This album has me worried. Am I really such a fawning fanboy that I’ll swallow whole any Radiohead tribute? Crunk Radiohead, classical Radiohead, jazz Radiohead, electronic Radiohead — I’ve enjoyed ’em all. And now this: a song-for-song reggae interpretation of the Best Band in the World’s masterpiece, OK Computer. (Well, their true magnum opus is Kid A/Amnesiac, but we can sweep that little detail under the rug for now.) Sounds ridiculous, right? No, really: the Easy Star All-Stars and Easy Star in-house producer Michael Goldwasser — the same folks who brought us Dub Side of the Moon — have put together a well-conceived and expertly executed tribute with the help of a cast that includes Toots Hibbert, Citizen Cope, and Israel Vibration. That’s not to say Radiodread isn’t without missteps like the cringe-worthy histrionics on the chorus of “Subterranean Homesick Alien.” But “Exit Music (For a Film),” a creepy tune reimagined as an even creepier dub track, and “Let Down,” played with a jaunty ska beat, sound as if they could’ve been written and recorded by friends of the Wailers back in the ’70s. Or maybe I’m just a hopeless Radiohead fanboy.

''Nude'' remix Last month, Radiohead thrilled the big black glasses off thousands of hundreds when they posted stems for the public to download, remix, and upload to the band’s Web site to compete for listeners’ votes.

Holler “We wanted to make you aware that you need to get approval before making arrangements of other writers’ work” — oops.

Fans cheer; earth weeps It’s a bummer that the four-plus hours I spent in my car feeling guilty about barfing loads of carbon into the air is most salient in my mind, because, as always, Radiohead delivered an awe-inspiring show.

Music seen: Radiohead night The idea for a show collecting talented Portland musicians performing as Oxfordshire's Radiohead began almost a year ago.

Easy Star All-Stars | Easy Star's Lonely Hearts Dub Band A dub-wise version of the Beatles' classic album seems a novelty concept, but this madly entertaining disc is a buoyant tribute to the flexibility of the Fab Four's open-ended vision of pop, as well as the low-tech sonic trickery perfected in Jamaica's famed Studio One.

WORLDS COLLIDE | February 03, 2009 A week ago Wednesday and Thursday, a curious collection of young scruffy indie kids and older scruffy MIT eggheads converged on the school's Broad Institute for two nights of free music, art, and lecture dubbed "Darkness Visible."

GONE, BABY, GONE | January 09, 2009 Boston bids farewell to one of its brightest spots — the row of six diverse and delectable restaurants on Peterborough Street that were consumed by a four-alarm fire early Tuesday morning.

A FLAIR FOR THE DRAMA | January 09, 2009 "There's not enough hype in the world for Glasvegas," old reliable hypemonger NME recently proclaimed. But that doesn't mean the magazine and the rest of the British music press aren't trying.

FANS CHEER; EARTH WEEPS | August 19, 2008 It’s a bummer that the four-plus hours I spent in my car feeling guilty about barfing loads of carbon into the air is most salient in my mind, because, as always, Radiohead delivered an awe-inspiring show.

LAUGH AT THE END OF THE WORLD | August 19, 2008 The two guys who make up Clawjob have an unnerving tendency to describe something as funny when it’s anything but.