This week, I’m looking at a documentary about 50 years of revolution by an African American party, and a comedy about 15 years of devolution by male models at parties.

Zoolander 2

Dir: Ben Stiller

Derek Zoolander (Ben Stiller) is a vapid former supermodel who lives in a log cabin in the Alps of northern New Jersey. His wife is dead and his son, Derek Jr, has been taken away by social services. Zoolander has been a hermit (or “hermit crab” as he says) since 2001. His former best friend and supermodel Hansel (Owen Wilson) lives in a tent in the middle of a vast desert near Palm Springs. He has non-stop orgies – involving sumo wrestlers, babushkas and goats — relieved only by intermittent yoga sessions. The two men hate each other’s guts. But they find themselves together again in Rome relaunching their respective careers.

Together with former swimsuit model Valentina (Penelope Cruz), now part of Interpol’s fashion police, they join forces to fight an evil cabal of supervillains who have infiltrated the fashion industry. Why? Because the bad guys, including Mugatu (Will Farrell), want to get their hands on the fountain of youth guarded by the Chosen One. He is a direct descendent of an unbroken line of vapid male supermodels dating back to the Garden of Eden. (Apparently there was an Adam and Steve). But who is the Chosen One and how can they save him?

I like comedies, they just have to be funny. This one’s not. it has a few very hilarious moments, but a stand-up comic with only one laugh for every 20 jokes would be booed off the stage. It’s also weirdly outdated. I can accept that Zoolander and Hansel have hidden away for 15 years, but why is the rest of the movie in a time warp, too? It’s filled with Calvin Klein perfume ads from the 1990s, titans of the fashion avant garde like Tommy Hilfiger, “hipsters” wearing dreadlocks, and Al Qaeda as the most dangerous terrorists. Even the plot is a take-off of a Dan Brown novel. Everything in the movie just seems soold. There’s no satire, and very little humour. The funniest moments come from the tickle of recognition that accompanies the countless celebrities — Bieber, Kardashian, Sarandon, Sutherland — who make cameo appearances. But it’s not enough to rescue this dud.

The Black Panthers: Vanguard of the Revolution

Dir: Stanley Nelson

It’s 1966. The US is fighting in Vietnam and anti-war protests are springing up around the world. The civil rights movement is in full swing in the southern states. But in northern cities, in places like Oakland California, the police are still arresting, frisking and beating black men with impunity. So two young leaders, Bobby Seale and Huey Newton, found a black nationalist movement there to counter police brutality and racial oppression and to express black pride and solidarity. And if attacked by the police, they vowed to fight back by any means necessary (in the words of Malcolm X). They named it the Black Panther Party. Members cut a mean profile: natural hairstyles, shades, black leather jackets, and military-style black berets. And, most shocking of all, they carried long guns — in the name of the Second Amendment and the Right to Bear Arms — with leather straps of bullets across their chests. They were later joined by Eldridge Cleaver whose book Soul on Ice, written in prison, captured the nation’s mood.

Lyndon B Johnson, the president, and FBI chief J Edgar Hoover were shocked. They considered a black nationalist movement the biggest danger of them all — bigger than communism. They swung into action using the notorious COINTELPRO — counter-intelligence program — to infiltrate and spy on the group. They sent letters and ohone calls to women saying their husbands were cheating on them. The police were called into action to break up meetings and arrest its members. Dozens were arrested on trumped-up charges, and many killed in raids across the country. Some are still in prison to this day. At an infamous Chicago trial, the judge actually had Bobby Seale chained to a chair, bound and gagged, in the courtroom, making him the perfect symbol of state oppression. Eldridge Cleaver fled to Algeria. Later many of the top members changed their beliefs, leaving the party divided among warring factions.

This is a fascinating history of the movement, with tons of still photos, archival footage, and new interviews with members that tell you lots you’ve probably never heard of. Did you know they started a successful school breakfast program? And published a newspaper that was their main source of income? Their standard image is of armed black men, but the majority of rank-and-file members were actually women, fighting for women’s rights within the party. The film doesn’t go deeply into the more controversial aspects of The Black Panthers. Some thought it undermined the non-violent civil rights movement. Or that it was big on image, weak on politics. But whatever your point of view, the Panthers made a huge mark on American history beginning 50 years ago, and this film explains it all.

Zoolander 2 opens today in Toronto; check your local listings. The Black Panthers: Vanguard of the Revolution is playing on Saturday at 11:00 AM at the Carlton Cinema as part of Toronto’s Black Film Festival. Go to torontoblackfilm.com for more info. And the Next Wave Film Festival is on all weekend long for 14-18 year-olds who love movies. Check out tiff.net for details — especially its great closing film Sing Street.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.