Let All The Children Boogie: A Tribute to David Bowie features new interpretations of Bowie's work from a diverse group of artists with the mission of sharing his legacy and messages with a new generation. David Bowie proved that there are no rules about who you should or could be in this world. His musical and artistic approach defined creative freedom providing a shining example of the infinite possibilities out there. Join us in celebrating Bowie’s catalog and life’s work while introducing him to today’s kids.

DAVID BOWIE 'LEGACY' released on November 11 2016 collects together some Bowie’s finest singles from his first hit, 1969’s ‘Space Oddity’ through to the final singles ‘Lazarus’ and ‘I Can’t Give Everything Away’ from 2016.

Excellent addition to any rock music collectionWhat a story! We have the latest David Bowie's work, and I ask you: What about the first? Is pointing to pure psychedelia, and he with his unmistakable voice and only 20 years old!

Blackstar is David Bowie's 28th studio album and his first since stunning the world in 2013 with the critically acclaimed 'The Next Day'. The release date for Blackstar coincides with David's birthday. The album's title track is the first single, and is accompanied by a short film visual by the acclaimed director Johan Renck. Music from the Blackstar single has been featured in the opening title credits and trailers for the new TV series The Last Panthers. The series, also directed by Johan Renck, began airing across Europe in late October, 2015, and will premiere in the U.S. on SundanceTV in Spring, 2016.

The Lazarus Cast Album is the unique collection of material that includes the last three studio recordings of David Bowie's storied career ("No Plan", "Killing A Little Time", "When I Met You"), recorded with Donny McCaslin and his quartet, the same band that played on Bowie's final studio album . The songs were co-produced by Bowie and Tony Visconti.

David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album – it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul.