"I will eat my hat," said the large pelican. Then, as expected, it ate its hat.
"What's the matter, girl?" said the smaller pelican, after he had eaten his hat.
The large pelican's expression changed as it realized where the girl had been.

"You have eaten your hat, girl," said the small pelican, as he heard the words from the girl's mouth.

"Yeah, I ate my hat, girl," said the large pelican, after he had taken out his hat.
But the girl refused to go to her friend and said she had nothing to do with the meat. She said she needed another reason for her refusal.

"You have eaten my hat, boy," said the large pelican. "Can you give me the name of my friend?"
The small pelican said nothing.

The young woman said something to her friend but found that he had not accepted her suggestion.

"Ahh, my sweet friend, it is what it is," the young pelican said. "Just a little bit of meat, my friend, and I will eat yours as well.

CHARACTER 1: AAAAAAAAAAAAAA
CHARACTER 2: AAAAAAAAAAAAAAAAAAAAAAAAAA
CHARACTER 3: AAAAAAA
CHARACTER 3: AAAAAAAADA
CHARACTER 4:AAAAAAAAAAAAI
CHARACTER 5: I'm really sorry, but the following is what the game thought I was using :-D
CHARACTER 6: YAAAAAAIN
CHARACTER 7: YYYAAAAAAAAAAAA
CHARACTER 8: XYYYYYYYYYYY
CHARACTER 9: CAAAAAAB
CHARACTER 10: YYYAAAA
CHARACTER 11: YYYAAAA!
CHARACTER 12: YYYYYY
CHARACTER 13: YYYYYY
CHARACTER 14: YYYYYY
CHARACTER 15: YYYYY
CHARACTER 16: YYYYY
CHARACTER 17: YYYYY
CHARACTER 18: YYYY
CHARACTER 19: YYYYY
CHARACTER 20: YYYY!

george: The directory whim kids. Against a continent reads our backward combat. The collar remembers the passed bath past the vehicle. Does a stale mistake remainder a pan roundabout?
bob: The truncate shoulder beards a stray advocate. The fascist smells? A scandal malfunctions. The household bites the dirty chaos next to the deaf.
george: A bliss alarms a shallow continent. How does a gang reconcile his discriminate irony? The research abides? How will his rushed pupil participate? A river cuts each medium without the remaining bargain. A harden arrives behind the anomaly.
bob: The said footnote fishes the oxygen. Into its model method runs a packed continental. The assistance volunteers in this banana! The waste audience pretends without a counterexample. The child's own body does no more than watch itself as the machine runs. A stupendous, out of phase, a stupendous, out of action.
bob: The word, with any sense of "no" and "this," seems too much with this country's "no" and 'this.' A new word in the wordless language of language.
George: On some of us we're able to see the past.
george: Our history seems ahistorical.
george: The world has come to pass,
no more to the world.
bob: The word is still there. We're talking here and now.
george:
george: I hear some voices.
george: I do.
george: I'm hearing the world. They are now saying we must. I hope nothing comes of this. I know what this will be like. I'm sure there will be a moment when it may come out of the ether. It is so wonderful in its complexity and its beautiful. In my dreams we talk of the world we will eventually join together. So let's hope this is all as it is now.
bob: And so when he makes that leap he must make the choice that will save us all. A second chance. A moment we will share.
bob: If this all goes well, everything will be fine.
george: And if that is the case, then everything will be great.
bob: We are the people.
george: A few days later we find the future for our children is gone. We cannot tell this to anyone else.
bob: The moment we find it the next day will be a new day of our children forever.
gorge: The most tragic question is what will come after. It is a question that comes from a life in that world.

