JONAH HEX: NO WAY BACK HC OGN

So word on the street is that the new JONAH HEX film is pretty bad. Like all three PUNISHER movies level bad. And that's a damn shame. Much like the Punisher, Jonah Hex owes an awful lot to the movies. Like Frank Castle to Charles Bronson's DEATHWISH films, Jonah Hex embodies the type of spaghetti Westerns that starred Clint Eastwood. So why the hell can't filmmakers get the characters right on screen? Just make a cool Western or revenge flick. Or better yet, take a winning story like any arc from Ennis' superb PUNISHER MAX series or even the book that is the subject of this review and adapt it into a film.
If JONAH HEX: NO WAY BACK were made page for page into a motion picture it would be the best Western movie in years. Gray and Palmiotti have taken an anti-hero they've grown accustomed to and elaborated their usual one-off, single issue stories into a full scale graphic novel and it's about as perfect as it gets when it comes to what anyone would want in a Western story.
The bigger tale allows Palmiotti and Gray to stretch their legs and elaborate on themes and scenes that normally would be truncated because of the done-in-one style of the regular series. Don't get me wrong. I love the JONAH HEX series; named it Best Ongoing Series of the Year in this year's @$$ie Awards. But sometimes I've been a bit disappointed in how fast some of the ideas wrap up in 22 pages and wish for more. If you've had that feeling of wanting more while reading the single issues of this series, NO WAY BACK is the book for you.
The story is pretty epic in scope as it follows Hex as he travels from Nevada to Arizona and finally to Heaven's Gate, Colorado. Along the way we find out more about Hex's origin than we've found out in all of the series' issues prior. While the series relies mostly on the present (well, present for Jonah, Old West timey for us), this book has room to go back and show us how Jonah's mother left him and how his bastard of a father treated him and blamed him for her departure. We also get to see the dastardly origin of one of Hex's long time villains, El Papagayo, and why he hates Hex so much. Finally, a third origin is injected into the mix, a long lost brother that Hex never knew he had is introduced. All three origins tie together poetically. There's a particularly effective scene late in the story between Jonah and Joshua, his brother, who is the sheriff priest of Heaven's Gate, as his brother reveals why he took the path of God. It's basically the central scene of the book and one that smacks of both irony and smart writing.
But in the end, this is a rock solid Western. A lone man rides into town with a checkered past and brings hell and gunfire with him. For such a surly individual, though, Gray and Palmiotti write Hex in a completely sympathetic light. He's a man to be feared to be sure, but also one to be pitied. In many ways, Joshua is what Jonah may have been had one or two things happened differently in his life. Jonah's monologue at the end of the book cements this. But it's not all heartfelt musings and lollipops. This is a dirt in your teeth Western with gunfights, knife fights, gangs of bandits, women in states of undress, whiskey, and plenty of sin. Hell, it's even got a mangy dog and a parrot. My one criticism lies in the late introduction of El Papagayo to the story. His entrance into the story felt a bit late to me and took me out of the story for a beat. His role is crucial later in the tale, but had he made his stage entrance sooner, it would have felt more seamless. But this is a minor criticism towards a superb read.
Tony DeZuniga is one of those names that anyone who's been reading comics for years knows. He drew some of Hex's original adventures in the 70's. His return to the character in this book is solid, gritty and harsh. Fans of clean and crisp art may be disappointed, but DeZuniga's art fits the tone of this dark graphic novel perfectly. When one of his characters get shot, the bullets explode out the back of them. His women are drawn curvy, his men gnarly. DeZuniga's style is authentic to the time. Much of his work looks as if it were drawn with a jagged pencil, the way a good Jonah Hex story should look.
I'll be seeing JONAH HEX the same time you all will even though reports of the film seem bleak. I seriously don't understand why the Powers That Be don't wisen up and adapt the stories that made the character great in the first place into films instead of glomming the worst of the storylines together and making shit up as they go along to please the masses. Jonah Hex is not your typical comic book. The readers of the series know it, and so do Palmiotti & Gray. Giving Hex powers to talk with the dead and a gatling gun toting horse may read epic in the boardroom, but anyone reading the comics will be rolling their eyes at how awful the ideas are and how different it is from the comic. JONAH HEX: NO WAY BACK is the perfect example of making a full length comic book cowboy story into a cinematic masterpiece homaging those classic Westerns of old. It's a good thing we have comics, though, since Hollywood seems to be getting it all wrong. One of the best hardcovers of the year from one of the best creative teams in comics. Don't miss JONAH HEX: NO WAY BACK. It's comic book perfection.Ambush Bug is Mark L. Miller, reviewer and co-editor of AICN Comics for over eight years and one of the original @$$holes. Check out his comic book shorts from Cream City Comics’ MUSCLES & FIGHTS VOL.3 and MUSCLES & FRIGHTS VOL.1 on his ComicSpace page. Bug was interviewed here and here at Cream City Comics and here and here about his comic from Bluewater Comics, VINCENT PRICE PRESENTS: THE TINGLER #1-2. Look for more comics from Bug in 2010, including ROGER CORMAN PRESENTS DEATHSPORT in July, and the just announced vampire miniseries NANNY & HANK in August (and check out Jazma Online’s new interview with Bug about NANNY & HANK here). Bug’s latest comic is VINCENT PRICE PRESENTS #21: WITCHFINDER GENERAL on sale July 2010. Fanboy Radio recently interviewed Bug about it here. Order VINCENT PRICE PRESENTS #21 in May's Diamond Catalog order # MAY10 0828.

AVENGERS #1

I didn’t hate this comic. And I don’t hate Brian Bendis. And I don’t hate John Romita Jr. In fact, to be fair, I’ve only ever read 2 actual issues of a comic by Bendis (ULTIMATE SPIDEY #1 and ALIAS #1). And, truth be known, I love JRJr.’s art. And Marvel has me interested, at least conceptually, in their “Heroic Age” titles.
But here’s the “but.”
I think JRJr is ill-served by Bendis and Bendis is ill-served by JRJr. The best stuff I’ve ever seen by JR was his work on THOR, where writer Dan Jurgens obviously let JR…well….be JR. For my money, about the only time I really got JR being JR in this entire issue was when Thor blasted the shit out of Kang with his hammer. Let’s not talk about the stupidity of the moment; that bone-headed over-reaction by Thor is more something we should expect from the impulsive Hercules, not the prince of Asgard. But that’s what the criticisms all come down here. The team of Bendis and JR is just not working. JR needs to be able to cut loose with action and power and instead he is saddled with dreadful tasks like a freaking double-page spread with nothing but a bunch of individual head shots or panel after endless panel of costumed heroes standing around sipping coffee and standing and sipping coffee and standing. I may be wrong, but I believe Bendis writes full-script, which means JR is stuck having to fit in endless exposition and coffee sipping and head shots…well…because that’s what Bendis wants. Right?
Maybe that could work with a different artist. I dunno.
It seems to me that Bendis has come up with some good interpersonal conflicts here and a potentially exciting plot but what would make this pop would be for him to lay out the plot and let JR do this book in classic Marvel style, then let Bendis come in and dialogue after he’s laid out the storytelling in art. Bendis missteps throughout. He spends too much time on the back and forth between Tony and Steve. And he sprinkles too many downright silly or stupidly forced interactions between the other characters like Spidey and Hawkeye, Wolverine and Spider-Woman, or worst of all Capt. America and Thor. Bendis clearly doesn’t understand how to write for Thor.
As it is, though, I just couldn’t ever get into this comic even though I was really looking forward to it. I actually like the idea of Steve Rogers running around now as sort of the “face” of the Marvel Universe taking control of the heroic side of the equation. I always like a good Immortus/Kang time-travel story, and this one includes the future children of the Avengers and the future Hulk. All really good ideas; I just wish the actual writing was better and the art was not hamstrung by the relentless idiocy of coffee drinking panels.
One more gripe. I don’t like the “Heroic Age” trade dress. It almost gives the titles a “Marvel Adventures” look.
I wanted to love this comic. Instead I found it just….forgettable…and that’s just a terrible thing to have to say about a comic titled THE AVENGERS #1. “Prof. Challenger” is actually Texas graphic artist and lifelong reader of comics, Keith Howell. He really digs Green Lantern, most recently completed the cover art for the upcoming book THE WORLDS OF PHILIP JOSÉ FARMER, and has contributed award-winning art, design, and editing to a number of books and magazines. He occasionally updates his website at at profchallenger.com and welcomes feedback from readers, both pro and con, but if female please include an attached pic in a tasteful state of undress. Thanks for all the fish.

