Pretty damn good, thanks for asking. Kasher’s set drew from both solo albums, plus The Good Life and Cursive catalogs. Though backed by a ripping band that included sassy bassist Sara Bertuldo and musical genius/multi-instrumentalist Patrick Newbery (I’m not sure who was on drums, but he was awesome), the set’s tone was low-key and downright mellow.

For example, Kasher’s cover of “From the Hips” (off Cursive album Mama, I’m Swollen) took the usually rousing, bombastic rocker and re-imagined it as a quiet lullaby. In fact, there were a lot of quiet moments throughout most of the set, and maybe that was driven by the chatty crowd, who Kasher acknowledged when he sat down at a keyboard to play a solo version of a Good Life song that “none of you know.” Unfortunately, he eventually talked himself out of it, and his band instead returned to the stage to resume the usual setlist. While there were a lot of new arrangements for older material, the tunes off Adult Film got the same treatment heard on the album.

The evening’s bright spots came during the encore, when Kasher and Co. lit into a spot-on cover of The Faint’s “Worked Up So Sexual” that got a few folks in the 200+ crowd jumping. The energy stayed for the evening’s closer, “Totally Freaking Out,” from the new album.