Lo Wei's reputation was cemented by his being credited as director on both Bruce Lee and Jackie Chan's first major starring roles. But before The Big Boss and New Fist Of Fury, Lo Wei was acting, writing, and directing at Shaw Studios. This, however, was his very last Shaw Brothers film - the fabulous tale of a frostbitten swordswoman out to get her parents' murderers. An audience can only marvel at Li Ching's talent as she struggles to cure her hypothermia in time for the final "snow-down."

The pre-eminent martial art moviemaker Liu Chia-liang (a.k.a. Lau Kar-leung) came up with the novel idea for this exciting and hilarious kung-fu clash between an old-fashioned kung-fu master and a hip and beautiful marketing wiz.

What started as masterful kung-fu filmmaker Liu Chia-liang's homage to the heroic Sung Dynasty Yang family became an angry, even savage, rumination on heroic sacrifice when international idol Alexander Fu Sheng died in a car accident midway through production. Fu's death was not only tragic because he was such a close friend, but because the role he was playing was one of only two survivors of an ignominious betrayal by a jealous General. Knowing that he had to immortalize Fu's final, unfinished performance, Liu carried on, having co-star Hui Ying-hung step into the action. The finished film is unique in the director's extraordinary filmography for the intensity and power of its emotions and kung-fu. There are heartbreaking references to the tragedy throughout, but the climax is truly unforgettable as the other family survivor, now a Shaolin-trained warrior faces his betrayers amid a pyramid of coffins. What he, and his Shaolin masters, do then has to be seen to be believed...

It is love beyond the grave, as a young scholar and his beautiful lover are torn apart forever by his dastardly uncle and his friend, who drive the girl to commit suicide... but with death comes revenge for the enchanting ghost. A spooky yet heart-wrenching tale...

Only the Shaw Brothers Studio could conceive and produce such a spectacular clash of esoteric weapons. Fans of the internationally popular "FLYING GUILLOTINE" films will appreciate the continuous kung-fu confrontations with some of the most intriguing and exciting martial arts machinery ever seen on screen. The studio's first international action star, Lo Lieh (who burst upon the scene before even Bruce Lee in KING BOXER) leads the charge as holder of the title tool -- an ultra-cool flying boomerang with blades. He must take on the terrible Iron Ball Chain, Golden Net, and other deadly devices to gain control of a special elixir which will cure an all-too-treacherous royal official. Tang Chia and Yuen Cheung-yan, the underrated giants of kung-fu choreography, stage some of the best sword on shield action ever in this fun and unusual fight-fest. There are double crosses and ambushes galore before the culminating clash of sizzling steel that has to be seen to be believed.

Yang Chuan calls upon China’s centuries-old mythology to create this charming romantic fantasy.. A magical girl who lives in a Chinese umbrella (the glorious Cherie Chung Cho-hung) helps an honorable young man and his uncle to deal with a covetous loan shark.

The story is about the legendary Monkey King (Liu Chung-chun) teams up with Goddess of Mercy (Chao Li-chuan) and the Dragon Girl (Lung Nu) to battle the child god Hung Hai-erh (Ting Hua-chung),son of the Ox Demon (Hung Hai-erh) to rescue Tang Tseng, the Holy Pilgrim (Teng Chio-jen).

The Liu Chia-liang trained Hui Ying-hung was considered the top action martial arts female star in the 1980s. It is her martial arts abilities that Michelle Yeoh tries to emulate. In The Tiger and the Widow, Hui Ying-hung is somehow mixed up in a salt smuggling ring that stinks of missing persons and rotten dilemmas. The film gathered two Golden Horse Awards in 1981; Best Costume Design and Best Art Direction.

Liu Chia-liang is arguably the best martial arts film director of traditional style kung-fu action and was a pioneer in focusing on authentic martial arts techniques and training procedures in his films. This is the why stars in his movies looked more like kung-fu experts rather than actors simply going through the motions. So although David Chiang had starred in over 40 films as a martial arts hero, in Shaolin Mantis, where he plays a man who learns martial arts from a praying mantis then seeks revenge for his wife's death, the movie contains some of Chiang's best fight scenes ever. By casting his brothers Liu Chia-yung and Gordon Liu Chia-hui into the mix, Liu further ensures that the pugilistic mayhem will be even more outstanding.

Take three of the most attractive women - Maggie Cheung Man-yuk, Cherie Chung Cho-hung and Rosamund Kwan, to ever grace the Hong Kong screen, mix them with two of the most lovable rogues (Kenny Bee and Nat Chen Pai-chiang), place them in the exotic beauty of Hawaii. Prince Charming is one of the first huge hits by director-writer Wong Jing, Hong Kong’s most prolific filmmaker of the past twenty years.

A huge success from the golden age of Hong Kong kung-fu, THE ANONYMOUS HEROES is dominated by two far-from-anonymous cinematic duos. Stars David Chiang and Ti Lung, the most illustrious buddy team in action movies, are joined by the acclaimed behind-the-screen team of director Chang Cheh and martial arts choreographer Liu Chia-liang. The action takes place just after the Chinese Revolution of 1911, an era when the fledgling Chinese Republic was plagued by powerful warlords. But these tyrants find they have met their match in a trio of "anonymous heroes" united by their patriotism and high kicks: the vagabond (David Chiang), the adventurer (Ti Lung), and the general's daughter (Ching Li). An exciting entry in the David Chiang-Ti Lung canon, and a top ten hit in 1971.

Chang Chih-kang (Liu Yung) and Chang Chih-chiang (Danny Lee) are two brothers whose destinies are poles apart in principles. Liu Yung wants to become the top man in the triad kingdom whereas Danny is fated to become a cop. The Brothers presents an action kaleidoscope complete with blood, sweat and tears.