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Ione has everything she’d wanted with her busy shop filled to the brim with sumptuous fabrics, gossiping debutantes, and a neatly increasing profit margin. Not to mention the unexpected attention of a man who doesn’t know her past. And then the letter dropped from the mail slot onto to lush carpet. He was back. And the abuse, the shame, rushes in, reminding her of how unworthy she really is.

Miriam also has everything she’d wanted—and with a baby on the way, for the first time in her life, she has everything to lose. When she’d been alone, the future had held promise, but now with her life full, it also holds fear. Unwilling to risk a vision of loss, Miriam stops painting what will be…right before Ione needs it most.

Their small Oklahoma town is dying. Lillian remembers how acres and acres of wheat once waved under jewel-blue skies. Now the dirt stretches across the flat land as far as she can see.

Emma’s husband is missing. She keeps house, keeps her five children fed as best as she can, and keeps smiling as her hope fades. But when the days stretch to weeks, she faces the possibility that he will never come home. Left with the likelihood of losing their farm, and the ever-present pangs of hunger, she is forced to consider opportunities that, under normal circumstances, she would never contemplate.

Jessie, Emma’s oldest daughter, completes her tasks as if numb. Forced to wear her mother’s shoes to avoid the humiliation of bare feet, she watches the dead, dirt road for signs of life.

And then he comes.

His new car and shiny shoes and generous way with gifts and money catch Jessie’s eye, much to the dismay of her mother … and much to the concern of the minister’s wife, Lillian. He’s too smooth, too willing to help, and much too eager to spend time with a girl less than half his age. But who is to say he is not the miracle they all prayed for?

Lillian and her husband stand by, helpless, as they realize that the winds carry more than one kind of evil, and as they are all forced to decide where the evil lies: in hunger, or in hope.

She creeps along the cement walls through the dank underbelly of the asylum. She’d never planned to leave her quiet farm life, never thought she’d find a place in the city, never imagined she’d be in the kind of danger that would have her cowering in Dunning’s cold, labyrinthine basement.

Jenny has finally found her place. After a childhood of abuse, she has friends, a real job, and her only wish is to give her adopted son the kind of life she never had.

A life of stability, without the risk and uncertainty of a father.

But when Jeremy, Rachel’s brother, stumbles into their warehouse, asking for help to find his missing sister, Jenny’s carefully constructed life begins to crumble.

Brianna has only ever been what her life demanded. A wife, a hostess, a mother. But when a stand her husband takes ostracizes them from the Lutheran church that controls so much of life in Sweden, Brianna finds herself needing to find a strength beyond her station…a strength that will see her through prejudice and persecution and to a home she never dreamed she would find. Based on the true story of the author’s family’s journey from Sweden to America, this sweeping saga paints the brilliance of new faith, the bravery of a new land…and the beauty of plunging beneath the waters and emerging a new person, capable of what one never thought one could do.

Miriam watches the people jostle their way below the windows of her warehouse home, never thinking to look up at her as she paints their faces. But Miriam’s gift as an artist goes beyond a mere recording of what is: Miriam paints their futures. Only once was she wrong. One woman doesn’t match the future Miriam saw. The bright girl was supposed to grow into a respected businesswoman. Instead, Ione disappears nightly into the shadowed alley next to the cathedral with the other prostitutes. Then one night, while walking through the city fog, Miriam finds Ione broken and beaten. Miriam is forced to open her home to the stranger whose face she knows so well and open her life to change she never could have foretold. Women are missing—some found floating in the river, some never seen again. The deacon from the cathedral is the first to help. Soon Miriam’s solicitor, Michael, aids her in rejoining society so they might uncover the evil at work in the corrupt city…and awakens feelings she had never considered before. Finally engaged with the world she has so long observed, finally stirred by love and friendship, Miriam realizes the responsibility of her gifting. No longer can she just paint what will be. She must now help Ione find the future she is meant to have…and find her own along with it.

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