Sometimes you get a second chance to live the life you’ve always wanted…if you’re brave enough to take the chance.
In this epic tale of love, loss, and redemption, the year is 1861, a time when women are expected to be married by a certain age. At 26, spinster Emily Wainwright has no reason to believe her sheltered life will ever change — until the charming Samuel Todd unexpectedly crosses her path.
Samuel yearns to homestead and start a family in Oregon, but he first needs to find a wife. Blinded by Samuel’s good looks, and grasping at her final chance to have a husband and children, Emily accepts his marriage proposal. However, Samuel is not the man she thought he was, and her marriage becomes a cold, cruel prison, offering her no solace amidst the hardships of farm life.
When Samuel dies and a second chance at love and happiness arrives in the form of farmhand Cole Walker, Emily must overcome her bitter past—or risk losing Cole and the life she has always dreamed of having.

Rating: 5-stars

Review:

The Blue Hour by Vicki Righettini is a historical read that will inspire many. Inside, readers will find out how women lived, what was expected of them by society, and the difficulty of marriage. Marriage is scary especially, during this time period. If stuck in a bad marriage, there was any escape. I easily connected with the main charcater. A pioneer woman. Stronger than most women I know.

The Blue Hour presents readers with the journey of one woman. Emily Wainright. She wasn’t married yet but the pressure of it caused her some serious issues. Then, marrying lead her to a man who looked good outside but was rotten inside…the marriage was a disaster. No escape. But Emily spores her best to survive. Soon, fate gives her a second chance in life. Her husband dies leaving her free. Only Emily isn’t sure of what to make of the new man in her life. Life is hard and having already made one mistake, Emily is weary of making another one.

Next there’s the male protagonist. Cole Walker. A decent man who is a farmhand. Good looking and kind. He is good for Emily. However, due to her past, Cole may not have a chance with her. Their futures are set on whether Emily can overcome her fears and let go of the past. Otherwise, she may lose her chance at happiness. Real happiness.

The Blue Hour is an unforgettable tale. Detailing the hardships and life of women out west. I was fascinated from the beginning to end. Here, I experienced hard work, society’s rules and expectation, romance, love, loss, and kindness. The emotional journey was believable and stunning. Overall, I highly recommend Vicki Righettini’s novel to readers everywhere.

As a kid I was fascinated by stories of the pioneers. In fact, there’s a history of pioneering in my family: my mother’s side came to Pennsylvania from Germany in the 1700s, then moved to Kentucky and Illinois, then finally to California by train in the 1940s. Growing up I always imagined myself as one of those hardy pioneers. But after researching The Blue Hour, I’m not so sure! But the idea for The Blue Hour started with a trip my husband and I made to Eastern Oregon in the late 1990s, where we visited the newly-opened Oregon Trail Interpretive Center outside Baker City at Flagstaff Hill. Nothing brought the Oregon Trail to life for me like that exhibit. I didn’t just learn about the Trail, I were there. During that same trip, we drove around the spectacular Blue Mountain area, seeingthe wagon ruts that still exist, and exploring old homesteads and settlements.

That got my mental wheels turning: why did people settle here? Why not go the rest of the way to the Willamette Valley, where farming is easier and the weather is much milder? They’d already traveled nearly 2,000 miles; the worst of the trip was over. So why did they stop at the Blue Mountains, instead of going all the way to the endof the Trail at Oregon City?I wanted to know the answers, so I wrote – and researched – the book to find out.

ULM: What lead you to use Oregon as your book’s setting?

In 2002, after twenty-odd years living in Oregon, my husband was offered a job in the Boston area. He’d been out of work for a while, a casualty of the dot-bomb, andmy acting career had stalled, so we said “Why not?” and moved lock, stock, and barrel to New England. I was prepared for it to be different, but I couldn’t have predicted the culture shock: the unfamiliar food in the stores; the thick North Shoreaccent which I could barely make sense of; the crazy weather; and the even crazier,hard-to-navigate roads, all of which made me feel as if we’d made a wrong turn and landed in a foreign country. I was so confused by the winding streets in our neighborhood, I didn’t leave our driveway for the first two months!

