I must confess that lately, the only white-authored books I read are those about people of color. I sometimes feel obligated to read these books in order to ascertain whether or not black people are being misrepresented by white authors who mean well, but don’t really have a clue. I generally expect white authors to get it wrong, but sometimes they do surprise me (Liar would be one example; Octavian Nothing Vol. 1 is another) so it’s important to keep an open mind. Mostly I just wish white authors would leave people of color alone. I appreciate their desire to be inclusive, but statistics compiled by the Cooperative Children’s Book Center show that there are more books about African Americans than by African Americans. This brings to mind a documentary I saw on PBS not too long ago about the white anthropologist Melville Herskovits. His contribution to the understanding of black culture and identity formation was significant and lasting, but this white Jewish man became “the” expert on black people at the expense of qualified black scholars who lacked the same privilege and access to resources. That said, I can imagine how desolate my childhood might have been without the picture books of Ezra Jack Keats. Yet it’s hard to fully appreciate the efforts of well-intending white authors when I know that authors from my own community are being shut out of the industry altogether. And, ultimately, being able to write about anyone from anywhere is a privilege reserved primarily for whites.

On a related note…Ishmael Reed is hardly my favorite person, but here’s his take on why the film Precious is so popular with white reviewers.

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Thanks for this. As for “Precious”, haven’t seen. Won’t see it. It saddens me as to the “stories” white reviewers want to embrace about minority communities. Stories where a black person needs to be “saved”.

Why aren’t films like “Eve’s Bayou”, “Malcolm X”, and others that share a broader experience and a more positive message the ones that are uplifted by whites. It makes me furious.

There has been an appetite for “the spectacle of pathology” for a long time in this country…and what makes it worse, for me, is that there will always be black folks who will testify that the spectacle is “authentic” and TRUE…and it may be–for them–but as Reed points out, narratives that confirm favored “types” are the ones whites rave about and ultimately reward…