Pitchfork -
It's by far the best single release of his career: It's more melodic and more focused; fiercer and more playful; funnier and sadder. It's also probably the best pure rap release of the first quarter, and the best-case scenario for how a locally famous rapper can make a great album for a wider audience without getting lost in a corporate ledger.

Rolling Stone -
He's a rapper's rapper, a lyrical Evel Knievel without any desire for a cloying pop crossover; it should be mentioned that he works with no guest appearance safety nets, save one track on the deluxe edition – ultimately resulting in a cohesive, satisfying, fat-free full-length.