Making the Switch to Adobe Premiere Pro & Creative Cloud

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About This Episode

Haz describes how switching to Adobe Premiere Pro and using the other video tools in Creative Cloud help him be more creative as a filmmaker.

Sam Nicholson, CEO of Stargate, talks about the Creative Cloud tools his team uses on Walking Dead, Doctor Who and other projects. These tools enable his cross-functional team to be more efficient while generating content all over the globe.

Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange. This animated series originated online and when viewership broke a billion views it was time to take the production to broadcast. With the demand for extremely quick turn around Kappa Studios knew only Adobe video tools could meet their needs for complicated animation and accelerated post workflows to make the production a success.

"A Liar's Autobiography" Filmmakers Switch to All Adobe Workflow for Tribute to Monty Python Member

Made Visual Studio and Bill and Ben Productions switched to an all Adobe workflow based on Adobe Creative Suite Production Premium to bring the animated Graham Chapman memoir to life. Watch this video to learn about the making of the film, the switch to Adobe Premiere Pro, and the filmmakers' experiences using the latest versions of Adobe Creative Suite Production Premium, including Adobe Premiere Pro, After Effects, Flash Professional, and Photoshop Extended.

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Meet a new breed of filmmakers who are changing the rules for film production and distribution. Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake, the caliber and quality of these films is right up there with the best of the best. In this video, you’ll meet a few trailblazers from this new generation of filmmakers and learn about the tools they’re using.

Find out how Production Premium's native workflow helped FX School meet impossible deadlines while working on the post production of a South Indian feature film "Dongala Mutha" shot entirely using DSLR's by one of Bollywoods leading directors Ram Gopal Verma.

Create a beer commercial for After Effects World Conference which will take place between 26-28 September, Seattle WA. http://aftereffectsworld.com/
Footage and SFX courtesy of pond5 http://www.pond5.com/

"Introduction for Nodes 2, a plugin for After Effects by Yanobox from FX Factory http://fxfactory.com/info/nodes2/.
We'll use this plugin to create a teaser for After Effects World Conference http://aftereffectsworld.com/"

Undocumented hearing impaired immigrants seek asylum in the US after persecution and abuse in their home countries. This is the Hector's struggle to become a US citizen and his hope for the deaf community.

In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.

In this episode, Jason covers the various mix down options when exporting from the Multitrack View, and shows how you can simultaneously export Stereo, Mono, 5.1 (where applicable) and track stems for all individual tracks and busses in one single operation.

In this episode, Jason shows you how to scan for and enable 3rd party audio plugins in Adobe Audition CS6. This also showcases Audition's smooth performance when using third-party plugins in both the Waveform (editing) View and Multitrack View.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.