Posts Tagged With: featured

This time on The BastardCast, Jason and Jeremy pull a 180 after watching the new RoboCop trailer, warn you about the first ever GTA related virus that didn’t come from banging a pixelated hooker in a car park, and go back to school to learn about zombie stuff and things.

Also on the show: This Week in OMG/Total BS Star Wars News, another DC writer leaves the nest (and shits in it too), Will Smith gets ready to have a meeting in an airport Ramada about returning to his signature role (WILD WILD WILD WESTER here we come!), and Transformers 4 gets a title that we don’t care about (look forward to our 180 on The Dinobot Holocaust in a future episode.)

More? We can not deny you the news about an internet addiction treatment center (step one is admitting that you have a problem, step two is joining Google +), our sparkling repartee about the next iteration of the Bat suit, or our questions about whether Elizabeth Berkely (Showgirls & Saved by the Bell… we’re just helping you so you don’t have to use IMDB) can successfully undulate on dry land without the aid of Kyle MacLachlan’s magical unicorn penis on Dancing with the Stars?

By the way, If you have to ask, yes, this next story is readymade to make you scratch your head to the point where it leaves scar tissue: a mail room worker tried to take her career to higher ground by claiming to know the lead singer of the Red Hot Chili Peppers and Chris Nolan, assuming that Hollywood would give it away… now.

Oh, and here is the that BatFleck Batsuit they talked about… see? They posted the link. GO TEAM!

What the Fox Say? He say re-subscribe to the show on iTunes, there may be a glitch in the system that is conspiring to keep you away from us! He also says that the half life of a meme is less than the amount of time that it takes to.. what were we talking about?

All that and Jeremy Argh Hudson on the lightness of beering during the autumnal treat that is, The BastardCast!

Are you ready to get work out of the way and enjoy the weekend? Well, push that garbage to the side and hold on to your seats because it’s a Nerd Bastards Friday and prime time for another edition of Sexy Cosplay of the Week. This week we head south, to Brazil, to figuratively visit Mishiro.

This red-headed cosplayer has quite the collection of costumes under her belt, all of which she uses to knock fellas senseless. And she’s quite the talented individual too; as a gamer, musician, jazz dancer and pole dancer with some mad skills, Mishiro knows what to do to have a good time with her cosplay. Taking her many years of experience and her cute cheerleader figure all over the country, this cosplayer has been making quite the name for herself in her native land and could make her way stateside whenever she wants.

Amassing a variety of costumes, Mishiro has a little bit of everything, from Tekken‘s Zafina and Nintendo’s Princess Peach to Lollipop Chainsaw‘s Juliet Starling. Check out more in the gallery after the jump.

For more on Mishiro head over to her Facebook, Deviant Art or World Cosplay for more.

In 1985 Robert Zemeckis and Bob Gale created the first in what would become known as the Back to the Future film trilogy, but not everybody knows what happened during shooting. A month in, star Eric Stoltz, the original Marty McFly, was replaced with young upstart Michael J. Fox and production went on, later making Fox a household name. That decision never sat well with Gale and became the idea behind Back to Back to the Future, the latest comic book from writer and creator David Guy Levy.

Last week we caught up with David for a quick Q&A to discuss everything Back to Back to the Future. Here he talks about the project’s humble beginnings, what it has become now and what lesson David would like people to get out of reading his creation. Along the way we also talk about the art of Back to Back to the Future artist Jeffery Spokes and the special connection David has to the Young Storytellers Foundation.

Check out the interview after the jump.

You’ve been involved in Hollywood for many years as a director, writer and producer, but what was the initial thought, that spark, that brought Back to Back to the Future into existence between you and Jeffery Spokes?

David Levy: This actually started a while ago. I started writing this in 2001. I had read an article BTTF.com – which is the big fan site to Back to the Future – and I was reading this article, and Bob Gale was revealing this information about how when Eric Stoltz was replaced – what most people didn’t know was – they also had to replace this actress, named Melora Hardin because she was too tall for Michael J. Fox and she was cast as Eric Stoltz’s girlfriend. He said in the interview quote “It was one of the hardest choices I ever had to make” and he was talking about how he regretted it.

Was it this history behind Eric Stoltz’s forced recasting in the First Back to the Future or was it that chance to offer readers an altered look at the history of Robert Zemeckis and Bob Gale’s beloved franchise that drew you to making this?

