Coral Sky DVD

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On November 2nd, 1996, Phish performed at Coral Sky Amphitheater in West Palm Beach, FL; the only outdoor shed show of the Fall Tour. The show combined the residual energy of Halloween with a tropical feel that could only have happened in South Florida in November. Amidst swaying palms and soft breezes, the band played a deeply experimental show. They were joined by percussionist Karl Perazzo (Santana), whose contribution helped extend and build upon the magic of Halloween, adding polyrhythms that explored new space within Phish's music. Allman Brothers Band drummer, Butch Trucks, furthur upped the percussion coefficient by sitting in on drums for the Encore.

Often cited as a fan favorite, the epicenter of the show was a pairing of Crosseyed And Painless > Run Like An Antelope. Coral Sky showcases the thrilling genesis of a more rhythmic, textured style of group improvisation and conveys the band and crowd's shared excitement about the breakthrough. This 2-DVD set features more than 2 1/2 hours of footage with 5.1 Dolby Surround or optional PCM Stereo sound audio, mixed from multi-track masters.

Click on the product image for a complete track listing Item #: PHAM168

On November 2nd, 1996, Phish performed at Coral Sky Amphitheater in West Palm Beach, FL; the only outdoor shed show of the Fall Tour. The show combined the residual energy of Halloween with a tropical feel that could only have happened in South Florida in November. Amidst swaying palms and soft breezes, the band played a deeply experimental show. They were joined by percussionist Karl Perazzo (Santana), whose contribution helped extend and build upon the magic of Halloween, adding polyrhythms that explored new space within Phish's music. Allman Brothers Band drummer, Butch Trucks, furthur upped the percussion coefficient by sitting in on drums for the Encore.

Often cited as a fan favorite, the epicenter of the show was a pairing of Crosseyed And Painless > Run Like An Antelope. Coral Sky showcases the thrilling genesis of a more rhythmic, textured style of group improvisation and conveys the band and crowd's shared excitement about the breakthrough. This 2-DVD set features more than 2 1/2 hours of footage with 5.1 Dolby Surround or optional PCM Stereo sound audio, mixed from multi-track masters.

Click on the product image for a complete track listing

$19.00

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Mike Gordon - Moss CD

$12.00

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Moss, Mike's third solo album, comes only two short years after The Green Sparrow, and about half of its songs stem from the same 50-song burst of creativity that seeded that album. Gordon's bass lines wind through these songs like strands of DNA, determining the forms that the surrounding instruments and overall composition take. This is not an entirely far-fetched comparison, as lyrical references to double helixes, spirals and corkscrews – some of the shapes that DNA and other bits of cellular material assume – run through these songs, especially the dreamier, more otherworldly ones.

A four-song sequence, comprising "Flashback," "The Void," "Got Away" and "Spiral," goes places no songs have gone before. You might suppose these soundscapes are musical evocations of particularly fanciful sights and sounds experienced while on hallucinogenic vision quests. Songs like "Spiral" and "The Void" detour into evocatively abstract, meterless areas of sound with a mysterious, textural richness. On the other hand, such numbers as "Can't Stand Still" and "Fire From a Stick" – both joyfully devoted to muses, mentors and the ecstatic wellspring of inspiration - are infectious, danceable, upbeat and viscerally planted in the here and now. Drummers Joe Russo and Doug Belote crop up throughout the album, and other guests include organist Marco Benevento, keyboardist Page McConnell and drummer Jon Fishman.

Click on the product image for a complete track listing Item #: MGCD08

Moss, Mike's third solo album, comes only two short years after The Green Sparrow, and about half of its songs stem from the same 50-song burst of creativity that seeded that album. Gordon's bass lines wind through these songs like strands of DNA, determining the forms that the surrounding instruments and overall composition take. This is not an entirely far-fetched comparison, as lyrical references to double helixes, spirals and corkscrews – some of the shapes that DNA and other bits of cellular material assume – run through these songs, especially the dreamier, more otherworldly ones.

A four-song sequence, comprising "Flashback," "The Void," "Got Away" and "Spiral," goes places no songs have gone before. You might suppose these soundscapes are musical evocations of particularly fanciful sights and sounds experienced while on hallucinogenic vision quests. Songs like "Spiral" and "The Void" detour into evocatively abstract, meterless areas of sound with a mysterious, textural richness. On the other hand, such numbers as "Can't Stand Still" and "Fire From a Stick" – both joyfully devoted to muses, mentors and the ecstatic wellspring of inspiration - are infectious, danceable, upbeat and viscerally planted in the here and now. Drummers Joe Russo and Doug Belote crop up throughout the album, and other guests include organist Marco Benevento, keyboardist Page McConnell and drummer Jon Fishman.