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Highlights From The Fun House Sessions (On Sale)

Pressed On 180g, Multi-Color Vinyl And Pressed At Record Industry

Each 2-LP Set Is Individually Numbered And Strictly Limited

Comes In A Gatefold Tip-On Stoughton Sleeve With Brand New Artwork

1970: The Complete Fun House Sessions was recorded at Elektra Sound Recorders in Los Angeles and compiled from all thirteen reels of multi-track tape that held every note and snippet of studio dialogue. Twelve reels of tape were used during the original sessions, with the thirteenth reel having the takes that would be used on the studio album.

This sprawling set which was originally aimed at the collector market would be challenging and cost prohibitive to reissue as a multi-disc vinyl box set. What is presented here is an attempt to assemble some of the best highlights from the Fun House Sessions on an officially-released 2LP set in high quality packaging with a sequence that hopefully proves to be an easier, and more casual listen.

Included are some terrific alternate versions of Down on the Street,Loose, Dirt, Funhouse, 1970 and others, pulled from session reels 1,4, 6, 7, 9 and 11 and originally recorded on May 11, 12, 15, 18, 21 and 25 of 1970. Also notable is the inclusion of the 17+ minute version of L.A. Blues,titled as Freak, which encompasses the entire fourth side of this set and is the prime example of what makes the Fun House Sessions both loved and feared.

A Lost Classic From The 1990s That Includes Jeff Tweedy Of Wilco, Dan Murphy Of Soul Asylum & Gary Louris Of The Jayhawks

Golden Smog is a Minneapolis-based, loosely connected inter-changeable group of musicians from notable bands comprising members of Wilco, Soul Asylum, The Replacements, The Jayhawks, Run Westy Run, Big Star and the Honeydogs. Since their inception in 1989, many members have come and gone, with the following musicians having appeared on all recordings: Kraig Johnson (Run Westy Run), Dan Murphy (Soul Asylum), Gary Louris (Jayhawks) and bassist Marc Perlman (Jayhawks). The group originally played in and around Minneapolis doing mainly cover song sets as a country-rock reaction to the punk and hardcore music that dominated the region. In 1995 they released their debut album, "Down By the Old Mainstream," recorded at Pachyderm Recording Studio that was made up of mainly original material with a few covers. Drummer Chris Mars of the Replacements was gone by now and the line-up consisted of Johnson, Murphy, Louris, Perlman and two new members: Jeff Tweedy of Wilco and Honeydogs drummer Noah Levy. All members were credited under pseudonyms to avoid contractual issues with their other record companies.

Songs of Rapture and Redemption: Rarities & Live (Pre-Order)

Brand New Collection Includes Demos And Live Tracks Making Their Debut On Vinyl

2x 180-Gram Colored Vinyl Pressed At Record Industry

Includes A Tip On Gatefold Stoughton Jacket

Individually Numbered And Limited To One Pressing

Born October 7, 1944, and hailing from California, JudithLynn Sill was an American singer-songwriter who learnedhow to play piano in her father's Oakland bar. She met,befriended and started opening shows for Graham Nashand David Crosby in the mid-to-late 1960s.

After a bit of interest from Atlantic Records, David Geffenoffered Judee a contract and she became the first artist tosign with his then-fledgling Asylum label. During her earlydays at Asylum, she sold her song "Lady-O" to the Turtles andwas featured on the cover of Rolling Stone. Graham Nashproduced her first single, "Jesus Was A Cross Maker," off herself-titled debut album which was released on September15, 1971 and engineered by Henry Lewy (Joni Mitchell). Thesong was inspired by her romance with singer-songwriterJD Souther, who later wrote the song "Something In theDark" about her. The album featured Sill's voice in multipleoverdubs, often in a four-part chorale or fugue. Her debutalbum was not a commercial success, despite good reviews.Sill took over orchestration and arrangements for hersecond album, Heart Food, which was released in Marchof 1973. The album was critically acclaimed but sold poorlyand ended her association with Asylum and David Geffen.

Judee continued to write songs and in 1974 began to recordnew material planned for a third album that was neverfinished. Sill continued to struggle with drug addictionand health problems, eventually dropping out of the musicscene completely. Judee tragically died of a drug overdoseon November 23, 1979, at her apartment in North Hollywood.

Sill's music was not commercially viable at the time butwas incredibly influential as well as ground-breaking andmany notable songwriters such as Andy Partridge, Liz Phair,Warren Zevon and Shawn Colvin have been fans of her work.Her songs have been covered by the Hollies, Cass Elliott,Warren Zevon, Beth Orton, Bill Callahan, Bonnie Prince Billy,Ron Sexsmith, The Fruit Bats and many more.

