Robobiotics is an exciting new sound effects collection from The Library by Empty Sea. It delivers 3600+ original sound effects for scifi and robots. We’re talking about almost 3 hours of material here.

We spent over a year recording and designing Lasers, Robot Vox, Impacts, Servos, Ratcheting Metal, Ambiances, Transformations, Foley, Vehicle Bys and much much more!

Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.

The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.

The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.

The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).

The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.

The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.

Through processing they end up as “alienistic” textures, sparks, static, drones, hums, zaps, ambiences, and whatever else your imagination can come up with! Other sounds include raw microphone feedback, streetlight buzz, and electrical static.

The source material ranged from beard scratching to lap steel pickup interference… This one was fun to make, and it will be even more fun for you to play with!

The Planets SFX library delivers 40 minutes of designed atmospheres from 20 imaginary, extraterrestrial locations. Different perspectives, sometimes close to the ground, sometimes far away. Some locations are buzzing with geological and biological activity others seem distant, cold and lifeless. All sounds are constant, ranging from one to three minutes in duration and can be easily combined to create unique variations, allowing you to dial in your own planets soundscape.

This library is dedicated to giving you the soundscape of other planets – some locations are buzzing with geological and biological activity; others seem distant, cold and lifeless. A really interesting approach to sci-fi sound design.

Impact sounds are often very handy for sci-fi settings – whether it’s the sound of futuristic weapons hitting their mark, robots colliding or futuristic vehicles being hit, it’s a handy addition to the sonic toolbox.

Servos

The sounds of servos are excellent for robot sound design, and, essentially, for a lot of things that move in a sci-fi setting. This library features a very useful collection of sounds to build from.

Aliens

For your alien characters, Russell Gorsky’s ‘Creatures’ SFX library gives you 242 growls and hisses, roars and screams to build on. To spice things up, you might want to add some grunts and squeals from these recordings too.

Slime and goo

Aliens seem to have a certain, inexplicable fondness for oozing slime and goo. To get the sound of that right, Mattia Cellotto’s sound effects library – featuring 158 squishy and slimy recordings – will definitely come in handy.

HumBuzz is a versatile collection 113 tech-noise-sounds with a length from 7 to 27 seconds.
The files were created by capturing the electromagnetic fields of fridges, microwaves, boilers, cell phones, TVs and computers.

The Vintage Anime Sound Effects Library brings all of the excitement of your favorite Japanese animated series to your fingertips. Inspired by classic cartoons from the 80's and 90's, these recognizable and versatile sounds will instantly enhance any FX collection. Vintage synths were used to create the auras, beams, mecha blasters, atmospheres, magic spells, guns, sonic blasts and explosives that makeup this pack of over 350+ custom 24bit/96khz .WAV files. Perfect for film, video games, podcasts and any project that could benefit from a power up!

Swordfighter is a robust package with sharp sounding swords, heaps of variations and all the extras you need to make a fight come alive. Build unique sword swings with various hits, swooshes, schings, different fighter vocals and impacts on various surfaces. All up there are 137 sword sounds, 93 surface impact sounds, 15 knife throwing sounds, 48 swooshes and 180 fighter vocals.

This version includes two sub-folders: one optimised for a film & TV workflow and the other optimised for video games workflow. Plus a few bonus sounds of a charging army.

Glacier Ice is a library containing over 300 high quality sounds of ice cracking, breaking, shattering in various sizes of blocks – recorded entirely in the Italian Alps over the course of two winters.

The library contains sounds of all dimensions, from ice cubes being dropped in a drink to a designed iceberg collapsing.

The majority of the material was recorded at 192 KHz with a Sanken CO100K and a stereo pair of Sennheiser MKH8040, making this library greatly flexible for pitch shifting and all sorts of heavy processing.

A small section recorded at 96KHz features sounds recorded exclusively with contact microphones placed directly on the surface of a frozen water stream.

Bonus: Two extra libraries included for free:

This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.