"I work as a harpsichordist, fortepianist and musicologist in West Sweden. For the past fifteen years I held a position with the baroque ensemble Corona Artis based near Göteborg, performing a wide variety of continuo and solo literature in all Baroque styles and in the earlier Classical style. Corona Artis became a freelance ensemble in January 2007. I continue being a member of this group, but am now primarily active as a freelance performer, with solo performance on the harpsichord and continuo playing as primary interests.
I also have a special interest in the early piano, its construction and its repertoire. Since 1997 I have conducted specialized research in Beethoven performance practice on the piano. My Ph.D. dissertation (2007) combined historical and organological analysis to develop some guidelines for performing Beethoven’s early keyboard works. " See website for more info. (ed.)

Leonardo da Vinci in 1480s invented a musical instrument called Viola Organista. However he never built it. For 500 years very few attempts were made to bring this project to life, moreover none of them fully succeeded. Until now. In 2012, after 4-years-long work, Sławomir Zubrzycki, Polish pianist and constructor, built the first concert Viola Organista and started a new chapter of its history.

Visit website for more information about this instrument, its builder and performances. (ed.)

"Studied the organ with Prof. Jozef Serafin and harpsichord with Prof. Leszek Kedracki
at the Frederic Chopin Music Academy in Warsaw, where he received both his Master of Arts degrees.

As participant of the Socrates-Erasmus programme studied the organ with Prof.Dr. Ludger Lohmann
and harpsichord with Jörg Halubek at Hochschule für Musik und Darstellende Kunst
in Stuttgart.

Currently he is studying the organ and historical keyboard instruments with Prof.Dr. Ludger Lohmann and Jörg Halubek at Hochschule für Musik und Darstellende Kunst in Stuttgart.

He received a number of awards, including:
* the 2nd prize ex equo (1st prize not awarded) at the 1st International Franz Schmidt Organ Competition in Kitzbühel (2006),
* special prize for the best interpretation of the Toccata by Maria Hofer at the 1st International Franz Schmidt Organ Competition in Kitzbühel (2006) "
Visit website for more information. (ed.)

"Krzysztof Czerwinski was born in Poznan, Poland and began his early musical training at the age of 7, as a private piano student of Prof. Irena Wyrzykowska-Mondelska, from the Academy of Music in Poznan. He received his first degree from the Wieniawski School of Music (Poznan), where he studied organ and piano. In 1997 he gained the Wieniawski School of Music Award for both best music interpretation and best organ performance. He won First Prize in the 1998 National Organ Competition in Czestochowa (Poland). In 2000 he graduated from Prof. Jozef Serafin’s organ class, receiving the High School of Music Diploma in Organ Performance.

As an organist, Krzysztof Czerwinski won several top prizes in national and international competitions and has played in many of the major venues in Poland; has broadcast and recorded for Polish radio and television, and has performed abroad, in Russia, France, Holland, Austria, Germany, England and the USA. " Visit website for more information. (ed.)

"Mrs. ELŻBIETA STEFAŃSKA was born in Cracow, Poland, on September 7, 1943. Her extraordinary musical talent having become aparent already at an early age, she received her first piano lessons from her father Ludwik Stefański, professor at the Music Academy Cracow.

In 19.. she graduated from the National Music University Cracow in the harpsichord class. Her teacher was the famous German Professor Hans Pischner from Berlin. In the following years she improved her musical proficiency at various international master classes in Siena and Weimar, under the guidance of eminent European harpsichord player - such as Zuzanna Ruzickova or Ruggiero Gerlin. Her first two prizes were awarded to her at the Ancient Music Competition, Łódź, for her piano and harpsichord performance of baroque works. 1965 she won the First Prize at the International Music Competition in Geneva, where she was also honoured with the special Henri Ghez reward as the best harpsichard player. Among her awards and prizes are also the City of Cracow Prize for actistic achievements, awarded to the Baroque Trio of which she was a member and "LAUREL OF CBACOW MUSIC LOVERS" granted to her "in testimony of their gratitude and appreciation for having made classic music widely known".

