Jameson are ending their sponsorship of the Dublin International Film Festival in grand style as Russell Crowe and Kim Cattrall have been confirmed as guests.

Russell Crowe’s new movie The Water Diviner will screen on Friday 20thMarch, and the Academy award-winning actor will introduce it and participate in a post-screening Q&A at the Savoy Cinema. Crowe makes his directorial debut with a timely WWI tale about the formative trauma for the Antipodes of the slaughter of the ANZAC in Turkey. TV writer/producers Andrew Knight and Andrew Anastasios provide the screenplay, which is a step away from their usual crime caper comfort zones, in which Crowe’s farmer and water diviner Joshua Connor travels to Gallipoli in 1919 in search of his three sons, missing in action since 1915. He is aided in this likely fool’s errand by Istanbul hotel manager Olga Kurylenko (Quantum ofSolace) and heroic Turkish major Yilmaz Erdogan (Once Upon A Time in Anatolia), while familiar Australian faces like Damon Herriman (Justified), Isabel Lucas and Jai Courtney (Jack Reacher) round out the cast.

Grainne Humphreys JDIFF Festival Director says, “The Water Diviner is an impressive, beautifully shot epic war drama. Russell Crowe has created a powerful portrait of loss and redemption with fine performances, not least his own as lead. It’s a pleasure to welcome Russell to Dublin for the festival screening of The Water Diviner and present the film to his many Irish fans”.

Tickets will be officially on sale for The Water Diviner as of today and can be purchased online http://bit.ly/1McTsGv or www.jdiff.com or at their Box Office which is now open Monday to Friday 11am – 5pm on 13 Lower Ormond Quay.

The 13th Jameson Dublin International Film Festival takes place from 19th – 29th March 2015. The full line-up for the Festival programme will be announced on Wednesday February 25th at www.jdiff.com. The JDIFF 2015 Season Ticket is currently available to purchase at €245 along limited edition merchandise. Also new this year is the Bring A Friend Season Pass, two season tickets for €425.

The Water Diviner will be released in cinemas by Entertainment One on 3rd April 2015.

Meanwhile Sex and the City’s Kim Cattrall will be attending JDIFF to screen exclusively to Irish audiences episodes of her new Sky Arts TV series Sensitive Skin, and will also be participating in an elite master class at The Lir National Academy of Dramatic Art.

Episodes of Sensitive Skinwill screen in Movies@Dundrum, with Cattrall in attendance. This Canadian black comedy, based on the critically acclaimed 2005 British series of the same name starring Joanna Lumley, stars Cattrall as Davina, a former model and actress in the midst of a middle age crisis. Feeling as though she is losing her zest for life, she struggles with sexual temptation and professional jealousy, while trying to cope with her fear of the future alongside her husband, Alan (Don McKellar – Slings and Arrows). The couple have sold their comfortable family home and moved into an ultra-modern condo in downtown Toronto in an effort to stay relevant and start again. Unfortunately, their insecurities quickly take them on a path they could never have anticipated. Cattrall has executive produced the series along with McKellar who has directed all episodes to date. Cattrall says: “I am very much looking forward to attending the Dublin International Film Festival and screening my new show Sensitive Skin. I have always felt welcomed and at home during my visits and I am looking forward to the Festival.”

As part of her visit to the Festival, Cattrall will be the focus of a master class hosted by The Lir Academy for their students. Following the success of Stanley Tucci’s Q&A to the students last year this will be the second year that The Lir will host these master classes. Loughlin Deegan, Director of The Lir National Academy of Dramatic Art, says, “This growing partnership between The Lir Academy and JDIFF is of enormous benefit to our students who get to meet with and learn from some of the finest actors in the world. Kim Cattrall in particular will have much knowledge to impart from a fascinating career that has balanced TV and film work with an on-going and recently renewed interest in working in the theatre.”

Sensitive Skinwill air in the UK and Ireland on Sky Arts 1 on Wednesday 1st April.

Founded in 2003 by the much missed Michael Dwyer, the Jameson Dublin International Film Festival continues to lead the way in the presentation of outstanding Irish and international film. Over the past 13 years the Festival has hosted over 500 major guests along the way – from Colin Farrell, Brendan Gleeson, Cillian Murphy, Daniel Day Lewis, and U2, to Al Pacino, Mark Wahlberg, Glenn Close, Joss Whedon, Danny DeVito, and Richard Dreyfuss. The Festival has screened world cinema from 52 different countries, a total of almost 1,500 films, of which 300 were Irish features including world premieres of Once, Ondine, In Bruges, Calvary, The Stag, and The Secret of Kells. In addition ongoing International out of Festival events have showcased Ben Affleck, Quentin Tarantino, Bryan Cranston, and Ennio Morricone.

