Tips and advice straight from the Lightroom team.

HOME> Adobe Camera Raw 6.7 and DNG Convertor 6.7 Now Available on Adobe.com

Adobe Camera Raw 6.7 and DNG Convertor 6.7 Now Available on Adobe.com

Camera Raw 6.7 [Win|Mac] and DNG Convertor 6.7 [Win|Mac] are now available as a final releases on Adobe.com and through the update mechanisms available in Photoshop CS5. This release includes bug fixes, new camera support, and new lens profiles.

Please note that this will be the last update of Camera Raw for Photoshop CS5.

New Camera Support in Camera Raw 6.7

Canon EOS 1D X

Canon EOS 5D Mk III

Canon PowerShot G1 X

Canon PowerShot S100V

Fuji FinePix F505EXR

Fuji FinePix F605EXR

Fuji FinePix F770EXR

Fuji FinePix F775EXR

Fuji FinePix HS30EXR

Fuji FinePix HS33EXR

Fuji FinePix X-S1

Nikon D4

Nikon D800

Nikon D800E

Olympus OM-D E-M5

Pentax K-01

Samsung NX20

Samsung NX210

Samsung NX1000

Sony Alpha NEX-VG20

Sony SLT-A57

New Lens Profile Support in Camera Raw 6.7

Lens Mount

Lens Name

Canon

Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF)

Canon

Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF)

Canon

Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL

Canon

Tokina AT-X 535 PRO DX 50-135mm f/2.8 (IF)

Canon

Tokina AT-X M35 PRO DX 35mm f/2.8 Macro

Canon

Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro

Canon

Tokina AT-X 116 PRO DX 11-16mm f/2.8

Canon

Zeiss Distagon T* 2,8/15mm ZE

Nikon

Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF)

Nikon

Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF)

Nikon

Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL

Nikon

Tokina AT-X 535 PRO DX 50-135mm f/2.8 (IF)

Nikon

Tokina AT-X M35 PRO DX 35mm f/2.8 Macro

Nikon

Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro

Nikon

Tokina AT-X 116 PRO DX 11-16mm f/2.8

Nikon

Nikon AF-S NIKKOR 85mm f/1.8G

Nikon

Nikon Micro-Nikkor 60mm f/2.8D

Nikon

Nikon 1 Nikkor VR 30-110mm f/3.8-5.6

Nikon

Sigma 18-200mm F3.5-6.3 II DC OS HSM

Nikon

Zeiss Distagon T* 2,8/15mm ZF.2

Leica

LEICA APO-SUMMICRON-M 75 mm f/2 ASPH.

Leica

LEICA APO-SUMMICRON-M 90 mm f/2 ASPH.

Leica

LEICA APO-TELYT-M 135 mm f/3.4 ASPH.

Leica

LEICA ELMAR-M 24 mm f/3.8 ASPH.

Leica

LEICA ELMARIT-M 28 mm f/2.8 ASPH.

Leica

LEICA ELMARIT-M 90 mm f/2.8

Leica

LEICA MACRO-ELMAR-M 90 mm f/4

Leica

LEICA NOCTILUX-M 50 mm f/0.95 ASPH.

Leica

LEICA SUMMARIT-M 35 mm f/2.5

Leica

LEICA SUMMARIT-M 50 mm f/2.5

Leica

LEICA SUMMARIT-M 75 mm f/2.5

Leica

LEICA SUMMARIT-M 90 mm f/2.5

Leica

LEICA SUMMICRON-M 28 mm f/2 ASPH.

Leica

LEICA SUMMICRON-M 35 mm f/2 ASPH.

Leica

LEICA SUMMICRON-M 50 mm f/2

Leica

LEICA SUMMILUX-M 21 mm f/1.4 ASPH.

Leica

LEICA SUMMILUX-M 24 mm f/1.4 ASPH.

Leica

LEICA SUMMILUX-M 35 mm f/1.4 ASPH.

Leica

LEICA SUMMILUX-M 50 mm f/1.4 ASPH.

Leica

LEICA SUPER-ELMAR-M 18 mm f/3.8 ASPH.

Leica

LEICA SUPER-ELMAR-M 21 mm f/3.4 ASPH.

Pentax

Sigma 17-50mm F2.8 EX DC HSM

Pentax

Sigma 50-200mm F4-5.6 DC HSM

Sony

Tokina AT-X 116 PRO DX 11-16mm f/2.8

Sony

Tamron 18-200mm F/3.5-6.3 Di III VC B011

Sony

Sigma 17-50mm F2.8 EX DC HSM

Sony

Sigma 50-200mm F4-5.6 DC HSM

Sigma

Sigma 18-200mm F3.5-6.3 II DC OS HSM

Camera Raw 6.7 Release Notes

These items have been FIXED in Camera Raw 6.7:

Black halo/speckle artifacts could appear when performing an image warp. Examples of warps include lens profile adjustments and rotating the image.

Files rendered in Lightroom 4.0 appeared differently in ACR 6.7.

Using the clarity adjustment adds tone to 100% white tones

Raw files from Olympus E-P1 are not cropped according to the aspect ratio set on the camera

Nikon D800, D800E and D4 NEF still images will not open in Lightroom 4.0 and ACR 6.7 if they were shot in live video mode

Rendering with local corrections in 6.5 and 6.6 could be slower compared to previous ACR 6 versions

Saving over 200 images as compressed tiff can cause certain hardware to become unresponsive.

Thank You

Thanks to everyone who submitted bug reports, posted entries in the U2U forums and blogged their issues so that we could improve Camera Raw and DNG Convertor in this update.

40 Responses to Adobe Camera Raw 6.7 and DNG Convertor 6.7 Now Available on Adobe.com

You took away the sliders for manual CA correction. I have lenses that do not match up with your profiles. No routine is 100% compatable with all photos. Please put back the manual sliders so I can fine tune my images again.

I updated my CS5 Camera Raw to 6.7 (from 6.4.1) and still don’t see a difference in the lens profile lists… It said my Tokina 11-16 was supported, but there was no change in the list from what it was before I updated it. My 11-16 is my work lens, and It’d be nice to take a step out of the post-processing list having to fix distortion.

PV 2012 is out with PHotoshop CS6 and LR 4.0 and newer, the PV2012 wasn’t available with Photoshop CS5. So you’ll likely be processing using 2010.
You should be able to work with those images directly in PHotoshop CS5 though, just not with PV2012.

I have premiere elements 10 which will allow the import of NEF files.
I also have the much more expensive premiere CS5.5 and it will not!!!!!
I really would like to be able to import NEF stills from my Nikon D7000 without any conversion into other formats.

I have CS5 and ACR 6.7,…..ACR see’s my D2X camera profiles but not my D3X. Suggested elsewhere here in a blog was to download the new DNG convertor 7.1,……but after the download, and re-starting my machine the D3X camera profiles still don’t show up in the ACR. Got a fix for this?

I have Lightroom 4.0 and it does not open Raw files from Canon 5d mark III. Just downloaded Adobe Camera Raw 6.7 version as it is said here that it will allow for the Raw files to be reak. But the lightroom still does not read the files

Unfortunately it looks like Lightroom 4.2 can be obtained only with subscription to Creative Cloud on adobe website. IF there are any ways to upgrade to 4.2 version without it I would love to get a link.