With 9 sound engines and a simple, yet comprehensive interface, it takes the "work" out of workstation.

The 73-key Kronos is more than a new instrument. It is a milestone in synthesis and workstation evolution; one that embodies fresh ideas and breakthrough technologies. Kronos brings together multiple sound engines working in harmony and interactive performance features that reflect the way musicians play. Most importantly, Kronos provides a seemingly inexhaustible supply of breathtaking, spectacular sounds.

The Next-Generation Instrument for Live, Production, and Sound DesignThe Kronos Music Workstation is the single instrument designed for live performing musicians; for artists creating in a studio or computer-based production environment; and for musicians and sound designers seeking the ultimate synthesizer. In creating Kronos, Korg listened to many musicians, heard their requests, and has vowed to deliver.

>PRODUCTION - satisfying the producer, music director, and musicianFor many, the studio is where the work gets done; from laying down tracks, to building up grooves for an on-stage extravaganza, to delivering the soundtrack for today's media rich world. For these creative leaders, Korg has equipped the Kronos Music Workstation's sequencer with 16-track MIDI tracks, plus 16 audio tracks, Korg's Open Sampling System, dazzling hi-fidelity effects, as well as flawless plug-in integration with many popular DAW platforms. Kronos is also equipped with phenomenal sound, dynamic drums, and an impressive array of premium sound effects. Add to that the ability to use KARMA (explained below), the Drum Track, and the sequencer's RPPR to greatly speed up and enrich the music creation process.

>SYNTHESIS - programming joy for the enthusiast and sound designerIn addition to being Korg's premier workstation, Kronos has it in its blood to satisfy the programmer, sound designer, and synthesizer enthusiast; the musician who dreams of turning visions of the cosmos into sound, of tweaking parameters to conjure invisible sounds from the ether. Kronos rekindles Korg's founding dream that is at the core of synthesis: the exhilaration and enjoyment of creating new sounds, sounds never before heard. A variety of exclusive Korg technologies drive the synth engines to provide astounding resultsâVMT (Virtual Memory Technology); CMT (Component Modeling Technology); Physical Modeling, Digital Synthesis, Wave Sequencing, MDS (Multi-Dimensional Synthesis); KARMA and more!

9 Synthesizer Engines, United in One InstrumentKronos contains 9 distinct synthesizer/sound engines. While each is worthy of a separate product in its own right, Kronos brings them all together into a single, integrated musical instrument. Dynamic voice allocation and new technologies allow all sound engines to smoothly share a stable, enhanced hardware platform. The results are nothing less than spectacular.SGX-1 Premium PianoPiano sound engineTo accurately capture the rich character of a concert piano, Korg abandoned working within the limitations of existing sampling methods and took advantage Virtual Memory Technology (VMT), able to play large samples directly from the internal high-capacity Solid State Disk (SSD). The SGX-1 Premium Piano sound engine offers two distinctive grand pianos; a rich German D piano, and a robust Japanese C model. Each uses superb, unlooped stereo samples sampled at 8 velocity levels for each and every key. Thoughtful attention to detail preserves the realism and warmth of the piano sound; this extends even to sampling and reproducing the body resonances of the grand piano, as well as the mechanical noise that occurs when the keys are played, or the damper pedal is pressed and released. The foundation of any keyboard instrument is the piano, and the SGX-1 engine allows Kronos to confidently deliver on this sonic ideal.

EP-1 MDS Electric PianoElectric piano sound engineKorg's new EP-1 sound engine is dedicated to faithfully recreating 6 of the most popular classic electric pianos. The MDS (Multi-Dimensional Synthesis) technology eliminates the transitions between velocity-switched samples, and does away with the unnatural behavior of looped samples. It also provides the user with unique control over the tines, reeds, and noise elements that make up the essential character of these timeless and coveted electromechanical instruments. The MDS sounds respond smoothly to the subtleties of the player's keyboard touch. This technology also delivers an astounding dynamic range so that the energy of climactic passages is accurately preserved. Each of the 6 electric piano models provides realistic simulations of the period amp, cabinet, speaker, and even the hard-to-find vintage effects that gave the original instruments their distinctive sound. From the sounds, to the touch, to the effects; every element has been coordinated in a single package to create the ultimate electric piano experience.

