Pianist Jeri-Mae G. Astolfi's playing has been called "brilliant" (New Music Connoisseur), "persuasive" (Sequenza21), and "beautiful" (American Record Guide). Her repertoire, ranging from the Renaissance era through the present, clearly affirms her keen interest in new music, which has led her to commission and premiere many new works.

American Record Guide, May/June 2013Crystal Springs, Phillip Schroeder's piece for piano and electronics, for instance, uses technology as a means to achieve a desired end. This ability to layer and control sounds from a suspended cymbal, an electric bass, and the inside of the piano itself allow him to create a lush atmosphere with a non-augmented piano. This work is contrasted on Jeri-Mae Astolgi's program by the fiery, programmatic Confetti Variations. Beginning with the sounds of burning scores, the piece involves "distilled Brahms shavings and expands into dilated Feldman resonances". The piano work is crisp, filled with a wide array of dynamic and color shifts.