Members

Thursday, June 30, 2016

For the second year in a row, NASA and Houston Cinema Arts Society are inviting filmmakers around the world to participate in CineSpace, a short film competition that is inspired by, and utilizes actual NASA video footage.

Eligible submissions include short video, film, and digital-media works of 10 minutes or less. CineSpace is seeking films from all genres and styles including but not limited to: experimental, narrative, documentary, comedy, drama, animation, ambient, music videos, re-mix, sports, horror, and underground.

Prize Details: The total prize purse for this competition is USD 26,000. In addition to monetary prizes, winners shall receive tremendous exposure for their work.

Application Instructions: Last date for submission is July 31, 2016. No entry fee is required.

Guidelines/ Registration Link: You may visit the CineSpace 2016 challenge page to register and to check out last year’s winners and finalists.

For more information contact:Henna Khan | Community Managere: henna@herox.comt: @henna_khan

Wednesday, June 29, 2016

Kindly note that in order for a programme to be considered and evaluated, all documents requested and information required must be provided. The key documents and information required are stated below:

Five copies of correctly completed proposal submission forms

Five copies of Concept & Treatment

Five copies of Company Profile, and should include ownership; all stakeholders and BBE profile (will need this information when your proposal is accepted)

Please find the proposal documents the SABC needs to register your project by clicking here or contacting the SABC by clicking here.The SABC has a process where your proposal must be registered to protect your IP before they will evaluate your proposal.Submissions should be hand delivered or couriered to Lizel George on the following address:SABC TV BLOCK4TH FLOOR Entrance 7Cnr Henley & Artillery RoadAuckland Park2006

Tuesday, June 28, 2016

SOS, MMA and FXIwelcome the news by Jimi Matthews that he has resigned. As we explained to Mr Motsoeneng on Friday, it’s never too late to do the right thing. Sadly, in that context Mr Motsoeneng declined to do the right thing and we all watched on in horror and cringed as the SABC’s legal team put forward shallow unsubstantiated and at times, nonsensical arguments, including admitting that the SABC COO doesn’t believe in scientific research.Through all of last week, we saw a series of interventions including pickets outside the SABC’s various bureaus demanding the axing of the toxic decay in our national public broadcaster brought about by Mr Motsoeneng and his contempt for media freedom and public broadcasting values. On Friday, mass-based community-based structures also protested outside ICASA while the independent regulator’s Complaints and Compliance Committee (CCC) heard our our case opposing Motsoeneng’s unilateral edict to distort the news. The impact of this edict is the misinformation of seven of the 12 million households in South Africa that rely almost exclusively on the SABC for their news and information by banning visuals of protests, particularly those resulting in the destruction of public property as a result of frustrations with local government authorities in a local government election year.What is clear from Jimi Matthews’ letter is that there is truth to the reports of a serious clamp-down on the State-owned, national public broadcaster, and a deliberate misinformation campaign the likes of which we haven’t seen since under the apartheid era. Our own sources have been telling us about bans on content on stories on issues and process, as well as bans on the SABC’s staff’s right to comment on the political developments in our country both on air and in their private capacities. To this extent the letter clearly and unambiguously signalled the alarm to all those who care for our democracy that censorship is alive and well at the SABC.The SABC is at the precipice of not only practicing censorship but losing all credibility and posing a clear and present danger to our democracy. A clear and present danger whose imminence we have repeatedly and consistently warned Parliament about and called on to address through an independent and depoliticised inquiry into the source of the cancer eating the SABC from the inside out, and work together in a multi-party process to arrest and resolve, once and for all.We call on what little of the SABC Board is left to urgently intervene and do the following:

Immediately reverse all downward editorial decisions premised on the unlawfully revised editorial policy (including but not limited to the apartheid style ban on covering protests);

Immediately communicate with all SABC staff and members of the public that a singular threat to our democracy and SABC journalists’ futures will be if they do not adhere to the highest standard of ethical, professional and independent journalism as mandated by the Broadcasting Act;

Immediately launch a public investigation into the allegations made in Mr Jimi Matthews letter; and

Initiate the process towards the dismissal of Mr Motsoeneng who is the singular cause of the rot in the SABC effective immediately.

