Chittorgarh Fort (Hindi/Rajasthani: चित्तौड दुर्ग Chittorgarh Durg) is the largest fort in India and the grandest in the state of Rajasthan. It is a World Heritage Site. The fort, plainly known as Chittor, was the capital of Mewar and is today situated several kilometres south of Bhilwara. It was initially ruled by Guhilot and later by Sisodias, the Suryavanshi clans of Chattari Rajputs, from the 7th century, until it was finally abandoned in 1568 after the siege by Emperor Akbar in 1567. It sprawls majestically over a hill 180 m in height spread over an area of 280 ha above the plains of the valley drained by the Berach River. The fort precinct with an evocative history is studded with a series of historical palaces, gates, temples and two prominent commemoration towers. These monumental ruins have inspired the imagination of tourists and writers for centuries.

The fort was sacked three times between the 15th and 16th centuries; in 1303 Allauddin Khilji defeated Rana Ratan Singh, in 1535 Bahadur Shah, the Sultan of Gujarat defeated Bikramjeet Singh and in 1567 Emperor Akbar defeated Maharana Udai Singh II who left the fort and founded Udaipur. Each time the men fought bravely rushing out of the fort walls charging the enemy but lost every time. Following these defeats, Jauhar was committed thrice by more than 13,000 ladies and children of the Rajput heroes who laid their lives in battles at Chittorgarh Fort, first led by Rani Padmini wife of Rana Rattan Singh who was killed in the battle in 1303, and later by Rani Karnavati in 1537 AD.

Thus, the fort represents the quintessence of tribute to the nationalism, courage, medieval chivalry and sacrifice exhibited by the Mewar rulers of Sisodia and their kinsmen and women and children, between the 7th and 16th centuries. The rulers, their soldiers, the women folk of royalty and the commoners considered death as a better option than dishonor in the face of surrender to the foreign invading armies.

GEOGRAPHY
Chittorgarh, located in the southern part of the state of Rajasthan, 233 km from Ajmer, midway between Delhi and Mumbai on the National Highway 8 (India) in the road network of Golden Quadrilateral. Chittorgarh is situated where National Highways No. 76 & 79 intersect.

The fort rises abruptly above the surrounding plains and is spread over an area of 2.8 km2. The highest elevation at the fort is 1,075 m. It is situated on the left bank of the Berach river (a tributary of the Banas River) and is linked to the new town of Chittorgarh (known as the ‘Lower Town’) developed in the plains after 1568 AD when the fort was deserted in light of introduction of artillery in the 16th century, and therefore the capital was shifted to more secure Udaipur, located on the eastern flank of Aravalli hill range. Mughal Emperor Akbar attacked and sacked this fort which was but one of the 84 forts of Mewar,but the capital was shifted to Aravalli hills where heavy artillery & cavalry were not effective. A winding hill road of more than 1 km length from the new town leads to the west end main gate, called Ram Pol, of the fort. Within the fort, a circular road provides access to all the gates and monuments located within the fort walls.

The fort that once boasted of 84 water bodies has only 22 of them now. These water bodies are fed by natural catchment and rainfall, and have a combined storage of 4 billion litres that could meet the water needs of an army of 50,000. The supply could last for four years. These water bodies are in the form of ponds, wells and step wells.

HISTORY
Chittorgarh Fort is considered to be the largest fort of India in terms of area. It is stated that the fort was constructed by the Mauryans during the 7th century AD and hence derives its name after the Mauryan ruler, Chitrangada Mori, as inscribed on coins of the period. Historical records show Chittorgarh fort as the capital of Mewar for 834 years. It was established in 734 AD by Bappa Rawal, founder ruler in the hierarchy of the Sisodia rulers of Mewar. It is also said that the fort was gifted to Bappa Rawal as part of Solanki princess’s dowry in the 8th century. The fort was looted and destroyed at the hands of Emperor Akbar in 1568 AD and subsequently never resettled but only refurbished in 1905 AD. Three important battles were fought for control of the fort; in 1303, Ala-ud-din Khilji besieged the fort; in 1535, Sultan of Gujarat Bahadur Shah besieged the fort; and in 1568, Mughal Emperor Akbar attacked the fort. Not that there were only defeats at the fort. Excluding the periods of siege, the fort had always remained in possession of the Sisodias of the Guhilot (or Gehlot/Guhila) clan of Rajputs, who descended from Bappa Rawal. There were also success stories of establishment of the fort and its reconstruction after every siege, before it was finally abandoned in 1568, all of which are narrated.

Chittor is cited in the Mahabharat epic. It is said that Bhima, the second of the Pandava brothers of Epic Mahabaharata fame, known for his mighty strength gave a powerful hit with his fist to the ground that resulted in water springing up to form a large reservoir. It is called Bhimlat kund, an artificial tank named after Bhima. Folk legend also mentions that Bhima started building the fort.

BAPPA RAWAL
The earliest history linked to the Bappa Rawal’s fort is that of the Huna Kingdom of Sialkot (of Mihir Kula 515-540 AD) that was destroyed by Yashodharman. This was subsequently seized by a new dynasty of kshatriyas called Tak or Taxaka. According to historians, the Taxak Mori were the lords of Chittor from a very early period. After a few generations, the Guhilots supplanted them. From 725 to 735 AD, there were numerous defenders who appear to have considered the cause of Chittor their own, the Tak from Asirgarh. This race appears to have retained possession of Asirgarh for at least two centuries after this event and one of its chieftain Bappa Rawal was the most conspicuous leader in the lineage of Prithvi Raj. In the poems of Chandar he is called the "Standard, bearer, Tak of Asir."

