With Piano, this was written for Winston Morris in Celebration of 50 Years at Tennessee Technological University. This is a tour de force for the Soloist and the Accompanist. Wind Band accompaniment available as well.
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This Concerto for Euphonium and Wind Band was composed for one of my former teachers and fellow euphonist Dr. Gail Robertson. For this work I based the material around pitches corresponding to each letter of her first name: G = G natural; A = A natural; I = Ionian, or the current key’s tonic, C natural; L = Lydian, or the fourth degree of the current key, F natural. Each movement is derived in some way from this figure.

The work begins with an energetic fanfare and a taste of the second theme. The euphonium enters with similar pomp and dazzling virtuosity that settles into more heroic statements. Next, the euphonium soars over thick ensemble textures in a tender reflection. Finally, the soloist charges forth in a ferocious display of dexterity and power.

with Piano; From the opera "Mignon", this piece has been adapted by David Werden for Euphonium solo. This piece encourages expression with many rubatos and is recommended for a college level player. Learn More

This is a challenging three movement work that Demondare Thurman and Kathryn Fouse premiered at the 2015 U.S. Army Tuba-Euphonium Workshop at Fort Myer, VA. This is a wonderful addition and perfect all aspiring college Euphonium players.

Ms. Wan-Yun Liang is a young Taiwanese woman composer, whose works mostly focus on winds chamber music as well as ensemble works. The Euphonium Concerto, Ms. Liang’s latest composition, was commissioned by Shih-Yao Huang, a Taiwanese Baritone player, and the winds ensemble of National Chung Hsing University, Taiwan. This Concerto contains three movements. The first movement is in a sonata form with two contrasting style melodies. The second movement is titled “Rondo” and the main theme is played by the Alto Saxophone player. In the middle section of this movement, the music turns into a charming waltz and which leads goes back to the beginning section. The third movement is a fast dancing movement with a slow introduction. As a brass player herself, Ms. Liang is willing to give the solo part many fast tonguing passages as well lyrical melodies to demonstrate the specific characteristics of this instrument. This work was premiered in July 7th, 2018, by Shih-Yao Huang and the winds ensemble of National Chung Hsing University, Taiwan, under the direction of Chwan-Yaw Foo.

with Piano; My Swedish Heart was composed by Anna Baadsvik and premiered by Oystein Baadsvik at the 2018 International Euphonium Tuba Festival (IET). This piece is a lyrical melody that will work best on a recital. Euphonium solo part in bass and treble clef. Learn More