The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to- as do most American high schoolers- I've been told this can be helpful. Hope you enjoy.

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How will they achieve this? The women plan to force the men to sign a Peace Treaty by refusing to have sex with them until they do!
That’s by no means to say they won’t make things as hard as possible to ensure they succeed; they will be teasing, they will be tempting but most importantly they will be working together to end the war.
Their biggest opponent will be the Mayor of London and his four rather hopeless policemen (who have a secret penchant for Barbershop!); they are intent on ruining her plan. With the help of Beatrice, the leader of the chorus of London women, they will fight against the chorus of London men led by Bertie - a man who doesn't quite seem to be playing with the full deck...
We will discover how it takes just one person to bring everyone together and make a difference, and we will see how much fun they can have doing so along the way!
The show's soundtrack will include some wonderful wartime songs, with some jaunty twists and some jazz standards as you've never seen them before! By the end of the show there will have been swing, there will have been jazz, barbershop, a 40s take on some more modern tracks - but we will be looking to end the whole piece in true musical theatre style.
A very funny, very naughty piece! – the original battle of the sexes. All will be bare in love and war.
BUY TICKETS: https://www.ticketsource.co.uk/centrestage
CREATIVE
Directed by EllieCahill
Co-Directed by Katie McKay
Musical DirectorMax Fagandini
Choreographed by Hannah McKenna-Vickerstaff
Produced by Renée Fletcher

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.

A Musical Adaptation of Romeo and Juliet

7:13

The Raven by Edgar Allan Poe - Musical Adaptation

The Raven by Edgar Allan Poe - Musical Adaptation

The Raven by Edgar Allan Poe - Musical Adaptation

The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to- as do most American high schoolers- I've been told this can be helpful. Hope you enjoy.

Dead Poets Society - A Musical Adaptation

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

Lysistrata - A Musical Adaptation

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How will they achieve this? The women plan to force the men to sign a Peace Treaty by refusing to have sex with them until they do!
That’s by no means to say they won’t make things as hard as possible to ensure they succeed; they will be teasing, they will be tempting but most importantly they will be working together to end the war.
Their biggest opponent will be the Mayor of London and his four rather hopeless policemen (who have a secret penchant for Barbershop!); they are intent on ruining her plan. With the help of Beatrice, the leader of the chorus of London women, they will fight against the chorus of London men led by Bertie - a man who doesn't quite seem to be playing with the full deck...
We will discover how it takes just one person to bring everyone together and make a difference, and we will see how much fun they can have doing so along the way!
The show's soundtrack will include some wonderful wartime songs, with some jaunty twists and some jazz standards as you've never seen them before! By the end of the show there will have been swing, there will have been jazz, barbershop, a 40s take on some more modern tracks - but we will be looking to end the whole piece in true musical theatre style.
A very funny, very naughty piece! – the original battle of the sexes. All will be bare in love and war.
BUY TICKETS: https://www.ticketsource.co.uk/centrestage
CREATIVE
Directed by EllieCahill
Co-Directed by Katie McKay
Musical DirectorMax Fagandini
Choreographed by Hannah McKenna-Vickerstaff
Produced by Renée Fletcher

47:48

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 1

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 1

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 1

Slavic Adaptation of Music in The Witcher 3: Wild Hunt

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

A Musical Adaptation of Romeo and Juliet

published: 23 Dec 2017

The Raven by Edgar Allan Poe - Musical Adaptation

The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to- as do most American high schoolers- I've been told this can be helpful. Hope you enjoy.

Dead Poets Society - A Musical Adaptation

published: 02 Oct 2016

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to...

PORTFOLIO 026 - "Solitude"
Letra: Lewis Carroll (1832-1898)
Música: Juan Ramos - Voz: Ciprian Rizea
Traducción a la lengua española: Raquel Lanseros
www.raquellanseros.com
Extraido del libro: Lewis Carroll Poemas - Valparaiso Ediciones
SOLITUDE
I love the stillness of the wood:
I love the music of the rill:
I love to couch in pensive mood
Upon some silent hill.
Scarce heard, beneath you arching trees,
The silver-crested ripples pass;
And, like a mimic brook, the breeze
Whispers among the grass.
Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break in to mar the holy peace
Of this great solitude.
Here may the silent tears I weep
Lull the vexed spirit into rest,
As infants sob themselves to sleep
Upon a mother's breast.
But when the bitter hour is gone,
And ...

