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Description

Regular size Dapple Silk Scarf, fine lightweight Ponge 5 silk.

Beautiful and Powerful

All my silk scarves are unique, original works of art. No two are the same. All colours give the wearer certain good qualities and energy associated with that colour - and when I make my scarves I am able to add to this. I make my scarves as a form of meditation so they all carry a particularly strong positive and peaceful energy. I always say my silk scarves are Powerful as well as Beautiful and can aid health and wellbeing. Wear them and feel the added energy and confidence.Hold them close and feel the peace.

I list each scarf with the quantity set at 5 because I make a careful note of the different dyes and techniques used for each one, so I can replicate this to create similar ones in the future - but this does not take away from their uniqueness. Each scarf is hand-painted as meditation. These are not printed scarves, they are individual works of art. While they have a 'family likeness' each one is absolutely unique in patterning and design.

My Dapple-Style silk scarves are created by laying the silk on a smooth waterproof surface. I then pinch or randomly pleat the silk into a mass of tiny 'mountains and valleys' before I start to paint it with the dyes.I apply the dyes onto this 'topography' using a dropper or brush.

As the liquid dye touches the silk fabric two things happen. The dye naturally flows down the sides of the 'mountains' towards the valleys below - and the silk fibres draw the dye sideways. This combination of 'forces at work' on the dye creates unique random patterns.

For my Dapple-Style scarves I usually use at least 3 or 4 colours, and as I place new colours they spread into and mix with the colours already in place. The secret is to balance the quantity of dye with the areas of white silk, so to create an even pattern with minimum unwanted mixing or 'pooling' of dyes on the surface I'm working on.

There are several 'sub-groups' among my Dapple-Style scarves. This one belongs to a group I call 'Split-Testing Blue. For these designs I begin with the Dupont Carribe and Lagon blue, two of my favourite colours, and then add just one more shade of blue dye - all at full strength. I make two of each of these colour combinations, one starting with damp silk and one with dry.

The wet silk creates cleaner edges and more intricate patterning. The dry silk creates a softer and more even effect.It is interesting to find that there seems to be no corrolation of preference to the wet- or dry- versions of these scarves.

This particular Style of scarf is Blue Split-Test Dry-Dapple. The two dyes used in the background are Dupont Carribe and Lagon while the colour I am testing here is Limoges.

All my silk scarves are unique, original works of art. No two are the same. All colours give the wearer certain good qualities and energy associated with that colour - and when I make my scarves I am able to add to this. I make my scarves as a form of meditation so they all carry a particularly strong positive and peaceful energy. I always say my silk scarves are Powerful as well as Beautiful and can aid health and wellbeing. Just hold them close and feel the peace.

I list each scarf with the quantity set at 5 because I make a careful note of the different dyes and techniques used for each one, so I can replicate this to create similar ones in the future - but this does not take away from their uniqueness. Each scarf is hand-painted as meditation. They have a 'family likeness' but each one is absolutely unique in patterning and design.

My Dapple-Style silk scarves are created by laying the silk on a smooth waterproof surface. I then pinch or randomly pleat the silk into a mass of tiny 'mountains and valleys' before I start to paint it with the dyes.I apply the dyes onto this 'topography' using a dropper or brush.

As the liquid dye touches the silk fabric two things happen. The dye naturally flows down the sides of the 'mountains' towards the valleys below - and the silk fibres draw the dye sideways. This combination of 'forces at work' on the dye creates unique random patterns.

For my Dapple-Style scarves I usually use at least 3 or 4 colours, and as I place new colours they spread into and mix with the colours already in place. The secret is to balance the quantity of dye with the areas of white silk, so to create an even pattern with minimum unwanted mixing or 'pooling' of dyes on the surface I'm working on.

There are several 'sub-groups' among my Dapple-Style scarves. This one belongs to a group I call 'Split-Testing Blue. For these designs I begin with the Dupont Carribe and Lagon blue, two of my favourite colours, and then add just one more shade of blue dye - all at full strength. I make two of each of these colour combinations, one starting with damp silk and one with dry.

The wet silk creates cleaner edges and more intricate patterning. The dry silk creates a softer and more even effect.It is interesting to find that there seems to be no corrolation of preference to the wet- or dry- versions of these scarves.

This particular scarf is a Dry-Dapple, and there are no added colours. The two dyes used for the background here are Dupont Carribe and Lagon and the additional colour is Dupont's Bleu Nuit.