SIEGE OF 1303
Ala ud din Khilji, Sultan of Delhi, rallied his forces against Mewar, in 1303 AD. The Chittorgarh fort was till then considered impregnable and grand, atop a natural hill. But his immediate reason for invading the fort was his obsessive desire to capture Rani Padmini, the unrivalled beautiful queen of Rana Ratan Singh and take her into his harem. The Rana, out of politeness, allowed the Khilji to view Padmini through a set of mirrors. But this viewing of Padmini further fired Khilji’s desire to possess her. After the viewing, as a gesture of courtesy, when the Rana accompanied the Sultan to the outer gate, he was treacherously captured. Khilji conveyed to the queen that the Rana would be released only if she agreed to join his harem. But the queen had other plans. She agreed to go to his camp if permitted to go in a Royal style with an entourage, in strict secrecy. Instead of her going, she sent 700 well armed soldiers disguised in litters and they rescued the Rana and took him to the fort. But Khilji chased them to the fort where a fierce battle ensued at the outer gate of the fort in which the Rajput soldiers were overpowered and the Rana was killed. Khilji won the battle on August 26, 1303. Soon thereafter, instead of surrendering to the Sultan, the royal Rajput ladies led by Rani Padmini preferred to die through the Rajput’s ultimate tragic rite of Jauhar (self immolation on a pyre). In revenge, Khilji killed thirty thousand Hindus. He entrusted the fort to his son Khizr Khan to rule and renamed the fort as ‘Khizrabad’. He also showered gifts on his son by way of

a red canopy, a robe embroidered with gold and two standards one green and the other black and threw upon him rubies and emeralds.

He returned to Delhi after the fierce battle at the fort.

RANA HAMMIR & SUCCESSORS
Khizr Khan’s rule at the fort lasted till 1311 AD and due to the pressure of Rajputs he was forced to entrust power to the Sonigra chief Maldeva who held the fort for 7 years. Hammir Singh, usurped control of the fort from Maldeva by “treachery and intrigue” and Chittor once again regained its past glory. Hammir, before his death in 1364 AD, had converted Mewar into a fairly large and prosperous kingdom. The dynasty (and clan) fathered by him came to be known by the name Sisodia after the village where he was born. His son Ketra Singh succeeded him and ruled with honour and power. Ketra Singh’s son Lakha who ascended the throne in 1382 AD also won several wars. His famous grandson Rana Kumbha came to the throne in 1433 AD and by that time the Muslim rulers of Malwa and Gujarat had acquired considerable clout and were keen to usurp the powerful Mewar state.

RANA KUMBHA & CLAN
There was resurgence during the reign of Rana Kumbha in the 15th century. Rana Kumbha, also known as Maharana Kumbhakarna, son of Rana Mokal, ruled Mewar between 1433 AD and 1468 AD. He is credited with building up the Mewar kingdom assiduously as a force to reckon with. He built 32 forts (84 fortresses formed the defense of Mewar) including one in his own name, called Kumbalgarh. But his end came in 1468 AD at the hands of his own son Rana Udaysimha (Uday Singh I) who assassinated him to gain the throne of Mewar. This patricide was not appreciated by the people of Mewar and consequently his brother Rana Raimal assumed the reins of power in 1473. After his death in May 1509, Sangram Singh (also known as Rana Sanga), his youngest son, became the ruler of Mewar, which brought in a new phase in the history of Mewar. Rana Sanga, with support from Medini Rai (a Rajput chief of Alwar), fought a valiant battle against Mughal emperor Babar at Khanwa in 1527. He ushered in a period of prestige to Chittor by defeating the rulers of Gujarat and also effectively interfered in the matters of Idar. He also won small areas of the Delhi territory. In the ensuing battle with Ibrahim Lodi, Rana won and acquired some districts of Malwa. He also defeated the combined might of Sultan Muzaffar of Gujarat and the Sultan of Malwa. By 1525 AD, Rana Sanga had developed Chittor and Mewar, by virtue of great intellect, valour and his sword, into a formidable military state. But in a decisive battle that was fought against Babar on March 16, 1527, the Rajput army of Rana Sanga suffered a terrible defeat and Sanga escaped to one of his fortresses. But soon thereafter in another attack on the Chanderi fort the valiant Rana Sanga died and with his death the Rajput confederacy collapsed.

SIEGE OF 1534
Bahadur Shah who came to the throne in 1526 AD as the Sultan of Gujarat besieged the Chittorgarh fort in 1534. The fort was sacked and, once again the medieval dictates of chivalry determined the outcome. Following the defeat of the Rana, it is said 13,000 Rajput women committed jauhar (self immolation on the funeral pyre) and 3,200 Rajput warriors rushed out of the fort to fight and die.

