Modern, that is to say post-Freudian, Vienna. But the doings related in
this film are strictly pre-Freudian, not to say prehistoric, in their
banality. A rather dour young American psychiatrist (Art Garfunkel) is
accosted at a party by a young American something or other (Theresa
Russell), who is rather feverish in her gaiety. Instead of his
suggesting a professional appointment, they decide to have an affair.
But he cannot keep it light, and she cannot take it seriously; the rich
variety of sexual experience she has had has led...