In an age where audiences have grown used to the brevity of YouTube clips and 140 character updates, Hollywood is instead serving up super sized movies. Six of the top ten movies from 2012 were over two hours, including comic book movies like “The Avengers”. Even comedies such as “This Is 40” crossed the 120 minute mark and don’t even get us started on “The Hobbit”.

Rebecca Keegan of the Los Angeles Times explains the increase in movie running times has a lot to do with the creative control marquee directors have over their films as well as digital tools that allow them to shoot more footage. Surprisingly, Keegan found that most moviegoers appreciate longer running times since it makes them feel they are getting a more value for the price of admission.

Also from the Los Angeles Times is Glenn Whipp, who joins us to discuss some of the surprise Academy Award nominations announced last week and whether the Golden Globes might affect who wins Oscars this year.

Of course, we also cover the week’s top entertainment headlines including a resolution in Superman’s court case, the return of daytime soap operas and whether the film adaption of “Fifty Shades of Grey” will be rated NC-17.

Once again Hollywood raked in record earnings at the North American box office in 2012, though this time it wasn’t because of increased ticket prices. In fact, both revenue and attendance were up nearly 6% during the year as 1.36 billion tickets were sold to set a new annual box office record of $10.8 billion.

Internationally box office receipts were off slightly. After a string of years with record grosses, Hollywood movies raked in $13.5 billion outside North America. The new year is looking up as well since nine films pegged as Oscar contenders are all still raking in big grosses.

The music business didn’t have such good news. Album sales during 2012 declined 4.4% in the United States where Adele spent a second year at the top of the heap. What’s noteworthy is that digital downloads outpaced physical album sales for the first time according to Nielsen SoundScan.

Of course, we also cover the week’s top entertainment headlines including the sale of Al Gore’s cable network, the rising ratings for Big Bang Theory and why YouTube is deleting views for music videos.

When the Academy of Motion Picture Arts and Sciences announced it would allow electronic voting for this year’s Oscar nominations many industry insiders felt it was long overdue. However with a median age of 62, the Academy’s membership may not be ready to cast ballots online. Heck, some members don’t even have computers.

Now reports have emerged that the Academy’s electronic voting procedure has hit a few speed bumps. Members have had password problems and those that were able to log into the voting system found it difficult and complicated. Some fear that voting for the Oscars will reach an all-time low. Yet there may be a very simple way to overcome some of the security concerns the Academy and its members have in casting online ballots.

The National Film Registry cast a vote of their own last week, adding 25 films to its archives in the Library of Congress, declaring them culturally, historically or aesthetically significant. Unfortunately this doesn’t necessarily mean these films will actually be preserved.

Of course, we cover the week’s top entertainment headlines, including a lucrative holiday box office, big changes for “The Walking Dead” and a historical court ruling for screenwriters.

Frustrated at not knowing if the movie he was watching would have any special scenes during or after the credits Chris Ramey did something about it. Ramey is the founder of What’s After The Credits? a website that details kickers, as they are often called, to popular movies, television shows and video games. He tells how what inspired him to create the site and how its grown in popularity.

Speaking of popular, “Skyfall” is not only the most successful James Bond film of all time, it has also become the highest grossing movie of all time for Sony Pictures and the United Kingdom. Yet despite positive reviews, the film hasn’t been appearing in any of the recent year end critic polls.

Grammy nominations were announced last week and with acts like the Black Keys racking up five nominations, including Album of the Year, they had a rock and roll vibe. It is nice to see the Grammys include a lot of fresh faces in some of their top categories and refrain from knee-jerk nominations for veteran performers. We’ll provide a rundown of the nominations.

Of course we also cover the week’s top entertainment headlines including the expansion of iTunes to 56 new countries, Netflix signs an exclusive content deal with Disney and how much Psy is making off of his hit song “Gangnam Style”.

Automatic Updates

About Showbiz Sandbox

Showbiz Sandbox is a podcast featuring industry professionals J. Sperling Reich, Karen Woodward and Michael Giltz's humorous viewpoints, insightful analysis and insider opinions on the latest entertainment news headlines. The weekly podcast includes commentary, renown industry guests, as well as phone calls and emails from listeners who voice their own opinions on the child’s play of the entertainment business.

Meet The Showbiz Sandbox Hosts

J. Sperling Reich has nearly 20 years of experience working in the entertainment industry. Besides covering show business as a journalist for numerous media outlets, Sperling is a highly regarded industry expert in cinema technology and new media. He works with some of the industry's leading motion picture exhibitors, studios and equipment manufacturers. [Read The Full Bio]

Karen Woodward is the ultimate Hollywood multi-hyphenate. After starting her career 15 years ago in the trenches of the William Morris Agency she has since worked in talent management, film-television production, promotions and advertising. Armed with a Master's Degree in Media Studies Karen presently helps dozens of today's top stars connect with their audience as one of the entertainment industry's leading social media consultants. [Read The Full Bio]

Michael Giltz is an award-winning freelance entertainment writer based in New York City. He covers all areas of the industry including movies, music, books, theater, TV and DVDs. Michael regularly contributes to the Huffington Post and the New York Daily News among many other international media outlets. [Read The Full Bio]