A mid-heavy fuzz will help. I used the Mojo Hand Colossus for this reason, gives you control over the mids. You could also try stacking the fuzz with an overdrive that might help boost your fuzz enough to stick out.

I usually use a gated zippery fuzz (like the Wooly mammoth/Oxide/Duality) if I want to poke out in the mix. I'll use a "regular" fuzz if I want to set more a low end pad and not cut through the mix (I use my TAFM this way - but it can cut just as well as the others above if you set it up that way, also use the Muff in the Source Audio OFD for this).

keep the dry at same level as bypass, use the fuzz for the high end by rolling the tone all the way clockwise, scoop mids on your amp.. and you've got a tone with low end and a high end fuzz and sits in a band very well. scooping your mids helps put emphasis on the lows and highs

Agree: turn up, blend in clean, enhance mids. Clean blend would be the single most important of the three in my experience. Turning up the least, as it often just prompts everyone else to turn up more in response. That said, I find fuzz especially needs to be well above unity gain to work in a band setting.

keep the dry at same level as bypass, use the fuzz for the high end by rolling the tone all the way clockwise, scoop mids on your amp.. and you've got a tone with low end and a high end fuzz and sits in a band very well. scooping your mids helps put emphasis on the lows and highs

Agree: turn up, blend in clean, enhance mids. Clean blend would be the single most important of the three in my experience. Turning up the least, as it often just prompts everyone else to turn up more in response. That said, I find fuzz especially needs to be well above unity gain to work in a band setting.

Slap around your guitarrist a bit to get them to turn their gain down to a reasonable level where the tone of their actual guitar still exists, then use the pedal to your liking. Or just get a pedal with a lot more midrange content. I like the first option, but the second is a lot easier.

This is why I have rid myself of effects. Go to the store see one, check it out, sounds great buy then take home plug into my rig still sounds great. Go to rehearsal uh oh yuck! Just lost some more money. Oh well it's called bass for a reason. Now days I let the guitars carry that sound or I'll lean on my tubes more.

Like some of the other guys said its much easier with the blend feature.

Oh yeah one more thing good for pedals. If you have enough of them you can sell them and pay for studio time.

By definition a fuzz is clipping your signal and reducing the definition of your notes. There's no getting around that basic fact. And the clipping also compresses your signal, reducing your dynamic range.

Blending (or better yet biamping with a clean/dirty setup) certainly can work though I like it better with other effects types (filters, phasers, even overdrive) more than with fuzz. Personally I think a blended fuzz doesn't really fix the issue - your fuzz still isn't making an impact in the mix and your presence is only due to the clean blend.

The simplest and often most effective answer for me is what a number of people have said - have your fuzz set loud, significantly above unity gain. And make sure that your low end volume is at least what it is clean, if not slightly above. A lot of fuzzes add volume in the midrange which fools you into thinking you are just as loud in the lows but often you aren't.

Most importantly, don't set your fuzz sound at home - set it while playing with the full band. This helps for two reasons. One is that you'll likely find that the volume of the fuzz you need in the mix seems WAY too loud when playing solo. Secondly, slotting a mix is a BAND effort.

The worst thing a band can do is have each member bring their "bedroom tone" to rehearsals and gigs. Both clean and dirty tones should be EQ'd for the sake of the whole and effects use is part of that. In a stoner/doom band everybody may be fuzzed out at the same time so it's important that you have the right pedals and everyone EQ'd properly to make that work. Likewise, King's X has dirt on the guitar & bass but slots each instrument well (including the drums) so that everything is distinct.

Me personally I take the approach that if the guitar(s) are dirty I'm usually not and vice versa. Fuzz bass against clean electric or acoustic guitar really works for me whereas with distorted guitar a clean tone supports things much better and gets me heard in the mix.

By definition a fuzz is clipping your signal and reducing the definition of your notes. There's no getting around that basic fact. And the clipping also compresses your signal, reducing your dynamic range.

Blending (or better yet biamping with a clean/dirty setup) certainly can work though I like it better with other effects types (filters, phasers, even overdrive) more than with fuzz. Personally I think a blended fuzz doesn't really fix the issue - your fuzz still isn't making an impact in the mix and your presence is only due to the clean blend.

The simplest and often most effective answer for me is what a number of people have said - have your fuzz set loud, significantly above unity gain. And make sure that your low end volume is at least what it is clean, if not slightly above. A lot of fuzzes add volume in the midrange which fools you into thinking you are just as loud in the lows but often you aren't.

Most importantly, don't set your fuzz sound at home - set it while playing with the full band. This helps for two reasons. One is that you'll likely find that the volume of the fuzz you need in the mix seems WAY too loud when playing solo. Secondly, slotting a mix is a BAND effort.

The worst thing a band can do is have each member bring their "bedroom tone" to rehearsals and gigs. Both clean and dirty tones should be EQ'd for the sake of the whole and effects use is part of that. In a stoner/doom band everybody may be fuzzed out at the same time so it's important that you have the right pedals to make that work. Likewise, King's X has dirt on the guitar & bass but slots it really well so that everything is distinct.

Me personally I take the approach that if the guitar(s) are dirty I'm usually not and vice versa. Fuzz bass against clean electric or acoustic guitar really works for me.

Just my $0.02

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+1. Well said. I've been struggling to keep my fuzz sound the same with the band as I had it set at home but it all was useless. I'm thinking of selling it now cause I really can't find use for it in live settings. You can only hear it when the others keep silent...