* The ComicBook/FantasticFour, people. Hickman himself sums them up nicely: "A perfect family in an imperfect world". It's just really refreshing and comforting to see this group of people go through life together. And yeah there are bad days and good days, and really great days and really crappy ones, but they're still a family. That's a really heady, grown-up message in a medium that historically isn't equipped to do grown-up heady messages--however much it tries (and it gets close). Separately and together, the FF are the Marvel Universe's old buddies. They play cards with the Avengers, they're all friends with everyone, and even Reed and Doom have become civil in the past few years. And if you haven't read Hickman's run, buy it. Buy it now. * The ComicBook/YoungAvengers is one of the best comics I have read ever, especially the 2013 run. Thank you for Hulkling, Miss America, Loki, the amazing storylines, the rest of the characters, the creative setting(s), the EVERYTHING.** Seriously, you people need to go out and read this.* A recent Vertigo series (As of June 2012) is The New Deadwardians, a great take on class warfare during the early 1900s in England while making a VERY stale concept (vampires and zombies) feel fresh again.* Franchise/{{Superman}} is one of the greatest characters of all time. Okay, he may look really quaint and twee, considering all the DarkerAndEdgier that comic books have gone through, but there's a reason why we're still reading and watching Superman stories seventy-odd years after he first appeared whilst most of the original characters created during UsefulNotes/{{the Dark Age|of Comic Books}} are forgotten and obscure. It's because, for all the godlike powers and invulnerability, he might just be the most human superhero of them all.** Except the fact that he's not human. I kid, Superman is so unfairly maligned among the uninitiated. True, he has the most generic powers ever, and he's a walking DeusExMachina, but he's arguably the most important character in 20th century fiction.** The apparent generic-ness of his powers is testament to how important he is to comics. Who else would have heat vision if Superman hadn't done it first?** Exactly. First of all, he's not a DeusExMachina. There are plenty of villains in the DCU that can go toe-to-toe with Clark and give him trouble. Second, the only reason his powers may seem "generic" and basic to some is because [[SeinfeldIsUnfunny this was the character that originated the modern idea of a hero having a set of superpowers.]]** And you know what? Anyone who says it doesn't have a good RoguesGallery just doesn't know what they're talking about, especially the DCAU incarnations.** Superman is my favorite hero. Some people complain that [[TrueArtIsAngsty "Oh, he's too good! He's not dark at ALL!" ]] But to me, that's WHY he's so amazing. There are ''so'' many people who, if given Clark's powers, would go crazy with them and use those powers for greed and to torment anyone who stands in the way of that greed. Clark is special precisely because he doesn't do that. Whereas a character like Darkseid believes in using his power for his own personal whims and for conquest, Clark believes in using his powers to help the little guy. For that alone, he's the greatest superhero, at least in my mind.* MOTION SECONDED and CARRIED** The beauty of Superman is that, in a genre not exactly lacking in grandiose backstories and over-the-top motivations, for all the 'Last Son of Krypton' stuff his motivations are simple; he's a nice, decent guy who has decided to help others because he was raised well by his parents.* I don't care if you think it's stupid, ''Blackgas'' is made of win. And gore.* The ComicBook/{{Batgirl 2000}}'' series - specifically Cassandra Cain's - and '''especially''' the first thirty-odd issues by Kelley Puckett and Damion Scott, was pure win. It should not have worked. A Main/DarkerAndEdgier tale centered on putting a mute teenage martial arts goddess with a [[Main/DeusAngstMachina nightmarish backstory]] in a bondagesque version of a Main/DistaffCounterpart's outfit is the sort of thing that would fall flat. Instead we get a unique reversal of the usual ordinary-kid-with-moral-center-gaining-the-skills-to-become-a-hero by way of taking one with a moral center strong enough to reject her upbringing as a [[Main/TykeBomb killing machine]]... and her growing grasp of humanity.