The SFFaudio Podcast #327 – The Moon-Bog by H.P. Lovecraft; read by Martin Reyto courtesy of Legamus. This is an unabridged reading of the short story (24 minutes) followed by a discussion of it. Participants in the discussion include Jesse Willis, Seth Wilson, Jim Moon, and Juan Luis Pérez.

Talked about in this episode:
Title has a hyphen; published in Weird Tales in June 1926, but written for a St. Patrick’s Day event; most critics dismiss the story; most characters are nameless; no Cthulhu mythos; Greek ties to Lovecraft’s The Tree; H.P. Lovecraft Literary Podcast; thematic similarities to The Rats in the Walls and Hypnos; conflict between the bog goddess and her servants; frogs; moonbeams; Greek Pan pipes, not Celtic pipes; on the story’s un-Irishness; competing models of colonization; Protestant work ethic; Pied Piper of Hamelin; surviving narrator motif similar to Ishmael in Moby Dick; departure from the traditional Lovecraftian narrator; the poetry of Lovecraft’s prose, alliteration, etc.; Lovecraft’s Supernatural Horror in Literature; spoiler in Weird Tales art; the joys of reading aloud; Lovecraft’s Dunsanian story The Festival; architecture; Tolkien’s Dead Marshes and the gothic symbolism of bogs, etc.; Lovecraft’s descriptionn of cities in The Mountains of Madness and landscapes in The Dunwich Horror; The Cabinet of Dr. Caligari and similar impressionism in film; The Quest of Iranon; unreliable narrators à la Edgar Allan Poe, especially The Fall of the House of Usher; laughing; bog draining and the curse of the Tiddy Mun; the city of Bath and the intersection of Roman and Celtic cultures; John Buchan’s The Grove of Ashtaroth; this is actually a happy Lovecraft story!; Robin Hood and the defense of the land; humans destroy megafauna; Lovecraft’s The Hound; American horror trope of the Indian burial ground; the lack of Celtic mythology; will-o’-the-wisps; how does one drain a bog? Ask the Dutch; disappointment in scientific explanation for stories; the ruins and the Gothic tradition.

Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!

The SFFaudio Podcast #319 – Jesse, Julie Davis, Seth, and Maissa continue their journey through The Lord of the Rings by J.R.R. Tolkien with a discussion of Book III “The Treason of Isengard” (aka the first half of The Two Towers).

