This app features a complete history of Yamaha Synthesizers, an integrated virtual analog soft synth, and serves as a portal to Yamaha’s online synth communities.

The app is being released as part of Yamaha’s celebration of its 40 year history of makin

The history features detailed, “behind the scenes” information about the 40-year design and development history of Yamaha synthesizers. It covers the technological breakthroughs behind key Yamaha synthesizers, from teh CS-80 to the DX-7, and some fantastic vintage synth rarities, too.

The app also includes a software synthesizer. .

AN2015 features virtual analog modeling like the AN1x. It also features a drum part that you can use for backing.

Yamaha highlights two ways to use the synth:

As standalone iOS app – There are 2 modes available, SYNTH mode and Drum mode that work at the same time, e.g. when drum phrase is playing, Analog sound can be selectable and playable with the drum phrase, and vice versa without stopping ongoing music

Use it with a MOXF as an external tone generator – When connected to the Yamaha MOXF Music Production Synthesizer (OS version 1.10) using the Lightning to USB Camera Adapter by Apple, the MOXF becomes the MIDI/Audio interface for the iOS app creating a very powerful music production system.

Specifications

‘Analogue’ Synth

Tone Generator: Virtual Analogue Modelling

Polyphony: 8

Preset voice: 64

Arpeggiator: 1-Scale: 1

Polyphonic Pad

Drum Part

Tone Generator: Audio (Drum loop and time stretch function included)

Part: 1

Polyphony: 1

Drum Pad: 16

Drum Pad Set: 5

Other features include a portal to Yamaha’s social media forums and a catalog of the company’s current synth lineup.

Sampling isn’t about “hijacking nostalgia wholesale,” says Mark Ronson. It’s about inserting yourself into the narrative of a song while also pushing that story forward. Watch the DJ scramble 15 TED Talks into an audio-visual omelette, and trace the evolution of “La Di Da Di,” Doug E. Fresh and Slick Rick’s 1984 hit that has been reimagined for every generation since.

TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world’s leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design — plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages athttp://www.ted.com/translate

Electro Moscow is an essayistic documentary about the Soviet electronic age and its legacy. The story begins with the inventor of the world’s first electronic instrument, Leon Theremin, unveiling the KGB’s huge pile of fascinating devices, some of which were musical. They all came into existence as a by-product of a rampant defense industry. Nowadays, those aged and abandoned ‘musical coffins’, as solidly made as a Kalashnikov, are being recycled and reinterpreted by the post-Soviet generations of musicians, sound collectors and circuit benders. The story of the Soviet synthesizers as an allegory to the everyday life under the Soviet system: nothing works, but you have to make the best out of it. An electronic fairy tale about the inventive spirit of the free mind inside the iron curtain- and beyond.

Laurie Spiegel Playing the Bell Labs Digital Synthesizer, better known as the Alles Machine or Alice, was an experimental additive synthesizer designed by Harold G. Alles and Douglas Bayer at Bell Labs in 1977-78.

This composition was commissioned by Bell Labs and the Motion Picture Academy for the 50th anniversary of talking pictures. Working with the Alles synthesizer, with its extensive array of input and output channels for control, was a real pleasure after years of GROOVE’s extreme restrictions. The interactive software I wrote for this composition recycles the player’s keyboard input into an ongoing accompaniment. However, writing the software from a remote DEC PDP-11 computer (see also the PDP-11 FAQ and PDP Music Survey) in the new “C” computer language still undergoing frequent change, within a still-experimental UNIX operating system, without the control inputs or sonic output, under a tight deadline, while the Alles synthesizer hardware was still under construction, turned out to be quite an adventure.

It can orchestrate and perfome musicale scores as fast as a composer at its controls can think them up; create previously unheard musical sounds; and raise or lower the pitch of an instrument or human voice in real time-instantly-so that a man speaking into a microphone can be made sound like Donald Duck or Ezio Pinza. The machine divides sound into its frequencies and amplitudes, processing it un up to 200 million operations per sesond.

