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It's Fun to Play the Piano ... Please Pass It On!

WELCOME to you both... Ragnhild and Mountain Ash!! It is always so wonderful to learn that this site has found a couple more "fans." And, as I have often stated, I envy the joy of discovery that you have in store.

Ragnhild: Ashkenazy (sp?), has recorded ALL of Chopin's works, including, of course, the etudes. I purchased the complete set (you can find it on E-bay or Amazon). 13 CD's of about 30 hours of magnificent music. I think you can buy it for about $35, a bargain in the truest sense of the word. Although he often plays too fast in many instances, he is still a great interpreter of Chopin's music. However, IMHO, Ruybinstein is the master in this area.

Mountain Ash: Thank you for your "aside" about the 100 best piano classics. It comes as no surprise to me (I read this somewhere) that Chopin's music is immediately recognized world-wide. Even those who know nothing of classical music will "smile and nod their heads" when first hearing the opening bars of one of Chopin's masterpieces. No other composers' music can make this claim. Even my husband, whose idea of a classic is "Crazy" by Patsy Cline, just recently called out, while we were watching TV,: "Isn't that music by the guy you love?"

The waltz you mentioned it just one of many is hundreds of soulful pieces. I hope you will find the time and money to investigate more of his music. Your local library should have many CD's available. I have been listening to his music for years and years and never cease to not only be BLOWN AWAY, but also brought to tears.

Many people think of him, personally, as a fragile and effeminate composer whose music only appeals to those who are overly sensitive (women, perhaps). However, anyone who has read his biography and listened to ALL of his music will realize these statements are purely "bunk." He had the unique ability to put into his music what he couldn't or wouldn't express in words. And he did so...masterfully. His music (and technique) was way "ahead of his time."

Yes, he did write a lot of "dreamy" music, but no other composer has written more powerful and even angry music... his ballades, scherzos, and polonaises and etudes, etc. are clearly not the music of a wimpy composer. And, so important, his music has continued to remain loved and appreciated for tens of decades. Not only by the us "ordinary" people but also by many classic concert pianists and well-respected musicologists (whatever that is).

Ooopppss, there I go again. Get me on the subject of Chopin, and I do get carried away.

Again, I'm so thrilled for you both.

Happy listening,Kathleen

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After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own." Oscar Wilde, 1891

I got into Chopin recently when a friend of mine got me tickets to "Monsieur Chopin" by Hershey Felder in Cambridge Massachusetts. The performance was just incredible. I didn't know much about Chopin before that and now i am a big Chopin fan. My first attempt at Chopin's music is La grande valse brillante op. 18. I am more than half way through and am thoroughly enjoying the experience. The reason why i picked that particular one to start with is because i like the melody and also because i thought this walze was composed (according to Monsieur Chopin) at a time in Chopin's life when he was happy with himself and it shows in the emotions that come accross in that song. In the play Hershey Felder plays this waltze in sections making comments as he goes along: he talks about being in a soiree and how men would agglomerate and talk about serious topics of the day - at this point he would play part of op. 18 that would reflect the intent of seriousness. Then he would stop and talk about women gossiping in another room - at this point he would play another part of op. 18 that really actually resembles "gossiping" (if you're familiar with op. 18 you could probably easily guess which part of the song would "gossiping". It was quite funny actually.

Another part of the play talks about the death of Chopin's sister when he was still very young. At that point he plays Klaviersonate No. 2 op. 35 which was very touching. The whole play is about the performer completely entering Chopin's skin with the intention of giving the audience a piano lesson but then he reminisces about his whole life for about 2 hours...

Extremely well put together. I recommend anybody who likes Chopin to try and catch Monsieur Chopin if it's playing near you.

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"Nothing exists in contradiction with nature; only in contradiction with what we know of it." (Dana Scully - The X-File)

i found out (via the internet) that this play was in chicago, just about 90 miles from where i live.

HURRAY! it was supposed to close in august but because of a sell-out performance each night, they extended it through october.

lucky me. or so i thought.

i called the box office only to discovered the play had closed just this last january. what i failed to notice, while reading the internet, was the year. they were writing about 2005! it was a huge success and went through january of this year, 2006.

need i say how disappointed i was?

the actor is "doing" beethoven next and it will appear at this theatre next feb. I might go see it because beethoven is my next favorite composer. but, boy, how i wish i could have seen monseiur chopin.

kathleen

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After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own." Oscar Wilde, 1891

I've noticed the barest suggestion of a "double chin" on many of his portraits. I think the glands under his jar were perpetually swollen. (Mine are.) He was thin enought for this to be visibly perceptible. At least that one got his eye color right. Or at least as I imagine it to be right, a dark enough grey blue to be mistaken for brown at a casual glance.

I don't think the sidewhiskers suited him at all. This must've been circa 1832, "I have only one sidewhisker, the other simply won't grow," adding that that was ok since the audience only saw one side of him anyway. This is also about the same period in which his friend Jan, newly arrived in Paris, wrote back to Poland that Chopin had managed to put on some weight and looked so good Jan almost hadn't recognized him. He had a couple of relatively good years heath wise around that time.

(Re the glands, people with chronic respiratory problems often have chronically swollen glands in the throat/jaw area. Normally mine are only the slightest bit tender when touched. If I have an acute infection going they get sore.)

I just wanted to report that the show, "Monsieur Chopin," written and performed by Hershey Felder, is well worth seeing and hearing. We enjoyed it very much, even though we had to stand the entire time, and it was over two hours without intermission! There is a CD available, BTW.

Thank you so much, Pianoagain, for giving us a critique of M. Chopin. Over 2 hours...that must have been hard on your feet, but heaven for your ears.

Frycek and I researched and found out about the CD. We both ordered it.

Also you can order the CD of Gershwin by going to the site you gave and clicking on the order form in the upper-right hand corner. This will bring up sheet where you can specify what CD's you want. The M. Chopin was only $30, which I consider quite bargain.

I wrote to ask them if there were plans on making a DVD, but they said it was too costly and that they would need $$$ from some backers.

Kathleen

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After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own." Oscar Wilde, 1891

Which selection / style of Chopin pieces do you listen to the most? (i.e. Ballades, Valses, Polonaises etc). Or do you mix them up?

- I listen to the Ballades the most, followed by some of the Etudes. - Have just started to listen to the Nocturnes. - Haven't really listened to the Polonaises yet (exceptions being the Grande and the Heroic)

I think I've listened to the etudes most of all followed by the nocturnes and the scherzi. (Probably because I happen to be working on an etude 10/12 forever and a scherzo, started this summer, and have worked on a few noctures including the present one.

Originally posted by Frycek: (Probably because I happen to be working on an etude 10/12 forever [/b]

Just as an aside, how are you getting on with the Revolutionary? [/b]

OK. The first of the five pages sounds pretty much the way it should. The next two are getting there. I've yet to begin the last two. A lot is repeated in those last two pages so they should go pretty fast. Right now I'm consolidating what I've got.