Jeff Ballew Volume 2: Classic Hard Rock Guitar contains electric guitar solos together with rhythms courtesy of Jeff Ballew. Tempos range from 80-125 bpm. Jeff's intensity clearly is exceptional and will shine through the instant it presents itself in virtually any track. His intricate rhythms can drive a song, and the leads explode with energy. The musicianship simply can't get a whole lot of better than this.

Jeff Ballew
Volume 3: Classic Rock Guitar contains electric guitar leads and rhythms performed by Jeff Ballew. Tempos are between 110-160 bpm. Jeff's energy levels will shine within any track. His cutting-edge rhythms are able to drive songs, and so his solos genuinely soar. The quality of performances simply do not get a lot better than Jeff's.

Jeff Ballew Volume 4: Hendrix Style Guitar - Hendrix style guitar leads and rhythms performed by Jeff Ballew. Tempos vary from 80 bpm to150 bpm. None of the material duplicates any one of Jimi's licks note for note. Instead they were intended to sound as though Jimi had been re-improvising a variety of his time honored melodies. If someone didn't actually know they might possibly believe many of these licks had originated from a Hendrix jam. They are extremely well executed. Of cource they are all performed by Jeff Ballew. It would be extremely difficult for you to come across anyone else that could perform Jimi's unique energy and techniques as good as this. Jeff definitely shines in this disc.

Jeff Ballew Volume 5: Blues, Rhythm & Blues Guitar - Blues and Rhythm & Blues guitar performed by Jeff Ballew. The Blues portion offers 407 loops in 13 folders. In addition the Rhythm & Blues segment has 225 files inside of 11 folders. The Rhythm & Blues that's being performed on this disc is actually the traditional Rhythm & Blues that developed as an offshoot of classic blues, as opposed to today's RnB style. You'll find a rock flavor to a great deal of it - in Jeff Ballew's roaring style. Jeff's energy and talent really stands out wherever it appears in a song.

Jeff Ballew Volume 6: Guitar Sessions - Guitar sessions includes a number of classic styles of electric guitar performed by Jeff Ballew. The beat per minute start at 80 and go up to 140. The styles are similar to those of Pink Floyd and Robin Trower's. There's also some Funk, some Heavy Metal, some Laid Back Rock, a little guitar FX, plus a bit of Nashville Country. There aren't any Pink Floyd or Robin Trower licks played the same as their original songs. Our intention is basically to help you recreate a new improvised feel of the originals.

ACOUSTIC GUITAR LOOPS:

Greg Diaz Amplified
Acoustic Guitar Volume 1- Acoustic guitar loops- Guitarist Greg Diaz plays amplified Acoustic Guitar Volume 1 at tempos from 45-64 bpm. These loops include strumming, finger picking, and also a whole lot of a “punchy” technique that includes plucking, picking and also strumming. The main styles are mostly pop-rock along with a bit of folk, some country and also a touch of smooth jazzy here and there. A TC Electronic G-Force was utilized to be able to generate the tones which were produced. diiferent variations available on similar themes in this disc. The feels vary from subtle and soft and gentle, to strongly rhythmic.

Greg Diaz Amplified
Acoustic Guitar Volume 2 - Guitarist Greg Diaz performs amplified Acoustic Guitar Volume 2 at tempos ranging from 66 -74 beats per minute. These loops include strumming, finger picking, as well as loads of a “punchy” style which includes plucking, picking as well as strumming. The styles are mainly pop-rock plus a little folk, country together with a hint of smooth jazzy here and there. A TC Electronic G-Force was made use of to allow us to get the wonderful warm tones which were attained. There are plenty of diiferent variations found on the motifs within this disc. The feels vary from sweet and light to solidly rhythmic.

Greg Diaz Amplified
Acoustic Guitar Volume 3 - Guitarist Greg Diaz plays amplified Acoustic Guitar Volume 3 at tempos from 75-82 beats per minute. Included are strumming, a lot of finger picking, as wll as plenty of a “punchy” style that combines plucking, picking in addition to strumming. The styles are mainly pop-rock and a bit of folk, some country together with a pinch of smooth jazzy here and there. A TC Electronic G-Force was utilized to allow us to generate the tones which were attained. There are plenty of diiferent variations available on similar themes within this disc. The feels range from deep and warm along with soft and gentle to powerfully rhythmic.

Greg Diaz Amplified
Acoustic Guitar Volume 4 - Guitarist Greg Diaz performs amplified
Acoustic Guitar Volume 4 at tempos from 83-120 bpm. These loops include strumming, a lot of finger picking, and also a whole lot of a “punchy” technique that combines picking and plucking mixed in with strumming. The styles are mostly pop-rock with a little bit of folk, some country plus a touch of bluesy and some smooth jazzy here and there. A TC Electronic G-Force was utilized to be able to obtain the smooth and warm tones which were achieved. There are plenty of diiferent variations found on the themes within this disc. The feels vary from sweet and mellow and soft and gentle to strongly rhythmic.

