14 Compositions (Traditional) 1996 is a live album by composer and saxophonist Anthony Braxton with multi-instrumentalist Stewart Gillmor, recorded at Wesleyan University in 1994 and released on the Leo label.[1][2]

Contents

... this recording of fourteen tunes from the first half of the century is a major addition to Braxton's remarkable discography. Here, he takes old standards, songs like "Ja Da," "Star Dust," and "Rosetta," and gives them new twists. The variety is astonishing, as Braxton and Gillmor try every variation imaginable. ... Often the melodies and solos are true to the era, though there are enough surprises to make this an entirely entertaining and fascinating collection.

1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves

2.
Wesleyan University
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Wesleyan University is a private liberal arts college in Middletown, Connecticut, founded in 1831. About 20 unrelated colleges and universities were named after Wesley. Wesleyan, along with Amherst College and Williams College, is a member of the Little Three colleges, Three histories of Wesleyan have been published, Wesleyans First Century by Carl F. Potts. Wesleyan was founded as an all-male Methodist college in 1831, the University, established as an independent institution under the auspices of the Methodist conference, was led by Willbur Fisk, its first President. Despite its name, Wesleyan was never a denominational seminary and it also has maintained a larger library collection than institutions comparable in size. The Wesleyan student body numbered about 300 in 1910 and had grown to 800 in 1960, the latter being a figure that Time described as small. In 1872, the University became one of the first U. S. colleges to attempt coeducation by allowing a number of female students to attend. Given that concern, Wesleyan ceased to admit women, and from 1912 to 1970 Wesleyan operated again as an all-male college, Wesleyan became independent of the Methodist church in 1937, although in 2000, the university was designated as an historic Methodist site. The building program begun under this system created three residential colleges on Foss Hill and then three more residential colleges. Although the facilities were created, only four of the academic programs were begun. Fund raising proved highly effective and by 1960 Wesleyan had the largest endowment, per student, of any college or university in America, and a student-faculty ratio of 7,1. The University and several of its admissions deans were featured in Jacques Steinbergs 2002 book The Gatekeepers, Inside The Admissions Process of a Premier College. In the fall 2007 semester, Michael S. Roth, a 1978 graduate of Wesleyan, when Wesleyan University was founded in 1831, it took over a campus on which two buildings, North College and South College, had already been built in 1825. They were originally constructed by the City of Middletown for use by Captain Partridge’s American Literary, Scientific, in 1829, after the Connecticut legislature declined it a charter to grant college degrees, Capt. Alden Partridge moved his Academy to Northfield, Vermont. The Academy later became Norwich University and the Middletown buildings were acquired by Wesleyan, the book, Norwich University, 1819-1911, Vol. I, provides the following description of South College and North College. These buildings were constructed of sandstone from the quarries in Portland. The Barracks was four stories high,150 feet long and 52 feet wide, with a large attic, halls extended the full length of the building. The Lyceum was located 20 feet south of the Barracks, was three high, with a basement partly above the ground

3.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements

4.
Hoagy Carmichael
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Howard Hoagland Hoagy Carmichael was an American composer, pianist, singer, actor, and bandleader from Indiana. Carmichael composed several hundred songs, including fifty that achieved hit record status and he is best known for composing the music for Stardust, Georgia on My Mind, The Nearness of You, and Heart and Soul, four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on Skylark, Carmichaels Ole Buttermilk Sky was an Academy Award-nominee in 1946, In the Cool, Cool, Cool of the Evening, with lyrics by Mercer, won the Academy Award for Best Original Song in 1951. Carmichael also appeared as an actor and musical performer in fourteen motion pictures. Born in Bloomington, Indiana, on November 22,1899, Hoaglund Howard Hoagie Carmichael was the first child and only son of Howard Clyde and his parents named him after a circus troupe called the Hoaglands that had stayed at the Carmichael house during his mothers pregnancy. Hoagy had two sisters, Georgia and Joanne. Because of Howards unstable job history, the family moved frequently, Hoagy spent most of his early years in Bloomington and in Indianapolis, Indiana. Carmichaels mother taught him to sing and play the piano at an early age, the Carmichael family moved to Indianapolis in 1916, but Hoagy returned to Bloomington in 1919 to complete high school. The piano was the focus of Carmichaels after-school life, for inspiration he would listen to ragtime pianists Hank Wells and Hube Hanna. At eighteen, the small, wiry, and pale Carmichael helped supplement his family’s meager income by working in jobs in construction, at a bicycle-chain factory. The bleak time was partly spelled by four-handed piano duets with his mother and by his friendship with DuValle, Carmichael earned his first money as a musician playing at a fraternity dance in 1918, marking the beginning of his musical career. The death of Carmichaels three-year-old sister in 1918 affected him deeply and he later wrote My sister Joanne—the victim of poverty. We couldn’t afford a doctor or good attention, and that’s when I vowed I would never be broke again in my lifetime. Joanne may have died from influenza, which had swept the world that year, Carmichael attended Indiana University in Bloomington, where he earned a bachelors degree in 1925 and a law degree in 1926. He was a member of the Kappa Sigma fraternity, and played the piano around Indiana and Ohio with his band, around 1922 Carmichael first met Leon Bix Beiderbecke, a cornetist and sometime pianist from Iowa. The two became friends and played music together, under Beiderbecke’s influence Carmichael began playing the cornet, but found that he didnt have the lips for the instrument and played it only briefly. He was also inspired by Beiderbeckes impressionistic and classical music ideas, the song became a jazz staple. Carmichaels other early compositions included Washboard Blues and Boneyard Shuffle

