It's true that the Vikings did land in Spain, so this is perhaps where Yggdrassil get their inspiration from as a band... although the thought of a Norseman eating paella is quite an amusing one, jokes aside this Spanish quintet are perfectly able to slap down their own branded form of Melodic Death Metal with Viking (of course) influences in tow. 5 years down the line and their debut album 'All Shall Burn' is born, what comes with it is a ferocious onslaught of fast-paced metal flirting with less pacey metal; a generous mixture of songs leaning towards both sides of the Melodic Death Metal sound. It is this effort that will certainly gain them some credible attention from the masses, thankfully they've avoided becoming Amon Amarth version 2.

Nothing says British than a reference to patriotism, well it's certain that these lions roar and they do so with such a ferocious feel to their music that it echoes the anthemic beats of Queen, metallic heaviness of Bullet For My Valentine and modern feel of Avenged Sevenfold. As Lions burst out of the ashes laid down by former moniker Rise To Remain and with the transition unleash a highly promising metal-cross-rock EP called 'Selfish Age'; what Dickinson manages to do, Worsnop didn't. They've clearly done their homework with this effort because it ticks all the boxes that metal and rock fans would want, a record worth opening the pit up for. As Lions are the modern Iron Maiden and join the likes of Asking Alexandria, BFMV and BMTH as leaders of the modern wave of British Metal.

When you come to think of Albania, you're thoughts turn to the double-headed black eagle, the Balkan history and it's Mediterranean climate and yet in-between all of that is a small, vibrant metal scene spurred on by veterans such as Crossbones. This quartet are one of the earliest pioneers of the Albanian Metal scene and have just dropped their second album 'WWIII', exactly two decades after their debut album 'Days Of Rage'. Their effortless grinding together of Heavy Metal rhythms and Thrash Metal aggression remain unchallenged throughout and provide a delightful listen in it's wake, it's an honourable milestone for their national scene and is one that gives them automatic right to be flying the flag for the Albanian Metal scene.

Brutal Death Metal with Technical Metal elements dotted around, yup this is Beheaded as you would expect them. They have not lost their magic touch despite the five-year gap between their new album 'Beast Incarnate' and their fourth album 'Never to Dawn', in fact you might need some life insurance instated before indulging in this face-f*cking slab of fortified metallic cranial pulverisation. Whilst the vocals might not be as prominent as the music itself, the raw feeling certainly adds to the dynamics presented herewith... 'Beast Incarnate' is like an orgy gone insane, seriously you're sex would be spiced up when screwing to the sounds emanating from this beast-of-an-album. Prepare for the ultimate anal penetration.

Taking their lyrical influence from the 'Elder Scroll' game series one begins to ponder why they decided to go down that chosen path, but when mixed with Symphonic Power Metal it makes more sense to indulge in the fantasy world. Austria's Daedric Tales are no newcomers to the scene despite'The Divine Menace' being their debut album, they've been beating around the Alps for nearly a decade and yet this effort presented is a delightful one. Despite all their efforts, this album will probably become ignored by the labels as it lacks that final piece to make it an album that would leave people gob-smacked, despite this though the album is a decent piece of musicianship that should appeal to many metal fans worldwide.

This is what you would call filthy-rotten Brutal Death Metal, the kind that would grapple hold of your bollocks and crush them to death by means of corkscrew castration. Sure to the unintelligible the vocals are prime pig squeals and low-fi guttural emittance, but behind the gut-wrenching vocals lies a pulverising mixture of unrelenting drums, barbaric riffs and overall loudness designed to keep your neighbours sweating in their sleep. 'Atrocities From Beyond' is the Portuguese quartet's second album and it's destined to be one of the heaviest metal releases of 2017, it's so metal it cannot be unleashed on the festival circuit without prior warning.

Built in the style of German Power Metal, Australia's Silent Knight opt for practicality over technicality which (let's be honest) at times can become too much to comprehend and thus sometimes its good to break it down to basics and that's what Silent Knight do... good ol' fashioned Heavy / Power Metal. Dropping their latest EP 'The Angel Reborn', this ensemble from down under create music in the vein of Helloween and give it a dosing of Maiden-esque atmospherics, leaving the EP to enthral whomever listens to it. Silent Knight are perhaps a gem from down under yet to be discovered by the global masses, but damn they do deserve some form of attention - this EP cannot go unnoticed.

Brazil has a long history of extreme metal, but never has one heard a band quite like Heavenless who seem to want to strap together Deathcore elements with Death / Thrash Metal, weird right? Not as odd as their debut album title mind, if 'Whocantbenamed' is a subtle reference to Voldemort from Harry Potter then I'd love to see how they manage to perform their magic in front of the muggles. Either way the vocals are brutal but unrecognisable and yet that has a degrading effect on the album, the overall release is a decent one. Crunchy riffs lead the charge whilst the thunderous drums and thick bass supplement the onslaught perfectly, what more could you want? A Quidditch match? on your broom.

If truth be told, Aeternam are the bastard sons of Scarab (Egypt) and Myrath (Tunisia), by mixing together the brutality of Death Metal with the Arabic influences in the Symphonic and Folk Metal forms, this Moroccan-Canadian unit are priming themselves to become a force to be reckoned with. Their third album 'Ruins Of Empires' could be seen as the crusader soundtrack of the metal world, spewing out hatred against those who turn on each other for the sake of religion. Ultimately this album is enough to give this band fullest attention from all corners of planet metal. As for the Canadian Metal scene, well, this album will need something extra-special to surpass this album, because to be quite frank it's hard to see anything bettering this for sometime.

Chile has a sparkling history when it comes to Extreme Metal as it's metal scene is laden with it throughout the years, one of it's latest editions Degotten are determined to carry on the legacy through their debut album 'Hexentrost'. This four-piece leviathan spew out Black / Thrash Metal in a grim but pacey form and thus deliver a neck-breaking, raucous onslaught of raw riffs, battering drums and vicious vocals. For those who drool over the underground extreme metal sounds, this is for you as the album is a non-stop roller-coaster of Blackened Thrash and Thrashed-up Black Metal; it takes two. Whilst it might not be groundbreaking by any means, it certainly will have listeners glued for a considerable amount of time.

Even in the smallest countries across the world, there is bound to be a metal band or indeed someone listening to metal music awaiting discovery. Take for example Cambodian Thrashers Nightmare A.D. who have just released their debut EP 'Corruptors', the title does not need much explanation as does not their own views on society as a whole in this mainly-Buddhist nation. By unleashing a chaotic mix of breakneck Thrash Metal with flash riffs giving the sound added harmony and Hardcore lacing it with spicy attitude, the 'Corruptors' EP is a good sign of things to come and yet its production sound is crystal clear, something most people would not envisage happening in a country like Cambodia... yet did anyone foresee metal arising? Clearly Nightmare A.D. have their visions in check, they are sure to go far.

If you're craving for some raw Death Metal, something laden with thick distorted riffs, muffled growling and an atmosphere as gritty as a bullet storm, look no further than Narsarakh's premier demo 'Prevai'. Hailing from Brunei, this four-piece machine waste no time in crafting a sound so underground it gives a solid nod to the early days of extreme underground metal. 'Prevail' offers a 15-minute journey from which one can experience incomprehensible lyrics, pounding drums and guitars so Black Metal-esque, you'd begin to wonder what genre exactly this Bruneian outfit can be included in. It's the sort of raw sound that would provide itself as the perfect accompaniment to a seance or candlelit event, it's atmosphere as bleak as night and the music as nasty as death itself.

Get your dancing shoes in, switch on the disco lights and get that groove on, for the debut EP by Denmark's Groove / Thrash stalwarts Radtskaffen will have you sweating through your clothes like it's Saturday Night Fever. From the ultra funky 'Deus Lo Vult' to the full-on face-melting 'Oblivion', the 'Worldwide Anarchy' EP will keep you amused for a long time, just be sure to pay your dues at the end for wanting more. For a band fresh on the scene, they certainly have enough potential to go far, just as long as they harness the sound they've developed on this EP. The music won't be hard to sing to, but pronouncing the band name probably will be the sole challenge, after all it's Danish for...

Very little is known about Qaf, a project run by two Egyptians who indulge in Oriental Black Metal, singing about Arabic and Persian Myth. That said, their premier EP 'Muthalath Al A'asarem - The Triangle Of Esraam' is a bitter and raw slice of Black Metal that encases you in a blazing atmosphere. Exclusively singing in their native Arabic, Qaf go full-pelt with this EP and as a result clearly demonstrate that they know how to put together a winning release off the bat. Whilst this might not appeal to Black Metal aficionados, those who crave the darker side of metal will certainly wet themselves at the almighty sound here produced. 'Muthalath Al A'asarem - The Triangle Of Esraam' is a statement of intent, that ordinary people will not be put down by Conservative figures, it's a punch in the face for all metal elitists.

