Occasionally as children we see a movie that moves us in such a way that it inspires us to take our lives in a direction that might seem unexpected upon the surface. For Mexican horror maestro Guillermo del Toro, that movie was the 1973 TV scarefest Don’t Be Afraid of the Dark in which a troubled young woman moves in a creepy old house and begins to hear voices, see figures scurrying in the shadows and can’t get anyone to believe her that there are creatures living in the house. He was so taken by this movie that he resolved to make these sorts of movies when he grew up. Once he became an in-demand director, remaking the movie that started it all for him became a priority.

Strangely, when the opportunity came to make the movie, he didn’t direct it. Instead, he turned the reigns over to second-time director Nixey. Del Toro also changed the young woman into a little girl and set her and her family loose in a crazy creepy Australian mansion.

Little Sally Hurst (Madison) is shuttled by her somewhat distant mother to live with her father, Alex (Pearce) who is in the midst of renovating a sprawling Rhode Island mansion for a client which would then be sold at an immense profit. Sally is sullen and not at all happy about things, particularly since Alex is completely absorbed by the project which if he can’t pull off would mean financial ruin. It is then his girlfriend Kim (Holmes) who spends the most time with Sally. Sally, who doesn’t like Kim, makes her dissatisfaction known.

Unknown to all three of them, renowned wildlife painter Emerson Blackwood (McDonald) disappeared from the house years earlier. When Sally discovers a hidden ash pit in the basement, she releases a tribe of fairy creatures who turn out to be quite malevolent. They torment Sally and when she tries to explain that the awful things going on to her father, he doesn’t believe her. At first, neither does Kim; in fact, the only person who does is the caretaker, Harris (Thompson) who only wants the three of them to leave.

Eventually the creatures make their hideous plans known to Sally and despite the disbelief of her father, she manages to get Kim to come around. However, can they stand up against a race of creatures that is immeasurably old and have all of time on their side?

Del Toro has a history of putting children in the lead of his horror movies (The Orphanage, Pan’s Labyrinth) and so it’s no surprise that he does so again here. It’s quite natural for adults to disbelieve the wild stories children sometimes tell. However, it then becomes harder to put children in jeopardy, particularly in an American major studio production. Studios are a bit squeamish about that, Jurassic Park notwithstanding. For the most part, we never get a sense that Sally is in any real danger; the creatures, which look like Gollum with anorexia, aren’t really all that scary.

The movie was slapped with an R rating, precisely because the child had the appearance of being endangered but don’t let that fool you; this is definitely more of a PG-13 experience. Pearce and Holmes do a decent job, but they’re not really the focus here; Sally is and while Bailee Madison is a competent child actor, she never really was one that I cared for too much. She’s always seemed a bit insufferable in her performances and Sally certainly is that.

Nixey and del Toro are experts at creating a mood and with the marvelous location and truly creep-worthy sets definitely accomplish the task but again, the lack of feeling of imminent jeopardy kind of wastes all that effort. This is one of those movies that’s all atmosphere and essentially no payoff. It’s surprising because normally del Toro is such a reliable writer. Maybe if he’d made this one independently in Mexico, this might have been a better film. Or maybe if he left the lead character as a troubled young woman instead of a grumpy little girl. This isn’t bad, but it isn’t particularly praiseworthy either.

WHY RENT THIS: Definitely the right location for a haunted house movie. Solid performances by Pearce and Holmes.WHY RENT SOMETHING ELSE: Converting Sally to a child was a tactical error. Lacks a sense of dread or jeopardy.FAMILY VALUES: Horror violence and scenes of terror.TRIVIAL PURSUIT: In the TV movie that this is based on, Sally was the name of Alex’s wife, not daughter. Here, Alex’s girlfriend is named Kim – and Sally was played by Kim Darby in the original.NOTABLE HOME VIDEO EXTRAS: There’s a gallery of concept art here.BOX OFFICE PERFORMANCE: $37.0M on a $25M production budget.SITES TO SEE:Netflix (DVD Rental only), Amazon, iTunes, Flixster, VuduCOMPARISON SHOPPING:InsidiousFINAL RATING: 5/10NEXT:The Killer