5.
Duke Ellington
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Edward Kennedy Duke Ellington was an American composer, pianist, and bandleader of a jazz orchestra, which he led from 1923 until his death in a career spanning over fifty years. Ellington was based in New York City from the mid-1920s onward, in the 1930s, his orchestra toured in Europe. Some of the musicians who were members of Ellingtons orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in jazz, Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades, a master at writing miniatures for the three-minute 78 rpm recording format, Ellington often composed specifically to feature the style and skills of his individual musicians. Ellington also recorded songs written by his bandsmen, for example Juan Tizols Caravan, and Perdido, after 1941, Ellington collaborated with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions, or suites, following an appearance at the Newport Jazz Festival, in July 1956, Ellington and his orchestra enjoyed a major career revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in films, scoring several. His reputation continued to rise after he died, and he was awarded a special posthumous Pulitzer Prize for music in 1999, Ellington was born on April 29,1899, to James Edward Ellington and Daisy Ellington in Washington, D. C. Daisy primarily played parlor songs and James preferred operatic arias and they lived with his maternal grandparents at 2129 Ida Place, NW, in the West End neighborhood of Washington, D. C. Dukes father was born in Lincolnton, North Carolina, on April 15,1879, Daisy Kennedy was born in Washington, D. C. on January 4,1879, the daughter of a former American slave. James Ellington made blueprints for the United States Navy, when Ellington was a child, his family showed racial pride and support in their home, as did many other families. African Americans in D. C. worked to protect their children from the eras Jim Crow laws, at the age of seven, Ellington began taking piano lessons from Marietta Clinkscales. Daisy surrounded her son with dignified women to reinforce his manners, Ellingtons childhood friends noticed that his casual, offhand manner, his easy grace, and his dapper dress gave him the bearing of a young nobleman, and began calling him Duke. Ellington credited his chum Edgar McEntree for the nickname, I think he felt that in order for me to be eligible for his constant companionship, I should have a title. Though Ellington took piano lessons, he was interested in baseball. President Roosevelt would come by on his horse sometimes, and stop and watch us play, Ellington went to Armstrong Technical High School in Washington, D. C. He gained his first job selling peanuts at Washington Senators baseball games, in the summer of 1914, while working as a soda jerk at the Poodle Dog Café, Ellington wrote his first composition, Soda Fountain Rag. He created the piece by ear, as he had not yet learned to read, I would play the Soda Fountain Rag as a one-step, two-step, waltz, tango, and fox trot, Ellington recalled

6.
W. C. Handy
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William Christopher Handy was an American composer and musician, known as the Father of the Blues. Handy was one of the most influential American songwriters and he was one of many musicians who played the distinctively American blues music, and he is credited with giving it its contemporary form. Handy was a musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers, Handy was born in Florence, Alabama, the son of Elizabeth Brewer and Charles Barnard Handy. His father was the pastor of a church in Guntersville. The log cabin of Handys birth has been preserved near downtown Florence, growing up he apprenticed in carpentry, shoemaking and plastering. Handy was deeply religious, and his style was influenced by the church music he sang. It was also influenced by the sounds of the natural world, Handys father believed that musical instruments were tools of the devil. Without his parents permission, Handy bought his first guitar, which he had seen in a shop window and secretly saved for by picking berries and nuts. Upon seeing the guitar, his father asked him, What possessed you to bring a sinful thing like that into our Christian home, and ordered him to take it back where it came from, but he also arranged for his son to take organ lessons. The organ lessons did not last long, but Handy moved on to learn to play the cornet and he joined a local band as a teenager, but he kept this fact a secret from his parents. He purchased a cornet from a band member and spent every free minute practicing it. With a dozen men participating, the effect was sometimes remarkable. It was better to us than the music of a drum corps. He wrote, Southern Negroes sang about everything. They accompany themselves on anything from which they can extract a musical sound or rhythmical effect and he would later reflect that In this way, and from these materials, they set the mood for what we now call blues. In September 1892, Handy travelled to Birmingham, Alabama, to take an exam, which he passed easily. Learning that it poorly, he quit the position and found employment at a pipe works plant in nearby Bessemer. In his time off from his job, he organized a string orchestra. He later organized the Lauzetta Quartet, when the group read about the upcoming Worlds Fair in Chicago, they decided to attend

