Bonnie Marris The Power of Freedom MASTERWORK EDITION ON
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The Power of Freedom MASTERWORK CANVAS EDITIONCanvas

NOTES: With flashing eyes and thundering hooves a newly-escaped mare, a rancher’s rope still hanging from her neck, joins a swift moving herd racing across an open valley. Mustangs are a mythic symbol of freedom, heroism, romance, limitless possibilities and the vanishing West where it was estimated that two million wild horses roamed the largely unfenced American West in the early 1900s. Some of those mustang herds descend directly from horses brought over by Spanish Conquistadors in the late fifteenth century. Other herds’ ancestors escaped or were let loose by settlers, ranchers or Native Americans. Bonnie Marris’ The Power of Freedom captures the primal lure the open range has upon horses: it is a place to unleash their love of speed and run for the joy of it. Experience the overwhelming power and grace of this wild herd with the massive 40 x 30 MasterWork® Giclèe Canvas or the 24 x 18 Giclèe Canvas. Hang one of these stunning limited editions in your home and break free of the bounds of your ordinary wall décor.

The Power of Freedom MASTERWORK EDITION ONCanvas
by Bonnie Marris Is a Limited Edition production by the Artist. Comes with a Certificate of Authenticity which affirms that this Art Work is an authentic Limited Edition production from
Bonnie Marris.
This Limited Edition is Signed and Numbered by the artist.

Bonnie Marris bio

Bonnie Marris has taken an unusual path into art; she developed her talent by portraying animals "from the inside out." While she was a student at Michigan State University, Bonnie illustrated several major books. One volume she worked on was a leading expert s mammalogy text that contained several hundred drawings and detail studies. This massive project attracted the attention of noted zoologist George Schaller, who invited Bonnie to prepare the art for posters that would support his worldwide rare animal relief programs. Beyond academic training and emotional involvement, art requires another element for which there is no substitute: experience. Each year, Bonnie makes two major trips, and countless smaller ones, to observe and learn about the wildlife she loves. In 1980, one such voyage took her to Alaska, where she lived in the wilderness for six months. She recounts, "To get into a natural environment and see the animals on their own terms is as important as knowing the animals themselves. For instance, gray wolves on the tundra—the vast, vast tundra with the wind and other forces of nature at their most extreme—that s what makes them what they are. To stand not far from a grizzly that is so overpowering, so beautiful and so large . . . to watch it pull up a small tree with a swipe of its paw and just a few minutes later see it delicately picking blueberries with its black lips. . . Alaska changed me; it gave me the biggest incentive to paint and increased my interest in the predators: the cats, bears, coyotes, wolves and foxes. They exist on so many levels. Their moods show in their eyes and we can learn so much from them."