Shipping Info

OUR FEES

We offer flat rate Standard UPS shipping worldwide. All shipping options are displayed at checkout in the pull down menus provided.

Want it faster?

We offer flat rates for expedited and express shipping options - these will also display at check out and can be selected with the drop down menu during the checkout process.

Canadian and USA destinations

Shipments are sent by UPS for a flat rate and are sent by standard UPS delivery. This gets your package to you between 1-3 days for most destinations in Canada and 3-5 days for most USA destinations. Flat express rates for either country are also available and can be selected from the pull down menu during the checkout process.

Overseas Destinations

Shipments are sent by UPS for flat rates when the total order before shipping fees is equal to $500US or more. Packages are sent by standard UPS delivery which gets your package to you between 4-7 business days for most destinations. Orders under $500 will also ship for a flat rate displayed at checkout. Need it faster? Flat express rates are also available and can be selected from the pull down menu during the checkout process.

Other things you need to know

Overnight orders must be received before 11am Eastern Standard Time and the actual delivery time is dependent on clearing customs.

Every parcel is sent with tracking and you will be given the tracking information within 24 hours of your package being shipped.

All orders are normally shipped within 24 hours from receipt of cleared payment, though occasionally it may be 48 hours till we can ship your item(s).

Delivery times are estimates only and should be used a guide. Delivery times start from the date when the item is dispatched and accepted/scanned with UPS.

Sometimes items will incur additional taxes, tariffs, duties or customs fees when shipping to another country. All associated costs are the sole responsibility of the buyer. Shrimpton Couture cannot be held responsible for any of these extra costs. Shipping fees, duties, customs and all costs over and above the actual cost of the item will not be reimbursed under any circumstances.

Shrimpton Couture is not responsible for any delays caused by destination customs clearance processes or your local postal service. We are not responsible for any lost packages under any circumstances. If you have concerns you must request full insurance coverage or it is your sole responsibility to accept the loss. Unless insurance is requested for the full value, lost packages will not be reimbursed. If you provide the wrong address or move or are not there to pick up the package and it is lost subsequently - Shrimpton Couture will not reimburse your shipping or order costs. If you do request insurance and an item is lost you will be reimbursed once the claim has been processed and monies are received by Shrimpton Couture.

Returned items always have the actual shipping deducted including items sent under any free shipping promotions. Please read our full Return Policy for more details.

During times of free shipping promotions or in cases when the shipping costs are far greater then what we anticipated, we have the right to refuse any sale or negotiate for additional shipping to be paid where shipping costs exceed $100 at our sole discretion. We apologize and this should not affect 99.9% of orders but there are some more remote countries where the shipping costs are far more then shipping anywhere else. You will always have the option to cancel the order should we not be able to reach an agreement

If your country is not on our ship-to list when you place your order, contact us to see if we can ship to you.

We do not ship to high fraud risk countries and all orders are accessed by our security service prior to shipping.

Orders can be canceled for any reason whatsoever at our sole discretion. In those rare cases all charges would be reversed immediately.

Returns and Exchanges

What you can return and exchange:

All eligible clothing that was sold at full price and that has been returned with proper notice and within the parameters and time frames of our policies stated here on this page

What you cannot return at all:

Any items listed on the site and purchased for $250 or lessAny item purchased through a layaway planAny accessory, jewellery or footwear itemAny items sold at a discountAny item sold through our 1st Dibs storefrontAny item older than 1929Any sent item that has been worn or had its hang tag removed or replacedAny received purchased item that is past the stated return time period found on this pageAny item that has a 'no return' policy specifically noted within the product description, including, but not limited to fur & feather pieces.

To be eligible to send back an item:

Email cherie@shrimptoncouture.com within 24 hours of receipt of your package. In case of a dispute of this policy the time frame will be determined by the delivery date and time on UPS.com

Leave the hang tags on the items and don't wear it out - removal or wearing of the item, makes it ineligible for return. You will be sent a return UPS label and customs forms that you will need to print out. You are responsible for dropping off to a UPS location. Once you have received the forms you have a two day window to get it on the way back to us. That date will be provided in the instruction email. If that window passes, your items are no longer eligible for return. There is a flat $75 fee to cover all shipping costs that will be deducted from any refunds for orders placed in Canada or the US. International orders will have a flat $150 fee deducted to cover all actual shipping costs. Note that for certain locations there may be an additional charge. Most commonly these are for Russia and most places in the Middle East due to the extreme cost of shipping to those countries

Exchanges Made Super simple

If you have already let us know what item you want to exchange your purchase for we will have already had it on hold ready to ship once your return arrives. If you need a few days to decide we will just issue you a store credit so you can buy your replacement item at your leisure. We are also happy to do a partial exchange and issue the remainder due to you as a store credit or refund - just ask!

Want store credit to shop payment free later?

If you prefer a store credit/exchange for the original just let us know and within 48 hours of receipt of the returned item, you will be assigned a code that can be used for any future purchase(s). Your credit can be used for all or part of any item, and it will be applied to your total new order, including shipping (if applicable). Exchange codes are given based on what you paid for the returned item(s) less the shipping charges as per our policy above. Credit codes have a one year expiry date.

Prefer a refund? We can do that

Eligible returns will be refunded less the stated shipping charges above regardless of free shipping promotions. Within two business days of receipt of the returned item (Monday through Friday during standard 9-5 business hours), you will be credited in the original manner the payment was processed, for the price of the item when purchased, less the shipping fee as per our policy above, even if shipped under a free shipping promotion. Refunds are not processed on the weekends.

The nitty gritty on our return policy:

As an effort to keep our returns to a minimum we will charge a 20% restocking fee after three items have been returned in a one year time period from the same client/address. Numerous returns beyond this, within that same time period may mean a loss of return privileges.

Returned items that do not meet our return policies above may be refused and returned to you at your cost or we may negotiate to accept them, less the original shipping costs, with a 20% restocking fee applied and an issuance of store credit only. This is determined on case by case basis.

If goods are returned that are received damaged in any way through any circumstances, including the shipping method you chose to send by, no refund will be given until the damage is assessed and an estimate for repairs assessed. Once an estimate has been obtained it will be sent to you by email and you will receive any refund/credit owed less any of the following possible deductions which may include shipping, customs, repairs and cleaning or the full cost of the garment if deemed beyond repair. If items are deemed to be non-repairable they will be sent back to you and no refund will be given.

We sell some of our items through 1st Dibs and that means that very occasionally an item may have been sold there and not yet marked sold on our website. In that case a full refund will be given including any shipping paid. There also may be unforeseen circumstances where a sale may not be completed or merchandise is no longer be available. A full refund will be given including any shipping paid should this occur.

Shrimpton Couture and Shrimpton Corporation can be held in no way legally responsible if completion of the sale and delivery of the goods cannot be made and we have provided a refund.

