Wednesday, March 31, 2010

Today About.com’s guide to shoes Desiree Stimpert wrote this very nice article about my artwork. Of course I am most grateful for the kind words and the fact she purchased two of my pieces: one from my shoe art gallery and Times Square, New York City. Great choices on two artworks I enjoyed creating.ShoesClassic ShoesShoesShoes for ladiesShoes

A chicken bus is a colloquial English name for a colorful modified and decorated US school bus and transit bus that transports goods and people between communities in Honduras and Guatemala. The word "chicken" refers to the fact that rural Guatemalans regularly transport live animals on such buses, a practice that visitors from other countries often find remarkable. The buses are also commonly used in Nicaragua, El Salvador, Panama, and Costa Rica.

Ever see pears in a fancy wine bottle and ask yourself how they did it. How, indeed? Its quite simple, find a pear tree and all you need to do is put a bottle over the growing pear. The pear will grow inside of the bottle.

Once it's at full growth, break it off from the tree and keep it in the bottle.

Catherine Stewart: I don’t know whether I should be relieved or just go hang myself.

Atom Egoyan is one of Canada’s most celebrated auteur filmmakers but you would never know it from watching his latest, CHLOE. I thought the hyper-sexualized erotic thriller went out in the ‘90’s but Egoyan seems bent on bringing it back with this remake of the 2004 Anne Fontaine (COCO AVANT CHANEL) film, NATHALIE. He also seems bent on proving that Toronto, where the film takes place, is just as stylish as New York City, but he may just end up ruining his reputation for being talented and insightful at the same time.

Chloe (Amanda Seyfried) is the first person we meet. She is pulling up her stockings, presumably getting dressed after an intimate encounter, or on her way to one, from the look of her under garments. She thinks to herself about how much attention must be paid to detail in her line of work. As she continues on about sexual needs and how to anticipate them, it becomes explicitly clear what line of work that really is. The words that come out of her mouth are sharp and meant to be shocking. Only we’ve met this girl plenty of times already and she has nothing new to say. She’s just pretty when she says it.

We next meet Catherine and David Stewart (Julianne Moore and Liam Neeson). They are a well-to-do couple who have been together for many years and have an adolescent son living with them. They are surrounded by excess and yet she’s miserable and he doesn’t care. She suspects he’s having an affair; he flirts shamelessly in front of her. They can’t even work together when it comes to dealing with their own son. It should be no surprise then that instead of confronting her husband when she suspects him of having an affair that she hires a prostitute to trap him so that she can know for a fact. Enter Chloe and exit all sense of suspense and surprise.

Let alone that rich, white people bringing problems upon themselves is hardly something an audience can sympathize with, Egoyan is also overtly obvious with all of his other intentions as well. I understand that he wants to open the discussion about sexual politics and the increasing disconnected nature of our modern society but I don’t need scene after scene of Seyfried talking dirty to Moore about her husband or a breakup on web cam to get those points. And while Seyfried does her best to remain hauntingly distant and neutral throughout to mask her deep-rooted emotional issues, it is still pretty clear every step of the way what is coming next. CHLOE is a thriller without any thrills, sexual or otherwise. Toronto looks good though.

For a previous interview with Atom Egoyan, regarding his 2009 film, ADORATION, click the title.

For an interview with Steven Soderbergh about THE GIRLFRIEND EXPERIENCE, a much better insight into the life of a high-priced escort, again, click the title.

Strangely enough, such a thing as an Easter tree already exists, and it can be found in Germany. Around 1945, when he was just a young boy, Volker Kraft saw his very first Easter Tree (Eierbaum, Osterbaum or Ostereirbaum, in German), and decided he would have one of his very own, when he grew up. Time passed and young Volker became a married man, with a family and everything. But his childhood dream stuck with him and he decorated his first Easter Tree, in 1965. He used 18 colored plastic eggs.

But the tree was growing fast and he and his wife, Christa couldn’t afford to waste so many Easter eggs. So they began drilling holes into the eggs, using the contents in the kitchen, and the painted shells as decorations. When their children grew up, they started helping with the decorating,and the Easter Tree became a family tradition, known not only in their home town of Saalfeld, but all of Germany.

After their kids moved out of the house, it seemed the Easter Tree would finally catch a break, but grandsons arrived and the Krafts went back to decorating their giant tree. The number of Easter eggs hung by the tree’s branches grew every year,and in 2010 it reached an incredible 9,500 eggs.