Douglas Dunn + Dancers premiere Aidos at BAM Fisher.
Aidos seems to have been a goddess slightly confused about her own identity. No wonder she is said to be the last of the Greek gods to leave earth after the Golden Age. The Random House Dictionary of the English Language calls her “the personification of conscience,” but she is also seen as representing shame and modesty. I see a … [Read more...]

Ivy Baldwin Dance at BAM Fisher and Hilary Easton + Co. at Danspace St. Mark's.
Every now and then, I sift through a horde of ancestral photographs, puzzling over how some of the images fit into the structure I call “my family.” Some from the 20th century are impulsive and particular. A solitary child wearing a bib (me) squints at a small birthday cake with two candles on it. Generations … [Read more...]

Montclair State University’s Peak Performances hosts Douglas Dunn’s Aubade, January 24-February 1.
Between the last moments of Douglas Dunn’s new Aubade and the swell of applause, the woman sitting next to me in Montclair State University’s Alexander Kasser Theater turned and said, “It’s so sad!” And yes it was, and no it wasn’t. As Dunn remarked in an interview, an aubade is a song to the … [Read more...]

The Tiffany Mills Company presents two new works at BAM Fishman.
Remember when dancers rarely talked onstage? No? Then you’re probably still in your twenties. Beginning in the 1980s, when narrative and emotion began to slip back into contemporary American dance and knock its movement-and-form-only stance askew, some choreographers tackled stories that couldn’t be told through dancing … [Read more...]

Tamar Rogoff’s Summer’s Different in La MaMa’s Ellen Stewart’s Theater, April 24 through May 12
A family’s summer day on the beach, what could be finer? Of course, someone might get sunburned, someone might drop her hot dog in the sand, someone might swim out a little too far. There could be bickering. Tears saltier than usual could be shed. But still. . .a cloudless sky, blue waves. … [Read more...]

Lovesick swains praying for either consummation or forgetfulness, maidens lamenting their lovers’ absences, men excoriating their faithless mistresses, women attacking men like bacchantes on a rampage, nymphs and shepherds, captive creatures, fever and repose, solitude and tender companionship. You might imagine that’s rather a lot to put into a dance, but Douglas Dunn expresses all that and more … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]