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WENN 2014 Movie Quiz

By:
WENN.com
Dec 30, 2014

Were you paying attention to the big screen and all the Hollywood happenings in 2014? We thought we'd kick off the New Year with a quick look back over the last 12 months of WENN movie news and pose a few questions to one and all that might just help you recall some magical moments at the cinema, or some hot gossip from the year just gone.
The prize for the winner? Bragging rights and a front row seat to the 2015 Oscars in your own living room! Best of luck!
1. The Fault in Our Stars was based on a book written by which author?
a. John Green
b. John White
c. James Green
d. James Brown
2. What song did not feature on the soundtrack to Guardians of the Galaxy?
a. I'm Not in Love
b. Mama Told Me Not to Come
c. Spirit in the Sky
d. Hooked on a Feeling
3. From which hit animated movie did the catchy tune Everything is Awesome come?
a. Muppets Most Wanted
b. The Lego Movie
c. How to Train Your Dragon 2
d. Mr Peabody and Sherman
4. Game of Thrones star Kit Harington starred in which epic disaster film based on true events?
a. Godzilla
b. 300: Rise of an Empire
c. Hercules
d. Pompeii
5. The son of which longtime Hollywood couple starred alongside Channing Tatum and Jonah Hill in 22 Jump Street?
a. Colin Hanks, son of Tom Hanks and Rita Wilson
b. Oliver Hudson, son of Bill Hudson and Goldie Hawn
c. Jaden Smith, son of Will Smith and Jada Pinkett Smith
d. Wyatt Russell, son of Kurt Russell and Goldie Hawn
6. Which of the following was not a cast member in Dawn of the Planet of the Apes?
a. Andy Serkis
b. James Franco
c. Jason Clarke
d. Gary Oldman
7. Get On Up was a biopic based on the life of which legendary musician?
a. James Brown
b. Stevie Wonder
c. George Clinton
d. Smokey Robinson
8. Which Hollywood veteran portrayed the family matriarch in This Is Where I Leave You?
a. Anjelica Huston
b. Jane Fonda
c. Bette Midler
d. Dame Judi Dench
9. Which musical did The Amazing Spider-Man star Emma Stone make her Broadway debut in?
a. Chicago
b. Cabaret
c. Wicked
d. Les Miserables
10. Which one of these celebrities was NOT part of Ellen DeGeneres' famous 'selfie' taken during the 2014 Academy Awards?
a. Channing Tatum
b. Kevin Spacey
c. Matthew McConaughey
d. Jared Leto
11. Which actress celebrated her one-year wedding anniversary to her tennis pro husband on New Year's Eve?
a. Ashley Tisdale
b. Kaley Cuoco-Sweeting
c. Naya Rivera
d. Ginnifer Goodwin
12. Who will play the villain in the next James Bond movie?
a. Quentin Tarantino
b. Mark Strong
c. Christoph Waltz
d. Bryan Cranston
13. Which country do the two actors who played Solomon Northup in 12 Years a Slave and Dr. Martin Luther King, Jr. in Selma come from?
a. England
b. France
c. Canada
d. America
14. Who rang in 2014 with Charlize Theron and has since become her boyfriend?
a. Sean Penn
b. Chris Pratt
c. Mark Wahlberg
d. Joaquin Phoenix
15. Name new mum Scarlett Johansson's daughter.
a. Kate
b. Jane
c. Apple
d. Rose
16. Which famous Jessica played Matthew McConaughey's grown-up daughter in Interstellar?
a. Jessica Alba
b. Jessica Biel
c. Jessica Chastain
d. Jessica Lange
17. Which Brit picked up the Best Actor prize at the Cannes Film Festival in May for his portrayal of grumpy artist J.W. Turner?
a. Colin Firth
b. Timothy Spall
c. Ray Winstone
d. Alan Rickman
18. What was the highest grossing movie of 2014?
a. Transformers: Age of Extinction
b. The Hunger Games: Mockingjay - Part 1
c. Guardians of the Galaxy
d. The Hobbit: The Battle of the Five Armies
19. Which awards season favourite was filmed over 12 years?
a. Boyhood
b. Birdman
c. Foxcatcher
d. Selma
20. In what film did Jennifer Lawrence debut her singing voice, scoring a chart hit all around the world?
a. Silver Linings Playbook
b. American Hustle
c. X-Men: Days of Future Past
d. The Hunger Games: Mockingjay - Part 1
21. What is the bestselling music soundtrack on iTunes this year?
a. Frozen
b. Annie
c. The Hunger Games: Mockingjay - Part 1
d. Guardians of the Galaxy
22. He ended 2014 a newlywed with a hit movie, called The Theory of Everything. Name the British actor who married fiancee Hannah Bagshawe in England on 15 December.
a. Benedict Cumberbatch
b. Timothy Spall
c. Eddie Redmayne
d. Colin Firth
23. Why did model-turned-actress Milla Jovovich announce she was putting the next film in her Resident Evil franchise on hold in August?
a. Script problems
b. Financial issues
c. Her director husband Paul W.S. Anderson had abandoned the movie
d. She was pregnant
24. In 2014, this actor played Moses and became a new dad. Name him.
a. Joel Edgerton
b. Chris Pratt
c. Christian Bale
d. Mark Wahlberg
25. Another new dad, Chris Hemsworth, was named People magazine's Sexiest Man Alive in 2014, but who's the lucky actress, the mother of his kids, who gets to cuddle up to him every night?
a. Eva Mendes
b. Elsa Pataky
c. Scarlett Johansson
d. Jessica Alba
ANSWERS:
1. a
2. b
3. b
4. d
5. d
6. b
7. a
8. b
9. b
10. c
11. b
12. c
13. a
14. a
15. d
16. c
17. b
18. a
19. a
20. d
21. a
22. c
23. d
24. c
25. b

