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8.27.2008

Homage to the Square . . . .

El Lissitzky, Of Two Squares: A Suprematist Tale in Six Constructions, one page of an illustrated book with seven letterpress illustration, 1922, page 10 15/16 x 8 7/8

Here's one last look at the Geo/Metric show. As you might expect in a show on geometric abstraction, the square was a leitmotif that floated throughout the galleries (the rectilinear version of "follow the bouncing ball"). This is a strictly subjective selection.

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Josef Albers, two from Homage to the Square: Ten Works by Josef Albers, 1962, each 16 1/2 x 16 1/2.

Above: Full; below: Tenuous

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Ellsworth Kelly, Purple and Orange from the series Line Form Color, 1951, gouache on paper, 7 1/2 x 8 inches

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Mary Heilmann, Davis Sliding Square, 1978, synthetic polymer paint on paper, 29 7/8 x 22 1/2. I love how the two Jo Baer gouaches are reflected in this work

OK, I have really finished with this series now. I'm moving on to Louise Bourgeois in the next post.

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Artists Choose Artists

Artist Annell Livingston writes about my work for the new blog, Vasari 21, founded by Ann Landi. Click pic for info and a link

Recent Solo: "Silk Road"

"Joanne Mattera: The Silk Road Series" was at Kenise Barnes Fine Art in Larchmont, New York, May-July. Some paintings are available for viewing at the gallery. Click pic for gallery info

Recent: August Geometry

More than just a summer show. Au-gust: adjective, respected and impressive. At the Marcia Wood Gallery, Atlanta. Click pic for info

Recent

I'm having a great year of exhibitions and catalogs. This volume, published by Space Gallery, Denver, on the occasion of the exhibition, "Pattern: Geometric|Organic," is viewable online and available for sale as a hard-copy volume. Click pic for exhibition info and a link to the catalog. That's my "Chromatic Geometry 29" on the cover

James Panero Reviews Doppler Shift

Writing in The New Criterion, Panero calls Doppler Shift "a smart group show, " noting the work of "artists who interest me most these days." There's a nice shout out to Mary Birmingham, the curator; to Mel Prest, who originated the concept; and to me, among others. Click pic for the review

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"Textility," curated by Mary Birmingham and myself for the Visual Art Center of New Jersey, Summit (where Birmingham is the chief curator), looked at contemporary painting, sculpture and work on paper in which textile elements were referenced or employed. The exhibition is over, but you can see this exhibition on line. Click on the links below to read and see more.

Review of Textility

Click pic to access review. Then click on page images to enlarge them for legibility

Stephen Haller: Remembering Morandi

When he was a young man, the New York art dealer Stephen Haller had a brief but life-changing friendship with Giorgio Morandi, who was nearing the end of his days. Click pic below for story.

Haller holding a photograph of himself with Morandi in the early Sixties. Click pic for story

Followers

My book, The Art of Encaustic Painting, was published by Watson-Guptill in 2001. It's the first commercially published book on contemporary encaustic. There are three sections: history, with images of the famed Greco-Egyptian Fayum portraits; a gallery of contemporary painting and sculpture (including the work of Jasper Johns, Kay WalkingStick, Heather Hutchison, Johannes Girardoni and myself), and technical information, including an interview with Michael Duffy, a conservator at the Museum of Modern Art.