Being a Ministry fan has had its challenges in recent years. The drug- and Democrat-induced torpor of the industrial music pioneers’ mid-‘90s output, coming as it did after their inventive ‘80s oeuvre, was off-putting, as was much of mainman Al Jourgensen’s Dubya-dependent turn-of-the-century work, although 2003’s Animositisomina was equal parts terrifying and terrific.