Elżbieta Stefańska is a Professor at the Music University of Cracow where she leads the harpsichord class and where, from 1981-1990, she was Head of the Department of Clavecin and Ancient Instruments. Since 1990 she has frequently been invited to give concerts and to play for TV and radio recording in Japan, South Corea and Taiwan. In the Mozart Year she played 18 Mozart sonatas (6 CDs) using an ancient Mozart piano for the Pony Canyon sonographic company in Tokio. For the same company she also recorded numerous works by J.S. Bach composed for clavecin. " Visit website for more information. (ed.)

"Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. Almost from the beginning of his musical studies he was fascinated with authentic instruments and a performance style based on sound scholarship.

Even before completing his studies he laid the foundations for a career as a conductor of seventeenth- and eighteenth-century music and this fascination with the Baroque era led him in 1969, at age 25, to establish his first Baroque orchestra and, in 1979, to found the Amsterdam Baroque Orchestra followed in 1993 by the Amsterdam Baroque Choir. " ...

"Siebe Henstra studied the harpsichord with Gustav Leonhardt and Ton Koopman at the Sweelinck Conservatory in Amsterdam. He has won prizes at competitions in Edinburgh (1982) and Amsterdam (1987). Since then, he has played with many ensembles; the best known are the Leonhardt Consort, Tokyo Baroque, La Petite Bande, the Ricercar Consort, and the Royal Concertgebouwr Orchestra. He worked with several famous directors - e.g. Frans Brüggen and Gustav Leonhardt - with whom he co-operated for recordings and opera-productions (for Ricercar, Denon, Philips, Deutsche Harmonia Mundi, Sony and Telefunken), in most of the European countries, Japan and the United States. He is continuo player (organ and harpsichord) of the Dutch Bach Society. Siebe Henstra has given a number of masterclasses in Finland, Germany, Italy, France, Japan, the USA, Catalunya, and the Czech Republic. At this moment, he teaches harpsichord at the Utrecht conservatory. He made several solo Cd's. One entirely devoted to 17th century italian music for harpsichord solo and another one with the complete keyboard works of Matthias Weckmann, both released by Ricercar. A CD with clavichord works for the MIM in Brussels and he contributed to the complete recording of Sweelinck which got an Edison award (2003) as well as an award of the 'Deutsche Schallplatten Kritik Preis (2003). " Visit website for more information. (ed.)

"Pieter Dirksen performs as soloist on both harpsichord and organ and as continuo player with diverse chamber ensembles. He completed his musicological studies with honours in 1987 and since then published widely about baroque keyboard music. In 1996 he received his doctorate ‘cum laude’ with a dissertation on the keyboard music of Jan Pieterszoon Sweelinck, which was awarded the Dutch Praemium Erasmianum. Further books have been devoted to Bach's Art of Fugue (1994), Sweelinck (essays, 2002) and Scheidemann (2007), and critical editions appeared with music by Bull, Sweelinck, Cornet, Scheidemann, Düben, Buxtehude, Reincken, Lübeck and Bach.

Pieter Dirksen is a member of Combattimento Consort Amsterdam and the Netherlands Bach Society as well as the chamber music group La Suave Melodia. He appeared in most European countries, the United States and Canada, and regularly gives masterclasses in chamber music and keyboard playing. He teached at the Organ Summer Academies in Haarlem, Göteborg and Smarano and is affiliated with the organ research at the Göteborg Organ Art Center. As a soloist he specializes in the rich seventeenth-century North-European repertoire as well as in the music of J.S. Bach. Among his numerous recordings the one devoted to the reconstruction of the earliest version of Bach's Art of Fugue and the complete recording of Sweelinck's keyboard music, in which he participated both as a player and musicologist, stand out in particular. The latter was awarded the highest Dutch prize, the Edison. " Visit website for more information. (ed.)

