NOTE to ENGLISH SPEAKING VISITORS---there is an introductory article in English about the City of Halle, 2nd in page-list left, in which you can see what the City Square discussed below originally looked like. There are also a few other short commentaries there.

Why Halle? Because Halle and Germany are the center of Borgitektur, center of the Cult of Ugliness that was founded 100 years ago. The cult is often referred to as "Bauhaus" or "Modernism."

Right after the fire in Notre Dame I was going to write a satirical article about "LeCorbusier's Fetid Corpse"™ rising out of the ground ready to continue his program to wipe the old Paris off the face of the earth. [LINK, Voisin Plan] His hatred of Paris, culture, art, humanity was expressed so clearly in his Voisin Plan for Paris.

This was not to be some Green Field utopia. No, for LeCorbusier, his plan was to destroy over 1,000 years of French culture and achievement. Well, he did himself one better: he and his cohorts of the so-called Modern and Bow-Wow-Haus destroyed culture, beauty and human achievement worldwide.

Certain other people in certain other places had similar ideas but didn't make it past mid-century.

But the face of artistic and cultural authoritarianism triumphed across the globe as in those old animations of red paint flowing down from the North Pole to cover the earth.

But, occupied by family life, my satire of "LeCorbusier's Fetid Corpse"™ was not to be written right away and now it would be an empty exercise since "real life" has caught up.

Bela Lugosi may be dead but the other cadaver, the other cultural zombie apocalypse, "Modernism's Fetid Corpse"™ arose almost immediately to declare that the rebuild of Notre Dame should be "modern", steel, glass, or some such shit. It doesn't really matter what, since everyone knows that whatever the "Modernists Fetid Corpses"™ come up with, well, it will just be the usual angled, tilted stack of steel, glass or some shit.

The Borgitekts smell the damaged body of the Cathedral and long for the oppportunity to kill it off. After all, that is what so-called architects (correct appellation: Borgitekts) do on a daily basis.

They see an old town square in Germany and can't wait to shit glass sheets and proctological Mies-Van-der-Rohe gray I-Beams onto it.

France may have had "LeCorbusier's Fetid Corpse"™ but Germany had Bow-Wow-Haus. They are celebrating this year (2019) in Germany one hundred years of "Bow-Wow-Haus's Fetid Corpse"™ . It is only appropriate that LeCorbusier was part of it.

The changes for the better in architecture have completely passed Germany by. Germany is the North Korea of Architecture and the city I live in, Halle, is the sealed-off North Korean Nuclear Facility of Architecture.

The rest of the world has starchitects spewing out absurd monstrosities that one can mock and then puke over. Here in Germany we are in a place where every building, every new landscape, every new everything can be used as a set for some film taking place in a dystopian totalitarian future.

Oh, my eyes have seen the horror of Borgitektur in America, in England, everywhere. But they just can't sink down deep enough into the fetid abyss of "Bow-Wow-Haus's Fetid Corpse™". There is some shred of humanity left in some of those works outside Germany. Maybe just a blood shot eye's worth peering out from behind a burned curtain, but it is there.

The Borgitekts of Germany (sometimes erroneously called "Architects") have devised dead spaces beyond the dead. They have created spaces whose dead-vibrations could kill living-dead zombies. You have no idea.

You have no idea. Seriously. Have you lived in North Korea? Have you visited a nuclear facility there? You have no idea. Neither do I. But I do know about living in the "North Korea of Architecture™".

Of all the cultural and civilizational shame and brainwashing heaped on the Germans these past 70 plus years none is worse than the non-plus-ultra of The Emperor's New Clothes: Bauhaus.

It's bad enough that it spread its cultural zombie apocalypse across the globe. But, yes, why go round the world when you can meet and worship the great Satans of culture here in Germany through their ever multiplying "Temples of Fetid Culture"™

Seriously, folks. There are new university libraries, art museums and train stations where no person with any common sense will enter without tightly grasping the crucifix/cross hanging round their neck and repeating "and deliver us from evil" from the Lord's Prayer as a mantra of soul protection.

