I may have mentioned before that I often have the TV on while I’m editing. It has to be the right kind of show; something I can mostly listen to and just glance at periodically, it has to be interesting without being too engaging. I end up watching a lot of documentaries, nature, science and history shows. I also catch a lot of shows about the paranormal; I love stretching my imagination entertaining the ideas they present whether or not I think they might actually be true. Often these shows have a benefit beyond simply enhancing my editing time; I learn new things, I expose myself to new ideas. And sometimes I learn about problems in the world and I want to do something to try and help fix whatever is wrong.

Details from today’s images

I’ve known for some time about the terrible future the wild lions in Africa are facing. Poaching and habitat loss have killed off about 80% of their population in the last 20 years. Sadly, the traits humans find most beautiful about lions are also the things that make them genetically stronger, which means not only are people driving lions to the edge of extinction, but the lions which are left are weaker and less able to survive.

Can you imagine a world without lions? The fragile ecosystem which would be thrown into chaos by their loss? A world where children would grow up never seeing the majestic animals? Where lions would seem as unreal to them as dinosaurs? Telling your child that yes, these animals all once roamed the land, but now they are gone forever.

And it is because of humans that lions are teetering on the edge of this chasm.

If people are the cause of their destruction, we have a moral obligation to try and save them. As my close, personal friend Rustin Cohle would say, we have a debt to pay.

As is my usual first course of action, I decided to address the problem with photography. As I began building the concept in my head, I realized it would fit in well with DreamWorld. While most of the land is beautiful and verdant, there are less lush areas and also touches of actual evil.

It was at this time that I came across Travis Weinand. Travis is a multi-talented transplant from Philadelphia; he models, of course, acts, sings and plays bass in his really great heavy metal band Burden (seriously, I genuinely like their music! Give it a listen!) illustrates and paints beautiful images, he’s been a tattoo artist and has been competing in the last several seasons of American Ninja Warrior. Travis has promised to show me how to make my voice sound evil like I’m singing in a metal band and I’m going to show him how to levitate… in a photo at least 🙂 ANW isn’t something I’d seen much of; I quickly discovered it’s really physically demanding; here’s a short video from Travis to impress your socks off:

Travis’s physical strength, size (he’s 6′ 5″, so anybody seeing us walking together must have gotten a chuckle since I am all of 4′ 11″) and blond hair made him feel like a perfect lion-man. I decided to make a mane headdress, something more symbolic of a mane rather than something that was trying to perfectly replicate what a lion’s mane looked like. I had some really lovely blue and brown metallic yarn that I’d gotten on sale and wasn’t sure what I was going to do with, which seemed like a good place to start. Since Travis has brilliantly blue eyes, I decided to work some blue into the mane; this was a metaphoric mane, I decided I could bend the color rules a little.

Various amounts of blue yarn and other colors braided together

It happened that, of course, I got sick again while I was getting ready for the shoot – I think I’ve told you guys this but apparently my body has decided that it’s going to have a cold every 2-3 weeks until I have sinus surgery to stop its evil plan. My surgery is November 4th (wish me luck!) and I am so eager to have it done with. I’m really looking forward to a time when I can go more than a few weeks without getting sick on top of already being chronically sick.

That has, of course, been very draining, but knitting is one of those activities that you can do (if you’re making up your own pattern anyway) without engaging very much of your brain. It’s also quite soothing, the repetitive motions over and over again, and once I got through the really feverish first couple days of the cold it was a relief to have something I could work on and feel a little bit productive about. So a lot of braiding and arm-knitting happened while I was well enough to be bored but not well enough to do much of anything else. Above, you see the braided loops I made with varying amounts of a brighter blue yarn worked into the rest.

The under-mane, loops attached

Lion’s manes are typically darker close to the skin with the hair lightening as it gets longer. I made the “under-mane” from the original blue and brown yard that had started the whole idea, arm-knitting a general idea of the shape I wanted. I hand-tacked some of the braided pieces around the bottom to hang down decoratively.

The… main… mane

The, uh, main mane was also arm-knitted, into a similar shape, but fuller and more expanded toward the bottom. I love this brand of yarn. I want to arm-knit everything right now. It has such a beautifully organic look when it’s finished, even if you’re making it up as you go!

