Written by Mike Palermo
In the Beginning
As many DSLR shooters move to bigger and better cameras – with bigger and better recording formats – many of us will run into unforeseen problems when applying our tried & true DLSR workflows. Unfortunately, what works well for DSLR footage might not be the most efficient way to handle other codecs. This is important to consider, and particularly true, when switching to RED footage not because it’s overly difficult, but because the initial switch can get fairly costly and chances are your old workflow will be needlessly and massively time consuming. Fortunately, there are a few things you can do to alleviate the burden, saving your wallet, your time, or both. Read on: