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The remainder of the party continued and arrived at the mouth of the Yarra River on 15 August 1835.

On 30 August 1835 the party disembarked and established a settlement at the site of the current Melbourne Immigration Museum.

The main passenger airport serving the metropolis and the state is Melbourne Airport (also called Tullamarine Airport), the second busiest in Australia.

The Port of Melbourne is Australia's busiest seaport for containerised and general cargo. The main metropolitan train terminus is Flinders Street Station, and the main regional train and coach terminus is Southern Cross Station.

For the city centre or central business district (CBD), see Melbourne City Centre.

For the local government area within which the Melbourne City Centre is situated, see City of Melbourne. which comprises the broader metropolitan area, as well as being the common name for its city centre.

Fans can look forward, then, to a perfect blend of old and new, the classics of IKON’s past and the possibilities of its future.

The metropolis is located on the large natural bay of Port Phillip and expands into the hinterlands towards the Dandenong and Macedon mountain ranges, Mornington Peninsula and Yarra Valley. Additionally, it was the host city of the 1956 Summer Olympics and the 2006 Commonwealth Games.

Melbourne rates highly in education, entertainment, health care, research and development, tourism and sport, it is the birthplace of Australian impressionism, Australian rules football, the Australian film and television industries, and Australian contemporary dance.

The band has reissued the sought-after original albums In the Shadow of the Angel and Flowers for the Gathering in 4-disc sets (3 CD DVD), with a LP of the debut album available on coloured vinyl.

The future for IKON promises a new recording with its current energetic and creative 4-piece line-up jamming and developing demos.

Drummer David Burns and guitarist Anthony Griffiths (both of whom joined the band in late-1998) were integral to the development of the album, which abandoned the electronic experimentation of This Quiet Earth and returned to IKON’s rock roots.