The city of Bordeaux’s relationship status with former mayor Adrien Marquet: it’s complicated

Prominent politician Adrien Marquet was mayor of Bordeaux from 1925 to 1944. In many ways he transformed the face of the city but has mainly gone down in history as the man who was at the helm of Bordeaux throughout the dark years of the Second World War. Therefore, despite highly-visible physical traces of Marquet’s legacy throughout the city, no streets, squares, buildings or bridges bear his name. So what did Marquet achieve and why has he been air-brushed out of the city’s history?

Adrien Marquet was born on October 6th 1884 in the house that was his family home, at 104 Cours Victor Hugo. After a relatively uneventful middle-class childhood, he qualified as a dental surgeon aged 19, although that year’s turning point was in fact his decision to sign up as a member of France’s Socialist Party. He became an active supporter of the movement, was appointed secretary of the Gironde branch of the SFIO (Section française de l’Internationale ouvrière) and was elected city councillor in 1912, although the outbreak of war and the Socialists’ subsequent struggles put his gradual political ascension on hold. However, in 1924, now aged 40, Marquet gained a seat as député within the National Assembly, and this paved the way to him being elected mayor of Bordeaux the following year.

Adrien Marquet and, a-hem, his trademark toothbrush moustache in 1932 (photo source: Wikipedia), and his childhood home on Cours Victor-Hugo.

As the Great Depression took hold, Marquet took a proactive stance to enable Bordeaux to cushion the impact of the recession, stimulate the economy, create housing, schools, jobs and lay the foundations for durable development. This most notably resulted in the 1930 launch of the ambitious “Plan Marquet” programme, to structure the development of a whole host of buildings and facilities throughout the city, many of which shared an elegant art deco style which was very much of its time, as overseen by chief city architect Jacques d'Welles.

The most notable examples of these endeavours include the Stade Municipal (familiar to us now as Stade Chaban-Delmas, also formerly known as Parc Lescure but renamed in honour of Marquet’s successor!), Piscine Judaïque swimming pool, the Bourse du Travail labour exchange, and more functional buildings such as the recently-demolished abattoirs, the head office of the local gas distribution board (now the trendy Mama Shelter hotel) and former Invisible Bordeaux subject the Saint-Jean postal sorting office. Not all the projects were on such a large scale: take, for instance, the public baths and showering facilities built in the right-bank Bastide quarter, as also featured on the blog some time ago. And while Stade Chaban-Delmas is particularly well-known, Marquet also initiated the construction of a smaller sports stadium in the Bastide neighbourhood; it was even known for some time as Stade Adrien-Marquet before becoming better-known as Stade Galin!

The Bastide quarter public baths and showers (circa 1930, now a pocket theatre), Saint-Jean postal sorting office (1929, now office space with a ground-storey car park) and Stade Galin (1936, initially known as Stade Adrien-Marquet), complete with freshly-laid artificial turf.

There were to be a number of twists and turns in Marquet’s political path. At the 1933 national congress of the SFIO, Marquet’s statements on the subject of “order, authority and the nation” (at the time he was developing an interest in the forms of authoritarianism taking hold in Germany and Italy) were rejected by party director Léon Blum (who claimed he was appalled: “je suis épouvanté”). Marquet, along with a number of other MPs, was dismissed from the party; they went on to form their own movement, PSDF (Parti socialiste de France), although the arrangement would be short-lived as Marquet was soon dismissed from that party too.

In early 1934, the French government was in turmoil in the slipstream of antiparliamentary demonstrations held in Paris, and Marquet was appointed Labour minister under the head of government, Gaston Doumergue. A nationwide take on the Plan Marquet was conceived and rolled out before faltering when the government collapsed before the end of that year. Marquet went on to found his own political movement, le Parti néo-socialiste, and was re-elected as an MP the following year. All of which brings us up to 1940 and Marquet’s appointment as Interior Minister in the first government led by Maréchal Pétain, although Pétain would soon relinquish him of this position: two months later Marquet was replaced by Marcel Peyrouton. Despite occasional attempts to break back into national politics Adrien Marquet was able to switch his focus back to Bordeaux, his wartime philosophy being summed up by a statement he had made during a radio broadcast: “We must reconcile the German and French viewpoints. Life getting back to normal depends on this collaboration.” (“Il faut concilier les points de vue allemande et français ; de cette collaboration dépend le retour à la vie normale.”)

The shadiest period in Marquet’s career was to follow. There are, for instance, contradictory reports as to how he dealt with the perilous situation the city’s Jews were in, possibly because his behaviour itself appears to have been highly contradictory. Some isolated witnesses describe him as protective of the local Jewish population. The Chief Rabbi of Bordeaux, Joseph Cohen, often sought, gained and saluted Marquet’s support, although reportedly the latter’s recurring advice was simply to flee the area. In contrast, it was Marquet who facilitated the organisation in the grounds of the city hall of the “L’Allemagne de nos jours” exhibition (1941), aimed at raising awareness about German culture and industry, and the “Juif et la France” exhibition (1942, as recently covered on the blog and pictured above), although he kept a conspicuously low profile during the latter event, sending deputies along in his place to attend official functions. When 550 Jews were rounded up and imprisoned in the synagogue of Bordeaux ahead of being deported to Drancy and Auschwitz in early 1944, Marquet was nowhere to be seen. He had also done nothing to prevent the deportation and subsequent death at Auschwitz of his former mayoral deputy Joseph Bencazar, who had been forced to stand down overnight from his municipal duties in 1940, with barely a public acknowledgement of the event from Marquet. All in all, to say his attitude in these situations was passive would be an understatement.

