In 100 words: Defying easy classification, this blend of documentary and fiction heralded a new form of filmmaking that guided modern Iranian cinema. The reconstruction of a real-life crime, mixed with actual footage of the court proceedings blurred the lines between reality and manipulation, while simultaneously commenting on Iranian society, justice, identity, and the effects of cinema on people. The construction of the movie alone is dizzying, but I I’m more fascinated by the level of coordination and the amount of access the filmmakers were able to receive. That and the uncommon poetic tenderness that Kiarostami imbues in his trickster remains disarmingly sweet.

Other Movies for Context: I wasn’t as keen on the other movie often cited to be his greatest, the Palme d’Or winner Taste of Cherry (1997), which was pretty great until that ending that made me angry. But to each his own, Kiarostami is a fascinating director and I look forward to seeing more of his work. Another filmmaker, the director who was impersonated here, will make an appearance on this list with a film that follows a similar reflexive style but deeper, I think.