Lysistrata - A Musical Adaptation

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How will they achieve this? The women plan to force the men to sign a Peace Treaty by refusing to have sex with them until they do!
That’s by no means to say they won’t make things as hard as possible to ensure they succeed; they will be teasing, they will be tempting but most importantly they will be working together to end the war.
Their biggest opponent will be the Mayor of London and his four rather hopeless policemen (who have a secret penchant for Barbershop!); they are intent on ruining her plan. With the help of Beatrice, the leader of the chorus of London women, they will fight against the chorus of London men led by Bertie...

published: 28 Oct 2017

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 1

PORTFOLIO 024 - "Dreamland"
Letra: Lewis Carroll (1832-1898)
Música: Juan Ramos - Voz: Ciprian Rizea
Traducción a la lengua española: Raquel Lanseros
www.raquellanseros.com
Extraido del libro: Lewis Carroll Poemas - Valparaiso Ediciones
Dreamland
When midnight mists are creeping,
And all the land is sleeping,
Around me tread the mighty dead,
And slowly pass away.
Lo, warriors, saints, and sages,
From out the vanished ages,
With solemn pace and reverend face
Appear and pass away.
The blaze of noonday splendour,
The twilight soft and tender,
May charm the eye: yet they shall die,
Shall die and pass away.
But here, in Dreamland's centre,
No spoiler's hand may enter,
These visions fair, this radiance rare,
Shall never pass away.
I see the shadows falling,
The forms of old recalling;
Aro...

published: 26 Apr 2017

CILLA - The Musical UK Tour (Official 2018 Trailer)

#CILLATheMusical is the spectacular and heart-warming musical adaptation of the critically acclaimed hit ITV television series by BAFTA Award winner, Jeff Pope. Book tickets here: http://tidd.ly/8eb5e321
The musical stars #KaraLilyHayworth as #CILLA and tells the extraordinary story of the teenage girl from Liverpool whose dreams of stardom were realised after an introduction by a young John Lennon to music mogul #BrianEpstein changed Pricilla White’s life forever! This chance meeting led to Cilla becoming one of Britain’s best-loved entertainers of all time!
The show will concentrate more on the music than the TV programme did. The musical score is the ultimate soundtrack to the 60’s including Cilla’s greatest hits “Anyone Who Had a Heart”, “Alfie” and “Something Tells Me”, “Twist and ...

published: 05 Mar 2018

Slavic Adaptation of Music in The Witcher 3: Wild Hunt

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

The Raven by Edgar Allan Poe - Musical Adaptation

The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to-...

The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to- as do most American high schoolers- I've been told this can be helpful. Hope you enjoy.

The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to- as do most American high schoolers- I've been told this can be helpful. Hope you enjoy.

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and un...

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

Lysistrata - A Musical Adaptation

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How w...

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How will they achieve this? The women plan to force the men to sign a Peace Treaty by refusing to have sex with them until they do!
That’s by no means to say they won’t make things as hard as possible to ensure they succeed; they will be teasing, they will be tempting but most importantly they will be working together to end the war.
Their biggest opponent will be the Mayor of London and his four rather hopeless policemen (who have a secret penchant for Barbershop!); they are intent on ruining her plan. With the help of Beatrice, the leader of the chorus of London women, they will fight against the chorus of London men led by Bertie - a man who doesn't quite seem to be playing with the full deck...
We will discover how it takes just one person to bring everyone together and make a difference, and we will see how much fun they can have doing so along the way!
The show's soundtrack will include some wonderful wartime songs, with some jaunty twists and some jazz standards as you've never seen them before! By the end of the show there will have been swing, there will have been jazz, barbershop, a 40s take on some more modern tracks - but we will be looking to end the whole piece in true musical theatre style.
A very funny, very naughty piece! – the original battle of the sexes. All will be bare in love and war.
BUY TICKETS: https://www.ticketsource.co.uk/centrestage
CREATIVE
Directed by EllieCahill
Co-Directed by Katie McKay
Musical DirectorMax Fagandini
Choreographed by Hannah McKenna-Vickerstaff
Produced by Renée Fletcher