The self-preserving collaboration-based approach - which was also palpable in the weekly newspaper he founded, Le Progrès - paid dividends throughout the War, but when Bordeaux was liberated, Marquet was bound to instantly pay the price, despite his claims that his negotiating skills had contributed to the Germans leaving quietly rather than leaving a trail of destruction throughout the city. On August 29th 1944, Marquet was arrested ahead of being imprisoned at the Fort du Hâ in the city centre. He was put on trial in late 1947 and was acquitted on January 29th 1948, having served 40 months in jail, although he was condemned to ten years of “national indignity”, automatically forfeiting his civil rights.

Marquet was however itching to return to politics, and repeatedly filed
requests for presidential amnesty, which was finally granted in October
1953. He began campaigning with a view to standing in the legislative
elections of 1956, or perhaps even with the aim of overthrowing his
local rival, new mayor Jacques Chaban-Delmas. But everything came to a
sudden end during an eventful political meeting held at the city’s
“Athénée” meeting hall (although some sources suggest the venue may have been the Alhambra concert hall). Heckled and destabilised by Chaban supporters, at the end
of his rally Marquet suffered a heart attack and died, aged 71.

At his funeral, despite his chequered past, thousands of Bordelais turned out to send off this enigmatic man, ahead of his burial at the Chartreuse cemetery. From then on, in spite of the efforts of a group known as “Les amis d’Adrien Marquet”, the former mayor inevitably became forever associated with the wartime collaboration years and developed into one of the city’s great taboo subjects.

All of which explains why the official public-domain acknowledgements of Adrien Marquet are few and far between: his name features on the list of mayors on a plaque outside Palais Rohan, the city hall, on Place Pey-Berland (as pictured right); his bust stands alongside those of fellow mayors in the Bordeaux city council’s meeting room; and that’s about it! But the subject does continue to fascinate: Marquet was the subject of an authoritative and exhaustive (but also slightly disjointed) 400-page biography penned by local academics Hubert Bonin, Bernard Lachaise and Françoise Taliano-Des Garets. When historian Franck Lafossas came across a suitcase packed with unseen archive documents, he too produced a revealing book. And an hour-long France 3 documentary about Marquet, directed by Barcha Bauer and narrated by Invisible Bordeaux acquaintance Michel Cardoze, was released in 2008 and can be viewed in its entirety on Youtube. It features some incredible archive photos and footage.

So, in this modern day and age, there can be no excuses for not knowing everything there is to know about the mysterious man who was mayor of Bordeaux for 19 pivotal years during the 20th century…

Bordeaux life through a lens: my favourite local Instagram accounts

Like many blogs, Invisible Bordeaux has also developed its presence on social media channels including Twitter, Facebook and Youtube. And one of the essential outlets used to promote blog items and share random pictures as and when the opportunities arise is Instagram.

There are many talented people feeding Instagram, and some happen to be based in Bordeaux. I thought I would share links through to a few of my personal favourite accounts: these are the Instagram people whose publications I look forward to, and whose camera (or smartphone) lenses never fail to capture the city from an unusual or unexpected perspective. If you want to see pictures of the Miroir d’Eau and Place de la Bourse, there are plenty of sources, but if you want to view Bordeaux differently, check out these accounts:

It is difficult to pack more depth and perspective into Instagram posts than Amélie seems to manage. She captures a timeless vision of Bordeaux with people occasionally passing through. She also has a great eye for unusual exteriors and enjoys playing with reflections.

Rickyworldwww.instagram.com/rickyworld
Eric’s territory branches out beyond Bordeaux to include le Médoc, Arcachon Bay and beyond. His work is 100% smartphone photography and features some recurring characters: a little toy superhero who ends up in various situations, and Eric himself, invariably captured mid-jump.

Jeanchristopheguerinwww.instagram.com/Jeanchristopheguerin
Jean-Christophe mixes and matches techniques and styles, and is at his best in urbex settings surrounded by skateboarders, cyclists and parkour enthusiasts. His pictures are as full of life as they are varied.

karotev.bordeauxwww.instagram.com/karotev.bordeaux
Another account fed by a tour guide, Caroline, and another account that is not afraid to go off the beaten track. The pictures are so well-balanced they could almost be oil paintings.

lezzleswww.instagram.com/lezzles
University lecturer Lesley provides a delightful take on her adopted home city. Many of her pictures capture early-morning/early-evening scenes from her commute, providing an accurate portrayal of what it is really like to live and work in Bordeaux.

keig33www.instagram.com/keig33
Greg’s feed features a lot of the city’s essential landmarks, always in style and often with a surprising twist. He also ventures further afield and clearly has a lot of fun playing with colour and light.

Rachel_bdxwww.instagram.com/Rachel_bdx
Rachel is a professional photographer who uses Instagram to showcase her work. Her pictures are sharp, well-constructed, and the Bordeaux on display here is neat and elegant, albeit with the occasional rough edge.

www.instagram.com/Gillesrose
Gilles is an accomplished photographer. Although not the most prolific contributor on Instagram, what he shares is charming and often unusual. He has an eye for hidden details and will also go looking for angles which most people would never think of!

watchyou_bordeauxwww.instagram.com/watchyou_bordeaux
The watchyou_bordeaux account is managed by a collective of Instagram users, who select #wu_bordeaux hashtagged pictures of Bordeaux posted by a variety of users. The approaches and subjects are eclectic, but as a gallery the watchyou_bordeaux feed provides one of the most dynamic and inspiring overviews of the city.

Pictured below: a shot by @7cmosaique as featured by watchyou_bordeaux.