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Ear Training: Instrumental Color Series

Instrumental Color Ear Training Series expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

Instrumental Color Ear Training Series contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

There are many instruments and packages available in our Instrumental Series:

Below are six different levels for Acoustic Steel String Guitar with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you the mix up the type of instruments you listen to as well as the 6 different speed levels making practicing ear training much more dynamic and fun!

Below are six different levels for Acoustic Steel String Muted Guitar with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because you can work on specific ranges of notes that may cause you problems.

Below are six different levels for Mandolin with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you work on hearing the instruments that you commonly play with in band situations.

Below are six different levels for Banjo with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because it allows you to work on unusual sounding instruments which strengthens your overall ear training skills.

Below are six different levels for Ukulele with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you keep your ear training exercises fresh because you are always switching instruments to make it more interesting.

Always keep "context" in mind.

As always, keep in mind that context is the secret behind all great ear training skills. The more you vary the type of exercise you do, the more you will be able to apply this ear training to the multitude of situations that will come your way in your musical life.

Below are six different levels for Acoustic Nylon String Guitar with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you the mix up the type of instruments you listen to as well as the 6 different speed levels making practicing ear training much more dynamic and fun!

Below are six different levels for Acoustic Steel 12 String Guitar with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because you can work on specific ranges of notes that may cause you problems.

Below are six different levels for Acoustic Steel 12 String Muted Guitar Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you work on hearing the instruments that you commonly play with in band situations.

Below are six different levels for Lap Slide Guitar (No Bends) with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because it allows you to work on unusual sounding instruments which strengths your overall ear training skills.

Below are six different levels for Acoustic Bass with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you keep your ear training exercises fresh because you are always switching instruments to make it more interesting.

Always keep "context" in mind.

As always, keep in mind that context is the secret behind all great ear training skills. The more you vary the type of exercise you do, the more you will be able to apply this ear training to the multitude of situations that will come your way in your musical life.

Below are six different levels for Alto Sax with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you the mix up the type of instruments you listen to as well as the 6 different speed levels making practicing ear training much more dynamic and fun!

Below are six different levels for Tenor Sax with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because you can work on specific ranges of notes that may cause you problems.

Below are six different levels for Baritone Sax with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you work on hearing the instruments that you commonly play with in band situations.

Below are six different levels for Flute with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because it allows you to work on unusual sounding instruments which strengthens your overall ear training skills.

Below are six different levels for Clarinet with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you keep your ear training exercises fresh because you are always switching instruments to make it more interesting.

Always keep "context" in mind.

As always, keep in mind that context is the secret behind all great ear training skills. The more you vary the type of exercise you do, the more you will be able to apply this ear training to the multitude of situations that will come your way in your musical life.

Below are six different levels for Bassoon with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you to work with instruments that you may listen to or compose for, thereby making your recognitions skills better for these instruments.

Below are six different levels for English Horn with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because you can work on instruments they may create problems because they are seldom used..

Below are six different levels for French Oboe with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because it allows you work on instruments with various ranges.

Below are six different levels for Oboe with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because it allows you to work on instruments in a minor key which can initially confuse the ear.

Below are six different levels for Piccolo with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you work at 6 different speeds thereby helping you to hone in the exact speed that pushes you to a higher level.

Always keep "context" in mind.

As always, keep in mind that context is the secret behind all great ear training skills. The more you vary the type of exercise you do, the more you will be able to apply this ear training to the multitude of situations that will come your way in your musical life.

Below are six different levels for Clavinet with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you the mix up the type of instruments you listen to as well as the 6 different speed levels making practicing ear training much more dynamic and fun!

Below are six different levels for Harpsichord with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because you can work on specific ranges of notes that may cause you problems.

Below are six different levels for Jazz Organ with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you work on hearing the instruments that you commonly play with in band situations.

Below are six different levels for Rhoads with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

The Bundle is great because it allows you to work on unusual sounding instruments which strengthens your overall ear training skills.

Below are six different levels for Wulitzer with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you keep your ear training exercises fresh because you are always switching instruments to make it more interesting.

Always keep "context" in mind.

As always, keep in mind that context is the secret behind all great ear training skills. The more you vary the type of exercise you do, the more you will be able to apply this ear training to the multitude of situations that will come your way in your musical life.

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training Individual Instruments

Each single instrument download will have a varying number of MP3s depending upon the range of the instrument. Please keep in mind that these downloads do not contain instruction for the ear training method. You would need on of the Ear Training One Note Series books for that information.

Click on individual instrument purchase information and to hear examples.

Instrumental Color One Note Ear Training for Acoustic Steel String Guitar expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Acoustic Steel String Guitar with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Each Instrument has 6 different speed levels making practicing ear training much more dynamic and fun!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Muted Acoustic Guitar

Instrumental Color One Note Ear Training for Muted Acoustic Guitar expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Muted Acoustic Guitar with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

Different instrumental allow you to concentrate on a specific ranges of pitches that may cause you problems.

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Mandolin

Instrumental Color One Note Ear Training for Mandolin expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Mandolin with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Doing the One Note Ear Training with the instruments that you commonly play with in band situations helps you hear them better.