It seems that ever since Arctic Spirits made headway as Greenland's first metal band (known at least), the genre has come in leaps and bounds on this remote island of ice. The latest export from these barren lands is the one-man project The Perfect Mass, masterminded by Kunuk Groenvold the interesting mix of Black Metal, Melodic Metal, Death Metal and classic Heavy Metal certainly demands attention and at the very least, respect. What makes 'World On Fire', the debut album by The Perfect Mass so special, is it's unique and intricate combination of raw production, unrelenting power cruising through the vocals and music, but also it's unchallenged nature at creating a sound symbolic to this project, one that hopefully will echo across planet metal with positive results.

Underneath the whole blanketing of ISIS / ISIL-related news is a burgeoning and establishment defying metal scene brooding on Iraqi sands. The latest addition to this awesome scene is Dark Phantom's debut album 'Nation Of Dogs', a bellied-up smacking of gritty Heavy / Thrash Metal that would be sure to keep you entertained for ages. By mixing growling and almost Arab-like (traditional singing) vocals together, Dark Phantom embrace the Oriental Metal style with open arms and as a result connect with the heritage more than they did on their premier EP. 'Nation Of Dogs' clearly is a slight dig at religion, but let's not go there, in fact we can say that Dark Phantom's new effort is one that most metalheads will find intriguing. Acrassicauda might have escaped Iraq, but Dark Phantom still breathes the dusty air, spewing out some rather blindingly-decent songs as a result, rest assured we will see more of this lot in years to come.

In our quest to cover at least one metal band from each metal scene in existence, our attention turns towards Kenyan Death Metal / Deathcore stalwarts Lust Of A Dying Breed of whose 2012 EP 'Cat of Nine Tails' is the main critiquing point. Whilst as you can imagine there is very little in the way of decent production, clarity or refined elements, it's made up of determination, aggression and dedicate to the metal music art. 'Cat Of Nine Tails' is a delinquent romp through the slowly-but-steadily emerging 'Africacore' movement (if we can call it so), expect nothing else but a splattering of gutturally-rotten vocals, menacing riffs and double bass drums so brutal you would need clean underwear after the unexpected spontaneous poop. Lust Of A Dying Breed might not be the finest Deathcore / Death Metal outfits around, but they're flying the flag for the Kenyan Metal scene, long may they continue.

It's taken 19 years for the first debut album by Thailand's Shambles to drop, now you'd think given the lengthy duration the band would have packed in by now... clearly they haven't. Sadly those years culminating in the underground Death Metal scene have not enabled the vocals to have wondrous prominence on the release, instead they're largely low-fi and lack any real punch. Ironically the drums and thick riffs deliver the punch voided by the vocals, 'Realm Of Darkness Shrine' may well be the band's debut album but it's one that will probably get minimal attention outside of the South-East Asian Metal communities if not for a very select handful of passionate extreme metalheads, that or those thirsty for metal from the more exotic lands. However, 'Realm Of Darkness Shrine' live is probably different story and one can imagine the carnage this album would cause when unleashed on the unsuspecting (or suspecting) masses.

Download This: "Bitter Abysmal Depths"

For Fans of: Morbid Angel, Death, Cannibal Corpse

'Realm Of Darkness Shrine' is out 15th November via an Independent release

Truth be told, the whole Deathcore is generally dominated by the Americans and Russians, but in between the two power-houses are bands like Mayla who are standing up for their national metal scene. Hailing from Latvia, this quintet hold nothing back with their debut album as they go balls-to-the-wall and unleash a horrific belter that is guaranteed to make even the most ardent 'core fan piss their pants. By strapping together influences from the Deathcore, Death Metal and Groove Metal styles, Mayla conjure up a sound destined to attract attention from the likes of Metal Blade Records and Nuclear Blast. Preternatural's Sergey Baidikov guest vocals on 'Obsessive Putrification', helping Mayla to come out the Latvian underground with such unrelenting force, that they are ready to take on the European masses and lay down the law with their own crushing style of Death-laden Deathcore. Whilst listening to the album, toilet paper is advised.

Leading the Metalcore style in their home nation of Lithuania, Chasing The Rise are certainly capable of delivering music heavy enough to challenge their American cousins. This was proven on their premier EP 'The Dawn' and even more so now on their follow-up EP 'Chapters', a cataclysmic concoction of Melodic Metal, Metalcore and technical riffage. If you like, they dabble in the trending Modern Metal style and yet whilst not fully embracing the style, remain to the sound they devised since their inception. There is no question that 'Chapters' is a delightful romp through five tracks of energised, electric and pulsating modern metalcore. They are set for big things, so come 2017 expect them to be touring on your doorstep. European festivals are certainly on the table for this lot.

Stamping their authority hard in their own backyard, Venezuela's Death Metal newbies Evil Reborn have issued a statement of intent with the release of their debut album 'Throne Of Insanity'. Designed to keep you dancing on your toes like a metalhead doing ballet, this filthy-rotten slab of musical creativity will certainly keep you hooked from start to finish. By throwing modern Death Metal vocals, bone-crunching riffs, trailblazing drums and ballsy bass elements into the mixing pot, what comes out of this magical music transformation is a menacing, unrelenting and uncompromising cocktail that will certainly knock you out in one fatal punch. Forget those who think Death Metal is all about double bass drums and growling, Evil Reborn have devised a new rulebook... their own rulebook, so bloody study it! There are no excuses.

Funny isn't it how Babymetal emerge on the scene and most metalheads freak out, Whispered gain attention outside of Finland and no one bats an eyelid. The self-proclaimed purveyors of 'Samurai Metal' carve out their third offering with such precise ninja-skill, the shamanic powers the members herewith possess must ultimately be accounted for as influencers on this dramatic release. By mixing together Power Metal harmonics with epic melodic death metal, and sprinkling it with Japanese music sounds, Whispered have arguably developed their own sound that could well become inspirational for bands further down the line. 'Metsutan - Songs Of The Void' is an anthemic album that will certainly go down in metal history as one of those albums that defied logic, defined a music genre created from the love of anime and manga and also brought some folk metal influences into the affray. Simply magical.

Whenever a band decides to create a new style or attempt to place a new derivative on an existing genre it can go one of two ways. Either it's successful and a new movement is born, or it can fall gracefully and be lost in metal history. So when you take South Carolina's Enthean into account, they sit precisely (and in a contradictory sense) between the two, sure mixing Technical Metal with Black Metal and dabbing it with Death Metal and Symphonic Metal influences might sound epic, but when actually hearing it, damn that sound is the nuts. 'Priests Of Annihilation' may well be this band's debut album, but in order for them to garner any greater attention they must harness this sound and refine it a bit. At times there seems there is too much going on, but overall it's a solid effort that should spark off a movement for the newfound Technical Black Metal caricature.

British Black Metal is in a newfound renaissance period with it establishing it's own sound and outlook, leading this epic shift are a handful of bands and one of them, Old Corpse Road, are preserving traditional British folklore without touching the topic of nationalism. Some might confuse folkloric metal bands with the nationalist movement, but not OCR who like Winterfylleth use a far more historical approach. OCR's second album 'Of Campfires & Evening Mists' is a tale that even the most religious druids and bards would adorn to, let alone the Old Corpse Road taking it's name from the actual area where corpses were taken for burial, grim huh? 'Of Campfires & Evening Mists' is a treasure to behold and is an album that will appeal to all fans of Extreme Metal. Full of atmosphere, chilling elements and beautiful sounds, you will be blessed by enduring this album in it's entirety.

If anyone has worked out why the Ukrainian Metal scene is so damn good at producing Extreme Metal, then please let us know because Elderblood may well have just snatched 'Ukrainian Metal release of the year' with their latest effort. 'Messiah' is the band's second album and it carries on their infectiously sexy blend of Symphonic Black Metal and bleak atmospherics in such a way, BDSM will become inferior to this constricting release. Prepare your ears for some serious puncturing as the blitzing of the drums, rampaging of the raucous riffs and vomiting of the venomous vocals smash your senses to pieces. 'Messiah' is a fantastic work of art to behold, one that will give the band their well earned international recognition as not only a band to watch but also Ukraine's answer to Dimmu Borgir.

Dead Label are a band you should not take lightly, in fact they're positioning themselves as one of the most exciting metal bands to emerge out of Ireland since Waylander and Cruachan made waves. Mixing together a sharp array of metal styles from Thrash Metal to Death Metal and Metalcore to Prog Metal, this enables the cauldron to brew a sound that most would describe as apocalyptic, and we'd agree with them. 'Throne Of Bones' is the trio's second offering and it does well to punch you f*cking hard in the face with very little remorse, in fact if you tried to resist it's magic you might as well defect to listening to teen pop as a source of comfort, because Dead Label as said are not a band that should be taken lightly, because their music is certainly on the heavy side.

