I could not resist but to briefly cover an example of Barthes’ ‘intergrational’ meaning via a Zappa video example – ‘Montana’. For me anyway, here are a few examples of the simultaneous narratives that I can hear in the music. All of these could be discussed in order to unpick the ‘meaning’ of this text. Aside from the first conceptual continuity example (which is really ‘distributional’ in nature), all of them could be a meaning that is pertinent to us.