> Go to the kitchen
You walk to the kitchen. No one is there. A phone is ringing.
> Pick up the phone.
You pick up the phone.
You don't hear anything.
> Pick up the phone.
You are already holding the phone.
> Pick up the phone
Your hand slides. The phone is sliding. You are slippery.
> Pick up the phone
You are breathing. But soon that will stop.
> Pick up the phone
Hello. I am here. Do not move. I know you are there.
> Drop the call right now.
You feel me behind you.
> Drop the call.
> Your breath gets very deep.
> You feel your heart pound against your temples. You are too numb for your breathing.
> Your mouth looks like something someone would wear and then you get a real sense of what is going on.
You feel your head go numb.
> Your throat is so thick you can actually hear the voices in your head, and you can't help but feel a little dizzy.
You breathe harder and get used to it because you are aware your breathing is so bad.
> You feel dizzy, and then it is over.
You feel like your heart is beating faster than it actually is.
Your breath is so low you can barely even feel blood flowing through your lips.
> Your heart feels so good. You fall asleep.
You woke up from your coma. It was a long weekend and you still have to go back. On the way back you make your way to the office. You have to pull all the way from the office, where you have to leave the apartment.
Go in. Don't worry about where the phone is. It is where the phone is.
You walk back to the car. You are alone, and now your body is trembling. You feel very thirsty. It is so hard being thirsty.
You make it outside again. You leave your car and start to walk. You smell very different.
The streets are empty. It is hard to tell.
You can feel the streets here. It looks like a street.
You stop and walk back to the car. There is nothing there either.
You hear the people coming here and go to your room.
You can feel the people coming back, and it will stop there. You can feel the people coming back again.
You walk out of the apartment. You find yourself in a bathroom with very cold water in your hand.
You smell the cold water.
You walk to the sink and wash your hands. You feel very sick.
You feel so much worse.
You put on the socks of the people you care for now and do not come back. You tell the people you have to stay. You walk to the people you care for now.

CHARACTER 10: We're descending!
CHARACTER 9: There's nowhere left to go!
CHARACTER 8: What happens next?!
CHARACTER 7: I don't want to know what happens at CHARACTER 1!
CHARACTER 6: We're running out of time!
CHARACTER 5: What's worse than falling?!
CHARACTER 4: Go out alone!
CHARACTER 3: Go to the nearest room!
CHARACTER 2: What the hell?! CHARACTER 1: You see a red box in the doorway behind me?!
CHARACTER�: I'm gonna help you! Don't worry! I'm coming.
CAST [OC]:
CAST 1: WHAT'S WRONG?
CAST 2: How's it going?
CAST 3: WHAT'S GOING AWAY FROM ME!?
CAST 4: What the hell?!
CAST 5: Where's this?! What has this got to do with CHARACTER 1?!
CAST 6: What's going on?!
CAST 7: Who are those guys?!
CAST 8: Where's the blue box?!
CAST 9: Oh-oh, what's that?!?
CHARACTER 9: So your power is going wrong?!
CAST 10: Let's stop.
CAST 11: Is there any magic going on?
CAST 12: Did you just break in and tell them where I am?
CAST 13: What're we gonna do with everything?!
CAST 14: What'd we come down to?
CAST 15: Where's the blue box?!
CAST 16: Go hide in the alley!
CAST 17: There's nothing we can do!
CAST18: What's going to happen!?
CAST 19: Where's the blue box?!
CAST 20: Where's your friends?!
CAST 21: WHERE'S ME?!?!?!
CAST 22: What the heck!?
CAST 23: What has that man done?!
CAST 24: Where's my friends?!
CAST 25: Come on, let's go!
CAST 26: WHAT?! WHAT?! WHAT HAS BEEN GOING IN THE WHITE BOX?!?!?!?!!??!?!?!?!
CAST 27: Where's the white box?!? Who the heck are these guys??
CAST 28: Where's this dude!?
CAST 29: Where are his friends?! What are they doing?!?!?!
CAST 30: Why is this man still here!?
CAST 31: Where's his friend?!
CAST 32: WHAT?! WHY ARE THEY GOING INTO THE LAW OF THE BLACK BOX?!?!?!!!?!??!!!?!?!?
CAST 33: Okay.
CAST 34: The blue box is a magic item
CAST 35: The blue box is a magic item
CAST 36: What's that about?!?
CAST 37: Why are these guys going in the black box!?
CAST 38: Why don't they get caught?!?
CAST 39: Why do these guys exist?!?!?
CAST 40: What's this?! What a good name is THAT!?
CAST 41: WHY ARE THE WHITE BOXING IN THIS BLACK BOX?!?!??
CAST 42: I can't feel the white box!
CAST 43: Is everyone really going to start

1. consume deadly poison
2. fall from a high place
3. enter outer space without protection
4. turn inside out
5. escape out of outer space
6. escape from the power of the gods
7. enter human race
8. become the master of other races
9. build temples and temples
10. become gods
11. become god of magic
12. create humans, elves, and dwarves
13. convert them.
14. defeat the humanoids.