Diotima was a female philosopher and just like her, the band Souls Of Diotima are full of elegance, grace and wisdom when it comes to making music. Their third album carries on their dramatically theatrical sound and instils a fast and romantic atmosphere, which becomes guided by the virtuosic nature of the guitarists as they lead the charge. Truth be told, the Italians have got the knack for creating epic dramas and as such when relayed through metal, emphatically rivals the likes of Therion and Apocalyptica for musical suspense. 'The Sorceress Reveals - Atlantis' may well be the band's third album, but it's sincere maturity might as well make the album the band's tenth because it's well refined, polished and enjoyable. In fact it's a great album to keep you awake by, because there is not one second which makes the album dull, it's full of goodness.

Download This: "Tears Of Fury"

For Fans of: Therion, Theatres Des Vampires, Fleshgod Apocalypse

'The Sorceress Reveals - Atlantis' is out 10th June via Rockshots Music

Here comes another band from China's ever-strengthening Extreme Metal scene, hailing from Guangdong Province is Obsoletenova, a three-piece Technical Brutal Death Metal ensemble whose mish-mash of flash riffs, pulverising drums and epic pig squeals coalesces together to deliver a sound that's heavy enough to leave your bones crushed to dust. This may well be a demo, but damn the 'Oracle Demo 2016' certainly carries a punch and then some, in fact I would be shocked if they aren't invited to play outside of China within a year from now because this material would make even the most sick bands like Nile and Suffocation weak at the knees. Having released their 2016 demo which sold out immediately, clearly Obsoletenova are on to something and have considerable attention, good enough to make them a band to watch this year.

Chernodeath hail from Guatemala, yeah you can picture it now, second-hand instruments and low-fi studio's, but let's not forget that the passion is 101% real. Dropping their first demo, the three-piece Thrashers get it perfect on the guitars and drums, but the vocals need far more presence. Generally speaking however it's a pretty decent attempt for a band from a country whose crime rate is beyond astronomical. No wonder metal thrives in the underground here as a means of dealing with societal pressure, poor justice and high corruption levels. Chernodeath certainly have earned the right to carry the flag for the Guatemalan Metal scene. As for the demo, well we only hope they sort the vocal issue out but also carry on believing in metal music.

A decade has passed since the birth of Italian Symphonic Black Metal conjurers Darkend and with their third effort comes a thunderous yet gratifying explosion of furious speed, elegant harmonies and ear-crunching power. 'The Canticle Of Shadows' is the ideal soundtrack to your own murder, it's full of dynamic suspense, on-the-edge of your seat dramatics and uncompromising menace. Whilst not leaning towards the more Symphonic-based incantations spewed out by the likes of Dimmu Borgir, Darkend offer a new, refined and extreme perspective of this sub sub-genre. With the songs averaging at around 7 minutes long a-piece, you would need utmost patience to enjoy it to the fullest, that said for those who wait the magic laid herewith is spellbinding and awe-inspiring.

Veterans of the Estonian Metal scene, Death Metal conspirators Horricane let the handbrake down on their latest offering 'Synthetic Forms'. What is to come is an onslaught of some truly refined old-school Death Metal tinged with modern elements that consequently leaves the sound straddled between the two. In addition to the three straight-edge Death Metal songs is a techno-upbeat version of the song 'Synthetic Forms' that quite frankly could pose as a rather unique sound, if you like call it 'Technodeath Metal'. However good the 'Synthetic Forms' EP is, Horricane won't and should not become complacent, they still have a lot left in their locker and by letting it all out, can give them that much deserved kick towards greater European recognition. For a Death Metal release it satisfies the thirst for something intriguing yet falls short of groundbreaking albeit for the last track.

A changing of the guard usually signals a change in direction of sound, but for Eths this rule does not apply, they won't allow it. Marching on across planet metal like an out-of-control tornado, France's most experimentally demanding and controversially challenging metal band Eths presents to the world their fourth album 'Ankaa'. Grinding out new and organically unique music is becoming more and more difficult, yet by pooling together Groove Metal, Nu Metal, Alternative Metal and Deathcore, Eths are questioning convention like never before. Not only could 'Ankaa' be considered a contender for 'French Metal release of the year', but also sparking a whole new wave of metal bands following this collated genre. Question is, why the hell they haven't they been playing at the UK festivals? Gojira are old-hat, Eths is the new shit.

They cannot escape being compared to Pain and Deathstars and for a damn good reason, they're Industrial / Goth Metallers, of course this is referring to Liveevil. Returning with their latest 'Cyber Metal' offering, the Czech quartet have ensured 'Blacktracks' tops their previous efforts with enough room to spare for future albums. More uniquely you could slot them into the whole 'Dance Metal' movement pioneered by Rammstein as you tap dance to their infectious electronic beats, headbang to the ground-punching brutality displayed and rave so hard that you sweat your pants off and let your jewels swing back and forth to this momentous release. Or if you like, you could pigeonhole the whole album into one made up genre such as 'Modern Dance Metal' or 'Futuristic Cyber Metal', whatever you want to call it, it's too damn good to ignore!

Where freedom of speech is concerned, most of the time if what is being said is of a delicate or extremely controversial nature then it's best to say it through an alias. In Heathen Beast's case this is giving each member a unique name to hide their real identity, but what is not hidden is this trio's unique take on Black Metal. By incorporating various traditional instruments including the 'tabla' (Indian drums), 'sitar' (Indian stringed instrument), 'carnatic violin' (Indian classical instrument) and 'Shankh' (Conch), Heathen Beast might as well become purveyors of the First Wave of Indian Black Metal; call it that, or call it 'Hindi Black Metal'. 'Rise Of The Saffron Empire' is the latest effort by these Indian masterminds and with it comes all the exoticness of India mixed in a melting pot of grim, violent and political Black Metal. Out comes the harsh sounds, traditionalist elements and aspiration for innovation. Seriously if you're to look for new Black Metal releases to check out, Heathen Beast's 'Rise Of The Saffron Empire' should be top of the pile.

Download This: "Swachh Bharat"

For Fans of: ChthoniC, Rudra, Immortal

'Rise Of The Saffron Empire' is out April 25th via Transcending Obscurity Distribution

Kazakhstan's most successful metal export Holy Dragons emerge from the studio once again to deliver their (gasp) 17th full-length album 'Civilizator'. Once again they deliver that winning formula that has gotten themselves to this position in the first place, a rampant and immersing sound designed to capture the attention of whomever listens to it. 'Civilizator' is a sharp reminder that this group are far from done and are vastly set on course to rival the might of Iron Maiden. For a band who hails from one of the more remote metal scenes worldwide, they certainly know how to make a buzz across planet metal. Riff after savage riff, each one of the twelve songs on 'Civilizator' is designed to open the pits up, headbang like crazy and guzzle beer as if it was out of fashion. You know, if Holy Dragons ever caught the attention of Iron Maiden, fuck, they would become a supporting act no problem. 'Civilizator' is a stab in the back, let it infect your nervous system and control your inner senses.

For a band who is celebrating their tenth anniversary by releasing a second album, Ferium appear to come across as a band who have just started crafting works of mass destruction. Hailing from Israel, this Death Metal / Metalcore platoon separate themselves from the boys as men of pure and brutally precise musicianship. 'Behind The Black Eyes' is the band's second album and fuck, does it pack a punch, so much so you would need to don a crash helmet to save your skull from imminent pulverisation. Adopting a protagonist point-of-view, this album is sure to pierce the hearts of those whoever manages to grasp the meaning behind the complex lyrics. Guttural in one hand, brutal on the other, 'Behind The Black Eyes' is a true testament to the burgeoning Israeli Extreme Metal scene and if they are not signed by the end of 2016, then I'll eat my speakers.

Download This: "Losing The Grip"

For Fans of: Lamb of God, Burgerkill, Livarkahil'Behind The Black Eyes' is out now via an Independent release

Although Hong Kong now is a specially-recognized area of China along with Macao, the Metal scene there has grown immensely. The latest addition to the Hong Kong Metal scene are Thrashers CharmCharmChu, now despite the rather bizarre band name, the band's debuting EP 'Majestic Brewing Order' is of a socio-political nature and is sure to stir some emotions up in the higher echelons of the Chinese or Hong Konger Government. Full-on 80's style Thrash Metal is the preferred sound and whilst they sound more like Sepultura rather than Slayer at times (and vice versa), the fact they sing in their native Cantonese adds a rather unique dimension to their sound, that somewhat echoes their Taiwanese counterparts State of Emergency albeit with less aggression. 'Majestic Brewing Order' is a beacon for the smaller Hong Kong Metal scene and is one that will please Thrash Metal fans thoroughly.

