Sunday, October 5, 2014

I
cringe when I see the word ‘feminisms’. My history as a radical feminist, poet,
political theorist, aerialist, linguist and Australian, probably predisposes me
to this reaction. But it is not just a gut reaction, it is also a carefully
thought-out political stance.

My
gut reaction against the term ‘feminisms’ is because it comes out of postmodern
obscurantism.[i] Postmodernism appeared on the feminist scene around 1980. Within ten
years it had taken over the academic discourse, not only in literary theory and
philosophy butalso in Women’s Studies
which was soon to become Gender Studies. Somer Brodribb names a number of
features of postmodernism, among them:

Add
to these, the centrality of texts by Foucault, Derrida, Lacan, Nietzche, Freud
and other masculinists, my argument is that feminism is not central to this
philosophy. Even if one adds Cixous, Irigaray and Kristeva, the experience of
oppression by women is sidelined as a trifle. What is presented as postmodern
‘feminisms’ is a massive distortion of feminism and of the history of feminism.

Many
postmodernists, including a generation or two of feminists who have come
through universities at the time of postmodern dominance, know little of the
history of feminism because it has become the domain of those 1970s dinosaurs.

What
we hear is that the history of feminism is plain, boring, white and middle-
class. In an article I wrote in 1994[iii]
about the history of Women’s Liberation in Melbourne Australia, I found that
the very first meeting held in 1970 in Melbourne with this title was organized
by five women. Three were women from European migrant backgrounds (the bulk of
migrant groups in Australia at that time was from southern European countries);
these three women all grew up in working-class inner urban areas and both they
and their parents worked in factories or were labourers. The fourth woman was
Anglo working-class and the fifth came from a middle class background. They were
all over 40. Not only that, but a number of the earliest and most active
members were urban Aboriginal women; one was a lesbian. The initiators of WLM
were by-and-large not your standard image of white, young, middle-class women.
Melbourne is not an exception, but I know the details of this community better
than other places.

When
I read Sisterhood is Powerful[iv]
in 1973, what struck me was the incredible diversity of voices in that
anthology. Some were young and angry and white, many were not. My point here is
that feminism is charged with being singular and narrow when it was far from
that. It is hard to pinpoint where this idea first came from, but I have vivid
memories of arguments at conferences in Australia in 1980s where I heard such
comments. I have been around long enough and involved in enough very different
political and cultural activities over the last forty years to know that the
argument is false. I have worked with feminists in Bangladesh and India; I’ve
worked with Aboriginal women and heard their concerns; I have discussed lesbian
politics with lesbian feminists in Uganda; I know women in countries around the
world who have been a part of feminist struggles around violence as well as
art, politics as well as love to know that feminism never has been narrow,
though parts of the media and some feminists, might wish to call it so.
Feminism and feminists are not perfect. Black women around the world are
frustrated and angry about not being heard; rightly so. Lesbians are tired of
being shunted to the side over human rights abuses because the word lesbian
does not help to raise money or support; rightly so. Women with disabilities
are exhausted by being made tokens, or lured to media appearances and
exoticised; rightly so. Nor is every woman who calls herself a feminist,
necessarily informed about the complexities of feminism. But from my own
experience, it has been feminists who have raised issues of inequality, of
oppression, of hatred, of environmental destruction and of war long before
these became conversations in the mainstream. To ignore the ideas and writings
of women of color, of Indigenous women, of working class women and women with
disabilities, of lesbians is insulting. To ignore our voices is to distort our
history. Further, feminism, taking in half the world’s population, has always
been pluralist; there have always been disagreements between us, but that does
not mean that we can’t work together. Disagreement, argument is what makes you
think harder. It means that more than one mind is at work; it opens the
possibility for multiple minds to chew at the same problem. These days, instead
of argument we get name-calling and silencing. Sometimes this comes by someone
in the audience standing up and saying, what you just said makes me feel
‘unsafe’. Walking down the street sometimes makes me feel unsafe, but I still
do it. Such games are conversation-stoppers, guilt-provokers and plain nasty.
Very frequently the speaker is a man.

