Much like my course, Remixing Techniques: Time Stretching, I felt it wasimportant to bring four different digital audio workstations together againunder a common theme: arranging.I believe that the success of a musical arrangement lies within theindividual, not the technology.The DAW is merely the vehicle, and as arrangers, remixers, and producers, Ibelieve that you should have the ability to use different DAWs for differentparts of the arranging process.While this course isn't about editing in these specific DAWs, I have found thatthe more comfortable I am in different DAWs, the more opportunities I have tofind work and collaborate with other people.

Editing audio is editing audio, no matter what program you're working in.And remember, the concepts taught within this course are by no means limited toremixing or electronic music.

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Author

Released

12/10/2012

In this course, author Josh Harris shows how to create radio and club arrangements, and a radio edit of a club mix. He utilizes four different digital audio workstations (DAWs)—Pro Tools, Ableton Live, Logic, and Reason—and shows how to build different arrangements from the ground up, by adding guitars, drums, bass, and synths. Each DAW explores different types of arranging scenarios. Plus, learn how to add ear candy and take your arrangements to another level.

Topics include:

Reviewing the different types of arranging: music, remix, and radio/club