Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and please let me know your opinions in the comments below.
In other news, I'm on vacation, I'm working on the Thin Red Line discourse, and I'm also working on a short script. Maybe it'll come out next year?
Movies are great, and I wanted to analyze the storytelling styles of several filmmakers. Below are additional viewings for you guys to check out and spooge all over.
Also, I just saw La La Land today, and that was pretty hype even if JK Simmons wasn't anything more than a cameo. Go check it out.
I also cannot wait for Silence. And Dunkirk. And Blade Runner 2049.
All the best,
Carlos
Additional Viewings:
Every Frame A Painting's Director Essays: https://www.youtube.com/playlist?list=PL2w4TvBbdQ3s4NPHZFajw-S-SlMEQR6Lx
Channel Criswell's Director Essays: https://www.youtube.com/playlist?list=PLsZPlgdMyS8DDiVOKDh0lt58FCPnDhhN0
Art Regard's Director Essays: https://www.youtube.com/playlist?list=PLrrm48dYuPCyAMkZhoCRevwZfMrZ-16gX
Iñárritu Essay: https://www.youtube.com/watch?v=s-S1ePqIbSw
Malick Essay: https://www.youtube.com/watch?v=CG1YLMoYF6I
Kubrick/Tarkovsky: https://www.youtube.com/watch?v=nJiDSbbfk8U&t=60s
Paul Thomas Anderson: A Chronological Timeline: https://www.youtube.com/watch?v=MfMTmbKS8Ig
Twitter: @cdrf6873
Instagram: @cdleoriveraf

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the structure of the movie.
A pun I thought of as a title but chose not to use:
Baby Driver - A Lesson ScreenWRIGHTing
https://twitter.com/JackMoviereview
Interviews and such I found interesting:
Edgar Wright and Simon Pegg on writing
https://www.youtube.com/watch?v=0P-Is2EJpEA
Scriptwriting Tips From Simon Pegg, Edgar Wright And Nick Frost
https://www.youtube.com/watch?v=lYfhtG694CA
Kevin Spacey and Edgar Wright interviewed by Simon Mayo
https://www.youtube.com/watch?v=8I67tplHeS4
IN THE FRAME: Edgar Wright - Baby Driver
https://www.youtube.com/watch?v=CXpx_7mEFFk
Why Be A Film Director? - EDGAR WRIGHT
https://www.youtube.com/watch?v=cTmH3cuKdSo
As always, I hope you enjoyed, like I said, no new film dissection next Saturday, but coming soon: a discussion of a great script by Aaron Sorkin. Now that I think about that statement-saying a great script by Aaron Sorkin is like saying a script by Aaron Sorkin...Special thanks to Christian for Voice Over post processing, check out his channel here:
https://www.youtube.com/channel/UCZOBWhdbR8Z-pOVBsm64t1w

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn't limited to explosions, musical cues, or the Wilhelm scream. Let's take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
You can support this channel at Patreon- http://bit.ly/2v27J8x
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of 'Modern Times'
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum - http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell - http://bit.ly/1MT5g0b
You can follow me through:
Twitter- twitter.com/andymsaladino
Vimeo- vimeo.com/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Nothing ButLuv by aso: soundcloud.com/aricogle/nothing-but-luv
Listen on Spotify: http://bit.ly/ChillhopSpotify

published:17 May 2017

views:45710

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools of the language of cinema. You can tell a story with nothing but your characters' faces.
You can support this channel at Patreon- http://bit.ly/2v27J8x
For educational purposes only. Press the CC button for film titles.
Steve McQueenInterview at the Walker Art Center - http://bit.ly/1sppJox
Further Reading-
Alan Zilberman- "Lenses and Reflections: 'I Origins' and the History of the Eye Closeup" - http://bit.ly/1nzCjLR
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876

About the Presenter:
From Antarctica to the tropical Pacific, Emmy-winning filmmaker Paul Atkins has documented the world's wildlife and cultures for National Geographic, the BBC, PBS, and numerous feature films. Paul is passionate about the preservation of the natural world, especially in his ecologically vulnerable island home, Hawai'i. His first National Geographic special, the multiple Emmy-winning Hawai'i: Strangers in Paradise, dramatized the threat of alien species invasion; and MichelCousteau's Voyage to Kure, on which Paul served as director of photography, convinced President George W. Bush to designate the Northwestern Hawai'ian Islands as a National Monument in 2006.
About TEDx:
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)

Storytelling

Storytelling is the conveying of events in words, sound and/or images, often by improvisation or embellishment. Stories or narratives have been shared in every culture as a means of entertainment, education, cultural preservation, and instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term 'storytelling' is used in a narrow sense to refer specifically to oral storytelling and also in a looser sense to refer to techniques used in other media to unfold or disclose the narrative of a story.