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How will they achieve this? The women plan to force the men to sign a Peace Treaty by refusing to have sex with them until they do!
That’s by no means to say they won’t make things as hard as possible to ensure they succeed; they will be teasing, they will be tempting but most importantly they will be working together to end the war.
Their biggest opponent will be the Mayor of London and his four rather hopeless policemen (who have a secret penchant for Barbershop!); they are intent on ruining her plan. With the help of Beatrice, the leader of the chorus of London women, they will fight against the chorus of London men led by Bertie - a man who doesn't quite seem to be playing with the full deck...
We will discover how it takes just one person to bring everyone together and make a difference, and we will see how much fun they can have doing so along the way!
The show's soundtrack will include some wonderful wartime songs, with some jaunty twists and some jazz standards as you've never seen them before! By the end of the show there will have been swing, there will have been jazz, barbershop, a 40s take on some more modern tracks - but we will be looking to end the whole piece in true musical theatre style.
A very funny, very naughty piece! – the original battle of the sexes. All will be bare in love and war.
BUY TICKETS: https://www.ticketsource.co.uk/centrestage
CREATIVE
Directed by EllieCahill
Co-Directed by Katie McKay
Musical DirectorMax Fagandini
Choreographed by Hannah McKenna-Vickerstaff
Produced by Renée Fletcher

published:28 Oct 2017

views:30

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The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 1

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

Dead Poets Society - A Musical Adaptation

published: 02 Oct 2016

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to...

published: 17 Jul 2016

Slavic Adaptation of Music in The Witcher 3: Wild Hunt

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

Heresy: The Love Song of J. Alfred Prufrock, a musical adaptation

T. S. Eliot's classic in a new medium. Music by Heresy, illustration by JulianPeters. If you like what you hear, please consider buying the CD. You'll get easy access to individual tracks, plus 8 bonus tracks, along with better sound quality and keepsake packaging with booklet. And you'll be supporting the band to help assure that they can make more music available in the future. DirectAmazon link for CD: http://amzn.to/2hcki7n
Also available on iTunes.
For info on other releases and live performances, see http://www.heresy.rocks and follow on facebook at http://www.facebook.com/heresyus
For more of Julian Peters' work, see https://julianpeterscomics.com

published: 17 Jan 2017

Frozen - an adaptation

"The Pilgrim's Progress" | Full Feature Film (2017 Musical)

This adaptation of John Bunyan's classic allegory "The Pilgrim's Progress" is a musical adventure fit for the whole family. Visithttp://PilgrimsProgressFilm.com to learn more about this movie.
Shot as a labor of love with a budget of just $2500 and an entirely volunteer cast and crew, making this film has been an incredible journey for all of us at Rogue Valley Fellowship. We pray that God will use this film to further His Kingdom in a profound way, so feel free to share it with your friends and family, show it in your church, and join Christian on his journey to the city of glory!
Visit http://PilgrimsProgressFilm.com to see more information about the film, purchase the DVD or soundtrack, make a donation, or download a free curriculum for your Church's Sunday School or VBS.
"The P...

published: 26 Aug 2017

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 2

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and un...

