Posts Tagged ‘San Francisco’

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Kristin Carlson reviews Building the Noble Ruin at the Patton-Malott and Gideon Gartner Galleries of Anderson Art Ranch in Snowmass Village, Colorado. Excavated from iconic gay culture[…..]

Today from our partners at Art Practical, we bring you a review of the current group show at Gallery Wendi Norris in San Francisco. Author Danica Willard Sachs writes: “In a moment when the commonplace assumption is that photographs are digitally manipulated, the exhibition shines in its success at reminding viewers that wonder can still be found in the analog realm of the darkroom, or[…..]

Today from our partners at Art Practical, we bring you a review of Jean Conner’s collages at Gallery Paule Anglim in San Francisco. Catch this show if you can! Author Genevieve Quick calls the artist’s work “strongly provocative” and notes, “[Conner’s] confidence and skill in selection, placement, and juxtaposition… create surprising amounts of visual play, leading to strong formal compositions and intriguing ideas.” This article[…..]

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nancy Garcia reviews Living with Endangered Languages in the Technological Age at Root Division in San Francisco. In Living with Endangered Languages in the Technological[…..]

From our partners at Art Practical, today we bring you Kara Q. Smith’s review of Keith Haring: The Political Line at the de Young Museum in San Francisco. Smith notes that the exhibition “…offers the chance not only to appreciate the artist’s work and iconic imagery from multiple perspectives (albeit sometimes dizzying at this scale), but most importantly the chance to bring new context to the work.”[…..]

Anthony Huberman was appointed the director of the CCA Wattis Institute in August of 2013, but only really started reshaping the institution this fall with an intriguing—and fairly democratic—strategy for presenting and thinking about contemporary art. As the founding director of the Artist’s Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be[…..]

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Marion Cousin reviews José León Cerrillo and Ilja Karilampi at Kiria Koula in San Francisco. Founded by Colombian curator Juana Berrío and Mexican duo Leticia Vilalta and Rodrigo[…..]