Wednesday, December 31, 2008

It's the last day of the year and I am almost ready with my top 10 of the year (YAY!!).. There are still some movies that haven't opened in my city yet (and some others that I missed earlier in the year) that can probably bump some of the movies in this list later but I don't expect any major changes.

Some of these movies that I haven't seen (in order of decreasing probability of appearing in the top 10) are:

So.... some special mentions first.. And some of these will probably figure in my top-10 list if you ask me a month from now as these things are hardly ever that clear-cut. But, I am making this list right now, and they don't figure in the list right now...

That brings us to the top 10. But I must say something about the overall quality of these movies. While some of these (top 3-4) are really good and would've deserved to be in top 10-15 movies of most recent years, the others are really there because of lack of quality competition this year (or, maybe the movies that I haven't seen yet will change this impression). Anyway, to the list then..

10. In Bruges: It released quite early in the year and has probably slipped from most people's mind by now. Quite an interesting, though a tad slow in patches, mixture of drama, comedy and perhaps even thriller. Really good performances by both leads (Colin Farrell and Brendan Gleeson) and a nice cameo by Ralph Fiennes. There are times when it seems to meander, but by the end everything comes together beautifully. Not unmissable, certainly, but definitely worth a watch.

9. Milk: I am still not sure why this movie is so low in my list. It seemed to be quite good. Most of the parts (performances, screenplay, cinematography etc) are great and yet, overall it still left me a little aloof. As I had said in its mini-review, it is probably because it is a biopic and works within the overall framework that most biopics follow. There is no reason why it won't rise 2-3 spots in this list once I get to see it again. I would put it in unmissable category for the movies of this year, if only for the story that is worth being aware of and the absolutely amazing performance by Sean Penn.

8. Slumdog Millionaire: I've already talked about this before. Most of it is quite entertaining, but that is about as far as it goes. No real "aftertaste". It might seem amazing to non-indian critics to see hindu-muslim riots sewn into the narrative the way it is, but for indian viewers it probably seems very unoriginal. It's funny that I am actually writing negative things about this movie while including it in the top 10 list! :D As I said before, this was probably a weak year in terms of movie quality. As entertaining as a large part of this movie is, it probably wouldn't have figured in my top 10 list in any other year.

7. Vicky Cristina Barcelona: Woody Allen falls in love with Barcelona (and makes us fall in love too, with an amazing "Barcelona" song running in the background throughout). So, the best thing he could do was put some really good looking actors in that city and spin a story around them. Some of the situations here are quite funny, but really it's Penelope Cruz's and Rebecca Hall's characters and performances that make this movie as good as it is. Quite a fun movie. Penelope Cruz will probably be nominated for this and might even win it.

5. Mithya: Easily the best indian movie that I saw this year. (I should say hindi movie since I haven't seen any non-hindi indian movie this year). By all accounts, that might change once they release the DVD of Oye Lucky! Lucky Oye! but Mithya clearly holds its own even against some of the better movies released in the US this year. It takes the basic concept of Don and twists it around in an unexpected manner. The movie has some funny scenes and dialogue even before this twist, but it REALLY goes to another plane after that point. I thought it was really impressive when I saw it but I didn't think I will start liking it so much even without watching it again. This is what I call "aftertaste"! :)

4. Frost/Nixon: Martin Sheen Michael Sheen becomes a superb interviewer and the actors around him are all in form. But all they really do is prepare a setting in which Frank Langella shines brightly as Richard Nixon. Langella will get a well deserved nomination here as should the screenplay and direction. The political-historical drama genre is something that makes compelling viewing if done well (The Queen, Good Night and Good Luck, All the President's Men etc). It is a pity that no one attempts it in Hindi cinema because they don't think it is viable. This is one of the more engrossing movies of its kind that you'd have seen.

3. Let the Right One In: Again, talked about it before. It has only gone up in my estimation since then. Along with Mithya, and possibly In Bruges, this is one of those movies in this list that you will probably not hear as much of as the other more famous movies. Yet, it is easily a must-watch. Don't reject this movie because you have heard that it is a vampire movie, or because you didn't like the trailer. This is really a gem.

2. WALL-E: Sigh! Pixar... They clearly don't get tired of living up to all of our expectations. And yet, WALL-E has shown the Pixar has its own problems. The kids/teenage targeting frachise is such a huge money spinner and Pixar quality animation is such an expensive undertaking that they end up compromising just a little here. As cute as WALL-E is, it is actually absolutely unbelievably unqualified masterpiece material during its first half. The second half has its own great moments (the definition of dance that WALL-E and EVE present outside Axiom when the captain says "Define dance!" is one of the greatest moments EVER in a film...), and yet all the running around of crazy bots and the fight with Auto are purely there for the young ones in the theatre. That this is still at number 2 for the year (and one of the best animation movies ever) only goes to show the greatness of the rest of the movie.

