Tag Archives: Talking

The city funding for four Houston nonprofits providing housing to at-risk populations living with HIV/AIDS survived a challenge from city council member Helena Brown last Wednesday. Under consideration by the council were ordinances to dispense almost $2.5 million in federal funds managed by the city to the SRO Housing Corporation, Bering Omega Community Services, Catholic Charities and SEARCH Homeless services.

Brown initially used a parliamentary procedure known as a “tag” to delay the funding for the Houston SRO Housing Corporation and Bering Omega. Any council member may tag an item under consideration, delaying the vote on the item for one week. Brown explained that she objected to government funding of charitable entities:

“I spoke last week on this very issue on grant funds and the idea that we are, you know, fighting with other entities and other governments for grant funds that really isn’t there. The federal government is in a worse condition than the city of Houston and to continue to try to milk the system where there’s no milk, is just, I mean, we’re fighting with our brothers, as I said last week, to get credit for who is going to push a friend over the cliff… We need to continue to look at the private sector and the business sector. Because even, I attended this event where this wonderful speaker was talking about the generosity of Americans and 80% of donations to nonprofits come from private individuals, not even corporations, and we need to continue to rely on that right now because the government right now, we’re broke – we need to face that reality.”

Other council members spoke passionately of the need for continued funding, arguing that by assisting people living with HIV/AIDS in achieving independence, particularly those who are homeless or at risk of homelessness, the programs added to the tax based and help insure long-term stability.

“We don’t live in a perfect a world,” said freshman council member Mike Laster (the first out gay man to serve on the Houston City Council). “These organizations do their very best to raise money to care for the people among us, but they still need to reach out to entities that have that kind of capital, and by the grace of God this city and this government as an entity has some of that capitol, and I’m very proud that we’re able to provide those kind of services to some of my community members.”

Council member Wanda Adams, who serves as chair of the council’s Housing and Community Development Committee, also spoke in favor of continuing funding. Council member Ellen Cohen, whose district contains both SRO Housing and Bering Omega, spoke of how her life had personally been touched by AIDS:

“One of the first young men to pass away in New York City was a cousin of mine of something [then] called a very rare form on pneumonia… which we now realize was not. So I understand the need for these kinds of services. On a personal note I worked with Bering and I know all the fine work that they do, I’m addressing all the items but I’m particularly addressing [the Bering Omega funding] and feel it’s absolutely critical that we provide the kind of funding items, and that we are, in fact, our brother’s and our sister’s keepers.

After Laster asked Mayor Annise Parker the procedure for overriding a tag Brown removed her tag, but raised a new concern about HIV/AIDS housing, saying that her office had requested a list of the owners of apartment units where those receiving rental assistance lived. City Attorney David Feldman explained to Brown that federal law prohibits making public information that could be used to identify people receiving assistance through the housing program. Feldman said that, in his legal opinion, revealing the names of the owners of the apartments would violate federal law. Brown said that she was concerned that their might be a “conflict of interest” with apartment owners that needed to be investigated, claiming that as the reason for her tag.

Brown eventually removed her tag, rather than have it overturned. All four ordinances providing funding passed with only Brown voting “nay.”

Paperwork can be the bane of any job. For Rev. Amy Delong a simple annual report catapulted her into the maelstrom of the United Methodist Church’s debate on accepting LGBT people. DeLong visits Houston’s Bering Memorial United Methodist Church (1440 Harold) on Sunday, Feb. 12 to preach at both the 8:30 and 10:50 service.

In 2009 DeLong was approached by two women who wanted to get married. After conducting premarital counseling with the couple Delong agreed to perform the ceremony. As a clergy person, DeLong was required to report on her activities at the end of the year, including any weddings she had performed. She knew that the Methodist Church did not allow same-sex marriage but thought “I don’t know if anybody even reads these.” Boy, was she wrong!

With-in three days she was hauled into the her boss’s (the bishop) office. DeLong’s relationship with her partner Val was well known to her colleagues. “I’ve never had a bishop or a leader in the church or a pastor who didn’t know that I was gay,” says DeLong. “Everyone knows Val.” But the church was determined now to make an example of her, and DeLon’s relationship would now be an issue.

In 2011 DeLong was tried in the church’s court with violating the Methodist “Book of Discipline” by being in a same-sex relationship and by performing a same-sex wedding. During the trial she refused to answer pointed questions about her and her partner’s sex life. “No heterosexual couples are ever asked if they
still engage in genital contact in their marriages,” says DeLong. That refusal left the court with no evidence against her on the first charge.

She was convicted of performing the wedding and suspended from ministry for 20 days. The court also required DeLong to work with a group of ministers to prepare a statement on how to “help resolve issues that harm the clergy covenant, create an advesarial spirit or lead to future trails.” “This sentence is complicated,” says DeLong. “It doesn’t lend itself well to media soundbites. So a lot of folks have been saying to me ‘I can’t tell, is this penalty good?'” DeLong responds with a resounding “Yes!” Saying that she welcomes the opportunity to write, teach and study on a topic dear to her heart.