Historical perspective

Storytelling predates writing, with the earliest forms of storytelling usually oral combined with gestures and expressions. In addition to being part of religious ritual, rock art may have served as a form of storytelling for many ancient cultures. The Australian aboriginal people painted symbols from stories on cave walls as a means of helping the storyteller remember the story. The story was then told using a combination of oral narrative, music, rock art and dance, which bring understanding and meaning of human existence through remembrance and enactment of stories. People have used the carved trunks of living trees and ephemeral media (such as sand and leaves) to record stories in pictures or with writing. Complex forms of tattooing may also represent stories, with information about genealogy, affiliation and social status.

Early life

Wright was born in Poole, Dorset, but grew up predominantly in Wells, Somerset. Throughout the late 1980s and early 1990s, Wright directed many short films, first on a Super-8 camera which was a gift from a family member and later on a Video-8 camcorder won in a competition on the television programme Going Live. These films were mostly comedic pastiches of popular genres, such as the super hero-inspired Carbolic Soap and Dirty Harry tribute Dead Right (which was eventually featured on the DVD release of Hot Fuzz).

Jan Kerouac

Janet Michelle "Jan" Kerouac (February 16, 1952 – June 5, 1996) was an American writer and the only child of beat generation author Jack Kerouac and Joan Haverty Kerouac.

Early life and career

Kerouac was born in Albany, New York. Her mother left her father while pregnant, and Jack refused to acknowledge the baby as his daughter. A blood test when Jan was nine years old proved his paternity and he was ordered to pay $52 a week for her upbringing. Jan met her father only twice, at the blood test in 1961 and again in 1967, when she visited him at his mother's home in Florida, before traveling to Mexico with her first husband, John Lamb Lash. For the next few decades, she traveled across the country with a fearless curiosity that echoed that of her father and Neal Cassady.

She began to write seriously in the mid 1970s, often seeking guidance through correspondence with her Godfather, Allen Ginsberg.

Jack Kerouac died in 1969 and Jan began a long legal process through the 1970s and 1980s that would eventually give her rights to one-half of the literary revenue from his books sold domestically. Her friendship with Carolyn Cassady bolstered her drive to achieve this--Carolyn once remembering her fondly as a "poor little lost waif." Encouraged by Kerouac biographer Gerald Nicosia,she entered into a lawsuit in the 1990s that proposed the will of Jack's mother, Gabrielle Kerouac was a forgery, in the hope winning could expand her legal rights to her father's works and physical property. After her death, the lawsuit was dismissed.

Plot

The film consists of two stories that are unrelated and have different actors, titled "Fiction" and "Non-Fiction". College and high school serve as the backdrop for these two stories about dysfunction and personal turmoil.

"Fiction", starring Selma Blair, is about a group of college students in a creative writing class taught by a professor (Robert Wisdom), who has affairs with his students.

"Non-Fiction", starring Paul Giamatti and John Goodman, is about the filming of a dysfunctional suburban New Jersey family as their teenage son (Mark Webber) goes through the college application process.

The original version of the film featured a third story entitled "Autobiography", concerning, among other things, a closeted football player (James van der Beek). The main character has an explicit sex scene with a male partner (Steven Rosen); the entire story was cut from the final version.

Storytelling (Belle and Sebastian album)

Storytelling is the fifth studio album by Belle and Sebastian. It is the score to the Todd Solondz movie Storytelling. Belle and Sebastian experienced many notable problems in communication with Solondz whilst scoring the film, and as such only about six minutes of music by them was actually used in the movie itself. The album contains five tracks that are recorded dialogues. The instrumental track "Fuck This Shit" uses the prosody of the title phrase in a number of different keys to but never the words themselves.

