A blog about literature, gaming and Graphic novels!

Saturday Night Gaming: Prey

Back when I was a kid, and then a teenager, I hated games like Prey! Dead Space, Bioshock 1&2, a variety of others which saw a lone protagonist facing against horrifying and unknowable enemies, whether on a derelict starship or submerged leagues beneath the sea.

Hated is, perhaps, too strong a word. Feared, in truth, would work much better; I was a scaredy-cat when I was a kid, due to an unfortunate accident that had much to do with a movie adaptation of Stephen King’s Dreamcatcher — as average a movie as any, but a seven year old’s mind can turn silly, horrible special effects into the stuff of nightmares.

After that experience and another one a year later, it was easy to ignore horror films and games with a lot of jump scares; so it was when I got over Prey’s beautiful intro that I knew, the Filip from six-seven years back would’ve stayed as far away from Prey as he could throw the physical copy of the game (that younger Filip hated digital distribution; whether due to distrust, or some other reason, I couldn’t tell you).

I’m very happy to have grown out of that fear, for Prey deserves to be played and replayed, and replayed some more!

You take on the shoes of Doctor Morgan Yu(the gender of the good doctor is your choice), as you find yourself missing a three year-sized chunk of memories. If that wasn’t enough, you’re also on the space station Talos I, which orbits the moon in the year 2035. It’s…not looking too great, with corpses littering the ground and strange alien lifeforms running around, turning into cups, trying to chew your face and what-have-you. It’s all terribly confusing, as the last thing you remember was preparing to leave for that same space station, after some cajoling from your older brother, Alex Yu, in 2032.

Alex is the CEO of TranStar, a mega corporation whose public face is the Yu family (mum and pop, as well as big bro and –yey — you!). The biggest hit of the company is the so-called Neuromod; the device changes the neural pathway of its user, allowing them to gain a new skill ranging from learning languages, to lengthening the life span, as well as a variety of other skills. As you might imagine, they’re something of a luxury, with only the richest and most influential on Earth able to purchase them.

Thankfully, Neuromods a plenty, since you’ll need a lot of help if you’re to stand so much as a chance of getting alive. Then again, a friendly robot who seems to have all but stolen your voice — your personal assistant January does the talking, instead of you — is asking you to blow up the station, for the sake of all of humanity down on Earth.

The choices are many, both in how you go about your exploration of the space station, and in how you deal with the decisions the story throws in your face. I won’t spoil now, nor will I go in an in-depth discussion about the bits of the game that made my mind go boom, then blank, then boom again — but I have to say, it’s an excellent game that deserves a lot more attention than it got, both for its narrative and its varied gameplay.

It was made by the excellent Arkane, which stand behind the Dishonored franchise (although, to be fair, there are two studios that wear the Arkane name, one in Lyon (Dishonored 2), the other in Austin, Texas (Prey) ) and it does feel like Dishonored in space, in some ways. The best ways.

What a brilliant gem of 2017, a year that’s given us a ludicrous number of excellent games!

P.S. Thy Typhon were downright scary for the first five-six hours I spent playing, and that’s the greatest thing! Enemies who spook you as you squish them into fine jelly with a wrench or turn them into statues with your trusty GLOO gun are the best.