Contributed by: Ben_ConoleyBen(others by this writer | submit your own)Published on February 12th 2008The Gaslight Anthem's breakthrough debut, Sink or Swim, hit me hard, reigniting a spark that I hadn't felt from a new band in a long, long time. It caused a sense of genuine excitement towards both music and life to swell inside me and continues to stir up the same feelings after nearly a year in he.

The Gaslight Anthem's breakthrough debut, Sink or Swim, hit me hard, reigniting a spark that I hadn't felt from a new band in a long, long time. It caused a sense of genuine excitement towards both music and life to swell inside me and continues to stir up the same feelings after nearly a year in heavy rotation.

The Señor and the Queen EP has a tough job ahead of it. It seems as though anyone who is into the Gaslight Anthem is really into the Gaslight Anthem. I can't recall a band who has been as universally accepted amongst those who I have introduced them to as they have.

So where does the band go after an album like Sink or Swim? I can't speak for the band, but if I had to wager a guess at their intended direction it could (and will be) described in one word: "up." It's as though the New Brunswick, New Jersey band has taken a shot from a bird's eye view of who they are. They've created a reflection of what they've accomplished prior, capturing not only the spirit and sound of Sink or Swim but also putting that album's sound into context while building on it.

Musically, Señor and the Queen, while not a complete change in direction from Sink or Swim, takes the band in a new, bolder direction. It's not as hard-charging as some of the faster songs on Sink or Swim, like "We Came to Dance." It also lacks many of the elements that may have caused someone to initially compare the band to Hot Water Music. The fastest song is the title track, which opens the album and is most reminiscent to the band's previous work (with a tempo similar to "Wooderson," complete with a sing-along chorus).

The second track, "Where for Art Though Elvis," is the catchiest song on the EP. While it slows things down during the first verse, it features a wonderful "bah bah, bah bah badadada" buildup into a chorus where Fallon sings, "I've got nothing for you darlin' but a story to tell, 'bout the rain on the pavement and the sound as it fell." His lyrics are still the best part of the songs, but more on that to follow.

"Say I Won't (Recognize)" is the third track and the best demonstration of lead guitarist Alex Rosamilia's incredible talents. Much like the title track, it starts off very reminiscent of Sink or Swim material, but has the band venturing into new, more melodic territory all the while maintaining their core sound. The album ends with "White T-Shirts and Blue Jeans," which gives Fallon's lyrics the opportunity to take center stage.

Fallon's lyrics are by and large the best part of every Gaslight Anthem song. Of course, it helps that they are accompanied by great music, but his words read like a 1970s-era Springsteen transplanted to the present day mixed with tales of a road-tired touring band. His lyrics create romantic tales of characters so sincere in their emotions (especially love) that you'd think they were fictional if you weren't so sure he was speaking from the heart. Lines such as, "Show me your hands, I wanna see how you dance pretty baby by the light of the moon" and "We sing with our heroes 33 rounds per minute, we're never going home until the sun says we're finished. I'll love you forever if I ever love at all" invoke the innocence and sense of Americana that makes Fallon's lyrics feel like home. In the end, that's one of the best things about this band -- the comfort they provide.

If there is anything one might complain about in regards to the EP, it's that it doesn't provide as many as the uplifting and explosive choruses as Sink or Swim did. These songs aren't leftovers from previous efforts, though. Do I like the four best songs on Sink or Swim better than these four songs? On some days, absolutely, on others not at all. Like any other band, the Gaslight Anthem is going to see some complaining that "album x is so much better than album y," but that's unavoidable.

While I would have loved a full-length, I suppose it's a little soon for that. For now, Señor and the Queen should more than tide anyone over in addition to introducing the band to countless more fans.

The only downfall is it's only 4 songs. Of course, beggers can't be chosers, and 4 awesome Gaslight Anthem songs are better than a world without them. My one complaint is the guitar on the last track seems pretty off with the melody of the song. Otherwise, I love this EP.

Can somebody explain to me why everybody calls "Sink or Swim" this band's debut album? Has nobody heard of "Every Little Secret"? They changed their name but it's basically the same band. Hell, under the old name they recorded some songs off of "Sink or Swim" for their demo release, so they obviously should be counted as the same band, just with a name change.