Ruffs

Lion manes are often majestically full right over the center of their chests, so I quickly knit up a couple filler-pieces to give extra fullness to Travis’ mane. You’ll notice that one is a little bigger than the other. The official reason is because it’s natural for there to be a slight asymmetry to any kind of animal markings or fur. The real reason is because I’d run out of yarn and didn’t have money to go buy another skein. Plus, I didn’t think it would really show in the final images, so I didn’t worry about it too much.

The beginning of a mock-up

I’m including this photo because for one, Aly gave me the unicorn-on-a-stick toy so I wanted her to see it is being used and loved, and also because it just really looks ridiculous 🙂 I needed to build up a shape that was going to let me see how the mane would actually be hanging and my regular foam head wouldn’t nearly do the job. Not only because it’s far too short and becomes unstable if I pile it high on a lot of other objects (I know this from experience) but I needed the mane to spread out so I could really see it. So this is the unicorn-on-a-stick sandwiched between the end of my bed and the blue dresser at the end of my bed, wrapped up with a very fluffy pink bathrobe which is so long that I use it as a blanket. In the next photo you’ll see another bathrobe draped over the unicorn’s head to give it more a human-head shape. There’s a method to all the madness.

And if anyone is wondering, the cardboard box is there for the cats (mostly Maynard) to lay in and the big pile in the background is my Costume/Fabric/Backdrop Pile. I’m working on a better way to store it all. There are only so many hours in a day.

First draping

I’d been planning to braid the mane into Travis’ actual hair, which is cut in a very cool undercut style which makes me think of Jimmy from Boardwalk Empire. I seem to be leaving a hole in the middle of the mane; that’s on purpose to allow for Travis’ hair. You can see the under-mane some and I’d started adding extra braided bits which just hung down.

Finished!

And here it is all done! Braided loops, hanging braids, front ruffs; it’s all there. It’s probably hard to picture how it will eventually look, but don’t worry, you’ll see very soon 🙂

I had come across some boulders in one of my walks (my doctor’s suggestion of a safe exercise for me right now, which makes me sad when I think about all the yoga, Pilates and ballet I used to do. I like to do the walks in nature since that makes it much more interesting and enjoyable).

The plants around it, which had been brilliantly green in spring were now brown and dying, so it felt like the perfect setting for my Last Lion, as I am calling this new DreamWorld character.

I imagine that the Last Lion had a vast kingdom once where his people thrived. During the Yellow King’s grab for power, his people and land suffered greatly when they stood up against the Yellow King. They are fighters. And though the Yellow King is now banished, he did real harm to the land and its people before he left.

They are fighters. They have been greatly wounded and they could vanish forever and be a mere memory in DreamWorld as the lions could be in our world… but I think they’ll prevail. They have not been beaten yet.

And if you would like to help our world’s lions, look into the Big Cat Initiative. They have a really solid plan of how to get the lions back on their feet while still keeping the farmers and cattle in the region safe, promoting harmony between them. Another very quick, simple yet effective way is to add your name to any or all of the petitions below, all working toward protecting lions from extinction:

You can look forward to seeing more of Travis soon! I’m very excited about using his incredible physicality strategically in images; he can do things for real which I’d normally have to rely on Photoshop for. Should be fun! Thanks, Travis! And thanks to all my readers 🙂

First things first: the light. Let’s get to the winner of The Blue Ribbon! Drum roll please…

Congratulations, Brittany D. Perkins!!! You havewon a beautiful, 10″ x 15″ print of The Blue Ribbon!. Your print will come on beautiful, shimmering, pearlized, archival paper and will be hand-signed. Please send an email to me at sarah@sarahallegra.com with your mailing address and I’ll get it to you!

What do you guys think? Was that fun? Something we should do again? Did the tweeting format work for you? Let me know your thoughts and I can fine-tune my contest process to make it better for everyone! Don’t forget that my fundraising will continue for the entire month of May, so stock up on your art purchases now while they’ll do the most good!

