Oddball Films presents Oddball's Haunted Halloween Hullabaloo, a special Halloween program of haunting ephemeral films with dancing ghosts, satanic stripteases, creepy cartoons, ghostly educational films, murderous musical numbers, terrifying trailers and more spooktacular cinema. Ichabod Crane faces off against a faceless undead monster in the much beloved Di$ney classic The Legend of Sleepy Hollow (1949). Betty Boop heads down to Hell and melts the king of the underworld with her icy stares in the jazzy Fleischer Brothers' cartoon Red Hot Mamma (1934). Burlesque queen Betty Dolan dances with the Devil in the sizzling Satantease (1950s). Spencer Tracy imagines an afterlife of tormented but beautiful writhing hordes in an infernal excerpt of Dante's Inferno (1935). Gracie Barrie sings about justifiable homicide in the killer soundieStone Cold Dead in the Market(1946). One young boy speaks to a restless teen spirit and learns valuable lessons in bus safety in the educational shock film Ghost Rider (1982). Joseph Cotton narrates a loving overview of how to kill some of the silver screen's most horrific creatures in an excerpt of Monsters We Have Known and Loved(1964). With a rockin' musical break, featuring some interpretive-dancing spectres in an Old-West ghost town fromJohn Byner's Something Else(1970). Plus a cemetery-full of Horror Trailers, campy educational primerHalloween Safety (1985) for the early ghouls, sweet treats and more satanic surprises, haunt on down to Oddball and get your Halloween started right!

Oddball Films presents Trance Cinema: The Power of Possession. Drawing on rare ethnographic, documentary and experimental acquisitions from the archives; this program showcases powerful healing ceremonies, ceremonial dances and ritualized trance states from around the world. Films include Holy Ghost People
(1967), San Franciscan Peter Adair’s (“The Word is Out”) legendary cinema verite documentary about Pentecostal snake handlers in rural
West Virginia; Ma’Bugi: Trance of the Toraja (1973) a dazzling supernatural
healing rite involving trance states and the ascent of a ladder of knives, shot
in Indonesia; The Plains Indians: Sundance Ceremony (1947), documenting a powerful American
Indian tribal ceremony and Buck Dancer (1965), a rare,
mesmerizing musical short shot in rural Mississippi by famed ethnomusicologist
Alan Lomax. Transport yourself into ecstatic and altered states of being all while sitting down.

Oddball Films presentsStrange
Sinema 81: Time, Space and Movement,a monthly screeningof new finds, old gems and offbeat oddities from the archive. Drawing on his collection of over 50,000 16mm film prints,Oddball Films director Stephen Parr has compiled his 81st program of classic, strange, offbeat and unusual films. This eye-popping program explores the themes of Time,
Space and Movement (the representational essence of film). By slowing and
accelerating time, compressing and distorting space (and distance), arresting
and suggesting movement, these filmmakers explode the boundaries of
conventional film, inducing a meditative, trance-inducing and in some cases a
near-epileptic response in the viewer.
Films include: Spacy (1981), a stunning, hypnotic
experimental short by Japanese avant garde maestro Takashi Ito; USA
Film (1977) a single framed drive across the USA in 17 minutes; Allegro
Ma Troppo (1963), the astonishingly beautiful ode to Paris; The
Story of Time (1949), a beautiful and surreal stop-motion film about
time sponsored by Rolex; Passion (1961)
A hip, stylish and stunning puppet animation about a dare-devil boy who speeds his bicycle past the girls, eventually graduating to
hot rods and motorcycles getting into more and more dangerous situations; Cosmic Zoom (1968), this short animation that transports us
from the farthest conceivable point of the universe to the tiniest particle of
existence; Rendezvous(1976), Claude Lelouche’s
brilliant, high-speed drive across Paris via sports car (an oddball favorite!); Fantasy
(1975), a hallucinatory handmade animated film from San Francisco animation
legend Vince Collins evokes his mind-blowing brand of surrealist psychedelia; and The
Wizard of Speed and Time (1979), a hilarious/ridiculous short by Mike
Jitlov (the original short, later turned into a feature film) and more strange surprises!

