The point of this
incident is it highlights how most of those who follow Jimi's music and
story don't want to know what he really said and thought, they lack
interest in the real Jimi and instead crave a fiction of him. They
DEMAND a slacker fantasy, and when evidence is presented that
contradicts their cartoon, they "pile on" and condemn, suppress,
denigrate, and persecute the person who shatters their fantasy. They're
a microcosm of the culture at large: Sheepleistic Idiocracy Mob,
brain-trained by H.I.M.M.

"I had no idea who Jimi
Hendrix was until our son came home for Thanksgiving during his first
year at university. When he came through the door it was a stranger in
jeans and a sloppy sweater (which I had no idea where he'd picked up),
and long hair standing up like a hedgehog's. 'Neat, eh?' he said, 'I'm
told I look like Jimi Hendrix, my favorite singer.' Not knowing much
about Hendrix, I Googled him. Hendrix was a young, handsome singer and
guitarist who became a huge sensation, but sadly died when he was just
27, some believe from an overdose of drugs. I had found the following
quote that I had written down in a book that I keep for such things and
was surprised to find out that the author was Jimi Hendrix: 'Knowledge
speaks. Wisdom listens.' When I opened a biography of
Hendrix, I couldn't believe the quotes he was famous for: 'When
the Power Of Love overcomes Love Of Power, the world will know Peace.'
He had a great impact on the world." www.stmarys.com/stmarys
- Dec. 30, 2009

.

Those bogus quotes are all over the web and
Hendrix never said them. But what's alarming is what it represents,
because the mistakes can't be corrected. Countless
times over many years I've notified websites of the quotation errors
and even forwarded the correct sources for these quotes (the sources
are an interesting story on their own, as shown below), but it makes no
difference. Even when presented with the evidence, the consumer
herd prefers to make-believe and insist Jimi's "wisdom" is
symbolized in these utopian maxims that he never said. The implication
is horrifying: they don't want to know what he
really said. The "mass class" demands fantasies, craves easy hearsay in
place of research reading and note taking, and above all, insists that
officials lie to them. This incident of non-correctable misquotes of
Jimi illustrates ways civilization jumped over the Cliff-Of-No-Return -
hurtling, blissfully oblivious to impending extinction, and hell bent
on crucifying all who point out this predicament.

Jer-RY!
Jer-RY! SLUT! SLUT!

"I think there's a growing hostility to
knowledge. I'll exercise to make my body look good but when it comes to
thought I'm going to go with the gut. A kind of collapse into an
intellectual relativism where opinions become fact, knowledge and
wisdom. It's a dangerous thing, this kind of allergy to thought that's
developing, I see a pattern, an allergy to complexity and
nuance." - John Sexton

"We have become unmoored from a world
of print, from complexity and nuance, and with it information systems
built on the primacy of verifiable fact. The public has
embraced the emotional carnival that has turned news into another form
of mindless entertainment. We are, even more ominously, losing
the meticulous skills of reporting, editing, fact-checking and
investigating that make daily information trustworthy. The
decline of print has severed a connection with a reality-based culture,
one in which we attempt to make fact the foundation for opinion and
debate, and replaced it with a culture in which facts,
opinions, lies and fantasy are interchangeable. As news has
been overtaken by gossip, the hollowness of celebrity culture and
carefully staged pseudo-events, along with the hysteria and drama that
dominate much of the airwaves, our civil and political discourse has
been contaminated by propaganda and entertainment masquerading as news.
In an age of profound culture decline the masses prefer to be
entertained rather than informed. American society, once we
lose a system of information based on verifiable fact, will become
disconnected from reality. All totalitarian societies impart their
propaganda through manipulated images and spectacles. And the death of
traditional news is one more stage in the terminal illness that is
ravaging American democracy. The rise of a totalitarian capitalism will
follow, and we already have many of the new system's information
networks in place. Corporations will be better positioned than ever to
produce self-promotional 'information' - better described as
'propaganda' - that can masquerade as 'news.' The technology actually
makes it easier." - Chris Hedges

"Our political discourse, our national progress,
is being retarded because we have fallen into this discourse by slogan.
We have fallen into this relativism where it's a 'conversation' to stop
and say, 'Well, that's your opinion. My opinion.' There's no extension
of the argument. You couldn't win a debate if you didn't extend the
argument, if you just repeated the same thing. We don't listen well, as
a society. When we do listen, we listen in feedback loops to
people who are likely to say what it is we think is right, and it won't
surprise you." John Sexton

"Where the more fortunately educated read to be
surprised, the middle-class reads to have its notions
confirmed, and deviations from customary verbal formulations disconcert
and annoy it. [Thus] the indispensability of cliché to
middle-class understanding…The prose demanded by the middle class is
preeminently that of institutional advertising and assertions of the
banal, as if avoidance of it invited accusations of elitism." - Paul
Fussell

"The
years passed, mankind became stupider at a frightening rate. Some had
high hopes that genetic engineering would correct this trend in
evolution but, sadly, the greatest minds and resources where focused on
conquering hair loss and prolonging erections." -
Idiocracy movie

"We have this
overwhelming, undifferentiated database of information, which the
Internet has created. People can quote things that are
preposterous when examined. But they're quoted as if they're the basis
for serious thought. You move from that to a very, very short attention
span. We have created a society that has an allergy to nuance and
complexity. We tend to blur the line between entertainment
and news. This is a result of this coliseum culture
which has been introduced. We now consider it appropriate to present
two extreme views in battle with each other. This coliseum
culture, where we have the two gladiators come in from the
extreme, and there's no serious conversation, because they end up talking
past each other in talking points. It never brings it
together in a marketplace of respect, civility, listening and trying to
find ground where we all can live." - John Sexton

.

MAKE A
SHADY BUCK -PLAGIARIZE IN THE NAME OF JIMI

Idiocracy Speaks,
Sheeple Listen

For the handful of
remaining intellects left who are even capable of weighing evidence,
for the babies who've been forsaken on the altar of today's generation
of criminal ignorance, and lastly, for the goddamn RECORD - what
follows is the accurate and persecuted history of alleged Hendrix
quotes never said by Jimi…

"It
is the province of Knowledge to Speak
and it is the privilege of Wisdom to
Listen." - Oliver Wendell Holmes, Sr.

