The 177-page novel focuses on the story of the Tanaka family in Manzanar, who hailed from the coastal farming community of Watsonville, California, before the war. After the Japanese attack on Pearl Harbor, the unnamed
Issei
mother of the family was arrested and sent to an internment camp in Montana; though her children think of her, no communication from her is noted. The unnamed Issei father chooses to live separate from the family in Manzanar, with the Issei bachelors. Each of the five Tanaka
Nisei
offspring ranging in age from 30 to 13 live in the same barracks apartment, along with the husband of the eldest daughter. The story in the novel is told through the perspective of these six Nisei, each of the six chapters written in one of their first person voices.

With both parents gone, eldest daughter Fumi serves as surrogate mother to the brood. Her husband, Mitsuo Arimoto is the
block manager
and a Boy Scout leader who was a
Japanese American Citizens League
leader in Watsonville. Eldest son Harold, who had been a student at Stanford, is the editor of the camp newspaper,
The Patriot
, while his younger brother, Chuichi, a prewar army enlistee, had been kicked out of the army after the attack on Pearl Harbor. Fourteen year old Napoleon idolizes Chuichi and wants to be a naval gunner, while thirteen year old Ruby has gotten pregnant by a Nisei zoot suiter named Wendell Haraguchi. The storyline follows the gradual disintegration of the family in the cauldron of Manzanar, climaxing with Chuichi becoming a
no-no
and going to Tule Lake, where the last chapter, told through his eyes, takes place.

The fifth of the New York native Charyn's nearly fifty books and his fourth novel,
American Scrapbook
was the first to venture beyond the New York Jewish world of his early works. It was published when the author was just thirty-two years old. It was widely reviewed at the time, with mainstream reviewers praising the choice of topic and lamenting the injustices bestowed on Japanese Americans, but mostly finding fault with the novelist's treatment of it. In particular, the device of having each chapter in the voice of a different character and Charyn's use of black humor were contentious elements for reviewers. The first was found to be "somewhat chaotic" by one reviewer and resulting in the reader being only "given a surface impression" while remaining "detached as if he were glancing through an old album of faded photographs" by another; on the other hand, Daniel Stern in
Life
writes that "Charyn dips in and out of the minds of multitude of characters—the author's voice never intrudes and the pitfalls of the moralizer are avoided."
[1]
On the latter, Thomas Lask in the
New York Times
thought that, "Too much of the book is reduced to a campus spree," adding, "Mr. Charyn's aim was undoubtedly to show the dark side through the humor, but the effect is that the comedy, which should be only a side to the novel, colors the whole." On the other hand, the reviewer in
Time
magazine wrote that "Charyn knows how to make a pratfall out of a pitfall, how to convert sordid realism into a sort of surrealism."
[2]
Other reviewers objected to the crude language.
[3]
Calling
American Scrapbook
"Charyn's one truly unsuccessful book," literary critic Albert J. Guerard wrote, "It would be excessive to say Charyn's Nisei always have the mentality and humor of New York Jews."
[4]

Not surprisingly, reviewers for the Japanese American Citizens League organ the
Pacific Citizen
objected to what they argued were unrealistic portrayals of Japanese Americans the book. Allan Beekman found "the characters... lacking in qualities sufficient to render them human," and "motivated by blood-lust or unbridled sexual passion." "After all, the average reader has not picked up the book with the intention of reading an animal story," he concluded.
Bill Hosokawa
found the Tanakas to be "a remarkably untypical family," with the book giving the impression that "the evacuees were sexually preoccupied if not depraved, unable to cope with reality, given to wild flights of fancy and delusions of power, and either wildly anti-American or almost as wildly anti-Japanese."
[5]

Though largely forgotten today,
American Scrapbook
anticipates Julie Otsuka's critically acclaimed 2008 novel
When the Emperor Was Divine
, which employs a similar structure.

For More Information

Reviews

Beekman, Allan. "Novel on Evacuation Still Needed" Pacific Citizen, Aug. 29, 1969, 6. ["Perhaps the most useful function of the novel might be to inspire some evacuee to do better."]

Bellman, Samuel L.
Saturday Review
, Aug. 23, 1969, 40. ["... a major effort by an unusually gifted writer to tell a story that probably has not been told before (at least, not effectively), but that really must be told, particularly in the present, post-moon walk era."]

Hosokawa, Bill.
Pacific Citizen
, Sept. 5, 1969, 3. ["Most Nisei, I would guess, would hardly recognize 'American Scrapbook' as their story of the evacuation experience."]

"The Dickens in Camp."
TIME Magazine
, July 4, 1969, 81.

Kirkus Reviews
, March 15, 1969, 328. ["Sour humor, a sourer message, this is an almost allegorical suspension of 'the hostility, the shame, the inadequacy, the confusion, that we all. . . share.'"]

Lask, Thomas.
New York Times
, June 3, 1969, 45. ["Mr. Charyn's aim was undoubtedly to show the dark side through the humor, but the effect is that the comedy, which should be only a side to the novel, colors the whole."]

McVeigh, Terrence A.
Best Sellers
, June 15, 1969, 107. ["Unfortunately the author by his choice of narrative method has given a surface impression of the life and emotions of these displaced persons which, somehow, allows the reader to remain detached as if her were glancing through an old album of faded photographs."]

Publishers' Weekly
, March 3, 1969, 50. ["Unfortunately, this novel never goes deeper than quick sketches and only hints at the larger story underlying the misery of the people….']

Sokolov, Raymond A. "Ignoble Episode."
Newsweek
, June 9, 1969, 114, 116. ["Charyn has imagined himself quite credibly into the heads of people under stress, deprived of self-respect, reduced to fighting over bathtubs."]

Stern, Daniel. "The Day the Melting Pot Froze Up."
LIFE Magazine
, June 6, 1969, 24.

Learn more in the Densho Encyclopedia, a free on-line resource covering the key concepts, people, events, and organizations that played a role in the forced removal and incarceration of Japanese Americans during World War II.

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Learn more in the Densho Encyclopedia, a free on-line resource covering the key concepts, people, events, and organizations that played a role in the forced removal and incarceration of Japanese Americans during World War II.

This material is based upon work assisted by a grant from the U.S. Department of the Interior, National Park Service. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the U.S. Department of the Interior.

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The Resource Guide to Media on the Japanese American Removal and Incarceration is a free project of Densho. Our mission is to preserve the testimonies of Japanese Americans who were unjustly incarcerated during World War II before their memories are extinguished. We offer these irreplaceable firsthand accounts, coupled with historical images and teacher resources, to explore principles of democracy, and promote equal justice for all.