Category: Syria

Ali Morad, 11 years old, self-portrait using a mirror. All images herein copyrighted by the respective photographers and Reza Visual Academy.

The astonishing number of people fleeing war in the past half-decade has caused increased editorial attention toward the complex circumstances and dire conditions of refugees, and much of this coverage presents them in terms of how they impact destination countries. However, Reza, an internationally acclaimed photographer, has placed cameras and photography training in the hands of young refugees, who produce astonishing images that let us understand displacement through their eyes, and at the same time, help them cope with being outcast by war.read more

Helene Wecker’s first novel, The Golem and the Jinni, places two beings from very different, and at first glance, opposing cultural origins, in a turn-of-the-century Lower Manhattan arena. How they meet and who they become to each other are both impossibilities that can only happen in New York City. Chava, the golem, was created for an Eastern European Jew migrating to the United States by an isolated and mystical rabbi with a mastery of dark arts. She is transported in a wooden box by her new master, who she never really knows, because he dies halfway across the ocean. Ahmed, the jinni, finds his way to America in a copper container with a stopper. After centuries of imprisonment, he is chagrined to find himself unleashed in an unimpressive New York City. read more

Mona Lisa looks passively content at us as though the annihilated buildings behind her are part of a snap shot she asks locals to take of her before her vacation ends and she returns to Paris. Within moments she’ll post them on Facebook or Instagram and mention what a wild place Syria can be. When seen through a media lens, images of catastrophe, especially after five-plus long years of catastrophic images coming from Syria, bear a similar ongoing dreariness. We’ve seen image after image of blown up buildings and carnage on social media and news, and each iteration becomes more like the previous and the previous before that. Interrupt this unrelenting parade of mayhem with the intrusion of excerpts of famous classic Western art, and suddenly the rubble and the calamity are freshened up significantly as is our repulse to them. read more

A slain revolutionist with her or his living counterpart on a wall near Tahrir Square, Cairo, Egypt

Graffiti was, at one time, unauthorized written or illustrated messages placed in public places using a variety of art materials that facilitated speedy application for the graffiti author. Speed was important, of course, because the author-artist had only a small window of opportunity to paint without being apprehended. Now, however, unauthorized graffiti has given birth to a highly sophisticated authorized art form, and it has changed from an on-the-run public nuisance to a highly respected and sought-after public space art genre, especially in urban areas where graffiti artists can attain significant popularity and media presence. Yet for artists in politically-challenged areas of the world who use graffiti to graphically chronicle resistance, money, public recognition and celebritydom are often forfeited to advance social justice for them and their people. read more

Conflicts throughout the world have become ever increasingly complex in their beginnings and ongoing outcomes. Trying to understand why the Arab Spring began and how it spread throughout North Africa and the Middle East or who the myriad of participants in the now five-year-old plus Syrian Civil War takes a significant amount of focus and tenacity to absorb details from media sources or history books. Enter the infographic, a relatively new form of media that attempts to squeeze the complexity of modern-day social, economic, and political issues into a few minutes of clarity. read more