Slutlips is a horror/drama/thriller film that is delivered in a shape of a musical album but exceeds the usual limitations of such an art form and includes entire voice acting sequences, combines instrumental baroque music with soundtrack/song structures, explores weird combos like a classic orchestra playing as it would have been a metalcore band. It also includes beautiful jazz parts arranged, composed, and performed by a brilliant multi-instrumentalist Alan Wild Matthews, who played trombone, trumpet, saxophone, guitar, and voice acted for this album.

The nonlinear plot evolves through the eyes of two main characters—Lily and Alice—and follows them through the surreal David Lynch ‘esque situations and sequences that in time reveal the full story, a story of toxic relationships, child abuse, daddy issues, homicide, and police investigation peppered with flat-out humor, dready soundscapes, and musical twists you wouldn’t expect around the corner. Slutlips heavily refers to such masterpieces by David Lynch as Mulholland Drive, Twin Peaks, Blue Velvet, and Lost Highway; quotes characters from Charmed, Supernatural,Ken Park, Pulp Fiction, and even video games like Thief. Sometimes shockingly dreadful, sometimes ridiculously comic, painfully dramatic at the core, it is based on real stories of abuse, but takes it into a fantasy world of fiction making you wonder whether it is just you or does its thorny beauty contain a charm far beyond what meets the ear.