The presentation of Mahishasuramardini is a preordained
feature in the Events Calendar of Pankaj Mullick Music and Art Foundation.

So, as with every year since its inception, the
Foundation this year too presented yet another adaptation of the legendary
oratorio – which incidentally is broadcast annually on the day of Mahalaya
preceding the Sharodiya Durga Pujas.

Most Bengalis know that the oratorio started off as
a radio-play and then gradually became an integral part of the Durga Puja
celebrations among Bengalis all across the globe. Written by Banikumar,
narrated by Birendra Krishna Bhadra and set to tune by Pankaj Kumar Mullick,
this oratorio is now seen and heard on TV and is available in the form of CDs
as well as on the internet. Several eminent singers have rendered the immortal
songs which form the backbone of the oratorio.

In fact, the broadcast of this programme on Mahalaya
this year marked its 86th anniversary.

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However, the musical-play developed by the
Foundation is in essence a presentation in the form of an audio-play, combining
elements of Live Performances including Singing, Chandipaath and Narration that
takes a look at the mythology of Devi Durga and links it to modern-life in the
form of an ode to “shakti”. Moreover, the songs and narrations include those
which were broadcast live during the period between 1931 and 1961.

The special feature of this year’s presentation was the inclusion of an
audio-visual presentation consisting of rare photographs and interviews that
were woven in to the narrative of the overall presentation.

Here is an inclusive list of the core-performers who
were involved in the programme:

Singers:

Jhinuk Gupta (granddaughter-in-law of Pankaj Mullick) and chorus

Narration:

Bhaswar Chattterjee

Adaptation, Chandipaath, Narration & Direction:

Rajib Gupta (grandson of Pankaj Mullick)

The music
for the entire presentation obviously consisted of compositions by Pankaj Kumar
Mullick.

Saturday, 28 July 2012

Rare are those who become legends and rarer still are
those who do so during their lifetimes. Singer, actor, playwright and music
composer par excellence – Pankaj Kumar Mullick was one such who through sheer dint
of genius and talent not only became a Living Legend but also a revered cultural
icon of the nation during his lifetime.

His is a story of humble beginnings, monumental struggles
and glorious achievements – achievements that have not only been written in
golden words on the pages of the cultural history of India but have been
inscribed on the very visage of time, making them truly eternal and everlasting.

He was the one who fought against massive odds and
liberated Rabindrasangeet (songs composed by Rabindranath Tagore) from the
clutches of the elitists to make them popular among the masses. In the process
he earned the sobriquet of The First Man of Rabindrasangeet, an epithet he
justified fully through the missionary zeal with which he sang and spread the
magic of Tagore’s compositions across the country and the world.

A couple of quotations by two world-renowned people bring
into perspective Pankaj Kumar Mullick’s communion with Rabindrasangeet:

All those lyrics of mine that I will not get the
opportunity to set tune to during my lifetime, I leave to you to embellish them
with your music.

Satyajit Ray

Satyajit Ray
in a eulogy on 22.02.1978: Pankaj Mullick earned legendary fame and popularity
as a singer and teacher of Rabindrasangeet. He devoted his whole life to this
cause using the media of the film, the radio and the gramophone – he succeeded
in endearing himself to music loving Indians all over the country.

His contributions in the field of Indian cinema were
manifold too. He was directly involved in the advent of play-back singing in
Indian films, he pioneered the use of Western musical elements in Indian film
songs and over a period of nearly thirty-seven years he sang and composed music
for a gamut of films in Bengali, Hindi, Urdu and Tamil. Many of these songs after
having defied the ravages of time continue to enthrall listeners cutting across
age-groups and generations. Several eminent artistes, luminaries in their own
right, including the likes of K. L. Saigal, S. D. Burman, Kanan Devi, Hemant
Kumar, Geeta Dutt and Asha Bhosle sang his compositions in films which at times
scored heavily at the box office only by virtue of the magic of his musical
creations. Apart from singing and composing music for films, he also featured
as an actor in quite a few movies, often in leading roles. Pankaj Mullick’s
involvement with cinema made him a household name not just across the length
and breadth of the country but in every nook and cranny of the world where
Indian films were watched.

