We have our book giveaway winner for Adolf Loos, A Private Portrait and Escape Home, Rebuilding a Life After the Anschluss! The two memoirs were each written by family members of Austrian architect Adolf Loos.Adolf Loos, A Private Portrait is the first English translation of the 140-page... View full entry »

Time for another book giveaway! We've got two great titles from DoppelHouse Press. The first is the first English edition of Adolf Loos, A Private Portrait by Claire Beck Loos, who was the last wife of Austrian modern architect Adolf Loos. The 140-page biography was originally published in German... View full entry »

Adolf Loos, the enigmatic Moravian-born architect, is better known for his writings than his buildings. A century after the publication of his polemical essay “Ornament and Crime,” a Columbia University exhibition called “Adolf Loos: Our Contemporary” examines his enduring relevance.
— nytimes.com

The latest edition of Showcase; featured a complete redesign of the Law Faculties and Central Administration Buildings at the Vienna University of Economics and Business (WU), by CRAB Studio. NewsWith Architecture for Humanity's experience helping communities beyond the relief phase of disaster... View full entry »

In landscape, legible intent is different for forms we perceive to be buildings than for forms we perceive to be sculptures, since in most cases (Gehry is the exception) before we ask, what is the architect’s purpose, we ask, what is the building’s purpose? This may be the single most profound difference between architectural and sculptural presence in landscape.
— Places Journal

David Heymann analyzes the very different ways in which works of sculpture and works of architecture occupy the landscape. And he looks closely at a grain elevator, and shows how a form which we usually experience as a familiar and even neighborly presence can come to seem evil. The final... View full entry »

“Architects,” wrote Adolf Loos, “are there to get to the bottom of life, to think through people’s needs to the very end, to help the disadvantaged in our society and to equip as large an amount of households as possible with perfect objects of everyday use. Architects are not there to invent new forms. But you can count the number of people in Europe today who will understand these views on the fingers of one hand.”
— ft.com