Masked with a hood and a fake nose, the performance was about building a temporary sculpture during a normal cocktail, using it as a huge stage to conduct music in silence and sing on the top while Max Frank was pumping up dozens of colorful ballons.

Then, Porsperger continued to mix classical music in the vernissage and sang walking in the middle of the public with a wireless microphone.

In the frame of the conference Is Art a Lie, organised by SOFAM, curated by Tania Nasielsky.

Porsperger produced a performance of 30 minutes on the roof of a kind of beer machine (“Auxiliaire”, concept by Projet Diligence) conducting music in silence, playing records with a typical sixties’s record player, reading some short extracts of Mein Kampf and singing Cold Song and Mozart.

Performance « The Invisible Concert » | For his first performances in public space, Porsperger choose the romantic kiosk of music located in the french designed Royal Park of Brussels. For one of them hi invited some dancers to improvise on the mix | Brussels | 2003

“Non Place” is about separation between people & using media as a metaphor for that separation and how our ability to completely immerse ourselves in each others echoes as a perfect analogy for how we are immersed in but separated by media.

Performance « The Invisible Concert » | Second edition of Classical Music in the middle of skyscrapers. The place, usually full of noisy car-traffic is for the second time cradling in a dream | Brussels | 2004

2053 NUCLEAR CONDUCTOR

2011 | 17 minutes | performance

Performance in memory of human nuclear history : preparation of the body with wet ashes while singing a cappella some baroque songs then conducting the Beethoven’s 9th Symphony 1st movement surrounded by explosions from a short movie showing the 2053 nuclear tests done since 1945.