tune teller

Friday, July 8, 2011

I can still remember the exact moment when I became a Red Hot Chili Peppers fan.And I mean a diehard this is the band of my generation fan.I was in college and we decided to head to New Orleans for their annual Voodoo Music Experience Festival.I had been an avid listener of RHCP’s music for a while and was excited to see them perform.It was the last show of the night and after a day full of excitement (and beer) I decided a bathroom break was much needed before they took the stage.As I hovered over the vast pit that was the toilet in this port-o-john, in the pitch black mind you, I felt a wet sensation running down my leg.Needless to say by the time I was done I had voided all over my American Eagle blue jeans.As I made my way back to my friend in front of the stage with my wet jeans chaffing the entire way, I heard John Frusciante play that first chord and I immediately realized I was going to have to wait until this was over to change myself.Well, it was WORTH every cold moist moment.The show was like no other I had ever seen before.There was an energy that carried throughout the entire crowd an electricity that everyone felt.I walked away from that show a diehard, carrying the banner Chili Peppers' fan and even completely forgot that I had urinated on myself. Well done RHCP.

From their very first self titled debut in 1984 to their last studio album Stadium Arcadium in 2006 the RHCP have managed to constantly evolve while still maintaining who they are as a band.Not an easy task.With Josh Klinghoffer now on guitar (and joining the writing process) and Flea’s new found musical interest in piano (after taking classes at USC) we are certain to see more of this evolution in their upcoming album I'm With You.But with Rick Rubin behind the production wheel it is a sure fire bet it will still have that RHCP feel that made us fall in love with them in the first place. I can't wait, because well...I'm a fan.

First single “The Adventures of Rain Dance Maggie” expected release on July 18th.

Monday, June 13, 2011

Personally I feel music has hit a decline. It isn't what it used to be. In the days of the Baby Boomer's prime, music was more than just a song on the radio it was a lifestyle, a movement and it was thriving. So these days I am always looking for a musical saving grace and it just so happens I found one in Grace Potter and the Nocturnals. The band has been around since 2004, but with their self titled release last year they really hit the mainstream and saved many of us from the radio dominating likes of Kesha and T. Swift. The band is fronted by multi-instrumentalist Grace Potter who has the vibe of Grace Slick and soul filled vocals reminiscent of Ms. Joplin. Scott Tournet plays slide AND harmonica so obviously he is oozing with the most cool points, but coming in a close second is (gasp!) a girl bass player?!??? Catherine Popper. Benny Yurco rounds them out on electric and Matthew Burr, who founded the band with Potter, plays drums. The album was originally set to be a collaboration with the great T-Bone Burnett (which we hope will still happen at some point), but was produced instead by Mark Batson who is known for his work with Dave Matthews Band. Unlike DMB where every song tends to sound the same, Batson was able to capture the many different sounds and styles of the group, here you get it all: Blues, Rock and lots of Soul! The second single off the album "Paris (Ooh La La)" starts the record off running and it just keeps getting better.

I recently caught a live performance of the group at this year's Bonnaroo courtesy of http://www.vevo.com/ which streamed live at the festival. You can check out some of the footage by clicking HERE

Tuesday, May 17, 2011

You know when the music starts, before your mind registers what you're hearing? Your head starts to bob back and forth. Then your whole body starts to sway in sync. And right as the chorus hits your mind clicks in and you think "Damn! This is a good song!" I checked the CD case and it happened to be "Next Girl" by The Black Keys from their latest album Brothers. I had heard the band's name for years, but never took the time to really check it out. Shame on me. This is the sixth album from the group and a Grammy winning one at that. You know why I really like The Black Keys? Nope, not because the music is great. I mean you can't deny how awesome their blues base layered with different aspects of rock and intriguing lyrics are, but that's not why I REALLY like them. I really like The Black Keys because they are doing something that is unfortunately very rare in these dark days of music. They worked for it. They built a foundation of fans. They toured. They wrote songs. They played every chance they could get. They put out albums and when they didn't succeed they kept putting out more. Rare. Very rare indeed. The musical death trap that is this business brings people in, dresses them up, hands them a song and if it charts you're IN and if it doesn't well then you're OUT. I got a chance once to talk to the group's manager and he explained to me that the industry has it all wrong. That you have to build the project just like you would a house. And that takes time. And experience. And the Grammy on The Black Key's mantle has proven it works.

The album was produced by The Black Keys, in 2009, and recorded at the infamous Muscle Shoals Sound Studio among others. There is definitely magic in Muscle Shoals and I strongly urge readers to check out more information on the studio by clicking HERE.

Monday, May 9, 2011

Hendrix, Page, Clapton, Beck, Allman and Paul, these names ring a bell?Guitar Gods.Beings born with music magic firing from their hands.And these are just a small sampling of the guitar virtuosos of yesterday.The names of people who changed the sound of music with chord progressions, innovative amp inventions and most simply: style.These guitar ghosts of the past will live on through the legacy of their music. But what about us?Did my generation get jipped out of laying on the floor in complete darkness with a 33 spinning round and round as an 8 minute guitar solo slowly slips us into another dimension?Did we miss out on having jaw dropping and mind blowing concert experiences as our favorite band closes the set with an electrifyingly improvised guitar wailing finale?Just thinking about it brings me close to tears.Sometimes it feels like all we are left with are synthesized beats, albums filled with songs written with the same four chords and the question, “Where o Where have the Guitar Gods gone?” So for that, I give you these: Derek Trucks, John Frusciante, Joe Robinson, Jack White, Omar Rodriguez-Lopez, Tom Morello, John Mayer and Trey Anastasia.It is not dead and gone.It is not extinct.It is alive and well. You may not hear it on the radio or see them on TV or the cover of most magazines. But they are there. Playing. Creating. And still blowing our minds. To you future Guitar Gods: If you play it then we will come. Our sincerest thanks.

Thursday, May 5, 2011

Adele, who cites her first major musical influence as the Spice Girls and Rick Rubin, co-founder of Def Jam Records make an unlikely pair.But the first time I heard “Rolling in the Deep” on the radio, I thought ‘holy shit’ THIS is a song to be reckoned with.To be honest I didn’t bother much with Adele’s debut album 19.Not that I didn’t like it, but “Chasing Pavements” didn’t quite do it for me.It didn’t get me there.I guess 21 is the lucky number because Adele’s sophomore effort is a no holds bar mix of blues and soul that Rubin (among other producers) was able to paint on her perfectly.Surprised?I guess we shouldn’t be.Adele’s got talent and Rubin…well Rubin’s got diversity.Producing acts from Public Enemy to Slayer to Tom Petty to The Avett Brothers, he has proved there is not a genre he can’t make magic out of.So “abra-freaking-cadabra” he has done it again.This album has a solid blues foundation filled with many genres and time periods (much of which was contributed by Adele’s Nashville-based bus driver during a US tour) and most importantly Adele’s own unique style.The soulful singer gives nods to greats like Etta James and Wanda Jackson as influences to her saucy style and well with her witty banter and swearing she is following right in Jackson’s footsteps.Thanks Adele and Rick for giving us something good.Lord knows radio needs it.