As I start to head into my late 20s, I realise that I'm only three years younger than the Man of Steel Superman. Join me as I chronicle and review his life.

Tuesday, 18 October 2011

Adventures of Superman #428

Have you seen that new button at the top of the sidebar? That marks me as an official competitor in the MCM/Blogomatic 3000 Battle of the Bloggers that will be taking place at the end of the month at the MCM Expo. I have no idea what to expect, but with such an event taking place on my doorstep, how could I not take part? Click the button for further information, and expect a write-up of the event a few days after it has happened. If you're coming to the Expo, then swing by the event and cheer me on!

Personal Best

Writer: Marv Wolfman

Artist: Jerry Ordway

Letterer: John Costanza

Colorist: Tom Ziuko

Editors: Andy Helfer and Mike Carlin

Cover Art: Jerry Ordway

Cover Date: May 1987

Release Date: 19/02/1987

Three days after his ‘meeting’ with President Marlo,
Superman launches a further assault on Qurac’s military forces, decimating its
air force and assaulting its navy with one of its own submarines. Superman
holds a televised meeting with Marlo, again warning him over harbouring
terrorists. Clark and Cat Grant watch television coverage of Superman’s recent
attacks, flirting throughout. Their fun is interrupted by Perry White’s
appearance on television to publically condemn reputed mobster and city
councilman Jay Falk, as he had been instrumental in investigating and exposing
him.

Elsewhere in Metropolis, Jerry White, Perry White’s son,
tells Jose XXXX that he is ready to quit his street gang. As he reflects on his
volatile relationship with his father, his former gang attacks him for planning
to quit. As the beat him up, mobsters arrive, breaking up the fight and
kidnapping the unconscious Jerry. The crooks contact Perry and demand that he
kills his expose on Falk. Perry clears his office, before storming out of the
Planet building.

Later that night, Falk throws a party. Superman arrives to
confront Falk, demanding to know where Jerry is. Getting nowhere, Superman
drags one of Falk’s ‘bodyguards’ to the roof of the Daily Planet, threatening
to leave him stranded atop the globe if he doesn’t get the location of Jerry
from him. The terrified goon agrees to talk.

Later on, in the Ace of Clubs bar, Superman asks for the
location of mobster Louie Lyppe. Taking offence at his style, Bibbo Bibowski
thumps him in the stomach, injuring his hand. The rest of the barflies clam up,
but as Superman makes to leave, Bibbo offers to buy him a beer.

At home, Perry White is unable to write his expose on Falk,
wracked with worry for Jerry. Alice tries to calm him. The two briefly argue
about whether Perry should abandon his journalistic principles to save his son.

Returning home, Louie Lyppe is surprised in his apartment by
Bibbo. Bibbo intimidates Louie into giving up the location of Jerry. Bibbo then
reveals himself as a disguised Superman, threatening to tell Lyppe’s boss about
Louie’s betrayal if anything should happen to Bibbo in retribution for his
subterfuge. As Perry settles down to retract his story, Superman breaks into
the warehouse where Jerry is being held. A mobster holds a gun to the
restrained Jerry’s head. Superman uses his heat vision to set the mobster’s
pants on fire, before using his super-breath to extinguish the flames and
incapacitate the mobster.

Superman returns Jerry to his family. Jerry and Perry argue
about Perry taking so long to take action to save his son. As Superman looks
on, the two row, before Jerry storms out.

The last issue of Adventures of Superman eschewed the action
scenes (after a few pages) for some mind-bending explorations of what Superman
means to different elements of his life. This issue brings back the action,
opening with one of most dynamic and ferocious scenes of Superman’s might.
Superman’s previous assault on Qurac is merely a warm-up for this sustained
assault, decimating its armed forces in the space of three pages. This is real
balls-to-the-wall action, the standout being the moment when Superman sinks a
battleship by bursting through its hull with a submarine. I was debating the
merits of Superman Returns a few nights ago, and one of the points I made was
that the plane-crash was a sequence that could only occur in a Superman film,
Iron man, the X-Men, Captain America and Batman just don’t have the sheer force
and combination of powers required to save that plane. The same can be said of
Superman’s actions here. Only Superman (or heroes blatantly modelled on him)
could use a submarine to sink a ship. I also love that this scene is only a
third of the double-spread. I can’t help but think that if this scene was
published today, that one panel would take up an entire double-spread (although
it would look absolutely glorious).

Later on in the issue, Superman has to play detective to
track down Jerry White. One could ask why he doesn’t just do what he’ll do in
an upcoming issue of Superman and use his x-ray vision to scan Metropolis, but
if he had done so then we wouldn’t have had Superman doing his best-ever Batman
impersonation. Superman’s investigations are superb. He forces – and blunders –
his way throughout Metropolis from the heights to the dregs of society. I
particularly like his not-so-subtle confrontation with Falk, casually
destroying a work of art before denouncing it as a fake, making the councilman
sweat with every artefact he touches. Straight after, Superman’s Batman impressions
comes to the fore as he drags a henchman to the top of the Daily Planet globe,
toying with his fear to get the response he needs.

Wolfman’s writing in this scene – and this issue in general
– is excellent, and there’s a moment in this scene where Superman flies away
from the henchman, making him think that he’s been abandoned in the skyline.
The art shows Superman making a loop back around, and when he returns, he says:
“Hi, miss me? I had to rescue a cat from a fire”. In this one line, Superman establishes
exactly where the hoodlum sits in the pecking order, and that Superman’s
attention regarding him is short and fickle, so he’d better start talking
immediately. Of course, the thug is too stupid to ‘fess up. Superman’s next
lines – click the image to enlarge – are hilarious.

This issue sees the first appearances of three characters
that would form part of the Superman family for the next few years: Jerry
White, Jose Delgado and Bibbo Bibbowski. When you consider that this title has
also introduced Emil Hamilton and Cat Grant, it seems clear that if Action
Comics is the team-up book, and Superman is the flagship title, then Adventures
of Superman seems to be primarily concerned with world-building. With the
exception of last week’s issue (and, of course, the Apokolips-set Legends
crossover), each issue has provided depth and development for Metropolis and
Superman’s supporting cast. Here, Perry White takes a feature role for the
first time, and we take our first trip into Suicide Slum. This Metropolis has
depth and diversity, a more textured and real city than that which we’ve seen
in the Superman comics for the past few years.

Overall, this is a fantastically strong and enjoyable issue.
Whilst the story of the Circle outstays its welcome by the end, Wolfman’s
slice-of-life story in Metropolis is incredibly strong, and his use of Superman
throughout the issue, adopting different strategies to track down Jerry, is
highly notable. Ordway’s art is also superb. He informs the anguish of Perry’s
struggles with his journalistic morality with skill, his action sequences are
fantastically well-drawn, and his depiction of Superman-as-Bibbo is
delightfully ambiguous, making great use of shadow to convey the deception.

The Geeky Bits: This issue was reprinted in Superman: The Man Of Steel vol. 3 and is covered on episode 7 of From Crisis To Crisis.

Next on World of
Superman: Work allowing, midweek will see the posting of the next
instalment of my looks back at what I will and won’t be missing in the
relaunched DC Universe, whilst next weekend will finally see Superman
confronting the mummy!