The old cliché that young people hear from their elders upon
graduating from college sometimes does not pan out. “May your avocation become
your vocation,” is what is said so often, and so many times, life gets in the
way. But for Ashley Edward Miller ’94,
his dreams truly have become his reality. His experience is a shining example
of how an education at the College of William and Mary can change a person,
allowing them to point their career and life in any direction. For Miller, who
has become the screenwriter for the upcoming summer films Thor and X-Men: First Class as well as for numerous
hit television shows, his direction was quite literally with the stars.

“I graduated in 1994 with a degree in English and
government,” says Miller. “I had kind of a winding road into screenwriting.”

Miller’s first job out of school was a middle-school English
teacher for a year. Then for the next seven years, he worked for a defense contractor.
All the while he spent his free time fine-tuning his writing skills. He met his
writing partner, Zack Stentz, back in 1997, and thanks to a twist of fate, met
a producer of the television series Gene
Roddenberry’s Andromeda, who bought five scripts from the duo in 2000.
Later Miller and Stentz worked on the revival of The Twilight Zone. In this time, they had been working on a few
spec scripts that eventually got them the job with the new television show Terminator: The Sarah Connor Chronicles.

“We were the first writers who were hired for that show and
we were there for its entire run,” says Miller. “It was one of the best
professional and creative experiences that I’ve ever had.”

Though Sarah Connor
was well-liked by many and critically acclaimed, the show was cancelled after
two seasons. The parent network of the show, sensing that they could lose this
talented writing team, immediately transitioned Miller and Stentz to the show Fringe. It was just before the end of Sarah Connor and at the start of their
run with Fringe that a new
opportunity struck them like a bolt of lightning.

“Thor happened while
we were in the middle of writing a two-part episode in Sarah Connor. We just realized that it would need to be a
two-parter and we were heavily re-writing an episode of the show which
basically didn’t work,” said Miller. “We were in the middle of post
[production] for another episode. There were a ton of things that were happening
on the show that would have made it nearly impossible to function.

“I was particularly excited, because Thor was always one of
my very favorite characters and was one of the first comic characters that I
truly collected. I could speak chapter and verse about Thor.”

As fate would have it, Miller was working closely on the Thor project with the films’ director, Kenneth
Branagh. It was this man who helped refocus Miller’s life while he was a
student at the College.

“I was a government major initially because when I showed up
to the College, I thought that I’d want to do something with that,” says
Miller. “But I was always a writer; I was always a reader. I resisted becoming
an English major. I had it in my head that I did not want to be told what to
read, or what to think about what I read.

“But one night, I sat down with some of my friends, and I
watched Kenneth Branagh’s Henry V. I was
blown away. After that I started taking English classes. I took basically every
Renaissance literature class that Professor Peter Wiggins taught. And what I
realized taking those classes was that Shakespeare wrote for the cheap seats.
He wrote action and he wrote passionately. You realize that Shakespeare’s first
objective, his primary goal was to entertain his audience — and he was funny, exciting
and insightful. Shakespeare opens up
your mind.”

Miller and his partner worked through five drafts of the Thor script, all of them revisions based
on that first version. He feels that the studio looked to his team because they
had a reputation for working collaboratively with others, and they were able to
get quality work done in a hurry.

“Marvel needed writers who had worked in the genre before,
understood comics — and maybe, just maybe understood something about Thor,”
says Miller. “I can tell you that the intersection of all of those sets on the
Venn diagram, who meet those conditions, is very small. So we just happened to
be in the right place in the exact right time.”

After they completed
Thor, Miller and Stentz went back to work on Fringe, as well as working on a few new projects for Disney. Then
in April 2010, the team got a call from Fox, who called them in to give their
opinion on another comic book franchise that was headed back to the big screen.

“Out of the blue, we got a call saying that they want us to
look at something,” said Miller. “We read the draft that they had of X-Men: First Class. They said that it
needed to be re-worked, and asked us what we could do. We didn’t realize that we
had 10 days to make X-Men work.”

Much like when they tackled the Thor project, Miller and Stentz pushed into the world of mutant
heroes, working 20-hour days until they had completed the script.

“We turned in [the script] and got the green light, probably
the fastest turn-around from not having a script to green light in studio
history,” says Miller. “We did a second draft over a period of another 10 days.
We did a little work here and there as required over the summer. And then magic
happened and they finished shooting the movie, and it will be out 28 days after Thor.”

Miller laughs at how two projects started and worked on so
far apart will hit the screen so close together. But due to the difference in
the studio schedules, post-production and a writers’ strike all thrown in, the
two films that Miller and Stentz wrote two years apart, will debut almost
back-to-back this summer: Thor will
open on May 6, followed by X-Men: First
Class, which opens on June 3.

Even through all of his successes, Miller often stops to
take a look at what he’s accomplished thus far. He and his wife, Jennifer Munro
’96, along with their son Caden, who is just under 2 years old, make a point to
enjoy all that they have been through together on their way to Hollywood. Miller
will point to an exact moment where the thought actually crystalized in his
mind.

“I was in the middle of Agent
Cody Banks’ pre-production in 2002,” says Miller. “The studio and the
director and the producers and everyone were talking about a change to the
script, a major story point. And I was not too happy. I got in my car and I was
driving and thinking about these things.

“Then I had this moment of self awareness — I said, ‘You
know what, dude? There are tens of thousands of people in this town alone who
would kill to have the bad day that you having. And you are having this bad day
because you are doing what you’ve always wanted to do since you were a child.
So do yourself a favor and shut up. Do your job, enjoy it and have fun.’”

For some, the amazing resume that Miller has compiled thus
far would be enough subject matter for a memoir. But Miller confides that there
is far more ahead.

“In the last year, we’ve written a project for Paramount and
something else for Disney,” says Miller. “We did X-Men for Fox. And we started work on a project for Dreamworks,
which has turned out to be an amazingly awesome experience. This movie is going
to surprise people.”

Miller also says that at some point in the future, he’d love
to work on a Batman, James Bond or Star Trek film. And that he and Stentz are
currently transforming a script idea into a novel for young adults, which will
be a real departure from the world of Thor and the X-Men.

“There are other things, but I kind of hesitate to talk
about them, because in a way, if I talk about them that makes them less real,
until they are going forward,” says Miller. “We are working on all sorts of
ideas. We are just getting started.”