I initially began to sit uncomfortably through some of the expositionary reveals, and then I realised that they were unforced, and natural in the context.

Near the end I began to search for the intent and purpose, however, and the fact that the film tails away left a disturbing and depressing final impact. The purpose and intent seems to be folded into the heart of the work, defying the paradigm of cause and effect. Here, it works for me, though I was rivetted by the quality of all aspects of this work. The shape and nuances of this piece are not in the mainstream current, and that's neither good or bad, but adds fuel to the lingering question upon completion of "what was this about - really?"

At the end of the day, I don't care. A beautiful and beautifully made film.»

«Great film! You've proved you can carry on the high quality in iClone that you've exhibited using other engines. That was as much of an emotionally griping initial scene as I've ever experienced watching a machinima film. Everything in this film was extremely well done, from the script, direction, music, to the acting. »

«With Chat Noir Films, what you are about to witness is rarely easy. Visual, sensory, perception, emotional.... they are rarely in balance often leading the viewer to a place that most could not have gotten there on their own. Thanks for the memories... or in this case the removal of.

In the face of very difficult experiences, the mind has the ability to block things out in an act of preservation. Some are physical trauma such as car accidents and some are direct shots to our psyche often involving the things and people we care most about. In comes David who has felt as though he has lost something is his inability to manage the last events and moments he shared with his beloved Jenny. Having to suffer through a terrifying ordeal as he did, the last moments with his wife are a nightmare. He interprets her last words to remember her (even in death) with a smile. This of course can only be done by eliminating (minimizing) the horrific details leading up to her demise.

Remember me is shot on the iClone 5 platform which is a first for Chat Noir films but don't expect this to provide any noticeable restraints in film making. The film carries all the gritty and challenging aspect known for the Liu's films. Just before the first 2 minutes are met in the film the black cats literally drag you into, if not your worst fear, one that rivals its every move. From the most peaceful to the most restless you can be in watching not only machinema but film in general. It makes you pause for a moment and literally say "Did they go there?" In disbelief you start to experience on the same level as David only later to realize the same thing he suffers "So do I?" I had to upon completion of the film, watch it again as I honestly felt I most likely missed the fine detail trying to get over the unsettling experience. This only furthers my understanding of David and eventually his decisions.

But it is never that simple is it? If it were Chat Noir would run out of film ideas right? I as the viewer then have to ask "Yeah... but would I want to erase those memories? As horrific as they are? Do I want to forget in the face of the things she suffered for the details of her life?" It was only poignant for me that in her death she was aware of the saddened fact that she will lose her beautiful memories. Perhaps even the arguments they had before as the film demonstrates. David is the only one that carries her last moments which are in light of a nightmare ones of beauty and true love for David.

The adaption from film tool to film tool only shows Chat Noir's Mastering of their craft. When you have vision for stories and the talent to convey them it wouldn't matter if it were iClone, Moviestorm, The Movies or flipping cards with stick figures. The Liu's have your attention for the next 15 minutes. Be prepared.»

«This a harrowingly beautiful piece of work. It presents a certain uncomfortableness to it, like when watching "Incubus" for the first time. I've watched it twice now, and like Incubus, "Remember Me" becomes more powerful with each viewing. This short really relies on uncertainties: little is told about the characters, and so the role is shifted onto the viewer to consider who these people are. The most uncomfortable moment in the film is the identity of the assaulter. What stuck with me the most, besides the darkly magnificent opening, is the relation between the assaulter, David and Jenny. During my second viewing, I started to look at the aesthetics of it all. I feel that as a studio, you two have spent a great deal of time working with lighting and atmosphere, which presents itself here as one of the strongest showcases of aesthetic you have ever accomplished. The transitions were smooth, the imagery was captivating, and at times held an abstract objective quality to it.

The brevity perfectly added to the film, and the fact that we, as the viewer, are between not knowing anything about the characters and knowing everything about the characters, aids the film. We know enough to draw assumptions about the characters and their stories, but not enough is given away by the narrative. It really pushes for the viewer to form their own ideas, which I really appreciate. There was also a very nice carry-over from Moviestorm to iClone; however, I would like to see more use of shadow. I'm remembering back to Incubus when Julien circled around Isabel - that was superb lighting. This short film doesn't present tremendous amounts of chances for lighting opportunities, but I'd like to see furthering of light and mood in whatever platform you choose to continue this story. Also, as was already said, there could be some alteration to the characters, to change them from the standard models.

I loved the gentle suggestive imagery: the angel flying over David, the ethereal presentation of the theater inside his mind. Most of all, the melting clock, reminiscent of Salvador Dali. They're all very representative of memory, and the dangerous choice of whether or not we want to forget.

I've been singing Dido's Lament (When I Am Laid In Earth) because of this, and Sherwin's score was fantastic. It was very minimalist and a large contrast from previous films, but when close attention is paid to it (especially during the opening scenes leading up to Dr. Hendrix), it's very disturbingly excellent.

And Kate, did you make a cameo? It went uncredited, but not unnoticed.»

The both of you already know how I feel about your film. But to reiterate those thoughts to new & potential viewers...

Chat Noir's transition to iClone is undoubtedly flawless, as brilliant filmmakers' talents will always shine through no matter what tools they use to create their films. And "Remember Me" yet again showcases their brilliance as filmmakers.

I thoroughly enjoyed everything about this film from the performances to the musical selection to the visuals & camerawork -- the whole nine yards -- loved it all! And on a personal note, it's such a great pleasure to have worked once more with Chat Noir and to have contributed alongside the immensely talented Sonya and Ricky.

This is definitely another film to add Chat Noir's history of masterful works of art. Fantastic work.»

«Extremely impressive and virtually flawless video done with iClone. Acting, music and sound effects all perfect. The only complaint is the faces of David and his wife could have been altered more so they would less resemble the standard characters of Chuck & Gwynn in iClone. Fantastic job and a pleasure to watch.»