We've come to expect a lot of things from Aaron Funk and his Venetian Snares. But not this. In the past Funk was the master of splattery, maniacal drum and bass, all chopped up and poundingly complex, relentless and completely brain frying. Which we obviously love, but on this here new record, everything has changed. There's still plenty of maddeningly complex drum programming, but now it's merely a framework for actual songs, gorgeous, achingly mournful and surpsrisingly melodic songs. Piano, soaring strings, delicate pizzicato melodies, horns, moaning cellos, even occasional smokey torch song vocals. Remember the Aphex Twin song "Boy/Girl", quite possibly our favorite Aphex track ever, and rightfully so, a totally catchy, immediately memorable string section, wrapped in spikey swaths of drill and bass. Well, this is basically a whole record like that, but with a decidedly more Eastern European vibe, minor key and melancholy, with entire tracks of just strings and piano, NO rhythms. It sounds a bit like Arvo Part jamming with Aphex Twin if you can imagine that. One of the highlights is track three, a cover of Rezso Seress' notorious "Hungarian Suicide Song" which ends up sounding like some lost track from Portishead or Lamb. Slinky and sexy and so so good. The whole record is just amazing, every track offers up something new, whether it's dark doleful gypsy strings, mournful minimal piano, ridiculously intricate drum programming or all three somehow perfectly melded together. Haunting, deeply emotional and totally intense.