Tag Archives: James Cagney

One of my all-time favorite actors…even though he’s not as flashy as Humphrey Bogart, Cary Grant, Clark Gable or Spencer Tracy…who are all in my top 5 as well. William Powell seems to sneak in there on the sheer strength of his whole film library. Arguably, he’s the most consistent. He put out some of the finest work ever seen on film, and most, if not all of his movies, stand up today as some of the greatest ever made. Judge for yourself, here are my 15 favorites:

15 The Ex-Mrs. Bradford (1936)

This one is special because of the pairing of William Powell and Jean Arthur. Powell would make a career out of teaming with some of the strongest actresses of the time and then competing with them as equals. He manages to hold each of his female partners in such high esteem, while all along joyfully and playfully sparing with them with wonderful wordplay. This becomes his signature, and not only did the audience enjoy the sparks, but his on screen partners adored him in real life as well. So much so that he fell in love and married 2 of them. He would have married Jean Harlow as well, they were engaged, but she fell ill and died before they married. Back to this film, the script is a little light, but Powell and Arthur are fun. I don’t think I’ve ever seen Arthur look better than she does in this movie. She just shines.

14 One Way Passage (1932)

This one was the 6th pairing of William Powell with Kay Francis. The story is far fetched, as Powell plays a prisoner- a murderer being sent to prison for his hanging and Francis is on her last cruise as she has a terminal illness. They fall in love and spend their last trip together. It has a mix of drama and comedy, which seems a bit weird due to the material.

13 The Philo Vance Mysteries (1929-1933)

William Powell starred in 4 of the Philo Vance mysteries, I’ll include them all together in one entry: The Canary Murder Case, The Greene Murder Case, The Benson Murder Case, and The Kennel Murder Case. Because of these movies and the Thin Man series, Powell becomes very well known as a Detective. It’s what puts him on the map initially, I would say, even though it’s his pairings with outstanding female partners that really makes him shine. William Powell is the first to star as Vance and arguably the most successful. These films are fun and I can see why Powell would become very popular as a detective over the next 20 years.

12 For The Defense (1930)

Another movie starring Powell and Kay Francis, this time Powell plays an attorney defending the man that Francis is two-timing him for murder. This was a surprise hit for Paramount. A quickie, it was shot in a mere 15 days and its success immeasurably helped director John Cromwell‘s career, who would go on to direct Tom Sawyer, Of Human Bondage, Little Lord Fauntleroy, The Prisoner of Zenda, Algiers, Made For Each Other, Abe Lincoln in Illinois, and Dead Reckoning after this one.

11 Jewel Robbery (1932)

The last one on the list that also stars Kay Francis, this one is my favorite of all the ones they did together. Powell plays a gentleman thief…which reminds me that he would have been the perfect Arsene Lupin over the years if he had ever decided to take that character on. This began as a stage play, and then turned into a movie, and you can really tell with the great dialogue.

10 Double Wedding (1937)

The first one on the list that features Powell with his best collaborator, Myrna Loy! They are most famous together in the Thin Man movies but they performed so much together over the years that most people thought they were really married, which caused a lot of trouble for the couple whenever they went on location as often the hotels would book them accidentally in the same room! They would eventually star in 14 films together. When I mentioned earlier that he was engaged to Jean Harlow, but she died…it was during the filming of this movie. They had to shut down production for a few weeks and I think you can tell in Powell’s performance that he was distraught. Also, can I just mention that I hate his artist costume in this movie.

9 Mr. Peabody and the Mermaid (1948)

Fun little movie, seems like it would have been perfect for Don Knotts in the title role, but he was decades away from doing movies…Powell is still fun as always. Ann Blyth plays the mermaid in a very effective costume…at times she seems like a very real mermaid! In an article in “Look” magazine that came out at the time the film was released Ann Blyth said that the hardest part of making the movie was trying to learn to swim while wearing the mermaid tail. She said that she practiced for more than a week before she felt comfortable with not being able to kick her legs to help her swim. During the film Ann Blyth has no dialogue. She laughs, sings (without words) and cries but does’t talk.

