“…It was De Los Reyes’s feet that particularly caught the eye, though. His control of dynamics is breathtaking, finding tonal as well as volume variations by apparently using every area of his shoe soles, “drumming” his way across stage with a startling, consistently tempered tattoo and finding, solo and with Benitez, yet another intensity level every time it appeared all possibilities had been exhausted.” (Rob Adams, Folk & Jazz critic for The Herald Social, for his performance at Queen’s Hall, Edinburgh)

“Oscar de los Reyes literally makes music with his feet, striking tattoos and prolonged, intense roll on the stage floor that a drummer would be hard pushed to replicate with sticks” (The Herald)