"Davy Graham was one of the most innovative guitarists of the 1960s and, with his eclectic mixture of folk, blues and jazz, was considered to be the catalyst of the British folk scene. His legendary Angi single was released in 1962 and would prove hugely influential on a generation of British guitar heroes. But Britain was still in the pre-Beatles world of 'Light Entertainment' and Davy Graham, ahead of his time, couldn't get arrested. So closet guitar buff and radio/TV star Bob Monkhouse stepped in and funded a demo acetate which resulted in Davy's first album deal. Now restored from a sole surviving copy, those tracks are heard here for the first time, along with a folk club set recorded in stereo from Davy's 'wilderness years' in the early '70s. The release of this CD now adds numerous otherwise unrecorded titles to Davy's unique legacy. The accompanying booklet includes extensive liner notes by renowned folk journalist Colin Harper, and an interview with Bob Monkhouse."

Reissued by Fledg'ling in 2005. First released in 1966, Midnight Man has a slightly more rhythm'n'blues focus than Davy Graham's other Decca albums, as he plays homage to some of his musical heroes. Beautiful playing as always, and a repertoire drawn from the songs of Lalo Schifrin, Herbie Hancock, Lonnie John, Oscar Brown Jr., Blind Willie Johnson and Lennon/McCartney. For this carefully remastered edition, Fledg'ling have restored all the elements of the original artwork and added several previously-unpublished photographs.

Reissued by Fledg'ling in 2005. First released in 1968, Large As Life And Twice As Natural is a tremendous acoustic-folk-blues-jazz masterpiece. As always with Davy Graham, the music seems to defy categorization. Perhaps the simplest description would be "great." On Large As Life And Twice As Natural, Davy is joined by the legendary Harold McNair on flute, Dick Heckstall-Smith on saxophone, Jon Hiseman on drums (both from Colosseum) and Danny Thompson (from Pentangle) on double bass. For this carefully remastered edition, Fledg'ling have restored all the elements of the original artwork and added several previously-unpublished photographs. Sleeve-note essay by John Renbourn, who was present during the sessions.

Reissued in 2005 by Fledg'ling. Folk, Blues & Beyond was first released on Decca Records in 1965, and is one of the most important recordings from the 1960s folk revival. Davy Graham was a UK guitarist, multi-instrumentalist and serviceable-to-perfunctory vocalist, setting standards for succeeding generations. Graham was the first guitarist to emerge from Britain whose work combined stylistic elements from Julian Bream, Big Bill Broonzy, Blind Lemon Jefferson, Ali Akbar Khan, Leadbelly, Joe Pass, Segovia and others too numerous to name. John Martyn described him as his "absolute hero" in a Guitar Player interview in 1975. Of Scottish and Guyanese parents, he came to personify musical adventure, his adoption of non-standard guitar tunings, most notably D-A- D-G-A-D, arguably his most important legacy. His uniqueness became, directly or indirectly, a model for Martin Carthy, Bert Jansch, Wizz Jones and later musicians as diverse as Martin Simpson and J]aso[rgen W. Lang. "Covers of traditional folk standards like 'Black Is the Colour Of My True Love's Hair' and 'Seven Gypsies' combine with interpretations of compositions by Bob Dylan ('Don't Think Twice, It's Alright'), Willie Dixon ('My Babe'), Charles Mingus ('Better Git in Your Soul'), and Reverend Gary Davis ('Cocaine') for an eclecticism of repertoire that wasn't matched by many musicians of any sort in the mid-'60s." --Richie Unterberger, All Music Guide. This release has been carefully remastered, with restored original artwork. Also added are five very rare bonus tracks, new sleeve-notes and previously-unpublished photographs.

Reissued by Fledg'ling in 2005, originally released in 1969 on Decca Records, Hat. The album is a rounded portrait of Davy Graham's remarkable guitar style -- drawing together Willie Dixon, Charles Mingus, The Beatles, Henry Purcell and Indian raga on one splendid record. Fledg'ling have carefully remastered this album from the original master tapes, adding new sleeve-notes and previously unpublished photographs.