CAIRO

CAIRO

Read an extract from Cairo by Ahdaf Soueif

CAIRO
My City, Our Revolution
AH DAF S OU EIF
For Laila, Ahmad Seif, Mona, Sanaa, Manal, Alaa and Khaled
CONTENTS
A Note on Spelling Arabic Sounds in Latin Characters Acknowledgements PREFACE EIGHTEEN DAYS 25 January�11 February 2011 Map of Cairo AN INTERRUPTION Eight Months Later: October 2011 THE EIGHTEEN DAYS RESUMED 1 February�12 February 2011 Map of Central Cairo EPILOGUE Notes
ix xi xiii
1 2
61
119 120 183 195
Preface
Many years ago I signed a contract to write a book about Cairo; my Cairo. But the years passed, and I could not write it. When I tried it read like an elegy; and I would not write an elegy for my city. Then, in February 2011, I was in Tahrir, taking part in the revolution, and reporting on it. Alexandra Pringle, my friend and publisher, called me; this, she said, must be the moment for your Cairo book. I fought it. But I feared she was right. I say `feared' because I wanted more to act the revolution than to write it. And because I was afraid of the responsibility. Jean Genet, in his book that I most admire, Un captif amoureux, writes: `I am not an archivist or a historian or anything like it . . . This is my Palestinian revolution told in my own chosen order.' I cannot say the same. This story is told in my own chosen order, but it is very much the story of our revolution. It proved impossible to sit in a corner and write about the revolution. What was happening, what is happening, needed and needs every one of us to be available at all times to do whatever the � let's call it `the revolutionary
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effort' might need; whether it's marching or standing or talking or mediating or writing or comforting or articulating or . . . So I tried to `revolute' and write at the same time and I soon realised two things: one, that I could not write what was fast becoming the past without writing the present. Two, that for this book to be as I wanted it to be and believed it should be, an intervention, rather than just a record, it needed to take in � and on � as much of this present as possible. A revolution is a process, not an event. And, as you know, our Egyptian revolution is ongoing. And its path has not been smooth. How could it have been when the interests we are seeking to break free of are so powerful and so pervasive? But we were given, we were vouchsafed, eighteen golden days; eighteen days when we all pulled together to get rid of the head of the regime that was destroying us and our country and everything we held dear; eighteen days that brought out the best in us and showed us not just what we could do but how we could be. And it was this way of `being', as well as what it achieved, that captured the imagination of the world; that made the Egyptian revolution an inspiration for the people's movements that are crystallising across the planet. Every Egyptian I know is both proud of this and humbled by it. I know I am. So it's with pride and humility and confidence and fear, but above all with solidarity and hope, that I put this book before you. Ahdaf Soueif Cairo, October 2011
EIGHTEEN DAYS
25 January�11 February 2011
Friday 28 January, 5.00 p.m.
The river is a still, steely grey, a dull pewter. Small scattered fires burn and fizz in the water. We've pushed out from the shore below the Ramses Hilton and are heading into mid-stream. My two nieces, Salma and Mariam, are on either side of me in the small motor boat. As we get further from the shore our coughing and choking subsides. We can draw breath, even though the breath burns. And we can open our eyes � To see an opaque dusk, heavy with tear gas. Up ahead, Qasr el-Nil Bridge is a mass of people, all in motion, but all in place. We look back at where we were just minutes ago, on 6 October Bridge, and see a Central Security Forces personnel carrier on fire, backing off, four young men chasing it, leaping at it, beating at its windscreen. The vehicle is reversing wildly, careering backwards east towards Downtown. Behind us, a ball of fire lands in the river; a bright new pool of flame in the water. The sky too is grey � so different from the airy twilight you normally get on the river at this time of day. The Opera House
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looms dark on our right and we can barely make out the slender height of the Cairo Tower. We don't know it yet, but the lights of Cairo will not come on tonight. A great shout goes up from Qasr el-Nil. I look at Salma and Mariam. `Yes, let's,' they say. I tell the boatman we've changed our minds: we don't want to cross the river to Giza and go home, we want to be dropped off under Qasr el-Nil Bridge. And that is why we � myself and two beautiful young women � appeared suddenly in the Qasr el-Nil underpass among the Central Security vehicles racing to get out of town and all the men leaning over the parapet above us with stones in their hands stopped in mid-throw and yelled `Run! Run!' and held off with the stones so they wouldn't hit us as we skittered through the screeching vehicles to a spot where we could scramble up the bank and join the people at the mouth of the bridge. That day the government � the regime that had ruled us for thirty years � had cut off our communications. No mobile service, no Internet for all of Egypt.1 In a way, looking back, I think this concentrated our minds, our will, our energy: each person was in one place, totally and fully committed to that place, unable to be aware of any other, knowing they had to do everything they could for it and trusting that other people in other places were doing the same. So we ran through the underpass, scrambled up the bank and found ourselves within, inside, and part of the masses. When we'd seen the crowd from a distance it had seemed like one bulk, solid. Close up like this it was people, individual persons with spaces between