The
indelible footprints he left on the bedrock of Indian cinema traced their way
back into his life in the form of the prestigious Dada Saheb Phalke Award which
symbolized the culmination of his career in films in a manner that has few
parallels.

Pankaj Mullick on AIR

Another
medium that bore witness to the magnitude of his talents was the radio. In fact
it was through radio that Pankaj Kumar Mullick first came under the public
spotlight. From 1927 to 1975, over a span of about forty-eight years, Pankaj Kumar
Mullick served Indian Radio in general and Kolkata Radio in particular with
incomparable dedication and commitment. During his lengthy tenure at AIR (All
India Radio) he got involved with two landmark programmes that have had an
everlasting impact on the musical, social and cultural framework of India.

Pankaj Mullick on Sangeet Shikshar Ashar

The first of
these was Sangeet Shikshar Ashar, a
weekly music-class on radio, broadcast every Sunday morning. Pankaj Mullick
conducted these classes in an inimitable style that went on to capture the imagination
of generations of music lovers. Starting in 1929 Pankaj Mullick conducted the
programme for decades till 1975 – a feat probably without any comparison in the
annals of radio broadcasting. The programme was so revolutionary that it broke
the shackles encumbering female singers who till then were looked down upon
when they expressed their desire to learn singing. This apart, the programme
made many more significant contributions to the world of culture that are too
numerous to list here.

Pankaj Mullick withthe Mahishasuramardini team

The other one was of course Mahishasuramardini – the legendary radio programme broadcast
annually every Mahalaya morning preceding the autumnal Durga Pujas. This
programme, an oratorio comprising narrations and songs describing the victory
of Devi Durga over the demon king Mahishasura, was started in 1931. Since then
the programme was broadcast live every year till about 1965 after which a
recorded compilation of the songs and narrations, broadcast live earlier, was
played out annually. Interestingly enough, this phenomenon continues till date.
Over time, the programme itself has developed a persona of its own and has
transcended impermanence to evolve into a becoming a tradition that has become
intertwined with the very culture of Durga Puja among Bengalis the world over.
Through it, the creators of the programme – Banikumar, Pankaj Kumar Mullick and
Birendra Krishna Bhadra have achieved virtual immortality along with the other renowned
artistes who have performed in it. It is already into its 81st year
and shows no signs whatsoever of abating or stopping.

Besides these awe-inspiring achievements Pankaj
Mullick had an array of other noteworthy accomplishments to his credit as well.

A small selection from these is listed below in gist:

·He
was appointed as the Honorary Advisor to the Folk Entertainment Section of the
Government of West Bengal by the then Chief Minister of West Bengal Dr. B. C.
Roy.

·He
was invited to sing the inaugural song during the launch of television in the
country.

·At
the behest of Sri Sarat Bose, Netaji’s elder brother, he sang ‘Kadam Kadam
Barhaye Ja’, set to his version of the tune, with Prime Minister Jawaharlal
Nehru being present during the recording. Other members of Netaji’s family too
lent their voices to this record.

·Following
India’s independence, on Prime Minister Nehru’s request, he sang and recorded
the Indian National Anthem – ‘Jana Gana Mana’ in a style that was deemed to set
the parameters to be followed during the singing of the anthem by all Indians.
The recording was also played nation-wide at almost every public place to
familiarise every Indian citizen with the anthem of their newly formed
independent country.

Legends like Pankaj Kumar Mullick are never forgotten.
Memories of him may tend to fade but his tales invariably get told over
generations and from each telling arises the spirit of the artiste, like a phoenix
rising from the ashes, to once again ascend the seat of perpetuity and stake
his claim to immortality once and for all.

A few honours that were posthumously bestowed on him
are listed below:

·The
Government of West Bengal renamed Ritchie Road as Pankaj Mullick Sarani in his
honour.

·The
Department of Information and Culture of the Government of West Bengal
celebrated his birth centenary in 2005 with great pomp and splendour.

·The
Government of India, paid tribute to his memory by issuing a commemorative
postage stamp in 2006.

·The
Kolkata Municipal Corporation declared his residence at Sebak Baidya Street a
Heritage Site in 2007.

·The Kolkata Municipal Corporation supported the erection of a statue in his honour at Maddox Square Park on Pankaj Mullick Sarani in 2010.

