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25627Film Music SiteGrandma (30/07/2015)LAKESHORE RECORDS PRESENTS
GRANDMA - ORIGINAL MOTION PICTURE SOUNDTRACK

Featuring Original Score By Joel P West
With The Exclusive Original Song “The Banks” by Flood Coats
And Songs By The Tree Ring and Angus and Julia Stone

Lakeshore Records will release the GRANDMA – Original Motion Picture Soundtrack digitally on August 14th and on CD August 28, 2015. The album features the film’s original score by Joel P West (SHORT TERM 12, ABOUT ALEX) with songs performed by Angus and Julia Stone, and West’s bands The Tree Ring and Flood Coats.

“In a lot of ways, GRANDMA is a road trip movie even though it just takes place in Elle’s neighborhood,” explained West. “Paul [Weitz, writer/director] wanted to capture that energy in the moments that Elle and Sage are connecting in the car, so we incorporated a lot of folk music elements to capture that fun, rollicking feeling of driving around with a friend.”

Joel P West is a songwriter and film composer whose work draws on the wilderness and open spaces of North America. He has released three albums with his band The Tree Ring, and his feature film credits include SHORT TERM 12 (Grand Jury Prize, SXSW 2013), ABOUT ALEX (Tribeca 2014), and GRANDMA (Sundance 2015).

Lily Tomlin is Elle Reid. Elle has just gotten through breaking up with her girlfriend when Elle’s granddaughter Sage unexpectedly shows up needing $600 bucks before sundown. Temporarily broke, Grandma Elle and Sage spend the day trying to get their hands on the cash as their unannounced visits to old friends and flames end up rattling skeletons and digging up secrets.

“Since this film focuses on Elle as she reflects on her life, I started by scoring the two long scenes where she is alone,” described West. “The first scene takes place at the start of the film, when she spends some time looking through old memories after breaking up with Olivia, and the second happens at the end when she takes a cab by herself later in the film. When Elle is around other people she is outspoken and abrasive, but those two moments let us see how vulnerable and lonely she is, and how she misses Violet and is realizing that her life and work are winding down.”

“The other major musical tone is the introspective, nostalgic side of Elle as she looks back on her life,” West continued. “We explored a lot of ideas to try and capture the complicated feelings that tend to bubble up when we’re looking through old relics and reminiscing, and we landed on a blend of delicate strings, harp, and some mellow electric guitars.”

For more information contact KrakowerPolingPR@gmail.com, or @KrakowerPoling on Twitter]]>http://www.filmmusicsite.com/en/news.cgi?go=detail&id=2048
Justice League Gods and Monsters (29/07/2015)COMPOSER FREDERIK WIEDMANN TACKLES AN ALTERNATE JUSTICE LEAGUE UNIVERSE!

JUSTICE LEAGUE: GODS AND MONSTERS Soundtrack To Be Released By La-La Land Records

(July 29, 2015 – Los Angeles, CA) – La-La Land Records will be releasing the JUSTICE LEAGUE: GODS AND MONSTERS soundtrack CD (limited edition 1000 units) exclusively at www.lalalandrecords.com on August 11, 2015. Composer Frederik Wiedmann (FIELD OF LOST SHOES, JUSTICE LEAGUE: THRONE OF ATLANTIS) composed the music for the DC Universe Animated Original Movie available on DVD and BluRay also on July 28, 2015.

“I was super excited to get to work on JUSTICE LEAGUE: GODS AND MONSTERS with Bruce Timm, our second project together (after GREEN LANTERN - THE ANIMATED SERIES),” said Wiedmann. “When I first saw the footage, I was blown away by how different everything was. Nothing was like I expected. It was a very unique, new take on our favorite superheroes, an invitation for me to reinvent myself a little bit from a musical perspective, which is a very exciting place to start a new project.”

Witness a divergent reality where the Justice League protects the planet – but answers to no one but themselves. Employing methods of intimidation and fear, this Superman, Batman and Wonder Woman deal brute force in the name of justice. From the creative genius of executive producer Bruce Timm and co-producer Alan Burnett comes an original story where the world’s greatest triumvirate of super heroes has distinctly different origins. Superman was not raised by the Kents in Smallville, the Caped Crusader is not Bruce Wayne, and Wonder Woman is not an Amazon warrior of Themyscira. They are as likely the world’s saviors as Earth’s despotic rulers. When a group of famed scientists experience untimely “accidents,” a government task force follows the trail of clues to the Justice League – but is there a more powerful player operating from the shadows? It’s a high stakes game of intrigue, mystery and action that asks the question: How do you serve justice to those above the law?

