Geoff Boyle's CML rant area

If you’ve got no ambition why bother?

I’ve been involved in another of those wonderful Twitter/Facebook threads about exposure and again I keep getting told that you don’t need a meter and using a waveform is far more accurate.

Well yeah, if you have absolutely no ambition and are happy shooting single camera on corporates and weddings with the odd bit of news thrown in but if you have any ambition at all you’ll need to learn how to use a meter!

You may never get the chance to go for “the big one” but I promise you, if you don’t know how to use a meter you will fail if you ever do get the chance.

How do you recce a big interior location where you will have to enhance the available light without a meter?

How do you work across multiple locations/sets and match everything if you don’t have a meter?

How do you prelight a set or location if you don’t have and understand a meter.

Once you move beyond the perfectly good work in single camera you will not be able to have a camera and a monitor with you at all times. It’s just too bloody expensive.

My personal record for pre-lighting, recceíng or shooting, is seven simultaneously in a day. How do you do that with a camera and a monitor? ONLY a meter will work.

To use a meter properly you have to learn how meters work, you have to learn how visualise how scenes will appear on a monitor or screen. You need to understand what brightness levels need to fall where.

I use both spot and incident meters, the incident to get an overall level reading and the spot to look at individual areas. You need to know where skintones will fall, what the key to fill ratio you like is. You need to be able to measure that ratio.

As we move to HDR you need to use a meter even more. There will be a temptation to use all that extra range but that will only lead to pain, as is clear with some of the HDR series currently on Netflix.

You can let specular highlights go but you need to be aware of areas that may well hold detail in HDR but regardless of this they’ll be too bright and distract from the main scene. A meter will help you hugely with this.

On the other hand you can ignore this and go on with your single camera and monitor and in later life look back and wonder why you never moved on…