Contents

The history of Swedish folk music collection began with the formation of an organization called the Gothic Society (Götiska Förbundet) in 1811, shortly after the establishment of Sweden as a modern constitutional monarchy in 1809.[3] The first published transcription of a Swedish folk tune came out in their journal Iduna in 1813, the men of the Gothic Society were primarily interested in collecting the oldest materials they could find among the peasants of the Swedish countryside.[4] Collection in the 19th century largely followed this model; the music was generally arranged for performance by people whose primary background was in art music.[5]

In the early 1890s, the first "public" performances of Swedish folk music by actual spelmän (folk musicians) were held at Skansen, Stockholm's open-air museum of Swedish folklife.[6] The first Swedish spelman contest was held in 1906, and the first national gathering of Swedish spelmän in 1910,[7] over time, the contests began to fade, and the less formal gatherings became the primary venue for Swedish folk musicians to interact with one another.[8] Instrumental folk music was still primarily a solo tradition during the first half of the 20th century, and the best-known players were virtuosic fiddlers from the province of Hälsingland.[9]

In the 1940s, the first spelmanslag, or amateurfolk music groups, were established, associated primarily with the music of Dalarna.[10] The first major recording project for Swedish folk music was also launched in the late 1940s,[11] some of the most popular recordings were of spelmanslag in Dalarna, and during the 1950s the spelmanslag phenomenon spread throughout the country.[12]

In the years since, Swedish folk music has once again receded into a subcultural niche, but the revival has effected a number of changes, these include the addition of a number of new instruments (saxophone, flute, tambourine, guitar, and mandola, to name a few) as well as some revived instruments (e.g. Swedish bagpipe, hurdy-gurdy, and härjedalspipa).[15] The inclusion of these instruments has meant the invention of new forms of ensemble music (given that Swedish folk music had previously been primarily a solomelody tradition).[16] A polska dance revival, beginning in the early 1980s, has meant new contexts for the music to be played in. Swedish folk music has entered the educational system at all levels; musicians are becoming more and more skilled at ever-younger ages.[17]

^"I denna inramning fick stockholmarna för första gången höra spelmännen själva framföra sin musik i original. Den förste fiolspelmannen, Skölds Anders Hedblom från Leksand, framträdde redan invigningsåret 1891 [Within this context, the Stockholmers for the first time were able to hear the spelmän play their music themselves in its original form, the first fiddler, Skölds Anders Hedblom from Leksand, performed already during {Skansen’s} inaugural year, in 1891" (Ivardsotter-Johnson and Ramsten 1992:239-240).

^"Tävlingarna fortsatte fram till första världskriget, men med en avmattning redan efter riksspelmansstämman på Musikaliska akademien och Skansen sommaren 1910…. Stämmor senare börjar dyka upp parallelt med tävlingarna [The contests continued up until the first world war, but with a decline beginning already after the national folk musicians’ gathering at the Musical academy and Skansen in the summer of 1910…. Gatherings later begin to pop up running parallel with the contests]" (Roempke 1980:269).

^"Som nämnts ovan hade Radiotjänst åren 1948-49 på Olof Forséns initiativ börjat följa upp den då avslutade folkvisetävlingen med inspelningar.... Vid dalaresan användes en 5-tons inspelningsbuss med tekniker och chaufför" ["As mentioned above, in the years 1948–1949 the Radio Service had on the initiative of Olof Forsén started to follow up the then completed folk song contest with recordings.... For the trip to Dalarna a 5 ton recording bus was used, with a technician and a chauffeur" (Ramsten 1979:135).

1.
Music
–
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers

2.
Sweden
–
Sweden, officially the Kingdom of Sweden, is a Scandinavian country in Northern Europe. It borders Norway to the west and Finland to the east, at 450,295 square kilometres, Sweden is the third-largest country in the European Union by area, with a total population of 10.0 million. Sweden consequently has a low density of 22 inhabitants per square kilometre. Approximately 85% of the lives in urban areas. Germanic peoples have inhabited Sweden since prehistoric times, emerging into history as the Geats/Götar and Swedes/Svear, Southern Sweden is predominantly agricultural, while the north is heavily forested. Sweden is part of the area of Fennoscandia. The climate is in very mild for its northerly latitude due to significant maritime influence. Today, Sweden is a monarchy and parliamentary democracy, with a monarch as head of state. The capital city is Stockholm, which is also the most populous city in the country, legislative power is vested in the 349-member unicameral Riksdag. Executive power is exercised by the government chaired by the prime minister, Sweden is a unitary state, currently divided into 21 counties and 290 municipalities. Sweden emerged as an independent and unified country during the Middle Ages, in the 17th century, it expanded its territories to form the Swedish Empire, which became one of the great powers of Europe until the early 18th century. Swedish territories outside the Scandinavian Peninsula were gradually lost during the 18th and 19th centuries, the last war in which Sweden was directly involved was in 1814, when Norway was militarily forced into personal union. Since then, Sweden has been at peace, maintaining a policy of neutrality in foreign affairs. The union with Norway was peacefully dissolved in 1905, leading to Swedens current borders, though Sweden was formally neutral through both world wars, Sweden engaged in humanitarian efforts, such as taking in refugees from German-occupied Europe. After the end of the Cold War, Sweden joined the European Union on 1 January 1995 and it is also a member of the United Nations, the Nordic Council, Council of Europe, the World Trade Organization and the Organisation for Economic Co-operation and Development. Sweden maintains a Nordic social welfare system that provides health care. The modern name Sweden is derived through back-formation from Old English Swēoþēod and this word is derived from Sweon/Sweonas. The Swedish name Sverige literally means Realm of the Swedes, excluding the Geats in Götaland, the etymology of Swedes, and thus Sweden, is generally not agreed upon but may derive from Proto-Germanic Swihoniz meaning ones own, referring to ones own Germanic tribe

3.
Musical instrument
–
A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument, the history of musical instruments dates to the beginnings of human culture. Early musical instruments may have used for ritual, such as a trumpet to signal success on the hunt. Cultures eventually developed composition and performance of melodies for entertainment, Musical instruments evolved in step with changing applications. The date and origin of the first device considered an instrument is disputed. The oldest object that some refer to as a musical instrument. Some consensus dates early flutes to about 37,000 years ago, many early musical instruments were made from animal skins, bone, wood, and other non-durable materials. Musical instruments developed independently in many populated regions of the world, however, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the Middle Ages, instruments from Mesopotamia were in maritime Southeast Asia, development in the Americas occurred at a slower pace, but cultures of North, Central, and South America shared musical instruments. By 1400, musical instrument development slowed in areas and was dominated by the Occident. Musical instrument classification is a discipline in its own right, Instruments can be classified by their effective range, their material composition, their size, etc. However, the most common method, Hornbostel-Sachs, uses the means by which they produce sound. The academic study of instruments is called organology. Once humans moved from making sounds with their bodies—for example, by using objects to create music from sounds. Primitive instruments were designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the notion of making music. Musical instruments are constructed in an array of styles and shapes

4.
Fiddle
–
Fiddle is another name for the bowed string musical instrument more often called a violin. It is also a term for the instrument used by players in all genres. Fiddle playing, or fiddling, refers to various styles of music, Fiddle is also a common term among musicians who play folk music on the violin. The fiddle is part of traditional styles of music which are aural traditions. There are few distinctions between violins and fiddles, though more primitively constructed and smaller violins are more likely to be considered fiddles. In order to produce a tone, compared to the deeper tones of gut or synthetic core strings. Among musical styles, fiddling tends to produce rhythms focused on dancing, with associated quick note changes, whereas classical music tends to contain more vibrato and it is less common for a classically trained violinist to play folk music, but today, many fiddlers have classical training. The medieval fiddle emerged in 10th-century Europe, deriving from the Byzantine lira, lira spread widely westward to Europe, in the 11th and 12th centuries European writers use the terms fiddle and lira interchangeably when referring to bowed instruments. During the Renaissance the gambas were important and elegant instruments, they eventually lost ground to the viola da braccio family. The etymology of fiddle is uncertain, the Germanic fiddle may derive from the same early Romance word as does violin, the name seems however to be related to Icelandic Fiðla and also Old English fiðele. A native Germanic ancestor of fiddle may even be the ancestor of the early Romance form of violin, historically, fiddle also referred to a predecessor of todays violin. Like the violin, it tended to have four strings, another family of instruments that contributed to the development of the modern fiddle are the viols, which are held between the legs and played vertically, and have fretted fingerboards. Violins, on the hand, are commonly grouped in sections. The difference was likely compounded by the different sounds expected of violin music, historically, the majority of fiddle music was dance music, while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat, in situations that required greater volume, a fiddler could push their instrument harder than could a violinist. In the very late 20th century, a few artists have attempted a reconstruction of the Scottish tradition of violin and big fiddle. Notable recorded examples include Iain Fraser and Christine Hanson, Amelia Kaminski and Christine Hansons Bonnie Lasses and Alasdair Fraser and Natalie Haas Fire and Grace. In Hungary, a three stringed viola variant with a bridge, called the kontra or háromhúros brácsa makes up part of a traditional rhythm section in Hungarian folk music

