There were very few concretely good movies this year (I’m pretty sure The Situation has written more books than there are worthwhile flicks from 2010). Whenever one like Inception or Black Swan or Toy Story 3 came out and totally blew our minds, we were so thankful because it meant we didn't have to keep sucking the marrow out of mediocre movies in hope of getting one drop of enjoyable cinema. Finally there was somewhere we could turn for definitive and dependable entertainment! However, the supreme goodness of movies like Inception and Toy Story 3 cast a shadow over the majority of this year's releases and the coming of the new year and award season means some unlucky films will be forgotten. Here are the top ten movies we're most likely to forget ever existed once the clock strikes 12 on New Year's Eve and we're making out with a doorman.
Leap Year
A leap year happens only once every four years and a movie about a leap year hardly ever happens, so it’s no wonder this “romantic comedy” starring Amy Adams and Matthew Goode isn’t in the forefront of your mind. Also, it was released way back on January 8th, so it’s had a lot of time to collect dust on the shelf with Peabody, whose eyes are vacant of your love. AND ALSO, Leap Year was about a woman who comes across as utterly unlikable based on how she perpetuates the belief that women can’t be the ones to propose marriage over the course of her quest to prove otherwise. In other words, a movie that seeks to redefine marital traditions, but ends up reinforcing them in the end? In 2010, the year where people are proposing to their spouses via viral videos? Unbelievable.
The Killer Inside Me
Not to be confused with the good movie, I Know Who Killed Me! TKIM starred Casey Affleck, Kate Hudson and Jessica Alba and was about the old wives tale of a Texas deputy sheriff who sleeps with a prostitute and her allure turns someone into a serial killer. If that plot alone doesn’t make it a nondescript movie, perhaps knowing that critics were careful enough to note the poor musical score will solidify things. At least things ended well for Affleck, who managed to follow this pointless flick with one of the most hated and deception-based movies of the year!
The Wolfman
The Wolfman was one of, if not the only movie this year that dealt with werewolves. That alone should mean we’d be most likely to remember when Benicio Del Toro played a man who was bitten by a werewolf when he went back to his hometown in search of his brother’s killer. But because Benicio looks like a werewolf when he’s walking to the dry cleaners, this films place in this year’s cinema roundup seems totally hazy. Not even the presence of Emily Blunt and Anthony Hopkins made this movie stand out, which again is quite telling since it was the only movie this year about the guys on our flannel sheets!
Cop Out
Cop Out had Bruce Willis playing a police officer who was planning to pay for his daughter’s wedding by selling a very expensive and collectible baseball card, but when it is suddenly stolen he enlists the help of his cop friend and “memorabilia-obsessed gangster,” played by Tracy Morgan, to help him retrieve it. Despite featuring a widely favored and totally under-cast Morgan, the method of getting us to care about a baseball card by making it worth the price of an innocent girl's dream wedding was cheap and transparent and therefore deemed unworthy of our neurons by our neurons.
Legion
Ah yes, Legion: the movie that was supposed to encourage us to consider how fragile the human race is, despite appearing in theaters during a period in history when we're so resourceful that we're downloading apps on our iPhones to tell us which restaurants have bathrooms that aren’t reserved just for patrons. In Legion, God loses faith in humanity and sends a bunch of angels to kick-start the Apocalypse. Humanity is saved only by Paul Bettany (which isn’t entirely unbelievable in real life either), when random strangers are trapped in a diner with him and he restores their good-nature.
Greenberg
Greenberg was a Noah Baumbach film starring Ben Stiller, who played a New Yorker that moved to Los Angeles to do the most annoying thing to watch someone do onscreen: GET THEIR SHIT TOGETHER. While house sitting for his brother, Greenberg starts to feel something for his brother’s assistant, which while sweet does not make his existence (no matter how fictionalized) on the planet any harder to resent.
Paper Man
Ryan Reynolds played Jeff Daniels’ imaginary superhero friend and Emma Stone played some weird teenage girl that was friends with Daniels somewhere in Long Island. I swear I’m not leaving anything out. Except Lisa Kudrow.
