A multitude of black ink stamps are juxtaposed, superimposed, in order to paint a shape in a gradient of gray, irregular, fluid, vaporous which runs on the whole of the facade and which extends on the interior walls of the Sucrière. When approaching, we find that the stamp, which is not larger than the size of an inch, is composed of two words: Forever Immigrant. Forever Immigrant is an in situ work produced by the artist and his “collaborators” which took three weeks to complete and resulted from more than two million stamps.