England, My England is a collection of stories by published by D.H. Lawrence in 1922. Most of the stories were written against the backdrop of the World War I. Taking war and its destruction as its main concern, the collection contains stories like, The Blind Man, The Horse-Dealer's Daughter, which is the story of young doctor who rescues a girl from drowning, and England, My England, in which Egbert, an effete aristocrat who, in his effort to reassert his masculinity, is killed in the war.

But he was looking mostly straight below him, at the massed foliage of the cliff-slope. Down into the centre of the great, dull-green whorls of the tree-ferns, and on to the shaggy mops of the cabbage palms. In one place a long fall of creeper was yellowish with damp flowers. Gum-trees came up in tufts. The previous world!--the world of the coal age. The lonely, lonely world that had waited, it seemed, since the coal age. These ancient flat-topped tree-ferns, these towsled palms like mops. What was the good of trying to be an alert conscious man here? You couldn't.

Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters.

Paperback. Pub Date :2013-05-09 Pages: 352 Language: English Publisher: HarperCollins UK HarperCollins is proud to present its incredible range of best-loved. essential classics.LADY CHATTERLEY'S LOVER was banned on its publication in 1928. creating a storm of controversy. Lawrence tells the story of Constance Chatterley's marriage to Sir Clifford. an aristocratic and an intellectual who is paralyzed from the waist down after the First World War. Desperate for an heir and embarrassed by his inability to satisfy his wife. Clifford suggests that she have an affair. Constance. troubled by her husband's words. finds herself involved in a passionate relationship with their gamekeeper. Oliver Mellors. Lawrence's vitriolic denunciations of industrialism and class division come together in his vivid depiction of the profound emotional and physical connection between a couple otherwi...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Prosecuted in an obscenity trial in 1915 for its frank treatment of sexuality, this novel chronicles the lines of three generations of the Brangwen family and the emergence of modern England Set between the 1840s and the early years of the 20th century, this novel tells the story of three generations of the Brangwen family, ancient occupiers of Marsh Farm, Nottinghamshire. Through courting, pregnancy, marriage, and defiance, Lawrence explores love and the conflicts it brings.

The range and depth of Lawrence's sensibility is demonstrated in this selection of essays, many of which distil the ideas and experience found in his novels. He introduces his paintings, ponders on the nature of democracy, discusses "The Forsyte Saga" and portrays the people and places he saw on his travels in Italy, Germany and Mexico. The volume also includes a prophetic letter, written in 1924, in which Lawrence anticipates the rise of Nazism.

Paul Morel is a young artist, and the second son of Gertrude Morel. When Paul falls in love with a local girl, Miriam, his mother disapproves, and Paul is forced to choose between them. "Sons and Lovers" is an intense examination of family, class, and love, set in a small mining town in the early 1900's.

Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freud, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miriam, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives."

Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."

The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."

The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Women in Love begins one blossoming spring day in England and ends with a terrible catastrophe in the snow of the Alps. Ursula and Gudrun are very different sisters who become entangled with two friends, Rupert and Gerald, who live in their hometown. The bonds between the couples quickly become intense and passionate, but whether this passion is creative or destructive is unclear. In this astonishing novel, widely considered to be D.H. Lawrence's best work, he explores what it means to be human in an age of conflict and confusion.

French

The Rainbow tells the story of three generations of the Brangwen family, a farm/ labouring dynasty who live in the East Midlands of England near Nottingham. The book spans a period of roughly 65 years from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialisation of Britain. The first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond Nottinghamshire; while the last, Ursula, his granddaughter, studies at University and becomes a teacher in the progressively urbanised, capitalist and industrial world that would become our modern experience.
The book starts with a description of the Brangwen dynasty, then deals with how Tom Brangwen, one of several brothers, fell in love with a Polish refugee, Lydia. The next part of the book deals with Lydia's daughter by her first husband, Anna, and her destructive, battle-riven relationship with her husband, Will, the son of one of Tom's brothers. The last and most extended part of the book, and also probably the most famous, then deals with Will and Anna's daughter, Ursula, and her struggle to find fulfilment for her passionate, spiritual and sensual nature against the confines of the increasingly materialist and conformist society around her. She experiences a lesbian relationship with a teacher, and a passionate but ultimately doomed love affair with Anton Skrebensky, a British soldier of Polish ancestry. At the end of the book, having failed to find her fulfilment in Skrebensky, she has a vision of a rainbow towering over the Earth, promising a new dawn for humanity:
"She saw in the rainbow the earth's new architecture, the old, brittle corruption of houses and factories swept away, the world built up in a living fabric of Truth, fitting to the over-arching heaven."