DeLong recalls that during that initial meeting in the bishop’s office one of the bishop’s assistants referred to her as a “self-avowed practicing homosexual.” To which she responded “Val and I aren’t practicing any more… we are pretty good at it by now.” The assistant laughed. More than anything that is the impression one gets of DeLong: someone with a lot of humor and aplomb who is unwilling to back down from a fight for justice.

The DMA’s exhibit on the fashions of Jean Paul Gaultier exudes sex appeal with a big dose of flamboyance

DRESSED TO KILL IT | Gay fashion pioneer Jean Paul Gaultier oversees his own exhibit (Below) as an Animatronic mannequin, a fascinating technology that only accentuates the brilliance of the designs. (Photography by Arnold Wayne Jones/Dallas Voice)

For a man best known for creating the Valkyrie-like conical breastplate that shot Madonna into the pop culture stratosphere, Jean Paul Gaultier is a surprisingly humble person. While he’s clearly delighted to have his fashions on display — as they are at the Dallas Museum of Art in the traveling exhibit The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which runs through February — he makes one thing plain: He does not consider fashion “art.”

“My work is not art,” he says flatly. “My job is to make clothes that have to be worn. My role is not to create in the abstract but to be inspired by the needs and desires of the people. So I am in service to that. Art is art — it is a personal vision of the artist.” He pauses, then adds with a smile, “My collections are my babies, though.”

While the designer himself may not consider his work product “art” in an academic sense, there are probably few who would agree with him. More so than most fashion designers, Jean Paul Gaultier’s style is instantly recognizable, even without seeing the label.

He almost single-handedly moved the bustier from the boudoir to the arena stage, cladding Madonna in a corset for her Blonde Ambition tour in 1990, immediately making legends of them both.

It’s not just brassieres, but lace bodysuits, silk leotards, men in skirts — Gaultier takes fashion rules and sets them on their heads, turning out wearable art (there, we said it) that is both old-fashioned, even classical, and futuristic — but always oozing sex.

“My love for fashion belongs to the fact I saw a movie from the 1940s when I was 12,” he says. “In the movie, they did a beautiful description of couture.” (Now, when he works with a film director — as he did recently with Pedro Almodovar on The Skin I Live In, or Luc Besson on several films — “it is like I return to that [moment]”.)

But really, the germ of his style was started by what a pre-teen Jean Paul found in his grandmother’s wardrobe.

“I was fascinated by the whole world of my grandmother’s closet — it was beautiful and different,” he says. “It was underwear that could be worn as outerwear. I stole my ideas from her.”

Though not just her. Gaultier was inspired by television, by old movies, by showgirls — anything that offered a view of beauty he could re-imagine on the runway.

“My definition of beauty — there’s not one type. Beauty is beauty — you can find it in different places,” he says.

It’s a keystone not only of his design style, but of the DMA’s astonishingly exciting exhibit. (Anyone who doesn’t think a Gaultier gown deserves formal museum treatment obviously hasn’t seen the show.) In just a handful of rooms, we move from camp to punk — with many, many visits to edgy haute couture.

In the first gallery, visitors are introduced to Gaultier himself, talking about his fashions via a quasi-Animatronic mannequin that captures his actual face and voice, projected with unnerving authenticity. That happens with a lot of the mannequins, some of whom seem to look back, even judge you. (One Mohawk’d man in tights and a codpiece seemed to be flirting with me; I bet he does that with all the boys.) Lanky sailor boys in striped Apaché T-shirts look as if they leaped from a Tom of Finland drawing; that cone bra is also unmistakable.

Walk further, and the second room oozes the dark romance of a bordello, approximating (with its window-like display cases) the red-light district of Amsterdam. “I think when you exit this room, they should give you a cigarette,” I told another patron. She didn’t disagree.

Another room shows the movement of the pieces, sort of, with a moving catwalk that is like a time machine of Gaultier runway fashions, including representative designs from his famous Men in Skirts that took MOMA by storm some years ago. That’s only the most obvious example of the genderbending that is a Gaultier hallmark — and a central theme of the sexual forthrightness of the DMA’s exhibit.

“Androgyny is part of the thing that interests me,” he says, “that moment when the young can pass to adolescence [and] their beauty is between feminine and masculine at the same time. I use it to show in reality how [both sexes] can assume [the identity of the other sex]. In Scotland, you will see me in kilts and they are very masculine — it’s not feminine to wear a skirt [in that context].”

That, Gaultier says, is the essence of freedom, showing that “men can cry just as well as women can fight.”

And this exhibit shows that a designer can be an artist with a bold sense of sex — even if he doesn’t think so.

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ONLINE EXCLUSIVE

Visit DallasVoice. com/ category/ Photos to see more of the Jean Paul Gaultier exhibit at the DMA.

This article appeared in the Dallas Voice print edition November 18, 2011.

Joe Solmonese, Eric Alva, Jessie Tyler Ferguson, Marlee Matlin, Caroline Rhea, Taylor Dayne, Chet Flake and the late Bud Knight are among those who will be honored or will speak at The Black Tie Dinner on Saturday.

Solmonese fears 2012 setback

LAST NIGHT | Human Rights Campaign President Joe Solmonese speaks at a previous Black Tie Dinner in Dallas. Solmonese will be leaving HRC next March, making this weekend’s event the last Black Tie Dinner he will attend as president of the national LGBT advocacy organization.

