Welcome to the Painting Challenge. Here you will find the fabulous, fevered work from miniature painters from around the world. While participants come from every colour, gender, age and nationality, they have at least three things in common: they love miniatures, enjoy a supportive community and they have all taken the Challenge.
This site features the current year's event along with the archives of past Challenges.
Enjoy your visit and please come back and visit us soon.

This
week we have a wide assortment of interpretation of the the theme,
ranging from barbed wire to barbicans and from minefields to motte and
bailey forts. I know, it's amazing what our participants can come up
with.

After
you've viewed the gallery of entries please take a moment to vote for
your favorites in the right sidebar. Voting will be open until 11:45pm,
next Saturday (Feb 6th).

As
to my own submission, I decided to return to a project which I started a
few years ago: The war in French Indochina, 1945-54.

After
the defeat of the Japanese in WWII, Indochina reverted back to French
colonial control. Nonetheless the Vietnamese nationalist, the Viet Minh,
who had fiercely resisted the Japanese occupation, had set their hearts
upon independence and so open fighting between the two soon broke out.

By
1950 the French found themselves hard pressed and bogged down by the
Viet Mihn and so within this setting General Jean de Lattre de Tassigny,
France's most senior commander, was called in to redress the balance.
General de Lattre was only in Indochina for less than a year but within
that time he reinvigorated the French forces and dealt the Viet Mihn a
series of stinging defeats.

One
of de Lattre's strategies was to enclose the entire Tonkin river delta
with a sequence of concrete fortifications in order to better protect
this strategic region. These 1200 forts became known as 'The De Lattre
Line'. The forts were constructed to house anywhere between 10 men to
several hundred defenders, but were usually fairly small affairs, often hexagonal in shape. From
what I've been able to gather they were frequently designed like a
seashell, with the rooms winding in towards a central magazine/radio
room. This way the garrison could fall back, room by room towards the
center. Also, some forts had the luxury of an old tank turret being
installed on the roof to provide additional fire support.

Not
so easily deterred, the Viet Minh frequently attacked these outlying
forts in order to break into the Tonkin area, cause havoc and try to
reduce the French grip on the area.

In
his book, 'Street without Joy' Bernard Fall describes a typical attack
on one of these forts and it's a harrowing read. I won't go into great
detail here but, in short, the Viet Mihn would usually use the cover of
darkness to approach the fort and drive-in its defenders. As the French
airforce had no capability for night-flying,
and their artillery was nowhere nearly as plentiful as what the
Americans would enjoy a decade later, the defenders had to hang on,
fight through the night and hope for support in the light of the
morning.

The
French would fight in pitch darkness, being as the use of interior
lights would outline their fort's firing slits to the enemy. As the
night battle wore on, the interiors would fill with choking cordite
smoke, with the darkness only cut by the flash and roar of automatic
weapons fire.

Meanwhile
back at French headquarters, staff officers would crowd around the
radios to listen as the fort's radioman gave up-to-the-minute status of
the fighting. On more than one occasion a frantic last message would
come over the wireless announcing that the defenders were out of
ammunition and the Viet Minh were breaking into the last room (this
often punctuated with a stentorian, 'Vive la France!'), or the next
morning, the relieving French aircraft would fly over the besieged fort
and discover the entire area masked by a cloud of red-brown dust, the
fort obviously destroyed.

As
soon as I read Bernard Fall's description of these desperate actions
along 'The De Lattre Line' I knew I wanted to try to replicate it on the
tabletop. I asked my good friend Sylvain to help me construct the fort,
providing him with photographs and describing what I understood to be
the interior layout. He provided me an excellent base model (thanks Sylvain!) to which I
added some additional details, such as the raised viewing cupola, roof
bracing and a Renault turret position. I then applied a skim coat of
texture gel to reflect the concrete construction and painted it similar
to my existing Indochina collection. After it dried I liberally
targeted various corners, edges and surfaces with a brown wash to mimic
the mildew that would quickly grow in a jungle environment.

I
apologize to being a little liberal with the foliage in these photos.
In reality, the French would have the whole area around their forts
cleared to allow for effective fire lanes. Nonetheless, I wanted to see
if my experiment of a light overspray of khaki would take the shine off the plants' plastic leaves. It seems to have worked and so
will be trying it with the rest of my 'Littlest Mermaid'
foliage. :)