Russell Crowe makes his directorial debut with a timely WWI tale about the formative trauma for the Antipodes of the slaughter of the ANZAC in Turkey. TV writer/producers Andrew Knight and Andrew Anastasios provide the screenplay, which is a step away from their usual crime caper comfort zones, in which Crowe travels to Gallipoli in search of his three missing sons in 1919. He is aided in this likely fool’s errand by Istanbul hotel manager Olga Kurylenko and official Yilmaz Erdogan, while familiar Australian faces like Damon Herriman, Isabel Lucas and Jai Courtney round out the cast.

Chappie

Hugh Jackman and Sigourney Weaver are career criminals who kidnap the titular character and raise him as their own adopted son – but he’s a robot! Yeah… This peculiar feature is definitely a change of pace for writer/director Neill Blomkamp but it’s not clear from his first two features District 9 and Elysium whether he has the chops for a smart sci-fi crime comedy mash-up. District 9 was a gore-fest with a hysterically muddled message about apartheid, while Elysium was an embarrassing, illogical call to arms for Obamacare. Jackman’s been on a bit of a roll though so fingers crossed.

The Gunman

March 20th sees Sean Penn attempts a Liam Neeson do-over by teaming up with Taken director Pierre Morel for a tale of a former special forces operative who wants to retire with his lover, only for his military contractor bosses to stomp on his plan; forcing him to go on the run. The lover in question is Italian actress Jasmin Trinca, while the organisation and its enemies have an unusually classy cast: Idris Elba, Javier Bardem, Mark Rylance, and Ray Winstone. Morel will undoubtedly joyously orchestrate mayhem in London and Barcelona, but can he make Penn lighten up?

Furious 7

The death of Paul Walker delayed his final film. Following the death of Han, Dom Torreto (Vin Diesel) and his gang (Walker, Jordana Brewster, Ludacris, Michelle Rodriguez, Tyrese Gibson, Dwayne Johnson) seek revenge against Deckard Shaw (Jason Statham as the brother of Fast 6’s villain). Chris Morgan pens his third successive Furious screenplay but, apart from dubious additions like Ronda Rousey and Iggy Azalea to the cast, the main concern is how director James Wan (The Conjuring) will rise to the challenge of replacing Justin Lin. Wan can direct horror but how will he handle Tony Jaa’s chaos?

John Wick

April 10th sees the belated release of Keanu Reeves’ acclaimed low-fi action movie in which his sweater-loving retired hit-man wreaks havoc after his dog is killed; it being his last link to his dead wife for whom he’d quit the underworld. M:I-4 villain Michael Nyqvist is the head of the Russian mob who soon discovers his son Alfie Allen has accidentally unleashed a rampage and a half. Chad Stahelski, Reeves’ stunt double on The Matrix, directs with a welcome emphasis on fight choreography and takes long enough to make the action between Reeves and Adrianne Palicki’s assassin comprehensible.

Mad Max: Fury Road

Well here’s an odd one and no mistake. Original director George Miller returns to the franchise after thirty years, co-writing with comics artist Brendan McCarthy and Mad Max actor Nick Lathouris. Max Rockatansky is now played by Tom Hardy channelling his inner Mel Gibson, roaring around the post-apocalyptic Australian Outback with Charlize Theron and Nicholas Hoult. This does look like Mad Max 2, but it’s not a remake; merely an excuse to do Mad Max 2 like sequences of vehicular mayhem but with a huge budget for the mostly practical effects, and some CGI sandstorm silliness.

Jurassic World

Jurassic World opens its gates in June, boasting an all-new attraction: super-dinosaur Indominus Rex, designed to revive flagging interest in the franchise park. From the trailer it appears that in reviving this franchise new hero Chris Pratt has combined the personae of past stars Jeff Goldblum and Sam Neill. Bryce Dallas Howard meanwhile takes over Richard Attenborough’s presiding over disaster with the best of intentions gig. Apparently there will be some animatronic dinosaurs, but the swooping CGI shots of the functioning park emphasise how far blockbuster visuals have come since Spielberg grounded his digital VFX with full-scale models.

Mission: Impossible 5

July sees Tom Cruise return as Ethan Hunt for more quality popcorn as Christopher McQuarrie makes a quantum directorial leap from Jack Reacher. Paula Patton is replaced by Rebecca Ferguson, but Jeremy Renner, Simon Pegg, and Ving Rhames all return, as do Robert Elswit as cinematographer and JJ Abrams as producer. The trademark stunt this time appears to be Tom Cruise hanging onto the side of a flying cargo plane, the villain is possibly Alec Baldwin’s character, and the screenplay is by a curious combo of Iron Man 3’s Drew Pearce and video game writer Will Staples.

