Minnesota Historical Society Press

Minnesota Historical Society Press

William W. Warren's History of the Ojibway People has long been recognized as a classic source on Ojibwe History and culture. Warren, the son of an Ojibwe woman, wrote his history in the hope of saving traditional stories for posterity even as he presented to the American public a sympathetic view of a people he believed were fast disappearing under the onslaught of a corrupt frontier populaton. He collected firsthand descriptions and stories from relatives, tribal leaders, and acquaintances and transcribed this oral history in terms that nineteenth-century whites could understand, focusing on warfare, tribal organizations, and political leaders. First published in 1885 by the Minnesota Historical Society, the book has also been cirticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.

Farmers in Laos, U.S. allies during the Vietnam War, refugees in Thailand, citizens of the Western world—the stories of the Hmong who now live in America have been told in detail through books and articles and oral histories over the past several decades. Like any immigrant group, members of the first generation may yearn for the past as they watch their children and grandchildren find their way in the dominant culture of their new home. For Hmong people born and educated in the United States, a definition of self often includes traditional practices and tight-knit family groups but also a distinctly Americanized point of view. How do Hmong Americans negotiate the expectations of these two
very different cultures?
In an engaging series of essays featuring a range of writing styles, leading scholars, educators, artists, and community activists explore themes of history, culture, gender, class, family, and sexual orientation, weaving their own stories into depictions of a Hmong American community where people continue to develop complex identities that are collectively shared but deeply personal as they help to redefine the multicultural America of today.
Contributors: Mary Louise Buley-Meissner, Amy DeBroux, Jeremy Hein, Vincent K. Her, Don Hones, Gary Yia Lee, Song Lee, Pao Lor, Bic Ngo, Keith Quincy, Chan Vang, Hue Vang, Ka Vang, Kou Vang, May Vang, Ma Lee Xiong, Shervun Xiong, Kao Kalia Yang, Kou Yang.

Minnesota has always been a land of immigrants. Successive waves have each made their own way, found their place, and made it their home. The Hmong are one of the most recent immigrant groups, and their remarkable and moving story is told in Hmong in Minnesota. Chia Youyee Vang reveals the colorful, intricate history of Hmong Minnesotans, many of whom were forced to flee their homeland of Laos when the communists seized power during the Vietnam War. Having assisted U.S. troops in the “Secret War,” Hmong soldiers and civilians were eligible to settle in the United States. Vang offers a unique window into the lives of the Minnesota Hmong through the stories of individuals who represent the experiences of many. One voice is that of Mao Heu Thao, one of the first refugees to come to Minnesota, sponsored by Catholic Charities in 1976. She tells of the unexpectedly cold weather, the strange food, and the kindness of her hosts. By introducing readers to the immigrants themselves, Hmong in Minnesota conveys a population’s struggle to adjust to new environments, build communities, maintain cultural practices, and make its mark on government policies and programs.

In this poignant collection of oral histories, four Indian elders recount their life stories in their own quiet but uncompromising words. Growing up and living in Minnesota and the Dakotas, Stella Pretty Sounding Flute and Iola Columbus (Dakota) and Celane Not Help Him and Cecelia Hernandez Montgomery (Lakota) share recollections of early family life interrupted by years at government boarding schools designed to eradicate tribal culture. Recounting their complex lives, the grandmothers reveal how they survived difficult circumstances to become activists in Indian politics, reconciling urban with reservation life and Christianity with native spirituality. Particularly memorable is one grandmother’s detailed family account of the tragic events and consequences of the Wounded Knee Massacre of 1890. Defying stereotypes, these clear and forthright voices are unforgettable. As the traditional teachers and bearers of culture, the grandmothers also share their concern for future generations.

Near the end of her life, Mina Anderson penned a lively memoir that helped Swedish novelist Vilhelm Moberg create "Kristina," the central female character of his beloved emigrant novels, a woman who constantly yearns for her homeland. But Mina's story was quite different. Showcasing her previously untranslated memoir, "I Go To America" traces Mina's trip across the Atlantic to Wisconsin and then the Twin Cities, where she worked as a domestic servant, and her move to rural Mille Lacs County, where she and her husband worked a farm, raised seven children, and contributed to rural Swedish community life. Mina herself writes about how grateful she was for the opportunity to be in America, where the pay was better, class differences were unconfining, and children--girls included--had the chance for a good education. In her own words, "I have never regretted that I left Sweden. I have had it better here."Author Joy Lintelman greatly expands upon Mina's memoir, detailing the social, cultural, and economic realities experienced by countless Swedish women of her station. Lintelman offers readers both an intimate portrait of Mina Anderson and a window into the lives of the nearly 250,000 young, single Swedish women who immigrated to America from 1881 to 1920 and whose courage, hard work, and pragmatism embody the American dream.