Emerging out of the underground with their own brand of Technical Thrash Metal is El Salvador's Genetic Disorder and their debut EP 'Cosmic Terror'. Whilst the vocals would be more akin to Math Metal in the style of Psyopus, the riffs belong to the Modern Thrash era and the drums from the likes of Slayer, such a mixing pot no? 'Cosmic Terror' covers societal issues, humanity problems and the future as the main topics, and with it comes a sound that would get even the most evil Dalek army moshing to this spectacular musical Armageddon. Hailing from one of the most underground metal scenes in Latin America is not easy, but they have their ideas in check and ready to unleash themselves upon the world, we say good luck to them!

After their debut EP established themselves in the Stuttgart Metal scene, German's Pestilent Reign make their filthy welcomed return with their second slab of skull-crushing, anal-fisting Death Metal. 'The Zealot' is a rampant face-punching music marathon that is guaranteed to carve your innards inside out, spewing your gore-rotted blood all over your squelching intestines as they flop out on the floor. Brutal and guttural as they come, Pestilent Reign are destined for big things with their loud and unforgiving maniacal production, with their latest effort well and truly up for grabs, it won't be long before some of the big boys pay attention. 'The Zealot' is a sharp contender for 'German Metal release of the year', you will not be forgiven for ignoring this band! Their music is filthier than your mums undergarments.

Unorthodox in every way imaginable, well all ways except for one - Technical Death Metal. If you like the latest effort by long-standing Spanish Death Metal horde Wormed is one of unthinkable brutality meshed together with such tight time signatures, that they make the djent sound seem as pansy as the so-called emo metal contingent. Vermicular as it comes, Wormed are the aficionados of the Technical / Brutal Death Metal movement and as such demand utmost respect. Lets face it right, try and head-bang to this unforgiving slab of extremity and you might as well have scooped your brain out and bludgeoned it with a mallet before succumbing yourself to this chaotic pace-shifting audio wall of death. For the seasoned Death Metal this will be another slice of cake, for those unaccustomed to said genre, you have been warned.

16 years in and 9 albums down, you would begin to think that Germany's Mystic Prophecy would think about hanging up their instruments and calling it quits. Not on this effort they won't. 'War Brigade' is the latest album from this Power Metal quintet and forms another important instalment in the band's illustrious career. Full of bouncy riffs and drums, charismatic vocals and warm-hearted atmospherics, 'War Brigade' is a beauty to hold. Not only does the album stand on it's own two, but it also comes with a rather interesting bonus track... a cover of 'Sex Bomb' (Tom Jones). It seems to be a growing trend for metal bands to cover pop songs (and they say metalheads should hate pop!!! HAH!); Children of Bodom once covered 'oops I did it again' (Britney Spears). As for the Germans, well, they have delivered an album that will satisfy any metalheads thirst for something interesting.

Three years ago Portugal's Destroyers Of All dropped their debut EP, three years on and they're set to drop their awaited debut album. 'Bleak Fragments' carries on the formula the quintet mustered to make their debut EP picked up by media worldwide including Terrorizer (UK) who featured a song on their Fear Candy compilation series. As for the band's debut album the chunkiness of the bass and riffs remains, whilst the vocals and drums have become equally as impressive. What makes the album that little bit special is the short but snappy pauses throughout some of the songs, it adds suspense, drama and above all a moshing atmosphere. With this effort, Destroyers Of All will certainly be scouted by some of the top European Metal festivals for this summer and if they don't, then I might just have to eat my speakers, because 'Bleak Fragments' carries all the hallmarks of a release deserving of an early nomination for 'Portuguese Metal release of the year'. Open this pit!!

Hard, heavy, balls to the wall, that is just how you can describe the debut EP by Liverpool's very own Novacrow. 'Black Syrup' contains five tracks of hard rocking', heavy metallic tunes that will keep you singing and humming all the way down the Mersey and into the Irish Sea. With dashes of rockabilly (especially on the title track), sleaze and groove making the cut, Novacrow's debut EP 'Black Syrup' might just earn them a slot on the Jagermeister stage at Bloodstock - they are that kind of band.... they are that good! Whilst they might not reach the pinnacles The Beatles did, they certainly would gain the thumbs up approval from John Lennon and co., because they absorb the atmosphere well enough to deliver an EP that deserves said recognition. With Kitty's riot grrrl vocals leading the charge, Jonyx's riff-firing artillery matched by Torben's thunderous drums and Federico's slap-happy bass meshing together to deliver the 'Black Syrup' EP, utmost respect must be given to this snazzy lot.

Dramatic at every twist and turn, the latest effort by Birmingham's Dakesis glimmers with chunky bass lines, flash riffs, harmonic vocals and an atmosphere ready to explode. Think adventure and rampaging across the hills and valleys of the Midlands and this album will provide itself as a perfect soundtrack to the journey. 'The New Dawn' is this quartet's second album and it is full of energy, so much so you would need to clear your mind to fully experience the magic laid herewith. Progressive Power Metal just effectively got kicked in the nuts, this album should be enough to hand them a slot at Bloodstock this year (yes Simon Hall looking at you), because when you imagine what the album would sound like live, you can imagine the hordes of punters uncontrollably headbanging and moshing their hearts out. 'The New Dawn' is a beautiful album that may just well give inspiration for bands in the Progressive Power Metal style in generations to come.

Being in a metal band or project in the Middle East is never easy unless you're from Israel or the Gulf states, moreover if you're a female playing rock or metal music in any given Islamic nation it's never easy - death is on the table. But just like Orphaned Land settled political differences with Palestine's Khalas, Emirati musician Hera seeks a similar path, that is to bring peace to society and prove females can rock as hard as men. Bringing to the fore is her premier album 'Her Era' which uniquely brings together the flavours of 'strong Emirati traditional linguistic elements' with the Western progressive metal sound. No doubt has she created a wonderful strain of Oriental Metal, but also an identity and music style to call her own. 'Her Era' is not a political message, but rather an album that expresses the commitment to understand, appreciate and challenge today's societal injustices and issues. Hera is flying the flag, not only for female metal musicians but also the Emirati Metal scene.

International projects are without question much harder to undertake and maintain in comparison to bands, well even more so when the musicians are in two different continents. Harking from the USA, Canada, Italy and Germany respectively, Gone In April is the Mozart of the metal world. With their much-awaited second album 'Threads Of Existence' finally here, the impression is that they all are truly focused on making their own sound without searching for it. Angelic female vocals crashing against beastly male vocals, whilst the riffs add much dramatics along with the drums who provide a solidified backdrop. Valiant in every aspect, 'Threads Of Existence' is a wonder to behold, a force to be reckoned with, for hells-sake this album will convert even the most hardened metal elitist into complete open mindedness. Seriously if Gone In April isn't in your metal collection, then there is something wrong with your music choice.

Tunisia of late has become a flourishing place for a lot of Progressive Metal, in the style of Oriental Metal at that. The latest edition to this spectacular metal scene is the female-fronted band Persona, whose debut album 'Elusive Reflections' is poised to set the world alight. Following the footsteps of fellow countrymen Myrath, Persona are sure to take their unique blend of Arabic melodies and progressive ambiance to newer heights, abseiling the face of international stardom with newfound vigour. Fronted by the majestic Jelena Dobrić, this sensational clash of two worlds brings a new sound with it and as the band prepare to line up in their sights an impending European tour, 'Elusive Reflections' can sit proudly as a sharp contender for 'Tunisian Metal release of the year'. Watch this group with interest, because they are destined to go places.

Whip out those glow sticks, set the space in between the wall of death, on the count of 3 run at each other waving those sticks insanely! 1.. 2.. 3..!!! WELCOME TO THE RAVEPIT! This is probably what Rage Of Light should do when playing the first song live, because their virally infectious premier EP 'Chasing A Reflection' certainly defines a new genre. By mixing Groove Metal, Melodic Metal, Trance, and EBM together, this tight-knit entity are sure to make their music known across Europe - possibly even breaking into the trance clubs of The Netherlands and Germany (its that good). From start to finish, this Swiss unit's premier EP will keep you hooked throughout, leaving you begging for me and all whilst this happening you will be raving like a thing possessed, an excellent instalment in the Modern Metal phenomenon.

Slam Metal and Brutal Death Metal, however you want to call the debut album by South African executioners Bleeding Spawn, this is proper sick sh*t. 'Pathogenic Mechanized Abomination' is all what you would automatically expect from a Brutal Death Metal release, unrecognisable vocals, pig squeals, thumping bass elements, chunky riffs, unrelenting drums, pig squeals, a bludgeoning atmosphere, pig squeals... OK enough of being 'baconist' and 'porkist'. The truth is, 'Pathogenic Mechanized Abomination' is a sharp contender for 'South African Metal release of the year' and why? Well simply because it's tenacity to leave the listener complete skull-smashed is just one sign that you've been pulverised by this murderous horde. F*ck 'The Walking Dead', Bleeding Spawn ARE The walking dead. Healthy and Safety is advised, prepare your digestive system for potential impact, because the side effects of this album include vomiting, extreme diarrhoea, internal bleeding.... and pig squeals.