** The Cassandra Cain and Stephanie Brown ComicBook/{{Batgirl}} series each had enough win and heartwarming to make Gotham seem like a nice place. The epicness of the Cain series was described well enough above, so the Stephanie Brown, LighterAndSofter series will be gushed about here. With a barely used protagonist best known for her humiliatingly bad death story, and a virtually unknown writer and wildly changing art team, it became the happiest, funniest and most beautiful Batbook. Special mention must go to the guest star issues, which showed the contrast between characters while giving them realistic and hilarious relationship dynamics, expanding on the core of each character. Oh, and she slapped the [[CrowningMomentofAwesome Goddamn Batman]].* ComicBook/AchilleTalon: Sadly sometimes lost in translation, but in the original French at least, some of the funniest lines of dialogue ''ever'' '''''written'''''. The colorful cast is also very original, and it also has AwesomeArt with many background details that are often jokes in and on themselves, and hilarious, Chuck Jones-esque expressions on the characters' faces.* ComicBook/SquirrelGirl! The greatest modern Marvel character! Who doesn't like a perky teenage girl who has single handedly defeated both Thanos and Dr Doom with nothing but squirrels?* ComicBook/{{Runaways}}, back when Brian K. Vaughn was doing it, was made of Epic Win.** It was easily one of the best teenage superhero stories since the Stan Lee Spider-Man days, with one of the most likeable group of kids ever seen. The humor was great and BKV's concepts were great. Honestly the only thing wrong with it was that BKV left. I still eagerly await the day when BKV decides to come back for one last hurrah and tie up his loose ends.** Fully agreed. This series is a must-read, at least the first eighteen issues. It had an incredibly diverse cast (seriously, how many superhero teams have four girls and just two guys, of which those two only one is white and is ''not'' the lead character), and amazing and intrigung plot (until Brian left), awesome fights, witty humor...it's really sad that it had to end on such a bad note.* Creator/ChrisClaremont's first run on ComicBook/XMen, especially when paired with Alan Davis, John Byrne, or Dave Cockrum. The imagination and resonance in those stories still persists to this day.* ComicBook/ScudTheDisposableAssassin is the most clever, weirdest, wackiest, and greatest comic i've ever read in my life. All 24 issues are great. The art is so complex and extremly pleasing to look at, the story, while weird, is brilliantly told. It's also extremly funny and the cast of characters are all great. And the ending, oh my god the ending, it's so heartwarming and wraps everything up so nicely. Absolutly give this series a try, it's worth it. * ''ComicBook/{{Watchmen}}''. Just.... Wow. One of the deepest, cleverest and most brilliant comics ever written. Between the amazing characters and their stories, the breaking of clichés or the amazing integration of politics into the storyline and solid backstory it has deserved its legendary status. Can't wait for the movie!** One of the deepest, cleverest and most brilliant ''comics'' ever written? You insult it! It is one of the deepest, cleverest and most brilliant ''things'' ever, period!.** Truly ''a lot'' of Alan Moore's work is just so wonderfully done that it's deserving of infinite praise. Make note of Moore's lesser known work ''Skizz'', which is essentially his take on ''Film/ETTheExtraTerrestrial'' that can undoubtedly rival its source material in terms of overall enjoyment and [[CrowningMomentOfHeartwarming heartwarming]] as well as lead to one hell of a serious case of AwesomenessWithdrawal.*** Alan Moore: I believe Moore's writing is on par with the greatest literature authors working currently; only he works in comic books. Watchmen. V for Vendetta. League of Extraordinary Gentleman. Swamp Thing. Top Ten. Tom Strong. The list of great works goes on. And on top of everything else he's actually a really nice guy if you get to know him, giving tons of helpful advice to aspiring writers. Great, great man!