Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

TIFF is over now, but you’ll have lots of chances to catch up on films you missed as they release them over the next few months… or years. This week I’m looking at three movies that played at TIFF. They look at secrets in Stockholm, mayhem in Mumbai, and what went wrong in Washington DC.

Fahrenheit 11/9

Dir: Michael Moore

Torch-bearing Nazis, tax cuts for the richest Americans, and a president who brags about assaulting women, who makes friends with dictators and throws the country’s allies under the bus. How did this happen? Michael Moore is back again, attempting to explain what brought a celebrity-obsessed, egotistical racist to the White House. He talks to a few experts and travels to places like West Virginia, but most of the film is devoted to news clips, recordings and and photos. He tells the story as a series of concentric circles: the country, the state of Michigan, the city of Flint and Michael Moore himself.

He doesn’t spare anyone from criticism. That means Hillary Clinton, Bill Clinton, and even Barak Obama all get a drubbing. News media – and not just Fox news — are rightly blamed for the endless free publicity they gave Trump. And it was Moore who predicted Trump’s victory… and is praised for it by the likes of Steve Bannon, Fox News, Jared Kushner and Trump himself.

The juiciest clips are about the president, including some that make your skin crawl. Like the lewd sexual comments he makes about his own daughter Ivanka, starting when she was just a little girl.

He also deals with the #MeToo movement, Black Lives Matter, the Flint water scandal, the Stoneman Douglas protesters, and a whole lot more. Fahrenheit 9/11 is a funny, entertaining and fast-moving doc that keeps you glued to the screen for over two hours. It’s not perfect – it seems to “end” a couple times before its actually over; and he should retire his trademark schtick of the little guy Michael Moore confronting famous people at their homes (especially when he’s more famous than they are).

But as a whole, if you want a smart, sharp and funny take on American politics, this is the movie to watch.

The Man Who Feels No Pain

Dir: Vasan Bala

Surya (Abhimanyu Dassani) is a brave little boy in Bombay. Raised by his father and grandpa (his mother was killed by a chain snatcher the day he was born) he fears nothing. Along with his best friend, a girl named Supri (Radhika Madan) they stand up to bullies, and stage impossible escapes, jumping off rooves when there’s no other way out. Surya thinks they’re heroes with superpowers. In fact, his only superpower is a dangerous medical conditional known as CIP (Congenital Insensitivity to Pain). Surya risks illness or death from not noticing the bruises, burns, broken bones and internal injuries that make most kids cry out in pain. And when their adventures lead to the near-death of Supri’s abusive father, Surya is rushed away to avoid jail time.

Over the next 12 years his worrisome dad and hippie grandpa keep him safe indoors, checking his body daily for injuries, and always keeping him hydrated (he wears a water sac on his back with a plastic tube he can drink from). His only pastime is watching old VHS tapes of Bruce Lee and action movies. He teaches himself martial arts by imitating what he sees on the screen. His goals? To find his childhood friend Surya, to catch the chain snatchers, and to meet his VHS hero, a one-legged, Indian master known as Karate Manni who once fought and beat a 100 men! He thinks two of his goals have been reached when he spots a grown-up Surya putting up Karate Man posters. But first he must win back Surya’s heart, gain Karate Man’s trust and defeat a Scarface-like super villain. Will his self-taught fighting moves – and imperviousness to pain – save him against an army of enemies?

The Man Who Feels No Pain is a delightful new mash-up, a novel combination of comedy, Hong Kong Shaolin, Bollywood musicals, and found-footage videotapes. Dasani and Madan make a wonderful pair of fighters – and love interests? – and the fast-moving plot, saturated with pop culture movie references, is fun to watch.

It’s 1992, somewhere over the Atlantic. Joe and Joan Castleman (Glenn Close, Jonathon Pryce) a happily married retired couple, are flying to Stockholm, first class. Joe is preparing his acceptance speech for the Nobel prize for literature. And Joan? Well, she’s his wife, his plus one. Also on the plane is their adult son David (Max Irons) an aspiring writer. Joan told him she liked the story but he needs his father’s approval. But their conversation is interrupted by Nathanial Bone (Christian Slater) an aggressively obsequious journalist who wants to pen Joe’s biography… and who is looking for some inside dirt.

Part of their story becomes clear in flashbacks to the 1950s where they met. At the time, Joe is still a young, married English prof at Smith, where Joan is a student. He woos her with a walnut. True love? He divorces his wife and marries Joan. She wants to be a writer, but her plans are quashed by a bitter, female novelist who says women like them will never succeed in a man’s world. So she devotes herself to her husband’s career instead, and overlooks his frequent peccadilloes. And now he’s in Sweden, about to win the Nobel Prize. So why is Joan so resentful? Is it Joe’s infidelity? Or is there a deeper secret? And what is the scandal the biographer threatens to reveal?

The Wife is a good, small drama about marriage, women and the secrets that they keep. It’s also about writers. And it’s full of royal references: the writer is named Castleman, Joan dubs herself a “king-maker” and the screen is filled with the regal opulance, music and grandeur surrounding the Nobel prize. I liked this movie.

Fahrenheit 11/9 and The Wife open today in Toronto; check your local listings. The Man Who Feels No Pain played at TIFF’s Midnight Madness and is coming soon. And don’t forget about the Toronto Palestine Film Festival which is on now through the weekend. Go to TPFF.ca for details.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.