December 21, 2017

Superficially speaking, we saw the resurrection of Kesha, the retribution of Taylor Swift, and the highly divisive results of People's Sexiest Man Alive. But if you want to get real about this past year, we saw a lot of frustrating, devastating, and jaw-dropping headlines that made us all question the future of our country, our livelihoods, and the rest of the world.

However, despite the relentless shitshow that played out across all of our news feeds, the female population of the human race experienced a watershed year, providing some welcome developments and inspiration. They united en masse, marching in Washington and in countless other cities around the world. They spoke up. They refused to be silent. They made history. They regained power over their abusers. They stood up for what they believed in. They won awards. They banded together on HBO (Big Little Lies) and on ABC (hello, TGIT lineup) and for the sake of Sandra Bullock in that Ocean's 8 trailer. They also came together to wrestle (Netflix's Glow), and they finally got Wonder Woman on the big screen -- and it was good. They sang their hearts out. They supported each other. They loved each other. They continued to bring new life into a world that is questionably hard to live in. They helped the rest of the us become better humans.

And if my #2017bestnine on Instagram is any indication, I personally didn't have anything to complain about this year. I got to visit places like Portland, Puerto Los Cabos and Parrish, Florida, but one major trip I took was down Memory Lane (when I had the chance to say one final goodbye to my childhood home). From there, I lived through a Category 4 hurricane, the California wildfires, and a minor earthquake with an epicenter three blocks away from my L.A. apartment. I celebrated my birthday in Vegas (with Britney). I read and learned about The Subtle Art of Not Giving a F**k. I used the word "basic" one too many times. I got retweeted by one of my literary idols. And throughout it all, I managed to maintain a sense of gratitude -- because as one heads deeper into his late 30s, the more he realizes how to not take things for granted.

But before I start to sound more like one of those insufferable "life update" letters you receive from friends and relatives you see once every decade...let's get to the good stuff.

Call me as basic as a flamingo floatie in a Palm Springs pool (damn, I used "basic" again), but as usual, I've compiled my annual Top Ten lists of movies, TV, and music.

Here are my entertainment picks of the year.

FILM PICKS of 2017

1. GET OUT - Jordan Peele's socially-conscious thriller is an instant classic, delivering frightful fan-service to genre aficionados while also crafting a resonating, philosophically rich story that taps into African-American fears that are rarely explored in mainstream entertainment. Star Daniel Kaluuya shines in one of the biggest breakout performances of the year, and Allison Williams surprises in the most delicious way. Welcome to woke horror.

2. LADY BIRD - Writer-director Greta Gerwig delivers one of the best coming-of-age stories to hit the big screen (and the first great attempt at early 2000s nostalgia). It's a delicately constructed portrait of so many things all at once: Catholic school teen angst, the nuances of mother-daughter relationships, and suburban socioeconomic politics. Saoirse Ronan perfectly inhabits the titular role and is surrounded by a shining supporting cast (Lucas Hedges, Timothee Chalamet, Beanie Feldstein, Tracy Letts, and the inimitable Laurie Metcalf).

3. THE BIG SICK - Kumail Nanjiani and Emily V. Gordon's touching, hilarious, and very human love story is the film that deserves to be the poster child for Making Rom-Coms Great Again -- as well as proof why we need more of Holly Hunter.

4. COLUMBUS -Remember that online campaign to get John Cho cast in more leading man roles? Well, anyone who contributed to that cause can rejoice. The actor stars in this meticulously meditative film from South Korean writer-director Kogonada, a thoughtful story about a chance encounter between two strangers amidst the awe-inspiring architecture of the titular Indiana town (not Ohio). Parker Posey, Michelle Forbes, and Rory Culkin also appear in this humanist ode to modernism...and letting go of the past.

5. COLOSSAL- If you told me last year that an absurdist, allegorical monster movie starring Anne Hathaway and Jason Sudeikis would end up on this year's list, I'd look at you as if you grew two heads. But here we are: one of the most underrated films of the year is also captivatingly original, exploring themes of loneliness, redemption, and ego. It packs a surprisingly emotional wallop.

6. THE FLORIDA PROJECT- Director Sean Baker's follow-up to 2015's fantastic Tangerine is a cinema verite-style examination of childhood during one summer in the Sunshine State. The wonderful Brooklynn Prince plays 6-year-old Moonee, a little firecracker whose carefree bubble in a welfare motel is on the verge of being popped. But it is thankfully maintained by Bobby, the well-intentioned manager (an amazing Willem Dafoe) who does his best to secure her innocence.7. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI - Martin McDonagh's brilliantly executed (and polarizing) story about one woman's grief-induced rage setting off a fiery chain reaction of events is an embarrassment of riches -- from its machete-sharp writing and powerhouse performances (Frances McDormand, Woody Harrelson, Sam Rockwell) to its absorbing reflection on small-town America in 2017. Three Billboards is that rare, compelling American film that leaves you wanting more.

8. LOGAN - Call this one No Country For Old Mutants, a comic book superhero movie that doesn't feel like one...and that's a beautiful thing. Logan earns its R-rating as a Marvel property, an X-Men entry made for adults that gives its titular character (Hugh Jackman, in a role that should never be recast) a proper sendoff after going through some violent motions. The main plot may not be all that original (it's The Professional with adamantium claws), but in director James Mangold's capable hands, it is a dark, rough-around-the-edges chapter that satisfies on all counts.9.BEACH RATS - While Call Me By Your Name is currently wooing audiences with its gorgeous Italian backdrop and 80s soundtrack and reaping all the benefits of passionate word-of-mouth amidst Oscar season, Eliza Hittman's quiet little indie about the sexual coming-of-age of a teen in present-day Brooklyn tackles themes of masculinity in subtle, haunting ways that demand discussion. Star Harris Dickinson gives a magnetic performance, one that justifies the cliche "a star is born."

10. DUNKIRK- Christopher Nolan's unconventional approach to the WWII epic is an astounding achievement, sprawling across land, air, and sea, eschewing cliches, and compelling audiences to emotionally invest in nameless characters who all have one goal in common: to get home safe.

Honorable Mention: INGRID GOES WEST- A seriocomic commentary on the way we live our digital lives starring Aubrey Plaza as a troubled Single White Social Media Stalker who travels to California and lies her way into a friendship with an Instagram star (a perfectly cast Elizabeth Olsen).