CX-3 Tonewheel OrganTonewheel organ sound engineThe original Korg CX-3 combo organ went on sale in 1980. Loved by musicians around the world, this classic organ reappeared in 2000 as a new product with the same name, but using the latest technology of the time to faithfully model the tonewheel organ sound. In Kronos, the CX-3 engine precisely models this classic tonewheel instrument. Proprietary Korg technology has been used to perfectly reproduce the vacuum tube amp, and effects such as Vibrato/Chorus and the "must-have" rotary speaker. Even the instability, fold-back, leakage, and noise of the tone wheels have been obsessively analyzed and recreated. Take full advantage of Korg's exclusive EX mode and switch from 9 to 18 drawbars (13 footages plus 5 to define the percussion) and generate even richer and more detailed sounds. The organ sounds heard in legendary performancesâsome recreated here by the original artistsâare now yours for the playing. Go ahead and experience these classic organ sounds, reborn for the present day.

HD-1 High Definition SynthesizerFlagship PCM, sampling, and Wave Sequencing sound engineThe HD-1 was named"High Definition" because of its superior sound, starting with Korg's proprietary low-aliasing sample playback oscillators, full-bandwidth multimode resonant filters, and extraordinarily fast & smooth envelopes and LFOs. Once again, Korg's SSD and Virtual Memory Technology (VMT) gives the HD-1 access to a larger sample setâgigabytes in sizeâthan could be normally stored using internal memory. The HD-1 covers all of the essential sounds in exquisite detail, from orchestral to classic rock to hip-hop, all instantly available. The extensive array of samples provided by Kronos is unparalleled by previous hardware synthesizers or samplers, and is a superb fit for film, video, and sound effect work.

Wave SequencingFirst introduced on the Korg WAVESTATION, and used here as part of the HD-1, Wave Sequences play a series of samples over time, creating distinctive rhythmic timbres or smooth, complex evolving sounds. Additionally, step-sequencer modulation outputs allow Wave Sequences to control any modulate-able Program parameter.

Ambient DrumsThe HD-1 sound engine also includes Korg's "Ambient Drums." Take advantage of this rich sample content to create incredibly realistic drum parts. The Ambient Drums feature two kits. Each provides three different miking positions, capturing the whole kit, (with the snare on and off), plus the individual hits. The HD-1 voice architecture allows the custom blending of the drum's direct sound and ambient sound layer, adding a finished quality to the track.

AL-1 Analog SynthesizerHigh-fidelity analog modeling sound engineFeature-packed, the AL-1 is the same premium analog modeling sound engine that was first featured on the Korg OASYS, the Open Architecture Synthesis Studio back in 2005. Its patented ultra-low-aliasing oscillators (using completely different technology than the HD-1) recreate all the power and glory of true analog synthesis without unwanted artifacts. Morphing waveforms allow you to change the oscillator shapes in real time. Resonance modeling lets you choose between classic filter sounds, and the extraordinarily flexible MultiFilter lets you create your own hybrid filter shapes. Hard sync, analog-style FM, drive, low-boost, and ring modulation offer plenty of tone-twisting power.

MS-20EX Legacy Analog CollectionAnalog modeling sound engineDebuting in 1978, the MS-20 unified a 37-note keyboard with a vertically oriented control panel, and was easily obtainable by those smitten by expensive and gigantic furniture-sized synthesizers. With a thick and solid sound, aggressive filters, and patching that opened up limitless potential for creating sounds, the MS-20's rich personality captivated countless synth freaks. Using Korg's CMT (Component Modeling Technology) the MS-20EX faithfully reproduces the MS-20 while dramatically expanding its patch panel functionality. Modulate filters with audio-rate oscillators; turn audio inputs into control signals; control all of the original knobs with mod sources including additional envelopes, LFOs, and realtime controllers. It's a tweaker's dream, but even without the patch panel, the MS-20EX would make waves with its unique, aggressive toneâdue in large part to its signature filters, which are completely different from those in either the AL-1 or the PolysixEX. The Kronos version is now very polyphonic.

