Browsing by Subject "musical form"

The seemingly 'infinite' range of sound types available in electroacoustic music creates new questions and opportunities for the design of musical forms. Form is regarded here as a the principle by which sound identities, ...

This paper departs from critical discussion of the concepts and terminology used by Denis Smalley to outline the ‘spectromorphological’ approach to the listening process. It then seeks to elaborate and apply salient aspects ...

Form, writes Nicholas Bourriaud, is ‘structural unity imitating a world.’ I have responded to this idea with Three Spaces in Mid-Air, which is designed as a continuous work in three discrete sections. Each explores the ...