DSpace Collection:https://dspace.lboro.ac.uk/2134/20912016-12-09T15:33:52Z2016-12-09T15:33:52ZPregnant women gaze at the precious things their souls are set on: Perceptions of the pregnant body in early modern literatureRead, Sara L.https://dspace.lboro.ac.uk/2134/232832016-11-24T13:27:48Z2017-01-01T00:00:00ZTitle: Pregnant women gaze at the precious things their souls are set on: Perceptions of the pregnant body in early modern literature
Authors: Read, Sara L.
Description: This book chapter is in closed access until 2nd Jan 2020.2017-01-01T00:00:00Z“The fashions of the current season”: Recent critical work on Victorian sensation fictionBeller, Anne-Mariehttps://dspace.lboro.ac.uk/2134/230572016-11-04T11:02:33Z2017-01-01T00:00:00ZTitle: “The fashions of the current season”: Recent critical work on Victorian sensation fiction
Authors: Beller, Anne-Marie
Description: This paper is in closed access until it is published.2017-01-01T00:00:00ZKoltes et la violence du rythmeDalmasso, Frederichttps://dspace.lboro.ac.uk/2134/228342016-10-13T15:03:01Z2016-01-01T00:00:00ZTitle: Koltes et la violence du rythme
Authors: Dalmasso, Frederic
Description: This is a chapter from the book, Violences et désirs dans l’œuvre de Koltès et dans le théâtre contemporain, published by CREM.2016-01-01T00:00:00ZPopularity and proliferation: Shifting modes of authorship in Mary Elizabeth Braddon's The Doctor's Wife and VixenBeller, Anne-Mariehttps://dspace.lboro.ac.uk/2134/225812016-09-26T12:43:31Z2016-01-01T00:00:00ZTitle: Popularity and proliferation: Shifting modes of authorship in Mary Elizabeth Braddon's The Doctor's Wife and Vixen
Authors: Beller, Anne-Marie
Abstract: Mary Elizabeth Braddon’s long career coincided with a shift in writing practices, as the Victorian literary marketplace became increasingly professionalized and competitive. This article argues that Braddon intervened in contemporary debates about the status of the popular novelist and the nature of authorship through her fiction, implicitly mounting a defence against the critical attacks on her own prolific production. Through a discussion of representations of authorship in The Doctor’s Wife (1864) and Vixen (1879), it is suggested that Braddon offers an important example of a bestselling female novelist who both exemplified the changing construction of composition in the nineteenth century and the move towards mass culture, and also engaged with and commented on this transition in interesting ways.
Description: This paper is in closed access until 2nd July 2017.2016-01-01T00:00:00Z