Contents

A fifth-generation Californian, Sharon Gless was born in Los Angeles, the daughter of Marjorie (McCarthy) and sportswear manufacturing executive Dennis J. Gless. Her maternal grandfather was Neil McCarthy,[4] a prominent Los Angeles attorney for Howard Hughes, who also had a large clientele of major film studio executives and actors. Wanting to become an actress, she sought her grandfather's advice and he told her, "Stay out of it, it's a filthy business!"[4] A few years later, though, when she spoke to him again about acting, he encouraged her, and gave her money for acting classes.[5][6]

She worked as a secretary for the advertising agencies Grey Advertising and Young & Rubicam, and then for the independent movie production companies Sassafras Films and General Film Corporation.

While she worked as a production assistant, Gless studied drama with acting coach Estelle Harman,[7] and in 1974 she signed a 10-year contract with Universal Studios. Near the end of her contract, she was identified in the media as the last of the studio contract players[8] — a salaried, old Hollywood apprentice system which Universal was the last to employ. Actress Elizabeth Baur is Gless's first cousin.[9]

While under contract with Universal, she co-starred in a number of properties, including the 1979 Steven Bochco television sitcom, Turnabout (based on the Thorne Smith 1931 novel about a husband and wife who temporarily switch bodies), which failed to be a ratings blockbuster, and, briefly in the sitcom House Calls (in which she replaced Lynn Redgrave, who'd left due to a contract dispute).

Beginning with the series' seventh episode/first full season, Gless replaced actress Meg Foster in the role of NYPD police detective Christine Cagney on Cagney & Lacey. (The role had been originated, in the pilot installment, by Loretta Swit. Swit, like Foster, was chosen as Cagney because, though the character of Cagney had been created with Gless herself in mind, she was unavailable for the pilot or the first seven installments of the first season.) In 1991, she married the series' executive producer, Barney Rosenzweig, who speaks in his book Cagney & Lacey...and Me about wanting Sharon Gless from the beginning and Gless being unavailable due to her contract with Universal.

Rosenzweig created the 1990–1992 CBS drama series The Trials of Rosie O'Neill for Gless and, uncredited, played the only partially seen psychiatrist to whom the attorney Fiona "Rosie" O'Neill confided at the beginning of each episode. Gless, who had garnered six Emmy nominations – including two wins and a Golden Globe win for her role as Cagney – earned two additional Emmy nominations and a second Golden Globe win for this subsequent series.

In 1993 and 1995, Gless and her television partner, Tyne Daly, joined together to re-create their title roles in a quartet of critically acclaimed and popular Cagney & Lacey television movies. Gless and Tyne Daly jokingly called these "The Menopause Years".

Between 2000 and 2005, Gless appeared as Hal Sparks's mother, Debbie Novotny, in her biggest and most critically acclaimed role since Cagney & Lacey in the acclaimed Showtime cable television series Queer as Folk.

In 2009, Gless starred in her first leading role as a lesbian character in the independent film Hannah Free (Ripe Fruit Films), described as a film about a lifelong love affair between an independent spirit and the woman she calls home. The film is based on a screenplay by the Jeff Award-winning playwright Claudia Allen and directed by Wendy Jo Carlton.

Gless's most recent stage appearance was as Jane Juska in A Round-Heeled Woman, Jane Prowse's stage adaptation of Jane Juska's book A Round-Heeled Woman: my Late-life Adventures in Sex and Romance. The first production ran in San Francisco in early 2010. Sharon starred in a new production in Miami, December 2010 - February 2011, directed by Jane Prowse. A production took place in London, transferring in November 2011 from Riverside Studios to the Aldwych Theatre, where the run closed on 14 January 2012.