Accelerate and prioritise filling the vacancies in the SABC Board which has left it inquorate for close to a full year;

Hold the SABC Board to account for its delinquency, and to publicly communicate the imperative need to ensure free fair elections through banning of censorship within the SABC;

Summon what little of the inquorate Board to account for its delinquency in discharging its fiduciary duty to advance the mandate of the SABC to the people of South Africa, and failure to prevent the decline of the SABC towards a propagandist broadcaster and enemy of the people of South Africa;

Undertake a robust, independent and depoliticised public inquiry into the causes of the decade-long crisis of the lack of independence, good governance and stability in the leadership of the SABC.

[Blogger's note: a new CEO has already been appointed just days after resignation. Read morehere.]

Thursday, June 23, 2016

KSIFF provides a platform to aspiring and professional filmmakers for showcasing their talent with networking & marketing opportunities in film industry. The festival also hosts master classes & short film market. The festival objective is to create short films culture, promotion of upcoming filmmakers, developing sources of revenue generation for short films and to make short film making a commercial enterprise.Calling for Entries for: Short Films | Documentaries | Animations | Music Videos

Wednesday, June 22, 2016

On 2 June 2016, Media Monitoring Africa (MMA), together with SOS Support Public Broadcasting Coalition (SOS) and the Freedom of Expression Institute (FXI), lodged a formal complaint with ICASA over the SABC’s ban on visuals of the destruction of property in protests across its news and current affairs bulletins.

“We believe the decision to be unlawful and is a clear violation of the Broadcasting Act, the SABC’s licence conditions and the SABC’s revised editorial policies,” said William Bird, Director of media watchdog, MMA, in a statement.

“As the FXI, we too are concerned about the impact the decision will have for ordinary South Africans and their right to freedom of expression and access to information,” added Sheniece Linderboom, head of the FXI Law Clinic. “Not only does the banning take us back to an SABC of the 80’s in which protests against the illegitimate apartheid government and abuse of State power by police and security forces, but it is also fundamentally flawed in its reasoning.”

ICASA's Complaints and Compliance Committee (CCC) has heard our demand for it to adjudicate on the SABC’s violation of its statutory duty and licensing conditions in this regard, and the matter will be heard on an urgent basis on:

While the CCC’s decision to hear this matter on an urgent basis is an important move in the right direction, this is not enough. We need a visible presence of us, the owners of our national public broadcaster, the SABC, at the ICASA offices to show the CCC that a significant number of the people of South Africa find Hlaudi Motsoeneng’s decision as not only unlawful, but detestable and anti-democratic. This is especially important now because we are in an election year where 7 million of the 12 million households that own a TV rely exclusively on the SABC for their information needs which will inform which parties they will vote for in the imminent local government elections.

Monday, June 20, 2016

Ever wonder where your script stacks up among the top competitors of other competitions?

Digital Lab Africa is looking for Winners or Finalists or Highly Placed screenplays from competitions of all kinds. Look at our Qualifying Competitions on the website or just pitch us your competition success story.

The CONTEST OF CONTEST WINNERS ™ seeks to discover which feature screenplay from the winners and finalists of the many quality competitions is the best of the best.

Friday, June 10, 2016

The KZN Film Commission is proud to present a script development workshop with the team of the newly released feature film ‘Mrs Right Guy’ and invites you to attend.Mokopi Shale, writer of 'Mrs Right' will deliver a script development workshop using the film as case study. ‘Mrs Right Guy’ is one of the latest romantic comedies to hit South African cinema and has grossed over R1million in its first week at box office.

