Monday

The film "Spotlight' is a film that critics and audiences agree on. A great story about a tragic event in the nation's history. Liev Shreiber, Michael Keaton and Mark Ruffalo give standout performances which will likely be honored in many festivals.We at the DIY Film Festival would like to point out that last year's "Best New Director" Gary Bergeron also made a powerful film about the same topic. The film is called "Basta" which is Italian for "enough!" as in "Enough already!" What makes Gary's story so powerful is that he lived through the scandal. And it was the inactivity of the justice system that inspired him to make this film, to make this journey to the Vatican to ask the then Pope why nothing had been done.

Gary Bergeron, Award Winning DIY Filmmaker

Here's the trailer for his powerful award winning film:

We at the DIY Film Festival applaud Gary for making such a powerful documentary, and hope that his success continues into the future. And anyone who was moved by the film "Spotlight" should look into the real story, and what really happened.

Boston Massachusetts (PRWEB)March 20, 2015

Attempting to
battle the cover-up, shame and silence of clergy sexual abuse, three
survivors from Boston, Massachusetts travel to Rome reaching behind the
secret walls of The Vatican. Their week long effort becomes a decade
long mission that exposes mind blowing statistics and unexpected global
response.

BASTA - No Pity - No Shame - No Silence is a
film documenting the emotional journey taken by simple men detailing
their attempts to reach behind and beyond the Vatican walls in search of
help, hope & aid in healing a nation reeling from the effects of
the clergy abuse crisis. A decade after starting on a personal journey
for justice, one man finds that success isn’t always defined by
achieving his goal, sometimes it’s defined by the attempt itself. And
sometimes, in that attempt, you also find out who you are.

The unlikely film producer of BASTA is Gary
Bergeron, 52, a carpenter by trade, who lives in the greater Boston
area. Gary and his brother came forward to their parents in 2002 about
their abuse at the hands of a Boston priest. Gary consequently
discovered his 77 year old father had also been abused by his priest.
“Finding out that two generations of my family had lived with this
painful secret was a pivotal moment. I realized that not only was I a
victim of clergy sexual abuse, I was also the brother of a clergy abuse
victim and the son of a clergy abuse victim. I decided to do whatever
was necessary to make sure that I would never be the father of a clergy
abuse victim. Regardless of the consequences, the Vatican was the next
step,” said Bergeron who was recently awarded “Best New Director” for
his work on BASTA by the DIY Film Festival in 2015.

According to Bergeron, BASTA’S live footage
was not planned but made possible as the result of a news editor’s
request to send a cameraman along on their trip to The Vatican. The raw
footage was never used by the editor and was literally stuffed in a
closet for over 10 years. Two years ago the editor offered it to
Bergeron as a gift. When the package arrived, he decided that it was
time to share his story and started editing, hoping the film would be a
vehicle for survivors to be heard. Bergeron expressed that he sees the
film festivals selection of BASTA as a realization of that hope. “The
goal of BASTA was, and always will be, to raise public awareness,
provoke action and promote healing for survivors. Above all, survivors
should never give up, never lose Hope.”

When it comes to shorts, Sundance is trying to help find new models to help people looking for content, via new technology and an Adobe program, said the festival's chief programmer, Trevor Groth. "We're thinking of new ways to help get the shorts out. We take out our own program to 60 theaters across America that does well, there is a hunger out there for shorts. The growth in the popularity of shorts speaks to the way people are getting excited by storytellers working in different forms and formats, and how they access them. People are looking to acquire short films, and distributors are cropping up looking to get films out there."

Among the short films the Festival has shown in recent years are "World of Tomorrow," "Whiplash," "The Tsunamiand the Cherry Blossom," and "Fishing Without Nets." This year’s short film lineup will include both a Midnight and a New Frontier section, tying into the Festival’s other programmatic strands.

In addition to screening short films at the festival, the Sundance Institute packages the award-winning short films to tour arthouse theaters throughout the year, and also hosts regional short film labs in cities across the United States.

