Disclosure Policy

August 18, 2011

Excerpt: County Line by Bill Cameron

No One Home
By Bill Cameron,
Author of County Line

To
my credit, the first thing I don't do is go stand in the street outside
her bedroom window, iPod in my pocket and portable speakers raised
above my head. Not that she has a bedroom window -- nothing so prosaic
for Ruby Jane Whittaker. The point is I show uncharacteristic restraint
and so -- lucky me -- miss out on the chance to watch a man die.

I've
been away a month. Ruby Jane called it a retreat, a chance to get my
head screwed on at last after a long winter brooding and recovering from
a bloody confrontation which left three dead and me with a near-fatal
gunshot wound. She's the one who found The Last Homely House, an
out-of-the-way bed-and-breakfast at the coast esteemed for a
breathtaking ocean view and the curative powers of its hot springs. When
I asked if she'd chosen the spot because it sat in a cellular dead zone
in a dale on a precipitous headland, she laughed and told me I'd have
to hike into town if I wanted to call her. Doctor's orders were for lots
of walking, but despite repeated marches down the mountain, I managed
to reach her only a couple of times during my sojourn, the last a couple
of weeks earlier. She hasn't picked up since.

Too long for me,
maybe not long enough for Ruby Jane. She dropped me off, and had planned
to pick me up again. But as radio silence lengthened, I arranged for an
overpriced rental car instead.

I dial her cell before getting on
the highway. She doesn't pick up. During the drive to Portland --
ninety-three-point-nine miles according to Google Maps -- I keep my hand
on my phone as though I can pull a signal from the air through the
power of touch. By the time I'm negotiating the vehicular chop on Route
26 through Hillsboro and Beaverton, I've succumbed to the urge to redial
at least twice as often as I've resisted. Doesn't matter anyway. Every
attempt goes straight to voicemail.

Self-delusion was easier in the days before Caller ID and 24-hour digital accessibility.

I
pull up in front of Uncommon Cup at Twelfth and Ash shortly before
seven. Her apartment is a few blocks away, but I'm more likely to find
her at one of her shops. Through the window I can see a guy mopping.
He's mid-twenties, with dark flyaway hair and a five-day beard. As I
watch, he spins and kicks one leg to the side. Fred Astaire with a mop
handle. I don't recognize him -- no surprise. Ruby Jane employs a couple
dozen people now. A lone customer sits at a table next to the window, a
fellow thick with layers. Thermal shirt under flannel under a
half-zipped hoodie under a denim jacket. He holds a ceramic cup under
his nose. There's no sign of Ruby Jane.

As I get out of the car,
the guy in all the layers looks up, then checks his watch. He unwinds
from his chair and is coming out as I reach the door. Tall and lean,
baby-faced, with blue eyes peeking out from inside his hood. "Quitting
time, man."

"I won't be settling in."

He slides past me
out the door. Inside, I breathe warm air laced with the scents of coffee
and bleach. The space is cast in dark wood, and sandblasted brick with
mix-n-match tables and chairs from a half-dozen different diners. Barbra
Streisand caterwauls from hidden speakers. The guy with the mop pauses
mid-pirouette when he sees me.

"Sorry, man. We're closed."

"I'm looking for Ruby Jane."

He props himself up on the upright mop handle. His eyes gaze two different directions, neither at me. "Who?"

"Ruby Jane Whittaker? The owner?"

He
sniffs. "Oh. Sure, Whittaker. I didn't make the connection." He looks
around the shop as if he expects to catch her hiding under a table.
"She's not here."

"So I see. Is she at one of the other shops?"

"How would I even know that, man?"

I don't like his tone, or maybe I don't like feeling so out of touch. "Who's the manager today?"

He turns his back. "Marcy's the only manager I know."

"Do you know where she is?"

"She took off at five. Something about seeing a band."

I take a breath and finger my cell phone. Ruby Jane's newest location, I haven't been to this shop more than a couple of times.

"Pal?" I look up. "I've got to finish up here, man."

Streisand
gives way to Sinatra and I wonder what possessed this jackhole to tune
in the Starbucks channel on the satellite radio. "Do you have Marcy's
number?"

"Her phone number?"

"No, her social security number."

"I don't know you. I don't think she'd appreciate me giving out her number to a stranger."

"I'm Skin Kadash."

"Am I supposed to know who that is?"

My
cheek twitches. "Who I am is a guy who has enough sway with the woman
who signs your checks that you don't want to keep fucking with me." My
fingertips run across a patch of red skin on my throat the color and
texture of raw hamburger.

His eyes come into sudden alignment and he ducks his head. "It's just, well, I'm new here and I don't know you."

Now
I'm the jackhole. I lower my chin and turn my hands over, conciliatory.
"How about you call Marcy? Tell her Skin needs to talk to her. I'll be
quick."

He considers that for a moment, eyes fixed on my hands.
"Okay. Hang on a second." He props the mop handle against a table and
goes back behind the counter. I wonder if I can convince him to sell me a
bagel, closing time or not. I haven't eaten since morning. He checks a
notebook from under the counter, dials a number.

I take a moment to respond. "Cell service was spotty where I was staying."

"She must not have been able to get through."

She could have left a voicemail, if nothing else. "You've no idea what's going on?"

"She said there was nothing to worry about, if that's what you're thinking."

"What do you think?"

"This
is RJ we're talking about. I'm sure she's fine." I can almost hear her
shrug through the phone. "Listen, I'm supposed to meet some people, but
tell you what. I'll be working at Hollywood tomorrow. Why don't you come
by? We'll catch up."

"Okay. Thanks, Marcy."

"Good to have you back, Skin."

Then she's gone. Alvin takes the phone, places it back on the charger behind the counter. "Find out what you need?"

"Uh,
yeah." Ruby Jane, gone and out of touch, without explanation. Doesn't
make sense. In all the time I've known her, she's taken only one
vacation -- a trip to Victoria with her one-time beau Peter and me. She
fretted about the shop the whole time we were gone.

"You need anything else, man? Call you a cab maybe?"

Alvin's
color is coming back, his expression growing impatient. I don't know if
he senses my dismay or has recovered from the sight of my neck, but
sudden heat rises in my chest. "Marcy told me to tell you to crack the
register and sell me a bagel."

His lips form a line and a crease appears between his eyebrows. "Yeah. Sure. Fine."

"Sesame seed, with cream cheese. Toasted."

But when I reach for my wallet, my pocket is empty. Back straight, Alvin slices the bagel and drops it in the toaster.

"Hang
on a second, I need my wallet." As I head for my car, I think about the
guy in layers who brushed past me as I came in. I look up and down
Twelfth. There's no sign of him. My wallet is in the gutter beside the
rental car.

Alvin thinks for a moment, glances at my neck as he wraps the bagel. "I hope he left you your debit card."

The above is an excerpt from the book County Line by
Bill Cameron. The above excerpt is a digitally scanned reproduction of
text from print. Although this excerpt has been proofread, occasional
errors may appear due to the scanning process. Please refer to the
finished book for accuracy.

Bill Cameron, is the author of dark, Portland-based mysteries featuring Skin Kadash: Lost Dog, Chasing Smoke, Day One, and County Line. His stories have appeared in Killer Year, Portland Noir, West Coast Crime Wave, and the 2010 ITW anthology First Thrills.
His books have been finalists for multiple awards, including three
times for the Spotted Owl Award for Best Northwest Mystery. Cameron
lives in Portland, Oregon, where he is at work on his next novel.