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How many people, animals and props were involved in making the opening musical number, “Belle?”

According to Disney, there were more than 150 cast members and extras involved, along with 28 wagons and carts, hundreds of live animals (horses, cows, mules, ducks, geese and hens) and countless props and set decorations. The set itself was also the production’s largest, measuring 28,787 square feet.

Bonus fact: The town is named Villeneuve, a fictional French village that was built on the backlot at Shepperton Studios outside London. The town’s name is an homage to Gabrielle-Suzanne Barbot de Villeneuve, the author of the original Beauty and the Beast story.

How many horses played Belle and Maurice (Kevin Kline)’s trusty steed, Philippe?

Three.

“Belle and Maurice’s horse Philippe was played by three different horses, two of which had to be painted on a daily basis,” says a rep for the studio.

How did they pull off the waltz scene between Belle (Emma Watson) and the Beast?

Carefully! Watson and Stevens first had to learn the choreography, and then Stevens had to master it on stilts. The British star tells PEOPLE practice makes perfect when it came time to learn how to walk and dance in the steel contraptions.

“You’ve just got to get in ’em, start moving around!” Stevens says with a laugh. “Fortunately we had about three months of pre-production for rehearsals, learning the songs, the dances. Initially with the waltz I learned the steps on the ground and graduated to the stilts, which was slightly terrifying for me but probably more for Emma. I think she was very worried that I was going to tread on her toes in steel stilts, which could’ve ruined the movie, but I didn’t, so I’m very proud of that.”

Is that Dan Stevens’ real singing voice?

Yes! And it was a welcome challenge for the actor.

“Singing was a relatively new thing to me,” Stevens, 34, says of re-training his singing voice. “I’d sung at school and when I was younger, but in my 20s I [hadn’t] sung as extensively so reengaging my voice, retraining the voice was a big challenge.”

Did they use Dan Stevens’ actual face for the Beast?

Yes, although the finished product is a computer-animated and significantly hairier version.

Stevens wore a 40-lb. “muscle suit” and performed the role on stilts — first so that the size and movements of the character were captured on set during filming, and then again for the visual-effects teams so that his face was captured and later computer-animated with the Beast’s hair and fangs.

“Every couple of weeks I would go into a special booth and my face would be sprayed with about 10,000 UV dots and I would sit in what I used to call the Tron cage,” Stevens says. “Anything I’d been doing in the previous two weeks in the scenes, whether it was eating, sleeping, roaring, waltzing, I did it again with my face, with Emma [Watson] sitting on the other side of the cage, and we would capture the Beast’s face.”

What’s with Dan Stevens’ hair in that Prince reveal?

It’s a wig. A stringy, scraggly one.

“The hair at the end, was it extensions? I think it was a wig,” Stevens says, trying hard to remember the hair accessory he wore two years ago during filming. “It was quite awhile ago. Yeah, I’m pretty sure that was a wig,” he adds with a smile. “And what a wig!”

Which costume was the most challenging to create?

Belle’s red “montage” outfit, aka the one she wears outdoors for her snowball fight with Beast. Why? Because costume designer Jacqueline Durran used all eco-friendly materials in its design.

“Because Emma is so interested in sustainability and fair trade, eco fabrics and eco fashion, we applied those criteria to making a costume from head to toe,” Durran tells PEOPLE. “That [red] costume was made entirely from sustainable fabrics. We dyed it in vegetable dyes in our workroom, we had shoes made with eco leather, and we did the whole thing from top to bottom to be as thorough as we could. People learned different skills in the work rooms to be able to do it, so the dyers learned to dye with strange vegetable dye. Sometimes it took two weeks to dye something because you’d have to leave it in there for that long to get a rich color. It really was a learning curve for all of us, I’d certainly never done that before.”

How did the filmmakers decide on which songs to feature from the animated film and Broadway musical?

The answer is by hiring and deferring to the animated film’s composer, Alan Menken, who also co-wrote the music for the new film.

“It was challenging,” Menken told EW. “[The] Broadway show had songs that I would have loved to use for the movie, but the form for a film and the form for a Broadway show are different, so the song we wrote for the Broadway show was not going to work. Consequently, we wrote a brand-new song. The challenge is just to maintain the balance of what we originally had for the score and what we had for the show, and at the same time allow this film to have its own character.”