SIEGE OF 1567
The final Siege of Chittorgarh came 33 years later, in 1567, when the Mughal Emperor Akbar invaded the fort. Akbar wanted to conquer Mewar, which was being ably ruled by Rana Uday Singh II, a fine prince of Mewar. To establish himself as the supreme lord of Northern India, he wanted to capture the renowned fortress of Chittor, as a precursor to conquering the whole of India. Shakti Singh, son of the Rana who had quarreled with his father, had run away and approached Akbar when the later had camped at Dholpur preparing to attack Malwa. During one of these meetings, in August 1567, Shakti Singh came to know from a remark made in jest by emperor Akbar that he was intending to wage war against Chittor. Akbar had told Shakti Singh in jest that since his father had not submitted himself before him like other princes and chieftains of the region he would attack him. Startled by this revelation, Shakti Singh quietly rushed back to Chittor and informed his father of the impending invasion by Akbar. Akbar was furious with the departure of Shakti Singh and decided to attack Mewar to humble the arrogance of the Ranas. In September 1567, the emperor left for Chittor, and on October 20, 1567, camped in the vast plains outside the fort. In the meantime, Rana Udai Singh, on the advice of his council of advisors, decided to go away from Chittor to the hills of Udaipur. Jaimal and Patta, two brave army chieftains of Mewar, were left behind to defend the fort along with 8,000 Rajput warriors under their command. Akbar laid siege to the fortress. The Rajput army fought valiantly and Akbar himself had narrowly escaped death. In this grave situation, Akbar had prayed for divine help for achieving victory and vowed to visit the shrine of the sufi saint Khwaja at Ajmer. The battle continued till February 23, 1568. On that day Jaymal was seriously wounded but he continued to fight with support from Patta. Jayamal ordered jauhar to be performed when many beautiful princesses of Mewar and noble matrons committed self-immolation at the funeral pyre. Next day the gates of the fort were opened and Rajput soldiers rushed out bravely to fight the enemies. Jayamal and Patta who fought bravely were at last killed in action. One figure estimates that 30,000 soldiers were killed in action. Akbar immediately repaired himself to Ajmer to perform his religious vow.

RETURN OF THE FORT TO MEWAR
But in 1616, Jehangir returned Chittor fort to the Rajputs, when Maharana Amar Singh was the chief of Mewar. However, the fort was not resettled though it was refurbished several centuries later in 1905 during British Raj.

PRECINCTS
The fort which is roughly in the shape of a fish has a circumference of 13 km with a maximum width of 3 km and it covers an area of 700 acres. The fort is approached through a zig zag and difficult ascent of more than 1 km from the plains, after crossing over a bridge made in limestone. The bridge spans the Gambhiri River and is supported by ten arches (one has a curved shape while the balance have pointed arches). Apart from the two tall towers, which dominate the majestic fortifications, the sprawling fort has a plethora of palaces and temples (many of them in ruins) within its precincts.

The 305 hectares component site, with a buffer zone of 427 hectares, encompasses the fortified stronghold of Chittorgarh, a spacious fort located on an isolated rocky plateau of approximately 2 km length and 155m width.

It is surrounded by a perimeter wall 4.5 kilometres long, beyond which a 45° hill slope makes it almost inaccessible to enemies. The ascent to the fort passes through seven gateways built by the Mewar ruler Rana Kumbha (1433- 1468) of the Sisodia clan. These gates are called, from the base to the hill top, the Paidal Pol, Bhairon Pol, Hanuman Pol, Ganesh Pol, Jorla Pol, Laxman Pol, and Ram Pol, the final and main gate.

The fort complex comprises 65 historic built structures, among them 4 palace complexes, 19 main temples, 4 memorials and 20 functional water bodies. These can be divided into two major construction phases. The first hill fort with one main entrance was established in the 5th century and successively fortified until the 12th century. Its remains are mostly visible on the western edges of the plateau. The second, more significant defence structure was constructed in the 15th century during the reign of the Sisodia Rajputs, when the royal entrance was relocated and fortified with seven gates, and the medieval fortification wall was built on an earlier wall construction from the 13th century.

Besides the palace complex, located on the highest and most secure terrain in the west of the fort, many of the other significant structures, such as the Kumbha Shyam Temple, the Mira Bai Temple, the Adi Varah Temple, the Shringar Chauri Temple, and the Vijay Stambh memorial were constructed in this second phase. Compared to the later additions of Sisodian rulers during the 19th and 20th centuries, the predominant construction phase illustrates a comparatively pure Rajput style combined with minimal eclecticism, such as the vaulted substructures which were borrowed from Sultanate architecture. The 4.5 km walls with integrated circular enforcements are constructed from dressed stone masonry in lime mortar and rise 500m above the plain. With the help of the seven massive stone gates, partly flanked by hexagonal or octagonal towers, the access to the fort is restricted to a narrow pathway which climbs up the steep hill through successive, ever narrower defence passages. The seventh and final gate leads directly into the palace area, which integrates a variety of residential and official structures. Rana Kumbha Mahal, the palace of Rana Kumbha, is a large Rajput domestic structure and now incorporates the Kanwar Pade Ka Mahal (the palace of the heir) and the later palace of the poetess Mira Bai (1498-1546). The palace area was further expanded in later centuries, when additional structures, such as the Ratan Singh Palace (1528–31) or the Fateh Prakash, also named Badal Mahal (1885-1930), were added. Although the majority of temple structures represent the Hindu faith, most prominently the Kalikamata Temple (8th century), the Kshemankari Temple (825-850) the Kumbha Shyam Temple (1448) or the Adbuthnath Temple (15th- 16th century), the hill fort also contains Jain temples, such as Shringar Chauri (1448) and Sat Bis Devri (mid-15th century) Also the two tower memorials, Kirti Stambh (13th-14th century) and Vijay Stambha (1433-1468), are Jain monuments. They stand out with their respective heights of 24m and 37m, which ensure their visibility from most locations of the fort complex. Finally, the fort compound is home to a contemporary municipal ward of approximately 3,000 inhabitants, which is located near Ratan Singh Tank at the northern end of the property.