* ''ComicBook/{{Tom Strong}}'' deserves a mention of its own. The sheer number of styles the book covered over its run was staggering, and each one was both well done and recognizably comic-booky, for want of a better term. If a person didn't know better, it could be mistaken for a selected sampling of a book that started in the 30s, and just kept going, unimpeded by dork ages or retcons, updating with the times while maintaining a consistent vision, for over 70 years. Err... yeah, [[AndThatLittleGirlWasMe I made that mistake]]. * Some people think that Disney comics are silly, childish and generally not very good. Some people have never read ''Comicbook/TheLifeAndTimesOfScroogeMcDuck''.** "A Letter From Home", the Creator/DonRosa story where the ducks search for the treasures of the Temple of Salomon from under Castle [=McDuck=], has the most touching ending ever in fiction.** They both have. Due to [[StatusQuoIsGod Status Quo being God]], Disney Comics aren't usually allowed to have much development. ''Life and Times'' and ''A Letter From Home'' are exceptions, making them much more satisfying. Also, ''Life and Times'' is a TearJerker.** ''Life and Times...'' is honestly one of the greatest heroic epics I have ever read, maybe even '''the''' greatest modern heroic epic.** Scrooge's and Goldie's romance (particularly in ''The Prisoner of White Agony Creek'') is the greatest, saddest, best written, most disturbing romance in all literature.*** Scrooge stars in some of the best Disney comics ever, yet I always thought of his nephew, DonaldDuck, as leading some of the best Disney stories in all of its history. Creator/CarlBarks' works with the character are a must, sure, but what about the thousands of stories starring Donny all over the world, since the 30's? Don't get me started.*** Mein Gott! I never thought I'd meet another Scrooge [=McDuck=] fan! The part where the Rough Riders charge Scrooge's mansion fits Teddy Roosevelt to a T. And "Letter Home" definitely had me bawlin'* SelfDemonstrating/{{Deadpool}} is an awesome character. And ''Cable and Deadpool'' is awesome, light-hearted fun. And contains some of the most hilarious HoYay ever.* ''Comicbook/{{Exiles}}'' - [[JustForFun/XMeetsY X-Men meets Sliders]] for all kinds of awesome. The fact that most of the action takes place in alternate universes without heavy continuity means that the writers could have some CrazyAwesome ideas for stories. Like what if [[ComicBook/IronMan Tony Stark]], [[ComicBook/XMen Bolivar Trask]], [[Comicbook/TheAvengers Hank Pym]] and [[Franchise/SpiderMan Curt Conners]] decided to fight {{Kaiju}} with TransformingMecha? Or if a bunch of C-list alternate universe heroes decided to fight an evil Superman expy for the fate of the universe? That and it didn't cheapen the deaths of well-developed characters by bringing them back. And Blink is just awesome.* I started reading ''Comicbook/{{Empowered}}'' for the {{stripperiffic}} [[{{Woobie}} adorably insecure]] heroine, but I stayed for one of the most true-to-life romances in comics; Emp and Thugboy feel like a real couple. Add in unique art (don't like it myself, but the [[{{Animesque}} manga-influenced]] pencils are distinctive), the downsides of being a C-list hero, lots of not-so-clean sexy fun (best sex scenes since ''ComicBook/XXXenophile''), an examination of just how fucked up you need to be to wear a cape, Ninjette, the Goddamn Maidman... and you have one of '''the''' best comics.* ''ComicBook/JohnnyTheHomicidalManiac''. Where to even begin? I was expecting a BlackComedy but instead got an inner look at society and people in general. The satire is wonderfully biting. YourHeadAsplode in Heaven was great too.** Seconded. [=JtHM=] has a wonderfully personal look into Nny's mind, and for the surprising poignance of the whole thing. It really is one of the greatest things I've ever read.* I love the MarvelUniverse in general. Warts and all. The [[Franchise/DCUniverse Distinguished Competition]] has never managed to grab me the way the MU does, even though it probably has, objectively speaking, just as good stuff. The MU feels like home.