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Monthly Archives: May 2015

Since June is coming by, now is a good time to talk about Japan Expo. If you don’t know, it’s the biggest French convention and we’ll be attending this year again. So here’s the list of the new products we’ll be selling.

Hard copies

The cover by @Orties

In addition to last year compilation (which includes Being Beauteous, Ambre and HVNCML), we’re working on a new compilation that will contain:

_An extended version of Wounded by Words with an after story for each character and an unlockable epilogue (English AND French)

_As well as a small hidden bonus that will make you laugh, or so I hope (hint: it’s a parodic mini-game)

We’re currently translating that content to French, hoping that we’ll be finished on time.

Merchandises

The goodies from last year are back!

We did a little survey at the beginning of the year and the goodies that had the most success were the bookmark and the poster. So I think I’ll make a new bookmark inspired by the new compilation cover. As for the poster, it’s a little more complicated: I wanted to use the Styx CG from Milk Episode 4 but the size of the required file is really big. We’ll only be able to know if we can do that after some tests. We’ll keep you up to date. It should also be noted that Roganis won’t make a new music album this year but his last one, The Milky Way of Music, will still be available, as well as last year goodies!

The case of the artbook

Only preview available for now…but this is gonna change pretty soon!

Our biggest challenge for Japan Expo is the artbook aout visual novel we want to make, our first one at that! The conception phase wasn’t easy but we’re slowly seeing the end of the tunnel. We need to make the cover as well as four pages…out of the 40 or so planned (A5 format). In order to make you drool a bit, we’re going to post previews of each artist’s work along the week.

Booth organization

A part of last year booth

Since 2014 was our first time in a convention, we obviously learned a lot since then, that why we’ll have a bigger booth this time (that we’ll share with the same lovely dev as last time) and we’ll try to make effort on the decoration. We’ll also make a lottery : for each purchase on our booth (amount to be specified later), you’ll be able to try your luck at the lottery and win a prize. And you can only win something!

Pre-orders are coming!

This picture is only here to give the impression that the artists work on a production line

You might think that it doesn’t concer you, right? But this time, we’ll try a pre-order system. Even if you don’t live in France, you can book/buy a product and we’ll put it aside to ship it later. Since some items will be limited, they might get sold out very quickly though, so don’t wait after the convention to see if there is still some left! We’ll be opening preorders pretty soon, in a few days actually (with full informations), so keep your eyes open and follow us on social network to be the first one served!

I hope you’re impatient, because we sure are ;).

P.S : Should be noted that people following my Patreon will be able to book a little earlier than the others (and already get some artbook previews). That’s how it is XD.

I recently started a Patreon page to help me be able to pay some bills while continuing to work for the team. Since it’s a personal one, I’ll use it to talk about various things, including, well, what I do for the team. So, if you like what we do and if you want to know more about the backstage of visual novel creation, consider helping me out.

Here are the rewards:

As patrons, you’ll get access to exclusive content about the Träumendes Mädchen team for 5$ per month: progress reports for our various projects (including revealing new ones before anyone else!), WIP illustrations, various anecdotes on the creation process and wallpapers.

And for some extra change (10$), you’ll be able to get our future games way in advance, suggest me articles to write for the devblog (if you want me to talk about something specific), as well as priority on pre-order goodies (we’ll ship them or you’ll be able to retrieve them at our booth during conventions). It’s useful in case of limited goodies such as, at random, the artbook we’re planning to see early July for the Japan Expo convention ~

And for the craziest among you (20$), I offer my advice on your narrative projects (be it a traditional book or visual novel) through a customized service. This offer is limited for now because I don’t have enough free time to give, but I’ll gradually add slots according to my availability!

If you want, you’ll also get access to exclusive content related to my personal anime/games blog: getting posts in advance that you’ll be able to improve through your contributions, suggesting themes (with or without vote) and some bonus/extra content. Translation of the articles are available on request (original ones are in French)!

Same-san the shark will be my official mascot, so you don’t have a reason not to become my patron!

So, I think it’s all for now. Ah, yeah, and I’ll post something there about the upcoming goodies we’ll be selling at Japan Expo pretty soon. If you want to give me your opinon on the design/content/presentation, as well as pre-order it first, you know what to do! Thank you for reading me and thank you very much for your support, it means a lot to me! I now will go back to my work: wouldn’t be good to make my teammates wait ;).

Since it’s been two weeks since the competion, now would be a good time to reflect on what we’ve done for Ludum Dare 32. It was our second time as a team…and everything went differently!

1st try on the corridor background (by @Orties)

Preparation, what preparation?
I wanted to take some time to calm down and think before the competition, in order to be ready for whatever may come. I tried to make a bit of research on various subjects I wanted to talk about in a future game but, honestly, the period before the actual game jam was hectic! Not only was I lacking time due to the (very) late release of Milk Episode 4, but my team was completely freewheeling. One or two days before the launch, I still didn’t know which artist was available and which was not… So yeah, I was relieved to get a full team on time.

