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{\author Ragna Jensen}{\operator bongio}{\creatim\yr2002\mo3\dy6\hr8\min13}{\revtim\yr2002\mo3\dy20\hr6\min37}{\version33}{\edmins448}{\nofpages12}{\nofwords4250}{\nofchars24230}{\*\company Scotia Pacific Co. LLC}{\nofcharsws29756}{\vern8283}}
\margl1260\margr1260\margt419\margb480 \widowctrl\ftnbj\aenddoc\noxlattoyen\expshrtn\noultrlspc\dntblnsbdb\nospaceforul\hyphcaps0\horzdoc\dghspace120\dgvspace120\dghorigin1701\dgvorigin1984\dghshow0\dgvshow3
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{\*\pnseclvl7\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl8\pnlcltr\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}{\*\pnseclvl9\pnlcrm\pnstart1\pnindent720\pnhang{\pntxtb (}{\pntxta )}}\pard\plain \s15\ql \li0\ri0\nowidctlpar
\tx1723\tx3310\tx6168\tx6956\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {
\par }\pard\plain \ql \li0\ri0\nowidctlpar\tx1723\tx3310\tx6168\tx6956\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28\ul NOTE TO THE READER:}{\b }{
THE FOLLOWING IS EXTRACTED FROM A BOOKLET CREATED IN 1985 TO CELEBRATE THE 50}{\super TH}{ ANNIVERSARY OF THE SCOTIA BAND. IN ORDER TO MINIMIZE THE FILE SIZE, ONLY THE TEXT HAS BEEN RECORDED. MANY OF THE PICTURES ARE INCLUDED ON THE \'93MORE PICTURES
\'94 PAGE ON OUR WEBSITE.}{\b
\par }\pard\plain \s15\ql \li0\ri0\nowidctlpar\tx1723\tx3310\tx6168\tx6956\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {
\par }\pard\plain \ql \li0\ri0\nowidctlpar\tx1723\tx3310\tx6168\tx6956\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {
\par
\par
\par
\par
\par
\par
\par
\par
\par }\pard\plain \s119\qc \li0\ri0\nowidctlpar\tx6808\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs50 DEDICATION
\par }\pard\plain \qj \li0\ri0\nowidctlpar\tx6808\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs50
\par
\par
\par }\pard\plain \s120\ql \fi850\li0\ri0\sl-413\slmult0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\i\fs30
Our Company helped establish the Scotia Band 50 years ago and has assisted it financially during the ensuing years.
\par }\pard\plain \ql \li0\ri0\sl-413\slmult0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\i\fs30
\par }\pard\plain \s120\ql \fi850\li0\ri0\sl-413\slmult0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\i\fs30 Other community bands have faded away over the years, but the Scotia Band continues to
renew itself and serve the people of the Eel River Valley.
\par }\pard\plain \ql \li0\ri0\sl-413\slmult0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\i\fs30
\par }\pard\plain \s120\ql \fi850\li0\ri0\sl-413\slmult0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\i\fs30
The Pacific Lumber Company is proud of our connection with this fine organization and is pleased that its officers and members have held its standards high.
\par }\pard\plain \ql \li0\ri0\sl-413\slmult0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\i\fs30
\par
\par }\pard\plain \s121\qc \li0\ri0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 The Pacific Lumber Company
\par \page
\par }\pard\plain \s113\qc \li0\ri0\nowidctlpar\tx328\tx1071\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs36 Introduction
\par }\pard\plain \qj \li0\ri0\nowidctlpar\tx328\tx1071\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs36\highlight3
\par }\pard\plain \s114\qj \fi720\li0\ri0\sl-260\slmult0\nowidctlpar\tx0\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs22 \sect }\sectd \sbknone\linex0\headery480\footery240\cols2\sectdefaultcl \pard\plain
\s114\qj \fi720\li0\ri0\sl-260\slmult0\nowidctlpar\tx0\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 We\rquote
ve been enjoying the Scotia Band for many years, and we have seen a parade of musicians, including members of a new generation, join the veterans. The band is for the person who enjoys playing in a group, rather than hanging up his instrument once he
\rquote s had music in school \emdash or found no other use for it.
\par Members of the band are a dedicated crowd, too, for they turn out on their own, weekly, to practice. There are no paychecks waiting for the members \emdash the \'93pay\'94 is the camaraderie and the love for
music. It is a community band with members from all parts of Humboldt County. Some of the members come from high schools, College of the Redwoods, Humboldt State, and other sources. }{\fs28\highlight3
\par }\pard\plain \s115\qj \fi720\li0\ri0\sl-260\slmult0\nowidctlpar\tx0\tx5828\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 The band began its life back in }{\i\fs28 1935 }{\fs28 under the sponsorship of The Pacif
ic Lumber Co., and for a time membership was made up mainly of company employees, but time changed that, and others became eligible to join.
\par }\pard\plain \s114\qj \fi720\li0\ri0\sl-260\slmult0\nowidctlpar\tx0\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
The uniforms have been passed around from member to new member, but somehow the band has been lucky enough to not h
ave too slim nor too plump members. We would suggest The Pacific Lumber Co. dress the whole outfit in new uniforms someday, since it is carrying the TPL name in public rather proudly. I worry sometimes that a moth might carry one of the players away dur
ing a concert.
