Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Teenage Mutant Ninja Turtles”

WHAT: New York City is being terrorized by a criminal organization called the Foot Clan under the command of a shadowy figure known as The Shredder (Tohoru Masamune). But there’s a group of vigilantes silently serving as the city’s protectors, and ambitious news reporter April O’Neil (Megan Fox) is determined to uncover their identities… only to find that the mystery men aren’t men at all, but rather oversized mutant turtles skilled in the art of ninjitsu.

WHY: Jonathan Liebesman’s “Teenage Mutant Ninja Turtles” reboot isn’t nearly the disaster that many people feared. In fact, it’s actually quite entertaining at times provided you check your brain at the door and don’t mind that the film is basically feeding off the fumes of your childhood. The movie has its share of problems – from its assembly-by-committee script, to the generic action sequences – but the four actors who play the Turtles make up for some of those shortcomings by really capturing their spirit and brotherly camaraderie. The visual effects wizardry that’s been applied to their mo-cap performances is top-notch as well, proving once again why this technology is incredibly useful in not only creating more realistic CG characters, but giving them a human element that could never be achieved by men in rubber suits. There are some fun in-jokes for adult fans who grew up watching the Turtles as kids, but “Teenage Mutant Ninja Turtles” is essentially a live-action cartoon and should be judged accordingly. It’s far from a great film, but it also doesn’t try to be anything more than what it is, and if that means going easier on the film, then so be it, because that’s a perfectly acceptable cost of a little nostalgia.

EXTRAS: There are five featurettes covering a range of topics, including the digital evolution of the Turtles, the technical aspects of 3D, scoring the film and more.

FINAL VERDICT: RENT

“This Is Where I Leave You”

WHAT: When their father passes away, four siblings (Jason Bateman, Tina Fey, Corey Stoll and Adam Driver) return to their childhood home to fulfill his dying wish by sitting shiva. Forced to live under the same roof for a week with their loquacious mother (Jane Fonda), each child must deal with their respective personal problems and the ghosts of their past.

WHY: Adapted by Jonathan Tropper from his book of the same name, “This Is Where I Leave You” represents an interesting change of pace for Shawn Levy, who’s best known for big blockbusters like the “Night at the Museum” films. But while it’s always great to see a director explore new territory, Levy seems to be a little out of his comfort zone with this family dramedy, never quite sure how to handle the more serious moments when there’s always another joke right around the corner. It was smart to cast actors that could handle both comedy and drama, but sadly, the material wastes a lot of their talents. Though Jason Bateman is solid as the middle brother, Tina Fey is miscast as his protective sister, Corey Stoll’s eldest brother barely registers as a three-dimensional character, and Jane Fonda’s mother is given giant breast implants… and not much else. Adam Driver and Rose Byrne are the only two bright spots, but even their characters are majorly underserved. To be fair, movies like this are a difficult balancing act, and even more so with such a large cast of characters, but despite Levy’s best efforts, “This Is Where I Leave You” falls disappointingly flat.

EXTRAS: In addition to a pair of production featurettes, there are outtakes of Ben Schwartz as Rabbi Boner and some deleted scenes.

FINAL VERDICT: RENT

“Magic in the Moonlight”

WHAT: World-renowned magician Wei Ling Soo has a bag of tricks, but his biggest trick of all is that it’s just a ruse – the terribly racist stage persona of grumpy Englishman Stanley Crawford (Colin Firth), who despises charlatans that give his profession a bad name. So when longtime friend Howard Burkan (Simon McBurney) asks for his assistance in debunking a young spiritualist named Sophie Baker (Emma Stone), whom he believes is scamming the heir of the wealthy Catledge family, Stanley heads to their mansion to catch Sophie red-handed.

WHY: Woody Allen has made some real stinkers over the course of his 50-year career, and though “Magic in the Moonlight” isn’t quite bad enough to be included among the director’s absolute worst films, it’s not very good either. While Allen has proven that he’s still capable of delivering a good movie on occasion, he seems more concerned with maintaining his yearly output no matter what the cost, and that quantity-over-quality way of thinking only underlines the many problems with his latest comedy. At the top of that list is the complete lack of romantic chemistry between Colin Firth and Emma Stone, which proves to be detrimental, since so much of the film depends on their playful interactions. Both actors are usually very charming, but they look hopelessly lost in their roles due to a half-baked script that goes around in circles. Everything about this movie seems like it was rushed, from the stupid title, to the horrible poster, to the uninspired direction by Allen, who fails to provide an engaging story beyond the initial premise. “Magic in the Moonlight” doesn’t make you believe in magic, or love, or anything, really, although maybe that’s just the cynic in me, eager to expose the film as the fraud that it is, because the whole thing feels less like a genuine Woody Allen comedy than a pale imitation.

EXTRAS: The Blu-ray includes a making-of featurette and footage from the premiere.

Woody Allen has made some real stinkers over the course of his 50-year career, and though “Magic in the Moonlight” isn’t quite bad enough to be included among the director’s absolute worst films, it’s not very good either. Allen’s movies have always been pretty hit-and-miss, but since 2005’s career-altering “Match Point” – in which he inadvertently became a foreign film director by working almost exclusively in Europe – he’s only made three legitimately great movies. But while Allen has proven that he’s still capable of delivering a good film on occasion, he seems more concerned with maintaining his yearly output no matter what the cost, and that quantity-over-quality way of thinking only underlines the problems with his latest comedy.

Set in the late 1920s, the movie opens in a Berlin theater during a performance of world-renowned magician Wei Ling Soo. But just like the magic tricks in his show, it’s all a ruse. Wei Ling Soo isn’t Chinese at all, but rather the terribly racist stage persona of grumpy and arrogant Englishman Stanley Crawford (Colin Firth). He’s an elitist at heart who despises charlatans that give his profession a bad name, so when his longtime friend Howard Burkan (Simon McBurney) asks for his assistance in debunking a young spiritualist named Sophie Baker (Emma Stone), whom he believes is scamming the heir of the wealthy Catledge family, Stanley is all too happy to oblige. The pair heads to the Catledges’ mansion on the French Riviera in order to observe Sophie in action and catch her red-handed, but against his better judgment, Stanley begins to believe that she’s the real deal.