Yesterday evening (14 Oct 2012 UK time) Austrian skydiver Felix Baumgartner become the first human to go faster than the speed of sound without a vehicle, reaching a maximum velocity of 833.9 mph (1,342 kmph). In jumping out of a balloon 128,100 feet / 24 miles /39 km above New Mexico, the 43-year-old also smashed the record for the highest ever freefall.

Like this:

Gotta love this one really (Brooker’s take on how TV news items are constructed). It prompts fond memories of working with The Day Today‘s Jan Hallett and his legendary ‘trouser tape’ in the beer and curry fueled bowels of ITN.

So the subject is Fear. From day-to-day personal development to the realm of global politics it’s a big driver – and very destructive.

I thought it would be interesting to try this experiment – take a newspaper at random (in this case the copy of the Daily Mail for Wed 21 May I was given getting on the plane to Glasgow that afternoon) and analyse it in terms of how big a role Fear plays in its headlines. I reckoned Fear’s main rival would be Sex.
I worked my way through the first 25 pages [the news pages] recording every headline without exception (they all fitted into either the Fear or Sex category). From page 26 to the Sports pages at the end I kept just a selection (though still the majority). Here’s the results:

Fear

Fathers not required (gender roles, redundancy)
IVF vote sidelines fathers
The girl crushed to death by a tree in freak bus crash (random death)
Pupils aged five get a spell in the sin bin (youth delinquency)
The prickly prince (decline of monarchy/social order)
Spend-it-all parents give their children a bad heir day (where money meets death) Party leaders at war on abortion (death before you’re even born)
10p tax debacle could still cost families £150 a year
With no friend, I really am a Solitary Man says Diamond (loneliness)
Let us strike say police (social disorder, crime)
Our editors have total freedom says Mail chief (lies, misinformation)
15 beers, 20 vicious punches… and 6 months in jail for England footballer
Soaring oil prices push diesel near £6 a gallon
The power bills stitch-up
Police car that killed girl of 16 ‘didn’t have blue lights or siren on’ (random death meets social disorder)
The micro-particles that could pose the same risk as asbestos
1M more Britons in just 3 years (immigration, foreigners)
We moved to escape the FEAR of crime
Beware scentists who insist they know best (science)
Sorry Fergie, I can’t stomach you or your porky pies (social disorder)
Where did all the real men go?
Why this horror makes me FEAR for the future of South Africa
Care home chief is jailed over death of Alzheimer’s patient (disease meets social disorder, distrust)
Suicide note in star’s pocket
Why do clever women fall for second-rate men?
Bosses ‘picked on’ registrar opposed to gay marriages
Tax payers will fund Sky ‘propaganda’ show
Labour’s pledge on farm cash in tatters
Milk float mobsters

Sex

Vicar’s war on ‘wicked’ Playboy (moral decline)
Gwyneth’s hitting the heights again
The real battle for Moscow (Wags)

Beyond p25

Bad parents are the villains of the age says Cameron
Crooked dentist put a dog on his list of patients
Heroic undercover soldier Robert Nairac was savagely tortured by the IRA
Exchange trip girl was killed jogging with iPod
Long-term care: a national disgrace
Insurers pocketing your pension
Don’t fall for this card trick
Fuming over BT cold call (anger)
Our care system? chaotic
So furious he’s lost for words
Will new stem cell research create monsters?
We work hard, but Britain doesn’t repay us
Yell cries out as £3.8bn debts pile on the pressure
House price crash could jeopardise Rock’s recovery
ICAP takes a dive
The mining prop begins to creak
Oil-rich Russian economy ready to takes off (money meets foreigners)
Shaw future in doubt
Make sure greed does not wreck 20Plenty
Horne is braced for long lay-off
It’s over for Faldo as he gives Open a miss (aging, mortality)
Essien won’t risk penalty pain
Why is it we can’t love Rooney?
Usmanov’s knives out for Gunners
Moscow’s hell, Michel
Guns, concrete and football’s new power base

What surprised me most was how little competition from Sex there was. Scary!

I can’t let today pass without marking the 25th birthday of Channel 4 which was at 4.45pm this afternoon. Ironically at that time I was entering the BBC (at Bvsh House), albeit with Camilla Deakin of Lupus Films, custodian of Channel 4 animation and a former Commissioning Editor herself in the Arts department. We were meeting Philip Dodd, formerly of the ICA, Sight & Sound and now of Made in China, to talk about exporting British animation to China and a possible broadband animation channel to launch next year – animation being a great example of where the Channel has lead from the front, all the way to the Oscars. So broadband video and China – very now&next.