\par But clothes hardly make the man, true, as long as there is music in the heart and soul of the performer. And, at the most recent concert series at the Humboldt County Fair, hundreds of friends heard Scotia Band perform. For everyone it was
a delightful experience -- over on the race track all they got was a \'93Post Call\'94 \endash
on the Pioneer Village stage there was a whole program directed by Michael McClimon, conductor. And, we heard such favorites as The Thunderer by John P. Sousa; Leroy. Anderson\rquote s A Trumpeter\rquote
s Lullaby, with Bob Armstrong conducting, and trumpeters Merle Adams, David Demant and Michael McClimon. Big Band Dixie was lively with Dick Baum, clarinet; Daniel Horton, tenor sax; Ed Violet, trumpet; Woody Thompson, trombone; Jim Bake
r, tuba and Pat Reid, who was all over the drums. Trumpet Filigree was nice, nice, with Bob Armstrong, Merle Adams, David Demant and Pat Reid.
\par Charter members of the band still playing are Henry Bender and Charles Langdon. Membership is not closed, for the Scotia Band is always recruiting talent and if you have an instrument and the desire, and you\rquote
d like to join a friendly, likable bunch of musicians, you should contact Michael McClimon at 725-3760 or Henry Bender at 725-2109.
\par The band appears at many public events including the Fortuna Rodeo, Ferndale Holy Ghost Festival parade, picnics and special gatherings, art festivals, and other events. The turnout will be 25 to 30 members depending \endash as one member says -- \'93
on the weather.\'94 But regardless of number, the Scotia Band never fails to delight its listeners.
\par Next time you hear the Scotia Band -- remember, you are listening to a real \'93Humboldt fixture\'94... a tradition, now.\sect }\sectd \marglsxn612\margrsxn618\margbsxn430\sbknone\linex0\headery480\footery240\sectdefaultcl {\footer \pard\plain
\s123\ql \li0\ri0\nowidctlpar\tqc\tx4320\tqr\tx8640\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs18
\par }}\pard\plain \s114\qj \fi720\li0\ri0\sl-260\slmult0\nowidctlpar\tx0\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs22
\par }\pard\plain \qj \li0\ri0\sl-260\slmult0\nowidctlpar\tx5828\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs22
\par }\pard\plain \s117\qj \li7642\ri0\nowidctlpar\tx7642\faauto\rin0\lin7642\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b Andrew Genzoli
\par }\pard\plain \s118\qj \li6809\ri0\nowidctlpar\tx6808\faauto\rin0\lin6809\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs18 Times-Standard, August 4, 1978
\par }\pard\plain \s17\qj \fi742\li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3 \page }{\fs28
\par }{\b\fs32 The home town band!}{\fs28 It\rquote s a part
of Americana, along with 4th of July celebrations, town baseball teams and steam trains. The Midwest, with warm summer evenings, has remained the bastion of band concerts in the parks. Tourists are sometimes fortunate to find themselves in a small town
on a Saturday night, with the band playing in the circular bandstand, an ice cream social in progress nearby under the elms, with the courthouse or city hall looming over the scene.
\par A Pacific Lumber Company mill manager named Fulton Bendorf, one of three brothers identified with the company, missed the band concerts of his youth. He tossed out an idea to Henry Bender, Charles Langdon and Richard Fleisher, \'93Why can\rquote
t we get some fellows together and make up a German band to play for Music Night at the Winema Theatre?\'94
A half dozen rehearsed and played. The list of prospects grew longer, with the opening of the Scotia baseball season as the next public performance. Instruments came out of closets, simple band books were borrowed, and on a warm Sunday aftern
oon, the new band tackled }{\i\fs28 The Star Spangled Banner}{\fs28 to open the 1936 baseball season.
\par Fulton Bendorf and Richard Fleischer, an enthusiastic non-playing supporter and promoter, provided the contact with company officials. At that time Ed Yoder was resident
manager. It was hoped that the modest stipend to the director, plus the eventual cost of uniforms, would be a good investment, as the band could play for the annual company picnic, a huge and well-organized affair held each Labor Day in the Scotia Park n
ear the river. Bendorf\rquote s notice to members for a practice at the Winema Theater included such information as the following:
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s109\qj \li900\ri720\sl-300\slmult0\nowidctlpar\tx900\faauto\rin720\lin900\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Don\rquote
t forget the rehearsal Tuesday evening. Lloyd Anderson will be there and ready to give you your first dose of medicine, right on the dot, so do not be late or we will send the sheriff after you. Don\rquote
t be afraid to come a little early but, by all means leave your grouches at home and wear your best smile and be prepared to go places.
\par }\pard\plain \qj \li0\ri0\sl-300\slmult0\nowidctlpar\tx1899\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s21\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx204\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Bendorf was chairman of the Scotia Community Music Committee and Richard Fleisher was secretary.
\par }\pard\plain \s67\qj \fi686\li0\ri0\sl-300\slmult0\nowidctlpar\tx685\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Lloyd Anderson, the Fortuna Union High School band director, was part of the formative years\rquote
activities. With his departure for summer study in Los Angeles, the Pacific Lumber Company found a profession
al trombonist with vaudeville and circus experience to direct the growing band, teach in the school, and work in the company office. Jack Sutherland had traveled through Humboldt County previously, playing with the combo known as }{\i\fs28
The Six Brown Brothers}{\fs28 , a widely known saxophone ensemble. He was delighted to return and under his direction the band developed a hard-hitting circus style and repertoire. }{\i\fs28 Billboard March}{\fs28
became a theme tune, plus the nostalgic old }{\i\fs28 Night In June}{\fs28 tone poem, composed by K.L. King, famed director of many Iowa town bands.
