Eternal Flame – Human Nature

I attended the recording in the forest to ensure the plates were filmed correctly. I then had to animate and render a number of plates of falling pine needles. These were then composited into empty background plates, with the artists, who were shot on blue screen, composited into the scenes. Blurs and grading were used extensively to create a more realistic effect. The flames were added in a separate pass on a Quantel HAL.