Category Archives: Quilt Patterns

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The Gridsters are starting on their third year, and it’s been a delight to discover the variety of styles and choices each member puts forward for us to make for them. Carol was our Queen Bee for January, and she asked us for blocks designed by Kristina of Center Street Quilts.

I chose Geometric Christmas Tree and Mod Tree, and mailed them off a few days ago.

before

I still haven’t settled my sewing room yet after last fall’s room switchearound, but in the meantime, I’ve been trying to get everything off the floor and into some semblance of order.

My husband and I needed only two trips to IKEA to make this one work.

We purchased a new light from Lowe’s Hardware that goes under the bookshelves, and boy, does it blast the lumens into the room. I love it, and love that it is an LED which doesn’t give off much heat nor consume as much energy. And I can see everything in my tiny sewing universe when I turn it on.

The ironing board gets set up in front, so the iron is parked on the right. In the first bin on the top of the shelves, I put all those mini charm packs, and other random charm packs. I don’t buy many precuts, and so they all fit in there. The second shallower bin holds Featherweight Sewing Machine Stuff, as I purchased another Featherweight this fall when a neighbor cleaned out her mother’s storage unit and discovered that her mother had collected all these old sewing machines. I’d also gone to a garage sale, where they had a box of feet and attachments; they appear to belong to the Featherweight, but I’m still researching. One woman’s trash is another quilter’s treasure.

And I’m still trying to make the bins useful, so this will change as I work in here. Right now the upper left holds stuff for Bee Happy, a quilt that my friend Leisa and I chose to do as a long-term project. And as she says, “No deadlines. If it takes us two years, so what!”

Been working on this, both in cloth and in pattern.

I decided to try to upgrade my pattern-writing skills, unsatisfied with my Microsoft Word approach. I’d been using Affinity’s Photo and Designer software, which everyone knows is sort of a replacement for the Adobe Creative Suite. I didn’t want to join in the subscription plan that Adobe wanted me to, so found the Affinity (all 20% now for Christmas–so that makes it around $40 for the Photo and other software in their store–quite a difference from the Adobe prices!).

This past fall, they released the free beta version of their Affinity Publisher, which I couldn’t wait to try. They’ve had two upgrades since I started playing around with it, and each has improved the flow and workability of the app. I can’t wait for it to be released in its final version. I also tried to contribute to their Bug and Help forums, you know, to be a good brownie. It wasn’t hard to come up with things to say, because I was working on patterns, but really, at this point, it’s almost ready for launch.

I used screen shots from QuiltPro for the basis of my artwork, as they were perfectly sized, then modified them in Affinity Photo, then saved them as illustrations. I opened Affinity Publisher Beta, watched all the training videos (taking notes) and dived in. I finished up one pattern earlier this week, did the pattern for my turn next month as Queen Bee for the Gridsters, and am still working on Northern Lights Medallion (NLM). I’m sorry for the lateness in getting NLM out, but I’m learning as I go, and I wasn’t satisfied with how the templates laid out on the page (exported from QuiltPro) so it’s back to more learning, more Asking the Internet. I’ll get there–thanks for your patience.

If you could scroll down for just a second and locate on the right blog sidebar where there is a link to a video titled Create. This was taken from a talk from one of the leaders of my church, and if you are not a religious type, then substitute in your version of God for what Elder Uchtdorf says. I watch it everyone once in a while to remind me that what I do is more than stitching, or cutting up pretty cloth. Being creative is my connection to — and a conduit for — the divine.

I had an inkling of the power of a lot of creative women, when I attended Becky McDaniel’s class for her Crazy Cushion pattern. Yes, there was fatigue and frustration, but there was also a spirit of wanting to create (above, watching a demo).

My workspace. I had a nice visit with the two quilters at my table, Sandie and Marie (absent), and was totally impressed with the women in the Nite Owl Guild.

Becky was energetic, funny and taught some new skills: like working with a light table while paper piecing, and we all promptly handed over our cash to buy her cool flat light table, while stories swirled around about the light tables we had at home.

Yeah, we weren’t in this room, but the ping-pong table was. The class was held in the Senior Center for a nearby town and was a great place to have a workshop. Below, Becky’s table of supplies.

Even though I had all my sections pre-pieced, at this point I felt like I’d run a marathon, just getting that welting stitched in between the flying geese band and the cushion top/back. The band includes a handle for carrying (seen serpentining in the photo above).

