Emil Wilbekin, the former editor of Vibe magazine who has been a major figure at Essence magazine since 2009, is no longer at the publication, Essence spokesman Dana Baxter told Journal-isms on Monday.

After confirming Wilbekin's departure Monday, Baxter said by email, "I have no further comment," declining to name the other staffers affected, to mention Wilbekin's contributions to the magazine or to say how his duties would be reassigned.

Wilbekin, 45, likewise did not respond to requests for comment. However, on his own website, he described his duties.

"Emil Wilbekin is Editor-at-Large at ESSENCE Magazine. In this role, he is responsible for executing covers for ESSENCE. In addition, he manages talent relations and develops 360º activations across the brand — connecting print, digital and live events.

"Previously, Emil served as Managing Editor of Essence.com, where he was responsible for the development of original daily programming for the site. He also led the Essence.com editorial team and worked on the development of the site's unique offerings, which include videos, an online community, social media, tools and applications.

"Prior to joining ESSENCE, Wilbekin had been the Editor-in-Chief, GIANT and Giantmag.com. Wilbekin also served as a consultant on Microsoft’s official [LeBron] James website. In addition, Wilbekin was previously a reporter for AOL Black Voices, and the VP of Brand Development for Marc Ecko.

"Wilbekin began his career as one of the founding editors of Vibe magazine, where he also served as the Style Editor, Fashion Director and Editor-in-Chief. Under Wilbekin’s leadership, Vibe won the National Magazine Award for General Excellence. He also served as the VP of Brand Development for Vibe Ventures, where he oversaw Vibe.com, mobile, books, and Vibe TV, and executive produced the Vibe Awards. . . ."

He shared the editor-at-large title with Mikki Taylor. Wilbekin told Cinya Burton of E! Magazine in November, "A typical day for me is filled with meetings, lots of emails, and phone calls. I have to go out to industry events, business dinners and galas almost every night of the week, so my days are long.. . . I get to go to movie premieres, concerts and parties for work. Hanging out with celebrities every night is not the worst thing in the world!"

Essence also stages events designed to buttress the magazine's brand and require the work of staffers such as Wilbekin.

Last month, Essence joined with producer Tyler Perry to celebrate "Black Men in Hollywood" during Oscar week, along with its annual "Black Women in Hollywood" luncheon honoring women behind and in front of the camera.

Time Warner is preparing to spin off Time Inc., Essence's parent company, in an initial public offering. On Feb. 4, "CEO Joe Ripp announced that the company is cutting jobs and eliminating its current brand grouping structure. The changes also come with a shakeup to its executive leadership team," Michael Rondon reported then for Folio: magazine.

Essence has undergone similar reductions in previous Time restructurings.

In a 2010 interview with Janelle Harris for Mediabistro, Wilbekin was asked, "What do think is missing in Black media? Describe one magazine or website that has yet to be written that you think needs to be a part of the canon."

He replied, "It would be nice to have more: more magazines, more websites, more television networks. I think that sometimes we live in a 'crabs in a barrel' syndrome in that we think we can only have one Black magazine and one Black website and one Black TV network. But Black people — and African-Americans specifically — are very diverse. It would be great to have more to cover the vastness of African-Americans and Black people around the world. I still wonder, specifically in the age of Obama, why we don't have a Black Vanity Fair."

Aaron McGruder, who jolted the newspaper comic-strip world with "The Boondocks" in 1999, then declared himself "sick of the strip and sick of politics" and transformed the strip into a television cartoon, now plans a television comedy series called "Black Jesus."

The Turner-owned Adult Swim network, which aired "The Boondocks," has picked up the series, Goldberg reported.

Eventually published in 350 newspapers, "The Boondocks" became a cable cartoon with a cult-like following in 2005, Amber Mobley reported for the St. Petersburg (Fla.) Times, now the Tampa Bay Times, in 2006.

"Turning the comic strip into a cartoon, said McGruder, has allowed him 'a wonderful amount of creative freedom' as well as access to a younger audience.

"It's an audience that 'gets it' more than 'your average newspaper reader (who) is a 50-year-old white man.' " McGruder told Mobley then.

A libel case arising from the civil rights movement is responsible for a landmark U.S. Supreme Court case that expanded guarantees of freedom of the press, a New York Times editorial reminded readers on Sunday.

"Fifty years ago this Sunday, the Supreme Court answered that question with a landmark decision in New York Times v. Sullivan. The ruling instantly changed libel law in the United States, and it still represents the clearest and most forceful defense of press freedom in American history.

"The case involved an ad that had appeared in The Times in 1960, condemning 'an unprecedented wave of terror' against civil-rights demonstrators by 'Southern violators,' particularly in Alabama. The ad was a plea for national attention, and for donations to support the movement. L. B. Sullivan, a Montgomery city commissioner, sued The Times for libel, claiming that the ad clearly targeted him, even if not by name, and that it contained numerous factual errors. Applying plaintiff-friendly libel laws, an Alabama state court awarded him $500,000.

