By foregrounding the formal choices through which it depicts its image of violence, Wind forces us to consider how the image might ethically respond to violence. Drawing on the philosophy of Gilles Deleuze, this article argues that Wind positions the viewer to understand time as a force for change.
: By foregrounding the formal choices through
which it depicts its image of violence, Wind
forces us to consider how the image might ethically respond to violence.
Drawing on the philosophy of Gilles Deleuze, this article argues that Wind positions the viewer to understand
time as a force for change.