TV PICKS OF 2017

1. THE HANDMAID'S TALE(Hulu) - The well-deserved Emmy winner for Outstanding Drama Series is a grim, absorbing look at an American future that doesn't seem so far off. The adaptation of Margaret Atwood's 1985 dystopian novel is beautifully brought to life through sumptuous cinematography, sly writing, and knockout performances, especially from star Elisabeth Moss, who delivers the most unforgettable fury-fueled monologue of the year in the climactic finale.

2. MASTER OF NONE(Netflix) - The long-awaited sophomore run was rich with standout episodes like the Emmy-winning "Thanksgiving," the excellently executed "First Date," and the brilliant "New York, I Love You." Aziz Ansari's masterful meditation on romance, career ambition, and friendship continues to celebrate otherness, and in doing so, subtly elevates it to a level of we're-all-the-sameness.

3. INSECURE (HBO) - Season 2 of Issa Rae's comedy soared to new emotional heights, thanks to its expanded narrative focusing more on those in our heroine's circle. The nuanced aftermath of Issa and Lawrence's breakup made for some great episodes, both spending the season attempting to fill the holes in their hearts (one word: "ho-tation") while Molly (Yvonne Orji) had some much-needed screen time dealing with office politics, family secrets, and one complicated relationship.

4. THE KEEPERS (Netflix) - The true crime doc, gorgeously directed by Mike White, twisted and turned with every episode, chronicling the events leading up to the shocking murder of a nun which then led to a devastating conspiracy that left a school, parish, and Baltimore suburb emotionally ruined.

5. PLEASE LIKE ME (Hulu) - The final season of the Australian cult comedy wrapped up for American audiences at the beginning of the year, and it was a hysterical, warm, heartbreaking, and endearing set of installments that saw our reluctant hero Josh come to terms with adulthood and his evolving friendships in the show's signature, authentic, awkward way.

6. BIG MOUTH(Netflix) - Nick Kroll's delightfully twisted animated series about the hormonal dramas of a group of preteens in the suburbs of New York is a smorgasbord of standout voices (case in point: Maya Rudolph as the scene-stealing Hormone Monstress) -- and obligatory sperm jokes. Puberty has never been portrayed in such an awesomely absurdist way.

7. ONE DAY AT A TIME (Netflix) - The Norman Lear classic from the 70s and early 80s gets a reimagining we thought we never needed, reinvigorating the traditional format of multi-camera comedy with a scene-stealing Rita Moreno, a refreshingly daring storyline involving teen daughter Elena that's rarely explored on sitcoms, and a fierce Justina Machado as the head of this Cuban-American family living in the Echo Park neighborhood of L.A. (*And two more words: hot Schneider.)

8.BIG LITTLE LIES(HBO) - Calling this "limited series" the prestige version of Desperate Housewives would be trite. David E. Kelley's adaptation of Liane Moriarty's bestseller is a deeply rich and satisfying domestic saga with performances that turned an affluent coastal California town into a stage for the Acting Olympics in what has proven to be a watershed year for all women. Nicole Kidman stands out as the emotionally and physically scarred Celeste Wright.

9. FEUD: BETTE AND JOAN (FX) - Jessica Lange and Susan Sarandon outdid themselves, bringing dimension to the titular screen legends who inadvertently became pawns in Hollywood politics and misogyny-fueled tabloid fodder that is still prevalent today. Feud wasn't just about witnessing delicious shade being thrown at every opportunity; it was a clever indictment of an industry that is finally dealing with the reckoning of its faults.

10. 13 REASONS WHY (Netflix) - The controversial teen drama was beautifully unapologetic in every way -- from its depiction of 21st century high school life to the brutal effects of a culture that is in dire need of some lessons in empathy. America, take note: our kids are definitely not all right.

Honorable Mention: AMERICAN HORROR STORY: CULT - The seventh season of Ryan Murphy's anthology series uses the 2016 Presidential election as a backdrop and trigger for a sinister satire that taps into American rage and anxieties. It disturbingly sums up what we as a nation have been experiencing for the past 365 days. It's demented, it's funny, and it's downright chilling. It's exactly the kind of unsettling pop art tailor-made for this Blunt New World.

MUSIC PICKS OF 2017

1. "I Know A Place" / MUNA - The best song of 2017 comes from an LA-based trio that has been compared to HAIM. It is electro-pop balm for these high-anxiety times, a soothing and earwormy promise for those who don’t feel safe in the world they live in. Originally written as a response to last year's mass shooting at Pulse in Orlando, the song, guided by lead vocalist Katie Gavin, has now taken on more meaning, urgency, and resonance. And I had the pleasure to see it performed live. ALSO WORTHY: "Crying on the Bathroom Floor" and "Loudspeaker."

2. "Don't Take The Money" / Bleachers - A sad love song has never been so rousing, but leave it to singer-songwriter-producer Jack Antonoff to craft a multi-layered anthem this big and celebratory. With a mix of New Wave synths, a driving beat, and one cathartic chorus, "Don't Take The Money" is a charmer that sounds like it came out of the alt-pop-rock scene of 1988 -- and that's a beautiful thing. Watch the making-of this terrific track here.

3. "Lost in Your Light" / Dua Lipa feat. Miguel - The Summer of 2017 should go down in history as the Summer of Dua Lipa. (Just ask Esquire's Dave Holmes; he'll back me up.) The smoky-voiced Londoner delivered an irresistible album loaded with should-be hits. I couldn't have said it better than Holmes: "She displays the self-assurance and sophistication of a pop star five albums deep. There is drama and passion, there are no left-field rap breaks or gratuitous guest appearances (save for Miguel on "Lost In Your Light," and Miguel is always welcome)." And that collaboration is a strutting, seductive single that beautifully blends both vocals to perfection. ALSO WORTHY: Summer bop "New Rules," which TIME listed as the #1 Song of the Year, "Hotter Than Hell," and "Blow Your Mind (Mwah)."

4. "Cut to the Feeling" / Carly Rae Jepsen - A true song of the summer (sorry, "Despacito"), this shimmering piece of delicious pop was what we needed during these trying times. And it pulled off the most miraculous of feats: it never got tired.

