Repositório Comunidade:http://hdl.handle.net/10451/82017-08-05T07:16:05Z2017-08-05T07:16:05ZPaulo Nozolino : a fotografia em ruínaGonçalves, David Paulo Martins, 1990-http://hdl.handle.net/10451/285592017-08-03T17:14:56Z2016-12-07T00:00:00ZTítulo: Paulo Nozolino : a fotografia em ruína
Autor: Gonçalves, David Paulo Martins, 1990-
Resumo: The practice of photography creates a dialogue as an object of social
analysis, beyond that of it's technical and formal specificities. An image holds
a responsability, one that should be taken as an element of study to
understand the History, seen as an efficitient form of reflection on the fate of
Man and society. Paulo Nozolino's photographs tell personal stories and recall others lost in the course of history, in the search for personal truth, through a solitary praxis, marked by monochromatic tones. In this way, it becomes important to understand his work as an irreproachable mark on the history of portugeuse photography, one to be considered as a work of reference2016-12-07T00:00:00ZAs viagens de Paulo V : heterotopia, propagação e ubiquidadeRibeiro, Jorge Henrique Antunes Vieirahttp://hdl.handle.net/10451/285582017-08-03T16:56:29Z2017-02-20T00:00:00ZTítulo: As viagens de Paulo V : heterotopia, propagação e ubiquidade
Autor: Ribeiro, Jorge Henrique Antunes Vieira
Resumo: As viagens de Paulo V. - Heterotopia, Propagação e Ubiquidade, consists in a theoretical and practical dissertation that has as its starting point the practice of amateur radio developed by Paulo V. - nuclear character of this reflection - activity to which he devoted himself for four decades, resulting in an extensive and diverse collection of elements. The questioning about the motivation of this practice, as well as the relevance
of their relationship in an artistic context, conducted this research to Michel Foucault and his concept of heterotopia in which this reflects about the space and time in contemporary times, an issue that is developed in the chapter dedicated to theoretical framework. Thus, from this concept, the bridge is created for the thought of Jorge Luis Borges, establishing the basis of his recurring themes - eternity and infinity - an idea of propagation and ubiquity of the subject, relating these concepts to the practice of amateur radio. In order to frame the time when this activity had its golden age, it is observed the change that Futurism brought to the art scene at the beginning of the 20th century, setting forth the emerging appetite for progress. Subsequently, is identified the relation that this avant-garde movement had with Russian Constructivism, being visible the influence, at a plastic level, between the graphic and typographic paradigm by the artists linked to this movement, and the elements resulting from the amateur radio activity. This chapter concludes with some examples of artwork, identifying relationships of proximity between these authors and the core concepts of this dissertation. The last part of this document is devoted to the presentation of the authorial practical project, divided into two parts, each containing several pieces of diverse nature, contemplating the practices of photography, video, drawing and installation, called CT1LN2017-02-20T00:00:00ZDesign de mobiliário urbano para espaços verdes : estudos da utilização da cortiçaTeixeira, Rita, 1992-http://hdl.handle.net/10451/285572017-08-03T16:37:57Z2017-03-10T00:00:00ZTítulo: Design de mobiliário urbano para espaços verdes : estudos da utilização da cortiça
Autor: Teixeira, Rita, 1992-
Resumo: This thesis, untitled Urban furniture design for green spaces - study the use of cork, aims to study a new way of being and experiences of citizens in the urban space by proposing a multipurpose street furniture that suits green spaces. Urban space should be seen as a place of coexistence and leisure, as well as services and streams. Today, due to the current period of technological change, the role of public space has changed, as a means of communication and information, as well as in leisure and leisure uses. One of the elements present in this space is the urban furniture and is it that focuses more on the development of this work. Through the study of the materials used in urban furniture, it could analyze and conclude on the potential and valences of cork material. This material has an important significance for the country's economy in a market leading position, since Portugal is the producer with more than half of the world share. It also held a contextualization within the cork industry in Portugal and its prospects for the future. Then, a market study on the various applications of cork is presented within the areas of design, architecture, fashion, sports and aerospace, which helps to understand the ability to apply this material. Through a synthesis, they are some of the possible applications of cork in street furniture, being a material constant study. Finally, to present a proposal of an urban equipment for the public space as a response to the needs detected in the use of the green spaces surrounding museums and other cultural centres, which proposes a possibility of application of this material in this context, which until now it has not been very usual2017-03-10T00:00:00Z30 anos 8 dias : o livro enquanto retrato de uma geraçãoBernardo, Joana Almeida Costa Álvares, 1985-http://hdl.handle.net/10451/285562017-08-03T16:11:51Z2017-02-10T00:00:00ZTítulo: 30 anos 8 dias : o livro enquanto retrato de uma geração
Autor: Bernardo, Joana Almeida Costa Álvares, 1985-
Resumo: The book may be considered as a container of memory, a “lieu de mémoire” – concept developed by Pierre Nora in the 1980/90’s. The book is an object that preserves moments captured in time – like a snapshot. During a practice-oriented investigation that includes a publication, the book will be analysed as an object that can represent a generation like a portrait, creating a document for the future. People born in mid 1980’s were chosen for this generational portrait. These young adults have just celebrated their 30th anniversary and – in the context of the socio-economical crisis Portugal is living in – are searching for a place in society and trying do be economically independent. Those who are portrayed practice art and science, and produce work that can be relevant in the future. Together they build 30 anos 8 dias (30 years 8 days). Practical strategies are defined to sustain the “book as a portrait” concept. This
project assumes itself as an ethnographic study. Based on a collaboration between author and those portrayed, 30 anos 8 dias attempts to get a deep, detailed understanding of this generation's life. Given the strategies applied in the book production, it was relevant to understand the role of the designer as editor and author. The emancipation of the designer throughout the years is also approached in this investigation In 30 anos 8 dias 13 people describe their everyday life and, occasionally, they share their concerns about present life and future. However, this portrait requires a chronological context. For that, postproduction will be essential. This operative model has gained importance in the art world since the 1990’s and will be transported to the editorial project.
The study includes 30 anos 8 dias – the book as a portrait – and also the theoretical component that describes and validates the strategy applied in the book production2017-02-10T00:00:00Z