Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

published:19 Nov 2017

views:14

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

published:09 Sep 2008

views:7884

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

published:09 Sep 2008

views:5087

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

During 1984 Malcolm Donnelly returned to Australia, debuting with the Australian Opera in 1985.

Since returning to Australia Donnelly has provided Master classes to young singers in Sydney. In 2002, he created the roles of Commissioner/Judge in the world premiere of Moya Henderson's opera Lindy.

On 26 January 2005 he was awarded the Member of the Order of Australia (AM) in the Australia Day Honours. His citation reads "For service to the performing arts as an operatic baritone and to the education and mentoring of young singers."

References

External links

Colin Graham

Colin GrahamOBE (22 September 1931, Hove, England – 6 April 2007, St. Louis, Missouri) was a stage director of opera, theatre, and television.

Graham was educated at Northaw School (Hertfordshire),Stowe School and RADA. Early in his career, he began a long association with Benjamin Britten, for whom he directed all but one of the composer's stage works, including all of the world premieres after 1954. He became associated with the English Opera Group in 1953. In the 1950s, he also worked for the Royal Opera House, Covent Garden in London and later at Glyndebourne and at the English National Opera in the 1970s. In the late 1950s and early 1960s, Graham was associated with several recordings of Gilbert and Sullivan operas conducted by Sir Malcolm Sargent with the Glyndebourne Festival Chorus and principals including George Baker. He enhanced these recordings with movement for the performers that makes the recordings sound more like a live staged performance.

Graham made his American debut as a stage director at Santa Fe Opera in 1974 with his staging of Britten's Owen Wingrave. Graham later became Director of Productions for Opera Theatre of Saint Louis (OTSL) in 1978, until 1985, when he became OTSL's Artistic Director. He held this position until his death.

Donizetti wrote Lucia di Lammermoor in 1835, a time when several factors led to the height of his reputation as a composer of opera. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of Lucia leaving Donizetti as "the sole reigning genius of Italian opera". Not only were conditions ripe for Donizetti's success as a composer, but there was also a European interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott made use of these stereotypes in his novel The Bride of Lammermoor, which inspired several musical works including Lucia.

The story concerns the emotionally fragile Lucy Ashton (Lucia) who is caught in a feud between her own family and that of the Ravenswoods. The setting is the Lammermuir Hills of Scotland (Lammermoor) in the 17th century.

Adrian Martin

Dr. Adrian Martin (born 1959) is an Australian film and arts critic born in Melbourne. He now lives in Vilassar de Mar in Spain. Dr. Martin is Adjunct Associate Professor, Film Culture and Theory at Monash University. In 2013-5 he was Distinguished Visiting Professor at Goethe University, Frankfurt, Germany. His work has appeared in many magazines, journals and newspapers around the world, and has been translated into over twenty languages and has regular columns in the Dutch De Filmkrant and in Caiman: Cuadernos de cine.

Martin studied at Melbourne State College in the late 1970s before going on to teach at MSC, Swinburne, Rusden (later Deakin University) and RMIT. Martin was one of The Age newspaper's film reviewers for 11 years until early 2006 and has worked as a film reviewer for ABC TV and Radio National. He was co-editor of the online film journal Rouge between 2003 and 2009. As of 2011 he is the co-editor, with Girish Shambu, of the online film journal Lola, and also serves as one of the editorial team of Screening The Past. He completed a PhD on film style, titled Toward a Synthetic Analysis of Film Style, through Monash University's Art and Design faculty in 2006, which won the Mollie Holman Award for best Arts PhD thesis.

Descent into Toreukral episode 5

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

6:02

REDHOUSE ROLL BAND part 1

REDHOUSE ROLL BAND part 1

REDHOUSE ROLL BAND part 1

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

5:53

REDHOUSE ROLL BAND part 3

REDHOUSE ROLL BAND part 3

REDHOUSE ROLL BAND part 3

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

6:02

REDHOUSE ROLL BAND part 2

REDHOUSE ROLL BAND part 2

REDHOUSE ROLL BAND part 2

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Donizetti: Lucia di Lammermoor (Opera Australia 1986)

Descent into Toreukral episode 5

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

Descent into Toreukral episode 5

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had ...