What is Cinematic Storytelling? – A Pause for Cinema

Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and please let me know your opinions in the comments below.
In other news, I'm on vacation, I'm working on the Thin Red Line discourse, and I'm also working on a short script. Maybe it'll come out next year?
Movies are great, and I wanted to analyze the storytelling styles of several filmmakers. Below are additional viewings for you guys to check out and spooge all over.
Also, I just saw La La Land today, and that was pretty hype even if JK Simmons wasn't anything more than a cameo. Go check it out.
I also cannot wait for Silence. And Dunkirk. And Blade Runner 2049.
All the best,
Carlos
Additional Viewings:
Every Frame A Painting's Director Essays: https://www.youtube.com/playlist?list=PL2w4TvBbdQ3s4NPHZFajw-S-SlMEQR6Lx
Channel Criswell's Director Essays: https://www.youtube.com/playlist?list=PLsZPlgdMyS8DDiVOKDh0lt58FCPnDhhN0
Art Regard's Director Essays: https://www.youtube.com/playlist?list=PLrrm48dYuPCyAMkZhoCRevwZfMrZ-16gX
Iñárritu Essay: https://www.youtube.com/watch?v=s-S1ePqIbSw
Malick Essay: https://www.youtube.com/watch?v=CG1YLMoYF6I
Kubrick/Tarkovsky: https://www.youtube.com/watch?v=nJiDSbbfk8U&t=60s
Paul Thomas Anderson: A Chronological Timeline: https://www.youtube.com/watch?v=MfMTmbKS8Ig
Twitter: @cdrf6873
Instagram: @cdleoriveraf

Baby Driver - A Lesson In Storytelling

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the structure of the movie.
A pun I thought of as a title but chose not to use:
Baby Driver - A Lesson ScreenWRIGHTing
https://twitter.com/JackMoviereview
Interviews and such I found interesting:
Edgar Wright and Simon Pegg on writing
https://www.youtube.com/watch?v=0P-Is2EJpEA
Scriptwriting Tips From Simon Pegg, Edgar Wright And Nick Frost
https://www.youtube.com/watch?v=lYfhtG694CA
Kevin Spacey and Edgar Wright interviewed by Simon Mayo
https://www.youtube.com/watch?v=8I67tplHeS4
IN THE FRAME: Edgar Wright - Baby Driver
https://www.youtube.com/watch?v=CXpx_7mEFFk
Why Be A Film Director? - EDGAR WRIGHT
https://www.youtube.com/watch?v=cTmH3cuKdSo
As always, I hope you enjoyed, like I said, no new film dissection next Saturday, but coming soon: a discussion of a great script by Aaron Sorkin. Now that I think about that statement-saying a great script by Aaron Sorkin is like saying a script by Aaron Sorkin...Special thanks to Christian for Voice Over post processing, check out his channel here:
https://www.youtube.com/channel/UCZOBWhdbR8Z-pOVBsm64t1w

Storytelling With Sound

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn't limited to explosions, musical cues, or the Wilhelm scream. Let's take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
You can support this channel at Patreon- http://bit.ly/2v27J8x
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of 'Modern Times'
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum - http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell - http://bit.ly/1MT5g0b
You can follow me through:
Twitter- twitter.com/andymsaladino
Vimeo- vimeo.com/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Nothing ButLuv by aso: soundcloud.com/aricogle/nothing-but-luv
Listen on Spotify: http://bit.ly/ChillhopSpotify

5:24

Every Face Tells A Story | The Language of Cinema

Every Face Tells A Story | The Language of Cinema

Every Face Tells A Story | The Language of Cinema

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools of the language of cinema. You can tell a story with nothing but your characters' faces.
You can support this channel at Patreon- http://bit.ly/2v27J8x
For educational purposes only. Press the CC button for film titles.
Steve McQueenInterview at the Walker Art Center - http://bit.ly/1sppJox
Further Reading-
Alan Zilberman- "Lenses and Reflections: 'I Origins' and the History of the Eye Closeup" - http://bit.ly/1nzCjLR
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876

About the Presenter:
From Antarctica to the tropical Pacific, Emmy-winning filmmaker Paul Atkins has documented the world's wildlife and cultures for National Geographic, the BBC, PBS, and numerous feature films. Paul is passionate about the preservation of the natural world, especially in his ecologically vulnerable island home, Hawai'i. His first National Geographic special, the multiple Emmy-winning Hawai'i: Strangers in Paradise, dramatized the threat of alien species invasion; and MichelCousteau's Voyage to Kure, on which Paul served as director of photography, convinced President George W. Bush to designate the Northwestern Hawai'ian Islands as a National Monument in 2006.
About TEDx:
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)

What is Cinematic Storytelling? – A Pause for Cinema

Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and please let me know your opinions in the comments below.
In other news, I'm on vacation, I'm working on the Thin Red Line discourse, and I'm also working on a short script. Maybe it'll come out next year?
Movies are great, and I wanted to analyze the storytelling styles of several filmmakers. Below are additional viewings for you guys to check out and spooge all over.
Also, I just saw La La Land today, and that was pretty hype even if JK Simmons wasn't anything more than a cameo. Go check it out.
I also cannot wait for Silence. And Dunkirk. And Blade Runner 2049.
All the best,
Carlos
Additional Viewings:
Every Frame A Painting's ...

