A soggy decrepit ghost visits Hazel. And with her new ghostly admirer comes a new case and a new hidden danger.

Lola is wanted for the murder of Royce Habernath, a pirate treasure hunter whom she has fought with many times over a treasure map. In their search for the truth, Hazel, Syn and Blossom struggle with the realization, Lola is the mistress of secrets and killing someone is definitely within her wheelhouse. But when it becomes clear that Lola was framed it becomes a race to find the real murderer before Lola is sent to a prison most don’t return from. At least not whole.

If that wasn’t bad enough, Hazel may have a hidden power a queen is searching for. Whether Hazel truly has it or not the Blood Queen and her minions now know she is on Crystal Lake. And if they find Hazel, her death is certain.

Lola is one of the most interesting characters in the Moon Investigation series. Often side characters are just that: ones on the side, but Miss Batiste puts a great deal of effort into making all of hers intriguing. Unsurprisingly, Lola didn’t become a bad ass on a whim. She was forged in fire and pain with pirate ancestors who became embroiled in more than what they bargained for.

Top 10 Books/Series

You can read this for free through the link. It’s honestly the best I could hope for from a sequel to such an epic work. It continues the themes without being trite and the resolution is beautiful if bittersweet.

Helena, a ward of the Countess of Rousillion, falls in love with the Countess’s son, Bertram. Daughter of a famous doctor, and a skilled physician in her own right, Helena cures the King of France-who feared he was dying-and he grants her Bertram’s hand as a reward. Bertram, however, offended by the inequality of the marriage, sets off for war, swearing he will not live with his wife until she can present him with a son, and with his own ring-two tasks which he believes impossible. However with the aid of a bed trick, Helena fulfils his tasks, Bertram realises the error of his ways, and they are reconciled.

This was the first play I finished in my goal to read/reread all of the Bard’s plays. I didn’t finish it because it annoyed me, but apparently I also didn’t review it either, which is odd, since I usually still review literature I DNF.

Bertram, the son of a countess, is a snobbish ass and Helena, the low-born ward of the same countess, could do so much better. He refuses her marriage offer even after the king of France says he’ll fix any title issues Bertram has with the union, which seems to be the only problem: he doesn’t want to marry below his station. Helena has fulfilled her promise to the French monarch in healing him, and the king has the power to raise her beyond her “low breeding as a physician’s daughter,” which is (ironically for that judgment) the reason she was able to cure him in the first place! Granted, at this point in history, doctors weren’t looked up in high regard, so this assessment wasn’t inaccurate. If this is Bertram’s only reason for not wishing to wed Helena, it’s a poor one at that. Obviously, no one should be compelled to marry against their will, regardless the cause, and that’s exactly what the king forces Bertram to do. While he weds her, he doesn’t bed her, instead sending his unwanted bride back to his estate and informing his mother how much he hates her.

I became bored with the story at this point and decided to DNF it, but thanks to the internet I know what else happens, and yes, it is twisted.

For three centuries a divine prophecy and a line of warrior queens protected Skala. But the people grew complacent and Erius, a usurper king, claimed his young half sister’s throne.

Now plague and drought stalk the land, war with Skala’s ancient rival Plenimar drains the country’s lifeblood, and to be born female into the royal line has become a death sentence as the king fights to ensure the succession of his only heir, a son. For King Erius the greatest threat comes from his own line — and from Illior’s faithful, who spread the Oracle’s words to a doubting populace.

As noblewomen young and old perish mysteriously, the king’s nephew — his sister’s only child — grows toward manhood. But unbeknownst to the king or the boy, strange, haunted Tobin is the princess’s daughter, given male form by a dark magic to protect her until she can claim her rightful destiny.

Only Tobin’s noble father, two wizards of Illior, and an outlawed forest witch know the truth. Only they can protect young Tobin from a king’s wrath, a mother’s madness, and the terrifying rage of her brother’s demon spirit, determined to avenge his brutal murder….

