In his hands the threads between baroque lute breathing spaces and silences ... virtuoso course, this musical extravaganza carved by Miguel Yisrael is mainly an ultimate refinement. After The Barricades mysteriously posted on the Brilliant label in 2008 with works by Kellner, Weiss, Couperin, Saint-Luc, Gaultier and Gallot, lutenist born in Lisbon in 1973, a former pupil of the great Hopkinson Smith, brought together, always for the Brilliant account, parts of the eighteenth signed Hagen, and Falckenhagen Scheidler under the title the Court of Bayreuth. Time for a podcast, Yisrael said the genesis of this project and talks about his career.