Film

New York: Film Culture, 1963. First edition. 4to. Staple bound in stiff corrugated cardboard wraps, die-cut to reveal Brakhage's eye from the portrait within. With the scarce Fluxus wraparound intact and whole. George Maciunas designed the issue; the rear band of the wraparaound is a a Fluxus advertisement, and offers... More

New York: Living Theatre, [1963]. 8 1/2 x 14", offset litho on white paper stock. The flyer for this film screening series at the Living Theatre, held as a fundraiser for the New York Committee for the General Strike for Peace. The lead film on the flyer is Bruce Conner's... More

London: Thames & Hudson, 1953. First edition. 8vo, 350 pp, bound in blue cloth stamped in gilt. Illustrated with photographs, printed by photogravure, by the author and reproductions of vever drawings within the text. With a foreward by Joseph Campbell, and published under his editorship in the Myth and Man... More

New York: Elgin Theatre, [c.1969]. 8 1/2 x 11" flyer, offset printed in black on cream stock. Original flyer for this series of midnight newsreel screenings related to counterculture and political events at the infamous Elgin Theatre in Chelsea, the venue widely credited with inventing the midnight movie in America... More

Paris: Editions de la Sirene, 1921. First edition. 12mo, unpaginated. Printed wraps. The first edition of this work of film criticism by the filmmaker and critic best remembered today for his film The Fall of the House of Usher. While the importance of the text is widely acknowledged in the... More

New York: Factory New York Limited, 1985. 3 1/2 x 5" postcard, offset printed in color. Addressed and mailed to an employee at Rough Trade. Postcard probably designed by Malcolm Whitehead after the original Trevor Johnson. The postcard announcement for Factory 137, a VHS of short films, and the same... More

Madison, WI: Madison Supporters of the Attica Brothers, [1974]. 10 1/2 x 16 1/2", offset printed in b/w. Provenance: from the collection of J. Wesley Miller. Original poster for a screening of the documentary film Attica, which documented the Attica Prison uprising in 1971. From the collection of the famously... More

Np: 1992. 11 x 17" poster, printed in two colors, with two 8 1/2 x 11" posters, both xeroxed in black and white, one of which has a holograph note in blue ink.A rare original poster for G. B. Jones second film, styled as an gang exploitation film, which chronicles... More

Various places, various dates. A stack including two unpublished typescripts submitted by Heliczer to the International Times, and 11 posters advertising performances, happenings or film screenings by Heliczer and others, a generous selection of the scarce ephemera that Heliczer used in conjunction with his strange and beautiful career. A complete... More

San Francisco: DNA CLUB, nd. 8 1/2 x 11", xerox on cream paper. Flyer for a screening of The Right Side of My Brain and other "KERN atrocities" introduced by Lydia Lunch, who co-wrote and starred in the film, at the DNA Club. The film also starred Clint Ruin (Jim... More

Paris: Gallimard, 1975. 12mo, 226 pp, trade paperback. A strange and beautiful work of time travel, written by the noted sociologist, historian of the Paris Commune, and "prospectiviste" Decouflé. Written in 1975, the book envisages what the year 2000 would be like, 25 years in the past. The vision of... More

London: Walter Shenson Films, nd [c. 1971]. 4to, [1], 98 pp., photomechanically reproduced from typescript on rectos only. Bradbound into blue covers with a die cut window to upper wrapper. With a tls from a law firm laid in, submitting the script to an agent for consideration by Charles Bronson... More

New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1957. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1957. First edition. 4to, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1958. First edition. 4to, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1955. First edition. 8vo, saddle-stapled wraps. The very scarce econd issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were... More

New York: Film Culture, 1960. First edition. 8vo, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1955. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

New York: Film Culture, 1955. First edition. 8vo, 62 [1] pp., saddle-stapled wraps. The rare debut issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues... More

New York: Film Culture, 1955. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More

San Francisco: [1982]. 8 1/2 x 11", original b/w xerox on grey paper. Original flyer for this show by New Critics and the great Sacramento no wave project Hunting Game at Club Foot. The nicely designed flyer is illustrated with a photograph of the Radiator Lady from David Lynch's film... More

London: Goliard Press, 1967. First edition. "Unsolicited manuscripts will be burned without ceremony"4to, [12] pp. [incl. covers]. saddle-stapled. Lithographed in brown ink, printed on white card stock in various colors. Handset in Cochin and Westminster. The only issue of one more beautiful and unusual poetry magazines of the late 60's... More