The Short Stories Of Arnold Bennett: "The price of justice is eternal publicity."

Summary

The short story is often viewed as an inferior relation to the Novel. But it is an art in itself. To take a story and distil its essence into fewer pages while keeping character and plot rounded and driven is not an easy task. Many try and many fail. In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. In this volume we examine some of the short stories of Arnold Bennett. Arnold Bennett was born in 1867 in Hanley, one of the six towns that formed the Potteries that later joined together to become Stoke-on-Trent - the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. Moving to London at 21, he obtained work as a solicitor's clerk and gradually moved into a career of Journalism. At the turn of the century he turned full time to writing and shortly thereafter, in 1903, he moved to Paris. In 1908 Bennett publishedThe Old Wives' Tale, to great acclaim. With this, his reputation was set. Clayhanger and The Old Wives' Tale are perhaps his greatest and most lauded novels. But standing next to these are many fine short stories and it is to these that we turn our attention in this audiobook. Bennett bathes us in vignettes of life, replete with characters that are easy to immerse ourselves in, whatever their ambitions may be. All of these stories are also available as an audiobook from our sister company Word Of Mouth. Many samples are at our youtube channel http://www.youtube.com/user/PortablePoetry?feature=mhee The audiobook volume of this book can be purchased from iTunes, Amazon and other digital stores. They are read for you by Richard Mitchley

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The Short Stories Of Arnold Bennett - Arnold Bennett

The Short Stories Of Arnold Bennett

The short story is often viewed as an inferior relation to the Novel. But it is an art in itself. To take a story and distil its essence into fewer pages while keeping character and plot rounded and driven is not an easy task. Many try and many fail.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. In this volume we examine some of the short stories of Arnold Bennett

Arnold Bennett was born in 1867 in Hanley, one of the six towns that formed the Potteries that later joined together to become Stoke-on-Trent - the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. Moving to London at 21, he obtained work as a solicitor's clerk and gradually moved into a career of Journalism.

At the turn of the century he turned full time to writing and shortly thereafter, in 1903, he moved to Paris. In 1908 Bennett published The Old Wives' Tale, to great acclaim. With this, his reputation was set.

Clayhanger and The Old Wives' Tale are perhaps his greatest and most lauded novels. But standing next to these are his many fine short stories. Bennett bathes us in vignettes of life, replete with characters that are easy to immerse ourselves in, whatever their ambitions may be.

All of these stories are also available as an audiobook from our sister company Word Of Mouth and can be purchased from iTunes, Amazon and other digital stores.

Index Of Stories

The Supreme Illusion

A Letter Home

Mimi

Phantom

The Matador Of The Five Towns

The Letter And The Lie

A Feud

The Supreme Illusion

I

Perhaps it was because I was in a state of excited annoyance that I did not recognize him until he came right across the large hall of the hotel and put his hand on my shoulder.

I had arrived in Paris that afternoon, and driven to that nice, reasonable little hotel which we all know, and whose name we all give in confidence to all our friends; and there was no room in that hotel. Nor in seven other haughtily-managed hotels that I visited! A kind of archduke, who guarded the last of the seven against possible customers, deigned to inform me that the season was at its fullest, half London being as usual in Paris, and that the only central hotels where I had a chance of reception were those monstrosities the Grand and the Hotel Terminus at the Gare St Lazare. I chose the latter, and was accorded room 973 in the roof.

I thought my exasperations were over. But no! A magnificent porter within the gate had just consented to get my luggage off the cab, and was in the act of beginning to do so, when a savagely-dressed, ugly and ageing woman, followed by a maid, rushed neurotically down the steps and called him away to hold a parcel. He obeyed! At the same instant the barbaric and repulsive creature's automobile, about as large as a railway carriage, drove up and forced my frail cab down the street. I had to wait, humiliated and helpless, the taximeter of my cab industriously adding penny to penny, while that offensive hag installed herself, with the help of the maid, the porter and two page-boys, in her enormous vehicle. I should not have minded had she been young and pretty. If she had been young and pretty she would have had the right to be rude and domineering. But she was neither young nor pretty. Conceivably she had once been young; pretty she could never have been. And her eyes were hard - hard.

Hence my state of excited annoyance.

Hullo! How goes it? The perfect colloquial English was gently murmured at me with a French accent as the gentle hand patted my shoulder.

Why, I said, cast violently out of a disagreeable excitement into an agreeable one, I do believe you are Boissy Minor!

I had not seen him for nearly twenty years, but I recognized in that soft and melancholy Jewish face, with the soft moustache and the soft beard, the wistful features of the boy of fifteen who had been my companion at an international school (a clever invention for inflicting exile upon patriots) with branches at Hastings, Dresden and Versailles.

