What is Classical Chinese Dance - by Li Hongzhi

Established on the foundation of the five-thousand-year-old, vast Chinese culture, classical Chinese dance is one branch of the arts that uses the body as a performance medium.

I. Characteristics of Classical Chinese Dance

A.The movements of classical Chinese dance are rich in their ability to express a variety of feelings, be it happiness, sorrow, joy, anger, grief, delight, the emotions that come with parting and reuniting, insanity, infatuation, sickness, tipsiness, solemnity, ignobility, and majesty, as well as civil, military, and other personalities and stories.

B.In classical Chinese dance, it is meaning that drives the body into motion.
In other words, in this dance form, only when inner feelings drive the body is full
expression achieved.

C.Classical Chinese dance uses the human body's natural ability; it does not require specifically training individual muscles. That is, the muscle strength gained naturally through walking, running, jumping, climbing stairs, riding a bicycle, etc., as well as the upper-body strength naturally built through physical labor, is further strengthened in the course of training.

④ Tumbling technique (primarily training in different types of flips and in foundational skills)

E.In performing theatrical dance, classical Chinese dance involves a dance acting element. The acting in dance is different from that of film, drama, opera, traditional Chinese theater arts, or Broadway musicals. The acting in classical Chinese dance involves coordinating facial expression with physical movement, which, when merged together, results in an amplified form of expression.

II. Origins and Historical Transmission of Classical Chinese Dance

Several
thousand years ago, martial arts (wushu)
appeared in China. At the time, many types of performing arts were influenced
by martial arts movements, techniques, and flips. The original forms of many
classical Chinese dance movements were similar to those of martial arts; it
was just that they were performed differently and what they required was
different. Later, during the five thousand years in which Chinese culture was
being established, classical Chinese dance was being continuously enriched, and
that is what brought forth the “bearing” aspect of classical Chinese dance. And
it is also the source of the style
that classical Chinese dance took on over the process of its being passed down.
The way a person from a particular ethnic group moves contains that group’s own
distinct qualities, so Chinese people’s movements naturally have a Chinese
feel. But actual study and practice have shown that, through specific training
in “bearing” and “form,” people of other ethnicities can also acquire this feel.

Classical
Chinese dance was
handed down in a variety of ways, with
plays being chief among them. Historically, throughout the different dynasties, dances
performed in the imperial court had different techniques and characteristics.
Among the populace, dance spread mainly through imitation, while with street performers it spread mainly through martial arts
techniques. Before the Qin and Han dynasties (spanning 221 B.C.E. - 220 C.E.),
there were entertainers who performed martial arts routines. And acrobats
mainly used flips. During the Tang and Song dynasties (spanning 618 C.E. - 1279
C.E.), much of the dance and street performance contained early forms and
techniques of classical Chinese dance. Flips, in particular, were used by
practically all street performers. This is yet another example of how, within Chinese
culture more broadly, the techniques of different art forms have influenced one
another.

The concept of Chinese dynasties differs from that of other peoples’ ancient kingdoms. Replacing a dynasty meant changing over to another dynasty’s distinct set of cultural traits, as each dynasty has its own emperor, its own people, its own culture. And that is how, during the historical process of that civilization being established, classical Chinese dance was constantly enriched and constantly perfected.

Today’s teaching methods did not exist in ancient China. In theater, the older generation trained apprentices, and so it was passed down from one generation to the next. From a young age, the student established a formal apprenticeship with a master, and this is how one became a professional. In imperial court dance, the art was passed down as the young ladies taught one another; many of the street performance arts were imparted as family traditions; and martial arts were handed down from ancestors or learned from a master. Similarly, in Buddhist and Taoist religious practices, after a disciple takes up the robe, he or she receives the teachings from the master. Modern, systematized teaching methods are something that started in the first half of the last century.

Since the time when kung fu movies and television shows started coming out, many people have embellished the movements of martial arts and turned them into something flashy but impractical, for use in the plots of movies and television shows. These moves look a lot like dance, but are in fact completely different from classical Chinese dance. Fundamentally speaking:

A. In classical Chinese dance, the
expressiveness of the body is primary, whereas in martial arts, fast and explosive
completion of movement is primary. The faster the martial arts, the more it achieves
the goal.

B. Classical
Chinese dance integrates the movement of the body with inner bearing.

C. Classical Chinese
dance is a language of the body. In order to depict a character or story to its
fullest extent, the body needs to extend and spread to the fullest extent. That
is why long legs are the most basic criterion in selecting dance students. Using
this kind of extension in martial arts combat would leave one vulnerable.

E. Martial arts
does not have the “bearing” required in classical Chinese dance.

IV. The Influence of Classical Chinese Dance on Other Dance Forms and Physical Skills

With China’s so-called “Reform and Opening Up” (beginning in the late 1970s), classical Chinese dance’s techniques and flips suddenly appeared on the world stage. Notably,
its techniques and flips sent shockwaves through the international dance
community. Ballet thus incorporated some of the techniques of classical Chinese
dance, and modern ballet has incorporated classical Chinese dance techniques on
an even larger scale. However, they do not understand the required standards
for these techniques and have used them in a very nonstandard way. What is
known as street dance has an even shallower understanding of the techniques’
requirements and standards and has, as a result, taken classical Chinese dance
and distorted it.

Classical Chinese dance
has also had a tremendous influence on athletics. Before the 1970s, training in
rhythmic gymnastics, the balance beam, and bars involved only simple ballet
movements and physical training. Then, China’s gymnastics teams took classical
Chinese dance techniques and flips, and used them on a large scale in
gymnastics events. As soon as these techniques appeared in international
competitions of the 1970s, gymnasts worldwide were astonished. There were Chinese contestants who at one point managed to get five all-around medals. Gymnasts
around the world started learning the techniques and flips of classical Chinese
dance and, overnight, gymnastics competition was pushed to a higher level of
technical skill.

In fact, many different dance forms, physical arts, and sports around the world have adopted the techniques and flips of classical Chinese dance. Some
copy them a little better, while others are quite subpar, inaccurate,
nonstandard, and even unsightly, and this has distorted the exquisite culture
of five thousand years.

Interact with Shen Yun:

Shen Yun Performing Arts is a premier classical Chinese dance and music company established in New York. It performs
classical Chinese dance, ethnic and folk dance, and story-based dance, with orchestral accompaniment and solo performers.
For 5,000 years, divine culture flourished in the land of China. Through breathtaking music and dance, Shen Yun is reviving
this glorious culture. Shen Yun, or 神韻, can be translated as: “The beauty of divine beings dancing.”