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Tag Archives | Vampires

A month before the premiere of True Blood’s third season earlier this summer I wrote a post about the first 21st century superhero. The new Iron Man, as reimagined by Jon Favreau and portrayed by Robert Downey Jr., had broken the mold constricting the superhero archetype since its inception back in the late 1930’s, and in its place offered a vibrantly modern model for the character, reflecting the unique culture, ethos, and mores of the 21st century. True Blood, I’m realizing, is now doing the same for that other undying superhuman trope: the vampire.

A mashup too far? This blog is soon to be an actual book. Sample content:

Basically, I got the worst deal ever when I became a vampire. Every other vampire in history developed a supernatural level of attractiveness when they transformed. But not me. When I look in the mirror*, I just see a pasty, tired, fifteen-going-on-100-year-old looking back at me.
…
I sat next to Chloe today in Art and I could smell that she had type O- blood, which is rare but especially tasty (my dad calls it the champagne of blood). I told her about the goths, the tough gang and the popular gang, and she said she wouldn’t want to be in the popular gang anyway. She is a girl after my own heart. I told her about the rumour that Mr Byrne was a millionaire before he lost all his money and had to become an English teacher, and about how Darren from our class came in on No Uniform Day wearing his PE kit because he’s so poor that these are the only clothes he owns.

Robert Pattinson has a lot to answer for. Ever since his lanky frame immortalised Stephenie Meyer’s Twilight character Edward Cullen with an American twang, all the vampires of the world seem to have lost their British passports. Those populating Bon Temps, the fictional town in Louisiana that is the setting for TV drama True Blood, have a southern American drawl. Meanwhile Mystic Falls, Virginia, where The Vampire Diaries is set, is a long way from the London and Whitby homes of the most famous vampire of all: Count Dracula.

But watch out, bloodsuckers: the Brits want to bring you home. Academics at the University of Hertfordshire are organising a conference that will serve ketchup-smothered food (it’s tastier than blood) from coffins, all in the name of putting British vampire fiction back on the map. It’s the brainchild of Dr Sam George, a lecturer in English literature at Hertfordshire who is fascinated by vampires and keen to use them to make literature exciting.

Among the many medieval plague victims recently unearthed near Venice, Italy, one reportedly had never-before-seen evidence of an unusual affliction: being “undead.”

The partial body and skull of the woman showed her jaw forced open by a brick (above) — an exorcism technique used on suspected vampires.

It’s the first time that archaeological remains have been interpreted as belonging to a suspected vampire, team leader Matteo Borrini, a forensic archaeologist at the University of Florence, told National Geographic News.

“I was lucky. I [didn’t] expect to find a vampire during my excavations,” he said. Belief in vampires was rampant in the Middle Ages, mostly because the process of decomposition was not well understood.

For instance, as the human stomach decays, it releases a dark “purge fluid.” This bloodlike liquid can flow freely from a corpse’s nose and mouth, so it was apparently sometimes confused with traces of vampire victims’ blood.

If you step out of your house late Thursday night, you'll witness an overwhelming scene. At 12:01 a.m., movie theaters will release "New Moon," the next film in the "Twilight" series. Anxious viewers will finally discover whether mortal Bella Swan will choose Jacob's werewolf den over Edward's sparkly coffin. Clearly, creatures of the night have returned to societal consciousness.
As a testament to their adaptability, vampires are front and center on the pop-culture stage. Television shows such as "True Blood" and "The Vampire Diaries" feature titillating exchanges between fanged supermodels. Movies like "Twilight," "Let the Right One In" and "Blood: The Last Vampire" explore vampirism through teenage, independent and gore-tinted lenses, respectively. Even the BBC can't withstand Bram Stoker's lure, and has come up with "Being Human," a show that focuses on three housemates who happen to be ghost, werewolf and vampire.
What accounts for this 21st-century obsession? ...