“Those tweets don’t give an accurate picture of how well the Roadshow 70mm showings have gone,” Lomis said. “They represent issues that were rare and far between. And when those select occurrences happened, the projectionists immediately fixed the issue or switched to the DCP print, so moviegoers all still got to see Quentin’s incredible film. Part of the risk and thrill of 70mm and celluloid film is honoring its imperfections and the history it brings with it. The box office numbers speak for themselves to how well audiences are responding to this film.”

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Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]

Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]

Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]

Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]

Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]

Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]

Despite a strong opening for Quentin Tarantino’s “The Hateful Eight” 70mm Roadshow engagement, projection problems plagued several screenings over Christmas weekend. Some projections were out of focus, while others had no sound or experienced soundtrack synching issues, according to reactions on Twitter. Erik Lomis, distribution chief for The Weinstein Company, asserted that the problems occurred […]