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Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot).

Imaginatively rendered but slightly chilly, this 1951 Disney adaptation of the Lewis Carroll classic is also appropriately surreal. Alice (voiced by Kathryn Beaumont) has all the anticipated experiences: shrinking and growing, meeting the White Rabbit, having tea with the Mad Hatter, etc. Characterization is very strong, and the Disney team worked hard to bring screen personality to Carroll's eccentric creations.

Duchess and her three kittens are enjoying the high life with their devoted human mistress until the wicked butler Edgar, with his eyes on a big inheritance, decides to dope them and get them out of the picture. How can these fragile creatures cope in the unfamiliar countryside and the meaner streets of Paris? Only by meeting the irrepressible alley cat O'Malley, a rough diamond with romance in his heart. After they get a taste of the wide dangerous world, he guides them home, and Edgar gets his just desserts at the wrong end of a horse. As always, it's really the voices rather than the animation that are the heart of the Disney magic: Phil Harris is brilliant as O'Malley, Eva Gabor as Duchess is... well... Eva Gabor; but perhaps the most memorable turns are by Pat Buttram and George Lindsay, who turn the old hounds Napoleon and Lafayette into a couple of bumbling Southern-fried rednecks. Their scenes with Edgar, and the musical numbers with Scat Cat and his cool-dude band, are classic. Most striking about seeing The Aristocats now is how deeply Disney's style of animation has changed since this was at the cutting edge in 1970. Perhaps the nostalgic, dated feel are just a result of being plonked down in Belle Epoque Paris, but the illustrations are fussier (a pity) and the animation and overall pace much less frenetic (sometimes a relief) than in more recent efforts such as Aladdin.

The Disney Studio was built on innovation in animation, so it seems ironic that Atlantis is both a bold departure and highly derivative, borrowing heavily from anime, video games, and graphic novels. Instead of songs and fuzzy little animals, the artists offer an action-adventure set in 1914: nerdy linguist Milo Thatch (Michael J. Fox) believes he's found the location of the legendary Lost Continent. An eccentric zillionaire sends Milo out to test his hypothesis with an anachronistic crew that includes tough Puerto Rican mechanic Audrey (Jacqueline Obradors), demolition expert Vinnie (Don Novello), and butt-kicking blond adventurer Helga (Claudia Christian). When they find Atlantis, its culture is dying because the people can no longer read the runes that explain their mysterious power source--but Milo can. Nasty Commander Rourke (James Garner) attempts to steal that power source, leading to the requisite all-out battle.

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy.

Decription from Amazon.com

Over a decade after it was made, this Oscar-winning musical looks better than ever; the remastered film pops off the screen. This DVD debut has a whole disc of extras, but it's the film that matters here. You can see the original version, the special edition--which has a new song sequence, "Human Again," created for its 2001 release in IMAX theaters--and the unique "work-in-progress" edition that played the New York Film Festival and was seen on an earlier laserdisc release. Disney's tendency for posh--albeit sanitized--extras continues here with a commercial look at their animated history and a making-of hosted by Celine Dion. The kids will have more fun with the games--a trivia test on disc one unlocks a robust DVD game set on disc two.

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy.

Decription from Amazon.com

Over a decade after it was made, this Oscar-winning musical looks better than ever; the remastered film pops off the screen. This DVD debut has a whole disc of extras, but it's the film that matters here. You can see the original version, the special edition--which has a new song sequence, "Human Again," created for its 2001 release in IMAX theaters--and the unique "work-in-progress" edition that played the New York Film Festival and was seen on an earlier laserdisc release. Disney's tendency for posh--albeit sanitized--extras continues here with a commercial look at their animated history and a making-of hosted by Celine Dion. The kids will have more fun with the games--a trivia test on disc one unlocks a robust DVD game set on disc two.

The enchantment of Disney's Academy Award®-winning film Beauty and the Beast continues as Beauty and the Beast - The Enchanted Christmas (Special Edition) happily casts its song-filled spell. This irresistible tale that "recaptures the magic and charm of the original" (Neil Rosen, New York 1) reveals a Christmas past when Belle does her best to warm the Beast's castle with the spirit and hope of the season -- despite the Beast's disdain of the holidays. Belle asks the castle's Enchanted Objects to join the celebration, including stubborn Angelique -- a delicate tree ornament who was once the castle decorator. But can Belle, Cogsworth, Lumiere, and their friends undo the plans of Forte, the pompous pipe organ who hates happy celebrations and tries to keep the Beast apart from Belle's special holiday gift? Newly remastered for sparkling sights and sound, and reuniting everybody's favorite voice cast from the original feature, Beauty and the Beast - The Enchanted Christmas (Special Edition) overflows with five spectacular songs, spellbinding visuals, and the same delightful charms that brought Disney's original masterpiece to the screen. It's a holiday treat you'll find your entire family watching over and over again -- not just for Christmas, but any time of year!

Product Description from Manufacturer

Obviously the Disney suits gave more than two figs about the legacy from the first Beast film, as they reassembled the former cast and spent some cash on production and tune-smithing for this straight-to-video effort. The events unfold between the time in the first film where Belle bartered herself to the Beast and her later return to the village to save her father. So the Beast's heart still hasn't been melted yet, and he's susceptible to the inky persuasions of Forte (Tim Curry), a malevolent pipe organ (and former music teacher to the prince). Belle is still trying to win over the Beast and decides that bringing Christmas to the castle will be the way to do it. Please control that gag reflex for this does work remarkably well, and though entirely unnecessary and certainly not a complement to the original, it doesn't tarnish its good name.

