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1.
Alessandro Longhi
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Alessandro Longhi was a Venetian portrait painter and printmaker in etching. He is known best for his oil portraits of Venetian nobles of state and his father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari, like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His tumultuous and unusual technique shows first-hand knowledge of Rembrandts etchings, italian Paintings, Venetian School, a collection catalog containing information about Longhi and his works

2.
Antonio Ciseri
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Antonio Ciseri was a Swiss-Italian painter of religious subjects. He was born in Ronco sopra Ascona, Switzerland and he went to Florence in 1833 to study drawing with Ernesto Bonaiuti. In 1849, he began offering instruction to young painters, among his earliest students was Silvestro Lega. Ciseris religious paintings are Raphaelesque in their compositional outlines and their polished surfaces and he fulfilled many important commissions from churches in Italy and Switzerland. Ciseri also painted a significant number of portraits and he died in Florence on 8 March 1891. Among his other pupils were the painters Oreste Costa, Giuseppe Guzzardi, Alcide Segoni, Andrea Landini, Raffaello Sorbi, Niccolò Cannicci, Emanuele Trionfi, Girolamo Nerli, Ciseri, A. Spalletti, E. & Sisi, C. Omaggio ad Antonio Ciseri, 1821-1891, dipinti e disegni delle gallerie fiorentine, Firenze, Galleria darte moderna di Palazzo Pitti,28 settembre-31 dicembre 1991

4.
Evaristo Baschenis
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Evaristo Baschenis was an Italian Baroque painter of the 17th century, active mainly around his native city of Bergamo. He was born to a family of artists and he is best known for still lifes, most commonly of musical instruments. This could explain his friendship with a family with notable violin makers from Cremona, still-life depiction were uncommon as a thematic among Italian painters prior to the 17th century. For Arcimboldo, the artifice is everything, for Baschenis, the items, man-made musical instruments, have a purpose, one source for his photographic style of still life could be Caravaggios early painting of peaches, or alternatively, Dutch paintings. The most faithful imitator of his style is a younger contemporary Bergamese, Baschenis is a contemporary of the Bergamese portrait artist, Carlo Ceresa, and appears to have been influential for the Modenese artist Cristoforo Munari. Penguin Books, Pelican History of Art

5.
Francesco Cozza (painter)
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Francesco Cozza was an Italian painter of the Baroque period. Cozza was born in Stilo in Calabria and died in Rome, as a young man, he went to Rome where he was apprenticed to Domenichino, with whom he traveled to Naples in 1634. He is best known for his expansive panegyric ceiling fresco, Apotheosis of Pamphili House in the library of Palazzo Pamphili in Piazza Navona in Rome and he also collaborated with Carlo Maratta and Domenico Maria Canuti in the fresco decorations of the Palazzo Altieri. His landscape paintings recall the Carracci style of paesi con figure piccole and he painted a Madonna del Riscatto in church of Santa Francesca Romana. Francesco Cozza s paintings Bryan, Michael, dictionary of Painters and Engravers, Biographical and Critical. York St. #4, Covent Garden, London, Original from Fogg Library, Digitized May 18,2007, George Bell and Sons

6.
Andrea Locatelli
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Andrea Locatelli was an Italian painter of landscapes. Born in Rome, he was the son and pupil of the painter Piero Locatelli and he is also known as Andrea Lucatelli. Andrea excelled in painting vedute in a reminiscent of Jan Frans van Bloemen. One of his pupils was Joseph Vernet, Biographical catalogue of the principal Italian painters. A Biographical Dictionary of Painters and Engravers, london, H. G. Bohn. pp. 423–424

7.
Domenico Antonio Vaccaro
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Domenico Antonio Vaccaro was an Italian painter, sculptor and architect. He created many important sculptural and architectural projects in Naples and his later works are executed in an individualistic Rococo style. Domenico Antonio Vaccaro was born in Naples as the son of Lorenzo Vaccaro and his father Lorenzo was a pupil of Cosimo Fanzago. Domenico Antonio Vaccaro first studied under his father and he subsequently trained in the workshop of Francesco Solimena. He initially dedicated himself to painting but from around 1707 he appears to have practised almost exclusively as a sculptor, in the 1730s he resumed painting. He also designed the Palazzo Tarsia and Palazzo Caravita at Portici, the church of San Giovanni at Capua and he helped reconstruct the church of Santa Maria della Pace, damaged after an earthquake. He designed the Palace of the Immacolatella at the edge in central Naples. He designed the church of Santa Maria della Concezione a Montecalvario. Volume I, Translated by Mrs. Edward Cresy, J. Taylor Architectural Library, High Holborn, London, benedetto Gravagnuolo e Fiammetta Adriani, Domenico Antonio Vaccaro. Sintesi delle Arti, Naples, Guida,2005, vincenzo Rizzo, Lorenzo e Domenico Antonio Vaccaro. Apoteosi di un binomio, Naples, Altrastampa,2001, media related to Domenico Antonio Vaccaro at Wikimedia Commons

8.
Ettore Roesler Franz
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Ettore Roesler Franz was an Italian painter and photographer of German origin. Roesler Franz was born in Rome and he was a specialıst in the technique of watercolor. His most famous work is a series of 120 aquarelles named Roma sparita, many of his watercolors are in the Museum of Rome in Trastevere. In 1902 he was portrayed by Giacomo Balla in a painting exhibited at the Venice Biennale. Dizionario Enciclopedico Bolaffi dei pittori e incisori italiani dallXI al XX secolo. Dizionario illustrato dei pittori e incisori italiani moderni, biography Museo di Roma in Trastevere

9.
Faustino Bocchi
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Faustino Bocchi was an Italian painter, active in Brescia, who specialized in bizarre paintings of dwarfs. Cristiani cites this as the capricious particularity to represent with his master paint-brush, the battles, the fights, the games, the dances, the feasts, by some he is described as a genre painter of the Bamboccianti, specifically a Bambocciate di nani or arte pigmeo. It is said that Bocchis paintings were prized by Bergamesque collectors such as Giacomo Carrara. Bocchi is said to have been the pupil of Angelo Everardi, enrico Albricci is said to have been his pupil for a spell. Painting at parish church of Zogno, centro Di, Kimball Museum of Art, Fort Worth, Texas, USA. Giuseppe Maria Crespi and the Emergence of Genre Painting in Italy, cS1 maint, Uses editors parameter Farquhar, Maria. Ralph Nicholson Wornum, ed. Biographical catalogue of the principal Italian painters, woodfall & Kinder, Angel Court, Skinner Street, London, Digitized by Googlebooks from Oxford University copy on Jun 27,2006. Della Vita delle pitture di Lattanzio Gambara, Memorie Storiche aggiuntevi brevi notizie intorno a più celebri ed eccelenti pittori Bresciani, the Metropolitan Museum, The Eighteenth Century in Italy, Volume 1, By Jacob Bean and Felice Stampfle, page 23