Goodreads Author

Cameron Suey is a California native living in San Francisco with his wife (who can occasionally be convinced to edit his work, as long as it's not too gross) and daughter. He works as a writer in the games industry, and his work has appeared on the Pseudopod Podcast, various anthologies including A Quick Bite of Flesh, and Historic History, and will be featured in the upcoming magazine Jamais Vu: The Journal of Strange Among the Familiar. He can be found on the web at thejosefkstories.com, where he writes about writing, horror, and other influences.

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Cameron SueyWhen I started writing in earnest, I was primarily reading Lovecraft, Chambers, and Howard, along with a smattering of other early 20th century pulp…moreWhen I started writing in earnest, I was primarily reading Lovecraft, Chambers, and Howard, along with a smattering of other early 20th century pulp writers. Naturally, I started aping them stylistically, but I think the underlying narratives I like the most owe much more to a lifetime of Stephen King short fiction as well as internet creepypasta. Since then as I've tried to formulate my own voice, I've been looking more to thse modern weird/short fiction creators: Thomas Ligotti, Richard Matheson, John Langan, and Laird Barron. I'm also trying to draw inspiration from non-horror sources: Bernard Cornwell's historical fiction, the creaky hard science fiction of Alastair Reynolds, and Kim Stanley Robinson's genre spanning genius. (less)

This is my final text of this story, as heard on Season 10, Episode 9 of the No Sleep Podcast. I hear the dogs before I see them. It’s Monday morning, I’m in the bathroom stall, pants down, pretending to shit and making polite throat-clearing noises every few minutes. The rotten vegetable green paint on the …

Genuinely enjoyable and focused adventure, with some nice and interesting world building at the margins. The way gender is handled is fascinating, and pertinent when many characters are posthuman. It’s also a great, propulsive adventure yarn. ImagineGenuinely enjoyable and focused adventure, with some nice and interesting world building at the margins. The way gender is handled is fascinating, and pertinent when many characters are posthuman. It’s also a great, propulsive adventure yarn. Imagine Die Hard if the building was actually a giant walking robot with hundreds of inhabitants locked in an internal civil war. The perspective is admirably focused, with the actions never leaving the inside.

Now: If you can’t get used to reading a three letter word like “vis”, then reading is not for you.

If you can’t read a story without rage quitting because of the garbage reactionary politics you thoughtlessly absorbed while poisoning your brain in the outer dark of the chans, then the entire internet is not for you. Log off, loser. We’re gonna take all your toys....more

Genuinely enjoyable and focused adventure, with some nice and interesting world building at the margins. The way gender is handled is fascinating, and pertinent when many characters are posthuman. It’s also a great, propulsive adventure yarn. ImagineGenuinely enjoyable and focused adventure, with some nice and interesting world building at the margins. The way gender is handled is fascinating, and pertinent when many characters are posthuman. It’s also a great, propulsive adventure yarn. Imagine Die Hard if the building was actually a giant walking robot with hundreds of inhabitants locked in an internal civil war. The perspective is admirably focused, with the actions never leaving the inside.

Now: If you can’t get used to reading a three letter word like “vis”, then reading is not for you.

If you can’t read a story without rage quitting because of the garbage reactionary politics you thoughtlessly absorbed while poisoning your brain in the outer dark of the chans, then the entire internet is not for you. Log off, loser. We’re gonna take all your toys....more

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