Babes in Toyland burst onto the Minneapolis music scene in the late 1980s and quickly established itself at the forefront of punk/alternative rock. The all-female trio featured a shy, seventeen-year-old Jewish teen from the suburbs on bass guitar—an instrument she had never played before joining the band.
Over the next few years, Michelle Leon lived the rock-and-roll lifestyle—playing live concerts, recording in studios, touring across the United States and Europe, and spending endless hours in stuffy vans, staying in two-star motels, and sleeping on strangers’ couches in town after town. The grind and drama of life in the band gradually wore on Leon, however, and a heartbreaking tragedy led her to rethink her commitment to the band and the music scene.
Leon’s sensitive, sensory prose puts readers right on stage with Babes in Toyland while also conveying the uncertainty, vulnerability, and courage needed by a girl who never felt like she fit in to somehow find her place in the world.

A boardinghouse keeper finds her kitchen in a mess after Saturday-night revelry and refuses to cook on Sunday. An iron miner pries frozen ore from a car in 40-below temperatures. A grocer makes sausage, brews wine, and forages for mushrooms and dandelion greens. In Italian Voices, Minnesota’s Italian Americans share rich stories of everyday life in communities in the Iron Range, Duluth, and the Twin Cities between 1900 and 1960. Mary Ellen Mancina-Batinich, a native of the Iron Range, had unequaled access to the state’s immigrant generation during the twenty years she spent documenting the lives of these Minnesotans, in their own words.

Joseph A. Amato follows his own poor, obscure, and truly "mongrel" family through seven generations, revealing their place in the key events of America's past. Using powerful family traditions to clarify his personal connection to the larger stories of our nation, Amato advocates for the power of the history closest at hand in building personal identity and resisting mass culture.

Jazz first churned its way into the Twin Cities on the Mississippi river excursion boats, which brought the likes of Jelly Roll Morton and Louis Armstrong to listeners on the levee—and it never left. When Paul Whiteman, Duke Ellington, Ella Fitzgerald, and other jazz greats toured the clubs and concert halls of the Cities, young musicians listened in the alleys outside, bought records, and learned more of this exciting new music. The local scene began to nurture players like Lester Young and Oscar Pettiford, who went on to bigger things, as well as those who remained close to home to ply their craft, like Rook Ganz, Percy Hughes, Doc Evans, and Dave Karr.Using an invaluable set of interviews taped with jazz personalities that were broadcast by Dave Sletten and Kent Hazen in the 1990s and rare photographs spanning the entire era, author Jay Goetting recounts the lore and explores the social aspects of the story: racism, the gangster era, unionization and strip joints, and the ever-evolving music itself.

These seven gentle tales set in Minnesota and North Dakota and all written during the 1970s treat fans of novelist Hassler (A Green Journey; Jemmy) to the earliest fruits of his talent. Some are folksy portraits of small-town characters, while others are drier and more plot driven. Both the title story and "Resident Priest" feature crusty, 74-year-old Father Fogarty, a pastor who's leaving his parish after 23 years. In "Chief Larson," a seven-year-old Indian boy, known (rather improbably) only as "chief" on the reservation, rebels in a small but telling way against his white adoptive family.""Good News in Culver Bend" tracks two city reporters who travel to a small town and discover "the heart of Christmas." "Chase" and "Christopher, Moony, and the Birds" show how frustrated residents of small towns seek solace. The former, so brief it's nearly a prose poem, hints at Hassler's own adolescent discovery of his talent for fiction; the latter follows a lonely 50-year-old college professor as he goes on a consolatory walk with a student's awkward wife and child, watching "birds on family outings, hopping and halting on the grass." The cleverest story, ""Yesterday's Garbage," follows a "garbologist" who finds the truth about a murder in a trash bin, and is then led to commit one himself. The publisher plans to issue Hassler's later short fiction in three more volumes, starting in the year 2000.""--Publishers Weekly

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