5.
Nyckelharpa
–
A nyckelharpa is a traditional Swedish musical instrument. It is an instrument or chordophone. Its keys are attached to tangents which, when a key is depressed, the nyckelharpa is similar in appearance to a fiddle or the big Sorb geige or viol. Structurally, it is closely related to the hurdy-gurdy, both employing key-actuated tangents to change the pitch. A depiction of two instruments, possibly but not confirmed nyckelharpor, can be found in a relief dating from circa 1350 on one of the gates of Källunge church on Gotland. Early church paintings are found in Siena, Italy, dating to 1408 and in different churches in Denmark and Sweden, such as Tolfta church, Sweden, other very early pictures are to be found in Hildesheim, Germany, dating to circa 1590. The Schlüsselfidel is also mentioned in Theatrum Instrumentorum, a work written in 1620 by the German organist Michael Praetorius. The Swedish province of Uppland has been a stronghold for nyckelharpa music since the early 17th century, changes by August Bohlin in 1929/1930 made the nyckelharpa a chromatic instrument with a straight bow, making it a more violin-like and no longer a bourdon instrument. Composer, player and maker of nyckelharpas Eric Sahlström used this new instrument, in spite of this, the nyckelharpas popularity declined until the 1960s roots revival. Continued refinement of the instrument also contributed to the increase in popularity, with instrument builders like Jean-Claude Condi and Annette Osann bringing innovation to the bow and body. In 1990s, the nyckelharpa was recognised as one of the instruments available for study at the music department of the Royal College of Music in Stockholm. Elizabeth Weis Nord is a notable Nyckelharpa teacher and performer who resides the US and it has also been used in non-Scandinavian musical contexts, for example by the Spanish player Ana Alcaide. The nyckelharpa is usually played with a strap around the neck, didier François, a violinist and nyckelharpist from Belgium, is noted for using an unusual playing posture, holding the nyckelharpa vertically in front of the chest. This allows a range of motion for both arms. It also affects the tone and sound of the instrument, some players may use a violin bracket to keep the nyckelharpa away from the body so that it can swing freely, causing it to sound more open as its resonance is not dampened. There are four variants of the nyckelharpa still played today, differing in the number and arrangement of keys, number and arrangement of strings. The predominant type is the three-row so-called chromatic nyckelharpa, with the strings tuned A1 - C1 - G, a drone C that is only touched occasionally. The resonance strings, or sympathetic strings, which were added to the instrument during the 2nd half of the 16th century, are not bowed directly, traditional variants of the nyckelharpa used to have one or more drone strings

6.
Folk music
–
Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is applied to music older than that. Some types of music are also called world music. Traditional folk music has been defined in several ways, as music transmitted orally, music with unknown composers and it has been contrasted with commercial and classical styles. Starting in the century, a new form of popular folk music evolved from traditional folk music. This process and period is called the revival and reached a zenith in the 1960s. This form of music is called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times and this type of folk music also includes fusion genres such as folk rock, folk metal, electric folk, and others. Even individual songs may be a blend of the two, a consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions and they are extensions of the term folklore, which was coined in 1846 by the English antiquarian William Thoms to describe the traditions, customs, and superstitions of the uncultured classes. Traditional folk music also includes most indigenous music, however, despite the assembly of an enormous body of work over some two centuries, there is still no certain definition of what folk music is. Some do not even agree that the term Folk Music should be used, Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of old songs, with no known composers, the fashioning and re-fashioning of the music by the community that give it its folk character. Such definitions depend upon processes rather than abstract musical types, one widely used definition is simply Folk music is what the people sing. For Scholes, as well as for Cecil Sharp and Béla Bartók, Folk music was already. seen as the authentic expression of a way of life now past or about to disappear, particularly in a community uninfluenced by art music and by commercial and printed song. In these terms folk music may be seen as part of a schema comprising four types, primitive or tribal, elite or art, folk. Music in this genre is often called traditional music. Although the term is only descriptive, in some cases people use it as the name of a genre

7.
Roots revival
–
A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, the term roots revival is vague, and may not always refer to identical events. The first folk revival was a movement to transcribe and record traditional British songs during the late 19th. Pioneers of this movement were the Harvard professor Francis James Child, compiler of The English and Scottish Popular Ballads, Sabine Baring-Gould, Frank Kidson, Lucy Broadwood, the Folk Song Society was founded in 1898 to promote this new endeavour. A major figure in movement was Cecil Sharp who was the most influential on the repertoire of subsequent performers. His lectures and other publications attempted to define a musical tradition that was rural in origin, oral in transmission, a second wave of revival that was orientated around culture and entertainment began in the 1930s and 1940s in America and in Britain in the 1940s. The movement became global in the 1960s and 1970s, in other cases, such as Cameroon and the Dominican Republic, no revival was necessary as the music remained common, and was merely popularized and adapted for mainstream audiences at home and abroad. By the 1980s, popular bands included Brabants Volksorkest and the rock band Kadril. Cameroonian music, Beginning with bikutsi in the 1950s and continuing with makossa into the end of the 20th century, the leader of Chinese rock is undoubtedly Cui Jian. Czech music, In 1966, the Porta Festival was held, danish music, In contrast to its neighbors, Denmark did not see a roots revival until to the late 1990s, when performers like Morten Alfred Høirup gained a widespread following in the country. Egyptian music, The city of Cairo is the most important center for Egyptian music, Finnish music, Finlands folk styles include a variety of national genres and ballads, while the traditional rhyming sleigh songs rekilaulu have become an integral part of many pop singers. In 1967, the Savonlinna Opera Festival, the first of similar festivals, contributed to a revival of Finnish opera. French music, Though many of Frances regional styles have seen popularization, the region boasts a uniquely Celtic heritage, which has been emphasized by the revival since its beginnings in the early 1970s, led by Alan Stivell. Corsican music has seen a revival, though with little popular success. See also the Québécois under Canadian music, Gambian music, By the 1970s, Gambian musicians were mostly playing popular merengue or other styles. A visit by pop band The Super Eagles to London to record saw a change, the band became known as Ifang Bondi, and their music was called Afro-Manding blues. Pen Cayetano was the most important figure in this scene, german music, Following the 1968 student revolution in West Germany, singer-songwriters playing a kind of expressive, melancholy music with traditional influences became popular. Due to governmental interference, East Germany did not see much of this influence until the mid-1970s, ghanaian music, Ghana is best known for the highlife style of music, which has been popular throughout the 20th century

8.
Singing
–
Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds

9.
Musician
–
A musician is a person who plays a musical instrument or is musically talented. Anyone who composes, conducts, or performs music may also be referred to as a musician, Musicians can specialize in any musical style, and some musicians play in a variety of different styles. Examples of a musicians possible skills include performing, conducting, singing, composing, arranging, in the Middle Ages, instrumental musicians performed with soft ensembles inside and loud instruments outdoors. Many European musicians of this time catered to the Roman Catholic Church, providing arrangements structured around Gregorian chant structure, vocal pieces were in Latin—the language of church texts of the time—and typically were Church-polyphonic or made up of several simultaneous melodies. Giovanni Palestrina Giovanni Gabrieli Thomas Tallis Claudio Monteverdi Leonardo da Vinci The Baroque period introduced heavy use of counterpoint, vocal and instrumental “color” became more important compared to the Renaissance style of music, and emphasized much of the volume, texture and pace of each piece. George Frideric Handel Johann Sebastian Bach Antonio Vivaldi Classical music was created by musicians who lived during a time of a middle class. Many middle-class inhabitants of France at the time lived under long-time absolute monarchies, because of this, much of the music was performed in environments that were more constrained compared to the flourishing times of the Renaissance and Baroque eras. This age included the initial transformations of the Industrial Revolution, a revolutionary energy was also at the core of Romanticism, which quite consciously set out to transform not only the theory and practice of poetry and art, but the common perception of the world. Some major Romantic Period precepts survive, and still affect modern culture, in 20th-century music, composers and musicians rejected the emotion-dominated Romantic period, and strove to represent the world the way they perceived it. Musicians wrote to be. objective, while objects existed on their own terms, while past eras concentrated on spirituality, this new period placed emphasis on physicality and things that were concrete. The advent of recording and mass media in the 20th century caused a boom of all kinds of music—popular music, rock music, electronic music, folk music. Singer Composer Music artist Tour Manager Media related to Musicians at Wikimedia Commons