Repo Men
In Repo Men, Jude Law and Forest Whitaker played members of “The Union” that repossess the highly efficient mechanical organs from the unwell people who’ve failed to make the necessary payments on them. After Law’s (or former soldier Remy) heart fails on the job, he receives one of “The Union’s” organs but is naturally unable to pay for it. He then finds himself fighting his ex-partner, who has been assigned to reclaim the device inside him, to keep the organ (and his life). Why “The Union” was smart enough to have people to repossess the organs from those who couldn’t make the payments but dumb enough to loan the organs out to people that couldn’t pay for them was beyond all of us.
The Runaways
This was the movie that resulted in Joan Jett and Cherie Currie briefly emerging from their igloos of gold records to defend Kristen Stewart and Dakota Fanning as legitimate actresses. It made you buy a guitar that you're currently trying to figure out who to give to for Christmas.
MacGruber
You either loved or hated MacGruber, but chances are you forgot it was made the second Joseph Gordon-Levitt explained what a "kick" was in Inception. It was based on the series of SNL sketches that were also headed by Will Forte (which were actually quite hilarious) and was excellent in that it juxtaposed serious actors like Val Kilmer and Ryan Phillippe opposite noted comedians and SNL alumni. The worst and saddest thing about this movie was that it came in a year where we were basically so starving for good movies that when something revolutionary came along (like Inception), this flick was instantaneously pushed to the side way before it should have been.

East Coaster Antoine Fuqua hopes to spread some California Love with his next project, a biopic of legendary slain rapper Tupac Shakur, says the Playlist. Though the 44-year-old filmmaker has numerous projects in development, including the action thriller Consent To Kill and the recently rumored reunion with his Tears of the Sun star Bruce Willis (that film, titled The Tomb, has been declared by Fuqua nothing more than "a conversation I've been having with Bruce"), Shakur will come first.
Fuqua told Digital Spy that "we're doing Tupac Shakur's movie next in September, that's what I've been starting up and working on now with Morgan Creek and Jim Robinson. I just got the greenlight from him and we're going in September. I've just started to prep that."
Moviegoers have become quite familiar with rappers at the multiplex over the last twenty years, both as the subject of and stars in films like Ricochet, New Jack City, Boyz N The Hood, Bad Boys, 8 Mile and Hustle and Flow. Most recently, Anthony Mackie portrayed Shakur in George Tillman's Notorious, a flavorful chronicle of the life and death of the late Christopher Wallace a.k.a. the Notorious B.I.G. In that 2009 flick, local New York wordsmith Jamal Woolard channeled Wallace, shocking critics and pleasing fans of the fallen platinum-selling recording artist. Fuqua notes that he, too, may look to discover a new talent in his upcoming film.
Expect to hear more on this developing project over the summer, but in the meantime, take it back to the Summer of 1996 with one of Pac's most celebrated (and cinematic) music videos of all time, inspired by Mad Max: Beyond Thunderdome:
Source: The Playlist, Digital Spy

Bruce Willis has married his model girlfriend Emma Heming in a Caribbean ceremony attended by his ex-wife Demi Moore and her husband Ashton Kutcher, according to reports.
The Die Hard star exchanged vows with Heming on Saturday on Parrot Cay, in the Turks and Caicos Islands, where the actor owns a home.
The couple, dating since last year, sparked rumors that they were to wed over the weekend after renting a block of ocean-view homes for friends.
Moore, from whom Willis split in 2000, her husband Kutcher, and pop superstar Madonna were all guests at the event, reports UsWeekly.com.
(c) 2009 WORLD ENTERTAINMENT NEWS NETWORK LTD. All global rights reserved. No unauthorized copying or re-distributing permitted.
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Bruce Willis is planning a birthday wedding with his model girlfriend Emma Heming this week, according to reports.
The Die Hard star, who turned 54 on Thursday, and the model will exchange vows in Turks &amp; Caicos, where the actor owns a home -- according to People.com.
Willis and Heming, 32, arrived over the island at the weekend, and reports suggest they've rented a block of ocean-view homes for guests.
The actor's representatives are refusing to comment.
(c) 2009 WORLD ENTERTAINMENT NEWS NETWORK LTD. All global rights reserved. No unauthorized copying or re-distributing permitted.
