Hamlet: Fully Dramatized Audio Edition

Hamlet, Shakespeare's most popular, and perhaps most puzzling play, follows the form of a "revenge tragedy", in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. This new full-cast recording - based on the most respected edition of Shakespeare's classic - expertly produced by the Folger Theatre, is perfect for students, teachers, and the everyday listener.

Romeo and Juliet: The Fully Dramatized Audio Edition

In Romeo and Juliet, Shakespeare creates a tragic world in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. This play, set in an extraordinary world, has become the quintessential story of young love. This new full-cast recording - based on the most respected edition of Shakespeare's classic - expertly produced by the Folger Theatre, is perfect for students, teachers, and the everyday listener.

King Richard III

Written in 1593, King Richard III is one of Shakespeare's earliest plays. This play differs from its predecessors, being amore structured piece, examining the development and motivations of a single character, Richard Duke of Gloucester, who will stop at nothing to gain control of the throne occupied by his brother Edward IV.

Macbeth: Fully Dramatized Audio Edition

Macbeth, one of Shakespeare's most popular plays, is among the most powerful and influential tragedies in the English language. Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king in order to succeed to the throne. Tortured by his conscience and fearful of discovery, he becomes fatally enmeshed in a web of treachery and deceit.

Othello: Fully Dramatized Audio Edition

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello.

A Midsummer Night's Dream: Fully Dramatized Audio Edition

In A Midsummer Night's Dream, Shakespeare stages the workings of love in unexpected ways. In the woods outside Athens, two young men and two young women sort themselves into couples - but not before they form first one love triangle, and then another. The king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy. Oberon uses magic to make Titania fall in love with a weaver named Bottom, in an effort to distract Titania from the custody battle.

Twelfth Night: Arkangel Shakespeare

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

Henry V

Henry V, which dates from 1599, is the last in Shakespeare's series of plays based on English history. It is also, of course, among the Bard's best-known and most-performed works. It's given rich new life here by a full-cast presentation that combines classic literature with classical music.

The Tempest

Sir Ian McKellen, fresh from his performance as Gandalf in Lord of the Rings, is Prospero, and heads a strong cast in Shakespeare’s last great play. The wronged duke raises a tempest to shipwreck his old opponents on his island so that he can ensure justice is done. With Emilia Fox as Miranda, Scott Handy in the pivotal role of the sprite Ariel, and Ben Owukwe as Caliban.

Julius Caesar

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

The Winter's Tale: Arkangel Shakespeare

King Leontes of Sicilia is seized by sudden and terrible jealousy of his wife Hermione, whom he accuses of adultery. He believes the child Hermione is bearing was fathered by his friend Polixenes, and when the baby girl is born he orders her to be taken to some wild place and left to die. Though Hermione's child escapes death, Leontes' cruelty has terrible consequences. Loss paves the way for reunion, and life and hope are born out of desolation and despair.

King Lear

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

Hamlet: The Arkangel Shakespeare

Distressed by his father's death and his mother's over-hasty remarriage, Hamlet, Prince of Denmark, is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet's beloved, the innocent Ophelia, are swept up in his tragedy.

Henry V: Arkangel Shakespeare

Henry V is a study of kingship, patriotism, and heroic determination tempered by tender comedy as Henry courts Katherine, princess of France. Henry, the noble and courageous young king of England, decides to invade France, believing he has a rightful claim to the throne. At Agincourt he leads his army into battle against the powerful French forces and, against all the odds, wins a famous victory.

The Merchant of Venice

Shylock, a Jewish moneylender, agrees to lend Antonio, a Venetian merchant, three thousand ducats so that his friend Bassanio can afford to court his love, Portia. However, Shylock has one condition: Should the loan go unpaid, he will be entitled to a pound of Antonio's own flesh. Meanwhile in Belmont, according to the terms of her father's will, Portia's many suitors must choose correctly from three caskets. Bassanio arrives at Portia's estate and they declare their love for one another before he picks the correct casket.

The Merry Wives of Windsor: Arkangel Shakespeare

The dissolute Falstaff plans to seduce Mistress Ford and Mistress Page, two "Merry Wives of Windsor," there by gaining access to their husbands' wealth. The two women have the old rogue's measure, however, and Falstaff's plots lead only to his own humiliation. But the merry wives themselves fall prey to plotting as their plans to prevent Mistress Page's daughter Anne from marrying the young man she loves are frustrated in their turn.

As You Like It

"All the world's a stage...." In the enchanted forest of Arden, everyone has their way. Sins are forgiven, quarrels are resolved, and love rules over all. And - just as the author liked it - the frolic of clowns and comedy includes provocative insight into nature versus society and into humanity itself. Follow Orlando, Celia, Rosalind, and Touchstone the Clown from court to forest in this play that features disguised princesses, an unjustly deposed ruler, and a handsome leading couple. Actors Vanessa Redgrave (Rosalind) and Keith Michell (Orlando) head the cast of celebrity performers in this Shakespearean romp of mischief, intrigue, and surprise.