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

This much-acclaimed dramatization of George Orwell's classic, allegorical novel was first seen at the National Theatre of England in 1984, directed and adapted by Peter Hall. The Hebrew translation was directed by NoamShmuel and opened on September 2015 at the GesherTheatre, Tel Aviv.
Lyrics: Adrian MitchellMusic by: Richard Peaslee
Translated by: DanielEfrat
Directed by: Noam Shmuel
Musical Director: Nadav Rubinshtein
Vocal Coach: Doki Atsmon
Set Design: Niv ManorMovement: Amit Zamir
Lighting Design: Ziv Voloshin
Costume Design: Aviah BashAssistant Director: HadasSherStage Manager: Tanya Sochanov
Photos: Liran Levy
Sound Design: Michael Vaisburd
Cast:
“The Gesher YoungEnsemble”
Avi Azulay
Tom Appelbaum
Yael Bouton/Yael Shildkraut
Imri Biton/Hillel CaponeShiriBen Cohen
Gal Ben Amra
Eden Gozlan
Noa Har-Zion
Bar Gol
Dorel Zilberman
SivanMastAviv Carmi
Daniel Meroz
CarmelKandel
Reviews:
"An ExcellentProduction, Edgy, Musical Political Satire with a SharpBite"
Noam Shmuel has created a production in which all the elements work together in such harmony, that one is utterly carried away by the sweeping emotions and rhythms of this fairy tale, experiencing the awakening exhilaration of revolt, the joys of community, and the growing sense of injustice and outrage.
The simplicity of the story is echoed in the choice of costumes and set. From the play’s first moments, each animal is distinct as a member of its species, and as it progresses, each becomes distinct as an individual. The first is due to the imaginative and precise attention to movement in this production, choreographed by Amit Zamir. The movement is imbued with authenticity, humor and sensitivity – it is one of the many strengths of this production. The ensemble cast is wonderful, working well as a group and at the same time, each revealed to the audience as an individual with thoughts and feelings.
Live music accompanies this performance. This production of Animal Farm simply breathes music, the songs and accompanying instrumentals are such an integral part of the work, working their associative magic on the mind. The songs work very well in Hebrew, moreover, the music for the production has been carefully selected for maximum subversive impact. As the animals experience their political awakening and join together to rebel against their oppressor and create a new, egalitarian, just society, one can recognize the melodies of popular Israeli folk songs in the instrumentals. These are songs that were written in the spirit of the new egalitarian, just society that would be built in the land of Israel, songs of hope and unity. Songs that for some, today, represent the false hope and false sense of unity intended to mask a culture in which there is an ever-widening abyss between the haves and the have-nots, in which, as Orwell put it “All animals are equal, but some animals are more equal than others.”
Ayelet Dekel, MidnightEast 20.9.15
“A Fine Ensemble Work”
“Rather than dress up as the various animals, the actors portray them brilliantly via voice and movement, coached by Amit Zamir. Niv Manor’s minimalist set includes a “wall” of plastic panels, perfect for “graffiti” and to obscure the ramshackle structure behind it. A series of different-sized metal barrels function as both furniture and props. Napoleon uses the water troughs on the forestage to waterboard Snowball, and to wallow in, but they are also metaphor for death, like the river Styx.
The animals wear Aviah Bash’s unisex costumes, a nod to Mao’s China and to Orwell’s own 1984. They’re muddy looking, murky as Ziv Voloshin’s clever lighting. The actors deliver text and song with energy and enthusiasm.
This Animal Farm is fine ensemble work, especially as some of the actors portray more than one animal, notably Sivan Mast who’s both the nervy, high-strung mare Molly and one of Napoleon’s eager, slavering attack dogs. The absolute standouts are Aviv Carmi as Napoleon and Gal Ben-Amra as the strong carthorse, Boxer. Ben-Amra’s shambling, uncomplaining, loyal – “Napoleon is always right” – and clueless Boxer is perfect. Carmi’s increasingly vicious Napoleon lets his menace show gradually. As his power grows, so does his weight, actually and politically”
Hellen Kaye, Jerusalem Post, 25.10.15

This much-acclaimed dramatization of George Orwell's classic, allegorical novel was first seen at the National Theatre of England in 1984, directed and adapted by Peter Hall. The Hebrew translation was directed by NoamShmuel and opened on September 2015 at the GesherTheatre, Tel Aviv.
Lyrics: Adrian MitchellMusic by: Richard Peaslee
Translated by: DanielEfrat
Directed by: Noam Shmuel
Musical Director: Nadav Rubinshtein
Vocal Coach: Doki Atsmon
Set Design: Niv ManorMovement: Amit Zamir
Lighting Design: Ziv Voloshin
Costume Design: Aviah BashAssistant Director: HadasSherStage Manager: Tanya Sochanov
Photos: Liran Levy
Sound Design: Michael Vaisburd
Cast:
“The Gesher YoungEnsemble”
Avi Azulay
Tom Appelbaum
Yael Bouton/Yael Shildkraut
Imri Biton/Hillel CaponeShiriBen Cohen
Gal Ben Amra
Eden Gozlan
Noa Har-Zion
Bar Gol
Dorel Zilberman
SivanMastAviv Carmi
Daniel Meroz
CarmelKandel
Reviews:
"An ExcellentProduction, Edgy, Musical Political Satire with a SharpBite"
Noam Shmuel has created a production in which all the elements work together in such harmony, that one is utterly carried away by the sweeping emotions and rhythms of this fairy tale, experiencing the awakening exhilaration of revolt, the joys of community, and the growing sense of injustice and outrage.
The simplicity of the story is echoed in the choice of costumes and set. From the play’s first moments, each animal is distinct as a member of its species, and as it progresses, each becomes distinct as an individual. The first is due to the imaginative and precise attention to movement in this production, choreographed by Amit Zamir. The movement is imbued with authenticity, humor and sensitivity – it is one of the many strengths of this production. The ensemble cast is wonderful, working well as a group and at the same time, each revealed to the audience as an individual with thoughts and feelings.
Live music accompanies this performance. This production of Animal Farm simply breathes music, the songs and accompanying instrumentals are such an integral part of the work, working their associative magic on the mind. The songs work very well in Hebrew, moreover, the music for the production has been carefully selected for maximum subversive impact. As the animals experience their political awakening and join together to rebel against their oppressor and create a new, egalitarian, just society, one can recognize the melodies of popular Israeli folk songs in the instrumentals. These are songs that were written in the spirit of the new egalitarian, just society that would be built in the land of Israel, songs of hope and unity. Songs that for some, today, represent the false hope and false sense of unity intended to mask a culture in which there is an ever-widening abyss between the haves and the have-nots, in which, as Orwell put it “All animals are equal, but some animals are more equal than others.”
Ayelet Dekel, MidnightEast 20.9.15
“A Fine Ensemble Work”
“Rather than dress up as the various animals, the actors portray them brilliantly via voice and movement, coached by Amit Zamir. Niv Manor’s minimalist set includes a “wall” of plastic panels, perfect for “graffiti” and to obscure the ramshackle structure behind it. A series of different-sized metal barrels function as both furniture and props. Napoleon uses the water troughs on the forestage to waterboard Snowball, and to wallow in, but they are also metaphor for death, like the river Styx.
The animals wear Aviah Bash’s unisex costumes, a nod to Mao’s China and to Orwell’s own 1984. They’re muddy looking, murky as Ziv Voloshin’s clever lighting. The actors deliver text and song with energy and enthusiasm.
This Animal Farm is fine ensemble work, especially as some of the actors portray more than one animal, notably Sivan Mast who’s both the nervy, high-strung mare Molly and one of Napoleon’s eager, slavering attack dogs. The absolute standouts are Aviv Carmi as Napoleon and Gal Ben-Amra as the strong carthorse, Boxer. Ben-Amra’s shambling, uncomplaining, loyal – “Napoleon is always right” – and clueless Boxer is perfect. Carmi’s increasingly vicious Napoleon lets his menace show gradually. As his power grows, so does his weight, actually and politically”
Hellen Kaye, Jerusalem Post, 25.10.15

