Back in the first fussbudget strip, Charlie Brown seemed like he understood that Lucy's mother was complaining when she called her daughter a fussbudget. It's not as obvious here if Charlie Brown is in on the joke. He's either forgotten, or he's exceptionally straight-faced in his sarcasm. It could really be either -- there are other strips in which Peanuts characters say sarcastic things without breaking expression even slightly. When I saw the fussbudget strips as a kid, I didn't get that the joke was on Lucy. (And to this day, I'm not sure on the origins of the word, or even how it's said. Is it really "fuss-bud-jet"?)

Schroeder's mania continues. His Beethoven fixation is slowing being made an object of fun, which culminates, I think, in his carring around signs informing people as to how many shopping days it is until Beethover's birthday.

I think this is the first time Lucy really, really rags on Charlie Brown, which of course becomes a common event in the strip. It's a chase strip, but going by the rather silly and idiosyncratic rules I've made up, not really a turnabout strip.

I've said it multiple times before but it really should be driven home: chocolate is toxic to dogs. If we can bring ourselves to overlook that little thing, we can notice that chocolate creams are the default "good" candy of Peanuts. Come back in two days to find out the default "bad" candy.

I seem to remember Snoopy doing the "mmmm" thing later on, and it annoying people. I don't have a clear recollection of it though, it could be something else.

Charlie Brown hates coconut. Apparently, so does Snoopy. (Their opinions on the issue closely mirror my own.) In both this strip and March 8, the girl is used entirely as an observer, someone to which Charlie Brown can talk without seeming like he's talking to himself, or directly to the reader.

Lucy is at that magical time where she can say something that looks like pure glurge, but then turn it around 180 degrees in the last panel. Charlie Brown exists in this strip to tip off the reader's reaction. The second panel could be taken straight (it's a lesser reading, but possible), so Schulz put him in there to let us know it's supposed to seem sappy, and so we'll be able to see how loud Lucy is being in the last panel.

That disgusted look on his face in the second panel is not a standard Peanuts expression, I notice.

Sunday, December 4, 2011

A simple but effective Sunday strip. Linus hasn't yet developed loyalty towards a specific blanket, I note. Snoopy uses speech bubbles in his recent rhinocerous imagination sequence, so this is not yet indicative that Linus is speaking in full English yet.

One of my favorite things about the spaceman sequence is the straight face Charlie Brown keeps through most of it. We have another example here of a character looking slightly silly when they look directly up.

Thursday, December 1, 2011

This is one of my favorite Peanuts strips of all time. I actually didn't know that it showed up so early in Peanuts' run; I thought it was an early 60s strip.

Lucy is rapidly developing into her full horrific powers. She just smashed up Schroeder's bust with a <i>baseball bat</i> in his <i>own house</i>. And yet, Schroeder was fully prepared for it. Wow. And Lucy still hasn't really had many strips in which she's been infatuated with Schroeder -- in fact, I think this strip does a lot to solidify that crush as strip "canon."

It's interesting to note the contrast between Lucy's anger, violence and triumph to Schroeder's plain-faced endurance. The kid doesn't break expression the whole strip, except in panel 8, which is quite a weird look for the kid indeed. It's not quite anger and it's not quite sadness. There is almost something <i>pacifistic</i> about the way Schroeder handles Lucy here. It's really something.

The second time Snoopy uses his imagination leads off a week-long sequence, and I think this is the bit that really causes it to "take." They're a good opportunity to expand the character into something unique, and they have the additional virtue of making possible a lot of really fun drawings. Snoopy's open smile upon finding his victim is my favorite part of this one.

In these early strips Snoopy usually restricts himself to being some kind of animal. A rhinoceros is an interesting choice -- not a lion or a bear an elephant or something more usually recognized as a strong, powerful animal. Not that rhinos are slouches of course -- just that I'd think they would be thought of iconically by their horn, not their strength and size.

Charlie Brown seems worried that Snoopy actually thinks he's a rhinoceros. But how would he have been able to figure out what Snoopy was pretending to be?

Up until now Lucy's crabby personality has manifested in three primary ways: by reputation (her mother calling her a fussbudget), her dealings with Linus, and in defending her strange opinions against Charlie Brown. Here is a fourth: the bucket of cold water on Snoopy's head. It's also the first instance of her physically standing up to another character, here in the second panel.

Tuesday, November 22, 2011

The recent gags about Lucy believing weird things, to Charlie Brown's dismay, have led up to this brilliant strip. <small>THE WORLD IS MADE OF SNOW</small> is truly a battle-cry for a proudly gullible age. I'd be surprised if there wasn't a Faucett collection of Peanuts strips with the title "You're Out of Your Mind, Charlie Brown!"

The things that really make this strip though are Charlie Brown's expressions. Lucy is solidly settling into her roll as the kid's personal tormentor. Although I note Violet is also a pretty strong foil. Here Lucy is the volleyball, but Violet is the one who spikes it back over the net.

And now, a message from me, about someone who is not a sponsor. I just want to take a moment to express appreciation for Blogsy, the iOS app I mostly use to maintain Roasted Peanuts. It's the best blogging app I've seen for the platform. Really nice! It's had its ups and downs, but it's really evolved into an indispensable part of my blogging workflow.

This is a spontaneous message of appreciation, because I use their program every time I post, it makes my life a lot easier, and if I can drive another customer or two their way it makes it more likely to be maintained longer and get new features. So you see? Completely selfish motivation. Anyway, back to Peanuts!

Brutal honesty. More cartooning banter between Charlie Brown and Schroeder. What is it about Schroeder that makes him a good test audience for C.B.'s work? It might have to do with him being the mot artistically-developed of Schulz's personalities.

