With little more than a month to go (from this e-barfing) before the glorious day Justice League comes out (November 17, 2017, to belabor the point), now comes YET ANOTHER series of character posters of Batman, Cyborg, Aquaman, The Flash, Wonder Woman and…Green Lantern? Wait — how can that be? He should never have been let into the Justice League in the first place if all his power comes from jewelry. (Wonder Woman’s earrings are tougher than he is.)

But be still, dear readers. The fan-made poster, magnificently done, comes from BossLogic, who also did a Superman version (complete with a Batman moustache). So you could call it fake news, or just marvel that it completes the set nicely and therefore your mom’s basement where you live because you can’t find a job will have balanced feng shui.

While we contemplate the spiritual ramifications of a Chinese philosophical system of harmonizing everyone with the surrounding environment (even though it is closely linked to Taoism), here are a few just-released horror and sci-fi movies to play on your television. Be sure to feng shui (angle) it properly to invite peace (tell everyone to shut up) and prosperity (someone bring over some beer) to your living room…

AFTERIMAGES (available now/VOD)
“A collection of horror films appear in the ashes after a group of friends burn paper effigy cameras as offerings to the dead.”

Cool premise — wonder if that works with burning paper effigies of been cans as offerings to the thirsty dead? If a case of beer appears in the ashes, best to put it in the fridge for a while as beer that burns your tongue should be illegal. (It’s still beer, so don’t throw it away, you craft cocktail swilling snobs.)

PATIENT SEVENTEEN (available now/VOD)
“A surgeon claims to remove highly advance implants, nanotechnology microchips embedded by aliens, non-humans monitoring our Earth. Discover the world of abductions, Scalar wave transmissions, and a program to study or manipulate the human race. Armed with a patient, a scalpel, black lights and a stud finder; we seek to verify the authenticity of this alleged Off-World Implant Technology.”

Couple of things — first, why does a surgeon need a stud finder? That’s like a proctologist using a turkey baster. Secondly, what the heck are Scalar wave transmissions? Got me curious so I clicked it up — “Scalar waves are also called electromagnetic longitudinal waves, Maxwellian waves, or Teslawellen (Tesla waves). Variants of the theory claim that Scalar electromagnetics (also known as Scalar energy) is the background quantum mechanical fluctuations and associated zero-point energies.” Like I understood one nanosecond of that.

MY LITTLE SISTER (available now/VOD)
“A group of friends go against warnings not to camp in the local woods, where a legendary monster named Little Sister is rumored to exist. As they defy all advice, one by one they soon fall victim to a family of deformed killers.”

Set ‘em up, knock ‘em down. As monster names go, a little more thought should’ve went into “Little Sister.” All little sisters are monsters, so not seeing the point where that would be scary.

GEO-DISASTER (available now/VOD)
“A family in Los Angeles finds themselves in the center of a super volcano, a mega earthquake and a twister. While the world prepares for this near apocalyptic event, our heroes must survive on their own skills and wit to find safe passage.”

All you have to do is look at the title of this one and you’ll already know whose behind this preceding rip-off of Geo-Storm (2017) — The Asylum, a film studio globally known for being blatant movie plagiarists. You better hope they don’t get wind of the film biopic of your life — they’ll just change the title (make it plural) and recast you as a loser with cheap, digital special effects going off right next to your altered-just-enough-to-be-legal face.

ESCAPE ROOM (October 17, 2017)
To celebrate his 30th birthday, Tyler’s girlfriend, Kristen, takes him and two other couples to play the latest craze: ESCAPE ROOM. In an escape room, you are locked in a room and given one hour to figure out cryptic clues in order to escape. The group is led into a locked room and the clock starts ticking. They quickly sense something is wrong, the puzzles become increasingly difficult and increasingly deadly. One by one the escape room claims a new victim and the surviving players realize they are no longer playing a game; they are playing for their lives.”

Um, is this not the premise of Cube (1997) and/or Saw (2004)? I bet they went to a carnival funhouse or a corn maze to research the idea.