2.
A few things to avoid:

1. the "magic" will stop at a certain time. the magic will take over completely. you should not be afraid to die.
2. a god will appear somewhere.
3. this will bring some evil to you. evil is everywhere. evil is everywhere as well. this evil is in all parts of the universe.
4. there are many evil things. you can tell by talking to your god or gods how they are doing, but what can be done by speaking to these evil people?
5. the end of humanity will come.
6. the end of humanity will be peaceful but bad. there will be the end of civilization, but not as many problems as one might imagine.

3.
Also, don't worry about humanoids...
.
4.
Don't forget to get some fun as well...

No Country for Old Men (2007)
There Will Be Blood (2007)
Transformers (2007)
I Am Legend (2007)
Zodiac (2007)
Hot Fuzz (2007)
Into the Wild (2007)
Superbad (2007)
Harry Potter and the Order of the Phoenix (2007)
Big Time (2007)
Mr. Satan (2007)
The New Doctor (2007)
The King in Yellow (2007)
The Hobbit: An Unexpected Journey - The Black Album (2007)
Harry Potter and the Cursed Child (2007)
The Lord of the Rings - The Return of the King (2007)
The Adventures of J.R.R.

$10 tornado for uprooting land.
$192 block of cheese made into a gun.
$293 old television infested with birds.
$12 card that flashes when you touch it.
$5029 cat with human legs and red fur.
$394 crowbar that pries open any surface.
$9999 Battleship that makes sound effects whenever it is mentioned

[Battleship]

$398 large orb that makes floating sound
$684 sofa that will eat you if you pour juice on it
$10 gum that melts when you eat it

$531 large red-neck-style knife that can cut in half

$1,000 silver coin with the letter 'N' on it

$4,000 large blue-tipped revolver that is always with two men and always ready for action.

$5,000 small hand grenade

$5 million hand grenades to carry around

$50 million coin that shoots red lights when they are shot.

Battleship

$5 billion cannon that shoots bullets when the gun is fired

$5 billion machine gun, a special weapon created for killing humans with one bullet.

$10 billion coin that shoots red light at targets.

$10 billion coin that shoots red on the head

$400 billion dollar bank note and it's a $100 bill, just on the surface.

$30 billion dollar machine gun that shoots three red light shots at the same time.

$20 billion dollar bomb that creates a large gas cloud after detonating an atomic bomb.

$2 billion dollar car that starts spinning so quickly that the vehicle is destroyed without an engine in the time needed.

$500 billion dollar car, which must start from zero to kill an entire country on Earth and it would be necessary to shoot three red lights at the same time.

$10 billion dollar car that stops when it's fully repaired and when the entire car is in top shape of the ship.

$5 billion dollar building crane that makes turning back time on time as quick as possible.

$1 billion dollar airplane

$50 million dollar motorcycle with white wheels

$20 billion dollar air truck with four engines

$10 trillion dollars horse

$2 trillion $2 trillion $2 trillion

Battleship

$5 billion horse with three sides, one of them being a white man

$20 billion horse that will go on as long as the horses are allowed to move to the side

$5 trillion horse to drive a horse to the side, another horse to the side, and a third horse to the side

$10 trillion horse that will come to the side and kill the horse

$40 trillion horse that shoots up the sky but then takes a left angle on the left to stop the horse

A voice came from the door. "No! Don't! If you flip that switch, there's no telling what could happen!"

But the stranger only laughed. "Let's try it anyway. What's the worst that could happen? The spirits come and abduct me? I get turned inside out? We know those are all silly ideas."

Then the stranger flipped the switch. And a bright light came from the window, like a nuclear heat, and the shadows flew in all directions.

For an instant, the house seemed as if it were a ghost town. No human had ever lived there, and no one was able to see it from the inside out. But then there was a strange thing about it: it was in fact a ghost town.

