Poe churned out reams of puff-free reviews—the Library of America’s collection of his reviews and essays fills nearly 1,500 dense pages. Few outside of Poe scholarship circles bother reading them now, though; in a discipline that’s had its share of so-called takedown artists, Poe was an especially unlovable literary critic. He occasionally celebrated authors he admired, such as Charles Dickens and Nathaniel Hawthorne. But, from 1835 until his death in 1849, the typical Poe book review sloshed with invective.

Tackling a collection of poems by William W. Lord in 1845, Poe opined that “the only remarkable things about Mr. Lord’s compositions are their remarkable conceit, ignorance, impudence, platitude, stupidity, and bombast.” He opened his review of Susan Rigby Morgan’s 1836 novel, The Swiss Heiress, by proclaiming that it “should be read by all who have nothing better to do.” The prose of Theodore S. Fay’s 1835 novel, Norman Leslie, was “unworthy of a school-boy.” A year later, Poe doomed Morris Mattson’s novel Paul Ulric by pushing Fay under the bus yet again, writing, “When we called Norman Leslie the silliest book in the world we had certainly never seen Paul Ulric.”

Attacking better-known writers – a tactic still in use today by several minor sff authors — was also typical of Poe.

The twist, though, is that as a critic Poe often treated ethics as disposably as we do coffee filters. That self-dealing rave review is just one example. Poe plagiarized multiple times early in his career (most notably in The Narrative of Arthur Gordon Pym and “Usher”), but still spent much of 1845 leveling plagiarism accusations against Henry Wadsworth Longfellow. Poe delivered his attacks under his own name, but also anonymously, and through an imaginary interlocutor named “Outis.” But for all of Poe’s bluster, evidence of Longfellow’s thievery was thin, and the poet, wisely, didn’t respond. “Poe’s Longfellow war,” said publisher Charles Briggs, who’d hired Poe at the Broadway Journal, “is all on one side.”

People make sense of art as individuals, and their experiences of the work differ individually, too. A reviewer speaks for somebody, even if he or she doesn’t speak for you.

To assume otherwise risks the worst kind of generalization. I went to high school in San Francisco at the height of the multiculturalism movement. My freshman curriculum did not include “The Catcher in the Rye,” “The Great Gatsby,” or “Moby-Dick.” We read, instead, “Their Eyes Were Watching God” and “Bless Me, Ultima,” and other books showing the range of American fiction. I’m glad. (One can read “The Grapes of Wrath” anytime.) I remember finding Hurston’s novel brilliant and Anaya’s novel boring. I did not conclude, from these feelings, that African-American literature was interesting and Chicano literature was not. Why would I? The joy of books is the joy of people: they’re individuals, with a balance of virtues and flaws. We are free to find—and learn our way into—the ones that we enjoy the most, wherever they come from.

That specificity of response is what Vicky Smith seems to encourage by opening the full canon of new work to new readers. It’s also, though, the diversity that Kirkus has smothered by issuing a “correction”—the editor’s word—on the political emphasis of a published response. Although it’s easy these days to forget, a politics is a practice of problem-solving, case by case, not a unilateral set of color-coded rules. If certain inputs guarantee certain outputs, what’s in play isn’t politics but doctrine. Kirkus, admirably, is trying to be on the progressive side of a moment of transition in our reading. But its recent choices aren’t about progress, or about helping young people find their way through many voices. They’re about reducing books to concepts—and subjecting individuals who read them to the judgments of a crowd.

The Norma K Hemming Award, under the auspices of the Australian Science Fiction Foundation (ASFF), announces significant changes to the Award structure.

Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming Award, which has been running since 2010, has had a major overhaul this year, with new categories and a two year cycle.

The award is now open to short fiction and edited anthologies, alongside the previous eligible work of novellas, novels, collections, graphic novels and stage plays. It will also make allowances for serialised work. In addition, entry submissions may be digital or print for all submissions.

Two prizes will now be given, one for short fiction (up to 17,500 words) and one award for long work (novellas, novels, collections, anthologies, graphic novels and play scripts), with a cash prize and citation awarded.

Nominations for the 2018 awards, covering all eligible work published in 2016 and 2017, will open in early November.

The uncanny to me is a crucial element of horror: not being able to pinpoint exactly what makes us scared. While the extreme can be terrifying (the xenomorph in Alien is a category crisis—its something we can’t classify/is not instantly knowable—but it’s not uncanny because we shouldn’t be able to know it/classify it as its something completely new to the human experience). However, even more terrifying is that which is just a little off: pod people who may look like your lover, but they smile in just a slightly different way. A man with fingers just a little too long. Women with hair in front of their faces so that their expressions are unknowable.

In technology, we refer to the “uncanny valley” (a term coined by Masohiro Mori in the 70’s) when dealing with robots and computer designed images of people. A robot who looks human-like but not realistically so (think Bender in Futurama) wouldn’t trigger the uncanny valley but a robot who looks extremely close to human, but has some tiny bit of offness, such as the more and more realistic robots we have currently, would fall into it and create a sense of slight fear, revulsion, or distrust. In the film Ex Machina (which on its surface is a film about a Turing test going very wrong, but in its heart is a take on the tropes of Gothic literature and the Bluebeard fairy tale), Alicia Vikander portrays Ava brilliantly by making the robotic elements include both Ava’s movements (more perfect than an average person’s) and speech (carefully clipped and enunciated)—this heightens the uncanny valley feeling while going against the entirely human looks of her face (which wouldn’t necessarily fall into the uncanny valley).

