The understanding of cosmology depends predominantly on the language and
practice of the four ancient intellectual disciplines (arithmetic, geometry,
music, astronomy). Arithmetic evaluates number. Geometry (our cosmological mind
map), “earth measure,” is the basic science of natural law, which evaluates
number in space. Music evaluates number in time. Astronomy evaluates number in
space-time.

The practice of geometry functions only on a certain level of reality, the
archetypal consciousness (the internal/spiritual realm). Experience results from
immaterial, abstract, geometrical archetypes (essential concept/ideal/geometric
symbol) composed of harmonic waves of energy, nodes of integrity, and melodic
forms springing forth from the realm of geometric proportion (unchanging
heaven/metaphysical). The archetypal consciousness is channeled through the
human mind as ectypal consciousness (formal model/sign). The typal (actual
specific instance) is subject to sensory perception (changing earth/physical).
(Lawlor)

To Plato (427 BCE), reality consisted of essential archetypal ideas, and
physical perceived phenomena are only mere reflections. Archetypal ideas could
only be perceived by pure reason alone, therefore Plato subscribed that geometry
was the clearest language to describe the metaphysical realm. Geometrical
knowledge is innate within the higher self (god-head) of humanity. The passage
from creation to procreation, from idea to form, can be mapped by geometry and
experienced through the practice of geometry (rekindling of the soul’s fire
through effort). (Lawlor) Taoists apply this geometrical practice metaphysically
in the firing process of interior alchemy (neidan).

Depiction of Taoist Sage (zhenren), or
anthropocosm, juxtaposing the sun and the moon with the yin and yang of his
energetic being.

Ancient cultures may have symbolized eternal processes as gods,
or lines of action through which the spirit condenses into energy and matter.
These processes, archetypal activity, demonstrate the principle that energy is
controlled, specified, and modified through the effects of angulation, which
illustrate a fundamental relationship between two numbers. Thus, the archetypes,
or gods, represent dynamic functions forming links between higher worlds of
constant interaction and processes with the actual world of particularized
objects. (Lawlor)

Information is energy. Physics refers to the
basic unit of light as a photon that came into being from an electron that
increased velocity enough to break out of atomic orbit about a nucleus. This
photon, reflected off a viewed object, carries information that travels in waves
through an eye to file an event-image as memory in the brain. Metaphysically,
the perception of an event-image, or point on the wave of experience, received
through photonic transmission, is interpreted as a symbol by the ectypal
consciousness. These symbols of interpretation, frozen frames of understanding,
are the crucial link between the typal and archetypal consciousness. The
continuous flow of interpretations becomes the proportional harmonic feeling of
moving through experience. In other words, a human interprets the proportional
harmonic flow of experience event-by-event geometrically through the recognition
of symbols.

The idea is created in heaven. The sign is discovered in the
human mind. The specific instance is observed on earth. The actual sensations of
earth originated ideally in heaven. The material senses function in response to
their discovery of immaterial (spiritual) qualitative archetypal geometric
proportions. The sense of smell responds to the geometry of molecule
construction. The sense of hearing notices logarithmic, proportional differences
between frequencies of sound waves. For sight, nerves in the retina are tuned
into the same frequency range as skin. (Lawlor)

Pythagoras (560-490 BCE) said, “All is
arranged according to number.”

The distance of the square’s diagonal or the circle’s
circumference would never be known exactly because they make irrational
functions (1:Ö2;
1:p).
Irrational functions demonstrate graphically a level of invariable and universal
experience, which is the key to opening a higher reality of number. Number has a
definite, finite, particularizing power (quantity: exoteric/external;
arithmetic), and a universal synthesizing power (quality: esoteric/internal;
numerology). (Lawlor) Cosmology utilizes arithmetic for its structure and
numerology for its meaning.

This symbology of number, numerology, is reinforced
mathematically with exponents, which represent the number’s dimension. Any
number to the zero power is one, symbolically the unity womb. Any number to the
first power is itself, expressed one-dimensionally. Any number to the second
power is expressed as a plane, two-dimensionally. Any number to the third power
is expressed as a three dimensional form.

The ascending dimensional progression expresses the creation of
form from a point through the movement from heaven to earth. Reversing the
movement (earth to heaven) is seen in the Buddhist alchemical process of
renouncing the transient physical world and returning to the spiritual source (nirvana)
(square-triangle-circle = earth-humanity-heaven = earth-fire-water). This
progression moves from a four-point (three dimensional form) through a three
point (two dimensional plane) to a one point (one dimensional point). This
progression exemplifies the transformation from the material to the immaterial
through the firing process of interior alchemy (neidan).

The entire perceptible universe is composed of vibrations,
wave-forms. Waves, pure temporal patterns, can only be understood through
number. All life physically vibrates, while all elemental or inanimate matter
vibrates molecularly. The notion that every vibrating body emits sound is the
key to understanding the universe (ie.harmonics). (Lawlor)

Qualities of matter are actually differences in periodicity. In
biology, geometrical proportion illustrates that every atom of every molecule is
being changed and replaced. Genetic coding is a vehicle of replication and
continuity. The DNA helix is a set of fixed geometrical proportions.

The genetic nucleic acids form chains on chromosomes arranged in
base pairs, in a double helix formation. At conception, after the sperm enters
the egg, the double-helixes separate, and one strand from the male recombines
with one strand with the female, to form a new double-helixed DNA strand of the
offspring.

Genetic Engineering: An offspring’s fate (eg.disease, death) [sim.Tantric:
karmic debt (rnanubandhana)]
was determined at the moment of conception, through the assimilation of
congenital data that recombined within the complete genetic code (genome).
According to the Babylonian priest, Berossus (c.3rd BCE), who
compiled Sumerian history and knowledge (mythology) for the Greeks, the genetic
design (gene splicing) of the human being, a hybrid between the hominid of Earth
and the Anunnaki of Heaven, was a process of trial and error (eg.defects,
sickness, monsters) (Enki and Ninmah: The Creation of Mankind). The
genome, the totality of genetic data, consisting of infinite combinations of
nucleic acid code [ie.ADENINE (A)-CYTOSINE (C)-GUANINE (G)- THYMINE(T)], directs
organic function (eg.aging process, longevity, memory, reasoning, intelligence),
and consequently facilitates its connection with the cosmos.

According to the Sumerian creation myth, the “seed of life” was
imparted to Earth from Nibiru during the Celestial Battle, the cosmic cataclysm,
giving the hominids and the Anunnaki the same seed; therefore trans-genic
manipulation was possible (as Enki was aware). Apparently, the
Anunnaki also had knowledge of what genes were responsible for
longevity/immortality, withholding it from humanity (adapa). Also,
initially, humanity was unable to procreate (only 22 basic chromosome pairs);
later X-female and Y-male chromosomes were added through genetic manipulation
(not just for gender determination). Eventhough humanity was deprived of
immortality (Tree of Life), wisdom (Tree of Knowledge; extra dose of
intelligence genes) (The Legend of Adapa) was granted through secret
initiation by Anu in heaven and Ninkarrak on Earth.

The 64 codon sets correspond to 64
hexagrams of the Yijing arrayed in the magic square of Mercury inherent
in the bone oracle code (eg.chess board). Theoretically the Yijing is the
philosophical code that guides the transmutation of the soul (alchemical
process).

The genetic language consists of nucleotide (DNA) strands (ie.A-T-C-G),
which store vast amounts of information (represented mathematically by binary
numbers, with countless variation in “0” and “1”) [sim.Sumerian: (me)]
within fundamental components, codon sets (paired three letter words; A links
with T, C with G). DNA computation (like a computer, which also utilizes binary
mathematics) involves the activity of messenger RNA, that decodes, transcribes,
and recombines the DNA (“letters into words”), at lightning speed, to formulate
codon sets (three letter words), spelling the biochemical language of the 20
amino acids found in all living organisms. Similarly, words in the Hebrew
language are based on three letter root words, quite a departure from its mother
Akkadian language. ”Death and life are in the language.” (Proverbs
18:21)

Bodily
existence is determined by an invisible immaterial world of pure form and
geometry, the archetypal essence. Photosynthesis occurs when carbon, hydrogen,
nitrogen, and the magnesium of the chlorophyll molecule are arranged in a
complex twelve-fold plan, the innate geometry of life.

