Sunday, February 23, 2014

I never awarded prizes for those pathetic Valentine's Day stories I asked y'all to post. Apparently you guys have either sublimated your bad experiences or you don't want to admit to having had any, because I only got three stories. And I can't pick -- they're all great. So congrats to Laurie Boris, BigAl, and Rich Meyer. The mini-bookmarks are as good as in the mail.

Speaking of prizes, the Goodreads giveaway for Crosswind is over. I had more than 500 entries, but only three could win. Congrats to Joanne Wofford, Alison Hong, and Justine Miller for being the lucky winners! I'll get your copies in the mail to you within the week.

Thanks for playing, everyone.

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Bigstock Photos

If you've been thinking of going indie with your book (or books), but you're still on the fence, have I got a website for you. A couple of weeks ago, indie phenom Hugh Howey fired up a new site called www.authorearnings.com. Howey was approached by an indie author who knows something about number-crunching, and together they sifted through Amazon's sales data and came up with some pretty amazing results -- among them, that for the top-selling books, "[i]ndie authors are earning nearly half the total author revenue from genre fiction sales on Amazon." How can that be? Because indie authors make more per book than traditional authors do. A lot more. Indies who publish through Kindle Direct Publishing earn 70% of the purchase price from ebooks priced between $2.99 and $9.99; traditional contracts typically provide their authors a 25% royalty on each ebook sold.

So okay, not everybody has a top-selling book. That's why Howey and his unnamed Data Guy are collecting information on earnings from as many indie authors as they can. There's a button on the website's landing page that will take you to the form for inputting your own earnings info.

As you might expect, the blogosphere lit up almost as soon as the first part of this report went live. The usual suspects have all weighed in, with trad-publishing apologists claiming the data is incomplete and/or just plain wrong, and indie-publishing cheerleaders picking apart the trad-pub arguments yet again. It certainly makes for great theater. But it also makes me wonder whether traditional publishers are paying close enough attention to the indie movement.

To be clear, Howey himself isn't out to skewer trad publishing. He's a hybrid author, after all -- his dead-tree books are traditionally published, but he's still self-publishing the ebook editions of his novels. What he says he wants to do with authorearnings.com is to force traditional publishers to wake up. In the old days, when publishers actually nurtured their authors and took an active interest in their careers -- and when a trad contract was the only respectable way to get your book in front of readers -- it made sense to pursue a traditional contract. Now, indie publishing is offering a respectable -- and more lucrative -- alternative. Howey would like to see publishers lower the prices of their ebooks, and offer better contract terms to their authors.

I snagged an interview with Howey this week for my LynneQuisition feature at Indies Unlimited. That post will run this coming Thursday. But in the meantime, I'll leave you with another mind-expanding conclusion from his report. If you write mysteries, thrillers, speculative fiction or romance: "Genre writers are financially better off self-publishing, no matter the potential of their manuscripts."

Just sayin'.

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This moment of bloggy reporting has been brought to you, as a public service, by Lynne Cantwell.

Sunday, February 16, 2014

Alert readers of hearth/myth know that I don't turn this space over to just anybody, and today is no exception. I'm very pleased to welcome Zoe Brooks to the blog. She's an author of several magic realism books (which I aspire to be when I grow up) and she has her own personal writer's retreat in the Czech Republic. I asked her to tell us how she came to have a place that many of us scribblers would kill for. Here's her reply.
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My Czech writing home

It was Easter 1990 when I first stepped off
the train in Prague. I didn't know it at the time but it was the beginning of a
love affair with the Czech Republic. A love affair which is still as strong,
indeed stronger, a love affair which is the reason I am today sitting at a desk
in the living room of an old Bohemian farmhouse. I have just got back from
England. Tomorrow I will start to write my latest book, but tonight I am
writing this post.

The Prague I discovered twenty-four years
ago was just waking. The nightmare of the communist years and before that Nazi
oppression was over. There was a palpable excitement in the air. People were
walking around with grins on their faces and yet at the same time they were at
last able to express the grief they felt for the victims of the tyrants. As I
walked the streets I would pass small shrines of candles and flowers in memory
of the fallen. It was as if the air was full of angels, both rejoicing and
grieving.