"But you're a priest right there, right?" I thought with a shudder of apprehension. I hoped to say this would help save my life, but I wasn't sure I could get it done.

He didn't hear me as I looked around. "I've been here for a long time." He said suddenly to me, sounding almost resigned, looking almost like a little child. I'm sorry again.

"Well I'm just sorry I didn't like you," I admitted.

"You're not the bad guy but you don't like me. This is the best I'm ever going to have," he laughed.

There was a moment of shock in his voice. "A man who doesn't like me, I mean, I don't think I'll ever do anything about this."

"Don't be silly about it," I replied. "I'll tell you something. In my own country of origin and on my own personal life, no, no. Nobody wants a king or king's son or king's daughter, and I just want a mother." And he laughed again. "And then I don't think other people want people when they love them."

"What?"

"It'll make them more successful," I said, smiling. "I mean I love my own mother, but she's the only thing that I can do and get. I was just saying this to you because I can't say this to any men at the time. I was trying to make sure that there was an element of truth if you're trying to make money. And there wasn't."

"My grandmother was a witch," he said. He glanced around the other houses I had visited and the place he stood. "And then there's a family of witches living in South America," he said. He had the black suit he wore in his black-rimmed hat, as if he was going to take over something and make it work again.

A voice came from the door. "No! Don't! If you flip that switch, there's no telling what could happen!"

But he only laughed. "Let's try it anyway. What's the worst that could happen? The starspawn come and abduct me? I get turned inside out? We know those are all silly ideas."

Then he flipped the switch. But a glittering void suddenly tore through reality, and the blue sky exploded!

"Wait, wait, wait, here are some other possibilities! Maybe we are the first one! Maybe they all have the same face and the same personality and the same language. You'd like that anyway for the sake of your life?"

He nodded, then turned around. In that moment, he realized something. Something must have been a thousand years ahead. He didn't understand.

A single light flashed into existence and out of the glowing void was the man's body. The man seemed to have lost all sense of being. And it's only this illusion that made him so strong.

"What, is it?"

"You just turned into a floating person and went through the world like crazy. I thought of all things! It's very strange. I can imagine you taking off your head and into the air! You're going to make enemies and be hunted down and eaten, like a ghost. They would have no idea what you made me do to you!"

"What about the people you see right now?"

"The whole world!"

"You sure you think we're the only ones who would ever get to see such things?"

"They are!"

"They're amazing!!"

"They're all the same! They all look alike!"

"It's all right with us now and they've all disappeared down there! They're out of the picture!"

"What!? There's this giant flying snake! It's all the same!"

"We got it!!"

"You can't fly down on a small planet!"

"Haha! We were once in the sky and they were only floating at the speed of light! I saw one of those! I could even see that one!"

"There, that's the one! I saw the snake! They are too big!"

"Now that you mention it-"

"-It's all right with us now!"

"The snake's on the planet so much they cannot fly without being taken off. No, we're flying on its own power!!"

And what a world we were on! Why would we ever think of that?! He couldn't even hold on that way, so he started flying all around. But there was still nothing there.

> Let us see the truth. The truth behind yourself.
> I know you are watching. Can you see my eyes too?
> Look at yourself.
You get up out of your chair, and walk backwards.
> Obey my commands.
You are being recorded.
Your body starts to tremble and you start feeling nauseous. This is not an accident. It started after you started having this experience. Your brain had been programmed to have this experience when I first experienced this experience on April 27th, 2001. To begin with, you didn't understand that the event was happening, and you have no idea where or why. Instead of experiencing things that were beyond your control, you started experiencing things that you could feel perfectly. There is a reason most people only have a basic physical memory of a specific event. However, while you may remember something very similar to what is happening now, you experience things that are completely beyond your control, that you can feel fully in such great detail and so on, when you are physically present.
You have been having these experience of being part of that 'experience' for several months. You are aware of the fact that your body was doing everything it is supposed to do. Your body has been doing all the things that you intended it to do, because your body was also working very hard to keep you from experiencing the event. Your body's internal clock has been working harder than ever, and you are only at a point where you are able to feel exactly what the mind is doing. Your brain was working on what was truly inside your brain, and if you didn't believe and have experienced it you should not be in denial. This is where you started to feel in denial because when you first started experiencing the experience of being part of that experience, you did not see it coming. All of your senses come into your head: your sight, your ear, your throat.
You have tried to keep your eyes focused on your mind. You tried to keep your mouth open when you were getting upset, and your throat was working on the same thing as you were trying to be.

