Mr. Craig Johnson, Dr. Bill Ernoehazy and myself have been looking at a common engraving pattern on sword blades that is often described as a series of lines and dots most often running along side a fuller. These often terminate together in a cross depicted at the end in the center of the blade. We have come to the conclusion that this particular pattern may well be representative of a rosary or prayer beads.

I made this observation a few years ago when visiting the National Museum of the American Indian with Bill Grandy. You can read his report here.
The timing was such, that my older son had just recently been confirmed in the Catholic Church and one of his confirmation gifts was a wallet rosary. (I've attached a picture of one below.) Looking at these two swords at the NMAI, the resemblance stuck out.
Sword 1Sword 2

Shortly afterwards I had the opportunity to discuss this observation with Mr. Johnson and Dr. Ernoehazy and they agreed that it was likely the case that this engraving pattern started as a depiction of a rosary. There is considerable variation in this pattern. The shape of the lines, the number of dots, even the type of cross is not consistent. Some later period swords have even simplified the design down to simply lines with a cross. At that point, the pattern may have simply become traditional and had lost its original meaning as a specific religious tool. It is even used on modern reproduction weapons, often in its simplified form of lines and a cross, such as that on Albion's Gallowglass.

Though we have been referring to these swords as rosarial swords as a means to identify them, the patterns do not necessarily depict a modern rosary recitation. They do, however, correspond with early prayer bead patterns and recitations. Prayer counters have been used historically by many world religions and even in the Christian religion their use predates the “Hail Mary” and the modern rosary prayer which includes specific meditations on the life of Christ. Some early prayer beads were used to count the number of repetitions of the “Our Father” and were called Paternoster beads.

Taking this idea that this engraving pattern of lines and dots was meant to be representative of Christian prayer beads of some sort, Mr. Johnson, Dr. Ernoehazy and myself would like to collect images of these swords and compare them to each other and the evolution of the pattern over time as well as comparing it to the beginnings of the rosary. I have attached a few images below that I scanned from books in the Library of Congress. We would also be very interested in any mention of this pattern in period commentary or scholarly mention of this pattern representing prayer beads in scholarly works. We would welcome input from myArmoury readers that would include more of these rosarial swords.Attachment: 13.58 KBwallet rosaryAttachment: 12.01 KBCup-Hitled Rapier, Italy c. 1610-30, from Arms and Armor: The Cleveland Museum of ArtAttachment: 21.09 KBClose up of blade on the cup hilt rapier.Attachment: 12.53 KBRapier, blade from Spain, hilt from Italy c. 1580 – 1610 from Arms and Armor: The Cleveland Museum of ArtAttachment: 14.21 KBClose up of rapier bladeAttachment: 15.17 KBSometimes the pattern is made of piercings rather than engravings, such as that in this smallsword, c. 1650-1660, from The Art of ChivalryAttachment: 14.38 KBThe sword in the middle and the one on the right both exhibit the pattern and are both c. 1580-1620. From Imperial Austria : treasures of art, arms & armor from the state of StyriaAttachment: 22.63 KBCloseup of the blades.Pamela Muir

To Pamela and team,
great work! We take crosses on pommels for granted, but the link between prayer beads and sword is certainly unexpected, but when confronted with the importance of religion , and religious conflicts, in the time frame that these weapons cover, I end up having the same reaction as Bill, it now seems obvious. Keen eyes and good work.Bon coeur et bon bras

When Pameal first pointed this observation out to me, my eyes widened and I figuratively smacked myself on the forehead because I'd seen this decoration thousands of times, but never once did it occur to me that it meant anything more than aesthetics. I'd approached some other sword scholars and asked them if they'd ever noticed this, and they all had the exact same reaction as I did.

Pamela,
This is a great project. If you want to turn it into a myArmoury Feature article, let us know.

I'd suggest you contact forum member Don Stanko. I've photographed his collection of antiques and at least 3 swords have this type of decoration. I don't feel comfortable posting the pics without his consent, though. Also, he knows more about the dating of his swords than I do.