David Levy: I was thinking here’s the man who wrote the best trilogy of all time about time travel, and he’s talking about a major regret in his life and how great would it be to give him a chance to set it right using the same device which he created, which is the Back to the Future movies. So I started writing this story and it was always just for fun because there’s so many things about it that would make it a movie that would be impossible to get off the ground, but it was still something I wanted to write and get out of my head. Then I put it in a drawer and took it out in 2009 because I was in a group with some friends where we would read our original material to each other and I thought, how fun would it be if I pulled this out and we just read it as a group. After we put it down, no one wanted to stop talking about it, and it was really exciting because I saw so much enthusiasm for the story that I had forgotten even existed in the first place.

It’s a good thing I put in a drawer, because in 2007 I made a comic book called Corn Boy with Joshua Dysart and it was done independently. I ran the whole thing myself and put it through Dynamite and I really got to see the process of adapting a screenplay into comic book adaptation. We made Corn Boy because we realized it was a story nobody really wanted to make as a movie, but we still wanted to get it out there and it was so fantastic that it almost served better as a comic because no sacrifices had to be made for budget or time constraints. Then I realized all those things would benefit Back to Back to the Future.

I wouldn’t have to get the actors on board, I wouldn’t have to get the special effects or the budget size. Anything I imagined could be drawn. That excited me, because I wouldn’t have to compromise [a] really fantastic parody at all with a committee or not enough money or enough time. And so I started realizing [that] if I want to do it, I wanna do really cinematic wide panels. I wanna get all the art to the quality of cover art; no inside artist, no outside artist, you know? Then I started talking to Jeffery [Spokes], I saw some of Jeffery’s work and then I started talking to about “Have you ever thought about doing a book, about 130 pages where it’s all the quality of the cover?”

And he said “I thought about it, but I never found anything I was passionate enough about.” and I sent him my script and within a day he said “Yeah, this is something I could commit to.” It took him three years, but he drew it.

Speaking of art, the art style of Back to Back to the Futre personally is reminiscent of the late 80s’-early 90s’ of the comic book era, where even as an online comic you can almost feel the ink on the pages. Was that something that was intentional and do you feel that you were able to convey it from the right perspective?”

David Levy: Well I’d seen Jeffery’s work and I’ve seen he has a very specific voice with what he does. He has a blog, JeffSpokes.blogspot.ca, and you’ll see that a lot of his work is similar. I think there’s a little more pop culture vibe going on in this work than in most of his work and Back to the Future has such a pop culture reference, and while we wanted things to be really cinematic we wanted to have that fun and that pop to it and he found this balance where these things are really serious, but it’s also a comic. You can see it and it’s visceral.

Now you’re doing something quite unique in the general promotion of your series, you’re giving away the first three issues to the public for absolutely nothing. The final three issues in series however are going for $2 a piece, what made you decide on that kind of price range and are there any plans to bring the six issues into a combined graphic novel or single issues to print in the future?

David Levy: All the money is going to benefit this foundation and I wondered what would be a good price point where people wouldn’t hate to give to charity, but also would be like “Well, this is for charity so let’s not be to stingy.” Cause I do want them to get something out of it. As for print right now, though there are no plans, if we did, there would have to be enough feedback from people saying they wanted it.

The plan is just to let it live as a digital comic online. The idea is always fun to deal with… that in 2015, I’d love to put something into print, but at the same time I think it might go against the spirit of doing this for charity and streamlining that money to the Young Storytellers Foundation. Cause the way it’s set up now, you click on it and you pay for it and the money goes straight into the account, so it’s sort of perfect in the spirit of everything the way it is.

With your connection to the Young Storytellers Foundation it gives children that ability to get a sense of creativity somewhere where they normally wouldn’t think they can be creative. Do you believe that everyone has a sense of wonder that needs to be brought out and can be shared with others?

David Levy: Yeah, it’s exactly what I think. Young Storytellers Foundation, just to give your readers a quick overview, is a foundation that is mostly in LA and starting to branch out, I believe they just opened an office in New York. They go into underserved public schools that don’t have much of an arts program, don’t have much of any curriculum in that department and they mentor kids to write orignal stories and not influence those stories and let them be as fantastic as they want them to be. And once those plays are written, they bring professional actors in. People from SNL, people from Glee, all over TV and film come in and read these plays out and act them out in front of the entire school and it is super exciting.

