Good Boys

If you saw the red band trailer for Good Boys, you will probably expect a version of Superbad with an underage cast. It has the same producers (Seth Rogen and Evan Goldberg). Even the co-star of that film, Jonah Hill, is a producer here. These pre-teens say and do the kinds of crude things that you’d associate with much older kids. It looked awful. The trailer featured non-stop F-bombs and it came off as puerile attempt to simply shock. It was all raunch and nothing more. That is not this movie. True, there is the occasional curse word, but this comedy is considerably sweeter in tone. The surprise isn’t that these prepubescent “good boys” are bad. That revelation would have been a conventional irony. No, the twist is that they really are well-behaved lads that want to do right. These are naive youths trying to prepare for a party where spin-the-bottle will be played. They are sweet and sincere fellows at heart.

Good Boys is a hilarious “one-day-in the life-of” type comedy. Best friends Max (Jacob Tremblay), Thor (Brady Noon), and Lucas (Keith L. Williams) get invited to their first kissing party. The invitation is extended by the school’s coolest kid, a little Asian American baller named Soren (Izaac Wang) — an inspired casting choice. All their female classmates will be in attendance, including Brixlee (Millie Davis), Max’s crush. The problem is, these 12 year olds are kind of clueless when it comes to the opposite sex. They have never kissed a girl. Max decides to use his dad’s drone to spy on neighbor Hannah (Molly Gordon). The boys want to observe her make out with dimwitted boyfriend Benji (Josh Caras). Hannah also has a BFF named Lily (Midori Francis) over as well. The girls see the drone, get angry and things spiral downward from there. The various misadventures of three sixth-graders involve adult toys, drugs, alcohol, and cops. Some of their escapades are wrong, but other bits are so right. A highway of bumper to bumper traffic transforms into a high-speed freeway in seconds. As their situations grow increasingly convoluted, I relished the absurdity of it all.

Good Boys is a hopeful ode to friendship. These chums call themselves the Bean Bag Boys for no other reason than they like hanging out in bean bags with each other. Writers Gene Stupnitsky and Lee Eisenberg (Bad Teacher, Year One) emphasize this camaraderie at every turn. These buddies deal with the age-old problems of middle school: bullying, peer pressure, and annoying younger siblings, This pre-teen bromance ultimately transcends because of a talented ensemble. These are genuine characters for whom we truly care. Max is the most worldly of the three. He’s into girls and one in particular. He also cares about his standing in the social hierarchy. Thor, on the other hand, has no interest in dating yet. He’s a theater geek more concerned with singing in the school play. Lucas is into role-playing card games, has a high pitched scream, and wears his goodie-two-shoes lifestyle like a badge of honor. Actor Jacob Tremblay may be the most famous of the three, but Keith L. Williams is the breakout star. Their innocence is poignant. “I’m already a social piranha!” Thor laments at one point. Max takes a single sip of beer and immediately declares that he’s “already feeling something”. The laughs frequently rely on the characters’ mistaken or uninformed understanding of the adult world. It’s that naiveté that affirms the humor and makes it touching. This is a very heartwarming film.