Edward Winkleman’s blog just received a much needed redesign. [Edward Winkleman]

Draw Gym, a show curated by Brian Belott at two relatively new galleries KnowMoreGames and 247365 got a great review from Roberta Smith. That show closed Friday, but we’re posting the review here anyway, because it deserves every bit of praise it can get. We were especially fond of the obsessive odd ball drawings of Irena Jurek (also a sometimes AFC contributor). Keep an eye out for her. [The New York Times]

Star Wars Modern’s theory of zombie utopianism has been a little bit more confirmed with a quote from Walking Dead creator Robert Kirkman, who compares zombie freedom to a simpler life. [Star Wars Modern]

Huh? An interview that touches on the subject of whether tech entrepreneurs will invest in art with Mo Koyfman, the general partner in the venture-capital firm Spark Capital, without mentioning the Phillips dePury digital art auction, Paddles On. The auction took place two days after this interview ran, and Benjamin Palmer, the CEO/CCO of The Barbarian Group bought quite a bit. The future’s not as far off as this interview would lead you to believe (and Koyfman claims it’s not that far off). [Artspace Magazine]

Shoot the Lobster, a nomadic gallery owned by Joe Martos (of Chelsea’s Martos Gallery) will open a permanent space in Luxembourg. Martos says he’s also looking for space on the Lower East Side. [artobserved]

Time for round two of massive openings. After over a year, CANADA Gallery finally reopens in its new Broome street space, right across from P!. On Thursday night, Chelsea opens. On Friday night, something’s going down at the Redhook galleries, but we’re not sure what. And tomorrow, we hope Cleopatra’s doubles its benefit goals for artist, curator, and Dependent Fair founder Rose Marcus, to help her pay for major surgery–and so do many talented artists who’ve contributed to her benefit auction. All that, and more, after the jump!