The creative output 2 x 1189 x 841mm photographic digitally printed double framed works with 2 x 25mm spacers Optix Acrylic to maintain crystal clarity and visual motion, illustrate the properties of light, expressly the colour spectrum. The works are archival continual tone Giclee prints overlaid with transparent Crystal Digital Acrylic Optix use direct print wave interference patterns, known as moiré, which to create movement and motion. Here, the photograph is given life to the virtual static phenomena to become visually moving phenomenon that appears to move in response to the way in which the viewer moves. The initiative of this project is a perceptual experience aimed to engage the audience’s attention. The pattern of interference is a phenomenon that occurs when two or more waves meet while travelling along the same medium. For example, to throw two small stones into a pond will create two converging circular ripples (concentric patterns) that will interfere with each other as they travel across the water. Drawing on physics, psychology and the principles of vision, position the work in its historical context; the research and practise uses contemporary mediums to reflect on the work of artists such as, Joseph Albers and Bridgette Riley exhibited in ‘The Responsive Eye’ exhibition at the Museum of Modern Art, New York, in 1965.