The Ballets Russes were a company of ballet dancers whose full title was Les Ballets Russes de Serge Diaghilev. They became extremely famous in Europe in the early part of the 20th century.

The group was formed and directed by the Russian Sergei Diaghilev. The Ballets Russes had more influence on ballet and ballet music than any other ballet company of their time. The dancers were from Russia, but the group travelled throughout Europe, spending a lot of their time based in Paris. Stravinsky was one of the many composers who wrote ballet music for them.

Sergei Diaghilev was an impresario who was extremely good at spotting good dancers and helping them to rise to great standards. He had very good taste in art and music and inspired some great composers to write music for his dancers. He got some of the most famous painters of his time to make set designs for his productions.

Contents

The group was started in 1909. By 1911 they had become a group who toured regularly. Many of the dancers had come from the Mariinsky Theatre in Saint Petersburg. They adapted the productions from the Mariinsky Theatre, performing ballets such as Prince Igor, Cleopatra and Le Festin and Les Sylphides.

During the World War I they were cut off from any contact with Russia. During these years they experimented with many new ideas. Productions such as Les Biches and Le Train Bleu were about the fashionable society around them. At the same time the company also had productions which reflected Russian folklore, Greeklegends and the Orient.

Their fame continued after the war.

When Diaghilev died suddenly in 1929 the Ballets Russes broke up and the dancers moved to other companies. Some of them formed the Ballets Russes de Monte Carlo, who travelled to America and influenced dancing there.

The most famous music composed for Ballets Russes was that by the composer Igor Stravinsky. His ballets include The Firebird, Petrouchka, The Rite of Spring, Les Noces and Apollon musagète. The first time that The Rite of Spring was performed many in the audience hated it and booed and started to fight. Others thought it was brilliant. Stravinsky's music was original and shocking, and Nijinsky's choreography went beyond classical ballet technique. The audience found it difficult to understand the music and dance. They were used to the romantic music and classical ballet of the nineteenth century.