It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?

Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.

ELLY GRIFFITHS is the author of the Ruth Galloway and Magic Men mystery series. She is the recipient of the Mary Higgins Clark Award and the CWA Dagger in the Library Award, and her work has been praised as "gripping" (Louise Penny), "captivating," (Wall Street Journal) and "must-reads for fans of crime fiction" (Associated Press). She lives in Brighton, England.

A light breeze runs through the long grass at the top of the hill. Close up, the land looks ordinary, just heather and coarse pasture with the occasional white stone standing out like a signpost. But if you were to fly up above these unremarkable hills you would be able to see circular raised banks and darker rectangles amongst the greens and browns – sure signs that this land has been occupied many, many times before.

Ruth Galloway, walking rather slowly up the hill, does not need the eagle’s eye view to know that this is an archaeological site of some importance. Colleagues from the university have been digging on this hill for days and they have uncovered not only evidence of a Roman villa but also of earlier Bronze Age and Iron Age settlements.

Ruth had planned to visit the site earlier but she has been busy marking papers and preparing for the end of term. It is May and the air is sweet, full of pollen and the scent of rain. She stops, getting her breath back and enjoying the feeling of being outdoors on a spring afternoon. The year has been dark so far, though not without unexpected bonuses, and she relishes the chance just to stand still, letting the sun beat down on her face.

‘Ruth!’ She turns and sees a man walking towards her. He is wearing jeans and a work-stained shirt and he treats the hill with disdain, hardly altering his long stride. He is tall and slim with curly dark hair greying at the temples. Ruth recognises him, as he obviously does her, from a talk he gave at her university several months ago. Dr Max Grey, from the University of Sussex, an archaeologist and an expert on Roman Britain.

‘I’m glad you could come,’ he says and he actually does look glad. A change from most archaeologists, who resent another expert on their patch. And Ruth is an acknowledged expert – on bones, decomposition and death. She is Head of Forensic Archaeology at the University of North Norfolk. ‘Are you down to the foundations?’ asks Ruth, following Max to the summit of the hill. It is colder here and, somewhere high above, a skylark sings.

‘Yes, I think so,’ says Max, pointing to a neat trench in front of them. Halfway down, a line of grey stone can be seen. ‘I think we may have found something that will interest you, actually.’

Ruth knows without being told.

‘Bones,’ she says.

Detective Chief Inspector Harry Nelson is shouting. Despite a notoriously short fuse at work (at home with his wife and daughters he is a pussy cat) he is not normally a shouter. Brusque commands are more his line, usually delivered on the run whilst moving on to the next job. He is a man of quick decisions and limited patience. He likes doing things: catching criminals, interrogating suspects, driving too fast and eating too much. He does not like meetings, pointless discussions or listening to advice. Above all, he does not like sitting in his office on a fine spring day trying to persuade his new computer to communicate with him. Hence the shouting.

‘Leah!’ he bellows.

Leah, Nelson’s admin assistant (or secretary, as he likes to call her), edges cautiously into the room. She is a delicate, dark girl of twenty-five, much admired by the younger officers. Nelson, though, sees her mainly as a source of coffee and an interpreter of new technology, which seems to get newer and more temperamental every day. ‘Leah,’ he complains, ‘the screen’s gone blank again.’

‘Did you switch it off?’ asks Leah. Nelson has been known to pull out plugs in moments of frustration, once fusing all the lights on the second floor.

‘No. Well, once or twice.’

Leah dives beneath the desk to check the connections. ‘Seems OK,’ she says. ‘Press a key.’

"Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her." —USA Today

"Elly Griffiths draws us all the way back to prehistoric times…Highly atmospheric." —The New York Times Book Review

"Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth-an inspired creation. I identified with her insecurities and struggles, and cheered her on. " —Louise Penny, author of the bestselling Armand Gamache series

"These books are must-reads." —Deborah Crombie, author of the Duncan Kincaid/Gemma James series

"Rich in atmosphere and history and blessed by [Griffith's] continuing development of brilliant, feisty, independent Ruth...A Room Full of Bones, like its predecessors, works its magic on the reader's imagination." —Richmond Times-Dispatch

"Lovers of well-written and intelligent traditional mysteries will welcome [Griffith's] fourth book…A Room Full of Bones is a clever blend of history and mystery with more than enough forensic details to attract the more attentive reader." —Denver Post

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