I’ve met a guy in Seattle that quit crab fishing because he was in one of the biggest boats: a 150 foot crab boat that was 35 foot tall off the water to the windows. While he was driving, he had a wave that hit him so hard it went through all the windows, ripped the roof off, picked him up and somehow catapulted him fifty feet down onto the back deck. He survived and didn’t break anything. A total miracle.

RFK FUNERAL TRAIN <-- photos by Paul Fusco --> A uniquely profound record, "RFK Funeral Train" is a chronicle of the tragedy and trauma of Robert F. Kennedy's assassination. These emotional photographs, many never seen before, document the funeral procession as it traveled from New York City to Washington, D.C. in June 1968. --> view more of the photos <-- buy the book.

The fellas over at Hamburger Eyes hooked up a new zine production process and have been cranking out zines like there was no tomorrow. So far by our count they have put out more that 25 new zines since Christmas time last year and they show no signs of slowing down. The best part is that your favorite local photographers are all making small run zines! Photographers like Michael Jang, Ray Potes, Ted Pushinsky, Dennis McGrath, Andrea Sonnenberg, Chris Beale, Uri Korn, Stefan Simikich, and many more. It’s actually kind of a bummer if you are into zines, because you know you have to buy each and every one. Thanks a lot guys.. like we didn’t have enough addictions already. -Jesse Pollock

From World Champs by Ray Potes

From It Is Alright To Adore Yourself And Everyone by Brian David Stevens

Portland based photographer and fisherman himself (Corey's starred on the popular show Deadliest Catch), Corey Arnold, has been traveling the world documenting the world's fisherman since 2002. His show at Fecal Face Dot Gallery (opening Feb 11th, 2011) will feature a selection of photos featured in his new book, Fish-Work, Published by Nazraeli Press 2010 & available online here (Corey will be signing copies of his book from 6 to 7pm during the opening).

In 2009 PDN named Corey one of the top 30 emerging photographers. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

Fish-Work is the title of an ongoing life project documenting my journey as a commercial fisherman in Alaska and my travels abroad exploring fishing cultures around the world. Since 1995, I’ve worked seasonally as a crab, salmon, cod, and halibut fisherman in Alaska. But it wasn’t until 2002 that I picked up a camera and got serious about telling the story of this unique little world I’d stumbled upon.

I have a love-hate relationship with commercial fishing. The work is often grueling and mundane, sometimes dangerous and soul crushingly repetitive. But inversely, there is beauty and freedom in the act of manual labor, surrounded by a vast and remote sea wilderness. For a fisherman, the reward is often found in the amazing stories of triumph, disaster, and pride that are brought home to the civilized world. I’ve chosen to tell my story in photographs.

This selection has been culled from my most recent three month journey living amongst European fisherman in Spain, France, the Netherlands, Scotland, Greece, Germany, Poland, Norway and Ireland. They are accompanied by my images from seven years of work aboard the Bering Sea crab boat Rollo and my upcoming series Graveyard Point, the name of the seasonal salmon fishing community I’m a part of in Bristol Bay, Alaska. -Corey Arnold

About Corey Arnold
Portland based photographer Corey Arnold (34), travels the world shooting magazine assignments and personal projects while moonlighting as a commercial fisherman in Alaska 2-3 months per year. His photographic chronicles of the commercial fishing lifestyle in Europe and Alaska have been exhibited in galleries worldwide. His work has been featured in The Paris Review, Juxtapoz, Artweek, Italian Rolling Stone, Esquire, PDN, The Guardian UK, The Chicago Tribune, and Outside Magazine. PDN named him one of the top 30 emerging photographers for 2009. Corey Arnold is represented by Charles A. Hartman Fine Art in Portland, Richard Heller Gallery in Santa Monica and commercially by Redeye Represents in Los Angeles.

Heroes & Villains is a photographic portrait project by the photographers Tatiana Wills and Roman Cho that spotlights a wide array of innovative contemporary artists who drive popular culture today... The subjects include both well recognized and emerging artists within the world of alt comics, street, graffiti, painting and illustration. All the subjects have roots in emergent underground.

Interview by Daniel Rolnik (danielrolnik[at]gmail.com)

Gabrielle Bell by Tatiana Wills + Roman Cho

Mr. Cartoon by Tatiana Wills + Roman Cho

When did you start taking portraits of the artists for Heroes & Villains?

The Heroes & Villains project got started in Los Angeles around 2005. Roman Cho (my co-photographer) and I knew it would be a long-term project and turn into a book, but we weren’t quite sure who would be in it. We just knew who the first people would be and it just kind of snowballed from there.

I was photographing a lot of street artists prior to the project because they were friends of my husband, who was an avid collector of Sheppard Fairey’s work. I’d go with the artists on their missions and because my husband knew them they didn’t put up too much of a stink about me being there. I went to their houses, hung out, took some photos, and it developed into where I gained their trust and was able to take their portraits. Because the street-artists didn’t want their identity revealed, I would always reassure them I was just taking portraits for a personal project and I was going to keep them to myself for now.

As time went on, Roman Cho and I were looking for personal work to do because I wanted to shoot more portraits but couldn’t find the time. Roman was assisting photographers and I was a pretty busy lady working full time at a day job as well as freelancing. We had worked together before when I was at an ad agency and we complimented each other’s strengths and weaknesses. We felt that working with another photographer would motivate us more to finish the project. He initially thought of photographing comic book artists to compliment my portraits of street-artists, but we started to notice there was an overlap between the styles that was indefinable.

