Yutaka Minegishi: Mainly Twisted

The approach is direct, no drawings or models beforehand. Not talking and telling what to do, but listening carefully to find the curvaceous path which will allow the rings then to speak, to tell. It is only when the piece is fully finished that the decision is made whether it was the right path; wrong paths lead to the "Elephants Grave Yard", the name for the drawer of rejects.

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