Wednesday, 27 June 2012

O P Nayyar - a legend of Indian film-music was a great admirer of Pankaj Kumar Mullick and credited him for influencing him to become a music director. In the accompanying sound-clip he answers a question posed to him by Amin Sayani through which the aforementioned fact becomes clear.O P Nayyar interview by Amin Sayani

Lata Mangeshkar

Lata Mangeshkar, the living legend of Indian film-music, had deep respect for Pankaj Kumar Mullick and this becomes evident in her remembrances as recorded in the following sound-clip.Lata Mangeshkar remembers Pankaj Mullick

Naushad

Naushad, the versatile genius of Hindi film-music, speaks of the incomparable contributions made by Pankaj Mullick to this genre. Hear it in the following sound clip.Naushad Ali on Pankaj Mullick

Anil Biswas

Anil Biswas, another great composer, talks about Pankaj Mullick's immense contribution to the genres of both Hindi and Bengali film-music. The following sound-clip is a recording of his testament. Anil Biswas pays tribute to Pankaj Mullick

Saturday, 16 June 2012

All those lyrics of mine that I will not get the
opportunity to set tune to during my lifetime, I leave to you to embellish them
with your music – Rabindranath Tagore to Pankaj Kumar Mullick (Jorasanko Thakurbari,
1937).

Rabindranath Tagore

The incident that prompted this emotional reaction in
Tagore is now a part of the legend of Bengali culture:

It was during the making of the movie Mukti, in 1937 that Pankaj Kumar
Mullick, the film’s music director had gone to meet Tagore to seek his
permission to use the song Diner Sheshey
Ghumer Deshey in the film. The lyrics for this song were by Tagore but its
music was not – it was in fact composed by Mullick many years prior to the
movie. He had been unofficially singing the song at various gatherings but
never in public. However when it came to using it in a movie, Tagore’s permission
was an absolute necessity because Tagore’s songs (popularly known as
Rabindrasangeets) and his poems - then, as it is now - were sacrosanct and
nobody apart from Tagore had any right whatsoever to tinker with them let alone
set tune to them. Given this scenario, Mullick set up an appointment with
Tagore and with great trepidation rendered the song in Tagore’s presence.
Mullick had no idea how Tagore would react to such a situation and he feared
the worst – that Tagore would get upset with him and forbid him to sing the
song ever again let alone use it in the movie. But what unfolded was absolutely
contrary to his fears. Tagore was so overwhelmed on hearing the song that he
embraced Mullick and uttered the words that gave Mullick the rare distinction
of being the only composer allowed by Tagore to set tunes to his lyrics. In
this manner Mullick was adorned with the unofficial title of being the 'First Man of Rabindrasangeet' – an epithet
he aptly justified by making it his life’s mission to popularize the songs of
Tagore among the masses. He not only pioneered the use of the medium of films
but also that of radio apart from stage performances to free Rabindrasangeet
from the shackles of elitism and let it loose among the music loving masses of
Bengal. He was also the first person to sing Rabindrasangeets in Hindi, Gujarati
and Tamil in an attempt to spread the magic of Tagore’s compositions among the
non-Bengali speaking audience as well. Given the scale of popularity that
Rabindrasangeets have reached today it can be said without any doubt that
Tagore and Pankaj Mullick were kindred spirits – one meant for the other in
this vast universe of eternal music.

·He joined All India Radio (AIR), Kolkata [initially
known as the Indian Broadcasting Corporation] in 1927, within a month of its
inception.

·He was an integral part of AIR for nearly 50 years

·At AIR he set music to the immortal ‘Mahishasuramardini’,
a programme that has become a part of Bengali culture and synonymous with Durga
Puja. It is heard every ‘Mahalaya’ morning even till today. It has had an
uninterrupted run since its beginning in 1931.

·He conceptualized and started the immensely
popular live-music class titled – ‘Sangeet Shikshar Ashar’ which he did for a
record 47 years on the trot.