U.S. NARRATIVE SHORT FILMS

Affections / U.S.A. (Director and screenwriter: Bridey Elliott) — This comedy about isolation and loneliness follows a young woman who is adrift and seeking intimacy in the most unlikely places.

Catching Up / U.S.A. (Director and screenwriter: Bill Crossland) — A physically disabled high school teacher seeks assistance from his cynical friend after falling in love with an able-bodied co-worker. This funny and dramatic examination of disability, sex, and love stars real people with disabilities.

Join the Club / U.S.A. (Director and screenwriter: Eva Vives) — A writer’s dilemma of whether or not to join a professional networking club takes many interesting turns as it unfolds entirely during one therapy session.

Jungle / U.S.A. (Director and screenwriter: Asantewaa Prempeh) — The lines between trust, betrayal, and forgiveness are intertwined for two Senegalese vendors as they try to make a living on the streets of New York City.

Sundance Institute"PARTNERS"

Killer / U.S.A. (Director and screenwriter: Matt Kazman) — When Dusty masturbates for the first time, something terrible happens.

PARTNERS / U.S.A. (Director: Joey Ally, Screenwriters: Jen Tullock, Hannah Utt) — Work and life partners Kate and Leigh share everything, from their apartment to the bar they co-own. When a sex life slump forces them to reconsider their relationship, they must confront how intertwined their lives have become, to humorous ends.

A Reasonable Request / U.S.A. (Director: Andrew Laurich, Screenwriters: Gabriel Miller, Andrew Laurich) — A desperate son reconnects with his estranged father to ask an unspeakable favor that will change both of their lives forever.

So Good to See You / U.S.A. (Director and screenwriter: Duke Merriman) — In this darkly comic take on the dual realities of friendship, a dinner party goes painfully sour when a voicemail, unknowingly recorded, exposes one couple's true opinions of their old friends.

Solemates / U.S.A. (Director and screenwriter: Bryce Dallas Howard) — Told from the perspective of shoes, this film tells the story of a couple's journey through life—the ups, the downs, the passion, and the dedication it takes to share your life with the one you love.

Too Legit / U.S.A. (Director and screenwriter: Frankie Shaw) — After becoming pregnant from a sexual assault on campus, a young woman goes on a journey to find out if the rape was "legitimate." This film was inspired by the statements of Senator Todd Akin.

INTERNATIONAL NARRATIVE SHORT FILMS

Audition / Sweden (Director: Lovisa Sirén, Screenwriters: Lovisa Sirén, Peter Modestij) — Mika is auditioning male actors for her first feature, and they are all well-established alpha dogs in the film business. The situation turns more sour as their confidence in her reaches new lows.

Belladonna / Croatia (Director and screenwriter: Dubravka Turic) — Three women of different ages and backgrounds meet in an ophthalmologist’s waiting room. The mention of a tragedy that left one of them nearly blind suddenly bridges their differences and creates a possibility for closeness and connection.

Her Friend Adam / Canada (Director and screenwriter: Ben Petrie) — A boyfriend's jealous impulse spirals out of control in 16 minutes of romantic doom.

It's Not You / Canada (Director and screenwriter: Don McKellar) — Relationships can be an endless cycle of breakups.

Land Tides (Marea de Tierra) / Chile, France (Directors and screenwriters: Manuela Martelli, Amirah Tajdin) — Laura, a heartbroken teenager from Santiago, is on holiday in the southern Chilean archipelago, Chiloé, with her friends. As she wanders the lonely island seascapes, she encounters a group of women who are seaweed collectors and shares stories with them.

Maman(s) / France (Director and screenwriter: Maïmouna Doucouré ) — Life is disrupted for eight-year-old Aida when her father returns with a young Senegalese woman, Rama, whom he introduces as his second wife. Sensitive to her mother's distress, Aida decides to get rid of the new visitor.

Sundance Institute"Me Tube 2: August sings Carmina Burana"

MeTube 2: August sings Carmina Burana / Austria (Director and screenwriter: Daniel Moshel) — After Elfie and her nerdy son August successfully proved themselves on their home webcam in MeTube 1, the odd pair venture onto the street to present the biggest, boldest, and sexiest operatic flash mob the internet has ever witnessed!

