Best lenses for the Sony A6300 of 2019 | by Camera Professionals

Last Updated On June 1, 2019

Sony E 50mm F1.8 OSS

This is a sharp, versatile, stunning and convincing lens for the Sony A6300. The superb Sony E 50mm F1.8 OSS lenses are genuinely manufactured with entry-level users in mind, so are reasonably priced. The lens is a high-grade choice if you want to shoot contrasty portraits, landscapes, and fascinating traveling photos. This remarkable Sony E 50mm F1.8 OSS lens is marvelous. The feeling, vivid details, and the style of the stunning images are incomparable. This Sony lens is very sharp around f/4 and, for the price, generates very impressive and fantastic bokeh. Shot wide open at F1.8, images are ultra sharp, and this level of detail is across its entire focal range. No issues with autofocusing or anything since it uses an AF-S motor. At only 202g and truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use. Generally, the maximum aperture of these lenses isn’t too large, which helps to keep their cost down, but they aren’t always of the highest optical quality. Sharpness near the edge of the frame deteriorates at apertures from f/18 to f/22, but it is not enough to be a problem for most people. It also offers Vibration Compensation for tripod-free photography. In short, if you can buy only one lens for your Sony A6300, then Sony E 50mm F1.8 OSS is the one to get.

Sigma 30mm F1.4 C

To take your photography to the next level, you’ll want to begin building your arsenal of significant lenses. This ultimate lens produces photos that are fairly sharp in the center at F1.4 and noteworthy sharp by the time you hit f/5.6. The focus gradient from these razor sharp in-focus elements to creamy bokeh is steady and subtle, and the bokeh itself is creamy smooth. Colour rendition is also dependent on the camera used, but at least with the Sigma 30mm F1.4 C, you’ll know it’s not the lens letting you down!. Sigma also uses a Super Multi-Layer coating to cut back on ghosting and flare in photos. It is very suitable for all-purpose shooting, and it’s very compact for its focal range. As with all Sigma lenses, build quality on the Sigma 30mm F1.4 C is awesome, with a metal barrel and a solid, innovative quality and high-grade feel. The glass is the best choice if you want to shoot contrasty traveling, family and extraordinary landscapes photos. Overall, this Sigma 30mm F1.4 C lens is one of the most impeccable, extraordinary and versatile pieces of glass that will fit your mirrorless Sony A6300.

Sony E 55-210mm F4.5-6.3 OSS

The Sony E 55-210mm F4.5-6.3 OSS is the most affordable Sony zoom lens for Sony A6300, offers sharp image quality and modern autofocus. Wedding photographer or not, 55-210mm allows you to fit enough in the frame to tell the story, while at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. Bokeh produced by the sharp Sony E 55-210mm F4.5-6.3 OSS merely is outstanding and impressive. This modern lens produces photos that are reasonably sharp in the center at F4.5 - F6.3 and noteworthy sharp by the time you hit f/5.6. While this lens does produce some moderate barrel distortion, this can be almost entirely corrected in post-processing. This significant Sony E 55-210mm F4.5-6.3 OSS lens is astonishing. The feeling, precise details, and style of the versatile images are incomparable. The contrast and saturation are top-tier. Generally, the maximum aperture of these lenses isn’t too large, which helps to keep their cost down, but they aren’t always of the highest optical quality. The 13-elements-in-9-group robust optical design is poised to deliver extraordinary, consistent peripheral brightness and sharpness, even when working at the F4.5 - F6.3 aperture.

Sony E 18-135mm F3.5-5.6 OSS

In our advanced lens buying guide we look at some of the lenses to consider for specific types of photography, but if you are getting a feel for what you want to do, here are our recommendations for the best entry-level lenses for Sony A6300.