"Menno van Delft, born 1963 in Amsterdam, studied harpsichord, organ and musicology at the Sweelinck Conservatory in Amsterdam, the Royal Conservatory in The Hague and the University of Utrecht. Amongst his professors were Gustav Leonhardt, Bob van Asperen, Piet Kee, Jacques van Oortmerssen and Willem Elders. During his studies Menno van Delft sang Gregorian chant in de “Schola Cantorum Amsterdam” under the inspiring and formative leadership of Wim van Gerven.
In 1988 Menno van Delft was a finalist at the C.Ph.E. Bach Competition in Hamburg and won the clavichord prize. Subsequently he made his debut at the Holland Festival Early Music Utrecht. He has given concerts and master classes throughout Europe and the U.S.A. and made numerous recordings for radio and television. He has been a guest at several Bachfeste of the Neue Bachgesellschaft.

As a continuo player and soloist Menno van Delft performs with Marion Verbruggen, Jaap ter Linden, Pieter Wispelwey, Bart Schneemann, Lucia Swarts and Jacques Zoon and with the Nederlandse Opera, Al Ayre Español, the Nederlands Blazersensemble, Cantus Cölln, the Koninklijk Concertgebouworkest, the Nederlands Kamerkoor and the Nederlandse Bachvereniging. He has recorded for labels such as Globe, Deutsche Harmonia Mundi, Chandos, Channel Classics, Capriccio, EMI and Decca. ...

Together with Siebe Henstra he forms the clavichord duo Der Prallende Doppelschlag and with Stefano Demicheli the harpsichord duo La Bassa Fiamenga. Since 1995 Menno van Delft has taught harpsichord, clavichord, basso continuo and ensemble playing at the Conservatory of Amsterdam (formerly the Sweelinck Conservatorium). ... " Visit website for more information. (ed.)

"Marco Vitale was born in Palermo (Italy) in 1980. He studied piano, organ, harpsichord and composition at Palermo’s “V. Bellini” Conservatory. He took the piano diploma in 2001 and the organ diploma in 2002 with full marks and “Cum Laude”. He took part in many international master-classes where he developed his skills and taste for baroque music.

His concert life began at age of 15, with performances as a soloist and chamber musician. He has performed as a continuo player with well-known orchestras and conductors.
In 2002 he moved to The Netherlands where he studied at the Royal Conservatoire in The Hague.
Marco Vitale took degrees in organ with Jos van der Kooy, and Early Music (harpsichord) with Ton Koopman and Tini Mathot.

Marco Vitale is the co-founder and musical director of “Contrasto Armonico”, a baroque orchestra specialized in the performance of music in italian stytle and baroque operas; in 2008 started a cooperation with the Dutch label Brilliant Classics, for whom he recorded already the serenata “Aci, Galatea e Polifemo” by Handel. For he will record, in October 2008, the Handel’s oratorio “La Resurrezione”, which will be released in the first half of the Handel year 2009. In addition to performing, he also works as teacher, giving master-classes throughout Europe and teaching Harpsichord at the Royal Conservatory of The Hague (Netherlands). " Visit website for more information. (ed.)

"Kathryn Cok pursues a varied career as a harpsichordist, fortepianist and academic on both sides of the Atlantic. She is well sought after both as a soloist as well as a continuo player. Born in the city of New York, USA, Kathryn now lives in The Hague, Holland where she completed a Masters degree at the Royal Conservatory as a student of Ton Koopman and Tini Mathot on the harpsichord, and Bart van Oort on the fortepiano. " Visit website for more information. (ed.)

"Johan Hofmann studied the harpsichord with Jacques Ogg and Siebe Henstra . His repertoire encloses works from the 16th, 17th, and 18th century as well as contemporary, although he specializes in music from the early and mid baroque period. His interpretations are grounded in thorough theoretical and organological knowledge and are at the same time renowned for their spontaneity and purity of style.
He gave concerts in Austria , Denmark , France , Germany , Italy , Scotland , Spain , The Tsjech Republic, The United States and Sweden . In the Netherlands he regularly plays with ensembles and orchestras like The Northern Consort, Cappella Groningen, the Brabants Kamerkoor, Ensemble Occhio di Falcone (with Judith van Wanroij, Susanne Braumann and Bert Honig), the Combattimento Consort and cappella Frisae. Johan Hofmann also performed with distinguished players like Michael Chance, the Egidius Quartet, Emma Kirkby, Paul Leenhouts, Xenia Meijer, Robert Muuse and Marc Pantus. ...