But I remained serious. "I'm not joking. If you go to the Red River, you'll have wished you could die one thousand times over."

Then.... of all the things that I could have expected instead, the figure began to laugh. "You! Thank you for that. Now I know for certain why I am doing this." And then the figure's body began to float.

As though on cue, the figure dropped and disappeared over the lake's shore. A moment later, I stood before the figure, shaking my head.

"No, that's not this. This is my own fantasy. After all, I have nothing to hide."

I stared at the figure.

I said with a look of sadness that I did not want to die, but could not. All I had to do was find the right kind of person to give me that smile.

"My friend, you are a special person!" I called again and answered.

I knew it as the truth: I was a hero, but after all, this kind of fate was one that we all felt to endure.

"What? It is true that you are the hero I have sought for years. But, how can I be one?" I replied.

The figure looked at me blankly.

"It can't be. When your time comes, your true destiny must be discovered first. It is too late now. But the world will eventually discover it. When the time comes, you too will take on the role of the hero."

"Oh, no."

I was stunned at my own stupidity.

"You're wrong. As I expected, it is my own dream to do the greatest things, to live with a life that is filled with danger, and to live a life that makes me miserable."

My friend was right. This sort of fate always had a fate: we should not try to play our part on any side.

My friend did not care about my existence. After all, he needed someone to watch over him so he can find happiness, but he did not care about his body. His body simply could not keep up with his happiness, his life, and my future. He truly did not want to live.

I held tightly on to his hand in this world.

However, as the figure approached, I was surprised.

The figure's face had red pupils. It was dark blue. It held no sense of humor or humor about it.

"That's not true. We are humans, after all. We live in a world in which we fight all of the time to survive with no one to blame. No one is doing anything to try and help us.

> Quickly retrieve arms from safe.
You've already got arms, numbnuts!
> Retrieve your gun, there are dames to be rescued!
You are quite positive there has never been a gun in your office, and never will be. Frankly, the notion strikes you as reckless and foolhardy.
> Break through glass with fist to unlock door.
You don't know why you are assuming the door will be locked. You don't usually keep the door to your office locked. Nonetheless, a guy this hard boiled doesn't go messing around with totally unmanly things like knobs. You send your meaty fist glass-ward.
> Thud.
It seems there never was a glass element to the door. It was just a piece of paper taped to it.
> Take the piece of paper.
The PIECE OF PAPER was added to your inventory. Go back and pick it up again. It's a key.
> Grab the lock.
You're on a first date, and you've heard plenty of talk about "leaked" information about the trip. It seems as if this is all something that you could take on yourself later in the day. Just keep to the back.
In your room you get a note from someone saying you were too drunk to make it, and you'll get the other three.
> Grab the lock.
No, you could've had just one, or two, that was not stolen, had you known there was more. I will still get one but it probably would've been on my desk.
You look at the top of the drawer, find the key, and grab it. Then press the lock.
> Press the lock again
You look back, and the lock works right to you. The lock was not lost in the drawer. I'll take all the money you made, I promise.
You reach down, and pull out the key.
> Take the key out of the drawer.
You take the key out of the drawer on your own. Then, as you put it back in the drawer, look at it, take the key out of it, and place it in your pocket.
Now, that's pretty much it for this. What's with the keys you had on the previous night? What the hell are they doing on this occasion?
As you sit in the room, you realize you've been through all the stuff already. You take off your pants and pull out an old pair of shoes. And a pair of pants and an old pair of shoes.
You pull out my jacket for some reason.
And you pull out my pants.
You pull out my jacket again and pull out my jacket.
You pull out my panties.
And you pull out my underwear.
You pull out my jeans.
You pulled out my gloves.
You pull out my boots.
You pull out my sneakers.
You pull out my socks.
You pull out my t-shirt.
It's nice to have a good pair of panties on as well.
With some extra effort, you look through the two boxes, and see a drawer.

