My relationship to the material glass evolved in parallel with my other big vocation, the music. Although the processing of the glass takes place in a conventional manner, it serves to compose images and sculptures in which - as happens in a musical work - the majesty of harmony between opposing elements is conveyed. In the service of an aesthetic concept, which always assumes the same prerequisites, a universal form, and then develops in many different directions. Just as a musical improvisation is always new after a given melody.