​At the end of my trip around the world through 24 countries, I found myself with a 750,000-word draft “travel book.” It was gargantuan. After months of editing, I realized I needed to split it into two books, and of course, continue editing. The first book was a guide for someone to travel deeply and cheaply entitled How to Spin the World Around. Now, I present a nonfiction narrative entitledSpin the World Around, in which the protagonist (me) essentially discovers the methodology of travel later outlined in the first book.

​The experience of writing a memoir has been a time-consuming process, and it taught me about how we can play with time. Just the other day, I was cleaning out my garage and I found a journal in a filing cabinet. I opened it to an entry I had written when I was in high school, and it was about the desire to travel the world for adventure. “I’m not afraid of death,” was one of the lines written in the journal entry. I hadn’t read this entry probably in decades, but I’m sure it’s no coincidence that the same line written in my high school journal was later said during a key moment by a person I met years later in this book I’m about to release – about my world travel adventure. Be careful what you wish for; I’m glad that’s behind me. Then, I realize that this book I’m about to release actually ended about 3 years ago, and the protagonist was not only growing and changing over the course of the book, but once the book ended, I continued to grow and and change. I realize and accept that I am no longer the person I was in this book, just as a river is ever-changing and never the same moment to moment. That said, capturing the river in a given moment with a photograph or a story is a worthwhile creative endeavor. Learning to look back at our past selves with compassion is also worth it.

​A certain amount of time was needed between the completion of the events and the manifesting of storyline omniscience. This allowed me to write a nonfiction narrative instead of just regurgitate a slew of chronological journal entries. Editing became key, as well as generating a story arc and developing a writing style. I worked with several editors and learned something from each of them. Before I even split to two books, I was encouraged to focus on action-based parts from the first editor. “More Action! Action! Action!” she’d write in the margins. The second editor was actually a writer who I paid up front through a proxy, but they never got back to me after they got paid. One guy offered to edit, but after reading the first chapter, he claimed to already know how it ended, so I knew I was in for another re-write. The editor I ended up crediting on the title page spent the most time with me and made the most impact on the writing style. The entire process helped make me a better writer… and editor. The good editors would generate writing assignments for more writing to be further edited. This process could go on for infinity, but eventually I needed to let it go. I encourage everyone to write their own memoir, if only to learn about oneself through creating it and become a better writer (and editor). In the mean time, I hope you enjoy my story and find my message valuable.

I'm working on a new album for Guided Meditation Treks that has nature sounds looped infinitely. Here are some nature videos I shot in Alaska this past summer, mostly of waterfalls, my great friends in nature.