Computer model of Carbon (C60)
molecule

The innate intellectual quality, which perceives spiritual
archetypal idea was called ‘pure reason’ by the Greeks, ‘heart-mind’ by the
Hindus, and ‘intelligence of heart’ by the Egyptians. Geometry is the tool,
which allows the understanding of the origins of form and the principles of
evolution. Through the practice of geometry, thought patterns can be raised to
the archetypal level.

“The student’s concentration on sacred
geometry was a discipline to assist in seeing, the metaphysical realities
beneath all appearance; the crystallization of perception.”
–Robert Lawlor

The physical world has a secondary reality.
Its knowledge is imprecise. Nothing can exist without a cause. The creator of
anything focuses on the eternal unchanging (complete archetypal heaven) and uses
it as a pattern for form and function for good results. If creation is a result
from focusing on the changing existence (incomplete) the results will be poor.
The changing earth is the likeness of the unchanging complete eternal perfect
heaven. (Plato)

Anatomy of the Soul:

The body of the cosmos is composed of five
elements, earth, water, fire, air, and ether (Chinese: earth, water, fire,
metal, wood). The spherical shape (extremes equidistant in all directions from
the center) of the cosmos revolves on axis. The cosmos is a single complete
whole consisting of parts that are wholes. The body of the cosmos contains all
possible figures within it. Nothing can be taken from or added to it. It is
designed to supply its own nourishment from its own decay. (Plato)

The soul of the cosmos is the ultimate cause
of all motion of its body, because the soul was created before the body. The
soul of the cosmos is composed of three layers of paired actions.

COMPOSITION OF
SOUL

Quantitative (Log2)

Qualitative (Log3)

Indivisible Existence

Intermediate Existence

Divisible Existence

Indivisible Sameness

Intermediate Sameness

Divisible Sameness

Indivisible Difference

Intermediate Difference

Divisible Difference

The soul’s ingrained mathematical
structure can be expressed in seven numbers within a compass like model,
progressing at logarithms of 2 and 3. One represents the indivisible and the
intermediate, or 20 or 30. Logarithm 2 (corresponds with
Ö2;
2d) represents the quantitative linear
structure of destiny
(the function of heaven; calculated by divination mathematics). Logarithm 3
(corresponds with
Ö3;
3d) represents the qualitative circular details
filled in by fate
of divine intervention (function of earth; described by cosmological mythology). The intersection of log2 and log3
(corresponds with
Ö5;
5d; sim.Taoist numerology: power0»5) expresses the free will,
or the ability to change fate through decision
(function of human; resolved through alchemical medicine).

It is always
the qualitative realm that links the opposing realms of the quantitative (Plato
with Pythagorean origins). Yijing
numerology (divination mathematics) unfolds the structure of
the quantitative realm (heaven:destiny) which philosophically guides the
attitude of the sage (human:free will; alchemy) through the intermediary
experience of the qualitative realm (earth:fate) to the indivisible existence
(immortality).Taoist alchemists meticulously used free will to change fate, yet
follow destiny, in order to attain immortality.

Folding and Unfolding:

When analyzing the quantitative realm (log2) of
destiny
[Sumerian: (nam) the predetermined course of events which is unalterable
(eg.planetary orbits; laws of physics)], the exponents (0, 1, 2, 3, 4) define the cosmological level of
progressive external creation, while the products (1, 2, 4, 8, 64) define the
level of physical multiplicity and diversity, which can be expressed
geometrically as polygons (circle-square-octagon) within the three realms upon a
central axis;

External creation and internal observation are interconnected
through the discovery of their exponential growth similarity (0, 1, 2, 3, 4).

Geometry of Experience:
Intermediary Progression between the Quantitative and Qualitative

When the Nile flooded annually, the people of ancient Egypt were
reminded of chaos. But when it receded, chaos was replaced by order. This event
demonstrates the geometric law of proportion. When the laws of nature are
perceived, inner conflict can be removed, and harmony is restored between the
body, mind, and spirit.