Get Instrumental Color Series Ear Training for Mandolin download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Banjo

Instrumental Color One Note Ear Training for Banjo expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Banjo with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

These instruments are great because they allow you to work on unusual sounding instruments which strengthens your overall ear training skills.

Get Instrumental Color Series Ear Training for Banjo download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Ukulele

Instrumental Color One Note Ear Training for Ukulele expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Ukulele with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

These different instruments are great because it allows you keep your ear training exercises fresh because you are always switching instruments to make it more interesting.

Get Instrumental Color Series Ear Training for Ukulele download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Nylon String Guitar

Instrumental Color One Note Ear Training for Acoustic Nylon String Guitar expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Acoustic Nylon String Guitar with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Working on one note ear training with different instrument gives you refreshing new sounds to hear each day!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Acoustic 12 String Guitar

Instrumental Color One Note Ear Training for Acoustic 12 String Guitar expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Acoustic Steel 12 String Guitar with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

Working with instruments that have doubled strings can be challenging so don't overlook those instruments.

Status: In stock, Digital book is available for immediate access.

Instrumental Color One Note Ear Training for Acoustic 12 String Muted Guitar expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Acoustic 12 String Muted Guitar Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

The Bundle is great because it allows you work on hearing the instruments that you commonly play with in band situations.

Guitars can be played in many ways making them challenging to hear. Muted strings is just one example of many ways the guitar can be played.

Status: In stock, Digital book is available for immediate access.

Instrumental Color One Note Ear Training for Acoustic Lap Slide Guitar (No Bends) expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Lap Slide Guitar (No Bends) with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

Even the subtle timbre change between instruments of the same type can effect your ability.

Each Instrument has 6 different speed levels making practicing ear training much more dynamic and fun!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Acoustic Bass

Instrumental Color One Note Ear Training for Acoustic Bass expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Acoustic Bass with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Some instruments are almost always present in a band situation and therefore are important of your one note ear training practice!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Alto Sax

Instrumental Color One Note Ear Training for Alto Sax expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Alto Sax with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

These files are an excellent way to speed up your recognition. Remember faster recognition equals a more effortless ability!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Tenor Sax

Instrumental Color One Note Ear Training for Tenor Sax expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Tenor Sax with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

By working with both Major and Minor Cadences you prepare yourself to different types of key centers that you may encounter in real music.

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Bari Sax

Instrumental Color One Note Ear Training for Bari Sax expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Baritone Sax with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Working with instruments that have a low range can help with lower pitch recognition.

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Flute

Instrumental Color One Note Ear Training for Flute expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Flute with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

Learning to recognize notes by either note names or degrees is crucial to great ear training skills!

Below are six different levels for Clarinet with a Major Cadence and a note name answer.

Get Instrumental Color Series Ear Training for Flute download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Clarinet

Instrumental Color One Note Ear Training for Clarinet expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Clarinet with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Learning the timbre of other instruments helps to solidify your ability to recognize the unique sound of all 12 notes in a key center.

Get Instrumental Color Series Ear Training for Clarinet download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Clavinet

Instrumental Color One Note Ear Training for Clavinet expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Clavinet with a Major Cadence and a note name answer

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Each Instrument has 6 different speed levels making practicing ear training much more dynamic and fun!

Get Instrumental Color Series Ear Training for Clavinet download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Harpsichord

Instrumental Color One Note Ear Training for Harpsichord expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Harpsichord with a Minor Cadence and a note name answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

Different instrumental allow you to concentrate on a specific ranges of pitches that may cause you problems.

Get Instrumental Color Series Ear Training for Harpsichord download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Jazz Organ

Instrumental Color One Note Ear Training for Jazz Organ expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Jazz Organ with a Major Cadence and a degree answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

Doing the One Note Ear Training with the instruments that you commonly play with in band situations helps you hear them better.

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Rhoads

Instrumental Color One Note Ear Training for Rhoads expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Rhoads with a Minor Cadence and a degree answer.

Level One with Minor Cadence:

Level Two with Minor Cadence:

Level Three with Minor Cadence:

Level Four with Minor Cadence:

Level Five with Minor Cadence:

Level Six with Minor Cadence:

These instruments are great because they allow you to work on unusual sounding instruments which strengthens your overall ear training skills.

Get Instrumental Color Series Ear Training for Rhoads download today!

Status: In stock, Digital book is available for immediate access.

Instrumental Color Series Ear Training for Wulitzer

Instrumental Color One Note Ear Training for Wulitzer expands the "Context" of your one note ear training skills. The "One Note Ear Training Method" is initial taught with a piano or voice sound. Many students have difficulty transferring the ear training skills they obtain with the piano to other instrument timbres. The Instrumental Color Ear Training Series helps solve this problem by giving you the "Ear Training One Note" exercise with various instruments.

This course contains no books so we recommend that you use these exercises in conjunction with the "Ear Training One Note Complete" if you need directions on how to properly develop your ear training skills.

