The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

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From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

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As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

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Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Looking for inspiration for your photography? Look no further than Learn & Explore, the area on the Nikonusa website that is packed full of educational articles, how-to tutorials and inspirational pieces on all sorts of photography topics.

Carry your camera manual, especially if your camera is new. When traveling you'll probably have a chance to try some new shots. It can also be the time you’re likely to forget the function of a particular button. Or you may just want to explore all the cool things today’s cameras offer.

Experiment with the white balance settings outside. White balance on your camera will alter the color temperature and appearance you get in your picture. For instance, a CLOUDY setting will give your pictures a warmer cast. The FLUORESCENT setting will make your photographs cooler, skewing to a purple cast.

When traveling abroad, check the power setting and type of plugs. Most modern chargers do both 110 volts (USA) and 220 volts (most of the rest of the world). Check yours, and then pick the right adapter for the plug. Be careful to not use a 110-volt power strip in higher-voltage countries.

Turn on the lights when shooting inside the house. Lamps and overhead lights will brighten any picture indoors. The light will add depth to the picture and often warm up the color. Most importantly, it will brighten up the background.

Be creative with your posing. Don't just line everybody up. Use the steps or the arm of a couch to experiment with some people standing and others sitting. Have kids sitting in laps or someone sitting on the floor or kneeling. Mix it up.

Get yourself in the picture. Nothing is worse than a vacation with no shots of the family photographer. Get in the picture by using a tripod (or a steady surface such as a wall or a car hood) and the camera’s self-timer to make sure you're included in the family memories.

Jump for fun. Have your kids line up for a picture. As the photographer, get low, and get ready to shoot. Have the kids all jump in the air at the same time. Capturing them mid jump can bring out their true personalities.

When photographing a lot of people at a party, use your camera’s Smart Portrait System to help you get better pictures. The blink mode lets you know if your subjects blinked, and the smile timer can snap the photo when the camera sees that your subjects are smiling.

Try turning off your flash at night to get what your eye really sees. If it's at all dark or dim, the camera will try to fire the flash. Find the flash off icon (usually a lightning bolt with a line through it) and select it. Make sure to hold steady, or use a tripod, because the shutter speed may be slow.

Use the pet scene mode when photographing cats and dogs. If your camera doesn’t have a pet mode, disable the audible beeps and focus assist lamps while photographing them so the lights and sounds aren’t a distraction.

Go shooting with a friend. Not only will you add another pair of eyes to find interesting subjects, but you’ll also feed off of each other’s ideas and energy. Try to organize regular shoots in the park. Share lenses or tips on making that unforgettable photo.

Use fill flash to add a little sparkle to your subject’s eyes when shooting portraits outdoors, during the day. Even in bright sunlight, fill flash can even out the lighting for a more pleasing photograph.

Compose photos using the “rule of thirds.” Think of the frame as being broken into nine rectangles (like a tic-tac-toe grid over the picture). Place your subject at one of the intersections of the lines for a more visually stimulating photo.

When shooting an image that has a subject looking off to one side, compose your photograph so there is more space where the subject is looking. This will give your photograph more of a natural feeling.

When shooting landscapes at dusk or nighttime, use a tripod and cable release or self-timer so you can slow down the shutter speed to let in more light. This is the technique used when you see pictures of car lights as lines, not pinpoints.

One of the rules of composition says that horizon lines should not be placed in the center of an image, but closer to the top or bottom of the frame. Sometimes rules are meant to be broken. When you’re photographing a subject and its reflection, its perfectly fine to place the horizon in the center of the frame.

