Wheatstone D-10 Television Console
The D-10 has ALL the controls needed right WHERE they¡¦re needed, complete with well-lit switches and encoder lightpipes for fast visual confirmation ¡X no complicated layering or function sharing to surprise your operators.

The D-10 has a well thought-out talkback system, eight subgroup mixes , as well as four DCMs (digitally controlled master/mute groups).

Plus eight mix-minus buses with a full confidence feed system. Subgroups, DCMs and Masters all have dedicated faders, so these functions are one step and error-free (no assignable faders utilized).

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Wheatstone D-16 Television Console
Designed for applications that require large console features in a compact footprint, such as small control rooms or OB, the D-16 gives the operator control of all channel parameters in a clean logical layout without resorting to multiple layers of assignable controls.

A 32 Input fader, 64 channel system takes less than 50 inches (127 cm) of space.

When configured for dual layer operation, each input channel has two input source displays, one showing the current active channel, the other showing the channel one layer down, eliminating the need to ¡¡ˇÓinterrogate¡¨ a channel to determine source status.

While designed for tight spaces, multiple frame sizes allow you to spread out the layout as your space permits.

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Wheatstone D-4000 Stand Alone Console
WHEATSTONE'S D¡V4000 offers features to satisfy the most demanding engineers¡Xbut at a lower price point than its predecessors.

Based upon the technical architecture of the popular D-5000, this new D¡VSeries console is totally modular, with a new look featuring a stainless steel meter bridge and wrist rest, composite fused finish end caps and new work surface graphics.

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Wheatstone D-5.2 Television Console

The D-5.2 is the ultimate in large market live televison production where comprehensive IFB capability is an absolute must.

With 18 dedicated mix-minus buses with confidence feeds plus direct mix-minus (Bus Minus) feeds from every input channel, you will have the tools you need whether for election night or the largest sporting events.

Systems can be configured from 12 to 128 input faders.

Dedicated controls for the most critical functions give operators that added confidence during fast breaking news and sporting events.

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Wheatstone D-8 Television Console
Wheatstone features and performance for the mid- and small market facility ¡Xthe television console you always wanted but didn't think you could afford.

Fully featured, the D-8 incorporates an incredibly intuitive touchscreen for metering and for lesser used and set-and-forget controls. Up to 32 channels of mix-minus / N-1 outputs, surround panning, and per-channel delay are just a few of the requisite functions rarely found in consoles at this price.

Utilizing the same Wheatstone Bridge audio networking technology as the D-5.2, D-16, and D-10, the D-8 can be configured with any combination of analog and digital inputs. Those inputs can be mono mic or line, stereo, or 5.1. 5.1 and stereo output buses allow you to feed both your HD and SD program streams with no fuss.

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Wheatstone D-8000 Stand Alone Console
WHEATSTONE¡¦S fourth generation digital console has what you need: dual domain input modules that accept both analog and digital sources; built in I/O integration with 8 character displays: a choice of features like auxiliary sends, equalization, dynamics control and event memory/recall¡Xall without the aid of an external computer.

The D-8000 is an all-modular design with no active components mounted inside.

Wheatstone Generation 3 Control Surface
The GENERATION 3 packs a lot of power in a small footprint. This control surface has more power than most standard audio consoles on the market. It has four stereo program mixes, four mix-minus busses, and the ability to select any source in the Bridge network system and send it to any fader or monitor circuit.

The G-3 provides monitoring for control room, headphone and one studio, having its own source selection and talkback. The G-3 also gives your operators individual talkback outputs to each of the 4 Mix Minus busses.

The surface intelligence allows the MXM bus assignments for a particular source to be defined in the software and recalled when the source is called up on any fader. Settings for the same source may be different when recalled on different control surfaces in a networked system. The G-3 is available in 4, 8 or 12 fader configuration. The G-3 is ideal for production rooms and voice track studios.

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Wheatstone Generation 4 Control Surface
The GENERATION 4 offers all the features of the GENERATION 3 and gives additional functions that some of the most demanding studios require.

The G-4 provides you with 8 individual Mix Minus busses each with Talkback control, 8 programmable buttons, a second studio control feed and 4 control surface user presets.

The G-4 also allows the MXM bus assignments for a particular source to be defined in the software and recalled when the source is called up on a any fader. Settings for the same source may be different when recalled on different control surfaces in a networked system.

The G-4 is available in 4, 8, 12, 16, 20, 24 or 28 fader configurations. The G4 has found its way into many On Air studios and Production rooms.

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Wheatstone Generation 5 Control Surface
The GENERATION 5 provides a straightforward operational surface with the benefits of digital technology and the graphics of digital display.

This digital control surface includes all the features of the Generation 4 but now adds: LCD Meter Bridge displays, 100 surface event presets, 12 programmable buttons and built in system X-Y controller.

The G-5 is available in 4, 8 ,12, 16, 20, 24 or 28 fader configurations. The Generation 5 makes a great on air control surface especially for talk formats.

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Wheatstone Generation 6 Control Surface
One of our most popular control surfaces, the Generation 6 embodies the feature set of the series¡¦ larger surfaces into a studio-friendly footprint.

In addition to standard features such as: 4 stereo mix buses, 8 Mix minus busses and 8 character fader displays, the Generation 6 offers an expanded number of AUX sends and increased PRESET options to boost save-recall capability.

This control also offers the highly requested built in LED VU Meter Bridge.

The GENERATION 6 also allows the MXM bus assignments for a particular source to be defined in the software and recalled when the source is called up on a control surface fader.

The G-6 is available in 4, 8, 12, 16, 20, 24 or 28 fader configurations. G-6 can be used in both On Air and Production studios.