The GRAMMY® Award-winning maverick channels his signature sense of soul from the crossroads of rock ‘n' roll, blues, jazz, hip-hop, reggae and punk. Clark's most accomplished songwriting and virtuosic performances to date; THIS LAND delivers socially relevant, transcendentally ambitious, and musically rich declaration as unapologetic, undeniable, and unique as he is. He emerges with a body of work that is dynamic in every sense, embodying an ever-evolving sound that transformed him into an artistic force anointed by everyone from President Barack Obama to the late Prince.

South Of Reality, The Claypool Lennon Delirium’s epic sophomore album might be just the antidote this sick world needs. Music so potent it could repel an asteroid impact from space, these seasoned warriors of psychedelia have crafted timeless songs that may as well be chiseled in stone. The monolithic dream team’s new record was produced by Les Claypool and Sean Lennon themselves, and engineered and mixed by Les Claypool at his own Rancho Relaxo studio in Sonoma County, California.

Badflower releases their debut album OK I’M SICK as the first signing on new joint venture Big Machine Records/John Varvatos Records. Since their emergence in 2014, the group has become one of L.A.’s most buzzedabout Rock bands, achieving a 2-week run at No. 1 on KROQ’s Locals Only Show with “Heroin.” The crushing realness of their latest single “Ghost” brought the band to the attention of iHeartRadio who spotlighted them as an On The Verge Artist.

As for the album, for L+M, Canterbury Girls refers to a real place they know, in Broad Ripple, IN - and for them, as Madeleine explains," it’s the first place of adolescent freedom, the first place of blossoming girlhood - and a place to imagine the future a girl wants,” But the opposite is also at play; when youthful dreams are lost and the kind of emotional baggage that women have to carry, more often than not, becomes their burden. Burdens of disgust, of pain, unwanted attention, and trauma - the double standard, the disappointments, the disrespect, the fury, the helplessness, and the resignation. Sharing the angst bundled baggage and taking refuge in sharing and realizing you aren’t alone… that’s when healing begins. It’s the story of many, and the story of Canterbury Girls everywhere.

Effluxion, the fifth full length recorded by Michael Benjamin Lerner as Telekinesis, is a back-to-basics album-not just in it's reaffirmation of the sound and style that made Lerner an indie wunderkind a decade ago at age 22, but in the way it was created. Using the same now-discontinued MacBook microphone he used to record his earliest tracks, he holed up in the basement of his West Seattle home and put the album together piece by piece over the past two years, playing every instrument. While previous albums had former Death Cab for Cutie guitarist Chris Walla-who discovered and championed Telekinesis' demos-and Spoon's Jim Eno serving as producers and sounding boards and sidemen and general voices of authority and experience, Lerner wanted to do this one entirely on his own.

"Distance Over Time" is Dream Theater's 14th studio album and debut for InsideOutMusic/Sony Music. The two-time GRAMMY® Award nominated progressive metal band have sold over 15 million records worldwide. For this record, the band approached things a little differently. For the first time, the members lived, wrote & recorded together at the secluded Yonderbarn studios in Monticello, NY over the course of four months. For "Distance Over time," the band wanted to return to their roots and produce a more organic record. Despite these changes, Dream Theater uphold their unique signature of combining metallic aggression and progressive scope, putting it in a frame of tighter, more concise song writing. "Distance Over Time" might deal with difficult topics, but it also reflects the spirit, joy and passion that Dream Theater put into making this album. "Distance Over Time" is available as Standard CD Jewel Case, Special Edition Digipak (incl. 1 bonus track), 180g Gatefold 2LP Edition (incl. 1 bonus track & an 8-page LP-booklet), Ltd. Edition Artbook (incl. 1 bonus track, 5.1 mix with video animations, instrumental mixes, high res files of the album, stems for "Untethered Angel", extended liner notes, additional artwork incl. photos from the writing session and additional video content), Deluxe Collector's Box Set (incl. lenticular cover card, Artbook, 180g 2 LP Gatefold Edition with exclusive artwork and an exclusive LP color, exclusive picture 7", 60 x 60 cm poster, 10 art cards, slipmat, patch, pin and a hand-numbered certificate of authenticity) and as a Digital Album (incl. 1 bonus track). This version is the Black Gatefold 2LP Edition.

