STATEMENTMy general practice is to follow my interests and instincts to develop my work. Most recently, my work has come out of an interest in emphasizing the nature of our seeing with stereo vision, something that we generally ignore in our contemporary preoccupation with image and reproduction, static viewpoints, and photographic reference. Double Lee is an example of using the stereo card format to produce a stereo image that when merged, causes the text to “float” in front of a circle grid “background,” which can also appear layered. It is not necessary to see the image in stereo to contemplate the meaning of this work, however the stereo concept is a reminder of the necessity of being in the present when viewing artwork.