CONTRIBUTE

30 April 2012

MEXICO CITY -- The campaign for the front-runner in Mexico's presidential election is producing reality TV-style documentary videos that show him kissing and flirting with his wife, eating ice cream and returning home after a day on the campaign trail to hug his daughters.

The videos constitute a new level in the blurring of lines between politics and pop media in Mexico, and appear to be energizing support among voters.

Enrique Peña Nieto, galloping toward the July 1 vote with a double-digit lead over his two main rivals, would be the first president from the former ruling party, the Institutional Revolutionary Party, or PRI, in the 21st century. The PRI, often labeled through its history as quasi-authoritarian, was booted from power in 2000.

The videos primarily star Peña Nieto's wife, telenovela actress Angelica Rivera, and are narrated from her perspective under the title, "What My Eyes See, and What My Heart Feel" (links in Spanish). In them, she follows her husband to campaign events and chats with him between stops in clips that feel like journals or diary entries.

One ends with Peña, 45, and Rivera, 41, arriving home and letting the viewer in on plans for an evening of dinner, bathing and bedtime. In another, he samples local ice cream. Here's a new clip from a stop in Villahermosa, in the state of Tabasco:

The videos are meant to show an informal, intimate side of the couple, who married in 2010 after the sudden death in 2007 of Peña Nieto's first wife, Monica Pretelini, while he governed the central state of Mexico. The clips have garnered thousands of views on YouTube and "likes" on Facebook. There, Rivera's public page frequently posts casual snapshots of her and her family.

Political advertising in Mexico's two most recent presidential campaigns, won by Vicente Fox in 2000 and fellow conservative Felipe Calderon in 2006, has moved steadily toward a more U.S.-style media approach. The PRI's effort this year takes the current social-media orientation of Mexican politics to a new level.

Peña Nieto personifies the trend, making some political commentators bemoan the nature of the 2012 race. In a Jan. 27 column in the daily Reforma, author Juan Villoro called Peña Nieto a "political hologram" and a "tele-candidate."

"There is no election today that is not decided in the media," Villoro wrote. "Trusting in this precept, the PRI has chosen a telegenic candidate. The problem is that he appears to have little more than luminous wrapping."

U.S. officials in Mexico have been watching Peña Nieto's rise for years, noting his telegenic qualities since the start, according to leaked U.S. diplomatic cables. One of those cables from 2009 relays a description of Peña Nieto as "a pretty face with nationwide appeal, but lacking in substance and political savvy."

His strongest detractors early on were apparently concentrated within his own party, the leaked cables show. In another from 2009, contacts inside the PRI told U.S. officials that they believed Peña was "paying media outlets under the table for favorable news coverage, as well as potentially financing pollsters to sway survey results."

His campaign has carefully guarded his public appearances, and the videos in "What My Eyes See, and What My Heart Feels," although edited with an unscripted, chop-and-cut flair, are no different.

During his first campaign stop in the city of Oaxaca, for example, Rivera's video diary showed an upbeat Peña Nieto greeting supporters at the city's central plaza but no images of the crowds of demonstrators who had gathered to protest the PRI machine.

The party isn't alone in pumping funds into sleek documentary-style video spots.

The campaign for Josefina Vazquez Mota, candidate for the conservative National Action Party, released a video Wednesday documenting her visit that day to the prestigious Tecnologico de Monterrey university.

In it, she speaks to students in an auditorium, then responds to a protestor who yells at her from the audience. The nature of the protestor's complaint, however, is not specified, and neither is the candidate's response, for that matter. Instead, the video ends with a crescendo of music and the candidate calling over applause, "Do not tire of truth! Do not tire of liberty!"

10 April 2012

After an emptying stadium, angry protests, and a near fainting spell, Mexican presidential candidate Josefina Vazquez Mota on Monday announced a "change of course" in her campaign to be elected Mexico's first female president.

The race for the presidency is still commanded comfortably by front-runner Enrique Peña Nieto, the fresh-faced candidate of the old-guard party known as the PRI. As the days tick away toward the July 1 vote, Vazquez Mota and the other trailing candidate, Andres Manuel Lopez Obrador, are searching for a boost.

"We're going to show that we are different," Vazquez Mota said at her headquarters, echoing the ruling party's central campaign theme, "Diferente."

The candidate has struggled practically since the day the race started.

Her party's major event to name her as its candidate started hours late; and images later showed her speaking as the stadium was emptying of weary supporters.

She's been confronted by testy citizens or protesters at public events. She seemed to nearly faint during a security forum. During one speech, Vazquez Mota said, "We are going to strengthen money laundering," apparently misspeaking or misreading prepared remarks.

But how "different" were the adjustments made on Monday? Not terribly.

Several of the names announced as new campaign advisors or coordinators are identified as insiders or confidants of current President Felipe Calderon.

Among the group joining Vazquez Mota is Rafael Gimenez, who was Calderon's internal pollster until he resigned Saturday from his post in the president's office. Also joining the campaign is the president's sister, Luisa Maria Calderon, and the president's brother-in-law, Juan Ignacio Zavala.

One local newspaper announced the shifts with the headline, "Calderonistas to the rescue."

Vazquez Mota told reporters that she is independent and autonomous in her leadership of efforts of the conservative National Action Party, or PAN, to capture a third consecutive presidency. But she also acknowledged that the party's long three-way internal primary hurt her campaign in its crucial launch.

"We've had less time to prepare than others," she said.

Vazquez Mota is trailing a wide second in polls behind Peña Nieto of the Institutional Revolutionary Party, or PRI. She said that her campaign's new focus will be undecided voters, who currently account for about a third of the electorate.

