Oscillators A and B both carry a soundscape produced by processing a Thai Gong sample I made for my soundset Alchemistry Metallurgy in Metasynth. Each Oscillator plays a different segment of that sample in Granular mode, sample playhead position controlled by a looped envelope (back and forth). You can speed up the envelopes with Macros 1+2. The samples are processed by Allpass Filters, control the Filter Resonance with Macro 5 and the Frequency Shift of the Filter Resonance with Macro 6. The Cutoff of the Highpass Filters in A2/B2 is controllable with Macro 15. Channel C adds a synthetic sound created by a Fractalize Oscillator processed by a Cloudfilter and a LPF 4 Pole Filter. In the Master section a Waveshaper adds some edge and a Supercomb FIlter can be made audible by turning up the Resonance with Macro 7, tune the Filter down 2 octaves with Macro 8. The Aetherizer in the FX section is controllable with Macros 9-12. The Pitchwheel (Macro 13) adds LFO-driven pitch modulation, LFO speed is controllable with Macro 14. Macros 3+4 are assigned to the Channel's overall volumes (A+B/C). Please check the LFO and envelope pages for modulation sources and targets.
The download folder contains two patch formats:
ksd (old Absynth) and nab (new Absynth).