support for the vulnerability that comes with creativity

Menu

Procrastination

A while back while channel-surfing I had the pleasure of happening on Tootsie, one of my favorite movies of all time which I hadn’t seen in way too long.

In the movie, Dustin Hoffman plays Michael Dorsey, an impassioned, perfectionistic but unemployed actor, and we get this great opening montage of Michael auditioning and teaching his acting class and we get to see how he cares almost impossibly deeply about the craft of acting, but that he’s also kind of a pain in the butt.

Early in the movie, Michael and his playwright roommate (played by Bill Murray, need I say more?) are walking home from the restaurant where they both work as waiters, and the roommate asks Michael why he has to be “Michael Dorsey the great actor” or “Michael Dorsey the great waiter” — why can’t he just be, you know, Michael Dorsey? And Michael says, “I don’t know what the payoff is there.”

(“Tootsie” is packed front to back with great dialogue, so writers, go watch it immediately. But not before you read this blog post.)

Obviously, Michael means he can’t see a dramatic payoff for being Michael Dorsey (and this “throwaway” line has a number of meanings in the context of the movie). But the line kept popping into my mind for a while afterward because I tied it to some situations a couple of my clients were going through, where they kept beating themselves up for not doing something they said they wanted to do.

In other words, for “procrastinating.” I always like to put quotes around that word, because, as I’ve said here quite a few times, it tends to be a quick go-to descriptor when we’re not taking action on something.

But it’s not always true that we’re procrastinating when we’re not taking action. Sometimes we tell ourselves we’re procrastinating because we don’t want to look more deeply at what’s actually going on. (And sometimes, yes, we are actually procrastinating. But true procrastination has a different feel than the more complex stuff, which I wrote about here.)

What I’ve noticed over the years is that sometimes when we’re not taking action toward something we say we want, it’s because we don’t really believe there’s a payoff in doing whatever it is we think we should do. And I don’t necessarily mean an external, tangible payoff here.

It could be that we are not sensing an intrinsic payoff.

In other words, we don’t really believe that doing that thing is going to make us feel any better.

Feelings are incredibly strong motivators. It’s our feelings that drive us to action. And although we may say we want something, if on some level we don’t actually believe that having that thing will make a difference for us, we’re just not going to feel drawn to it, and when it comes down to it, we won’t take action toward it.

It’s easy to fool ourselves here — we say we want something, and it sounds good on the surface, and maybe we’re even getting into a kind of urgency where we feel like we desperately want it or need it. We may be really attached to the idea that we need the thing, or need to do the thing. But do we, really?

There are some layers that need to be peeled here.

We can start by asking ourselves what we believe the payoff will be for doing this thing. Can we see a payoff? One of my clients had to admit, when we delved into her situation, that there was no payoff for her in doing her thing. No wonder she wasn’t taking any action toward it!

We only ever want anything because of how we believe it’s going to make us feel. There’s really no other reason we want it. We can name all sorts of other things — acclaim, money, knowledge, experience — but all of that really comes down to how we think acclaim, money, knowledge and experience will feel or make us feel.

How we feel is the intrinsic payoff for anything we do, anything we move toward. But so often we leave it out of the equation!

Experiment with this the next time you’re feeling stuck or stopped on something you believe you want to accomplish. Is there a true payoff for you in accomplishing this thing? How do you think accomplishing it will make you feel? Is that how you want to feel?

If not, you need to get back in touch with how you want to feel, and go from there. The goal may need some tweaking, or you may want something completely different than you thought you did.

What about you? Do you notice yourself “procrastinating” on something you want to accomplish? Is it possible there isn’t enough of a payoff for you in accomplishing it? I’d love it if you’d share.

Also: Because I am in the process of creating new coaching offerings, these are the last two weeks to work with me in the current format. As of the end of March, the package of four sessions will be gone (the one-session-at-a-time option will remain, but the package of four saves you $75 if you’re wanting to purchase multiple sessions). Learn more about working with me here.

A friend and I had a conversation the other day about those times in life when we feel like we just can’t get any momentum going, and it got me thinking.

It can be painful to feel like we’re not moving forward. Part of this is due to external stuff (we live in a world that has little tolerance for the idea of “standing still”) and part of it is due to our innate desire to grow and become more of who we are.

If I look back over my life and pinpoint the periods of a lot of “obvious” momentum, it becomes clear that they were almost always preceded by a time (sometimes a long one) where I swore I was stagnating and that nothing would ever change.

Why is this?

In my experience, it’s because the part of us that has outgrown where we are is the one who is experiencing “where we are” as stagnant.

