Mitchell Tucker has come back to the small Texas town of Gila Rock looking for something Julianne Boyce has no intention of giving him: forgiveness. It’s been eight years since Mitch went to jail for starting a fire that claimed her husband’s life…and longer still since Juli and Mitch fell into a forbidden first love that their feuding families brought to an end. She’s lost too much because of his thoughtlessness to let herself fall under that familiar spell again.

But no matter how much she ignores him, Mitch isn’t leaving. Soon he’s helping out at her farm and her new store, trying to make amends, melting the cold shell Juli’s built around her heart. There’s a world of hurt and mistrust between them—but there’s also one last chance to uncover the truths that might bring them back together once more…

Seventeen year-old Chelsea Knowles is your average teenager. But she’s harboring a secret that very few people know: she and her dad can’t pay the bills. Broken by his wife leaving, Chelsea’s father ignores his parenting responsibilities. Between cheer costs, grocery bills, electricity, and other financial burdens, Chelsea knows it’ll be up to her to keep the lights on. She manages to sneak into a casino, and her first big poker win sparks the beginning of downward spiral. Money stops being a problem, but a complicated web of lies begins to spin out of control, threatening to reveal her bluff.

When struggling novelist James Hernandez meets poet Louisa “Lou” Bell, he’s sure he’s just found the love of his life. There’s just one problem: she’s engaged to his oldest friend, Rob. So James toasts their union and swallows his desire.

As the years pass, James’s dreams always seem just out of reach—he can’t finish that novel, can’t mend his relationship with his father, can’t fully commit to a romantic relationship. He just can’t move on. But after betrayal fractures Lou’s once-solid marriage, she turns to James for comfort.

When Lou and James act on their long-standing mutual attraction, the consequences are more heartbreaking—and miraculous—than either of them could have ever anticipated. Then life throws James one more curveball, and he, Rob, and Lou are forced to come to terms with the unexpected ways in which love and loss are intertwined.

Aiden Gallagher was only five years old when he appeared in a photograph on the Kissing Bridge. The town of Darling, Vermont, has used Aiden’s image on the famed bridge—local legend has it that a kiss there results in everlasting love—as part of its tourism campaign. Now, twenty years later, Aiden is asked to recreate the moment with the woman he once kissed: Laurel Stone.

Recently divorced, there’s nothing Laurel wants less than to pretend happily-ever-after with Aiden. As teenagers, their romance was no fairy tale—and Laurel has never quite forgiven Aiden for breaking her heart. But now that she is back in her hometown, and keeps bumping into police officer Aiden, Laurel can’t deny that there’s still a strong flicker between her and her old flame. Could it be that the Kissing Bridge is working its magic on Laurel and Aiden—and that all true love ever needed was a second chance?

On a February evening in 2012, in a small town in central Florida, seventeen-year-old Trayvon Martin was walking home with candy and a can of juice in hand and talking on the phone with a friend when a fatal encounter with a gun-wielding neighborhood watchman ended his young life. The watchman was briefly detained by the police and released. Trayvon’s father—a truck driver named Tracy—tried to get answers from the police but was shut down and ignored. Trayvon’s mother, a civil servant for the city of Miami, was paralyzed by the news of her son’s death and lost in mourning, unable to leave her room for days. But in a matter of weeks, their son’s name would be spoken by President Obama, honored by professional athletes, and passionately discussed all over traditional and social media. And at the head of a growing nationwide campaign for justice were Trayvon’s parents, who—driven by their intense love for their lost son—discovered their voices, gathered allies, and launched a movement that would change the country.

Five years after his tragic death, Travyon Martin’s name is still evoked every day. He has become a symbol of social justice activism, as has his hauntingly familiar image: the photo of a child still in the process of becoming a young man, wearing a hoodie and gazing silently at the camera. But who was Trayvon Martin, before he became, in death, an icon? And how did one black child’s death on a dark, rainy street in a small Florida town become the match that lit a civil rights crusade?

Rest in Power, told through the compelling alternating narratives of Sybrina Fulton and Tracy Martin, answers, for the first time, those questions from the most intimate of sources. It’s the story of the beautiful and complex child they lost, the cruel unresponsiveness of the police and the hostility of the legal system, and the inspiring journey they took from grief and pain to power, and from tragedy and senselessness to meaning.

When a bomb explodes in a mall in East Africa, its aftershocks send two strangers on a collision course that neither one sees coming.

Jack Warden, a divorced coffee farmer in Tanzania, loses his only daughter. An ocean away, in the English countryside, Rodel Emerson loses her only sibling.

Two ordinary people, bound by a tragic afternoon, set out to achieve the extraordinary, as they make three stops to rescue three children across the vast plains of the Serengeti—children who are worth more dead than alive.

But even if they beat the odds, another challenge looms at the end of the line. Can they survive yet another loss—this time of a love that’s bound to slip through their fingers, like the mists that dissipate in the light of the sun?

She was the first person to see me as I had always wanted to be seen. It was enough to indebt me to her forever.

In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether.

Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel’s difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon’s home state of Kentucky, the only other partner she has ever truly known—her troubled, charismatic childhood best friend, Teddy—reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming.

Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.

Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.

There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

When Isabelle Poole meets Dr. Preston Grind, she’s fresh out of high school, pregnant with her art teacher’s baby, and totally on her own. Izzy knows she can be a good mother but without any money or relatives to help, she’s left searching.

Dr. Grind, an awkwardly charming child psychologist, has spent his life studying family, even after tragedy struck his own. Now, with the help of an eccentric billionaire, he has the chance to create a “perfect little world”—to study what would happen when ten children are raised collectively, without knowing who their biological parents are. He calls it The Infinite Family Project and he wants Izzy and her son to join.

This attempt at a utopian ideal starts off promising, but soon the gentle equilibrium among the families disintegrates: unspoken resentments between the couples begin to fester; the project’s funding becomes tenuous; and Izzy’s growing feelings for Dr. Grind make her question her participation in this strange experiment in the first place.

When the Great Depression hits, Florence Fein leaves Brooklyn College for what appears to be a plum job in Moscow—and the promise of love and independence. But once in Russia, she quickly becomes entangled in a country she can’t escape. Many years later, Florence’s son, Julian, will make the opposite journey, immigrating back to the United States. His work in the oil industry takes him on frequent visits to Moscow, and when he learns that Florence’s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny, who is trying to make his fortune in the new Russia, to return home. What he discovers is both chilling and heartbreaking: an untold story of what happened to a generation of Americans abandoned by their country.

The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence’s and Julian’s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.