Pages

Saturday, May 15, 2010

Been a little busy lately and haven't been able to focus on the blog. Please enjoy a few more Engrish-y things in the meantime. The first isn't really Engrish, but some excerpts from a strange, joke English language phrase learning book called warau eikaiwa. See for yourself.

I found all of the following on an ad outside a store on my way to taiko practice.

I didn't even know what "Sodality" was until I looked it up, basically a synonym for fraternity. It's not even in Firefox's dictionary files. And that second shirt is awfully aggressive/egotistical. UNFAILING SINCE BIRTH!!!!!GRAGHHGHG!

This may be my favorite. Amazing Time. Hopefulness.

And finally, I wanted to share this amazing advertisement that's everywhere in Tokyo right now.

Saturday, May 1, 2010

I'm thirty-two and she's eighteen, and... every time I say that to myself, it just always sounds so boring.

I'm not yet thirty-three, and she's still eighteen... that'll do.

The two of us are simply friends; nothing more, nothing less. I have
a wife, and she has no less than six boyfriends. On weekdays she goes
out with these six boyfriends, and one Sunday a month she goes out with
me. The other Sundays she watches TV at home. She's as cute as a walrus
when she's watching TV.

She was born in 1963, the same year President Kennedy was shot and
killed. And the first time I asked a girl out on a date. And the popular
song at the time was... Cliff Richard's “Summer Holiday”?

Well, whatever.

At any rate, that's the sort of year she was born into.

That I would be going on dates with a girl born that year would have
been inconceivable then. Even now it feels impossible. Like going to
the other side of the moon to have a smoke.

The general consensus of our peers is that “Young girls are boring,
man!” Nevertheless, these very same guys date young girls too, all the
time. So do you think they eventually discover young girls that aren't
boring? Nah, it doesn't mean that at all. It's actually the boringness
of the girls that attracts them. They're just playing a complicated
game, a game they honestly enjoy. A game where they wash their faces
with buckets full of the young girls' boredom water, while they don't
let their lady friends have a single drop.

At least, that's how it seems to me.

In truth, nine girls out of ten are boring things. However, girls
don't realize that. Girls are young, beautiful, and full of curiosity.
The boringness of their own selves is completely unrelated to the things
that young girls are thinking about.

Yeesh.

I have nothing to criticize them for, and again, no reason to
dislike them. On the contrary, I like girls. Girls make me remember the
times when I was a boring young man. That is, how should I put it, quite
wonderful.

“Hey, do you think you'd ever want to be eighteen again?” she asked me.

“No way,” I replied. “I don't wanna go back.”

It looked like she didn't quite get my answer.

“Don't wanna go back... really?”

“Of course.”

“Why?”

“Cause I'm fine the way I am now.”

She thought about this for some time while resting her chin in her
hands at the table, and while she pondered she spun a clinking spoon in
her coffee cup.

“I don't believe you.”

“You better believe it.”

“But isn't being young wonderful?”

“Probably.”

“So why is it better now?”

“Because once is enough.”

“It's not enough for me.”

“But you're still eighteen.”

“Hmm.”

I caught the attention of the waiter and asked for a second beer.
Outside it was raining, and from the window you could see Yokohama Port.

“Hey, what did you think about when you were eighteen?”

“Sleeping with girls.”

“What else?”

“That's it.”

She giggled after taking a sip of coffee.

“So, did it turn out well?”

“There were things that turned out well and things that didn't turn
out so well. Of course, there were more things that didn't turn out
well, I guess.”

“How many girls did you sleep with?”

“I'm not counting.”

“Really?”

“I don't wanna count.”

“If I were a guy I'd definitely count. Isn't it fun?”

There are times when it seems to me that it might not be so bad to
be eighteen again. However, when I try to think of what the first thing
I'd do if I was eighteen again, I can't come up with a single idea.

Or maybe I'll end up dating charming thirty-two year old women. That wouldn't be so bad.

“I don't get it,” I'll say. “Everyone says that being young is a wonderful thing.”

“Yeah, it is wonderful.”

“Then why don't you want to?”

“You'll understand when you're older.”

Of course at thirty-two, if I skip even a week of running, my
stomach flab starts getting conspicuous. I can't be eighteen again.
That's obvious.

After I finish my morning run, I always drink a can of vegetable
juice, lie on my side and put on “Day Tripper” by the Beatles.

“Dayyyy-ay-ay tripper!”