LP 21. The Pearl**2. The Phoenix**3. Jesus Was A Cross Maker (home demo)4. The Desperado (Outtake from the Heart Food sessions)5. The Kiss***6. Down Where The Valleys Are Low***7. The Donor***8. Soldier Of The Heart***9. The Phoenix***10. The Vigilante***11. The Pearl***12. There's A Rugged Road***

* Live at Boston Music Hall, 10/3/71** Outtake from the album Judee Sill*** Solo demo for Heart Food

The 1972 Muscle Shoals Sessions (Pre-Order)

Brand New Collection Compiling All Of Bettye's 1972 Muscle Shoals Sessions On One Vinyl Release For The First Time-most Of These Tracks Are Making Their Debut On Vinyl

Includes 2 Bonus Singles

180-Gram Vinyl LP Pressed At Record Industry In The Netherlands

Includes A Single Pocket, Tip-On Stoughton Sleeve With New Artwork And Liner Notes

Individually Numbered And Limited To One Pressing

Bettye Lavette-born Betty Jo Haskins, from Detroit, Michigan-is easily one of the mostimportant yet sometimes overlooked soul singer/songwriter of all time. She made her firstrecord at the age of 16 in 1962 when she was signed by local Detroit record producer JohnnieMae Matthews and recorded the single "My Man-He's A Lovin' Man," which became a TopTen R&B hit after Atlantic Records bought distribution rights. Its success led to a tour withClyde McPhatter, Ben E. King, Barbara Lynn and Otis Redding. She recorded the WreichHolloway-written song, "Let Me Down Easy," on Calla Records in 1965 and became a charthit (#48), leading to a brief stint with the James Brown Revue. After recording more singlesfor local Detroit labels, Lavette signed to Silver Fox in 1969 and recorded a handful of songs,including two Top 40 R&B Hits: "He Made A Woman Out Of Me" and "Do Your Duty," bothproduced by Lelan Rogers and featuring the Memphis studio musicians who later becameknown as the Dixie Flyers.

In 1972, Bettye signed with Atlantic/Atco and was sent to the famed Muscle Shoals SoundStudios in Alabama to record a full-length album. Produced by Brad Shapiro and featuringthe Muscle Shoals Rhythm Section, the album was supposed to originally be titled as Childof the Seventies but Atco chose to shelve the project at the time. Years later, after Bettyeplayed her own personal recordings of the sessions for French soul music collector, GillesPetard, he chased down the master recordings at Atlantic Records where they were thoughtto have been destroyed in a fire. In 1999 after obtaining the masters, he licensed the materialand released it on CD in 2000 as Souvenirs through his Art and Soul label (Rhino Handmadewould later reissue Child of the Seventies on CD with previously unreleased 1973 tracks).The album helped to spark renewed interest in Lavette and in 2003, A Woman Like Me, wasreleased and won the 2004 W.C Handy Award for "Comeback Blues Album of the Year."Lavette then signed to the Rosebud Agency and was brought to the attention of Andy Kaulkinat ANTI Records who signed her to a 3-album deal. The first project was produced by JoeHenry and featured an album of songs written entirely by women: I've Got My Own Hell ToRaise was successful in helping to raise awareness of Bettye and was on many critics' Best of2005 lists. Since her release on ANTI, she has gone on to many accomplishments, includingreceiving a Pioneer Award from the Rhythm and Blues Foundation in 2006, A Blues MusicAward for Best Contemporary Female Blues Singer in 2008 and another Blues Music Awardin 2016 for Soul Blues Female Artist of the Year.

Vagabonds (Expanded Edition) (Pre-Order)

This Expanded 2-LP Edition Includes A Bonus Disc Of Outtakes, Demos And Acoustic Tracks, With Many Making Their Debut To Vinyl As Well As Several Having Never Been Released On Any Physical Format

This Is The First Time This Album Has Been Reissued On Vinyl Since Original Release In 2008

Sourced From The Original Masters With Lacquers Cut At Sam Phillips Recording Studio

Pressed On 2-180-Gram Black Records At Record Industry In The Netherlands And Comes In A Deluxe Gatefold Tip-On Stoughton Sleeve With New Notes From Gary

Each 2-LP Set Is Numbered And Strictly Limited

The American guitarist, singer and songwriter Gary Lourdis was founding member of the Minneapolis-based band The Jayhawks and their principal songwriter and vocalist after the departure of Mark Olson. He eventually was responsible for moving the band from folk-country towards a more progressive, pop sound. The band formed in 1985 in Minneapolis and appeared on Letterman in 2003, performing "Save It For A Rainy Day," off their Rainy Day Music album. They recorded seven albums for Columbia before going on hiatus in 2005. The band briefly reunited in 2011 for a new album and tour only to return to a hiatus when Olson left again in 2012.

