As a young boy, the sight of an RAF squadron flying over Nicholas Watts' house sparked a passion for capturing a moment in time. Early classroom sketches of dogfights, aerial battles, Spitfires and Hurricanes, developed into a mastery of technical art. Nicholas Watts grew up near Brands Hatch and the experience of watching motorsport from an early age also had a profound effect on Watts. He was soon channeling his artistic flair into his first ever car commission, a Bugatti Type 37A. Nicholas Watts has a passionate and atmospheric style in his work. His technical grounding and the sense of proportion and perspective that it teaches shines through within all of Nicholas Watts' pictures.

12 Hours of Sebring - $350

Signed by Vic Elford and Gerard Larrousse

Against All Odds - $625

Signed by Maurice Trintignant

All American Victory - $725

Signed by Dan Gurney and Phil Hill

and AJ Foyt

As Darkness Beckons - $350

Signed by Marko, Lennep, Posey, Hobbs,Adamovicz, Attwood, Elford

BRM - The Final Victory $375Signed by Jean-Pierre Beltoise

Fangio the Maestro - $1250Signed by Juan Fangio(some signed by Brabham, SalvadoriMoss, Herrmann, and Brooks)$1950

What is a Giclee? Our most frequently asked question. Simply it is another form of reproducing art work. Fundamentally the process involves a very sophisticated form of inkjet. As the ‘ink’ is sprayed it can therefore use a number of differing surfaces. Favorites being canvas and very high quality parchment paper. It got its name from the French ‘giclee’ roughly translated as spit or spray. The great benefit of Giclee reproduction is that it does not have to be printed in one run, as for instance a lithograph. It can actually be printed on a one-off basis. This has allowed artists and publishers the freedom to produce very small editions and has opened up the opportunity to offer pieces that would have never been financially feasible as a large production run. While the operation is carried out by a computerized method it still requires significant skill by the printer and while there are many ‘giclee’ publishers, not all share the same quality in their reproductions.