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Arthur Miller was not only one of America's most important playwrights of the 20th century, but he was also one of its most influential literary, cultural, and intellectual voices. Throughout his career, he consistently remained one of the country's leading public intellectuals, advocating tirelessly for social justice and the arts. This volume gathers a selection of Miller's finest essays, organized in three thematic parts: essays on the theatre, essays on specific plays like Death of a Salesman and The Crucible, and socio-political essays on topics spanning the Depression to the 21st century. Written with wit, intellect, and above all, human dignity, these essays offer unmatched insight into the work of Arthur Miller and the turbulent times through which he guided his country.

A collection of essays on literature by one of the world's finest writers. Following on from Stranger Shores, which contained J.M.Coetzee's essays from 1986 to 1999, Inner Workings gathers together his literary essays from 2000 to 2005. Of the writers discussed in the first half of the book, several - Italo Svevo, Joseph Roth, Bruno Schulz, Sandor Marai - lived through the Austro-Hungarian fin-de-siecle and felt the influence of Schopenhauer, Nietzsche and Freud. Coetzee further explores the work of six of twentieth-century German literature's greatest writers: Robert Musil, Robert Walser, Walter Benjamin (the Arcades Project), Joseph Roth, Gunter Grass, W.G. Sebald, and the poet Paul Celan, in his "wrestlings with the German language". There is an essay on Graham Greene's Brighton Rock and on the short fiction of Samuel Beckett, a writer whom Coetzee has long admired. American literature is strongly represented by Walt Whitman through William Faulkner, Saul Bellow and Arthur Miller to Philip Roth. Coetzee rounds off the collection with essays on three fellow Nobel laureates: Nadine Gordimer, Gabriel Garcia Marquez and V.S.Naipaul.

With this sixth volume The Hogarth Press completes a major literary undertaking - the publication of the complete essays of Virginia Woolf. In this, the last decade of her life, Woolf wrote distinguished literary essays on Turgenev, Goldsmith, Congreve, Gibbon and Horace Walpole. In addition, there are a number of more political essays, such as 'Why Art To-Day Follows Politics', 'Women Must Weep' (a cut-down version of Three Guineas and never before reprinted), 'Royalty' (rejected by Picture Post in 1939 as 'an attack on the Royal family, and on the institution of kingship in this country'), 'Thoughts on Peace in an Air Raid', and even 'America, which I Have Never Seen...' ('['Americans are] the most interesting people in the world - they face the future, not the past'). In 'The Leaning Tower' (1940), Virginia Woolf faced the future and looked forward to a more democratic post-war age: 'will there be no more towers and no more classes and shall we stand, without hedges between us, on the common ground?' Woolf stimulates her readers to think for themselves, so she 'never forges manifestos, issues guidelines, or gives instructions that must be followed to the letter' (Maria DiBattista). In providing an authoritative text, introduction and annotations to Virginia Woolf's essays, Stuart N. Clarke has prepared a common ground - for students, common readers and scholars alike - so that all can come to Woolf without specialised knowledge.

Coetzee explores the work of twentieth century German literature's greatest writers, an essay on Graham Greene's Brighton Rock and on the short fiction of Samuel Beckett. American literature is also strongly represented and Coetzee rounds off the collection with essays on three fellow Nobel laureates.

"Against Interpretation" was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes some of Sontag's best-known works, among them "On Style", "Notes on 'Camp", and the titular essay "Against Interpretation", where Sontag argues that modern cultural conditions have given way to a new critical approach to aesthetics.

Exercises in Loneliness is a collection of philosophical essays on a common topic of solitude that started as a series of blog posts. “There is something romantic and legendary about loneliness because every knight searches for the Holy Grail on his own. Even the best fairytales are born out of an extreme loneliness. So the secret is to stop asking to be saved and to start saving others. Before long you will see how your own loneliness subsides – like a tide that runs away with sunrise”.

HarperCollins is proud to present its new range of best-loved, essential classics.
'Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind...'
Based on a lecture given at Cambridge and first published in 1929, 'A Room of One's Own' interweaves Woolf's personal experience as a female writer with themes ranging from Austen and Bronte to Shakespeare's gifted (and imaginary) sister. 'Three Guineas', Woolf's most impassioned polemic, came almost a decade later and broke new ground by challenging the very notions of war and masculinity.
This volume combines two inspirational, witty and urbane essays from one of literature's pre-eminent voices; collectively they constitute a brilliant and lucid attack on sexual inequality.

With this sixth volume The Hogarth Press completes a major literary undertaking - the publication of the complete essays of Virginia Woolf. In this, the last decade of her life, Woolf wrote distinguished literary essays on Turgenev, Goldsmith, Congreve, Gibbon and Horace Walpole. In addition, there are a number of more political essays, such as 'Why Art To-Day Follows Politics', 'Women Must Weep' (a cut-down version of Three Guineas and never before reprinted), 'Royalty' (rejected by Picture Post in 1939 as 'an attack on the Royal family, and on the institution of kingship in this country'), 'Thoughts on Peace in an Air Raid', and even 'America, which I Have Never Seen...' ('['Americans are] the most interesting people in the world - they face the future, not the past'). In 'The Leaning Tower' (1940), Virginia Woolf faced the future and looked forward to a more democratic post-war age: 'will there be no more towers and no more classes and shall we stand, without hedges between us, on the common ground?' Woolf stimulates her readers to think for themselves, so she 'never forges manifestos, issues guidelines, or gives instructions that must be followed to the letter' (Maria DiBattista). In providing an authoritative text, introduction and annotations to Virginia Woolf's essays, Stuart N. Clarke has prepared a common ground - for students, common readers and scholars alike - so that all can come to Woolf without specialised knowledge.