10.
Musical ensemble
–
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra, some music ensembles consist solely of singers, such as choirs and doo wop groups. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the instrument family. In jazz ensembles, the instruments typically include wind instruments, one or two chordal comping instruments, an instrument, and a drummer or percussionist. Jazz ensembles may be instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, Music ensembles typically have a leader. In jazz bands, rock and pop groups and similar ensembles, in classical music, orchestras, concert bands and choirs are led by a conductor. In orchestra, the concertmaster is the instrumentalist leader of the orchestra, in orchestras, the individual sections also have leaders, typically called the principal of the section. Conductors are also used in big bands and in some very large rock or pop ensembles. In Western classical music, smaller ensembles are called chamber music ensembles, the terms duet, trio, quartet, quintet, sextet, septet, octet, nonet and dectet describe groups of two up to ten musicians, respectively. A group of musicians, such as found in The Carnival of the Animals, is called either a hendectet or an undectet. A soloist playing unaccompanied is not an ensemble because it contains one musician. A string quartet consists of two violins, a viola and a cello, there is a vast body of music written for string quartets, as it is seen as an important genre in classical music. A woodwind quartet usually features a flute, an oboe, a clarinet, a brass quartet features two trumpets, a trombone and a tuba. A saxophone quartet consists of a saxophone, an alto saxophone, a tenor saxophone. The string quintet is a type of group. It is similar to the quartet, but with an additional viola, cello, or more rarely. Terms such as piano quintet or clarinet quintet frequently refer to a string quartet plus a fifth instrument

11.
Constitutional monarchy
–
A constitutional monarchy is a form of monarchy in which the sovereign exercises their authorities in accordance with a written or unwritten constitution. A constitutional monarchy may refer to a system in which the acts as a non-party political head of state under the constitution. Political scientist Vernon Bogdanor, paraphrasing Thomas Macaulay, has defined a constitutional monarch as a sovereign who reigns, in addition to acting as a visible symbol of national unity, a constitutional monarch may hold formal powers such as dissolving parliament or giving royal assent to legislation. Many constitutional monarchies still retain significant authorities or political influence however, such as through certain reserve powers, the United Kingdom and the other Commonwealth realms are all constitutional monarchies in the Westminster tradition of constitutional governance. Three states – Malaysia, Cambodia and the Holy See – are elective monarchies, the oldest constitutional monarchy dating back to ancient times was that of the Hittites. These were scattered noble families that worked as representatives of their subjects in an adjutant or subaltern federal-type landscape, the most recent country to move from an absolute monarchy to a constitutional monarchy was Bhutan, between 2007 and 2008. At the same time, in Scotland the Convention of Estates enacted the Claim of Right Act 1689, although Queen Anne was the last monarch to veto an Act of Parliament when in 1707 she blocked the Scottish Militia Bill, Hanoverian monarchs continued to selectively dictate government policies. For instance George III constantly blocked Catholic Emancipation, eventually precipitating the resignation of William Pitt the Younger as Prime Minister in 1801, Queen Victoria was the last monarch to exercise real personal power but this diminished over the course of her reign. In 1839 she became the last sovereign to keep a Prime Minister in power against the will of Parliament when the Bedchamber crisis resulted in the retention of Lord Melbournes administration, today, the role of the British monarch is by convention effectively ceremonial. No person may accept significant public office without swearing an oath of allegiance to the Queen, with few exceptions, the monarch is bound by constitutional convention to act on the advice of the Government. Constitutional monarchy also occurred briefly in the years of the French Revolution. As originally conceived, a monarch was head of the executive branch and quite a powerful figure even though his or her power was limited by the constitution. In many cases the monarchs, while still at the top of the political and social hierarchy, were given the status of servants of the people to reflect the new. In the course of Frances July Monarchy, Louis-Philippe I was styled King of the French rather than King of France, following the Unification of Germany, Otto von Bismarck rejected the British model. However this model of constitutional monarchy was discredited and abolished following Germanys defeat in the First World War. Later, Fascist Italy could also be considered as a constitutional monarchy and this eventually discredited the Italian monarchy and led to its abolition in 1946. After the Second World War, surviving European monarchies almost invariably adopted some variant of the constitutional monarchy model originally developed in Britain, nowadays a parliamentary democracy that is a constitutional monarchy is considered to differ from one that is a republic only in detail rather than in substance. However, three important factors distinguish monarchies such as the United Kingdom from systems where greater power might otherwise rest with Parliament, other privileges may be nominal or ceremonial

12.
Art music
–
Art music is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. Serious or cultivated music are frequently used as a contrast for ordinary. After the 20th century, art music was divided into two extensions, serious music and light music and this term is mostly used to refer to music descending from the tradition of Western classical music. He explains that each of three is distinguishable from the others according to certain criteria. Musician Catherine Schmidt-Jones defines art music differently, as a music which requires more work by the listener to fully appreciate than is typical of popular music. In her view, his can include the more challenging types of jazz and rock music, the term may also refer to, The classical/art music traditions of several different cultures around the world, Some forms of jazz, excluding most forms generally considered popular music. Jazz is generally considered popular music, the term refers primarily to classical traditions that focus on formal styles, invite technical and detailed deconstruction and criticism, and demand focused attention from the listener. In strict western practice, art music is considered primarily a musical tradition, preserved in some form of music notation, as opposed to being transmitted orally, by rote. According to the academic Tim Wall, the most significant example of the struggle between Tin Pan Alley, African American, vernacular and art discourses was in jazz. As early as the 1930s, artists attempted to cultivate ideas of jazz, taking it away from its perceived vernacular. In the second half of the 20th century, there was a trend in American culture in which the boundaries between art and pop music became increasingly blurred. Beginning in 1966, the degree of social and artistic dialogue among rock musicians dramatically accelerated for bands who fused elements of composed music with the musical traditions of rock. During the late 1960s and 1970s, progressive rock bands represented a form of music that combined rock with high art musical forms either through quotation, illusion. Progressive music may be equated with explicit references to aspects of art music, Music genre Progressive music Traditional music Rockwell, John. Popular Music Takes a Serious Turn

13.
Spelman (music)
–
A spelman is a player of Swedish folk music. The term has also the meaning for Norwegian folk music. Less often spelman may be folk musicians from other Nordic countries, from other European countries, from non-European countries, the meaning of the Swedish word spelman is very similar to that of the English fiddler, except that it is not tied to a specific instrument. Because of the commonality of the fiddle in Swedish folk music, technically, the actual Swedish word for fiddler would be fiolspelman. The other common translation of word is folk musician. The problem here is that the Swedish word folkmusiker, meaning folk musician, was invented explicitly in opposition to the word spelman. Ale Möller coined the term folkmusiker to refer to musicians who played Swedish folk music professionally during the folk revival, some have also considered the term spelman to be problematic given its implication that Swedish folk musicians are normatively male. The term folkmusikant has been proposed as an alternative, but has seen little traction. Spelmanslag Riksspelman Spelemann - player of Norwegian folk music Spelemannslag - organization of Norwegian folk musicians Johansson, stil som Retorik och Praxis, en musikantropologisk studie av nutida svensk folkmusik. Bergen, Hovedfagsavhandling i Etnomusikologi, Universitetet i Bergen, hidden Traditions, Conceptualizing Swedish Folk Music in the Twenty-First Century

