This is Sun Chung's very first film for the Shaw Brothers, making it especially interesting and important. He hit the ground running with this action-filled tale of a :Devil Girl" who is setting one clan against another to get her hands on two amazing mirrors with supernatural powers. Only a noble swordsman (played by Liu Tan) and beautiful swordswoman (played by The Thundering Sword star Shu Pei-pei) can stop her.

Long before he became internationally famous for directing Bruce Lee's first film and giving Jackie Chan his big break, Lo Wei was famous for his acting. He was, in fact, a wellknown matinee idol in the 1950's. He enjoyed appearing in front of the camera throughout his career - even in his five years working at the Shaw Studio. This was one of his most central roles, as the loyal swordsman ShangkuanHao, leader of the Black Dragon Clan. Sharing the screen with him was swordswoman supreme Cheng Pei-pei, the lovely and luminous superstar who also created an international stir with her one and only villainous role (in Crouching Tiger Hidden Dragon). Here she is as most fans love her best: the heroic woman warrior who saves the country. But she must face the duplicitous White Dragons, the Flying Leopard, and the Red-headed Monk, among others, to secure the throne and safeguard a hoard of treasure.

Mr. Virgin is a romantic comedy about a twenty-nine year-old man Chao Yu-ting (Alfred Chang) who has seemingly been cursed. He becomes paranoid when a Feng Shui expert tells him it will be unlucky for him to marry before the age of thirty... so comical chaos line the days up to his next birthday!

Perennial Shaw Brothers hero Ti Lung versus perennial Shaw Brothers villain Lo Lieh. This combination is always enough to make one buckle up for a rousing ride of stylized fun. Based on a story about the famous anti-Ching Hung Hua Society, Chen Chia-lo (Ti Lung) must endure music attacks, great acts of betrayal and loyalty, memorable twists and controlled confusion to capture Ching Emperor, Chien Lung, who turns out to be his brother. Chang Chao-Chung (Lo Lieh) wants Chien Lung back. Besides ultra-extravagant sets, THE EMPEROR AND HIS BROTHER uses cool special effects to embellish Chen's secret "peacock fist" technique. Of particular note, the final action sequence features Jackie Chan's kung-fu buddies, Yuan Te and Yuan Pin, who were both action directors for Sammo Hung's American TV show MARTIAL LAW.

The lovely Li Hsiang-chun stars as a poor beauty who has been drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the question is: will it be too late?

Unarguably the greatest character in kung-fu film history is Huang Fei-hong. Arguably the greatest director of pure kung-fu films is Liu Chia-liang. Putting the two together was natural, since Liu started his career working on the classic Huang, and his family was trained by students of the real Huang Fei-hong! So after his first film as director, THE SPIRITUAL BOXER, was a huge hit, Liu decided to make the greatest tale of Huang and his "sifu" (teacher) ever filmed. He made a star of his adoptive brother, Gordon Liu Chia-hui, in the leading role, and filled the cast with family members, friends, students, and the best Shaw Brothers had to offer. He even played the villain himself. The result was more Liu magic, with an honorable message of righteousness that rings true through the decades.

One of Hong Kong's top directors reunited with its biggest comedy star after several previous hits (ROYAL SCOUNDREL, JUSTICE, MY FOOT) – only this time their subject was the gods themselves. Internationally proclaimed comic genius Stephen Chow plays petty, arrogant god Dragon Fighter Lo Han, who is changed into "Monk Chai" and ordered to alter the fates of three bad people on Earth, lest he be retransmigationized. Unfortunately for him (but to any viewer's delight), the trio he finds are a prostitute (played by the radiant, remarkably talented Maggie Cheung Man-yuk), a beggar (played by award-winning actor Anthony Wong), and a cold-blooded killer. Chow and To wring honest pathos and many laughs from this wonderful scenario, ably supported by the star's welcome sidekick Ng Man-tat and vaunted action director Ching Siu-tung (the director of A CHINESE GHOST STORY and the producer of THE HEROIC TRIO).

What started as masterful kung-fu filmmaker Liu Chia-liang's homage to the heroic Sung Dynasty Yang family became an angry, even savage, rumination on heroic sacrifice when international idol Alexander Fu Sheng died in a car accident midway through production. Fu's death was not only tragic because he was such a close friend, but because the role he was playing was one of only two survivors of an ignominious betrayal by a jealous General. Knowing that he had to immortalize Fu's final, unfinished performance, Liu carried on, having co-star Hui Ying-hung step into the action. The finished film is unique in the director's extraordinary filmography for the intensity and power of its emotions and kung-fu. There are heartbreaking references to the tragedy throughout, but the climax is truly unforgettable as the other family survivor, now a Shaolin-trained warrior faces his betrayers amid a pyramid of coffins. What he, and his Shaolin masters, do then has to be seen to be believed...

This number one hit is considered by some to be one of Asia's best gambling films. It is about a hero who helps a young student vanquish a cunning, malicious gambling tycoon who is determined to take over the family business.

THE KUNG-FU INSTRUCTOR is martial arts film director Sun Chung's loose homage to Akira Kurosawa's Yojimbo where unlike Toshiro Mifune's Sanjuro character being a snarling, bastard, drunk swordsman looking for a drink, popular actor Ti Lung's Huang Yang role, is an upright, righteous, weapon instructor looking to keep his limbs. Huang is a famous martial artist trapped into teaching kung-fu to the wrong clan while the opposing "good" clan tries to save him so he can instruct their members. Besides kung-fu comedienne Wang Yu starring in one of his few serious roles, Sun became the first Shaw Brothers' director to use a Steadicam which gives the film's action and editing style a unique brand of tension and rhythm. The pole fights are also out of this world.

Ling Yun plays a young musician hired by the manager of a popular band when the group's former drummer/leader Charlie, a guy with an ego bigger than his drums, quits to join a rival group. As the new drummer, Ling becomes an immediate hit. But there's trouble brewing. The former drummer is now very jealous of his replacement while the young drummer's mother is dead set against him having a music career.

Rarely has a title been more accurate, but considering the action which fills this film, it also could have been called THE BRUTAL FIVE or THE CRUEL FIVE or THE VICIOUS FIVE.... if the title referred to the villains, that is. In any case, the heroes are certainly outnumbered as gang after gang of robbing rapists invade this poor town. At first the fiends just want a village locksmith to help them open a stolen safe, but soon the entire community is being held hostage, threatened, and tortured. Although reminiscent of THE SEVEN SAMURAI, the director and his revered action choreographers, Liu Chia-liang and Tang Chia, design each of the many struggles with gritty depravity and desperate power. The result is an especially realistic, even grueling, exercise in suspense.

Yueh Hua, co-star of Clan Of Amazons and Clans Of Intrigue, tears up the screen as a corrupt magistrate, so obsessed with finding a hidden treasure that he not only jails and tortures his daughter's lover, but buries his daughter alive as well! Ironically, it is in her coffin that the secret to the hidden treasure is revealed, setting off a frenzy of destruction. Kung-fu choreographers Chen Ti-ke and Hsu Hsia have their hands full with this tale of martial arts masochism.