The goal of geometry is to enable the mind to channel abstract cosmic
tendencies of heaven into spatial ordered form upon earth. This is the
conversion of number patterns into spatial arrangement: geometric proportion.
Geometric symbols reveal still moments of time-continuum universal action that
is hidden from sensory perception. Plato expresses that geometry and number are
the most simplified expressions, and therefore the most ideal philosophical
language. (Lawlor)

In Buddhist and Hindu philosophy time is represented as a
necklace of square beads (mala), tangible moments or events. To be
absorbed by this succession of limited frames is an illusion (maya). It
is the inner thread, the unimaginable continuum that is real.

Our experience results from immaterial, abstract, geometrical
proportions that spin to compose an arrangement of harmonic energy waves.
Proportion is formed from ratio, a comparison of two different dimensions,
quantities, or ideas (qualities; a : b). Sensory faculties respond
by measuring the difference. Gregory Bateson said that the world is made up of
patterns of ‘differences which make up difference.’ Comparison (‘analogos’
in Greek) is the basis of conceptual judgment.

Discontinuous proportion, used by the Pythagoreans, manifests the
finite with two different ratios; [a : b :: c : d], [2 : 4 :: 3 : 6].
Continuous proportion expresses threeness through the reduction of number terms
by introducing a mean term [a : b :: b : c]. Geometry can be used
as a symbol, but ultimately it is the most simplified expression of innate
pattern. In the continuous proportion, the perceiver does not stand
outside the perceptual process as portrayed in the Pythagorean discontinuous
proportion. Instead, the perceiver becomes apart of the perceptual process. The
perceiver (b) forms the equivalency or identity between observed
differences (a and c). Humanity is the geometric mean between
heaven and earth.

The constant awareness of the integration of the external
vibratory field with the internal field of perception, Sri Aurobindo referred to
as “knowledge by identity,” which means the fusion of the self with the
world, and is necessary for spiritual development. The continual flow of
experience is a continuous proportion illustrated through the relationship
between cognition, faculties of perception, and the external object:

“Whether we know it or not, all things take on their existence
from that which perceives them.” -Upanishad

Nothing would exist without perception. Perception is
relationship. To be is to relate. (Lawlor) Perception, the scope of experience,
sifts through sensory information to ultimately remember an eternal concept. At
the core of perception, created symbol is the key for understanding (returning
to the innate concept) the interpretation of sensory data:

[sensory data : symbol :: symbol : concept].

Golden Proportion (F):
(phi)

F

[sim.Chinese: "middle; center" (zhong)]

Continuous proportional thought approaches the sense of unity
when the three-termed (trinity) proportion becomes possible with two terms
(duality). The continuous
proportion with two terms [a : b :: b : (a + b), or b/a = F]
is the ‘golden proportion,’ and designated as phi, ‘F,’
the 21st letter in the Greek alphabet.
There are two considerations (mysteries) for
relating phi with unity. This proportion is larger than unity when
b is equal to 1, so unity expanding is expressed by adding a to
it.

1)First Mystery of Holy Trinity (the three
that are two): [the whole is more than unity (a + b > 1)]

?First term = a = 1/F

?Second term = b = 1

?Third term = a + b =a + 1 = 1/F
+ 1

?a/b : a/a + b, or b/a + 1

2)Second Mystery of the Holy Trinity (the three that are two that
are one): [the whole is equal to unity (a + b = 1)]

?If the value of unity is shifted so that the whole is equal to
one, a unique characteristic of the quantity of F
(1.618) is discovered as the only geometric partitioning of unity.

?When the third term is (a + b = 1), then (1/F
+ 1/F2 = 1).

Thus, the ultimate reduction of proportional thought from the
three termed continuous proportion is a mathematical metaphor for the trinity:
“the three that are two that are one.” Unity (a : b :: b : 1) is
the goal of progressive meditation. Phi, derived from an irrational
(intimate) geometrical relationship, is the only possible creative duality
(proportional existence) within unity. Therefore, phi was referred to as
the ‘golden proportion,’ or the perfect division. In Christian mysticism, F
is the ‘son of God.’

Robert Lawlor says, “In proportional thought there are no fixed quantities,
only fixed relationships.”

The continuous progression of F
represents the external universe regenerated from the creative dream of God, the
abstract (internal values divisible within 1) to the visible (external values
greater than 1), the replication of God (unity), or the evolution of
consciousness.