BRIGHTEST DAY #2

BRIGHTEST DAY is the first time since 52 where I would say that I’ve actually let myself get excited for one of these lynchpin books and, sad to say, I am starting to become reminded of why my enthusiasm for that title diminished like it did. Obviously that book and this comes with great talent, I do not want to knock them at all. But, we’re on the third issue of this run, this is stemming out of what was being hailed as one of the biggest events “evars” in comics and all I can feel out of this is the dreaded effects of “sloooow burrrrrrn.”
Yes, the dreaded effects of slow burn, which was a staple of 52 which, to be honest, was better than the staple of COUNTDOWN, which was to be crap. And I get why this tends to/arguably needs to happen. This, like 52, is supposed to run a year with an ensemble of characters that each need a proper amount of face time. The thing is though, for half the characters involved, when they get their face time, it feels like almost literally nothing has happened.
For instance, the opening sequence with the returned Firestorm, now an amalgamation of the original, Ronnie Raymond, and young Jason, the more recent addition. For four pages their segment is almost nothing but the two personalities arguing while prepping for an experiment with them that will involve the Atom. There’s a solid bit of characterization in there, but nothing we haven’t seen for a couple issues already. Then the world goes to hell, shit explodes, off to the next segment. A decent character moment or two, a cliffhanger moment, and that’s a third of the issue. Again, I get why these kinds of setups happen in a book like this, but it’s agonizing when it’s not completely riveting material.
And then the rest of the book plays out like it plays out. Martian Manhunter spends several pages reliving his past/origin on Earth as he impersonates the man who brought him here to talk to the guy’s daughter. The Hawks spend a couple pages on the subject of Hath Set and how he’s murdered them through the ages and decide to do something about it. And then Boston Brand spends a couple pages still fretting about his newfound re-existence before being put in front of the Anti-Monitor. Slow burn + blitzkrieg cliffhangers just do not do it for me. I do appreciate the base elements that make up the book, though. There are some solid character moments by two guys who know these characters very well, and I’m glad the art is much more stable than it has ever been for a book of this type, but it is still early so we’ll see where that goes. The bi-monthly schedule should help this. But, at the end of the day, the way it’s playing out just does not really beg me to continue with this, especially given the revitalization of DC’s line and all the other quality books I could be putting six bucks a month towards. Maybe I'll even bet that cash on JMS keeping a deadline with his upcoming SUPERMAN and WONDER WOMAN runs! Perish the thought.Humphrey Lee has been an avid comic book reader going on fifteen years now and a contributor to Ain't It Cool comics for quite a few as well. In fact, reading comics is about all he does in his free time and where all the money from his day job wages goes to - funding his comic book habit so he can talk about them to you, our loyal readers (lucky you). He's a bit of a social networking whore, so you can find him all over the Interwebs on sites like Twitter, The MySpaces, Facebookand a Blogger Account where he also mostly talks about comics with his free time because he hasn't the slightest semblance of a life. Sad but true, and he gladly encourages you to add, read, and comment as you will.

While AGE OF HEROES #1 just seemed pointless, this issue at least, is here to get us interested in particular upcoming issues. It's a big ole advert for other Marvel titles, but it makes sense, since there's been a shake-up in the Marvel U. I can understand the need to whet people's 4 color appetites; it's good business. Now, how was it? For the most part, this was pretty strong. The first story is a nice bridge between what just was in the Marvel U and the new status quo, since the H.A.M.M.E.R. jackasses are trying to clean house before they get shut down completely, disposing of evidence, which includes eradicating poor Humberto Lopez (a.k.a. Reptil). It's a quality little story but even with the art stylings of Mike McKone, a 16 year old with a giant dinosaur head looks a little silly. Supposedly he's "the future of the Avengers", but he seems more like a throwaway character then anyone with any amount of staying power. I'll check out AVENGERS ACADEMY, though I have a feeling it's not gonna hold my attention for more than an issue or two.
The second story is about the Agents of ATLAS. It doesn't read much like a Marvel comic, which isn't meant as a slight, it's a fun little story. It's definitely a valiant attempt, but fails to get me involved enough to want to read further when ATLAS #1 comes out. It also doesn't help that The 3-D Man is supposed to be the cliff-hanger. Does anyone care about this guy? Please, defend him if you can. Him and that afterbirth of a costume. Blargh.
The third story is a little out of place since it seems to take place in the middle of the current BLACK WIDOW mini-series (which, if you aren't reading, you SHOULD be. It's awesomotron.) I like the new focus on making Black Widow stories more spy-centric. She's a character that works across many different genres, and still feels fresh. This story could have taken place in her own title, and I'm curious to see how it ties in, but hey, if this vignette gets some of you jokers to pick up her series, all the better! And it's always a pleasure to see Jamie McKelvie 's storytelling getting stronger and stronger with every story.
I REALLY want to like The Hawkeye/Mockingbird stories. I do. Romantically involved super-heroes bantering, flirting and kicking ass? Sounds perfect. Maybe it's because I never had much exposure to their relationship pre-Ronin, or maybe it's the writing, but I just wasn't feeling this one. David Lopez's penciling was on-point though, the action scenes were dynamic and easy to follow, the backgrounds weren't lazy...really solid work here, art-wise. I WANT to like this so much that I'm still gonna check out HAWKEYE & MOCKINGBIRD #1 even though the writing didn't capture me this time around.
The last one is the one that really made me excited though. Ever since Warren Ellis left THUNDERBOLTS, I haven't really been reading it. The "surprise" reveal about who's going to be Sgt. Slaughtering these baddies into shape has me pretty excited. Luke Cage is a character that I didn't care about until Brian Michael Bendis decided to bring him to the forefront of the Marvel U, but I have since really grown attached to him as a character. I can't wait to see what's going to be happening with him from here on out. Hopefully, Jeff Parker will keep making him as interesting as BMB did. The art by Kevin Walker was HEAVILY influenced by Humberto Ramos, but is strong nevertheless. I would, like to question what exactly Bryan Hitch has him doing on the cover of this issue. Seriously. He's striking the pose from the end of THE BREAKFAST CLUB, while Mockingbird is doing The Twist in midair. It just seems Sillyville to me.JD can be found hosting the PopTards Podcast, discussing movies, comics and other flimflam over at www.poptardsgo.com, graphically designing/illustrating for a living, and Booking his Face off over here.