(5) WHEN WILL YOU MAKE AN END? Alastair Reynolds writes a whole post – “Gestation time” — around a term that also came up in a discussion of Zelazny here earlier this week.

In the previous post I mentioned that my new story “Night Passage” – just out in the Infinite Stars anthology – was one I was glad to see in print because it had taken about five years to finish. I thought that was approximately the case, but when I checked my hard drive I saw that I opened a file on that story at the end of November 2009, so the better part of eight years ago. That wasn’t an attempt at the story itself, but as per my usual working method, a set of notes toward a possible idea. I rarely start work on a story cold, but instead prefer to brainstorm a series of rambling, sometimes contradictory thoughts, out of which I hope something coherent may emerge. This process can take anything from a morning to several days or weeks, but I never start a story in the first fire of inspiration.

MEGAN AM: … My own personal goal was to demonstrate that good, interesting, literary SF does exist; that it can come from anyone, anywhere, and in any language; and that it can compete with the basic, Americanized, TV-style SF I keep encountering on shortlists. Unfortunately, the 2017 Clarke submissions list didn’t give me much to work with on that front–a lot of the choices were very formulaic, very bland, not to mention very British, white, and male– but I did manage to find some champions I’m grateful to have read: Joanna Kavenna, Martin MacInnes, Lavie Tidhar, Johanna Sinisalo. As for my experience as a contributor… I mean, eight people I have admired in this field–most of whom I had never interacted with before– read and talked books with me. It was the coolest thing ever. I’m curious what you thought of the whole thing. Watching you watch it from the outside was interesting: You seemed genuinely interested in bridging gaps between contentious parties, communicating good faith in all sides, and withholding judgment until it was all said and done. So, now that it is done, what do you think? …

THE G: …. I’d also extend these observations to criticism itself. So I try to have a thick skin anytime I press “publish.” Someone is bound to think my ideas are rubbish, and that’s fine. At the same time, authors and fans are often guilty of violating the text/person distinction–taking depersonalized comments on a text personally and lashing out at the person who made them. The effect is to police what critics, bloggers and other reviewers can say in public, and that’s bullshit.

I could go on, but let’s get back to the Sharke project! Or rather, back to awards. One thing that’s come up a lot in discussions is the concept of “award worthiness,” i.e. that there is some objective-ish bar that works of fiction must live up to in order to be proper candidates. I’ve bandied this term about a few times, generally when talking about the Hugos. I have a very clear sense of what, for me, constitutes award worthiness in science fiction and fantasy–some combination of ideas, execution, emotional resonance and prose chops. Not always the same combination, but hitting all four to a significant degree, and hitting one or two out of the park….

MEGAN AM: ….This comes back to questioning the idea of an objective kind of “award worthiness.” You mention “comfort SF,” which is just as subjective, because I don’t find that kind of SF comforting at all. We’re living in a Trumpnado, where critical reading and thinking skills are devalued, fake news accusations are flying from all directions, nazism is being given a platform in centrist media, and yet progressive SF fans feel threatened by the idea that it might be necessary to sharpen up on difficult, rigorous, uncomfortable novels? I’m not sure it’s appropriate right now to award anything less than radical and complex. And even setting politics aside, the these ‘comfort food books’ are aesthetically old and crusty. Reading award-nominated novels from different decades really helps to put that into perspective: Not a lot has changed in the styling of SF and its “coding” of metaphors, so I’m confused by why we keep awarding the same styles and thoughts… seventy. years. later.

Amazingly, Clemens photographed 117 of the 156 episodes of the series. His crisp black-and white photography is well featured in the Blu-ray format – so crisp that a freeze-frame sometimes reveals details that even the art directors didn’t want you to see. For instance, in the Donald Pleasence episode “Changing of the Guard” (the final episode of the third season), the diploma on the wall of Professor Ellis Fowler’s office should feature his name. It doesn’t. Thanks to George Clemens’ crystal-clear photography, we see that it belongs to another man.

The rapid expansion of artificial intelligence (AI) has generated a lot of excitement, but also some (perhaps justified) paranoia. Will computers replace-or even overtake-human beings? Mat Gulley, executive vice president and head of alternatives at Franklin Templeton Investments, and Ryan Biggs, research analyst at Franklin Equity Group, explore the ramifications of “the rise of the machines” in the realm of asset management. They say the full implications of the new machine age will likely take decades to fully play out, but will likely be staggering.

We have been anticipating their arrival for decades. As far back as 1958 the New York Times wrote a story about a machine developed at Cornell University called the Perceptron. The device was said to be “the embryo of an electronic computer … expected to walk, talk, see, write, reproduce itself and be conscious of its own existence.” In 1958!? That would have been an astonishing achievement in a time even before the microwave oven graced our kitchen countertops.

For the past half century, humanity has been eagerly anticipating the age of artificial intelligence (AI); imagining it in Hollywood and reporting on its progress in the media. Perhaps at times our optimism has gotten ahead of itself. Not any longer. This time, the machines are not just coming-they are already here….

