In a world where two artistic aesthetics collide — one that tends to be dominated by long-dead men and European terms and another frequently guided by commercial appeal — one man has managed to bridge the gap.

For several years, the stereotypically highbrow world of classical music has delighted symphony orchestra supporters as well as film buffs with little background in orchestral music by presenting music by Williams. His work could be considered the celluloid soundtrack of the past half century.

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