Baby Driver - A Lesson In Storytelling

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the structure of the movie.
A pun I thought of as a title but chose not to use:
Baby Driver - A Lesson ScreenWRIGHTing
https://twitter.com/JackMoviereview
Interviews and such I found interesting:
Edgar Wright and Simon Pegg on writing
https://www.youtube.com/watch?v=0P-Is2EJpEA
Scriptwriting Tips From Simon Pegg, Edgar Wright And Nick Frost
https://www.youtube.com/watch?v=lYfhtG694CA
Kevin Spacey and Edgar Wright interviewed by Simon Mayo
https://www.youtube.com/watch?v=8I67tplHeS4
IN THE FRAME: Edgar Wright - Baby Driver
https://www.youtube.com/watch?v=CXpx_7mEFFk
Why Be A Film Director? - EDGAR WRIGHT
https://www.youtube.com/watch?...

Storytelling With Sound

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn't limited to explosions, musical cues, or the Wilhelm scream. Let's take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
You can support this channel at Patreon- http://bit.ly/2v27J8x
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of 'Modern Times'
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum - http:/...

published: 17 May 2017

Every Face Tells A Story | The Language of Cinema

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools of the language of cinema. You can tell a story with nothing but your characters' faces.
You can support this channel at Patreon- http://bit.ly/2v27J8x
For educational purposes only. Press the CC button for film titles.
Steve McQueenInterview at the Walker Art Center - http://bit.ly/1sppJox
Further Reading-
Alan Zilberman- "Lenses and Reflections: 'I Origins' and the History of the Eye Closeup" - http://bit.ly/1nzCjLR
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876

Dunkirk re-edited as a Silent Film – The Power of Visual Storytelling

Support this channel: https://www.patreon.com/LikeStoriesofOld
Leave a One-Time Donation: https://www.paypal.me/TomvanderLinden
Follow me on Facebook: https://www.facebook.com/LikeStoriesofOld
Or Twitter: https://twitter.com/Tom_LSOO
A translation of Nolan’s Dunkirk into an 8-minute Silent Film that showcases the strength of its visual storytelling.
Thanks to my fellow Youtube creators for giving me feedback and helping me out with some technical issues on this project! Be sure to check out their channels too:
Storytellers – https://www.youtube.com/channel/UCbphDfwSJmxk1Ny_3Oicrng
Beyond the Frame – https://www.youtube.com/channel/UCZ7g7HfH1gWmhgxW47IcW7Q
Before the Credits – https://www.youtube.com/channel/UCujloQnbJuj0vM1XgY3laZQ
ThomasFlight – https://www.youtube.com/channel/UC...

What is Cinematic Storytelling? – A Pause for Cinema

Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and ple...

Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and please let me know your opinions in the comments below.
In other news, I'm on vacation, I'm working on the Thin Red Line discourse, and I'm also working on a short script. Maybe it'll come out next year?
Movies are great, and I wanted to analyze the storytelling styles of several filmmakers. Below are additional viewings for you guys to check out and spooge all over.
Also, I just saw La La Land today, and that was pretty hype even if JK Simmons wasn't anything more than a cameo. Go check it out.
I also cannot wait for Silence. And Dunkirk. And Blade Runner 2049.
All the best,
Carlos
Additional Viewings:
Every Frame A Painting's Director Essays: https://www.youtube.com/playlist?list=PL2w4TvBbdQ3s4NPHZFajw-S-SlMEQR6Lx
Channel Criswell's Director Essays: https://www.youtube.com/playlist?list=PLsZPlgdMyS8DDiVOKDh0lt58FCPnDhhN0
Art Regard's Director Essays: https://www.youtube.com/playlist?list=PLrrm48dYuPCyAMkZhoCRevwZfMrZ-16gX
Iñárritu Essay: https://www.youtube.com/watch?v=s-S1ePqIbSw
Malick Essay: https://www.youtube.com/watch?v=CG1YLMoYF6I
Kubrick/Tarkovsky: https://www.youtube.com/watch?v=nJiDSbbfk8U&t=60s
Paul Thomas Anderson: A Chronological Timeline: https://www.youtube.com/watch?v=MfMTmbKS8Ig
Twitter: @cdrf6873
Instagram: @cdleoriveraf

Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and please let me know your opinions in the comments below.
In other news, I'm on vacation, I'm working on the Thin Red Line discourse, and I'm also working on a short script. Maybe it'll come out next year?
Movies are great, and I wanted to analyze the storytelling styles of several filmmakers. Below are additional viewings for you guys to check out and spooge all over.
Also, I just saw La La Land today, and that was pretty hype even if JK Simmons wasn't anything more than a cameo. Go check it out.
I also cannot wait for Silence. And Dunkirk. And Blade Runner 2049.
All the best,
Carlos
Additional Viewings:
Every Frame A Painting's Director Essays: https://www.youtube.com/playlist?list=PL2w4TvBbdQ3s4NPHZFajw-S-SlMEQR6Lx
Channel Criswell's Director Essays: https://www.youtube.com/playlist?list=PLsZPlgdMyS8DDiVOKDh0lt58FCPnDhhN0
Art Regard's Director Essays: https://www.youtube.com/playlist?list=PLrrm48dYuPCyAMkZhoCRevwZfMrZ-16gX
Iñárritu Essay: https://www.youtube.com/watch?v=s-S1ePqIbSw
Malick Essay: https://www.youtube.com/watch?v=CG1YLMoYF6I
Kubrick/Tarkovsky: https://www.youtube.com/watch?v=nJiDSbbfk8U&t=60s
Paul Thomas Anderson: A Chronological Timeline: https://www.youtube.com/watch?v=MfMTmbKS8Ig
Twitter: @cdrf6873
Instagram: @cdleoriveraf

Baby Driver - A Lesson In Storytelling

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the s...

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the structure of the movie.
A pun I thought of as a title but chose not to use:
Baby Driver - A Lesson ScreenWRIGHTing
https://twitter.com/JackMoviereview
Interviews and such I found interesting:
Edgar Wright and Simon Pegg on writing
https://www.youtube.com/watch?v=0P-Is2EJpEA
Scriptwriting Tips From Simon Pegg, Edgar Wright And Nick Frost
https://www.youtube.com/watch?v=lYfhtG694CA
Kevin Spacey and Edgar Wright interviewed by Simon Mayo
https://www.youtube.com/watch?v=8I67tplHeS4
IN THE FRAME: Edgar Wright - Baby Driver
https://www.youtube.com/watch?v=CXpx_7mEFFk
Why Be A Film Director? - EDGAR WRIGHT
https://www.youtube.com/watch?v=cTmH3cuKdSo
As always, I hope you enjoyed, like I said, no new film dissection next Saturday, but coming soon: a discussion of a great script by Aaron Sorkin. Now that I think about that statement-saying a great script by Aaron Sorkin is like saying a script by Aaron Sorkin...Special thanks to Christian for Voice Over post processing, check out his channel here:
https://www.youtube.com/channel/UCZOBWhdbR8Z-pOVBsm64t1w

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the structure of the movie.
A pun I thought of as a title but chose not to use:
Baby Driver - A Lesson ScreenWRIGHTing
https://twitter.com/JackMoviereview
Interviews and such I found interesting:
Edgar Wright and Simon Pegg on writing
https://www.youtube.com/watch?v=0P-Is2EJpEA
Scriptwriting Tips From Simon Pegg, Edgar Wright And Nick Frost
https://www.youtube.com/watch?v=lYfhtG694CA
Kevin Spacey and Edgar Wright interviewed by Simon Mayo
https://www.youtube.com/watch?v=8I67tplHeS4
IN THE FRAME: Edgar Wright - Baby Driver
https://www.youtube.com/watch?v=CXpx_7mEFFk
Why Be A Film Director? - EDGAR WRIGHT
https://www.youtube.com/watch?v=cTmH3cuKdSo
As always, I hope you enjoyed, like I said, no new film dissection next Saturday, but coming soon: a discussion of a great script by Aaron Sorkin. Now that I think about that statement-saying a great script by Aaron Sorkin is like saying a script by Aaron Sorkin...Special thanks to Christian for Voice Over post processing, check out his channel here:
https://www.youtube.com/channel/UCZOBWhdbR8Z-pOVBsm64t1w

Storytelling With Sound

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web brows...

