But there may be some confusion as residual stock of certain discontinued G Series models will still be on sale while lower-priced Chinese-built replacements start appearing, some with the same model codes. So how do does this new arrival shape up?

Overview

This is the full body, purely acoustic version of another Takamine model, with a natural matt-satin finish to deliver the entry-level point for the G Series.

Solid spruce tops can vary from model to model – this one is darker than normal due to its denser orange streaks; and this results in an aesthetically pleasing earthiness.

Bar the lack of cutaway, and its non-compensated saddle's intonation issues, the G220S-NS is much the same to play as other Takamines.

However, this review model features a particularly extreme example of neck pitching, with more than enough 'spare' on the saddle – there's more poking out than there is sitting in the slot.

This definitely ensures that the strings make a healthy rake angle over it, which improves volume and tone.

While, overall, it sounds pretty light up against a dreadnought, it retains some of the earthy, woody colours in the tone that gives Takamine guitars their pleasing character.

It's true, however, that the guitar's naturally tempered response leaves you feeling that it is not giving out all that you're putting in.

MusicRadar Rating

3.5 / 5 stars

Pros

Great price for a solid top acoustic of this standard.

Cons

Again, the acoustic tone lacks energy compared to the dreadnought.

Verdict

The G220S-NS should easily make a reliable first choice for a starter guitar.

Fingerboard Material

Inlays

Max Body Width

Max Rim Depth

Neck Finish

Neck Material

No. of Frets

Nut Material

Pickguard

Pickguard Colour

Rosette Details

Concentric circles

Scale Length (mm)

643

Sides Material

Laminated Mahogany

String Spacing

52.5

Top Finish

Natural Satin

Top Material

Solid Spruce

Weight (kg)

2.1

Weight (lb)

4.6

Width at Nut (mm)

42.5

Review Policy

All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.