British actor Gary Lucy is a married man after exchanging vows with his fiancee at a ceremony in London. Lucy, who has appeared in shows such as Footballers' Wives, Hollyoaks and EastEnders, tied the knot with his longtime partner Natasha Gray, the mother of his two children, on 16 November (14).
The ceremony was attended by stars including former Girls Aloud singer Sarah Harding, and Lucy shared the happy news by re-posting a picture of a magazine cover featuring his big day on his Twitter.com page on Monday (24Nov14).
The wedding will be detailed in the latest issue of Britain's OK! magazine.

HBO
HBO's glum new series, The Leftovers ponders what would happen if two percent of the worlds population were to suddenly vanish... apparently, such an event would make everyone left in really, really bad moods for no less than three years. The new series is nothing short of a tidal wave of televised angst, a study in gloom and post-crisis nihilism, as the people left behind struggle to put everything back together after the rapture-like event tears their lives asunder. Showrunner Damon Lindelof fills his latest series with just as many twists, turns, and questions as his earlier series Lost. Here are the mysteries that have us scratching our heads after just the first hour. Warning: spoilers to follow!
What's with the cult?Perhaps the most mysterious element of the pilot — you know, besides the whole people vaporizing into thin air thing — is the GR: a cult whose members spend their time staring at empty picture frames, eating regularly scheduled "sustenance," smoking like chimney stacks to "proclaim their faith," and mercilessly following specified targets. What's the end game here?
Why does Chief Garvey's wife join them?We spent the premiere assuming that our main character, a police chief and father named Kevin Garvey (Justin Theroux) lost his wife on that fateful day three years past. But the final moments of the episode reveal that Kevin's wife Laurie didn't vanish in the event, but instead joined up with the GR. She doesn't seem entirely brainwashed by the cult, looking pretty heartbroken upon seeing her husband. So what's making her stay? Does she just like smoking wherever she wants without judgment?
And why does Liv Tyler ask to stay with them?Right after she doles out a hostile slap to a pair of GR agents who follow her and her fiancé around town, she pays a visit to the cult's compound, asking to stay a couple days. Whatever their plan is, the recruiting tactics seem to work.
What's with the other cult?What's worse than one cult? Two, obviously. While we have some sort of handle on what the GR are and what they might stand for (some sort of spiritual guidance in the wake of the "rapture"), we still have no idea who or what The Leftovers' second mysterious group, which works meditative miracles in the desert, is up to.
Who is Wayne?We do know that their apparent leader, Wayne, is the "real deal." Whatever that means...
And what did he say to the congressman in that room?Wayne continued to confuse by taking an uptight Texas congressmen into a room and somehow "unburdening" him. What did Wayne say to the guy to make him so chipper? It must have been more than just the cool British accent.
Why did Tom, Garvey's son, join this desert organization?This rapture thing really hit the Garvey family hard. But Tom doesn't seem as mentally harangued as his poor mother.
And what's with the girls by the pool?Tom has taken a liking to one of the girls at the compound he works for, but they seem to be under lock and key. Why are they being so strictly guarded?
Why won't Tom talk to his dad?Maybe some lingering tensions from the mom going away?
And how did he get those scars?Does it have to do with why everyone went missing?
What’s coming now that “grace period is over?”Wayne's super ominous warning doesn't bode well for anyone. Now that three years have past, humanity is in a heap of trouble. Garvey isn't too thrilled that the mayor is bent on throwing a memorial parade to celebrate the lost.
Why can't the parade have clowns?Clowns are fun and not creepy at all, right?
Is that Kathy Geiss?Yup. Same actress who plays the perpetually silent, unicorn-obsessed interim head of NBC on 30 Rock is a cult member on The Leftovers.
Why the dogs are going crazy?In genre fiction, dogs are often acute to the supernatural. There's definitely something coming, and it likely has something to do with "grace period" being over.
Are gummi worms really the preferred candy of the rapture?We would have gone with Peach Os.
Where do I download that spin the bottle iPhone app?And does it have Twitter integration?
