Primal Scream

Over the past three and a half decades, Primal Scream have embraced everything from psychedelic pop to degenerate rock’n’roll; euphoric rave to industrial gloom. They have made records with George Clinton and Kate Moss, invited Mani of the Stone Roses and Kevin Shields of My Bloody Valentine into the fold, survived narcotic oblivion, personal trauma and the death of beloved guitarist Robert “Throb” Young, and captured the mood of the nation several times over. Throughout it all, they have always sounded likePrimal Scream. And they have always made great singles.

Opening with the jangly melodic rush of ‘Velocity Girl’, ‘Maximum Rock ‘N’ Roll: The Singles’ is a celebration of a vital catalogue of songs from a band who have always pushed the boundaries of their sound. There’s rock ‘n’ roll infused with gospel and soul in ‘Movin’ On Up’, the Stonesy strut of ‘Rocks’ and industrial-funk in the shape of‘Kill All Hippies’. And that freewheeling attitude never stopped, as evidenced by the anthemic garage-rock meets vintage R&B of ‘Country Girl’ and the creativity of the songs taken from their most recent album, 2016’s‘Chaosmosis’.

Over the past three and a half decades, Primal Scream have embraced everything from psychedelic pop to degenerate rock’n’roll; euphoric rave to industrial gloom. They have made records with George Clinton and Kate Moss, invited Mani of the Stone Roses and Kevin Shields of My Bloody Valentine into the fold, survived narcotic oblivion, personal trauma and the death of beloved guitarist Robert “Throb” Young, and captured the mood of the nation several times over. Throughout it all, they have always sounded likePrimal Scream. And they have always made great singles.

Opening with the jangly melodic rush of ‘Velocity Girl’, ‘Maximum Rock ‘N’ Roll: The Singles’ is a celebration of a vital catalogue of songs from a band who have always pushed the boundaries of their sound. There’s rock ‘n’ roll infused with gospel and soul in ‘Movin’ On Up’, the Stonesy strut of ‘Rocks’ and industrial-funk in the shape of‘Kill All Hippies’. And that freewheeling attitude never stopped, as evidenced by the anthemic garage-rock meets vintage R&B of ‘Country Girl’ and the creativity of the songs taken from their most recent album, 2016’s‘Chaosmosis’.

Over the past three and a half decades, Primal Scream have embraced everything from psychedelic pop to degenerate rock’n’roll; euphoric rave to industrial gloom. They have made records with George Clinton and Kate Moss, invited Mani of the Stone Roses and Kevin Shields of My Bloody Valentine into the fold, survived narcotic oblivion, personal trauma and the death of beloved guitarist Robert “Throb” Young, and captured the mood of the nation several times over. Throughout it all, they have always sounded likePrimal Scream. And they have always made great singles.

Opening with the jangly melodic rush of ‘Velocity Girl’, ‘Maximum Rock ‘N’ Roll: The Singles’ is a celebration of a vital catalogue of songs from a band who have always pushed the boundaries of their sound. There’s rock ‘n’ roll infused with gospel and soul in ‘Movin’ On Up’, the Stonesy strut of ‘Rocks’ and industrial-funk in the shape of‘Kill All Hippies’. And that freewheeling attitude never stopped, as evidenced by the anthemic garage-rock meets vintage R&B of ‘Country Girl’ and the creativity of the songs taken from their most recent album, 2016’s‘Chaosmosis’.

In 1993 Primal Scream went to Memphis to make an album with Tom Dowd and the Muscle Shoals rhythm section, that album never saw the light of day , until now .....

Following the recent discovery of these tracks in a box lurking in Andrew Innes’ basement, this release is the original, and previously unreleased, studio recordings from Memphis of the tracks that eventually became their 1994 album ‘Give Out But Don’t Give Up’

Teaming up with legendary producer Tom Dowd and the Muscle Shoals rhythm section of David Hood (bass) and Roger Hawkins (drums) at Ardent Studios in Memphis, the resulting recordings from those classic sessions showcase the more country soul, rock’n’roll side to a band who continue to surprise. It’s Primal Scream as you’ve never heard them before.

In 1993 Primal Scream went to Memphis to make an album with Tom Dowd and the Muscle Shoals rhythm section, that album never saw the light of day , until now .....

Following the recent discovery of these tracks in a box lurking in Andrew Innes’ basement, this release is the original, and previously unreleased, studio recordings from Memphis of the tracks that eventually became their 1994 album ‘Give Out But Don’t Give Up’

Teaming up with legendary producer Tom Dowd and the Muscle Shoals rhythm section of David Hood (bass) and Roger Hawkins (drums) at Ardent Studios in Memphis, the resulting recordings from those classic sessions showcase the more country soul, rock’n’roll side to a band who continue to surprise. It’s Primal Scream as you’ve never heard them before.