After reading Jack Kirby’s The Eternals and it sort of ending abruptly, I had to see where the story picked up. Well, the Eternals and their story shifted over to the regular Thor title where we got to see the most famous Asgardian and his realm mix it up with the Eternals, the Deviants and the Celestials.

I’ve got to say, merging these two pockets of the Marvel universe into one big story that stretched over twenty issues was a really natural fit and a very cool way to up the ante and bring the Eternals into the larger Marvel canon.

Now Jack Kirby wasn’t working on the continuation of the Eternals story once it moved on into the pages of The Mighty Thor but Roy Thomas does a fine job with the story and Walt Simonson’s art felt like a natural extension of what Kirby established.

This is true to the source material that Kirby established and I loved reading this as much as I did the original Eternals title.

Overall, this is an incredibly exciting epic that merges Norse mythology with the cosmic Kirby style in a way that feels seamless and fills the void I felt after The Eternals came to its end.

Rating: 8.25/10Pairs well with: Jack Kirby’s The Eternals, which is set before this big saga.

I never read the original Kree/Skrull War storyline but I’ve heard it referenced my entire life. But with it being free on Comixology and with my desire to read a lot of the major old school comic book milestones, I had to finally give this a read.

So if I’m being honest, this really is a mixed bag.

Now when this is good, it’s damn good. However, the middle act of this large story feels like it gets off track before it all comes back together for the big finale, which is a space battle between two warring alien races and members of the Avengers team.

This story is at its best when both Ronan the Accuser and Annihilus are front and center. Other than that, it deals with the newer Avengers team screwing up and the original team having to come back and disband them. Ultimately, this leads to the newer Avengers redeeming themselves and it also showcases Rick Jones, a man without any powers, as a brave, courageous badass. Never mind that Ronan nearly slaps him to smithereens at one point though.

The only weak thing about this story besides the middle act, is that it was probably too drawn out. In fact, most of that middle act should have been whittled down. If that was fixed, this would have had better pacing and it would have been much, much better overall.

I really loved seeing old school Ronan and Annihilus though. Man, they’re such good villains when used correctly and not written as fodder for heroes. Most modern comic book fans probably don’t know how scary it was to see either of these guys show up, back in the day. Annihilus, especially, was a terrifying enemy.

Lastly, I have to mention that this was just great to look at. The art of Neal Adams, John Buscema and Sal Buscema was ’70s Marvel perfection.

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10Pairs well with: Everything in the MCU before this film, as it all leads up to this one.

This story arc took place in The Amazing Spider-Man issue numbers 334 through 339. It was a follow up to the original Sinister Six story that Stan Lee and Steve Ditko gave us with the first ever Amazing Spider-Man annual way back in 1964.

What’s strange to me, is that it took so long for six of Spidey’s best villains to team-up again. However, with Kraven the Hunter being dead, this version of the group replaced him with Hobgoblin. But the team is still led by Doctor Octopus and also features Electro, Mysterio, the Vulture and the Sandman. However, in a bit of a twist, Sandman has gone straight and Octopus blackmails him into joining the group.

This story also features a lot of cameos from other villains and heroes but Spider-Man ultimately faces the Sinister Six on his own and at one point, he finally fights them all at once, which he didn’t do in the first story.

While the Dave Michelinie/Todd McFarlane era of The Amazing Spider-Man is heralded as one of the best of all-time, the Dave Michelinie/Erik Larsen era is also damn good and really just continues off of what Michelinie developed with McFarlane. This came out at the height of me reading Spider-Man comics. To me, this was an event bigger than any of those Infinity things and this wasn’t really even an event.

Reading this now, I almost have a deeper appreciation for it than I did as a kid in 1990. The plot is well constructed and it has a lot of layers to it. Also, there’s a few subplots that have their own interesting narratives. There’s much more here than Peter Parker’s Royal Rumble match with his rogues and it makes this a really rich tale with good character development and real depth.

Some of the plot points, like the bizarreness of Octavius’ scheme are baffling but even the questionable stuff is amusing and just makes me yearn for the early ’90s comic book storytelling style. Twenty-nine years later, I definitely see issues I didn’t as a kid but it in no way wrecks the experience that is this great arc.

Also at the time, I was a hardcore Erik Larsen fan. I first discovered his art on this title. While I always preferred McFarlane, through the eyes of an eleven year-old, Larsen was a comic art superstar. I loved how he drew Spidey and his iconic villains and I think it still looks great. While I respect Larsen and McFarlane for forming Image and coming out with their own comics, there’s that part of me that wished that they both would’ve stuck around and worked on Spider-Man books a bit longer, as I was just so in love with what they were doing at the time and wasn’t ready to let them hand it off to someone else. But then, Mark Bagley did do a fine job, as well.