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them � spaces into which you could fit. We stood on the traffic island in the middle of the road. Behind us was Qasr el-Nil Bridge, in front of us was Tahrir, and we were doing what we Egyptians do best, and what the regime ruling us had tried so hard to destroy: we had come together, as individuals, millions of us, in a great cooperative effort. And this time our project was to save and to reclaim our country. We stood on the island in the middle of the road and that was the moment I became part of the revolution. A month before, a week before, three days before, we could not have told you it was going to happen. Yes, there had been calls to use National Police Day on 25 January as an occasion for protests, but there had been so many protests and calls for protests over the years that it hadn't seemed special. Those of us who were in Egypt intended to join, for form's sake and to keep up the spirit of opposition. Those of us who weren't � well, weren't. Me, I was in India, at the Jaipur Literary Festival. Late on the 24th I did an interview with Tehelka TV:
. . . for a very long time now, our perception is that [Egypt] is not being run in the interests of the Egyptian people. And the primary motivation of the people who are governing us is that they should remain in power in order to continue ransacking and looting the country. Now, the main support that they have to remain in power is of course the Western powers � particularly the United States. And the price that they pay in order to be supported is to run policies that favour Israel.
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We've been watching what's been happening in Tunisia and we've been very excited by it. You hear: now, will Egypt move? And you hear: Egypt is too big . . . too heavy. It really does not look as if the government is going to allow a peaceful and democratic change. So . . . what's going to happen? Will we get a situation where people . . . sort of, erupt? And you get . . . blood on the streets? And will the army come down? Nobody knows. It feels very unstable. And it feels dangerous. And all the activism that happens is in specific areas. And it's all young people and it's all really without a leadership . . . but it's there. It's keeping the streets alive. We've never had as much civil unrest in Egypt as we've had in the last five years. And that is good. That is good � but, how will it coalesce? And what shape will that take?2
We now have this information. You, my reader, in more advanced form as you read these words than I as I race to write them in the summer of 2011. I won't try to guess at what's on your news bulletin today � but whatever shape Egypt is in as you're reading now, this is the story of some of the moments that got us there. And it's also, in a small way, a story about me and my city; the city I so love and have so sorrowed for these twenty years and more. I am not unique; but Cairo is. And her streets, her Nile, her buildings and her monuments whisper to every Cairene who's taking part in the events that are shaping our lives and our children's futures as I write. They whisper to us and tug at our sleeves and say: this is where you were born, this is
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where a man, a boy, first reached for your hand, this is where you learned to drive, this is where the picture in your schoolbook shows Orabi facing down the Khedive Tewfik, this is where your mother says she and your father stood in '51 and watched the fire take hold of Cairo. The city puts her lips to our ears, she tucks her arm into ours and draws close so we can feel her heartbeat and smell her scent, and we fall in with her, and measure our step to hers, and we fill our eyes with her beautiful, wounded face and whisper that her memories are our memories, her fate is our fate. For twenty years I have shied away from writing about Cairo. It hurt too much. But the city was there, close to me, looking over my shoulder, holding up the prism through which I understood the world, inserting herself into everything I wrote. It hurt. And now, miraculously, it doesn't. Because my city is mine again. `Masr' is Egypt, and `Masr' is also what Egyptians call Cairo. On Tuesday 1 February, I watched a man surveying the scene in Tahrir with a big smile: the sun was shining and people were everywhere, old and young, rich and poor, they talked and walked and sang and played and joked and chanted. Then he said it out loud: `Ya Masr, it's been a long time. We have missed you.' It was evening on Tuesday the 25th when I realised something was happening back home. On my Jaipur hotel TV I could only get CNN, but there the Americans were, transmitting from Tahrir, and the whole world was wondering what was going on, and the spokesperson for the Egyptian government, Hosam Zaki, was cheerily dismissing the