When listening to that song, I start feeling like I'm sitting on a
train. Telephone poles, train stations, tunnels, bridges, cows, horses,
smoke stacks, garbage, steadily they all pass by, one after the other.
Scenery that never changed, no matter where I was. Though in the old
days, it seemed like the scenery was incredibly beautiful.

Only the person sitting next to me would change. This time, the one
sitting next to me is the eighteen year old girl. I'm in the window
seat, she in the aisle seat.

“Would you like to change seats?” I'll say.

“Thanks,” she says. “You're too kind.”

It's not a matter of kindness, I say with a bitter laugh. It's just that I'm much more used to boredom than you.

[For those of you confused, this post is a response to the post "A 32 Year-Old Day Tripper", which I posted a few hours right before this one. You might want to read that post first.]

Instead of fixing the last post, I'll just say what I need to say here. It's all part of the process (that's what I try to tell myself instead of being upset by my foolishness).

Well, I have to admit, I think I made some mistakes. If you Google "32 Year Old Day Tripper", there are two other translations available online. I of course read through both.

Two things struck me. One is the whole bucket of water thing. Still enough variety there for me to not throw away my own translation entirely.

However I do feel I made one big error. Right before my final long excerpt, the narrator says this:

There are times when it seems to me that it might not be so bad to be eighteen again. However, when I try to think of what the first thing I'd do if I was eighteen again, I can't come up with a single idea.
Or maybe I'll end up dating charming thirty-two year old women. That wouldn't be so bad. I hate how little context is needed for a Japanese sentence to work. It's so vague. The only outright mistake I made in my translation in the next line (“Will there ever be a time when you think you'll want to be eighteen again?” I asked.) is that past tense, "asked', when in the original it's "ask", present/future.

BUT THIS CHANGES EVERYTHING!!!!

Basically, it implies the girl, only marked as 彼女, "her" is being asked this in the present and/or future. And by continuity of the conversation, it implies that the narrator is asking this 32 year old woman in his imagination, and not the eighteen year old girl he was talking to. Thus, I would probably be better suited to write: "Do you ever think you'll want to be eighteen again?" I'll ask her.

And of course, the line "Even if you're old, you know why." is just flat out wrong. It seems to be "You'll understand when you're older." Which makes sense, since in this scenario the narrator is eighteen and the woman is thirty two.

Bah. My future as a translator is compromised. I am clearly not to be trusted. This is upsetting to me. However, reading alternate translations is fun. There are things I like about theirs and things I like more in mine. The following is my revised, complete story. I might as well put it out there.

Before the resolution I made to tackle Genichiro Takahashi as my next translation project, I had been 85% (made up number) done with a translation of a Murakami short-story from かンガルー日和, a simple but not easily translatable title, I think. 日和 simply means weather, usually implying "good" weather. It's the attachment to the noun that makes it a bit tricky. So I think Rubin/Birnbaum[?]'s "A Perfect Day for Kangaroo-ing" is a sweet and effective title. Whoops, getting off track already. Anyway, the story is called "３２歳のデイトリッパ". It's quite short, one of the reasons I picked it, and I was also curious about the very obvious Beatles' reference in the title.

Since I always feel the icy specter of a certain creative rights management company looming over my shoulder whenever I post things Murakami-related (probably unnecessary) I won't post the story in it's entirety here. But I do want to talk about it some. So I will.

Like I said earlier, the story is short and sweet, with not a whole lot of meat on the bones. But it does start with a curious premise, as most Murakami stories do:

I'm thirty-two and she's eighteen, and... every time I say that to myself, it just always sounds so boring.
I'm not yet thirty-three, and she's still eighteen... that'll do.
The two of us are simply friends; nothing more, nothing less. I have a wife, and she has no less than six boyfriends. On weekdays she goes out with these six boyfriends, and one Sunday a month she goes out with me. The other Sundays she watches TV at home. She's as cute as a walrus when she's watching TV.

I quadruple checked the word "walrus", せいうち, since that is an awfully strange animal association. Is this girl kind of fat? Masculine (obviously I know there are both female and male walruses but the word itself seems to be undeniable "male" to me)? Or does Murakami just have a soft spot for this particular sea creature? Mysteries upon mysteries.

The narrator spends some time thinking about how strange it is to be hanging out with a girl so much younger than him. Then he starts judging people:

The general consensus of our peers is that “Young girls are boring, man!” Nevertheless, these very same guys date young girls too, all the time. So do you think they eventually discover young girls that aren't boring? Nah, it doesn't mean that at all. It's actually the boringness of the girls that attracts them. They're just playing a complicated game, a game they honestly enjoy. A game where they wash their faces with buckets full of the young girls' boredom water, while they don't let their lady friends have a single drop.
At least, that's how it seems to me.
In truth, nine girls out of ten are boring things. However, girls don't realize that. Girls are young, beautiful, and full of curiosity. The boringness of their own selves is completely unrelated to the things that young girls are thinking about.
Yeesh.

