At first glance Jurczak’s motifs may seem innocent and exclusively beautiful, since it is the rich combination of colours and different materials, the mixture of flat image patterns and sculptural forms, that first strikes you, and which creates a dynamic, rather decorative overall impression of the exhibition. If you look closer and go deeper into the iconography, though, you will see that the apparently simple motifs involve a dreamlike ambiguity that points towards the impenetrable, sombre and eerie. The paintings Bzzz and Bzzz Bzzz (both 2013), for example, show timeless and sexless figures without eyes who are ringing doorbells to invisible doors, while the prosaic concept “match head” takes on new and bizarre associations when we gaze further at the work Zapalki (Match) from 2014 and find the facial features of the two aforementioned figures recreated in the red sulphur. The critic Pablo Larios picked up on this undercurrent of unease when he wrote in a review of the exhibition in Frieze: “There’s the nightmarish suggestion that a head is a thing lit on fire, or that the head ‘buzzes’ like a doorbell”.