Henry Graham Greene, OM, CH (2 October 1904 – 3 April 1991) was an English novelist and author regarded as one of the greatest writers of the 20th century.[1][2] Combining literary acclaim with widespread popularity, Greene had acquired a reputation early in his own lifetime as a great writer, both of serious Catholic novels and of thrillers (or "entertainments" as he termed them); however, even though shortlisted in 1967, he was never awarded the Nobel Prize for Literature.[3] Through 67 years of writings which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective.

Greene was born into a large, influential family that included the owners of the Greene King Brewery. He was born in and boarded at Berkhamsted School in Hertfordshire, England, where his father taught and became headmaster. He was unhappy at the school, and attempted suicide several times. He went up to Balliol College, Oxford to study history, where while an undergraduate he published his first work in 1925, a poorly received volume of poetry, Babbling April. After graduating Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926, after meeting his future wife Vivien Dayrell-Browning.[6] He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, book and film reviews. His 1937 film review[7] of Wee Willie Winkie, for the British journal Night and Day, which commented on the nine-year-old star, Shirley Temple's sexuality, provoked Twentieth Century Fox to sue, which prompted Greene to go and live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for the novel considered his masterpiece, The Power and the Glory.[8] Greene originally divided his fiction into two genres: thrillers such as The Ministry of Fear, which he described as entertainments, often with notable philosophic edges; and literary works, such as The Power and the Glory, which he described as novels, on which he thought his literary reputation was to be based.

Greene suffered from bipolar disorder, which had a profound effect on his writing and personal life.[9] In a letter to his wife Vivien he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material."[10]William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety."[11] He died in 1991 at age 86 of leukaemia[4] and was buried in Corseaux cemetery.[12]

His parents, Charles Henry Greene and Marion Raymond Greene, were first cousins,[14] both members of a large, influential family that included the owners of Greene King Brewery, bankers, and statesmen; his mother was cousin to Robert Louis Stevenson.[15] Charles Greene was second master at Berkhamsted School, where the headmaster was Dr Thomas Fry, who was married to Charles' cousin. Another cousin was the right-wing pacifist Ben Greene, whose politics led to his internment during World War II.

In his childhood, Greene spent his summers with his uncle, Sir William, at Harston House. In Greene's description of his childhood, he describes his learning to read there: "It was at Harston I found quite suddenly I could read — the book was Dixon Brett, Detective. I didn't want anyone to know of my discovery, so I read only in secret, in a remote attic, but my mother must have spotted what I was at all the same, for she gave me Ballantyne's The Coral Island for the train journey home — always an interminable journey with the long wait between trains at Bletchley…"

In 1910 Charles Greene succeeded Dr Fry as headmaster of Berkhamsted. Graham also attended the school as a boarder. Bullied and profoundly depressed, he made several suicide attempts, including, as he wrote in his autobiography, by Russian roulette and by taking aspirin before going swimming in the school pool. In 1920, aged 16, in what was a radical step for the time, he was sent for psychoanalysis for six months in London, afterwards returning to school as a day student.[16] School friends included Claud Cockburn the satirist, and Peter Quennell the historian.

Greene suffered from periodic bouts of depression while at Oxford, and largely kept to himself.[19] Of Greene's time at Oxford, his contemporary Evelyn Waugh noted that: "Graham Greene looked down on us (and perhaps all undergraduates) as childish and ostentatious. He certainly shared in none of our revelry."[19] He graduated in 1925 with a second-class degree in history,[18]

After leaving Oxford, Greene worked for a period of time as a private tutor and then turned to journalism – first on the Nottingham Journal,[20] and then as a sub-editor on The Times. While he was working in Nottingham, he started corresponding with Vivien Dayrell-Browning, who had written to him to correct him on a point of Catholic doctrine. Greene was an agnostic at the time, but when he later began to think about marrying Vivien, it occurred to him that, as he puts it in A Sort of Life, he "ought at least to learn the nature and limits of the beliefs she held." Greene was baptised on 26 February 1926 and they married on 15 October 1927 at St Mary's Church, Hampstead, North London.

He supplemented his novelist's income with freelance journalism, book and film reviews for The Spectator, and co-editing the magazine Night and Day. Greene's 1937 film review of Wee Willie Winkie, for Night and Day - which said that the nine-year-old star, Shirley Temple, displayed "a dubious coquetry" which appealed to "middle-aged men and clergymen" - provoked Twentieth Century Fox successfully to sue for £3,500 plus costs,[14][21] which resulted in the magazine folding,[22] and Greene leaving the UK to live in Mexico until after the trial was over.[8][23] While in Mexico, Greene developed the ideas for the novel often considered his masterpiece, The Power and the Glory.[8]

As his career lengthened, both Greene and his readers found the distinction between entertainments and novels increasingly problematic. The last book Greene termed an entertainment was Our Man in Havana in 1958.

