To Ramona Biciușcă the predisposition for game concerns the eternal human and isn’t at all an exclusive privilege of the childhood. The state of ludic enchantment derives from an immaculate feeling of liberty doubled by the conscience of an impossibly profaning ingenuity. Who thinks beautifully cannot fail such an expression, she seems to say for herself sometimes, when feels that the expression wants to pass ahead the plastic idea. The world of the surrounding objects must not live only for their utility. They must become the source of a smile, and that is why Ramona Biciușcă invents bizarre forms but not strange. In My Kitchen cycle the association of objects that can be met establish by consensus other relationships between forms that the usually known and boring by millenary repetition. The authoress’ humor is stimulating and juvenile, in fact an unostentatious lesson of intelligence and of plastic inventivity.