Peggy Sue Got Married

Directed by: Francis Ford Coppola

Friday, June 4 - Saturday, June 5, 2010

“Four stars! PEGGY SUE GOT MARRIED is a lot of things — a human comedy, a nostalgic memory, a love story — but there are times when it is just plain creepy, because it awakens such vivid memories in us. It’s about a woman who attends her 25th high school reunion and passes out. When she comes to it is 1960 and she inhabits her own teenage body.

“Frank Capra made comedies like this, in which the humor welled up out of a deep, even sentimental, drama of human emotions. There is a scene in the movie where the 17-year-old girl (with the mind of the 42-year-old woman) sits in the front seat of a car and necks with the teenage boy that (she knows) she will marry and someday decide to divorce. Imagine kissing someone for the first time after you have already kissed him or her for the last time.

“The movie stars Kathleen Turner, in a performance that must be seen to be believed. How does she play a 17-year-old? Not by trying to actually look 17, because the movie doesn’t try to pull off that stunt (the convention is that the heroine looks adult to us, but like a teenager to the other characters). Turner, who is actually 32, plays a teenager by making certain changes in her speech and movement: She talks more impetuously, not waiting for other people to reply, and she walks in that heedless teenage way of those who have not yet stumbled often enough to step carefully. There is a moment when she throws herself down on her bed, and never mind what she looks like, it feels like a 17-year-old sprawled there. Her performance is a textbook study in body language: She knows that one of the symptoms of growing older is that you arrange your limbs more thoughtfully in repose.

“The other important character in the movie is Charlie Bodell, her boyfriend and later her husband, played by Nicolas Cage. We meet him first as a local businessman in his early 40s, and from the way he walks into a room you can tell he’s the kind of man who inspires a lot of local gossip. He and his wife are separated and planning to divorce.

“When we see him again, he’s the teenage guy she’s dating. There are two delicate, wonderful scenes where she walks a tightrope, trying to relate to him as if she were a teenager, and as if she hadn’t already shared his whole future.

“That scene in the front seat of the car is a masterpiece of cross purposes: She actually wants to go all the way, and he’s shocked — shocked not so much by her desire, as by a girl having the temerity to talk and act that way in 1960. ‘Jeez,’ he says, after she makes her move. ‘That’s a guy’s line.” The movie was directed by Francis Coppola, who seems to have been in the right place at the right time. The “Peggy Sue” project got traded around from one actor and director to another. (Turner’s role originally was cast with Debra Winger, and Coppola was the third director on the project.) After several years in which he has tried to make technical and production breakthroughs on his movies, experimenting with new film processes and new stylistic approaches with honorable but uneven results, this time Coppola apparently simply wanted to make a movie, and put some characters on the screen, and tell a story. He has, all right. This is one of the best movies of the year.” – Roger Ebert

A big congratulations to the four films we’re playing that took home major prizes from the New York Film Critics Circle: THE BABADOOK for Best First Film, CITIZENFOUR for Best Nonfiction Film, TWO DAYS, ONE NIGHT (opening Dec 24, advance tickets now on sal …

While the MPAA has assigned CITIZENFOUR and BOYHOOD ratings of R, recommending that no one under 17 be admitted without a parent or guardian, IFC Center feels that both films are appropriate viewing for mature adolescents. Accordingly, the theater will adm …