Miranda Peckitt

I wasn’t sure where to start writing about myself so I googled a few designers to see what information they’d included and as I suspected (and rightly so) they all have amazing achievements, success stories, some even with letters after their name. As much as I’d like to start off by listing my qualifications and awards from the most prestigious of institutions, I can’t. I’m degree educated but everything I’ve learnt within the art and jewellery world has been through my Dad, family, friends, artists, makers and other jewellers. Quite simply, I have learnt on the job by some very clever, kind and talented people. Over time we have technically improved and expanded but fundamental to VCJ is a pure and genuine passion to create beautiful, colourful pieces of wearable art that are a pleasure to wear and as individual as their owners.

So, my jewellery career started a long way from jewellery and fine art. After university I began working in some of the most exciting publishing houses in London predominantly in fiction and illustrated books. I took on a variety of roles including publicity & marketing to production and design, travelling and meeting all sorts of fantastic people. After several years and ever more financially challenged, I ended up working in the City in corporate literature which was a little drier than I was used to but it paid the bills. A few more years passed and despite enjoying the world of publishing I knew I wanted to go back to something more creative and hands on, although I couldn't be sure what that would be.

Meanwhile, Dad had completed a fine art degree, a Masters in jewellery and had set up a successful business. Aware that I was at a crossroads in life he suggested I work with him and start up a family business. Although we were always close, I was shocked and appalled at the suggestion of working with family, it seemed to me like certain disaster so dismissed the idea. Six months later however I was becoming more and more intrigued as he was making all these cool and colourful works of art so I spent some time with him to “Just see what he got up to” and “No promises mind”. The rest is history as they say and I’m still here with no intention of stopping.

I try to maintain the jewellery’s spontaneous appeal by not working to particular patterns or preconceived ideas, although there are many influences and inspirations of course. I get a lot of enjoyment out of creating the bright and bold abstract designs and experimenting with colour and this impulsive style is where the majority of work has always lain. They work well both individually and as a collection by their painterly nature and visible brushstrokes which keep them united as a brand and it’s philosophy; handmade, hand painted and unique.

There is no doubt none of this would have been possible without my late father, Michael, who started the jewellery business in 2001. We worked together for several years until he died in 2012, sadly long before his time. This is a wonderful legacy to hold and remember him by and thank goodness I did “Just see what he got up to”.

The Studio

Me, hard at work! My door is always welcome to passing visitors so please get in touch if you're in the area.