Friday, October 19, 2007

Barry's Reviews---"Wilders Walk Away"

Wilders Walk Away (1948) by Herbert Breanreviewed by Barry Ergang

Former newspaper reporter turned freelance photojournalist Reynold Frame travels to the village of Wilders Lane, Vermont to get a story and steps back in time. Figuratively, that is, because Wilders Lane has been restored to its pre-Revolutionary War look.

The village is named after its oldest family, the Wilders, whose history is pocked with inexplicable, seemingly impossible disappearances starting with Jonathan's in 1775 and extending forward to the novel's mid-20th Century present. The vanishings have given rise to a chant known to everyone in Wilders Lane and surrounding areas:

"Other people die of mumpsOr general decay,Of fevers, chills, or other ills,But Wilders walk away."

In search of lodging, Frame goes to the restored home of the lovely Constance Wilder, her sister Ellen, and their Aunt Mary. As he arrives, Ellen emerges from the house carrying a suitcase. She's been invited to visit another aunt. Frame gallantly lugs the heavy suitcase to the bus stop for her, then returns to the house where he strikes an agreement with Constance to rent a room for a week.

Later that night, there are suspicions that Ellen has "walked away." Her mysterious vanishment is of brief duration, however, because Reynold Frame finds her murdered body in a freshly dug grave. This in turn leads to the discovery of Constance and Ellen's father's body, also clearly the victim of a murderer. A year or so earlier, at his office, Fred Wilder walked into a storeroom under observation from outside—and disappeared.

A day or two later, at the Wilder home, Aunt Mary leaves Frame and Constance at the dining table, goes into the kitchen to fetch dessert, and vanishes.

Smitten with Constance and possessed of the reporter's inextinguishable curiosity, Frame is inexorably drawn into the investigation. As the situation deepens, he manages to solve the "walkaways" of the past as well as those of the present, and ultimately identifies the present-day murderer.

Although I employed more intuition and guesswork than deduction a la Frame, I found it relatively easy to identify the murderer. In spite of that, I enjoyed the book a great deal thanks to Brean's unerring pace and construction.

Brean was undoubtedly influenced by John Dickson Carr, as his sense of history and penchant for the "impossible situation" attest. His writing style is much leaner and his atmospheric effects more understated than JDC's, but he can be quite engrossing nonetheless. For a little while I thought I'd found in Wilders Walk Away a companion to The Three Coffins and Rim of the Pit for ultimate greatness. That degree of feeling didn't sustain itself, but I can still recommend Wilders enthusiastically. It's even better than Brean's The Traces of Brillhart, which I read a few weeks before.

Brean's work is long out of print, so those who are curious will have to try e-Bay, Half.com, and ABE.books as I did. I have two other Reynold Frame novels, Hardly A Man Is Now Alive and The Clock Strikes Thirteen, to read, along with a non-Frame police novel that appears to be more thriller than whodunit called Dead Sure (original title Matter of Fact). I'll report accordingly.

Kevin's Corner

Sandi's Cancer Fight Is Over

Thank you for your prayers, thoughts, and support for the past six years plus as Sandi did everything she could to be here with all of us. She is now free and not hurting anymore. I am still trying to pay off her past treatments at Medical City Dallas Hospital as well as at Texas Oncology. While the hospital can't handle direct donations, if you can help and would prefer to donate directly, please contact Debra, the financial counselor at TEXAS ONCOLOGY in SUITE 220 of Building D at Medical City Dallas Hospital in Dallas, Texas. We thank you for your prayers, thoughts, and support for the past six years plus as Sandi did everything she could to be here with all of us.