The project is “a series of interviews and photographs documenting the stories of immigrants who have been ordered deported from the U.S. as well as their family members — often, American citizens — who suffer the consequences of harsh punishment of exile. The stories illustrate the wide range of people locked up while caught up in deportation proceedings: not just individuals who crossed the border illegally but asylum seekers, legal permanent residents and immigrants trapped int he bureaucracy of adjusting a visa.”

Immigration and deportation, are arguably, one of the most pressing human rights issues on American soil. Many people subject to immigration and deportation proceedings are not hardened criminals, they are not violent, nor are they a threat to public safety. The long reach of ICE can collar Green Card holders who have lived in the U.S. for years or decades and who have raised families, paid taxes and abided the law. It can take only a small misdemeanor. Frequently, there is no recourse. Loving spouses are separated and society is asked to assume responsibility for children whose parents are sent half-way across the globe. The collateral effect of inflexible deportation laws on families and communities is considerable. MacIndoe and Stellin’s subjects have lived firsthand at edge of legal territory where resources are squeezed, timelines are shortened and due process is compromised; it is here where we can fathom our health, or lack of it, as a just nation.

Stellin and MacIndoe are both seasoned storytellers and their fusion of text and image is a huge advantage when making connection with audiences. The work is needed and it will shock you.

INVISIBLE PROCEDURES

I’ve barely talked about Immigration & Customs Enforcement (ICE) prisons here on the blog because they are very, very rarely photographed. ICE detention facilities are as unseen as ICE surveillance is broad.

Due to extended legal definitions and new laws, President Obama is deporting more people than any previous president. ICE facilities are often strategically hidden, nondescript buildings in urban hinterlands. ICE facilities also oversee near-permanent media shut out. With access so problematic, Stellin and MacIndoe’s decision to meet, interview, photograph and tell the stories of those who’ve been imprisoned is both wise and practical. The prison conditions will be described through first-hand testimony as opposed to literal photographic description. MacIndoe’s respectful and intimate portraits are our starting point.

KNOWING YOUR SUBJECTS

MacIndoe was once subject himself to the Kafkaesque immigration and deportation system. I contend that from personal insight may grow public awareness.

Stellin and MacIndoe have already met, photographed and interviewed subjects. Many are fearful to go public. Scottish-born MacIndoe understands why non-citizens may be reticent but he has the personality to reassure, and understands the small margins on which our comfort rests. MacIndoe has become a friend and mentor to some of the family members he has met in the preliminary stages of the work. He understands that current immigration policy — in it’s inability to be flexible case-by-case — impacts step-children, the poor and the already marginalized more than other groups. He knows that gay couples have not the same legal qualification and therefore protection. MacIndoe and Stellin are looking to hold a mirror to everyday people that have been harshly punished by very new laws. The laws are young, somewhat clumsy, inelegance and overly punitive.

The tumorous growth America’s prison industrial complex goes back four decades whereas the focus of The UnAmericans: Detained, Deported and Divided — the establishment of an extended archipelago of Immigration and Customs Enforcement (ICE) detention facilities — is a much more recent, post 9/11 phenomenon. MacIndoe and Stellin’s work is utterly contemporary and it meets the desperate need for journalism that probes ICE procedures.