Talked about on today’s show:Lord of the Rings was published in three volumes instead of six volumes due to paper shortages; surprise, Jesse prefers shorter volumes; Ayn Rand’s thick books, and thin books like Anthem; pocket editions of The Hobbit; small books make us feel like giant Alice in Wonder characters; The Two Towers is the shortest volume, though Return of the King is bulked up by appendices; as a first-time reader, Maissa appreciated the quick pacing; Anthony Boucher’s review claims the volume makes “inordinate demands” on readers; overwhelming back history; the difference of reading review and reading for pleasure; reading at Shadowfax speed!; “hope is in speed”; the poetry of Tolkien’s prose; Anglo-Saxon influence on alliteration in Rohan speech; the beauty of Tolkien’s descriptions; Gimli’s descriptions of the caves; the illegitimate heirs of Tolkien can’t compete with Tolkien’s command of language; the Orcs as comic relief; three factions of Orcs set against the three races of runners; Legolas and Gimli working through their differences; evil by definition does not make alliances; Saruman’s cloak of many colors as a symbol of evil; the Orcs’ lack of coöperation; who is the wandering old man in the hat?; the contrast between the Orc draught and Ent draught, similar to Gandalf’s flask of Miruvor in Book II; the persistent symbolism of waters and drinking in this volume; similarities between Rohan and Anglo Saxon culture; linguistic parallels between the speech of the Rohirrim and Old English; “sister-daughter” and different familial relations in Rohan; the emerging importance of Éowyn; the underpopulation of Middle Earth; parallels between the Third Age of Middle Earth and Europe after the “fall” of Rome; Gondor = Rome to some Tolkien scholars; Dan Carlin’s Blueprint for Armageddon on World War I; the influence of World War I on Tolkien’s writing; flood and trench imagery of Orthanc recalls the devastation of World War I; Middle Earth (and the modern world) is in a time of transition; conversation with Éomer about the persistence of legends; “not we, but those who come after, will make the legends of our time”; people tend not to recognize they’re in a time of transition; Jesse deftly defines “Flotsam and Jetsam” for us and ties them into the book’s backward-looking and forward-looking symbolism; Tolkien’s love of etymology; action like the Ents’ storming of Isengard happens off-stage; Agatha Christie style foreshadowing with Longbottom Leaf; we don’t really care about Helm’s Deep; “Aragorn joined Éomer in the van”; horrible tree puns; Old Forest as the Fangorn of the West; we’re pretty sure the Entwives are hanging out there; the Elves are less interesting than Ents because the Elves are too perfect; the Elves talked the Ents into wakefulness; Shadowfax’s race of horses can understand the speech of men; the pre-speech age of human beings and Koko the gorilla; the Rangers are the detectives of Middle Earth; Voltaire’s Zadie and Poe’s C. Auguste Dupin from The Murders in the Rue Morgue; debate about existence of evidence for the Entwines–stay tuned to the next volume!; finding the Entwives = Mission Impossible (cue theme); the growth (in many ways) of Merry and Pippin; Gandalf’s foresight in allowing them to join the Fellowship; “they are the pebbles that began the avalanche of the Ents’ rising”; the three runners sped 220 kilometers in four days; it proved fortuitous that Pippin found the Palantir; the Palantir is FaceTime with Sauron; Merry and Pippin were key to Boromir’s redemption; return of the black swans–and the eagle!; Ariel in The Tempest by Shakespeare does all the work for Prospero, just like the eagles; Gandalf actually performs magic in “The Voice of Saruman” chapter; the voice in Dune; Gandalf takes over the council of wizards; the blue wizards aren’t present because they’re too “swear-y”; the recurring importance of choice; Tolkien is always on the side of free will; Aragorn’s decision not to follow Frodo; Palantir are the “seven stones” of Gondor’s flag; the Palantir is neither good nor evil; Palantir symbolizes communication of superpowers between the world wars, and the iconic red phone; The Victorian Internet by Tom Standee: the telegraph is the best thing since sliced bread; the lazy visual shortcuts that the movie takes with the Palantir and with Saruman’s influence on Théoden; The Man Who Never Was; meanwhile, Sam and Frodo are slogging through; the inevitable breaking of the Fellowship; the four elements in Gandalf’s death and resurrection; more Lovecraftian weirdness in the bowels of Middle Earth; Gandalf has changed; Norse worm gnawing at the roots of the World Tree; Treebeard as shepherd of the trees; “boom, boom, dahrar!; Net names tell the whole story of things; Freebeard’s bed isn’t for sleeping; Shakespeare’s disappointment at Shakespeare’s sleight-of-hand with the trees of Birnam Wood not actually coming to life in Macbeth; “fear not, till Birnam wood do come to Dunsinane” almost perfectly echoed in The Two Towers; nobody does Elves better than Tolkien; the joy Tolkien must have had writing about trees.

Yesterday I read the first publication of the first issue of a planned twelve issue comic book series entitled Providence.

Written by Alan Moore, and with art by Jacen Burrows, this is capital L literature in comic book form.

This is the Shakespeare of comics – with depths of horror and pathos virtually unparalleled, and exquisitely rendered.

Unlike great prose or even the magic of great poetry, comics allow for visual symbols, that, like the iconic images of film, can wordlessly move you, haunt you.

You will die soon. Your being is fragile. You have a very tenuous grip on this mote of dust, itself in orbit around a very dim candle, in an abandoned cathedral of stars spinning meaninglessly meaninglessly alone, and yet amongst all these billions of others alone in a vast universe of darkness, and though our ever-weakening grip on an existence that we, deep down, know will not last, there is a certain pleasure in seeing that doomed life reflected in great fiction.

I count myself lucky to live in a time when the great works of literature are as accessible as they are. And despite all the grey dross we must wade through to find that which we seek, there is something wonderful that happens when a work of such depth of quality is published within one’s own lifetime.

