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Thursday, 31 December 2009

It's been another day of celebration as Adam's sales figures are much better than expected, having sold 62,000 copies of FYE this week, increasing the total US sales to 417,000.

Yesterday was the first time I'd been aware (thanks to my fellow Lambrits) of WWFM getting played on UK radio via BBC Radio 2's 'The class of 2009,' a show where Paul Gambaccini presented his choice of the breakthrough artists of 2009. For those who can't listen to the segment that starts at about 20:30, I've transcribed the comments:

“The year's best selling album by a UK artist in the US was 'I Dreamed a Dream' by Susan Boyle. This made a mockery of the year-end polls that attempt to predict who the stars of the following year are going to be, because at the end of 2008, Susan Boyle was on nobody's radar, not even the United States' early warning system. Her life and apparently ours, changed on the eleventh of April this year when she appeared on Britain's Got Talent. Within a week, her talent triumphs over prejudice video had been viewed millions of times around the world, and the 48 year old Scotswoman was a household name in America. Such is the power of modern media, and such is the influence of Simon Cowell. He is, in this phase of popular music history, the most significant single figure. There always is one, but usually it's an artist, like Elvis, the Beatles, or Michael Jackson. But beginning with Pop Idol, which he started with Simon Fuller of 19 Management, Cowell has built an empire of reality talent shows, that is the public's favourite mode of packaging and delivering ready-made, if usually short-term, pop stars. But no matter how strong his commercial sense, Simon can't control who the public votes for on his reality shows. This year, the two most obvious record-sellers came second. Susan Boyle lost to Diversity in the Britain's Got Talent final, and in the States, the dynamic Adam Lambert was beaten in American Idol by a more middle of the road artist, Kris Allen. Rarely am I musically impressed by reality show winners, but this year, both Lambert and Joe McElderry of X-Factor convinced me that they could have lengthy careers. Sure enough, when the new albums by Adam Lambert and Kris Allen were released at the end of the year, the man who made the top 10 debut was, Adam Lambert.

► Whataya Want From Me?

Whataya Want From Me? by Adam Lambert. The young Californian came to prominence this year via TV, which has also been the medium that has made Ingrid Michaelson. Granted, it's been a little slower for Ingrid, but her method of exposure was to get her songs featured in drama series popular with young viewers such as Grey's Anatomy and One Tree Hill.”

As you can gather from the title, this post compares all the different versions of WWFM as I did for MW. I'd been holding out for a video of the Vevo performance of WWFM to turn up before making this post, but decided to go ahead because we might be in for quite a wait.

The debut performance of WWFM was a live one at The Early Show, a last-minute booking after the GMA cancellation. This was before the magnitude of the over-reaction of drama-queen proportions had really sunk in. Vocally it's very strong and has my favourite 'don't' high note to date, which he nailed better than in any others as it's both powerful and full of grit. When I watch it now, I feel a little different about the presentation than I did at the time. I think the sassy outfit and look is the one that's least suited to WWFM but works better for Music Again.

The David Letterman one was the next to be broadcast but was actually the first performance of WWFM. This was filmed shortly after the AMAs and just after the news that the GMA performance had been cancelled. It feels much less polished than The Early Show one and is my least favourite of them all. There's too much echo and the timbre of Adam's voice doesn't sound as pleasant or as well-controlled as usual, even shouty in places. Anger and passion over the AMA fall-out probably played a significant role in the delivery. The vocals and expressions remind me of BoW.

The Ellen performance came after a rather depressing week which may have influenced how I perceived it. It was sad and breathy with slightly dissonant backing vocals. More cancellations, tweets that seemed to show he was shaken enough to shift his direction and his crestfallen demeanour all made this the softest and most vulnerable of his performances.

The View came at a time when I was buoyed by the fact that Adam's recent critics all did a U-turn, in effect looking like idiots while spraying him with the fragrant scent of roses. This was my favourite set design and he was dressed all in black, merging into the background a little. The soft glow from the lighting gave it a floaty glam dream-like feel from a different era, much like the album cover. This wasn't the tightest but very solid and felt quite relaxed. Circumstances probably made me project an atmosphere of serenity to this rendition.