All my silk scarves are unique, original works of art. No two are the same. All colours give the wearer certain good qualities and energy associated with that colour - and when I make my scarves I am able to add to this. I make my scarves as a form of meditation so they all carry a particularly strong positive and peaceful energy. I always say my silk scarves are Powerful as well as Beautiful and can aid health and wellbeing. Wear them and feel the added energy and confidence.Hold them close and feel the peace.

I list each scarf with the quantity set at 5 because I make a careful note of the different dyes and techniques used for each one, so I can replicate this to create similar ones in the future - but this does not take away from their uniqueness. Each scarf is hand-painted as meditation. These are not printed scarves, they are individual works of art. While they have a 'family likeness' each one is absolutely unique in patterning and design.

My Dapple-Style silk scarves are created by laying the silk on a smooth waterproof surface. I then pinch or randomly pleat the silk into a mass of tiny 'mountains and valleys' before I start to paint it with the dyes.I apply the dyes onto this 'topography' using a dropper or brush.

As the liquid dye touches the silk fabric two things happen. The dye naturally flows down the sides of the 'mountains' towards the valleys below - and the silk fibres draw the dye sideways. This combination of 'forces at work' on the dye creates unique random patterns.

For my Dapple-Style scarves I usually use at least 3 or 4 colours, and as I place new colours they spread into and mix with the colours already in place. The secret is to balance the quantity of dye with the areas of white silk, so to create an even pattern with minimum unwanted mixing or 'pooling' of dyes on the surface I'm working on.

There are several 'sub-groups' among my Dapple-Style scarves. This one belongs to a group I call 'Split-Testing Blue. For these designs I begin with the Dupont Carribe and Lagon blue, two of my favourite colours, and then add just one more shade of blue dye - all at full strength. I make two of each of these colour combinations, one starting with damp silk and one with dry.

The wet silk creates cleaner edges and more intricate patterning. The dry silk creates a softer and more even effect.It is interesting to find that there seems to be no corrolation of preference to the wet- or dry- versions of these scarves.

This particular Style of scarf is Blue Split-Test Dry-Dapple. The two dyes used in the background are Dupont Carribe and Lagon while the colour I am testing here is Limoges.

All my silk scarves are unique, original works of art. No two are the same. All colours give the wearer certain good qualities and energy associated with that colour - and when I make my scarves I am able to add to this. I make my scarves as a form of meditation so they all carry a particularly strong positive and peaceful energy. I always say my silk scarves are Powerful as well as Beautiful and can aid health and wellbeing. Just hold them close and feel the peace.

I list each scarf with the quantity set at 5 because I make a careful note of the different dyes and techniques used for each one, so I can replicate this to create similar ones in the future - but this does not take away from their uniqueness. Each scarf is hand-painted as meditation. They have a 'family likeness' but each one is absolutely unique in patterning and design.

My Dapple-Style silk scarves are created by laying the silk on a smooth waterproof surface. I then pinch or randomly pleat the silk into a mass of tiny 'mountains and valleys' before I start to paint it with the dyes.I apply the dyes onto this 'topography' using a dropper or brush.

As the liquid dye touches the silk fabric two things happen. The dye naturally flows down the sides of the 'mountains' towards the valleys below - and the silk fibres draw the dye sideways. This combination of 'forces at work' on the dye creates unique random patterns.

For my Dapple-Style scarves I usually use at least 3 or 4 colours, and as I place new colours they spread into and mix with the colours already in place. The secret is to balance the quantity of dye with the areas of white silk, so to create an even pattern with minimum unwanted mixing or 'pooling' of dyes on the surface I'm working on.

There are several 'sub-groups' among my Dapple-Style scarves. This one belongs to a group I call 'Split-Testing Blue. For these designs I begin with the Dupont Carribe and Lagon blue, two of my favourite colours, and then add just one more shade of blue dye - all at full strength. I make two of each of these colour combinations, one starting with damp silk and one with dry.

The wet silk creates cleaner edges and more intricate patterning. The dry silk creates a softer and more even effect.It is interesting to find that there seems to be no corrolation of preference to the wet- or dry- versions of these scarves.

This particular scarf is a Dry-Dapple, and there are no added colours. The two dyes used for the background here are Dupont Carribe and Lagon and the additional colour is Dupont's Bleu Nuit.

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