"The intense Craig Houk as Nixon’s shrink is fun to watch agonizing over weekly sessions he had with the president in an analysis session with angel Metatron." - Kay Bourne, Edge Boston (Tiny Kushner)

"Two vignettes stem from Kushner’s fascination with psychoanalysis (with an emphasis on the psycho). In one a patient who has just been terminated (the wonderful Craig Houk) begs his doctor to take him back." - Beverly Creasey, Boston Arts Review (Tiny Kushner)

"[Craig] Houk’s portrayal of Blackadder oozes with just the right blend of oily pseudo-suavity, gimlet-eyed ambition, and sputtering exasperation at the dolts who surround him and the predicaments that engulf him." - Don Aucoin, Boston Globe (Blackadder II: Live!)

"Blackadder II stars Craig Houk, one of Boston’s best comic actors, of late having slain Zeitgeist audiences with his furious napping. He takes over Rowan Atkinson’s reins, galloping full tilt into the dubious fray." - Beverly Creasey, Boston Arts Review (Blackadder II: Live!)

"Craig Houk stars as the pompous and ridiculous Edmund Blackadder, who seems very comfortable in the role itself, and manages to capture the arrogance and charm of the character incredibly well. His charisma is one thing to lock on to and he has it in spades." - Christian Hegg, Muffin Eats Dragon (Blackadder II: Live!)

Zeitgeist veterans Becca Lewis and Craig Houk are masters of farce. Houk can, as they say, read the phonebook and get laughs but his fitful nap and fabulous snoring in WONDERFUL DAY are reason alone to see the play. - Beverly Creasey, Boston Arts Review (My Wonderful Day)

"The laughs build to the required farcical frenzy with the appropriate array of entrances and exits, as well as some delicious physical comedy from [Craig] Houk (think John Cleese at his bumbling best)..." - Terry Byrne, Boston Globe (My Wonderful Day)

"Houk gives the role of Moss a brash townie confidence… He speaks with confidence about subjects he couldn’t possibly know… and his arrogance makes us believe him." - John Perich, Periscope Death (Glengarry Glen Ross)

"[Craig] Houk as True (and, in the play-within-the play, as the Countess) shows incredible range. He delivers his Countess like a snippy, vengeful Dame Edna in a corset that has been laced too tightly. But he is also completely convincing as the womanizing, moonshine-sipping True." - Christopher Muther, Boston Globe (Act A Lady)

"Best of all is Craig Houk’s heart-wrenching rage as Dyson, particularly as his fear mounts for his son’s future." - Jules Becker, My South End (Lady)

"Craig Houk paints a powerful portrait of sheer terror, as the object of Gill’s ruthless machinations. Without even speaking, he conveys the extent of the horror we never see---and can only imagine." - Beverly Creasey, Theatre Mirror (One For The Road)

"Particularly notable is Craig Houk as the senator's aide, driven nearly mad with lust by the offending photos. Houk cuts loose in a hilarious burst of unfocused lust that has him licking the furniture and literally putting ants in his pants." - Brian Jewell, Bay Windows (7 Blowjobs)

"Craig Houk, channeling John Cleese, gets a hilarious massage (from an unseen masseur) which hurls him head over heels on top of a tiny collapsible table. They should sign him up posthaste for the next Olympic gymnastic team! Then, if that weren’t enough, he out Chaplins the master on imaginary ice, not to mention dropping trou in classic slapstick form." - Beverly Creasey, Theatre Mirror (Gasping)

"Craig Houk in particular is a standout as gung-ho senior exec Philip...a physical dynamo from word one: he caps a profit report with a full-body spasm like a pitcher's windup." - Sandy MacDonald, Boston Globe (Gasping)

"Craig Houk tries to understand, to see under the skin, and to demand help in reaching for resolution. He has anthracite eyes and a hungry face." - Larry, Stark, Theatre Mirror (Two Rooms)

"Craig Houk is utterly convincing as the journalist who gets his story but truly regrets the manipulation." - Beverly Creasey, Theatre Mirror (Two Rooms)

"Houk gets his hooks in early, and keeps you there for more than 90-minutes. Quite a feat for any young actor." - Robert Nesti, Bay Windows (Desperately Aloof)

"Houk manages a deft spin of comedy and pathos throughout, moving from the sharply satiric to the sweetly sentimental." - Robert Nesti, Bay Windows (Desperately Aloof)

"Houk shows that he has the range and the wit to hold together a diverse gallery of types who, in the end, benefit from his drive and inventiveness." - Robert Nesti, Bay Windows (Desperately Aloof)

"Aside from one woman, his characters are all gay men, but any stereotypes drop away quickly as his hour and twenty minute gallery presents more and more compelling portraits of unique individuals. Tears replace laughter as the evening progresses... excellent gallery of engrossingly interesting portraits." - Larry Stark, Theatre Mirror (Desperately Aloof)

"CraigHouk is quick out of the starting gate as Algernon. With facial expressions and body English galore, Houk blooms with Algernon’s pursuit of amusement and determination to take over the Ernest persona in order to woo the fair Cecily." - Roxanne Moore Saucier, Bangor Daily News (The Importance of Being Earnest)