After Fianna Fáil’s landslide victory at the 1977 general election, Burke is appointed Minister of State at the Department of Industry and Commerce. In October 1980 Burke is promoted to Minister for the Environment, a position he holds until June 1981 and again in the short-lived Fianna Fáil government of 1982. After Fianna Fáil returns to power at the 1987 general election, Burke serves as Minister for Energy, where he makes controversial changes to the legislation governing oil and gas exploration. In 1988, he is appointed Minister for Industry, Commerce and Communications.

Within months of his appointment as Minister for Foreign Affairs, allegations resurface that Burke has received IR£80,000 from a property developer regarding the former Dublin County Council. Burke denies the allegations but resigns from the Cabinet and from the Dáil on October 7, 1997, after just four months in office.

Having claimed since 1989 that Raidió Teilifís Éireann (RTÉ) is biased against him, Burke is responsible for controversial legislation that severely limits RTÉ’s ability to collect advertising revenue and allows for the establishment of a series of local radio stations and one independent national radio station, Century Radio. RTÉ is ordered to provide a national transmission service for Century Radio at a price that RTÉ complains is far below the economic cost of providing such a service. Nevertheless, Century Radio fails to gain significant audience share and closes in 1991.

In July 2004 Burke pleads guilty to making false tax returns. The charges arise from his failure to declare for tax purposes the payments that he has received from the backers of Century Radio. On January 24, 2005 he is sentenced to six months in prison for these offences, making him one of the most senior Irish politicians to serve time in prison. He is released in June 2005 after four and a half months, earning a 25% remission of sentence because of good behaviour. He serves his time in Arbour Hill Prison in Dublin.

An Aer LingusBoeing 747, named the St. Patrick, brings Pope John Paul II from Rome to Dublin Airport. The Pope kisses the ground as he disembarks. After being greeted by the President of Ireland, Dr. Patrick Hillery, the Pope flies by helicopter to the Phoenix Park where he celebrates Mass for 1,250,000 people, one quarter of the population of the island of Ireland, one third of the population of the Republic of Ireland. Afterwards he travels to Killineer, near Drogheda, where he leads a Liturgy of the Word for 300,000 people, many from Northern Ireland. There the Pope appeals to the men of violence, “on my knees I beg you to turn away from the path of violence and return to the ways of peace.” The Pope has hopes of visiting Armagh, but the security situation in Northern Ireland renders it impossible. Drogheda is selected as an alternative venue as it is situated in the Catholic Archdiocese of Armagh. Returning to Dublin that evening, the Pope is greeted by 750,000 people as he travels in an open top popemobile through the city centre and visits Aras an Uachtarain, the residence of the Irish President.

The Pope begins the second day of his tour with a short visit to the ancient monastery at Clonmacnois in County Offaly. With 20,000 in attendance, he speaks of how the ruins are “still charged with a great mission.” Later that morning he celebrates a Youth Mass for 300,000 at Ballybrit Racecourse in Galway. It is here that the Pope utters perhaps the most memorable line of his visit, “Young people of Ireland, I love you.” That afternoon, he travels by helicopter to Knock Shrine in County Mayo which he describes as “the goal of my journey to Ireland.” The outdoor Mass at the shrine is attended by 450,000. The Pope meets with the sick and elevates the church to the title of Basilica.

The final day of the visit begins with a trip to St. Patrick’s College, Maynooth, the National Seminary, in County Kildare. Some 80,000 people pack the grounds of the college for the brief visit. A dense fog delays the Pope’s arrival from Dublin by helicopter. The final Mass of the Pope’s visit to Ireland is celebrated at Greenpark Racecourse in Limerick before 400,000 people, many more than had been expected. The Mass is offered for the people of Munster. Pope John Paul leaves Ireland from nearby Shannon Airport travelling to Boston where we begins a six-day tour of the United States.

Guinness’s place and date of birth are the subject of speculation. His gravestone in Oughter Ard, County Kildare, reads that he dies on January 23, 1803, at the age of 78, and that he is born some time in 1724 or very early in 1725. This contradicts the date of September 28, 1725 chosen by the Guinness company in 1991, apparently to end speculation about his birthdate. The place of birth is perhaps his mother’s home at Read homestead at Ardclough, County Kildare.

In 2009 it is claimed that Guinness is born in nearby Celbridge where his parents live in 1725 and where his father later becomes land steward for the Archbishop of Cashel, Dr. Arthur Price. In his will, Dr. Price leaves £100 each to “his servant” Arthur and his father in 1752.