Johan Hofmann teaches an international harpsichord class at the Prins Claus Conservatoire in Groningen. At the same institute he teaches thoroughbass and chambermusic. At the Conservatorium van Amsterdam Johan Hofmann teaches harpsichord and thoroughbass as minor subjects, and lectures the course “Harmony in Performance Practice”. He is also regularly invited by the conservatories in Tilburg, Zwolle, Arnhem and Enschede and gives courses in the Netherlands as well as abroad. " Visit website for more information. (ed.)

"JACQUES OGG is a performer on both harpsichord and fortepiano; he teaches at the Royal Conservatory in The Hague; he conducts and he makes recordings, either solo or with friends and colleagues.

He was born in Maastricht (the Netherlands) and studied harpsichord in the city of his birth with Anneke Uittenbosch. In 1970 he went to study with Gustav Leonhardt at the Amsterdam Conservatory from which he graduated in 1974.

Jacques Ogg’s current activities include soloconcerts on harpsichord or on fortepiano, concerts with flautist Wilbert Hazelzet as a duo as well as in a trio-formation either with gambaplayer Jaap ter Linden or with ‘cellist Christiaan Norde. He is a member of the Orchestra of the 18th Century and performs regularly with Concerto Palatino. He is frequently invited for masterclasses, for instance in Juiz de Fora (Brazil) and Buenos Aires, in Mateus (Portugal), Salamanca (Spain) as well as in Cracow (Poland), Prague and Budapest. He was invited as a juror in competitions such as “Bach Wettbewerb” (Leipzig) and “Prague Spring”.

“Gustav Leonhardt (born 30 May 1928, 's-Graveland) is a highly acclaimed Dutch keyboard player, conductor, musicologist, teacher and editor. Leonhardt has been a leader in the movement to perform music on period instruments. The keyboard instruments on which he has performed and recorded include the harpsichord, pipe organ, claviorganum (a combination of a harpsichord and an organ), clavichord, and fortepiano. .. “

“ Bernard Winsemius (b. 1945) studied the organ with Anthon van der Horst and Albert de Klerk at Amsterdam Conservatory, where he also studied choral and orchestral conducting. In addition, he studied the carillon at the Nederlandse Beiaardschool (Dutch Carillon School) in Amersfoort.

His study was crowned with the Prix d'excellence for organ (1970) and carillon (1971). He was awarded the Zilveren Vriendenkrans (Friends' Silver Wreath) by the Vereniging Vrienden van het Concertgebouworkest (Society of Friends of the Concertgebouworkest) in 1971.

Bernard Winsemius teaches the organ at Rotterdam Conservatory and Utrecht Conservatory, and the carillon at the Dutch Carillon School. He is a regular teacher at the International Organ Academy Haarlem. As a guest teacher he is invited to give master classes, especially on subjects concerning renaissance and baroque music.

He is city carillonneur of Haarlem and Amsterdam.

Together with Gustav Leonhardt he was appointed organist of the Nieuwe Kerk, Amsterdam, in 1981.

He has done numerous concerts for broadcasting companies, as well as for LP and CD.“