When This Life Is Over, is And The Kids highly anticipated third album for Signature Sounds. Praised by NPR for 'striking vocals [that] rival the vibrato and boldness of Siouxsie Sioux...and music that's both fearless and entertaining,' And The Kids return with a bold continuation of their chunky indie rock meets blissful new wave sound, while finding inspiration in exploring the 'total freedom of mortality's fate.' Hannah Mohan writes, 'We took inspiration from our lyrics 'When this life is over/no more rules/ no more orders' and let that set the tone of the whole album. Mohan continues, 'We wanted to break the rules of what an album should be like. We included bedroom demos and didn't worry about how we might play these songs live which can be very restrictive. We let everything go so that we could be our most creative selves. Although the title and theme might appear dark, it's actually about the remarkable beautiful freedom of the afterlife.

Recorded between Fez in Morocco, Dublin (HQ), New York (Platinum Sound Recording Studios) and London (Olympic Studios) and produced by Brian Eno, Daniel Lanois and Steve Lillywhite, No Line On The Horizon debuted at number 1 in 30 countries across the globe in 2009. Lead single ‘Get On Your Boots’ was followed by ‘Magnificent’ and ‘I’ll Go Crazy If I Don’t Go Crazy Tonight’. The album has been fully remastered with two additional remixes added to celebrate its 10th Anniversary.

Mazy Fly, the second full-length by the Bay Area artist SPELLLING, explores the tension between the thrill of exploring the unknown and the terror of imminent destruction. Chrystia Cabral spent the summer of 2018 in her Berkeley studio reflecting on the thresholds of human progress and longing for a new and better tomorrow. She was struck by the way the same technologies that have given humans the ability to achieve utopian dreams of discovery have also brought the world to the precipice of dystopic global devastation. Despite the darkness of this reality, Mazy Fly is defiantly optimistic. It is a celestial voyage into the unknown, piloted by Cabral. Mazy Fly musically traverses the spaces between languid, honey-soaked vocals and distant angelic whispers, from thumping 808 club beats to crunching tape loops, and from silky, smooth R&B to whirling organ sonatas. Cabral became enamored by the idea of flight as a harbinger of both progress and apocalypse, and that was expressed in the textures and compositional techniques she utilized. Swarms, flocks, flies, angels, spaceships, flying saucers - all are represented sonically by Cabral and her Juno-106 synthesizer.

Listed among the greatest albums of all time by numerous publications, Modern Sounds in Country and Western Music, Vol.1 became an instant classic when it was first released in 1962. Charles bent racial barriers in popular music, amid the height of the Civil Rights Movement, with his integration of soul and country music. The album spawned four chart-topping singles: “Born to Lose,” “Careless Love,” “You Don’t Know Me,” and “I Can’t Stop Loving You,” the latter (and the album itself) being RIAA-certified Gold in only one month.

Named for the year in his life when the bottom fell out following a long-term romantic partnership, Martin Frawley sequenced Undone at 31 chronologically to emphasize his journey. Those familiar with his time as co-leader of Melbourne's Twerps will take comfort in hearing his deceptively simple songwriting is still intact, but the big reveal here is how new instrumentation and influences seamlessly expand his playground. It might take several listens for one to realize Frawley is singing "Something About Me" over just violin, Moog, and a Graceland-esque bassline, or to appreciate the PB+J pairing of Fender Rhodes and lap steel on "Where the Heart Is," which serves as Undone at 31's twist ending. Frawley's album does not shy away from morbid musings and raw emotions that come with a breakup, and like Shoot Out the Lights or Sea Change, Undone at 31's tunefulness and exploration combined are what elevate the music above the melancholy subject matter.

Walk Through Fire, the debut album from Yola, establishes her as the queen of country soul from the first note. The Dan Auerbach-produced album is a contemporary twist on a traditional sonic tapestry of orchestral strings, fiddle, steel, and shimmering tremolo guitars. Walk Through Fire is a career-defining and genre-bending release from one of the most exciting emerging British artists in music today. Yola's arresting vocals captivate with sincere tales of heartache and loves lost, forgotten, and broken.

Two years after the release of her critically-acclaimed debutBeyond the Bloodhounds, Nashville-based modern blueswoman Adia Victoria returns with Silences. The albumwas recorded withAaron Dessner(The National) at his studio in upstate New York. Throughout the album's 12 tracks, Victoria brings the topics of mental illness, drug addiction, sexism, and all the elements that consume the day-to-day lives of women attempting to make a world of their own.

In Search of Mona Lisa is the dramatic new EP from the legendary Santana. Three spellbinding and transportive new songs take listeners inside a magical and deeply personal experience Carlos Santana had when he visited the Louvre and set his eyes on Leonardo da Vinci’s beguiling masterpiece. The EP was produced by Narada Michael Walden and Carlos Santana.

