"A genuine fan club style look into the phenomenon that is WITCH.
Though the bands gene pool gathers from a variety of places, there is a
feeling from their most basic inspiration that reveal them to be much
like any other small town band. And from there they present their
message of ROCK. This short film (just over 20 minutes) captures these
most honest and inside moments of a band just getting its feet on the
ground, only to find the ground moving at unimaginable speed. Live
footage, practice room insights, hotel rooms, vans⿦ packaged in a folded
sleeve like all BLUEBERRY HONEY releases thus far. Also has bonus
presentation of the first song from WITCHs first ever live performance!" - Blueberry Honey.

2016 repress. "Our comprehensive overview of Zambias premier garage-, psych-, prog-, funk-,Afro-rock ensemble Witch, We Intend To Cause Havoc!, is now sold out in its 6LP box set form. So we are making the first four Witch albums available in archival reissue form. As with our box set, the audio is nigh-perfect -- restored and remastered from the original master tapes. The entirety of Witchs first album, restored and remastered from master tapes, and presented as an archival reissue. Witchs musical arc is contained to a five year span and, in retrospect, is a logical one. The bands first two, self-produced albums - released in unison with the birth of the commercial Zambian recording industry -- are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown. Thus Introduction, their first, is the perfect starting point for anyone interested in delving into the Witch band, or Zamrock in general." -Now-Again.

"2015 repress. Our comprehensive overview of Zambias premier garage-, psych-, prog-, funk-,Afro-rock ensemble Witch, We Intend To Cause Havoc!, is now sold out in its 6LP box set form. So we are making the first four Witch albums available in archival reissue form. As with our box set, the audio is nigh-perfect -- restored and remastered from the original master tapes. The entirety of Witchs first album, restored and remastered from master tapes, and presented as an archival reissue. Witchs musical arc is contained to a five year span and, in retrospect, is a logical one. The bands first two, self-produced albums - released in unison with the birth of the commercial Zambian recording industry -- are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown. Thus Introduction, their first, is the perfect starting point for anyone interested in delving into the Witch band, or Zamrock in general." - Now-Again

"Our comprehensive overview of Zambias premier garage, psych, prog, funk, afro-rock ensemble Witch... The bands third album, Lazy Bones!!, is the bands masterpiece -- a dark, brooding psychedelic opus that makes equal use of wah-wah and fuzz guitars, that relies as heavily on the stomping feel of hard rock as it does the syncopation of funk." - Now-Again.

2016 repress. "The bands fourth album -- recorded after the band toured with Osibisa -- makes use of traditional Zambian rhythms and folk melodies alongside progressive rock movements. It is the most afro-rock of Witchs oeuvre." - Now-Again.

"The complete works of Zambias legendary garage-psych, prog-, funk-, Afro-rock ensemble. 1972-1977. Witchs five albums and a bonus album of 7" tracks never available on LP, restored and remastered from the original tapes. Presented as a 6LP box set: contains sixteen page booklet with never before seen photos and ephemera; extensive liner notes and annotation; an interview with bandleader Jagari Chanda. By the mid 1970s, the Southern African nation known as the Republic of Zambia had fallen on hard times: self-imposed, single party rule; a decline in prices for the countrys largest natural resource, copper; conflict in other countries on Zambias borders. This is the environment in which the Zamrock scene that flourished throughout that decade emerged... fuzz guitars were commonplace, driving rhythms as influenced by James Browns funk as Jimi Hendrixs rock predominated, musical themes were often bleak and bands largely sang in the countrys constitutional language, English. Although Witch is the best known Zamrock ensemble and although they succeeded in releasing five albums in Zamrocks golden years -- they never made an impact on the global scale in, say, the way afro-beat maestro Fela Kuti did. Travel to and within Zambia is expensive, and the markers for the Zamrock scene are now few. Only a small number of the original Zamrock godfathers survived the AIDS epidemic that decimated this country. Witchs musical arc is contained to a five year span: The bands first two, self-produced albums, released in unison with the birth of the commercial Zambian recording industry, are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown; their third albun, Lazy Bones!! is the bands masterpiece, a dark, brooding psychedelic opus that makes equal use of wah-wah and fuzz guitars, that relies as heavily on the stomping feel of hard rock as it does the syncopation of funk; the bands last two albums, recorded after the band toured with Osibisa, make use of traditional Zambian rhythms and folk melodies and are the most afro-rockof Witchs oeuvre." - Now-Again.