Outgoing HRC president says community must fight for Obama

But Solmonese says he’s equally concerned about how the LGBT community — and his successor at the Human Rights Campaign — would respond if Obama loses.

Solmonese will step down as president of HRC after seven years in March. On Saturday, Nov. 12, he’ll make his final appearance as the group’s president at the Black Tie Dinner, of which HRC is the national beneficiary.

In an interview last month with Dallas Voice, Solmonese focused largely on the importance of 2012 elections, saying that depending on their outcome, major advances during his tenure could be all but erased.

“I don’t think that he’s going to lose,” Solmonese said at one point, attempting to clarify his assessment of Obama’s chances. “I think that if everybody does what they need to do, I think there is just as good a chance that Barack Obama will be re-elected, but I’m as concerned that he could lose.”

Solmonese said Republicans already have a majority in the House, Democrats have only a slim majority in the Senate, and “everything about these [2012] elections points to us having real challenges.”

“I think that if everybody who has gained from the Obama administration does everything they need to do over the course of the next year, he’ll get re-elected,” Solmonese said. “But I would be lying if I said I’m not very concerned about the prospects of him getting re-elected.”

Solmonese said the message he wants to send to the LGBT community is that Obama has done more for us than any other president, and that the movement has seen more gains under the current administration than at any other time in its history.

“If we care about continuing with the forward motion that we’ve experienced, then we as a community need to do everything possible to re-elect Barack Obama,” Solmonese said. “And we can talk about and debate and press the administration on his ability to do more, and him coming out for marriage, or anything else that we want to talk about, but now is the time to sort of decouple that from all of the work we need to put into getting him re-elected. Because at the end of the day, it comes down to a choice, and the choice isn’t even hard for me: It’s Barack Obama or any of these other people who are running against him.”

Despite his concerns about Obama’s chances, Solmonese said he has no misgivings about leaving HRC seven months prior to Election Day. He said he made a commitment to give the organization six months notice, and his contract expires in March.

He said announcing his resignation at the end of August allowed HRC to begin the transition process, which will be completed when his successor takes over, midway through the Republican primary. Solmonese also said he’ll continue to be involved with the organization through next year, assisting with its efforts around the November election.

“I’m a lot more concerned about what happens the morning after the elections,” Solmonese said. “I’m a lot more concerned about this organization and its leader being in the best possible position to navigate those waters, and either we are contemplating a second term with Obama and a continuation of our agenda and perhaps a decidedly different Congress, or we’re contemplating President Mitt Romney and all of the implications that means for our community, and I want whoever is in this seat leading this organization contemplating where we go from there, to have had some time under their belt to figure that out.”

Asked whether that means he believes Romney will be the Republican nominee, Solmonese clarified that anyone claims to know definitively “doesn’t’ know what they’re talking about” — but he added that he thinks the former Massachusetts governor is the “odds-on favorite.”

And while Romney may appear less anti-gay than some other GOP presidential hopefuls, Solmonese said called him “someone you have to be careful of” because “he’s essentially beholden to no issue.”

“He adopts a position that works best for the political predicament he finds himself in,” said Solmonese, a Massachusetts native who’s watched Romney’s political career closely. “So, while he was seemingly pro-gay as he attempted to unseat Ted Kennedy, and his rhetoric isn’t harsh and he doesn’t have the same sort of narrative that a Rick Santorum has, he’s effectively said that he doesn’t believe in the repeal of ‘don’t ask don’t tell’ and that he would support the federal marriage amendment. But what we don’t know, just like we didn’t really anticipate with [President] George [W.] Bush, is how beholden he is going to feel to the hard right once he becomes president.”

It was Bush, of course, whose administration was pushing a federal marriage amendment when Solmonese joined HRC in 2005.

The marriage amendment, Solmonese said, represents the worst possible thing that could happen to the LGBT community, because it would enshrine discrimination into the Constitution.

And although the threat of the amendment may seem like a distant memory to some, Solmonese warned that it could easily resurface. Which is why, he said, the 2012 elections are the biggest challenge HRC faces going forward.

“I think the elections loom largest because what the elections really represent to me is the potential for us to really stop, potential derail and ultimately set back a lot of the progress that we’ve made,” Solmonese said. “What also concerns me then is that the community be braced for that, and we understand that we’ve been in these places before, and the measure of who we are and how we’ll be defined, is how we react in those moments, the degree to which we stay in the fight and make sure we continue to press forward regardless of the outcome of the election.”

Solmonese said he fears the progress of the last several years may lead to complacency. And he said based on his experience, when the LGBT community suffers setbacks, instead of regrouping and uniting, people have a tendency to lose their way and point fingers.

“If we lose, if the outcome is negative, if we go from the march toward marriage equality and the repeal of DOMA and the positive direction that we’ve been in, to a president and a Congress who decide they’re so troubled by all the success we’re having with marriage they want to take up the fight again to pass the federal marriage amendment — well, boy, we’ve come full circle from where we were back in 2005, the last time that happened,” he said.

“And you can react to that in one of two ways. You can say this is the inevitable ebb and flow of social change, so pull up your boot straps and let’s get going and turn that around again — and understand that that sort of energy that the other side has around something like that is a reaction to their own fear of the progress we’ve made — or you can become very dispirited and depressed and disenfranchised and decide that it’s our own doing, it’s our own lack of progress, it’s our own failing. And that would be the worst possible thing that we could do.”

