Brian James: Guitar/Ivan Kral : Keyboards & Gtr/Glen Matlock: Bass/Klaus Kruger: Drums Un-Released Recording and Unseen photographs from the concert. Recorded on two of the four dates performed at the Old Waldorf in San Francisco.

One of the most frenetic breakneck tours Iggy undertook with the atmosphere charged even more with two of punks top generals in his band Sex PistolGlen Matlock and the Damned’s Brian James as well as Patti Smith GroupIvan Kral. Features a completely unheard track Hitchhiking in California.

Liner notes include exclusive notes from Ivan Kral & Brian James.

Iggy performs tracks from his current album New Values and some brand new tracks only recently recorded for the forthcoming Soldier album alongside some of the Stooges classic tracks TV Eye, Real Cool Time, I wanna be your dog, No Fun and a rarely played, blistering version of You’re Pretty face is going to hell.

Tracklisting:1. Real Cool time 2. Knockin em down in the city 3. Take care of me 4. Dog Food 5. You really got me 6. New Values 7. TV Eye 8. Play it safe 9. Your pretty face is going to hell 10. Funtime 11. Hitchhiking in California 12. I wanna be your dog 13. One for my baby 14. China Girl 15. Five foot One 16. No fun

Music Composed By Monty Norman. Orchestrated By Burt Rhodes Conducted By Eric Rodgers. The James Bond Theme Arranged & Conducted By John Barry Performed By The John Barry Orchestra. Guitar Solo Vick Flick. Recorded at CTS Studios, Bayswater, London during June 1962. Engineer Eric Tomlinson. Originally released on UA records in 1962.

•Limited Edition vinyl with free cd •The First James Bond Film Adventure and the First Soundtrack Album •Own a record with Ursula Andress on the cover !•Features the iconic ‘James Bond Theme’

Finally back in print! Second classic live performance from Lou Reed (first being American Poet Ears012), this one totally unreleased and not bootlegged before combining key classic tracks from his previous solo albums Transformer , Berlin, Sally Can’t Dance & Coney Island baby.

This is an FM Radio broadcast from Lou’s 1976 Rock N Roll Heart Tour in its 30th anniversary year restored and remastered in 2006

Presented in full colour glossy deluxe gatefold sleeve with shots of Lou from the tour and liner notes by Nina Antonia Rock and Roll Heart was the seventh album by Lou Reed, released in 1976.

It was his first album for Arista Records after record mogul Clive Davis reportedly rescued him from bankruptcy. "A Sheltered Life" (included in this set) dates back to 1967, when the Velvet Underground recorded a demo of it (available on Peel Slowly and See).

The Velvet Underground also performed "Follow the Leader",( not in this set ) and a live recording of it was released on The Quine Tapes.

Recorded Live at the 2008 Meltdown Festival at the Royal Albert hall, London.

Never before had the Meltdown banner seemed more suitable than on the night of June 24, 2008, when Primal Scream shared a bill with the MC5 at the much-revered event held annually at the Royal Festival Hall. The festival has seen many strange, unique and wonderful events, but few as incendiary, or even historic, as the fusion of Primal Scream & the MC5.

Maybe surprisingly, this was at the behest of Massive Attack, Bristol’s uncompromising slow-mo dub-charged colossus who curated this event. Michael admits to being bowled over to discover the Primal Scream’s support for his old band, but was shocked when Massive Attack requested their appearance in their Meltdown line-up. ‘It is so cool that the Massive Attack guys even know who we are. I’m a fan of theirs too, so I guess that for me it makes perfect sense. They are true originals, and really creative. I am honoured that they would have us!’

For many, it was a dream match, not least for Primal Scream, who have made no secret of their devotion to the Detroit demons since day one. ‘I never thought I’d even see them play live,’ reflects Bobby. ‘I used to take magic mushrooms or acid and listen to the MC5, imagining that I was in the Grande Ballroom. Then, here we are [40 years later] up on a stage playing with them. I found a ticket from that gig the other day while I was clearing out some cupboards, and started thinking about it. It was amazing...’ To the Scream‘s delight, the feeling turned out to be mutual, bassist Michael Davis stating, ’The Primals tear it up. I was really proud that they wanted us.’

Primal Scream pile into the likes of ‘Accelerator’ & ‘Miss Lucifer’, before a stretch of new songs including bell-strewn title track, ‘Suicide Bomb, mesmerizingly atmospheric ‘Uptown’ and gorgeously melancholic ‘Beautiful Summer‘, augmented by Melanie Draisey‘s poignant violin. A pummelling ‘Kowalski’ gets the crown on their feet, before the cathartic motoric of ‘Shoot Speed Kill Light’ & surging sirens of ‘Swastika Eyes‘. Davis, Wayne Kramer and drummer Dennis ‘Machine Gun’ Thompson were joined by second guitarist Adam Pearson and singer William DuVall from Alice In Chains. Cutting a dapper figure with his stars ‘n’ stripes guitar, Kramer’s first opening salvo kicks off ‘Ramblin‘ Rose‘.

He is the consummate showman, strutting and interacting with the front rows. Thompson looks like he’s about to pulp his kit, but exhibits that effortless fingertip-powerhouse style. These songs sound tracked America’s punk-predating political counter culture: ‘Kick Out The Jams‘, ‘Come Together‘, ‘Motor City Is Burning’ plus Back In The USA highlights including ‘Call Me Animal‘ and ‘American Ruse’. Scream fave ‘Sister Anne’, from third album High Time, follows next, Kramer’s harmonica replacing the original‘s brass. Duvall makes a charismatic natural to front them. Like the Scream, the Five have got to the point where their spirit lives larger than the human beings who still carry it.

Then a collective shudder of delight ripples through the crowd as two singers, four guitarists, two bassists, two drummers and a piano-player look at each other and, after Bobby has referenced Jim Morrison’s ’Is everybody in?’ The ceremony is about to begin‘, kick into the blazing garage crank of early Five song ‘I Can Only Give You Everything‘.

Primal Scream’s locomotive ‘Skull X’ and a ‘Movin’ On Up’ swell into one glorious, spine-tingling testimonial, with the whole hall singing and going crazy. ‘I’ve been waiting 25 years for this,’ declares Andrew Innes. This was more than just token encore jamming, when like minds clamber up and plug in, the connection is made! -Kris Needs.

Ex NEW YORK DOLLS guitarist, anthology of material recorded from the break up of the dolls to the present day Sylvain played with David Johansen & the late Arthur Kane at the MELTDOWN FESTIVAL as guests of Morrissey, in 2004.

The very first time that all three have been on stage at the same time since the break up of the NEW YORK DOLLS and an extensive world tour broke out after that. Includes re-recording of classic New York Dolls single “Trash” plus a Johnny Thunders song and two further tracks co written with David Johansen.

Photos from the actual studio in London in 1972 by legendary photographer Mick Rock.

Liner notes by Iggy Pop Bible author and ex Mojo editor Paul Trynka.

In the year the Stooges Movie “Gimme Danger” by Jim Jarmusch is released across Europe. The legend that is The Stooges is gaining weight. With the sad departure of both Asheton brothers Ron & Scott who were as much a part of the stooges as Iggy Pop was.

Now is the time to ensure we document what exists. With ‘Heavy Liquid -The Album’ we try and show the listener what this band were capable of and what utterly focused and dedicated musicians the band were despite the stories of individuals so far off the rails they made the likes of rolling stones and led zeppelin appear like choirboys.

No, there was a sense of purpose…. an attack on the audience at large by very determined young men.

Heavy Liquid,..assembled from everything from cassette recordings to Multi track master tape, it is a peep at what could have been !