"I guess in all my work I have consistently struggled against the documentary genre, from the inside. The camera’s dumb optic is intensely literal, yet the world is far from being simple. Air disasters, terrorism, the simulated nature of modern warfare, the martyr drive in Islamic extremism, the intangibility of Eastern Congo’s conflict – these are all subjects that are very difficult to express with traditional, documentary realism."

Issue #7 of RVM - RearViewMirror Magazine will be out on January 20, in which I begin collaborating with the magazine of documentary photography published by Postcart with an interview with Richard Mosse, who has just published his first monograph Infra with Aperture. The latest issue of RVM is titled "How hard can we push?", featuring a selction of works exploring different ways of pushing the boundaries, whether it is about the lives they depict, the places they show or the language they use - like the pink and red-toned Congo in Mosse's images, who in the interview tells us how he got to this form of chromatic extremism and shares his thoughts about the documentary genre.