In 100 words: The Bergman film that feels the least gimmicky in its construct but still the most potent in its delivery. Released at the height of Vietnam War, this film affirms the savagery of war but its intrusion into a couple’s life manifests not only in the physical toll but more profoundly in their psychological well-being. Their marriage was never perfect, as the script’s incisive dialogue suggests early on, but the terror and chaos have magnified their weaknesses, and cracked open their animosity towards each other. Shot for shot, it’s Bergman’s most realistic and immediate film. Bleak, unsparing, and damn near perfect.

Other Movies for Context: Thematically, Bergman’s movie kind of reminds me of The Hurt Locker (2009), although blown up and more focused on “war as a drug” aspect. Although underneath that story, it feels like a rich examination of a couple so unsuited for each other. Otherwise, Bergman’s filmography offers a rich examination of marriage: Scenes from a Marriage (1973) being another highlight, while his script for The Best Intentions (1991) was directed by Bille August. Bergman is among my favorite directors, and he will show up two more times on this list.