Across 135 registered certificates with the US Copyright Office, Ken Penders has mostly claimed story credits regarding the work he’s produced over a dozen year career with Archie Comics and the Sonic series, public records show.

The copyrights, all public record, go back as far as the 11th issue of the long running franchise. Claims are made for work spanning from 1994 through 2006 and issue #159–the last issue Penders was involved with before Ian Flynn took over as writer.

Analysis shows much of his claims from the early issues seek little protection aside from stories he wrote, and any two-dimensional artwork he contributed.

“I claim authorship of the text only to the story listed on my claim and nothing beyond that,” says one recorded certificate that seeks protection of the story behind What’s the Big Idea, a side piece which appears in issue 15.

“I did not contribute any material in this publication beyond the text of the one story claimed,” says another certificate that seeks protection for Night of 1,000 Sonics, which appeared in 1995’s issue 19. In this particular claim, Penders points out “Artwork” as a pre-existing material–underscoring the extremely meticulous nature of the claims.

In a third certificate–this one for a Princess Sally side story in issue #60, Penders takes great care of mentioning both text from the main story, other 2D artwork, “story art by Manny Galan, and any material not mentioned in this claim” as “pre-existing material,” or material Penders is not trying to seize rights to.

On a few claims, such as those for the Endgame arc spanning issues 47 through 50, Penders only seeks co-ownership rights. For the final three of four issues that make up Endgame, he even lists co-writers Scott Fulop, Mike Gallagher, and Karl Bollers as co-copyright claimants. It is unclear whether any of the aforementioned authors are aware of these copyright registrations.

The situation gets complicated when investigating copyrights from the heart of Penders’s Archie career–when original characters get involved. In a claim regarding the first issue of The Dark Legion mini-series from 1997, Penders sought the rights to:

That means Penders sought protection for the characters mentioned above. In practice, the US Copyright Office may not have granted him such rights. Correspondence below from the office, as part of the public record, indicates Penders did not follow proper protocol to receive such protection:

Regarding author information and new material included: Characters as such not registrable; registration based on deposited authorship describing, depicting, or embodying the characters. Authority Compendium II 202.02(l).

In fact, while Penders claimed he outright owns many of the characters he created, the records in the Copyright Office mostly show him only claiming ownership to stories in which they star, and not the characters themselves. As an example, TSSZ News found four entries regarding Geoffrey St. John, as part of a 1998 series. But in all certificates, Penders only claims himself as the “author of story text.” We also couldn’t find in any of the claims he registered anything regarding a claim of ownership to Lien-Da, be it story text or otherwise. The same is also true for Rob O’ the Hedge, who Penders also singled out in his Wednesday announcement.

Penders had better luck on only one other character claim. Another record seeking copyright protection for material in Sonic Super Special #11 contains a claim for art on Hershey, which was not contested by the Copyright Office.

The bottom line is that an overwhelming majority of the 135 active certificates are for storylines and artwork Penders created. Those concerned about whether he legitimately owns the rights to several side characters in the comics can worry a bit less, as those claims appear few and far between–if they were granted at all. Whether the rights on the storylines will be upheld–and if Penders gets any withheld compensation for them–may be for the courts to decide, if and when counsel for Archie Comics elects to pursue the case.

10 Comments

Penders is mental.
Ian Flynn has been author for how long now?
Penders could have pursued this course of action any time when he actually was official author, or, if he knew what he was doing, straight after Flynn took over.
Now I don’t like the series, I find too many of the characters irritating and the storylines crazy, but this fuss is way past ridiculous.
(and even if I did still read them I’d say Flynn was so good at what he does he doens’t deserve this sort of madness)

Zeh Mad Bloggah

Posted July 12, 2010 at 5:58 AM

OMG, they fired Kenny!

…I’ll say it again: that guy has toasted his own career. Not that I think Penders was good at his job on the Sonic comic, but, really, he’s acting like a fourth grader, and I’m certain it’s gonna come back at him. (No offense to any of you fourth graders — I was one once too, you know.)

Panic Bacon

Posted July 13, 2010 at 11:40 AM

Wow. Penders has finally lost it.

He will never find a career in comics unless he self-publishes. Any employer is going to see this lawsuit and notice a massive, MASSIVE red flag.

SpeedingHedgehog

Posted July 13, 2010 at 11:47 AM

This is getting crazy…but probabily won’t go anywhere. Archie may throw him a couple grand, an it’ll all be over.

Aulderbane

Posted July 13, 2010 at 12:14 PM

I too, am disappointed in this. But then I’m thinking: ‘Hey, if Penders wants all his ideas, I say give it to him! Pull the LARGEST RET-CON IN COMIC HISTORY. Reboot the comic, maybe start from #10, just before he arrived on the scene, and follow through SegaSonic stuff as Archie’s discression. ( Because some of their stuff is questionable) It should be easy enough to avoid Pender’s ideas, and grab up the SatAMSonic stuff as well. I think this is a GREAT opportunity to get the old fans back that stopped reading, and for Ian to really shine with what he wanted to do with the series. Penders will end up as ‘just one of those eccentric fanfic writers’.

@Panic Bacon: Yeah, just look at how Marv Wolfman can’t find work anymore.

Seriously, though? I’m a big supporter of creators’ rights but I think Ken’s tilting at windmills on this one. This isn’t like the Siegel and Shuster case, where they created Superman and then sold him to DC (except possibly with Hershey — more on that in a minute), or the Kirby case, where he never signed a contract. Penders almost certainly signed a work-for-hire contract, meaning all those characters and stories are works of corporate authorship.

Hershey would be the exception — she’s based on his son’s cat. So it’s entirely plausible that he drew her into a comic strip for his son before he ever pitched her as a Sonic character, which would mean the work-for-hire agreement didn’t apply to her.

Though that brings us back to Wolfman. Wolfman created Blade before using him as a Marvel character, but when he sued to claim ownership, the judge ruled that the Blade he used at Marvel was substantially different from his original character and therefore not covered under his original copyright.

All that and Hershey’s name is a trademark headache in and of itself.

I suspect Ken’s looking for a settlement.

It would be interesting if his suit turned out to have merit, and could set a good precedent for other creators. But again, I find it very unlikely that Archie and Sega’s lawyers left a loophole that size in his contract.