Further readings for the Tokina AT-X 12-24 AF PRO DX Nikon

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

We’ve tested the new 24-Mpix Nikon D3300 with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.

Following the lens recommendations for Nikon D7100 and entry-level D3200, we’ve now turned our attention to the new mid-range D5300. We’ve tested the camera with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.

Following the recommendations for Nikon D7100, we’ve had the opportunity to assess another of the firm’s 24-Mpix DX format cameras – the mid-range D5200 - with over 120 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses perform best when paired with the camera.

This is the fourth and final part in the series of our lens recommendations for the Nikon D7100, where we’ve analyzed over 20 Nikkor and third-party wide and ultra wide angle prime and zoom models to assess their optical quality.

Read onto find out which of these lenses are the best performers when paired with Nikon’s ultra-high resolution 24-Mpix APS-C format semi-pro model.

Very wide-angle lenses allow photographers to produce an image composed of a large number of objects and to frame very large subjects (such as buildings) at close proximity, and to photograph objects on different geometrical planes that can be very far apart. Such lenses also accentuate perspective, with the most noticeable result being the distortion of straight lines.

Further readings for the Nikon AF-S Nikkor 16-35mm f/4G ED VR

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

In this second installment of lens recommendations for the Nikon D810, we’ve been analyzing the best performing models for landscape and wildlife photography. Admittedly when it comes to fast-paced photography there are better choices in Nikon’s range but there’s always a case for high-resolution imagery but the Nikon D810 also serves to highlight the best performing models, and particularly in the longer focal lengths where it’s more common (and often more practical) to use cameras with lower pixel densities.

Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in rendering fine detail. If you’re undecided over which of the two models to choose, we’ve analyzed the image quality of the Nikon D800E with over 100 different lenses to discover how well this groundbreaking camera performs.

Sigma’s move away from the value-end of the market has resulted in some very high-quality yet sensitively priced lenses such as the full-frame 35mm f1.4 HSM A and this lens, the APS-C format 18-35mm f1.8 DC HSM. While we’ve previously reviewed the Canon mount version, Sigma has just released the lens in Nikon mount and we were curious to see if the performance could be repeated. Read on to find out.

Introduced in 2007 alongside the AF-S Nikkor 24-70mm f/2.8G ED and Nikon’s first full-frame DSLR – the 12-megapixel Nikon D3 – this lens was a first of its kind and set new standards for image quality for ultra-wide angle lenses. How does this lens perform on demanding high-resolution bodies, such as the 36-MPix Nikon D800? DxOMark has the answer.

Very wide-angle lenses allow photographers to produce an image composed of a large number of objects and to frame very large subjects (such as buildings) at close proximity, and to photograph objects on different geometrical planes that can be very far apart. Such lenses also accentuate perspective, with the most noticeable result being the distortion of straight lines.

Further readings for the Sigma 12-24mm f4.5-5.6 EX DG Nikon

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.