Retro kitchen before and after: More Betty Crocker, less laboratory

We took a detailed look at Alan’s Vitralite kitchen “Before” yesterday. Now it’s time for our “After.” Our goal with this Retro Design Dilemma was to unify two key, original elements — the vintage Vitralite green wall tiles and the wood cabinets — while also making the room feel warmer and less sterile. Remember: Alan told us yesterday that with all the green glass tile, the kitchen sometimes felt like a combination of Betty Crocker and morgue. Ouch! Fortunately, we think that our design concept shows that, with with the careful addition of warm color and soft surfaces, it is totally possible to bring out the Betty and bye bye the laboratory — transforming this space into a home sweet retro home sweetheart of a space.

First of all: If you touch one inch of those green Vitralite tiles — we do not want to hear about it! They are a treasure. Ditto-ish: Your original wood cabinets are beautiful. Keep ’em — we love the warm wood with the tile. If the varnish needs work, okay, restore them, but very very carefully. ‘Might be nothing to really compare with the original finish if it’s still in good shape.

In yesterday’s comments, reader ineffablespace said this:

In a general sense, the green Vitrolite is not something that can be “compensated for” or apologized for, in the re-design. It is *the* salient design feature of the kitchen, and as a relative rarity, I would want to highlight it, not downplay it. I don’t think you need to create a 1953 museum, but on the other hand there are very few common/popular 21st century finishes that will do this kitchen any favors.

We very much agree with this assessment, so our mood board doesn’t touch the tile. We’re going with the deco-retro flow.

Flooring: Sheet linoleum: The first order of the day: Bring in colors and softer surfaces and accessories that will help ensure the kitchen doesn’t feel like a laboratory. To start, we tried this cherry red Armstrong Marmorette sheet linoleum floorand loved how it looked. Itinstantly adds warmth to the space — and the red complements the green walls and looks like it will work well with the color of the cabinets too. And hey, it picks up the red in the clock hand! We chose linoleum rather than ceramic tile or wood, because it’s “resilient” — bouncy — countering the hardness of the wall tile. (Wood is a warm soft surface, too, but we wanted color and and even more softness, as possible.) We decided to use linoleum sheet rather than tiles in order to avoid repeating the grid design already in the wall tile.

Jadeite green, rich red and yellow together in a vintage Hotpoint kitchen in my archives.

Countertops: Black soapstone-like laminate. When Pam and I discussed this kitchen on the phone, we agreed that the existing white countertops not only contributed to the overall feeling of sterility but also created an overall harsh contrast. Alan mentioned that he was thinking about a solid surface countertop like soapstone, but we caution about adding more laboratory-like hard surfaces. So we went to see what we could find in laminates. I fiddled with some other options in Photoshop — including a solid to match the wall tile and to create one clean line — but when I put in this Wilsonart Black Alicante, golly it just looked great.This makes sense because the kitchen has a fundamental deco feel to it — as you recall from the “before” story, there is black trim tile in the laundry room. That said, if Alan wants to try this laminate, he for sure should get a sample, we are not sure it is really dark enough. We do like the veining, which breaks up the mass; reminds us of Cusheen. Another option: Use black sheet lineoleum in a similar veined colorway. The addition of stainless steel metal edging, similar to what Pam used in her kitchen, helps mesh the countertops with the existing chrome cabinet pulls and add a bit of bling to the space. You also could go for ribbed aluminum edging in this kitchen — it would probably look really great given that this kitchen is Streamlinefeel.
.In comments yesterday, reader Diane in CO was thinking alike and recommended Wilsonart Oiled Soapstone. She said: The smashing laminate is Wilsonart “Oiled Soapstone.” It reads “black” in the room but is much softer and has “shadowing” – hard to describe. I liked the look so much I used it for the vanity top in a small black-and-white bathroom redo. It’s so good-looking!
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Exhaust fan: We suggest that Alan keep his vintage stove, but get a new vent hood in white to match. For our mood board purposes, I’ve just recolored his harvest gold range hood in white to match — yes, you could also likely just spray paint your exhaust fan white, if it’s still serviceable.
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Wood blinds: To continue to soften the space, we think that Alan could get some 2″ wood blinds like this style from Blinds.com in a shade that matches the original cabinetry and window trim. These will get more warm wood up onto the wall area and cover the glaring white vinyl replacement window frames. Covering the white window frames also reduces the number of grids that can be seen — at least when the shades are closed — further calming and softening the room’s hard edges. If and when you ever decide or need to replace those windows, well, you can guess what we have to say about the white vinyl.
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Patterned fabric valance: Adding the fabric valance over the wood blinds creates another layer of decor that helps to soften hard edges in this kitchen. Pam and I each searched for about an hour (we are power users of Google chat for sharing ideas in rapid fire succession) for a “just right” fabric with the right colors, right pattern and a retro-deco feel compatible with Alan’s kitchen wall tile and cabinetry until we found some coordinating vintage barkcloth fabric on Ebay (alas, sold a while ago) that could have been used to make fabric valances for the windows. The fabric picks up the red from the floor, black from the countertops, white from the range and adds another level of green to coordinate with the wall as well as inserting a pop of yellow. We were careful to find a pattern that was not grid-like to continue our efforts downplaying the strong gridlines found on the wall tiles.
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Reader Melinda agreed:With the abundance of tile I do feel like choosing a color opposite, such as red or pink will balance things out. Plenty of fabrics such as curtains, decorative towels and throw rugs will do a lot to soften this space.
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Paint color for the ceiling: Next we turned our attention to the ceiling, which Pam thought she might paint a light beige to bring down the contrast.

