For those of us who care about that sort of thing, last night was the night of the annual British Academy of Film and Television Arts awards.

The BAFTAs are the last hurdle of industry back-slapping before the Overlong Speech, Corny And Really-white awards arrive on the 28th February, and some of the wins last night will most likely be reflected then.

Firstly, let’s get the winners from last night out of the way:

Best FilmThe Revenant
The Big Short
Bridge of Spies
Carol
Spotlight

No surprises there. The Revenant’s momentum is huge, and awards committees cannot get enough of a man pretending to be cold and in pain by actually being cold and in pain.

Who would’ve thought we’d see the day when Adam ‘Anchorman’ McKay would be in the running for BAFTA and Oscar Best Director awards? Tends to have a similar effect on the brain to the phrase ‘two time Academy Award nominee, Jonah Hill’. Which is in itself only marginally more surprising than the still extant ‘non-white people entry max number’ sign above the door outside both ceremonies.

When I was younger, when I was 14, I was told by a drama teacher that I might do okay if I was happy to settle for the fat girl parts.

So what I always feel in these moments is that any young woman who has ever been put down by a teacher, by a friend, by even a parent, just don’t listen to any of it, because that’s what I did - I kept on going and I overcame my fears and got over my insecurities.

I haven’t seen Steve Jobs yet, but damn was my heart pulling for Vikander in Ex Machina.

(You can see the full list here, but at a glance that’s 5 for The Revenant, 4 for Mad Max, and none for Carol, which came as a genuine surprise.)

The awards weren’t the only notable part of the ceremony, however.

They may in fact have been overshadowed by the existence of the BAFTA Kiss Cam.

Yes, because it was Valentine’s Day, and some canny producer apparently once liked the look of a baseball game, the ceremony last night included a roving camera that highlighted celebrity pairs and dictated that they Kiss Now.

Bryan Cranston and Julianne Moore; Eddie Izzard and Rebel Wilson; and Maggie Smith and Leo were all randomly chosen pairs; but best of all were actual real-life couple Alicia Vikander and Michael Fassbender, who just flat out refused to lock lips. The segment was actually dropped from the BBC One broadcast, but I’m sure enterprising readers can find evidence.

As an aside, the header picture has very little to do with anything but it is the best photo from the whole night so it deserves the spot.