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Given that music software defaults will typically set a new track to input channel one, plumb in a microphone and you’re away. Well, nearly. Dynamic mics are fine, but more expensive condenser mics require phantom power (+48V) and the FastTrack doesn’t have that, so forget about using any fancy mics. You can use both mic and guitar channels at the same time on separate tracks. I set it up to record a direct feed to the guitar input from a built-in pickup on an acoustic guitar while simultaneously capturing the natural sound with the mic.

Even though the guitar input doesn’t have a level control, it is set with sufficient gain to work fine with most pickups. I tested it out with an acoustic guitar fitted with a Schaller Oyster piezo pickup and an electric guitar with Mighty Mite humbuckers. Without the high impedance input, the piezo would have sounded very thin and brittle, but instead was warm and full-bodied. Likewise, the electric also had a much punchier sound. A word to the wise though, switching between guitar and line modes delivers an almighty thump to the output. This sort of behaviour immediately spells, ‘cheap and nasty’.

Returning to the twin track approach, the direct input was captured with no complaints, but the mic recording seemed to fizz a bit, with irregular buzzing reminiscent of mobile phone interference. Turning the mic level up, naturally, increased how noticeable this was. The mic used was an Audix OM7, designed for live vocals and very well screened – fine for test purposes considering I couldn’t use a condenser mic. Wi-Fi was off, cables were checked, replaced, even computers and geographic location were changed, but the outcome was the same – erratic noise. Check it out on this untreated, uncompressed 24-bit recording here.

So, if ballads aren’t your thing and you’re only ever going to record a thrash metal, then this might not be an issue, but unplug the mic and things get worse. The mic input channel suddenly hums like a fridge-freezer showroom. The noise is quite alarming but instantly curtailed by turning the mic input level all the way down – easy.

But an unused input really shouldn’t be humming away so loudly. More to the point, if you’re using the guitar/line input and have the mix control set for input, you’ll hear all this humming unless you remember to keep the mic level turned down completely. It’s disturbing, distracting and just not right.

The Structure plug-in features two edit pages to shape your sounds

Another thing that isn’t right is the software. Earlier on I mentioned that you can only hear the input signal treated with effects during recording. I lied, although this is the case with this watered-down version of Pro Tools. Use the FastTrack interface with other recording software that allows input monitoring during playback – which is just about all of them – then you can play along to a backing track with effects, which is great for working out ideas without getting bogged down by unnecessary recording.