I urge you – do not miss the opportunity to experience Providence for yourself.

Below you will see that I have compiled a series of images from the first issue of Providence. In so doing I am picking up just one visual pairings that, when I noticed it, multiplied my depth of appreciation for this work of art.

Talked about on today’s show:
1915, Blackwood’s Magazine, a propaganda novel, the propaganda ministry, pro-empire, Buchan’s later job, Hitchcock’s The 39 Steps, the Orson Welles adaptation, Mercury Theater, Welles’ propaganda pieces, Nazis invading Canada (Nazi Eyes On Canada), ultima thule, if Operation Sea Lion had worked…, Nazis in Antarctica, Kerguelen Islands, Isle de Crozet, the coolest island ever, Jules Verne, why does our hero go to Scotland?, veldcraft, Greenmantle, Richard Hannay, the comic, Brian thought it was a riot, a brisk read, elegant prose, the BBC Radio documentary on John Buchan, judging everything, “subjective”, coincidences, sooo convienient, the human civilization, The Riddle Of The Sands by Erskine Childers, another sneaky German plot, the Patrick O’Brian books, the invasion novel genre, mining British harbours, u-boats, a shocking incident, Scapa Flow, Winston Churchill, Rogue Male by Geoffrey Household is the WWII version of The Thirty-Nine Steps, Constantine Karolides, war was inevitable, popular in the trenches?, Hannay eats well on the run, cliffhangers, Adrian Praetzelis, a semi-bald archaeologist, Jesse’s dream theory, tired of London …. not enough exercise … lo and behold a murder plot… sleep and dream and wake, a Freudian sense of everything being really nearby, the climax became surreal, Do Androids Dream Of Electric Sheep?‘s fake police station, how to deal with those in between, The Prisoner Of Zenda, “honestly this is impossible”, boys own adventure, James Bond, Dracula, how do these things work in detail, I’m pretty good with disguise, a sign of good writing, villain to do lists, don’t lock the hero in a room filled with explosives, act like you belong there, the roadman scenes, the milkman was a precedent, disguise as psychology, ridiculous of imposture, the speaker at the liberal candidates meetings scene, Australia or free-trade, Asquith, Liberals, free-trade within the empire, as satisfying as a mortician, the eloquence of an emigration agent, a ripping speech Twizden, Hammond, something that always changes is the meaning of the title, the Black Stone (Schwartz Stein), when you’re Lord Tweedsmuir…, Jonathan Harker, ordinance survey maps, the corridors of power, having the power of the British Empire at your back, the reward, doubt about British command, yesterday 100 years ago, the Gallipoli campaign, unilateral disarmament, the secret pact, the French are hyper-competent, playing along, just go over the top, your reward is to go to the Western Front, Greenmantle is the direct sequel, the supremely confident at veldcraft, the Germans had found a Muslim prophet, Islam as a powder-keg, the Mesopotamian campaign, a very personal battle while armies clash, a secret history, Jonathan Strange & Mr Norrell by Susanna Clarke, The Duelists by Joseph Conrad, His Majesty’s Dragon by Naomi Novik, The Red Panda Adventures by Gregg Taylor, Scott Pilgrim Vs. The World, Captain Canuck, Declare by Tim Powers, Kim Philby, Brian’s WWI kick, the Eastern front (Turkey vs. Russia), Duel For Kilimanjaro: Africa 1914-1918, Paul von Lettow-Vorbeck, the opening antisemitism (an international banking conspiracy) is just a smokescreen, crazy conspiracy theories, you only believe the unbelievable tale, a wink to the audience, The Protocols of the Elders of Zion, The United States Of Paranoia by Jesse Walker, the “stab in the back theory”, conspiracies, the Black Hand, seeing the novel in its context, period magazines, stepping into a time machine, having perspective, don’t have secret treaties with France, a landward in Asia, The DaVinci Code, The Grove of Ashtaroth, the Canaanite goddess, Rhodesia, clearing of the land, a weird fiction version of colonialism, Buchan wrote 101 books, Witch Wood (BBC Radio drama), big in to Buchan, Huntingtower, Mr Standfast, The Wasteland by T.S. Elliot, Lovecraft’s parody “Wastepaper”, a pre-modern guy, unthinking ideas, a moral victory over the enemy, panache or élan, Memory Hold-the-Door by John Buchan, Canada’s current Governor General (David Johnston), Hillary Clinton’s autobiography, “chloroform in print”, Mark Twain, Fred’s novel is in beta (The Devil’s Dictum), wait fifty years and read the Wikipedia entry, our assessment of things, Shakespeare was too sad or too gory, why teach Julius Caesar? because it has no sex, the Hugos blew up, Ancillary Justice, changing the markets, Bowdlerizing the past, The Tempest, classic science fiction info dump, Miranda is falling asleep, Mr Jim Moon’s take on The Thirty-Nine Steps, the mystery run-around, the Jason Bourne films, stalking on-the-run travelogue format, Ian Fleming, Dennis Wheatley, a British form of pulp, adaptations, North By Northwest, the 2008 TV adaptation the u-boat in a loch, Alfred Hitchock, The Man Who Knew Too Much, The Ring, the lack of women, adding women, shoveling women into adaptations, it’s all for Fred’s mom, there’s a gun in the pram, Hannay has an afro in the 1978 adaptation, the ministry of espionage, Mr Memory, the comics adaptation, a bridge to far, The Private Life Of Sherlock Holmes, with access to itching powder…, expansive imagination, in the Twilight books the heroine is a complete cipher, WWI books, WWII books, Armed Forces Editions, the post war interest in H.P. Lovecraft, Jack Vance in the South Pacific.

