First-of-a-kind Compilation Brings Smiles to Strife-torn Manipur

March 24, 2012

Instilling hope in times of despair

Providing a spark of hope during the tumultuous times that the north-eastern State of Manipur is going through, a group of musicians and music lovers of the State have come out with a first-of-its-kind compilation music album. Rock Music Manipur Vol. 1, a compilation album of original music featuring 25 bands and individual artists, was released in a formal gathering of Manipur’s most well-known musicians in Imphal last week.

At a time when normal life in Manipur has been virtually ripped apart on account of one of the worst phases in the State’s tumultuous socio-political history, the production of the compilation has instilled renewed hope and enthusiasm among the minds of the musicians here. As Sanjeev Thingnam, guitarist of Imphal-based band ‘Fringes’, says, “This is indeed a path breaking moment for musicians of the State, irrespective of which genre they belong to. Despite everything that ails Manipur, the production of this compilation proves that we still have it in us to move ahead.”

The production and marketing of this compilation was an initiative taken by the Rock Music Manipur (RMM), a community of rock musicians and enthusiasts living in the state, as well as a few people who are now settled outside. This community has compiled a total of 37 tracks of different genres, creating a sort of history in the age-old tradition and culture of Manipur. The album also features a couple of tracks by two of Manipur’s most well-known bands in the national and international circuit at one point – Post Mark and Phynyx.

“Quite a number of Manipuri musicians and rock bands have written original songs, and some of them released their songs and albums via internet and as CDs or Cassettes. These are usually known in private circulation while many are unaware about the songs and the musicians who created them. The idea behind RMM Vol. 1 is to make the musicians and their songs reach a wider audience, right from the grassroots level,” says Ithooiba Potshangbam, one of the coordinators of the compiling team.

Many would not be aware that the genesis of heavy metal as a genre in our country can be traced to the emergence of a couple of bands in Manipur in the late eighties. Bands like Post Mark and Phoenix had took heavy metal to all new levels of popularity.

For a State where independent artists have not really got the opportunity to be promoted in an organized and professional manner, the release of the compilation augurs hope for a new beginning. Internationally acclaimed tribal folk musicologist Guru Rewben Mashangva, who was present in the ceremony, said, “It’s hard to compose, record and release an album. It also takes a lot of money to record an album. I thank RMM and the music lovers for making this compilation a reality.”

Featuring artists from Maram, Ukhrul, Tamenglong, Imphal and Bishnupur in Manipur to Bangalore and Delhi-based Manipuri bands, this compilation album is sure to carve a common platform to share and act as a social force of consciousness and change. Most of the songs in this compilation too reflect life in general and more particularly various situations in Manipur – be it the deteriorating law and order scenario in the State or the transitory moral values.

Besides just bringing the music fraternity of Manipur together, the compilation has also brought to light several other facets of the music industry in Manipur, like the absence of good recording and mixing facilities. “We need good recording studios in Manipur. The sound system in Manipur hasn’t improved much over the last few decades; it’s the same sound system we have been seeing since our heydays in the 1990s. Sponsors and organizers are virtually a non-entity here,” said Selin Takhellambam, founder member of the pioneering extreme metal band Black Insurgent.

Eroz Laishram, the vocalist of Sandrembee, an Imphal based band, added, “Due to the almost perpetual power crisis, people out here in Imphal don’t have access to the internet like people in other parts of the country do. The production quality of our songs has also been often criticised. This kind of compilations will help us stop and introspect and revaluate ourselves.”

While no marketing strategy has been chalked out as of yet, RMM plans for an immediate distribution of the compilation to various Yaoshang sports venues in different leikais (localities) in Manipur. “While copies of the compilation cd will be sent to different clubs in all the districts of Manipur, the CDs will also be made available for sale at various musical and related events. Money raised from the sales of the record will be evenly shared among all the participating bands and artists,” Ithoiba informed.

The release ceremony for the compilation album, which was held at the Young Pioneer Organization (YPO), saw some of the biggest congregation of musicians of the State. Some of the veteran musicians who participated in the ceremony included Ingocha Thingom, Paras Nongmaithem, Boycha Konjengbam, Bobby Nameirakpam, amongst others. Members of bands like Kradle O’ Beats, Scribble Link Purgatory, Chem Weed FM, Cleave, Deeparaj Oinam, Uttam Haobam, Fringes, Dead Mobster, Wild Flower, White Fire, Yuthak Wah, Sandrembee, too were present in the ceremony.

A journalist-critic based in Guwahati, Aiyushman Dutta has been writing on north-eastern music, folklore, cuisine and culture in various publications and portals. One of the very few mainstream journalists to be working for the propagation of north-east indian oral and musical folk traditions, he is presently the art and music critic of The Sentinel in Guwahati, besides being the principal correspondent (East India) for Sound Box and The Big M (Mumbai). Aiyushman is the Founder Secretary of the Eastern Beats Music Society, working towards the holistic development of the independent music industry of the region, and unifying people in strife-torn Northeast India through music.
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