\par Sutherland gave real inspiration to the organization. Membership grew and we find a formal organization taking shape. An old dog-eared journal, covering over 30 years of membership rolls and minutes of meetings,
starts with a businesslike page of minutes submitted by Charles Langdon. At the February 15, 1937 meeting, these officers were elected:
\par }{
\par }\pard\plain \s85\ql \li0\ri0\nowidctlpar\tx1882\tx6508\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Clifford Solenberger\tab President
\par }\pard\plain \s86\ql \li0\ri0\nowidctlpar\tx1876\tx6480\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Kenneth L. Gilson\tab Vice President
\par }\pard\plain \s87\ql \li0\ri0\nowidctlpar\tx1876\tx6480\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Charles Langdon\tab Secretary
\par }\pard\plain \ql \li0\ri0\nowidctlpar\tx1876\tx6417\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s90\qc \li0\ri0\nowidctlpar\tx1876\tx6417\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Board of Directors
\par }\pard\plain \s87\ql \li0\ri0\nowidctlpar\tx1876\tx6480\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Ned Reed\tab Nick Gregg
\par }\pard\plain \s88\ql \li0\ri0\nowidctlpar\tx1876\tx6480\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Guy Brown\tab Charles Langdon
\par \tab Joe Vetters\tab Fulton Bendorf}{\fs26
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs26\highlight3
\par }{\fs28 Rehearsals were held in the old Scotia Fire Hall and in the kitchen of the spacious dance pavilion near the ball park. Band uniform caps and ties were purchased. The band became popu
lar and their presence was demanded at parades throughout the country. In fact, this popularity led to one of the early anecdotes about the band. A Eureka group of businessmen staged one of the early fairs at Redwood Acres. The band played at a daytime
parade and dispersed. Late in the day, hurried calls went out by phone and by radio, asking all band members to reassemble for an evening performance at the fairgrounds. Most were contacted and the band made a good appearance. However, the agreement fo
r
compensation was hazy. Just who had promised... and how much? Thus the minutes of several 1938 band meetings show that the Eureka Fair was dunned repeatedly. While the band played at many of the colorful American Legion Field Nights in succeeding year
s, it remained cool to other Eureka performances.
\par By 1938 new uniforms were ordered with company support. Green single breasted jackets with white piping on pockets, white Sam Browne belts, white flannel trousers with green stripes, green ties and the origi
nal caps made an attractive outfit. Pictures of the band show an excellent marching formation, complete with drum major and majorettes. To its yearly calendar, the band added the Scout-O-Rama, the Humboldt County Fair, the Del Norte County Fair, the Lil
y
Festival in Brookings, the Gladiola Festival at Grants Pass, the Fortuna Christmas Music Festival, the Fortuna Rodeo, the Fortuna Arts Festival, the Logging Congress at Ukiah and Eureka, and the Holy Ghost and Lady Fatima Festivals in Ferndale, Eureka an
d
Arcata. Until the huge flood of 1955, the annual Pacific Lumber Company Labor Day Picnic was a highlight of each year. A large bandstand was provided for the band which played while the efficient committees served hundreds. Clara Bender was heard each
year singing }{\i\fs28 The Star Spangled Banner}{\fs28 . The baseball game and the afternoon dance in the pavilion, all added up to a major production, and there were no absent members at the concert or at the dining tables.
\par Late in 1938, Jack Sutherland moved to Eureka, and Lloyd Anderson began his second stint as director. With the exception of the war years, Lloyd Anderson continued as director until he passed the baton to Louis Weichselfelder in 1955.
\par With new uniforms, a growing list of engagements and an expanding membership, the business meetings of 1938 to 1942 show an exceptional period. Charles (Bevo) Langdon\rquote
s organized minutes are preserved in a well-worn book. The October 10, 1938 minutes include under new business, \'93The request was made that we do not invite any more to sit in the band, as we now have more members than we have uniforms.\'94
The December 5 minutes of that year continue, \'93A communication was received from the Eureka Fair stating they were unable to pay us at this time.\'94 A motion was made by Emil Sund that the band pay for the members\rquote
dinners at the Christmas feed to be held at the Virginia Hotel (an inn near Metropolitan which burned in the \lquote 40\rquote s). The motion was passed unanimously and the practice still continues.
\par Over the years, as the cost of feeding the band at a restaurant became prohibitive, the band feeds were moved to the Scotia Scout Hall. Steaks are now provided by the band with salads and desserts contributed by band members in potluck fashion.