Holmes Knows
How Dumb
Hendrix Fans Be

Holmes'
Quote is in
this 1872 book:

For years, at the official Hendrix production company, I was assigned
to compile all known quotes of Jimi Hendrix and edit this text into the "autobiography" of Jimi, in his own
words. That book has been censored/suppressed by all world
publishers for two decades now, but it's where I became familiar with
Jimi's unique syntax, vernacular, and habits of thought.

.

.

.

.

Don't Want To
Know What He Really Said,
And Demand These Slacker Fantasies InsteadMake-a-Buck Bumpersticker
Plagiarism:

Hendrix never said it.
It's not his vernacular, nor syntax, nor even his sentiments. But it's
impossible to explain this to his mostly remedial teen fan base who
haven't a clue as to what "vernacular" and "syntax" mean, and are
incapable of comprehending those terms even when patiently explained,
no matter how simplistic and infantile the description is dumbed down
to accommodate the lame.

The quote itself, however, has an interesting
history which indicates several people associated with Jimi were aware
of the saying.

First, a quick history of the quote:

William
Ewart Gladstone

"When
the Power Of Love Overcomes the Love Of Power
the World Will Know Peace"

The
Gladstone Quote

Is
In This 1997 Book

On page 639 of the Forbes Book of
Business Quotations, edited by Ted Goodman (New York, Black
Dog & Leventhal 1997), the quote is identified as being said by
the four-time Prime Minister of the United Kingdom, William Gladstone
(1809-1898):

"When the Power
Of Love will replace the Love
Of Power, then will our world know the blessings of Peace." -
William Gladstone

This Utopian notion of wishful thinking at some
point came to the attention of the Indian mystic and poet Sri Chinmoy
Kumar Ghose (1931 - 2007):

Sri
Chinmoy Kumar Ghose

"My books, they all
have only one message: the heart's Power
Of Love must replace the mind's Love
Of Power. If I have the Power
Of Love, then I shall claim the whole World as my own...World Peace can be achieved when
the Power Of Love replaces
the Love Of Power."
- from My Heart Shall Give A Oneness-Feast by Sri
Chinmoy (Agni Press, Jamaica, NY 1993)

William Gladstone's influence in Colonial India
may have been how Chinmoy became familiar with the quote. Looking
through interviews with Sri Chinmoy, it's clear that he paraphrased
this, his central belief, as he says above: "one
message," in many variations during conversations with his followers.
This is where the Hendrix connection comes in.

Among Chinmoy's followers were three Hendrix
connections: guitarists Carlos Santana and John McLaughlin, along with
drummer Narada Michael Walden. All three knew Sri Chinmoy (who also was
a musician, player of several instruments).

McLaughlin and Santana eventually had
disagreements with Chinmoy and became estranged from him. But it's
likely that they, along with Narada Michael Walden, heard Chinmoy
express his central belief in conversations they
had with him. McLaughlin and Santana had met Jimi and had conversations
with him. It's possible that one of these guitarists at some point said
"Yeah, I heard Jimi say 'When the Power Of Love overcomes the Love Of
Power the world will know Peace.'" But no source for Hendrix alledgedly
having said it has ever been cited, and the quote itself predates Jimi
by a century anyway. In no sense can this be considered a "Hendrix
quote."

Walden and Santana, both at one time followers of
Chinmoy, also befriended Jimi's father, Al Hendrix, and Al's adopted
Japanese-American daughter Jane, in the 1990s. My theory is that either
McLaughlin or Santana have said they heard Jimi say the quote in
question. Narada Walden, who was a follower of Chinmoy, but didn't know
Jimi, was actively pursuing projects with Al Hendrix and Jane while I
was at the Hendrix company in the 1990s. After Microsoft's
Paul Allen took action to end my career at the Hendrix
company, and I was exiled, along with the
autobiography of Jimi, suddenly William Gladstone's "Power Of
Love" quote, used by Sri Chinmoy, was not only attributed to Jimi, but
was affixed to a car bumper sticker that went up for sale
online around 2004 and has since circulated all over the internet to
such an extent that millions today believe it's from Jimi. Ads for the
sticker were a fixture on hundreds of websites for years.

Album Cover
Changed To This
After Jimi Died

Carlos
Santata & Buddy Miles
Live (1972) album

Another Santana connection is equally intriguing.
One of Jimi's most well known shows was the concert on Maui in 1970. A
year and a half after Hendrix died, Santana made a pilgrimage there
with Buddy Miles,
Jimi's drummer in A Band Of
Gypsys. Santana and Miles recorded an album titled Carlos
Santana & Buddy Miles Live (1972). The twist is,
after Hendrix died, the record company that released his Band
Of Gypsys album, Capitol Records, had some bureaucrat at the
company actually change the titles of Jimi's songs on that 1970 Hendrix
album. The song "Power Of Soul," after Jimi died,
was changed on the Band Of Gypsys album to read ""Power
To Love."

"When
the Power Of Love overcomes
the Love Of Power
the world will know peace."

After
Jimi Died a Capitol Records' Executive
Changed "Power Of Soul" On This Album
(back cover) to "Power To Love" (see left)

Carlos Santana's collaboration with Band
Of Gypsys drummer Buddy Miles provides a possible path
leading to claims that the Gladstone quote came from Jimi. Santana's
association with Sri Chinmoy likely exposed Carlos to the "Power
Of Love" quote, and Buddy Miles, upon hearing Santana repeat
it, might have attributed it to Jimi because a featured song on Jimi's
historic Band Of Gypsys album (with Buddy), was
re-titled "Power To Love" in the 1970s - I can just
hear Buddy in conversation with Santana on Maui and Carlos mentions the
Chinmoy quote, and Buddy butts in, "But that's the meaning behind
Jimi's song "Power Of Love," even though Jimi
had nothing to do with that song title that an executive at
Capitol Records changed on the album cover after Hendrix died. By
deleting the title "Power Of Soul" the record
company was trying to minimize the fact that A Band Of Gypsys
was an all-black band. By removing the word "Soul" and replacing it
with "Love" they aligned the album a bit more with Jimi's core "rock"
crowd, mostly white (Jimi's audience, while he was alive, was mainly
white youth). Capitol Records also changed the song title "Message
To Love" to "Message Of Love" - ruining
Jimi's play on language in their attempt to make the title more banal,
and thus more palatable to average consumers who wince and cringe at
"playful language."

