Morley Safer Dead At 84

NEW YORK — Morley Safer became entrenched in the U.S. but never lost his Canadian sensibility, said fellow journalists on Thursday in honouring the "remarkable career'' of the Toronto-born "60 Minutes'' correspondent.

It was a special quality that gave him an edge while reporting on major news events including the Vietnam War, which launched his career to another level, said former PBS journalist Robert MacNeil, who grew up in Halifax and knew Safer.

“He was the best of the best.”

"He had that little bit of ironic distance that Canadians have about the United States — they love it, they love coming here because it's a wider sphere of opportunity, but they have that little sardonic twitch about the United States,'' said MacNeil, during an interview from New York.

"He was the best of the best.''

Morley Safer attends a benefit at Frederick P. Rose Hall, Jazz at Lincoln Center on April 18, 2012 in New York City. (Photo: Charles Eshelman/Getty Images)

CBC anchor Peter Mansbridge said Safer — like several Canadian journalists who moved to the U.S. — saw the world "through big eyes.''

"Because of our place in the world, we tend to look beyond the impact that any international story has on the superpower, which is them, (and look at) the world itself,'' he said. "And he definitely had that quality.''

Fox News senior national correspondent John Roberts spent 14 years with CBS and said Safer was "like the fixtures on the wall — he was part of the architecture.''

While they worked in different buildings and didn't see each other often, they shared a common background as Torontonians and Roberts had fond memories of his encounters with the seasoned journalist.

"like the fixtures on the wall — he was part of the architecture.''— John Roberts

"He always had a wry sense of humour and this air of sarcasm around him — almost like a wink, a nod that he really knew the inside story and wasn't completely letting on everything that he knew,'' Roberts said in a phone interview from Atlanta.

"He always gave you a sense that he knew more than what he was talking about. He was an interesting fellow. A little bit of a curmudgeon to some degree, but you knew that he had the reporting chops to back it all up.''

CTV chief correspondent and "W5'' host Lloyd Robertson, who had the chance to meet with Safer on several occasions over the years, called him a "legend'' for his intrepid reporting in Vietnam.

In this Nov. 10, 1993 file photo, the '60 Minutes' team, from left, Morley Safer, Steve Kroft and Mike Wallace pose at the Metropolitan Museum of Art in New York to celebrate their 25th anniversary. (Photo: Mark Lennihan/AP via Canadian Press)

"As a journalist, he really was a legend in the sense that he was the one who — in getting at the real truth of what was going on in Vietnam — helped to bring that news story to the forefront,'' said Robertson.

"And also, I think he probably was the one who — more than any other reporter on the scene at the time — was responsible for making the story what it became: which was a huge news story for the last half of the decade.''

Safer died Thursday at age 84.

Canadian start to storied career

He began his career at several news organizations in Canada and England before being hired by the wire service Reuters in its London bureau. When he returned to Toronto, he joined the CBC and became a foreign correspondent before being hired by CBS News, where he would work for the rest of his career.

His 1965 report during the Vietnam War showing U.S. Marines burning the huts of Vietnamese villagers gained kudos and controversy. While it won awards, it also enraged then-U.S. president Lyndon Johnson, who accused Safer of being a communist.

In this Sept. 22, 1980 file photo, Morley Safer points to one of his watercolors displayed at a New York restaurant as his wife Jane and daughter Sarah look on. (Photo: Richard Drew/AP via Canadian Press)

"(It was) very brave of Morley, and he was also physically very brave,'' said MacNeil. "And he put the cat among the pigeons when he started attacking a lot of modern art, which he thought was a lot of hot air and baloney.''

No matter the assignment, Safer's exceptional writing made the story interesting, said Mansbridge.

"He was able to move a complicated story or a challenging story to a wide cross-section of those who were interested in finding out about it,'' he said.

"In our business, the few who write brilliantly stand out at a level beyond everyone else, and he was definitely one of them.''