The Garden Glamour blog is the "little black dress" for gardeners. The "must read" postings will offer garden stories about gardening’s best practices including when to plant, put the garden to bed, pruning, color in the garden; garden tips; advice on what tools work best; garden design; opinions on garden trends; garden book reviews; garden lecture review snapshots; lots and lots of images, and funny, insouciant anecdotes about the humbling, glorious and glamorous world of Gardens!

Monday, September 21, 2015

Frida Kahlo is a very special kind of enigma -- in a transcendent way. Kahlo is, after all, one of the most popular artists ever -- male or female. Nevertheless, she is heralded as a groundbreaking feminist artist. It was after a Kahlo painting sold in 1990 at Sotheby’s for nearly $2 million -- the most ever paid for a Latin American artist -- that the cinema’s brightest stars clamored to play her on the big screen, especiallyMadonna.

Ultimately it was the glamorous and accomplished actress, Salma Hayek who won the battle to ultimately -- and appropriately -- portray her fellow Mexican national artist. Hayek earned an Academy Award nomination for her portrayal of Frida - a role that probably help secure our image and persona of the the iconoclastic artist.

Kahlo supersedes her artistic achievements - and her signature style has become readily recognizable to all generations; bordering on a parody of the independent, liberated, headstrong artist. So, one might be tempted to think we know everything there is to know about Frida. And yet, here’s the thing,New York Botanical Garden(NYBG) has curated and produced a compelling installation where you learn a lot about this enduring, fascinating icon. The show, “Frida Kahlo Art . Garden . Life runs through November 1st. (fittingly, the Mexican holiday, “Dia de Muertos” or Day of the Dead.)

The show is described “as the first to examine Frida Kahlo’s keen appreciation for the beauty and variety of the natural world, as evidenced by her home and garden as well as the complex use of plant imagery in her artwork.” All of the multiple program celebrate “the vibrant culture and style of Frida Kahlo’s life in Mexico, highlighting the influences behind her work, including dance, music, food, and film.”

Indeed, NYBG has done a masterful job of bringing together heretofore undiscovered elements of Kahlo; her art and her life -- including her on-again/off again, enduring love,Diego Rivera - Painter

The show offers a very intimate look into Frida Kahlo - after all, you’re viewing her home and garden, as well as her public art. Many of her art pieces can be seen the Art Gallery at the Garden in its jewel-box of a show space.

You’ll want to visit the Garden show several times because there’s that much to take in -- and it’s a joyful, happy exhibit. You can also enhance your tour of the exhibit via an App delivered via your smartphone. On-site or off Garden grounds, the App offers a biography, lots of archival photos, and it claims to provide contemporary photos and a video of present day Casa Azul - but my Frida App did not include these features...

First off, there is the star of the show: the almost in-situ replication of Kahlo’s Mexico City home: Casa Azul and its lush gardens, rendered throughout much of theEnid A. Haupt Conservatory.

Meandering throughout the exhibit you will experience equal parts serenity: fountains, intoxicating, gentle, Mexican guitar music; along with bright, sherbet-colored walls, and exotic and curious plants boasting all manner of texture and shape.

This show is almost a remarkable departure of sorts for the Garden’s signature feature blockbusters.

Besides the collection of succulents to be found in the Conservatory’s desert house, I’ve never seen these plants featured as part of a major exhibit, nor such bright colors; or the sheer variety of plants the Garden has brought together for Kahlo.

I was most fortunate to have had a personal, one-on-one tour of the Kahlo exhibit from the celebrated curator, Fran Coelho, NYBG’s Vivian and Edward Merrin Vice President for Glasshouses and Exhibitions, (wow - that’s a title and a half to fit on a business card!), who leads the teams who create the Conservatory exhibitions. Coelho is an accomplished and creative plantswoman and horticulturist.