"The prose demanded by the
middle class is preeminently that of institutional
advertising…[suggesting] the indispensability of cliche to middle class
understanding...and deviations from customary verbal formulas
disconcert and annoy it." - Paul Fussel

I suspect the Hendrix company is behind this scam
and making tons of money from sale of bumper stickers and T-shirts with
a fake, plagiarized quote not from Jimi, but attributed to him for
their merchandising profits. They'd likely defend it by saying, "Well,
Buddy Miles (deceased) said Jimi told him this, that's good enough for
us" - as Prime Minster Gladstone turns in his grave (and Jimi too -
well, actually, there isn't
anyone in Jimi's "grave" anymore!).

Today's sordid "Hendrix company" has a bleak
history of bastardizing Jimi's legacy, which is the subject of our
upcoming story about how they've twisted the meaning of the prophetic
Hendrix song "Valleys Of Neptune." The marketing of
Hendrix has been pathetically dumbed down to such depths that his "fan
base" who buy the insipid schlock produced by Jane don't want to know
the real Jimi. They demand a slacker fantasy, and crave a
dumb-like-themselves "celebrity" dominator-version King Kong Guitar
Dildo who's befuddled on drugs and confined to adolescent goof-humor
displays of shallow banter. Which is why they fiercely believe Jimi
made the Gladstone statement about "Love Of Power" - its lofty prose
vindicates their own bereft-of-comprehension idiocy and somehow lifts
their collective boat among the "marketplace of ideas" as if to say,
"See, Jimi's our World Statesman too!"

"Sports are popular for
middle-class proles to follow because they sanction a flux of pedantry,
dogmatism, record-keeping, wise secret knowledge, and
pseudo-scholarship of the sort usually associated with the
'decision-making' or 'executive' or 'opinion-molding' classes. The
World Series and Super Bowl give every man his opportunity to perform
as a learned bore, to play for the moment the impressive barroom
pedant, to imitate for a brief season the superior classes identified
by their practice of weighty utterance and informed opinion. Which is
to say that the World Series and the Super Bowl constitute harmless
twice-yearly opportunities – occurring, oddly, near the winter and
summer solstices, as if designed by Nature herself – for the plain man
to garner some self-respect. They are therefore indispensable as
democratic holy days and ritual occasions. If the prole doesn't know
what might cause Union Carbide to go up or down, as a master of 'the
fine points of the game' he can affect to know why the Chargers or the
Dodgers are going to win this time, and that's a powerful need
satisfied. The barroom or living room debates occasioned by these
events are a prole counterpart of the classy debates in statehouses and
courthouses, and the shrewd weighing of evidence and thoughtful drawing
of inferences ape the proceedings in the highest learned conferences
and seminars. In addition, the satire and abuse visited upon holders of
opposite views, especially in bars, is the prole equivalent of the
contumely dispensed by the better book reviewers and theater critics.
Exercising authority in learned matters like these is one way the prole
classes assert their value." - Paul Fussel

But, after amassing thousands of Hendrix quotes,
and uncovering hundreds of non-obvious connections in the database
regarding Jimi's personality, I'm left alone to confront the dullards,
the debilitating stupidity of what's left of Jimi's fans, what Germaine
Greer termed "the impotence of the audience he played for"
- 'cuz it's clear that Jimi himself came to shun the zoo he stood
before when he walked on stage:

We'll Make It
Look Like Jimi's Handwriting

"We
hope we're not playing to a bunch of animals, so please don't act like
some, let's lay back, alright? Because you're really making us uptight,
man, it's a bad scene for us to get uptight, trying to give you some
good feeling and all this other crap. Like to sing about what you all
should be thinking about in the meantime, while you're picking your
noses and picking your asses or whatever you want to call it. Yeah, I'm
talking to you. Yeah, that's who I'm talkin' to, yeah, right, don't do
that, man. Anyway, it's a scene like, um, let's pretend that we're not
here. Let's pretend that we're somewhere else then - yeah
(disgustedly:) Where you at? Yeah, you all just choke yourselves,
that's all, fuck you. Yeah, it's so bad to see people in desperation of
anything, because pretty soon you lose the whole illusion of what
you're looking for in the first place. Ah, fuck off." - Jimi
onstage, Los Angeles, June 20, 1969

"Everyone up front was somehow
invisibly thrown back with sledge-hammer force. There was an
incomprehensible and terrifying backward thrust. Chairs went over,
people went down. It'll be an icy day in hell before I'll see Jimi at
the Forum again. I'm afraid of his audience!" Judy Sims - Disc,
May 5, 1970

Everyone who bought those plagiarized bumper stickers and posters with
the fake Hendrix quotes should demand their money back, or file a class
action lawsuit against the distributor. What you would then see is some
bought-off crony of the Hendrix Company/Microsoft cabal (and there are
legions of these slugs) crawl out and swear that Jimi told that quote
to them.

"Power Flows From
the Barrel of a Gun"
- President Camacho ;^)

.

Go ahead, look anywhere online, of the hundreds
of sites that quote Hendrix saying this "Love Of Power"
statement, not a single one offers any source. Why?
BECAUSE THERE IS NO SOURCE. Hendrix never said it. And anyone who ever
took the time to read through all of his quotes would know that the
saying is alien to his manner of speaking and his thinking too. And
that's the paradox that allows the hoax to thrive - his whole audience
is geared to smear anyone who made the effort to study Hendrix -
they've made him head of an Idiocracy Mob that does not study
anything - a load of slacker, goof-humor loser white male
teens (many middle age teens) hell bent on
brutalizing anyone who expresses depth in ANYTHING. They've made
Hendrix figurehead of everything he himself reviled, just like
Constantine's scribes turned the Jesus story upside down into some
Emperor-friendly support for elitism that Jesus wouldn't even
recognize.

