Life is sometimes hard, but oh-so worth it. The same goes for Writing, Marriage, Parenting, Learning, and even Potty Training. I just try to take it one day at a time, with a positive attitude, and know it will be worth it in the end.

You don't have to be a novelist to take advantage of todays National Day on Writing. Write a letter (or even email) to a friend or loved one. Write an article for a local newspaper or magazine. Write in your journal. Pretend you just won a Nobel Peace Prize and write an acceptance speech.

If you want to learn more about the National Day on Writing, visit the NCTE website.

Monday, October 11, 2010

But at some point, if you want to get published, you're going to have to present your book to an agent (or publisher).

You can write a query letter *shudder*, and wait to hear back, or you can try an in-person pitch.

These pitch sessions are available at most writing conferences. You pay to have a small window of time with an agent, in which you tell them about your book. At the end of your pitch session, you just might (crossing fingers!) be invited to send in your entire manuscript. But you only have 10 minutes (usually), so you've got to make it good.

How?

My final class at the Book Academy conference covered how to do it. Author and presenter Julie Wright has five published books, including Cross My Heart, which was just released this month. She is also an editor at Precision Editing Group.

Be Prepared!

Finish the Book!

Do NOT turn in your First Draft! Remember, this is essentially a competition. You're trying to convince them why your story is better then everyone else's.

Have alpha readers read your book first. (Alpha, or beta, readers are just people. Have other people read it. Readers, writers, ect. Get their feedback. Fix the problems they point out.)

Friday, October 8, 2010

Heather B. Moore is the award-winning author of several historical fiction novels which are set in Ancient Arabia and Mesoamerica (Book Of Mormon fiction). She also has a non-fiction book called Women of the Book Of Mormon.

Did you know that non-fiction sells better than fiction? I had heard that before, but kind of forgot about it. So, if your passion is in fiction, keep at it. But if you have a nonfiction idea, you may want to get serious about writing it!

Heather outlined what to do after the first draft is done.

By the First Draft Stage you should have:

Selected your genre and studied your target market.

Selected POV

Researched word count for genre. The first draft should be aimed for about 5,000 words under target.

After you finish the first draft,

Take a Break!

Whether this means leaving it alone for the weekend or for a month, a break is needed so you can use fresh eyes.

Exclamation points should be used sparingly!!!!! When the person is yelling is about the only time to use them.

Know the basic rules of commas. (What? There are rules for commas? I thought you should just put one in every time your fingers took a break on the keyboard. Whoops! I better learn those rules!!!!) (There I go breaking the exclamation point rule again. Man!)

Flag adverbs (ly). Take out of dialogue tags completely. Find stronger verbs, so you can delete the adverb.

Instead of saying "She walked anxiously" you could say "She paced".

Pay attention to the use of "was" and "were". Avoid them when possible.

General:

Use spell checker.

Have your facts straight, based on time, period, and setting. See Research Post.

Actions must be physically possible.

Use dialect lightly or it will slow the pacing (accents/ foreign language, ect.).

Point Of View (POV):

Choose the person with the most to loose (in that scene).

Pacing:

Watch for info dumps.

Is there sagging middle of the book?

Do you need more conflict?

Make sure the overall hook is strong enough.

Are you excited to be reading your own story? (If not, no one else will be!)

Every scene must move the story forward.

Sense of Place:

Where are we?

Establish setting for each scene.

What are the characters doing as they talk?

End-of-Chapter Hooks:

Read each chapter end, separate from the rest of the chapter. Does it make you want to keep reading?

Okay, now to finish my first draft so I can start applying some of these!

Thanks to Heather, for dedicating so much time to help teach the rest of us what to do! If you haven't checked out her editors blog, do it now. You'll find help on every topic you can imagine, within the writing world.

Thursday, October 7, 2010

We've all heard the saying, "Write What You Know", but this one's a little different. You don't have to write what you know, as long as you know what you write. And how do you do that?

Research!!!

The Book Academy Writing Conference presenter Sarah M. Eden talk all about it. Sarah's the author of several romance novels based in London in the Regency Era (her most recent is Courting Miss Lancaster). Since Sarah has neither been to London, nor has she lived in the early eighteen-hundreds, she had to resort to the painstakingly grueling job of doing research. Lucky for her, and us, she loves it, and even majored in it.

Doing research can be boring. It can be intimidating. We tend to procrastinate doing it, so we can spend our time on something fun. But we have to do it.

Wednesday, October 6, 2010

Immediately following Brandon Mull's Keynote address, in which I decided I need to add more comedy to my writing, I stepped into Becca Wilhite's class. Let me tell you, she is adorable. And funny. And adorable (did I already say that?). I found myself suddenly wanting to cut my hair just like hers. That's how adorable she is.

She walked into the room with a burst of energy I can only dream about. And I do - dream about it, that is.

Becca is the author of two books (with more to come). Her first is Bright Blue Miracle, and her second is My Ridiculous, Romanic Obsessions. I have to admit that I hadn't read either of these before the class, but after meeting Becca, and seeing her personality and sense of humor, I've added them to my "To Read" list. Check out her website here.

Okay, onto the class notes.

The first thing Becca said when she walked into the room was:

"If you're not funny, I can't make you be funny."

We all laughed, and she announced that because we had, she could teach us how to use our funniness (my word, not hers. I'm not sure if is really is a word).

