The FIAF Award recognizes film personalities’ “dedication and contribution to the preservation of, and access to, the world film heritage, for the pleasure of today’s audiences, as well as for the benefit of future generations.”

The Academy’s Randy Haberkamp opened the evening with an exclusive 70mm prologue to Nolan’s upcoming film Dunkirk. The preview met with wild applause from the audience, which included hundreds of archivists from around the world, in town for the FIAF Congress.

Haberkamp welcomed Nolan to the stage. The Interstellar director discussed how he became passionate about issues facing the archiving community. It began “as a result of a purely selfish impulse,” he said. “Emma, my producer and wife, and I started to feel a real encroachment on our beloved photochemical film process. It’s the way we’ve made all of our films and the way we intend to continue making all of our films.”

While emphasizing the importance of photochemical to archiving, Nolan hopes “to change the conversation from the idea of ‘film versus digital’ into the notion that we live in an era where, because of digital technology, access to the history of film has reached unprecedented levels.”

He thanked FIAF and the archiving community for the honor, and introduced Interstellar, which was nominated for five Academy Awards and won an Oscar for Visual Effects.

As Haberkamp noted in his opening, Nolan is taking the torch of Scorsese’s cause to ensure that “not only are we able to have film as part of the toolbox for filmmakers to come, but that we can preserve the work of the past, we can honor the work of the past, we can take the best of the past with us.”

An excerpt from Christopher Nolan's acceptance speech can be found HERE.

The FIAF Award recognizes film personalities’ “dedication and contribution to the preservation of, and access to, the world film heritage, for the pleasure of today’s audiences, as well as for the benefit of future generations.”

The Academy’s Randy Haberkamp opened the evening with an exclusive 70mm prologue to Nolan’s upcoming film Dunkirk. The preview met with wild applause from the audience, which included hundreds of archivists from around the world, in town for the FIAF Congress.

Haberkamp welcomed Nolan to the stage. The Interstellar director discussed how he became passionate about issues facing the archiving community. It began “as a result of a purely selfish impulse,” he said. “Emma, my producer and wife, and I started to feel a real encroachment on our beloved photochemical film process. It’s the way we’ve made all of our films and the way we intend to continue making all of our films.”

While emphasizing the importance of photochemical to archiving, Nolan hopes “to change the conversation from the idea of ‘film versus digital’ into the notion that we live in an era where, because of digital technology, access to the history of film has reached unprecedented levels.”

He thanked FIAF and the archiving community for the honor, and introduced Interstellar, which was nominated for five Academy Awards and won an Oscar for Visual Effects.

As Haberkamp noted in his opening, Nolan is taking the torch of Scorsese’s cause to ensure that “not only are we able to have film as part of the toolbox for filmmakers to come, but that we can preserve the work of the past, we can honor the work of the past, we can take the best of the past with us.”

An excerpt from Christopher Nolan's acceptance speech can be found HERE.