The performance is accompanied by a 10-minute introduction by Barenboim…Many such introductions are only so much waffle but, in this case, I recommend beginning by listening to what Barenboim has to say, not so much for any deep insights into the Goldberg Variations, but for its clear introduction to how Barenboim approaches the piece.

It is fascinating to hear Barenboim vary his touch and attack. He is not afraid of being pianistic at moments, as in Variation 12, for instance, or in the “overture” that constitutes Variation 16, nor is he shy of an occasional change of volume during a section to make a point. He ties Variations 17 through 20, and 22 and 23, together to make larger units.

Released this year, the DVD of Daniel Barenboim’s performance of Bach’s Goldberg Variations was actually recorded in 1992 and I was surprised to hear such a sensitive and musical interpretation. Past performances have not always lived up to expectations in tonal quality. This performance exudes energy and deep emotional commitment to the work. Barenboim uses a wide range of dynamics and articulations to create the instrumental sounds from Bach’s time.

He makes pianistic references to the famous high trumpet, the oboe, the string family and the organ. Barenboim has created an orchestra from the piano. This is no surprise as he is a highly respected conductor and it shows in his “orchestration” of each variation. His faster variations are dance-like and real toe-tappers. However, despite the speed or tempo he never loses his refined touch and exquisite control of the rhythm and ornaments. Each variation breathes musically, dances, sings or speaks in a contemplative manner. Although linked, each variation tells a unique story.

All Naxos Historical, Naxos Classical Archives, Naxos Jazz, Folk and Rock Legends
and Naxos Nostalgia titles are not available in the United States and some titles
may not be available in Australia and Singapore because these countries have copyright
laws that provide or may provide for terms of protection for sound recordings that
differ from the rest of the world.