Hebrew Latino"Hebrew Latino" was started out of frustration. I could not find a font that looked like Hebrew - actually I found one, but it had only capitals. So I decided to make my own. Strangely enough it looks a little bit "Jugendstylish"! Here

HedonHedon is hedonistic & humanistic, but not egoistic sans serif family. Comes out with 4 weights and matching Italics. It declares as neutral, versatile and legible partner for any kind of publications, with tiny dose of impressible characteristics tha

HellenHellen is an elegant classic serif font based on the Koch Antiqua typeface, created in 1922 by the German designer Rudolf Koch. It's a delicate typeface with a low x-height, designed for decorative and display use. This version includes Regular, Bo.

Hello ChristmasHello Christmas is the christmas-themed version of Zetafonts' Hello Script family including a set of Icons (designed by Cristiana Pezzatini), both featuring multilayer color fill. An high contrast calligraphic script designed by Cosimo Lorenzo Panci.

Hello ScriptHello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, wit...

HelsingHelsing is a serif style font inspired by Bram Stoker’s 1897 Dracula as well as Edward Gorey’s rendition of the story. Helsing is characterized by his slighting skewed baseline, subtle texture, thick and thin contrasts, and decorative legs.

HeltarA modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space.

HenceforthHenceforth is a hand-drawn, all caps didone-style typeface. It is a little rough, a little uneven, but lively and elegant as well. Personally I think it has a certain poshness about it: I mean, it wouldn’t look out of place in old Notary books, or...

Henderson SansThe first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans serif companion.

Henderson SlabA few bold caps drawn by Albert Du Bois for the 1906 Henderson Sign Painter book started me in the direction of looking at how sign painters approached slabs after the industrial revolution. The usual happened from there. My exercise in the early letterin

HenmanBased on the late 1970s artwork by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001). That was the only design created by Mnatsakanyan for Latin and Cyrillic. Digital version with adding the missing characters was designed for ParaType in

Henman PictogramsPT Henman Pictograms™ was based on Armenian ornaments revived by Henrik Mnatsakanyan, with participation of Manvel Shmavonyan. The digital version was developed for ParaType in 2002 by Manvel Shmavonyan.