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Captain America: The Winter Soldier (2014) (SPOILERS) For a film as hyped as this one in terms of
influences (the ‘70s conspiracy/ paranoia thriller), there was probably bound to
be a degree of disappointment with the reality. Captain America: The Winter Soldier's ability to follow through is
consistently beholden to hitting the prescribed Marvel marks. Perhaps I set the
bar unfeasibly high following Iron Man Three's resounding success at being completely what it wanted to be and hugely entertaining with it. Captain America: The Winter Soldier is
sporadically first class, and has certainly grabbed hold of the most topical of
themes to kick-start its plot, but it also bears the tell-tale signs of formula
engineering seen in Thor: The Dark World.
And then there’s the small detail that it can’t quite get shake off the millstone of
a really rather bland titular superhero. Nevertheless, Winter
Soldier is night-and-day superior to its predecessor, the most lumpen and
inert of the Marve…

Safety Not
Guaranteed (2012) There’s
something studiously quirky about the feature debut of Colin Trevorrow and
writer Derek Connolly. Perhaps that’s because it’s based on a studiously quirky
premise; an actual advert placed as a joke for a time travel companion, one
that attracted bored column inches by many and varied media outlets. The
movie’s only noteworthy feature is how consistently slight it is, and it’s
mystifying how Safety Not Guaranteed
got the duo the gig for the kick-starting of one of cinema’s biggest
franchises.

The premise
has Seattle Magazine interns Darius (Aubrey Plaza) and Arnau (Karan Soni) sent
with fully-fledged writer Jeff (Jake Johnson) to investigate a classified ad for
a candidate to take part in a trip back through time; payment upon return, and
weapons necessary (hence the title). Darius is the kind of
self-involved-but-sharp-witted female protagonist beloved by Bryan Fuller (pre-Hannibal, at any rate). There’s
something of the relentlessly perky, likeably o…

Hummingbird aka Redemption (2013) The Stat’s back and this time he’s baring his soulful,
sensitive side amidst the usual skull-cracking. Steven Knight, a talented
writer whose early credits on The Detectives
shouldn’t necessarily be held against him, makes his directorial debut (as many
dissatisfied writers are wont to do eventually) on Hummingbird, and it’s a mixed bag. Knight seems to be fully
engaging with his archetypes, but does so to the point that his tale is doused
in clichés. Material so self-consciously heightened requires a director and
stars who can make a virtue out of the excesses; that everyone here is merely
competent lays bare the overwrought corniness at its core.

Alternatively, perhaps Knight has just been lucky that the
likes of David Cronenberg (Eastern
Promises) and Stephen Frears (Dirty
Pretty Things) have shepherded his previous London-set thrillers to the
screen. Promises has a number of
things in common with Hummingbird,
not least the strong silent man of idiosyn…