St James Place

October 9th sees the release of something of an unusual dream team: Steven Spielberg directs a Coen Brother script with Tom Hanks in the lead. Hanks plays James Donovan, a lawyer recruited by the CIA to work with the Russian and American embassies in London in 1961 after Gary Powers’ U2 spy plane is shot down. The Company hope to secretly negotiate a release for the pilot, and keep all operations at arms’ length from DC to maintain plausible deniability. Amy Ryan, Mark Rylance, Alan Alda, and Eve Hewson round out the impressive cast of this drama.

Crimson Peak

October 16th sees Guillermo del Toro reunite with Mimic scribe Matthew Robbins. Their screenplay with Lucinda Coxon (Wild Target) sees young author Edith Cushing (Mia Wasikowska) travel to the titular mansion of a mysterious man, who lives in seclusion in the mountains. Apparently del Toro has outdone himself with the production design of the mansion’s interior. The cast includes Supernatural’s Jim Beaver as Wasikowska’s father (!!!), Tom Hiddleston, Doug Jones, Charlie Hunnam, and the inevitable Jessica Chastain. But can del Toro, who’s not had it easy lately (The Strain), deliver a romantic ghost story mixed with Gothic horror?

Spectre

The latest Bond film will be released on November 6th. In a hilarious reversal of prestige John Logan’s screenplay was overhauled by perennial rewrite victims and action purveyors Neal Purvis and Robert Wade. Sam Mendes returns to direct as Daniel Craig’s 007 investigates the titular shadowy organisation, which makes a most welcome return after decades of lawsuits. Christoph Waltz may be Blofeld, Daniel Bautista is definitely his henchmen, Lea Seydoux and Monica Belluci are Bond girls, and charmingly Jesper Christensen’s Mr White links Paul Haggis’ Solace and Spectre. And Andrew Scott joins the cast! Perhaps Moriarty’s a Spectre operative.

Mr Holmes

Writer/director Bill Condon has been on quite a losing streak (Breaking Dawn: I & II, The Fifth Estate). So he’s reteamed with his Gods & Monsters star Ian McKellen for another period piece. Adapted by playwright Jeffrey Hatcher (Stage Beauty) from Tideland novelist Mitch Cullin’s work, this finds a 93 year old Holmes living in retirement in Sussex in the 1940s troubled by a failing memory and an unsolved case. Condon reunites with Kinsey’s Laura Linney, and intriguingly has cast Sunshine’s Hiroyuki Sanada, but this will be closer to ‘His Last Bow’ or Michael Chabon’s retired Holmes pastiche?

Mockingjay: Part II

All good things come to an end, and Jennifer Lawrence’s duel with Donald Sutherland’s President Snow reaches its climax in November with what director Francis Lawrence considers the most violent movie of the quadrilogy. Familiar TV faces join the cast, with Game of Thrones’ Gwendolen Christie as Commander Lyme and Prison Break’s Robert Knepper as Antonius, and Philip Seymour Hoffman takes his posthumous bow as Plutarch Heavensbee. The last movie shook up the dynamic of these movies with a propaganda war, so it will be interesting to see how Lawrence stages an all-out rebellion against the Capitol.

Macbeth

Arriving sometime towards the end of year is Australian director Justin Kurzel’s version of the Scottish play starring Michael Fassbender as Macbeth and Marion Cotillard as Lady Macbeth. That pairing enough is reason to be excited, but we’ll also get Paddy Considine as Banquo, Elizabeth Debicki as Lady Macduff, David Thewlis as Duncan, and Jack Reynor as Malcolm. Not to mention that Kurzel directed The Snowtown Murders and his DP Adam Arkapaw shot True Detective. Hopes must be high therefore that this will be both visually striking and emotionally chilling in its depiction of Macbeth’s descent into bloody madness.

Star Wars: The Force Awakens

The movie event of 2015 arrives on December 18th. The original heroes (Mark Hamill, Carrie Fisher, Harrison Ford) and their sidekicks (Peter Mayhew, Kenny Baker, Anthony Daniels) will all be making a welcome return after the passionless prequel protagonists. Director JJ Abrams has also cast a number of rising stars (Domhnall Gleeson, Adam Driver, John Boyega, Gwendolen Christie, Lupita Nyong’o, Oscar Isaac) and a total unknown (Daisy Ridley – allegedly the protagonist!) The trailer seemed to indicate that this trilogy might actually be some fun, but Super 8 showed that fan-boys sometimes forget to bring originality.