Once the unpacking was done, I found myself terribly homesick for Oregon. I’d started the novel before we left, and since I had no job yet, and no prospects of one, I went back to the manuscript, and spent a good portion of every day with the state I loved and deeply missed. It was a wonderful year of writing and research, and a great feeling when it was done.

ULM: You mentioned that you love the land of Oregon. What is there to love?

First and foremost, it’s a beautiful state. Oregon is sparsely populated with spectacular natural scenery; there are mountains, desert, and coastline all within driving distance of the major cities. And Oregonians seem to have an almost innaterespect for the land. Practically every person I knew had a serious vegetable garden, and for years I was an avid gardener myself (which came in handy the yearmy husband was out of work). The great outdoors is simply a part of life, whether you’re a hiker, bicyclist, or walker.

Not every Oregonian is an eco-warrior, but pretty much everyone loves the state they live in. Of course, there’s the rain, but the gorgeous summers more than make up for the nine months of drizzly, gray weather (which is why Oregonians drink so much coffee). Add to that a dedication to fresh, local food, and a growing number of local breweries, and you have a winning combination. If the winter weather weren’ta migraine trigger for me, we would have happily gone back when we left New England. Though I know for certain we’re not the only former Oregonians to have headed for sun-drenched San Diego!

The historical part was easy. As I said above, I’ve always been interested in the Oregon Trail and the pioneers who traversed it. What wasn’t clear was the romancepart, which I never set out to write. But once I started asking myself the story questions of who, what, when, where, and why, I immediately saw two characters (who turned out to be Emily and Cole), in two different scenes. Which sparked the final question: how did they get there? Answering that question brought the romance aspect into play.

I could probably have told the story of Emily and Cole in any era, but by choosing the 1860s and the Oregon Trail, I was able to introduce conflicts and hardships thatwouldn’t have been available to me had I set it in modern times. Setting the story in the Victorian era allowed me to explore current issues (women’s rights and gender roles, for example), from a friendly distance. Historical perspective filters current issues and events in a way that makes them accessible to modern readers. I’m interested in how we’ve progressed as a society – where we began, and where we’ve come to. By following the journey of an individual from the past, we can seethose issues more clearly than if we viewed them through the muddied lens of our own time.

ULM: Which of your characters was the hardest to create?

It’s a tie between Samuel and Emily. They were both challenges, but in different ways. Samuel is based largely on my father, which made his behavior familiar to me, painfully so, but it also made him fairly easy to write. After all, I’d had years ofdirect experience and observation to draw from. But I’d never tried to understand his actions; to me, like it or not, that’s just the way he was. Not until my editor told me she had a tough time understanding his actions, did I go back and look at his motivations. She pushed me to show the reader why Samuel did what he did; not tomake him more likeable, but to make him more believable. Justifying and understanding my father’s behavior wasn’t a place I necessarily wanted to go, but itwas good that she made me do it. As a result I understood my father better, and it improved the book enormously.

My problem with Emily was that she was too internal. I knew what she wanted andwhat she was thinking, but it didn’t come across on the page. She was absent in her own story. I realized if I didn’t communicate her thoughts and desires to the reader, the story would be dead in the water. In the process of bringing Emily’s inner self to light, she evolved into a stronger, more sympathetic character than the one I’d originally imagined, someone with toughness and heart. She was still a reluctant heroine, but much more relatable. And those qualities have resonated with readers.

ULM: What would you like readers to take from reading The Blue Hour?

Having been a teacher, I rejoice when readers say they learned something they didn’t know before, especially if it’s some tiny detail I geeked-out over! But I didn’tset out to educate anyone other than myself. I like sharing stories, and in this case Iwanted to tell a readable tale about one woman and the obstacles she had to overcome, both imposed from the outside, and coming from within. Of course, I hoped that readers would be inspired by Emily’s story, just as I was by the pioneer accounts I read, but I also know you can’t inspire someone who isn’t engaged. I did my best to tell a gripping story that keeps the reader turning pages, wondering whathappens next to the characters they’ve come to care about. In other words, I wrote the kind of book I like to read.

