The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

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As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

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Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Looking for inspiration for your photography? Look no further than Learn & Explore, the area on the Nikonusa website that is packed full of educational articles, how-to tutorials and inspirational pieces on all sorts of photography topics.

Carry your camera manual, especially if your camera is new. When traveling you'll probably have a chance to try some new shots. It can also be the time you’re likely to forget the function of a particular button. Or you may just want to explore all the cool things today’s cameras offer.

Experiment with the white balance settings outside. White balance on your camera will alter the color temperature and appearance you get in your picture. For instance, a CLOUDY setting will give your pictures a warmer cast. The FLUORESCENT setting will make your photographs cooler, skewing to a purple cast.

When traveling abroad, check the power setting and type of plugs. Most modern chargers do both 110 volts (USA) and 220 volts (most of the rest of the world). Check yours, and then pick the right adapter for the plug. Be careful to not use a 110-volt power strip in higher-voltage countries.

Turn on the lights when shooting inside the house. Lamps and overhead lights will brighten any picture indoors. The light will add depth to the picture and often warm up the color. Most importantly, it will brighten up the background.

Be creative with your posing. Don't just line everybody up. Use the steps or the arm of a couch to experiment with some people standing and others sitting. Have kids sitting in laps or someone sitting on the floor or kneeling. Mix it up.

Get yourself in the picture. Nothing is worse than a vacation with no shots of the family photographer. Get in the picture by using a tripod (or a steady surface such as a wall or a car hood) and the camera’s self-timer to make sure you're included in the family memories.

Jump for fun. Have your kids line up for a picture. As the photographer, get low, and get ready to shoot. Have the kids all jump in the air at the same time. Capturing them mid jump can bring out their true personalities.

When photographing a lot of people at a party, use your camera’s Smart Portrait System to help you get better pictures. The blink mode lets you know if your subjects blinked, and the smile timer can snap the photo when the camera sees that your subjects are smiling.

Try turning off your flash at night to get what your eye really sees. If it's at all dark or dim, the camera will try to fire the flash. Find the flash off icon (usually a lightning bolt with a line through it) and select it. Make sure to hold steady, or use a tripod, because the shutter speed may be slow.

Use the pet scene mode when photographing cats and dogs. If your camera doesn’t have a pet mode, disable the audible beeps and focus assist lamps while photographing them so the lights and sounds aren’t a distraction.

Go shooting with a friend. Not only will you add another pair of eyes to find interesting subjects, but you’ll also feed off of each other’s ideas and energy. Try to organize regular shoots in the park. Share lenses or tips on making that unforgettable photo.

Use fill flash to add a little sparkle to your subject’s eyes when shooting portraits outdoors, during the day. Even in bright sunlight, fill flash can even out the lighting for a more pleasing photograph.

Compose photos using the “rule of thirds.” Think of the frame as being broken into nine rectangles (like a tic-tac-toe grid over the picture). Place your subject at one of the intersections of the lines for a more visually stimulating photo.

When shooting an image that has a subject looking off to one side, compose your photograph so there is more space where the subject is looking. This will give your photograph more of a natural feeling.

When shooting landscapes at dusk or nighttime, use a tripod and cable release or self-timer so you can slow down the shutter speed to let in more light. This is the technique used when you see pictures of car lights as lines, not pinpoints.

One of the rules of composition says that horizon lines should not be placed in the center of an image, but closer to the top or bottom of the frame. Sometimes rules are meant to be broken. When you’re photographing a subject and its reflection, its perfectly fine to place the horizon in the center of the frame.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Wonderful Landscape Lens
I love this lens for landscapes. Not so wide that you know it was obviously a wide angle. It makes things look natural. The low light capability is excellent at F2. Sharpest at F2.8 or better. See attached photo for how beautiful the perspective of this lens is. Not a bad price either!
December 9, 2011

This is a sharp lens
Other than a micro lens, this is the first "standard" fixed lens I've used for my DX digital cameras. I expected it to focus sharp because I had read favorable comments about this lens, but it has exceeded my expectations by far. Very fast, very sharp.
May 5, 2011