Consider Bloodstream to be one of your rather unconventional Thrash Metal bands and that their latest offering 'Steam Of Blood' isn't completely Thrash Metal, funny right? Well, there are a lot of influences roaming around on this release from said metal genre to Heavy Metal and with dashes of Hardcore elements (especially in the vocals). That said, despite the decent effort in delivering a respectable album, it does not carry the hallmarks of a groundbreaking release and thus sadly will just sit as another Thrash-like metal album. Props though go to the band for creating a valiant effort, it certainly would appeal to those who are fans of the slower kind of Thrash Metal, but for the average metalhead it might not grab their immediate attention. Without being crude or detrimental, there isn't a lot of differences between each song and thus hinders the release's potential.

Celebrating their 20th anniversary, the Dutch Black Metal veterans Cirith Gorgor start the party off well with their sixth album-to-date 'Visions Of Exalted Lucifer'. What is expected of the album is what you get, a fully fledged onslaught of barbaric vocals, murderous riffs, emphatic drumming and the uncompromising atmosphere of which demands you to sacrifice your soul to. As far as Dutch Black Metal goes, these guys know what it takes to lead the battle front-line with axes at the ready, this is clear on 'Visions Of Exalted Lucifer' as there is no point on the album where interest and focus becomes lost. In fact, what we have here could pose itself as an early contender for 'Dutch Metal release of the year', it's devilish nature giving its masters something to drink and celebrate to. If this release does not herald a new wave of Black Metal in The Netherlands, I shall eat my speakers.

Download This: "Into The Nameless Void"

For Fans of: Enthroned, Trelldom, Taake, Gorgoroth

'Visions Of Exalted Lucifer' is out 15th February via Hammerheart Records

British Black Metal is enjoying a huge comeback, with the likes of Winterfylleth, Eastern Front, Cnoc An Tursa and others leading the way, it's the likes of The Infernal Sea who are following the readily laid path. Coming out of their bunker to unleash their long-awaited and highly-anticipated second album 'The Great Mortality', this horde from the Fens hold nothing back in releasing a horrific wall of sound that was inevitably designed to blast a gaping whole in your head, let alone your ears. Adventuring out of your comfort zone is not always easy, yet when The Infernal Sea incorporate Dutch words into the song 'Pestmeester', you get the feeling that they're seeking their own signature sound (not by using a different language mind). Having already laid down the law at Bloodstock, The Infernal Sea have once again proven that they're the real McCoy, accept no substitutes.

Download This: "Plague Herald"

For Fans of: Bal-Sagoth, Mayhem, Immortal'The Great Mortality' is out 19th February via Cacophonous Records

The pioneers of Classical Death Metal Fleshgod Apocalypse have once again masterminded the blueprints for a truly magical chapter in their career, this time 'King' is the album to be spewed out of the darkened corridors found within the Teatro Morlacchi. This extremely eccentric release bolsters acute-mathematical drumming, thunderous riffs, an atmosphere to satisfy the greats of classical times bygone and vocals to match the operatic nature of Pavarotti and bloodshed of the Romans. It cannot be denied that Fleshgod Apocalypse are in an element of their own, have devised a signature sound and ultimately are on the path to becoming equally successful as Lacuna Coil and other Italian Metal greats. Imagine Vivaldi, Puccini, Rossini, Palestrina and Monteverdi clashing head on with Technical Death Metal, inevitably the offspring would be Fleshgod Apocalypse, in fact what if the current line-up are the said composers reincarnated? After all metal music does use classical elements! The five gentleman of Perugia are to be rightfully crowned collectively, the 'King' of Classical Death Metal.

Blood-soaked and gut-wrenched is what springs to mind when assessing the latest slab of Brutal Death Metal / Grindcore from Polish stalwarts Unborn Suffer. 'Nihilist' is the 5th studio album from this horde and it serves well as an acceptable bout of noise, there are lyrics somewhere (or you could just pig squeal) but what is definitely found is unlimited ferocity being channeled through the drums, guitars and vocals. Despite the appraise, it's nothing new this style and yet it does serve as a delightful listen for those who prefer their Death Metal to beyond brutal let alone recognition. Slam all you want because 'Nihilist' is an album that should be taken seriously, this is not for the weak-minded nor the faint hearted, this is for those who prefer murders of a Sunday morning and necrophilia as their occupation. Yeah, it's not pretty that's for sure.

Whilst we wait for the next full-length to come out of the Delain music factory, their tickling teaser EP 'Lunar Prelude' gives something for listeners to indulge in something rather musically succulent. Debuting two new songs in the form of the anthemic 'Suckerpunch' and erotically-charged 'Turn The Lights Out'. Charmed with select live recordings, the latest offering by the Dutch Symphonic Metal raconteurs will certainly not go amiss by fans and press alike. With dynamics at every second changing the course of the EP, it's riveting, sensational, and ready to be unleashed upon the arenas around the world. The EP will leave an after-taste and desire for more from this colorful bunch, make no judgement and make no mistake, Delain are in their prime-time, this is their time and with this effort making such a buzz, Delain are ready to join the elite.

Arising from the darkest depths of the Italian underground metal scene is the fresh-faced Revenience with their premier album 'Daedalum', exploding into life with a vast array of elements combining to create a dramatic style of Symphonic Gothic Metal. I can be said that once again the love affair between Italy and Gothic-based Metal is ever growing and on Valentines Day, this release would bode those romantic evenings with a luscious blessing, just be ready with that bottle of pinot grigio. 'Daedalum' offers a lot to the metal community as it draws in influences from Doom Metal, Atmospheric Metal and naturally the beauty and the beast battle from which pivots around the Gothic Metal infrastructure. There's the fast and rampant 'A Maze' and then the slow and emotional 'Lone Island', providing a wide breadth of music to satisfy anyone who listens to this album.

International bands are hard to run at best of times, let alone when they're on different continents. However the American-Dutch contingent Mercy Isle don't care about physical boundaries, in fact their latest effort 'Storm' drags together the best Melodic and Gothic Metal sounds from their respective surroundings and by doing so, enables them to create such a dynamic EP that should get some music industry personnel perking their ears up. Full of dramatic twists and turns, 'Storm' is one of those EP's that is destined to pull a number of heartstrings upon listening to it. Immerse yourself in a world full of chunky bass lines, harmonic vocals, crunchy riffs and ballsy drumming, collectively forming an atmosphere as thunderous as their premier EP title suggests.

In musical form this could easily depict the dark days during the conflicts against the indigenous Berber tribe and the Moors who inhabited the southern Iberian peninsula. Especially since it features such a bleak and chilling atmosphere that could easily be used at a funeral or indeed as music to a war film soundtrack. Stretching out for 27 minutes over two tracks makes it more worthwhile listening to and in fact it's quite calming and arousing. 'As The Light Fades Through The Smoke' after all is the second demo by Moroccan one-man project Pain Emotion and given the band name it is clear that the nature of the music certainly depicts that holistically. One for the records, this is certainly one of the darkest releases to arise out of this sandy, North African nation.

Hailing from Hungary, Progressive Metalcore outfit Dramatic Morals come out of the studio wasted having spent all brutality in recording an EP that is sure to gain much deserved attention from across Europe. Progressive without being Djent minded and Metalcore-based without using breakdowns after breakdowns like as if nothing else existed, that is how you can best sum up their effort 'Feel Good Factory'. Perhaps that's where they were, in a 'Feel Good Factory' because this EP will certainly make you happy if not give you a surprising erection. Hungary of late has suffered a setback in successful exports, so perhaps its the likes of Dramatic Morals who are set to rekindle the Magyar fire. There is hardly anything wrong with this EP and so this is why you should check them out and if you're a label, sign them. 2016 is sure to be this quintet's year, mark my words.

It might well be presumptuous to call Lynchpin leaders of the Caribbean Metal scene, but they certainly are strong enough to carry the scene forward. Hailing from Trinidad & Tobago, this Progressive Death unit wager themselves against fate as their latest effort 'God Complex' catapults them into the limelight with their recent announcement of them competing for a slot at Wacken Open Air 2016. Far from your glitzy tech-laden European Progressive Metal style, Lynchpin opt for a more practical approach and instead join allegiance with the likes of Gojira, Opeth and Machine Head. 'God Complex' gives Lynchpin some hope at cementing their place at Wacken, but for now they stand tall as unarguably the finest Trinidadian music export the Caribbean island nation has ever seen. If you love your Gojira, you'll love Lynchpin hands down.

What makes a live album decent depends on two things, how clear is the music and how organic the recording is. It needs to be clear but not too much in order to avoid being accused of being 'refined', on the other hand it needs clarity to avoid it becoming trashy and not organic. Pyraweed's debut live album certainly carries the hallmarks of a D.I.Y live album, you know it's as if you were in the crowded-out Le Chateau rock bar. Never letting a note go awry, Azerbaijan's Pyraweed deliver a delicious slab of live Sludge / Stoner Metal that would appeal to any fan of the said genres. With thick bass elements holding up the gritty riffs and angry vocals, this is a live album to savor. Given the relatively small but ever-strengthening Azerbaijani Metal scene, Pyraweed certainly know how to deliver a rather sensational live performance, even if it's recorded.

