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Entries in Thomasin McKenzie
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A good number of pundits agree that Thomasin McKenzie has an outside shot at scoring a Best Supporting Actress nomination for her performance as a teenage girl living on the outskirts of civilization with her father in the critically-acclaimed Leave No Trace. I’d like to posit a different theory – that she may end up as a surprise nominee for Best Actress.

Now, I don’t think this is likely, but I’d be ecstatic if it happened. Nathaniel is very big on calling out category fraud when he sees it, and there’s more than enough of that to go around this year. It’s actually just as puzzling to see McKenzie called a supporting actress as it is to see her costar Ben Foster classified as a supporting actor. They’re both leads, sharing screen time and the focus of the narrative...

Ben Foster discussing "Leave No Trace" last summer when it openedWhen I first met Ben Foster he was promoting Rampart (2011), a hard and angry movie about corrupt cops in which the acting was (unsurprisingly) terrific, he would barely speak about himself. Time has mellowed him, or at least made him more lighthearted about his own intensity. He ended our last interview begging for a screen comedy but sadly that project has never materialized. In person he's friendly and thoughtful and funny, never as impenetrable or scary or tragically sad as he has been is in his famous roles. In fact he's a happy new father, having had a daughter with his wife, the actress Laura Prepon, just over a year ago.

We met last month to discuss Debra Granik's award-winning drama Leave No Trace. He plays Will, a former soldier who has shut himself off from society with only his daughter Tom (Thomasin McKenzie) for companionship.When Will and Tom are found living in the woods at the beginning of the film, social workers attempt to reintegrate them into society. The daughter immediately adapts but the father is tougher to reach. Leave No Trace is moving and insightful and beautifully acted so that's where we begin as we discuss his career, his early days in acting, and what's next.

Our interview, has been edited for clarity and length...

with Director Debra Granik on set

NATHANIEL: Projects like Leave No Trace live or die based on the chemistry between the leads, so how can you prepare for a two-hander like this. Were you involved in casting?

BEN FOSTER: I was involved in casting so far as Debra said 'I found someone I really like, and she's in New Zealand, here's the tape'. It was recorded on her phone and I watched like 30 seconds before I was like 'Oh yeah, that's it.'

Instant approval. That's so cool.

She has a quality --you see it in person and you see it onscreen, she's lit from within. [In awe] She's one of them.

And I assume you trusted Debra a little bit on unknown actors, too, because she's famous for that Jennifer Lawrence discovery...

Remember when the release of Vanity Fair's "Hollywood Issue" used to be so exciting for its semi-frequent attempts to predict who would be the next big things? You could spot future superstars as well as divine which actors, great future or not, had hustling agents that managed to snag them covers with little actual work to back that up. The Hollywood Reporter is trying their hand at something similar with their new issue, which has four cover stars, two of whom (Awkwafina, Ezra Miller) aren't listed within the "NextGen" list presumably because they've already "arrived"? We don't know. The other two cover stars (Letitia Wright, Noah Centineo) are represented on the list after the jump...

Chris here. Now that the summer movie season has arrived (and earlier than ever) we're on the hunt for counterprogramming wherever we can find it. Enter film festival darling Leave No Trace, a drama about a father and daughter (Ben Foster and newcomer Thomasin McKenzie) struggling to reacclimate to society after living off the grid.

The film is director Debra Granik's narrative follow-up to the Oscar nominated Winter's Bone, which you will recall helped place none other than Jennifer Lawrence on the map. Trace debuted at Sundance and has been hitting regional festivals nonstop ever since, and will get another large platform when it plays Cannes' Directors Fortnight sidebar. That should build a whole bunch of word of mouth before the film arrives on June 29.

From the looks of the trailer, we're promised a film much less grim than how the film comes across on paper. Take a look and we'll break down the Yes No Maybe So...