blogging since 2007 about European music, travel and all things Eurovision-related, as well as a bit of telly and retro-tastic music.

Tuesday, September 15, 2015

Eurovision 2015: Semi-Final 2, Thursday 21.05.2015

For the first time since 2008, if I remember correctly, I had to
miss a Eurovision semi-final. That year
I was on holiday, but this year it was due to a very enjoyable evening out at a
prior engagement with mum, so I had to set my Sky+ and avoid Twitter until
later in the evening when we finally sat down to watch the show. Of
course I now have a new annual tradition of taking Eurovision Eve off work, so
I could stay up as late as I wanted to!

Our three hostesses Arabella, Mirjam and
Alice - or their stylists, to be more precise, must have read some of the
negative comments online about their outfits on Tuesday night, as the ladies’
styling was much more agreeable tonight, and they certainly look more relaxed
and comfortable. As in the first semi-final, all the contestants are
called to the stage and there's that flashmobbing-dancing thing going on, which
I don't really understand. Now - songs!

LITHUANIA - "This
Time" -Monika Linkytė and Vaidas Baumila.

In a year of very few uptempo songs - and
you'll wait a long time for them in this semi-final - it was inevitable that
this would open the show. It's a lively performance with an equally
lively backdrop to match. And of course there is "one kiss".
Not only that but there is a same-sex kiss between the two sets of dancers.
That’s the ‘demographic’ vote sorted then eh?

IRELAND - "Playing With
Numbers" - Molly Sterling.

Molly, Molly, Molly. In the middle
of a forest too, for some reason. She is still not connecting enough to
the viewers, it's the second spot of death in the draw, and I always get the
feeling that despite being the co-writer of the song, she's singing about playing with numbers and she didn't know what it meant. On the plus side,
it's a very mature song and performance for such a young artist and even if she
doesn't qualify, this will be an unforgettable experience for her.

In keeping with the song's title, there
are lots of lights but this awful song just can't be redeemed. It’s a
chain of s***e for you and a chain of s***e for me. If San Marino's continued participation is to
be held to ransom by Ralph Siegel's songs, then the country would be as well
packing up and going home. Michele and Anita should have been given a more
‘youthful’ song than this. Never was that ‘no’ at the start of the song so appropriate.

MONTENEGRO: "Adio" - Knez.

After that opening ceremony, here is the man who is now known at EuropeCrazy
HQ as “K-nees”. After a couple of 'meh'
songs this brings back the quality. It's a Zeljko song and there is beautiful staging here,
which looks like they're walking on water. His performance is faultless
and then we hit the dance bit. Wow, wow and wow. M: I don't understand what he's singing about but he is very professional.

MALTA: "Warrior" - Amber.

After Nina from Georgia won us over with
her warrior performance the other night, Amber had a lot to prove. There
is very busy staging and lighting effects going on, busy to the point of ruining
the song and performance. This is like 'Rise Like A Phoenix' on steroids.
I like her lace dress which reminds me of Helena Paparizou in
Melodifestivalen, but I have a new fave warrior in this year’s ESC and it's not
Amber.

M: Don’t know about break through the silence, but she’s screaming
through it!

L: There’s a much better song coming next.

NORWAY: "A Monster Like
Me" - Mørland and Debrah Scarlett.

So there was a lot of soul-searching after
the MGP final about how this was going to be staged, particularly that long
instrumental section before the final chorus. In the end it was simple
and effective. And this is bloody special.

M: This is good, in an odd kind of way.

L: Odd is good.

PORTUGAL: "Há Um Mar Que Nos Separa” – Leonor Andrade.

One of this year's (very few) absolute
no-hopers, which is really sad as I always want Portugal to be wonderful and
most of the time they just let me down. There's lots of wind (machines) and
attitude from the Portuguese, gothic....

M: Cheryl Cole! That's who she looks
like.

I'm not sure what this song is supposed to
be. Is it a rock song? A pop song? If faithful travelling companion
was watching this (which he isn't) he would be asking "where's the
fado?". If the Suzy shake couldn’t
make the final, this has zilch chance.

They're back, back, back after 5 years and
was it worth it? Their postcard features knights and a creepy big bridge
- could this be a subliminal 'building bridges' reference? This was one of the
songs which I haven't played too much before the contest, and I hadn't really
paid any attention to their rehearsals so it was all new to me. And my
first thought is "bloody hell Vaclav, why didn't I notice you
before?" It's been a long day though, and I'm not sure how much
longer my Vaclav-appreciation will last. This is a very theatrical ballad
which culminates in Marta chucking off her shoes. And it's all too much
for mum.

M: This is far too high class. Far
too high-falutin'!

L: You'll like the next song though :)

ISRAEL: "Golden
Boy" - Nadav Guedj.

One of my most-anticipated songs of the night. Lots of enthusiasm and entertainment value
which should overturn Israel’s recent poor qualification record and ensure it
won’t be bye bye after their 3 minutes in the semi-final. But there’s only one talking point at
EuropeCrazy HQ…

M: He's WHAT age?

L: 16 I think.

M: He's awfully old looking for 16.
I wouldn't like to see what he looks like by the time he's 21. But he's
the king of fun.

L: Indeed he is!

M: And you’re never too old for fun, even if he is really an old
guy.

LATVIA: "Love
Injected" - Aminata Savadogo.

Sorry Aminata, and Latvia, because I love
your country and I love Latvia being in ESC every year, but I'm never going to
like this non-song in a million years. Although it is very well-staged,
and Aminata is recalling Diana Ross' "Chain Reaction" with that
frock, the song still fails to connect with either of us. She is very
good at what she does though, and it's all very mystical. It should get
marks for originality, I will say that. But at the end of the day Latvia
2015 was all really about Rigas Bebrs, wasn't it?

