Filmotype HamletFilmotype Hamlet was released by Filmotype in 1955 as a condensed version of it’s first connecting script face Filmotype Harmony originally designed by Ray Baker. Filmotype regularly created derivative styles and weights of its typefaces as its customers

Filmotype HarmonyFilmotype Harmony was the first connecting handwritten script face released by Filmotype in 1950 originally designed by Ray Baker. Ray designed Harmony as a proof of concept that the Filmotype machine could be used to typeset convincing connecting scripts

Filmotype HavanaFilmotype Havana was among the company’s earliest connecting brush-lettered casuals and was Introduced by Filmotype in 1955 as a smoother, more condensed weight of its popular cousin Filmotype Horizon.

Filmotype HemlockIntroduced by Filmotype in the early-to-mid 1950s, Filmotype Hemlock owes its origins to classic sign painter sho-card lettering popular in the late 1940s through the 1950s. This thick upright script was among Filmotype’s most popular brush script style t

Filmotype HickoryIntroduced by Filmotype in 1955, Filmotype Hickory was created in response to customer demand for a bolder weight of its popular Filmotype Honey typeface. This bold upright handlettered pen script is perfect for smaller applications yet retains fashionabl

Filmotype HomerIntroduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype's popular sign painter sho-card lettering styles used in the late 1940s through the 1950s.

Filmotype HorizonFilmotype Horizon was among the company’s earliest brush lettered casuals and was Introduced by Filmotype in the early-to-mid 1950s. This playful script was among Filmotype’s most popular brush script style typefaces.

Filmotype HudsonReleased by Filmotype in 1955, Filmotype Hudson was among Filmotype's most popular upright informal style brush scripts inspired by sign painter classic brush script styles popular in the 1950s in periodical advertisements for automotive dealerships,

Filmotype KentuckyFilmotype Kentucky was released by Filmotype in 1955 as a more condensed italic version of its first connecting script face, Filmotype Harmony, which was originally designed by Ray Baker. Filmotype regularly created derivative styles and weights of its ty

Filmotype KeynoteIntroduced by Filmotype in 1955, Filmotype Keynote was inspired by bold advertisers handlettering styles made popular in the late 1930s through the early 1940s. Remastered and expanded with exacting precision from the original filmstrips, Filmotype Keynot

Filmotype KingstonFilmotype Kingston was released by Filmotype in the early to mid-1950s as part of its handlettered script styles and it gained wildly popular use with many Filmotype owners as the first true italic version of its first connecting script face Filmotype Har

Filmotype KittenFilmotype Kitten followed in the footsteps of Filmotype Ledger as a high-style connecting script with strong contrasting thick and thin strokes to create an elegant hand-lettered look which found the height of its popularity in the mid-to-late 1950s.

Filmotype LaCrosseFilmotype LaCrosse was released by Filmotype in the late 1950s as an attractive informal casual pen-script, also known as a jewelers script based on its use in department store catalogs and luxury store signage Filmotype LaCrosse was developed from the or

Filmotype LaSalleAmong the very first handwritten script fonts offered by Filmotype in the beginning of the 1950s, Filmotype LaSalle was designed by Ray Baker, a former Lettering Inc employee at the time who named the face after LaSalle street in downtown Chicago.

Filmotype LeaderIntroduced by Filmotype in the early 1950s, Filmotype Leader was inspired by speedy sho-card bold lettering styles prominently featured in automotive advertising and editorial designs of the late 1940s and early 1950s to express speed and urgency.

Filmotype LuckyAmong the early collection of handwritten script fonts offered by Filmotype in the beginning of the 1950s, the monoline script Filmotype Lucky was originally penned by Ray Baker in the early 1950s.

Filmotype MacBethThis Free Style typeface owes its origins to Lettering Inc where its original author penned a similar style prior to creating a unique version of the typeface for Filmotype in the early 1950s.

Filmotype MajorFilmotype Major is one of the hallmarks of the Free Style faces of the Filmotype Library. This bouncy sans serif was originally introduced in the early 1950s and captures the essence of mid-century casual playfulness.

Filmotype ManchesterOriginally released in the late 1960s, Filmotype expanded it's Grotesque typeface category with the introduction of its Miner, Marlette and Manchester typefaces offering its own original take on this modern sans ser

Filmotype Melody FamilyOriginally released in the late 1950s, Filmotype expanded it's Free Style typeface category with the introduction of Melody, an offbeat Googie era doo-wop typeface which was most frequently associated with music and entertainment letteri

Filmotype ModernFilmotype Modern is one of the hallmarks of the Free Style faces of the Filmotype Library. This bouncy sans serif was originally introduced in the early 1950s and captures the essence of mid-century casual playfulness.

Filmotype NemoAs one of earliest Free Style faces released in the early 1950s by Filmotype, Filmotype Nemo captures the more iconic playful type styles made popular in the early 1950s when a clear message needed to come across as fun to its reader.