From the sinopia drawings that served as preparatory designs for Italian fresco paintings, to the stream of consciousness drawings of modern abstraction, drawing with brush and ink or other liquid media has a long tradition and appears universally in both eastern and western cultures. Drawing with wet media can be challenging for students who are used to the traction and forgiving nature of a pencil or charcoal. Unlike drawing with dry media where you can endlessly probe, plan, measure and erase, wet media seem to have a will of their own. Once the mark is made there’s no going back. You’re committed. In eastern traditions brush drawing is an extension of long meditation on the subject, which includes not just the objects one is drawing but also a keen sense of the instrument’s nature. This is an idea that still bears up for anyone trying his or her hand at working with ink and brush. Like putting a bridle on a wild horse, it works better if you understand and work with the horse’s nature than if you try to impose your own will for absolute control. Let the brush have its way, guide it where you can, and be open to what can happen. The ride is often more exciting than the destination.