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If you have a story about Joe you would like to share send it in and I’ll add it to this post.

Joe “Stoga” Scola remembers Joe Garland in this video interview-

[blip.tv ?posts_id=2061728&amp;amp;dest=-1]

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JOE GARLAND OF GLOUCESTER

BY SANDY TOLAN

He was a bard of the Atlantic: A crusty, delighted, outraged, self-deprecating, sharp-eyed, ever-curious citizen historian of America’s oldest fishing port. But it was an unforgettable trauma on land, nearly halfway around the world, that decades ago brought the legendary Joe Garland back home to Gloucester, and to Black Bess, his weathered old house on Eastern Point.

From there, Joe would gaze through his six-foot-high living room windows to the inner harbor, and consider two mortalities: That of the Gloucester fisherman, and that of himself.

"I immediately felt a kind of kinship with the fishermen that evoked the kind of kinship that I’d felt as a soldier, with my buddies," Joe told me when I first met him in 1997. "And it was nothing that I had ever encountered or seen. Until I sort of discovered what these guys had been going through in Gloucester. So I found a strange kind of brotherhood."

Joe’s connection with the lethal risks to the Gloucestermen came through his own confrontation with death on the winter line at Italy’s Anzio beachhead during World War II. At Anzio, it was trench warfare, as Allied and German soldiers shot and shelled each other over mere feet of land. Joe was deeply scarred by this, and for decades, he worked on Unknown Soldiers, a memoir of his time in war. For years, while that narrative eluded him, he cranked out book after beautiful book about Gloucester and the North Atlantic: Lone Voyager, about fisherman Howard Blackburn, who survived a brutal winter journey, cut off from his mother ship and lost at sea in a tiny dory; Guns Off Gloucester, about redcoats and rebels on the North Shore of Boston during the Revolutionary War; and Down to the Sea, a history of the thousands of men who sailed out of Gloucester harbor and never came back.

"The American Dream has always been that joy and discovery and energy and activism and optimism are what have knit our society together and have brought it power and expansion," Joe told me. "But I reckon in a more profound way, loss is a more enduring kind of a social cement."

Like perhaps all trauma victims, Joe was witness to things he didn’t much want to talk about, but which nevertheless, for decades, he couldn’t shake. And yet he dealt with the loss – and the "shellshock," as people used to call PTSD – creatively: He wrote about it, over and over again, even if indirectly. (And, eventually, directly: Unknown Soldiers was finally published in 2009.) And, in the tradition of the many writers and artists who had came to the North Shore before him, he told great stories.

"Let me tell you about Helen!" Joe exclaimed to me on the day we met, as we sat at dusk in the living room, surrounded by ticking grandfather clocks, watching the blinking lights of the trawlers on the path to the open sea. An army buddy told Joe he needed a pen pal: Helen Bryan, his childhood neighbor from New Jersey. Joe wrote Helen nearly every day from Anzio. They fell in love by U.S. Army Post; in Joe’s mind, with the smoke of battle around him, they would get married nearly the moment he touched American soil. Provided he survived. On Thanksgiving 1945, Helen was waiting for him in pearls and a full length fur coat at Grand Central Station. But she wasn’t ready to marry; on her father’s orders, she would need to finish Sarah Lawrence College first. Joe was furious, dumbfounded, traumatized; he cut off the relationship, burned Helen’s letters, married someone else, raised a family. Decades passed. Helen married too, and had four children. Then, on July 5, 1978, Joe, at work on Unknown Soldiers, contacted Helen to see what she remembered. (After all, he no longer had the letters!) They met again, at the Thayer Hotel at West Point. And fell in love again. "And on my way home I pulled over to the side of the road and I cried my eyes out!" Joe nearly barked at me.

Many years later, when my former wife Lamis and I were living down the street in East Gloucester,, Joe and Helen Garland would hold court beneath the big chandelier in the dining room at Black Bess. There was always something urgent to discuss. Maybe it was the battle over Gloucester’s historicPaint Factory, which a couple of outsiders were trying to turn into condos. Outrageous!, Joe would bellow. What the hell do they think they’re doing? Or maybe it the gas pipeline going in on the Atlantic seabed, and how it might threaten the dwindling fishing stocks. Or it was the endless intrigue of the town’s mayoral politics. Or the battle over the future of Israel and Palestine, what Anaconda Corporation did to the Hudson River Valley, the indigenous politics of New Zealand, the legacy of Margaret Mead in the United Nations, the courage of a Catholic priest in India, or of cousin Billy in Scotland. Often, the conversation was about the decline of a kind of decency and fairness in American society and politics – a theme Joe frequently returned to, with genuine bewilderment and sadness.

