MRSK drops one on Skudge, where stripped, wave-ish sounds build onto each other. "Twirl" goes deep below sea-level, where MRSK trips upon a locked melody with fitting beats. An atmosphere very much needed and appreciated. On the flip, "Pinkman" samples the heartbeat of an even deeper state, where one is allowed to lose themselves. Get a hold of something solid, for this is a track that communicates a lot of subtle changes and honesty.

Just when it was getting hard to bear anymore lo-fi, dub-inspired techno records, along comes producers like Skudge and newcomer MRSK, both from Sweden and now befriended. Both turn said genre into kick-ass, peak-time productions that funk like crazy. "Black Keith" definitely has that drive and swing and groove. "Close To Me" is a little deeper and more classy (Detroit), yet still grooves like a motherfucker. A classic techno release.