So for today's whet-your-Metropolis-appetite film clip, here's a scene that's not from the Moroder version, but from the orginal. It's the scene where the robot Maria seduces a roomful of wealthy men with a suggestive dance while Freder has a vision of Babylon from his sickbed. Let me tell you, in the musical version, this scene doesn't make much sense (although the music and visuals are kick-ass), and in the unrestored silent film, it makes almost no freaking sense at all. The uncut original seen here finally restores a lot of bits and pieces that make the allegory clear. And it's amazing.