Played straight in many occasions (such as having Cleveland double for New York City in The Avengers and Washington, D.C. in Captain America: The Winter Soldier), but averted in the Netflix shows, each of which was shot in New York.

As a television show with a smaller budget, Agents of S.H.I.E.L.D. gets hit with this a lot.

Agent Carter naturally uses California back lots for New York in its first season, since filming period pieces in New York is extraordinarily difficult. When the series shifts to Los Angeles for season 2, they were able to do much more location shooting.

Six of the films have made more than $1 billion dollars in ticket sales alone. Most franchises are lucky to get one movie that makes that much. As of Avengers: Age of Ultron, it has taken Harry Potter's spot as the highest grossing film franchise of all time.

The franchise made $4 billion in 2018 alone, which is more than what almost any other franchise will ever get in their lifetime.

Colbert Bump: One of the benefits of not having Spider-Man and the X-Men available to use is that Marvel put their B- and C-list heroes in the spotlight instead, causing the likes of the Hulk and Captain America to regain the mainstream notoriety they once had, saving Iron Man from slipping into C-List obscurity, and giving the Guardians of the Galaxy and Black Panther the mainstream appeal they had never had before. The Guardians in particular went from struggling to keep a single comic on the shelves to having six solo or team books by the following year, their own cartoon, and more merchandise sales than they'd ever seen before. This more or less came full circle when Spider-Man joined the MCU with Captain America: Civil War.

Creator Backlash: In general, making a cinematic shared universe is not easy, and a lot of creators and actors have gone through quite a bit of grief to pull it off, and expressed their discontent. For some specific examples:

Joss Whedon has expressed some regret that Marvel's insistence that he helm Age of Ultron prevented him from working on Agents of S.H.I.E.L.D.

Actor Terrence Howard was not happy at how he was dropped from the franchise. He claims that his contract stated he would be paid $8 million for Iron Man 2, but the studio told him they would only pay him a fraction of that, and he could either take it or leave. He left and James Rhodes has been played by Don Cheadle ever since. He also claims that most of the money in his contract went to Robert Downey Jr.'s salary.

Jeremy Renner wasn't happy with his Brainwashed and CrazyAvengers role that kept him out of the team dynamic for most of the first film, saying it "wasn't what I signed on for"; Whedon placated him with a much beefed up central role in Age of Ultron, which satisfied him and made him much more enthusiastic about playing Hawkeye. He also has a very team-based role in Civil War.

Chloe Bennet has become very fed up with how little contact Agents of SHIELD and the other TV shows have with the movies. It's been implied that this is also the case with quite a few other people involved with the shows, though she's so far the only one who's dared to say so in public.

Peyton Reed was nonplussed about Ant-Man's appearance in Civil War, saying the character only really works in his own special corner of the universe. He was also disappointed that the movie would show him becoming Giant-Man, stealing what he'd hoped to make a big moment in Ant-Man and the Wasp; he did however get over the latter, saying there was still plenty of material left for him to mine.

Natalie Portman did not particularly enjoy working on Thor and tried dropping out of Thor: The Dark World after her preferred director left the project and said negative things about her Marvel experience to the press. Since then, the Earth-based characters were completely dropped for Thor: Ragnarok. However, Portman has said that she didn't exactly hate being in the Thor moviesnote She was actually quite disappointed when her pregnancy prevented her from appearing in The Avengers. and that she might consider making a return to the MCU.

Hugo Weaving wasn't outright negative about his role as Red Skull, but nonetheless admitted that he had grown tired of blockbuster roles in general and cited Red Skull as an example. By 2016, however, he has grown to look back on it more fondly. However, he did not reprise the role in Infinity War. Red Skull was recast.

Christopher Eccleston wasn't fond of his role as Malekith in Thor: The Dark World. This was because his character's backstory and motives were cut from the film to focus more on Loki, and he had to spend six hours in the makeup chair every day.

In a downplayed case, Rosario Dawson was very enthusiastic for several years about her cross-series role of Claire Temple, but in 2018 stated that she'd lost a lot of her love of the role, and thinks the only thing that could really get her excited about it again would be getting to appear in The Punisher and officially be in every MCU Netflix show.

The entire cast of Guardians of the Galaxy protested the firing of James Gunn in a joint statement. Then Dave Bautista went a step farther and said literally the only reason he'll still do the third film is that he's legally obligated, and he finds it "nauseating" to still have to work for a company who'd so easily cave to fanatics. And just a few hours after that, he took it further still by threatening to quit in breach of his contract if Gunn's script wasn't used.