The mix on Conan sounds a little thin to me, and Adam didn't hit the 'don't' but there was the introduction of the beautiful falsetto 'me'. This is quite a physical performance where he's comparatively animated with his movements and expressions, clad in plenty of leather to add a little spice.

I was a little nervous going into SYTYCD because there had been a few shaky notes in each of the performances so far. I didn't need to be though, as its my favourite one. The instrumental mix sounds much better and the voice is at its most dynamic, with the inclusion of the falsetto and showing plenty of lightness and shade. This is a near-perfect vocal and the best visual performance with fitting expressions, and make-up and styling that represent the song very well.

The universally positive reception on SYTYCD I think must have contributed to the the most polished and assured rendition on Leno. With a casual, almost grungy look like a loner being left out in the cold, the visuals are my favourite out of all the talk shows and come a very close second behind SYTYCD. Vocally, it's the cleanest yet with a new, low 'Please don't give in' but with the omission of the falsetto that I love.

I still feel that the song lacks punch and excitement, but it has grown on me because it's a fitting narrative to Adam's real-life situation. It does help to really be able feel it as you sing. There is one thing that I miss from these performances though, and it's the 'Ahh' at the synth break that's included in the single which is beautifully tender. Being obsessive, I've tried overlaying the different versions and synching them up to play simultaneously. I have to say I'm very impressed that the band is very tight. The timings are all remarkably precise as every single one stays exactly in time from start to finish. Try it!

And just because it's available, I've also included Ferras's cover which makes me very excited to hear an acoustic version from Adam sometime:

Friday, 25 December 2009

Season's greetings everyone! And happy festival of rampant consumerism for all you jaded cynics out there! I hope you all have an enjoyable time no matter what you do. As a little something to say thank you for all your support, I've re-worked a classic Adam performance for you where I've enhanced the picture and stitched together the best shots from the three videos available. This ranks near the top of my favourite pre-Idol gigs and was one that nudged me off the precipice all those months ago, leaving an indelible impression.

A little thumbnail of Adam lined up with the dancers popped up when I performed that fateful Google search. This didn't look like Adam, didn't quite fit in with my impression of Adam at the time and I wondered whether he had a namesake. This matter was put to rest as soon as I heard that unmistakable voice.

From the wide-mouthed lick of the finger in the blue light, I could tell this was going to be one sexy performance. The bassline kicking in is dangerously seductive as Adam lazily rolls his head, stretching as if just waking up, preparing for round two, moaning in horny recovery. The clinging red trousers and vest not only reveal a lot of skin but also Adam's lithe figure amongst other things. His movements are a dance of sexual foreplay and I remember thinking that no straight guy moves like that. There's much focus on the crotch as he sits open-legged and grabs it like a handle to pull himself up with. He prowls the stage like a feline with dance moves that pay homage to Michael Jackson, Elvis and Britney. There's one part in the song where he's a little late coming in, but I love that imperfection because to me it shows that he's totally absorbed in the moment. Just seconds later, we get the crowning note with that astounding riff and just when I think he can't go higher, he hits me with the most incredible sustained and powerful belt. I remember my eyes just widened and I gasped completely awestruck by this bare-footed other-worldly creature who looked like a manga character and was armed with a supernatural voice. I loved the moves that followed. There's something extremely sexy about the neck roll followed by the grace of the pirouette and the lap-dancer gyration back into the chair. He's on fire, which in turn arouses us, the audience. After it's over, we see Adam out of the character, beaming back a smile that would guarantee he would always have his way.

