Blues to the Bone is a 2004 album by Etta James. The album contains a selection of twelve blues standards which are among her favourites. The album was given a Grammy Award in 2005 for Best Traditional Blues Album.

Simply one of the greatest live blues albums ever captured on tape. Cut in 1963 at the New Era Club in Nashville, the set finds Etta James in stellar shape as she forcefully delivers her own "Something's Got a Hold on Me" and "Seven Day Fool" interspersed with a diet of sizzling covers ("What'd I Say," "Sweet Little Angel," "Money," "Ooh Poo Pah Doo"). The CD incarnation adds three more great titles, including an impassioned reprise of her "All I Could Do Was Cry." Guitarist David T. Walker is outstanding whenever he solos.

Etta James is widely regarded as one of the finest female blues, R&B and soul singers of the modern era, second only in some eyes to Aretha Franklin - Atlantic's Jerry Wexler called her the greatest of all modern blues singers. After a chequered early life, she was discovered in Los Angeles singing with a vocal group at the age of 16 by Johnny Otis, who signed her to Modern, and she scored an R&B No. 1 in 1955 with her debut recording The Wallflower (Roll With Me Henry), a re-working of Hank Ballard's Work With Me, Annie, following it up with another Top 10 R&B hit Good Rockin' Daddy.

In many ways Etta James resembled a female Ray Charles in her unerring ability to tackle (and sometimes combine) all of the strands of American popular music, from rock & roll to R&B, blues, country, gospel, jazz, and pure pop and soul, while still maintaining a distinct feel and sound that was all her own, and she did this throughout a five-decade career that is impressive for its consistency. This 25-track set (mostly drawn from her time with Chess Records) is hardly definitive (it doesn't have classic James' tracks like "Anything to Say You're Mine," "Don't Cry Baby," "Something's Got a Hold on Me," or the girl group pop of "Two Sides (To Every Story)," for instance, or any of her late-career blues tracks), but it does do a good job of spotlighting James' range and versatility by collecting sides like her signature "At Last," the soul-pop masterpieces "Tell Mama" and "I'd Rather Go Blind," and saucy versions of Willie Dixon's "Spoonful" and Randy Newman's "You Can Leave Your Hat On," all of which offer ample proof that James was one of the best singers of her generation – in any style.

After her tough blues and R&B records in the early years of the 21st century – 2003's Let's Roll and 2004's Blues to the Bone – Etta James throws a quiet storm changeup. All the Way's 11 tracks are pop songs – indeed, a few are standards – written between the 1930s and the 1990s. James song choices are curious. The Great American Songbook tunes include the title track (written by Samuel Kahn and Jimmy Van Heusen), Leonard Bernstein's and Stephen Sondheim's "Somewhere" from West Side Story, and even Bob Telson's "Calling You" from the score to the 1987 film Baghdad Cafe – it's been recorded by everyone from Barbra Streisand and Celine Dion to Jeff Buckley and Gal Costa…

Music Club Deluxe Legends brings us the essential collection of Etta James’ greatest hits featuring the much loved At Last, I Just Wanna Make Love To You and One For My Baby amongst many other classics.The 2CD package comprised of 40 tracks.

This 15-track compilation focuses on the earliest sessions recorded by Etta James for Modern Records between 1955 and 1957. James was only a teenager when she first recorded for the L.A.-based label. Her youthful exuberance and powerhouse delivery still generate that initial excitement captured on these remastered versions of "The Wallflower (Roll with Me Henry)," "The Pick-Up," "W-O-M-A-N," and "Good Rockin' Daddy." This set is a great introduction to James' early raw recordings; however, it excludes a few tracks from the superior The Best of the Modern Years on Metro Blue.

After spending a few years in limbo after scoring her first R&B hits "Dance With Me, Henry" and "Good Rocking Daddy," Etta James returned to the spotlight in 1961 with her first Chess release, At Last. James made both the R&B and pop charts with the album's title cut, "All I Could Do Was Cry," and "Trust in Me." What makes At Last a great album is not only the solid hits it contains, but also the strong variety of material throughout.

This incredible show saw its world premiere in Melbourne in 2013 and since then has toured all the capital cities in Australia (twice), completed two sold-out seasons at The Sydney Opera House and, in November of 2014, rocked an enthralled Kiwi crowd at the prestigious Aotea Centre in Auckland, New Zealand. In 2015 At Last – The Etta James Story embarked on an extensive tour of regional centres throughout Australia that proved so popular that the majority of shows sold-out weeks before opening. During a long and tumultuous career that saw her win six Grammy Awards and a star on The Hollywood Walk of Fame, Etta James has influenced a vast array of artists from Diana Ross, Janis Joplin, Stevie Wonder, The Rolling Stones.

Etta James made many appearances at the Montreux Jazz Festival across her long and distinguished career, from her first concert in 1975 through to her last in 2008. This CD features her 1993 performance which finds Etta on terrific form in one memorizing concert that features many notable tracks including: 'I just Want To Make Love To You'. W.O.M.A.N, 'At Last', 'Come To Mama' and many more…