BATMAN: STREETS OF GOTHAM #12

This book really surprised me. At first I thought this would be a Batman book similar to LEGENDS OF THE DARK KNIGHT where every once in a while there would be an ok story in there but most of the time it was kept as the C-team Batman book, meaning you really only read it if you were like a Batman fanatic thus reading everything in print that had Bat in the title (kind of like how I was for Spider-man for a while…can’t afford it now though). In fact, I didn’t even read an issue until number 5 dropped and the cover intrigued me. I should have known since Paul Dini is a Bat genius not to mention he wrote some of my favorite BATMAN: THE ANIMATED SERIES episodes such as “Almost got ‘im”, “Heart of Ice” and “Over the Edge” (thanks wiki). I love that damn show and I will never doubt you again Dini…please forgive ‘ol Kletus…I will never forsake thee again.
One thing I love about this book is the single story single-issue format that this book mostly sticks to (I think there were a few two parters but mostly one and done stories much like the animated series). I think this is directly related to the way the stories were written for TV. There isn’t a lot of time for any extraneous shit in these issues and Dini gets right to the heart of the matter and the ball is rolling before you get a chance to be distracted by your silly girlfriend wanting to have sex (just kiddin’ babe!). Who would have thought I would actually give a shit about character like the Carpenter who probably had like 5 total appearances in the entire Batman tapestry. Dini is a writer that can make you care about anyone he puts in a book. Again I think this has a lot to do with the TV show because you don’t have much time to develop these characters, so a writer must A. Introduce these characters in a way that not only grabs your attention but keeps you wondering why this person was introduced in the first place…what is their role in this story? B. Link this person to something that has been touched on in previous issues thus giving them an anchor to an already established theme or issue. In this case, The Carpenter is approached by the Broker (guy who organizes the sale of affordable housing for super villains) to build an elaborate death trap for Batman for a third party maniac investor but you can never trust a villain thus bringing us to our conflict. I love this book because it shows the other side of a lot of these conflicts that Batman eventually gets involved in. We never see a villain purchasing their lair or find out how they built it with anti-Bat traps and things of that sort. Even with conflicts that the Batman is involved in, the focus is really on the surrounding circumstances behind the incident rather than having a camera attached to Batman’s hip. This series has done a lot to flesh out Gotham city and the dirty deeds done dirt cheap in this town. I’ve even got a little more respect for Damian after this series, not only because he went toe to toe with Zsasz but I’ve also got to see more of his…well…non bratty, sympathetic, not just another Jason Todd waiting to happen side. Ok…ok…ok…damnit…I like Damien now ALRIGHT I SAID IT. He’s definitely a brat but I got a soft spot for him…I better not hear a pedophile joke either. Basically, Dini is “da man” and you should pick up anything he puts his magical fingers on…damn what’s up with me today.
I didn’t like Dustin Nguyen’s art work at first (I’m very picky which is why I say this all the time) when he was on DETECTIVE COMICS but it has definitely grown on me and his water color art is really amazing. If they made a new animated series with Dini he should definitely draw it. His artwork is very fluid, mixing great action scenes with shadow heavy solemn parts that still have a very unique stylistic tone to it. I usually try to make a comparison and the closest person I can think of is Scott McDaniel (drew Robin for a while) mixed with J. Scott Campbell but Nguyen’s shit has a lot more detail and doesn’t have a bunch of sharp extraneous line work that can leave character’s body parts looking a little too sharp. Nguyen may be in the realm of those artists but in my opinion he’s way better.
If you like BATMAN: TAS, one and done stories, great artwork and a fleshing out of Batman’s Gotham City do yourself a favor and read this. While you’re at it pick up anything with Dini or Nguyen on the cover (including ZATANNA) and you’ll definitely get your money’s worth.

AGE OF HEROES #1

Reading the cover from the top, it proclaims: "The Heroic Age - Age of Heroes". I would assume, with the new status quo in the Marvel Universe, the title that states it twice would be the issue to read, and would really drive it home as to just how different things are with our favorite characters. But are the first ones to cover really J. Jonah Jameson, Doctor Voodoo (I still call him BROTHER), and Captain Britain? And this is the first issue! What's next? How AGE OF HEROES is affecting Vermin or Typeface? With all the heroes showcased on the cover, I was really hoping for a bigger level of excitement from this book. Instead we get JJJ being a douche (no offense, Optimous), doing his usual and hating that super-heroes are popular again, we get a date mishap for Doc 'Doo and a 30 second debate about whether or not Cap Britain is gonna be an Avenger. Oh and a page featuring Spider-Man that reads more like one of the Hostess ad from the 70's/80's.
But I suppose that's appropriate since this whole AGE OF HEROES move just seems to be a giant step backwards, besides Steve Rogers being the new "top cop" of the Marvel U, which is actually a pretty good idea. It seems right. And I love that BuckyCap is still shield-tossin', but otherwise, I don't really see too much to get involved with so far. At least over in DC, BRIGHTEST DAY has a mystery surrounding it. With Marvel it just feels like someone hit the giant red "reset" button. I'm already bored, and this is…what? The first week? It's not even off to a strong start! It doesn't start with a bang and it doesn't appear to be building towards anything just yet, which is unfortunate. I've been extremely satisfied with the 616's forward momentum, but it's just ground to a halt. Between AVENGERS #1, AGE OF HEROES #1 and the ENTER THE HEROIC AGE One-Shot, I'm really left disappointed. I know it's the end of the 7 years of universe-spanning crossovers, but that doesn't mean there can't be a unifying, underlying sense of cohesion or mystery, of something looming. I know in the comics realm, everything resets eventually, but I guess I got a little spoiled. But hey, at least I got a good 7 years of thrilling new ideas. Maybe I'm expecting too much. What do you guys think? Excited with the way things are going with this new/old Marvel U?

LEGION OF SUPER-HEROES #1

“You’re all humans, you bastards—how can you do this to me? I did it all for YOU!”
– Earth-Man
This past week was a good week for me regarding comics. I bought a much larger selection of comics in one week than I can remember probably over the last 2 years worth of Wednesdays. I'm something of a sucker for (at least in concept) the BRIGHTEST DAY and HEROIC AGE themes running through the Big 2 right now. But interestingly enough, this new relaunch of the LEGION OF SUPER-HEROES is not directly tied into it since there is a noticeably lacking tradedress for BRIGHTEST DAY tie-ins. However, I am sure it was not a marketing "mistake" to tie the first story arc into the Green Lantern mythos and especially to feature a hand sporting a GL ring and a Legion Flight Ring on the cover. So, yeah, the marketing guys at DC know how to push my buttons sometimes.
I am a Legion fan going back to the period Mike Grell was drawing the SUPERBOY & THE LEGION OF SUPER-HEROES series. I was there when Superboy got dropped and the Legion took over the title and DC started THE NEW ADVENTURES OF SUPERBOY (with gorgeous Kurt Shaeffenberger and Dave Hunt artwork). I was there when “The Great Darkness Saga” unfolded and when they spun off a second LEGION title available “only in the Direct Market.” I was there when Giffen and the Bierbaums jumped the characters 5 years ahead for a new “adult” LEGION series. I was there after Zero Hour when the first actual “reboot” of the characters happened. That was the first time I found myself falling away from the title after about a year or so. I was there for Mark Waid’s “reboot” of the characters and I liked a whole lot of what he did with the title, but eventually I fell away again…and even bringing on Jim Shooter as writer couldn’t bring me back to the title. It took the work of Geoff Johns in ACTION and LEGION OF 3 WORLDS to reignite my interest in the characters. Geoff found a way to roll us back to the Legion I grew up on but updated to fit better with the current DC climate. So, that’s where I’m coming from. I’ll confess that bringing on Levitz as the writer made me feel some interest, but too often the old-school writers just can’t recapture the magic, but I wanted to give Levitz a chance here.
It’s not a total slam dunk, but I think he did very, very well at picking up on the plots left dangling out there by Johns and crafting a thoroughly satisfying and exciting first issue. It’s not a reboot…it’s a return to the Legion I think of when I think of the Legion and I’m very happy with the result. Levitz does a good job of giving the reader all the information necessary to understand the characters he’s working with in this first issue. If you’re already familiar with the characters then there are plenty of little visuals that you will appreciate, but the plot is what drives this issue. The primary setup is a threat to destroy the universe and Levitz chooses to shock the reader with a dramatic moment that drives home this threat that the Legion must face. The secondary setup is the choice of who will wear the Green Lantern ring for the 31st century and both plots segue right into each other as any good operatic comic like this one should.
The art is good. Cinar does not seem daunted by the interactions of so many different characters and venues. He seems well suited for the title and I look forward to what develops as he and Levitz get into a synergistic groove together. Levitz demonstrated an ability in the past on this title to develop a real collaborative style unique to each artist, whether Keith Giffen, Steve Lightle, or Greg LaRoque. This is a more than solid start to what I hope is a long and healthy run with Levitz at the helm once again and clearly loving what he’s doing.

