For months, I’ve been looking for presets that would work in most apps I use to edit my videos and photos but couldn’t find one. That was until I discovered Lutify.me and its LUTs made compatible with Capture One and Lightroom.[ Read More ]

I often struggle to give my videos the same energy and flow that Peter Mckinnon or Casey Neistat have in theirs. I would blame the fact that I might not have the gear or budget they have. But, those days are over.
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The process of color correcting and color grading in filmmaking is an art of its own. Even if you do not work with video, such techniques can bring your photographs to the next level. The goal of this short tutorial is not creating an orange and teal look, but rather teaching you how ambient light affects highlights, midtones, and shadows of the skin. Knowing this technique you can color grade visuals the way you see them in many films.
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With the release of the iMac Pro, there has been tons of talk and plenty of reviews and comparisons versus Window computers and even older iMacs. If you're a video editor and made up your mind to go ahead on making the purchase of a new iMac Pro but unsure which processor configuration you should choose, this is the video for you.
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If you've seen "I, Tonya," you may have noticed the film isn't just great for its incredible acting, script, and fresh approach to an old story. What really pulls you in are the long takes of Margot Robbie actually skating like her character, Tonya Harding, as though she herself was a true Olympian.
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Wrapping up the shooting for your latest vlog is always a satisfying feeling but, of course, the work has only just begun. Cutting, editing, adding sound, text; the list of finishing touches for your vlog goes on. One way to speed up that workflow is to accomplish as much of the work as possible in camera, reducing your workload once you've uploaded your content to your computer. Daniel DeArco has put together a vlog showing off some really easy and effective transitions that will take your vlog from static to dynamic with minimal extra effort.
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Facebook is taking a different approach to solving a problem faced by video editors, visual effects artists, and programmers: they're inventing a new unit of time. Hopefully, this will help solve a peculiar issue.
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Working with multiple cameras in filmmaking is almost inevitable. Most of the time you are in a situation working with cameras of different brands or different models. Matching the picture from these cameras can be a painful process involving color charts, reference frames, creating custom LUTs (look-up tables), etc. PolarPro tries to make our workflow easier by releasing presets of cinematic LUTs that can be used to match footage from different cameras and drones.

After getting into the video world, you quickly realize that being able to stabilize your footage when needed can make a significant impact on the result and quality of your video. While you can buy an expensive gimbal or rely on a not always so practical Steadicam, there is also the possibility of improving the stabilization in post-production. The tools included in most video editing apps aren’t exactly perfect as it will give you a weird effect and make you feel sick. What if I told you there is another way that works better than the wrap stabilizer VFX filter Continue reading "How to Stabilize Footage Without Using Premiere’s Wrap Stabilizer"

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SeriouslyPhotography is curated by Keith Teare. The top Photography and Videography blogs are monitored. It is intended as a convenience for those who want to monitor the ever-changing ecosystem - both in terms of the equipment, software, people and the ideas underlying their activities.
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