“Our three main heroes all have a very dark past, and as we get to learn about their backstory the music follows the tragic events of their journey beat by beat,” Wiedmann described. “We recorded a wonderful group of 30 strings at East West Studios in Los Angeles (conducted by Hyesu Yang), giving the emotional aspects of the score the depth and warmth it deserves. You will also hear an array of dulcimers and guitars, as well as ethnic woodwinds (performed by Chris Bleth), mostly complimenting Wonder Woman’s backstory and giving it a slightly ethnic flavor (“In Another Life”).”

Born in Stuttgart, Germany, Frederik Wiedmann came to Los Angeles in 2004 to pursue his childhood dream of becoming a film composer. After a couple assistant positions, Wiedmann scored his first feature RETURN TO HOUSE ON HAUNTED HILL for Dark Castle Entertainment, Warner Premier in 2007. Since then, he has written music for a wide variety of feature films such as COMPANY OF HEROS, HOSTEL PART III, THE DAMNED, THE HILLS RUN RED, JARHEAD II, FIELD OF LOST SHOES and many others.

After adding 2 Annie Award Music nominations to his resume for the critically acclaimed TV series GREEN LANTERN: THE ANIMATED SERIES, he moved onto scoring the brand new Warner Bros. Animation show BEWARE THE BATMAN (Cartoon Network), as well as numerous animated feature films based on DC Comics, such as SON OF BATMAN, JUSTICE LEAGUE: FLASHPOINT PARADOX, JUSTICE LEAGUE: THRONE OF ATLANTIS, the successful Disney Junior feature LUCKY DUCK and series MILES FROM TOMORROWLAND, and the Netflix series KING JULIEN.

Warner Bros. Home Video presents JUSTICE LEAGUE: GODS AND MONSTERS, available on DVD and BluRay on July 28, 2015. The JUSTICE LEAGUE: GODS AND MONSTERS - Original Soundtrack will be available on CD (limited edition 1000 units) from www.lalalandrecords.com on August 11, 2015.]]>http://www.filmmusicsite.com/en/news.cgi?go=detail&id=2045
Mission : Impossible - Rogue Nation & 6-CD Box set Mission : Impossible tv series (28/07/2015)New releases La-La Land Records

La-La Land Records has released today 2 new soundtracks. The first is Joe Kraemer's score to Mission : Impossible Rogue Nation, the second release is a 6-CD box set containing the score of the orginal Mission : Impossible tv series.

La-La Land Records and Paramount Pictures present the original motion picture score to the all-new blockbuster feature film MISSION: IMPOSSIBLE – ROGUE NATION, in theaters nationwide July 31, 2015, starring Tom Cruise, Simon Pegg, Jeremy Renner and Rebecca Ferguson, and directed by Christopher McQuarrie. Acclaimed composer Joe Kraemer (THE WAY OF THE GUN, JACK REACHER) unleashes an enthralling and action-packed orchestral score to propel IMF operative Ethan Hunt and his team through their biggest and most impossible mission yet! Produced by Joe Kraemer and John Finklea and mastered by Patricia Sullivan, this powerhouse score CD release contains two exclusive tracks not available on the digital download version. 24-Page CD Booklet includes comments from composer Joe Kraemer and writer/director Christopher McQuarrie.

La-La Land Records and CBS proudly announce the release of MISSION: IMPOSSIBLE – THE TELEVISION SCORES, a limited edition 6-CD box set, showcasing the restored and remastered original music scores from the classic 1966-1973 television series MISSION: IMPOSSIBLE, starring Peter Graves, Barbara Bain, Greg Morris and Martin Landau.

Restored and remastered from mono studio elements, this deluxe limited edition release of 1500 Units features some of the best television music ever recorded, much of it never-before-released, from such renowned composers as Lalo Schifrin, (who wrote the iconic theme), Gerald Fried, Jerry Fielding, Don Ellis, Richard Hazard, Robert Drasnin and more! Album producer Jon Burlingame takes you on a thrilling mission through this deluxe compilation and its amazing scores with his comprehensive liner notes – delivered via three informative, photo-packed booklets. The 6-Disc set is housed in an attractive hard-cover slipcase.

