Beatles

From Gospel to The Grateful Dead, The Persuasions are an a capella group whose musical tastes know no boundaries.

The group’s five original members, Jerry Lawson, Jesse “Sweet Joe” Russell, Jayotis Washington, Herbert “Toubo” Rhoad, and bass vocalist Jimmy “Bro” Hayes began singing on the street corners of Bedford Stuyvesant, Brooklyn during the early 1960s. Jerry Lawson was their arranger, lead singer and producer for most of their career until his departure in 2003.

Their big break came in 1968, when Stan Krause, who owned Stan’s Square Record Store in New Jersey, played a concert recording of theirs over the telephone to his friend, Frank Zappa. Zappa, being a doo wop aficionado, was intrigued enough to fly them out to LA where he produced their 1969 debut album A Capella for his Bizarre/Straight record label.

By way of thanks for producing their debut record, The Persuasions recorded the album Frankly A Capella in 2000. On the album, Zappa classics from early and late in his career get the Persuasions treatment including a capella versions of “Electric Aunt Jemimah,” “The Meek Shall Inherit Nothing,” “Cheap Thrills,” “Love Of My Life,” “You Are What You Is,” “Hotplate Heaven At The Green Hotel,” and “Anyway The Wind Blows.” The album also includes cameos by Zappa sidemen Bruce Fowler, Bobby Martin and Mike Keneally. Today’s Song Of The Day is a cover of “Lumpy Gravy” which originally appeared as the title track for Frank Zappa’s 1968 album Lumpy Gravy.

The group followed their Zappa tribute album with one for The Grateful Dead called Might As Well: The Persuasions Sing Grateful Dead where they took on the Dead classics “Bertha,” “Here Comes Sunshine,” “Must Have Been The Roses,” “Ship Of Fools,” “Greatest Story Ever Told” and several others.

They’ve also recorded tribute albums to The Beatles featuring versions of “Eight Days A Week,” “Love Me Do,” “Ob-La-Di, Ob-La-Da,” “Don’t Let Me Down” and “Come Together,” and U2 including “Even Better Than The Real Thing,” “One,” “Angel Of Harlem,” “I Still Haven’t Found What I’m Looking For” and “Pride (In The Name Of Love).”

The group’s baritone, Herbert “Toubo” Rhoad died in 1988 while on tour, and Jerry Lawson left their ranks in 2004; however the band still continues to perform today. The Persuasions were a huge influence on the modern vocal groups, Take 6, The Nylons and Boyz II Men, and if ever a group deserves to be in heavily flawed Rock ‘N’ Roll Hall Of Fame, it’s The Persuasions.

1967, The filming for The Beatles Magical Mystery Tour was completed finishing with a sequence at Ringo’s country house in Weybridge, Surrey, BBC television bought the rights to broadcast the film twice, the first broadcast, in black-and-white was scheduled for December 26, 1967. The second showing, on the color channel BBC2, was not yet available to all Britons, was set for January 5, 1968.

1968, The Doors played at the Chicago Stadium, Chicago.

1969, King Crimson appeared at the Boston Tea Party, Boston.

1971, Pink Floyd appeared at the Central Theatre in Passaic, New Jersey.

1972, Carly Simon and James Taylor married in Manhattan. They had two children, and divorced in 1983.

1973, Neil Young supported by The Eagles appeared at the Palace Theatre, Manchester, England.

1973, Genesis performed at Massey Hall, Toronto, Ontario.

1973, David Bowie scored his second UK number one album when Pinups started a five-week run at the top of the charts. The set contained Bowie covering his favorite ’60s songs. His version of The Mersey’s “Sorrow” reached number three on the UK singles chart.

1974, KISS performed at the Duluth Arena, Duluth, Minnesota.

1975, The Who appeared at Messehalle, Stuttgart, Germany.

1977, During a concert at the Empire Pool, Wembley, London, Elton John announced his retirement from live performances.

1977, Robin Trower played at the Capital Centre, Landover, Maryland.

1978, Aerosmith appeared at the University Of Dayton Arena, Dayton, Ohio.

1979, One hit wonder M went to number one on the US singles chart with “Pop Muzik.” M was Robin Scott who scored one other UK top 40 hit, “Pop Muzik’ made it to second on the UK singles charts.

1979, The Eagles started a nine-week run at number one on the album chart with The Long Run, the group’s fourth chart topping album.

1982, Devo bring their video-synchronized concert experience to Minneapolis. This involves the band performing in front of a giant screen on which are projected films and lyrics. The robotic band also interacts with the clips.