[…1/F3
: 1/F2
:: 1/F2
: 1/F::
1/F
: 1 :: 1 : F
:: F
: F2
:: F2
: F3…]

The geometrical implications of the golden proportion are written by St. John,

“In the beginning was the word
[internal progression of the abstract dream of God; Holy Spirit; F2,
F3],

and the word was with [in] God
[external progression of the concrete universe; Son of God; 1/F3,
1/F2],

The continuous progression of Ö2
is a procreative power functioning generatively on the external plane [1 :
Ö2
:: Ö2
: 2].

Johannes Keplar said, “Geometry has two great treasures: one is the
Pythagorean theorem, and the division of a line into mean and extreme ratios,
the golden mean (F).”

F
Series of Fibonacci:

Fibonacci, a 13th century Italian mathematician, drew attention to this series,
which seems to control the laws governing the patterns of natural growth;
branching. Some examples of these laws can be seen in: the conch shell nautilus
pompilius, multiple reflections of light through mirrors, gains and losses of
radiation, breeding patterns of rabbits, ratio of males to females in honeybee
hives, philiotaxis (leaf arrangement on the stem of a plant), sunflower, cactus,
pine cones, biometry (body measurements and bone lengths), etcetera.

FIBONACCI SERIES OF F

Series

Terms

Relationship

Examples

A

1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89,
144,
233, 377, 610

Two successive terms are added together to derive the third term;

Any two successive terms tend to relate as 1:
F;

Any three successive terms relate 1:
F:
F2;

Fourth term: 1+2=3

89/55=1.61818=approx.
F;

144/55=2.61818=approx.
F2

B

1, 3, 4, 7, 11, 18, 29, 47, 76, 123, 199, 322, 521, 843, 1364

Successive ratios will tends toward
F;

Corresponding terms of series A and B tends toward Ö5;

Twelfth term: 521/233=2.23605=approx.Ö5

C

1, 5, 6, 11, 17, 28, 45, 73, 118, 191, 309, 500, 809, 1309, 2118

Whole numbers tend to be half the decimal expression of the Golden
Ratio;

“The five elements: wood, fire, earth, metal, water, encompass all the phenomena
of nature. It is a symbolism that applies itself equally to man.” –Suwen

Construction of the Polyhedra:
Trinity of Roots (Ö2,
Ö3,
Ö5)

Intelligent design (F) gives birth to the trinity of roots to
construct the pentology of elemental polyhedra. Hence, phi (F) is related to
Ö5.
(see below) The trinity within unity constructs the envelopes of
consciousness.

These
roots are considered the trinity of generative principles. These three root
relationships are all that are necessary for the formation of the five regular
polyhedra, which are also representational of the five elements.

The process of creation is the ritual for
destruction [sim.Tibetan sand painting]

Unity is represented by a circle. By squaring the circle, unity
is now represented by the square, symbolizing the transformation of energy into
matter.The square with four primary orientations (N, S, E, W) makes
space comprehensible. Two pairs of equal yet opposite linear elements (axis of
Taijitu) fulfill the universal nature. A square is made of four equal
straight lines joined at right angles. Any number multiplied by itself is a
square. Multiplication, symbolized by a cross, generates a square surface.
Crossing is an action principle. Nature means “that which is born,”
(multiplicity) which requires a crossing of opposites in order to represent the
earth.

Pythagoras said, “The purpose of life was to discover and
manifest supernatural existence within the finite.”

Root of Destiny:

The finite perfection is represented by limited whole number
arithmetic (ie. square = earth, nature). The division of unity occurs when the
supernatural is manifested within the natural [ie. the square is divided by its
diagonal (Ö2)].
The side of the original square is called its ‘root’ and is given the value of
1. The area of the square is also 1. The diagonal gave rise to 2 because square
2 is implied (grows out of the original square). The diagonal of square 1
becomes the root of square 2 (twice the area of square 1). (Lawlor)

Ö2
divides the surface of the square
(2d)

Ö3
divides the volume of a cube, and is the length of the vesica pisces
axis
(3d),

Vesica Pisces:
Generator of Form; Eye of the Vortex

Literally, ‘vesica’ is a bladder when filled with air
would be in the form of a fish, ‘pisces,’ was the predominant sacred
geometry utilized in Medieval Christian mysticism. The vesica pisces is
the fish shaped juxtaposition of two circles with their centers on each other’s
circumference (known as the eye of the vortex to the Greeks; mouth of the word
becoming flesh or window of Christ to the Christians; eye of Ra to the
Egyptians). It is the two circles and their juxtaposition (vesica
pisces) that establish the trinity, which the Chinese call the Great Triad (Santian)
of heaven, humanity, and earth.