Vazquez Mota has focused her attacks on Peña Nieto, but she's also taken a few jabs at Lopez Obrador, the leftist coalition leader making his second bid for the presidency.

"We're going to show that we respect the institutions, not only when we win," she said, in a reference to Lopez Obrador's refusal to accept the 2006 presidential result, in which he lost to Calderon by less than a percentage point.

Lopez Obrador's campaign in recent days has released a video showing actors and famous writers endorsing his bid, as well as an interactive image showing his potential future Cabinet in the style of the familiar cover for the Beatles rock album "Sgt. Pepper's Lonely Hearts Club Band."

21 February 2012

A wealthy businessman surrendered this week to a municipal prison to face charges that he beat and violently berated an employee in his building for not obeying him.

The case of Miguel Sacal Smeke is the second scandal in recent months involving the release of video footage that captures what social-media users decried as acts of classist rage.

A judge denied bail for Sacal, a textile businessman.

He faces assault-with-injuries charges after a video emerged of him knocking out the teeth of a lobby employee in his upscale apartment building. The worker, Hugo Enrique Vega, had declined to fetch a car jack and change a tire for him.

In August, two women -- a beauty queen and a reality-television personality -- were filmed slapping and pushing a uniformed traffic officer on a swanky street in Mexico City's Polanco district over a parking dispute. The media dubbed them the "Ladies de Polanco."

Sacal's incident happened in July, before the "Ladies de Polanco" scandal, but the footage emerged on YouTube only in early January.

Disgust at the video of the two women spread for months in Mexico. Some said the "Ladies de Polanco" clip proved that race and class discrimination persist in Mexican society. Others said the video showed the lack of respect for uniformed authorities in Mexico, and the inability of authorities to enforce the law no matter anyone's class standing.

The "ladies," Azalia Ojeda and Vanesa Polo Cajica, still face charges for the August incident and had a court date on Wednesday in which they had their last interview with the judge. They are free on bail.

Sacal earned the nickname the "Gentleman de Las Lomas" (for the super-rich Las Lomas district) after the footage of his incident surfaced. In a television interview afterward, worker Vega was eloquent and even gracious when asked what he thought of Sacal's actions.

"I am not a businessman. I am simply a worker, I receive a salary, but at the end of the day, I offer services," Vega told Milenio TV. "We can't let ourselves be taken by the economic standing of each person. What's important here is to see us all as human beings."

From behind bars at the Reclusorio Oriente, a large city prison, Sacal apologized "to society" for attacking Vega, in a letter read by his lawyer Thursday. If convicted and sentenced, he faces between three and eight years in prison.

31 December 2011

Is Mexico's an inherently racist society? Does the culture overwhelmingly favor those with light skin over those with dark skin? And if so, is that a legacy of European colonialism or present-day images in television and advertising?

These are among the thorny questions emerging in online forums in Mexico since a government agency began circulating a "viral video" showing schoolchildren in a taped social experiment on race.

The kids are seated at a table before a white doll and a black doll, and are asked to pick the "good doll" or the doll that most resembled them. The children, mostly brown-skinned, almost uniformly say the white doll was better or most resembled them.

One child in the video with mixed-race features says the white doll resembled him "in the ears."

"Which doll is the good doll?" a woman's voice asks the child.

"I am not afraid of whites," he responds, pointing to the white doll. "I have more trust."

Mexico's National Council to Prevent Discrimination, or Conapred, in mid-December began circulating the video, modeled on the 1940s Clark experiments in the United States. The children who appear in it are mostly mestizos, or half-Spanish, half-Indian, and a message said they were taped with the consent of their parents and told to respond as freely as they could.

Mexicans who saw the video said online that they were dismayed but not surprised by its results, and also offered some criticism for the agency that produced it.

Commenters have noted that the options were "very limiting" by offering only black and white, or good and bad, when in Mexico the majority of the population is mixed-race, mostly European and indigenous, and to a lesser extent African and Asian backgrounds.

"It is a poorly formulated question, it is pretentious," one user said on the website VivirMexico.

Yet many also said the video reveals a deep-seated prejudice that is taught to children in Mexico from an early age.

In 2010, the Televisa network was criticized for showing actors in black face during the World Cup in South Africa. In May, the case of a black man who died after a confrontation with police in Mexico City led to protests against Mayor Marcelo Ebrard.

Wilner Metelus, a sociology professor and leader of a committee advocating for Afro-Mexicans and black immigrants, said the doll video shows how far the country must go to recognize the prevalence of racism and the need to educate young people.

"The Mexican state still does not officially recognize Afro-Mexicans. There are few texts that talk about the presence of Africans in Mexico," Metelus said. "We need a project in the schools to show that the dark children are just the same as them, as the lighter children. And not only in schools; it is also necessary in Mexican families."

On Friday, the daily La Jornada published a report saying black immigrants in Mexico and the Afro-Mexican minority still suffer racism and discrimination that is not adequately acknowledged by the government.

"[Dark] skin color is still associated with foreignness," Luz Maria Martinez, a leading anthropologist on Afro-Mexican culture, told the newspaper. "We do not know how to value the indigenous culture, which is very rich, or the African culture, which is as great as any in the world."

16 December 2011

The lone female candidate contending for Mexico's presidency described herself as one of the millions of Mexican women who go home at the end of the day to check on the refrigerator, in comments that played on the touchy subject of gender roles in Mexican culture for the first time in the campaign for the 2012 election.