But: there’s another part of us, the slower part that isn’t quite ready to let go, that is NOT experiencing “where we are” as stagnant at all. This part of us is still receiving benefits, comfort, nourishment, even joy, from being exactly where we are.

When I look back on my life from the standpoint of “who I am now”, the “me” I am now sees the periods of my life that preceded a lot of change as stagnant.

But, when I actually was LIVING those periods, a part of me was okay with them. A part of me needed them to be exactly as they were. And until that part of me was ready to let go, they weren’t truly “stagnant” periods to ALL of me.

Maybe the truth is that when we feel a lack of momentum, and think we are “stagnating,” what’s really going on is we’re feeling an increasing sense of incongruence. Who we are becoming is feeling incongruent with who we have been, but we are still ALSO who we have been.

I’ve found that it’s not helpful to rush along the part of me that needs to be exactly where it is for a while longer. When I do that, it holds on tighter out of fear and a kind of rebellion.

What’s more helpful is to reassure the part of me that wants to gallop ahead that it WILL have its day, and that, in fact it IS moving forward as we speak, and that’s why the divide between it and the part of me that wants to stay put is becoming more and more painful.

The pain is a good thing!The pain of incongruence is a sign of momentum, rather than evidence that there is NO momentum.

If you find yourself thinking that momentum has to look a certain way, play around with rethinking it. Are there signs of momentum in your life that may not be obvious or tangible? Does the fact that something is not obvious or tangible mean it isn’t real?

Nature is always a good role model for us here. During the winter, growth does not stop altogether. Growth goes into a different phase. Trees do not die; they sprout new buds in the spring. Some animals go into hibernation, conserving energy for their eventual reemergence. The fact that they’re inactive during this period does not mean they are dead!

Before you assume you have “no momentum,” look for ways that momentum may be showing up in your life that are not totally obvious. And check for signs that you may be in the middle of your personal “winter,” where growth is occurring in oh-so-subtle ways, deep beneath the surface.

Trust is helpful here. Trust and momentum make good partners.

What do you notice about what momentum looks like for you? What do you do when you feel your momentum is “lost”? I’d love to hear how this works for you, in the comments.

This morning I took one of my beautiful fall walks and noticed that my mind kept going to several things I’ve had on my to-do list for a long time that are just not getting done.

I stepped back a little and let my mind go — the practice of walking helps me immensely with getting into “observe my thoughts” mode — and pretty soon I saw that the thought that kept coming to the top of the rotation was this one: “What’s wrong with you that you’re not getting these things done? Anyone else would have gotten these things done months, years, ago.”

“What’s wrong with me?” is kind of a default, underlying, unhelpful thought for many of us. I’ve been a coach for about four years now, and I notice this particular thought come up at some point for most people.

There’s no satisfactory answer to this question. There’s no encouraging, supportive answer to this question. It’s a good example of a question that closes off possibility and keeps us spinning our wheels.

As I walked, and got out of my thoughts and into the present moment, noticing the row of trees that has erupted into lava-reds, the squirrels fighting for supremacy at the neighbor’s bird feeder, my mind began to get more peaceful.

And when I got home, I went to my journal (as I so often do), and experimented with better questions to ask myself about these things I am not getting done.

Why aren’t I getting them done? (“Why?” can be a good question, for sure, but in this case, it felt impossibly heavy.)

How do I want to feel about these things on my to-do list? (This created an instant feeling of lightness.)

What kind of relationship do I want to have with these things? (More lightness. Relief.)

Is it worth it to me to do these things? (Ahhh. Here I hit the jackpot.)

I could tell that last question was the one that opened up possibility and movement, because exploring it felt really juicy to me.

So I went through the list of these things that have been nagging at me, these things I’m not doing, and for each of them, I asked myself, “Is it worth it to me to do this thing?”

The answers were revealing. For the first thing on the list, the answer was a clear no. It simply wasn’t worth doing. But I was telling myself I needed to do it. Is it true I need to do it? No. I crossed it off the list.

For the second thing on the list, the answer was a clear yes. Yes, the thing is definitely worth doing. And here is where “why” comes in. It’s worth doing — good to know! — but I’ve gotten out of touch with WHY I want to do it. Time to reconnect with that.

With the third thing on my list, I realized I’m not sure if the thing is worth doing or not. Sometimes not being sure is code for “no”, but other times, there’s fear there that is masking the “yes.” So this one will require some inquiry, some investigation.

I feel so much lighter right now, like I’ve cleared a path before me.

