Yes, what you see above lacks saturation, contrast, dynamic range, and is soft at near the front of the lens. I didn’t tilt the Cambo ACTUS GFX far enough forward. You see, I had intended just to take a few test shots, after which I’d cull the bad ones, save the profiles and shoot proper ones tomorrow, where focus, file quality, WB and more would be carefully set. But then family matters erupted.

The X-H1 was a great idea and it should have been another great Fujifilm camera. It carried forward Fujifilm’s incredible JPEG engine, colour, and processing. It gained a useful top-plate screen, in-body stabilisation, and a grip. It should have been an epochal product which drew closer the divided camps of mirrorless and DSLR cameras. Unfortunately, its design misses are many, and large, and ultimately it was eclipsed in the action/sports arena by Fujifilm’s X-T3.

Whilst penning a review of my favourite semi wide-angle medium format lens, I realised that I’d not updated my experience with Yongnuo’s 60mm F/2 Macro EF lens. The short of it is that in a few areas: contrast, sharpness, colour aberrations, and general mechanics among them, it is good. But its misses are big; one in particular is a show stopper.

My first commercial photography paycheque came from taking snap shots of sake. My last photography paycheque came from stuff eaten whilst sipping sake. Something good in the tummy is transient, but a good stuffing isn't soon forgotten.

Last week I published the first part of my Fujifilm X-H1 VS Leica SL review, but forgot to publish it to ohm. PT is devoted to basic handling and my amateur speaking/editing skills. This series will focus on basics of haptics and handling; other channels will cover things typically on the minds of camera nerds.