The theme of this song's lyrics is actually started from expressing the lyricist's messy mood sensed from the autumn scenery before his eyes. The feeling gradually becomes cheerful and elastic because he slowly understands what he yearned for is a peaceful and tranquil life. After all, life is like a dream. He realized that he should follow his fate and live a free and unfettered life, rather than concerning about life burdens and worries.

The theme actually covers a lot of Oriental philosophical thinking. The first major topic of the thinking is originated from Tao Yuanming’s Peach Blossom Spring, an ancient Chinese prose written over 1,500 years ago. It depicts a land hidden from the outside world called "Peach Blossom Spring" and it’s a land which all Chinese people are yearning for. There is no pollution in the land and it’s just like “Utopia”, a beautiful place which is hard to exist in the world. The land is also known as the Chinese peoples’ collective spiritual sustenance. The second major topic of the thinking is derived from the penultimate sentence of the lyrics, saying "Shall not be affected by windswept, rain or shine." It’s from a very famous ancient Chinese poet Su Dong Po's poem to describe a person experiencing the ups and downs of life and finally adapts to it, feeling open-minded and comfortable. The third major topic of the thinking is called “Zhuāng Zhōu m�ng di�” in Chinese and it means that “Zhuangzi dreamed he was a butterfly”. It’s a famous ancient Chinese fable come from the Chapter 2 "Discussion on Making All Things Equal" of ZhuangZi’s philosophical book. ZhuangZi was a great ancient Chinese philosopher. He thought that if the human beings can break the boundaries between life and death, or even the boundaries between things and the human beings, then the human beings will gain the true happiness of life. His philosophical thinking was written and manifested in an ethereal manner, so it’s often cited by the philosophers and writers all over the world.

At the very beginning, we were really tormented by how to reveal the concepts described above using video images. It’s because on the one hand, we have to make it simple and easy to understand, but on the other hand, it can’t be too straightforward, or it will lose the unique Chinese romance. After countless idea generation and data collection, we decided to use the “Myriad Year Clock” (Self-ringing Bell), a precious collection of the Beijing Palace Museum, as the basis of our primary visual presentation. Collocated with the Facial Scanning Technology and rendered in full CG animation, it helps us breakthrough time and space constraints. This way we are finally able to tell a unique Oriental fantasy fable. Meanwhile, the abundant mechanical structure of a Myriad Year Clock as well as its rich historical significance gave us plenty space to fully elaborate our visualization and imagination, creating a brand new Oriental vision.