****I obviously do wish that the vocoder cut out sooner than it did. It's not that I thoroughly dislike it, but when Frank's actual singing comes through here, it's like a warm, instant reminder of why I fell so in love with "channel ORANGE" 4 years prior. Otherwise I still think the production comes together really well here, even if it does seem to briefly slip into the Emile Haynie template, perhaps the real defining feature of 2012.