About the Film

We Were Here documents the arrival in San Francisco of what was then called the "Gay Plague" in the early 1980s. It illuminates the profound personal and community issues raised by the AIDS epidemic, as well as the broad political and social upheavals it unleashed. MORE

Early in the epidemic, San Francisco's compassionate, multifaceted, and creative response to AIDS became known as "The San Francisco Model." The city's activist and progressive infrastructure that evolved out of the 1960s, combined with San Francisco's highly politicized gay community centered around the Castro Street neighborhood, helped overcome obstacles in a nation both homophobic and lacking in universal healthcare. In its suffering, San Francisco mirrors the experience of so many American cities during those years. In its response, The San Francisco Model remains a standard for attaining a healthier, more just, and more humane society.

In 2011, the United States marked 30 years since AIDS descended as a mysterious "gay cancer" that mystified the medical community. Like an unrelenting hurricane, the epidemic roiled San Francisco for two decades, and only began to ease its grip with medical advancements in the late 1990s. The death years of AIDS left the city ravaged and exhausted, yet, as in most of the developed world, the worst seems past. Though thousands are still living with HIV, and new infections continue at an alarming rate, the relentless suffering of the '80s and '90s has given way to a kind of calm and a degree of willful amnesia. What lessons do the early years still offer us?

We Were Here focuses on five individuals, all of whom lived in San Francisco prior to the epidemic. Their lives changed in unimaginable ways when their beloved city changed from a hotbed of sexual freedom and social experimentation into the epicenter of a terrible and largely mysterious plague. From their different vantage points as caregivers, activists, researchers, as friends and lovers of the afflicted, and as people with AIDS themselves, the interviewees share stories that are not only intensely personal, but that also illuminate the much larger themes of that era: the political and sexual complexities, the terrible emotional toll, and the role of women — particularly lesbians — in caring for and fighting for their gay brothers.

The Filmmaker

David Weissman moved to San Francisco in 1976, when the city began to be referred to as the "Gay Mecca." He was at Harvey Milk's camera store on the night of his election, and at the victory party for the No on 6 Campaign — the first major electoral victory for the emerging gay movement. Devastated by Milk's assassination just months later, David became more active in SF politics — working on local political campaigns. In 1981, David began taking filmmaking courses at City College of San Francisco. His short film Song From an Angel featured San Francisco performer Rodney Price doing a song and tap-dance about his own death, two weeks before he died of AIDS. In 1998, David teamed up with his friend Bill Weber to co-direct the feature length documentary, The Cockettes. LESS