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Rather than pander to the purists or create music for DJs alone, Daniel Goldstein aka Lane 8 has always tread his own, distinctive path -- perhaps best summed up by

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Rather than pander to the purists or create music for DJs alone, Daniel Goldstein aka Lane 8 has always tread his own, distinctive path — perhaps best summed up by his phones-free event and label concept This Never Happened.

The concept is a simple one: remove all phones and cameras from the event, get back to connecting with the music and the people around you. And it is one that has been embraced with passion by Lane 8’s dedicated fanbase and the dance community at large. With his most recent This Never Happened tours including sold-out shows at Warsaw in New York, The Fonda in LA, and Zoo Project in Sydney, the This Never Happened message is being spread far and wide.

In tandem with the events, Daniel’s output on the TNH label has stood out for its integrity and artistry whether on emotional epics like “Fingerprint” or quirky upbeat groovers such as “With Me.” Always defined by a melodic touch, TNH is the culmination of a steady, assured rise over recent years.

After blowing up in the blogosphere with a series of Soundcloud-driven Hype Machine #1s around 2014, Lane 8 rose to wider prominence through a relationship with the tastemaking Anjunadeep label and his critically acclaimed 2015 album “Rise.”

Returning to the label with the Kidnap Kid collaboration “Aba,” 2017 will also see a steady stream of music on This Never Happened and more TNH tours the world over.

Alongside his own productions, his remixes have almost become as sought after as his originals with reworks of Maribou State’s Wallflower and ODESZA’s “Bloom.” More recently he has given RUFUS’s leftfield pop gem “Innerbloom” and Deadmau5’s iconic “Strobe” his own unique touch.

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There’s a great scene in The Last Waltz – the documentary about The Band’s final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm

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There’s a great scene in The Last Waltz – the documentary about The Band’s final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm says, “If it mixes with rhythm, and if it dances, then you’ve got a great combination of all those different kinds of music: country, bluegrass, blues music, show music…”

To which Scorsese, the inquisitive interviewer, asks, “What’s it called, then?”

“Rock & roll!”

Clearly looking for a more specific answer, but realizing that he isn’t going to get one, Marty laughs. “Rock & roll…”

Well, that’s the way it is sometimes: musicians play music, and don’t necessarily worry about where it gets filed. It’s the writers, record labels, managers, etc., who tend to fret about what “kind” of music it is.And like The Band, the members of Railroad Earth aren’t losing sleep about what “kind” of music they play – they just play it. When they started out in 2001, they were a bunch of guys interested in playing acoustic instruments together. As Railroad Earth violin/vocalist Tim Carbone recalls, “All of us had been playing in various projects for years, and many of us had played together in different projects. But this time, we found ourselves all available at the same time.”

Songwriter/lead vocalist Todd Sheaffer continues, “When we started, we only loosely had the idea of getting together and playing some music. It started that informally; just getting together and doing some picking and playing. Over a couple of month period, we started working on some original songs, as well as playing some covers that we thought would be fun to play.”

Shortly thereafter, they took five songs from their budding repertoire into a studio and knocked out a demo in just two days. Their soon-to-be manager sent that demo to a few festivals, and – to the band’s surprise – they were booked at the prestigious Telluride Bluegrass Festival before they’d even played their first gig. This prompted them to quickly go in and record five more songs; the ten combined tracks of which made up their debut album, “The Black Bear Sessions.”

That was the beginning of Railroad Earth’s journey: since those early days, they’ve gone on to release five more critically acclaimed studio albums and one hugely popular live one called, “Elko.” They’ve also amassed a huge and loyal fanbase who turn up to support them in every corner of the country, and often take advantage of the band’s liberal taping and photo policy. But Railroad Earth bristle at the notion of being lumped into any one “scene.” Not out of animosity for any other artists: it’s just that they don’t find the labels very useful. As Carbone points out, “We use unique acoustic instrumentation, but we’re definitely not a bluegrass or country band, which sometimes leaves music writers confused as to how to categorize us. We’re essentially playing rock on acoustic instruments.”

Ultimately, Railroad Earth’s music is driven by the remarkable songs of front-man, Todd Sheaffer, and is delivered with seamless arrangements and superb musicianship courtesy of all six band members. As mandolin/bouzouki player John Skehan points out, “Our M.O. has always been that we can improvise all day long, but we only do it in service to the song. There are a lot of songs that, when we play them live, we adhere to the arrangement from the record. And other songs, in the nature and the spirit of the song, everyone knows we can kind of take flight on them.” Sheaffer continues: “The songs are our focus, our focal point; it all starts right there. Anything else just comments on the songs and gives them color. Some songs are more open than others. They ‘want’ to be approached that way – where we can explore and trade musical ideas and open them up to different territories. But sometimes it is what the song is about.”

