Dance

St. Paul’s School provides students with the opportunity to combine a rigorous academic education with the finest dance training in a dedicated dance facility. The SPS Dance Program fosters a fun, nurturing and artistic learning environment, while training technically proficient dancers with a sound work ethic.

Offering year-round dance classes as part of its academic calendar and training all levels of dancers, the SPS Dance Program prepares its students to dance at the college and pre-professional level.

The Company Serious dancers may audition for the St. Paul’s School Ballet Company (SPSBC), a year-round program that can be substituted for athletic participation at the varsity level. SPSBC dancers work one-on-one with faculty and guest teachers and choreographers, rehearsing daily throughout the academic calendar, and performing four different programs each school year, including classical and contemporary works. Through the Visiting Artist Program, the SPSBC has worked with principal dancers of companies such as Miami City Ballet, Trisha Brown Dance Company, Twyla Tharp Dance, Merce Cunningham Dance Company, Paul Taylor Dance Company, Batsheva Dance Company, and master ballet teachers from Boston Ballet, the Balanchine Trust, New York City Ballet and School of American Ballet. SPS graduates have gone on to dance at The Juilliard School, Barnard College, Columbia University, Harvard University, Stanford University, Yale University, Princeton University, Wellesley College, University of Cincinnati Conservatory of Music, University of Michigan Department of Musical Theater, and Vassar College and professionally with New York City Ballet, Mikhail Baryshnikov’s White Oak Dance Project, Jose Limon Dance Company, Lar Lubovitch, Batsheva Dance Company, Twyla Tharp, Louisville Ballet, Carolina Ballet, and Scapino Ballet Rotterdam, to name a few.

PROGRAM HEAD

List of 1 members.

Ms. Kate Lydon

VISITING ARTISTS

List of 18 items.

Alex Brady, Twyla Tharp Dance

Alexander Brady, born in Boston and trained at the Boston Ballet and The School of American Ballet, danced with the Joffrey Ballet, Miami City Ballet, and Twyla Tharp Dance. He appeared on Broadway in Twyla Tharp’s “Movin’ Out,” “The Times They Are A-Changin’,” and “Come Fly Away.” Mr. Brady has also performed with the Metropolitan Opera, Mark Morris Dance Group, Dances Patrelle, and Buglisi Dance Theater, as well as in the films Across the Universe and Julie and Julia. Mr. Brady has worked at university dance departments and dance companies including Princeton University, Sarah Lawrence College, Beijing Normal University, Indiana University, Pacific Northwest Ballet, Barnard College, and Novosibirsk Opera and Ballet Theater. He currently serves as an adjunct professor at Long Island University, Brooklyn.

Alex has made several visits to SPS to teach, stage works by Twyla Tharp and create an original work on the SPSBC.

Tharp Cross-Over Technique and Repertory workshop (April 2013)

The One Hundreds: 1-50 (1970)Choreography by Twyla TharpStaged by Alexander Brady Performed February 21 and 23, 2014

Treefrog in StonehengeChoreography by Twyla TharpStaged by Alexander BradyPerformed February 27-28 and May 27-28, 2016

Caili Quan, Ballet X

Caili Quan, a native of Guam started her dance training under the direction of John Grensback and Bettina Sanzotta. At the age of 16, she moved from Guam to New York City to continue her classical training at Ballet Academy East. Ms. Quan has danced professionally with Richmond Ballet, First State Ballet Theatre and Charlotte Ballet under the direction of Jean-Pierre Bonnefoux and Patricia McBride. In 2013, Ms. Quan joined BalletX and has had the opportunity to originate roles in new works by Matthew Neenan, Nicolo Fonte, Trey McIntyre, Jodie Gates, Gabrielle Lamb, Adam Barruch, Yin Yue, among others. She has also toured nationally with the company to the Vail International Dance Festival, Vail Dance Festival ReMix at New York City Center, Jacob’s Pillow Dance Festival, Fall for Dance Festival, Central Park SummerStage, and the Joyce Theater. Ms. Quan has choreographed for Konverjdans and First State Ballet Theatre.

Ms. Quan visited SPS in April 2018. During her visit she taught classes and created, Corner, a new work on the SPSBC for Spring Performance.

