Lens Metric Scores

Further readings for the Olympus M. Zuiko Digital ED 12mm f2.0

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

We’ve analyzed the image quality of 33 lens models, around 70% of the current range using the native MFT mount, on the new Olympus OM-D EM-10. Read onto find out which of those lenses perform best and which, if any, you should try and avoid when paired with the new camera.

We’ve had the opportunity to analyze the image quality of Panasonic’s high-end 16-Mpix Lumix DMC-GX7 mirrorless camera with over 70% of the native mount lenses that are currently available (for it). We’ve scrutinized a total of 33 Panasonic, Olympus and Sigma made lenses to assess the imaging characteristics specifically with the new camera. Read on to find out which of those models you should be using, and which, if any, you should try and avoid.

We’ve had the opportunity to analyze the image quality of Panasonic’s high-end 16-Mpix Lumix DMC-GX7 mirrorless camera with over 70% of the native mount lenses that are currently available (for it). We’ve scrutinized a total of 33 Panasonic, Olympus and Sigma made lenses to assess the imaging characteristics specifically with the new camera. Read on to find out which of those models you should be using, and which, if any, you should try and avoid.

The Olympus OM-D E-M1 is the new flagship model in the range and features a newly-designed pro-grade body and a modified 16-Mpix sensor incorporating on-chip phase-detection pixels for backwards compatibility with the firm’s 4:3 lenses. While we’ve not analyzed the performance of those earlier lenses on the E-M1, we have assessed the image quality of 33 models using the native MFT mount. Read onto find out which of those lenses perform best when paired with the camera.

The depth of high quality primes and zooms for the PEN is, arguably, the most compelling reason to invest in the Micro Four Thirds system over rival mirrorless camera offerings. If you’re already a PEN E-P5 owner or you’re looking for advice or insights in lens performance in advance, this guide will aid you in making the right choice. Read onto find out which lens models in the range perform best optically.

Although compact and likeable enough, Olympus’ first 17mm for MFT (Micro Four Third) wasn’t one of the best performing lenses. With a fast maximum aperture, this new lens aims to build on the popularity of the angle of view / focal length while offering improved image quality. Read on to see if Olympus has achieved their goal.

While Samsung has a number of zooms in their mirrorless NX lens range, their primes consist of an intriguing amalgamation of compact ‘pancake’ types, ultra-high speed designs and special purpose models. We’ve assembled five models for testing and analyzed them using a 20Mpix Samsung NX20. Read on to see how well the combination of high-resolution APS-C sensor and innovative NX-mount primes perform.

ZEISS already have one prime lens in Sony’s NEX line-up, albeit made under license for them, but at Photokina in September, the optics firm announced its intention to produce AF lenses in both Sony NEX and Fuji X mounts. The first of these lenses in the series, dubbed Touit by the maker, are an ultra-wide Distagon 2.8/12 (18mm equivalent) and a standard-type Planar 1.8/32 (50mm equivalent). Read on to see how well these two new lenses perform on the Sony NEX-7.

In this review of micro 4/3 wide-angle lenses, we will cover both prime and zoom lenses to give you an good overview of how manufacturers managed to design good-quality lenses in a small form-factor for these focal ranges.