Disney's 1959 animated effort was the studio's most ambitious to date, a widescreen spectacle boasting a gorgeous waltz-filled score adapting Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked Queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her 16th birthday. This, of course, would deny her a happily-ever-after with her true love. Things almost but not quite turn out that way, thanks to the assistance of some bubbly, bumbling fairies named Flora, Fauna, and Merryweather. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here. And Malificent's castle, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur.

What can two little mice possibly do to save an orphan girl who's fallen into evil hands? With a little cooperation and faith in oneself, anything is possible! As members of the mouse-run International Rescue Aid Society, Bernard and Miss Bianca respond to orphan Penny's call for help. The two mice search for clues and, with the help of an old cat named Rufus, track Penny to the clutches of the evil Madame Medusa in a dilapidated ship in Devil's Bayou. It turns out that Medusa is using Penny to locate and retrieve the Devil's Eye Diamond--a stone she'll stop at nothing to possess. With a cunning plan, courageous acts, cooperation from local animal life, and lots of faith, Bernard and Miss Bianca help Penny find the diamond and escape from Medusa. The result of their adventure is that Bernard and Miss Bianca become close friends and Penny gets adopted. This somewhat dark, classic 1977 animated Disney film is based on Margery Sharp's The Rescuers and Miss Bianca, and features the Academy Award-nominated song "Someone's Waiting for You." Voice talents include Eva Gabor as Miss Bianca, Bob Newhart as Bernard, Geraldine Page as Madame Medusa, and Jim Jordan (radio's Fibber McGee) as Orville Albatross. Followed by the sequel The Rescuers Down Under.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug's Life still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan.

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed.

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed.

A delightful undersea world unfolds in Pixar's animated adventure Finding Nemo. When his son Nemo is captured by a scuba-diver, a nervous-nellie clownfish named Marlin (voiced by Albert Brooks) sets off into the vast--and astonishingly detailed--ocean to find him. Along the way he hooks up with a scatterbrained blue tang fish named Dory (Ellen DeGeneres), who's both helpful and a hindrance, sometimes at the same time. Faced with sharks, deep-sea anglers, fields of poisonous jellyfish, sea turtles, pelicans, and much more, Marlin rises above his neuroses in this wonderfully funny and nonstop thrill ride--rarely does more than 10 minutes pass without a sequence destined to become a theme park attraction. Pixar continues its run of impeccable artistic and economic success (their movies include Toy Story, A Bug's Life, Toy Story 2, and Monsters, Inc). Also featuring the voices of Willem Dafoe, Geoffrey Rush, and Allison Janney.

Description from Amazon.com

From the Academy Award®-winning creators of Toy Story and Monsters, Inc (2001, Best Animated Short Film, FOR THE BIRDS), it's Finding Nemo, a hilarious adventure where you'll meet colorful characters that take you into the breathtaking underwater world of Australia's Great Barrier Reef. Nemo, an adventurous young clownfish, is unexpectedly taken to a dentist's office aquarium. It's up to Marlin (Albert Brooks), his worrisome father, and Dory (Ellen DeGeneres), a friendly but forgetful regal blue tang fish, to make the epic journey to bring Nemo home. Their adventure brings them face-to-face with vegetarian sharks, surfer dude turtles, hypnotic jellyfish, hungry seagulls, and more. Marlin discovers a bravery he never knew, but will he be able to find his son? FINDING NEMO's breakthrough computer animation takes you into a whole new world with this undersea adventure about family, courage, and challenges. Take the plunge into Finding Nemo, a "spectacularly beautiful animated adventure for everyone" -- David Sheehan, CBS-TV

In the mystical land of Prydain, Taran, a young boy who dreams of a future as an invincible warrior, finds himself leading a real-life quest. In a race against the evil Horned King, Taran must be the first to find the mysterious Black Cauldron, or the Horned King wil unleash its power and take over the world. With the help of a magic sword, an enchanting princess, an adorable clairvoyant pig, and a furry little creature named Gurgi, Taran overcomes winged dragons, the King's monstrous henchmen, three batty witches, and more--and learns nothing is as powerful as courage and friendship.

No, this isn't a quickie, direct-to-video sequel, cashing in on the success of the 1977 animated hit about adventurous mice, but a full-blown theatrical effort. This time around, Bernard (voiced by Bob Newhart) is trying to pop the question to Bianca (Eva Gabor) when they're summoned to Australia, where a young boy has been kidnapped by a pallid, gray-faced poacher (who looks like and is voiced by George C. Scott). Wilbur, a chatterbox of an albatross (John Candy, replacing the late Jim Jordan's character Orville), and Jake (Tristan Rogers), a kangaroo mouse--Bernard is jealous of the dashing rodent--assist the Rescuers in saving the day and imparting a mild environmental message. The film opens with an absolutely breathtaking aerial sequence--this was made near the beginning of Disney's animation renaissance--so impressive it would seem the story, literally, has nowhere else to go but down, but some smart gags, excellent animation, and rollicking adventures ensue. So why isn't it better known? It had the bad luck to open, in 1990, opposite another kids' film--Home Alone.