This expanded even more when several higher-ups at Marvel Studios, up to and including Kevin Feige himself, also came out in defense of Gunn and urged Disney to let them take him back. Feige even stated Alan Horn and the others who made the decision didn't even have the decency to tell him about it, and he found out from the news just like the rest of the public.

Darkhorse Casting: To an extent. For the most part Marvel Studios prefers to cast more obscure actors or have them Playing Against Type as the film leads, while relegating more famous actors to side characters. As a result the films tend to be a Star-Making Role for them.

In a weird way. The new actor for Spider-Man in the Marvel Cinematic Universe is 19 year old Tom Holland, who people claim "looks too young" to play 15-year old Peter Parker. Given that Tobey MacGuire and Andrew Garfield were both in their late 20s when they first started their own movie franchises - a Peter who was a late teen, at best - this is particularly absurd logic.

While not an extreme case, Hayley Atwell is older than Peggy Carter in the 40s-based scenes - she was 28 when filming a Peggy who aged from her early-to-mid 20s, and plays a late-20s version when Atwell herself is in her early-30s. In the same context, Dominic Cooper plays Howard Stark aged in his mid-to-late 20s when Cooper himself was in his early-to-mid 30s age range. Of course, Atwell also plays Peggy at much older than her real age in Winter Soldier and Ant-Man, while the older Howard is played by John Slattery.

DVD Commentary: Almost all of the MCU movies from The Incredible Hulk onward each have a director's commentary on their DVDs and/or Blu-Ray Discs, which sometimes also features comments from other crew members and/or an actor.

For the first two phases of the MCU, a group called the Marvel Creative Committee was created to oversee the development of the franchise. This group, led by Marvel Chairman Ike Perlmutter and consisting of Marvel Chief Creative Officer Joe Quesada, writer Brian Michael Bendis (who has since moved to DC Comics), exexutive producer Alan Fine, and Marvel president Dan Buckley, kept interfering with Kevin Feige and the film properties to ensure the films go in their favor. This included heavily altering the script of Thor: The Dark World so that Breakout Villain Loki could be heavily involved (leaving Big Bad Malekith one-dimensional), replacing Terence Howard with Don Cheadle as Col. James Rhodes for Iron Man 2, changing the gender of Iron Man 3's Big Bad from female to male to increase toy sales, and almost nixing the now-iconic soundtrack for Guardians of the Galaxy. Their involvement with both Iron Man 2 and Avengers: Age of Ultron made Jon Favreau and Joss Whedon decline returning to the franchise, while Edgar Wright made a very public exit from Ant-Man after creative differences with the MCC. By the time of Civil War, tensions between Feige and Perlmutter had grown so bad (Perlmutter threatened to fire Robert Downey Jr. over a pay dispute) that Feige threatened to leave unless Perlmutter was cut off from Marvel Studios entirely. Disney obliged by restructuring Marvel so that Marvel Studios became a separate entity and Feige didn't have to answer to Perlmutter anymore (Perlmutter remains in charge of Marvel TV, however). While no one has openly criticized Perlmutter, there's a definite sense of relief among MCU members at his ousting; the Russo brothers have alluded that production atmospheres has become more positive with Perlmutter's departure, Chris Evans is now willing to extend his Marvel contract (he'd previously been adamant that he'd leave once it was over), and Favreau and Whedon have said that they wouldn't rule out returning to direct more Marvel films (and Favreau even agreed to reprise his role of Happy Hogan in Spider-Man: Homecoming).

In addition, Perlmutter is rumored to have kept Feige from pursuing film projects based on Black Panther and Captain Marvel (and has been strongly implied to be the key reason why there hasn't been a Black Widow film, since he's vetoed merchandising the character and was revealed to have been against female-led superhero movies in general), only agreeing to let Feige make those movies on the condition that an Inhumans movie was greenlit for Phase 3 (as Perlmutter had actively been trying to build up the Inhumans property to serve as an alternative to the X-Men series). Since Feige's ascension, the Inhumans movie has been taken off of the Phase 3 slate and ultimately changed to a TV series, with its two first episodes being theatrically released on IMAX screens.

It is generally believed that one of the reasons (among others such as budget, time, and tone) why the MCU's movie and TV properties have not crossed over as much as many would like is because of the rivalry between Perlmutter (who still runs Marvel TV) and Feige (who still has the cinematic Marvel Studios).