The Czechs believe in angels. They may be
the most atheist nation in Europe but they believe in angels, devils and
fairies, or at least they seem to talk about them a lot. This is a magic
realist country. It is my sort of place. I sometimes wonder whether I was
already partly Czech and just didn't know it, until I arrived on that cold
spring evening. I grew up loving those tv fairytale series that the BBC
imported from the Eastern bloc in the 1960s. I read illustrated children's
books, which unbeknownst to me were translated from the Czech and brought over
by Paul Hamlyn.

And then there was Hannah Kodicek. We had
met when I borrowed some puppets of hers for an exhibition of television
puppets. We immediately became friends. It was Hannah who was waiting for me on
the platform at Prague station. As she renewed acquaintances and researched an
article for the Sunday Times about a Czech emigree returning to the city she
had fled in 1968, I wandered the streets in a state of euphoria induced by the
atmosphere and too many cups of black Czech coffee. When we got back, I found
myself writing a long poem for voices inspired by the experience, and Hannah,
inspired in turn by the poem, produced an amazing sequence of four-coloured
prints. The poem Fool's Paradise won the award for best poetry book in the EPIC
awards last year.

Horice na Sumave, from the hill above the farmhouse

After a few years Hannah bought a flat in
Prague and left Britain. I was busy following a career in community
regeneration. I used to fly over two or three times a year and we would talk
and walk. I had stopped writing by this point. Nothing was flowing but I told
myself I didn't mind. I had a career, I had other things of value to do. I told
Hannah that too, but she didn't believe me. She worried that I was suppressing
the creative side of my nature. Nearly nine years ago I decided she might be
right and to address my writer's block I would buy a house here. Or rather, I
decided I would buy a little hut in the woods: nothing too expensive, nothing
that needed work on it, somewhere I would come for a few weeks each summer. My lovely
husband was persuaded by this, especially as he believed and still believes
that I was born to be a writer. But fate intervened. Hannah's carpenter (known
to us all as Frantisek Jesus, because he played the lead in the local passion
play) heard of a place which was coming up for sale. It was large
five-bedroomed farmhouse in so bad a way that only a crazy Brit would consider
buying it – the Czechs knew better.

For the first few years nothing creative
happened. I was too busy supervising builders and Czech builders certainly need
supervising. Again I told myself I didn't mind. Then I had what was probably a
breakdown. I gave up my career and came here for six weeks. I wrote the first
draft of my first book, which will remain along with the finished draft forever
in the bottom of a drawer somewhere. But the log jam had broken, the words had
begun to flow. At the third attempt I wrote a book that I and Hannah thought
good enough to publish. Three more books have followed.

So does my Czech homeland feature in my books, do I hear you ask? Yes, not entirely by any means, but yes. In my Healer's Shadow Trilogy, the heroine, the traditional healer Judith, is attracted to the Forester. She visits it twice and marries a Forester, but fights against settling there. In the final book, The Company of Shadows, she is forced by circumstances to go. The reason for her fear is that there is in the Forest a great healer and Judith is afraid that in meeting the healer she will have to realize what is inside herself, Now who does that remind me of?

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When Zoe was a little girl, her inventor
father taught her to "look at things another way", while her mother
taught her to see dragons in the shapes of natural things. Zoe is still putting
into practice what she was taught.

In 2012 Zoe published her first novel, Girl in the Glass (the first book in The
Healer’s Shadow trilogy). Four books
have followed, including the rest of the trilogy and the award-winning poetry
book Fool’s Paradise.

Zoe aims to write popular books that
have complex characters and themes that get under the reader's skin. She finds
her experience of working with people on the edge of society an inspiration for
her fiction.

Zoe uses magic realism in her writing
and has a magic realism blog, where she reviews a magic realism book a week: http://magic-realism-books.blogspot.com.
She also administers the Magic Realism Books Facebook group.

1. Crosswind is officially entered in the Amazon Breakthrough Novel Awards this year. If you're on the fence about reading it, you can click here for a preview of my ABNA entry. (And thanks to Charles Ray and Laurie Boris for the swell preview idea.)
2. The Goodreads giveaway is ongoing through Saturday. Click in the box to the left if you'd like to enter to win a signed copy. Good luck!
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These moments of bloggy magic have been brought to you, as a public service, by Lynne Cantwell.