(aside: initial reports are suggesting that Pixar's next "UP" is probably going to be similar. i.e. it has an amazing first half where the movie seems almost like a great grown up drama but then it probably changes into something more palatable to children's taste... we'll see... if the first half as great as in WALL-E, maybe we can live with some battles with monsters etc!)

1. The Dark Knight: I can't talk about this movie. I really can't. Every time I thought about writing a mini-review, I just didn't know where to start. I can write all the great adjectives I can think of and yet will find myself feeling that I didn't do justice to it. So, maybe I'll try to write about things that I didn't like. Some of the "two-face" stuff was probably average. As was the IR-vision stuff. But that is really about it. Virtually every other scene of the movie was jaw-droppingly great. WOW!! Christopher Nolan is a genius. I can't wait for whatever he does next. Heath Ledger will get his oscar, and it will be a pity that anyone who hasn't seen the movie will always assume that his death had something to do with it. Philip Seymour Hoffman is great in Doubt, and some of the awards are acknowledging Josh Brolin in Milk, but if you ask me, no one comes even close to Heath's Joker. TDK made my year!

Thursday, December 18, 2008

I've just moved to a new place. Which means that regardless of how much work I might have to do, there is a lot of time to kill without anyone to kill it with. And that can mean only one thing for me... more movies!!! In any case, this is the "oscar season", which means that there are a lot of really good movies are in the theatres right now or about to release over next few weeks. November to January are my movie months regardless of the amount of free time I have on my hands.

Anyway, here are some brief comments on some of the movies that I have seen over last few weeks.

Slumdog Millionaire: I've already written about it in the previous post. Basically a really good movie overall, just not as good as Roger Ebert and others think. I have a sneaking suspicion that one of the reasons why everyone seems to be liking it so much is that Roger Ebert talked about it in such glowing terms long before most others had a chance to see it. And that puts a certain pressure on others. I don't mean to say that all the critics follow his advice or that they can't dislike a movie if Ebert likes it a lot (eg. Synecdoche, New York left a lot of people cold even though Ebert thought it was brilliant). Still, if you think a movie is quite good, if you actually like it, chances are that the fact that someone like Ebert has already hyped it up a LOT then your own review will probably add maybe one-fourth of a star to what you'd have given it otherwise. Having said that, maybe it really is that good for people here and the only reason why it didn't impress me as much as others was the language part, as I mentioned in that post.

Rating: 8.3/10

Synecdoche, New York: The fact that it is the directorial debut of Charlie Kaufman itself was enough to make me feel a little apprehensive. He writes amazing (and sometimes amazingly convoluted) scripts. So if he decided to direct this one himself, chances are this one is even more convoluted than normal. That is exactly what happened. I am sure I'll "get" more of the movie after watching it at least two more times. There were certainly parts of the movie (and the acting performaces, especially by Philip Seymour Hoffman) that were quite accessible and pretty good. Yet, every once in a while something happens that leaves you scratching your head. I am sure my rating of the movie will increase a lot once I have had a chance to see it again. But as of now it is only a 7/10.

Rating: 7/10 (tentative...)

Milk: Sean Penn is absolutely great here. Definitely Oscar worthy. A really well made movie about Harvey Milk. Filled with some other good performaces too, but I never felt Josh Brolinwas as good here as all the critics awards lists seem to indicate (specially when the rival performace is Heath Ledger's in The Dark Knight). Then again, what do I know about acting? Really good movie, even if there's a certain pattern to most biopics which this follows too, making almost everything (including the supposedly sudden tragedies etc) quite predictable. I have found that now biopics don't really move me as much as they used to initially, just like war movies. Even when they are very well made, there is a certain been-there-seen-that kind of feeling to the situations.

Rating: 8.1/10

Let The Right One In: Wow! I guess the reason I was so impressed with this movie was that I went in to see it without really knowing about it all that much. All that I knew was that it was a horror movie/vampire movie that was getting really great reviews. I am not all that big a fan of horror movies as such, but maybe that is because too few of them are good nowadays. Anyway, I was really surprised by this movie. It is not even close to what one might expect from a horror/vampire movie and is much more closer to good drama movies. The story is more concerned about the relationship between two pre-teen kids than showing blood/gore/violence/special effects as most horror movies might do. In fact visuals-wise the vampire aspect of the story probably doesn't even take 10-15 minutes in total. One of the best movies I have seen recently (which might not be saying much.. considering that I haven't seen all that many movies this year).

Rating: 8.6/10

Happy-Go-Lucky: Good, but not nearly as good as some of the reviews made me expect. Performaces are good. Sally Hawkins and Eddie Marsan are great. But overall it didn't have nearly enough things to keep me interested. Not theatre-worthy for me. :)

Rating: 7/10

The Visitor: It had released much earlier in the year and had got some really good reviews, specially for the lead performance by Richard Jenkins. And I found everything exactly that way, if not better. A nice, touching, even engrossing movie about a writer/professor who has lost touch with the good things in his life - except the memory of his wife, and his interest in and ability to enjoy music - and an immigrant family that he comes across.

