Archive for 2006

Since I am writing about the production of space right now, and since I neglect abstract or representational space in my dissertation a bit, I want to offer at least to you, dear readers, a small insight into the space in which I myself produce knowledge and abstractions. On the image here you can see what my workspace looks like. (You can click on it to open or download it at full size.) Actually, I still enjoy this environment and I am very thankful to the Redlers for producing such an excellent piece of software. Not a single crash, and that with more than 140 images.

Well, today I have finished the last empirical section of my dissertation. Only the conclusionary chapter remains to be written – it consists of probably eight sections and, as usual, each section should take me a day to write. This means I should reach the last page sometime next week. Whew. And then: correction, shifting, adding, cutting and so on and so forth. I am now on page 249 with more than 140 images embedded in the text. Must sleep now.

Yesterday, I completed the second of the three analytic chapters which make up the bulk of my dissertation. That is excellent news for me, especially since it means that work is proceeding according to plan. Which – surprise, surprise – is not the plan that I developed more than one and a half months ago. The good news is that the new plan (from two weeks ago) put me beyond mere page mongering and switched my writing mode to content mongering. That means that my daily dose of writing now consists of sections defined by their content.
One section per day. Twenty sections to go. One section has between one and ten pages. (I crossed the 150 page threshold yesterday.)
I have to hand in my dissertation September 22nd. The calculation is up to you. However, do not forget that I still have to give presentations in Lausanne and London this month. ;) Yes, time’s tight. But not too tight, I think. Please bear with me for the remaining five weeks…

These days my life consists of getting up, checking the online world, eating breakfast, writing, drinking lots of water, puzzling together still images cut out of my video recordings, having a small snack in the afternoon, writing or doing more Photoshop work, having another snack, perhaps playing a game of Bohnanza with Kerstin and Olli, and either more writing or some idling around until bedtime comes. Not that interesting. I guess that’s what routine is about. At least it brought me over the totally irrelevant but somehow symbolic 100 pages mark today.

Keira Knightley is just not the kind of woman that should be put into glamorous costumes with lush hair. To see her real beauty, one must see her fine features contrast with a harsh style of clothing and behaviour. Luckily, in Pirates of the Caribbean: Dead Man’s Chest she is granted at least a few of these moments. In addition, we are also allowed to feel more affection for her since now she also is permitted to show her interest in Captain Jack Sparrow more … explicitly. Good thing. I guess, though, that this is the only actual improvement over the first part of the Pirates of the Caribbean series. It is still a clean story without real drama, without real frustration – without the desperately hoped for grittiness of characters. Instead, it again featured scenes playing in the dreaded pirate theme park called Tortuga in this movie. Bah.Small expectations – that was the title which I thought would be appropriate for this entry, because watching this movie actually was a fun experience. A much better experience than watching the first part. Lovely tentacles, and a well designed face of horror and pity for the enigma that is Captain Davy Jones. After some reflection about the movie, however, it became apparent that this is only because our expectations were much, much lower than what we allowed us (I went to see it with Kerstin and Olli) to grow before watching the first part. Pirates! Adventure! Loss! Love! The Sea! Well, all of this is there – only in the sad and pitifully clean Jerry Bruckheimer production kind of way. We can only be thankful to Johnny Depp and are paying our tributes to him for keeping the movie alive and enchanting.IMDb entry | Trailer

Good news, I guess. In the course of the last few days I was able to wrap up the chapters in which I introduce the term envelopment (Einhüllung). Because of the seething heat I lost track of my work for a few days, first bathing in the North Sea, then staring at the screen without seeing anything. Either frustration with lack of progress or adaptation to the heat finally set in and pushed me forward again, so that now – for the first time – I feel that I have completed a significant part of my dissertation. It is now quite a bit longer than my diploma thesis. There is land at the other side of the sea of words. Ahoy!

