On November 4, 1978, the Saturday supplement of the Mexican newspaper Unomásuno devoted pages to Pedro Meyer’s coverage entitled “Ernesto Cardenal on the Gospel amidst M-1 Rifles.” The newspaper continued to giveMeyer “a daily platform to report on the war” in Nicaragua, at a time it was covered “only superficially by the mass media” in Mexico.

Recalling those times, Pedro commented to curator Wendy Watriss: I went there when I was 39 years old. I had just begun to devote myself fulltime to photography, and I had never worked or published anything in a newspaper. I had never done that type of professional photojournalism . . . Why Nicaragua? It was an important political story, a revolution or insurrection. I wasn’t convinced that the photographers who were covering it were doing a good job, so I decided to face the challenge myself. Of course, this was connected with my own ideas. If I had lacked any political consciousness about what was happening there, I would never have gone to Nicaragua.

I had not seen professional photographs of the Nicaraguan civil war of 1978 and 1979. I found myself evoking many moments I lived there when I was 11 years old. My 16 year old daughter has a school project about the Sandinista Revolution, and I was trying to explain to her what my family went through; however, showing her these pictures spoke more than words. Thank you Ms. Wendy for curating and thanks to Mr. Pedro Meyer for risking his life to leave proof of such horrendous moments in the history of my country that changed my life forever. Best regards, Sara

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