Stendhal Determined to escape his humble background, Julien Sorel sets out to move into the upper reaches of 19th Century French society using both talent and deception only to find he is no match for the rich and ruthless.

Stendhal Widely considered the masterpiece of the fascinating and mysterious man known as Stendahl, "The Red and the Black" is a two volume novel first published in 1830. It follows the ambitious desires of Julien Sorel, a young man raised in the French countryside who wishes to rise above his station and explore Paris and its society. Through a series of events, Julien's talent and hard work give way to deception and hypocrisy when he loses the will to believe in sincerity. Though he reaches many of his goals in Paris, Julien's calculating manner falls prey to his passions, and he commits a crime that leads to his downfall. Ultimately a flawed protagonist whose illusions are shattered in the face of a harsh reality, Stendahl allows readers to live in the minds of his characters in such a remarkable way that this work is considered as psychological as it is historical. "The Red and the Black" is satirical and prophetic for its time, and can perhaps be known as one of the first realist novels ever written.

Stendhal 'The Red and the Black'' is a reflective novel about the rise of poor, intellectually gifted people to High Society. Set in 19th century France it portrays the era after the exile of Napoleon to St. Helena. The influential, sharp epigrams in striking prose, leave reader almost as intrigued by the author’s talent as the surprising twists that occur in the arduous love life.

Stendhal & Richard Howard Balzac considered it the most important French novel of his time. André Gide later deemed it the greatest of all French novels, and Henry James judged it to be a masterpiece. Now, in a major literary event, Pulitzer Prize-winning poet and distinguished translator Richard Howard presents a new rendition of Stendhal's epic tale of romance, adventure, and court intrigue set in early nineteenth-century Italy. The Charterhouse of Parma chronicles the exploits of Fabrizio del Dongo, an ardent young aristocrat who joins Napoleon's army just before the Battle of Waterloo. Yet perhaps the novel's most unforgettable characters are the hero's beautiful aunt, the alluring Duchess of Sanseverina, and her lover, Count Mosca, who plot to further Fabrizio's political career at the treacherous court of Parma in a sweeping story that illuminates an entire epoch of European history. "Stendhal has written The Prince up to date, the novel that Machiavelli would write if he were living banished from Italy in the nineteenth century," noted Balzac in his famous review of The Charterhouse of Parma. "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this. . . . One sees perfection in every detail. . . . [It] has the magnitude of a canvas fifty feet by thirty, and at the same time the manner, the execution, is Dutch in its minuteness. . . . The Charterhouse of Parma often contains a whole book in a single page. . . . It is a masterpiece." This edition includes original illustrations by Robert Andrew Parker and Notes and a Translator's Afterword by Richard Howard.

Stendhal The Red and the Black, by Stendhal, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
• New introductions commissioned from today’s top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader’s viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader’s understanding of these enduring works.
After Napoleon’s defeat, the French aristocracy tried to reassert its power in a government known as the Restoration. Venal and corrupt, the Restoration fell in 1830. Later that year, Stendhal published his scathing satire of Restoration society, The Red and the Black. Its title refers to the military and the clergy, the two career paths open to young men of intelligence and ambition but no social standing.
Stendhal’s hero, Julien Sorel, is such a young man. A seminary student, he is nevertheless an admirer of Napoleon, and dreams of military glory. When he is hired to tutor the mayor’s children, he quickly seduces the mayor’s wife, then moves on to Paris where he conquers a nobleman’s daughter. Sorel comes to believe that the secret of success is to outperform the hypocrites and vicious opportunists who surround him—and he’s right. But when the rich and powerful he so admires align against him, his downfall becomes unavoidable.
A master of characterization, Stendhal paints a fascinating, multi-layered portrait of Julien Sorel, who endures as one of literature’s most complex and surprisingly sympathetic—a would-be manipulator out of his depth in a sea of sharks.
Bruce Robbins is Professor of English and Comparative Literature at Columbia University. He is the author of Feeling Global: Internationalism in Distress, The Servant’s Hand: English Fiction from Below, and Secular Vocations: Intellectuals, Professionalism, Culture.

Stendhal & Burton Raffel A Major New Translation

The Red and the Black, Stendhal’s masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorel’s quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of post–Napoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature.

Neglected during its time, The Red and the Black has assumed its rightful place as one of the world’s great books, and Burton Raffel’s extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before.