Fran Coehlo, VP NYBG (L) & Green Industry Interns

I learn so much from Coehlo every time I’ve been privileged enough to receive a hands-on tour with her. But really, everyone benefits from Coelho’s expertise and passion - her exhibits have her fingerprints all over them! Plus she’s on-site, in the Conservatory pretty much all the time - looking after and caring for the plants - and the visitors who walk the shows with heads up, or peering down at the plant labels or who are taking scads and scads of photos, selfies with the exuberant plants or taking videos of the sensual delights discovered in the designed garden displays.

Coelho explained how the show probably came about at the suggestion of Barbara Corcoran, the Garden’s Vice President for Continuing and Public Education. Corcoran, Coelho noted is also of Latino ancestry, first raised the idea that Kalho would be a compelling focus for a Garden feature exhibit.

Soon, the Garden’s top brass, including Coehlo and Karen Daubmann, Associate Vice President of Exhibitions and Public Engagement, were researching Kahlo and visiting Casa Azul in Mexico - as she explained to an audience of horticulture interns and the Students of Professional Horticulture at a lecture earlier in the day at the annualGreen Industry Intern Field Day III, at The New York ...

Coehlo explained to me how the Garden team took lots of pictures of Casa Azul. The pyramid garden featured in the exhibit was recreated to allow for a very robust display of garden pots and containers - mainly terra cotta.

The Pyramid display garden: Casa Azul, NYBG

Cactus is the plant of choice in the show, however with more than 2,000 different kinds of cactus - and seemingly that many pots: some Italian, most Mexican, some from the Garden’s collection and many that were replicated from Casa Azul collection by the Garden’s Vice President for Retail and Business Development, Richard Pickett and are now offered for sale at the Garden -- it’s not likely that you’ll think you’re seeing double.

Quite the contrary. In fact, as we toured, talking about what a unique opportunity it is to showcase the plants in the containers so visitors can really get to see the plants and be inspired by them.

Some plants they know, she said, some are new introductions. The exhibit also offers the opportunity to show visitors how they might display the architectural beauties at home. We agreed how much we love potted plants.

We both “oohed” a delighted exclamation when we turned the corner of the pyramid garden and saw a curious-looking tube-like bloom on the Rathbunia sonorensis cactus!

Plants never fail to excite…

Fran Coelho, VP NYBG explains Kahlo exhibit

Coelho pointed out the Echeveria, Calla Lily (that we found rooted in a snap while gardening in Ecuador earlier this year), the national flower of Mexico: the Dahlia,

the tidy Stenocereus marginatus, and other favorites as she described the challenges of not only getting the soils right for the containers -- sand perlite mix, and because these plants are difficult to root, she brought in bone root from California nurseries.

The pots or containers are more difficult to maintain -- need more water.

After the show closes, most of the plants in the exhibit will become part of the NYBG permanent exhibit.

Turning to the outdoor display behind the Conservatory - surrounding the Lily Pool Terraces, is a key part of the Frida exhibit - and as Coelho noted as part of our July tour - “This will be in in its glory in the fall.” Now!

The gardens here feature all kinds of Mexican species and cultivars that Coelho and her team were eager to showcase. There’sLantana, Asclepia, French Marigolds (I love to pair these with purple Heliotropewith its vanilla-scented blooms), Mexican Salvia(Salvia is the largest genus of plants in the mint family and I love growing and enjoying these low to no-maintenance work horses of the garden. Ditto for the candy-colored Agastaches - from which I also make a delicious tea to delight my house guests.) Who doesn’t love the glory of the Passionflower and its fascinating uses and lore? It’s on display here and just crazy complex and glamorous.

(She's also tucked in some ornamental edibles out here. Shhhh. See if you can locate them while touring the show.)

Coelho pointed out this garden is kinetic gallery of nature - with butterfly and hummingbird pollinators darting and zooming about creating more aerial beauty in motion.

I looked over to the far side and saw what I thought were just about the loveliest yuccas or agaves ever - except for maybe the Century Planta favorite succulent of mine. Turns out, Coelho introduced me to the Yucca Furcraeaan agave, yucca relative. She’d had a few but added to the collection for the show. Stunning bluish/greenish and yellow color, the big baby is zone 4 so my crush has to reserved for a container planting next spring.