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In What Just Happened director Barry Levinson does for Hollywood what he did for politics in Wag The Dog. Movies about the film industry rarely connect in a big way with anyone other than insiders (except maybe Robert Altman’s brilliant The Player). But What Just Happened based on producer Art Linson’s book on the disastrous making of the Alec Baldwin/Anthony Hopkins 1997 flick The Edge succeeds. It has been fictionalized into the story of a beleaguered producer Ben (Robert DeNiro) whose new film Fiercely -- a grainy pretentious arty crime film starring Sean Penn -- bombs at a preview. Ben must convince the nearly psychotic British director Jeremy Brunell (Michael Wincott) to re-cut his film in time for its Cannes Film Festival premiere or have it shelved completely by studio head Lou Tarnow (Catherine Keener). He also has to worry about what his teenage daughter Zoe (Kristen Stewart) is up to deal with his estranged wife (Robin Wright Penn) who he suspects is having an affair with a screenwriter (Stanley Tucci) and try to convince spoiled brat star Bruce Willis (played by himself) to shave off his Grizzly Adams beard before production begins on Ben’s next film. Who ever said life for a Hollywood producer was glamorous? To put it succinctly this represents DeNiro’s best screen work in years. He is at ease and entirely comfortable as a weary producer who deals with nut jobs on a daily basis yet tries to get something on the screen that he can be proud of. It’s an effort that is often at odds with the realities of the way Hollywood works. Perhaps it helps that the real producer Art Linson wrote the screenplay and produces this film as well. Keener deftly plays the bottom-line minded studio head who threatens to shut everything down unless the maniacal director re-cuts the film to let a murdered dog live. Funniest scene in the film is a meeting in her office as his director throws a tortured hissy fit at the prospect of touching his sacred work at all. In the role of the crazy helmer Wincott steals the show. Looking like Keith Richards and playing the diva artiste to the hilt Wincott is downright hilarious. Brilliantly skewering themselves in extended cameos are Penn and Willis as demanding stars. Type casting? John Turturro shows up in an amusing bit as a thoroughly wimpy agent. Robin Wright Penn and Kristen Stewart give DeNiro’s character a much needed personal side and mainly play it straight. Barry Levinson who directed such hits as Bugsy and his Oscar-winning Rain Man knows the trials and tribulations of the film industry well and hasn’t had a big box office hit himself in over 15 years. Here he seems to get the mercurial nature of the business and is back in top form satirizing Hollywood in what can confidently be labeled the adult comedy surprise of the year. It’s surprising because movies about making movies rarely get the green light anymore and in fact the behind-the-scenes story of the (non) selling of What Just Happened at this year’s Sundance is an ironic illustration of the pitfalls of modern filmmaking. After re-cutting the film for Cannes (in a case of life imitating art) the director has created a fast-moving often hysterically funny little gem about the business called show. In doing that he also provides DeNiro with a role worthy of his legend. No small feat these days.

Steven Spielberg will become the first director to claim the coveted Cecil B. DeMille Award this century when he claims the prize at the 65th Annual Golden Globe Awards.
The Hollywood Foreign Press Association will honor Spielberg at the event on Jan. 13.
The Cecil B. DeMille Award is usually given to actors and actresses for their "outstanding contribution to the entertainment field."
Spielberg was named the 2008 recipient at a Wednesday morning press conference hosted by actor Josh Brolin.
The six-time Golden Globe winner and 12-time nominee will join Warren Beatty, Anthony Hopkins, Robin Williams, Michael Douglas, Gene Hackman, Harrison Ford, Al Pacino and Barbra Streisand as the recipients of the honor since 2000.
Nominations for the 65th Annual Golden Globe Awards will be announced on Dec. 13.
Meanwhile, in other Golden Globes news, Bruce Willis and Demi Moore's daughter Rumer has been selected as 2008 Miss Golden Globe. The teenager will assist in the Golden Globes ceremony.
The role of Miss Golden Globe is given to the daughter of a well-known celebrity each year; Jack Nicholson's daughter Lorraine filled the position earlier this year.
COPYRIGHT 2007 WORLD ENTERTAINMENT NEWS NETWORK LTD. All Global Rights Reserved.

Bruce Willis has fired back at the photographer who accused the movie star of assaulting him last week--accusing him of making false and damaging claims against him.
Paparazzo Anthony Goodrich filed a police report, claiming the Die Hard star assaulted him outside West Hollywood restaurant Koi, pushing his video camera into his face and chipping a tooth.
But in a lawsuit filed in Los Angeles yesterday and obtained by website TMZ.com, Willis' lawyer Marty Singer insists Goodrich and other "stalker-paparazzi" flashed high-powered strobe lights in his client's face as he was entering the restaurant.