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crowds we were watching on the screen and reassuring the world that our government and our people were very close and the government knew the people and knew what they wanted and would supply the bits of it that it saw fit. This was the line that the regime was unable to let go of; throughout the three weeks of the confrontation every speech given by (now deposed President) Mubarak or his Vice-President, Omar Suleiman, or any member of his party or regime maintained the patronising `we know what's best for you' stance that had been so roundly rejected by the people. What transfixed me so completely was that the picture on the screen was from Tahrir. Unmistakably from Tahrir. Midan el-Tahrir � I prefer the Arabic word, `midan', because, like `piazza', it does not tie you down to a shape but describes an open urban space in a central position in a city, and the space we call Midan el-Tahrir, the central point of Greater Cairo, is not a square or a circle but more like a massive curved rectangle covering about 45,000 square metres and connecting Downtown and older Cairo to the east, with the river and Giza and the newer districts to the west; its southern boundary is the Mugamma3 building and its northern is the 6 October Flyover � The Midan has been our Holy Grail for forty years. Since 1972 when (then President Anwar) Sadat's forces dragged the student protestors at dawn from around the empty plinth at its centre and into jail, demonstrations and marches have tried and failed to get into Tahrir. Two years ago we managed to hold a corner of a traffic island in front of the Mugamma3 building for an hour. We were
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fewer than fifty people, and the government surrounded us with maybe 2,000 Central Security soldiers, the chests and shoulders of their officers heavy with brass. Since Egypt's ruler Khedive Ismail established it in 1860 � its core modelled on Paris's �toile, six main roads leading out of its centre and a further six out of the larger space surrounding it � control of Tahrir has seemed central to controlling the country. Ismail himself stationed the Egyptian army and the Ministry of Defence here, and when the British occupied Egypt in 1882 their army took over the barracks and the Ministry on one side of Qasr el-Nil Bridge and they put their embassy on the other. The Americans were to follow suit and put their increasingly fortress-like embassy next to the British. Then in Nasser's revolutionary times Egypt put a statue of Sim�n Bol�var between the two embassies; the Arab League building and the headquarters of the Arab Socialist Union went up in place of the British barracks, and the Ministry of Foreign Affairs faced them from the (nationalised) palace of the Princess Nimet Kamal across Tahrir Street. But as well as housing the symbols of military and political power, Tahrir is home to the civic spirit of Egypt. The Egyptian Antiquities Museum (1902) marks the northern end of the Midan, and when in 1908 the Egyptian national movement founded � through public donations � the first secular Egyptian University, they rented the palace of Khawaga Gianaclis � now the old campus of the American University in Cairo � at the other end. In 1951 the government decided to consolidate all its departments that the citizen directly dealt with in one central building, and so Mugamma3 al-Tahrir was built. And, early in the
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1952 revolution, the small mosque near the Mugamma3 was enlarged and dedicated to Sheikh Omar Makram, the popular leader against Napoleon's French Expedition in 1798, the British `Fraser' Expedition of 1807 and, later, against Muhammad Ali himself when he felt the ruler was taxing the people unfairly. Omar Makram died in exile but his statue was part of our revolution; a meeting place, an inspiration, a bearer of flags and microphones and balloons. In 1962, the first modern international hotel in Egypt, the Nile Hilton, opened in Tahrir, next to the Arab League. Eight years later, on the evening of 27 September 1970, and having just closed the two days of negotiations and arm-twisting that ended Black September and killed him, President Gamal Abd el-Nasser � whose picture was raised by many during the revolution � stood on the balcony of the thirteenth-floor suite he had occupied for a few nights and gazed at the Nile. He turned, smiling, to Abd el-Meguid Farid, the Secretary to the Presidency: `How come I've never seen this amazing sight before? Look at it. I'm buried alive out in Heliopolis.' Then he went home. And it was from a window in the Arab Socialist Union next door that, two days later, his wife and daughters watched his funeral surge across Qasr el-Nil Bridge towards Tahrir. This is the building that became Hosni Mubarak's National Democratic Party headquarters � the only building in Tahrir to be torched by the revolutionaries. The Hilton � now bearing the Ritz-Carlton sign � has been undergoing renovation for years. In front of it is a waste ground surrounded by sheets of corrugated iron
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� which we will use in the battles for the Midan. This massive space in the central midan of our city has been in this ruined condition for twenty years. We are told it's to do with the construction of the Metro. Also to do with the Metro, we're told, was the removal of the empty plinth in the middle of the garden of the central roundabout, the plinth around which the students gathered in 1972 on the night Amal Dunqul wrote of in `The Stone Cake':
Five o'clock struck with soldiers a circle of shields and helmets drawing closer slowly . . . slowly . . . from every direction and the singers in the stone cake clenching and relaxing like a heartbeat! Lighting their throats for warmth against the cold and the biting dark. Lifting the anthem in the face of the approaching guard. Linking their young, hopeless hands a shield against lead lead lead. They sang.
