Between 1940 and 1970, a large number of stars from the Cantonese opera stage entered the film industry in Hong Kong. This talk looks at the impact of this phenomenon, and the importance of Cantonese opera films as historical records of performances from that era

Professor Chan Sau-yan, expert on the musical structure, performance practice, ethnographic and historical aspects of Cantonese opera, looks at the tradition of religious operas in Hong Kong, and the challenges of preserving an ancient art form in a market-oriented economy

Cantonese operas are often based on stories of love and married life. The wives in these tales may be meek and loving or powerful and cunning. This talk looks at some of the Xiqu Centre opening performances to explore what makes a “perfect wife” on the Cantonese opera stage

Melodic and song-like, xiaoqu can incorporate traditional instrumental melodies, folk songs, contemporary pop songs and even theme tunes from films and TV shows. This talk explores the origins and development of xiaoqu and its unique function in Cantonese opera