14.
Skansen
–
Skansen is the first open-air museum and zoo in Sweden and is located on the island Djurgården in Stockholm, Sweden. It was opened on 11 October 1891 by Artur Hazelius to show the way of life in the different parts of Sweden before the industrial era, the 19th century was a period of great change throughout Europe, and Sweden was no exception. Its rural way of life was giving way to an industrialised society and many feared that the countrys many traditional customs. Skansen became the model for other early open-air museums in Scandinavia, Skansen was originally a part of the Nordic Museum, but became an independent organisation in 1963. The objects within the Skansen buildings are still the property of the Nordic Museum, only three of the buildings in the museum are not original, and were painstakingly copied from examples he had found. All of the buildings are open to visitors and show the range of Swedish life from the Skogaholm Manor house built in 1680. Skansen attracts more than 1.3 million visitors each year, there is even a small patch growing tobacco used for the making of cigarettes. There is also a zoo containing a wide range of Scandinavian animals including the bison, brown bear, moose, grey seal, lynx, otter, red fox, reindeer, wolf. There are also farmsteads where rare breeds of animals can be seen. In early December the sites central Bollnäs square is host to a popular Christmas market that has held since 1903. In the summer there are displays of folk dancing and concerts, since 1897, Skansen has been served by the Skansens Bergbana, a funicular railway on the northwest side of the Skansen hill. The funicular is 196.4 meters long, with a rise of 34.57 meters. Culture in Stockholm Royal National City Park Official website Andy Carvins Skansen Gallery Skansen-akvariet Panoramic virtual tour of brown bear enclosure at Skansen

15.
Stockholm
–
The city is spread across 14 islands on the coast in the southeast of Sweden at the mouth of Lake Mälaren, by the Stockholm archipelago and the Baltic Sea. The area has settled since the Stone Age, in the 6th millennium BC. It is also the capital of Stockholm County, Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the countrys GDP and it is an important global city, and the main centre for corporate headquarters in the Nordic region. The city is home to some of Europes top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and it hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the citys most prized museums, the Vasa Museum, is the most visited museum in Scandinavia. The Stockholm metro, opened in 1950, is known for its decoration of the stations. Swedens national football arena is located north of the city centre, Ericsson Globe, the national indoor arena, is in the southern part of the city. The city was the host of the 1912 Summer Olympics, and hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Victoria, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, and the official residencies of the Swedish monarch and the Prime Minister. The government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, and the Prime Ministers residence is adjacent at the Sager House. After the Ice Age, around 8,000 BCE, there were already a number of people living in the present-day Stockholm area. Thousands of years later, as the ground thawed, the climate became tolerable, at the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings. They had a positive impact on the area because of the trade routes they created. Stockholms location appears in Norse sagas as Agnafit, and in Heimskringla in connection with the legendary king Agne, the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may also be connected to an old German word meaning fortification, the second part of the name means islet, and is thought to refer to the islet Helgeandsholmen in central Stockholm. Stockholms core, the present Old Town was built on the island next to Helgeandsholmen from the mid 13th century onward. The city originally rose to prominence as a result of the Baltic trade of the Hanseatic League, Stockholm developed strong economic and cultural linkages with Lübeck, Hamburg, Gdańsk, Visby, Reval, and Riga during this time

16.
Open-air museum
–
An open-air museum is a museum that exhibits collections of buildings and artifacts out-of-doors. They are also known as museums of buildings or folk museums. The concept of an open-air museum originated in Scandinavia in the late 19th century, a comprehensive history of the open-air museum as idea and institution can be found in Swedish museologist Sten Rentzhogs 2007 book Open Air Museums, The History and Future of a Visionary Idea. Living history museums, including living farm museums and living museums, the interpreters act as if they are living in a different time and place and perform everyday household tasks, crafts, and occupations. The goal is to demonstrate older lifestyles and pursuits to modern audiences, household tasks might include cooking on an open hearth, churning butter, spinning wool and weaving, and farming without modern equipment. They may therefore be described as building museums, European open-air museums tended to be originally in regions where wooden architecture prevailed, as wooden structures may be trans-located without substantial loss of authenticity. Common to all museums, including the earliest ones of the 19th century, is the teaching of the history of everyday living by people from all segments of society. The idea of the museum dates to the 1790s. The first proponent of the idea was the Swiss thinker Charles de Bonstetten and was based on a visit to an exhibit of peasant costumes in the park of Frederiksborg Castle in Denmark. He believed that traditional peasant houses should be preserved against modernity, the first major steps towards the creation of open-air museums was taken in Norway in 1867 when a private citizen transferred some historic farm buildings to a site near Oslo for public viewing. This, in turn, inspired King Oscar II, to establish his own collection nearby, the similar Nordic Museum, was founded in Stockholm, Sweden soon afterwards. In 1891, the first major open-air museum was founded at Skansen, near Stockholm, the Skansen museum included farm buildings from across Scandinavia, folk costumes, live animals, folk music, and demonstrations of folk crafts. The success of Skansen ensured that the museum idea spread to countries across the world. Most open-air museums concentrate on rural culture, however, since the opening of the first town museum, The Old Town in Aarhus, Denmark in 1914, town culture has also become a scope of open-air museums. In many cases new town quarters are being constructed in existing rural culture museums, the North American open-air museum, more commonly called a living history museum, had a different, slightly later origin than the European, and the visitor experience is different. The first was Henry Fords Greenfield Village in Dearborn, Michigan, but it was Colonial Williamsburg which had a greater influence on museum development in North America. It influenced such projects through the continent as Mystic Seaport, Plimoth Plantation, what tends to differentiate the North American from the European model is the approach to interpretation. In Europe, the tendency is to focus on the buildings

17.
Folklore
–
Folklore is the body of expressive culture shared by a particular group of people, it encompasses the traditions common to that culture, subculture or group. These include oral traditions such as tales, proverbs and jokes and they include material culture, ranging from traditional building styles to handmade toys common to the group. Folklore also includes customary lore, the forms and rituals of celebrations like Christmas and weddings, folk dances, each one of these, either singly or in combination, is considered a folklore artifact. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next, for folklore is not taught in a formal school curriculum or studied in the fine arts. Instead these traditions are passed along informally from one individual to another either through verbal instruction or demonstration, the academic study of folklore is called folkloristics. To fully understand folklore, it is helpful to clarify its component parts and it is well-documented that the term was coined in 1846 by the Englishman William Thoms. He fabricated it to replace the contemporary terminology of popular antiquities or popular literature, the second half of the compound word, lore, proves easier to define as its meaning has stayed relatively stable over the last two centuries. Coming from Old English lār instruction, and with German and Dutch cognates, it is the knowledge and traditions of a particular group, the concept of folk proves somewhat more elusive. When Thoms first created this term, folk applied only to rural, frequently poor, a more modern definition of folk is a social group which includes two or more persons with common traits, who express their shared identity through distinctive traditions. Folk is a concept which can refer to a nation as in American folklore or to a single family. This expanded social definition of folk supports a view of the material, i. e. the lore. These now include all things people make with words, things they make with their hands, Folklore is no longer circumscribed as being chronologically old or obsolete. The folklorist studies the traditional artifacts of a group and how they are transmitted. Transmission is a part of the folklore process. Without communicating these beliefs and customs within the group over space and time, for folklore is also a verb. These folk artifacts continue to be passed along informally, as a rule anonymously, the folk group is not individualistic, it is community-based and nurtures its lore in community. As new groups emerge, new folklore is created… surfers, motorcyclists, in direct contrast to high culture, where any single work of a named artist is protected by copyright law, folklore is a function of shared identity within the social group. Having identified folk artifacts, the professional folklorist strives to understand the significance of these beliefs, customs, for these cultural units would not be passed along unless they had some continued relevance within the group

18.
Solo (music)
–
In music, a solo is a piece or a section of a piece played or sung by a single performer. Performing a solo is to solo, and the performer is known as a soloist, the plural is soli or the anglicised form solos. Furthermore, the word soli can be used to refer to a number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was concertino, cadenza Concerto Drum solo Guitar solo Piano solo Tutti Virtuoso