What do you notice about the questions you’re asking yourself? Does your mind jump to “default questions” that may not be helpful, but you keep trying to act on them anyway? Try experimenting with finding some more helpful questions. And let me know how it goes.

Hope you are enjoying the changes that fall brings (both outer and inner) as much as I am.

And: My Mini Unsticky Sessions are half-price through Halloween, when I’ll be retiring them. My intention with these sessions is to help you make a quick shift that allows you to move forward on a project you’re feeling stuck on. I approach these sessions with a sense of curiosity and play, and they’re often a lot of fun. Check them out, here.

Several months ago, I led a small group of my clients through a support session to help them with fears that were coming up around their creative projects. They were all nearing the finish line and feeling a lot of resistance to completing, so I thought, maybe we could all support each other in this.

Something we noticed during our session was that we all had a tendency to complicate things to the point that we felt utterly paralyzed about how to move forward. The closer we got to finishing, the more questions about what might happen when we brought our projects into the “real world” came up.

A lot of the stuckness, we found, was based on fears of what might — or might not — happen in the future, if we actually did finish the projects. What if we put them out into the world and no one noticed? What if we put them out there and offended someone close to us with our content? What if we put them out there and got criticized or booed?

All of these things, of course, are distinct possibilities when we put our work out into the world. Focusing on these possibilities can also be effective ways to distract ourselves from actually finishing our work so it can BE out there.

So we came up with this question to ask ourselves when analysis paralysis set in: What would make it easier? What would make it easier, right now?

Just asking this question, we noticed, created a feeling of relief (which good questions usually do — and most of us are not in the habit of asking ourselves good questions!).

We brainstormed a list of possibilities this question generated, and here are some of the things we came up with:

* I could, just for today, commit to staying in the present moment with my work.

* I could stay in my own business. (This comes from Byron Katie’s “three kinds of business” — my business, your business, and God’s business [you might also call this the universe’s business or simply “reality”]. As I’ve written here before, much of the time I feel stress it’s because I’m in someone else’s business. That includes worrying about how my creative work will affect others in the future. There’s a place for this concern, but it’s not while we’re creating the work.)

* I could go to bed earlier and wake up earlier.

* I could check in with someone who helps me gain perspective when I’m stuck.

* I could drink more water. (This might sound silly and completely unrelated, but truly, dehydration can cause us to feel stuck, because water helps our physical systems move and flow. And, particularly if your system is highly sensitive, you may be susceptible to the effects of dehydration.)

* I could take more walks. (Sitting at a desk, especially if you use a computer to do your creative work, can cause you to feel sluggish and static. Moving your body shakes things up and help you shift perspective.)

* I could employ tunnel vision (in a good sense). Think of a racehorse who has blinders on so he is not distracted by what’s on either side of him — he’s only focused on the immediate few yards ahead.

* I could shift my work time to earlier (or later) in the day.

* I could work in a warmer (or cooler) room.

* I could take more frequent breaks when I work.

* I could aim for a B- rather than an A+ (this one is especially important for perfectionists, which most of my clients are). If it didn’t have to match your perfect vision, how much freer would you be to finish? Think about your favorite books, movies, music, artwork. Are they perfect, or are they inspired? There’s a big difference.

* I could, just for today, let go of the idea that I can please everyone with my work.

* I could, just for today, let go of the idea that I can please everyone in my existing audience with my new work.

These are only a few examples of what we came up with. But notice how simple most of them are. Sometimes there’s one small tweak we can make that really helps. And we noticed that the phrase “just for today” was especially helpful.

It’s very human to make things much more complicated than they are. Usually, when I find myself in the land of analysis paralysis, it simply means that I’m scared and I need some support. Notice if this might be the case for you.

What might make your current project easier — particularly if you’re getting close to finishing? I’d love to hear, in the comments.

And: If you’re stuck near the finish line and need some support in completing a large project, I’ll be forming another small, low-cost support group soon. Feel free to contact me if you’d like to be put on the list to learn more.

Sometimes we’re in a space where there’s something we want to do, but we’re not taking any action toward actually doing it. This space is frustrating and icky. We can spin our wheels here for quite a while.

What I find especially stressful (and confusing) is when I do take a step toward whatever it is I want to do, but I don’t seem to build any momentum. Something feels off. I’m not getting caught up in whatever that thing is; there’s no passion, no fire.

What’s going on when we’re in this space? It’s tempting to try to bulldoze our way through and “just do it!” And there are times when that works.

