Here's an exquisite example of the richness of aging Hawaiian Koa. A 2000 Taylor K20CE acoustic electric. All Koa - top, back, and sides. The beauty of this guitar is matched only by its tone. This is a loud guitar with a smooth bottom end, articulate midrange, and sweet top end. It sounds amazing, like a great grand piano. Cutaway and factory Fishman Prefix Onboard Blender electronics. The guitar is in good condition, shows some slight overall play wear. The frets are in good shape. The neck is straight and true. Comes with original hard case.

I love the movie "High Anxiety". There are some great lines as the Bellman takes the acrophobic Psychiatrist to the top floor, saying "We are going to the top floor, all the way up, you can't get any higher, we're pretty high." That amuses me. We have the top of the line rosewood Taylor, a 914 CE. The only way to go higher in the standard Taylor production is to get a Presentation series model. The 900 series is top of the line for Taylor Indian Rosewood models. Our Taylor 914 CE is from 2016, and it is super nice. This is a near-mint example out of a collectors stash. The only blemish we can see is an impression in the top near the edge of the waist on the treble side. This guitar has beautiful Indian Rosewood with Taylor's V-Class bracing, a beveled armrest, ebony binding, Gotoh 510 tuners, and label signed by the designer. It is a wonderful guitar, plays great, sounds great, and looks great. It is perfect and a joy to play. Comes with original hard case.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

This darkly alluring cutaway Grand Auditorium boasts unique visual appeal thanks to its mahogany top, and there’s sonic magic under the hood as well. Taylor's groundbreaking V-Class bracing enhances the volume, sustain and projection, bringing out even more of the natural midrange focus of its Tasmanian blackwood back and sides. While the natural compression of the hardwood mahogany top tends to even out the response across the tonal spectrum, the V-Class design boosts the dynamic range, especially in the upper register, and the in-tuneness of the notes everywhere along the fretboard is wonderfully consistent. All of these nuances add up to a versatile choice for gigging, practicing or recording across multiple playing styles. The dusky hues of the mahogany top project a rootsy vibe, accented by a shaded edgeburst, black binding, a matching pickguard, and muted satin-finish sheen. The guitar ships with ES2 electronics in a deluxe hardshell case.

This stunning Grand Auditorium from Taylor's new Builder’s Edition collection features Hawaiian koa back and sides paired with a torrefied Sitka spruce top. The guitar was inspired by their groundbreaking V-Class bracing, which boosts the volume evenly across the tonal spectrum, increases the sustain, and improves the natural intonation of the guitar by creating a more orderly response from the soundboard. The result is a more harmonious relationship between the notes you play, helping chords sing with cohesive beauty. Another design emphasis of Builder’s Edition is enhanced playing comfort in the form of ergonomic new body contours. Details include a beveled armrest, beveled body edge treatment, and a reshaped cutaway that flows smoothly into the heel and incorporates a finger bevel where the cutaway meets the soundboard. This creates a more fluid path to the guitar’s upper-register notes for your fretting hand. Other refined touches include “silent” satin finish, which helps quiet the incidental noise against the guitar body, and a gorgeous new Kona burst that highlights the natural beauty of the figured koa back and sides. Inset koa/paua top and back trim adds a beautiful sparkle that complements the new Spring Vine fretboard inlay. In every way, this K14ce acoustic guitar embodies the ultimate player’s guitar and testifies to the benefits of innovative craftsmanship.

Taylor's popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features their acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while their proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.

One of the distinctive traits of maple as a tonewood is its sonic transparency, which makes it wonderfully player-reflective. On this maple/spruce 614ce, a torrefied (specially roasted) Sitka spruce top and our tone-enhancing V-Class bracing take that natural versatility to a whole new level. Whatever the player brings to the guitar comes through—it can be played to sound warm or bright. The roasting process for the top elicits a more played-in tone, and together with the V-Class bracing gives the player a more expressive tool in the form of increased dynamic range, greater projection, longer sustaining notes, and more harmonic agreement with chords up the entire fretboard. The 614ce also stands out as one of the most touch-sensitive models in the entire Taylor acoustic line. Whether you play fingerstyle arrangements or strum in alternate tunings, whatever your preferred musical style, this guitar pays musical dividends on what you put into it. Aesthetic touches include a hand-rubbed Brown Sugar stain that highlights the rich figure of the maple back and sides, along with ebony binding, a paua abalone rosette trimmed with ebony and ivoroid, and our Wings fretboard and peghead inlays in grained ivoroid. The guitar ships with ES2 electronics in a deluxe hardshell case.

This luxurious rosewood/spruce acoustic-electric Grand Auditorium reaches new levels of performance thanks to Taylor's patented V-Class bracing. By coaxing a more orderly response from the top, this game-changing bracing design allows the 814ce DLX to produce more powerful notes everywhere on the fretboard, along with stronger projection, longer sustain, and improved intonation, creating a more musical and expressive playing experience for guitarists. The classic pairing of Indian rosewood and Sitka spruce sparkles with new intensity thanks to the new internal bracing architecture, bringing out more of rosewood’s naturally warm overtones and producing clear, bell-like highs. Premium details include a radius-style rosewood armrest and Gotoh 510 tuners that feature a precise 21:1 gear ratio, delivering an ultra-smooth playing experience. And with deluxe features like maple binding, mother-of-pearl Element fretboard and peghead inlays, a smoky ebony fretboard, rosewood top trim, and maple fretboard/peghead purfling lines, it's easy to see why the 814ce DLX is one of Taylor's most appealing rosewood models.

This Prototype Taylor Grand Auditorium Blackwood/Lutz has a great combination of tonewoods that really shines in this Grand Auditorium body style. Featuring a Sitka Spruce top, paired with Tasmanian Blackwood back and sides, this Grand Auditorium delivers plenty of volume with the dread-sized lower half, while the smaller waist but with a bold, focused twist. Loaded with the new Taylor Expression System 2, so you're ready to play out or kick off that home recording project. Every collector wants a guitar with a cool story. What could be better than to own a prototype with cool specs that are slightly different from any other current Grand Auditorium?If you're a Taylor afficionado, you owe to yourself to stop by and try it!

Here's an impressive 12-string guitar, this limited edition 358E features a Grand Orchestra size body with a Lutz spruce top and Tasmanian blackwood back and sides. The honey sunburst top is complemented by faux tortoise shell binding and a 3-ring faux tortoise shell. This stunning acoustic guitar is equipped with Expression System 2 electronics.

Taylor's flagship Grand Auditorium now boasts even more sonic delights with the addition of their groundbreaking V-Class bracing architecture. The classic tonewood combination of Indian rosewood and Sitka spruce still delivers its characteristic blend of warmth, low-end presence, and high-range sparkle, but V-Class bracing elevates that tone to new heights. Notes sustain longer, allowing rosewood’s rich overtones to bloom with more clarity than ever, and the advanced bracing scheme introduces greater power and tunefulness across the entire tonal spectrum for a rich and expressive sound. Standout material features include a smoky ebony fretboard sourced from Taylor’s Crelicam mill in Cameroon, maple binding, rosewood edge trim, an abalone rosette edged with rosewood, and mother-of-pearl Element fretboard and peghead inlays. The 814ce also includes a Venetian cutaway and Taylor's ES2 acoustic electronics, and ships in a deluxe hardshell case.