Instrumental Color Adds Extra Audio Files

Each instrument has six different levels rather than the traditional 3 levels found in other One Note Ear Training Methods. This gives a student more of a graduated learning curve and removes the need to buy the One Note Extreme Method to complete their study. If also adds exercises that use both a minor key center and answers with both degrees and note names. This makes the Instrumental Color courses a cost effective way to study all aspects of the one note method and prepare for Key Note Recognition the next step in the ear training process.

Why is this important part of your Ear Training Studies

There are many reasons why the Instrumental Color courses are important to your ear training study. Every instrument has it's inherent characteristics that may cause problems. Some of these common problems are listed below. Listening to the Instrumental Color audio files will help you in the following ways:

It allows you to focus on a particular timbre that may be causing you problems.

It allows you to focus on a particular range of pitches that may be causing you problems.

It allows you to focus on the instrument that you play.

It allows you to focus on instruments that you commonly play with in band situations.

It allows you to adjust to the common characteristics of instruments such as vibrato, bends, attack or decay.

Below are six different levels for Wulitzer with a Major Cadence and a note name answer.

Level One with Major Cadence:

Level Two with Major Cadence:

Level Three with Major Cadence:

Level Four with Major Cadence:

Level Five with Major Cadence:

Level Six with Major Cadence:

These different instruments are great because it allows you keep your ear training exercises fresh because you are always switching instruments to make it more interesting.

Get Instrumental Color Series Ear Training for Wulitzer download today!

Status: In stock, Digital book is available for immediate access.

Reviews

What people are saying:

I've been working with Acoustic Bass, Tenor Sax and Jazz Guitar Instrumental Color Ear Training exercises. Not only is this helping me hear the "one note" exercise but it's a lot more interesting to vary to sound I use for the exercises throughout the day. I was at first wondering about the whole idea of Instrumental Color and why it was even necessary until I started using the Acoustic Bass, Tenor Sax and Jazz Guitar. For my first week or two with these audio files I was down about 30% in my ability from the piano audio files. So it's something I would recommend even though you might think you don't need it check out one download and I think you will see what I'm talking about. A. Gainnes

I downloaded the Instrumental Color Bundle and cycle through all instruments each day. I spend 10 minutes on each. For awhile I wasn' even using the piano version then I came back to the piano version a few days ago and I was getting more notes right. Not sure why that is but it happened. I'm up to about 2 hours of ear training a day but it doesn't feel like a chore to me. I've been doing the Instrumental Color and the Direct Application Major and Direct Application Minor CDs. For me this is a winning combination because I can do more ear training and not burn out. I. O'Mahony

I'm a jazz bassist so the Instrumental Color Acoustic Bass was exactly what the doctor ordered. I love the sound of the instrument that's why I play it. Having the ear training with my instrument makes me practice it more which is a good thing. I've also been working with the Secondary Dominant MP3s which are really helping me with soloing over jazz standards. A. Younghusband

So many possible ear training files so little time :) No actually just kidding this stuff is great. Lately I've been working with Ear Training One Note Extreme, Instrumental Color Trumpet and Direct Application Ear Training Book. I hoping Muse-eek comes out with Direct Application CD with other sounds. I noticed they have one for Blues Guitar but would be great if they had a bunch of Direct Application Major CD with all the different instruments used is the Instrumental Series. Just a thought!. T. Hecker

Have a story or a review you want to submit. We would love to hear from you please send us an email.

Three Note Ear Training Series

Three Note Ear Training Series develops your ability to modulate and hear three notes played either simultaneously or in succession. There are three different types of Three Note Ear Training Available in the Series.

Please note: The Three Note Ear Training Types listed should be practiced in the order listed above.

Ear Training Three Note Simultaneous:

Ear Training Three Note Simultaneous is consistent with the exercises found it the Two Note Ear Training Series but with three notes. Three Note Ear Training is done in the exact same way as Two Note Ear Training so no book is included. In some ways it's easier because three notes define a key center easier than two notes. Five Volumes available.

Ear Training Three Note Simultaneous... Volume Five.

Status: In stock, Digital book is available for immediate access.

Get Ear Training Three Note Simultaneous...Volume Five download today!

Digital book is available for immediate access.

Ear Training Three Note Direct Application Arpeggiated Study:

Ear Training Three Note Direct Application Arpeggiated Study plays 3 note arpeggios 10 times with a 10 second gap between each repetition. A student can use these files to similate soloing over unknown changes. This is done by playing one note on your instrument after you hear the 3 notes. A student first distinguishes the key center of the 3 notes. Then using the one note ear training method identifies the three notes within the key. The remaining time is spent improvising over the 3 note arpeggiation which lasts about 2 minutes. The names of the notes are not given verbally on the track but the track name contains the pitches played. This is a great exercises for simulating improvising over chord changes without known what chord is next. These MP3's use an acoustic piano sound and each example chooses three out of the 88 possible notes on the piano. Five Volumes available.

Status: In stock, Digital book is available for immediate access.

