Book of Hours--France--Illustrations; Illumination of books and manuscripts--France--Renaissance, 1450-1600

Books of Hours (Horae) were used for private prayers by lay people. Typically Books of Hours included a calendar, Gospel lessons, and hours of daily prayer including Hours of the Virgin, Hours of the Cross, and Hours of the Holy Spirit, as well as...

"In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as synonymous with...

"In the mid-1980s Richter produced abstract paintings as well as realist 'photo-paintings'. […] he appeared here to be recapitulating the ideological options underpinning postwar modernism in so far as his own transplantation from Eastern to...

"Judd's industrially manufactured, modular pieces, developed from 1966 onwards, were stubbornly empirical investigations of specific materials and visual effects. He shunned mystification and openly declared the nature of his structures. The...

"In the year before Pollock's premature death, Krasner made powerful collages, possibly drawing on the huge semi-abstract 'paper-cuts' that the veteran French Modernist Henri Matisse was producing around this time. In one of these collages she made...

A display featuring two figures hanging from gallows staged in front of the Humanities Building on the UofL's Belknap campus. There are pictures of men -- presumably executed by the Iranian regime -- by the gallows, as well as banners behind and...

Holiday-themed displays of Oertels beer for Christmas and New Year's Eve. One image shows a bottle of Oertels '92 and a full glass next to a candle with a pine branch and window in the background. The other image has the bottle and glass next to a...

Address: 113 S 7th Street, Louisville, Kentucky. "Bridges" and "Co." are legible against several layers of advertisements. A building of equal height has since been built adjacent to this one, concealing the signs.