By placing an order though this site and clicking the - I agree to the terms and conditions box - right before you confirm your order, you are automatically agreeing with all policies listed here and that agreement is legal and binding with no exceptions. If you do not agree to these terms please cease and desist using the site immediately.

In the case of multiple purchases made within an order, with a returns of part of that multiple order, the deduction of our shipping fee may be waived when the return value is less then 50% of the original order

Customs fees, duties & taxes incurred in either direction of the transaction are not refundable and we will deduct any customs fees from your refund/credit that is incurred by us to be able to sign for your returned item. Documentation will be provided by email for this deduction as a scan of the receipt upon request.

If store credit is used to pay for a new order in part or in full, and that new order is then returned, your refund will be given in the same manner used and a new credit issued and/or combined with any other means to complete that transaction as per the above terms.

Layaways & Holds

LAYAWAYS

Setting up a layaway is super easy and we are happy to provide this service!

Here's how deposits work on a standard layaway:

We require three equal payments of the layaway total. You will be invoiced for the first amount upon request

payment two of the remaining balance will be billed two weeks from the date of the initial deposit.

The final payment is due two weeks after the second payment.

items less then $500, or that are on sale, require a 50% deposit with the final payment due in two weeks from the date of deposit

HOW TO SET UP YOUR LAYAWAY

Using the "Ask a question" link found within each item's listing on the site, let us know that you would like to layaway an item. If you want to layaway more then one item just let us now in the note which items you are asking about

We will then email you an invoice directly to your inbox with a link to complete your payment. Payments can be made using any of our usual payment methods - Visa, MasterCard, American Express or PayPal.

If you are a regular client who has a record of successful transactions and layaway's and wish to set up a plan that is outside of the above terms please feel free to email.

IMPORTANT INFORMATION PLEASE READ BEFORE ASKING TO SET UP A LAYAWAY

As soon as we receive the deposit that means you have agreed to all terms set forth on this page.

Items are not marked sold until the initial deposit has been received

Items purchased through layaway are final sale and any & all payments made are non-refundable

Payments which are not completed within the mutually agreed upon period may be forfeited and the items in question re-listed. We make every effort to accommodate our clients so please contact us if there are any problems or delays at your end once a layaway is underway.

If you forfeit on a layaway you may no longer use this service in the future unless we mutually agree. Persons that have a history of non payment on layaway items will have those privileges revoked

Sale items in general are not eligible for layaway but we will make exceptions for existing clients and if we are asked nicely. Please email us and decisions will be made on a case by case basis.

Please do not set up a layaway unless you are confident that you can make the proper payments - shopping completely out of one's budget is never encouraged.

HOLDS

Holds are a tricky thing since everything is one of a kind. I do understand that sometimes you cannot get to your computer to complete your purchase so here is the policy on holds that I think is fair.

If you are a new client and have not purchased with me before I will hold an item for 6 hours except items on the What's New page.

If you are a repeat client then you may hold any item for a 24 hour period, except items on the What's New page, with some exceptions made client to client dependent. Very occasionally I will extend that time period depending on our individual relationship and the circumstances.

Persons that have a history of asking to hold items and then not purchasing, especially without touching base will have hold privileges revoked. Sale & reduced items are not eligible for holds.

Loans and Rentals

We do not rent out garments. Loaning of garments is generally not done but we have made exceptions for red carpet events and editorials at our discretion. Unfortunately we are no longer lending to Canadian magazine or creative due to unwarranted backlash from modelling agencies. Please contact us with your request.

The Bellville Sassoon label was founded in 1953 by Belinda Bellville but did not officially take on the Bellville Sassoon label until 1970 when David Sassoon, who had been with the company since 1958, took over most of the designing. In 1987, Irish designer Lorcan Mullany joined the company and took over designing and the brands labels changed to reflect this. The Sassoon label became internationally known when Princess Diana began wearing pieces quite extensively. Countless other celebrities wore the label as well such as Elizabeth Taylor, Jackie Kennedy, Audrey Hepburn, and Madonna.

The is the perfect princess dress and is absolutely wonderful with its dramatic and full cut through the skirt and densely beaded bodice. The bodice is fitted and the waist nips in. The bodice is cut to be barely there and is covered in a dense and elaborate combination of beading, sequins, applique work and metallic silver & embroidered ribbon that gives it a 3D feel. This is suspended from two tiny straps . The waist begins just under the bust line and under that is is gathered and fitted so that you are completely nipped in to create an hourglass shape. The illusion of the smallest possible waist is further exaggerated by the tremendous volume of tulle that forms that dramatic and extra, extra full skirt that you see. There are five full layers of tulle that make up that skirt and the inner most layers have additional lower ruffles to add even more volume. That fantastical fullness this creates is the perfect balance to that fitted top portion of the dress. I love that the bead work is done in a black, ivory and silver, but the skirt is actually a deep, deep navy color. It is an unusual color combination that works. It is beautifully made and so pretty in person. Excellent condition.

Fully lined in a black silk and closes at the back with a metal and nylon zipper. tagged a UK 12 but it is very tiny. It is probably best suited for a size 0 as it did not zip fully on my size 2 dress form (it will of course close perfectly on the proper sized girl). Appears to have never been worn

Bust: 15" flat across from side seam to side seamSeam under bust: 13.5" flat across from side seam to side seamNatural waist: 13" flat across from side seam to side seamHips at the inner lining: to 20" flat across from side seam to side seamBodice: 10" from top of bodice to seam under the bustWaist Banding: 9" from seam under the bust to lowest seam where skirt beginsSkirt: 39" from lowest seam where skirt begins to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3088

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Fall 2016 Vetements Blue Floral Jersey Runway Dress Look 41

$525 USD
was $825 USD

For the Vogue review of the Spring 2016 Vetements show, Sarah Mower stated: "No doubt about it: The flagging spirits of Paris fashion have had a shot in the arm since the Vetements collective, led by Demna Gvasalia, came on the scene. Their channeling and upgrading of everyday street style into high style has exerted a massive influence as designers and brands both established and even younger have found it impossible to resist the gravitational pull of Vetements’s outsize tailoring, printed dresses, and thigh-high boots. The feeling that a young, outsider energy is rushing into the spiritual vacuum which currently exists at the center of the establishment is healthy, exciting, and perfectly timed...what was noticeable in this mix was that, rather than just being subversive for the sake of the gestural politics, Vetements means business. Its hoodies have a cult appeal in one direction, but for the fashion congregation there is also so much to believe in here: not just the wearable, desirable printed blouses and dresses, but also the hope that this is the beginning of a new chapter in the life of Paris fashion."