The upper circle represents heaven, universal consciousness
(mind), the gold solar source, the unchanging, and the archetypal symbol. Heaven
is one, the whole, odd, yang, and unchanging because it is always
present. The unchanging quality of the whole is that its parts are always
changing.

“Everything a human being creates, is already there.”-
Antonio Gaudi

The lower circle (inscribing a square) represents earth (body),
empirical consciousness, the silver lunar reflection, the changing, and the
typal object particular to the event experienced. When the one divides it
becomes two parts. Dependent upon the circumstances of interaction, dichotomy
gives birth to the three, and the three to the 10,000 things that are always
changing, yet still parts of the one.

The vesica pisces (juxtaposition of the two circles)
represents the region of humanity, eye of god, balancing consciousness (spirit),
and the ectypal comprehended product of memory and present event interpretation.
The spirit (humanity) connects the mind (heaven) with the body (earth).

The Piscean Age (started 60 BCE-2100 CE) is characterized as the
formal embodiment of spirit, manifesting a deeper penetration of spirit into
form; this is the materialization of spirit. This idea is demonstrated with the
length of the axis, between the two intersecting points of the overlapping
circles, acting as the midline of the vesica pisces, which is equal to
Ö3.
Thus,
Ö3
is linked with the formative process (the embodiment of spirit; or manifesting
the supernatural within the finite). A vesica pisces succession is the
mother of all the regular polygons.

The triangle is the first and simplest polygon construction
derived from the vesica pisces (balancing
consciousness, the ectypalrealm of human perception and interpretation).

“In India the
triangle is called the mother, for it is the birth channel through which all the
transcendent powers of unity and its initial division into polarity must pass in
order to enter the manifest realm of surface. The triangle acts as the mother of
form.”-
Robert Lawlor

The human spirit relates with other living
things, perceives the archetypal consciousness, via the heart chakra
(fourth or middle chakra), or middle dantian, on the central
channel. Recalling above, the Egyptians referred to the perception of the innate
archetypal as the “intelligence of heart,” and “heart-mind” for the Hindus [sim.Vedic:
universal mind (chitta) consisting of inertia (tamas), activity (rajas),
purity (sattva)].
Furthermore, the Chinese designate the fire element with the heart, as well as
the triangle.

Qi Bo said, “...joy is a vacuum and is the emotion of the
heart.” (Huangdi neijing as quoted in Veith)

Joy, or happiness, the accomplishment of the spirit, which
resides in the heart, is a vacuum of relationship through which all form is
manifested (perceived).

Angles (triangles) become a bridge between heaven and earth. A
triangle is three angles, or angels. Heliobiology is the study of the angle as a
specification of the influences of celestial patterns (angels) on earthly
events. For instance, the angular position of the moon and the planets does
affect the electromagnetic and cosmic radiations, which impact with the earth,
and in turn these field fluctuations affect many biological processes. Leverage
is the principle that states that forces are controlled, specified, and modified
through the efforts of angulation. Also, light is refracted through substances
at different angles.

The hexagon, a progressive generative form from the vesica
pisces, is seen in carbon bonding patterns, which allow the formation of
organic substances. It is the hexagonal construction that leads to the formation
of the regular polyhedra.

“There is no god which is not all gods.”-Koran

Axis Mundi:
Conduit of the Anthropocosm (Cosmic Human)

The oneness of heaven may be discovered after
establishing theaxis of the world (axis mundi), which is a
vertical axis linking the over-world (heaven/stars; reason) with the underworld
(earth; chaos) via a particular still point that represents the center. It is
the axis mundi (within the educating human)that brings order
(expanding heaven) to chaos (changing earth). This still point is observed as
the center of gravity (navel; umbilical hole) in the human being when practicing
internal alchemy. The human being as axis mundi has been called the
cosmic human (homomundus) in Leonardo’s famous drawing, known as the
Vitruvian Man, illustrating the relationship of the navel to the golden
proportion. The human being (a microcosm), like a tree, is an axis mundi,
a conduit between heaven and earth (macrocosm).