Caroline Rhea: From the hip

Caroline Rhea

From her role as Noleta Nethercott on Del Shores’ campy queer Texas-based sitcom Sordid Lives to taking over Rosie O’Donnell’s talk show, Caroline Rhea has long has a strong connection to the gay community. This week, she breaks new ground again, becoming the first professional comedienne to serve as soup-to-nuts emcee for the Black Tie Dinner.
Rhea took a moment this week to discuss her involvement with the LGBT community, her Texas ties and her new (like her, Canadian) reality TV show.

Dallas Voice:You’ve always seemed to be close to the LGBT community. Where does that stem from? Rhea: I am not a direct member of the LGBT community, but I have had a BLT. In the Venn diagram of life, there is a lot of crossover between gay men and female comedians. It’s a mutual lovefest.

How different is it to do a gay event like Black Tie vs. a comedy show on the road? The audience is much better looking.

For special events like this, do you bring your family? Not if it involves bringing a toddler on a plane.

What in you is fulfilled to do an event such as Black Tie Dinner? I want to support the LGBT community in all that they do.

If you were to rank all you do — acting, hosting, voiceovers, comedy, etc. — how do you rank your priorities? Motherhood first. Then comedy, and working with people that I like.

You have hosted a new reality competition series in your native Canada, Cake Walk: Wedding Cake Edition. How did you enjoy that? Did you get to taste the goods? Believe it or not, I didn’t taste the cakes.

Will there be a same-sex couple on the show? I hope so.

How do you think that would fly with the show’s audience? Same-sex marriage has been legal for years in Canada. It would be another beautiful wedding.

Having now worked with Del Shores on the Logo series Sordid Lives, how do you perceive Texas in general? Dallas in particular? Any misconceptions you had that were proven wrong? My dad’s family was from Texas and my father looked like J.R. Ewing. I am not a fan of your toll roads and every time I am on the George Bush Turnpike I feel like I am going backwards.

—Arnold Wayne Jones

Taylor Dayne can’t stop the music

More than 20 years after she packed the gay bar dance floors with her debut hits, the songstress is still going strong, and says her performance at Black Tie is a ‘win-win’ for her and her fans

She can’t quite recall when she knew she was a hit with the gay community: Over the course of her 23-year career in pop music, she’s played venues of all sizes, but she did notice early on how a certain fan base seemed to keep showing up.

“It’s kinda hard to remember, but I would perform very specific shows and then some gay clubs and it dawned on me,” she said.

With an explosive debut, thanks to her platinum selling 1988 debut Tell It To My Heart and the more sophisticated follow-up Can’t Fight Fate a year later, Dayne became a quick force to be reckoned with on the charts.

But her pop hits were just as big on the dance floor, and Dayne was resonating across the queer landscape.

“I’ve had wonderful relationship with gay and lesbian fans for years. I’m so glad to be doing Black Tie because I have a great core of fan base here,” she said. “It’ll be a good show with lots of fun and for a good cause. It’s a win-win.”

Dayne’s performed at gay bars and Pride events in Boston, Chicago and the Delaware Pride Festival. But appreciation of her work in the community was clearly evident in 2010 when she was asked to record “Facing a Miracle” as the anthem for the Gay Games.

“That was quite an honor and then they asked me to perform at the games,” she said. “It was very emotional for me. The roar of the crowd was great.”

Even after two decades, Dayne remains just as committed to music as she was in 1988. She’s embraces her sort of “elder” status in pop music and instead of seeing the likes of Nikki Minaj and Katy Perry as rivals, she enjoys what they are bringing to the landscape of music now.

“I love listening to all the new stuff going on. There is some great talent out there. It’s nice to know I was some inspiration to them, the way ladies like Debbie Harry and Pat Benatar were for me. The cycle goes on,” Dayne said.

But they still push her to keep in the game. She admitted, “I’m pretty competitive that way.”

This year, Dayne released the single, “Floor on Fire,” which made it to the Billboard Dance/Club Charts Top 10.

At 49, Dayne doesn’t show signs of slowing. Along with a rumored second greatest hits album, she recently wrapped up filming the indie movie Telling of the Shoes and she’s a single mother to 9-year-old twins. Juggling it all is a mix of emotions, but her confidence pushes her through.

“I can say I’m a great singer, so when it comes to decisions, I’m fine about recording and performing,” she said. “But I would say I work really hard at acting. It’s nerve-wracking but it’s also amazing. But I’m not a novice at any of this.”

With her children, she doesn’t make any pretenses about the difficulty of being both a musician and a mom — as long as she instills the proper principles in them.

“We don’t try to get wrapped up in small time crap,” she said. “At the end of day it’s about having a good heart and they have great heart.”

It’s likely she’ll show the same at Black Tie.

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BLACK TIE DETAILS

The 30th annual DFW Black Tie Dinner will be held Saturday night, Nov. 12, at the Sheraton Dallas Hotel. The event is already sold out.

