The programme was recently announced for the events over a couple of weekends next February and March, and there's some interesting stuff: Imogen Heap will perform her a cappella score for the silent movie The Seashell and the Clergyman with the Holst Singers, sharing a programme with the brilliant young singers of the Estonian Television Girls' Choir; Elder and the OAE give us a Night Shift on Berlioz's doomed lovers, Romeo and Juliet; and the London Contemporary Orchestra put a new concerto for bass drum and orchestra by Gabriel Prokofiev next to Stockhausen, Xenakis and Jonny Greenwood.

And if all that's not enough to get your juices flowing, you and your choir can be part of Voices Now, a day-long event that will turn the Roundhouse into a gigantic crucible of song and vocalism, from beatboxing to polyphony, and will feature a mass performance of Orlando Gough's new Making Music Overture.

The blurb tells us that Reverb is about "a new generation of performers who have broken out of 'traditional' classical concerts, redefined the rules and shattered boundaries". I'm not convinced people go to concerts to hear the sounds of boundaries being shattered, and the real point about Reverb is that the gigs look good on their own terms, whether they're Berlioz or beatboxing. It's all music. Can't we just get along?