Sketch of the corridor background (by @Orties)

Conventional rules for unconventional games
As I said before, I’m the kind of person who sucks at improvising: I need time to think about a story before actually writing it. The announcement of the theme was a bit of a shock. I knew « Unconventional Weapons » was popular but I really hoped for Companion to overtake it. That Saturday morning, in front of my cup of coffee, I felt powerless. Unconventional Weapons is a nice theme for non-narrative games, it sure encourages people to make funny concepts (and we all know that’s what people like the most about game jam entries), but it’s a disaster for a narrative game! I saw a Twine dev on Twitter giving up because of that. And afterwards, I realized with disapointment there were fewer visual novel than what we had for Ludum Dare 30. I think it’s not far-fetched to say most RenPy dev, either were too tired after Nanoreno (another game jam that had taken place a month before), either felt as uninspired as I was. Anyway, I was on the verge of giving up when my teammates urged me to find some motivation back. It took me an hour to get out of my lethargy befire I decided to go all out. As such, I chose the « Words as Weapons » approach. I also used some ideas I had for a while to make a visual novel that would recquire of me to go out of my comfort zone and add choices to my work. Let’s see how we did!

Gabriel Sprite Progression (by @Kinect)

What went right
I never saw my artists that fired up in my entire time as a dev! In the matter of two days, three quarters of the art was done. Three quarters! And I thought I was asking a lot from them, Laniessa even told me it would be a bit too much when I told her the amount of work needed. Everything was finished way before the end of the third day and I had actually trouble keeping up with the artists to give them directions. Orties and Kinect sure makes a dangerous pair! Roganis too seemed inspired since he composed the whole soundtrack in the matter of two days…and he was partying right in the middle of the contest! Are those people even human? How cant hey be so efficient 0__o?

Line of the corridor background (by @Orties)

Code was surprinsingly a piece of cake too. I had actually been practicing for some days in order to know how to use « affection points » and trigger the various endings. Since I’ve learned so much from Garden of Oblivion, our previous LD game, implanting the interactive adventure game system was easy and I knew what I had to do. I’ve learned a lot from Milk Episode 4 too as I made the little animations by myself. The only thing I didn’t have the time to learn beforehand was the blinking animations and I really wanted to add it. It took me between one and two hours before actually understanding how I should do it and I only had to ask Keul for a little help with the optimisation. Since he was there as a backup, it was pretty simple to get organized: I only had to ask him for the difficult elements I couldn’t do due to lack of skill/time.

Flat colors of the corridor background (by @Orties)

As for the writing, I didn’t feel comfortable obviously, since English isn’t my native language, but it went better than expected. I read into that fact as the result of my recent practice: since I’m writing on my devblog in English now, I’m starting to get the hold of it. It wasn’t the case back in August. I wasn’t inspired by the theme per se, but I really wanted to tell that story and my reseach did come in handy, since I didn’t have to check for the smallest fact.

What went wrong
Err, nothing? No, really, nothing actually went « wrong » 0_o. I couldn’t finish the story on time (nor proofread it) but it wasn’t because of bad management: I was glued in front of my computer during the whole contest, writing and coding like crazy. True, I could have woken up a bit earlier, but I really felt too tired for that (I didn’t have time to rest for days even before the start of the competition, after all). No, I really think I just saw too big. The story needed more time to be developed and I just didn’t have enough in three days. Planning different endings was a bad idea for a game jam, since it only added me more work, but i twas the core of the visual novel,it couldn’t be removed.

Eleesha Sprite Sheet (design by @Kinect and colouring by @Laniessa)

Ok, maybe I should have put our previous game release on hold to be able to rest properly but it was out of the question: I just couldn’t afford to fall behind schedule =’). Or post-dare fatigue maybe? I’ve been a vegetable for a couple of days because I badly needed some rest. But it took me less than a week to get back on my feet. And I still had time to try some other entries and release the updated version of the game with fixed typos and new content (Dave and Hassan routes).

Sooooo…it was super difficult and challenging for me, yet it didn’t went wrong.

What now?
As I mentionned above, there is a new build available fixing most of the problems/missing things. I’m still not completely satisfied because I couldn’t polish the story as well as I wanted, so I very likely will try to make another update later on. But, hey, you know how I am: I’m never satisfied with my work anyway X’).

GIF of the exploration scene (final assets, colouring by @Laniessa)

I think it’s the best looking game we’ve released so far and one of the more optmistic given my tendancy to make my characters suffer horrible things (still not joyous though !). I’m also quite proud to be able to create a diverse cast for a change and it plays a big part in the story. For now most feedbacks I got were rather encouraging…I hope you’ll all enjoy Wounded by Words :3.