Shaq

Like David Choe?

And Travis Miller, Jordan Crane... it was LA, it was a particular niche of artists all hanging out and doing their thing.

I actually ended up working with David Choe for a very brief time. He had a comic book for sale at an ice cream shop that I used to take my daughter to. My husband and I bought it and brought it back to the agency where we worked. The creative director loved it and hired Choe to illustrate something. I don’t know if he ended up working with them much more than a day. It was most likely his first and last foray working for the man. That was in 2004, a really interesting time because street-art was getting co-opted by movie studios who were trying to do subversive ad campaigns. It became pretty clear that the street-art movement was starting to get a lot more attention. I certainly wasn’t there at the beginning of any of this happening, but I was for sure at the right place at the right time to explore it to the fullest.

We're happy to preview our friend Corey Arnold's new book here on Fecal Face. Corey has been traveling the world documenting the world's fishermen through grants when he's not fishing himself in the depths of the Bearing Sea. He's starred on the show Deadliest Catch. His photos have been featured everywhere from Juxtapoz, Rolling Stone, to the The Paris Review.

The photographs in “Fish-Work: The Bering Sea” capture moments from Arnold’s grueling retreats as a crew member aboard a fishing boat to the Bering Sea. With scenes of boat life so vivid that some shots can induce fear or seasickness, the artist’s perspective also reveals the tender soulfulness of a fisherman’s extended life at sea. His skillful compositions depict the simultaneous bravery, toil, humor and gumption that “fish-work” demands. Yet the series also illuminates the aesthetic sublimity that can only be experienced, ultimately, by those willing to risk their lives where the sea breaks its back. Having survived several seasons afloat these icy and unforgiving waters, we are lucky that Arnold has taken time to document his artistic impressions of this rare lifestyle and extended us a vicarious glimpse.

What celebrity's vagina would you like to photograph posed with one of your sculptures?

Very good question!! But somehow I can’t find an answer to this, strange isn't it? It might be the reason that I don't search I just find.

Where's the best surfing spot you've encountered?

For me it is the north coast of Spain, between France and Portugal.
The irregular coastline gives many different kinds of beaches. Every evening I decide the best beach for the next day by looking at the wind and wave forecast. I drive to this beach with my van and the first thing in the morning after waking up is surf. Spain is the only south European country where it is legal to sleep at the beach in your car. I never go to Mundaka though…

How do you convince beautiful women to pose naked?

I don't believe in convincing. I just work with women that like and enjoy to be naked. I’m also interested in wired, non-fashion, non-porn and politically incorrect photos.

XXCOMMUNICATED Saturday, 22 January 2011 /// Written by Bryan Derballa

It was 4AM and the streets of Philadelphia were wet and shiny. One of the guys in the entourage started skitching on the side of old-ass limo, the kind with the boomerang attached the trunk, when a middle finger presented itself from out the window. Certainly one of the more brilliant things I've seen at that hour.

It was either a roadie or a townie, but he bet me $100 that I couldn't kickflip on his longboard. The board was about as long as a car bumper and the wet griptape was slicker than a seal. But through sheer force I pulled it off. Of course I didn't get the $100. But I think I did earn the respect of Jamie Smith from The XX who I'd been photographing for my first feature for The FADER. It was our last few minutes hanging out, after days of slinking through greenrooms and backstage of theaters. Going into this, I knew two things about Jamie -- that he was a musical genius and that he was notoriously quiet. Talking with him, I learned that he was a skateboarder. We bro'ed down over that and Jamie let me do my thing.

But still, having some creepy dude (me) follow you through the innards of a theater or the afterhours club with a camera always dangling from his neck doesn't really have a calming effect. At least until my kickflip. Then wading through the soggy streets to the tour bus, I finally felt like one of the gang. Even if I didn't take any more pictures, I knew I could and it would be alright. Even if it couldn't change the content of the photos I already shot, it did change what they mean to me. This is my friend of a few days, Jamie XX, and this is his story.

I never leave the house without at least one camera at my side. None of my shots are staged so I try to always have a loaded camera and an extra roll of film or two on my hip for when that one scene pops out at me. I develop at whatever chain drug store is in the area, then run home to start scanning. This is the stage when music kicks in.

Corey Arnold and Martin Machado are both artists who met through Fecal Face and through their love of fishing in the wilds of Alaska. This joint blog illustrates last summer's salmon fishing trip to Bristol Bay, Alaska with hard labor working 12 hour days avoiding grizzly bears and total exhaustion. --> check it.

Marty opens a show of his paintings w/ Todd Freeman and Aleksandra Zee this Saturday, January 8th at Gallery Hijinks

It's no secret we enjoy us some sailing here at Fecal Face and we're also huge fans of photography. So when we saw this image over @Sailing Anarchy yesterday, we had to share.

It's of Jessica Watson who, at 16, completed her solo around the world circumnavigation. This photo, taken by Brett Costello and which won the prestigious Walkley Award for Journalism award, is of Jessica and she approached the Sydney harbor thus concluding her 7 month long non stop voyage. We love it.

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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