Over the last several years, Leaves’ Eyes vocalist Liv Kristine has made a tradition of playing a solo show in the small southern German town of Nagold, which has slowly but surely evolved into a short annual tour. This year was no exception, and in keeping with her goal of trying to make each go-round as memorable if not moreso than the previous year, Liv invited her former Theatre of Tragedy bandmate Raymond Rohonyi on board as a special guest. Not for a mere song or two, but for over half the show each night. Unexpected to say the least considering Liv was unceremoniously fired from Theatre of Tragedy in 2003, resulting in a low key flow of bad blood via the press in both directions for a number of years. On top of that, when Theatre of Tragedy called it quits in 2010 – with Nell Sigland in Liv’s place – Raymond dropped off the radar entirely, seemingly have said his final piece with the band’s departing live album, Curtain Call.

Watching the pair trading off vocal lines as they did well over a decade ago – not having shared a stage since 2002 – one would never know Liv and Raymond had ever been at odds. The same can be said of their interaction off stage, which is charged with positive vibes and Raymond’s dark sense of humour. As for the live performance as a whole, the backing band pulls off Liv’s solo material without batting a collective eye and looks perhaps a bit too happy performing evil doom goth Theatre of Tragedy material, also at an equally killer level. Liv’s trademark soprano Theatre vocals have lost none of their charm, and Raymond’s growls and mannerisms are as powerful as they were 20 years ago. Bottom line: if you’re a Theatre of Tragedy fan the tour was a dream come true.

Ray: “I’m not really interested in doing music as a career, but I’m happy to perform like this. Liv just asked me if I’d be interested. I don’t miss being a musician but I miss the narcissistic part of the music; being stuck up and a prick (laughs). And I don’t really work up a sweat, it’s more like a general stench (laughs). Getting out of town is also good for a while.”

Liv: “It was actually (husband) Alex’s idea, I have to say. He said to me ‘Just ask Ray to join you. That way you can play some more old shit…’ (laughs). We rehearsed in Stuttgart and it was like the magic had been there all the time, as if it had never left. We just grabbed the microphones and went for it.”

Ray: “We rehearsed the set two times and that was it. From there we went to Russia for the first show.” Continue Reading

Although she rose to fame in the ’90s as the female vocalist for pioneering doom goth act Theatre Of Tragedy, Liv Kristine is best known these days as the singer for Leaves’ Eyes. During their ongoing 10+ year run she’s also nurtured a solo career – launched in 1998 but pursued in earnest as of 2006 – that lives apart from her band’s symphonic metal realm. Up to this point Liv’s solo records have embraced rock and pop influences with hints of metal, causing a certain amount of confusion and/or disappointment amongst some of her fans. Her fifth album, Vervain, is going to polarize her followers yet again, as it finds Liv returning to the music that made her famous. Unashamed and excited, she makes no secret of the fact that Vervain was written in the spirit of Theatre Of Tragedy’s glory days. A surprise for some given Liv was fired from ToT in 2003, but anyone who has been attended her live solo shows in recent years knows she still has love for the Theatre Of Tragedy classics. Call Vervain her tribute to a unique and influential past.

“It was about a year ago that I decided this would be the right time to sit down and start composing again for another solo album,” Liv begins. “Thorsten (Bauer/guitars) asked me what I had in mind and I told him that I really wanted to go back to the roots and let all my influences from the early days of Theatre Of Tragedy into the music. It feels like a loss for me that the band no longer exists and nobody is playing those songs live. That’s what I had in mind with this album and I talked to Thorsten about it, and he just started composing the music. He did the whole album in half a year. Alex (Krull) produced the album, so it was all done here at home (Mastersound Studios). It just felt right to do it this way.”

The Theatre Of Tragedy vibe on Vervain may not be readily apparent, but as the album plays out there are passages that echo the darkness and melancholy of the band’s first three albums. The title track, for example, speaks loudly as a tip of the hat to Theater’s biggest hit “Der Tanz der Schatten” from Velvet Darkness They Fear. Continue Reading

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