Yet voice actors in this industry are not treated like actors in television and movies. This led voice actors to go on strike last year against 11 of the largest video game developers over bonus pay and safety issues such as vocal stress. The bitter labor dispute dragged on for 11 months, making it the longest strike in the history of Hollywood’s largest actors’ union, SAG-AFTRA. Burch was forced to give up a critically acclaimed role she loved. Gaming fans feared delays for their favorite titles before a tentative deal was reached late last month. A vote by the full union is going on now.

The lengthy strike highlighted how video games have emerged as the scene of a tense clash between Hollywood and Silicon Valley. Voice actors want to be treated more like TV and film actors, who are viewed as central to the creative process. Tech firms often see the developers and engineers as the true stars of the show.

“They keep saying, ‘Games are different,’?” said J.B. Blanc, a well-known voice actor and director who has worked with Burch several times. “But that’s no longer true. Because games want to be movies, and movies want to be games. These are basically 100-hour-long movies.”

(10) EASY PICKINGS. Abbie Emmons has now taken her Twitter account private after absorbing a thorough and professional internet beating. The punishment began after she tweeted the opinion belittled by Foz Meadows in “Dear Abbie: An Open Letter”. Foz begins with the admission “I don’t know where your hometown is” but doesn’t let that keep her from making assumptions about it, or from working in “white” and “Christian” four times in her opening paragraph, and not in a positive way.

You’re quite right to say that you, personally, will not encounter every type of person in your small corner of the world. But “small” is the operative word, here: wherever your hometown might be, the fact that it’s the basis of your personal experience doesn’t make it even vaguely representative of the world – or even America – at large.

You claim that you “love everyone” regardless of their background, and I’m sure you believe that about yourself. Here’s the thing, though: when you say you wish people would stop being “correct” and “just write books that actually… reflected the kind of thing we encounter in real life,” you’re making a big assumption about who that “we” is. There might be very few black people in your hometown, but if one of them were to write a novel based on their memories of growing up there, you likely wouldn’t recognise certain parts of their experience, not because it was “incorrect,” but because different people lead different lives. And when you claim that certain narratives are forced and unrealistic, not because the writing is badly executed, but because they don’t resemble the things you’ve encountered, that’s not an example of you loving everyone: that’s you assuming that experiences outside your own are uncomfortable, inapplicable and wrong.

Einstein-Rosen or “ER” bridges, are equivalent to entangled quantum particles, also known as Einstein-Podolsky-Rosen or “EPR” pairs. The quantum connection between wormholes prevents their collapse without involving exotic matter.

Researchers are working towards lab tests of quantum teleportation to verify their theories…

(12) POT. KETTLE. BLACK. Camestros Felapton, in “Reading Vox Day So You Don’t Have To: The last essay on Chapter 6”, thinks the way to refute Vox Day’s characterization of alleged SJW organizational tactics is to show how Republicans have done the same thing to each other. True as that may be, the trouble is tit-for-tat casemaking isn’t entertaining – and usually, Camestros is very entertaining.

Organizational Tactics

These are the terrible things SJWs are supposed to do to organizations. Vox lists seven and he manages to set up a deeply insightful analysis of how an organization can be destroyed by political extremists. The only problem is that as an analysis it fit bests how the right have wrecked the Republican party. Again, I’ve changed the order to show the sequence of events better.

“The Code of Conduct: Modifying the organization’s rules and rendering them more nebulous in order to allow the prosecution or defense of any member, according to their perceived support for social justice.”

Lobbying organizations on the right like the NRA or “Americans for Tax Reform” have systematically created an extension of the GOP’s actual rules and accountabilities for their politicians. For example the ATR has been pressurizing Republican candidates (at state and federal level) to sign the “Taxpayer Protection Pledge”: …

Harry Potter lives with his aunt, uncle and cousin because his parents died in a car-crash — or so he has been told. The Dursleys don’t like Harry asking questions; in fact, they don’t seem to like anything about him, especially the very odd things that keep happening around him (which Harry himself can’t explain).

The Dursleys’ greatest fear is that Harry will discover the truth about himself, so when letters start arriving for him near his eleventh birthday, he isn’t allowed to read them. However, the Dursleys aren’t dealing with an ordinary postman, and at midnight on Harry’s birthday the gigantic Rubeus Hagrid breaks down the door to make sure Harry gets to read his post at last. Ignoring the horrified Dursleys, Hagrid informs Harry that he is a wizard, and the letter he gives Harry explains that he is expected at Hogwarts School of Witchcraft and Wizardry in a month’s time.

The synopsis goes on to discuss Hagrid’s arrival and his revelations about Harry’s forehead scar while also explaining that “Harry is famous among the witches and wizards who live in secret all over the country because Harry’s miraculous survival marked Voldemort’s downfall”.

This feels a bit weird. Creepy, even. If it makes any difference, I advised them not to go ahead with it.

A couple of weeks from now— Nov 10-11— the University of Toronto will be hosting an academic symposium about me. More precisely, about my writing.

You could even call it an international event. While U of T is providing the venue, the symposium itself is organized by Aussie Ben Eldridge, of the University of Sydney. At least two of the presenters are from the US (although one of them will be Skyping in, doubtless to avoid the mandatory cavity search that seems to be SOP at the border these days).