Throughout these dinners, there was Joe, chewing his food ever so slowly (he was the world’s slowest eater), ever in his baggy, deeply faded jeans and blue-and-white-striped milkman shirt, his shock of white hair brushed absentmindedly across his brow: joking, inquiring, reminiscing, lamenting – and encouraging his younger visitors in whatever dreams they’d brought with them that evening.

I called Helen the other day to see how she was doing. We shared some Joe stories, and discussed the upcoming celebration of his life, which will take place today [Saturday] on Gloucester Harbor. And then she told me something surprising. Finally, at the end, Joe’s trauma was gone. After his war book – his recurring trauma – went out into the world, the PTSD began to dissolve. Daily, he was reminded of the poem his war buddy Frank Merchant wrote for Joe and Helen:

May this day, a diamond discovered

Glint from the old war and terror

"You saved my life," Joe told Helen, near the end. "You should have seen him," Helen recalled of his final hours. "You’ve never seen such change in a person." He was in the living room, looking out at the passing ships in the harbor. "It was magic. He was totally absorbed in something beautiful."

Sandy Tolan is a former resident of Gloucester and an associate professor at the Annenberg School for Journalism and Communication at USC. He is working on a book about music in the Holy Land.

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Bruce Bonham-

Sadden to hear of the passing of Joe Garland. A few years ago during one of our annual Gloucester and Cape Ann visits, I stumpled upon a Garland book up at a Newburyport flea market. It was the history of Eastern Point. I immediately fell more in love with the area. I purchased a few more of Garland’s Gloucester and North Shore books, then during a September visit a few years ago gathered up courage enough to knock on his Eastern Point front door at Black Bess. "Come on in!" was the sight unseen call from Joe’s wife, Helen. "You wanna see Joe? He out feeding the dog. He’ll be right in." She took me to Joe’s perch at the back of his historic house with spectacular views of the harbour and city. I was there, on the premise of getting his books autographed (which he did, making me feel he was honoured to do so), but really wanted to meet the man who wrote the area’s interesting history. Turns out we had lot’s to talk about. He began, he told me, as a newspaperman. I was a newspaperman too. Perfect! Joe has touched many lives in his long years. My experience will be forever cherished.

Bruce Bonham St. Catharines, Ontario, CANADA

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Bill Hubbard Writes-

My wife and I moved back to Gloucester in 1959 and into a home on Ledge Lane in E. Gloucester after living in Western Mass for three years. I first met Joe that year at Drift In(now Sailor Stan’s) on Rocky Neck and saw him frequently there.

That winter I bought an unfinished banks dory from Burnham & Thomas and decided to make a sailor of her. I sketched out a sail plan for her along with a centerboard and rudder and took them down to Capt. Bill Sibley’s shop at 15 Rocky Neck Av. – where my cousin Larry Dahlmer has his gallery today. It was a cold day and Sib had the woodstove cranking and quite a gang was on hand to go over my plans. Joe was there along with Capt. Tom Morse and soon-to-be-city councilor, Ed Flynn and Dick Hunt. As I recall, we spent several hours discussing the plans and then Joe invited me to his home at Black Bess and we sat down and drew them up to scale.

Next Spring, Joe and Dick Hunt were on hand when I launched her at Wonsan’s Cove, stepped the mast and bent on the new sails made by Bob Enos and the centerboard cut by Ed Alexander at Beacon Marine. Then Joe hopped in with me for the christening sail.

A few years later, at Joes’ urging, I wrote a short history of the “Michigan Bears”. It was the story of the Michigan men who sailed their small boats and gillnets from the lakes to found the gillnet fishery in Gloucester in 1909. They were led by Capt. Albert Arnold and included Dahlmer’s, Tysvers, Shores, Lasley’s and LaFonds, among others. Joe was my inspiration for that article, contributed many anecdotes about the Bears. He also suggested I submit it to Joe Kakanes, “Gloucester Magazine” where it was published the following year.

I probably saw Joe once or twice every week on Rocky Neck, especially at Sibley’s where many of us passed the time in deep conjecture on many topics important to the world, Gloucester and especially to us. We moved to New Hampshire in 1969 and I only saw Joe occasionally when visiting relatives. He was a wonderful person and with his books and projects contributed much to Gloucester that will be a lasting tribute to him. He was one of the prime movers to restore Howard Blackburn’s and Centennial Johnson’s boats for future generations. I think of him every time I visit Gloucester and drive onto Rocky Neck or Eastern Point.