\par Lloyd Anderson announced, \'93We are to play at Holmes Grange on December 14 and we play on the veranda of the Scotia Inn for the annual Christmas Caravan on December 20.\'94 On January 9, 1939, under new business, \'93
It was requested by Henry Bender that we have some letterheads printed.\'94 It was agreed that the continued duns to the Eureka Fair would have had more authority if they had been made upon formal stationery. On March 13, the minutes state, \'93
Reports were made on the Music Night held in the Winema Theater which seemed to be a big success.\'94 Money received for some of the \'93pay jobs\'94
had accumulated, and after appointing a committee to find a formula, the following division was made: one quarter of the funds were paid to The Pacific Lumber Company to apply toward the new uniforms, and one quar
ter was retained for sheet music and incidental expenses. The remaining half of the treasury was dispersed to the members. Here\rquote
s an incidental expense which indicates the pre-inflation prices. A band feed after a rehearsal at the old dance pavilion incurred these expenses for the 18 men present: \'93Cold cuts and bread, $2.63; beer, $2.15.\'94
\par One of the favorite \'93jobs\'94 continues to the present time, The Holy Ghost Festival and parade held each spring. The Sunday procession to the church with one or two band
s has been described in magazines such as Sunset, and is as genuine as any old country festival in Portugal or the Azores, from which it came. Following the procession to and from the church, the hospitable committee would invite the band to the elaborat
e noon meal. Director Lloyd Anderson recalls a day in May of 1936, before the Scotia Band had assumed the musical duties at the annual event:
\par
\par }\pard\plain \s69\qj \li720\ri720\sl-272\slmult0\nowidctlpar\faauto\rin720\lin720\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
Our Fortuna Union High School band was invited to play. We learned the proper music and appeared in full uniform
with colorful majorettes. After the return parade, on a hot day, the band trooped into the dining hall. Only wine was on the tables, though the custom of serving Koolaid was added in later years. In spite of some stern admonitions by the director, the
return trip to Fortuna included some of the happiest musicians to be found anywhere. Sewell Lufkin, one of the trumpet players, became director of Scotia Band 24 years later.}{\highlight3
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par The matter of a few convivial drinks before or during a band perform\-ance has al
ways been a problem and not limited to town bands. Dixieland bands have been known to become horrendously out of tune on the latter part of a performance, when the bourbon dimmed the ears but increased the enthusiasm. Scotia Band\rquote
s most relaxed performan
ce came in 1938 when playing the ball game during the latter part of the big picnic. A generous supply of beer at the picnic tables, along with a few bottles carried to the ballpark, led to the inspired idea that some should trade instruments. Strange s
o
unds crept into the staid old marches, and impromptu drum solos by brass players trying new skills led to stern admonition by the non-imbibing members, who feared that they would be blamed for the sour notes. There is no account of the day in the minutes
of the next meeting, but the relaxed ideas have not carried over into performances of future years. Amateur musicians seem to have trouble with note reading after a few \'93snorts,\'94
and most bands confine the refreshments to the relaxed times after the performances.
\par }\pard\plain \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin312\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3
\par }\pard\plain \s76\qj \li1706\ri0\nowidctlpar\tx1706\faauto\rin0\lin1706\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3 \page }{\b\fs28 Scotia Band members during the 1940-41 period:}{\b\fs32
\par }{\b\highlight3
\par
\par }\pard\plain \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx612\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Director}{\fs20 \tab \tab }{\b\fs28 Horns
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\fs20 \tab }{\fs28 Lloyd Anderson}{\fs20 \tab \tab \tab }{\fs28 Charles Langdon}{\fs20
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx612\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\b\fs28 Drum Major}{\fs28 \tab \tab \tab Robert Oliveira
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\fs28 \tab Geno Benetti\tab \tab \tab Joe Vetters
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx612\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\b\fs28 Clarinets}{\fs28 \tab \tab \tab Carl Renner
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\fs28 \tab Henry Bender\tab \tab \tab James Batchelor
\par \tab Douglas Edgmon\tab \tab }{\b\fs28 Trombones}{\fs28
\par \tab Charles Jaehnig\tab \tab \tab Kenneth L. Gilson
\par \tab Ray Marks\tab \tab \tab Verne Nicholson
\par \tab J.C. Simmons\tab \tab \tab Kenneth Garcelon
\par \tab Ronald Becker\tab \tab \tab Leroy Scott
\par \tab Ernest Hansen\tab \tab \tab George Jones
\par \tab Alfred Kaehler\tab \tab \tab Woodrow Thompson
\par \tab Don McMillan\tab \tab \tab Robert Farrar
\par \tab Clifford Solenberger\tab \tab \tab Alfred Pollard
\par \tab Harold Neville\tab \tab \tab Royal Rose
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx612\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\b\fs28 Saxophones}{\fs28 \tab \tab \tab Gerald Becker}{\fs28\highlight3
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\fs28 \tab Walter McCall\tab \tab }{\b\fs28 Baritones}{\fs28
\par \tab Jack Flook\tab \tab \tab Guy Brown
\par \tab James Karry\tab \tab \tab Charles Bryant
\par \tab Stanley Eisner\tab \tab \tab Conrad Neville
\par \tab Stanley Moore}{\b\fs28 \tab \tab Basses
\par \tab }{\fs28 Clinton Haywood\tab \tab \tab Jack Nelson
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx612\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\b\fs28 Trumpets}{\fs28 \tab \tab \tab Ralph Escola
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 {\fs28 \tab Nick Gregg\tab \tab \tab Stanley Snider
\par \tab Clifford Payton\tab \tab \tab Chester Bosch
\par \tab Ned Reed\tab \tab \tab Dee Wooden
\par \tab Emil Sund\tab \tab }{\b\fs28 Percussion}{\fs28
\par \tab Eldon Wright\tab \tab \tab Fulton Bendorf
\par \tab R.A. Wright\tab \tab \tab Les Wilbur
\par \tab Merle Adams\tab \tab \tab Clair Jaehnig
\par \tab John Sellens\tab \tab \tab James \'93Bunny\'94 O\rquote Brien
\par \tab William Crane\tab \tab \tab Alvie Andreucci
\par \tab K. Verner Haapala\tab \tab \tab Willard Iverson
\par \tab Victor Soares\tab \tab \tab Orval Overholt
\par \tab Ed Early\tab
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par
\par This roll is double the number of uniforms, but this list covers a two-year period. Many students departed for college to return for summer performances. Illness was claimin
g some older members. For some interest would lag due to a new girlfriend, conflicting work schedules, or the feeling that their particular talent was better suited for other things. Nick Gregg, the Russian-born trumpet player, started a band at the Van
Duzen River Grange in Carlotta. Several of the Scotia Band members played with this band at their spring concert each year. The high school bands were providing more members and by 1942 children of the Bendorf clan were appearing in the band.
\par In 1942 the
band played for the departure of draftees and for the Coast Guard at Samoa. In 1943, both Anderson and Jack Flook, the saxophone soloist, were drafted and sent to Texas, with consecutive serial numbers. Walter McCall, tenor saxophonist, was present for
band practice on October 15, 1943. Within a year he was wounded in Europe.