Friday is layperson-friendly: a round-table discussion of my oeuvre, or omelet, or however you say that; a reading (new stuff, yet to be published); an interview; a bit of Q&A. The schedule only listed 15 minutes for drinks after that, but as Ben reminds me he is an Australian and would never make so rookie a mistake. That 15 minutes is only for warm-up drinking on campus, after which we retire to the Duke of York.

As fans of the Blade Runner universe mull over Denis Villeneuve’s cerebral cinematic study of what makes a human, Swift goes full replicant in the new futuristic music video, which dropped at midnight.

Taylor lit up the Internet earlier this week when she teased snippets from the sci-fi clip, in which she appears in a skin-tone thermoptic suit, giving the illusion of actually being her birthday suit. Who needs threads when you’re a machine, right?

[Thanks to John King Tarpinian, Martin Morse Wooster, Cat Eldridge, JJ, Carl Slaughter, and Elizabeth Fitzgerald for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

The man said he began by scratching out an extraneous apostrophe on a sign but had since become more sophisticated and has built an “apostrophiser” – a long-handled piece of kit that allows him to reach up to shop signs to add in, or cover up, offending punctuation marks. “This is a device that enables you to plant an apostrophe quite high up and get over any obstacles,” he said.

(2) PACK YOUR BOOKS. For years there have been stories that TOR will move out of the Flatiron Building and a new report from a real estate blog makes it sound like it could happen. Really. Maybe.

Another one of the book business’s “Big 5” publishers is seeking a new chapter in Lower Manhattan. Macmillan Publishers, the sole office tenant at the landmarked Flatiron Building, is weighing a move to Silverstein Properties’Equitable Life Building at 120 Broadway, sources tell The Real Deal.

…If the deal goes through, it would be the first time the Flatiron Building, owned by Sorgente Group of America, would be completely empty since it was built more than 100 years ago. Part of the reason Macmillan is relocating is the fact that the Flatiron District, the area named for the 22-story building, has become the epicenter of the city’s technology industry, driving up rents.

Sorgente could either lease the building to higher-paying tenants, or follow through on a plan it previously considered to convert it into a hotel.

(3) BOOK RECS WANTED. James Davis Nicoll will soon be writing two milestone reviews and is looking for book recommendations.

I have two notable reviews coming up for my Because My Tears Are Delicious To You reviews: the 150th one and the third anniversary one. Tears reviews are of books I read and liked as a teenager (between 1974 and 1981). I welcome suggestions for candidate books.

The 41st Annual Jack Williamson Lectureship, with events April 7, 2017, welcomes author and friend of the Lectureship, Melinda M. Snodgrass, with special guest author Michael Cassutt, and writers, friends and fans from across the region for this annual celebration of Jack Williamson and the genre to which he contributed so significantly.

This year’s theme is Wild Cards! – the shared universe anthologies by some of the best writers in science fiction, edited by George R.R. Martin and Melinda Snodgrass. First released in 1987, the series published its 23rd volume in 2016. Adapted to role-playing games and comics, the Wild Cards series is now slated for television by Universal Cable Production (UCP), executive producer Melinda Snodgrass, with SyFy Films’ Gregory Noveck….

(5) PREHISTORIC COMIC CON. At Galactic Journey, The Traveler ingeniously makes his visit to last weekend’s Wondercon look like it happened in 1962.

This enabled a distance to the burst to be measured: about 12 billion light years. The universe has expanded to four times the size it was then, 12 billion years ago, the time it took the light to reach Earth.

GRB170202 was so far away, even its host galaxy was not visible, just darkness. Because the GRB was a transient, never to be seen again, it is like turning on a light in a dark room (the host galaxy) and trying to record the detail in the room before the light goes out.

Mystery of gamma ray burst

The flash of gamma radiation and subsequent optical transient is the telltale signature of a black hole birth from the cataclysmic collapse of a star. Such events are rare and require some special circumstances, including a very massive star up to tens of solar masses (the mass of our Sun) rotating rapidly with a strong magnetic field….

The syringe slides in between the thumb and index finger. Then, with a click, a microchip is injected in the employee’s hand. Another “cyborg” is created.

What could pass for a dystopian vision of the workplace is almost routine at the Swedish startup hub Epicenter. The company offers to implant its workers and startup members with microchips the size of grains of rice that function as swipe cards: to open doors, operate printers, or buy smoothies with a wave of the hand.

The injections have become so popular that workers at Epicenter hold parties for those willing to get implanted.

My seat-of-the-pants analysis (I could be wrong) is that the Hugos are in the process of recovering from the 2015 assault, precisely because the Worldcon attendees and supporters see themselves as a community.

There’s a thought buried in that above paragraph — that communities unite to protect themselves when they perceive they are under attack. This works well when the attack is real, such as Pearl Harbor. But it can also have negative effects when hate-mongers such as Bryan Fischer and Pat Robertson (both of whom were in fine form this week) invent a scapegoat (LGBT people) for unwarranted attacks in an attempt to unite the community around their own agendas.

So while those who have a long history of participation in Worldcons will see this unity as a good thing — those who identify themselves as the aggrieved outsiders will see it as more evidence that the establishment is shutting them out.