Now, the whole country is gathered around that central, plinthless garden. In one of the most moving moments of the revolution � and there were to be many � the people's delegations that had come in from the cities and the provinces to the Midan set up their banners and set up the
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chant: `El-shar3eyya m'nel-Tahrir' � legitimacy comes from Tahrir. I got myself to Delhi in the morning and, next day, caught a plane that put me in Cairo in the evening on Thursday the 27th. From the airport I called my sister, Laila, and asked: `Where's the revolution? Should I go to Tahrir?' She said I should call her daughter, Mona, and Mona said there was nothing in Tahrir but I might, possibly, see some crowds if I went to Midan el-Sa3ah in Nasr City or if I drove through Abbaseyya. But there were no crowds. I saw two charred and overturned Central Security Forces trucks but the city was, if anything, quieter than was normal for a Thursday evening. The revolution was up and running in Suez and Alexandria; in Cairo it was gathering its breath, getting ready for Friday.
Friday 28 January, midday
Embaba, on the western bank of the Nile, five minutes and one bridge from my home on Gezira Island. For a long time all I knew of it was the name of its main bus stop, the `Kit-Kat', and attached to the name a blackand-white image of British `johnnies' staggering out of shady doorways, drunk, into the street, hushed families watching them from darkened rooms, their faces lined with the light from street lamps falling through drawn blinds. The Kit-Kat, I seemed to know, was one of the
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many sleazy nightclubs that had sprung up in Cairo to cater to the Allied forces stationed there in the West's second great war. Now, if you say `el-Kit-Kat', everyone thinks of Daoud Abd el-Sayyed's 1991 film with the opening shot of Mahmoud Abd el-Aziz weaving through the Embaba streets on his bicycle. A long, continuous shot � and some time during the course of it you realise the cyclist is blind. Embaba has a small airport from where you can go gliding. When my first marriage was breaking up we flew from there, in a glider, I and my just-become-ex husband. He was at the controls. I can't think why we did that. For clarity, maybe? We � I � didn't find it. Even the amazing spread-out fields below, the river, broad and still and � from here � docile were dimmed by my unease. And Embaba is known for three hospitals. One is a specialist rehabilitation centre where they taught the five-year-old son of Um Nagla, our help, to speak. My father snatched him back from the jaws of a `fraudulent charlatan', he said, who was about to send him off for electric shock treatment � and sent him to Embaba. He's now fifteen and speaking plenty. He says he'd carry on going to school if there was any use, but he's not learning anything and the teachers are only there for the cash from the private lessons. The only thing that might be useful now for his life is the revolution. He berates his mother for being prepared to believe that Hosni Mubarak is `sorry' and will give back our stolen money. `Ali,' she tells me, `Ali says of Mubarak and all his men: "Before they open their mouths they're liars; they breathe lies." And this,' she adds, `is Ali-who-couldn't-speak.'