The magical story of Cinderella continues in an all-new full-length movie brimming with irresistible music, lush animation, and all your favorite characters from the original Disney classic. When Cinderella and her prince return to the palace from their honeymoon, the new princess suddenly finds herself cast in the role of Royal Hostess. But the traditional rules of the Royal Court don't allow her to entertain in her own warm and wonderful way. With the help of everyone's favorite Fairy Godmother and a band of mischievous mice, Cinderella and her friends find that the only true way to succeed is to be yourself. You'll find dreams really do come true in the enchanting tale of Cinderella II: Dreams Come True.

Product Description from Manufacturer

Disney continues to "sequelize" its classic features. With smart foresight, the filmmakers choose to go with three snappy short films to comprise this 73-minute feature with the Fairy Godmother granting wishes to various characters. In the opening short, Cinderella must pursue life as queen. Several feathers are ruffled as she brings her down-home ways to the castle (bring the commoners in and open those darn curtains). In the other tales, one of Cinderella's animal pals receives a chance to see the world quite differently, and finally, Anastasia, Cinderella's formerly evil stepsister, finds love with a little help. As with the other sequels, the look of the film helps bridge the distance between the original and the sequel (here over 50 years) and it comes together seamlessly. Little ones from ages 4 to 9 should be entertained while purists may be a bit aghast.

Disney's first animated feature in CinemaScope is now available in widescreen presentations on video, and it is definitely good to get the whole picture. One of the studio's most original and charming movies, the 1955 film tells the story of a rakish, street-smart dog named Tramp, who helps an aristocratic pooch named Lady out of some trouble and then commences a romance with her. Sweet, funny scenes abound, and the combination of innocence and sophistication would have done well in a live-action picture. Peggy Lee cowrote the songs and provides the voice of the Siamese cats in one of the film's best-known musical sequences. This newly restored version spruces up both sonics and visuals, and a letterbox version is available.

From the impeccable pedigree of Disney's beloved classic Lady and the Tramp comes an all-new story -- Lady and the Tramp II: Scamp's Adventure -- told with the same stunning animation, charming musical style, and purebred fun. Along with their well-behaved girl puppies, Lady and Tramp are busy raising mischievous Scamp, who's always in the doghouse. Longing for freedom, Scamp ventures far from home and meets a lovely, reluctant stray named Angel. She introduces him to the Junkyard Dogs, led by streetwise Buster. When Buster challenges Scamp to the ultimate test of a collar-free life, Scamp finds himself torn between a world of adventure and love for the family he's left behind. All-new music and star-studded voice talent headed by Scott Wolf and Alyssa Milano make this irresistible, heartwarming tale a whole new breed of Disney magic.

Dinosaurs come alive like never before in this costly computer-animated film from Disney. After a breathtaking opening (a dino egg is kidnapped), the film changes style; realistic dinosaurs are given human characteristics and voices. The kidnapped egg grows into an iguanodon named Aladar (voiced by D.B. Sweeney), who is raised by lemurs (shades of Tarzan) on a lush island void of other dinosaurs. When a meteorite destroys their island home in a thrilling sequence, the lemur family and Aladar become part of a dinosaur troop roaming the mainland deserts looking for the lush nesting grounds (shades of the fourth installment of the Land Before Time series and Fantasia). Disney's usual mix of modern language (one lemur calls himself "a love monkey") is present, as is its typical capital punishment law: anyone against our forward-thinking hero (or even disagreeing with him) ends up dead. Curiously, the meanies, a pair of carnotaurs following the group, are nameless and voiceless. This more realistic approach might have been a bigger wow, as in the BBC's Walking with Dinosaurs, which looked extraordinary with only a fraction of the budget. The complexity and scope of Dinosaur's visual scale is impressive, and group shots and a point-of-view angle are stunning. Rated PG for general intensity, the film should be a favorite for the 6- to 11-year-old set.

A Disney "classic" that actually is a classic, Dumbo should be part of your video collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracized from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly," should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't cry during the "Baby Mine" scene, you may be legally pronounced dead.

Based upon T.H. White's beloved novel, this Disney-fied version chronicles the tutoring of the Once and Future King, Arthur, as handled by the magician Merlin. Sword was a portent of things to come, with slapstick upbraiding storytelling, and cultural in-jokes substituting for wonder. But there's much to enjoy here as Merlin shows Newt, the young Arthur, things that will help him become the ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird, and a squirrel are vintage Disney.

Now you can enjoy all the outrageous fun and laughter of Disney's most legendary comedian as he stars in his very own full-length motion picture! In the great tradition of quality Disney animation, A Goofy Movie is a classic blend of irresistible characters, unforgettable music, and an endearing modern-day story about how the lovable Goof bonds with his teenage son, Max, on a hilarious cross-country road trip. En route to the ol' fishing hole, they find themselves up to their floppy ears in misadventure! Will Max learn there's nothing wrong with taking after dear old dad ... if he is a little goofy? The question is answered in the showstopping finale when Max and Goofy "crash the stage" at the most spectacular rock concert ever performed! Filled with action-packed scenes, narrow escapes -- even a comic close encounter with Bigfoot -- Disney's critically acclaimed hit comedy is a delightfully memorable adventure your family will love taking again and again!

Description from Manufacturer

This one is based on perennial Disney favorite Goofy's adventures in domesticated bliss. Goofy is now a single dad; when son Max gets blamed for a prank gone wrong at school, Goofy blames himself and decides that, for his vacation, he's going to get away with Max alone. Of course, this is no treat for Max, who has just met the girl of his dreams and harbors no wish to spend the summer touring America with his square dad. The vacation is one disaster after another.

