Top officials of countries involved in the Trans-Pacific Partnership (TPP) are convening in New Zealand today to sign the final agreement. But really this ceremony is just a formality. We knew since November, from the day they announced a completed deal and made the text public shortly thereafter, that they would do this. These officials have not been accountable to the public. They have remained steadfast in excluding public participation and ignoring all calls for transparency over the more than five years of TPP negotiations. Because of this opaque process, trade negotiators were able to fill the agreement with Hollywood and Big Tech's wish lists of regulatory policies without having to worry about how they would impact the Internet or people's rights over their digital devices.

The House of Commons Science and Tech Committee has published its report on the draft Investigatory Powers Bill, influenced by comments submitted by 50 individuals, companies, and organizations, including EFF. The report is the first of three investigations by different Parliamentary committees. While it was intended to concentrate on the technological and business ramifications of the bill, their conclusions reflect the key concern of lawmakers, companies, and human rights groups about the bill’s dangerously vague wording.

If copyright is to succeed in promoting the creation and dissemination of culture, then it needs to address the diverse needs of creators, fans, and critics. Copyright law achieves this in some jurisdictions through policies such as fair use, but more often than not it fails to address the concerns of anyone who isn't a copyright holder. Much of the blame for why copyright grows increasingly out of touch with how people experience culture lies with a lack of transparency in, and industry capture of, copyright policymaking.