Josefina Vazquez Mota made the statements this week while responding to a question during a radio interview with one of the country's most prominent female journalists, Carmen Aristegui.

Peña Nieto, facing criticism and ridicule after several recent public fumbles, was asked in a separate interview to name the price of a kilo of tortillas, a standard food base in homes across Mexico, rich or poor. The PRI candidate replied, "I am not the lady of the house," or literally in Spanish, "No soy la señora de la casa."

The phrase was interpreted to mean "housewife" among social-media users and commentators who criticized Peña Nieto for what some called an example of Mexican machismo.

On Tuesday, Aristegui asked Vazquez Mota, a 50-year-old married mother of three daughters, "Are you a señora de la casa?"

"I am a woman, and as a woman I am a housewife, I am a government official, I've been twice a government secretary, I've been leader of a parliamentary group, I am an economist," Vazquez Mota said.

"And indeed, all of that along with being a housewife, a housewife who knows what happens every day at the dining table and in the kitchen," she went on. "And although we may not be there for many hours, as is my case -- and I'm sure your case and many others of us -- every night we return to that space of the kitchen, return to check the refrigerator and see if everything is ready or what needs to be bought the next day."

Vazquez Mota also suggested that she stops at markets between public events if anything is needed in her household. Directly addressing Peña Nieto's statements, she characterized them as "pejorative."

"Regarding a price of something, we are not obligated to know everything, but what does seem precarious for me is this disdain, this pejorative attitude toward being a housewife," she said. "We have millions, Carmen, millions, that go out to take care of their children all alone."

Vazquez Mota is one of three primary candidates remaining from the conservative National Action Party, or PAN, of President Felipe Calderon. The PAN is trailing in polls behind the PRI as it seeks a third consecutive presidency.

A former education secretary and federal legislator under Calderon, Vazquez Mota would be the first major party female candidate for president of Mexico if she captured the PAN nomination before next year's vote in July.

The leftist Democratic Revolution Party is also trailing behind the PRI under the repeat candidacy of populist leader Andres Manuel Lopez Obrador, who lost the 2006 election to Calderon by a razor-thin margin he refused to accept.

Lopez Obrador and others have hammered away at Peña Nieto since he recently was unable to correctly name three books that have influenced his life. That appearance, at Latin America's largest book festival, in Guadalajara, bolstered the long-standing argument that the former governer of the state of Mexico is all image and no substance.

"As he does not have substance, it is not only a matter of [Peña Nieto] not reading, it is what he represents: more of the same, more corruption, more injustice, more privileges, more decadence for our country," Lopez Obrador said in his weekly YouTube address (link in Spanish).

Peña Nieto's campaign has been in damage-control mode since then, yet the candidate keeps making missteps.

His answer about the price of a kilo of tortillas came during an interview with Spain's leading daily newspaper, El Pais, in which he also could not accurately cite the minimum wage in Mexico. The full audio of that interview was released Monday.

Peña Nieto, married to telenovela actress Angelica Rivera, his second wife, has used Twitter to defend himself once more, saying in Spanish, "I said 'I am not the lady of the house' in reference exclusively to my home, not as a disparaging or offensive expression towards women."

The price of a kilo of tortillas, meanwhile, is a point of serious concern for many low-income households in Mexico, recent news reports say. That price rose this month from 8 pesos to 12 in some states, a radical increase for households that struggle to make ends meet. Overall, inflation rose in November by 1.08% (links in Spanish).

Next year, the minumum wage in Mexico will rise by about 4.2% for a number of regions and jobs, the Labor Ministry said in a statement. In the geographic zone of Mexico City, where the cost of living is among the highest, that wage will be set at $4.60 a day.

* Photo: Josefina Vazquez Mota of the National Action Party celebrates Monday after filing her candidacy for president at the PAN headquarters in Mexico City. Credit: Reuters

30 November 2011

And here is some of the cool shit we got around to publishing in six lil issues of 8-pages each!

This was the best part of the entire Estrella Cercana operation, I think. We turned into a platform for fresh and interesting work, intersecting on the printed page across text and image, and often in interaction with pieces in the "Distant Star" show at the gallery.

We had no editorial guidelines from our publisher, the Kuris. The sky was the limit.

And as things came in, we went with the most Newsy stuff possible. Inevitably, this led to some criticisms about whether there was too much death, exploitation, violence, abuse, loathing, shock-value, guns, fascism, skin, dirty sex, and politics in our pages.

Our response, inevitably, was, 'Duh.' This is a NEWSpaper. (But with pseudonyms at work, yes.) We published, and please stay with me, the following ...

26 November 2011

The launch of a project without an immediate precedent -- in this case, an experimental newspaper with a six-week life-span -- is never smooth. The team had to establish a working schedule that could form around our already-busy lives. We had to communicate to our collaborators what we wanted but didn't have a model to show them yet. And we had to settle on a printer.

From a year of service leading the campus paper at Berkeley (props to anyone who does it; the Daily Cal is a 15,000-circ., city-serving, five-days-a-week, totally independent operation), I knew we had to establish a solid working relationship with the imprenta Homero found and eventually hired.

One evening early on, we went to visit and personally introduce ourselves at Litografía HEVA, near Tlatelolco. We arrived on a bad footing from the get-go.

The first issue was delayed by several days due to a serious printing error in the first-run of the first issue. We couldn't introduce Estrella Cercana to our readers with huge black marks over some of the images, as the first-run turned out, and we had to convince Señor Felipe, our man at HEVA, that the printer needed to make a second-run for us. For free.