More generally, Marvel has been criticized for imposing a "house style" on its movies that make them all look and feel very similar. While such heavy studio involvement ensures a certain amount of quality control, it also means that the unique voices of writers and directors can be sublimated to the franchise's demands.

Due to rights issues, the Spider-Man, Fantastic Four, Sub-Mariner, and X-Men Film Series characters could not appear in Marvel Cinematic Universe at the time it was created. So, while we can't see the Hulk fight Juggernaut anytime soon, there are gray areas. Some characters who are known to these groups, such as Quicksilver, Scarlet Witch, the Skrulls, and The Kingpin, are still usable, but they cannot mention their connection to those groups. Adamantium seems to be included in the X-Men package, so Ultron had to be made of Vibranium instead (Adamantium was first created for Ultron, but in time it became more known as the substance that covers Wolverine's claws, so that's the one that stuck). The Watchers can also be used, but Uatu, the most famous Watcher, cannot appear in MCU productions because of his close ties to the Fantastic Four.

Spider-Man was integrated into the setting before Phase 3 began. However, due to legal restrictions from Sony's contract, along with the tensions between producers Ike Perlmutter (who leads Marvel's television division) and Kevin Feige (who leads Marvel's in-house movie division), Spider-Man characters are currently unable to be used in any of the shows set in the MCU.

Joe Quesada clarified recently that the rights for Namor have returned to Marvel at long last, but did not confirm or deny any actual film. The project may be complicated by the busy timetable of Marvel, with films set up until 2019.And audiences may dismiss a film about another underwater hero as unoriginal (even if Namor, as a comic book character, was created first) after the DC Extended Universe's Aquaman.

Per interviews given about Agents of S.H.I.E.L.D., it's now confirmed that the MCU cannot use the word "Mutant", so they often use other nomenclature, such as "gifted" or "enhanced", for the mutant-like beings that show up on that show. Whether this is because of some sort of written agreement or just an over-abundance of caution about possible legal issues (as mutants and mutation are actual scientific concepts and are more-or-less generic terms) with FOX is unknown. Eventually, the Inhumans were used in the series as a replacement of sorts for the mutants. Director James Gunn has confirmed that a similar joint rights agreement exists for the Skrulls, who are a general Marvel Universe threat but nonetheless debuted in the Fantastic Four.note The agreement is that the race can be used, but not certain Skrull characters tied explicitly to the Fantastic Four or Silver Surfer properties—namely, Super-Skrull (because he has all of the FF's powers). The alien race known as the Badoon are owned by Fox and off-limits to Marvel, which led to them being barred from appearing in the Guardians of the Galaxy movie (but not from making a cameo in one of the prelude comics).

In December 2017, Disney purchased most of Fox's assets, among them the movie rights for the X-Men and Fantastic Four - thus patching up almost all of the Exiled from Continuity problems except for Sony's Spider-Man spinoff characters and Namor. The official press release states that there are plans to integrate both teams with Marvel's stable of heroes; while Fantastic Four (2015) flopped horribly and necessitated another potential reboot, the X-Men Film Series is in good health and it is unknown whether it'll be merged with the MCU in its current state or rebooted itself. Disney CEO Bob Iger has, at the very least, stated he is open to greenlighting more R-rated Marvel-related movies such as Deadpool.

The Hulk is also in a form of exile, as while Marvel has development rights to make movies with the Hulk, Universal retains distribution rights to get them into theaters. Hulk characters can show up in ensemble movies no problem, but there's no incentive for Marvel to make a Hulk standalone movie if they have to split the profits with someone else. In addition to Hulk, the Sub-Mariner property is also in a strange situation with Universal. They have owned the film rights to the character of Namor for years, though they have not used him; however, they are supposedly interested in sharing the property with Disney provided that they can profit off of it. This is all in spite of the fact that the legal rights on a Sub-Mariner movie should have long since expired.

Like Sub-Mariner, Man-Thing is in a similar position, where he is owned by Lionsgate, but the company isn't interested in making another solo film with the character unless they can reap a portion of the rewards. This got more complicated when Man-Thing was mentioned in an episode of Agents of S.H.I.E.L.D., and given that no statement has been made regarding the character, it's completely ambiguous as to who owns the property (although, given the lack of any comment from Lionsgate regarding a reboot or a sequel, it can be inferred that the rights quietly reverted to Marvel).

