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Swap a bomb for three ice-creams on a train, bounce on a vampire’s bed, eat a pizza that makes you fearless, read the secret diary of a dog, unleash the awesome power of chips, save ten lives with a paper clip, surprise your mum with a chainsaw, use a demolition ball to defeat a bully, live in a house that gets wiped clean more often than a bottom…

Since Morris Gleitzman, the current Australian Children’s Laureate wrote The Other Facts of Life in 1987, he has been entertaining children with his stories -some long, some short , some serious, some not-so – and this bumper new release is a compendium of all his shorts stories in one place, plus a bonus story! So in one volume that will satisfy the needs of those who like to borrow fat books, those who like to laugh out loud, and those whose preference is for short, read-in-one-go stories, all the stories from Give Peas A Chance. Pizza Cake and Snot Chocolate are gathered together – 36 stories in all. Even rationed to one a week, that’s a lot of the classroom read-aloud program taken care of for the year, or, for the young, independent reader, a lot of fun practice in honing skills and enjoying the delight of the printed word!

With at least 40 books with his name on the cover and the final in the Once series on the horizon, Gleitzman not only has an established fan base amongst teachers and parents, but this new offering will see that swell as others discover his quirky humour and his gift for telling stories.

Put two of Australia’s favourite authors Sally Rippin and Adrian Beck in charge of gathering together some of their author-mates like Deborah Abela, Tristan Bancks, Jacqueline Harvey, Paul Jennings, Alex Miles, Oliver Phommavanh, R.A. Spratt and Matt Stanton so each can contribute to a book of short stories to raise funds for the Dymocks Children’s Charities and the result is a Total Quack Up.

Criminal cats, superheroes, pigs dressed in footy gear, crazy robots, hippos who love the beach and birthday parties that end in disaster are all features of this collection of short stories designed for younger independent readers who not only like funny stories but also still need a little support as their reading skills develop.

As part of the process, Penguin Random House ran a writing competition for young writers and the winner, 12-year-old Ella Wallace has her story Who Blocked Up the Dunny included.

All the royalties from this book go to Dymocks Children’s Charities, a group of initiatives created to support children’s literacy within Australia encouraging students from priority schools “to cultivate a love for books and read every day “just because they want to”. Quite simply it’s about getting great books into kids’ hands!” So, apart from the fun of reading that your own students will have, your money will go to help others experience that too.

Ever since there have been children there has been children’s literature and having children learn lessons about life through this literature has been a constant thread in every culture across the globe. Since the earliest days of mankind, stories have been created and told from generation to generation not just to explain the unknown but also to inspire better, more mature and moral behaviour in children with dire consequences inflicted by fearful creatures if boundaries were breached. Didacticism was alive and well with stories featuring giants, trolls, witches, beasts and other fantastic figures achieving amazing things, wreaking havoc, surviving disasters or decreeing punishments so that adults as well as children lived in fear of retribution for misdeeds.

Now, with modern communication and science, while such creatures do not have the power of fear they once had, nevertheless they are still a central part of today’s literature with stories like the Harry Potter series and Game of Thrones commanding huge audiences as well as a continuing fascination for those stories in which the modern have their origins. But until now, these have been retold and republished in formats that tend to scream “younger readers” and from which those who see themselves as more mature than the “picture book brigade” shy away from regardless of the quality of the content. So to have ten traditional tales from ten countries brought together in graphic novel format as creator Craig Phillips has done is going to create a buzz of excitement. Here, in one superbly illustrated volume, are stories featuring giants, trolls, witches and beasts with all their magical powers and chilling feats and universal messages of courage and obedience. that will appeal to those who are fascinated by this genre in a format that will support and sustain their reading.

Phillips has kept his audience in mind as he has drawn – the imaginary creatures are all sufficiently gruesome and grisly so their characters are clear but not so much that they will inspire nightmares. The mix of familiar and unfamiliar characters offers something for each reader to explore and perhaps think about why stories from such diverse origins have such similar themes. Is there indeed, a moral and ethical code that links humans regardless of their beliefs and circumstance?

One that will appeal to a wide range of readers and deserving of its place among the 2018 CBCA Notables.

