"You can't copyright circuits really." - Ed Sanner …………….0............."The effects market was really nothing more than a bunch of beggars and thieves, all building off one another's work." - Dan Armstrong…...........................…Sweet dealin's: here"...a benevolent dictatorship can be O.K. for as long as the benevolence lasts…” - Hardy Green"Flangers gonna Flange, though. There's no way around that." - Joel Korte

OK! So I ended up finding at the same number address on the next block! So all is well but the carrier seriously fucked up as I'm pretty sure that house is completely abandoned.

I have the pedal. I've been playing it for about 2 hours. Its great! The knobs are unbelievably interactive! So many sounds possible! Its crazy! Not even sure how I wanted to incorporate it but it has multiple spaces it can fill.

"You can't copyright circuits really." - Ed Sanner …………….0............."The effects market was really nothing more than a bunch of beggars and thieves, all building off one another's work." - Dan Armstrong…...........................…Sweet dealin's: here"...a benevolent dictatorship can be O.K. for as long as the benevolence lasts…” - Hardy Green"Flangers gonna Flange, though. There's no way around that." - Joel Korte

This thing is nutty. It feels like there's lubrication on the strings because the tone has such an awesome layer of smoothness that I feel like I can easily play anything with total ease particularly when it comes solo/lead playing. On top of that, I've yet to find a setting that chokes my pinch harmonics (of which I play many!) out of existence. A lot of otherwise awesome fuzzes tend to do this yet the Blunderbuss still retains the ripping, sizzling, raunchy artifacts that make fuzz so alluring. And there is literally more gain that I need on tap. I have never not max'd a gain/drive/fuzz knob to obtain the fuzz tone I'm looking for and I didn't have to max my Blunderbuss. Pushing it past 3:00 actually produced an overwhelmingly "rubbery" gain which is something I've only heard on a few select modern EHX BMP's with sustain max'd. My own BMP doesn't seem to do that.

Plus, this is the first fuzz I've had which could produce a similar tone to the shaky, sizzly, anxious fuzziness heard in the little breakdown at 1:22 on "Wires" by Red Fang. Achieved by maxing Preamp and bottoming out the Focus. The higher the gain the better that effect is heard.

So anyway, I just wanted to tell you how thrilled I am to finally experience and own this fuzz. Its a keeper.

"You can't copyright circuits really." - Ed Sanner …………….0............."The effects market was really nothing more than a bunch of beggars and thieves, all building off one another's work." - Dan Armstrong…...........................…Sweet dealin's: here"...a benevolent dictatorship can be O.K. for as long as the benevolence lasts…” - Hardy Green"Flangers gonna Flange, though. There's no way around that." - Joel Korte

That's good to know, Kyle, now I don't feel left out with my v1 Blunderbuss.

"You can't copyright circuits really." - Ed Sanner …………….0............."The effects market was really nothing more than a bunch of beggars and thieves, all building off one another's work." - Dan Armstrong…...........................…Sweet dealin's: here"...a benevolent dictatorship can be O.K. for as long as the benevolence lasts…” - Hardy Green"Flangers gonna Flange, though. There's no way around that." - Joel Korte