Social Justice / Prison Programs (34)

On September 2, 2016, a recent ex-convict who served 23 years behind bars opened playing the role of Othello for a professional theater company. For over a quarter century, my parents Bob and Lesley Currier have run the Marin Shakespeare Company in Northern California. For thirteen years, Lesley has led Shakespeare and devised work with…

By Jason Kravarik, CNN Tue May 31, 2016 http://www.cnn.com/videos/us/2016/05/30/shakespeare-prison-california-orig.cnn Vacaville, California (CNN) Nineteen years ago, Joseph Jackson was a drug dealer unloading his gun into two people he thought had infringed on his turf. Today, the convicted killer sings and dances on stage in a white velvet coat. His fellow actors have similar stories: Christian…

Published in The Orange County Register, August 17, 2015. By Tom Berg, Staff Writer Troy Williams is talking on the phone about the first time he performed Shakespeare – as an inmate at San Quentin State Prison – when he interrupts himself. “I see it right now,” he says as he drives to work,…

Rehabilitative arts programs expand to 18 state prisons

CDCR, California Arts Council announce this year’s funding recipients

Photos and story by Krissi Khokhobashvili, CDCR Public Information Officer

The arts have long been a catalyst for communication and human growth, from etchings on cave walls to magnificent paintings on chapels to plays whose themes allow vastly different audiences to find common ground.

The return of Arts-in-Corrections to state prisons has enabled professional artists throughout California to share their skills with inmates, teaching new techniques and skills while also encouraging communication and creativity. Arts-in-Corrections is a partnership of the California Department of Corrections and Rehabilitation (CDCR) and the California Arts Council (CAC) to bring structured, rehabilitative arts programming inside the walls of state prisons.

Now in its second year, Arts-in-Corrections offers programs in painting, drawing, theater, music, dance and writing, all with a focus on the healing power of art and how artistic skills can translate into valuable life and job skills.

“Since the revitalization of the Arts-in-Corrections program, many positive changes have been reported from our institutions,” said CDCR Secretary Jeff Beard. “These rehabilitative arts programs are teaching inmates new skills while also providing an outlet for emotional growth and self-reflection.”

One of the 10 organizations to receive funding this year is the Marin Shakespeare Company, which for 12 years has brought theater to San Quentin State Prison (SQSP), teaching inmates not only the process of staging a full-length Shakespeare production, but also empowering incarcerated men to express themselves in positive ways.

This year, under the direction of Marin Shakespeare’s Lesley Schisgall Currier and Suraya Keating, SQSP inmates from the group Veterans Healing Veterans from the Inside Out created an autobiographical play exploring the challenges of returning home from military service, and why so many veterans commit suicide.

“It takes a lot of courage to participate in the military, particularly in combat,” Currier said. “It takes another kind of courage to stand up in front of a group and tell your story in this way.”

The men presented their play, “Theater of War,” to an audience of staff, fellow inmates and representatives from outside veterans’ organizations. The audience was openly moved by the performance, which drew on the men’s own experiences to paint a portrait of what it’s like to transition from service to society, and to be a veteran in prison.

“I have been in those shoes – I understand those shoes. I’ve felt what they are feeling,” said Ava-Marie Jones, a Disabled Veteran Outreach Program Representative for the California Employment Development Department. “I can understand where you guys are. I see people like you every single day – I respect what you have just done, in the realm of who you are.”

“Theater of War” tackled issues from life-changing and tragic decisions made during combat and reuniting with family after war to the challenges of dealing with mountains of benefit paperwork. Ron Self, a decorated Marine incarcerated at San Quentin, founded Veterans Healing Veterans in 2012 to provide a safe space for incarcerated veterans to deal with those issues and many more.

“I’ve never participated in something where I can actually say I know people who said they didn’t commit suicide because of a program, and that has happened in this program,” Self shared during a Q&A after the performance.

“This program has been a way for me to help express myself,” said Isiah Daniels, “and to help those outside the military understand who I am.”

Several cast members did not have prior military experience, but volunteered their time to help the cause. Currier said although it was a learning curve for non-military members, including herself, it was ultimately healing for all involved, and created a deeper understanding of incarcerated veterans.

“Hearing these stories, and knowing that there are many more stories, and being able to help be the catalyst for the catharsis that can happen when we share our stories, is why I’ve been coming to this prison every week,” Currier said.

San Quentin is not the only prison Currier and other volunteers travel to. For the better part of nine months, she and drama therapist Lynn Baker spent Saturdays with inmates at California State Prison-Solano (SOL) in Vacaville, preparing for the prison’s first-ever Shakespeare productions. Their work culminated in two performances, “Macbeth” and “Julius Caesar,” and the Shakespeare at Solano program has been re-funded so its work can continue. Sign-ups for the next productions will begin in August.

“Growing up, I’d never been a part of anything like this before. I always wanted to do something that was considered ‘regular,’” said Joseph Jackson, who portrayed Mark Anthony in “Caesar,” adding that it was a big challenge to get up on stage and perform. “This gives me an opportunity to put myself out there, push through that fear and just do the best that I can.”

The Shakespeare program starts with several weeks of reading and analyzing the plays, teaching participants about the language and stagecraft of William Shakespeare. Even though the plays were written hundreds of years ago, the men in the program were quickly able to draw parallels between centuries-old scenes and their current situations.

“This is the first time that I’ve ever stood on the outside of a murder or betrayal and actually had a chance to consider and think deeply about it,” shared Donel Johnson, who played Cicero. “Sometimes, when you’re in the midst of certain things, you don’t really process it because you’re a part of it … when we can actually look at crimes like that, actually think about how wrong that is, that’s a powerful thing.”

“I believe that we all have darkness inside of ourselves, and that we all as human beings benefit from being able to express ourselves and to find our creative selves, whether it’s as a visual artist or an actor or a musician,” Currier said. “And the world’s a better place when we can let our creativity and our ability to communicate flourish.”

(Editor’s note: Some websites may not be accessible from a CDCR computer.)

‘Macbeth’ Hits Home at San Quentin From American Theatre Magazine, June 19, 2015 Shakespeare’s themes of murder and mayhem resonate with prisoners, certainly, but so do his language, his humanity and his humor. BY ROBERT COHEN SAN QUENTIN, CALIF.: I have seen at least a dozen productions of Macbeth in my life, reviewed most of…

“Desert” is a shortened form of “deserted,” that is, uninhabited. But history suggests that a completely uninhabited island is like a vacuum, a “gap in nature,” as Shakespeare says elsewhere, that is, a natural impossibility. The action of The Tempest is confined to an unnamed “desert island” (2.1.35) somewhere in the Mediterranean. The shipwrecked character who calls…