The suit claims Willis "put his hand up in front of his face to shield his eyes from the blinding flash" and at no point "shoved the photographer and pushed his camera into his face."
The suit also claims articles written about the incident exposed Willis to "hatred, contempt, ridicule and obloquy..." He is seeking $1 million in damages.”
TMZ.com reports that Los Angeles police officials dropped Goodrich's case two days after the incident after the cameraman refused to prosecute Willis.
Article Copyright World Entertainment News Network All Rights Reserved.

Bruce Willis is fighting off claims he beat up a photographer in Los Angeles on Tuesday night, insisting he was simply shielding his eyes from flashbulbs when he accidentally made contact with a paparazzo.
But snapper Anthony Goodrich insists Willis pushed his camera into his face and chipped his tooth as he exited celebrity restaurant Koi.
And, while Willis' publicist is playing down the incident on website TMZ.com, the photographer insists he was injured enough to check into a hospital. He also filed a police report against the actor, alleging battery.
Goodrich tells TMZ.com, "He smashed my camera into my face... All I was doing was taking his picture. I didn't say one word. I didn't get in his way."
Willis' spokesman Paul Bloch claims Willis put his hand up "to protect himself" because he was "blinded by the lights" from photographers.
Bloch insists that at no time did Willis "hit, push, or hurt" anyone.
Article Copyright World Entertainment News Network All Rights Reserved.

The house has been brought down again.
The Queen Latifah/Steve Martin comedy Bringing Down the House stayed at number one for the second week in a row with a $22.4 million* haul.
The new kids on the block were not too far behind. The 'tween actioner Agent Cody Banks opened at No. 2 with $15 million and the knife-driven thriller The Hunted came in third place with $13.5 million, while the creepy rat movie Willard scurried into eighth place with $4 million.
Last week's war-torn opener Tears of the Sun slipped from its No. 2 spot to fourth place at $8.8 million, while the musical Chicago rounded out the top five with a hefty $7.7 million.
THE TOP TEN
Buena Vista's PG-13 Bringing Down the House laughed to the bank once again with an ESTIMATED $22.4 million (-28%) in 2,801 theaters ($7,997 per theater). Its cume is approximately $61.6 million, which means moviegoers apparently do want to see a ghetto fabulous gal from the 'hood turn an uptight white guy's life upside down.
Directed by Adam Shankman, it stars Steve Martin, Queen Latifah, Eugene Levy and Joan Plowright.
MGM's junior spy movie aimed directly at the highly profitable 10-13 age group, the PG-rated Agent Cody Banks, debuted in second place with an ESTIMATED $15 million at 3,369 theaters ($4,452 per theater).
The film centers on a typical teenager who loves to skateboard, hates math and feels like a complete idiot around girls. But Cody Banks differs from other teens in one big way: He's actually a junior CIA agent out to save the world--and of course, a girl.
Directed by Harald Zwart, it stars Frankie Muniz, Hilary Duff and Angie Harmon.
Taking a look at the flip side of what being a government agent is really like, Paramount Pictures' dark R-rated thriller The Hunted opened at No. 3 with an ESTIMATED $13.5 million at 2,516 theaters ($5,366 per theater).
The story follows a Special Forces assassin trained in the use of knives who goes off the deep end and must be stopped by the agent who taught him to be a killing machine.
Directed by William Friedkin, it stars Tommy Lee Jones, Benicio Del Toro and Connie Nielsen.
Sony Pictures' R-rated Tears of the Sun fell from last week's No. 2 spot to No. 4 with an ESTIMATED $8.8 million (-48%) at 2,973 theaters ($2,960 per theater). With a highly patriotic theme about an elite Navy SEAL team sent in to rescue a American doctor and the Nigerian village she's taking care of, its cume is approximately $30.8 million.
Directed by Antoine Fuqua, it stars Bruce Willis and Monica Bellucci.
Riding high on some serious awards buzz after winning several Screen Actors Guild honors, Miramax Films' PG-13 Chicago slipped one notch to fifth place with an ESTIMATED $7.7 million but still managed to gain 13 percent more in box office totals than last week. The film played in 2,600 theaters ($2,966 per theater) and now in its 12th week has a cume of approximately $125.4 million.