Anyway, I had seen Slumdog Millionaire last weekend and I was quite excited about it because of all the critical hype here in the US. A friend asked me about the movie today and I emailed her my views. Here is what I had to write (and I know it shouldn't be called a review at all.. just some thoughts about the movie)..

yes, I liked it. But not so much as to justify all the hype here in the media right now. It seemed like a very well made indian movie actually, in a lot of ways.. which means, it is a really good movie.. just not as "great" as I had expected... or maybe that is the effect of language.. it becomes a little difficult to empathize with the characters/situations etc if you feel a little awkward at listening to them talking in english... as in, they have done such a good job at shooting, casting etc that everything is absolutely correct in terms of the setting in india/mumbai.. thats why it just seems a little awkward to see them speak in english for about half the movie.. obviously, that is inevitable as it is a british movie.. and obviously it shouldn't matter to people who only see it as a semi-foreign language movie here and it wouldn't have mattered to me if it had been a movie set in africa where characters were speaking english... but it had at least some effect on how much I could believe the characters and situations, specially since a lot of scenes evoke in my mind some scenes from great movies where the memorable lines were in hindi... It just seems a little awkward to see a cop torturing a kid and talking to him and his own subordinate in english.. specially because all of them act really well and everything but the language is quite convincing... having said that, maybe i am underselling the movie a lot... it wasn't bad at all.. as I said, it is actually really good... just not so good that I think of giving it an oscar for best picture (which it is most likely going to be nominated for...)

I won't hesitate to give it the oscar for best original score though.. :P and I'm sure it will be nominated for that...

I was chatting with PB (better known nowadays as VKBs karela guinea pig) right now and he mentioned someone's all time top-10 movie list. That triggered a sudden reaction somewhere making it inevitable that I come up with my own top-10 movie list. And since I couldn't have waited too long (otherwise he'd have become completely uninterested in the topic), I searched only the very top of my head and came up with this list. Obviously, in no particular order...

Eternal Sunshine of the Spotless Mind

12 Angry Men

Schindler's List

The Incredibles

The Lord of the Rings (will count it as only one movie!)

Satya

Kill Bill (again.. will only count this as one movie... but Vol 2 more than Vol 1)

2046

The Godfather.

Forrest Gump

special mentions that JUST missed the list: City of God, The Dark Knight, The Lives of Others, Iruvar, Mr Smith Goes to Washington, Ratatouille.... and maybe about 20 others... :)

clearly the list is highly fluid and will probably look a bit different (hopefully not COMPLETELY different) if you catch me at any other time. But, here it is for right now!

Not bad, eh? Prem is at 76 words. So, a non-journo like me whose current typing technique has evolved over 8-9 years of blogging and chatting online should be proud of achieving 69 words correct, 0 words incorrect per minute, right?

Friday, November 21, 2008

I am sure most of you have seen the original promo and the Guzarish song promo of Ghajini by now. If not, click here and here. The second song promo is out now, and I must say that this one excited me more than the Guzarish promo. It might just be due to relatively less male nudity ;), but I guess the music has something to do with it too. Guzarish, while pretty good, still doesn't seem to have anything "hatke", anything "Rahman" going for it. In other words Guzarish seems more like "Tu Muskura" than some nice innovative job like in "Tu Bole Main Boloon".

Sunday, February 24, 2008

Just posting because I don't want to break this blog's tradition of writing at least SOMETHING about the oscars. (For those who want to point out that THAT particular tradition had already been broken last year, I'd just say that it was just not possible for me to post anything on the oscar day last year. Conference and all.... )

Anyway, for lack of time, all I'm going to post here is a list of winners that will make me happy. I haven't seen some of the nominated movies in some of the categories, so "winner that will make me happy" is only based on whichever movies I have seen.

So, here we go....

Best Picture: Atonement (it is still at number 2 on my top 10 list for the year, even though I have now seen some more movies since that list was made). Though I won't mind too much if it goes to No Country for Old Men. What I WILL mind is if There Will Be Blood ends up winning the oscar as it really didn't work for me that well.Haven't seen yet: Michael Clayton

Best Actor: Daniel Day Lewis. Though I haven't seen 3 of the nominated performances, so I guess I really don't have an opinion about this one.Haven't seen yet: Michael Clayton, Sweeny Todd, & In the Valley of Elah, Best Actress: Ellen Page all the way. Haven't seen 3 of the nominees here too, but Ellen Page was just SO good here, that I will hate it if she doesn't get it. Though I guess Julie Christie is the frontrunner here.Haven't seen yet: Elizabeth, La Mome, The SavagesBest Supporting Actor: Javier Bardem.Haven't seen yet: Jesse James, Charlie Wilson's War, Michael ClaytonBest Supporting Actress: Saoirse Ronan.Haven't seen yet: I'm Not There, Michael Clayton