I’ve been in those rooms and seen those spaces and never had more fun than watching someone see their work be brought to life. I wanted for years to mentor there, but it’s a very long program, it’s nine to ten weeks and with my job, I could never commit to that cause. I would always be gone for three or four of them [weeks]. And so I’d always wanted to get involved and I didn’t know how and then I was telling my friend this story about how Back to Back to the future got made, and how it’s been over a decade, and how I never started it with any business intention, I just started making it and I just wanted to get my story out, and that conversation lead to us talking about the Young Stoytellers Foundation and then I realized [that] there’s so many similarities. So he told me “Why don’t you team up with the Young Storytellers Foundation and get it out there?” and I said “That’s not a bad idea.”

I worked on Corn Boy and I know more about the independent comic market than most and I know that unless you’re not the big comic company, you’re not really breaking even on your comics anymore. You’re lucky if you break even. It’s really not a money-making venture so I might as well give it to such a good cause and I called up the Young Storytellers Foundation and they loved the idea and now finally, after not being able to mentor for a while, I’m able to do something nice for them.

Is there anything you want for those currently involved or going to be involved in the Young Storytellers Foundation to get out of all this? Maybe an overall lesson in personal determination?

David Levy: The biggest lesson is, if you have something to say, say it and see if there’s a way to get it out there. When I started writing this everyone said to me “You know this is just an exercise right? This isn’t a story that everyone’s ever going to see.” and that was told to me and I believed it too. I thought that made sense, but here I am today and it’s a story I’m getting to finally to share and I don’t think that anyone can say I don’t think I can get my story out there.

If there’s anyone that makes me want to hear that message more, its young people who haven’t been jaded by the world yet. People who are still optimistic and if I can get that message across, [that] “This was something that I wrote when I was growing up, this is something I wrote because I just wanted to tell a story that I thought was awesome. That was fun to me as a storyteller, not as the reader, but to even write was the fun part.” Not only did I get to do that, but to be like “And guess what? You can show it the world.” I think that’s the message.

Be sure to follow everything Back to Back to the Future by checking out the BTBTTF Facebook or Twitter pages and check out the first issue, available for download here and issue two here, exclusively from IGN. For more information or to donate to the Young Storytellers foundation please go to the official homepage. Also keep an eye out for David’s latest directorial feature, Would You Rather, available July 9th on DVD.

If you were born anytime after 1980, chances are that the last thing you saw everynight before you went to bed was the page of an R.L. Stine book. Stine, the master of horror for kids and pre-teens has been at it for 20 years, churning out over 100 “Goosebumps” books, a TV series, and now Hub TV’s R.L. Stine’s The Haunting Hour.

Last week I had the chance to chat with Mr. Stine, armed with questions crafted by myself and my newfound partner in crime, Anne Sisk, and I got to ask the King of Spookiness what scares him, why we want to be scared, how it is writing children’s books in the internet age, and all about the challenges of writing his adult novel, Red Rain. Here is what Mr. Stine had to say:

Is it harder to scare kids now and have you changed your style at all with kids increasingly moving away from books and turning to TV and the Internet and that kind of thing?

I don’t accept that, kids are reading a lot. Years ago the children’s book business was tiny, it was a very small part of a publisher and now it’s a billion dollar industry. Kids are reading. Children’s book sales are up eight percent for this year so I think kids are reading which is a really wonderful thing.

I really haven’t had to change much, when you write scary books you don’t have to change much because the fears never really change. You know; being afraid of the dark, being afraid of what’s under the bed ready to grab you, being afraid that you’re being chased, that never changes so that’s kind of lucky for me.”

Why do you think we want to be scared by spooky stories when we’re little and even now as adults?

Well, I think kids like to be scared a lot, but they have to know they’re safe at the same time. It’s really fun to go out and have these creepy adventures and fight the monsters and battle all this adversity if you know that you’re safe reading in your room at the same time. And I’m very careful with my books, like with the Goosebumps, that kids have to know that this is a fantasy. This is fantasy horror, this isn’t going to happen, this can’t happen to you. Yeah, it’s very creepy, but they have to know that it can’t happen and it’s not going to go too far.

Has there ever been a fear or a theme or an image where you’ve started to go in that direction and then you’ve had to pull yourself back, you didn’t want to go that far. Is there anything you consider “off-limits”?

