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Brother Cadfael has had no time to think about the grand wedding which is to take place in the church at Shrewsbury Abbey and is causing such excitement in the city. The groom is an aging nobleman; the bride a very young woman coerced into the marriage by her greedy guardians. But it soon becomes apparent that the groom, Huon de Domville, is a cold, harsh man -- in stark contrast to his beautiful bride-to-be. Before the wedding can take place, a savage killing occurs, setting Brother Cadfael the task of determining the truth, which turns out to be strange indeed.

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Review

Soothing, but no shortage of mayhem.―OBSERVER--This text refers to an out of print or unavailable edition of this title.

About the Author

Ellis Peters is a pseudonym of Edith Pargeter, author of historical novels such as The Heaven Tree Trilogy. Under the name of Ellis Peters she wrote crime fiction including The Chronicles of Brother Cadfael and a more "modern" detective, Detective Chief Inspector George False. Ellis Peters won many distinguished writing awards including an Edgar Award, the Silver Dagger Award and the Cartier Diamond Dagger Award of the Crime Writers Association. She lived in Shropshire, England.
--This text refers to the
Audio CD
edition.

Most helpful customer reviews

Ellis Peters' "The Leper of St. Giles" starts off as, and continues to be, more of a pure love story than any of its predecessors. Since it is a Cadfael story, murder and mystery do indeed rear their ugly heads. Once more, Cadfael is called (with the support of his nifty new abbot) to do more than mix herbs.Cadfael's former apprentice Brother Mark has left the nest as the story begins. One of the great joys in this book is to see the continued growth of Mark as a minister. In fact it is Mark, more so than Cadfael, who finds himself in the center of the action in "The Leper of Saint Giles."This is a story that has a lot to do with the meaning of identity and the impact of deception. The basic plot revolves around a lowly squire who loves a wealthy heiress. The problem is, the heiress' wretched relations are intent on marrying her off for financial gain. From this rather nasty situation springs murder and false accusation. It is the job of Cadfael and Mark to make things right.The more I read of Ellis Peters, the more I admire her work. She had a unique literary voice. So much wisdom is imparted in each story. This is doubly true in "The Leper of St. Giles." The reader is left questioning the actions of Cadfael and pondering the meaning of Justice.While I am left with many questions and I missed Cadfael's old buddy Hugh, I found this book to be one of the more satisfying Cadfael stories. I highly recommend "The Leper of St. Giles."

The Leper of Saint Giles the fifth book in Ellis Peters' Brother Cadfael series, exemplifies everything which is laudable in her series. Peters' shines in creating characters who we love, and excels in the ability to set the stage in the medieval world. Balancing mystery with romance is never an easy matter and Ellis Peters has created an entire series where this is her forte. In addition this series does not cling to the traditional sense of justice found in many other mysteries.Brother Cadfael is at his best. He is both a spiritual being and a worldly one. He is as comfortable in the church as he is talking with a knights mistress. Cadfael has an innate ability to sense what is good in true in a person and works actively to support those with just causes. In the instance of this novel it is a young squire, Joss and a wealthy heiress Iveta. Iveta is a pawn of her aunt and uncle who plan to marry her to an aging knight and divide her land between them. Joss loves Iveta and plans on finding away to protect her. when a murder halts the marriage, Joss is the first suspect.The setting is once again the Benedictine Abbey of Saint Peter and Saint Paul in Shrewsbury, but this time it also includes the leper colony of Saint Giles. the reader is introduced to some of the horrors and indignities which the lepers lived through. Brother Mark works among them and recognizes the dignity of the human spirit.I suggest this book as reading for those who love medieval mysteries.

In many ways this is a classic in the Cadfael series. I say that in the sense that this book puts forth most of the best elements that are found (more or less) in every book in this series.There is the sense of place. In this case, the book lets the reader into the world of the lepers. Set aside by humanity, the leper colony of St. Giles proves a multi-dimensional world with an integral role in the plot.There is romance. As in most of the books in this series, Cadfael lends a sympathetic ear to a smitten pair. In this case, their obstacles are many and it's a fun read as things are unraveled.And then there is Cadfael seeing what others miss. It is Cadfael that notices a twig of a rare flower near the dead body. Likewise, Cadfael sees some bruising on the body that could only be caused by a certain ring. And more than once, Cadfael simply applies his experiences to discern what human nature is most likely to do.My gripes with the book are worth a point off. Foremost, the author seems to have forgotten rule number one of detection (surely as applicable then as now) - who would benefit financially from the death? I also missed Hugh's presence. And a most minor quandry -- were they really able to tell time to the point of distinguishing between 6:15 and 6:20 back then???Bottom-line: a very solid and pleasant read for fans of historical mysteries. Reading of earlier books in the series would be helpful but isn't necessary.

Ellis Peters' fifth Brother Cadfael mystery is set against a backdrop of one of the less savoury aspects of life in Mediaeval Europe - the scourge of leprosy and the terrible disfigurements and consequent social stigmas that its sufferers endured. That is but the backdrop, however; in actuality, this is as typical a romance from the pen of Ellis Peters as it is possible to find!The action of the story takes place just a few months after the setting for the previous Cadfael book, in the autumn of 1139. For once, the on-going civil war between King Stephen and the Empress Maud does not feature in the tale, which is concerned only with the impending marriage of a young, orphaned heiress to an overbearing and insufferable baron, many years her senior. It is quickly obvious that this marriage is no love-match, on either side, and has been arranged purely for the advancement of the girl's guardians and, of course, the bridegroom. It is also obvious from the outset that the would-be bride is more smitten with the squire of her affianced lord than with the baron himself and that this attraction is mutual. Most readers will quickly come to dislike Huon de Domville as much as do the young lovers. Nor will anyone be surprised where suspicion (from everyone except Cadfael) falls when the bridegroom is rather conveniently found murdered on the very morn of his wedding day!But that's about where the clear-cut and obvious end in this plot, which needs someone of Cadfael's shrewd and observant nature to tease out all of the complex pieces of the puzzle and fit them together correctly. And this is one of those classic Cadfael tales in which it is, indeed, only the good Brother (apart, of course, from the reader) who knows the whole truth of events by the end.Read more ›