Don Felipe was cool. Chilango to the core, but cool. About fifteen years ago, he told us, he lost half of his left-hand index finger in an accident on a large cutting machine in the workshop. (See Don Felipe standing with that machine here, and his half-finger here.) We checked out machines and techniques that now only exist in analog-era journalists' nostalgic memories: off-set, movable types, plates, inks!, etc.

During the visit, Don Felipe made a weird and slightly offensive comment that ended becoming something of a calling card for us, "Este periódico no es para familias ni para gente honesta." ("This newspaper isn't for families or for honest people.")

Huh?

Our work schedule also proved challenging. Everyone on board was good for the project because we're the sort of people who are constantly juggling several projects at once. (I work as a news assistant in the Mexico City bureau of the L.A. Times, contributing regularly to the World Now blog.) We decided we would work whenever possible at the Kurimanzutto space, an environment which I ended up developing a strong admiration for, it's so well-done, or at our home offices.

Yet over the six hectic and crazied weeks, the design and editorial team never quite pinned down a reliable schedule. We worked together a few nights a week whenever we could, and rushed through galley edits at the last minute in order to meet our weekly Thursday (... or Friday...) printing deadline.

This kind of pace meant we had limited time to engage with collaborators. We needed pieces to come in clean and sharp, as ready for publication as possible. A couple things we commissioned, especially for the most "relevant" and up-to-date news reports we carried (Beyonce's baby-bump, for example, or Justin Bieber's visit to DF).

We also, you might've noticed, permitted writers to submit pieces under psuedonyms, making for a lot of unusual fun fun fun.

22 November 2011

Homero would be in charge of the production process -- lining up the budgets, locating and contracting the printer, developing an advertising plan, handling all the transactions with advertisers and payments with collaborators, and building a distribution map. It's a huge task over-all. See this recent piece Homer wrote for Tomo.

Alberto, designer behind the Soma site, among others, would be in charge of devising a design scheme and laying out each issue. We looked at Mexican tabloids and Cuban party newspapers he acquired on a visit there. We picked fonts. Alberto subcontracted an assistant design editor, Adiranne Montemayor, also an architect. Then we brought on Javier "Coco" Rivero, the brain behind Writers & Kitties, as copy editor. (It sounds way better as corrector de estilo.)

Coco's job was to review pitches as they came in to a general email address, recommend them to me to read and edit, line-edit stuff we'd want in the paper, and handle any big edits directly with the writers. A key point for me, after the traumas suffered freelancing through la crisis, was insisting early on that contributed pieces to the paper had to be paid, like in "real life." It's the principle. Kuri agreed.

Things started rolling. We bought the Web domains, opened a Twitter, found a printer (a testy old man in the Col. Guerrero, but that's another post), hired a web manager with Rodrigo Escandon, and hired Jeromino Jimenez (aka Ñaka Ñaka) to design a unique banner background for each issue's nameplate. Online, these would be .gifs. Yay.

The gallery gave us a budget for six issues at eight pages, with four pages in color. The core editorial team decided we would reserve the centerfold, known in the old-school as a double-truck, for a strong visual display, like a poster readers might want to keep. The back page would be called FUN FUN FUN, and would be jammed with random newspaper diversion bits, like horoscopes, gossip and such. The back-page would also include the print announcement for our carefully curated audio downloads. (More on that later.)

Then, we put out the call for pitches. Here's my Intersections post announcing the launch of the project.

This was to become the hardest part while getting started, establishing and nurturing the paper's editorial voice and character -- fast. We wanted Estrella Cercana to operate as a refraction, an interpretation, or a decoding of a "traditional" newspaper. We wanted stories and works to have a degree of intimacy or relevancy, no matter the genre or format. News for you and me.

Thankfully, weeks before, the Monterrey journalist Diego Enrique Osorno had published on a Gatopardo blog a "manifesto for infrarrealist journalism." This piece, re-published with Osorno's permission in the first issue of Estrella Cercana, became our anchor text, our baseline.

21 November 2011

It's been nearly a month since the final edition of the "periódico con fin de vida," Estrella Cercana at kurimanzutto, and I've barely had time to regroup, review, and evaluate the project.

This week's series of posts is an attempt to do that.

So, from the beginning, Estrella Cercana emerged as a response to an invitation from Jose Kuri to propose some kind of intervention at the gallery. He had read "Down & Delirious in Mexico City" and liked it. The invitation was open and I tossed around ideas here and there with friends, but nothing concrete ever settled. Time passed.

One evening in early September after work, I met up with two architects for drinks at a cantina in San Miguel Chapultepec. I told them about Kuri's invite. Alberto Bustamante and Homero Fernandez and I came up with the idea for a "literary newspaper" that would accompany the gallery's show "Distant Star." The group show, co-produced with Regen Projects in Los Angeles, was titled after Roberto Bolaño's novella "Estrella Distante."

The name of the newspaper came almost instantly: Estrella Cercana. We thought the image of a nearing star was futuristic, apocalyptic, semi-cultish, and very "newsworthy"; or in other words, evoking cultural codes weighing heavily on the zeitgeist as we approach 2012.

Kuri immediately said Yes.

What did we get ourselves into, though? Activating a newspaper -- a newsroom, with different writers in different places, a design operation, an advertising operation, a publishing operation, a printer, a budget, a team -- was not going to be easy. And, crucially, we all had normal day jobs.

It also sounded like an opportunity not to be missed.

We settled on a weekly. We met with the gallery to discuss logistics and consider what ended up being a totally generous budget, a deep sign of trust, I'd say. Kuri wanted the intervention to be good. We were in agreement.