But sometimes it doesn’t work — and, when we plow forward with sheer force, there’s a nasty lingering side effect: We don’t understand ourselves any better. We may get that thing done, but what happens the next time we’re in the “spinning our wheels” place? We force ourselves to plow through again?

I much prefer asking questions at times like these. More than anything, I want to understand myself better so I can have a better relationship with myself. If that relationship is vital to you, too, here are some questions to ask yourself when you’re spinning your wheels:

* Do I truly want to do this thing, or do I believe I “should” want to do this thing?

The presence of a “should” is not necessarily an indication that you don’t want to do it; it often means that you have conflicting voices within you around taking this action. If you can untangle the “should” from the rest of it, you’ll have a much clearer sense of what you really want.

* Is this something I used to want, but perhaps no longer do?

Does the person you are today actually want to do this, or is this something you wanted to do five years ago? Are you hanging on to an old dream? (“I can’t go back to yesterday because I was a different person then.” – Alice in Wonderland)

*Is there a deadline issue?

Some of us work better and more effectively with deadlines; some of us get panicky and overwhelmed when we have a deadline situation. And sometimes, the deadline is simply too close or too far away to work for us.

If there’s a deadline by which you’re supposed to do this thing, is it possible to push it back, or push it up? Would doing either of those things make a difference in how you felt about taking action on it? (Sometimes we’ve set our own deadlines. Most of my clients have a perfectionistic streak and expect themselves to complete things way sooner than is reasonable, or necessary.)

* Am I making the task too big?

One of my clients had decided to apply to a graduate program, but she wasn’t taking any action toward it. The deadline loomed and the weeks were going by and nothing was happening.

We noticed that every day she had been writing on her to-do list “Grad school application.” But when we broke it down, we found that there were at least twenty individual steps involved in completing the entire application process, and some of those steps could be broken down into even smaller steps. Of course she wasn’t taking action on it when “grad school application” was not an actionable step.

We often don’t want to break things down into small steps because we’re in a hurry. We think we don’t have time to take small steps. Then we proceed to do nothing at all because the giant leap we think we have to take overwhelms us. In the long run, we move more quickly and steadily when we take small steps over time. Think turtle and hare.

* Am I in somebody else’s business?

Byron Katie talks about the three kinds of business: My business, your business, and God’s business. Much of the time when I’m feeling stressed, confused, or unfocused, if I remember to ask myself who’s business I’m in, I discover the issue. When I’m in somebody else’s business, as Katie says, there’s no one here taking care of my own.

How does this keep me from moving forward? If I’m worried about what someone else thinks of me, or trying to control someone else’s reaction to my choices in some way, I keep on spinning my wheels. I may not allow myself to do what I truly want to do. It’s human to care about what others think; but if we’re paralyzed because of it, we’re way out of our own business and into somebody else’s.

*Is my creative well empty?

I often mention the creative well on this blog. Julia Cameron likens the creative well to a “trout pond” that, ideally, is fully stocked with fish, except, as artists, we stock our ponds with images that inspire. We stock our ponds with the wordlessness that comes from simply being.

When the pond is empty, we need to restock it. And this means we need to practice great self-care and recognize that there are ebbs and flows to our energy and our creativity. Sometimes, when I’m not taking action, it’s simply because I need to be in a place of inaction for a while.

Any of these questions is a good starting point if you find you’re not taking action on something you want to do. If one question doesn’t seem to apply to you, try the next. And come up with your own, too — write them in a notebook where you can refer to them the next time you’re up against the stuckity-stuck.

How do you deal with it when you want to move forward but can’t seem to take action? I’d love to hear from you!

One day last week I sat down to write and felt distracted. This is not uncommon. I often experience resistance, confusion, tedium, and occasionally even dread, when it comes to working on my novel.

In fact, I don’t usually call it (in my own head at least) “working on my novel” anymore. I call it “playing with my novel.” This feels much lighter and opens up possibility, curiosity, excitement. When I make it less grave and serious, I’m more in touch with why I actually want to do it in the first place.

That said, sometimes I feel stuck and it feels hard. And I hang in there with it anyway, because it is a commitment. And because sometimes I reach that lovely place of getting lost in my story. And the more I practice hanging in there with it, the more I reach that place.

But on that day last week, something else was going on. I sat and I sat and I sat, and I wrote and revised and tinkered. But my energy was not with the writing. I had the odd sense of pushing something away.

I glanced over at my open notebook, to some morning pages I’d done the day before. Jotted in the margin at the top of the page was a reminder to call a friend of mine, a dear friend whom I’d been meaning to call for a while. But I’d been putting it off because, although I knew that talking to my friend would be nourishing and fun, I’d told myself that she was probably busy and wouldn’t have much time to talk, anyway. I kept telling myself I’d wait and call “when we were both less busy.”