After doing a lot of research, I decided to give this spherical and powerful lens a try. The Sony E 18-135mm F3.5-5.6 OSS is a modern, advanced and properly crafted lens which perfectly suits the traveling photographers. This Sony E 18-135mm F3.5-5.6 OSS lens has been designed using an advanced optical structure to achieve both decent resolution and high-quality details. Furthermore, thanks to enhanced coating lens flare are somewhat of a non-issue with an 18-135mm lens, since you can easily crop out the sun and other bright light sources in-camera. The AF, when coupled with a decent DSLR, is ultra fast, confident and very usable for landscapes or traveling. The 16-element-in-12-group beautiful optical design is poised to deliver impressive, consistent peripheral brightness and sharpness, even when working at the F3.5-5.6 maximum aperture. Generally, the maximum aperture of these lenses isn’t too large, which helps to keep their cost down, but they aren’t always of the highest optical quality. This lens gets the job done and does it without breaking the bank.

Sigma 19mm F2.8 DN

I’m a firm believer that small mirrorless camera bodies should be matched with lightweight lenses, and this is quite simply one of the best. This Sigma lens has been designed using an advanced optical structure to achieve both acceptable resolution and versatile details. Easy to focus, sharp across the full sensor, sharp photos and with only little CA. Performance is good in most respects, with the quick and fast autofocus motor. As we’ve observed in reviews of other Sigma lenses, the material and construction upgrades are very nice. The 8-element-in-6-group forward-looking optical design is poised to deliver stellar, consistent peripheral brightness and sharpness, even when working at the F2.8 aperture. Probably the high-grade, best upgraded Sigma regular you can buy. extraordinary Bokeh, outstanding, versatile performance.

Samyang 12mm f2.0

Photographers who want their mirrorless camera to feel like a point and shoot will love this lens. While this lens is known for taking very sharp images, especially at the long end, its biggest asset is probably its wide focal range, which allows for one lens to be used in a variety of settings. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. Sharpness is excellent across most of the zoom range – but drops off more at the end. If you can get close enough to the model, the lens bokeh exhibited by the Samyang 12mm f2.0 is dreamy and creamy. And the optical quality in my reviewed lens proved to be very respectable and sharp across the entire focal range. Overall, the sharp Samyang 12mm f2.0 lens is a well-priced, and an excellent option for user wants an upgrade from the kit lens regarding quality and focal range.

Sony E 10-18mm F4 OSS

The Sony E 10-18mm F4 OSS is a powerful, incredible and adequately crafted lens which perfectly suits the family photographers. As we’ve observed in reviews of other Sony lenses, the material and construction upgrades are very friendly. The lens’s minimum focusing distance is just over 0.25m, and it offers up to five stops of Vibration Compensation. The 10-elements-in-8-group stylish optical design is here to deliver fascinating, consistent peripheral brightness and sharpness, even when working at the F4.0 maximum aperture. Build quality is excellent and includes a full set of weather-seals, while the seven-blade rounded aperture diaphragm delivers ultra-smooth bokeh. Sony has a reputation for outstanding, unique and reputable quality and construction at a fraction of the price of other lenses. For traveling or hiking, Vibration Reduction is convenient. As can be expected with a lens with this focal range, some barrel distortion is evident in photos. This lens produces sharp images with only a hint of softening near the corners when shot wide open. This Sony lens boasts an impressive full field of view on APS-C / DX cameras.

Sigma 60mm F2.8 DN

The Sigma 60mm F2.8 DN is a modern, incredible and adequately crafted lens which perfectly suits the family photographers. Distortion is minimal, but this is probably due to mirrorless camera bodies which correct most distortion in-camera. This lens produces sharp images with only a hint of softening near the corners when shot wide open. This Sony E mount lens produces dreamy bokeh, especially for being on Sony A6300. A very minimal amount of barrel distortion is present near the edges of photos shot with this lens. Sharpness is excellent across most of the zoom range – but drops off more at the long end. It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses. It can focus on subjects as close as 0.5m throughout the zoom range. The lens is an excellent choice if you want to shoot contrasty portraits, traveling and stunning landscapes photos. The lens price is very affordable, so this is an excellent choice for beginners. This Sigma 60mm F2.8 DN lens is one of the most impeccable, impressive and stunning pieces of glass that will fit yours. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion.

Zigmars
Author

A very enthusiastic expert in technology and cameras. Who has been in the digital technology business for over 20 years.

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