Category: Processing

There’s something in the simplicity of Black and White photography that speaks to the art of the medium. Maybe the removal of colors accentuates the composition? Maybe the monochromatic tones show more than initially captured? Maybe it’s an act of getting back to the roots of photography? Whatever the reason, there is a simple charm and stark boldness in Black and White photography.
This image received 1st Place in a Black & White Contest, partly due to the contrast of light and darkness.
Over the years, I’ve been able to train myself to see which pictures are best suited for the Black and White conversion. Back when I was photographing with a point-and-shoot Olympus C770, I would occasionally take pictures with the “Black and White” filter. At the time, I didn’t have the post-processing tools I needed to create stunning Black and White photographs, so I relied on the simple (and limiting) in-camera filter. Now, with the help of Photoshop, I have...

I'll be the first to admit that Photoshop (or the post-processing program of your choice) is a powerful tool. There’s a lot that it can do to help a photograph reach its full potential. From color-balance to adjustments in light and shadow, Photoshop helps make a good picture great. Even slight composition errors can be fixed with Photoshop (usually through a bit of cropping to achieve the “rule of thirds”). All this being said, for a long time I was a staunch supporter of “pure” photography; that is, presenting a photograph as it was taken by the camera, with no adjustments or tweaks made after the fact. With the public outcry of Photoshopping pictures so people appear more “beautiful” than they really are, I certainly can see the benefit of pure photography representing the world as it really is.
This double exposure was aided by some post-processing of the colors and shadows.
Of course, once I started to see my pictures pop...