"The Supreme Court voted unanimously to overturn that verdict. The country's founders believed, Justice William Brennan Jr. wrote, quoting an earlier decision, 'that public discussion is a political duty, and that this should be a fundamental principle of the American government.' Such discussion, he added, must be 'uninhibited, robust, and wide-open,' and 'may well include vehement, caustic, and sometimes unpleasantly sharp attacks on government and public officials.'

"To the court, the civil-rights context was key: The ad was 'an expression of grievance and protest on one of the major public issues of our time,' and Alabama officials could not shut down that criticism, even though it contained minor errors. 'Erroneous statement is inevitable in free debate,' Justice Brennan reasoned, and 'must be protected if the freedoms of expression are to have the breathing space that they need to survive.'

"With this in mind, the court announced a new 'actual malice' standard that requires a public official to prove that the defendant knew the statement was false, or recklessly disregarded its truth or falsity. (Private citizens rightly have a lower hurdle to clear; generally, they need only show that a falsehood is the result of negligence.)

"The ruling was revolutionary, because the court for the first time rejected virtually any attempt to squelch criticism of public officials — even if false — as antithetical to 'the central meaning of the First Amendment.' Today, our understanding of freedom of the press comes in large part from the Sullivan case. Its core observations and principles remain unchallenged, even as the Internet has turned everyone into a worldwide publisher — capable of calling public officials instantly to account for their actions, and also of ruining reputations with the click of a mouse. . . ."

"The IFJ/EFJ call follows reports that journalists are facing increasing harassment and intimidation in Crimea as political unrest continues, with news emerging that unidentified men are attacking journalists, brandishing guns and snatching cameras," a statement said.

"In response to the escalation in violence, the IFJ/EFJ are holding a meeting in Brussels on 17 March that will bring together representatives from the journalists union in Russia (RUJ) and Ukraine (NUJU and IMTUU) to discuss further measures to support journalists to uphold professional ethical standards and safety.

"According to reports, on 5 March a journalist from 'News of the Week — Crimea' was attacked as he filmed a peaceful protest by a group of women in Crimea's capital, Simferopol, and on 6 March a journalist from Kerch.fm was threatened when she and a colleague visited the border ferry crossing.

"In another chilling incident, a security camera in Simferopol captured the image of a Bulgarian freelance journalist and his assistant being attacked as they filmed masked men removing equipment from a television company. A gun was held to one of the men's heads and their equipment was taken. . . ."

Juan Williams, the Fox News commentator and veteran journalists, has gone to bat for his friend Armstrong Williams, no relation, in an op-ed piece that appeared in the Monday print edition of the Wall Street Journal.

"So imagine my surprise when I heard that the Federal Communications Commission is currently considering pulling the financial rug from under him by changing its regulations to — get this — promote diversity.

"The reason for the proposed rules shift is that Mr. Williams's two television stations operate under a so-called sidecar agreement with a larger broadcast company. Sinclair Broadcasting . . . the larger, white-owned firm, leverages its clout in the market to get better deals from advertisers for the two stations in return for a percentage of Mr. Williams' revenues.

"This arrangement is not a token deal. Similar agreements are common in the television industry. The difference is that typically all the players are white. Nevertheless, the FCC is proposing new restrictions that would make it harder for broadcast companies to control two stations operating in the same market. . . ."

There have been differing reports on the number of black-owned television stations, but all agree that the figure is infinitesimal.

However, Mike Cavender, executive director of the Radio Television Digital News Association, wrote separately that such arrangements might be financial necessities. "If some stations can't stand alone because of these restrictions, jobs may well be lost and news programming may well be diminished or even eliminated in some markets. . . ."

In January, Armstrong Williams told Journal-isms by telephone that he hopes the FCC realizes that "every arrangement is different" and that "when we make our presentation, the FCC will have no choice but to look at us individually and not all together."

In his case, the arrangement "really benefits minorities," Williams said. He said he had already produced 10 or 12 local programs in Myrtle Beach, S.C., and initiated a community discussion on domestic violence, which is scheduled for a town hall meeting on March 29. A Jan. 20 town hall discussed the Affordable Care Act.

"Or say two players from the same team had snubbed each other on national TV. Reporters would ask each player what was up with that, right?

"Or say a key player had been drawn into a much-publicized scandal leading up to the big game. It's a no-brainer that someone would ask whether the scandal had any effect.

"So as I sat among hundreds of fellow reporters in the Oscars pressroom March 2, I wondered: Is the entertainment press, at least when operating on a mass scale in Hollywood, working at a level beneath that of sports journalists?

