Friday, 25 March 2016

When did you first notice she enjoyed attending the shows?
While she was here, she always loved concerts, settings with lots of people. As soon as there was someone she had never seen, she stuck up against them for an hour! And when there were lots of people, it was above all a chance to go steal a little tobacco or something else that was lying around!What was her favorite food?
Number one: tobacco!!!! In all its forms (butts from the ashtray, lit cig in your hand....)
And more generally a little bit of all the stuff lying around. She consumed a decent amount of the bottom of pots of paint or oil drains too...it depended on the season. She drank alcohol pretty well too, of the sort of all the bottoms of glasses of bottles of booze that people hid in another part of the barn and that she managed to root out.Via

In the lack of indigenous music, [the record store is] where [people] find their roots. And in music, whatever you're looking for - whether it's authenticity, or originality, or transcendentalism, or traditionalism - the best place to look is in a record store. But you won't find - or you'll rarely find - mention of improvisation. It's not a term which has become part of the record industry's promotional vocabulary.

Our hearts are heavy. We are devastated. This is something we weren't prepared for although we all know that life is fleeting. It was no secret about his health and his fight. But the fight for his joy and happiness gave him everything he needed. The fight to keep his family happy, his soul happy and those around him happy, gave him complete and unadulterated joy... until he heeded his fathers call."
The statement ends with the group sending their condolences for "the outpouring of prayers," noting, "He's affected us as much as he's affected all of you. We're inspired by his daily joy and courage. He wasn't in pain. He was happy.

SB.TV joined Grime legend Flowdan up north for his exclusive SB.TV Track by Track episode. We were invited to film his epic performance at the Black Sound Series event at the Contact Theatre in Manchester. He talked us through future releases, classic tracks and blew us away with an exclusive set with the amazing Kaleidoscope Orchestra. Ever wandered what 'Skeng' sounds like played by an orchestra?

'Roots Rock Reggae' depicts an unforgettable moment in Jamaica's history when music defined the island's struggles and immortalised its heroes. Director Jeremy Marre films Bob Marley and the Wailers, and Lee 'Scratch' Perry record in his legendary Black Ark studio with The Upsetters. Jimmy Cliff rehearses with Sly and Robbie, while Inner Circle's historic live gig is recorded on the violent Kingston streets. The legendary Abyssinians harmonise their haunting Rastafarian songs; Joe Higgs (formerly Bob Marley's teacher) plays and talks; majestic toaster U Roy raps alongside The Mighty Diamonds, and Third World record in a Kingston studio. There is also early archive footage of Toots and the Maytals, and Haile Selessie's royal visit to Jamaica while police and thieves battle it out on the streets, and the ghettos erupt in violence. 1977: An extraordinary year for Reggae music, captured live in this award-winning film. Roots Rock Reggae was the first in-depth documentary about ReggaeimdbJeremy Marre

In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire.
During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were.
Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans.
Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.

Recycled
2013
Animation by Lei Lei + Thomas Sauvin
Sound Art by Zafka
An Introduction to the Animation:
The following images come from negatives salvaged from a recycling plant on the edge of Beijing, where they had been sent to be filtered for their silver nitrate content.Over the years French collector Thomas Sauvin built this archive of more than half a million 35mm negatives, depicting the capital and the life of her inhabitants over the last thirty years.
From 2011 to 2013, Chinese artist Lei Lei selected over 3000 photos to create the animation you are about to see, an almost epic portrait of anonymous humanity.
The film is the winner of Grand Prix shorts - non-narrative at the 2013 Holland International animation film festival, Nenarativní animace at the 12th Anifest International animation festival, Special Mentions by the jury members in 12th Countryside Animafest Cyprus. and Official Selected by Annecy International Animation Festival 2013.
raydesign.cnVia

Tuesday, 15 March 2016

I try my hardest not to be political. I’ve refused to interview several of your fellow candidates. I didn’t want to risk any personal goodwill by appearing to take sides in a contentious election. I thought: ‘Maybe the timing is not right.’ But I realize now that there is no correct time to oppose violence and prejudice. The time is always now. Because along with millions of Americans, I’ve come to realize that opposing you is no longer a political decision. It is a moral one.

I’ve watched you retweet racist images. I’ve watched you retweet racist lies. I’ve watched you take 48 hours to disavow white supremacy. I’ve watched you joyfully encourage violence, and promise to ‘pay the legal fees’ of those who commit violence on your behalf. I’ve watched you advocate the use of torture and the murder of terrorists’ families. I’ve watched you gleefully tell stories of executing Muslims with bullets dipped in pig blood. I’ve watched you compare refugees to ‘snakes,’ and claim that ‘Islam hates us.’

I am a journalist, Mr. Trump. And over the last two years I have conducted extensive interviews with hundreds of Muslims, chosen at random, on the streets of Iran, Iraq, and Pakistan. I’ve also interviewed hundreds of Syrian and Iraqi refugees across seven different countries. And I can confirm— the hateful one is you.

Those of us who have been paying attention will not allow you to rebrand yourself. You are not a ‘unifier.’ You are not ‘presidential.’ You are not a ‘victim’ of the very anger that you’ve joyfully enflamed for months. You are a man who has encouraged prejudice and violence in the pursuit of personal power. And though your words will no doubt change over the next few months, you will always remain who you are.

"I’ve known Ivan since he was 21, in spring 1976 (40 years ago), when Bob Quine and Marc Bell and I were auditioning people to become Quine’s Voidoid co-guitarist. Bob was so impressed by Ivan's chops, he copped the slot on the spot. He’s only gotten better, year after year, as a player and all around monster of goodness, and that’s the truth. I love him. It’s horrible that he has to suffer some terribly painful, life-threatening illness, and have it ravage him financially as well. American barbarism. What’s left are his friends, admirers, and sympathizers." https://www.gofundme.com/IvanJulianFundBenefit concert NY May 4

Friday, 11 March 2016

Written and Directed by Ariel Martin
The iMom will change your life! Well, at least that’s what the ads claim. But when a mother leaves her kids under the supervision of the family’s iMom, an unexpected connection is formedVia

Featuring Skip McDonald, Doug Wimbish, Style Scott, Bim Sherman and with Adrian Sherwood in the control tower. Live at The Marquee Club 26/04/91 taped from BBC Radio 1, "Crisis, What Crisis" VHS 1992, Viva Eight NME CD in aid of the Spastics Society (Town & Country Club, September 1992) and "Pay It All Back Live" Alfa CD (Town & Country Club, April 1991)