Turnabout. That is a very angry Snoopy there in panel three. On panel two though, in my experience deflating balloons don't go swish. Instead they make a noise that is charitably referred to as a raspberry. I wonder if this has to do with a change in balloon construction in the fifty-five years since this strip.

Unexpected honestly mixed with ignorance. This is the first time any of Schulz's characters has really engaged in writing. While the intellectual development of the characters is fluid depending on the needs of the strip, there does seem to be a sort of consistency to it. To my knowledge Schulz doesn't use Lucy for jokes about school reports, like he does for Peppermint Patty or Sally, which sort of implies the character is a good writer just from the absence of examples of her being bad at it.

And can't you just imagine Lucy writing a newspaper column? Probably "Diary of a Fussbudget" can be found on the Opinion page.

More of Linus' square balloons. This does make it a lot easier to store them. By the way, I like how the cartoon convention that blown-up balloons automatically float upward is ignored here. People don't typically exhale helium dammit.

This is a good example of something Schulz is good at, taking an absurd premise and elaborating upon it entertainingly. I believe it's not impossible to create a balloon that would blow up into a cube, but I don't know if you could do it with just latex.

We've seen Lucy at the piano before, and we've seen Schroeder cut her down, but this, I think, is the first time when the setting retreats into the background and it's really settled into the Schroeder/Lucy formula. This strip could just as well shown up ten years later.

Every year, thousands ones of children accidentally construct cages around themselves using building sets. Won't you please give today to the cause of outlawing these horrible toys?

Particularly noteworthy: this is the first time Linus makes an utterance that isn't obviously either baby talk or an internal monologue. From here, it's only a matter of time before he starts quoting the Old Testament.

That car in the first two panels is entirely a throwaway, but it helps to underscore just how much the world has changed in the years since 1955.

That's an uncharacteristically mocking attitude from Schroeder in panel 2.

This is the first strip that focuses on Charlie Brown's problems with Valentine's Day, I think. Although the object of his affections isn't the Little Red-Haired Girl, this is definitely the kind of silly mistake he'd make with her later.

Wednesday, November 16, 2011

Charlotte meets Linus. This may actually be the only strip that features the two of them. Unlike Pig-Pen, who has a similar kind of gimmick attribute, Charlotte doesn't stick around for that long. This may be her last hurrah in fact.

The problem with Charlotte Braun is that she doesn't have much of a personality beyond loudness. Pig-Pen is so comfortable in his own skin that he kind of transcends his gimmick. Charlotte's gimmick lends itself to obnoxiousness though, so as Lucy becomes bossier she kind of steals Charlotte's niche.

Thinking about how Charlotte Braun disappears from the strip leads me to brainstorm completely made-up Peanuts characters who have similar one-note gimmicks. Maybe a girl who has really big hair? One who walks loudly wherever he goes?

This is far from the last time Lucy stomps something inches away from Snoopy's nose. There's a memorable bit later where she cures the common cold by having people cough on the ground, then she smashes the cold germs flat with her feet.

I think that counts as a chagrimace, but it's wider than usual, which I think is more from Schulz's developing art style than intent. It might be argued that Charlie Brown, after some earlier strips, is due to have a couple inches knocked off of him, but of course the characters eventually take it slightly too far.

I don't think this is the first time Patty and Violet have teamed up on Charlie Brown, but it's the most egregious example to date, and it only intensifies from here. But: "Charlie Brown lives in a purple house?" That's kind of reaching isn't it?

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Tuesday, November 15, 2011

Put a crayon in Lucy's hand and the world is her kitty. Comic characters are susceptible to manias that would get real people committed. Can't you just imagine a Batman villain whose schtick was drawing lines between dots? "The Connector." It can't be any less silly than the Riddler, whose gimmick is providing clues by which he can be caught.

Every once in a while Schulz allows himself a metajoke. The strips in which people make fun of the size and shape of Charlie Brown's head are among these ("Is that a beach ball?"), as are the ones where Charlie Brown can't hide behind a tree because his head is too wide. One strip Schroeder even threatened to put in a transfer to a different comic strip. The last panel here is another such joke.

Some time later, Lucy will ask Charlie Brown if he thinks she has beautiful eyes, and, perhaps risking a pounding, Charlie Brown says they look just like little dots of india ink.

The first frame here is one of Schulz's more abstract lead panel designs.

THIS. One of the most important strips in Peanuts' entire run. The first strip in which Snoopy fantasizes about being something else. In these four panels we see the origin of the World War I Flying Ace, Joe Cool, and a hundred World Famous things. They are cute strips of course, but there are strange depths buried there.

This strip is a bit problematic mechanically though. Schulz uses a thought balloon for Snoopy's thoughts in the first panel, but in the second the balloon does double-duty as a thought and speech balloon, which makes it seem like Snoopy is speaking in English.

Lucy is willfully wrong about something else. Some notes here:1. The subplot about Charlie Brown's paddleball is a nice touch.2. The letters asked about and responded with are written with serifs and with little single-quotes around them.3. Charlie Brown's annoyance that Lucy refuses to believe 'F' follows 'E' in the alphabet is interesting. He seems to care that Lucy get her facts straight, and takes it personally when she refuses to see reality. That's admirable in a way, but will probably cause him problems later in life, for there is no shortage of Lucys in the world.

When I was a kid, I would read these strips where Lucy is referred to calmly as a fussbudget, and the sarcasm flew roughly two miles over my head. It didn't help that Lucy would then respond without a trace of irony. The humor of Peanuts could be really dry sometimes.

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The text of ROASTED PEANUTS is copyright 2009-2011 by John Harris. No copyright is claimed over the comic strips, which are here under the principle of fair use. Strips presented for review purposes only. We love Peanuts a whole lot, and wouldn't dream of exploiting it. Please don't sue us; we're only trying to love. Thank you for reading this notice.