Soon I was telling him, not without satisfaction, that, being a dramatic critic, and attached to a London daily paper which had decided to flatter its readers by giving special criticisms of the more important new French plays, I had come to Paris for the production of _Notre Dame de la Lune_ at the Vaudeville.

And as I told him the idea occurred to me for positively the first time:

By the way, I suppose you aren't any relation of Octave Boissy?

I rather hoped he was; for after all, say what you like, there is a certain pleasure in feeling that you have been to school with even a relative of so tremendous a European celebrity as Octave Boissy - the man who made a million and a half francs with his second play, which was nevertheless quite a good play. All the walls of Paris were shouting his name.

I'm the johnny himself, he replied with timidity, naively proud of his Saxon slang.

I did not give an astounded No! An astounded No! would have been rude. Still, my fear is that I failed to conceal entirely my amazement. I had to fight desperately against the natural human tendency to assume that no boy with whom one has been to school can have developed into a great man.

Really! I remarked, as calmly as I could, and added a shocking lie: Well, I'm not surprised! And at the same time I could hear myself saying a few days later at the office of my paper: I met Octave Boissy in Paris. Went to school with him, you know.

You'd forgotten my Christian name, probably, he said.

No, I hadn't, I answered. Your Christian name was Minor. You never had any other! He smiled kindly. But what on earth are you doing here?

Octave Boissy was a very wealthy man. He even looked a very wealthy man. He was one of the darlings of success and of an absurdly luxurious civilization. And he seemed singularly out of place in the vast, banal foyer of the Hotel Terminus, among the shifting, bustling crowd of utterly ordinary, bourgeois, moderately well-off tourists and travellers and needy touts. He ought at least to have been in a very select private room at the Meurice or the Bristol, if in any hotel at all!

The fact is, I'm neurasthenic, he said simply, just as if he had been saying, The fact is, I've got a wooden leg.

Oh! I laughed, determined to treat him as Boissy Minor, and not as Octave Boissy.

I have a morbid horror of walking in the open air. And yet I cannot bear being in a small enclosed space, especially when it's moving. This is extremely inconvenient. Mais que veux-tu?.....Suis comme ca!

Je te plains I put in, so as to return his familiar and flattering thou immediately.

I was strongly advised to go and stay in the country, he went on, with the same serious, wistful simplicity, and so I ordered a special saloon carriage on the railway, so as to have as much breathing room as possible; and I ventured from my house to this station in an auto. I thought I could surely manage that. But I couldn't! I had a terrible crisis on arriving at the station, and I had to sit on a luggage-truck for four hours. I couldn't have persuaded myself to get into the saloon carriage for a fortune! I couldn't go back home in the auto! I couldn't walk! So I stepped into the hotel. I've been here ever since.

But when was this?

"Three months ago. My doctors say that in another six weeks I shall be sufficiently recovered to leave. It is a most distressing malady. Mais que veux-tu? I have a suite in the hotel and my own servants. I walk out here into the hall because it's so large.

The hotel people do the best they can, but of course" He threw up his hands. His resigned, gentle smile was at once comic and tragic to me.

But do you mean to say you couldn't walk out of that door and go home? I questioned.

Daren't! he said, with finality. Come to my rooms, will you, and have some tea.

II

A little later his own valet served us with tea in a large private drawing-room on the sixth or seventh floor, to reach which we had climbed a thousand and one stairs; it was impossible for Octave Boissy to use the lift, as he was convinced that he would die in it if he took such a liberty with himself. The room was hung with modern pictures, such as had certainly never been seen in any hotel before. Many knick-knacks and embroideries were also obviously foreign to the hotel.

But how have you managed to attend the rehearsals of the new play? I demanded.

Oh! said he, languidly, I never attend any rehearsals of my plays. Mademoiselle Lemonnier sees to all that.

She takes the leading part in this play, doesn't she, according to the posters?

She takes the leading part in all my plays, said he.

A first-class artiste, no doubt? I've never seen her act.

Neither have I! said Octave Boissy. And as I now yielded frankly to my astonishment, he added: You see, I am not interested in the theatre. Not only have I never attended a rehearsal, but I have never seen a performance of any of my plays. Don't you remember that it was engineering, above all else, that attracted me? I have a truly wonderful engineering shop in the basement of my house in the Avenue du Bois. I should very much have liked you to see it; but you comprehend, don't you, that I'm just as much cut off from the Avenue du Bois as I am from Timbuctoo. My malady is the most exasperating of all maladies.

Well, Boissy Minor, I observed, I suppose it has occurred to you that your case is calculated to excite wonder in the simple breast of a brutal Englishman.

He laughed, and I was glad that I had had the courage to reduce him definitely to the rank of Boissy Minor.

And not only in the breast of an Englishman! he said. Mais que veux-tu? One must live.