Tag: adolescence

A 1950s summer romance, imagined by an agonized, metafictional narrator.

"At some point during the evening he walked Rebecca home. She lived on Lake Shore Drive, a wide road that skirted the beach and ran parallel to the small river that flowed into Lake Minnehaha. Lake Ramapo? Lake Tomahawk. Lake O-shi-wa-noh? Lake Sunburst. Leaning against her father’s powder-blue Buick convertible, lost, in the indigo night, the creamy stars, sound of crickets, they kissed. They fell in love."

"Coming back around the side of the store to the parking lot, I saw some teenagers hanging out in the bed of a white Toyota pickup. They must have pulled up while I was inside. They were smoking cigarettes in the deliberate self-conscious way of smoking teenagers: two of them, long-hairs. They were also openly watching me as I carried my bag toward the car. People like me prefer teenagers to other people. They are not afraid to stare."

Girlhood in the 1970s. An excerpt from Steinke's forthcoming novel, Sister Golden Hair.

"I crossed my arms in front of my chest and angled my head. From practising, I knew the pose I wanted to present when I stepped on the bus. My chin had to have a delicate look and my lips had to be relaxed and slightly parted. I wanted to look mysterious like a Victorian heroine, with pale cheeks and sunken, glittering eyes. In Philadelphia I’d blown the first day of sixth grade by acting friendly and wearing a shirt I’d tried to sew myself out of calico fabric. I swore I would never let that happen again. I had a new persona I’d been planning to introduce the first day of school: a girl wise beyond her years who was not at all nerdy or spastic or prone to crying jags."

Teens struggle to find their bearings in both their fantasy lives and their real ones.

"He sits behind his screen, which he’s ordered us never to touch. We never do, not even when he's at detention. He shuffles some papershis maps and grids. Dice click in his stubby hand. Behind him, on the wall, hang Dr. Varelli's diplomas. The diplomas say that he’s a child psychiatrist, but he never brings patients here, and I’m not sure he ever leaves the house."

Young people consider changes to their personalities, and to their relationships.

"When I moved from Kansai to Tokyo to start college, I spent the whole bullet-train ride mentally reviewing my eighteen years and realized that almost everything that had happened to me was pretty embarrassing. I’m not exaggerating. I didn’t want to remember any of it—it was so pathetic. The more I thought about my life up to then, the more I hated myself. It wasn’t that I didn’t have a few good memoriesI did. A handful of happy experiences. But, if you added them up, the shameful, painful memories far outnumbered the others. When I thought of how I’d been living, how I’d been approaching life, it was all so trite, so miserably pointless. Unimaginative middle-class rubbish, and I wanted to gather it all up and stuff it away in some drawer. Or else light it on fire and watch it go up in smoke (though what kind of smoke it would emit I had no idea). Anyway, I wanted to get rid of it all and start a new life in Tokyo as a brand-new person. Jettisoning Kansai dialect was a practical (as well as symbolic) method of accomplishing this. Because, in the final analysis, the language we speak constitutes who we are as people. At least that’s the way it seemed to me at eighteen."

"He looks up at me quick and decides to be pleased. Usually he won’t look at a person direct. He says eye contact is counterproductive to comprehension and communication. He’s got any number of ways to justify himself, that’s for sure."

An adolescent girl weeps and sweats blood. Part of the ongoing Tabloid Fiction series.

"Momma told me when I came out of her I was covered in blood and I just kept being that way. She said she used to find me in the crib, crying and slicked with red. She said my daddy couldn’t take it and left. She didn’t blame me, though. She said the holy spirit was faint in him."

"The only person he could make out was Reverend Kelly, a traveling preacher from England. He sat by a lamp, which illuminated his sharp cheekbones and pointy nose, his sagging mouth formed into a smirk. And those beady eyes. Willie didn’t like the way he’d seen those eyes following Lena around earlier in the night."

"Sara put trances on Leigh in the middle of the night, while Leigh was sleeping. Leigh knew but didn't tell Mum or say anything about it to Sara. All three had terrible secrets they kept safe. They kept them safe for so long and so devotedly that they were no longer secrets—they were alternate ways of navigating the world."

"When – with difficulty – I made my way into the centre of the space, or what seemed like the centre of the space, I saw that one door was obscured by rags of hanging debris, and I turned and began to work in the other direction. There, the lintel had fallen, dumping a pile of brick almost as tall as I was and leaving a smoky space at the top big enough to drive a car through. Laboriously I began to climb and scramble for it – over and around the chunks of concrete – but I had not got very far when I realised that I was going to have to go the other way. Faint traces of fire licked down the far walls of what had been the exhibition shop, spitting and sparkling in the dim, some of it well below the level where the floor should have been."

A mother and son wander around an art museum; an excerpt from Tartt's latest novel, available tomorrow.

"For me – a city kid, always confined by apartment walls – the museum was interesting mainly because of its immense size, a palace where the rooms went on forever and grew more and more deserted the farther in you went. Some of the neglected bedchambers and roped-off drawing rooms in the depths of European Decorating felt bound-up in deep enchantment, as if no one had set foot in them for hundreds of years. Ever since I’d started riding the train by myself I’d loved to go there alone and roam around until I got lost, wandering deeper and deeper in the maze of galleries until sometimes I found myself in forgotten halls of armour and porcelain that I’d never seen before (and, occasionally, was unable to find again)."

Men working in penal servitude develop a fascination with a sixteen-year-old seamstress.

"Life was stuffy and tight in a stone box under a low heavy ceiling, coated in soot and cobweb. It was hard and sickening in thick walls, spotted in dirt and mold. We rose at 5:00 AM, unrested, and  dull, indifferent  by 6:00 we were making kringles from dough our comrades made while we slept. And all day at a table from morning to ten at night, shaping elastic dough and rocking to and fro so as to not go numb, while others kneaded flour with water. All day sadly purred boiling water in the pot where kringles cooked; on the stove the baker's shovel hit fast and angrily, flinging slippery boiled dough on hot brick. Morning to night wood burned in the oven and flared, reflecting red flame on the workshop wall, as if silently laughing at us."