5. "If I Dare" / Sara Bareilles - The hypnotic theme from September's Battle of the Sexes should be a shoo-in for Best Original Song for its gorgeous lyrics about defying the odds while providing a voice for the marginalized and oppressed. And Bareilles's restrained vocals cast a spell, lingering long after the track's end.6. "Sign of the Times" / Harry Styles - Haters may be quick to accuse the former 1D-er of cribbing from Bowie and The Beatles after hearing his lead single from his ambitious solo debut, but like everyone else, they'll grow to appreciate the sincere nostalgia and appropriate message behind this epic track as well as the singer's surprising vocal range.7. "Bad Liar" / Selena Gomez - Whispered purrs paired with a Talking Heads sample makes for one of 2017's oddest and most surprising singles; it sounds retro yet feels like the future. That's because Gomez admirably shuns the formulaic stylings of her Top 40 contemporaries and continues to prove herself as a mold-breaking pop princess.8. "Castle on the Hill" / Ed Sheeran - While Top 40 radio refused to stop playing "Shape of You," more attention should have been paid to this rollicking, nostalgic track about the power of memories and celebrating where you come from.9. "What About Us" / P!nk - The Grammy winner triumphantly returns with an anthem for anyone in a tumultuous relationship, or, depending on your mindset, America's current sociopolitical climate. Whatever the interpretation, you can't deny its beauty and ability to empower.10. "1-800-273-8255" / Logic feat. Alessia Cara and Khalid - Socially conscious pop that shined during a rough year filled with horrendous headlines. The breakout rapper enlisted a pair of breakouts for one impactful track that is basically the best PSA of 2017.

December 12, 2017

"He knows it is a graceless and condescending thing to do, correcting someone’s spoken grammar. Like being at a party and criticizing someone for not being well-read enough…”

– Nathan Hill’s The Nix

I have a superpower.

I have only been aware of this ability until recently. However, what I perceive to be a superpower may be seen by others as an insufferable nitpick. So, it is both a blessing and a curse.

Whenever I hear a double negative, whether it’s in a song or in conversation, an alarm goes off that only I can hear. It is a blaring noise alerting me that grammar is being abused, so naturally, I find myself compelled to come to the rescue and right these wrongs.

Back in 1999, TLC’s “No Scrub” was a definitive summer jam. Back then, I bounced along to the She'kspere-produced beats, marveled at the Hype Williams-directed video, and attempted to learn Left Eye’s rap bridge. But now, if I hear it come through my car radio or through the speakers at my local supermarket (because that's how old I am; the songs of my youth are now relegated to the homogenized aisles of brightly lit retailers), I want to yell back, “I don’t want ANY scrub! You can’t use ‘don’t’ and ‘no’ in the same sentence while referring to the same object! A double negative actually expresses a positive! ARGH!”

Additionally, if "a scrub is a guy that can't get no love from me," then I am basically saying that a scrub is indeed someone I will give love to! Double ARGH!

In some cases I imagine myself going on a rampage, releasing my rage over this grammatical injustice, flipping over my shopping cart, and knocking over boxes of crackers that have been stacked neatly in a pyramid. From there, a pair of security guards would come out, restrain me, and forcefully escort me out of the supermarket while I scream at the top of my lungs, "It's a double negative! Don't you people hear it? It's a double negative!"

That TLC single isn't the only guilty party either. "We don't need no education"? Really, Pink Floyd children? You clearly do need a proper education based on your poorly structured chorus.

This ability, this skill, this "superpower" is clearly a result of twelve years of Catholic school training and several English teachers instilling in me proper sentence construction. Being an enormous bookworm who didn't have much of social life probably had something to do with it as well. Reading five to six novels per month, I absorbed the written word and became very familiar with the mechanics of language as it appeared on the page. I quickly learned how to speak good...I mean well! Speak WELL.

But sometimes I wonder...what does this say about me? Have I become one of those overly critical Grammar Snobs prone to eye rolls whenever they hear the improper use of a prepositional phrase or subject pronouns? He and I attended the Dua Lipa concert together -- NOT "him and I!" Do I secretly get a kick out of making these corrections because it makes me feel somewhat intellectually superior? Probably.

It's so easy to be critical nowadays. I am constantly inundated with news feeds displaying people's opinions on matters both important and mind-numbingly trivial. Every day I am guilty of interacting with the vast digital echo chamber that is social media, where everyone has something to say, and it's hardly positive. And with every knee-jerk reaction I have, I have to step back and practice some restraint, reminding myself that it may not be worth engaging in a comment pile-on that has metastasized into an ugly Ignorance Monster, especially when there's incorrect grammar or misspellings involved. (People's true colors come out as well as their socioeconomic status sometimes.)

Top 40 radio, as little as I listen to it nowadays (ever since the dawn of digital streaming services) is a hotbed of double negatives. It has reached a point of no return, and I am certainly critical of a lyric that refuses to adhere to the Rules of Grammar. It makes no sense to me why it has to be sung incorrectly when a simple rewrite can keep the song's melody intact. "I don't want nobody but you"? Puh-lease. Of course, overall production value is also a determining factor in whether or not I will enjoy a song, but if it sounds dumb -- no matter how many arguments you can make about its earworm potential -- the Grammar Snob in me will think the song is for dumb people.

And there I go again, acting all high and mighty, contributing negatively to the world because I have no tolerance for what others may find tolerable.

Feel free to slap me the next time you see me. Actually, on second thought, don't.

December 05, 2017

Sure, Johnny Mathis and Nat King Cole are great and all, but there are only so many times you can hear them on your easy-listening station around this time of year. That's why I present to you this big bag of yuletide goodness, 50+ songs that'll have you prancing and dancing around the house in your slippers in between sips of peppermint hot cocoa.

November 29, 2017

Amidst all the heartbreaking headlines that bombarded our news feeds, there were moments reminding us that the world isn't a flaming, poo-covered garbage heap. And these moments were brought to us by individuals who had amazing things to offer. These are the men and women who entertained and enlightened when we so desperately needed it. They made a rough year tolerable, comforting us and demonstrating, through their artistry, how we're all going to be okay. They are more than just your standard breakouts of the year. These are my pop culture saviors.

Lena and me at Vulture Festival Los Angeles on November 19, 2017

1. Lena Waithe - She became the first African-American woman to win an Emmy for comedy writing, and she's not stopping there (her Showtime drama, The Chi, premieres in January). She first made a splash in the inaugural season of Aziz Ansari's Master of None, playing Dev's gal pal Denise, but TV historians will probably tell you that Lena Waithe officially arrived with the beautifully told Season 2 episode "Thanksgiving," Denise's compelling, 34-minute origin story directed by Melina Matsoukas, co-written by Waithe herself, and guest starring the fabulous Angela Bassett. It was one of 2017's best episodes of television.

