“he cares very deeply about the words… airy, thoughtful, and challenging, as any real sacred endeavor should be” – Audiophile Audition

“Primosch’s text-setting instincts are seemingly unerring: his vocal lines always convey the words authentically and honestly, while the instrumental accompaniment provides added depth and drama…”
“Soprano Susan Narucki, who sings three out of the four cycles, has musical intelligence to spare, as well as a clear, ingratiating delivery and sure intonation…”
“Baritone William Sharp uses his resonant, authoritative voice to provide a gripping, inexorable build…”
“Corde Natus Ex Parentis” from the cycle Four Sacred Songs, has a straightforward, attractively contoured, plainchant-style melody, but the composer adorns it with imaginatively layered instrumental counterpoint in subsequent verses. “Christus Factus Est” has another clearly tonal melody, but the subtly dissonant leanings of the accompaniment form a painfully apt depiction of Christ on the cross. Narucki’s performance of this quietly devastating number is a delicate marvel…”
“These songs are unfailingly compelling, whether the musical language is complex or seemingly simple… Christopher Kendall skillfully and sensitively leads the 21st Century Consort, which provides superb accompaniment.” – Opera News