"In sports, after all, for every predictable question about how a slugger felt when he belted the winning home run, there's the counterbalancing question to the pitcher who served it up. 'No cheering in the press box' is a rule at sports events. There was plenty of cheering in the Oscars pressroom. . . ."

Caro also wrote, "No shortage of Oscar watchers noticed the chill between '12 Years a Slave' adapted screenplay winner John Ridley, who didn't acknowledge director-producer Steve McQueen in his acceptance speech, and McQueen, who likewise didn't mention Ridley when collecting the best picture Oscar. The apparent rift had been much discussed online by the time Ridley arrived backstage.

Yvonne Latty, director of the "Reporting New York" and "Reporting in the Nation" multimedia graduate programs at New York University’s Arthur Carter Journalism Institute, was named interim academic officer of the National Association of Hispanic Journalists by the NAHJ board, which met over the weekend, President Hugo Balta wrote Monday. Latty, who represented NAHJ on the board of Unity: Journalists for Diversity before NAHJ pulled out last year, succeeds Federico Subervi, who resigned, citing his schedule, Balta told Journal-isms.

"Florida A&M University (FAMU) Professor Lady Dhyana Ziegler, Ph.D., a knighted Dame of Justice by the Chivalric Order of the Knights of Justice, has been appointed the Garth C. Reeves Eminent Scholar Chair in the School of Journalism & Graphic Communication," WTXL in Tallahassee, Fla., reported on Friday. "She assumes the post in July. As the Garth C. Reeves Eminent Scholar Chair, Ziegler will assist with the development of a new master's degree program, represent the SJGC within professional organizations, as well as serving in her teaching and research capacities. . . ."

"Neil DeGrasse Tyson, director of the Hayden Planetarium and star of Cosmos: A Spacetime Odyssey, appeared on CNN'sReliable Sources Sunday to talk about the show and media treatment of science in general," Josh Feldman reported Monday for Mediaite. "Tyson spoke of the innate hypocrisy of people rejecting modern science while embracing the very best of scientific discovery 'that we so take for granted today,' and without it, 'we will just regress back into the cave.' " Host Brian Stelter "referenced his own recent commentary about how the media should not be giving equal time to anti-science views, and asked Tyson what he believes the media's responsibility on this issue should be. Tyson said the media shouldn't be in the business of giving 'equal time to the flat-earthers.' . . . "Cosmos" premiere reviewed.

"Here we go again!" Julee Wilson reported Saturday for HuffPost BlackVoices. "Another magazine has decided that engaging in the racially insensitive act of Blackface is a glamorous idea. This time around the culprit is Vogue Italia. The glossy's March 2014 issue includes a feature entitled 'Abracadabra' that was shot by Steven Meisel and shows model Saskia de Brauw in a series of images with her skin darkened while posing in ethnic wears — headdresses, colorful wrappings, etc. . . ."

For International Women's Day, Alison Bethel McKenzie, who directs the Vienna-based International Press Institute, spoke with "the rock star of South African journalism" — Ferial Haffajee, editor-in-chief of City Press. Asked about challenges for female African journalists, Haffajee said, "In South Africa, these challenges relate to flexible working hours (journalism is not sociable and its culture militates against working mothers, studies have found); flexible work from home arrangements; a culture of networking at the bar or on the golf course; a macho newsroom culture. In other words, we have the same challenges as women journalists the world over. For the rest of Africa, in my work, I've come across issues including: a casting-couch approach to newsroom hires; patriarchal practices (especially in state-owned media); and low pay. All these can force women journalists out of the profession. . . ."

"The President of the Federation of Journalists of Peru (FPP), Mr. Ángel Sánchez Dueñas, demanded Friday an end to intimidation conducted by the Ambassador of Morocco in Lima against the Peruvian journalist Ricardo Sanchez-Serra, reported FPP in a statement," the Sahara Press Service reported on Sunday. " 'We have acquired confirmed information on the deplorable attitude of the Ambassador of the Kingdom of Morocco, Oumama Aouad Lahrech, who maintains constant communication with various diplomatic and political authorities of the Peruvian state, religious leaders and representatives of embassies residing in our country, to discredit the Peruvian journalist Ricardo Sanchez-Serra, exercising [his] constitutional powers in the field of opinion of journalism,' according to the statement, a copy of it received by SPS. . . ."

Richard Prince's Journal-isms originates from Washington and is published Monday, Wednesday and Friday. It began in print before most of us knew what the Internet was, and it would like to be referred to as a "column." For newcomers: The words in blue (on most computers) are links leading to more information. The Web site BugMeNot.com provides passwords and user names to some registration-only news sites, but use may be illegal in some states. Any views expressed in the column are those of the person or organization quoted and not those of any other entity.

Comments

Armstrong Williams has earned his shot and the FCC should let him participate with the conglomerates. In ten years Williams will likely own 20-30 TV stations. He can only get there by starting where he is with these two stations. I hope politics is not being played.