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Monday, November 11, 2013

The Boy Who Turned Himself into a Statue

Since the beginning of the school year, regular
as daily prayer, Gerard “Pitou” Blette, imagined kissing Celeste Angelle. She
sat in the front. Her father was a lawyer and they lived in one of the big new
houses at the end of School Street. Sometimes he’d be aroused and he’d look
left and right at his classmates sitting next to him to see if they noticed.
But how could they, since he was dutifully seated at his desk like everyone
else.

By spring, Sister Mary Stephen of the Stoning
told his seventh-grade class that all thoughts about sex are a sin. She further
advised them against attending the Friday night dances at the American Legion
Hall now that they were of age, because, she said “when you enter that dance
hall door, your guardian angel abandons you and the devil takes over.”

This warning about sex, the only one on the
subject made by his teacher all year and the only one spoken thus far during
his education entrusted into the capable hands of the Soeurs de Bon Pasteur
(Sisters of the Good Shepherd) at St. Rapier’s School, pushed Pitou over the
edge. Was he being taken over by the devil? Were his thoughts of kissing
Celeste the dreaded ‘thoughts about sex’? That was the day he decided to turn
himself into a statue.

Statues were a big part of his life, a big
part of the adult world in which he lived and in which he had very little say. His
earliest memory of a beautiful statue was the Blessed Virgin on her pedestal in
church towering over a little stadium of candles flickering in glass cups the
color of blood.

When Pitou and three of his cousins made
their First Communion, their parents assembled them in their finery like wedding
cake dolls and marched them to the grotto behind their pepe’s house to pose for
pictures in front of pepe’s statue of the Blessed Virgin. Most people had Mary
enshrined in a bathtub planted on the lawn. His pepe had built his Mary shrine
to imitate Lourdes, one of the places where she appeared to young children. It was
deep in the back yard on the edge of the woods. She was housed in an arch of
mortar and stone. His pepe even diverted a little stream to go trickling past like
the miraculous water of Lourdes.

Pitou’s wasn’t sure how or if he could turn
himself into a statue. He’d been raised in a church that reveled in saints and miracles,
so he believed pretty much anything was possible, if it was done for the glory
of God. Did he want to become a statue to glorify God? Not really. He needed a time
out from all this sex stuff. It would be like a magic trick.

+++

That night, he stood by his bed in his
pajamas and rattled off continuous Hail Mary’s in a hurry to get each one over
with, the words stumbling, mumbling out as if he were speaking in tongues. He became
dizzy and feverish.

He didn’t realize he’d actually done it,
didn’t know an entire night had passed, until his mother’s terrified scream the
next morning. Pitou felt bad right away about scaring the daylights out of her.
He thought of Mary, being greatly troubled when the angel Gabriel told her she
would be the Mother of God. He didn’t think Mary screamed like crazy the way
his mother did when she discovered his little miracle.

Pitou immediately considered turning himself
back into a boy, but then he’d have to confess why he did it. He wasn’t ready
for that. When his mother stopped screaming, she fell to her knees, bent over
and hugged herself and sobbed. He braced himself when he heard his father come
bounding up the stairs. His father was a carpenter, like St. Joseph. Unlike St.
Joseph, he liked his cans of beer in multiples and his mother had to
continually shush his blue language.

“What the hell is it?” he yelled shoving open
the door against his prostrate, sobbing wife.

Pitou’s mother got on her hands and knees
and scuttled out of the way, allowing him to open the door wide.

“Jesus Christ Almighty!” he yelled as Pitou’s
motherpointed a trembling hand to the
place by the bed where Pitou had positioned himself the night before.

“Pitou? Pitou?” his astonished father asked,
resting his coffee cup on Pitou’s dresser.

“Pitou! Pitou!” his father yelled as if
saying his son’s name loud and angry enough would put everything in order.

He braced one hand on his kneeling wife’s
shoulder and took a step closer toward Pitou. As his father’s outstretched hand
got closer, Pitou wanted badly to blink or somehow signal his parents he was
still alive. His father patted the top of Pitou’s head twice. Then he pulled
back, dropped to his knees and put his arms around his wife without taking his
eyes off his son.

By then Pitou realized he still had most of
his senses. He could smell his father’s
coffee, see and hear both his parents. He’d felt his father’s hand on his head.
But he remained a plaster, inanimate statue. It was if he were there, but
hiding, like the nuns tried to explain the presence of God.

“What should we do?” his father asked. Pitou
had never seen his father so tamed.

“I’ll call Father Bellechance,” she answered,
looking up at Pitou. She pushed herself up from her knees without taking her
eyes off Pitou. She was calmed. She wiped her tears with her apron, took a
couple of steps back, turned and left.

Pitou’s father stayed on his knees, then looked
down at himself as if he were embarrassed to find himself kneeling in front of
his son. He jumped up and bolted after his wife and slammed the door shut.

+++

Pitou spent the next hour or so (he’d lost
his human sense of time completely) regretting what a huge mistake he’d made.
All he’d thought of beforehand was how wonderful statues were and how everybody
loved them. He hadn’t wanted to scare his parents. He’d not even considered how
he would turn myself back into a twelve-year-old boy. He supposed it would
require wanting to be a boy again as much as he’d wanted to be a statue.

As this weighed on Pitou, he heard the
hollow uneven sounds of many pairs of feet coming up the stairs. The door
opened and Fr. Norman Bellechance’s considerable bulk occupied the doorway. The
pastor’s B.O. wafted in and Pitou wanted badly to raise a hand and pinch his nose.

The priest stood open-mouthed, panting to catch
his breath from the climb, a bit of drool escaping the corner of his pale lips.
His normally gray, tired slits of eyes widened with shock.

