Is Bestseller a Dirty Word?

Crichton and Clancy. Grisham and Higgins Clark. They all sell huge and we consider their books enjoyable throwaways. But "Snow Falling on Cedars", "Cold Mountain" and "Angela's Ashes" spend years on the Bestseller list and also win National Book Awards. Can we judge a book by how well it sells and does that change your experience with it?

Answers

Much of the problem with "bestseller lists" is the result of making
what is a tool for the publishing industry into a marketing tool.
They make sense for publishers who have a legitimate interest in
knowing how their books are selling relative to each other, or for
booksellers to know what they should be stocking. They are not,
except in the minds of cover designers who slap "New York Times
Bestseller" on the front of every book that's made an appearance in
that list (whose validity is questionable), a sign of literary
quality.

The very question being asked brings to the fore a different
relationship, namely that between the profit-driven publishing
industry and readers who do not consider their book purchases to be
in the same vein as mere physical items, like food or new stereo.
Rather, they are buying entrance into a art performance of a kind.
The publishers, meanwhile, are more worried about how many units
they're selling, whether those units be a Pulitzer Prize winning
autobiography by Frank McCourt or some disposable sci-fi paperback by
Alan Dean Foster.

As such, it shouldn't concern a true reader whether or not a book is
a best-seller or not, except insofar as the publishing industry's
desire to produce "big sellers" prevents them from providing works of
higher literary merit but smaller print runs. Best-seller lists are
things that, if one ignores, will have no real effect on your life.