Menken and lyricist Tim Rice (The Lion King) wrote three new ballads for the film. They are: “How Does a Moment Last Forever,” performed by Belle and her father (and sung by Celine Dion over the end credits), “Evermore,” which Beast sings for Belle when he releases her (and is sung by Josh Groban over the end credits), and “Days in the Sun,” which is sung by the objects in the castle and Belle when they are going to sleep.

“I mean, Gaston dies. Is that a spoiler?” Gad says with a laugh, when PEOPLE asked him and Evans during a recent sit-down if there are any Easter eggs fans should look out for. “The Easter egg I fought for [director] Bill Condon to put in but we never did, there’s a moment in the original where a bunch of snow falls on LeFou and he becomes a snowman and I thought, this could kill. It’s a little meta but it could be great [For those who may have forgotten, Gad played Olaf, the snowman in Frozen].”

Evans says his favorite scene that didn’t make the movie is one filmed during the castle battle, in which Gad’s LeFou has a fight with a bathroom appliance.

“What I miss, which we shot and is not in the film, is you having a fight with the toilet,” Evans says to Gad.

Adds Gad: “Played by Stephen Merchant (from Hello Ladies and the original Office)!”

“Yeah, it didn’t make the final cut,” Evans says with mock sadness.

Both actors joke that they have no idea what might end up on the DVD/Blu-ray because no one tells them anything.

“Nobody guarantees us anything,” says Gad. “We’re not even guaranteed that we’re going to be in the movie. It’s all based on our interview performances.

My parents told me that playing League of Legends will lead me nowhere, Instead of stopping, I played more games seriously, and when I became Challenger and play in LCK and make it to LCS and win it, I’ll show them that they are wrong about making me stop playing League.

Content marketing is about much more than just writing content and hitting ‘publish.’ It’s about thinking about what your customers and prospects need, and writing content that serves those needs. Most brands, especially in the B2B space, fail to do that. They don’t write for their customers and prospects, they try to sell to them. They also use corporate blogs as a place to talk about their awards and accomplishments, which do nothing to serve their clients, solve their problems, or help them with trusted information along the path to purchase.

Translation [Dailyixing]: “#GoFighting# S3 viewing conference was held yesterday, workers from all fields attended and watched the first episode with "big squirrel” Wang Xun. Little Swan hereby presents the newest trailer video to ease everybody’s thirst👉Go Fighting airs Sunday: it’s gotten out of hand this time, threatening to quit right in the first episode! This Sunday, the “Go Fighting group of men” composed by @SunHonglei @Huangbo @HuangleiWeibo @LuoZhixiang @ActorWangxun #ZhangYixing# @努力努力再努力 will all come together and greet a brand-new challenge❤❤ Remember to come to Little Swan and watch Go Fighting, this is Swan"

Do you think that the lady galra generals +lotor might make up "Anti-Voltron"? It does fit (pink with blue, cat lady with green, lotor with black, etc.).

While I would disagree with your at-a-glance assignments mostly just because we don’t know who’s who yet (and even just going off incredibly cursory details I’d peg Pink Ears as more of a Yellow Paladin than Blue), there is something interesting.

In Voltron Force, Lotor is main antagonist, not Zarkon (who is dead)- and one of the things Lotor sends after Voltron is a series of five robeasts that combine together, called the Predator Robeast.

Cursory googling would tell me that Lotor pulled a similar stunt in Fleet Of Doom, where he combined his personal ship with four robeasts.

Basically there’s a tradition of there being “anti-Voltrons”, and with the exception of another one I didn’t mention (Voltron, The Third Dimension with “Dracotron”) Lotor is usually the person responsible.

Despite Zarkon being an ex-paladin, I can’t see him pulling off a Voltron of his own to face the original: first, he’s so fixated on reclaiming “his” Lion, and he also has basically lost any ability to play nicely with others.

But Lotor? Lotor’s a diplomat and I don’t think the fact that he and his generals form a five-person unit is any kind of a coincidence. Furthermore, Lotor seems rather dismissive of Voltron and the promo shows us ships branded in Lotor’s colors challenging the Lions directly- as in, actually going mecha-to-mecha.

I could see Lotor not only having a tentative “anti-Voltron” in terms of pitting Voltron against similar talents and a similar team, but a literal anti-Voltron.

After all, the writers did promise Lotor would have a long game plan and that he’d be up to really cool things.