Very rarely, I’m kind of conservative with it. A lot of times my editors are saying “Hype it up. Make it scarier, make it scarier.” I hear that a lot more. Every once in a while I will, like the very first Goosebumps book is called Welcome to the Dead House, this kid moves to a new town and all these kids come up to him and say “I used to live in your house” and it was the very first one I did and they’re all like zombie kids and they’re out to get him and right now I think it was too scary. I think that book went too far, the first Goosebumps book.

And after that one I kind of realized it and I pulled back and I started adding a lot more humor.

Is there still a challenge for you? You’ve been doing this for so long.

I find it much more of a challenge cause it’s twenty years of Goosebumps, twenty years, it’s over one hundred books and so I guess I’ve done every story you could possibly do, right? So to find new scares and new plot lines and not repeat myself has become a lot more of a challenge, but that’s kind of fun for me.

How do you, just as a writer I have to ask, how are you that prolific? How are you able to day in and day out pump out high quality material like that for such a long period of time?

I don’t know, it’s the only thing I’ve ever been good at, you can ask my wife really. It’s the only thing I’m competent at and I just love it, I’ve been doing it since I was nine years old and I still look forward to getting up and sitting down at the computer and banging out ten more pages a day and getting new stories.

I don’t know what else I would do all day, but the writing is fun for me because I do so much planning first. I do all my planning before I write.

I chart out the whole book; I do very complete outlines of every book I write before I sit down to write, so by the time I’m writing I know everything that’s going to happen in the book. And then I can just fill out the outline and have fun with the writing and enjoy it and that helps me I think to turn out more books than having to plot it as I go.

I noticed in the ‘Weeping Woman’ episode of the Haunting Hour series, I noticed a bit more social commentary and implied marital trouble, are kids these days responding to that kind of stress more? Can you now add those kinds of pressures?

I don’t do it much, but the Haunting Hour is sort of aimed more for teenagers and for families and so they’re pushing it a little farther, the writers. They decided to make the Haunting Hour a bit darker then the Goosebumps books and they’re teenagers instead of kids involved so they’re getting into some of those issues that I wouldn’t do in the books.

In the ‘Weeping Woman’ the basis of the story is the myth of La Llorona, so you kind of have this cross-cultural terror happening. Do you find yourself pulling inspiration from different cultures like this or is it more like these are certain fears that undercut all cultural differences?

I think the fears all are the same, but there are wonderful legends in all these cultures and it would be nice to be able to explore them. But that’s the same fear, that statue is not very much different from Lilly D, that doll that came to life is it?

You just released Red Rain, which is a novel that’s targeted for adults. What’s the bigger challenge: creeping out and scaring kids or scaring adults?

Oh for me scaring adults because I’m not used to it, so it’s a much bigger challenge and I just wrote it because I thought I needed a challenge. Kids’ books are a lot of fun and they’re so easy, they really are a pleasure for me and I thought why not do something hard? Why don’t I do something a little more ambitious?

And then I have all my readers from the 90s who’ve grown up, all those Goosebumps/Fear Street readers who were 10 back then are all in their 20s and 30s, and they’ve been telling me “write for us, please write something for us”. So that’s why I wrote Red Rain, but I found it was a challenge.

How long did it take you to write it?

Five months and I did research for a month, mainly on that island. You know, it takes place on an outer banks island off South Carolina and I’ve never been there, so I just sort of deliberately did it as a game for myself to see if I could really research it and get it right and get all the details right; the vegetation, the birds and do it right. So, I spent about a month doing research and then five months writing it which is a lot for me because the Goosebumps books take a couple weeks.

Is that something you want to continue to pursue. do you want to keep writing for adults or mix and match?

If people like it, yeah I’d enjoy doing more. I love writing for my original audience, I mean those are my kids, those are my people from back in the 90s and I love writing for them, but it just depends if it’s a hit or not. If people really buy it and enjoy it I would love to do more otherwise nobody will ask me to do more.

I’m sure that won’t be a problem.

They won’t answer my calls.

What scares you?

I have no good answer for that, I don’t get scared. I have normal adult fears of course, but horror doesn’t scare me at all. I go to a scary movie or something I don’t know what that feeling is of being scared, I always laugh. When I read a horror novel it makes me laugh, I always find horror funny.