PolysixEX Legacy Analog CollectionAnalog modeling sound engineThe Polysix first appeared in 1981, offering six-voice polyphony, program memory, and a surprisingly competitive price tag. With its self-oscillating four-pole filter, smooth analog oscillator and sub-oscillator, plus a lush Chorus/Ensemble effect, the PolysixEX extends the abilities of the original in many creative ways. The strings and pads that were such a major feature of the Polysix will be invaluable when you need the sounds of the early '80s. The classic arpeggiator built into the original Polysix is also provided. Korg added modulation of every control on the front panel, for a world of sounds impossible on the original. It's also very well-suited to hands-on control via the Kronos' Tone Adjust; with a knob, slider, or switch for almost all of the original Polysix controls. As a bonus, it's also capable of extremely high polyphony.

STR-1 Plucked String SynthesizerPhysical modeling sound engineBased on the physical modeling know-how Korg developed over the course of many years, this struck/plucked-string physical modeling sound engine takes advantage of cutting-edge technology. The STR-1 begins with highly playable sounds whose tone responds to your touch in ways that are difficult for a PCM sound engine to replicate. These include acoustic guitar, electric guitar, harpsichord, clavinet, harps, bells, and ethnic instruments. Then the STR-1 goes beyond, allowing the creation of sounds that obey physical laws, but that don't exist in reality. Play harmonics on a metal bar "plucked" by a piano or sing into a guitar stringâwith the STR-1, it's all possible. You can also process samples and live audio input through the physical modelâincluding audio feedback from any of the Kronos effects. While some of the Kronos engines look back in time, this is a sound engine of the future, one that allows the synthesizer programmer to construct truly new sounds.

Premier Artist ContributionsIn order to take full advantage of these 9 sound engines, Korg called on respected musicians to guide their sound design team towards their individual ideals. Responding positively, numerous world-class players contributed their time, energy, and critical listening to help them zero in on making the sound respond the way they hear it. Certain artist signature sounds were tested, judged, and tweaked by the likes of Jordan Rudess, Russ Ferrante, Lyle Mays, George Duke, Tom Coster, Jeff Lorber, Frank McComb, John Novello, and several other artists known for their serious love of sound and for their critical, demanding ears.

FEATURES

9 sound engines, each offering a unique sound-creation technology

16-part Combis allow all engines to function together in perfect harmony Dynamic Voice Allocation keeps the polyphony high

73-key keyboard features Korg's finest RH3 Graded Hammer Action

Comprehensive interface, based around a new large 8" TFT TouchView display

Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset "pluck" types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter

PCM Oscillator:

Korg's ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string

Excitation Filter:

Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback:

Run realtime audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals

PCM Oscillator:

Korg's ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators; Noise generator with saturation and dedicated low pass filter

Audio input:

Run realtime audio through the VPM Oscillators and filters

Filters:

Dual multi-mode filters per voice. Parallel and 24dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes

Multi Filter mode (Filter A only):

Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

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"message":"The 73-key Kronos is more than a new instrument. It is a milestone in synthesis and workstation evolution; one that embodies fresh ideas and breakthrough technologies. Kronos brings together multiple sound engines working in harmony and interactive performance features that reflect the way musicians play. Most importantly, Kronos provides a seemingly inexhaustible supply of breathtaking, spectacular sounds.<br /><br /><strong>The Next-Generation Instrument for Live, Production, and Sound Design</strong><br />The Kronos Music Workstation is the single instrument designed for live performing musicians; for artists creating in a studio or computer-based production environment; and for musicians and sound designers seeking the ultimate synthesizer. In creating Kronos, Korg listened to many musicians, heard their requests, and has vowed to deliver.<br /><br /><em>LIVE - for the performing keyboard player</em><br />Kronos provides the absolute finest in keyboard sounds; accurate and responsive to any player&#39;s technique. The expansive control surface offers joysticks, sliders, knobs, switches, a ribbon controller, assignable pedal inputs, and, of course, Korg&#39;s improved resolution color TouchView display. New additions include the easy-to-use Set List mode for song-specific and gig-ready sound selection, and Korg&#39;s Smooth Sound Transition feature. Plus, it includes Korg&#39;s finest RH3 keybed.<br /><br /><em>>PRODUCTION - satisfying the producer, music director, and musician</em><br />For many, the studio is where the work gets done; from laying down tracks, to building up grooves for an on-stage extravaganza, to delivering the soundtrack for today&#39;s media rich world. For these creative leaders, Korg has equipped the Kronos Music Workstation&#39;s sequencer with 16-track MIDI tracks, plus 16 audio tracks, Korg&#39;s Open Sampling System, dazzling hi-fidelity effects, as well as flawless plug-in integration with many popular DAW platforms. Kronos is also equipped with phenomenal sound, dynamic drums, and an impressive array of premium sound effects. Add to that the ability to use KARMA (explained below), the Drum Track, and the sequencer&#39;s RPPR to greatly speed up and enrich the music creation process.<br /><br /><em>>SYNTHESIS - programming joy for the enthusiast and sound designer</em><br />In addition to being Korg&#39;s premier workstation, Kronos has it in its blood to satisfy the programmer, sound designer, and synthesizer enthusiast; the musician who dreams of turning visions of the cosmos into sound, of tweaking parameters to conjure invisible sounds from the ether. Kronos rekindles Korg&#39;s founding dream that is at the core of synthesis: the exhilaration and enjoyment of creating new sounds, sounds never before heard. A variety of exclusive Korg technologies drive the synth engines to provide astounding resultsâVMT (Virtual Memory Technology); CMT (Component Modeling Technology); Physical Modeling, Digital Synthesis, Wave Sequencing, MDS (Multi-Dimensional Synthesis); KARMA and more!<br /><br /><strong>9 Synthesizer Engines, United in One Instrument</strong><br />Kronos contains 9 distinct synthesizer/sound engines. While each is worthy of a separate product in its own right, Kronos brings them all together into a single, integrated musical instrument. Dynamic voice allocation and new technologies allow all sound engines to smoothly share a stable, enhanced hardware platform. The results are nothing less than spectacular.<br /><strong>SGX-1 Premium Piano</strong><br /><em>Piano sound engine</em><br />To accurately capture the rich character of a concert piano, Korg abandoned working within the limitations of existing sampling methods and took advantage Virtual Memory Technology (VMT), able to play large samples directly from the internal high-capacity Solid State Disk (SSD). The SGX-1 Premium Piano sound engine offers two distinctive grand pianos; a rich German D piano, and a robust Japanese C model. Each uses superb, unlooped stereo samples sampled at 8 velocity levels for each and every key. Thoughtful attention to detail preserves the realism and warmth of the piano sound; this extends even to sampling and reproducing the body resonances of the grand piano, as well as the mechanical noise that occurs when the keys are played, or the damper pedal is pressed and released. The foundation of any keyboard instrument is the piano, and the SGX-1 engine allows Kronos to confidently deliver on this sonic ideal.