Christmas and Christmas stories are a little bit different in the mind and hands of master storyteller Terry Pratchett. Instead of the usual, sometimes twee, tales of reindeer, helpful elves and generous children this collection has a huge exploding mince pie, a pet abominable snowman, and a very helpful partridge in a pear tree. Father Christmas himself goes to work at a zoo, causes chaos in a toy store and is even arrested for burglary!

This is a previously unpublished selection of seasonal stories from Sir Terry Pratchett, author of the popular Discworld series, and perfect for the Christmas Countdown for slightly older readers who can appreciate his humour and perspective. Stories are short, funny and liberally illustrated with pictures as wacky as the words.

Given it is nearly three years since his death, this may be the last original, unpublished work offered from this author so it may become a collector’s piece for that alone.

If I were asked to name one of the most popular series for newly independent readers that has endured over my time as both a teacher and a teacher librarian, I would undoubtedly answer, “Tashi” and now it is time for another wave of emerging, newly-independent readers to get to know this magical little fellow who has such big adventures.

This special selection of stories includes Tashi and the Baba Yaga, Tashi and the Genie, Tashi and the Big Stinker, Tashi and the Haunted House, The Book of Spells, The Three Tasks, Tashi and the Phoenix and a brand new story Kidnapped! Tashi, the imaginary friend of Jack, is a delightful little character who is so clever, resourceful and brave as he confronts fearsome opponents set on destroying his village and his peace, often having an ethical dilemma to come to grips with as he seeks a solution.

Not only is he a lovable character, the short stories and the amazing monochrome illustrations that break up the text are perfect for starting newly-independent readers off on their journey through novels giving them the confidence and satisfaction of reading a “chapter book” for themselves. Tashi and his adventures have been the springboard for many a young reader over many years and this new selection will no doubt encourage many more.

A worm who wants to be an anaconda, an elephant that won’t do tricks, a gorilla named Harry Hairybutt… these are among the memorable characters that The Simple Things author Bill Condon has created in these 14 animal-based short stories that will appeal to the young emerging reader transitioning to novels.

Each is based on a familiar proverb but that proverb is twisted to suit the story, and, depending on your opinion of puns, they are clever or dreadful. But each story is very funny and just the right length in a well-spaced font with plenty of illustrations.

At the end there is a glossary of the original proverbs with their actual meaning that introduces them to the reader, enriching their experience with the stories themselves.

What happens when you ask leading authors such as Nick Falk, Sofie Laguna, Tristan Bancks, Jacqueline Harvey, George Ivanoff, Aleesah Darlinson and half a dozen others to write a short story featuring a dog? You get a volume of twelve stories starring magic dogs, invisible dogs, hacker dogs, and all sorts of others that will keep dog lovers reading for a long time.

There are stories about Bad Buster, The Dog Kisser, Susie the Wonderdog, The Dog who Forgot and even The Magic Piddle that will appeal to the newly independent reader with their larger font and manageable word count, and illustrated by Jules Faber. The quality of the authors mean the quality of the story is guaranteed and even though they are brief, the reader is still left feeling satisfied that they have been entertained and perhaps even seek out other works by the authors.

With summer holidays here and children looking for something to read that doesn’t need too much effort and concentration, short stories are the answer. They can be the bridge between formal instructional texts and fully independent reading of self-selected novels so their value should never be underestimated. So if you have a dog-lover who is looking for something short but satisfying, this is the ideal solution.

The blurb reads, “Stop your mum picking her nose, read the secret diary of a dog, catch a bus and then let it go, discover how one slice of toast can make you the most popular person in school, start wearing a crown and give up eating pig-nostril gruel, use a wrecking ball to defeat a bully, show your big sister the very scary secret in your wardrobe, unleash the awesome power of chips, live in a house that gets wiped clean more often than a bottom.”

But there is so much more to this collection of short stories from a master storyteller who seamlessly switches between the poignancy of Two weeks with the Queen, the gaiety of Toad Rage and the seriousness and sincerity of the Once series. Gleitzman himself says, “Nine stories, and I’ve made them different lengths because different parents have different ideas about how long a person should be allowed to read before turning the lights out.”