Ever Since I Lost My Mind is the third album and Rounder Records debut for SUSTO, the creative musical persona of charismatic frontman Justin Osborne. The album is a resounding triumph: a mix of new partnerships and collaborations with old friends, all anchored by Osborne’s perceptive songs that explore connection, loss, and transience––and the pain and joy each brings. With their rock-rooted sound, SUSTO keeps listeners engaged by refusing to occupy an easily defined space. Produced by Ian Fitchuck (Kacey Musgraves, Ruston Kelly) and featuring key input from Osborne’s longtime creative sounding board Wolfgang Zimmerman, Ever Since I Lost My Mind defiantly experiments with synth embellishments, Latin heart, guileless folk, and more.

With their sophomore album, illusions, the Way Down Wanderers have fine-tuned their signature blend of heartfelt songwriting, lyrical harmonies, and dance floor drumbeats. Since forming the band in their hometown of Peoria, Illinois, Collin Krause and Austin Krause-Thompson have crafted unforgettable stories of love and loss. Drummer John Merikoski and bassist John Williams infuse the album with an energy that is suited for the bright lights of a festival stage, while Travis Kowalsky lays down some ripping banjo. illusions is a powerful album that fuses a raw enthusiasm for life with the sobering reality of how quickly time passes.

Nakhane, a 29 year-old south African singer, combine Subtly indie rock and his African roots. Multi-instrumentalist, from keyboard to trombone, he stands-out thanks to a unique voice. Album deluxe version out on 12th October. 6 bonus track with unreleased, remixes and cover !!!

New York quartet Sunwatchers drew a line in the sand with their last album "II", a powerful statement of the band's unique brand of spiritual, free-rock, gonzo attitude and a progressive socio-political worldview. "Illegal Moves" is their second album for Trouble In Mind. "Illegal Moves" is the band's most potent blend yet; a heady potion of free-jazz, psychedelia, punk & noise rock that is both tender and ferocious; the perfect soundtrack to smash capitalism and fix our broken system thru sonic catharsis and revolution. Songs like "Everybody Play" and "Beautiful Crystals" insinuate themselves into your brain with the rubbery synchronicity of bassist Peter Kerlin and drummer Jason Robira. Elsewhere "New Dad Blues" and "Greeneyed Pigmen (Get The Blade)" sting with a righteous fury beyond the piercing scree of guitarist Jim McHugh's electric phin or Jeff Tobias' saxophone skronks, and the band's cover of Alice Coltrane's "Ptah, the El Daoud" transforms her meditative elegy into a fiery protest march. The songs crackle with an energy informed by passionate disgust of the status quo realized on the album cover's illustration of the Kool-Aid Man battling the personifications of evil from across the world. A psychedelicized avatar for the general wrath and action that they believe in."

Founded in the fertile grounds of San Francisco, CA, Aenimus is a progressive, extreme metal band who are set to release their Nuclear Blast debut “Dreamcatcher” this February. An earth shattering, 11 song concept album, “Dreamcatcher” revolves around some of the most intriguing and relatable subject matter of today’s modern society: Horror Stories. Taking influence from the novels and films The Shining, The Dead Zone, It, and the tales of Hannibal, the album is written in such a way where not only do the lyrics reflect these stories, but the music itself represents moments, emotions, and realizations from the characters of these classic tales; something to look forward to for any true metal-head, horror-loving fiend. The album also features guest appearances from Mike Semesky (Intervals, The HAARP Machine), Jamie Hanks (I Declare War), Brian James (Fallujah), Sims Cashion, Leonardo Guzman, and was mixed & mastered by Jamie King (Beneath The Buried and Me, The Contortionist).

One of North America’s thrash pioneers, Overkill have spent over 3 decades crafting essential metal masterpieces like “Taking Over”, “The Years of Decay” and 2017’s “The Grinding Wheel”. Overkill comes charging into 2019 with their nineteenth studio record “The Wings of War”.

For the first time, the essential studio recordings of Britain’s legendary Zombies are assembled in one place on vinyl. The set includes their two original US albums: She’s Not There/Tell Her No and Odessey & Oracle; two important compilations: I Love You and R.I.P.; as well as a bespoke collection of rare singles and UK-only album tracks: Oddities & Extras. The most comprehensive LP collection ever assembled for The Zombies, confirmed as inductees in the R&R Hall of Fame class of 2019.