2. Ben Plattand the Cast of Dear Evan Hansen - You already know him as the nerdy magician from the Pitch Perfect movies, but Broadway audiences and musical theater geeks will forever see Ben Platt as the titular character in Dear Evan Hansen, this year's Tony winner for Best Musical. His indelible, Tony-winning performance as a socially anxious teen never left a dry eye inside New York's Music Box Theater, and the emotional music (from lyricists Pasek and Paul) will continue to play in the hearts of anyone who has ever "felt forgotten." #YouWillBeFound indeed.

3. Dua Lipa - The London-born Albanian singer-songwriter kicked off 2017 by providing her sultry vocals to Martin Garrix's "Scared to Be Lonely" and is responsible for one of the best pop albums of the year (her self-titled debut), delivering irresistible bangers like "Hotter Than Hell," the Miguel-assisted "Lost In Your Light," and one of summer's few highlights, "New Rules," her biggest hit, thanks in part to its highly rewatchable music video.

4. Hasan Minhaj - He shined on his moving, insightful, and hysterical Netflix special, Homecoming King, and is on the verge of becoming a name everyone will be talking about when it comes to a much-needed voice in comedy. And of course he was the featured speaker a a Trump-free White House Correspondents Dinner, where he became a defender of the press with the following rousing speech: "We are here to talk about the truth. It is 2017, and we are living in the golden age of lying. Now's the time to be a liar, and Donald Trump is liar in chief. And remember, you guys are public enemy number 1. You are his biggest enemy. Journalists, ISIS, normal-length ties. And somehow, you're the bad guys. That's why you gotta keep your foot on the gas."

5. Tobin Low & Kathy Tu - The hosts of Nancy, the extraordinarily produced podcast exploring LGBTQ issues from unique perspectives, are a warm, thoughtful, adorable, and funny pair. They provided a much-needed safe space for the discussion and celebration of otherness -- From a study on the widespread appreciation of The Golden Girls to a shocking and insightful look at Orlando's Pulse nightclub shooting one year later...from a fascinating profile on Oliver Sipple, the man who prevented the assassination of President Gerald Ford, to a revealing dive into the Pentagon's secret "gaggle of gays." Subscribe now before Season 3 kicks off in 2018.

November 22, 2017

Earlier this year, when the trailer for the most recent Murder on the Orient Express remake was dropped, I was hoping that someone at 20th Century Fox would have the foresight to concoct an Agatha Christie Cinematic Universe. After all, this is the world we now live in -- where every property coveted by a major studio must have the potential to be milked for all it's worth. Plus, as a former child raised by an Agatha Christie fan, I am somewhat familiar with this world, and experiencing new renditions of these titles as an adult is exciting.

And now that Kenneth Branagh's version of the Hercule Poirot mystery has been released (and raking in $150 million-and-counting worldwide), it seems like my prayers are being answered. The studio is going ahead with a "sequel" in the form of a remake of Death on the Nile, another death-filled destination about the Belgian detective taking a river cruise in Egypt and coming across another corpse and another group of suspects.

The 1978 film adaptation was a star-studded affair -- Bette Davis, Maggie Smith, Angela Lansbury, oh my! Therefore, this remake needs just as many big names to fill up the marquee...and I have some in mind.Casting directors, you're welcome.

October 30, 2017

It was the highly anticipated album known for transforming a sugary-sweet pop princess into a feisty, cornrowed, assless chaps-wearing wild child.

Stripped, Christina Aguilera's sophomoric follow-up to her self-titled debut, was released this week in 2002. From the lead single and its grimy music video ("Dirrty" -- cue the STD jokes!) to the provocative black-and-white cover, it flaunted its ambition from the get-go. It was the then-21-year-old singer's attempt to break out from the teen pop mold that had its grip on her at the turn of the 21st century. The introductory track made the message abundantly clear: "Sorry you can't define me/ Sorry I break the mold/ Sorry that I speak my mind/ Sorry don't do what I'm told." Behold "Xtina" and her bold, new sounds!

Some critics were quick to dismiss the disc, calling it a kind of schizophrenic mess as it jumped from hip-hop-flavored dance anthems (the aforementioned single, which still gets club play today) to rock-tinged foot stompers ("Fighter") to inspirational ballads ("Beautiful," "Soar," "The Voice Within"). What other artist her age (remember, 21) had the gall to experiment with such range at the time?

Back then, she was damned if she stayed predictable, and she was damned if she moved away from formulaic fodder. And now, in hindsight, we're glad she took the risk, showed off those piercings, and layered on the "hooker" makeup.

For more on this special pop anniversary, check out my latest at Huffington PostHERE.

October 17, 2017

If you've ever fantasized about being in your own personal Blade Runner or Tron adventure, then I highly recommend listening to the supersonic sounds of Scandroid, "the modern Synthwave project from Detroit-based artist/producer Klayton Celldweller."

His first self-titled album (below) is clearly a musical love letter to 80s New Wave and includes a cover of Tears for Fears's "Shout" (at 16:04) that will tide you over until his second album, Monochrome, drops on October 27.

Also worth trying out is Scandroid's rendition of Michael Jackson's "Thriller," which would normally seem blasphemous, but this cover surprisingly works and is screaming for some rotations at Halloween parties everywhere:

Since I'm a TV junkie who's a sucker for nostalgia, I was invited to be a guest on Very Special Television, a podcast that discusses "a very special episode" of a sitcom from the 80s or 90s.

However, due to the recent trend of #MeToo on social media, I realize the sensitive topic discussed within this episode (which was recorded over a week ago) eerily aligns with recent Weinstein-stained headlines. The timing of this episode's release is odd, to say the least.

Since I was the guest, I got to choose the episode. It comes from one of my all-time favorite sitcoms, Roseanne, which dealt with abuse in a way I had never seen on television at the time. It stuck with me as a kid, and 24 years later, it still resonates and holds up as a brilliant piece of television.

Give it a listen, and if you like (despite the bad jokes at the top), subscribe to these guys on iTunes or Soundcloud:

October 09, 2017

As I settle into old age ("old" by Los Angeles standards) there are few things that'll make me squeal like a girl being serenaded by Shawn Mendes during her sweet sixteen.

First, there's the trailer for Crooked House. It stars a bunch of veteran actors (Glenn Close, is there no scene you haven't chewed up?), but most notably, it features Gillian Anderson in a dramatic Cleopatra wig trying not to look suspicious while a hottie detective investigates a creepy family in the British countryside. Throw in the words "based on Agatha Christie's most twisted tale" and a title card that basically says, "adapted by the bloke who gave us Downton Abbey," and you have Anglophile catnip. In other words, I. AM. IN.