** The Amazing Spider-Man. The Incredible Hulk. The Fantastic Four. The Invincible Iron Man. The Astonishing X-Men. The Mighty Thor. Daredevil. Captain Fucking' America. And a bevy of second and third tier characters who are plenty likeable too. DC is a great universe too but with Marvel... something about it just shines. Shines bright.* ''ComicBook/TheSandman'' has a wonderfully rich plot with cleverly-placed {{foreshadowing}} and philosophical ideas that feel natural to the story instead of intrusive. The only complaint I have is that the art is inconsistent, but story > art, always.** For me, the spinoff ''Comicbook/{{Lucifer}}'' may be even better - taking everything great about ''Sandman'' - the worldbuilding, the often tangential side arcs that beautifully add detail, the wonderful interpretation of the Morningstar - and expanding that world even more, adding more detail to the Judao-Christian side of things, convincingly adding drama and tension to the story of the second-most powerful being in the universe, and ''finally'' making it so we can understand a word of what Mazikeen is saying.* ''ComicBook/KingdomCome'' is simply beautiful. Outstandingly well written and very deep in places. I've not read a better comic, and I'd put it high up on my list of best literature full stop. But I've not read ''ComicBook/{{Watchmen}}'' yet...** An intensely beautiful and touching story about where Superman stands in the current world and what the cost is to keep peace. The ENTIRE DC universe is involved, but it's still Superman's story at the end of the day. As it should be. At a time when comics were just in the dumps, this book was a shining beacon of hope for the future. Bless you Alex Ross and Mark Waid.* ''ComicBook/AstroCity'' is awesome and, though I hate to be indirectly negative, I have to say I think it's especially reflective of the talent and consistency that Kurt and Alex were able to do the SuperRegistrationAct concept better in the six-issue Confessor Arc than Marvel did with a good thousand more pages in ''ComicBook/CivilWar''.** Busiek showed that it was possible to create a completely new super hero universe if you could make it as fully formed and well developed as he did. It harkens back to the purity and fun of the Silver Age but keeping modern sensibilities and it's very intriguing to see the affect of super-heroes on the people of Astro City in different time periods. So, so refreshing to actually see what it's like for normal citizens to live in a world of heroes.* ''ComicBook/MarvelZombies 3'' (#1) has ''Merc With Half a Mouth'' Zombie!ComicBook/{{Deadpool}} and [[ComicBook/NextWave Aaron Stack]] being their comical selves in an otherwise serious series. You can't top the awesomness radiating from the issue.--> Aaron Stack: What's a Deadpool?* ComicBook/ElfQuest is a masterpiece. The art is incredible, the story arcs are riviting, and EVERY SINGLE CHARACTER, even the ones that don't appear more than once or twice, has a unique and believable personality. Character death is treated as just another part of living. Sad, but not good or bad. There is wonderful character development for nearly all characters. The whole series lives and breathes awesome.** Seconded so hard. ''Elfquest'' is love to the nth power.** Thirded. Cutter and Skywise have one of my favourite relationships in fiction.* Even with the kinda-anticlimax, I love ''ComicBook/{{Marvel 1602}}''. It's the only comic I've read so far, but it's awesome. From the epic one-page spreads to the writing, I enjoyed myself 100%. Hell it introduced me to both Western comics and Neil Gaiman. Two for the price of one.* Everything Creator/GailSimone has written, but a few examples of her accomplishments: a legitimately heartwarming series about insane murderers (Secret Six), a serious look at the nature of legacy that still had time for chronologically displaced heads, B-movie cancer-god worshiping puritans, and kaiju-breeding (The All-New Atom), a "ParentsAsPeople" deconstruction of superheroes (Welcome to Tranquility), and however it is that you describe Birds of Prey.