If Borders closes a lot of stores, or closes their doors completely, it will mean publishers will make less money.

If they make less money, they won't be able to publish as many books. Fewer books published means fewer books sold, which means even less money.

I've heard a lot of anecdotal evidence from my writing peers about authors being dropped by their houses, or being offered smaller advances. I've heard more anecdotal evidence that it has become harder to sell books to publishers.

So what are authors going to do if they can't sell their books to publishers?

It depends. If the majority of bookstores close, the print midlist will probably disappear. Bestsellers will still be sold in big boxes and non-bookstore outlets, but if a book isn't a blockbuster, it likely won't be released in print.

The reason publishers are so important to authors is because they have a lock on distribution, and they get those print books onto shelves and into stores. Everything else--editing, cover art, marketing--can be outsourced by the author. But the author can't get their book into Sam's Club or CVS or every Borders store.

If publishers stop printing books and focus on ebooks, authors have to ask themselves what are the benefits of signing with a publisher? Why let a publisher take 52.5% of the cover price of an ebook, while an author takes only 17.5%? Especially when an author can do it themselves and make 70%?

This death spiral may not happen for a while. It might not happen at all.

But authors should be thinking about all of the changes happening in the industry right now. If you sign a book deal which states the first book won't be released until June 2012, will there be any chain bookstores still standing? What if it's a three book deal, with the last book out in 2015?

In the past, publishers could be counted on for stability. But in the last year, we've seen Leisure and Medallion stop their print lines. I have friends who haven't gotten their latest royalty statements or checks.

Here are some things for writers to discuss with their agents to protect themselves:

1. Make sure there is a reversion of rights clause based on the book being in print and selling a certain number of copies per year.

2. Look out for "non compete" clauses, which wouldn't allow a writer to release ebooks on their own during the duration of the print deal.

3. Make sure there are clauses that protect the writer in case of a publisher's bankruptcy.

4. Look out for clauses that state the publisher can release the ebook without releasing the print book.

5. If ebooks become the dominant format (a possibility if the death spiral ensues), then the 17.5% royalty rate publishers currently offer needs to change. A "most favored nations" clause along the lines of "if the publisher ever offers another author more than 17.5%, that rate will automatically be applied to this contract" is a way for authors to avoid getting locked into a lousy royalty rate for life.

6. Get as much money up front as you can.

In my previous post, I said that authors should self-publish because they can make more money.

Looking at the current publishing climate, I'd be really hesitant to sign a deal because I'd be afraid bookstores, or publishers, won't be around much longer.

In the past, it made monetary sense for publishers to allow books to go out of print.

Today, a savvy publisher would want to hold onto those rights as long as possible, to exploit the erights.