Charlotte Prodger and Jason Loebs

Nicolas Linnert

Everywhere at Essex Street gallery, one sees objects depicted nearing the end of life. Faded signatures and waning pastel Visa logos are overlaid with sections of credit card information in Jason Loebs’s five untitled vertical prints (all works 2012). The enlarged four-color images degrade this quotidian plastic object of symbolic exchange that characterizes an age of …

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