People say “Oh, I was up all night because of your book, you scared me so badly” — I wish I could feel that. I’ve never had that feeling I always find that funny.

Who is your favorite horror writer? If you have one.

Steven King is, I think he’s a wonderful story teller and there are a couple of Steven King books that I think are amazing. Pet Cemetery is one and Misery is another book I just think are brilliant, maybe the best book ever written about writers and editors.

R.L. Stine’s The Haunting Hour airs on Hub TV at 6PM ET on Saturdays and you can learn more about the show here. If you want to pick up a copy of Red Rain, you can get it at Amazon.com and wherever fine books are sold.

This time on The Bastardcast: Jeremy and Jason try to keep it together as they discuss meteoroids, asteroids, zombies, and other world enders like Warner Brothers’ development slate and the Dan Harmonless Community. Also, Jeremy and Jason nerd out on all the Toy Fair 2013 news and then fight about A Good Day to Die Hard.

Following that, Jeremy swings low on latest member of the X-Men First Class: Days of Future Past cast, Jason goes off the deep end when Jeremy mocks Han Solo, and they both think the that reports about the demise of the video game industry are premature and full of poop.

Yes, it’s the kind of high brow episode where our fearless hosts let you know that an actor’s artistic worth is determined by how many times he shows peen on the screen. In fact, that’s this week’s special happy fun hashtag, #PeenOnTheScreen.

All that and more #FebruMurray fun as we continue to celebrate noted kickball striker Bill Murray.

This time on The Bastardcast, Jason and Jeremy team up with Topless Robot overlord Rob Bricken to talk about the Elba/Bond rumors, the Evil Dead and Iron Man 3 trailers, Clark Kent becoming a blogger, the King of the Nerdsdepressing the shit out of us, the future of Nintendo, and the great action figure scaling wars.

After making the week’s headlines their bitch, Jason and Jeremy free Rob from their spell and then take on the greatest debate of all time (until next week) in VERSUS, when they ask who would win in an epic battle: JASON VOORHEES or A BOX FULL OF KITTENS!!! Can you dig it? I said CAN YOU DIG IT?!?!

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Greetings weary Internet traveler, and welcome to our weekly break from all the hustle of the busy day. It’s time for another weekly edition of the Sexy Cosplay of the Week, and this week we invite you to put up your feet and take a break with Spain’s own Ivette Puig.

A former student of Fine Arts at the University of Barcelona, Ivette is one of those people that could rock a librarian look and still get free drinks just by asking. With her athletic, almost gymnast like figure and sensual good looks, Ivette should be getting some gold medals in the nerd girl division, if there was a nerd girl division, which would be awesome.

Don’t believe she’s got the talent to back that up? Well shame on you, just take a look at her awesome cosplay. From DC Comics’ Wonder Woman to fighters like Tekken 6‘s Lili Rocheford to pulling off bad girls like Panty and Stocking‘s Panty, the proof is in the proverbial pudding. Feel free to argue against it, but she can kick over your head, and I’m not fighting anyone who can do that.

Take a look for yourself below.

Check out more of Ivette Puig through her Facebook, Tumblr, Deviant Art, Cosplay.com or her personal page for more.

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Welcome to February, the month of love, but more importantly Friday the most magical day of your week! It’s time for this week’s Sexy Cosplay of the Weekand the United States own Gina B. This tough New York lass has been doing cosplay for the last few years and every time she makes something new Gina B. just keeps getting better and better. Making all her own my own costumes, props, armor and weapons this curvy little beauty has waltzed her way into the limelight, not bad for someone who’s almost been arrested just for trying to take great pictures. Why would you want to arrest someone as spirited as Gina B., that itself is a crime. It’s not like this determined and inviting cosplayer doesn’t have a closet full of tricks at her disposal, like DC Comics‘ Hawkgirl and Ghost in a Shell‘s leading cyborg lady Kusanagi Motoko. Check out some more of Gina B.’s costumes in the gallery after the jump.

You can see more of Gina B. by heading on over to her Facebook, Deviant Art, World Cosplay, Cosplay.com and Twitter .

While the flux-capacitor hasn’t been perfected, and we can’t help you fix any past holiday humbuggery, maybe we can help you get this holiday season off to a good start.

For the next 12 days (Dec 1st-12th), the staff of Nerd Bastards will be listing a few of their favorite nerdy things. Gadgets, doohickeys, thingamabobs and more – all sorts of items that have been Nerd tested and Bastard approved. Basically, stuff you want, things you need, and everything you can’t have.

