceniums.

Imagine a tongue thrusting into a proscenium-style audience and you have a
thrust configuration. In this configuration, though this may not be true of the
extreme upstage area, the actors will have audience on three sides.

A black box is a performance space that is exactly what it sounds like: a
black-painted square or rectangle. A true black box - that is, one with no fixed
seating - is the ultimate in flexibility, because the theater can configure the
audience arrangement to match the staging needs of your play, rather than
staging your play around the audience.

A "touring" space isn't a kind of space at all, but if your show needs to
tour - (e.g. to schools) that means it could be performed in anything from a
giant proscenium auditorium to a densely packed classroom - it's a good idea to
observe some common sense guidelines:

No sets, or sets that can be installed and taken down in minutes, and
transported in a deep trunk or a van.

Props and costumes that can be packed into a large box for easy
transport.

No lighting cues beyond "lights up" (if that), and only sound cues that can
be done from a boombox.

Small cast (anything larger than four is begging for trouble).

Forty to forty-five minutes running time (for high schools, and fewer for
younger children), to fit into one class period.