The Opera organizes its grand event of integrated arts entitled Faust Ball on 14 February 2015. Similar to the first ball in 2014 entitled Silver Rose Ball, its main mission is a charitable cause: the guests contribute to the purchase of an ambulance for the Hungarian National Emergency Ambulance Service. Special guest of the ball is international superstar soprano Angela Gheorghiu.

At the end of January, between two regular concerts, the Budapest Philharmonic Orchestra gives another one in memory of the victims of the holocaust. The winter concert series feature renowned conductors as well as young, award-winning soloists.

As the first premiere in 2015, the Hungarian State Opera produces The Rake’s Progress by Igor Stravinsky. So far it has only been featured in the repertoire of the Opera only once – it was put on stage 35 years ago. In the production by director Ferenc Anger two international guest artists make their Hungarian debut on 18 January 2015.

It has been exactly 130 years since the Budapest Opera opened its gates on 27 September, 1884. The Hungarian State Opera commemorates the anniversary of the opening with crowds in period costumes, an extraordinary gala concert, the premier of a film, and the publication of a historical book.

Following last year’s MozartLateNight, this is the turn of two French composers to shake things up as their one-act operas take us to the exotic world of the Orient. Bizet’s Djamileh is a steamy tale, set on the banks of the Nile, about a slave woman who falls in love with her captor, while Saint-Saëns’s La Princesse Jaune (The Yellow Princess) is one about a Dutchman’s delirious vision of a Japanese phantasm. Strictly for over 18s only!

Events

Verdi’s Nabucco was a milestone in the composer’s life as he achieved his first genuinely sweeping success with this opera. He was enchanted by the powerful Biblical story of the libretto, and this magic will stay with us forever
through the depths and passion of music. The chorus “Va, pensiero...” became an anthem of liberty immediately after the premiere in 1842.
In his spectacular direction, Gergely Kesselyák presents the shifts in the balance of powers and religions, the story of the demolition of the First Temple and the Babylonian captivity embedded in the eternal cycles of changing eras in world history.

At age 27, Verdi resolved to never write opera again. He was at a low point in his life, both professionally and personally: His comic opera, Un giorno di regno, had failed, and around the same time he had to bury his two young children, and then his wife. After some convincing by his agent, he read Solera’s libretto, Nabucco, and by spring of 1942, all of Milan was humming “Va, pensiero...” The central point of the opera stands at a historical crossroads: value systems are changing and life is coming under the control of interrelationships starkly contasting previously in place. In the crosshairs of this conflict between vanquisher and vanquished unfolds a family drama in which the music of the Italian master leads the listener through the entire range of possible emotions. When performed, the work lifts the story out of the biblical era and places it into the realm of the cosmic.
Act I
For I have set my face against this city for evil, and not for good, saith the Lord: it shall be given into the hand of the king of Babylon, and he shall burn it with fire. (Jeremiah 21:10)
Jerusalem. The Hebrews pray for aid in the temple of Solomon as Nabucco, King of Babylon, advances on the city. The High Priest Zaccaria arrives with Nabucco's daughter Fenena, who is being held captive by the Hebrews. He reassures his people that the Almighty will not abandon them. Ismaele and Fenena, who had fallen in love with each other during the period of the Babylonian captivity, remain alone together. He had escaped with help from the girl, who then followed him to Jerusalem. Their discussion is interrupted by the appearance of Abigaille, Fenena's half-sister. She too is in love with Ismaele, whose people she will deliver from Nabucco if only he will reciprocate her feelings, but the youth rejects her offer. The Hebrews retreat to the sanctuary as Nabucco leads his troops into the temple, where Zaccaria threatens to kill Fenena. Ismaele disarms the high priest and hands Fenena over to Nabucco, who orders that the holy edifice be destroyed.
Act II
Behold, the whirlwind of the Lord goeth forth with fury, a continuing whirlwind: it shall fall with pain upon the head of the wicked. (Jeremiah 30:23)
Babylon. In Nabucco's absence, Fenena is serving as regent. Abigaille learns that she is descended from slaves. Calculating that Fenena will soon be ruling over Babylon at Ismaele's side, she swears revenge against her sister and father. Fenena releases the Hebrew captives. The High Priest of Baal declares this to be treason and places Abigaille on the throne, spreading the rumour that Nabucco has died.
Zaccaria prays for the Babylonians to give up idolatry. Fenena converts to Judaism. Abigaille and the High Priest of Baal seize her, and the new ruler is about to coronate herself when Nabucco enters. He takes the crown away from her and declares that he is not only a king, he is also God. After he is suddenly struck down by a vengeful bolt of lightning, the victorious Abigaille takes the crown for herself.
Act III
Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein: and it shall be no more inhabited for ever; neither shall it be dwelt in from generation to generation. (Jeremiah 50:39)
In the hanging gardens of Babylon, Abigaille is being exalted by her court. The High Priest of Baal is urging for the Hebrews to be executed, but before the Queen can order this, the still raving Nabucco appears. Abigaille tricks him into delivering the death sentence, which also applies to Fenena. To no avail, Nabucco pleads for his child's life.
On the banks of the Euphrates, the Hebrew captives dream of returning home. Zaccaria prophesies their liberation and the downfall of Babylon.
Act IV
Declare ye among the nations, and publish, and set up a standard; publish, and conceal not: say, Babylon is taken, Baal is confounded, Merodach is broken in pieces; her idols are confounded, her images are broken in pieces. (Jeremiah 50:2)
From his prison cell, Nabucco watches as the Hebrews, together with Fenena, are led in for execution. In his despair, he prays to the God of Israel for forgiveness, vowing that he and his people will take up the Jewish faith. His mind suddenly unclouded, he assembles his troops and leads them to regain the throne and save his daughter's life. Fenena is praying for forgiveness in heaven when Nabucco rushes in and halts the execution. Repenting of her deed, Abigaille poisons herself and begs God for forgiveness. Nabucco converts to Judaism, grants the captives their freedom and sends them on their way home to rebuild the temple. Jews and Babylonians together praise the Lord.