Tag: The Beths

On Friday, The Beths released one of 2018’s best albums so far in the astonishing Future Me Hates Me, a record overflowing with sugar-coated basement pop that comes with just enough bite to truly stand out. One of the strongest moments of that record — which, again, is uniformly great — comes by way of “You Wouldn’t Like Me”, which was recently given an Ezra Simons-helmed music video that stands as the band’s best clip to date.

Ceaselessly charming, gifted with a vibrant palette, and full of clever, tongue-in-cheek moments, the clip acts as a perfect summation of the band’s appeal. There’s something familiar about the surface but there’s a competing intricacy that suggests the individualized vision at The Beth’s core. Warm, welcoming, and ridiculously winsome, “You Wouldn’t Like Me” offers up a worst-case argument for its title, clearly outlining just how much about this band, this record, and this clip, is not only worth liking but outright loving.

Watch “You Wouldn’t Like Me” below and pick up a copy of Future Me Hates Me from Carpark here.

The past two weeks of material, once more, have been loaded with exceptional works. Each of the major categories saw the influx of notable items keep the same ridiculous pace that 2018 has set across multiple genres. No matter the level of notoriety or recognition, every week this year has brought in a slew f entries that have ranged from wildly entertaining to legitimately unforgettable. With that being the case, featuring everything is an impossible task. This post serves as a reminder and reference point for a slew of those songs, clips, and records worth remembering.

As evidenced by the last handful of posts, the first two weeks of June were not short on exceptional material. Songs, by virtue of length and abundance, had an especially strong showing. The five below include a few career highlights from longtime favorites and a few impressive entries from fresher faces. All of them would be perfect additions to the warm weather playlists being pulled into existence as spring melts into summer. Discover their strength below.

Ovlov – Short Morgan

If anyone had any doubts that Ovlov would be better than they’ve ever been should they return, “Short Morgan” should permanently erase those thoughts. One of the fiercest tracks the band’s released to date, “Short Morgan” is an adrenaline surge that marries the elements that catapulted Dinosaur Jr to cult icons with the frustration-laced introspection that’s come to define Ovlov’s identity. Ragged, vicious, and pointed, “Short Morgan” is more than enough to suggest we might be looking at one of the year’s great albums in their forthcoming TRU.

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The Beths – Happy Unhappy

Making a return to the spotlight, The Beths deliver in kind with “Happy Unhappy”, an unexpected summer anthem. Twee-leaning powerpop through a punk-tinged lens, “Happy Unhappy” is a sugar rush of ingenuity, layering hook after hook until the band’s built something as towering as it is irresistible. Everything from the persistent backing vocals to the guitar interplay in the pre-chorus and on the bridge combines to leave “Happy Unhappy” standing tall as The Beths finest work. Give this one the attention it deserves.

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The Ophelias – General Electric

Much like The Beths “Happy Unhappy”, The Ophelias “General Electric” is tailor made for a carefree summer afternoon. A hypnotic collage of sounds, “General Electric” expertly blends powerpop with some twee and experimental trappings. Brilliantly produced by WHY?‘s Yoni Wolf and impeccably structured, it’s an immensely welcome introduction-at-large for an incredibly promising act. Every second of this is captivating, creating an enchanting pull that’s difficult to refuse. A collection of clever twist and turns, it marks The Ophelias as a band worth hearing.

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Curling – Radio King

Basement pop that’s informed by post-punk and runs slightly askew is a hallmark of Heartbreaking Bravery’s general coverage and is presented in its fullest potential on Curling’s “Radio King”. Utilizing vocals that are more than a little reminiscent of Ted Leo, Curling avoids comparisons to The Pharmacists outright by embracing a more disjointed approach. Falling somewhere in between the genre lines drawn by Flying Nun and Rough Trade, “Radio King” shows Curling are more than comfortable planting their flag in the in-between. “Curling King” is the perfect way to reveal that flag’s mesmeric colors.

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Free Cake For Every Creature – Around You

Capping off a trio of songs that expertly blends twee shrapnel with powerpop aesthetics, Free Cake For Every Creature‘s “Around You” is a strong reminder of the talent at the heart of the project. Driven by a hyper-specific narrative and imaginative instrumentation, “Around You” finds Free Cake For Every Creature reaching new heights ahead of their forthcoming The Bluest Star. Destined to be a staple of the project’s live show for years to come, the song offers an embarrassment of riches, from the guitar work that graces the chorus to the restrained delivery. It’s unmissable.

The first half of June carried plenty of surprises. This month has been, notably, dominated by major hip-hop artists and included the release of several major records that have the capacity to hijack year-end lists. Those releases have never been the focal point of this site and this won’t be the post where that changes. Every item on this list, as always, deserves more attention than it’ll receive. Following this list, there will be a few other key releases that get highlighted but these songs, clips, and records deserve all the support they can get, including the below listings and anyone willing to click their links. Enjoy.

Melodic, bitter, bright, and tongue-in-cheek, “Future Me Hates Me” showcases The Beths at their absolute best. Raising hell and denouncing anyone that gets in their way but sparing the worst of their jabs for themselves, “Future Me Hates Me” is a masterclass in self-deprecation. Subverting a cavalcade of pop-punk tropes and leaning on acts like the Pixies for cues as much as the best powerpop records, The Beths have crafted an anthem for the painfully self-aware.

Gaining steam as it strives forward, hopeful for more but resigned to the knowledge that a lifetime of perpetual disappointment might cultivate an unbreakable pattern, “Future She Hates Me” is a memorable run of pragmatic hopelessness packaged as a gift to the people who know exactly what that means. Turn it up and drown out any persistent negativity by celebrating that there are always measures (and means) of personal control that can be easily managed.