Dispelling truths about our favorite dynasty

dark fantasy

Parallels universes, alternate timelines, post-apocalyptic futures, and a light at the end of the tunnel. There is no shortage of sub-genres within science fiction and that is because science fiction offers us a world of endless possibilities!

But amidst all of the chaos that these sub-genres contain, a great number of them always contain a light at the end of the tunnel. And that is what this novel offers. Staring on a grim note, hundreds of years after the exiles of Earth fled their world which had once been a beacon of hope and freedom, the novel evolves into a tale of growth, love, and loss as we are introduced into an unforgettable heroine.
These themes remain universal and likely will until the end of time, or at least as long as mankind exists. And this is why this tale will resonate with everyone because more than being a simplistic tale of good and evil, it is a coming age of story about a woman who refuses to bend over against the obstacles put in her path.

Athena’s journey is far from over. With every step she takes, she grows stronger. Doubt doesn’t enter her mind because she keeps her focus on what truly matters. Her will power, the ferocity (which she shows to her enemies), and belief in herself are what make Athena into one of the strongest people her world has ever known.

Fantasy and science fiction lovers will fall in love with her character, rooting her until the very end. In this, Helen R. Davis, like fantasy giants, has created a new world full of wonders and mystique which will leave you have stepped into another realm that by the end of it, you won’t want to leave.

Revenge is a dish best served cold, but for some people, it sets them off on a more dangerous path where they end up deceiving themselves to justify their actions. That is how I perceive Ellaria/Doran’s actions in the TV show, books and their historical counterpart, Margaret of York.

Dorne has similarities with other influential kingdoms in Western Europe from the middle ages and early modern era, but for the current events in game of thrones/ a song of ice and fire, it has taken on the role of Burgundy during the early Tudor era.

Margaret of York couldn’t accept her brother died in battle. He gambled, he lost and -I am sorry for Oberyn fans (I love him too but let’s be fair)- the same is said for the Red Viper.
Oberyn’s death was horrible, but he lost fair and square. Sorry for his widow (or lover, whatever you want to call her) and his daughters, but that’s life, especially in game of thrones.
But Ellaria can’t come to terms with it and what does she do? She goes down on a dangerous path where she is willing to make alliances with former enemies (the Tyrells and the Martells have always hated each other) and support people she doesn’t fully trust just so she can see the Lannisters burn.
She is determined to have her revenge through any means necessary -even if it means killing her family.

Like Game of Thrones’ Ellaria, Margaret was a ruthless woman. This is a strong comparison to Margaret of York, Duchess Dowager of Burgundy who became in charge of the duchy after her husband died and her stepdaughter became the new ruler. Mary of Burgundy grew very close to her stepmother and recognized her intellect early on -like her father. She trusted her stepmother to take care of business, doing her best to learn from her and as time went on, the two ensured the duchy’s independence and protection from France.
Though she never killed anyone, she did finance many plots led by Yorkist sympathizers to dethrone Henry VII, even though he was married to her niece and already had children with her.

Margaret had seen the ascension of her dynasty and heard of its fall. Like most in her family, she had high hopes for the future, she took Richard III’s death pretty heard. It didn’t matter if the people claiming to be her nephews were real or not, all that mattered was that Henry was out of that throne and if possible, his family pushed to the end of the food chain.

We can only imagine what would’ve become of Henry VII and Elizabeth of York’s offspring, if the last pretender, Perkin Warbeck, had succeeded. Would Margaret have gone along, as well as her supporters, that he was Richard of Shrewsbury for long before it came to bite her in the ass? Would she have disposed of him (not necessarily kill him but cast him aside after she ‘discovered’ the truth and pulled ‘I didn’t know I had been deceived so I have to do what is right and support someone else who descends from Richard, Duke of York to take on the mantle of King’)? It is possible that she would have because a woman as cunning and meticulous as Margaret would have wanted to cover all her bases. There were others supporting these pretenders who were also descendants of the Duke of York via her older sisters. The throne would have likely passed on to them.
But again, what about Henry and Elizabeth’s children? Would they have gone on to suffer a similar fate like the Princes in the tower? Or would they have been placed under protective custody like their cousin, the Earl of Warwick, during their father’s reign?
It is possible that the latter would come true for the boys while the girls would be raised in separate households with their paternal relatives.

In the show, Ellaria is murderous and not the careful planner that Doran is since Doran has become useless. She kills Doran, rules in her stepdaughters and daughters’ names, and sets the former to do her dirty work against her nephew, Prince Trystanne. While Margaret of York never went this far, she was willing to act against her own family to restore the Yorkist dynasty on the throne. It didn’t matter that Henry VII had married her niece or that they had children. She wanted him gone and supported an impostor and pretender to achieve her means. Both attempts failed but she never stopped plotting against him until her nobles basically went ‘enough is enough’ and she realized she had a good run acting as the all powerful mastermind but her time was up and if she continued to act like this, she was going to lose everything so she backed down.

Perkin confessed that he wasn’t the youngest prince in the tower, and later he and Edward Plantagenet, Earl of Warwick (whom the first rebellion Margaret supported, where Lambert Simnel claimed to be him) were sentenced to die. Both were hung and that was that.