Best Director: Julian Schnabel. Though it will probably go to Coens of Paul Thomas AndersonHaven't seen yet: Michael Clayton

Best Original Screenplay: Ratatouille. They HAVE TO give one of these awards to the Pixar people sometime. Not going to happen this time though. :( Juno is probably going to take it.Haven't seen yet: Lars and the Real Girl, Michael Clayton, The Savages

Best Adapted Screenplay: No Country for Old Men or The Diving Bell and the Butterfly will both be fine with me.Haven't seen yet: none! :)

Best Cinematography: Janusz Kaminsky though I don't think they are going to give it to him. Not that the others aren't good, I just want him to get it.Haven't seen yet: Jesse James

Best Original Music Score: Ratatouille. Not going to happen. But I'll LOVE it if they give it to Ratatouille!

Best Animated Feature: Ratatouille. Persepolis might win it, and it might deserve it too (haven't seen it yet), but I WANT Ratatouille to win it!

That's it. No real opinions about any other categories as yet. Waiting for the ceremony to start now!

The reason Black Book is included in this list even though it was part of last year's oscar nominations is because it did not get a wide enough release in USA till some time into 2007. Which means I could not have included it in last year's list. Now that I have its DVD with me, I'll probably watch it soon enough and if it is REALLY good, it might figure in this year's list.

So, a couple of special mentions first. These are the movies that weren't great enough to figure in the top 10 for me at this time, but any of them might come in at #5-#10 if you ask me to make the same list 10 days from now. :) As it often happens, except for the top 4-5 movies, the rankings for the rest are quite dynamic. So, the special mentions...

Aaaaaand, here is the tentative top 10 list. Chances are that the bottom half might drop out later on, but the first 4-5 movies will probably still be in the list even after I get to see all the movies mentioned above, though not necessarily at the current rankings. So..

10. Juno : Saw it just yesterday, and it is quite funny. Really well written dialogue throughout the movie. Very often, in a comedy/dramedy at least some of the humor does not work for me. There might be some jokes that just fall flat or sound lame to me (as is true for everyone). But I don't remember a single line in this movie where I felt that way. But more than anything else it is Ellen Page's performance. This girl is just about 20 years old, and looking at her in this movie I'm sure Roger Ebert is right about her in saying that she is going to be one of the great actresses of her generation. See this movie if only for Ellen Page. But even if you see it for her performance, I assure you you'll find plenty to chuckle about.

9. Black Friday : Finally I got to see what all the hype about Anurag Kashyap was. His screenplay for Satya was brilliant, and his Paanch never got released. So, this was my first chance to see why people keep saying that he is SO good. And even though I haven't seen No Smoking yet, and even though it was almost universally panned, I think Black Friday was enough to convince me that AK is a director who can make some really good movies in future. some of the scenes in this movie are just superb! But then again, I thought there are some sequences where he just overindulges himself. It becomes too slow at times, and for a movie that is shot as if it were a docu-drama it has some very bollywood-y scenes (specially Tiger Memon's depiction. While Pawan Malhotra performed really well, everything just felt too over-the-top about those sequences).

8. Into the Wild: A wonderfully shot movie with some amazing performaces. Emile Hirsch will probably get a well deserved oscar nomination, and I'll be really happy if this also gets at least one supporting actor/actress nomination. Hal Holbrook will probably get it, even though his charater has only about 20 minutes of screen time. But then, Atonement might get a supporting actress nomination for a 3-minute role. So... :)

7. Lust, Caution: Ang Lee's new movie that won't be able to get a foreign-movie nomination because of some confusion about whether it is "foreign" enough and, if so, whether it belongs to China or Taiwan? Again, superbly shot with some great sets and amazing leading performances. I didn't like it as much when I saw it, and I'm surprised myself at finding it in my top 10! This is what I mean by the "aftertaste" of a movie. Some movies grow on you after every successive watch, but some grow on you (or at least me) without even watching them again. I just think back to some of the scenes/sequences and I realize that I enjoyed them more than some of the other movies in the list. So, here is Lust, Caution at 7!

6. Zodiac : A really well made serial-killer movie that showed more of the investigation into the murders than the murders themselves. This movie didn't really get its due at the box office and most of the critics have probably forgotten all about it because it came so early in the year. I have always liked Jake Gyllenhall but it is Mark Ruffalo who overshadows everyone in this one. He'd have got a supporting actor nomination had this movie come later in the year, but nobody is talking about it now. sigh!

5. The Bourne Ultimatum: I LOVED the second Bourne movie but this one was even better. It is essentially a mindless action movie disguised as an intelligent spy movie. And it is done REALLY well. Fun ride from first scene to the last.

