As is obvious from the recording date, this triple CD is a reissue,
the Trios originally released by the long-defunct Italian label
Arcophon, the Symphonies by the old German label Telefunken.
The recordings were subsequently acquired by another Italian
label, Rivo Alto, who made their own re-releases in the 1980s
and 1990s, most of which seem to be available still on the internet.

Newton give the recording date of both the Trios and the Symphonies
as 1971. Most internet retailers and reviewers like Records
International agree, but the odd retailer and the Luigi Boccherini Society, which has
a detailed if tardy discography, give the recording date of
the Trios as 1969. Certainly, audition makes it clear that the
Trios and Symphonies were not recorded at the same time.

In fact sound quality ranges from pretty good in the Trios to
merely passable in the Symphonies. In the Trios there is a slightly
raw edge to the string sound, and some loss of definition in
the Symphonies, sometimes audible as outright distortion. There
is also an occasional tendency in higher ranges to echo - this
may well have been added during transfer to CD, though almost
certainly not by Newton. Furthermore, time and space were precious
on LPs and sometimes corners were cut by fading down the final
reverberations at the ends of tracks and even by chopping intros
almost too fine: there is evidence of that here, though it is
not ruinous, except at the end of the G.511 Symphony, which
loses at least its final second. There are some fairly discreet
editing points in the Symphonies, again especially in G.511.

Fortunately, performances have withstood the passage of time
better than the recordings. The impressive Filarmonici di Bologna
are skilfully conducted by Angelo Ephrikian, who was, incidentally,
the musical brains of the Arcophon label to tyre tycoon Giovanni
Pirelli's money. Alas, Ephrikian will not be among those who
enjoy these re-releases - he died thirty years ago. By the way,
a recording of Boccherini's subsequent Symphonies - his last
- appeared only a few months ago in another re-release, this
time on Phoenix - see review.

The Trio Arcophon, now as defunct as the label, are even better:
confident, agile and thoughtful, with a lovely line in phrasing.
Rather surprisingly, forty years on there is still no other
commercial recording of these Trios available.

As for Boccherini's music, that is as finely crafted, lively,
elegant, witty, and mellifluous as ever. He was only 17 when
he wrote the six Trios, yet they are works of considerable sophistication
and variety, occasionally sounding strikingly symphonic, enhanced
both by sometimes startling chromaticism and the prominence
of Boccherini's own instrument, the cello. Boccherini entered
the Trios as his op.1 in his autograph catalogue, but they were
published seven years later in Paris as his "op.2", with his
own slightly later op.2 Quartets becoming "op.1". The Symphonies,
scored primarily for strings with the judicious employment of
a pair of horns and oboes and an ad lib bassoon - the
winds always omitted from the slow movements - are reminiscent
of Haydn, but Boccherini always has more than sufficient originality
to go his own way.

The brand-new English-German-French booklet notes by Richard
Lawrence give a potted biography of Boccherini, followed by
an easy-to-read but intelligent account of the music. As is
often the case in these Newton re-releases, performer biographies
are conspicuous by their total absence.

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