The table, whether it’s in the kitchen, set beautifully in the dining room, or in the backyard for a summer soiree, is where we come to share life. TABLE acts as the platform, and the forum for exploring the most progressive, creative, curious, unexpected and culturally-rich topics in the Pittsburgh region.

Whether it be a vibrant food culture, an energetic design scene, a growing economy, or a flourishing educational climate, what we discuss around TABLE will always spark deeper conversation, consideration and exploration.

When we talk to our advertisers about value, it is the value of our curious, intelligent and engaged audience that takes precedent TABLE readers are loyal to and invested in living a rich, dynamic life. This dynamic life includes purchasing quality, luxury products and unique experiences ranging from investments to interior design… or little black dresses to little black luxury cars. At TABLE, it’s not about any one demographic criteria, or any one product category, but rather, it’s about the mindset of our unique readership. These are the customers we value, and these are the customers you want.

The Gift of Sight

Pittsburgh has always been a city where people make things. Throughout the 19th century, we led the country in glass production. Steel took over in the 20th century, cementing Pittsburgh’s status as one of America’s great centers of industry. And though we produce little glass or steel these days, Pittsburgh still brims with makers of all kinds. Nowhere is that more evident than in Pittsburgh’s vibrant art scene.

“We are tremendously lucky to have a thriving community of artists working and living here in Pittsburgh,” explains Fred Blauth. Blauth is the Assistant Director at Gallerie Chiz, which he calls a “funky insider/outsider art gallery in Shadyside.” For our guide, Blauth curated a selection of works by a range of Pittsburgh artists.

Some names, such as Adam Milner, are well-known in the community. Blauth calls Milner “a multidisciplinary artist whose work always seems to be longing for somebody.” Milner’s latest work, Remains, is on display at The Andy Warhol Museum until January 15th.

Blauth also selected exciting newcomers, like Lesla. Blauth first encountered Lesla at Bloomfield’s Brillobox, where the artist’s work hung next to a ten-foot shark. Lesla hails from Venezuela, and Blauth praises paintings that “blur the lines between gender and sexuality, with sharp references to American pop art and religious iconography.”

In order to ensure that these artists and many more continue to thrive, we cannot be passive observers. “If we want to really support those individuals and establishments that make this city so great, it is critical that we put our money where our mouth is,” urges Blauth. “Otherwise, that free glass of wine you’re drinking at the opening reception will disappear—along with the artists who work too hard to just to be your Friday night plans.”