I am not kidding. Let that Gehry-guy do his gehry-thing. But if you come to the "North Korea of Architecture™" bring your supply of myrrh, sage, garlic, and other herbs to ward off and protect you from evil spirits.

Some of the new buildings are so infused with evil vibrations that you may have to bring along Keanu Reeves to guide through the premises.

By its very nature "cultural marxism"™ was cultured in its own fetid petry dish...but has long since infected nearly every institution--and what's way worse: every individual--of every political view. It has become endemic to the entire planet.

And just to make sure that "cultural marxism"™ becomes a household word like "deep state" and "identity politics" the left or social justice warriors or whatever that cultish grouping is designated as, reminds everyone in these articles about the rebuilding of Notre Dame that they, too, are part of the "Zombie Cultural Apocalypse"™; that they, too, want sterile "Temples of Fetid Culture"™ warping, scarring and mocking the landscape.

There is a self-correcting element here: young people love old buildings, in Germany even occupy them to save them, while declaring themselves leftist, although the actual leftist leaders at the top of the hierarchy want those sterile "Temples of Fetid Culture"™ built and to tear down the old buildings the young people try to save.

Hopefully for young Germans the desire for real places to live and grow as a human will overcome the ideological "cultural marxism"™ that has poisoned every corner of culture from theater to art to family to architecture.

The American occupation of Germany is small in comparison to the occupation of the soul that the Bauhaus "Zombie Cultural Apocalypse"™ has visited upon Germany. It is the most successful cult in the history of the world---with all due respect to Kim Jong Un™ (truly ™. ReadHERE).

Well, I really meant to make this short. A paragraph or two. Sorry. But let me close out with some simple words: Fuck all of you "Bow-Wow-Haus's Fetid Corpses"™ and may that psycho- and sociopath LeCorbusier continue to rot in his grave. I wish daily for the Germans and humanity to be freed from the sick ideology and the horrid infection of "LeCorbusier's Fetid Corpse"™.

Oh, I have not forgotten the other "Fetid Cultural Corpses"™, namely Mies van der Rohe, Walter Gropius, Hannes Meyer, Bruno Taut, Philip Johnson and the whole evil coven. And do not forget: that is NOT a metaphor.

These "Fetid Cultural Corpses"™ were the cultural storm-troopers of the zombie cultural apocalypse. The real leader of this coven is hovering close to the earth's atmosphere right now, maybe that leader has already incarnated.

Long after the cultural storm-troopers who led the charge have passed away, their "Fetid Temples of the Zombie Cultural Apocalypse"™ provide stopping off points along the Borgitektur Pilgrimage Trail. Here the real leader of this coven halts, lingers, and regains strength by soaking in the "Fetid Zombie Cultural Vibrations"™, preparing his final attack on all human culture.

How has the Bauhaus "Zombie Cultural Apocalypse"™ affected your life...

(Long) NOTE to ENGLISH Speaking Visitors. Halle is an East German city 25 miles northwest of Leipzig. Halle has 240,000 people. Leipzig was fire-bombed during World War 2. A few bombs were dropped on Halle but thanks to an arrangement between the Americans (yes, they arrived here first) and the city leaders there was no mass bombing and the city escaped the war basically intact.

So what did the leaders of Halle do? What they are still doing: Tearing down the beauty piece by piece, chunk by chunk and replacing it with soulless "modernist" gray boxes. The socialists did it. The capitalists are still doing it. I have been tempted to change my Twitter bio to read: "Reporting from Germany's dumbest city." I may still change it.

The story in German above is about....madness. Absolute madness. It is a story of the non plus ultra of insane, deluded modernist and Bauhaus city planning and architecture.

The city leaders of Halle have this huge ugly space called Riebeckplatz. It was once a city square and major intersection. Then in the 60's, obsessed--as most city "leaders" are--with "being modern", they simply did the American "redevelopment" thing and wiped the whole area off the face of the earth.