Why did Gary Busey get taken?And Shaq for that matter? Why them? And what is the world doing without them?!
What’s with the deer imagery?I thought Hannibal had the market cornered on that.
What’s with that huge tattoo on Garvey's back?The huge back piece seen on actor Theroux's character is a real tattoo, but we wonder why the series didn't bother digitally removing it? Will it figure into the story later on (like Jack's tats did on Lost), or was it just easier for the series to leave them be?
What the hell is up with Justin Theroux's hairline?This is the biggest mystery of them all.
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DreamWorks
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody &amp; Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
DreamWorks
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody &amp; Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
3/5
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Frank Hoensch/GettyCelebrating ten years of manipulative sob stories, staged judge bickering and karaoke covers, the team behind The X-Factor UK released the series' first official compilation last week. While the track-list is largely a fair reflection of the show's output, it inevitably also contains its fair share of dross (two Lucy Spraggan entries, One Direction's dreary "Little Things," and Joe McElderry's pointless cover of "The Climb," just to name a few). Here are five under-rated singles which should have made the cut instead.Olly Murs – "Dear Darlin'"Forget the Maroon 5 rip-off ("Troublemaker") that opens up disc two. This string-soaked trip-hop ballad was the track which even those previously averse to his cheeky chappie charms were forced to admit was one of this summer's classiest hits.Matt Cardle – "Starlight"2010 winner Matt Cardle may have triumphed over One Direction. But the Gary Barlow-penned dirge of "Run For Your Life" then virtually sank his career before it had even begun. If the rousing, echo-laden indie-rock of "Starlight" had been released instead, things could have been very different.Leon Jackson – "Don't Call This Love"Arguably the most forgettable winner in The X-Factor's history, Leon Jackson appeared hopelessly out of his depth on the show itself but made a surprisingly convincing crooner on this lush and hugely under-rated Burt Bacharach-inspired slice of lounge-pop.Shayne Ward – "No U Hang Up"Lumbered with a series of dull MOR ballads following his 2005 win, Shayne Ward spectacularly failed to live up to all the 'UK’s answer to Justin Timberlake' expectations. However, this seductive R&amp;B mid-tempo, a surprise U.K. No. 2 hit in 2007, briefly suggested that he was worthy of such a tag.Leona Lewis – "Collide"The 2006 winner's transatlantic number one, "Bleeding Love," and inspired cover version of Snow Patrol's "Run" are already on the compilation. But as the show's first global breakout star, she certainly merits a third inclusion. This understated foray into melancholic dance-pop, featuring a sample of Avicii long before he became one of the EDM scene's most prominent DJs, proved she could do more than just showy ballads.
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It’s widely known that when Larry Hagman donned the ten-gallon hat once again for the first table-read of Cynthia Cidre’s pilot script for the 2012 TNT reboot of Dallas, he introduced himself thusly: “Larry Hagman. Icon.”
It’s hard to quibble with that. The relaunched Dallas sure hasn’t. Its hour-long farewell to J.R. Ewing Monday night was poignant, funny, and, above all, reverent for the character in its irreverence. For the actors involved, including Patrick Duffy, who considered Hagman his best friend, it must have been doubly painful because they, in essence, had to bury the man twice: once, after Hagman died of complications from cancer in November 2012, and again when they had to give his infamous alter ego J.R. an equally worthy send-off. Rather than the usual Dallas fanfare of a credits sequence, the theme music was stripped down to a few mournful, “Taps”-like horns before the montage settled on one last lingering close-up of J.R. as Hagman most recently portrayed him on the show—stern, wily, and sporting the wildest pair of eyebrows on TV since Andy Rooney.
In his old age on the new Dallas, J.R. once said “bullets don’t seem to have an effect on me.” Of course he was referencing the most buzzed-out cliffhanger in TV history: when he was shot by an unknown assailant at the end of the spring 1981 season. He survived that assassination attempt. But not this one. Indeed, it was a bullet that ultimately claimed J.R.’s life, when he was gunned down inside a Mexican hotel room after possibly having dealt with a cartel representative and definitely having had relations with a señorita of shady repute. Once again we have to ask the immortal question: “Who shot J.R.?”
