"Drawn Inward" is the follow-up to the
widely-acclaimed "Toward The Margins", a recording that attracted a great
deal of critical attention for its sensitive cross-referencing of free
improvisation, live electronics and real-time sound processing. "Absorbing,
innovative and wholly original music," The Times of London declared. "Drawn
Inward" adds computer musician/composer Lawrence Casserley to the line-up.
At any given moment, up to five musicians in the band are playing live
electronics, increasing the fascinating maze-like complexity of the sound
that swirls around Parker's extraordinary saxophone.