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Dog City is part anthology, part art object, part stunt, part value-added merchandise, and all comics. What makes it more than a stunt is the overall quality of the comics within, which range from good to excellent. The concept behind Dog City is to put a lot of different comics and art objects into the hands of readers without simply jamming them all into a single anthology. So it begins with a screenprinted box that has a couple of comics on it and inside of it, and tissue paper used for packing that also has images on it. There are beautiful, dog-related “art cards” (small prints) by Caitlin Rose Boyle, as well as a poster by Christina Lee and patches by Ian Richardson. While these are not relevant to the project’s status relating to comics, they are part of the overall aesthetic of hand-printed, tactile objects.

Editors Juan Fernandez, Luke Healy, and Simon Reinhardt are all students at the Center for Cartoon Studies who extended their reach a bit for this project. In addition to the above items, there are also eight minicomics, a minicomics anthology, and a magazine about comics. CCS is certainly represented, but not just by current students. Faculty member Steve Bissette, for example, reprinted and reformatted “Sand Papel”, a story he did for another CCS anthology called Tales of San Papel. Bissette hasn’t done many comics in recent years, but this one is very much in line with the sort of scratchy, gritty horror comics he did so well in the past. Reformatting the comic to landscape and keeping it to just two panels per page allowed the story to breathe a bit more and creep into the reader’s consciousness.