Magazine

Independent, provocative, now! The CJLO Magazine is the resource for features, reviews, and interviews. Established in 2004, and run by dedicated CJLO volunteers, the magazine covers the latest and best in local and international music, art, theatre, film, festivals, and more!

When thinking of uses for a RV, it’s natural to picture families on vacation travelling across the country to visit various national parks and tourist destinations. That’s not what Montreal’s Lesser Evil had in mind, however. Instead, the duo recorded their self-titled debut EP in a RV secluded in the woods, without any electricity, running water, or the most precious of resources in today’s world, Wi-Fi.

25 years after Postcards from America, director Steve McLean brings queer cinema further with his new film tackling the relationship between male prostitution and art. Postcards from London was shown at L'Impérial Thursday November 30th for the LGBTQ film festival Image+Nation.

Montreal is welcoming the latest addition to it’s cinema family, Cinema Moderne: located in Mile End, and born just this year on September 17th 2018. When walking through its doors, there is an irrepressible feeling of a dream coming into reality. The cinema is comprised of a 50+ seat theatre with a bistro and bar, with promises of many cultural events to come. The cinema’s mission is inclusive and innovative, with an aim to incorporate series into their programming featuring directors from indigenous populations, women and local artists.

Playboi Carti made a stop in Montreal on Saturday night as part of his Neon Tour, and an eager crowd awaited the artist’s much-delayed performance at MTELUS.

Atlanta native and long-time A$AP Mob affiliate Playboi Carti is on the last stretch of his tour, continuing to promote his debut studio album Die Lit that dropped in May 2018. The album came after the success of Carti’s eponymous debut mixtape, featuring his breakout single “Magnolia” that put eyes on the 22-year-old trap rapper.

For those looking to relive the 90s, there’s no better news than a 30th anniversary performance possibly in the works of the debut album by Halifax power-pop quartet Sloan. “Four nights at the Foufounes!” bassist Chris Murphy told the crowd, before adding that he hopes to assemble the other acts that played their first Montreal show.

Murphy was joking, of course, because Sloan is nowhere close to being a nostalgia act.

One of the most inspiring concerts I’ve been to in a while. I Used to Know Her Tour features young artists who have multitasked attending school while pursuing their passion. They are ambitious souls who are born to entertain.

For a Sunday night, Montreal had many options for concert goers on Nov 4th. Metalheads seemed divided between seeing Behemoth at MTelus or Windhand at le Belmont. Personally, I was originally planning on seeing some good ol’ Quebec grindcore at l’Entre-Nous. That is, until I got word that Fucked Up would be in town, along with hardcore sound-alikes Mil-Spec.