This dress was one of the favored among the street style set and was photoed endlessly it seemed for various editorials. It sold out world wide and was wait listed. I am very pleased to have sourced one that has never been worn at all, still has all its original tags attached and is absolutely perfect. Girls often cut the longer hanging bits that trailed behind the dress but this one is still entirely original. It feels as fresh and avant garde as it did then and will absolutely be a future collectible. The color is a deep blue base with a floral print over that and the cut is oversized. The shoulders are cut a bit more fitted and have a ruffled cap that extends their shape. The sleeves are ling and detailed int trailing, deconstructed, twisted ruffles. More of that ruffles highlights the collar, the waist and the hem. It is remarkable and a true piece of fashion history. Original tags attached. Excellent condition.

Unlined in the same chiffon and slips on to wear with buttons at the front. Tagged a MED. The jersey has lots of stretch. It will fit a range of sizes because of this. Has an extra button

Sleeves: 25" to actual end of cuff Slightly inset shoulders: approx14"Bust: 18-21" flat across from side seam to side seamWaist: 17-19" flat across from side seam to side seamHips: openBodice: 15" from top of bodice to waistSkirt: 29" from waist to shortest point of hem, 42 to longest and then the ruffled detailing hangs approx another 18" past that with strings that are even longer past that

Modern Sizing Equivalent: XS-MED

Item# DD3076

Reference Photo: F/W 2016 Vetements, Look 41.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1940s Unlabelled Hand Painted Floral Print Silky Rayon & Net Dress

$425 USD

This absolutely fantastic silk swing dress from the 1940s has a vivid and stunning, hand painted floral print that covers it head to toe. The floral design that covers the dress feels pretty and feminine and the colors still feel as crisp and vibrant as the day it was made. The base is a deep blue silky rayon and the flowers just pop off of that. I love the little swoops of color that are interspersed among the flowers. The cut of the dress is simple and flattering. The neckline is especially beautiful with a panel of transparent, fine black silk net that has curving black silk cord detailing hand placed onto it. The waist is cut loose and easy and this flows into a swing style skirt that is cut with a more fitted hip and then swings out from there. Wide silk satin bands circle the skirt horizontally to give the illusion that the skirt is made up of three separate tiers. Excellent condition

Unlined and closes with a side metal zipper and has a second short zipper at the back neck. Hand finishes. Note that the cut through the upper body and waist is loose and easy but the hips do narrow

Slightly inset shoulder seam: 14"Bust: to 18.5" flat across from side seam to side seamWaist: to 16" flat across from side seam to side seamHips: 18.5" flat across from side seam to side seamBodice: 16.5" from neck to waistSkirt: 30" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# D557

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

c.1973 Andre Courreges Haute Couture Snap Front Navy Suit

$1,500 USD

After much searching I have settled on the Spring 1973 as the most likely collection that this is from. That collection also featured snap closures instead of the buttons he used more often in earlier collections. It also had the same side placement of the snaps that the skirt has. This very rare numbered couture label piece from Courreges and its absolutely stunning.

The blue color of the piece is slightly deeper than what is showing and in person is more a true navy blue. The fabric that the suit is made out of is that classic Courreges wool. It has enough weight to hold the sharp lines of his pieces but without adding bulk or feeling to heavy to wear for a modern wardrobe. It has a slight texture to it and that, combined with the superb seaming, are all that is needed to highlight the suit design. The jacket is wonderful with its fitted shape and snap front. It curves in at the waist for added shape and to highlight the waistline. The sleeves are kept short and I love the seaming detail that runs down each of them. The skirt is done in a sharp little A-line cut. It has a double row of snaps that run down each hip and both sides open all the way up to the waist. That means you can leave them as open as you want and create as high a slit up each leg as you wish too. Excellent condition

Both pieces are fully lined in cream silk and close with the snaps as described above. Note that the last two snaps above the hem on either side of the skirt are both snap tops only so do not fasten. There is a repair to the inside lining of the skirt at the back but of course it does not show when worn. tagged a vintage Courreges 00

JacketShoulders: 12" acrossBust: 16.5" flat across the back from seam to seam Waist: 14.5" flat across the back from seam to seamLength: 18" from neck to hem

SkirtWaist: 12" flat across the back from seam to seam Hips: 17" flat across the back from seam to seam Length: 22.5" from waist to hem

Modern Sizing equivalent: XS

Item# DD1091

Reference photo: Andre Courreges Haute Couture Spring 1973

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

c.1960 Pierre Balmain Navy Haute Couture Back Button Detail Suit

$1,500 USD

This is a stunning Pierre Balmain suit that is constructed from a deep blue suiting fabric that has a touch of texture to it. I believe that is a mix of a fine wool and silk and this combination gives it enough weight to hold the line but without it feeling bulky or too heavy for a modern wardrobe. We found similar pieces from the 1960 collection and have included those here. The suit has a beautiful sculptural feel with an exaggerated and dramatic swing back cut to the jacket. From the from, when the jacket is buttoned, it nips in slightly at the waist to give it just a hint of a curved in shape. The back of the jacket is gorgeous. It dramatically swings out from the shoulders in a sweep of volume that is wonderful. It is slit with a two button detailed closure and the slit runs from just below the mid-back to the hem. This tops a little A-line skirt whose simplicity perfectly balances the volume at the back of the jacket. It is immaculately made. The seaming on the inside jacket is fantastic and both pieces have the hand finishing one excepts from a true couture piece. Behind the Balmain label is the the numbered tape showing its Haute Couture origins. Excellent condition with one small note below to read about the buttons.

Both pieces are fully lined in a navy silk. The lining in the skirt is a soft, heavy weight silk satin and the lining in the jacket a more structured silk taffeta. The jacket closes with buttons down the front and has two decorative buttons at the back. The skirt closes with a fine, back metal zipper and flat hook & eye on the waist band. Completely hand finished. Numbered behind the main label. Note the buttons are original and show chips along their edges. These are the original buttons so have been left as found.

JacketSleeves: 24" Shoulders: 16.5" acrossBust: to 22" flat across the back from seam to seam Waist: openLength: 22" from neck to hem

The back vent is actually open under the overlapped fabric to the fist button - 14" above the hem

SkirtWaist: 15" flat across the back from seam to seam Hips: 20" flat across the back from seam to seam Length: 24" from waist to hem

The twin of this dress is held in the permanent archives of The Metropolitan Museum. It would not surprise me to find out that these were the only two version made of this dress as true Haute Couture pieces were never prodiued in any significant quantities. It is as wearable now as it was when first made and feels very modern. It is entirely finished by hand and is from the time period when the house was run by Hubert de Givenchy himself. Finding vintage examples of Haute Couture is always very special and this is a wonderful, well documented piece showcasing Givenchy's work during this time period.

