* [7:1] Shulammite: the woman is so designated because she is considered to be from Shulam (or Shunem) in the plain of Esdraelon (cf. 1 Kgs 1:3), or because the name may mean “the peaceful one,” and thus recall the name of Solomon. Turn: she is asked to face the speaker(s). How…: she refuses to be regarded as a spectacle (“the dance of the two camps” is unknown). Some interpret the episode as an invitation to her to dance.

* [7:2–6] Another description of the woman’s charms. Sandals: the woman’s sandaled foot was apparently considered quite seductive (Jdt 16:9). Noble: a possible connection to the enigmatic “prince” of 6:12. Curving…jewels: the meaning of these Hebrew words is not certain. Wine and wheat suggest fertility.

* [7:5] The comparison emphasizes the stateliness of her neck, and the clarity of her eyes. Bath-rabbim: a proper name which occurs only here; there was a city of Rabbah northeast of Heshbon in Transjordan. Cf. Jer 49:3.

* [7:6] Carmel: a prominent set of cliffs overlooking the Mediterranean.

* [7:8–9] Date-palm: a figure of stateliness. The lover is eager to enjoy the possession of his beloved.

* [7:10] Gliding: the beloved interrupts her partner’s compliment by referring to the intoxication of their union. The translation rests on an emendation of the enigmatic “the lips of the sleepers.”

* [7:11–14] The woman’s answer assures him of her love, and invites him to return with her to the rural delights associated with their love (cf. also 6:11–12). Yearning: used only here and in Gn 3:16; 4:7. The dependency and subordination of woman to man presented as a consequence of sin in the Genesis story is here transcended in the mutuality of true love.

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