Ficciones by Jorge Luis Borges

Jorge Luis Borges was one of those very rare creators who changed the face of an art form—in his case, the short story. His work has been paid the ultimate honor of being appropriated and imitated by innumerable writers on every continent of the world.

The seventeen brief masterpieces of FICCIONES explode the boundaries of genre, offering up labyrinthine libraries, a fictional encyclopedia entry that spawns an entire world, a review of a nonexistent writer’s attempt to re-create Don Quixote word for word, a man with the disabling inability to forget anything he has ever experienced, and other metaphysical puzzles.

But the true measure of Borges’s greatness lies in the fact that his fictions—elaborately paradoxical, postmodern, and intellectually delicious as they are—managed to return the short story to the realm of the fabulous and the uncanny from which, as parable and fairy tale, it originally came.

Jorge Luis Borges (1899–1986) was an Argentine poet, essayist, and author of short stories. His most notable works as a key literary Spanish-language figure of the twentieth century include Ficciones (Fictions) and El Aleph (The Aleph). He received a BA from the College of Geneva. He was also appointed the director of the National Public Library and professor of English literature at the University of Buenos Aries in 1955. During his lifetime, Borges received the first Prix International Formentor Prize which he shared alongside Samuel Beckett in 1961. He also received the Jerusalem Prize for the Freedom of the Individual in Society in 1971.