So: they can jam with the best of them and they have some bluegrass influences, but they use drums and amplifiers (somewhat taboo in the bluegrass world). What kind of music is it then? Mandolin/vocalist John Skehan offers this semi-descriptive term: “I always describe it as a string band, but an amplified string band with drums.” Tim Carbone takes a swing: “We’re a Country & Eastern band! ” Todd Sheaffer offers “A souped-up string band? I don’t know. I’m not good at this.” Or, as a great drummer/singer/mandolin player with an appreciation for Americana once said: “Rock & roll!”

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With its title “the green laurel” taken from a 1584 book of madrigals, this program explores the growth of Italian musical style from Renaissance to Baroque, including virtuoso instrumental versions

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With its title “the green laurel” taken from a 1584 book of madrigals, this program explores the growth of Italian musical style from Renaissance to Baroque, including virtuoso instrumental versions of madrigals and the songs themselves, as well as the new monodies of Monteverdi, Francesca Caccini, and other 17th-century luminaries. With violin, viol, lute, and soprano Jolle Greenleaf and additional special guests from Italy—instrumentalists Marcello Mazzetti and LivioTicli from the Palma Choralis Ensemble, based in Brescia in the Lombardi region of northern Italy.

Folger Consort gratefully acknowledges the kind support of our sponsors. For a full list of Consort sponsors, please visit our Sponsors page.

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Andy Borowitz is a New York Times best-selling author and a comedian who has written for The New Yorker since 1998. In 2001, he created The Borowitz Report, a satirical

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Andy Borowitz is a New York Times best-selling author and a comedian who has written for The New Yorker since 1998. In 2001, he created The Borowitz Report, a satirical news column that has millions of readers around the world, for which he won the first-ever National Press Club award for humor. The Borowitz Report was acquired by The New Yorker in 2012.

Before creating The Borowitz Report, he created the classic sitcom “The Fresh Prince of Bel-Air,” winning the NAACP Image Award and launching the acting career of Will Smith. He has many other Hollywood credits, including the Oscar-nominated film “Pleasantville.”

His most recent books have both been bestsellers: “The 50 Funniest American Writers,” which became the first title in the history of the Library of America to make the Times best-seller list; and a memoir, “An Unexpected Twist,” a No. 1 best-seller, which Amazon named the Best Kindle Single of the Year.

His work is widely shared on social media: his Twitter feed, @BorowitzReport, has more than half a million followers and was voted the best Twitter feed in a poll by Time; his Facebook feed has over eight hundred thousand followers; and his most recent comedy video received over one million views on YouTube in its first week alone.

As a comedian, he has performed sold-out shows around the world and has made countless television and radio appearances, on National Public Radio, VH1, and Comedy Central, among other places. He has been called a “Swiftian satirist” (the Wall Street Journal), “America’s satire king” (the Daily Beast), “the funniest human on Twitter” (the Times), and “one of the funniest people in America” (CBS News’ ”Sunday Morning”).

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Andy Borowitz is a New York Times best-selling author and a comedian who has written for The New Yorker since 1998. In 2001, he created The Borowitz Report, a satirical

more

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Andy Borowitz is a New York Times best-selling author and a comedian who has written for The New Yorker since 1998. In 2001, he created The Borowitz Report, a satirical news column that has millions of readers around the world, for which he won the first-ever National Press Club award for humor. The Borowitz Report was acquired by The New Yorker in 2012.

Before creating The Borowitz Report, he created the classic sitcom “The Fresh Prince of Bel-Air,” winning the NAACP Image Award and launching the acting career of Will Smith. He has many other Hollywood credits, including the Oscar-nominated film “Pleasantville.”

His most recent books have both been bestsellers: “The 50 Funniest American Writers,” which became the first title in the history of the Library of America to make the Times best-seller list; and a memoir, “An Unexpected Twist,” a No. 1 best-seller, which Amazon named the Best Kindle Single of the Year.

His work is widely shared on social media: his Twitter feed, @BorowitzReport, has more than half a million followers and was voted the best Twitter feed in a poll by Time; his Facebook feed has over eight hundred thousand followers; and his most recent comedy video received over one million views on YouTube in its first week alone.

As a comedian, he has performed sold-out shows around the world and has made countless television and radio appearances, on National Public Radio, VH1, and Comedy Central, among other places. He has been called a “Swiftian satirist” (the Wall Street Journal), “America’s satire king” (the Daily Beast), “the funniest human on Twitter” (the Times), and “one of the funniest people in America” (CBS News’ ”Sunday Morning

Event Details

Overview
With its title “the green laurel” taken from a 1584 book of madrigals, this program explores the growth of Italian musical style from Renaissance to Baroque, including virtuoso instrumental versions

more

Event Details

Overview
With its title “the green laurel” taken from a 1584 book of madrigals, this program explores the growth of Italian musical style from Renaissance to Baroque, including virtuoso instrumental versions of madrigals and the songs themselves, as well as the new monodies of Monteverdi, Francesca Caccini, and other 17th-century luminaries. With violin, viol, lute, and soprano Jolle Greenleaf and additional special guests from Italy—instrumentalists Marcello Mazzetti and LivioTicli from the Palma Choralis Ensemble, based in Brescia in the Lombardi region of northern Italy.