Mokopi has worked as a Commissioning Editor in the drama unit of the SABC’s Content Enterprises, and was later promoted to Head of Story. She was responsible for managing such projects as Entabeni and Ubizo as a commissioning editor. During this time she also wrote and published three popular fiction romance novels for Sapphire Press. Mokopi also worked for a period of a year and half as a storyliner on South Africa’s most watched soap opera Generations, from 2010 to 2012. She currently works as a freelance writer and script editor, and runs her own Production Company - Fuze Films.

The purpose of the festival is to empower emerging local and international filmmakers. This will provide them with vital filmmaking skills; create networking opportunities with local and international broadcasters.

Thursday, June 9, 2016

SAGE is excited to announce that the Durban International Film Festival (DIFF) has included an award for best editing this year.

The American Cinema Editors (ACE) has over a number of years campaigned for the inclusion of a Film Editing awards category at international film festivals. In support of this initiative, SAGE consulted with the DIFF management team in early 2016, and we are pleased to announce that after this discussion the festival has decided to implement an award for Best Editor for this year’s festival.

We appreciate everyone’s contribution to this success — most notably the American Cinema Editors for their petition for editors’ recognition at top-tier international film festivals. Further support came from the American Motion Picture Editors Guild (MPEG), as well as several other international guilds and societies, presenting an unprecedented alliance for the recognition of the editor in the filmmaking process.

In addition, DIFF has included our vice chairperson Melissa Parry S.A.G.E. as a judge on the South African jury, where she will be able to bring her considerable editing expertise to the judging process.

SAGE members’ contributions to the filmmaking process are recognised through the selection of their films at many international film festivals, including numerous films selected for DIFF.

We are pleased to recognise the work of two SAGE editors in this year’s festival:

SAGE has developed a close collaborative relationship with DIFF since 2012, aiming to further promote editors and the craft of editing at the festival. We value the huge contribution DIFF makes to our local film industry, and look forward to a fruitful relationship going forward.

Advocating for editors’ recognition is an ongoing process and we urge industry players to consider ACE’s online petition for further recognition at other film festivals.

Tuesday, June 7, 2016

Public broadcaster announces local content policy for its three channels as early as July 1

Last week was yet another big week for the SABC as the public broadcaster announced sweeping changes that will take the South African television industry by storm as early as July 1.

After forging ahead with the 90% local content policy across all its 18 radio stations, SABC chief operating officer Hlaudi Motsoeneng has his sights on extending 80% local content on the public broadcaster’s three television channels as well as the three new ones that are being launched.

“When I switch on the TV to SABC3 I do not feel that I am South African. There is too much American content on this channel. This can’t be right in our country,” Motsoeneng told those gathered at M1 Studios.

“We want R1.7bn of the R2bn that Arthur Mafokate was talking about to remain here. We will give them 10% because we want to know what is happening in other countries.”

Stars such as Khanyi Mbau, Pearl Modiadie, former Generations cast members Winnie Ntshaba and Sophie Ndaba, television presenter and singer Ntombi Mzolo, choreographer Somizi Mhlongo and record label boss Arthur Mafokate, among others, were unveiled as the public broadcaster’s new top talent.

“This month is action month and we are taking the SABC to another level,” Motsoeneng said.

Unapologetic

“We remain unapologetic about 90% local content on all our platforms. For us to develop local talent we need people like Somizi Mhlongo and all those who are here to provide us with high-quality content.”

Motsoeneng said he wanted his staffers to sing the same song as he. “If you are an SABC employee you must walk like me and talk like me. You can’t take left when I take right,” he said.

With radio having begun the pro-local-content journey more than three weeks ago, head of television Verona Duwarkah said the SABC had put aside R600m [Blogger's note: many people want to know where this amount will come from - for the 2015 SABC financial report click here; refer page 33] to boost the decision to have 90% of its content on both radio and television locally produced.

“We have set aside a budget for aspiring local content producers, specifically to create content in various South African languages in the provinces,” Duwarkah said.

“We have already trained more than 23 content producers. The plan is to roll out the skills development to 60 individuals so that they can develop content in their regions in the languages that are dominant in those regions.”

