Web Only / Views » February 24, 2012

Forgetting the Past, One Military Movie at a Time

The scheme is simple: The Pentagon allows studios to use military hardware and bases at a discounted, taxpayer-subsidized rate. In exchange, filmmakers must submit their scripts to the Pentagon for line edits.

When philosopher George Santayana said, “Those who cannot remember the past are condemned to repeat it,” he meant it as an admonition–not as an endorsement of mass amnesia or historical revision. This should be obvious.

Yet those operating at the shadowy intersection of the Pentagon and Hollywood either don’t understand–or, more likely, refuse to understand–the thrust of the aphorism. Instead, with this week’s release of a much-awaited film, Santayana’s omen has been transformed into a public mission statement for a burgeoning Military-Entertainment Complex.

Since 1986’s Top Gun rekindled the Pentagon-Hollywood relationship from its post-Vietnam doldrums, the collusion between the military and the entertainment industry has become a blockbuster con, generating huge benefits for both participants–and swindling the American public in the process.

The scheme is simple: The Pentagon allows studios to use military hardware and bases at a discounted, taxpayer-subsidized rate. In exchange, filmmakers must submit their scripts to the Pentagon for line edits. Not surprisingly, those edits often redact criticism of military policy, revise depictions of historical failures, and generally omit anything else that might make audiences wonder if our current defense policy is repeating past mistakes.

If a studio doesn’t agree to the edits, then it loses access to the martial equipment, and typically, the film is terminated. If, by contrast, filmmakers agree to the edits, access is granted, and the film gets made at a cut-rate price to the studio. Except in the credits’ fine print, the audience is never told about the censorship.

The predictable result is a glut of movies that both celebrate U.S. military policy and whitewash the checkered history of military adventurism–and relatively few major movies questioning that policy and that adventurism.

No doubt as a system of stealth coercion, the arrangement has been wildly effective. But with America now questioning the efficacy of constant invasions and the morality of never-ending occupations, the Pentagon is getting worried and thus intensifying its agitprop to ever more manipulative extremes. Last year, for example, it cemented its first full sponsorship of a major film, X-Men: First Class, integrating the movie into recruitment ads. It’s now going even further, fully financing its own feature-length film, Act of Valor, appearing in theaters nationwide starting February 24.

Casting active-duty SEALs, the film is ostensibly about a mission to neutralize terrorists. But as one of the filmmakers let slip this week, its heroic portrayals and triumphs are really designed to once again make us forget the past.

“I’d like to see the legacy of Vietnam put to bed,” said Act of Valor filmmaker Mike “Mouse” McCoy in an interview with the Huffington Post. “It was a really bad time in American history, absolutely, but it’s time to sort of forget that and forget those sensibilities and don’t associate our troops and our men and women to that conflict anymore, and time to really open our eyes to say, ‘What’s going on in this world? What are our men and women in uniform really doing right now for us?’”

While it’s true that America’s recent wars are not exactly the same as the Vietnam War, a stunning new report in Armed Forces Journal proves there are troubling similarities we could learn from. With history’s lessons in mind, we might learn to refrain from involving ourselves in foreign quagmires because the human costs are too high. We might also learn that some conflicts have no military solution at all.

But such lessons run counter to a Pentagon focused on perpetually repeating a military-centric past, so those lessons are being deliberately obscured. That’s indeed a triumph of the Military-Entertainment Complex, but it’s a Pyrrhic victory for America – one that guarantees Santayana’s warning goes unheeded.

David Sirota, an In These Times senior editor and syndicated columnist, is a staff writer at PandoDaily and a bestselling author whose book Back to Our Future: How the 1980s Explain the World We Live In Now—Our Culture, Our Politics, Our Everything was released in 2011. Sirota, whose previous books include The Uprising and Hostile Takeover, co-hosts "The Rundown" on AM630 KHOW in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com.

Why is it when I see war Movies, it is always the americans who are being featured. Just curious about it, I hope that people from Hollywood will also features other races especially Vietnam and other Asian people who struggles in the times of war.
auto lifts/automotive liftsPosted by Thelma Mireles on 2012-03-23 01:08:00

thank you for you great article!Posted by olivia on 2012-03-20 03:41:42

I’d like to see the legacy of Vietnam arise and bludgeon sense into the Pentagon.Posted by John Danilow on 2012-02-26 19:56:57

Great article, thank you!
I disagree, however, with the line "America’s recent wars are not exactly the same as the Vietnam War.." Although there are differences, of course, such as different geography, different tactics, different reactions at home, etc., the fact is that in a general sense America's recent wars are exactly the same as its war against Vietnam: they are all grotesque crimes against humanity.Posted by roberto bouret on 2012-02-25 19:20:34

Boycott. It's probably not very good anyway. Movies are not what the Pentagon does well.Posted by Sophie Jensen on 2012-02-24 20:05:20

Thanks for a great article!
I just wanted to recommend a book on this subject called "Operation Hollywood: How the Pentagon Shapes and Censors the Movies" by David L. Robb. It's not the best written book, but it does provide a bunch of first hand accounts of people in the film industry who have had dealings with military censors.Posted by Jesse Taylor on 2012-02-24 16:01:13

Thank you Mr. Sirota for exposing the role the movie industry plays in supporting our imperial policies so clearly and succinctly.
I very much agree that the media in general plays a crucial role in indoctrinating the public with “themes” (myths, if you will) forwarded by elites in our society.
Whether it is portraying Filipinos and Hawaians as savages in need of our "civilizing" at the turn of the last century, associating labor unions with the mafia during the Cold War, or the current identification of Muslims as the replacement enemy for communism, these themes subtly reinforce regressive policies that people otherwise would not think of supporting otherwise.
Identifying and exposing such themes is the most important role the progressive media can play. Every myth so identified and exposed undermines a whole host of regressive policies that would otherwise have to be individually fought.
IMHO, this strategy presents a “force multiplier” for progressives at a time of almost daily assaults on the Left.Posted by Imran on 2012-02-24 11:07:57