"After completing his modern piano degree at the Royal Conservatory at The Hague in 1983, Bart van Oort studied fortepiano with Stanley Hoogland, also at the Royal Conservatory. In 1986 he won the first prize and the special Audience prize at the Mozart Fortepiano Competition in Brugges, Belgium, and he subsequently studied with Malcolm Bilson at Cornell University (Ithaca, NY), receiving a Doctor of Musical Arts degree in Historical Performance Practice in 1993. He has performed at festivals in Utrecht, Florence, Berlin, Antwerp, Brugges, Melbourne, Brisbane, York, Montpellier, Moscow, and Esterhaza, in the USA and New Zealand, and has given lectures and master classes at the conservatories of Brussels, Paris, Moscow, Helsinki, Oslo, Bucharest, Sofia, Moscow, Stavanger, Perugia, Sydney, Adelaide, Wellington, Melbourne, Hong Kong, Tokyo, Juilliard, Bloomington, and Western Ontario. Since 1997 Van Oort has made more than forty recordings of chamber music and solo repertory, including the prize-winning 4-CD box set The Art of the Nocturne in the Nineteenth Century, the Complete Haydn Piano Trios (10 CDs) with his ensemble the Van Swieten Society, and with four other fortepianists, the Complete Haydn Piano Sonatas. In 2005 Bart van Oort completed a ten-year, 14-CD recording project, the Complete Works for Piano solo and Piano four-hands of Mozart, which was released during the Mozart Year 2006. Bart van Oort teaches fortepiano and is a lecturer in Historical Performance Practice at the Royal Conservatory in The Hague (The Netherlands). " Visit website for more information. (ed.)

"Chie Hirai received her bachelor degree on modern piano in the College Division of Toho Gakuen School of Music. In order to specialize in fortepiano with Stanley Hoogland at the Royal Conservatory, The Hague (The Netherlands), she was granted scholarships from the Nuffic Organization and the Agency for Cultural Affairs of Japan.

She was awarded her Masters with distinction on fortepiano in 2002, as well as "Nicolai prize" that is given to the most outstanding student of the year. In addition to her fortepiano specialization Chie has also broadened her knowledge of keyboard instruments by studying the harpsichord with Menno van Delft at the Conservatorium van Amsterdam.

In the Mozart-year 2006, she toured with l'Orfeo Baroque Orchester in Austria and Germany to perform piano concertos by Mozart and his son Franz Xaver in Brucknerhaus in Linz, Konzerthaus in Vienna etc. ...

Chie has performed in the major early music festivals in Europe such as the Festival de Musica Antiga de Barcelona (Spain), Festival Oude Muziek Utrecht (Holland), Académies Musicales Festival in Saintes (France), The Felicja Blumental International Music Festival (Israel) and Carinthische Sommer (Austria). Many radio broadcasting and recordings were made by such as Radio France (Paris, France), ARF (Wien, Austria) etc. She was an official accompanist in International early music competition in Bruges in 2005. " Visit website for more information. (ed.)

"Born in Sardinia, Paola Erdas was awarded her diploma in harpsichord at the Conservatory of Venice in 1991. From 1992 to 1996, thanks to a five-year scholarship, she studied under Kenneth Gilbert at the Mozarteum in Salzburg. Since 1996 she has been a member of the ensemble L'Apothéose, recording for the Stradivarius label.

In the same year, together with recorder virtuoso Lorenzo Cavasanti, she founded the JANAS ensemble. The group, which collaborates with the theatre and historical dance specialist Deda Colonna, soon became multi-instrumental, with the sound of the harpsichord augmented by voice,winds,strings and percussion , in performances combining poetry, dance and music of the late Renaissance and Baroque periods in the Mediterranean area.

Particularly interested in the early harpsichord repertoire she combines her intense performing activity with her wide musicological interests. For Ut Orpheus Edizioni she has published the first modern edition of the "Pièces de Luth en Musique pour jouer sur le Luth et le Clavessin" by Perrine (Paris 1680), which she has also recorded, for the Stradivarius label, on the Delin harpsichord (Tournai 1768) from the collection of K.Gilbert. Always fascinated by the Spanish repertoire, she has studied this topic in depth with careful research into ancient sources and treatises. In 1997, she recorded the solo CD "Libro de Cifra Nueva" by Luys Venegas de Henestrosa on another harpsichord in K.Gilbert's collection, the Italian F. A. 1677. ...

She is presently working on a critical edition of the "Pièces de Clavessin" by N. A. Lebègue, the first volume of which has been already been published by Ut Orpheus Edizioni and recently recorded by her on the Stradivarius label.

