Tuesday, August 30, 2016

Red Soil is the first in a series of short SF novels self-published by high-school physics teacher N.A. Ratnayake (whose short story “Remembering Turinam” we published in We See a Different Frontier a couple years ago). A corporate dystopia set on a “frontier” Mars, with protagonists who are agri-pioneers, and antagonists in the predatory megacorp that owns most of the land and tech they rely on, this is very much a story about exploitation, colonialism, runaway capitalism, and the solidarity and companionship with which we can hope to survive it. While uneven in some places, as I’ll point out below, this ambitious and imaginative novel is a promising start to an epic series.

Tuesday, August 23, 2016

Song of the Deep by Brian Hastings is an illustrated chapter book for younger readers and a tie-in to the video game of the same name. Impressively, it absolutely stands on its own, with none of the awkward gimmickiness that can afflict tie-in material to other formats. Illustrated throughout and with accompanying maps on the endpapers, as well as sturdy hardback covers and a sewn binding, this is a book that can be read by youngsters over and over again and survive the rereading (and I do not say this lightly, having several nephews). It is also a surprisingly deep fairy tale about family, the lingering effects of war, and ecology—all written with a light hand such that children reading it now will still appreciate it in decades to come.

Tuesday, August 16, 2016

A thematic collection of stories and poems by little known writers, Winter Tales includes (mostly) dark fantasies with folkloric elements. Editor Margrét Helgadóttir is a Norwegian-Icelandic writer and editor, writing in English, and author of The Stars Seem So Far Away (2015), a collection of thematically linked short stories, set in a post-apocalyptic Earth, whose survivors have fled to the poles to escape ecological devastation. Prior to Winter Tales, Helgadóttir co-edited two thematic collections of art and stories, European Monsters (2014) and the BFA-nominated African Monsters (2015), all of which are published by Fox Spirit Books, a small press that favors “weird noir” fiction. Winter Tales employs winter cold as what Stephen King called the “phobic pressure point” (Danse Macabre). Winter Tales, in this reviewer’s opinion, is weakened by several stories that fail to resolve fundamental problems raised by the plot.

Tuesday, August 09, 2016

Vacui Magia is an remarkably strong self-published collection of reprints by California-based author L.S. Johnson, who has built up quite an impressive publication record over the past four years or so, and who presents us here with a rich handful of stories that first appeared in some of the more reliable venues of our field such as Crossed Genres Magazine, Strange Horizons and Interzone. Most of the pieces herein range across horror and dark fantasy, with just a sprinkling of science fictional or historical settings, and a tendency toward dark and mythic tones, with themes that include women’s struggling in an ugly, abusive world; sometimes magic is an escape from this abuse, but sometimes magic is just another layer of ugliness to be survived. This volume impresses not only because of the richness and quality that is all drawn from just four years of publishing, but even more so because of the variety of content and yet consistency of spirit that suffuses this short collection of eight stories.

Tuesday, August 02, 2016

African Monsters is the second volume of Fox Spirit’s monster anthologies; the first, European Monsters, was released in 2014. All of the contributing authors (and many of the artists) of African Monsters are from or have lived on that continent, and so the anthology draws on authentic and widely varying experiences of the countries represented rather than on a purely exotified collection. The book has also been nominated for Best Anthology in the 2016 British Fantasy Awards, a powerful acknowledgement of its quality as a collection in general. Most interestingly to me, in their introduction Helgadóttir and Thomas write that one of their goals with this series is to ‘rescue monsters’ and to return them to the ‘work for which they were originally designed: putting terror into people’s hearts’ (7). I find this striking in comparison to the current trend to “rescue” monsters by revising them, perhaps most notably in the guise of romantic and sexy vampires. While the transformational approach is one that has often been used to explore cultural anxieties, the engagement used here is to contrast folkloric tradition with contemporary experiences. As such, and in combination with the striking visual art integrated throughout the text, African Monsters provides a very different approach to content and to voices.

The Future Fire Reviews

Reviews of books, films, and other weird and speculative publications or performances from indie and small presses. If you are interested in reviewing or want to send us a title, see the guidelines tab.

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