Stephen Connolly - Spatial Cinema

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These films foreground the experiences of our surroundings and cinematic space, while engaging in singular aesthetic journeys of their own. Narratives of space are traced in this work, exploring material environments constructed as sites, by movement and habit, and the workings of finance and capital.

Includes an essay by Jonathan P. Watts, contemporary art critic and lecturer at the Royal College of Art, London.

Featuring:

The Reading Room | 3′, 2002

Film for Tom | 12′, 2005

Postcard from Istanbul | 6′, 2003

Más Se Perdió | 14′, 2009

Zabriskie Point (redacted) | 27′, 2013

Machine Space | 24′, 2016

“Connolly is a filmmaker first, but also an artist and craftsman…from a ballet school in Cuba to tragic working class heroes – means his inquisitive, self-reflexive films take experimental cinema in new directions…” Vlastimir Sudar, S&S 10.16

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Sobre el editor

LUX is an international arts agency for the support and promotion of artists’ moving image practice and the ideas that surround it. LUX exists to provide access to, and develop audiences for, artists' moving image work; to provide professional development support for artists working with the moving image; and to contribute to and develop discourse around practice.