SECRETS provides a clear, no-nonsense guide to making any sound on any synthesizer. Starting with the fundamentals of sound creation, it progresses through such advanced topics as programming FM synths like the DX-7. Valuable insights are offered into stage and studio performance techniques which are applied to a variety of makes and models so that you will derive benefit from this video no matter what kind of equipment you have. A 130-page manual is included, making this a complete course on electronic keyboards.

Steve DiFuria is the narrator and featured performer on this video. He is a highly respected consultant in synthesizer design and a Keyboard columnist who has programmed for Frank Zappa, Stevie Wonder, and Lee Ritenour.

Director Stan Warnow has released his expanded Deluxe Edition of his award-winning documentary on his father, bandleader, composer and electronic music pioneer Raymond Scott.

The Deluxe Edition of Deconstructing Dad – The Music, Machines & Mystery Of Raymond Scott includes all the content from the original release, plus:

A progress report on the Electronium restoration going on in Portland, Oregon by engineer Darren Davison. This includes views of the inner components of the machine and Davison explaining in some detail how things worked.

An interview with John Cool, an electrical engineer who formed a company with Raymond Scott in the early 1970′s. The company was meant to manufacture some of my dad?s many ideas for music related electronic devices. He had fascinating tales to tell about Raymond Scott and the mixed results of their business venture, hosting him for Christmas and listening to him compose one tune after another instantly at the piano (kind of like the human Electronium).

“Electri_City – Elektronische Musik aus Duesseldorf” is a brand new book that is being prepped for release on the 10th of March 2014 via Suhrkamp Verlag. Described by the publisher as ‘Das definitive Buch zu Kraftwerk, Neu!, La Düsseldorf, DAF, Die Krupps, Der Plan, Liaisons Dangereuses, Rheingold, Propaganda’ you can expect a detailed background on the Düsseldorf scene. That scene has since the 70s and 80s been considered as the electronic popmusic Mekka (let’s hope Allah and co won’t kill us for using this description).

The book is written by Düsseldorf resident and Die Krupps member Rüdiger Esch. In the book he covers the period from 1970 bis till the end of the ‘analog phase’ in 1986. Expect feedback in the book from Wolfgang Flür (Kraftwerk), Bodo Staiger (Rheingold), Gabi Delgado (DAF), Jürgen Engler (Die Krupps), Ralf Dörper (Propaganda), plus remarks from Giorgio Moroder, Ryuichi Sakamoto, Andy McCluskey (OMD), Martyn Ware (The Human League), Glenn Gregory (Heaven 17) and so on.

Still according to the publisher the book will also talk about reality versus myth regarding the scene.

Popular demand for all things Kraftwerk will continue in the new year, as contemporary music ensemble Icebreaker embark on a live show that aims to recreate the electronic band’s experimental early period. The tour kicks off at the London Science Museum on 24 January and is titled Kraftwerk Uncovered – A Future Past.

Announcing the concept, German composer, producer and sound-scapist J. Peter Schwalm said: “Our focus is on Kraftwerk’s early, semi-improvised music that combined acoustic and electronic instruments, [and that period’s] relationship to their career-defining albums from Trans Europa Express to Computer World.

“Where Kraftwerk’s aesthetic moved ever closer to the ‘man machine’ we aim to adopt a more ‘retro-futurist’ approach to find the ‘human’ inside the machine, beginning with Ralf Hütter and Florian Schneider’s own early albums”.

ELEKTRO MOSKVA is an essayistic documentary about the beginnings of the Soviet electronic age and what remained of it- a huge pile of outdated, fascinating devices. Today they are being recycled and reinterpreted by musicians, inventors and traders, who carry that legacy on into an uncertain future. An electronic fairy tale about the inventive spirit of the free mind inside the iron curtain- and beyond.