After a couple of months rather vainly searching for the next musical obsession it seems like its here. OK I know it came out earlier this summer but it seems absolutely absent in UK stores, but now I have an mp3 download and a hard copy on its way for the US.

Wheat’s White Ink Black Ink is frankly a rather wondrous affair. I rather knew that unless it was an absolute stinker then it would be a favourite, I am afraid that they can do little wrong in my book – after all a band who produces the practically perfect in every way Don’t I Hold You (despite the odd video) can be forgiven many a slip along the way

Beset by label problems and a less than prolific output; Hope and Adams and Medeiros seem a long time ago and the more recent Everyday I Said a Prayer was a little hit and miss, there has been quite a wait for this bit of product

White Ink Black Ink is a real return to top form, hook laden tunes, quirky bits and bobs and the characteristic vocal delivery of Steve Levesque that works for me every time. the album seems more focussed on the listener with its more tightly drawn songs clocking in around 3 minutes, more immediate without being slight or fleeting

HOTT (Half of the Time) kicks it all off rather excellently setting up expectations for the tracks to come, followed by Changes Is – vid below – (no matter quite what ‘changes is the better part of me, boom boom’ really means, tho I kind of get the sense). My Warning with its great bass line and the layered harmonies working their magic and then El Sincero and its almost out of tune vocals, destined to be a classic. A personal fav though is Living To Die with the great loping drum and an almost self-perpetuating chorus/verse thing – honestly this cold roll on for 30 minutes and I wouldn’t get bored

Another half dozen three minute gems and all too soon its over. Never having had the chance to see them live you wonder how they might reproduce this on stage – the great sound, seemingly slung together, holding on by the skin of its teeth, an almost fragile, chaotic quality to the songs and playing, the vocals that could so easily simply sound rubbish but end up sounding so right all combining to make for heart-warming, fabulous stuff