Gordon Hope Grant (1875 - 1962)

Best known for his marine paintings, watercolors, and etchings, Gordon Hope Grant was born in San Francisco and educated in Scotland. He then studied at the Heatherly and Lambeth Art School in London and returned to San Francisco where he worked as an illustrator for local newspapers until 1896, when he moved to New York as an illustrator for both the World and Journal. In 1899 Grant was sent as an artist-correspondent to South Africa by Harper's Weekly to cover the Boer War. From 1901 to 1909, he was an illustrator for Puck.

In the years following service during World War I, Grant concentrated on marine subjects, producing paintings and etchings, and illustrating books with nautical themes. He also created a series of highly regarded views of Manhattan. A member of numerous professional societies, his work is held in important collections nationwide, including the Corcoran Gallery of Art, Washington, and the Metropolitan Museum of Art, New York. Gordon Hope Grant died in New York.

Gordon Hope Grant (1875 - 1962)

Best known for his marine paintings, watercolors, and etchings, Gordon Hope Grant was born in San Francisco and educated in Scotland. He then studied at the Heatherly and Lambeth Art School in London and returned to San Francisco where he worked as an illustrator for local newspapers until 1896, when he moved to New York as an illustrator for both the World and Journal. In 1899 Grant was sent as an artist-correspondent to South Africa by Harper's Weekly to cover the Boer War. From 1901 to 1909, he was an illustrator for Puck.

In the years following service during World War I, Grant concentrated on marine subjects, producing paintings and etchings, and illustrating books with nautical themes. He also created a series of highly regarded views of Manhattan. A member of numerous professional societies, his work is held in important collections nationwide, including the Corcoran Gallery of Art, Washington, and the Metropolitan Museum of Art, New York. Gordon Hope Grant died in New York.

The Aquarium

Lithograph, ca. 1948, edition of 250. Image size 12½" x 9½" with full margins. Signed in pencil by the artist in lower right corner. Published by Associated American Artists, New York. Fine. Matted and framed using archival quality materials.

SOLD

The Crested Dune

Lithograph, ca. 1945, edition of 250. Image size 12" x 9-1/8" with full margins. Signed in pencil by the artist in lower right corner. Published by Associated American Artists, New York. Fine.

$225

Dockside

Lithograph, ca. 1948, edition of 250. Image size 12" x 9" with full margins. Signed in pencil by the artist in lower right corner. Published by Associated American Artists, New York. Fine.

SOLD

Under The Bows

Lithograph, ca. 1945, edition of 250. Image size 12" x 9-1/8" with full margins. Signed in pencil by the artist in lower right corner. Published by Associated American Artists, New York. Fine.

$225

The Butterfly And The Ant

Lithograph, ca. 1949, edition of 250. Image size 12" x 9-1/8"; sheet size 15" x 11". Signed in pencil by the artist in lower right corner. Published by Associated American Artists, New York. Fine.

$325

Longshoremen

Lithograph, 1937; edition of 223. Image size 11½” x 9-1/8”; sheet size 15½” x 11¼”. Published by Associated American Artists, New York. Signed in pencil by the artist in the lower margin. Very good overall condition.

$375

Shadow of the Dock

Lithograph, ca. 1940; edition of 250. Image size 12” x 9”; sheet size 18” x 16”. Published by Associated American Artists, New York. Signed in pencil by the artist in the lower margin. Fine.

Lithograph, ca. 1940s, edition of 250. Image size 11” x 9”; sheet size 15-1/8” x 10½”. Titled and signed in pencil by the artist in lower right margin. Published by Associated American Artists, New York. Fine.

$225

It's Always Fair Weather

Lithograph, 1944; edition of 250. Image size 13-1/8” x 9-3/4”; sheet size 16” x 11-3/8”. Published by Associated American Artists, New York. Signed in pencil by the artist in the lower margin. Fine.