Not the egregious foul it seemed to be in theaters, Hercules stands up as an entertaining spritzer of an animated feature. The continual peppering of in-jokes and cultural references becomes less irksome on video. That there's no majesty or awe invested in the beloved Greek legends also seems less of an error. Also on the plus side is the bounciest Alan Menken music since Little Shop of Horrors. With Zeus's blood in his veins, young Hercules's amazing strength makes him an outcast (sorry, that still doesn't fly), so he trains with a satyr named Phil to become a hero. Along the way Herc meets Meg, a common mortal who falls hard for him. They're both against the jocular Hades, who has to destroy Hercules to take over Olympus. The hydra is the computer-animated set piece for this little number, a no-chance attempt to beat that wildebeest herd from The Lion King.

From the Academy Award® winning creators of Finding Nemo (2003 Best Animated Feature Film) comes the action-packed animated adventure about the mundane and incredible lives of a house full of superheroes. Bob Parr and his wife Helen used to be among the world's greatest crime fighters, saving lives and battling evil on a daily basis. Fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs where they live "normal" lives with their three kids, Violet, Dash, and Jack-Jack. Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction. Exploding with fun and featuring an all-new animated short film, this spectacular 2-disc collector's edition DVD is high-flying entertainment for everyone.

Product Description from Manufacturer

Animation studio Pixar (creators of Finding Nemo and Toy Story) reigns supreme: The Incredibles is another stunning example of their inspired storytelling and technical prowess. In a world where superheroes have been outlawed, the former Mr. Incredible (voiced by Craig T. Nelson) and Elastigirl (Holly Hunter) struggle to raise a family (with a teenager daughter who turns invisible and a super-speedy boy) while keeping their powers under wraps--but into their lives comes a supervillain with a particular grudge against Mr. Incredible. The Incredibles mixes comic book battles with middle-age crisis to daffy, delightful effect. Not only is the movie a dazzling visual experience, but the same care Pixar and writer/director Brad Bird (The Iron Giant) pay to visual details gets applied to the narrative as well. It's deeply satifying to see a movie where every turn of plot has been given as much attention as the blazing explosions.

The misconception about this animated film from Disney was that it was a movie for kids--something Victor Hugo never had in mind. In fact, despite a cute brace of singing gargoyles who are Quasimodo's (Tom Hulce) best friends, this version of Hugo's classic tale is really adult entertainment, with a strong set of songs by Alan Menken. The story remains mostly the same (though tricked out with a happier ending than Hugo's): Quasimodo, the ward of repressive monk Frollo, falls for a gypsy girl named Esmerelda (Demi Moore)--though she loves one of the king's guards (Kevin Kline). But they are all put in jeopardy by the wicked Frollo, whose secret passion for Esmerelda leads him to seek her death. At times too dark and even a shade kinky, something that may scare younger viewers.

Return to the magnificence of Notre Dame in Disney's all-new movie, The Hunchback of Notre Dame II, a fun, romantic adventure told with vibrant animation and music as soaring as its setting. Still the faithful protector of Notre Dame's beloved bells, Quasimodo now rings them with the help of Esmeralda and Phoebus's little boy, Zephyr, who is Quasi's best friend. Stopping with Zephyr at a traveling circus owned by the evil magician Sarousch, Quasi is captivated by Sarousch's lovely assistant, Madellaine. But greedy Sarousch is plotting to steal the Cathedral's most famous bell -- with Madellaine's unwilling help. Encouraged by some laughably misguided advice from his gargoyle pals, Quasi listens to his own heart -- and discovers that he, too, must look past appearances to find true love. It's "smart, funny, and packed with lessons about humanity for the whole family," raves Jim Brosseau of "Ladies' Home Journal." All of the original voice talent reprise their roles, including Demi Moore as Esmeralda, Tom Hulce as Quasimodo, and Kevin Kline as Phoebus. Jennifer Love Hewitt stars as Madellaine and Haley Joel Osment brings Zephyr to life in this magical, musical celebration of the beauty inside everyone.

Product Description from Manufacturer

Most of the original characters from Disney's The Hunchback of Notre Dame--plus a few new ones--return for this animated sequel. Esmeralda (Demi Moore) and Phoebus (Kevin Kline) now have a son named Zephyr (Haley Joel Osment), with whom Quasi (Tom Hulce) has become friends. When the circus comes to town, the hunchback becomes enchanted by a magician's assistant, Madellaine (Jennifer Love Hewitt), but the her boss, the vain Sarousch (Michael McKean), is also a thief with an eye for the cathedral's jeweled bell. He forces Madellaine to woo Quasi while he carries out the theft. Will he get away with it? Will Madellaine learn to see the inner Quasi? And will he be able to trust again when he learns of her deception? Songs and humorous high jinks from the gargoyles, including Jason Alexander's Hugo, illustrate the lesson that--as in the first feature--you can't judge a book by its cover. This sequel is squarely aimed at a younger audience than the original was; children from 5 to 10 should be very entertained.