This deluxe set was produced for La-La Land Records by Jon Burlingame with music restored by Chris Malone and mastered by Doug Schwartz. Art direction is by Joe Sikoryak.

OLD MAN OUT, tracks 10-11: Walter Scharf
10. His Eminence / Not at Home / A Vain Attempt / Calliope Capers 3:22
11. Crystal to Cinnamon / An Unconscious Guard / Belt Off / Slide for Life / And Away They Go 4:13
Total time time 7:35

(final end titles) Lalo Schifrin
31. End Title '72-'73 0:29
Total time 18:39
Total disc time 77:14
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Walt Disney Legacy Collection Pocahontas 2-CD set (28/07/2015)Alan Menken's complete score available on 8/7/15

Walt Disney Records will release on August 7th 2015 in their Legacy Collection Alan Menken's complete score to Pocahontas in a 2-CD set. This year it's the 20th anniversay of this Disney classic so it's time to give it a deluxe treatement with their Legacy Collection. This 2-CD set will have the complete score and songs plus demo's and the deleted song 'If I Never Knew You'. With a run time of more than 100 minutes and specially created artwork by Lorelay Bove, this set will be a real treat. So it's time to (re)discover the fantastic music and songs of Pocahontas in this completely remastered set.

Paul Thomas Anderson's Academy Award-winning film is accompanied by a live orchestral performance of Jonny Greenwood's score.

Bringing together over 50 musicians, London Contemporary Orchestra is conducted by Hugh Brunt. Jonny Greenwood himself performs on the ondes martenot.

The score features passages from Greenwood's compositions Popcorn Superhet Receiver and Bodysong, as well as works by Arvo Pärt and Brahms. These pieces are collated in one performance edition, showing the film in a striking new light.

By arrangement with Miramax and Park Circus Films.

Suitable for ages 15+. Contains strong violence.

Tickets and Info]]>http://www.filmmusicsite.com/en/news.cgi?go=detail&id=2039
UK Film Event: Planet of The Apes - Live (28/07/2015)Part of Meltdown festival curated by David Byrne,
Royal Festival Hall,
Friday 28 August 2015

Franklin Schaffner’s startlingly original 1968 sci-fi classic, with one of the most famous shock endings of cinema history, will be brought vividly to the concert stage in this world premiere of the complete film, with live orchestral score conducted by Robert Ziegler.

Planet of the Apes, a film that whose social subtexts seem as relevant now as ever, stars Charlton Heston as an astronaut who crash-lands on an unknown planet where apes rule and humans are enslaved. Roddy McDowell and Kim Hunter co-star as the intelligent apes, brought to life by the Oscar-winning make-up artist John Chambers.

Jerry Goldsmith’s ground-breaking music challenges, charms and excites in equal measure – a thrilling, Oscar-nominated tour-de-force for orchestra. Goldsmith, one of the most prolific soundtrack composers of all time, scored over 200 films, with an adoring fanbase worldwide. He enjoyed long associations with Steven Spielberg, Ridley Scott and Roman Polanski, and is best known for his work for sci-fi and horror. To name a few his scores include Alien, The Omen, Poltergeist, Logan’s Run, Gladiator and Gremlins.

(July 22, 2015 - Los Angeles, CA) – Lakeshore Records will release the MR. HOLMES – Original Motion Picture Soundtrack digitally on July 24 and on CD August 28, 2015. The album features the film’s original score by Carter Burwell (TWILIGHT SAGA: BREAK DAWN PART 1 & 2, THE BIG LEBOWSKI).

“I don’t always do this, but in this case I started with the opening titles of the film,” Burwell stated. “It painted the picture of the aging Holmes and also set the film in motion.”

MR. HOLMES is a new twist on the world’s most famous detective. 1947, an aging Sherlock Holmes (Ian McKellen) returns from a journey to Japan, where, in search of a rare plant with powerful restorative qualities, he has witnessed the devastation of nuclear warfare. Now, in his remote seaside farmhouse, Holmes faces the end of his days tending to his bees, with only the company of his housekeeper and her young son, Roger. Grappling with the diminishing powers of his mind, Holmes comes to rely upon the boy as he revisits the circumstances of the unsolved case that forced him into retirement, and searches for answers to the mysteries of life and love – before it’s too late.

