Rebecca Oswald (b. 1958) is an award winning composer and lifelong pianist. Her catalogue
includes music for piano as well as other solo instruments, various chamber ensembles, string and
full orchestra, art songs, all types of choral ensembles including chorus with orchestra, a clarinet
concerto, and an opera. She has also written music for film and games. She holds a Bachelor of
Music degree, summa cum laude, in music theory and composition from Westminster Choir
College (1998), and a Master of Music degree in music composition from the University of
Oregon School of Music (2001). For more information please visit rebeccaoswald.com or write to
rebecca@rebeccaoswald.com.

(1) Please report all U.S. performances of this work to BMI (classical@bmi.com) and to me
(rebecca@rebeccaoswald.com) by emailing a JPG or PDF of a program, ﬂyer, poster, or ticket
showing the title of my programmed work(s) and my name (Rebecca Oswald).
(2) Similarly, please report all non-U.S. performances to the host country’s national performance
rights organization, to BMI (classical@bmi.com), and to me (rebecca@rebeccaoswald.com).
Many thanks! I hope you enjoy playing Claro de Luna.
— Rebecca Oswald

In light of the frequent damper pedal changes in Claro de Luna (the “Moonlight Sonata” Tango), after
the initial “
” marking, an abbreviated version ( ) of that symbol is used to indicate the subsequent
damper pedal depressions. Damper pedal lifts ( ) are only indicated if the damper pedal is not
immediately depressed again.