Sunday, February 26, 2012

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's ArtsZipper site.

I'm now adding my own purely personal comments to events about which I think I have anything worthwhile to say. Because that's what bloggers do. If I have left your show out, please leave a comment with all the details.

Winter Opera St. Louis presents Puccini's La Boheme Friday at 8 PM and Sunday at 3 PM, March 2 and 4. Performances take place at The Skip Viragh Center for the Arts at Chaminade College Preparatory School, 425 S. Lindbergh. For more information, visit winteroperastl.org.

The Pub Theater Company presents Bye Bye Liver: The St. Louis Drinking Play, a comedic romp through the joys and pitfalls of The Gateway to the West's favorite pastime. Performances take place on “select Saturdays” (and the occasional Friday) at Maggie O'Brien's, 2000 Market Street. For more information, you may call 800-650-6449 or visit byebyeliver.com/stlouis.

Cry Baby

New Line Theatre presents the American regional premiere of the rock musical Cry Baby Thursdays through Saturdays at 8 PM, March 1 through 24. Performances take place at the Washington University South Campus Theatre, 6501 Clayton Road. For more information, call 314-534-1111.

The St. Louis Family Theatre Series presents the Magick Theatre production of If You Give a Moose a Muffin Sunday (March 4) at 2 PM, Friday (March 9) at 7:30 PM and Saturday (March 10) at 2 PM. Performances take place at the Florissant Civic Center Theatre at Parker and Waterford in Florissant, MO. For more information, call 314-921-5678 or visit www.florissantmo.com.

The Black Rep presents Shakespeare's A Midsummer Night's Dream through March 4. Performances take place at the Grandel Theatre, 3610 Grandel Square. For more information, call 314-534-3810. Read the 88.1 KDHX review!

Jefferson College presents Eric Overmeyer's On the Verge, or the Geography of Yearning Thursday at 10 AM and Friday and Saturday at 8 PM, March 1 through 3. Performances take place at the Jefferson College Fine Arts Theatre on the campus in Hillsboro, MO. For more information, visit jeffco.edu or call 636-481-3369 or 636-789-3000 ext. 3369.

Shakespeare Festival St. Louis
touring company

Shakespeare Festival St. Louis presents public performances of its two touring shows on Saturday, March 3. Othello in a Breath will be performed at 7 PM and Cruel to be Kind? At 8:30 PM. Performances take place at The Emerson Performance Center on the Campus of Harris Stowe State University, 3101 Laclede Avenue. For more information, visit shakespearefestivalstlouis.org.

The Pulitzer Foundation for the Arts presents Staging Reflections of the Buddha through March 10. On Saturday, March 10, the performance will be held at 5 pm followed by a lantern ceremony at 7 pm. “Former prisoners and veterans, who have been trained as actors, will guide the audience through the galleries, moving through the Reflections of the Buddha exhibit. The project is designed to break down social barriers by establishing common ground between the audience and the actors.” The Pulitzer Foundation for the Arts is at 3716 Washington in Grand Center. For more information, visit www.stagingbuddha.pulitzerarts.org.

Wake Up, Cameron Dobbs

The West End Players Guild continues their 101st season with the world premiere of St. Louis playwright Stephen Peirick's comedy Wake Up, Cameron Dobbs Fridays and Saturdays at 8 PM and Sundays at 2 PM through March 4. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

The Brass Rail Players present the musical You're A Good Man, Charlie Brown. Performances take place Thursday through Sunday, March 1 through 4, at the Lindenwood University Premier Center For The Arts In Belleville, Il. For more information, visit brassrailplayers.org.

Wednesday, February 22, 2012

“Identity’s difficult. I suppose it brings about social cohesion, but it’s not much fun if you don’t quite fit. Being gay, for example, used to be pretty miserable. Or being a Protestant in a place like Ireland when the Catholic Church ruled the roost. Or being a woman in Ireland under the thumb of all those priests. Those big, dominant entities have been weakened, I suppose, but I think that might be a good thing, on balance. It’s allowed other identities to flourish.” – Isabel Dalhousie in Alexander McCall Smith’s The Forgotten Affairs of Youth

Briefs logo by Michael Perkins

The fact that I read this passage the afternoon before the final dress rehearsal for the Vital Voice/That Uppity Theatre Company co-production of Briefs: A Festival of Short Lesbian and Gay Plays (which runs Friday through Sunday, February 24-26) is one of life’s little synchronicities. Ditto the fact that it followed hard on the heels of yet another revelation about Sen. Rick Santorum’s conviction that any divergence from his twisted mockery of Christianity is the work of The Prince of Darkness.

