Posts Tagged ‘themes’

Dear Writers/Caregivers/Advocates for Loved Ones,

Coach Teresa LeYung-Ryan here . . . I see how helping a loved one/being an advocate is so much like writing a book.

My papa has been diagnosed with Parkinsonism by his neurologist. If Papa is telling his story, he would be the first-person narrator; if I’mtelling the story about him, then I would be the third-person narrator.

A book (story) consists of one main character (also known as “hero” or “protagonist”) or multiple main characters and other characters (other archetypes), a subject matter that is discussed repeatedly (“theme”) and at least one plotline (“what happened?”). The merging of these elements helps the writer show the hero’s journey.

Helping a loved one/being an advocate consists of at least 2 protagonists (YOU and the loved one) and other archetypes (physicians, healthcare and social service providers, other family members and friends, neighbors, coworkers, vendors, . . . the stranger who gives up her/his seat on the train for you), themes (the cause for help and advocacy and the related issues), and plotlines (the interconnected events associated with all the characters). Who will be the most transformed in the story? The loved one? You the caregiver/advocate? The person who is most transformed would be the main character/hero/protagonist. Perhaps both people will go through great transformation. Two protagonists!

I am writing – I keep a notebook for whenever I visit my papa or when I do something on his behalf- gosh, there are so many little “subplots” to keep track of! (Is this Papa’s third or last session with the physical therapist? Mary and I need to witness the exercises so that when the P.T. closes the case, we would be able to coach Papa. Did he say he wanted another heating pad? Oh my, there are at least 18 model to choose from. Gotta review friends’ advice about what is a comfortable bed and also Consumer Reports. Then Papa has to “test drive” some beds. You just can’t shop for a mattress the way you shop for a pair of shoes.

MATTRESS SHOPPING TIPS (from Sealy’s website)

Plan to spend at least one hour in the store.

Wear loose clothing and easily removable shoes.

Test out mattresses in groups of three for easier comparison.

Lie on each mattress for 5 to 15 minutes to let it fully adapt to your body.

Don’t feel rushed. It’s ok to ask for privacy.

I would add: Bring your own pillow so that your neck is supported while trying out mattresses; maybe bring an extra pillow case too.

And, I am reading the book The Brain’s Way of Healing: Remarkable Discoveries and Recoveries from the Frontiers of Neuroplasticity by Norman Doidge, M.D. Chapter 2 is titled “A Man Walks Off His Parkinsonian Symptoms” . . . how John Pepper has been able to reverse the major symptoms, the ones that Parkinson’s patients dread most, those that lead to immobility. He’s done so with an exercise program he devised and with a special kind of concentration . . .

All the “characters” in Dr. Doidge’s books (The Brain’s Way of Healingand The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science) and in Dr. Victoria Sweet‘s book (God’s Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine) are guiding me on my journey as an advocate for my father. And, I just know that my mom plays a huge role in helping me.

Special thanks to Margie Yee Webb, Frances Kakugawa, Penny Manson, Debbie Ramos and her daughter Melanie who went out of their way to help me research specific items and to Mary, my sister Maria Leung, Linda Harris, Sue, Janet, and Elaine for being there in person.

Coach Teresa says: “Fortify Your Platform with New Tags for Your Books and All Your Writings.”

How do you attract new fans? When your friends and colleagues brag about you? Yes! What else? How do you help your prospective fans find you? By making your name synonymous with the issues / themes / subject matter you write about? Yes!! After all, when folks need something, don’t they go to search engines and type keywords and key phrases (aka “tags”) to find what they need? Those folks will find you through the tags associated with your name!

I hosted Wendy D. Walter (author of Ambril’s Tale, Return of the Dullaith) in a live-blog event on January 5, 2013. Nineteen fans (old and new) showed up to greet her and cheer for her and to ask questions.

Thank you,Wendy, for having written a compelling story. What a page-turner!

Look for more “tags” in Wendy D. Walter‘s answers to the questions asked by fans:

“My all time favorite writer is Jane Austen. It’s been over 200 years since she was first published and her stories still enthrall me. From her books, I learned that the most important thing a writer can do is to make your readers care about what happens to your character and to never underestimate your reader.”

