Looking For Art In Artificial Intelligence

Algorithms help us to choose which films to watch, which music to stream and which literature to read. But what if algorithms went beyond their jobs as mediators of human culture and started to create culture themselves?

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Stephen Kettle Sculpture

Turing then modifies the game by replacing one interlocutor with a computer, and asks whether a computer will be able to converse sufficiently well that the interrogator cannot tell the difference between it and the human.

Making Music

This version of the Imitation Game has come to be known as the “Turing Test.”

Turing’s simple, but powerful, thought experiment gives a very general framework for testing many different aspects of the human-machine boundary, of which conversation is but a single example.

On May 18 at Dartmouth, we will explore a different area of intelligence, taking up the question of distinguishing machine-generated art.

Conducting The Tests

The dance music competition (“Algorhythms”) requires participants to construct an enjoyable (fun, cool, rad, choose your favorite modifier for having an excellent time on the dance floor) dance set from a predefined library of dance music.

In this case the initial random “seed” is a single track from the database.

William Shakespeare

Can a computer write a better sonnet than this man?

Challenges

In what might seem a stiffer challenge, the sonnet and short story competitions (“PoeTix” and “DigiLit,” respectively) require participants to submit self-contained software packages that upon the “seed” or input of a (common) noun phrase (such as “dog” or “cheese grater”) are able to generate the desired literary output.

Moreover, the code should ideally be able to generate an infinite number of different works from a single given prompt.

To perform the test, we will screen the computer-made entries to eliminate obvious machine-made creations.

Unique Sounds

We’ll mix human-generated work with the rest, and ask a panel of judges to say whether they think each entry is human- or machine-generated.

For the dance music competition, scoring will be left to a group of students, dancing to both human- and machine-generated music sets.

A “winning” entry will be one that is statistically indistinguishable from the human-generated work.

The competitions are open to any and all comers.

Automation

To date, entrants include academics as well as nonacademics.

As best we can tell, no companies have officially thrown their hats into the ring.

This is somewhat of a surprise to us, as in the literary realm companies are already springing up around machine generation of more formulaic kinds of “literature,” such as earnings reports and sports summaries, and there is of course a good deal of AI automation around streaming music playlists, most famously Pandora.

Judging the Difference

Evaluation of the entries will not be entirely straightforward.

Even in the initial Imitation Game, the question was whether conversing with men and women over time would reveal their gender differences. (It’s striking that this question was posed by a closeted gay man.)

The Turing Test, similarly, asks whether the machine’s conversation reveals its lack of humanity not in any single interaction but in many over time.

It’s also worth considering the context of the test/game. Is the probability of winning the Imitation Game independent of time, culture and social class?

Changing Communication

Arguably, as we in the West approach a time of more fluid definitions of gender, that original Imitation Game would be more difficult to win.

Similarly, what of the Turing Test?

In the 21st century, our communications are increasingly with machines (whether we like it or not).

Texting and messaging have dramatically changed the form and expectations of our communications.

For example, abbreviations, misspellings and dropped words are now almost the norm. The same considerations apply to art forms as well.

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Who is the Artist

Who is the creator – human or machine? Or both?

The Great Divide

Thinking about art forms leads naturally to another question: who is the artist?

Is the person who writes the computer code that creates sonnets a poet? Is the programmer of an algorithm to generate short stories a writer? Is the coder of a music-mixing machine a DJ?

Where is the divide between the artist and the computational assistant and how does the drawing of this line affect the classification of the output?

The sonnet form was constructed as a high-level algorithm for creative work – though one that’s executed by humans.

Collaboration

Today, when the Microsoft Office Assistant “corrects” your grammar or “questions” your word choice and you adapt to it (either happily or out of sheer laziness), is the creative work still “yours” or is it now a human-machine collaborative work?

We’re looking forward to seeing what our programming artists submit. Regardless of their performance on “the test,” their body of work will continue to expand the horizon of creativity and machine-human coevolution.