Monthly Archives: October 2016

Let’s face it: we all need to escape from our reality every so often. It’s a fact of human nature, and I would guess that all human beings throughout all ages engage in escapism. The paleoglyphs in Lascaut, France, as well as those in Painted Rocks, Arizona, were probably produced by hunter-gatherers who had tired of their daily grind, early humans who were looking for some type of entertainment outside the bounds of their usual activities. No doubt in medieval times, Europeans escaped the poverty and hardship of their lives through the romance, ritual, and mystery offered by the Church. In other words, the tendency to indulge in escapism is nothing to be ashamed of; on the contrary, it’s probably one of the few things that sets us apart from animals and makes us human.

All of this is a long, roundabout way of introducing my latest form of escapism: television. Of course, people have been escaping through television programs since the first transmissions occurred in the 1920s and ’30s. (My grandmother bought a set of World Encyclopedias in 1933, which I used to love skimming through as a child. Here “television” was deemed an experimental technology, which some people argued might one day reach the popularity of radio, although this was doubtful, according to the editors of the article.) But television has changed, as everyone knows. Netflix and Amazon, along with Hulu and other streaming platforms, have made it possible to binge watch shows, consuming in three days what used to take several months of patience, waiting for Wednesday nights to come around in order to watch the next episode of a favorite show.

What interests me isn’t so much the personal habits of television-watching; frankly, I’d rather not know who else is staying up late watching five episodes of a show in a single night. Some things should be private, after all. Instead, I think it’s important to point out that not only have the means of reception changed in this industry; the means of production (or at least of distribution) have changed profoundly as well, making it possible for Americans like me to watch any number of interesting programs, some of which would never be available in this country without streaming television. In my view, Netflix is the best thing to happen to television since Milton Berle himself.

And yet there’s one small problem. What’s missing from this plentiful choice of programs is a way of sorting through all of them.

Until now. I am pitching in to do my part in helping clueless viewers, like myself, figure out what to watch in order to avoid another boring evening at home filing receipts or folding clothes. Below I offer a list of shows that I’ve watched recently. (Note: I omit shows like Broadchurch and Stranger Things, since they have become mainstream. The purpose of this list is to alert people to shows that are, so far as I can tell, still under the radar.) I recommend all of them. It’s true that some are less entrancing than others, but all of them are interesting and are worth watching through at least a couple of episodes.

River. A psychological police procedural that is riveting. Skellan Skarsgard and Nicola Walker present fantastic performances in a miniseries that is impossible to stop watching.

The Detectorists. Don’t be put off by the beginning of the series: it looks like an English version of Dumb and Dumber, but it’s not. Stick with it and by the third episode, you’ll be hooked. Season Two just became available, but I have not yet allowed myself to watch it, because I’m worried that it will fall prey to sophomore slump, like Grace and Frankie and Unbreakable Kimmy Schmidt, which seem to have become rather sophomoric in their second years.

The Returned (French version only!). This provides a subtle horror feel in a program that presents interesting scenery and unusual characters, all while helping you review your high school French.

Midnight Diner: Tokyo Stories. A strange little episodic show, based in a diner that is only open from midnight to 8 am. It’s odd but interesting, with a fascinating peek into Japanese culture.

Fearless. This is my current guilty pleasure. This documentary on professional bull riders is exceptionally well done, from the very unusual opening sequence and music (shown above) to the many interviews with Brazilian and American rodeo bull riders it presents. Even if you’re not a fan of PBR, it’s worth watching for the insight on the lives these men and their families lead and for the excellent cinematography.

All of these are interesting shows, and each provides a nice little escape from a contentious (sometimes ridiculous) election year and other disturbing news stories. Take a look if you have a chance. And don’t be afraid to binge watch: your secret is safe with me.