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn't limited to explosions, musical cues, or the Wilhelm scream. Let's take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
You can support this channel at Patreon- http://bit.ly/2v27J8x
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of 'Modern Times'
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum - http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell - http://bit.ly/1MT5g0b
You can follow me through:
Twitter- twitter.com/andymsaladino
Vimeo- vimeo.com/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Nothing ButLuv by aso: soundcloud.com/aricogle/nothing-but-luv
Listen on Spotify: http://bit.ly/ChillhopSpotify

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn't limited to explosions, musical cues, or the Wilhelm scream. Let's take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
You can support this channel at Patreon- http://bit.ly/2v27J8x
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of 'Modern Times'
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum - http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell - http://bit.ly/1MT5g0b
You can follow me through:
Twitter- twitter.com/andymsaladino
Vimeo- vimeo.com/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Nothing ButLuv by aso: soundcloud.com/aricogle/nothing-but-luv
Listen on Spotify: http://bit.ly/ChillhopSpotify

Every Face Tells A Story | The Language of Cinema

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools ...

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools of the language of cinema. You can tell a story with nothing but your characters' faces.
You can support this channel at Patreon- http://bit.ly/2v27J8x
For educational purposes only. Press the CC button for film titles.
Steve McQueenInterview at the Walker Art Center - http://bit.ly/1sppJox
Further Reading-
Alan Zilberman- "Lenses and Reflections: 'I Origins' and the History of the Eye Closeup" - http://bit.ly/1nzCjLR
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools of the language of cinema. You can tell a story with nothing but your characters' faces.
You can support this channel at Patreon- http://bit.ly/2v27J8x
For educational purposes only. Press the CC button for film titles.
Steve McQueenInterview at the Walker Art Center - http://bit.ly/1sppJox
Further Reading-
Alan Zilberman- "Lenses and Reflections: 'I Origins' and the History of the Eye Closeup" - http://bit.ly/1nzCjLR
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876

About the Presenter:
From Antarctica to the tropical Pacific, Emmy-winning filmmaker Paul Atkins has documented the world's wildlife and cultures for National Geographic, the BBC, PBS, and numerous feature films. Paul is passionate about the preservation of the natural world, especially in his ecologically vulnerable island home, Hawai'i. His first National Geographic special, the multiple Emmy-winning Hawai'i: Strangers in Paradise, dramatized the threat of alien species invasion; and MichelCousteau's Voyage to Kure, on which Paul served as director of photography, convinced President George W. Bush to designate the Northwestern Hawai'ian Islands as a National Monument in 2006.
About TEDx:
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)

About the Presenter:
From Antarctica to the tropical Pacific, Emmy-winning filmmaker Paul Atkins has documented the world's wildlife and cultures for National Geographic, the BBC, PBS, and numerous feature films. Paul is passionate about the preservation of the natural world, especially in his ecologically vulnerable island home, Hawai'i. His first National Geographic special, the multiple Emmy-winning Hawai'i: Strangers in Paradise, dramatized the threat of alien species invasion; and MichelCousteau's Voyage to Kure, on which Paul served as director of photography, convinced President George W. Bush to designate the Northwestern Hawai'ian Islands as a National Monument in 2006.
About TEDx:
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)

What is Cinematic Storytelling? – A Pause for Cinema

Patreon: https://www.patreon.com/user?u=4054204
Hey guys,
So this might be the essay I have worked the hardest on. I really hope you guys all enjoy it and please let me know your opinions in the comments below.
In other news, I'm on vacation, I'm working on the Thin Red Line discourse, and I'm also working on a short script. Maybe it'll come out next year?
Movies are great, and I wanted to analyze the storytelling styles of several filmmakers. Below are additional viewings for you guys to check out and spooge all over.
Also, I just saw La La Land today, and that was pretty hype even if JK Simmons wasn't anything more than a cameo. Go check it out.
I also cannot wait for Silence. And Dunkirk. And Blade Runner 2049.
All the best,
Carlos
Additional Viewings:
Every Frame A Painting's Director Essays: https://www.youtube.com/playlist?list=PL2w4TvBbdQ3s4NPHZFajw-S-SlMEQR6Lx
Channel Criswell's Director Essays: https://www.youtube.com/playlist?list=PLsZPlgdMyS8DDiVOKDh0lt58FCPnDhhN0
Art Regard's Director Essays: https://www.youtube.com/playlist?list=PLrrm48dYuPCyAMkZhoCRevwZfMrZ-16gX
Iñárritu Essay: https://www.youtube.com/watch?v=s-S1ePqIbSw
Malick Essay: https://www.youtube.com/watch?v=CG1YLMoYF6I
Kubrick/Tarkovsky: https://www.youtube.com/watch?v=nJiDSbbfk8U&t=60s
Paul Thomas Anderson: A Chronological Timeline: https://www.youtube.com/watch?v=MfMTmbKS8Ig
Twitter: @cdrf6873
Instagram: @cdleoriveraf