The dress is made of a deep blue grey silk crepe. It is cut with a strong nod to the classic Grecian silhouette that leaves one shoulder exposed and bare. The construction details throughout the dress are exquisite. The bodice has been gathered by hand to create a series of soft gathers that run from shoulder to waist and follow the cut of the neckline as it angles up towards that single shoulder. This adds a beautiful texture to the bodice of the dress without having to divert from his chosen color or fabric. The waist is defined waist by a slim cut gold leather cord that wraps and ties to add shape. The skirt falls below this in a slim column to the floor. Set over the skirt is a panel of fabric that is cut so that it angles softly down one side, picking up the angle of the shoulder. Slipping over this goes a cape, made from the same fabric. No shortcut was taken in the construction and it is a stand out piece in every possible way. Even better in person. Excellent condition with a few small notes below to review.

The dress is fully lined in a hand set blue silk of very high quality. There is a wide waist stay that hooks at the inner waist. It closes with a hand set, side painted metal zipper and from the waist down there are hidden set snaps that close the fabric of the skirt over the zipper. The bodice is lightly boned and there are small pads handset inside the bust. The cape is unlined and slips over the head to wear. There are some light snags in the fabric here and there and some small areas pf darkening on the skirt overlay - the snags are most noticeably on the back of the skirt near the bottom - these are seen most when it is laid out flat but once on the color and placement make all of them negligible. It is mentioned for accuracy and taken into consideration when priced. Haute Couture tape label #55417

DressBust: to 17" flat across from side seam to side seamWaist: 12.5" flat across from side seam to side seamHips: to 20" flat across from side seam to side seamBodice: 15" from top of shoulder strap to waistSkirt: 42" from waist to hem

c.1986-1989 Valentino Haute Couture Beautiful Blue Silk Chiffon Dress

$3,500 USD

The original owner of this dress wore it to host a dinner party in 1989 but I do not know if she had purchased it that same season or from a slightly earlier season. There are hints of it from both the 1986 collection in terms of some of the construction details and the 1988-89 collection in terms of color specifically. I have included reference photos for both those collections. Of course Haute Couture was always custom made for the client so would rarely be a specific copy anyway but it is nice to have a more narrow date range.

The dress is a stunning example of Valentino's work during this time period. It mixes a sense of restraint and elegance with the softness and sensuality that the silk gives it. You are entirely covered form neck to hem but the transparency of the silk through the billowing sleeves and upper shoulders hint at the skin underneath and keep the dress from feeling too demure. The bodice is a masterpiece in shaping and couture techniques. The silk here is entirely set and gathered by hand and immaculately stitched into place to create the soft pleats that curve over the bust and highlight your shape. Inside it is boned and shaped but not to the point where it feels constrictive, just so that it holds you in place and shapes you perfectly. The skirt flows out under that in four full layers of bias cut silk chiffon so that when you move the skirts seem to float around you. This is the type of gown that Valentino excelled at; refined elegance mixed with a luxurious fabric and finished with a master's touch of provocativeness and romance. The dress presents as excellent but does have some flaws. Please review the notes below.

The interior bodice is finished in muslin, lingerie netting, boned and molded through the bust. The sleeves and upper shoulders are unlined and the skirt is made from four full layers of silk. The interior bodice closes with series of hook and eye and the dress sips to close over that with a painted metal zipper. Each cuff buttons to close with two silk covered buttons and loops. Three buttons also sit at the top of the back neck just above the slit opening that starts just above the zipper of the corseted bodice. There are various discolored areas through the skirt that go through the layers. I have photoed the worst of them. There is so much fabric that once on these are almost invisible to the eye so it is wearable as is if you are OK with it being not 100% perfect. There are some very light faint versions of the same on the upper front above the corset and through the sleeves. I see one tiny repair near the hem at the back of the skirt. Priced well down from what it would be if perfect. Note for those that buy based on how it fits me that it was a little long through the bodice and big through the bust and waist on me.

DressSleeves: approx 25"Shoulders: 15"Bust: 17.5" flat across from side seam to side seamWaist: 16.5" flat across from side seam to side seamHips: openBodice: 16.5" from top of neck to interior waist staySkirt: 45" from interior waist stay to hem

Sybil Connolly was based in Dublin and her first major fashion show as a designer in her own right was in 1953 and quickly became a darling of the American market. Jacqueline Kennedy wore Connolly for her official White House portrait and Connolly was a particular favorite of Carmen Snow, the editor of Harper's Bazaar. In 1957 she launched her couture label. She created Haute Couture pieces made from Irish textiles and in particular she became famous for her distinctive use of pleated handkerchief linen. This excerpt from the FDIM Museum explains Sybil Connolly's techniques:

"Sybil Connolly's trademark gowns required a tremendous amount of fabric. To construct one pleated evening dress required between 72 and 90 yards of Irish handkerchief linen. After undergoing a secret pleating process, this initial yardage became 7 to 10 yards of slightly irregular, narrow linen pleats. Like the early 20th century designer Mario Fortuny, Sybil Connolly was very protective of her pleating process, swearing that it was a secret she would "carry to the grave." In her designs, Connolly usually oriented the pleats horizontally, covering the seams with self-fabric cording. The cords also lengthen the overall line of the garment, providing a counterbalance to the horizontal pleats. As Connolly tended towards solid colors, the stiff cording also provides a necessary visual contrast to the soft linen pleats."

This dress is a stunning example of that technique. It is most likely from about 1965 based on the bow details used on the side of the skirt, though she did make variations of this dress from the mid 1950s to the mid 1960s so it could be an earlier version. I believe this is a version of the dress that I found a sketch of from the permanent collection of the Hunt Museum in Ireland. You can see the similarities on all but the length. Sybil worked directly with the cloth when she did her design work and rarely did any preliminary sketches so it is a pleasure to have found one to reference. I found a quote that referred to the Irish linen she used to be 'of a quality so fine it was almost chiffon-like in weight' and that’s description is very accurate. This dress has a very formal feel to it that is softened by that lovely soft blue color that the linen has been dyed to. The bows are a stiffened organza and the color of those slightly offset the blue of the dress. They add a touch of romance and whimsy as they run down the sides of the skirt, securing in place the long, inverted folds down each side. The dress is kept simple so that the pleating technique takes center stage. The bodice is sleeveless, with a high neckline at the front and a slight V at the back. The waist cinches in for shape and then the skirt billows out to a beautiful strong line that allows the many yard of fabric used to take full center stage. It is stunning and a rare example of fashion history. Excellent condition with one small note below to review.

