Austin Cedric Gibbons (March 23, 1893 – July 26, 1960), known professionally as Cedric Gibbons, was an Irishart director and production designer for the film industry. He also made a significant contribution to motion picture theater architecture from the 1930s to 1950s. He is credited as the designer of the Oscar statuette in 1928. He was nominated 38 times for the Academy Award for Best Production Design and won the Oscar 11 times.[1]

He retired in 1956 with about 1,500 films credited to him: however, his contract with MGM dictated that he receive credit as art director for every MGM film released in the United States, even though other designers may have done the bulk of the work. Even so, his actual hands-on art direction may have been about 150 films.

In 1930, Gibbons married actress Dolores del Río and co-designed their house in Santa Monica, an intricate Art Deco residence influenced by Rudolf Schindler. They divorced in 1941; three years later [3] he married actress Hazel Brooks with whom he remained until his death.

Gibbons's set designs, particularly those in such films as Born to Dance (1936) and Rosalie (1937), heavily inspired motion picture theater architecture in the late 1930s through 1950s. The style is found very clearly in the theaters that were managed by the Skouras brothers, whose designer Carl G. Moeller used the sweeping scroll-like details in his creations. Among the more classic examples are the Loma Theater in San Diego, The Crest in Long Beach and Fresno, and the Culver Theater in Culver City, all of which are in California and some extant. The style is sometimes referred to as Art Deco and Art Moderne. The iconic Oscar statuettes that he designed, which were first awarded in 1929, are still being awarded to winners at Oscars Awards ceremonies each year.