Tag Archives: Short Stories

Today, MidAmeriCon II announced the nominees for the 2016 Hugo Awards, chosen by the attendees and supporters of the 74th WorldCon for the best works in science fiction, fantasy, and fandom produced in 2015. My military fantasy adventure story, “The Commuter” was one of the five nominees in the short story category.

I must regretfully decline the nomination.

I’ve known for some time that “The Commuter” had made the short list, having been emailed about it by Professor Adams, “The Voice of the Hugos,” on April 10th. I provided copies of my story for the Hugo Voter’s Packet and accepted the nomination in the forlorn hope I would find my story among a mixed and diverse selection of other stories, stories which came out of fandom as a whole (a whole which includes Puppies . . . ) rather than from any single group’s agenda or manipulation of process. I knew that it was unlikely, given that my little-known story was only up for the award due to its inclusion on Vox Day’s Rabid Puppies slate, but I had hope.

To be clear, Vox Day and I have worked together before, but I did not request or engineer my appearance on his slate. I’m very proud of my story “Within This Horizon”, that I contributed to the first Riding the Red Horseanthology, which allowed me to be in the same volume as friends and acquaintances Chris Kennedy, Christopher Nuttall, Ken Burnside, and one of my literary heroes, Jerry Pournelle. I have been interviewed for Castalia House. However, Vox and I disagree on many political and social points and I am neither a Rabid Puppy nor a member of his Dread Ilk. My stories have no real ideological bent right or left. And while I cannot dispute the experiences of others which brought the Sad and Rabid Puppy movements into existence, I did not approve of the straight-slate bloc voting that so damaged fandom last year. I was very encouraged when Sad Puppies 4 answered the criticisms that had been levied against SP3.

I tried to convince myself that perhaps the Rabids would also ameliorate the “burn it all” stance they ended with last year, after the strings of “No Awards” handed out at 2015’s ceremony. I hoped they would treat this year’s 5-item-per-category slate as only a recommendation, and that perhaps my story might be the only slate pick among a strong selection of non-slate tales. I hoped it would compete on its own with honor, winning or losing without a nod to anyone’s particular political intent. However, as the list is straight slate in the short story category, I cannot take advantage of a flaw in the current nomination process.

This is not a repudiation of anyone’s politics, nor is it an endorsement of anyone else’s ideology. This is not a statement on the quality of the nominated works that either appear or don’t appear on anyone’s slate. This is a rejection of a gamed system, as well as a stand for returning the Hugos to what they’re supposed to be rather than what some have tried to make them. I’ve spent the last 21 years in a career dedicated to the support and defense of the US Constitution and the principles upon which it is founded. Every slate, every recommendation list, and every vote is the expression of another individual’s right to free speech. I had no right to tell Vox to remove my story from the Rabid Puppies list, nor did I think asking him would do much good. I had no right to tell any Rabid Puppy how to vote, nor, truthfully, was I much inclined. I did not ask to be part of any list, but I hoped at the very least that it might bring other eyes to “The Commuter”, readers that might appreciate it for what it was and perhaps honor me with an uncontroversial nomination (or at least a few Kindle purchases). But, now that all hopes for a clean nomination are dashed, it is my turn to speak:

Rather than eat a shit sandwich, I choose to get up from the table.

Thank you to all the people who actually read my story, enjoyed it, and nominated it for the Hugo. I will forever be in your debt. However, if you voted for my story and others only because someone told/recommended you should — for whatever reason — Why? What windmill are you tilting against? What do you hope to achieve other than the dissolution of something which may need to be saved from its failings, not destroyed outright. If I have wasted your sincere vote, I am sorry, but I cannot participate when I know shenanigans may have occurred. Winning a Hugo is less about the award itself than what the award means: that you have created something appreciated, worthy of memory, and have garnered the respect of your peers — something last year’s string of “No Awards” indicated the bloc voting failed to achieve.

I would ask the voters who read this one thing: please give the works a chance, slated or not. Please don’t “No Award” entire categories out of spite against Vox Day. Please give the slated short stories an equal chance with whatever story replaces mine. The authors deserve your attention, free of any political bias. Works should stand on their own.

If you would like to read “The Commuter”, I’d love to hear your thoughts on its nomination and would be happy to provide it gratis to any WorldCon voter. Thank you for your attention and your understanding.

