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Domenichino Affair by Elizabeth Cropper

Book Description

Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco's teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix. Why was Domenichino attacked in this way when other related paintings--including Raphael's Marriage of the Virgin and Perugino's painting of the same subject--aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino's plight signifies in art history.

Books By Author Elizabeth Cropper

Contains essays that consider world art of various periods, covering ancient Egypt, Mesopotamia, preconquest Mexico and Peru, Islam, China, Japan, Renaissance and baroque Italy, 18th- and 19th-century France, and the United States in the 20th century and today.

The A.W. Mellon Lectures in the Fine Arts were begun in 1952 at the National Gallery of Art in order to bring the best in contemporary scholarship to the public. This illustrated documentary volume tells the story of the genesis of the lectureship, featuring essays by a variety of scholars.

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