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TL;DR
– We explore the
wonders of Ramin Djawadi’s musical score through the lens of Light of the Seven

Article –

Today we are starting out the first entry in a series about modern cinematic composers. For me at least, one of the factors that emotionally connects me to a piece of visual media, whether that be, a video game, a television show, or a film is the music. The right musical choice can make or break scenes and can be one of the factors that make these moments resonate across the media landscape. We all remember that first time we heard the Imperial March or The Avengers theme explodes onto the screen. They help us get lost on the high seas, traverse galaxies far, far away, or in our first example help us delve into a world of fire and ice. Because this is an article about music, I have added links to the songs in question so you can listen along.

Ramin Djawadi is a German/Iranian composer and the key musical voice of Game of Thrones, the hugely successful HBO series based of George RR Martin’s Song of Fire and Ice series. As a composer, Ramin has been working for a long time in the musical world starting first as an assistant and then creating addition music for films such as Pirates of the Caribbean: The Curse of the Black Pearl and Ned Kelly, working under one of the defining voices in modern composition Hans Zimmer. Before moving onto working on his own films like Iron Man and Pacific Rim.

TL;DR – We started with a group of people on a ship in space, and over the season, as adversity after adversity piled up, we ended with a crew. I mean I just wrote 1000 words just on the cast, the show is that good.

Score – 4.5 out of 5 stars

Review –

This year has been a strong year for Sci-Fi on TV we have Lost in Space, Altered Carbon, The Rain, as well as more Westworld, 3%, and The Expanse. In the middle of all this was a release, which for me was probably anticipated more than anything else, a new Star Trek series. Now the fact that I really like the Star Trek franchise should come as no surprise, indeed a wrote an article all about my love for Star Trek Deep Space Nine. However, there was also a lot of trepidation going in, since DS9 we had Voyager that had some great individual episodes but nothing really came together as a series, and Enterprise that took three seasons to find out what type of show it wanted to be and when it got there decided to end on just about the most insulting note that it could (yes I know it was not meant to be a series finale but still). However, I went into this thinking that I can at least give it a season, and boy what a season it was. So in the first season of Star Trek Discovery the broke it up into different chapters, we took a look at Chapter One here, and today we are going to take a look at Chapter Two which was the back half of the season but also some of the themes that transcend all of the season, you can also see all of our reviews for the individual episodes here. With this in mind, just a warning that we will be looking at the season as a whole, and as such there will be some major [SPOILERS] discussed in this review. So caution is advised if you have yet to finished Season One of Star Trek Discovery, and we would recommend you giving the first season a watch.

TL;DR – This is cool animated series that sways between the absurd and heart whelming in a way that shouldn’t work but totally does.

Score – 4 out of 5 stars

Review –

I went into Final Space with absolutely no idea of what it was, bar the fact that it was animated and was set in space, and since some of my favourite TV shows of all time fall into that particular Venn diagram I thought I would give it a watch. Now from the opening titles I didn’t have the greatest opinion of the show, but hey they are only half an hour I can give this a look, well ten episodes binged in one sitting later I am really glad I did.

TL;DR – When it works it is some of the best TV on the planet at the moment, when it doesn’t well at least it is still well shot and acted.

Score – 4 out of 5 stars

Review –

With The Passenger (see review) coming to a close we have reached the end of Westworld’s Season Two. It was a season of competing timelines, the coming of a war, a mother searching for her child, and a lone warrior standing up when everyone needed him too. Today we are going to look at the highs and lows of Westworld’s sophomore season as we return to the holiday destination now turned into a massacre. So say goodbye The Maze and hello to The Door.

TL;DR – It is the end and more than I expected they actually brought the timelines to a conclusion, whilst providing more and more questions for every answer they answered.

Score – 4 out of 5 stars

Post-Credit Scene – There is a Post-Credit Scene.

Review –

It started all the way back in Journey into Night (see review) with someone washing up on a beach while surrounded by death at every turn and as the season has gone on it has been more of the same. There has been slaughters, a jaunt into The Raj and Shogun World, betrayals, love, loss, and a threat of a mecha bison. Well after all this time, today we come to the end of Season Two as multiple timelines rush together and we finally make it to the Valley Beyond.

TL;DR – We are back to where the rest of this second half of the season has left us, and well I just wish at this point it was a bit more.

Score – 3.5 out of 5 stars

Review –

Today we get into the pointy end of the season with the penultimate episode, where lines are drawn, armies marshalled, and the endpoint is in sight. I do have to say coming into this episode I am much more optimistic than I have been for a while. As Season Two has progressed it has felt like it has been a season of diminishing returns as the Dolores (Evan Rachel Wood) and Man in Black (Ed Harris) storylines really started to drag. Indeed, one of the few things that have been getting me through the season has been Maeve’s (Thandie Newton) story of trying to get back to her daughter (Jasmyn Rae). However, all of that changed in last week’s Kitsuya (see review) when we were introduced to Akecheta (Zahn McClarnon) properly was a jolt to the system, but can it continue, well let’s see.

TL;DR – In a dramatic return to form, Westworld shows that when it is firing on all cylinders it can be so very good, and this week we see it as we focus in on only one character.

Score – 4.5 out of 5 stars

Review –

Well, this was a complete surprise and I honestly didn’t see it coming. In a season that has all been about jumping timelines, exploding trains, mystery boxes, and rampaging warriors. However, this week we take a step back and focus in on really only one character someone who has been there all season on the periphery and now we find out that there I much more to their story.