Wednesday, June 21, 2017

What is a "Bono?"

One of my Friday Question Jeopardy answers was "What is a Bono?" Enough readers wondered what that was so I thought I'd explain it today.

In
between the time Sonny Bono wore fur vests and became a US Congressman
he owned an Italian restaurant on Melrose Ave. in LA named “Bono’s.” He
picked a bad location. Within months it went belly up. Since then, every
time I drive by that place it’s something else – Japanese, Indian,
American diner, etc.

When we’re in production on a show it seems
that every week there is that one nagging joke that doesn’t work. It’s
replaced on Tuesday. That joke doesn’t work. Wednesday, same story. On
and on throughout the week.

That joke is called a “Bono”. And
like I said, there’s ALWAYS one (at least one). The term was coined by
Denise Moss, a fabulous writer on MURPHY BROWN.

What it teaches
you is to stick with it, never settle, try new areas. And never just go
for the easy joke…which is why I’m refraining from any reference to
skiing.

20 comments
:

Bill Jones
said...

This reminds me of a great exchange from the Simpsons, back when Sonny was still alive (and the Simpsons was regularly hilarious). TV newsman Kent Brockman is interviewing a man who just woke up from a 23-year coma:

Man: "Do Sonny and Cher still have that stupid show?"Brockman: "No, she won an Oscar, and he's a Congressman."Man: "Good night!" [dies]

I remember ) an article that said the LAVERNE & SHIRLEY staff used "Nakamora" as slang for a repeating failed joke,as in"Nakamora Enterprises".One of the antenna stations has been showing reruns of Sonny and Cher's program, or at least the ones with Jim Nabors, which is all of them. I'll stick to my nostalgia, thank you.

I'd sooner identify Sonny Bono as a Phil Spector acolyte (as a producer, mind you, thankfully not in his treatment of others -- RIP Lana Clarkson) than as a restauranteur. So would most folks who had no association with Melrose Avenue in those halcyon days...and that defines the vast majority of us.

And I'm one of the few that thought "The Sonny Comedy Revue" was the best of the three followups to the original Sonny and Cher hour. Unlike the later Cher solo series and even later S&C redo, it had most of the same writers and rep company, hence more of the same flavor.

You have to give Sonny Bono credit. He saw that Cher had some quality that could make her a star even when she was a teenager (and they were Caesar and Cleo). It sure looks like they modeled their act on Louis Prima and Keely Smith. He was weird before weird was cool.And as a congressman, he took himself less seriously than most of them do.

My parents attended a taping of Sonny and Cher's television show once. After a long wait they were ushered into the studio and seated. The taping started and they did Sonny and Cher's song and routine that began the program, after which they taped Sonny and Cher's closing routine that ended the show. Then they turned the cameras around to the audience and my mother recalled that they applauded for what seemed like fifteen minutes while the show's theme music played. After that, someone came out and explained to the audience that for "technical reasons" Sonny and Cher had already taped the rest of the show, but thanks for coming out.

The Temptations were there, though, and my folks got to see them tape their number.

Turns out that was normal "Sonny and Cher Show" taping procedure, though, at least by that point. Except for their opening and closing routines, all the comedy sketches and musical routines that involved the two stars were taped without an audience and had laugh and applause tracks dubbed in.

Actually, some do when their memory or health no longer can support a performance (Gene Wilder) or they worry about their image such as Greta Garbo. Some also burn out from the constant, ruthless auditioning that Ken describes in numerous posts. Others walk away because they were unable to transition from child star to adult star such as Shirley Temple.Kathryn a Librarian

Friday Question: From what I have read in your blog, most sitcoms are written with an "A" story line and a "B" story line. Watching the Dick Van Dyke "That's My Boy??" episode, I noticed that there was no "B" story. It was all about Rob thinking that they brought home the wrong child from the hospital.

Outside of the script you wrote for Dick Van Dyke and posted in the blog, have you and David Isaacs written a single story line script that aired? Also, what shows do you think were the earliest to break with the single story model?

Just letting you know how I feel, Ken. Maybe if it hadn't been the very first question it wouldn't have bugged me the way it did!

But I do appreciate that you write an interesting, funny blog post every single day! And I'm not about to stop reading (or participating) based on one minor thing. I usually learn something (or at least get some genuine laughs) with each post ... hard to beat that!

(I looked "Bono" up on Urban Dictionary and learned that a lot of people really don't like the lead singer of U2.)

Here's an article from the LA Times talking about the restaurant after 3 years, and still in business - http://articles.latimes.com/1985-05-09/food/fo-7108_1_hair-pasta

Back when I lived in CA, I used to hear 'bono' used as a term for something that's messed up, doesn't work or is embarrassing. I always thought it was short for something being called a 'boner,' which means a mistake https://en.oxforddictionaries.com/definition/boner

About KEN LEVINE

Named one of the BEST 25 BLOGS by TIME Magazine. Ken Levine is an Emmy winning writer/director/producer/major league baseball announcer. In a career that has spanned over 30 years Ken has worked on MASH, CHEERS, FRASIER, THE SIMPSONS, WINGS, EVERYBODY LOVES RAYMOND, BECKER, DHARMA & GREG, and has co-created three series. He and his partner wrote the feature VOLUNTEERS. Ken has also been the radio/TV play-by-play voice of the Baltimore Orioles, Seattle Mariners, San Diego Padres. and Dodger Talk. He hosts the podcast HOLLYWOOD & LEVINE

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