Now, the reminder note jumped off the page at me. And I realized that there was a ton of energy in calling my friend right then, right in that moment.

So, I stepped away from my computer and dialed my friend’s number. She was home and said she’d been thinking about calling me, too — that very morning. But she figured I was probably busy with coaching or writing and she’d wait to call me until the weekend.

We talked for an hour and it felt soooo good. It filled my creative well to — at least — a 10 (read Julia Cameron’s The Artist’s Way to find out more about the creative well). You know those friends who accept and love you so deeply that it doesn’t matter what’s happening for you, or not happening for you, because the connection is about your very essence? That is this friend, for me.

And something important came out of this call. I realized that I often make an assumption that the people I care about are busy and they need to “fit me in.” And this assumption is not reality. In fact, my friend was making the same assumption about me, but in truth I would have welcomed a call from her.

After we talked, I returned to my novel with a sense of lightness and new possibility, and I no longer had that nagging sensation that there was something important I wasn’t attending to. I could give the writing my full attention.

If I hadn’t followed my energetic pull toward calling my friend, I would have missed out on that connection and that insight.

And yet, my rational mind wondered if I wanted to step away from the novel simply because it was hard and it was my way of “procrastinating.” It can be tempting to “power through” at these times, no matter what. And that’s not necessarily a bad thing to do when we’re developing a habit, whether it’s writing or something else.

But we get to the good stuff in life by acting on what feels juiciest for us in the moment. I don’t mean by acting on our every impulse, but by following our intuitive urges. Often, it’s as simple as asking, “What would light me up right now?” On that day last week, contacting my friend was that thing. It was “up” for me, calling out for attention. And I needed to listen.

Sometimes, our “creative work” can serve as a means of avoiding doing our inner work. Just as we can avoid our creative work, we can also use our creative work to avoid — or push down the list — other things that are vital to our well-being. Like our relationships. Most particularly, our relationship to ourselves.

So notice the quality of your energy as you create. Is the creating connecting you with yourself, with the world, with that beautiful mysterious space we go to when we create — even if it’s a huge challenge at the moment?

Or, do you have the sense that you are using your writing, artwork, business brainstorming, or whatever it may be, to push something else away, as I did last week? Just notice. You don’t have to stop what you’re doing. Just tell yourself the truth, whatever it is for you.

Because, ultimately, creativity is being connected to what’s true for you in the moment. Because that is when you are most you. And that is what I wish for you — that you be most you as often as possible. That, more than anything else, is your gift to the world.

I used to think that I didn’t like systems. Every time I found myself dealing with any kind of system — which implies structure — I would rebel.

Part of this probably stems from having a childhood that felt way, way overstructured to me. My heart wanted to lounge in open fields with cows, sheep, books, and my journal (not that I lived near any fields), but my days always felt completely scheduled with activities from morning to night — not just riding the bus (an ordeal in and of itself) to school and back, but with afterschool activities, and then homework.

This seems so nuts to me now, but it was considered normal, and, thirty years later, though I don’t have kids myself, my sense is that many kids are even more overscheduled than I was (plus today’s kids have so much more technology to manage).

I think another reason I’ve tended to rebel against systems and structure is that I’m a Myers-Briggs INFP, and we “P” types like to keep things open-ended. Too much structure can feel overly planned and rigid for a “P” and trigger our rebelliousness.

At the same time, I’ve had to admit over the past several years, especially since becoming a coach and attracting clients who also tend to rebel against structure, that the right amount of structure can be a true godsend for those of us who cling to open-endedness (which can sometimes result in saying things like “I’ll write when I’m feeling inspired” or leaving ourselves one hour to complete something that actually takes four — woops!).

Systems and structure do not have to be elaborate or complicated.There just needs to be enough of a system to get it done — whatever “it” is.

Here’s my (very simple) example:

I was having a huge issue with mowing the lawn. It only takes me about 30 minutes, but it was becoming this thing that I so didn’t want to do and eventually I’d have to force myself to do it, angrily, usually swearing. Even though, once I’m doing it, I don’t hate it (except for that one time I mowed over some dog poop). It actually feels kinda good, moving my body, the smell of grass and dirt around me, the heft of the mower.

About a month ago, I figured out the issue. My brother, who used to live here and used to mow the lawn, had told me I should do it “about every ten days.” And I tried this. But it felt increasingly stressful to me. Because “every ten days” could fall on any day of the week. It might be a Wednesday, and then next time a Saturday, and then next time a Tuesday.