\par Defense work decimated rehearsals. The big black roster book shows attendance averaging less than a dozen players. Scotia Band continued through the war years with the following
interim directors: Maureen Homey, Iris Anderson, Emil Sund and Bill Crane, of Ferndale. Women were finally welcomed into the band with Alice Gunnerson, Geraldine Miller and Marian Ross, the first of a long list who were to play in later years. Alice G
unnerson was the first woman president, serving during 1950-51. Later she left the band to join the Women Marines.
\par The post-war years were a time for rebuilding. Lloyd Anderson returned from army service in Texas to direct the group. Fulton Bendorf and
Emil Sund were gone. Nick Gregg moved on to San Francisco where he played trumpet in the Southern Pacific Club Band. Ken Gilson, the engineer and former Army captain hung up his slide trombone. Gordon Manary, Pacific Lumber Company manager in the
\lquote 40\rquote s, passed down the word that Henry Bender would be the go-between from company to band. That appointment still stands!
\par By the summer of 1950, band members were seen in new uniforms. The green and white outfits were retired. Maroon jackets, tan trousers, A
ir Force style caps and all with gold piping and epaulets gave a smart new look. Leslie Larson, Fortuna High School art instructor, designed the Scotia emblem to be placed on the coats.
\par }\pard\plain \s72\qj \fi896\li0\ri0\sl-306\slmult0\nowidctlpar\tx895\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 In 1951 we find the following membership playing for the annual Labor Day Picnic in Scotia:
\par }\pard\plain \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx612\tx5306\tx5771\tx6508\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28
\par Director
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5306\tx6210\faauto\rin0\lin0\itap0 {\b\fs28 \tab }{\fs28 Lloyd Anderson}{\b\fs28 \tab \tab }{\fs28 Don Bent
\par }{\b\fs28 Flutes\tab \tab }{\fs28 Dick Gladden
\par }{\b\fs28 \tab }{\fs28 Ed Solenberger
\par \tab Velva Morris}{\b\fs28 \tab Trombones
\par Clarinets\tab \tab }{\fs28 Kenneth L. Gilson
\par }{\b\fs28 \tab }{\fs28 Henry Bender\tab \tab Charles Farrar
\par \tab Cliff Solenberger\tab \tab Verne ..Nicholson
\par \tab Connie Ashburn\tab \tab Royal Rose
\par \tab Betty Noble\tab \tab Victor Carty
\par \tab James McCloskey, III}{\b\fs28 \tab Baritones
\par Saxophones\tab \tab }{\fs28 CO. Wessman
\par }{\b\fs28 \tab }{\fs28 J.J. McCloskey, Jr.\tab \tab Charles Bryant
\par \tab Geraldine Miller\tab \tab Alice Lakin
\par \tab Bob Noble}{\b\fs28 \tab Basses
\par Horns\tab \tab }{\fs28 Jack Nelson
\par }{\b\fs28 \tab }{\fs28 Charles Langdon\tab \tab Jerry Campbell
\par \tab Gary Nelson}{\b\fs28 \tab Percussion
\par \tab }{\fs28 Ted Hamilton}{\b\fs28 \tab \tab }{\fs28 Muriel Hogan
\par }{\b\fs28 Trumpets\tab \tab }{\fs28 Jerry Batten
\par }{\b\fs28 \tab }{\fs28 Merle Adams\tab \tab Les Wilbur
\par \tab K.V. Haapala\tab \tab Ronald Barkeley
\par \tab Robert Irwin\tab \tab Louis Weichselfelder
\par }\pard\plain \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx720\tx1128\faauto\rin0\lin312\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin312\itap0 {\fs28\highlight3
\par
\par
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
With Lloyd Anderson turning to private business, Louis Weichselfelder of Eureka was appointed director late in 1954. Weichselfelder\rquote
s experience brought new musical selections to the repertoire and his contacts brought key players from Eureka when needed for public performances. Both Anderson and Weichselfelder made use of majorettes. It was in the \lquote 50\rquote
s that the band traveled to Grants Pass for the Gladiola Festival and to Crescent City for the Del Norte County Fair. Henry Bender recounts an anecdote from the Weichselfelder years:
\par }\pard\plain \qj \li0\ri0\sl-300\slmult0\nowidctlpar\tx685\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3
\par }\pard\plain \s69\qj \li720\ri720\sl-272\slmult0\nowidctlpar\faauto\rin720\lin720\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 The band had contracted several concerts at the Del Norte County Fair and had made a good appearance
. As our final performance drew near, an announcement came over the loud speaker system to the effect that Clara Bender and Sophie Langdon were to report to the bandstand to watch the Swackhamer children before the Scotia Band concert could begin.
\par }\pard\plain \qj \li0\ri0\sl-306\slmult0\nowidctlpar\tx1927\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\highlight3
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 This s
mall anecdote only begins to show the untiring support of wives and family throughout the years.