Is it better to sit indoors with blankets in front of your windows, stuffy air, and temperatures of about 29° Celsius or would you prefer to have open windows, perhaps a hint of air movement every 30 minutes, and temperatures of about 35° Celsius?
This kind of question kept revolving crawling around in my head today. I tried to drown these questions in about five liters of tap water. Without success. Even sprinkling some lime juice into the water did not help.
Now it is almost midnight and my brain still feels like the embodiment of sloth.
I tried to stick to the editing and insertion of images when working on my dissertation today. What I succeeded in sticking to is my chair. If only dissertating would be as easy as transpirating…

That is what Lars Meier and I were striving for when working on our new book Encountering Urban Places – Visual and Material Performances in the City, which is going to be published late this year. To our delight, the publisher has now prepared the website for this book on urban places and their relation to life in the city. We are very happy with the contributions we were able to gather for this volume, because the authors all put a real focus on developing the main theme of the volume in their individual chapters: visual performances – that is, the ways in which what we see, what is displayed in our actions and in material artifacts impacts and interacts with social life, producing contests about social control, hierarchy, and representation. If you are interested in the theory, the methodology, and the practices of implementing the visual in social sciences and geography, this book is a must-have.>

There was a lot of work to do during the last four months: finishing the editing process of Lars Meier’s and my upcoming book, preparing presentations for three international conferences and one guest lecture, traveling to the places where the conferences were held and actually giving the presentations, feeling tired after getting back from the conferences and taking a few days to get back into working mode, writing a few applications, and, last but not least, dealing with social welworkfare institutions and our extremely bothersome landlord in Berlin. In all of this time, day after day, I knew that I also have to work on my dissertation, that my dissertation is the one thing that really and importantly must be finished as soon as possible. However, I did not write a single page.This Summer was my answer to people asking me about when I think I will be finished. Now, summer has officially begun. As has work on my dissertation. During the last three days I typed 2.5 pages per day (line spacing is 1.2) and I intend to keep this speed for the next weeks. If this works out and I take a day off now and then I would be finished sometime in August, I guess. Well, it is not as easy as that, sadly. There will be the concluding ceremony of our post-graduate college in Darmstadt next month – for which I want to prepare a short movie – there will be a christening which I am going to attend, there will be the Gartenfest in August which will take a week and, at the end of August, two more conferences await. Summer ends in September. I think even with these foreseeable delays my dissertation will also be done before the end of summer. To be able to achieve this I will have to cut back on communication and socializing – for which I want to beg your pardon in advance. Keep your fingers crossed for me and we’ll have a very happy Lars sometime in September who will invite you to some major festivities!

Milla Jovovich was wonderful in The Fifth Element, Natalie Portman was strangely enchanting – and young – in Léon – The Professional and now Rie Rasmussen makes me marvel at the other gender. As always, Luc Besson shows what many men dream of (at least sometimes, I would guess): a woman that is more attractive than they would ever imagine to be in their company but also a woman that is open, accessible, and full of trust in you a male actor with which you can identify. Or at least with whom you dearly want to identify, since he is so intimate with such an otherworldly being. This is what makes this movie a special experience to me.
In addition, I enjoyed the leading male role in Angel-A. Rie Rasmussen’s beauty (which is more than just looks) and Jamel Debbouze’s deer-like eyes work together perfectly. Nonetheless, the script is not exactly perfect. The main characters sometimes talk too much, taking the depth out of the pictures. In addition, some of the turns in the story are a bit too obvious for my taste.
However, the images were beautiful and evocative and I liked the way in which Luc Besson paid homage to Wim Wenders’ Himmel über Berlin – a movie that also offers beautifel yet remote images of a city, telling the story of a painful bridging of the distance between living, experiencing, and dying mortals and remote, superhuman angels. I enjoyed the movie, its pictures, and its characters very much. However, you should be aware and not build you hopes too high, particularly if you’re not that much into Luc Besson and his emphasis on strange aesthetics.IMDb entry | Official Movie Site with Trailer

I was hoping that the third part of the X-Men series would disappoint me less than the third part of Mission Impossible. Admittedly, this is not a very high-flying hope and to my relief it was fulfilled. Although I feared the worst, since the director has changed to Brett Ratner. Well, we did not have to suffer actors such as Tom Cruise, which helps a lot. Ian McKellen and Patrick Stewart, both solid actors, and also the main character Hugh Jackman as Wolverine along with the rest of the crew do their jobs as decently as they did in the first two episodes and, in contrast to Mission Impossible, the special effects department along with the screenplay writer did not fall asleep during the production of the movie. An enjoyable movie if you liked the first two parts, definitely good enough if you are looking for an entertaining action movie to load into your DVD player and also offering some pictures splendid enough to fill a larger screen.IMDb entry | Trailer

To give you a first impression of my experience of life in a conference hotel in Algiers, I recorded a brief video clip with my mobile phone – I recommend paying attention to the sound also.