GATES
The fort has total seven gates (in local language, gate is called Pol), namely the Padan Pol, Bhairon Pol, Hanuman Pol, Ganesh Pol, Jodla Pol, Laxman Pol and the main gate named the Ram Pol (Lord Rama’s Gate). All the gateways to the fort have been built as massive stone structures with secure fortifications for military defense. The doors of the gates with pointed arches are reinforced to fend off elephants and cannon shots. The top of the gates have notched parapets for archers to shoot at the enemy army. A circular road within the fort links all the gates and provides access to the numerous monuments (ruined palaces and 130 temples) in the fort.

During the second siege, Prince Bagh Singh died at the Padan Pol in 1535 AD. Prince Jaimal of Badnore and his clansman Kalla were killed by Akbar at a location between the Bhairon Pol and Hanuman Pol in the last siege of the fort in 1567 (Kalla carried the wounded Jaimal out to fight). Chhatris, with the roof supported by corbeled arches, have been built to commemorate the spots of their sacrifice. Their statues have also been erected, at the orders of Emperor Akbar, to commemorate their valiant deaths. At each gate, cenotaphs of Jaimal (in the form of a statue of a Rajput warrior on horseback) and Patta have also been constructed. At Ram Pol, the entrance gate to the fort, a Chaatri was built in memory of the 15 year old Patta of Kelwa, who had lost his father in battle, and saw the sword yielding mother and wife on the battle field who fought valiantly and died at this gate. He led the saffron robed Rajput warriors, who all died fighting for Mewar’s honour. Suraj Pol (Sun Gate) provides entry to the eastern wall of the fort. On the right of Suraj Pol is the Darikhana or Sabha (council chamber) behind which lie a Ganesha temple and the zenana (living quarters for women). A massive water reservoir is located towards the left of Suraj Pol. There is also a peculiar gate, called the Jorla Pol (Joined Gate), which consists of two gates joined together. The upper arch of Jorla Pol is connected to the base of Lakshman Pol. It is said that this feature has not been noticed anywhere else in India. The Lokota Bari is the gate at the fort’s northern tip, while a small opening that was used to hurl criminals into the abyss is seen at the southern end.

VIJAY STAMBHA
The Vijay Stambha (Tower of Victory) or Jaya Stambha, called the symbol of Chittor and a particularly bold expression of triumph, was erected by Rana Kumbha between 1458 and 1468 to commemorate his victory over Mahmud Shah I Khalji, the Sultan of Malwa, in 1440 AD. Built over a period of ten years, it raises 37.2 metres over a 4.4 m2 base in nine stories accessed through a narrow circular staircase of 157 steps (the interior is also carved) up to the 8th floor, from where there is good view of the plains and the new town of Chittor. The dome, which was a later addition, was damaged by lightning and repaired during the 19th century. The Stamba is now illuminated during the evenings and gives a beautiful view of Chittor from the top.

KIRTI STAMBHA
Kirti Stambha (Tower of Fame) is a 22 metres high tower built on a 9.1 m base with 4.6 m at the top, is adorned with Jain sculptures on the outside and is older (probably 12th century) and smaller than the Victory Tower. Built by a Bagherwal Jain merchant Jijaji Rathod, it is dedicated to Adinath, the first Jain tirthankar (revered Jain teacher). In the lowest floor of the tower, figures of the various tirthankars of the Jain pantheon are seen in special niches formed to house them. These are digambara monuments. A narrow stairway with 54 steps leads through the six storeys to the top. The top pavilion that was added in the 15th century has 12 columns.

RANA KUMBHA PALACE
At the entrance gate near the Vijaya Stamba, Rana Kumbha’s palace (in ruins), the oldest monument, is located. The palace included elephant and horse stables and a temple to Lord Shiva. Maharana Udai Singh, the founder of Udaipur, was born here; the popular folk lore linked to his birth is that his maid Panna DaiPanna Dhai saved him by substituting her son in his place as a decoy, which resulted in her son getting killed by Banbir. The prince was spirited away in a fruit basket. The palace is built with plastered stone. The remarkable feature of the palace is its splendid series of canopied balconies. Entry to the palace is through Suraj Pol that leads into a courtyard. Rani Meera, the famous poetess saint, also lived in this palace. This is also the palace where Rani Padmini, consigned herself to the funeral pyre in one of the underground cellars, as an act of jauhar along with many other women. The Nau Lakha Bandar (literal meaning: nine lakh treasury) building, the royal treasury of Chittor was also located close by. Now, across from the palace is a museum and archeological office. The Singa Chowri temple is also nearby.

FATEH PRAKASH PALACE
Located near Rana Khumba palace, built by Rana Fateh Singh, the precincts have modern houses and a small museum. A school for local children (about 5,000 villagers live within the fort) is also nearby.

GAUMUKH RESERVOIR
A spring feeds the tank from a carved cow’s mouth in the cliff. This pool was the main source of water at the fort during the numerous sieges.

PADMINI´S PALACE
Padmini’s Palace or Rani Padmini’s Palace is a white building and a three storied structure (a 19th-century reconstruction of the original). It is located in the southern part of the fort. Chhatris (pavilions) crown the palace roofs and a water moat surrounds the palace. This style of palace became the forerunner of other palaces built in the state with the concept of Jal Mahal (palace surrounded by water). It is at this Palace where Alauddin was permitted to glimpse the mirror image of Rani Padmini, wife of Maharana Rattan Singh. It is widely believed that this glimpse of Padmini’s beauty besotted him and convinced him to destroy Chittor in order to possess her. Maharana Rattan Singh was killed and Rani Padmini committed Jauhar. Rani Padmini’s beauty has been compared to that of Cleopatra and her life story is an eternal legend in the history of Chittor. The bronze gates to this pavilion were removed and transported to Agra by Akbar.