I asked Coelho what does success look like to her for a blockbuster show like this? She said it’s the “Wow factor.” When she sees the show clearly puts visitors in a good mood.

Programs

The Garden has produced an immersive “edtu-tainment” suite of program elements that are engaging, fun, and provide a kind of Meetup sense of community, too.

In addition to the Conservatory exhibit, there is series of Kahlo’s painting and works on paper art in in the Gallery - and a fashion display of sorts in the Britton Rotunda of the Library, inspired by Kahlo’s double self-portrait The Two Fridas with two paper mache “dresses” on mannequins, as rendered by Artist in Residence, Humberto Spíndola.

No story about Mexico is complete without a feature on the country’s homegrown tequila; especially because this favorite spirit is made from a plant: the beautiful agave. Sponsored byJose Cuervo, the story of Mexican tequila is told through botany and craftsmanship.

A chance to win a trip to Mexico City is sponsored by AeroMexico, Condesa df

Just text to 56512 - “NYBG FridaRetreat”

The Evening Programs (6:30-11 pm) remaining are October 1, 9, 16, 22 (which is also LGBT Night) and the 30th. I was told these are really fun evenings -- with many of the visitors dressing up as Kahlo.

The Garden positively glows at night - so don’t miss this chance to be a true New Yorker - enjoying the evening out at one of the Frida al Fresco Evenings. These special evenings of live music, dining, and shopping now last until 11 p.m.

The evenings offer food, drink, dancing, and art in the Garden. What else is important to life?!

There’s something to fit every schedule, including:

Live Music and Dance on Saturdays and Sundays at 1 pm

a Film Series every weekend and holiday Mondays at 3 pm (you can view the Julie Taymor - directed film, Frida, starring Salma Hayek, in case you missed it at the cinema.)

Hands-on Craft Classes with artisanal, Mexican instructors

Visitors on Saturday, September 19, had the opportunity to attend a very special live poetry reading byRachel Eliza Griffithswho read her own work as well as select pieces by Nobel Prize winner Octavio Paz - Author, Poet, whose verse adorns the Poetry Walk. Remember, t

Plus the Garden is open until 8 p.m. on Saturdays, so visitors can enjoy the cultural festivities until past sunset.

Check the NYBG web site at:Frida Kahlofor a complete listing things to see and do at the exhibit.

Enjoy this glamorous, visually stunning exhibit now through November 1.

(And don’t you just love those Sigourney Weaver radio spots promoting the Frida Kahlo show? She is a wonderful advocate for the Garden. Cheers!)

Hope you enjoyed the sneak peek images, video and tour -- so glamorous...

Chef Gerry Hayden was taken from the culinary world far too soon. The three-time JBF Awards nominee died Wednesday from amyotrophic lateral sclerosis ALS disease. He was first diagnosed with ALS in 2010.

Mr. Hayden was a pioneer in the “farm-to-table” chapter of food history.

I was extremely honored the husband and wife team agreed to be featured in my love letter to Long Island’s food culture:The Hamptons and Long Island Homegrown Cookbook …As I've written in some interviews, the book is a “rare collection of loving profiles that capture the authentic and delicious homegrown ingredients produced by the culinary artists, artisanal food makers, and growers from the majestic land and seascapes that are the romantic hallmarks of Long Island."

Here is the original, long form profile of Chef Gerry Hayden before it was edited down to accommodate the book’s size/space parameters. It is an homage to this very special culinary talent.

Chef Gerry Hayden Homegrown excerpt -- This is a love letter:

His parents came from the same ethnic Brooklyn neighborhood of Bay Ridge. His mother learned to cook from her Italian neighbors; Good Housekeeping magazines, tearing out recipes; and old cookbooks. Chef Gerry is an impatient chef. He wants the best of everything. He’s uncompromising. It can’t come together soon enough. Not for the community of farmers or vinters. Not when he is seeking to establish an artisanal hog grower nearby.