It occurred to me that if I mow the lawn every two weeks, it really doesn’t look all that much worse than if I do it every ten days. So I’ve made every other Sunday afternoon my mowing-the-lawn-time. And I think about it so, so much less. On Saturday, or Wednesday, I’m not thinking, “should I do it today?” because I know Sunday is lawn day. Every other Sunday, “mow lawn” is on my to-do list, and I know I’ll do it, and that’s that.

That was all the system that was required. It was actually way more stressful to keep the “when” I’d mow the lawn up in the air than it was to assign a day to do it.

This applies to anything I want to do on a regular basis, whether that’s writing or yoga or doing the dishes: Keeping the “when” up in the air creates stress and vagueness, and vagueness does not produce specific results.

And I think that’s worth consideration for us “open-ended” types. Is keeping something unstructured and open-ended giving us a feeling of peace and freedom, or stress and confusion?

The way to know you’ve hit on the right amount of “system” for you is that you use the system without a huge desire to rebel. (If you have a very strong inner rebel, as I do, you may be a little bit edgy around any amount of system, but when it’s the right amount, you’ll find yourself using it anyway.)

Your body is an excellent guide for whether or not a certain amount of structure is too much or too little. When I am overstructured, I feel frazzled, frenetic, like I’m on a treadmill. There’s a need to catch my breath (literally). When I have too little structure, I can feel sluggish, unfocused and fatigued.

There’s no right or wrong here; each of us has a “sweet spot” where we have enough structure, but not too much. So when I’m struggling with something that just won’t seem to get done, I’ve started to ask myself, “Can I wrap a system around this?” And then I brainstorm a little about what might feel like enough.

How do you feel about systems and structure? Do you tend to rebel against them, or do you find them helpful, or both? I’d love to know, in the comments.

A while ago, I had a session with someone who had so many ideas, she felt paralyzed as to which to choose and where to begin. Every time she took a little action on an idea, another one of her ideas started to haunt her and she was sure that one was better. So she’d stop working on the current thing and start this other thing. And then the other thing wouldn’t feel quite right, and some shiny new idea would start hovering and she’d drop the current thing and start in on the shiny new thing. And so on.

I so relate to this. It doesn’t happen to me that frequently, but when it does, it is crazymaking. What’s going on when we’re knee-deep in a sea of ideas and we just can’t choose, or stick with one long enough to bring it to completion?

For me, there are one of a couple of things happening:

1) Perfectionism has reared its oh-so-troublesome head.

We’re wanting the idea to be the be-all and end-all of ideas, rather than a stepping stone to what the idea can become. There’s no way an idea won’t transform as we work on it, so most of the time, it’s not going to stay the same as the seedling in our heads. But if we have perfectionistic tendencies, we want to know it’s going to be great, it’s going to knock everybody’s socks off. We can’t know that at the beginning of the process. We can’t know that at the end of the process.

Our own interest in the idea has to be enough. The only thing we have an absolute guarantee of is that we will check in with ourselves about how we are responding to our idea, from day to day. And I can guarantee you that our relationship to it will change from day to day, week to week.

Perfectionists often feel “it’s not quite right, so I’m not ready to begin.” My question to perfectionists (and that includes myself!) is: Is there enough here for me to work with? Is there enough here to sustain my interest, for now?

When I was in college, I had a screenwriting teacher I remember really well because he talked a lot about things that I sensed were true, but didn’t yet have the life experience to know were true. He looked at twenty or so pages of the screenplay I was writing and said, “You don’t have to telegraph your themes to the audience. The themes that are important to you as a writer are going to be there because they’re important to you. They can’t not be there. So stop telegraphing your themes and just tell the story.”

This felt like a huge relief. And I think this applies to those of us who struggle over choosing the “perfect” idea. No matter which idea we pick, the common theme behind it is going to be US. Just because you decide to tell the story about the guy who goes fishing with his estranged father instead of the story about the woman who learns her teenage son is in trouble with the law doesn’t mean your usual themes of loss, loneliness, heartache and redemption are not going to be there. They’ll be there because you will be there.

So relax. You, and the things that are important to you, will be there, in spades, no matter what path you choose.

And, on the flipside:

2) You may be knee-deep in ideas because you are only knee-deep. And what you really need is to be completely submerged in one idea, so your heart is engaged. In other words, there may be a bunch of ideas swirling around your ankles but they’re not really involving the whole of you, so it’s easy to jump off of one and onto another.

