Popular Culture and the Political Values of Neoliberalism

George A. Gonzalez

Reality is made up of the Absolute and Causality. The absolute (most saliently philosophized about by Georg Hegel) is where normative values inhere. Causality can be described as the measurable effects of the normative values of the absolute and the laws of physics (also ostensibly a product of the absolute). Humans are special insofar as they access the higher aspects of the Absolute – altruism, compassion, love, humor, science, engineering, etc. The Absolute also contains what can be considered the less attractive values or impulses: greed, lust for power, hate, self-centeredness, conceit, etc. Predicating society on what I deem the lower (spirits) aspects of the absolute (most prominently, greed) results in personal, social dysfunction and ultimately the end of civilization. Conversely, a society based on justice is stable and vibrant. Justice is a classless society, free of gender and ethnic biases. My argument is based on popular culture – especially the Star Trek franchise. One implication of my thesis is that capitalist values generate psychological neurosis and societal instability – even catastrophe. Additionally, the political values that dominate the current neoliberalist world system (and especially the American government) are the other, the will to power – resulting in war, and global political instability.

Popular culture is germane to philosophy and contemporary politics because television/movie creators frequently try to attract viewers by conveying authentic philosophical and political motifs. Conversely, viewers seek out authentic movies and television shows. This is in contrast to opinion surveys (for instance), as the formation of the data begins with the surveyor seeking to directly solicit an opinion – however impromptu or shallow« lessmore »

Chapter Six: Clones and the Politics of the Mind in Star Wars and Star Trek

Chapter Seven: Art as Knowledge: Who Leads the American World System

Chapter Eight: Popular Culture and Trump Politics

Dr. Gonzalez’s work serves as an extraordinarily capacious yet succinct guide to political philosophy that uses Star Trek and other popular culture texts as a base and an allegorical framework.— David Greven, author of Gender and Sexuality in Star Trek

George Gonzalez has written a thought provoking ideological analysis of widely watched television series such as Star Trek, House of Cards, Black List, and Breaking Bad to document how popular culture has narrated the decline of U.S. democracy and the rise of authoritarian neoliberalism over the last 25 years. Gonzalez’s book directly challenges previous scholarly writing on the topic. He not only debunks widely accepted (and misguided) interpretations of these television series, but he demonstrates that serious political theory can be excavated from popular culture and intellectuals who denigrate it miss an important aspect of how ideology is conveyed and criticized in otherwise quotidian outlets. He uses Star Trek in particular to articulate a realistic alternative future based on a classless, egalitarian, democratic, and post-scarcity form of communism. — Clyde W. Barrow, University of Texas, Rio Grande Valley

Popular Culture and the Political Values of Neoliberalism

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Summary

Summary

Reality is made up of the Absolute and Causality. The absolute (most saliently philosophized about by Georg Hegel) is where normative values inhere. Causality can be described as the measurable effects of the normative values of the absolute and the laws of physics (also ostensibly a product of the absolute). Humans are special insofar as they access the higher aspects of the Absolute – altruism, compassion, love, humor, science, engineering, etc. The Absolute also contains what can be considered the less attractive values or impulses: greed, lust for power, hate, self-centeredness, conceit, etc. Predicating society on what I deem the lower (spirits) aspects of the absolute (most prominently, greed) results in personal, social dysfunction and ultimately the end of civilization. Conversely, a society based on justice is stable and vibrant. Justice is a classless society, free of gender and ethnic biases. My argument is based on popular culture – especially the Star Trek franchise. One implication of my thesis is that capitalist values generate psychological neurosis and societal instability – even catastrophe. Additionally, the political values that dominate the current neoliberalist world system (and especially the American government) are the other, the will to power – resulting in war, and global political instability.

Popular culture is germane to philosophy and contemporary politics because television/movie creators frequently try to attract viewers by conveying authentic philosophical and political motifs. Conversely, viewers seek out authentic movies and television shows. This is in contrast to opinion surveys (for instance), as the formation of the data begins with the surveyor seeking to directly solicit an opinion – however impromptu or shallow

Chapter Six: Clones and the Politics of the Mind in Star Wars and Star Trek

Chapter Seven: Art as Knowledge: Who Leads the American World System

Chapter Eight: Popular Culture and Trump Politics

Reviews

Reviews

Dr. Gonzalez’s work serves as an extraordinarily capacious yet succinct guide to political philosophy that uses Star Trek and other popular culture texts as a base and an allegorical framework.— David Greven, author of Gender and Sexuality in Star Trek

George Gonzalez has written a thought provoking ideological analysis of widely watched television series such as Star Trek, House of Cards, Black List, and Breaking Bad to document how popular culture has narrated the decline of U.S. democracy and the rise of authoritarian neoliberalism over the last 25 years. Gonzalez’s book directly challenges previous scholarly writing on the topic. He not only debunks widely accepted (and misguided) interpretations of these television series, but he demonstrates that serious political theory can be excavated from popular culture and intellectuals who denigrate it miss an important aspect of how ideology is conveyed and criticized in otherwise quotidian outlets. He uses Star Trek in particular to articulate a realistic alternative future based on a classless, egalitarian, democratic, and post-scarcity form of communism. — Clyde W. Barrow, University of Texas, Rio Grande Valley