Great lens for the money. Very sharp from f2.8 on, maybe a little soft wide open. Recommended.
April 28, 2011

small and sharp
This small lens offers good sharpness, especially in the center. Quick focus and good contrast make it attractive for moderate wide angle shots. Mine is sharp and solid. The fast F2 aperture is useable for low light shots.
April 15, 2011

Great prime lens for digital at modest cost
I am convinced that even the best of the wide and prime range zoom lenses still give up sharpness to fixed focal length lenses, not to mention speed, and the better and faster zooms are painfully expensive. The 35 f/2 substitutes for the traditional 50mm in digital (effectively 52mm on my D1x). This lens is surprisingly inexpensive, and though probably no match for a 50mm 1.4 or 1.8, still remarkably sharp compared to zoom lenses around this range, and much faster than the consumer level zooms. The focal length is flexible for a wide array of situations so I need nothing between my 12-24 and my 80-200 other than this 35.
April 14, 2011

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I'd like a sharp "standard" lens for my Nikon D7000, I know the DX lens is for digital only but I'm confused as to whether the standard AF NIKKOR 35mm f/2D lens might offer sharper photos even though it's not specifically for digital cameras.

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I believe another big difference is that the DX lens is for the crop sensor that the D7000 has and the f2d is for a full size sensor so on the D7000 it will render closer to a 50mm lens. I have the dx lens and am considering getting the f2d also to have something closer to a prime 50 mm on my D7000. The dx lens is an amazingly sharp and beautiful lens for the money and I love for shooting video, great dof.

Jan 28, 2012 by

by

MikeL/CO

colorado

Location :

colorado

Age: 55-65

Favorite Subject: Landscape

Nikon Family: 21+ years

Experience: Less than a month

Role: Serious passion, hobbyist

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Nikon offers two types of autofocus digital camera bodies: those with a built-in focus drive motor and those which require a lens to have a motor. Cameras such as the D7000 do have a focus motor in it so you are able to use the 35mm lens and you will be able to achieve AF.

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The AF Nikkor 35mm f/2D lens will not autofocus on the D5300 but is otherwise compatible. For 35mm lenses that will autofocus on the D5300 consider the AF-S NIKKOR 35mm f/1.8G ED lens or the AF-S DX NIKKOR 35mm f/1.8G lens. Please see this page for more information on choosing lenses for the D5300 https://support.nikonusa.com/app/an....

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Cameras such as the D3100 do not have a focus motor in it so they require the lens to have the focusing motor – an “AF-S” lens. While these bodies can use a lens with no focus motor (an “AF” lens) you would have to manually turn the focus ring to bring the subject in to sharp focus. Since the D7000 has a built-in motor for AF this lens is fully functional with it.

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Example: NikonPro. For privacy reasons, do not use your full name or email address.

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It is my understanding that this lens on a DX frame will give the same angle of view as a 50mm lens would on a full-frame camera. So if I want a "natural" angle of view, the normal lens for my D300s would be either a 50 mm DX lens (which Nikon apparently does not make) or a 35mm FX lens, like this one. Is that correct? So if I wanted a "normal" prime lens for every-day use, my best option would actually be a 35mm FX lens in order to get a natural angle of view, not the 50mm that I am always reading about -- because on my camera, that would wind up looking more like an 85mm zoom. Have I got that right?

11 months ago

by

DocWood

Woodstock, GA

Location :

Woodstock, GA

Age: 55-65

Favorite Subject: Nature

Nikon Family: 6-10 years

Role: Serious passion, hobbyist

2 Answers

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Both a 35mm FX lens or a 35mm DX lens will give you the angle of view equivalent to 52.5mm in full frame format. The DX lens would be optimized for use on a DX format camera and would therefore be lighter and more compact than an FX lens, but both types would carry the 1.5 crop. The DX version would also not be suitable for use on an FX camera due to the crop, while an FX lens can be used on either format.

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Does this lens work with the D7100? Will the camera be able to focus it or will I have to do that manually?

3 months ago

by

Anonymous

2 Answers

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