"Men have struggled for Power
Over their fellow men in order that they might win the joys of earth at
the expense of others, and might shift the burdens of life from their
own shoulders upon those of others. All history is one long story to
this effect." William Graham Sumner (What Social
Classes Owe Each Other, 1883)

"They’re
losing themselves in big ego scenes and being above another man in some
kind of form...They act just like the pigs that run these places, you
know, countries. They base everything on the status thing, that’s why
there are people starving, because humans haven’t got their priorities
right...All they’re doing is making themselves weaker and weaker until
their negatives [asteroids] come and just take them away. That’s what's
going to happen, then you’re going to have no world to live on. The
establishment is going to crumble away…The people who dig me…they want
something different, to feel something inside, something real -
revolution, struggle, rebellion." - Jimi

The real Hendrix.

.

A
Clip From the Otherwise Worthwhile "Zeitgeist" Film
Shows the Jimi Misquote that Hendrix Never Said:

The
Director of Zeitgeist went so
far as to include Jimi in a sequence with
these scenes below of Ghandi & Martin Luther King Jr. (see
video clip above)

This urge among Hendrix fans to pedestalize Jimi
as "World Statesman" is what we witness when an otherwise worthwhile
film like Zeitgeist promotes the quote as Jimi's
and proceeds to associate Hendrix with the likes of Ghandi and Dr.
King.

"Proles...sanction
a flux of pedantry, dogmatism, record-keeping, wise secret knowledge,
and pseudo-scholarship of the sort usually associated with the
'decision-making' or 'executive' or 'opinion-molding' classes...give
every man his opportunity to perform as a learned bore, to play for the
moment the impressive barroom pedant, to imitate for a brief season the
superior classes identified by their practice of weighty utterance and
informed opinion...a prole 'counterpart' of the classy debates in
statehouses and courthouses, and the shrewd weighing of evidence and
thoughtful drawing of inferences, ape the proceedings in the highest
learned conferences and seminars...Exercising authority in learned
matters like these is one way the prole classes assert their value."
- Paul Fussel

The bizarre thing is that, after I saw Zeitgeist
when it came out in 2007, I sent an email to the movie's website,
identifying myself as having edited the
autobiography of Jimi at the official Hendrix production
company, and I informed the makers of Zeitgeist
that they'd made a mistake, Jimi didn't say this. I got an email back
asking where the quote came from and I replied, forwarding the source
information shown above.

It didn't matter. They didn't want
to believe Hendrix never said it. Years later this bogus quote
not-from-Jimi still appears in the Zeitgeist film
with Hendrix cited as source. It's sort of like trying to inform
desperate Jesus believers that radio-carbon-dating shows the Shroud of
Turin to have been made many centuries after the time of Jesus. The
believers just insist that the section of the Shroud tested by
scientists was taken from a cloth patch attached later on in the middle
ages, the rest of the relic, untested part of the
Shroud, they claim, is an authentic relic 2000 years old. And then they
quickly turn on you as "the bad guy's" unwelcome truth intruding on
their anti-fact slacker fantasy.

To inform Hendrix fans that Jimi never said the "Power
Of Love" quote is to risk being pilloried in the town
square...

"You
believe what you want to believe..." - Tom Petty, Refugee

The irony is that the Hendrix story really
is in a realm with Ghandi or Jesus, but just not for any
reason that his fan base is aware of. Those who respond emotionally to
Jimi's music are quick to sense the historical weight of what he
communicates, but nowhere is the whole picture of what it means
articulated, except in Rock Prophecy. In 1995 Rock
Prophecy was to be the next official project of the Hendrix
production company, but it was halted
by a $5 million bogus lawsuit funded by Microsoft co-founder
Paul Allen, and the "whole picture" has been systematically suppressed
and concealed by mogul media ever since. Today's audience for Jimi has
been kept artificially unaware of the connections presented in Rock
Prophecy. The condemned reality is that the entire evil media of H.I.M.M. is
dedicated to censoring Rock Prophecy, and the more
one becomes aware of the details regarding this, the more that claim
appears an understatement...

Mr. Allen's Madison Ave. Mad Men,
advertising spin-doctors, are well aware that, to the majority of
people who feel nothing when hearing Hendrix music,
any suggestion that a "doper, guitar greaser clown" is somehow
"historically significant" is met with ridicule and derision, not just
skepticism, but a conditioned vicious visceral
dismissal of even the notion - in other words, you
don't get time to even start any explanation, the
concept of Hendrix as "prophet" is rejected apriori. Dominator media
has spent billions to subliminally train the herd to snuff
out even a trace of curiosity. Consumers instead leap
immediately into a conditioned response to dominate any explanation
with shouting down the messenger in a barrage of abuse aimed to
humiliate and ostricize. Just picture images from Mel Gibson's Passion
of the Christ, of Roman dominators beating Jesus on his way
to crucifixion - these creatures are not lost to
history - they thrive today - surrounding the
reality of Jimi's asteroid prediction, explained in Rock
Prophecy - the object of their trained, inflamed hatred and
lust for violence.

"There's
so many tight-lipped ideas and laws around, and people put themselves
in uniforms so tightly, that it's almost impossible to break out of
that. Subconsciously, what these people are doing, they're
killin' off all these little flashes they have, cutting off the idea of
wanting to understand. They forgot, didn't believe, or just
snuffed the feelings or thoughts off to continue with their crazy soul.
They don't have the patience to really check out what's happenin'
through music, theater and science. It’s like a spaceship. If a
spaceship came down and you know nothin’ about it, the first thing
you’re going to think about is shooting it. In other words, you get
negative in the first place, which is not really the natural way of
thinking. It’s like shooting at a flying saucer as it tries to land
without giving the occupants a chance to identify themselves."
- Jimi

PLOT
TO CO-OPT ROCK PROPHECY'S PERIPHERAL ISSUES -Moguls Produce "Media Treatments" Designed to
Undermine Topics in My Book
(while keeping the book itself censored, suppressed, and concealed in
media)

Prominent among the DreamWorks Team list of
issues to co-opt away from Rock Prophecy is Jimi's
interpretation of the word "Love"

"Invent
a word called Love. Love can change your whole world, it’s that
powerful, that bold. There are some people running around with long
hair preaching the word 'love' and they don’t know what they’re talking
about...I’m tired of people using the word 'Love' so much. You can mess
up a good theme like that. We can go on and on. What is perfect?
Perfect is death. It’s a physical death. Termination."
- Jimi

Hendrix had noted how humans "have
Greek gods and all that mythology, well, you can have your own
mythology. I'm trying to create a new mythology for the space age."
So he "invented a word called Love," - he turned something "that
powerful, that bold" into
the name of an asteroid: Electric Love

"Electric
Love penetrates the sky, the Mountain falls in the sea, the
Sun refused to shine..." - Jimi

Jimi
had co-opted the most important catch-phrase of his generation to
fit it into his apocalyptic vision of asteroid impact. By naming the
asteroid "Love" he alters its use as a verb in
phrases like "God loves us" which now, in Hendrix
Correct terms, means "God impacts us."

