Draumalandið (“Dreamland”), a documentary about the exploitation of Iceland's natural resources, tells a story about huge things—the fortunes of a whole nation; the destruction of vast landscapes; and the global economic forces, greater still than any nation, that fuel it all—and for his soundtrack to the film, Valgeir has brought out a heavier set of tools. His entire roster of Bedroom Community labelmates contributes in some way to the creation of the score: classical composers Nico Muhly and Daníel Bjarnason, industrial wizard Ben Frost, and American folksinger Sam Amidon, along with a host of others, and the small orchestra assembled for the record swells from moments of expansive beauty into massive, surging symphonic force. Its harmonies are anxious, pulsing, driven. Not that this is an album lacking in subtlety. Draumalandið the film takes on the delicate task of unmasking the apparent win/win proposition of Iceland's aluminum smelting boom—clean energy! new jobs! economic growth!—as a false blessing with very real consequences. Likewise, Draumalandið the soundtrack takes global, at times seemingly abstract questions, and offers deeply personal responses.