William Gilmore Simms

William Gilmore Simms

American author William Gilmore Simms (1806-1870), the dominant literary personality of the antebellum South, is chiefly remembered for his novels on subjects derived from American history.

William Gilmore Simms was born in Charleston, S.C. His father, "unfortunate in business," moved west; his mother died when he was an infant. He was raised by his maternal grandmother. His education was poor, but he read widely, then studied law. He visited his father in Mississippi, absorbing local color he used later in his books.

Returning to Charleston, in 1826 Simms married and was admitted to the bar a year later. A successful lawyer, by 1830 he had published five books of verse and assisted in editing several literary magazines. By 1832, after his wife's death, he was fully committed to a literary career.

Simms went north, establishing contacts with publishers and making important literary friends. His annual visit north (until the Civil War) to see his books through the press, his prodigious output, and his personality made him one of the most influential figures in American letters. Before sectional controversy eroded his popularity in the North, Simms was second only to James Fenimore Cooper as a popular novelist.

Simms began his literary career an ardent nationalist and Unionist, but he became an advocate of Southern causes in the 1840s and eventually a secessionist, and his writing increasingly turned to Southern material. His achievement was his historical romances. Guy Rivers (1834) is set in northern Georgia, then a frontier. The Yemassee (1835), his most popular colonial novel, deals with an Indian uprising in 1715. The Partisan (1835) was the first of a sequence of seven Revolutionary War novels which ends with Eutaw (1856). This series includes Woodcraft (1852), his best book, notable for Captain Porgy, an earthy character who contrasts with the aristocratic heroes of the series.

In 1836 Simms married Chevillette Roach, daughter of a wealthy landowner, and thereafter was master of a South Carolina plantation. During the Civil War, Simm's plantation with its extensive library was burned by Union soldiers, leaving him impoverished. He wrote doggedly but with little success and died much honored in his native state but little regarded elsewhere.

Further Reading

A primary source is the Letters of William Gilmore Simms, edited by Mary C. Simms Oliphant, Alfred T. Odell, and T.C. Duncan Eaves (5 vols., 1952-1956). Two biographies of Simms, neither entirely satisfactory, are Joseph V. Ridgely, William Gilmore Simms (1962), and William P. Trent, William Gilmore Simms (1895), the latter more complete. The best brief criticism of Simms is in Jay B. Hubbell, The South in American Literature, 1607-1900 (1954), which includes a bibliography. Vernon L. Parrington's chapter on Simms in his Main Currents in American Thought (1927) seriously argues that Simms's artistic growth was stunted by patrician Charleston. A chapter in William R. Taylor, Cavalier and Yankee: The Old South and American National Character (1961), places Simms in the context of Southern literary culture and society. See also A Bibliographical Guide to the Study of Southern Literature, edited by Louis D. Rubin, Jr. (1969).

Additional Sources

Guilds, John Caldwell, Simms: a literary life, Fayetteville: University of Arkansas Press, 1992.

Simms, William Gilmore

The Columbia Encyclopedia, 6th ed.

Copyright The Columbia University Press

William Gilmore Simms, 1806–70, American novelist, b. Charleston, S.C. He wrote prolifically, both prose and poetry, but it is for his historical romances about his own state that he is remembered and often compared with James Fenimore Cooper. His tales of the Southern frontier include Guy Rivers (1834) and Beauchampe (1842; one part rewritten as Charlemont, 1856); those of colonial times are The Yemassee (1835) and The Cassique of Kiawah (1859); romances of Revolutionary times include a series—The Partisan (1835), Mellichampe (1836), and Katharine Walton (1851)—and The Forayers (1855) and its sequel, Eutaw (1856). He also wrote less successful novels of Spanish history. Besides continually writing fiction, he edited (1849–56) the Southern Quarterly Review and wrote local history and biographies of Francis Marion (1844), Nathanael Greene (1849), and others. His volumes of short stories are entitled Carl Werner (1838) and The Wigwam and the Cabin (two series, both 1845). His home and fortune were destroyed in the Civil War.