Juan Llamas-Rodriguez considers the re-branding campaigns, and accompanying quality and class discourses, that Netflix launched in response to losing its streaming licenses for Televisa’s telenovelas after the Mexican broadcasting giant created its own streaming service, Blim.

by: Tim Gibson / George Mason University
On Everybody Hates Chris, class issues are largely explored in Chris’s home life, while the show’s writers use Chris’s travails at Corleone to foreground questions of race.

by: Kim Akass and Janet McCabe
Sanctifying sexism as long as your target is a racist – this article explores the sexist discourse surrounding media coverage of the recent “race row” on the UK show Celebrity Big Brother and the controversial figure of Jade Goody.

by: Heather Hendershot / Queens College CUNY
In season one of The Simple Life, the apparently soulless Nicole Ritchie and Paris Hilton spend a month in rural Arkansas disappointing the Ledings, the humble, hard-working farm family that has agreed to take them in.

by: Allison McCracken / DePaul University
I have finally found a reality program that I can watch without cringing with embarrassment for the participants and/or becoming enraged at the producers. Not surprisingly, it’s trailing in the ratings and on the brink of cancellation.

Over*Flow: Responses to Breaking TV & Media News

FlowTV Conversations…

ICYMI: "These two crucial problems—the erosion of digital privacy and the revenue crisis in American journalism—have tended to be discussed as distinct issues. They are not." – @josh_braun #FlowJournal25

Although we publish critical pieces on media & culture regularly throughout the year, news breaks in between our issues. Introducing #OverFlow—a new way to respond to breaking news. @ShawnaKidman talks diversity, #BlackPanther & the #Oscars. #FlowJournal25
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