<br /><br /><strong>EP-1 MDS Electric Piano</strong><br /><em>Electric piano sound engine</em><br />Korg&#39;s new EP-1 sound engine is dedicated to faithfully recreating 6 of the most popular classic electric pianos. The MDS (Multi-Dimensional Synthesis) technology eliminates the transitions between velocity-switched samples, and does away with the unnatural behavior of looped samples. It also provides the user with unique control over the tines, reeds, and noise elements that make up the essential character of these timeless and coveted electromechanical instruments. The MDS sounds respond smoothly to the subtleties of the player&#39;s keyboard touch. This technology also delivers an astounding dynamic range so that the energy of climactic passages is accurately preserved. Each of the 6 electric piano models provides realistic simulations of the period amp, cabinet, speaker, and even the hard-to-find vintage effects that gave the original instruments their distinctive sound. From the sounds, to the touch, to the effects; every element has been coordinated in a single package to create the ultimate electric piano experience.<br /><br /><strong>CX-3 Tonewheel Organ</strong></br><br /><em>Tonewheel organ sound engine</em><br />The original Korg CX-3 combo organ went on sale in 1980. Loved by musicians around the world, this classic organ reappeared in 2000 as a new product with the same name, but using the latest technology of the time to faithfully model the tonewheel organ sound. In Kronos, the CX-3 engine precisely models this classic tonewheel instrument. Proprietary Korg technology has been used to perfectly reproduce the vacuum tube amp, and effects such as Vibrato/Chorus and the &#34;must-have&#34; rotary speaker. Even the instability, fold-back, leakage, and noise of the tone wheels have been obsessively analyzed and recreated. Take full advantage of Korg&#39;s exclusive EX mode and switch from 9 to 18 drawbars (13 footages plus 5 to define the percussion) and generate even richer and more detailed sounds. The organ sounds heard in legendary performancesâsome recreated here by the original artistsâare now yours for the playing. Go ahead and experience these classic organ sounds, reborn for the present day.<br /><br /><br /></strong>HD-1 High Definition Synthesizer</strong><br /><em>Flagship PCM, sampling, and Wave Sequencing sound engine</em><br />The HD-1 was named&#34;High Definition&#34; because of its superior sound, starting with Korg&#39;s proprietary low-aliasing sample playback oscillators, full-bandwidth multimode resonant filters, and extraordinarily fast & smooth envelopes and LFOs. Once again, Korg&#39;s SSD and Virtual Memory Technology (VMT) gives the HD-1 access to a larger sample setâgigabytes in sizeâthan could be normally stored using internal memory. The HD-1 covers all of the essential sounds in exquisite detail, from orchestral to classic rock to hip-hop, all instantly available. The extensive array of samples provided by Kronos is unparalleled by previous hardware synthesizers or samplers, and is a superb fit for film, video, and sound effect work.<br /><br /><em>Wave Sequencing</em><br />First introduced on the Korg WAVESTATION, and used here as part of the HD-1, Wave Sequences play a series of samples over time, creating distinctive rhythmic timbres or smooth, complex evolving sounds. Additionally, step-sequencer modulation outputs allow Wave Sequences to control any modulate-able Program parameter.<br /><br /><em>Ambient Drums</em><br />The HD-1 sound engine also includes Korg&#39;s &#34;Ambient Drums.&#34; Take advantage of this rich sample content to create incredibly realistic drum parts. The Ambient Drums feature two kits. Each provides three different miking positions, capturing the whole kit, (with the snare on and off), plus the individual hits. The HD-1 voice architecture allows the custom blending of the drum&#39;s direct sound and ambient sound layer, adding a finished quality to the track. <br /><br /><br /><strong>AL-1 Analog Synthesizer</strong><br /><em>High-fidelity analog modeling sound engine</em><br />Feature-packed, the AL-1 is the same premium analog modeling sound engine that was first featured on the Korg OASYS, the Open Architecture Synthesis Studio back in 2005. Its patented ultra-low-aliasing oscillators (using completely different technology than the HD-1) recreate all the power and glory of true analog synthesis without unwanted artifacts. Morphing waveforms allow you to change the oscillator shapes in real time. Resonance modeling lets you choose between classic filter sounds, and the extraordinarily flexible MultiFilter lets you create your own hybrid filter shapes. Hard sync, analog-style FM, drive, low-boost, and ring modulation offer plenty of tone-twisting power.