I think I was telling you guys about the evolution of this character. I’ve always had a thing for horns and antlers on people (see my very first self portrait as proof) and wanted to work them into DreamWorld from the beginning. As with most mythologies, I felt there was room for a Puckish, trickster character, which is what I had in mind when I started constructing this creature. The beginning of my work on him coincided with the beginning of True Detective, a pure coincidence, but True Detective’s ominous Yellow King bled into my concept, and before I knew it my trickster had transformed beyond a mere Puck or even Loki into the DreamWorld version of The King In Yellow.

DreamWorld is an ever-evolving place, and while this King is the first sinister character to be portrayed, there are other forces at work. We will meet them eventually. For now, I think it is enough to know that the King in Yellow has been sent into exile by DreamWorld’s true King for trying to usurp the throne and plunge DreamWorld into darkness. He has been foiled for now, and is thus known as they Exiled King, though some still whisper of the King in Yellow and restoring him to his rightful, dark glory along with those who seek the same goals… but I don’t worry. The King is strong and benevolent. And we haven’t even met the Queen yet, though we will soon. She also rules for good, and is not to be taken lightly.

Let the whispers and secrets travel where they will. The King in Yellow has been sent into exile as a merciful punishment, but I doubt a second grab for the throne would be met with such leniency.

Now that you know about the Exiled King, want to see how he came to life?

My initial inspiration for the antlers was the Makhor goat’s horns, such as seen in this stock image:

Horns are always tricky to build for human heads. Making them stable but light, keeping them balanced on the head while trying to appear that there’s no supporting structure at all… they’re always a nightmare to make. And I knew these ones were going to be the largest pair I’d made yet. As usual, I dove in without a real plan and figured it out as I went.

I started with a regular headband and some strong but light wire, wrapped around itself and twisted generously onto the headband. I began introducing the twisted shape by wrapping it around my arm a few times.

I wrapped a thin layer of newspaper over each wire frame, adding a layer of masking tape on top to help it hold its shape and smooth it.

Looking very lop-sided at the moment

I initially tried spraying the antlers with spray adhesive to try to help smooth the antlers further, but all it really did was make it tacky, even after it had dried. I sighed and decided I’d try and use it to my advantage by covering the antlers with a layer of metallic gold tissue paper (which smells really weird, by the way). I filled in some of the larger dips and gaps with hot glue and added a little more tissue paper, but I knew I’d end up having to do a little smoothing to them in post production. I don’t remember why now, but I ended up getting these finished just the evening before my morning shoot, so I didn’t have more time to tinker with them and make them absolutely perfect.

You can see here the careful support structure I created literally with toothpicks and popsicle sticks broken into smaller strips. Sometimes the most straight-forward way is the best way 🙂 They’re also reinforced with a little bit of monofilament line to help them not bow away from each other.

With the antlers done, I moved onto the leaf mantle. I used approximately a billion fake leaves for this which I’d collected over several years and a number of projects. I still found myself nearly running out by the end and had to ration them carefully. I concentrated on the leaves around the face first, which also conveniently covered the antler’s headband and support structures.

A full mantle of leaves

I’ve had this one vest in my “costume” supplies for a very long time and I just love it. It looks very rugged and home-spun and fits a very wide variety of looks and styles. I’m pretty sure it was made for someone closer to my size than Dan’s, so I quickly added extra length to it by cutting straight through the shoulder seem and building a new shoulder strap with leaves hot glued to each other. The yard provided a wealth of beautiful acorns to choose from and use as buttons. And don’t worry, the squirrels still had more to eat than they ever could.

Next was the big leaf amulet. I’d gotten this pack of huge, very realistic leaves probably two years ago and had been holding on to them, waiting for them to become useful. Now was their time! This heavy chain was also in my stash for similar reasons, and became a lovely chain for what would be a leaf amulet.

Some smaller, gold-dusted leaves, a large gold key and an amber-colored, leaf-shaped crystal finished it off.

Almost done!

Leaf slipper tops

The very last thing I made were “leaf slippers,” for lack of a better word. They were just several leaves glued together with elastic straps to help keep them on Dan’s feet; super easy!