This was one sizzling performance that cranked up the heat, turning me on and teasing me enough to be fucking begging for it by the end. I watched it over and over. This was the performance that told me about Adam's shape-shifting abilities, his sexuality, his swivel hips, his boldness, his boyish charm, his irresistible sex appeal, his talent, his shockingly perfect, powerhouse vocals. This was the performance that got me really excited about him, willing him to push it further on AI and freak people out, eager to see what he would do next. This was what seduced me into falling for him, tipping me over the edge and getting me committed to following him and obsessing about him all this time. He makes us all crazy, but there's something so pleasant about that space, no?

Tuesday, 22 December 2009

I watched Leno in a very happy frame of mind after finding out Adam's album sales figures for the week, which were much higher than what I'd been expecting. Adam had already been a part of a few of Leno's sketches leading up to the appearance so I was looking forward to seeing the interaction between them.

I was amused by the house band's attempt to play FYE at Adam's entrance without any electronic effects, and the hug he gave Leno reminded me of the one he gave Randy Travis. Adam's look was the most casual I'd seen of late - no leather, not glam, and even slightly grungy. It most closely resembled that from the TFM video. There was plenty of make-up though, and I liked the jewellery, especially the snake.

The interview itself was one of the most enjoyable so far, talking about Adam's past and his family. He was so natural at endearing us to his human side and his voice impressions were funny. The pregnant pause and mischievous expression after Jay's emphasis on 'plucked' was a classic, and the 'safe plucking' response was hilarious, leaving us in no doubt once again as to his lightning-quick wit. It was reassuring that Jay was fanboying all over Adam, unable to resist touching him. One with lesser integrity and articulation skills may have nodded along and agreed with Jay's cynical take over the AMA furore, but it was admirable that Adam consistently continued to take responsibility for his actions. I loved the little sarcastic mention of Billy O'Reilly with a twinkle in the eye. I'm really curious to see them head-to-head, and whether he'd be able to resist Adam's charm.

Monte returned with the bejewelled guitar, with the foggy atmosphere and lighting Mad World-like. It was another beautiful and solid performance with a few changes like a low 'Please don't give in'. It just keeps improving. There was another back-to-back moment with Tommy but the camera went towards Lisa for the synth break. The sound mix was good and this was one of the best vocals of WWFM so far. Not glitzy, not angry, not sad but assured, very natural, understated and quietly confident.

I'll leave you the tweet of mine you liked the most, and as promised, part of the best plucking episode of Rainbow, a children's TV show - well worth watching for its innnuendo.

Thursday, 17 December 2009

When I'd heard that Adam was singing WWFM on the final of So You Think You Can Dance, I was disappointed that this was probably the end for TV performances of FYE in the US. I was hoping he'd be able to derive the satisfaction of nailing a new and improved FYE dance number proving he could sing it live, but alas it was not to be. My expectations of this performance after seeing all the multiple versions of WWFM had been tweaked. I thought it might be a slightly toned-down affair where he would dial it back and put the focus back onto his voice.

As soon as he got introduced (notice how Cat Deeley's face suddenly lit up on mentioning his name), I was scrambling to see what he looked like and it seemed to take a frustratingly long time to pan in from various wide-angle shots. After seeing all the photos of him dressed down in 'day clothes' on the various shows and hosting gigs, I yelped with delight that he'd dressed up for the occasion. The light grey suit was slim-fitting and was jazzed up a with a random dead black thing as a shoulder accoutrement. One of the first things that came to mind for some reason was a Bond villain, namely Blofeld with his cat. I half expected him, with a menacing grin to stroke it and it would twitch back to life. The button-down shirt was the one from the AMA red carpet, and the hairdo was an upswept asymmetrical fauxhawk. To give him that extra bit of edge, the look was completed with a metallic-looking glittery tie, fingerless leather gloves and spats on his feet. His makeup with the tear streak was a beautiful touch.