Sometimes, you just gotta fight for what you believe in. Like if you believe you’re a good writer. Or if you believe you’re good enough to go toe to toe in a writer’s arena against a clever, quippy pop-culture savant who eats “authors” like you for breakfast week in and week out, against a writer who seemingly has no idea just how good he really is (I mean, c’mon Brophy where’s your book?).

If you believe as I do, then you’re going to want to check out some literal literary gladiatorial warfare on The Writer’s Arena this next week. If you’re not sure what that is, WHERE HAVE YOU BEEN? It’s an online short story contest in which two writers get the same general prompt and have one week to write a 4000 word short story, which then go head to head before two judges and the public. This will be my second time in the Arena after winning last year with “The Gaslight Consultant.”

This time’s been a bit different because I challenged Arena vet Daniel Brophy, and our lead-up to the fight has been . . . entertainingly contentious. We’ve been publicly trash talking one another via Twitter for weeks now, to the delight of many. We also put up a side challenge in which each could give the other one thing they had to include in their story, no matter the final prompt. His for me was a dead body which may or may not be me.

I told him he had to include a humpback whale in a tutu.

😉

I know that’s not entirely fair, so I upped my own difficulty level by including both my own dead body and a dancing cetacean. And the fun doesn’t stop there! We also did a pro-boxer style press conference which is pretty much guaranteed to make you bust a gut laughing:

Grab your champagne flute and somebody to smooch, y’all, because the year is done and done well. It’s time to reflect and celebrate! Stick with me as we reminisce about 2014 and look forward to what next year holds:

Instead of going chronologically, I’m going to start with the little things, especially those you might have missed, and move up to the biggest things that impacted my year.

First, that which had the least major impact was my on-going and new projects. I’ve learned that it is a tough thing to balance being a professional officer, a husband/caregiver, a father, and an independent publisher, and the thing that got the least attention in that mix was ongoing long-form work. Short stories I was able to knock out with relative ease, with four published this year alone and another on hold with Baen’s Grantville Gazette for a possible buy. Long-form, novel-length works proved to be my Achilles heel. I have three projects in the hopper: first, the sequel to A Sword Into Darkness, titled Lancers into the light, because EVERYBODY has been asking about it and I’d be a fool not to do one. That one is still in the outlining phase, primarily since I needed a break from ASID, and also because I have two other projects to finish. One of those is my long-suffering urban fantasy Echomancer, which is about 1/3rd complete and suffers from a lot of time/will/desire based writer’s block. Basically, I hit a snag and never went back to it once I moved to other projects. One of those projects is my last long-form unfinished work, which is going between the titles of Demigod and Dattoo, a Christian near-future hard-science young-adult philosophical thriller. Is it a total genre mash-up? Yes. Is it going slowly? Yes. Is it my most exciting project and my best second bid for traditional publication? YES. So, the short answer is that I am working on the next book(s), but the going was slow in 2014, and I hope for more positive news in this next year.

Next in the highlight hit-parade is TNT’s “The Last Ship,” a great little show that premiered this year. If you haven’t had the chance to check it out, you absolutely should on Blu-ray, DVD, or your streaming service of choice. Eric Dane, Rhona Mitra, and Adam Baldwin star in a loose adaptation of William Brinkley’s 1988 post-apocalyptic novel. It’s all about the last US warship, the destroyer USS NATHAN JAMES, which has escaped infection from a worldwide lethal pandemic, and which has the bead on a cure. It is cheesy, fun, well-acted, well-plotted, and surprisingly accurate and respectful of how the actual US surface Navy works. As a lark, I blogged about it all from a USN officer perspective and it did wonders for me. It consistently brought the most traffic to the blog, and brought me a number of new fans as well, who took a chance on my reviews and tried out my books as well. So, overall, a great success.

This next is not such a success story, at least in the relative sense. Following good advice from my friend and mentor Jeff Edwards of Stealth Books that I needed to have something else out on the market to serve the audience that ASID was growing, I published five of my military and artificial intelligence short stories as a collection on Amazon Kindle. REMO has been well-reviewed (39 Amazon reviews with 4.2 stars) and has sold all right, but it never has done the numbers that ASID did. I may have been spoiled by how my first foray into independent publishing did, and I realize that collections don’t tend to sell as well long-form works, but I would have liked for it to have done better, for more people to have tried it out. As of this post, REMO has sold 1937 copies on Kindle, with an additional 362 provided through Kindle Unlimited and the Kindle Owner’s Lending Library (which I still get paid for). That’s around 2300 more people that have enjoyed my stories than would have if they had stayed on my computer. Good, but not as good as magazine circulation. One story in particular, “Dogcatcher Blues,” is my favorite and — I think — is almost Hugo-worthy (though Baen did not originally buy it and I failed to shop it anywhere else), but I doubt any Hugo voters will ever see it. I guess I have no room to complain, but relative to the rest of the year, REMO is my regrettable disappointment.

