Like postcards that admired you were here, the song titles are as adorable as the full-color covers of the area music they adorn, anniversary a adapted account of the Southern California of the imagination: “Strolling ‘Neath the California Moon,” “I’ll Pick Myself a California Rose,” “Where the Mission Bells Are Chiming Bottomward Beside the Sea.”

And again there’s one called, simply, “California,” whose songwriter is “burning for a atom area hearts are true/T’ward the west, against the best my eyes are turning/For I’m admiring so for you/California.”

Part of the Los Angeles Public Library’s all-inclusive accumulating of old area music spanning from 1849 to the present, the alone pieces are but bizarre ditties about the California dream. But aggregate en masse, the songs bounce to activity and accompany a alluring adventure of the burghal and its beginning culture.

“Sheet music was there — every footfall of the way,” says Josh Kun, abettor in the Annenberg School for Communication and Journalism at USC and editor of a new book on Los Angeles’ aural history. “Its songs and awning designs were the agreeable mirrors and agreeable engines of a burghal on the rise.”

Although the writers and (mostly anonymous) awning illustrators didn’t apperceive it at the time, their assignment helped set capacity — about accessible active and the region’s airy spirit, but additionally alive claimed character and bankrupt dreams — that were agitated on through the aeon by artists such as the Beach Boys, the Eagles, Randy Newman, Snoop Dogg and Best Coast.

In fact, anticipation by the art for “Pajama Girl,” a 1931 “melody fox trot,” the song could be an antecedent to the Beach Boys’ “Surfer Girl” 30 years later. The awning analogy appearance a woman, clad in “beach pajamas,” continuing in the beach captivation a ball. Behind her, men and women antic in the Pacific.

For Van Dyke Parks, acclaimed for his accord with Brian Wilson on the Beach Boys’ “Smile,” the activity is continued overdue.

Parks, who contributes an article to Kun’s book, “Songs in the Key of Los Angeles: Area Music From the Accumulating of the Los Angeles Public Library,” says the effort, underwritten by the Library Foundation of Los Angeles, “flies in the face of what Los Angeles seems to be bedeviled with, which is the advance of accumulation and the expendability of aggregate that was so yesteryear.

“This is attractive aback and all-embracing a cultural ancestry that deserves to drift into this agenda age.”

New York’s archetypal Tin Pan Alley has been able-bodied documented, as has agreeable San Francisco, which continued was the music publishing basic of the West. But the song-making that soundtracked, and helped to define, L.A.’s aboriginal advance is a mostly alien realm.

“There’s never been any history done on 80% of this,” Kun says. “Every book that’s anytime been accounting about Los Angeles music doesn’t acknowledgment this stuff. It’s crazy.”

Rob Waller, co-founder of L.A. country bandage I See Hawks in L.A., was afraid by the access he acquainted back attractive over the absent music.

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“We accept a lot of songs about California and L.A. — it’s in our bandage name,” he says. “And again to ascertain through this activity all the added bodies who did this a hundred years ago or more, and explored some agnate themes.”

Over the summer, the library will bless this music with concerts, chargeless MP3 downloads, a arcade appearance of songbook covers and more. As allotment of the project, Waller’s bandage adored a song from the book, “In the Valley of the San Joaquin,” accounting in 1904.

— By Van Dyke Parks

“It’s cornball for the absent Garden of Eden of the San Joaquin Valley,” Waller says, abacus that his bandage has a song alleged “California Country” with a agnate theme. “Both are array of anxious for the Garden of Eden, the beautiful, accustomed accompaniment of California, now lost.”

The area music helped body the music business afore the appearance in the aboriginal 1900s of recorded music. It served accepted tastes, chased trends and acquired aloof as rock, hip-hop and cyberbanking ball music do today.

The difference: Instead of trading in MP3s or bunched discs, or broadcasting online or on the radio (which hadn’t become a civic average yet), songwriters awash notated songs to be played by bands, orchestras or amateurs in concert halls, parlors or clandestine homes.

Even this cardboard had a allotment of the action: From 1901 to 1910, The Times gave abroad chargeless area music in some circadian editions.

Like orange crate art, the music’s not the best sophisticated, artistically speaking. In backward March, Kun sat bottomward at a piano with artisan and arranger Parks to see what they had.

Recalls Kun: “He aloof put area music up on the piano and started playing. He’d say, ‘Ah, that’s no good,’ or, ‘Why would they accept a D instead of an E? That makes no faculty — that charge be wrong!'”

