Here's a collection of the most recent 100 Pro Tools Notes articles from SOUND ON SOUND magazine. The most recently-published 5 workshops are locked and accessible only to subscribers, but the others are now free for all to enjoy.

Digidesign's Transfuser plug-in is a sequencer within a sequencer — not to mention a sampler, loop-slicer, synth, drum machine and effects unit! We offer some expert tips to help you get to grips with it.

Pro Tools doesn't officially support macros or assignable keyboard shortcuts, but with a little know-how and a copy of QuicKeys, you can use custom key commands to bring up anything from simple menu items to complex chains of commands.

In last month's overview of the new features in Pro Tools 7.3, we saw that some of them deserve a more in-depth look. Here's what you can do with Key Signatures, the new Dynamic Transport Mode, and enhanced editing and video functions.

The trend among plug-in designers is to integrate commonly used processes such as EQ and compression into a single plug-in. It saves on insert slots, but do channel strips offer any other benefits, and which ones stand out from the crowd?

In this month's Pro Tools workshop, we concentrate on the top and bottom of the frequency spectrum, looking at plug-ins that claim to enhance treble and bass. How do they work, how should you use them, and most importantly, which ones are the best?

The new Region groups feature in Pro Tools 7 enables us to work with multiple Regions as though they were a single object. In this month's workshop we also take a look at two new training resources from Digidesign.

One of the best features of TDM-based Pro Tools systems is the negligible latency, or input-to-output delay, while recording. So what is the best way to deal with this problem if you have only an LE system?

More and more post-production work is ending up in surround-compatible formats, such as DVD. We explain how to set up your Pro Tools system to do that work, and give some guidelines on recording and mixing in surround.

Once you have got your video and sync audio files into a Pro Tools Session, what do you do with them? Our short series on sound for picture concludes by explaining the ins and outs of dubbing, sound effects and Foley.

You've got your system set up, and you've received the video files from the director. This month we explain how to get the video and its associated sound files into a Pro Tools Session ready for you to start work.

This Pro Tools workshop is the first in a series where we will explain how to use Digidesign's DAW to work to picture. First of all, we look at the decisions you need to make in setting up your system.