I’m reminded of someone I know who, many years ago, was caught up in romantic involvements with two different guys. Time went on and on, and she just couldn’t decide between the two. Finally, she ended both relationships, realizing that neither of these guys was a “hell, yes!” for her and that was why she couldn’t decide. The question wasn’t actually “which of these men is the better choice?” but “who am I and what do I really care about?”

If you’re flitting from one idea to the next, stop. Take some time out and ask yourself, what do I really want?Why am I doing this (writing, artwork, coaching, whatever it may be)? How can you engage the whole of you — starting with your heart, which tells you what you care about the most — in your creative process? And go from there.

Looking at it this way, you’re not choosing the idea so much as letting it choose you. And when something chooses us, there’s no contest.

When I went through life coach training with the wonderful Martha Beck, I learned about what Martha calls “turtle steps.” Turtle steps are teeny-tiny increments that help us reach a goal. The main thing about a turtle step is it has to feel do-able. It has to feel, as Martha puts it, ridiculously easy.

When I coached my very first client, I suggested she break that overwhelming goal down into turtle steps, and she said, “Turtle steps sound great, but I’m forty-five years old. I don’t have time to move that slowly.”

The coaching session came — for a moment — to a screeching halt. She’d triggered one of my own big fears.She’s right! I thought. At the time, I had two unfinished novel drafts and an image of them sitting in the corner of my office flanked by dust bunnies and cat hair popped into my mind. If I use turtle steps with my novels, I’ll be ninety before I finish them!

Luckily, by then I had enough evidence from the experiences of Martha and my fellow coaches to know that turtle steps worked. In fact, the more ridiculously easy they felt, the better they worked.

My client wasn’t ready to try turtle steps — yet. A month later, when she’d done nothing to move her goal forward because she kept approaching it with her familiar “bite off more than I can chew” method, she showed up for a session and said, “I think I’m ready to try out turtle steps.”

That’s the funny thing about the way our minds tend to work: We’d rather hold on to the idea of taking giant leaps forward that only exist in our fantasies than take smaller, less glamorous steps that we actually do complete.

If you have a tenacious inner perfectionist (as I do), know that you are probably going to have a tough time accepting the idea of turtle steps.

When I was an undergraduate in college, literally every semester I signed up for five or six classes, even though by my third semester it became blatantly obvious that I could not take on more than four classes without feeling overwhelmed and scattered. My inner perfectionist (who is best friends with my “social self”) loved the idea that I was tackling a huge course load — and besides, other people took six classes and aced them all, so why couldn’t I?

Almost every semester I ended up withdrawing from a class or two at the last minute because I felt completely overwhelmed. Twice, I withdrew past the deadline and therefore received a grade of a big fat F. Twice. The person who couldn’t stand the thought of getting less than an A+ actually ended up with F’s on her transcripts simply because she voluntarily took on too much.

The idea that we can take small, easy steps is anathema to the perfectionist, whose identity is formed out of the belief that if she can take on more than is necessary and excel at it, she will finally be worthy, and therefore, loved.

But it doesn’t work this way, my sweet little inner perfectionist is slowly discovering. She is loved, deeply, simply for existing and for being who she is. And she does not get more accomplished when she takes on more — she actually accomplishes less that way.

Back to my two unfinished novels: they have long since stopped communing with the dust bunnies in the corner of my office. They’re up and dancing around now, dust-free and shiny. How did this miracle happen? Since September of 2011, I’ve been taking ridiculously easy steps, on a regular basis, to finish my novels. (Read more about how I’ve done that at the end of this post.)

Yes, sometimes that means I write for fifteen minutes a day. Yes, sometimes that means I write one sentence. And no, I do not write every single day. But I’ve completed two novel drafts and I’m 240 pages into a third.

The key is making it ridiculously easy, step by teeny-tiny step. Any step can feel ridiculously easy if it is small enough.

Ridiculously easy isn’t as easy as it could be, though, because we live in a culture that tells us that for something to have value, it has to feel impossibly hard. And so we take on enormous “to-do” steps like “write novel” or “get new job” or “lose twenty pounds.” Seriously! These are actual items I’ve seen on clients’ to-do lists. But they’re not action steps, they’re long-term goals. In fact, I’m loath to call them goals — they’re actually processes, ways of life, daily habits we develop.

So a huge part of all this is allowing ourselves to do what feels ridiculously easy. That might mean a daily goal of “write one paragraph” rather than “write ten pages.” But it’s one paragraph that gets written, rather then ten pages that don’t.

