A collection of the best of UK mountain, art and environmental articles.

Friday, 22 May 2015

Westward Ho! : Simon Armitage's 'Walking Away...reviewed

Poet Simon Armitage follows up his hugely successful ‘Walking
Home’ –an account of his ‘back to front’ long distance trod down The Pennine
Way to finish close to his Yorkshire home- with an account of a 2013 expedition
he undertook following the northern South West Coast path which winds its way from
Somerset to Land’s End. In Simon’s case the plan was to finish on the tiny
Scillies island of Samson. As an undertaking this 250 mile walk matches just
about anything in the UK, for despite its lack of soaring hills and mountains,
anyone who has even walked a section of it will be familiar with the undulating
peaks and troughs as the trail falls into hidden green valleys before rising steeply
up out of the shadowy abyss in a repeating cycle which goes on for miles. Particularly
in the section on the Culm Coast twixt Devon and Cornwall. By the time you have
walked five miles you will have gained a couple of Welsh mountains in elevation!

For those not familiar with the concept employed by the
poet, Basically, Simon offers himself as a wandering troubadour; walking the
trail in bite size sections-usually between 10 to 15 miles although the average
seems to be about 12. In return for board, accommodation and the portering of
his suitcase between gigs and digs, he
performs poetry readings at the end of most legs. The venues vary from pubs to
bookshops, living rooms to yurts. At the end of each gig the poet passes around
a sock- why a sock and not his expensive cattle driver's hat I don’t know?- but
nevertheless, apart from fishing out the odd boiled sweet, betting slip and
chewed pencil-he generally rakes in enough to make each section of the walk a
profitable enterprise.

I must say, if you are engaging in an long distance walk
like this and you can end each leg with a shower, hot meal and fall into clean
sheets and a soft bed then why not? It might not fit in with the traditional Rufty-Tufty approach- backpacking for weeks on end with the equivalent
of a small car on your back - but I know
which approach I’d rather employ if I had a legion of admiring Guardian readers
falling over themselves to service my every need! And by and large it does
indeed seem to be the nice middle class, Posy Simmonds-esque liberal Guardianistas who are at the
forefront when it comes to servicing the poet’s enterprise or indeed, who actually know who
Simon Armitage is. After all, in X Factor UK 2015, poets are generally as well
known as Edwardian spiritualists or Inuit whale-catchers. I’m sure, despite the predominance of the
aforementioned culturally endowed, a lot of people who
turn up for his readings have just been told , ‘we’ve got a bloke, Simon
Something, coming to the village hall whose been on telly and written books and
stuff’.

Starting out at Minehead, Simon stays in the Butlins Holiday
Camp although, by his own admission, he chickens out at giving a reading to an audience where replica
football shirts and spray tans are much in evidence, and hi tails it off to
give a reading in some rustic hostelry where freshly pressed Denim and Laura
Ashley is the preferred dress code. ‘How could I compete with an Olly Murs tribute
act’ he later offered as an excuse for this act of cultural cowardice!

Wandering through ‘Zummerzet’ with a different entourage picked
up at each leg, he encounters a bountiful harvest of humanity whose quirks,charms and indiscretions provide a rich source of material. From the
Country squire complaining about ‘The Ravens ruining his land’-Simon later
realises he means ‘ the ravers’- to the tramp bearing the legend ‘Fuck off
Toffs’! With his keen observational eye
and descriptive talents, he brings to life this endless parade of characters and
sets them into a landscape which even to the unfamiliar is imbued with familiarity. The
sun dew on wet grass, the diamond backed sea, the shadows which speckle the
dense copses and the owl haunted country graveyards falling into night.

I’ve seen Simon described as ‘saturnine’ in some
quarters...Never! What I love about his writing is his wry laconic humour and like most Northern
folk, he’s not averse to using self deprecation to keep his boots firmly on the ground. Drawing
the reader in to a world where stages are completed with the aid of ibuprofen and a muttered prayer to St Christopher;
where cloudbursts wash away optimism and fellow travellers peel away like flotsam
on a Devon tide as the sea fret becomes a sea squall. This style fits the
pace of the book perfectly. Whether he’s describing the characters, the land,
the sea or his mood and physical condition, it’s hard not to engage with a
writer who wears his heart on his sleeve and who isn’t afraid to puncture the
overall mellow vibe with the occasional dark thought and reveal doubts about
the validity of the entire enterprise.

However, his spirits are never beaten into submission for
too long and aided and abetted by his moveable feast of fellow walkers, The
Marsden Pied Piper, each night, leads his assembled troupe into the welcoming
arms of his hosts, where, refreshed and with batteries recharged he can regale
the local communities with anecdotes and poetry before Morpheus takes him on a
well earned journey into the land of nod.