Why not?

Who isn't down to work with a new, fresh group of people on a wild creative project? Thus, the team started coming together.

14 November 2011

A Mexican Twitter user was detained and questioned by federal investigators about a message on the social media site that seemed to allude to the helicopter crash that killed Mexico's interior minister, Francisco Blake Mora.

The tweet by @mareoflores appeared Thursday, a day before the suspected accident that killed Blake and seven others, and referred to the 2008 Learjet crash that killed a previous interior minister, Juan Camilo Mouriño.

That accident also occurred in early November and its anniversary was a source of buzz among Mexican social media users in the days before Friday's crash.

"I haven't left work so early since the fall of Mouriño's plane," the tweet said. "Be careful, flying officials."

The federal attorney general's office said it detained the Twitter user Sunday under its duty to "exhaust all lines of investigation" in the Blake crash. A spokeswoman said Monday that the user was found by the agency's cyber-police unit.

Identified as a 26-year-old publicist named Mario Flores, the latest tuitero to enter the news in Mexico said in interviews Monday that agents dressed in civilian clothing approached him in his Mexico City driveway, tackled him and pushed him into a civilian vehicle. He said he was taken to meet investigators and was in custody for eight hours.

After his release Sunday night, Flores was greeted with news cameras and cheers outside an attorney general's office building in the capital (link in Spanish). Flores said he told authorities that the tweet was a coincidence and that it was rooted in his experience living through the 2008 Mouriño crash, which occurred just a few blocks from his place of work.

"It's in the collective consciousness," Flores said in a radio interview with journalist Carmen Aristegui (link and audio in Spanish). "It's the same way that Americans still talk about 9/11."

Flores joins a growing list of social media users in Mexico who have been targeted by criminals or government authorities for messages posted on Twitter.

In the border city of Nuevo Laredo, a string of grisly unsolved killings is spreading fear among Twitter users who keep one another informed on criminal activity. This year, two social media users in Veracruz became a political flash point after they were jailed over tweets that state authorities said spread rumor and panic.

And in the hours after the Friday helicopter crash, the Twitter user @morf0 became a brief media sensation when a message of his seemed to predict the Blake crash, saying: "Tomorrow on 11/11, a secretary will fall out of the sky."

For his part, Flores said Monday that Twitter users should be protected, not targeted, by authorities.

"I am a user, I am Mexican, I just want peace for me, my family and more than anything for my country," he told Aristegui. "I don't want ministers to fall from the sky and I don't want tuiteros to be taken from their homes for saying something."

* Photo: A memorial service for interior minister Francisco Blake in Tijuana on Sunday / Reuters

11 November 2011

Four people have been killed in gruesome fashion in Mexico since September for posting about drug cartels on social-media websites, the headlines and news reports say.

Trouble is, the reports could be wrong.

Information is the latest battleground in Mexico's drug war, as a string of brutal deaths in the northern border city of Nuevo Laredo has produced alarming reports that social networks are under attack by the infamous Zetas cartel.

Most of the reports, however, are not built on verifiable facts. And facts have become a rare commodity in many regions of Mexico that are dominated by drug cartels.

In each case, such as a man found decapitated near a monument in Nuevo Laredo on Wednesday, the victims have been left with hand-lettered messages suggesting that they were using Twitter and the local chat board Nuevo Laredo En Vivo to report on cartels.

In each case, the messages have warned against cooperating with the Mexican military and have been signed with multiple Zs, presumably referring to the Zetas.

05 November 2011

* UPDATE: Fulfilling any decently skeptical person's expectations but failing those of info-war-mongers, including major U.S. media outlets and some heroin addict in Dallas, #OpCartel is basically a bust tonight. Here's my report from Friday.

A story that at first seemed to point ominously to a dangerous new development in Mexico's drug war was spiraling into confusion Friday as social-media users claiming ties to the hackers group Anonymous announced -- and then retracted -- a threat against the Zetas cartel in Mexico.

Some Twitter users who claim membership in the secretive hackers collective said they would be carrying out the attack against the ultra-violent Zetas by revealing the identities of the cartel's associates and businesses starting Saturday.

Others, however, were reporting that the attack was canceled and warned that the operation, dubbed #OpCartel, would put innocent lives at risk.

Adding to the confusion, the reason for the supposed cancellation of the attack shifted throughout the day. Did the Zetas release the Anonymous member allegedly kidnapped in Mexico, an abduction that purportedly inspired the hackers' threat? Or did Anonymous receive threats itself and cancel the operation for the safety of its members and their families?

In the dual worlds of shadowy cartels and shadowy hackers, there is almost no way of knowing, and no way of verifying such claims.

Anyone can claim membership of the leaderless hackers group. And anyone, in theory, can start a hash-tag on Twitter and call it an "operation" -- even before a single action is taken.

25 September 2011

** Originally published at World Now at the L.A. Times, the paper's new international news blog. My recent base at LAT.com, La Plaza, is hereby retired, but links remain live and available. Thanks for the follows and re-posts and continued tips and feedback.

REPORTING FROM MEXICO CITY -- A woman found decapitated in the border city of Nuevo Laredo is being mourned as an apparent member of a social networking site used by local residents to share information on drug cartel activity.

The victim was found early Saturday with a note nearby saying she was killed for posting messages online about violent or criminal incidents in Nuevo Laredo.

