Wagnerian music, though confessedly grand in its way, was a bit too heavy for Bloom and hard to follow at the first go-off but the music of Mercadante’s Huguenots, Meyerbeer’s Seven Last Words on the Cross and Mozart’s Twelfth Mass he simply revelled in, the Gloria in that being, to his mind, the acme of first class music as such, literally knocking everything else into a cocked hat.