Paola Erdas teaches thorough-bass at the Conservatory of Trieste. " Visit website for more information. (ed.)

"Gabriele Catalucci was born in Amelia in 1958 where he studied piano with Pina Ardizzone.

Some years later he graduated in Organ and Composition under Wijnand van de Pol and in Harpsichord after studying with Annaberta Conti e Maria Teresa Garatti at the Conservatorio "F.Morlacchi" of Perugia.

He studied conducting as well and took part at courses for organ with Luigi Ferdinando Tagliavini at the Accademia per organo of Pistoia and for harpsichord with Kenneth Gilbert at the “Fondazione Cini" of Venezia.

He attended the Scuola di Paleografia e Filologia Musicale in Cremona (Pavia University). At the end of his studies he started giving concerts as organ, harpsichord and fortepiano soloist and as conductor in festivals and many theatres in Italy and abroad (Argentina, Austria, France, Germany, Norway, Spain, Switzerland).

He recorded several works for Bongiovanni, Eco, Frequenz and for RAI Radio3 and revised and published operas and instrumental and sacred-vocal music of XVII - XIX centuries.

He teaches Harmony and analysis and Historical Keyboards at the "G.Briccialdi" Music School in Terni and is conductor of the Corale Amerina, plays in duo with Wijnand van de Pol (two organs-two harpsichords) and Andrea Di Mario (natural trumpet) with whom founded the ensemble of natural trumpets, baroque ketteldrums and organ Les Trompettes des Plaisirs and is deputy organist at All Saints' Anglican Church in Rome. ... " Visit website for more information. (ed.)

"Francesco Corti was born in Arezzo, Italy, in a musical family in 1984. As a young child, he was taught by his mother, Anna Seggi, and then by Giordano Giustarini.

He studied organ in the class of Wijnand van de Pol at the Conservatorio Morlacchi in Perugia, where he graduated with highest marks and mention in 2004.

He then studied harpsichord at the Conservatoire de Musique of Geneva with Alfonso Fedi. He is currently continuing his studies at the Conservatorium van Amsterdam with Bob van Asperen (harpsichord). He has also attended masterclasses with C. Rousset, G. Leonhardt, M. Meyerson, B. Winsemius, E. Kooiman, L. Tamminga, L. F. Tagliavini at important musical institutions such as the Zomerakademie voor Organisten of Haarlem, the Académie Musicale de Villecroze and the Accademia Chigiana di Siena (where he received a "Diploma di Merito"). From 2000 to 2004, he was organist at the Chiesa di Santa Maria della Pieve in Arezzo.

He was awarded in international competitions for harpsichord, organ, and chamber music and in 2006 he obtained the first prize of harpsichord at the XV International "Johann Sebastian Bach" Competition in Leipzig. In 2007 he was awarded the second prize at the Bruges Harpsichord Competition.

As a soloist, he has appeared in numerous concerts all over Europe, in the USA, in Mexico and in New Zealand. He plays with famous early music groups suc as Ensemble les Musiciens du Louvre (M.Minkowski), Le Concert des Nations (J. Savall), Zefiro (A. Bernardini), Ensemble Elyma (G. Garrido), and Musica ad Rhenum (j. Wentz).

His first solo recording (Harpsichord suites by Lous Couperin, recorded on the original Ruckers Harpsichod conserved in Neuchâtel, Switzerland) has been published in 2007 by the label Genuin. "

"Edoardo Torbianelli, born 1970 in Trieste (Italy), obtained his diploma for piano and harpsichord at the conservatory of his town.
He continued his studies at the "Scuola di alto Perfezionamento Musicale dei Filarmonici di Torino" with Prof. Jean Fassina, at the Royal college of Music at Antwerpen (Belgium), and at the Catholic University of Brabant (Netherlands), where he obtained concert degrees for piano, harpsichord and chamber music.

He developed a keen interest in historical performance practice through partecipation in several specialized seminars and courses and by intensive research of historical sources, concentrating especially on the classical and romantic periods.
At the same time he continued university studies in literature and languages.

