Galya Chikiss, long a significant figure in the St Petersburg lo-fi and tape music scenes, moved to Germany with her family several years ago. There she established both professional linkages (from scratch) and began new collaborations - on this occasion by way of a nostalgic mixtape and some help from Silhouette Tapes in Bayreuth.

Her novelty expresses itself through retrospection, at least for 47 minutes.

Together with Silhouette, Siberian tape label Klammklang, and LA's Not Not Fun, Chikiss' mixtape ponders six prior decades of the Russian recording industry - itself increasingly the stuff of hypnagogic tape pop. Made from domestic jazz recordings between 1920 and 1983, the tape re-contextualizes a genre that was, for decades, the most disconcertingly liberal art form available to Soviet radio stations. To play a jazz recording that allowed itself too much structural freedom was to suggest that socialist culture suffered from rigidity. It was an audible, though wordless critique.

Even the most conservative Soviet jazz - implicitly - expressed a constant desire to be somewhere else, both formally and geographically. It certainly makes a fitting choice for Chikiss' new home in Berlin.