I dare you: Imagine a world where innovative documentaries tour around a country in major cineplexes with state of the art digital projection and THX sound.

No, not the next Michael Moore sardonic-missionary-I’m-gonna-teach-you-about-America’s-problems doc. No, not the next-big-budget –genre-pix-hipster-white-dudes-with-a-purpose theatrical docs like Food Inc, The Cove, Chicago 10.

Imagine yourself going to a multiplex theater with a rooftop bar and seeing films like Natalia Almada’s El General, a feature length, epic, experimental essay ruminating on one hundred years of power in Mexico, or Alexandra Halkin’s Migrar y Morir, an expose of transnational agribusiness exploitation of workers and the environment in Sinaloa.

I dare you: Imagine a world where innovative documentaries tour around a country in major cineplexes with state of the art digital projection and THX sound.

No, not the next Michael Moore sardonic-missionary-I’m-gonna-teach-you-about-America’s-problems doc. No, not the next-big-budget –genre-pix-hipster-white-dudes-with-a-purpose theatrical docs like Food Inc, The Cove, Chicago 10.

Imagine yourself going to a multiplex theater with a rooftop bar and seeing films like Natalia Almada’s El General, a feature length, epic, experimental essay ruminating on one hundred years of power in Mexico, or Alexandra Halkin’s Migrar y Morir, an expose of transnational agribusiness exploitation of workers and the environment in Sinaloa.