Documents unearthed in the infamous Sony hacking scandal revealed that Spider-Woman is also in an odd legal position. She is technically a Distaff Counterpart of Spider-Man and has a similar name, costume and powers, but in-universe she has very little connection to him, and instead is way more closely associated with S.H.I.E.L.D. and the Avengers. Because of this, both Sony and Marvel can use her, but Marvel cannot use the name "Spider-Woman," depict her using "spider-like" abilities, or have her wear her iconic red costume. It is unknown if the above-mentioned deal to include Spider-Man in the MCU has changed anything.

Although Sony and Marvel reached a deal that gave creative control of Spider-Man to Marvel Studios, Sony still has sole cinematic control of most other related characters. This resulted in Sony, in the wake of Civil War's success, announcing that it was going to try again to start its own Spidey-verse with Tom Hardy starring in a solo Venom film with other character projects also being developed. Complicating matters is that Peter Parker/Spider-Man can't appear in any of those films without Marvel's permission (which isn't forthcoming).

A self-imposed example can be found in the form of Ant-Man; though Marvel owned the film rights to the character, Edgar Wright didn't want the company to do anything with him until he made a movie starring the character. After the Development Hell passed, the characters in that series are free to show up in the MCU proper.

Flip-Flop of God: Disney originally said they had "no interest" in making R-rated Marvel movies. However, when they acquired Fox, and thus the rights to Deadpool, they changed their view and said that Deadpool can remain R-rated. Not only that, but they also said they're interested in an "R-rated Marvel brand" to extend outside of Netflix.

Follow the Leader: Before 2008 and Iron Man, crossover films were thought to be a novelty, and the idea of a series of separate films with different writers and directors sharing a continuity and ongoing story was seen as impossible. Now, everyone wants to repeat the success of the Marvel Cinematic Universe and try to create their own franchise of inter-connected blockbusters:

Columbia Pictures was trying the same with Spider-Man through The Amazing Spider-Man Series. Following the underperformance of The Amazing Spider Man 2, they struck a deal with Marvel Studios to make Spider-Man join the MCU, and instead are trying to apply the shared-universe treatment to Ghostbusters (along with a shared universe of Image Comics characters, though that doesn't seem to be high-priority). Even after the deal between Sony and Marvel over Spider-Man (and ASM2's underpermance), Sony is insistent that it will create its own Spidey-verse with the Marvel characters it still controls, announcing that it was going to try again starting with Tom Hardy starring in a solo Venom film with other character projects also being developed. Complicating matters is that Peter Parker/Spider-Man can't appear in any of those films without Marvel's permission (which isn't forthcoming).

Universal is rebooting Universal Horror into a series of action-adventure films, under the umbrella of the Dark Universenote sparking a legal battle with Warner Bros/DC claiming that it infringed on their use of Justice League: Dark.) starting with The Mummy (2017) (the 2014 film Dracula Untold was intended as the starting point, but was later dropped from the canon). While not superheroic in nature, the movies treat their major characters as if they were superheroes. Universal has even gone so far as to have a Dark Universe title card precede each film.

The Conjuring seems to be heading this way, as it has a sequel and three spinoffs; Annabelle (which has a second sequel on the way), The Nun, and an upcoming spinoff about the Crooked Man.

Toho is also getting in on the shared universe game, with the surprise announcement that the studio has cancelled the previously-announced sequel to Shin Godzilla in favor of an entire cinematic universe revolving around the studio's library of Kaiju.

This phenomenon has also bled over into television, with the likes of both the Arrowverse and the Titansverse following the MCU's example.

God Never Said That: While doing press for Age of Ultron, director Joss Whedon was asked about Phil Coulson's resurrection on Agents of SHIELD. Whedon explained he thought bringing it up would take away from the emotional impact of Coulson's death, and that Coulson was still dead (to the Avengers). While what he meant was clear from the context, it immediately exploded across the internet, even on semi-respectable pop culture sites, into him declaring Agents of SHIELD (which he executives produces and his brother and sister-in-law are showrunning) as non-canon and a product of corporate infighting and, event more tenuously, that he and Marvel hated the show and wanted to kill it as soon as possible.

Somewhat related to the above, some took the fact that no TV characters were in Infinity War (and reportedly none are in its sequel either) as further proof that the movie and TV side have become entirely separate. In reality, it was never said that TV characters would be in IW- it was merely said that it was inevitable that eventually some TV characters would show up in the movies- everyone just assumed they meant Infinity War.

