Thomas Beckwith
is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

In response to an article in the Atlantic observing that women dominate the world of YA fiction, Laura Miller wonders whether men avoid and women embrace YA fiction for the same reason: it offers little prestige.

"Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you." Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.

"I found it hard to escape the sensation that I’d be teaching inside a giant metaphor." Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students' work, it allowed her to see how writing can act as a shelter, too.