CES 2018

As I wrote in our first video report from the 2018 CES, held January 9-12 in Las Vegas, NV, for our video coverage we purchased Sennheiser's "Ambeo" binaural system, which mounts microphones on the outer surfaces of a pair of earbuds. In this report, John Atkinson listens to some of his recordings in the DeVore Fidelity and dCS/D'Agostino rooms and offers his thoughts on what he had just heard. He also talks to exhibitors about their thoughts on the show and offers some final comments before heading to a bar for a well-earned beer. But first, John Quick of dCS and Rob Darling of Roon Labs find themselves in a bar featuring a mechanical bull. Will they try to ride it?

I was working on our video coverage of the 2018 CES with our resident videographer Jana Dagdagan, and as video is such a time sink, I wasn't able to visit as many rooms as I usually do. But one room I managed to visit and that stood out when it came to sound quality was Constellation's.

The three best lower-cost systems that I heard at CES were this one ($7105 total) and others from Chord/Spendor and Music Hall; thanks in no small part to Totem's founder, Vince Bruzzese, whose extensive traveling has brought him in touch with a treasure chest's worth of eclectic titles that he searched out on Tidal and then purchased in physical form, this one was hands down the most musically enjoyable.

Earlier this year Anthem launched the STR Integrated Amplifier in a return to 2-channel, and representative Devin Zell explained that they have expanded that line this year with a 2-channel preamp and dedicated amplifier. The STR preamp goes for $4,000 and the STR amplifier goes for $6,000 and are available now.

Arcam's Scott Campbell was running through the new lineup of HDA products starting with the Integrated Amps. "This is the start of our new 2-channel range. The Player and SA10 are each $1,000 and the SA20 is $1,300. Both amplifiers are new for us since this is the first time we've put digital inputs on the back. We've taken our experience with how to tackle digital noise in our AV receivers and put that knowledge into how to do that properly in a two-channel amplifier."

Some manufacturers weren't exhibiting at CES but did have suites elsewhere in the Venetian hotel. One such was Audio Research, who was showing the first amplifier to be designed following the passing of the company's long-time Senior Design Engineer, Ward Fiebiger, who died of a heart attack last March. The Ref160M monoblock offers around 150W into 8 ohms and will cost in the region of $30,000/pair.

Because Art Dudley is writing a Follow-Up review to Michael Fremer's take on the Audio Technica AT-ART1000 direct-power stereo MC phono cartridge ($4999), I shall replace lots of words with this blow-up of a cartridge whose coils sit at the tip of the cantilever, right over its diamond stylus.

If there is one thing that raises the hackles of engineers, it is audiophiles' insistence that power cords affect sound quality. But at CES, AudioQuest's Garth Powell (right in photo, with AQ's Alex Brinkmann) was showing how changing just one cable in a system, the one connecting a Simaudio Moon CD player to a Niagara 700 power conditioner, could make or break the system's sound quality. Playing a track from Muddy Waters' Folk Singer, with Moon amplification and Magico S1 Mk.2 speakers, and without changing the volume, Garth compared AudioQuest's new Thunder cable ($700) with AC cables from other companies priced up to $18,000, culminating with the AudioQuest Dragon ($4000).

The question, "What if they Gave a CES and Nobody Came?," which headlined my As We See It from mid-2016, was echoed by a similar title on Jon Iverson's opening blog for our coverage of CES 2018. Yet hopes and fears that our industry's increasingly limited presence in the Venetian would sound the death knell for "high performance audio" at CES do not reflect the experience of those who this year chose to either exhibit or wander hallways and eateries in search of dealers and distributors.

For John Atkinson and me, CES began with a trip to the Hi-Res Pavilion in the Las Vegas Convention Center's enormous Central Hall. John must have been a dog in a past lifetime, because his ability to find the booth in the middle of that huge glittering morass, which could be euphemistically characterized as high tech on steroids, smacked of a sixth sense.

For our video coverage of the 2018 Consumer Electronics show in Las Vegas, we purchased Sennheiser's "Ambeo" binaural system, which mounts microphones on the outer surfaces of a pair of earbuds, thus allowing the ears' pinnae to influence each mike's pick-up pattern. The Ambeo connects to an iPhone. In this report, John Atkinson visits the Lamm, Vandersteen, and VTL rooms, talks to exhibitors about their systems and their thoughts on the show, listens to some of his recordings, as well as some chosen by the exhibitors, and offers his thoughts on what he had just heard. But first, Michael Fremer shows off his Karaoke skills!

When Jason Victor Serinus visited the Bluebird Audio room on the Venetian's 35th floor, he mentioned that Chord was demonstrating its Blu Mk.2 CD transport ($11,788) along with the Dave DAC that I reviewed and was impressed by last June. I chatted with Chord's digital guru Robert Watts (above in photo) about the new transport and he mentioned that it incorporated his latest WTA (Watts Transient Aligned) digital filter with a million taps! (The more taps there are, the closer a DAC can reproduce the timing information in the reconstructed analog signalsee my DAVE review for why Robert feels why this should be so.) I was puzzled, as a digital reconstruction filter belongs in a DAC, not a transport.