-11- Topothesia: forms created around the theme of an imaginary space as catalyst to a visual rhetoric
as a thought experiment dimension of morphogenic traits.

: The theme is that of the imaginary place as a kind of thought experiment which encourages
imagination towards configuration of spatial extension and the spatial layering by which associative
elements are metonymic, and at a transformative plane of experience morphological. The material
world is recognized thereby as something of a misnomer as experience within what might be called
psychological colloids find the elemental flux and language radicals that generate the” theoretical
objects” which as Bal says are the art discourse : “topology destroys linear time by making embedding
not sequence a principle of narrative time- a body within a house”… topology being an abstraction of
common denominators that are natural to experience only as processed within experience(“ the
conditions of experience are simultaneously the conditions of the objects of experience”- Kant )and this
remove of meta levels that topothesia for example provides is the transport between simulacra that
brings the psychologies of “throwness”(Heidegger) to the kind of Pre-Socratic sense of Immanence or
generative primeval chaos within available utterance that makes psychology along with Physics (nous
and physis) the transport of dialectic- visual dialectic according to the threads of ethos pathos and
dialectic become generative, interactive, immersive- issues of identity usage and being- nominal, logical,
expressive within noumena ( things in themselves) noema (subtlies) and phenomenon (experience as
read from senses): monads in a word out of which the oscillation of paradigms subjective to objective is
resolved to conflux and shared subjectivity.