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Insights and perspectives on productions, players, and programs. A.C.T. nurtures the art of live theater through dynamic productions, intensive actor training in its conservatory, and an ongoing engagement with its community.

Clowning Around with Technology

Wednesday, September 24, 2014

by Projection Designer Erik Pearson

Bill Irwin and David Shiner
in Signature Theatre's Production
of Old Hats. Photo by Joan Marcus

I grew up in Santa Cruz and had the good fortune of seeing productions
at A.C.T. as a kid. I became involved in the theater myself when I was very
little and family visits to the city to see a play left a big impression on me.
I live in Brooklyn now and work as a director and designer in New York and
regional theaters around the country. This is my first time returning to the
Bay Area for a project since moving east. Old
Hats is just the sort of A.C.T. show that inspired me when I was young and
I can’t imagine a more perfect project for my return.

I first became involved with Old
Hats a couple of years ago at Signature Theatre in New York. Bill Irwin and
David Shiner had started developing ideas for a new project that would be a
follow up to their wildly successful Fool
Moon. There was no show yet, really—no director, no title—but they had a
lot of ideas. Many of these ideas involved the imaginative use of projections
and video. I joined Broadway projection design legend Wendall K. Harrington in
taking on this challenge and began collaborating with the clowns in a series of
workshop rehearsals at Signature.

Tony Award-winner Bill Irwin in
Signature
Theatre's production
of Old Hats at A.C.T.'s Geary Theater.
Photo by Kevin Berne

My work focused primarily on a new solo piece Bill was creating,
called “Mr. Business.” He had an exciting idea for a new technology-obsessed
character and his misbehaving tablet computer. Bill envisioned a complicated
struggle between a man and his gadgets in which the tablet takes on a life of
its own. We began developing ideas in a rehearsal room together, trying out
gags and experimenting with surprising ways for Bill to interact with the
tablet.

At the same time, I was working behind the scenes to figure out the
technology necessary to support the performance. As far as I’ve been able to
tell, no one had ever attempted anything like what we were doing, and this led
to many unique challenges. To run the tablet computer for the New York
production I created a sort of Frankenstein’s monster of computers, wireless
routers, off-the-shelf software, and an iPad, all connected together to bring
the tablet to life. The completed system allowed us to wirelessly send video to
the tablet in Bill’s hand as he performed. When it worked correctly, it was as
if the image on the tablet interacted with and responded to Bill just as a live
actor might. Unfortunately the system was not entirely reliable, and on some
nights Bill’s electronic companion would misbehave. It was as though the other
actor in the scene would sometimes forget his lines and Bill would have to
improvise to keep the scene going. Bill and I shared many a laugh over the way life
was imitating art; our efforts to get the technology behind the scenes to work
properly mirrored the struggles of Bill’s character to control his tablet. Thankfully
returning to the show for a second time at A.C.T. has given us an opportunity
to fix some of the bugs we encountered in New York.

For this production we’re working on a new and improved version: “Mr.
Business 2.0.” Before rehearsals even began, we shot all new video for the
tablet on stage at the Geary, improving on our original ideas—going for new
laughs and expanding the story. We also brought in a local programmer, Dave
Orton, to work with us in creating a brand new piece of software to run the tablet.
This new app makes it possible to run “Mr. Business” with a single computer and
Android tablet—no more Frankenstein’s monster! Our hope is that this version
will be much more reliable.

As
with all of Bill and David’s work, the comedy in “Mr. Business” is inspired by
the kind of human struggles we all encounter in our day-to-day life. While
technology may continue to seduce us with its promise of making things easier,
it often seems that for every problem solved another is created. In Old Hats, Mr. Business leaves the stage
having triumphantly conquered his gadget dependency. Having faced and overcome
our own technological demons, we’re thrilled to share “Mr. Business” with
A.C.T. audiences!

Performances of Old Hats run through October 12! For tickets and information visit act-sf.org/hats.