I’ll leave others to deal with the senator's weirdly Freudian politics. I’d like to talk about how that passage resonates with our show.

Because if Briefs is about anything, it’s about the fluidity of identity and the diversity that comes from it.

Some of the characters in our seven plays are gay and lesbian, but others are straight, bi, transgendered, and even figments of other characters’ imaginations. They (and the actors playing them, including yours truly) represent the variety of ages, ethnicities, gender, body types, beliefs, and sexual preferences that is the real hallmark of America. We are and (for most of our history) have been a spectacular spectrum of a nation—a virtual rainbow of humanity.

If America is about anything, it’s about diversity.

And that, no matter what some people will try to tell you, is a good thing. Diversity in nature increases resistance to extinction. Diversity in the workplace leads to smarter teams and better problem solving. Diversity is a source of strength. E pluribus unum.

Briefs plays Friday through Sunday this weekend at Pa Perla, 312 North 8th Street, across from the Old Post Office. The initial run of tickets has sold out, so the producers have added seats for each show. Order yours at brownpapertickets.com and join us in our celebration. There’s a bar, a DJ, and valet parking. And while it might not be obvious, there’s even a rainbow.

Tuesday, February 21, 2012

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's ArtsZipper site.

I'm now adding my own purely personal comments to events about which I think I have anything worthwhile to say. Because that's what bloggers do. If I have left your show out, please leave a comment with all the details.

R-S Theatrics, an offshoot of Soundstage Productions, presents a Neil LaBute's Autobahn at 8 PM Fridays and Saturdays, and 7 PM Sundays through February 26. Performances take place in their art space at 220 Crestwood Court. For more information, you may email RSTheatrics at yahoo.com or call 314-968-8070. Read the 88.1 KDHX review!

That Uppity Theatre Company and The Vital Voice present Briefs: A Festival Of Short Lesbian and Gay Plays Friday at 8 PM, Saturday at 5 and 8 PM, and Sunday at 2 PM, February 24 through 26. There will also be a free preview performance on Wednesday, February 22, at 8 PM. Performances take place at La Perla, 312 North 8th Street, downtown. A DJ will be spinning music between plays, and a cash bar as well as valet parking will be available. The cast includes the author of this here blog. For more information, visit www.brownpapertickets.com/event/215115 or call (314) 995-4600.

The Pub Theater Company presents Bye Bye Liver: The St. Louis Drinking Play, a comedic romp through the joys and pitfalls of The Gateway to the West's favorite pastime. Performances take place on “select Saturdays” (and the occasional Friday) at Maggie O'Brien's, 2000 Market Street. For more information, you may call 800-650-6449 or visit byebyeliver.com/stlouis.

University of Missouri at St. Louis Opera Theatre presents Donizetti's comedy The Elixir of Love Friday at 7:30 PM and Saturday at 3 and 7:30 PM, February 24 and 25. Performances take place in the Lee Theatre at the Touhill Performing Arts center on the UMSL campus. For more information, visit touhill.org or call 314-516-4949.

The Conservatory of Theatre Arts at Webster University presents John LaChiusa's musical Hello Again, based on La Ronde by Arthur Schnitzler, Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM, through February 26. Performances take place in the studio theatre at the Loretto-Hilton Center, 130 Edgar Road on the Webster University campus. Fore more information, call 314-968-7128. Read the 88.1 KDHX review!

The Black Rep presents Shakespeare's A Midsummer Night's Dream through March 4. Performances take place at the Grandel Theatre, 3610 Grandel Square. For more information, call 314-534-3810. Read the 88.1 KDHX review!

Washington University Performing Arts Department presents Radio Free Emerson Friday and Saturday at 8 PM and Sunday at 2 PM through February 26. Performances take place in the A.E. Hotchner Studio Theatre in the Mallinckrodt Student Center on the Washington University campus. “Loosely based on Ibsen's The Wild Duck, Radio Free Emerson examines the funny, dark and sometimes violent consequences of following desires unchecked.” For more information, call 314-935-6543. Read the 88.1 KDHX review!

KTK Productions presents A Show Within a Show Fridays and Saturdays at 8 PM and Sundays at 2 PM through February 26. Performances take place at Southampton Presbyterian Church, 4716 Macklind. For more information, call 314-351-8984.

