Europe is not “groveling
in the dust” before any “great men,” but rather retreating from its culture at
the noisy and often violent behest and demands of….mere Muslims, and at the insistence
of Islam. But the quotation from Cyrano’s “No Thank You!” speech from the
Rostand’s play represents the moral antithesis of politically correct thinking,
speech, and action. No pride, no white plumes have been evident in Europe for a
long time, except for the exceptional individuals who are denigrated and
crushed by the elite.

Can you imagine a
modern European fighting for European culture with the same verve and skill as
Cyrano de Bergerac? And
winning?

European museums, instead, are
rapidly submitting to Islamic correctness. The exhibition "Passion for
Freedom," at the Mall Gallery in London, censored the light box tableaux
of a family of toy animals living in an enchanted valley. Entitled, "ISIS Threaten Sylvania", it was eliminated after the
British police referred to its "inflammatory" content. Previously,
the Tate Gallery in London banned a work by John Latham that
displayed a Koran embedded in glass….

The Museum of Cultures of the World
in Gothenburg, Sweden, opened with an exhibition entitled "AIDS in the Era
of Globalization". In it, the artist Louzla Darabi
exhibited a work, "Scène d'amour", that depicts a woman having sex
with a man whose face cannot be seen. A verse from the Koran is written on it
in Arabic. Less than three weeks after the inauguration of the exhibition, the
museum removed the painting. The Hergé Museum in Louvain, Belgium, was planning an
exhibition to pay tribute to Charlie Hebdo's cartoonists; that event,
too, was cancelled.

French President François Hollande
eliminated a section of the Louvre Museum dedicated to the Eastern Christians, who in
the last two years have been decimated by the Islamic State. "The Louvre
will be dedicating a new section to the artistic heritage of Eastern
Christians", then President Nicholas Sarkozy announced in 2010. But the
project was scrapped by the museum's new management, with the approval of
Hollande's culture ministry.

Years ago, I asked a
young French exchange student staying in the U.S. with an American family, if
he’d ever read Cyrano de Bergerac. What?
Had he ever heard of Edmund Rostand?
Voltaire? Victor Hugo? Who?
The fellow looked perplexed. No, never heard of them. Presumably the student
was one of the best and the brightest of French students, which was why he was in
an exchange program. Apparently he knows little of his country’s literary
history, thanks to his state education, which has embarked on down-playing, if
not eradicating, his country’s cultural heritage in schools, lest the latter
offend or enrage Muslim students.

That same phenomenon
is occurring in Britain and the U.S. It indicates why France is declining and
groveling. If you are afraid of standing up for the good, or are unaware that
there is a good to defend and uphold, it will remain undiscovered, or it will
simply disappear. All you’ll learn is how important it is for “peace” and “diversity”
to defer to and “respect” all things Islam.

Aiding Islam in the groveling is the Left in
the West, ever as always to accommodate Islam.

Meotti writes:

The officials of the fair presumably did not
want to offend Islam and possible Muslim buyers with Pignatelli's combination
of the mat (used by Muslims for prayer) with the woman's face. "We are
shocked, this is the first time this has happened and I think it is legitimate
to talk about it", Pignatelli said. "If in Rome it can happen that you
decide to veil art works to avoid offending foreign visitors, well, I do not
agree". The reference is at the Italian government decision to veil the antique Roman statues to avoid offending Iran's
visiting President Hassan Rouhani.

If Europe wants a future, it should be less
ideological about Maastricht's treaty and more against Maastricht's
capitulation to fear. The brave Algerian writer Kamel Daoud said:

"Those (migrants) who come to seek
freedom in France must participate in freedom. Migrants did not come to seek
asylum in Saudi Arabia, but in Germany. Why? For security, freedom and
prosperity. So they must not come to create a new Afghanistan".

Right. But it is the European mainstream that
is letting them turn our cultural landscape into another Afghanistan. The
Taliban have killed artists and destroyed
art works. The West used to be proud of being the land of the free.

The main problem is that that
"modern" art is dominated by the "mainstream" Left, which
for decades has professed there are no objective measures of what is worth
contemplating as art or even as literature (the Frankfurt School introduced this
Marxist idea from Germany, and was imported to the U.S.). It is the Left which
recognizes acceptable"art"
and rewards it. It is the clueless, timorous wealthy who buy
("invest" in) modern art at spectacular prices. It has been
government-subsidized museums that have made room for trash, which they mix
with genuine art, so that the trash is elevated with the authentic (the Tate in London is the most
notorious practitioner). It is largely the Left with political power which
subsidizes modern art via private foundations established over a century ago
but which were taken over the Left. The modern cultural landscape is worse than
that of Afghanistan;
it is a combination sewer, swamp, and mad house.