Axis mundi superimposed on earthen
mound in Shiloh, Tennessee.

St. Bernard of Clairvaux asked, “What is God? He is length, width, height,
and depth.” (as quoted in Lawlor)

This statement defines God through the four directions, up and down (the
vertical axis which links heaven with earth), which is axis mundi. Thus,
axis mundi provides a system of measurement for earth (geometry). In
geo-physics, this statement is expressed as a cube (earth: material earth)
stabilized by two tetrahedrons spinning in opposite directions (fire: polarity
of electro-magnetic/energetic earth) (star tetrahedron; merkaba).

Merkaba and star tetrahedron: sacred
geometry visualization for transcendent consciousness at the heart.

In geometric cosmology, the mystic doctrine of
creation, the main anthropocosmic principle is that humanity is not a mere part
of the universe but rather it is both the final summarizing product of evolution
and the original seed, from which the universe germinated.

Analogos:
[seed is to tree as the cosmic man is to the universe].

The tree grows from the seed but also creates
more seeds. This is said another way in the kabalist expression, “In kether
is malcut, and malcut is in kether.” The tree is the universe,
which is the actualization of the seed, which is the cosmic man. Thus, the
cosmic man, or true man (zhenren) to the Taoists, is the source of the
universe. This notion reinforces the idea of the Upanishad, “nothing exists
without perception.” Humanity is not seen as the child of mother earth but
earth is contained in the character of the cosmic man. The notion of the cosmic
man being a part (origin) of the universe demonstrates that each fragment of the
whole contains the constituents of the overall structure of the whole. The
anthropocosm, or mystic anatomy, is the basis of astrological philosophy and internal alchemy
[eg.Hebrew: kaballah; Vedic: tantra; Taoist: neidan]..

Buddha, Jesus, and
Quetzalcoatl with Kabballah superimposition.

As
Robert Dicke puts it, “The right order of the universe
may not be, ‘Here is the universe, so what must man be?’ But instead, ‘Here is
man, so what must the universe be?”

Thus, the body of the cosmic man contains
universal proportions that are the basis for a canon of measurements used by
many civilizations, which govern poetry, dance, architecture, art, etc. (ie.
cubit, phi).

Kabballah: Tree of Life

The kabballah (Hebrew trans. “to receive” life), tree of
life, or divine lightning rod of remote antiquity found in Sumerian mythos, and
Judaic mysticism, is a highly definitive axis mundi. According to legend,
it is a cosmological teaching from the Sumerian King Melchizedek to his
faithful servant Abraham. Kabballah can be applied to all
phenomena, further defining the cosmology and processes of the anthropocosm
(cosmic man).

The creative process of life begins
in the void (ain), or unmanifested consciousness of negative existence,
which contains the endlessness of the unknown (ainsoph), which channels
limitless light (ainsophaur) through the condensation of the crown (kether)
to eventually manifest the physical existence (malcut). Energy
descends (divine lightning flash) and ascends (Jacob’s Ladder) the kabballah
in a specific path through ten spheres of light (sepherot), which are
connected through twenty-two pathways [corresponds with 22 letter Hebrew
alphabet and Chinese Ganzhi system (see
geomancy)]. (Halevi), (Sankey)

Because the number
of letters in the Mosaic-Semitic alphabet corresponds directly with the number
of nuclear chromosome pairs (22) (prior to the second manipulation; before X and
Y were added to make 23 pairs; prior to the insertion of the
“priest gene” in Adapa), [reflecting in the pathways of the Kaballah;
Chinese Ganzhi system of astrology consisting of 10 Heavenly stems and 12
earth branches, which when interplayed five times generates the cycle of 60 (Sexagenary
Cycle)], many believe that the alphabet contains “secret knowledge” with the
sophistication of the genetic code.

According to the Book of the Secrets of Enoch,
Eden’s Tree of Life “is more beautiful than any created thing; on all sides
in appearance is like gold and crimson, transparent as fire.” From its root
move four streams of honey, milk, oil, and wine, from Heavenly Paradise to the
Paradise of Eden, making a revolution around Earth. This description suggests
that the Tree of Life was as conduit between Heaven and Earth, paralleling the
Chinese idea of the Kunlun mountains, and the microcosmic orbit functioning as an
axis mundi.