Mobilize / Canada (Director: Caroline Monnet) — Guided expertly by those who live on the land and are driven by the pulse of the natural world, this story takes us on an exhilarating journey from the far north to the urban south.

Over / United Kingdom (Director and screenwriter: Jörn Threlfall) — What has happened in this quiet suburban neighborhood? Has there been a murder, a hit-and-run, an accident? The reality is both profound and deeply unexpected.

Peacock / Czech Republic (Director: Ondřej Hudeček, Screenwriters: Jan Smutny, Ondřej Hudeček) — A twisted queer romance set in picturesque 19th-century Bohemia tells the true story of the birth of one of the nation's most influential writers, with suspense, laughter, violence, hope, nudity, sex, and a happy ending—mostly a happy ending.

Rate Me / United Kingdom (Director and screenwriter: Fyzal Boulifa) — A portrait of a teenage escort named Coco.

Seide / Kyrgyzstan (Director and screenwriter: Elnura Osmonalieva) — Seide lives in a snowy mountain village with her humble family and her beloved horse. When she's forced into an arranged marriage with a man from a wealthy family, she fights to save her horse from being slaughtered for food for the wedding.

Tuesday / Turkey, France (Director: Ziya Demirel, Screenwriters: Ziya Demirel, Buket Coşkuner) — This ordinary day of a teenage girl in Istanbul follows her encounters with three different men as she goes to school, plays basketball, and takes a bus home.

"Chekhov"

DOCUMENTARY SHORT FILMS

Another Kind of Girl / Jordan (Director: Khaldiya Jibawi) — Filmed during a media workshop for Syrian girls in Jordan's Za'atari Refugee Camp, 17-year-old Khaldiya meditates on how the camp has opened up new horizons and given her a sense of courage that she lacked in Syria.

Bacon & God's Wrath / Canada (Director: Sol Friedman) — A 90-year-old Jewish woman reflects on her life experiences as she prepares to try bacon for the first time.

Beneath the Embers (Bajo las Brasas) / Mexico (Directors and screenwriters: Verónica Jessamyn López Sainz, Andrea Fuentes Charles) — Isabel, a young woman from the Sierra mountains of Guanajuato, is motivated by the love of her family, and she has learned that she must sacrifice her present in order to value tomorrow’s success and achieve her dreams.

Chekhov/ U.S.A. (Director and screenwriter: Jack Dunphy) — I called my sister (who's kind of a bitch, but also really cool) and secretly recorded her reading a love letter from this girl that just dumped me. The conversation went from funny to unbearably sad—hanging up was hard.

Entrapped / U.S.A. (Director: Razan Ghalayini) — The FBI claimed it exposed a dangerous group of men in a massive entrapment operation over an alleged plot to attack a U.S. Army base in New Jersey. But were they really terrorists?

Figure / Poland, Belgium (Director and screenwriter: Katarzyna Gondek) — A gigantic figure emerges from the snow and sits on a hill with spiders, saints, and bumper cars in this surreal tale about creating myths, religious kitsch, and the desire for greatness. Meet the world's largest sacral miniature park resident.

Flower of a Thousand Colours / Belgium (Director: Karen Vazquez Guadarrama) — Flower of a Thousand Colours shows an intimate slice of the life of Emiliana, a loving mother who struggles every day with her rough environment—a Bolivian mining camp.

Jáaji Approx. / U.S.A. (Director and screenwriter: Sky Hopinka) — Against landscapes that the artist and his father traversed, audio of the father in the Ho-Chunk language is transcribed using the International Phonetic Alphabet, which tapers off, narrowing the distance between recorder and recordings, new and traditional, memory and song.

I Am Yup'ik / U.S.A. (Directors: Daniele Anastasion, Nathan Golon) — A 16-year-old Yup'ik Eskimo leaves his tiny village and travels across the frozen tundra to compete in an all-Yup'ik basketball tournament and bring pride to his village.