CornerChoreography by Caili QuanPerformed May 25-26, 2018

Maria Konrad, ReachDance and Next Generation Ballet

Maria Konrad graduated from the Alexander W. Dreyfoos High School of Performing Arts, and earned a B.F.A. in performing arts from the University of the Arts in Philadelphia. Her performance experience includes the Barrymore Awards, the Philadelphia Fringe Fes­tival, the Merriam Theater, and Project Dance. In the Philadelphia area, her choreography was featured in West Side Story, Hello Dolly, Annie Get Your Gun, Project Dance, and The Philadelphia Fringe Festival. As a faculty member at Koresh Dance Company, Ms. Konrad helped create an early-dance-education curriculum. She teaches throughout the country at professional training programs, universities, and festivals, and her work has been featured in the southeast from South Miami Dade Cultural Center to Spoleto Festival in South Carolina. In Florida, Ms. Konrad founded REACH – A Dance Theater Collective, South Florida’s first modern-jazz workshop. In addition to being on faculty at The HARID Conservatory, she is director of the Contemporary Program at Florida School for Dance Education and an Artist in Residence at A.W. Dreyfoos School of the Arts.

Ms. Konrad visited SPS in January 2017 and April 2018. During both visits she taught clasees and created new works for the SPSBC: Extraordinary Escapes (2017) and Marble (2108).

Extraordinary EscapesChoreography by Maria KonradPerformed February 24-25 and May 26-17, 2017

MarbleChoreography by Maria KonradPerformed May 25-26, 2018

Jamie Scott, Merce Cunningham Trust

Jamie Scott is from Great Falls, Virginia, and began her professional training at the Washington School of Ballet. She attended Barnard College and graduated cum laude in 2005. Jamie worked with Merce Cunningham as a member of the Repertory Understudy Group beginning in 2007 and joined the Merce Cun­ningham Dance Company in 2009. Her tenure there included the Legacy Tour which culminated in December 2011. In 2012 Jamie joined the Trisha Brown Dance Company and is in the midst of the Proscenium Works, 1979-2011 world tour. She has also worked with Daniel Gwirtzman Dance Company, Ana Isabel Keilson, the Merce Cunningham Trust, and Silas Riener. Jamie teaches technique and master classes for both the Trisha Brown Dance Company and Merce Cunningham Trust. She is the Merce Cunningham Fellow 2014 and the recipient of a 2014-2015 Princess Grace Award.

MinEventChoreography by Merce CunninghamMusic by Fast ForwardArranged and staged by Jamie ScottPerformed February 20 and 22, 2015

MinEventChoreography by Merce CunninghamMusic by Christian WolfArranged and staged by Jamie ScottPerformed May 22-23, 2015

Scramble EventChoreography by Merce CunninghamArranged and staged by Jamie ScottPerformed May 27-28, 2016

Excerpts of Fielding Sixes (1980)Choreography by Merce CunninghamArranged and staged by Jamie ScottPerformed May 26-27, 2017MinEventChoreography by Merce CunninghamMusic by Fast ForwardArranged and staged by Jamie ScottPerformed May 25-26, 2018

Katarzyna Skarpetowska, Parsons Dance, Lar Lubovitch Dance Company

Katarzyna Skarpetowska, a native of Warsaw, Poland, is a graduate of LaGuardia High School of Music & Art and Performing Arts and The Juilliard School. Upon graduating, Ms. Skarpetowksa joined Parsons Dance where from 1999 to 2006 she performed lead roles in the company's repertory including the iconic CAUGHT. From 2006 until 2008, Kate was a guest member of The Battleworks Dance Company founded by her former colleague at Parsons Dance and the present artistic director of The Alvin Ailey American Dance Theater, Robert Battle; and from 2007 until 2014 she worked for The Lar Lubovitch Dance Company. Ms. Skarpetowska has also worked as a répétiteur and assistant choreographer to Lar Lubovitch, David Parsons and Robert Battle, setting works at conservatories and universities worldwide, including Oldenburgisches Staatstheater, Adelphi University and The Juilliard School. Her own choreography has been performed by Richmond Ballet, Alvin Ailey American Dance Theater II, Lar Lubovitch Dance Company, Parsons Dance, Hubbard Street 2, Ailey/Fordham and Marymount Manhattan College to name a few. In recognition for her choreographic efforts, she was named Dance Magazine's "25 to Watch" in 2016.