Sumerian tree of life and caduceus wand
(medical symbol) with kabballah superimposition.

The fruit of the Tree of Life, which was located in the Western
Paradise of Eden parallels the mythological Chinese immortality peaches and
mushrooms (lingchi) of the Western Paradise of the Kunlun mountains, where the immortals lived.

and
Ö5
is the length of a diagonal bisecting two squares
(4-5d).

The Relationship between Ö5,
Fand the Pentagon:

The diagonal of the double square (Ö5)
is required to determine the Golden Section, from which the pentagon can be
derived. Thus, phi has an association with flowers having five petals or a multiple
of five petals. Five is the foundation for living forms, while six and eight are
the foundation of mineral and inanimate forms. The pentagon is the symbol of
life, particularly human life, thus the manifestation of the five elements.

The continuous proportion expressed that the universe is God
creating himself, thus creation cannot exist without perception and to perceive
is to relate. And to relate is to be. With the Golden Proportion being the only
possible continuous proportion to create duality within unity, the construction
of the pentagon came to represent divine manifested form (life derived from
phi; man was created in God’s likeness). Pentagonal geometry manifests
naturally in biological systems.

The Golden Triangle:

In Taoist cosmology, the pentagon represents the generative cycle
of the five elements: fire®
earth®
metal®
water®
wood. Where as the pentagram inscribed within it
represents the destructive cycle: fire®
metal®
wood®
earth®
water.

The ratio of the length of one of the lines of the pentagram and
a side of the pentagon is F:1,
respectively. Each line of a pentagram is bisected in two places creating three
segments, two equally long segments at the ends and one shorter one in the
middle. The ratio of the length of the longer segment to the shorter one is
F.
Interestingly, the sum of the lengths of the shorter segment and one of the
longer segments is equal to a side of the pentagon.

The Golden Triangle is an isosceles triangle in which the ratio
of either of the two equal sides to the shorter base is F.
The two base angles are 72° and the vertex angle is 36°. Twenty Golden Triangles
can be found within the pentagon-pentagram construction, 5 small, 5 large, and
10 medium. The base angles of 72° express the number of years to establish 1° of
precession in the zodiac (72x30=2160; zodiac age).
The vertex angle is 36°
shows a mathematical connection with all aspects of Taoist numerology, most
particularly the sexagesimal calendar (60 x 60 = 3600 year epoch); [sim.Sumerian:
Nibiru sun circuit].

The Golden Navel:

“Man is the measure of all things.”
–Heraclitus

The navel is the center of the universe. The ancient Chinese
character for ‘zhong,’ meaning middle, or center, and
F
(phi) are virtually the same.

By taking the human height as 1 (unity), the locus of the
genitals is at ½ the height, and the distance from the feet to the navel is 1/F,
and from the navel to the top of the head is 1/F2.
In females the cut of the Golden Section is slightly above the navel, while in
males, slightly below. Sexuality, expressed by ½ and Ö2,
is the ever-expanding, halving-then-doubling, procreative function of man. At
birth however, it is the navel that divides the child in half. Phi
integrates part to whole by relating the child to its origin, its mother (the
universe). Phi represents the relational power in the navel, which binds
individual awareness with the totality of its origin to which it will return.
The navel, center of the physical self, is what the mind focuses on to lay the
foundation for spiritual accomplishment during meditation.

“I am that which binds. I am the golden navel of the universe. He
who knows this knows Upanishad. Upanishad means 'near approach.’”
–Upanishad

These roots are considered the trinity of generative principles. These three
root relationships are all that are necessary for the formation of the five
regular polyhedra, which are
also representational of the five elements.

The meaning of the letter-number encryptions could be
understood by seeing the archetypical pattern of mathematics expressing the
vibratory frequency inherent to the observed phenomena within space-time
continuum. In other words, mathematical expression (ie. numbers progressing
through dimensions: 1. number in number- arithmetic, 2. number in
space-geometry, 3. number in time-music, and 4. number in
space-time-astronomy) became the methodology of code encryption.