Saturday, September 20, 2014

The Worcester/West Coast connection of Bill Tannebring

By Chet Williamson

On the Worcester Telegram & Gazette’s Website there is a
new feature called “Gone but not forgotten,” in which you can submit your
memories of growing up in the area. One recent submission was by pianist Bill
Tannebring, who reminisced about playing music in town back in the early 1960s
with Howie Jefferson, Barney Price and Reggie Walley.

Here’s a taste of what he wrote: “What wonderful memories
these letters provoke! I lived in Worcester from 1940 until 1960 but my parents
continued to live on June St., until the early 80s. I attended schools
Greendale; Andover Street and Greendale Grammar and I went to both North and South
High School. Greendale was a wonderful community in which to grow-up, populated
by hard working families who worked at Norton Abrasives and Wickwire Spencer
Steel. Who could forget Indian Lake and Norton Beach, the Boulevard Spa and the
Higgins Armory?

“Being a musician, I was friends with many of the people
mentioned in other letters, Perry Conte, Emil Haddad among them, and played at
clubs between Worcester and Framingham including. The Speedway, The Driftwood,
371, The Bonfire, The Red Barn, Monticello, Maridor and so many more. … And the
El Morocco was legendary especially among musicians and night clubbers. ... I
live near Los Angeles now and it wasn't
until I traveled throughout the country that the experience if growing up
Worcester impacted me. It was a truly wonderful city and the memories it
inspires continue to enrich my life.”

Though jazz piano has been a major part of his life since
his teen years, Tannebring spent most of his career in television, working as a
producer and broadcaster here in Worcester, then Boston, New York and L.A. At
70, Tannebring can be found these days gigging around Huntington Beach,
California, where he now hangs his hat. In fact, he recently worked at the
Lighthouse in Hermosa Beach with flutist Sam Most.

Tannebring grew up in Worcester, but he was actually born in
Bermuda. “My dad was a musician playing in a band. My mother and father lived
in Bermuda. I was born there. We settled in Worcester when I was four or five.”

His dad was the highly regarded saxophonist, Roland “Rollie”
Tannebring. “He was more of a legitimate musician,” Bill says. “He played big
band, but he also played concert bands and theaters when they had pit
orchestras at Loew’s Poli and the Plymouth Theater. They used to have shows in
the afternoon, like stage shows, he’d be there in the pit.”

Bill was born in 1937. At 12, the family moved to Park Ave.
and Maywood Street. He went to South High.

“I took piano lessons in the Day Building and had a dentist
in the Park Building. It wasn’t until I traveled throughout the country that
the experience of growing up in Worcester impacted me. It was a truly wonderful
city and the memories it inspires continue to enrich my life.”

Bill says he started playing professionally when he was 15
or 16. “There were steakhouses downtown, the Polish and Italian American Clubs.
The Speedway Club on the Lake. I had a band in high school.”

Tannebring was introduced to the world of television in high
school. He worked in the prop department doing sets at WWOR-TV. “That was like
the first local TV station in Worcester,” he says. “They opened sometime in the
‘50s. One of the kids I went to school with was a Steve Allen wannabe named
Dick Volker. He talked them into giving him a teenage show five nights a week.
It was called ‘Teen Style.’

“They hired me to do the music. So we had a little jazz trio
on TV in Worcester. I was 16 and that was my introduction to TV production.
When the show went off the air after a year or so, I decided I wanted to be in
television. That’s how I started my TV career. It was great fun.”

The teenage trio consisted of Tannebring, bassist Nick
Peroni and drummer Paul Westerback. Tannebring says the Worcester jazz scene in
the 1940s and 1950s was quite memorable and he was well aware of the tradition.
He mentions the names of pianist Don Asher, trumpeter Don Fagerquist, and
drummer Frankie Capp.

Jaki Byard

“When I was a kid, the pianist I remember was Jaki Byard,”
Tannebring says. “He was a hero of mine. He wasn’t living there then. He would
come back and forth. Tony Zano was around when I was there. The Holovnia
brothers Fred and Joe. Fred had a big band. Joe played bass. There was like 16
of us. George Thurman on drum. Larry Monroe on alto. He and I were best
friends. I was the best man at his wedding. Emil Haddad, of course. He was
working on Park Ave. with Johnny Rhines and those guys. He and my dad were
friends.”

Tannebring was a member of the local 143 musician’s union
and worked a parade of jobs with and for the Conte Brothers. “I worked with
Perry and his brother Jerry. They owned a tuxedo rental business and had the
commercial scene sewed up,” he says. “I remember Perry would say, ‘$14 a night,
plus $1 for gas.’ He was the big booking guy at that time. He used to have all
these bands play at proms and clubs.

“He put together a Herb Alpert copy band. I was in that band
for about a year. We traveled all over Worcester, Millbury and Westboro.”

There was another guy that I played with as well, his name
was ‘Ockie’ Menard. He was a funny guy. His neck was always bent, cocked to one
side. It was like the saxophone, the head and the neck were all one unit. He
was the nicest guy. I remember Ray Starr, the tenor player as well.”

