Tronsonic The Azimuth Generator KONTAKT
Tronsonic has released The Azimuth Generator, a "soundtrack multi-synth", for Kontakt.
The concept behind the Azimuth Generator is to be a source of inspiration, and hopefully take you to undiscovered places on your musical journey. It's split into 3 main parts - bass, mid-section and upper high-section, with white/pink noise samples on the F#1 note.
You can create customised multi-synths from over 150 included patch presets, giving control over several different synth sources and sequences at the same time. There are over 25 multi patches in the download, but inspiration can also be found by building your own custom multi-synths. The 138MB pack comprises of 7 sets of samples from different analogue synths, including 2 varieties of 'buzz' sawtooth waves, 2 regular saws, a set from the Logandy string synth collection, a white/pink noise hybrid and a very powerful modified square wave bass section from a 1950s valve signal generator.
Homepage:
http://www.sampleism.com/tronsonic/azimuth

Tronsonic Logandy KONTAKT
6 sample sets from this superb 70s string synth (the Logan melody 2) 'mellotronized' onto tape, using vintage 60s valve equipment and recorders.
Use the software synthesis capabilities of ESX24 or KONTAKT to create unique new sounds, previously unavailable from this keyboard.
Over 60 preset patches and 10 multis for kontakt 4.2.2, and 80 patches for esx24.
home page
http://www.sampleism.com/tronsonic/logandy

Tronsonic Organatron v.2 KONTAKT
The Hammond m100 sampled to worn tape with vintage valve equipment.
The model m100 was used by Pink Floyd on Live at Pompeii, Led Zeppelin on their first lp, Procul Harum and countless other bands.
Featuring the same interface as the microtape series, with an added vibrato feature as well as a rotating leslie effect.
Full control over the 'age' of the instrument, via the tape degrader function.
Create different settings for each drawbar - from panning, tape degrading, to effects and different rotary speeds - enabling beautiful and original organ patches.
With 9 drawbars plus harmonic tabs and bass pedals.All controls can be learned by midi cc
home page
http://www.sampleism.com/tronsonic/organatron-v2-kontakt?sk=ls

Tronsonic Progressive Clavi D6 KONTAKT
Progressive Clavi D6 is two sets of samples from the classic Clavinet, sampled as usual to worn tape on 60s valve equipment, to emulate the characteristics of the Mellotron. There are over 40 patches each for ESX24 and Kontakt 4.2.2 - the intent of this pack is to explore new sonic possibilities from the Clavinet. Compatible with NNXT and Structure but no patches available.
Progressive Clavi D6 can emulate bass, distorted guitar as well as gentler stringed instruments, and works really well for early 70s jazz/prog style electric piano (soft machine etc). Responds nicely to distortion and wah, and due to the valve/tape source of the samples. It also sounds great played through a valve amp - perfect for live. The developer has used an extreme azimuth setting on the tape heads, creating a more 'damaged' and brittle sound. The artifact flecks enable bite on low settings with the clarity of the instrument retained.
home page
http://www.tronsonic.com/#/progressive-clavi-d6/4552712855

Tronsonic The Solino String Proto Ensemble KONTAKT
A recreation of an imaginary EMINENT SOLINA STRING ENSEMBLE 'PROTOTYPE' - perhaps found in the basement of the old Eminent factory in Holland.
Sampled from the original MARK1 version (with ensemble effect always ON).
You can configure the ultimate string synth, with as many combinations of any of the 6 instruments as your computer can handle, and adjust the keyrange and controls for each individual preset.
Featuring customisable 'EQ MODULATION' EFFECT (see 2nd video down), plus 2 PHASERS - allowing a different variety of ensemble with a wide range of movement, for complex and evolving synthesized orchestral sounds.
Special thanks to Steve Porter at Synth Magic for the scripting and providing the lovely space reverb impulse response.
home page
http://www.tronsonic.com/products/the-solino-string-proto-ensemble

