Review: Inga Copeland, of the infamous Hype Williams project alongside Dean Blunt, is back with her Lolina alias courtesy of a sweet self-release album to follow-up on last year's "Relaxin' With Lolina". As you'd expect, Lolina is an album of many shades and guises, with the only stable point being the artist's sporadic vocals riding in and out of the organised sonic noise. Sticking to a resolutely surreal setting, Copeland's lo-fi style is adapted to everything from broken, pseudo bass music - we know, that means pretty much nothing - and that is exactly what this album sounds like, nothing else. In fact, one could say that it acts as the culmination of the last five year's fascination with all things left of field, and it's most definitely worth a listen.