David Brothers

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today.

For the month of February, I'm taking over the Inkstuds podcast in order to introduce Inkstuds Spotlight, a focused look at what it means to be in comics. A comprehensive look isn't my goal. My goal is to show you several different slices of life in comics, as the people I'm interviewing this month play a wide variety of roles in comics. Today, I'm speaking to Jay Potts, a cartoonist working on his new series and navigating how to respect his inspirations while still making his work his own.

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today.

For the month of February, I'm taking over the Inkstuds podcast in order to introduce Inkstuds Spotlight, a focused look at what it means to be in comics. A comprehensive look isn't my goal. My goal is to show you several different slices of life in comics, as the people I'm interviewing this month play a wide variety of roles in comics. I'm speaking to Spike Trotman, cartoonist and publisher, about making money in comics.

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today.

For the month of February, I'm taking over the Inkstuds podcast in order to introduce Inkstuds Spotlight, a focused look at what it means to be in comics. A comprehensive look isn't my goal. My goal is to show you several different slices of life in comics, as the people I'm interviewing this month play a wide variety of roles in comics. Today, I'm talking to Darryl Ayo, cartoonist and critic.

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today. For this installment I'm talking to Whit Taylor, creator of Watermelon...and things that make me uncomfortable as a black person, Madtown High, and Stethoscope Microphone.

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today. I'm speaking to Qiana Whitted, comics scholar, about her experience teaching comics and studying comics history.

For the month of February, I'm taking over the Inkstuds podcast in order to introduce Inkstuds Spotlight, a focused look at what it means to be in comics. A comprehensive look isn't my goal. My goal is to show you several different slices of life in comics, as the people I'm interviewing this month play a wide variety of roles in comics.

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today. Today, I'm talking to Jimmie Robinson, creator of Bomb Queen and Five Weapons, on what it means to survive in comics.

For the month of February, I'm taking over the Inkstuds podcast in order to introduce Inkstuds Spotlight, a focused look at what it means to be in comics. A comprehensive look isn't my goal. My goal is to show you several different slices of life in comics, as the people I'm interviewing this month play a wide variety of roles in comics.

I have a love/hate relationship with Mark Millar's work. When I was getting back into comics as an adult, his work with Frank Quitely and Bryan Hitch on The Authority and The Ultimates were fairly instrumental in keeping me reading. As time went on, though, and his

Like most of you, I've got a to-read stack that kills me every time I look at it. Friends laugh at it, small children cry at it, and the police keep giving me the stink eye. I've also got a to-read list for those things that I want to read in digital form, but haven't yet

When I was a kid, there were two comics franchises that meant everything. The first was Spider-Man. He was my entryway into comic books, courtesy of Todd McFarlane and David Michelinie, and he made an indelible impression. The

Don't ask me why -- I'm just a writer -- but humans are programmed to see patterns. It's why we see faces on Mars, religious figures in food, and conspiracies where there are none. Something in our brains wants to make that connection for us, no matter how insane it may seem to an outsider

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