Peter May - The Lewis Man - 39

Материал готовится, пожалуйста, возвращайтесь позднее

THIRTY-NINEAs they drove up the path to her house Ceit frowned and said, ‘There are no lights. The timer should have switched them on ages ago.’ But it wasn’t until they clattered across the cattle grid that they saw the white Range Rover parked next to Fin’s car. Fin glanced at Ceit. ‘Looks like you’ve got visitors. Do you know the car?’ Ceit shook her head. They all got out of the Mercedes and Dino went running, barking, to the front door. As they climbed on to the deck in the dark, Fin felt glass crunching beneath his feet. Someone had smashed the light bulb above the door. He said to Ceit, ‘Pick up the dog!’ And something in his tone brought an immediate and unquestioning response. He was on full alert now. Tense and apprehensive. He moved cautiously towards the door, hand outstretched to grab the handle. Ceit whispered, ‘It’s not locked. It never is.’ He turned it and pushed the door into darkness. He held his hand behind him to warn the others against following, and stepped carefully into the hall. More glass ground itself into the tartan carpet beneath his feet. The bulb in the hall had been smashed, too. He stood listening, holding his breath. But he could hear nothing above the barking of Dino in the arms of Ceit on the deck outside. The door to the living room stood ajar. He could see the shadow of the silver panther cast by moonlight streaming in through the French windows. He stepped into the room and immediately sensed a presence, before a baby’s muffled cry sounded in the dark. A match flared, and by the light of its flame he saw the illuminated face of Paul Kelly. He was sitting in a chair by the window on the east side of the room. He puffed several times on his cigar until the end of it glowed red, then he reached across to turn on a glass standard lamp. Fin saw the sawn-off shotgun lying across his lap. Directly opposite him, perched on the edge of the settee, Donna sat clutching her baby. The black-haired young man from the villa in Edinburgh stood beside her with another sawn-off shotgun extended towards her head. He looked nervous. Donna was like a ghost. Shrunken and shadoweyed. Visibly shaking. Fin heard the crunch of broken glass behind him, and Morag’s gasp. The dog had gone silent, but Marsaili’s whispered ‘Oh my God!’ seemed almost deafening. No one moved, and in the seconds of silence that followed, Fin’s assessment of the situation was bleak. Kelly had not come all this way just to frighten them. Kelly’s voice was obversely calm. ‘I always figured it was John McBride who murdered my brothers,’ he said. ‘But by the time we got people up here he’d vanished without trace. Just like he never existed.’ He paused to draw on his cigar. ‘Until now.’ He lifted the shotgun from his lap and stood up. ‘So now he can watch his daughter and his granddaughter die, just the way I watched my brothers die in my arms.’ His mouth curled into a barely controlled grimace, ugly and threatening. ‘I was in the hallway behind them that night when they were gunned down and left bleeding to death on the steps. You’ve got to know what that feels like to know how I feel right now. I’ve waited a lifetime for this day.’ Fin said, ‘If you kill one, you’ll have to kill us all.’ Paul Kelly smiled. His eyes creased with genuine amusement. ‘You don’t say.’ ‘You can’t take us all at once. Shoot that girl and you’re going to have to deal with me.’