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The second is the Embaba Fevers Hospital which used to rival the best in the world. The third is the new Emergency Hospital where building was stopped when its riverfront position caught Mrs Mubarak's eye and the government decided to turn it into a luxury residential block. The latest scandal of this kind is the Madinati Project where 8,000 acres were sold at so much lower than market price that the courts estimated the loss to the Egyptian Treasury at billions of pounds. Today as our protest passes the hospital project the crowd starts up the chants against corruption: `A bowl of lentils for ten pounds � a Madin'ti share for fifty p.' We've been walking the streets of Embaba for two hours. My friend, Mamdouh Hamza, brought me here and left me in a small coffee shop by the local mosque. MH is a celebrated civil engineer who's been in charge of some of Egypt's major construction projects. I'd known he'd been lending his support for a while to some of the revolutionary shabab, the young people. `Something will begin here,' he said, and went off to distribute banners. It was the usual pleasant, the world-is-on-pause feel of Friday prayer time and I watched the women chatting in front of shops, the winter sunshine falling on them through the colourful clothes displayed above their heads, the men sitting at caf�s, others spilling out of the mosque, praying on green mats in the road. In my coffee shop a young man is sitting in the corner; something about his stillness, his quality of concentration, stays with me. Prayers finish but the imam solicits blessings. And blessings. And more blessings. Men start folding their mats, putting on their shoes. Suddenly the young man from the
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coffee shop is above the crowd, on top of it. People shift and stir, there's a buzz like in the theatre at the moment the curtain starts to rise, everyone looks, people come out of shops: the young man's arm is in the air, his hand is reaching to the sky, and there comes the loud, carrying voice: `Al-sha3b yureed isqat al-nizam!' There it was, no lead-up, no half-measures; the young man on the shoulders of his friends; a loose knot of some fifteen young people: `The people � demand � the fall of this regime!' We start to walk. Later, we will learn that similar marches started after prayers in every district of Cairo and many other cities. We will know this young man as one of the three hundred young people who organised these first marches. Up there, his still concentration has transformed into energy, his back is straight, his arm movements are precise. Again and again the call goes out, and the crowd responds: `Your security, your police � killed our brothers in Suez.' We walk and the numbers grow. Every balcony is full of people; some just watch impassively, some men look uncomfortable. `Come down from the heights / Come down and get your rights', most women are smiling, waving, dandling babies to the tune of the chants: `Eish! Horreyya! Adala egtema3eyya!' Bread. Freedom. Social justice. Old women call: `God be with you! God give you victory.' For more than two hours the protest walks through the narrow residential lanes, cheering, encouraging, instigating: `Prices up and no one cares / Next you'll sell your beds and chairs.' We pass the offices of the Land Registry. In 2008 I'd visited it to get some papers relating to my mother's estate. I failed to get them.
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At the next window a man remonstrated that this was the fifth time he'd been and that he no longer understood what he was required to do to get the stamp he needed on to his papers. Then he lost it: `Yel3an abu Hosni Mubarak!' he bellowed, `God curse him curse him curse him!' He slammed his files rhythmically on the counter top as he cursed out the man at the head of the system that, here and now, in this local specific manifestation of petty bureaucracy and corruption, was frustrating him to insanity. `Eish! Horreyya! Karama insaneyya!' Bread. Freedom. Human dignity. Kids run alongside the march: `The people � demand � the fall of this regime--' In the eighties and nineties, at the time of the big expansion of the Islamist currents, Embaba came in for some particularly harsh treatment. The Dakhleyya (Ministry of the Interior) stopped policing Embaba itself but set up border stations at its exits; every male going in or out was subjected to stop and search. Anyone not carrying his ID was detained, and detained meant beaten � sometimes tortured. Several times during today's march, sweeping up people from the neighbourhood, the cry rises: `To the police station!' and each time the march's leaders deflect it. Later I will find out that my sister, Laila, MH, and various other friends were all on this march. But it had grown so big we didn't see each other. By the time we wind on to a flyover to head for Downtown we are easily 5,000 people or more. As we descend from the flyover I recognise that we're in Ahmad Orabi Street. This is where my beloved Khalu, my mother's brother, ever present though gone now these
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eighteen years, used to live. His wife still lives here. I glance up at her plant-filled balcony and I can't resist. I slip away from the march and up the five floors to her flat where I find cousins and friends � all have slipped away from the march for a few minutes' rest and to find out the news. We'd woken up that morning to find the Internet down, and by 11.00 a.m. not a single mobile was working. Landlines were all we had, and, even there, the international lines had been taken down. We knew then that this was a regime fighting for its life. We sat around in Tante Nahed's home and used her landline to phone around and check up on friends and family. Most homes had arranged to have one person stay in by the landline and act as liaison. My brother when I called him said his daughters wanted to join the action, and would I take them? This would be their first protest. Tante Nahed gave us tea and juice. The last time I'd sat in her living room was two years ago and I had been looking through the results of a survey she'd just published: The Problems and Discontents of the Egyptian Citizen. Unemployment consistently scored highest on the list of people's personal problems, second was housing and third was education.
