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PluralEyes takes the pain out of syncing video and audio!

PluralEyes scrutinizes the soundtrack from your video footage or camera files and matches them up flawlessly, in nothing flat. Instantaneously sync your audio and video footage even if you don't have clapboards or timecode. No more tedious syncing by hand!

Highlights

Suite Savings

PluralEyes 4 is part of the Shooter Suite. Get more tools for the filmmaker and save big by purchasing the Shooter Suite now!

Sync in Premiere Pro

With the new PluralEyes Premiere Pro Panel, use the power of PluralEyes to sync your files directly inside of Premiere Pro. No need to leave your host application.

Features

Simpler. Faster. Smarter. Better.

Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.

Instant Feedback

Watch as your footage is being Synced. Color-coded visuals show the status of your footage so that you can easily identify any problems that might need some attention on your NLE's timeline.

Premiere Pro Panel

Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.

Smart Start

We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.

Automatic Drift Correction

In long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.

Music Video Workflow (NEW)

The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.

Clip Spanning (NEW)

In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.

Vertical Waveform Scaling

PluralEyes 4.0 adds the ability to scale audio waveforms vertically so that you can see more detail in the waveform when inspecting your media.

Track Comparisons

Select which audio waveform is shown next to the video track, making it easier to verify that the clips have synced properly.

Offload Integration

Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.

Keyboard Shortcuts

PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience.

Color Coding

Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.

Reasons To Buy

Eliminate the pain of manual syncing. Turn what used to be hours or days of data wrangling into seconds. Free up time, budget and resources to focus on the creative art of visual storytelling.

Pays for itself in minutes. Now a part of the Red Giant family, PluralEyes includes DualEyes functionality for one price, on all hosts, in one package. Wow.

Less gear for more creativity. Hang that clapper on your office wall as an antiquated objet d’art. Shoot with a revitalized, lighter footprint.

Works with your favorite cameras. PluralEyes works fluidly with native file formats from DSLR cameras like Canon, Nikon and GoPro, and supports a broad range of other cameras, file formats and codecs. Learn more

Export to the NLEs you need. Thanks to integrated DualEyes features, PluralEyes exports its timeline directly to Final Cut Pro and Premiere Pro, and exports media files for use in every host application.

Description

What's New

PLURALEYES v.4.1.5:

Fixed an issue where the export menu was not working properly on Windows machines.

Red Giant Plural Eyes 4.1.2

Better support for multi-channel media (previously if the first channel was silent, PE4 would show a silent clip)

New Track-level Sync Options – Two new options have been added to the the track context menu to provide better manual control of sync behaviour when needed: “Allow Sync to Change Clip Order” and “Allow Sync to Split Tracks.” By default they are set automatically based on PluralEyes’ analysis of the files, but the user can override the automatic setting.

Better support for audio recording file naming, which can include a suffix that specifies the audio source e.g. The ZOOM H4N will add an “I” or “M” character to each file when recording in 4 channel mode, to indicate which of the two stereo inputs the file comes from. PluralEyes 4.1.2 now detects such cases during the sync, and splits them onto separate tracks.

Better support for audio recorders that place each audio clip in a separate folder (e.g. Roland R26, ZOOM H5, ZOOM H6). Previously PE4 would incorrectly split these into separate tracks, with one clip per track.

Red Giant Plural Eyes 4.0.4

Red Giant Plural Eyes 4.0.2

Updated playhead interaction so that clicking on a clip won’t reset the position of the playhead.

Fixed an issue in the .xml file created by PluralEyes that could cause an import fail in Premiere Pro if there was a symbol (such as “&”) in the media file path.

Fixed a bug that could cause PluralEyes 4 to crash while importing files with a long digit sequence in the file name.

Resolved installation errors that could cause an “installation failed” message.

Red Giant Plural Eyes 4.0

Simpler. Faster. Smarter. Better.
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.

Premiere Pro Panel
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.

Smart Start
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.

Automatic Drift Correction
In long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.

Music Video Workflow (NEW)

The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.

Clip Spanning (NEW)

In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.

Vertical Waveform Scaling
PluralEyes 4.0 adds the ability to scale audio waveforms vertically so that you can see more detail in the waveform when inspecting your media.

Track Comparisons
Select which audio waveform is shown next to the video track, making it easier to verify that the clips have synced properly.

Offload Integration
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.

Keyboard Shortcuts
PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience.

Color Coding
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.

Red Giant PluralEyes 3.5.5

Support for RED media

Workflow improvements

Minor bug fixes

Updated FCPX .xml to 1.5 to fix an issue with FCPX 10.2.

Red Giant PluralEyes 3.5.4

In-app updates in PluralEyes 3.5 for Windows (already supported for OS X) to make the update process easier

System Requirements

Host Applications

PluralEyes is a standalone application, not a plug-in, so its results work with every video editor. PluralEyes imports video and audio clips, syncs them, and then exports media files that can be used anywhere. In addition, PluralEyes imports and exports timeline sequences for the following video editors:

Premiere Pro CS6*, CC 2014, CC 2015, CC 2015.3, CC(2017), CC 2018

Final Cut Pro X 10.2.3 and higher, including 10.4 *

Sony Vegas Pro 13

Magix Vegas Pro 14 & 15

Edius 7.5 and higher*

Operating Systems

Apple Macintosh

Mac OS X 10.9, 10.10, 10.11, 10.12

Intel processor

2 GB of RAM

30 MB of hard drive space

PC / Windows

Windows 7, 8 or 10

64-bit is required

Media Supported on OSX

Video File Types

MOV

MP4

MPEG, MPG

M2T

M2TS

MTS

MXF*

AVI*

Video Codecs

H.264

ProRes

DV

HDV

AVCHD

DVCPRO HD*

Motion JPEG (MJPEG)*

AIC*

Audio File Types

AIFF

MP3

WAV

M4A

* PluralEyes will sync but video preview is not available

Media Supported on Windows

Video File Types

WMV

3GPP

3GPP2

AVI

MXF (Codec Dependent)**

MP4

MOV, QT

M2T

MTS

M2TS

Video Codecs

AVCHD

DV

H.264

HDV

MJPEG

ProRes

WMV

XDCAM EX/HD/HD422

Audio File Types

AAC

AC-3

AIFF

M4A

MP3

WAV

WMA

** PluralEyes will sync Avid DNxHD MXF files but video preview is not available

Gallery

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Customer Reviews

Great Software, takes all the tedious mind numbing self syncing out of the picture leaving you with the joy of editing your project without worrying if your files are unsynced. also corrects audio drift instantly which is a godsend as in the past I've had to correct/completely cut parts out with audio drift

PE3 on Sony Vegas not reliable - Use PE2

I can't vouch for other NLEs however PE3 on Sony Vegas has not worked well since it's release.
The general consensus on the Sony forums is to use PE2 (5 stars) - it works very well, which has always been my experience.

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