“Elia Martell, raped and murdered and you did nothing. Oberyn Martell and you did nothing. You are not a Dornish man. You are not a Prince … Weak men will never rule Dorne again.” -Ellaria to Prince Doran Martell, ruler of Dorne after she stabs him.

Clearly, the show has taken many liberties but the storyline with Dorne remains the same, except that instead of supporting Young Griff (since they’ve written him out of the show), they are supporting Dany and whoever else that shares their agenda. Like Margaret of York, as long as Ellaria calls the shots, Dorne will continue to plot against the throne until someone comes and says enough is enough making her back down or someone else to take her place. As for the books, if Young Griff doesn’t win, it will be the end of Dorne. Not now or in a few years, but that principality’s days are numbered. It is sad since Dorne has many good tales of warrior princes and princesses, and conniving politicians who bested the Targaryens, not one but many times and even killed a dragon! But their last rulers’ gamble has not paid off.

Prine Doran tells Arianne in a sorrowful voice that he never hated her but wishes she would be cunning like him and knew how to win the people over like Ellaria with her smile and her cousin Tyene with her fake sweetness and apparent religious devotion. His tone changes as he remembers his siblings and tells Arianne that his first plan to put Viserys on the throne failed, and had it not, she would have been his Queen and manipulated events around her, so their final champion would have become King and restored Dorne to its former glory.

Perkin Warbeck, a man who acted, walked and talked like a prince. Surely he must’ve been what he claimed? One of the lost princes in the tower, right? Not quite.

Throughout the entire series, it is not clear whether the Martells truly believe that Aegon, the supposed prince who escaped the Lannister and Baratheon purge is the real deal or he’s fake. Given that Martin has been inspired by medieval and early modern history, it’s safe to say that his Aegon is his version of Perkin Warbeck which like the real one, is often alluded to being fake.

Young Griff, the alias that Aegon Targaryen goes by to avoid arousing suspicion. He acts, walks and talks like a Prince so he must be a Prince, right? Unless we remember Dany’s vision about the mummer’s dragon and how suspicious his story sounds.

In ‘A Clash of Kings’, when Daenerys goes into the house of the undying she is given a warning through her visions and before that by the Quaithe, who tell her that she will be betrayed three times, and she will be approached by cunning men. She should not trust either of them, and one of the men she is warned against is Varys and his pretender. She sees a vision of the mummer’s dragon, a young man acclaimed by the people whose strings are being pulled by a deceptive figure.
Martin has created his own version of Perkin Warbeck and just like his historical counterpart, no intelligent person believes his BS.
Aegon was rescued from the Mountain by some loyal servant who exchanged him with a servant’s baby (which nobody happened to notice) and has been in hiding all these years. And then, when the world is going to hell, he comes out of hiding to reclaim the throne and set things right.

Yeah … not buying it.

The first person to point this out is Tyrion Lannister who realizes who he is but doesn’t believe Young Griff (fake Aegon’s alias) story but knows that he does. Unlike Perkin though, Young Griff was raised from birth to be the perfect prince. He was taught how to sing and dance, act like a prince and that kingship was a responsibility and not a right. Naturally the poor young man believes what he has been fed all these years.

Similarly, Perkin was taught everything from philosophy, etiquette, and given new clothes that deceived many people and made them believe that he was one of the lost princes in the tower, youngest son of Edward IV and Elizabeth Woodville, and rightful king of England. But if there is one thing that history has taught us, is that things seldom go as planned.

Doran is eager to see his ‘nephew’ on the throne, but the last book gave clues that he might not be entirely sold on the idea that he is his nephew. It could be that like Margaret of York, he and Ellaria want to see their enemies suffer so badly, that they don’t care about who they are supporting anymore.

My advice to Doran and Ellaria is to hold on to their seats and be prepared to be disappointed (again) because not only did the Perkin Warbeck fiasco fail, it forced Margaret to withdraw her support and forget about the whole shameful ordeal lest she wanted to lose her hold over the duchy and it strengthened the Tudor Dynasty.
This is lamentable because Dorne has a rich history and I for one would love to see some of it being shown in the upcoming spin-offs, but as for now, it seems that their days are numbered. If Aegon doesn’t get to be King, then Dorne will lose whatever independence it has left. Its customs, riches, and authority will wither away in time until it becomes one of many other realms ruled by the Crown. If Ellaria has some common sense left, she will stop plotting now and tend to make Dorne, to make her principality great again before one of Oberyn’s daughters inherits a crippled state.

Sources:

Martin, George R.R. A Song of Ice and Fire (1-5). Bantman. 2012.

Martin, George, et. al. World of Ice and Fire: The Untold History of Westeros. Bantam. 2014.

Henry VIII: Mind of a Tyrant presented by David Starkey, directed by David Sington, BBC, 2009.

Lisle, Leanda. Tudor. Passion. Manipulation. Murder. The Story of England’s Most Notorious Royal Family. Public. 2013.

Chrimes, S.B. Henry VII. Yale University Press. 1999.

Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.