Digitally remastered and expanded edition of this album from the Rock singer, songwriter and guitarist. First album Children of the Future was produced by Glyn Johns at Olympic Studios in London, and released in April 1968. The five-man line-up featured Steve Miller on guitar and vocals, Boz Scaggs on guitar and vocals, Lonnie Turner on bass, Tim Davis on drums and Jim Peterman on keyboards. The original side one of the album features a suite of linked psychedelic songs, while side two starts with two Boz Scaggs originals before culminating in a selection of blues cover versions. The bonus track is the non-album single side 'Sittin' in Circles'. The booklet of this Special Digipak Edition contains all the lyrics, a brand new booklet note by San Francisco journalist Joel Selvin, based on 2012 interviews with Steve Miller himself, and photos from Steve's own collection.

Cafe R&B is a five-piece band from the Los Angeles area consisting of female singer Roach, guitarist Byl Carruthers, keyboardists John "JT" Thomas, Harry Cohen and Stevie Utstein, bassist Bobby Pickett, and drummer Don Swanson and Adam Gust. Longtime music fans may remember lead singer "Roach" from her days fronting Los Angeles' "Roach and the White Boys" in the early 1980s. Critics in the U.S. and Europe have compared her hard-rocking vocals to the likes of Etta James, Tina Turner and Aretha Franklin. HITS Magazine declared: "Imagine Etta James riding a Harley out of an active volcano, and you'll have some vague inkling as to the vocal power…" Her producer/husband, Byl Carruthers, does amazing guitar work and writes the band's original material.

The Hoochie Coochie Men was a renowned Australian blues group composed of former Rainbow, Black Sabbath and Ozzy Osbourne bass player Bob Daisley, guitarist and singer Tim Gaze and drummer Rob Grosser. The recurring member of the band was former Deep Purple keyboard player Jon Lord who first performed with The Hoochie Coochie Men in February 2003 after an injury which prevented him from performing his usual concert setlist on piano. The band was also joined on stage by various harmonica players. The Hoochie Coochie Men's second studio album, Danger: White Men Dancing features guest performances from vocalists Ian Gillan, Jimmy Barnes and Jeff Duff.

Despite being the premiere of heavy metal, Jeff Beck's Truth has never quite carried its reputation the way the early albums by Led Zeppelin did, or even Cream's two most popular LPs, mostly as a result of the erratic nature of the guitarist's subsequent work. Time has muted some of its daring, radical nature, elements of which were appropriated by practically every metal band (and most arena rock bands) that followed. Truth was almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums…

The Rolling Stones’ No Security tour ran from January to June 1999 through North America and Europe. It followed on from the colossal Bridges To Babylon tour and took its name from the “No Security” live album recorded on that 1997/98 tour…

'Dust My Broom' or 'Live at Topanga Corral' is a 1971 live album by Canned Heat. The album is taken from a 1969 concert at the Kaleidoscope in Hollywood, California and not at the Topanga Corral as the title suggests. Canned Heat was under contract to Liberty Records at the time and Liberty did not want to do a live album, so manager Skip Taylor told Liberty that the album had been recorded in 1966 & 1967 at the Topanga Corral and released the record with Wand Records to avoid legal complications. The record has been bootlegged and reissued countless times, and is also known as 'Live at the Kaleidoscope'.

Most famous for his vocal and guitar work in the group Ten Years After, Alvin Lee had a long solo career after the band dispersed, still working in the hard rock, rockabilly, and British blues style that TYA did until his sudden death in Spain in the spring of 2013. This set captures his last live show, a concert held in Raalte, Holland, on May 28, 2012, with a crisp rhythm section of Pete Pritchard on bass and Richard Newman on drums. The show was recorded, and although it wasn't recorded to be an official release, Lee was pleased with the performance and authorized its release, not knowing, of course, that it would be his swan song.

Fandango! is the fourth album by the American blues rock band ZZ Top, released in 1975. Half the tracks are selections from live shows, the rest are new songs from the studio. Fandango, from which the album gets its name, is a type of dance similar to flamenco. In the late 1980s a digitally remixed version of the recording was released on CD and the original 1975 mix version was discontinued. The remix version created controversy among fans because it significantly changed the sound of the instruments, especially drums. The remix version was used on all early CD copies and was the only version available for over 20 years. A remastered and expanded edition of the album was released on February 28, 2006, containing three bonus live tracks. The 2006 edition is the first CD version to use Terry Manning's original 1975 mix.

Couldn't Stand the Weather is the second studio album by American blues rock band Stevie Ray Vaughan and Double Trouble. It was released on May 15, 1984, by Epic Records as the follow-up to the band's critically and commercially successful 1983 album, Texas Flood. Recording sessions took place in January 1984 at the Power Station in New York City. Stevie Ray Vaughan wrote half the tracks on Couldn't Stand the Weather. The album went to No. 31 on the Billboard 200 chart.

Impressive 11th studio disc by this excellent blues/rock axeslinger from Iowa featuring 11 tracks of awesome, dynamic, soul-powered, blues/rock guitar mojo that is guaranteed to rock your blues away. Bryce Janey digs deep on "Brand New Day" and has produced one of his strongest discs to date that lands old-school, timeless & classic. Right out of the gate from the rockin' opener "Fire It Up" to the last song, a way-kool version of "Key To The Highway" which features his Dad Billylee Janey guesting on 2nd guitar, the "Brand New Day" disc delivers rock solid to the core. Complete with his excellent long-time rhythm section of Dan "DJ" Johnson on Bass & Eric Douglas on drums, Brother Bryce lays down the blues/rock guitar law on his beat-up Strat with his good ole' trusty sidekick dog Buddy keeping everybody in tune!

Raised by his great, great grandparents in his informative years, Stoni was saturated with the authenticity of music via the vibrations of Blues/Race Music. It was only a matter of time before he brought his unique feel to the world. Though having love for most genre's, Stoni never was able to step away from his roots. With that being said, Stoni is honestly guilty of staying true to his craft mind, body, and soul by default. Stoni Taylor comes to you with pure honesty and authenticity. Enjoy a true light.

HILL COUNTRY REVUE represents neo-southern blues-rock with a harder, faster edge. Formed by Cody Dickinson from the North Mississippi Allstars, it features, Kirk Smithhart, Dave Mason, Doc Samba, and ‘Dixie’ Dan Coburn. The band released their debut album, Make a Move, on Razor & Tie Records in May 2009. The album showed off the band’s deep-south blues roots and penchant for Southern Rock; instantly drawing comparisons to early Allman Brothers. Anchored by their blistering live show, Hill Country Revue quickly established a reputation as THE modern Southern Rock / Blues band for the next generation.

Classic 1977 London Sessions featuring Billy Boy Arnold w/ The Groundhogs. It happened during the autumn in London in 1977. Billy Boy was touring Europe and entrepreneur Peter Shertser came up with the idea that Billy Boy should record an album with The Groundhogs at Pathway Studios, North London. Billy Boy gelled immediately with the white boy's blues rock of The Groundhogs and jammed with the band until they were tight and ready to record the album. And what an album with Billy Boy's singing and harmonica and Tony S McPhee's slide technique and outstanding licks. As one reviewer said back in1979 "Briefly and simply, this album contains some of the best blues of the 70's and some of Billy Boy Arnold's best music ever."