One of the things that struck me was the similarity to the AMA look and I think this was a clever move. Since the song has a very different vibe, he could've chosen a very different look to disassociate himself with the AMA performance, re-establishing himself with a different image, but I think the point was to stamp his identity even further into our consciousness. The fact that he came out looking similar says to me that he's owning that performance and and has no regrets. It's to confirm that, yes, it's the same person doing both performances even though they're very different, and range is an integral part of who Adam is as an artist. There are also some marked differences as well. Where he previously had vicious spikes adorning his shoulder, there's something quite mournful about the slightly pitiful remains of the twisted black 'corsage'. There's no aggression, and coupled with the tear stain the look suggests a vulnerable and tragic hero who has somewhat fallen from grace and is pleading for patience, fitting in perfectly with the song's narrative and real-life circumstance.

Leona didn't sound great earlier on in the evening, so I wasn't without concern about sound issues and held my breath for so long I almost fainted. But WOWOWOWOW! Fucking hell! That was by far the best vocal of WWFM yet! Those first few soft notes were very promising, delivered as Adam scanned the crowd before pulling out his earpiece. I loved the scrapey tone of 'afraid' that was missing from the recent renditions and was pleased that the sound mix was was much better and fuller. He was subtle with his expressions but did look straight at the camera with a knowing twitch of the eyebrow at 'But now'. The falsetto 'It's me' first debuted on Conan made a very welcome return. When he took the mic off the stand, about 50 different clip snippets of WLL from the tour flashed in front of my eyes and I wonder how much conscious effort it took to refrain from stroking it suggestively. I worried for a moment that he got caught short of breath at 'Please, please don't give in' but it was just a means of varying up the song. When Tommy pressed his back to Adam's I half expected a butt-grab, especially as I'd been looking at the looping gif from the FYE music video. But what we got was an even more delicious blink-and-you'll-miss-it sneaky smirk with a quick and naughty flick of the tongue. Oh Adam! Even on his best behaviour he can't resist a little mischief! We got to see the Lite Stix that Longineu was campaigning for, and did you notice Monte's huge platforms and Lisa's new hairdo? Well neither did I as it took me several watches too, but the whole ensemble looked fabulous. The bit of the song I'd been most nervous about was the high 'don't' after the synth break because he'd often been sharp on it but I found myself whooping and punching the air in exhaltation as he nailed it. When he let rip at the end, I was already celebrating and doing a happy dance at what had been a fantastic few days in the Adam world. The last shot was of a strained face as on the end of ToMT before the camera zoomed out. There were a few too many wide angle shots during the song for my liking, but right at the end when Adam, smiling and gracious, turned to acknowledge the band, I was transported all the way back to AI and felt like I was about to burst with pride. It had been a while since I'd last felt such a happy buzz after watching Adam. It was a beautiful performance which I loved.

This brought the focus back to Adam's undeniable talent and once-in-a-generation voice. Although his shoulder ornament is an amusing talking point and has taken some column inches, there is absolutely no slack to hand to the critics. It was the most perfect vocal of WWFM to date and he certainly stepped it up and delivered on the right occasion. He worked the stage like an ex-lover confidently dressed to the nines, bringing everyone touched by his aura onto their knees and eliciting schadenfreude-loaded glances directed at ABC. The tease painfully wrung out of ABC nothing but regret. This was the ideal high-profile follow-up which has successfully exorcised the demons of the AMA fall-out. Maybe that's what those shoulder remnants are.

Bravo Adam & band! *Standing ovation*

I was still buzzing with excitement and wide awake when Chelsea Lately was on but unfortunately couldn't find a stream. She seemed to be rushing the interview along and I would have preferred if she'd done a little less talking. I loved Adam's sarcasm when dealing with the erroneous assumption that gay people automatically find other gay people attractive. It's rather ridiculous when you think of the straight equivalent. Adam was charming throughout and I was pleased that he was so comfortable and open talking about his acid trip.

