At its best, this wide-ranging formula produces mighty tracks like Invisible Conductor, which moves through multiple tonal shifts from finger-picking emo-folk to hyper-intense thrash without once straying into cliché. Or From Where I Can’t Reach, which clothes an urgently propulsive jazz-metal beat in delicate minor-chord ambient trimmings.

As if to prove a point, these artfully bearded youngsters do lean and compact too – Did We See is a relatively neat four-minute power ballad of moody moans and angry convulsions. Heaviosity fans will savour the Zeppelin-ish Eastern blues piledriver riffs that close On My Return, or the gnarly snarls and stacked harmonies of the epic finale Consumed.

But overall, Still Life Moving Fast is an album of subtle shades and textures: prog without the muso noodling, metal without the devil-horned histrionics. Their focus may still be a little blurred on this sprawling debut, but Empress AD overflow with promise.