<br /><br /><strong>MS-20EX Legacy Analog Collection</strong><br /><em>Analog modeling sound engine</em><br />Debuting in 1978, the MS-20 unified a 37-note keyboard with a vertically oriented control panel, and was easily obtainable by those smitten by expensive and gigantic furniture-sized synthesizers. With a thick and solid sound, aggressive filters, and patching that opened up limitless potential for creating sounds, the MS-20&#39;s rich personality captivated countless synth freaks. Using Korg&#39;s CMT (Component Modeling Technology) the MS-20EX faithfully reproduces the MS-20 while dramatically expanding its patch panel functionality. Modulate filters with audio-rate oscillators; turn audio inputs into control signals; control all of the original knobs with mod sources including additional envelopes, LFOs, and realtime controllers. It&#39;s a tweaker&#39;s dream, but even without the patch panel, the MS-20EX would make waves with its unique, aggressive toneâdue in large part to its signature filters, which are completely different from those in either the AL-1 or the PolysixEX. The Kronos version is now very polyphonic. <br /><br /><strong>PolysixEX Legacy Analog Collection</strong><br /><em>Analog modeling sound engine</em><br />The Polysix first appeared in 1981, offering six-voice polyphony, program memory, and a surprisingly competitive price tag. With its self-oscillating four-pole filter, smooth analog oscillator and sub-oscillator, plus a lush Chorus/Ensemble effect, the PolysixEX extends the abilities of the original in many creative ways. The strings and pads that were such a major feature of the Polysix will be invaluable when you need the sounds of the early &#39;80s. The classic arpeggiator built into the original Polysix is also provided. Korg added modulation of every control on the front panel, for a world of sounds impossible on the original. It&#39;s also very well-suited to hands-on control via the Kronos&#39; Tone Adjust; with a knob, slider, or switch for almost all of the original Polysix controls. As a bonus, it&#39;s also capable of extremely high polyphony.<br /> <br /><strong>MOD-7 Waveshaping VPM Synthesizer</strong><br /><em>VPM/Waveshaping/PCM processing sound engine</em><br />Combine Variable Phase Modulation (VPM), wave-shaping, ring modulation, samples, and subtractive synthesis, plus a modular patch-panel system, and you have the MOD-7. Exceptionally versatile, it offers everything from classic FM keyboards, bells, and basses (including the ability to import sounds from vintage DX synths) to rhythmic soundscapes and sparkling, epic pads. Vast sample-mangling capabilities, with incredible flexibility and power, let you create intensely rich processing environments: combine multiple stages of filtering, waveshaping, and ring modulationâeven use samples as FM modulatorsâall patched together however you like.<br /><br /><strong>STR-1 Plucked String Synthesizer</strong><br /><em>Physical modeling sound engine</em><br />Based on the physical modeling know-how Korg developed over the course of many years, this struck/plucked-string physical modeling sound engine takes advantage of cutting-edge technology. The STR-1 begins with highly playable sounds whose tone responds to your touch in ways that are difficult for a PCM sound engine to replicate. These include acoustic guitar, electric guitar, harpsichord, clavinet, harps, bells, and ethnic instruments. Then the STR-1 goes beyond, allowing the creation of sounds that obey physical laws, but that don&#39;t exist in reality. Play harmonics on a metal bar &#34;plucked&#34; by a piano or sing into a guitar stringâwith the STR-1, it&#39;s all possible. You can also process samples and live audio input through the physical modelâincluding audio feedback from any of the Kronos effects. While some of the Kronos engines look back in time, this is a sound engine of the future, one that allows the synthesizer programmer to construct truly new sounds.<br /><br /><strong>Premier Artist Contributions</strong><br />In order to take full advantage of these 9 sound engines, Korg called on respected musicians to guide their sound design team towards their individual ideals. Responding positively, numerous world-class players contributed their time, energy, and critical listening to help them zero in on making the sound respond the way they hear it. Certain artist signature sounds were tested, judged, and tweaked by the likes of Jordan Rudess, Russ Ferrante, Lyle Mays, George Duke, Tom Coster, Jeff Lorber, Frank McComb, John Novello, and several other artists known for their serious love of sound and for their critical, demanding ears.",
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