First thing? Read funny books! (Do you see a pattern here? Writers have to read!)

She identified Three Kinds of Humor:

Silly

Sincere

Sophisticated

Silly humor is things like puns. She used the movie Shrek as an example.

Sincere humor is everyday funny.

Sophisticated humor is a little more complicated. First, she said you are required to be British to pull it off. (Jane Austen, for example.) This type of humor is intellectually demanding. You have to understand the back story to understand the humor. No one-liners here.

Testing your humor:

Not sure if your stuff is really funny? Test it by having three different people read it out loud to you. Not just any three people though. Becca provided a formula to make sure you cover all the basis.

Person number one: Someone who reads like you.

Person number two: Someone in your target audience.

Person number three: Someone with no sense of humor.

After listening to all three, you will have a better feel for how it reads. Did they understand? Did they laugh? Did they stare at you like you're an idiot? (That might be okay if person number three is the one staring. But on a personal note, I think you need to find someone who is more fun to hang out with.)

Sometimes swear words are used for humor. Sometimes they work. (For me, most of the time they do not.) Whenever you are tempted to use swear words, think of them as cliches. And as writers we want to avoid cliches like the plague! (Did you get that, or are you a person number three?)

Lastly, make your story funny for different age groups. If your writing children's books, add something that the parent will laugh at. If it's for adults, don't forget to include humor that a teenager will get.

For example: One of my daughter's favorite movies is Toy Story 2. She loves the part at the very end, where Jessie skateboards down the loopty-loo ramp, flies across the room, and opens the door for the dog. Buzz Lightyear watches in amazed awe, and... (do you remember?).

She laughs every time. I laugh too, because she has absolutely no idea what it means. She's three. When she's older, I won't think its funny anymore.

Check back tomorrow to learn about Research! (Seriously, come back. It's not that bad. Every writer has to do it!)

Tuesday, October 5, 2010

The keynote speaker at last weeks writing conference, The Book Academy, was New York Times Best-selling author Brandon Mull. He wrote the Fablehaven series, The Candy Shop War, and has a new series coming out soon, called Beyonders.

Since he became an author, he's become many more things. He's become a public speaker, a teacher, a reading advocate, an entrepreneur. He's in marketing. He's also a professional "liar", although he corrected himself and changed it to an illusionist. And maybe worst of all, he's become a murderer. He says it's amazing how many people come up to him disturbed, and demanding to know why he "killed so-and-so". I don't hold it against him.

Who knew that becoming an author meant doing so much more than just writing?

Brandon posed two questions that writers need to ask themselves.

First: What makes a story worth telling?

This is something inside you. You either have it, or you don't. You, the writer, has to love what you are writing. If it doesn't interest you, no one else will care either.

The Characters are the life of the story. The reader has to love (or hate) them. They can't just be there. We have to care! We need to get to know them. What do they do, how do they think? Show us their personality. Write characters you love!

What are the Relationshipsbetween your characters? Who are their friends? Family? Pets. What is the relationship between the "good guy" and the "bad guy"?

What kind of Trouble does your character get into? This is also called change/conflict, but Brandon likes the straightforwardness of the word trouble. There has to be trouble. There has to be conflict!

What Decisions will the character make? Sometimes they are good, sometimes they are bad. But they have to make decisions. They have to figure things out for themselves.

What are the Consequences of their decisions? There has to be consequences. Our characters cannot always get a free ride. (That would be boring!)

The story does not happen with the words on the page.

The story happens inside the mind of the reader!

Second: What is the best way to tell your story?

This is technique. Unlike the first question, where it resides inside of you, this can be learned. It's the rules of writing. It takes time. It takes effort.

Go to conferences. Join a critique group. Read books about writing. And maybe even more important than all of that:

Read a lot

and

Write a lot!

But the most important thing of all?

Write what you love!

During Brandon's speech I had to ask myself, what do I love to write? What do I love to read?

The answer?

I love to laugh. I love books that make me laugh right out loud.

Lucky for me, the workshop I attended immediately after the keynote speaker was about

Friday, October 1, 2010

Yesterday I attended the Book Academy writers conference. I suffered from a major sinus headache the entire day. It wouldn't go away! I tried to be social, to make conversation. Mostly, I failed. It's just not fun to be overly friendly when your head feels like exploding.

Besides my headache, I was freezing! Seriously, I couldn't keep the goose-bumps off my arms. I tried to suck it up, but caved while eating a cold (but delicious) salad for lunch. Off to the bookstore I went. Maybe it's a conspiracy - between the conference committee and the bookstore manager - to keep the temperature down so low.

I wonder if anyone else had to spend their novel-buying book-money on a stop-the-shivering sweatshirt? I'm now the proud owner of a UVU zip-up hoodie. At least, because of a Back To School sale, I got a $40 souvenir for only $25!

But even with a couple of personal complications, I rate the conference a success!

It was just what I needed to recharge my muse. I learned some new things. I was reminded of some things I already knew. I met a few new people. I ran into one of my cousins (in the restroom, of all places!). I even approached someone from the virtual blogging world, and introduced myself (Hi Don!).

There is nothing quite like a writers conference to lift your spirits and get you re-motivated.

And just in time too! Today is the beginning of Tristi Pinkston's quarterly writing challenge. I SO need to do this. If you want to push yourself a little this month, check it out here.