Festival season is gearing up now, with Hot Docs, Images, and Cinefranco announcing this year’s line-up – fantastic stuff to come. But in the meantime, here are some non-festival releases. Today I’m looking at an action/thriller about one man inside a big house who wants to save the world; and a drama about three people stranded on an island who just want to survive.

Olympus Has Fallen

Dir: Antione Fuqua

Mike Banning (played by perpetually gruff and surly Scot, Gerard Butler) was once a big man in the Secret Service. But when the First Lady is killed in an accident, he loses his status as a presidential guard. So he’s not at the White House when strange things start happening one morning. An errant gunner pilot flies a plane over the mall in Washington DC, mowing down random tourists, and knocking down America’s most famous penis, the Washington monument. Then, a group of tubby but ruthless terrorists manage to capture the White House, including the president and hold him captive. The American Empire is teetering on the brink…

Who are these bad guys? Al Qaeda? Al Shabab? Iraq? Iran? No! It’s the Zeppo of Bush’s “Axis of Evil” – the Koreans!

The other Secret Service agents all look like part-time tenors in the Mormon Tabernacle Choir. (Boy are they white!) But only tough-as-nails Mike is qualified for disasters like this. He gets to the White House on his own and opens up communication with his boss (Angela Bassett) and the grumpy, southern Speaker of the House (Morgan Freeman).

The chief bad guy, Kang (Rick Yune), holds all the cards. He is determined to learn the Cerberus defence code (known only to a few top officials). And he demands the DMZ be taken down and the Korean peninsula unified. With his crack team of super-shooters (inexplicably wearing silly Gilligan hats and bandanas over their faces) and computer experts, along with some American traitors, he’s unbeatable. Or is he?

It’s up to Banning to single-handedly beat all the bad guys, rescue the President (Aaron Eckhardt who is much more a Romney than an Obama), his young son, Connor, and the feisty Secretary of State (Melissa Leo). And, while he’s at it, free the White House, and save the world from an imminent disaster. He accomplishes this with old fashioned American know-how, brutal fighting skills, and brutish come-back lines. (Best line: “Kang, let’s play a round of f*ck off — you go first.”) He improvises, like Bruce Willis in Die Hard, using things he finds on the way. Like smashing in a terrorist’s head using a marble bust of Lincoln. As a Secret Service agent Banning knows every cubbyhole, every secret passageway in the White House.

Antoine Fuqua made the very good movie Training Day, but this is absolutely nothing like that one in style or plot. None of the movie is even vaguely plausible, but it doesn’t need a deep read to understand it. It’s hilariously awful at times, but tense and exciting at others. It’s a classic action movie, complete with explosions, shoot-outs and a virtually unwatchable close-up fight scene with a hand-held camera jiggly enough to make you lose your chili nachos in the lap of the guy in the next seat.

Watch it, laugh at it, and then forget it.

Going Home

Dir: Sudz Sutherland

Due to a change of laws, the US, Canada and the UK are now in the habit of deporting people — landed immigrants who moved to these countries as small children – back to their birthplaces after being convicted even of relatively minor crimes. This drama follows the different paths the three of them take as they are unceremoniously dumped in Jamaica with just a suitcase.

Dunstan (Canadian actor Lyric Bent) is a likeable, big guy from New York. His cousin helps set him up as security at a meth lab in Greenwich Farms, (a tough part of Kingston). He’s working for The Don, a hairy-eyeball young gangster who operates like a high court judge in his neighbourhood, punishing or helping the people there, as he sees fit. Soon he meets the pretty but stand-offish Cherry C. (pop star Fefe Dobson) and likes her a lot. Wants to get to know her much better. But she wants nothing to do with a Deportee.

Everton (played by Torontonian Stephan James) is a clean-cut and naïve, upper-middle-class student from London. He arrives in Kingston like a fish just waiting to be caught. His uncle Sam, who he’s supposed to meet in Trenchtown, isn’t there. He meets up with a cute high school girl, but things just get worse and worse. He soon finds himself homeless and penniless waiting for his mother to rescue him. But she’s a continent away and he can only reach her by long distant phone calls.

And finally Marva from Toronto (Tatyana Ali) was separated from her two young children when she was deported. She can’t find work because no one will trust a deportee. Forced to live with her relatives — a cruel aunt and a skeezy uncle (very well played by Paul Campbell) — Marva feels trapped in an untenable situation. If she can somehow get her kids to join her in Jamaica things will get better.

Will Everton be able to pull himself together and return to England once his court appeal goes through? Can Dunston earn enough to buy a forged passport and get back to his little brother in NY? And can Marva get together again with her kids?

The three deportees have their own separate sub-plots with only minimal contact among them. But they are all set in a very real-looking, fascinating Caribbean city (it was shot in Trinidad), with its colourful scenes and dancehalls, marketplaces and homes. And the movie takes place during a growing gang war affecting all of their lives.

I thought there were enough sub plots and sub-sub plots to fill a miniseries, with dozens of different side characters and twists — too much stuff going on for one movie. But by the end it all starts to coalesce, and you really feel for the characters. Great soundtrack – reggae mixed with dance. The acting is also great – especially Tatyana Ali, but also all the small roles, and there are many — and most of the (subtitled Jamaican) dialogue was fun too. As movies go, it’s a depressing plot, one I wouldn’t normally want to rush to see, and Canadian movies are prone to the overly earnest. But this didn’t happen: I liked it! It gives you lots to think about. Home Again is a good, plot-heavy drama that never leaves you bored.

Olympus has Fallen, and Home Again both open today, as does the film Yossi: check your local listings.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com .