DreamWorks
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody &amp; Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
DreamWorks
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody &amp; Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
3/5
Follow @Michael Arbeiter
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Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
3.5/5
Follow @Michael Arbeiter
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Victoria Beckham and former The X-Files star Gillian Anderson were among the big winners at the Harper's Bazaar Women Of The Year Awards in London on Tuesday (05Nov13). Beckham, who took her teenage son Brooklyn to the gala at London's Claridge's Hotel as her date, picked up the Special Contribution to British Fashion award and was clearly thrilled by the honour and the evening.
She tweeted, "Thank u so much @JPicardie and all at Harpers @BazaarUK for my fashion award tonight. A beautiful, chic evening."
Actress Anderson scooped up the Television Icon award, while Australian Cate Blanchett was named the recipient of the International Actress accolade, and stunning 23-year-old catwalk star Jourdan Dunn took home the coveted Model of the Year trophy.
Also among the winners: Mick Jagger's fashionable girlfriend L'Wren Scott, who claimed the Tastemaker Award; Man of the Year Idris Elba, who was still recovering from an asthma attack that almost wrecked his plans to attend the South African premiere of his new movie Mandela: Long Walk to Freedom on Saturday (02Nov13); Best British Actress Naomie Harris, and Oscar winner Colin Firth's wife Livia, who picked up the Green Award for her environmental efforts in the fashion world.
The stylish designer helps create recycled clothing for stars to wear on the red carpet.
The full list of winners is:
Gillian Anderson – Television Icon
Victoria Beckham – Special Contribution to British Fashion
Cate Blanchett – International Actress
Jourdan Dunn – Model of the Year
Idris Elba – Man of the Year
Livia Firth – Green Award
Frida Giannini – International Designer
Naomie Harris – British Actress
Aerin Lauder – Businesswoman of the Year
Rita Ora – Musician of the Year
JK Rowling – Inspiration
L’Wren Scott – Tastemaker
The creators, producers and cast of Downton Abbey – Special Contribution
Natalia Vodianova - Philanthropist of the Year

