Pygmalion Essays

On the title page of Pygmalion, George Bernard Shaw describes the play as 'A Romance in Five Acts'. Throughout the play, readers might assume that the heroine and hero of Pygmalion will end up romantically together. In fact, a common complaint...

Many individuals are adept at recognizing changes in their environment, others, and themselves. To these people, whatever the "change" might be-a new hairstyle, a new article of clothing, or an affected spoken dialect-rarely goes unnoticed....

The Greek Myth of Pygmalion, about a sculptor and the woman he creates and falls in love with, has been appropriated into various texts of different times and made relevant to a wide range of audiences. In particular, George Bernard Shaw’s English...

Contextual attitudes and values regarding gender and class in Pretty Woman (1990), directed by Garry Marshall, and Pygmalion (1913), written by George Bernard Shaw, are predominantly maintained throughout both texts, although minor adaptions have...

Years before he became the greatest living writer of comedy, Shaw was an ardent social reformer. "My conscience", he once wrote, "is the genuine pulpit article; it annoys me to see people comfortable when they ought to be uncomfortable; and I...

In comparing the Edwardian era - that is, the early 20th century - to the modern age, we can see that some distinct social constructs and class systems are present in both. However, social and class-related barriers are noticeably more porous in...

In Bernard Shaw's Pygmalion, Shaw attacks the relations between Victorian era classes by exposing their wretched treatment of the lower class, as seen in the flower girl, by the higher classes, upper and middle, iconified in Higgins and Mrs....

I am too intelligent, too demanding, and too resourceful for anyone to be able to take charge of me entirely. -Simone de Beauvoir Tête-à-Tête: The Lives and Loves of Simone de Beauvoir & Jean-Paul Sartre

At first glance and introduction, it seems Mr. Doolittle is no more than a slovenly and crude navvyman. He serves the plot as nothing more than a physical representation of where Eliza comes from. However, in the two scenes he is in, he steals the...

George Bernard Shaw’s ‘Pygmalion’ is a play that is scathing in its attack on the pruderies, hypocrisies and inconsistencies of higher society in early 20th century London. Through the transformation of Eliza Doolittle, Shaw reveals to the...

The honest and compelling transformation of a simple flower girl from a disempowered ‘draggle-tailed guttersnipe’ to a ‘fierce’ woman who demands what she ‘want[s]’ and feistily laments the loss of her ‘independence’ is emblematic of the laudable...