OTHER SIGHTS
Close to Kirti Sthamba is the Meera Temple, or the Meerabai Temple. Rana Khumba built it in an ornate Indo–Aryan architectural style. It is associated with the mystic saint-poet Mirabai who was an ardent devotee of Lord Krishna and dedicated her entire life to His worship. She composed and sang lyrical bhajans called Meera Bhajans. The popular legend associated with her is that with blessings of Krishna, she survived after consuming poison sent to her by her evil brother-in-law. The larger temple in the same compound is the Kumbha Shyam Temple (Varaha Temple). The pinnacle of the temple is in pyramid shape. A picture of Meerabai praying before Krishna has now been installed in the temple.

Across from Padmini’s Palace is the Kalika Mata Temple. Originally, a Sun Temple dated to the 8th century dedicated to Surya (the Sun God) was destroyed in the 14th century. It was rebuilt as a Kali temple.

Another temple on the west side of the fort is the ancient Goddess Tulja Bhavani Temple built to worship Goddess Tulja Bhavani is considered sacred. The Tope Khana (cannon foundry) is located next to this temple in a courtyard, where a few old cannons are still seen.

JAUHAR MELA
The fort and the city of Chittorgarh host the biggest Rajput festival called the "Jauhar Mela". It takes place annually on the anniversary of one of the jauhars, but no specific name has been given to it. It is generally believed that it commemorates Padmini’s jauhar, which is most famous. This festival is held primarily to commemorate the bravery of Rajput ancestors and all three jauhars which happened at Chittorgarh Fort. A huge number of Rajputs, which include the descendants of most of the princely families, hold a procession to celebrate the Jauhar. It has also become a forum to air one’s views on the current political situation in the country.

WIKIPEDIA

This terrifying evil building was discovered at Flickr by user asienman . Original date: 2016-05-03 19:14:13

Kurje is one of the most sacred sites in Bhutan as Guru Rinpoche meditated here and left the imprint (je) of his body (ku) on a rock. In the 8th century, Bumthang was under the rule of a king named Sendhaka (alias Sintu Raja) whose home was the ‘iron castle’, Chakhar. This king was at war with his southern neighbour, King Na’oche. The latter killed the son of King Sendhaka, who became so distraught that he forgot to worship his personal deity, Shelging Karpo. The angry god withdrew the king’s vital principle and as a result he fell gravely ill. As a last resort, his ministers decided to call Guru Rinpoche, whose supernatural powers were well-known throughout the Himalayas. When Guru Rinpoche arrived in Bumthang, he went to a place a short distance north of Chakhar where there was a large rock resembling a diamond-thunderbolt on the summit. Here lived the deity Shelging Karpo. Guru Rinpoche meditated there for a while, leaving the imprint of his body on the rock. Then he asked the King’s daughter, whom he had taken as his consort, to go and fetch some water in a golden ewer. While she was away, he changed into his Eight Manifestations and began to dance in the meadow. So amazing was this spectacle that all the local divinities, except Shelging Karpo, came to watch. When the king’s daughter came back, Guru Rinpoche transformed her into five princesses, each holding a golden ewer in her hand. The ewers reflected the sun’s rays directly at Shelging Karpo’s rock. Curious about this unusual flashing, Shelging Karpo decided to take the form of a white lion and come out to see what was going on. This was the moment Guru Rinpoche had been waiting for. Turning himself into a holy griffon, (garuda/jachung), he swooped down, seized Shelging Karpo and forced him to give back the King’s vital principle. At the same time he made him promise not to cause any trouble for Buddhism and to become a protective deity. Guru Rinpoche planted his pilgrim staff in the ground where it grew into a cypress tree which has a descendant said to stand to this day in front of Kurje Lhakhang. As for Shelging Karpo, he is still the deity of Kurje. King Sendhaka recovered his health and converted to Buddhism. Guru Rinpoche compelled the two kings to meet each other and make peace at a place in the Black Mountains called Nabji, where a stone pillar commemorates this meeting. This episode constitutes the first conversion to Buddhism of Bumthang.

The actual Kurje complex is made up of three buildings facing south.

The first building on the right (east) is the oldest and was built on the rock where Guru Rinpoche meditated by King Sendha of Bumthang after his conversion to Buddhism. Its structure was rebuilt by Minjur Tenpa in 1652 while he was Trongsa Penlop and before he became the 3rd Desi of Bhutan.

The second building called the Sampa lhundrup temple was built in 1900 by Ugyen Wangchuck, the First King, while he was still the Penlop of Trongsa. The temple was built to house a monumental statue of Guru Rinpoche which was modelled after the advice of the great Nyingmapa lama, the Bakha Trulku, Rigzin Khamsum Yondrol.