RELATED: What Do You Hope for from Larry Hagman’s Final ‘Dallas’ Episodes?
Always a step ahead, it seems J.R. knew in advance who was gunning for him and even left a note for his brothers Bobby and Gary, to that effect. Oh, that’s right. Ted Shackleford’s Gary Ewing, the black sheep of the family who sought refuge in Knot’s Landing, returned! If ever there were an occasion to reenter the Dallas-verse, J.R.’s death was it. On hand were also Charlene Tilton as Lucy Ewing, Bobby and J.R.’s niece; Cathy Podewell as J.R.’s second wife Cally; Deborah Shelton as one of his more memorable mistresses, Mandy; Steve Kanaly as Ewing bastard, and Bobby and J.R.’s half-brother, Ray; and most important of all, a sweet bottle of bourbon in Sue Ellen’s supposedly sober hands.
Ah yes. The moment we’ve longed for/feared is at hand. Sue Ellen (Linda Gray) has resumed her drunken ways. Bourbon and branch water are tempting enough on their own. Bourbon and branch water in a bottle marked “J.R. Ewing” is more tempting still. Bourbon and branch water in a bottle marked “J.R. Ewing” to be imbibed after J.R.’s death and following the reading of a weepy note from him? Totally irresistible. She’ll be back to Betty Ford before the season is out. Her one possible saving grace? She’s at least honest about the fact she’s off the wagon. “I think I have never wanted a drink more than I want one now,” she said at the funeral reception.
Mind you, there was another undesirable return at that reception: Ken Kercheval’s supervillain, Cliff Barnes. He burst in with the fighting words, “I came to pay my disrespects, and good riddance!” then proceeded to call J.R. a “junkyard dog.” He was subdued quickly enough and kicked out, and with no fisticuffs. I suppose Christopher (Jesse Metcalfe) and John Ross (Josh Henderson) don’t have the stomach to fight an old man, even if he’s an old man hellbent on destroying their family. They didn’t feel the same way about a fellow (much younger) reception guest, however, who decided to call J.R. a “selfish prick.” That led to one of the best exchanges we’ve ever seen between Christopher and John Ross: the former backing off J.R.’s son with a gentle brush of his hand, saying “I got this, cousin,” then taking a slug at the foul-mouthed offender. What would a Ewing family gathering be without a few dislodged teeth? (Oh yeah, Cowboys owner Jerry Jones and Mavericks owner Mark Cuban were also there, but somehow we think they avoided the melee.)
The burial itself, set to the old spiritual “Down to the River to Pray,” was a more moving affair. J.R. was a military man in his day, so he lay in a flag-draped coffin. Everyone had an opportunity to say a few words, and Lucy teared up when it was her turn. She said everything he did seemed so horrible when he did it, but with hindsight it had become apparent that he was the most honest person of all—because he knew what had to be done and did it. Christopher, J.R.’s nephew, said that, since he was adopted, J.R. only let him into the Ewing inner circle once: after his mom, Pam (Victoria Principal, notably absent) walked out. “I don’t know why she left,” J.R. told the grieving boy. “But you’re a Ewing now, so stop crying and behave like one.”
Sue Ellen, soused as can be, said J.R. was “the most infuriating, charming scoundrel [she’d] ever known. He was enough to turn a woman to drink.” Then, admitting that she was drunk even then, read his final letter to her, in which J.R. said his greatest hope in life was the possibility of earning a second chance with her. To start, he asked her out to dinner, if she’d be available upon his return from Mexico.
Bobby was a tad more reflective. “It’s always been easy for me to do good, because I could always count on J.R. to do bad,” he said. “But those bad things were necessary.” Does this mean that one of the most goody-goody characters in all of TV will suddenly take a little walk on the Dark Side, to fill J.R.’s shoes?