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Amyl and the Sniffers are a heady cocktail of garage punk with filthy riffs and sick songs, and tough frontwoman Amy Louise breaks hearts left and right with her electric stage presence. These legends hung out backstage before their first CherryRock show, an annual laneway festival celebrated by Melbourne's best rock dive bar. Check them out on their East Coast tour this August and September, because they rule. Filmed by Christina Rowatt and BrancoGrabovac. Written, hosted and edited by Christina Rowatt.

Amyl and the Sniffers are a heady cocktail of garage punk with filthy riffs and sick songs, and tough frontwoman Amy Louise breaks hearts left and right with he...

Amyl and the Sniffers are a heady cocktail of garage punk with filthy riffs and sick songs, and tough frontwoman Amy Louise breaks hearts left and right with her electric stage presence. These legends hung out backstage before their first CherryRock show, an annual laneway festival celebrated by Melbourne's best rock dive bar. Check them out on their East Coast tour this August and September, because they rule. Filmed by Christina Rowatt and BrancoGrabovac. Written, hosted and edited by Christina Rowatt.

Amyl and the Sniffers are a heady cocktail of garage punk with filthy riffs and sick songs, and tough frontwoman Amy Louise breaks hearts left and right with her electric stage presence. These legends hung out backstage before their first CherryRock show, an annual laneway festival celebrated by Melbourne's best rock dive bar. Check them out on their East Coast tour this August and September, because they rule. Filmed by Christina Rowatt and BrancoGrabovac. Written, hosted and edited by Christina Rowatt.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

Descent into Toreukral episode 5

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

LA Noire: The Quarter Moon Murders

The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.
Patreon: https://www.patreon.com/PogosPlace?ty=h
Twitter: https://twitter.com/pogojoe2011
Hitbox: http://www.hitbox.tv/pogojoe73
Twitch: https://www.twitch.tv/pogojoe2011/pro...Rockstar Social Club: pogojoe73

published: 01 Dec 2016

L.A Noire: The Quarter Moon Murders (Cinematic Episode)

The case starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.

Qicology (Yoga and Qi Kung) Breathing Exercise Routine (Full Length)

Yoga and Qi Kung breathing exercises blended together to teach a unique approach to breathing. Qicology teaches how to use the body as a pump for the breath in order to enhance energy and vitality. Developing a deeper breath and calmer nervous system. Restorative and strengthening. This routine is an amazing way to grow and progress in both modalities of Yoga and Qi Kung (Qi Gong) David Donnelly has been teaching Yoga and Qi Kung for over 20 years.

Dr Jennifer Oriel: The Great Unlearning

published: 15 Dec 2017

Play for Today - I Can't See My Little Willie (19 November 1970)

An incomplete soundtrack, recorded by the writer, of this otherwise missing BBC1 play. A copy was supplied to both Kaleidoscope and the BFI in 2015, but the latter was sadly unable to include it in its excellent Alan ClarkeDVD/BluRay set. Its recovery can now be revealed to the world!
On transmission the play was 75-minutes. Only the first hour was recorded, however, and of that the last 15mins suffer from a steadily worsening sound fault which ultimately blots out the sound. A small amount of restoration work has been performed for this 2016 preservation.
I CAN'T SEE MY LITTLE WILLIE
by DOUGLAS LIVINGSTONE
When it's time to wet the baby's head, it's surprising the secrets that emerge ...
Lighting JOHN TREAYS
Sound DEREK MILLER-TIMMINS
Designer DEREK DODD
Producer IRENE SHUBIK
Di...

published: 30 Aug 2016

NETFLIX'S GET WHO "THEY" WANT

Talk about netflix announcing tiffany haddish multi million deal. Was it a shot a monique and her boycott? Tiffany haddish girls trip role, and promoting ratchet behavior in movies, janky comedians and more.
http://piff.me/e904fa8

published: 27 Feb 2018

Steven Levitt on child carseats

http://www.ted.com Steven Levitt shares data that shows car seats are no more effective than seatbelts in protecting kids from dying in cars. However, during the Q&A, he makes one crucial caveat.