Ndaba and Ntshaba said they were glad to be back home where their careers had started. The two have joined forces to form their own production company to providethe public broadcaster with riveting local content.Ntshaba said: “We are grateful to the SABC for welcoming us back home. He (Motsoeneng) said he fired us, which he did, but we are happy to be back... We have great content, even if we say so ourselves and we hope that you will love it as well.”Ntshaba also said the rumours that they were being mentored by their former boss, Mfundi Vundla, were not false. “I would like to confirm the rumours that MMSV Productions was mentoring us. Yes, we are working with Mfundi Vundla and he is mentoring us as part of the SABC’s incubation programme,” Ntshaba said.Ndaba said it felt good to be back home where her career had started more than 22 years ago. “We are more excited now that we are moving onto the next level,” she said. “We are now saying to the producers out there that we have arrived and we are on operation thatha zonke (take all) at the SABC. “We hope that we will provide content that will excite South Africa.”siyabongas@thenewage.co.za

Saturday, the 4th of June, marked the launch of an exciting new initiative, held at the new campus of the City Varsity in Gardens, Cape Town, to unearth and develop the creative fashion film talent in South Africa. Sponsored by Adrian Lazarus, the founder of globally acclaimed Mercedes-Benz Bokeh South Africa International Fashion Film Festival, and in partnership with Mercedes-Benz, the Award for Emerging Creative Talent serves to stimulate a generation of new fashion film creatives, actors, directors and producers in the Western Cape and eventually throughout South Africa. Lazarus commented, “My own recent experience is that there is a massive demand both locally and internationally for the production of creative Fashion Films. We have an immense talent pool of highly creative and skilled students throughout all our local colleges, and we want to use this initiative to encourage this talent and place them on the world stage where they can compete and grow both themselves as well as our local industry.” No agencies or professional employees will be permitted to enter, as only students from tertiary institutions were invited to attend. The morning commenced with a presentation about the fashion film industry and the fashion films genre, followed by a brief on the requirements for the film submissions. Thereafter guests and their extended families were invited to mingle and interact with the organisers and gain further valuable insights. Students will be instructed as to the guidelines necessary to create and submit their 90 second fashion films, as well as the criteria on which that will be evaluated.

Elements such as the ability to interpret and present fashion, storytelling and creativity will be essential components.

After an initial round of submissions, the top 20 teams will be selected towards the end of August, whereafter they will be mentored by Adrian and his team with the offer of creative packages including film gear, locations, access to Mercedes-Benz vehicles, camera’s, wardrobe, accessories and make-up. The winning film will receive international coverage during the 2017 Mercedes-Benz Bokeh South Africa International Fashion Film Festival awards ceremony, with the team walking away with the Award for Emerging Creative Talent, R50 000 and the Fashion Film industry at their feet. For more information contactJeremy NelLuxury Brands082 33 11 656jeremy@luxurybrands.co.za

