The second layer of dye seemed a bit like magic ink. The original wax lines would remain white, and the secondary wax lines would emerge in brilliant contrast to the new, deeper dye color that was being applied.

Each patch of color afforded new possibilities for dye combinations. A more intense version of the same color could be used, or a different, but complimentary color could be used. Most areas of color were large, but some required careful brush work.

There were limited available dye locations. Students were eager to work on their dying project next, but as we ran out of time each day, I was forced to tell students that they would need to "Die Another Day."

As you can see in these examples, the first layer of wax produces the white lines, and the secondary wax layers keep the lighter, first layer dye colors intact.

After the second layer of dye is completely dry, all that remains is removing the wax! This is done by sandwiching the fabric between layers of absorbent paper towels and ironing it carefully until much of the wax is gone. Since these are art pieces, removing 100% of the wax is both difficult and unnecessary.