"Unfortunately, Larsson's narrative meanders listlessly through a Swedish mining company's machinations, some in Europe, some in Africa, and doesn't gather a lot of steam. However, descriptions of a murderous children's army in Uganda stick in the memory long after Larsson's adult characters blur out." - Richard Lipez, The Washington Post

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Several of the main characters in The Black Path appeared in Larsson's previous two mysteries in the series, but the quick recap of what happened to them -- especially lawyer Rebecka Martinsson -- are adequate for the purposes of this book, which stands readily enough on its own as a police procedural.
The investigators on the case are family-woman Anna-Maria Mella and Sven-Erik Stålnacke, called out on a cold night in northern Sweden when a frozen body is discovered.
The woman is soon identified as Inna Wattrang, head of information for a high-flying company called Kallis Mining, but the peculiar way she was murdered leave many questions open.
Rebecka Martinsson is also working in the area now, having more or less overcome the horrific things she lived through.
She resigned her corporate law position and is now a paper-pushing bureaucrat, but she likes losing herself in her work, and when Anna-Maria calls on her for help she's glad to do all the necessary research, helping to put the pieces together of the convoluted crime.
Kallis Mining has their fingers across the globe, in what is clearly a pretty rough and tumble business.
But young Mauri Kallis has always had a knack for these sorts of things -- as Larsson goes to considerable lengths to explain.
Larsson weaves a tale of international intrigue and conspiracies along with murder; along the way she also presents a lot of the background of most of those involved.
A lot of background.
There are a lot of lonely people here, and Anna-Maria seems the only one with a truly stable sort of family life.
Many of their others are alone -- and lonely --, with, at best, some pets to tide them over (there's a lot of talk about cats and dogs).
Several come from terrible circumstances, taken into care as children, and Larsson harps on that a lot as well.
There's something to be said for explaining the circumstances of the various actors leading up to where everything goes so wrong, but there are an awful lot of characters to deal with here, and there's an awful lot of background material that's heaped on here.
Given the finale Larsson unleashes, the build-up is perhaps understandable, but it still doesn't work all that well.
It's hard to remain interested in so many characters, especially as the narrative moves away so often from the present-day investigation.
In many ways this is also a book about business ethics, and the Scandinavian ideals -- such as Rebecka 'explaining' about how, for example, setting up a mine in Uganda changes the company fundamentally: "You have an employer's responsibility. You become ... how shall I put it ... you become part of a society, of the country where you're starting your business" -- must sound odd
to MBA-educated capitalists to whom such notions of employer's responsibility are complete anathemas (yes, yes, even American business school graduates offer token acknowledgement of the necessity of integrating into the local scene, etc. but certainly not in the way that is meant here).
A decent police-procedural, The Black Path is ultimately too unfocussed for long stretches.
Larsson's comprehensive approach is simply overwhelming -- and practically swamps the murder-mysteries themselves.