Nuremberg State Theatre

Der Neue Merker — online, Alexander Walther

Nürnberger Nachrichten, Jens Voskamp

„Roswitha Christi­na Müller with her demand­ing, lumi­nous sopra­no.“

Nürnberger Zeitung, Thomas Heinold

„With her ele­gant, ener­getic pres­ence, her sis­ter Fric­ka, Roswitha Christi­na Müller makes Wotan a wor­thy wife and is a delight to the ears with her clear, dynam­ic and pow­er­ful voice and a gen­er­ous help­ing of élan.“

Opernnetz, Renate Freyeisen

Süddeutsche Zeitung, Klaus Kalchschmid

„With dic­tion as keen as a razor, Roswitha Christi­na Müller as Fric­ka tells him what’s what …“

Neue Musikzeitung online, Juan Martin Koch

„Until recent­ly, Roswitha Christi­na Müller could be seen as a first-rate Amner­is in the excel­lent pro­duc­tion of Aida in Hof, Bavaria, and she is now prov­ing a real asset to the state theatre’s ensem­ble with her ele­gant­ly tim­brat­ic sopra­no. One sens­es that this woman, who uses her vocal and on-stage attrac­tive­ness so unre­served­ly, is at least as respon­si­ble for the mis­for­tune which will befall the world of the Ring as the God who breaks his own laws.“

Opernfreund-online, Frank Piontek

BR-Klassik, Thorsten Preuß

„Roswitha Christi­na Müller as a just as attrac­tive Fric­ka with a won­der­ful­ly clear voice char­ac­terised par­tic­u­lar­ly by a firm vocal tex­ture and pow­er­ful depth left an even more last­ing impres­sion than he …“