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venerdì 30 novembre 2012

Vocal Type: TenorVocal Range: 2 octave 2 tones C3-E5Whistle Register: NoVocal Pluses: Justin can easily get low without any struggleVocal Negatives: Justin is lack of tecnic. His low notes are weak and sometime breathy. He also takes the middle and the high notes of his voice with a throat tecnic, so he sounds really like he's pushing hard in these parts of his voice.

Vocal Type: SopranoVocal Range: 2 Octaves 3 notes and a semitone F3-C6Vocal Strengths:Amber Riley has great breath control which allows her to hold notes for
notable periods of time without issue. Her ability to support her voice
with great technique means that these notes are sustained with no pitch
deviation or lose of dynamic. She can also sing melisma and has the use
of a quick vibrato.

Amber's main vocal strengths comes from her extensive belting range. It
has power and great dynamics, combined with a light and bright quality.
She appears to have great technique when mixing her voice on the higher
notes and this avoids undue strain on the vocal chords, and produces a
consistent sound throughout the belting range. This allows her the
impressive feat of being able to ascend to a soprano high C (C6) in what
sounds like the chest register alone, when in fact it is a deft mix
with her head voice.

Vocal Weaknesses:Voice lacks agility, so complex vocal runs can sound clumsy and a little
laboured. The voice also struggles with the lower notes and has an
immature, childlike colouring to it at times.

Vocal Type: ContraltoVocal Range: 3 octaves and a semitone Bb2-B5Vocal Strengths: Alicia Keys is capable of singing complex vocal runs, through the
registers, and is able to hold notes for periods of time without
wavering in pitch or tone.
The lower range is easily accessed and has a darkness and weight that
pervades through the rest of the range. It has a slight breathy quality
at times, but the voice sounds comfortable in this part of the range.

Alicia Keys' midrange is sweet and warm, with a smokiness and slight
rasp to it. Her voice finds this part of the range easiest, as well as
the extremes on either side of it, to navigate.

The belting range is weighty and thick and often shares the smoky
quality of the lower range. The notes above the fifth octave are most
often reached without the aide of mixing with the head voice, and the
resulting tone has a good dynamic, fuller sound and a rawer edge. Alicia
Keys can mix her notes and produce a purer tone, but it comes at the expense of the power and fullness of the sound.

The head voice is pure and bright with a weight and warmth. Vocal Weaknesses: The way Alicia Keys maintains her thicker belting tone, without mixing,
could have a negative effect on the voice, ultimately inflaming it and
producing a harsher sound.