Fr. Bellechance, without blinking, reached
into his pocket and pulled out a handkerchief. Transfixed, he dabbed the spit
from his chin, held his breath, and approached the statue of Pitou. He removed
his black fedora with one hand and reached out toward Pitou with the
handkerchief in the other. Pitou wanted to turn away from being touched by that
handkerchief. The old priest made a fist around the handkerchief and slowly knocked
twice on Pitou’s plaster head.

He backed off and pulled a little plastic
bottle of holy water from his breast pocket, squirted some into the palm of his
hand and tossed it at Pitou, not making the sign of the cross or anything, just
tossing as if he were feeding ducks on a pond.

Finally Fr. Bellechance stood erect, his face
nearly as white as the plaster that Pitou had become. He pronounced with the
authority of an expert, ‘Yes, I’m afraid he is
a statue.’

+++

The housekeeper at the rectory overheard Fr.
Bellechance on the phone talking to the bishop about Pitou Blette. She listened
intently as the old priest’s impatience with the bishop rose to a shocking
level.

“I’m telling you I have verifiedit with my own hand!”
the pastor said, then, calmly, backing off, “No, your excellency, he appears to
have done it by himself.” He concluded the call: “Yes, your excellency, I look
forward to your visit.”

The housekeeper did not hesitate to spread
the juicy gossip by calling her cousin Estelle who called her cousins and aunts
and sisters and, like a flash flood, word that little Pitou Blette had turned himself
into a statue buzzed in the ears of every Catholic in town and plenty of
non-Catholics too.

Soon the neighbors, relatives, friends, and
total strangers formed a line outside the Blette home, a humble two-story
apartment in a block of six mill housing apartments called a “sexplex”. The
police came to direct traffic. Cars with out-of-state plates were parked as far
as three blocks away.

The first visitor was his Aunt Simone who
placed a small wicker basket at Pitou’s feet with a cardboard sign “DONATIONS”.
She also set up a burgundy velvet rope and two gold stands she’d borrowed from
the funeral parlor in order to keep pilgrims from getting close enough to touch
her nephew. Many people came and went, Pitou’s parents allowing groups of no
more than five to crowd into the little upstairs bedroom on a non-descript
house in Melanville that was being transformed into a shrine. People lined up
for blocks, debated if it was it a miracle. Some brought young children, eager
to expose them to the Church’s tradition of miracles. They were careful to keep
them from going beyond the velvet rope. Visitors would kneel briefly and close
their eyes, but couldn’t keep them closed long, so eager to stare at this
boy-statue as if waiting for something more to happen, some further
astonishment and determined not to miss a thing. They left money, flowers,
rosaries, pictures of their favorite saints. It was like the impromptu shrines
that spring up on the highway at the site of a fatal car accident.

A week went by. There was no attempt to move Pitou.
Each evening, his mother and father would be the last ones to visit his room.
They’d sit quietly on two of the several metal folding chairs someone had
brought from the parish hall. He noticed they held hands when they sat there.
He’d never seen them do that. After a while Pitou’s father would empty the
donation basket into a sack and each of his parents would place a warm hand on
his plaster head before they left and they’d tell him they loved him. They were
the only one’s allowed to touch him.

+++

The bishop pulled up in his big black car, emerged
from the back seat and strode impatiently toward the door of the Blette home while
as his two attendant monsignors scurried to keep up with him. As he mounted the
steps, he yanked a purple stole from the pocket of his black suit coat and
draped it around his neck.

Pitou’s parents had cleared their home of all
visitors except Fr. Bellechance in preparation for the bishop’s visit. The old
pastor answered the door.

“Welcome to the Blette home your excellency,
this is Romeo Blette and his wife Darlene. The boy is upstairs.”

The bishop shoved Pitou’s door open and all
his hurry came to an abrupt halt when he finally faced the statue. Pitou
thought he recognized this new priest from the picture of the bishop that hangs
in the school hallway at St. Rapier’s.

One of the priests who entered with the
bishop unhooked one end of the velvet rope and let it drop to the floor. He
quickly looked around the room and then pulled a night table in front of Pitou
and placed a gold vial on it, then stood straight up with his hands clasped at
his belt buckle. The bishop opened the gold vial and poured what looked like
cooking oil onto a couple of his fingers. The bishop began a prayer in Latin
and made the sign of the cross on Pitou’s head, eyes, nose, ears, and chest.
One of the monsignors moved the night table and re-attached the velvet rope.

The bishop turned to Pitou’s parents: “This
is your son, you are sure of that?”

“Yes, your excellency,” they answered in
unison looking at each other at such a dumb question.

“You realize I will have to inform Rome,”
said the bishop as if that were bad news. “There will be an investigation.” he
continued. He turned back toward Pitou. “It will take some time,” he finished,
sounding annoyed.

Pitou’s parents nodded and the bishop and his
cohort left the room.

+++

“Why did he give Pitou the last rights?”
asked Pitou’s father as he and his wife sat alone with Pitou. “He’s not dead!”

Pitou’s mother turned to her husband. “I’m
not sure what he is,” as she began to sob.

+++

After dark, after Pitou’s parents had shooed
away the last pilgrims who’d come after the bishop’s visit and they’d said
goodnight to Pitou, he was enjoying his evening privacy and the door of his
room opened again. In stepped Celeste Angelle. He thought he was dreaming.

Her left hand on the doorknob, she stepped into
Pitou’s bedroom, and like every other first-time visitor, stared, her mouth
slightly open. She moved toward him, and folded her hands in prayer. She
unhooked one end of the velvet rope and dropped it on the floor without taking
her eyes off his. Pitou wondered if she could feel him staring into her eyes
the way she was staring into his. She stepped beyond the rope, close enough so Pitou
could feel her breath and smell her perfume.

“Everyone said you turned into a statue. When
did you come back?” she asked.