Last year I blogged about catching the year’s first big music festival courtesy of YouTube - who broadcast live form the 5 stages over the 3 days. I raved about the really clever interface - how they included hashtags into their live updates - and how slickly the whole thing worked, including the uninterrupted streaming broadcast itself.

This year the layout of the interface was even better - with the current and upcoming bands listed in the centre, and the updates off to the right. It was interesting to see the addition of the ’Login with Google+’ option - although I never saw a Google+ originated post - they were about 70% Twitter Updates, with 30% Facebook - I even logged on myself to post updates during the Azealia Banks and Miike Snow sets.

I did not really start watching properly until the Saturday - and thus caught a mix of highlights and full live gigs by the following artists:

AWOLNation

Azealia Banks

The Big Pink

Buzzcocks

Childish Gambino

Datsik

Dr Dre & Snoop Dogg + Eminem, Fiddy, Warren G, Wiz Khalifa et al.

Florence & The Machine

Kaiser Chiefs

Kasabian

Miike Snow

Noel Gallagher’s High Flying Birds

Radiohead

Santigold

SBTRKT

Swedish House Mafia

I would have loved to have seen, but missed these:

Amon Tobin

araabMUZIK

Borgore

Dada Life

DJ Shadow

Feed Me

Flying Lotus

Frank Ocean

Girl Talk

Justice

Kaskade

M83

Noisia

SebastiAn

The Weeknd

I always compare YouTube’s coverage of this with the BBC’s coverage of its main music festivals. I think the actual live streaming and the social experience is better by YouTube, but overall the BBC still leads - as they provide so much better supporting materials - and actually post up much more of the video highlights - only 76 Videos are listed on YouTube’s Coachella Page - and these are individual tracks, whilst for the BBC there is normally an extended highlights (circa 30 mins.) plus a couple of individual great moments from nearly all the featured performers - a number of the videos on Coachella Live are not even the best moments from those sets.

On my somewhat dodgy Talk Talk connection, I was astounded to get a totally seamless experience over the whole event - did not drop out once - and switching between the 3 live feed options was butter smooth!

Some artists will move away entirely from Album releases; Rihanna is currently the most successful singles artist (47.5 million downloads since 2005), and I believe several artists will move to just releasing singles and then compilations of singles rather than proper albums

YouTube will continue to grow in relevance as a music discovery resource - it is after all the new MTV

Artists will embrace more technology in their music delivery - in a similar vein to Björk’s Biophilia - expect to see more interactive albums and artist / album apps

We will see more apps - in both internet and tablet-based form - to allow even easier music production / collaboration and remixing, along with simpler, fully-integrated music publishing and distribution platforms

2012 will also see more entrants into the group sharing / interaction category of music - along the same lines as Turntable.fm

A leading electronic musician will employ Kinect-type technology into their core music-making and performance activities

There will arise at least one new significant music-sharing platform, with a very innovative means of revenue generation / sharing which holds enormous appeal for both musicians and fans

Spotify will strengthen its position as the leading music streaming platform - with yet further apps and integrations

Music unit prices - i.e. median album and single prices will be streamlined further in 2012

We will see even more free-to-download mix-tape type albums - DatPiff could become a household name!

11 New Artists for 2012

(Note that I consider Frank Ocean, Skrillex and The Weeknd to be significantly active in previous years and thus not properly eligible as ’New’ in 2012, the same could be said

It’s that time of year again when pop pundits do their best to predict who’s going to strike it big next year.

There’s no real suprises on the BBC Shortlist, certainly not in the inclusions, but there may be a question as to why Lana Del Rey has been edged out by Lianne La Havas and Ren Harvieu - I for one certainly think Lana is doing more interesting things vocally and melodically than those two.

I was never that bowled over by Nicki Minaj - sure she’s done some mean raps / flows, but for me she’s not nearly as consistent as say her predecessor Missy Elliott, nor quite as interesting as NME’s favourite newcomer Azealia Banks, who is a little potty-mouthed for sure, but is fresh and dynamic, and somehow more genuine and arresting than Ms Nicki.

One of my favourite albums this year has been Frank Ocean’s ’Nostalgia, Ultra’; in particular the ’Novacane’ track - slick, laidback, mature hip hop, superbly produced - he certainly deserves a high place on this listing.

Skrillex (aka Sonny Moore) has been a very busy boy this year, co-producing a number of records, including nu-metallers Korn’s latest album, as well as numerous remixes and own productions. Skrillex’s ’Scary Monsters and Nice Sprites’ EP came out last year, but has been on fairly regular rotation for me this year on my iPhone jukebox. I love this kind of Dubstep / Electro House hybrid sound, which some naysayers are unfortunately trying to denigrate by calling it brostep - obviously they don’t like to dance!

A$AP Rocky - rough and ready, urban US grimey hip hop (Not UK grimey!), some great tracks (e.g. Palace) but does not quite rise up to the lofty heights of Azealia Banks or Frank Ocean - who are superior in the rap category