The Pulitzer Foundation for the Arts presents Staging Reflections of the Buddha Thursdays and Fridays, February 23, February 24, March 1, March 2, March 8, and March 9 at 7 pm; Saturdays, February 25 and March 3, 5 and 7 pm; and Sundays, February 26 and March 4 at 3 and 5 pm. On Saturday, March 10, the performance will be held at 5 pm followed by a lantern ceremony at 7 pm. “Former prisoners and veterans, who have been trained as actors, will guide the audience through the galleries, moving through the Reflections of the Buddha exhibit. The project is designed to break down social barriers by establishing common ground between the audience and the actors.” The Pulitzer Foundation for the Arts is at 3716 Washington in Grand Center. For more information, visit www.stagingbuddha.pulitzerarts.org.

Urinetown

Stray Dog Theatre presents two additional performances of the musical satire Urinetown Friday and Saturday at 8 PM, February 24 and 25. Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, call 314-865-1995. Read the 88.1 KDHX review!

Wake Up, Cameron Dobbs

The West End Players Guild continues their 101st season with the world premiere of St. Louis playwright Stephen Peirick's comedy Wake Up, Cameron Dobbs Fridays and Saturdays at 8 PM and Sundays at 2 PM, February 24 through March 4. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

The Edison Theatre Ovations! Series presents The Water Coolers on Saturday, February 25, at 8 PM The Water Coolers is “a 'laugh-out-loud' musical comedy about the things we share around the water coolers of America everyday: life, work, kids, travel, technology and trying to balance it all.” The performance takes place at 8 PM at Edison Theater on the Washington University campus. For more information, call 314-935-6543.

West Side Story

The Fox Theatre presents the tour of the new Broadway production of West Side Story February 14 through 26. The Fox Theatre is at 517 North Grand in Grand Center. For more information, call 314-534-1678. Read the 88.1 KDHX review!

The symphony was super-sized this weekend, with a longer than usual program. The two and one-half hour concert had a decidedly Baroque/Classical/Neoclassical orientation, with music ranging chronologically from Baroque to contemporary and stylistically from Mozart to Martinů. Add in the dynamic dancing by Hubbard Street Dance Chicago and you had a pretty good bang for your entertainment buck.

I don’t know about you, but the first question that came to my mind when I learned that this weekend’s guest artists were a full ballet company was "where are they going to put everyone?" The answer is that you put the dancers on a temporary stage covering the front half of the regular stage and extending over the first row or two of seats. The orchestra is moved back and onto a platform a foot or two above the regular stage. The arrangement was ideal from our perch in the dress circle boxes and offered great sound and a clear view of the dancers.

Normally, of course, the conductor of a ballet orchestra would have the dancers above and in front of him instead of below and in back. The latter arrangement required David Robertson to frequently look over his shoulder, but both he and the musicians appeared to take it all in stride. Even with the new piece on the program—Within Her Arms by Chicago Symphony Orchestra composer in residence Anna Clyne—I saw no indication that the dancers and the orchestra weren’t always on the same page (literally or otherwise). Yet another reason why we love our St. Louis Symphony.

The program opened with an impeccably played Le nozze di Figaro overture by the orchestra alone, after which the Hubbard Street dancers, in simple deep mauve leotards, took to the stage for the first ballet, Nacho Duato’s Arcangelo. Originally created for Madrid’s Compañia Nacional de Danza in 2000, Arcangelo uses music from seven of the concerti grossi published in 1714 by one of the masters of the form, Arcangelo Corelli, along with a somber coda set to an aria (sung with great feeling by countertenor David Stephens) from Alessandro Scarlatti’s oratorio Il primo omicidio (based on the story of Cain and Abel). Mr. Duato’s choreography seamlessly blends modern and classically inspired movement—everything from a small flick of the wrist to athletic leaps—into a harmonious whole that handsomely complements the music. Until Friday morning’s concert, I didn’t know what Corelli’s music looked like. Now I do.

The first half closed with Bach’s Brandenburg Concerto No. 3 as a kind of palate cleanser. It was another fine performance, with a tip of the powdered wig to Peter Henderson’s sparkling harpsichord and concertmaster David Halen’s brief but beautiful second movement cadenza (the printed score has no second movement as such, only a single measure of two chords, so in performance a violin or harpsichord cadenza is often inserted there).

The second half opened with twice (once), in which Hubbard Street’s Rehearsal Director Terrence Marling turns Anna Clyne’s Within Her Arms—written as an elegy for the death of the composer’s mother in 2008—into a kind of balletic memory play. The fluid movement of dancers in flowing white costumes mirrored the somewhat mysterious music, which at times seemed to harken back to Vaughn Williams or even Thomas Tallis. Soloist Jessica Tong appeared to embody the spirit of the departed in a work that ends, courageously, with no music at all.