We hope you’ll find some unique and nerdtastic gifts among our selections, and that they make their way under your tree, Menorah or Kwanzaa bush.

Hit the jump for Mark Poynter‘s list of Nerdful things. Check back tomorrow for Nick Bungay‘s list. To see archive of this feature, click HERE.

Luke started off with the replica Captain America shield I wanted s0 I looked around and found this little gem. That would look so good on my desk, providing much needed light and inspiration. There’s the good Captain, the Hulk, Thor, Spider-Man, the *#%-damned Batman, and the Man of Steel. They are priced from $54.99 to $59.99 and would make any fan boy light up (Get it . . . I’m punny.) with joy.

If you’re gonna save the princess you’ve got to have the right equipment. This replica shield will only cost you $69.99, not the usual 80 Hylian Rupees, but maybe that’s just the exchange rate kicking in. Since the shield should provide you with the defensive edge you need, you might want to get the edge a Legend of Zelda Master Sword would bring. Priced at $44.99 you could get both to ensure your victory over the forces of evil.

While everyone else in the neighborhood is flying their holiday banners or football team logos you can proudly fly the flag that unites the universe. Except for those pesky Romulans, Borg, and Klingons running around. Well, you get the gist of it and this will only set you back $49.95.

Get your own personalized Judge badge from Planet Replica. Your own name, with the only limitation that they recommend 10 or 11 letters maximum to make sure the name reads properly in the space available. Priced at 60.00, that’s about $95.00 at current exchange rates.

5. Dominion by Rio Grande Games

This is a great card game with many expansions to choose from that only make the game even better. The game never plays the same way twice because the cards you play with varies each game. This is a great gift for those that like strategy games. The game usually retails for $44.95, but if you look around you can find great deals on it. The link above has it for $29.26 with free shipping!

6. 7 Wonders by Asmodee

Yes, another game. What can I say, I am a board game guy. 7 Wonders should make the top ten games list of any serious board gamer. It is beautifully made, the game play design is fantastic, and the variety in game play is tons of fun. Retail is $49.99, but again you can find good sales on it like the link above at $32.40. There are a couple of expansions that add some spice to the strategy and game play well worth the price.

7. Marvel Wall Mural at AllPosters.com

This is my choice from the many Marvel Wall Murals available at AllPosters. There are a ton to choose from, but this is the one I want. Just look at the size of that. I can picture it along the wall in my comic book room. Coming in at 48 X 72 inches that is a huge piece of artwork for $124.99. The only problem might be convincing the lady of the house to allow you to put it up.

8. Doctor Who’s TARDIS Door Decals

If you’re like me and can’t really afford the TARDIS Refrigerator then you can always go for the TARDIS Door Decal set from Etsy user Bjorn. It’s a steal at $24.99. Now you do have to paint your door blue as the decals are only includes the Police Box Bar (32″ by 3″), the Pull to open (11″ by 9″), and two of the Windows (8″ by 8″). Just think, your front door, bathroom door, or closet, you choose can front for the TARDIS when the Doctor arrives.

9. Godzilla Plush Slippers

If you’re gonna stomp around the house over a lazy weekend you might as well do it in the comfort of your own Godzilla Slippers. These things can crush LEGO buildings without the usual foot crippling effects. Comfort ain’t cheap though my nerdy friend, these bad boys will set you back $30.99.

10, Hellboy II The Golden Army Right Hand of Doom

Sometimes you just need a little something extra and this is it. $24.99 gets you the hand that saves humanity. Get your “Perlman” on with this latex foam-filled replica. Every nerd in the neighborhood had Hulk hands, but you’ll really bring the nerd cred with this one.

This time on The Bastardcast: Jeremy busts out of a courtroom and Jason escapes a post-apocalyptic New Jersey to talk about Nic Cage, a WOW playing senator, Doctor Who, the Justice League (of Alabama) and a few things Superman. Then briefly breaking to sexually fantasize about Joe Biden before taking on the main event.

The sale of LucasFilm to Disney and why it will consume the Internet over the 36 months.

After that melange of mayhem, the boys tackle this week’s ultimate question in VS: Whose the better commander n’ chief, Pullman in Independence Day or Camacho in Idiocracy?