IS THAT A TARANTULA IN YOUR CORSET OR ARE YOU JUST SCARED TO SEE ME?: OCTOBER CLASSIC FILM IMAGES QUIZ

Greeting boys and ghouls, once again it is time for another exciting plunge into that pit of darkness, that chasm of quaint irrelevance, that maelstrom of preposterously pitiable possession known as the Monthly Film Images Quiz. As if the prospect of yet another exercise in tedious title tail chasing weren’t enough, this month’s quiz imposes a deeper supernatural imposition (thus the imposing part of the program- pay attention!) as the number of images exhibited for your earnest, but eminently misguided, edification is 18, as counsel with leading scholars, theologians and relative theorists throughout the free world (except for Vermont, which is a totally useless place and is available for sale or rental at our Organizational Malapropism & Scheme Hatchery division in this website) has determined that a cohesion of the numbers 6, 6 and 6 is a far more palatable presentational quantity than its three digit counterpart which might upset the children, annoy the politically correct and make some smart-aleck insist we provide 666 images, which is out of the question as this is an enterprise fueled by extreme laziness and an uncertainty as to whether it’s even legal- with the government shutdown and all. Blame President Eddie Haskell, not me. As for the quiz itself, you will note the rules have not changed and that you are required to identify all 18 films pictured in the following stills; each representing a shuddery, spine-tingling horror feast, or perhaps just a bad movie that’s horrible (I forget). Once again, the pride of the title of Exceptionalism is at hand, and the first to identify (Correctly, if you please. There’s no sense of humor in the judge’s chambers.) all 18 will receive the treasured CSR CULTURE SHOCK AWARD, won by few (only one, actually) and coveted by even fewer. Good luck.

Rate this:

Like this:

LikeLoading...

Related

About chandlerswainreviews

I've been a puppet, a pirate, a pauper, a poet, a pawn and a king, not necessarily in that order. My first major movie memory was being at the drive-in at about 1 1/2 yrs. old seeing "Sayonara" so I suppose an interest in film was inevitable. (For those scoring at home- good for you- I wasn't driving that evening, so no need to alert authorities.)Writer, critic and confessed spoiler of women, as I have a tendency to forget to put them back in the refrigerator. My apologies.

Nine out ten. But as Holmes would say, “the game is still afoot.” Also, in an amusing side note (amusing only to me but not unlike THE OUTER LIMITS, I control what you see in this moment) the header photo of Ingrid Pitt is widely identified on the internet as coming from “The Vampire Lovers” when it is, in fact, from “The House That Dripped Blood”. This is just the kind of thing that makes me certain the world is on the precipice of collapse.Damn the government shutdown- we need to focus on America’s vampiric literacy.

I appreciate the cut of your sentiment. I too often enjoy pulling up a folding chair and watching the competitive carnage. It reminds me of what it must have been like in the good old days of ancient Rome (though it wasn’t called that back then- just how did they refer to themselves on their City Hall letterhead?) when watching a contest between gladiators in the arena, though in this case there is probably less chance of spilling hot dog mustard on my toga.

BUT A MERE SAMPLING OF THOSE SUCKERED IN BY THE SWEEET NARCOTIC THAT IS CHANDLER SWAIN REVIEWS

DO YOU FEAR THAT LIFE IS TAKING YOU FOR A RIDE? SUBSCRIBE TODAY!

Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 554 other followers

VICTIMS OF MORBID CURIOSITY: DON'T LET THIS HAPPEN TO YOU!

60,573 hits

REX TRAILER

1928 - 2013

A WORD OF THANKS

This site would not be possible without the invaluable resources and out-of-print materials to be found at The Shire Book Shop in Franklin, Massachusetts. If in the area, do stop by this amazing paradise for readers, or visit them on the web at: www.shirebookshop.com .

WELCOME

If you don't like what you see, what the heck- it's free!

"When you have eliminated the impossible, whatever is left, however improbable, must be the truth."

“They! They!”

Clearly if this little darling had been better versed in film quotes she wouldn't have ended up as a big bug appetizer. DON'T LET THIS HAPPEN TO YOU! Enroll today at BIJOUX U., otherwise known as FLIM FLAM FILM TALK, the greatest film blogsite this side of the otherside. Become well versed in filmology, cinemaology and overpriced popcornology all for nuthin' a serving. Just click on the photo above and enjoy the ride. Accredited by the academics at SMARTERIN U. FILM SCHOOL and operating while avoiding the cloud of federal indictment since 1806.

My name is Doctor Frederick Fraunk-en-steen,,, and I approved this message.