Greg Diaz Amplified
Acoustic Guitar Volume 5 - Guitarist Greg Diaz plays amplified Acoustic Guitar Volume 5 at tempos ranging from 120-158 beats per minute. Included techniques are upbeat strumming, and also a lot of Greg's “punchy” technique described above. The style is mostly pop-rock with a little folk, and a hint of jazzy here and there. The same TC Electronic G-Force was used in order to generate the warm tones that you'll hear. There are plenty of variations found on the themes in this disc. The feels range from softly punchy to strongly rhythmic strumming.

Greg Diaz
Amplified Acoustic Guitar Volume 1—5 - This is a
compilation DVD of all of the acoustic guitar loops on all of Greg's 5 volumes.
The main difference between the 5 volumes is the tempo range. The higher tempos are naturally a bit peppier than the lower tempos. Otherwise Greg's playing style is consitant throughout the 5 discs. The lower tempos stretch to higher tempos better than the other way around, so almost all of the material will work together well in the most poular tempos of about 90 to 120 bpm range. All meticulously acidized acid loops.

BASS GUITAR LOOPS:

Dean Cortez Volume 1 Ambient Bass - Ambient
and FX Bass loops ranging from 60-140 bpm in a range
of keys. There are lots of “synth pad” sounding
tones but played on the bass by journeyman bass player Dean
Cortez through several different TC Electronics effects rack units.
The G-Force, M2000, Fireworx, and Finalizer were utilized in
combinations to get some of these more exotic tones. Lots of
the material is very suitable for evocative film music, and
somewhat similar to some of Pink Floyd’s moods. These
are rockish, funky, and jazzy flavored ambient bass lines,
slides, harmonics, and a section of wailin’ plucked hi
notes, all played with the effects on during the sessions rather
than added after, to allow Dean to use the feel of the FX while
playing.

Dean Cortez Volume 2 Electric Bass - Electric
Bass loops ranging from 70-135 bpm in a range of keys. There
are a wide variety of playing styles and techniques on this
disc including lots of funky, jazzy, and rock bass lines, bass
chords and harmonies, harmonics, bass slides, ambient chords
and ambient volume FX. All played by journeyman bass player
Dean Cortez.

Dean Cortez Volume 3:
Slap Bass - Slap
bass and ambient slap bass loops played by journeyman bass
player Dean Cortez. Tempos range from 60-144 bpm and include
a wide range of keys. These are super funky with a bit of rock
and jazzy flavors. One folder is ambient (with FX) and one
folder is without FX. The files that have FX were played with
the FX on while playing and not added after to allow Dean to
use the feel of the FX while playing. Each lick is unique.
There is no duplication of one file with and one without FX.

Chet Smith Volume
1 Electric Bass - Electric Bass loops ranging from 90-149 bpm played by Chet Smith in range of keys. Styles Styles include lots of funk, some rock, and some spacey laid back ambient styles. There are also some FX licks and one shot stabs (not multi-samples).

VOCAL LOOPS:

Cindee Sings! - Volume 1 - Female vocal loops sung by Cindee Noble. Tempos range from 70-160 bpm. The styles are soft rock, pop, ballad, jazzy, and some dance/techno vocals with trippy rhythmic FX. Ad lib’s without words is the primary focus within each genre, but there is a section of word phrases as well. There’s also a great section of female vocal harmonies (84-94 bpm) with lots of useful variations to each theme that show off Cindee’s beautiful vocal tones.

Cindee Sings! - Volume 2 - Female vocal loops performed by Cindee Noble. Tempos range from 60-140 bpm. The styles are soft rock, pop, blues, and dance. Ad lib’s without words is the primary focus within each genre, but there are some blues phrases with words included as well. There’s also a great section of female vocal harmonies (95-137 bpm) with lots of useful variations to each theme that show off Cindee’s beautiful and powerfull voice.

Laughter Loops - Hilarious Volume 1 - Hilarious loops of laughter, that actually loop to the rhythm of the beat. The laughter of small children and the laughter of “adult” children as well. These are not just any laughs only the tummy ticklers that sync to the beat are included. Also included is a folder (61 files) of rhythmic dub laughs with tripped out FX on them- for Dance, Techno, Electro or any other electronic music genres. These loops put a smile on just about anyone’s face.

Laughter Loops - Hilarious Volume 2 - Hilarious loops of laughter, that actually loop to the rhythm of the beat. These are not just any laughs but only the tummy ticklers that sync to the beat of a song. Lots and lots more from Freddy including a few rhythms with FX added, and Michael who’s contribution to volume 1 was limited to some one shots. Michael burst’s out are the most infectious of all the laughers. These loops really are infectuous!