The Tamaulipas state attorney general's office identified the woman as Maria Elizabeth Macias Castro, 39, and said she was an editor at the newspaper Primera Hora (links in Spanish). The Associated Press, however, quoting an employee of the newspaper, identified the victim as Marisol Macias Castaneda, and said she held an administrative and not an editorial post at Primera Hora.

A web search of the newspaper's website found no mention of the woman's death or the discovery of a decapitated female body on Saturday.

But on the website Nuevo Laredo en Vivo, a banner image appeared memorializing a member known as NenaDLaredo. "You'll always be present," the display says.

12 September 2011

I stayed away from the news on Sunday, then logged on and looked at pictures and newspaper front-pages. From Patrick Smith at Salon:

It's not the anniversary itself that irks me. The 10-year mark is -- or should be -- worthy of our solemn respects and a national timeout. But commemorating the attacks would feel a lot more meaningful if, in fact, we had ever stopped commemorating them. Our healing process has been never-ending -- occasionally introspective and edifying, but all too often maudlin and suffocating.

Yes, exactly. Where we going with all this? What happens to America on Monday? And every Monday thereafter? More of the same, seems to me. That's the truly sad part.

24 February 2011

The day before I traveled back from Southern California to Mexico City, I went to a Barnes & Noble store at one of those new suburban malls that still sprout up on the outskirts of cities. My mom and I hit up Otay Ranch Town Center, kinda east of Eastlake, east of Chula Vista, southeast of metropolitan San Diego. We wanted to see the book in its natural habitat.

With Borders going bankrupt, Barnes & Nobles is the only big bookstore chain carrying "Down & Delirious in Mexico City." We searched the long aisles of self-help books, books on celebrities in Spanish, study guides, books on crafts or pets, romance novels. I finally found two copies of my book on a low shelf in the travel section, wedged between a couple of bestsellers on ex-pat life in Mexico and some travelogues by Brits or Australians on India or the Pacific Islands. One of them had the word "savages" in the title.

The experience neither pleased nor disappointed me.

As I wrote and worked on the thing, I knew that one day I would walk into a big bookstore and see it on a shelf, an anonymous mass-produced product like any other. In Otay, it looked just as I had envisioned it. One book in a sea of books, each one waiting to be bought, each one worried that it might not happen. Its placement as a travel title also seemed a bit imprecise. But ... whatever?

It hit me. This book is no longer mine. The thing has its own life now. The process was my reward, my prize. After trying daily news reporting, weekly feature-writing, magazine work, blogging, radio, and video, I wanted to try another form to tell stories. Writing this book was that experiment, an opportunity to seize.

The process was long, hard, and often drove me crazy. I learned and grew and suffered plenty of doubt and setbacks. But I won't feign modesty. I'm proud of the work and the way the project turned out. Now I want to share it with people, and I'll keep doing so as long as you want me to. But in my mind I've already released myself of it.

That said, watching the book make its own life is exciting. I have to keep in mind that my collaborators and I might know the book intimately, but every other reader is getting to know it for the first time. That's exciting. Yes, I'm reading the reviews.

15 February 2011

Here's an audio interview I did with Turnstyle News, a new outlet based out of Youth Radio in Oakland, Calif. We talk about the emo riots, the cosmopolitan nature of D.F., and a topic I knew would be coming up: Why did you feel it was OK to address your own dabbling in drug use in some sections of the book?

As I tell interviewer Nishat Kurwa, in more words, of course ... Why not? Not like it's never been done before. In the interest of transparency, I showed those sections to my parents before I showed them to anyone else. Without any misgivings. Think about it: Bet a good majority of your editors and media execs -- to say nothing of your president -- went through exactly what I did when I first hit D.F., my "impossible city" in a world of many.

I'm stopping this afternoon at UC Irvine to speak to the students of Erika Hayasaki, a former colleague at the L.A. Times and now an assistant professor of literary journalism at Irvine. This evening, Stories in Echo Park. Wednesday, I'll (still) be talking about the book to the students of Ruben Martinez, journalist, author, and professor at Loyola Marymount University in West L.A. Here's that flier.

09 February 2011

Above, a video created by Sister Mantos, an L.A.-based musician and performance artist who will be sharing the bill at the Slake magazine release party for "Down & Delirious in Mexico City." This is precisely the energy that I think is present in many of the book's pages.

Here's the Slake release sheet on the event. The party is Feb. 17 at 8 p.m. at the Echoplex -- ** UPDATE: The venue has been changed to the Echo upstairs. ** The idea is to organize a music party in the spirit of the book. So, also playing next Thursday and also right up our alley, DJ Total Freedom, Crazy Band (who belong to that anti-Internet presence movement), and DJ Lengua. I'll also read a little. Thanks, guys, for agreeing to play!

We'll have books and also issues of Slake for sale. Slake is now in its second issue. Honored to be a part of a venture in new literary journalism and creative writing in a sometimes bleak landscape for new writing. There's an excerpt from the book in Issue 2, "Mexican Gringo."

Yesterday's reading at UC Riverside went really well. Really engaging questions from students and community members. Was fun to hang out a bit with Michael Jaime-Becerra and Jazmin Ortega, former La Opinion reporter and press official for the L.A. mayor, and a UCR alum. We checked out the campus paper The Highlander and the Tomas Rivera library, which has a great collection of children's literature.

I'm excited to share this project three years in the making with my friends and former neighbors, and to share the energy of Mexico City with its close cuz, Los Angeles, always home.

10 January 2011

In Mexico and in Spanish spoken by Mexican immigrants in the United States, a "tocayo" is a friend or acquaintance who has the same first-name as you do. "Tocayos" greet each other and say good-bye with it and not their shared name.