Chet Flake and his late partner, Bud Knight, will be honored as recipients of the Raymond Kuchling Humanitarian Award, and gay military veteran Eric Alva, the first U.S. serviceman injured in the Iraq war and an advocate for repeal of “don’t ask, don’t tell,” will received the Elizabeth Birch Equality Award.

Dinner organizers this year decided, for the first time, to bring in an emcee for the evening, choosing popular comedian Caroline Rhea.

This year also marks the final time that Joe Solmonese will attend the dinner as president of the Human Rights Campaign, the national beneficiary of Black Tie, which each year receives about half the proceeds of the event. Solmonese has resigned as head of HRC, effective next March.

Seventeen local HIV/AIDS and LGBT organizations have also been designated as beneficiaries.

Black Tie Dinner includes a silent auction, a live luxury auction and an after-party at the hotel.

Gay ally Kristin Chenoweth talks about her new country music CD (she adores Dolly!), queers … and the right way to be a Christian

THE GOSPEL ACCORDING TO KRISTIN | The performer has conquered stage, recording, TV … and uniting gay rights with her faith.

Kristin Chenoweth doesn’t get miffed very easily. But when she does, watch out. Last year, after Newsweek published a commentary on the inability of gay actors to play straight roles, she wrote an extensive letter to the magazine, calling the article “horrendously homophobic.”

But Chenoweth’s allegiance to the gay community goes back to growing up in Oklahoma — a place she returned to for her latest album, Some Lessons Learned, the first of four where the opera-trainer singer fully embraces her country roots.

We had lots to talk about when we caught up with Chenoweth, on a dinner break from shooting her upcoming series, Good Christian Belles. She discussed her history of dating gay men, her opinion on Michele Bachmann’s support of gay conversion clinics … and being a little bit wicked.

— Chris Azzopardi

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Dallas Voice: Your character’s name on Good Christian Belles is Cockburn — Carlene Cockburn. Chenoweth: I can’t wait for my family to hear that one. Are you kidding? I was like, “Wait a minute…!” But I just think the most important thing for me as an actress, because of the lines that come out of my mouth, is to just have to speak them and keep going, because they’re so funny and her name is so funny and the whole thing is just so great. I love it.

Does your character have anything in common with April Rhodes, who you play on Glee? Probably not on paper, but they’re both pretty outlandish people. Carlene, though, is the antithesis of April.

You grew up in Oklahoma, so country music is your roots. How is your new album a reflection of that? It’s so funny, because I get asked, “Why a country album now?” But that’s how it all began for me. Of course, why would anyone know that? It’s not something I’ve been talking about a lot, but it’s the music I grew up listening to. One of my biggest influences is Dolly Parton, and when you look at the history of songs in musical theater and in country, they’re both usually great storytellers.

I know just how lucky I am to do this kind of music. Getting to go to Nashville and sing this music that feels like home to me was a real gift, and one that I don’t take lightly.

The song “What Would Dolly Do?” reminds me a lot of Dolly herself. I co-wrote that. [Producer] Bob Ezrin asked, “Who’s had the biggest influence on you country music-wise?” I said, “Dolly, without question.” And he said, “How would she approach it? Let’s think: What would Dolly do?” I said, “Bob, why aren’t we writing that song?”

There’s something about her that I feel very attuned to. There’s only one Dolly. I’m not comparing myself, but I’m just saying her spirit and the way she looks at life is pretty similar to me. And the cover I did of hers [“Change”] is actually a very emotional thing and it reminded me — of course, how could I ever forget? — what an amazing songwriter she is. You know, I didn’t do a lot of covers. I did two covers, one of Carrie [Underwood] and one of Dolly’s, and I just love both of them. I love their music, I love their spirit — everything they stand for.

It makes total sense, because, to me, both you and Dolly epitomize happiness. Oh my god, thank you. That’s the biggest compliment you could give me.

So, being so happy… what pisses you off? Oh, gosh! I don’t really get mad that often. But I’m not going to lie: When I do, there’s a quiet that comes over me that is a little like whoa, and that happens when I don’t feel other people are prepared or doing their job or pulling their weight. I come from a family where my dad came from nothing and worked hard to get where he is, and he said, “Work hard, play hard, Kris,” and I guess that’s kind of been my motto in life. So when I see people squandering opportunities or having a sense of entitlement, that really makes me crazy. Because I don’t understand it. It’s not a world I get.

One thing that does make you upset is homophobic people. I don’t like that, you’re right.

Your letter in response to that Newsweek column said it all. Why was it important to address your feelings on that issue? To be honest, I wasn’t prepared for what was going to happen. I was on Broadway doing Promises, Promises, and I read the article and I actually thought it was pretty irresponsible. I’m not even talking about whether a person agrees with being gay or not, I’m talking about artistry and gay

actors trying to play straight. It just made me mad, because I thought, “Well, I’ve played a prostitute, does that mean I am one? No.” I just thought it was a little bit of a bullying thing, and I honestly prayed about it — no kidding, I prayed about it.

And by the way, I’m a big fan of the magazine, which is why I was so bummed. But I think that they felt bad and hopefully there’s been some discussion about it and some learning, because that’s what we’re here to do on this Earth, to learn our purpose. Well, one of my purposes in this life — since I’m a believer and a Christian — is to help people realize that not every Christian thinks that being gay is a sin.