T. S. Eliot's classic in a new medium. Music by Heresy, illustration by JulianPeters. If you like what you hear, please consider buying the CD. You'll get easy access to individual tracks, plus 8 bonus tracks, along with better sound quality and keepsake packaging with booklet. And you'll be supporting the band to help assure that they can make more music available in the future. DirectAmazon link for CD: http://amzn.to/2hcki7n
Also available on iTunes.
For info on other releases and live performances, see http://www.heresy.rocks and follow on facebook at http://www.facebook.com/heresyus
For more of Julian Peters' work, see https://julianpeterscomics.com

T. S. Eliot's classic in a new medium. Music by Heresy, illustration by JulianPeters. If you like what you hear, please consider buying the CD. You'll get easy access to individual tracks, plus 8 bonus tracks, along with better sound quality and keepsake packaging with booklet. And you'll be supporting the band to help assure that they can make more music available in the future. DirectAmazon link for CD: http://amzn.to/2hcki7n
Also available on iTunes.
For info on other releases and live performances, see http://www.heresy.rocks and follow on facebook at http://www.facebook.com/heresyus
For more of Julian Peters' work, see https://julianpeterscomics.com

This adaptation of John Bunyan's classic allegory "The Pilgrim's Progress" is a musical adventure fit for the whole family. Visithttp://PilgrimsProgressFilm.com to learn more about this movie.
Shot as a labor of love with a budget of just $2500 and an entirely volunteer cast and crew, making this film has been an incredible journey for all of us at Rogue Valley Fellowship. We pray that God will use this film to further His Kingdom in a profound way, so feel free to share it with your friends and family, show it in your church, and join Christian on his journey to the city of glory!
Visit http://PilgrimsProgressFilm.com to see more information about the film, purchase the DVD or soundtrack, make a donation, or download a free curriculum for your Church's Sunday School or VBS.
"The Pilgrim's Progress"
Directed, Shot, & Edited by David KirkWest
Adapted for the screen by Rousseaux Brasseur
Original Score by Jeremy Oliveria
Production Design by Mera Oliveria

