This programme provides a complete tour to the sacred site of ancient Olympia in the 2nd century BC. Monuments and sacred buildings come to life, enabling visitors to participate in the events and the rituals of the Olympic Games and to learn about the history of the city: the temple of Zeus, a model of Doric peripteral temple with magnificent sculpted decoration, the Heraion, the oldest monumental building of the sanctuary, dedicated to the goddess Hera, the Gymnasium, which was used for the training of javelin throwers, discus throwers and runners, the Palaestra, where the wrestlers, jumpers and boxers trained, the Leonidaion, which was where the official guests stayed, the Bouleuterion, where athletes, relatives and judges took a vow that they would upheld the rules of the Games, the Stadium, where most of the events took place, the Treasuries of various cities, where valuable offerings were kept, the Philippeion, which was dedicated by Philip II, king of Macedonia, after his victory in the battle of Chaeronea in 338 BC.

1 March, 2017 to 31 December, 2022

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A complete digital tour in English to the sacred site of Ancient Olympia in the 2nd century BC.

The city of Miletus on the western coast of Asia Minor, one of the most important cities in Ionia, comes to life again in the Virtual Reality production
“A Walk Through Ancient Miletus”. This production, in the special environment of immersion of “Tholos”, uses some new technical characteristics, which allow the development of multiple directions of digital life in the virtual space and not a predetermined course.

4 September, 2017 to 31 December, 2022

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Starting again in September, guided tours are offered in Greek & English for groups.
At the Virtual Reality programme there is a tour at the meninsula and the city of Miletus, as it was 2,000 years ago. Visitors can explore the virtual city and learn about the most important public buildings. Starting from the gate at the Port of the Lions, they enter the sanctuary of Apollo Delphinios. Then, they visit the Ionian Stoa, which housed the stores of the city, the Hellenistic Gymnasium, the North Agora and the Bouleuterion, being able to see even the details of the buildings' architecture. They can “fly” over the city for one last panoramic view of the perfect city planning design, or even “dive” into its port.

Dinosaurs at Dusk is a 44-min show produced by Mirage3D for digital dome theatres. It is presented at "THOLOS", the Virtual Reality Theater of Hellenic Cosmos.
A learning adventure of a father and his teenage daughter Lucy, who share a fascination for all things that fly.
You’ll travel back in time to meet the pterosaurs and the ancestors of modern-day birds: the feathered dinosaurs. Lucy and her father navigate from continent to continent, looking for clues about the origins of flight.
When time runs out they experience first-hand the cataclysmic “last day” of the dinosaurs.
Science content includes topics such as continental drift, proper motion of stars, asteroids and impacts, extinctions and the convergent development of flight among species.

The Anthropocene (/ænˈθrɒp.əˌsiːn) was popularised as an environmental term at the dawn of the 21st century by Paul Crutzen, the Dutch Nobel laureate and pioneer on atmospheric chemistry; it constitutes a proposed geological epoch that starts with the beginning of the first important human impact on Earth's geology and ecosystems, including climate change caused by human activity.

On March 11, 2020, the World Health Organisation officially declared the outbreak of a new virus, under the name covid-19, a pandemic. The invisible threat has taken its toll on human life and safety, as well as global economy and collective action, forcing isolation or restricted access to public areas as precautionary measures. Vacant, desolate streets and cities in the midst of social distress, financial uncertainty and climate crisis, echo the urban void and the urgency to remain vigilant and socially alert.

During the unsettling times of a global pandemic and national lockdowns, which seem to have emerged out of dystopic fiction, what does it mean for earth and the anthropocene to remain on hold? Which are the challenges and the environmental concerns that are raised for an artist? How can social distancing and quarantine reshape artistic practices and environmental narratives? In which ways can covid-19 impact environmental crisis and our general perception of the issue?

In response to this unprecedented and urgent situation and its toll on the planet’s well-being and safety, PCAI, on the occasion of the Anthropocene On Hold exhibition, has invited 20 international visual artists to address the gravity of a global pandemic and its impact on art engagement and production as well as earth’s resilience and sustainability. James Bridle, Ionian Bisai & Sotiris Tsiganos, Matthias Fritsch, Kyriaki Goni, Markus Hanakam & Roswitha Schuller, Hypercomf, Rindon Johnson, Evi Kalogiropoulou, Lito Kattou, Bianca Kennedy and the Swan Collective, Marcin Liminowicz & Trang Ha, Charly Nijensohn, Kosmas Nikolaou, Ira Schneider, Andrew Norman Wilson participate with new works in PCAI’s first online group exhibition curated by Kika Kyriakakou; an ongoing digital project that will be hosted on PCAI’s YouTube Channel (youtube.com/channel/UCKThYXergdup6X4g6ndTC2w) from May 14 to December 31, 2020.

MORE ABOUT PCAI

Polyeco Contemporary Art Initiative (PCAI), was founded in 2014 by Athanasios Polychronopoulos, Polyeco Group Executive Chairman, as a means to increase environmental awareness through contemporary art and video. The organisation implements its objectives though three areas of activity: its mainly commissioned-based Art Collection, its Projects and its Support. Since 2018 PCAI has been a member of the International Association of Corporate Collections of Contemporary Art IACCCA and it has been awarded for its art projects, educational programs and partnerships on many occasions. Kika Kyriakakou, PCAI’s Artistic Director, initiated in 2019 through an open call the organisation’s artist-in-residence programme focusing on the interaction between contemporary art and environmental consciousness. The selection committee, consisting of Hans Ulrich Obrist, Serpentine Galleries Artistic Director, Krist Gruijthuijsen, KW Institute for Contemporary Art Director, and the PCAI Directors, chose artists Rindon Johnson and Lito Kattou to participate in the residency programme taking place in 2020.