Throughout his life, Greene travelled far from England, to what he called the world's wild and remote places. The travels led to his being recruited into MI6 by his sister, Elisabeth, who worked for the organisation; and he was posted to Sierra Leone during the Second World War.[25]Kim Philby, who would later be revealed as a Soviet agent, was Greene's supervisor and friend at MI6.[26][27] Greene later wrote an introduction to Philby's 1968 memoir, My Silent War.[28] As a novelist Greene wove the characters he met and the places where he lived into the fabric of his novels.

After falling victim to a financial swindler, Greene chose to leave Britain in 1966, moving to Antibes, to be close to Yvonne Cloetta, whom he had known since 1959, a relationship that endured until his death. In 1973 he had an uncredited cameo appearance as an insurance company representative in François Truffaut's film Day for Night. In 1981 Greene was awarded the Jerusalem Prize, awarded to writers concerned with the freedom of the individual in society. One of his final works, the pamphlet J'Accuse – The Dark Side of Nice (1982), concerns a legal matter embroiling him and his extended family in Nice. He declared that organised crime flourished in Nice because the city's upper levels of civic government had protected judicial and police corruption. The accusation provoked a libel lawsuit that Greene lost.[35] He was vindicated after his death when in 1994 the former mayor of Nice, Jacques Médecin, was imprisoned for corruption and associated crimes. In 1986 Greene was awarded Britain's Order of Merit.

He lived the last years of his life in Vevey, on Lake Geneva in Switzerland, the same town Charlie Chaplin was living in at this time. He visited Chaplin often, and the two were good friends.[12] His book Doctor Fischer of Geneva or the Bomb Party (1980) bases its themes on combined philosophic and geographic influences. He had ceased going to mass and confession in the 1950s, but in his final years began to receive the sacraments again from Father Leopoldo Durán, a Spanish priest, who became a friend. He died in 1991 at age 86 of leukaemia[4] and was buried in Corseaux cemetery.[12]

As his career lengthened, both Greene and his readers found the distinction between entertainments and novels increasingly problematic. The last book Greene termed an entertainment was Our Man in Havana in 1958. When Travels with My Aunt was published eleven years later, many reviewers noted that Greene had designated it a novel, even though, as a work decidedly comic in tone, it appeared closer to his last two entertainments, Loser Takes All and Our Man in Havana, than to any of the novels. Greene, they speculated, seemed to have dropped the category of entertainment. This was soon confirmed. In the Collected Edition of Greene's works published in 22 volumes between 1970 and 1982, the distinction between novels and entertainments is no longer maintained. All are novels.

In 2009 The Strand Magazine began to publish in serial form a newly discovered Greene novel titled The Empty Chair. The manuscript was written in longhand when Greene was 22 and newly converted to Catholicism.

The literary style of Graham Greene was described by Evelyn Waugh in Commonweal as "not a specifically literary style at all. The words are functional, devoid of sensuous attraction, of ancestry, and of independent life". Commenting on this lean, realistic prose and its readability, Richard Jones wrote in the Virginia Quarterly Review that "nothing deflects Greene from the main business of holding the reader's attention."[38] His novels often have religious themes at the centre. In his literary criticism he attacked the modernist writers Virginia Woolf and E. M. Forster for having lost the religious sense which, he argued, resulted in dull, superficial characters, who "wandered about like cardboard symbols through a world that is paper-thin."[39] Only in recovering the religious element, the awareness of the drama of the struggle in the soul carrying the infinite consequences of salvation and damnation, and of the ultimate metaphysical realities of good and evil, sin and divine grace, could the novel recover its dramatic power. Suffering and unhappiness are omnipresent in the world Greene depicts; and Catholicism is presented against a background of unvarying human evil, sin, and doubt. V. S. Pritchett praised Greene as the first English novelist since Henry James to present, and grapple with, the reality of evil.[40] Greene concentrated on portraying the characters' internal lives – their mental, emotional, and spiritual depths. His stories often occurred in poor, hot and dusty tropical backwaters, such as Mexico, West Africa, Vietnam, Cuba, Haiti, and Argentina, which led to the coining of the expression "Greeneland" to describe such settings.[41]