Ear Training Three NoteDirect Application Three Note Simultaneous Study plays 3 note simultaneously 10 times with a 10 second gap between each repetition. This series of Direct Application exerises should be used after working with the arpeggiated versions. The techniques used with this set of exercises is the same as the arpeggiated version. For example a student can use these files to similate soloing over unknown changes. This is done by playing one note on your instrument after you hear the 3 notes. A student first distinguishes the key center of the 3 notes. Then using the one note ear training method identifies the three notes within the key. The remaining time is spent improvising over the 3 note arpeggiation which lasts about 2 minutes. The names of the notes are not given verbally on the track but the track name contains the pitches played. This is a great exercises for simulating improvising over chord changes without known what chord is next. These MP3's use an acoustic piano sound and each example chooses three out of the 88 possible notes on the piano. Five Volumes available.

Status: In stock, Digital book is available for immediate access.

What people are saying:

I been working with the muse-eek.com ear training for five years. It's been quite a journey and education. When I think about what I knew when I started and what I know now it makes me chuckle. I really had not a clue on how to really hear music and know I can hear 3 notes played identify the key center and know what the three notes are. That's pretty amazing in my view. I wouldn't say this ear training is easy but I will say that without these well designed products and the support that Bruce gives students makes this whole process doable. In general I'd say if you aren't serious about learning ear training then stay away because every aspect of the way Mr. Arnold interacts with students to the way the books are put together expects that you are serious about music and you really want to be a world class musician. If that's your goal then look no further. W. Robinson

I've been working with the Ear Training Three Note Direct Application Arpeggiated MP3s over the last few months. Bruce recommended these to give me more work on applying my ear training skills. I think this is one of the most important aspects of the muse-eek.com ear training program is the understanding that if you don't apply your ability to real music you will never be able to use in real time as you play or listen to music. Personally I think keeping in touch with Mr. Arnold about your progress is important too. Every time I contacted him I learned something about how I could improve my practice regimen. In my opinion muse-eek.com music books are the best in the business for a serious musician. K. Hernández

I emailed Bruce because I was about 60% on the two note ear training and from that email he suggested I try a few Three Note Ear Training downloads to see if it would help my modulation skills. Bruce explained that many time three notes actually form a stronger key center than two notes. I worked with the three notes for a few months and then went back to the two note ear training examples that I had problems with and sure enough I could hear the modulation better. Thanks Bruce! G. Thompson

I've been using a few of the Three Note Ear Training studies Direct Application downloads to help my ability to recognize chords in a real music situation. Not only has this improved my ability but it has been a real education on how I actually hear simple chord progressions. I never would have guessed that the chord that happen previous is so important in how you hear the next chord. This is just amazing to me every time I do this exercise it just blows me away the amount I learn about how I "hear" music as to opposed to how I "think" about music. A. Pérez

Four Note Ear Training Series

Four Note Ear Training Series develops your ability to modulate and hear Four notes played simultaneous.

Ear Training Four Note Simultaneous:

Ear Training Four Note Simultaneous is consistent with the exercises found it the Two Note Ear Training Series but with Four notes. Four Note Ear Training is done in the exact same way as Two and Three Note Ear Training so no book is included. In some ways it's easier because Four notes define a key center easier than two notes. Five Volumes available.

Ear Training Four Note Simultaneous... Volume Five.

Status: In stock, Digital book is available for immediate access.

Get Ear Training Four Note Simultaneous...Volume Five download today!

Digital book is available for immediate access.

What people are saying:

Ah... Four Note ear training lovers I always wondered how many of you have actually made it this far. I sent an email to Bruce and he said "about 3% stick it out to Four Note Ear Training and you'd be surprised how many aren't professional musicians but people who just want to really hear music in a fundamentally astounding way." I found that quite interesting. Bruce also said that many professional musicians that actually get to Three Note Ear Training usually become so busy with their careers that ear training takes a back seat. I guess I'm just a slightly different type that wants to improve my ability to it's utmost. That said I find many four note examples completely easy. Seventh chords and simple major diatonic scale combination are easy. The Four Note examples with all notes crunched into a minor 3rd are another story :) If you've made it this far congrats and keep on burning! E. Dubois

Nine years later I'm on Ear Training Four Note. I know I could have done it quicker but there's a lot of life in those years that really took me away from my passions. Anyway my story is I studied with Mr. Arnold for about 6 months about nine years ago. I had absolutely horrible ears. Bruce said that was the main thing that was holding me back and I had to agree. My chops where good, time was excellent and as Bruce said "I could hear a barn door slam!" Well now I can hear that barn door slam and on a good day I can even tell you pitch it formed :)G. Romero

If you made it to Four Note Ear Training then I don't see how any review would influence you one way or another. If you want great ears get on muse-eek.com ear training program it's serious, takes dedication and it works. End of story. R. Janssens

Four Note ear training has been in my MP3 for a few years now. I get back to it as often as I can but being a professional musician and a composer takes up most of my time. I'd just like to say that through Bruce's help I've developed skills way beyond most musicians I play with. I've been the musical director for national touring acts and owe a lot of my ability to hear and speak intelligently to musicians about music to muse-eek.com's books and the support from Mr. Arnold. This is a great company with killer products don't overlook them in your process of becoming a great musician J. González

Doing Time with 32 Bars Volume Two

Doing Time with 32 Bars Volume Two..is a must own for any instrumentalist seeking to develop a strong sense of time.

This book is part of a series of books which are designed to teach a student:

How to develop a better internal sense of time.

