Case Number 18745

Deadly Impact

Every purchase you make through these Amazon links supports DVD Verdict's reviewing efforts. Thank you!

All Rise...

Judge Steve Power can create B-level action titles at the drop of a hat—Death Kill...Sudden Blooding...See, he can do this all night.

The Charge

This one will blow you away!

Opening Statement

Another day, another non-descript, banally titled action flick. Does
Deadly Impact manage to distinguish itself from a sea of trash? Does it
even make a dent?

Facts of the Case

Tom Armstrong (Sean Patrick Flannery, The Boondock Saints) is a cop
with the Albuquerque Police Department. He's devoted to bringing down a serial
bomber known only by his alias, The Lion. When things go bad, Tom finds himself
burned out and on the skids, until an FBI agent approaches him for help. Eight
years after a traumatic experience forced him out of the game, he's back on his
home turf, determined to bring down the man who destroyed his life, by any means
necessary.

The Evidence

Deadly Impact is every bit as terrible as its banal title would
suggest. Sean Patrick Flannery leads the cast with his burned out cop persona.
He's on the ragged edge, with nothing left to live for but tequila and
nightmares. Then there's Agent Isabel Ordonez (Carmen Serano, Breaking Bad), who kills two
birds with one stone by playing both a tough Latino gal and the hard-ass FBI
agent. Finally, Joe Pantoliano (The
Matrix) fills out the title card and gets his ham on by chewing scenery as
the villainous bad guy who doubles as a mad bomber and lousy master of
disguise.

There are no surprises in this cobbled together screenplay. We have a happy
family brought to an abrupt end by a tragic event. Follow that up with an
"X years later…" insert revealing our hero as a drunken mess,
dragged back into the game only to have the villain slip through his fingers.
But he gets it together long enough to rejoin the team, play ball, and bring in
the bad guy…or kill him. We have all the typical red herrings,
conspiracies, and close calls, along with the requisite sex scene existing
solely to inform the viewer that we are careening into the third act, where that
FBI chick is either going to get kidnapped or murdered by the villain. Just an
aside: Carmen, what the hell is up with those eyebrows?! Whoever told you that
looked good lied to you, girl!

Lame screenplays and wretched acting are nothing new to this genre, and many
a time you can salvage some enjoyment out of these Z-graders, if the action is
there. Well, it ain't. This thing moves slowly, with the most intense gunfight
being Flannery and Joey shooting at each other through the wall of a U-Haul
truck. The whole film looks horrible, as if it were shot in natural light on
hand held digital video, complete with the jittery moves and shaky camera work
of a Cops episode. Pyro is extremely limited by budget, so naturally,
every explosion is full-on Playstation 2 quality CG, and the music is as bland
and generic as it gets.

The screener provided by MGM was plagued with video issues. What was
obviously low rent to begin with is hampered by digital noise, blurring,
softness, pixelization, edge enhancement, and just about every other problem you
can imagine. It doesn't help that the source material feels like something that
would have come out of FOX TV in the early '90s. The 5.1 surround mix is far
from aggressive, full of stock foley effects and lacking any sort of resounding
oomph. Steven Gutheinz' stock action soundtrack thumps from the front speakers
ably enough, but it won't win anyone over.

Closing Statement

Somewhere, right now, Blown Away is playing on cable. Go, watch it.
Don't waste any time on this dud.