Bars 63-73:Imitation between alto and tenor as the music modulates to E major, then C and D combined for further modulation to B major.

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Handel- And the Glory of the Lord (Bars 74-138)

Bars 74-83:Still in B, an orchestral link leads to a 4-parthomophonic statement of theme A, followed by theme C, where alto/tenor is followed 1 bar later by soprano/bass. All four parts singing together, ends on animperfect cadence

Bars 83-93:Soprano start with theme D, but for the first time combines all four themes

Bars 93-102:Music modulates back to E major with soprano/alto singing theme D while tenor/bass sing A and B

Bars 102-105:The section begins straight away in tonic key, altos singing a shortened version of theme C. Texture reduces in preparation for the final sections of piece

Bars 105-117:All four voices together.Soprano has theme 1 and the climax is reached atbar 110ollowed by imitative entries for thealto, tenor and bass

Bars 118-124:Altos, followed by soprano and tenor sing theme C, while basses sing theme D as a dominant pedal