COME AND RELAX AT THE MERCADO LOUNGE

“HOUSTON, WE HAVE A PROBLEM.”

THE SEEKING OF WISDOM

Search for:

FILMS DEMANDING REDISCOVERY:

Michelangelo Antonioni's neglected "Identificazione di una donna" relinquishes the metaphysical mire which had plagued the director for over a decade, and offered an introspective view of life, creation, sex and love. A film worthy of attention and serious reappraisal.

Dusty Things on the Shelf

Categories

OUR MASCOT BENNY

For cryin' out loud, watch your fingers because if he hasn't had his peanut butter, he gets really cranky!

RECOMMENDED SOUNDTRACKS

This slideshow requires JavaScript.

READ CHANDLER SWAIN REVIEWS

Converting Populist Stooges Into Critical Thinkers In The Blink Of An Eye!

IMAGES FROM THE DRIVE-IN

Jane Fonda stars in Roger Vadim's 1968 outer space sex comedy, but is it worth the trip in the old Pontiac or does it crash and burn on take-off? Read the review at NITES AT THE DRIVE-IN CINEMA to find out.

MANDATORY CINEMA FOR THE CRITICAL MIND

The essential 1967 Russian film "Viy" was actually the first horror film produced in the Soviet regime.

LEGAL THREATS & BOSSY MUMBO JUMBO

All material displayed is protected under copyright 2011 by Chandler Swain, Chandler Swain Reviews and parent companies therefore and whatnot. No material will be copied without the written permission of above parties unless the offender wishes to suffer a cruel fate worse than any experienced by a spouse of any reality program housewife, skank or pseudo-trash celebrity. Thou hast been warned. Just kidding.

RECOMMENDED SOUNDTRACKS

"La Dolce Vita" (Nino Rota)

FEARLESS LEADER

THE CRITICAL ESTABLISHMENT : AN INTRODUCTION

What is it we seek from the Cinema? It all depends on your point of view.

For some, the movies are a source of seeking refuge from everyday existence, a release from daily tensions and anxieties. This is escapism and it has been the driving factor of the Populist attraction to the movies since the origin of the form. However, if one were to alter the view and regard film without merely the Populist limitations of escapist diversion but also as an Art Form, the perspective deepens and enters the realm of Critical Thought.

Though inconsistent in perspective, each side has validity, and is actually far more dependent on the existence of the other than would first seem possible. In a nutshell, it is a battleground between perceived verisimilitude against the aesthetic Ideal.

In formulating the foundations of The Critical Establishment,
it is necessary to understand the characteristics of each perspective, to note the seemingly contradictory similarities and disparities, and their often inextricable interconnections.

THE CRITICAL ESTABLISHMENT : The Reviewer as Vox Populi

In examining both Populist thought and Critical Thinking in Film, it is useful to define the key players in the field: the reviewers and the critics. Though seemingly cut from the same cloth, there is a world of difference. Reviewers are the professional manifestation of the Populist front; reviewers have a primary focus on entertainment value while critics evaluate under an aesthetic criteria, reviewers reward immediate gratification whereas critics seek artistry.

With the burgeoning of internet filmspeak, there is a misconception that the old model of printed press criticism is being eroded by the emergence of an equal internet critical roster. This, however, is a fallacy. One thing is for certain, even with a cursory glance at popular internet movie sites: reviewers are plentiful and genuine criticism of merit is as scarce as water in the Mojave Desert.

The reviewer will generally spend the bulk of their time reprinting the plot synopsis of a film, often almost verbatim from the printed materials of the studio. While this assists handily in filling a column, it does little to illuminate the worth of a film. The reviewer will often spend an inordinate amount of time relaying such unessential data as background gossip, "best" lists and an alarming volume of space on film finances- usually relating to either the film's budget (as if the writer had a financial stake in the enterprise) or opening weekend receipts, neither of which has the slightest bearing on the film's aesthetic achievement.

MOVIES YOU MIGHT NOT WANT TO MISS

This slideshow requires JavaScript.

MANDATORY CINEMA FOR THE CRITICAL MIND

Stephane Audran in Claude Chabrol's meditative psychological suspense film "Le boucher" virtually redefines how thrillers should be conceived, by concentrating solely on character rather than narrative, the finale of the film, rather than the standard increase in tension, achieves a far more satisfying sense of personal tragedy.

Subscribe to This Blog or Be Mentally Impoverished and an Object of Ridicule

Enter your email address to subscribe to this blog and receive notifications of new posts by email.