1983, RCA records signed Latin teen sensations Menudo for $30 million (£18.75 million). The line up of five young boys all had to sign a contract agreeing to leave the group when they reached 16, when too old for the group. Ricky Martin was once a member.

1984, The Grateful Dead played at the Berkeley Community Theater in Berkeley, California.

1984, Paul McCartney went to number one on the UK album chart with the film soundtrack to Give My Regards To Broad Street, featuring the UK number two single “No More Lonely Nights.”

1987, David Bowie played the first of eight sold out nights at The Entertainment Centre, Sydney, Australia. The shows were part of the Glass Spider world tour.

1990, 25 years after their version was recorded, The Righteous Brothers went to number one on the UK singles chart with “Unchained Melody.” The track had been featured in the Patrick Swayze film Ghost. The song was written by Alex North and Hy Zaret, and is one of the most recorded songs of the 20th century, with over 500 versions in hundreds of different languages.

1990, “Ice Ice Baby,” by Vanilla Ice became the first rap record to top the US singles chart, and later it was also a UK chart topper. The track was initially released as the B-side to the rapper’s cover of “Play That Funky Music,” and became the A-side after US DJ’s started playing the track.

1991, A free concert was held in Golden Gate Park in San Francisco to honor the memory of promoter Bill Graham, who was killed in a helicopter crash the week before. An estimated 300,000 people attended to view many of the entertainment acts Graham had supported including Santana, the Grateful Dead, John Fogerty, Robin Williams, Journey (reunited), and Crosby, Stills, Nash & Young (reunited).

1992, Bon Jovi released their fifth studio album, Keep The Faith, which spent a total of 49 weeks on the US chart. The album produced three Top Forty hits, “Keep The Faith,” “Bed of Roses,” and “In These Arms.”

1995, Hootie and the Blowfish reached an out of court settlement with Bob Dylan for the group’s unauthorized use of Dylan’s lyrics in their song “Only Want To Be With You.”

2002, Lonnie Donegan, died midway through a UK tour, and shortly before he was due to perform at a memorial concert for George Harrison with The Rolling Stones. He was aged 71. Donegan, who launched the skiffle craze in the UK had the 1959 hit “Does Your Chewing Gum Lose Its Flavour,” the 1960 UK number one single “My Old Man’s A Dustman,” “Rock Island Line,” plus over 30 other UK Top Forty singles.

A full set of classic Animals from the 1965 NME Poll Winners Concert, as “Song Of The Day by Eric Berman” looks at a terrific “grey area” CD release!

The New Musical Express is a weekly British newspaper that has focused solely on the music scene for nearly 50 years. For several years during the 1960s, the paper sponsored concerts featuring artists who topped their music polls. The 1965 edition took place at Wembley Stadium on April 11, 1965, and was filmed. An edited version of the concert was screened on ABC TV in the U.S. on April 18 of that year. The New Musical Express Poll Winners Concert 1965 2 CD set was compiled from the soundtrack of the unedited master.

OK, so today’s Song Of The Day (and resultant album), isn’t an “official” release. It was put out in 1998 by Vigotone Industries, one of the best of the “grey area” record labels that existed for a brief time in the late 1990s. Vigotone specialized in Beatles and Beach Boy related bootlegs, comprised mostly of studio outtakes. Some of their landmark releases included The Beach Boys’ Leggo My Ego, featuring studio outs from 1965, and the Beatles Off White Album featuring the 1968 Escher demos recorded at George Harrison’s house shortly after the group returned from India.

Kicking things off are The Moody Blues, no not the version with the overblown orchestral arrangements and such, but the Brit-beat version of the group with future Wings-man, Denny Laine, performing a muscular and extended take of “Bo Diddley,” plus a version of their current single at the time, “Go Now.”

Next up are Freddie And The Dreamers with a credible version of Thurston Harris’ “Little Bitty Pretty One,” followed by Georgie Fame And The Blue Flames, and an early instrumental take of “Yeah Yeah,” plus a terrific performance of “Walkin’ The Dog.”

From there, it’s a trip down under for The Seekers and their hits “I’ll Never Find Another You” and “A World Of Our Own.” Herman’s Hermits were riding high with three records in the U.S. top ten at the time of this recording. They debut their then, brand new single “What A Wonderful World,” followed by the crowd pleaser “Mrs. Brown You’ve Got A Lovely Daughter.”

The Ivy League And Division Two take the stage next, with the gorgeous ballad “That’s Why I’m Crying,” and then Sounds Incorporated spread a little of their instrumental magic with “Time For You” and a rocking version of Grieg’s classical masterwork “In The Hall Of The Mountain King.”