Directed by Rob Marshall, it stars Renee Zellweger, Catherine Zeta-Jones and Richard Gere.
Sixth place belonged to the R-rated DreamWorks laffer Old School, which dropped three spots from last week with an ESTIMATED $6.8 million (-26%) in 2,452 theaters (-255 theaters; $2,773 per theater). The comedy about a trio of former college buds who start their own off-campus fraternity has accumulated approximately $60.9 million so far.
Directed by Todd Phillips, it stars Luke Wilson, Will Farrell and Vince Vaughn.
Romance still makes it up there on the top ten list as Paramount's PG-13 How To Lose a Guy in 10 Days dropped from fifth to seventh place with an ESTIMATED $4.8 million (-28%) in 2,430 theaters (-467 theaters; $1,988 per theater). Now in its sixth week, the film's cume is approximately $93.8 million.
Directed by Donald Petrie, it stars Kate Hudson and Matthew McConaughey.
*Box office estimates provided by Exhibitor Relations, Inc.
New Line Cinema's ratty PG-13 Willard debuted at No. 8 with an ESTIMATED $4 million at 1,761 theaters ($2,286 per theater).
A loosely based remake of the 1971 cult classic, the story revolves around a timid introvert who can psychically command his whiskered, four-legged friends to do whatever he wants--including "tearing up" some of his enemies. Blech.
Directed by Glen Morgan, it stars Crispin Glover, R. Lee Ermey and Laura Elena Harring.
20th Century Fox's PG-13 comic-book actioner Daredevil shimmied its way down from seventh to ninth place with an ESTIMATED $3.040 million (-42%) at 2,054 theaters (-724 theaters; $1,480 per theater). In its fifth week, the film's cume is approximately $96 million.
Directed by Mark Steven Johnson, it stars Ben Affleck, Jennifer Garner, Colin Farrell and Michael Clarke Duncan.
Barely coming in under Daredevil was Warner Bros. R-rated Cradle 2 the Grave, which dropped four spots to take 10th place with an ESTIMATED $3.003 million (-54%) at 2,150 theaters (-475 theaters; $1,397 per theater). The high-octane actioner's cume is approximately $31.7 million.
Directed by Andrzej Bartkowiak, it stars DMX, Jet Li, Gabrielle Union, Anthony Anderson and Tom Arnold.
OTHER OPENINGS
Fox Searchlight's PG-13 Bend It Like Beckham, which was a huge hit in Britain last year, opened in limited U.S. release with an ESTIMATED $151,717 in 6 theaters ($25,286 per theater).
The film follows the aspirations of a young Indian girl living in London whose only desire is to play soccer--even if it means going against her traditional family's wishes.
Directed Gurinder Chadha, it stars Parminder Nagra, Keira Knightley and Jonathan Rhys Meyers.
WEEKEND COMPARISONS
This weekend's top 12 films grossed $93.3 million, down 1.33 percent from last weekend's take of $94.5 million, as well as down 22 percent from the $120 million of the same weekend last year.
Last year's top grossers were all newcomers: 20th Century Fox's Ice Age opened at No. 1 with a whopping $46.3 million (3,316 theaters; $13,966 per theater) while Sony's Resident Evil came in second with $17.7 million (2,528 theaters; $7,004 per theater) and Warner's Showtime in third with $15 million (2,917 theaters; $5,146 per theater).

Queen Latifah and Steve Martin's romantic jailbreak comedy Bringing Down the House locked up the box office this weekend with a cool $31.7 million* take--the third best ever March opening.
Bringing Down the House stole the No. 1 spot from this week's other new release, the war actioner Tears of the Sun, which debuted in second place with a spartan $17.2 million.
After holding on to the No. 2 spot for two weeks in a row, the laffer Old School dropped a notch to third place with a still chugging $9.2 million. Best Picture Oscar nominee Chicago gained some ground, placing fourth with a tuneful $6.9 million, while the romantic comedy How To Lose a Guy in 10 Days continued its Top Five reign with a still gallant $6.7 million.
THE TOP TEN
Buena Vista's PG-13 rated comedy Bringing Down the House won the box office crown in its debut weekend with an ESTIMATED $31.7 million at 2,801 theaters. Its $11,317 per theater average was the highest of this week's Top 10 grossing films.
In the film, a convict from the 'hood asks an uptight lawyer to help her clear her name. When he refuses, however, she turns his perfectly ordered life upside down.
