Monthly Archives: September 2014

In 2009 an important tradition began, first started by Hopi elder Harold Joseph who accepted an invitation to accompany me on my spiritual travel program Entering the Maya Mysteries. As his religious leader’s emissary, the purpose was to reconnect with relations, those from Hopi migration paths. When I make these invitations on behalf of Kenosis Spirit Keepers, it’s without expectation of outcome. I’ve come to know that as long as we within the circle hold the container sacred…what fills it is rich, often with significance I never could have predicted.

The effect Harold had on Don Antonio Martinez, the last Lacandón Maya elder maintaining his timeless traditions, during a very vulnerable time is well documented in my article The Last Spirit Keeper available for download here. Equally significant are the indications Harold saw during our travels through Mayalands that validated his people’s oral history and common thread with these relations of the south. At certain sites he made offerings and prayers. Over these years several other Hopi Spirit Keepers have replicated what Harold started.

Don Antonio Martinez and Harold Joseph at the Lacandón Maya village of Najá in 2009. Photo credit: Darlene Dunning

This coming January, Merle Namoki, Sun Forehead Clan, from Shungopavi, Second Mesa will continue the tradition, strengthening the bridge of relationship and respect, laying down prayers. A few years ago, Merle said to me, “…We all need to pray to keep our Mother Earth and Father Sky in balance…”

Mike Weddle is a member of the Kenosis Spirit Keepers’ board who, for more than twenty years, has immersed himself in the sacred ways of the Maya of Guatemala. In his essay Are the Maya and the Hopi Two Branches of the Same Ancestral Tree, he compiled examples of common practices linking the two. He also talked about the protectiveness that Hopi people have over their sacred traditions—in order to preserve them.

The intent I hold for spiritual travel has remained the same from the start. It is not to co-opt Indigenous traditions. It is to offer respect through our presence and to hold space that these sacred ways continue. Merle stated the need so well. If in the process we visitors are deeply touched—and we are—we bring this difference home. Who we are in the world is influenced…and felt by our families, friends and communities. Core spiritual elements are strengthened.

The anniversary of an important date is coming up for me. In late Spring 2008 I held my breath as I opened an envelope from the IRS…and exhaled with great relief to see that Kenosis Spirit Keepers was given status as a charitable organization, our nonprofit extension. It was signed and dated October 15, 2007.

In this post about the continuity of traditions, I also want to express much appreciation to those who have made donations over the years, and certainly to those who have traveled with me…holding reverence, making the circles and sponsorships possible. Through your spiritual integrity, this work continues. Last but certainly not least, the folks who have served on the board since the inception of Kenosis Spirit Keepers, worked hard and assisted with direction and decisions…I have gratitude.

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If you are drawn to support connections between the Hopi and Maya peoples, join us January 18-28, 2015 in Chiapas, Mexico for Entering the Maya Mysteries. A portion of tuition is tax-deductible to support the travel of Hopi Merle Namoki and the humanitarian healing work of Don Sergio Castro in impoverished Maya communities.

Sometimes it’s powerful to change things up in your geography, to experiment and see how you may further engage creativity…and The Muse. In the last several months, I’ve done just that—albeit unknowingly—and have been fairly astounded at what has unfolded.

I meditate first thing in the morning, usually before dawn. Over the last thirty years of doing so, it’s set the stage for my days and provided a consistent segue for insights, higher guidance. But I’d never considered using it as a tool for my artwork. It happened accidentally.

I would undertake my daily ritual in the back room, sitting cross-legged with straight back, always in the same spot for as long as I’d lived in this home, an anchor to the process. One morning for no apparent reason, I chose to meditate in the front room. Whenever I feel complete, I come back with “soft eyes”…slightly defocused…slowly returning, integrating the state with my day ahead. That morning my gaze came to rest on the easel and canvas I’d been painting for a while. And suddenly I experienced the piece in a whole new way. I saw things I hadn’t seen before. I felt a previously undetected presence, perhaps waiting until I’d opened a door and it could reach through and guide me. I’ve continued this change in geography while keeping my long-time meditation ritual. My artwork has more depth and meaning. I feel the intent of pieces is coming across in a way I’d just hoped for before. I had the beautiful feedback from a couple from Canada who approached me—after seeing My Magdalen Heart in person—saying they’d experienced the piece literally speaking to them.

People have puzzled over the creative process for eons. Some ascribe to a belief that the source of creativity rests within the self absolutely, which places enormous pressure if you find not so much coming through. Others are certain it comes from another source, perhaps a higher power. Author Elizabeth Gilbert spoke eloquently on TED regarding this controversy.