Ockie Menard and Glen Kaiser at the Crystal Room in Milford

Tannebring also worked with a slew of singers. He recalls
Gretchen Morrow. He says he played in a score of places up and down Rte. 9 all
the way out to Framingham and Natick — “The Driftwood, the Meadows, Monticello’s,
the Maridor, Bonfire — all those places.”

He says his gigs with Reggie Walley, Howie Jefferson, Barney
Price, and the bassist Judy Wade were especially memorable. “I played with
Reggie a lot. He and his wife [Mary] were like the dynamic duo. They always had
something going. They were a great couple. That was the jazz scene in the ‘60s
and ‘70s. I can’t remember the names of these clubs, but there were so many.
The Elks – there were just so many clubs on Summer Street and Water Street.”

Though Worcester had its share of notable pianists,
Tannebring says most of his influences were coming out of Boston at the time.
“I was a big fan of Dave McKenna,” he says. “My favorite pianist was a guy from
Natick named Danny Camacho. He used to play with Boots Mussulli. He was about
10 years older than me. We ended up being in a band together for about three or
four years. I played vibes and he played piano. It was one of the highlights of
my life. He had been my childhood piano hero. To play in a band with him when I
was 19 was really a big kick for me.”

Danny Camacho

Occasionally, Tannebring would get to work with some of the
emerging players on the Boston scene. “I was in a band that played the Bonfire,
a little club on Rte. 9. It was with John Abercrombie on guitar, George Mraz on
bass and Peter Donald on drums. These guys were like 19 years old. Now they are
world famous,” he says.

Tannebring left Worcester in the late ‘50s to go into the
Air Force. He came back in the early ’60s, worked the clubs before heading to
Boston in 1966. According to the bio notes on his Website, Tannebring moved to
Beantown with the intent of making his career as a jazz musician. He says,
Boston was a musical Mecca at the time, “the Berklee School made Boston one of
the most exiting jazz environments in the country attracting talented musical
artists from all over the world.”

As mentioned he got to perform with the likes of John
Abercrombie as well as bassist Miroslav Vitous. For years, he was one of the
house pianists at Paul’s Mall. He says it wasn’t unusual to find him in the
club working with his trio, while John Coltrane or Mongo Santamaria performed
next door at The Jazz Workshop. He also notes that Boston was the home of other
great pianists at that time including McKenna, Chick Corea, Alan Broadbent, Hal
Galper and Jan Hammer, among others.

Utilizing his TV production talents, Tannebring became the
force behind the first ever weekly jazz television program in the nation. It
was called “JAZZ on WGBH” and hosted by the great trumpeter and band leader
Herb Pomeroy. For three seasons, Tannebring, as the program’s producer,
attracted some of the world’s greatest jazz musicians including Oscar Peterson,
Wes Montgomery, Cannonball Adderly, Sonny Rollins, Gary Burton, Hampton Hawes,
Art Blakey and the Jazz Messengers, Thelonious Monk, Herbie Mann, Wynton Kelly.
The show aired every Wednesday night and the performers appeared live,
Tannebring said. Critics have hailed the show for its visual style, unique feel
and musical excellence. Tannebring is said to have also produced the first ever
television broadcast of the Newport Jazz Festival.

Tannebring stayed in Boston until 1973 before moving to New
York City. “I was working for ABC television and I was doing gigs as well,” he
says. “I was always doing both. I didn’t really book work for myself. I usually
got hired to work with somebody. I was not part of the New York jazz scene but
I would play some cool gigs in lounges and hotel lobbies.”

Tannebring says he spent three years in New York City
producing a television series with Lloyd Bridges but still found time to join a
band led by Lou Levy, backing singer Peggy Lee that toured the East coast, and
work jazz gigs around the city.

After leaving New York, he relocated to Dallas Texas where
he became the Executive Producer of KERA TV. Still working as a musician, he
found time to perform regularly with saxophonists James Clay and Marshall
Ivory. He says he spent an exciting year playing piano and vibes in a quintet
led by David “Fathead” Newman.

As mentioned, Tannebring currently resides in Southern
California where he continues to work as a television producer/writer, teacher.
(See his online reviews here.) However, his lifetime love affair with jazz is
what really drives him. “There are a lot of great players out here,” he says.
“I’m out once or twice a week doing something. I love it.”

Tannebring says although there have been a lot of notes
played across the bridge between the east and west coast, his developing years
spent in Worcester are never far from memory. “I have great memories of
Worcester,” he says. “My sister lives on Martha’s Vineyard and my other two
sisters live in Worcester.

So I’ll be back.”

Let’s hope he gets a gig next time he’s in town.

Addendum: This piece
was first published in the Jazzsphere blog on May 27, 2007. Bill Tannebring
died in Laguna Hills, Orange County, California on April 30, 2010. He was 73.

Note: This
is a work in progress. Comments, corrections, and suggestions are always
welcome at: walnutharmonicas@gmail.com. Also see:
www.worcestersongs.blogspot.com Thank
you.