Myself, I see it as a collision of two narratives — one that is based on 75 years of mostly healthy traditions, and one that is based on a fascist perception of how the world works.

Most important, however, is that most of this year’s ballot suggests that we are seeing a return to the previous traditions of nominations based on excellence. Most of the nominations are well-deserved, and my congratulations to the finalists.

Now, the best thing about this year’s Hugos? Is that it feels GREAT to be a part of it again – it’s super easy to get excited and happy about the ballot with so many great people and works on it and with what seems to be like an almost canine-free ballot. We can’t wait to spend the next few months squeeing and discussing and agonising over who to vote for. Seriously, check out that Best Novel list – some of our favourites of 2016 are there!!

Of course, in recent years, they’ve been telling anyone who’s a conservative or Christian that they’re not real fans, and not welcome at their conventions, certainly never allowed to speak. And so the Sad Puppies were born, and had a good run for a few years before once again, just like their projecting meme, the establishment behind the Hugos said “these are not real fans” and changed the rules to make it impossible for anyone but their chosen to get noticed.

The Puppies pulled out. I promised you numbers, and here’s what we have.

Best Short Story: 1,275 ballots in 2017 vs. 2,451 ballots in 2016, a 52% drop.

I can keep going on with the numbers here, but that kind of pull out of an audience is staggering. If this were a TV show or a comic, it would be instantly cancelled. The execs would be using this as a case study as to what went wrong and why so that they could never do it again. Kinda like is beginning to happen in comics right now (but they’re still in the denial stage of grief).

You’re seeing about a thousand less votes across the board per category. That means a thousand less people with memberships than last year. Wow. Note to “real science fiction fandom”: you told about half your audience you hate them and you want them to go away. They did. This spells big trouble for you in the future.

(12) FROM A RETIREE. The world is filled with people who are pleased to pass along any piece of news they know will annoy the recipient. Larry Correia has a friend like that, and the upshot was “Don’t Forget to Nominate for the Dragon Awards”.

The reason for this post was that a friend of mine sent me a PM this morning, that they had announced the Hugo nominations, and gave me a link. Being retired from trying to cure Puppy Related Sadness, I only gave the list a brief cursory glance, saw the names of many proper goodthinkers, and counted like a dozen(+) nominations for Tor, so it appears that balance has been restored to their sainted halls of Trufans enjoying themselves in the proper approved manner. I’m sure many wooden buttholes will be sacrificed upon the altar of Social Justice.

After actor Harrison Ford landed his small plane on a taxiway, rather than a runway, at John Wayne Airport in Orange County, Calif., in February, the Federal Aviation Administration began looking into the incident….

The Federal Aviation Administration determined at the conclusion of its inquiry that “no administrative or enforcement action was warranted,” Ford’s lawyer, Stephen Hofer said in a statement. “Mr. Ford retains his pilot’s certificate without restriction.”

The actor, who played swashbuckling space smuggler and Millennium Falcon pilot Han Solo in the “Star Wars” film franchise, also was cited by the agency for his “long history of compliance” with FAA regulations and “his cooperative attitude during the investigation,” Hofer said.

Although Ford incurred no penalty, he agreed to undergo voluntary “airman counseling” before the FAA closed the matter, his lawyer said.

Sir Tim Berners-Lee was speaking to the BBC following the news that he has been given the Turing Award.

It is sometimes known as the Nobel Prize of computing.

Sir Tim said moves to undermine encryption would be a “bad idea” and represent a massive security breach.

Home Secretary Amber Rudd has said there should be no safe space for terrorists to be able to communicate online. But Sir Tim said giving the authorities a key to unlock coded messages would have serious consequences.

“Now I know that if you’re trying to catch terrorists it’s really tempting to demand to be able to break all that encryption but if you break that encryption then guess what – so could other people and guess what – they may end up getting better at it than you are,” he said.

“The Bossland hacks destroy the integrity of the Blizzard games, thereby alienating and frustrating legitimate players and diverting revenue from Blizzard to defendants,” the US games developer had argued.

The tools included the ability to see other players’ positions, health scores and other information from a distance within games.

The Zwickau-based firm’s managing director said it did not accept the US court had jurisdiction over it, and that the judgement did not take into account that many of the licences it had sold had been “trials” at a fraction of the normal cost.

“We are discussing with our lawyers how to continue – if an appeal to the declined motion to dismiss is worth trying,” Zwetan Letschew told the BBC.

Bossland’s website remains active and continues to advertise cheats for several Blizzard games, insisting “botting is not against any law”.

Anyway, McKellen is in good spirits about the whole thing. When host Stephen Sackur asked, “You mean you could have been Dumbledore?” McKellen responded, “Well sometimes, sometimes when I see the posters of [Harris’ eventual replacement] Mike Gambon, the actor who gloriously plays Dumbledore, I think sometimes it is me.”

(19) INVENTORY READY TO GO. I foolishly wasted my time writing news posts when I could have been preparing to monetize my nomination!

[Thanks to Carl Slaughter, Cat Eldridge, Mark-kitteh, JJ, Andrew Porter, Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

The House Theatre of Chicago presents their initial production in 2017, Diamond Dogs, adapted from Alastair Reynolds’ science fiction adventure by Althos Low and directed by Artistic Director Nathan Allen, playing at the Chopin Upstairs Theatre, 1543 W. Division St., January 13 – March 5. Diamond Dogs is also a participant in the 2017 Chicago International Puppet Theater Festival, January 19 – 29. Preview performances are January 13 – 20. Opening/press night is Sunday, Jan. 22.