The dress is fully lined in a blue hand set silk and closes with a back painted metal zipper, Inner waist stay closes with hook & eye. The hand work done can clearly be seen through the interior. Some shattering to the silk on the inner bodice - photoed and shown after the label photo. This does not affect the exterior in any way

Bust: 17.5-18.5" flat across from side seam to side seamInner waist stay: 13" flat across from side seam to side seam, if left unhooked you could get a bit more roomHips: to 21" flat across from side seam to side seamBodice: 15.5" from top of bodice to waistSkirt: 42" from waist to hem with abut 3" turned up under the hem

1970s Givenchy Red & White Floral Print Blue Jersey Summer Dress

$425 USD
was $625 USD

In 1952, Givenchy founded his namesake house on Rue Alfred de Vigny in Paris and quickly rose to fame as one of the grand couturiers. 16 years later for the 1968-69 season, he added a ready-to-wear line of clothing and accessories called “Givenchy Nouvelle Boutique”. The line was initially sold in the United States exclusively through Bergdorf-Goodman stores and was eventually available at other retailers as well. The line was high end and extremely well made and made to appeal to his non-couture clients. It continued until 1992.

This dress is made from an easy to wear, synthetic jersey fabric in a deep blue. Many people are surprised to see pieces from the larger ateliers producing dresses using this fabric, but at the time this was a cutting edge fabric with all the promises of long life and easy care. High end designers like Givenchy were on the forefront of these developments in fabric. They were also practical as many of their clients traveled extensively and this fabric could be popped into a suitcase at one end and worn immediately upon arrival at the other. The dress has a simple cut with a pretty red and white floral print scattered over its surface. The neckline has a square cut with straps that curve up and over the shoulders. The bodice has been draped and gathered all the way around the torso. From the waist the skirt falls to the floor, gently widening out as it nears the hem. It is a gorgeous little piece that can easily go from day to evening with a change of accessories. Excellent condition.

Unlined and closes with a back zipper. Hand finishes and hand edged inner seams. Inner waist stay that closes with hook & eye. The fabric has some stretch

Bust: 15-18" flat across from side seam to side seamWaist: 12-13.5" flat across from side seam to side seamHips: to 23" flat across from side seam to side seamBodice: 17" from top of shoulder strap to waistSkirt: 40" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2712

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1970s Givenchy Bold Red & Blue Silk Chiffon One Shoulder Dress

$725 USD

In 1952, Givenchy founded his namesake house on Rue Alfred de Vigny in Paris and quickly rose to fame as one of the grand couturiers. 16 years later for the 1968-69 season, he added a ready-to-wear line of clothing and accessories called “Givenchy Nouvelle Boutique”. The line was initially sold in the United States exclusively through Bergdorf-Goodman stores and was eventually available at other retailers as well. The line was high end and extremely well made and made to appeal yo his non-couture clients. It continued until 1992.

This dress is from that line and the color combination is striking. It combines a bright, true red with a vivid royal blue for a bold contrast. It is entirely made of a textured silk chiffon and the contrast and impact is created solely by the mixing of the draped panels and those two opposing colors. It is not a dress for a wallflower. The cut has a Grecian feel to it and it is very light in weight so moves wonderfully once on. I love how the curves of the dress work in combination with each other to make the design beautiful to look at no matter what angle you see it from. The skirt flows to the floor with two layers of the red bias silk chiffon set over an inner silk lining. This gives it beautiful flow and a feeling of lightness and airiness. A panel of blue silk wraps around the waist and ties off to one side to trail down and contrast against the red. The bodice of the dress is cut to follow your curves and the hand placed, gathered chiffon is draped down and across the waist and bust to create a flattering line. Again you have that contrast in color with the panels switching from red to blue. The top panel on the bust is blue and this has a panel of silk attached at one side that drapes up and over the shoulder. This then falls like a long angel sleeve over the arm and to the floor. This dress really moves wonderfully when on and is quite beautiful and striking. Excellent condition.

Fully lined in a red silk through the skirt and a blue silk through the bodice. It closes with a side set painted metal and nylon zipper. Hand finishes. Tagged a vintage 40

Bust: to 16" flat across from side seam to side seamWaist: 12-14" flat across from side seam to side seamHips at inner lining: to 20" flat across from side seam to side seamBodice: 15" from top of shoulder to inner waist seamSkirt: 43" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2983

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1970s Emilio Pucci Turquoise Silk Chiffon Off Shoulder Dress

$725 USD

The color of this Pucci dress is wonderful. It is a beautiful shade of turquoise blue and the pops of pink and purple work perfectly against that backdrop. The cut is very flattering and forgiving and has a very romantic feel to it. This is not your typical stretch silk jersey dress that you see but it still has that fabulous Pucci print and feel. The sleeves are cut wide and full. Each ends with a ruffled detailing fro a pretty flounce. This same ruffle treatment is used at the hem of the skirt and helps give it lots of movement and an airy feel. I love the neckline - it has fabric ties that run all the way around the shoulders and you can adjust the neckline with them. They allow you to let it sit higher up or let them out wide enough to sit fully off the shoulders. It is very feminine but sexy at the same time. I love it. Excellent condition

Fully lined in a matching blue silk chiffon and closes at the side with a painted metal zipper. The shoulders can be adjusted with the ties that run through the upper edge.

Shoulders: adjustableBust: 18" flat across from side seam to side seamWaist: 14" flat across from side seam to side seamHips: openBodice: approx 16" from top of shoulder to waistSkirt: 21" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1866

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1970s James Galanos Couture Draped Printed Floral Silk Dress

$1,800 USD

This unusual and striking Galanos dress dates to the late 1970s, early 1980s, and combines a silk twill with silk chiffon to create the layered print effect that you see. The entire dress is done in a combination of yellow and blue. The inner layer and skirt are an opaque silk twill. Over that, Galanos has then used a silk chiffon in the same two print. The two layers used this was give the pattern depth and play on the saturation of the color. The bodice has a high neck and soft drape over the bust. Each sleeve billows above the cuff and the shoulders are gathered. The back is left partially open with the slit that goes from neck to waist. The skirt has a straight cut with a side slit. There are two panels attached on either side and these meet and loop through an opening at the waist. This gives it a drape over the hip and fabric cascading down one side. Excellent condition

The bodice is constructed from two layers of silk chiffon. The skirt is a made of a silk that is fully lined in a yellow tissue silk with silk chiffon draped overlay. The dress closes with a low painted metal zipper that starts at the waist. There are a series of hook and eye at the back of the neck and the chiffon in between is left open. Each sleeve closes with a fabric covered button.

