After being stuck “In the Middle of Infinity,”3:33 found themselves in “The White Room,” an ever-expanding room. While inside the White Room, their minds were pulled apart. The resulting Bicameral Brain was comprised of two parts. One side spoke commands in the form of auditory hallucinations and the other listened and obeyed.

With their double album, “Bicameral Brain,” 3:33 isolate the two sides of this primitive state of consciousness, the commander and the commanded, and capture them in the form of an audio recording. 3:33 continue to bend the framework of their sound in the same vein as Yoshi Wada, Terry Riley, Whitehouse and La Monte Young. Follow 3:33on their journey through the Bicameral Brain, an examination of primitive consciousness as it still functions today.

3:33‘s In the Middle of Infinity is a direct continuation of the
group’s last album Live from the Grove. We follow 3:33 as they leave
the Bohemian Grove, only to find themselves stuck in a time loop. As
time continues to pass for the surrounding world, 3:33’s time
seemingly repeats itself in an infinite unfolding of madness and
confusion. Finding themselves lost in unknown territory, the group
eventually discovers the existence of what they describe as “spirals”-
portals leading to different worlds within worlds, at the center of
which, lies The White Room. Inhabited by two mysterious figures, this
small dimly lit room implodes and expands unboundedly in every
direction upon being perceived. The last track on the album, entitledThe White Room, is over forty minutes in length, and the group
describes it as an album within an album. In the Middle of Infinity is
a transcription of 3:33‘s journey of escape. It is a project inspired
by actual events, translated through the medium of sound.

Back in August G-Side & the whole Slow Motion Soundz family spent some time with us in Jersey recording for their upcoming album, “Island”. The first leak from that session came in the form of “Purple Onion“. While your waiting for the “Island” to drop , G-Side asked 3:33 to put a dark twist on “Paradise” a cut from their now classic album, Huntsville International

Some modern thinkers would argue that it is possible for multiple realities to simultaneously exist alongside our own plane of existence. There are places on this earth where this presence can be more strongly felt than others – places that seem to hold an inexplicable mysticism. The Bohemian Grove is one of these places. It is hard to define the electric aura that it exudes, attracting the world’s most clandestine societies, who are said to perform ancient rituals around its curtained lake. With only their recording equipment and a strange uncertainty, 3:33 entered the Bohemian Grove with the steely resolve to find and harness the mysterious power of the redwoods.

Those who listen will swear they can hear the very voice of Moloch whispering, foretelling coming realities in dead languages. Some can hear the crackle of burning effigies, filling the night sky with acrid unholy smoke amidst the shrewd cackles of mad men foolish enough to offer their souls to the Babylonian blood gods. The album sounds like tamed chaos- a focused channeling of the cryptic energies that permeate from within this house of leaves.

This work reflects the space that lies beyond the outer limits of reality; the indefinable surrealism it bleeds transforms the air in which it resonates. Dull clanks of machinery, chirps of strange night creatures, and shrill unadulterated horns create tracks with an intriguing flow, each unique in its ability to both deeply satisfy and profoundly disturb. Do not adjust your speakers because you are hearing the sounds of ‘Live from the Grove’.

Some modern thinkers would argue that it is possible for multiple realities to simultaneously exist alongside our own plane of existence. There are places on this earth where this presence can be more strongly felt than others – places that seem to hold an inexplicable mysticism. The Bohemian Grove is one of these places. It is hard to define the electric aura that it exudes, attracting the world’s most clandestine societies, who are said to perform ancient rituals around its curtained lake. With only their recording equipment and a strange uncertainty, 3:33 entered the Bohemian Grove with the steely resolve to find and harness the mysterious power of the redwoods.

Those who listen will swear they can hear the very voice of Moloch whispering, foretelling coming realities in dead languages. Some can hear the crackle of burning effigies, filling the night sky with acrid unholy smoke amidst the shrewd cackles of mad men foolish enough to offer their souls to the Babylonian blood gods. The album sounds like tamed chaos- a focused channeling of the cryptic energies that permeate from within this house of leaves.

This work reflects the space that lies beyond the outer limits of reality; the indefinable surrealism it bleeds transforms the air in which it resonates. Dull clanks of machinery, chirps of strange night creatures, and shrill unadulterated horns create tracks with an intriguing flow, each unique in its ability to both deeply satisfy and profoundly disturb. Do not adjust your speakers because you are hearing the sounds of ‘Live from the Grove’.

As we get closer to the release of 3:33’s debut we have a remix for you.
Roc Marciano’s “Marcberg” was our favorite record from last year. It is one of the darkest and rawest NY Hip-Hop albums in years, so we were ecstatic when 3:33 was asked to remix one of the tracks in anticipation of “Marcberg’s” LP reissue dropping March 15th through Fat Beat Records.