More than one use for those binding clips.

Because of all my sewing beforehand, I was able to finish my cushion. Above, the photo with Becky McDaniels.

I posed my cushion with hers (the larger of each). Mine measures 14″ x 2″ and hers is 16″ x 3.” If you decided to take this class, do your homework beforehand, if you have done paper-piecing before, so you can have a finish, too.

I use transluscent vellum paper by Neenan for my paper piecing because I can see through it and it rips off easily. I purchased a ream about 10 years ago from Kelly Paper, and it cost way more than I wanted, but hey–10 years use? Not bad.

I use Magnifico thread as it has a nice sheen without being shiny, and it lays down a lovely line of stitching. In the bobbin is So Fine thread (both by Superior Threads).

I made a duplicate of Annularity II — which was a quilt I designed and made for Paintbrush Studios (which hung at QuiltCon, and most recently, Quilt Market) — because I thought the first version had been lost in the mail en route to the quilter. It hadn’t, and now I had my own top.

Then I decided to quilt my own, trying out different ideas as explained in an earlier post. But thanks to my quilt holder Dave, I can now reveal the fully quilted version to the world, as well as deliver some great news about this quilt.

Recently I’d been talking with Rick and Dot Kimmelman of Pineapple Fabrics about this quilt, hoping they’d want to use it for their booth, as they carry the full line of Painter’s Palette Fabrics. In between Point A and Point B of our discussions, they purchased Keepsake Quilting, which made many of us in the QuiltWorld very happy. And so, beginning this summer, Keepsake Quilting and Pineapple Fabrics will be the exclusive sellers of my Annularity pattern. Both Keepsake and Pineapple will also have kits available that include all the fabrics for the top and binding. (You can check Pineapple Fabrics.com to purchase within the next month, and see Keepsake Quilting’s Fall catalogue, due out the second week of August. You can bet I’ll put something up on here when I first lay eyes on my quilt in their catalogue!)

The wild and crazy back. It’s “prairie house” from the De Leon Design Group, for Alexander Henry Fabrics. I thought it might disguise any oopsies, but I was happy to note that I actually had very few. I guess maybe after ten years I’m getting better at the quilting? Much credit belongs to the Sweet Sixteen machine I use, and the threads, which always seem to balance so well.

After one quilting session, when I turned it over to check the back, I noticed I had quilted in this wedge-shaped scrap onto the back. I started to try and cut it out, then decided I kind of liked this nod to the process, so left it in. Really, you can’t see it, when looking at the overall back. (Well, NOW you do, but you didn’t at first, right?)

So, thanks for being my cheering squad, motivating me to finish up my quilt. And I hope you enjoy making yours!

The story of this begins when I was contacted by the fine people at Paintbrush Studios, who make the ever-lovely Painter’s Palette Solids. I submitted one design for review, time passed, things changed; I thought the process was dead in the water.

But I had all these lovely fabrics, so we started the process again.

I played around in QuiltPro, my favorite quilt design program and came up with the above design messes.

I showed them to Simone, seeking advice, and she said, “Don’t forget the white.” Negative space is critical, but sometimes you get in the weeds of a thing and you can’t see your way clear.

Given that the Great American Eclipse was on my mind, I started calling my quilt Annularity:

I began building the quilt top, remembering the white. But when I got to the outer edges, something still wasn’t right. A designer can do all the designing they want to, but then the fabric takes over and slowly, the outer edges morphed from the planned design to what you see at the very top. Then there was the problem of the center.

I tried lots of combinations: yellow, aqua, violet, maroon but finally finished with periwinkle, one of my favorite colors in the Painter’s Palette Solids line-up. I finished it and when Paintbrush Studios told me that Natalia Bonner was going to quilt it, I was over the moon, because I quite admire her work. I bundled up the quilt, sent it off, and then waited. And waited. And waited. And I began to wonder, even though I’d tracked it to her address, if it had gotten lost. I worried, then did the next best thing:

I made another.

In the rush, I didn’t have all the correct fabrics, so some are pieced. But then I heard from Natalia that she had the quilt. Whew! Since it’s going to be hanging in the booth at QuiltCon 2018 in Pasadena, I gave the first one a new name, since now there were two in the world: Annularity II.

Pineapple Fabrics has the complete line of colors needed to make this design, and you can soon buy the quilt pattern from them. Come and see Annularity II in the Paintbrush Studios booth, #905.