I think we've conversed about this as well in the past. I have collected photos of examples of this feature. When I find the time, I can gather them up and post them. It's been a fascinating subject to me for the last several years. I don't own any of the usage rights to the images and many that I have do not have source info available, but can post them on the forums under "fair use". Beyond that, it's going to be tough. .:. Visit my Collection Gallery :: View my Reading List :: View my Wish List :: See Pages I Like :: Find me on Facebook .:.

Collecting examples of these "rosary-inspired" designs found in blades was a project I had taken up a few years back. Unfortunately, due to the time constraints of work and other things, it's been abandoned. I'm glad to see some interest in the subject.

Here are an even dozen examples I had already collected and formatted. It's a start, at least.

The biggest problem I have with this theory - beyond the circumstantial illustrations - is that (historically) the devotion that is subscribed to the Rosary today and the Rosary in its present form is essentially a product of Spanish and French influenced 19th Century Catholicism. Certainly the Rosary existed before then having its origin in the "chotki" of the Eastern Church but the devotional aspect was not present in the 13th - 14th century nearly as much as today. Just a thought."Those who live by the sword...will usually die with a huge, unpaid credit card balance!"

The biggest problem I have with this theory - beyond the circumstantial illustrations - is that (historically) the devotion that is subscribed to the Rosary today and the Rosary in its present form is essentially a product of Spanish and French influenced 19th Century Catholicism. Certainly the Rosary existed before then having its origin in the "chotki" of the Eastern Church but the devotional aspect was not present in the 13th - 14th century nearly as much as today. Just a thought.

I most certainly agree that these do not correspond to modern rosary devotions. As I said above, though, prayer beads were in Christian use well before the modern rosary. There certainly is no consistency to the number of lines and dots in these engraving patterns and thus certainly do not correspond to modern devotional decade recitations. We are using the term "rosarial swords" to illustrate to a modern audience what these symbols may mean. We could have also called them "Paternoster swords." Pamela Muir

Oh, and it is also why we are hoping some myArmoury members might have come across period commentary or scholarly mention of this pattern. Until then, yes, the evidence is only circumstantial.Pamela Muir

I think its a plausible theory. I've seen the marks referred to as "anchor marks" but that never made sense to me. The rosary explanation does seem to fit better. The earliest blade I have depicting this mark is from about 1550

Don's given me his okay to post these, so here they are. Included first is a hilt shot, then a closeup of the blade marking for each. Don can fill in the details on dating/origin/etc.Attachment: 39.96 KBAttachment: 29.63 KBAttachment: 35.63 KBAttachment: 22.63 KBAttachment: 46.48 KBAttachment: 22.63 KB

The first sword is published in Leslie Southwicks Priceguide to Antique Edged Weapons, page 90. Its listed as circa 1650, Northern European Broadsword. The second is a Crabclaw Hilted Italian Broadsword, the blade Made by Enrique Coel or otherwise known as Heinrich Koll. He was active from 1588 till 1610 ( a German Swordsmith who worked chiefly in Spain). The third one is a Semi Swept-hilted sword, circa 1580. I'm not sure who made the blade, its marked with saltires down the fuller, no name and a common makers mark. All of the weapons, to the best of my knowledge are complete, not composites.

I like this theory, but haven't we seen some German swords with this? I know our modern concept of "Germany" doesn't accurately reflect the kind of independent city states making up some/all of that area, but I'd be surprised to see such a Catholic symbol from what we think of as a more Protestant-leaning area.

Of course, I could be way off-base. Perhaps there aren't many German examples of these or those examples come from non-Protestant "German" areas. Or maybe the Protestants maintained some connection to a rosary-like item.

Christian, I don't know the answer to your questions, which is one of the reasons I have been asking for help on this project. My contribution thus far has been to say, "Hey, that looks like a rosary!" and spending some wonderful hours in the Library of Congress looking through picture books and collecting images.Pamela Muir

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