Directed by Adam Shankman, it stars Steve Martin and Queen Latifah.
Sony Pictures' R rated war actioner Tears of the Sun premiered in second place with an ESTIMATED $ 17.2 million at 2,973 theaters ($5,785 per theater).
The film revolves round a Navy SEAL lieutenant and his elite band of soldiers, who are dispatched to retrieve an American doctor from Nigeria after the country's democratic government collapses.
Directed by Antoine Fuqua, it stars Bruce Willis and Monica Bellucci.
DreamWork's R rated buddy comedy Old School fell a notch to No. 3 in its third week of release with an ESTIMATED $9.2 million (-34%) at 2,707 theaters (-35 theaters). Its cume is approximately 50.8 million.
Directed by Todd Phillips, it stars Luke Wilson, Will Farrell and Vince Vaughn.
In its 11th week of release, Miramax's PG-13 rated musical Chicago continued to expand and gained a spot, coming in fourth with a still strong ESTIMATED $6.9 million (-12%) at 2,600 theaters (+153 theaters, $2,672 per theater). Its cume is approximately $114.5 million.
Directed by Rob Marshall, it stars Renee Zellweger, Catherine Zeta-Jones and Richard Gere.
Paramount Pictures' PG-13 rated How To Lose a Guy in 10 Days dropped from fourth to fifth position in its fifth week of release with an ESTIMATED $7.1 million (-34%) at 2,897 theaters (-26 theaters), with a $2,330 per theater average. Its cume is approximately $86.9 million.
Directed by Donald Petrie, it stars Kate Hudson and Matthew McConaughey.
*Box office estimates provided by Exhibitor Relations, Inc.
Last weekend's box office champ, Warner Bros.' R-rated martial arts actioner Cradle 2 the Grave, plummeted to sixth place in its second week with an ESTIMATED $6.5 million (-60%) in 2,625 theaters (unchanged) with a $2,509 per theater average. Its cume is approximately $27 million.
Directed by Andrzej Bartkowiak, it stars DMX, Jet Li, Gabrielle Union, Anthony Anderson and Tom Arnold.
Twentieth Century Fox's PG-13 live-action comic book adaptation Daredevil fell from third to seventh place in its fourth week with an ESTIMATED $5.1 million (-54%) at 2,728 theaters (-456 theaters, $1,854 per theater). Its cume is approximately $91.4 million. The film could become the first movie this year to pass the $100 million mark.
Directed by Mark Steven Johnson, it stars Ben Affleck, Jennifer Garner, Colin Farrell and Michael Clarke Duncan.
Buena Vista's G rated animated feature The Jungle Book 2 fell two notches in its fourth week with an ESTIMATED $4.2 million (-40%) at 2,553 theaters (-261 theaters, $1,645 per theater). Its cume is approximately $39.5 million.
Directed by Steven Trenbirth, it features the voices of Haley Joel Osment, John Goodman, Bob Joles and Tony Jay.
Buena Vista's PG-13 rated buddy actioner Shanghai Knights fell from seventh to ninth place in its fifth week with an ESTIMATED $2.7 million (-46%) at 1,905 theaters (-610 theaters, $1,417 per theater). Its cume is approximately $54.7 million.
Directed by Tom Dey, it stars Jackie Chan and Owen Wilson.
Rounding out the Top 10 is Universal's R rated drama The Life of David Gale, which fell two notches to eighth place in its third week of release with an ESTIMATED $2.1 million (-54%) at 1,872 theaters (-131 theaters) with a $1,122 per theater average. Its cume is approximately $17.1 million.
Directed by Alan Parker, the film stars Kevin Spacey and Kate Winslet.
WEEKEND COMPARISON
The Top 12 films this weekend grossed an ESTIMATED $95.4 million, up 10.4 percent from last week when they totaled $86.4 million.
The Top 12 were up 14.81 percent from last year when they totaled $83.1 million.
Last year, DreamWorks' PG-13 rated The Time Machine debuted at the top of the box office with $22.6 million at 22,944 theaters ($7,680 per theater); Paramount's R rated We Were Soldiers came in second with $14.2 million at 3,143 theaters ($4,521 per theater); and New Line's R rated All About the Benjamins debuted in third with $10 million at 2,399 theaters ($2,932 per theater).