Posts from the ‘calling wildlife’ Category

CALLING IN A CANID
I drive over the bridge spanning the St. Louis River at Fond du Lac/Duluth (MN) at least 4 times a week, and I always check for eagles, otters, or whatever else might be utilizing this wild stretch of river. A couple days ago, I spotted something running along the far shore…but I was driving and it was so far away that I couldn’t tell if it was an otter, fox, coyote or wolf. I stopped and backed up so I could get the binoculars on it. But it was gone. Not sure why, but I decided to give a few calls on my Johnny Stewart predator call (that I always keep in my car). Almost instantly a Coyote came around the bend in the river, running towards the bridge on the frozen river.

I hustled back to the car, grabbed my camera with 400mm lens (which is also ALWAYS in my car) and hid behind the snow bank up against the bridge railing. Conveniently there was a hole in the snow bank where I could look through the bridge railing. She was coming fast and I tried to start shooting but my lens had frosted over. Frantically I tried to scrape the ice off the front of my lens with my glove (not usually a recommended practice!), then I tried shooting again but the lens would not focus! I found that I had the camera set to AI Servo focus mode and quickly switched it to Single Shot focus, which worked. In the process, I had breathed on the viewfinder and fogged it up…And now I couldn’t find the Coyote while looking through the camera! All this happened in a few seconds and by now the Coyote had slowed to a trot. I gave a few more calls (imitating what, I’m not sure!). A quick swipe of the viewfinder allowed me a passable view and I quickly started shooting, trusting that my autofocus was doing its job!

Well, that Coyote never saw me and came to a stop right underneath me, trying to figure out where the “wounded rabbit” was. I couldn’t resist a couple shots looking straight down on her from 40 feet above (NOT a good angle for wildlife photography!). And as I peeked over the top of the snow bank, she saw me and trotted off, turning back a couple times to make sure she hadn’t missed an easy meal. I really wished I had a dead rabbit to throw to her. As you can see, she was a beautiful animal. (Not sure if the Coyote was a male or female, but I choose to call it “her”)[Taken looking straight down from the bridge…40 feet (?) above the river]
SHUTTER PRIORITY SURE THING
This was the perfect scenario for shooting with Shutter Priority. It was fairly early in the morning and overcast. I knew I wanted sharp Coyote images. If I’d had my camera set to Aperture Priority, I may have ended up with slower shutter speeds and the Coyote would be blurred. Yes, the image might be less “noisy,” but I’d rather have a sharp, useable, noisy image, then a blurred, un-useable, cleaner image that I’d delete anyway. So I set the camera to Shutter Priority 1/400 second (a compromise, to be sure, as it would freeze a walking/trotting Coyote but not a running Coyote) and Auto ISO. The camera automatically keeps the aperture at f5.6, 1/400 and lets the ISO range up and down…In this case from ISO 1000 to 1600. These settings allowed me to get sharp images in low light. This portrait was taken at ISO 1600 on a Canon 7D—a camera not known for its high ISO capabilities…and you don’t even notice the digital noise.

BIONIC HEARING
When I got home that evening, I calculated that the Coyote had heard my mouth call from 1/3 of a mile away! Never underestimate the senses of wild critters…Deer hunters know this very well! I do feel bad that this Coyote expended energy on a “wild goose chase,”…and I will not use this call on a Coyote in this area again this winter. I really only use the Johnny Stewart predator call when I see a critter duck into the woods and I try and get them back out into the open. My success rate is probably 2 to 5%.

HIGH KEY IMAGES
In these two images, I blew out the whites in Photoshop. I didn’t really need any detail in the snow and I like the look. So I moved the right slider in the Levels palette to the left until it completely clipped the whites.

I really like “Animal in the Landscape” shots. These two are examples of that. It places your critter in its habitat and maybe tells more of a story than a “head and shoulders” shot.