To reinforce your point, you made out with your Promises, Promises co-star Sean Hayes at the Tonys last year. It might’ve been a little jibe. It might’ve been a little one! Ha!

What was it like to make out with a gay man? Was that your first time? Well, let’s face it, my high school boyfriend is gay, so I don’t think it’s my first time making out with gay men! I bet a lot of women don’t even know they’ve done it! And Sean Hayes is just a darn good kisser, what can I say?

Wait, so you dated a gay man in high school? Yeah, and I’m like, “Well, that’s why we were such a great couple!” He didn’t pleasure me in any way but he helped me pick out my prom dress!

Was he one of the first gay people you knew in Oklahoma? Yeah. I want to tell you something I know about myself: When I was in the second or third grade, I first heard the word “dyke,” and it was in reference to a girl in our school who was very, very tomboyish. I didn’t really understand what the word was, but I knew I didn’t like the way it was said. And for some reason I’ve always been drawn to the person that was alone, and I don’t mean to make me sound like I’m Mother Teresa, because I’m not. But I’ve always been drawn to people who felt left out or different, and maybe it’s because, I too, felt different and unique. People would not think this of me, because there’s this perception of me that, “Oh, life’s been perfect and things have come so easily.”

But let’s face it: My speaking voice is very interesting. Yes, I was a cheerleader but I also wanted to do all the plays, I was in renaissance choir, and, I too, felt a little bit like an outsider. I was always drawn to people who felt that way, too. And sure, some of them were gay and I never did understand — I guess the word is fear.

God made us all equal. He made me short, he made someone gay, he made someone tall — whatever it is, it’s not a sin; it’s how we’re made. And that’s the way I feel about it. It flies in the face of a lot of what Christians believe, but as I’m finding out there’s a lot of Christian people who think the same as me. So that’s my deal, and I think we should not be careful of the unknown but rather accepting and loving of it.

As someone who’s Christian and supports the gay community, how do you feel about the pray-away-the-gay program that Michele Bachmann supports? [Long pause] You know what, you can have your opinion. One of the great things about being in this country is we get to freely say what we believe. I just don’t happen to agree with that. Though I like the “pray” part!

This article appeared in the Dallas Voice print edition September 16, 2011.

‘Bedpost Confessions’ moves sex talk from the closet into Oak Cliff

What would you do if your friend admitted to being a prostitute? Or if your sister talked about having sex outside of her marriage with a 21-year-old virgin? Sexual talk outside of the bedroom can still be taboo, even in today’s desensitized world of fast hookups and Showtime melodramas. Bring up intercourse (or something far more intense), and most people will cringe or shy away.

Tonight, it all comes out. The Austin-based stage show Bedpost Confessions features performers talking up their sexual adventures out loud all in good fun. Trying to break away from the taboo of talking about sex, co-founder Sadie Smythe and company bring their show to Dallas. Local writer and Dallas Voice contributor Jenny Block, pictured, gets in on the action which makes perfect sense. As the author of Open: Love, Sex, and Life in an Open Marriage, she’ll have ideal material for the night.

Her thoughts on tonight’s show.

“It’s just sex. It’s supposed to be this happy, fun, sometimes even spiritual experience. It’s all gotten so twisted and tangled when really it should be so simple. Consenting adults doing something that our bodies were built to do. But somewhere along the line, people got confused. Outwardly we are this over-sexed society. But behind closed doors we don’t talk to our kids, we don’t communicate with our partners, and we’re lost when it comes to all things sex. The funny thing is, the fix is an easy one. We have to talk to one another and to our kids and to our partners. We have to strangle the taboo. We could have solved all of the world’s ills by now if we stopped worrying so much about such a natural thing and started putting our brain power to better use.”

We couldn’t have said it better ourselves! Block will also be signing copies of her book after the show. Along with Block, Smythe and the other performers, the audience gets to play as they are encouraged to write their sexual confessions to be read aloud. Don’t worry, it’s all anonymous. Read the original article here.

Meredith Baxter turns 64 on Tuesday. For most of the ’80s, Baxter played Elyse Keaton on Family Ties. She’s mostly been seen in TV films and guest-starring roles. In an interview with Matt Lauer on Today back in 2009, she came out of the closet as lesbian. Her memoir Untied was released this past March.

THIS WEEK

For the next few months we get a taste of the Uranus-Pluto square that will dominate the next five years. Recent political turmoil has just been the set-up for major crises and changes ahead. Astrologically it looks a lot like 1848, 1939 and the ‘60s. Buckle your seatbelts; it’s gonna get bumpy.

………………….

GEMINI May 21-Jun 20
As dystopian as the future looks, you’ll find a way to thrive. Trust your instincts and reconsider the most important lessons you learned from your mother. Talking with siblings can clarify that.

CANCER Jun 21-Jul 22
Frustrations in love and career are too big to solve by yourself. Fortunately you have some very wise and resourceful friends. As odd as their ideas may seem, they will likely help.

LEO Jul 23-Aug 22
It’s easy to worry yourself sick. Arguments make it worse. Focus on your career. Working through sexual issues is healing. Quiet time alone gives you space to think about what you need to do.