Tonight, I want to salute my tocayo doble in Arizona, Daniel Hernandez, Jr., a 20-year-old student at the University of Arizona who essentially saved the life of Rep. Gabrielle "Gabby" Giffords in Saturday's shooting in Tucson.

Above, Daniel's interview with the openly right-wing outlet known as Fox News. There is the characteristic awkward nature of the questions and answers in such spots, but more so here, as Daniel stays incredibly on-point, on-message, and composed while recounting the horror of what happened. He ran to the bullets when the shots started, and directly to the congresswoman. He propped her up, applied pressure to her wounds, held her hand and spoke to her, and traveled with Rep. Giffords in the ambulance to the University Medical Center in Tucson.

Almost frustrated toward the end of the interview, the anchor asks Daniel, "You're an example for a lot of young people, Daniel, in terms of your courage and your responsiblity. What's your message for other folks out there tonight watching, thinking, 'How can I raise a boy to be just like Daniel?'"

"I think the first thing we need to do," Daniel responds, "is make sure we acknowledge the real heroes, that's the public servants ... "

Amazing. The anchor in her New York studio is almost speechless.

Daniel, presumably a Mexican American, might be native-born. He also might not be. Daniel, I'm being told, is also gay/queer/LGBT-identified. Don't know for sure. (*UPDATE: Queerty reports Daniel serves on the Tucson Commission on GLBT Issues, and his name appears on the site's members list.) But what counts right now is his enormous strength of character, courage, and sense of civic engagement, even in the face of mortal danger. His statements reflect a genuine dedication to public service and to those who work in government not to spread hate or division but, as he puts it, to help people.

That's about as close as you can get to "patriotism" these days than anything else.

I am proud to share a name with you tonight, Daniel Hernandez, mi tocayo. Your family, friends, and millions of strangers are proud of you as well. You certainly are an example for all of us. I wish you all the best in the future, surely a bright one.

06 January 2011

What lies at the intersections of popular culture and the occult? Mysticism and technology? Led Zeppelin? "Tron: Legacy"? La Santa Muerte? and I'm only beginning to find out. From a conversation with author Erik Davis, by Antonio Lopez, at Reality Sandwich:

I am not sure who exactly coined that term; there’s a British scholar who gets recognized for it but it was also online back in the day. It’s a good one. For me it means the place where popular culture meets the underground and very real currents of magic, mysticism, and the esoteric -- a stream that has always been with us, but which was rediscovered and reaffirmed, in not always healthy ways, in the 60s. “Occulture” is also a way to claim the occult or the religious fringe as a kind of cultural identity or playground, rather than an overly serious and hidden realm. I try to look at the mysteries from both ends -- I think its important to look at, say, the contemporary ayahausca scene as a scene, with dress codes and slang and rock stars, not as a sacred separate realm. (Even though sacred things can and do go down there.) At the same time I think it is important (or at least more rewarding) to look at our often junky world of late capitalist culture as a place where the seeds of insight and vision might be found, if only you look at the landscape in just the right way.

The whole thing is here. I've not read Erik Davis, but his titles are on the list for the next trip to the States, and RS is a new obsession. No better dosage of futurisms for the second decade of the "new" millenium ...

25 December 2010

Above, a portrait of Enrique Metinides, the great D.F. photojournalist, taken in October 2010 by Eunice Adorno.

Metinides, now 76, is one-of-a-kind, an OG photojournalist whose work transcends the field and enters the realm of high art. In my view, he's among the best to have ever practiced the craft, taking more photos over many more years than, say, Robert Capa, Weegee, or Dorothea Lange.

Here's my end-of-the-year post at La Plaza, my interview with Metinides, marking the latest exhibit of his work in Mexico City. "In the Place of Coincidence," curated by longtime Metinides collaborator Veronique Ricardoni, is up at Garash until the end of January. The video and photo-montages mentioned in the piece display Metinides in new formats and through new perspectives; highly recommended.

"I'm a photographer by accident," Metinides said.

Back in his day, they called him "El Niño." The Kid, a name that followed him for years. Here are a few more portraits by Adorno, who is gracefully sharing them with Intersections. (Earlier this month, Eunice won the 2010 Fernando Benitez national cultural journalism prize in photojournalism, for her work on Mennonite women in north-central Mexico. See this slideshow at BBC Mundo.)

06 December 2010

* A girl, 15, is arrested in Oakland on prostitution suspicions. By Brett Myers.

Oakland-based Youth Radio has an impressive two-part series up this week on teen prostitution, produced in partnership with "All Things Considered" on NPR and led by young reporter Denise Tejada.

Here's the Youth Radio link and here's the link as the story appears on NPR.

Tejada, in Part 1 of the series, talks two former teenage sex workers who were coerced or forced into hooking on the streets of Oakland. Their descriptions of their time under the control of pimps -- they have subcategories, apparently, such as "romeo pimp" and "guerrilla pimp" -- are pretty chilling.

One girl identified as Brittney explains how she entered the underworld. She was kidnapped when she was 15: "All I heard was, 'Man, go get that girl,' and one of them came out and dragged me by my hair and pulled me into the car."

She was then gang-raped.

Interviewed in the story, Alameda County District Atty. Sharmin Bock is up-front: "Remember Guyana and Jim Jones where everybody's drinking that Kool-Aid drink? Well, that's exactly what these girls have had. Let's call it pimp juice. They've all had it and they can't see past either their affection for him, or their fear for their trafficker."

Part 2 of the series, on how sex-trafficking has "gone global and more violent," airs Tuesday.

