Tag Archives: crow pose

HOW TO USE THIS BLOG

There are 3 ways to use this blog:
1. You can simply practice Bakasana using the illustration above.
2. You can learn the steps get into the posture in the “How To” section.
3. Or you can geek out on the sequencing and anatomy details by skipping down to Part II.

GETTING INTO BAKASANA

Bakasana is iconic. For modern yoga practitioners, the pose not only represents strength, skill, and control, it symbolizes the entire concept of arm balancing. Practicing Bakasana builds self-confidence by reminding us that we’re stronger and more capable than we think.Continue reading →Read More > >

In my 500-hour Teacher-Training Programs I have my students compare Bakasana and Titthibhasana, or Firefly Pose, with the aim of learning how to create effective sequences for each of these postures.

When the trainees look at the two poses side-by-side, they see something they usually haven’t noticed before: Bakasana and Tittibhasana (Firefly Pose) are nearly the exact same pose. However, the one major difference between the two postures has significant sequencing implications. We’ll get to the yoga sequencing implications in a moment. But first, let’s look at the similarities between the two poses. Take a moment to compare Bakasana and Tittibhasana (Firefly Pose) below.

Bakasana and Titthibhasana share the following similarities:

1. Both poses flex the spine.

2. Both poses broaden the scapulae while strongly engaging the serratus anterior.

3. Both poses require strong core engagement, most significantly the transverse abdominus, the rectus abdominus, and the illio-psoas.

4. The shoulder joint (or gleno-humeral joint for you fact-checkers out there) is at approximately 90 degrees of flexion in both poses.

5. Both poses strongly flex the hip joints and require the adductors (inner thigh muscles) to engage to prevent the legs from sliding down the arms.

In simple terms, the arms, shoulders, shoulder blades, spine, core, and hips are doing the same thing in Bakasana and Tittibhasana.

The one significant difference between the two poses is that the legs are bent in Bakasana and they’re straight in Tittibhasana. That’s all folks.

But—and this is a big BUT—straightening the legs has far-reaching implications that makes sequencing for Tittibhasana different than sequencing for Bakasana. When you straighten your knees in Tittibhasana (Firefly Pose) you:

1.Stretch your hamstrings. The hamstrings are contracting in Bakasana, but they’re stretching in Tittibhasana. This means your students need plenty of hamstring preparations in the sequence that you create.

2.Stretch and contract your adductor muscles. Tittibhasana requires you to stretch the adductors since the legs open at a slight angle when you straighten the knees in this pose. At the same time, the pose requires you to engage your adductors so that your legs don’t slide down your arms. To facilitate this, your sequencing needs to include both adductor opening and strengthening.

3.Engage your core (even more). If your hamstrings and adductors are the least bit tight, they will pull the weight of your body down as soon as you start straightening your legs. To counteract this downward pull, you have to fire up your core and create even greater lift than you do in Bakasana.

4.Engage your quads: Engaging your quads straightens your knees in Tittibhasana (Firefly Pose). Your quads also work with your core to flex your hips and support the weight of your pelvis. Your sequence and your verbal cueing should include postures that help your students tune into these muscles so they know how to engage them once it’s time for Tittibhasana.

Practice the 16-pose sequence above and notice how all of these layers are incorporated. Let me know how it goes in the comment section below!

When you understand the nuances of postures like Bakasana and Tittibhasana, you can help demystify these poses for your students. Even more, you can create logical, effective sequences that keep your classes fresh and help your students do more than they ever thought they could.

Developing effective sequencing for all levels, including more advanced postures like these arm balances is one of the pillars of my Teacher Training Programs. I offer my 500-hour Advanced Certification in San Francisco, London, and Hong Kong. If you want to deepen your practice, advance your teaching, and learn to create more effective sequencing, please join me!

This Bakasana sequence builds up to the peak pose Bakasana, aka Crane or Crow Pose. You’ll engage your core, do several poses to encourage flexion (rounding) in your upper back, and you’ll stretch the inner and outer hips.

Bakasana is a yoga pose that looks deceptively simple, but achieving lift-off the first time can be difficult. For a detailed, step-by-step guide to getting into the pose, check out the Bakasana Pose Notebook. I also provide details on which muscles engage and which are stretched in the pose.

How To Use This Bakasana Sequence

As you practice the sequence, check in with yourself — where do you feel the most challenge? What parts of the sequence feel good? And if you want to learn more about developing meaningful effective vinyasa yoga sequences, check out my e-course, The Art of Yoga Sequencing.

Want to practice this Bakasana yoga sequence at home? When you sign up for our newsletter, we’ll send you a FREE printer-friendly download for you to keep.

Andrea Ferretti and Jason Crandell are a husband and wife team who have been teaching, writing about, and living their yoga for nearly two decades. Andrea is creative director for Jason Crandell Yoga Method. Jason is an internationally recognized vinyasa yoga teacher. They live together in San Francisco with their full-time boss, Sofia-Rose Crandell, age 5. To find out where you can train with Jason live, check out the Schedule page.