* ''ComicBook/{{Asterix}}''. It's the way that the lead characters are such incredible ''jerks'' but you somehow can't help but sympathize/feel for/''like'' them. It's the way that the underdog has the power and makes sure to bite back. But most of all, it's the way that you can witness the English translation, realize it was French originally, realizing all those great puns were {{Woolseyism}}, and then realize ''this had to work in a hundred more languages''. So many people, so many versions, but the heart of the joke in all those translators, doing their best to carry over a proper meaning.* ComicBook/BlueBeetle. While all three incarnations are great in their own way, the first series featuring Jaime Reyes has to be one of the ''greatest superhero comics ever written''. With a great supporting cast plus [[CrowningMomentOfFunny Crowning Moments of Funny]] and [[CrowningMomentOfAwesome Crowning Moments of Awesome]] a plenty, this was truly a series that was too good to last.** Seconded to the end of the Earth. That series was so real. Not gritty, Nolan-style real, but emotionally real and incredibly insightful and just oh so wonderful.** Jaime Reyes' story was human, just a bit strange, and very, very tropey, in the best ways possible.* ''ComicBook/{{Tintin}}'': It's probably my second favourite comic series after ''ComicBook/{{Asterix}}'', and Captain Haddock is a prime contender for my favourite comic book character.** Describing ''ComicBook/{{Tintin}}'' (my ''first'' favourite comic series) can be a challenge, because ''there's no trick to it''. The comics don't need sex, brutality, superpowers, antiheroes, or any other gimmick to sell them, because the writing is like the art: clear, well-constructed, and thoroughly engaging!* ''Comicbook/{{Fables}}'' for combining so many childhood memories. And making them awesome all over again. With swords. And Monsters. And Sex and Violence. I love you, Bill Willingham.** Many have said that the concept sounded like crack; I loved the concept and once I saw how great the execution was I fell in love. There're many great characters such as Bigby Wolf, Prince Charming, Boy Blue, Frau Totenkinder, Pinocchio, Snow White, Flycatcher etc. Willingham is a wonderful story teller and many of his anthology tales are worthwile. This series is just brimming with cleverness and is honestly one of the most mature and intelligent comics of the 2000's. We owe much to Willingham.* WonderWoman, Thank you for paving the way.** Can we talk about Wonder Woman for a minute? A feminist icon created before 1970, who has become one of the most reconizeable superheroes in our culture for a reason, not to mention being in a few pretty darn good comics. There's a reason she's one of the top five superheroes. * ''ComicBook/YoungJustice''. I LOVE this comic and the fact that it is not collected leaves me mystified. It was funny, smart and made real character developments. ''ComicBook/YoungJustice'' for me is one of the best comics I have ever read and It will always hold a special place in my heart.** SECONDED!* The only graphic novel I have ever read was ''ComicBook/{{Bone}}''. I'm thrilled about the upcoming movie adaptation, but for now I can gush about the main comic. ''Bone'' is pure, distilled awesome. The storytelling is done masterfully, even in ways that can go unnoticed but that nonetheless benefit the reader. The artwork is notable for having characters that, in a way that is impossible to demonstrate through words, have many different styles that, while noticeably different from each other, all fit perfectly together and even look like the same style. [[ItMakesSenseInContext As I said, I can't describe it, but you will see it for yourself if you check it out.]] But moving on, it is also very lengthy, and I usually hate things that are lengthy... but ''Bone'' actually reserves the right to fill over a thousand pages because of its sheer amount of {{foreshadowing}} and numerous [[ChekhovsGun Chekhov's guns]], and having interesting characters that you care about and scenes that are just plain [[CrowningMomentOfAwesome entertaining]], [[CrowningMomentOfFunny hilarious]], [[CrowningMomentOfHeartwarming heartwarming]], and [[TearJerker heartrending]]. READ IT. NOW. Although I insist, if you don't wanna read it (Don't worry, I understand), WATCH THE MOVIE WHEN IT COMES OUT.