L.A. Noire. Episode Fourteen. Homicide Desk: Quarter Moon Murders.

The QuarterMoon Murders is a Homicide case in L.A. Noire. This is the last case Cole Phelps takes on the Homicide Desk before he is promoted to the Vice Desk.
The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.
All cut scenes and game play are in black and white.

Descent into Toreukral episode 5

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had ...

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

LA Noire: The Quarter Moon Murders

The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Bla...

The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.
Patreon: https://www.patreon.com/PogosPlace?ty=h
Twitter: https://twitter.com/pogojoe2011
Hitbox: http://www.hitbox.tv/pogojoe73
Twitch: https://www.twitch.tv/pogojoe2011/pro...Rockstar Social Club: pogojoe73

The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.
Patreon: https://www.patreon.com/PogosPlace?ty=h
Twitter: https://twitter.com/pogojoe2011
Hitbox: http://www.hitbox.tv/pogojoe73
Twitch: https://www.twitch.tv/pogojoe2011/pro...Rockstar Social Club: pogojoe73

The case starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.

The case starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.

Qicology (Yoga and Qi Kung) Breathing Exercise Routine (Full Length)

Yoga and Qi Kung breathing exercises blended together to teach a unique approach to breathing. Qicology teaches how to use the body as a pump for the breath in ...

Yoga and Qi Kung breathing exercises blended together to teach a unique approach to breathing. Qicology teaches how to use the body as a pump for the breath in order to enhance energy and vitality. Developing a deeper breath and calmer nervous system. Restorative and strengthening. This routine is an amazing way to grow and progress in both modalities of Yoga and Qi Kung (Qi Gong) David Donnelly has been teaching Yoga and Qi Kung for over 20 years.

Yoga and Qi Kung breathing exercises blended together to teach a unique approach to breathing. Qicology teaches how to use the body as a pump for the breath in order to enhance energy and vitality. Developing a deeper breath and calmer nervous system. Restorative and strengthening. This routine is an amazing way to grow and progress in both modalities of Yoga and Qi Kung (Qi Gong) David Donnelly has been teaching Yoga and Qi Kung for over 20 years.

NETFLIX'S GET WHO "THEY" WANT

Talk about netflix announcing tiffany haddish multi million deal. Was it a shot a monique and her boycott? Tiffany haddish girls trip role, and promoting ratch...

Talk about netflix announcing tiffany haddish multi million deal. Was it a shot a monique and her boycott? Tiffany haddish girls trip role, and promoting ratchet behavior in movies, janky comedians and more.
http://piff.me/e904fa8

Talk about netflix announcing tiffany haddish multi million deal. Was it a shot a monique and her boycott? Tiffany haddish girls trip role, and promoting ratchet behavior in movies, janky comedians and more.
http://piff.me/e904fa8

The QuarterMoon Murders is a Homicide case in L.A. Noire. This is the last case Cole Phelps takes on the Homicide Desk before he is promoted to the Vice Desk.
The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.
All cut scenes and game play are in black and white.

The QuarterMoon Murders is a Homicide case in L.A. Noire. This is the last case Cole Phelps takes on the Homicide Desk before he is promoted to the Vice Desk.
The mission starts with Phelps meeting in tech services with Captain Donnelly, Malcolm Carruthers and Ray Pinker. After going through a few 'gifts' from the Black Dahlia (B.D.) Killer, Phelps realizes that the B.D. Killer is actually taunting them. He figures out that the poem they have been given translates to landmarks around Los Angeles.
All cut scenes and game play are in black and white.

Descent into Toreukral episode 5

Descent into Toreukral episode 5
We lost Ipphli to IRL, and are recruiting. So Will-E joined to show off his stuff in an attempt to secure the spot Ipphli had tonight. I ran a tribute to Malcolm YoungAC/DC all night thing, so no Syrenscape tonight.
Discord issues cause us to move to Teamspeak, and but we made out alright here.
The gang fought off a horde of zombies and skeleton archers in a tunnel, then managed to find some loot after session. We likely won't be around on the 25th, but the gang will be back for sure Dec 2nd with a new member!
Thanks as always to Landid for streaming and uploading for me!