For this next paragraph, I have absolutely no complaint. Short stories have been my sort of thing for a while now. I started writing them years ago, to hone my skills and get my foot in the door of the traditional publishing industry, but success had eluded me. I had two stories bought in years past, both by Baen publications (my favorite publishing house), but nothing to anyone else. This year, in large part due to synergy with ASID’s success, I have published four stories in pro and semi-pro/amateur markets, with a fifth on tap for the new year. I kicked ass in 2014 when it comes to short stories. First was my sale of “The Rememberists” to Daily Science Fiction. That story was HUGE for me, though it was my first flash-length story and literally VERY short. I’ve had tons of tweets, facebook posts and fan e-mails from that one, along with two short-film producer/directors who intend to turn it into a film project. Next, I came into contact with the crew over at The Writer’s Arena, who allowed me to participate in one of their short story contests. Basically, you and another writer get a general topic and you each have to complete a short story in a few days, which the audience and two judges then vote on. And my story, “The Gaslight Consultant” won! That led them to checking out ASID (as well as my old Masters thesis online) and mentioning me a couple of times on The Human Echoes Podcast. The first mention was all zany fun, and the second mention garnered me a very good, well-balanced review for ASID. My next pro sale was as part of the Riding The Red Horse anthology from Castalia House. I got an invitation to participate in their inaugural volume, and after a prompt from the editor Vox Day that they were looking for a literal sea story, I turned in “Within This Horizon,” which is now featured alongside stories and essays from Dr. Jerry Pournelle, Tom Kratman, Ken Burnside, Steve Rzasa, Christopher Nuttall, Chris Kennedy, and many others. The association with Castalia House and RTRH has been all positive, leading to potential new projects and hopefully a chance to participate again next year. And lastly, a little bit of victory fun. For the holiday season, I participated in Liberty Island Magazine’s Alternative Holiday Fiction Contest, looking for genre-alternative Christmas/Hanukkah/Kwanzaa/Festivus stories. I turned in a cute little redux of the Christmas Truce of 1914, but this time between our AI robots and the combat drones of our bitter enemy Canada. And it won the grand prize!

And the last bit of professional writing news had the second biggest impact on my life: the independent publication of A Sword Into Darknessthrough Stealth Books. I cannot thank enough my publishing partner Jeff Edwards and all the readers who gave me a shot. You guys made my year. As of this posting and not counting an unknown number of pirated copies (I’ve truly arrived . . . people are stealing my shit), I’ve sold just under 30,000 copies of my little military sci-fi / hard-science space opera. Here’s how the percentages break out:

I don’t know how others do on their debuts because I’m too new at this, but I’m very very very happy and blessed with how ASID has done. And I’m very hopeful about the doors it may open up for me. I got a whole lotta nothing from agents and publishers for the last three years, but over the last year I’ve proven that I can at least sell a well-regarded book as a solid mid-list author. They say you should not use self-published titles on your query letters to publishers, but if I can tell them that on my own, with no resources other than help from friends and a few judicious ads and sales, I sold 30,000 copies of my debut. maybe then they’ll give me a closer look. Oooor, I’ll just stick to the indie crowd and continue taking in 70% royalties instead of settling for 10-15%.

And last but certainly not least, the thing that had the biggest impact on my year. It was not the job, though that did have biggish news and a may appear here next year. It was not my kids, though I am very proud of them and the improvements in their grades and schooling. It was not my personal health journey as that mostly involved me getting fatter and slower despite my half-hearted efforts. No, the biggest thing for me this year was standing by my beautiful wife, Jen, as she kicked breast cancer’s ass. She is an inspiration to me, and I don’t think she adequately realizes how proud I am of her, how humbled I am that she continues to put up with my crap and allows me to walk beside her in life. This woman faced down a double mastectomy, chemotherapy, radiation, reconstruction, complications to her own gastric bypass from years ago, and all the ravages to the body, psyche, and soul that all of that can wreak upon someone, and she refused to let it break her. In fact, she used it to inspire others to get tested and to persevere, no matter the diagnosis or prognosis. She endured shaving her head (my son and I joined her in this), losing her hair, dealing with the pain of neuropathy, the fatigue, the burns, and the fear that it would all be for naught. She had low days indeed. Who wouldn’t? But she always came out on top. And now she is on the mend and headed to being certifiably cancer free. Her mother and I served as her caregivers, but that never stopped Jen from providing care to her family and a wider circle of friends than I will ever know. Jen Mays, I love you and my hopes and prayers are for a great 2015 for us both. We deserve it, and especially you.

