Content Explorer

The Affective Digital Histories archive comprises open and publicly accessible data, including images, press cuttings, audio and video clips, and creative commissions. The materials have been digitised and catalogued by researchers at the University of Leicester and can be accessed here via the Explorer, or through the University of Leicester's own Special Collections Online.

You can explore the archive on our website in different ways; select 'Timeline' below to group materials according to date, or use the map feature to show their locations.

A colour photograph of Cannon House, which is on Rutland Street next to St. George's Church.

Newspaper acticle describing how a licence was refused for a proposed gay club on Abbey Street.

Collection of photographs of Charles Street (2)

Collection of photographs of Charles Street.

47 minutes and 9 second interview with an anonymous Leicester man aged 42 who recounts his memories of growing up in Leicestershire, working in London as a magazine publishing intern in the 1990s and of the Dielectric club in Leicester. He started going to the club in 1993 and describes the interior of the club building and the different types of music played. He talks about the rave scene in general and the "authentic experience" of the Dielectric. He describes the clothes worn by the ravers and the alternative atmosphere in the club, as well as the drug use. Later in the interview the man talks about the changes to Leicester in the late 1990s, his mother's involvement in the hosiery industry and the closure of the Dielectric in 1998.

27 minutes 25 seconds interview with Bill Shelton, city councillor and Phoenix board member. Bill talks about his family background, his first job at Percivals shoe factory, and becoming a union member. Bill worked at the shoe factory for 21 years until he got a fulltime job with the Footwear Union in 1986. Bill was the union representative for Percivals employees and also Rowleys and Fairbrothers employees in the 1990's. Bill then talks about the decline of footwear manufacturing in Leicester. He then comments on the decline of the hosiery and knitwear industry. Bill then goes on to talk about the Odeon cinema and the films he saw there, and the Cinema architecture. Bill then outlines his political career, he was a member of the Communist party 1968-1982, then joined the Labour party. In 1999 joined the planning committee, now planning vice-chairman. Bill gives his opinion on the architecture of the Cultural Quarter, and the importance of retaining Leicester's industrial heritage.

19 min 27 sec interview with John Barradell, retired textile designer employed by Thompson Fabrics, Leicester. The interview includes; family background; training as a graphic designer, career outline; marriage; John and his wife design for Corahs, then employed by Thompson Fabrics in their design studio, large factory employing 200 workers; John describes the overwhelming stench coming from the nearby Butchers' Hides and Skins building; unions; the area around Thompson Fabrics; retirement; social life in area; closure; John then worked in Hinckley setting up a youth opportunities program; decline of textile industry.

90 minutes and 39 seconds interview with Kenneth West. Kenneth West was born in Leicester in 1922. He went to work at Faire Brothers Ltd. as a mechanical engineer until he was called up in 1943 to serve in WW2. He describes working in the factory before going to war including the bombing of Freeman, Hardy and Willis, the factory fire brigades, fire watch duty , the workforce and the social events. He then describes coming back to work at Faire Brothers after WW2, entertainment during WW2 including trips to the cinemas in Leicester, hearing Julie Andrews sing live at the Savoy Cinema, dances at the Bell Hotel and Palais de Danse. He talks about the American soldiers in Leicester and the colour segregation amongst them, meeting Gordon Rolls, the smell of the tannery, Faire Brothers closure and being made redundant, working at Wykes, WW2 and the British restaurant, family life, Curve and the Cultural Quarter, Scout gangshows and the ghost at Faire Brothers.

Leicester Mercury rave newspaper cuttings 1

Leicester Mercury rave newspaper cuttings 3

Two photographs of B.L. Scaffolding, Queen Street.

Final version of the flash fiction commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

1 minute 4 second sound recording of a film projector whirring and clicking.

Final version of the choreopoem commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

Final version of the historical narrative non-fiction commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

34 second sound recording of a steam kettle whistling.

18 second sound recording of someone using the rotary dial on a telephone.

Final version of a collection of flash fiction commissioned as part of the Arts & Humanities Research Council's Affective Digital Histories project.

21 minutes and 43 second interview with Donna Jackman, born in Nevis, and Charmaine Blake, born in Jamaica. Donna talks about growing up in Highfields in Leicester as part of a strict Caribbean family and going to LUCA (Leicester United Caribbean Association). She also mentions shopping on Wharf Street and the bus station (now the LCB depot). Charmaine grew up in Belgrave having migrated to the UK when she was six, her family also went to LUCA. Charmaine mentions the different events at LUCA, midnight dances at the Palais, and describes a typical saturday night. Both describe the International Hotel as upmarket, Donna worked there for a time as a catering assistant.

20 minute and 43 second interview with George Cole in which he details his memories of LUCA (Leicester United Caribbean Association). George talks about the types of music that were popular, including reggae and blues. Rendezvous (next door to LUCA) was a club aimed at the Afro-Caribbean community, whilst other venues were more European and less welcoming. He mentions that the influence of the Black Power movement from America was felt in Leicester. Later on the Highfields Community Centre was a purpose built recreational space that the Afro-Caribbean community were involved with.

27 minutes and 42 second interview with Randy Stabana who was born in Kingston, Jamaica in 1957, he moved to Leicester in 1967 and lived in the Charnwood area of the city. Randy attended the Avalon Youth Club and Mandela Boys School, he started to go to LUCA (Leicester United Caribbean Association) in the late 1970s around the age of 16. He mentions going out to nightclubs in Leicester for example, Bailey's, the Adam and Eve club and some of the racial tensions in the 1970s, 1980s. Randy also mentions the Odeon Cinema, the old bus station (now the LCB Depot), City Hall, the Palais and midnight dances at the International Hotel. Finally Randy talks about his business Stabana Cultural Products and the closure of LUCA.

20 minute and 39 second interview with Sheila Ghelani in which she recalls her time in Leicester as a student studying dance. She has memories of performing at and visiting the Haymarket Theatre. She also mentions visiting the Silver Arcade, Leicester market, Mud club, Streetlife and Helsinki. Sheila worked at the Rainbow and Dove pub for 2-3 years from 1992 and she describes the pub and its regular customers.

30 minute and 42 second interview with Wendy Christian in which she recalls her visits to LUCA in the late 1970s-1980s, she describes the venue and the different events held there. Wendy talks about the music scene in Leicester at that time and mentions the Spectrum club, Freewheelers, Adam and Eve, and the Palais. Wendy also recalls her singing career and the homegrown, vibrant music scene in Leicester in the 1970s and 1980s.

A colour video (duration 2 minutes and 1 second) of a man recalling his memories of the cultural quarter area of Leicester in the 1980s. He mentions the Leicester United Caribbean Association, Spectrum and De Montfort University. Poor sound quality, end of the video cut off, interviewer is Sarah Vallance.

A colour video (duration 1 minute and 7 seconds) of a man talking about his memories of the Leicester United Caribbean Association Centre, which used to be where Curve now stands. Poor sound quality.