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Key Features

Ideal portrait lens on DX-format camerasAn ideal portrait lens when used on a Nikon DX-format digital SLR, approximating the angle of view similar to that of a 75mm lens on a Nikon FX-format digital SLR or a 35mm film camera

Super lens
I just got it, and with the f stop breadth It has boosted my creative ability. As a food wine and travel writer this lens will be my go to piece. A great value !
April 4, 2014

A brilliant, tack-sharp, butter-smooth bokeh, low-light speed demon.
Bought the 35mm 1.8G DX along with my D7100, and it never leaves my bag. The 50mm 1.4G is now my go to choice when I'm chasing my toddlers around my house, running and gunning. The "keeper" rate is off the charts and I'm nailing focus 80% of the time, even with my fast-moving "targets." Sharpness, color and contrast is amazing wide-open, and has really elevated my photography to the next level, if you'll excuse the cliche. I'll probably go "full-frame" in the future, and I'm glad thus little gem will be able to make the move with me.
On a side note, remember that only FX-compatible lenses will make the transition with you if you upgrade to a full frame body later. Good glass is key to producing good images, so invest wisely.
March 17, 2014

Great all purpose lense
This is my first FX lens. After dropping $3K on the D800E, I wanted a good portrait lens at a reasonable price. The 50mm f/1.4G has certainly exceeded my expectations for a lens in the $500 range. Auto-focus is spot on , photos are sharp and crisp, great colors and very good bokeh. At 1.4, I can take low light shots without a flash. I am very glad that I chose the 50 1.4G as my first FX lens. I highly recommend!!! Every Nikon owner should have one in their camera bag.
October 19, 2013

Love it!
You can focus close to you target, and it has a realy nice bokeh, it`s a great lens for a good price!
August 26, 2013

Must have.
For the price and quality, this is a must have lens for anyone who has a Nikon DSLR.
Since the purchase, it has been my indoors go to lens. The images are sharp, auto focus is right on, light, and the manual focus overwrite works great. Perfect portrait lens.
If you are considering buying this lens or some other lens, buy this one first!
And I believe this lens should have a gold ring on it. just saying.
July 23, 2013

Compact and Sharp
This lens is very clear and very sharp on my D800 firing at 36mp. Focus is fast (fast enough for most of us anyway) even in low light and there is almost no distortion. Dollar for dollar, in the context of fast lenses, this 50mm 1.4G provides a great value to the consumer.
This is one to consider for an everyday walk around lens or a compact/light carry in your pocket lens for when evening sets in. It is fast becoming the lens I leave on my D800 most of the time.
April 6, 2013

Great Go-To Lens
Just received this lens and I am thrilled with it. Great in low light and for portraits. I find it to be fast and the bokeh is nice and smooth. The lens is substantial on my DX Camera.
February 20, 2013

A very fast prime lens perfect to start your Nikon adventure
There is no situation where this lens cannot win over many others. It is very fast, very sharp, very light and with a good price. Stop it at f/2 if you crop huge pictures to maintain picture perfection. Full open it gives some vignetting and softness at the corners which are just as expected. A lens to always have, mounted or in your pocket.
February 2, 2013

Sharp, Nice Contrast & Affordable
A wonderful lightweight lens rendering sharp, brillant images consistent throughout its aperture range. Careful focus when shooting wide-open will be rewarded by sharp images. The bokeh from this lens I've found to be quite nice. AF is smooth, quiet and fast enough for my needs plus the feel of the focus ring when manually focusing is perfect. This lens has been a great addition to my camera bag. Thanks Nikon!
January 13, 2013

Clear & Bright
This review is about the 50mm 1.4G, catalog 2180.
I decided to buy the lens for low-light situations, such as indoor ceremonies. I was not disappointed; the lens is admirable. Keeping the settings of my D5100 camera the same, I tried other lenses and found that this lens gave consistently brighter, colorful indoor shots. As can be expected, the field of focus gets short when the aperture is opened. A couple of cropped pictures are attached to illustrate the lens:
One photo shows a meteor trail from the recent Perseid meteor shower. I used a manual setting at 1.4 and a 1.3 second time exposure. No one beats Nikon for photography in low light.
The other shows a bee visiting the blossoms of a Russian Sage. Bees are constantly moving; so I believe they provide a convenient, conclusive “field test” of the ability of a camera’s computer to quickly appraise the situation and order the focus and aperture of the lens. In other words, the camera and the lens worked well together to get a difficult photograph. The D5100 was set on full automatic – point and shoot. The picture illustrates the narrow depth of field and how out-of-focus objects are displayed. The foreground and background bokeh are consistent.
Best features:
Image brightness and color are superior.
Compact size.
At 50/75 mm the lens gives a “natural” perspective.
Value for price.
Nice match with D5100.
Worse features:
Careful focus is required, or thoughtful selection of the camera’s focus mechanisms.
Accessories:
A neutral or UV filter to protect the lens.
August 14, 2012