One day in early October of 1991, I got a call from Joe Garland: “Can you take a day off to drive to the Catskills with me?” he asked. “There are two great rowing canoes we can buy cheap but I need to get there soon. I’m getting one. Do you want to get one too? Can you get away on Saturday”? I did, and could..

By Saturday we had located a lightweight boat trailer I could tow behind our VW Dasher station wagon. I picked up Joe at about 8 AM, hooked up the trailer, and headed west.

Our destination: Mohonk Mountain House in New Paltz, New York, 250 miles away. Joe and Helen had just returned from a memorable weekend stay there. It’s a mountaintop resort, with a large 1890s-era hotel, miles of walking and carriage trails, and a manmade lake on a mountaintop. In the lake were a fleet of newly purchased rowboats for guests to use, and in one of the carriage barns (which had once held 300 carriages and their horses) the older fleet of rowboats, all Old Town rowing canoes, was stored. Joe inquired whether any were for sale, was told that they were, and could be had for $50 apiece. The deal, in Joe’s opinion, was too good to pass up.

We arrived at the hotel around noon, and went in search of the manager Joe had spoken to a few days earlier. He was nowhere to be found, but a sympathetic assistant listened to Joe’s explanation and showed us to the carriage barn. There on racks were a dozen canoes in various states of repair. We poked and picked among them, and eventually found two in fairly good shape, and a couple of pairs of oars.

We loaded them on the trailer and then went in search of someone we could pay for them. The same assistant manager eventually showed up, took our $100, and we were on our way back to Gloucester. We stopped in Vernon, Connecticut, outside of Hartford, for a dish of tapioca pudding Joe knew he could get at Rein’s Deli there, and eventually made it back to Gloucester, arriving at about 6. I stowed my canoe in my family’s barn in Manchester, we unloaded Joe’s at his house, I took the trailer back to its owner, and went home for supper.

Old Town rowing canoes were built in Old Town, ME from the end of the 19th century to the first few decades of the 20th century, and ranged from 15 to 20 feet in length. (Ours were 15-footers). They were built like canoes, thin cedar planks clench-nailed to flat split ash ribs, covered with canvas and painted dark green. They had bronze oarlocks and elegant spoon-bladed oars. They were heavy, but made to slide through the water with ease.

For one reason or another I didn’t get around to working on my canoe at first, but Joe dropped everything to put his in rowing condition as soon as possible. In a few days he patched the hull, repainted the canvas skin, and painted the name “HOMONK” on the bow. Then he built an elaborate wooden railway from the top of the rocks down to the cove so he could launch the canoe by sliding it along the planks down into the water at any tide. He was ready to do some serious rowing, and managed to get out for a couple of brief and satisfying excursions.

A few days later, on October 31, Gloucester was walloped by what came to be known as “The Perfect Storm.” Huge waves crashed over the breakwater, tossing gigantic granite blocks into the sea, before sweeping across the few hundred yards to Black Bess. Railway and canoe were swept away in an instant. After the storm had passed Joe hunted for the canoe in the thicket that lined Eastern Point Boulevard on the landward side of the road. He came upon a few scraps of green canvas and chunks of hull, one with most of the word “HOMONK” on it — all that remained of his once great Lake Mohonk rowing canoe.

As for my canoe, I never did restore it, but sold it a few weeks later to a collector, for $250. If I’d had any decency I would have split my $200 bonanza with Joe, but I have a suspicion I never did. Sorry, Joe.

— Tom Halsted October 1, 2011

A 15’ Old Town Rowing Canoe

One of Joe’s unfinished books was to have been the narrative of his life in the many boats — cutters, sloops and a schooner — that he had owned and sailed over the years. All but the last were built of wood, and usually well-used when he bought them. He lovingly cared for them and sailed them each season from the first warm days of spring until late into the autumn. They were moored just off Black Bess, where he could admire them from the porch when he wasn’t sailing them, in Gloucester waters and beyond.

Joe’s next-to-last boat, acquired in 1986, was March Hare, a 23-foot wooden cruising sloop, designed jointly by famed yacht designers William Atkin and Starling Burgess. She was built in Long Island and launched in 1932. She had an unusual “turtleback” hull design, the ribs forward of the cockpit completely encircling the hull and the rounded cabin top. The standing rigging was also unusual, a forestay and two single shrouds. No spreaders, no backstay. Below decks there were four narrow bunks with sitting headroom, a sink and a head. A diesel inboard engine provided power.