Often our minds won’t allow us to embrace ridiculously easy. It’s a total shift for most of us, right? If it feels easy — or, at the very least, not hard, we don’t trust it. “But life isn’t easy!” we think. And that is certainly true. But we don’t need to add hard to the hard.

This is one of my favorite beliefs to challenge with my clients. When we make the shift from “It has to be hard” to “I can allow it to be easier,” amazing things happen. Believe me. I’ve seen it.

And: One of the biggest reasons I’ve moved forward with my novels is due to my participation in Jenna Avery’s Writer’s Circle. This is where I’ve put my writing turtle steps into action. This group offers me daily support, accountability and community around my writing. The last day to register for the next session of the Writer’s Circle is tomorrow, May 16. Check it out, here!

Anyone who knows me fairly well knows that I am obsessed with the movie Jaws. I’m not sure how many times I’ve seen Jaws, but … just … don’t get me started. (Writers, study Jaws if you want to see a movie where every single scene moves the story forward. Nothing is wasted.)

If you know anything about the making of Jaws, you know that the mechanical shark, a.k.a. “Bruce”, didn’t work very well. In fact, there were so many problems with the shark that it wasn’t seen on screen nearly as much as director Steven Spielberg had originally intended. During production on Martha’s Vineyard in 1974, the frequent refrain from the loudspeakers was “The shark is not working. The shark is not working.”

Welp. As we all know, the shark worked well enough. In fact, the semi-working shark worked so well that Jaws was the movie for which the term “summer blockbuster” was coined, back in 1975 when it first appeared in theaters.

One of the main things I do as a coach, when I have a session with a client, is listen for stressful thoughts. Thoughts are stressful when they are not deeply true for us, but we believe them anyway. So when I hear something that strikes me as painful or stressful for a client, I scribble it down in my notebook. If it seems important, I’ll point this thought out to the client and we’ll work with it.

I was going back over some notes before a session recently, and it really hit me just how often our thoughts are perfectionistic. They have to do with how we’re not doing enough, not doing it well enough (whatever it is), and how our reality is not matching the vision inside our heads. (I say “our” because, like my clients, I have a strong penchant for perfectionism. I’m always teaching what I most need to learn.)

I’ve written a lot here about perfectionism in the past (you can click on the categories link titled Perfectionism to the right to check out more). But I don’t know if I’ve emphasized how important it is for perfectionists to make a point of noticing what is working — and what is working well enough.

Because one of the biggest issues I see perfectionists struggling with is decision paralysis. We’re so terrified of making an imperfect decision and the havoc it will surely wreak that we hang out in indecision until it hurts. And then, then, we beat ourselves up for not making decisions quickly enough! It’s a totally lose-lose scenario.

And here’s the thing: We don’t struggle with decision paralysis as much when we give ourselves credit for having made good decisions in the past. Most perfectionists have a pretty big story about being poor decision-makers (it’s in keeping with the idea that we never quite measure up). We are also control freaks, so we tend to think we have much more control over our futures than we actually do.

Therefore, we think, we have to weigh each present or future decision very, very carefully, so we don’t repeat our past mistakes and don’t screw up our futures.

Why do we have this story? Probably because when life happens, as it will, it feels more familiar for us to blame ourselves than to admit the truth: Life is messy, and life is not fair. No matter how “good” we are, we can’t escape this reality.

So what if we were to flip this story on its head? What if we were to look back and notice how we made good enough decisions, and how some of them were even really good?How would we proceed if we basically believed that our lives worked well enough?

I think we’d go on making our movies, doing our writing, living our lives. We’d trust ourselves to create something good. What if Spielberg had decided to resign in the middle of production on Jaws because the shark wasn’t good enough? (Well, probably Universal would have replaced him with a different director. And we’d have had a very different Jaws. Which would have been a damn shame.)

At the bottom of it all, the stories we tell ourselves about ourselves, about our lives, are either helpful or not helpful.

I don’t mean that we should tell ourselves things we don’t truly believe. I’m not talking about piling positive affirmations on top of our fear like white-washing a rotted fence. I’m saying we need to really give ourselves some credit. I’m saying we need to lower our standards enough that we can show up in our lives and in our creative work(or creative play, as I prefer to call it).

Perfectionists, aim for the B rather than creating A+ work that exists only in your head. Make the decision that feels best to you and call it a day, knowing you can course-correct tomorrow. Admit that the shark at the core of your movie is working well enough to continue the filming. Create your flawed-but-amazing works of art and live your flawed-but-amazing lives.

Work With Me: I work with writers, artists, artisans and coaches who are feeling vulnerable and stuck. Learn more about how we might work together, here.