Diamond Dogs follows a 26th century team of humans and transhumans as they investigate a mysterious alien tower, bent on brutally punishing all intruders. Uncovering clues and solving puzzles, each crusader will make dangerous, eye-popping sacrifices to get to the mysteries atop the spire. Blood will spill. This thriller is one of 16 stories set in novelist Reynolds’s expansive Revelation Space Universe. Artistic Director Nathan Allen teams up with The House’s most inventive designers and guest artists to bring this unique universe to life. Body modification is the norm in the future, and award-winning puppet designer Mary Robinette Kowal, who is also an award-winning sci-fi author, articulates and re-shapes the actors’ human forms into powerful mechanized players battling for their lives. Reynolds is one of a new generation of hard science-fiction authors, a craft he began during his decade-long career as an astrophysicist with the European Space Agency. Diamond Dogs is a pure example of the “Deadly Maze Story,” a staple of Science Fiction since H. P. Lovecraft. This world premiere production at The House Theatre of Chicago marks the first of Reynolds’ works to be adapted for another medium.

JS: What other elements are important in a new writer? Is it attitude, is it talent? What’s your take on that?

MR: First, you’ve got to be a smooth enough writer so that it’s not an effort for the editor, or the reader to get to the bottom of each page. That’s essential. You’ve got to know how to push a noun up against a verb with some grace. And of course you should have a knowledge of the field, because while there’s still a million ideas we haven’t touched, there’s probably half a million ideas that have already seen print. And unless you have a totally new take on it you’re not going to sell it. There used to be a rejection slip from Amazing Stories, back when Ted White was editing it, where there’d be a number of boxes he could check to explain why he’d rejected it. The box he checked most was, “Heinlein did it better – and earlier.”

I would love to have a rejection slip like that, but all Galaxy’s Edge’s rejections are personal. But yeah, you’ve got to know the field if you want to write in it. Which makes sense. I mean, shouldn’t you care enough about the field in which you want to make all or part of your living so that you’ve been reading it and know about it, and know what has been done to death and what hasn’t?

A local theatrical organization has ongoing communications challenges. The current means of communication (email, facebook, facebook messages) all seem to lend themselves to communications breakdowns [1]. I recall that Basecamp worked pretty well for the Tiptrees but Hipchat, Slack and Telegram have also been suggested as well. I know a bunch of you run cons. Would you recommend any of these tools?

[1] Facebook lends itself to amnesia but even in email it can be hard to find the specific email you want, particularly if you’ve forgotten it exists. Or never knew.

Tonight on Me-TV, during his presentation of Hammer’s 1960 classic THE BRIDES OF DRACULA, Svengoolie (AKA Rich Koz) made a VERY nice mention of Bill Warren‘s passing. He showed the photo of Bill with Robby the Robot and Kerry Gammill‘s cover for the new edition of Bill’s KEEP WATCHING THE SKIES! Sven mentioned Bill’s work with Forry Ackerman and his insanely voluminous knowledge about the films we all love. He even mentioned Beverly Warren! It made me very proud to see such a wonderful acknowlegement of the sweet, funny guy we all miss.

I wasn’t aware that Sven’s tribute to Bill was gonna be tonight, but surely some of you out there recorded tonight’s episode of SVENGOOLIE

Undoubtedly the woman who had come to epitomize what we recognize today as “celebrity”, Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her “dahlink” catchphrase, her actions, life gossip, and quotations on men, rather than her film career.

Her biggest genre credit was the movie Queen of Outer Space. She also appeared in Nightmare on Elm Street 3, and episodes of Night Gallery (segment “The Painted Mirror”), Batman, and Supertrain.

(7) TODAY IN HISTORY

December 18, 1839 — John William Draper took the first photo of the Moon. (“Say ‘Cheese!’”)

I teach sf to university students, and knew from the critical literature about gender in sf that sometime in the 1940s a writer called C. L. Moore published a landmark story about the first female cyborg. I tracked down a copy of ‘No Woman Born’ this year, and was deeply impressed. This story is a glowing beacon of fine writing and an impressive acceleration of how the cyborg operates in fiction. No longer a destructive masculine, war-making automaton from the post-WW1 years, this cyborg is a dancer and singer whose new flexibility and vocal range enhance her art, and successfully disguise her strength of purpose by using her femininity to cloak her developing ambitions. Deirdre is a person who is now a cyborg, and her humanity is totally present throughout this novella, despite her gleaming gold body, and her inhuman speed and agility.