19.
Provinces of Sweden
–
The provinces of Sweden are historical, geographical and cultural regions. Sweden has 25 provinces and they have no function, but remain historical legacies. Dialects and folklore rather follows the borders than the borders of the counties. Several of them were subdivisions of Sweden until 1634, when they were replaced by the counties of Sweden, some were conquered later on from Denmark–Norway. Others, like the provinces of Finland, were lost, Lapland is the only province acquired through colonization. In some cases, the administrative counties correspond almost exactly to the provinces, as is Blekinge to Blekinge County and Gotland, which is a province, county, while not exactly corresponding with the province, Härjedalen Municipality is beside Gotland the only municipality named after a province. In other cases, they do not, which enhances the cultural importance of the provinces. Since 1884 all the provinces are also ceremonial duchies, but as such have no administrative or political functions, the provinces of Sweden are still used in colloquial speech and cultural references, and can therefore not be regarded as an archaic concept. The main exception is Lapland where the see themselves as a part of Västerbotten or Norrbotten. Two other exceptions are Stockholm and Gothenburg, where the see themselves as living in the city. English and other languages occasionally use Latin names as alternatives to the Swedish names, the name Scania for Skåne predominates in English. Some purely English exonyms, such as the Dales for Dalarna, East Gothland for Östergötland, Swedish Lapland for Lappland, swedes writing in English have long used Swedish-language name forms only. The origins of the provincial divisions lay in the petty kingdoms that became more and more subjected to the rule of the Kings of Sweden during the consolidation of Sweden. Until the country law of Magnus Ericson in 1350, each of these still had its own laws with its own assembly. The historical provinces were considered duchies, but newly conquered provinces added to the kingdom either received the status of a duchy or a county, after the separation from the Kalmar Union in 1523 the Kingdom incorporated only some of its new conquests as provinces. Other foreign territories were ruled as Swedish Dominions under the Swedish monarch, Norway, in personal union with Sweden from 1814 to 1905, never became an integral part of Sweden. The division of Västerbotten that took place with the cession of Finland caused Norrbotten to emerge as a county and it was granted a coat of arms as late as in 1995. Some scholars suggest that Sweden revived the concept in the 19th century

20.
Spelmanslag
–
The spelmanslag is an amateur organization of Swedish folk musicians, usually dominated by fiddles, who play tunes together. Often these groups play tunes from the area of Sweden with which they are affiliated. The term has also the meaning for Norwegian folk music. Spelmanslag meetings tend to serve social function as much as they do musical ones, the first Swedish spelmanslag was Dalaföreningens spelmanslag, formed in 1940 by folk musicians from Dalarna who at the time were living in Stockholm. Over the course of the 1940s, the spread throughout the province of Dalarna. The spelmanslag movement saw new life beginning in 2003, with the establishment of the annual student spelmanslag world championships at the Linköping Folk Festival. A number of student spelmanslag have been formed in order to compete—in 2003, there were four competing teams and these student groups tend to be characterized by high-energy playing, and generally do not limit themselves to tunes from one particular region within Sweden. Most spelmanslag are dominated by fiddles, though some are dedicated primarily to the nyckelharpa, often, the spelmanslag will also have one or more instruments that support the melody with chord progressions, such as cittra, accordion, bass, and/or guitar. Spelman Swedish folk music Riksspelman Spelemann - player of Norwegian folk music Spelemannslag - organization of Norwegian folk musicians Kaminsky, hidden Traditions, Conceptualizing Swedish Folk Music in the Twenty-First Century. Ett nyår för svensk folkmusik, Om spelmansrörelsen, in Folkmusikboken, edited by Jan Ling, et al

21.
Dalarna
–
Dalarna, is a historical province or landskap in central Sweden. Another English language form established in literature is the Dales, Dalarna adjoins Härjedalen, Hälsingland, Gästrikland, Västmanland and Värmland. It is also bounded by Norway in the west, borders of the province mostly coincide with the modern administrative Dalarna County. The word Dalarna means the dales, the area is a popular vacation destination for Swedes from the south, who often travel there to relax during summer vacations, drawn by good fishing lakes, beautiful campgrounds, and deep forests. Many such Swedes own or rent a residence in Dalarna. In mid-June, summerfest celebrations and dances are held in many of the villages and, of course. Dalarna is a full of historical associations, possessing strong local characteristics in respect of its products. In the western district Lima, some people in villages speak a dialect, Dalecarlian, while in Älvdalen. Historically, the people of Dalecarlia – called Dalecarlians, or Dalesmen and Daleswomen – are famous for their love of independence, the Old Norse form of the province is Járnberaland, which means the land of the iron carriers. The provinces of Sweden serve no administrative or political purposes, Dalarnas coat of arms dates from 1560, the use of two crossed arrows as a symbol precedes this. A Duchy of Dalecarlia also exists, and the arms include a ducal coronet. Blazon, Azure, two Dalecarlian Arrows Or in saltire point upwards pointed Argent and in chief a Crown of the first, as early as 1525, the arrows appeared in use on a seal. Dalarna County uses the coat of arms, granted for the then Kopparberg County in 1936. The northern part of the lies within the Scandinavian mountain range. The southern part consists of plains, with mines, most notably copper. Highest point is Storvätteshågna,1,204 meters above sea-level, lowest point is at 55 meters, in the south-east part. Lake Siljan features in the part of Dalarna, and the Västerdal River. Dalarnas second lake is Runn, which lies between Falun and Borlänge, with 66.6 square kilometres of water and over fifty islands, the lake is a popular tourist destination

22.
Jan Johansson (jazz musician)
–
Jan Johansson was a Swedish jazz pianist. Johansson was a native of Söderhamn, in the Hälsingland province of Sweden, studying classical piano as a child, he would also go on to master the guitar, organ and accordion, before turning on to swing and bebop as a teenager. He met saxophonist Stan Getz while at university and he abandoned his studies to play jazz full-time, and worked with many American jazz musicians, becoming the first European to be invited to join the Jazz at the Philharmonic package. The years 1961 to 1968 produced a string of albums, which would help define his style of re-imagining traditional European folk tunes via jazz. These included Jazz på svenska and Jazz på ryska which are available in an expanded form on CD. Jazz på ungerska together with Danish Jazz violinist Svend Asmussen is the album in that series. Jazz in Swedish comprises variations on sixteen Swedish folk songs with Georg Riedel playing double bass, during this period, Johansson also made several recordings with Radiojazzgruppen. The Grammy award winning albums Musik genom fyra sekler builds on traditional Swedish melodies, there were also 300.000 and two trio sets,8 Bitar and Innertrio, which have been reissued as a single CD. With his career including film & TV music, Johansson is also best known as the composer of Here Comes Pippi Longstocking, with lyrics by character/series creator Astrid Lindgren and sung by the series young star Inger Nilsson, it would also be one of Johanssons last works. In November 1968 Jan Johansson died in a car crash on his way to a concert in a church in Jönköping and his sons, HammerFall drummer Anders Johansson and Stratovarius keyboardist Jens Johansson, run Heptagon Records which keeps their fathers recordings available. American hip hop group Non Phixion sampled Bandura for their song Skum, the Swedish band Opeth has claimed him as an influence on the title track for their album Heritage. AllMusic guide entry Official YouTube channel

23.
Woodstock
–
Billed as An Aquarian Exposition,3 Days of Peace & Music, it was held at Max Yasgurs 600-acre dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel. Bethel, in Sullivan County, is 43 miles southwest of the town of Woodstock, New York, during the sometimes rainy weekend,32 acts performed outdoors before an audience of 400,000 people. It is widely regarded as a moment in popular music history. Rolling Stone listed it as one of the 50 Moments That Changed the History of Rock, in 2017 the festival site was listed on the National Register of Historic Places. Woodstock was initiated through the efforts of Michael Lang, John Roberts, Joel Rosenman, Roberts and Rosenman financed the project. Lang had some experience as a promoter, having co-organized a small festival on the East Coast the prior year, the Miami Pop Festival, where an estimated 25,000 people attended the two-day event. Early in 1969, Roberts and Rosenman were New York City entrepreneurs, in the process of building Media Sound, unpersuaded by this Studio-in-the-Woods proposal, Roberts and Rosenman counter-proposed a concert featuring the kind of artists known to frequent the Woodstock area. Kornfeld and Lang agreed to the new plan, and Woodstock Ventures was formed in January 1969, the company offices were located in an oddly decorated floor of 47 West 57th Street in Manhattan. Burt Cohen, and his group, Curtain Call Productions. When Lang was unable to find a site for the concert, Roberts and Rosenman, growing increasingly concerned, took to the road, similar differences about financial discipline made Roberts and Rosenman wonder whether to pull the plug or to continue pumping money into the project. In April 1969, newly minted superstars Creedence Clearwater Revival became the first act to sign a contract for the event, the promoters had experienced difficulty landing big-name groups prior to Creedence committing to play. Creedence drummer Doug Clifford later commented, Once Creedence signed, everyone else jumped in line, given their 3,00 a. m. start time and omission from the Woodstock film, Creedence members have expressed bitterness over their experiences at the famed festival. Woodstock was designed as a venture, aptly titled Woodstock Ventures. It famously became a free concert only after the event drew hundreds of more people than the organizers had prepared for. Tickets for the event cost $18 in advance and $24 at the gate. Ticket sales were limited to record stores in the greater New York City area, around 186,000 advance tickets were sold, and the organizers anticipated approximately 200,000 festival-goers would turn up. The original venue plan was for the festival to take place in Woodstock, New York, after local residents quickly shot down that idea, Lang and Kornfeld thought they had found another possible location in Saugerties, New York. But they had misunderstood, as the landowners attorney made clear, in a meeting with Roberts