Torbianelli was a prize winner at the Emmanuel Durlet International Piano Competition in 1993 and 1996 and at the international fortepiano competition in Bruges in 1995.
Since then he has performed with critical acclaim in Italy, Belgium, Netherland, Germany, Switzerland, Slovenja and Denmark at many international festivals including: Festival van Vlaanderen, Festival de Wallonie, Flamish Opera, Royal Philarmonic of Flanders, Schubert Society Roskilde, Gesellschaft Freunde Alter Musik Basel, Musica Franconia and Musica Antiqua Konzerte Nurnberg, Beethoven-Haus Bonn, Festival di Musica Antica Urbino, Accademia Filarmonica di Bologna.

He has performed on the historical instruments in the collections of: Deutsches Museum Muenchen, Germanisches Nationalmuseum Nurnberg, Beethoven-Haus Museum Bonn, Museum Vleeshuis Antwerpen. " Visit website for more information. (ed.)

"He has based most of his piano and fortepiano activity on the results of his personal research. He gained his diploma at the Conservatorio di Musica di Foggia and his diploma with merit at the Accademia Chigiana of Siena in piano (1984) and in chamber music (1985). Having studied the main piano treatises, he has since concentrated his studies on rediscovering and re-evaluating 19th century Italian instrumental music. His repertoir includes Hummel, Clementi, Dussek, Moscheles, Cramer, Czerny, Kalkbrenner, Ries and Mueller as well as the most representative authors of the 19th century. Thanks to his researches he rediscovered and performed transcriptions of Haydn, Beethoven and Mozart’s sinfonies and concerts by Hummel, Moscheles, Ries, Czerny, Cramer and Clementi. He is curator and member, for Ut-Orpheus in Bologna-urtext, of the scientific committee for Muzio Clementi’s opera omnia, now available in the most important Libraries throughout the world. In 2002, in association with the Italian Society of Musicology (S.I.d.M.), he contributed to the organization of the conference “Muzio Clementi: compositore-(forte)pianista-editore” held in Perugia. He is regularly invited to hold conferences in Conservatories, Istitutes, musical associations and academies such as the Hungarian Academy during the International Conference “From Liszt to Ligeti “ in 2002 and the conference on Clementi organized by the Austrian and the German Historical Institutes in Rome. ... " Visit website for more information. (ed.)

"Biagio Terracciano,
pianist, choir and orchestra Director, has a diploma with distinction in piano at the Academy of Music "S.Pietro a Majella" in Naples and a honours degree with a historical musicologic specialization in Italian Literature. Since 1984 he has been studying and doing research on ancient music, specializing in the practice of the renaissance and baroque polyphony both sacred and secular. In the same year he founded the vocal group "Dimensione Polifonica" which he has been instructing and directing since then. Having distinguished himself during international courses of specialization both for orchestration and choir conduction organized by the Directors D.Bartolucci (Director for life of the Cappella Sistina), R.R. Duarte, J. Jurgens, B. Zagni he has also participated to the International Courses of Urbino for the vocality and the execution of the baroque music. He has published many articles and essays on ancient music and on sacred polyphony. In 1997 he revised L. Leo's unpublished "Dixit Domus" donating the score of it to Maestro R. De Simone of the Academy of Music of Naples. In 1988 he founded the Cultural Association "Dimensione Polifonica", an organization of regional importance, of which he is the President. As an expert of liturgical music he cooperates with the Cathedral of Naples. In 1990 he played the organ during the John Paul IInd celebration of the High Mass in Piazza del Plebiscito. Since 1991 he has been the Director of the Schola Cantorum of the Cathedral of Naples, which performs during the most important liturgies, celebrated by the Cardinal Michele Giordano. He is the founder and instructing director of the choir of white voices "S. Maria della Rotonda". He is the Secretary of the Diocesan Commission of sacred music, conductor of many chamber groups and artistic director of many musical happenings. ... " Visit website for more information. (ed.)