“We can’t imagine a global citizenship or any concept of
dynamic citizenship if we don’t think about it not only in terms
of law but in terms of the political economy of bodies that
move. There have to be structures that can receive and host this
kind of movement. This is why citizenship is not simply a
subjective phenomenon but also an objective phenomenon of
hospitality” – Antonio Negri, The Right of Passage.

In their third collaborative film Zanny Begg (Sydney) and Oliver
Ressler (Vienna) focus on struggles to obtain citizenship, while
at the same time questioning the implicitly exclusionary nature of
the concept.

The Right of Passage is partially constructed through a
series of interviews with Ariella Azoulay, Antonio Negri and
Sandro Mezzadra. These interviews form the starting point for a
discussion in Barcelona, one of Europe’s most densely populated
and multicultural cities, with a group of people living “without
papers”. The film is set at night, against a city skyline,
providing a dark void from which those marginalized and excluded
can articulate their own relationship to the arbitrary nature of
national identity and citizenship. Spain was chosen for this
project as it is teetering on the brink of financial meltdown and
is testing the limits of European cohesion.

The title, The Right of Passage, refers to the stages, or
“rites of passage” that mark important transitions on the path to
selfhood. The exchange of “rites” with “rights” suggests that
freedom of movement must become a right granted to every person –
regardless of his or her place of birth. As the film explores
these journeys not only transform those who embark upon them but
also the places they inhabit.

In the film, the conversations around citizenship are interwoven
with animated sequences.