\par
\par
\par Scotia Band members during the 1954-55 period:
\par
\par }\pard\plain \s65\ql \li0\ri0\nowidctlpar\tx5580\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Director}{\b\fs22 \tab }{\b\fs28 Trumpets}{\b\fs22\highlight3
\par }\pard\plain \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Louis Weichselfelder}{\b\fs28 \tab }{\fs28 Merle Adams
\par }{\b\fs28 Drum Majorette}{\fs28 \tab K.V. Haapala
\par \tab Bonnie Alton\tab Tom Bradford
\par }{\b\fs28 Flute\tab }{\fs28 Beverly Bradford}{\b\fs28
\par }{\fs28 \tab Norma Waite\tab Leonard Cook
\par }\pard\plain \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\tqr\tx8254\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Clarinets}{\b\fs22 \tab }{\fs28 Raymond Allen
\par }\pard\plain \s65\ql \li0\ri0\nowidctlpar\tx720\tx5580\tx6210\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Henry Bender}{\b\fs28 \tab Trombones
\par }\pard\plain \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Cala Curtis\tab Verne Nicholson
\par \tab Patricia Curtis\tab Bob Farrar
\par \tab Diane Langdon\tab Gary Naill
\par \tab Bonnie Alton\tab Darrell Mortenson
\par \tab William Swackhamer\tab Bill Steiner
\par \tab Charlotte Swackhamer\tab William Glover
\par }\pard\plain \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\tqr\tx8254\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Saxophones}{\fs20 \tab }{\fs28 Dennis Garcelon}{\fs20
\par }\pard \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5580\tqr\tx8254\faauto\rin0\lin0\itap0 {\fs28 \tab James McCloskey, Jr.}{\fs20 \tab }{\b\fs28 Baritones
\par }\pard\plain \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Del Mar Curtis\tab Charles Bryant
\par \tab Roberta Morris\tab Charles Bender
\par }\pard \s75\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5580\faauto\rin0\lin0\itap0 {\fs28 \tab Stephanie Horel}{\tab }{\b\fs28 Basses
\par }\pard\plain \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\tqr\tx8254\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Horns}{\tab }{\fs28 Jack Nelson}{
\par }{\fs28 \tab Charles Langdon\tab James Frazier
\par \tab Gary Nelson\tab John Brozovich
\par }\pard \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx5580\tqr\tx8254\faauto\rin0\lin0\itap0 {\fs28 \tab Vicki McKay}{\tab }{\b\fs28 Percussion}{
\par }\pard \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx720\tx6210\tqr\tx8254\faauto\rin0\lin0\itap0 {\fs28 \tab Jean Byker\tab C.O. Wessman
\par \tab Barbara Ferguson\tab Russ Bradford
\par }\pard \s66\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx6210\tqr\tx8254\faauto\rin0\lin0\itap0 {\fs28 \tab Clarence Maudlin}{
\par }\pard\plain \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\tx6210\faauto\rin0\lin312\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Les Wilbur
\par }\pard \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin312\itap0 {\fs28\highlight3
\par
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
In 1960, Sewell Lufkin was appointed Scotia Band director. Sewell was the first director to have spent time in the band during its early years. After g
raduation with the F.U.H.S. class of 1936, he joined the U.S. Marine Corps. At the outbreak of World War II, he was serving on the island of Guam. He and many others were taken prisoner in December of 1941 and held four long years, under devastating con
ditions, in a Japanese prisoner of war camp until being liberated in October of 1945. He stayed in the Marine Corps until 1958 and retired as Warrant Officer \emdash
Bandmaster with 21 years of service. Returning to the Fortuna area, he took over the Scotia group.
\par Lufkin finished his college work and began teaching in the Rohnerville schools. Wesley Evans, now a public school music teacher in Oregon, remem\-bers having Mr. Lufkin for his eighth-grade teacher:
\par }\pard\plain \qj \li0\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s69\qj \li720\ri720\sl-272\slmult0\nowidctlpar\faauto\rin720\lin720\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Mr. Lufkin had a large effect on my life. I still remem\-
ber the wonderful way he would describe scenes from his favorite operas. I was especially charmed when he played themes from these scenes on his flute. I\rquote m sure that Mr. Lufkin\rquote
s playing influenced my decision to study flute and ultimately to prepare for a teaching career in music.
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx2171\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
Health problems stemming from his years in the Japanese prisoner of war camp led to his retirement from school teaching and band directing in 1976.
\par }\pard\plain \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin312\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Scotia Band members during the 1960-61 period:
\par
\par }\pard\plain \s44\ql \li0\ri0\nowidctlpar\tx5580\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Director\tab Trumpets
\par }\pard\plain \s1\ql \li0\ri0\keepn\nowidctlpar\tx810\tx6300\faauto\outlinelevel0\rin0\lin0\itap0 \fs28\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\tab Sewell Lufkin\tab Merle Adams
\par }\pard\plain \s45\ql \li0\ri0\nowidctlpar\tx204\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Flutes\tab }{\fs28 Joan Larson
\par }\pard\plain \s47\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Kay Bender\tab Beverly Bradford
\par }\pard\plain \s48\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Ed Solenberger\tab Frances Bray
\par }\pard\plain \s49\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Lois Morris\tab Chester McBride
\par }{\b\fs28 Clarinets\tab }{\fs28 Jack Pollard
\par }\pard\plain \s47\ql \li0\ri0\nowidctlpar\tx810\tx5580\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Henry Bender\tab }{\b\fs28 Trombones}{\fs28
\par }\pard\plain \s48\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab William Swackhamer\tab William Pinches
\par }\pard\plain \s47\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Charlotte Swackhamer\tab Verne Nicholson
\par }\pard\plain \s48\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Cala Curtis\tab C. Marks
\par }\pard\plain \s47\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Frank McDonald\tab L. Dieker}{\fs26 sen}{\fs28
\par }\pard \s47\ql \li0\ri0\nowidctlpar\tx810\tx5580\faauto\rin0\lin0\itap0 {\fs28 \tab Barbara McDonald\tab }{\b\fs28 Baritone}{\fs28
\par }\pard \s47\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 {\fs28 \tab Joan Byker\tab Charles Bryant
\par }\pard\plain \s45\ql \li0\ri0\nowidctlpar\tx204\tx5580\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Saxophones\tab Basses
\par }\pard\plain \s47\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab James McCloskey, Jr.\tab Jack Nelson
\par \tab Diane Harper\tab Verne Huntus