Also very now is me sitting here watching the Big Fat Anniversary Quiz and writing a blog simultaneously – so 2007. MC Jimmy Carr was in the Channel 4 caff earlier today when I got into work. Coming into 124 Horseferry Road past the Big 4 this morning I couldn’t help but feel a little quiver of pride&joy. Who’d have thought that that day quarter of a century ago when I watched a bloke called Gavin (or was Gavin the actor and Paul or somebody the character?) opening his bedroom curtains to reveal Brookside Close for the very first time that one day I’d be beavering away for the nascent Channel.

That winter I left for a year to live in Chambery in France (Savoie) before going to university – my first time living away from home. To stay in touch with things back in Blighty I had a lively correspondence throughout 2003 with my lovely friend Katherine (now herself abroad long term in Aspen) about Gavin, his missus Petra, Bobby and Sheila, etc. I just got back on Monday from a visit to Paris to my other great mate Marcelino Truong who I first met that winter in Chambery – he was just about to pack up teaching and become a comic book illustrator. So 2002/3 was a very big year in my life as well as for British broadcasting.

That same first night the film ‘Walter‘ was broadcast starring Ian McKellen. That too came to have a personal connection. While I was at college I met a visiting fellow called David Rudkin (Artemis 81, December Bride), an accomplished screenwriter and Hitchcock expert. He brought to the university for a speaking event Alistair Reid (Tales of the City, Traffik – both for C4), original director of ‘Morse’, who showed his home video of the making of the series, an inspiring presentation and one of many things which lead me to leaving university with no more precise an idea that that I wanted to work with moving pictures. David also introduced me to ‘Walter’ producer Nigel Evans and his business partner Simon Mellor who gave me my first job in the biz – a holiday job as a runner at his company AKA in Farringdon Road (now the Guardian Newsroom annex where last year, 20 years on, I found myself presenting my commission Breaking the News).

Jools Holland has just popped up to ask a question on the Big Fat Quiz about the Tube. The AKA experience helped me land my first proper job at Solus Enterprises, the co-operative of Jack Hazan & David Mingay (makers of British cinema verite landmarks like ‘A Bigger Splash‘ and ‘Rude Boy‘ with The Clash), Roger Deakins (Sid & Nancy, Shawshank Redemption, O Brother Where art Thou?, etc.) and Dick Pope (Secrets & Lies, Vera Drake). The cutting room upstairs at 35 Marshall Street was usually occupied by promo director Tim Pope and editor Pete Goddard. In there was made the series Groovy Fellas for Channel 4, commissioned by Seamus Cassidy. The title graphics were deliberately difficult to read and looked as much like Groovy Fuckers as Groovy Fellas, derived from Jools’s legendary Freudian slit of the tongue. The graphics, from memory, were designed by Andy who used to do all The Cure’s covers. Alongside Jools, it starred Roland Rivron as an alien who dapper Jools was guiding around contemporary Britain. These days Roland and I cross paths in the local schoolyard rather than the cutting room.

My path also crossed Channel 4 in the next phase of my career in another edit suite – that of the very talented Jan Hallett, the Harrymeister with the legendary ‘trouser tape’. Jan is married to Niamh Byrne who has been doing Presentation at Channel 4 for a dog’s age, one of the longest serving staff members. Jan did all the graphics for Chris Morris’s shows (Channel 4’s ‘Brass Eye’ and the fabulous ‘Day Today’). The ‘Day Today’ gig landed partly because it was done out of IDF (later Jump Design, the graphics outfit which emerged from ITN under the direction of the one&only Richard Norley, who had designed the titles for Channel 4 News). We worked out of the Quantel edit suites of ITN in the downtime between the end of Channel 4 News and the start of Big Breakfast News at dawn. Fueled by adrenaline, beer and curry they were golden days which landed us the Grand Award at the New York International Film & Television Festival and a bunch of other gongs from around the world. And the over-night working combined with inability to sleep in the daytime, frankly, was better than drugs.

So, like the Northern Line, the Channel has been a thread through my life from way back when. Since I started working at C4 early in 2003 my personal favourites include DV8’s ‘Cost of Living’, ‘Shameless’ and ‘Jump Britain’.

So we’re in an ad break now. The ads? Apple iPhone. Nintendo DS. What a different world the Channel’s in 25 years on. A huge challenge. Huge opportunities. The important thing is to stay in touch with our values – well expressed, in the Mark Thompson regime under which I started, as: Do It First, Make Trouble, Inspire Change. And also to have a vision going forward as bold as our heritage – one which refreshes and redefines the broad social purpose of the organisation within UK society on a grand scale, as public service media moves into the digital age.