You’re gonna want to listen to Taylor Alexander’s Good Old Fashioned Pain. You’re gonna want to add it into your heavy rotation, where it will reside for many months and maybe years to come. If and when vinyl copies are made available, you’re gonna want to purchase one, even if it just sits on the shelf, simply to assure yourself it’s there, and if the digital music grid ever goes dark you know you’ve got a backup copy. Good Old Fashioned Pain is the kind of record that you hope and pray crosses your path as country a music fan. It’s the type of record that you crave will be delivered to you each Friday on release day to liven your spirits and satiate your country music soul. And undeniably, Good Old Fashioned Pain is country.

It’s the role of music reviews to guide the listener into making informed decisions about what to spend their time and money on, and perhaps to give some greater context to the music. This duty will be executed in accordance with custom and norm for Good Old Fashioned Pain, but 30 seconds into this record, you already know you’ve hit on country gold, and nothing more needs to be said. When you call yourself a country fan, this is the kind of country you mean. When you tell people about what they’re missing by only listening to corporate radio, this is the kind of music you play for them. When you listen to a record like Good Old Fashioned Pain, all the gratuitous and silly concerns about the direction of country music, or even the worries of your own life fade away in a sea of country music bliss.

Originally from Flowery Branch, Georgia, Taylor Alexander’s father was an opera singer and a church music minister, and music was billowing throughout his household. He received his first guitar at the age of 7, and started playing in rock bands by the time he was 14. His curse for performing country music was cast at 17 when he fell headlong into the music of Hank Williams, George Jones, and Bob Dylan, and started an alt-country band called Young America.

Though the name might be new to you, Taylor Alexander has experienced a brush with national fame in the past. In 2017 he competed on The Voice, and blew many people’s minds with a twangy, traditional country version of Cher’s “Believe.” As unusual as it sounds, it was the right combination of true country and pop familiarity to get accepted, though his run on the show was short, and he exited after the 2nd round. This might have been good fortune for Alexander though, since success on The Voice assures you nothing, or if anything preordains your struggle to actually make it in professional music. The opportunity gave Alexander some experience, but did not typecast him. He subsequently returned to Nashville and began pursuing his country music dream on his terms, and the result is Good Old Fashioned Pain.

This record refuses to let you down. The songwriting is like the resuscitation of one timeless classic country theme after another, only even more smartly written from dedicate study of the medium, and sculpted to fit Taylor Alexander’s specific story. The record is about a struggling musician attempting to make a dream real, and having to live with the sacrifices of living on the road, getting by with less, trying to hold onto love, all while trying to stay focused and believing in one’s self. In one song after another, Alexander’s stories become allegorical troughs of wisdom, delivered in simple and relatable expressions, while his spirit and perseverance feel palpable, and result in an inspiring listen.

Beyond the writing, Alexander shows off cunning skill and talent with emotion and pentameter with the way he sings these personal stories in perfect relation with the weighty moments they hope to convey. This is how Alexander was able to take a dance song by Cher and make it sound like something from Randy Travis, and make it feel even more personal and devastating than the original. You actually hear the words and the meaning behind them, not just the music.

And for the music of Good Old Fashioned Pain, Taylor Alexander went all out to make it the traditional country record he heard in his mind, yet it includes a kinetic energy to it as opposed to the same old phrase turns and guitar licks that work, but don’t render the music fresh. The songs of Good Old Fashioned Pain are everything you want, but it immediately leave you craving more.

Completely unsigned and looking for a shot at the dream, Taylor Alexander and Good Old Fashioned Pain make as good a case as any for being foisted right to the front of the line from the talent, heart, and authenticity exhibited. Don’t be surprised if this is a title that makes it to eventual consideration right beside the small handful of others as one of 2019’s best.

49 Comments

I just finished my first listen this morning, and this is definitely worth the time. Something about it reminds me of Sam Outlaw with more twang. Not sure if that makes sense, but Outlaw clearly has a distinct California influence in his music, and Alexander is what I imagine Outlaw would sound like without said influence.

It might be the crappy ear buds I am using while at work but I wish his mic was turned up just a little bit more to hear his voice stronger. Will see if that’s better for me when I listen with car speakers.

I remember when Taylor released a 3-song EP in 2016 with “Real Good At Saying Goodbye,” “Wishing My Life Away,” and “Break My Heart Tonight.” I liked him then, and I was sad he didn’t make it farther on The Voice. Anyway, glad he’s found success. Good dude.

Just got through the album for the first time, and, well… I’ve decided to listen through again! The album just flows from one song to the next in a supernaturally organic way, if that makes any sense. There’s no weak point, either. Just solid country gold all the way through, and an instant road trip necessity!

I am sick and tired of you turning these comments sections into your voodoo doll, and so is everyone else. You want to say mean things, go ahead. But you better figure out how to do it more efficiently, because if you’re just going to show up into comments sections to spew hate, the comments are going to get deleted. Offer something of value to the discussion, or move along.

I’m not running a school here Honky and we’ve had this discussion many times before. You leave comments just to shit on whatever is being discussed instead of discussing the topic at hand. And it’s every single article you can’t help but find something negative to say.

Can we, your loyal readers, vote? If so, block him. I come to this site less and less due to this guy and a few others. Makes me sad because I like what you are doing and find so much great new music through you. Bummer that some guy gets an on going platform to spew haterade and meanwhile drives away those with true interest.

There’s nothing to dislike about this record but I’m not feeling the love that you’re feeling. He has a clean, unaffected, ‘singing cowboy’ type voice which is great but I don’t get any emotion from it at all. The performance is fine but if the song cycle is really about his struggles to make music then I’m wondering why I’m just not invested in any of it while I’m listening. Put this next to Jason Eady singing about the same thing and it sounds like Karaoke.

I’m on my second listen right now. Not to sound sacrilegious, but I’m hearing a lot of Alan Jackson in this, in a good way. Hoping he can get some serious traction and make it up to MN some time soon. I’ll be keeping an eye out for him. Also, the Sam Outlaw comparison was good. Had a similar thought.

This is an amazing album. His music is classic sounding, but it doesn’t sound too ”hipstery” like it’s purposely trying way too hard to be throwback country music. It’s one effortless country song after another and I love it!

I hate throwing my 2 cents in before I’ve had a proper listen or 2 to an album. After a couple of full listens to the whole thing today I can say I kinda like most of the tunes and his voice but the production is a little thin and high end for me so we’ll see. A lot of new stuff out, being an album guy every album can’t make the rotation. Doesn’t mean it isn’t good, there’s just only so much time in a day.