La Résistance also commonly get their own song, which falls under this trope since a lot of revolutions in theatre are angry mobs with a political agenda. Expect this to sound like a military march, or at least have a fife and some snaredrums.

Examples

Parodied in Galavant, Sid rallies the peasants to revolt, and leads them in an Angry Mob Song. Unfortunately, it's focused entirely on how valiantly they will die fighting the royalty. By the time he's done, everyone has abandoned him.

The French national anthem, "La Marseillaise", started out this way too. Its lyrics are really bloodthirsty; it mentions a bloodstained banner on the fourth line, and the chorus (y'know, the part that you repeat and actually remember) urges citizens to form up into battalions and kill their oppressors "until impure blood drenches our fields."

In similar vein, the rarely-sung third verse of The Star-Spangled Banner mentions that "their [i.e. the invaders'] blood has washed out their foul footsteps' pollution." (There's probably a reason it's rarely-sung.)

During Red October the Bolsheviks had their own version, called "Worker's Marseillaise".

Horst-Wessel-Lied of the National Socialist party of Germany. The Die Fahne hoch became an unofficial Party anthem after the murder of Wessel and after the Nazi coup, an unofficial national song.

"Stakes and Torches" from Voltaire's album To the Bottom of the Sea is a mob song about the poor rising up to overthrow their leader, the Robber Baron.

Dark folk artist Reverend Glasseye is especially fond of this trope, having more than a few Angry Mob Songs across his three albums. Notable tales include a song about man who incites a crowd to lynch the man courting his daughter ("Mother's a Carpegian") and some religious zealots killing a man who won't provide him wood for their temples ("Black River Falls").

The satirical song "The Angry Mob" by the Kaiser Chiefs is about a middle class angry mob getting riled up by things reported in the British press.

In The Ladies Man, after finding out that Leon is the one who slept with their wives, a formerly depressed mob is so glad to have a new goal that they cheerfully dance through the city on their way to his workplace while singing about their plan to castrate & kill him.

"Deep in the Darkest Night" from Dracula. An exception, in that (depending on the production), it may be a crowd song sung by the angry mob, or a solo song that Jonathan Harker sings to the angry mob. A further exception is that, rather than being a dark song about how much the angry mob wants the titular Count dead, its actually a heroic, inspiring song, bordering on Theme Music Powerup.

The Likes of Us, the little-known first-ever Webber/Rice musical, has two: "Hold a March" and "We'll Get Him". The latter is also reprised. Both are sung by crowds of displeased Londoners who think Thomas Barnardo is an interfering prat.

Martin Guerre had a "knife dance" in the original version, cut in the rewrites. Also, the part of "Justice Will Be Done/I Will Make You Proud" sung by the villiagers.

Which includes the line "They're not like you and me, which means they must be evil!". The Chick was right to be at a loss for words.

Even then the song in the film was toned down from the original version, (which was on the soundtrack). Notably the lines "Their whole disgusting race is like a curse" and "Dirty Redskin devils" were changed to less blatantly hateful lines.

"Burn The Witch" by Queens of the Stone Age. At least until the halfway-point.

"The Rise of Abimelech Dumont" by the Gravel Pit features an angry mob trying to overthrow the man who's taken over the town. They all get shot to death.

In The Protomen, an angry mob tries to lynch Dr. Light, on Dr. Wily's behest. Notable in that Light has been found innocent of murder and they still want to kill him.

The song in question is titled, quite appropriately, "Give Us the Rope".

Somewhat subverted by Black Sabbath's "Iron Man". The song is from the perspective of a rejected hero who turns against the people he once tried to save (but who rejected him).

"If You See Light" by The Mountain Goats is an interesting version- it's from the perspective of the person against whom the mob is rallying.

Also Heretic Pride. While the narrator for If You See Light is frightened and desperately hiding from the mob trying to tear down the door, the narrator to Heretic Pride laughs and promises the crowd a reckoning.

"The Chase" from Brigadoon. The townspeople aren't intending to kill Harry Beaton, only to prevent him from leaving Brigadoon and condemning the town to vanish forever. Unfortunately, Harry meets Death by Falling Over.

Parodied with a bit of Lyrical Dissonance in the Rocko's Modern Life episode "Zanzibar". Rocko rallies the other citizens of O-Town against Conglom-O due to the latter's polluting practices, but they're cheery the entire time.

Rocko: We demand to see the board of directors! Security Guard: And you would be? Heffer: We're a big unruly mob! Other Citizens: (singing happily) We're a big unruly mob!

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