Sleeves: 21"Shoulder: approx 14" Bust: to 19" flat across from side seam to side seamWaist: 14" flat across from side seam to side seamHips: 19" flat across from side seam to side seamBodice: 13" from neck to slight empire waistSkirt: 41" from slight empire waist to hem

Modern Sizing equivalent: SML-MED

Item# DD1119

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

c1962-65 Bob Bugnand Bright Floral Print & Sequin Tunic & Pant Set

$675 USD

Bob Bugnand opened launched his couture salon in Paris in 1954 His pieces were made to order from sketches and he had the capacity to produce only 50 original pieces a month at most. In 1958 he opened a custom, made-to-order salon in New York allowing clients to buy the Paris designs without having to travel overseas. During the summer of 1960, Bugnand was recognized with membership in the Chambre Syndicale de la Couture Parisienne and opened his salon at 372 rue St. Honore in Paris. In 1962 he collaborated with Sam Friedlander to launch a ready to wear line that stayed true to his couture roots and used high end finishes.

This set is from that collaboration that only lasted a couple of seasons. Both pieces of this pant set are made from a brightly printed floral patterned silk that has a solid blue silk trim at the hems and cuffs for contrast. The floral part of the fabric is completely covered in clear sequins hand set flat across the entire surface. This makes the fabric catch the light with out every movement and really gives the designs an extra dimension. The tunic has a simple cut and is shaped to follow the lines of the torso. It flares out from the waist to skim over the hips. That same flared shape also finishes the sleeves and the legs of the pants to give the entire set a beautiful balance and a slightly mod feel. The pants are also cut with a simple shape with a flat cut front and sleek lines until they flare out at the hem. I love that you can wear it together as a set, or break the pieces up and pair them individually with modern pieces from your wardrobe. Excellent condition

Both pieces are fully lined in white silk. The pants close with a side painted metal zipper and the top has a painted metal zipper that runs down the back. It appears to have been worn little if at all.

TopSleeves: 23"Shoulders: 14.5"Bust: 16.5" flat across from side seam to side seamWaist: 15.5" flat across from side seam to side seamHips: 20" flat across from side seam to side seamLength: 27.5" from neck to hem

PantsWaist: 13" flat across from side seam to side seamHips: 19" flat across from side seam to side seamLength: 41.5" from waist to hemInseam: 29.5"

Modern Sizing Equivalent: XS-SML

Item# DD2208

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

S/S 2007 Christian Lacroix Blue Strapless Dress & Shawl w Applique

$625 USD
was $1,200 USD

Christian LaCroix launched his Haute Couture house in 1987 and was instantly adored and revered. A ready-to-wear line soon followed along with perfumes and menswear. His collections are always an exotic, lavish affair and his inspirations spanned the decades with their eccentric, exotic glamour. His atelier closed in 2009. This dress is from the Spring 2006 collection. I love that for production they went with this stunning full length version rather then the shorter dress as it was shown in for the presentation that season.

LaCroix was the master at creating pieces that combine color and textiles and this is a wonderful example of his work. The dress is strapless and fitted through the bodice and the silk voile applied so that it peeks up and over the upper edge. It is hand draped and shaped across the bust. Trailing down and across the bodice on a curved line are hand applied floral applique work that are edged in beads and anchor the silk over the bodice. That same applique is also used on the matching shawl along one corner. The bodice is fitted through to the waist and then the skirt flows out from there into yards and yards of fabric. At the back it trails out to create an expansive train. The back skirts are gathered at the small of the back and there is a tie that runs though for you to adjust how tightly this sits there. The print that runs over the gown is stunning and a beautiful combination of blues that give it an ocean feel. Presents as excellent condition with condition notes to review below.

Fully lined in black silk gazaar and it is lightly boned and shaped through the bodice. It closes with a hidden set zipper at the back. I see a some small repairs to the fabric at the waist on one side and around some of the lower edges of the flowers, near the base of the zipper and to the train near the back hem where a heel caught the fabric as some point. It presents extremely well once on. All areas have been photoed.

Bust: 16" flat across from side seam to side seamWaist: 13" flat across from side seam to side seamHips of interior lining: 21" flat across from side seam to side seamBodice: 9.5" from top of bodice to interior corset waistSkirt: 46" from interior corset waist to front hem, 58" to the back hem

c.1974 Thea Porter Couture Documented 'Wave' Print Silk Chiffon Dress

$1,600 USD

In 2015 I lent and photoed over a dozen of my archived Thea Porter Pieces from my archives and shop to the Fashion and Textile Museum in London. Curator and Fashion Historian, Laura McLaws Helms used those photos and pieces in the exhibit of Thea Porter's work and for the accompanying book 'Thea Porter: Bohemian Chic'. Many of my pieces landed in either the book or the exhibit, or appeared in both. A close up of this exact dress appears on p.84 of the book to illustrate the collaborative efforts between Thea Porter and textile designer, Hannah Meckler. The pattern on this dress is the 'Wave' design and in the book this is clarified as being done by hand and "painted onto meters of silk chiffon that were made into evening dresses and Abayas".

This is a wonderful Thea Porter dress that has a bare back and halter neckline. It has more structure then in some of the pieces you see by her but still has that wonderful bohemian feel to it through the combination of that Hahan Meckler print and the skirt that is made from yards and yards of bias cut silk. Thea's pieces often created sensuality by combining full coverage and flowing fabrics, so to see a dress that has far more 'bareness' to it is a bit of an anomaly and shows how multi-faceted she really was. The hand painted design runs vertically over the dress and draws the eye up. On the skirt, the many yards of silk is bias cut and the design is set to perfectly follow that cut and flow of the silk. The wave design that covers the silk is appropriately named for its beautiful blue tones that are reminiscent of the ocean. The fabric choice gives the dress an airy, floating feel. The bodice is fitted and cut with a high halter neckline that curves up and around the neck to tie at the back with a second layer of less structured silk that ties over the inner strap and trails down the back. This cut leave the back completely bare and open. Curved pleats, done by hand, angle up to the silk chiffon rosette details the neckline. It is very beautiful. A wonderful example of Thea Porter's work and her collaborative efforts with textile designers of the time period. Excellent condition.

Fully lined in pale blue tissue silk. It closes with a low, hand set, back painted metal zipper. The halter closes at the back with hook and there is a panel of silk chiffon that ties into place over that. Light boning on either side of the bodice. All hand work. There is a slight discoloration to the lining near the waist - it does not show on the exterior and is noted for accuracy only. Tagged a vintage UK 10. Note that it was too small for my mannequin - it will zip and close properly at the back on the proper sized girl.

