Tag: horror

With a ton of alternate titles and a couple different versions (U.S. and U.K.), this film based on the short story “Casting the Runes” by M.R. James is both genuinely creepy and a fitting part of Turner Classic Movies’ tribute to Peggy Cummins, who passed away on December 29, 2017 at the age of 92. If you haven’t seen it, or even if you have, you ought to, plus it’s the TCM Party tonight at 9:45 p.m. Eastern with guest host Jim Phoel aka @DraconicVerses.

It’s got some really gorgeous black-and-white cinematography by Edward Scaife (who also shot The Third Man) under the direction of dollar-from-a-dime maestro Jacques Tourneur (Out of the Past, Cat People, I Walked with a Zombie). I made some apparently oversized gifs from it (too big for tumblr) and I’m parking ’em here. More gifs after the jump…

When receiving an invitation from our gracious hostess, Paula, to indulge in a favored pasttime and add to many and varied perspectives of Cinematic History, I would be remiss if I didn’t break out a fresh set of coveralls, miner’s cap, and excavation tools to dig deep and rummage about neglected corners of massive archives, tales, anecdotes and personal experience regarding a visionary and trailblazer of cinema from the late 20th Century to the present. Though, not in an arena most would expect. So, allow me a few moments to align, refine and define…

Roger Corman: Rebel, Pioneer. The Guy With The Arrows In His Back!

One may ask where a transplanted Michigander, graduate of Beverly Hills High and Stanford University, with a degree in Industrial Engineering in hand, got his start and first taste of 1947 Hollywood and “The Film Business”? Why, in the Mail Room at Twentieth Century Fox, of course!

“Stingers,” aka “post-credit scenes,” are those awesome little clips that reward the patience of that intrepid moviegoer who, resisting his or her comrades’ rush to the parking lot or the restroom, remains seated for the entire credits of a motion picture. Just when this film fan thinks it’s all over…a little gem of a scene pops up, giving much satisfaction and perhaps a slight feeling of superiority.

The term “stinger” is also applied to extra scenes or bloopers shown during the credits, which are also a ton of unexpected fun, but to me, they’re not as gratifying as true post-credit scenes.

A stinger is the sign of filmmakers who really love movies. I can picture these people wanting to share that feeling of not wanting to leave the cinema. The stinger becomes an in-joke between the makers of a film and its fans, and may also complete the story or hint at further developments taking place after the time included in the movie.

Text advertising the next installment of a movie series (“James Bond will return in…”) had been around since From Russia With Love (1963), but according to Wikipedia, “[o]ne of the earliest appearances of a true stinger” was in The Muppet Movie (1979). The earliest movie stinger I can remember is Ferris Bueller’s Day Off, in which the main character, having demolished the fourth wall throughout the film, appears and says to the audience, “It’s over. Go home!”

Comedy and action-adventure seem to provide the majority of post-credit scenes, although some horror films have them. The Avengers cycle has delivered a few of my favorites.

The Avengers (2012) actually had two stingers, one involving The Other and Thanos, and this one:

Recently I ran across MediaStinger, a site which exhaustively catalogs scenes that run during and after the credits in movies and video games. Consult this site before going to the theatre and you’ll never miss another stinger. Details and spoilers are thoughtfully hidden behind a link. Comments are not hidden though, so don’t scroll down too far if you want to preserve the surprise.

The most recent post-credit scene I’ve seen (I don’t think this is a spoiler anymore) is the very fleeting one in Django Unchained. What is the first stinger you remember seeing, and what are some of your favorites?

Our friends at the Redford Theatre are treating Detroit horror fans to two frightening classics this weekend. On Friday October 26th only, there will be a midnight showing of Evil Dead (1981), the now-classic story of the doomed trip to an isolated cabin in the woods undertaken by a group of college students. The film has quite a few Michigan connections. Writer/director/producer Sam Raimi and star/producer Bruce Campbell both hail from the Mitten, and a rough cut of the film, then known by its working title Within the Woods, was shown to potential investors at the former Punch & Judy Theater in Grosse Pointe Farms.

Most importantly for Friday’s showing, Evil Dead was first shown at the Redford Theatre back on October 15, 1981, and went on to become one of the best-loved and most influential horror movies ever. Don’t miss this opportunity to see all the blood and gore (it’s rated NC-17 for a reason) on the big screen. The organ overture begins at 11:30pm. Tickets are $5.00.

If goofy monochrome horror is more to your taste, never fear, the Redford has you covered too. On Saturday, they’ll be showing the rarely-seen silent, The Cat and the Canary, starring Laura La Plante. Heirs to a fortune find themselves spending the night at a menacing mansion, where mysterious and eerie things happen throughout the night. La Plante can only inherit her old relative’s money if she is declared sane in the morning.

Tony O’Brien will accompany the film on the Barton Theatre Pipe Organ, and as a bonus, the silent short The Haunted House starring Buster Keaton will precede the feature. The evening begins at 8:00 p.m. Tickets for this showing are $12.00 for adults and $8.00 for children 12 and under.