And then there's the return of The X-Files in which Anderson's Scully, after 25 long years, finally gets up close and personal with some extraterrestrial baddies, kicks ass, takes names, and proceeds to kick more ass -- all accompanied by a nifty cover of The Cranberries' "Zombie."

I was lukewarm on the previous round of this reboot, but I am more cautiously optimistic for these next installments.

October 02, 2017

When someone says "prayers aren't enough" during a horrific tragedy like this, please don't construe this as an attack on religion.

Of course, thinking about the victims and their families -- having that moment of sympathy -- is natural. It's human. You can certainly keep them in your thoughts, and if you refer to those thoughts as "prayers," then so be it. But then take a moment to realize that won't be enough. Because a "prayer" is a conditioned, Puritanical response that was created hundreds of years ago to deal with horror in this country.

At this point, in this nightmarish day and age, we should be smarter, more sophisticated, to know that a prayer does not hold the same weight as taking action. A prayer does not get a bill signed or a law passed. A prayer does not stop more bullets from being fired. A prayer does not create physical, tangible change for the better. (And, I realize, neither do self-indulgent online rants like this one.)

Responsible action does.

Next up: ask yourself why this country has such a long, drawn-out, unhealthy, codependent love affair with guns.

Is it because a bunch of men said it was our "right" hundreds of years ago, sealing the deal on a piece of parchment that was written to protect our ancestors from invaders?

Is it because that law has been ingrained into our minds -- embedded in our culture -- so much that it has transformed into a warped and dangerous sense of entitlement?

Is it because we have a government that has devolved to the point where it ultimately doesn't care about the physical and mental well-being of its citizens, therefore leading to more people taking matters into their own hands, therefore leading to more people suffering at the hands of those who react violently, victims themselves of a corrupt power?

Is it because we constantly seek thrills on the big screen, month after month, year after year, numbing ourselves while watching an indestructible hero blast bad guys with an obscene arsenal, igniting our own fantasies in which we blow away our enemies?

Is it because we don't know how to process negative feelings because we've created a culture that has failed to teach us how to properly process them, and as a result, has trapped us in a vicious cycle?

Is it because we've reached the point of no return?

Ask yourself all of this. And then ask it again. Because we know the opportunity to ask these questions will sadly present itself again.

September 28, 2017

On September 28, 2012, Christina Aguilera dropped the video for "Your Body," the lead single from her seventh studio album, Lotus. The song would (sadly) go on to peak at number 24 on Billboard's Hot 100 chart. However, it would peak at the top spot on my iPod for several weeks during the fall of 2012, receiving heavy rotation at one particular Halloween party I DJed in Santa Monica (naturally).

The music video, however, should have given it a boost in sales. Why? May I present to you...Serial Killer Xtina!

Beautifully directed by Melina Matsoukas ("We Found Love," Insecure, "Pretty Hurts") the singer seduces three chiseled victims (one of them played by General Hospital beefcake Ryan Paevey), leading the final one to a pink motel in the desert, which looks a lot like the place where those lady wrestlers resided in Netflix's Glow. (Someone hired the same location manager!)

"Your Body" had the makings of a hit. Uberproducer Max Martin was the mastermind behind the irresistibly synthy, pulse-pounding track. The visual treatment played out like a dirty-sexy short film about a femme fatale with some killer...pipes. And even an explicit version of the song existed to make it even dirtier (just replace "love" with another four-letter word). But alas, not much love was given. File this one under "Underrated Pop Gems of the 2010s."

September 22, 2017

Sunday, September 9, 1:05 am:I'm sequestered in an elementary school classroom, trying to fall asleep on a twin-sized air mattress, but the middle-aged man who is sprawled out on an inflatable pool raft across from me keeps passing an unusual amount of gas, and his thunderous snoring suggests that he suffers from sleep apnea. If this Human Fart Machine isn't keeping me awake, there's the gaunt 97-year-old Ukrainian man in the corner who occasionally (and loudly) mumbles in a foreign tongue to his equally ancient wife who keeps shushing him. He hasn't moved from his sleeping pad all day, and I wonder if he needs to use the restroom, or perhaps he had already used his sleeping pad as a restroom. (Luckily, I don't smell anything.) I also wonder if we will wake up in the morning to find his corpse wrapped up in sheets underneath a rainbow-colored display of the alphabet and first grader fingerpaintings...

My travel luck at the beginning of September may have helped me narrowly miss the raging fires near Portland, Oregon, but it stopped shortly thereafter, because days later, I found myself heading towards one of the largest storms ever recorded in the Atlantic Ocean.

The original purpose for my visit to Florida (40 miles south of Tampa, in the towns of Ellenton and Parrish) was to pay my respects to my aunt who had lost her husband of 50+ years (my uncle and godfather, beloved by everyone). He lost his battle with cancer several weeks prior, and a memorial service was scheduled for September 10. I booked a non-refundable flight to attend the event and to spend time with my parents who had left New York and recently closed on a new house in a pleasant, retiree-friendly community called Veranda Springs, a five-minute drive from my aunt. The interiors were given a fresh coat of paint, the floors were renovated, and my mother was excited to show off their new digs. (“It not only has a TV room, it also has a spacious lanai overlooking a pond with fake swans!”) We call it a "lanai" because, hello, The Golden Girls.

However, Hurricane Irma was brewing in the Caribbean and poised to move up to Florida after devastating several resort islands. Words like "Category 5," "life-threatening," and "billions in property damage" were being tossed around the news much like the palm trees and debris in the storm itself. The timing for this natural disaster was, for lack of a better word, shitty.

And yet, despite coworkers and friends calling me "crazy," I still went. And I'm glad I did.

The funny thing about the 48 hours leading up to an impending natural disaster (if you want to call it "funny"): Those hours are filled with a strange combination of excitement and nauseating anxiety. You don’t want to be that dumbass who says he’ll “ride it out” and see the storm firsthand and up-close, only to end up getting flattened by a projectile pickup truck, just like one of those disposable, obnoxious characters in any given disaster movie. (And yes, tornado warnings were also in effect.) You want to be as safe as possible, especially since this is your first natural disaster experience -- my parents already survived Superstorm Sandy in New York five years ago -- and you’ve watched plenty of those movies as a kid to conjure up every worst case scenario in your over-imaginative mind.