He
took their most precious "perfect" word and turned it into extinction,
as he said, "Perfect is death. It’s a physical death.
Termination."

When
I explained this in Rock Prophecy, Paul
Allen's censorship machine sprang into goon-squad mode. Book
distributors were forbidden to circulate the book and then his media
studios set about "co-opting" Jimi's use of the word "Love." They
created the plagiarism saying explained above, claiming Hendrix said
it: "When the Power of Love Overcomes the Love of
Power..."

Their
aim was to contradict what I say by making famous the fake quote
that Hendrix never said. They know today's fan base for Jimi is mostly
remedial teens who can't care less for the fact Jimi didn't say it.
Their intent is to incite rejection of even considering an explanation
of Jimi's wordplay when he made "Love" the name of
a killer asteroid (one of the largest known asteroids in our solar
system is already named "Eros" - which is the Greek
word for Love, so it isn't so strange for Hendrix
to name his asteroid "Love" - the Rock he saw heading towards Earth).
Paul Allen's DreamWorks Team co-opted Jimi's use of "Love" by flooding
the internet with pictures of a bumper sticker on which Hendrix says, "When
the Power of Love Overcomes the Love of Power the World Will Know
Peace."

Paul Allen's DreamWorks Team's fingerprints are all over this scheme.
It's very similar to the way they co-opted Jimi as the "President of Deep
Impact" when they hired Hendrix
impersonator Morgan Freeman to play the role of U.S. President
"Asteroid Savior" in their DreamWorks
movie Deep Impact. Everyone who watched
PBS's Electric Company as a kid right away
registered 'President Hendrix' when they saw Morgan Freeman as
president in Deep Impact. Mr. Allen's intent, with
that movie, is to associate Jimi with asteroids in a way that says, 'if
Michael Fairchild is reporting how Hendrix foresaw the asteroid
disaster, we'll instead make Hendrix the President who guides us
through our survival of the impact.' DreamWorks went out of their way
to conceal Rock Prophecy and replace it with a
Hollywood "happy ending" that's the opposite of what Jimi predicted.

They
did the same thing with his use of the word "Love"
- and have spent billions to obstruct circulation of Rock
Prophecy so that only their fake bastardized version of
ethnically-cleansed Hendrix gets through to Idiocracy consumers who
demand fantasy. It's similar to the way Emperor Constantine created an
Emperor-friendly version of Jesus, re-casting the prophet, from a
fighter-for-equality into some kind of crusader against sex. The unjust
moneyed moguls who control media simply pay for their version of the
story to be publicized, knowing that feeble sheeple will follow along
with neither thought nor questions.

"It's
the winners who write history - their way."
- Elaine Pagels

The
bottom line reality, condemned by EMPeror Allen, is that, in
Hendrix Correct terms, Love
means asteroid impact. But in
characteristic dominator denial reaction, everyone is being kept from
knowing this while the fake, phoney, plagiarized "Power Of
Love" bumpersticker from DreamWorks is propagandized into
official disinformation spin that sheeple follow.

.

Still,
given all this, I'm the only one who knows what Jimi rilly
said. In fact, he channeled its transmission
directly into my dreams, so there's no mistaking his accurate
vernacular and syntax, as he whispered:

"When the Lust for Money
Undertakes Paying Money for Lust,
Then My Whirld Will No Piece."

Now
that's the real
Jimi that I know. So, if you'll excuse me, I have
to go call the bumper-sticker company and make a buck, after all, I am
the one who rilly controls the Hendrix Legacy
today…

"Snopes.com
is one of a small handful of sites in the fact-checking business...a
unique position to evaluate digital society's attitudes toward
accuracy. After 14 years, they seem to have concluded that people are
rather cavalier about facts. The site affirms what cultural critics
have bemoaned for years: the rejection of nuance and facts that run
contrary to one's point of view. 'It's people wanting confirmation of
their world view.' David Mikkelson said. 'People keep falling for the
same kind of things over and over again.'"

Has Linda (Eastman) McCartney (wife of Beatles'
Paul) flipped her lid? How many "lids" are required before one confuses
a charred guitar with the National Anthem and then informs the world in
her book Sixties: Portrait of An Era (p. 61) that
Jimi was "burning the American flag during his
shows…it was his gimmick. He thought if he stopped doing it the
audience wouldn't love him any more."

WHAT? Good Lord! Not only have reviews of her
book been reprinting this quote accusing Jimi of criminal treason
(don't forget, flag burning was an egregious crime during the Vietnam
war), but Ms. McCartney has even spread the inflammatory story on the
BBC in Britain, and on nationwide TV to Americans - a bunch who don't
take kindly to people who burn their flag!

For the record, both Mitch Mitchell and Noel
Redding flatly deny that Jimi ever did this (note: Linda saw Jimi play in concert only
four times), and Jimi's own words in print and on video clearly
indicate a psychological incapacity for such an act. Despite "best
intentions" (Linda even has a Hendrix shot as the cover of her book!),
Jimi has been injured, in public, by a very careless and very wealthy
ex-photographer. But Linda's irresponsible slander/libel must not
remain to blemish Jimi's legacy. This is an important issue, full of
symbolism. Linda has caused visceral ill-will to be directed at Jimi
for a crime he most certainly did not commit. She should hold a press
conference to recant her story and announce a recall of her "Portrait"
book for corrections, or be forced to. The irony is that Linda's super
boo-boo actually offers a public platform from which to raise the whole
issue of Jimi's patriotism, and reverse the lingering myth that casts
him as some sort of reincarnation of Benedict Arnold (most famous
traitor of the American Revolution - a name synonymous with "treason."
Jimi's rendition of the Star
Spangled Banner caused some to think this).

