Immersive, engrossing report on the European refugee crisis A mother puts her children into a refrigerator truck and asks, “What else could I do?” A runaway teenager comes of age on the streets, sleeping in abandoned buildings. A student leaves his war-ravaged country behind because he doesn’t want to kill. Everyone among the thousands of people who come to Europe in search of asylum each year possesses a unique story. But those stories don’t end as they cross into the West. In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis as seen through the eyes of the people who experienced it firsthand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants. Visiting camps and hostels, sneaking into detention centers, and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them—“refugee” or “economic migrant,” “legal” or “illegal,” “deserving” or “undeserving”—fall woefully short of capturing the complex realities. The founding story of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with the worst refugee crisis since the Second World War, its declared values of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.

Whether shooting portraits or products, skillful lighting can be the difference between a bland snapshot and a stunning, well-defined image. Capturing the ideal photograph requires many technical factors to work in tandem, the most fundamental of which is lighting. While we may take it for granted that light is required to create a photograph, light by itself usually does not produce the style, energy, emotion or feeling that makes a photograph exceptional. It is the way the light has been modified and shaped that gives the photographer the ability to create an image that communicates their feeling about the subject. It’s necessary to understand how light works in order to know how to modify it in the most desirous way. Beginning with simplified light concepts, Rand delves into the basics of light. Light’s natural tendency is to go off in all directions. To give a better understanding of how to control the light that you use in your photographs, Rand guides the reader through a series of discussions defining the light itself, the surfaces that will interact with the light in the photographs, the look of light that we wish to create and the tools, modifiers and shapers that are commonly available for use. Whether you want to add contrast with highlights and shadows or use the softness of diffuse light to add volume to the subject, the fundamentals of these concepts are covered here. Images, diagrams and descriptions are used to illustrate the manners in which light can be modified. From there, the book moves onto the main tools of light modification. Rand discusses the primary functions of each tool and defines the issues of the light’s characteristics after the modification. Techniques are presented for using reflectors, spotlights, softboxes, diffusers, umbrellas, barndoors, gels, scrims, shoots and more. Each chapter is highly illustrated with images of the tools being discussed, diagrams, and examples for the use of these tools in both commercial and portrait photography. Variations in control and problems that may occur with specific modifiers are discussed as well. The goal of this book is to show the effect of modifiers and shapers on the quality of light rather than to discuss the merits of a particular light source. By focusing on the methods to shape light, the photographer is open to improvise in scenarios where they may not have control over the light source. Whether you shoot commercial or portrait photography, this book provides you with the basis for not only successfully, but elegantly shaping light to create your desired result.

Lance Keimig, one of the premier experts on night photography, has put together a comprehensive reference that will show you ways to capture images you never thought possible. This new edition of Night Photography presents the practical techniques of shooting at night alongside theory and history, illustrated with clear, concise examples, and charts and stunning images. From urban night photography to photographing the landscape by starlight or moonlight, from painting your subject with light to creating a subject with light, this book provides a complete guide to digital night photography and light painting.

Everything we see is lit by one source or another. The questions are: what and how? That is what this book is designed to teach you. Through Rosanne Olson’s tried-and-true course on lighting principles for photography, video, and art in general, you will discover how the angles and heights of your light sources affect your pictures. You will learn how to work with light modifiers to change the quality of your light, and how to control light to create a feeling of depth and dimension—whether you’re shooting with natural light, continuous artificial light, studio strobes, dedicated flash, or a combination of sources. Assignments are included to help you put each concept into practice as you perfect your skills and train your eyes to see the subtleties of light. You will never look at a photograph or painting in the same way after you read this book!

Companion CD included with 30-day demo of LightWave v9! The process of creating accurate and pleasing lighting in CG environments demands both an understanding of the fundamentals of light and knowledge of the available tools. LightWave v9 Lighting addresses these issues in a practical guide that shows you how to achieve your lighting goals using the latest version of LightWave 3D. With this book discover the tools and features of LightWave v9 that can improve your lighting; understand lighting concepts including color, shadow, intent, and style; explore a number of tutorials that demonstrate specific lighting setups; learn how to enhance your lighting with volumetrics, lens flares, projection images, and radiosity; find out how the proper lighting can turn a good shot into a great shot.

The present book is based on the experience of the author. The experience is mainly the result of years of research, of consulting work, and in participation in policy decision making in many felds, most, but not all, related to outdoor lighting. To some degree, the book represents the preference of the author. The selection of the subjects is based on more than 50 years of experience of what is desirable to know for persons engaged in scientifc research or practical application in the felds of lighting and vision. The subjects deal with a number of fundamental aspects. The theorists must have them at their fngertips, whereas the practical engineers may assume them as known in their daily work. The selection of subjects is based in part by the questions that came to the author over the years, but even more by the preference of the author himself. In this respect, it is a personal book. Thus, it should be stressed that the book is not a ‘handbook’ or even a ‘textbook’; many subjects that commonly are treated in such books are not included here. Not because they lack importance, but because the author feels that they are adequately treated elsewhere. Some relevant works are mentioned in the References. Over the years, the author has been engaged in giving courses on vision and lighting, lately more in particular on Masterclasses on a post-graduate or post-doctorate level.

Comprehensive. Detailed. Practical. Set Lighting Technician's Handbook, Fourth Edition, is a friendly, hands-on manual covering the day-to-day practices, equipment, and tricks of the trade essential to anyone doing motion picture lighting, including the lamp operator, rigging crew, gaffer, best boy, or director of photography. This handbook offers a wealth of practical technical information, useful techniques, as well as aesthetic discussions. The Set Lighting Technician's Handbook focuses on what is important when working on-set: trouble-shooting, teamwork, set protocol, and safety. It describes tricks and techniques for operating a vast array of lighting equipment including LEDs, xenons, camera synchronous strobes, black lights, underwater units, lighting effects units, and many others. Since its first edition, this handy on-set reference continues to be widely adopted as a training and reference manual by union training programs as well as top university film production programs. New to the fourth edition: * More coverage of the aesthetics of lighting * Detailed information on LED technology and gear * Material is harmonized with industry safety and skills training curriculum * More coverage than ever before about setting up and running DMX512 networks and DMX512 enabled devices, including wireless DMX512 networks * Completely revised and updated sections of HMIs, tungsten light fixtures, and fluorescent technologies * Additional information on dealing with current harmonics, working with portable generators. * New section on using 480V power * In addition to previsualization software, new material provides a primer on creating professional light plots and using computer aided design software * New additions to the arsenal of electrical distribution equipment that make our sets safer and easier to power * More rigging tricks and techniques * Written in the same friendly, easy-to-read style that has made this book so popular * Companion Web site contains exclusive articles written by the author, illustrations, and an indispensable resource center with key industry links. Please visit http://www.booksite.focalpress.com/box/setlighting/ * An indispensable on-the-job reference for tens of thousands of film lighting technicians * Includes professional-level procedures that save time and promote safety and efficiency * Written by a lighting technology expert with 20 years of experience as a gaffer and director of photography.