Louris' additional credits include being a member of the intermittent Midwest collective, Golden Smog that recorded two albums on Rykodisc and two albums on Lost Highway from 1995 to 2007, as well as co-writing "Jealous of Moon" with Chris Thile in 2005-the song appeared on the Nickel Creek album Why Should The Fire Die?-and songs for the 2008 Dixie Chicks album Taking The Long Way.

In 2008, Rykodisc released Gary's first solo album Vagabonds. The album was produced by Black Crowes frontman Chris Robinson. In an interview, Louris was quoted as saying," It wasn't my intention to recapture the '70s or anything, that's just what comes out when I sing .Once we got the band together for the sessions, it actually reminded me of how The Jayhawks were when we started out. The music is new and exciting for them, and it was good for me to feed off of that." Vagabonds was recorded in Laurel Canyon, which is famous for being the center of the 1970s singer-songwriter scene, and is expanded here with bonus material from the sessions-many making their debut to vinyl, and others new to any physical format

LP 21. Three Too Many (Outtake)*2. Working Girl (Demo)*3. Baby Let Me Take Care Of You (Outtake)**4. Fall Day (Demo)** 5. Girl in the Window (Outtake)***6. True Blue****7. Omaha Nights****8. To Die A Happy Man****9. She Only Calls Me on Sundays****10. We'll Get By****11. Vagabonds****

Sweet Southern Soul (Out Of Stock)

This Album Will Get Its First Repress Since The Original Release In 1969

Sourced From The Original Analog Master Tapes With Lacquers Cut At Sam Phillips Recording Studio In Memphis

Pressed On 180g Black Vinyl At Record Industry In The Netherlands And Come In A Single Pocket Tip-on Stoughton Sleeve

Individually Numbered And Strictly Limited Based On Pre-orders

Issued In Mono For The First Time

Brooklyn soul singer Lou Johnson was a singer and pianist who activelyrecorded between the years of 1962-1972. As a teen he sang in gospelchoirs and studied music at Brooklyn College.

In 1962 Johnson signed with Bigtop Records, run by the Hi ll & Rangepublishing group located in the Brill Building. It was during this tenure thatJohnson befriended the iconic songwriting team of Burt Bacharach andHal David. They wrote his first three singles, "If I Never Get To Love You,""You Better Let Him Go," and "Reach Out to Me." The first two songs failedto connect on the charts but the third reached #74 on the Billboard Hot100 in 1963. Unfortunately Bigtop folded just as the song began to climbthe charts and Johnson's success with the song was hampered.

He then signed to Big Hill and continued his association with Bacharach/David. In 1964, his original version of "Always Something There to RemindMe" with backup vocals by Doris Troy, Dee Dee Warwick and Cissy Houstonreached #49 in the US charts. Lou also recorded original versions of otherBacharach/David songs that went on to become bigger hits for artists suchas Dionne Warwick and Adam Faith.

Johnson recorded two albums for Atlantic Records, one of which, SweetSouthern Soul, is our featured voting title here. Released on Atlantic'ssubsidiary, Cotillion in 1969, it was produced by Jerry Wexler and TomDowd at Muscle Shoals Studios. Featuring the Muscle Shoals band andincluding songs by Curtis Mayfield, Eddie Hinton and Don Covay, it had allthe elements of a classic Atlantic soul album of the era but failed to garnermuch attention. His final full length, With You in Mind, was produced byAllen Toussaint for Stax's Volt label but it too sunk like a stone. Johnsonlater moved to Los Angeles and became a nightclub entertainer. SweetSouthern Soul is a classic crate digger record and would find a welcomehome in any soul collector's library

1. Rock Me Baby 2. It's In the Wind

3. This Magic Moment

4. She Thinks I Still Care 5. Move and Groove Together 6. Please Stay7. I Can't Change8. Tears Tears Tears 9. People in Love 10. Don't Play That Song (You Lied) 11. Gypsy Woman

Greatest Fits (Out Of Stock)

This Is The First Vinyl Release Of The Band's Classic 2001 Greatest Hits Collection

