“The Post” attempts high-stakes drama with history

Steven Spielberg’s “The Post” recalls a pivotal time in 1971 when Katherine Graham (Meryl Streep) invokes the First Amendment right to freedom of the press while publishing top secret government conspiracy papers in The Washington Post. Despite threats of jail time and bankruptcy, Graham stands by her paper and the reporting.

While the First Amendment may be important here, it’s actually Graham’s role in history that strikes a weightier chord. Unfortunately, the narrative doesn’t make the significance as apparent as it should. It becomes necessary for Tony Bradlee (Sarah Paulson, wasted here) to spell it out. Her job isn’t just to make it clear for her husband Ben (Tom Hanks) within the context of the movie, but for the audience as well. And, if a movie can’t make its own point without utilizing a character for this purpose, then how successful has it really been?

“The Post” certainly attempts to create high-stakes drama and lays out the history well. In fact, the film relies heavily on an alternating blue/yellow color palette to this end. For more about “The Post” and how these colors are used specifically, take a look below:

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