A real crowd pleaser is up next with Wayne Fontana And The Mindbenders performing “Game Of Love” and “Just A Little Bit Too Late,” before The Rolling Stones tear it up with a four-song set comprised of “Everybody Needs Somebody To Love,” Otis Redding’s “Pain In My Heart,” Chuck Berry’s “Around And Around,” and finally, “The Last Time.”

Disc one is rounded off by Cilla Black backed by Sounds Incorporated on “Going Out Of My Head,” and that old Disney favorite “Zip-A-Dee-Doo-Dah,” which was covered by in the U.S. by Bob B. Soxx And The Blue Jeans, as well as fellow Brit Invasion groups Freddie And The Dreamers, The Hollies and Dave Clark Five.

The second disc kicks off with Donovan, “The British Dylan,” performing six minutes of “You’re Gonna Need Somebody On Your Bond” followed by “Catch The Wind,” before the Belfast Cowboy (Van Morrison) and Them are brought on for rough and ready takes of “Here Comes The Night” and an nearly seven minute version of “Turn On Your Love Light.”

The Searchers are up next with “Bumble Bee” and “Let The Good Times Roll,” before pop royalty takes the stage in the form of Dusty Springfield giving Martha Reeves a run for her money on “Dancing In The Street,” followed by a cover of Inez and Charlie Foxx’s “Mockingbird” and “I Can’t Hear You.”

The big ending is in sight with three more heavy hitters on deck, including The Animals tearing it up on John Lee Hooker’s “Boom Boom,” “Don’t Let Me Be Misunderstood” and “Talkin’ ‘Bout You,” followed by The Kinks with two of their very best, “You Really Got Me” and “Tired Of Waiting For You.”

Finally, the group that the audience has been waiting for all day takes the stage! It’s The Beatles with a five song set including “I Feel Fine,” “She’s A Woman,” “Baby’s In Black,” “Ticket To Ride” and “Long Tall Sally” bringing the festivities to a rousing conclusion.

Much of this concert is up on YouTube (search by artist and NME 1965) and is recommended viewing. So there we have the next to last NME Poll Winners Concert from 1965 in its entirety, in pristine sound quality to boot. Why hasn’t this been released officially?

This song, from Simon and Garfunkel’s “Bridge Over Troubled Water” album, was written in the same house on Blue Jay Way in Los Angeles that George Harrison rented, and named a Beatles’ song after. The percussive track was formed by recordings of Paul and Art slapping their thighs while others thumped on a piano bench, dropped bundled drum sticks in an echo-laden room and strummed guitars with slackened strings. From this, producer Roy Halee created the musical bed for one of Simon and Garfunkel’s most joyous and catchy songs. The song was not a paean to an elusive love named Cecilia, but rather the Cecilia of this song was the patron saint of music in the Catholic tradition and the song was about the trials and travails of songwriting. Simon would revisit St. Cecelia again in his song “The Coast” from his 1990 “The Rhythm Of The Saints” album with the lyric “A family of musicians took shelter for the night in a little harbor church of St. Cecelia.”

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Before The Miracles, before Berry Gordy and before Motown, a talented singer and aspiring songwriter named William Robinson formed a group called The Matadors. The Matadors consisted of Bobby Rogers, Ronnie White, Warren Moore and Claudette Rogers.

They met a hungry promoter named Berry Gordy who had his first taste of success by writing the Jackie Wilson hit “Reet Petite.” The Matadors auditioned for Gordy who liked the group, especially their lead singer. When Williams told Gordy that he could write songs, the two sat down and wrote an answer record to The Silhouettes’ 1958 hit “Get A Job,” and called it “Got A Job.”

Gordy thought the name, The Matadors, was far to masculine for a group that featured a vocalist like William Robinson and also a female vocalist, so he changed their name to The Miracles. Gordy negotiated a release of the record on the independent End record label in 1958 and it became a minor hit.

With the money earned from the hit record, Gordy went on to found the Motown record label making Robinson the vice-president…so you may say that both Gordy and Smokey Robinson (as he became known) “Got A Job” with the release of the record of the same name.

The Miracles consisted of Smokey Robinson on lead vocal, Claudette Rogers Robinson (his wife) on backing vocal, Pete Moore on backing vocal, Ronnie White on backing vocal, Bobby Rogers on co-lead vocal and backing vocal, Marv Tarplin on guitar with all other instruments performed by The Funk Brothers.