“I’m also a great admirer of Diana Wynne Jones, my favorite fantasy writer. She also never underestimated her readers and gave us incredibly intricate and original stories. Her books are often funny as well!”

“And that is why Ambril’s Tail has a very robust plot, with lots of twists and turns and strives to be humorous as often as possible!”

“Some of my characters are right out of my imagination, but some of them have roots in mythology. The Aunties, for instance, are the seers of the story, who share one pair of glasses. Perseus runs into three crones who share one eye and a tooth in one of his adventures, but groupings of three witches/hags/seers appear in all sorts of ancient Nordic and Germanic stories as well!”

“The Cerberus, the guardians of the underworld, is one of my favorite Greek legends.”

“I’m not sure why this is, but if you take a simple bullying exchange off the playground in our world and give the characters fangs and fairy wings, the issue becomes much clearer. In fantasy, we get a bit heavy handed at times and tend to make our bullies actual monsters (it’s more fun that way). Also, as bullying is an obvious abuse of power, it works well within worlds where it’s clear who the good and bad guys are, at least most of the time! Check out the Q & A Teresa posted on this blog for more on bullying: http://lovemadeofheart.com/blog/coach-teresas-interview-questions-for-author-wendy-d-walter-ambrils-tale-the-return-of-the-dullaith/ Bullying appears to be a behavior that some mistake for strength, particularly the immature (of all ages).”

“And there is a great male main character called Ygg. My beta readers all chose him as their favorite character!”

“Ambril’s Tale is for the 10-14 marketplace, just right for middle schoolers!”

Get your copy of Wendy D. Walter's book or ask your library to carry it!

I miss my mom so so much. Your inviting me to guest-blog is a huge gift and I thank you. Today is Labor Day. I salute you, your mom, my mom, and all moms who labor/labored with love and hope for their families.

“If you’re writing a novel or memoir, what does your protagonist want?”
“What are your themes and who are your archetypes?”
“If you’re writing a how-to book, what are the issues?”
“Do you want to build your platform to attract agents, publishers, and fans/readers?”

These are the questions I ask when writers hire me as their coach.

For many writers, the first question (“What does your protagonist want?”) is not an easy one to answer. What does your main character want when the story opens? As the story moves forward?

For memoir authors, the protagonist is the Self. You the author lived your story and you know the outcome; now is the chance to engage readers via story-telling techniques and show them what you wanted and how you went about getting (or not getting) what you wanted.

For novel authors, oftentimes the protagonist (or another major character) is modeled after the author; what the protagonist wants is also oftentimes a recurring theme for the author.

In the opening scene of Love Made of Heart (my autobiographical novel about an adult-daughter struggling to understand her mother’s mental illness ), protagonist Ruby Lin asks herself: What have I done? (as she watches police officers escort her mother from her apartment).

Ruby wants her mother to get well; she wants to return to her routines; she wants to forget her past; she wants a wise elder who listens and doesn’t judge. As we get to know Ruby, we find out what her “big wants” are—to find love and forgiveness.

I, Teresa LeYung-Ryan, author of the novel, did not have a maternal grandmother. How I used to fantasize about a kind and wise Grandmama to run to! Writing fiction gave me the luxury to give my protagonist something I never had, so, I created the elderly neighbor Mrs. Nussbaum (embodying the mentor and ally archetypes); she would listen to Ruby and not judge her.

In the introduction of Lynn Scott’s memoir A Joyful Encounter: My Mother, My Alzheimer Clients, and Me, the author reveals: I needed money. I was sixty-seven and living thinly on Social Security… As we read on, we meet the other characters/archetypes and see how they help the author get the “big want” (what money can’t buy) . . . a spiritual journey to her mother’s love. Lynn Henriksen’s review of this same book ends with “… Scott’s book made me laugh, cry, and wish I could have my mother back for just a day, even one more hour.”

Aah, to have Mom back for just a day, even one more hour. That is exactly what yours truly wants right now. I’ve been ill (coping with symptoms from wheat-intolerance) and I yearn for my mom’s hugs and encouraging words: “All will be fine, my darling daughter.” But, I can’t get what I want on a physical level; Mom died over ten years ago of metastasized breast cancer.

