Thursday, July 29, 2010

Sindhi Rano performed by Rajasthani Folk Artists.

The singer above has sung Rano just like Late. Fauir Abdul Ghafoor, that audio was on esnips but no more. Nobody has sung like Faquir Abdul Ghafoor. There was a hint of "PEREN PAWANDI SA CHAWANDI SA RAHI" in between the Kalam. It is a Folk Dance of Rajhastan, India. The singers are "Manganhar of Rajasthan" and singing in Kutchi dialect of Sindhi. Sindhi Folk Dance is quite different.

'Sindhi folktales of Thar', a book written by Dr Kishni Phulwani of Rajasthan, India, and translated from Hindi to Sindhi by Noor Ahmed Jinjhi, is a combination of the colours of the Thar desert, which stretches across the border in both, Pakistan and India. The book has been published by Thardeep Rural Development Programme (TRDP), a non-governmental organisation working for the wellbeing of the desert community, and promoting and preserving the old culture of the politically-neglected region. The book revolves around Manganhars -- the real folktale narrators of the region. The theme was chosen by the author for her PhD from Jodhpur University, India. The Manganhars are common to Sindh and Indian Rajasthan. They narrate folktales to the tune of traditional drums and attract wideaudiences. Dr Phulwani has also touched upon history, geography, languages being spoken in the region, culture, socio-economical conditions and the role of artisan communities. Portraying the scenario, the author almost quoted poetic folktales of several Sindhi poets, especially Sur Marvi by Shah Abdul Latif Bhittai.

Marvi, a symbol of the traditions of the region, was kidnapped by King Omar when she had gone to a well to fetch water. She was brought to a palace, and offered every luxury possible to make her agree to stay there. Marvi, however, spurned all offers by the king and demanded that she be allowed to go back to her parents' makeshift homes. Dr Phulwani recalls the memorable days of her childhood, when her family migrated to India in 1966 from Sindh. Being closely attached with Sufism, her father used to listen to Sufi songs and Bhujans (Hindu religious songs) till late in the night, and would tell stories to his children before sleeping under the starry skies -- on the rooftop of their house. Dr Phulwani obtained her PhD in Sindhi Classical Literature and was very inspired by folk stories. She discusses the similarities among them in her book. Komal Kothari, who has done a lot of work studying the role of the Manganhar community in preserving folktales, has written foreword of the book.

Even after migration to India, Sindhi Hindus continue to organise annual Melas of Sufi saints, whose shrines originally exist in Sindh, Dr Phulwani sayd. She visits these Melas regularly to pay homage to the shrines and to Sufi thought, which inspired her to write her valuable book. The author obtained her Masters degree from Jodhpur University, India, and chose folklore literature as a minor subject. During her study, she went through the contemporary literature of the world. When she showed her desire to continue to work on Rajasthani literature in India and Pakistan, she was advised to meet Komal Kothari, who has done a lot of work to promote Rajasthani music, art and folklore literature and frequently visits both sides (India and Pakistan) to collect information. The author focused on the Dhat region and reviewed literature produced in Dhatki, Marwari, Gujrati, Sindhi and Rajasthani languages. According to her, the area now in India was part of Sindh before the Partition of the subcontinent on August 14, 1947, and the people of these areas from both sides of the border have a very close relationship. The author has raised a question for future researchers regarding the originality of indigenous Sindhi folktales. For instance, the stories of Umar-Marvi, Moomal-Ranoo, Noori-Jam Tamachi, Sassui-Punhoon, Laila-Majnoo, Leela-Chanesar, Sorath-Rai Khanghar, Heer-Ranjho, Sohni-Mehar and Jisman-Oden were sung by poets of the past in similar tones. This question raised by the author may inspire other researchers to clarify the originality of these folktales for future generations. REFERENCE: Music in the dunes of Thar By Jan Khaskheli http://www.jang.com.pk/thenews/aug2009-weekly/nos-23-08-2009/kol.htm#3