Ms. Skarpetowska vsited SPS January 16-28, 2017. During her visit, she taught modern technique classes and staged her work Consumed for the SPSBC's 2017 Winter Performance.

Lisa de Ribere, Master teacher and choreographer, School of American Ballet

Lisa de Ribere a native of York, Pennsylvania, studied ballet with Marcia Dale Weary in Carlisle, Pennsylvania, and at the Pennsylvania Ballet School before enrolling at the School of American Ballet at age thirteen on a Ford Foundation scholarship. At sixteen, Ms. de Ribere accepted George Balanchine’s invitation to join the New York City Ballet, where she danced for nine years as a corps de ballet member, before joining American Ballet Theatre as a soloist under the direction Lucia Chase and Mikhail Baryshnikov, Her repertoire includes roles in the works of some of the finest choreographers of the twentieth century, including George Balanchine, Jerome Robbins, Twyla Tharp and Merce Cunningham and Anthony Tudor to name a few. Ms. de Ribere has created nearly 80 works for companies in the United States and Europe, most notably for Pittsburgh Ballet Theater, San Francisco Ballet and Baryshnikov and Friends, and is a recipient of four choreography fellowships from the National Endowment for the Arts. Ms. de Ribere graduated summa cum laude from Fordham University in 2002 with a B.A. in Communications and Media Studies, and has written articles for Dance, Pointe and Dance Teacher magazine, and Lifestyles magazine.Ms. de Ribere joined the faculty of the School of American Ballet in September 2007. She is also a repetiteur for The George Balanchine Trust.

Ms. de Ribere has created many works for the SPSBC most recently Conclave (2016) and Fantasie (2017).

Conclave (2016)Choreography by Lisa de RiberePerformed May 27-28, 2016

Fantasie (2017)Choreography by Lisa de RiberePerformed February 24-25, 2017

Diane Coburn Bruning, Chamber Dance Project

Diane Coburn Bruning, founder and artistic director of Chamber Dance Project, is a graduate of Butler University and New York University, and she received a post-graduate fellowship from Yale University School of Drama. She has worked as a teacher and choreographer at conservatory and university dance departments and dance companies worldwide including The Juilliard School, Tisch School of the Arts at NYU, Skidmore College, George Mason University, Pacific Northwest Ballet, Pennsylvania Ballet, and Daghdha Dance (Ireland). Ms. Coburn Bruning is a recipient of a Guggenheim Fellowship, McKnight National Fellowship, and Strauss Fellowship for her choreography.

Diane has visited SPS many times. During her most recent visit in November 2013, she set her work Piazzolla Suite (2013) on the SPSBC, which was performed in the 2014 SPSBC Winter Workshop and Spring Performance.

2014Piazzolla Suite (2013)Choreography by Diane Coburn Bruning Performed February 21-23 and May 23-24 and 31, 2014

2016Choreographic Workshop

Journey (2003)Choreography by Diane Coburn Bruning Performed May 27-28, 2016

Philip Neal '86, New York City Ballet, Next Generation Ballet

After a 23-year performance career with New York City Ballet, 17 years as a principal dancer, Philip Neal ’86 has successfully embarked upon a choreographic career, creating works for professional dance companies and schools. He has assumed the role of répétiteur for both The George Balanchine Trust and the Robbins Rights Trust, staging the ballets of both landmark choreographers throughout the world. Additionally, Mr. Neal is a guest instructor for a myriad of international dance companies and schools, such as Miami City Ballet, Pacific Northwest Ballet, Joffrey Ballet and The School of American Ballet.

Mr. Neal began his dance training at age 11 at The School of Richmond Ballet, where he was spotted by dance icon Edward Villella and offered a summer scholarship to The School of American Ballet (SAB), the official school of New York City Ballet. In 1985, Mr. Neal won a silver medal in the International Prix de Lausanne ballet competition. Mr. Neal graduated magna cum laude from St. Paul’s School in 1986 and was named a Presidential Scholar in the Arts by the National Foundation for Advancement in the Arts.

Mr. Neal has performed in some of the finest works of the twentieth century by choreographers including George Balanchine, Jerome Robbins, Twyla Tharp, Peter Martins, and Ulysses Dove. He has appeared with New York City Ballet at their home at Lincoln Center’s David H. Koch Theater, in their summer home at the Saratoga Performing Arts Center, and on tour in Athens, Melbourne, Copenhagen, London, Paris, and Tokyo. He has also performed as an invited guest with the Kirov Ballet in St. Petersburg, Russia, in the famed Mariinsky Theater, as well as with the Paris Opera Ballet at the Palais Garnier.