With a title designed to attract that reader who loves to makes sure parents and teachers have a stomach-churning moment when they see it, nevertheless there are serious undertones to each as the central character of each tries to grapple with a big problem affecting family or friends using a thought process and logic that are particular to that age group. Creativity is alive and well in children – until the formality and seriousness of school try to quell it.

Along with Give Peas a Chance and Pizza Cake, these stories which give the author “a break from the stiff neck and stiff brain you sometimes get writing book-length stories” might seem a long way from the stories Gleitzman commonly crafts and which he is so valued for, but as he says, he would” hate to forget that in stories a laugh can have a teardrop as a very close neighbour.” However, despite the sombre notes this is a collection that will keep those newly independent readers, particularly boys, reading and help them transition to the next phase of their reading journey – which will probably be a Gleitzman novel – as they show that even short stories with wicked titles can have great, credible characters and a depth of plot that makes reading so worthwhile.

Parents, teachers and teacher librarians are blessed to have such a gifted writer as Gleitzman on their side.

Way back when, fairy tales involving all sorts of terrifying, evil creatures that were all eventually defeated by the powers of good were told to children as a way of exhorting them to make the right choices and stay on the straight and narrow.

In 1812 German brothers Jacob and Wilhelm Grimm began gathering and publishing the tales in a collection that eventually spanned seven volumes. Right from the beginning there was criticism of their content because even though they were marketed as ‘children’s tales’ they were deemed too gruesome for children and changes were made so that some of the scarier elements were softened, such as making the wicked mothers of Snow White and Hansel and Gretel in stepmothers (an image which modern stepmothers still battle.) Over the years, more and more changes have been made with the myriad of interpretations and reprints until we have the more acceptable versions we have today.

But in this collection Gris Grimly, (an apt name) has faithfully reproduced the original text of forty one tales, some familiar and some not-so, and adorned them with his own inimitable artwork. “The result is a Grimm collection unlike any other, set in a world that is whimsically sinister, darkly vivid, and completely unforgettable.”

This is probably not a collection that you would pick up and read to a Kindy kid as an introduction to fairy tales or a before-the-bell time-filler but it could be one to give a slightly older child who is craving the horror stories being read by older siblings or peers. It might also be the collection that you share if you are doing a comparison of versions of the same tale and how they have changed or been changed or if you are investigating childhood of different eras and want to look at the literature of the times and the purpose for it.

One hundred years ago the first edition of May Gibbs’ iconic Gumnut Babies was published – the forerunner to her classic Snugglepot and Cuddlepie. In this stunning centenary edition which echoes the original layout, fonts, illustrations and colours, a new generation is introduced to the stories of The Gumnut Babies, the Gum Blossom Babies, The Flannel Flowers and Other Bush Babies, Boronia Babies, Wattle Babies, Nuttybub and Nittersing, and Chucklebud and Wunkydoo.

On all the big Gumtrees there are Gumnut Babies. Some people see them and some don’t; but they see everybody and everything. Perhaps that’s why their eyes are so big… They are full of mischief and are always teasing the slow-going creatures; but they hurt nothing and are gentle, for they love all the worlda.

Born in 1877 in England and coming to Australia at just four years old, May Gibbs spent years observing the bush and its creatures as her family farmed in both South Australia and Western Australia and she claimed she “could draw before I could walk”. She excelled at botanical drawing and has said, “It’s hard to tell, hard to say, I don’t know if the bush babies found me or I found the little creatures”. The Gumnut Babies made their first appearance in 1913 as part of the illustrations for Ethel Turner’s The Magic Button and gradually the bushland fantasy world grew with the writing and publication of a number of stories, including the publication of Tales ofSnugglepot and Cuddlepie in 1918.

Gibbs was a fierce protector of the environment and these stories are guaranteed to have young readers begin to appreciate all that lives in our unique natural landscape. Her legacy lives on through Nutcote as well as her generous gift of leaving the copyright of all her works to Northcott which provides support to those with disabilities and the Cerebral Palsy Alliance which supports the 34 000 people living with this condition in Australia alone.

Apart from being a classic of Australian literature the May Gibbs website offers activities and lesson plans; there is a stage production of Snugglepot and Cuddlepie currently touring the country and the State Library of NSW has an online exhibition of her works.