AMERICAN VAMPIRE #3

I have to thank Vertigo for not forgetting that the red-blooded American male enjoys vampires just as much as the ladies. Every effort over the past few years to resurrect our favorite undead blood suckers has pretty much defanged the entire mythos. From TWILIGHT to TRUE BLOOD, the instant our vampire protagonists fall in love they become the equivalent of undead vaginas, performing way more brooding and pining than actual blood sucking. I won’t be so bold to say these other pieces lack value, I know personally I enjoy a lot of things that have been deemed crap by entertainment erudite, they just seem to make the whole aspect of being a vampire ancillary and unimportant.
I always thought my biggest problem with TWILIGHT was the fact that the vampires could be out during the day, you know, thus negating any and all downsides to being a vampire. “Wait, you mean I can live forever, be beautiful beyond compare, go out during the day and merely glisten like a pretty diamond, have untold strength and agility, and all I have to do is drink some deer blood? Sign…me…up…NOW!” Well AMERICAN VAMPIRE has proven that my issue wasn’t with vampires catching some good ole UV rays. No, my problem lied in the fact that every single vampire should be brutal, visceral and always thirsting for that next delectable neck of sustenance. Shit, even Brad Pitt, the grand-father of the wuss vampire movement in INTERVIEW OF THE VAMPIRE, eventually learned that a vampire’s gotta do what a vampire’s gotta do. As soon as vampires stop treating humans as sustenance or fodder to fill their ranks, the fear of vampires is no more.
King and company have obviously recognized the rampant Twi-hater movement across the globe, because even though an American vampires can go out during the day, they also need to feed — and feed they do.
I’ll admit this title has had me on the fence for the past two issues. By having two different writers focus on two different epochs of time — the American Old West and roaring twenties Hollywood — a reader’s first inclination will be to look at them as separate pieces, especially since the connective character tissue wasn’t made truly apparent until issue two. Issue one thoroughly enthralled me with King’s story of Sweet, an Old West vampire trying to escape the talons of European aristocratic vampire elites. Snyder’s story about two gal pals in roaring twenties Hollywood, was cute and sassy, but lacked any figurative or literal bite until the very last page. Issue two was the exact opposite. Sweet’s tale became one of convoluted entrapment, where Snyder’s story about Pearl was a horrific awakening into her new life as a vampire. Issue three though has finally bled together the two stories to show that they are in fact part of a greater whole. And it is wholly great.
This is all really Sweet’s story. I’ll blame comic overload for the fact I was just too damn obtuse to notice that Sweet was the vagrant by Pearl’s pool in the first issue of the book. Basically, the connective tissue has been in place the whole series it was just a very very small piece of sinew. The European elites have been the big bad vampires all along, hating Sweet and any other vampires he creates because they can embrace the sun sans becoming a vampire flambé. What I find most clever in the whole proceedings is how both King and Snyder have allowed the traditional vampires more time in the sun as technology improves. Sun screen can block UV rays and thus give a standard vampire a fighting chance at escaping a second death. Issue three is all about vengeance; both Sweet and Pearl have scores to settle with the standard vampires--Sweet for the time they made him spend in a watery grave and Pearl for being robbed of her youth and chance at a normal life. The dichotomy between how Sweet and Pearl feel about being vampires is also a high point of this series. It makes sense that a son-of-a-bitch would be more apt to embrace the life of the undead over a sweet li’l gal from nowhere America.
Albuquerque, aside from having the coolest name in comics or perhaps the world, is simply the right man for this job. Dark, sketchy, the perfect mood setter. He also proves my theory that if you need to have multiple creative teams, a switch in writers is far less jarring than switching up artists.
As I said earlier, I was initially on the fence with AMERICAN VAMPIRE. Issue three, though, has me in it to win it until the end. Hell, I’m actually hoping we’ll see a few more issues of Americana after these stories draw to a close.Optimous' book AVERAGE JOE is being published by COM.X. AJ is a tale that explores what our world would be like today if everyone was gifted with super human abilities in 1938. The guys are looking for top shelf art talent to partner with on this project. Reach out to Optimous on FaceBook for further details.

ULTIMATE COMICS AVENGERS 2 #2

Heh. The Punisher gets busy…if ya know what I mean. And I think you do. Sorry, I’ve wanted to make that joke ever since the last Issue. Ahhhh, Millar, there’s something I love about you man. I can’t put my finger on it but it’s out there and through the course of this review, I will find it or DIE TRYING!!! The original ULTIMATES and ULTIMATES 2 are fucking great. They ain’t yer granny’s Avengers and you can be damn sure of that. The modern world approach to the Avengers goes off really well in that book and both of those series weren’t afraid to stray away from the 616 Avengers and kick ass (pun sooo intended) relentlessly and that’s what made it great. We won’t go into ULTIMATES 3 and its muddy artwork that seemed to parallel how Millar’s original ideas were being dragged through wet dirt in a boring, unexciting series. The problem with the Ultimate Universe was that after a while the writers seemed like they just wanted to do stories that were already told in the 616 but in their “own” way meaning almost the same way they were originally done but with very, very slight differences. The Ultimate Universe doesn’t need to do this--do something completely new. Sure, use the same characters but push them in different directions with different results. Most of the Ultimate Universe comics were getting to be very bland so ULTIMATUM came through, killed everyone, fucked shit up and here we are.
This branch of the Ultimate Comics Ultimate Avengers Ultimates is the black ops squad of the bunch, ripe with a crew of badasses who have no problem with killing to get the job done (I know Red Wasp isn’t quite a bad ass yet but I imagine she’ll have a nice kill or two in the near future). Punisher was “recruited” last issue, which was cool because I can’t really imagine these Avengers letting Frank Castle go buck wild without eventually having to deal with him. This issue deals with these Ultimate Ultimates confronting the “original” Hulk about his Tony Montana-esque lifestyle. These are the things that are great about Millar’s Ultimate stuff. Sure, this guy could have become a hero because he had grown into an ultra strong behemoth but no, this guy choose to live the life Lil’ Webby could only dream of complete with multiple ladies, fast cars, and lots of dead presidents plus a body that could wreck any playa hater. I won’t reveal who this guy used to be but there’s some part of me that sympathizes with his decisions (well not the murdering and violence but the decision to do what ever the fuck you want because you can…I guess I’d make a lousy hero) because who doesn’t want to leave behind a mundane life for a life of unlimited money, power, and hip hop honeys even though he did just bail on the folks in his previous life completely. At one part, it took me a double take to understand what this “original” Hulk had done…but once I realized…god DAMN! Talk about snatching a fish going up stream with your bare hands! See, maybe that’s what I like about Millar, that even though this guy is a selfish prick (not Millar- “original” Hulk), he’s kind of cool. Millar has the ability to make any character “cool” and the best part of the Ultimates was that everyone on that team had a chance to shine and I predict that’s the way this team will go. Millar is also the king of awesome cliffhangers; that man had me like a crack fiend for the original Ultimates just so I could get to that next dose. The cliff hanger in this issue is a doozie and I’m starting to get that itchy feeling, my arms are twitching uncontrollably, I’m starting to get ashy chapped lips and I have an urge to sell my microwave for $3.99….must…not…relapse. The last Ultimate Avengers series was pretty good but I suspect this one will be better just because of the characters involved, particularly the person the cliffhanger reveals. I’m ready for a fucking throw down of epic and biblical (hint, hint) proportions.
What I like about Millar is that his writing appeals to that brutish, violent, heroes kicking ass side of all of us. I saw someone compare him to Michael Bay and that’s a pretty accurate assessment (well BAD BOYS era Michael Bay at least) as most of his comics aren’t very deep but are super action packed and fun as hell. He’s not 100% consistent, but then again who is? I’d say he’s about 80% which is a “B” and where I’m from that’s passing. He has great ideas, great action, and his shit is just…cool, that’s the best way to describe it. Lenil Yu’s art looks a lot better here than SECRET INVASION because it’s not as stiff as his previous work and it seems as though he’s found a way to draw quicker which loses a little detail but looks more fluid. If you are the kind of comic book fan that loves to see heroes kicking ass with fresh, nerd-gasm type ideas and you don’t feel the need to question every aspect of a comic (not that you shouldn’t but…relax bro!) this will be right up your alley.

