Pencil and ink sketch of a seated nude figure. The figure looks downwards and reaches arm to the ground. The paper for the sketch has been torn out of an instruction manual and is an example of Morris' practice of using found paper and objects in his artworks.

A small piece of transparent brown paper with numerous shapes cut out. Two of the figures are male, one in 19C costume the other in military uniform of the same era. Smudged fingerprints are evident, appears as if cut-out parts have been used as a template, with a medium applied over them to produce a print.

A medium piece of transparent brown paper with numerous shapes cut out. An image of a castle is evident, along with a possible outline of a woman on the oppposite edge. Smudged fingerprints are evident, appears as if cut-out parts have been used as a template, with a medium applied over them to produce a print.

Black pen and ink sketch depicting a ship at sea with dark clouds overhead through which rays of sunlight are evident. On reverse of image are two labels indicating the work was exhibited on at least two occassions; once for the W.W.S Association; the other shows the work won second prize (for the pen & ink- Land or Seascape section) at the Taranaki Agricultural Society, Winter Show, June 1952.

Drawing of india ink on exposed photographic paper. The drawing shows a tangled web of lines representing perceptions moving through a rectangular shape which represents one of the World Trade Center towers.

Etching of a human figure on paper printed with the Defense Department organization chart. The source for the chart is given as the "U.S. Organization Manual 1983/84". The human figure huddles into itself, holding a baby to its chest in a tight embrace. Morris uses the combination of this human figure with the Defense Department chart to explore the concept of humanity. He believes that for someone to be capable of pulling a trigger, they must have lost their humanity and forgotten the love that exists between parent and child.

A print (or possibly original drawing) signed "H. Worsley" and titled "nether Hall Essex". Depicts the remains or ruins of the hall with a male figure beneath an arch and a man and woman conversing mid foreground. Print has been adhered to card backing, of which 3 sides are now seperated.

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.

Monochrome ink drawing by Stratford-born artist Graham Percy. The drawing depicts an imaginary scene in Taranaki where a young Archduke Maximilien-Franz of Austria is tending to a large crop of cabbages beneath a cabbage tree. The Archduke is dressed in a coat with large cuffs, pockets, and front panels over a shirt with frilled sleeves and breeches. His hair is styled in a late 18th Century fashion. He is standing amongst the cabbages with his feet hidden in the crop and is holding a garden tool in both hands. Behind the Archduke is a fence made of bound sticks, and the slope of Mount Taranaki is just visible in the background.

The drawing is part of Graham Percy's 'Imagined Histories' series from 2005, which follows a group of unlikely early settlers cultivating the land in an imaginary pre-European New Zealand. Other works in the series show two young Austrian Archduchesses playing in Taranaki's famous black sands and an Austrian Empress and her son celebrating the opening of their cake shop in Opunake.

The drawing was included in the exhibition "The Imaginative Life and Times of Graham Percy" that was shown at Puke Ariki from April 26 to June 8 2014 and also toured around over venues in New Zealand.

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.