4. Ratatouille: People still have a bias against animation movies. There is still a feeling somewhere that these are "kid movies" and probably don't deserve to compete against some of the "serious" stuff. But Pixar will probably slowly change all that. The Incredibles was nominated for its original screenplay and I'd dance all night if they remember to do so with Ratatouille too. Hopefully Pixar will keep coming up with such amazing movies and we'll see a Pixar movie getting its thoroughly deserved nominations for screenplay, music, direction, acting (even if just voice!) etc in 2015. Maybe even a best picture nomination! Ratatouille rocks! It is not quite Pixar's best, but that is like saying this is not Sachin's best century. It still is a Sachin century and it probably had more gorgeous shots than anyone else's 200. So, this might not be as good as The Incredibles but there are delightful sequences throughout Ratatouille that are way better than most live-action stuff that we get to see around. As for comparing with other animation movies here in the US, you must be joking! The Shreks and Ice Ages only seem like pretenders when you come out of a screening of something like Ratatouille!

2. Atonement: Saw it only 2 days ago, so chances are that I might be over-estimating it due to the recency-factor, but then I saw Juno yesterday and it doesn't figure at number 1. So....I LOVE movies with great visuals and sounds and most period costume dramas are great that way (most of the good ones, anyway). But this is something more than just that. Its a great story (apparently from a prestigous and popular novel), adapted into a really, REALLY good screenplay. It moves from British family drama to war epic to love story with amazing skill and keeps you interested for every single second of the movie. I normally do not like war movies a lot, so it helps that the war probably only takes up about 30% of the screen time. And it also helps to have a STUNNING 4-5 minute long single-take scene during that war sequence. I don't know if that scene really is single-take or it is made to look that way but, whatever the case might be, I was looking at it with open-mouthed amazement. I had no idea about how good this movie might be when I went to see it. Maybe that is why I am rating it so highly, because it just surprised and delighted me throughout its running length. I can't wait to go and see it again at the first chance. And I can't wait to buy the DVD whenever it comes out (and becomes cheap enough so I can afford it! :) )

1. The Lives of Others : I almost did this movie a great injustice by forgetting about it entirely initially. It got the foreign language movie oscar last year, and so should probably be considered as a 2006 movie but just like Black Book it came to the theatres later in the year so I could not include it in the last year's list. If I had, it would be one of the three best movies of last year (along with The Departed and Pan's Labyrinth). Its a great movie about socialism in East Berlin in 1984 (the year, not the book.. but it probably is intentional). Without telling you much about it, I'll just say that it is a spy thriller/drama about an official of Stasi - the government's secret police - who is given the task of arranging surveillance of a famous writer and his girlfriend, a theatre actress. A web is then spun about corrupt officials, fearful citizens, conspirators/rebels and the protagonist - an idealist whose faith in the system of government that he is serving slowly unravels as he observes what is happening around him. And for a movie that seems to be constantly moving towards doom, it has a strangely uplifiting end.Best movie of the year. By far.

Tuesday, January 08, 2008

It was an amazing match, wasn't it? As in, the cricket at times was stunning. WHAT an innings by Laxman! The first 70 runs or so were straight out of batting heaven. If one could forget all the controversies etc, that would've been the single most persistent memory for me from this match. But then, we can't really forget all the controversies. And that, more than anything else, is what makes this such an amazing match. So many different issues arose through the match and after it that it is impossible to think of any single match, or series, that even comes close for "the most discussable match" award that I am hereby awarding to this match. As I see it, a lot of people are just messing the situation up by mixing many different issues together (and then there are others who don't care about issues as long as they get to burn a few effigies!). First and foremost, I think people are just going way overboard in their criticism of the australian team and Ponting. I don't think they did much wrong on the field (except on a few occassions that I'm going to write about). Or at least not much that was more wrong that most teams do anyway, or that aussies have usually been doing for a long time anyway. Not to say that either of these things make them correct (appealing when you know batsman is not-out, sledging etc), but to turn the world upside down about these things after losing a match just doesn't sound all that right to me. These ARE things that should be done away with, but that issue should be sorted out independently and not necessarily in the context of this match.

In my opinion, the events that were most worrying were:

1) The Bhajji judgement. And all I am talking about is the judgement. Not the reporting by Ponting. I am completely willing to believe Ponting when he says that it wasn't a matter of choosing to report or not. It has been made completely clear to every international captain that any incident that might be related to racist behavior should be immediately reported. It does NOT matter whether Ponting actually heard the words themselves, (and as far as I know he hasn't lied about it. He says he didn't hear anything and was just reporting, and that is fine by me). It does NOT matter whether he knew about Bhajji's intentions. If Symonds tells him that Bhajji's words had racist overtones, the only thing Ponting can do is to report it as a possible racism-related incident. His own opinion of what kind of chatter should or should-not remain on the cricket field is completely irrelevant as soon as the issue of possible racist-behavior arises. It is another matter altogether whether there should be such a huge difference between ICC guidelines about various genres of "insults". Tim de Lisle has an article on cricinfo that talks about this. I don't understand why anyone should dictate what ought to be considered offensive for anyone else and to what degree. I might feel offended at being called by my last name and - however unbelievable you might find that - it doesn't mean I am not entitled to feel so. And once I let you know about it, it doesn't matter what you believe, your using my last name again when you could avoid it is just as big an offense as me insulting your parents might be to you. Which is why all the people who are writing about how "monkey" is not a racist term when used by an indian are missing the point. Once Harbhajan has been clearly told that Symonds, for whatever reason, considers that term to be racist, he really shouldn't call him that. And if he (or Tendulkar) told Proctor that he DID use that word (even if they believe that he didn't mean anything racist by it), then the 3-match ban is perfectly fine. Or if Proctor has a recording which proves Bhajji said it.