DC UNIVERSE LEGACIES #1

“You boys face a choice, to walk the straight and narrow path—or to wind up like them, sprawled in the gutter with the rest of the garbage.”
– Sandman
DC has been charming me lately by their efforts to embrace the older veterans in the comic book industry and use them and best of all….employ them. I love this multi-generational creator approach to a book about the heroic legacies in the DCU. For the bargain price of $3.99, I get a main feature illustrated by modern artist Andy Kubert, inked by his father, golden age artist Joe Kubert and a back-up feature illustrated by the FINAL CRISIS artist J.G. Jones. All of these wonderful artists in service of the excellent writing of silver age great Len Wein. Scott Kolins contributes art to the framing sequence and those 2 pages are my personal favorite stuff I’ve ever seen from Kolins – subtle and natural and good mood-setting.
Much of the charm to me while reading this issue was the 40’s-era tough-guy dialogue. Wein, coming up old-school, knows perfectly how to capture that type of dialogue. Both the main story and the back-up feature are stories about “normal” people confronted by or encountering in some way the first of the “Mystery Men” who began to show up in the DCU in the pre-WW2 days. These are the days when organized crime was running rampant in the city streets and the need was there for someone to step up. The breakdown for the two stories is interesting in that the main story focuses on a couple of kids who are on a path to crime until a face-to-face encounter with a couple of heroes changes the life of at least one of them. The second feature focuses on a skeptical investigative reporter looking into events that appear to involve supernatural elements. I thought this was a brilliant way to approach this first issue of the series. The first story features the Crimson Avenger, the Sandman, and the Atom. All three characters are alike in that they do not have any super powers. Crimson Avenger is basically the Lone Ranger in the city (even to the point of shooting the guns out of the bad guys’ hands rather than harming them), the Sandman uses a gun with sleep powder in it, and the Atom is just a diminutive boxer punching the hell outta the bad guys. The back-up story features The Spectre and Dr. Fate, both arguably he most powerful supernaturally powered characters in the DCU at the time. It makes for a good dividing point between approaches to the stories.
LEGACIES is retelling the history of the DCU but it is doing so through the eyes of the world around them and that makes this a fresh approach for DC. Sure, Marvel had their MARVELS series which covered similar ground, but this still feels fresh to me. There’s less of a sense that they are trying to pack every little “easter egg” possible into the panels and more of a sense that DC is allowing Wein and his collaborators an opportunity to really focus on pure storytelling -- and they succeed.
The Kubert and Kubert artwork is a joy to behold. Joe knows how to wield a brush and pen and elevates my appreciation of Andy’s pencil work to a level it has not been before. I would almost prefer to have seen this story in sepia tone or gray wash with hints of color to better allow this beautiful inkwork to shine. As it is, there are moments where the modern color processing distracts from the Kuberts’ art. J.G. Jones is paired with Alex Sinclair’s colors on the Spectre and Dr. Fate story and this is an example where the line art and the colors work beautifully together – seamless integration and set the mood of the story perfectly.
Can’t wait for next issue to see what Wein and company do with the JSA and the Seven Soldiers of Victory. Good job.

This book is about as thrilling a read as I've read this year. Writer/artist Brandon Dayton takes the concept of a "walking the Earth" style warrior monk and injected it with adventure and wonder. Fans of SHAOLIN COWBOY are going to want to check this one out. Like that book, the story's protagonist is calm when faced with danger and is able to gracefully and poetically deal with those challenging him. Unlike SHAOLIN COWBOY, though, this story reads in a calmer, more serene fashion compared to Darrow's kinetic opera. Imaginative ideas abound in this book, like a blade of grass that can cut mountains and a witche’s head held at bay by gripping its braided lock. Every single paneled page of this book is a simply lined work of art. This is the type of indie book I long for: filled with creativity and surprise, and most importantly, fun to read! It's the type of indie book I will tell folks about when they ask what indie books excite me today. Seek out and support this book. It's a top notch adventure story by a creator I guarantee you'll be hearing more of.

Another fun read from some of the guys behind the genius MUSCLES & FIGHTS anthologies. This time around, the all powerful Continuity Guy finds himself battling evil doppelgangers, mobs of robot pilgrims, and a trinity of evil gods. Much like the tone of the MUSCLES & FIGHTS books, the tone is light and the comedy is topical and funny. This is true indie goodness by a bunch of fun guys. The final page of this book had me rolling. A great fun read filled with time twisting and reality warping with cartoony good panels by Klonowski.

Another fun anthology-ish book full of imaginative ideas and interesting concepts. This time a simple man finds himself at a sort of nexus of realities and gets to peer in and see these realities play out. The opener and closer of this book features our protagonist getting accustomed to his new surreal surroundings, while the main story follows a quartet of friends whose friendship is stretched to the limits when they stumble upon a curse in a forest. This middle section is a pretty haunting tale filled with human emotion. This book is a labor of love from creators Matt Wright, Marc Alan Fishman, and Kyle Gnepper and here's hoping these three facial haired gents put out more DISPOSABLE RAZORS from their Unshaven Comics imprint soon.

