I hope everyone had an excellent holiday. Today I’m reviewing Steambot Chronicles for PS2. This is one of my favorite games because of the amount of things to do and see as well as the unique steam punk setting within the game.

Title: Steambot Chronicles

Publisher: Atlus

Platform: PS2

Release Date: 2006

Where to Buy: Amazon seems to be the only way to go (aside from ebay of course). The game was a commercial failure in north america, so not many copies exist; and it was before Atlus “struck gold” (and attainted a cult following) with games like Persona 3 and 4. There are currently 2 copies available on Amazon at time of this review for $90 – $120. You can keep checking back. Here is the page for the game on Amazon right here. Edit: Actually there appears to be 2 pages on Amazon; and this one has 11 copies of the game available; some for only $45 – You can check this page also for where to buy Steambot Chronicles on PS2.

Geeky:

Sweetie:

Overall: 71/80 89% B+ “Very Good Game For Girls”

Concept: 10/10 Steambot Chronicles combines traditional JRPG elements with a rhythm game. Mechs also play a huge role in the game, as the player can buy or find new mechs, new parts, and customize their mechs to their play style with either fast moving, but weaker mechs, or more heavy duty but slower mechs. Similarly, you can customize your concert experience by purchasing new instruments. You can also find and purchase new outfits and accessories for your characters as well. At the beginning of the game you can customize your hero’s personality by taking a personality test (similar to Tactics Ogre – which I have reviewed here) which will change some of the dialog throughout the game in terms of how the other characters will interact with you. The game is mostly linear with the illusion of choice, with lots of options for you to choose but often resulting in similar outcomes; except for one important choice near the end of the game. In all, the game has a total of 3 different endings. There’s also cooking, dating, and minigames that add to the depth of the gameplay as well.

Gameplay: 10/10 Gameplay is really two fold – the main focus of the game is battling in mechs similar to games such as Xenogears or Robopit. Combat is in real time and you can run, jump, and try to out maneuver your opponent. You pilot your mecha with the two analog sticks and issue commands with the controller buttons. You work on upgrading your mech or can purchase or find new mechs and parts throughout the game. Mechs are used for everything, from travel, to battle, to even mini games. The other main focus is on music, you, and the other members of your party travel around the world putting on concerts. During these events, you, the player, interact with the game in a rythym game that’s similar to games such as Parrapa the Rapper and Umjammer Lammy. There are also other interesting “side” elements to the game such as a stock exchange, dating simulator, city building / interior decorating, cooking, arena battles, and dungeon crawling. There’s also day/night cycles and other elements which make the game feel more lively and immersive.

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Story: 6/10 I’ve only played the “good” side. You can also be evil in this game, if you want to, which drastically changes the second half / end of the game. In both sides, the story focuses initially on helping a girl named Coriander whose mother is very sick. This prompts you to join a band with the young girl and several other quirky characters who become your comrades and orchestra members. Most of the conflict and drama in the game comes from rival gangs which are taking over the cities and causing corruption. In the evil side, you cut ties with the band in order to join one such gang in exchange for profits and power. Police will be chasing you and most of the missions will involve things like stealing or breaking and entering. In the good side, you stick by your band members, but like most bands, there are growing pains, and conflicts arise which cause the band members to eventually go their own way. The ending is left somewhat “open” and you can continue to play in sandbox mode after completing the main story. The story is at times heart warming, and even heart breaking, but it takes a back seat to the gameplay. This is not really a game that you play for “story”. The story is not bad of course, but in no way is it the main focus of the game.

Characters: 10/10 Each of the characters are truly unique and it shows through deep attention to detail in character development and the way in which they are all connected through a tragic backstory. It throws a few punches and has a few surprises in store for you when the story is played out and the cards are on the table. The band as mentioned above, has some “growing pains” and the cast who were once all childhood friends, face losing these friendships, or learning that perhaps certain people were harboring dark secrets all along. Actually you become very attached to the characters and when it throws its punches as it will, it will break your heart.

Music: 10/10 – Music plays such a huge role in this game. Similar to Atlus’ other quirky musical rpg (Rhapsody), the localization of this game, in terms of voice acting and singing, is actually very well done. I am usually anti-dub, but I guess when it comes to musical games like this, I enjoy a game where I can “sing along” (in my head lol). I really liked all the tracks in this game, and the way it engages the user with the rhythm game aspects which makes you really pay attention to the music and appreciate it that much more. Also the music itself ties into the storyline and helps you feel closer to the cast of characters.

Voice Acting: 8/10 – The voice acting is good, for a dub. I would have preferred the option left in for Japanese voice acting; but to be honest, not sure I would have played it in Japanese, because I prefer to play similar games such as Rhapsody in English (the later released portable edition of Rhapsody removed the English tracks; and kinda “ruined” the game for me). I think when it comes to a “musical” rpg it just “helps” to have it in your native language. I do listen to jpop and kpop music and enjoy it; but in this case, in Steambot chronicles, the music helps explain the story and helps tell key scenes or helps you to sympathize with the characters. So it’s one of those rare cases where I feel I’d probably enjoy the dub more than the sub. Rhapsody and the upcoming SMT X FE # are two other cases where I could see myself playing the dub more often. I think dubbing it was a smart move in the case of Steambot Chronicles. The dub is not “bad”. It had some big name Anime Voice Acting talent of the 90s.

Graphics: 7/10 – The game is cel shaded and done in a cute and colorful anime style. You can see your outfits which gives it a sorta dressupgame style. You can see the customization to your mech too. The world is lively with traffic in the cities and day and night cycles. The overworld is large with mountains and bumpy terrain (the original japanese title is Bumpy Trot). There’s lots to see and lots to do. But the graphics have some pretty poor textures and the special effects in combat leave a bit to be desired. Still, overall it’s cute with lots of customization, so it gets high marks on graphics from me. The cel shading is not of the quality of say, Catherine (which I’ve reviewed here); but it is also one generation older than that, and a PS2 Game. I think given it’s timeline, the graphics in Steambot Chronicles are quite adorable and vibrant.

Jenilee Dunson is a geek, otaku, and lover of all things kawaii. She runs a blog in her spare time at http://geekysweetie.com where she writes about video games, kdrama, anime, technology, toys, dolls, and kawaii fashion.

In 2006, Jenilee graduated with a BS in Emerging Technology and Design. In 2012 she obtained an MBA in Ecommerce. Jenilee currently works for a small manufacturing company designing websites, email marketing, digital advertising, and print advertising campaigns.