What did you think of this film?
Liam Page (Alex Roe) and his high-school sweetheart Josie Preston (Jessica Rothe) were the golden couple of Saint Augustine, Louisiana, until Liam left her at the altar for a shot at fame and fortune. Eight years later, Liam returns to his tiny hometown for the first time as a world-famous recording artist, but not even his own father is thrilled to see him. As he tries to rebuild the bridges he burned years earlier, Liam reconnects with his small-town roots, his close-knit community and Josie, the girl he left behind. As he attempts to reclaim everything he loved and lost, Josie does her best to keep him out of her heart, but life has one more surprise waiting for Liam, one that could change everything, in this heartwarming look at love, family and second chances.

Are There Any Extras During The Credits? No

Are There Any Extras After The Credits? No

Special thanks to Tony, Frank, Austin, Verdan, Reggie, and Felix for this submission

What did you think of this film?
After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren’t job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.

What did you think of this film?
Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.

What did you think of this film?
A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams. Living in a van, their passion and talent exceed their means to survive. An enigmatic stranger sees their true potential and emotionally manipulates them during a time of weakness. Caught in the middle of a Faustian deal, their music and controversial altercations end up influencing society beyond anything this century has seen, but can they take back control of their destiny before it’s too late?

What did you think of this film?
In the summer of 2008, a group of legendary bluesmen, some of the last surviving members of the Howlin’ Wolf and Muddy Waters bands, were brought together by director Scott Rosenbaum for a cameo appearance in his feature film, The Perfect Age of Rock ‘n’ Roll. Pinetop Perkins, Willie “Big Eyes” Smith and Hubert Sumlin were cast for their authenticity and ability to underscore the film’s critical subplot, the evolution of rock ‘n’ roll through the blues. During breaks in production, these bluesmen thrilled Rosenbaum with their tales of a lifetime spent on the road. First hand accounts of experiences with the mythical Robert Johnson, the larger-than-life Howlin’ Wolf, the seminal Muddy Waters and disciples such as Jimi Hendrix and The Rolling Stones got the director’s creative wheels spinning. Between takes, Sumlin called Rosenbaum over to the bandstand and prophetically told him of his feeling that they would be working together again. In an instant, an idea that had been germinating with the director for years took root.

When the bluesmen’s booking agent, Hugh Southard approached Rosenbaum, asking him to lend the film’s name to help galvanize a world tour featuring these legendary musicians, a concept had fully blossomed. Having grown up on Martin Scorsese’s valediction to The Band, The Last Waltz, Rosenbaum wanted to make a film that similarly honored the life and musical legacy of these aging bluesmen. When Pinetop, Hubert and Willie “Big Eyes,” along with Sugar Blue, Robert Stroger and Bob Margolin hit the road as The Perfect Age of Rock ‘n’ Roll Blues Band, Rosenbaum, along with producers Jasin Cadic, Tony Grazia, Joe White and Emmett James were determined to capture this important moment and fleeting history. Over the next three years they would follow these blues legends, shooting live performances, an historic Grammy win, dozens of intimate interviews, countless behind-the-scenes moments, and documenting their lives on the road. Sadly, the 2011 deaths of Willie, Pine and Hubert altered the film’s initial Last Waltz style vision; to capture these legends performing live versions of classic blues songs with the musicians they had so heavily influenced. Luckily, several of these performance pairings were filmed before their deaths. Those treasured moments are complimented by over two dozen subsequent interviews with some of blues and rock’s biggest names, demonstrating the true impact and tremendous respect that these men engendered over the course of their long careers.

Members of The Doors, The Allman Brothers, The Paul Butterfield Blues Band, Aerosmith, The Dave Matthews Band, as well as artists like Bonnie Raitt, Johnny Winter, Bobby Rush and Shemekia Copeland share their personal and professional recollections of these men and the impact that they’ve had on their own careers. When asked how they hoped to be remembered, Willie, Pine and Hubert consistently expressed their wish to be known for both having kept the blues alive and to serve as an inspiration for the younger generations of musicians. Interviews with blues acolytes Joe Bonamassa, Eric Gales, Warren Haynes, Kenny Wayne Shepherd, and Derek Trucks affirm that their legacies are alive and well. Several of these musicians have even contributed searing on-camera solo performances in tribute to these late blues legends. Haunting imagery of the Mississippi Delta region, the birthplace of the blues and these legendary bluesmen, punctuates this powerful piece of history. This film succeeds in capturing the personal triumphs, tragedies and tremendous perseverance of three of the last original Delta and Chicago bluesmen while preserving a critical legacy that is nothing short of our last links to the origins of all popular music.

