Reaper

On his twenty-first birthday, Sam Oliver discovers his parents sold his soul to the devil before he was born, and he must now serve as the devil's personal bounty hunter or Reaper, catching escaped souls and sending them back to Hell.

John Leonard

Alan Sepinwall

The CW's Reaper and NBC's "Chuck," the two shows featuring the aforementioned Sam and, um, Chuck, are an unusual pairing in that they're not only both good--with ABC's "Pushing Daisies," they're the best new shows of the season.

Robert Bianco

Wise has been given a great chance to shine, and he makes the most of it, stealing scenes with such aplomb it may almost be a sin. Still, the show has to be carried by Harrison and Labine, and they seem up to the task.

Robert Abele

Kevin Smith directs the pilot episode with his typically expert comic timing. But he also handles the dark action bits nicely. Because even though Reaper is generous with its humor, it’s not entirely wink-wink.

Robert Lloyd

Tyler Labine makes a most excellent wacky bearded sidekick, and Rick Gonzalez and Valarie Rae Miller round out the Scooby Gang. Auteur of slackerdom Kevin Smith ("Clerks") directed the pilot, which maintains a nice fairy tale tone even as it stresses the banality of the infernal.

Ellen Gray

Geek TV is really the stories of people who've had greatness, not geekiness, thrust upon them, mostly in the form of unrequested superpowers. It should probably disturb me, but somehow doesn't, that the best of these, the CW's Reaper.

Matthew Gilbert

All the details have color, and so do the characters, right down to Sam's guilt-ridden parents, with whom he still lives. And there are fleeting hints of drama in the scenario that will surely gain momentum and weight.

Brian Lowry

In pulling these tried-and-true elements together, Smith and series creators Michele Fazekas and Tara Butters also garnish Reaper with several deft little touches--like pegging the Dept. of Motor Vehicles as a hiding-in-plain-sight portal to Hell, or the appropriate strains of Blue Oyster Cult's 'Don't Fear the Reaper.'