Auteur : Fredrik Strömbergla langue : enÉditeur: IlexDate de sortie : 2010
As one of the most simple, effective and powerful forms of communication, it comes as no surprise that comic art has been misappropriated by governments, self-interest groups, do-gooders and sinister organisations to spread their messages. World War Two comic book propaganda with Superman, Batman, and Captain America bashing up cartoon enemies was so ubiquitous that there was barely a US comic untainted by the war effort. And theres no shortage of examples from the other side of the globe. This book examines every kind of propaganda, and how positive or pernicious messages have been conveyed in the pages of comic books over the last 100 years. Subject areas include racism and xenophobia, antidrugs comics, pro-drugs comics and religious comics. Plus, there is a look at social programming; how gender roles were re-enforced in comic book stereotyping, and how comics broke free to produce a whole slew of gay superheroes, no matter how ham-fistedly written. This book is a fascinating global, visual history of some of the most contentious, outrageous, unbelievably unusual and politically charged comics ever published. Written by renowned comics historian and author, Fredrik Strömberg.

Auteur : Fredrik Strombergla langue : enÉditeur: St. Martin's GriffinDate de sortie : 2010-07-20
As one of the most effective and powerful forms of communication, it comes as no surprise that comic art has been misappropriated by governments, self-interest groups, do-gooders, and sinister organizations to spread their message. World War II comic book propaganda-with Superman, Batman, and Captain America raising war bonds, and bashing cartoon Japanese and Germans-was so ubiquitous that there was barely a US comic untainted by the war effort. The sub-textual sequential art continued well into the Ciold War, with both sides producing comics extolling themselves and defaming the enemy. This book is a fascinating visual history of some of the most outrageous, and unbelievable and politically charged comics ever published.

Auteur : Trischa Goodnowla langue : enÉditeur: Univ. Press of MississippiDate de sortie : 2017-01-20
The Allied victory in World War II relied on far more than courageous soldiers. Americans on the home front constantly supported the war effort in the form of factory work, war bond purchases, salvage drives, and morale-rallying efforts. Motivating these men, women, and children to keep doing their bit during the war was among the conflict’s most urgent tasks. One of the most overlooked aspects of these efforts involved a surprising initiative—comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately those characters proved to be persuasive icons in the war’s most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war effort. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.

Auteur : Christina M. Knopfla langue : enÉditeur: McFarlandDate de sortie : 2016-01-07
For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study—the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized.

Auteur : Lauren Sternla langue : enÉditeur:Date de sortie : 2012
Propaganda is present widely today and needs to be brought to peoples' attention. As in the past, comic books continue to be used as a medium for propaganda to influence readers. People have traditionally thought of them as children's books, but in many ways they have never been and currently are not just for children. People have considered them childish mostly because they tell stories using colorful pictures and larger-than-life stories. However, comic books discuss real societal issues, such as war, religion, racism, politics, sex, etc. I was inspired by Fredrik Stromberg's Comic Art Propaganda: A Graphic History which was quite fascinating to me. It presents a visual history of a variety of comics that have been used to spread propagandistic messages, both harmful and beneficial by individuals and/or organizations. After reading it, I realized that I never knew that comics were used in this manner. Also, I learned to appreciate comics as a powerful literary tool and a unique art form. In fact, I never read a comic book until I read Stromberg's book. I thought that if I became interested in this topic and learned to appreciate the medium, then maybe others will too. Currently, there is not an exhibition that explores this topic; therefore, I decided that I was going to do my thesis on comic book propaganda focusing on its impact on society during the past century. The Art of Persuasion: The Use and Abuse of Propaganda in Comic Books will explore a variety of examples and topics regarding this subject. Visitors will be exposed to the world of comic books and why and how they are used to spread propagandistic messages. When people visit this exhibition, they will learn about comics and their role as a medium for propaganda and will be able to take away something that they potentially never knew before. This topic is important to share with others because it will open their eyes to this subject matter and hopefully get more people to appreciate comics.

Auteur : John A. Lentla langue : enÉditeur: Univ. Press of MississippiDate de sortie : 2017-07-20
In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.

Auteur : Chris Yorkla langue : enÉditeur: McFarlandDate de sortie : 2012-02-08
"Close analysis of individual titles--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs"--Provided by publisher.