I believe it’s a combination of the two. First, I have the choice to say “yes.” Then it’s a matter of showing up consistently, having faith that something will be delivered…and being patient with the process. I recognize that I’m a vehicle. I’ve chosen to develop certain skills. But, for me, there’s no mistaking when I’ve tapped into another realm entirely outside myself that moves beyond the mundane. My senses are heightened and the energy moves—whether through brush on canvas, fingers on keyboard…whatever the art form—to find ground. There’s a distinct collaboration…and it’s something else again when your subject matter starts communicating with you. Strange as it seems, that’s how it’s happening for me these days.

When I was writing Portals to the Vision Serpent my practice was to begin writing after meditation, at least five days a week for at least three hours at a time. Again, I didn’t realize at the time I was accessing my craft through an altered state of being. It was as though I watched a movie and wrote down what unfolded in front of me. One day I reached a point in the book where I needed to get a main character down to the rainforest of Chiapas, Mexico but had no idea how. Within a few days, a completely new character stepped forward to introduce himself from the shadows where he’d been hidden. It turned out that he provided the way; the novel moved on.

The poet Mary Oliver said, “…The part of the psyche that works in concert with consciousness and supplies a necessary part of the poem—the heart of the star as opposed to the shape of a star, let us say—exists in a mysterious, unmapped zone…Say you promise to be at your desk in the evenings, from seven to nine. It waits, it watches. If you are reliably there, it begins to show itself—soon it begins to arrive when you do. But if you are only there sometimes and are frequently late or inattentive, it will appear fleetingly, or it will not appear at all…”

If it hasn’t yet happened for you in the way you desire, I believe it can. It means opening yourself up, stepping outside your comfort zone, changing up your geography. It’s an agreement you make…an intent you hold…and then let go.

Mary Trainor-Brigham’s Deep Cinema deserves your time and attention. I found myself re-reading pages and then sitting, to give the words an opportunity to enter my interior space. Immediately evident, this is a book written to connect with your Indigenous Soul, as the author calls it, the one many of us ignore in this Middle World. She guides us to delve into movies and stories so that they play back to us our own humanity, initiatory passages and further potential.

I’ve studied Joseph Campbell’s work in-depth: his instruction on myth, the Hero’s Journey and places we can readily see examples in film and storytelling. Deep Cinema adds to that work in a way that makes it unique by overlaying shamanic templates from Indigenous cultures. We’re then offered the Soul Compass, a model …designed to transform life from a series of dogmatic dictates or chaotic occurrences…into a rich, sacred Self-defining sojourn which we gladly undertake…the key here is that life becomes meaningful… The path from Child as Nest Dweller to Elder as Diamond Cutter and Pearl Spinner shows the gateways—mundane to spiritual, balance of Female as Womb Weaver to Male as Navigator—that we all must pass through in order to morph into the next level of growth.

The author brings her background as art therapist, film critic, actor and scriptwriter naturally into play, pointing out the metaphors in a multitude of films, older to more current, that relate to the archetypal templates she offers. With lyrical language, she draws the reader in. On the Voudon shamanic tradition: …According to the Haitians, a person’s small self is like a fish that gets hooked in the heart and reeled in throughout life by the love of and for their Great Self, sitting on a throne beneath the Sea in Lower World…

I was glad to see The Serpent and the Rainbow movie included as a failure at translating anthropologist Wade Davis’ book by the same name. Instead of portraying the rich layers of the Voudon traditions Davis experienced, Hollywood chose to further the cartoon-like, fear-based image of practitioners. Mary recommends Divine Horsemen: The Living Gods of Haiti as a true portrayal.

Once Were Warriors indicates the power of film on a population. In the successful translation of Alan Duff’s novel, Maori director Lee Tamahori graphically depicted real-life struggles with alcoholism and domestic violence the Maori people suffered, bringing it back to loss of spiritual traditions and the turning point of re-engagement. It’s noted that one in every three New Zealanders has seen this film. Most importantly: …after the film hit the theaters, there was an upsurge in the number of men seeking help with domestic violence issues, citing ‘Warrior Troubles’…

I had already viewed a number of the movies covered in the book: Whale Rider, Mindwalk, Capote and others. But I’m going to go back and see some again with new eyes and Deep Cinema beside me. As I was reading, I thought to myself it would be really nice to have an index of all the films and where they’re discussed in the book. I was pleased to find just that at the end. Bottom line: Deep Cinema is not just a reference but also an ally for the spiritual journey.

Carla Woody

The Lifepath Dialogues offer an invitation toward embodiment of all that is life-affirming and the deeper meaning of sustainability. Themes are drawn from books "Calling Our Spirits Home" and "Standing Stark" and 20+ years as a conscious living mentor leading spiritual travel journeys with Indigenous Wisdom Keepers serving their communities, group and individual programs. Carla specializes in working with people who seek to live through their deeply held values. For more info see the “About” tab. The author may be reached via cwoody@kenosis.net. Follow this blog by becoming a fan on the Kenosis Facebook page.

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