“The Landscape Architecture Legacy of Dan Kiley,” an exhibition at the Center for Architecture, shows how modern landscapes often make a better case for modernism than the architecture itself.

Over a span of 60 years, Kiley (1912-2004), a founding father of modern landscape design, worked for the best architects around, among them Eero Saarinen, I.M. Pei and Skidmore, Owings & Merrill. He was fully versed in architecture’s modernist strategies and overriding focus on form and abstraction.
— wsj.com

While the search for a permanent director continues, David Burney, FAIA, will serve as interim Executive Director of the American Institute of Architects New York Chapter and the Center for Architecture, taking the place of former director Rick Bell FAIA.Burney currently serves as an Associate... View full entry »

The AIA New York chapter released a brief statement today announcing the immediate resignation of Executive Director Rick Bell:“AIANY and Center for Architecture Executive Director Rick Bell has offered, and the organization’s Board of Directors has accepted, his immediate resignation. An... View full entry »

Stand your ground, the U.S. debut of the "Considering the Quake: Seismic Design on the Edge" exhibition will be on Feb. 13, 2014 at the AIA's Center for Architecture in New York.

Based on resilient-design research gathered by the exhibition's curators Professor Ghyslaine McClure and Dr. Effie Bouras, it highlights not only the artistic aspect of seismic design, but also its more hidden — and crucial — scientific side.
— bustler.net

Here are some notable works that will be included in the upcoming exhibition: Find out more on Bustler. View full entry »

Join the discussion on Archinomics: Effects of Predicted Global Economic Growth on the Architecture Profession on Thursday evening, Nov. 21 at The Center for Architecture in New York City. Hosted by the AIANY Global Dialogues Committee, the two-hour discussion examines which countries are... View full entry »

Many architects, despite their progressive convictions, are allergic to politics, at least publicly. Dependent on developers and patrons of other persuasions, designers are often concerned that if they come off as firebrands, it could cost them work in the future. However, the [AIA NY] has been quietly raising its profile, politically, professionally and culturally, all in the interest of furthering its interests within the corridors of power.
— New York Observer