books

screenplays

Exile (full-length drama) Finalist, WriteMovies; Quarterfinalist, Fade-In.
LJ lives in a U . S. of A., with a new Three Strikes Law: first crime, rehab; second crime, prison; third crime, you’re simply kicked out – permanently exiled to a designated remote area, to fend for yourself without the benefits of society. At least he used to live in that new U. S. of A. He’s just committed his third crime.

What Happened to Tom (full-length drama) Semifinalist, Moondance.
This guy wakes up to find his body’s been hijacked and turned into a human kidney dialysis machine – for nine months.

Aiding the Enemy (short drama 15min)
When Private Ann Jones faces execution for “aiding the enemy,” she points to American weapons manufacturers who sell to whatever country is in the market.

Bang Bang (short drama 30min) Finalist, Gimme Credit; Quarter-finalist, American Gem.
When a young boy playing “Cops and Robbers” jumps out at a man passing by, the man shoots him, thinking the boy’s toy gun is real. Who’s to blame?

Foreseeable (short drama 30min)
An awful choice in a time of war. Whose choice was it really?

Two Women, Road Trip, Extraterrestrial (full-length comedy)
When an independent activist and her frustrated office temp buddy embark on a quest for a chocolate bar, they pick up a hitchhiking extraterrestrial who’s stopped on Earth to ask for directions. They help her get the information she needs – and discover it’s easier to get a gun in this country than a little scientific knowledge – and decide to go with her. To become chocolate bartenders.

Boston Legal: Bang Bang (spec script) Semifinalist,Scriptapalooza.

Balls (short mockumentary 10min)
A hilarious mockumentary about men playing with balls

Here Comes the Bride (5min)
You’ll never get married again.

Let Me Entertain You (5min)
Is it a slippery slope from screen idol to snuff film?

Take Care of Your Mom While I’m Gone (3-5min)
She’s an adult. She needs a ten-year-old to take care of her?

My Life in Danger (short drama 3-5min)
When does attempted rape warrant self-defence of deadly force?

Size Matters (3-5min)
What if women were the taller sex? Ask any short man.

I am Eve (10min)
An examination exposing the irrationality and injustice of Eve’s role in Judaeo-Christianity.

If Then (5-10 min)
The end of our lives as we know them. Can’t say we didn’t see it coming.

Crime of Passion (short drama 3-5min)
The perfect solution to crimes of “passion”

Minding Our Own Business (20 min)
A collection of skits (including “The Price is Not Quite Right,” “Singin’ in the (Acid) Rain,” “Adverse Reactions,” “The Band-Aid Solution,” and “See Jane. See Dick.”) with a not-so-subtle environmental message

The Missing Link (short comedy 3-5min)
Two women and an alien enter a bar…

“I just can’t give any more, sorry.” But of course he can. He just doesn’t want to. By saying “can’t” instead of “won’t”, however, he appears powerless and thus absolves himself of responsibility; as a result, we don’t even consider the matter of blame.

“That’s not gonna happen.” Okay. So informed, we move on. But in most cases, the accurate, honest, statement would have been “I don’t think that’s gonna happen” or “I don’t want that to happen.” By presenting an opinion as fact, the speaker has diverted our attention from evidence and reasons. Why don’t you think that’s going to happen? Why don’t you want that to happen?

“We need to bring our product in line with contemporary standards.” The royal “we” effects a diffusion of responsibility, deflecting accountability from the individual who’s speaking. “Need” is a lie: we won’t die without it. But “need” is far more compelling than “want” – it’s harder to refuse. To “bring in line” suggests cooperation, rather than obedience. “Contemporary” sounds so much better than the “old” standards, and “standards” implies something that’s received official, i.e., expert, approval. Really, he’s just saying “I want you to do what I want – this.” And that would be much easier to say “No” to.

“Hey now, what kind of way is that to talk?” Code for “I don’t want to hear those words” – to which the person might simply respond, “So?” Instead, he or she feels chastised.

The manipulation is done so smoothly, it’s impressive. I have enough trouble getting clear about my true meaning, I couldn’t possibly engage in the simultaneous translation these people seem to do so effortlessly in order to cover their truth and manipulate us into assent, or at least out of dissent. They load their language without even thinking. How can they be so quick, so clever?

They’re not. They are doing it without even thinking. They’re not translating from A to B – they’re going right to B; they’re not even aware of A. I’ve been attributing far more consciousness than is warranted. It’s not that they’re thinking more (let alone, more quickly) than me. They’re thinking less. They’re not thinking at all about what they’re saying, about how they’re saying it. Consider that when I point out what I think they really mean, when I decode what they say in order to challenge or simply clarify, they insist I’m reading too much into a simple choice of words – I’m over-analyzing. Truth is, they’re not analyzing enough. Or at all.

But still – how is it they are so unconsciously manipulative? It just comes ‘naturally’. And that is far scarier than thinking they do it intentionally. All those manipulative phrases – these people are simply saying it the way they’ve been conditioned to say it, or, more accidentally, just the way they’ve heard others say it.

So it’s not that I’m a relative moron at strategic behaviour – it’s that somehow I missed out on that conditioning. Probably because I’m not a male. And I consciously rejected any parallel conditioning directed to females.

So here I am. Either taking what people say at face value and being manipulated left, right, and centre, or trying to decode everything. Of course, by the time I decode what they’ve said, B into A, they’ve said something else. And when I respond directly to A, they think I’ve gone off-topic. So I have to explain that their B is a translation of A. But they don’t want to hear it. I suppose I could just respond to their B with a B of my own – but to do that, I have to decode their B into A, figure out my response to it, then encode my A into a B. And by the time I’ve done that, they’ve left. Which is just as well.

Hey, Abby and Embee, good to have you here! Did you see my lengthy post at Twisty’s new blog about setting up another home for the blametariat? I’ve received no responses yet, so I’m assuming there’s no interest…or that commenters typically don’t, perhaps at least on that post, read the previous comments…