Scary Movie Trailer

Scary Movie

Following on the heels of popular teen-scream horror movies, with uproarious comedy and biting satire. Marlon and Shawn Wayans, Shannon Elizabeth and Carmen Electra pitch in to skewer some of Hollywood's biggest blockbusters, including Scream, I Know What You Did Last Summer, The Matrix, American Pie and The Blair Witch Project.

Bob Graham

Wesley Morris

Lisa Schwarzbaum

The whole thing wobbles, like the garish, trashy, sexy shoes the young folks are wearing this summer on their way (in droves) to movie theaters, intent on abandoning themselves to pleasurable mindlessness.

Luke Y. Thompson

Actually quite amusing, thanks mainly to a script that keeps the gags flying so fast that even though so many of them are bad, they're quickly followed by something new, and occasionally something good.

Joe Leydon

Lisa Alspector

Political incorrectness, gross-out humor, references for their own sake, and some real wit are distributed over the 85 minutes with an unusually consistent sense of timing and proportion, and the tone is just right.

M.V. Moorhead

Michael O'Sullivan

It's a lot more tightly focused than the first outing, and for fans of the demented comedy of Elliott and Cross, or the thespian chops of Woods (a last-minute replacement for an ailing Marlon Brando), it's worth putting up with humor that's the filmic equivalent of a big, spit-soaked raspberry.

Stephen Miller

Wesley Morris

A pure Frankenstein flick -- ugly, profane, terror-inducing, clumsy, nasty, desperate, stupid, contemptible, horny and brought to life by schlocky, shoddy science and an electric wish to prove that its makers still matter.

Cody Clark

Kevin Thomas

All-out burlesque rather than spoof from the outset, the film becomes less and less amusing. Wayans has a wild zaniness that can be hilarious, but how many bodily function jokes, ultra-crude sexual innuendoes and quite a lot of men and women simply punching each other out can one movie endure?

A.O. Scott

Robert Koehler

Technically and comedically strained by the demands of its special effects-filled haunted house setting. Worse, the need to top the first pic's outlandish stunts is ghoulishly unfulfilled and terribly ironic.