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October 16, 2016

I finished the felting and the stitching on the center panel..I clean-finished the edges by adding a backing. I could have called it done at the point, but I decided to add beadwork to the panel. I like the way beads add texture and detail, and I enjoy the meditative quality of sewing on the beads one at a time. It's slow work, but that's ok. I've begun by stitching tiny glass seed beads to each rose.

I like my for my work to grab your attention from a distance, then reward you for coming in to take a closer look.

I also made good progress on designing and piecing the background quilt that the panel will eventually be mounted onto, using the patchwork strips I put together earlier.

I don't like measuring things. I can do it well if required, if the finished work needs to be a certain size or there are other considerations. But the act of measuring and turning the dimensions into numbers, and then working with those numbers instead of directly with the materials, feels unnecessary and intrusive. I've been doing this a long time. I started out as a semi-traditional quilter (I never had the patience to follow a pattern), so I have a good innate sense of what's needed and how it will all fit together. I square up and measure it all at the end.

And I am approaching the end of the design work, I'm soon ready to layer it and begin quilting. I'm having a lot of fun with this one.

You can track this work back by clicking on Late Summer Roses in the right sidebar, or go here.

October 9, 2016

I'm making steady progress on Late Summer Roses. I've just added the roses. They are little balls of wool roving, felted into place. I may add beadwork or more detailing to them, I'm still contemplating my next move, but for now I am very happy with how things look.

I've also pieced the strips of silk and cotton into long strip sets, that will be sliced up and pieced further for the background quilt.

There's a lot of work that goes into the preparatory part of quilt assembly. Soon it will all be all fun and games as I put these elements together. Stay tuned!

October 5, 2016

My plan for Late Summer Roses is to mount the needlefelted and quilted panel onto a supporting quilt. I use this technique often. I feel it's very effective in framing and highlighting the panel, and adding context to the imagery. Examples include Magnolia:

October 2, 2016

I'm working on a new project, Late Summer Roses, that I began plein air in the garden of the PA Governor's Residence. (Read the first installment here.) Back in the studio, I started with a good hard look at what I had made on site.

I was pleased with it, but there were some obvious corrections to be made, so I made them.

I then began building on the foundation, detailing the mulch beds and the brickwork, with needlefelting and with stitching. I also added the clouds in the sky.

October 1, 2016

A few weeks ago I was one of the plein air artists working at the PA Governor's Residence, as detailed in my previous blog post here. The weather was on the warm side but otherwise lovely, and I set up my workstation in the shade of the arches near the rose garden.

I was particularly intrigued by the contrast between the hard geometric shapes of the brick pathways, and the roses enjoying one last full flush of bloom.

Here's a panorama view showing more of the roses, and the side entrance to the Residence. On the left is the large magnolia tree that was the focus of my plein air work there last year, resulting in the eponymous Magnolia art quilt:

This time around I knew where to set my expectations. A lot of the pleasure of working in this kind of setting is talking to and interacting with the public, so my focus was on that and on getting the basics of the scene blocked out.

I talked a lot about fiber art, and needlefelting, and had my needlefelting flip book there to show how my typical work-in-progress proceeds. I gave out samples of roving to children, and let interested visitors take a stab at using the needlefelting tool.

By the end of the afternoon I had blocked out the path and the large trees, and had a firm vision in my head of where I wanted to take this piece when I got back into the studio. It was a good day.

Quilting Arts Workshop

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About Me

I'm an artist working with nature, environmental and architectural themes.
I draw inspiration from my surroundings in beautiful Lancaster County, PA. I employ cyanotypes, heliographic prints, and image transfers as the basis for textile works that also incorporate unusual fabrics, hand and machine stitching, and beadwork. My work has been juried into numerous national and international exhibits.