CREEPY #3
Dark Horse Comics

There is nothing like a good horror anthology comic and this comic is good horror. Some of the finest names in the industry has been gathered to make up this series and this issue is no exception. From TWILIGHT ZONE twists to simply unsettling tones, this is top tier terror. In this issue we get all kinds of creepiness all hosted by Uncle Creepy himself. The best of the bunch is “Xchange”, the first tale which I was able to figure out from page one and the cover doesn’t hold back any secrets, but the dialog by Dan Braun & Craig Haffner kept me in the story despite its predictability. This is part one, so who knows, they might surprise me with next issue’s installment. Cool art be Dennis Calerno in that one too. Other talent like Doug Moench, Greg Scott, Joe Harris, Angelo Torres, Nick Cuti, Jason Shawn Alexander, Cody Goodfellow, Ken Barr and Kevin Ferrara make this a horror lover’s delight. No bullshit. This is the best horror anthology on the shelves today. - Bug

ZATANNA #1
DC Comics

This book is a lot of fun and gory at parts which was a lovely surprise for me. Paul Dini once again makes someone interesting who I had a minimal amount of interest in and mages to not make magic boring and laborious. The problem with magic is that its not easily defined and really the only person who understands it is Alan Moore (I kid…I kid) but really it’s a hard thing to do because you don’t want to weigh people down with a lengthy, complicated explanation of how magic works but you also don’t want to be ultra vague as to what a certain a magik can do and merely use it to make what you want happen in a story (Joe Quesada…I looking directly at you). Dini (for now) is able to by pass all that flimflam (how you like that spidercoz!) and just make the magic happen without stopping to explain why or how it works but it’s done in a believable way. Now Zatanna saying words backwards is definitely silly but if you haven’t got over that by now then you probably are not going to read this. This is the first issue so I can’t say all magic in this book will be easily digestible but I believe in Dini so I’m sure DC’s magic is in the right hands. The artwork is stellar and there are a couple scenes that will excite those guys (or gals) that hope to marry Zatanna one day. Ton annoG neppaH! Zatanna is brought in by the cops to solve a weird murder that appears to be magic related and now she’s on the case and having to deal with thugs that use magic as their weapon rather than guns. This book is fun with great art and I highly recommend. - Kletus

"I seriously don't understand why the Powers That Be don't wisen up and adapt the stories that made the character great in the first place into films instead of glomming the worst of the storylines together and making shit up as they go along to please the masses."<p><p>That makes two of us.<p><p>-Prost

I think its a knock at Disney owning Marvel now and how the new "disney rules" are wussifying everything, except that the "no smoking" rule happened years ago, before the Disney deal, so no matter what, it doesn't quite make sense.

Bendis and company just don't do heroic well. There's a reason the classic Avengers all ended up dead and disbanded when Bendis took the title over... he doesn't have a clue how to use them. (Seriously, inside of the last decade Marvel killed Cap, Hawkeye, Vision, Wasp, and Thor, made Iron Man a raging douchebag and made the Scarlet Witch a crazy mass-murderer. They eventually brought most of them back, but... damn. That's a one track mind of destruction-as-story.) So suddenly the creative minds at Marvel are going to be able to spin spectacle out of heroic storytelling instead of basing everything they do on "Hey, watch us break shit up that previous writers and artists created!"? I'm not going to hold my breath.

lighting your house on fire and writing a book require different skills sets. Just because you don't like the story or the hardships and trials certain characters went through, does not mean it wasn't a story or lacked talent, it just means that it wasn't for you. Perhaps you should try a different book.

I did it, I actually truly WANTED to like it , despite my misgivings. However, it sucked ass actually MORE then i suspected it might. Bendis continues to be completely clueless on how to write Asgard/Thor, Thor looked like the long lost 3rd brother from Nelson (80's hair band alert!), Wolverine continues to be in the Avengers against all logic and sense, there continues to be page after page of heroes standing around drinking coffee and eating donuts, and then the big reveal on the final page. So let me get this straight, not only is Bendis going to dredge up that hoary old chestnut that has been done a thousand times, but he thinks he can write that particular character better then Peter David????? BWAAAAAHAHAHAHAHAAHAH hold on let me collect myself, ok deep breath, there we go....BWAAAAAHAHAHAHAHAHAH!!!!

Theres no way else to say it: if you arent reading it, your missing out. Its friggin awesome, point blank, bottom line. Its as cinematic (in a good way) as any comic I can remember and the character of Skinner Sweet is the biggest anti-hero bad ass to show up in ages. Sorry to sound like a commercial, but the review up top is exactly correct, it is THAT good. Top of the pile in 3 issues flat, putting in it a tie with Walking Dead for fastest rise to the top of the stack. Oh, and that book is wrecking it too recently, I honestly dont have the slightest idea where they are going with this current arc.

I'm going to pick that up today strictly to see if Brubaker can write Nova, shit if they are going to cancel Nova, I guess I at least need to see WHY. I'm suspecting Bru is going to write circles around Bendis in truly amusing fashion as we all know he can.

I "shouldn't be reviewing comics" because Bendis and I obviously have different ideas of what is interesting and what's not? And EVERYONE consider Asteros Polyop the best thing ever? Have u read that? How much American Splendor have u read? How much Jack Katz? How much of Colleen Doran or Terry Moore? ya dumbass moron. Not everyone reads every goddamn thing by every goddamn writer because nobody's got enough goddamn time IF, and this may be why you don't understand it, they have a REAL life. So, take it back to your Bible Cave and play naked barbies with Cypher and Bible Girl, Willie Ames. :D

He has written, what, 15 different titles for Marvel? 20? Been in complete and total creative charge of the past 6 to 7 major crossover events? All of which have sucked ass? But hey, he wrote DD a while back, that was pretty good, whoop de f'n doo. Around my way, when you write 20 different Marvel titles and 2 of them (Ult Spidey and DD) were actually good, thats called being far below average. DD was good because Bendis can write the shit out of a crime comic. He is a fantastic noir crime writer. Unfortunately, and this is going to come as a major shock to MArvel editorial, I've done some research and apparently, from what I can determine........brace yourself......Iron Man and Thor arent crime comic characters. I know, it shocked me too!! Apparently, when you write Thor in a dialogue-heavy, wise-cracky style/environment more suited for The Maltese Falcon, guess what? ITS A TRAIN WRECK!! Who knew?!?!!?

I shan't buy any more issue of Avengers, since I don't think Bendis has done a good job of it. ALso, listing all the charcters he's killed... all the men have returned... the women, not so lucky.
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And this from someone who grew to love New Avengers. BTW, is Luke Cage going to somehow run the Thunderbolts and be in NEw Avengers? Just asking, cause you know I really just HATE that shit, even when it's an awesome character like Cage.

I am cool with the return of Steve Rogers and Thor. Always quite liked both of them. But "The Heroic Age" seems to be the old-fashioned age filled with overexposed characters, and that's not really my thing.

Yeah, I'm hoping it's not some pansy return to worn out Silver Age bullshit. I haven't read Avengers 1 yet, but I hope there's still some of the last few years in this new status quo and not alot of smiling and telling kids that drugs are bad. IF I wanted the silver age retreads, I'd read DC

Avengers 1 isn't really worse than Might Avengers was, but it sure isn't better... and it seems to have less potential (though MA never realized it).
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It's kind of catty to say you'll make sure Marvel gets the message. That response could be made to anyone who deson't like something. Perhaps you can give Michael Bay the message that everyone here thinks he sucks! Or that you think DC is trapped in amber.
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The current Luke Cage mini is busy telling kids that drugs are bad, btw.
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And it's been widely discusses that Wolverine is not a logical Avenger due to temperament and the freakishness of him being on three diifferent teams and having a shitload of solo adventures as well.
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And, just to be more annyoing, I quite Daredevil during Bendis' run becuase after being bold and outing Matt Murdock, he wussed out and backtracked on the whole thing. That was when I said "enough is enough."
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And while my $4 isn't going to affect anything, at least I have $4 more than I would've to buy a beer or something I like better.