The Youth Radio page for the "Trafficked" series also includes essential web extras. The "Pimp Business Plan" is ... wow ("Make every hoe take a vow to hoeing."), and the Davey D audio essay on rap's connection to pimping and the "hustling" culture of Oakland is also good listening.

Addenda, on the media:

Denise Tejada, by the way, is the kind of natural new-generation journalist who should rightfully make old media models and old media institutions a bit nervous. I found a post with video where Tejada is first interviewed by NBC-Universal's mun2 then manages to turn the tables, getting an interview from her interviewers.

That's what's up Denise, and all young people of color; never permit yourself to be merely a subject. We all know how ugly that paradigm can get. So congratulations is due to the young journalists at Youth Radio, and all their supporters, for their strong work.

15 October 2010

My job entails writing about places I have yet to visit. That's life in the news-blogging world, where we rely on the magical sci-fi portal that is the Internet to transmit us, you might say, to locations where interesting or urgent news is happening.

Searching, I found FM Bolivia. Call me seduced. The site streams a live radio feed of Bolivian cumbia and more, round-the-clock. It's an Andean aural paradise. I turn it on and don't flick it off for hours. There's also a news page.

17 September 2010

The bicentennial of Mexico's independence passed without major incidents on Wednesday and Thursday in Mexico City.

That is, if you discount the massive and bizarre Olympic-style parade, the 7-ton anonymous colossus statue erected live on the Zocalo, the over-the-top fireworks and fire show, the "grito" led by President Felipe Calderon as thousands on the plaza shouted "culero" in reply, the military parade the following morning with units marching from 17 "amigo" countries to Mexico (including China and the United States) and fleets of Air Force planes swooping down overhead.

A piece of cake, right?

There was less reflection than I thought there would be, less remorse or regret for some of the steps Mexico has taken in recent years, and a lot less fear that I might have imagined, too. Everyone came out, partied, and armed themselves for the inevitable cruda.

The above photo of bicentennial love is by photographer Trevor Snapp, who produces work from Latin America and Africa. Here are more by Snapp. The Boston Globe's "Big Picture" feature does the bicentennial here. Great images.

14 September 2010

Above, a representation of the Templo Mayor adorning the walls of the buildings on the west side of the Zocalo. I took this on Friday during a stroll around Centro for a post at La Plaza, on Mexico's bicentennial of independence. At night it is lit up and looks incredible.

It's on this Wednesday night, September 15, starting at 6 p.m. with a parade choreographed by Ric Birch, who put together Olympic ceremonies at Barcelona in 1992 and at Sydney in 2000. Then there are performances on three stages by Kinky, Lila Downs, Espinoza Paz, Los Tigres del Norte, and many others. I feel a bit of excitement in the air finally, but maybe I'm just projecting.

After all, I don't have to cut across Reforma everyday and have to suffer it being shut down for three days.

The New York Times and the Associated Press both go long on the grim mood in Mexico in 2010. The A.P. quotes a priest at a shelter for Central American migrants in Oaxaca, and left me nodding: "I think that nationalism isn't much help any more. ... I think what we need is new humanism, that places value on the
individual human being."

Meantime, or quickly down the road, maybe we could use a real audit on those millions of pesos being spent on the party. As ever, I'll be here to witness and keep my mind open and deliver myself to the fiesta, without resistance. Relatives are coming into town as I type, so things should get suitably saucy, soon.

19 August 2010

Scott explains: "To be fair, newspaper journalists have far too little time to do far too
much, particularly with the steady collapse of print circulations. If a
story breaks just before the deadline, they may just copy it: but it
seems only fair to require labelling in a case like this."

Ouch. Now imagine if you picked up your paper and it was covered in these labels. An experiment in ultimate transparency? Scott's other work is impressive. Check it out here.

25 July 2010

Above, a bowl of fresh tejate outside the door of the Santo Tomas Xochimilco church in Oaxaca, where an old woman was handing out glasses of the maize-cacao drink for free for parishioners as we left a wedding ceremony inside. A drink for "Zapotec kings," according to MEXonline, tejate is "made of precisely toasted corn, cacao, cinnamon, and the seeds and flowers of a fruit called mamey." The flor de cacaobecomes a foam and rises to the top as the ingredients are mixed together by hand, adding a wonderful texture to tejate as it travels down the throat.

It is served cold, sometimes with ice and sweetened with sugar-water. And it is delicious. Over the three days I spent in Oaxaca last weekend for this wedding of friends of friends, and for the Guelaguetza festival, I had a glass of tejate nearly every time I saw it being sold on the street.

Referring to Oaxaca as a nation unto itself is as accurate as you can get in describing the southern Mexican state. Much like Mexico City functions in relation to the Valley of Mexico and the surrounding central highlands, Oaxaca City (now Oaxaca de Juarez) feels sharply cosmopolitan for its region. All of Oaxaca's distinct regions and ethnic groups converge there, an ethnic, linguistic, and gastronomic diversity that is palpable and evident on every corner. In its food, in its civil and civic customs, in its sense of self and its relationship to the rest of Mexico and the rest of the world, Oaxaca is a fully realized society.

13 July 2010

In the latest installment in a periodic series, I hustle my posting at the L.A. Times La Plaza blog. Below, recent news and notes from across Latin America, with an inevitable leaning on Mexico, per our location, and a focus on the work of LAT correspondents, per the paycheck.

I've also had two stories recently in The Times. Nice to have a byline in there again. Those links hang down after the posts noted below (and I'm only going back to early June with the posts; this is making my head heart):