What did you think of this film?
A talented, young getaway driver (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom.

What did you think of this film?
Raised in the Bronx by his outspoken mother Afeni (Danai Gurira), a member of the Black Panther Party, Tupac Shakur (Demetrius Shipp Jr.) confronts police brutality at an early age when FBI agents raid his home on Christmas Eve in search of his activist stepfather. Moving to Maryland in his teens, Tupac attends Baltimore School for the Performing Arts, where he befriends a young Jada Pinkett (Kat Graham). But just as Shakur begins thriving in this creative environment, his now drug-addicted mother ships him off to live with relatives in Oakland, California.

Discovered at a Bay Area poetry workshop, Tupac joins Digital Underground and tours with outlandish leader Shock G (Chris Clarke) during the group’s “Humpty Dance” heyday. Tupac soon lands a solo deal with Interscope Records and his first movie role, in Juice. Despite the breakout success of his second album “Strictly 4 My N.I.G.G.A.Z.,” Tupac’s personal life becomes entangled in a string of arrests, financial problems, and gunfights. The problems culminate in November 1994, when Tupac is shot five times in the lobby of New York City’s Quad Recording Studios. The next day he checks himself out of the hospital and goes to court in a wheelchair. Imprisoned in February 1995, Tupac becomes the first inmate to score a No. 1 album when “Me Against the World” soars to the top of the charts.

Released after eight months, Tupac teams with volatile Death Row Records mogul Suge Knight (Dominic Santana) and artist-producer Dr. Dre (Harold House Moore) in Los Angeles, where he records the world’s first hip-hop double album, “All Eyez on Me.” But he is also embroiled in a bitter feud with East Coast rival Biggie Smalls (Jamal Woolard). Amid the escalating war, Tupac falls in love with Quincy Jones’ daughter Kidada Jones (Annie Ilonzeh). A few weeks after a now legendary House of Blues concert in West Hollywood, Tupac travels with Kidada to Las Vegas for a Mike Tyson fight. Stopped at a red light after the match, with Knight at the wheel, Tupac is shot on September 7, 1996, by unknown assailants and dies six days later. Simultaneously triumphant and tragic, All Eyez on Me tells the untold story of incendiary talent Tupac Shakur, dead at 25, who has sold more than 75 million records worldwide.

What did you think of this film?
Fed up with the lack of critical appreciation despite being a successful writer, Abhimanyu Roy (Ayushmann Khurrana) returns to his roots in Kolkata to write more meaningful literature and decides on an old-fashioned love story – which was now, 3 years in the making.

This writers block is called Bindu (Parineeti Chopra). How do you contain this unpredictable, crazy, restless, larger than life, live wire in the pages of a book?

As Abhi says ‘‘You know when a song comes on and you just have to dance? Bindu was that song. That silly infectious joyful tune you couldn’t get out of your head… even if you wanted to.”

So where should he begin? Where should he end?

But when Abhi stumbles across an old audio cassette of their favourite playlist, it sends Abhi down memory lane… and as he waltzes in and out of his past and present through the songs in the mixed tape, he finally faces reality and reconnects with his roots, with his family and his novel starts writing itself.

Of course, life in its usual scheming manner surprises him yet again and changes the ending of his book and his life, as he once again finds himself being pulled back into the center of that crazy little thing called love.

He realizes, that love, is neither time- nor place-dependent….

All we need is the right person next to us and of course the right soundtrack.

What did you think of this film?
Alive and Kicking is a feature-length documentary that takes an inside look into the culture of swing dancing and the characters who make it special. We explore the culture surrounding Swing dance from the emergence of the Lindy Hop to the modern day international phenomenon. The film follows the growth of Swing dance from its purely American roots as an art form, to countries all over the world. Alive and Kicking looks at the lives of the Swing dancers themselves to find their personal stories and why this dance fills them with joy.

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