In It Together

Spearhead's new album combines the talents of new producers

When Michael Franti brings his band, Spearhead, to Les Schwab Amphitheater, expect the walls between stage and audience to come tumbling down. Photo by Chelsea Klette.

Michael Franti has a discography that numbers nine studio albums with his current band, Spearhead, as well as one album with his first group, the Beatnigs, and a pair of titles with the influential group that preceded his solo career, the Disposable Heroes of Hiphoprisy.

But he's never had a recording experience quite like the one he had in making his new album with Spearhead, "Soulrocker," with producers Stephen "Di Genius" McGregor and Dwayne "Supa Dups" ChinQuee.

"It was actually the most fun that we've ever had making a record," Franti said in a recent phone interview. "Every day, when I would come into the studio, there would be something that was so cool that I just wouldn't expect. It would be outside of my sort of natural way of thinking about the song and they'd (McGregor or ChinQuee) come up with something that was just really amazing and very different from what I would normally do." Bringing in outside producers was a new twist for Franti, who had always handled those duties himself. But the idea of working with McGregor and ChinQuee seemed too good to pass up.

"'Di Genius,' Stephen McGregor, he's the son of reggae legend Freddie McGregor. When I first heard his name as 'Di Genius,' I was like who is this guy who's got the balls to call himself 'Di Genius'?" Franti said. "Then I met him and I was like this guy really is one of the... he's kind of a child prodigy."

"Soulrocker" has been touted as bringing a more modern, more electronic edge to Franti's longstanding mix of rock, folk, hip-hop, soul and reggae. But in reality, electronic elements have been working their way into Franti's sound on the past couple of albums and their use became fairly prominent on his previous album, 2013's "All People."

The blend of electronic and organic works well on "Soulrocker." The programmed rhythms and space-age synth lines put a futuristic spin on folk-world beat flavored "My Lord" and the dance-pop sound of "We Are All Earthlings." The mix of reggae, hip-hop and electronics on "Once A Day" makes for an especially buoyant track. Perky keyboard tones bring a poppy edge to "Get Myself To Saturday" and the beachy folk of "Summertime Is In Our Hands."

"I mean, on the last record, it was very much in the same way of combining rhythms that people can dance to with songs and lyrics that have meaning," Franti said. "So it's very much a progression, as all of my records have been."

What has also evolved is Franti's lyrical tone. On his early solo albums, Franti's lyrics were serious, and sometimes critical and angry, but the tone of his messages has softened. While he's still plenty topical on the new album ("Good To Be Alive Today" is a prime example), the emphasis now is more often the positive, encouraging people to work together and use the power of love to change their lives and the world around them for the better.

That kind of enriching, communal vibe is what Franti and Spearhead will seek to create with their live shows this summer. And Franti has incorporated specific elements in the concerts to help achieve that goal.

"That's why I spend a lot of time at our shows getting into the audience," he said. "So I get my headset mike on and I get my acoustic guitar. I run to the top of the venue. I go all throughout whatever place we're playing. We set up stages in multiple parts of whatever venue we're in and get out there and play on them. For me it's a really great way to feel like I personally am connected, and it's also a great way to break down that barrier between the stage and the audience. We feel like we're in this together."