- Michael
Fairchild - UniVibes, February 1993

UniVibes Magazine -
May 1993

LINDA'S APOLOGY

"...and
the flag was still there"

The
Star Spangled Banner

Linda
& Jimi - May 1968

"Thank you for the copy of UniVibes
containing the article by Michael Fairchild.

"I am very sorry for any offence that
may have been caused by my reference in 'Sixties'
to the burning of the American flag by Jimi. I was relying on popular
myth when mentioning that he burned the American flag and I sincerely
apologize for interpreting hearsay as fact.

"Jimi was one of my closest friends
and I have no wish to see his reputation damaged in any way by
perpetuating this story. I have therefore instructed by publishers to
immediately alter the text accordingly, and hope that Jimi's fans will
accept my apologies for alluding to this unsubstantiated report."

- Linda
McCartney, London, England, UniVibes, May 1993

.

THEY'RE HIRED BECAUSE THEY
LACK INSIGHT ABOUT JIMI

A
recording engineer named Ed Kramer, who was hired (Jimi's girlfriend
told me Hendrix referred to Kramer as the "manager's janitor,
chimney sweeper of the studio") to record some of Jimi's
songs, put out a book about Hendrix (written with a dumbbell called
McDermott). Their book remains filled with dozens of glaring errors,
despite my having corrected them 17 years ago (in Straight
Ahead magazine, Jan. 1993).

After
I was exiled from the Hendrix production company after my career
was attacked by a bogus lawsuit
funded by Microsoft's Paul Allen, Kramer and his dumbbell
lacky, McGermitt, were brought into the company, where they today
transfer their ineptness onto mutilations of Hendrix recordings
"released" by the people who were given my job. To this day I believe
they were hired specifically because my corrections of their book
revealed they are hopelessly impreceptive to the details and intentions
of Hendrix. There are dozens of examples, but the one cited below sums
up their total ignorance to even basic aspects of Jimi.

On
page 108 of their book they describe Jimi's 1968 concert at the
Paris Olympia:

"[An onstage] switch of roles that
saw [bass player] Noel Redding play lead guitar on Red House
while Hendrix took over on bass, driving the song as Jimi had always
wanted Redding to do. But Redding proved no slouch on guitar either…his
performance of Red House confirmed a genuine talent
for the instrument."

WHAT?!
That IS Jimi on guitar, NOT Noel the bass player! Don't the
authors know Jimi's style? It must be embarrassing for Kramer to have
his name on a book which shows ignorance of basic Hendrix music. Most
people familiar with Jimi's guitar playing would recognize his
signature blues song, as heard below on the Paris recording in
question:

Kramer & KKKlan Today Have My
Job -
But They Don't Know Jimi's Music!

Red House
at Paris Olympia 1968

Red House - Paris 1968

Jimi at Paris Olympia

After more than 17 years, the error in their book remains and stands as
a monument to the fact that "facts" don't matter when their intent
is to dominate whatever I say. It's like the
mistake in Zeitgeist shown above, where they
misquote Jimi. Accuracy ceases to be of value to these brutes whose
pathetic "kicks" come from dominating perceptions that threaten their
unjust, underserved privileges.

The
point is that I was targeted by the bogus Microsoft lawsuit because
I understand Jimi, and they don't. They hate that reality and despise
me for it. That I be silenced is the total motivating force behind the
bogus front of a "Hendrix company" string-pulled by
Paul Allen's media empire. Allen's lackeys, who were brought in to
replace me at the Hendrix company, were picked specifically because
they showed no awareness of what Hendrix was trying
to accomplish. CONCEALING AND SUPPRESSING Jimi's
Rock Prophecy vision was and
is the Holy Grail of evil EMPeror
Allen's decrees.

To comprehend Hendrix is to be the object of merciless persecution, the
priority of which is to obstruct and prevent any explanation of both
Jimi's insight AND the brutalizing of those who discover it. Millions
upon millions of mogul money dollars direct the National Security Agency to
quarantine and cordon off all communications between those of
us who comprehend Hendrix and the "outside world." The few who get
through to our website to see the pages you're now viewing do so only
because untold numbers of Information Technology slaves risk their
lives to lift the Iron
Curtain the surrounds us for fleeting minutes that allow
random web browsers to access our pages.

"Corporate media controls nearly
everything we read, watch or hear and imposes a bland uniformity of
opinion or diverts us with trivia and celebrity gossip. The Internet
has become one more tool hijacked by corporate interests to accelerate
our cultural, political and economic decline. The great promise of the
Internet, to open up dialogue, break down cultural barriers, promote
democracy and unleash innovation and creativity, has been exposed as a
scam. The Internet is dividing us into antagonistic clans, in which we
chant the same slogans and hate the same enemies." - Chris
Hedges

How
these circumstances have led to the impending extinction of our
civilization is the subject of this website. The common reaction of
Idiocracy Mob to our persecution shows today's children why the only
logical activity is the
dismantling of H.I.M.M. immediately by any conceivable means.

Was UnaBomber Ted
Kaczynski
Inspired by the Mindless Attacks
of the UnaViber?

Houston,
we have a problem. Authorities are perplexed over the recent
wave of UnaViber mail attacks against innocent
Hendrix fans. Several people were somewhat perplexed by in-your-face
bloody lies when they unwittingly opened UnaViber envelopes sent from
[Italy]. Our hearts go out to those poor unfortunates who sustained
misinformation from this brutal and mindless attack.

The
following letter is my reply to attacks on my work by UnaViber
magazine, mailed out of Italy. Publication of my letter was obstructed
by the editor. (The magazine is named after a "UniVibe," a sound effect device used
by Jimi.)

