Though it occasionally dips into the cliches that dominate this type of poetic, semi-surreal cinema, especially in the final third, Khodzha Kuli Narliyev's heartbreaking and visually ravishing film is a key work in the canon of the always-excellent Central Asian cinema. Full Review: http://cinephiledreams.blogspot.com/2014/01/the-daughter-in-law-1972.html