Mr. Neal has visited SPS twice to teach classes and create new work on the SPSBC. In April 2014, he created A Classic Conundrum, which was performed in the 2014 SPSBC Spring Performance and Family Weekend Performance. In November 2014, he created It’s a Jungle Out There, which will premiere in the 2015 SPSBC Spring Performance.

A Classic Conundrum (2014)Choreography by Philip NealPerformed May 23-24 and 31 and October 24, 2014

It’s a Jungle Out ThereChoreography by Philip NealPerformed May 22-23, 2015

Patricia Lent, Merce Cunningham Trust

Patricia Lent was a member of the Merce Cunningham Dance Company from 1984 to 1993, and White Oak Dance Project from 1994 to1996. She joined the faculty of the Merce Cunningham Studio in 1988, where she taught technique classes and repertory workshops for more than 20 years. She has staged Cun­ningham’s work for numerous schools and companies, including Fabrications for Ballet de Lorraine, Scramble for Repertory Dance Theatre, Duets for Amer­ican Ballet Theatre, Channels/Inserts for Lyon Opera Ballet, Beach Birds for University of North Carolina School of the Arts, and Roaratorio for MCDC’s Legacy Tour. In 2009, Lent was named a Trustee of the Merce Cunningham Trust and currently serves as the Trust’s Director of Licensing. She continues to teach, stage, and conduct workshops in her capacity at the Trust.

During Ms. Lent’s visit to SPS, she taught Cunningham technique classes and along with Jamie Scott staged a Cunningham MinEvent, which was performed in February 2014 accompanied by New York-based English composer and performer Fast Forward. The MinEvent will also be performed in the 2015 SPSBC Spring Performance accompanied by former professor of classics and music at Dartmouth College Christian Wolff.

Sydney Skybetter, Skybetter & Associates

Sydney Skybetter is a technologist, choreographer, and writer. His dances are regularly performed around the country, most recently at the John F. Kennedy Center for the Performing Arts, the Boston Center for the Arts, Jacob’s Pillow, and the Joyce Theater. As a Founding Partner with the Edwards & Skybetter|Change Agency, he has consulted on issues of change management and technology for The National Ballet of Canada, Barnes & Noble, New York University, and the University of Southern California, among others. He lectures on everything from dance history to cultural futurism and is a frequent speaker at Juilliard, Dance/USA, and OPERA America. He is a regular contributor to The Clyde Fitch Report, serves on the faculty of The Boston Conservatory, and is a lecturer on Dance History at Harvard University. He produces shows at Joe’s Pub and OBERON with DANCENOW [NYC], and was the first to get the word “Frack” in print at Dance Magazine.

During Sydney's visit in March 2015, he taught classes and set his work Halcyon, which will be performed in the 2015 SPSBC Spring Performance.

Pamela Pietro, New York University Tisch School of the Arts

Pamela Pietro has equally combined careers on stage and in academic fields of dance successfully. She has performed professionally with Houlihan and Dancers, Anthony Morgan Dance Company, Michael Foley Dance, RaceDance and bopi’s black sheep/dances, Jennifer Nugent and Adrienne Westwood. She collaborated with choreographer Mark Haim for several projects at The Wooden Floor. Pamela has been on the faculty at the American Dance Festival since 1997 and taught for the Festival’s linkage programs to Guangdong Dance Company in Guangzhou (China) and the Dance Library Summer Conference in Tel Aviv, and Henan Normal University in Henan, China and Internationally Pamela has taught at Newtown High School in Sydney, Australia, Momentum Danza in Panama, LaSalle College of the Arts in Singapore, Tsekh Festival in Moscow, and Ekoda de Dance in Tokyo. Pamela's choreography has been presented in NY by Dancespace Draftworks and Dance New Amsterdam, BAX, Brooklyn Arts Exchange, Dancespace in Miami, Booker School for the Arts, Fuzion Dance Artists, Momentum Danza Company/Panama, Meredith College, University of Wisconsin Madison, and La Salle Academy/Singapore. Most recently, Pamela is performing solo work with the production SOLAS with 5 other women choreographers. She has presented and taught at the ACM Multimedia Conference, and the Tennessee Association of Dance. Pamela received the first place award from the National Society of Arts and Letters, and at the Asiagraph Video/Choreography competition in Shanghai, and her research was presented at the Hawaiian Arts and Humanities Conference in Waikiki, and currently at the National Dance Educators Organization in Chicago. Currently, Pamela is an Associate Arts Professor at New York University Tisch School for the Arts where she was awarded the David Payne-Carter Award for Excellence in Teaching. She is a certified Pilates instructor, as well as the assistant to pioneering bodywork expert Irene Dowd. Pamela received a BFA/Dance from Florida State University and her MFA/Dance from University of Washington.