Tuesday, 15 December 2009

As you can tell from the title, my favourite part of the performance on Conan is where Adam changed up the song to emphasise the most pertinent 'It's me, I'm a freak' line at 1:50 with a startling 'nervous'-like jump into falsetto on 'me' with a little run on 'freak'. A beautiful touch. I would like to hear a little more rock grit tone from him but neverthless, a strong show. He looked fabulous once again with newly trimmed hair and plenty of makeup. Who else can work a brown leather jacket with tight leather trousers in combo with a shirt and a tie so well? We didn't see the return of the camp retro set from The View, but Monte's new bejewelled guitar was a nice touch.

Sunday, 13 December 2009

This must be one of the most eagerly anticipated videos of Adam's performances so far after that little teaser from Fox News. This is still only partial, but it's enough to become awestruck once again by the marvel that is Adam's voice. The precision of the pitch through the octave-jumping, the control, the dynamism, the power and the clarity of tone are just stunning stunning stunning. And the riffing is a superb touch which adds that little bit of glittery pizzazz for a star-studded occasion. It's impossible not to feel both moved and proud.

Now compare this to Adam's beautifully sombre and sensitive performance at the military base way back during his AI homecoming, sung in a lower key and without any of the show notes:

And let's not forget this incredible vocal from Burning Man, which is a sung with musical accompaniment in such a high key that Adam breaks in to 'Baa's half way through. It's zany, chaotic and hilarious:

Still have my fingers crossed for a full length video and a video of the duet from the ADL evening.

Thursday, 10 December 2009

The quote of the day from Ringmaster Adam has to be “I'm a little different. My dreidel spins the other way.”

Impatience has a time-warping effect and it seems like such a long time since the last televised performance. It doesn't help that we know Adam gave performances at the Vevo and ADL events but have yet to see videos of those. His appearance as one of the ten most fascinating people was disappointingly short, just going over AMA and gay, with little more than a few sentences from him. There was nothing new there for fans, but at least there were plenty of clips showcasing Adam's voice. Again, there followed more controversy and proof of Adam's point about double standards because Gaga's same-sex kiss was shown but Adam's wasn't.

Adam's announcement about appearing on The View was one of the many WTF? moments recently, but it seemed that Barbara Walters had already been won over. The show would be pre-taped just so that ABC wouldn't have to concede complete and utter defeat in the matter. I guess they wanted to make a point to show that Adam hadn't earned back the trust of the network yet, rather than really believe he wouldn't be able to resist tempting everyone into simulating oral sex with him.

I'd never seen The View but had seen the clips of their conservative prude Elisabeth Hasselbeck criticising Adam's AMA performance. I thought this would make for an interesting showdown coming second only to one with Billy O'Reilly. It seems that she got warned (threatened?) by Adam's fans to be pleasant to him and in order to reassure everyone, she gave Adam her phone to tweet from.

Well there was never any doubt in my mind of the power of Adam's charms once the ladies got within his glittery aura. I'd seen it time and time and again throughout every single interview. Adam always manages to disarm even those with the sharpest of knives aimed at him and this was no different. From the photo that was released before the show of Adam with huge fluffy hair all coiffed up dressed as rockstar for the daytime, we could tell. From the body language of smiling eyes all fixed upon him and legs crossed towards him I could see that the ladies were putty. They weren't lions hungry for a mauling but kittens playfully tugging him for attention. Hasselbeck even ended up defending Adam's AMA performance and made sure to give him a chance to talk about his charity work.

We'd already seen three recent performances of WWFM, all subtly different though I couldn't help but feel that I was going to get bored of this being the only song that Adam would be performing on the promo circuit, much like I did with MW straight after AI. I don't find it the most exciting song and wondered how Adam would keep it interesting. That was answered the moment the camera showed the jaw-droppingly brilliant set. It was hilariously camp and reminded me of Top Of The Pops re-runs from the 70s. The crudely written ADAM at the back was in a punk style, but the pink, red and yellow neon were so cheesily OTT disco-glam. Are you sure there were enough lights Adam?! This, unlike the album cover, needed no explaining for it was extremely and unashamedly kitsch. Like a kid at Christmas, I was so mesmerised by the lighting I paid little attention to the song when I first saw it on the stream. I just couldn't believe that this set was on daytime TV on The View. Adam sang it beautifully and the mix sounded better than in the previous performances. It wasn't quite perfect though, as the guitar and the voice lacked a little richness for me, but the backing vocals showed no signs of dissonance nor were they overpowering. My favourite part of the vocals are the very soft extended notes with a little vibrato mixed in, like 'down' at 3:06. There were a few iffy notes after that, like the 'don't' which he's been sharp on before, but the final note with the breath at the end just takes my breath away.

