Method--or madness?: With an introd. by Harold Clurman

From inside the book

Results 1-3 of 15

Page 33Instead of standing around in rehearsal moaning, "I don't feel it," when the
director requires a certain result for the scene, the actor might often profitably create some "circumstance" within the logic of the situation to permit him to
execute what's ...

Page 51There are two aspects to the way techniques are applied: the "unconscious guide
" (mentioned before) as you create on the stage, and the conscious study in
workshops or in learning a part. This is as true for the director as for the actor.

Page 100It is not advisable to use only outside means to create, because I do believe that
stifles your true feeling instead of releasing it; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...