After the funeral, Ray and Gary met with Bobby, John Ross, and Christopher to go through J.R.’s effects. It turns out J.R. had recently gone to Abu Dhabi to put together an oil deal that he felt would lure Pam out of hiding. Victoria Principal has repeatedly said she will never return to Dallas, so why the show would decide to throw this particular red herring out there was surprising. As part of his will, he left a handgun for John Ross to protect himself from Cliff Barnes, who surely will be gunning for him. And finally, he left a note for Bobby that presumably named his killer. Bobby, maybe already embracing that Dark Side, decided that they would further the idea that J.R. had been killed randomly by a mugger, while they settled the score against his real killer, in the family way. “I knew you’d have one more up your sleeve, J.R….And it is a good one.” Maybe it was so good, that’s why this episode was called “J.R.’s Masterpiece.”
This was the perfect note for the departure of one of TV’s all-time greatest antiheroes: a note of intrigue. J.R.—and probably Hagman—wouldn’t have had it any other way.
Follow Christian Blauvelt on Twitter @Ctblauvelt
[Photo Credit: Skip Bolen/TNT]
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Happy almost Thanksgiving TV Lovers! While many people have been stuffing the turkey, baking pies and preparing for an awkward weekend of bumping into your old high school friends—“Oh hey… you! Wow. You’re still working at Target? That’s nice…”—I’ve been busy whipping up a healthy heaping of spoilers for you! And they smell delicious! (Oh honey, please stop sniffing your computer. I was just kidding and someone, somewhere is silently judging you right now.) In this week’s home-cooked edition of Leanne’s Spoiler List, I got all the American Horror Story: Asylum answers you’ve been craving from Zachary Quinto and convinced Dexter’s Jennifer Carpenter to dish on what’s next for Deb’s love life. I sautéed up some scoop on the upcoming CSI/CSI: NY crossover special and I’ve got all the delicious details on what’s coming up for Glee, The Mindy Project, and Ben and Kate! Pull up a chair and put on your stretchy pants because y’all are about to be stuffed with some calorie-free spoilers. Dig in!
1. American Horror Story: Asylum: Heroes v. Horror
Last week’s reveal of Bloody Face was a terrifying and jaw-dropping shock for everyone. The fact that my beloved Zachary Quinto (as Dr. Thresdon of course) could commit such horrifying acts was a hard thing for me to handle as I peeped at the screen through my fingertips. Luckily I was able to chat with Quinto last week via a conference call and his sweet voice and thoughtful answers were almost enough to make me forget the terrors that wont leave my brain. Almost. This week’s episode, “The Origins of Monstrosity,” will give us a deeper and darker look into the patient’s pasts of Briarcliff as well as shed some light on Thresdon’s serial killer tendencies. While I can’t fully reveal his motives, let’s just say that Dr. Freud would hit the nail on the head when suggesting that Mommy issues are to blame. Quinto explains, “I think part of being a psychopath is an ability to dissociate from one reality and create another one completely. I think he does that expertly… He could have made a more significantly positive contribution had he only rechanneled his traumas, his energy.”
Many TV lovers like myself know that Quinto is no stranger to playing the evil one. For years on Heroes he was the baddest of bads when playing Gabriel Gray, but Quinto says that he prefers AHS’s unique character development that all takes place neatly in one little season. “[American Horror Story] is just more rooted in character and relationship, and less rooted in the sort of peripheral elements like superpowers. I liked that this was grounded and real. It’s something that I’m always drawn to is that kind of direction… it’s not a six-year commitment as it could be with another show.” A few other nuggets about tonight’s episode: We finally learn the fate of our horrified honeymooners (RIP one of them…) and there’s a new killer introduced. Let’s just say that when this new psychopath isn’t murdering people, she really enjoys playing dress up and having a tea party with her dolls. Creepy!