7.
Soprano saxophone
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The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument, invented in the 1840s. The soprano is the third smallest member of the saxophone family, a transposing instrument pitched in the key of B♭, modern soprano saxophones with a high F♯ key have a range from A♭3 to E6 and are therefore pitched one octave above the tenor saxophone. Some saxophones have additional keys, allowing them to play an additional F♯ and these extra keys are commonly found on more modern saxophones. Additionally, skilled players can make use of the altissimo register, there is also a soprano pitched in C, which is less common and until recently had not been made since around 1940. The soprano saxophone can be compared to the B♭ clarinet, although the clarinet can play a fourth lower and over a fifth higher. Professional players will use the technique of voicing to fix problems with intonation, due to its similarity in tone to the oboe, the soprano saxophone is sometimes used as a substitute for it. In addition to straight sopranos, there are also slightly and fully curved sopranos, the fully curved variety looks much like a small alto saxophone with a straighter crook. There is some debate over the effect of the straight and curved neck, with some believing that a curved neck on a soprano gives it a warmer. The soprano has all the keys of other models and some may have a top G key next to the F♯ key. Soprano saxophone mouthpieces are available in various designs, allowing players to tailor their tone as required, in 2001, François Louis created the aulochrome, a woodwind instrument made of two joined soprano saxophones, which can be played either in unison or in harmony. The soprano saxophone is used as a solo and chamber instrument in classical music. It is included in the quartet and plays a lead role. Many solo pieces have been written for it by such as Heitor Villa-Lobos, Alan Hovhaness, Jennifer Higdon, Takashi Yoshimatsu. As an orchestral instrument, it has used in several compositions. It was used by Richard Strauss in his Sinfonia Domestica, where included in the music are parts for four saxophones and it is also used in Maurice Ravels Bolero and has a featured solo directly following the tenor saxophones solo. Vincent dIndy includes a soprano in his opera Fervaal, greats of the jazz soprano sax include 1930s virtuoso Sidney Bechet, 1950s innovator Steve Lacy, and, beginning with his landmark 1960 album My Favorite Things, John Coltrane. Other notable soprano saxophonists include Jay Beckenstein, Dave Koz, Grover Washington, Jr. Ronnie Laws, and Nigerian Afrobeat multi-instrumentalist Fela Kuti

8.
Flute
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The flute is a family of musical instruments in the woodwind group. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening, according to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute can be referred to as a player, flautist, flutist or, less commonly. Flutes are the earliest extant musical instruments, as paleolithic instruments with hand-bored holes have been found, a number of flutes dating to about 43,000 to 35,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a musical tradition existed from the earliest period of modern human presence in Europe. Flutes, including the famous Bansuri, have been a part of Indian classical music since 1500 BC. A major deity of Hinduism, Krishna, has been associated with the flute, the English verb flout has the same linguistic root, and the modern Dutch verb fluiten still shares the two meanings. Attempts to trace the word back to the Latin flare have been pronounced phonologically impossible or inadmissable, the first known use of the word flute was in the 14th century. According to the Oxford English Dictionary, this was in Geoffrey Chaucers The Hous of Fame, today, a musician who plays any instrument in the flute family can be called a flutist, or flautist, or simply a flute player. Flutist dates back to at least 1603, the earliest quote cited by the Oxford English Dictionary, flautist was used in 1860 by Nathaniel Hawthorne in The Marble Faun, after being adopted during the 18th century from Italy, like many musical terms in England since the Italian Renaissance. Other English terms, now obsolete, are fluter and flutenist. The oldest flute ever discovered may be a fragment of the femur of a cave bear. In 2008 another flute dated back to at least 35,000 years ago was discovered in Hohle Fels cave near Ulm, the five-holed flute has a V-shaped mouthpiece and is made from a vulture wing bone. The researchers involved in the officially published their findings in the journal Nature. The flute, one of several found, was found in the Hohle Fels cavern next to the Venus of Hohle Fels, on announcing the discovery, scientists suggested that the finds demonstrate the presence of a well-established musical tradition at the time when modern humans colonized Europe. Scientists have also suggested that the discovery of the flute may help to explain the probable behavioural and cognitive gulf between Neanderthals and early modern human. A three-holed flute,18.7 cm long, made from a mammoth tusk was discovered in 2004, the earliest extant Chinese transverse flute is a chi flute discovered in the Tomb of Marquis Yi of Zeng at the Suizhou site, Hubei province, China. It dates from 433 BC, of the later Zhou Dynasty and it is fashioned of lacquered bamboo with closed ends and has five stops that are at the flutes side instead of the top