This adaptation of John Bunyan's classic allegory "The Pilgrim's Progress" is a musical adventure fit for the whole family. Visithttp://PilgrimsProgressFilm.com to learn more about this movie.
Shot as a labor of love with a budget of just $2500 and an entirely volunteer cast and crew, making this film has been an incredible journey for all of us at Rogue Valley Fellowship. We pray that God will use this film to further His Kingdom in a profound way, so feel free to share it with your friends and family, show it in your church, and join Christian on his journey to the city of glory!
Visit http://PilgrimsProgressFilm.com to see more information about the film, purchase the DVD or soundtrack, make a donation, or download a free curriculum for your Church's Sunday School or VBS.
"The Pilgrim's Progress"
Directed, Shot, & Edited by David KirkWest
Adapted for the screen by Rousseaux Brasseur
Original Score by Jeremy Oliveria
Production Design by Mera Oliveria

published:26 Aug 2017

views:49184

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The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 2

The Raven by Edgar Allan Poe - Musical Adaptation

The Raven by Edgar Allan Poe is one of the greatest poems of all time. This is my musical adaption. If you have to memorize this fairly long poem like I had to- as do most American high schoolers- I've been told this can be helpful. Hope you enjoy.

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

Lysistrata - A Musical Adaptation

ABOUT THE PRODUCTION
It’s the 1940s, wartime London. We meet Lysistrata as she gathers women around her from all walks of life, they have one aim; Peace. How will they achieve this? The women plan to force the men to sign a Peace Treaty by refusing to have sex with them until they do!
That’s by no means to say they won’t make things as hard as possible to ensure they succeed; they will be teasing, they will be tempting but most importantly they will be working together to end the war.
Their biggest opponent will be the Mayor of London and his four rather hopeless policemen (who have a secret penchant for Barbershop!); they are intent on ruining her plan. With the help of Beatrice, the leader of the chorus of London women, they will fight against the chorus of London men led by Bertie - a man who doesn't quite seem to be playing with the full deck...
We will discover how it takes just one person to bring everyone together and make a difference, and we will see how much fun they can have doing so along the way!
The show's soundtrack will include some wonderful wartime songs, with some jaunty twists and some jazz standards as you've never seen them before! By the end of the show there will have been swing, there will have been jazz, barbershop, a 40s take on some more modern tracks - but we will be looking to end the whole piece in true musical theatre style.
A very funny, very naughty piece! – the original battle of the sexes. All will be bare in love and war.
BUY TICKETS: https://www.ticketsource.co.uk/centrestage
CREATIVE
Directed by EllieCahill
Co-Directed by Katie McKay
Musical DirectorMax Fagandini
Choreographed by Hannah McKenna-Vickerstaff
Produced by Renée Fletcher

47:48

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 1

Slavic Adaptation of Music in The Witcher 3: Wild Hunt

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

"The Phantom of the Opera": A Non-Musical Adaptation by Kyle Walker

Presented by The University Wits - a DIY collective of theatrical designers, directors, writers, and performers. Formed in 2011, a group of over-educated and under-employed theater students decided to put on their own show... and haven't stopped since. Producing work primarily in Dog StoryTheater, a small black-box theater in Grand Rapids, Michigan.
A new stage adaptation of the classic novel, The Phantom of the Opera by Gaston Leroux. The tragic love story of the Opera Ghost is reimagined in this bold, new, non-musical play. Hidden secrets and forgotten truths are uncovered during a fateful meeting between Lon Chaney, the man who first created the Phantom on screen in 1925, and Gaston Leroux, the author of the famous novel. Did the Opera Ghost actually exist? What really happened to Christine Daae? Is there more to the story than the world has come to know? Discover the truth behind the fantasy, the madness beyond the music, and the man within the mask.
Written/directed/produced by Kyle Walker.
Filmed during the world-premiere weekend. Live performance in Dog Story Theater's black box space. Grand Rapids, Michigan.
more from the Wits:
http://www.theuniversitywits.org
to read more about the show:
http://www.therapidian.org/phantom-opera-dog-story-theater

Slavic Adaptation of Music in The Witcher 3: Wild Hunt

In this 2016 GDC session, Witcher 3 composers Marcin Przybylowicz and Mikolai Stroinski cover the soundtrack's influence on narration, its beautiful ugliness, and the task of redefining musical standards for The Witcher franchise.
Register for GDC: http://ubm.io/2gk5KTU
Join the GDC mailing list: http://www.gdconf.com/subscribe
Follow GDC on Twitter: https://twitter.com/Official_GDC
GDC talks cover a range of developmental topics including game design, programming, audio, visual arts, business management, production, online games, and much more. We post a fresh GDC video every day. Subscribe to the channel to stay on top of regular updates, and check out GDC Vault for thousands of more in-depth talks from our archives.

