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Saturday, 23 May 2020

Premiering in theatres in the US on this day in 1980, the Stanley Kubrick adaptation of the Steven King novel of three years prior presents a certain corollary to and correspondence with the present Zeitgeist of wintering, hibernation and generally being not taxed mentally or physically with its foil of an aspiring writer and recovering alcoholic and domestic abuser hoping to take full advantage of this generous sabbatical for self-improvement but woefully unable to.What do you think? That much of the milieu is quite resonant, even if the plot and search and insistence for meaning is receding—just like we are focusing on inconsistencies, ambiguities and attributed symbolism as curative guideposts to navigate ourselves through this time when for many of us, we just have one job to do. Isolation is not only prone to the compromised credibility of an unreliable narrator but also can cause us to doubt and question our credentials as dependable observers—and whether we’re haunted by real ghosts or the hypochondria cabin-fever.