We're happy to release another Wiggletype typeface called Pocket. It's available now for just $59 at our Wiggletype website.

Hand drawn by illustrator Emilio Santoyo, Pocket is a bold sans serif display that will delight your audience. It features huge, extruded drops that look great when stacked vertically. Pocket works well in black and white, but really thrives when you fill it with color.

I recently re-discovered this photo I took back in 2001 on Melrose Ave. I didn't live here then, and remember it felt like a loooong trip from UCLA. I love how the longer you live in this city, the smaller it feels as you explore neighborhoods that are further and further afield.

Take a look at the behind-the-scenes in this three-part short video. In part 1, there's some fun location video and photos with Richard, Gina, and Jenny in Freetown. In part 2, you'll see our dedicated team in L.A. animating and hand-tracing over 4,000 frames to create the hybrid live-action and animated look. Lastly, in part 3, we've included some shot breakdowns for several before-and-after comparisons. Enjoy!

We had a great time nerding out with old tape decks for the Young Adult.

In this title sequence the camera goes inside Mavis’ car tape deck, revealing the intricate gears and electronics that make it tick. We needed to get very, very close-up for these shots, and here’s how we did it:

When Jenny and I first watched the rough cut of Cinema Verite there was a point in the film, about two-thirds of the way through, where the screen went black and a white title simply stated, “Broadcast montage here.”

The world isn’t exactly clamoring for a behind-the-scenes look at our brief main title for RJ Cutler's short film, “Fish.” But we’re amused by the process we went through to create it, and think it demonstrates our obsessive desire to make things by hand. Because, you know, it’s more fun that way...