After someone breaks into John Figg's home and takes all of his material and sentimental possessions, he develops a severe case of insomnia and learns that the people around him are not as trustworthy as they appear to be.

The strange experience of an insomniac who, unable to sleep, looks out of his apartment window and sees, not the grey city skyline he expects, but a brightly lit country garden - his children's imaginary world. He decides to explore the fantasy and, at a party, meets a young girl with whom he escapes to a deserted, sun-drenched countryside. They swim in a lake, make love and finally fall asleep. When he awakes, he finds himself back in the urban setting.

Frankie (Ione Skye) is looking for a man "with the soul of a poet and eyes like Frank Sinatra." Her world is black and white–literally in this film–until the blue eyes of David (Mackenzie Astin) enter the café where she works with her uncle and cousin…

Insomniac is the fourth studio album by the American punk rock band Green Day. Though it peaked at number two in the U.S. and went double-platinum (according to the RIAA) by 1996, Insomniac did not have the sales endurance of its predecessor, Dookie, largely due to its slightly darker lyrical tone and heavier, more abrasive sound. The album is the band's third-best selling album behind Dookie and American Idiot with sales at over 8 million worldwide.

After three years of tossing and turning in anticipation of a new Enrique Iglesias disc, fans of the Latin superstar may find themselves losing still more sleep over early reviews that take Insomniac to task for straying too far from the sound that launched him to the loverman stratosphere. No need, though. Despite the presence of Lil' Wayne on the ultra-steamy, street-edged "Push" and some unapologetically catchy pop tunes any male singer, ethnicity aside, could have fun with ("Do You Know," for example, and "Tired of Being Sorry," a Ringside re-tread), white-hot machismo and Latin charm permeate Insomniac reliably.

Debut Album by Casual Friday . These Southern California boys who like rockin’ and rollin’ are rumored to have descended from the Gods. Gods which have granted them powers to combine riffs and melody to enchant listeners into joining their rock cult. The scope of their conquest is unknown but with influences like Piebald, Weezer, Oasis, and all good things rock n roll, these riffs know no bounds.