A third building, the Ka Gon Phur sum lhakhang, was consecrated in June 1990 by the great master Dilgo Khyentse Rinpoche (d.1991). The construction of the new Lhakhang at Kurje was undertaken by Mayum Chonying Wangmo Dorji and the then Queen Mother, now the Royal Grand-mother Ashi Kesang Choeden Wangchuck in keeping with the 4th King’s wishes to build a sacred image of the deity Palchen Heruka while her mother Mayum Chonying Wangmo Dorji had also wished to construct a similar big image of Dorji Phurpa (Vajrakila) at this holy spot. Dilgo Khyentse Rinpoche then advised the then Queen Mother, now the Royal Grand-mother to build a temple of Ka-Gong-Phur-Sum (three esoteric teachings of Kagye, Gongdue and Phurpa) on this sacred place. Thus the construction started in1984 in dedication to all the past Kings of Bhutan, and to Gongzim Ugyen Dorji, Gongzim Sonam Tobgye Dorji and Lyonchen Jigme Palden Dorji, and with deepest prayers for the long life and successful reign of the 4th Druk Gyalpo Jigme Singye Wangchuck, and for the eternal happiness and well-being of the Kingdom of Bhutan in particular and all sentient beings in general. It is the biggest and most elaborate Ka-Gong-Phur-Sum Temple of the Terma Nyingma tradition. Ka-Gong-Phur-Sum literally means Three Mystic Revelations of The Eight Pronouncements (Kagye), Abhipraya Samaja (Gongdue) and Vajra Kilaya (Phurpa).

The Royal Grandmother, Ashi Kesang Choeden Wangchuck, also commissioned 108 chortens carved out of stones and placed at regular intervals on the top of the enclosure. These Chortens are known as Duduel or Jangchub Chortens and represent the Mind of all the Buddhas, and the steps towards spiritual enlightenment. They are symbols that commemorate Buddha’s victory over evil forces and the absolute purity of his enlightenment. They enclose the Kurje complex, transforming it into a three-dimensional mandala along a pattern set by the Samye Monastery in Tibet.

In front of the buildings there are three large chortens, one of them made up of a heap of stones which are dedicated to the three Kings of Bhutan. A little away from the main complex but facing it and on the footpath to Jampa Lhakhang, the Royal Grandmother Ashi Kesang Choeden Wangchuck, commissioned yet another beautiful temple which was consecrated in the Summer 2008. The temple was inspired and designed in 1988 by Dilgo Khyentse Rinpoche according to the Zangdopelri, Guru Rinpoche’s paradise, and Mayum Choying Wangmo Dorji (d.1994) had offered to be the patron. Unfortunately both passed away and Ashi Kesang Choeden Wangchuck decided to take over the merituous task. The temple was built in memory of Ashi Kesang Choeden Wangchuck’s Grandfather, Gongzim Ugyen Dorji, of her grand aunt Ani Thukten Wangmo and her parents, Gongzim Sonam Tobgye Dorji and Mayum Choying Wangmo Dorji (d.1994). The construction was carried out under the supervision of Geylong Nyabji Thinley Gyeltshen.

This monstrous evil building was seen on Flickr by user jigsnima . Original date: 2018-07-27 10:56:26

From front to back: The Tower; The Palace; and the Orpheum. The Tower is still used for music acts I believe but the Palace is now a cheap electronics store.

Even though much of downtown L.A. has undergone a renaissance in recent years, Broadway is still pretty rundown; it’s dirty sidewalks are currently lined with cheap storefronts and noisy arcades catering to the large Spanish-speaking population, along with the transients from nearby Skid Row.

This weird evil building was found from Flickr by user Robot B . Original date: 2007-08-26 19:19:30

Sunday, 13 October 2013
Saint Colman of Stockerau
October 13 is the feastday of an Irish saint who met a particularly sad fate in early eleventh-century Austria. Below is a paper from the Irish Ecclesiastical Record by Father J.F. Hogan on the life of Saint Colman (Coloman) in which he describes the circumstances which led this Irishman to be adopted as a patron of the Austrian people. I particularly enjoyed the description of the saint by the Viennese chronicler who said ‘God sent us from Ireland, which is situated at the extreme end of the world a saint who was to be the intercessor and advocate of our whole nation, and who would teach us by his example to despise all earthly things, and seek only those which lead to heaven.’ The idea of Ireland as being at the extreme end of the world is a concept to which Saint Patrick himself would have related. Finally, let’s also spare a thought for Saint Gothalmus, the faithful servant of Saint Colman, who shared both his master’s journey and his fate. May they continue to intercede for Austria and its people and for this island ‘at the extreme end of the world’.

ST. COLMAN, PATRON OF LOWER AUSTRIA

The story of St. Colman is very different from that of most other Irish saints whose names are still venerated in distant countries. He was not an apostle in any ordinary sense of the word. He was not sent nor did he go to preach the Gospel, nor to convert the heathen. He may, indeed, have had in his mind some ultimate aim of the kind, but it had not yet matured nor assumed definite shape when he was overtaken by the fate of the martyr. Neither was it his immediate intention to settle in any of the monasteries founded by his countrymen in the centre of Europe, nor to devote himself to teaching, nor to study, nor to the pious exercises of religious life. It is, we believe, more than probable that he would in due course have become a monk, a teacher, and a preacher ; but his most pressing purpose at the time of his death was to wend his way to the Holy Land, to visit Nazareth, Bethlehem, Caphernaum, Jerusalem ; to follow the footsteps of the Master through Samaria and Galilee ; to venerate the earth on which He had walked in the flesh, where He was born, where He lived, and where He died ; to meditate on Jordan’s banks and on the Mountain of Beatitudes; to assuage his spiritual thirst at the fountain of Siloe and at Cedron’s holy brook; and, above all, to fill his soul with memories of the Garden of Olives, of the Way of the Cross, and of Mount Calvary.

