The surrounding park is reflected in the temporary structure's aluminium roof, which is shaped to curve around trees on the site and varies in height.

Curved walls made of transparent acrylic surround a cafe and auditorium under this canopy. The pavilion opens to the public on Sunday and will remain in place until 18 October. Photographs are by Luke Hayes.

A program of events called Park Nights will be hosted in the auditorium including performances, talks and screenings, and culminating in the Serpentine Gallery Poetry Marathon in October.

For the first time a real pavilion….. light, beautifully temporary and poetic

http://www.andrew-liebchen.com Andrew Liebchen

@white: especially in light of last year’s Gehery monster.

You had to like Koolhaas’s balloon, though.

ste

the lack of precision with the mirrors destroys the poetic part.

kumakuma

love love love

Luxury Larry

oh i am really excited to see it on sunday!! can’t wait!!

http://www.markpimlott.com Mark

It looks like it might be a real pavilion indeed: a building which is not a real building, and concedes much of its identity to a greater idea, playing the part of observer in a much larger, man-made setting. Will have to see it in reality of course. The balloon was a bit of a disaster! The renderings of it were very intriguing, but the real thing was lumpen and oppressive. Toyo Ito’s pavilion was probably the most pavilion-like, and enchanting, of all of them to date.

vincent

i am really curious about the roof’s material.
it looks like concrete? or metal ?

gab xiao

a serene building, that brings the park in. one almost forgets many of the previous pavilions in Kensington Gardens (except for Ito’s, of course)

perhaps it’s just about time Western architecture should reconsider its formalistic attitude

hugo

@vincent: if you read the text carefully it says it is an aluminium roof.

http://www.cheungvogl.com Christoph Vogl

Besides Toyo Ito’s legendary pavilion, SANAA have created the most beautiful Serpentine Gallery pavilion ever, for sure.
It would be a great opportunity for Kensington Gradens/Hide Park and London if it could be re-constructed in a different location within Hide Park, once it has to be disintegrated from the Serpentine’s site.

Christoph Vogl, cheungvogl

Alienz

This pavilion will lift off and return like a boomerang to destroy Koolhaas’ inflated balloon with laserz.

jzhou

just do not like it,,,,

d

great.. i think it have a very strong temporary-ness, and the space below seems left uncertain and create a lot of possibilities , blurring the boundary like the space is melting, just beautiful..

one

wonderful truly as the words says wonderul. Better than anything that I have seen in this place. Wonderful.

Max

I work for the company that had to build it. It is 3mm ali sheet on both faces with a core of 18mm plywood. I am not sure what the comment about lack of precision is all about. It was cut on a 3-axis CNC maching from the client’s computer model. It should be accurate to within half a mil….

bibo architect

DOn’t like it too… nothing creating in it!

lmnop

BEAUTIFU!L!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Filip

I think they mean that the surface doesn’t seem completely smooth. It’s nicer than the renderings first suggested, not sure about the floor or the marble appearance of the topside of the roof, but i guess with the budget the best parts had to be focused on.

I think Vincent may be right and that it could be a concrete roof. Despite what the description says about the reflective roof, it is very clear from the images that while the ceiling/soffit may be reflecting, the roof is about at mirrored as a Rhino’s hindquarters. It does look as though concrete, or a cold-apply roof membrane has been utilized.

Max

Trust me Dan, it’s ali. It only looks that way because it is wet. It used 300 sheets of 3M x 1.5M x 3mm ali sheet.

d

it took me a little to form an opinion on this- i was really unsure about those renderings – these photos are really starting to sell me on the project. – it is like a donald judd piece crossed with miesian elegance but almost more quietly graceful than either.

this is a really surprising project

that said- i still don’t like those renderings aesthetically, though i appreciate that they were convincing enough to get the real thing built

and i can buy into the dematerialization so much more now that i can see the materials and that they are not killing the super light ness of the concept

sanaa are good

MAD*arx

apart from the surprising project in its simplicity, I also think it was the perfect response to a credit-crunched 2009