The sale, which runs next Wednesday and Thursday, May 23–24, is buttressed by Christie’s online Latin American sale, which opens today and runs through May 30.

One lot of great interest to collectors is Catedral (1995) by Los Carpinteros. A rare early assemblage work, Catedral is an oil painting set into an elaborately carved, sculptural frame depicting the Catedral de la Virgen María de la Concepción Immaculada, a landmark of Habana Vieja. The wooden structure includes the cathedral bell tower, complete with bell.

“The inset painting depicts the cobblestoned Plaza de la Catedral, among the city’s most pleasantly situated squares, in painterly, ocher tones,” wrote Abby McEwen in the Christie’s catalogue essay. “Gazing vacantly into space are two figures modeled after American sculptor Duane Hanson’s Pop-inspired Tourists (1970), life-casts that satirize the camera-toting, souvenir-buying vacationers that have long flocked to the Caribbean.”

Wrote McEwen: “The tourists appear oblivious to the painted figure of Arrechea himself, who asks them for a stick of chewing gum, a scarcity at the time; “a very Cuban gesture of those years,” he [Arrechea] explains of the sign he makes, it ‘obviously becomes a wink to American art.’”

A rare assemblage by Los Carpinteros to come to auction, Catedral carries an estimate of $200,000–$300,000.

Roberto Fabelo is well represented, with five works in the Christie’s sale. His top lot (Lot 60) is Omega 3, an oversized canvas painted in 2014. Its estimate of $100,000–$150,000 continues the six-figure trend set with Ovo, the 2014 Fabelo diptych presented at the Christie’s sale last fall.

Roberto Fabelo, Omega 3, 2014

Courtesy Christie's

Preceding these two works is Manuel Mendive’s Occuni (Lot 59), a 2003 painting with cowrie shells. It is estimated at $60,000–80,000.

Tomás Sánchez has one work in the Christie’s sale: Visión de orilla (Lot 39), a 2009 canvas carrying an estimate of $400,000–$600,000.

Tomás Sánchez, Visión de orilla, 2009

Courtesy Christie's

Among 20th-century artists, Wifredo Lam has a substantial number of works in the sale, from the small 1937 watercolor-and-gouache Untitled (Mujer sentada) (Lot 90), estimated at $18,000–$22,000, to the 1949 oil painting Figure (Lot 16), with an estimate of $1,200,000–$1,800,000.

Anthony García, winner of the 2017 CINTAS Prize in Architecture & Design, talks with Rosa Lowinger about tactical urbanism, cubanidad, and his CINTAS proposal, the Bungalow Project. Its goal: To help save the community and architectural fabric of Little Havana.