My biggest angel is my mom, and, I ask her to help me on a daily basis. “Mom, I want to feel well.” My muscles and sinuses were hurting; fatigue overwhelmed me; then, when depression moved in . . . I knew that I needed to be an active protagonist. I stopped eating breads and anything made with wheat flour (and that include flaky pie crusts, almond tea cakes, Challah, tortilla that hold a burrito together, Pad Thai, and pasta).

My mastermind colleague Lori Noack reminded me that wheat is in soy sauce (gosh I eat a lot of Chinese food too) and in marinades and salad dressings (yikes). LN, thank you for your encouraging emails!

Next, I went to see a Chinese Herbal Medicine practitioner. Heather Richmond said “Teresa, the foods you’ve been eating are ‘damp.’ To treat the ‘dampness’ so that you’ll feel better, not only am I advising eliminating wheat from your diet, I’m also recommending eliminating soy as in tofu and corn.” No tofu and corn, in addition to no wheat? Oh my. Heather had explained that wheat, soy and corn are the top three most genetically-modified foods in this country.

I tell my clients “Reach out, not stress out, when pursuing your dreams.” I too have been reaching out—by telling my friends about what I want—to feel energetic again. I will need their moral support (to cheer for me when I turn down a slice of bread, a fresh croissant or homemade pizza crust).

Heather Richmond is recommending I stop eating rice in the next phase of treatment. Oh oh . . .

I still want hugs from my mom. I feel them. Every morning and every night, in my prayers. And I give hugs back. “Thank you my Main Angel.”

Lynn Henriksen aka The Story Woman, thank you so much for asking me to guest-blog. You’ve given me a lovely gift—a chance to talk about my mom, knowing what the protagonist wants, and how to reach out not stress out! I cheer for you, your books, blog, and classes!

Teresa uses Love Made of Heart to inspire adult children of mentally ill parents to speak openly about the stigmas and find resources for their families. (the novel is available in libraries, archived in the San Francisco History Center, and used by teachers in college and universities).

She’s also the author of Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and MediaAttention NOW (a workbook to help writers of all genres gain a competitive edge before and after publication. Available as ebook too! Customers of the workbook are saying that it’s useful for anyone who has anything to promote.)

I just submitted my application to become a contributing writer from Examiner.com (thank you, Yolande Barial, for the referral! Read Yolande’s blog and article on Examiner.com).

Please use my blog to promote yourselves because Writing Career Coach Teresa’s Blog is getting over 17,000 viewers. Tell my fans about your writing projects — by submitting a comment to this post. To do that, click on the blue title bar of this post, fill in the boxes, then press the [ submit comment ] button. Need advice on writing and publishing? Ask me–Coach Teresa. Keep your questions short and sweet please.

• Whether you want to be your own publisher or sell rights to another publisher, attract readers/fans now!

• Whether you write fiction, narrative non-fiction or prescriptive non-fiction, you are THE expert of your experiences and an authority in your field. Make your name synonymous with the themes/issues/subject matters in your book.

• When you stick to a program, you develop new habits. Let Coach Teresa show you how to gain a competitive edge.

My analogy: The elements in your story make up the pieces of a ten-thousand-piece puzzle. Revising a piece of the puzzle could mean adjusting all the other pieces, especially when you’ve been rewriting and rewriting. Has your overall puzzle become a fuzzy picture?

Here’s my advice: Work in sections. Start with the first quarter of your story. Print your pages and read them out loud, chapter by chapter. As you read, take notes; use color coding to track each element. Example: you might use yellow highlight to track your “hooks.” Whatever method you choose to track, ask yourself these questions: What’s my intent to introduce this hook? Am I going to keep the reader engaged by re-baiting this hook in successive chapters? At what point will I satisfy the reader by releasing the hook (delivering the “aha” moment)?

Happy rewriting and tracking!

I salute you!

Coach Teresa LeYung Ryan

author / manuscript consultant / writing career coach

author of Love Made of Heart (the story that inspires adult-children of mentally-ill parents to speak openly about the stigmasand to gain resources for their families)

Talk about writers collaborating and having fun… Barbara Whittaker, GM of The Axe & Palm Café, Stanford University, created a literary series and invited yours truly Teresa LeYung Ryan, author of Love Made of Heart, to kick-off the new program on November 12, 2009. Dear friend Elisa Southard, author of Break Through the Noise: 9 Tools to Propel Your Marketing Message, showed up to take photos and video. What a delightful evening. My hubby was there to record and cheer.

