This week, we’ll make footage look like it has been shot with a surveillance camera by distorting and degrading it. Plus, when we switch “cameras”, we’ll make the image break up for just a fraction of a second.

In this last episode in the audio series, I’ll show you how to apply audio effects in Media Composer and a couple of neat real-world tips (like limiting you master output) that will hopefully help you out one day or another.