The SFFaudio Podcast #316 – The Golden Man by Philip K. Dick; read by Mike Vendetti. This is an unabridged reading of the story (1 hour 15 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, Paul, and Mike.

Talked about on today’s show:
1954, The God Who Runs, bad titles, Next, Homo Aureus, The Man In The high Castle (TV series), hashtag marketing, an episode of The Twilight Zone, the film adaptation, Knowing, a working train-wreck, the main character has no sapience, autism, the diner scene, not just an exposition scene, the fake salesman, a lady with 8 boobs, shades of Total Recall, he’s looking for Jews, the secret police, the DCA are the secret police, the locals protect the mutant, Philip K. Dick:

“Here I am saying that mutants are dangerous to us ordinaries, a view which John W. Campbell, Jr. deplored. We were supposed to view them as our leaders. But I always felt uneasy as to how they would view us. I mean, maybe they wouldn’t want to lead us. Maybe from their super-evolved lofty level we wouldn’t seem worth leading. Anyhow, even if they agreed to lead us, I felt uneasy as where we would wind up going. It might have something to do with buildings marked SHOWERS but which really weren’t.”

what we did to the neanderthals, this is super X-Men, the John W. Campbell mutants vs. the Philip K. Dick mutants, House Of M, for those who are not Tamahome…, Spider-Man trying to “pass” as a mutant, the Scarlet Witch can re-write reality, to the beginnings of the superhuman genre, the origins of Superman, powerful superheroes are going to save us, Astounding -> Analog, John W. Campbell was obsesses with psychic powers being a science, mutation as evolution up, Slan by A.E. van Vogt, “fans are slans”, a lot of stuff going on, looking into the future, this so isn’t a movie, they just put a golden tint on the film-stock for Next, single word titles, Audible ratings, a story that is repulsive to everybody, we are the monsters, Audible’s return policy, Mike grew up in the Cold War era, Mutual Assured Destruction, no real external threat anymore, the Soviets have their own DCA, all the “deves” are getting “euthed”, Cris Johnson is the character’s name in the book and the movie, Dick was really interested in what happened in Nazi Germany, the atomic war caused all these mutations, the diner scene again, they’re everywhere!, the Johnson family seem to love Cris, he’s got the James Bond gene, women can’t resist, the unfaithful wives (and husbands), the crappy Wikipedia summary, can they sterilize everybody, they know this is the end, Cris can never be outmaneuvered, the whole last 40 minutes of Next didn’t happen, the movie does a good job of illustrating how Cris’ super-power would work, Groundhog Day, computer save gaming, because Cris can’t talk…, how we interact with NPCs in computer games is how Cris is interacting with everyone around him, we’re all sort of trapped like that, marketing it as a X-Men or superhero type story, imaging a dollhouse and all the different possibilities he could do, Philip K. Dick is Mr. Innovative, a chilling world that’s pretty much like ours, a very ’50s feel in terms of the country and random energy shields, the X-Men explanation for mutation (atomic bomb testing), The Crawlers by Philip K. Dick, the golden man is beautiful and the crawlers are ugly, the crawlers have their own agenda, they are not seen as human, Harlan Ellison, a mutant psionic, The Skull by Philip K. Dick, “we met the enemy and he is us”, the mutant theme