It can be a real pleasure when a picture and a song come together to make the perfect storm of a remix, and Nutbush City Limits by Ike And Tina Turner, is just such an example. The original cover shows Ms Turner resting on a car which, for some reason, has the registration 'Bolic'. She appears to be close to the Nutbush city limits, as evidenced by the sign on the road, but how fake is that? The remix shows a babe who is standing right next to the Nutbush city limits and that sign by the side of the road is definitely not a fake. River deep!

You know those times when you buy a six-pack of chocolate and find that there's an extra bar in the bag, well today is one of those times. Why? Because this week-long remix of Depeche Mode covers is 8 days long, giving you a whole remix for free (not that you pay for them anyway). So here is a remix for Only When I Lose Myself. The original cover, well that tells us nothing about who or how is losing what. The remix we find a babe who is clearly lost in herself. Maybe there's scope for someone to help her find herself too? Seek!

It's the end of our week-long Depeche Mode special and as it's a Sunday, we thought that a vaguely religious tone might be appropriate, and so we present Personal Jesus. The original cover alludes to the religiosity of this song through using bars of color in a cross shape. The remix does away with this imagery and instead presents a babe on a cross, who, if truth be told, would make a great personal cross bearer, though her credentials as the savior of the human race are lacking. Repent!

As if you hadn't guessed already, it's Depeche Mode week, and although we've gotten to the week-end, the remixes just keep on coming. The original cover of Master And Servant has the merest suggestion that in a master/servant relationship, some kind of chains may be necessary. The remix shows far more clearly how these chains might be used, which is to say that they are used to tie up a naked babe who is, presumably, the servant. Masterful!

Our Depeche Mode remix week continues with In Your Room. The original cover may, or may not, have been taken in your room, or anyone else's room. The problem is that the lighbulb is obscuring any indication of what is in the room, or why you might be there. On the remix we are being invited into someone's room and for sure the invitation is very appealing. Enter!

Another remix in our week long Depeche Mode special in the name of Barrel Of A Gun. The original cover artwork seems a little confused and it is not clear whether there is a gun, or a barrel anywhere in the picture. In the remix, there is a gun, and it's barrel is pointing right at you. And would you believe it, it is being held firmly in the hands of a topless babe. Fire!

Another in our week of Depeche Mode remixes sees us Walking In My Shoes (not to be recommended unless we share the same shoe size). It may just be us, but the contraption on the original cover, the kind of half human, half parrot thing, doesn't even seem to be wearing any shoes. The remix sees a babe walking in her shoes, along a frozen city street, wearing nothing but an overcoat. Why she would do this is not certain, but if anyone wishes to walk in her shoes and do the same thing, please send us the pictures as we'd love to include them in another remix. Submission!

The second in our week-long Depeche Mode remix special is a remix for Stripped. The original artwork suggests that the stripping that is going in is removing layers of old wallpaper and paint and thus revealing the many unfashionable colors that lie underneath. The remix tells a different story as one babe is stripping another. At least someone repainted the walls first. Decorate!

Today marks the start of a whole week of remixes of cover artwork for Depeche Mode. Our first remix of the week is for the single See You. On the original cover we find a smoking Joe leaning on a lamppost, looking longingly towards a girl who is looking back at him through the window of her house. On the remix we focus more on the girl herself and find that when you look closely, she is wearing far fewer clothes than on the original cover. How did that happen? Lingerie!

'Yes', said in the kind of creepy slow way that is commonly used in the Simpsons to represent confusidity in the face of embiggened disunderstanding. What exactly The Coral were on when they produced the cover for their single Goodbye, is anyone's guess, though such guesswork is probably best left to the authorities who deal with people who have ingested such things. The remix is much clearer, it's a babe waving goodbye. With no clothes on. Insufflation!