Patriarchy is a caste system which takes humans who are born biologically male or female and turns them into the social classes called men and women. Male people are made into men by socialization into masculinity, which is defined by a psychology based on emotional numbness and a dichotomy of self and other. This is also the psychology required by soldiers, which is why we don’t think you can be a peace activist without being a feminist.

Female socialization in patriarchy is a process of psychologically constraining and breaking girls—otherwise known as “grooming”—to create a class of compliant victims. Femininity is a set of behaviors that are, in essence, ritualized submission.

We see nothing in the creation of gender to celebrate or embrace. Patriarchy is a corrupt and brutal arrangement of power, and we want to see it dismantled so that the category of gender no longer exists. This is…

I’m not sure if talking about patriarchy while discussing a TV show based on conspiracy theories is the best plan, but what the hell. If this sort of shit is happening to Gillian Anderson, it can (and probably does) happen to you, if you happen to be female.

“Anderson and Duchovny’s legendarily potent onscreen pairing—rife with sexual tension yet ambiguous enough that a simple embrace could leave fans swooning for days—has been the object of heated obsession for decades, ever since The X-Files, a show that transformed serialized TV and elevated the potential of genre storytelling, premiered in 1993.

Tales of alien abductions, malicious government conspiracies, shadowy figures, and a plot to take over Earth drove the series’ “mythology” arc, in which Mulder (a believer) and Scully (a skeptic) hunted down the truth about what really happened to Mulder’s missing little sister.

But it was the unexpected magnetism between Anderson and Duchovny that truly gave the show its rabid appeal.

“The chemistry was there from the first day they ever appeared together in [Mulder’s] office,” series creator Chris Carter tells me. “It was not apparent until that first day that these two people were gonna click. The chemistry you can’t manufacture. It was just total luck.”

The success of Fox’s six-episode X-Files event series, which premieres with an episode written and directed by Carter on Sunday, hinges in part on whether that chemistry—and the excitement and anguish of watching the agents, clearly two halves of a whole, engage in the will they/won’t they dance—can be reignited again, nine seasons, two movies, and 25 years of X-Files history later.”

I’m excited to see the new shows, as I was a fan back in the day. Unfortunately, here comes the P…

But while Scully asserted her authority at every turn, Anderson found herself fighting just to stand on (literal) equal ground with her male co-star. The studio initially required Anderson to stand a few feet behind her male partner on camera, careful never to step side-by-side with him. And it took three years before Anderson finally closed the wage gap between her pay and Duchovny’s, having become fed up with accepting less than “equal pay for equal work.”

“I can only imagine that at the beginning, they wanted me to be the sidekick,” Anderson says of Fox’s curious no-equal-footing rule. “Or that, somehow, maybe it was enough of a change just to see a woman having this kind of intellectual repartee with a man on camera, and surely the audience couldn’t deal with actually seeing them walk side by side!”

She laughs again, this time at the absurdity of the notion of Dana Scully as anyone’s mere sidekick. “I have such a knee-jerk reaction to that stuff, a very short tolerance for that shit,” she says acidly. “I don’t know how long it lasted or if it changed because I eventually said, ‘Fuck no! No!’ I don’t remember somebody saying, ‘OK, now you get to walk alongside him.’ But I imagine it had more to do with my intolerance and spunk than it being an allowance that was made.”

The work Anderson put into securing equal pay back in the ’90s seemingly came undone when it came time to negotiate pay for this year’s event series. Once again, Anderson was being offered “half” of what they would pay Duchovny.

“I’m surprised that more [interviewers] haven’t brought that up because it’s the truth,” Anderson says of the pay disparity, first disclosed in the Hollywood Reporter. “Especially in this climate of women talking about the reality of [unequal pay] in this business, I think it’s important that it gets heard and voiced. It was shocking to me, given all the work that I had done in the past to get us to be paid fairly. I worked really hard toward that and finally got somewhere with it.

“Even in interviews in the last few years, people have said to me, ‘I can’t believe that happened, how did you feel about it, that is insane.’ And my response always was, ‘That was then, this is now.’ And then it happened again! I don’t even know what to say about it.”

She stammers for a moment, at a loss for words. “It is… sad,” she finally says. “It is sad.” (Sources told the Hollywood Reporter Anderson and Duchovny ultimately took home equal pay for the event series.)

Yeah, 2015 and sexist bullshit is still flying high in Hollywood. Awesome.

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