During her visit to SPS in April 2015, Pamela taught a week-long Contemporary Dance Technique and Neuromuscular Somatic and Anatomical Training workshop.

Peter Pawlyshyn, Master ballet and character teacher

Peter Pawlyshyn a former dancer with Royal Winnipeg Ballet has served as School Director at Kansas City Ballet and Associate Director and Ballet Master of Eugene Ballet. He has been a guest teacher at the Royal Winnipeg Ballet, International Ballet Competitions in Jackson, Mississippi, Hartford Ballet, Joffrey Ballet II, Atlanta Ballet, Harvard University, University of Iowa, Southern New Hampshire Dance Theater, the Cecchetti Council of America, Cecchetti Society of Canada, Dance Masters of America and the Royal Academy of Dance. Mr. Pawlyshyn has coached and restaged numerous ballets. He has choreographed such ballets as Cinderella, La Boutique Fantasque, Natalia (an original full length) and Tango.

Charlotte Griffin, Bowdoin College and UC Irvine

Charlotte is a choreographer, performer, and teacher creating work for the concert stage, cinematic screen, and multimedia environments. Charlotte received her BFA in Dance from The Juilliard School under the direction of Mr. Benjamin Harkarvy and enjoyed the opportunity to perform the masterworks of artists such as Paul Taylor, Agnes de Mille, and José Limón. Upon graduation, she was honored with The Martha Hill Award for excellence in her field of study and went on to collaborate and perform with David Neumann, Yasmeen Godder, Sue Bernhard, Toshiko Oiwa, Karen Graham, Robert Battle, and Larry Keigwin. She has created ballets at The New York Choreographic Institute with dancers from the New York City Ballet and School of American Ballet, at the American Ballet Theatre Summer Intensive in Austin, and for Eliot Feld's Ballet Tech Kids Dance. Her modern repertory has been performed by The Juilliard Dance Ensemble, The Hartt School Dance Division, BJM Danse in Montreal, Danza UDLAP, Barcelona Institut del Teatre, The Juilliard Summer Intensive, Peridance Professional Trainees, Patricia Kenny Dance Collection, Houston Metropolitan Dance Company, Princeton University, Rutgers University, and more.

Her award-winning dance films, Barefoot Negotiations (2009) and Raven Study (2007), have screened internationally and have influenced her continued research of choreo-cinematic form, motion, and style. She served on the selection committee of ADF’s International Screendance Festival in 2010 and currently acts as an Advisory Board member of TenduTV, an online dance channel.

Charlotte visited SPS May 8-9, 2015. During her visit, she taught modern dance technique and composition classes.

Douglas Letheren '03, Batsheva Dance Company and L-E-V Dance Company

Douglas Letheren ’03, graduated from Juilliard in 2007 and moved to Tel Aviv to work with Batsheva Dance Company. In the same year, he received the Movado Future Legends Award, having been nominated by Mikhail Baryshnikov. Douglas recently left Batsheva and is now working with former Batsheva Associate Artistic Director and House Choreographer Sharon Eyal’s company L-E-V.