\par }{\b\fs28 Horns}{ \tab \tab }{\fs28 James Frasier
\par }\pard\plain \s49\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\tab }{\fs28 Charles Langdon\tab George Snyder
\par }\pard\plain \s47\ql \li0\ri0\nowidctlpar\tx810\tx5580\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\tab }{\fs28 Jeff Simas\tab }{\b\fs28 Percussion}{
\par }\pard\plain \s52\ql \li0\ri0\nowidctlpar\tx810\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Opre McCoy\tab C.O. Wessman}{
\par }\pard\plain \s51\ql \li0\ri0\nowidctlpar\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Audrey Campbell}{\fs22
\par }\pard\plain \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin312\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3
\par
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
After his death in December of 1978, the Scotia Band board of directors created a Sewell Lufkin Memorial Scholarship committee and appointed Merle Adams as chairperson. The recipient was to be selected from the curr
ent and former graduating classes of Fortuna High School. On July 8, 1979, David Demant was awarded the first of the annual scholarships. Mrs. Lufkin presented Demant a check for $400. Others to receive the scholarship were: Dana Demant, Wes Evans, Del
e
ne Johnson, Carol McWhorter, Karen Adams, Patricia Thompson, Brigitte Roete, Wendy Schiess, Laurie Harvey, Shari Hillman, Barbara Forrest McNeely, Andrea Thurston and Colleen Callan. The band contributes $100 yearly as a starting amount. Interested pers
ons are invited to forward contributions to the \'93Sewell Lufkin Memorial Scholarship\'94 c/o Merle Adams, 267 Randolph Way, Fortuna, CA 95540. }{\b\f1
[Note: the new address circa 2002 is c/o Michael McClimon, 5391 Rhonerville Road, Fortuna, CA 95540]}{\fs28
\par Woodrow Thomps
on, another former member, directed the band through the 1976 and 1977 seasons. Woody had grown up in the community of Metropolitan between Fortuna and Rio Dell, played in Fortuna High School organizations under Dorothy Dale Arnold, toured much of the Uni
t
ed States with Ray Herbeck and other big dance bands and played in a U.S. Army band in San Francisco during World War II. He returned to finish his degree at Humboldt State University and followed Walter Wood in directing the Arcata High School band until
his retirement in 1974. Under Thompson\rquote s experienced and skillful baton, the band saw another change of repertoire which included many original arrangements.
\par His involvement in the newly formed opera orchestra in Eureka, plus a planned trip to Europe, involving a year of extensive rehearsals, led to Thompson\rquote s resignation in the fall of 1977.
\par }\pard\plain \s23\qj \fi816\li312\ri0\sl-306\slmult0\nowidctlpar\tx311\tx1128\faauto\rin0\lin312\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx990\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 Scotia Band members during the 1976-77 period:
\par }\pard \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 {\fs28
\par }\pard\plain \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx5544\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Director}{\tab }{\b\fs28 Horns
\par }\pard\plain \s36\ql \li0\ri0\nowidctlpar\tx900\tx6270\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 \tab }{\fs28 Woodrow Thompson}{\b\fs28 \tab }{\fs28 Charles Langdon}{\fs20
\par }\pard\plain \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx6300\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\b\fs28 Flute}{\fs20 \tab }{\fs28 Francis Bray}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx5580\faauto\rin0\lin0\itap0 {\fs28 \tab Sewell Lufkin}{\fs20 \tab }{\b\fs28 Trombones}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx6300\faauto\rin0\lin0\itap0 {\b\fs28 Clarinets}{\fs20 \tab }{\fs28 Louis Larsen}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx6300\faauto\rin0\lin0\itap0 {\fs28 \tab Henry Bender\tab William Pinches
\par \tab Cala Curtis\tab Albert Leach
\par \tab Frank McDonald\tab Philip Demant
\par \tab William Swackhamer\tab Philip Sams, Jr.
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx5580\faauto\rin0\lin0\itap0 {\fs28 \tab Charlotte Swackhamer}{\fs20 \tab }{\b\fs28 Baritone}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx6300\faauto\rin0\lin0\itap0 {\fs28 \tab Patricia Youngreen\tab Charles Bryant
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx5580\faauto\rin0\lin0\itap0 {\fs28 \tab Susan Corley}{\fs20 \tab }{\b\fs28 Basses}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx6300\faauto\rin0\lin0\itap0 {\b\fs28 Saxophones}{\fs20 \tab }{\fs28 Bud Youngreen}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx6300\faauto\rin0\lin0\itap0 {\fs28 \tab Stillman Betts\tab Tim Martin
\par \tab Julius Cabalzar\tab Ted Watson
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx6300\faauto\rin0\lin0\itap0 {\b\fs28 Trumpets}{\fs20 \tab }{\fs28 James Baker}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx5580\faauto\rin0\lin0\itap0 {\fs28 \tab Merle Adams}{\fs20 \tab }{\b\fs28 Percussion}{\fs20
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\tx6300\faauto\rin0\lin0\itap0 {\fs28 \tab Alan French\tab Louis Weichselfelder
\par \tab Cecil Williams\tab Raymond Poscic
\par \tab Diane Lema\tab William Crane
\par }\pard \s35\ql \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\faauto\rin0\lin0\itap0 {\fs28 \tab David Demant
\par \tab Robert Spinas
\par \tab Lloyd Anderson
\par }\pard\plain \s17\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx900\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 \tab Michael McClimon
\par
\par }\pard\plain \s71\qj \fi890\li0\ri0\sl-300\slmult0\nowidctlpar\tx890\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\page }{\fs28 Michael McClimon, the n
ew music teacher at several local elementary schools including the Scotia school, was appointed to the post. McClimon, raised on a farm in Iowa, came to the band from San Diego State University and with U.S. Navy band experience. Recognizing the wealth
o
f experienced musicians playing in the Scotia Band, he began to promote small ensembles. The 1980 Humboldt County Fair concert featured a dixieland combo made up of: Henry Bender, clarinet; Wes Evans, saxophone; Merle Adams, trumpet; Alfred Pollard, trom
b
one; Phil Sams, Jr., piano; Dana Demant, tuba and Michael McClimon, trap drums. The Scotia Dixieland Band has included many other fine musicians over the ensuing years: Dick Baum, Raymond Souza, Daniel Horton and Paul Kusterman, tenor saxophone; Stillman
Betts, baritone saxophone; Bob Armstrong, David Demant and Ed Violet, trumpet; Woody Thompson, trombone; Tim Martin, James Baker and Philip Demant, tuba; Mike Barmore, banjo; Chester Petty, Patrick Reid and Vernon Brightman, trap drums and Challis McCullo
ugh and Ruth Bowman, piano.