Algiers as seen from the Hotel El-Aurassi. Cliplength 43 seconds

PS: The webserver did not deliver the video clip with the information that is necessary to interpret the video data type – this has been fixed now. If you still have problems seeing the clip, please e-mail me.>

Coming back from Algiers, I just realized that I haven’t yet put the abstract for my presentation in Algiers online.

Germany’s colonial history is often neglected and the ties between Germany and the Maghreb, the former Ottoman Empire and the Arab world in general seem to have faded out of the academic disciplines that are not explicitly dealing with either the Islam, North Africa or the arab-speaking countries. References to classic non-western scholars are rarely found and if people talk or write about them their value
sometimes seems to be only anecdotal. This talk will focus on the places and persons who bring Ibn Khaldûn into German sociological discourse. The obstacles that have to be overcome while carrying Ibn Khaldûn into the realms of accepted academia are manifold: the ignorance of non-western academic traditions has already been mentioned, knowledge about the history of the Maghreb cannot be expected from German students, the two German translations of the Muqaddimah are incomplete and out of print (one of them has been published in 1992), the established canon of sociological works tends to start with Auguste Comte, and including an Arab scholar into a syllabus might be regarded as irritating or even suspect. However, there are also several factors that make Ibn Khaldûn a compelling subject for sociological study in Germany: general interest in the Arab world seems to be rising, the number of people with an Arab background or of Islamic confession who find their way into academia
is growing, and post-modernist theory may have strengthened the position of “alternative voices” in sociological discourse. How do protagonists of Ibn Khaldûn cope with these obstacles, what are their resources and why do actually take the step and include Ibn Khaldûn? Based on German texts on Ibn Khaldûn and interviews with
several sociologists, this talk will analyze the images and usages of Ibn Khaldun and trace the ways in which German sociologists appropriate Ibn Khaldûn.

Some more information may be necessary: Three days ago I presented a paper on the international conference called Figures d’Ibn Khaldûn – Appropriation, usages (Arguments). The conference was sponsored by the Algerian Ministry of Culture, and the opening speech was held by the Algerian president Abdelaziz Bouteflika himself. I will post another entry soon – the conference was very interesting and it was my first stay in the Arab-speaking world!>

First, an apology: I am really lagging behind in the blogging business. It seems to me that since I did not have the opportunity to write on my dissertation for several weeks I do not feel it would be legitimate to write for fun. At least I think that is part of the explanation…

It is quite a while ago that I saw Good Night and Good Luck. Actually, it was at the Ryder film club in Bloomington during my stay in the U.S. of A. this April. I rarely have the chance and the money to go to the movies these days, but this one was definitely worth it. David Strathairn was a breathtaking cast for the role of the broadcast journalist Edward R. Murrow. Seeing the way he smokes, feeling his sincerety in look and in holding his cigarette – this alone was an experience you should not miss. If only smoking wouldn’t cause cancer… it is a sensual delight, isn’t it? However, the rest of the movie is also very much worthwile. The casting and acting is excellent, the story enthralling and the screenplay works out well too. This is definitely one of the best movies to come out of Hollywood in a long time and I can only recommend taking the time to see it. Even if you are not interested in the way the anti-communist threat seeped into every little bit of American culture during the McCarthy era. For me it was crazy to see that someone like McCarthy – just an American senator after all – was able to tap into the anti-communist feelings of a select few, build on them and use them to terrorize a whole population.IMDb entry | Trailer

I am glad that the catchy titles of presentations such as Alana Clifton-Cunningham’s The sock – A reflection of the sock in society or Rita Colavincenzo’s Peasant Food in Disguise: Cheese as Class Indicator in the Retail Market or my Opening, Closing, and Revolving – Studies in Doorology (all to be presented on the Congress of the Humanities and Social Sciences) were not taken as indicators of postmodern irony, or as symptoms of the waning significance of the social sciences in the article published two days ago in Canada’s National Post (written by Anne Marie Owens). Many people in the social sciences fight hard and frustrating struggles for their work, trying to steer clear between the Scylla of science whose economic interests, scientific trends, and academic establishment threaten to devour you and your work, and the Charybdis who will swallow those who linger to long on their work, getting lost in the esoterics of in-depth research. The hardest thing is to steer clear of these monsters and still remember where you wanted to go, when you originally left your safe harbor…