Ceiling fan: We presume you have a ceiling fan with a light for a reason, so we went and looked for one that could provide the functionality you need but that lookedTo continue adding warmth in the space, we found the Minka Aire F1000 ceiling fan — you can get it on Amazon (affiliate link) in three colors. We like the streamline look, and we liked it in bronze to coordinate with the wood tone of the cabinets. Note: There are a lot of reviews also on Amazon, which can be helpful to a degree. One commenter says you can also get this fan, $70 cheaper, at Home Depot, it’s the Petersford. But there’s only one brite metal finish, and the design is a bit different; nah.

Ceiling and pendant lighting: Alan had mentioned wanting can lights, but Pam has become wary of this idea ever since reading Martin Holladay’s 10 Rules of Lighting. Holladay wrote, “The U.S. is cursed by a plague of senseless recessed can fixtures…. Recessed cans do a great job of illuminating the floor, but they keep your ceiling dark.” So, instead of cans, we went looking for a ceiling light fixture — ambient lighting — that would get the light out and about more successfully. Then we found a matched pair of Hudson Valley Lighting light fixtures from lightology — the Odessa flush mount style and coordinating Odessa pendant light — both in a warm, gold-tone which continues to add visual warmth (bringing the gold of the cabinets up to the ceiling) — and light — to the kitchen. We quite like these Odessa lights for a prewar or sweetheart 1950s kitchen or a kitchen with deco lines.
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Reader Robbie Kendall added this helpful tidbit about being mindful with the lighting: First things first, I would start with the ceiling kitchen and work my way down: rather than the two hanging fixtures and fan that are there now, I would replace these three items with three identical up-light fixtures that bounce the light off of the flat (or eggshell) white ceiling using spectrum corrected bulbs. And if these fixtures were copper, so much the better. Also, I know that Pearl Paint, in New York, used to carry a white paint imported from the Netherlands that had a very slight blue tint to it so that as it aged, the yellowing counteracted the blue and the white became purer over time. My point here is that with these, beautifully, overpowering walls, it is best to let the look be highlighted by pure spectrum lighting and not degraded by standard yellowed tungsten or too ‘clinical’ compact fluorescent bulbs..

Vintage dinette: ‘Most nothing makes a kitchen homier than a vintage dinette. There looks like there’s room so how about obsessing to find something like this deep green table and chairs from our uploader.Alternately, reader Heidi Swank chimed in with this tip: Kitchen Table: The one end of the kitchen with the cool radiator/vent cover calls out for a high kitchen table with two stools. A high table wouldn’t obstruct the heat flow but would give that end of the room something to do.
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Accessories: Finally, adding homey accessories that repeat the main colors in the space — red, green and even the yellow pulled from the valances — will help finish off the look and create a cohesive space. We found these delightful vintage fruit canisters on Ebay, classic FiestaWare in Scarlet Red and Sunflower Yellow and of course, everyone’s favorite — the red KitchenAid mixer.
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And reader Dan had these two good points regarding the decor in Alan’s kitchen: It looks like that sash window opens onto another room. Let’s fill it in with display shelving….I’d love to see the figures on the clock used somehow. Perhaps similar figures could be silk screened on fabric for window treatments!

What do you think readers, have we made a good case for Alan to keep his vintage Vitralite?

Comments

BRAVO! The perfect combination of colors! Even the black countertop doesn’t kill the color like I usually feel about greiges. Those honey cabinets absolutely go with the green tiles and the other colors of apples, like I think it was TammyCA said in the previous article. My first thought for this kitchen was Wilsonart Retro Hotrod (red & yellow) countertop because that’s what’s going on top of my knotty pine cabinets. And coincidentally I have a big stripe sample of that cherry red linoleum I’m trying on on my kitchen floor. Your mockup with a whole floor of it is just delicious. If a really good linoleum installer is available they could even inlay a border or some spots of another color or two (maybe yellow and green) to decrease the red a bit. Sheet lino is an excellent kitchen floor, but I might be biased.

I love the ideas they shared. Cabinetry and the tile are the key elements. I feel that the morgue feeling came more from the lack of soft textures like curtains, linoleum, etc. The only thing I would change would be to keep the two original lights. But all in personal opinion. The clock alone would be reason enough for me to keep the tile .

Love the red and green combination. I might have chosen something other than black for the countertops, but have to admit that the black and red really make that beautiful green tile pop and, more amazingly, brighten the wood cabinets so much I thought they had been painted orange! In my opinion, people too afraid to use real color in their homes. “Be Brave, Not Beige”, an old IKEA slogan should become a mantra…