Every author has a favorite scene from each book they’ve written that they loved to write. They can go back to that scene over and over again and read it, with a huge smile on their face.

When I wrote Two Timing the Boss I was lucky to have several scenes throughout that
left me smiling, some laughing out loud, some with that overall feeling that I nailed the
emotions and descriptions. I loved the setting, the dialogue, the feel from start to finish. Or I just loved the fun and humor—or the sheer craziness the heroine had to endure.

As a reader, what’s something from a scene you’ve read that makes it stick with you
long after you’ve closed the pages? Is it something to do with dialogue, the actions of the characters, the setting—or something else?

I’d love to share one of those scenes from Two Timing the Boss that really captured
that ‘feel good’ feeling for me and sent my heroine into a panic at the same time—all in
fun mind you.

Now keep in mind as you read, my heroine Farah is on a business trip with her new boss. When she applied for this coveted position, she was talked into wearing a wig, fake nails, lots of makeup, tower high heels and more to up her chances at getting the position. So she donned a disguise—a disguise she had removed to take a bath thinking her work day was done—until a knock sounded on her door.

ENJOY!

“Be right there.” She tried to keep her voice bright, not sure if she sounded

cheery, insane, or both as she hurdled over her suitcase at the foot of the bed.

Her heart beat ticked off every second of her mad dash around the hotel room.

Farah grabbed her discarded body suit from the bed. She didn’t have time to squeeze

About Christine Warner

Christine Warner is living her dream in Michigan along with her husband, three children, one laptop and a much loved assortment of furry friends. Besides laughing and a good round of humor, she enjoys spending time with her family, cooking, reading, writing but no arithmetic. A confessed people watcher, she finds inspiration for her stories in everyday activities. She loves to read and write about strong heroes and determined, sometimes sassy, heroines. A girl gone wild, at least where social media is concerned, she enjoys meeting other avid readers and writers on Facebook, Twitter and her Website.

About Two Timing the Boss

Farah Smith is on a mission: secure the funds for her twin sister’s surgery. She’ll do whatever it takes to succeed. Even if that means putting her values aside to work for a man she finds morally bankrupt. But when the real Farah meets her new boss, she wonders if she’ll be able to resist his sexy advances long enough to help her sister.

From the blonde wig, to the stilettos strapped around her ankles, Farah’s a clone of Keller Donovan’s harem of past assistants. She can’t believe she’s let herself be talked into the disguise, let alone working for the man planning to demolish the hospital her sister so desperately needs, but the salary he offers is the only way she’ll be able to afford her sister’s surgery. The moment Farah meets Keller she realizes her most daunting task isn’t typing, spreadsheets or organizing travel arrangements, but fighting the growing attraction toward a man whose ruthlessness is legendary in the boardroom as well as the bedroom.

Determined not to end up in a disastrous marriage like his divorced parents, Keller believes all relationships should have a shelf life of sixth months or less. But when he meets Farah, all bets are off. He not only wants her to continue as his personal assistant, but his own private bed warmer. Unfortunately, his offer of an affair doesn’t sit well with her fairytale dreams or the strangled hold gripping his heart.

offhand I can’t think of any scenes as a reader…but I tell you there are a few in Baby Stetson that I wrote, and even now, every time I go past that scene and read it, i have to stop and let my nerves settled down because the intensity of it…and the readers that have responded about my book have agreed. Lol. Love it when we can write scenes that touch just right on the emotions we want to convey.