2:04:12

Legally Blonde - The Musical

Legally Blonde: The Musical tells the story of Delta Nu Sorority Sister Elle Woods, and he...

This much-acclaimed dramatization of George Orwell's classic, allegorical novel was first seen at the National Theatre of England in 1984, directed and adapted by Peter Hall. The Hebrew translation was directed by NoamShmuel and opened on September 2015 at the GesherTheatre, Tel Aviv.
Lyrics: Adrian MitchellMusic by: Richard Peaslee
Translated by: DanielEfrat
Directed by: Noam Shmuel
Musical Director: Nadav Rubinshtein
Vocal Coach: Doki Atsmon
Set Design: Niv ManorMovement: Amit Zamir
Lighting Design: Ziv Voloshin
Costume Design: Aviah BashAssistant Director: HadasSherStage Manager: Tanya Sochanov
Photos: Liran Levy
Sound Design: Michael Vaisburd
Cast:
“The Gesher YoungEnsemble”
Avi Azulay
Tom Appelbaum
Yael Bouton/Yael Shildkraut
Imri Biton/Hillel CaponeShiriBen Cohen
Gal Ben Amra
Eden Gozlan
Noa Har-Zion
Bar Gol
Dorel Zilberman
SivanMastAviv Carmi
Daniel Meroz
CarmelKandel
Reviews:
"An ExcellentProduction, Edgy, Musical Political Satire with a SharpBite"
Noam Shmuel has created a production in which all the elements work together in such harmony, that one is utterly carried away by the sweeping emotions and rhythms of this fairy tale, experiencing the awakening exhilaration of revolt, the joys of community, and the growing sense of injustice and outrage.
The simplicity of the story is echoed in the choice of costumes and set. From the play’s first moments, each animal is distinct as a member of its species, and as it progresses, each becomes distinct as an individual. The first is due to the imaginative and precise attention to movement in this production, choreographed by Amit Zamir. The movement is imbued with authenticity, humor and sensitivity – it is one of the many strengths of this production. The ensemble cast is wonderful, working well as a group and at the same time, each revealed to the audience as an individual with thoughts and feelings.
Live music accompanies this performance. This production of Animal Farm simply breathes music, the songs and accompanying instrumentals are such an integral part of the work, working their associative magic on the mind. The songs work very well in Hebrew, moreover, the music for the production has been carefully selected for maximum subversive impact. As the animals experience their political awakening and join together to rebel against their oppressor and create a new, egalitarian, just society, one can recognize the melodies of popular Israeli folk songs in the instrumentals. These are songs that were written in the spirit of the new egalitarian, just society that would be built in the land of Israel, songs of hope and unity. Songs that for some, today, represent the false hope and false sense of unity intended to mask a culture in which there is an ever-widening abyss between the haves and the have-nots, in which, as Orwell put it “All animals are equal, but some animals are more equal than others.”
Ayelet Dekel, MidnightEast 20.9.15
“A Fine Ensemble Work”
“Rather than dress up as the various animals, the actors portray them brilliantly via voice and movement, coached by Amit Zamir. Niv Manor’s minimalist set includes a “wall” of plastic panels, perfect for “graffiti” and to obscure the ramshackle structure behind it. A series of different-sized metal barrels function as both furniture and props. Napoleon uses the water troughs on the forestage to waterboard Snowball, and to wallow in, but they are also metaphor for death, like the river Styx.
The animals wear Aviah Bash’s unisex costumes, a nod to Mao’s China and to Orwell’s own 1984. They’re muddy looking, murky as Ziv Voloshin’s clever lighting. The actors deliver text and song with energy and enthusiasm.
This Animal Farm is fine ensemble work, especially as some of the actors portray more than one animal, notably Sivan Mast who’s both the nervy, high-strung mare Molly and one of Napoleon’s eager, slavering attack dogs. The absolute standouts are Aviv Carmi as Napoleon and Gal Ben-Amra as the strong carthorse, Boxer. Ben-Amra’s shambling, uncomplaining, loyal – “Napoleon is always right” – and clueless Boxer is perfect. Carmi’s increasingly vicious Napoleon lets his menace show gradually. As his power grows, so does his weight, actually and politically”
Hellen Kaye, Jerusalem Post, 25.10.15