Guinness leases a brewery in Leixlip in 1755, brewing ale. Guinness also purchases a long lease of an adjacent site from George Bryan of Philadelphia in 1756 that is developed as investment property. He leaves his younger brother in charge of the Leixlip enterprise in 1759 and moves on to another at St. James’ Gate, Dublin. He signs a 9,000-year lease for the brewery, effective from December 31, 1759. The lease is presently displayed in the floor at St. James’ Gate. By 1767 he is the master of the Dublin Corporation of Brewers. His first actual sales of porter are listed on tax data from 1778. From the 1780s his second son, Arthur, works at his side and becomes the senior partner in the brewery in 1803.

Guinness’ major achievement is the expansion of his brewery in 1797–1799. Thereafter he brews only porter and employs members of the Purser family who have brewed porter in London from the 1770s. The Pursers become partners in the brewery for most of the 19th century. By the time of his death in 1803, the annual brewery output is over 20,000 barrels. Subsequently Arthur and/or his beer is nicknamed “Uncle Arthur” in Dublin. Guinness’ florid signature is still copied on every label of bottled Guinness.

From 1764, Guinness and his wife Olivia, whom he marries in 1761, live at Beaumont House, which Guinness has built on a 51-acre farm which is now a part of Beaumont Convalescent Home, behind the main part of Beaumont Hospital, between Santry and Raheny in north County Dublin. His landlord is Charles Gardiner. Beaumont, meaning beautiful hill, is named by Arthur and the later Beaumont parish copies the name. From March 1798 he lives at Mountjoy Square in Dublin, which is then in the process of being built in the style of elegant Georgian architecture. Three of his sons are also brewers, and his other descendants eventually include missionaries, politicians, and authors.

Sir Arthur Guinness dies in Mountjoy Square, Dublin, on January 23, 1803 and is buried in his mother’s family plot at Oughter Ard, County Kildare.

The d’Arcy family, who are Catholics, suffer under the Penal Laws. In 1739 d’Arcy is sent to Paris for his education. He is tutored in mathematics by Jean-Baptiste Clairaut, and becomes a friend of Jean-Baptiste’s son, Alexis-Claude Clairaut, who is a brilliant young mathematician. d’Arcy makes original contributions to dynamics. He is best known for his part in the discovery of the principle of angular momentum, in a form which is known as “the principle of areas,” which he announces in 1746.

Perhaps seeking more adventure than an academic life can provide, d’Arcy enlists in the French army. He fights in Germany in the regiment of Condé, and serves as an aide-de-camp to Marshal Saxe at the Battle of Fontenoy. He obtains the title of “Count” in the French nobility and is a generous patron of Irish refugees in France. He sails for Scotland in 1745, attempting to fight in “Bonnie” Prince Charlie‘s rising, but his ship is captured and he is taken prisoner.

After his release, d’Arcy returns to France where he continues both his scientific and military careers. In addition to his contributions to dynamics, he performs research on artillery and electricity. One of his experiments on visual perception, reported in 1765, is often referenced. It involves a rotating disk on which a burning coal ember is placed. When the disk is spun at an angular velocity exceeding seven revolutions per second, a full circle of light is perceived. This and other experiments make d’Arcy the first person to demonstrate the illusion of a moving image, although Joseph Plateau greatly elaborates on this initial finding.

Saor Éire, a left-wing political organisation, is established on September 26, 1931 by communist-leaning members of the Irish Republican Army, with the backing of the IRA leadership. Notable among its founders is Peadar O’Donnell, former editor of An Phoblacht and a leading left-wing figure in the IRA. Saor Éire describes itself as “an organization of workers and working farmers.”

It is believed that the support of the then IRA chief of staff Moss (Maurice) Twomey is instrumental in the organisation’s establishment. However, Tim Pat Coogan claims that Twomey is doubtful about the organisation, worrying about involvement in electoral politics and possible communist influence.

During its short existence Saor Éire uses the republican publication An Phoblacht, under the editorship of Frank Ryan, to report on its progress and to promote its radical, left-wing republican views.

On the weekend of September 26-27, 1931, Saor Éire holds its first conference in Dublin at Iona Hall. One hundred and fifty delegates from both the Irish Free State and Northern Ireland attend the conference against a background of police raids on the houses and offices connected with Saor Éire and An Phoblacht. Seán Hayes is chairman, while David Fitzgerald acts as secretary.