M: This isn't a song at all. I
thought this was called the EurovisionSong Contest?

L: I don't like this song, never have done.

AZERBAIJAN: "Hour of the Wolf" - Elnur Huseynov.

It's a shame really that when I think of
Aserjeban (apart from thinking of Lynda Woodruff) I think of sim cards for all
(allegedly of course)and
the songs are inevitably overshadowed by, um, external factors. This year
we have Elnur, who is very able to deliver this type of anthemic and dramatic
ballad, and then they go and spoil it all with theatrical bunkum. Ladies
and gentlemen, I give you the hell that is 'contemporary dance'. Was this
really needed? I was quite captivated by this song but that was quickly
overshadowed by an overwhelming thought "NOT F*****G CONTEMPORARY DANCE,
NO NO NO NO NO!!" and that tells you all you need to know. Have you
not learned from the hell that was Robin Stjernberg's staging 2 years ago?

M: The dancing, if you can call it that,
is wasting this song.

L: Indeed.

ICELAND: "Unbroken" - Maria Olafs.

Now here comes the unexpected car crash
moment of semi final 2. Maria leaves her 'steps' across the stage, and
the northern lights staging is quite exquisite. But the beautiful staging
can't save this, because she then starts "singing" and we very
quickly discover that there are no redeeming features about this manic pixie
rubbish. She probably doesn't deserve the class line-up of backing
singers which include Hera Bjork and the guy who came runner-up in
Songvakeppnin,Friðrik
Dór....I wonder if he could have done better? But of course they should really have sent "Feathers", shouldn't they?

And now for viewers in the UK, on BBC Four, we have a VT about this
year's UK entrants Electro Velvet. Break time over, and time for a
little country you may have heard of, called Sweden!SWEDEN: "Heroes" - Måns Zelmerlöw. So the question was finally answered – the scene-stealing cartoon guy has been
redesigned with a balloon replacing his umbrella. “Heroes” is a lively song - and boy do we
need one of those! - performed in a slick and professional manner which you
expect from Måns by now. Sometimes it comes across as maybe a little too clinical and
sanitised, although there is no doubting its international hit potential.
Tonight's performance is maybe not the best ever performance I've heard
of the song, but it succeeds. The backing vocals work too, thus calming
pre-contest questions about whether they would be able to recreate the taped
Melfest backing vocals. A confident performance....just don't get too confident
though! It’s been a long night and by now Mum has fallen asleep and missed Måns. I make sure she sees the clip of the song later though, so she doesn't miss out!

SWITZERLAND: "Time to Shine" - Melanie Rene.

Right all you Allo Allo fans, let's get the "ooooooh
Rrrrrrrreneeeeee" thing out of the way now. Done? Good.
Melanie is very good too, and makes the best of the song she's got.
The staging is effective, there are backing drummers and trees and a
costume change and I love the use of "mucking around" in the chorus,
but the biggest problem I have with this is that (a) it's not Sebalter, (b)
it's not Sebalter, and (c) it's not Sebalter. She is very talented though
and is probably better than the song; and on this performance she deserves to
qualify. But at whose expense?

CYPRUS: "One Thing I Should Have Done" - John Karayiannis. It’s time for John! He is so loveable isn't he. You just want to give him
a great big hug. This is staged very simply but effectively, beginning in
black and white and John in a solo spotlight. This deserves great things. At this stage I am mulling over my pre-show predictions and wondering how many
I'll get right. Wondering if Switzerland should qualify in place of Iceland. Or anyone else for that matter, because Iceland certainly don't deserve to qualify on that performance.SLOVENIA: "Here For You" - Maraaya.

Aah here come lovely Maraaya and their trademark headphones. I will be
down down low if this doesn't qualify, as it's one of my top 5 favourites of
this year's contest (along with Italy, Sweden, Norway and Estonia). Yet
this is missing something in the echoey sound mix as Marjetka's vocals are
disappearing at times - I hope this doesn't ruin their qualification chances.

POLAND: "In The Name of Love" – Monika Kuszyńska.
There is a nice pastel pink and green backdrop here, which is a rather
drastic change from some of the “busy” backdrops we’ve seen over the 2
semi-finals. The song lacks the ‘killer touch’ but she is very charming and I
think the draw placing combined with the back-story should guarantee
qualification.

After the voting recaps there’s a
little VT about ESC’s famous voting moments including the legendary “I don’t
have it!”. There’s also interviews with
some of the finalists including the UK’s Electro Velvet. I’m still not convinced by Alex’s body
language – he still appears reluctant and confused and I still don’t know how
to take him.

Fast forward to the results. Who's going to the final?LithuaniaPolandSloveniaSwedenNorwayMontenegroCyprusAzerbaijanLatviaand the last country to qualify is...Israel.I'm very happy to say that I
predicted 9 out of 10 qualifiers correctly tonight, I got Iceland wrong and
hadn’t predicted Latvia to make the final.
Oh well, 9 out of 10 ain’t bad!Next stop, the final. For the first time ever, there are 27 countries competing in the final so it's a) going to be tougher than ever, and b) gonna be a long night on Saturday.....

Me myself and I

My name is Laura. I have three blogs - EuropeCrazy, which was born on 11th March 2007, and its spin-off Planet Salem which came into the world on 1st December 2007, then along came EuropeCrazy's Random Ramblings on 11th October 2008.