Friday, November 18, 2011

There is a great deal of pressure to make the study of history and politics "relevant" to "the general public" and "young learners." The arguments are familiar: history must be made to come "alive" if it is to remain relevant; technology is an aid, an enhancement to how we share information and communicate with one another. Thus, it must be embraced, lest our culture stagnate.

I am not a Luddite. However, I do not think that newer is necessarily better. In the case of "tweeting" World War 2, I am unsure if there is any value gained from the exercise. Moreover, there is a wealth of film, radio, and other footage about World War 2--much of it still not seen or heard by the general public--so why reinvent the wheel?

Alwyn Collison is ambitious and should be commended for his efforts. Nevertheless, the question remains: what does an instantaneous, blow-by-blow accounting of World War 2 "as it happened" on Twitter expose, accomplish, or make more clear?

My worry about these types of projects is not that Google (and the Internet, more generally) is making us more stupid (which remains an open question). Rather, that some experiences are cheapened, and basic misunderstandings of the complexity of social/historical and political events furthered, by a limitation of form. Can a person really capture the spirit of World War Two in bits of text that are no longer than 140 characters?

Reality is mediated. We learn about the world in part through the mass media, and are also bounded by the limits of our own sensory perceptions. These limitations are important: they form the experience of a moment, and color how we locate a specific historical event in the proper framework and context.

For example, World War 2 was a war of radio and film. These mediums were central to how publics understood these world-changing events. The Civil War was a war of the telegraph and photographs. The Great War straddled these two moments. For outcomes, both ill and good, The Gulf Wars and the Afghan campaign are conflicts typified by immediate and near-instantaneous communication.

The lag between events, and how people removed from those direct happenings experienced them afterward, is part of the spirit of that age; in turn, distance and removal impacted how policy makers, the public, and elites responded to them. The closing of the distance between the front lines, war fighters, and commanders has changed how wars are fought. Ironically, the American public now gets its information "instantaneously" too--but, only after it has been sterilized and processed into an approved package by the propagandists, spin doctors, and dream merchants at the Pentagon and White House.

But, what of events that are made too comprehensible by Twitter, and thus in their immediacy gain "a matter of factness" which robs them of their import and historical weight?

For example:

How would one "tweet" the uprisings in the Warsaw Ghetto?

"The fighting is intense. We are out of ammo. Being killed and surrounded."

How would one "tweet" their being set upon by the SS as they are herded into cattle cars to the death camps?

"I heard a noise, There was a bright light. I can barely see. I am burned all over. What happened?"

Reaching to another moment, how does one "tweet" The Middle Passage and the Transatlantic Slave Trade?

"Went to the other village. There was a raid. We are being locked up in this castle. Losing reception. So hot, scared, people dying."

How flattening and banal.

Some events ought to be incomprehensible. These same events also benefit from the distance of the photograph, the radio, the page, or perhaps even film and TV. But Twitter? I will have to pass.

Tweeting World War 2 is a well-intentioned effort, but one which is a sign that our culture, and its legacy and meaning, are becoming (if they are already not in fact) utterly disposable and transitory.

We are left with a meta-level, ontological question: How do we communicate meaning in a substantive way, when technology is making so much of our shared experiences utterly ephemeral? Is there even "history" anymore? And should we dare to care?

Tips and Support Are Always Welcome

Who is Chauncey DeVega?

I have been a guest on the BBC, National Public Radio, Ring of Fire Radio, Ed Schultz, Sirius XM's Make it Plain, Joshua Holland's Alternet Radio Hour, the Thom Hartmann radio show, the Burt Cohen show, and Our Common Ground.

I have also been interviewed on the RT Network and Free Speech TV.

I am a contributing writer for Salon and Alternet.

My writing has also been featured by Newsweek, The New York Daily News, Raw Story, The Huffington Post, and the Daily Kos.

My work has also been referenced by MSNBC, The Washington Post, USA Today, The Atlantic, The Christian Science Monitor, the Associated Press, Chicago Sun-Times, Raw Story, The Washington Spectator, Media Matters, The Gothamist, Fader, XOJane, The National Memo, The Root, Detroit Free Press, San Diego Free Press, the Global Post, The Lost Angeles Blade as well as online magazines and publications such as Slate, The Week, The New Republic, Buzzfeed, Counterpunch, Truth-Out, Pacific Standard, Common Dreams, The Daily Beast, The Washington Times, The Nation, RogerEbert.com, Ebony, and The Chronicle of Higher Education.

Fox News, Breitbart, Rush Limbaugh, Sean Hannity, Juan Williams, Herman Cain, Alex Jones, World Net Daily, Twitchy, the Free Republic, the National Review, NewsBusters, the Media Research Council, Project 21, and Weasel Zippers have made it known that they do not like me very much.