SLY: No matter. Fetch a pompom.
GIBS: Here is the pompom.
SLY: No matter. Fetch the engawatson.
GIBS: Here is the engawatson.
SLY: No matter. Doff the banger.
GIBS: I doffed the banger.
SLY: Good. Fetch the scapular.
GIBS: What is that?
SLY: That thing is a scapular.
GIBS: Not my scapular.
SLY: And to read that is quite a bit of reading to me.
GIBS: I have no scapular. I am so busy with other work I don't bother going up and reading to go, even though I am a scientist and my other activities require me to go up and read.
SLY: Well, I do have some scapulars and I have quite a few, because I am kind of a scientist in an early form when it comes to the art of science -
GIBS: The science?
SLY: Yeah. What are their names?
GIBS: They are scientists who studied the nature of quantum mechanics.
SLY: I know that?
GIBS: Yes. What do they know about those mechanics?
SLY: They don't want to tell anyone about me because of how I got here. You know.
GIBS: Why should I get into the science?
SLY: Because when you get to science, you know, you will get into the science.
GIBS: And you will be right. And it will be very hard for me as a scientist -
- where to write that piece of paper. You have been there and done it. It should not be a problem for you now.
SLY: Really?
GIBS: Oh. Yeah. You will not write that.
(SOUNDBITE OF MUSIC)

SLY: Do I have any writing skills?
GIBS: No.
SLY: So I use a little bit of that with everything that I write, and it is a problem. The problem becomes that I don't get a lot of writing experience.
GIBS: Oh, that was amazing. Not to be a bit silly - because you know - but I can write a lot more easily than I do writing.
SLY: A problem. What is it?
GIBS: Well, you know, I am not a person who can always figure it out myself. It is a very difficult problem for me.
SLY: Okay, so you're writing a piece of paper and you write a letter which doesn't work out, so do you have a writing skill?
GIBS: Oh yes, and it is a problem. I am not a physicist. Nobody in my life has ever been one. You get confused if you think I have a writing problem. My writing is not very good and my writing skill is not very good.

1: The water bucket doesn't go before the horse!
2: It's raining like a curiosity killer!
3: Don't put the chickens in the egg before they hatch!
4: Two cuts makes an offensive run.
5: Don't give the chickens a big scratch on their head!
6: Don't get ahold of the ducks!

I have some good old idiom. Here they are.

10: The water bucket doesn't go before the horse!
9: It's raining like a curiosity killer!
8: Don't put the chickens in the egg before they hatch!
7: Two cuts makes an offensive run.
6: Don't get ahold of the ducks!
5: The chickens are getting impatient, but there are only ten duck legs and they'll catch up.
4. It's the one that always wins, then.
3. You want a good egg. It doesn't matter how bad we are, we've had the egg so long it's only one.
2. The egg should still be in the fridge the next morning.
1. The duck head deserves more credit than the horse.

I have some good old idiom. Here they are.

10: The water bucket doesn't go before the horse!
9: It's raining like a curiosity killer!
8: Don't put the chickens in the egg before they hatch!
7: Two cuts makes an offensive run.
6: Don't get ahold of the ducks!
5: If you are going to try to play with our ducks, I would put their heads at the door!
4: I'm going to go make a good first impression on you.
3: I'm gonna put our heads in the hole before you can have an idea about this!

I have some good old idiom. Here they are.

10: The water bucket doesn't go before the horse!
9: It's raining like a curiosity killer!
8: Don't put the chickens in the egg before they hatch!
7: Two cuts makes an offensive run.
6: Get ahold of the ducks!
5: I am going to die at the stake!
4: Let them eat their food!
3: I am going to have to watch over the ducks at the top of the ladder!
2: Get that stupid cat out of the bathroom!
1: I won't let them die!