* The ''WesternAnimation/RenAndStimpy'' Comics by Marvel. Whenever DanSlott did the writing, these easily beat the tar out of the show in terms of humor. If you want to ever check these vintage babies out, I recommend the third special (a ChooseYourOwnAdventure comic with one path that is 20 pages longer than the comic itself) or Issue 19 (the Minimalist issue).* Thank you [[Creator/KaboomComics Boom! Kids]] for bringing back two of the best animated shows ever to grace the ''WesternAnimation/TheDisneyAfternoon'', ''ComicBook/DarkwingDuck'' and ''ComicBook/ChipAndDaleRescueRangers''. Despite having spent ten years collecting dust in the Disney vault, Darkwing, Chip, Dale, and all their friends (and enemies) are just as vibrant on the page as they were on screen, in no small part thanks to comics' writing staff, who have taken special care to stay true to the source.* ''WesternAnimation/SpongebobSquarepants'': Spongebob comics is a great, funny comic. More Spongebob fans who dislike or hate the later seasons should read it. It feels a lot more like the older seasons and can vary in length more than the show can.* Kid Devil is my favorite character. Ever. Out of every other character in all other media. It would dwarf the rest of this page if I typed everything I had to gush about here, so instead I'll redirect you to [[http://comicbloc.com/forums/showthread.php?t=78972 this 15 page essay I wrote about him.]]* Y: The Last Man. Vertigo comics has created many excellent series over the course of its existence; but Y: The Last Man may just stand atop the mount. Amazing writing. Amazing characters. Amazing drama. This series is never boring for Vaughan is constantly taking the party on new adventures and is always willing to take risks. Poor Yorick never catches a break, but he perseveres in spite of it all. Some of the best writing for female characters ever seen as well, which is key, given that more than 90% of the cast is female. All in all one of my favorite comics ever and highly recommended to everyone.* Comicbook/{{Hitman}} is a criminally underrated comic. It has everything you could ever want. CharacterDevelopment? Oh yeah, plenty of that. Over the top action? In spades. Witty dialogue? It's a Creator/GarthEnnis creation, so definitely. Just be aware that the comedy is on the cynical end of the SlidingScaleOfIdealismVersusCynicism. Social commentary? Yes, both on real life issues and issues pertaining to the Franchise/DCUniverse. And it features one of the most moving portraits of Comicbook/{{Superman}} ever.* ''ComicBook/ElEternauta'' is a wonderfully dark masterpiece that portrays both one of the most horrifying [[AlienInvasion alien invasions]] ever and protagonists that can be awesomely heroic in the face of that terrible adversity while also being normal people like you and me.* '''[[TropeCodifier The]]''' BadassNormal, Franchise/{{Batman}}.** I just got around to reading ''[[ComicBook/BatmanTheBlackMirror The Black Mirror]]'' and OH MY GOSH. What a book. What a damned fine book. I'm a Dick Grayson fanboy and a big lover of the Gordons, but even without that this one blew me away. Creepy, cool, creative and engrossing, with a villain that's so human it's terrifying but so fresh for the Bat-mythos it's exciting. Legitimately one of the best comics ever written, in my opinion.* ''ComicBook/PaperinikNewAdventures'': Yeah, yeah, you might find the idea of DonaldDuck as a superhero silly...and you would be so very, very wrong. As a guy who reads tons and tons of comic books, I can honestly say this is one of the best series I have ever seen, with [[RoundedCharacter well-developed characters]], an original universe, and the regular and intelligent use of twists. I actually feel kind of sorry for those out of Italy who can't [[NoExportForYou read it]].** Seconded. seriously, Xadhoom is the kind of overpowered Badass that completely avoids being a [[MarySue sue]]. Power-wise, we're talking [[Manga/{{Hellsing}} Alucard]] levels of Power and Badassery here. Imagine [[Franchise/TheDCU Superman]] with vast control over Matter and Energy and, give her [[Anime/DragonBallZ Vegeta's]] temper and abrasiveness, [[ComicBook/FantasticFour Reed Richards's]] intellect and that just about sums up Xadhoom. this may seem Long-winded, but hey, This is Gush.