Postmodernists
engaged in name-calling, including charging feminists with being
‘essentialist’. Somehow it was said to be a bad thing that we organize around
our oppression as women. Those of us who have grown up as girls and women share
similar experiences of oppression around the world because we have been raped,
we have been starved, we have been brutalized, we have been paid lower wages or
no wages at all for our work. We have also been humiliated and dehumanized.
Sometimes our children have been stolen from us, frequently we have been left
to live in poverty trying to raise families on almost nothing. In spite of
this, revenge violence against men is rare. These things have happened to us
because we are women. The extent of the brutality will be heightened if we are
a member of a despised group: colonized, black, lesbian, prostituted, disabled,
old, poor, or a member of a class or caste that puts us in the lowest category
of the society. What is not noticed is that the phallus, phallic thought and
masculine texts are themselves acts of essentialism.

What
does a postmodernist mean when they say such things? If I organize around my
experience of epilepsy, that is a bodily event, am I being essentialist, or am
I using that experience as a way of talking about discrimination based on
perceptions other people have of the epileptic body? How is this different from
discrimination based on perceptions other people have of the female body?

Another
reason why ‘feminisms’ jars is because it makes it so clear that we are begging
to be accepted. Feminism is a radical idea. It suggests that roughly 6,000
years of patriarchy should be dismantled.[v]
It challenges not only the structures of patriarchy but also of capitalism and
colonization. These are our current institutions of power propped up by
international banking, free- trade agreements alongside the World Trade
Organisation, the International Monetary Fund, the World Bank and the
Washington Consensus.[vi]
Outside of these formal institutions are similarly powerful groups such as the
sex industry, the pharmaceutical industry, the global food industry, the
commodities industries (oil, coal, precious and rare metals) and the
international trades in arms, drugs and women’s bodies.

What
you don’t hear in the discussions about power by the powerful is any notion of
capitalisms. No, they are united and clear about how they will profit from and
exploit ordinary people.

If one takes a look at struggles by different groups of people, one
finds that politically things begin to fall apart as the movement fragments.
Marx and Engels in The Communist
Manifesto[vii]
end by saying ‘WORKING MEN
OF ALL COUNTRIES, UNITE’ (by limiting their call
for unity to men they got it wrong and it is part of the reason that Communism
has failed women). In spite of my misgivings, this remains an important political
statement; a call for unity. Political struggle is about uniting around common
cause. Once the communists began to fragment, it was all but over. When
postmodern feminists talk about ‘feminisms’, it is all but over.

Why
am I so down on postmodernism? Because it killed the political will of the
Women’s Liberation Movement.[viii]
Some examples:

•Just at the moment when women’s
writing and feminist writing was on the rise, when feminist bookstores and
publishers were thriving, we were told, ‘the author is dead’. The author was
therefore relegated to second-rate position and unable to speak about her work.
As an author, I do and I can speak about my own work. Others will bring to bear
their own ideas and interpretations, but as a writer who is aware of my
literary strategies, I am certainly not dead (not yet).

•At a time when women were discovering
that patriarchy was neither inevitable nor universal, the postmodernist accused
such research of being ‘essentialist’. This has had huge effects on
archaeological research. Whenever large numbers of female figurines are
unearthed, to speak of commonalities across time and culture is to be labeled
pejoratively as ‘essentialist’. I saw an example of this recently in Malta,
where the archaeologists compared what they called ‘the corpulent figures’ to
male Sumo wrestlers. If you look at the bodies, the shapes are all wrong.
Women’s and men’s bodies deposit fat in different parts of the body and they do
not look alike. Despite these observable differences, to point it out is to
invite being called ‘essentialist’. These disputes between archaeologists do
not really advance the discipline, indeed some of it is intellectually
destructive, a kind of dumbing down.

