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Renan Ozturk

Expedition climber, landscape artist and filmmaker.

His cutting edge big-wall first ascents, mountain murals and films realized as part of The North Face athlete team have brought him around the globe from the high Himalaya, the jungles of Borneo and deserts of Africa. With the advent of next generation lightweight satellite, solar and DSLR camera technology Renan has pushed the art of filmmaking in extreme locations.

His video 'dispatches' produced during expeditions bring the adventure to a world-wide online audience in near real-time. They have been a key story-telling component for clients including The North Face, National Geographic and Outside Magazine. Through top mountain film festival awards and on-line viral recognition, Renan's cinematography and visual story-telling style has emerged as one of the leaders in the outdoor industry.

Most recently he co-founded Camp 4 Collective, an adventure sports based production company which continues to push the boundaries of expedition story-telling.

Artist

Artist

Artist Roots

Before Renan was a filmmaker, he spent his days doing landscape painting while climbing. Renan spent years living in a tent beneath the desert walls of Utah and the snowy Himalayan mountains, carrying large swaths of raw cotton canvas on his back to the places he cut his teeth as a professional climber. He uses mixed media, found materials, oil pastels, watercolors, acrylics, ink pens and even natural pigments pulled straight from the earth to capture these wildly beautiful landscapes. All of his paintings were created on expedition, right in the dirt beneath towering mountains, securing the canvases and stitched papers to the ground with heavy stones. These paintings are impressionistic, vividly colorful, and acutely contoured with details that mirror the jagged ridges and dramatic skis that Renan experienced while pushing the bleeding edge of alpinism and art.

His canvases are worn, folded, and wrinkled with the dirt of the mountains. Each of these large canvases and papers he carried on his back rolled up into his pack, sometimes for over 100 miles, to the base of his climbs. The cracked paint, dried from the sweeping alpine winds, is an imprint of the weathering forces of nature that Renan endured on these expeditions. The paintings are a literal embodiment of the adventure itself.