Saturday, December 10, 2011

Here's another pen on scratchboard 12x16 piece, illustrating Hitchcock's classic Rear Window. Between Rear Window and Vertigo, it seems Hitchcock took sick pleasure in throwing James Stewart out of windows, and offered prime caricature material.

While I had planned on keeping Stewart as the focal point, after doing dozens of thumbnail drawings it just wasn't quite working. I had one that cut Stewart out of the drawing almost completely, focusing instead on Hitchcock's enjoyment of dumping him out of the wheelchair. Much more interesting!

Finally, here is a version done up as a mock MAD Magazine cover for the Hartford Art School MFA in Illustration program. I haven't yet published a magazine cover, but wouldn't MAD be an incredible place to start?! (wink, wink)

Saturday, December 3, 2011

While learning the screen-printing ropes and testing some shirt designs, I got the wild hair to design some scarves as well.

I managed to pull those together faster than the shirts, which are soon to follow. I'm really excited about these and had to share...

I'm always impressed by the high quality of what other artists are selling on Etsy.com, and I've been itching for a long time to have a product worthy of my own shop. And that's a large part of what finally nudged me into screen printing.

Thursday, December 1, 2011

I'd been itching to design and print my own line of shirts from age 10, and now as a late-twenties illustrator, graphic designer, and MFA student with a curious energy to spare, the timing felt right.

I spent a couple weeks initially researching the logistics of doing this from my one-bedroom apartment while making up lists of materials and processes.

Screen printing is deceptively complex... a massively multi-step process and an art in and of itself. Much more akin to darkroom photography and traditional printmaking than making a quick digital copy, there are multitudes of steps and variables to account for within each piece of the broader puzzle. Very involved, in so many words. Fortunately I am a very process oriented person and enjoy subjecting myself to masochistic projects. It's strangely meditative for me.

a small sample of supplies

A benefit of my working in black and white is that the drawings translate really well to one-color printing. As my aesthetic and process have gotten more consistent this year, it suddenly occurred to me that hand-printing shirts and posters would be a natural creative outlet for me (with added selling power) that would harken back to my undergrad foundation in photography and printmaking.

With a couple hundred bucks in materials and a handful of hours reading forums and watching YouTube, I got myself off to a good start, more or less.

The experience hasn't been without forehead slapping failures, but the learning process has been so rapid that any expense in ruined shirts is worth the price of admission. The way I see it, if I'd be willing to pay for a class, why not eat the cost in materials and teach myself on the job?

So after some early failures I pulled plans off the Internet and built myself a new one-color press out of 2x4s and plywood. So far so good!