During both of his visits to SPS, Douglas taught Gaga classes. In January 2013, he set excerpts of Ohad Naharin’s Minus 16 (1999), which was performed in the 2013 SPSBC Winter Workshop. In January 2014, he set excerpts of Sharon Eyal’s Bill (2010), which was performed in the 2014 SPSBC Winter Workshop and Spring Performance.Minus 16 (1999)Choreography by Ohad NaharinStaged by Dougls Letheren '03 Performed February 22 and 24, 2013

Excerpt of Bill (2010)Choreography by Sharon EyalStaged by Doulgas Letheren'03 Performed February 21 and 23 and May 23-24 and 31, 2014

Andrea Weber, Merce Cunningham Trust

Andrea, a graduate of The Juilliard School, was a dancer with the Merce Cunningham Dance Company from 2004 - 2011, performing roles in over 25 works. Andrea is on faculty of the Merce Cunningham Trust, teaching Cunningham Technique® at New York City Center, The Joffrey Ballet Trainee program and SUNY Purchase. She has also taught at Brown University, Skidmore College, the American Dance Festival, Salem State College and Dance New Amsterdam. Andrea has staged Pond Way for Ballett am Rhein in Dusseldorf, Suite for Five for the CNSMD in Lyon, RainForest for the Stephen Petronio Company, and Sounddance at UNCSA. Andrea has also danced with Coleman & Lemieux Compagnie, Dance Heginbotham, Jessica Lang Dance, Cornfield Dance, Jonah Bokaer, Charlotte Griffin and as the Marchesa in Queen of the Night.

Andrea Weber visited SPS May 12-16, 2015 and May 2018. During her visit she to taught Cunningham technique classes and rehearsed the SPSBC's Cunningham MinEvent.

Amy Young, Paul Taylor Dance Company

Amy Young, a former principal dancer with the Paul Taylor Dance Company (PTDC), joined Taylor 2 in 1996 and made her debut with PTDC in 2000 at the Paris Opera House. Ms. Young grew up in Washington State, and spent her senior year of high school studying at the Interlochen Arts Academy in Michigan prior to entering The Juilliard School in New York, where she earned a B.F.A. in 1996. Ms. Young teaches and has been on the faculty of Alaska Dance Theater in Anchorage, Perry-Mansfield Performing Arts Camp, Metropolitan Ballet of Tacoma and The Taylor School.

During Ms. Young’s first visit to SPS in November 2012, she taught classes and set excerpts of Taylor’s Airs (1978), 3 Epitaphs (1956), and Esplanade (1975) on the SPSBC which was performed in the 2013 SPSBC Winter Workshop. In May 2014 she returned to SPS to teach and stage Taylor’s 1961 masterpiece Junction, which was performed in the SPSBC’s Spring Performance 2014.

Jacqueline Cronsberg, Boston Ballet and The Balanchine Trust

Jacqueline Cronsberg, owned her own school for over 30 years before founding the non-profit Massachusetts Youth Ballet (MYB). The company dancers were her advanced students aged 14-18 years. The George Balanchine Trust, the organization that manages Balanchine’s works, granted MYB licenses to give public performances of his many masterpieces including Serenade, Apollo, and Concerto Barocco. Her dancers have gone to careers with New York City Ballet, Boston, Pennsylvania, San Francisco, Kansas City, and Miami City Ballet, the National Ballet of Canada, The Royal Danish Ballet, Houston, Tulsa, and Fort Worth Ballet and New York Theater Ballet. Ms. Cronsberg disbanded her company upon joining the faculty at the Boston Ballet School.

Ms. Cronsberg visited SPS in February 2012. She taught classes and staged a Balanchine lecture demonstration, which included excerpts of Balanchine’s Divertimento #15 and Tschaikovsky Pas de Deux. This lecture demonstration was performed in the 2013 SPSBC Winter Workshop.

Nicole Pierce, EgoArt, Inc.

Nicole Pierce is the Artistic Director of EgoArt, Inc., a Boston-based dance theater company founded in 1999. Her choreography is eclectic exploring traditional concert dance, multimedia installation, dance theater and performance art. Her award-winning company is known for what she has dubbed “dance installation” where audiences enter constructed environments in which dance is placed. Thea Singer of the Boston Globe calls Pierce “…a firecracker full of idiosyncratic movement phrases that Pierce now cracks apart, now melds together as if she’s sprinkling sparkles on a canvas and then gluing them into a clump…a supreme entertainment.” Pierce is also an active and much sought after teacher of both music and dance. She serves on the dance faculty of Emerson College, Salem State University, Green Street Studios in Cambridge, MA and has conducted master classes at many schools and colleges throughout New England. A classically trained pianist, Pierce teaches privately to children and adults.

Nicole visited SPS in April 2013 and created a new work Hold Four in the Middle for the SPSBC, which was performed in the 2013 Spring Performance.

Hold Four in the MiddleChoreography Nicole PiercePerformed May 17-18 and 25, 2013