Los Angeles Public Library’s all-inclusive accumulating of area music is abounding of bizarre songs about Southern California.

Parks says that alike if the songwriting was sometimes lacking, it was still a apple he capital to inhabit.

“I appetite bodies to apprentice what a admirable abode this is,” he says. “It’s like the architectonics of L.A. to me. It’s not article that a European can appear and anon appreciate. Los Angeles charge be begin out. It doesn’t somehow stick out. And I anticipate that’s accurate with its music too.”

This attempt of aboriginal Southern California culture, abounding with what Parks describes as “propagandist art,” was accomplished by a aggregation of business and boosterism, which accumulated to advance paradise found; abounding songs were commissioned by the citrus industry, the railroads and the beginning biking business.

The awning for the music to a song alleged “Chiapanecas” connects it to Cafe Caliente, an aboriginal burghal Mexican eatery, and a accompanist alleged Elenita who acclimated to adapt the song during banquet hours.

“One of the aboriginal Mexican restaurants on Olvera Artery opened as an Italian restaurant,” Kun says. “They bound wised up and accomplished they were activity to be on the capital artery of Mexican Disneyland and had to change. This is one of the aboriginal things I saw back we started activity through the collection. I was like, ‘Oh my goodness.'”

Aside from documenting the bearing of the West Coast music industry and the seeds of an assimilation that has appear to ascertain the region, the analysis baldheaded alluring stories, some about absent to time. Consider the anecdotal of “Princess Indita,” an aboriginal L.A. artisan who acclimated her cryptic ethnicity in account of her stardom.

The self-proclaimed Angel Indita Rivola Hinodi Bennessee Meaning was featured in a 1917 adventure in The Times, in which the angel explained that her name, translated, meant “Little Indian Maiden With an Empty Stomach.” In added guises she was “a acclaimed snake charmer, a amphitheater star, an abettor filmmaker and article of an aerodynamics enthusiast,” USC Annenberg Fellow and doctoral applicant Inna Arzumanova writes in one essay.

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As a snake charmer, she competed in an act alleged the Ball of Death, and at assorted times over her career claimed she was either Sioux or Hopi Indian — and, abreast the end of her career, white. Her addition to the California songbook? A apprehensive allotment alleged “The Burghal of the Angels.”

Music additionally was key to the city’s best important business: the aboriginal work, Kun believes, “specifically accounting and marketed to be a hit song in a movie.” It’s alleged “Mickey,” and was performed by aboriginal cine brilliant Mabel Normand for a 1918 blur of the aforementioned name.

This vanished apple in the aboriginal 1900s existed throughout the burghal but mostly aural the burghal ball district, with Broadway apartment the better absorption of cine theaters in the world. Woven amid them were area music shops, apparatus food and song publishers. By the 1910s and ’20s, the closing were alive with songwriters aggravating to abode music in movies.

“You had Southern California Music Company on Broadway, the Bartlett Music Company on Broadway, the Platt Music Company,” Kun says. “All of these music companies who awash pianos, awash area music, were hubs for musicians to appear and gather, all alloyed in with the amphitheater district.”

Just up the artery was the Central Library, which not alone offered old and new hits but featured convenance apartment in which to apprentice them. Patrons would analysis out area music, booty them to apartment with pianos and assignment out tunes afore branch to a recital, gig or party.

Kun and his advisers started blanket abroad the library’s accumulating of area music in 2010 afterwards a chat he had with Library Foundation President Ken Brecher. Housed aural the library’s Art, Music & Recreation Department, the subset of California songs are allotment of backing that accommodate 51,000 songbooks and 67,000 songs, as able-bodied as added than 50,000 song sheets.

Though not all of it circulates, the area music area in branches throughout the library arrangement abide a basic apparatus for Angelenos complex in entertainment, whether affair musicians attractive for arrange or associates of the Los Angeles Philharmonic researching repertoire. The array includes classical array (2,700 pieces for orchestras), folk songs, agreeable amphitheater works, pop songs and jazz.

Young artisan and songwriter Julia Holter, who grew up in Los Angeles, acclimated to roam the Central Library back she was a music apprentice acquirements repertoire. For “Songs in the Key of Los Angeles,” Kun asked her to almanac a song from the collection. She chose the century-old “Where the Mission Bells Are Chiming Bottomward Beside the Sea.”

She admired the artwork on the cover, but it was added than that. “It was aloof abstruse to me,” she says. “And it was pretty. It acquainted mystical.”

Contact the reporter

Follow Randall Roberts (@LilEdit) on Twitter

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