Quiet & Quick
I am very new to the Nikon dslrs, I purchased my camera 1 year ago today(d5100) I just purchased this lense today and absolutly love it! The focal distance is just right and it is awesome for portraits! I would definintly recommend this lense, when using the 1.4 apeture the pictures are stunning. It also takes great stop motion even in the 1.4 apeture. Worth the money!
July 1, 2012

Sharp, fast
I bought this lens about 2 years ago for my D300, it's fast and sharp.
March 30, 2012

An Exceptional Lens
I have used this lens for a few months now, and I am still impressed with the quality of the images it produces. Sharp as you like from f/2.8 onwards, and nearly as sharp wide open. Focus is quick and quiet, and more importantly, accurate. The images have plenty of contrast, and despite the lack of Nano Crystal Coat, flare is very well controlled.
This lens is perfect as a general use lens on FX, and a short portrait lens on DX. I would highly recommend this lens to any Nikon SLR user.
January 8, 2012

Great Lens - opened box two hours ago!!!!
I just received this lens for my birthday (71), and haven't taken that many shots, but it seems terrific! The images are much sharper than I expected them to be, The lens is lightweight, but obviously sturdy. The few images I took at full aperture show me that this will be a perfect lens for portrait photos of my family and friends. This was one wonderful gift!
November 1, 2011

must have lense
this is a must have lense,ive been using it for 1 month without switching to other lenses,its perfect for portraits and excellent for low light condition. it is remarkably sharp and stunning colors.it also have fast focusing motor,besides lens built quality is great.
October 10, 2011

Super Awesome Lens
This lens has yet to let me down. I love this lens.
I would absolutly recommend this to anyone looking for a dependable 50MM.
September 5, 2011

Great lens for a great price
I use this lens a lot on the dance floor with available light. There isn't a better lens out there to capture the action in low light. I also use it for portraits, food and some action.
August 25, 2011

AMAZING
First, let me say I had the 35mm f/1.8 before and the 50mm f/1.8 so I've seen what the competing lenses can do. This lens cannot be compared to. Apart from the vivid depth of field, the pictures it produces are so sharp and full of contrast. It captures all colors perfectly, I don't find myself having to edit the pictures what-so-ever. If you have the money, I would DEFINITELY recommend shelling out for this lens.
August 20, 2011

Great depth of field and super fast focusing.
i was debating on either buying the 50mm 1.8G or the 50mm 1.4G.
Either way I wouldn't go wrong. But I really like the 1.4G for low situations.
The way the depth of field looks is phenomenal.
I love it and I know I made the right decicion
May 31, 2011

Does what it is supposed to
Lightweight, great depth of field, very sharp .. The perfect lens to just leave on the camera .. My 50mm f/1.4G has found a home on my D300s ...
May 30, 2011

Great Lens!
I purchased this for weddings and senior portraits. It is a great portrait lens! The focus is a bit slow, don't expect to get good results if you are going for an action shot. It works great with very little light and you can get away with not using a flash indoors. I am very pleased with the results I am getting from this lens!
April 27, 2011

Awesome lens!
I have owned two of these lenses.
Both are sharp, has excellent color and contrast, focuses quick, and is small.
Don't expect super sharp results at F1.4, but this is to be expected from any lens wide open at F1.4
My second one with the D7000 needed calibration, but think the body to blame and not the lens itself.
To get different results, you need lenses that do something different to your kit lens. The 50mm 1.4 won't disappoint with that smooth creamy background.
April 25, 2011

A great all-purpose lens
A very, very good lens. I use it for everything; from human portraits, to landscapes, to documentation. It is great for both high and low light, and is very versatile. The lens shouldn't be specifically used for low light, as it isn't best (but it also definitely isn't the worst), and sometimes you have to fiddle with the settings to get a good color. Even though it cannot zoom, I think it is better than most lens, especially considering the price.
Overall, I love my 50mm, even more than some pro lens I've tried. I recommend it to anyone who wants a good all-purpose lens, but doesn't care that it doesn't have a zoom.
April 15, 2011

