Tuesday, 27 November 2012

Playing for Time

Last month I embarked on a collaborative arts
project called Playing for Time. It’s the vision of Lucy Neal of Transition
Town Tooting and has been recently awarded an Arts Council grant. My role in
the work is to help shape and distil a vast store of community arts practices
into a book, and during the next year I will be writing regular posts on this
blog to report on our experiences.

The book will be written by a group of
practitioners, several of whom are in Transition initiatives and so resonate with
Norwich’s own past and present creative enterprises, including Abundance, Magdalen Street Celebration and of course This
Low Carbon Life!Here Lucy Neal, creator and producer of Playing for Time
introduces the theme:Does art have a purpose? Can it change our sense of
what is possible in the world? Artist and cultivator, Eva Bakkeslett thinks so.
She works with yoghurt, yeast and fungi and is fascinated by micro-organisms. She
tapes the sound of bread rising and tells stories of emigrating Finns who
carried their ‘culture’ to a new country by dipping their handkerchiefs in
yoghurt to re-activate on arrival.

Eva’s house is full of jars, some with cultures over a 100
years old. She loves everything to do with fermentation and the remarkable
resilience of micro-organisms. She makes a soft ‘click-clocking’ noise in her mouth. ‘That’s the sound of bread rising’ she says.

Eva is on to something: her art explores ‘the subtle and invisible wonders of life’ and re-energises people's engagement. An encounter
with her work brings an awareness of the earth and environmental change to the
fore.

This year I was a writer-artist in residence at the Battersea Arts Centre (BAC) and have been gathering up ideas about ‘transitional arts practices’ like Eva’s for a book called Playing For Time. It’s a handbook that will join the dots between the
philosophies of art and the creative skills that are emerging in response to
the planetary challenges we face.

The book considers the role the arts play in
re-imagining a world in which life on earth and its ‘cultures’ are sustained. These range from traditional ‘arts’ projects to transition approaches to foodgrowing,
visioning processes, eco builds, education, inner transition events, group
facilitation or local development plans.

What stories are we living by?

Much of ‘transitional arts practice’ could be said to come down to narrative: the ‘live storymaking’ of the experiences we are living through at this
moment in our planetary history. Working with the playwright Sarah Woods from
Transition Bro-ddyfi, Wales we found four different kinds of narrative emerged:

PERSONAL NARRATIVE: How we experience who and how we are. Our
inner life of spirit and emotions balanced with outward actions and how we
connect to the world.

COMMUNAL NARRATIVE:The shared narrative -
co-created, collaborative and co-operative. The focus of
Transition Towns and a natural one for the arts, building bridges,
empathy and
understanding, creating space where inspiration and change can be
explored.

GRAND NARRATIVE: A galvanising idea that in combination,
globally our actions, plans, imaginings,
projects and campaigns can create the shift to a more ecological age. Impossible to undertake
alone, it’s
the narrative of ‘Occupy’, ‘We are the 99%’, ‘The Great Turning’.

SUPER NARRATIVE:
A narrative of all time and all dimensions of life on earth. The shift from the Holocene to the
Anthropocene Age, means our planet may no longer provide a comfortable place
for us to live. It is a narrative of home and wonder and of fear and loss.

Playing for Time is seeking to hear about activities that engage with
these narratives and help everyone
imagine a different future. From foodgrowing, to walking, rites of passage,
plays, craft, public art, community celebration, engaged optimism, direct
activism, sharing food, land use, play, psychogeography and map making, reports
about any of these events or projects that have fostered shifts of perspective
would be very welcome.

Maybe its something like Transition Heathrow’s “Kaleidoscope” artist residency in June that mixed activism and
permaculture, or Tooting’s “Transition
Shop with Encounters Arts” in May, a place of exchange, that helps reclaim our high streets.

In the future we could see a return to more rooted,
cyclical patterns in our art and culture. Our descendants may be dipping their
handkerchiefs in yoghurt to preserve precious resilient ‘cultures. What other tales of creative acts and
art-making might there be? With your participation and input, Playing For
Time hopes to draw these in! Thankyou!

Lucy Neal was the founder co-chair of Transition Town
Tooting and the co-founding Director of
the London International Festival of Theatre (1981-2005). Playing for Time is supported by Transition
Network, the Battersea Arts Centre, Artsadmin, New Economcs Forum and CAT.
Contact: lucy@lucyneal.co.uk. Article originally written for the preview edition of Transition Free Press

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About This Low Carbon Life

Welcome to the "official"blog of Transition Norwich, part of the world-wide Transition movement, a community-led response to peak oil , climate change and the economic recession.

Our TN blog is designed to showcase the Transition experience, from those who are living it - its highs and lows, challenges and treasures. We began this community enterprise in October 2009, inspired by the work of the Transition Circles, and have been charting our low-carbon lives almost daily since then. In June 2012 the group of contributors began to post more occasionally (about once or twice a week). We also cross-post work from other Transition initiatives.

You can find the full range of subjects we cover in our Labels list (see below). Do feel free to join in the conversation in the comments box. We'd love to hear from you!