All these years later, this was fun to pick up again. I was a little worried that I’d think it’d suck now but it brought me back to where I was, reading it for the first time in 1990. Sometimes picking up old comics is like opening a time capsule. With this one, I was happy to find that it was even better than I remembered it.

And now I can’t wait to revisit its sequel, The Revenge of the Sinister Six.

Rating: 9.25/10Pairs well with: Stan Lee and Steve Ditko’s original Sinister Six story, as well as the sequel to this one, The Revenge of the Sinister Six. Also, anything from the Michelinie and Larsen run on The Amazing Spider-Man.

This story premiered in the first ever Amazing Spider-Man annual. Plus, it was written by Stan “The Man” Lee and drawn by the great Steve Ditko.

The plot is pretty standard fair for ’60s Marvel and it sees six of Spider-Man’s toughest villains come together to form the original version of the Sinister Six. That being said, the Sinister Six have been one of my favorite villain groups of all-time and this storyline didn’t just create a supervillain team to test a single hero but it created a trend in the comic book medium that saw other heroes have to take on similar teams of multiple rogues.

I like how the plot was structured, in that Spider-Man had to run the gauntlet on the Sinister Six and fought each one individually. This is actually a great setup for the future, which would see the Sinister Six up the ante and take on Spidey all at once. However, in future battles, Spidey would get some help of his own.

This group consisted of Doctor Octopus, The Vulture, Kraven the Hunter, Electro, Mysterio and the Sandman. While the group would rotate some other villains in over the course of time, I really liked this group and how having them come together in this story made it feel like a Spider-Man themed Royal Rumble.

For a first time reader, this had to be a fun read, as it forced Spider-Man to face multiple challenges in the same story. Plus, it just looks great with the Ditko art.

This is not my favorite Sinister Six story but we wouldn’t have gotten the other ones without this happening first. Plus, it’s quintessential Stan Lee in how this all plays out.

I went into this thinking that I would like it for the most part. The events that precede it were pretty good reads. What I didn’t expect was to be blown away. But in the end, I have to say, this was one of the absolute best X-Men crossover events that I have ever experienced. Seriously, this was nothing short of superb.

More than anything, this story made me love Cable more than ever and it got me to love Hope Summers, who I would say is one of the best characters to come out of the last decade, even though she previously appeared as a baby before this in Messiah Complex.

This had a lot going on in the story but there was room for it all. Plus, all the key players were well balanced throughout and it gave most of the top characters a real purpose and mission.

There are real consequences in this story, as some key X-Men figures die. Granted, one could argue that those consequences are never real because no one truly dies in comics and the two biggest victims of this story are already alive and well, once again. But despite that, it felt like a real blow within this narrative. It didn’t lose its impact knowing that they’d eventually be back.

Second Coming carries all the doom and gloom of Messiah Complex over and it brings more doom and gloom but it ends in a way that finally sees a glimmer of “hope” appear in the darkest time of the X-Men franchise. I don’t want to spoil too much because I’d rather people give this a read.

Being that this is a crossover event, there is a mix of art styles. All of it works for me though, even if there are noticeable style shifts from chapter to chapter. Ultimately, the tone stays about the same from beginning to end.

This is a fairly long read but none of it is boring or filler. It moves at a brisk pace, keeps you engaged and makes you cheer for these heroes in a way that you haven’t since the early ’90s.

Rating: 10/10Pairs well with: the stories that precede it: Avengers Disassembled, House of M and X-Men: The Messiah Complex, as well as the one this leads up to: Avengers Vs. X-Men.

I had really enjoyed Brian Michael Bendis’ run with the Miles Morales version of Spider-Man since he debuted. I also liked the first Spider-Men event, which brought Miles and Peter Parker together for the first time. So I had pretty high hopes for this sequel series and Bendis’ swansong before leaving Marvel for DC Comics.

Sadly, this was a letdown.

Now it wasn’t terrible but it was just okay. But this should have maintained the momentum and the energy that the previous Miles Morales stories had.

Ultimately, Spider-Men II took the wind out of the sails and brought this once fun to read character back down to Earth in the most Brian Michael Bendis way possible. And I don’t say that to be trendy and trash Bendis’ work like so many others but this is a prime example of what his harsher critics can point to and say, “See, Bendis gonna Bendis!”

This tried to be clever and give fans a swerve with an alternate, darker version of Miles Morales but it fell flat. In the end, the story was a total dud, lacking in a healthy amount of action and any sort of depth or solid character development. It read more like a love letter between “evil” Miles and the Kingpin than something worthy of bringing the two most popular Spider-Men together again.

Miles Morales debuted with a hell of a bang. But for Bendis’ last story for the great character he created, Miles went out with a whimper.

But hey, Sara Pichelli’s art was absolutely top notch, beautiful and up to her great standard. So, at least I got to enjoy the overall look of this book.

Rating: 6.5/10Pairs well with: the other Miles Morales stories by Brian Michael Bendis but they’re all better than this one.