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Wednesday, 27 June 2007

I've stopped being a great one for competitions, partly because I dislike working on something simply because its for a competition. But if I have something around, an idea or a finished work, which seems to fit then I can often think why not.

The other issue is about the way my music looks on the page compared to how it sounds. Last year a conductor commented that my music sounded different to how you'd expect it to on the page, was more complex. I don't know if this is a general perception but it makes me mistrust sending scores off into the blue.

But that's what I'm planning at the moment. There are 2 or 3 projects which fit in with competition entries, so I think, why not?

Also I've been busy exchanging emails with the librettist of the new opera. I send her PDF's and midi-files and we discuss how things are developing. Its early days yet, but it is proving to be enormously useful having someone to bounce ideas off and to keep their eye on me. Consistency is important when mapping out different characters in a dramatic context and consistency is not always my strong point!

Quickening:

Songs by Robert Hugill to texts by English and Welsh poets now available from Amazon

four delicate, sensitive settings of Ivor Gurney, drawing performances of like quality. - it is Rosalind Ventris’s viola, weaving its way around and between the voice and William Vann’s piano, that is most beguilingGramphone magazine Jan 2018