9.
Clarinet
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The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments. It has a mouthpiece, a straight cylindrical tube with an almost cylindrical bore. A person who plays a clarinet is called a clarinetist, the word clarinet may have entered the English language via the French clarinette, or from Provençal clarin, oboe. It would seem however that its roots are to be found amongst some of the various names for trumpets used around the renaissance. Clarion, clarin and the Italian clarino are all derived from the medieval term claro which referred to a form of trumpet. This is probably the origin of the Italian clarinetto, itself a diminutive of clarino, according to Johann Gottfried Walther, writing in 1732, the reason for the name is that it sounded from far off not unlike a trumpet. The English form clarinet is found as early as 1733, while the similarity in sound between the earliest clarinets and the trumpet may hold a clue to its name, other factors may have been involved. The trumpet parts that required this speciality were known by the term clarino, Johann Christoph Denner is generally believed to have invented the clarinet in Germany around the year 1700 by adding a register key to the earlier chalumeau. Over time, additional keywork and airtight pads were added to improve the tone and these days the most popular clarinet is the B♭ clarinet. However, the clarinet in A, just a lower, is commonly used in orchestral music. Since the middle of the 19th century the clarinet has become an essential addition to the orchestra. The clarinet family ranges from the BBB♭ octo-contrabass to the A♭ piccolo clarinet, the clarinet has proved to be an exceptionally flexible instrument, equally at home in the classical repertoire as in concert bands, military bands, marching bands, klezmer, and jazz. The cylindrical bore is primarily responsible for the clarinets distinctive timbre, the tone quality can vary greatly with the musician, the music, the instrument, the mouthpiece, and the reed. The most prominent were the German/Viennese traditions and the French school, the latter was centered on the clarinetists of the Conservatoire de Paris. The proliferation of recorded music has made examples of different styles of clarinet playing available, the modern clarinetist has a diverse palette of acceptable tone qualities to choose from. The A clarinet and B♭ clarinet have nearly the same bore, orchestral players using the A and B♭ instruments in the same concert could use the same mouthpiece for both. The A and the B♭ instruments have nearly identical tonal quality, the tone of the E♭ clarinet is brighter than that of the lower clarinets and can be heard even through loud orchestral or concert band textures. The bass clarinet has a deep, mellow sound, while the alto clarinet is similar in tone to the bass

10.
Contrabass clarinet
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The contrabass clarinet and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are pitched in BB♭, sounding two octaves lower than the common B♭ soprano clarinet and one lower than the B♭ bass clarinet. Some contrabass clarinet models have a range extending down to low E♭, some early instruments were pitched in C, Arnold Schoenbergs Fünf Orchesterstücke specifies a contrabass clarinet in A, but there is no evidence of such an instrument ever having existed. Subcontrabass clarinets, lower in pitch than the contrabass, have built on only an experimental basis. The EE♭ contra-alto clarinet is sometimes referred to as the EE♭ contrabass clarinet, the earliest known contrabass clarinet was the contre-basse guerrière invented in 1808 by a goldsmith named Dumas of Sommières, little else is known of this instrument. The batyphone was a contrabass clarinet which was the outcome of W. F. Wieprechts endeavor to obtain a contrabass for the reed instruments. The batyphone was made to a scale twice the size of the clarinet in C, for convenience in stopping holes too far apart to be covered by the fingers, crank or swivel keys were used. The instrument was constructed of maple-wood, had a mouthpiece of suitable size connected by means of a cylindrical brass crook with the upper part of the tube. The pitch was two octaves below the clarinet in C, the compass being the same, and thus corresponding to the bass tuba. The tone was pleasant and full, but not powerful enough for the register in a military band. The batyphone had besides one serious disadvantage, it could be played with facility only in its nearly related keys, G and F major. The batyphone was invented and patented in 1839 by F. W. Wieprecht, director general of all the Prussian military bands, and E. Skorra, in practice the instrument was found to be of little use, and was superseded by the bass tuba. A batyphone bearing the name of its inventors formed part of the Snoeck collection which was acquired for Berlins collection of ancient musical instruments at the Hochschule für Musik, soon after Wieprechts invention, Adolphe Sax created his clarinette-bourdon in B♭. In 1889, Fontaine-Besson began producing a new pedal clarinet and this instrument consists of a tube 10 feet long, in which cylindrical and conical bores are combined. The tube is doubled up twice upon itself, there are 13 keys and 2 rings on the tube, and the fingering is the same as for the B♭ clarinet except for the eight highest semitones. The tone is rich and full except for the lowest notes, which are unavoidably a little rough in quality, the upper register resembles the chalumeau register of the B♭ clarinet, being reedy and sweet. The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E♭ rather than B♭ and these days it is more often referred to as the E♭ contrabass clarinet. It is the second-largest member of the family in regular use, larger than the more common bass clarinet