A fantastic standard lens
The Nikkor 50mm f/1.4G is a fantastic little lens. For the price, I consider it one of the "must-buy" focal lengths on full-frame camera bodies. There are other 50mm lenses on the market, but what makes this "G" lens stand out is it's ability to lock focus on the intended target. When paired with the Nikon D3, focus is extremely accurate. This is true even in low light situations. After having used this lens in tricky situations, I have learned to trust its ability to engage and lock.
Image quality is also excellent. Although it does get better when stopped down a bit. Nonetheless, this lens is sharp when shot wide open. There is a touch of vignetting in the corners when shot at f/1.4, but it is not at all objectionable. Yet, you will notice the difference on a FX camera when compared to other lenses. I also use this lens quite a bit on DX cameras as well. In this configuration, the darkness of the corners is nearly absent. With most RAW image editing tools, the vignetting and slight distortion is easily corrected in post-processing. (For the vast majority of my images, I usually ADD a vignette in post-production.)
This is a sharp lens, with great color and contrast. At f/1.4 it has its own look and I consider the image quality to be excellent. This 50mm is light weight, simple and relatively inexpensive.
April 15, 2011

This is absolutly a great lens.
The optics of this lens are fantastic. When used for night photography, stopped down to about f11 and on a tripod the detail it is able to capture is outstanding. The center to edge sharpness is almost identical, even when opened up the edge to center sharpness is still excellent. It is also small so it is easy to carry around either on the camera or in fanny pack. This is a lens I would recommend to anyone who wants the sharpest image they can possibly get.
April 14, 2011

So much better than the kit lenses
I use this lens mainly on a three year old D300 (have also used it on a full frame DSLR). Have had the lens about 5 months and shot more than 2500 images in that time. Like many of the previous reviewers I found the focus a little slow and sometimes not on at all but that was in very poor circumstances -- very low light indoors with fast moving subjects. I have gotten some very pleasing (although unintentional) blur scenes.
The depth of field is extremely restricted at 1.4 although I have not noticed anything other than a very smooth bokeh. At 2.0 and up the focus is clear, crisp, and, if you aren't trying to stop a 4 yrs old in mid-flight, the autofocus is quick. I have had better luck with increasing the responsiveness of the autofocus by using the center focus option when shooting action. It does not seem to confuse the camera as much.
The lens appears to be built well. No loose rings. I change lenses regularly and have had no issues with mounting and unmounting. For those that like to manually focus, this is a great lens -- I find the camera often does a slightly better job than I do but that is probably my eyesight.
All in all, an excellent lens that is my "go to" lens. It only comes off the camera when I need the zoom or distance capabilities of my other lenses.
April 14, 2011

Great, Lightweight, Beautiful Photos
First prime lens purchased. Have been shooting with 17-35 f2.8, 24-70 f2.8, 80-200 f2.8. The 50 is so light and the extra two stops make it great for low light. Shooting close and wide open gives a beautiful painterly feel.
April 14, 2011

Awesome Lens
This is a great lens for everyday use. I actually have this on my new Nikon D3s 90% of the time. The picture attached was taken with my D40x.
April 14, 2011

fantastic
This lens is fantastic for weddings and portraits. It makes the subject pop out and bold. I love that it gives a shallow depth of field.
April 14, 2011

Best for portraits
This lens changed everything. Before I wasnt sure about my hobby. Now I know:)
April 14, 2011

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Answers

+3points

3out of3found this answer helpful.

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I heard that when this baby is mounted on DX-format body, it wil provide the 75mm instead of 50mm (for FX-format). is it true, guys?

3 years, 2 months ago by

by

Anonymous

5 Answers

Answers

-6points

0out of6found this answer helpful.

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I'm not pretty sure if the 35mm DX will have the 52.5mm in a DX camera. Since it's a DX lens, 35mm will stay 35mm when mounted in a DX format camera.

Jan 2, 2012 by

by

George P.

