Thursday, December 11, 2014

Divya Victor & Brad Flis

The Poetic Research Bureau presents...

DIVYA VICTOR& BRAD FLIS

Saturday, December 13, 20147:30pm

Poetic Research Bureau 951 Chung King RdChinatown, Los Angeles

Divya Victor is the author of Natural Subjects (Trembling Pillow, 2015), UNSUB (Insert/Blanc, 2015), Things To Do With Your Mouth (Les Figues, 2014), Swift Taxidermies1919-1922 (GaussPDF, 2014), Goodbye John! On John Baldessari (GaussPDF, 2012), PUNCH (GaussPDF, 2011) and Partial Derivative of the Unnameable (Troll Thread, 2012); and the chapbooks Hellocasts by Vanessa Place (2011) and SUTURES (2009). She lives in the United States and Singapore.

Brad Flis is a Torontonian who has recently moved to San Diego from Detroit. He first met Divya Victor in Buffalo though he was reading her poetry in Northampton when she lived in Philadelphia. He teaches at a community college in Chula Vista and busses to Ensenada twice a month. He has written books with Patrick Lovelace Editions and 1913 Press. He's glad to be here.

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About the Bureau

The Poetic Research Bureau is a valise fiction and portable literary service in Northeast Los Angeles.

Our living room at 951 Chung King Rd in Chinatown hosts an extended community of autodidacts and guessworkers caught up in language, inquiry and the unguarded arts. Just as it is: a community free school by day, and by night, a non-professional public forum for presentations, readings, screenings and sundry intellectual exchanges.

As an out-of-pocket California milk-crate boosterist enterprise, the PRB also serves as the irregular literary umbrella for projects such as occasional poetry journal The Germ ('97-'05), edited by Andrew Maxwell and Macgregor Card; and art-lit mag Area Sneaks, edited by Rita Gonzalez and Joseph Mosconi.

As a research bloc, the Bureau attempts to cultivate composition, publication and distribution strategies that enlarge the public domain. It favors appropriations, impersonations, 'compost' poetries, belated conversations, unprintable jokes and doodles, 'unoriginal' literature, historical thefts and pastiche. The publication emphasis is on ephemeral works, short-run magazines and folios, short-lived reprints and excerpts in print-on-demand formats, and the occasional literary fetish objects of stupidly incomparable price and value.

Several reading series are hosted at 951 CKR, and we welcome writers whose work lacks the 'commercial tendency' while harboring the bright, high-minded intentions that often lead to broad panic, righteous perversions, improbable arguments, and the ill-served cul-de-sacs of genius. The series are coordinated by the aforementioned Messrs Maxwell and Mosconi. If you're sympatico, passing through town, or need a megaphone, 50 seats and a big blank space, give us a write.