Absolute Time: Rifts in Early Modern British Metaphysics

Emily Thomas

Abstract

What is time? Traditionally, it has been answered that time is a product of the human mind, or the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or eternal duration is ‘absolute’, in the sense it is independent of human minds and material bodies. This study explores the development of absolute time or eternal duration during one of Britain’s richest and most creative metaphysical periods, from the 1640s to the 1730s. It features an interconnected set of main characters—Henry More, Walter Charleton, Isaac Barrow, Isaac Newton, John Locke, Samuel ... More

What is time? Traditionally, it has been answered that time is a product of the human mind, or the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or eternal duration is ‘absolute’, in the sense it is independent of human minds and material bodies. This study explores the development of absolute time or eternal duration during one of Britain’s richest and most creative metaphysical periods, from the 1640s to the 1730s. It features an interconnected set of main characters—Henry More, Walter Charleton, Isaac Barrow, Isaac Newton, John Locke, Samuel Clarke, and John Jackson—alongside a large and varied supporting cast, whose metaphysics are all read in their historical context and given a place in the seventeenth- and eighteenth-century development of thought on time. In addition to interpreting the metaphysics of these characters, this study advances two general, developmental theses. First, the complexity of positions on time (and space) defended in early modern thought is hugely under-appreciated. Second, distinct kinds of absolutism emerged in British philosophy, helping us to understand why some absolutists considered time to be barely real, whilst others identified it with the most real being of all: God.

End Matter

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