The preparation was exhausting. A trip to Publix, the local supermarket chain, led to empty shelves; no bottled water in sight. Gas stations ran out of fuel due to the hundreds of thousands of cars that jammed all northbound routes. Shutters needed to be set in place. Valuables needed to be secured. Non-perishable food needed to be packed. And me being me, I couldn't help but flashback to those panicked scenes in 1998's Deep Impact.

However, the fear of losing not only my parents' current home but their new one was even more emotionally and physically draining. No insurance policies had been put in place for the new house. Had they purchased a plan two weeks ago, it still wouldn't have gone into effect because those take a full 30 days to kick in. Therefore, STRESS.

The original plan was to hunker down in the new, unfurnished house at Veranda Springs simply based on the fact that it was away from the storm surge zones and was larger (maybe sturdier) than their current home in Colony Cove, another community for the 55+ set.

But then the forecasts came rolling in every three hours on every channel we tuned in to: CNN, The Weather Channel, the local NBC affiliate, and Bay News 9, a local station on which a tireless anchor named Veronica Cintron remained cool, calm, and collected during every hourly update. (Someone get that woman a spa package.) Now that Irma was shifting her path up the Gulf Coast, local authorities strongly advised residents of Manatee County to seek shelter, and that's when we realized Veranda Springs wouldn't cut it. We had to abandon ship.

While my aunt sought shelter with her grown grandchildren at a large compound of a house twenty miles away, we checked into the nearby Annie Lucy Williams Elementary at 5pm on Saturday. I had registered my parents earlier in the afternoon to guarantee us a spot in one of the classrooms. Breakfast, lunch, and dinner would be served in the school cafeteria. Dinner on the first night was a chicken sandwich with cups of baked beans, salad, diced pineapple, and chocolate pudding. It was just like being on a cruise ship but without any luxurious amenities -- and eventually electricity.

The following 40 hours were spent surrounded by evacuees, reading a hundred pages of my paperback novel, listening to the wind howl outside, and observing the eclectic characters who sat in beach chairs, curled up in sleeping bags, and attempted to follow the news on their devices while we still had wi-fi. More than half of the 1,200 or so people were elderly folks. The rest were families with kids, some placed in the gymnasium. Latecomers were shuffled into the hallways and told to set up camp on the linoleum floor. (This is where I give myself a pat on the back for checking us in earlier to secure our cozy classroom with 16 other bodies, even though one of them was the Human Fart Machine.) Even the cafeteria started to ration off meals due to the influx of people who showed up on Sunday, the day Irma made her way to the Tampa Bay area.

By Sunday night, the central air system in the school turned off. I lay on my air mattress and tried to remain still and cool, using my iPhone (98% charged) to listen to one of my Spotify playlists, hoping the cheery, uplifting sounds of Carly Rae Jepsen would whisk me away to a magical place where no fat, farting Floridians existed.

Then, the power finally went out. Our classroom turned into a stifling pit of darkness, illuminated by a singular emergency floodlight that eventually faded out in the wee hours of the morning. By that time, I woke up and couldn't go back to sleep. The air was thick. I could hear coughing in one corner, probably from the redneck who was spooning what could only be his mail-order bride. (If you saw them together, you'd surmise the same.) Finally, one of the Marines who had been stationed outside entered the room and told us we could open the windows; the winds had died down, the storm had weakened. That wasn't enough for me. I got up, walked out of the room, and headed to the front entrance of the school where another Marine propped open the door so that I could breathe in some fresh, damp air.

By Monday morning, on September 11, a date which will now have another significant meaning, the sky had cleared. We were allowed to go home. But would we have a home to go back to?

The answer was yes. Both of my parents' home (and my aunt's) survived Irma unscathed. Cue the collective sighs of relief!
Colony Cove was one of the few places to have electricity. Cable and internet was out for a bit. Veranda Springs took a few hours to come back on the grid. Some of my parents' neighbors (pictured above) weren't so lucky, but fortunately Irma had weakened overnight and wasn't as destructive as it was in the Caribbean.

The well wishes and messages I received via Facebook, Instagram, and old-fashioned texts were greatly appreciated. A big thanks goes out to the well-organized staff, authorities, and Marines at Williams Elementary in Parrish that took us in. A special shout-out to Vice Principal Nicole who was particularly helpful getting us settled after a slight room switcheroo. It was an experience I'll never forget.

Now, if you'll indulge me for a bit and take a look at this meme...

As someone who has now lived through the above experience, I have gained a new perspective. No one ever asks to be pummeled by Mother Nature year after year. No one ever asks to have their home wiped out by swelling oceans. But there are those who ask their leaders to pay attention to what's happening on this planet of ours. People who ask their leaders to face scientific facts and wake up to the reality that this little thing called global warming isn't a little thing. And it's certainly no myth.

Right now, with the way our current administration is functioning, these pleas are falling on deaf, ignorant ears. The fact that two other hurricanes, Katya and Jose, were active during Irma's destruction -- three megastorms lined up within the same period of time -- should have been enough proof to make people sit up and draft up some serious legislation confronting these issues. But no. What we get is another round of prayers, another influx of social media commentary, and another televised event during which Justin Bieber and Julia Roberts ask you to donate whatever you can to the victims of the umpteenth tragedy.

As Amy Davidson Sorkin's insightful New Yorker piece discusses, our country remains unprepared for future devastation because, when you get down to it, there are powerful men and women who don't believe in spending the time and money on the well-being and safety of their fellow American citizens and their homes.

September 18, 2017

With temps cooling and swimsuits drying, it's time to ease up on the summer jams (sorry, "Despacito") and settle in with some tracks that should complement the upcoming season...along with those darn Pumpkin Spice Lattes you'll be chugging in no time.

August 25, 2017

When a new Taylor Swift single drops, the world pretty much stops (whether you love it or hate it). And it's a rare for a pop star nowadays to possess such power. I'll give Tay-Tay that.

So, upon giving her new single, "Look What You Made Me Do," several listens (you know, to be fair), I had several knee-jerk reactions.

But first, I feel I like need to provide some context with my assessment: I am not a diehard. With 1989, her epically successful previous album, I was actually a fan of tracks like "Style," "Out of the Woods," and "New Romantics," singles that, unfortunately, weren't as ubiquitous (read: overplayed) like the unrelenting "Shake It Off" and "Bad Blood." I appreciate some of her songwriting. She could deliver a good chorus. I could understand the passionate fandom.