4.00 p.m.
My brother, Ala, and his wife, Sohair, and their daughters, Salma and Mariam, pick me up. As we drive we pass protests heading to Tahrir. Ala and Sohair have
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brought bottles of water and hand them out. Months later, my brother � an IT man and Egyptologist � will, with friends, put together an initiative to dismantle the security establishment, another to overhaul pre-university education, another to set up a national employment bureau . . . Today, this is his and his wife's first action for the revolution. Salma and Mariam and I decide we'll walk across 6 October Bridge and up the Corniche into Tahrir, so my brother drops us off in Agouza, at the foot of the steps leading up to the bridge. We run up the steps and find ourselves facing a cordon of Central Security soldiers blocking our way. The bridge crosses Gezira Island and passes over the Gezira Club. My nieces, twins, had both been champion gymnasts in their childhood and teens and the Gezira was their club. Now twenty-two, they could easily still pass for seventeen. I take their elbows and stride up to the line of soldiers: `Excuse us, my daughters are late for their training--' pointing below us at the club grounds. The line opens courteously. I love these young men. I love them, and I don't want them to be part of Central Security. In fact we've got a case in court proposing that using conscripts for Security is unconstitutional; conscription may be necessary to protect us against invasion or aggression. But to use conscripts to protect the government of the day against the people cannot be right. We get to the middle of the bridge before we realise that there are no cars, that the air is dim and fumy and that the few people around us are not moving forward. There's something of Dante about the spectacle. Isolated
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figures drift. Smoke drifts. Everything is slowed down and dim. A young man comes up and gives us tissues, then sprinkles vinegar over them. `Hold them over your nose,' he says, `a tip from our Tunisian friends.' In Palestine they use onions. We can't yet smell the gas. I see a friend, Lena, and her husband, and we drift together, embrace and stand silently watching a man wearing a large brown paper bag over his head rotate slowly on the narrow traffic island at the centre of the bridge. He's turning in slow motion and as he faces us we see the slits for the eyes and the large, red question mark starting on the forehead and running down the nose with the dot at the mouth. Later I realise this is the first piece of revolutionary street theatre we see. Now, it just adds to the weird, dreamlike feel of the scene. A heavy thudding thumps rhythmically through the smog. Lena says it's guns. Across the water we can see that the real action is on Qasr el-Nil Bridge. We've started to feel the gas but Salma and Mariam and I decide to follow our plan and run the hundred metres or so to the bridge's exit by the Ramses Hilton, get down and run along the river to Qasr el-Nil. Tear gas! This was a gas that made you feel the skin peeling off your face. Later, when we saw the canisters, we found it had passed its expiry date. You'd think that would make it less painful but apparently it makes it worse. We run and I can't even open my eyes to see what's going on. When I do force them open for a second I see that Mariam, the more delicate of the twins, has stopped in the middle of the bridge, her eyes streaming and shut tight, one of her shoes lost, her arms held out helplessly. She's saying something but so softly I can't hear. Salma and I
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run back for her. `I can't,' she's whispering, `I can't.' We find her shoe, grab an arm each and run. We run down the slope of the bridge and straight into another cordon of Central Security soldiers. They're meant to block the way. We are three women, dishevelled, eyes streaming. We run right up to them and they make way. `Go!' they urge us. `Quick!' Eye to eye with one of them, young, brown, open-faced, Egyptian, I pause, just for a second. `What can we do?' he shouts into the smoke. `If we could take off this uniform we'd join you!' Stuck. Stranded. For a moment as I was running down the slip road with my eyes closed holding on to my nieces I had the � typical � thought that we might nip into the Ramses Hilton and wash our faces, maybe even get some tea. Down on the embankment, with the soldiers facing us and behind them the