·He was part of innumerable Feature Programmes as music director
& artiste during his lengthy tenure at AIR

CINEMA –

·He became a part of Indian cinema right from the silent era, since 1931

·He was a part of the star studded New
Theatres Studio team for nearly 25 years

·Luminaries like K L Saigal, S D Burman,
Hemanta Mukherjee, Geeta Dutt and Asha Bhosle sang under his music direction as
did several other prominent artistes from Bengal and the rest of the country

·He was the first music director who
introduced Rabindrasangeet successfully in films

·He introduced interlude and interlinking
music for the first time in Indian film-songs

·At a time when movie-making was not as
prolific as it is now, he sang in, composed music for and occasionally acted in
close to 100 movies

·He was a part of Indian cinema from 1931 to
1969, a period of about 38 years

·The movies he was associated with were in Bengali,
Hindi, Urdu and Tamil

·He along with director Sri Nitin Bose was
instrumental in the introduction of playback singing in Indian cinema

SALIENT FACTS –

·He recorded his first song when he was only
18 years old

·He was the first person to popularise Rabindrasangeet
by unleashing the magic of Tagore’s songs amongst the masses

·He was appointed as the Honorary Advisor to
the Folk Entertainment Section of the Government of West Bengal, from 1953 to
1968, by the Chief Minister of West Bengal

·He was regarded as one of the founding
fathers of Bangla Adhunik Gaan, a
sub-genre of Bengali songs

·He had several popular non-film songs in
Hindi, Urdu and Bengali to his credit

·He was the first to introduce elements of
Western Music to Indian cinematic & non-cinematic songs

MAJOR AWARDS –

·He won the National Award for Best Music Direction in movies on quite a
few occasions

·He received the BFJA award for his work as music director

·He received Life Time Achievement Awards
from AIR and HMV (now Saregama)

PRESTIGIOUS TITLES –

·Title of “Surosagar” in 1931

·Title of “Sangeet Ratnakar” in 1962

·Padmashree in 1970

·DADASAHEB PHALKE PURASKAR in 1972 – the
highest award presented by the Government of India in the field of Indian
Cinema. He was the first music-director to be honoured so.

·Title of Rabindra Tattacharya in 1977

RARE HONOURS –

·Rabindranath himself allowed him to set
tune to a few of his poems, the most popular instance of which is “Diner
sheshey ghumer deshey…”

·He was invited to sing the inaugural song
during the launch of television (Doordarshan) in the country

·At the behest of Sri Sarat Bose, Netaji’s
elder brother, he sang “Kadam kadam barhaye jaa…”, set to his version of the
tune, with Prime Minister J L Nehru
being present during the recording. Other members of Netaji’s family too lent
their voices to this record

·On Prime Minister Nehru’s request he sang
and recorded the Indian National Anthem – “Jana gana mana…” in a style that was
deemed to set the parameters to be followed during the singing of the anthem by
all Indians. The recording was also played nation-wide at almost every public
place to familiarise every Indian citizen with the anthem of their newly formed
independent country

·In the days when ‘globalisation’ was quite
unheard of, he enjoyed great fame and popularity both nationally and
internationally

POSTHUMOUS HONOURS –

·The Government of West Bengal renamed
Ritchie Road as Pankaj Mullick Sarani in his honour

·The Department of Information and Culture
of the Government of West Bengal celebrated his birth centenary in 2005 with
great pomp and splendour

·The Government of India, paid tribute to
his memory by issuing a commemorative postage stamp in 2006

·The Kolkata Municipal Corporation declared
his residence at Sebak Baidya Street a Heritage Site in 2007

·The Kolkata Municipal Corporation supported
the erection of a statue in his honour at Maddox Square Park on Pankaj Mullick
Sarani in 2010

Sunday, 10 June 2012

Pankaj Kumar Mullick (a.k.a Pankaj Mullick) is a name that has become synonymous with the history of Indian Music. He was multifaceted genius who was a singer, music-composer, actor, educator and administrator all rolled-into-one. In a career that spanned almost fifty years, he had many firsts to his credit. Some of these are:

He was the first person to popularise Rabindrasangeets (songs composed my Gurudev Rabindranath Tagore) among the masses.

He was first music director under whom play-back was introduced in Indian films.

He was the first music director who brought in elements of Western music in Indian film music.

He was the first music director to be awarded the prestigious Dada Saheb Phalke Award by the Government of India for his pioneering activities in the arena of Hindi and Bengal film music.

This Blog among other things, will highlight his achievements, analyse his works, collate information about his contributions and pay tribute to his genius.