What the American and English mad-bombers declined to do to the city, the city leaders decided to do to itself. They did it in the late 40's. They did it again in the 50's, Then again in the 60's and, that was not enough, so they did it in the 70's and started clearing out whole old neighborhoods in the 80's.

It was the modernist sickness. But, hey, the idiocy was resistant and---despite the growing wisdom in the rest of the world that old cities are, y'know, nice places--they couldn't stop there. After The Wall fell, so did more buildings in Halle. The demolitions didn't stop in the 90's AND they kept on building Borgitektur---but even worse than the 60's and 70's: everything reduced to gray horrid death boxes, dead concrete and glass cubes.

Then came the Turn of the Millennium and the idiots just...could...not...stop. The mayors kept talking about "modern buildings for a modern city." AND TO THIS VERY DAY, that is what (so-called) leftist leaders here want.

But they are not alone---yep, the planning department defends all things modern. The disease--and it certainly can be defined that way--extends to the city Landmarks Department who can imagine these horrid Borg Boxes in a perverse harmony with the beautiful traditional buildings that they denigrate by being next to.

And here we are in late 2018 and this year saw supposedly landmark-protected buildings torn down.

If Margaret Mead were alive today she would come here for her anthropological studies instead of heading to the South Pacific. Her book would be called "Coming of Age in the Age of Ugliness." Ironically, we have an anthropological institute here: The Max Planck Institute.

But not only is the Max Planck Institute not interested in the Life of the Borgitekts and their enablers, BUT...they occupy a beautiful old mansion in a neighborhood that only has beautiful old residential houses and what did they do? They plunked down two new intrusive modernist pieces of garbage in the midst of all the beauty! It makes one question whether they are qualified to be anthropologists. (a separate report about that will follow in the future).

Certainly, city leaders all over the U.S. after World War 2 were absolute idiots---all following the destructive and unworkable ideas of "the" Bauhaus, the sociopathic LeCorbusier, and other haters of tradition---all financed by federal grants and achieving their goals through use of the perfidious methods developed by Robert Moses in New York City.

BUT....those city leaders in the U.S. were not living in a country where almost every other city was bombed and fire-bombed and where tens of thousands of people died. Halle is right in the middle of Germany. Leipzig 25 miles away was fire-bombed. Dresden is 90 miles away and was fire-bombed. Berlin is 100 miles away and was bombed relentlessly.

Halle was spared by the grace of God. And how have the city leaders, the architects, the building contractors and the design schools shown their gratitude? By tearing down what was saved from fiery destruction. What a bunch of ingrates, selfish monsters and egotistical idiots. And that's just the description of the architects! There are city council members who are pastors of beautiful churches and they vote for the continuing destruction.

And, yes, "ordinary" citizens fought against the destruction. And, yes, of course, they had very little influence under the socialist government. BUT...now, as citizens continue their fight against the post-war destruction that has been going on for 70 years, they often turn to me and say quietly "It is no different now than it was under the communists."

As George Carlin so clearly said: "It's a big club and you ain't in it. You and I are not in the big club."

But why is "Riebeckplatz" such an extraordinary case of modernist madness? Look at the photo below showing Riebeck Square and its surrounding neighborhood. The hotel marked with yellow and red--and buildings along the street behind it--were hit by bombs near the end of the war and mostly destroyed.

Remember, though, that there was no mass bombing of Halle. The rest of the buildings in the photo survived the war. The three blue circles you see at the left are the only buildings in the photos still standing today. The entire rest of the neighborhood was wiped out by the glories of modernism with a socialist face.

Of course, it is not really different than what Robert Moses and the modernists with a capitalist face achieved in New York or what Justin Hermann achieved in San Francisco [HERE and HERE].

Halle built a whole new neighborhood based on LeCorbusier's insane psychopathic ideas. It is called Neustadt (New City). Surprise, San Francisco in the late 40's also planned a new LeCorbusier-inspired neighborhood to be called "New City" [HERE]. Yep, it is similar in concept to LeCorbusier's insane plan [HERE]

BTW, it takes NO effort to prove that LeCorbusier was a sociopath. Just go to that link [HERE AGAIN] and look at it AND remember he wanted to tear down Paris to build his mass-horror. He was no "green fields" kind-of-guy.