Bust: approx 16" flat across from side seam to side seam but there is some play here as the back is openWaist: 12.5" flat across from side seam to side seamHips: openBodice: approx 13" from neck to slight empire waistSkirt: 45" from slight empire waist to hem

Modern Sizing equivalent: XS-SML

Item# DD1108

Photo Credit: (1) From the Book Thea Porter; Bohemian Chic, p.84. / (2) Kate Moss in a dress with the same print

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

Rare 1950s Lanvin Castillo Demi-Couture Blue Silk Dress & Jacket

$1,200 USD

This is an extremely rare Jeanne Lanvin-Castillo labeled ensemble. The label is that of the "Execute par Maria Carine sur autorization speciale", which translates to: "made by Maria Carine with special authorization. That label is best explained by this partial excerpt from the Vintage Fashion Guild: The Maria Carine atelier was owned by Maria Moutet-Chenu. She worked with four couturiers: Heim, Desses, LaRoche, and Lanvin. After the couture showings, each couturier would give her sketches based upon the garments they had just shown. Moutet-Chenu made the toiles which were approved by the designers. Then each garment was cut individually by hand in the Maria Carine workrooms in Paris using the same fabrics that were used for the couture garment. Maria employed hundreds of seamstresses, many of whom worked in their own homes. They sewed each garment individually by hand to exacting standards. In other words - this is an authorized piece, whose construction was overseen by the house of Lanvin and is how demi-couture pieces were produced for clients outside of France. These were only produced for a small window of time before more mass market production methods took over. This method was used by the French ateliers of the time to circumvent the stringent export rules of the day - think of it as a off site atelier as this were only produced with permission of the house. They are not "copies", nor are they less valid pieces - they simply were produced off-site to get around the export rules of the time. The quality is that of a demi-couture piece.

The fabric of this dress is wonderful. It is a very lightweight, fine silk brocade woven with a slightly raised pattern of flowers in a deeper blue thread that perfectly contrasts against the blue base. In person this fabric almost seems to glow from within and it is very beautiful. The color is not quite captured in these photos and I think it is far better in person. The dress is fitted through the waist but cut to skim over your curves above and below that. The sleeveless top gently gathers into the banded waist with soft pleats that make it feel very feminine. The skirt falls softly to just past the knee and gently widens as it nears the hem. The jacket is cut with a simple design and has straight cut sleeves that are just past the elbow in length. The is no no collar and it ties in place at the waist. That tie at the waist is finished with hidden set snaps to keep the ends of the tie perfectly in place. I love the two round pockets that sit very high up on the chest. It is made with masterful seaming and cut and the fabric is just extraordinary. Hand finishes and extra detail throughout. Excellent condition.

Unlined with a combination of grosgrain and hand stitched edged seams on the interior. The dress closes with a side set painted metal zipper. The jacket ties at the waist and there is a combination of with hook & eye and hidden snaps to secure the tie. Each pocket is hand shaped and sewn into place. Hand sewn interior silk banding at the waist for additional comfort.

DressBust: to 19.5" flat across from side seam to side seamWaist: 14" flat across from side seam to side seamHips: to 20" flat across from side seam to side seamBodice: 14" from shoulder to top of waist bandWaist band: 3"Skirt: 22" from waist to hem

JacketSleeves: 17"Shoulders: 15"Bust: 19" flat across from side seam to side seamLength: 17.5" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD1700

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1940s Hand Painted Blue & White Sequin Silk Swing Dress

$375 USD

Really unusual and unique dresses from the 1940s are almost impossible to find anymore and often examples have just a minor detailing of sequin work. This one however is like the holy grail as it is completely covered in hand set, blue sequins that follow the curves of the printed design underneath. And even more amazing this covers the dress from top to bottom. The cut is perfectly simple and perfectly feminine. The skirt is cut slim and straight from the more fitted hip area. The bodice above the nipped in waist is classic forties with short cap sleeves and a V neck that meets in a soft pleating detail at the center front. It also dips in the back and the neckline is edged in a pretty blue velvet. Over the entire surface of the white silk crepe are tiny hand set blue sequins, each individually placed and set by hand to follow the design underneath. One of the most striking and unusual 1940s dresses I have ever had. Excellent condition with one minor note to review below

Interlined with a net fabric and closes with a side painted metal zipper. Hand finished throughout. There is minor fading on the top of each shoulder where the blue of the sequins and print has softened to a more purple tone. Because of where it sits and the complexity of the design its not really noticeable once on.

Shoulders: no defined seamBust: 17.5" flat across from side seam to side seamWaist: 12.5" flat across from side seam to side seamHips: 18" flat across from side seam to side seamBodice: 15" from top of shoulder to waistSkirt: 25" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# D584

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1950s Don Loper Blue Silk Dress w Chiffon Draped Back

$425 USD

This dress was designed by Don Loper who worked in the film industry during the golden days of Hollywood and was known for his decadent gowns and glamorous approach to dressing. From the front the dress is a cut with simplicity in mind. The silk is a soft navy color and it is cut to skim over the bodice and cinch in at the waist. This tops a gently flared skirt to just past the knee. Each sleeve is made of a ruched and gathered blue silk chiffon that sits on either side of the wide cut neck. It is these wonderful little sleeves that give you a hint of what is to come once you turn around. Once you turn to the back, the impact of it almost takes your breathe away. The back is made up of panels of silk chiffon that drape down the back and are gathered at the top of neck and again at the waist. Between these two anchors the silk floats and drapes. The top portion of the draping has a silk ribbon running through that allows you to gather in the silk for the perfect fit and adds a pretty and feminine touch. When you move the silk panels that extends down and over the skirt floats behind you. It is a touch too big on my mannequin and on the right sized girl will fall in place even better. It is really a work of art and I love it. Excellent condition with one small note below to review.

The bodice is interlined with a blue silk organza and the skirt lined in a burgundy silky rayon. It closes at the back with a painted metal zipper. A tie runs through the back neckline so you can bring in the overall width of the neckline a bit. There is a touch of shininess around the waistline at the front from being over-pressed at some point. This is very minor but mentioned for accuracy.

Shoulders: no true defined seamBust: 20" flat across from side seam to side seamWaist: 14.5" flat across from side seam to side seamHips: 21" flat across from side seam to side seamBodice: 16.5" from top of bodice to waistSkirt: 31" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD2294

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1970s Adele Simpson Blue Chiffon Dress w Green Ruffle

$475 USD

This Adele Simpson dress is wonderful and so pretty once on. The dress is made from layers of a royal blue chiffon that has a pretty panel of contrasting green that runs down the front to create a ruffle effect. The bust is given shape and detail by a gathered detailing down the center. From there tiny straps start at the center front and then circle around the neck, This simple little touch gives it a beautiful soft and sexy feel. Just under the center bust sit panels of chiffon that are gathered and set so that they flow into the full length skirt and where they meet is that fabulous pop of emerald green. It gives the illusion that the wearer has been wrapped like a Grecian statue in layers and layers of chiffon. A really gorgeous piece from a great American designer. Excellent condition.

Fully lined in matching blue silky chiffon and the the skirt has two more layers of chiffon draped over that. The bodice is lightly boned through the sides and has additional layers built in so you can go bare underneath. It closes with a back metal zipper. Hand finishes. Appears unworn.