has dried up in SF, Deus Irae, an armless and legless hero, Tibor McMasters, a huge sense of pathos, “how come people are such assholes”, The Turning Wheel by Philip K. Dick, White Man’s Burden, what if we would have lost the war (WWII)?, Cañon City, Colorado, Mike is the man in The Man In The high Castle again, Nazis vs. Imperial Japan, the American occupation of Japan, Two Dooms by C.M. Kornbluth, occultist, even more surreal than Dick, we’re number 1 and their number 10, the werewolves (post-war German resistance against occupation), going to the movies, after the atom bomb, you never saw the Hollywood movie where the Americans invade Russia (the reverse of Red Dawn), the ridiculous premise behind the remake of Red Dawn, North Korea, auto-immune disease, the acronym-itis that sinks the ship, government conspiracies, aliens, Mexicans are aliens?, what?, what would happen if the Americans left California, don’t spread that rumor, Pacific Edge, the California drought, Washington and Oregon, archetypical Dick, A Canticle For Leibowitz by Walter M. Miller, to quote Solaris, Dick is wise, if humans go on as Cris Johnson, this is why people are upset that their kids are autistic, he is in a sense “superior”, ok you say you want a superior being… how do you like that John W. Campbell, he’s a golden god, the Steve McQueen of mutants, a swelling torrent of sheer force!, are they having sex?, cigarettes as symbols, explicit sex, a seduction, is she going to be the mother of dragons?, Genghis Khan style, Cris is unique (for now), dumb feral cubs, dominant or recessive, there is no hope, it won’t be us, grinning wryly, In The Mouth Of Madness, every species can smell its distinction, man will be a myth, one perfectly adapted animal, more of a threat to the men than it is to the women, Species, a female golden man, that’s why you have the mutants with the eight breasts, what do you think of that? what do ya make of this?, a litter of kids needs eight arms, turning people into animals, rats, subhumans, what do ya make of that?, he’s covered in fur, how does he put on pants?, he’s like a peacock, Hyperpilosity by L. Sprague de Camp, why peahens choose peacocks with the longest tails, peahens want their male offspring to be attractive to peahens, they’re going to breed us out of business, The Turning Wheel (again), racism, H.P. Lovecraft, it’s an act!, there are mutants all around them, he’s one thing in the restaurant he’s another to the cop, a super-secret agency that everybody knows about and talks about, every family is hiding a mutant, FBI agents infiltrating anarchists groups, ATF Operation Fearless, Kafka by way of Dick, the NRA, welcome to America, Anita, sexism, nobody is clean in this fight, Cris ruins the horseshoe game (by way of saying goodbye?), a repulsive attractive powerful story, Cris’ mom, Cris’ dad, how could this story have been adapted otherwise, a stupid plot, why do the French want to blow up Los Angeles?, the movie is a train-wreck and yet…, Juliane Moore’s character is a monster, she’s driven, strapped to the Clockwork Orange chair watching CNN, that’s burying the lead, the two minute rule, he’s got no past, you have to have a past to decide what you’re going to do in the future, his present is our future, the movie has lots of problems, what was the “next” card, domestic rendition, there are people, don’t ask this question, Cris doesn’t need to speak because speaking is for planning, he’s just an animal, you have to have a past to plan.