Baby Driver - A Lesson In Storytelling

This week's video essay is a look into Edgar Wright's storytelling. It's an analysis of Baby Driver that breaks down the chase scenes, the screenplay, and the structure of the movie.
A pun I thought of as a title but chose not to use:
Baby Driver - A Lesson ScreenWRIGHTing
https://twitter.com/JackMoviereview
Interviews and such I found interesting:
Edgar Wright and Simon Pegg on writing
https://www.youtube.com/watch?v=0P-Is2EJpEA
Scriptwriting Tips From Simon Pegg, Edgar Wright And Nick Frost
https://www.youtube.com/watch?v=lYfhtG694CA
Kevin Spacey and Edgar Wright interviewed by Simon Mayo
https://www.youtube.com/watch?v=8I67tplHeS4
IN THE FRAME: Edgar Wright - Baby Driver
https://www.youtube.com/watch?v=CXpx_7mEFFk
Why Be A Film Director? - EDGAR WRIGHT
https://www.youtube.com/watch?v=cTmH3cuKdSo
As always, I hope you enjoyed, like I said, no new film dissection next Saturday, but coming soon: a discussion of a great script by Aaron Sorkin. Now that I think about that statement-saying a great script by Aaron Sorkin is like saying a script by Aaron Sorkin...Special thanks to Christian for Voice Over post processing, check out his channel here:
https://www.youtube.com/channel/UCZOBWhdbR8Z-pOVBsm64t1w

Storytelling With Sound

Sign up for a month's free trial at The Great CoursesPlus: http://ow.ly/TBV430beO1W
The Great Courses Plus is currently available to watch through a web browser to almost anyone in the world and optimized for the US market. The Great Courses Plus is currently working to both optimize the product globally and accept credit card payments globally.
Cinematic sound isn't limited to explosions, musical cues, or the Wilhelm scream. Let's take a few minutes and explore a more theoretical and storytelling-oriented approach to on-screen sound.
You can support this channel at Patreon- http://bit.ly/2v27J8x
Press the CC button for film titles.
Interview w/Ben Burtt- see the Criterion edition of 'Modern Times'
Sources/Further Reading-
Composing in Sound and Image by Jonathan Rosenbaum - http://bit.ly/2h70G7h
Nightmare Alley: Do We Hear What He Hears? by David Bordwell - http://bit.ly/1MT5g0b
You can follow me through:
Twitter- twitter.com/andymsaladino
Vimeo- vimeo.com/theroyaloceanfilmsociety
Music by Chillhop: youtube.com/chillhopdotcom
Nothing ButLuv by aso: soundcloud.com/aricogle/nothing-but-luv
Listen on Spotify: http://bit.ly/ChillhopSpotify

Every Face Tells A Story | The Language of Cinema

What makes a film a film? What really makes it unique and separate from novels, plays, photos, and radio? Here, I want to show you one of the most subtle tools of the language of cinema. You can tell a story with nothing but your characters' faces.
You can support this channel at Patreon- http://bit.ly/2v27J8x
For educational purposes only. Press the CC button for film titles.
Steve McQueenInterview at the Walker Art Center - http://bit.ly/1sppJox
Further Reading-
Alan Zilberman- "Lenses and Reflections: 'I Origins' and the History of the Eye Closeup" - http://bit.ly/1nzCjLR
You can follow me through:
Twitter- https://twitter.com/andymsaladino
Vimeo- https://vimeo.com/user45324876