8 Libeled Lady (1936)

Great cast with Powell and Loy as usual, but with the additions of Jean Harlow and Spencer Tracy! Reportedly, while shooting the movie, the four stars had become close friends, and William Powell even gave up his old habit of hiding out in his dressing room between scenes so he could join in the fun with the rest of the cast. One of the biggest jokes was a running gag Spencer Tracy played on Myrna Loy, claiming that she had broken his heart with her recent marriage to producer Arthur Hornblow Jr. He even set up an “I Hate Hornblow” table in the studio commissary, reserved for men who claimed to have been jilted by Loy. Myrna Loy recalled in her 1987 autobiography that a good time was had by all during the shoot – “Libeled Lady was one of the best of the so-called screwball comedies, with a great cast, and Jack Conway directing us at breakneck speed.” She praised her co-stars and also expressed her love for working with Walter Connolly, whom she described as “darling.” Some of the cast and crew travelled to the California mountains during production in order to shoot exteriors of the bucolic scenes. They spent nearly a week living cosily in small cabins, according to Myrna Loy, and enjoying the rustic scenery far from the bright lights of Hollywood. This was where William Powell filmed his bit of slapstick in which he must pretend to be an expert angler in order to impress Connie’s father. “It’s a hysterical piece of work,” praised Loy, “but then Bill was a very gifted man, able to do great comedy and tragedy, everything.”

7 The Great Ziegfeld (1936)

William Powell plays the great showman Florenz Ziegfeld Jr. in this biography of his life. He would go on to play Ziegfeld again later for a showcase of some of Ziegfeld’s finest work in Ziegfeld Follies. Billie Burke, the wife of the real Florenz Ziegfeld Jr., never really rated the film much despite taking a personal interest in the writing of the script. She went to great lengths to make sure that writer William Anthony McGuire never besmirched the good name of Florenz Ziegfeld Jr., hence the playing down of his infidelities. The Great Ziegfeld would become the first biopic to win an Academy Award for “Best Picture”. Powell himself would be nominated for My Man Godfrey, that same year.

6 I Love You Again (1940)

This one is quite fun, Powell plays a man who is a normal boring businessman that bumps his head a second time, which makes him recover from amnesia, only to remember his life as a con man before he had amnesia! In the process, he comes to learn that he’s deeply in love with the woman that is soon to be his ex-wife, Myrna Loy. The fun part of this movie is the total change in Powell’s personality and then the wooing of his wife (coo-ing?). It does have a lengthy Boy Scout sequence, which is delightful, but to me, takes it away from the fun parts that are Powell-Loy laden.

5 Life With Father (1947)

I love Irene Dunne and she is really in fine form in this great family film. In later years, Irene Dunne admitted that she hated playing the part of Vinnie, the wife, as she considered the part to be “rattle-brained”. The original play, “Life With Father” is the longest-running Broadway non-musical play ever. It played on Broadway for nearly eight years (3224 performances), from 1939 to 1947 and held the record for 25 years until “Fiddler on the Roof” surpassed it. In the play, author Howard Lindsay played Father, Dorothy Stickney was Vinnie and Teresa Wright was Mary. The film version was released in 1947, the year that the Broadway run ended. William Powell had his 3rd Academy Award nomination for this role.

4 Manhattan Melodrama (1934)

Clark Gable adds to the fun in Manhattan Melodrama. Interesting thing about this is that both William Powell and Clark Gable were married to Carole Lombard, at different times, of course, neither during this movie. This was also the first movie to feature Powell and Loy together. Interesting to note, this movie is probably most famous for being the movie that bank robber John Dillinger had just seen before he was gunned down in front of Chicago’s Biograph Theater on July 22, 1934. He had been set up by Anna Sage, the madam of a brothel, who knew Dillinger’s girlfriend, Polly Hamilton. Sage was facing deportation and thought the tip might get her off. She told FBI agent Melvin Purvis that she would be wearing orange which appeared red, leading her to be dubbed “The Woman in Red”. Dillinger was shot three times when he tried to escape, and Sage wound up being sent back to Romania.

