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A few subwoofer reviews aside, I haven’t been all that active in home theater the last few years. So when I was invited to be on the AV Rant podcast, hosted by Tom Andry and Rob H., I was thrilled to catch up with what’s going on in the field. The AV Rant is a roughly two-hour weekly podcast in which Tom and Rob discuss home-theater news and answer reader questions. From 1995 to 1999, when I was editor-in-chief of Home Theater magazine, I became acutely aware of the differences between the home-theater and two-channel-audio industries. Talking with Tom and Rob reminded me how different the fields are -- and how much more different they’ve become over the years.

Here we are, closing in on the end of another year. It’s been a doozy, with political storms equivalent to the 1960s, seemingly endless gun violence, and nightly reports of sexual abuse by entertainment bigwigs and national politicos. On the positive side, we’ve had a breadth and quality of music that spanks the intellect and caresses the spirit. We’ve even had some wonderful films, though you’d have to be Sherlock Holmes to find them.

Monoprice Monolith M300 earphones measurements can be found by clicking this link.

December 2017

Products like the Monolith M300 in-ear earphones show how different Monoprice is from other audio brands. Other than their name and logo, Monoprice makes no pretense of brand identity in their products. Their focus is working with various overseas manufacturers to deliver products of (usually) reasonably good quality in all sorts of categories, at prices so low that few other companies can match them. However, the Monolith M300 earphones reflect what seems to be a minor sideline for Monoprice: products that look like knockoffs of well-regarded models made by other companies.

When you’ve heard someone play music as often as I’ve heard Ottawa-based guitarist Roddy Ellias over the past 40 years, it’s easy to overlook some of the things you hear; not to say that you ever actually take their musicianship for granted. With the 68-year-old Ellias, who has been more than a passing acquaintance for much of those four decades, it’s not so much familiarity or ubiquity that contributes to that state as his quiet self-deprecation. He’s so low key that it’s easy to forget that he’s both a world-class player and composer.

Wireless loudspeakers are propagating at a remarkable rate. The first appeared in the 1990s, and received music signals from the source components via RF. But they sounded pretty awful, and didn’t catch on. The next wireless speakers used Bluetooth, which have gradually become better as Bluetooth’s codecs have improved, from SBC to aptX to the new aptX HD. Lately we’ve seen a proliferation of wireless speakers that work via Wi-Fi; these are easy to implement, as most people’s homes now have a wireless network. Apple, Google, and Amazon are the latest and biggest players in this market, with voice-activated products that also play music.

As I write this, I’ve just returned from the Rocky Mountain Audio Fest, where I moderated a panel titled “Best Headphone Rigs vs. State-of-the-Art Audio Systems.” One comment, from PSB Speakers founder and chief engineer Paul Barton, especially stuck with me. As best I can recall, he said, “Once you go to blind testing, where the listeners can’t see the identity of the products, everything changes,” and he punctuated it with a wave of both arms.

I’ve been asked to review several home-theater soundbars over the years, and I usually decline. In my experience, the vast majority of them don’t sound any good. They’re so compromised in size and abilities that they wouldn’t be on the radar of most home-theater enthusiasts. Nor have I had an easy way to accommodate a soundbar, either in my home-theater room or my living room. The speakers in my living room are on-wall models, and running wires from my receiver to a traditional soundbar would be messy.

Outrageously overlooked in the annals of recent rock history in favor of other mid-’80s bands like Metallica and Guns N’ Roses, Living Colour is back, and sounding tougher than ever. The quartet’s sixth album -- its first since 2009 -- is an extended meditation on the blues that is stuffed full of slamming guitar hooks and uncompromising social commentary.

The Missus and I relocated to the Carolina coast earlier this year, and are now happily perched next to a tidal creek and its wondrous array of wetlands avifauna. When we moved, two desires (read: edicts) were that the living area of our new house have excellent music and movie sound but not be awash in speakers. This is something I clearly understand. Few artifacts of modern living disrupt domestic feng shui more than arrays of surround-sound speakers, and man, there can be a host of them -- 11.2 channels, anyone?

Asked the question I pose in the title of this article, most of the people I deal with in the audio industry with would say, “Of course.” But a few -- including most high-end audio publications and some high-end audio manufacturers -- might say, “No.” “Trust your ears,” they tell us over and over, implying that whatever you hear, or think you hear, is just as real and valid -- and perhaps even more so -- than conclusions derived from blind testing, laboratory measurements, or scientific research.