Friday, July 24, 2015

Friday's Forgotten Books, July 24, 2015

It wasn’t a new story. Older man falls for a young woman half his age and it costs him his marriage.

Laguna
P.I. Matt Murdock, not the blind lawyer from New York, doesn’t know
that at first. Ellis Dean wants to hire him as a bodyguard. It wasn’t
until someone in a red pickup tried to kill Dean, forcing Murdock to put
two bullets into the engine to get him off that he began to get the
full story.

He’d
read about the horrific car accident the night before that had crashed,
bursting into flames and killing the young couple, a Mexican actor and
the young woman with dreams of Hollywood.

Dean
had witnessed the accident, which wasn’t an accident at all, when he’d
followed them after she’d ditched him at a party. He was in time, and
got photographs, of two men in a red pickup and a Porsche hosing down
the wreck with a fire extinguisher.

His
client ends up firing him, then gets himself murdered, and the photos
are gone. Then the dead girl’s sister comes to find out what happened.

We
get a story of pornography, shattered dreams, and Murdock’s obsession
with finding the truth though he’s been fired by two clients before the
tale ends.

Good one.

From the archives of Ron Scheer.

Elmer Kelton, Texas Showdown

This book is actually two short novels by Elmer Kelton, first published
in the 1960s and reissued under one title by Forge in 2007. Pecos Crossing, originally titled Horsehead Crossing (1963), appeared
under Kelton’s own name, while Shotgun,
originally titled Shotgun Settlement (1969),
was published under a house pseudonym, Alex Hawk.

First off, Elmer Kelton is one of my top-10 favorite western writers. He
wrote with a strong sense of history and an informed awareness of the West
Texas terrain, its flora and fauna, and its weather. I find it easy to believe
in his characters. They are not just convenient types but possess an emotional
depth that makes them three-dimensional.

I would say he achieves this by conceiving of them as ordinary people
who get themselves into all-too-human predicaments that force them into making
choices. And these in turn drive a plot that is both inevitable and often
unpredictable. As in his novel Other
Men’s Horses (reviewed here a while ago), his central characters are
fundamentally decent people up against dangerously determined men ready to lie, thieve, and kill.

His women are strong-willed and
resourceful. Romance plays a role in
both novels in this volume, as a young man falls in love with a girl who
complicates matters as he follows his heart, though at the risk of
losing his life.

Often, a pivotal character is a lawman who has learned how to wield
authority with a firm but easy hand and has earned the respect of others by exercising a strong sense of
fair play, even when upholding the law puts him on the unpopular side of a
dispute.

One other thing. While there is a kill-or-be-killed element in Kelton’s fictional West, and men carry and use firearms, there is not an assumption that
the reader is a gun enthusiast who needs to know the make, model, and caliber
of every weapon that shows up in the narrative. It’s probably just me, but this
habit of western writers today immediately draws attention to itself--like a fetish. For this reader,
it comes across as too much information and disturbs rather than reinforces the
illusion of a credible scene.

Pecos Crossing. The
central characters in this exciting yarn are two young cowboys who stop a stage
to collect unpaid wages from one of the passengers. In the resulting confusion,
a woman is accidentally shot dead. Her husband, a retired Ranger, then tracks
down the boys to take revenge for her death.

Fleeing westward, the two come upon a young woman and her father, who is
dying of TB. One of the cowboys, Johnny Fristo, wants to help them. His
partner, who is chiefly responsible for the trouble the two are in, disagrees. Fristo,
with a stronger sense of decency, prevails, though they lose time and the
Ranger eventually catches up with them at a crossing on the otherwise
treacherous Pecos River.

Like Other Men’s Horses, the
story unfolds as a series of adventures encountered while traveling across a
rough and mostly unsettled frontier.

Shotgun. The characters in this novel are drawn
from the more usual stock of recognizable types that appear in westerns: the
big ranch owner, his sons, a problematic neighboring rancher, his daughter, and
a cunningly vicious villain who wants both men’s ranches.

Blair Bishop is the cattleman who, over a lifetime, has acquired a vast acreage. At the
novel’s start, his main problem is a long drought that is drying up the water
supply for his herds and leaving them with little grass to feed on. There has been
an invasion of the thirsty cattle of his neighbor, Clarence Cass, and they are
being driven back where they came from.

Relations between the two ranchers are further complicated by the fact
that Bishop’s son, Allan, and Cass’s daughter, Jessie, make no secret of having
fallen in love and intend to run off together if Bishop doesn’t give them his
blessing.

Enter the villain of the story, Macy Modock, with a ten-year grievance
against Bishop, who once had him sent to the pen for some wrongdoing. Having
served his time, Modock hires a gunman and a shady lawyer to put the squeeze on
Bishop by claiming legal ownership of parts of his ranch. Strengthening his hand,
Modock lures Cass into his scheme.

Elmer Kelton

In a long and suspenseful conclusion, Jessie is holed up in a barn,
bravely exchanging shots with Modock, while Allan lies unconscious beside her.
Like the young women in Pecos Crossing
and Other Men’s Horses, she is a credit
to her gender.

13 comments:

Good morning, Patti. I would be honored if you would also include my FBF offering this week:http://crimesinthelibrary.blogspot.com/2015/07/forgotten-book-friday-pietr-latvian-by.html

BTW, I must vigorously applaud your tireless efforts with this Friday feature. I can think of no other blog source for such valuable and consistently superb information. Bravo! And thanks! (Note: I'm not shamelessly schmoozing just to get my link included; I am completely sincere in my appreciation and praise.)

All the best to you in Detroit (?) from an old codger basking (baking) on the white sands of the Panhandle's Gulf Coast.

My reading notes are 3-4 books behind so I have nothing to contribute this week.

I read the first half of TEXAS SHOWDOWN almost three years. I did not enjoy the book as much as Mr. Scheer. He was quite the western aficionado. I did recently finish the Gorman, Zeltserman, Greenberg edited western short story collection ON DANGEROUS GROUND.

Thrown a bit by some bad news last night and some unexpected attention to the series I've been writing this week, my installment of that series for today will be my Friday's not-quite-Forgotten Magazines entry today shortly...glad to see both Randy and Ron represented.

SHOT IN DETROIT

CONCRETE ANGEL

And this...

“It is a good rule after reading a new book, never to allow yourself another new one till you have read an old one in between.” ― C.S. Lewis

Patricia (Patti) Abbott

Contact me

at aa2579@wayne.edu

About Me

Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016.