Warm, funny, and imaginative, Lilo & Stitch is the best animated feature the Walt Disney Studios have produced in years. On the planet Turo, mad scientist Jumba Jookiba (voice by David Ogden Stiers) has created a miniature monster programmed for destruction. When the monster escapes to Earth, it's adopted as a pet and named "Stitch" by Lilo (Daveigh Chase), a lonely little Hawaiian girl. Lilo and her older sister Nani (Tia Carrere) have been struggling to stay together since their parents died. Stitch and Lilo share some hilarious adventures, evading welfare officer Cobra Bubbles (Ving Rhames) and galactic police agents. They learn the timely lesson that a family can be something you're born into--or something you assemble. A warmth and sincerity that recall The Iron Giant and the films of Hiyao Miyazaki make Lilo a delightful fantasy adults and children can truly enjoy together.

Originally developed as an epic called Kingdom of the Sun, The Emperor's New Groove lost scale and most of Sting's song score (some of which can be heard on the soundtrack) on its way to the screen. The end result is the lightest Disney film in many a moon, a joyous romp akin to Aladdin in its quotient of laughs for kids and adults. The original story centers on the spoiled teenage emperor Kuzco (David Spade), who enjoys getting the best of his Aztecan subjects. When he fires Yzma (Eartha Kitt), his evil sorceress, she seeks revenge and turns Kuzco into a llama with the help of her hunk of the month, a lunk named Kronk (Patrick Warburton). Alone in the jungle, the talking llama is befriended by Pacha (John Goodman), who has just been told to vacate his pastoral home by the human Kuzco. What's an ego to do? That's pretty much the story and the characters--simple, direct, fun--a Disney film on a diet. For any fan of the acidic humor of Spade, this is essential viewing. As narrator of his tale, Kuzco uses a sarcastic tone to keep the story jumping with plenty of fun asides (he even "stops" the film at one point to make sure you know the story is about him). Even better is character actor Warburton (Elaine's stuck-up boyfriend on Seinfeld), who steals every scene as the dim-witted, but oh-so-likable Kronk. There's even a delicious Tom Jones number that starts the film off with a bang.

There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney's pioneering mixture of live action and animation (based on the books by P.L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world's most magically idealized nanny ("practically perfect in every way," and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery ("A Spoonful of Sugar") to dark and cheery (the Oscar-winning "Chim Chim Cher-ee") to touchingly melancholy ("Feed the Birds"). Many consider Mary Poppins to be the crowning achievement of Walt Disney's career--and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991.

Here's the classic Jack & the Beanstalk tale with a Disney twist! When Happy Valley's magical Singing Harp falls into the clutches of Willie The Giant, the entire town is downhearted. Who better than Mickey, Donald, and Goofy to the rescue? Don't miss all the magic and excitement of their thrilling climb up the beanstalk to confront their "Fe-Fi-Fo" fearsome foe!

Find out who's been naughty and who's been nice in this spectacular all-new Christmas celebration. Santa Claus joins Mickey, Minnie, and all their pals in an original movie about discovering the true joys of Christmas. Watch the hilarious antics of stubborn old Donald as he tries in vain to resist the joy of the season, and laugh along with Mickey and Pluto as they learn a great lesson about the power of friendship. Now, through the magic of dazzling computer animation, your favorite Disney characters get a wonderful new look, so celebrate the holidays with this irresistible new collection of Christmas stories the whole family is sure to enjoy.

The folks at Pixar can do no wrong with Monsters, Inc., the studio's fourth feature film, which stretches the computer animation format in terms of both technical complexity and emotional impact. The giant, blue-furred James P. "Sulley" Sullivan (wonderfully voiced by John Goodman) is a scare-monster extraordinaire in the hidden world of Monstropolis, where the scaring of kids is an imperative in order to keep the entire city running. Beyond the competition to be the best at the business, Sullivan and his assistant, the one-eyed Mike Wazowski (Billy Crystal), discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. Director Pete Doctor and codirectors David Silverman and Lee Unkrich follow the Pixar (Toy Story) blueprint with an imaginative scenario, fun characters, and ace comic timing. By the last heart-tugging shot, kids may never look at monsters the same, nor artists at what computer animation can do in the hands of magicians.

Solid entertainment from a new group of Disney animators. The story source is a Chinese fable about a young girl who disguises herself as a man to help her family and her country. When the Huns attack China, a call to arms goes out to every village, and Mulan's father, being the only man in the family, accepts the call. Mulan (voiced by Ming-Na Wen, sung by Lea Salonga) has just made a disastrous appearance at the Matchmaker and decides to challenge society's expectations (being a bride). She steals her father's conscription notice, cuts her hair, and impersonates a man to join the army. She goes to boot camp, learning to fit in with the other soldiers with some help from her sidekick, Mushu, a wise-cracking dragon (voiced by Eddie Murphy). She trains, and soon faces the Huns eye-to-eye to protect her Emperor.

The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a full-fledged musical, as it has only five songs (the best, "Be a Man," is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams's in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff.

Get ready for more havoc on the Hawaiian Islands! Reuniting your favorite characters and original voice talent from Lilo and Stitch, Stitch! The Movie follows the antics of experiment 626, the lovable, troublemaking little alien who splashed down to earth and touched the lives of Lilo and her extended family. Stitch, Pleakley, and Dr. Jumba are all part of the household now. But what Lilo and Stitch don't know is that Dr. Jumba brought his first 625 experiments to Hawaii. It's up to Lilo and Stitch to save his out-of-this-world "ohana" from the evil Captain Gantu and put each experiment's unique powers to good use. Surf's up for fun with an island overrun with 625 outrageous new "cousins," including Experiment 221 -- who causes island-wide power surges -- and Experiment 625 -- he's a little lazier than Stitch but he makes great sandwiches! Stitch! The Movie is a fun-filled musical adventure that proves once again that when it comes to family, friends, and happiness ... nobody gets left behind!