If the phrase “Trigger Warning” is something you watch out for and is itself a potential trigger for bad-thought . . . yeah, I got a book you’re gonna want to avoid.

However, if you can handle it and are a fan of kick-ass science fiction, of near-prescient analysis on what our future holds, or of some of the best writing you’ll see all year by great authors both new and old, well, for you I have your new favorite book.

Riding the Red Horse is a new anthology of military science fiction and analysis edited by Tom Kratman and Vox Day, from the fine Finnish folk at Castalia House. The title refers to one of the Four Horsemen of the Apocalypse, in this case the Second Horseman of War.* The anthology, which contains 24 short stories, essays, and commentaries, is in the vein of—and an homage to—the There Will Be War anthology series by Dr. Jerry Pournelle and John F. Carr, which started in 1983 and ran for 9 volumes. This series is also intended to be an annual endeavor and it very well could prove to be a highlight of your year.

So, what’s in Volume I of Riding the Red Horse that’s worth your time? This one has it all, from stories set on Earth’s land, oceans, and orbits, to stories set in the far future, in outer space far, far away from home. In some tales you may have to consider AI starships, or drone warfare and our vulnerabilities at home, and in others how we should respond to future kidnappings and terrorism by non-state actors. For those that like a little post-apocalyptic swords and horses in their military sci-fi, we have a tale from Hugo and Campbell nominated author Brad Torgerson with a pair of the best female characters you’re likely to come across. And if you prefer pure physics and high tech, we have a guide to the constraints of real space warfare with game designer Ken Burnside, as well as a treatise on how battlefield lasers will change warfare forever from Eric S. Raymond. Super-prolific author Christopher Nuttall gives us a glimpse of his ARK ROYAL’s past while Steve Rzasa shares a fantastic tale about artificial intelligence and loyalty to principles (and this one should be a potential Hugo nominee in a just world). Early reviews seem to agree that this is $4.99 VERY well spent.

Full disclosure, I also have a tale in the anthology, an honest-to-goodness sea story from the future. “Within This Horizon” deals with what happens when your dream job in space is denied to you, when your chance at redemption is snatched away after a loss, and how different people deal with assumptions and expectations. It’s also about kick-ass naval warfare between men and drones, with hypervelocity missiles, lasers, railguns, and rocket torpedoes all in the mix. After you read the anthology, I’d love you to come back and tell me what you thought of “Within This Horizon”!

Oh! I didn’t tell you! Riding the Red Horse also has classic contributions by those aforementioned worthies, Jerry Pournelle and John Carr themselves, which I think is very cool, as well as being great reading.

And last but not least, top-selling Baen Books author and editor Tom Kratman pulls no punches and spares no tender sensibilities as he introduces each piece and provides some commentary on the principles of war. Vox Day, the proudly infamous blogger, editor, and writer provides the preface and a great couple of tales (one of which vies for the top spot). These guys embrace the controversy and aren’t shy about their perspectives, nor should they be. As I joked above, some folks can’t handle differing opinions, or can’t separate the art from the source. Well, if you are that sort, you should nip that inclination in the bud and give this work a chance. You might be surprised to find how much you enjoy the ride, and how much it makes you think.

So, rush out now to either Castalia House or Amazon and pick up your copy! And after you’ve recovered from all the awesomeness, leave a review, recommend it to your friends, and then swing by here to tell me what you thought of “Within This Horizon.”

Thank you and Happy Reading!

* (No, Riding the Red Horse is NOT a euphemism for either Bolshevik heroin or a rude act. What, are you in 3rd grade?)

(Read in the voice of a stereotypical New York Jewish grandmother) “Oi, Morty! Whateva happened to that nice Tommy Mays boy? Ya know, the writer fella, with all o’ dem science fictional stories and books and what not? Ya neva heah from him no more.”

