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Either by lax supervision or burst of assertive sway, the long delayed second EP from Irish electronic musician Puppet Show has finally emerged. In it he hopes is a collection of easy going, dance influenced digital music pieces. Lo-fi, plenty of dynamics and hopefully, just the right amount of quirk. Special thanks to Japanese Artist vo0v0ov for lending her wonderful talents for the cover art.

This four track EP from Heivard – our first artist from China – features a nicely laid back, melodic, ethereal ambient feel to his electronica in which spooky, discordant pads zoom in and out of delicate melodies and chilled beats.

A regular contributor to Fwonk*, Katarrhaktes has brought us some stunning music in the past, hopping genres from harsh digital noise, through 8-bit to ambient. Here he brings all those influences together an adds a new element – epic hugeness. This EP is his most complete, accomplished and (dare I say it?) accessible to date.

Noyce blasts on to Fwonk* with a nine track EP of wonky, glitchy, scratchy sample based hip-hop. Rare beats and samples from long forgotten jazz records fill this EP from beginning to end, laying down huge beats, and off-time wonkiness.

Kopfklang returns for a second bite of the Fwonk cherry with an EP that presents a strong contrast to the dreamy im Filterwunderland. This retains the melancholy analogue synths but adds huge, distorted synths and crunching beats.

Vasko The Pig returns to Fwonk* for a fifth solo album (not to mention other mixes and collaborations) with his most melodic and introspective collection of tunes yet. Although retaining his trademark ferocity and distortion, this is his most complete, mature body of work to date.

Kicking off 2012 as we mean to go on, Yoeri brings us Deep Mono Breath, a ten track album featuring soulful groove easy-listening instrumental hip-hop, served with a side garnish of the odd. Blissful pads pulse in and out whilst off-kilter wonky beats pin the whole thing down with a massive groove.