We mourn the passing of David Nathaniel Baker, Jr who died at his home in Bloomington, Indiana on Saturday, March 26, 2016 at the age of 84.
David was an extraordinarily accomplished composer, author, conductor,
and teacher; and among the most influential voices in contemporary
American music over the past five decades. The Keiser-Southern Music
family offers our deepest condolences to his family, friends and
colleagues. We submit this humble memorial as a tribute to and celebration of his life and music.

A Celebration of David Baker’s Life in Music

We mourn the passing of David Nathaniel Baker, Jr who
died at his home in Bloomington, Indiana on Saturday, March 26, 2016 at
the age of 84. David was an extraordinarily accomplished composer,
author, conductor, and teacher; and among the most influential voices in
contemporary American music over the past five decades. The
Keiser-Southern Music family offers our deepest condolences to his
family, friends, and colleagues. We submit this humble memorial as a
tribute to and celebration of his life and music.

Born on December 21, 1931 in Indianapolis, Indiana, David Baker grew
up in the rich musical tradition of the black community, in the world of
church and gospel music, blues and rhythm & blues, and jazz. He
trained as a classical musician and composer at Indiana University,
where he later became Distinguished Professor of Music and Chairman of
the Jazz Department. Baker also had served as conductor and artistic
director of the Smithsonian Jazz Masterworks Orchestra. A virtuoso
performer on multiple instruments and top in his field in several
disciplines, Mr. Baker taught and performed throughout the USA, Canada,
Europe, Scandinavia, Australia, New Zealand and Japan.

Though thoroughly educated in classical music, Baker’s early career
began in an era when the professional options for a black man in that
field were extremely limited. As for composing, he once said, “there was
no reason for me to aspire to write classical music. At that time the
handful of black composers who were actually writing classical music
were constantly struggling to have their works performed. There were
virtually no role models for me to follow, and very limited
opportunities to hear the music these composers were creating.” However
in 1969, Baker was approached by his friend and colleague, the legendary
violinist and pedagogue Josef Gingold, with a request to write a
concerto for violin and jazz band. Baker accepted, and following the
masterful premiere with the IU Jazz Ensemble, myriad commissions from
colleagues and other world-class artists and ensembles would follow
thereafter.

David Baker’s style is often described as “thirdstream,” a term
commonly used since the late 1950s to describe the synthesis of elements
of classical music not only with jazz but also with other folk and
popular traditions. At his 2006 acceptance address of Indiana
University’s Tracy M. Sonneborn Award, Baker stated, ” It was the
philosophical rubric of thirdstream–not only in the narrower view of
combining classical music and jazz, but also in the broader
interpretation which combined classical music with various ethnic or
vernacular musics–that provided me with the means to seek out my own
identity as a composer.”

Over the course of his multifaceted career, David received numerous
awards, including the National Association of Jazz Educators Hall of
Fame Award, the Indiana Historical Society’s Living Legend Award, the
James Smithson Medal from the Smithsonian Institution, the American Jazz
Masters Award from the National Endowment for the Arts, and an Emmy
Award for his musical score documentary For Gold and Glory. In
2007 he was honored by The John F. Kennedy Center for the Performing
Arts with their Living Jazz Legend Award. As a composer Mr. Baker was
commissioned by more than 500 individuals and ensembles, including many
world-class performers. He served a number of times on the Pulitzer
Prize Music Jury and was Chair of the Jazz Faculty of the Steans
Institute for Young Artists at the Ravinia Festival in Chicago, IL. His
compositions total more than 2,000 in number, including jazz and
symphonic works, chamber music, and ballet and film scores.Comments by email:1) David Baker invited me to visit his room at the Hyatt Regency and discuss Roy Harris Bicentennial Symphony during the 2002
IAJE Conference in Long Beach, Ca. I showed him part of the score
because he had never heard of the symphony although he was on the
official Bicentennial Music Commission. I also met his wife who was very
knowledgeable about music history and composition. May his soul rest in
eternal peace. http://jazztimes.com/articles/20049-iaje-conference-2002-long-beach-becomes-jazzville-usa-for-5-days-in-january

John Malveaux

2)Hi Bill, Thank you for passing that along to us. Have a great one! Jim Schneeberg, Publishing Associate, Southern Music Company, Lauren Keiser Music Publishing, Keiser Classical