MY CENSORED/SUPPRESSED JUNE
"1995" LETTER TO UNAVIBER
(Why I Stopped Writing for That Rag)

In
my booklet story for MCA's 1995 worldwide release of the Hendrix CD
titled Voodoo Soup
I wrote about the track titled Steppingstone:

Voodoo Soup CD- MCA
Records 1995

Steppingstone =
Apollo 13/April 13

UnaViber
asks, "Why on Earth (in space?)
does Fairchild link the release of (the song Steppingstone)
with the disablement of the Apollo 13 mission?" The reason is because
my CD booklet for Voodoo Soup is mostly about outer
space ideas, such as: Sands of Mars, Jupiter Sun, 2001:
A Space Odyssey, UFOs, The New Rising Sun, 2010:
Odyssey 2, etc. With this "space" theme, the coincidence of
the Apollo 13 NASA fiasco occurring on the same day that Jimi's record Steppingstone
(a song on Voodoo Soup, see below) was released,
warrants mention in my notes about Steppingstone.
The major Apollo Moon missions occurred during the Hendrix concert
years. Jimi's image and popularity were affected and influenced by a
"space age" technology revolution epitomized by NASA. Any connection
between Hendrix and the exploration of space fits the subject of Voodoo
Soup.

But
that's not the only reason I cite the Apollo 13 mission. My CD
booklet text reads: "the Steppingstone disc came
out on April 13, 1970, the same day that Apollo 13 became disabled in
space. Jimi's record never charted." There is an obvious Apollo
13/April 13 corollary here. 13 is the most unlucky number, and on
unlucky April 13 the unlucky Apollo 13 mission was launched at the 13th
hour. Three astronauts were nearly killed by bad luck. And on this
unlucky day Jimi's most unlucky record, Steppingstone,
was released.

My
booklet points out that Steppingstone was
originally titled Sky Blues Today. Both of these
titles associate with Apollo: the spacecraft was a steppingstone
through a blue sky, to the Moon (a "stone" we'll step over to reach the
planets.) Sky Blues Today and Steppingstone
are images that lend themselves to association with Apollo. That's why
my CD booklet about space themes "links" Apollo 13 with the release of Steppingstone.

And
by citing Apollo 13/April 13 I was able to imprint in readers'
minds what a unique time period this was when lunar trips were made.
When I was writing the booklet for Voodoo Soup in
early 1995 I read an article about an upcoming major film with Tom
Hanks then in production. I read that the movie would be called Apollo
13, a film about the mission that went haywire on the April
13th day in 1970 when Steppingstone was released.
(Later in 1995 Apollo 13 became a hit movie,
earning several Oscar nominations and winning one in 1996.) But in
early 1995 I thought to myself: later this year the Apollo 13 mission
will be portrayed in a major film. Won't it be noteworthy for Jimi's
fans to see this movie and realize that on the day when NASA nearly
crashed, so did Jimi's "unlucky" record. I can convey this in my
booklet with a 17-word mention of the Apollo 13/April 13 coincidence,
and it also fits the outer space/sky/stone metaphors of my story too.
Perceptive readers will enjoy it.

But
NOOOOOOoooo - UnaViber didn't "get it." The
rag's review asked me a Direct Question: "Why on Earth (in
space?) does Fairchild link the release of Steppingstone
with the disablement of the Apollo 13 mission?" And then
Julius, the editor, refused to publish my answer!
It's as if the intent of UnaViber
magazine is to print opinions that (imperceptively) discredit me.

"I think there's a growing hostility to
knowledge. I see a pattern, an allergy to
complexity and nuance." - John Sexton

"We
have become unmoored from
complexity and nuance." - Chris Hedges

[NOTE: This
recording, heard below, is the ONLY good studio version of Steppingstone,
with MITCH MITCHELL on drums, with these guitar/vocal tracks from Jimi.
The version with Buddy Miles on drums etc. that today's Hendrix company
puts out is SO BAD it just proves they haven't a clue how to assess
Hendrix music and are destroying Jimi's legacy every time they mutilate
his music with their horrific "releases."]

Here's another fact of Hendrix history in my letter that Julius refused
to publish: UnaViber's review of Voodoo
Soup notes that on the track titled The New Rising
Sun we hear "those celestial sounds and those funny plucked
notes which have never appeared on any other Hendrix production but
one: the infamous God Save The Queen, which later
proved to have been played entirely by one David Henderson."
("Infamous" because the track was used on an official Hendrix CD and
Jimi doesn't play on it! I had tried to stop this error before the CD
was relased by Warner Bros., but UniViber's report blames
me for the mistake!)

The
review implies that when the song God Save The Queen
(see below) was mistakenly included on an official Hendrix CD release
that I worked on (Lifelines), that I didn't
recognize a track of fake Hendrix music. But that's not true, I was the
only one who recognized the error and tried to stop it. But despite my
efforts, the playing of a teenager named Dave Henderson (not the
author) was released on this official Hendrix CD and credited as Jimi's
music! Mr. Henderson promptly sued Warner Bros. over the unauthorized
sale of his music on the Hendrix Lifelines CD.

UnaViber
brings up this issue in their Voodoo
Soup review in a context of blaming me
for again not recognizing a track they suspect
isn't Jimi playing. But if anyone recognized fake Hendrix music, it was
me. And I left a paper trail of documents at the Hendrix company about
it.

I
first heard (the fake Hendrix track) God Save the Queen
in 1987. On hearing it I said to friends, "This music is NOT
played by Hendrix." To my amazement, some researchers
disagreed. In fact, in 1988 three well-known Hendrix experts each told
me that they believed Jimi did play the music now known as God
Save The Queen. But, as a
guitarist, it was obvious to me that the music lacked Jimi's
technique.

When
I was working at the Hendrix company in 1989, Warner Records was
interested in a Hendrix project called Best of the Bootlegs.
I asked producer Bruce Gary about the songs being considered for this
release. When Bruce announced God Save The Queen I
interrupted and said, "But that's not Jimi playing." On October 12,
1989, I sent this memo to the Hendrix production company that I worked
for:

"From the first time I heard this God
Save the Queen piece I didn't believe it was Jimi on guitar.
Besides the modal runs during the acoustic section sounding completely
foreign to Jimi's style, there's sloppy, off-the- beat phrasing of the
melody itself. It sounds to me like a mid-1970s (post Hendrix-death)
MXR Flanger sound effect is being used (and poorly at that). This (MXR)
effect had not been developed in Sept. 1970 when Jimi died...Is it
possible that this is [a session musician] playing in a 'Hendrix
style'?"