Sundance Institute"Speaking Is Difficult"

Mining Poems or Odes / United Kingdom, Scotland (Director: Callum Rice) — Robert, an ex-shipyard welder from Govan, Glasgow, reflects on how his life experiences have influenced his newfound compulsion to write.

Peace in the Valley / U.S.A. (Directors and screenwriters: Michael Palmieri, Donal Mosher) — Eureka Springs, Arkansas, is home to both the largest outdoor Passion Play in the United States and an important vote on LGBT rights. This film follows the town's inhabitants as they prepare for the historic vote.

The Saint of Dry Creek / U.S.A. (Director: Julie Zammarchi) — Patrick Haggerty was a teenager in rural Dry Creek, Washington, in the late 1950s. Here, he remembers the day he first had a conversation with his father about being gay.

The Send-Off/ U.S.A. (Directors: Ivete Lucas, Patrick Bresnan) — Emboldened by a giant block party on the evening of their high school prom, a group of students enters the night with the hope of transcending their rural town and the industrial landscape that surrounds them.

The Shining Star of Losers Everywhere / U.S.A. (Director and screenwriter: Mickey Duzyj) — Haru Urara, a Japanese racehorse, became a national icon after enduring a losing streak of epic proportions. Dubbed "The Shining Star of Losers Everywhere," she was a symbol of perseverance and inspiration during a time of economic crisis.

Speaking is Difficult / U.S.A. (Director: AJ Schnack) — This film always begins in the present day. A scene of tragedy unfolds, accompanied by fear, chaos, and disbelief. As it rewinds into the past, retracing our memories, it tells a cumulative history that is both unbearable and inevitable.

Territory / United Kingdom (Director: Eleanor Mortimer) — This warm and lyrical film follows a group of unruly monkeys in Gibraltar and the people employed to control them with peashooters.

A Woman and Her Car / Canada (Director: Loïc Darses) — December 31, 2003: Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves to personally bring it to him, wherever he may be.

Sundance Institute"Swimming in Your Skin Again"

NEW FRONTIER SHORT FILMS

Abendland (Hours, Years, Aeons) / Finland (Directors: IC-98: Patrik Söderlund, Visa Suonpää, Screenwriter: Patrik Söderlund) — In a twilight world long after the age of man, a twisted ecosystem centered around an overgrown fruit tree undergoes parasitic and geological transformations as hours, years, and eons pass.

Swimming in Your Skin Again / U.S.A. (Director and screenwriter: Terence Nance) — This intensely musical film is about the spiritual anchorages of life in and around Miami. The story is drenched in the heat, spirit, and landscape of southern Florida.

Voyagers / Canada (Director and screenwriter: Santiago Menghini) — Travel along with the Voyager spacecrafts as they traverse the solar system on their planetary expedition, spanning over three decades.

YúYú / France (Director and screenwriter: Marc Johnson) — Beekeeper Shé Zuŏ Bīn performs a "rite of spring," in which queen bees are placed on his body and then summon worker bees. He stands still, covered by bees, allowing the buzzing to dominate all and become a protective shield.

Sundance Institute"The Chickening"

MIDNIGHT SHORT FILMS

Boniato/ U.S.A. (Directors: Andres Meza-Valdes, Diego Meza-Valdes, Eric Mainade, Screenwriters: Andres Meza-Valdes, Eric Mainade) — An illegal migrant worker decides it’s time to move on from picking crops and find a better job. Little does she know, insidious supernatural forces have a different plan for her. Some borders aren't meant to be crossed.The Chickening / U.S.A., Canada (Directors and screenwriters: Nick DenBoer, Davy Force) — All pork and no chicken makes Jack a dull boy. Luckily, Jack gets a new job as senior chief night manager at Charbay’s Chicken World and Restaurant Resort, the world’s largest fast-food entertainment complex; however, things quickly get very clucked.

