1.
Inheritance
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Inheritance is the practice of passing on property, titles, debts, rights, and obligations upon the death of an individual. The rules of inheritance differ between societies and have changed over time, a person does not become an heir before the death of the deceased, since the exact identity of the persons entitled to inherit is determined only then. There is a concept of joint inheritance, pending renunciation by all but one. In modern law, the inheritance and heir refer exclusively to succession to property by descent from a deceased dying intestate. Some ancient societies and most modern states employ egalitarian inheritance, without discrimination based on gender and/or birth order, the Quran also presented efforts to fix the laws of inheritance, and thus forming a complete legal system. This development was in contrast to societies where rules of inheritance varied considerably. Furthermore, the Quran introduced additional heirs that were not entitled inheritance in pre-Islamic times, mentioning nine relatives specifically of which six were female, in addition to the above changes, the Quran imposed restrictions on testamentary powers of a Muslim in disposing his or her property. In their will, a Muslim can only give out a maximum of one third of their property, the Quran contains only three verses that give specific details of inheritance and shares, in addition to few other verses dealing with testamentary. But this information was used as a point by Muslim jurists who expounded the laws of inheritance even further using Hadith. Nowadays, inheritance is considered a part of Sharia law and its application for Muslims is mandatory, though many peoples. The father —that is, the owner of the land— bequeaths only to his male descendants, if there were no living sons and no descendants of any previously living sons, daughters could inherit. In Numbers 27, 1-4, the daughters of Zelophehad of the tribe of Manasseh come to Moses and ask for their fathers inheritance, as they have no brothers. The order of inheritance is set out in Numbers 27, 7-11, a mans sons inherit first, daughters if no sons, brothers if he has no children, and so on. So a further rule is laid down, if a daughter inherits land, the tractate Baba Bathra, written during late Antiquity in Babylon, deals extensively with issues of property ownership and inheritance according to Jewish Law. The first, often abbreviated to Mishneh Torah, was written by Maimonides and was important in Jewish tradition. All these sources agree that the son is entitled to a double portion of his fathers estate. This means that, for example, if a father left five sons, if he left nine sons, the firstborn receives a fifth and each of the other eight receive a tenth. If the eldest surviving son is not the son, he is not entitled to the double portion

2.
William Hogarth
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William Hogarth FRSA was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. His work ranged from realistic portraiture to comic series of pictures called modern moral subjects. Knowledge of his work is so pervasive that satirical political illustrations in this style are referred to as Hogarthian. William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, in his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the life of the metropolis and the London fairs. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St Johns Gate, was imprisoned for debt in Fleet Prison for five years, Hogarth never spoke of his fathers imprisonment. Hogarth became a member of the Rose and Crown Club, with Peter Tillemans, George Vertue, Michael Dahl, by April 1720, Hogarth was an engraver in his own right, at first engraving coats of arms, shop bills, and designing plates for booksellers. In 1727, he was hired by Joshua Morris, a tapestry worker, Morris heard that he was an engraver, and no painter, and consequently declined the work when completed. Hogarth accordingly sued him for the money in the Westminster Court, in 1757 he was appointed Serjeant Painter to the King. In the bottom corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round. At the top is a goat, written below which is Whol Ride, Other early works include The Lottery, The Mystery of Masonry brought to Light by the Gormogons, A Just View of the British Stage, some book illustrations, and the small print Masquerades and Operas. He continued that theme in 1727, with the Large Masquerade Ticket, in 1726 Hogarth prepared twelve large engravings for Samuel Butlers Hudibras. These he himself valued highly, and they are among his best book illustrations, in the following years he turned his attention to the production of small conversation pieces. One of his real low-life and real-life subjects was Sarah Malcolm who he sketched two days before her execution and he might also have printed Burlington Gate, evoked by Alexander Popes Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed, however, modern authorities such as Ronald Paulson no longer attribute it to Hogarth. In 1731 Hogarth completed the earliest of his series of moral works, the collection of six scenes was entitled A Harlots Progress and appeared first as paintings before being published as engravings. The inaugural series was a success and was followed in 1735 by the sequel A Rakes Progress. The original paintings of A Harlots Progress were destroyed in the fire at Fonthill House in 1755, while A Rakes Progress is displayed in the room at Sir John Soanes Museum, London

3.
A Rake's Progress
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A Rakes Progress is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–33, then engraved and published in print form in 1734, the original paintings are in the collection of Sir John Soanes Museum in London, where they are normally on display. The filmmaker Alan Parker has described the works as an ancestor to the storyboard, gavin Gordon wrote a 1935 ballet titled The Rakes Progress, based directly on Hogarths paintings. It was choreographed by Ninette de Valois, designed by Rex Whistler, has recorded several times. The 1946 RKO film Bedlam, produced by Val Lewton and directed by Mark Robson, was inspired by A Rakes Progress, Hogarth received a writing credit for the film. Igor Stravinskys 1951 opera The Rakes Progress, with a libretto by W. H. Auden, in 1961, David Hockney created his own print edition version of The Rakes Progress, he has also created stage designs for the Stravinsky Opera. In 2012, English artist Grayson Perry created a series of tapestries named The Vanity of Small Differences, a modern adaptation of Hogarths originals. In 2014 Ulrike Theusner created a version in eight paintings - eleven plates of 130 ×200 cm accompanied as by Hogarth of a series of copper engravings reproducing the same themes

4.
Rights
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Rights are of essential importance in such disciplines as law and ethics, especially theories of justice and deontology. According to the Stanford Encyclopedia of Philosophy, rights structure the form of governments, the content of laws, there is considerable disagreement about what is meant precisely by the term rights. One way to get an idea of the understandings and senses of the term is to consider different ways it is used. Natural rights are rights which are natural in the sense of not artificial, not man-made, as in rights deriving from deontic logic, from human nature, or from the edicts of a god. They are universal, that is, they apply to all people and they exist necessarily, inhere in every individual, and cant be taken away. For example, it has argued that humans have a natural right to life. These are sometimes called moral rights or inalienable rights, legal rights, in contrast, are based on a societys customs, laws, statutes or actions by legislatures. An example of a right is the right to vote of citizens. Citizenship, itself, is considered as the basis for having legal rights. Legal rights are called civil rights or statutory rights and are culturally and politically relative since they depend on a specific societal context to have meaning. Some thinkers see rights in one sense while others accept that both senses have a measure of validity. There has been considerable debate about these senses throughout history. A claim right is a right which entails that another person has a duty to the right-holder. In logic, this idea can be expressed as, Person A has a claim that person B do something if, every claim-right entails that some other duty-bearer must do some duty for the claim to be satisfied. This duty can be to act or to refrain from acting, likewise, in jurisdictions where social welfare services are provided, citizens have legal claim rights to be provided with those services. A liberty right or privilege, in contrast, is simply a freedom or permission for the right-holder to do something and this can be expressed in logic as, Person A has a privilege to do something if and only if A has no duty not to do that something. Likewise, if a person has a right against someone else. For example, a person has a liberty right to walk down a sidewalk and can decide whether or not to do so