I didn’t try to veil my opinion in my recent post about 5Pointz closing. I am one of the many who are disappointed in the decision to tear down the graffiti-covered building in favor of a new luxury condo. But before we all continue to mourn the giant art installation of a warehouse, it appears as though the lawyer for 5Pointz, Jeannine Chanes, may have found a loophole. According to ANIMAL, Judge Frederic Block ordered a halt to the demolition of the building by its owners in the form of a restraining order this week.The Visual Arts Rights Act (VARA) of 1990 contains a clause that prohibits the destruction or alteration of works of art that are inextricably installed on a building, unless authorized to do so, presumably by the artists behind the work or community at large. Chanes’ use of this law implies that 5Pointz may be able to stop the building’s owner from making the demolition decision in this type of case. We’ll keep you in the loop on how this develops.

Archaeologist Dr. Dean Snow of Pennsylvania State University came to this conclusion through studying one of the most enigmatic icons of prehistoric European cave art–hand stencils. In many European caves, there are negative images of hands produced by placing the hand against the cave wall and blowing paint all around it. They range from 12,000 to 40,000 years old, an astonishingly long artistic tradition.

Men’s and women’s hands are different, especially in the relative length of the fingers, so Snow examined 32 of these these stencils from caves in Spain and France. He found that 75 percent of the hands were female.

It’s long been assumed that most cave art was done by men, since so many of the subjects have to do with hunting, generally a male activity in hunter-gather societies. Of course, what Snow’s data really show is that the majority of hand stencils in the sample are of women, which doesn’t say anything about the rest of the art. It could be that there was a separation in the sexes as to who painted what, or perhaps the majority of prehistoric artists were indeed women.

The biggest contributor to the study was the cave of El Castillo in Cantabria, northern Spain, where 16 stencils were measured. This cave is open to the public, so you can take a look at the hands yourself and come to your own conclusions. Gargas and Pech Merle in France were also in the study and open to the public.

Hand stencils have been found in areas as far apart as Argentina, Africa, Australia, and Borneo. It would be interesting to see what results Snow’s study would have on these artistic traditions.

The National Museum of Scotland in Edinburgh is asking for your help in reassembling an early medieval carved stone.

The Hilton of Cadboll Stone was carved in Scotland around 800 AD by the Picts, a mysterious people who have left little in the way of a written record but created some incredible art. The stone was carved shortly after the Picts converted to Christianity and includes one of Scotland’s earliest representations of Jesus.

This particular stone has had a rough time in the past 1200 years. At some unrecorded date it was snapped off from its base, then later defaced by Protestant reformers. In 1676, the Christian cross on one side of the stone was chipped off and replaced with an inscription commemorating a local man, Alexander Duff, and his three wives.

While one side is still impressive, as you can see here, it seemed the rest of the stone had been defaced beyond all hope of restoration until a recent excavation at the original site uncovered the stones’ base.Unfortunately it’s smashed into some 3,000 pieces, and that’s where you come in. The museum has put every piece through a 3D scanner and is launching a website where you can try your hand at reassembling it.

The project is part of the museum’s upcoming exhibition Creative Spirit Revealing Early Medieval Scotland, which will open October 25. It focuses on the Early Medieval period (around 300-900 AD), an time between Scottish and Viking influence and marking the arrival of Christianity and emerging powerful elites. The online reassembly will begin on that date at the special website Pictish Puzzle.

The museum is especially calling for gamers to help out because, they say, gamers are better at manipulating 3D images and finding patterns.

Cave paintings at the Altxerri cave system in the Basque region of northern Spain are about 39,000 years old, making them some of the oldest in Europe, Popular Archaeology reports.

A team of French and Spanish scientists analyzed the paintings, which include images such as the bison shown here, as well as finger marks, a feline, a bear, an unidentified animal head and more abstract markings. This early dating of these images puts them in the Aurignacian Period, believed by most archaeologists to be the first flowering of modern humans in the region, although whether or not there were still Neanderthals in the area at this time is an open question.

A later set of paintings in another part of the cave system, which has been designated a UNESCO World Heritage Site, date from “only” 29,000-35,000 years ago.

By comparison, the art at Cauvet Cave in France is about 31,000 years old, although it is of a much higher quality. The beautiful paintings there were the subject of Herzog’s breathtaking 3D documentary Cave of Forgotten Dreams.

When French photographer Julien Coquentin decided to shoot street art in Montreal, his concept was both well-developed and playful. In his photo series, “Please Draw Me A Wall,” he photographs people interacting with the street art they stand before. A child holding an umbrella stands beneath a stream of blue paint that looks like heavy rainfall; a man sits on a garbage bin with a fishing pole, casting his imaginary line toward the painted fish on the wall. The series is beautiful and helps depict the street art in Montreal well. A slideshow of some of the images from this series, courtesy of Coquentin, is below.%Slideshow-90004%