Along the way, various characters weave in and out of his
orbit. Margaret Drabble describing how she offered to put up Salman Rushdie at
the height of the Santanic Verses brouhaha. Not expecting him to take up the
offer, she was rather taken aback when he turned up with a team of bodyguards
and security goons! Artist and filmmaker Jane Darke feeds him figs and black
pudding at her beautiful gaff above the beach at Porthcothan near Padstow. As
someone who has partaken tea and cake here with Jane, I can confirm the generosity of
mine hostess and the aesthetic delights which abound hereabouts within a home and beach top
garden which is decorated with the colourful bounty collected through the tireless ‘wrecking’ of the Atlantic shore.

Towards the end of the journey, Simon’s body is starting to
resemble his boots. Falling apart at the seams and held together with spit and
hope! His keen descriptive eye never loses its perspective though and people
and places remain as vivid and well observed as the day he took his first steps
in Minehead. I’m not sure if he has a photographic memory, walks along jotting
into a notebook or constantly addresses a Dictaphone??? Whatever device he uses
he certainly captures the essence of the journey throughout and the pace of the narration never lets up for a moment.

Will this be the poet’s final epic long distance walk? After
all, he is a fifty something academic more used to frequenting the libraries
and lecture rooms of our metropolitan centres of learning than battling the
elements in remote climes. It wouldn’t be a terrible spoiler to hint that this
may be the case although I detected a weakening of resolve as, back home in Yorkshire, he gazes at some
new walking boots still wrapped in tissue paper in the box they came in.

I certainly hope so for Walking Home and Walking Away have
both been excellent and although outdoor zealots might snort at this outsider bringing
long distance walking into the Sunday Times Best Seller domain and somehow sullying its Spartan tradition of grim suffering and mortification through the adoption of a ‘walking
for softies’ approach, well...tough! It's Long distance walking Jim, but not as we know it and you'll never think of a Galapagos Tortoise in the same way again either!

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To Hatch a Crow

Welcome to footless crow- Croeso i Bran di-droed

Footless Crow aims to provide the best in British outdoor writing in a unique 'blogazine' format. Offering new articles and republishing classic articles from the past which have been cherry picked from UK climbing/outdoor magazines and club journals. In this I am pleased to have received the support of many of the UK's top outdoor writers who see Footless Crow as a perfect medium to air unpublished works and see old works republished in a format which was inconceivable when they were first written!As a non commercial media,the blogazine acknowledges the contribution that publications like Loose Scree and The Angry Corrie have made in the world of mountain literature. Providing accessible quality writing through a low cost 'zine' format. Footless Crow hopes to emulate these publications by also providing content which is unashamedly traditional and celebrates the finest virtues of British mountaineering!

All published works and photographs have been fully approved by the authors who of course retain copyright. The usual rules and restrictions of copyright apply.Hope you enjoy the content which aims to provide a new extended article each week. If you have any comments or would like to contribute something which fits in with the 'Footless' concept then email me at ......

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* Since late 2011, the site has changed from a structured weekly article based format to a less formal arrangement which will see climbing and occasionally,eco news,art features and reviews appearing alongside articles.

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Why 'Footless Crow' ?

Footless Crow is a seminal rock climb in the Lake District of Northern England. It was the creation of legendary British climber Pete Livesey-1943-1998. Livesey was one of the new breed of climbers who eschewed the traditional laid back, fags and booze, ethic prevalent at the time and instead pursued a rigid training regime designed to increase his physical and mental attributes to the extent that he could push British climbing to new technical standards. In effect he was one of the first UK rock athletes.Footless Crow was a breakthrough climb which at the time was the hardest climb in the Lakes at E5-6c (US 5-13a). Currently E6-6c due to a flake peeling off.First climbed as an aid route by 50's Lakes legend, Paul Ross and then called -The Great Buttress-. Livesey's much rehearsed test piece was finally led on the 19th April,1974 to the wide eyed astonishment of the UK climbing community. One well known climber was said to have hung up his climbing boots after witnessing the ascent !The name Footless Crow was a brilliant piece of imagination from Livesey who claimed that as there was almost nowhere on the route where he could rest he had to hop about like a footless crow.

So now you know.

In 1976 I saw Ron Fawcett, rock-master since the middle Seventies, on the second ascent of Footless Crow in Borrowdale, then the hardest climb in the Lake District – 190 feet of overhanging rock without a resting-place. When his second called up, ‘What’s it like?’ he answered, ‘An ’orrendous place – Ah’m scared out of me wits,’ as he leaned way back on his fingertips, relaxing as comfortably as a sloth under a branch.