Peter Pan has a special place in the realm of classic animated Disney films: it instills an element of childlike wonder. The 1953 version of James M. Barrie's story is colorfully told and keeps on the straight and narrow of the book. Barrie's wondrous focus on child's play is the key to its longevity: kids who don't grow up, shadows that run away from their owners, pirates, a fairy, and the magic ability to fly. In short, you can't help wishing the adventure would happen to you. Fueled by a few memorable songs (the stunner being "You Can Fly") and the strong impression of the pixie fairy Tinkerbell and the goofy Captain Hook, Disney's version of this story neither supplants nor lessens the Broadway version with Mary Martin that was produced for television the same decade. Unlike some classics, Peter Pan never ages along the way.

This Disney masterpiece from 1940 will hold up forever precisely because it doesn't restrain or temper the most elemental emotions and themes germane to its story. Based on the Collodi tale about a wooden puppet who wants to become a real boy, Pinocchio is among the most magical, mythical, and frightening films to come from the studio in its long history. A number of scenes make permanent impressions on young minds (just ask Steven Spielberg, who quoted the film more than once in Close Encounters of the Third Kind), and the songs ("When You Wish upon a Star") can't be beat.

Disney's take on this historical confrontation between European settlers and Native Americans follows the paths of two future lovers. One is British adventurer John Smith, who travels the Atlantic with the Virginia Company to establish Jamestown. On the shore is Pocahontas, a typical Disney heroine: bright, beautiful, mischievous, and motherless. The two meet in the untamed wilds of America (the first meeting is quite divine), fall in love, and try to ward off the warring factions. It's Disney's version of a Native American West Side Story. Two Disney trademarks do not quite muster up: the villain isn't hissable and the score's only high point is the Oscar-winning "Colors of the Wind." Calling it "historical" is a stretch, but Disney created a very natural look at the two cultures. The Native American characters are handled especially well, and kids should be intrigued by their world; the movie is a far different lesson from the one their parents and grandparents learned. Disney has discovered a few things, though: you don't have to kill to solve your problems, and you can end the film without a happily-ever-after, illustrated by a touching final visual.

The Walt Disney Studios present Mickey Mouse in his long-awaited return to the big screen in the box office hit, The Prince & The Pauper! An all-star Disney cast joins Mickey in his first film in almost a decade, featuring classic animation and Disney storytelling at its very best! Mickey Mouse, Goofy, Donald Duck, and Pluto star in this lively version of Mark Twain's immortal classic! There's a majestic mix-up at the castle when the pampered Prince and a humble peasant, who look exactly alike, temporarily switch lives and 'mouse-querade' as each other! But our friends get 'throne' for a loop when an evil guardskeeper discovers the switch and plots to gain control of the kingdom! The fun-filled finale is a royal race against the clock to return the rightful heir to the throne! Viewers of all ages will treasure the captivating music, magical characters, and inspirational tale of The Prince & The Pauper.

Disney's The Lion King Special Edition features an all-new song, "Morning Report," and never-before-seen animation, giving you even more of this award-winning masterpiece -- the greatest animated adventure of all time. An unforgettable story, breathtaking animation, beloved characters, and Academy Award®-winning music (Best Music, Original Score, 1994; Best Music, Song, "Can You Feel The Love Tonight") set the stage for the adventures of Simba, the feisty lion cub who "just can't wait to be king." But his envious Uncle Scar has plans for his own ascent to the throne, and he forces Simba's exile from the kingdom. Alone and adrift, Simba soon joins the escapades of a hilarious meerkat named Timon and his warmhearted warthog pal, Pumbaa. Adopting their carefree lifestyle of "Hakuna Matata," Simba ignores his real responsibilities until he realizes his destiny and returns to the Pride Lands to claim his place in the "Circle of Life." Now extensively restored and remastered -- experience The Lion King like never before, from its magnificent musical opening over breathtaking African vistas to its emotional climax. The all-star vocal talents -- including Matthew Broderick, Jeremy Irons, Nathan Lane, and Ernie Sabella -- rip-roaring comedy, and uplifting messages of courage, loyalty, and hope make this timeless tale entertainment for all ages.

Product Description from Manufacturer

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrats crowd.

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrats crowd.

A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry-Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy.

Ariel and her husband, Prince Eric, have a little problem with their daughter, Melody, in the sequel to Disney's landmark The Little Mermaid. Melody is threatened by Morgana, the evil sister of the sea witch Ursula (both voiced by Pat Carroll). Before you can say "Briar Rose," Melody's parents decide to keep their daughter's roots a secret, forbidding her to learn about the ocean while Morgana is around. Now the budding teenager secretly frolics in the sea with Ariel's old friends, Sebastian and Scuttle. When she learns the truth from Morgana, Melody becomes an unknowing pawn in her scheme--and Mom has to take to the sea again to help.

After viewing Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Sixtysome years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat.

