Media

Display all by

Display with the brief description

Roskilde Cathedral

Roskilde Cathedral

Built in the 12th and 13th centuries, this was Scandinavia's first Gothic cathedral to be built of brick and it encouraged the spread of this style throughout northern Europe. It has been the mausoleum of the Danish royal family since the 15th century. Porches and side chapels were added up to the end of the 19th century. Thus it provides a clear overview of the development of European religious architecture.

Outstanding Universal Value

Brief synthesis

Roskilde Cathedral, on the Island of Zealand is a large brick-built aisled Gothic-style basilica, with twin spires and a semi-circular gallery within. Placed on a small hilltop overlooking the Roskilde Fjord the Cathedral is a very significant landmark. Around it, in its setting, the structure of the medieval town is still visible, within which, some medieval buildings and a number of fine 17th and 18th century houses remain.

Built about 1170, the original Cathedral structure was in Romanesque form but, when half-built, the plan was changed under the influence of the incoming Gothic style from France. In the following centuries, chapels, porches, and other structures were added, each in the current architectural style of the time. As a result, the Cathedral has emerged as an epitome of the history of European architecture in a single structure.

As with many early structures, the bricks in the external walls vary in size and colour. The interior walls were originally left bare, apart from the vault and arch soffits, which were plastered. The entire interior was subsequently coated with a greyish-yellow coloured smooth stucco, and most of the rich original wall paintings have disappeared.

The Cathedral's royal monuments commemorate an outstanding series as royal burials that have occurred from the 10th century until the present time. With only one exception since the reformation, all Danish kings and queens have been buried in the Cathedral, their tombs representing the evolution of funerary monumental art.

Roskilde Cathedral is an outstanding example of the early use of brick in the construction of large religious buildings in Northern Europe. Because of the successive addition of chapels and porches to commemorate Danish royalty since the 16th century, it is also an exceptional example of the evolution of European architectural styles in a single structure.

Criterion (ii): Roskilde Cathedral is an outstanding example of the earliest major ecclesiastical building in brick in Northern Europe and had a profound influence on the spread of brick for this purpose over the whole region.

Criterion (iv): Both in its form and setting, Roskilde Cathedral is an outstanding example of a North European Cathedral complex especially noteworthy for the successive architectural styles used in ancillary chapels and porches added in the course of the centuries during which it has served as the mausoleum of the Danish royal family.

Integrity

The Cathedral and all later chapels are included in the property. An anticipated extension of the buffer zone will emphasize the relationship between the monument and its setting, thereby strengthening its overall integrity. Together, this combination will ensure that all relevant elements will be protected in order to fully express the value of the Cathedral in its setting.

Authenticity

Like any major religious structure in continuous use since first built, Roskilde Cathedral has undergone many changes. Earlier chapels were demolished to permit the construction of royal funerary chapels, and sporadic fires have led to periodic restoration and reconstruction, often accompanied by significant stylistic changes. The major restoration initiated by King Christian IV during the early 17th century to remedy the dilapidation that followed the Reformation resulted in substantial changes being made.

In the late 19th century the entire building was restored: the work being led by the highly qualified churchwarden in collaboration with leading architects and art historians of the time. Further renovation work to the roof and spires took place between 2006 and 2009. Restoration work on the chapels is being continuously conducted, whilst maintaining a profound respect for their design and materials. The extensive restoration documentation is kept in the Cathedrals Archives, and in the Archives of the National Museum.

Since the 16th century the Cathedral has served as the Danish Royal Family mausoleum, with the latest funeral occurring in 2000.

Protection and management requirements

The Cathedral is protected under the Churches and Churchyards Consolidated Act of 1992. This requires any alteration to it to be approved by the diocesan authorities after consulting with the National Museum, and the Royal Inspector of Listed State Buildings.

Most of the buildings in the setting beyond the buffer zone surrounding the Cathedral are protected under the Preservation of Buildings Act. This requires any alteration to be approved by the Heritage Agency of Denmark.

The Town Plan regulates the immediate surroundings of the Cathedral, putting in place public controls over such aspects as new buildings, traffic, lighting, signboards and paving.

In order to strengthen the protection of the setting of the property the Town Council of Roskilde is currently collaborating with the Heritage Agency of Denmark on an extension to the buffer zone, and on implementing protected view-lines in the Town Plan.

Roskilde Cathedral is to review its management plan for the property in 2010.

Long Description

Roskilde Cathedral is the earliest major ecclesiastical building in brick in northern Europe and had a profound influence on the spread of brick for this purpose over the whole region. Both in its form and in its setting it is an outstanding example of a north European cathedral complex, especially noteworthy for the successive architectural styles used in the ancillary chapels and porches added during the centuries during which it has served as the mausoleum of the Danish royal family.

