The Mockery Of Things: Material Culture And Domestic Ideology In The Detective Fiction Of Anna Katharine Green, Claire Meldrum

Theses and Dissertations (Comprehensive)

The Mockery of Things: Material Culture and Domestic Ideology in the Detective Fiction of Anna Katharine Green examines how a popular genre author like Anna Katharine Green (1846-1935) uses objects to articulate middle-class identity and social constructions in late-nineteenth-century and early twentieth-century America. During that era, the home as both a physical space and an ideological signifier was a central tenet in American middle-class identity. Focusing on domestically situated objects – clothing, household furnishings and domestic architecture – this dissertation considers how such items, which have tended to be read in support of domestic identity, instead function within the context of Green ...

How Consumer Behavior In The 1930’S-1940’S Differed From Today, John Krusinski

Writing Across the Curriculum

Over the years, consumer behavior has undergone a major evolution in terms of how people buy their products and what influences them. What was once limited by word of mouth and limited availability has now exploded into a major component of everyday life. In order to get more info on what consumer life was like before now, I conducted an interview with my grandmother, Mary Jane Krusinski, to see what consumer life was back in her time as well as her perceptions of consumer life today. However, the answers she gave may surprise some as her life as a consumer ...

Laughing Out Loud: American Indian Comedy As A Force For Social Change, Jacob M. Ward

Electronic Theses and Dissertations

Activism entails not only individuals overtly campaigning for changes in public spheres, but in other ways and strategies as well. One of these other avenues is the use of political satire and humor. Comedy publicizes frustrations of American issues, just as sit-ins, walk-outs, or marches do. For the most part, scholars fail to address the importance of humor. This work researches not only the comedic works of Charlie Hill, the 1491s, and other American Indian comedians, but also how their craft possibly alters stances and opinions. These comedians have a voice, and, therefore, deserve examination. This work shows the influence ...

Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman

Doctoral Dissertations

This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing on ...

A Once And Future Queen: Jackie Kennedy And Her Kingdom, Alyssa J. Windsor

University Honors Program Theses

The Kennedy Camelot was important to the American people and how we now come to view families in the White House. Jacqueline Kennedy was perhaps one of the most important characters in this story that was tragically interrupted. A historical figure not fully developed, Jackie single handedly created the beloved Camelot era and changed the way we view twentieth century America. Taking a deeper look into the private life of the most popular First Lady in American history in relation to the political rollercoaster that was the 1960s, new conclusions can be drawn about the Kennedy’s Camelot and who ...

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and ...

Decolonizing The Body Of The Chosen One: The Bodily Performance Of Anakin Skywalker, Buffy Summers, And T'Challa, Alise M. Wisniewski

Electronic Theses and Dissertations

This thesis engages the figure of the Chosen One in fantasy literature. The Chosen One arises as a key figure in fantasy and exists today in the Anglo-American literary imagination as a hero above other heroes. This figure embodies Anglo-American understandings of the Hero's Journey and savior narratives theorized by Joseph Campbell. It is a site of colonial triumph and violence and heteronormative white masculinity. Embedded into reiterations of Chosen Ones in American fantasy films and television, this body is being destabilized and decolonized.

In close readings of Anakin Skywalker in Star Wars, Buffy Summers in Buffy the Vampire ...

Movements In Dialogue: Kaleidoscope And The Discourse Of Underground News, Jeb Ebben

UReCA: The NCHC Journal of Undergraduate Research & Creative Activity

From 1967 to 1971, Kaleidoscope shared new and revolutionary ideas, challenged its readers, and created an important venue for intramovement dialogue. Beginning as an outlet for Milwaukee’s burgeoning counterculture and evolving into an important part of the mass movement, Kaleidoscope’s willingness to honestly interrogate the issues facing the community it served meant that it was an arena for tensions to be resolved. That Kaleidoscope, unlike many of the underground papers of the era, never transformed into an unofficial party organ for the New Left allowed it to be uniquely critical of the politics of the mass movement while ...

The Icon Formation Of Ruby Bridges Within Hegemonic Memory Of The Civil Rights Movement, Katherine Cashion

Scripps Senior Theses

In 1960, when Ruby Bridges was six-years-old, she desegregated the formerly all white William Frantz Elementary School in New Orleans, Louisiana. This thesis traces her formation as a Civil Rights icon and how her icon narratives are influenced by, perpetuate, or challenge hegemonic memory of the Civil Rights Movement. The hegemonic narrative situates the Civil Rights Movement as a triumphant moment of the past, and is based upon the belief that it abolished institutionalized racism, leaving us in a world where lingering prejudice is the result of the failings of individuals. Analysis of narratives about Ruby Bridges by Norman Rockwell ...

Feed: State Transparency Amidst Informational Surplus, Mark Fenster

Mark Fenster

An email arrives, promising inside information about the perfidious forces that secretly rule the nation. A Twitter feed from a prominent insider at an establishment think-tank announces the latest disclosure about the president’s secret role in the Russian conspiracy to manipulate the election that elevated him with the blast of toy cannon. Meanwhile, the President’s tweets serve to annoy, distract, humor, or comfort those who see them, and they above all announce some truth about his presidency.

Debates about government transparency presume that the state controls an informational spigot, which can be made to allow information to flow ...

Asian American Literature: Discourses & Pedagogies

Mobilizing the Vietnamese Body: Dance Theory, Critical Refugee Studies, and the Aftermaths of War in Andrew X. Pham’s Catfish and Mandala

Through analysis of Andrew X. Pham’s Catfish and Mandala: A Two-Wheeled Voyage through the Landscape and Memory of Vietnam, this collaboration between a literary scholar and dance scholar joins methodologies from their respective fields to explore the politicized dimensions of the Vietnamese body-in-motion. Published in 1999, Pham's memoir documents his journey, as a Vietnamese refugee living in the U.S., as he travels throughout Vietnam on a bicycle. We argue that through the literal and theoretical ...

The American Dream As A Cultural Movement, Thomas W. Raskay

English Department: Traveling American Modernism (ENG 366, Fall 2018)

This piece investigates the relationship between the American Dream and automobility through a generational lens, assessing cultural change in each renewal of the American Dream. Comparing generations of Americans exploring and reforming cultural space reveals evidence of the American Dream as a tendency for generations to expand to new frontiers balanced by a duty to reform current social space. Automobility multiplies Americans’ options for exploration and explodes the rate at which modern generations engage with different spaces. Now that automobility is routine, Millenials have expanded to the new social space frontier in cyberspace, but a limitless frontier may disrupt the ...

Age Troubles, Emotional Labor, And Roz Chast’S Can’T We Talk About Something More Pleasant?, Shu-Li Chang

CLCWeb: Comparative Literature and Culture

In the article "Age Troubles, Emotional Labor, and Roz Chast’s Can’t We Talk about Something More Pleasant?,"Shu-li Chang examines the medium—comics—Roz Chast uses to give expressions to the emotional labor involved in caregiving. The first section reads closely the Introduction of Chast’s memoir to set the stage for a critical engagement with Chast’s innovative use of comics to critique the discourse of positive aging. The next section examines the double movement of the emotional labor of caregiving: what moves the caregiving subject and how she is moved into thought. The article concludes by ...

‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler

Journal of Religion & Film

While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.