An issue devoted to explore the sights and proposals of Marcel Duchamp.Not his life, nor his works, just some of his concepts.Ready-made with submissions of artists, thinkers and designers all over the world.Mixed with the explicit intention of build it at ouncea whole duchampian device.

· the medium, as an intellectual tool which goes beyond its specificity mocking it.· the work, regardless of its representative and interpretative character.· “art”, in terms of conventions, as “amorphous” as possible.· “construction”, in which the work is not it’s purpose, but an excuse.· interpretations, or rather readings which can coexist despite being seemingly exclusive.· objects “aesthetically anesthetized,” lapsed in their likely sight complacency; “rectified”, “assisted”, to give them a new –often unusual- significance. As with the choice of “ready-mades”: “based on visual indifference and a total absence of good or bad taste”· works “definitively unfinished”.· rrose sélavy, his alter (-) ego.· chess, optic machines, mathematics, geometry, “artifacts”.· “mental painting,” “precision painting”, the rejection of any element in which sight can be delighted.