This was family-friendly Adam being his charming self warning people this is no longer Idol but his career, and to expect a difference. With the cancellation of Larry King, let's just hope that this is the point at which a bright, neon-lit line has been drawn underneath the AMAs. This was a great interview from Adam, who was assertive, personable and quick-witted, the perfect combination of 'Aww!' and 'Phwoar!'

Monday, 7 December 2009

The last week has been full of WTF? with the ABC dis-invitations and now a new invitation for The View, then the lack of GLAAD support and their subsequent U-turn. The fact that Adam has come out of it still smelling of roses has convinced me that he's coated with Teflon because once again, shit has been thrown at him but has been repelled back onto the hurlers in his wake. ABC and GLAAD look like weak idiots. I don't know how he manages it, but it's an incredible skill and I admire his tact in refraining from blaming or criticising anyone else.

Since it's been such a hell of a rollercoaster ride of late, I thought it was time for a light-hearted and silly test to work out where you sit on the Adamometer (sorry for the cheesy neologism). Like the last test, there are fifteen questions in total. Feel free to leave a comment about your results:

I've seen most or all of the performances. My list of favourites are full of them.

I've seen quite a few of the videos but didn't bother following the tour.

I've done my best to avoid them like the plague.

Show me any tour video and I can tell you the videographer and the stop. I could write a thesis!

12. Has Adam affected the music that you listen to?

I still listen to the same stuff with the addition of Adam's best songs.

There's so much great music I've now discovered and appreciate now thanks to Adam.

He has completely opened my mind and inspired me to even listen to music I was previously dismissive of.

He's made me aware that I definitely don't want to listen to anything by him.

13. What do you think of the way Adam styles himself?

There is the odd choice like that baseball cap or moustache I don't like, but he usually gets it spot on.

He always looks fabulous without exception, whether he's dressed up or down. He's an incredible stylist.

He looks ridiculous with those silly hairdos and all that makeup that he spends hours doing.

He often over-dresses and some of his looks are quite unflattering.

14. Do you think Adam has helped in the fight for gay rights?

No, he's so self-serving, bringing up politics when it suits him but otherwise distancing himself from it

I think he could make an even bigger difference but he's doing well without being the poster boy.

He's done much more harm than good with his recent appalling behaviour.

He's started a debate and inspired me to get involved by openly being himself. It's unfair to expect more.

15. What do you think the future holds for Adam Lambert?

He's a supernova destined for world domination in music, art, film and fashion! Actually, not just this world!

I think he's too niche to survive for long in pop so will end up doing avant garde underground gigs.

He's going to be a huge star with a long and successful career ahead of him.

He's style over substance and will fade into obscurity once his five minutes of fame are over.

How did you score?

BETWEEN 0 AND 50
Erm, what are you doing here? Decided to become a Glamvert? This is obviously not the right place for you unless you're a bit of a sado-masochist. You think Adam is the most over-hyped and over-rated Idol ever and can't understand why people are crazy about his screechy voice and his outrageous theatrics. You think he's just an arrogant attention whore trying to shock with his cheap publicity stunts. You hate that he behaves like a diva even though he's nowhere near to earning that right. You think he lacks originality and the only reason people are buying his album is because of all the collaborators who have pulled him along. You hope he'll disappear from the spotlight soon so that other more worthy artists and musicians get the recognition they deserve. You're probably an obsessive fan of a rival Idol. But due to the fact that you are here, methinks you are in complete denial because you are scared that he gets your nether reasons twitching like mad. Let me save you some time by informing you that resistance is futile. Quit fighting! It's time to cast off those pearls and proudly become lambosessed by letting your freak flag fly!

