By the time Jill Jones’s eponymous debut dropped in 1987, she had been in the employ of That Guy From Minneapolis for many years; she was first seen as an eyebrow-raising blonde in the videos from the 1999 album, prompting many (including yours truly) to wonder just who she was. In Purple Rain, the answer was finally given. Next to Morris Day and Jerome, who ultimately stole the show in said film, she had one of the more memorable appearances in that film. In the background, she provided much support to That Guy’s projects as a vocalist.

Here where Jill is on the stage by herself, it is quite evident why she provided such support. She can hold a tune or three, not to mention, she provides a rather entertaining energy to tracks obviously written by That Guy that would not have come from anyone else (see: “All Day, All Night”). Much of the material on this record has its genesis in the period from 1999 to Purple Rain, which was a treat to those enamored with that style of music, who may not have been completely aboard with That Guy’s post Purple Rain material. In general, this was the case with Paisley Park releases. “Violet Blue” is a scorching, deep slab of Minneapolis Funk that rarely makes the lists of even the most Purplesaurus Rex-drinking fan of That Guy. “G Spot” was originally intended for Vanity/Apollonia 6, but finds a nice home with Jill and her more-than-capable voice. Overall, an enjoyable listen, made entertaining by Jill’s vocal energy.