This comment refers to two elements of the film. The first comes from an informal talk where prof. Bauman’s says (in Polish):

“I don’t think I am going to leave behind something like the Bauman school for example, because in order to form a school of thought, you have to discover a method which distinguishes this school, and then any person who wants to do a Ph.D. has to prove that he can use this method adequately. This to me seems like schooling in conformism and in following a recipe, like unexperienced cooks who surround themselves with cookbooks and know (to add) 5 grams of that, 10 grams of that, here 5 minutes boiling, there 6 minutes etc. I’ve never created anything like that. What’s more, I think something like that would be against the sprit of the humanities.”

the second is a quote from “Modernity and the Holocaust”:

“...(the analysis) showed beyond reasonable doubt that the Holocaust was a window rather than a picture on the wall. What I saw through this window I did not find at all pleasing. The more depressing the view however, the more I was convinced that if one refused to look through the window it would be at one’s own peril.”

While filming I considered exploring views from various places where the Baumans lived and naming the film “The Bauman’s window”. Even though I abandoned this path something from that concept must have filtered through into the final version.

About me

I am interested in the lofty and in the mundane, in the metaphysical and in the hilarious too. My film work has recently dealt with bridging the fictitious and the documentary as well as with seeking connections between the abstract and the visual.
The projects are described at www.directing.com