Oddball Films welcomes Author and Musicologist Richie Unterbergerfor ourCinema Soiree Series, a monthly soiree featuring visiting authors, filmmakers and curators presenting and sharing cinema insights. To
mark the publication of the expanded ebook version of his bookUrban
Spacemen & Wayfaring Strangers: Overlooked Innovators & Eccentric
Visionaries of '60s Rock, Unterberger will present clips of a dozen or so of the artists featured in the book.

Over
the course of several years in the mid-to-late 1960s, rock music changed more
quickly and unpredictably than it did in any other time in history. With so
many artists competing for attention, it was inevitable that many innovators
got lost in the shuffle or at least did not get the recognition they deserved,
especially those who were boldy and experimentally fusing rock, blues,
psychedelia, classical music, comedy, the theater, and more. Lost British Invaders, psychedelic pioneers,
rock funnymen, blue-eyed soulsters, overlooked folk-rockers, behind-the-scenes
producers -- all find a home as part ofUrban Spacemen & Wayfaring
Strangers, for which Unterberger drew on first-hand interview material with
the artists and their associates. He'll talk about both the artists and the
footage he presents between the clips.

The
event will include footage of "the god of hell-fire," Arthur Brown; the Pretty Things, the best British Invasion band never to invade the United
States; UK comedy rockers the Bonzo Dog Band; psych-garage oddballs the
Electric Prunes; San Francisco's own Beau Brummels, the first American band to
successfully answer the British Invasion; Bobby Fuller, who successfully
channeled the best of Buddy Holly before meeting his own premature end; Thee
Midniters, the best Latino rock band of the '60s; and pioneering folk-rockers
Tim Buckley and Richard & Mimi Fariña. Signed copies of Unterberger's books
will be available for purchase at a discount.

The San Francisco Media Archive and Oddball Films would like to welcome you to Home Movie Day in conjunction with the 12th Annual Worldwide Home Movie Day.

Members of the public are invited to submit their home movies. Bring your films: 8mm, Super 8, 16mm, and even Beta and VHS home movies to SFMA where they will be inspected and viewed by HMD projectionists. Following the clinic, we'll be having a free screening of Vintage Home Movies. Films include Welcome San Francisco Movie Makers (1960);Italian-American Families in San Francisco (from Cresci-Tarantino collection); Blackie the Wonder Horse Swims the Golden Gate (1938); Chinese-American Communities in San Francisco; San Francisco in Cinemascope (1961); the amateur films of Lloyd Sullivan: From Here to Profanity and Flight to Fantasy (1960); Chinese-American Communities in San Francisco (1941); The Jung Family Home Movies (1950s); and Tani Family Wedding Highlights (1959). So bring your own family treasures for a celebration of amateur filmmaking and home movie preservation. "There's no such thing as a bad home movie. These mini-underground opuses are revealing, scary, joyous, always flawed, filled with accidental art and shout out from attics and closets all over the world to be seen again. Home Movie Day is an orgy of self-discovery, a chance for family memories to suddenly become show business. If you've got one, whip it out and show it now."

-- John Waters

Date: Saturday, October 18th, 2014 Screening at 8:00PM, Home Movie Clinic 6-8 or by appointment.

Venue: Oddball Films, 275 Capp Street, San Francisco 94110

Submissions: Submissions are being accepted until October 17th at SFMA from 10-5PM . No submissions necessary to attend.

For More Info: 415-558-8117 or info@oddballfilm.comWeb: http://www.centerforhomemovies.org/hmd/

Oddball Films and guest curator Christina Yglesias present Mixers, Moogs, and Modulars: a Night of Electronic Music. This synth-y show features live electronic music performance, educational films about now-vintage technologies, amazing synthy scores, and some weird animation. Things will start off with a live set by local electronic musicians, Dan Steffy and Nick Wang, that use both old and new technology. Come early for extra listening! Next, we turn to the film Discovering Electronic Music (1983) for an awesome eighties education in all things synth and otherwise. With its quirky mix of animation and vintage gear demos, The Pretty Lady and theElectronic Musicians(1972), will show us how to win any heart using a Theramin. Next, Gallery (1971) will give us an 8 minute super-speed Western Art History class. The montage is beautifully edited to an electronic music score by Wendy Carlos, who composed the score for Kubrick's A Clockwork Orange. Then, in Music Machines(1980s), two babely hosts guide us through each step in the process of the recording and mixing of a singular piece of music in a 1980's 'state of the art' music studio. Spacey (1981), a mind-bending stop-motion by Takasi Ito will close out the night. Get ready for this crazy time/space exploration with, of course, an electronic score.