ULM: Do you have any other writing projects that you can share with us, readers?

Readers have been clamoring for a sequel to The Blue Hour, and it thrills me that they care enough about the characters to want more. I made a stab at it, and have about forty manuscript pages, but the story wasn’t grabbing me. If I’m going to spend five or more years on a book, it has to be something I’m obsessed and in lovewith.

Also, in writing The Blue Hour, I set many family and personal issues to rest.Now that I’ve battled those ghosts, I feel the need to move on. Perhaps with the passing of time, I’ll miss Griffin Gulch and its denizens enough to revisit it.So…I’m doing the unthinkable and switching genres. I’ve always loved mysteries, and I’m working on a cozy mystery series that takes place in Portland, Oregon, a quirky, beautiful city, and a great place to set a story.

My amateur sleuth is Camilla Reed, a free-lance singer and voice teacher. Camilla is a transplanted Texan: funny,earthy, and smart, with a heart as big as her home state. But she can’t get her love life together, and she repeatedly falls for the wrong men.

Her next-door neighbor, Ted Sullivan, a retired Boston cop and fellow transplant, would like to be more than a friend, but he mainly ends up helping her with espionage and house repairs.

An added detail is that Camilla is prone to migraine headaches. This puts her at a disadvantage, but it also grants her unusual powers of perception. Her heightened sense of smell, hearing, and other sensitivities, especially right before an attack, turn out to be remarkable sleuthing tools. This fits into the category of “write what you know.” As a chronic migraineur myself, I have years of personal experience at my disposal. It’s a pleasure turning this affliction around and showing it in a positive light.

In all, I’m planning a series of three books. The first manuscript is finished, and thesecond is underway. I’m having a blast writing these stories, so stay tuned…

ULM: What else besides writing do you enjoy doing?

I love reading! I read approximately a book a week, plus I subscribe to a number ofwriting and arts journals. I also love to cook: I’m the weeknight chef at our house, and I find it relaxing and creative. Then, I’ve also started my first vegetable garden in a good long while; my seedlings must be tired of seeing my face peering at them. I still love theatre and music, even though I’m no longer performing, and my husband and I are avid theatre-goers, taking in about three shows a month. I’m also a rabid Red Sox fan. Following the team was the best thing about living in New England; in a word, the Red Sox are habit-forming!

ULM: You have mentioned being an actress. What was that like?

Also, did that career influence your writing?As a performing artist and teacher, I was lucky to work in a field I’m deeply passionate about. I’ve traveled to places and met people I would never have been incontact with any other way, and who deeply influenced my work and my career. I was beyond fortunate to be able to make a career doing something I loved. But after forty years, with the onset of early menopause, I developed devastating, chronic migraines.

Because they could strike at any time without warning, I was suddenly no longer reliable. I tried gutting it out, and I did everything I could thinkof to continue to work. But the performing life is chaotic and unpredictable at the best of times; it’s a recipe for constant pain. Eventually it was clear: I had to let thatlife go. I’d had a forty year run, and a good one. I did pretty much everything I’d wanted to do – played coveted roles, traveled, made some great friends, and grew tremendously as an artist. I left without regrets. Acting influenced my writing without question.

One of my favorite exercises for character development was to write a biography or a journal as the character I was playing. It was my favorite part of the process, and it wasn’t unusual to find me stillwriting on closing night! That process taught me how to step into the shoes of any character, no matter how evil or unsympathetic, and see the world through their eyes, an invaluable tool for any writer. But beyond that, I learned about scene structure, language, and story line. I developed the ability to create huge desires for my characters, devising ways to getthose desires met, and to deal with the success or failure of the pursuit. I learned to look beneath the text for secret desires, to fill in the blanks in the script. And I learned invaluable lessons about dialog, rhythm, and pacing. Without a doubt, my writing would not be what it is today had I not learned those lessons in the theatre.

ULM: Where can readers find you and your debut novel online?

Excellent question! I love hearing from readers, and I personally respond to every message I receive. I can be reached through my website and blog http://vickirighettini.com/