Feel music on a more macro level.

Develop an innate sense of musical form.

Develop a more natural feel that breathes with the music.

"Feel Time" not "Count Time."

All this is accomplished by requiring the student to "feel time" not "count time." within a 32 bar Form. There are numerous exercises in the Doing Time with 32 Bars Volume Two that will help develop this new sense of time.

Audio Files

The audio files provides you with eight 8 minute tracks at different tempos in which the time is delineated every 4 bars, and with an extra hit every 32 bars to outline the 32 bar form. The student may then use the exercises presented in the book to gain control of their execution or improvise to gain control of their ideas using this bare minimum of time delineation.

Additional Information:

Digital Edition IBSN: 978-1-59489-604-0

Physical Edition IBSN: 978-1-890944-23-0

58 pages: Physical version of this book contains a CD. Digital Version of this book includes MP3 audio files.

What people are saying:

The four bars hits through a 32 bar form is a great concept for working on standards. A drummer friend of mine and I (sax) have been using these files and it's really kicking our ass but each week we get better. If you want to strengthen your time these books will do it. K. Lechner

I've worked my way through all of these time books and my playing is in a completely new place now. I feel very confident when I play with others and thinking in larger chunks of time has totally changed my phrasing. Great Stuff! Q. Filipović

So much has changed since I've started these books I don't even now where to start. I guess the main thing is I have a deeper understanding of time (DUH!). I feel like working with these files for a few months is like 20 years of experience that you would get on the bandstand playing with heavy hitters. Do yourself a favor get these books! G. Borg.

Doing Time with 32 Bars Volume One

Doing Time with 32 Bars Volume One..is a must own for any instrumentalist seeking to develop a strong sense of time.

This book is part of a series of books which are designed to teach a student:

How to develop a better internal sense of time.

Feel music on a more macro level.

Develop an innate sense of musical form.

Develop a more natural feel that breathes with the music.

"Feel Time" not "Count Time."

All this is accomplished by requiring the student to "feel time" not "count time." within a 32 bar Form. There are numerous exercises in the Doing Time with 32 Bars Volume One that will help develop this new sense of time.

Audio Files

The audio files provides you with eight 8 minute tracks at different tempos in which the time is delineated every 2 bars, and with an extra hit every 32 bars to outline the 32 bar form. The student may then use the exercises presented in the book to gain control of their execution or improvise to gain control of their ideas using this bare minimum of time delineation.

Additional Information:

Digital Edition IBSN: 978-1-59489-602-6

Physical Edition IBSN: 978-1-890944-22-3

58 pages: Physical version of this book contains a CD. Digital Version of this book includes MP3 audio files.

What people are saying:

If you are looking for rhythm books to get a larger sense of time, this one may be just right for you. It includes lots of exercises taken from various Muse Eek rhythm books. Some exercises are simple and some are very difficult but so as long as you are an intermediate player I think you will find the material useful. Hey Muse-eek, How about coming out with an 8 and 16 and 24 bar version? --Not that I've mastered the 2 bar patterns at very slow tempos but I would like to give it a try anyway just to test myself. W. Poulsen

These tracks are great for working on jazz tunes. Just take a 32 bar form and you can expand your sense of time and you always know when the 32 bars are up. The book has lots of ideas about time and rhythm, too. D. González.

Doing Time with the Blues Volume Two

Doing Time with the Blues Volume Two..is a must own for any instrumentalist seeking to develop a strong sense of time.

Volume Two works with larger units of time to develop an even more refined sense of time.

This book is part of a series of books which are designed to teach a student:

How to develop a better internal sense of time.

Feel music on a more macro level.

Develop an innate sense of musical form.

Develop a more natural feel that breathes with the music.

"Feel Time" not "Count Time."

All this is accomplished by requiring the student to "feel time" not "count time." within a Blues Form. There are numerous exercises in the Doing Time with the Blues Volume Two that will help develop this new sense of time.

Audio Files

The audio files provides you with eight 8 minute tracks at different tempos in which the time is delineated every 4 bars, and with an extra hit every 12 bars to outline the blues form. The student may then use the exercises presented in the book to gain control of their execution or improvise to gain control of their ideas using this bare minimum of time delineation.

Additional Information:

Digital Edition IBSN: 978-1-59489-601-9

Physical Edition IBSN: 978-1-890944-18-6

58 pages: Physical version of this book contains a CD. Digital Version of this book includes MP3 audio files.

What people are saying:

I play piano and I've been using Doing Time with the Blues Volume Two to work on feeling 4 bars as a basic unit of time. The slower the tempo, the harder it gets. Through the exercises in the book and just playing through my favorite blues tunes, I really changed both my perception of time and my ability to keep time without counting. V. Golubev

The concept behind these doing time books really works. It has really helped my time and particularly helped me to hold the form when drummers are soloing. Totally Recommend. H. Alvarez

I've been working with both the Doing Time with the Blues and the Doing Time with 32 Bars. It can get pretty frustrating, and there were times I almost gave up, but then the payoff came. Certainly not a book for a total beginner though the more I think about it, it could be cool you would just have to be a real fanatic beginner :) Anyway glad I found these books and this time concept. I've found no one else is even talking about these concepts much less offering a product that you can use to master it. Kudos to Muse Eek! P. Kristensen.