Oddball Films and curator Kat Shuchter bring you Animation's Early Days, an evening of animation from the 1910s through the early 1930s hand-picked from the collection, including several super-rarities you won't see anywhere else. From the kooky to the spooky, silly to the sexy with a little Rudolf Ising, Friz Freleng, Paul Terry, the Fleischer Brothers, Lotte Reiniger, Ladislas Starevich, Walt Di$ney and imitators, just to name a few. Our earliest film; Ladislas Starevich's Cameraman's Revenge (1912) was one of the very first puppet films and features a delightful insect story of love, sex and betrayal. We have 3 silent Felix the Cat cartoons; the first merchandised cartoon character: All Puzzled (1924), Felix Goes A Hunting (1923) and Felix Hyps the Hippo (1924). Many early cartoons were animated versions of comic strips, like the many faces of Krazy Kat, from one of his earliest cartoons Mouse-Trapped (1916) to a more Mickeyesque persona in Krazy Spooks (1934) We have a double shot of Paul Terry's Aesop's Fables (before his Terrytoon period: the charming silent fableVenus and the Cat(1921) and the super rare mechanized mousy mayhem of Radio-Controlled (1926). Walt Di$ney and Ub Iwerks' Steambo@t Willie (1928) is considered the first sync-sound cartoon (thought the Fleischers had introduced a less-precise method years earlier) and features Mick*y Mouse and all his lovable cheerfulness. After the wild success of Steambo@t Willie, the animation world was abuzz with Mickey imitations, like the train conducting fox of Hugh Harman and Rudolf Ising's eternally peppy Smile, Darn Ya Smile (1931). Also from Ising and Harman, there's the Bosko cartoon The Tree's Knees (1931) and a castle full of bouncing jesters and guards in The Queen was in the Parlor (1932). The Fleischer brothers bring us a triple shot of the Queen of cartoons, Betty Boop: TheDancing Fool (1932), The Old Man and the Mountain (1931) and Minnie the Moocher (1931) co-starring Cab Calloway as a dancing walrus. From the exquisite Lotte Reiniger; one of her breathtaking silhouette puppet films Galathea: Das Lebende Marmorbild (1935).And just when you thought it was safe to bring the kids, we just uncovered a "new" complete print of the very first pornographic cartoon Buried Treasure (1928) starring the overly-endowed Eveready Harton. Come a little early for an overview of animation before the days of film with Animated Cartoons: The Toy That Grew Up (1947). Plus, a silent cartoon giveaway! All films will be screened from 16mm prints from the archive.

Oddball Films and curator Kat Shuchter present Learn Your Lesson All-Stars: A Celebrity Shockucation, the 20th in a monthly series of programs highlighting the most ridiculous, insane and camptastic educational films, mental hygiene primers and TV specials of the collection. This month, we're featuring a Who's Who of celebrities from the 1970s and 1980s with educational cameos from OJ Simpson, Richard Dreyfuss, Bill Cosby, Ally Sheedy, Michael Jackson, Roberta Flack, Sonny Bono, Peter Fonda,Kareem Abdul Jabar, Zach Galligan, Michael Keaton, Billy Jean King, Beau Bridges, Ken Howard, Marlo Thomas, Paul Newman, Evel Knievel, Cynthia Nixon, Kristy McNichol, Scott Baio and more! We have so many celebrities in fact, we're doing things a little differently; we're going to only be playing 2-10 minute segments of each, in order to get a taste of each shockulebrity and the very special message they were trying to impart to the youth of yesteryear and still pack in as many lessons as possible. The infamous OJ Simpson talks to kids about Dropping Out (1982); Gremlins star Zach Galligan tackles the topic of Teen Suicide; Richard Dreyfus warns business men of the 1980s about Cocaine Abuse: the End of the Line (1985); Sonny Bono, in gold lamé pajamas, tells you about the "unpleasant bummer" of Marijuana (1968); Ally Sheedy and Di$ney discuss AIDS; MASH actress Sally Kellerman wants to help those girls who are Sweet Sixteen and Pregnant; Kareem Abdul Jabar gives a motivational speech to an illiterate basketball star in the Afterschool SpecialThe Hero Who Couldn't Read (1984); Evel Knievel and Peter Fonda want you to know that motorcycle safety is Not So Easy (1973); Roberta Flack and Michael Jackson sing about their physical shortcomings in the musical number When I Grow Up from Free to Be...You and Me (1974); Bill Cosby takes a comedic look at racism in Bill Cosby on Prejudice (1971); White Shadow Ken Howard takes 3 boys to the woods to talk about puberty in The Facts for Boys (1980), while That Girl's Marlo Thomas has a slumber party with a bunch of girls in TheFacts for Girls (1981). Plus! Afterschool Special snippets from a cavalcade of young stars, tennis tips from Billy Jean King, an All-Star musical spectacular pre-show and more celebrity surprises! They may not all be A-listers (or even alive) anymore, but their shockucational messages live on!

