I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!

Second Edition
of Previously Unreleased Live Recordings Feature John Mayall, Peter Green, John
McVie and

Mick Fleetwood

LOS ANGELES, CA – Prompted by the critical and commercial
success of the 2015 release of previously unavailable live recordings from
newly-elected Blues Hall of Fame inductee John Mayall and his classic 1967
Bluesbreakers band, Forty Below Records has announced a second batch of
recordings to be released on May 6. Titled John Mayall’s Bluesbreakers–
Live in 1967- Volume Two, the new CD continues the archival blues path
blazed in Volume One that captures heralded performances of one of the best of
the Bluesbreakers band lineups, featuring iconic musicians John Mayall (vocals,
keyboards, harmonica), Peter Green (lead guitar), John McVie (bass) and Mick
Fleetwood (drums). Distributed by Sony/RED, John Mayall’s Bluesbreakers –
Live in 1967 – Volume Two showcases a legendary group of players who
while only together a short three months, created a lasting legacy, made an
immense impact on music and led to the formation of one of the most acclaimed
groups of all-time when Green, McVie and Fleetwood left to form Fleetwood Mac.

Produced by John Mayall (who also did the cover package
photography, artwork and design) and Forty Below’s Eric Corne from one channel
reel-to-reel original tapes recorded by Tom Huissen, John Mayall’s
Bluesbreakers– Live in 1967- Volume Two contains performances recorded
in the Spring of 1967 at such well-known London venues as Bromley, The Marquee
Club, The Ram Jam Club and Klook’s Kleek.

“I am so happy that the remaining usable tracks from these
London club dates have been released as a follow-up to the well-received Volume
One,” says John Mayall about the new album. “Peter Green as before is on fire
throughout and this set includes a great instrumental based on his composition,
‘Greeny.’ There are a couple of Otis Rush tracks that were included on the
first volume, but they are from different venues and totally different. I
couldn’t possibly let these slide. Also, there is another version of
T-Bone Walker’s 'Stormy Monday’ that is sung by Ronnie Jones, who would
frequently sit in at our gigs. John McVie gets in a great bass solo on ‘Chicago
Line’ and Mick Fleetwood drives the whole set with his unique and powerful
drumming. With these new tracks added to the collection, it pretty much
features all the material we had in our repertoire at that time and I’m very
glad that you can now enjoy this great piece of rock/blues history.”

Volume Two showcases three John Mayall originals including
the opening track, all-time blues classic “Tears in My Eyes;” “Chicago Line;”
and “Please Don’t Tell,” a great example of the power blues sound The
Bluesbreakers were revered for around the world. These historical
performances were captured for all time and largely unheard for almost fifty
years until John Mayall recently obtained the tapes and began restoring them
with the technical assistance of Eric Corne. Speaking about the tapes, Corne says,
“While the source recording was very rough and the final result is certainly
not hi-fidelity, it does succeed in allowing us to hear how spectacular these
performances are.”

The Bluesbreakers live sets at the time of these
performances included songs that had originally appeared on the first two band
studio recordings with Eric Clapton and Peter Green, respectively, holding down
the guitar chair in the group, as well as some that would soon be recorded for
the third LP, Crusade, by which time Green, McVie and Fleetwood
had left to start Fleetwood Mac and the new guitar player was a young,
then-unknown Mick Taylor, who would later go on to further fame and glory as a
member of The Rolling Stones.

Of the new album’s 13 tracks, three are songs that first
appeared on Volume One, although these new tracks included here were recorded
on different nights and ably demonstrate how improvisational the band could be
infusing a different feel and tone from night-to-night. Of particular interest
is the inclusion of the version of “Stormy Monday,” which features special
guest vocalist Ronnie Jones, a former American serviceman and original member
of the first incarnation of
Blues Incorporated, a contemporary band to the Bluesbreakers, which included
Alexis Korner, Cyril Davies, Jack Bruce and Ginger Baker during its lifetime.
Another highlight is the Peter Green instrumental, “Greeny,” which perfectly
states the case for why he is still revered as one of the best-ever
guitarists.

Disclaimer

The music, videos and photographs seen and heard on this site are meant to enhance the enjoyment of the articles and the reader's overall experience. Our intention is to honor the artists that interest us by exposing their creativity to the masses. If you like the music you hear, I urge you to support the artists by attending their performances and/or purchasing their music. If you hold the copyright to any of the materials on this site and would like us to remove same -please contact us.

Submissions

You can always submit any cd's for review or update me on your current events. Please feel free to contact me at Bman's Blues Report 4350 E Camelback Road, Suite G250, Phoenix, AZ 85018 or by email at Info@bmansbluesreport.com