Think of someone who broke your heart. Now imagine that it's possible to remove all traces of that person from
your memory. Sounds pretty nice,
doesn't it? That's the ingenious
premise of wunderkind screenwriter Charlie Kaufman's script of Eternal Sunshine of the Spotless Mind. With equally ingenious execution, director Michel Gondry creates the
rocky terrain of human memory and tears it down in front of our eyes, using
creative visual effects and good, old-fashioned lighting and camerawork. The film's setup takes us backwards through a relationship—from its
heated end to its whimsical beginning—with scenes of tremendous honesty and
realism against the backdrop of an ever-deteriorating landscape. The central couple faces such common relationship quandaries that we
naturally identify with them, making the material all the more pertinent, but
Kaufman doesn't leave it at that. He
expands upon the initial idea, exploring themes and nuances of the concept that
make us consider the psychological and social themes of such an extreme
procedure, and he arrives at a conclusion of somewhat profound simplicity: the
connection between two people goes beyond the inner workings of the brain. If you erase the memories, there's still something inexplicable left.

Joel (Jim Carrey) meets Clementine (Kate
Winslet) on a
train back Montauk Island, where he has just spent the day after ditching work for no apparent
reason. He's not usually spontaneous, but for some reason, this day is different.
The two hit it off after some awkward moments, mostly because she is
usually spontaneous and speaks her mind. He's
much more reserved. Cut to Joel,
sobbing in his car. He returns to
his apartment, where a neighbor wonders where Clementine is and what their plans
for Valentine's Day are. He's quick
to leave the conversation, goes to his apartment, takes a pill he received in
the mail from a company called Lacuna, and passes out. He remembers certain things, especially about
Clementine. She went to Lacuna as well, a fact that Joel wasn't supposed to know.
She acted like she didn't even know him the last time he saw her, and
that's because she didn't. She had
her memories of him erased, and distraught, he decides to have his memories of
her erased with the help of Dr. Howard Mierzwiak's (Tom Wilkinson) revolutionary
procedure.

The film primarily takes place inside of Joel's mind as
targeted memories of Clementine are systematically expunged from his brain by a
pair of technicians (played by Mark Ruffalo and Elijah Wood) working as Joel
sleeps peacefully. What he's
experiencing isn't quite as serene, and Gondry visualizes the world of Joel's
memories as a nightmare. Cars fall
out of the sky, people's faces go blank, and entire houses collapse. Kaufman has, perhaps, the most distinct and eccentric voice of any
screenwriter working today, and his imagination is in full force here. Joel is alternately a witness of and a participant in his memories,
watching hopelessly as his past literally crumbles before him. Gondry realizes this concept with initial subtlety (Clementine's name
disappears from a letter) and growing complexity. Characters slowly go out of focus or pass through shadow, creating an
immediacy to the proceedings. This
is a nightmare for him, as he finds himself in an intimate moment with his
beloved only to have her disappear. Joel
eventually wants to hang on to these memories, which leads to his taking
Clementine through other memories where he hopes no one will discover them.

These buried memories bring up an interesting
dilemma. There are scenarios of painful secrets he chooses, including an event in
his childhood where he took a hammer to a helpless bird under the pressure of
his peers and a memory of how inattentive his mother was toward him. These experiences were vital to his development into the quiet, reclusive
man that he is today, and under normal circumstances, his experience losing
Clementine would point him in another direction of personal growth. The process of deleting memories so early in the course of grieving and
adapting would suggest that he would not learn from these experiences. In a society that demands instant gratification, Lacuna seems the perfect
match. Here's an easy way to avoid
pain and suffering, but at what cost? Kaufman
is smart, realizes this, and gives us the character of the office secretary Mary
(Kirsten Dunst), who has an unprofessional crush on Dr. Howard. There's a secret between the two of them that opens up a philosophical
can of worms concerning the nature of love in regards to the film's setup. The consequences of the relationship lead to the film's most striking
query: If you knew the eventual problems of a relationship, would you still go
through with it? And if you did,
would that change the course of said relationship?

The questions hold even more bearing when we put them on
Joel and Clementine. Their pairing
seems a mismatch made in heaven. He
has a personality that could bring her more down to earth; she has an
impulsiveness that could liven up his life. The way this couple fights and loves is
sincere. She goes out and parties late into the night; he stays up waiting for
her. He accuses her of cheating on him. He's insecure but doesn't know
any other way to express it. She's
equally insecure, as she reveals by relating how she saw herself as an ugly
child and begs Joel not to leave her (the irony of the statement is tragic). This is a couple driven and torn apart by their own neuroses, and we feel
for them. Jim Carrey continues to
thrive in dramatic roles. Carrey
infuses Joel with a sympathetic angst—a loner who could easily make someone
happy if only he were happy himself. Kate
Winslet, with primary-color dyed hair, pinpoints his opposite, giving Clementine
a seemingly unflappable carefree spirit that makes her moments of vulnerability
all the more affecting.

Without a connection to the central relationship, all
of Kaufman's musings and Gondry's visual frills would be for naught, but because
there's something identifiable in their affair, it all fits into place. Eternal Sunshine of the Spotless
Mind is about maturing the concept of a loving relationship. Some people want their love to be clear skies and sunsets, running at the
nearest sign of trouble, and for them, Lacuna is the answer. For the rest of us, we know that love isn't just happy feelings; it's
something you have to work at for it to flourish.