By overwhelming request, this is a reconstruction of the
famous unreleased 1977 Neil Young album Chrome Dreams.Originally compiled from material recorded
between 1974-1977 and slated for a release after an acetate was allegedly
compiled, Young withdrew the album and restructured it into American Stars ‘n
Bars.This reconstruction collects all
the best possible source tapes into the sequence generally accepted as being
Chrome Dreams.It is banded as a cohesive album and attempts
were made to create a large dynamic range between the acoustic Young songs and
the full-band Crazy Horse songs.While
my reconstruction isn’t necessarily anything that hasn’t been heard before, it
attempts to be as close to a finished album as possible with the best possible
soundquality, an improvement on circulating bootlegs.

Ups and downs and an epic back-catalog of recordings were
Neil Young’s modus operandi throughout the 1970s, the true seeds
of what would eventually become—and then not become—Chrome Dreams.So epic in fact, that Young simultaneously
worked on different albums and collections of songs thought the mid 70s, in as
much as cultivating numerous projects that either never materialized or were
shifted into something else, often completely unrelated to each other.After his triumphant success with 1972’s
Harvest, Young attempted to undo the very success he initially strived to reach
by recording his “Ditch Trilogy”—the more challenging Time Fades Away, On The Beach
and Tonight’s The Night albums—partially instigated by the death of Crazy Horse
guitarist Danny Whitten.As well as “The
Ditch Trilogy” albums, Young also composed a set of ‘Water Songs’ meant as a concept
album about, well, water, which was never realized and the songs scattered to
other projects.

Aside from those three albums and abandoned concept,
Young also offered a slew of originals for the reformed Crosby, Stills, Nash
& Young album Human Highway which never materialized either (but of which this blog has already tackled).And still aside from those five projects
Young also recorded an entire folk/country album concerning his separation from
his wife Carrie Snodgrass, entitled Homegrown.That project nearly saw the light of day as the second album of the ‘Ditch
Trilogy’, but Young scrapped the more somber and painful Homegrown for the more
raw and immediate Tonight’s The Night (which the label put on hold making it
the third album of the Trilogy).Young’s
classic 1975 album ZUMA collected some of the scattered leftovers from the six
mid-70s projects, following it with a duet album with Stephen Stills, 1976’s
Long May You Run.

Finally bringing us to Young’s next project
in 1977, it was to be a hodge-podge of new material and leftovers that dated
back to the unreleased Homegrown album.Titled
Chrome Dreams, it was to be a fairly schizophrenic record, jumping from Nashville
country-rock, solo acoustic folk and full-blown Crazy Horse rock anthems, all
tracks simply culled from his personal vaults, recorded between 1974-1977.The few that have heard Chrome Dreams
commented that it could have been one of his strongest albums of the
1970s.But for reasons unknown to this
day, Young scrapped the album and recorded a completely different set of forgettable
songs as the meat of American Stars n Bars, which was released in Chrome Dreams’
place in 1977.While this completely new
set of mediocre songs occupied all of side A, four of the original songs slated
for Chrome Dreams found its way onto side B, giving the second half of the
album a hint at the greatness Chrome Dreams could have been.

A few of the Chrome Dreams songs—“Pocahontas”,
“Sedan Delivery” and “Powderfinger”—were re-recorded for Young’s triumphant
finale of the 1970s, Rust Never Sleeps.Aside from a few more trickling out over time and mediocre follow-up
albums, Chrome Dreams was never a shared dream with anyone outside Young’s
inner circle.Its reputation grew over
time, accumulating to an officially released sequel in 2007, Chrome Dreams II, a completely new set of songs by
a Neil Young not without a sense of humor.Luckily a few acetates of the original tracks have leaked out into the
bootleg market as well as an alleged copy of the album’s tapebox (although denied
as being accurate by some close to Neil, but never necessarily confirmed).With all of the material existing either on
bootlegs or the original 1970s albums, we will be able to reconstruct one of
the great Neil Young albums that never were.

Side A begins with the original acoustic version
of “Pocahontas”.While the official version
on the Rust Never Sleeps album features subtle overdubs, this is the unadorned
version found on the bootleg Chrome Dreams “GF Rust Edition”.Following are three songs all taken from the
album versions of American Stars n Bars: the eerie and ethereal “Will To Love”;
“Star of Bethlehem”, a track salvaged from the Homegrown album; and the epic “Like
A Hurricane” which became a hit for Neil Young.“Too Far Gone” releases the tension built up from the hurricane blast,
this being the original unreleased version taken from the Black Label bootleg
of Chrome Dreams rather than the re-recoded version from 1989’s Freedom.

The longer Side B starts with “Hold Back The
Tears”, which was re-recorded for American Stars n Bars; presented here is the original
acoustic version taken from the GF Rust bootleg. "Homegrown" from American Stars n bars is next, a re-recording of the allegedly acoustic title track from the unreleased Homegrown album. My personal favorite “Captain Kennedy” is an
alternate unreleased mix as compared to the version from Hawks & Doves, also taken from the GF Rust bootleg.I used it here as it is in true stereo and
matches the mixing of the other acoustic songs on the album, probably sourced from
the same tape.My own remaster of “Stringman”
from the GF Rust bootleg creates a smoother intro to the song which was
otherwise too loud, a track eventually re-recorded for Young’s 1993 Unplugged performance.The unreleased original studio versions of “Sedan
Delivery” and “Powderfinger” follows, taken from the GF Rust bootleg.Closing the album out is the official album
mix of “Look Out For My Love” from Comes A Time.

The last task of our reconstructed Chrome
Dreams is an original artwork by LCM, representing the original conceptual artwork
for the album: an anthropomorphic grill of a 1955 Chrysler as “a beautiful
chick”.When set alongside Young’s 1970s
discography, Chrome Dreams shines brilliantly over its own dull replacement
American Stars n Bars, and can fend its own against Young classics ZUMA and
Rust Never Sleeps.According to the man
himself, a reconstruction of Chrome Dreams (as well as Homegrown) will appear
on Archives Volume II, set to be released later in 2014… allegedly anyways,
knowing the vast length and improbability of ‘Neil Young-time’.Until then, we can only dream.