Monday, August 28, 2017

From SimoHayha.com "In 1939, the Soviet Union attempted to invade Finland. Being a member of the Civil Guard, Häyhä was called into service, serving under the 6th Company of JR 34 on the Kollaa River. Commanded by Major General Uiluo Tuompo, the Finns faced both the 9th and 14th Soviet Armies, and at one point were fighting against as many as 12 divisions - about 160,000 soldiers. Also at one point in the same area, there were only 32 Finns fighting against over 4,000 Soviets!
Despite being outnumbered, however, the Finns were still victorious at the end of the day. The invading Soviets weren’t as organized as one would expect: they spoke many different languages, and they weren’t used to the harsh Finnish winters either. In fact, the winter of 1939-40 was very snowy, and had temperatures ranging from -40 to -20 degrees Celsius.
The Finns were also smart in their tactics, the most notable of which were known as “Motti”-tactics. Since the Soviets would invade by the roads, the Finns would hide out in the surrounding wilderness. They would then let the invaders cross the border, and attack them from behind!"

"Climate change intensifies the impact of hurricanes. Here’s how:1. By adding fuel to the fire, climate change makes hurricanes more devastating. Average global sea surface temperatures are rising. As sea surface temperatures become warmer, hurricanes can become more powerful. In the case of the Category 4 Hurricane Harvey, this greater power comes from “sea surface temperatures in the Gulf of Mexico that are 2.7 - 7.2°F (1.5 - 4°C) above average, relative to a 1961-1990 baseline.”2. Climate change is linked to extreme rainfall (and therefore, flooding). Global temperatures are rising. As the world becomes warmer, more water evaporates from bodies of water. Therefore, there’s more water vapor in the air. This gives hurricanes more precipitation, and can result in more flooding when the hurricane makes landfall. The Weather Channel said that Hurricane Harvey “may end up being one of the worst flood disasters in US history.” Some areas could see up to 50 inches of rain.3. Sea-level rise caused by climate change can “dramatically extend the storm surge driven by hurricanes.” According to NOAA, a storm surge “is the abnormal rise in seawater level during a storm, measured as the height of the water above the normal predicted astronomical tide.” To put it another way, the storm surge is the ocean water pushed into the coast by the force of the hurricane. Global sea levels are rising. When sea levels are higher, storm surges intensify and can lead to more widespread and greater damage. The highest-reported storm surge from Harvey (in Port Lavaca, Texas) was 7 feet above the mean sea level."

“A truly moral agenda must be anti-racist, anti-poverty, pro-justice, pro-labor, transformative and deeply rooted and built within a fusion coalition. It would ask of all policy, is the policy Constitutionally consistent, morally defensible and economically sane. We call this moral analysis and moral articulation which leads to moral activism.” —Rev. Dr. William, J. Barber, II

Sunday, August 13, 2017

"The world is a dangerous place...not because of the people who are evil, but because of the people who don't do anything about it"-Albert EinsteinIn the light of the horrific, fascist, white-supremacist violence against peaceful folks in Charlottesville, Virginia on August 12, 2017, I find this film produced by the US War Department during WWII to be instructive. Clips from the film are appearing on social media sites. The full film is presented here.From IMDB:"Financed and produced by the United States War Department in 1943, and shot at the Warners studio, although it was distributed through all of the major studios' film exchanges and also by National Screen Services free to the theatre exhibitors: A young, healthy American Free Mason is taken in by the message of a soap-box orator who asserts that all good jobs in the United States are being taken by the so-called minorities, domestic and foreign. He falls into a conversation with a refugee professor who tells him of the pattern of events that brought Hitler to power in Germany and how Germany's anti-democratic groups split the country into helpless minorities, each hating the other. The professor concludes by pointing out that America is composed of many minorities, but all are united as Americans."

Jesse Malin's new EP, Meet Me at the End of the World, is out. Produced by Joseph Arthur, this collection of four new songs timely addresses our current Trumpian tribulation and is sparking some major conversations across the music world. Lucinda Williams was so inspired by Malin's Meet Me at the End of the World, that, as Fran C. Anderson reports in Rolling Stone, Williams "hopped on the phone with the D Generation frontman ... for a wide-ranging chat about their approach to songwriting, politics, Canadian electro dynamo Peaches, and a possible future collaboration." In their conversation Williams and Malin earnestly conversed about the mix of politics and music in their art. Williams said,"Anybody who says politics and music don't mix is, that's just in your face stupid." Malin replied,"You walk out your door and it's political. You're dealing with it. You need gas in your car, you need food, everything is always just class-related, and rock music has always had an awareness of class and separation in the downtrodden." Continuing this thought Malin expressed to Nate Herwick on Grammy.com that, "And [I thought about] how much the media is owned by the government, by the big corporations, so you're not getting the full story. I think [this song is] a call to people to go beyond that, go with their guts and their hearts. You have got to treat the people around you with love, but you also have to question the powers that be, because as much as I love this country and this planet, there are some people that are out to line their own pockets and have an agenda."

Jesse Malin

Summing up the album Malin said to Williams,"the music is what brings us together, and we need it right now. We need each other. We need to stand together, and support each other, and give the message, which is really love. I mean, to me,Meet Me at the End of the World as a record is about survival. And you have to live your life like it could be the last day."

Santa Monica-based artist Gregg Chadwick has been painting for three decades. His current studio is an old airplane hangar where the flurry of takeoffs and landings on the runway outside seems to creep into Chadwick’s paintings as he explores movement and travel within his light-filled paintings. His current series of paintings is entitled ‘Mystery Train’ and evokes the railways of America that Chadwick says run in his blood. His grandfather worked as a fireman, stoking coal in steam engines before advancing to train engineer on the Jersey Central Line. Chadwick often says that family gatherings brought the rhythms of the rails home. The sounds of railroad workers echoed in the music that Chadwick’s relatives played in the shadows of the train lines outside. For Chadwick and many others such as writer Greil Marcus, filmmaker Jim Jarmusch, and musicians Junior Parker and Elvis Presley, the enduring mythos of America and its legacy is wrapped in the blues notes of the song ‘Mystery Train’

Chadwick's thoughts on the intersection of art, culture, and politics can be found on his blog, Speed of Life.

Chadwick's flickr page which is often updated with new finished paintings and work in progress is at: