About:
Poetry is a part of my daily life, it is a way of expressing myself, it helps me let go of things and makes me see things in another perspective.Poetry is a way for me to research life, ways of living.

About:
Sunday March 11 2018
6:12:24 PM No, they are more about Japanese (Asian) women who are culturally repressed so much that they will easily agree to be photographed full body nude by a stranger approaching them via Insta- gram they don’t really care how the images will be used but all of them want to have the images for their use
6:14:39 PM The Love hotels play a less important role here. In Japan love hotels have nothing bad or dirty or to be ashamed of. They are made for people to make their lives easier in Urban lifestyle as many flats in Tokyo are super tiny
6:18:01 PM There is only one similar thing between all the girls. All of they wanted or asked for a permission to wear a red lipstick6:18:28 PM I didn’t have any other requests from them

How to make yourself visible for a rescue boat when you are stranded in the dark at the bottom of a cliff on a rocky coast in Hong Kongtag:www.lasinjurias.com,2019:/2015/li10a-how-to-make-yourself-visible-david-horvitz/2016-05-10T07:00:45+10:00

First edition: 2015-09-09
Edition of 40, numbered
24 p
Bond 75gr
139.7 mm x 215.9 mm
Photocopy, hand sewn
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Text:
I went to make a photograph at sunset at the western most point of Hong Kong (near Peaked Hill). As the sun was going down I decided it was a bad idea to take the trail back through the hills to Tai O. It would have been too dark to make it back in the night, and the trail was completely overgrown. I decided to try to beat the sun, and walk along the rocky coastline (in and out of the water). After the sun had comple- tely set, and it was completely dark, I realized I was going to be stuck on a rock on the bottom of a cliff. The tide was low and the stars were coming out, and Macau was visible in the distance. I decided to try and use my camera’s flash to get the attention of Hong Kong Police boats passing by. Realizing that they might be confused by the light and disregard it (if they could even see it), I decided to put my camera on my tripod*, set the 10 second self-timer, and run in front of the flash waving my hands. If someone could see the flash, they would see a brief image of a man waving his hands, roughly every 15 seconds. It was so dark it may have even looked like a small movie at about 1 frame per 15 seconds (with most of the 15 seconds being black). It worked... A Hong Kong Police ship saw me, and sent their small rescue boat to me. Here are some of the photos that resulted... Look at the last photo, that is the police light pointing towards me.

*To prevent your cheap plastic tripod from blowing over in the wind and smashing your camera, tie your Triple Canopy tote bag that is completely filled and soaking wet because you had to swim around some of the rocks, to the middle part of your tripod. Make sure it is floating off the ground weighing down your tripod. Also, extend your tripod legs to test how deep the water is incase you have to step in it.
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Out of stock

Film Stills Vol. 01 - Meshes Of The Afternoon, 1946tag:www.lasinjurias.com,2019:/2015/li08-film-stills-01-meshes-of-the-afternoon-maya-deren/2016-05-08T13:28:57+10:00

First edition: 2015/04/19
Edition of 25, numbered
20 p
Bond 75gr
139.7 mm x 215.9 mm
Monochromatic inkjet print
Hand sewn
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About:Meshes of the Afternoon (1943) is a short experimental film directed by wife-and- husband team, Maya Deren and Alexander Hammid. The film's narrative is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper–like cloaked figure with a mirror for a face, a phone off the hook and an ocean. Through creative editing, distinct camera angles, and slow motion, the surrealist film depicts a world in which it is more and more difficult to catch reality.In 1990, Meshes of the Afternoon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", going into the registry in the second year of voting.

First edition: 2015/04/18
Edition of 25, numbered
20 p
Bond 75gr
139.7 mm x 215.9 mm
Monochromatic inkjet print
Hand sewn
–
About:
Born and raised in Lausanne, AGS` work is about the fragilility of human body and mind.
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2 a (1) : a natural phenomenon marked by gra- dual changes that lead toward a particular result (2) : a continuing natural or biological activity or function b : a series of actions or operations conducing to an end; especially : a continuous operation or treatment especially in manufacture
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3 : the system of public works of a country, state, or region; also : the resources (as personnel, buildings, or equipment) required for an activity
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Out of stock
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Available at: Printed Matter

Without Permission: Cruise Or Be Cruisedtag:www.lasinjurias.com,2019:/2015/li06-without-permission-cruise-or-be-cruised-dean-sameshima/2018-01-30T03:18:57+11:00

First edition: 2015/03/23
Edition of 100, numbered
20 p
Bond 75gr
139.7 mm x 215.9 mm
Monochromatic inkjet print
Hand sewn
–
About:
Dean Sameshima's work is included in the permanent collection of the Museum of Contemporary Art, Los Angeles and has been featured in Art Forum, Flash Art, Modern Painters, Art In America, I-D Magazine, Index, Flash Photo, Aperture, and The New York Times. He was also included in the Cream 3, 2003 catalogue and Vitamin Ph, New Perspectives in Photography, 2006.Dean Sameshima catalogues include Hysteric Seven (2002), Young Men At Play, vol. 1 &amp; 2, Instilled and Lost published by Peres Projects and 647(a) published by Dynasty Zine, Greece.

First edition: 2014/09/27
Edition of 100, numbered
20 p
Bond 75gr
139.7 mm x 215.9 mm
Monochromatic print
Hand sewn
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About:
Charlotte was born in the south of France. Currently located in Bruxelles where she is studying graphic design and engraving.

First edition: 2014/08/21
Edition of 100, numbered
20 p
Bond 75gr
139.7 mm x 215.9 mm
Monochromatic print
Hand sewn
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About:
Allyce Wood is based in Seattle and a graduate of Cornish College of the Arts (magna cum laude) 2010 with a BFA in printmaking and sculpture. She studied environmental sculpture at Glasgow School of Art in 2009. Wood has been a member of SOIL Artist Run Gallery since 2012. Her work has been shown in cities such as Glasgow, Oslo, Oakland, New York, and Seattle.

Wood’s work focuses on ecological consequences of industry and human interaction. In creating aesthetically complex cut-paper installations, drawings, and prints, her work mindfully illustrates humanity’s negative influence on the natural world and the longterm consequences thereby produced.

Flores y Fantasmas was an publishing house focused on limited editions about poetry and art, directed by R. V. Rodríguez in Caracas, Venezuela between 2013-2014.If you want information about it please write an e-mail to lasinjurias@gmail.com

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Abouttag:www.lasinjurias.com,2019:/about/2018-07-28T20:09:08+10:00

Las Injurias is a publishing house from Caracas based in Valencia, España.

We make books, with basic office supplies, under a methodology who makes the editing-production-distribution easier. The intention behind each project is to show any formal or informal process from an artist. We don’t have an specific interest, but brevity as aesthetic principle prevails as a driving force.

At the beginning the isolation, the brutality of the environment,the lack of resources, the impossibility of traveling and the lack of physical protection worked to (inspire us) create a collaborative space with other artists without the need of traveling or spending a lot of money

The minimal resources needed to create and distribute them, contrasted with it scope, are my main reason to turning into books. Thanks to internet and couriers (IPOSTEL/DHL/Fedex/Correos) Las Injurias’ editions are disseminated worldwide. Beside that, Printed Matter acts as our most important distributor.Las Injurias’ inherent character is to create a metaphysical space where time and location hasn’t meaning.