There is a moment during Antenes’s Issue Project Room show, past where the static-y radio and telephone signals have crackled away, wherein the ominous, booming drones have subsided. From her surrounding menagerie of self-made synthesizers, Antenes lifts a rotary dial cannibalized from an ancient phone. She places it near a contact microphone and dials a single number. The dial whirs its slow churn, a technology many of us are familiar with, but few use. The sound emanating from within is alien, chilling, even unholy. A century after Russolo, Antenes channels technological ghosts conjured from a bygone world.