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Tag: LFO

Cakewalk synthesizers are among the most commonly used software synthesizers in the business. Rapture, Dimension Pro and Z3TA+ are capable of creating powerhouse sounds that will turn your music into sonic masterpieces and Simon Cann wants to take your music production to that level.

In his guide, Cakewalk Synthesizers: From Presets to Power User (2nd Edition), Simon Cann will help you understand the basics of synthesizer programming and teach you how to utilize Cakewalk’s synthesizers to their full potential. Since the first edition of this book was released in 2006, Cakewalk has added four new synthesizers to the product line including Session Drummer 3, Beatscape, Dimension Pro, and Rapture. The updated book begins with an overview of the general principles of music synthesis and sound creation — covering oscillators, different synthesis methods, filters, envelopes, LFOs, and effects — and then shows you how to make your own sounds with Cakewalk’s new instruments and incorporate them into your own productions.

In addition, Simon has included a free download package with the purchase of Cakewalk Synthesizers covering a wealth of information on the .SFZ format.

“Their Instruments have as much unique character as the best vintage synths!”

By Buzz Owen

Danny Byrd has been stamping his mark on the Drum & Bass scene for over a decade now. Regarded as a pioneer of Soulful and Vocal Liquid Funk, Danny’s blending of upfront and retro-inspired sounds has led him to try many of the hundreds of soft synths out there in his search for sounds that can cut through in his busy productions – a search that stopped with the discovery of Cakewalk’s sonic armory…

“I used both Rapture and Dimension Pro a hell of a lot when recording my new album [Supersized]. In fact, the Cakewalk instruments were essential to the writing of my album. These days a lot of digital music sounds the same, so it’s important to add a different sound. And this is what Cakewalk instruments do for me – they add another dimension.”

“Rapture is just amazing for evolving textures and pads, especially all the tempo-locked patches. Just one example would be how I’d often find myself playing a high, sustained note on Rapture, and using this sound to fill up the breakdowns. Rapture has such an amazingly rich and warm sound. Another great touch is the limiter they’ve put on the output for when you’re really twisting up some nasty bass lines.”

“And the effects that you get in Rapture really add to its quality, as do the step-programmable LFOs. For me, this is the key to its constant use in all my productions. Another great feature is the stock presets that come with it – they are so useable right out of the box, so you can just get playing immediately if you don’t want to delve in deep right away.”