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This contemporary comedy is a lighthearted but interesting look at national identity, as a young Polish man tries to take on other identities, namely Irish-ness, instead of his own. The show plays around with national stereotypes in a humorous but not mean-spirited way. It's about how the things that make us American, or Polish, or Irish, are fluid but static all at the same time.

This contemporary comedy is a lighthearted but interesting look at national identity, as a young Polish man tries to take on other identities, namely Irish-ness, instead of his own. The show plays around with national stereotypes in a humorous but not mean-spirited way. It's about how the things that make us American, or Polish, or Irish, are fluid but static all at the same time.

This evening-length work features original music and libretto by composer Lyndsy Perkins and original choreography by Amy Nevius and Jessica Van Oort. The story, set in the 1930s, follows a young woman from her stark reality to a fantastical world and back again.

This evening-length work features original music and libretto by composer Lyndsy Perkins and original choreography by Amy Nevius and Jessica Van Oort. The story, set in the 1930s, follows a young woman from her stark reality to a fantastical world and back again.

This evening-length work features original music and libretto by composer Lyndsy Perkins and original choreography by Amy Nevius and Jessica Van Oort. The story, set in the 1930s, follows a young woman from her stark reality to a fantastical world and back again.

This evening-length work features original music and libretto by composer Lyndsy Perkins and original choreography by Amy Nevius and Jessica Van Oort. The story, set in the 1930s, follows a young woman from her stark reality to a fantastical world and back again.