Nevertheless, the hands on the clock hold on to each other, poised, as he determinedly cooks and coaxes the food he adores onto the plate. When Chef Gerry is creating his culinary masterpieces, there is nothing else.

For a chef this focused, is there any doubt that he always knew he wanted to be a chef?

In fact there was never anything else.

He is the youngest of seven children in a family of much older siblings. His mother always worked – at the telephone company, in department stores. Plus the family had a vegetable garden she tended.

Gerry said he’d give her a hand in the garden where they grew zucchini, tomatoes, herbs and eggplants. He also helped her with the cooking, especially on the holidays.

She was always preparing something, he remembered. She even prepared food for the next day. After dinner.

Don’t get him started about people saying they don’t have time to cook at home!

His family moved to what was then “the better life” in the suburbs of Long Island the year before Gerry was born, moving to Stony Brook where he was raised. One of his favorite memories of the open farm area then was that his family frequented the local farm stands in Rocky Point and Wading River, known for their strawberries, peaches, corn, apples, pears and melons. Later he and his friends worked at the farm, harvesting.

His first restaurant job was in junior high school as a dishwasher. That’s all it took. Young Gerry wholeheartedly loved the kitchen environment and by the age of 15 he was already cooking.

His first real restaurant job on the line at the family-owned Country House in Stony Brook left a lifelong impression.

He remembers the father had been the maitre’d at the legendary Stork Club in Manhattan. All his sons had been cooks there, too.

Eventually, the father moved the entire family to Long Island to work in their new family-owned restaurant.

Gerry remembers they had great cars and always had a lot of money in their pockets.

The restaurant in the 70’s and early 80’s was a fun place to be. He says he was fascinated; always learning. Specifically, he was taught how to pound out a leg of veal, make Veal Oscar with béarnaise sauce, and how to make hollandaise sauce.

He also remembers working hard. Very hard.

Mainly his memories of The Country House was that it was a sophisticated restaurant with a New York City polish.

He laughed when he realized that’s kind of what he’s doing now.

“I worked in New York City for 25 years and now I’m in Southold bringing a bit of that sophisticated New York dining experience to the North Fork….”

Gerry graduated from the Culinary Institute of America (CIA) in Hyde Park, New York, successfully completing the school’s 21-month program.

Significantly, there were two people there who played defining roles in his developing career.

Chef Leon Dennon, a Belgian instructor, was responsible for helping Gerry to secure his career-making externship with Chef Charlie Palmer at the famous River Café in Brooklyn.

Ultimately, it was Gerry’s father, a New York City fireman in marine company #1 who, as part of his unit patrolled the riverways of the city from the World Trade Center on the Hudson, up past the tennis bracelet of bridges that span the East River. His father is the one who suggested Gerry investigate two restaurant prospects to consider for his externship: The swanky Sign of the Dove, but especially the River Café.

Gerry recalled how the restaurant impressed his father and fellow firefighters as they passed the gleaming restaurant located under the Brooklyn Bridge; perfectly positioned to take advantage of the unstaged sorcery and romantic backdrop of the world’s most glittering skyline just across the river.

In turn, Gerry told Chef Leon about his wish to work at The River Cafe. As it turned out, Chef Leon had been a benefactor to Chef Charlie and so he was happy to make the call on Gerry’s behalf.

According to Chef Gerry, the other positive role model happened as a result of a lucky coincidence that landed French Chef Roland Henin as instructor when the regular CIA teacher was taken ill.

For seven days Chef Roland taught an intensive class on how to make consomme, terrine, and sauces. Gerry recalls Chef Roland was at turns brilliant, strict, great. He says, “It was a mind-blowing experience.” There was something about Chef Roland’s comportment and depth of knowledge that other chefs didn’t have. Chef Gerry says there are some things you can’t really appreciate until afterwards, after your own experiences.