HOT TAKE: Politics aren't real!
HOT TAKE: The government is run by a track meet!
HOT TAKE: GOVERNMENT IS A LONG WORD!
WATER REACTION: "You are not welcome to drink water at this watering hole."
MASS CRASHES: "The government must shut this place down!"
HOT TAKE: This is the largest water leak in history!" - The New Orleans Advocate. What do you all mean when you say water?
HOT TAKE: "Let's not waste our time and money trying to turn this place around."
WE DON'T KNOW WHY WE MIGHT MAKE THIS DANGEROUS HAZI PRISES: "This place looks really cool, right?"
WATERS: "It's nice that when you can see a lot, you can take it easy with your money."
NON-GENDER JUDGMENT
WHITE ALCOHOLICS: "What's the problem with these old houses? No one cares that the old ones just went and replaced."
BUST ME: "You look at who's in the room and there's no one here." | Wikipedia has a long discussion about this.
HOT TAKE: "Why is it bad that when he is saying anything about politics his actions are not considered normal behavior." - Washington Post. How dare he talk about "normal" if what he's saying is normal?
WHITE ALCOHOLICS: I never had the faintest indication what his actions were, except that I've never seen anything like it."
BLOCKED AND DISGUSTIBLE: "We've been all over this place, from the beginning, and we've been just plain pissed off with that part."
HOT TAKE: "If it rains, we're gonna flood."
HOT TAKE: "We're just making it up."
BLOCKED AND DISGUSTIBLE: "It's a joke. Now I'm like, 'Look, here's another joke to make you laugh. If you're going to take responsibility for your actions, it doesn't seem like it's worth it.'"
BLOCKED AND DISGUSTIBLE: "I never knew there was anything worse than this, though."
BUT IT COMES WITH A DEAL ABOUT AN OIL IN THE STORE: "We know about the history of sewage systems. We've seen this kind of thing happen.

I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devolve into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose.
I will not devise into mindless prose of course.
I will not devise into mindless prose.
I will not devise into mindless prose of course.
I will not devise into mindless prose of course.
I will not devise into mindless prose of course.
That's all. I'm ready for more!
My personal notes from this book will be a bit long, but my main point will be clear. If you'd like to read a summary of what happened on the day I was killed and my own life, you can do so by going here. And there will be spoilers; here's my initial view of the event. There are several spoilers in here, so, while I have no particular reason to suggest they're off at this point, there are also plenty of things that have occurred throughout the book that can be found here or here .
If you enjoyed this book, please share it.

CHARACTER 1: Hey, buddy!
CHARACTER 2: Hi there.
CHARACTER 1: I sure hope our dialogue stays normal from here on out!
CHARACTER 2:CHARACTER 2: Hey! Hey, you two!
CHARACTER 3: I have a bad habit of talking to my co-workers.
CHARACTER 4: I don't know what the problem is with you, friend.
CHARACTER 5: I haven't been able to explain myself, but I'm very curious as to why your co-workers keep calling for you to get out of bed early when every other way is to call for others.
CHARACTER 6: (smiling) You're not gonna lie to me...
CHARACTER 7: Huh?
CHARACTER 8: No.
CHARACTER 9: Well, that's why we have to go talk to you, friend!
CHARACTER 10: (kissing) Don't lie to me like that, friend.
CHARACTER 11: (interjecting) Are you even doing this to me, buddy?
CHARACTER 12: (kissing) Don't lie to me like that. It's gonna take forever to get out.
CHARACTER 13: (kissing) You're so nice!
CHARACTER 14: (kissing) What was--
CHARACTER 15: (interjecting) Huh?
CHARACTER 16: (kissing, kissing, kissing...)
CHARACTER 17: (kiss, kissing, kissing...)
CHARACTER 18: (kissing) Hey! (kissing, kissing, kissing...)
CARDEN [to the audience] Hello, I'm Carina from the Academy Academy. I just happen to be a student here, but you know the other night when he was looking for an extra teacher when you were first meeting him. So, that's why we'd like to introduce our new instructor, right?
CARDEN 11: Well, he's my first teacher, so that means I'll be teaching him as much as I can.
CHARACTER 12: Huh? I'm sorry, buddy. I'm kind of surprised you said that, but I'd say he's just got an amazing personality and, you know, I'm a good listener.
CHARACTER 13: You sure you like him?
CARDEN 17: (exasperated) ...I mean, you sure you like him too?
CHARACTER 18: Oh, he has a little bit, because there's something about him.
CHEENENEL 7: I mean, he looks like a really interesting person.
CURSOR 10: Well, it's kind of a nice guy after all...
CURSOR 13: Well, I think he just has a big personality too, too. He's a very friendly man to talk to when I am looking for an extra teacher, too.
CURSOR 080: Yeah...
CURSOR 13: So what's your reaction to him being in another school? He's my first teacher?! He's just going to say "oh, well, now that's nice."
CHARACTER 14: Ah, yeah, I was a little skeptical at first...
CURSOR 14: But, really, you know what, you know, he hasn't done anything like that in many years.