Paul Bettany has stated that he sees his role as JARVIS as simply a source of easy money and has never even seen the Iron Man films. However, he's been much more invested in his new role as The Vision.

Bettany: "I used to be in a studio for 45 minutes and do J.A.R.V.I.S. and get a huge bag of cash and go my way like a burglar, and now they want me to work for my money. Which is great and sweaty and hot, which youll realize once they unveil everything. Its really f***ing cool. Its great to join this train which is on really clear tracks."

Clark Gregg says this was initially the case. He took the role of Agent Coulson only as a favour to Jon Favreau, his neighbor at the time. However he ended up enjoying the role more than he expected, leading to Coulson becoming a Breakout Character.

Despite signing a multi-film contract, Hugo Weaving claims to have little interest in reprising his role as the Red Skull, having grown tired of blockbuster work. However, in 2016, he has stated that he's since grown to enjoy his time as the Red Skull, and expressed an interest in returning.

Howard Stark has been played by three different actors in his first three film appearances (Gerard Sanders in Iron Man, John Slattery in Iron Man 2, and Dominic Cooper in Captain America: The First Avenger). Somewhat justified on that last one, as Howard Stark was supposed to be about 20 years younger than he was in the Iron Man movies. Dominic Cooper returned to the role on Agent Carter, set in the immediate aftermath of First Avenger, while John Slattery returned for the opening scene of Ant-Man, which was set in the late '80s, and the memories of Tony Stark in Captain America: Civil War, which were set in 1991.

Zachary Levi replaced Joshua Dallas as Fandral thanks to his commitments to Once Upon a Time which is a reversal of The Other Marty, as Zachary Levi was originally cast as Fandral in Thor but couldn't because of Chuck related scheduling conflicts.

Josh Brolin portrays Thanos from Guardians of the Galaxy onwards, after Damon Poitier made a brief cameo at the end of The Avengers.

Edwin Jarvis (Howard Stark's butler in Agent Carter) and JARVIS (Tony Stark's AI in the Iron Man movies) are technically variations on the same person, in that the latter's voice and personality are based on the former. However, they're played by different actors (James D'Arcy in the TV show, Paul Bettany in the films).

Most fans generally forget (or prefer not to acknowledge) that Edward Norton was ever Bruce Banner/Hulk. Technically this also applies to Eric Bana, who played him in 2003's Hulk.

Though they play the character at different time periods, Dominic Cooper is more remembered as Howard Stark than John Slattery. Ironically, John Slattery has now physically appeared as Howard Stark in more films than Dominic Cooper (three, to the latter's one), albeit Cooper has more screentime overall than Slattery thanks to having a more central role in the first Captain America, along with his appearances in Agent Carter. In any case, both actors are remembered far more than Gerard Sanders, who very briefly played Howard in the first Iron Man film.

Most people tend to acknowledge Don Cheadle as James Rhodes over Terrence Howard, especially after Howard's wife accused him of domestic abuse in 2015.

Andrew Garfield as Spider-Man could be considered this, as the original plan was to try and integrate The Amazing Spider-Man and its sequel into the MCU, but between Garfield falling out with Sony and the higher-ups at Marvel wanting to properly explore Peter Parker's days at high school (which were only very briefly touched on in the prior adaptations), the role was recast with Tom Holland.

Production Posse: Joss Whedon directed The Avengers, which had two of his regulars (Alexis Denisof and Enver Gjokaj) in bit parts, his brother and sister-in-law Jeb Whedon and Maurissa Tanchauroen are the showrunners for Agents of SHIELD, and his former Buffy the Vampire Slayer writers Drew Goddard, Steven S. DeKnight, and Doug Petrie are writers/producers on Daredevil. 2015 was probably when the MCU hit peak Whedon saturation.

Also Anthony Mackie as The Falcon. Mackie had always wanted to play either him or Black Panther on film and was actually disappointed when he found out the filmmakers weren't going to have him wear the character's red spandex costume from the comics.

Saved from Development Hell: Before ever getting its own studio, Marvel had plans to produce films of Iron Man, Thor, Ant-Man, Black Panther, Iron Fist, and Luke Cage. Now, all of these projects finally became reality (although Iron Fist and Luke Cage ended up as television properties).

Anthony Mackie says he wanted to play the Falcon to show the kids in his family (as well as black kids in general) that black people can be superheroes too. In general, he's been very vocal about the need for greater diversity in superhero movies.

Michael Douglas says this was his major motivation for playing Henry Pym in Ant-Man. He even took his son to Comic-Con to promote the movie!