What is unbelievable is that Proctor can just say "I did not judge on one person's word against other's.... I was sure beyond reasonable doubt that he said it and meant to use it as racist abuse... In my opinion only one of the groups was telling the truth" and pass that on as a fair judgement. Er, how does one decide which group was telling the truth when all he has to go on is their words? Majority vote? between a fielding team and two batsmen of the other team? Gimme a break! How do these match-referee hearings work anyway? What does the rulebook say? That the referee can use his "gut-feeling" in handing out judgements. Is there any place he has to record the evidence and the reason for his judgement?

If the rulebook that all the boards have already agreed to follow assumes that the match-referees can use their own subjective judgement in arriving at decisions then no one should have a problem with this judgement. If we feel that Proctor's opinion is incorrect, we should just go ahead and appeal against it and go as far as we legally can. Drag ICC to court if that is possible, if you think there really wasn't sufficient evidence to brand Bhajji racist. And let ICC know that we do not consider Proctor qualified enough to be a match referee in the future because we do not agree with his subjective judgements. No offense, mind you, we just do not think we want someone with a different set of values to be sitting in a chair where he does not have to give objective reasons for arriving at a judgement. Not someone who considers "I know racism when I see it. I have grown up with it around me" to be a fair reason to condemn someone. And again, I do NOT wish to say that Proctor is willingly being biased against Indians. He might be doing EXACTLY the right thing according to his opinion, but correct intention is not good enough for someone to sit in judgement of other people if those people believe that he/she might not correctly understand some of the issues under consideration. And I DO believe that Proctor probably does not understand us all that well.

Another thing that I find difficult to believe is that during his 4-hour (or was it 8?) long hearing process, he did not find out what exactly did Symonds say to Bhajji that presumably enticed Bhajji into saying something in return. It was hilarious to read that Symonds casually said something to the effect of "Bhajji patted Ponting's backside and I thought - Hold on! That's not on! - and I believe in sticking up for my teammates, so I went and let Bhajji know exactly what I thought about it." How the hell did Symonds get away with THIS!! What was Proctor thinking? It would sound a little more reasonable to me (only a little, given the apparent lack to evidence for the racist charge) had Symonds been at least fined for his action and Bhajji handed a ban for the racist comments. As of now, Symonds seems to actually be boasting about his "sticking for the teammate" bit and "let him know exactly what I thought about it" bit! What exactly did he say to Bhajji? "fucking Homo!" if you believe Prem Panicker. And he actually seems to think he did something worth applauding! How thick can one get? Again, WHAT WAS PROCTOR THINKING??

Having said all that, I would now like to take my "How thick can one get?" comment back. I haven't met any australian in real life. I haven't visited Australia. I REALLY don't have any reason to believe that his comments aren't the aussie-athelete-speak analog of "abe kya kar raha hai!". So being thick has nothing to do with it. But then I also don't think Proctor has any right to believe that the same comment can't be offensive to Bhajji if that is why Proctor thought that bit not even worth mentioning in his comments about Bhajji's racist behavior.

Phew! So much about the judgement. As to what should BCCI/indian team do about it, I firmly believe this is NO reason to pull out of the tour. The match referee gave a judgement, you have a method of following it up. So.. follow it up. Appeal the judgement. If you are not satisfied by the appellate commission's judgement, do the next thing you can do. Go to the courts if that option is open to you based on the agreements/constitutions/lawbooks that the cricketboards are supposed to follow. If you have stupidly agreed to something in writing that does not give you that option then make sure that from now on you do not agree to those clauses. Make sure you do not agree to having Proctor in the match referee panel the next time you sit in ICC meetings. And make it absoluetly clear to everyone that you will agree to the ban because you have no legal recourse against it as things stand right now, but neither you, nor Bhajji admit that he has been racist and that you consider the judgement to be incorrect. As for using your financial muscle, do it to change the agreements/rulebooks/lawbooks in future so that such things don't happen again. Pulling out of the tour is really not going to solve ANYTHING. And I don't see the sense in doing anything that doesn't achieve anything other than appeasing 20 people who don't have anything better to do than get a TV news crew and burn effigies.

