1–2 of 6 feedback texts

A bit complicated

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Seems to do its job when the microfone is far enough from the speaker but handling this sympathetic and compact box is rather complicated: I haven´t quite figured out all the options because of all the buttons and not so illustrative front panel. :-) The manual only gets you started with the basic options but doesn´t explain much about the features. I haven´t visited the website yet so I won´t whine more. :-)

Latest update: This box seems to need quite a strong signal or otherwise the microphone preamp does not work well. I now honestly don´t really know do I need this item at all... The delay section is still to be checked.

Excellent value product and effective tool for certain situations

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I'll start this review by saying that I'm not a particularly big fan of Behringer equipment, nor in principle had I considered myself a fan of feedback destroyers. Im' inclined to think that the best way to combat feedback is to set up correctly, however there are situations where it is nigh on impossible to get level without feeding back, our bands rehearsal room is such one.

Having exhausted all possibilities, playing quieter, ringing out the room with a 32 band eq etc we came to the conclusion that maybe it was time to try something like this. A last resort which in actuality has taken us by surprise.

This product has allowed me to get vocals significantly louder without inducing feedback. It is undeniable that there is some detriment to the tone, however it does at least afford me the ability to hear myself in a small rehearsal space.

We set the learn filter and then we get to a point where we actually try and induce feedback, I will sing through my range and there will usually be a point where feedback begins, as I hold that pitch, it detects it and cuts that frequency. It can cut up to 12 of them, and with us, it does! Its a nice feeling to feel it working, that horrible feeling when you feel you are about to be swallowed up by feedback just dissipates to nothing...

Unless it fails, or has more feedback than it can take, at which point the floodgates are open and you are exposed to the deafening sound that it would sound like where you to try and get to that level without it.

Obviously you cant cut 12 frequencies without effecting the tone in a noticeable way, but for rehearsals at least the tone is of less concern than an inability to hear myself, which is terrible for the voice as it induces strain.

Its not a miracle device, if there is too much feedback it wont be able to handle it, and also we've only been using ours briefly so cannot comment on durability.

There is one obvious design flaw and that is that the power cable is not locked so the power cable is prone to come out leaving you exposed. Where this to happen live it would be horrible.

Finally I would also like to qualify my review by saying that I award the stars on the basis of what you get for the money. I am aware there are products on the market that do the job to an apparently higher standard. However, I think for the money, you get full value.

As with everything Ive ever bought with Thomann, wonderful service, the best price for the item new that I could find online and the security of a 30 day no quibble return should you decide you don't like it. Also, just the fact that should anything go wrong with the product they go above and beyond to rectify the situation.

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Zoom F4; 6-channel/8-track field audio recorder/mixer; 4 inp uts with XLR/TRS combo connectors; Compact and lightweight a luminum chassis; High quality mic preamps with up to 75 dB g ain; +4 dBu line inputs; Support for up to 24-bit/192 kHz...