Neal Smith was the
drummer with Alice Cooper from 1967-1974. Since the 80s he's had a very
successful career selling real estate, but he still keeps a handle on the rock
business as evidenced with his new project "KillSmith".

Neal Smith: more
clean-cut than his CD

How long has
the KillSmith concept been floating around?

Writing and recording the music for Sexual Savior took four years. During that
time the concept was always naturally the second Neal Smith solo album. However
as time went on and the music mutated darker and darker, calling it Neal Smith
Sexual Savior did not do it justice. It demanded a stronger identity. Over time
I came up with several dozen names and concepts, but late 2007 my new solo
endeavor was officially christened KillSmith, because my new music is KillSmith.

How much is KillSmith Neal Smith the person and Neal Smith the original Alice
Cooper drummer?

KillSmith has nothing to do with the AC drummer Neal Smith, as a matter of fact
Neal Smith does not exist in this band. KillSmith is the singer/guitarist and
the drummer is Rattlesnake Smith. The Smith is purely coincidence.

Any plans to perform the CD live - do you sing and play drums at the same
time?

Possible plans for videos, but nothing live at this point. For KillSmith to play
drums and sing all of these songs would almost be physically impossible.
KillSmith would need Rattlesnake to play drums for him!

Who's in the group?

Me and Peter The Cat on bass, definitely. As far as additional guitarist my
first choice would be my two guitarist's on the CD, Lord Bryan Morrell and
Tommy-Gun Crowley. Rattlesnake would be hard to find, but possible.

Who are you targeting with the new CD - do you think the old ACG core fans
will embrace it?

Fuck targeting any market, I wrote these songs because I think there is a
massive void in the music industry at present. If old AC fans dig KillSmith
that's cool and if I can capture a whole new generation getting into KillSmith
that's cool too.

But let me be very
clear, first and foremost my main goal was to create some music that I would
actually enjoy listen to over and over again. Personally, I haven't heard any
new music that I have liked for years.

As far as American
Idol is concerned, it's a talent killer not a talent maker. 90% of the greatest
bands and singers over the last 40 years would have been cut in the first round
from that fucking show. My music is for all of the rest of the world, not
American Idiot I mean Idol fans.

The packaging and photos are slick and high concept (nothing less to be
expected from Neal Smith) - who did the packaging/photos - whose concept etc?

I came up with and directed the total concept from the music to the CD
packaging. I did it with the help of some incredibly talented musicians, sound
technicians, photographers, models and graphic designers who made all of my
concepts come to life. Great people who I look forward to working with again in
the future on the next KillSmith CD.

What drums are you playing today - do you still have the monster kit from the
'70s? Who were and are your drum influences - current music influences?

I have about two hundred or so drums of every race, creed and color lying around
the house. But currently I favor my two Gretsch kits that I have fused together
as one nine piece set.

One is a classic
70's Gretsch kit and the other is a classic 80's, both with natural birds-eye
maple finish and 24" bass drums.

Some of my current musical influences: Tapping The Vein, Pig Face, King's X,
Shirley Temple Of Doom and Thrill Kill Kult, and Rammstein.

What's going on with BDS - is the band disbanded or taking a break?

NO COMMENT....

Give us a Neal Smith/Keith Moon story.

The first time we played with the Who, we opened for them at the Easttown
Theatre in downtown Detroit in the early 70's. Love It To Death was our newest
album and our single "I'm Eighteen" was racing up the charts.

We ended the set
with an explosive version of "Black Ju Ju." At the finale of that song Charlie
our lighting tech, ignited smoke bombs while Alice ripped apart feather pillows
and Michael Bruce opened the valve of a full size CO2 tank and ran around stage
blasting flying feathers with jets of CO2 out into the audience.

At this point I'm
playing like a wild man going a thousand miles an hour all over my massive 20
piece chrome drum kit as the lights are insanely flashing and Dennis, Glen and I
are playing thunderously. The standing, screaming crowd went crazy, demanded an
encore and we graciously granted their wish by playing it and then exited the
stage.

Right after that I was in the dressing room backstage and Goose my head drum
roadie, said "Hey boss do you see what was happening while you were playing
"Black Ju Ju?" I said yes my heart was about to jump out of my chest. He said
no, Keith Moon was on his drum set right behind you playing beat for beat during
the whole song Black Ju Ju.

The opening band at the Easttown would always play very close to the front of
the stage and an huge old movie screen would be pulled down in front of the
headliners stage equipment. Although you couldn't see through the screen from
the front, apparently the screen was transparent from the back, giving Keith the
closest and best view of our show.

I could not see or
hear him, but I would have loved to have that filmed from the side of the stage
with both Keith and me kicking ass to "Black Ju Ju!" Goose said it was fucking
unbelievable to watch.

Michael Bruce told me once that you, him and Dennis hung out with Hendrix in
a hotel room - any recollections?

Yes, Michael's absolutely right, it was in the spring of 1968 after Jimi, Mitch
& Noel played in Tucson Arizona at the Tucson VIP Club. Actually the VIP sold
out and the promoter had to move the show to a bigger venue, a local bowling
alley.

After an
incredible performance by the Jimi Hendrix Experience, they invited us back to
their hotel room and we partied with them till the wee hours of the morning. It
was a blast, I describe the whole "Stone Free" evening of our two bands partying
together, in the book that I am currently writing.

You were at the recording sessions when the Doors did Morrison's Hotel - any
recollections?

Yes, we were invited by Robbie and John to go to the recording session. Alice
and I went to the session and the song the Doors were recording that night was
the song that would eventually be the opening track for the album Morrison
Hotel, "Road House Blues."

I remember that
night very and session very well. One of the most amazing things was that they
recorded that song live. Jim was singing, Robbie playing leads Ray on keyboards,
and John Sebastian playing harmonica