Obviously, what happened to the beautiful neighborhood around Riebeck Square was based on LeCorbusier's dangerous and unproven nonsense. AND remember all the nincompoops pretending to be city planners and architects here in Germany worship, friggin' worship LeCorbusier. There will be a whole separate series of photo-articles and essays about that and the coming (2019) anniversary of the founding of The Cult of Ugliness.

It all relates to the madness of the destruction of this neighborhood.

And just what did those East Germans in the 60's want to build to show the glory of modernism? It was brilliant: they built a friggin' freeway interchange and gave it a new name: Ernst-Thälmann-Platz

Look again at the photo above and then lay your eyes on this feast:

So, that stuff above became your greeting as you arrived and departed from the main train station. And this just absolutely proves why there have to be huge, I mean yuuuge, celebrations next year for the 100th anniversary of the founding of The Cult of Ugliness.

The remnant of Bauhaus in Dessau, Bauhaus's designated final sandbox, is building a cement and glass square box on a city square. They call the box "a museum." They are still seeking to legitimize their madness as meaningful to society.

Halle is joining in with their own Theme of the Year for 2019: Halle and the Modern.

Well, back to Riebeckplatz...er....Thälmann-Platz. After The Fall of the Wall, the city decided it needed to fix the unfriendly face of Riebeck Square. So, they decided to tear down the two highrise apartment buildings. Leaving us with:

Well, that fixed everything.

Well, not quite. You will notice in the middle right center of the above photo what looks live a cement Frisbee ring. And you are right. The city planners and disciples of LeCorbusier & Co. decided what people needed were shops RIGHT UNDER THE FREEWAY OVERPASS. In the U.S. there is more wisdom: those places are reserved for homeless encampments.

Before the basement strip-mall was built, an "average" citizen warned at a meeting that the concept was unworkable. They laughed him out of the room. As Nigel Farage said: "Who's laughing now?"

Surprisingly, placing shops under a freeway overpass is not a very good idea.

What is also not a good idea is to dig the ground out everywhere so that pedestrians can walk around in the world's largest open-air basement.

Remember those utopian Jetson-like drawings from the 1920's of future cities built up in layers of parking and apartments and high-rise bridges and flying cars (think Bruce Willis...) ? Well, at least they had the good-sense to put the trains and parking underground--not the people.

Above, before the high-rise apartments were torn down, showing the process of building the strip-shopping mall under the overpass.

So, the above loveliness was only done a decade ago. And to no one's surprise except the city planners, the city council and the Architects, well, it just didn't work. Everyone hates "the place."

So in 2014 ---and you are going to find this PURE GENIUS--they invited the same architects, all steeped in LeCorbuser-Modernist glory the way Jim Jones's disciples were steeped in Kool-Aid, to "re-imagine" the freeway exchange as, well, you know, the hottest real estate in Germany!

They were supposed to come up with bright new ideas to make this place THE most desirable business, residential and recreational neighborhood in the city!

The ideas they came up with? Try: Tear down the few remaining old buildings on the edge of this...this...area. AND build mid- and high-rise glass and cement boxes for hotels, apartments, business and conventions. AND dig out more dirt from under the roads so that people can go from the dead circular strip-mall under the roads and into the various glass-cement modernist boxes.

I am not kidding. Just a sampling:

This is one of my favorites because of the horse grazing in the middle of the freeway intersection.

I love architectural drawings. The set designs for the Elves' city in the Lord of the Rings films are more realistic. Look at those trees. If we are not dead by the time they grow that tall, then our grandchildren will be retired and taking care of us.

AND these two below are actually being built. An apartment building. A hotel. THEN scroll all the way back up the page and look at all the walls of the concrete auto interchange and all the barren acres of cement and more cement. And think of glorious days to come when the hotel guests can sit at tables under umbrellas and stare out at that brutalist crapola.

