New York

(New York, 1970, an edition of 50), a portfolio of 10 photographs, each signed, titled, dated, and numbered '45/50' by the photographer's daughter, Doon Arbus, in ink and with the portfolio and Arbus Estate reproduction rights stamps on the reverse, 1963-70, printed in the early 1970s by Neil Selkirk from DIANE ARBUS's negatives; together with the title printed with 'A Box of Ten Photographs' and the photographer's signature and date in facsimile, and 8 (of 10) individual interleaves printed with the photographer's facsimile captions and dates. Folio, in the original clear Plexiglas box

Catalogue Note

'Boy with a Straw Hat Waiting to March in a Pro-War Parade, N.Y.C., 1967'

'A Family on Their Lawn One Sunday in Westchester, N.Y., 1968'

'The King and Queen of a Senior Citizens Dance, N.Y.C., 1970'

'Mexican Dwarf in his Hotel Room in N. Y. C., 1970'

'Xmas Tree in a Living Room in Levittown, L. I., 1963'

'Identical Twins, Roselle, N. J., 1967'

'Retired Man and His Wife at Home in a Nudist Camp one Morning, N. J., 1963'

'A Young Man in Curlers at Home on West 20th Street, N. Y. C., 1966'

'A Young Brooklyn Family Going for a Sunday Outing, N. Y. C., 1966'

Diane Arbus began work on A Box of Ten Photographs, her only portfolio, in 1969. The final selection of photographs, with its pairing of older and quite recent images, served for Arbus as a statement of her achievement in photography thus far. Modestly titled, A Box of Ten Photographs is, in many respects, a remarkable portfolio. It contains a high number of Arbus's most iconic images: Identical Twins, Roselle, N. J.; A Family on Their Lawn one Sunday in Westchester; A Jewish Giant at Home with His Parents, among them. The images in this portfolio encapsulate the major themes in Arbus's work: her fascinations with children, aberrance, conformity, and identity. The ten photographs are ones that Arbus felt represented her best work, and that have, over the decades since her death, taken their place within the history of photography. A Box of Ten Photographs not only encapsulates a group of Arbus's most important images, but also shows the extent to which she had a prescient understanding of the lasting value of her own work.

At the time of her death in 1971, Arbus had completed the prints for eleven or twelve portfolios, although she did not sign the prints until they were sold. Only four sets of the portfolio, assembled and signed by Arbus, have been located. Of these original sets, one was purchased by Richard Avedon as a gift for Mike Nichols; Arbus gave another set, with an extra photograph, to Avedon; a third portfolio, also with an extra photograph, was sold to art director Bea Feitler and is now in the collection of the Smithsonian American Art Museum; and a fourth was purchased by artist Jasper Johns. After Arbus's death, her estate designated the remaining extant prints as artist's proofs, and completed the intended edition of fifty portfolios with prints made by Neil Selkirk (cf. Revelations, pp. 220 and 343).

Very few examples of A Box of Ten Photographs have appeared on the market. In the past decade, only two complete portfolios have been offered at auction: in these rooms in 2005; and at Phillips, New York, in 2003. The portfolio offered here was in the collection of Graham Nash, and was sold here in the historic sale of his collection in April 1990.

Now

Photographs

03 April 2012
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10:00 AM EDT

New York

Condition Report

138

Diane Arbus (1923-1971)/Neil Selkirk (B. 1947)

'A BOX OF TEN PHOTOGRAPHS'

(New York, 1970, an edition of 50), a portfolio of 10 photographs, each signed, titled, dated, and numbered '45/50' by the photographer's daughter, Doon Arbus, in ink and with the portfolio and Arbus Estate reproduction rights stamps on the reverse, 1963-70, printed in the early 1970s by Neil Selkirk from DIANE ARBUS's negatives; together with the title printed with 'A Box of Ten Photographs' and the photographer's signature and date in facsimile, and 8 (of 10) individual interleaves printed with the photographer's facsimile captions and dates. Folio, in the original clear Plexiglas box

The photographs in this rare and important portfolio are all in essentially excellent condition. Each is printed on Agfa paper. Minor condition issues are described below; none of these detracts from the overwhelmingly fine appearance of these photographs.
'Mexican Dwarf in his Hotel Room in N. Y. C., 1970' - Visible in raking light is a small crescent-shaped crease near the right edge of the image, and a small faint handling crease in the lower margin.
'A Young Man in Curlers at Home on West 20th Street, N. Y. C., 1966' - Upon close examination in high raking light is a pen-point-sized impression in the upper left corner that does not break the emulsion. On the reverse of the print, there are 2 small warm-toned deposits of indeterminate nature.
'Retired Man and His Wife at Home in a Nudist Camp one Morning, N. J., 1963' – A very faint pink hue can just be detected in the lighter area of the print, near the window.
There are printing notations in pencil on the reverse of some of the prints.
As noted in the catalogue description, two plates in this portfolio lack their title cover sheets. These are: 'A Family on Their Lawn One Sunday in Westchester, N.Y., 1968' and ‘A Young Family in Brooklyn Going for a Sunday Outing.’
One of the side panels of the original clear Plexiglas box is detached (but included), and one is semi-detached. There are two hairline cracks on the top part of the box, one measuring 6-inches and the other 2-1/2-inches.In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.