24.
Subculture
–
As early as 1950, David Riesman distinguished between a majority, which passively accepted commercially provided styles and meanings, and a subculture which actively sought a minority style. And interpreted it in accordance with subversive values, in his 1979 book Subculture, The Meaning of Style, Dick Hebdige argued that a subculture is a subversion to normalcy. He wrote that subcultures can be perceived as due to their nature of criticism to the dominant societal standard. Hebdige argued that subcultures bring together like-minded individuals who feel neglected by societal standards, in 2007, Ken Gelder proposed to distinguish subcultures from countercultures based on the level of immersion in society. As Cohen clarifies, every subculture’s style, consisting of image, demeanour, 2) Subcultures and resistance - In the work of John Clarke, Stuart Hall, Tony Jefferson and Brian Roberts of the Birmingham CCCS, subcultures are interpreted as forms of resistance. Society is seen as being divided into two classes, the working class and the middle class, each with its own class culture. Yet the cultural industry is capable of re-absorbing the components of such a style. 3) Subcultures and distinction - The most recent interpretations see subcultures as forms of distinction, the very idea of a unique, internally homogeneous, dominant culture is explicitly criticized. Thus forms of individual involvement in subcultures are fluid and gradual, differentiated according to each actor’s investment, Dick Hebdige writes that members of a subculture often signal their membership through a distinctive and symbolic use of style, which includes fashions, mannerisms and argot. In some instances, subcultures have been legislated against, and their activities regulated or curtailed, british youth subcultures had been described as a moral problem that ought to be handled by the guardians of the dominant culture within the post-war consensus. It may be difficult to identify certain subcultures because their style may be adopted by mass culture for commercial purposes, businesses often seek to capitalize on the subversive allure of subcultures in search of Cool, which remains valuable in the selling of any product. This process of cultural appropriation may often result in the death or evolution of the subculture, some subcultures reject or modify the importance of style, stressing membership through the adoption of an ideology which may be much more resistant to commercial exploitation. The punk subcultures distinctive style of clothing was adopted by mass-market fashion companies once the subculture became a media interest, objects borrowed from the most sordid of contexts found a place in punks ensembles, lavatory chains were draped in graceful arcs across chests in plastic bin liners. Safety pins were taken out of their domestic utility context and worn as gruesome ornaments through the cheek, fragments of school uniform were symbolically defiled and juxtaposed against leather drains or shocking pink mohair tops. In 1985, French sociologist Michel Maffesoli coined the term urban tribe and it gained widespread use after the publication of his Le temps des tribus, le déclin de lindividualisme dans les sociétés postmodernes. Eight years later, this book was published in the United Kingdom as The Time of the Tribes, according to Maffesoli, urban tribes are microgroups of people who share common interests in urban areas. The members of these small groups tend to have similar worldviews, dress styles. Their social interactions are largely informal and emotionally laden, different from late capitalisms corporate-bourgeoisie cultures, Maffesoli claims that punks are a typical example of an urban tribe

25.
Saxophone
–
The saxophone is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet, the saxophone family was invented by the Belgian instrument maker Adolphe Sax in 1840. He patented the saxophone on June 28,1846, in two groups of seven instruments each, each series consisted of instruments of various sizes in alternating transposition. The series pitched in B♭ and E♭, designed for bands, have proved extremely popular. The saxophone is used in music, military bands, marching bands. The saxophone was developed in 1846 by Adolphe Sax, a Belgian instrument maker, flautist, born in Dinant and originally based in Brussels, he moved to Paris in 1842 to establish his musical instrument business. Prior to his work on the saxophone, he had several improvements to the bass clarinet by improving its keywork and acoustics. Sax was also a maker of the ophicleide, a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with two instruments allowed him to develop the skills and technologies needed to make the first saxophones. As an outgrowth of his work improving the bass clarinet, Sax began developing an instrument with the projection of a brass instrument and he wanted it to overblow at the octave, unlike the clarinet, which rises in pitch by a twelfth when overblown. An instrument that overblows at the octave has identical fingering for both registers, Sax created an instrument with a single-reed mouthpiece like a clarinet, conical brass body like an ophicleide, and some acoustic properties of both the horn and the clarinet. Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, the patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered orchestral, the C soprano saxophone was the only instrument to sound at concert pitch. Saxs patent expired in 1866, thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design, the first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B♭. It is suspected that Sax himself may have attempted this modification and this extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings allows a player to play faster and more easily, a player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, a substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. This enables a chromatic scale to be played two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit

26.
Flute
–
The flute is a family of musical instruments in the woodwind group. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening, according to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute can be referred to as a player, flautist, flutist or, less commonly. Flutes are the earliest extant musical instruments, as paleolithic instruments with hand-bored holes have been found, a number of flutes dating to about 43,000 to 35,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a musical tradition existed from the earliest period of modern human presence in Europe. Flutes, including the famous Bansuri, have been a part of Indian classical music since 1500 BC. A major deity of Hinduism, Krishna, has been associated with the flute, the English verb flout has the same linguistic root, and the modern Dutch verb fluiten still shares the two meanings. Attempts to trace the word back to the Latin flare have been pronounced phonologically impossible or inadmissable, the first known use of the word flute was in the 14th century. According to the Oxford English Dictionary, this was in Geoffrey Chaucers The Hous of Fame, today, a musician who plays any instrument in the flute family can be called a flutist, or flautist, or simply a flute player. Flutist dates back to at least 1603, the earliest quote cited by the Oxford English Dictionary, flautist was used in 1860 by Nathaniel Hawthorne in The Marble Faun, after being adopted during the 18th century from Italy, like many musical terms in England since the Italian Renaissance. Other English terms, now obsolete, are fluter and flutenist. The oldest flute ever discovered may be a fragment of the femur of a cave bear. In 2008 another flute dated back to at least 35,000 years ago was discovered in Hohle Fels cave near Ulm, the five-holed flute has a V-shaped mouthpiece and is made from a vulture wing bone. The researchers involved in the officially published their findings in the journal Nature. The flute, one of several found, was found in the Hohle Fels cavern next to the Venus of Hohle Fels, on announcing the discovery, scientists suggested that the finds demonstrate the presence of a well-established musical tradition at the time when modern humans colonized Europe. Scientists have also suggested that the discovery of the flute may help to explain the probable behavioural and cognitive gulf between Neanderthals and early modern human. A three-holed flute,18.7 cm long, made from a mammoth tusk was discovered in 2004, the earliest extant Chinese transverse flute is a chi flute discovered in the Tomb of Marquis Yi of Zeng at the Suizhou site, Hubei province, China. It dates from 433 BC, of the later Zhou Dynasty and it is fashioned of lacquered bamboo with closed ends and has five stops that are at the flutes side instead of the top

27.
Tambourine
–
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called zils. Classically the term denotes an instrument with a drumhead, though some variants may not have a head at all. Tambourines are often used with regular percussion sets and they can be mounted, for example on a stand as part of a drum kit, or they can be held in the hands and played by tapping or hitting the instrument. Tambourines come in shapes with the most common being circular. It is found in forms of music, Turkish folk music, Greek folk music, Italian folk music, classical music, Persian music, samba, gospel music, pop music. Tambourines originated in Egypt, where they were known as the kof to the Hebrews, from the Middle Persian word tambūr lute, drum. There are several ways to achieve a tambourine roll, the easiest method is to rapidly rotate the hand holding the tambourine back and forth, pivoting at the wrist. An advanced playing technique is known as the thumb roll, the finger or thumb is moved over the skin or rim of the tambourine, producing a fast roll from the jingles on the instrument. This takes more skill and experience to master, the thumb or middle finger of the hand not holding the tambourine is run around the head of the instrument approximately one centimeter from the rim with some pressure applied. If performed correctly, the thumb should bounce along the head rapidly, usually, the end of the roll is articulated using the heel of the hand or another finger. In the 2000s, the roll may be performed with the use of wax or resin applied to the outside of the drum head. This resin allows the thumb or finger to bounce more rapidly and forcefully across the head producing an even sound, a continuous roll can be achieved by moving the thumb in a figure of 8 pattern around the head. By drummers – Drummers such as Larry Mullen, Jr. of U2 mount a tambourine above the cymbals of their hi-hat stand, tambourines in rock music are most often headless, a ring with jangles but no drum skin. The Rhythm Tech crescent-shaped tambourine and its derivatives are popular, the original Rhythm Tech tambourine is displayed in the Museum of Modern Art. Jack Ashfords distinctive tambourine playing was a dominant part of the section on Motown records. The tambourine was featured in Green Tambourine, a song with which The Lemon Pipers. Wolfgang Amadeus Mozart was among the earliest western composers to include the tambourine in his compositions, gustav Holsts seven-movement orchestral suite The Planets also features the tambourine in several places throughout the suite, especially in the Jupiter movement. Originated in Galicia or Portugal, the pandeiro was brought to Brazil by the Portuguese settlers and it is a hand percussion instrument consisting of a single tension-headed drum with jingles in the frame