I love the creative space the drawing above right creates between the hotel in the foreground and the apartment building behind it. Yeah, sure. In reality, the two are lined up and are not offset. The lucky new owners or renters in the apartments will get to either stare at the hotel box in front of them, or the blank wall of the building on our left...or gaze right between the two to the concrete freeway overpass and concrete pedestrian underpass. Super.

BTW. During the 2014 "repetition competition" I talked with one of Halle's best-known architects and suggested we could plant poplar trees in front of the freeway overpass to hide the overpass. Naturally, there is the problem of having to wait a few decades before the trees are big and tall enough to actually hide something.

But that won't be an issue. The Architect's answer to planting trees: "No. No. That would hide the concrete of the overpass. Halle needs more Brutalism."

I know, you just released an F-Bomb on the guy.

Here we go round the mulberry bushThe mulberry bush, the mulberry bushHere we go round the mulberry bushSo early in the morning_______________________________________________

Okay, we are almost there.

1) Erase old neighborhood.2) Build freeway interchange3) Surround it with modernist boxes4) Make people walk in an underground tunnel to cross it5) Tear down some of the modernist boxes6) Dig a bigger hole for pedestrians under the freeway interchange7) Put a strip-mall in the hole under the overpass8) Plan to tear down another of the modernist boxes9) Plan to dig out more room for pedestrians under the overpass10) Build a modernist hotel with a view of the overpass11) Build an apartment building with a view of the modernist hotel12) Plan to build at least a half-dozen more modernist boxes--with views of the other modernist boxes and the concrete overpass and concrete pedestrian dug-out

All right. Now the GERMAN article above is about this:

One of the city counselors here in the CIty of Halle and his political party set up a special program where the public was invited to a discussion of the planning madness regarding the new modernist boxes at Riebeck Square---and to discuss the prior failures.

The prior failures were due to the modernist-LeCorbusier Kool-Aid-Drinking Borgitekts and their unworkable architectural and city building & planning processes.....

The public arrives to discover that the actual format of the program is to listen to 5 panelist suggest THEIR ideas.

Neither the moderator nor the 4 other panelists seem to be aware of this irony:

The 4 panelists, the 4 "architects", are paid-up Kool-Aid-Drinking members of the LeCorbusier-Insane-City-Planning-Mies-van-der-Rohe-Bruno-Taut-Hannes-Meyer-Walter-Groupius-stripped-down-box-building-school of Borgitektur.

And the public was Invited to listen to the absurdities to be uttered by the panel. And the members of this panel are members of The Big Club that George Carlin talks about. And the public that came to the meeting expecting something else AIN'T in The Big Club. And not being members of the club---because they have not yet drunk the Kool-Aid and do not plan to drink the Kool-Aid---the public will never be taken seriously.

After all, they are just the audience to the Theater of the Absurd that is called City Planning. It has been going on in this manner for over 70 years and it will keep on going until every last building in Halle is a modernist gray concrete and glass box. That is Borgitektur.

Next theme coming up: EVERY single piece of contemporary Borgitektur is just a tribute to, a memorial to, a talisman for, an alter to the Great Gods of The Cult of Ugliness. There are exactly zero buildings thought-up by the Borgitekts that have an ounce of originality to them. Their very thoughts are prescribed according to the founders of The Cult of Ugliness---and none dare think or believe otherwise.

gotta love it: the city supports building a replica of a World War 2 bunker--partially disguised as an apartment building (though, ONLY partially), while not supporting the preservation by engaged young people of a historic building as an alternative cultural center.

They did the same thing in West Germany in the 70s and 80s and the east Germans are merely catching up with history. The fact that such destructive silliness has pretty much ceased elsewhere in the world has been lost on the guiding lights of city life here in Halle, a city just northwest of Leipzig.

Believe it or not, the city encouraged the building of this block-bunker because they want the city to become known as The City On The River. That bunker you are looking at is sitting right on the river in an area surrounded by nature. NOW, there's sharp thinking for you!