You’ve heard of the sit-in, but this remix of the bed-in takes activism and art to a whole new level. I wrote last week about how Tilda Swinton sleeping in the MoMA is not art. But, Reena Katz’s exhibit, “love takes the worry out of being close: public assemblies in bed with queers” is a concept that takes art and protest to a beautifully new and thought-provoking level.

The piece converts Toronto’s Harbourfront’s Studio Theatre into a free, public hotel suite re-imagined by Reena Katz. Katz twists the famous Yoko Ono and John Lennon’s iconic picture and turns it into a Public Commons and Master Suite with LGBT folks in bed. Audiences are invited to come and go “participating in conversations, game sessions, cuddles and crafting parties for free,” according to the exhibit. Each day will feature different artists, academics, cultural workers, and musicians, exploring political issues affecting LGBT communities, ranging from intimacy and decolonization to pop culture and civic engagement, one should expect “flowers, respectful debate, radical facilitation and queen-sized love.”

What is all this lying in bed about? As Katz explains, “Though they were officially straight, Yoko and John’s infamous gesture of non-violent protest against the US-led war in Vietnam queered the idea of protest in the minds of the public.”

She adds that during a period of massive civil disobedience across the Western world, the “Bed-Ins shifted the site of dissent from raging bodies demonstrating in the street, to a bustling hotel room, packed with everyday folks, various long-haired celebrities and a pair of strong lovers who saw their honeymoon as an opportunity to model peace.”

Ono and Lennon understood how to capitalize on the potential of the late 60s, utilizing technologies such as live television and radio broadcast. Katz will be using texts, Tweets and livestreams from the bed, highlighting the interactivity of our current age. Focusing on intimacy, Katz and her crew explore the cultural resistance evident in contemporary movements such as Idle No More and LGBT Solidarity.

Reena Katz's previous work focuses mainly on sonic information present in the human voice. In her art, she uses live and recorded talking, whispering and yelling to consider bodies as sites of knowledge, and communication as a social and political practice. Through audience participation in public space, Katz highlights the relationship between collective voice, the body politic and the empathic act of listening. Her installations and performances have been performed and exhibited in several countries around the world.

Bed-Ins as part of Hatch 2013 will take place April 9–12, 9 a.m.–9 p.m. with a Final Presentation and Discussion on April 13, 8 p.m.–10 p.m. - $10/$12 Harbourfront Studio Theatre, York Quay Centre, Main Floor.