3 Mister Roberts (1955)

William Powell’s last movie, based on the play which also starred Henry Fonda as Mister Roberts. The supporting cast in this film is incredible with great parts for James Cagney and Jack Lemmon, who won an Oscar for his role of Ensign Pulver. Initially directed by John Ford, one of the few non-westerns he did. On this movie, he was apparently mean and abusive. When John Ford met James Cagney at the airport, the director warned that they would “tangle asses,” which caught Cagney by surprise. Cagney later said: “I would have kicked his brains out. He was so goddamned mean to everybody. He was truly a nasty old man.” The next day, Cagney was slightly late on set, and Ford became incensed. Cagney cut short the imminent tirade, saying: “When I started this picture, you said that we would tangle asses before this was over. I’m ready now – are you?” Ford backed down and walked away and he and Cagney had no further conflicts on the set. Later on, there was a disagreement between John Ford and Henry Fonda that led to Ford punching Fonda in the mouth, ending their 16-year personal friendship and eight-film professional relationship, even though Ford apologized to Fonda afterward. Fonda only appeared in one more Ford film after that. Ford was eventually dismissed from the film and Mervyn LeRoy took over. John Ford’s dismissal from the film pushed him over the edge. He began drinking heavily, and was hospitalized in Hawaii for alcohol poisoning.

My favorite movie featuring Powell is also the one that really features his ex-wife Carole Lombard most effectively. It’s about a scatterbrained socialite, who hires a vagrant as a family butler…but there’s more to Godfrey than meets the eye. William Powell suggested his ex-wife Carole Lombard for the leading role with the explanation that his real life romance with Lombard had been much the same as it was for the characters of Godfrey and Irene. Although stars William Powell and Carole Lombard had been divorced for three years by the time they made this, when offered the part Powell declared that the only actress right for the part of Irene was Lombard. This is the only film to receive Oscar nominations for writing, directing and all four acting awards without being nominated for Best Picture. It was also the only film to receive those six nominations without winning in any of the categories until American Hustle (2013).

A very successful war film when it came out, it was Universal’s biggest hit until Jaws came out over two decades later. War films get a little overlooked when considering stunts, but it’s because stuntmen are more crucial to a war picture from when the cameras start running all the way to the end, that they are sometimes forgotten about. A war picture automatically ups the danger factor for everyone involved on the picture. To give you an example, to film the war scenes on this film, a total of 50,000 rounds of ammunition, 300 pounds of TNT, 600 pounds of blasting powder and 10 cases of 40% dynamite were required. Many of the battle scenes were re-used for Universal Studio’s later picture The Young Warriors.

This film is highly unusual as it’s about Audie Murphy and stars Audie Murphy as himself. The son of poor Texas sharecroppers, Audie Murphy became a national hero during World War II as the most decorated combat soldier of the war. Among his 33 awards was the Congressional Medal of Honor, the highest award for bravery that a soldier can receive. In addition, he was also decorated for bravery by the governments of France and Belgium, and was credited with killing over 240 German soldiers and wounding and capturing many more. His story caught the interest of superstar James Cagney, who invited Murphy to Hollywood. Cagney Productions paid for acting and dancing lessons.

He bumbled about in bit parts for many years and then finally became the lead in a few films when he was ultimately offered the opportunity to play himself in this autobiographical film based on his time in World War II. He originally declined the opportunity to portray himself in the movie, not wanting people to think that he was attempting to cash in on his role as a war hero, but reluctantly took the role eventually. The rest is film history and makes for the ultimate Hollywood success story.

It’s interesting to mention that even though the country though of him as a hero, Murphy didn’t think of himself as one. In his book, Murphy modestly described some of his most heroic actions – without portraying himself as the hero. He did not mention any of the many decorations he received, but praised the skills, bravery, and dedication of the other members of his platoon. Murphy once said, “I never liked being called the “most decorated” soldier. There were so many guys who should have gotten medals and never did–guys who were killed.” To Hell and Back was Directed by Jesse Hibbs for Universal.