Why Do So Many Millennial Bathrooms Look The Same?

Why Do So Many Millennial Women's Bathrooms Look The Same?

Well-lit, surprisingly large spaces in which every possible surface is covered in flawless white marble. Diptyque candle jars, their waxy remnants scooped out, used to hold assortments of lipsticks and makeup brushes. A mirrored tray with just the right assortment of jewelry, perfume bottles, and cosmetics. A hanging plant — or three! — above a white clawfoot tub, fronds dipping just low enough to make you wonder if their owners can reach up and touch them while bathing.

Recognize any of these bathroom decor and storage trends? If so, that’s likely because each is ubiquitous on the influencer-driven beauty site Into The Gloss — precursor to and editorial arm of the cosmetics company Glossier — and The Coveteur, another popular site that regularly features the bathrooms, beauty routines, closets, and homes of the hip, wealthy, and well-connected. The point of these franchises is to document the beauty and shopping rituals of a certain breed of cool-yet-relatable woman — you know, inasmuch as model-slash-DJs, fashion entrepreneurs, and people with last names like Getty and Vreeland are “relatable.” But they have simultaneously, and probably inadvertently, perpetuated a highly specific interior design aesthetic that, over the past few years, has begun to show up everywhere. You may have even adopted it yourself.

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“They've even influenced the way I style my own bathroom!” interior designer Ariel Okin, who works with the popular design firm Homepolish (which just so happened to design an office for Into The Gloss in 2015), tells Refinery29. “Creating a zen, spa-like atmosphere has become paramount in bathrooms since the boom of the ‘bathroom interview.’" She cites an ongoing desire from her customers for ITG-inspired flourishes including “teak accents,” “plants in the shower,” and “color-coordinating products in the medicine cabinets.”

A post shared by Into The Gloss (@intothegloss) on Apr 11, 2018 at 1:23pm PDT

While both the look and its popularization via social media are quintessentially millennial, the concept of bathroom as both an articulation of the self and a site for women’s self-care is far from new. The notion of a woman having a room devoted to pampering and beautification dates back around 50 BC, when Cleopatra is said to have had a such a space, complete with a marble tub for her milk-and-honey baths. Marie Antoinette, of course, also had one. But it's probably most heavily associated with Old Hollywood, though the aesthetic back then — large bulbs surrounding a mirror, sumptuous fabrics, saturated colors — is much richer and more overtly feminine than today’s. More recently, famed interior designer Martyn Lawrence Bullard coined the term “glam room” to describe the over-the-top bathrooms and bathroom-adjacent spaces where famous women, including, apparently, first lady Melania Trump, get their hair and makeup done.

“I actually think it's quite a renaissance of the Victorian era when women had a ‘boudoir’ attached to their bedrooms (men had “dressing rooms”),” Okin says. “There's something very personal and special about that time in the morning before work or evening before a date or an event when you're getting ready for what lies ahead, and the bathroom is, in essence, a vehicle for that moment.”

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You can see plenty of ITG inspiration at work in the restrooms at the buzzy women-only clubhouse The Wing, which has locations in Manhattan, Brooklyn, and Washington, DC. In each of these locations, plant-filled, pink-accented white vanity tables — complete with those familiar mirrored trays holding high-end products from the likes of Chanel and The Ouai — aid many of the same kind of women who have been featured on Into The Gloss (think club founder Audrey Gelman, photographer Petra Collins, and Jenna Lyons) in getting ready for after-work events.

A post shared by Into The Gloss (@intothegloss) on Jul 30, 2017 at 2:18pm PDT

Interior designerChiara de Rege, who worked on The Wing, agrees with Okin that the Into The Gloss aesthetic has played an increasingly central role in how the women she works with conceive of their bathrooms. But, she says, for many of them, budget is still the primary concern.

“My clients often pin bathrooms from these sites for mood or inspiration. What’s interesting is that sometimes the inspiration isn’t actually that over the top. It might look it, but often it’s just really chic ways to reinterpret budget friendly solutions,” she tells Refinery29, noting that, when she was working with the team at The Wing, “our inspiration was more budget-related.”

De Rege is correct that this look — or, at least, a version of it — is somewhat easy to recreate on a budget, thanks in large part to the fact that it’s so minimalist. Perhaps this fact helps account for its immense popularity. Thanks to the bastion of democracy that is Instagram, there’s plenty of evidence that women around the world are not only gravitating towards this specific look, but taking it upon themselves to share their bathrooms with the wider world. The hashtag #TopShelfie — a phrase coined by ITG — reveals over 16,000 posts, while #ITGTopShelfie has upwards of 33,000, many from regular users unaffiliated with the brand who are nonetheless eager to share their version of minimalist-luxe bathroom glamour.

A post shared by laura 🥀 (@laura.craffey) on May 20, 2018 at 5:02pm PDT

All of this begs the question of which came first: The aspirational bathroom or its ultra-specific aesthetic? Neither Into The Gloss, Glossier, or The Coveteur responded to requests from Refinery29 for comment on this story — we’d have loved to have asked them if, somehow, all of the women they profiled in the early days happened to share the same interior designer, or whether they sought out women whose homes looked vaguely similar to one another. But all it takes is a deep-dive into the archives of the sites to glean that this has, in fact, been the style they’ve been pushing since the get-go. And yet, these are presumably just the bathrooms their chosen subjects happened to have.

Perhaps nobody really invented the ITG bathroom aesthetic. Perhaps it just happened, through some combination of coincidence, burgeoning technology, and the foresight of people whose job it is to know what’s cool. After all, many of the women the various sites profile work in fashion, and trends in that realm regularly filter into the worlds of interiors, product design, and even architecture. And due to the relative infancy of the internet, these sites mark the first time personal bathrooms have really been shared with the wider world (outside of pictures in shelter magazines, where they were rarely the main attraction). Maybe this particular aesthetic took off because it was really the first to be made accessible to a wide swath of women, not just those with a lot of money or an established interest in interior design.

A post shared by 🌹MVDEINFEB (@mvdeinfeb) on May 16, 2018 at 5:58pm PDT

While the desire for a bathroom that doubles as a lounge, vanity, and even greenhouse seems here to stay, there’s a sunset for all aesthetic trends, even those that have pervaded for the better part of the past five or so years. We’re finally seeing a shift away from minimalism (not to mention millennial pink), both in fashion and in the world of interiors. What’s more, certain hallmarks of the ITG look have begun to feel cliche. I say this as someone who recently finished a Diptyque candle, considered cleaning it out for use as a bathroom storage vessel, then thought the better of it. Instead, I allowed my boyfriend to turn it into a makeshift ashtray, which I think is pretty much the antithesis. I feel like, at this point, I’d rather come up with my own cutesy storage hacks than steal one I've seen in every influencer's bathroom.

“What I think is different now is that more and more women aren’t so interested in having a formulaic kind of bathroom,” de Rege posits. “They are interested in infusing personality into these spaces and stories and layers with unexpected materials, colors, pattern, and art.”