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Gender parity and multiculturalism are on the program at this year's Cannes Festival. Pierre Lescure and Thierry Frémaux have done their homework and they've taken the temperature. Quite right!
This year’s program, which we reported on on April 18th after attending the press conference here in Paris, is gleaming with talent and may even earn the Cannes Festival a Nobel Peace Prize, with women ... more >

Kelly Reichardt likes uncomplicated. As early as when “Wendy and Lucy” came out her films have testified to her ultra-sharp minimalism and efficiency. “Night Moves,” a genre film in which three environmentalists (they're David Koresh league, but for the tree-hugger set) conspire together to blow up a dam follows the same ethos of subtlety.
In lieu and place of a psychological drama about ... more >

Meek’s Cutoff defies easy description but if you can imagine an adaptation of the video game “Oregon Trail” being directed by Terence Malick you’ll be in the ballpark. It’s a beautifully-shot but languidly-paced, thinly-plotted Western that is light on character, even lighter on dialogue (there’s practically none for the first ten minutes), and heavy on atmosphere. You can probably already tell ... more >

After working on small films for more than a decade, Kelly Reichardt has awakened to find herself a hero to an American indie scene in need of one.
With her latest two films, Old Joy and the recent Wendy and Lucy, she has firmly stamped the American cinema with her own distinct voice and style. I’ll tentatively call it “plotless films in well-forested places.” As Hollywood still sees women as ... more >