0points

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Thank you very much for answer! It helps a lot ^^Now I'm still a beginner so i think I will stick with DX format for couple years before getting myself a better body

Dec 9, 2011 by

by

Anonymous

+2points

3out of4found this answer helpful.

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No, the reason the image is cropped because the sensor in a DX camera is smaller than an that of a FX camera (35mm) and overall has a much narrower angle of view at the same focal length. All APS-C cameras have this problem (canon crops to 1.6x with most of their DSLR cameras).

If you where using a FX camera, with a DX lens you can set the camera to use the DX lens but because of the size of the sensor you get around half the MP because not all the sensor is being used.

If you want to shoot at 50mm, I would suggest getting the 35mm 1.8G DX which is the equivalent of 52.5mm lens.

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So It will automatically display FX in DX crop mode right? Is there is anyway to fix this, for I would like to shoot photo with normal view angle of 50mm.

Dec 8, 2011 by

by

Anonymous

+10points

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Which is the best to buy among the AF-S 50mm f/1.4 and the recent AF-S 50mm f/1.8 as theresn't much difference among the two.. ?

3 years, 6 months ago by

by

SunilS

4 Answers

Answers

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The 50mm is a lens you must have in your camera bag; it's the most common to use and the best to learn photography; the 1.4 allows to gather more light in a darker scene than the 50mm 1.8, but this doesn't make it perfect; for example, if you take pictures of a group of people, (with the 50mm 1.4) and those people are some in front and some behind in the group, you'll be surprised how sharp this lens is; in this picture, you'd see some people's face will appear a bit 'softer' (like those people in the back of the group) and some perfectly focus (those people standing in the front of the group); a little distance between the people (your subject) does make a difference; if you can afford it, get both; or you may rent these lenses and then decide which one(s) you want to invest your money in. Both lenses allow you to be creative; how you develop your style of 'managing the light' is up to you.

Sep 22, 2012 by

by

TheShutterButton

Miami Beach, Fl. USA

Location :

Miami Beach, Fl. USA

Age: 35-44

Favorite Subject: Nature

Nikon Family: 2-5 years

Experience: More than a year

Role: Semi-professional photographer

+7points

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When I bought my 50MM 1.4G, I also researched the topic of what is the difference.The most common answers I was finding was a more consistant output and no color loss in which was experienced with the 50MM 1.8. Hope this helps

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If you have the money, I would defintely go for the AF-S 50mm f/1.4. I've had both and the f/1.4 definitely delivers way more. I don't have to edit the pictures it takes at all, each photo taken is spectacular.

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+1point

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This is normal, because in an auto mode it's more likely to have an 1/60 and an 2.8 depending on the illumination. So try to use it in semi or manual modes :)

Jun 10, 2011 by

by

Anonymous

+5points

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You didn't give in enought info but it sounds like you are testing the lens at a low light conduction (may be indoor?) and thecamera had gone in to a flash mode when you try you lens out.When the Flash is on on the camera the camera try to contro the brightness of the photo by controing how much flash power it will user rather then contro the shutter speed and aperture

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+3points

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I use this with the D700. The g has two benefits.1. It has the latest optics enhancements2. It has the g's M/A focus. This allows you to press the button to autofocus, but then correct the focus manually without switching to manual on the camera. This is a huge time saver and will frequently help you capture that fleeting shot when the focus needs to be somewhere other than the autofocus thinks it should be.

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D-type AF-Nikkor lenses relay subject-to-camera distance information to Nikon SLR cameras that feature 3D Color Matrix Metering, 3D Matrix Metering, and 3D Multi-Sensor Balanced Fill-Flash.G: The lens has no aperture control ring and is designed to be used with cameras that allow setting the aperture from the camera body. G lenses also provide Distance information to the camera.

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Do I get the lens front and rear cover? Do I get the lens hood or the filter? what do I get along with it ? Just making sure so that I don't buy two of it .

Thanks a lot.

3 years, 8 months ago by

by

blahblah

california

Location :

california

Age: 18-24

Favorite Subject: Family & Friends

Nikon Family: 2-5 years

Role: Serious passion, hobbyist

2 Answers

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