The story could just as well be a three-act play. It’s set in Deirdre’s apartment where Harris, her former manager, comes to visit her for the first time after her rehabilitation following a disastrous fire, then when he and her besotted surgeon Maltzer watch her first public performance on TV in her new body, and finally when Harris witnesses Maltzer’s threat to prevent any more cyborgs being made, and Deirdre’s command. ‘No Woman Born’ is not just a story of one person, it’s an opening up of possibilities: cyborgs are stronger and faster, so what will that mean for women, as well as for men? What will that mean for the humans left behind? Can relations between a man and a woman be the same now that the woman is made of metal? How will a woman feel about her body, when no-one is there to admire it? And does this matter? By creating a female cyborg whose primary attributes, in the eyes of the men who managed and created her, are her grace and beauty, Moore shows us that when a cyborg claims autonomy, she becomes nobody’s creature, and can decide how she will live her extended, augmented life. It is a tremendous, game-changing story for feminism in sf, and for how we need to learn to think about being post-human. It’s also beautifully written, with unforgettable images of Deirdre learning to see, to stand, move and dance humanly again, in her glittering robe of metal mesh, and her golden, visored face.

(10) LOVECRAFT COUNTRY MUSIC. If you are looking for a Christmas present for your favorite dark ambient fan, the Cryo Chamber label has been releasing massive collaborations named after Lovecraftian gods. The latest one is named Nyarllathotep. The albums are available in CD and digital formats.

A 190 minute dark soundscape album recorded by 25 ambient artists to pay tribute to H.P. Lovecraft. Field recordings from the deepest dark corners of 4 continents. Dusty tapes out of forgotten archives. Strings through crackling amplifiers and distorted drone combine into a sea of pitch black. Nyarlathotep is a manipulative being in the Lovecraftian Mythos. Unlike Cthulhu, or Azathoth, he delights in cruelty and deception. Causing madness is more important than destruction to him.

Smell the burning embers as you kneel outside the sunken temple before Nyarlathotep. Feel the raspy touch of the faceless pharaoh as he leads you to the ancient Pyramid. Hear his inhuman summoning call to gods beyond reality.

“When…in the imaginary future… people can’t fathom a person of non-Euro descent a hundred years into the future, a cosmic foot has to be put down.”

…Afrofuturism’s resurgence could not be more timely, arriving as it does in a climate perceived as indifferent, if not downright inimical, to racial and ethnic minorities. In her book, Ms. Womack recalls a time when black or brown sci-fi characters were all but invisible in the culture at large. As a girl, she would fantasize that she was Princess Leia of “Star Wars.”

“While it was fun to be the chick from outer space in my imagination,” Ms. Womack writes, “the quest to see myself or browner people in this space age, galactic epic was important to me.” It was in the absence of minorities from pop lore, she goes on, “that seeds were planted in the imaginations of countless black kids who yearned to see themselves in warp-speed spaceship too.”

Count among them Tim Fielder, a New York graphic artist and animator whose sci-fi illustrations, produced over a 30-year span, drew visitors last spring to “Black Metropolis,” at the Gallatin Galleries at New York University. Mr. Fielder’s pioneering cartoon narratives — notably those of “Matty’s Rocket,” his spirited black female cosmonaut, who will lift off next year in graphic novel form — are particularly relevant now, he maintained: “They let young artists know that they’re not on dangerous turf, that someone has gone there before them.”

Google Earth’s time lapse videos of earth’s landscape could make you think about the great baseball player Yogi Berra.

“I thought about one of the quotes attributed to Yogi Berra,” says Marc Levy, a political scientist at Columbia University’s Earth Institute who specializes in issues of global health and development. “He said, ‘You can observe a lot just by watching.'”

To show just how much the Earth’s landscape has changed over the past three decades, Google sifted through 5 million satellite images containing three quadrillion pixels. The result is a series of high-resolution, zoomable time-lapse videos that capture, in unprecedented detail, the human impact on this planet.

But history tends to get simplified; a map becomes a single road leading from point to point. It’s not surprising that some scientists who contributed invaluably to the field have been kept out of the dominant narrative because they were women, and they were considered anomalies of their time. (That those times practically overlap — meaning a steady line of crucial work being done by women — is one of those scientific patterns that tend to get forgotten.)

But in the last days of the 19th century and the early days of the 20th, Henrietta Swan Leavitt — one of the many woman “computers” at the Harvard Observatory — used the measurements of variable stars to determine fixed distances across space. And fifty years later, Katherine Johnson — a black woman working at NASA’s Langley Research Center in Virginia when the state was still deeply segregated — would map John Glenn’s space flight, and America’s trip to the moon.

[Thanks to John King Tarpinian, Bruce Arthurs, Chip Hitchcock, Michael J. Walsh, Steve Davidson, and Rob Thornton for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

(1) PHAKE PHANS LISTEN UP. We predict there will be a journey in your future.

PHLEGMATIC PHLEAS ANNOUNCE TPP PHUND 2016 NOMINATIONS OPEN Nominations for the Phlegmatic Phleas’ TPP Phund (Trans-Planetary Phan Phund) are open. Note: Trip awards are one way only. Another note: Current funding is available for up to a dozen winners. Fifth note: You may nominate slates rather than individuals. Pre-Fifth note: Nominate someone you feel has earned the right to go far. Post-Fifth note: Sponsored by the “You Ain’t Nothin’ But A Hound Dog” Phoundation.

We are proud to announce this special new category. Stay tuned for more details.

(3) CONNIE THE DECEPTICON. Connie Willis’ April Fool’s Day blog post ends with a list of her dozen all-time favorite April 1 jokes. One of them is fake.