About the Presenter:
From Antarctica to the tropical Pacific, Emmy-winning filmmaker Paul Atkins has documented the world's wildlife and cultures for National Geographic, the BBC, PBS, and numerous feature films. Paul is passionate about the preservation of the natural world, especially in his ecologically vulnerable island home, Hawai'i. His first National Geographic special, the multiple Emmy-winning Hawai'i: Strangers in Paradise, dramatized the threat of alien species invasion; and MichelCousteau's Voyage to Kure, on which Paul served as director of photography, convinced President George W. Bush to designate the Northwestern Hawai'ian Islands as a National Monument in 2006.
About TEDx:
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)

Storytelling

Storytelling is the conveying of events in words, sound and/or images, often by improvisation or embellishment. Stories or narratives have been shared in every culture as a means of entertainment, education, cultural preservation, and instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term 'storytelling' is used in a narrow sense to refer specifically to oral storytelling and also in a looser sense to refer to techniques used in other media to unfold or disclose the narrative of a story.

Historical perspective

Storytelling predates writing, with the earliest forms of storytelling usually oral combined with gestures and expressions. In addition to being part of religious ritual, rock art may have served as a form of storytelling for many ancient cultures. The Australian aboriginal people painted symbols from stories on cave walls as a means of helping the storyteller remember the story. The story was then told using a combination of oral narrative, music, rock art and dance, which bring understanding and meaning of human existence through remembrance and enactment of stories. People have used the carved trunks of living trees and ephemeral media (such as sand and leaves) to record stories in pictures or with writing. Complex forms of tattooing may also represent stories, with information about genealogy, affiliation and social status.

The film tells the story of Yan Jian, a Chinese engineer who explores faraway markets in Africa and wins contracts with remarkable courage and wisdom ... dollars) in ticket sales in 2017, the film tells the fictional story of a former Chinese Special Forces' operative who ......

The film tells the story of Yan Jian, a Chinese engineer who explores faraway markets in Africa and wins contracts with remarkable courage and wisdom ... dollars) in ticket sales in 2017, the film tells the fictional story of a former Chinese Special Forces' operative who ventures ......

The film tells the story of Yan Jian, a Chinese engineer who explores faraway markets in Africa and wins contracts with remarkable courage and wisdom ... dollars) in ticket sales in 2017, the film tells the fictional story of a former Chinese Special Forces' operative who ventures ......

Dunkirk re-edited as a Silent Film – The Power of ...

Visual Storytelling in Filmmaking...

Latest News for: Story telling cinema

The film tells the story of Yan Jian, a Chinese engineer who explores faraway markets in Africa and wins contracts with remarkable courage and wisdom ... dollars) in ticket sales in 2017, the film tells the fictional story of a former Chinese Special Forces' operative who ......

The film tells the story of Yan Jian, a Chinese engineer who explores faraway markets in Africa and wins contracts with remarkable courage and wisdom ... dollars) in ticket sales in 2017, the film tells the fictional story of a former Chinese Special Forces' operative who ventures ......

The film tells the story of Yan Jian, a Chinese engineer who explores faraway markets in Africa and wins contracts with remarkable courage and wisdom ... dollars) in ticket sales in 2017, the film tells the fictional story of a former Chinese Special Forces' operative who ventures ......

Our stories were only available at small, grotty Asiancinemas in suburban towns, which sold samosas alongside popcorn ... Bollywood began to tellstories of rich diaspora Asians with lavish lifestyles ... EdgwareHigh Street may have changed over the decades, but India has become unrecognisable – a trend reflected in the stories its cinema industry tells....

Looking at the way 2019 is shaping up, I can say it will belong to experimental films, cinema that will break away from the tried and tested and explore new genres and tellstories that are more realistic ... These films were simple yet effective because they had a strong story to tell and the audience appreciated it....

The romantic stories we tell about ourselves often look different, even horrifying, with the benefit of time ... In the story of world cinema, the 1950s may seem like a transitional decade between Hollywood's "Golden Age" and the more troubled, revolutionary visions of the French New ......

But the failure of every Marvel imitator since makes clear how impressive this billion-dollar gamble really was, and how difficult it is to tell character-driven stories in blockbuster cinema on this scale ... is to tell character-driven stories in blockbuster cinema on this scale....

Thomas Wolfe famously posited that you can’t go home again, but don’t tell that to Alfonso Cuarón... Shoplifters, which earned the Palme d’Or at this year’s Cannes Film Festival, takes its time in telling the story of a ragtag family of thieves who adopt — or is it abduct? — a neglected 5-year-old girl (Miyu Sasaki)....