The last sentence of the first and third paragraph in that excerpt drove me nuts! In the first case I just had to divide up the sentence into those parts. I'm still not entirely convinced of the accuracy of the translation (actually, I'm pretty sure of it, but it was a pretty messed up sentence), and even now it doesn't sound great, but so it goes. (This ain't being published, and I just want to get this out there and start my new project. If I was in an alternate universe were I was being paid to publish Murakami, I'd still be working on it, だよ.) "Yeesh", of course, is what I decided to use for Murakami's quintessential "やれやれ”. Maybe it's too personal a choice. How would y'all handle it? Oops, derailing again.

So, anyway, the rest of the story is mostly a conversation between the narrator and his date about whether they'd like to be eighteen again. They have a fun little banter, ultimately deciding that neither particular would want to, though for no particular reasons why either.

Again, a simple little story, that based on the above contents, makes it not particularly memorable to me. A sweet little diversion, but not surprising that it's not in any English langauge short story collections yet. However, I really like the very end. And that is what salvages the story for me. It needs a little context, so I'll start at the end of their conversation:

“So will there ever be a time when you think you'll want to be eighteen again?” I asked.
“Hmm, let me see.” She grinned and pretended to think about it. “Nope. Doubt it.”
“Really?”
“Yup.”
“I don't get it,” I said. “Everyone says that being young is a wonderful thing.”
“Yeah, it is wonderful.”
“Then why don't you want to?”
“Even if you're old, you know why.”
Of course at thirty-two, if I skip even a week of running, my stomach flab starts getting conspicuous. I can't be eighteen again. That's obvious.
After I finish my morning run, I always drink a can of vegetable juice, lie on my side and put on“Day Tripper” by the Beatles.
“Dayyyy-ay-ay tripper!”
When listening to that song, I start feeling like I'm sitting on a train. Telephone poles, train stations, tunnels, bridges, cows, horses, smoke stacks, garbage, steadily they all pass by, one after the other. Scenery that never changed, no matter where I was. Though in the old days, it seemed like the scenery was incredibly beautiful.
Only the person sitting next to me would change. This time, the one sitting next to me is the eighteen year old girl. I'm in the window seat, she in the aisle seat.
“Would you like to change seats?” I'll say.
“Thanks,” she says. “You're too kind.”
It's not a matter of kindness, I say with a bitter laugh. It's just that I'm much more used to boredom than you.

A 32 year old
Day tripper
Sick of counting the telephone poles.

1981/8/20

A lot of interesting things in this last section. The first and most obvious is the inclusion of another poem. Looks like early Murakami had a thing for it in his early days of writing. There's no other way to see it. It was tricky because in the paperback edition, it's basically by itself on the page, due to the layout. But there's a very clear line break (it doesn't start where the first line normally starts on the margin), and for only a handful of words it is divided up in a very specific way. Of course, due to Japanese word order it comes out a bit difference. Literally, it should be more like:

Sick of counting telephones poles
A 32 year old
day tripper.

In a way it's nicer for the composition to end with the word "Day Tripper" since it's in the title. But the most poetic image is obviously the "sick of counting telephone poles" part. So I'm willing to make the trade. The stilted clause order is too classical Japanese for me, too Basho.

The next bit that's interesting to me is that it ends with the date. August 20, 1981. Five years before the book was published, well after A Slow Boat to China, his first collection of short stories, was released. It almost makes me wonder if it's somewhat based on a true story that he came back. Or maybe he wrote it at the time but didn't include it in that first collection for some reason? Who knows.

Finally, something about the line "It's just that I'm much more used to boredom than you" just stirs something in me. I think it's a powerful line with a lot of weight, even though there's not all that much to it. It ties the story together to me. Then again, maybe it's just me.

And one final aside. I don't see how the original Beatles song fits into this story thematically at all. It must be just the tune that he likes. The lyrics don't fit at all. But considering the amount of English Murakami may have known back then, maybe all he could understand was, "Day Tripper. One way ticket, yah." So maybe he just associated it with travel. Traveling far away with the intention to never go back.

EDIT: Check out why I'm wrong(!!) and the entire translation of the story here