In keeping with the theme of losing grip on reality, Burwell used various instruments to further that point. “The glass armonica is a story element. It’s a fascinating instrument, made of glass, rumored to drive those who play it mad” and this theme carried throughout.

Listeners will also notice the emotional themes that follow throughout the score. Burwell said himself the recurring themes “Intertwine, as though getting tangled in Holmes’ mind. One is about a case and love that haunts him. Another is about the tension between the fictional Holmes and the real one.”

Carter Burwell graduated from Harvard College. While at Harvard, he studied animation with Mary Beams and George Griffin, electronic music with Ivan Tcherepnin and pursued a course of independent study at the MIT Media Lab (then known as the Architecture Machine Group). In the early 80s, he worked at the New York Institute of Technology where he began as a computer modeler and animator, but ended up as Director of Digital Sound Research. During this time, he worked on many computer-animated television spots and films, ultimately contributing models and animation to the Japanese anime Lensman.

At the same time, Burwell pursued a parallel career in music, playing with a number of bands in New York City, particularly The Same, Thick Pigeon, and Radiante. He was also writing music for dance, theatre and film. His first film works included the Coen Brothers first feature, BLOOD SIMPLE. This lead to a twenty year collaboration on such films as FARGO, THE BIG LEBOWSKI, THE HUDSUCKER PROXY, O BROTHER WHERE ARE THOU? and NO COUNTRY FOR OLD MEN. Burwell’s credits also include BEING JOHN MALKOVICH, BEFORE NIGHT FALLS, VELVET GOLDMINE, THE SPANISH PRISONER, THREE KINGS, THE KIDS ARE ALRIGHT, TRUE GRIT, the HBO mini-series MILDRED PIERCE, and several films in the Twilight series including TWILIGHT, THE TWILIGHT SAGA: BREAKING DAWN PART 1 and PART 2. His upcoming films include CAROL, starring Cate Blanchett and Rooney Mara, LEGEND, starring Tom Hardy and Emily Browning, the animated film ANOMALISA, and the Coen Brothers newest production, HAIL CAESAR!

Varèse Sarabande will release the 12 MONKEYS – Original Television Soundtrack both digitally and on CD July 31, 2015. The album features the original music co-composed by Trevor Rabin (REMEMBER THE TITANS, ARMAGEDDON) and Paul Linford (BLOOD AND OIL, video game NEED FOR SPEED: MOST WANTED).

“The 12 MONKEYS score, which I’m doing with my long time assistant and collaborator Paul Linford, is a hybrid score of ethnic sounds, orchestra, and electronic, with a strong theme base,” said Rabin.

12 MONKEYS explores the provocative story of Cole, a time traveler from a decimated future in a high-stakes race against the clock. Utilizing a dangerous and untested method of time travel, he journeys from 2043 to the present day on a mission to locate and eradicate the source of a deadly plague that will all but annihilate the human race.

To accomplish capturing the dangerous nature of time travel, Rabin said he “played a lot of the instruments, as did Paul [Linford]. A big help was Lou Molino on percussion, using weird and sometimes ethnic instruments which gives the music a far more organic feel.”

Trevor Rabin has earned a worldwide reputation for his innovative work as a musician and composer. Accepting an invitation from industry heavyweight John Kalodner, he moved to Los Angeles and his demos came to the attention of former Yes bass player Chris Squire. Squire was looking for a guitarist for a new band he was putting together, and Trevor’s demos became the basis for the new group Cinema. The Yes “comeback” album 90125 became by far the biggest-selling of the group’s career, launching the group’s only #1 single, Rabin’s “Owner Of A Lonely Heart” and only Grammy, “Cinema”. When Trevor parted ways with Yes he was offered a film score, the outcome of which proved prolific. Since then he has composed the soundtracks for mega-budget Hollywood movies, enhancing the performances of stars like Will Smith, Nicholas Cage, Denzel Washington and Samuel L Jackson.

Rabin has received numerous awards including eleven BMI Film and TV Awards, a Grammy, a Lifetime Achievement Award (Los Angeles Music Awards), a Career Achievement Award (Temecula International Film Festival), and Gold Medal for Excellence in Film Music Award (Park City Film Festival). As a guitarist, keyboardist, singer, songwriter, producer or recording engineer Trevor has established himself as a leader in the contemporary music field. Paul Linford has worked with Trevor on numerous projects throughout the years as his assistant and collaborator, but he is a composer in his own right. He composed TV’s BLOOD AND OIL, TV’s ZERO HOUR, and the NEED FOR SPEED: MOST WANTED video game.

Syfy and Universal Cable Productions in association with Atlas Entertainment presents 12 MONKEYS, which debuted on Syfy January 16, 2015 and has been renewed for a second season to air in 2016. Varèse Sarabande will release the 12 MONKEYS – Original Television Soundtrack digitally and physically on CD July 31, 2015.]]>http://www.filmmusicsite.com/en/news.cgi?go=detail&id=2047
Advantageous (20/07/2015)GOOD NEIGHBORS MEDIA TO RELEASE
ADVANTAGEOUS SOUNDTRACK

Featuring Original Music By Timo Chen

(July 20, 2015 – Los Angeles, CA) – Good Neighbors Media will release the ADVANTAGEOUS – Original Motion Picture Soundtrack digitally via iTunes on July 24th with a CD to be released later in August. The album, which is currently available at the film’s website (http://advantageous.me/) features the film’s original score by Timo Chen, who is an avid creator of instruments, including the “Jimbow” which was invented for the score.

“This was a science fiction tale but also it was a story of a mother and daughter. It was a story about women and human struggle,” Chen explained. “I wanted the score to have a very humanist element to it.”

Set in the near future, ADVANTAGEOUS focuses on Gwen Koh, a single mother, whose aspirations for her daughter drive her to the precipice of a fraught decision. Including eerie and ingenious low-key special effects and a deliciously understated performance by Jacqueline Kim, this sci-fi film is rife with underlying tension and lyrical beauty perfectly matching the city’s atmosphere of quiet desperation. Gwen works as a spokesperson for the Center for Advanced Health and Living (an innocuous sounding organization that is, in fact, a corporate behemoth) and finds that she is in danger of losing her job. That would make it impossible for her to send her daughter Jules to private school, a termed “advantage” that in actuality is more a necessity to shield Jules from this future society’s brutal economic disparities. The Center’s newest and untested health procedure offers Gwen a dangerous, life-altering chance to continue her career. To weigh her options, Gwen attempts to reconnect with an estranged relative (Ken Jeong), but as seems standard for all in this dystopian landscape, Gwen remains alienated and alone. Through this allegorical structure, Advantageous intelligently investigates present-day society’s perspectives on femininity and motherhood and how they intersect with questions of beauty, surveillance and the economy.

“I needed an instrument that would sonically represent the mother-daughter presence in ADVANTAGEOUS, something powerful, yet subdued, in the female voice range, but hopefully something not already typically used to represent a female voice,” Chen described. “Lisa Liu showed me the latest axes in her arsenal, a baritone violin and a 5-string electric violin. What intrigued me was how the range extended beyond a standard violin while still sounding like a violin. It had depth without darkness. It was the starting point of this exploration.”

Timo Chen is an extraordinarily gifted pianist, virtuoso guitarist, versatile composer, arranger, songwriter, and music producer. His talents were nurtured at a young age at the USC Community School of Performing Arts (now the Colburn School) and on through his studies at the Oberlin Conservatory of Music as well as into his adult life around the world studying and performing a diverse array of music including Chinese Pop, American Jazz, Balinese Gamelan, and Peking Opera.

After spending a number of years assisting composers and working in the realm of music technology and performance, Chen was selected to be a fellow for the 2014 Sundance Film Music and Sound labs at Skywalker Sound. His career in film and TV music has allowed him to work with composers and filmmakers such as Mateo Messina, Gingger Shankar, Nathan Wang, Jennifer Phang, and Justin Lin. His work can be heard on TV shows and films such as THE PEOPLE’S CHOICE AWARDS, SUNSET STORIES, FAIRLY LEGAL, DUCK DYNASTY, and INSEPARABLE.

Alongside traditional musical pursuits, Chen is an avid experimenter of tools for making music, a skill that he used on his score for ADVANTAGEOUS. “To me it was a story that at it’s core had a traditional universal theme, but the narrative that was done to that theme was completely radical and specific,” he explained. “This inspired me to take familiar musical instruments and look for ways of playing them that were not so traditional, or even to develop new tools to play them in different ways.”

Chen’s most recent innovation is the “Jimbow,” a voltage-modified rotary tool (normally used for buffing and grinding surfaces) used to create unique lush or harsh textures on the harp, guitar, and piano, which he used on the score for ADVANTAGEOUS. His studio functions equally as a lab filled with devices such as hand-wired contact microphones, oscillators, prepared piano, and other unique instruments to serve his sonic pursuits and passions of creating music with a unique sound that provides solid narratives to picture. In addition to the Jimbow, he his score includes the use of vibrators on guitar strings, a toothbrush brushing piano strings, Tibetan mallets, and the hurdy gurdy.

Good Neighbors Media presents ADVANTAGEOUS currently available on Netflix and iTunes. The ADVANTAGEOUS – Original Motion Picture Soundtrack is currently available at http://advantageous.me/ and will be available digitally via iTunes on July 24th with a CD to be released in August.]]>http://www.filmmusicsite.com/en/news.cgi?go=detail&id=2044
Shaun the Sheep (20/07/2015)SILVA SCREEN RECORDS PRESENTS
SHAUN THE SHEEP MOVIE - Original Soundtrack

Also featured on the soundtrack are songs from Tim Wheeler (Ash), Eliza Doolittle and Rizzle Kicks who provide a remix of Life’s A Treat, the ever popular Shaun The Sheep TV theme.

Composer Ilan Eshkeri has been writing for film for over 15 years and his CV features stand-out scores for many hit films including Layer Cake, Kick-Ass, Still Alice and Black Sea. Recent TV work includes The Snowman And The Snowdog and David Attenborough’s Natural History Museum Alive.

The charming wonder Shaun the Sheep made his screen debut in 1995 with a minor role, rescuing Gromit from jail in the Oscar winning A Close Shave. Since then his career has spiralled and he has become one of Aardman Animation’s biggest stars.

Ilan Eshkeri - Composer Biography
Ilan Eshkeri is a British composer and songwriter best known for his concert work, songwriting collaborations, film scores and video game scores.

Most recently Eshkeri collaborated with the world renowned visual artists The Chapman Brothers on their film THE MARRIAGE OF REASON AND SQUALOR and Squalor and scored Aardman Animations’ SHAUN THE SHEEP, as well as writing the songs for the film with Nick Hodgson of the Kaiser Chiefs and Tim Wheeler of Ash. Eshkeri has also collaborated with KT Tunstall, Tom Odell, Coldplay, Kasabian, Burial, David Gilmour, Annie Lennox and Marius DeVries. He worked with Amon Tobin on a live symphonic performance of his work, wrote the song Only You for Sinead O'Connor, worked with Take That on his score to the film Stardust and has been commissioned to write for the world renowned classical pianist Lang Lang.

Recent film work includes STILL ALICE, for which Julianne Moore won an Oscar, Kevin Macdonald’s BLACK SEA starring Jude Law, 47 RONIN starring Keanu Reeves, and the Oscar nominated THE INVISIBLE WOMAN, Ralph Fiennes’ second outing as a director. Ilan continues to write the music for SIMS, one of the world’s largest video game franchises. Other films include Oscar winning THE YOUNG VICTORIA, KICK-ASS and STARDUST.

Eshkeri’s various live performances include THE SNOWMAN & THE SNOWDOG, a collaboration with singer/songwriter Andy Burrows, live to picture at a series of concerts in London. Eshkeri has performed with Melanie C (The Spice Girls), James Corden (The Late Late Show), Nick Laird-Clowes (The Dream Academy) and has conducted his own works at The Louvre in Paris, The Rudolfinum in Prague and The Royal Albert Hall in London.

Amongst his awards and nominations are a BAFTA for THE SNOWMAN & THE SNOWDOG, an Ivor Novello for THE YOUNG VICTORIA, a Wildscreen Panda Award for the score to David Attenborough’s NATURAL HISTORY MUSEUM ALIVE, an International Film Music Critics Association ‘Best Original Score’ for STARDUST and a ‘Discovery of the Year’ from the World Soundtrack Awards for his first film score, LAYER CAKE. Eshkeri is currently commissioned to compose a ballet, and is completing his score to AUTOBAHN starring Anthony Hopkins, Ben Kingsley, Nicholas Hoult & Felicity Jones.]]>http://www.filmmusicsite.com/en/news.cgi?go=detail&id=2043