Go Off the Beaten Path

The Mindshift FirstLight 40 L is specially designed and built for the dedicated travelling photographer who takes extended trips into the wilderness, this bag was robustly made to handle harsh conditions. The 11-point adjustable torso harness is contoured in such a way as to fit both men and women’s bodies ranging from small to large and the ballistic nylon bottoms offers durability. Its high capacity volume offers enough room for a hydration reservoir, a dedicated compartment in the front for your laptop as well as extra space for your personal gear.

Features

For mirrorless or DSLR camera with lens

Front 15" laptop pocket

Adjustable foam dividers

Interior & front stuff pockets

Large water bottle / accessory pocket

Grab handles on 2 slides

Side compression straps / locking buckles

Adjustable torso length & harness system

Seamless rain cover / ground cloth

What fits in the bag?

2 gripped DSLRs with 6-8 standard zoom lensZOOM LENSAllows a camera to, unlike a fixed-focal length or prime lens, change smoothly from a long shot to a close-up or vice versa by varying the focal length. A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Due to more moving parts, zoom lenses often produce images of slightly lesser quality than their prime lens counterparts. However due to the inherent flexibility of being able to vary the focal length, they are extremely popular for photography where composition needs to be adapted quickly - such as at weddings, for example.es and 1–2 flashes

Maximum lens size: 600mm f/4 lens detached or a 500mm f/4 attached

For ExampleNikon D4s with 500 f/4.0 VR II, D810, 14-24 f/2.8, 70-200 f/2.8, 100 MacroMACROProducing photographs that render extreme close-ups of extremely small subjects like insects, hence its popularity among nature photographers. It requires using a macro lens with a large reproduction (magnification) ratio of at least 1:1, which renders a subject larger than life size. Macro lenses are capable of focussing at extremely short distances (some as little as a few centimetres), allowing the photographer to get very close to the subject. f/2.8 plus SB-900 flashOR Nikon D3s with 70-200 f/2.8 VR II attached, 14-24 f/2.8, 24-70 f/2.8, 300 f/2.8 VR II, 50 f/1.4, 105 f/2.8 Micro VR and Nikon D4sOR Canon 600mm f/4.0, 16-35 f/2.8, 24-70 f/2.8, 5D Mark III, 1Dx plus other essential

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