If you're not moved by the immensity of the landscape, by the humbling scale, by the subtle variations in uniformity, by the depth of emptiness, by the simple beauty of Nature... you're not ready to immerse yourself in contemplative cinema which requires you to leave at the door your conformist expectations, your need for patronizing signposting, your self-indulgent entertainment craving. CCC is the antithesis of the horror vacui, there is no fear of emptyness, by embracing the absence of oversignificance. CCC is not merely an uneventful static landscape... far from it, there are macro narratives and micro dramas going on in a minimalist film. But being able to handle the breath-taking contemplation of a simple scenery for more than a hasty glance at a postcard (these pictures above stand in for the real life location where you could experience the view over there, in situ, not just the snapshot on a webpage they are here), is the minimal requirement to enter the understated universe of time-based cinema (as opposed to action/word-based cinema). Go walk deep into the non-industrialized Nature for a while to shake off your conditioned automatism that make you find boring anything that is not instantaneous, pre-digested and dumbing down.