58 A WAY OflrLIFE I . . li1divi : al, yo .rs 1 1 I :: I 1::'1 I, i,' S . !, i '". ' ' l ::' :,::d { j l t ! í He j H I i 1 ... j,. 1 1 t t 4 I t- l ,t J ......1 .....t.. j If t. i..!...1 , \..;... I L J , , { h! .?--- t , -'.. j j : .Jh 'i 1 4, . I .... I Î ! I,. f { ! I A concept of living that is exclusively your own can now be achieved at this internationally respected residence under the Cooperative Plan Stately suites with living rooms up to 30', bedrooms to 20 , walk-in closets, serving pantries... provide pride of ownership, security, valuable equity, substantial economies and significant tax deductions. COOPERATIVE APARTMENTS FOR SALE. 1-2-3-4 rooms, furnished or unfurnished with FULL HOTEL SERVICE. ATTRACTIVELY PRICED - IMMEDIATE POSSESSION t ! '<. 'r . 'j l.t ., '.; lt .I: .. t t t ;:. U t. ! % c,. ^ .' L:.:= ,,::.... _. :os '"" J-.a ' I .t-._ - - . .*" -:;: -.. -=-- \. .... HOTEL PARK AVENUE AND 57th STREET, NEW YORK RI KER . CO.. INC. SALES REPRI!SENTA TIVE Offered to Residents of N. Y. State Your Inspection Invited, dan, from 9 A.M. incl. Sat. & Sun. Visit Room 304. or phone Plaza 1-3390. OLYM l IA ON EARTH ^ < >: .: 0,,1' .' ""F ' < . t' .:: ,. , K . :. '\. -.0 > .' t... .::.: .:. . :.- .-:'::.- ....::-.::..... "';..-_0.: ;.... :,,/'i# . : . "" ,< > . 'I' Serene are those fortunate mortals who can dream or dally in the tufted bliss of Imperial's custom upholstered lounge chair. For lingering enjoyment, a special Imperial ottoman may be added. Send for new CCCatat"og of Conversation Pieces" UPHOLSTERED FURNITURE · THROUGH YOUR DECORATOR IlVIPERIA INC. 319 EAST 53RD STREET. NEW YORK 22. PLAZA 3.4993 years after he had been excommuni- cated by Comrade Kemenov. When his seventy-fifth birthday came around, on October 25th of last year, it was sur- prisingly celebrated in Moscow with a large exhibition of his paintings-the first time since the war that the Ministry of Culture had allowed any of his works to be viewed by the Soviet public. The occaSIon was, moreover, the capital CIty'S first recognition of Picasso hImself as a famous member of the French Communist Party-which, by this time, many French supposed he had ceased to be The exhibition, comprising about ninety pictures-more than half from the Shchukin collection, ending with canvases painted in 1914, and thirty- five, dated between 1915 and 1952, that had been sent up from Picasso's own store of his works-plus five ex- amples of his recent ceramics, opened at Moscow's Pushkin Museum on the eve- ning of his birthday. The night be- fore, a gala soirée in Picasso's honor was arranged by the Moscow Academy of Fine Arts, at which llya Ehrenburg, Picasso's friend for over forty years, appropriately gave a lecture on his his- torical position in the outsIde world of contemporary art-obviously to edi- fy those Muscovite connoisseurs who would have to honor Picasso the next evening. After the opening, the Paris Party newspaper, L'Humanité, re- ported with a straight face that "all whom Moscow counts among friends of art rendered homage to Picasso." It did not explain how this profound apprecia- tion was acquired overnight by Mos- cow's aesthete notabilities, who had not seen even their own Picassos for almost twenty years, had never laid eyes on his puzzling later works, and had been in- structed over the past decade, at least, to regard all his paintings with abhorrence. As far back as 1923, according to one British visitor to Moscow's Museum of Modern Western Art, Picasso's pictures were officially described there as "de- d ." D cadent, bloo less bourgeoIs art. ur- ing the Second W orld War, Moscow's modern art was, of course, lost to VIew, and it was with considerable surprise that an English lady visiting Lenin- grad's Hermitage Museum in 1955 came upon what was unmistakably the great Shchukin collection of Picasso's pictures, which by this time were not described by the Soviet art authorities at all. Furthermore, the labels customary to museum pictures had been removed, so if the casual visitor did not recognize Picasso's early style or spot his signa- ture, there was no way of knowing whom the canvases were by-nor was the official list of the artists shown of ""