Was really quite entertaining. I enjoyed Millar's take this time, because I might actully be tempted to use my powers for selfish gain, if I had them. But I sort of think I should have waited for the trade.

that trying to debate with Joenat about Bendis is futile. Bendis could wipe his ass and publish it and Joe would comment on the subtle nuances of the corn placement. There's no use arguing with him. Much like Bendis and some of DC, Joe is trapped in amber himself.<br><br>
Just read AVENGERS last night and I agree, it's a heaping pile. Everything is reliant on witty banter and bad movie quotes. "Kang has the upper hand." Really? Quoting SE7EN now, Bendis?<br><br>
And the final page reveal had me rolling too. I almost want to continue reading this title to see how bad Bendis is going to write the Maestro. Of couse, the Bendites have never read FUTURE IMPERFECT, so they won't know how much he's fucking with it.<br><br>
Clown shoes of the highest order.

Obscure reference from long ago, I remember a panel with Cletus Kasady on a rampage, naked except for a teddy bear head over his junk. Can't for the life of me find it now, it's entirely possible I'm on crack. But it was an amusing image nonetheless.

...and I think my unfamiliarity with Bendis as a writer gives me an air of more objectivity in approaching AVENGERS. And I will reiterate that I think, conceptually, it's interesting plot ideas but the execution was horrible and especially the pairing of Bendis and JRJr together. It does neither of them any good to be working this title together. And I agree...I'm almost tempted to keep buying it just to see how much more awkward it can get.

Avengers 1 isn't really worse than Might Avengers was, but it sure isn't better... and it seems to have less potential (though MA never realized it). <br><br>Honestly, it kind of loks that way, but I haven't read it yet. I'm not a big JR JR fan.<br><br>
It's kind of catty to say you'll make sure Marvel gets the message. That response could be made to anyone who deson't like something. Perhaps you can give Michael Bay the message that everyone here thinks he sucks! Or that you think DC is trapped in amber. <br><br>It was catty. Also, I'll be sure to let Mike know, as well. And thanks alot for the hours I'm going to have to waste consoling him, too!<br><br>
The current Luke Cage mini is busy telling kids that drugs are bad, btw. <br><br>I know. Lame. This is my Heroic Age fear. People often mistake "hero" for "goody two shoes"<br><br>
And it's been widely discusses that Wolverine is not a logical Avenger due to temperament and the freakishness of him being on three diifferent teams and having a shitload of solo adventures as well. <br><br>Meh... He;s a top level character both from our point of view an within the Universe, after the X-men, the Avengers is the first team he belongs on.<br><br>
And, just to be more annyoing, I quite Daredevil during Bendis' run becuase after being bold and outing Matt Murdock, he wussed out and backtracked on the whole thing. That was when I said "enough is enough." <br><br>You "quite" Daredevil? I don't get it...<br><br>HA! Just kidding... I am SOOOO catty.<br><BR>
And while my $4 isn't going to affect anything, at least I have $4 more than I would've to buy a beer or something I like better.
<br><br>I suppose, but the fun controversy is over here, baby, and now you won't get to play. I bet you sneak back, sneaker.

Bug hates Bendis. Is this the Real World! Is that Moon in the sky? What year is it? Are those dogs and cats living together!??!?!?! I feel faint.<br><br>Also, come on... That corn WAS pretty nice. It was STILL WHOLE!

In my opinion Bendis has great ideas but the execution of said ideas doesn't always work for me. i don't mind the course Marvel comics has taken since he came aboard but the events that get us there seem to be the weakest part these changes.
If you've ever heard Bendis talk in real life you'll see that pretty much every character he writes speaks through him rather than the other way around.
His Spider-man pisses me off because he doesn't write him like an adult, he writes him like an annoying kid who JUST became Spider-man not like someone who has dealt with all these characters before not to mention fought countless battles with some serious heavyweights. Spider-man is NOT a rookie nor does he HAVE to make a joke every time he opens his mouth. not to mention the jokes are never funny...
ok i'm done.

klete, you're exactly right about bendis, but that's also what makes ultimate spidey work, I gotta agree with goose, he had 2 good marvel titles, but the dude really needs to take a fucking break. he's the wolverine of writers

The image is not a slam at Disney. I recently did a drawing for fun of Stitch dressed as Wolverine as I think it’s a great character combo. The two most badass characters from both companies as one. You can see that image here: http://tiny.cc/jb7i7 When I finished it I thought it’d be funny if they met and were talking about what their companies wouldn’t let them do despite them being huge troublemakers. I thought it’d be funny. THAT’S IT! If the joke didn’t come across that’s obviously my fault. I’ve gone on record as saying to anyone who cares (which is not a lot of people) that I think the Disney/Marvel thing is great. If any company can market to kids it’s Disney. And despite what the comic industry and some fans think comics can be for kids. The Disney/Marvel mash-ups I’ve been doing are not a slam at the Disney/Marvel thing. It’s because I think they’re fun and I love both characters they’re based off of. That is all. Oh, and thanks for the kind words Thalya…:O)

I can seperate the man from his work. I'm not a fan of some of his work though.<br><br>
I always found it funny the way the Bendites have to rush to Bendis' defense as if critics are attacking the man and not his work.

He loves the attention on this particular topic, and I try to ignore his snark usually because all he wants is to goad you into a pissing match (and is actually pretty reasonable when discussing non-mainstream stuff, like Vertigo), but this one time, I'm going to make an exception. It IS mysterious that every time something sucks, and Joe suspects people might be right, he mysteriously doesnt read it. "I'm the world's biggest Bendis fan, and this is the biggest title Marvel is going to release this year, but ummmm yeah, I havent read Avengers yet". Well then maybe everyone is right, arent they? Whats with the snark? How about "Hey, everyone might be right, I'll reserve judgement til I read it". OR "Hey, I'm pretty sure I'm going to love it, But SINCE I HAVENT READ IT, my opinion doesnt really mean dick." Or "I havent read it, so I cant comment on the universal hatred for Avengers, but here are the events that Bendis oversaw that were awesome and why". Instead we get "OOOOO, Bendis is crying in his dollar bills, I'm sure hes so hurt you think it sucks". Dude, until you READ the title in question, zip it. And thats coming from a guy who is far from a Joe hater. Hes the honest truth: Joe, you spent years defending this dude for being so edgy and non-status-quo and "different", and he has now officially repaid you by making Marvel into everything you despise. You are going to hate virtually every Marvel title they publish from here going forward. Its kind of like what Chris Rock said, about the OJ prize that every African American was going to receive for supporting OJ throughout his trial.

I actually haven't been o the LCS in two week (if you could see my face, I'd be crying...). I'll go Thursday or Friday... THEN I will read it, but like I've already said: I alittle leary of this particular title and Homer's mention of Mighty Avengers falls in line with what I feared. So, we shall see... Yes, we shall...<br><br> Besides, I'm not the BIGGEST Bendis fan, I'm the THIRD biggest after Bendis and (presumablly) his wife. So eat it.

Return of Bruce Wayne 2 was great, so was Secret Warriors and Atlas. I even liked Secret Avengers, which I almost didn't pick up, because it looked like a Bendis book, but it definitely was not. However, I'm now officially tired of Jonathan Hickman FF issues that are entirely teaser and composed of Reed Richards making inspirational speeches about "tomorrow." I was loving the book, but it's been like four issues in a row. Throw in some dramatic tension, for Christ's sake.

I can only hear its good so many times before I feel like I gotta read it. I cant imagine its actually good, it just seems like Nick Fury growling hard bitten Eastwood-esque cliches at a bunch of characters I dont care about. However, I've heard from virtually everyone that it actually is quality. Hmmmm what to do.....