Corniche road littered with stones and charred cars and the Hilton dark and shuttered, it was clear that a five-star interlude was out of the question. We run down the embankment steps and jump into a boat: to Giza, please. Drop us next to Gala2 Bridge. We'll go home. But: as we get further from the shore our coughing and choking subsides. We can draw breath, even though the breath burns. And we can open our eyes. And when our eyes meet we change direction and head, again, to Tahrir. On the traffic island at the Qasr el-Nil entrance to Tahrir you turned 360 degrees and everywhere there were people. I could not tell how many thousands I could see. Close up, people were handing out tissues soaked in vinegar for your nose, Pepsi to bathe your eyes, water to
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drink. I stumbled and a hand under my elbow steadied me. The way ahead of us was invisible behind the smoke. From time to time there would be a burst of flame. The great hotels: the Semiramis Intercontinental, Shepheard's, the Ramses Hilton, had all darkened their lower floors and locked their doors. On the upper-floor balconies stick figures were watching us. At the other end of the Midan, from the roof of the American University, the snipers were watching us, too. Silently. Everywhere there was a continuous thud of guns and from time to time a loud, intermittent rattling sound. We stood. That was our job, the people at the back: we stood and we chanted our declaration of peace: `Selmeyya! Selmeyya!' while our comrades at the front, unarmed, fought with the security forces. From time to time a great cry would go up and we would surge forward: our friends had won us another couple of metres and we followed them and held our ground. We sang the national anthem. Eight months ago some young protestors from the 6 April Group had been arrested in Alexandria for singing the national anthem; it was `instigatory' the prosecution said. We sang it. On 28 January, standing at that momentous crossroads, the Nile behind us, the Arab League building to our left, the old Ministry of Foreign Affairs to our right, seeing nothing up ahead except the gas and smoke and fire that stood between us and our capital, we stood our ground and sang and chanted and placed our lives, with all trust and confidence, in each other's hands. Some of us died.
OUT NOW
Praise for The Map of Love: `Soueif is at her most eloquent on the subject of her homeland, her prose rich with historical detail and debate. Egypt emerges as the true heroine of this novel' Independent `Magnificent ... reminiscent of Marquez and Allende in its breath and confidence' Guardian
CAIRO
by
Ahdaf Soueif
a note on the author
Ahdaf Soueif is the author of the bestselling The Map of Love (shortlisted for the Booker Prize in 1999 and translated into more than twenty languages), as well as the well-loved In the Eye of the Sun and the collection of short stories, I Think of You. Ms Soueif is also a political and cultural commentator, described by the London Review of Books as `a political analyst and commentator of the best kind', whose clear-eyed reporting and analysis is syndicated throughout the world. A collection of her essays, Mezzaterra: Fragments from the Common Ground, was published in 2004, the year in which her translation (from Arabic into English) of Mourid Barghouti's I Saw Ramallah also appeared. She writes regularly for the Guardian in the UK and has a weekly column in al-Shorouk in Egypt. In 2007 Ms Soueif founded Engaged Events, a UK based charity. Its first project is the Palestine Festival of Literature (PalFest) which takes place in Jerusalem, Bethlehem, Ramallah, Nablus, Jenin and al-Khalil/Hebron. www.palestinelitfest.org
by the same author The Map of Love In the Eye of the Sun I Think of You Mezzaterra
First published in Great Britain 2012 Copyright � 2012 by Ahdaf Soueif The moral right of the author has been asserted No part of this book may be used or reproduced in any manner whatsoever without written permission from the Publisher except in the case of brief quotations embedded in critical articles or reviews
Bloomsbury Publishing Plc 50 Bedford Square London WC1B 3DP www.bloomsbury.com Bloomsbury Publishing, London, Berlin, New York and Sydney A CIP catalogue record for this book is available from the British Library ISBN 978 0 7475 4962 8 (hardback edition) ISBN 978 1 4088 2607 2 (trade paperback edition) 10 9 8 7 6 5 4 3 2 1 Typeset by Hewer Text UK Ltd, Edinburgh Printed in Great Britain by Clays Ltd, St Ives plc