What is the Tomatometer®?

The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.

From the Critics

From RT Users Like You!

Fresh

The Tomatometer is 60% or higher.

Rotten

The Tomatometer is below 60%.

Certified Fresh

Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.

TOMATOMETER

AUDIENCE SCORE

Movie Info

Originally telecast March 6, 2005, by ABC, this "Oprah Book Club" TV movie is adapted from Zora Neale Hurston's novel Their Eyes Were Watching God, a certified classic of African-American literature. Covering the first 30 years of the 20th century, the film is set in Eatonville, FL, a largely black community and the home of free-spirited Janie Crawford (Halle Berry). Forced into marriage with a much older and much wealthier man at age 16, Janie endures both this unhappy union and a second equally dismal marriage, trapped not only by the bonds of matrimony but also by the rigid patriarchal society of the period. Her only happiness is manifested in her ongoing illicit romance with a younger, none too reliable gent known as Tea Cake (Michael Ealy) -- much to the shock and dismay of her very proper neighbors. Devotees of the original novel expressed displeasure over the film's sketchy portrayal of the protagonist, a multidimensional character reduced to an impulsive hedonist for the purposes of the screenplay (though Halle Berry's towering performance more than compensates for the weaknesses of the scripts). More than that, the fans of the Hurston original bemoaned the loss of the novel's pronounced racial content, which harshly criticized the caste system within the Southern black community of the early 20th century, whereby a light-skinned woman was regarded as "superior," and thus more desirable, than her darker-skinned sisters. No one, however, could find fault with performance of the great Ruby Dee as Nanny, nor the film's lush production trappings.