VIRGO Aug 23-Sep 22
Sharing your innermost thoughts will open up ideas for creative fun. On the way, you open up some difficult childhood memories. Resolving an ugly past can clear the way for a better future.

LIBRA Sep 23-Oct 22
Your home and partnership are heading for big changes. Be generous and comforting in bed. Family commitments need to change. Be clear on what those are. Be adaptive at work.

SCORPIO Oct 23-Nov 21
Obsessing on details leads to accidents and misunderstandings. Don’t neglect the important details; just keep it all in perspective. Your partner’s advice and practical support will prove helpful.

SAGITTARIUS Nov 22-Dec 20
Now’s the time to find a job you enjoy. Channeling your sexual charisma into the job search is helpful, but if you already like your work that charisma can go back to what it does best.

CAPRICORN Dec 21-Jan 19
Trying to manage your family or community will backfire. Focus on having fun. If you’re looking for love, play at being moody, broody and intense; but remember, you’re playing.

AQUARIUS Jan 20-Feb 18
Conversations open up deep psychological insights. Don’t be afraid to ask questions of your family, no matter how odd. Releasing old tensions could have surprising health benefits.

PISCES Feb 19-Mar 19
Reality is challenging your values and your plans, but that’s life. Adaptability and a sense of humor will help you stay true to your core while everything else goes crazy.

ARIES Mar 20-Apr 19
Be very sure that your career is in line with your ambitions. Being unhappy on your job track will get you derailed. Contempt for authority is well-deserved but pick your battles strategically.

LENS ME A SHOE | The Times photographer documents foot fashion in ‘Bill Cunningham New York.’

Maybe Project Runway’s to blame, maybe The Devil Wears Prada, but for the past few years there has been a surplus of documentaries about the fashion industry, with profiles of designers like Valentino (Valentino: The Last Emperor), Yves Saint-Laurent (several in fact), even young designers (Seamless) and Vogue magazine’s editor (The September Issue). (By contrast, I can only recall one fashion doc from the 1990s: Unzipped, about a young designer named Isaac Mizrahi.) Is there really that much to say about dressmaking?

Maybe not, but while Bill Cunningham New York fits broadly within the category of fashion documentaries, its subject is unusual because he eschews the trappings of haute couture even as he’s inextricably a part of it — a huge part, really.

If you don’t read the New York Times, you might not recognize Cunningham’s name, and even if you do read it, it may not have registered with you. For about, well, maybe 1,000 years, Cunningham has chronicled New York society with his candid photos of the glitterati on the Evening Hours page. At the same time, however, he has documented real fashion — how New Yorkers dress in their daily lives — with his page On the Street, where he teases out trends (from hats to men in skirts to hip-hoppers allowing their jeans to dangle around their knees). Anna Wintour may tell us what we should wear; Cunningham shows us what we do.

“We all get dressed for Bill,” Wintour observes.

What makes Cunningham such an interesting character is how impervious he seems to the responsibility he effortlessly wields. He loves fashion, yes, but he’s not a slave to it himself. He scurries around Manhattan (even in his 80s) on his bicycle (he’s had dozens; they are frequently stolen), sometimes in a nondescript tux but mostly in jeans, a ratty blue smock and duck shoes, looking more like a homeless shoeshiner than the arbiter of great fashion. He flits through the city like a pixie with his 35mm camera (film-loaded, not digital), a vacant, toothy smile peaking out behind the lens, snapping the denizens of Babylon whether they want it or not.

One of the funniest moments is when strangers shoo him away as some lunatic paparazzo, unaware how all the well-heeled doyens on the Upper East would trade a nut to have Cunningham photograph them for inclusion in the Times. Patrick McDonald, the weirdly superficial modern dandy (he competed as a wannabe designer on the flop reality series Launch My Line a few seasons back), seems to exist with the hope that Cunningham will shoot him. And shoot him he does.

Many artists are idiosyncratic, even eccentric, but Cunningham is supremely odd by any standards. He lives in a tiny studio near Carnegie Hall filled with filing cabinets cluttered with decades of film negatives on the same floor as a crazy old woman, a kind of urban variation on Grey Gardens. He knows tons of people but most of them seem to know very little about him. By the time near the end when the filmmaker, director Richard Press, finally comes out and ask him outright whether he’s gay, Cunningham arches in that prickly New England way, never really answering outright, though he says he’s never — never — had a romantic relationship. Things like that were simply not discussed by men of his generation.

In some ways, we never really know any more about Cunningham at the end than any of his friends do, and perhaps even him. Cunningham comes across as defiantly non-self-reflective. He lets his work do all the talking for him. And that work has a lot to say on its own.

This article appeared in the Dallas Voice print edition April 8, 2011.

Lisa Leff of the Associated Press (AP) wrote an article recently that was carried in newspapers and news websites across the country. The name of the piece was Transgender Vets Want Military Access For Own. Transgender veterans are beginning to raise the prospect of open service for transgender people who wish to serve in the U.S. military services.

The repeal legislation for Don’t Ask, Don’t Tell (DADT) didn’t address transgender service — as it shouldn’t have. There has been federal law that stated, in essence, that lesbian, gay, and bisexual people couldn’t serve openly. There is no federal law barring the service of transgender people — there is only military policy. From the article:

The “don’t ask, don’t tell” policy now heading toward history does not apply to transgender recruits, who are automatically disqualified as unfit for service. But the military’s long-standing posture on gender-identity has not prevented transgender citizens from signing up before they come out, or from obtaining psychological counseling, hormones and routine health care through the Department of Veterans Affairs once they return to civilian life.

