THIS BLOG IS ABOUT 7" RECORDS ONLY. YOU CAN NEVER HAVE TOO MANY. EVERY SONG IS CONVERTED TO MP3 FROM MY PERSONAL 45 COLLECTION, AND THERE'S NOT ONE THAT I WOULDN'T RECOMMEND YOU SEEKING OUT. ANY COPYRIGHT HOLDERS WHO DON'T WANT THEIR MUSIC HEARD HERE JUST LET ME KNOW, AND DOWN IT WILL COME. CLICK ON ANY IMAGE TO ENLARGE.

Archive for the ‘Nico’ Category

Although never quite as excited when older songs would re-grace a 7″ based on reissue packages, this was an exception. Not as common these days, but in the 70′s, several bands found a stronger footing a bit down the career road. At the time, the periods between original and repackage felt like generations, but in hindsight they were only a few short years.

In the case of Kevin Ayers & The Whole World, the band’s third single, ‘Stranger In Blue Suede Shoes’ / ‘Star’ was originally released as Harvest 5042 in early ’71. Fast forward five years and ‘Stranger In Blue Suede Shoes’, a featured track on ODD DITTIES, a hitless greatest hits type compilation loosely celebrating his return to the Harvest label after a few singles and albums for Island, graces the market to promote the project.

By now the label copy was only crediting Kevin Ayers, and his credibility high via associations with John Cale and Nico. Thread in The Velvet Underground and all the punks immediately respect you. Boom. Plan.

Thing was, the appreciation was more than justified. He and his band made four nearly flawless albums for Harvest initially. And so his return to the label and promise of greatness to come was plenty of reason to tell the world of brand new ears all about his catalog highlights. I couldn’t get my hands on this 7″ fast enough.

In those days, you often knew only of a UK single’s existence and one would anxiously await the post to turn up with that special ordered copy, or a local import shop may stock a few. They usually catered to albums as opposed to 7′s though. And no one but me was buying a Kevin Ayers single, hence the special order process necessity.

Well I was thrilled when this one arrived. The real charge being being the B side ‘Fake Mexican Tourist Blues’. Known amongst his rabid followers, like me, as a must hear unreleased track from his WHATEVERSHEBRINGSWESING album sessions, you could say the five year wait was worth it. Lyrically hysterical, almost faux reggae. Expect the unexpected from Kevin Ayers every time and you won’t be let down.

Not an easy 7″ to find, thanks Dick Storms for giving it to me years ago as a gift. Dick started The Record Archive, turning it into one of the best record shops of it’s day. From the humble beginnings of two standups (boxes) at a local flea market it grew to a sprawling vinyl hub, including deep catalog, collectables, knowledgeable staff, guest dj’s – even a back room complete with stage/sound/lights. Loads of local bands played, and national acts did those in-store signing things there too. Talk about taste – Dick had it down, not only in music but furniture, art, design and personality. A Rochester legend.

I wasn’t aware at the time that this single was actually a different take from the album version. I’d always assumed it was simply an edit. How could this not have been a hit one asks. Nico could sing any song and make it Nico. Andy Warhol was a decent A&R guy it turns out.

Like a lot of people, I have a soft spot for anything on Date, and Direction for that matter. They were sister US/UK companies and had great A&R. I wish I knew more about The Glories, but really don’t. Most of their stuff is in the Northern groove, so I’m in.

Obviously not a Northern ‘stomper’ as they like to say, but I love any version of ‘Try A Little Tenderness’. Luckily, everyone I know that recorded it had pipes, although Nico or The Flying Lizards would have made interesting listens.

There’s a beautiful trade ad from a ’67 issue of Billboard for this one. Full page. Awesome shot of the girls. Wish my scanner could have handled it’s size. Spun ‘Sing Me A Love Song’ at the Otis Clay show recently – sounded killer through the big speakers

Deborah made her debut as The Flying Lizards’ vocalist. Needless to say, she had a certain style and stuck to it. Kinda like Nico but without the heroin. She could cover just about any song and it would have you in stitches. I’m not sure if she took herself seriously. For the record, I still can’t get enough of the singles. This one featured The Puerto Ricans, who I believe were actually one guy: Dennis Bovell. He’d produced a lot of Linton Kwesi Johnson’s records, maybe all of them. Sounds like he wanted to sidestep the politics and have some fun. Unfortunately, there was no followup. And this may have been her final hour.