“He was woikin’ on a sequel, and a new book o’ Christian science fiction (oh, dem gentiles, gettin’ to their shenanigans), and a couple o’ short stories? Tommy Mays!?”

“Who!? Where’s my sandwich?”

Aaaaaaand, SCENE! Hi, y’all. Just wanted to drop a line before making a pre-emptive donation to the Anti-Defamation League. I’ve been off the blog for a while, but wanted to let you know of some things going on.

First, I AM WRITING, but I’m probably not writing on the things you want me to write on. No progress on the sequel to ASID and only marginal growth on either Echomancer, or Demigod, my two young-adult urban fantasy projects. I’ve had a lot of short story stuff (as well as a lot of life) interfere.

First, of course, I didn’t make it with the Baen Fantasy Award and my story “The Commuter”, but it is working its way through the magazine rejection files now, as is “Bumped”. Should they not make it, I might do a final polish and offer them through Amazon Singles (which is not a dating site. I stand corrected).

My first new short story product is a definite WIN and I’m VERY excited about it. This is a quasi-sequel to an anthology of science fact and fiction regarding future warfare produced back in the 70’s and 80’s. I forget the title of that one, but Castalia House is publishing an unofficial follow-up called Riding the Red Horse, an obvious allusion to the Red Horse of War. Headed by Tom Kratman and edited by Vox Day, the new anthology will include essays on the future of warfare, science articles, and a BUNCH of great new short stories by some of my favorite authors, including Tom Kratman and Vox Day, Chris Kennedy, Christopher Nuttall, and little old me. My story, “Within This Horizon” is under editing now, but I can’t wait for the book to launch and for you all to see it.

The second bit of news requires YOUR PARTICIPATION! I have just submitted a story for The Writer’s Arena, sort of a short story Thunderdome (Two Stories Enter! Only ONE STORY LEAVES!!). They hold weekly fiction contests where each writer has a week to submit a story about the same particular topic. That topic may be AI gone awry, a carnival from Hell, or ghosts – madness or reality? Once both writers have submitted their tales, both stories get posted on the website and readers vote on the winner. These are short tales, usually under 4000 words each, and they are a lot of fun. This week the topic is AI gone awry, so do please go check it out and vote. Next week is my week, which deals with “fake” hauntings: either you have to describe someone who is a victim of a made-up haunting, or you have to describe a real haunting that won’t allow itself to be disproved. My story, “The Gaslight Consultant” will be appearing there in mid-October. I absolutely need your help and your judgment, with your vote going to the best of the two stories. And if you like it, consider supporting the site with a small donation, like what you would pay for a show or an issue of a magazine.

So, that’s where I’ve been, Jewish Grandma. Now excuse me while I go prepare for next week’s battle!

– There’s whole bunches of stuff to catch you up on, so I’m turning down the effervescent charm and wit, turning up the maximum information flow (while still remaining effervescently witty and charming. Handsome too. It’s a curse).

– A Sword Into Darknesshas now topped over 200 reviews on Amazon and sits at 4.5 stars overall with 123 5-stars and 58 4-stars, alongside a whole buncha real nice write-ups between ’em. If you needed an excuse to get yourself a copy, that’s a pretty good one. I’m still continually surpised about the folks that are reluctant to give it a try because of its indie-published beginnings. It’s good, folks. Trust the hoi polloi.

– Speaking of good, I just listened to the first half of the A Sword Into Darkness audiobook from ACX and Will Perez of Sci-Fi Publishing, and it’s like experiencing a brand new story. It really comes alive, and even though I wrote the damned thing, it’s like I’m just discovering it. If you’ve read it, but haven’t heard it, you gotta! And if you haven’t read it or lent it to your friends, ummm, see the bullet above.

– REMOcontinues to chug right along, though it has not had the explosion of popularity that ASID had. Is it because it’s short stories? A relatively short collection? Not as much advertising as ASID had from third parties? I dunno. It has gotten great reviews (4.8 stars in 6 reviews) on Amazon, but it has not made it above 7000 in sales ranking yet. It has more than paid for the investment in its cover from 99Designs, so I’m happy about that, but I would love for it to do ASID numbers. If you haven’t tried it out, I urge you to give it a shot, or to recommend it to your friends. And I’m also producing an audiobook on ACX for it as well, with the talented Heidi Mattson of VO Hollywood reading. It would make your perfect commute companion!