Leaf slipper bottoms

I also cut up some strips of a golden-brown, rustic-looking cotton to tie around Dan’s sleeves and pant legs, but that would be assembled the day of. As far as my prep work went, I was done! I honestly can’t remember exactly how long the whole costume took to make… several days of solid work, no sleep? Eight weeks? I have no idea, but it was long. When I’m deeply involved in a project like this, time melts away for any practical use.

Before I get more into this, let me back up and tell you about Dan Donohue, who so beautifully brought my character to life. Dan is celebrated actor, best known for his extensive theater work. He played Scar in Disney’s Broadway version of The Lion King and left for Oregon almost immediately after our shoot to go play Henry the III at the Oregon Shakespeare Festival’s version of Henry the III, as well as the father in their production of A Wrinkle In Time. You would never believe from meeting him that he does evil and sinister so well; he is truly one of the kindest, most enthusiastic and genuinely lovely people I’ve had the pleasure of working with. But the moment I told him to be a villain, it all fell away and for a second I had to catch my breath because he so completely embodied The King In Yellow. Dan is a muse if I’ve ever met one and a pure delight to work with! He’s also very creative and funny, as I’ll get into more later.

The morning of the shoot came quickly, Dan and I found our location and the entire shoot was easy and felt effortless. There may have been a bit more effort on Dan’s part trying to keep his antlers and mantle from toppling over if he moved his head too far in any direction, but it seemed that his theater experience really paid off and helped him manage this probably cumbersome bit of costume beautifully.

Antler wrangling

Generally when I shoot new DreamWorld characters, I edit one or two images; maybe three if I feel they’re all really compelling, but in this instance I edited five. This is almost unprecedented. The only other time I’ve edited more photos from a single concept, with no costume or location changes was for the Katie’s World set. That says quite a lot about how perfectly Dan was able to become the Exiled King. But enough talking about them. You want to see the images, right?

You’ve seen this first one already since I used it to tease the series, but I’m posting it again so the whole set can be seen together as intended. To set the mood, here are the two quotes which most directly influenced how I took the set, one from Robert W. Chamber’s book The King In Yellow and one from True Detective.

“Him who eats time. Him robes; it’s a wind of invisible voices. Rejoice, death is not the end! Rejoice, death is not the end! Rejoice, Carcosa!”
– Miss Delores, True Detective episode 7, After You’ve Gone

The Shadows Lengthen

The Shadows Lengthen – detail

The Shadows Lengthen – detail. Dan’s hand here kills me every time, it’s SO PERFECT. I never knew a single hand could be so expressive, yet it is.

Pliable Reality – shot using a home-made “Lensbaby” which was the top of a water bottle

Pliable Reality – detail

Pliable Reality – detail

Pliable Reality – detail

Where Black Stars Rise

Where Black Stars Rise – detail

Where Black Stars Rise – detail

Where Black Stars Rise – detail

The Tatters Of The King

The Tatters Of The King – detail

The Tatters Of The King – detail

And perhaps my favorite of them all….

His Robe Is A Wind of Invisible Voices

His Robe Is A Wind of Invisible Voices – detail

His Robe Is A Wind of Invisible Voices – detail

His Robe Is A Wind of Invisible Voices – detail

His Robe Is A Wind of Invisible Voices – detail

Whew, still with me? I know that was a long post, but I had a lot of photos to cover!

He’s not REALLY evil, he just pretends really well!

The only sad thing is that we never got to see how well Dan managed his leaf slippers, but trust me, he killed it like everything else.

Thank you so much to Dan for being the perfect King in Yellow and furthermore being extremely patient as I slowly edited all of these!! Hopefully we won’t have to wait too long to see the Exiled King’s companions and cohorts! Dan has been invited back again whenever he returns to California, so he may pop up in more photos; I hope so 🙂

This is a preview of a new set I’m currently editing for DreamWorld. This set will be important to the entire series as it marks the entrance of the first non-benevolent character.

At first I had envisioned this character, whom we only get a glimpse of for the moment, as a more Puckish, trouble-maker character, but as I worked on the costume and planned the shoot, I was also watching the first few weeks of True Detective. True Detective (one of the most original, mythic, challenging, well-acted and completely-fabulous-in-every-way show I’ve seen in a long time) had already begun making dark allusions toward The King In Yellow, and I found it seeped into what I was doing. And the darker I took the character, the more right it felt, so it was perfect timing on the part of the universe.

