Hasya Vyang Ke Saat Natak

“Hasya Vyang Ke Saat Natak” is a book written by famous dramatist Lalit Mohan Thapliyal. This book has marvel collection of 7 plays of comic satire making it interesting on stage. The 7 plays in this collection are Kaka Babu, Dhakad Party, Jhamela, Lapta ki Talaash, Is Desh ka Kya Hoga, Subah Hoti Hai Shaam Hoti Hai & Chutti ka Din.

From a political satire in rhyming verse to the story of an angry villager who’s lost his goat, from runaway lovers trying to outsmart a fire-spewing, caste-conscious elder to a journalist in 1960s India trying to make ends meet, this collection showcases the humorous side of ordinary life.

Note : Serious theatre groups are welcome to perform the plays in these publications. However, they are requested to seek permission from the Sadhana Sanskriti Pratishtan and to pay a small royalty according to their means.
[Contact details: 10/97 Rajendra Nagar III, Sahibabad, Ghaziabad 201005; www.facebook.com/SadhanaTheatreArts; sadhanatheatre@gmail.com]

Product Description

ABOUT THE AUTHOR:

Lalit Mohan Thapliyal was a well known Garhwali and Hindi playwright, actor, and director whose career spanned six decades. His works include 9 full length plays, 30 one-act plays, including plays for children of various age groups, and 4 dance dramas. A journalist by profession, he worked with leading papers including the National Herald and the Hindustan Times and then with the Public Information Division of the WHO. He was awarded the Jaishree Samman by the Garhwali Bhasha Parishad, Dehradun in 1986. He received the Children’s Book Trust award for drama in a children’s literature competition for The Magic Island, in 1988. His play Chimtewale Baba won the Sahitya Kala Parishad Delhi All-India Playwriting Competition (1988-89). He was awarded the Mohan Rakesh Samman in 1996 for Panne ki Angoothi.

Wherever he lived his love of theatre stayed with him and he continued to write and direct his plays. In the late 1970s he established a Hindi language theatre group in Geneva, Switzerland, where he was posted. He returned to India in 1983 after his retirement from the WHO and for the next 21 years devoted himself to theatre full time. He established the Sadhana Sanskriti Pratishthan, a trust devoted to raising the quality of community life by raising cultural awareness. He believed that theatre was a very important educational tool and organized annual summer workshops for children, all gratis. Every year he directed and produced 4 to 5 plays with his theatre group, the Sadhana Natya Kala Kendra.