As director of the Jazz at Lincoln Center Orchestra, Wynton Marsalis defends a certain idea of jazz: exacting yet festive, modern but also close to its roots. This illustrious ensemble joins forces with the Orchestre de Paris.

Grande salle Pierre Boulez - Philharmonie

As director of the Jazz at Lincoln Center Orchestra, Wynton Marsalis defends a certain idea of jazz: exacting yet festive, modern but also close to its roots. This illustrious ensemble joins forces with the Orchestre de Paris.

A twenty-first-century Leçon de Ténèbres thanks to Stefano Gervasoni, the enigmatic texts of Leonardo da Vinci set to music by Beat Furrer, the breaths and whispers of Kaija Saariaho’s work—in a concert of voices...

Salle des concerts - Cité de la musique

A twenty-first-century Leçon de Ténèbres thanks to Stefano Gervasoni, the enigmatic texts of Leonardo da Vinci set to music by Beat Furrer, the breaths and whispers of Kaija Saariaho’s work—in a concert of voices...

A tribute to gambling, drink and the pleasures of the flesh, the Carmina Burana, Carl Orff’s most famous work, was based on pagan texts written in Latin, French and German, inspired by the fleeting nature of life and the fickleness of fate.

Grande salle Pierre Boulez - Philharmonie

A tribute to gambling, drink and the pleasures of the flesh, the Carmina Burana, Carl Orff’s most famous work, was based on pagan texts written in Latin, French and German, inspired by the fleeting nature of life and the fickleness of fate.

A tribute to gambling, drink and the pleasures of the flesh, the Carmina Burana, Carl Orff’s most famous work, was based on pagan texts written in Latin, French and German, inspired by the fleeting nature of life and the fickleness of fate.

Grande salle Pierre Boulez - Philharmonie

A tribute to gambling, drink and the pleasures of the flesh, the Carmina Burana, Carl Orff’s most famous work, was based on pagan texts written in Latin, French and German, inspired by the fleeting nature of life and the fickleness of fate.

Since the first masterpieces in the genre emerged three centuries ago, the string quartet has been a fascinating laboratory for composers—as illustrated by these three works, with a premiere by the inimitable Henry Fourès as a bonus.

Le Studio - Philharmonie

Since the first masterpieces in the genre emerged three centuries ago, the string quartet has been a fascinating laboratory for composers—as illustrated by these three works, with a premiere by the inimitable Henry Fourès as a bonus.