•When feminists were meeting
internationally at conferences, comparing the different experiences across
cultures, learning from one another, speaking across borders and cultures, we
were told, ‘you can’t speak for another if it is not your position’. This took
the fire out of the bellies of those engaged in political activism because they
might accidentally make a general statement about women’s experiences and then
be howled down by the small number of academically articulate voices who took
the contradictory position that there can be no position. Politically, this is
like shooting oneself in the foot. The notion of collectivity, which was so
important in the Women’s Liberation Movement, went out the window and was
replaced by libertarian individualism and what Renate Klein calls the ‘choice
trap’.[ix] A choice is the ability to decide between two reasonably equal things,
eg a chocolate cake or a cheesecake. The so-called ‘choice’ between, say,
living in poverty and ‘choosing’ prostitution is not a choice; it is a
difficult decision that one wishes no woman ever had to make.

•Feminists had critiqued the
institution of rape, had criticized the pornography and prostitution industries
and we soon saw an alliance between the sex industry, significant sectors of
the gay liberation movement and those who wanted to define prostitution as a
job and a choice.[x]
Oddly, when the CIA sent in undercover people to see what the various
liberation and civil rights movements were doing, we called them ‘the enemy
within’. But when the sex industry sent people into gay lib, queer, LGBT and
feminist groups to undermine our struggles, it was called ‘agency’, ‘choice’,
even ‘liberation’.[xi]

•Feminists analysed structures of
language, but soon we were to hear the non-words that would be applied to
feminism in order to take the radical wind out of our sails. We started to hear
the word ‘gender’. Feminists don’t fight for gender; gender is what we are
fighting to be rid of. There are only two genders, ‘masculine’ and ‘feminine,’
and they represent the worst aspects of social stereotyping applied to men and
women. Soon the word ‘rape’ was outlawed and replaced with gbsv (gender-based
sexual violence). You can’t walk down a street and make sense yelling out a
slogan with this 4-word non-word in it. They said that men who were raped were
left out if we talked about rape. Not so, men too can be raped, they just did
not want the word applied to them (it is a woman’s word). Gender made Women’s
Studies more comfortable for men. But men know that gender does not apply to
them. Ask almost any male what the meaning of gender is, and they’ll mostly say
it has something to do with women. Gender meant that men could gate-crash
women’s organizations; gender is a way of confusing the political arguments
because after all there are many feminisms so you can’t keep me out! Who are
you, you dinosaur feminist, to say what I can or can’t do? It is once again an
individualized libertarian response.[xii]

•The use of the word ‘queer’ had the
same effect on the lesbian movement. It erased lesbians. Lesbians, the backbone
of the Women’s Liberation Movement, were no longer welcome, unless of course we
were prepared to be subsumed in the LGB – soon LGBT, soon LGBTI, soon LGBTIQ,
GLBT etc – where will it stop? Such alphabet soups are not helpful to advancing
the cause of feminism. In some parts of the LGBTIQ movement to be heterosexual
is posed as radical! And now everyone wants to get married! I did not join the
Women’s Liberation Movement to fight for marriage – and many heterosexual women
didn’t either – rather we were fighting to eliminate the institution of
marriage, just as we were trying to live in a gender-free world.

•Many other ludicrous ideas have been
put forward in the name of feminisms. Margot Weiss, for example, writes about what
she calls ‘consensual BDSM classes’ and refers to it as ‘play’. She writes:

My copy of the monthly newsletter of a San Francisco SM
organization included a scene report, a written description of a consensual
BDSM play scene. The scene took place at a San Francisco dungeon in March 2004.
It was an interrogation scene, involving a Colonel, a Captain, a General, and a
spy. The spy was hooded, duct-taped to a chair, and slapped in the face. As she
resisted, the spy was threatened with physical and sexual violence, stripped
naked, cut with glass shards, vaginally penetrated with a condom-sheathed
hammer, force-fed water, shocked with a cattle prod, and anally penetrated with
a flashlight. The scene ended when the spy screamed out her safeword, the word
that ends the scene: “Fucking Rumsfeld!”.[xiii]

Weiss goes on to say that “The photographic representation in Abu
Ghraib … effectively transforms a political real – torture – into a safe sexual
fantasy” (Weiss 2009, p. 181). She takes no pause to ask whose fantasy and
whose pain? The real torture of Abu Ghraib is real to the prisoners, and just
like the women abused in pornography it remains the fantasy of someone who
watches from the outside. And to the lesbians and heterosexual women who have
been raped and tortured, what does this say to them?

