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If you're old enough to recall the pre-Jimmy Carter era of American comedy, when dark pieces like Jules Pfeiffer's Little Murders and Robert Altman's MASH drew humor from a sense of being emotionally anaesthetized from the ugliness of your surroundings, you may be tricked into assuming that Theresa Rebeck's Our House is a revival of some long-forgotten black comedy with an outlandish portrayal of television news that grew more realistic decades later. But this is a new piece premiering at Playwrights Horizons and despite some high moments, some clever lines and a sharp, sexy production helmed by Michael Meyer, Our House ends up seeming innocuously nostalgic and satirically toothless. (more...)