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We cooperate as an association to advance the practice of sculpture and the reputation and appreciation of sculpture and sculptors in the community. This is regardless of whether or not we make a living from sculpture and regardless of our preferred style or medium. To this end we support artists’ moral rights, we advocate a professional attitude to the production and presentation of work and encourage the artistic and intellectual stimulation of interaction amongst artists of all persuasions.

‘Unique or Edition’? that is the question

‘Unique or Edition’? that is the question… when I considered my entries to this years AAE 2017 they are, in fact, both. Without any doubt the work has been taken from a mould that I have used before (and will likely use again) but finished singularly in different materials and colours that it would be impossible to repeat even if I wanted to. Consequently both unique and an edition.

I also considered that while posting a version as ‘unique’ inflates its potential perceived value, despite the fact it could be misleading, would mean that I may miss out on further sales enquiries for a similar sculpture.

So iPad in hand I trolled through ‘Google’ to see what the world thinks, I found this definition on a gallery site called Picasso Mio

Sculpture may be created in a variety of media, but in all cases, it will fall into one of two categories: unique or multiple. Unique or one-of-a-kind sculptures are generally created with materials such as stone, wood, mixed media, or metals. On the other hand, bronze sculptures are generally multiples, typically cast in editions with each casting considered an original work of art.

How is it possible to have more than one original within a series? First the artist creates an original model in clay, plaster or wax, from which series of negative and positive moulds are taken. The sculpture is then cast from the final mould. What makes each work original is the finishing process that comes after the casting.

Further, I am advised that some galleries are using a phrase for sculpture work that is taken from the world of limited edition prints, essentially drawing parallels from the multiple production used in both activities, and the subsequent ability to individualise work in its post production process. The phrase is ‘Unique state’: In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut).

Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies).

Typically the title of the piece is followed by the edition number then the phrase unique state e.g. a hand painted Statue of Liberty would be Statue of Liberty, 3 of 5, unique state.

This is certainly a much closer description of my work it doesn’t mislead the purchaser, It provides a clear picture that they are getting, a replicated item that has ‘one of a kind’ unique quality. Food for thought? I’d be interested in any feedback.

Meridian Sculpture Foundry

Interstate Sculpture Groups

Dalchem

A Specialist Supplier for all your modelling, casting and moulding needs.Call Edward or Darren on 9553 7040 or drop in to 141 Herald Street, Cheltenham for friendly service and advice. Or purchase online atwww.dalchem.com.au

Bulleen Art And Garden

has a continuous program of both exhibitions and workshops. They cover ceramic sculpture, puppet masks, basketry, mosaics, limestone sculpture and more. To check out the program visit http://gallery.baag.com.au/?page_id=83

We tend to feature sculpture & 3-D work, but are interested in different ideas. We take a third commission on sales, but don’t charge a rental fee. For more information or to let me know your ideas email meredith@baag.com.au or www.gallery.baag.com.au

Donations Gifts and Sponsorship Required

The ASV has a Public Fund for collecting Gifts and Donations. Anything over $5.00 is Tax Deductible as we have DRG (Deductible Gift Recipient) status with the tax office. Donations can be applied for example to administrative costs (running exhibitions) and/or to Prizes. Members, their Families, Friends, Business Colleagues and the Community in general are invited to seek more information as to how they can help the ASV. Major donations $500+ for our exhibitions are especially necessary and by discussion with the Committee may have naming rights attached to the gift.

Sponsorship is also welcome and can be acknowledged in many ways.

Donations can be sent to the Treasurer of the ASV, 56 Lucerne Cres., Alphington Vic. 3078