For more than 50 years,
Remy Amador Presas has pursued his passion for the stick, knife, sword,
dagger and empty hand - all in the name of Modern Arnis, the Philippine
martial art he created and continues to refine. Modern Arnis is one of
the most popular, efficient and easy to learn systems of self-defense
in the world, and presas continues to spread the style by conducting seminars
and workshops around the globe. In fact, the humble master is responsible
for pioneering the martial arts seminar by teaching his art to students
of any style or level, as long as they are willing to pick up a stick
and open their mind.

Presas began his study
of Arnis at age 6. He learned his farther, Jose Presas, in the small fishing
village of Hinigarin, Negros Occidental, in the Philippines. He left home
at age 14 so he could pursue his interest in the fighting arts practiced
on the many islands of his homeland. These arts were blends of systems
from all over the world: Thailand, China, Spain, Indonesia, Japan and
India. They had reached the islands as the people of the Philippines interacted,
traded and fought with these diverse nations. Presas refined and blended
the important aspects of tjakele, arnis de mano, karate, jujitsu and dumog
into the art he named Modern Arnis. "Long ago, Arnis was a dying
art," Presas says. "The old practitioners believed the cane
was sacred. This meant they would always aim at the hand of their training
partner and not at the cane for practice. Most of the students got hurt
right away and immediately lost interest. I modernized this and promoted
hitting the cane instead for practice. Then I identified the basic concepts
of the many Filipino systems I had learned to bring a unity to the diverse
systems of my country. This way, we could all feel the connection.

Presas prefers to
use the term "arnis" over the term "kali". "In
the west you hear the words kali and escrima used all a lot," he
says. "These terms mean basically the same thing, but if you say
kali or escrima, not many people in the Philippines will know what you
are talking about. Arnis best reflects the Philippine culture because
it is a Tagalog word." Tagalog is the national language of the Philippines.

"In the Philippines,"
Presas continues, "if someone heard you were a good arnis player,
they would challenge you - anywhere. I did challenging also. We fought
in the streets, alleys, parks - all kinds of places. Sometimes there were
very bad injuries, but I did not lose."

Presas' experience
and prowess were unsurpassed. By 1970 he had created a sensation in his
country. His Modern Arnis Federation of the Philippines boasted more than
40,000 members. In 1975 he left the Philippines on a goodwill tour sponsored
by the government to spread Modern Arnis around the globe. Since arriving
in the United States the art has grown rapidly.

Modern Arnis is often
referred to as "the art within the art." The techniques are
based on patterns ant theories of movement, instead of static moves and
drills. Rather than learning complex forms and one-step sparring drills
for each weapon, students learn the fundamentals of natural movement and
use the same patterns of attack and defense in response to each direction,
type and intensity of attack. This is true regardless of whether they
are holding a sword, dagger, stick or no weapon at all. In addition, all
the techniques lead into a countless variety of disarms, throws and locks
using the maximum leverage available from whatever weapon is being utilized.

At the advanced level,
patterns give way to a continuation of movement. This facet of the art
is often referred to as the "flow". Flowing refers to the way
in which arnis practitioners transition effortlessly from one technique
to the next as they sense the movements and attacks of their opponent
and respond automatically and continuously.

This sensitivity is
developed through a freeform sparring exercise called tapi-tapi. It is
a technique similar to the chi sao (sticky hand) drills of wing chun kung
fu and the push-hand training of tai chi chuan. Tapi-tapi proceeds at
a lightning pace, with sweeping strikes and blocks followed by parries,
punyo (but end of the stick) strikes, grabs, releases, traps and eventually
disarms, takedowns and submissions. This type of sparing is beautiful
to watch, especially when someone as skilled as Presas bests the most
advanced opponents while barely glancing in their direction.

"The techniques
must be practiced slowly at first," Presas insists. "That way,
they will become automatic. Also, the student must be relaxed and keep
all movements small and purposeful."

Modern Arnis teaches
students to become proficient and comfortable in all ranges of combat.
Each one of the 12 striking angles that define the system has a basic
block, disarm and counter to the disarm. Once these building blocks are
in place, they can be applied to movements known as sinawali, redonda,
crossada, abanico and others. Numerous joint locks, spinning throws and
takedown techniques lead to grappling positions with still more control
and submission techniques.

In recent years, Presas
has focused his energies on running intensive training camps hosted by
his students in major cities across the United States. The camps last
three to four days, beginning at 9 a. m. and often lasting until midnight.
Presas offers apprentice, basic and advanced instructor certification,
as well as belt testing for rank within the organization

In 1982 Presas was
inducted into the Black Belt Hall of Fame as Instructor of the Year. In
1994 he was again honored by Black Belt as Weapons Instructor of the Year.
"When I think of how Modern Arnis has grown in the United States
and around the world, I can not help but feel proud," he says. "As
I travel from seminar to seminar, I look forward to seeing each and every
student. It is their dedication to self-improvement that is my inspiration."

Presas students, in
turn, describe him as gifted, compassionate, energizing and engaging.
These endearing terms, however, should not be confused with the savage
fire that burns in his eyes as he bears down on an opponent or with the
deadly efficiency of the techniques he teaches.

Now in his sixties,
Presas continues to hone and add to his art while helping others do the
same. Through his association with Small Circle Jujitsu's Professor Wally
Jay and pressure point specialist George Dillman, Presas' seminars and
training camps are never lacking when it comes the sheer volume of devastating
techniques available.

"I owe a lot
to Remy," Jay says. "He helped me a lot." This phrase is
repeated over and over again by martial artists fortunate enough to have
crossed paths with this legendary fighter, teacher and master of Modern
Arnis. His teaching skills, charisma and energy are inspiring to all,
and his seminars and training camps should be added to the schedules of
martial artists of all styles and systems.