BETWEEN 50 AND 120
You're slightly on the fence when it comes to Adam, perhaps because you've only recently discovered him . You know who he is from all the media hype, but you don't really follow him. You generally don't go for artists whose purpose is to shock and prefer the music to do all the talking. You're not that keen on all the theatrics that accompany him and believe that less is more. You usually turn your nose up at anything related to AI for the bland rubbish they churn out. While you can't deny that he's got a good voice and can sing really well, you just don't rate the majority of his material as it masks his voice and is over-produced. You're likely to prefer the ballads or the straight-up rock rather than the more electronic and dancier tunes. You prefer when he doesn't showboat with all his big notes and shrill riffing which you find unpleasant. Although he's usually gracious, you think he sometimes comes across as a little cocky and inconsiderate. You'll stay tuned to see what he does the next time he's on TV, especially after that AMA performance. He could be great but also has plenty of train-wreck potential and that's why you find him fascinating. You are far from it at the moment, but you do have the potential to become lambosessed.

BETWEEN 120 AND 175
You've been following Adam for a while via various communities and would definitely consider yourself a fan though not as crazy as some of those rabid ones out there. In fact you may be a recovering one who has calmed down a bit. You like most of his music but above all, love his voice and would happily buy his CD and pay to see him in concert. You find him a compelling combination of looks, talent, charisma and savvy but you still retain some semblance of objectivity and wouldn't let him get away with murder despite his sweetness. You don't worship every single thing he does and are able to criticise the things you don't like but would still continue to support him as long as he doesn't go too far. You love his positivity and are generally impressed by the way he conducts himself during interviews, finding him very witty, charming, smart, articulate and self-aware. However, there have been a few comments that you think were inappropriate and a bit of a miss-step for him. You think he's an extremely rare talent and has the potential for huge worldwide success as long as he continues to create great music and doesn't alienate too many people with silly gestures such as giving the finger. You're impressed that he's able to tackle so many different genres with ease but tend to prefer the material that's a bit more left-field. You admire the fact that he's bold and takes huge risks, and you hope he continues to resist selling out by staying true to himself under all the pressure. You have found a fairly happy medium being mildly lambosessed.

BETWEEN 175 AND 225
I didn't realise loony bins offered internet access these days. You've got it bad and could be considered 'overzealous'. Sometimes you wonder what happened to your life, but you don't care and are happy to continue worshipping at the Temple Of Glam. You signed up for Twitter with the sole purpose of stalking Adam and his friends, and have joined zillions of sites just to validate your insanity. You've had to buy at least one extra hard drive to accommodate the myriad videos and gifs of pelvic thrusting, mike molestation, lip licking and a huge range of expressions, all of which you have neatly filed. You remember all his performances off by heart so if you see a still, you immediately know what he's singing. You probably sat through hours of live streams just to see a tuft of his hair on the red carpet or a blurry speck that may or may not have been Adam singing amongst ear-bleeding static on a cellcast, despite knowing that the YouTubes would have been up in a matter of minutes. You probably saw 2012 in the cinema just so you could listen to Adam's voice in surround-sound. You think he's the prettiest, sweetest, most inspirational, articulate and intelligent person alive and won't accept any critcism of him. Your objectivity disappeared the moment you got your ticket for the Glambert Express so as far as you're concerned, Adam can do no wrong and you can always find inventive ways to justify even his most inflammatory of actions. Even when he's foul-mouthed, he's adorable and you truly believe he shits rainbows and jizzes glitter. You're going to name your kids after him if you haven't already given them away in exchange for some random bit of Adam-related paraphernalia. Your crazy unwavering dedication is admirable - you are well and truly lambosessed!

Disclaimer: This blogger accepts no responsibility for the accuracy of this skanky test, which is based entirely on scientific bullshit and conceived out of insanity.

