Apart from saying that a couple of your shots are overexposed, it's hard to critique this because the whole album is very "experimental" in feel. There's no unifying theme and I don't get a sense of compositional motive, either in the photographs individually or the album as a whole. I guess what I'm trying to say is, just keep shooting, reading as much as you can, and studying the works of photographers that inspire you.

A little advice:
1) Shoot RAW
2) Use an editor (I recommend Lightroom 4 - extremely powerful and not overly complicated)
3) Sign up with Lynda.com
3a) Concentrate on the Ben Long videos and then the LR4 videos
4) Have fun

I don't think it can be at this point. You have a lot of experimentation to do, hundreds of mistakes to make. Go out and to that, and worry about what people other than yourself think later. Looking at other peoples good work regularly would be far more helpful than a regular critique at this point.

Totally Agreed. Not only should you go out and take thousands of photos and make hundreds of mistakes, if you really want to learn, immerse yourself in it. There are thousands of resources online, and I love just browsing through 500px http://500px.com/flow for inspiration or heading to the book store and picking up random photographers books to study their images.

I have to advise against places like 500px. There is some fantastic work, but it's not curated and there is just as much terrible work. I'd stick to published work in non-photography magazines like National Geographic, GQ, Art mags, or curated online sources.

Side note: I say non-photography magazines because most of the photo mags out there are directed at hobbyists and pander to that crowd. A lot of the work and techniques in those mags as a result, are just bad. The same goes for most instructional books and for the most part they should be avoided. If you want a brass tacks kind of instructional book, pick up the National Geographic Field Guide Second Edition. Later editions spend a lot of time on silly things like camera menus and outdated digital photography info. The second edition is focused on film photography, but the same rules apply to digital photography.

There is no point in giving you pointers to do something differently if you don't know too much about photography to begin with. (ISO, exposure, shutterspeed, aperture, depth of field, etc.) Learn the basics, know why you've set your setting the way you have, and then ask for a critique. My biggest bit of advice if you're really interested in learning the ins and outs of photography is 1. Shoot on film or 2. Shoot in manual mode ALWAYS. I've been shooting for 2 years now and for the first year I didn't use Autofocus and I ONLY used the Manual setting on my camera. I did that because I wanted to learn and understand photography, not just take good pictures. I couldn't tell you how many terribly over/under exposed or out of focus pictures I took in that first year, but it's certainly outweighed the number of good pictures I'd taken haha. I have just now started using AF with vibration reduction, and it is FANTASTIC, but I learned so much in my first year having to do it all manually. My only other bit of advice is work on your composition. The rule of thirds is a good place to start, but frankly, I don't live by it and I hate to call it a "rule". If you have any questions, ASK!

Carry a piece of WHITE cardboard in your camera bag with you at all times. With this, you can photograph just the white under whatever light you are using at the time and manually adjust your white balance in your settings. This will give you a less "red" or "blue" feel when taking sunset or cloudy shots, respectively. If you own a canon, it will be third tab over or so in your settings and down. If you don't know what I mean, play around and get to know your new friend! haha

my main suggestion would be to go back and play around on an overcast day. the difference in detail and evenness of lighting you'll get will be huge. keep playing and experimenting!

edit: also, don't forget you can turn the camera 90 degrees! some of these would benefit from a vertical composition in my opinion. you've captured some nice color interactions in some of these, though in the fall it's really easy to do that whether you are trying to or not.