Michael C. J. Putnam

Published in print:

2001

Published Online:

October 2013

ISBN:

9780300083330

eISBN:

9780300130454

Item type:

book

Publisher:

Yale University Press

DOI:

10.12987/yale/9780300083330.001.0001

Subject:

Literature, Poetry

This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 bce for choral performance at the Ludi Saeculares, the Secular Games. The poem is the ...
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This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 bce for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. The book offers a close and sensitive reading of this hymn, shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem's power and significance as a public ritual. A rich and compelling work, this poem is a masterpiece, and it represents a crucial link in the development of Rome's outstanding lyric poet.Less

Horace's "Carmen Saeculare" : Ritual Magic and the Poet`s Art

Michael C. J. Putnam

Published in print: 2001-01-11

This is the first book devoted to Horace's Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 bce for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. The book offers a close and sensitive reading of this hymn, shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem's power and significance as a public ritual. A rich and compelling work, this poem is a masterpiece, and it represents a crucial link in the development of Rome's outstanding lyric poet.

Denise Gigante

Published in print:

2009

Published Online:

October 2013

ISBN:

9780300136852

eISBN:

9780300155587

Item type:

book

Publisher:

Yale University Press

DOI:

10.12987/yale/9780300136852.001.0001

Subject:

Literature, Poetry

What makes something alive? Or, more to the point, what is life? The question is as old as the ages and has not been (and may never be) resolved. Life springs from life, and liveliness motivates ...
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What makes something alive? Or, more to the point, what is life? The question is as old as the ages and has not been (and may never be) resolved. Life springs from life, and liveliness motivates matter to act the way it does. Yet vitality in its very unpredictability often appears as a threat. This book explores how major writers of the Romantic period strove to produce living forms of art on an analogy with biological form, often finding themselves face to face with a power known as monstrous. The poets Christopher Smart, William Blake, Percy Bysshe Shelley, and John Keats were all immersed in a culture obsessed with scientific ideas about vital power and its generation, and they broke with poetic convention in imagining new forms of “life.” This book offers a way to read ostensibly difficult poetry and reflects on the natural-philosophical idea of organic form and the discipline of literary studies.Less

Life : Organic Form and Romanticism

Denise Gigante

Published in print: 2009-05-19

What makes something alive? Or, more to the point, what is life? The question is as old as the ages and has not been (and may never be) resolved. Life springs from life, and liveliness motivates matter to act the way it does. Yet vitality in its very unpredictability often appears as a threat. This book explores how major writers of the Romantic period strove to produce living forms of art on an analogy with biological form, often finding themselves face to face with a power known as monstrous. The poets Christopher Smart, William Blake, Percy Bysshe Shelley, and John Keats were all immersed in a culture obsessed with scientific ideas about vital power and its generation, and they broke with poetic convention in imagining new forms of “life.” This book offers a way to read ostensibly difficult poetry and reflects on the natural-philosophical idea of organic form and the discipline of literary studies.

One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite ...
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One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war’s rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. This new biography provides a fresh account of Owen’s life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. It chronicles a great poet’s growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen’s enduring verse can be understood.Less

Wilfred Owen

Guy Cuthbertson

Published in print: 2014-03-25

One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war’s rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. This new biography provides a fresh account of Owen’s life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. It chronicles a great poet’s growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen’s enduring verse can be understood.

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