Carolin Widmann and Alexander Lonquich´s Schubert recording in The Irish Times
Schubert’s music for violin and piano presents an unusual range of challenges. The earliest three sonatas, which are not recorded here (the ones published posthumously as sonatinas), are disarmingly direct. The Fantasy in C, on the other hand, has a monstrously awkward piano part, and both it and the Rondo in B minor can, in the wrong hands, sound as if Schubert just didn’t know when enough of a good thing was enough. Carolin Widmann and Alexander Lonquich are wonderfully alert to the risks, taking nothing for granted, and their playing is of a kind that never just coasts along. Every slightest gesture has been considered, every interplay is of interest, every strange harmonic shift makes sense, every repetition is made to sound fresh. And the recorded balance is kind to both players.Michael Dervan, The Irish Times

Miklós Perényi´s "Bach Britten Ligeti" in The Observer
This disc of solo cello music, with a spirited account of Bach´s D major Suite VI, BWV1012 at the centre, offers a chance to hear the Hungarian cellist Miklós Perényi at his virtuosic best. A one-time pupil of Pablo Casals, Perényi has a warm, big-boned, springy tone and brings expressive variety to Britten´s Suite No 3 Op 87, written in a matter of days for his friend Rostropovich. Its nine short movements unfold as if from one musical seed, flowering in the final Passacaglia, which is almost as long as the total of the preceding sections. Ligeti´s folk-inspired sonata, dating from the dark days of Hungary and not approved for broadcast by the Soviet authorities, makes an atmospheric conclusion.Fiona Maddocks, The Observer

Further press reaction about Boris Yoffe´s "Song of Songs"
In many ways this is the perfect ECM disc. This is rare, exquisite music which you won´t find anywhere else, recorded in the ideal enviroment and performed by musicians who are absolutely attuned to the expressive worlds sought by the composer.Dominy Clements, Music Web International