2. Dexter: A New Love for Deb?
Holy crap Dexter! You know just how to tug on our heartstrings while simultaneously making us cringe with incesty vibes, don’t’cha? Sundays episode was flawless when Deb dropped her “I’m in love with you!” bomb to her serial killing brother and everyone is asking the important/obvious question: Now what?! To get you the goods, I recently sent one of my spoiler fairies out to New York to catch up with Jennifer Carpenter at the premiere of her new movie, Ex-Girlfriends. (I had a date with my DVR and it would’ve been oh-so rude of if I ditched Stevie my TV at the last minute.) Carpenter says that Deb’s emotional turmoil and confusion over her feelings for Dexter (Michael C. Hall) have greatly evolved. When talking about last season’s first inkling to loving her brother, Carpenter said, “She never actually said that she’s in love with Dexter. She thought that she was and she wanted to know as much [as she could.] and I think that was also a tool that writer’s use to sort of pace her piecing the puzzle together of what it is that he does.” Now that Deb has actually confessed those powerful three little words to Dexter, Carpenter warns that this knowledge will dramatically shift the dynamics for the rest of this season. “I think that the new information sort of trumps those feelings that she was having. Not sort of. They absolutely do.”
Since Deb has opened the Pandora’s box of awkward secrets, we pressed Carpenter to see if she thinks that Deb can ever move past this sibling super crush and find a new (less murder-y) person to love. The actress smiled, “For once, I mean this is all just me speculating, but I think that now that she is claiming her life as her own, if she is ever going to meet love, it will happen now.” Squee! Fingers crossed that she wil have a happy ending. But speaking of endings, Carpenter recently revealed that she would be a-okay if Deb were to die at the end of this final season. “I don’t want this life [for her].” She stressed. Well that’s completely understandable, who would? But the biggest question is would she rather Deb’s death be at the hands of her brother? Carpenter was quick with her answer, firmly saying: ”Hell no.”
3. Ben and Kate: Smile for the Camera!
To me this show has it all. It’s funny, quirky, cute, and it has one of the only child actors—the lovely Maggie Elizabeth Jones—that I don’t want to ship off to a far away foreign land. (Yes, Modern Family’s demon-spawn Lily I’m looking at you!) I love the fact that Ben (Nat Faxon) and my TV bestie BJ (Lucy Punch) don’t coddle Maddie. They’re brutally honest with the their pint-sized pal and it makes for a refreshing and hilarious sitcom dynamic. So you can imagine my extreme delight when I snagged the following scoop: Maddie and BJ have a squee-worthy storyline together in an upcoming episode—12 to be exact—called “Bake-off.”
While Kate (Dakota Johnson) is off getting her flirt on, a casting agent in a restaurant mistakes BJ and Maddie for a mother-daughter duo and encourages them to audition for an upcoming commercial. Genius. One thing leads to another and the two attempt to dazzle the director at a casting call, but of course in true Ben and Kate fashion, the audition doesn’t go as planed and hilarity ensues. Let’s just say that Maddie’s catwalk skills may not be quite up to par. Not to worry Maddie, I’ll still love you! (FYI: If Ben ever enters Maddie in a Toddler and Tiaras type competition, I’m pretty sure my heart will explode from excitement. I'm not kidding.)
4. CSI: Crossovers and Corks
There’s something oh-so special and exciting when a long-standing show like CSI decides to shake things up a bit. This February fans can prepare to feel the love because CSI and CSI: NY are staging a special 2-part crossover. Plus there’s even more exciting news for shippers of the New York series! It looks like things between Mac and Christine are going to get even sweeter as the season continues. In the episode entitled, “In Vino Veritas” Mac (Gary Sinise) will head out to Las Vegas for a little romantic get-away with his lady Christine (Meghan Dodds) but his love-filled weekend is quickly destroyed when he realizes that not only is she missing—she’s been kidnapped. So Mac enlists D.B. Russell (Ted Danson) and the rest of Las Vegas CSI team to find her.