'Under The Fig Tree', the band dub it Technical Progressive Death Metal, we call it 'Experimental Death Metal'. There are a ton of genres going on here and to think that you can headbang to the beat would be a generous overstatement. Despite the inability to keep to time, the album does however reward its listeners with over forty minutes of Tech / Progressive slapped Death Metal that would please anyone who dares listen to it. There's the slow and progressive "Let It Burn" and then there's the absolutely crazy and mindbogglingly fast "Revolution \ Evolution", both evidently offering a wider choice than at first conceived when going through the album. Whilst this is a solid and decent effort, it will require a tad more effort and greater accuracy when experimenting to establish a name well and truly outside of Israel, the Middle East and perhaps Eastern Europe.

When Metalcore reached it's peak it became harder for bands to evade the generic over-cliche sound of riffs and breakdowns romancing each other, then came Motionless In White with their Gothic-tinged outlook and now it's The Order Of Elijah's turn. Who'd have thought that mixing Technical Metal and elements of Melodic Metal would conjure up what you could theoretically call 'Experimenticore'? Because let's face it with the sudden shift in riff pace and sound, coupled with the brutality of the rampaging vocals, and the drums providing the final smacking, you would automatically admit that the latest effort by this Missouri machine has stapled itself to the very hear of 'Experimental Metal'. Make of it as you wish, 'War At Heart' is one album to be taken seriously as it demands utmost attention. Deathcore has Whitechapel, but Metalcore now has The Order Of Elijah.

Possibly considered as a one-off release, 'Hollowpoint' certainly stirs up the emotions as the melancholic and emphatic sounds caress your soul and mind with every passing second. Making a comeback is never easy, but given the strength of the album Denigrate certainly seem to have a lot more to give to the Finnish Gothic Metal movement. Whilst perhaps not as dark or hallowing as fellow countrymen HIM, Poisonblack or the late Vanguard, Denigrate don't lay a finger wrong on this album and as a result unleash a record to be proud of. With harmonic vocals leading the charge and the musical elements providing a solidified atmosphere, this is an album that deserves a nod or two. Twelve years have passed since their debut, and yet they manage to whip out a delicious release, what more can you ask from the quartet?

It's sad to see that sometimes, bands do not know when exactly it is their time to pack up their instruments and disband. Despite the effort demonstrated on 'Elysium', the album as a whole does not make the cut, it fails to ignite any interest and instead gives itself a bad name as a supposed 'Gothic / Doom Metal' release. For the Dutch band Elizium, this is quite detrimental to their lengthy career but it seems as if the curtains are ready to be drawn to a close. Quite frankly you could easily fall asleep to this release and not regret missing a bit, again the effort is there but without the rousing ability to make jaws drop, this album will just fall to the wayside as a pitiful waste. 'Elysium' may well appeal to the hardened Gothic Doom contingent, but for the average metalhead it's just another yawn away from boredom.

'Celtiberian Pagan Metal' has officially become a new form of Folk Metal, well given it's pioneers appear to be one of few bands who actually could use the term, it seems apt then for Hordak to adopt it. The Spanish contingent return to deliver their next installment in their career with the raucous sounds of 'Padre' at the forefront. Album number four, 'Padre' stamps its authority with a convincing sound, it's raw infectious elements gnaw at your ears with the savage bite begging for your anticipation. With the vocals as gritty and grueling as they are, it only makes sense that the music be as bleak and hostile as the Celtiberian and Roman conflicts. 'Padre' is a well-made Pagan Metal and will certainly give Hordak a boost across the European landscape. Good job they made their own genre, because that is the best way to describe them.

Symphonic Metal with female vocals is always a godsend and Arcane Symphony are no exception, the Russian quintet muster together a sound that is just as powerful as Anna Volodina's vocals are angelic. 'A New Day Begins...' is the band's debut album and it heralds praise from the moment you kick off the first song, brimming full of elegance, power and eroticism, Arcane Symphony have it all sussed out. With the atmospherics as cold as a Siberian winter, guitars as savage as aged vodka and vocals as majestic as the Moscow State Circus, it would be stupid to knock off this lot as just another Female-fronted Symphonic act. Open up the heavens, let the rain pour and enjoy what this quintet have conjured up. Arcane Symphony are a band to watch in 2016, they will be knocking at your door with their infectious sounds.

If you didn't feel dazed and confused before listening to this release, you probably will be once you're finished. Creating some rather freakishly eerie sounds and instating a spine-chilling atmosphere is what Show Me Wolves clearly intended to do on their second offering 'The World They Took Over'. Masterminded by Icelander Hörður Lúðvíksson, the evident wafting in and out of Progressive, Black and Avant-Garde Metal seems all too paramount when summing up the album, but it has been done in such a way that you cannot begin to comprehend how Hörður Lúðvíksson conjured up the music ideas in the first place. By drifting from slow atmospherics and gritty vocals to fast, sometimes Metalcore-like and progressive-laden sounds, 'The World They Took Over' is a treasure to behold, the magic is there all right, just let it in.

Download This: "Mother"

For Fans of: She Must Burn, Ne Obliviscaris, Ihsahn

'The World They Took Over' is out 16th January via False Being Productions.

Space Metal is a relatively new conceptual genre, even though it can bounce off of the likes of Modern Metal and Cyber Metal it has a distinctive element to it. Take for example the premier EP by Slovakian instrumentalist Mario Turis, 'Luminance' lashes together elements of Progressive Metal and Symphonic Metal to develop a sound that demands its own unique recognition. It's all you could wish for from an agile release, it's fast, heavy and flashy, yet it lacks vocals with could hinder it somewhat. However Mario's tenacity towards creating a sound so technically simple has enabled the EP to escape any considerable comparison against other bands indeed releases, so if you're thinking of wanting a space-like feel to any game or film soundtrack, forget the Hollywood catalog and go for a musical-genius-in-development as Mario Turis will certainly make a name for himself given this effort.

Now you might well have thought that because of Greece's demoralizing and brutal economic downfall that the quality of metal would deplete as a result; not to mention quality of gear and services available, well, you would be mistaken. Enter Blackdrawn, the new kids on the block who come armed with their rather unforgiving blend of mystical keyboard elements, technical groove riffery, blazing drums and not to mention vocals so gritty they would embed in your soul for eternity. Eloquently expressed, the self-debut album by this Greek unit lashes together the aforementioned Groove / Tech combination with elements of Nordic Melodic Death Metal, conjuring up what could be accepted as part of the 'new wave of Modern Metal'. Already set to perform as support to Arch Enemy in November, Blackdrawn are the Greek Metal band you never saw coming. Simply magical.

Granted the USA has a gargantuan range of metal bands stretching across from the Atlantic to Pacific West, but ever thought of Hawaiian Metal? Well emerging from the secluded island archipegalo is the female-fronted Gothic Metal band Storm with their infectious debut album 'Storm's A Brewin' '. Borrowing properties from the Doom Metal and Symphonic Metal styles, this quintet certainly have ambition on their mind as proven with this effort, despite lacking something that would make this album extra special; no idea what it is, but it's lacking something, Storm certainly are looking the real deal when it comes down to initiative and original-thinking throughout constructing these hallowing and spine-chilling songs. With this album, Storm are leading the Hawaiian Metal scene to greater recognition.

Costa Rica in recent years has been enjoying a flourishing of metal bands emerging from the pits of the underground to more continental and international recognition. The latest to make this move is Death Metal duo Ordo Caper of whose 2015 promo exhibits more of the old-school Death Metal style, rather than the polished-off kind you find all too common these days. What also makes this release all the more interesting is one of the songs 'Igbodu', simply because trying to google what it means and not getting anywhere demands more curiosity to be given. The only immediate downside to this promo (and what can you expect?) is that at times the vocals override the music too much, the drums fade too much and thus you're left quite unsure of what to make of the promo holistically.

Download This: "Red Moon Ritual" - Get the promo from the band via their Facebook here

We've already ascertained that the Japanese Metal scene is built upon breaking the rules, saying no to taboo issues in context with metal music itself, and supporting that notion with their second album 'Divine Creation', is the trio Ares. This is not Melodic Death Metal as you know it, there is much more going on to even demand it's own genre from which can be called 'Modern Apocalyptic Metal'. Seriously there are elements of Symphonic Metal, Power Metal and Metalcore that all combine together to create a sound that is sensationally mind-blowing, one that inevitably demanded a record label deal and one that will catapult Ares higher in the Asian, if not the Japanese Metal scene. Granted the production might well have helped, despite it possibly being naff, sometimes the bad things are actually ironically good. Keep this band in your line of sight, they are sure to make waves.