2) Umpiring. I can't believe that some people still scream their lungs out about lbw decisions that they think are 100% out. All they need to do is take a little poll of 100 people who have seen it live (and not the replays later) and they'll probably find quite a few of them having at least a little doubt about it. That is just the nature of the thing. It would be nice to have some method of finding out exactly when someone is out lbw, but that really is just not true right now. Hawk-eye is great, but there are occassions when you feel that the algorithm messed up in calculation the bounce or the line. There is still a strong case for taking all the decisions with Hawk-eye (if it becomes fast enough to give those results in real-time) because then at least the mistakes will be equally applicable to everyone in every context and the nagging doubt that a lot of people have about best teams and big-name players having an effect on umpires' decisions will be done away with. Anyway, I digress. The point is that it is stupid to get angry about close lbw, caught decisions and blame the umpires when most people make up their minds after looking at the replays. These things are part of the game as it is played right now and even though they might not even out over a match, or a series etc, all you can do is discuss about how best to use technology to make sure that these instances can be reduced.

What is more problematic are the howlers that we get to see every once in a while. Symonds' caught behind in innings 1 and Dravid's in innings 2 are probably the only 2 decisions that fall in that category. Some people might, possibly justifiably, include a couple of other decisions too. But even one such decision is one too many. There really should be a way to make sure that these do not affect match results as they really are difficult to swallow for the losing team. Having a decision referral system is a great way to do this and I just don't understand why it shouldn't be tried as soon as possible. And if we are not going to have that any time soon, it just doesn't seem right to not have any system of accountability for umpires who make such mistakes. Someone said "Batsmen make mistakes, bowlers make mistakes, so do umpires". Come on! When batsmen or bowlers make mistakes, they lose the match for their team and possibly their places in the side. When umpires make mistakes, what do they lose? Even a little mistake like a wide or a no-ball has consequences for the player's team (extra run, extra ball, free hit etc), but even potentially match-turning mistakes that an umpire makes have absolutely no impact on their careers, even their match fees! I can understand that the umpires' job is very difficult, but that is no reason to accept ridiculously bad decisions. If the job is too difficult, make it easier by using technology. (Take the front-foot no-ball decision making away from the on-field umpires and you'll suddenly see better decisions on lbw front!). It just doesn't cut to say "it happens, lets move on".

That said, the major problem that I had with umpiring in this match is not even these howlers. That problem exists in almost every match and is not specific to any umpire. But there were incidents in this case that are beyond just the matter of umpires' skills. I was horrified (as, clearly, was Dhoni) when Bucknor did not refer that Symonds' stumping chance to the third umpire. This, I'm afraid, is not a matter of skill or wrong-judgement. This is plainly a problem with his attitude and as far as I'm concerned this single incident alone is enough to convince me that he does not deserve to stand in a match. ANY match. If his defense is that he thought there was no doubt that the batsman was not out then he clearly over-estimates his own skills (in fact, overestimates the acuity of human senses if he thought it was possible for ANYONE to judge that based on what they saw in real time. It was THAT close). And that should be a good enough reason to convince that he is no longer a good umpire. (And he was standing in a world cup final just last year! *shudder*).

Then there was the case of Benson asking Ponting (or Clarke) about the catch. I was under the impression that the agreement between the captains (about taking the fielder's word) extends to the umpires too. i.e. the captains agreed that during this series the umpires will take the fielder's words for any close catch. Though I do not completely agree with Ponting's view that it should be so, it doesn't matter as long as that was the understanding between the captains AND the umpires. Turns out that I was being stupid in assuming that any such understanding between the captains can extend to the umpires. The umpires have to play by the book, and if Ganguly decided to not take Clarke's word and walk, Benson had no business doing anything of the sort. His instructions were clear: ask Bucknor if you did not have a good line-of-sight, and if none of you do, then ask the third umpire. That an umpire, thus instructed, should ask Ponting (or take his word for it, if he didn't really seek Ponting's opinion but Ponting gave it nevertheless) is just not acceptable. ICC should make this clear to everyone. As I see it, it was a match-turning decision, but that is irrelevant. This was a huge enough mistake on the umpire's part (a bigger mistake than any howler any umpire can give) and should be treated as such.

Again, was Ponting wrong in letting the umpire know what Clarke thought? I am not too sure. If he thought that Benson was asking him then what was he supposed to do? Probably the most appropriate thing to do would be to remind Benson that he was supposed to direct his query to Bucknor, but do you really see ANYONE doing that? The umpire asked a question (wrongly, but still..) and Ponting told him that Clarke was sure he caught it. I really don't see why Ponting should be called arrogant for this. (Does not mean that he is not arrogant. He might be, but this incident is hardly an exhibit in favor of that).