Every 3 months I have to rip Joe in devastating fashion for his ridiculous Bendis love, and every 3 months Joe has to inform me that he still refuses to read the cosmic Marvel stuff and me and Thanos can basically suck it. Its the cirrrrrcle of liiiiife.....and the wheel of fortune, yeahhhhhh.

it was either the first X-Factor or the first cosmic one... I wonder where I put it... hmmmm...<br><br>Secret Warriors IS awesome. Seriously. It's good.<br><br>Hey! You know what else just occured to me? How cool Bendis is...

Just read the trade of the initiative where war machine and komodo try to take web head down, and in two pages he completely nails where Spidey stands in the marvel U. He's funny, but also knows he's been through more than just about anyone and made it through, giving him the confidence to stare down any newbie.

Dammit, Marvel! I wanted to like the new Avengers title, but that artwork is shit. It looks like a fucking 4th grader did it. How can you put out crap like that on a flagship title and expect people to buy it? Inexcusable.

I'm checking out a lot of these titles. Question: How is it decide what comics are going to be reviewed this week? Suggestion: More horror reviews, please. I can't get my fill and I'm embarred I didn't find out about Crossed until the property rights were bought by a movie studio (and because a talkbacker mentioned it).

because Fury's a one-note character who skates on nostalgia-factor, and the actual team of Secret Warriors are some of the most generically powered cannon-fodder around. And YET-- it works really, really well. Largely due to the amount of time spent on the ancient history and plans of Hydra, Leviathan, etc., and the mythology it's building about The Zodiac.

I WAS really, really into it-- but we've had FOUR issues now of nothing but groundwork-laying set-up without the slightest dramatic tension. The book is now steadily reading like Hickman's 'big idea notebook' for the series, and Reed basically just walks around making long-winded, 'inspirational' speeches about how bright the future looks. Four months now. 160 days. Marry the ideas to character drama and immediate action. It's been reading like Hickman's abominable 'Nightly News.'

The former is continuing the awesome. The latter was kind of a let-down; they could've done ALOT more cool stuff then they did with the whole New Krypton thing. Further, I'm surprised how easy it was for Earth to defeat a 100,000 Supermen. Eh, oh well. I am REALLY glad they've basically gotten rid of Mon-El, Nightwing, and Firebird though, and am looking forward to Superman, Supergirl, et al is going to go next...

I picked it up yesterday, but haven't read it yet. I got the feeling after the last ish that it was going to move forward from the groundwork laying you mentioned. I see what you're saying, though, I just really like his ideas on this title. I friggin' LOVED that part in the last ish where Johnny's ladyfriend revealed her Negative Zone-ness. That whole weird, dark cosmic stuff.

I disagree that Fury is one note in this book or that the team is "generically powered". As characters they have all really developed into their own unique entities. A couple of them could even go on from this book to become larger characters, I think. Laserhead is right about the Hydra, Leviathan, Howling Commando stuff though, great bad guys and back story. I'm thinking that it's going to tie in with his SHIELD book. <br><br>As for FF.... yeah, I was never hot on that last page wrap up thing he's been doing, but I was willing to wait out the story getting going, but if this last issue is more of the same, that's disappointing.

Getting better and better. The Curse on the Wayne family. The identity of Wayne's corrupt ancestor, illuminating more of the Big Picture stuff Morrison's been doing throughout his run. And best of all, Bruce reminding Superman, Green Lantern, Rip Hunter and Booster Gold why he's the baddest motherfucker in any time period.

Didnt issue #1 come out like 6 months ago? Regardless, it sucked anyway, so not really worried about it. "This is not how the world ends". Oh it isnt? Cool, then I dont have to waste my time reading this, I guess! Thanks for saving me the effort! (Goose throws book on the floor to be played with by 2 year old daughter)

was indeed one of the most creepily awesome things I've read in forever. Im not sure when the last time "Legit Creepy" and "Marvel" appeared in the same sentence......and if you guys cant think of a punchline for that, theres no more I can do for you. Even the Quasar reveal in the latest Nova where he starts ranting and raving in tongues......yikes.

Just asking because last night I read the first issue of Secret Avengers, which is a total Brubaker book and I'm still on the fence about why Nova, for example, wuold be in this group, it was good enough to keep reading. But Nick Fury shows up and he's now running a new group, so I'd assumed Secret Warriors was kaput.

I actually don't much like Spider-Man, he seems so tired to me. But I DO like the way he's written by Bendis. I like funny, quippy, zingy Spider-Man. I DONT like the various other versions, put-upon, burdened by responsibility, involved in tedious relationships... so give me Bendis' Spidey any time.
<p>
However, I will always hate him for destroying the Scarlet Witch, one of his only characters who hasn't got to return.

Wow. I've been really digging this Second Coming crossover. It's what the X-Men movies should have been like. It juggles a MASSIVE cast and all the writers and artists are firing on all cylinders. This issue particularly is filled with amazing art. There's an entire opening battle sequence that is SILENT (no dialogue I mean, smartasses), and this is an EPIC X-men fight, leaving one *spoiler alert* handless and one badly burned. The ending is a brilliant cliffhanger in the classic Marvel sense, with an Empire-esque no-win scenario that will play out in the issues to come. If you're not reading Second Coming, you're missing the best X-Men since Morrison's run.

Not only is it a totally insanely awesome Batman story, it also gives the events of Final Crisis more weight and focus. That whole Batman is a bullet shot by Darkseid to kill the 21st century thang? Awesome. Just awesome, and weird, and what I love about comics.

I would totally use giant green boxing gloves just for the novelty of it. Like something outta Bugs Bunny. Also, make myself a construct like a Giant Green Gundam. How could you not? Mostly, I'd just shoot green laser beams, probably, though.

I tracked some down based on Bug's recommendation and holy sheeeit is he ever right about the level of awesome that is.
Back in the day, when I used to use this forum to complain about comics for a hobby, my (least?) favorite complaint was the "I paid $3.99 and nothing fucking happened." I've been out of the loop these last few years or so, but inspired by RED DEAD REDEMPTION, I took a look at some LONE RANGER the other day and what a freakin' plod. I mean, pretty and all, with lots of great landscapes, but a plodding read.
But HEX? I'd say the first 6 issues of LONE RANGER make up about half an issue of HEX in terms of happenings. Does HEX feel rushed or resort to 60s style Stan Lee recapping or dialogue? Nope. Is it any less gorgeous? Not at all. Is it any less cool? It's about 1000x more cool.
It's a schooling in the art of modern comic storytelling.
Thanks, Bug. For the recommendation.

One of the Original @$$Holes sounding off! Great to hear from you and glad you took my recommendation for the HEX trade. It really is awesome. I;ve read it twice now and it keeps getting better. Save your money on the movie and pick up JONAH HEX: NO WAY BACK.

I don't really read new comics any more (most of 'em suck, but don't tell anybody here) but I picked up that Marvel magazine HEROIC AGE or whatever they call it because it had the first Hawkeye story and I wanted to do a project based on Don Heck's incredible 1960s art. It had a 3-D MAN reprint, which was cool because I'd shoplifted that issue of MARVEL PREMIERE as a kid. Any way, enough with the Harry Knowles intro...it had an AVENGERS story where Spider-Man finds Thor all smashed up and he says, "Thor. I'm Spider-Man. Big fan. We've teamed up a few times."<p>That's a nice piece of dialogue.<p>Bendis excels in the writing humor and crime<p>Prof is right. One does not have to read every word some jerk has written in order to be able to review a piece of work that one HAS read.<p>Prof, for my money, Bendis' best work is FORTUNE & GLORY. Hilarious, true, always engaging. With art by Bendis, whose cartooning style is similar to your own.

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