Tronsonic Kork M500 Micro Presets KONTAKT
The latest from Tronsonic for Kontakt 5.1.0 (full version) is the Kork M500 micro preset synthesizer. Tronsonic tried to get it as close (both visually and audibly) as possible to the original late 70s preset synth (as used by OMD on many records), and also added a few extra features like polyphony, expression and a tape compression and damage effect. In order to maintain the purity of the waveforms,they chose not to sample to tape (hence the 'tape fx' section), but used valves and a chain of nearly 100 year old interstage transformers to capture the audio. All of the presets are selectable via the interface (as with the real synth), as well as the effects/edit section under the red button. The tape input gain and warmth settings are also controllable via dedicated attack and decay envelopes, enabling a very accurate emulation of 'hitting' the tape, and its compression effects. The random gain, warmth and tone are also synced to the tape speed frequency knob, which controls the wow and flutter. Also included are a handful of extra presets, to show some examples of what's possible with this synth. The simplicity of its design is one of its most important features (apart from its sound), as it forces you to get creative with the controls (right click to midi assign) and really 'perform' with it.
Homepage
http://www.tronsonic.com/#/kork-m500/4577468133

Tronsonic SYSTEM 1000M KONTAKT UPDATE
Synthmagic and Tronsonic are very pleased to bring you the System1000M modular style synthesiser for Native Instruments Kontakt 5.1.0+. This is based on a famous Japanese modular, with a few alternative features. Plenty of modulation possibilities, its great fun to use.
There's an arpeggiator, with 2 'interval' sections, allowing some very interesting patterns to be made. Most of the tracks in the video were made with pressing one or two keys of a multi-mode preset. There is a dual polarity Keytrack function assigned to the mod-wheel. This acts as a great alternative to filter cutoff, as it is pitch specific. Kontakt 5 is needed, as it contains the new 'jump' amp effect and the larger user interface required to hold all the controls, which features in our synth. All the fun of a modular synthesiser. Lots and lots of great presets to get you started on your sonic journey through a modular system - Be warned, you will be tweeking and delving into this synth in no time - really easy to use and has been well thought out and designed to be easy to use, despite it's large range of controls. Update (June 9th, 2013):
- Can be installed as Kontakt library (see picture above).
- Specific library wallpaper and ncint files included.
- Bank2 and original bank are integrated together (instruments and multis).
- All ARP instruments are moved to ARPEGGIO subfolder.
- Correct instrument tab ("ARP" or "Sys100") is selected by default, regardling arpeggiator state ("Sys100" tab when ARPEGGIATOR is OFF, "ARP" tab otherwise).
- All missing or bad paths pointing to samples are solved.
home page
http://www.tronsonic.com/#/system1000m/4575572555

Tronsonic VCO KONTAKT
The VCO is very similar to 'Tronto' and 'DCO' but with much longer samples. The samples have long natural wave cycles of up to 15 seconds before looping, and they are all phase aligned at sample start, so the VCO acts very much like a real synthesizer. The 'VCO' is free with any purchase of Tronto or DCO and weighs in at a massive 650MB. home page
http://www.tronsonic.com/#/home/4549323129

Tronsonic DCO KONTAKT
Tronsonic has announced a new set of DCO oscillators for Tronto, the vintage polysynth sound library for Native Instruments Kontakt.
The word ‘precision’ is used for two reasons – firstly the digitally controlled oscillators of the original analogue synth maintain a very accurate tuning, and secondly because no tape was used in the recordings of these waveforms, which in turn keeps them very true and precise to the originals (allowing a less characterful and more ‘scientific’ synthesis to take place within Kontakt).
This makes DCO the perfect companion for Tronto, as they contrast each other perfectly.
In exchange for not using tape, the tape saturation plugin within Kontakt 5 is enabled, along with the regular saturation effect AND Tronsonic’s own tape and valve impulse response within the convolution reverb. This is all simultaneously activated with the ‘saturation’ button on the interface, and really makes a difference.
home page
http://www.tronsonic.com/#/dco-for-kontakt-5/4571201195

Tronsonic Cranberry Source KONTAKT
2 patches from one of my favourite synths combined in one nki in the new microtape format. Recorded at 3.75 ips on clean quarter inch tape through the Bottlizer magic valve box. 20 presets in all, with some quite interesting midi-delayed arpeggios. Full version of Kontakt 4.2.4 or later needed.
home page
www.sampleism.com/tronsonic/microtape-11-cranberry-source-free