In Search of Mozart" is an utterly fascinating documentary which brings the brilliant, sometimes tragic, bawdy and all too human composer to life. Using a combination of his letters read evocatively by leading actors, hundreds of musical clips of orchestras and singers, interviews with scholars and musicians, as well as present day footage of the very long roads he traveled (he was on tour about 1/3 of the days of his short life), Mozart becomes as real as if he sat down to dinner with you. I had the privilege to see this film at Lincoln Center where people laughed and cried and crowded around after to buy the DVD. A film for those who know nothing about Mozart to those who have studied him all their lives."

For someone who would like to explore Mozart's music and/or learn more about his life, this documentary will be an excellent source of both. The viewers can listen to Mozart's compositions in a chronological order mostly and hear the progression of his composition skills. And how fast he progresses! The documentary showcases a wide range of musical genres–sonatas, concerti, symphonies, operas, motets, string quartets, and more. World-class musicians and conductors explain the technical aspects of certain pieces and talk about the emotions they evoke. We also journey through Mozart's life following some excerpts of his and his parents' letters and video clips of the cities he visited during his lifetime.

Considered the greatest composer of all time, Mozart is without doubt one of history’s most remarkable men. But what do we really know about him? In Search of Mozart, directed by the multi award-winning film-maker Phil Grabsky, reveals the complexities of the man and his music through the letters of Mozart himself, his family and friends. This is the definitive Mozart feature documentary, filmed in ten countries throughout Europe, and made in association with the world’s leading orchestras, opera houses, musicians and historians. This DVD edition of the full-length film is a must for any music lover.

Even though Vladimir Ashkenazy is most often celebrated for his brilliantly virtuosic interpretations of Romantic repertoire, his skills in playing works of the Classical era are just as worthy, as proved by this 10-disc set from London of Wolfgang Amadeus Mozart's piano concertos. These performances span a period from 1966 to 1988, capturing a youthful and vigorous Ashkenazy playing and conducting the Philharmonia Orchestra and the English Chamber Orchestra from the keyboard, in approved Mozartian fashion. All of the keyboard concertos are here, including the official 27 concertos for piano and orchestra, the Concerto for two pianos in E flat major, K. 365, the Concerto for three pianos in F major, K. 242, as well as the two Rondos K. 382 and K. 386. Ashkenazy's elegant playing has been highly praised by critics and placed on a level with his esteemed contemporaries Murray Perahia, Daniel Barenboim, and Alfred Brendel, all past masters of Mozart's primary medium of expression.

Classical and jazz pianist and composer, Friedrich Gulda was one of Austria's premiere pianists. Born in Vienna in 1930, Gulda started piano lessons at the age of seven. When he was 12, he enrolled in the Vienna Music Academy, and four years later received first place in the Geneva International Music Festival. In 1949, Gulda toured Europe and South America, earning international acclaim for his treatments of Bach, Mozart, and Beethoven, and the following year he successfully debuted at Carnegie Hall.

Cimarosa’s opera, which reuses some items from the composer’s Il matrimonio in ballo of 1776, exists in two versions. The first – the holograph manuscript of which is preserved in the Conservatorio di Musica SW. Pietro a Majella, in Naples – was entitled Il credulo and consists of two acts – although the second contains only one scene and a chorus. The second version is in one act and is entitled Il credulo deluso. The manuscript of this version is in London, British Library Add MS. 16001. The one-act version omits a few items, particularly some in Neapolitan dialect.