Folger Consort gratefully acknowledges the kind support of our sponsors. For a full list of Consort sponsors, please visit our Sponsors page.

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Trivia is hard... bingo is fun!
Looking for a night of laid back games, jokes, and the occasional free shot? DC Fray hosts FREE bingo every week. Grab a drink and

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Trivia is hard… bingo is fun!
Looking for a night of laid back games, jokes, and the occasional free shot? DC Fray hosts FREE bingo every week. Grab a drink and a bingo sheet, it’s free to enter and there are plenty of opportunities to win prizes. No strings attached!

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Always pushing boundaries, alt-pop phenomenon Lights has never shied away from a challenge. Through her first three records, Lights built an incredibly passionate fan base, selling out tours around the

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Always pushing boundaries, alt-pop phenomenon Lights has never shied away from a challenge. Through her first three records, Lights built an incredibly passionate fan base, selling out tours around the world, earning 100M in U.S. streams, over 200K in U.S. album sales, two JUNO Awards, and three Gold album certifications; not to mention the 2M rabid fans who follow her every move online. Yet through this success, she felt like she had more important things to say through her music but just didn’t know how to get them out. Thus was born Skin&Earth, the Canadian singer’s fourth record and companion comic book series of the same name, entirely written and illustrated by Lights herself. As Billboard explains, “Concept albums are nothing new, but it’s the lengths to which Lights takes her fourth album Skin&Earth that sets it apart.” Further critical acclaim for the project comes from Playboy, who dubs her a “Real-life musical wonder woman,” while ELLE describes Lights as “a musician, and artist, and a comic book hero,” and Departures praises her as “More pop siren than indie darling.” Her anthemic single “Giants” brings the immersive comic book world to life, as Lights – and her alter-ego leading lady – struggles to find hope in a hopeless world. “Giants” has been steadily climbing the Hot AC radio chart and has amassed over 2M streams on Spotify. Lights has played numerous festivals including Coachella, Reading & Leeds, plus toured with OneRepublic, Tegan & Sara, Paramore, Kaskade, PVRIS and many others. She will embark on her worldwide headlining tour in 2018. As Buzzfeed attests, “It’s time for Americans to fall in love with Lights.”

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2017 has been a breakout year for the newcomer Detroit singer/songwriter, Quinn XCII. With his ability to seamlessly blur the lines between pop, electronic, hip-hop, and soul music, he has

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2017 has been a breakout year for the newcomer Detroit singer/songwriter, Quinn XCII. With his ability to seamlessly blur the lines between pop, electronic, hip-hop, and soul music, he has quickly paved his own lane with his unique sound.

An early mixtape release turned heads, but it was his debut EP Change of Scenery, released in 2015, that put Quinn XCII on the map, connecting with the blogosphere and snaring millions of online streams. His follow-up EP release, Bloom, cemented his ability to meld styles and write about more varied subject matter. Next it was his featured vocals on “Kings of Summer”, a collaboration with longtime friend and producer ayokay (with whom he also exclusively worked with on his first two EPs), that started to bring him to the mainstream. The song became the sleeper summer hit of 2016, reaching #1 on Spotify’s Global Viral Charts, #1 on HypeMachine, accumulating over 50 million plays on Spotify, and getting regular spins at Top 40 radio around the country.

Quinn XCII has garnered raves for his versatile performing style. With over 70 shows across the country under his belt in 2016, including Spring and Fall support tours and Billboard’s Hot 100 Festival in Long Island NY, he has become known by fans for his live show. In the Spring of 2017 he went on his first sold-out headline tour through the east and west coast, straight into summer festival highlights such as Firefly Music Festival (Dover), Mamby On The Beach (Chicago), and Breakaway Music Festival (Grand Rapids and Columbus). His energy and personality translate naturally during his performance, making even the festival-sized crowds feel like intimate shows.

Quinn XCII’s debut album The Story of Us, was released on September 15 via Columbia Records. The album debuted at #6 on the iTunes Pop Charts and is led by his rising single “Straightjacket,” which was named SoundCloud’s “Song of the Month” and has accumulated more than 22 million streams on Spotify. After selling out his entire 30-city North American headline tour this Fall, he will kick off 2018 by touring the album throughout Europe and across North America again this Spring.

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Hey, I used to be able to submit my own events to the calendar, how do I do that?Currently, the calendar is only available to Premium Account holders (wanna sign up?). We’re currently testing bringing that feature back for everyone soon though, watch this space for updates.