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Work

The tools, rules, and relationships of the workplace illustrate some of the enduring collaborations and conflicts in the everyday life of the nation. The Museum has more than 5,000 traditional American tools, chests, and simple machines for working wood, stone, metal, and leather. Materials on welding, riveting, and iron and steel construction tell a more industrial version of the story. Computers, industrial robots, and other artifacts represent work in the Information Age.

But work is more than just tools. The collections include a factory gate, the motion-study photographs of Frank and Lillian Gilbreth, and more than 3,000 work incentive posters. The rise of the factory system is measured, in part, by time clocks in the collections. More than 9,000 items bring in the story of labor unions, strikes, and demonstrations over trade and economic issues.

Benjamin Franklin (1706–1790), American scientist, diplomat, and one of the authors of the Declaration of Independence, identified himself as a printer. He wrote his own epitaph long before he died: "The Body of BENJAMIN FRANKLIN, Printer. Like the Covering of an old Book, Its contents torn out and stript of its Lettering and Gilding, Lies here, Food for Worms. But the Work shall not be lost, It will (as he believ'd) appear once more In a new and more beautiful Edition Corrected and amended By the Author."

Franklin apprenticed in the Boston printing shop of his brother James from the age of twelve, but ran away at seventeen to Philadelphia. In 1724 he was sent to London where he worked as a printer in the firm of John Watts (where this press is said to have been used) before returning to Philadelphia in 1726. By 1730 he had set up his own printing business and published a newspaper, which gave him a forum for political expression. His political activities led to his involvement in the movement to free the Colonies from British rule. He spent the years 1757–1762 and 1764–1775 in England, returning to Philadelphia to participate in the First Continental Congress. From 1776–1785 he served in France, securing vital French assistance for the American revolutionary effort.

The Franklin press in the Museum's collection is an English common press made early in the eighteenth century. It was on exhibition in the U.S. National Museum beginning in the 1880s, and it was shown in the Hall of Printing and Graphic Arts in this museum from 1964 to 2003. It is missing some of its parts, such as its gallows, tympan, and frisket, so it cannot be operated. A full-sized working replica of the press was made in 1984 for the Museum's exhibition, Life in America–After the Revolution.

The story of how this press came to be associated with Franklin is rather complicated. While in England in 1768, Franklin is said to have visited the Watts firm and saluted the press in the shop where he had worked some 25 years before. A plaque added to the press in 1833 reads:

"Dr. Franklin's Remarks relative to this Press, made when he came to England as agent of Massachusetts, in the year 1768. The Doctor at this time visited the printing office of Mr. Watts, of Wild Street, Lincoln's Inn Fields, and going up to this particular press (afterwards in the possession of Messrs. Cox & Son, of Great Queen Street, of whom it was purchased) thus addressed the men who were working at it. 'Come my friends, we will drink together. It is now forty years since I worked like you, at this press, as a journeyman printer.' The Doctor then sent out for a gallon of porter, and he drank with them- "Success to Printing"

Franklin's visit was recalled by elderly printers who testified to the identity of the press three-quarters of a century later. In 1841 the press was presented as "the Franklin press" to American banker John B. Murray, who received it for the express purpose of exhibiting it to attract contributions for the London Printers' Pension Society. He shipped it to the United States to be displayed as a relic associated with Franklin. It was shown at the Patent Office, the Centennial Exposition in Philadelphia, and the Smithsonian's U.S. National Museum before being sold to the Smithsonian by Murray's widow in 1901.

The Columbian iron hand press was invented in 1813 by George Clymer (1754–1834), a Philadelphia mechanic. From about 1800 Clymer built wooden presses and versions of new iron presses from Europe. The extravagant design, incorporating levers and counterweights, was quite original, but Clymer did not find a market in the United States. Perhaps printers were not ready to give up their old wooden presses. He moved to England in 1818 and acquired a partner. By the 1840s their presses were being manufactured by several dozen firms across Europe, including Ritchie & Son of Edinburgh, which made this press about 1860. It is a super-royal Columbian and its platen size is 21 by 29 inches.

Clymer's Columbian presses were widely used in European printing offices during the 19th century, and today they are found in a number of European museums. Although Clymer made several dozen presses before leaving Philadelphia, no American Columbians are known to survive. The only Columbians in the U.S. today were made in Europe and brought over here some time later. American printers preferred the Washington iron hand press, which occupied the place in 19th-century American printing offices that the Columbian and Albion presses held in Britain.

The Columbian press is covered with symbols, including its name as a reference to the United States. An American eagle in full relief serves as a counterweight at the top of the frame. He holds in his talons Jove's thunderbolts combined with the olive branch of peace and the cornucopia of plenty. The press was adopted in 1819 as the emblem of Washington, D.C.'s Columbia Typographical Society, a local union of journeyman printers, and it represented their republican sentiments both in the larger political sense and as their expression of pride and independence in their craft. The Society met at the "Press and Eagle" Tavern, and members carried banners emblazoned with images of the Columbian press in their parades.

This patent model demonstrates an invention for a bed-and-platen power press with two friskets which carried paper under the platen alternately. The platen was drawn down by toggles against a fixed bed; it was to be powered by man, steam, horse, or water. The invention is considered an unnumbered patent.

This patent model demonstrates an invention for a flatbed cylinder press which was granted patent number 3551. This presses’ tapered bearers were attached to the bed to prevent slurring of the impression at the ends of the form

This patent model demonstrates an invention for a self-inking press which was granted number 3917. The press has a vertical bed and platen, and sheet grippers traveling on an endless chain. The model is damaged.

This patent model demonstrates an invention for a rotary printing press; it was granted patent number 9987. The press had several impression cylinders and inking stations arranged around a large type cylinder. A web of paper was moistened and folded concertina-fashion for feeding. It was printed at the first series of impression cylinders and refolded. Then it was turned, and printed on the other side at the next series. Finally, it was cut into sheets. According to Stephen D. Tucker’s History of R. Hoe & Company, this patent was bought by R. Hoe & Co., probably more to keep it out of the market than with a mind to its development.

This patent model demonstrates an invention for a hand-lever printing press which was granted patent number 10717. The press is a self-inking hand press with a fixed bed. The paper was carried into position by a double frisket carriage with inking rollers. The carriage was propelled by a crank handle turned continuously in one direction.

This patent model demonstrates an invention for a plate attached to an endless chain that was carried past stations for automatic inking, wiping, and printing; the invention was granted patent number 12213. There was provision for applying bands of different colors. According to Tucker, this press was built by R. Hoe & Co. for D. Steffens in 1858. Robert Neale, an American, was living in London when he took out this patent. He patented the press there in 1853.