Honey Dad, I think I shrunk myself and now I'm in the middle of a war between the forces of good and evil in the woods! And there's a talking slug!
Welcome to the newest trailer for Epic, a 3D animated fantasy adventure film from the creators of Ice Age and Rio. Do you like talking creatures? Very small humans? Alternative universes where things unseen keep the natural balance of the earth in order? Soldiers who parachute with leaves? Then Epic will be, well, epic, to you.
Featuring a seeming super-cast that includes Amanda Seyfried, Christoph Waltz, Aziz Ansari, Colin Farrell, Beyonce Knowles, Jason Sudeikis, Judah Friedlander, Josh Hutcherson, Pitbull, Steven Tyler and Blake Anderson of Comedy Central's Workaholics, there is probably someone you're a fan of in this film. Phew!
The film itself looks like the type of family-friendly fare that also dazzles the eyeballs (and eyeballs always love bein' dazzled) and also warms the heart cockles. The story itself centers around Mary Katherine (Seyfried), a young girl who gets accidentally shrunk (no word on Rick Moranis' involvement with that) and discovers the hidden world within the forest not normally seen by the human eye. And in her smaller state, she witnesses the ongoing battle between the forces of good and evil—fighting to keep the natural world alive. By banding together with a quirky team of characters (including Ansari playing a Rico Suave-esque slug) to save the world, she learns a lot about life and family and love and respect (I'm sure). It looks cute! It will be really big with moms.
Check out the trailer below or head over to Apple Trailers for the HD version.
[Photo Credit: 20th Century Fox]
Epic flies into theaters May 24, 2013.
Follow Alicia on Twitter @alicialutes
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If there's a cinematic alchemy award to be given this year director Bill Condon deserves to take it home after magically turning the tedious Twilight franchise into entertainment gold. 2011's Part 1 was a horror camp romp that turned the supernatural love triangle — the naval gazing trio of Bella Edward and Jacob — on its head. Breaking Dawn - Part 2 continues the madcap exploration of a world populated by vampires and werewolves mining even more comedy thrills and genuine character moments out of conceit than ever before. The film occasionally sidesteps back into Edward and Bella's meandering romance (an evident hurdle of author Stephenie Meyer's source material) but the duller moments are overshadowed by the movie's nimble pace and playful attitude. Breaking Dawn - Part 2 will elicit laughs aplenty — but thankfully they're all on purpose.
Part 2 picks up immediately following the events of the first film Bella (Kristen Stewart) having been turned into a vampire by Edward (Robert Pattinson) to save her life after the torturous delivery of her half-human half-vampire child Renesmee. She awakes to discover super senses heightened agility increased strength… and a thirst for blood. One dead cougar later Bella and the gang are able to focus on the real troubles ahead: Renesmee is rapidly growing (think Jack) and vampiric overlords The Volturi perceive her a threat to vampiric secrecy. Knowing the Volturi will travel to Forks WA to kill the young girl (a 10-year-old just a month after being born) The Cullens amass an army of bloodsucking friends to end the oppression once and for all.
Packed with an absurd amount of backstory and mythology-twisting plot points (some vampires can shoot lightning now?) Condon and series screenwriter Melissa Rosenberg mine revel in the beefed up ensemble of Breaking Dawn - Part 2 and thanks to a wildly funny cast it never feels like pointless deviation. Along with the usual suspects Lee Pace adds swagger to the series as a grungy alt-rock vampire Noel Fisher appears as a hilarious over-the-top battle-ready Russian coven member and Michael Sheen returns has Volturi head honcho Aro and steels the show. Flamboyant diabolical and a steady stream of maniacal laughter Sheen owns Condon's high camp vision for Twilight and he lights up the screen. There are a few throw away nations of vampires — the oddly stereotypical Egyptian and Amazonians sects are there mostly there to off-set the extreme whiteness — but the actors involved bring liveliness to a franchise known for being soulless. Even Stewart Pattinson and Taylor Lautner give personal bests in this installment — a scene between Bella and her dad Charlie (Billy Burke) is genuinely heartfelt while Jacob's overprotective hero schtick finally lands.
Whereas Breaking Dawn - Part 1 stuck mostly to the personal story relying on the intimate moments as Bella and Edward took the big plunge into marriage and sex Part 2 paints with broader strokes and Condon has a ball. Delving into the history of the vampires and the vampire world outside Forks is Pandora's Box for the director. One scene where we learn why kids scare the heck of the Volturi captures a scope of medieval epics — along with the bloodshed. Twilight might be known for its sexual moments but Breaking Dawn - Part 2 will go down for its abundance of decapitations. The big set piece in the finale is something to behold both in the craftsmanship of the spectacle and in its bizarre nature.
The Twilight Saga: Breaking Dawn - Part 2 had the audience hooting hollering and even gasping as it twisted and turned to the final moments. There's little doubt that even the biggest naysayer of the franchise would do the same. No irony here: the conclusion of Twilight is a blast.

There've been a lot of great British miniseries over the years. We got Alec Guinness as quiet, analytical spy George Smiley in Tinker, Tailor, Soldier, Spy; Gillian Anderson as a doomed Dickensian grand dame in Bleak House; Colin Firth participating in a wet T-shirt contest in the literary porn that was Pride &amp; Prejudice. But one really stands out from the pack: BBC's 1990 production House of Cards, starring Ian Richardson as a scheming Conservative MP trying to make a power-play in the aftermath of Margaret Thatcher's tenure as Prime Minister. It was funny and insightful, utilizing an original form of wall-breaking direct-address storytelling where Richardson spoke directly into the camera...and so uniquely British as to resist an easy Americanized adaptation.
Well, 22 years later, executive producer David Fincher's finally about to bring his long-rumored version of House of Cards to the U.S. This time, Kevin Spacey is an ambitious campaign adviser who teams up with a newspaper reporter to bring down the administration he helped elect, after his promised promotion to Secretary of State doesn't pan out. In short, the perfect opportunity for Spacey to indulge his more menacing side. Think of his character like a cross between David Axelrod and Keyser Soze.
You certainly don't have to take our word for it that this is no Mr. Smith Goes to Washington. Netflix, which will be releasing the series all at once on February 13, has posted this new trailer. We give you permission to feel all cynical about the political process, so go ahead and watch it.
Despiting looking almost exactly like a Fincher movie, the Social Network auteur has only directed two of the first season's seven episodes. James Foley and Joel Schumacher have helmed the rest. Looking forward to watching House of Cards come February?
Follow Christian Blauvelt on Twitter @Ctblauvelt
[Photo Credit: Netflix]
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David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
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