The first religious structure on the site was a wooden church built around 980 by King HaraId Bluetooth. This was replaced successively by two travertine structures, built in 1030 and 1080 respectively. In the mid-12th century brick-making was introduced into Denmark by craftsmen from Lombardy, and Bishop Absalom decided around 1170 to rebuild his cathedral in this new material; his work was continued after his death in 1191 by his successor, Bishop Peder Suneson. The original structure was Romanesque; however, when only the eastern half had been built the plan was changed, under the influence of Gothic. The transept was located further back and the towers planned for the choir were removed to the west end. Work was virtually complete by around 1275, apart from the north tower, finished at the end of the 14th century.

Roskilde Cathedral is an aisled basilica in Gothic style with a semi-circular chancel gallery. The structure is essentially in brick, with occasional use of small boulders in the interior. Externally the walls stand on a plinth of granite ashlars two courses high; in the interior there is a hollow chamfered plinth of the same material. Traces have been found of the use of squared oak beams for reinforcement, further evidence of the early date of the structure, at a period when the builders were still uncertain about the properties of the new material, brick. The interior walls were originally bare, apart from the vaulting and the soffits of the arches, which were plastered. Most of the original rich wall paintings have disappeared.

Oluf Mortensen's Porch, named after the mid-15th-century bishop who commissioned it, is one of the finest examples of Danish brick Gothic architecture. Stylistically it is linked with the Gothic brick architecture of northern Germany. It is noteworthy for its fine roof gable and for the asymmetrical but finely balanced form of the lower part of the gable facade. The bricks used for the walling are remarkable for their richness of shading, which demonstrates excellent control of the brick-making process.

In the centuries that followed, chapels, porches, and other structures were built around the cathedral, first by bishops and nobles and later by the royal family, which partly hid the original structure. These included the chapter-house, gradually extended from the early 13th century to the end of the 15th century, the chapels of St Andrew (1387) and St Bridget (later 15th century). Royal additions included the Chapel of the Magi (Christian I: 1460), the Chapel of Christian IV (early 17th century, replacing two earlier chapels), and the Chapel of Frederik V (1772, in neoclassical style). Two royal chapels were built in the present century: the Chapel of Christian IX (1924) and the detached New Royal Ground (1985).

The two-storeyed Chapel of the Magi, completed around 1463, was originally built from glazed brick, but little remains of the glazing. The second storey, known as the Knights' Hall, contains some noteworthy carved stone. The main feature of the Chapel is, however, its rich late medieval mural decoration, which entirely covers the walls and vaults. Christian IV's Chapel, designed as a sepulchral chapel for the king, was the first post-medieval addition to the cathedral. It is constructed in the Dutch Renaissance Style. The steep ribbed vault is the largest in Denmark.

Frederik V's Chapel has a cruciform central chamber connected by a transverse building to the south aisle of the cathedral. Many of the medieval furnishings of the cathedral disappeared at the Reformation, and more were sold at a notorious auction in 1806. Of what remains the outstanding piece is the reredos, a masterpiece of Dutch religious art dating from around 1560. It is a triptych, probably from Antwerp, and bears scenes from the life of Christ. The canons' stalls of 1420 are of considerable importance because of the unique series of pictures on them.

Source: UNESCO/CLT/WHC

Historical Description

The first religious Structure on the site was a wooden church built around 980 by King HaraId Bluetooth. This was replaced successively by two travertine structures, built in 1030 and1080 respectively.

In the mid-12th century brickmaking was introduced into Denmark by craftsmen from Lombardy, and Bishop Absalom decided around 1170 to rebuild his cathedral in this new material; his work was continued after his death in 1191 by his successor, Bishop Peder Suneson. The original structure was in Romanesque Style, based on contemporary western European pilgrimage churches, with a tree aisle. However, when only the eastern half was built the plan was changed, under the influence of the Gothic style then being introduced into France. The transept was located further back and the towers planned for the choir were removed to the west end. The inspiration for this early Gothic plan came from the Cathedrals of Picarciv and the Ile-de- France, such as Noyn, Sens, Laon, Arms, Tournai, and Notre-Dame-de-Paris. Work was virtually complete by around 1275, apart from the north tower, which was finished at the end of the 14th century.

In the centuries that followed, chapels, porches, and other structures were built around the cathedral, first by bishops and nobles and later by the royal family, which partly hid the original Structure. These included the chapter-house, gradually extended from the early 13th century to the end of the 15th century, the chapels of St Andrew (1387) and St Bridget (later 15th century). Royal additions included the Chapel of the Magi (Christian I: 14601, the Chapel of Christian IV (early 17th century, replacing two earlier chapels), and the Chapel of Frederik V (1772, in neo-classical style). TWO royal chapels were built in the Present century: the Chapel Of Christian IX (1924) and the detached New Royal Ground (1985). After the Reformation the cathedral fell into disrepair. In the 1630s Christian IV began restoration work, which involved the addition of spires to the towers and radical redesign of the roof. It has been continuously maintained since that time, with a major restoration project in the second half of the 19th century.