The drama continues in the second episode when D.B. heads back with Mac to the big apple to help track down the kidnappers and determine whether or not Christine is alive. (Side-Note: Please TV Gods let Christine be okay! Mac can’t handle another heartbreak like this!) Somehow tied into it all, fans will also watch the team crack the case of the murder of a Mr. Davari. The deceased was a wine-dealing delinquent who used to auction off counterfeit cases for millions of dollars. But who did it? The prostitute? The waiter? Or the guy who got conned out of a small fortune for some high-priced grape juice? One thing I do know for sure is that I take wine very seriously, so I can’t say that I’m going to be particularly heart-broken knowing that this fictitious criminal will be laid to rest.
5. The Mindy Project: Hey There Neighbor!
Would you like to meet the newest lady of The Mindy Project? Of course you would! We’re soon going to meet Maggie, Mindy’s friend from college who also happens to live in her same apartment building. What a coinkidink! Maggie is the typical overachiever: She graduated from Princeton and moved straight onto the Teach For America program to lend her skills as an educator. How noble! I already like her very very much.
On her first assignment in the P.E. department, Maggie discovered that her tomboyish qualities had plenty of room to shine, so she decided to become a full time gym teacher. Unlike Mindy, Maggie is wildly confident, totally comfortable in her own skin and completely fine with the fact that most people assume that she is a lesbian because of her job. Damn stereotypes. In reality she’s quite the man-eater! Maggie has plenty of handsome suitors knocking at her door and hopefully she’ll be able to share some of her dating secrets with our leading lady.
6. Glee: Spandex and Sweater Vests
Remember a few episodes back when Blaine (Darren Criss) went club crazy and signed up for pretty much everything extra curricular? Well get excited glee-bees because this week’s all new episode give us a more in depth look in to the coolest club of all: The Secret Society of Superhero’s! “Dynamic Duets” features some of the funniest (and sexiest) super hero costumes I’ve ever seen. My top 3 would definitely have to be Tina’s Asian Persuasion, Brittany’s Human Brain and Kitty’s Femme Fatale. Girl power! Despite being socially immersed in all things McKinley, Blaine still feels lost without Kurt (Chris Colfer), and the lure of perfectly stitched Warbler blazer is tempting our former bow-tie lover into another potential school switcheroo. Klaine fans will also get some answers surrounding Blaine’s heartbreaking indiscretion with this mysterious Eli that we heard all about in “The Break Up.”
Fun-Fact: When I first saw Finn (Cory Monteith) in this episode I seriously had to do a double-take! I understand that Finn has taken over for Mr. Schue while he’s gone, but it looks like he also decided to raid his closet too. If Santana (Naya Rivera) saw him in these sweater vest and plaid shirt combos, she would most likely pass out from snark-overload and then—upon regaining consciousness—she would go off on a 20-minute verbal attack. Of course it would all be in good fun because we know that Santana and Finn are clearly buds after she came to save the day in Glease. (Side-Note: But seriously fingers crossed that something like this happens down the line because I truly miss our lovely Latina’s word-induced whiplash.) After fumbling at first, Finn quickly finds his footing (via spandex) and we get to witness some truly delightful duets. Kitty and Marley FTW!
Bonus Scoop! Looking ahead, the powers-that-be at Glee are currently searching for a new leading man named Paul. (Not the cutest of names, but I guess I can look past it…) Paul is a fella in his mid-twenties and is described as being “handsome, confident and extremely charming.” The new mystery man is set to appear in episode 11 and it’s safe to say he’ll become a familiar face on our TV screens. But just who will this new beau be charming? It seems like Rachel (Lea Michele) has her hands full right now with teacher’s pet Brody, so the next logical assumption would be that this is a new potential love-interest for Kurt. I personally don’t want that to happen so this is my counter speculation: give him to Quinn (Dianna Agron)!!!
What do you think is going to happen on Dexter now that Deb has spilled her steamy secret? Excited for the hilarity that’s coming up on The Mindy Project and Ben and Kate? Who do you think this “Paul” should be romancing on Glee? Tell me everything in the comments below!
Follow Leanne on Twitter @LeanneAguilera
—Additional reporting by Lindsey DiMattina
[Photo Credit: FX, FOX, CBS, Showtime]
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David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
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