Live Music Listings, Nov. 13-18

Roots/rockabilliy songwriter Chris Isaak will return to the Singletary Center on Saturday.

If you have an upcoming show in Lexington that you would like to see mentioned in our weekly listings, e-mail the details to saraya@smileypete.com with “LIVE MUSIC LISTING” in the subject line, at least 10 days in prior to the event.

Smiley Pete Publishing can neither confirm nor deny that all of the events mentioned in our listings will go exactly as planned. We recommended that you confirm these details with the venue in advance.

TUESDAY, NOVEMBER 13

Shane Tutmarc and Little Bandit Natasha’s Bistro, 112 Esplanade Alley, $6. From the venue website: After two years of establishing Nashville as his new homebase, Seattle native Shane Tutmarc has completed his highly anticipated new album with many of Nashville’s premiere players and producers.

Troubadour Concert Series: Glen Campbell Lexington Opera House, 214 East Main St. 7:30 p.m., All Ages, $95.50, $55.50. From the venue website: The legendary Glen Campbell is best known for a series of hits in the 1960s and 1970s, as well as for hosting a variety show called The Glen Campbell Goodtime Hour on CBS television. During his 50 years in show business, Campbell has released more than 70 albums. He has sold 45 million records and accumulated no less than 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. Campbell’s hits include John Hartford’s “Gentle on My Mind”, Jimmy Webb’s “By the Time I Get to Phoenix”, “Wichita Lineman” and “Galveston”, plus “Rhinestone Cowboy” and “Southern Nights”.

Red Barn Radio presents Hickory Robot Artsplace, 161 N. Mill St, $8, all ages, 7 p.m. Each week, Rad Barn radio showcases bluegrass and old-time musicians in a live radio taping open to the public, hosted by bluegrass picker Arthur Hancock of Willie’s Locally Known.

Troubadour Concert Series: Lindsey Buckingham Lexington Opera House, 214 East Main St. 7:30 p.m., All Ages. The lead singer and guitarist for Fleetwood Mac will perform an intimate solo acoustic set in support of his new release “Never Going Back Again Live.”

The Farewell Drifters Natasha’s Bistro, 112 Esplanade Alley, 9 p.m., $12-$15. From the venue websites: ”Rising out of Nashville’s thriving independent music scene, the Farewell Drifters are an alt-folk band known for their 60′s era-inspired harmonies and adventurous musical energy. They have crafted a seamless blend of intellectual psychedelic pop with melodic songs that openly explore the brightest and darkest corners of life with raw intensity. The Farewell Drifters’ latest album, Echo Boom, has been met with critical praise and finds them growing from young men into thinking men and establishing their considerable place in this world.”

King’s Ransom Parlay Social, 257 W. Short St, 8 p.m. Classic Rock.

THURSDAY, NOVEMBER 15

tadoo lounge session featuring Oh My Me Smiley Pete, 434 Old Vine St., 6 p.m., All Ages, Free. The second of a new series of monthly events in support of Lexington’s newest resource for arts and entertainment news and events. This month, Duane Lundy brings bands and solo artists (including lauded local garage soul-psych maidens Oh My Me) to the offices of Smiley Pete, in conjunction with the November release of the 10 in 20 album. Food truck for the night: Fork in the Road.

Stoop Life Live Cosmic Charlie’s, 388 Woodland Ave. 10 p.m., 18+, $5.

James McMurtry Natasha’s, 112 Esplanade, 8 p.m., $20. From the venue website: ”McMurtry has long been lauded by critics, peers and music aficionados as being among the strongest songwriters of his generation. His works, which range from atmospheric ballads to no-holds-barred rockers, are populated by world-weary souls often longing for something different, if no better, than what they’re now enduring. Perhaps in part because of his powerful reputation as a lyricist, coupled with his stirring vocal style, McMurtry is often not given his due as a guitarist. Though not one to stoop to flash just for the sake of effect, he can rip forth with a flurry of fat-toned notes when the material demands it. In the next breath, he’ll frame a tender composition with poignant lead lines. He tends to travel with half a dozen or so guitars, which offers him a wide palate of tones and tunings from which to choose.”