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Terry's interest in photography corresponds to the amazing opportunities she had to view shows at the Smithsonian and NYC museums growing up in Maryland. These photographic exhibits told stories of love, loss, poverty, social justice, community, joy, hope, fear and of distant lands and fascinating cultures. When she started taking photos, she realized that she really enjoyed SEEING the world through a viewfinder. She took pictures for ten years using the same aesthetic she'd used since design school: “Organized Chaos”
Her main inspiration comes from the likes of Pollock, Miro, and Kandinsky. She tends to be abstract and embrace focusing on subjects at the macro level.

Terry's interest in photography corresponds to the amazing opportunities she had to view shows at the Smithsonian and NYC museums growing up in Maryland. These photographic exhibits told stories of love, loss, poverty, social justice, community, joy, hope, fear and of distant lands and fascinating cultures. When she started taking photos, she realized that she really enjoyed SEEING the world through a viewfinder. She took pictures for ten years using the same aesthetic she'd used since design school: “Organized Chaos”
Her main inspiration comes from the likes of Pollock, Miro, and Kandinsky. She tends to be abstract and embrace focusing on subjects at the macro level.