add as an insert
Set WET to 100%
Set DRY to 0%
add 2 delays panned hard left and right, set their timings to: 5ms left, 15ms right
add another delay panned center, set its delay to 10ms

this will give you a very big stereo sound, change the values to suit the sound, smaller diffrences between the ms delay will give a narrower soundscape...automate all of them for extra movement. works on ANY sound, I use it on basslines quite a bit, switch the filters on and play!

you can take this even further using 3 or more Sends, i'll leave u to work that one out tho...

I recently am learning the advantage of splitting your bassline into Low, Mid and High frequencies and then affecting each one differently for a different sound
Here is a video that explains the process in Ableton, obviously the same principal will apply to any DAW

I recently am learning the advantage of splitting your bassline into Low, Mid and High frequencies and then affecting each one differently for a different sound
Here is a video that explains the process in Ableton, obviously the same principal will apply to any DAW

I recently am learning the advantage of splitting your bassline into Low, Mid and High frequencies and then affecting each one differently for a different sound
Here is a video that explains the process in Ableton, obviously the same principal will apply to any DAW

Actually... I'd advise you to become proficient with splitting your Bass into '2' sounds first.
The "2nd" Layer generally covers 150hz and above.

Click to expand...

I've got a question...
So obviously you will have a sub-bass layer... we will say 80hz and under for example.

So then if I split my main bass into two parts what frequency ranges would that cover? If I went by the value of 150hz then I would have the bassline badnpass into 80hz-150hz and then highpass 150hz and above?
And then sidechain the 80-150 range with the kick drum?

Or... would I simply just low pass the main bass at 150hz and then highpass 150hz and above?