However, we're entering a new era: the snake-filled social media teasers and black-and-white key art covered in newspaper headlines is positioning Taylor Swift as a newly born bad bitch who isn't afraid to address her "reputation" and come back with poisonous lyrics aimed directly at people who did her wrong. And according to her, she's "got a list of names." (David Mueller probably at the top.) How very Stripped, how very Revival, and how very I'm Not Dead of her, don't you think?

In other words, she's on the defensive, and that's...great?

I'm all for pop stars channeling their emotions into a song, but when you're on Taylor Swift's level, you run the risk of coming off as self-aggrandizing with your new material. And that's where "Look What You Made Me Do" is currently standing. She's fanning the flames of fan frenzy with this apparent clapback at her enemies, haters, whatever you wanna call them. And we've heard this all before, haven't we?

The repetitive title of the song is also very telling, echoing the growing sentiment of a generation that struggles with how to feel and react to negative forces and situations in their lives. "Look what you made me do?" No, girl. You are responsible for how you react, feel, and handle things. No one made you write this song. It's pointless to shift the blame on others for how shitty you feel. Also, "Look what you made me do" is a common phrase said by abusers after they release their rage. Just saying. The POV of this chorus makes me wonder...

Defending yourself is one thing, but being on the defensive is another. One involves protecting your dignity and standing for what's right, while the other involves a presumptuous attempt at lashing out at anyone or anything that threatens what you think is important. Maybe I'd enjoy this song more if it weren't so manufactured to manipulate millions into taking her side in her celebrity feud du jour (or broken heart). Maybe I'd enjoy this song more if it contained one iota of genuinely uplifting content rather than "dark" lyrics that border on promoting Mean Girlisms. (That said, thank God for Pink's new single.)

Plus, the reductive beat behind this semi-decent production (and the random, obscure "I'm Too Sexy" melody sample) does nothing but reveal how weak of a vocalist she clearly is. (I can say the same for other Top 40 artists, male and female.) And that music video sneak peek? Beyonce called. She wants her "Formation" pose back.

However, the ever-brilliant Louis Virtel does put a few things in perspective:

And while her army of fans will defend said single until their last breath (as any diehards would; I'm guilty of doing the same for one Miss Christina Aguilera, who hasn't met a defensive lyric she hasn't sung), I'm curious to see how long this mania plays out and how the rest of Reputation will sound like. I'm guessing there will be "collaborations" with other "hitmakers" and a catchy ode to all the fans who stood by her side through such "tough times."

August 18, 2017

This is not news for the few of you who witnessed my reading habits firsthand during my junior high years at Blessed Sacrament Elementary (and still do to this day). My voracious appetite for horror novels, as well as an occasional bag of Cool Ranch Doritos, was obvious.

Being a rabid reader arguably correlated with my sterling spelling skills in school. There was no spelling test on which I scored below 100%, and if you need proof, I'm sure I have some old papers buried in boxes labeled "Hiko's Old Spelling Tests On Which He Never Scored Below 100%."

Before I turned 12, Blessed Sacrament Elementary held a spelling bee for Grades 6 through 8. Each class conducted its own preliminary round, and from there, entered its top ten spellers into a schoolwide competition, which took place on the stage of our auditorium.

Up until this moment, this was the most nervous I had ever been in my Catholic school education. I sat in the back row, watching the 29 of the best spellers in the school go up to the microphone and carefully pronounce the letters of words. Sometimes I thought to myself, I could totally spell those. I made it through words like "subtle," "conflagration," and "abstract." Every time a student misspelled a word, one of the faculty members rang a bell, and said student would walk off the stage and take his or her seat in Reject Row.

As I watched the group shrink as the minutes went by, I felt my confidence grow. You got this, Mitsuzuka. Before I knew it, we were down to ten survivors. We changed seats, the remaining spellers shifting up to the front row. And then there were six...then three...

My competition was a pair of eighth graders. We'll call them Luke and Abby. Luke was a jock, the older brother of someone from my grade. Abby was a tall nerdgirl who seemed nice; I just knew her as That Tall Girl. We took turns at the mic, spelling out words we would never use in our everyday conversations. Apparently -- and I just found this out the day of the competition -- the two remaining spellers would advance to a citywide spelling bee. This only added to my nerves.

And then, just like that, Abby was out, incorrectly spelling a word that I would have gotten wrong myself. (Whew!) The crowd applauded. I shook hands with Luke. We were the Blessed Sacrament champions.

Next up: The City Spelling Bee!

Blessed Sacrament hosted this competition, so it helped that I got to compete on the same stage in a familiar setting. But it only helped so much. I knew I would have to go up against kids from other schools (public schools?), faces and names I didn't know. I wouldn't be familiar with their strengths and weaknesses. I would be going into this with even more uncertainty. During the days leading up to it, I had to study a book of words, all listed in alphabetical order. I absorbed as much as I could.

Luke and I hardly had any interaction the days before the city spelling bee. After all, he was two years older than me, and in elementary school, that's like a decade in age. We did exchange a few words of encouragement here and there. I wondered if he was preparing as much as I was, but something told me that he didn't take the whole thing seriously. He probably had basketball tournaments to worry about, girls to flirt with.

The night of the city spelling bee arrived. It felt weird to be back in school at night. Everything looked different. Dark classrooms took on an ominous feel. (I also loved horror movies.)

The whole competition went by in a blur. I kept to myself before we started. I didn't want to look at who I was up against. A new group of us all took the stage, and we quickly started dropping like flies. Luke only made it halfway through. He misspelled a word I remembered from my study guides. I felt bad for him.

Long story short (too late, I know), I won the city spelling bee. Next up: Districts!

And here's where the devastation comes into play...

Districts -- it sounded so official and grown-up to me -- took place at Stepinac High School in White Plains, a 25-minute drive from New Rochelle. My mom drove me on a blustery late afternoon. We checked in; I was given a numbered badge that I wore on my chest like a marathon runner. This is legit, I thought to myself.

The auditorium was also legit, with real theater seats and a balcony. The judges table stood front and center, just below the stage. Sitting there was a man in a tweed jacket, a middle-aged woman who looked like she shopped at Ann Taylor, and an elderly nun. Let's call this nun Sister Dementia.

The competition started off well. I breezed through my first two words. However, my third word was where things went awkwardly wrong.

I walked up to the mic and looked down at Sister Dementia who was to give me my word. She consulted a sheet of paper with a bony finger, looked up at me, and said into her mic, "Pursue." Her voice was a little shaky, probably tired from teaching all day at the all-boys high school we were currently congregating in.

