This is Stefano Bertoncello's Blog (ステファノ・ベルトンチェッロ - トゥーグッドイアーズ − ブロガー、オーディオ＆ミュージック・コンサルタント) devoted to pacific topics like Music - live and reproduced - i.e. discs, audio, guitars - both vintage and new, concerts, workshops, and related stuffs.
Furthermore: travelling - as a mind-game and real globetrotting, and books, movies, photography... sharing all the above et al. and related links... and to anything makes Life better and Earth a better place to stay, enjoying Life, in Peace.

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Friday, November 30, 2012

Brand new vinyl reissue of this long unavailable classic, originally released in 1994 and a must for fans of Talk Talk's 'Laughing Stock' and 'Spirit of Eden' albums* Wow this is a bit of a treat - a vinyl edition of an album that has been unavailable on the format for well over a decade and which is considered by some to be one of the definitive documents of the British post rock movement. In fact, the very term 'Post Rock' was more or less conied by Simon Reynolds when reviewing the album back in the day, although its appeal has a much wider range then the term implies. Making use of a whole plethora of instruments as well as innovative sampling and recording techniques, the album is pinned down by an unusual, intimate sound and earth-moving bass notes that echo the experimental template set by Talk Talk's seminal 'Spirit of Eden' and 'Laughing Stock' albums (in fact Talk Talk's drummer Lee Harris would go on to join Bark Psychosis). Much of the feel of the album comes from the way it was recorded, using the natural acoustics of a church to drench the album in a natural reverb that's hugely evocative, and alongside the majestic 'Scum' EP that preceded it the two records really are must-own documents of an almost forgotten era that continues to shape much experimental music today.

Thursday, November 29, 2012

Loved this movie... it's raw and poetic, violent and tender, shiny and dark, heavy and fresh-air-like...

Marion Cotillard is so intense... you cannot say where acting and (true) life merges and vice-versa... the massive CGI (computer-generated imagery) support on then-leg-less Stephanie character would have been nothing without Marion's great acting, indeed.

Yes, folks... I'm VERY partial toward this Holy Grail of a Cartridge...

I ONLY listened to it once, in a audio friend system, used with an EMT 997 Banana arm and a Thorens TD-124... my old, previously owned Quad ESL (57) bronze were also part of the magic.

It was a butter white bakelite early sampler, reading flawlessly at 5 grams.

I still swear it was THE best cartridge I ever listened to, period.

... forgettin' to say: my friend paid it EUR 300 or so, back in early '90s... boxed, brand new, unused, with paper guarantee... previous owner who bought from an italian collector in his 70+... he was worried about the 6 grams VTF needed... and, more, didn't had an EMT-mount arm suitable for it!

So goes the world...

Few weeks ago my friend Roberto (tresaino) and his pal and audio truffle-dog:-) Pierre and, I guess, other friends I do not know personally, found and tried a pristine Neumann "black" DST-62...

This nugget proved to be silent, not-working, at all... a sad, SAD evenience... the shiny as-new bakelite head-shell looks almost offensive!

Same cart was then sold on Ebay for... a staggering USD 4.720, after 61 (yes...) bids...

Coils troubles... maybe.

Here are - thanking always GREAT LencoHeaven pals, and Roberto, Jean and Pierre - some nice quality pixes of the gem.

I trust and hope the wealthy buyer of this very cart will be able to solve and settle the issue which caused the embarassing, painful silence of this otherwise superb DST-62 sampler!

Friday, November 23, 2012

Following the recent concert of Cantsilena, only a few days ago, I'm grooving on their first disk since then...

It's s very nice string of songs, sung by Alberto in both Southern and Northern Italy's dialects, thanking his heritage bridging these sooo different, almost colliding "worlds".His so powerful, dry, throaty, "strange" voice is, REALLY is, so "right"... when I played first time in my system, I had goose-bumps, as the recording so beautifully captured the energy of the group: low drums, soundstage, nice imaging and timbres... and music, not over-produced, sincere, honest... simply beautiful.It's (old & new) Italy at its best... as we're NOT Berlusconi's bunga-bunga, mafia & Banana Republic's politicians and the like...I'm honoured to be and feel part-of "this" very, truest Italy.

Peppe's oud and robab playing are oustanding: his skill coming from a great passion and the long workshops years with Ross Daly in Crete are so naturally showed, like great, GREAT Paolo's tar and daf drums and assorted percussions - i.e. wooden blocks and tibetan bowls.

... but, like it seldom happens these homogenized, globalized days... hey, it's new and old music... it's pleasant, provoking... folk, pop, ethnic... classic and popular, and never boring or academic... weird, yet, you could end whistling while taking a shower:-)Music is Love... you know... and when it makes you happier, hooray!

The *** are my own... a very personal opinion and choice, fitting my tastes.

Please notice the five stars... it's a very full-bodied disk and the (slightly) lesser (IMO) songs better prepare listener to the next superb one... I'm sincerely, pleasantly impressed as these musicians, the recording and production and cover-art and pixes are... well, simply perfect.

Tuesday, November 20, 2012

I saw something similar handled by the late Bo Hansson (of Rauna of Sweden and Opus 3 records fame)... he used these (plastic) adapters with his Telefunken M15A open-reel tape recorder... look at right spool here below.

Almost impossible to find - at least I never found it anywhere on the WEB - I finally had one pair bespoke made for my personal use: hand made/machined in solid aluminium, which I'll have anodized in the very next hours.

A labour of love.

This way, I'll be both able to use my NAB-cores tapes in pancake or the classic, complete tape reels, always using the superb Telefunken's DIN reels holders.

Sunday, November 18, 2012

Here are more official, better pixes of the new tapes production facility...

A reel-to-reel lover dream made true!

Looking forward to next-to-come grand-opening... and to listen to first commercially available Hemiolia's master-dubs, of course!Thanks to Giorgio for sharing the above shots... and best wishes to Marco Tajo, Giorgio Foschi and Claudio Valeri for their new project.

First world recording, first French pressing (1961), numbered copy, De Luxe edition (# 456) on Vega label... box/cover is "silkerette" covered with gold inscriptions; TWO pristine conditions discs, a GORGEOUS booklet and a 10" DISC WITH AN INTERVIEW with OLIVIER MESSIAEN HIMSELF!!!

Messiaen was supervising recording, with M.me Yvonne Loriod on piano and R.F.T. National Orchestra directed by Maurice Le Roux...

Saturday, November 17, 2012

**Deeply sombre, heavy-hearted and cinematic works for string quartet composed by the peerless Harold Budd** Harold Budd is a one-of-a-kind, modern neo-classical artist with a career spanning 40 years. Bandits of Stature has the characteristic Budd minimalism one may expect, yet in new, or classical, form. On Bandits of Stature, he has created 14 elegantly simple, avant-garde string quartets, each with his own unique and subtle tension and abstraction and sometimes-pastoral but as-often otherworldly mood shining through. This is also Budd's most melancholic work ever.