Stanford students Natalia Birgisson, Chana Rose Rabinovitz and Zach O’Keeffe read scenes with me. These young people made a deep impression on me.

David, thank you for setting up P/A system; Anthony, thank you for tranforming space; Scott (Barbara’s hubby), thank you for helping with sound-check. Friends who couldn’t attend, thank you for sweet emails and voicemails.

Last week while my husband was at a music workshop, I started a new writing project–a guide for writers to build their names so that they’d have the competitive edge when pitching to an agent or an
acquisition editor at a publishing house or pursuing the independent publishing route. The guide will serve my clients as well as writers who prefer to learn from written instructions.

The catalyst for my coaching came from their reports:

“I landed a big acquisition editor. He helped me with the book proposal over months. Everything looked promising until he pitched my book to the sales people at the publishing house and they asked him: ‘What kind of platform does this author have?’ Just like that I was rejected. I hope they won’t take my idea and let a big-name author write it before I build my fame.”

“I’m tired of getting rejection letters from agents. They tell me I’m a fine writer, but, they also tell me that fiction is very competitive . . .”

“I’m an expert in my field, and, still I can’t get a publisher to take my book. They asked me: ‘How big is your readership?’ Isn’t that their job, to find the readers?”

“I was a ghost writer for a celebrity. He got the big advance from the publisher. I got paid one time, a small sum, and, I’m supposed to keep my mouth shut that I did the work.”

When you’re describing your book to anyone, focus on the themes. When you’re calling in a talk show, make your comment or question relevant to the themes of the program as well as to your book. Be sure to say your full name.

What is fame, really? Fame is when people hear or see your name, again and again.

Are you writing letters to newspaper editors? Read the paper and see what your community is most concerned with; then write the letter and offer a solution. Pure complaints usually don’t help; succinct proposals offering resources often do help (and get published).

I hope to see writers and readers in the next few months, at these events:
Sunday, August 23, 2009 1:00-3:00pmThree Stories, Three Writers, Three Paths.

www.sanmateocountyfair.com/event-info/fairgrounds-map
They met through the Jack London Writers Conference and the California Writers Club over 10 years ago.
How are they inspiring the reading and writing community today?

Martha, thank you for posting this subject. Promoting a novel or memoir is a major challenge because unless you are already a best-selling author or your publisher has committed a six-figure marketing budget for your book, how do you give your book the attention it deserves?

I remember how excited I was when my mother-daughter novel Love Made of Heart was released by New York publisher Kensington. Although I landed readings/signings at bookstores (through friends’ and colleagues’ help), I soon received this response from media folks: “We can’t interview/invite you. Not interested in novels…”

Then, Elisa Southard (non-fiction author and PR coach) came along. She said: “YOU are bigger than your book. What are the ‘issues’ in your novel?”

Then, Anny Cleven (Area Marketing Director at Borders Books) reminded me that I was shedding light on ‘mental illness’ and ‘domestic violence’ in the Asian-American community.

Kim McMillon, friend and colleague, pitched me to be a guest on KPIX “Bay Sunday” when she saw that I was ready to speak out on the issues. I became Teresa LeYung Ryan who advocates compassion for mental illness and the author who helps survivors of family violence find their own voices.

Now that I’m a career coach for writers, I encourage all my clients to build their platforms by articulating the themes in their stories as community/national/global concerns.

So, after you have used the tools from Blockbuster Plots to structure your story and you have the first draft of your project, look for the issues or self-help elements to weave what Martha Alderson calls “thematic significance.”

Writers who have spent years working on their books (fiction or non-fiction) deserve recognition for their dedication. I want to see all diligent writers shed light on “the issues” and thus speak out for those who cannot speak for themselves.

Since writing a story with the intent to engage the reader is so much like meeting a stranger and wanting him/her to be interested in you, I will focus on how to make the first quarter of your story a compelling read.

I love working with diligent writers who want to transform their manuscripts into page-turners. However, there are things you can do before you give your work to an editor. Let me show you how you can help yourself.