The novels often powerfully portray the Christian drama of the struggles within the individual soul from the Catholic perspective. Greene was criticised for certain tendencies in an unorthodox direction – in the world, sin is omnipresent to the degree that the vigilant struggle to avoid sinful conduct is doomed to failure, hence not central to holiness. Friend and fellow Catholic Evelyn Waugh attacked that as a revival of the Quietist heresy. This aspect of his work also was criticised by the theologian Hans Urs von Balthasar, as giving sin a mystique. Greene responded that constructing a vision of pure faith and goodness in the novel was beyond his talents. Praise of Greene from an orthodox Catholic point of view by Edward Short is in Crisis Magazine,[40] and a mainstream Catholic critique is presented by Joseph Pearce.[43]

Catholicism's prominence decreased in his later writings. According to Ernest Mandel in his Delightful Murder: a Social History of the Crime Story: "Greene started out as a conservative agent of the British intelligence services, upholding such reactionary causes as the struggle of the Catholic Church against the Mexican revolution (The Power and the Glory, 1940), and arguing the necessary merciful function of religion in a context of human misery (Brighton Rock, 1938; The Heart of the Matter, 1948). The better he came to know the socio-political realities of the third world where he was operating, and the more directly he came to be confronted by the rising tide of revolution in those countries, the more his doubts regarding the imperialist cause grew, and the more his novels shifted away from any identification with the latter."[44] The supernatural realities that haunted the earlier work declined and were replaced by a humanistic perspective, a change reflected in his public criticism of orthodox Catholic teaching. Left-wing political critiques assumed greater importance in his novels: for example, years before the Vietnam War, in The Quiet American he prophetically attacked the naive and counterproductive attitudes that were to characterise American policy in Vietnam. The tormented believers he portrayed were more likely to have faith in communism than in Catholicism.

In his later years Greene was a strong critic of American imperialism, and supported the Cuban leader Fidel Castro, whom he had met.[45] (For Greene's views on politics, see also Anthony Burgess' Politics in the Novels of Graham Greene.)[46] In Ways of Escape, reflecting on his Mexican trip, he complained that Mexico's government was insufficiently left-wing compared with Cuba's.[47] In Greene's opinion, "Conservatism and Catholicism should be .... impossible bedfellows".[48]

“

In human relationships, kindness and lies are worth a thousand truths.

”

—Graham Greene

In 1949, when the New Statesman held a contest for parodies of Greene's writing style, he submitted an entry under the pen name "N. Wilkinson" and won second prize. His entry comprised the first two paragraphs of a novel, apparently set in Italy, The Stranger's Hand: An Entertainment. Greene's friend, Mario Soldati, a Piedmontese novelist and film director, believed that it had the makings of a suspense film about Yugoslav spies in postwar Venice. Upon Soldati's prompting, Greene continued writing the story as the basis for a film script. Apparently he lost interest in the project, leaving it as a substantial fragment that was published posthumously in The Graham Greene Film Reader (1993) and No Man's Land (2005). A script for The Stranger's Hand was written by Guy Elmes on the basis of Greene's unfinished story, and filmed by Soldati in 1954. In 1965 Greene again entered a similar New Statesman competition pseudonymously, and won an honourable mention.

Greene is regarded as one of the greatest writers of the 20th century,[1][2] with John Irving describing Greene as "the most accomplished living novelist in the English language."[49] He had acquired a reputation by 1943 of being the "leading English male novelist of his generation",[50] and at the time of his death in 1991 had a reputation as a great writer of both deeply serious novels on the theme of Catholicism,[51] and of "suspense-filled stories of detection";[52] however, even though acclaimed in his own lifetime and shortlisted in 1967,[53][54] he was never awarded the Nobel Prize for Literature;[3] an omission that continues to puzzle and surprise readers and critics.[55]

The Graham Greene International Festival is an annual four-day event of conference papers, informal talks, question and answer sessions, films, dramatised readings, music, creative writing workshops and social events. It is organised by the Graham Greene Birthplace Trust, and takes place in the writer's home town of Berkhamsted (about 35 miles northwest of London), on dates as close as possible to the anniversary of his birth (2 October). Its purpose is to promote interest in and study of the works of Graham Greene.[56][57]

In his discussions with the priest to whom he went for instruction, Greene argued "on the ground of dogmatic atheism", as his primary difficulty was what he termed the "if" surrounding God's existence. However, he found that "after a few weeks of serious argument the 'if' was becoming less and less improbable".[43][59]

Greene had an affair between 1946 and 1957 with Catherine Walston, the wife of Harry Walston, a wealthy farmer and future life peer.[60] The relationship is understood to inform the writing of The End of the Affair, published in 1957, when the affair came to an end.[61][62] Greene left his family in 1947, but in accordance with Catholic teaching, Vivien refused to grant him a divorce and they remained married until Greene's death in 1991. He had several other affairs and sexual encounters. In later years Vivien remarked, "With hindsight, he was a person who should never have married." He remained estranged from his wife and children and remarked in his later years, "I think my books are my children."[14]