Pressed On 2-180g Multi-Color LPs At Record Industry In The Netherlands

Comes In A Gatefold Dual Pocket Tip-On Stoughton Sleeve

Each 2LP Set Comes Numbered And Strictly Limited Based On Pre-Orders

Ministry is the legendary industrial metal band founded in 1981 by Al Jourgensen in Chicago. In its earliest days, the band began as a new wave synth pop group but in the mid-1980s ended up changing styles, signing to Sire Records and becoming one of the pioneers of industrial metal. In 1988, the band recorded their second album for Sire, The Land of Rape and Honey, which used synth, tape loops, drum machines, heavily distorted guitar and bass, and movie dialogue to great effect-furthering their success in the underground music scene. The album was certified Gold by the RIAA in 1996. Bands such as Fear Factory, Linkin Park, Slipknot and Nine Inch Nails cite The Land of Rape and Honey as a major influence. Their follow up, The Mind is a Terrible Thing to Taste, took a more hardcore guitar-driven direction and was supported by a tour from 1989-90 which was documented on the album In Case You Didn't Feel Like Showing Up. The album peaked at #163 in the US and was certified Gold by the RIAA for sales in excess of 500k in 1995. Music critic Tom Moon included the album in his book, 1000 Recordings to Hear Before You Die, saying it "is one of the great works of industrial music" and is an influential album, "way ahead of its time."

Ministry broke into the mainstream in 1991 with the hit "Jesus Built My Hotrod," which was co-authored by Gibby Haynes of the Butthole Surfers (who also is featured doing guest vocals) and Michael Balch of Front Line Assembly. It was the key track off their fifth studio album released on Sire in 1992, commonly referred to as Psalm 69. The song "N.W.O." was nominated for the Grammy® Award for Best Metal Performance in 1993, but lost to Nine Inch Nails' "Wish." Psalm 69 is ranked #80 on Rolling Stone magazine's Top 100 Greatest Metal Albums of All Time list. It went platinum and peaked at #27 on the Billboard 200, paving the way for other industrial acts including Marilyn Manson and Orgy into the Billboard charts.

Ministry has gone on to record up until their break up in 2008, although they announced a reunion in 2011 , released two more studio albums and are working on their fourteenth studio album set to release in 2018. They have been nominated for 6 Grammy® Awards. This will be the first time that their Greatest Fits album covering key tracks from the WB/Sire label years will be available on vinyl. No other Ministry greatest hits collection exists on vinyl in the market and this one would receive the typical high quality Run Out Groove treatment.

The Best Of Atlantic Soul 1962-1965 (Out Of Stock)

The First Domestic Vinyl Collection Of His Groundbreaking Atlantic Recordings Released Since 1966

Each LP Is Individually Numbered And Strictly Limited Based On Pre Orders

180g, Black Vinyl Pressed At Record Industry Comes In A Single Sleeve UV-Gloss, Old School Tipon Stoughton Sleeve With Brand New Artwork

Solomon Burke helped to shape the sound of rhythm and blues as one ofthe founding fathers of soul music. He had a litany of hit singles in the1960s for Atlantic Records including "Cry to Me," "If You Need Me," "Downin the Valley," and "Everybody Needs Somebody to Love," to name a few.Atlantic Records' co-founder Jerry Wexler has referred to Burke as "thegreatest male soul singer of all time" and it was reported that he signed a"handshake" deal with the label within ten minutes of originally enteringWexler's office. His signing helped to reinvigorate the label, as stars BobbyDarin and Ray Charles had just left.

Drawing inspiration from gospel, jazz, country and blues-Burke developedhis own unique style and was often called "The King of Rock 'n' Soul"earning him a wide bi-racial audience. Due to his spiritual background herefused to be classified as an R&B singer because of its labeled stigmaby the church. During his almost six decades of performing, he released38 studio albums-selling at total 17 million-and had 35 charting singlesincluding 26 that made the Billboard R&B charts.

In 2001, he was inducted into the Rock N Roll Hall of Fame as a performerand has been ranked by Rolling Stone on their list of "100 GreatestSingers of All Time." Burke is one of the most important male vocalists inmusic history and has influenced legendary rockers such as the RollingStones, Elvis Costello, Van Morrison, the Animals and Tom Petty

1. Just Out of Reach (Of My Two Open Arms) 2. Cry To Me3. Down in the Valley4. Looking For My Baby5. Baby (I Wanna Be Loved)6. I'm Hanging Up My Heart For You7. Home In Your Heart8. If You Need Me9. Stupidity10. Go On Back to Him11. Got To Get You Off My Mind12. Can't Nobody Love You13. Goodbye Baby (Baby Goodbye)14. Everybody Needs Somebody to Love

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