The best solution is to get the government
out of all cultural endeavors, regardless of their venue or audience, just as
it should get out of education.

From denigrating Western cultural
achievements, the Left has progressed to charging the West with racism and
bigotry for having promoted the superiority of Western art (adding the charge
of cultural “imperialism”) over the art of primitive cultures and this policy
is now rife in academia and is being inculcated in the minds of students.

This month, Stanford University students
voted on a campus resolution that would have their college require a course on
Western civilization, as it did until the 1980s. Stanford students
rejected the proposal 1,992 to 347. A columnist at the Stanford Daily explained
why: Teaching Western civilization means “upholding white supremacy, capitalism
and colonialism, and all other oppressive systems that flow from Western
civilizations.” The vote — and the column — encapsulated the left’s view:
In Europe, Latin America and America, it loathes Western civilization).

This
month, Stanford University students voted on a campus resolution that would
have their college require a course on Western civilization, as it did until
the 1980s.

Stanford
students rejected the proposal 1,992 to 347. A columnist at the Stanford Daily
explained why: Teaching Western civilization means “upholding white supremacy,
capitalism and colonialism, and all other oppressive systems that flow from
Western civilizations.”

Thus, Michelangelo is no better than any
contemporary artist, and Rembrandt is no greater than any non-Western artist.
So, too, street graffiti — which is essentially the defacing of public and
private property, and thus serves to undermine civilization — is “art.”

Melody-free, harmony-free, atonal sounds are
just as good as Beethoven’s music. And Western classical music is no better
than the music of any non-Western civilization. Guatemalan poets are every bit
as worthy of study as Shakespeare.

When the Nobel Prize-winning American
novelist Saul Bellow asked an interviewer, “Who is the Tolstoy of the Zulus?
The Proust of the Papuans?” all hell broke loose on the cultural left. Bellow
had implied that the greatest writers of fiction were Western.

The left hates standards — moral standards,
artistic standards, cultural standards. The West is built on all three, and it
has excelled in all three.

Why does the left hate standards? It hates
standards because when there are standards, there is judgment. And leftists don’t want to be judged.

The subjectivism and relativism of Marxist “esthetics”
is basically nihilistic
in nature. Which is why the Left can be in alliance with Islam. Islam stands
for nothingness, and it wishes to
impose it on the West. Every Western achievement in science, art, and politics
is an affront to Islam. The West has been, ever since the end of the Dark Ages,
pro-life and living on this earth; Islam has not changed in fourteen centuries
and its theology and “practical” advice for living on earth is decidedly
anti-life, and anti-value.

….nihilismencompassed a
variety of philosophical and aesthetic
stances that, in one sense or another, denied the existence of genuine moral
truths or values, rejected the possibility of knowledge or communication, and
asserted the ultimate meaninglessness or purposelessness of life or of the
universe.

This is essentially the Islamic view, with
the qualification that if anything has “purpose,” is it for or by Allah. Human
values are superfluous. See “A
Complete Way of Death” from May 2016, and that should clarify why Islam is nihilistic
to the core. Europe is destined to become an arid “nothingness” in which all
values are hidden, apologized for, or destroyed.

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Edward Cline, American Novelist

Edward Cline was born in Pittsburgh, Pennsylvania in 1946. After graduating from high school (in which he learned nothing of value) and a stint in the Air Force, he pursued his ambition to become a novelist. His first detective novel, First Prize, was published in 1988 by Mysterious Press/Warner Books, and his first suspense novel, Whisper the Guns, was published in 1992 by The Atlantean Press. First Prize was republished in 2009 by Perfect Crime. The Sparrowhawk series of novels set in England and Virginia in the pre-Revolutionary period has garnered critical acclaim (but not yet from the literary establishment) and universal appreciation from the reading public, including parents, teachers, students, scholars, and adult readers who believe that American history has been abandoned or is misrepresented by a government-dominated educational establishment. He is dedicated to Objectivism, Ayn Rand's philosophy of reason in all matters.