Orazio and Artemisia Gentileschi by Keith Christiansen(
Book
)6
editions published
in
2001
in
English
and held by
1,163 WorldCat member
libraries
worldwide
The catalogue for the first full-scale exhibition of the works of Orazio Gentileschi, the most talented follower of Caravaggio
and a figure of international renown, and his daughter Artemisia, the first Italian woman artist who was not only praised
for her art by her contemporaries but whose paintings influenced the work of later generations

Artemisia Gentileschi by Mary D Garrard(
Book
)2
editions published
in
1993
in
English
and held by
235 WorldCat member
libraries
worldwide
Briefly describes his life and career, shows his major paintings, and includes comments on their composition

Artemisia Gentileschi and the authority of art : critical reading and catalogue raisonné by R. Ward Bissell(
Book
)3
editions published
in
1999
in
English
and held by
36 WorldCat member
libraries
worldwide
"One of the most memorable creative personalities of the Baroque age and arguably the most forcefully expressive and influential
woman painter in history, the Roman-born Artemisia Gentileschi (1593-1652/3) has become the central figure in the recovery
of the history of art produced by women. Applying a rigorous methodology, this profusely illustrated study with interpretative
text and catalogue raisonne embeds Gentileschi's pictorially and emotionally compelling pictures within the actual sociocultural
contexts in and for which they were created."--Jacket

Orazio e Artemisia Gentileschi by Orazio Gentileschi(
Book
)3
editions published
in
2001
in
Italian
and held by
36 WorldCat member
libraries
worldwide

Artemisia Gentileschi : the image of the female hero in Italian Baroque art by Mary D Garrard(
Book
)3
editions published
in
1989
in
English
and held by
9 WorldCat member
libraries
worldwide
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque
painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and
work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations
of the same themes