I can't understand the ridiculous amount of hype this band is getting. I mean...Sink or Swim definitely isn't bad, but it just doesn't feel like it's anywhere near as amazing as everyone seems to be saying.

Attack In Black's "Marriage" should be receiving all this love, as I think it blows both this and Sink or Swim clear out of the water.

[i]Great little follow up, and a nice way to brace the fans for what they may explore in their next full length. But "we're having a party, everybody's swinging"? It just reminds me a little too much of my parent's listening to that Rod Stewart song with the same lyrics[/i]

The song Having A Party is actually originally by Sam Cooke. Rod Stewart covered it. So I had the same thing you did, but my memory referred to Sam Cooke.

How many different ways can you say they changed but stayed true to their roots?
No but seriously, good review dude. My only question: what do you mean when you say that they put the album's sound into context? What context are they puttting it in?

after reading so much resounding applause for this i took a few more listens and while it has something decent to it, i think the mixing is really poor. the vocals are far too high and the songs are a bit too slow. i don't know. i have no clue how people compare this to sink or swim, let alone say it's better. this sounds like the leftovers of sink or swim they put in the microwave to eat for breakfast the next morning.

It doesn't grab me as much as "Sink or Swim" did. Granted, that album came out of nowhere and just blindsided me with how great it was while this one had enormous expectations, so that may color my impression.

That said, I have faith in the guys, so I'll give it a few more listens before I make a final decision on the songs. As of right now I think it's pretty good, just slightly less enthusiastic than their debut.

Great little follow up, and a nice way to brace the fans for what they may explore in their next full length. But "we're having a party, everybody's swinging"? It just reminds me a little too much of my parent's listening to that Rod Stewart song with the same lyrics

haha I thought the same thing but didn't want to say it. still a good song regardless.

Great little follow up, and a nice way to brace the fans for what they may explore in their next full length. But "we're having a party, everybody's swinging"? It just reminds me a little too much of my parent's listening to that Rod Stewart song with the same lyrics. Yeah, it's likely intentional, but it's gonna take a while to get those lyrics associated with The Gaslight and not The Rod.

ps: i know strung out and gaslight anthem are absolutely nothing alike, but it was just the first example i could think of where i liked one aspect of a band, but the vocals completely took me out of it.

Damn I wish I got this today. I heard it on that radio show when they played all four songs. Can't wait to hear it again. I liked the title track the best, but that was only after one listen. I know I'm being redundant, but these guys deserve every ounce of hype they get. This is pop for people who don't like pop.

Love this EP. "Say I Won't (Recognize)" could be my favorite song by the band. A little history, this EP was recorded while on tour this past summer, with the songs being practiced nightly at shows along the way. Barrie, I've seen them play "Blue Jeans" once, and it was awesome.

In regards to the next LP, they played a song from it last month, and it was faster than anything I've heard from them. They also did a pretty kickass cover of Petty's "American Girl". The only problem with these guys is their complete lack of respect for quality, hand-crafted glassware.

telegraphrocks - I'm shocked (in a good way) that you even bothered to give this a chance considering how vocal you are about your hatred of Gaslight, or have been in the past on this site. Interesting to see that you like it and are willing to give the LP another chance.

I also agree about this lacking explosive choruses, that's one of my main gripes with the record. However, after having heard virtually all of these songs live at some point or another last year, they definitely deliver at a Gaslight show still which is enough to make me love them.

Good review as well. I give three and a half stars to both the EP itself and review.

Ben is a liar and a drunk! I know for a fact this review is tainted by his personal love of Brian. I demand a recount...RECOUNT!

Seriously, who doesn't love Gaslight Anthem?! If you hate their music, it's impossible to hate the dudes. If you hate the dudes, you probably want to have sex with them and have trouble admitting it. It's cool, I'm not here to judge.
I hope Side One Dummy does right by these boys.
-Dante

I personally don't think this is as good as Sink Or Swim, but still a very solid follow-up. Senor and the Queen is my jam, and the other three tracks are quite good as well. I can't wait to see if they play Blue Jeans and White T-Shirts live.