To the Lighthouse

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel The Hours, brings the impressionistic prose of this classic to vibrant life.

Antony and Cleopatra: Arkangel Shakespeare

Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.

The Tempest: Arkangel Shakespeare

This haunting drama of vengeance and forgiveness crowns the group of tragicomic romances that Shakespeare composed at the end of his career. Sometimes read as his farewell to the stage, the play contains some of Shakespeare's most lyrical verse. Prospero, wise Duke of Milan, has been deposed by Antonio, his wicked brother, and exiled with his daughter Miranda to a mysterious island. But Prospero possesses supernatural powers. Aided by the spirit Ariel, Prospero uses his magical art to bring his enemies under his control.

The Merchant of Venice

One of William Shakespeare's greatest plays, The Merchant of Venice is also his most controversial. A tale of the triumph of true love, it is packed with witty dialogue, philosophizing, and lyrical flourishes. But the comedy is often overshadowed by concerns about anti-Semitism swirling around the character of the Jewish moneylender, Shylock. Listen as this production by the Shakespeare Recording Society brings the play to life, warts and all, and demonstrates that an exploration of religious intolerance makes this work even more vital and compelling than ever.

Daniel Deronda

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

Vanity Fair

Set during the time of the Napoleonic Wars, this classic gives a satirical picture of a worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp who craves wealth and a position in society. Calculating and determined to succeed, she charms, deceives and manipulates everyone she meets. A novel of early 19th-century English society, it takes its title from the place designated as the centre of human corruption in John Bunyan's 17th-century allegory.

Publisher's Summary

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Part of the writer's triumph is to succeed in making Macbeth, whose crime we must detest, a man in whom we must also see something of our own darker side, our own potential for evil, so that Malcolm's final judgment on him as a mere "butcher" seems wholly inadequate, the verdict of someone who does not share the audience's insight into Macbeth's anguished inner world.

Now sit back and enjoy this lively performance, featuring the voices of award-winning actors Stephen Dillane (Macbeth) and Fiona Shaw (Lady Macbeth), accompanied by a full cast.

If this title becomes available in the enhanced format, it will probably dispel the concerns many have expressed about the sound quality. I've listened to this on the original CDs and as an Audible format 4 download, and the difference in clarity is an eye-opener. The third witch, as several people have commented, is inaudible in the download; it has something to do with the conversion of a complex stereo design to mono. In stereo, all witches are clearly audible and the background noises and music are clearly separated from the voices.

It's a particular shame with this title, because Fiona Shaw's vision of Macbeth (she directed it, as well as playing Lady Macbeth) is haunting, almost hallucinatory. It is by far one of the most ambitious and brilliantly-realized audiobooks of a Shakespeare play available. If it does become available as an enhanced-format download, I would urge anyone who tried it before, and rejected it, to give it another try.

A most worthwhile rendition of Macbeth. The voices are expressive and clear, without milking the emotions. The narrative flows well. The technical quality is good, with the very occasional exception of some bit players, where the voices are muted, for example that of the third witch. All in all, a rollicking tale of gore and guts to gladden the hearts of Quentin Taratino fans.

Too many bells and whistles. The quality of ambience should not be so strained. The relentless thematic use of water noise - dripping, decanting, gurgling, splashing, washing, raining - threatened to drown the very strut and fret of this finest of plays.

You can bearly hear one of the witches, and they don't sound like witches enough to suit me. The preference of the witches' dramatization may be nit-picky, but the complaint about not being able to hear one of them is serious. And that's kind of a problem for me, since they're one of my favorite parts of the story.

I was looking forward to a good rendition of Macbeth to listen to in my car, but this one leaves you confused at best. Acts and scenes are not announced, so you don't really know what is going on; difficult to figure out which character is which - if you pile on the Shakespearean era English and occasional poor sonics, it makes for a dissatisfying experience.

this version seems so wooden compared to other versions i have or have seen. while it has the merits of the players enunciating clearly and so dialogue is reasonably easy to follow, I found the acting to be very uninspired and Macbeth has so many great lines and speeches but actor in Mac's role seemed at times to be reading from a page in front of him as if he was seeing it for first time. Macbeth is perhaps my favorite play and I have seen or listened to some interesting performances, but this was disappointing to me.

The classic tale is dissapointing only in the area of sound quality. Of the witches, the first scene and later, you can only hear one of them well, the second ok, and the third not at all. Other Sound quality issues are also annoying.

I chose this version because I thought it would be just a reading no a performance since it was not marked that way. One of the witches was completely obscured by what sounded like they recorded it in a parking garage. background noises are distracting more so then helpfully in an audio presentation.