Year:On process around 1970.Picts:None.Source:Interview The Magic World of Richard Corben (1). Interview Journey to Gore's Dungeon (2). Length:Abandoned?Style: 16mm (?) mixture of live action and animated models.Extra (1): A SF adventure story with aliens, a space ship and a two-headed dragon. Abandoned (because no mention anywhere else that it was ever concluded)? Though they were about one-third into the production during the interview (printed in winter 1970). Mr. Corben thought there would be still at least an another year of work ahead.Extra (2):During the interview printed in Realm #5 (Oct. 1972) the film was still under process.

08. Rowlf

Year:Around 1968–1972?Picts:None.Source:art2, pg 21; interview The Magic World of Richard Corben.Length:Abandoned, 1972.Style: A full-length animated film.Extra: Mentioned in an interview printed in Winter 1970 as abandoned ("Rowlf was first conceived a couple of years ago [!] not as a comic story, but as a film")! Dated in Corben's Art Book #2 as AD 1972, which sounds like incorrect.

Year:1980Picts:None.Source:Starting Point: 1979-1996.Length:Never realized. Extra: According to Starting Point: 1979-1996 (a book full of letters from, and interviews with, Hayao Miyazaki), he was interested in picking up the film rights for Richard Corben's Rowlf back in 1980. [net]

Year:Scheduled for completion by the summer of 1981.Picts:None.Source:FiF, pg 44.Length:35 min.Style: Stop-action animation of clay monsters and critters.Extra:Sequel for Return of the Box. Well, this sounds like part of The Dark Planet (1989), Part 1(2): "Tower of Blood".

13. The Dark Planet

Year:1989.Picts:Cover: art1, pgs 60-61, CI-card #5.Source:VHS print.Length:Part 1: 1 h 4 min; Part 2: 29 min.Format:VHS.Print run:2000.Style: Stop-action animation with live action. Story:The Dark Planet (1989). Extra:Includes two fairly plotted stories, "Tower of Blood" (1h4min) and "Relief Station" (29min). Both stories has several loose scenes (see Mondo Amore, and Creatures of the Box), which were not ment to be shown together and which were shot during several years. Richard Corben Art Book [#1] says on pg 60, "I've made many amateur films since [grade school]. A couple years ago, I decided to put some of them together in a package for small scale marketing."

Year:Unknown.Picts:None.Source:See "Included".Length:Unknown.Style: CG animation shorts.Included:In Digimation's demo tape - the largest publisher and distributor of 3-D Max plug-ins. At least one of above included in the demo tape.

Year: 2004. Picts: None. Source: Entire film as a Flash video in WebCorben [New Year 2009] / An Interview with José Villarrubia [Mid-Aug. 2004]. Length: 6 min 13 sec. Style: Toon figures on 3D backgrounds, 3D camera movements and a 3D curtain/wind effect [3D MAX?]. Description: Richard Corben says on his web site, "For several years I was obssessed with creating an adaptation of Poe's THE FALL OF THE HOUSE OF USHER. During an extended period of frustration of working with live actors and special CG effects, I did this little toon version. I had even thought of completing a long version in this style."

Year:2010. Picts: None. Source: The first part of an animation as a Flash video in WebCorben [Aug. 26, 2010]. Length: 2 min 6 sec.Style: Mostly flat 3D [3D MAX?].Description:Camera moves in a deep (B&W) forest, animals and people dies because of the Read Death. The ruins of a bulding, a wind mill, a bonfire. Multiple layers on each others. B&W with red as an extra color.

33. Masque of the Red Death #2

Year:2011. Picts: None. Source: The second part of an animation as a Flash video in WebCorben [Aug. 21, 2011]. Length: 3 min 13 sec.Style: Mostly flat 3D [3D MAX?].Description:Camera enters to the castle where a colorful party goes on. Pendulum, curtain, eight o'clock. Music, singing and other entertainment. Multiple layers on each others. B&W outside world with red moon is colorful inside the castle.

Conan the Barbarian (1982)(The Conan Completist) - Richard Corben was offered the job of storyboarding the CONAN film first. He did a sample page which was fantastic. Then he got Dino DeLaurentiis' contract, read it, rejected it and then flew back home. Richard didn't realize that the first contract you get is not written in stone; it's actually a first offer — the beginning of a negotiation. / - It was the opening of the film: the making of Conan's sword. Beautiful work; crystal clear yet atmospheric storytelling. [William Stout]