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One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book.

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Now Available: The digital Loeb Classical Library (loebclassics.com) extends the founding mission of James Loeb with an interconnected, fully searchable, perpetually growing virtual library of all that is important in Greek and Latin literature.

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The New York Times Magazine recently published a lengthy article on the influence of Bruno Latour's work on science. We got to thinking about Harvard University Press's long history publishing Latour's work. We're celebrating University Press Week with a speech given by Latour's long time editor Lindsay Waters when Latour won the Holberg Prize, which captures the some of the early memories of Latour's influence on HUP. #ReadUp …