One hot summer day in 1987, Joe invited me for a sail on “The Hare.” By the time we had rowed out to the boat, set sail and cast off the mooring, the breeze had dropped to about 5 knots. By the time we reached mid-harbor, it was almost undetectable. But something was odd: March Hare didn’t seem to notice the flat-ass calm at all. Instead she heeled gently over onto the starboard tack, and glided confidently out to sea past the Dog Bar. The sails obligingly bellied out, water gurgled pleasantly along the hull, a frothy wake trailed off astern in a nice straight line.

“Joe”! I exclaimed, “this is incredible! If only there was another boat like this!”

“But there is,” said he. “Another one is advertised in WoodenBoat, for $5,000. It’s out of the water, in Scituate.”

As soon as I was home, I turned to the magazine, and there she was: Jabberwock, almost identical to March Hare except for the foredeck, which held a more traditional boxy trunk cabin, rather than the turtleback. The Alice in Wonderland-named boats were apparently two of a fleet of at least three; Atkins and Burgess’s first boat was named Dormouse. Surely there was also a Mad Hatter somewhere if still afloat, and perhaps more similarly named sister ships. A Walrus? A Carpenter?

I called Jabberwock’s owner, who told me where to find the boat. “She’s in fine shape,” he told me. “Sailed her everywhere, from Long Island Sound to East Quoddy Head. Wonderful, fast cruising boat.” The liar.

My wife Joy and I drove to Scituate and found the boatyard. The yard owner looked at us with a wry smile; it was clear no one else had been looking at Jabberwock in quite a while, and we soon saw why. There was probably a hefty yard bill.

The boat sat forlornly in an old cradle. She had obviously been there for several hard winters. Remains of a blue tarp hung in tatters over the cradle; there were big gaps between several butt joints and a large hole in the stem timber. A knife went into the stern post like butter. The forward hatch cover had blown off; the rudder hung precariously from a single remaining screw. What little varnish was still on the brightwork fluttered from it in long peeling strips. Rust stains dribbled down the topsides from every bunghole. Below decks, the bunk cushions were soaking wet, and the bilges contained a brew of rainwater, paint, empty bottles, an old chart, and a half-empty can of spar varnish; the other half had also spilled into the bilges.

The mast, boom, tiller and engine had been removed and stored under cover. The spars looked somewhat better, but the engine looked tired. “To hell with it,” I told Joy. “Too far to go.” “Well —,” she said. Uncharacteristically, she obviously liked what she saw more than I. We drove home and I reported the bad news to Joe. “It can’t be that bad,” he said. “Let me have a look at her.” Joy chimed in, “I really liked that boat.”

So it was back to Scituate the next day, with Joe. He climbed up on Jabberwock’s deck, squinted along the sheer and waterline, thumped a plank or two, and said “She’s in great shape. You really ought to get her.”

We drove home. I called the owner. “You have ruined a beautiful boat,” I snarled at him. “You should be ashamed. How can you ask five thousand dollars?” Then, I don’t know what came over me, as I asked, “Will you take two”?

“Sure,” he replied in an instant, and I began to think I should have said “two hundred,” instead of “two thousand.” But it was clear he had enough to cover what must have been a healthy yard bill.

A few days later, I glumly followed behind a boat trailer, watching Jabberwock suffer each jarring bounce as the trailer bumped at high speed over every rut and pothole between the South and North Shore. At dusk we arrived home, and set up the boat on jack stands in our back yard.

For the next fourteen months Joy and I labored over Jabberwock, with much expert help from Larry Dahlmer, Leon Poindexter and Steve Waldron, and sage advice from Joe. We repaired the stern post, replaced planks, butt blocks, and floor timbers, replaced hundreds of screws, bunged and planed off each screw hole, fashioned a new keel bolt out of a bronze propeller shaft and installed it, repaired and installed the engine, replaced dubious turnbuckles and chain plates, replaced all the running rigging, scraped, sanded, varnished, caulked and painted. Joy spent a long day painting below decks and cutting in a neat blue boot stripe.

At last, on October 14, 1988, we hauled Jabberwock to Hank Bornhofft’s yard at the head of the harbor, slung her in the travel lift, and lowered her gently into the ocean. Joe and Helen were on hand for the launching. We stepped the mast, bent on the sails, and watched for the next day and a half, as water poured into the boat through every seam, and gushed back out through a new bilge pump. But eventually the planks swelled, the gush slowed to a trickle and finally stopped, and it was clear Jabberwock would swim.