That’s another key to a good April Fool’s joke–details. The more specific the story is, the more believable, especially if it involves science. Or a technology that’s already in our lives. Like lasers or smartphones. Or digital watches. My favorite April Fool’s joke of all time was the one the BBC did where they announced Big Ben was going to go digital. A bright green digital readout was going to replace the four Victorian clock faces. You can imagine how that was received!

This will probably come as a shock to most of you, but I’ve decided to give up writing. It was a good run while it lasted, but the time has come to pack it away with my other childhood dreams, like living on a houseboat or becoming a paleontologist.

Why did I give up writing? Because frankly, I just don’t have any new ideas anymore. Whenever I manage to come up with one, it turns out that someone else has already done it. Accidental marriage in space? Firefly. Trek across a desert planet? Dune. Colonizing an unexplored nebula? I don’t know off the top of my head, but I’m sure it’s been done before.

Friends, we’ve finally made it: The hellishly wearisome event that is April Fool’s Day is basically at its end. We at io9 despise this black day, but even our curmudgeonly souls got a smile out of this “prank” by the Canadian Library and Archives, which claimed to have dug up Wolverine’s military records from its collection.

The organization announced today that it had secured the declassified journals and military records of Canada’s most famous son: James “Logan” Howlett, better known to his legion of comic book fans a X-Man Wolverine.

A new Eating the Fantastic is now live! Episode 5 was recorded with Carolyn Ives Gilman at Range in Friendship Heights, Maryland.

We discussed what’s kept her coming back to her Twenty Planets universe for a quarter of a century, how her first science fiction convention was “total sensory overload,” what it was like working with David Hartwell as an editor, why she’s not visible on social media, and more.

In the 17 years since the cult TV series’ cancellation, the creative team behind Mystery Science Theater 3000 have never fully reunited in public. That changes this summer as part of the 10th anniversary of MST3K offshoot Rifftrax, with RiffTrax Live: MST3K Reunion Show, a live event to be performed in Minneapolis on June 28 and broadcast to theaters nationwide by Fathom Events. Tickets will be available April 15th from the official RiffTrax website.

My superhero story “Into the Nth Dimension,” originally published in Human for a Day, has been podcast at GlitterShip — narrated by me!. The full text is also available on the web to read for free. You can read or listen here.

On the first day, it was grossly tear-jerking ballads. On the second day I went on to heavy metal and other music which blows the crap out from a brain (where there is one). But in the night before the third day, my scary godmother (she doesn’t like being called a fairy) came to me in a dream and announced that I was to become the pope of European sf-fandom. “You’re supposed to reform TAFF, not win it!” she said and hit me over the back of my head with her magic wand.

She had… a beaver sitting on her left shoulder, and suddenly it became so clear to me why I lost again. It was meant to be this way, folks. We’re not living in 1952 anymore. It’s EASY and relatively cheap crossing the Atlantic now. If the yanks wish to meet the pope of European fandom, there are two ways.

1) come to Italy – that’s where the pope lives.

2) I’d be absolutely delighted to accept any FGoH invitation they send (we have American guests all the time over here in Europe. You can afford it, if you care to meet the pope).

The Gods of fandom have resolved the issue to the best of all possible outcomings. Filkers are not stupid, mind you. They knew what they were up against. So they just did what was necessary to win and I have to both salute and bless them for that. Before my scary godmother went away, she uttered some magic mumbo jumbo in an obscure language I didn’t quite understand (could have been Albanian).I recall the final three words: “Nnn.. in come Pope!”

By breaking these out into three groups and three turnout scenarios (40%, 60%, 80%), I produced 27 different models. To conclude, we can look to see if certain books show up in a lot models, and then I’ll make that my prediction….

So that makes the official 2016 Chaos Horizon Hugo prediction as follows:

Seveneves, Neal Stephenson

Uprooted, Naomi Novik

The Aeronaut’s Windlass, Jim Butcher

Ancillary Mercy, Ann Leckie

Somewhither, John C. Wright

(18) CYBORG OLYMPICS. A video of people are competing in the world’s first “cyborg Olympics.” The Cybathlon competitors, called pilots, use technology to compensate for disabilities.

The first film from Gull Cottage / Sandlot’s newly minted “Gull Cottage&Flying Bear” banner, STEVE VERTLIEB: THE MAN WHO “SAVED” THE MOVIES is the feature-length documentary delving into the colorful life, career and ultimate legacy of cinema archivist, journalist, historian and film music educator STEVE VERTLIEB – who’s quiet, unassuming persona belies his growing status as one of the most respected of figures to a new generation of cinema buffs, filmmakers, and, surprisingly, even that most fickle and verbose of filmdom’s family tree – the genre fanboy.

A former on-air TV reviewer of film, and magazine writer, Steve’s learned and literate dissertations on cinema over the last near half-century have made him a much sought after consultant on numerous projects, including an appearance in the 2006 award winning documentary KREATING KARLOFF, and as consultant on TCM’s 75th Anniversary Restoration of Merian C. Cooper’s original KING KONG. Widely considered one of the nation’s foremost experts on the legendary “Great Ape”, his numerous articles on the subject (including that in the still definitive volume THE GIRL IN THE HAIRY PAW) is referenced to this day by film makers, teachers and cinema students alike.

[Thanks to John King Tarpinian, Clifford Samuels, Glenn Hauman, Hampus Eckerman, Steve Vertlieb, and Daniel Dern for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]