Dinner with Family with Brett Gelman and Brett Gelman's Family / U.S.A. (Director: Jason Woliner, Screenwriters: Brett Gelman, Jason Woliner) — Brett Gelman throws his parents a dinner and tribute for their 40th anniversary with the help of legendary actors Tony Roberts and Patti LuPone. The evening soon unravels into a mind-melting comedic orgy of psychological torture and family dysfunction.

Fuckkkyouuu / U.S.A. (Director and screenwriter: Eddie Alcazar) — With the ability to travel in time, a girl finds love and comfort by connecting with her past self. Eventually faced with rejection, she struggles with her identity, and as time folds onto itself only one of them can remain.

Manoman / United Kingdom (Director and screenwriter: Simon Cartwright) — When Glen attends primal scream class, he releases something from deep within that knows no limits.

The Pound Hole / U.S.A. (Directors: Daniel Scheinert, Daniel Kwan, Screenwriters: Daniel Weidenfeld, Doug Lussenhop) — During a night at the strangest club on earth, DJ Douggpound learns the very real dangers of texting while DJing.

The Procedure / U.S.A. (Director and screenwriter: Calvin Lee Reeder) — A man is captured and forced to endure a strange experiment.

The Puppet Man / U.S.A. (Director and screenwriter: Jacqueline Castel) — A supernatural killer stalks a young woman and her friends in a seedy, neon-lit dive bar in this short film featuring horror legend John Carpenter.

Sundance Institute"Bob Dylan Hates Me"

ANIMATED SHORT FILMS

A Coat Made Dark / Ireland (Director and screenwriter: Jack O'Shea) — Two burglars strike it rich after stealing a mysterious coat. So begins this darkly comic tale, in which Midnight, an anthropomorphized dog, and his human servant Peter, struggle for power, courtesy of the coat.

Deer Flower / South Korea, U.S.A. (Director and screenwriter: Kangmin Kim) — Dujung, an elementary school student, goes to a farm in the suburbs with his parents. While his parents believe the expensive and rare specialty from the farm will strengthen their son’s body, Dujung suffers side effects.

Edmond / United Kingdom (Director and screenwriter: Nina Gantz) — Edmond's impulse to love and be close to others is strong—maybe too strong. As he stands by a lake contemplating his options, he reflects on his defining moments in search of the origin of his desires.

The Grandfather Drum / Canada (Director and screenwriter: Michelle Derosier) — As the balance of the world turns upside down for the Anishinabek people, the elder Naamowin builds a healing drum to save his grandson and his people.

The Itching / U.S.A. (Director and screenwriter: Dianne Bellino) — In this parable, a shy wolf tries to connect with a group of hip, party-loving bunnies but finds her body is in revolt.

Life Smartphone / China (Director and screenwriter: Chenglin Xie) — The phenomenon of increasing smartphone addiction can be attributed to today's cutting-edge technology. Staring at glowing screens instead of exploring the vast expanse of life, people are gradually alienating themselves from the richness, depth, and loveliness of life.

Limbo Limbo Travel / France, Hungary (Directors and screenwriters: Zsuzsanna Kreif, Borbála Zétényi) — In a country where men seem more interested in their electronic gadgets than their peers, a group of lonely and disillusioned women take the Limbo Limbo bus. Off to a far exotic country, they hope to find happiness.

Pombo Loves You / United Kingdom (Director: Steve Warne, Screenwriter: Josh Blaaberg) — A distant father is forced to confront a heroic but troubled past life as '80s TV character Pombo.

Shiny / U.S.A. (Directors: Spencer Susser, Daniel Cloud Campos) — A damsel in distress gets undressed when a man from the Midwest puts to rest a world that’s obsessed with "the priceless," also known as "the shiny."

Waves '98 / Lebanon (Director and screenwriter: Ely Dagher) — Disillusioned with life in the suburbs of segregated Beirut, Omar's discovery lures him into the city. Immersed into a world that is close yet isolated, he loses track and finds himself struggling to keep his attachments and sense of home.