Thursday, June 2, 2016

The Moshito Music Conference and Exhibition is coming into the 2016 instalment dressed in fresh threads and full of attitude. Fronted by a sassy new combo of ambassadors and sporting the theme Censored:When The Revolution Could Not Be Televised, Moshito 2016 is all about the here, now, and relevant…revisited.After a successful run with last year’s ambassadors, kwela legend Lemmy “Special” Mabaso and hip hop grandmaster Emile YX?, the faces of Moshito 2016 are proof that the South African creative industry is vast and varied.Enter to centre stage Rodger Lucey and Gigi LaMayne, the brand new ambassadors for Moshito 2016! This unlikely pairing is just the kind of fusion that shows off the diversity of Mzansi’s lekker richness and how arts unite all in their diversity. Lucey, 62, is a musician, journalist, film maker, actor and educator. During the late 1970s and early 1980s his career as a musician was brutally curtailed by the South African Bureau of State Security as a result of Lucey’s protest songs being considered a “threat to the Apartheid State”. Although the Government was already aware of his anti-apartheid songs, the South African security apparatus only swung into action to wipe out Lucey’s career after he performed his “radical” songs, Lungile Tabalaza, Cross Roads [Blogger could not find Crossroads but did find "The Road is much longer"] and Thabane, on the Voice of America radio programme in 1979.His young counterpart on Moshito, LaMayne, is a new generation female emcee who stormed her way into the male-dominated genre with the sassy song Ice Cream. Previously a struggling unsigned artist, Lamayne now sits pretty in the company of giant fellow stablemates Khuli Chana, Thembi Seete, Ms Cosmo, MuzArt, and Major League DJz among other big names under Dream Team SA. Her career is barely out of its infancy stage, and already she is a four time South African Hip Hop Awards winner, winning Best Female for two consecutive years (2013 and 2015), as well as winning Best Mixtape and Best Newcomer in 2013 and the Jack Daniels hip-hop competition in 2014.About Moshito Music Conference and Exhibition 2016 Moshito has been made possible by the solidified long term financial support of the Department of Arts and Culture, the SABC and the City of Joburg, thus establishing itself as not only South Africa’s biggest Music Conference and Exhibition but also as Africa’s premiere music industry event. Its purpose is to broaden the business intelligence of the music industry professionals in South Africa and the Continent, strengthen business networks for participants and inform delegates, traders and the public about the multifaceted and dynamic nature of the global music industry and its latest trends. Moshito Music Conference and Exhibition will take place from 7-10 September 2016 at the SABC Radio Park in Auckland Park.For media inquiries and interviews please contact: Email: vusileeuw@gmail.com & shotababalwa@gmail.com/ Website: www.moshito.co.za / Facebook: Moshito Otswela Pele / Twitter: @moshito_music / Instagram: @moshito_conference

Wednesday, June 1, 2016

Darkstar (Aiden Whalley & James Young) have arrived in SA! The duo has made great contributions to the UK’s electronic scene.

The tour will take place from the 5th to the 12th of June.

During their visit to South Africa they will meet with South Africans young and old with the sole purpose of listening to their stories whilst documenting the various voices from different walks of life. The recordings will then be infused into their music to be played in their shows on the 11th and 12th of June 2016 in Johannesburg and Cape Town respectively. This will allow the music to be deeply influenced by the people and stories they encounter.This project was inspired by the already completed Foam Island - the band’s third studio LP, which is a moving contemporary electronic pop album handling themes around hope against odds in the modern world. They started the project whilst visiting family in Northern England, documenting local young people’s experiences in Huddersfield for 3 months.British Council has made the project possible through the Connect ZA programme whose primary aim is creating opportunities for young people in South Africa & UK through the arts sector.Thanks to a collaboration with Red Bull Cape Town, during their visit they will be collaborating with local artists such as Dj Fosta and Dunn Kidda. Additionally they will be sharing the stage with local talent such as Micr.Pluto, Maramza and Vox Portent.The show in Johannesburg will take place at Good Luck Bar on Saturday and the Cape Town show will take place at The Assembly Bar on Sunday.The band is looking forward to connecting with new people and exploring similarities between young people in South Africa and Northern England.Encounters, British Council Connect ZA and Red Bull are excited about the potential of new connections, collaborations and various cultural exchanges that may come of the visit.Darkstar SA Tour Itinerary:Sat 11 June 9pm @ The Good Luck Bar, JohannesburgSun 12 June 8pm @ The Assembly, Cape TownEntrance FREEContact information:Media queries: E-mail imotlhamme@yahoo.com and call 076 169 5984Further information:Facebook EventWebtickets LinkDarkstar event infoGoogle Drive link to local artist information

Get our updates

If you want to get updates for this site... please send us the following info via e-mail here:

Your name, Industry Organisation (If you are member of one), Your company, Your Telephone and the E-Mail address where you want to get the updates. Please send using the SUBJECT: Add me to SASFED Mailer.