James L. Brooks, in full James Lawrence Brooks
(born May 9, 1940, Brooklyn, N.Y., U.S.), American screenwriter, director, and producer, active in both television and film and was especially known for character-driven ensemble work that blended warm humour with genuine dramatic sentiment.

Brooks grew up in New Jersey. After dropping out of New York University, he began working in television in 1964, initially as a writer for CBS News and later for documentaries and sitcoms. He found acclaim as the cocreator of the groundbreaking TV comedy Room 222 (1969–74), which centred on the travails of an African American high-school teacher. Brooks then cocreated and produced the hit sitcom The Mary Tyler Moore Show (1970–77), and its spin-offs Rhoda (1974–75) and Lou Grant (1977–82). Brooks’s next success as writer and producer, the sitcom Taxi (1978–83), maintained the narrative focus on interpersonal relationships between friends and coworkers that he had established on his earlier shows. His later television production credits include The Tracey Ullman Show (1986–90) and The Simpsons (1989– ).

In the 1980s Brooks embarked on a film career, the highlights of which were a series of comedy-dramas that he wrote, directed, and produced. The first, Terms of Endearment (1983), won him three Academy Awards. He earned additional accolades for Broadcast News (1987), about the lively dynamics of a TV newsroom. After the less-successful I’ll Do Anything (1994), Brooks scored another hit with As Good As It Gets (1997), which presented a romance between an aging curmudgeon (played by Jack Nicholson) and a single mother (Helen Hunt) and garnered Oscars for both of its leads. His later films include Spanglish (2004), which explored class and cultural differences between two Los Angeles families, and How Do You Know (2010), a story of a love triangle, which marked his fourth collaboration with Nicholson.

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