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Tag: Sled One

The covers are coming off the scaffolding at this site, which means that the hoardings will probably be coming down soon too, which is a pity, because this is a top spot for street artists. I suppose hoardings are by their very nature temoporary, so we should be thankful fot the opportunity.

Sled One, Raleigh Road, Bristol, January 2018

This is another extraordinary piece by Sled One, who appears to be hitting the streets quite hard over the winter period. Sled One has offered us another masterclass in character wildstyle writing, where it is possible to make out the letters SLED, however I am less certain that I am able to unpick all the intricate stuff going on in the piece. There is so much detail to wade through. The main part of the story is in the letter D.

Sled One, Raleigh Road, Bristol, January 2018

There is a skull-like character consuming something, but it is all a bit odd and surreal. Sled One has a fertile imagination, and supreme skill to be able to commit it to a wall with such fine craftsmanship. Another great work from the young artist.

Another piece from the ASK Halloween paint jam under Brunel Way. This is exceptional work from the exceptional Sled One with an interesting story woven into his wildstyle writing.

Sled One, Brunel Way, Bristol, November 2017

On the left there appears to be a snail-like character and on the right a Grim Reaper figure that is making for the terrified looking snail (can a snail look terrified?). Meanwhile, Sled One has incorporated the letters SLED into the piece with artistry and skill.

Sled One, Brunel Way, Bristol, November 2017

Once again we see this master sprayer at his very best, creating a whole world in a space 3m x 2m. Incredible really.

‘Trick of the eye’ – this is a magnificent piece by one of my favourite Bristol artists, Sled One. In this one piece he has created an extraordinary fantasy world and constructed a brilliant piece of wildstyle writing into the mix as well.

Sled One, M32 roundabout, Bristol, November 2017

The writing says ‘eye’, which is clever enough on its own, but it is the remarkable hand (protruding from the iris of the eye) pulling a rabbit from a magician’s top hat, hence the titlwe of the piece.

Sled One, M32 roundabout, Bristol, November 2017

In my view, the magician of the piece is Sled One. He really is an extraordinary talent and creates these ‘stories’ like no other artist I have seen. While his story telling is great, it is the beautifully crafted characters that make these pieces. His imagination is allowed to run wild and he produces these surreal cartoon style creatures which are so full of interesting detail and demand to be studied.

Sled One, M32 roundabout, Bristol, November 2017

This is an absolutely stunning piece of graffiti art that would hold its own on any wall anywhere in the world.

This piece is a wonderful example of Sled One wildstyle writing at it’s very best, I only wish I could say the same about my photography. There is a lot of glare, which obscures the piece a bit.

Sled One, Dean Lane, Bristol, September 2017

Sled One has an amazing ability to create fabulous elaborate letter shapes which are hugely complex in the shading and filling. Trying to follow all the folds and overlays is a tricky business. There is a nice little nod to Soker at the bottom of the piece too.

This is the second post from the RAW wall at Upfest, and I fear that Sled One, is a bit of a gatecrasher on this wall. Sled One, now part of The Paintsmiths, is a member of ASK, but was clearly very welcome on this wall.

Sled One, Upfest, Bristol, July 2017I am not sure whether Sled One did this before or after his official Upfest lizards, but it looks like another of his crazy freestyle pieces. I think he does all this stuff just off the top of his head…remarkable really.

Sled One, Upfest, Bristol, July 2017Of course there is something very witty about this piece, a bird in sunglasses sipping a cocktail sitting in a rubber ring…I’m not sure where he gets his inspiration from, but his imagination is amazing. I’m not convinced by the quality of the elephant though, which only goes to show that even Sled One is human.

One of the classiest pieces in The Bearpit for a little while appeared just over a week ago and took up the entire length of ont of the north side entrance ramp. This stunning piece is a collaboration between Sled One and Epok. As is often the case with work like this, the photographs really don’t do it justice and I would urge Bristolians to get down to The Bearpit to see it for themselves.

Sled One and Epok, The Bearpit, Bristol, October 2017

There is a strong message here about the damage being done to our oceans by plastics – don’t get me going on this subject, because it vexes me because the torrent of pastic, large and microscopic, will kill off life in our oceans unless urgent action is taken. We sure know how to goof up our planet.

Sled One and Epok, The Bearpit, Bristol, October 2017

The artwork in this piece is exquisite and incredibly detailed, just take a look at the pectoral fins of the fish above, to see how much work has gone into the colourse ripples and folds of the fins.

Sled One and Epok, The Bearpit, Bristol, October 2017

Them whole thing is cleverly constructed, combining some abstract elements with life studies, but the whole effect is one of movement and swirling currents.

Sled One and Epok, The Bearpit, Bristol, October 2017

It would be great to hear from the artists themselves what inspired them to do this piece. It is possible that it was a commission, but by whom I wonder. Next time I see Sled One, I’ll have to ask him.

Sled One and Epok, The Bearpit, Bristol, October 2017

All in all a great piece and beautiful gift to the people of Bristol. Now, reduce that plastic waste!

I think I originally archived this one before I had become familiar with the work of either of these artists. The picture, from January 2016, was taken on one of my earlier and infrequent (at that time) sorties south of the river.

Sled One and Smak, Dean Lane, Bristol, January 2016

I like this collaboration between Sled One and Smak, but it is a partnership that I don’t recall seeing too often. The unusual colour palette is shared by both the artists and works well across the whole wall. Obviously I like the Sled One writing, he can do little wrong in my eyes.

Smak, Dean Lane, Bristol, January 2016

The Smak piece is interesting in that I suspect it is the first of his pieces that I consciously photographed, even though I was not familiar with the artist. I also noticed that I didn’t do a very good job, cropping the edges off either side. I am becoming more familiar with Smak’s work and like what I see. For some unknown reason I was a late adopter with his work.