The rest is silence, to quote the dying Hamlet.

Next, another break for the dancers as the orchestra gave us Stravinsky’s 1938 homage to Bach’s Third Brandenburg, the "Dumbarton Oaks" concerto. Even though the work is from Stravinsky’s neo-classical period and therefore emotionally restrained, the composer still can’t resist some jolly writing for the winds (especially the clarinet and bassoon) and the symphony players did a fine job with it.

Bringing the concert to a brilliant close was As few as 3000 by Hubbard Street Resident Choreographer Alejandro Cerrudo, set to Bohuslav Martinů’s 1947 Toccata e due canzoni. There was so much going on here in terms of both music and dance that it was, to some extent, a case of sensory overload. Martinů’s score, with its rhythmic drive, clever reinterpretation of Baroque styles, and prominent piano part (another nod is due to Mr. Henderson there), is so interesting all by itself that it often threatened to draw focus from the dancers’ spectacular performance of Mr. Cerrudo’s inventive and often whimsical choreography. There were elements there of classic athletics—especially running and swimming—as well movement reminiscent of aquatic and insect life. There was even a mock levitation, complete with a magician in top hat and cape. Remarkable stuff, really, but it might work better with more familiar music.

To say that this program is ambitious would be an understatement. The fact that it all came off so well is a tribute to both our orchestra and Chicago’s dancers, and I congratulate them all.

Next at Powell Hall: Jaap van Zweden is on the podium along with pianist Martin Helmchen for Johan Wagenaar’s Cyrano de Bergerac Overture, Mozart’s Piano Concerto No. 25, and Brahms’s Symphony No. 4. Performances are Friday and Saturday at 8 PM and Sunday at 3 PM, February 24-26. For more information you may call 314-534-1700 or visit stlsymphony.org.

Sunday, February 12, 2012

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's ArtsZipper site.

I'm now adding my own purely personal comments to events about which I think I have anything worthwhile to say. Because that's what bloggers do. If I have left your show out, please leave a comment with all the details.

R-S Theatrics, an offshoot of Soundstage Productions, presents a Neil LaBute's Autobahn at 8 PM Fridays and Saturdays, and 7 PM Sundays, February 17 through 26. Performances take place in their art space at 220 Crestwood Court. For more information, you may email RSTheatrics at yahoo.com or call 314-968-8070.

The Pub Theater Company presents Bye Bye Liver: The St. Louis Drinking Play, a comedic romp through the joys and pitfalls of The Gateway to the West's favorite pastime. Performances take place on “select Saturdays” (and the occasional Friday) at Maggie O'Brien's, 2000 Market Street. For more information, you may call 800-650-6449 or visit byebyeliver.com/stlouis.

The West County YMCA Y-Rep Teens presents Charlie and the Chocolate Factory February 16 through 18. The West County YMCA is at 16464 Burkhardt Place in Chesterfield, MO. For more information, call 636.532.6515 ext. 227.

The Conservatory of Theatre Arts at Webster University presents John LaChiusa's musical Hello Again, based on La Ronde by Arthur Schnitzler, Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM, February 15 through 26. Performances take place in the studio theatre at the Loretto-Hilton Center, 130 Edgar Road on the Webster University campus. Fore more information, call 314-968-7128.

Avalon Theatre Company presents A.R. Gurney's Love Letters Thursday through Saturday at 8 PM and Sunday at 3 PM, February 16 through 19. Performances take place at the ArtSpace at Crestwood Court. For more information, visit avalontheatre.org or call 314-351-6482.

Upstream Theater presents The Maids by Jean Genet. Performances are Thursdays through Saturdays at 8 PM and Sundays at 7 PM, February 17 through March 4 at the Kranzberg Arts Center, 501 North Grand. The final Sunday show is at 3 PM. For more information, call (314) 863-4999 or visit www.upstreamtheater.org.

The Black Rep presents Shakespeare's A Midsummer Night's Dream February 15 through March 4. Performances take place at the Grandel Theatre, 3610 Grandel Square. For more information, call 314-534-3810. Read the 88.1 KDHX review!

Washington University Performing Arts Department presents Radio Free Emerson Friday and Saturday at 8 PM and Sunday at 2 PM, February 17 through 26. Performances take place in the A.E. Hotchner Studio Theatre in the Mallinckrodt Student Center on the Washington University campus. “Loosely based on Ibsen's The Wild Duck, Radio Free Emerson examines the funny, dark and sometimes violent consequences of following desires unchecked.” For more information, call 314-935-6543.