It's been tradition since the first Iron Man to have a post-credits scene. Leading up to The Avengers, these scenes foreshadowed events that would be touched on in other films. However, starting with The Avengers, these foreshadowing scenes are often played mid-credits, and audiences who wait to the end of the credits are instead rewarded with a pointless, humorous Brick Joke for their patience; a crowning example is in Spider-Man: Homecoming, which ends with a Captain America PSA extolling the virtues of patience, even if said patience goes completely unrewarded. The trolling has become almost poetic in its inconsistency, as inter-spliced with the Shmuck Bait stingers are legitimate post-credit scenes like in Winter Soldier and Ant-Man, not to mention the complete absence of anything at all at the end of Age of Ultron.

Despite huge demand, Kevin Feige (head of Marvel Studios) repeatedly said that there were no plans for either a Black Panther or Captain Marvel movie... right up until the Phase 3 announcements, where not only were both movies given release dates, but it was revealed that both had been in the planning stage for a long time and Black Panther had even already been cast and would show up in Captain America: Civil War.

Underage Casting: Some actors across the franchise portray characters older than they are, notably:

John Slattery portrays the older Howard Stark from content set in the 70's and after, starting with Iron Man 2. Slattery was about 47 when he began playing Howard, who was officially 53 when his son Tony was born in 1970.

Hayley Atwell portrays Peggy Carter in every time period the character appears starting with the early-40s and ending (so far) with 2014, averting Time-Shifted Actor; Peggy is born in 1919, and Atwell herself was in her late-20s when she first assumed the role. See also Dawson Casting above.

Unisex Series, Gendered Merchandise: An occasional issue — although the films are family-orientated, the merchandise often sides itself to little boys. There was a backlash when the toys based on The Avengers and Avengers: Age of Ultron were released because there was no action figure for Black Widow. Notably, in the latter film, she rides a motorcycle and uses Captain America's shield in conjunction with it, but all the toys had Cap riding the bike himself.

Working Title: Videos and pictures taken behind the scenes tend to reveal some humorous code names during the filming processnote Iron Man 2 used Rasputin and Murphy's Law, Thor used Manhattan, The First Avenger used Frostbite, Avengers used Group Hug, Iron Man 3 used Caged Heat, The Dark World used Thursday Mourning, The Winter Soldier used Freezer Burn, Guardians of the Galaxy used Full Tilt, Age of Ultron used Afterparty, Ant-Man used Bigfoot, Civil War used Sputnik, Doctor Strange used Eye See You, Homecoming used Summer of George, Ragnarok used Creature Report, Black Panther used Motherland, Agents of S.H.I.E.L.D. used Ragtag (season 1), Daredevil used Bluff (season 1) and Ringside (season 2), Jessica Jones used Violet, Luke Cage used Tiara, Iron Fist used Kick, Punisher used Crime, and Defenders used Group Therapy.

Wrestler in All of Us: Someone in the stunt teams or the writers' room must be a wrestling fan, as there has been a moment across the three parts of the MCU (movie, TV, and Netflix side) where an antagonist has countered a protagonist or supporting character's offense with a powerbomb:

Agents Of SHIELD: Hyde to Coulson in Season 2 (countering a triangle choke from the ground)

Jessica Jones: Will Simpson to Trish in Season 1 (the triangle choke from the ground again)

Daredevil: Jacques to Electra in Season 2 (in a slight twist, it goes from a hurricanrana by backsliding off a plane wing, transitioning into an armbar when he doesn't go down, then to the powerbomb onto the wing)

Civil War: Bucky to Natasha (a hurricanrana that simply becomes Natasha elbowing Bucky's head when he doesn't get dragged down)

According to Mario Castañeda (the Hulk's Mexican Spanish voice actor), Disney has a strict policy of not reusing the foreign voice actors of any of the main characters. This hasn't stopped Netflix from giving Iron Man's French voice actor (Bernard Gabay) to Daredevil, and Castañeda himself voices Agent Coulson on the Sony Channel's version of Agents Of Shield. This is because those dubs aren't under Disney's control.

Other Trivia

Despite being regarded as the man who connects all members of Avengers Initiative, Phil Coulson actually only appears in three of five movies that leads to The Avengers. He is absent in The Incredible Hulk and Captain America: The First Avenger. He's also only directly involved with two of them, Iron Man and Thor.note Hawkeye and Black Widow are exceptions because they are his co-workers.

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