In sum, to motivate ourselves, we have to choose goals we value and know that we can attain.

Raising the Value FactorHave you identified what you value about making music?

If not, I encourage you to write down why being a musician is important to you and what you dream of achieving (see my post Artistic Vision for an exercise).

Then, share what you’ve written with teachers, peers, and family members so that they can support you. Read accounts of other artists’ missions, too.

With your values clear, it also becomes easier for you to find meaning in routine practice tasks.

For example, when you connect working on technical exercises to your larger aim of contributing beauty to the world, your practice resonates with value, and your V number rises.

Such big-picture values ignite our devotion to practice and enable us to persist despite life’s ups and downs.

In the words of Luciano Pavarotti, “People think I am disciplined. It is not discipline, it is devotion. There is a great difference.” (The Musician’s Way, p. 106)

Boosting the Expectation FactorWhether you strive to perform professionally or not, here are some tips that will help you succeed as a performer and thereby feed your gusto for practice:

Choose accessible repertoire. Consult mentors, colleagues, and online resources to identify repertoire that both excites you and is appropriate for your level.

Refine your practice habits. Keep upgrading the strategies you use to sight-read accurately, start new pieces, solve problems, memorize, and so forth so that you can efficiently bring pieces to stage-ready condition.

Hi, I would just like to say that I LOVE your book. We read it in my string seminar class last semester and I enjoyed every page of it. One of my favorite lines (similar to the quote you posted at the top of this blog) is "Musicians who repeat without excellence marinate in mediocracy". I actually loved that so much that I put it as the welcome message on my phone! Anyway, just wanted to say that your book is amazing and it really helped my have more effective practice sessions!

Hi John - Thanks for the question. Maybe it would have been clearer if I had said, "Play at your best under pressure."

What I mean is that we have to practice in ways that build awareness and instill the habits we need on stage so that we can play artistically no matter how high the pressure climbs. Conversely, musicians who practice on autopilot instill a kind of muscle memory that doesn't hold up under the lights, causing them to be anxious, ineffective performers. More about this in my post Becoming a Confident Performer.

Gerald - Thanks so much, as always, for sharing your valuable insights with us. It is one of the great things about v.com that people in your position are willing to give the rest of us the benefit or what you have learned as a professional.

If you added up what motivates a player , not all of it would relate to the music. Money is in the picture but not really central stage . Playing with a very famous soloist could inspire and terrify at the same time .The venue could make you nervous if it had a long illustrious history. Oistrakh said he treated a concert as if it was a party to enjoy. He also got nervous before playing too ,which surprised me . Kreisler would chat to all the players in an orchestra as if he was one of the lads . He could maybe find the whole famous bit a little lonely at times . Fascinating topic . The "success in life "section of the title above might link with the idea of a manufacturer thinking of giving the customer the best value as his main priority and working back from there.Then the business begins to thrive .

Hi John. Motivation is indeed a fascinating topic, and I agree with all your points.

In a sense, to advance musically, we not only need to build artistic & technical proficiency but also become adept at self-motivation.

You bring up the importance of employing both internal and external motivators - i.e., pursuing goals for their own sake and also committing to obligations that require us to practice. I touch on these topics in a related post called The Self-Motivated Musician.

What about the negatives to motivation? Living in hotels. Strange beds.Where and what to eat ? Clean shirts (John Williams the guitarist got fed up with that ). Finding your way around strange cities and countries. Oh ,now I`ve unravelled all your good work .

I sometimes sabotage my own success by straying from my appointed practice time. Your blog helped me see a logical reason that I drag my feet practicing some selections. I am self motivated. I do not have a goal to set the music world on fire or make a lot of money. I just want to learn to play the violin for as long as I am able. So to keep generating some steam I need to forget about being a "student" and to remember to feed my soul with music that I like to play--so I will practice---more. Yes--I do like to play "duets." I get the sheet music, buy the CD, slow down the tempo and play along. That is fun for me.