28.
Guitar
–
The guitar is a musical instrument classified as a fretted string instrument with anywhere from four to 18 strings, usually having six. The sound is projected either acoustically, using a wooden or plastic and wood box, or through electrical amplifier. It is typically played by strumming or plucking the strings with the fingers, the guitar is a type of chordophone, traditionally constructed from wood and strung with either gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning. There are three types of modern acoustic guitar, the classical guitar, the steel-string acoustic guitar, and the archtop guitar. The tone of a guitar is produced by the strings vibration, amplified by the hollow body of the guitar. The term finger-picking can also refer to a tradition of folk, blues, bluegrass. The acoustic bass guitar is an instrument that is one octave below a regular guitar. Early amplified guitars employed a body, but a solid wood body was eventually found more suitable during the 1960s and 1970s. As with acoustic guitars, there are a number of types of guitars, including hollowbody guitars, archtop guitars and solid-body guitars. The electric guitar has had a influence on popular culture. The guitar is used in a variety of musical genres worldwide. It is recognized as an instrument in genres such as blues, bluegrass, country, flamenco, folk, jazz, jota, mariachi, metal, punk, reggae, rock, soul. The term is used to refer to a number of chordophones that were developed and used across Europe, beginning in the 12th century and, later, in the Americas. The modern word guitar, and its antecedents, has applied to a wide variety of chordophones since classical times. Many influences are cited as antecedents to the modern guitar, at least two instruments called guitars were in use in Spain by 1200, the guitarra latina and the so-called guitarra morisca. The guitarra morisca had a back, wide fingerboard. The guitarra Latina had a sound hole and a narrower neck. By the 14th century the qualifiers moresca or morisca and latina had been dropped, and it had six courses, lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist

29.
Mandola
–
The mandola or tenor mandola is a fretted, stringed musical instrument. It is to the mandolin what the viola is to the violin, the four courses of strings tuned in fifths to the same pitches as the viola. The mandola, although now rarer, is the ancestor of the mandolin, the name mandola may originate with the ancient pandura, and was also rendered as mandora, the change perhaps having been due to approximation to the Italian word for almond. The instrument developed from the lute at a date, being more compact and cheaper to build. Historically related instruments include the mandore, mandole, vandola, bandola, bandora, however, significantly different instruments have at times and places taken on the same or similar names, and the true mandola has been strung in several different ways. The mandola has four courses of metal strings, tuned in unison rather than in octaves. The scale length is typically around 42 cm, the mandola is typically played with a plectrum. The double strings accommodate a sustaining technique called tremolando, an alternation of the plectrum on a single course of strings. The mandola is commonly used in folk music—particularly Italian folk music and it is sometimes played in Irish traditional music, but the instruments octave mandola, Irish bouzouki and modern cittern are more commonly used. It is tuned like a viola CGDA, like the guitar, the mandola can be acoustic or electric. Attila the Stockbroker, punk poet and frontman of Barnstormer, uses an electric mandola as his main instrument, alex Lifeson, guitarist of Rush, has also featured the mandola in his work. Mandolas are often played in orchestras, along with other members of the mandolin family, mandolin, mandocello. Sometimes the octave mandolin is included as well, Mandolin Mando-bass Octave mandola - Tuned an octave below the mandolin Mandocello - Tuned an octave below the mandola Irish bouzouki Troughton, John. Mandolin Manual, The Art, Craft and Science of the Mandolin, united States, Crowood Press, Limited, The. The Tenor Mandola Chord Bible, CGDA Standard Tuning 1,728 Chords, Chords for Mandolin, Irish Bango, Bouzouki, Mandola, Mamdocello. — A chord book featuring 20 pages of popular chords, the Mandolin Page theMandolinTuner, a mandolin site focusing on mandolin tuning, chords and tabs

30.
Types of bagpipe
–
Uilleann pipes, Also known as Union pipes and Irish pipes, depending on era. Bellows-blown bagpipe with keyed or un-keyed 2-octave chanter,3 drones and 3 regulators, the most common type of bagpipes in Irish traditional music. Great Irish Warpipes, Carried by most Irish regiments of the British Army until the late 1960s, the Warpipe differed from the latter only in having a single tenor drone. Brian Boru bagpipes, Carried by the Royal Inniskilling Fusiliers and had three drones, one of which was a baritone, pitched between bass and tenor, unlike the chanter of the Great Highland Bagpipe, its chanter is keyed, allowing for a greater tonal range. Pastoral pipes, Although the exact origin of this keyed, or un-keyed chanter and keyed drones, pipe is uncertain, Great Highland Bagpipe, This is perhaps the worlds best-known bagpipe. It has acquired widespread recognition through its usage in the British military, the bagpipe is first attested in Scotland around 1400, having previously appeared in European artwork in Spain in the 13th century. Border pipes, also called the Lowland Bagpipe, commonly confused with smallpipes, played in the Lowlands of Scotland, and in England near the Anglo-Scottish border. Conically bored, less raucous in timbre than the Highland pipes, Scottish smallpipes, a modern re-interpretation of an extinct instrument. Derived from the Northumbrian pipes by Colin Ross and others, Northumbrian smallpipes, a bellows-blown smallpipe with a closed end chanter played in staccato. Cornish bagpipes, a type of double chanter bagpipe from Cornwall, there are now attempts being made to revive it on the basis of literary descriptions. Welsh pipes, Of two types, one a descendant of the pibgorn, the loosely based on the Breton Veuze. Both are mouthblown with one bass drone, pastoral pipes, Although the exact origin of this keyed, or un-keyed chanter and keyed drones, pipe is uncertain, it was developed into the modern Uilleann bagpipe. English bagpipes, with the exception of the Northumbrian smallpipes, no English bagpipes maintained an unbroken tradition, however, music enthusiasts are attempting to reconstruct various English bagpipes based on descriptions and representations, but no actual physical evidence. Säkkipilli, The Finnish bagpipes died out but have been revived since the late 20th century by such as Petri Prauda. Pilai, a Finnish bagpipe, described in 18th century texts as similar to the Ukrainian volynka, torupill, an Estonian bagpipe with one single-reeded chanter and 1-3 drones. MP3 Dūdas, Latvian bagpipe, with single reed chanter and one drone. Dudmaisis, or murenka, kūlinė, Labanoro dūda, a bagpipe native to Lithuania, with single reed chanter and one drone. Säckpipa, Also the Swedish word for bagpipe in general, the surviving säckpipa of the Dalarna region was on the brink of extinction in the first half of the 20th century. It has a bore and a single reed, as well as a single drone at the same pitch as the bottom note of the chanter

31.
Hurdy-gurdy
–
The hurdy-gurdy is a stringed instrument that produces sound by a crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses tangents—small wedges, typically made of wood—against one or more of the strings to change their pitch, like most other acoustic stringed instruments, it has a sound board to make the vibration of the strings audible. Most hurdy-gurdies have multiple strings, which give a constant pitch accompaniment to the melody. Many folk music festivals in Europe feature music groups with hurdy-gurdy players, the most famous has been held since 1976 at Saint-Chartier in the Indre département in Central France. In 2009, it relocated nearby to the Château dArs at La Châtre, the hurdy-gurdy is generally thought to have originated from fiddles in either Europe or the Middle East some time before the eleventh century A. D. The first recorded reference to fiddles in Europe was in the 9th century by the Persian geographer Ibn Khurradadhbih describing the lira as an instrument within the Byzantine Empire. One of the earliest forms of the hurdy-gurdy was the organistrum, an instrument with a guitar-shaped body. The organistrum had a melody string and two drone strings, which ran over a common bridge, and a relatively small wheel. Due to its size, the organistrum was played by two people, one of whom turned the crank while the other pulled the keys upward, pulling keys upward is cumbersome, so only slow tunes could be played on the organistrum. The pitches on the organistrum were set according to Pythagorean temperament, another 10th century treatise thought to have mentioned an instrument like a hurdy-gurdy is an Arabic musical compendium written by Al Zirikli. Later on, the organistrum was made smaller to let a player both turn the crank and work the keys. The solo organistrum was known from Spain and France, but was replaced by the symphonia. At about the time, a new form of key pressed from beneath was developed. These keys were more practical for faster music and easier to handle. Medieval depictions of the show both types of keys. During the Renaissance, the hurdy-gurdy was a popular instrument and the characteristic form had a short neck. It was around this time that buzzing bridges first appeared in illustrations, the buzzing bridge is an asymmetrical bridge that rests under a drone string on the sound board