"The complete works of Zambias legendary garage, psych, prog, funk, Afro-rock ensemble. 1972-1977. Witchs five albums and rare 7" tracks presented as a 4CD (5 3/4"X10") box set, restored and remastered from the original tapes. Contains a twenty-four page booklet with never before seen photos and ephemera; extensive liner notes and annotation; an interview with bandleader Jagari Chanda. By the mid 1970s, the Southern African nation known as the Republic of Zambia had fallen on hard times: self-imposed, single party rule; a decline in prices for the countrys largest natural resource, copper; conflict in other countries on Zambias borders. This is the environment in which the Zamrock scene that flourished throughout that decade emerged... fuzz guitars were commonplace, driving rhythms as influenced by James Browns funk as Jimi Hendrixs rock predominated, musical themes were often bleak and bands largely sang in the countrys constitutional language, English. Although Witch is the best known Zamrock ensemble and although they succeeded in releasing five albums in Zamrocks golden years -- they never made an impact on the global scale in, say, the way afro-beat maestro Fela Kuti did. Travel to and within Zambia is expensive, and the markers for the Zamrock scene are now few. Only a small number of the original Zamrock godfathers survived the AIDS epidemic that decimated this country. Witchs musical arc is contained to a five year span: The bands first two, self-produced albums, released in unison with the birth of the commercial Zambian recording industry, are exuberant experiments in garage rock, and are as influenced by the Rolling Stones as they are James Brown; their third albun, Lazy Bones!! is the bands masterpiece, a dark, brooding psychedelic opus that makes equal use of wah-wah and fuzz guitars, that relies as heavily on the stomping feel of hard rock as it does the syncopation of funk; the bands last two albums, recorded after the band toured with Osibisa, make use of traditional Zambian rhythms and folk melodies and are the most afro-rockof Witchs oeuvre." - Now-Again.

"Numbered edition of 500, glossy heavy sleeve on 180 gram vinyl. "Another out-of-nowhere African 70s rock discovery in the Blo mold. Completely unknown band from Zambia, privately pressed on a small local label, this five-piece electric band plays a strong electric African underground style. Tons of wah wah-fuzz guitar in every track, African style beats and vocals and all original songs. After the successful release of the other Witch album Lazy Bones, here is Introduction. Crazy & wild fuzz guitars all over, African beats and chanting, as good as it gets. Incredible cool and stoned album from the southern African country. Again we need to say: if youre feeling depressed, low, disturbed, out-of-sorts, sad, frustrated or widely demented, then folks, we suggest you seek out a quiet place, indulge in some soothing meditation and cut away that headache by listening to this inspirational album." -Shadoks

LP reissue in heavy jacket, edition of 450 copies, originally released in 1975. Another out-of-nowhere African 70s rock discovery in the Blo mold. "Completely unknown band from Zambia, privately pressed on a small local label, this five-piece electric band plays a strong electric African underground style. Tons of wah wah-fuzz guitar in every track, African style beats and vocals and all original songs. If bands from Nigeria such as Blo and Ofege and bands from Zambia such as Rikki Ililonga and Chrissy Zebby are all traveling on the psychedelic highway at 100 mph, the Witch overtakes them with 120. On the cover we can read: if youre feeling depressed, low, disturbed, out-of-sorts, sad, frustrated or widely demented, then folks, we suggest you seek out a quiet place, indulge in some soothing meditation and cut away that headache by listening to this inspirational album." - Shadoks.

"2nd pressing on transparent blue vinyl, edition of 300 copies. LP reissue in heavy jacket, originally released in 1975. Another out-of-nowhere African 70s rock discovery in the Blo mold. Completely unknown band from Zambia, privately pressed on a small local label, this five-piece electric band plays a strong electric African underground style. Tons of wah wah-fuzz guitar in every track, African-style beats and vocals and all original songs. If bands from Nigeria such as Blo and Ofege and bands from Zambia such as Rikki Ililonga and Chrissy Zebby are all travelling on the psychedelic highway at 100 mph, the Witch overtakes them with 120. On the cover we can read: if youre feeling depressed, low, disturbed, out-of-sorts, sad, frustrated or widely demented, then folks, we suggest you seek out a quiet place, indulge in some soothing meditation and cut away that headache by listening to this inspirational album." -Shadoks