Bust: 16.5" flat across from side seam to side seamSeam right under bust: 14" flat across from side seam to side seamNatural Waist: 14" flat across from side seam to side seamHips: 20" flat across from side seam to side seamBodice: approx 6"Skirt: 45" from waist to hem

Modern Sizing equivalent: XS-SML

Item# DD1165

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

1950s Kamehameha Blue Floral Print Hawaiian Dress

$325 USD
was $425 USD

The Hawaiian label Kamehameha was launched in 1936 and was named after King Kamehameha who united the Hawaiian islands. They were famous for their brilliant tropical floral prints which they made for the tourist markets. They combined the feel and beauty of Hawaii with the current lines popular on the mainline. The items were manufactured on the island and the prints done in-house. They primarily used cotton for their designs and this dress is no exception. The fabric is that crisp fifties cotton and it has been screened with a brilliant pattern of tropical leaves and flowers in blues and pops of deep pinks. The bodice is fitted and lined with a starched filler so that it has shape and molds to the bust. The waist is cinched with an attached blue sash whose colors match the piping details and straps of the dress The skirt is very full. I have photoed it without a crinoline but you would get a the full fifties cupcake effect if you decided to add one. As an added bonus, the straps each tie at the top of the shoulder, this allows for the perfect fit and also you can easily tuck these in and wear the dress strapless. Excellent condition.

The dress is fully lined in a white cotton and closes with a back metal zipper. The sash at the waist is attached at the front and ties at the back

Bust: 16" flat across from side seam to side seamWaist: 14" flat across from side seam to side seamHips: openBodice: 15" from top of shoulder to waistSkirt: 27" from waist to hem

Modern Sizing Equivalent:XS-SML

Item# DD2788

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1980s Katharine Hamnett Blue Cotton Ruched Fitted Dress

$425 USD

Katharine Hamnett opened her own label in 1979 and became a star in the Britich fashion world. She has dressed countless celebrities and music people from Mick Jagger to Gwyneth Paltrow, Madonna, David Bowie, Bob Geldof and Minnie Driver. In 1984 she received the Designer of the year award from the British Fashion Council. This is a stunning and sexy little dress by her done in a deep blue and made of a cotton. It is gathered and ruched elaborately along all the seams through the bust. These travel the length of the dress to just past the hip where a little skirt flares out . The final result is a sexy little shape that hugs and follows your every curve but, at the same time it is completely easy and comfortable to wear because of the fabric choice. I love the little straps that curve up and over each shoulder - they are attached to the dress by buttons and can be removed to make the dress strapless if you wish. Excellent condition with one small note below.

Unlined and closes with a side metal and nylon zipper. The fabric can be hand washed and has been - there is a teeny slight feel of washed cotton to it. This is natural patina but I have priced it with this in mind. For me it just adds to the dress and its easy feel.

Bust: 15-16" flat across from side seam to side seamWaist: 12-13" flat across from side seam to side seamHips: 17-19" flat across from side seam to side seamLength: 43" from shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD2776

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1960s Geoffrey Beene Deep Blue & Graphic Silver Trim Dress

$475 USD
was $725 USD

This navy and silver dress is a wonderful and early example of Geoffrey Beene's work and to me completely sums up the Beene aesthetic - a simple, almost monastic cut combined with unexpected details and the bold use of graphic lines. This combination makes a high impact in the simplest of ways and solidified Beene as one of the great American designers. The cut on this dress is supermodel long and lean. The placement and use of that vertical silver cord detailing that runs down the front only adds to the length and line he wanted to create. The double set silver line is only broken by the deliberately placed silver detail at the empire waist - creating a striking off set cross. Domed silver buttons run down the front between the double row of silver. Simple but dramatic, perfectly constructed and because of the type of wool jersey used, the line and shape remains in that stark column when on. A wonderful, statement piece from a master. Excellent condition.

Fully lined in a fine blue silk that is hand set. It closes with silver toned, rounded metal buttons down the front. Note that there is a nip in the fabric near shoulder (photoed) and a similar flaw near the seam at the hem - it is priced accordingly and both are stable and held up to cleaning. Each cuff has hidden set zippers. It unbuttons all the way open so you can use it as a layered piece as well.

Sleeves: 23"Shoulders: 15"Bust: 18.5" flat across from side seam to side seamWaist: 17" flat across from side seam to side seamHips: 19" flat across from side seam to side seamLength: 57" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD1920

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1960s Geoffrey Beene Boutique Navy Jersey Ruffle Dress

$350 USD
was $575 USD

I love the combination of jersey and ruffles on this dress combined with the slinky feel and sexy backless cut. The dress itself is made of a deep navy blue jersey so has a wonderful drape and fall to it once on the body. The halter sweeps up and around the neck, hooking into place. Encircling the neck and running down the line of the scooped front is a double band of a cream silk organza cut and sewn to create a fabulous ruffled effect. The back is left completely bare and the waist is left undefined - the dress simply falls from the neckline into a gradually widening column of fabric. It is quite fabulous and I love the mix of the two fabrics that you don't normally see together. Just more evidence of Beene's genius. Excellent condition.

Fully lined in a deep blue silk and closes with a hidden set back nylon & metal zipper.

Bust: 17" flat across from side seam to side seamWaist: 15" flat across from side seam to side seamHips: 19" flat across from side seam to side seamLength: 57.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2403

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

1980s Printed Silk Nina Ricci "Flower Petal" Mini Dress

$725 USD

From the Haute Boutique portion of the Nina Ricci empire comes this amazing and sexy little number. These would have been made in house and considered demi-couture level, hand finished and proprietary fabrics made to order for their clients. It is a stunning little strapless dress whose ruffled tiers are placed to suggest flower petals. These are set over a fitted interior that hugs your curves. The waist is nipped in with a wide gathered band. This sits over an interior fitted skirt with two full tiers of silk taffeta that create shape and volume. The bodice is strapless and has a built in corset inside. Over this is yet another shaped and formed panel of silk that opens up and towards the face, highlighting the bust. I love the way it is entirely constructed to emphasize the hourglass silhouette and show miles of leg. The print on the silk is beautiful - it is a washed floral design in muted purples and pinks that are masterfully blended. Excellent condition.

The dress is fully lined in a blue tissue silk. It has an internal built in, boned corset. It closes with two separate zippers an internal one that zips up the inner corset and then the exterior dress zipper over that. Interior waist stay made of grosgrain ribbon that closes with hook & eye. Hand finished.

Bust: 16" from side seam to side seam with A-small B cup room built inWaist: 12.5" from side seam to side seamHips: 20" flat across the back from side seam to side seamBodice: 12.5" from top of bodice to dropped waist lineSkirt: 17" from dropped waist line to bottom tier

Modern Sizing equivalent: XS-SML

Item# 2-DD344

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival