Recording

Digital Editing

Comping, timing, tuning, audio restoration... Whether you're looking to restaure a bad recording, fix a poor performance or enhance a good one to meet today's standards, I have all the tools and knowledge to help you achieve your goal. I do all of my editing work in my room, Studio B.

Mixing

This is where I make things bigger, wider, better while retaining every bit of emotions from the original recording of the song. My mixing room is equiped with a hybrid system that combines the best of analog and digital.

"I just have to say that this set of recordings is amazingly well done!! What a pleasure to work on something this great!" - Chas Ferry, Mastering Engineer, Los Angeles

"The mixes are terrific!"- Ryan Morey, Mastering Engineer, Montreal

"wow!" - Laurence jalbert

Outboard

Amphion Two15

Anaview AMS1000 Power amp

Avid Artist Mix

Avid HD I/O 16x16 Analog (2x)

Avid Pro Tools HDX (mac)

Bricasti M7

Creation Audio Lab MW Guitar Tool

Chandler Limited Germanium Tone Control

Dangerous Music Bax EQ

​Elysia mpressor 500

Empirical Labs Distressor EL8-X

Focal Spirit Pro

Goldpoint SA1X

​Great River MixMaster 20

Kush Audio Clariphonic

Kush Audio Tweaker (2x)

Kush Audio UBK Fatso

Reamp V2

Redco P2M Headphone Amp

Seenheiser HD600

Shadow Hills Industries Mastering Compressor

​Softube Console 1

​Solid State Logic G Comp

Tube Tech CL1B

WesAudio B76

Microphones

Arthur Fisher Ribbon Mic (x2)

AKG C414XLS Matched Stereo Pair

Beyerdynamic M88TG

Blue Kiwi

Cad M179 (x3)

Electro Voice ND868

Electro Voice Raven

Electro Voice RE20

Kel HM1 (x2)

​Royer R-121

SE Electronics Reflection Filter Pro

Seenheiser E609 Silver

Shure SM57

Shure SM7b

Shure 16a

Unydine III 545SD

Personnal amps

Bell Howell 1x12 from the 50's

Fender Supersonic

Marshall MKII Bass (1977)

Marshall 4x12 1960AV loaded with Greenbacks

Mesa Boogie Trem-O-Verb

Mesa Boogie 4x12 Oversized

Vox AC4 TVH

*Plus a bunch of other toys such as plugins, pedals, weird mics, instruments and access to Studio Fast Forward's collection.

Let's stay in touch

About Me

It all started when I received my first electric guitar as a gift for my 9th anniversary, I remember it like it was yesterday. Nirvana "Smell Like Teen Spirit", Green Day "When I Come Around", Metallica "Nothing Else Matters" were all a big part of the reasons why I wanted to play guitar in the first place. I wanted to play those songs so bad but I soon realized that playing guitar wasn't as easy as I imagined.

All those songs had that wall of sound that I wanted to achieve so bad but just couldn't. Those guitars made my head spin for months, how were they accomplished? I spent countless hours trying all sort of stuff with my limited gear and finally, one day, I learned about guitar pedals. That's when my quest for sound began.

A couple years later I formed a punk rock band with a couple of friends and we started recording our own home-made tape cassette demos. We passed them around, nobody could believe we made those ourselves, those were the good old days. I started getting more and more interested in the recording process and in the different aspects of a well produced album, that stuff was addictive. At some point I realized that my quest for sound would probably never end, the fun was only begining. Eventually my band broke up and I decided to concentrate exclusively on audio engineering. 12 years later, here I am, making a living from what I love doing the most, everyday. That's who I am, that's what I do.

What Now?

I presently occupy Studio B at Studio Fast Forward, Montreal.

It's a nice little room where all my gear is set up, I love being in there! I mostly mix and edit in there but it's also possible to record overdubs such as guitars, keyboards, vocals, etc, in the annexed booth.
For most other recording needs I frequently use Studio A which is just one door away from my room but it would be my pleasure to work wherever you'd like.