can someone upload that mix again? I've tried to get it from megaupload several times, but it is hella slow. I'm not sure why it does that, but sometimes it happens.

It happens because there is a lot of server traffic and if you aren't a subscriber to Megaupload then you get whatever bandwidth is left over._________________'Programming today is a race between software engineers striving to build bigger and better idiot-proof programs, and the Universe trying to produce bigger and better idiots. So far, the Universe is winning.' -Rich Cook

Downloading this mix now (I crank it up whenever I hear it on di.fm)
I'll vote for 'em while I wait - you should too!_________________dj GT, Project C and DI radio populate my mindscape with quicksilver energy.

I can tell that Project C has the mechanics of mixing downpat.
There was a great collection of songs here (5 or 6 of them were exceptional ..... Nothing, 3rd Earth and a few others). I'm guessing that the needle skipped on them on one intro just before or as they were bringing it up and with no time to recuperate, they just had to move forward and do the change over. It's what we all fear the most when fading. Unfortunately, the only thing we can do when we're out of time is mimic "Homer Simpson" "Doooohhhh!

Timing of intro's "out-tro's" (not really a word, but you get my drift) is critical for a seamless and seemingly natural switchover, otherwise it seems unnatural or forced. I found that doing my homework (studying Tiesto, Van Buuren, Van dyk, Levan and Pettibone) intro/outro's) has really improved my mixing and the finished product is much more polished.

My idea of perfection is Tiesto's I.S.O.S #4 -Latin America. Listening to how seamless and perfect the mixes of the first few songs and the choices he made in the songs themselves as to not upset the mood he had set was mesmerizing. I was listening to it on a listening station in a record shop just to see what Tiesto had put out. I was stunned and all I could say after hearing each mix was this is surreal. This guys magnificent. I purchased it right away and studied (and enjoyed) it endlessly. The right song can make you "The Man" or call your judgement into question by your adoring fans. Case in point, Tiesto really pushed the envelope in his choice of song #4 on disc 1. Songs 1,2 & 3 were perfect choices, song 4 was really questionnable, but he did it and came out on top. He's got my respect, and I'll learn from him to reach higher highs on my own mixes. Besides, that's the point, isn't it. Communicate with your audience, your audience let's you know they're feelin' you. You get more gigs, make more money, and soon your name is on the tip of everybody's tongue. Blah, Blah Blah.....Good Job!

I can tell that Project C has the mechanics of mixing downpat.
There was a great collection of songs here (5 or 6 of them were exceptional ..... Nothing, 3rd Earth and a few others). I'm guessing that the needle skipped on them on one intro just before or as they were bringing it up and with no time to recuperate, they just had to move forward and do the change over. It's what we all fear the most when fading. Unfortunately, the only thing we can do when we're out of time is mimic "Homer Simpson" "Doooohhhh!

Timing of intro's "out-tro's" (not really a word, but you get my drift) is critical for a seamless and seemingly natural switchover, otherwise it seems unnatural or forced. I found that doing my homework (studying Tiesto, Van Buuren, Van dyk, Levan and Pettibone) intro/outro's) has really improved my mixing and the finished product is much more polished.

My idea of perfection is Tiesto's I.S.O.S #4 -Latin America. Listening to how seamless and perfect the mixes of the first few songs and the choices he made in the songs themselves as to not upset the mood he had set was mesmerizing. I was listening to it on a listening station in a record shop just to see what Tiesto had put out. I was stunned and all I could say after hearing each mix was this is surreal. This guys magnificent. I purchased it right away and studied (and enjoyed) it endlessly. The right song can make you "The Man" or call your judgement into question by your adoring fans. Case in point, Tiesto really pushed the envelope in his choice of song #4 on disc 1. Songs 1,2 & 3 were perfect choices, song 4 was really questionnable, but he did it and came out on top. He's got my respect, and I'll learn from him to reach higher highs on my own mixes. Besides, that's the point, isn't it. Communicate with your audience, your audience let's you know they're feelin' you. You get more gigs, make more money, and soon your name is on the tip of everybody's tongue. Blah, Blah Blah.....Good Job!