It's Not McLaughlin, and It Sure Isn't
Jimi…

The
following summer, 1990, I was working on Lifelines,
a Hendrix 4 CD box-set from Warner Records.

"God Save the Queen"
= Not By Jimi

I
was amazed to learn that the producers were again including God
Save the Queen on an official release! My first suggestion
was to delete it. On July 31, 1990 I submitted [at the Hendrix
production company] this memo regarding changes for Lifelines:

"In the errors list [on my memo] is
the God Save The Queen segment, with the acoustic
intro. The player is NOT Jimi. The phase-shifter/flange effect on this
is technology from a post-Hendrix period. To me this music doesn't
sound like Jimi's attack, nor his strum style, nor his rhythm, nor his
modal patterns. When I first heard it I thought it might be [a studio
musician]."

My
objections went unheeded and the Lifelines CD
was released in December 1990 with God Save The Queen
tracks included (to become the target of litigation against Warner
Records from the guy who actually played guitar on it, David
Henderson). For years afterwards it irked me that the people who then
owned and controlled Jimi's music never knew of my attempts to prevent
producers Alan Douglas and Bruce Gary from making this mistake in the
first place (Henderson's lawsuit was settled with a significant
payment, but the company I worked for suffered unnecessary
embarrassment). It reminds me of the fake Hendrix quotes on the
bumpersticker and T-shirt noted above. Buyers wanted to believe a
fantasy. My saying, "But that's not Jimi's syntax, or vernacular, or
guitar technique," etc., doesn't delete their need to believe.
Their tendency was to doubt that someone like me would have that type
of insight into Jimi.

Caesar
Shall Shield Us!

from Fairchild
the Terrible!

But
UnaViber knew I'm probably the only one
who
does have such insight, which is why the editor obstructed publication
of my reply to their ill-informed review. The Hendrix network of people
who follow news about Jimi is such that the one who really comprehends
Hendrix becomes target for their resentments over not seeing it
themselves. And they go to lengths to sabatoge their "target" at every
chance. So UnaViber wouldn't let me explain any
clarifications to the readership I had built up with that magazine over
the years. The editor promotes imperceptive attacks on my work and then
prevents me from answering direct questions asked of me by obstructing
publication of the above rebuttal. The release of fake Hendrix on an
official album is a serious incident. I can prove that I tried to
prevent this mistake, yet UnaViber used the
opportunity to raise the issue in a context of instead blaming
me for it and then covering up the truth
in order to discredit me. UniVibes is bad
vibes.

I
sent my letter to the editor and the turd instead used his rag to
smear me with lies. With these dominator tactics, his magazine sets a
goose-stepper standard for anti-scholarship (that attitude pretty much
pervades the Hendrix network anyway, so I stopped writing for that
magazine).

Julius
excludes all but his own narrow accountant's MENtality: a silly
fixation on "the MAN, the MUSIC, the MEMORABILIA" -
while oblivious to any meaning.

.

Even
worse, in the summer of 1995, Are You Experienced? Ltd. [Hendrix
production company at the time] began an official Hendrix website on
the Internet called "Room Full of Mirrors." I was asked to write a
column for this website, and I submitted several articles that appeared
on the Internet. Then in July 1995, after UnaViber
had obstructed my reply to their review of Voodoo Soup,
I gave my letter shown above to the then-official Hendrix website,
which was controlled by Alan Douglas, producer for AYE? Ltd. It was
Alan whom I had warned not to release the fake Hendrix music on
official CD releases, so my article about his boo-boo never appeared on
the website he controlled.

I
was prevented from reporting the truth in UnaViber,
Guitar Shop
and Musician
magazines. And again I was blocked. It's as if the editors are
determined that I be blamed for something I fought to correct. My work
was stepped upon, like one of Jimi's UniVibe pedals trampled beneath SS
boots.

HEIL CHILE

You ask what is our policy? I will
say it is to wage war by sea, land and air with all our might and with
all of the strength that God can give us, to wage war against a
monstrous tyranny...If we fail, then the whole world, including all
that we have known and cared for, will sink into the abyss of a new
dark age...How long will he resist? We cannot say how long that wicked
man will torture and afflict the nations...You do your worst, and we
will do our best!

- Winston
Churchill

Friends, Romans, countrymen, WATCH
OUT FOR YOUR EARS! (a true Jimi quote). I come to
bury Caesar, not to praise him. The evil that men do lives after them;
the good is oft interred with their bones. So let it be with
Caesar...And why should Caesar be a tyrant, then?...What trash is Rome!
What rubbish, and what offal when it serves for the base matter to
illuminate so vile a thing as Caesar!

[For
those "allergic" to complexity and nuance, "Little
Caesars" = parody of "Julius Caesar" - a play by Billy (aka William)
Shakespeare, cheapened by associating it with a fast-food pizza fat
house for proles. Hmmm, should I explain that "Billy" is a parody of
"William"? hhhmmmm, do they know who Caesar and Shakespeare are?
aahhhh, is "parody" too obscure a term for them? - ah, um, oh shit, can
these dumb Hendrix fans EVEN READ??!! What the funk, let's just git Prezidint Camacho
to wave a gun in their face.]

CENSORSHIP EVENTS

Although
some of this website
reports
the horror of never ending errors in perceptions of Hendrix, the litany
of mistakes is too many to correct. The grotesque remedials who were
given my job at the Hendrix company delight in re-writing history
especially when they can conceal me and take credit for what I'd done.
Which brings us to the absurd media reports about the Hendrix company's
March "2010" release of a hatchet-job CD titled "Valleys Of
Neptune"…

Developing
Payola Scandal(check
back for details…)MANUFACTURING A "FAKE
HIT" CD

Trying
To Undermine/Replace the 2 Hendrix CDs
I Got Into Top-10 On Charts In the '90s
Moguls Pay to Write My Role Out of History…