Doing Time with the Blues Volume One

Doing Time with the Blues Volume One..is a must own for any instrumentalist seeking to develop a strong sense of time.

This book is part of a series of books which are designed to teach a student:

How to develop a better internal sense of time.

Feel music on a more macro level.

Develop an innate sense of musical form.

Develop a more natural feel that breathes with the music.

"Feel Time" not "Count Time."

All this is accomplished by requiring the student to "feel time" not "count time." within a Blues Form. There are numerous exercises in the Doing Time with the Blues Volume One that will help develop this new sense of time.

Audio Files

The audio files provides you with eight 8 minute tracks at different tempos in which the time is delineated every 2 bars, and with an extra hit every 12 bars to outline the blues form. The student may then use the exercises presented in the book to gain control of their execution or improvise to gain control of their ideas using this bare minimum of time delineation.

Get Doing Time with the Blues Volume One Today!

Additional Information:

Digital Edition IBSN: 978-1-59489-600-2

Physical Edition IBSN: 978-1-890944-17-9

58 pages: Physical version of this book contains a CD. Digital Version of this book includes MP3 audio files.

What people are saying

I've been using this book with a drummer friend of mine. We play duets using the blues form and trade solos every 2, 4, 6 and 12 bars. These audio files keep us honest....It will get your time together pronto! G. Williams

I've been working with the Big Metronome and the Doing Time books over the last few years. I really appreciate the concept behind these books: Feel time, don't count it. This is a challenge but it works if you just follow the instructions in the book. It really frees up your playing in a big way. R. Petrenko

It's easy to walk over beats, but soloing is a completely different story. I'm a bassist and have been using this book with a guitarist friend to improve our overall rhythm.... This will keep you on your toes! T. Maslow

Time Transformation

Forward looking approach to improvisation.

This book is meant for the student who wants to move past the commonly used melodic, rhythmic and phrasing patterns and explore a new type of improvisation based on contemporary ideas of pitch class set improvisation, odd phrasing, and time level superimposition.

This book explores multiple aspects of contemporary music through highly targeted etudes. On the surface level it contains:

Each etude is a gateway to exploring:

Complex rhythmic ideas such as improvising on a different rhythmic levels.

Downloadable MP3 supply the key to advanced study with this book.

All etudes have corresponding MP3 files files which can be downloaded free of charge from the muse-eek.com website. These MP3s are the key to understanding the depth of these etudes.

The basic MP3s allow you to hear the tonal center as a background to facilitate an understanding of the melodic lines in a real musical situation.

Superimposed rhythmic levels are the key to a newer approach to improvisation.

The advanced MP3s present you with modal vamps that have a superimposed metronome clicks in another meter . This allows the student to play each etude in a superimposed rhythmic level.

An Example of this approach.

For instance you will hear a chord progression in 4/4 but a metronome click that is playing 3, 4, 5, 6 or 7 clicks per measure. This prompts you to read each etude as a time superimposition over the original vamp progression. This kind of study leads to mastery of the complex rhythmic soloing ideas commonly used in contemporary improvisation.

Additional Information:

Digital Edition IBSN: 978-1-59489-793-1

Physical Edition IBSN: 978-1-59489-931-7

620 pages with downloadable MP3s for additional applications.

What people are saying:

I recommend this to advanced musicians. I've studied this book in private lessons with Mr. Arnold and since most of you haven't had that privilege, let me give you a major tip. Try playing all exercises over a minor chord vamp. This is so you hear the melodic lines that go in and out of the key center as well as the advanced phrasing of each line. The extra MP3s can be used to play along with the exercise or to read it on another rhythmic level. For instance let's say you playing an MP3 to plays a groove in 4/4 but then you hear a click that is outlining every 3 eighth notes as the new quarter note. You would then read through the exercise using the new quarter and you are effectively playing on a new rhythmic level. It sounds completely cool and boosts your rhythmic skills. F. Morán

I initially got this book to read in 3/4, 5/4 and 7/5 because there is so little literature out there that covers these time signatures. The MP3s are great because you can play grooves as you read through the exercises. That makes it more interesting and gives you insights into these modern melodies. H. Djurhuus

There is so little instruction out there about modern intervallic melodies! I'm thrilled that I found Time Transformation. G. De Luca.

Don't get this book if you are not a fanatic, 'cause you'll spend many years working with it. I'm a fanatic though :-) I emailed Mr. Arnold some questions about how to approach the exercises (It says all over the website and in the books that you can do this, so what the hell, I did) and he actually took the time to give me a practice regimen that is giving my brain a good workout. G. Claessen.

Comping Styles for Bass Guitar Volume Two: Funk

Ask yourself these questions?

Are you having problems getting into the groove when you are playing Funk bass lines?

Are you having problems with your sixteenth note feel

Do you want to get funkier with your playing but don't know where to start?

Do you want to improve your sixteenth note sight reading skills?

Do you want to learn some cool chord progressions and develop a deep groove at the same time?