Jennifer Hitchcock’s “Dreams Deferred: The Struggle for Peace and Justice in Israel and Palestine”

Ike Ahloe's "Clocked In"

Brian Paul Higgins “CURE FOR THE CRASH”

Nicholas Plagman’s “THE HAM SANDWICH THAT CHANGED THE WORLD”

Robin North & Kelly Preeper's "Dead Saints"

Mirel Bran’s “ONE-WAY ROUND TRIP” (Romania)

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The mother of all film festivals opens today in the Cote' D'azur. For DIY Filmmakers it may seem like a long way off - but fear not...

Be Good To Eddie Lee

Citizen Mayor trailer

Securitate Hunter

Bathing and the Single Girl

CALL FOR ENTRIES!!!!

CALL FOR ENTRIESThe International Film Festival Submission System

CALL FOR ENTRIES

The International Film Festival Submission System

The DIY Film Festival prefers paperless entries submitted via The International Film Festival Submission System (BrigitFest) – on the Web at Withoutabox.com. Withoutabox provides cost-saving, online entry to major film festivals throughout the U.S. and in Europe with one master entry form, allowing you and us to enter your film more quickly and with greater accuracy. This method is free and easy. Members who choose to join Withoutabox also get $5.00 off their Entry Fees, plus the advantages of Extended Deadlines and Online Press Kit submissions. Click over to Withoutabox, then follow instructions to apply online:CLICK HERE TO APPLY

2010 winning Animated short "The Magnitude of the Continental Divides" by Christopher Coleman

DIY FILM FESTIVAL NEWS archive

LOS ANGELES (Feb. 26, 2008)_ The engaging documentary "Buskers: For Love Or Money," an examination of the world of street performers as told by the talent, has been named Best Film of the 2008 DIY Film Festival, which concluded Saturday.

The film was screened at the American Film Institute as part of the 2008 DIY Convention, which took place Feb. 15-23 in Hollywood and honored the top independent films, music and books of the last year.

In "Buskers: For Love Or Money,” director Chad Taylor (himself a world-class street performer as a chainsaw juggler) gives the history and motivations of his fellow street performers, some well-known, others legends only in their particular square feet of concrete.

The depiction of the performers’ free-floating lifestyle, which combines talent, street savvy and psychology was shot over ten years in various parts of the world and features rare footage of some legendary street performances. For its introspective examination of a world many see but few understand, “Buskers” was unanimously acclaimed as Best Film by the DIY judges.

The other winners of the 2008 DIY Film Festival:

BEST DOCUMENTARY FEATURE: “Glue Boys,” Philip Hamer

BEST DOCUMENTARY SHORT: “The Tribe,” Tiffany Shlain

BEST DRAMATIC FEATURE: “Divergence,” Patrick J. Donnelly

BEST DRAMATIC SHORT: “Henchmen,” Christian Cantamessa

BEST COMEDY FEATURE: “The Book of Noah,” Drew Smith

BEST COMEDY SHORT: “Lowenstein’s A Terrorist,” Eric Siegelstein

BEST WORDL CINEMA: “Remember Me,” Benjamin Tan

BEST STUDENT FILM: “Some Apologies,” Adam Weldon

BEST ANIMATED SHORT: “Pull On Push Off,” Philip Leaman

BEST ANIMATED FEATURE: “Murderess,” Scott Coblio

BEST DIRECTOR: Todd Peters, “Let Others Suffer”

BEST SCRIPT: Adam Weldon, “Some Apologies

DIY Film Fest

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CALL FOR ENTRIES

The International Film Festival Submission System

The DIY Film Festival prefers paperless entries submitted via The International Film Festival Submission System (BrigitFest) – on the Web at Withoutabox.com. Withoutabox provides cost-saving, online entry to major film festivals throughout the U.S. and in Europe with one master entry form, allowing you and us to enter your film more quickly and with greater accuracy. This method is free and easy. Members who choose to join Withoutabox also get $5.00 off their Entry Fees, plus the advantages of Extended Deadlines and Online Press Kit submissions. Click over to Withoutabox, then follow instructions to apply online:CLICK HERE TO APPLY

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