This was the motive which urged Colman to leave his country, and in obedience to which he one day found himself in a strange land, unknown, unfriended, and unable to make himself understood. It is also remarkable that, notwithstanding that he was an utter stranger to the people who afterwards adopted him as their patron and protector, from the very first he took possession of their hearts, and retained his hold upon them, only with increasing power, through many changing centuries. It is really wonderful how his fame spread from the wood near the little town of Stockerau, where he was tortured and hanged, all over the province of Austria proper, away through Styria, Istria, and Carniola, through Hungary, Bohemia, Bavaria, and Poland. Kings and princes were called by his name at baptism; churches and chapels were dedicated in his honour. Coloman, King of Hungary, the nephew of St. Ladislas, and one of the immediate successors of St. Stephen the Great, promoted the fame of his holy patron wherever his influence extended. Rudolph IV. of Hapsburg was equally devoted to his memory. This most peaceful and mildest of saints had always a great attraction for soldiers. One of them, a brave Austrian knight, who served under the Emperor Ferdinand III., lies buried near the tomb of his patron, in the great Benedictine Abbey of Molck, on the banks of the Danube; and on the marble sarcophagus erected over his grave appears the inscription:

St. Colman’s Irish nationality is universally and gratefully recognised in Austria. The standard work on The Life and Miracles of the saint is that of Father Gotfreid Deppisch, which was published in Vienna, by the University Press, in 1743. This learned writer was a Benedictine monk of the Abbey of Moelck, on the Danube, and his work on St. Colman is dedicated to the illustrious Adrian, abbot of the monastery, and "Rector Magnificus" of the University of Vienna. He took great pains to find out all that was known about the honoured patron of his country. He came specially from Vienna to the Franciscan Convent of St. Antony of Padua, at Louvain, in order to consult the Annals of the Four Masters, the works of Ussher, Stanihurst, and Ware, but especially some manuscript materials that had been left by Father John Colgan and Father Hugh Ward concerning the origin and descent of St. Colman. He was hospitably received by Father Antony McCarthy, then guardian of the convent, who made all the researches the learned Benedictine required, and submitted them to him. The result could not be more satisfactory. The author takes much trouble to place St. Colman’s Irish origin beyond all doubt; and he devotes several pages to refute the Scotch pretension that the saint was a son of King Malcolm III. and of St. Margaret of Scotland.

" We must now [he writes] bring forward proofs that cannot be contradicted to show that the native land of our glorious patron is no other than the kingdom of Ireland, and that he was born and bred an Irishman. The oldest and the strongest is to be found in that ancient chronicle of the Austrian Margraves of Babenberg, which a learned priest, named Aloldus of Bechlarn, composed in the year 1063, and which the illustrious Father Jerome Hanthaler, annalist of the Monastery of Lilienfeld, accidentally discovered, about three years ago, in the library of Maria-Zell, in Austria, to the great honour and profit of historical studies in our country. The next is that of Thomas Ebendorfer von Haselbach, a canon of the Cathedral of Vienna, teacher of Holy Scriptures, and celebrated Austrian historian, who lived in the time of the Emperors Albert and Frederick III. This learned author, amongst other valuable works, has left us a long and beautiful eulogium of St. Colman, in which he tells us that ‘God sent us from Ireland, which is situated at the extreme end of the world, a saint who was to be the intercessor and advocate of our whole nation, and who would teach us by his example to despise all earthly things, and seek only those which lead to heaven.’

The author further quotes several passages from chronicles and annals kept in different parts of Germany, many of which are to be found collected by Father Jerome Fez, the famous librarian of Moelck, and editor of two of the most valuable collections of historical documents ever published in Europe. It would, indeed, be a mere waste of time and space to dwell further on a matter which is universally admitted.

St. Colman seems to have belonged to some distinguished family in Ireland, and was, possibly, as Ward suggested, son of Malachy, high king of Ireland, who lived towards the end of the tenth century. The only reference made to St. Colman in any of the older Irish books is that found in the Calendar of Donegal, in which we read: " Colman ailithir in Austria mac Maoilscheachluinn mor mac Dohmnuill." "Colman the pilgrim in Austria, son of Maolsechlaim Mor, son of Dohmnall." He was accompanied by a servant, Gothalmus, on his pilgrimage to Jerusalem ; and is usually spoken of as having made great worldly sacrifices in order to devote himself entirely to the service of God. The pilgrim’s road to Jerusalem, in these days, lay through Austria, Hungary, and Turkey ; and as it happened the throne of the Holy Roman Empire was then occupied by the pious Henry II. and his saintly queen, Cunigunde. St. Stephen was king of Hungary, and the province of Austria was governed by the wise and prudent Margrave, Henry of Bahenberg. Great political troubles disturbed all these countries at the time we write about ; for the Austrians were beginning to assume that supremacy over their neighbours which they vindicated under several chiefs of the young Bahenberg dynasty, and have maintained to the present day under the time-honoured aegis of the Hapsburgs.