– REMO remains Amazon Kindle exclusive, but ASID has turned out to be a dirty little book that gets around to all the e-book sites. Shameful. But apparently the elder book has been a bad influence on the innocent story collection, and they will soon both cheapen themselves for all the world to see in an internet wide sale! I am shocked and you should be too. In fact, you should tell all of your friends about it and urge everyone to get their own copies during the sale so you can tell them youself how dissapointed you are that such good books would just put themselves on the streets for a mere 99¢. More details to follow.

– In other news (and these are the reasons I’ve been so busy), I’m waiting on the approval draft of “The Rememberists” for Daily Science Fiction, I’ve gotten a commitment from Baen on “Bumped” if I make some revisions, and I’ve completed the first draft of “The Commuter” for the Baen Fantasy Adventure Short Story competition. For Stealth Books, I’ve also reviewed and blurbed Graham Brown’s latest SF masterpiece, and I’m working through John Monteith’s latest Rogue sub-thriller. On top of that, I’m still working on the ASID tabletop game and app with Nathaniel Torson of Jabberwocky Media. Then there’s life (Don’t Talk To Me About LIFE . . . .) where my brave, strong, and beautiful wife keeps kickin’ cancer’s ass and staying busy, and my three kids are ALL in baseball and softball, each of which have both simultaneous and consecutive games in different locations. Plus work at my unspecified Day Job, which eats about 14-16 hours a day.

– What this means is, I have not yet made progress on Lancers Into the Light or on Co-Pilot, but I pledge to! Soon(ish)!!

– Congrats to Ancillary Justice for winning the Nebula! I gotta read that one to see what all the hubbub is about. Best of luck to it and all the upcoming Hugo nominees, though I’m pulling for a Larry Correia and a Brad Torgerson win.

– Final note about goings on, I got to spend an afternoon with Chris Kennedy, author of Janissaries and When the Gods Aren’t Gods, at the Virginia Beach Central Public Library’s AMAZING event devoted to their new Local Author collection. It was a pleasure to donate books both for the collection and to circulate, as well as to meet so many great local authors and small press publishers. A good time was had by all and I really look forward to doing it again next year. If you live in the Hampton Roads area, I urge you to go and check out ALL the books!

– And that’s about it. I obviously don’t understand the concept behind brief, bulletized statements. I have a problem. Pity me!

I have arrived to the lovely Hilton Double Tree hotel in Richmond, VA, just a couple hours north of my usual stomping grounds, ready to attend my first science fiction convention, RavenCon (named in honor of Edgar Allan Poe, who grew up here). I’ve got a box of books under my arm (give-away, signed promotional copies of A Sword Into Darkness) and a stack of postcards advertising ASID and REMO. I’m ready to put my name out there and try to drum up more contacts and more business.

But what I’m really here to do is to get my geek on and my nerd out (or is it the other way around?). This Con is not huge, but it’s got at lot of great writers attending that I’ve really wanted to meet. The great Elizabeth Bear is guest of honor, but they also have Rob Balder (love his comic), Gray Rinehart (the Baen slushmaster whom I’ve wanted to meet), James Minz, and big names (for me) Sarah Hoyt and Michael Z. Williamson. That’s a whole lotta Baen, of course, but Baen is my favorite publishing house, so what would you expect? They’ve published two of my shorts, almost published the novel and workshopped all of the stories that have gone into REMO. I’m just a Barfly who’s never been to the bar.

There’s a lot of other stuff too like Dealer’s Rooms, panels, movies, and of course the Masquerade. There’s lot to oogle and goggle about, but I promise pictures after.

And if you happen to be at the Con or in Richmond and want to meet up, just shoot me a comment down below!

Just who is this guy?

Thomas Allen Mays is the Improbable Author of "A Sword Into Darkness", "Demigod", "Lancers Into The Light", and numerous short stories here on the web, such as "Strategic Deployment", "Dreams for Sale -- Two Bits!", "The Rememberists", "Bumped", "Within This Horizon" and others.
When he's not writing, he works on the east coast, Somewhere Unspecified, doing Something For The Navy. He plans not to dwell on it here, but they'll probably have to resurrect Robert Mitchum or Gregory Peck to play him in a movie, because Tom Cruise just doesn't have the gravitas. What he prefers to do with his time, however, is play with his three beautiful kids his rambunctious mutt, or avoid working on the lawn.