In the theatre, Google maps are
projected on a large scale in the background of the stage. The center is
occupied by the Dutch artist Sarojini Lewis, with only a microphone and a
notebook, from which she controls strolls through the projection. She is
illuminated by a weak lamp, coming from the ceiling, and a flower necklace
wraps around her neck. The performance “Fernanda Romero: Searching for Madame
Janette” puts in scene a story of loves, break ups, and abandonments. While she
reads the narrative of a disappeared woman, Sarojini conducts the audience
through a geographic journey on the map of Brazil and of South America,
topicalizing sexual and feminine aspects. This body in transit also explores
prostitution. In the end, the performer excuses herself in order to read a love
letter with “inflammable thoughts.” Standing up, assuming the role of the
lyric-“I" that disappears from the world, the artist says that “butterfly
rules” were imposed onto her.