He imbued Gerry with the pride of the culinary profession that has stayed with him all through his career.

Only years after graduation did Gerry discover that Chef Roland was very instrumental in teaching Chef Thomas Keller; and Keller acknowledges so in his first cookbook.

After graduation Gerry was asked by executive chef Charlie Palmer to return to work full time at The River Café.

Working for Chef Charlie Palmer, it seemed Gerry’s eyes were seeing food for the first time. There were miniature vegetables, fresh morels from the Pacific Northwest, ramps, fiddlehead ferns.

The fact that Chef Charlie had grown up on a farm fueled his adherence to a seasonally-based menu.

In a restaurant at that time, it was all pretty new, says Gerry. Likewise the darling of purveyors, D’Artagnan, was new then too. The company was new in the United States, but in fact stemmed from a well respected heritage of French food purveying, provided the chefs with freshly-killed game birds and organic foie gras. Up until then, most things that passed as food had been pre-packaged, Gerry notes. “So this was big news.”

“No one was going to farms then,” Chef Gerry is quick to add. “There was always the broker between the grower and the restaurant.”

Yes, there were some New York state farms starting to ship greens.

There were tadpole-sized, fill-in trips to the fish market on Fulton Street. And some also infrequent visits to what was then a real meat packing district over on the west side of Manhattan that is now home to designers and boutiques: both fashion and hotel.

Overwhelmingly, though, the only way business was conducted was over the telephone. The one with bologni-curl umbilical cord tethered to the desk or mounted on the wall.

There was no relationship with the growers, no contact with the fisherman or dairyman or herders or any of the artisans who the chefs would soon help to develop.

Today, he says he feel compromised if he uses the telephone to order the food for his restaurant. He is compelled to find the best, local ingredients. And nurture them or make them if they don’t exist, as he did recently when he worked to establish Iberico Pigs in Mattituck, Long Island. That food journey took Chef Gerry from Spain and Hungary to a slaughtering and butchering class with an Austrian Mangalitsa wooly pig master butcher in New Jersey and back to Long Island.

In 1988, when Chef Charlie opened Aureole, there was really no doubt Gerry would accompany him to his new restaurant. Gerry says he had been developing and collaborating menus with Chef Charlie when he asked him to take on the full responsibility as the opening pastry chef for Aureole.

That position impacted his career tremendously, he states.

Ever the innovator, Chef Gerry created a new wave of desserts.

What was revolutionary was he worked on plating desserts.

It seems impossible to fathom but before this, desserts and pastries were, by and large, cut from a bigger cake or pie or mouse or ice cream mold. Think of those dome-shrouded desserts at the diners. Just better.

“There were a lot of tortes, cut in the 80s” he said.

Radically, Chef Gerry took a cook’s approach to pastry.

He established a pastry station.

He formulated a hot dessert category that would extend the sole entry on any restaurant’s menu of the wonderful, but traditional souffle.

Basically Chef Gerry created a cook’s station for Pastry.

The desserts became an individual item to order.

“A cobbler in a dish that we individually baked to order had essentially never been done before,” he explains.

From his vaulted vantage point now, Chef Gerry says he didn’t start getting into the farm movement until he moved to San Francisco to help open Aqua restaurant in 1990.

“There were more small farms and farmers market at that time out there that were light years ahead of New York,” he says.

Somewhat ruefully he acknowledges that if in 1989 Union Square Greenmarket in NYC was there, and open, he wasn’t aware of it and wasn’t going to it!

Oftentimes, when you move out of your element, you see things in a new way he observes.

After several years, he moved back to New York. He worked in the Hamptons for five years after TriBeCa Grill, where he and Claudia met. This was in between Aureole and before Park Avenue Café. When he worked at the East Hampton Point- a 400-seat restaurant for Jerry DellaFemina and Drew Nieporent, Gerry says he liked being near the water, loved being in his home of Long Island, but something was missing.