6:02

REDHOUSE ROLL BAND part 1

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Fe...

REDHOUSE ROLL BAND part 1

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

5:53

REDHOUSE ROLL BAND part 3

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Fe...

REDHOUSE ROLL BAND part 3

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

6:02

REDHOUSE ROLL BAND part 2

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Fe...

REDHOUSE ROLL BAND part 2

Filmed around Geelong in the early 1970's. Malcolm Donnelly - lead guitar, vocals, John Ferguson - lead guitar, lead vocals, Jack Green - bass, Claude Ragone - drums. Barwon HeadsHotel, 13th Beach.
Originally formed as Redhouse RollBand, this Geelong (Victoria) quartet was that city's premier rock attraction during the mid-1970s. The Redhouse Roll Band provided a very theatrical stage show (along the lines of Alice Cooper) with band members dressing up in skeleton suits or Superman outfits.
In 1973 the band signed a record deal with Atlantic, which resulted in the single Oh! Lucky Man. Taken from the British feature film of the same name, the band's version of Alan Price's song became a regional hit. But the band went into hibernation and re-emerged in late 1975 as Redhouse, with a completely revised line-up comprising Green, John Dallimore, Jacques De Jongh and Gary Crothall.
Redhouse built up a strong following on the Melbourne pub circuit as a hard-working heavy rock band. In July 1976, De Jongh left the band to join Hush. GrahamMatters (on vocals) and Garry Quince (on guitar and keyboards) took his place. In September, Redhouse entered the studio to record a debut album, One MoreSqueeze. The album did not reflect the band's onstage energy and presented as a lightweight guitar-pop LP. The album produced the singlesI LikeDancing (October 1976) and Who's Foolin' Who? (February 1977).
I Like Dancing peaked at #17 in Melbourne during December 1976, and in March 1977 Quince left to join Finch with Robin Riley coming in as his replacement.
A third single, Thank You, was released in August 1977 before Graham Matters departed to join the cast of the stage musical A Chorus Line. Riley left in October and De Jongh returned briefly while Hush were off the road. In December, long-serving bass player Jack Green took over management of the band and Redhouse re-formed with a new line-up of Dallimore, Crothall, Gary's brother Rick Crothall on bass, and Joey Amenta (ex-Taste) on guitar. Amenta did not last long and left in March 1978 to join the Russell Morris Band. Redhouse continued as a three-piece for several months before finally calling it quits.
In late 1978, John Dallimore and Rick Crothall formed a new band - a loud, heavy rock band in the tradition of Rose Tattoo and AC/DC. The band were modestly called Dallimore. The band issued one single (and a very catchy one at that!), called We AreThe Kids, in August 1980.

During 1984 Malcolm Donnelly returned to Australia, debuting with the Australian Opera in 1985.

Since returning to Australia Donnelly has provided Master classes to young singers in Sydney. In 2002, he created the roles of Commissioner/Judge in the world premiere of Moya Henderson's opera Lindy.

On 26 January 2005 he was awarded the Member of the Order of Australia (AM) in the Australia Day Honours. His citation reads "For service to the performing arts as an operatic baritone and to the education and mentoring of young singers."

HarveyDonnelly was standing onstage about a week ago when he flashed back to one of his favorite memories ...Donnelly said he was immediately transported to his first show with Cirque du Soleil seven years ago ... That moment, Donnelly said, and other deja vu moments like it remind him why he became part of Cirque du Soleil. Donnelly. Donnelly was always jumping around when he was younger, and he loved being active....

is September 30, 2018. For further information. ... https.//youngsseafood.co.uk/investors/. If you have any questions about the registration process or need further information, please do not hesitate to contact NicholasDonnelly, Communications Manager at Young’s Seafood. nicholas.donnelly@youngsseafood.co.uk ... SOURCE ... Nicholas Donnelly ... nicholas.donnelly@youngsseafood.co.uk....

The WesternHealth and Social CareTrust confirmed it had carried out a full investigation into the incident which left Cathy Malcolm “violated”. Ms Malcolm made the shocking discovery last July, when she was sent her own records along with the records of two other people ... Ms Malcolm said that although the notes were returned, her trust has been broken....