My model for this shoot is the incomparable Dan Donohue, an actor known for his extensive stage work, including just about every Shakespeare play you can think of and Scar, in Disney’s Broadway production of The Lion King. Dan is currently rehearsing for the Oregon Shakespeare Festival where he will play Richard the III in Richard the III, along with Mr. Murry in A Wrinkle In Time. While Dan himself is one of the sweetest, sincerest, most lovely and generous people I’ve had the pleasure to work with, he has the magical ability to summon inner darkness on whim. I had him start the shoot a little more Puckish and less evil, and let him get more and more dangerous as we progressed. And, of course, I ended up loving the darkest shots the best.

I have the wonderful problem of having too many wonderful images to choose from, but I’ll get by somehow. I wanted to send this one out into the world today, not only to harken the rest of the set, but to celebrate Dan’s appearance on Brooklyn 99 tonight! It’s a fantasic comedy in its own right, and Dan will be a great addition. He’s one of those all-talented people who is good at just about everything. It should be a lot fun to watch, especially since Stephanie Beatriz, aka Rosa is his real-life girlfriend! Think Rosa will warm up to him? Let’s find out by watching tonight! 🙂

* * * * *

In other news, there are some new ME/CFS developments which could be incredibly damaging to how the medical communities, and in a trickle down way, the public in general, think of us and treat us. The short story is that the government has hired a new commitee to come up with a new definition for ME/CFS. Not only is this completely unnecessary as we already have two extremely comprehensive definitions in the International Consensus Criteria and the Canadian Consensus Critera (both PDFs), but because the team of 15 people they have assembled is comprised of only 8 ME specialists. I’m having trouble finding the data at the moment, but the remaining specialists in the team may not all even be doctors. This does NOT seem like the optimal group.

With the pittance given to ME research in the US, it seems absurd to spend nearly 1/4 of it reinventing the criteria wheel, and even more absurd when so many of them had no prior knowledge of ME as an illness. The ineptitude of the group can be read about in the sample letter below.

There is something we can do to combat this nonsense. You can go to: http://www.contactingthecongress.org/, type in your zip code and find your representatives. Email them the following:

Recently, the IOM released its report on Gulf War Illness recommending that the illness be named “Gulf War Illness” and that the two existing case definitions be used. In short, the IOM has done exactly nothing since they were hired four years ago– for $840,000 – to come up with a case definition.

The illness, they said had “too many symptoms.” HHS has now hired IOM to “define” Myalgic Encephalomyelitis/Chronic Fatigue Syndrome (ME/CFS) – another complex illness with many symptoms – to the tune of 1 million dollars. And, like the committee hired to review GWI, the IOM committee for ME/CFS is primarily composed of non-experts – people who have no research or clinical experience with the disease.

Fifty of the world’s top ME/CFS experts have formally protested the IOM contract to Secretary Sebelius. They have pointed out that there already is a case definition for ME/CFS designed by experts, the Canadian Consensus Criteria, and that having non-experts devise a new definition will set research and patient care back by decades. These experts are backed by thousands of patients, some of whom publicly voiced their opposition to the contract on January 27, 2014 at the IOM public meeting.

Jim Binns, chair of the Research Advisory Committee on Gulf War Veterans’ Illnesses says, “The conclusions of the report show that it was a waste of money. The committee never had the expertise or the process to do a case definition.” The current IOM process to review and redefine ME/CFS is an even bigger waste of money. It also a waste of time, which patients who are desperately ill with this disease cannot afford to lose.

Please support us by asking HHS to cancel the IOM Review of Diagnostic Criteria for Myalgic Encephalomyelitis/Chronic Fatigue Syndrome, and to follow the recommendation made by the experts: Immediate adoption of the Canadian Consensus Criteria for ME/CFS.

The implications of what this group decides could be devastating to the already disadvantaged ME/CFS sufferers. You can, of course, add your own details, but the letter above is a good sample. One thing we have seen is that this group can respond to public pressure and outcry, so let’s make them respond!