Pre-code Hollywood collection

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The work Pre-code Hollywood collection represents a distinct intellectual or artistic creation found in Farmington Public Library. This resource is a combination of several types including: Work, Moving Image, Visual Materials.

Six films made before the Production Code. In 1934, Hollywood was turned upside down by the enforcement of a strict "Production Code" that would change the way movies were made for the next 34 years. But during the "pre-Code" period (1929-1934), censorship barely existed and filmmakers had free rein to make the movies they wanted and the public demanded. No subject was taboo including adultery, murder or sex

The cheat: Tallulah Bankhead plays a spoiled socialite who borrows money from an exotic art collector to replace what she has stolen from a charity. The collateral for the loan and the penalty for default may shock even modern audiences. The cheat violated the Production Code's strictures against miscegenation, sadism, white slavery and rape

Merrily we go to hell: A cautionary tale of a marriage wrecked by the drinking of a young husband. Has numerous scenes of drunken parties which were prohibited by the Code, as well as clinging gowns and art deco settings

Hot Saturday: A small-town girl spends the night with a family friend in defiance of her mother, who has accused her of sleeping with the town playboy. The Code forbade seduction scenes and disapproved of the scenes in which a group of young people drive to the playboy's lakeside lodge for a drinking party that leads to worse

Torch singer: Claudette Colbert plays a sexy radio chanteuse who passes her time with an entourage of drunken debauched friends while raising her child born out of wedlock. The Code prohibited stories of illicit love and drunkenness

Murder at the Vanities: This film is an elaborate showcase for the female form. It violated almost every section of the Code