Erica, Thanks... I honestly don't think that my life is "yet" a good subject for a film documentary... At 43, I still have vague hopes that it might turn out to be a good subject, but at the moment a web autodocumentary seems like a much more modest and appropriately scaled kind of documentary. I mean, I think I'm fascinating and all that... but not feature film fascinating, if you know what I mean. My web site is a celebration of the ordinary... or would be if it wasn't so not ordinary to celebrate the ordinary...

I'd like to see a world of hundreds of documented lives, portraying the face of ordinary life. I'd like my web site to be an inspiration for others to represent their "ordinary lives" (which of course cease to be ordinary as soon as they are represented). A few people have told me that my web site has had that effect on them, making them want to look into their past and document the reality of their lives... Nothing makes me happier than to hear that it has that effect on people, to hear that when they look at my life, they begin to think about their own life and want to represent it.

...oh and Erica, you asked how long it took to make... maybe a year or so, with many evenings in front of the computer scanning, looking for the right photo.... It is of course not finished, since their are many other old photos, sometimes "better" ones, that I may yet use, and of course I'm planning to live the rest of my life as an ongoing documentation project, so every year there will be a few new photos to add, a few new stories to tell.

Even worse, one quickly realizes that one's past doesn't stay the same as one ages, so that the true story of my adolescence or young adulthood keeps changing, and will need to be retold....

This raises the question of what to do with the "old" versions of my past.... See the representations of my past on the web site are really representations of myself at the time they were written, circa 2000 and 2001.... but now its 2002 and I have new truths about my past that I understand....

... and so I really need to archive each version of the entire web site with each passing year to see how my auto-representation changes over time... Well you see the problem this could create if one had too much time on one's hands.

Fortunately, I have other things to do, so I hope to avoid that level of complexity. I will probably just discard the old versions of my past, as time and wisdom lead to new understandings, although they may be saved in some great Google index in the sky somewhere....

Besides, although the words I write will change, the pictures themselves constitute a kind of solid data point that is fixed, even as the meanings I ascribe to them in words may change. Post-modern issues with photographic representation notwithstanding, I think photos ultimately are data about reality, and they have a certain reassuring solidity that my changing words about the past will always lack.

To me, the most powerful documentaries are the ones which are
celebrations of the ordinary. I guess many others feel the same and
that is why you have had enough of and impact to make others want to
do the same thing.

As for your question about adding information to past years, maybe
you could add little postscripts to each year as you "discover" more
about your past rather than creating multiple versions.

personally i love the idea of layering your impressions of years
past. How did Miles feel about turning 40 when he was 40 and when he
turns 50. In fact you could make a website that would be just about
one year in your life seen through the mirror of time.

Hi all,
I've just decided to re-pursue a passion I've had since I made my
first doc fim in '89. Worked in the industry for two years in
Montreal and Paris and then had to get a "real" job to pay my
student loans. Here I am, eleven years later, loans paid off and a
film burning to be made inside me.

I'm looking forward to getting to know what I'm about to embark
on...words of wisdom...(no need for the warnings, I've already
gotten lots of them from friends and family!).

Hello Everyone,
This is my first time being registered for such a thing as this one
is. And it is nice to be here!
Ok, Let's see... I am a great documentary lover... I have a nice and
interesting experiences in producing and financing documentaries...
and I think I know world documentary scene quite well...
I am coming from a small country, from the Balkans, and I am looking
forward to talk to you...

Nice to have you join us, Aleksandra. We would like it even better
if you would join The D-Word Community, which is our ongoing
discussions for documentary professionals from around the world:www.d-word.com/join.

Hello! This is my first time on the discussion board. I am a
documentary filmmaker doing a program on the activist/historian
Howard Zinn auther of "A People's History of the United States."
We are trying to find the donnet fund. Does anyone have an idea
where they are?

My name is Denis Mueller, I'm new here, and I am producing a
documentary about Howard Zinn the activist/historian. He is
known mostly for his book "A People's History of the United
States." I'm looking for the Donnet Fund. Can anyone help me?

well after turning 30 this year, i decided to rethink my career and
take the big jump to go back to school to pursue documentary
filmmaking (for love if not for money). i'm trying to build up some
knowledge and experience before applying, so i'm currently taking my
first documentary filmmaking class through an extension program. it's
been an *interesting* initial experience to say the least. i'm glad i
came across the d-word and think this list will be a great resource.

alerted to the existence of this previously unsuspected community, I have
come to poke about.

I'm web geek, not film geek, but
responsible for
www.climatechange.tv and
tv.oneworld.net and generally up to my arse in video nonsense at the moment, and
therefore interested in (and probably able to help with) questions about
streaming video and the form of the online documentary and all that.

Hello. I'm Churchill Roberts, professor and co-director of the
Documentary Institute at the University of Florida.www.jou.ufl.edu/documentary I teach courses in documentary film
history and, along with three colleagues, produce documentaries for
the PBS network. Our most recent documentary, "Freedom Never Dies:
The Legacy of Harry T. Moore," aired last year on PBS. I enjoy
discussing documentary and learning what others are doing. When we
are not teaching, my colleagues and I travel a great deal and, when
we don't have a shoot, try to attend documentary conferences. My
colleague Sandra Dickson will be attending a RealScreen conference in
New York this month and next month I'll be going to Berlin for the
World Congress of Producers of History. My other two colleagues
(lucky devils) will be going to Sundance. In July I visited the
Munich Film School and was most impressed with the faculty and
students there. I look forward to corresponding with
you.

Hello All,
I am a newby to this scene. I have a background in various media
(audio, still photography, graphics,and of course video). Doing docs
has always been something that I wanted to do but never had the
resources until about 3 or 4 years ago. Docs are,(in my humble
opinion)an incredibly important tool for voiceing topics and
information that mainstreem media can't or won't do justice to. I
hope to contribute my two cents before I check off this planet.I have
two projects I am working on. One being a look at the Jazz history of
Baltimore from the grass roots to the present.Your forum is
invaluable because this kind of knowledge and insite can't be taught
or bought. I look forward to taking part in as well as learning from
your forum.

Thank you for the welcome. Dough, I just Hope with much help
determination,and inspiration that I can contribute something
meaningfull and informative. I look forward to the forums. Erica, Yes
I am based in Baltimore (Maryland).In hind site, I would agree that
it is possible to purchase knowledge and insite (the purpose of
college I would conclude). But that is just from a single instructor.
The total knowledge and insite available from so many sources and
experiences in a forum like this is priceless.Your Point is well
taken.

I like the Baltimore (Maryland). Is there another Baltimore? (I'm
in Greenbelt, myself - that's why I asked).

Most colleges/film schools charge enough dough (not to be confused
with Doug) to provide more than one instructor. But life experience
and contacts with other likeminded filmmakers are indeed priceless.