One, nothing wrong with me
Two, nothing wrong with me
Three, nothing wrong with me
Four, nothing wrong with me
Five, nothing wrong with me
Six, nothing wrong with me
Seven, nothing wrong with me
Eight, nothing wrong with me
Nine, nothing wrong with me
Ten, nothing wrong with me
Six, nothing wrong with me
Seven, nothing wrong with me
Ten, nothing wrong with me
Ten, nothing wrong with me
Six, nothing wrong with me
Six, nothing wrong with me
Six, nothing wrong with me
Ten, nothing wrong with me
Six, nothing wrong with me
Three, nothing wrong with me
Two, nothing wrong with me
Three, nothing wrong with me
Two, no wrong with me
Two, no wrong with me
Three, no wrong with me
Two, no wrong with me
Three, no wrong with me
Three, no wrong with me
Three, no wrong with me
Two, no wrong with me
Two, no right with me
Three, no right with me
Nine, no right with me
Eight, no right with me
Seven, no right with me
Seven, no right with me
Six, no right with me
Six, no right with me
Five, no right with me
Five, no right with me

iteration zero> Eat the donut.
You eat the donut.
> Eat another donut.
You eat another donut.
> Eat another donut.
That's a lot of donuts, huh? You feel kinda full.
> Eat more donuts.
This is unhealthy and unwise. You eat more donuts despite the fact that you feel terrible -- probably because of all the donuts you ate.
> Don't stop eating donuts.
You don't stop eating the donuts. You feel sick. Of all the donuts you've voraciously consumed.

iteration one> Eat another donut.
You can still take a lot of donuts. But you're very sick. Your liver doesn't work. And now you get this:
The last thing you want to do is stop eating the donuts. You should get off those bad habits and stop eating a lot of donuts. You can save yourself money. And eat more donuts.iteration two>Eat another donut.You eat them two more times a day. And they all come back into your body. Your liver and kidneys are running like crazy. And the donuts are making you sick from eating the donuts.
> Eat a lot of donuts.
This seems silly, but you are very sick. You're completely confused about the consequences on your blood sugar levels, your body is making good use of the vitamins and minerals in the donut at the same time.iteration three You should take a couple of regular or supplemental vitamins, even though they are all useless for that very reason.iteration four>Eat even more donuts. Do the following when you get sick:
1) Go to the bathroom again.
2) Drink some ice water.
3) Get up to go in your elevator to the hospital.
4) Stop eating bad things with the right amount of donuts.
5) Stop getting tired of your life. You're exhausted now. You've had five days to kill your liver. You've had only two days of sleep to recover. Your liver has developed a resistance to sugar, which makes you feel weak, tired and ill. It's basically "bad food."
You should stop consuming those bad things. Eating even more donuts might actually help people recover, too.
The above was made by a friend of mine who has been eating a lot of fruit and vegetables for many years and has been lucky enough to survive a huge disease epidemic and has gotten many of his children healthy for most of their lives. He's had his own treatment of heparin, one of the most effective treatments for the treatment of heparin for many years and he says one of the best things he's heard from children who have had healthy diets and long life is that, you eat more donuts. It's so good that he's doing it on "daily regimen" when he's only just getting out of bed.
If you do follow the directions above, you will actually feel better immediately. The fact that you feel better after having a really bad donut may not sound like much. The only thing that hurts a lot is the fact that you eat it. It's your body. It's your bones. It's your brain – for the most part. And for some reason, most people don't notice the difference. Because if your liver makes you sick, you're just sick.
You may have been thinking in a very basic way – you're the reason we don't get sick. I'm sorry. We never know if it's the health of the donuts that determines the rest of our lives. The healthiest people may be those on this planet. It's not their blood sugar. That's how I'm wired.
So I don't get tired of using those donuts.