Brother Bear has a dramatic story--after he kills a bear, a young hunter named Kenai (voiced by Joaquin Phoenix, Gladiator) in prehistoric North America is turned into a bear himself and hunted by his own brother--but the animated movie's tone is more earnest and warm than tragic, focusing on the unfolding relationship between Kenai and an orphaned bear cub named Koda (voiced by Jeremy Suarez). However, it's often the comic supporting characters who prove the most popular, and a pair of moose voiced by Rick Moranis and Doug Thomas in their McKenzie brothers/Canadian dude mode (from SCTV and the movie Strange Brew) will win many fans. The songs by Phil Collins are typically negligible, but the hand-drawn animation is lush (occasional flashes of computer-generated animation clash with the movie's overall look). Kids will also enjoy the mammoths; no sabre-toothed tigers, unfortunately.

There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys on the cover of Toy Story looks intriguing, reawakening the kid in us. Filmmaker John Lasseter's shorts (namely Knickknack and Tin Toy, which can be found on the Pixar video Tiny Toy Stories) illustrate not only a technical brilliance but also a great sense of humor--one in which the pun is always intended. Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.

Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great.

John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story.

Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living forever. Toy Story 2 also achieved something in the U.S. two other outstanding 1999 animated features (The Iron Giant, Princess Mononoke) could not: it became a huge box-office hit.

As a Disney oddity, they don't get much odder than Three Caballeros. Donald Duck receives a birthday package from South America, and the film proceeds to unravel like some peyote-induced hallucination. It starts out reminiscent of other Disney films, where shorts are cobbled together, such as Make Mine Music or Fun and Fancy Free. The film has vignettes such as "The Cold-Blooded Penguin" and "The Flying Guachito." After them it careens straight into part-travelogue, part-stream-of-consciousness animation. Not helping out much are Donald's "friends," Joe Carioca (a parrot) and Panchito (a rooster). They spend most of the rest of the film watching Donald chase skirt. That's right, Donald Duck is a wolf in this movie, and he chases every live-action señorita who bustles across the screen. Although some will say otherwise, Caballeros is for die-hard Disney, Donald, or psychedelia fans only.

"Classic Disney characters and a classic story unite for a colorful and witty new comic adventure" (Gerry Putzer, New York Daily News) in the musical, full-length movie based on the timeless tale, "The Three Musketeers." Best buddies Mickey, Donald, and Goofy are small-time janitors with big dreams of becoming Musketeers. Their lives are turned upside down when Peg-leg Pete, captain of the Musketeers, and his sinister lieutenant Clarabelle use them in a dastardly plot to rid the kingdom of Princess Minnie -- the only mouse standing in Pete's way of the throne. Mickey, Donald, and Goofy may not look like heroes, but they have a surprise for Pete. Powered by teamwork and friendship, they soon learn that they can accomplish anything if they work together.

Description from Manufacturer

The unlikeliest heroes in any queen's court would have to be janitors Mickey Mouse, Donald Duck, and Goofy, who dream of adventure in Disney's animated feature The Three Musketeers and get their wish under dubious circumstances. Though the trio aspires to perform brave deeds on behalf of their monarch, Minnie Mouse (who pines for a fantasy beau that looks a lot like Mickey), they are held back as servants by the head Musketeer, Pete. What they don't know is that Pete secretly schemes to get rid of the queen but has, thus far, failed in his efforts. Desperate, he appoints Mickey and his bumbling friends guardians to Minnie--on the assumption she'll be all the more vulnerable--but underestimates their determined, if slapstick, resourcefulness. Good, classic Disney comedy meets storybook romance in this short (68 minutes) animated feature, which features songs and familiar melodies by Tchaikovsky, Strauss, and Beethoven.

This zany, eye-popping, knee-slapping landmark in combining animation with live-action ingeniously makes that uneasy combination itself (and the history of Hollywood) its subject. Who Framed Roger Rabbit is based on classic L.A. private-eye movies (and, specifically, Chinatown), with detective Eddie Valiant (Bob Hoskins) investigating a case involving adultery, blackmail, murder, and a fiendish plot to replace Los Angeles's once-famous Red Car public transportation system with the automobiles and freeways that would later make it the nation's smog capital. Of course, his sleuthing takes him back to the place he dreads: Toontown, the ghetto for cartoons that abuts Hollywood and that was the site of a tragic incident in Eddie's past. In addition to intermingling cartoon characters with live actors and locations, Roger Rabbit also brings together the greatest array of cartoon stars in the history of motion pictures, from a variety of studios (Disney, Warner Bros., MGM, Fleischer, Universal, and elsewhere): Betty Boop, Bugs Bunny, Mickey Mouse, Woody Woodpecker, Droopy Dog, and more! And, of course, there's Maroon Cartoon's greatest star, Roger Rabbit (voice by Charles Fleischer), who suspects his ultracurvaceous wife, Jessica Rabbit (voice by Kathleen Turner: "I'm not bad; I'm just drawn that way"), of infidelity. Directed by Robert Zemeckis (Back to the Future, Forrest Gump, Contact), not since the early Looney Tunes' "You Oughtta Be in Pictures" has there been anything like Roger Rabbit.

Ring in the season with Winnie The Pooh in a brand-new, full-length adventure. Share the joy and magic of the holidays as Pooh and his lovable friends celebrate Christmas and the New Year in a delightful tale about spending special moments with those you care about most. After fond recollections of a Christmas past ... the countdown to New Year's begins! Rabbit plans a party, but when Pooh and friends bother him, he starts to sulk -- threatening to move away. To appease Rabbit, everyone makes a New Year's resolution to change. But see what happens to the Hundred Acre Wood when Piglet starts bouncing to conquer his fear, Pooh becomes gloomy from not eating any honey, and Tigger ... unbounce-able! Stuffed with holiday spirit and four new holiday songs, A Very Merry Pooh Year is an animated treasure that is sure to become a family classic for years to come!