As an editor, the four biggest mistakes I encounter are manuscripts that are weak in these elements:

Planting hook(s) or story-question(s);

Grounding the reader with the three Ws (Who? When? Where?);

Showing (not telling) what the protagonist wants;

Paying attention to language and rules

Let’s learn from the pros.

Planting Hook or Story-Question:

In The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston hooks us with the first line: “You must not tell anyone,” my mother said, “what I am about to tell you…” Then, Ms. Kingston transitions into her story with: “Whenever she had to warn us about life, my mother told stories that ran like this one . . .”

Grounding the Reader with the Three Ws:

In Woven of Water, while the story timeline spans from 1957 to 2005, Californian author Luisa Adams brilliantly shows us who she was as a girl (not with a year-by-year narrative, but with a single exquisite chapter). Because she grounded us with “who, when, where,” we eagerly follow as she takes us into her enchanted world of a “cottage in the forest.”

Showing What the Protagonist Wants:

In The Other Mother, young Carol Schaefer wants to ask questions: “Was there any way to keep my baby? Was there anyone who would help me find a way to do that?”

Paying Attention to Language and Rules:

Read the first five pages of Angela’s Ashes by Frank McCourt and you will see how this wordsmith plays with language and rules. (You can “bend” the rules to create flow, but you must not ignore them.)

Remember Groucho Marx’s line “One morning I shot an elephant in my pajamas…”? That sentence got a lot of laughs. But, what if you didn’t want to be funny (ambiguous in this case)?

How would you rewrite these poorly constructed sentences?

He likes to fish near the Farallon Islands and they jump when they’re hungry at dawn or dusk.

She insists on knowing when I come home and leave, not to be nosy, but for safety reasons.

Being cautious as not to step on the dog’s tail, the children tip-toed away from him while sleeping.

My husband still in bed snoring, I have always enjoyed rising before dawn and I eat my toast and drink my green tea on the terrace.

To improve your sentence structure and other skills, I recommend these books:

The Elements of Styleby William Strunk, Jr. and E.B.White

Woe is I:Grammarphobe’s Guide to Better English in Plain English by Patricia T. O’Conner

More Advice:

In all four stories (The Woman Warrior, Woven of Water, The Other Mother, Angela’s Ashes), the authors present memorable experiences by employing authentic details, unusual story-worlds though real, and poetic language. You want to do the same for your story.

Also, these stories have another vital component-all four plotlines have what Martha Alderson, author of Blockbuster Plots, Pure and Simple, calls “Cause and Effect” linked scenes. Another must-read blog: Plot Whisperer

When you’re writing non-fiction and do not have the luxury of rearranging the sequence of events to create a page-turning plotline, you can engage the reader by using concise expositions to leap over blocks of time in order to focus on the core themes and fast-forward the story. A helpful website: http://www.memoriesandmemoirs.com

You the author must show the reader what the protagonist wants, even if the protagonist doesn’t know at first.

We don’t have to “like” a protagonist, but, we do need to connect with him/her on an emotional level.

In the fiercely competitive arena of the publishing world, how does one stand out in a crowd? Building relationships is one key to success in this business. Another key is to know how to translate the themes from your life to your writing and articulate those themes as community concerns. I want to see all hardworking writers realize their dreams.

“Teresa is not only a lovely writer and a wonderful person, but also an enthusiastic, inspiring, and thorough mentor. Her far-reaching knowledge, networking expertise, and organization ensure that an aspiring writer will have the strongest foundation possible to launch him/herself on a successful career.” Pat Windom

“Teresa, . .because of you, the story has grown. You make me dig deeper and it brings more life to the story.“ E. Hartshorn

“Teresa, . . . I even see myself succeeding and being put into print and making money with my writing ability.I am so grateful to you.” D.Warner

a 2004 recipient of the Jack London Award for her services to California Writers Club;

Speaker and instructor.

Teresa LeYung Ryan uses her mother-daughter novel Love Made of Heart to advocate compassion for mental illness and to help survivors of family violence find their own voices.

In Love Made of Heart,protagonist Ruby Lin is forced to look into her past when her mother shuts down her own painful world.The story explores the complex bonds between mothers and daughters, the choices we make when our hearts are broken, and the choices we make when our hearts are healed.