Nominated for OVATION Award

In these days of short attention spans, when the “ideal play” is described as being 70 minutes with no intermission, the very idea of a three-hour evening in the theatre is enough to make some audiences cringe. “How will I stay awake that long? How can anything be interesting for three hours?!?”

Well, if the play is by the great August Wilson, and is in the hands of a group of superlative actors working under an assured director, it can be interesting and then some. In Michele Shay’s production of King Hedley II at the Matrix Theatre, the three hours fly by.

Mr. Wilson, who died in 2005, was best known for “The Pittsburgh Cycle” – 10 plays about the African-American experience throughout the twentieth century, of which King Hedley II is one. He wrote with specificity, not only of place (with the exception of one of the plays, the Hill District of Pittsburgh) and time (each play takes place in a different decade), but also of language. Characters erupt in geysers of words: they use language to caress, to cajole, to threaten, and to punish. While there are cascades of words in each of Mr. Wilson’s plays, none are extraneous, and every one of them takes aim straight at the minds and hearts of the audience.

In 1985 Pittsburgh, King Hedley II (Esau Pritchett) is a 30-something petty thief, back home living with his mother Ruth (Ella Joyce) after seven years in prison for killing the man who cut him with a razor – the vivid scar still bisects his face. King and his pal Mister (Jon Chaffin) dream of opening a video store, and are selling probably-stolen refrigerators to get together the necessary cash, and when that doesn’t seem to be producing enough, they rob a local business to hurry things along.

On the domestic side, 35-year-old Tonya (Ciera Payton) is pregnant with King’s child, which produces tension between the couple: King wants the baby, but Tonya – having already had a child at 17 who had to be brought up without a father, is determined to have an abortion. And Elmore (Montae Russell), an old flame of Ruby’s who has a tendency to disappear from her life at odd moments, shows up again, this time asking her to marry him.

Montae Russell and Ella Joyce. Photo by Oliver Brokelberg

Looking on, and often commenting, is Ruby’s next-door neighbor, Stool Pigeon (Adolphus Ward), an ancient eccentric whose house – and front porch – are piled high with old newspapers, and who seems at times to have a direct line to the Almighty.

Described as one of Mr. Wilson’s darkest plays, King Hedley II indeed ends tragically – in a manner echoing the ancient Greeks in its irony – but there are plenty of laughs along the way, and the cast takes full advantage of both the laughter and the tears.

All the actors are splendid. Mr. Pritchett is a striking figure, tall, with a shaved head and burning eyes, looking as if he could break in half anyone who angered him. And yet there’s a vulnerability to King, almost an innocence, and Mr. Pritchett’s ability to convey this makes us – perversely yet inevitably – root for him even at his most despicable.

He’s matched step-for-step by Mr. Russell, whose character is the ultimate sleazy con man, but whose bonhomie and wide smile keep you laughing as he empties your pockets. Mr. Russell’s winning manner makes Elmore’s final chilling revelation even more devastating and unexpected.

Mr. Chaffin quietly plays second-fiddle to King, going along even when he knows what’s about to happen could be a disaster; Mister’s wife has left and taken the furniture, and Mr. Chaffin deftly conveys the desperation of a grown man reduced to sleeping on the floor.

Jon Chaffin and Ella Joyce. Photo by Oliver Brokelberg

As a woman torn between her love for her man, and her refusal to be beholden to him, Ms Payton shows us someone determined not to fall into the same trap she succumbed to years ago – but lets us see at the same time how difficult the decision is.

As a sometime-doddering, sometimes-forceful presence which suggests a Greek chorus, Mr. Ward is by turns chilling and hilarious. His repeated description of God – “a bad motherf**ker” – brings laughs throughout the evening.

But perhaps the biggest laugh of the night is earned by Ms Joyce, as she nonchalantly tosses off a line late in the play about performing a sex act and the “need to do it again.” The actress, who originated the role of Tonya in the world premiere of the play some years ago, moves into the role of Ruby with grace and a fierce dignity: whether going for laughs, or living through the worst nightmare a mother can face, there isn’t a false note in Ms Joyce’s performance – she’s simply magnificent.

Ciera Payton (L) and Ella Joyce. Photo by Oliver Brokelberg

Ms Shay – who was nominated for a Tony for her performance in Mr. Wilson’s Seven Guitars – directs with a firm but nuanced hand. She keeps the pace crackling, and draws expertly layered performances from the cast.

John Iacovelli’s detailed set puts us – literally – in the hardscrabble dirt the characters must surmount, while Derek Jones’s lighting, Mylette Nora’s costumes, and Kevin Novinsky’s sound make valuable contributions.

My only quibble is the way the evening begins: as the audience sits facing a fully-lit set, a piece of music plays, loudly. Presumably it’s meant to set the scene, but (to me anyway) the lyrics were incomprehensible, and the piece lasts a full five minutes. It was an inauspicious way to start.

Thankfully, once the actors entered, all was well. King Hedley II is a powerful play, stunningly acted and well-directed. Go ahead and spend three hours with these characters – you won’t regret it.

OMG! U Gotta See What This “Roc” Actress Does For A Living Now!

Posted On : March 11, 2016

Remember actress, Ella Joyce, from the 90’s TV show, Roc? You might also remember her as the police officer in the film Set It Off; for her recurring role on the sitcom, My Wife & Kids; Tyler Perry’s movie, Temptations, and many other roles, but it was her role as “Eleanor,” the strong wife of “Roc” (Charles S. Dutton), that really set her career on fire in 1991.

The cast of Roc” sitcom…

Well that was then and this is now, and Ella has taken on several other roles in her real life. She’s still an actress, but her most recent career is as a fitness instructor, but not just any ol’ fitness instructor, she teaches a soul-fitness class called Funkacize, where they only exercise to soul music as she blends fun dance steps with effective exercise routines for a soulful workout that her clients have been raving about. So if you’re ever in North Hollywood, Cali., stop by and let Ella get your body right.

Ella Joyce leading her funkacize fitness class…

One thing is for sure, Ella Joyce is 61 years young and she’s workin’ it like she’s 31! There’s nothing better than seeing our old schoolers stay fit, stay on point with their health, and keep that engine running in tip top shape and we thank Ella for spreading that message through her Funkacize classes.

Mrs. Joyce isn’t sleeping on her acting career though, she’s still doing her thing in the acting world and she recently had a guest role on Being Mary Jane alongside actor (and Beyonce’s new step-dad), Richard Lawson. Ella played the role of the character, “Lisa’s” mother.

Ella Joyce and actor, Richard Lawson, in “Being Mary Jane”

Ella’s also added the title of author to her name. She released a book titled, “Kinky Phobia: Journey Through A Black Woman’s Hair,” which according to her website was created ‘after what seemed a lifetime of her hair concerns, she decided to live relaxer chemical-free. After many distressing hair adventures and “emergencies”, and successfully allowing her natural hair to grow longer than she ever imagined, and receiving many compliments and inquiries about her hair maintenance, she decided to share her thoughts, memoirs and kinky hair secrets, with other frustrated Black women everywhere.’

So as you can see, Ella Joyce has her plate pretty full and we’re very happy to hear that. She lives in California with her husband, who is also an actor and director, Dan Martin. Dan has had many roles throughout the years on shows such as The Bold and the Beautiful, Boston Legal, Numb3rs, Malcolm in he Middle and more. They’ve been married since 1992 and are still going strong. In Hollywood, that’s like being married for 70+ years, so we give Ella and Dan a big hand clap for their marriage success.