32.
Melody
–
A melody, also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively and it may be considered the foreground to the background accompaniment. A line or part need not be a foreground melody, melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches, pitch range, tension and release, continuity and coherence, cadence, the true goal of music—its proper enterprise—is melody. All the parts of harmony have as their purpose only beautiful melody. Therefore, the question of which is the significant, melody or harmony, is futile. Beyond doubt, the means is subordinate to the end, given the many and varied elements and styles of melody many extant explanations confine us to specific stylistic models, and they are too exclusive. Paul Narveson claimed in 1984 that more than three-quarters of melodic topics had not been explored thoroughly, melodies in the 20th century utilized a greater variety of pitch resources than ha been the custom in any other historical period of Western music. While the diatonic scale was used, the chromatic scale became widely employed. Composers also allotted a structural role to the dimensions that previously had been almost exclusively reserved for pitch. Kliewer states, The essential elements of any melody are duration, pitch, and quality, texture, for example, Jazz musicians use the term lead or head to refer to the main melody, which is used as a starting point for improvisation. Rock music, melodic music, and other forms of popular music, indian classical music relies heavily on melody and rhythm, and not so much on harmony, as the music contains no chord changes. Balinese gamelan music often uses complicated variations and alterations of a melody played simultaneously. In western classical music, composers often introduce an initial melody, or theme, classical music often has several melodic layers, called polyphony, such as those in a fugue, a type of counterpoint. Often, melodies are constructed from motifs or short melodic fragments, richard Wagner popularized the concept of a leitmotif, a motif or melody associated with a certain idea, person or place. Appropriation Hocket Parsons code, a notation used to identify a piece of music through melodic motion—the motion of the pitch up. Harvard Dictionary of Music, 2nd ed. p. 517–19, the Art of Melody, p. xix–xxx. A Textbook of Melody, A course in functional melodic analysis, a History Of Melody, Barrie and Rockliff, London

33.
Riksspelman
–
The title of riksspelman is a generally recognized badge of mastery for Swedish folk musicians. It is an honor bestowed upon bearers of the silver or gold Zorn Badge, awarded annually by the Zorn Jury, the silver Zorn Badge is the highest award attainable for musicians who play before the Zorn Jury in their annual Zorn Trials. The gold Zorn Badge cannot be sought, but is reserved for one or two master musicians pre-selected by the Jury, since the creation of the riksspelman title in 1933, it has been awarded to an average of ten people per year. Sweden today has approximately 300 living riksspelmän, in 1910, a national folk musicians gathering was called at Skansen, Stockholms open-air museum of Swedish folk culture. A number of musicians were invited to play, the 65 who heeded the call were all awarded a badge designed and financed by the painter Anders Zorn. Later, in 1933, Svenska Ungdomsringen för bygdekultur created a system by which folk musicians could play music before a jury of experts. Various awards for the participants of these Trials would be handed out at an annual National Folk Musicians Gathering, the highest award for participants in the Trials would be that same silver badge designed by Anders Zorn. Those who received this highest honor would be known as National Folk Musicians, in other words, while the name of the event was taken from that initial gathering in 1910, the meaning was changed in 1933. In 1910, the folk musicians gathering was a National Gathering of Folk Musicians. In 1933, it became a Gathering of National Folk Musicians, the Zorn Jury is made up of nine members. When a member retires, the Jury selects a new member, generally, the Jury is made up of folk musicians with a great deal of experience and knowledge, most of whom are also riksspelmän. One position on the Jury may also be held by a scholar, as of 2016, the current jury members are, Jan Burman, Verf-Lena Egardt, Christina Frohm, Wille Grindsäter, Pers Nils Johansson, Krister Malm, Cajsa Ekstav, Peter Pedersen, and Tony Wrethling. In any given year, three members of the Zorn Jury are selected to adjudicate the week-long Zorn Trials, the Trials are always held during the summer months, each year in a different location in Sweden. A local representative is appointed as a fourth adjudicator, each participant in the Trials is given a fifteen-minute time slot, and asked to play three to five tunes for the Jury. The Trials are closed to the public, but are recorded by Svenskt Visarkiv for posterity, the results are posted at the end of each Trial day, and the awards are distributed at the National Folk Musicians Gathering at the end of the week. The adjudicators judge participants on four criteria, rhythm, technique, intonation, the fourth criterion relates to stylistic authenticity in musical expression, and is weighted more heavily than the other three. Also of import is that participants in the Trials demonstrate mastery over a regional tradition. Attempting to play tunes from different regions never results in a silver badge

34.
Leksand
–
Leksand is a locality and the seat of Leksand Municipality in Dalarna County, Sweden, with 5,934 inhabitants in 2010. Leksand is famous for the Leksands IF ice hockey team, who have won 4 Swedish Championships. Leksand is also home to the Leksands Baseball and Softball Club, one of the oldest and more successful clubs in Sweden. The club was founded in the late 1950s and currently has about 130 members, additionally, Leksand is home to the Baseball Academy Leksand, a Major League Baseball -sponsored academy established in 2006. The academy is part of a drive by MLB to develop European talent through a system of baseball academies across the continent. As of March 2010, Baseball Academy Leksand comprised 22 Swedish players and was managed by Tony Klarberg, local industry in Leksand includes Leksandsbröd, a producer of traditional Swedish Crisp bread

35.
Country dance
–
A set consists most commonly of two or three couples, sometimes four and rarely five or six. Often dancers follow a caller who names each change in the figures, introduced to France and then Germany and Italy in the course of the 17th century, country dances gave rise to the contradanse, one of the significant dance forms in classical music. Introduced to America by French immigrants, it remains popular in the United States as contra dance and had influence upon Latin American music as contradanza. The Anglais or Angloise is another term for the English country dance, a Scottish country dance may be termed an Ecossaise. Irish set dance is also related, the term country dance may refer to any of a large number of figure-dances that originated on village greens. The term applies to dances in line formation, circle dances, square dances, however the most common formation is the longways set in which men and women form two lines facing each other. The Roger de Coverley, which was for some time the only well-known country dance in England, couples form two lines along which each travels at the end of each iteration of figures, meeting new couples and repeating the series of figures many times. Alternatively, dances can be finite, a set forming an independent unit within which the series of figures is repeated a number of times. These dances are often non-progressive, each retaining their original positions. Bright, rhythmic and simple, country dances had appeal as a finale to an evening of stately dances such as the minuet. Country dances began to influence country dance in the 15th century, many references to country dancing and titles shared with known 17th-century dances appear from this time, though few of these can be shown to refer to English country dance. Little is known of these dances before the mid-17th century, John Playfords The English Dancing Master listed over a hundred tunes, each with its step. This was enormously popular, reprinted constantly for 80 years and much enlarged, playford and his successors had a practical monopoly on the publication of dance manuals until 1711, and ceased publishing around 1728. During this period English country dances took a variety of forms including finite sets for two, three and four couples as well as circles and squares. The country dance was introduced to the court of Louis XIV of France, where it known as contredanse. André Lorin, who visited the English court in the late 17th century and this was subsequently translated into English by John Essex and published in England as For the Further Improvement of Dancing. By the 1720s the term contradanse had come to refer to sets for three and two couples, which would remain normative until English country dances eclipse. The earliest French works refer only to the form as contradanse

The waltz (from German Walzer [ˈvalt͡sɐ̯]) is a ballroom and folk dance, normally in triple time, performed primarily …

Detail from frontispiece to Thomas Wilson's Correct Method of German and French Waltzing (1816), showing nine positions of the Waltz, clockwise from the left (the musicians are at far left). At that time, the waltz was a relatively new dance in England, and the fact that it was a couples dance (as opposed to the traditional group dances), and that the gentleman clasped his arm around the lady's waist, gave it a dubious moral status in the eyes of some.