The thing about torture is that you do not know
whether you will be alive at the end of the day. You do not know when it will
end. It is more than just ‘powerlessness’; it is subjugation, degradation,
abandonment, and dehumanisation.

The ‘consensual BDSM classes’ are defended on the
grounds that they are performative. Performativity comes squarely out of
postmodern theory. Such academic acceptance of torture as a game is
appropriative of people living under totalitarian regimes who do not have the
‘luxury’ of saying ‘No’, or of saying ‘Rumsfeld’ as a parody.It misses the entire history of the
intersection of the colonisation of women and the colonisation of the ‘other’.

The
idea of multiple feminisms has been used to destroy feminism and in particular
to destroy radical feminism. To summarise:

•A feminist recognizes that women as a
class are oppressed and secondly does something to change this.

•An anti-racist activist likewise recognises
that women and men of color are oppressed and secondly s/he does something
to change this.

While
we are all subjected to a multiplicity of social, political and economic
forces, in order to counter that we need unity. Oppression is a singular force
– it might come from several directions simultaneously – but the battle against
it has to be a united idea, one that allows women (in the case of feminism) to
come together and battle against the forces that oppress them (us).

Feminism
is not narrow. Representing 52% of the world's people can hardly be called narrow.
Because feminism does represent all women even if not all women want to be
represented.

What
do I want? I want an end to an empty vessel called ‘feminisms’. I want a feminism
that is multifaceted and yet united. I want poetry and song and art as well as
politics and collective action. I want us to try and live differently, to live
in such as way that we don’t support the global structures of power that are set
up to divide us. I want the chance to sit down and talk, not be yelled at or
accused of being phobic of one thing or another. Such practice takes us
nowhere.

Let's
have real live feminist passion, imagination, insight – even disagreement. But
let's recognise we are all on the same side not spread out in fragmented
differences that mean we can no longer speak to and for one another.

[i]The
best feminist critique I have ever read is Brodribb, Somer. 1992. Nothing
Mat(t)ers: A Feminist Critique of Postmodernism. Melbourne: Spinifex Press.
Some four years later many of the 86 contributors to the following volume added
to Brodribb’s critique. See Bell, Diane and Renate Klein (eds.) 1996. Radically
Speaking: Feminism Reclaimed. Melbourne: Spinifex Press.

The article by Weiss is based on Weiss (2005) which I heard her present
at the Transpositions Conference at Purdue University, USA. I critiqued her
argument based on notes I took in the following essay. Hawthorne, Susan. 2010.
‘Free to Lynch, Exploit, Rape
and Torture: Capital and the crimes of pornographers.’ Big Porn Inc
edited by Melinda Tankard Reist and Abigail Bray. Melbourne: Spinifex Press.

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About Me

Poet, aerialist, publisher and academic. Author eight books of poetry, a verse novel, a novel, and three non-fiction. Earth's Breath (2009) was shortlisted for 2010 Judith Wright Poetry Award. In 2011 I published the collection, Cow which started on SusansCowBlog in 2009. Cow was Shortlisted for the 2012 Kenneth Slessor Award in the NSW Premier's Awards and was a Finalist in the 2012 Audre Lorde Lesbian Poetry Award in the USA. Also published in 2011 was my chapbook, Valence: Considering War through Poetry and Theory. In 2013, I published a verse novella, Limen. Other books include Wild Politics: Feminism, globalisation and bio/diversity (2002) and the anthology September 11, 2001: Feminist Perspectives (2002). My two most recent books are Lupa and Lamb (poetry 2014) and Bibliodiversity: A Manifesto for Independent Publishing which has been translated into Arabic and French with several other languages to follow. You can find my other books at Spinifex Press in both print and eBook formats. Go to: http://www.spinifexpress.com.au