But I’ll be quilting mine, Annularity, bit by bit, sharing that experience as I proceed. In the meantime, enjoy the photos of Natalia’s fine work:

Recently I taught a class for my Home, Sweet, Home mini quilt. I snapped these photos as they were working; they’d all mostly prepped up their pieces before coming, and it made the class go quite smoothly. I loved all the different ways that people did their blocks (shown here at our Guild Meeting):

Here are most of them (some didn’t bring them to Guild):

It wasn’t until posting these up that I found two errors in these quilts. Isn’t it funny that you don’t see things…until you do? (Hint: it’s in the bushes.) I love the rainbow quilt made by my friend Lisa. I may have to make one for myself.

I finished my Gridsters Bee block for Rachel. She asked for buzzy bees, as she is a beekeeper in the Midwest. Her tutorial is *here,* as well as links to her pattern, but I didn’t cut apart the pieces. I just straight paper-pieced the thing, then joined the head section to the body section. We blew up the basis 6″ pattern to make 10″ finished bees. I can’t wait to see what she does with them all.

This is beginning to feel like the never-ending quilt.

I’m making small (2-1/4″ finished) plus sign blocks to go in between all the Chuck Nohara blocks that Susan and I made together last year. Our blocks are 6″ finished, so after I worked out the measurements, I drafted a pattern for the sashing. Here is the PDF: Chuck Nohara SashingFinal

I started the plus blocks by cutting strip sets (2 low-volume and 1 bold), then seaming the two low-volume onto the bold on either side. Cut those across the strip set into 1-1/4″ wide strip pieces. These pieces are both the a) top and bottom of your plus block, and b) the center of the “dot” block, shown in the intersection of the sashing, above

I then cut matching pieces of fabric into 1 -1/4″ x 2-3/4″ bits. I sewed a matched set of two strip-set-blocks, one on top, and one of the bottom to make a “plus.” Then I sewed 1 -1/4″ x 2-3/4″ pieces of low-volume on either side of a “dot” to create the mini block that is at the intersection.

Then the low-volume center piece, in between the two plus blocks, measures finished at 2-1/4″ by 1-1/2″ (so cut 2-3/4″ by 1-3/4″).

The “plus” and “dot” units finish at 2-1/4″ square, so trim them to 2-3/4″ square (size before sewing).

Sew two “plus” units on either side of the low-volume center piece. Arrange them all around, then sew the row with the blocks and plus-units first:

Then I sewed the “dots” and plus-units together:

And then I finished sewing them all together:

I’m now trying to figure out the borders. After all the piecing I did for the sashing, I can guarantee you it won’t be like the borders Chuck Nohara showed in her book:

I’ve finally progressed to the place in my physiotherapy (I like the way the Australians say it, as we just call it “PT”) where I could try out my Sweet Sixteen quilting machine again. After 3-1/2 months. It took me a while to get the thread tensions balanced, but then was I able to get going on my quilt from the Traveling Threads Bee, made of Alison Glass fabrics (with a few others).

Bliss. This block, from Toni of HoosierToni, is coming along nicely. I’m limiting myself to 30 minutes/session so I don’t break my surgery (my one big fear in life).

Lastly, you are all invited to our Raincross Guild Meeting this coming Tuesday, May 16th (6 p.m.), where I’ll present a trunk show of my quilts–well, only 25 of them. My husband helped me get them from our closets, walls and cupboards, so I can decide the order and what to say. I just clicked over to the Guild’s website, and in true humbling fashion, I’m not even listed. But Latifah Saafir is, on the day I’m supposed to teach a class for the Guild, too. What will I be teaching?

My Home, Sweet, Home mini quilt. I think they have a few openings, but I’m not sure. I’ll be emailing the class members prep instructions, that if they complete them, they will finish their quilts in class. That’s June 3rd, from 9 a.m. -2 p.m., with a 30-min lunch break (bring your lunch).

Last time I taught this class, I was able to snap a photo of three Home Sweet Home quilts. They look awesome! Patterns are for sale in my Craftsy shop, just in case you aren’t able to attend that day.

Create

"The creative act is not an act of creation in the sense of the Old Testament. It does not create something out of nothing: it uncovers, selects, reshuffles, combines, synthesizes already existing facts, ideas, faculties, skills." ~Arthur Koestler