Mattiel

Mattiel

"An ad designer, illustrator, and set builder, Mattiel enjoys testing her strength in new and unknown territories. She was born an only child in Georgia and grew up working on her mother’s farm. This rural, isolated space gave her room to grow and experiment with a wide range of interests. As an adolescent, she found refuge in her mother’s limited record collection, which included several albums by Donovan, Peter Paul and Mary, and The Monkees. After moving to Atlanta, Mattiel developed a palette for more diverse musical interests. She developed her vocal style over the course of several years - often alone in her car on long drives to work. She ventured into songwriting after meeting Randy Michael and Jonah Swilley in 2014. Mattiel took what she knew about constructing visual design and applied that methodology to writing music. As the group began producing more material, a full length album was written and recorded in a span of nine months (not unlike the gestation period of a human baby.) Their process was simple: Michael and Swilley supplied instrumental compositions and handed them over to Mattiel for lyrical content and melodies. Her influences include Screamin’ Jay Hawkins, Andre 3000, Marc Bolan, Sister Rosetta Tharpe, The Staple Singers and Jack White among many others."

"An ad designer, illustrator, and set builder, Mattiel enjoys testing her strength in new and unknown territories. She was born an only child in Georgia and grew up working on her mother’s farm. This rural, isolated space gave her room to grow and experiment with a wide range of interests. As an adolescent, she found refuge in her mother’s limited record collection, which included several albums by Donovan, Peter Paul and Mary, and The Monkees. After moving to Atlanta, Mattiel developed a palette for more diverse musical interests. She developed her vocal style over the course of several years - often alone in her car on long drives to work. She ventured into songwriting after meeting Randy Michael and Jonah Swilley in 2014. Mattiel took what she knew about constructing visual design and applied that methodology to writing music. As the group began producing more material, a full length album was written and recorded in a span of nine months (not unlike the gestation period of a human baby.) Their process was simple: Michael and Swilley supplied instrumental compositions and handed them over to Mattiel for lyrical content and melodies. Her influences include Screamin’ Jay Hawkins, Andre 3000, Marc Bolan, Sister Rosetta Tharpe, The Staple Singers and Jack White among many others."

Low Valley Hearts (Album Release Party!)

"In big-budget film franchises and formulaic sci-fis, transit in outer space seems like a glamorous commodity. The captain of the ship knows exactly which buttons to press and what levers to thrust forward, and whoosh, in a neatly animated instant, the sleek vessel jets off through the stars to its destination. Consequently, in movies that follow other formulas, mingling among friends also seems easy and painless. No one has to push any buttons or levers, because everyone is laughing, and smiling, and trading quips about relevant plot details. In those simple flicks, not once do we doubt the dashboard finesse of the space captain, or the fellowship between those mingling teens/young adults on the screen. As it turns out, reality wrinkles the cozy fantasies of both space travel and social shindigs—and while more nuanced movies and films often deconstruct one or the other, local cosmonauts Low Valley Hearts have managed to dissect both with “Taking Us Down.” At once, the spectral organs and cosmic harmonies from Evgenia Leshchinskaia (synth, piano, vocals) and Zalika Yavlinskiy (synth, vocals) invoke an ancient grandeur, like the vast Promethean ramblings of Procul Harum; however, rather than hurtling forward, the drums lock us into a trance. Meanwhile, in the video filmed by Jack (Uniq), four adults sit and smile awkwardly at one other as the scenery shifts and scrambles behind them. No matter what surreal backdrop drapes their huddled mass, each person stares blankly at the screen, as if they’d rather be somewhere else. Guitarist Rossilini Politi—who, like drummer Sean Zearfoss, also plays in nerve pop vets Small Reactions—explains that both the song and the scenes reflect the isolation that wells up and stymies individuals. In deep space, he tells Immersive over email, that loneliness manifests into hallucination and psychosis. On earth, the same psychedelic interference crops up as anxious individuals try to slot into social groups, “living vicariously through fantasy in order to feel a bond to someone.” And just like that—whoosh!—Low Valley Hearts prove that your friends and acquaintances can be just as impossible to traverse as the cosmos. And that’s only the start of the mind-bending powers that this band can and will wield, both on present stages and in future broadcasts. “Taking Us Down” is the latest single and video from Low Valley Hearts’ forthcoming debut LP, Pictures of Your Mind, out Feb. 16."

"In big-budget film franchises and formulaic sci-fis, transit in outer space seems like a glamorous commodity. The captain of the ship knows exactly which buttons to press and what levers to thrust forward, and whoosh, in a neatly animated instant, the sleek vessel jets off through the stars to its destination. Consequently, in movies that follow other formulas, mingling among friends also seems easy and painless. No one has to push any buttons or levers, because everyone is laughing, and smiling, and trading quips about relevant plot details. In those simple flicks, not once do we doubt the dashboard finesse of the space captain, or the fellowship between those mingling teens/young adults on the screen. As it turns out, reality wrinkles the cozy fantasies of both space travel and social shindigs—and while more nuanced movies and films often deconstruct one or the other, local cosmonauts Low Valley Hearts have managed to dissect both with “Taking Us Down.” At once, the spectral organs and cosmic harmonies from Evgenia Leshchinskaia (synth, piano, vocals) and Zalika Yavlinskiy (synth, vocals) invoke an ancient grandeur, like the vast Promethean ramblings of Procul Harum; however, rather than hurtling forward, the drums lock us into a trance. Meanwhile, in the video filmed by Jack (Uniq), four adults sit and smile awkwardly at one other as the scenery shifts and scrambles behind them. No matter what surreal backdrop drapes their huddled mass, each person stares blankly at the screen, as if they’d rather be somewhere else. Guitarist Rossilini Politi—who, like drummer Sean Zearfoss, also plays in nerve pop vets Small Reactions—explains that both the song and the scenes reflect the isolation that wells up and stymies individuals. In deep space, he tells Immersive over email, that loneliness manifests into hallucination and psychosis. On earth, the same psychedelic interference crops up as anxious individuals try to slot into social groups, “living vicariously through fantasy in order to feel a bond to someone.” And just like that—whoosh!—Low Valley Hearts prove that your friends and acquaintances can be just as impossible to traverse as the cosmos. And that’s only the start of the mind-bending powers that this band can and will wield, both on present stages and in future broadcasts. “Taking Us Down” is the latest single and video from Low Valley Hearts’ forthcoming debut LP, Pictures of Your Mind, out Feb. 16."