Songs don’t come any more romantic than the top side of today’s double A-sided single! The first thing that grabs you is the angelic, echo-laden production sound of the record with its elaborate and plush bed of strings. If that doesn’t automatically get your attention, then Robinson’s gossamer vocals are sure to woo even the most hardened heart. (Note: For the ultimate in greatness, check out his soulful vocals during this record’s fade.)

The song was one of The Miracles early singles from 1962 and was also the title track to their third album. Upon its release, it climbed to the #11 position on the R&B charts and settled at #39 on the pop list. In 1969, the song was released as a single by The Supremes and The Temptations together that climbed to #25 on the pop charts and #8 R&B. It was also covered by disco group A Taste Of Honey in 1982.

The flip of today’s single was a much bigger hit for The Miracles topping the R&B charts and climbing all the way to #8 on the pop list while selling a million copies. “You’ve Really Got A Hold On Me” is deservedly in the Grammy Hall Of Fame and also holds the distinction of being covered by The Beatles on their second album.

The song was written by Smokey Robinson for his wife (and group member) Claudette after hearing Sam Cooke’s “A Change Is Gonna Come” on the radio while on a business trip in New York City. When originally released, it was relegated to the B-side of the song “Happy Landing,” however DJs flipped the record and liked it much better. Both songs appeared on The Miracles second album The Fabulous Miracles released in 1963.

The Beatles first heard the song after finding an imported copy from the U.S. and it quickly became a staple of their early live repertoire. It was recorded for their second album With The Beatles (in the U.K.) and The Beatles’ Second Album (in the U.S.) featuring an indelible lead vocal by John Lennon.

The Beatles re-recorded the song after EMI acquired their first four track recording equipment; however that version was deemed no better than the original and remains unreleased to this day. They also recorded it four times for broadcast on BBC radio. The song can also be heard in the 1970 Let It Be and it was also featured in a live version from Stockholm, Sweden in October 1963 on the Anthology 1 album.

The Beatles covered several Motown songs early in their career, including “Money (That’s What I Want)” and “Please Mr. Postman,” because Berry Gordy gave the group reduced rates as an enticement since they were such a big recording act. The song has also been covered by a myriad of artists including The Supremes, The Temptations, The Zombies, The Jackson 5, Mickey Gilley (#2 Country Hit), Phil Collins, Mike + The Mechanics and She & Him.

On my WMXM show Wednesday, I went with Stellar Rock & Roll Sequential Trilogies as the theme of the day.

The inspiration came from my good friend Otis Jones who sent out an email to our group of music-loving friends from North Carolina (and now VA, OR, AZ, and me up in Illinois.)

He implored the group to add to his list of three stellar albums in a row by rock artists. Live albums and compilations not included.

He led off with:

Beatles: Rubber Soul/Revolver/Sgt. Pepper

Rolling Stones: Beggars Banquet/Let It Bleed/Sticky Fingers

The Who: Tommy/Who’s Next/Quadrophenia

Jimi Hendrix: Are You Experienced/Axis: Bold As Love/Electric Ladyland

Neil Young: Everybody Knows This Is Nowhere/After The Goldrush/Harvest

Led Zeppelin: Zoso/Houses of the Holy/Physical Graffiti

CCR: Green River/Willie and the Poorboys/Cosmos Factory

So you get the picture.

I chose one deeper cut (not really possible with Zep IV) and played them on air. Included is my Spotify playlist. Note that they don’t have the Beatles in their catalog, so my leadoff tracks of “I’m Looking Through You,” “She Said She Said,” and “Being for the Benefit of Mr. Kite” are not included.

This is part one. Another installment airs next Wednesday.

Tune in most Wednesday 9 – 11 AM ET on wmxm.org or 88.9 FM in the northern Chicago suburbs.

Primary Sidebar

How to Contact Us During Live Hours

LIVE: Monday – Friday 11a – 3p ET /8a – noon PT

Call the studio: 224-662-1240

Email: acidflashback [at] internetfm [dot] com

Twitter: @radiomogul or hashtag #acidflshbackradio

Instagram: @internetfm

Discord: https://discord.gg/M49VSr4

Follow us:

E-mail Newsletter

Your NameE-mail Address

Please Support InternetFM

2020 and 2019: Thanks to everyone who continues to support us. The current licensing to legally play all the music you hear on Acid Flashback costs almost $2000 a year. Please help us defray this and other costs with a donation of any amount. … [Read More...] about RadioThon

Footer

Press Releases

Starting the week of March 23rd, we are going retro – no voice tracks, no safety net – and will be live in the Acid Flashback studios from 10 AM until 2 PM Central Time (11ET, 8 PT). So for folks who have to stay at home during the Covid-19 crisis, you can turn the […]