TORONTO — Strike a pose with a giant chocolate chip cookie, slip into a pair of seven-foot high heels and cap it off with a plunge into a ball pit beneath an inflatable rainbow.

It’s your moment to shine — just make sure to smile big and get your Instagram loaded to capture every moment of curated joy.

This is the world of Happy Place, a temporary fun house of candy-coloured daydreams that runs in Toronto until January. For a price of about $33 a ticket, or nearly $40 on weekends, you gain access to a snapworthy playground for an hour before the next crowd moves in for their turn.

Happy Place is the latest in a growing trend of “pop-up exhibits” designed to lure those hungry to feed their Instagram pages with eye-popping visuals — and collect all the likes in return. Most of them are stocked with oversized props and awash with exaggerated colour palettes.

The concept exploded in popularity around parts of the United States several years ago, but Canada is only starting to welcome the idea of paying for elevated Instagrammable moments you can’t replicate at home.

Earlier this year, the Art Gallery of Ontario’s “Yayoi Kusama: Infinity Mirrors” exhibit packed crowds into six mirrored rooms for 20 to 30 seconds each, challenging each attendee to capture their best selfie in record time.

The event drew record numbers, and the kaleidoscope visuals quickly went from a wonderment to a cliche on Instagram weeks before its three-month run finished. That didn’t stop the AGO from launching an online crowdfunding campaign Thursday to help purchase a $2-million permanent mirrored room at its gallery.

If you’re not a heavy user of social media then paying big bucks to install a room of mirrors might seem crazy — but organizers at the AGO say it’s worth the investment because it attracts people in hordes.

Happy Place is another sign that Instagram spaces aren’t a joke. The exhibit arrives in Canada after selling out in Los Angeles and having a successful run in Chicago.

Jared Paul, founder of the company, is a veteran of the live concert industry and currently manages acts including New Kids on the Block. He sees these spaces as the next generation of entertainment, and rejects any suggestion they’re self-indulgent extensions of social media culture.

He said spending time with his three young sons at Happy Place assured him they serve a purpose in getting visitors to interact with each other instead of scrolling through virtual worlds.

“I love that people have to lift their heads up from their phones and interact with the people they come with,” he said.

“That technology isn’t taking them out of the experience — it actually is the experience.”

While most Canadians might feel that galavanting in a confetti dome or posing in a yellow bathtub set against a wall of hundreds of rubber duckies sounds unique, the look of those installations could wear thin as quickly as the latest inspirational Insta-quote.

The Happy Place’s upside down room is a perfect example, suggested popular Instagrammer Nevin Tavana as she walked around a bedroom that’s flipped so the bed and table are on the ceiling.

She said it’s a visual trick that’s become the new photo booth trend at some corporate parties.

“I’ve seen a lot of these kinds of photos on my feed, so I’d want to do something different,” she said as she walked past the space and into a room with fake flowers instead.

While Tavana considered Happy Place a success overall, her take exposed the fickle world of social media trends.

The Museum of Illusions, which opens this month in Toronto, sells itself as an educational spin on optical illusions and promises to refresh its offerings whenever they become stale. For now, its biggest selling points are a number of photo ops like a smaller infinity mirror space and a downscale take on an upside down room.

“There’s huge demand, pent up demand,” said Michaela Radman, owner and curator of the Museum of Illusions.

“People want to experience day-to-day things out of the norm. It’s beyond going to the Royal Ontario Museum or the AGO.”

In New York, considered the epicentre of experimentation for “Instagram museums,” the positivity around social media installations is starting to fray.

Last month, the Museum of Pizza faced a strong backlash for charging US$35 for tickets to a space that dedicated little effort to the history of the dish. Instead, the “museum” was focused on shareable visual elements like a “cheese cave” photo opportunity. The organizers threw in a free slice of pizza to sweeten the offer.

Human’s Best Friend found a way to double-dip on ticket prices by charging both dogs and their owners separately to pose with pooch-inspired visual cues, like a ball pit of dog toys and a vibrant red fire hydrant.

At Happy Place, Paul is confident the appeal won’t fade if the installations don’t overstay their welcome.

And if the interactive spaces aren’t enough, he’s also set up a “sweet tooth shack” that serves a photo-ready rainbow grilled-cheese sandwich ($10) and hot chocolate piled with whipped cream, marshmallows, rainbow sprinkles and a meringue stick ($5).

He hopes to take Happy Place to other big Canadian cities and believes interest will only grow as word spreads among friends.

“I don’t personally believe that suddenly everyone is going to stop stocking their timeline or Facebook pages with photos,” he said.

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