The paintings have been recently edited a 84-hour Internet – Who is the “Apollo 18” would have viewers believe that this is the real story of how NASA and the Department’s final secret manned mission to the moon in 1974 after the lunar program officially closed, the astronauts said that they were kept secret then.

By the way, “Apollo 18” – a thriller to find pictures of the Spanish director Gonzalo Lopez-Gallego faux a script by newcomer Brian Miller and produced by Russian filmmaker Timur Bekmambetov. The astronauts are played by Warren Christie, Lloyd Owen and Ryan Robbins.

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When it starts to look like the heads of mission on Earth is somehow deceiving astronauts – Watergate is explicitly mentioned in the conversation, Space Explorers realize alone are nothing to rely on except yourself, and things in their hands. The film is a surprisingly long time to rev, and even less than 90 minutes and feel fine at the time of purchase. Given that the nominal value of the building, why should anyone join the “found footage” to get a lot of good stuff.

Images from space missions are often a bit of horror and concern, fixed camera, meditative, Harsh Lighting strange angles and the images can be sad or Scary? The story of the astronauts set up with cameras, motion sensor cameras with them on the moon and Kodachrome hand as a means to explain how the images will be captured and the differences in quality, color and texture and images. (Director: Patrick Lussier last “Evil 3D Drive” – ​​is credited as an editor and not a very good job of sorting it all)

Possibility of being imprisoned on the moon is essential for rapid Blunt, and the film, when his best is a real piece of shrimp, a few astronauts trapped in a landing pod anxiously trying to figure out what to do: The filmmakers are not concerned about how the images came to found or physics and realism, such that if one really was attacked by the creatures on the moon. Even in the “Apollo 18” – is not as it should be a little reserved and modest manipulation, the rising tension of the film instead of the big shocks or scares.