So as the Pentagon prepares to welcome openly gay, lesbian and bisexual service members for the first time, [Autumn] Sandeen is not alone in hoping the U.S. will one day join the seven other nations — Canada, the United Kingdom, Spain, Israel, the Czech Republic, Thailand and Australia — that allow transgender troops.

“There is really no question, it’s just a matter of when,” said former Army Capt. Allyson Robinson, 40, a 1994 West Point graduate who has spoken to sociology classes at the alma mater she attended as a male cadet. “There are active-duty, as well as reserve and national guard transgender service members, serving today.”

There are transsexuals serving in the U.S. military — some who were not discovered to have had genital reconstruction surgery when they had their intake physicals. There are some transsexuals who are serving who are not out in their target sex as of yet. There are genderqueer people who are serving who are serving as the sex defined by their genitalia at birth; there are crossdressers who are serving now, hiding their propensity to dress as members of the opposite sex. Again, from the AP article:

No one knows how many transgender people are serving or have served. Neither the Department of Defense nor the VA keep statistics on how many service members have been discharged or treated for transgender conditions or conduct.

Military regulations state that men and women who identify with or present a gender different from their sex at birth have mental conditions that make them ineligible to serve. Those who have undergone genital surgery are listed as having physical abnormalities. Service members caught cross-dressing on base have been court-martialed for interfering with “good order and discipline,” according to the National Center for Transgender Equality.

About a week or so ago I spoke to a former service member who was discharged for being a transsexual — she received a military discharge code on her DD-214 that indicated she had a “personality disorder” — the same discharge code used for pedophiles.

Employment, housing, public accommodation, access to heathcare (to include transition services), and access to education are all transgender community priorities that are probably higher than open military service for transgender community members, but that doesn’t mean that open military service for transgender community members isn’t on the priority list. Just as the lesbian, gay, and bisexual members of the lesbian, gay, bisexual, and transgender (LGBT) community — as well as their intra- and extra-community allies — are capable of working on more than one community issue at the same time, so too is the transgender subcommunity — and their intra- and extra-community allies capable of working on more than one issue at the same time.

Quite a number of transgender community members strongly stood shoulder-to-shoulder with their LGB community siblings regarding repeal of DADT — it will be interesting to see if lesbian, gay, and bisexual community members will stand as strongly, shoulder-to-shoulder, with their transgender community siblings for open military service for transgender people.

But to be sure though, one day the U.S. will join with Canada, the United Kingdom, Spain, Israel, the Czech Republic, Thailand, and Australia in allowing transgender people to serve openly in the military services. It’s just a matter of time.

There are many places where the conservative Christian arguments against civil marriage equality fall short. Here’s one, courtesy of a Rhode Island Catholic editorial:

The redefinition of marriage does not merely allow different understandings of matrimony, but forces everyone else to accept this dramatically altered conception of marriage and family in schools, law and in our public language. This recently occurred when the federal government reissued passport applications for children, removing the words “Father” and “Mother” and replacing them with “Parent 1” and “Parent 2.”

To see where this falls short, one need not even support marriage equality. For a second, forget all of the merits of marital fairness and recognizing all families equally. Pretend you are a social conservative who wants to stop gay marriage. Pretend you feel a religious commitment to stopping “different understandings of matrimony.” Pretend you wrote the above editorial.

You there? Okay, good. But even in that role play, your argument will still fall short. Because the passport application change didn’t happen because we have legalized same-sex marriage in all fifty states and on a federal level. We obviously don’t. We only have legal marriage in a handful of locales (either performed at home or via out-of-state recognition) and we have no matrimonial equality on the federal platform. So the vast majority of Americans who benefit from this passport change aren’t going to benefit because they are legally married/have legally married parents. No, no — they will benefit because they have an American family structure that is something other than a limited, heteronormative construction! For this particular conversation, marriage is completely ancillary. Yet for the Rhode Island Catholic‘s editorial team, it’s a key “protect marriage” bullet point.

We see this same sort of thing in marriage campaigns. Professional fear-mongers love to cite examples of “child indoctrination,” but often from places and times where marriage equality did not exist. Even so, you’ll still hear them claim that simple non-discrimination or anti-bullying measures (for just two examples) are direct products of wither realized or proposed marriage equality. BUT NO! No, no, no, no, no! Just like with the current passport change, the vast majority of our federal, state, and local LGBT protections/benefits/ordinances/proclamations have happened in a marriage-equality-less world. The benefits and protections and progress come, first and foremost, because of people. Human beings. Citizens and taxpayers. Not any one political movement.

It’s all just another reason why, if you pull the thread in the way we “culture war” watchers do, you simply cannot disconnect the anti-LGBT political fight from the human beings that are targeted within. You dig one hole, you find a group trying to “change” gay folk. You dig in another place, you find someone accusing gays of being “enemies of the body.” You dig somewhere else, you see how the distaste for gay family recognition runs well beyond marriage licensing and right onto passport applications as well.