KEYBOARD LOOPS:

Rhythm
and Grooves Volume 1 - Rhythm & Grooves
Volume 1 contains rhythmic and melodic keyboard loops. There are some are
individual instrument loops and also some multi instrument
arrangements. This collection contains mostly instrument
sounds that only synthesizers can produce like pads or hybrid
instruments, but there are also some traditional drum loops,
bass, and guitar included within some of the multi instrument
mixes. The tempos range from 90-132 bpm. The styles range from
funky to film to alt rock, and with powerfull, triumphant, and jazzy moods.

Rhythm
and Grooves Volume 2 - Rhythm & Grooves Volume 2 contains synth loops - rhythms and melodies. There are some are individual instrument
loops and also some multi instrument arrangements. There are mostly instrument sounds that only synthesizers
can produce like pads or hybrid instruments, but there are
also some traditional drums, bass, and guitar included within
some of the multi instrument mixes. The tempos range from
90-132 bpm. The styles range from film to fusion, to funk,
to alt rock, to smooth jazz, and a bit of country. Funk, fusion, spacey, and happy moods.

Swinglefunk Volume 1 - Swinglefunk Volume 1 contains synth loops. One funky 4 bar motif with some swing to it, and lots and lots of rhythmic and tonal variations. The key is C and the tempo is 97. The tonal nuances range from pad sounding to wah wah guitar sounding to organ sounding to kalimba sounding while the rhythm is modulating as well. The tones transpose and layer well, allowing you to make more complex chordal variations and rhythms, and the motif lends well to lots of different styles. Swinglefunk volume 2 is the second half of the same jam and volume 3 is additional takes in different keys.

Swinglefunk Volume 2 - Swinglefunk Volume 2 contains keyboard loops. One funky 4 bar motif with some swing to it, and lots and lots of rhythmic and tonal variations. The key is C and the tempo is 97. The tonal nuances range from pad sounding to wah wah guitar sounding to organ sounding to kalimba sounding while the rhythm is modulating as well. The tones transpose and layer well, allowing you to make more complex chordal variations and rhythms, and the motif lends well to lots of different styles. Swinglefunk volume 1 is the first half of the same jam and volume 3 is additional takes in different keys.

Swinglefunk
Volume 3 - Swinglefunk Volume 3 contains the same funky 4 bar
motif as volumes 1 and 2. The keys are A, E and D and the tempos
are 97 and 108. The tonal nuances range from pad sounding
to wah wah guitar sounding to organ sounding to kalimba sounding
while the rhythm is modulating as well. The tones transpose
and layer well, allowing you to make more complex chordal
variations and rhythms, and the motif lends well to lots
of different styles. Swinglefunk volume 1 and 2 are from
another take in C at 97 bpm.

Swinglefunk
Volume 1 – 3 - Swinglefunk
volumes 1-3 contains all of the synth loops from the 3 volumes. The
key is C on 2/3 of the loops and D, E, and A on the remaining
1/3. The tempo is 97 on 80% of the material with about 20% at
108 bpm. The tonal nuances range from pad sounding to wah wah
guitar sounding to organ sounding to kalimba sounding while
the rhythm is modulating as well. The tones transpose and layer
well, allowing you to make more complex chordal variations
and rhythms, and the motif lends well to lots of different
styles.

DRUM LOOPS:

Drum Language Volume 1 contains exotic drum loops from 80-108 bpm. There are Hip Hop, Trip Hop, Funky, Film, RnB, and Latin drum loops and mixes. The mixes are composed of layers of the individual gooves, and provided as additional individual beats. Each groove is provided with lots of variations. These are not your everyday drum loops. These grooves create moods suitable for film scoring.

Drum Language Volume 2 is comprised of evocative drum loops from 109-120 bpm. These are Film, Fusion, Dance, Funk, RnB and Ethnic drum beats and mixes. The mixes are composed of layers of the individual grooves on the disc and provided as additional individual loops. Each groove is provided with lots of variations. These are not your everyday drum loops. These exotic grooves are suitable for film scoring.

Drum Language Volume 3 is composed of head bobbing and foot stomping drum beats from 120-138 bpm. These are Fusion, Film, Club, Techno, Dance, and Ethnic loops and mixes. The mixes are composed of layers of the individual grooves on the disc and icluded as individual loops as well. Each groove is provided with lots of variations. These are not your everyday drum loops. These grooves create moods suitable for film scoring.

Drum Language Volume 4 contains energetic and hard driving beats from 138-160 bpm. These are Fusion, Film, Drum & Bass, and Ethnic loops and percussion loops and mixes. The mixes are composed of layers of the individual grooves on the disc and provided as additional individual loops. There are lots of variations for each groove. These are not your everyday drum loops. These beats are suitable for film scoring. There are lots of very energetic feels on this disc.