The couple wanted to buy a home on Long Island but didn’t know exactly where. They took their time exploring the magic of Long Island’s landscape: it’s waterways that jab or poke the land here and there, the wide open farmland, the colonial shingled houses and quaint towns, the movie-set mansions from every century since it was settled in the 1600s.

He and Claudia visited on a number of day trips to the area, taking the Andrew Wyeth-inducing ferries across the South Fork to Shelter Island and on to the North Fork. It was soon clear. Here in the North Fork, they could have it all: enjoy the water and more agriculture and the vineyards and the community’s active commitment to preserve it.

“My godmother had a place in Jamesport and we had bungalows on Nassau Point. So I always liked the area of the North Fork. We had a boat house and enjoyed the beach-combing in Stony Point too.”

The good news was Gerry and Claudia found a house. The “bad news” was they recognized they couldn’t afford the city and the country house.

Together, they still had Amuse restaurant in the Chelsea neighborhood of New York City. But now they had to ask, “What will we do?”

He was ready to make the change. Claudia said she was ready to get out of the city.

It was late June 2001. They served very simple striped bass, farm fresh salad, peas, and fava beans. Not unlike what they do for their clientele today they developed the menu based on the time of year. “We cooked with the farms,” he says.

Not surprisingly, all the guests agreed the wedding dinner created a feeling of casual elegance inspired by the season.

Claudia and Gerry formulated their restaurant style based on that unsolicited, genuine, positive feedback.

In fact, the North Fork Table & Inn has become a food-lover’s destination.

Not unlike the area Chef Gerry is compelled to develop.

Today, Gerry is dedicated to fulfilling the North Fork’s potential as a food lover’s paradise. They opened the restaurant here because he believes it offers the best of the culinary world’s future. And lest we forget, this culinary couple hasn’t missed a beat in the evolving world of good, fresh, delicious, homegrown food.

About Me

Leeann's first
book: "The Hamptons & Long Island Homegrown Cookbook" is
available now. "New York City Homegrown Cookbook" to follow.

Leeann has
worked in restaurants and food catering and cooks with passion, using food ingredients
from local NYC Greenmarkets and her herb and farm-ette in the Garden State.

She writes a
Food & Drink column for Examiner.com, curating the food spectrum that
dazzles and elevates the radical New York food world.

She writes two
blogs. "Master Chefs and their Gardens" chronicles the making of the
book, "The Hamptons & Long Island Homegrown Cookbook," as well as
the nexus of garden art and culinary art, food events, lectures, Greenmarkets,
growers, cookbook reviews, and food stories. "Garden Glamour" is the
little black dress for gardeners, highlighting best practices, lectures, garden
book reviews, romantic and glamorous gardens and insouciant anecdotes about the
humbling world of gardening.

Leeann
contributed the chapter Public Relations and Marketing Communications to the
successful "Public Garden Management: A Complete Guide to the Planning and
Administration of Botanical Gardens and Arboreta."

Garden
Specialist and principal of Duchess Designs, LLC, Leeann designs artful,
sustainable gardens that tell stories & are endlessly beguiling--in every
season. Leeann received a Certificate in Landscape Design from The New York
Botanical Garden. She worked at NYBG and was Director of Communications,
Brooklyn Botanic Garden. Leeann is an award-winning landscape designer, earning
top honors in the first Broadway in Bloom contest. Two Duchess Designs gardens
are featured in "Cottages and Mansions of the Jersey Shore." Several
garden designs are highlighted in NJ Design magazine. Leeann has served as
judge for the Greenest Block in Brooklyn contest and the New Jersey Flower and
Garden Show. Leeann is a member of MetroHort Group, The Garden Writer's
Association, The Horticultural Society of NY, and The Garden Conservancy.
Leeann designed The Garden Pendant Collection. She's written garden book
reviews for The Two River Times and the Wall Street Journal. Leeann nurtures a
small rooftop garden at her home in Gotham, and herb, edible and display
gardens at her Garden State home.