Found 18 matches for “justin decloux”

Impossible Horror is a very different film from Justin Decloux's ultra-gory debut Teddy Bomb. There is a much slower pace to Impossible Horror and the entire first act of the film is told practically without dialogue. The film does maintain Decloux's sense of humour throughout, though there are also some truly spooky moments in the film, especially scenes that involve a ghost that haunts Lily's apartment. While Impossible Horror does get progressively more weird as it goes on, it is still a solid sophomore effort for Justin Decloux.

The thing Justin Decloux needs is a lot of money. He makes exceedingly fun and ambitious movies that are compelling, engaging, and dynamic.

To make this film with such a low budget and fill it with so many great ideas stuns me.

Also, the soundtrack is the bomb. Find this movie and treat yourself like you would when you decide to order from your favourite pizza place and have a night of actual FUN and feel good about it, goddammit.

The first film discussed on my new podcast with Justin Decloux, LOOSE CANNONS, in which we attempt to watch and review every single film released by Cannon Films, yes, starting long before the Golan/Globus era because no one else is discussing these films. Listen here:

On this week’s episode of Loose Cannons, Mathew Kumar and Justin Decloux talk about 1971′s Crucible of Horror (also known as The Corpse and The Velvet House), a confusing British horror film starring Michael Gough of Batman fame.

So is Crucible of Horror an essential part of the Cannon canon? Will Mathew and Justin be able to remember what the movie is called? Listen to find out.

The Loose Cannons hit the first horror in the Cannon canon—Cauldron of Blood, aka Blind Man’s Bluff. “Starring” Boris Karloff, it’s a groovy trip to a small spanish town with a reclusive sculptor, beautiful women, and frequent disappearances. Unfortunately, it was made in 1967 and sat on a shelf for three years before being released—did the stewards of Cannon discover a hidden gem? Or just something cheap to distribute? Find out with your hosts Mathew Kumar and Justin Decloux.

Rejoice! After last episode’s false start with Fando Y Lis, the Loose Cannons finally hit a film they feel they can unreservedly recommend—John G. Avildsen’s proto-vigilante flick/thoughtful rumination on class and race in early 1970s America, Joe! Starring Peter Boyle and featuring Susan Sarandon in her film debut, this is a strangely forgotten slice of American cinema, one the Loose Cannons are proud to exhume. So, join your hosts Justin Decloux and Mathew Kumar as they talk Joe!

We return with episode five of Loose Cannons… but shouldn’t this have been episode one? Yes, as promised, your hosts Mathew Kumar and Justin Decloux have returned to review the previously considered lost first Cannon release ever, The Love Rebellion. And they ain’t happy about it, because this is, yep, yet another slice of Joseph W. Sarno’s brand of Swedish sexploitation. Will there be a rebellion during the podcast? A love rebellion?

The Loose Cannons return with Joseph W. Sarno’s follow-up to Inga, the awkwardly titled To Ingrid, My Love, Lisa. Join your hosts Justin Decloux and Mathew Kumar as they discuss their latest foray into the erotic adventures of Swedish teenagers in the 1960s, which sounds a great deal more exciting than it actually is. But maybe it’s still an essential part of the Cannon canon? Listen and find out:

Guess what the Loose Cannons learned today! Not much, to be honest—not even enough to stop accidentally calling this movie “Guess Who’s Coming to Dinner” because it’s an easy mistake to make, ok? Made by John G. Alvidsen before the well-recieved Joe but released after that film’s success, what do your hosts Justin Decloux and Mathew Kumar make at his attempt at a funny, sexy but educational sex comedy?

This week the Loose Cannons return to the world of Swedish sexploitation - and it’s even grimier than when they left it! Mathew Kumar and Justin Decloux discuss 1971′s Maid in Sweden, the order in which you should bath and shower, and read a few listener letters.

In 2002, it was a big deal for a young Justin Decloux to see RESIDENT EVIL. He was infatuated with the idea of zombie movies, but has never played the RE video games (he doesn't own any systems). He prepares himself for a terrifying experience because he's seen the trailer where the woman kicks the zombie dog.

Justin finds the film boring.

He stares the screen confused. Is this to adult for him? Is that why he's not liking it?…

B movie and action cinema fans rejoice! The Loose Cannons podcast is now on the Dork Shelf network.

What’s Loose Cannons, you ask? The concept is pretty simple: it’s a podcast where two dudes (Mathew Kumar and Justin Decloux) have committed to watching every single Cannon film (see the full list here) that’s available and watchable in any form and to then talk about them for about a half hour. From Joe to Breakin’ 2: Electric Boogaloo and beyond, from…