Every travel photographer will tell you that this very rewarding profession comes with a lot of frustrations as well. The countless hours spent walking around, all the early morning alarm clocks and the constant battle with the elements are, for the most part, worth the effort. But occasionally travel photography can be incredibly frustrating. Here are six frustrations that every travel photographer experiences on location at some point in their career.

#1 Bad weather

Ask most travel photographers and bad weather would usually be at the top of their list of frustrations. There is nothing more demoralizing than being at a location and having the weather hinder your plans. Of course, you can minimize the impact of adverse weather by doing your research beforehand and ensuring that you head to your chosen destination at a time when you will get your ideal weather, but even the best plans can be ruined.

Often the choice you have is to either go ahead with your shoot anyway after all bad weather can sometimes add a different dimension to a familiar destination, or you need to have a backup plan. For example, if you are experiencing bad weather when photographing landscapes, you can head into forests and jungles where the flat light will make things easier to photograph. Or in a city, you could look to photograph indoors at museums and galleries (if allowed). The key to avoiding the frustration ruining your photo shoot is to be prepared.

I experienced three days of this sort of weather in Halong Bay a few years ago.

#2 Construction work in your scene

You have just arrived at a dream UNESCO World Heritage site and are excited about the next few days and photographing one of the most iconic places in the world. But as you walk up to it, you are suddenly confronted with scaffolding and building work right in the middle of your scene. As you might have gathered I’m talking from personal experience when I visited Angkor Wat a few years ago.

Unfortunately, sometimes there is no getting around it. You simply have to figure out how you can still capture great photos while also being able to exclude the unwanted scaffolding in your scene. Often, it’s not a lost cause and if you walk around and look for different angles you may be able to crop the building works out. Using natural elements such as trees is also a good way to block these out and sometimes you can remove elements in post-production. But ultimately sometimes you simply won’t be able to capture the shot you want and will have to try to find other elements that can still give you a good collection of photos.

But ultimately sometimes you simply won’t be able to capture the shot you want and will have to try to find other elements that can still give you a good collection of photos.

Angkor Wat in Cambodia with scaffolding at the front.

#3 Closures of venues or buildings

There are times as a travel photographer that you feel fate has conspired against you. For all the research and planning that can go into preparing for a shoot, sometimes events happen which are out of your control. Unexpected closures of venues or buildings that were on your shot list can be incredibly frustrating and stressful, especially if you are on an assignment. There are times where there is nothing you can do. You just have to accept that the situation is beyond your control.

The only thing that could help in these situations is more time at the destination. An extra day might mean the venue re-opens after the power cut so it’s always a good idea to build in a bit of extra time into your trip (if you can) to allow for these sorts of situations.

Wat Phra Kaew (Grand Palace) in Bangkok is often closed for locals to use during religious prayers.

#4 Tourists

Tourists do have a tendency of wandering into people’s photos unknowingly, usually because they are not paying attention. Travel photographers have to either find ways to exclude people from their photos or simply try to include them. More and more picture editors are now looking for images that convey an experience rather than just a “touristy” photo, so including people in your photos can actually benefit the composition. But sometimes you will need to exclude people and that is where you need to be creative and patient.

At busy tourist destinations the crowds often arrive in waves and if you wait long enough you will find a gap in the flow of people. If the venue is outside, photographing early morning will usually mean you have the place to yourself for a few hours.

Tourists at Phnom Bakheng temple near Angkor Wat.

#5 Traffic

One of the major hindrances to destination photography is not allowing enough time to photograph everything you have on your shot list. Most people make the mistake of underestimating the time it takes to get around and also the time it takes to photograph one scene.

Traffic is one of the key factors that you should consider when photographing any big city. Even though it may only be a few kilometres to drive from A to B, it might take longer than the time you allocated. So, to avoid rushing, make sure you allow yourself an extra few hours. You can always spend the extra time photographing if you arrive early.

Traffic in Sukhumvit area of Bangkok. Traffic in most cities can really hurt your timings.

#6 The “nearly shots”

Most photographers have, at some point in their photography journey, suffered from this syndrom. Whether you are a professional or amateur there are those moments when you just think, “What if?”

You have everything in place and have framed your shot perfectly. You have great light and an interesting subject and all that is needed to complete the image is a person to be standing in the foreground. But they never materialize and you end up with one of those “nearly shots”.

Often one of the biggest differences between professional photographers and amateurs is the ability to persevere in this sort of situation and wait, or keep coming back until you get the shot. But sometimes it doesn’t happen even for the pros and you just have to accept that “nearly shot” because time has run out and you have to move on.

I waited for almost two hours at this scene in Venice. I wanted someone with an umbrella to walk across but it never happened.

Conclusion

Travel photography can sometimes be the most frustrating branch of photography to do. But even with all of the above frustrations most travel photographers will say that they would never want to do anything else. With practice, perseverance, and good planning, often you can avoid these scenarios. But sometimes you just have to accept that the shot you wanted wasn’t meant to be on that occasion and move on.

Kav Dadfar
is a professional travel and landscape photographer based in London. He spent his formative years working as an art director in the world of advertising but loved nothing more than photography and traveling. His images are represented by stock agencies such as 4Corners Images, Robert Harding World Imagery, Getty, Axiom Photographic, and Alamy and they have been used by clients such as Condé Nast, National Geographic, Wanderlust travel magazine, Lonely Planet, American Express, and many others.

You included the frustrations rightly. That is why a photographer need photo editing services after the photo session. Sometimes we don’t have any option to capture only the expected photo. Its really frustrating for a photographer. I face it several time in my photography life.

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Louise

Garbage cans and power lines always seem to be in my way!

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Tim Lowe

Only 6? 😉 The fact is that unique conditions make for great images. If you’re just passing through, odds are you won’t get much. You have to stay with a place for days, weeks, months to get a really unique image. If you’re constantly on the move, you’re scouting for future serious shooting.

Daniel

Great article! One of my biggest travel photography frustrations are too many tourists with selfie sticks in my shot.

Kav Dadfar

Glad you enjoyed the article

Kav Dadfar

Oh yes, I feel your pain!! Happened to me many times

Kav Dadfar

Absolutely, trying to cram too much in can be a real hinderance… far better off at a few locations than lots. But unfortunately client budgets usually mean it’s the latter for most photographers

thanks for this post! photographers sacrifice a lot of time and power for shot

Mr. Fusion

And, a lot of people seem to have poles growing out of their heads.

Mr. Fusion

Just to add, don’t be afraid to take a shot just because you don’t like the composition or something else isn’t perfect. Many times I would l prefer a shot that I just “took” over what I thought was the “one”. As is so often said; storage is cheap. Take lots of shots. Usually a very good is better than a great shot that didn’t happen.

Another tip is to always be ready to take a shot. You just never know when that moment is about to pop up. It may not be the reason you are there but it could be a bonus.

Michael Turk

My three travel photography frustrations are: knowing what gear to bring – the balance between weight, volume and utility; finding a balance between family needs and photography; and taking decent photos in the middle of the day hours since that is often when we are exploring.

You’re spot on. There’s nothing more frustrating than arriving somewhere and seeing all the beautiful shots you could take if you could get up at 4am, or come back another day, but you never do because you’re not around for long enough. That, or you try to cram in as much as possible into a 3-day stay and end up getting 100s of mediocre photographs because you’ve been shooting frantically rather than methodically. When you shoot film like me, planning ahead is essential for choosing the right lens and film speed. Going into a covered market with ISO 100 film is just going to end up in a lot of underexposed shots and a wasted opportunity. Travel photography is a cruel mistress!