Also, there was the little matter of a TV umpire getting the decision wrong! There is a reason why the decisions where the third umpire gives the benefit of the doubt to the batsman take so long. They are supposed to see all the possible angles (and I believe they can even ask the TV producers to give them any specific camera angle that they might find helpful) before deciding that there is enough doubt to not convince them either way. He gave Symonds not out BEFORE seeing the angle that (at least to me) seemed to show clearly that his foot wasn't grounded. For all I know, the 3rd umpire would probably have thought that even that angle leaves enough doubt and would've given him not out. But he couldn't have known that BEFORE even seeing that angle. And that is just plain unacceptable. Why give him not out in a hurry? There is also a possibility that he might have been convinced that Symonds HAD, in fact, grounded his foot. In that case he and Bucknor should get together sometime and learn Braille. If they can recognize each other, given their eyesight.

3) Ponting's attitude after the match. I don't think sledging (or "mental disintegration" or whatever else you want to call it) has any place in the game. Ponting and his teammates think it does. Beyond this general disagreement, I really don't have any problem with anything that Ponting did on the field during the match. Or even after it. I find it hilarious that some people are on Ponting's case about the method of their celebrations after their win and the fact that they didn't immediately go to shake Kumble's hands. Come on! They had just snatched a win out of nowhere. 10 minutes ago, they were probably preparing themselves to go to Perth with just a 1-0 lead and suddenly, within 5 deliveries, they had won the Sydney test match! How many teams would've acted any less than thoroughly ecstatic in such a situation? And how many players do you remember who, in such a situation, rightaway go to the opposition player? Just that one instance of Flintoff going to Brett Lee? Had that been anywhere near a usual scene, then that image wouldn't have become such an iconic image. So, it really is a bit too much to suggest that Aussies did something dirty at the end of that match.

However, then came some things which weren't all that appropriate. Starting with Ponting and Gilchrist mocking the critics who suggested that the timing of declaration was wrong. They thought that the result vindicated them. Really? Umpiring errors helped them, and yet they ALMOST didn't win the match. Indians batted splendidly on a really difficult pitch, and almost drew the game. No wonder some people thought that the declaration was a bit too late. Not that I can't see why Ponting might've been worried about giving Indians a somewhat easier target. One person playing a great innings over two sessions might've made it 1-1. But to act as if the critics didn't know what they were talking about and as if the final result vindicated Ponting's position was a bit too cocky.

This was, however, still a somewhat minor issue. What Ponting did after this is what irks me more. He is the one player who wishes every team to take the fielder's word whenever there is some doubt over whether the catch was cleanly taken or not. And he was, admirably, true to his word when he didn't claim a catch earlier in the match. However, he claimed a much more crucial catch off Dhoni in the second innings when it was clearly grounded. I must say that I wasn't initially too sure about that catch being grounded as I wasn't sure about what the rule says. Ponting seemed to be in control of the ball for a fraction of a second before he fell down on the ground with the ball not just completely touching the ground but also dragging along. In retrospect, it was stupid of me to assume that the rule might allow that catch. If so, it would be ok to catch a ball on the boundary by jumping high and being in control of the ball while still airborne. That clearly is wrong. The player has to come down inside the boundary for the catch to be legal, otherwise it is deemed to be a six. So, clearly a catch is not completed until you are in control of the ball AND your body. In which case I fail to see HOW can anyone believe that Ponting didn't ground that catch. And if Mcgrath (who has said that in his opinion Ponting was in control of the ball before he touched ground) and Ponting strongly believe that the catch was fine, then they should be even more embarassed than I am for not knowing what a catch means. In fact, I do agree with most people who say that it is beyond belief that players who practice catches day in and day out can have any such misconceptions. Which means that either Ponting was just appealing for a catch that he KNEW at that time to be illegal, or that in the heat of the moment he had failed to realize that he had grounded the ball. And in both cases it should now be clear why it is not advisable to take the fielder's word about catches. Which is about the only thing Ponting could've come out and said in the Press conference had he been honest about it. What he did was just plain stupid. If he didn't know that he had grounded the ball, all he had to do was see the replay and he'd have known that there was no way that question won't be asked of him. His response about "doesn't my first innings action tell you the way I play my cricket... If you are doubting my integrity then you should not be standing there.... I am 100% sure I didn't ground that ball.." was not something you'd want your team's captain to come up with. I wish that journalists don't let him get away with this. In EVERY single press conference from now on, someone should ask him if he has seen the replays of that catch and if he thinks he caught the ball cleanly until he answers that particular question rather than going on a tangent about his integrity and his past actions. And if he actually DOES say that he has seen the replay and he thinks it was a clean catch then just show him the rulebook, and that should shut him up about why we should take a fielder's word about a close catch.

Another comment that Ponting came up with later is that he "will sit down with Anil Kumble if Kumble felt it was necessary.. though I don't think he will..". What is he smoking? It does not matter one bit that he thinks he team has been a paragon of virtue through these test matches as long as Kumble is irked up enough to say publicly that aussies weren't playing in the spirit of the game. That is enough reason to sit down with him and have a chat. There really has been something wrong with Ponting's handling of this situation and even though I won't go so far as to suggest that he should be sacked (like that entirely over-the-top article by Roebuck), he really should calm down and think about some of these things.