"Pursue?" I repeated.

"Pursue," she confirmed.

Easy enough, I thought to myself. I knew what the word meant. I didn't need to ask for a definition or for its origins. Pursue: as in, "to chase or go after something." No one had to use it in a sentence for me. I got this.

"Pursue," I began. "P-U-R-S-U-E. Pursue."

Sister Dementia looked at her judging colleagues. A dramatic pause followed. And then, a bell rang. The bell. The sound that killed all spelling bee championship dreams.

I let out an audible, surprised "oh" and looked out into the crowd. There were a few murmurs. I could hear my mother in the audience let out a "tsk" of disappointment, but she wasn't disappointed in me, because she, along with the entire auditorium, knew that I spelled the word correctly.

I started to walk off the stage. Someone in the crowd said, "He spelled the word correctly!" I immediately felt a tension in the large room. Before I could take a seat next to my mom, who was clearly frustrated, the judge in the tweed jacket spoke into his mic to offer some clarification: "We had to let Competitor Number 35 go because he spelled the wrong word. The word was pursuit. P-U-R-S-U-I-T."

I felt numb. The fact that I was taken out of the competition for spelling the wrong word correctly was later infuriating, especially for my mom. I was let go because an elderly woman, who clearly missed her Metamucil shot earlier that day, didn't clearly pronounce my word. "If she can't speak up and annunciate," my mother later said to another parent in the hallway, "then she needs to retire." In other words: Nun, bye.

Apparently there was nothing we could do afterwards. I didn't use my life lines and ask for the word to be used in a sentence to make sure the word I heard was the word being said. For the next several days, I was haunted by the word "pursue" as well as the "what ifs" that eventually followed. What if I had asked for it in a sentence? What if I had spelled it correctly? Could I have won that spelling bee? Could I have advanced to County? To State? To Nationals? Could I have been invited to the White House? I'll never know. It's a minor regret that still lingers throughout my adult life. Lesson learned, I guess: If you're not sure about something, always ask for help.

Whatever. I hope that Sister Dementia later realized the gravity of her poor speaking skills that day. I hope she went back to her convent, cried into her pillow, and asked God to forgive her "for misleading that adorable, chubby Asian boy."

August 15, 2017

This is the scariest piece of television I've seen in a while --
absolutely horrifying, disgusting, infuriating, and soul-crushing.

That said, I usually try to use the right words during sensitive situations like these, but if it wasn't clear before, here it is: I hate our president.

I hate that I have to even use that word because it breeds nothing good, but it is what I'm feeling right now.

I hate that this cruelty has been exercised in his name.

I hate that his reaction to this evil is a mediocre, cowardly, and selfish attempt at being neutral.

I hate that, in less than a year, the escalation of evil in this country -- and in some parts of the world -- is undoubtedly a direct correlation to his rise in power. (It all trickles down from The Top.)

I hate that my friends in other cities will have to brace themselves for similar acts of evil planned for this weekend.

But I don't want this hate I'm feeling to inform what I do next. And at least I can take comfort in knowing that the hate I'm feeling will never manifest into what was displayed in these horrific 22 minutes of footage on HBO's Vice. It may very well turn into hopelessness, because right now, I can't see any light at the end of this long and dark tunnel.

August 12, 2017

The music video for Jax Jones's "Instruction" (featuring Demi Lovato and Stefflon Don) dropped a week ago, and finally, I have some visual evidence to support my argument for the Summer Song of 2017.

The 30-year-old English DJ enlisted the "Sorry Not Sorry" singer for this reggaeton-infused, cardio-friendly single, which is sadly only burning up the UK and being delayed to officially make a splash on our American summer charts. Get with it, people.

Nobody is trying to legislate away their right to marry. Nobody
is trying to make them buy insurance to pay for 'male health care.'

Nobody
enslaved
their great-grandparents. Robbed their grandparents. Imprisoned their parents.
Shot them when unarmed. There is no massive effort at the state and local level
to disenfranchise them of the vote. There is no history of centuries of bad
science devoted to 'proving' their intellectual inferiority.

There is no travel ban on them because of their religion. There
is no danger for them when they carry dangerous weaponry publicly.

Their churches were never burned. Their lawns never decorated
with burning crosses. Their ancestors never hung from trees.

Their mothers aren't being torn away by ICE troopers and sent
away forever. They won't be forced to leave the only country they ever knew.

The president has not set up a hotline to report crime committed
at their hands.

They are chanting 'we will not be replaced.' Replaced as ...
what? I'll tell you.

Replaced as the only voice in public discussions. Replaced as
the only bodies in the public arena. Replaced as the only life that matters.

THIS is 'white people' oppression: We used to be the only voice.
Now we hold the only microphone.

THIS is 'white man' oppression: We face criticism now. We were
free from it, because others feared the consequences.

THIS is 'oppression' of white Christians in this country: Christmas used to be the only holiday acknowledged, now it's not.

I would so love to see these people get all the oppression they
insist they receive, just for a year. Just to see.

Give them a world where you ACTUALLY can't say Christmas. A
world where the name "Geoff" on a resume puts it in the trash.

Give them a world where they suddenly get a 20% pay cut, and
then 70 women every day tell them to smile more.

Give them a world where their polo shirt makes people nervous,
so they're kicked off the flight from Pittsburgh to Indianapolis.

Give them a world where they inherited nothing but a very real
understanding of what oppression really fucking is.

Give them a world where if they pulled up on a campus with
torches lit and started throwing hands, the cops would punch their eyes out.

-->

Put THAT in your Tiki torches and light it, you sorry Nazi
bitches. Good morning, by the way, how is everybody?"

Who is The First Echo?

Hiko Mitsuzuka is a self-proclaimed pop culture connoisseur who resides in L.A. and obsesses over pop songs months before everyone else does.
Hiko has worked in TV and commercial production ever since he left his native New York in the early 00s. He has worked at the world-renowned Anonymous Content and freelanced as a treatment writer for award-winning directors, a contributing writer for Instinct, and the Executive Editor of Hotter in Hollywood. Hiko can currently be seen in the roles of Manager of Creative Planning at Stun Creative (PromaxBDA's Agency of the Year, 2013, 2014, 2017), film critic for ScreenPicks, entertainment and travel journalist for Bello Mag, and contributor for The Huffington Post.
His hobbies include quoting sitcom dialogue and stalking people on Instagram. His vices include chocolate chip cookies and movie theater popcorn.
Tweet him @TheFirstEcho.