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Romantic Circles Blog

Romantic Circles Pedagogies Spring Reading Group continues its gothic streak and will discuss Mary Shelley's immortal short story "The Mortal Immortal"! We will meet next Thursday, April 19th, at 4pm ET via Zoom.

Many can attest that our first meeting was lively, great fun, and participants learned a lot from each other. Encore! Those who RSVP will receive an email later this week with instructions for joining the Zoom videoconference chat. We hope you will join us.

Looking for a copy of the text? There is an electronic edition on Romantic Circles edited by Michael Eberle-Sinatra.

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Romantic Circles Pedagogies is looking to assemble a porous group of scholars at all levels who want to discuss canonical and emerging texts -- an open, generous, and collegial community of readers and teachers.

Each term, RC Pedagogies will host a virtual reading group on a predetermined text at a set date/time via video-chat on Zoom, an online video-conferencing system (free and easy to use). We envision these events as broadly pedagogical moments for graduate students and established scholars alike who want to increase their own knowledge of the field and/or discover new ways to teach the work. The conversation will welcome those who are reading the text for the first time as well as those who have published extensively on it.

Participants will have the chance to discuss the reading with one another, offer interpretations, and ask questions of the group for about an hour. Each reading group meeting will be kicked-off and mediated by a moderator.

Meetings will be lively, light, open, inclusive, friendly, and hopefully enjoyable occasions for scholars at all stages to think about and converse on the selected text. They will not feature a prepared lecture by the moderator or any invited guest speaker. Our goal is to encourage debate and inquiry among all participants.

Mark Your Calendar:

Our first meeting will take place on January 25 at 4pm ET (1pm PT). We will discuss “The Bride of the Greek Isle” (Felicia Hemans).

Texts and some dates for 2018 are listed below. We welcome suggestions for future readings.

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A hotel registry entry for the Hôtel de Londres in Chamonix dated 23 July 1816 contains a comment, in Percy Shelley's hand and written in Greek, declaring, "I am a lover of mankind, a democrat and an atheist." The registry document has just resurfaced in the Wren Library, Trinity College, Cambridge, and was recently documented on the library's blog. The circumstances behind the document has also been explored more fully on Graham Henderson's blog. At the latter site, a high resolution image of the registry is available, embedded below:

See both blog posts for an account of the public scandal Shelley's comment provoked.

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On June 14 and 15, the Brocher Foundation, Arizona State University, Duke University, and the University of Lausanne will host “Frankenstein’s Shadow,” a symposium in Geneva, Switzerland to commemorate the origin of Frankenstein and assess its influence in different times and cultures. The Center for Science and Imagination at Arizona State University is accepting applications to sponsor one scholar to participate in the event. All allowable, workshop-related travel expenses (e.g., economy round-trip airfare, 2-3 nights in the symposium hotel, transfers, and meals) will be covered.

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The Shelley Godwin Archive has just announced the release of P.B. Shelley's Prometheus Unbound fair copy notebooks, consisting of Bodleian MSS. Shelley e.1, e.2, and e.3. Details about the new publication can be found in Neil Fraistat's press release, but briefly put, the publication brings new content and functionality to the archive:

As with our earlier release of the Frankenstein manuscripts, these manuscripts all appear as high quality page images accompanied by full transcriptions, and they are encoded in a schema based upon the Text Encoding Initiative’s guidelines for “Representation of Primary Resources,” enabling researchers, editors, and students to pursue a variety of scholarly investigations. Our encoding captures important aspects of the composition process, tracing the revisionary evolution of primary manuscripts and enabling users to see and search for additions, deletions, substitutions, retracings, insertions, transpositions, shifts in hand, displacements, paratextual notes, and other variables related to the composition process.

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For this release, the S-GA team invested in refining the design of the site to improve users’ experience of navigating the rich contents of the Archive. Most notably, the contents of S-GA can all be accessed by Manuscript (with page images ordered by their sequence in the manuscript), or by Work (with page images ordered by their linear sequence in the work, e.g., Acts and scenes). The Frankenstein manuscript page images have been refactored so that they can be accessed in all of the complicated arrangements and rearrangements through which they have descended to us over time.

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THE DARWINS RECONSIDERED: EVOLUTION, WRITING & INHERITANCE
IN THE WORKS OF ERASMUS & CHARLES DARWIN, SEPTEMBER 4, 2015

This colloquium - looking at both Darwins in connection with literature - will take place at the University of Roehampton (SW London) on 4 September, 2015. For programme of speakers, directions and details of registration, please follow this link:

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The International Association of Byron Societies (IABS) has unveiled a new Web site, available at http://www.internationalassociationofbyronsocieties.org/. Along with a fresh design, the site contains information and links about Lord Byron, the IABS' member organizations, conference announcements, and news.

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On the occasion of the bicentenary of the Battle of Waterloo, the Centre for Reception Studies (http://www.receptionstudies.be) of the KU Leuven (University of Leuven) organizes an international conference on "The Transnational Reception of Waterloo in the 19th Century" on 18 and 19 June 2015 (200 years to the day of the Battle).

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The Romantic Eye, 1760–1860 and Beyond
April 17, 2015-April 18, 2015
Call For Papers
Yale University

This symposium examines Romanticism as a shape-shifting cultural phenomenon
that resists easy categorization. Focusing on the period from 1760 to 1860,
the symposium embraces the amorphousness that has been ascribed to
Romanticism historically by eschewing any limiting definition of it, seeking
instead to explore the broad range of art and visual culture characterized as
“Romantic” during this hundred-year span. We are interested in what the
Romantic “eye” pursued and perceived, and how it set itself the task of
recording those perceptions. In addition to interrogations of the
relationship between the visual arts and Romanticism, we welcome papers on
writers, composers, scientists, and philosophers whose projects engaged the
visual. Papers also are sought for a special panel that will address the
legacies of Romanticism in contemporary art.

This symposium coincides with a major collaborative exhibition organized by
the Yale Center for British Art and the Yale University Art Gallery, The
Critique of Reason: Romantic Art, 1760–1860, which opens March 6, 2015. The
exhibition comprises more than three hundred paintings, sculptures, medals,
watercolors, drawings, prints, and photographs by such iconic artists as
William Blake, John Constable, Honoré Daumier, David d’Angers, Eugène
Delacroix, Henry Fuseli, Théodore Géricault, Francisco de Goya, John
Martin, and J. M. W. Turner. Talks that respond explicitly to works in the
collections of the Yale Center for British Art or the Yale University Art
Gallery are particularly encouraged, as are cross-disciplinary and
comparative studies.

We are seeking presentations of thirty minutes in length. Graduate students
and early career scholars are particularly encouraged to apply. Travel and
accommodation costs will be covered by the organizers. Please e-mail
abstracts of no more than three hundred words and a short CV or bio (no more
than two pages) by February 2, 2015, to romanticism2015@gmail.com.

The symposium is cosponsored by the Department of the History of Art at Yale
University, the Yale Center for British Art, the Yale University Art Gallery,
and the Yale Student Colloquia Fund.

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To mark the publication of Volume II of the Letters of William Godwin, a number of scholars convened for a colloquium at Wolfson College, Oxford, on 18 November 2014.

The four talks, by Pamela Clemit, Mark Philp, Jenny McAuley, and Jon Mee, have been released as a podcast. They highlight the breadth and diversity of Godwin’s life and correspondence between 1798 and 1805.