The opera The Fiery Angel after the eponymous novel by Valery Bryusov was written between 1919 and 1927. The premiere came only in 1955, in Venice – for a long time, theatres would not stage this work, which is steeped in passion and the occult. At the time of writing The Fiery Angel, Prokofiev had his own experience of demons of the kind that pursued poor Renata. His acquaintance, the outstanding singer Nina Koshetz (who sang as the witch Fata Morgana in the Chicago premiere of The Love for Three Oranges) was drawn by the spiritualism and, like Renata, heard the "strange knocking". Just how seriously the composer took his is a mystery. In any case, he was surprised to note that the romances, apparently dictated to by a spirit during séances, were strikingly different to other experiences of composition. Stage Director David Freeman has forced the demons to materialise.

opera in five acts

Music by Sergei Prokofiev Libretto by the composer, after the
historical novel by Valery Briusov Performed in Russian The
performance will have synchronised English supertitles

The opera The Fiery Angel after the eponymous novel by Valery
Bryusov was written between 1919 and 1927. The premiere came only in 1955, in
Venice – for a long time, theatres would not stage this work, which is
steeped in passion and the occult. At the time of writing The Fiery
Angel, Prokofiev had his own experience of demons of the kind that pursued
poor Renata. His acquaintance, the outstanding singer Nina Koshetz (who sang as
the witch Fata Morgana in the Chicago premiere of The Love for Three
Oranges) was drawn by the spiritualism and, like Renata, heard the “strange
knocking”. Just how seriously the composer took his is a mystery. In any case,
he was surprised to note that the romances, apparently dictated to by a spirit
during séances, were strikingly different to other experiences of composition.
Stage Director David Freeman has forced the demons to materialise.