I experiment with color and paint in order to experience color and paint.I´m interested in color´s physical nature as well as in its emotional potential.For me, the action of painting is a meditative and contemplative process.

It allows me – at least in my best moments – to proceed beyond the realm of empirical reality to a realm of “pure potential” – as I would like to call it. This reveals to me a profound and fundamental truth which cannot be put into words.​I strongly believe that every creation longing for sustainability and duration must be composed within a certain set of basic rules.

In my work I use grids consisting of triangles, rectangles or stripes to provide a platform (and an accommodation also) that allows color to unfold a maximum energy and vividness, which will percolate through the lattice as a whole. Occasionally the brushstroke might burst open the framework urging to find its own potential and autonomy.My goal is to create a vibrating presence of color.

In 1914 Paul Klee jotted in his diary:“Color has got me. I no longer need to chase after it. It has got me forever. I know it. That is the meaning of this happy hour. Color and I are one. I am a painter.” (1)

One hundred years later these words still mean a lot to me. And I can´t imagine that color will ever lose its grip on me.