Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic form. Known widely for his piano work with post-everything trio The Necks, Abrahams's output as a composer orbits an otherworldly sonic sphere. Piano is just one element he draws upon to create a deliberately expansive sound field within which the listener is invited to become lost. He is one of the most significant voices in Australian music, and arguably one of the most restless and original artists creating work today. From Lawrence English: "In 2015, whilst celebrating our 15th anniversary, I revisited all of Chris's records. I still have such strong memories of listening to Thrown in his living room in 2004. It was late, after a concert for NowNow Festival, and the living room in which we were seating was dim. Some light crept in from the kitchen, scarcely that of a flickering candle. The music started and forever my world was changed. On Fluid To The Influence Chris continues his tradition of creating deeply personal and evocative sonic worlds. He has a compositional sensitivity and gravity few other artists share. This album draws together the divergent trends in his music creating a powerful and at times hallucinatory audio-vision."

LP version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic form. Known widely for his piano work with post-everything trio The Necks, Abrahams's output as a composer orbits an otherworldly sonic sphere. Piano is just one element he draws upon to create a deliberately expansive sound field within which the listener is invited to become lost. He is one of the most significant voices in Australian music, and arguably one of the most restless and original artists creating work today. From Lawrence English: "In 2015, whilst celebrating our 15th anniversary, I revisited all of Chris's records. I still have such strong memories of listening to Thrown in his living room in 2004. It was late, after a concert for NowNow Festival, and the living room in which we were seating was dim. Some light crept in from the kitchen, scarcely that of a flickering candle. The music started and forever my world was changed. On Fluid To The Influence Chris continues his tradition of creating deeply personal and evocative sonic worlds. He has a compositional sensitivity and gravity few other artists share. This album draws together the divergent trends in his music creating a powerful and at times hallucinatory audio-vision."

Chris Abrahams' Memory Night is his third edition for Room40 -- Play Scar and Thrown preceding this album. Widely-recognized as the pianist for Australian liminal improvisation trio The Necks, Chris Abrahams' solo work etches out an entirely different universe. It's a place that is entirely his own, unashamedly unique and at times startling -- yet always alluring. On Memory Night, Abrahams' expands his sonic palette, building on the uneasy frontiers of the highly-regarded Play Scar. Never content to revisit past glories, Abrahams charts course into unfamiliar sound spaces, where electronics and instruments meet in a constant state of tension and release. Nothing is quite what it appears upon first listen and as a result Memory Night demands an attentive ear. Recorded across 2011 and 2012, Memory Night is a haunted series of pieces that provoke and compel. Chris Abrahams has created what can only be described as a profound rendering of contemporary composition -- a powerful, yet delicate evocation of sound, where instruments and electronics melt and are reformed.