* No mention of ComicBook/ScottPilgrim?* The new [[ComicBook/MsMarvel Captain Marvel]] series by Kelly Sue [=DeConnick=]. Never has a comic inspired me to be the best of myself like this has. The comic manages to perfectly capture what makes Carol Danvers a great character and a great hero.* ''ComicBook/HackSlash'': A BloodierAndGorier, HotterAndSexier version of Buffy, with all the humor, action, and emotion that that conveys.* Thorgal is one one my favorite Belgian comic series: It has great storylines, charismatic characters (Kriss of Valnor is awesome). The series combines very well Fantasy and science fiction. Rosinski's art is just gorgeous. [[FanonDiscontinuity Too bad it stopped after book n 29.]] The author Jean Van Hamme has also wrote two other great series: XIII and Largo Winch. * ''Franchise/SpiderMan''** ''ComicBook/SuperiorSpiderMan''. It has all the interesting plot points of a "What If?" story, but it's IN CANON! Also, it (so far) has lasted for about 20 issues, AND we get to see him interacting with so many unique facets of the Marvel Universe! ** And on that note, I CANNOT believe that nobody has mentioned ''The Amazing Spider-Man'' himself yet. It was the first comic I ever read, and I haven't stopped. It was one of the first relatable comics, as the hero lives a normal life and has to deal with a lot of real world problems. The RoguesGallery is amazing (special mention must go to Venom and Green Goblin) it is hilarious, a very good supporting cast (Aunt May and Mary Jane are the core examples) has a truly likeable protagonist, and, for the most part, was just plain ''fun''.* ''The God Butcher'', a [[ComicBook/TheMightyThor Thor]] story, is very awesome. The eponymous villain has become one of my favorite comic book villains almost overnight, despite having very few appearances so far.* ''Creator/GregRucka'''s run on Franchise/ThePunisher. It was a short run, but has a compelling plot & very strong characterization of Castle & several side characters. The best thing about it is how it shows that even amidst mutants, wizards & aliens, the most intresting stories can only be found in the life of normal humans of Marvel universe.* I love ComicStrip/SpyVsSpy. It's always fun to read up on the antics of those two hopelessly hilarious agents and their often violent WesternAnimation/LooneyTunes style antics. The art style and humour are always top notch with twists and turns adding to the laughs.* Warren Ellis' Magnum Opus is either ''ComicBook/{{Planetary}}'' or ''ComicBook/{{Transmetropolitan}}''. Maybe both. For all their crapsack, corrupt and/or horribly dangerous settings, their flawed and anti-hero protagonists, and their absurd humour (especially ''Transmet'') both these series are deeply idealistic, with a strong sense of justice. People--whether superpowered or not--can make the world a better place, if they believe strongly enough and fight hard enough, though it may take all they have. Action, drama, suspense, wonder, humour, good(ish) guys against ''very'' bad guys, and consistently excellent artwork. What's not to love?* Warren Ellis's 6 issues of Moon Knight are also amazing. Just the synopsis of issue 3 is enough- "In this issue: Moon Knight punches ghosts."* Everything Al Ewing has done at Marvel. The dude is a living Marvel Database (I had never even heard of Outlaw before reading one of his books), understands true heroism, and is above all else fun while injecting serious pathos. Just see [[ComicBook/TheUltimates2015 The Ultimates]]. * The Justice League Adventures comics. Ranging from sitcom-style character antics to clever plots that could have been ripped straight from a "best-of" of the silver age (not the superdickery), to light philosophy, the Adventures comics were definitely aimed at kids, but respected their intelligence. That, and the ambiguously happy ending of "Alien Like Me" still haunts this troper to this day.** Also the Batman Adventures. And the Superman Adventures. Clever plots, a solid handle on the characters involved, and occasionally some light philosophy.----