Oddball Films welcomes LadyfestBay Area for a filmic celebration of strong powerful women throughout history in the programSisters are Doin' It for Themselves. From lady wrestlers to big band leaders, musical numbers and animated inspirations, this multi-facetedprogram of vintage 16mm films documents the shifting role of women over the last 70 years and those pioneers that paved the way for women's equality. Films include Faith Hubley's Women of the World (1975), a beautiful animation about the many shifts of women's importance through history; Lipstick and Dynamite (1949) with two furious femmes brawling for the wrestling championship; all-girl big band Rita Rio and her Rhythm Girls tear up the stage in the sensational soundie Feed the Kitty (1942). Katherine Hepburn heralds the rise of women in the workplace during WWII in the Eleanor Roosevelt penned Women in Defense (1941). Marlo Thomas and Harry Belafonte wants kids to know that gender-based roles are a thing of the past and mothers can be construction workers too in the musical excerpt Parents Are People from Free to be...You and Me (1974). Then, step into the shoes of real female construction workers, architects and coast guards in Attention: Women at Work (1984). A suburban grandmother remakes herself into a New York City art star in an inspiring segment of Woo Hoo: May Wilson. Plus, an entertaining look at history and changing social mores from a woman who lived through it all in an excerpt from Martha Coolidge's (Valley Girl,Real Genius) portrait of her Yankee Grandmother, Old-Fashioned Woman(1974).

Oddball Films and curator Kat Shuchter bring you Psychedelicatessen: A Feast For The Eyes, a super fun, crazy night of our very favorite vintage eye-poppers, mind-benders, jaw-droppers and head-scratchers.From hallucinatory dental hygiene to swingin' promotional films to surreal cartoons, this is one night your eyes will thank you for, if they don't fall out of your head! The madness includes Match Your Mood (1968), a mind-bending advertisement for psychedelic 60's refrigerator covers; Le Monde Du Schizophrene (The World of the Schizophrenic, 1969) a super-surreal, Salvador Dali-like film produced by the Sandoz Pharmaceuticals (Makers of drugs as LSD); Toothache of the Clown(1971) a nitrous-induced trip to the dentist with the creepiest of clowns; The Munchers (1973), an epic claymation dental hygiene rock-opera with a bandstand of singing teeth; homegrown hallucinations Be-In (1967) artistically documenting the human be-in in Golden Gate Park with Allen Ginsberg, Timothy Leary and Lawrence Ferlinghetti in attendance and the groovy, acid-soaked S.F. Trips Festival: An Opening (1967); Glittering Song (1965), an eye-popping Czech object-animation made entirely out of broken glass; Pat O'Neill's hypnotic optically printed 7362 (1967); and because it is October, a little witchy ritual with the enchanting Mantis (1971). Everyone is advised to wear protective eyewear and chin guards, lest your eyeballs pop out of your heads and your mouths hang agape to dangerous levels! This is one trip you do not want to miss!Date: Friday, October 3rd 2014 at 8:00PMVenue: Oddball Films, 275 Capp Street San Francisco