After a trial sail or two I called Joe to see how the two boats compared. We met on a sparkling November day off Black Bess, beat across the Harbor on a port tack, ran down to the Cut, jibed, reached up the Harbor as far as Smith Cove, reached back to Stage Fort, beat back to the end of Dog Bar on a starboard tack, and ran back downwind to Black Bess.

Jabberwock beat March Hare on every point of sail. Joe graciously said, “It’s clear who’s the better skipper.” “No, no,” said I, “You’re the better skipper, but my boat has a cleaner bottom, and you’ve been in the water all summer.” So in the end we agreed we were both great skippers, and both had great boats. But I never did figure out how March Hare could have sailed so beautifully that windless summer day. Must have been that magic Garland touch. — Tom Halsted October 1, 2011

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Sandy Tolan will read from his new work-in-progress at the Harbor Room, across the street from the Gloucester Writers Center (see directions below) at 7:30 pm, Thursday, July 29. The event is free and open to the public. Please RSVP: 978-283-7738

Sandy Tolan, the Gloucester Writers Center’s first writer-in-residence, is the author of two books and the producer of hundreds of documentaries and features for NPR and Public Radio International, and has written for New York Times Magazine, Audubon, the Nation, the Los Angeles Times Magazine, the Christian Science Monitor, USA Today, and dozens of other publications.

Sandy was a 1993 Fellow at the Nieman Foundation for Journalism at Harvard University. The following year he moved to Gloucester, to a house on East Main Street, a few blocks from the home of Vincent Ferrini – now the site of the Gloucester Writers Center. It was here that Sandy wrote his first book: Me and Hank, A Boy and His Hero 25 Years Later, an exploration of race and sports in America.

From 2000-2007, Sandy was the I.F. Stone Fellow at the Graduate School of Journalism at UC-Berkeley, where he divided his time between teaching and many journeys to the Middle East to research his second book, The Lemon Tree: An Arab, a Jew, and the Heart of the Middle East (Bloomsbury USA). The Lemon Tree was based on his award-winning NPR documentary about a Palestinian man and a Jewish woman whose families lived in the same house before and after the founding of Israel. The book won a Christopher Award for "affirming the highest values of the human spirit" and was Booklist’s "Editor’s Choice" for best adult non-fiction book of 2006. It was also a finalist for the National Book Critics Circle Award.

Sandy’s many awards for journalism include the United Nations Gold Medal, the Alfred I. duPont-Columbia University Silver Baton, three Robert F. Kennedy awards, and honors from the Overseas Press Club. A dedicated teacher, Sandy takes as much pride in the recognition awarded to his students’ work as to his own. In 2007, his students won the prestigious George Polk Award for a series on the early signs of climate change around the world – the first time in its 58-year history that the prize has been awarded to students.

In 2007 Sandy joined the faculty of the University of Southern California’s Annenberg School of Journalism . He has just returned from the West Bank, where he has been researching his next book, a profile of a visionary young musician in Palestine.

In 1988, a photographer in the West Bank snapped a photo of an 8-year-old little boy with tears in his eyes, hurling a rock at an Israeli tank. The widely circulated photo symbolized the rage and frustration of the intifada. Later Ramzi took up the viola and his natural talent was noticed by a Palestinian music teacher. Eventually he received a scholarship to study at a conservatory in France. Today, Ramzi devotes all his energy to opening music schools in Palestinian towns and refugee camps, teaching both European and Arabic classical music. He has opened 10 schools, so far, serving 500 students. "I cannot tell you the feeling of playing music," Ramzi says. "But that’s what I was dreaming about: to give this as much as I can to other children. As much as I can. The music and the feeling." Famed conductor and peacemaker Daniel Barenboim praises Ramzi’s achievement, "This is an extraordinary collection of children all over Palestine that have all been inspired and opened to the beauty of life."

Sandy’s three-week stay at the Gloucester Writers Center has provided him the opportunity to focus on writing the first chapter of that book.

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Free GMG Gloucester Sticker

As long as supplies last if any GMG folks want a bumper sticker but can't drop down the dock, just send a self addressed and stamped envelope longer then 7 and a half inches and I'll drop one in the mail for you.

Send the self addressed and stamped envelope to the dock at 95 East Main St Gloucester Ma 01930 care of Joey (put my name in big letters to make sure it gets to me)