The constitution elaborates upon the aims by describing a two-phase programme. The first phase is described as being one of organisation and propagandising in order to organise a solid front for mass resistance to the oppressors. This is to build upon the day-to-day resistance and activity towards “rents, annuities, evictions, seizures, bank sales, lock-outs, strikes and wage-cuts.” This challenge, it is believed, would lead to power passing from the hands of the imperialists to the masses. The second phase is one of consolidation of power through the organisation of the economy and a workers’ and working farmers’ republic.

Ideologically Saor Éire adheres to the Irish socialist republicanism developed by James Connolly and Peadar O’Donnell. As a consequence of the heavy influence of O’Donnell, Saor Éire strongly advocates the revival of Gaelic culture and the involvement of the poorer rural working communities in any rise against the Irish capitalist institutions and British imperialism.

The organisation is attacked by the centre-right press and the Catholic Church as a dangerous communist group, and is quickly banned by the Free State government. The strength of reaction against it prevents it from becoming an effective political organisation. O’Donnell and his supporters attempt a similar initiative two years later with the establishment of the Republican Congress in 1933.

Maria Josephine Doyle Kennedy, singer, songwriter, and television/film actress, is born in Clontarf, Dublin, on September 25, 1964. With a singing career that has spanned nearly thirty years and an acting career that has spanned twenty five, she has established herself as one of Ireland’s most prolific artists and entertainers.

Although Doyle Kennedy exhibits a love for singing at an early age, she never considers a formal career in singing until after she graduates from Trinity College, Dublin with a joint honours degree in political science and business. She never considers becoming an actress until after she establishes herself as a singer.

Doyle Kennedy joins a band while still in college in the mid-80s, performing with Hothouse Flowers during the band’s early years. She leaves the band in order to join The Black Velvet Band with her future husband, Kieran Kennedy. The band releases their first album, When Justice Came, in 1989 which reaches number 4 on the Irish charts and is ranked among the best Irish albums of the late 1980s. Doyle Kennedy leaves the group to pursue a career in solo music and, in 2001, releases music on Mermaid Records, a label she founds herself in 2000.

After the release of her alternative folk album Mütter in 2007, Hot Press states that Doyle Kennedy “is one of the finest voices this country has ever produced.” She is subsequently nominated in the Best Irish Female category at the 2008 Meteor Awards.

In 2007 and 2008, Doyle Kennedy receives widespread recognition for her role as Catherine of Aragon on the British historical fiction television series The Tudors. In 2011 she joins the cast of ITV‘s period drama Downton Abbey, appearing as Vera Bates, estranged wife of the Earl of Grantham’s valet, one of her most recognizable roles within the United Kingdom. In the same year, she also plays a small role as a maid in the film Albert Nobbs, alongside American actress Glenn Close.

In 1858, Gilmore founds “Gilmore’s Band,” and at the outset of the American Civil War the band enlists with the 24th Massachusetts Volunteers, accompanying General Ambrose Burnside to North Carolina. After the temporary discharge of bands from the field, Governor John Albion Andrew of Massachusetts entrusts Gilmore with the task of re-organizing military music-making. General Nathaniel P. Banks creates him Bandmaster-general.

When the war ends Gilmore is asked to organize a celebration, which takes place in New Orleans. That success emboldens him to undertake two major music festivals in Boston, the National Peace Jubilee in 1869 and the World’s Peace Jubilee and International Musical Festival in 1872. These feature monster orchestras of massed bands with the finest singers and instrumentalists, including the only American appearance by “waltz king” Johann Strauss II, and cements Gilmore’s reputation as the leading musical figure of the age. Coliseums are erected for the occasions, holding 60- and 120,000 persons. Grateful Bostonians present Gilmore with medals and cash, but in 1873 he moves to New York, as bandmaster of the 22nd Regiment. Gilmore takes this band on acclaimed tours of Europe.

On September 24, 1892, back in the United States preparing an 1892 musical celebration of the quadricentennial anniversary of Christopher Columbus‘ voyage of discovery, Gilmore collapses and dies in St. Louis. He is buried in Calvary Cemetery, Queens, New York, where his wife is later interred.

In many ways Gilmore can be seen as the principal figure in 19th-century American music. He holds the first “Promenade Concert in America” in 1855, the forerunner to today’s Boston Pops. He sets up “Gilmore’s Concert Garden,” which becomes Madison Square Garden. He is the Musical Director of the Nation in effect, leading the festivities for the 1876 Centennial celebrations in Philadelphia and the dedication of the Statue of Liberty in 1886. In 1888 he starts the tradition of seeing in the New Year in Times Square.