Amplifying violins — and processing them with bizarre Max/MSP patches using mics and pickups and gyroscope bows — is no longer a major challenge. But it wasn’t always so. Early recordings of violins faced the challenge of the fragile sound of the instrument. Builders like John Matthias Augustus Stroh devised a primitive but effective solution: attach a horn to the instrument. The results are nothing if not wacky, and they reveal a lot about how instruments and technology evolve over time. I’d love to see more of this thinking in modern digital instruments, and violin/horn mash-ups seem even more compelling creatively now. They’re begging for a digital rendition.

Benedict Anthony Heaney has written up a short history of these now-unfamiliar instruments:

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