Be honest it's always fascinating when a solo project or a band focuses on singing about topics totally unrelated to where they are from. So when Sweden-based project Draugûl divulges in Nordic mythology and Tolkien-related subjects, immediately the thought of Swedish musicians comes to mind, except that this project has its roots in Malta. Geographical differences aside, Draugûl revels in the Epic Viking Metal style and broods it well with the third full-length album 'Chronicles Untold', but it's stuff we've heard before in other forms and as a result the project probably cannot escape being compared to similar bard-like bands. Putting that notion aside, 'Chronicles Untold' does what it intends to do and does so gracefully, there is no doubt it will capture the attention of Folk Metal addicts, but for the broader metal-listener it might fall short of anything interesting. In short, the album is decent but definitely not groundbreaking nor incomparable.

As far as Operatic Metal goes, this is a new chapter in the genre and without a doubt the small-but-strong Catalan Metal scene. Unleashing their majestic and energetic masterpiece 'Messenger In A Soulless World', is trio Age Of Dust. Drawing the beauty, elegance and dramatics from musical scores like 'The Phantom of the Opera', Age of Dust are positioning themselves as Spain's answer to Sweden's long-running Therion. With 50 minutes of pure lively 'beauty and the beast' serenades rampaging throughout, you would be silly to knock off 'Messenger In A Soulless World' as just another Symphonic Metal album. High hopes are expected of this group and there next outings will be closely watched with interest, what with a choir providing background substance this could develop into something rather interesting to say the least.

For a band who has been going 15 years, you'd have thought that by now their sound would have been refined, matured and tolerable. Unfortunately Luciferum Penis have not followed that pattern, instead what you are faced with when listening to their monumental '15 Years of Silence and Rituals' compilation, is in short a waste of air. There is very little redeemable quality on this release and despite it's obvious kvlt status, it fails to capture any real imagination and lacks that convincing element. However for those who associate themselves with the more extreme, underground variant of Black Metal, this is an absolute diamond. But for the all-round metal listener, yeah, this doesn't hold interest on all of the songs, in fact the best one of the lot is 'Tenebris Irae' and to think that this one of the few acceptable songs on the compilation says something about the entire release right?

If you seek classic Heavy Metal from the Benelux region, then look no further than Luxembourg's Lost In Pain. This quartet deliver a glorious splattering of Modern Heavy Metal with Old-School influences floating around in the background. Their second album 'Plague Inc.' builds upon their successful self-titled debut album and shows that they are a match for anyone, however they choose to build upon this effort will ultimately determine on whether they keep their feng shui intact. With the eccentricity of the riffs, power behind the drums, gritty vocals and unbelievably electric atmosphere, Lost In Pain's 'Plague Inc.' is a solid contender for Luxembourg Metal release of the year, they certainly would do well in the UK that's for sure.

Now you probably would not have imagined Metallic Hardcore having a musical relationship with the Spanish language right? Well Siroll! have done exactly that and make their next sermon 'Més llenya' more brutal than being gored at The Running of the Bulls. But please refrain from using the term Spanishcore because one it sounds slightly silly and two it makes the band seem seclusive just because they're singing in their native tongue. 'Més llenya' comes loaded with riffs after juicy riffs, menacing vocals and drums so agile, Lionel Messi has been made redundant. If there was to be a cheeky tongue-in-cheek track it would be '902' because lets face it, it starts off with a phone ringing, it's random, weird and perhaps should not have been, or should it? You decide.

Low-fi recording, gritty, ballsy and downright dirty is what springs to mind when indulging in the the 2015 promo by Russian Brutal Death horde Cerebral Abscess. You can imagine it, extremely guttural sounds, noises, you get the idea. That is just the vocals, the guitars are so thick they seem almost non-apparent and the drums are so low it is as if they were in a recording studio the size of a football pitch. Despite this, the track called 'Exterpation Of The Brain' does have its merits in that it stays true to the designated genre, it just does not warrant any re-listening. It falls short of being called music but does not fall short of being noise, it just falls on it's knees and has very few qualities worth noting. Bit of luck this is a promotional demo right?

France seems to have a love affair with the Progressive, Technical and Death Metal sub-genres as the latest installment in the genres metal history becomes real. 'Equanimity' is the second album by Pitbulls In The Nursery and it has enough bite to give you a severe case of 'headbangulitis'. Mixing sheer brutality and velocity with technical elements so precise, that even Einstein would not be able to figure them out. Taking the eccentric 'Insiders' and lengthy 'Your Dream's Not Mine', it is clear that the Pitbulls have got their vision for a refreshed Modern Metal well and truly recognized. If Gorod and Gojira were to produce offspring, Pitbulls In The Nursery would be the offspring you never saw coming, as they bring the apocalyptic, cataclysmic sound of full-on volatile metal to the forefront, you have been warned.

One of the latest releases by Wintercold is a single featuring two tracks, the first 'Paradise Is Not Here' is an instrumental and the second is a cover of Blitz's 'Razors In The Night'. Mastered once again by multi-instrumentalist Satanic Tony, this instrumental is loaded with enough doom and gloom to set the atmosphere straight, make the hairs on your neck stand up and position itself as a truly remarkable work of art. Standing at a whopping 14 minutes long, this instrumental will keep fans of Gothic Doom Metal entertained indefinitely whilst the cover offers a far more heavier and brutal side to the release; with of course Tony's infamous raspy, raw vocals. Limited to a run of 20 copies, this will be a sought-after single in the underground metal scene. 'Paradise Is Not Here' is without a doubt, a delightful listen.

Arguably the Czech Republic's answer to Switzerland's Eluveitie, purveyors of Folk-laden Melodic Death Metal. Four years since their debut album, it was inevitable that Cruadalach would return to splatter a second offering across the Folk / Melodic Death Metal spectrum, by infusing Bohemian folk sounds (or wider Slavic) with bouncy aggressive beats, this octet set the bar high for fellow Czech folk metal bands to do better. Whilst perhaps leaning towards more of a Pagan Metal sound, this does not detract the music from becoming related to perhaps the Russian or Ukrainian approach, but rather setting itself up as standalone approach. For the seasoned metalhead who is indulgent in folk metal and melodic death metal in-tow, 'Rebel Against Me' guarantees to wet your whiskers. Cruadalach will certainly maintain a cult following whilst building upon the 'Bohemian Folk Metal' sound.

As orchestrated as Fleshgod Apocalypse, symphonic as Rhapsody of Fire and elegant as Lacuna Coil, Winterage are the latest installment in the vibrant Italian Metal scene. Marching in with their debut album 'The Harmonic Passage', this inquisitive sextet utilize the majestic sounds of Power Metal with the gracefulness of Symphonic Metal to brood their own dramatic result. One that echoes the upper echelons of bygone operettas and modernizes the antiquarian nature of Italian renaissance masterpieces. In a nutshell 'The Harmonic Passage' is an honorable nod to the bygone years of classic opera, the already-veteran Italian Metal scene and lends itself as a path for new Symphonic Power Metal bands to follow. Lasting a sensational 70 minutes, this debut effort should draw attention from suited labels who would wish to take Winterage under their wings.

Flamedrop are probably that one band you never thought you would see coming, well embrace it because this Hungarian horde are here to stay. Mustering up a cataclysmic of thunderous riffs, ground-shaking drums and vocals so vicious, venomous snakes are set to become obsolete. This quintet's debut album 'Thoughts On Fire' certainly ticks all of the boxes that guarantee it to be an instant hit across Europe if not the Hungarian Metal scene, it is brim-full of power, heaviness, brutality and technicality. There is no doubt that the following release will have to be extra-special to knock this one for six, because by this effort if Flamedrop are not snapped up by a major metal label, then clearly there is something wrong with this industry; 'Thoughts On Fire' is an easy contender for Hungarian Metal release of the year.

Four years on from their excellent debut EP, Slovenia's Brezno have shown no signs of stopping by delivering their debut album 'Kri' released last year. Maintaining their devotion to singing in the Slovene language, the sextet make no mistake at making their first effort a memorable one. Remaining true to their roots, Brezno once again prove themselves to be a key part in the 'New Wave of Slovenian Folk Metal' alongside the likes of Zaria and Avven, with 'Kri' providing Brezno a platform to build upon, we may very well see more of this tight-unit. Alongside their early Bloodstock appearance, it is inevitable that sometime in the future they will make their return, well with 'Kri' as decent as it is, it would be a high demand for their return.

To think that Indonesia is the only South-East Asian to produce quality Thrash Metal is a complete understatement, take for example Dreaded Mortuary's second album 'Vulgar Way To Die', it has enough Slayer in it to make Slayer retire early. This 30 minute adventure offers listeners a brutal onslaught of the classic 80's Thrash Metal sound, full on fast music with enough brutality to make you crack your head open. But whilst this is a solid album in it's own right, it is nothing new and therefore might just appear to be another Thrash Metal release to many, but despite this it still packs a punch and then some. 'Vulgar Way To Die' certainly gives Dreaded Mortuary the upper hand in staking their claim as a successful Filipino Metal export, watch them with interest.