The Fox and the Hound marked the last collaboration between Disney's older artists, including three of the "Nine Old Men" (Frank Thomas, Ollie Johnston, and Woolie Reitherman), and the young animators who would make the record-breaking films of the '90s. Based on a book by Daniel P. Mannix, the film tells the story of a bloodhound puppy and a fox kit who begin as friends but are forced to become enemies. Tod and Copper barely establish their friendship before Copper begins his training as hunting dog. Unfortunately, neither character develops much of a personality, which makes it difficult to care about them. The screen comes alive near end of the film, when Tod and Copper have to join forces to fight off an enormous bear. It had been years since Disney produced a sequence with this kind of feral power--and years would pass before they surpassed it. The Fox and the Hound ranks as one of the studio's lesser efforts, but it suggests that better films were soon to follow.

The theme of this video is friendship, and here is its contents: "Amigo fiel" and "Un mundo ideal" (Aladdin), "Hay Algo" (Beauty and the Beast), "Muy buenos amigos" (The Fox and the Hound), ¿Cómo le va? (The Song of the South), "Amistad" (sung by Mickey, Donald and Goofy), "En Armonía" (The Little Mermaid - series), "Juntos cantando" (The Parent Trap) and "Para eso son los amigos" (The Jungle Book). The translations are excellent, especially "Un mundo ideal", and all have Karaoke-style lyrics. I found this video to be a great aid in my high school 1st and 2nd year Spanish classes...The Spanish voice-over is quite good in "Amigo fiel" - "A Friend Like Me". Please note that only two of the songs are from Aladdin.

Description from Amazon.com Customer Review

Sing, dance, and play along with your favorite Disney songs! Learning the words is fun and easy as you sing along to the on-screen lyrics and join your favorite characters in their most memorable musical moments from classic Disney animated and live action films. Disney presents a pair of Academy Award®-nominated songs from the spectacular, show-stopping musical Aladdin, best song nominees "Friend Like Me" and "A Whole New World"! It's a sing-along celebration of friendship also featuring a delightful assortment of songs from Disney's The Little Mermaid, The Jungle Book, Beauty and the Beast, and more!

Disney has the best translators in the world, and these singable translations are proof. However, as a previous reviewer pointed out, not all of the songs are from Beauty and the Beast. In fact, only two of the songs are ("Nuestra Huésped" and "Fábula Ancestral"). Others on the tape include: "Eres Tú" from Snow White and the Seven Dwarfs, "Chim Chimnea" and "Un Poco de Azucar" from Mary Poppins, "Elefantes y Wumpas" from Winnie the Pooh, "El delicuente más cruel" from that movie with the title character Ratigan [The Great Mouse Detective], and "Una noche bella" from Lady and the Tramp. I use it in my high school 1st and 2nd year Spanish classes and the kids love it.

Description from Amazon.com Customer Review

Sing, dance, and play along with your favorite Disney songs! It's fun and easy as you read the on-screen lyrics and join your favorite characters in their most memorable musical moments! Now the whole family can take part in the musical enchantment of Beauty and the Beast and share the magical moments from several of Disney's most popular and best-loved films! You'll love singing along to the Academy Award®-winning Best Song "Beauty And The Beast" and "Be Our Guest," in addition to the cheery lyrics of "Chim-Chim-Cheree," the Academy Award®-winning Best Song from Mary Poppins, "Bella Notte" from Lady and the Tramp, and many more unforgettable tunes performed by your favorite Disney characters!

Sing, dance, and play along with your favorite Disney songs! It's fun and easy as you read the on-screen lyrics and join your favorite characters in their most memorable musical moments! One of the fairest of all Disney Sing-Alongs, this vintage collection features two legendary songs from Disney's very first animated classic, Snow White and the Seven Dwarfs, plus a rainbow of magical scenes and unforgettable songs from Pinocchio, Mary Poppins, and a host of others!

Sing, dance, and play along with your favorite Disney songs! It's fun and easy as you read the on-screen lyrics and join your favorite characters in their most memorable musical moments! Join Baloo the Bear from The Jungle Book and explore the best in family fun. You'll be singing happy jungle hits like "The Bare Necessities" and "I Wanna Be Like You," plus songs from Disney's The Aristocats, Cinderella, and others!

Sing, dance, and play along with your favorite Disney songs! It's fun and easy as you read the on-screen lyrics and join your favorite characters in their most memorable musical moments! This sparkling collection of Disney hits will send you and your family soaring to magical heights of fun! Your heart will take flight as you sing the high-flying favorites "You Can Fly!" from Peter Pan, "When I See An Elephant Fly," from Dumbo, "Step In Time," from Mary Poppins, and other popular songs from classic Disney films!

Sing, dance, and play along with your favorite Disney songs! It's fun and easy as you read the on-screen lyrics and join your favorite characters in their most memorable musical moments! Dive into these wonderful water tunes with your host Professor Ludwig von Drake as he introduces a great collection of songs and scenes from Peter Pan, The Rescuers, and many other top films and cartoons! You'll also meet Sebastian, the calypso-singing crab from The Little Mermaid, one of the most popular animated feature films of all time! Sebastian will teach you the lyrics to the award-winning hits "Under The Sea," and "Kiss The Girl"!