The St. Louis Family Theatre Series presents Seussical: The Musical Friday through Sunday, February 17 through 19. Performances take place at the Florissant Civic Center Theatre at Parker and Waterford in Florissant, MO. For more information, call 314-921-5678 or visit www.florissantmo.com.

KTK Productions presents A Show Within a Show Fridays and Saturdays at 8 PM and Sundays at 2 PM, February 17 through 26. Performances take place at Southampton Presbyterian Church, 4716 Macklind. For more information, call 314-351-8984.

Act II Community Theater presents Steel Magnolias Friday and Saturday at 8 PM and Sunday at 2 PM, February 17 through 19. Performances take place at The St. Peters Community and Arts Center, 1035 St. Peters-Howell Road in St. Peters, MO. For more information, call 636-219-0150 or email info at act2theater.com.

The Touhill Performing Arts Center presents Henson Alternative's Stuffed And Unstrung on Friday, February 17, at 8 PM. The Touhill Performing Arts Center in on the University of Missouri-St. Louis campus. For more information, you may visit www.touhill.org or call (314) 516-4949

Urnietown

Stray Dog Theatre presents the musical satire Urinetown Thursdays through Saturdays at 8 PM through February 18. There will be a matinee on the closing Saturday at 2 PM in addition to the evening show. Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, call 314-865-1995. Read the 88.1 KDHX review!

The Fox Theatre presents the tour of the new Broadway production of West Side Story February 14 through 26. The Fox Theatre is at 517 North Grand in Grand Center. For more information, call 314-534-1678. Read the 88.1 KDHX review!

Saturday, February 11, 2012

Who: Violinist David Halen and The St. Louis Symphony Orchestra conducted by Stanislaw Skrowaczewski
What: Music of Weber, Mendelssohn, and Schubert
Where: Powell Symphony Hall, St. Louis
When: February 3 and 4, 2012

Big-name international soloists and new works are all well and good, but there’s still something immensely satisfying about seeing a member of the local band step to the front and deliver a fine, polished performance of a familiar standard. That’s what concertmaster David Halen did Friday night with Mendelssohn’s Violin Concerto, one of three comfy Romantic favorites conducted with love by Stanislaw Skrowaczewski, still going strong at age 88.

It’s likely that just about every violinist on the planet has taken a crack at the Mendelssohn at one time or another. Audiences never seem to tire of it, though, and fiddlers never fail to find something new (or at least personal) in their interpretations. Mr. Halen certainly made it his own Friday night with a mix of technical facility and intense concentration that pulled me in immediately and kept me there right through the flash of the finale. Mr. Skrowaczewski was with him all the way. There was less visual communication between the two than I might have expected, but communicate they did nevertheless.

If the Mendelssohn concerto was the big solo event on the program, the Schubert Symphony No. 9 in C Major was the major orchestral event. Originally completed in 1826 and then substantially revised two years later just before the composer’s untimely death at age 31, the 9th—usually referred to as “The Great” to distinguish it from the earlier and less expansive symphony in the same key—was never performed in its final version during Schubert’s lifetime. The premiere didn’t take place until eleven years later—under the baton of Felix Mendelssohn, in fact—and even then it was widely viewed as too long and too difficult to play.

They had a point about the length. Clocking in at around 50 minutes if you take all the repeats, the 9th would have seemed gargantuan at the time, dwarfed only by Beethoven’s 9th. Still, it’s hard to hear this now and not be completely captivated by the endless flow of irresistible melodies and rhythmic drive that runs throughout. It’s one of my favorite Romantic symphonies and never fails to delight me.

Mr. Skrowaczewski’s approach to the 9th struck me as very much in the mid 20th century Germanic tradition: somewhat slow tempi and a big, modern orchestral sound. It’s the sort of thing I grew up hearing. In recent years I’ve been somewhat seduced by the “original instrument” approach to music of this period exemplified by conductors like Roger Norrington or John Eliot Gardner, but this weekend’s performance reminded me of the virtues of that older approach. This was a Schubert 9th that built in power from beginning to end, starting with a hush and ending with a bang. It was all there: the magisterial first movement, the mysterious second, the boisterous third, and that magnificent piece of musical architecture, the final Allegro vivace.

The orchestra was in top form, with fine work by every section and a lovely, burnished sound overall.

