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Review Summary

Caroline Bottaro’s tangy comic bonbon, “Queen to Play,” plucks the game of chess out of the metaphorical realm of spy thrillers and reimagines it as a fable about relationships and upward mobility. Adapted from Bertina Henrichs’s novel “The Chess Player,” this slight but captivating movie (Ms. Bottaro’s directorial debut) compares the strategies of chess to the erotic maneuvers in a flirtatious pas de deux that may be more satisfying than actual sex. At the same time, a woman’s winning the game symbolizes female empowerment in a man’s world and ascent from working-class drudgery to the bourgeoisie. Hélène (Sandrine Bonnaire), the movie’s sly, middle-aged Cinderella, is an attractive chambermaid at a luxury hotel in Corsica. While going about her chores, she observes a chess game being played by a sexy American couple (Jennifer Beals and Dominic Gould) on the balcony of their suite. Stealthy moves accompanied by insinuating eye contact culminate with the woman’s defeating the man and flashing Hélène a smile of conspiratorial glee. Hélène takes the hint, and at a birthday party for her husband, a handsome dockworker named Ange (Francis Renaud), she presents him with an electronic chess set in the hopes of reigniting the spark in their marriage. Ange is mystified and vaguely annoyed by the gift. When he expresses no interest in learning the game, Hélène begins teaching herself to play and quickly becomes obsessed. “Queen to Play” is a lighthearted, grown-up fairy tale in which chess consumes Hélène’s imagination and transforms her life.
— Stephen Holden