Drama therapy breaks new ground for Iraq's teenage girls

Haneen, who has spent most of her life in orphanages, says she used to stay weeks locked up in herself, aimlessly eating, watching TV and sleeping through each day.

12.10.2015

(AFP) Haneen, who has spent most of her life in orphanages, says she used
to stay weeks locked up in herself, aimlessly eating, watching TV and
sleeping through each day.

Last week, the 13-year-old Iraqi girl was beaming with joy and
excitement when the crowd at a Baghdad theatre gave her and her friends a
rousing round of applause.

"Now I'm happy. I sing, dance and joke with my friends from the
orphanage," she said. "I have changed. People are asking me: 'What
happened? Have you gone crazy?.'"

What happened was a project set up by the Ruya Foundation for
Contemporary Culture in Iraq and aimed at introducing drama therapy in a
country where almost everybody has suffered some kind of trauma.

The play at the Theatre Forum, an edgy arts centre that opened in a
beautiful old building on the banks of the Tigris, was the culmination
of a months-long programme.

Six theatre professionals were trained in Beirut by Catharsis, a
drama therapy centre led by director Zeina Daccache, known for her work
with prisoners and migrant workers in Lebanon.

Bassem Altayeb was one of the trainees.

He took the lead in helping a small group of teenage girls from the
Dar al-Zuhur orphanage in Baghdad put together a play that tackles the
issues they face.

Self-esteem

"Each one found some confidence and self-esteem, built their
character... The script is about the girls saying: 'We too have a right
to live, to be protected and have dreams,'" he said.

On stage, one of the girls puts on a old white-haired man's mask and,
in a disturbing scene filled with doom, takes a young bride still
clutching her doll to a nuptial room.

Lost childhood, early marriage, social inequalities: the play tackled
a range of issues with a spontaneous mix of humour and gritty
bluntness.

The young troupe also took a swipe at politicians and echoed the
despair that is driving the country's youth out of Iraq and onto
Europe's shores, drawing hearty laughter but also a few embarrassed
chuckles from the crowd.

"I am proud of them today," said a misty-eyed Iman Hassoon, the orphanage's principal, after the show.

"I sometimes get men coming to the orphanage asking to adopt one of
the girls," she said, adding that she always refuses because she is
afraid they will end up enslaved as maids or for prostitution.

"I hope they can use the energy they found with this play to protect
themselves and carve a place of their own in society," Hassoon said.

'Damaged society'

For decades, Iraqis have been battered in turn by dictatorship,
economic sanctions, foreign and civil conflicts -- sometimes several of
those at the same time.

Violence continues to be omnipresent with car bomb blasts, images of
massacres and beheadings sowing death and fear across the country, while
the chaos has also allowed thieves, extortionists and traffickers to
prosper.

The drama therapy project explores a way of "addressing people and
their problems in an extremely damaged society such as Iraq, that has
experienced so much trauma and violence," said Tamara Chalabi, chair of
the Ruya Foundation.

"Iraq is a society for men, not really for women... These girls are
particularly vulnerable," added Furat al-Jamil, an Iraqi-German artist
who also works with Ruya.

"The first time Ruya Foundation visited the orphanage, the girls were
very shy, they were hiding, all of them wore scarves. Now you see
them... liberated from a lot of inhibitions," Jamil said.

After the play, the girls themselves could hardly believe their own transformation.

Ruqayyeh, an elfish 13-year-old who played the child bride, burst
into tears when the lights came back on and the audience stood up to
clap.

"I had always dreamt of being an actress, of being on stage... But I
used to be depressed and bored, nobody liked hanging out with me. Now
everything's changed and the girls love me."