If the answer is YES then Comping Styles for Bass Guitar Volume Two: Funk is your ticket to becoming a funky grooving bass guitarist. Funk is a crucial style of contemporary playing for guitarist and is used by bands from classic James Brown to artists like Dave Mathews. If you feel your rhythm needs work or if you want to get people up on their feet and dancing then this is the book to get you there. You will have 36 chord progressions to develop your groove using the Blues, Minor Blues and "Rhythm Changes" in all keys. The book is recommended for intermediate to advanced bass guitarists who have a fair knowledge chord progressions and can read music.

What do you get with Comping Styles for Bass Guitar Volume Two: Funk

36 chord progression progression with audio files in a trio setting of Guitar, Bass and Drums.

Each chord progression is presented using regular staff notation.

Twelve 12 Bar Blues chord progressions. One in each key.

Twelve 12 Bar Minor Blues chord progressions. One in each key.

Funky "Rhythm Changes." One in each key.

A serious workout with sixteenth note groove which will help both your feel and your reading skills

Get your groove on today with this great book!

You'll learn 36 chord progressions to help you learn the style. You'll work with many common tempos used, from the slow R&B laid back funk style to the fast Tower of Power "funky till you can't stand it" grooves. This graduated method lets you develop your ability slowly and audio files are included to help you hear this style and catch your mistakes

Additional Information:

Digital Edition IBSN: 978-1-59489-778-8

Physical Edition IBSN: 978-1-890944-08-7

113 pages: Digital download has 36 MP3s. Physical book has one CD with 36 tracks

What people are saying:

I've been playing bass about one year and have had a few auditions where I needed to play sixteenth note grooves. I was all over the place with my time so I got Comping Styles for Bass Guitar Volume Two: Funk to help me develop my feel but also get my reading of sixteenth notes together. I found this to be a very useful book. Reading is not easy but not crazy either so it was about right for my current level. If you want a good book to get you started on playing Funk and sixteenth note grooves this one works real well. A bonus was I learned a lot about alternate chord changes for a Blues and Minor Blues. W. Jipp

I have been working through the Muse-eek's Rhythm Series and wanted more work with sixteenth notes. This book is a good workout and chord progressions were very cool. Highly Recommend! H. Galore

I contacted Bruce a few years ago about recommended material to use to get my sight reading together. He recommended the Rhythms Volume One, Rhythms Volume Two and Comping Styles for Bass Guitar Volume Two: Funk. He recommended I play these progressions with my fingers and with slapping. The rhythms are fairly simple especially if you compare them to Rhythms Volume Two which has some serious syncopation....it's all good stuff. E. Dudley.

Well first if you can't read don't get this book, you certainly will need some reading skills as this book is written with staff notation. Mostly 2 and 4 measure bass patterns so once you get the rhythm pattern down the progression is fairly easy. Rhythm Changes progressions have some great reharms! Overall a good book for basic funk rhythms. G. Kohler

I've been working with Comping Styles for Bass Guitar Volume Two: Funk and the Rhythm Ear Training Video Course. I like both books. I felt I really needed to get my reading together and get my rhythms more accurate. Both these courses have really shown me my weak points which is exactly what I was looking for. P. Bartlett.

Get started with Comping Styles for Bass Guitar Volume Two: Funk and get your groove happening!

Have a story or a review you want to submit. We would love to hear from you please send us an email.

Time Development Studies

Time Development Studies is a series of MP3 downloads the help a student master the ability to superimpose one time signature over another. These superimposition are commonly found in all types of modern music most notably: Jazz, Rock and World Music. Each package gives you a set of MP3s where you a low click sound for 2 beats per measure and at the same time a high click sound for the 3 beats per measure. Each click is in a separate channel so you can control the level of each.

Get Time Development: 3 against 4...download today!

Status: In stock, Digital book is available for immediate access.

Time Development: 3 against 5.

Time Development: 3 against 5

These MP3s give you a low click sound for 3 beats and at the same time a high click sound for the 5 beats. These files are essential for developing the ability to superimpose 3 beats over 5 beats in multiple situations.

This package gives you 37 audio tracks using the following metronome markings:

Get Time Development: 3 against 5...download today!

Status: In stock, Digital book is available for immediate access.

Time Development: 10 against 3.

Time Development: 10 against 3.

These MP3s give you a low click sound for 3 beats and at the same time a high click sound for the 10 beats. Amoung others this is useful for working on various combinations of 3 eighth notes against a basic pulse. For instance if you wanted to work on superimposing a 3 eighth note grouping over a 5/4 key signature these files would give you a low click once per measure and a high click that marks the 3 eighth note division which would repeat every 3 measures.

This package gives you 37 audio tracks using the following metronome markings:

Get Time Development: 10 against 3...download today!

Status: In stock, Digital book is available for immediate access.

Time Development: 5 against 4.

Time Development: 5 against 4

These MP3s give you a low click sound for 4 beats and at the same time a high click sound for the 5 beats. These files are essential for developing the ability to superimpose 5 beats over 4 beats in multiple situations.

This package gives you 37 audio tracks using the following metronome markings:

Get Time Development: 5 against 4...download today!

Status: In stock, Digital book is available for immediate access.