40:49

Heresy: The Love Song of J. Alfred Prufrock, a musical adaptation

T. S. Eliot's classic in a new medium. Music by Heresy, illustration by Julian Peters. If ...

Heresy: The Love Song of J. Alfred Prufrock, a musical adaptation

T. S. Eliot's classic in a new medium. Music by Heresy, illustration by JulianPeters. If you like what you hear, please consider buying the CD. You'll get easy access to individual tracks, plus 8 bonus tracks, along with better sound quality and keepsake packaging with booklet. And you'll be supporting the band to help assure that they can make more music available in the future. DirectAmazon link for CD: http://amzn.to/2hcki7n
Also available on iTunes.
For info on other releases and live performances, see http://www.heresy.rocks and follow on facebook at http://www.facebook.com/heresyus
For more of Julian Peters' work, see https://julianpeterscomics.com

"The Pilgrim's Progress" | Full Feature Film (2017 Musical)

This adaptation of John Bunyan's classic allegory "The Pilgrim's Progress" is a musical adventure fit for the whole family. Visithttp://PilgrimsProgressFilm.com to learn more about this movie.
Shot as a labor of love with a budget of just $2500 and an entirely volunteer cast and crew, making this film has been an incredible journey for all of us at Rogue Valley Fellowship. We pray that God will use this film to further His Kingdom in a profound way, so feel free to share it with your friends and family, show it in your church, and join Christian on his journey to the city of glory!
Visit http://PilgrimsProgressFilm.com to see more information about the film, purchase the DVD or soundtrack, make a donation, or download a free curriculum for your Church's Sunday School or VBS.
"The Pilgrim's Progress"
Directed, Shot, & Edited by David KirkWest
Adapted for the screen by Rousseaux Brasseur
Original Score by Jeremy Oliveria
Production Design by Mera Oliveria

22:36

The Lion King Musical Adaptation by 10 Saint Michael (2013-2014) PART 2

Nine Lives A Musical Adaptation Live 2011 Full Mov...

Fri: The Musical! An adaptation of Shakespeare’s “...

It turns out that a theory explaining how we might detect parallel universes and prediction for the end of the world was proposed and completed by physicist Stephen Hawking shortly before he died ... &nbsp;. According to reports, the work predicts that the universe would eventually end when stars run out of energy ... ....

Article by WN.Com Correspondent Dallas DarlingIt wasn’t very long ago Republicans were accusing Democrats of either paying a few dollars to the homeless for votes or giving them a pack of cigarettes. But with Donald Trump, it’s obvious he paid $130,000 to an adult-film star in exchange for her silence last October and just before the general election ... Was the payment from his own account – or from a lawyer – or from campaign donations....

Using e-cigarettes may lead to an accumulation of fat in the liver, a study of mice exposed to the devices suggests. “The popularity of electronic cigarettes has been rapidly increasing in part because of advertisements that they are safer than conventional cigarettes ... Friedman of Charles R. Drew University of Medicine and Science in Los Angeles, California ... Circadian rhythm dysfunction is known to accelerate liver disease....

The MirchiMusic Awards 2018 is one award show you can’t miss. End you weekend with some good music and seeing your favourite musicians win awards for songs you’ll heard on a loop throughout the year ... (ALSO READ.&nbsp;AR Rahman roped in to compose music for Sushant Singh Rajput-starrer Hindiadaptation of The Fault In Our Stars). Here’s a complete list of winners ... Upcoming MusicComposer Of The Year ... FilmMusic Composer Of The Year ... ....

Jennifer wrote the book for the new show, and Robert and Kristen wrote the music and lyrics ... Turning a bona-fide Disney franchise into a more nuanced Broadwaymusical proved a fresh challenge that the writers embraced with gusto ... “Those nine months that Bobby and I were in the basement expanding this into a big, emotional, lush musical, we took it as seriously as if we were adapting ‘War and Peace,’” says Kristen....

I decided to open all of Brian’s emails in one go. " data-adaptive-image-768-img=" " data-adaptive-image-1024-img=" " data-adaptive-image-max-img=" "> Over the last six years I have received 967 emails from a man called Brian S Gross, sometimes up to three a day ... I hadn’t opened them ... Brian is one of the world’s leading porn PRs, with a degree in music from Northern Arizona University, a shaven head and great teeth ... --> CREDIT....

Given some of the subject headings, Brian is clearly involved in the sex industry. " data-adaptive-image-768-img=" " data-adaptive-image-1024-img=" " data-adaptive-image-max-img=" "> Over the last six years I have received 967 emails from a man called Brian S Gross, sometimes up to three a day ... Brian is one of the world’s leading porn PRs, with a degree in music from Northern Arizona University, a shaven head and great teeth....