I don’t mean to start off this countdown on a sad note by mentioning the loss of fellow puzzler and Penny Dell colleague David Lindsey. But it was an incredibly rewarding experience to talk to those who knew him better than I did, and put together a memorial piece in his honor. I learned so much, and it was a valuable part of the healing process for all of us. I had two different opportunities to get to know David, and that’s a rare gift.

Puzzle history, codes, and wordplay are three common topics around here. So when I found a story that neatly covers all three, I simply couldn’t resist. Although this one is more conspiracy theory than verifiable puzzle history, it was great fun to do a deep dive into the ongoing debate surrounding Shakespeare’s identity and put a puzzly spin on the subject. The research alone made this one worthwhile.

Every year, one of my favorite activities is putting together our Holiday Puzzly Gift Guide. I get to include the best products sent to me for review by top puzzle and game companies, mix in some of my own favorites, and draw attention to terrific constructors, game designers, and friends of the blog, all in the hopes of introducing solvers (and families of solvers) to quality puzzles and games.

Sadly, crosswords in general, and New York Times crosswords in particular, have a reputation for being stodgy, steeped in arcane vocabulary, obscure facts, and antiquated cultural references. As part of the ever-evolving narrative surrounding cultural sensitivity — not just ethnic, but in terms of gender and sexuality as well — it’s important to do more than acknowledge the debate. You have to participate in it.

#6 Puzzles in Unexpected Places

One was tucked away on a university website. Another sat in plain sight on a tombstone. The third came to light in a music fan’s collection. What did all three have in common? They represented a simple fact: puzzles are everywhere, a part of the cultural fabric in innumerable ways. I’m cheating a bit by mentioning three posts here, but they all fit the pattern. And it’s so much fun to discover puzzles in unexpected places.

April Fools Day pranks are an Internet tradition at this point. Some websites go all out in celebrating the holiday. (Heck, ThinkGeek has started using the holiday to tease the public’s interest level in “fake” products, going on to actually release some of those April Fools pranks as real items later in the year!)

So when the idea was floated for PuzzleNation to get in on the pranking fun, I couldn’t resist. The result — Puzzles for Pets — was as layered as it was silly, complete with fake quotes, splash pages, and more. I even got my own dog, Bailey, in on the gag.

Bringing a puzzle-solving mindset into other social activities has always been a passion of mine. I’ve written in previous blog posts about using my puzzly experiences in designing murder mystery dinners and other events. This year, I had the opportunity to try my hand at designing an escape room-style experience for a friend’s birthday, and sharing some of what I learned with you was a genuine treat.

#3 ACPT, New York Toy Fair, and more

There are few things better than spending time with fellow puzzlers and gamers, and we got to do a lot of that this year. Whether it was supporting new creators and exploring established companies at New York Toy Fair or cheering on my fellow puzzlers at the American Crossword Puzzle Tournament, getting out and talking shop with other creators is invigorating and encouraging. It really helps solidify the spirit of community that comes with being puzzly.

I mentioned puzzle history as a frequent blog post topic in #9, but recent revelations by government agencies in both the United States and Great Britain have allowed puzzlers greater access than ever before to the history of codebreaking over the last century or so.

In fact, so much information has come to light that I was able to do a three-part series on the history of the NSA and American codebreaking post-World War II. This was a labor of love that took weeks to put together, and I think it’s some of the best work I’ve ever done for the blog.

There’s nothing more exciting than getting to announce the launch of a product that has been months or years in the making, so picking #1 was a no-brainer for me. It had to be the announcement of Daily POP Crosswords.

But it’s not just the app, it’s everything behind the app. I’ve had the opportunity to introduce you to several of the terrific constructors we’ve recruited to make the puzzles as fresh and engaging as they can possibly be, and you’ll get to meet a few more in the weeks to come.

It may sound self-serving or schlocky to talk about our flagship products as #1 in the countdown, but it’s something that we’re all extremely proud of, something that we’re constantly working to improve, because we want to make our apps the absolute best they can be for the PuzzleNation audience. That’s what you deserve.

And it’s part of the evolution of PuzzleNation and PN Blog. Even as we work to ensure our current products are the best they can be, we’re always looking ahead to what’s next, what’s on the horizon, what’s to come.

Thanks for spending 2017 with us, through puzzle scandals and proposals, through forts and festivities, through doomsday prepping and daily delights. We’ll see you in 2018.

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Adrianne Jeffries makes a strong case for how out-of-touch the crossword often seems these days:

…the Times crosswords, which have been edited by the famed crossword giant Will Shortz since 1993, are vexing for how outdated some of the clues and answers are, especially since in some cases the terms have been abandoned by the paper itself. The puzzle clearly isn’t seeking new talent or a new audience, and in its stodginess, it becomes clear that it is composed for a very particular reader with a very particular view of the world.

She backs up her supposition with numerous examples of tone-deaf cluing and grid fill, like ESKIMO, Oriental, and SISSIES.

There is some overlap with Ruth Graham’s points from last year — including the reductive use of HOMIE regarding black culture and the clue “One caught by the border patrol” for ILLEGAL — and Jeffries went on to include examples of the issue I raised last year with the objectionable “This, to Juan” cluing style that abounds in crosswords.

But she takes things one step further than previous efforts by pointing out how the crossword is out-of-step with the rest of the New York Times newspaper, citing the year that various terms were marked offensive in the Times style guide. (“Oriental” as a descriptor, for instance, was banned in 1999.)

It’s disheartening that articles like this are so necessary. Women and people of color deserve better representation in the Times puzzles, both as contributors of puzzles AND as subjects of clues and entries themselves.

I also found an exchange from 2011 illuminating. Shortz asked puzzle constructor Elizabeth Gorski to change an answer on her submitted puzzle. “There was one thing about the construction I didn’t like, and that was at 35 Down,” Shortz told The Atlantic. “The answer was LORELAI, and the sirens on the Rhine are of course ‘Lorelei,’ with an ‘e-i.’ Liz’s clue was Rory’s mom on Gilmore Girls, and I didn’t think solvers should have to know that.” He had the constructor revise the answer to make it 1) more old and 2) refer to mythical women who are so distractingly beautiful that they cause men to crash their ships on the rocks, instead of, a cool mom from a television show that millions of women (and some men) love.

Even as a (relatively) younger voice in puzzles, I can’t deny many of her points. Puzzles should do a better job of acknowledging modern culture, of serving as a tiny, daily time capsule of our world.

As I said last year, crosswords are a cultural microcosm, representing the commonalities and peculiarities of our language in a given time and place. They represent our trivia, our understanding, our cleverness, our humor, and, yes, sometimes our shortcomings.

One year later, I wonder if progress will continue to feel so gradual, or if, sometime soon, we’ll begin to feel the cultural quakes and shifts that indicate real change is approaching.

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