\par }{\fs28 A Tijuana Brass group appeared in Scotia Band uniforms for several years at Fortuna Rodeo Week activities. On August 24, 1979, the following Scotia Band members performed at the Rio Dell Wildwood Days celebration: Merle Adams an
d David Demant, trumpets; Vicki Robertson, baritone horn; Phil Sams, Jr., electric piano; Dana Demant, electric bass guitar; Wes Evans and Shelly Dalton, Latin percussion and Michael McClimon, trap drums.
\par How many have been surprised and delighted to come upon the Scotia Brass Choir playing a crisp and bright carol on Christmas Eve? Many were tickled to hear \'93The Pumpernickel and Sauerbraten Division\'94
of the Scotia Band! On September 24, 1981, the following \'93German\'94 musicians played for a Septemberfest at the Ingomar Club in Eureka: Alfred Pollard, trombone; Raymond Souza, soprano saxophone; Dana Demant, tuba and Michael McClimon, trumpet.
\par Fulton Bendorf\rquote s 1935 rehearsal notice, \'93. . . and be prepared to go places!\'94 echoed loud and clear in the fall of 1984. The Los Angeles based film production company }{\fs28\ul Infinity}{\fs28 }{\fs28\ul Filmworks}{\fs28
was touring the country filming scenes for its latest film }{\i\fs28 Sensorium}{\fs28 . The film would be shown at the opening of the Six Flags Amusement Park in Baltimore. A picturesque town band was ca
lled for in the script and Scotia Band found itself typecast for the part. Action was set in front of the beautiful Carson Mansion in Eureka. The scene in which the band appears showed only the end of a parade, but included nearly a hundred extras wavin
g flags and singing, \'93Welcome to }{\i\fs28 Sensorium}{\fs28 !\'94 while the band accompanied them with a rousing march complete with full string section. In Hollywood things are not always as they seem. It didn\rquote
t matter what notes were sung or played that day because the soun
d track had already been recorded a month earlier in London by the London Philharmonic Orchestra. The film was made with 3-D equipment and the director, Keith Melton, was making full use of it. Woody Thompson\rquote
s trombone slide is sure to have moviegoers ducking down in their seats, for at one point it came within inches of the 3-D lens.
\par For 50 years the Scotia Band has served Humboldt County communities. This spirit of dedicated public service enriches all those whose lives are touched. The band symboliz
es the ideals and traditions that have made America great. The next time you hear the Scotia Band playing in the park, remember you are listening to a part of America\rquote s heritage.
\par }\pard\plain \s16\qc \li0\ri0\nowidctlpar\tx238\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28\highlight3 \page }{\b\fs36 Acknowledgements
\par }\pard\plain \s17\qj \fi742\li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs20
\par }\pard \s17\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 {\fs28 The greatest part of this book comes directly from a short history of the Scotia Band written by Lloyd Anderson in 1983. Throughout the band\rquote
s existence Lloyd has encouraged, nurtured and inspired us.
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s17\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 To Andy Genzoli, Dwight O\rquote
Dell and George Waldner go fond memories for their sterling literary support from which we have drawn extensively.
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s17\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
Photographs have been contributed by many band members, including Henry Bender, Charles Langdon, Lloyd Anderson, Woodrow Thompson and Merle Adams and by professional photo\-graphers including Frank Martinez and Gillard Photography.
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s17\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
Special thanks go to all those who have helped in the process of production: to Henry Bender for general research and consulting, to Evelyn McCormick for meticulous editing, to Michael McClimon for artistic design and layout, to the Humboldt Beacon
and especially Janet Smith for typesetting and to Larry Daggett and the Pacific Lumber Company print shop crew for paste-up, printing and binding.
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }\pard\plain \s17\qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28 But most of all, we would like to thank you, our faithful sup\-
porters, for being there when we need you. The many thank you notes over the years could easily double the size of this volume. All those tapping toes and smiling faces prove to us that you have felt our spirit and have let us touch your lives.
\par }\pard\plain \qj \li0\ri0\sl-272\slmult0\nowidctlpar\tx742\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }{\fs20
\par }\pard\plain \s121\qc \li0\ri0\nowidctlpar\tx850\faauto\rin0\lin0\itap0 \fs24\lang1033\langfe1033\cgrid\langnp1033\langfenp1033 {\fs28
\par }}