Time Development: 9 against 14.

Time Development: 9 against 14.

These MP3s give you a low click sound for 14 beats and at the same time a high click sound for the 9 beats. These files are essential for developing the ability to superimpose 9 beats over 14 beats in multiple situations. A common application would be superimposing 9 beats over two measures of 7/4.

This package gives you 37 audio tracks using the following metronome markings:

Get Time Development: 9 against 14...download today!

Status: In stock, Digital book is available for immediate access.

Reviews

What people are saying:

These Time Development downloads have been very helpful. I've been using them in conjunction with the Time Transformation book as well as using them with a drummer friend of mine; the drums play on one level while I play on another. I recommend these studies to any advanced student... Y. Božič

Muse Eek has got some of the wildest stuff on their website --Hello!--Bruce Arnold you are CRAZEEEEEE. The Time Development Studies are no exception. I love having these files on my iPhone I can be walking down the street and tapping two different rhythms and know I'm "dead on balls" Great stuff keep 'em coming!..H. Gustafsson

I think if you start to work the Time Studies 2 against 3 and 3 against 4 you will soon realize these are all over contemporary music. Highly recommended for the musician without borders... A. Mahadevan

These MP3 downloads are excellent. I'm using them to help my time studies but they are also giving me a lot of ideas for compositions. I was drawn to Muse Eek because of Mr. Arnold's use of Modern Classical Composition Technique in Jazz. Rhythm is one the key elements in blending these styles. I strongly recommend if you are liked minded... T. Lawrence

Have a story or a review you want to submit. We would love to hear from you please send us an email.

The Big Metronome

The Big Metronome...is a must own for any instrumentalist.

This book is part of a series of books which are designed to teach a student:

How to develop a better internal sense of time.

Feel music on a more macro level.

Develop an innate sense of musical form.

Develop a more natural feel that breathes with the music.

"Feel Time" not "Count Time."

All this is accomplished by requiring the student to "feel time" not "count time." The Big Metronome is filled with numerous exercises and comes with audio files to play along with each exercise.

Audio Files

Each audio track for The Big Metronome gives you a two bar count off and then a click every measure, two measures or four measures. As this pulse happens at wider and wider periods of time it requires the student to rely more and more on their own internal sense of time.

Additional Audio Files

Although The Big Metronome does contain 3 CDs worth of audio either the physical book or ebook could contain MP3s for all metronome markings with a click for either every measure, two measure and four measures. It is recommended that you also purchase the additional MP3 audio downloads that available. The most complete additional audio is the "Big Metronome Bundle 1" which contains over 45 hours of MP3s with every traditional metronome marking with every macro beat up to 8. This is a huge resource and highly recommended to get the most out of this book and time concept.

Additional Information:

Digital Edition IBSN: 978-1-59489-785-6

Physical Edition IBSN: 978-1-890944-37-7

3 CDs of Audio in Physical edition and 3 folders of audio in MP3 format with the digital version

Status: In stock, Physical book ships in 24 hours. Digital book is available for immediate access.

FREE SHIPPING WHEN ORDER TOTAL IS OVER 200.00 USD.

The Big Metronome and the "Doing Time" series were recommended to me a few years back by my drum instructor. They both really helped me get a feel for a larger sense of form, and that led to much more freedom in my soloing and how I approach an overall feel. D. Hernández

The Big Metronome has completely changed my perception of time. Over the last few months I've gotten to the point that I can use 20 clicks a minute and keep time while playing chords. The book has lots of ideas on time and also how to use the ideas. R. Hasanov

I was always OK playing in time with the metronome. Take the metronome away and I was all over the place. I contacted Bruce about my time problems and he recommended The Big Metronome My opinion is although this book is for a more advanced student that understands basic rhythms, learning the "idea" is important for all musicians. I spend most of my time sight reading through Rhythms Volume One and Rhythms Volume Two with different click combinations. This has really helped me not to speed up and slow down. The Big Metronome has really helped me. F. Mészáros

Each student has different goals and reasons for working with the The Big Metronome for recommendations for further study please contact Mr. Arnold at the link at bottom of page.

Please Note!

Over the years we have had many requests for additional audio files to cover different tempos and different time signatures so that students could use these files in multiple situations. We have therefore created additional digital downloads of other audio files that will aid you in your development.

The Big Metronome comes with 3 CDs but these MP3s give you many more possible combinations to strengthen your time. Each MP3 package gives you 37 audio tracks that are 10 minutes in length using the following metronome markings:

These are the settings on a traditional metronome. Each download is giving you the equivalent of 5 Audio CDs worth of audio. We also offer bundles of these downloads at a reduced price. These bundles contain about 40 Audio CDs worth of files. Keep in mind that bundles are rather large files and the download could take a few minutes.

Big Metronome Bundle 1

Volumes 1 through 8 of 4/4 meter with time divisions 1-8 measures. This package contains Big Metronome Volume 1 through 8 in one download. This is the combination of the eight volumes listed above.

This package includes MP3 for all traditional metronome markings with a click for 1-8 measures. This bundle contains almost 300 MP3 files. The following metronome markings are used with time divisions of 1 through 8 measures.