This novel is told from the point of view of the past where the prologue isn’t the precursor to the narrative, but rather the ending. Since the first chapter starts with Iya, Arkoniel’s teacher, and we learn from Arkoniel, the POV of the prologue, that Iya is dead, we therefore know Chapter 1 occurs prior with only Arkoniel left to remember. Whether or not the wizard and his late teacher succeeded remains to be seen, but what they had to do in order to secure both Tobin’s safety and future from King Erius would torture anyone with a conscience for the rest of their life.

New York Times best-selling author Neil Gaiman’s transcendent series SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling. Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision.

In PRELUDES & NOCTURNES, an occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70 year imprisonment and eventual escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power. On his arduous journey Morpheus encounters Lucifer, John Constantine, and an all-powerful madman.

I’d been wanting to read this for years, and since many of my friends love Neil Gaiman, it’s been recommended to me a number of times. In theory the graphic novel has everything I love: mythology re-workings, old gods, darkness, horror, death rituals, releasing something ancient and seemingly evil, and sleeping all the time. You know…my typical Saturday. I actually couldn’t get into Gaiman’s writing when I first attempted either American Godsor Neverwhere years ago, but I really liked Stardust and absolutely loved The Ocean at the End of the Lane, finding after I read those, I was able to stomach AG more easily. I think I just needed to get used to his style. There’s also a novel illustrated by Yoshitaka Amano, who was the concept artist for Final Fantasy.

I think it was Amano more than anything that encouraged me to seek this series out, and I erroneously believed the artist illustrated the entirety of Sandman. Had that been the case, I probably would’ve finished not only the first one, but read them all, despite my issues with the narrative.

Light Yagami is an ace student with great prospects – and he’s bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Noteto rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal…or his life?

Light tests the boundaries of the Death Note’spowers as L and the police begin to close in. Luckily Light’s father is the head of the Japanese National Police Agency and leaves vital information about the case lying around the house. With access to his father’s files, Light can keep one step ahead of the authorities. But who is the strange man following him, and how can Light guard against enemies whose names he doesn’t know?

Pride goeth before the fall.

Note: This is the first manga/graphic novel series I’m reviewing in this way. I was previously reviewing each installment at a time, but since series like these are usually one overarching story, it makes sense to me to read them all and then review. Since I started and reviewed Saga book by book before I decided this, I chose to continue with that method for Saga, but going forward, all manga and graphic novels will be reviewed when I’ve completed the series.

Note:Minor spoilers.

I went into Death Note blissfully ignorant about it. I’ve still never seen the anime or the (heavily reviled) Netflix version. I did and do still know exactly whose names I would write in any death note I found; in fact I have even more to add today. Boredom, the title of the first manga, is the exact catalyst for everything that occurs, but we’re led to believe it’s Light Yagami’s boredom that drives everything when it’s really Ryuk’s, the Shinigami (death god), who is nothing but amused by humanity. Light, who’ll I’ll admit is a bored, Japanese honors student, is just a specimen to him, one of the most interesting one he’s seen in thousands of years, but a specimen nonetheless. It’s like if an entomologist found a really fascinating bug.

Like this:

This is the part of a long-term project to play and review/analyze all the Final Fantasy games. Whenever possible, I will play the original version, but in cases where it’s not available and/or there are time constraints, I’ll use a port and/or watch a Let’s Play, both of which contingencies will be indicated in the review. Ideally, I will attempt to play a portion so that I can remark more accurately on the gameplay experience. These will be long-form reviews with detailed plot analyses, so please be wary if you do not want spoilers.

I started my Final Fantasy journey in the 80’s with the legitimate sixth installment Final Fantasy VI, and though I did eventually go back to play Final Fantasy IV (which is now in my top 5 FF games), somehow or another I missed V. While IV is known for being the first Final Fantasy to have a cohesive and intricate story, it had a static job system with only one character changing per the demands of the plot. Final Fantasy V allows the player complete control over what jobs their characters have even more than Final Fantasy III, which required a certain amount of points to alter. This was a huge advantage and helped distinguish FFV from its predecessors.