“Australia Returns Two Stolen Ancient, Priceless Idols to India”

New Delhi: Australian Prime Minister Tony Abbott who is on a state visit to India is returning two looted idols seized from Australian museums during a meeting with the Prime Minister Narendra Modi in New Delhi on Friday.

Abbott is personally delivering the National Gallery of Australia’s Rs 30 crore ($5 million) Dancing Shiva or Nataraja Ardand and the Art Gallery of New South Wales’s Rs 2 crore ($300,000) Ardhanarishvara to Modi as a “gesture of good will” at a state reception at the Rashtrapati Bhawan in the evening.

Both priceless objects were stolen from temples in India and later sold to the museums by Manhattan dealer Subhash Kapoor, who, his gallery manager has admitted, created falsified ownership documents to hide their illicit origins.

Australian Prime Minister Tony Abbott is personally delivering the Dancing Shiva or Nataraja Ardand and Ardhanarishvara to Narendra Modi.

The Australian returns mark the first major repatriations in the Kapoor case, but are unlikely to be the last. Dozens more Kapoor objects acquired by the Australian museums were sold with false ownership histories similar to those used with the returned objects. Several will likely play a prominent role in Kapoor’s criminal trial in Chennai, India, which has been on hold pending the return of the NGA’s looted Shiva says an exclusive website for the Hunt for Looted Antiquities in the World’s Museums ‘Chasing Aphrodite’.

The Tamil Nadu Police had produced evidence to establish that the idol was stolen from a temple at Sripuranthan in Tamil Nadu. They had arrested Kapoor for his alleged involvement in the theft. He is now lodged in the Chennai prison and is facing trial.

Meanwhile, Kapoor’s international network of looters and smugglers is still being mapped by authorities in the United States, who have already seized over Rs 600 crore ($100 million) in art from the dealer’s Manhattan gallery and storage facilities.

Federal investigators in the United States are methodically working through mountains of evidence seized from Kapoor, probing his ties to a number of American and foreign museums that did business with the dealer. Indian authorities, meanwhile, are considering a broader campaign to reclaim stolen antiquities from foreign institutions.

Over the past two years, we’ve traced hundreds of suspect Kapoor objects to museums around the world. To date, the Kapoor case has received the most attention in Australia, whose National Gallery for months stonewalled press and government inquiries and dismissed mounting evidence before agreeing to take the stolen idol off display. The Art Gallery of New South Wales took a slightly more proactive approach, releasing the ownership history that Kapoor supplied for its sculpture of Ardhanarishvara (left.) Soon after, Indian art blogger Vijay Kumar identified the temple from which the sculpture was stolen. . . . .

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