Thursday, 3 December 2009

It's rare that there's little writing in one of my posts but I thought I would let this heart-stopping photo speak for itself:

We've gotten so used to seeing Adam glammed up, it's quite a shock to see him so bare. It coincides with the vulnerability he's shown since the AMA fall-out. Beneath the fierceness, beneath the glitz, beneath the makeup, beneath the sexy, beneath the showman, beneath the rock god veneer, is a beautiful human.

Tuesday, 1 December 2009

Despite seeming quite upbeat on CBS, it seems that Adam has done plenty of self-reflection since then in a really difficult week. It's disheartening to know that he's feeling the pressure and as a result of that, has had to respond and back down somewhat. He tweeted about taking things in a different direction in the aftermath of the AMA controversy. I really hope that it doesn't mean he'll be too cautious and over-think everything he does in future, because it's his subversive streak and his spontaneity — which makes every performance unique — that are the very things that add the passion to my fandom. Here is his interview on Ellen:

Again, Adam looked great, smart but very understated with minimal makeup, which seemed to distance him from AMA Adam. He wore a brown leather jacket that had the cut of the WATC one without the embellishments, dark shirt, black trousers and gold tie. This look seemed to say that this was Adam, the real, bare human being rather than the fiercely sexual rockstar performer.

From the interview, I think Adam has analysed everything to death and has come to regret that the AMA performance wasn't quite suited to the intended audience, but I'm glad he still feels the content of the performance wasn't a mistake. Unlike after RoF where he talked about getting a kick out of the love/hate split in reactions, I get the feeling that he was much less happy about the negativity amongst even the fan boards where many voiced their disappointment. For fans to be lukewarm about your big debut performance in which you put so much effort must hurt, and I imagine that he has been harder on himself than anyone else.

Adam is so many different things to so many different people that everyone has different expectations. His versatility in applying himself to any style — one of his greatest strengths — makes it an impossible task to please all fans and I hope it's not something he's going to focus on. It would be a shame if he felt the need to tone down in order to make himself more palatable to those who aren't as open-minded as he initially assumed. I was hoping that he would now have much more artistic freedom after the Idol days of staying on his best behaviour so people would keep him on their screens. Unfortunately it looks as if it's not going to be vastly different now. Back then, it was arguably down to individual votes, but now the power is all in the hands of the networks and corporations and that's a different matter. Adam inadvertently made ABC and CBS look like fools and they can't have taken kindly to it. He may have enough buzz now to attract a huge audiences, but like it or not he needs the networks for promotion and has to be careful to keep them on board. As frustrating as it is, there will still be that balancing act between keeping his subversive edge by staying true to his art, and being TV friendly. Through various iterations, I'm sure he'll manage to nail the right balance for TV and perhaps leave the risqué for his tour. Although I hate that Adam felt the need to back down and concede his shortcomings, I think his humility during the interview was enough to pacify many and win over some.

This week has been a bit of reality check for us all and we've rather depressingly been reminded that corporations rule over artistic expression, especially in the US. Adam, despite all his fabulous alien glitteriness, is still subject to their rules. There is plenty of hope though, as without him, the debate about male sexuality would not be taking place. Without him, individuals would not have campaigned to stop ABC from condoning violence with GMA's invition to Chris Brown. I'd like for Adam to know that there are plenty of us in other parts of the world who don't think he went too far. I understand that he'll have to make concessions, but for me it's his dedication to staying true to himself, taking bold risks and pushing boundaries that win my respect and admiration. I think he's learned a lot over the past week and believe his positivity will make him much stronger after this. For now, I hope he knows he has enough support to feel confident in continuing to be bold and unapologetically Adam.

This version of Whataya Want From Me? was a vulnerable one and the vibe I got from this was closest to his performance of One, where he seemed very exposed. There were a few shaky notes and it wasn't as perfect as the one on The Early Show but he poured in plenty of passion and I loved it when he let rip with his vocals at the end.