Be honest, Portugal is one of those countries that doesn't really get much attention when it comes to metal music with the exception of Moonspell. Take away the veil and you find a fired-up, pacey metal scene and it's bands like Waterland who keep it going. Take their third album 'Our Nation', it's sensational blend of Symphonic, Melodic and Power Metal gives it that so-called 'Epcot' feel, the sort of vibes experienced at the Disney park. Either that or the sort of sound that would give Portugal their long-awaited win at the Eurovision Song Contest. It is because of the contrasting sounds, that this album can be considered one of the best albums to emerge from the underground melodic / symphonic metal scene in years. 'Our Nation' can easily be considered a contender for Portuguese Metal release of the year, with it's emphatic transcending symphonies, bouncy melodies and majestic heaviness, there is no real room to argue against said statement.

Despite the effort displayed on the second album by Romanian Groove Thrashers Rezistor, it lacks that wow factor. 'By Any Means Necessary' constitutes as your average Groove / Thrash Metal release and so with that in mind, don't expect anything special. That said the composition is still a worthy listen, it just does not carry the ability to convince that it is a label-signing release. Given the album is 30 minutes long, it is a rather short, if not unexpected disappointment. The drums deal justice, whilst the vocals and guitars lack any authentic stamping-power, leaving the album to revel in the 'what-could-have-been' category. If Rezistor want to gain a name for themselves across 'By Any Means Necessary', this album is almost certainly not going to do it.

France's love affair with Symphonic Gothic Metal continues with Evolvent's second album 'Whatever Happens', following such a strong debut album (2011) and a below-par EP (2014) the anxiety of whether this album would be decent was on the table. Suffice to say, 'Whatever Happens' is a rampaging voyage across blackened symphony after blackened symphony, with tantalizingly erotic vocals and an electric atmosphere, it is clear that this album was built to cast away the band's demons. The result? Success. 'Whatever Happens' pays homage to the dramatic, the operatic and the atmospheric elements that form the foundation of the very Symphonic Gothic Metal sound, as for Evolvent this can be considered as their finest hour as they stand as one of France's unsung metal gems.

As far as emphatic sounds goes, Eyes of Gaia's debut album 'The Power Of Existence' positions itself right at the pinnacle of powerful, yet epic masterpieces. Seven years have passed since their inception and so the wait for their debut album was truly worth it, featuring the noticeable Maiden-esque vocals, blistering-paced drums and heavy riff Armageddon. That said, Brazil has had a rich past in the classic heavy metal arena so it comes as no surprise that this album features such characteristics. But taking this album as a whole, it shows that Eyes of Gaia have the ability to do well and excel themselves as a metal group worldwide with their infectious take-on the classic heavy metal sound. Watch this band with interest.

If you don't have a headache before listening to Helion's debut EP, you sure will afterwards. This filthy-rotten slab of Technical Death Metal wizardry is a testament to the sub-genre as it pummels out insanely fast drums, algorithmic riffs and vocals so brutal, Deathcore just became the new pop music. 'Duat's Calling' is the first offering by this Italian quartet and by jove it offers some elements of promise, it does however take some time to kick in. The only slight downside is that there appears to be too much going on at times and thus loses focus in becoming a respected debut EP. However diligence is soon paid off with an emphatic 12 minute epic that is 'Duat's Calling: The Cosmic Collision', a supersonic song that demands utmost attention. All in all 'Duat's Calling' may not be pretty, but it certainly is not the beast.

On the strength of their first EP 'Extinction Necromance', Canadian quintet Xul have their eyes on international recognition with their gritty-form of Blackened Death Metal. Maxing out at a whopping 30 minutes, this ferocious assault of blazing drums, raucous vocals and tight-as-a-nun's-arse riffs, collectively delivers a musical force to be reckoned with. Granted it is not as glorified as perhaps Behemoth or as dynamic as some of the Norwegian contingent, it does however offer a truly underground sound that would appeal to fans of Extreme Metal and ones who just like their meat, love it 100% raw. 'Extinction Necromance' is an important step for Xul, where they go now is one question, the other being can they surpass this effort with ease?

Last year saw the first demo by Dutch Prog Metal newbies Synergy Protocol, now whilst the band is new, the musicians themselves have been around for much, much longer. However their 2014 demo exhibits much of the old Prog Metal style and thus keeps the traditional aspects alive. Granted the recording is not at it's greatest and thus needs the volume turning up, but that's ok, because what greats you is a sensual yet erotic smacking of pure, crisp metal. Lasting for 22 minutes, this three-track effort certainly ticks the right boxes as a promising of things yet-to-come. Whatever this band does next is pretty much safeguarded for the expertise driving it, let's just see how their second offering pans out before seeing them as a resurgent Dutch force.

Arising as the East Anglian Death Machine, Daemona have no restrictions to their versatility as demonstrated on their debut demo "Il Demone Dentro", which is Italian for 'The Demon Inside'; the title of which was evidently crafted by lead vocalist Nina Pain. Executing a solid slab of Death Metal to wet your whiskers by is not always easy, but for this quintet it was simply taken in their stride. To think they are building themselves up to take on the mighty British Death Metal scene is an understatement, with this effort they have clearly demonstrated they are capable of slaughtering the globe with their chemically-engineered potion of destruction that is, 'Il Demone Dentro'. Watch this band with interest.

India in the last two decades or so has seen a surge of metal exports. But fast forward to the last few years and it's bands like Imperial Cult who bear the honor for leading the Indian Metal scene. This Black / Death Metal outfit spew out a sound that bears the hallmark of Asian extreme metal, low and raw recordings with that added attitude that seems to have been born with the Himalayan nations. If you love your metal as raw as cow hide, as dirty as satanic sluts and as brutal as mass genocide, then you are probably reading about the right release. 'Rise Of Yalamber' being the band's debut EP offers an insight into things yet to come, here's hoping they keep this power and grimness together for the years ahead, because this band offers a lot of potential.

Ensure that you are fit and well to headbang yourself to death when listening to Exalter's debut EP 'Democrasodomy', because it is one not to be taken lightly, in fact this is some serious shit. Bangladeshi Thrash Metal tends to get overlooked on the international stage and as a result gets largely ignored, but with Exalter's effort having enough fury to blow out a platoon of tanks, the only solution is to give this band your immediate attention. With infectious riffs rampaging like a thing possessed, drums providing the solidified backdrop and unforgiving, unrelenting and ungodly lashes of Slayer-esque vocals, it would be idiotic to disregard Exalter as a force to be reckoned with. 'Democrasodomy' is a testament to the 80's Thrash Metal onslaught and serves as a honorable yet leading release in the Bangladeshi Metal scene.

Looking beyond Portugal's sole export Moonspell and you come across a small-yet-burgeoning metal scene, one band in particular looks set to send out their own branded form of Speed / Thrash Metal to the masses. Speedemon is a four-piece beast who roars with such ferocity, we heard them over here in the UK, and their premier EP 'Firstblood' is to blame. Now whilst to some it may appear simply as another Judas Priest-Slayer mish mash, it does offer something special in that it is totally 100% original in composition - sure influences are clear enough, but at least the riffs are not recycled, and at least they don't sound like a cloned band. For a good solid 14 minutes, it is well worth checking this EP out if you get boners over Judas Priest especially, be sure to have the tissues ready... just in case. Speedemon are flying the flag for the Portuguese Metal scene.

Serbia's rich Thrash Metal heritage should be something to go by when considering fresh metal bands emerging off the streets. Kobold for example exploit the very expectations you would have for a Thrash Metal EP, chaotic riffs, infectious drums and gritty vocals. 'Madman's Overture' lasts for a respectable 22 minutes, with three tracks leading the charge. So if you asked for some Thrash Metal that is designed to crush your skull into nothingness, then you are reading the right review. The first outing for these chaps certainly yields promising times ahead and whilst the music delivers a rather rewarding, yet crisp satisfaction, the expectation for something better arises as a result. Given this was recorded in their own studio, the output is sublime in every aspect.

Upon listening to Ashtar's debut album 'Ilmasaari', you start to think to yourself 'where do i begin in thinking what my thoughts of this release are?', because simply put it is a thought-invoking and dank album that demands complete attention to it. This Finnish-Swiss duo pair up the depressive atmospherics of Doom Metal, the thick sounds of Sludge Metal with the embodiment of Black Metal to create a sound that is almost as if Sun O))), Kylesa and Woods Of Ypres had a threesome and produced offspring in the form of Ashtar. However whilst 'Ilmasaari' may not be in the ranks of awesome, it certainly has the potential to prick a few ears up and is sure to gain some attention across Europe, for now at least.