This year marks the 25th anniversary of my working under the name Lustmord, and it's also 25 years since I performed live under that name, so I have been thinking that I should do something again and have talked about possibilities.
My main concern is that I'm not sure it would be terribly interesting, and that the way I work has become such a studio-intensive process. I'd have to invest in some basic equipment before I could do something though.

We did talk about doing something live with Melvins last year, but that didn't work out as they had to cancel some shows. I get asked to perform quite often, so perhaps one of these days I will..

This year marks the 25th anniversary of my working under the name Lustmord, and it's also 25 years since I performed live under that name, so I have been thinking that I should do something again and have talked about possibilities. My main concern is that I'm not sure it would be terribly interesting, and that the way I work has become such a studio-intensive process. I'd have to invest in some basic equipment before I could do something though.

We did talk about doing something live with Melvins last year, but that didn't work out as they had to cancel some shows. I get asked to perform quite often, so perhaps one of these days I will..

nurse with wound is playing SF in june, if its anywhere in that area and near that time, I will most certainly come.

Will do. It's not a Lustmord show proper, as I'll be providing the music for a theatre performance, but I'm using it as a feasibility study to see how practical it is to perform and improvise Lustmord material live.

Just from putting the basics together I know that it's going to work enough that I'm interested in talking with promotes.

Posts: 41Location: Currently playing in the sandbox that is ArizonaJoined: May 19th, 2006, 10:54 am

While we're on the subject of travel, come to Germany! Your lonely Lustmord fans find himself completely surrounded by people who deprive themselves of not listening to your music! Ignorance, I belive. For it seems that every time I mention the new TOOL album, they're amazed to realize that they've actually heard sounds you've produced, not to mention other projects with The Melvins. Now I'm stuck here with great beer, awesome music, and no way in hell to catch you live on the sixth.

Posts: 41Location: Currently playing in the sandbox that is ArizonaJoined: May 19th, 2006, 10:54 am

B wrote:

My main concern is that I'm not sure it would be terribly interesting, and that the way I work has become such a studio-intensive process.

Many artists, such as TOOL implement visuals to copliment their shows. I believe if you perhaps set the atmosphere, or gave the audience some eye candy if you're not terribly interesting to watch live, you'd have them hooked.I'm probably not the first or last person to suggest that one to you. Well, whatever you end up doing, you have my ticket!

B wrote:

- the great beer bit got my interest too (definitely good beer to be had over there).

I have a few bottle of kellerbier reserved for a special occasion. Come on down, and we'll crack 'em open!

Many artists, such as TOOL implement visuals to copliment their shows.

We used to use visuals a lot in SPK shows in the early eighties. I've had ideas for live images to use for Lustmord for many years, just haven't figured out how to make them happen on a manageable budget

Many artists, such as TOOL implement visuals to copliment their shows.

We used to use visuals a lot in SPK shows in the early eighties. I've had ideas for live images to use for Lustmord for many years, just haven't figured out how to make them happen on a manageable budget

money can always be an issue, still I'd see Lustmord live even if it was in a concrete room with equipment on a table