The program opened with the overture to Carl Maria von Weber’s 1826 opera Oberon. It’s a lively and tune-filled curtain raiser that opens with haunting horn solo and gallops along to a lively finish. I found Mr. Skrowaczewski’s reading a bit on the stodgy side but could hardly quibble with the quality of the playing.

Next at Powell Hall: Four concerts featuring Hubbard Street Dance Chicago February 17-19. For more information you may call 314-534-1700, visit stlsymphony.org, like the Saint Louis Symphony Facebook page, or follow @slso on Twitter.

Sunday, February 05, 2012

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's ArtsZipper site.

I'm now adding my own purely personal comments to events about which I think I have anything worthwhile to say. Because that's what bloggers do. If I have left your show out, please leave a comment with all the details.

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Angela Shultz

The Cabaret at St. Peter's presents NYC Award-Winning cabaret artist Angela Shultz in a free concert on Saturday, February 11, at 7 PM. David Horstman is pianist for the show, which takes place at St. Peter's United Church of Christ, 1403 Stein Road in Ferguson, MO. For more information, you may visit stpeterschurch.org.

The Pub Theater Company presents Bye Bye Liver: The St. Louis Drinking Play, a comedic romp through the joys and pitfalls of The Gateway to the West's favorite pastime. Performances take place on “select Saturdays” (and the occasional Friday) at Maggie O'Brien's, 2000 Market Street. For more information, you may call 800-650-6449 or visit byebyeliver.com/stlouis.

The Repertory Theatre of St. Louis presents David Mamet's drama Race Tuesdays through Sundays, February 8 through March 4. Performances take place on the main stage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

Cashore Marionettes

The Edison Theatre Ovations! For Young People series presents The Cashore Marionettes in Simple Gifts, on Saturday, February 11 at 11 AM in the Edison Theatre at the Mallinckrodt Center on the Washington University campus. For more information, call (314) 935-6543.

Act II Community Theater presents Steel Magnolias Fridays and Saturdays at 8 PM and Sundays at 2 PM, February 10 through 19. Performances take place at The St. Peters Community and Arts Center, 1035 St. Peters-Howell Road in St. Peters, MO. For more information, call 636-219-0150 or email info at act2theater.com.

The COCA Family Theatre Series presents Tall Stories Twinkle Twonkle Friday through Sunday, February 10 through 12. “From the British company that brought us Room on the Broom, Twinkle Twonkle was created with the UK's National Academy of Sciences. When Stella and her little brother extend their telescope all the way to the stars - they find themselves on a magical adventure. Could that be a cow jumping over the moon?!! Using storytelling, music, magic and humor, this terrestrial production was inspired by nursery rhymes and the amazing science of the stars.“ COCA is at 524 Trinity in University City. For more information, call (314) 725-6555 or visit www.cocastl.org.

Urnietown

Stray Dog Theatre presents the musical satire Urinetown Thursdays through Saturdays at 8 PM through February 18. There will be a matinee on the closing Saturday at 2 PM in addition to the evening show. Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, call 314-865-1995. Read the 88.1 KDHX review!

Dramatic License Productions presents a Valentine's Cabaret, featuring Ken Haller, Kay Love, Knemu Menu-Ra and Marti Signaigo, with Ron Bryant on piano, on Friday and Saturday at 8 PM and Sunday at 2 PM, February 10 through 12. For more information, call 636-220-7012 or visit dramaticlicenseproductions.com.

Way to Heaven

New Jewish Theatre presents Way to Heaven by Juan Mayorga, translated by David Johnston, through February 12. The play “is inspired by the true story of the elaborate deception that took place at the Theresienstadt concentration camp, where the Nazis constructed a fake village to fool international inspectors and quell extermination rumors“. Performances take place at the Marvin and Harlene Wool Studio Theatre at the JCCA, 2 Millstone Campus Drive. For more information, call 314-442-3283 or visit www.newjewishtheatre.org. Read the 88.1 KDHX review!

Enter, Stage Left

Aside from the distinction of being St. Louis’s least-known veteran broadcaster (over three decades and counting), Chuck has been active in theater in St. Louis, Houston, and Terre Haute since the late 1960s. He's been mostly an actor and sound designer, with the occasional foray into directing and (recently) cabaret performance. Chuck has also been writing theater and classical music criticism for nearly as long, and is currently the senior performing arts critic at KDHX-FM, and the producer of the KDHX Arts Calendar. Chuck is a member of the St. Louis Theater Circle and the Music Critics Association of North America, as well as the local correspondent for Cabaret Scenes magazine and a performing arts blogger for OnSTL.com