The artwork of Blandine Lamotte articulates around the dismantling of the obvious facts. She is interested in the decoys of our society, of which the image is a part.

She attacks faith, or generally accepted beliefs, by using narration. Episodes are reactivated from one work to another.

The perception, sometimes even physical, of the spectator, is distorted, blurred, by creating a slight perceptive disorder. She moves an image and its depth, by sliding a part away. She writes projects of performance which stay constantly in a state of a work-in-progress. In a museum, she shows artworks as images by means of an intimate audio guided tour of sounds. She alters photographic landscapes and labels them as products.

She interlocks different universes, by sticking one on top of the other, to create artificial images in order to question the value and the consistency of the image.

How can an image become an object : this is the point of her current research. She works on this uncertainty with seduction, the other presence and the dialogue between a material with a material image. The image determines the material and the medium.