“Outer-Art”
is a movement set up as a protest against, or to ridicule, the random modern art
which states that everything is… art!It was initiated by
Florentin Smarandache, in 1990s, who ironically
called for an upside-down artwork: to do art in a way it is not supposed to be
done, i.e. to make art as ugly, as silly, as wrong as possible, and generally as
impossible as possible!

He
published three such (outer-)albums, the second one called “oUTER-aRT, the
Worst Possible Art in the World!” (2002).

Excerpts
from his (outer-)art theory: <The way of how
not to write, which is an emblem of paradoxism, was later on extended to the
way of how not to paint, how
not to design, how to not sculpture,
until the way of how not to act, or how
not to sing, or how not to perform on the stage – thus: all
reversed.Only
negative adjectives are cumulated in the outer-art: utterly awful and
uninteresting art; disgusting, execrable, failure art; garbage paintings: from
crumpled, dirty, smeared, torn, ragged paper;using anti-colors and a-colors; naturalist paintings: from wick, spit,
urine, feces, any waste matter; misjudged art; self-discredited, ignored, lousy,
stinky, hooted, chaotic, vain, lazy, inadequate art (I had once misspelled 'rat'
instead of 'art'); obscure, unremarkable, syncopal art;para-art; deriding art expressing inanity and emptiness; strange, stupid,
nerd art, in-deterministic, incoherent, dull, uneven art... as made by any
monkey!… the worse the better!>