In his lyric-mythic epic, Antônio das Mortes , Glauber Rocha creatively integrates elements of Brazilian popular religious culture, politics, folklore, social history, music, literature, and dance. Because of this thoroughly Brazilian context, the film is difficult for foreign viewers. Furthermore, the emblematic characters are not simple allegories but rather complex, synthetic creations representing real or fictional persons, social types, mystical or mythic motifs, social movements, or ideas.

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