My dad the Vietnam War photographer

Media captionPhilip Jones Griffiths’s daughter speaks about her father

The work of freelance photographer Philip Jones Griffiths was seen as instrumental in turning the tide of American public opinion against the Vietnam War. Ten years on from his death, one of his daughters has told of what motivated him to capture such trauma.

“There is something profoundly haunting about the images – they stay with you long after you have stopped looking at them.”

Image copyrightDonna FerratoImage caption Philip Jones Griffiths with his two daughters, Katherine (left) and Fanny (right) in New York in 1989. Image copyrightDonna FerratoImage caption Philip Jones Griffiths with his daughters Katherine (centre) and Fanny (left) Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption An armed American soldier tries to talk to a Vietnamese woman holding her child

Her father Philip Jones Griffiths was considered one of the great photojournalists of his era, capturing the true horror of conflict while covering the Vietnam War following the US military intervention between 1966 and 1971.

His photographs and observations – published in his seminal 1971 book Vietnam Inc – gave a haunting and disturbing insight: mothers and children held at gunpoint, babies covered in blood, faces filled with terror and soldiers struggling to survive in often hostile territory.

As the American author and political commentator Noam Chomsky said: “If anybody in Washington had read that book, we wouldn’t have had these wars in Iraq or Afghanistan.”

Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption A terrified mother and her relatively calm son during the battle for Saigon, 1968

Growing up, Griffiths’ two daughters were not shielded from the reality of their father’s job.

“When me and my sister were growing up, he absolutely made pains to make sure we knew about the work he was doing,” said Katherine.

“He never tried to shelter us from it. I mean, maybe in the finer details of the grisly truth of war, but in terms of what was happening, I think he felt a responsibility to let his daughters know what was happening.”

“He had an affinity with the people of Vietnam and I think he saw a lot of similarities between the Welsh and Vietnamese kind of being these smaller, more village-based communities, having a kind of imperial yoke put upon them,” Katherine explained.

Philip Jones Griffiths’ journey to Vietnam

Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption A mother cradles her son during a US search and destroy operation at Quang Ngai in 1967

After working for his local newspaper, the Rhyl Leader in the 1950s, he began working part-time for the Manchester Guardian before joining the Observer in London as a full-time freelancer in 1961.

Following a spell working in Africa he joined the prestigious Magnum Photo Agency and moved to South East Asia, where he covered the Vietnam War from 1966 -to 1971.

Many of Griffiths’ photographs focus on the effect the war had on the civilian population.

Speaking to the BBC in 2005 he said: “I wanted to show that the Vietnamese were people the Americans should be emulating rather than destroying.”

As well as showing the horrors of the military invasion, his images also captures moments of compassion from the American soldiers.

His colleague at Magnum, Henri Cartier-Bresson, said of his work: “Not since Goya has anyone portrayed war like Philip Jones Griffiths.”

Following the Vietnam War Griffiths worked in more than 120 countries including Grenada following the US invasion in 1983.

Perhaps paradoxically, Griffiths spent much of his adult life living in the USA although he had returned to London

She said despite his work taking him around the world, Griffiths never lost touch with his roots.

“Although I grew up in London, he made sure me and my sister went to Wales every summer and hang out with our Welsh cousins,” she said.

“He always joked that he was a unique Welshman because he didn’t drink beer, he didn’t play rugby and he didn’t sing.”

Image copyrightPhilip Jones Griffiths/Magnum PhotosImage caption A Vietnamese youth being arrested by a soldier of the US 9th Division on the outskirts of Saigon Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption A mortuary vehicle in Vietnam, 1967

And he felt it was important that his work should stay in Wales, with his archive now in permanent residence in the National Library of Wales, Aberystwyth.

William Troughton, who curated the exhibition at the National Library, said: “Philip Jones Griffiths didn’t consider himself a traditional war photographer.

“He was interested in showing the effects and injustices of war on ordinary people – his book ‘Vietnam Inc.’ had a major impact and is considered a classic.”

Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption US soldiers shepherding a group of captured suspected enemy in Quin Hon in 1967

And Randy Kennedy, in his New York Times obituary, said Griffiths’s “harrowing” pictures “helped turn public opinion against the war”.

“And so for us at the charity that he started, it is our aim to promote that and inspire the young people, particularly the young people of Wales, that you can actually go out and you can help stop a war.

“I think that is incredibly powerful, and that is probably his enduring message in all this.”

Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption Soldiers fill up their water bottled during the battle for Saigon, 1968 Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption US air power played a controversial role in the war Image copyrightPhilip Jones Griffiths/MAGNUM PHOTOSImage caption Refugees flee across a damaged bridge in Hue during the 1968 Tet Offensive, a turning point for public opinion in the USA

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