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Category Archives: RMW

These works will present a negotiation of practices. Critical frameworks abound: a dedication to manipulation and subversion is evident. The artist offers his thoughts: “I like the idea that the viewer might be frozen.” Throughout the exhibition, the various textures

These works will present a negotiation of practices. Critical frameworks abound: a dedication to manipulation and subversion is evident. The artist offers his thoughts: “I like the idea that the viewer might be frozen.” Throughout the exhibition, the various textures

Initial Deposits By all accounts, the term “Concrete Art” was first coined by Theos Van Doesburg in a manifesto, “The Basis of Concrete Art,” which was published in the one-off magazine Art Concret in 1930.1 Laying out the basic tenets

Initial Deposits By all accounts, the term “Concrete Art” was first coined by Theos Van Doesburg in a manifesto, “The Basis of Concrete Art,” which was published in the one-off magazine Art Concret in 1930.1 Laying out the basic tenets

Art critic and poet Raphael Rubinstein has curated an exhibit, “Reinventing Abstraction: New York Painting in the 1980s,” which is up through the end of August at Cheim & Read (547 25th st. NY). In his exhibition catalog essay,*

Art critic and poet Raphael Rubinstein has curated an exhibit, “Reinventing Abstraction: New York Painting in the 1980s,” which is up through the end of August at Cheim & Read (547 25th st. NY). In his exhibition catalog essay,*

At the Kunsthistorisches Museum in Vienna, in a room nestled amidst two rooms filled with Rubens, the “Van Eyke room”, and the “Pieter Breugel the Elder room,” this large painting by the lesser-known Flemish painter, Jodocus de Winghe, could be

At the Kunsthistorisches Museum in Vienna, in a room nestled amidst two rooms filled with Rubens, the “Van Eyke room”, and the “Pieter Breugel the Elder room,” this large painting by the lesser-known Flemish painter, Jodocus de Winghe, could be

The Belvedere in Vienna has sixteen of Franz Xaver Messerschmidt’s so-called “character heads” in their collection. Messerschmidt, born in Bavaria in 1736, studied sculpture and completed early court commissions in Vienna until his sudden departure in 1770, after what is

The Belvedere in Vienna has sixteen of Franz Xaver Messerschmidt’s so-called “character heads” in their collection. Messerschmidt, born in Bavaria in 1736, studied sculpture and completed early court commissions in Vienna until his sudden departure in 1770, after what is