The practice of Eduardo Basualdo, who lives and works in Buenos Aires, is inscribed within the Southamerican continent’s long-standing tradition of drawing, historically implemented as a tool to apprehend nature in academic training, and more recently treated by a variety of artists as an expanded medium with which to deconstruct the exhibition space, the Western standards of measurement, the industrial applications of construction materials, among other usages.

Two silhouettes speak together hidden behind a black curtain in the surreal setting of an abandoned public swimming pool. Then the curtain is removed and the figures appear, surrounded by swirls of pink smoke in a glittery and glamorous decor.

Chris Burden’s Deluxe Photo Book 1971-1973 brings together a legendary chronicle in the form of a document binder, strictly composed of photographs and descriptive text where conceptual rigor contrasts with the extreme nature of the recounted experiences.