11.
Piano
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The piano is an acoustic, stringed musical instrument invented around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. The word piano is a form of pianoforte, the Italian term for the early 1700s versions of the instrument. The first fortepianos in the 1700s had a sound and smaller dynamic range. An acoustic piano usually has a wooden case surrounding the soundboard and metal strings. Pressing one or more keys on the keyboard causes a padded hammer to strike the strings. The hammer rebounds from the strings, and the continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air, when the key is released, a damper stops the strings vibration, ending the sound. Notes can be sustained, even when the keys are released by the fingers and thumbs and this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the accidentals, which are needed to play in all twelve keys, more rarely, some pianos have additional keys. Most notes have three strings, except for the bass that graduates from one to two, the strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. There are two types of piano, the grand piano and the upright piano. The grand piano is used for Classical solos, chamber music and art song and it is used in jazz. The upright piano, which is compact, is the most popular type, as they are a better size for use in private homes for domestic music-making. During the nineteenth century, music publishers produced many works in arrangements for piano, so that music lovers could play. The piano is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, with technological advances, amplified electric pianos, electronic pianos, and digital pianos have also been developed. The electric piano became an instrument in the 1960s and 1970s genres of jazz fusion, funk music. The piano was founded on earlier technological innovations in keyboard instruments, pipe organs have been used since Antiquity, and as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches

12.
Types of trombone
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There are many different types of trombone. See trombone for information about the instrument in general, the cimbasso is a brass instrument in the trombone family, with a sound ranging from warm and mellow to bright and menacing. It has three to six piston or rotary valves, a cylindrical bore, and is usually pitched in C, F or E♭. It is in the range as a tuba or a contrabass trombone. The early use of cimbasso referred to a serpent of a narrower bore than the basson russe. Later, this term was extended to a range of instruments including the ophicleide. In general, after the advent of the more conical bass tuba, the term cimbasso was used to refer to a more blending voice than the basso tuba or bombardone and this causes a very direct, concentrated sound to be projected towards conductor and audience. The cimbasso in its form had a bell pointed upwards like the wider-bored tuba. Verdi disliked the wide-bore damned Bombardoni Austriche, not only because of the hoarse, broad tone, but also because of the Austrian origin of those wide-bore Bombardone-tubas. This attitude was inspired by the hated Austrian occupation of northern Italy in the years before the Risorgimento and these instruments were, however, well appreciated in the military brass and reed bands, playing the bass role of the string basses. It is a challenge for instrument builders and players of low-brass, to begin with the Bas-valve horns were derived from Basson Russe until the tuba formed Trombone Basso as used after 1867 until Otello/Falstaff. The cimbasso in its form as developed by Verdi and atelier Pelitti. The contrabass trombone is pitched in 12 F a perfect fourth lower than the modern tenor or bass trombone and has been through a number of changes in its history. Its first incarnation during the Renaissance was in 18 B♭ as the Octav-posaune, during this period it was built as an oversized bass trombone with a long slide and extension handle to reach the lower positions. The innovation of the double slide took place towards the end of period and was applied to the bass and contrabass trombones. The slide was wound back on itself to produce four tubes, each of which moved in tandem with its partner, during the nineteenth century, the contrabass trombone enjoyed a revival and it was constructed according to the double slide principle. At the turn of the 20th century, Conn manufactured a number of contrabass trombones. Wagners Der Ring des Nibelungen employed the contrabass trombone for the first time in the opera house

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700 …

Image: Grand piano and upright piano

Grand piano by Louis Bas of Villeneuve-lès-Avignon, France, 1781. Earliest French grand piano known to survive; includes an inverted wrestplank and action derived from the work of Bartolomeo Cristofori (ca. 1700) with ornately decorated soundboard.