When St. Colman arrived in the midst of their province, in the year 1014, it was overrun by soldiers from Hungary, Bohemia, and Poland. The minds of the people were greatly excited ; and when they found a stranger amongst them, ignorant of their language, and hurrying on from one village to another, they came to the conclusion that he was a foreign spy, seeking information and an opportunity to betray them to their enemies. It was in vain that the poor pilgrim protested his innocence, kissed his crucifix, and pointed towards the east. What was regarded by them as hypocrisy only enraged them the more. A cruel and infuriated mob laid hold of him in the village of Stockerau, and led him out to a neighbouring wood, where they bound him hand and foot, and hung him from a gibbet, erected specially for the purpose. Nor were they satisfied with the cruel death which they decreed to the servant of God. They had recourse to other refinements of barbarism, which even at this distance are enough to make one shudder. They scourged him with whips before his execution ; they applied burning irons to his body while he was struggling for life ; and they tore and lacerated his flesh till he had scarcely the human shape. The author of the hymn which was sung in his honour in the Middle Ages accurately describes the nature of his torture :

When the evil work was done, its authors hurried off to some kindred task, and so little thought did they bestow on the poor victim they left hanging in the wood that their crime seems to have passed without any special notice ; for it was only a few years afterwards that some of the inhabitants of Stockerau were startled at the sight which they beheld at the spot where the saint had suffered. There was the gibbet still ; but fresh leaves had grown from the dry wood, and flowers that gave forth a fragrant perfume had blossomed from the beam. There was still the body of the saint hanging in the air : but it was whole and uncorrupted.

" Mire fragrans, indestructus
Permanens biennio."

The birds of the air had respected the temple of so pure a soul. The hair and beard had grown down over the pilgrim’s frock, and a smile of heavenly peace and forgiveness seemed to light up the countenance of the victim. The people were struck with amazement when they witnessed the spectacle. They began to fear that the vengeance of God would overtake them and punish them for the crime that was perpetrated in their midst. The clergy were at once informed of the prodigy, and the remains of the saint were reverently taken away and placed in the church of Stockerau, where wonderful miracles testified to the sanctity of the murdered pilgrim.

An account of all these strange occurrences soon reached the ears of Henry, Margrave of Austria, who was greatly struck by all he heard, and proceeded to make a careful investigation into the whole history. When he was satisfied of the undoubtedly genuine nature of all the events narrated, he called together the bishops and clergy of the country, and had the body of St. Colman transferred to the important town of Moelck, where he himself resided. There, in the Church of the Benedictine Abbey, it remains to this day, surrounded by the veneration and love of a whole country. A short time after the remains of the saint were transferred to Moelck, the King of Hungary took possession of them, and carried them away for awhile, but they were duly recovered by the people of Austria. Poppo, Bishop of Treves, arranged the first transfer; but Providence evidently destined the saint to be the patron and protector of Austria. A rich mausoleum in Corinthian style is erected over the shrine of the saint. "Justus ut palma florebit " is written near its summit, and "Sepulchrum Sancti Colomanni Martyris," indicates the contents of the shrine. Here pilgrimages still come from all parts of Austria, and the glories of the saint are heard in the strong German tongue.

Churches were dedicated to him at Stockerau, Moelck, Laab, Aggstein, Vienna, Abenthull, Eysgarn, Aichabrunn, St. Veit, Steyer, Lebenan, Berlach, and many other places. A stone that was marked with the blood of the saint was brought by Rudolf IV. to Vienna, where it may still be seen in one of the walls of the Cathedral of St. Stephan. This same illustrious duke had an elaborate cross manufactured, in which he had large relics of St. Colman encased, and surrounded by the relics of other saints. This precious memorial of princely faith is still to be seen in the treasury of Moelck, with an inscription bearing testimony to the motives and object of the donor.

The learned Johannes Stabius, biographer of the Emperor Maximilian I., wrote an elegant poem in praise of the saint, commencing with the lines:

It is curious, that although St. Colman could not be said to have been put to death in odium fidei, yet, on account of the violent character of his execution, he is generally regarded as a martyr. Not only do all the early writers of Austria itself, but also the learned Baronius, and several Popes speak of him as a martyr. His, however, is not the only case in which custom has sanctioned a title which technically belongs by right only to those who give their lives for Christ as witnesses to the truth.

Several Popes conferred rich indulgences on all who would visit with the proper dispositions, the shrine of the great national patron. Those granted by Innocent IV., Honorius IV., Boniface VIII., Clement VI., Boniface IX., Benedict XIV., and by a great number of bishops, archbishops, and the Patriarch of Constantinople, are enumerated by Father Deppisch, in the admirable work on St. Colman, to which we have already made frequent allusion. It is but right to add that Gothalmus, the faithful companion and servant of Colman, who shared with his master the hardships of the journey and his cruel death, shares likewise in his glory; for he, too, is honoured as a saint, and his memory is faithfully cherished, and can never be dissociated from that of his master. Father Deppisch gives a full description of the solemnities that were celebrated in his time at Moelck and in other Austrian churches, in honour of St. Colman. We understand that they have lost nothing of their impressiveness and popularity in later times, and that they are always attended by some representative of the royal Hapsburgs, who regard St. Colman as one of the most faithful protectors of their own interests, and of those of their people.

A legend states that Coleman’s body remained incorruptible for eighteen months, remaining undisturbed by birds and beasts. The scaffolding itself is said to have taken root and to have blossomed with green branches, one of which is preserved under the high altar of the Franciscan church at Stockerau.

Géza I of Hungary named one of his sons, King Coleman of Hungary, in his honor. In the 13th century, the younger brother of King Bela IV of Hungary was named Coloman of Galicia-Lodomeria in honor of the saint.

Eventually, the relics of Saint Coleman were taken back from the Cathedral of Székesfehérvár to Melk Abbey in Austria, where they are still kept. Many Austrian rulers made modifications to the tomb of this saint, and the actual reliquary was made in the Baroque style (Wikipedia).