The strategies and tactics of presentation (of art projects) that we have
been exploiting during the seven years of the Kapelica Gallery existence
have lead us to the only possible conclusion, i.e. that there is no justified
reason for the traditional function of a gallery
as a white cube.

Galleries presenting projects that merge various production forms of expression
should rather function as a competently equipped platform, which would
enable the art processes and its effects to generate and evolve. At this
it is important to differentiate between work in progress and work in
process. The main aim of a work in progress is still linked to objective
reality, which implies a final product, while a work in process remains unfinished. Therefore a gallery is no
longer an environment in which a work of art comes to a standstill but
an environment in which the work remains in progress. A gallery thus becomes
a constitutive element of the artwork, as I call it a crossed-out gallery.