This puzzle:

Debbie Ellerin notes: I've enjoyed solving crossword puzzles for a long time. About a year ago, I wanted to learn how to construct. Fortunately, I ... more

Debbie Ellerin notes: I've enjoyed solving crossword puzzles for a long time. About a year ago, I wanted to learn how to construct. Fortunately, I found a mentor, Nancy Salomon, who was willing to guide me through the process. Thank you, Nancy! I've always been a fan of board games and that led to the idea for this puzzle. This puzzle was my third submission to the NYT, and I was thrilled when it was accepted and slotted for a Monday. Exactly nine months later, here it is.

Jeff Chen notes: Debut! Debbie and I worked together on a puzzle that will be published in the LA Times next week, and I thoroughly enjoyed the ... more

Jeff Chen notes:

Debut! Debbie and I worked together on a puzzle that will be published in the LA Times next week, and I thoroughly enjoyed the process. It's always great to collaborate with someone who keeps the solvers' experience first and foremost in mind, and who is willing to tear apart work-in-progress over and over again. I gave her some advice on a themeless recently, and I was really impressed at how many times she rebooted and tried, tried, tried again. Hard worker, this one.

I can't remember the last time I saw six theme answers in a debut. Debbie's themer layout is spot-on, using a slight overlap in order to make the skeleton smoother. It's a perfect example of how in a high theme density puzzle, squishing themers together often (counterintuitively) makes the grid design much easier.

Take a look at RISK TAKER / LIFE RAFT. They're right atop each other, which goes against the rule of thumb of "the more space between themers the better." Just as long as the overlapping letters are friendly, this squishing allows the constructor to treat the puzzle more as a four-themer than a sx-themer. MUCH more freedom in how you deploy black squares.

I had a good laugh at BORES, as I've sat through countless Powerpoint presentations while "carefully taking notes." (I'm usually brainstorming crossword ideas while pretending to listen.)

Generally, the grid is impressively smooth. I'll give it a HOORAH! The lone spot I thought could use a little more finesse was the SARDI / LIRA crossing. Given that LIRA/LIRE tend to get confused, it makes both SERDI and SARDI look reasonable. I hold Mondays to a very high standard — my personal desire is that they're accessible even for near beginners — but it could be argued that more people ought to know SARDI. And given that this is the NYT and Sardi's is in NYC, maybe it's perfectly fine.