PAGES

Monday, July 1, 2013

Today's guest post is by Jacqueline Green, author of TRUTH OR DARE. She's worked in the children's publishing industry in both marketing and editorial, but is now a full time author. The checklist she uses for novel openings is an excellent tool, and we're thrilled that she's here to share it with us today!

Advice for Openings

by Jacqueline Green

The only thing worse than a blank page at the beginning of a chapter? A blank page at the beginning of the first chapter. There is little that terrifies me more when writing than the opening paragraph of a book. In a very short amount of time, you need to establish your setting, distinguish your protagonist—oh and accomplish that tiny act of irreversibly hooking your reader.

It’s a lot of pressure, and my first instinct is always: run! Skip to the next chapter, or page, or even just the next paragraph. But a book can’t exist without a beginning, which means eventually I always have to face my fear. So I do what always do when I’m scared. I make a list. A check list, to be exact.

There is just something about neat, orderly points, all lined up in numerical order, that helps the panic to subside. When you look at the big picture, writing a beginning can seem completely overwhelming. But broken down into smaller, fragmented pieces? Not as bad. It’s like taking a fang-bearing, claw-swiping lion and looking only at its furry tail.

When I sit down to tackle a beginning, I use the same check list every time:

1. Does the opening make the reader feel? It could be fear or humor or sadness or excitement—just something.

2. Does the setting come to life? Does it establish itself as unique and/or appealing?

3. Is there catchy dialogue? Does it work to establish the protagonist’s personality?

4. Are we thrown immediately into heart-racing, break-neck action?

5. Do the character’s thoughts distinguish him or her as someone interesting and unique—someone you’d want to read more about?

6. Is the character’s “want” established? (In other words, does the reader learn quickly what the protagonist’s main desire in the book is?)

7. Is the mood of the book instantly recognizable? i.e. Can the reader tell if he or she is in for a funny story, or a scary story, or an action-packed story?

My theory is that if I can answer yes to at least three out of those seven questions, then I’m on my way. And more importantly, so is my book.

My experience with TRUTH OR DARE

The opening for TRUTH OR DARE presented me with a challenge. The book centers around a series of threatening, anonymous dares received by the main characters. The dares propel everything: they launch a mystery and cause the girls lives to unravel. They’re at the root of all the fear and excitement and dread that abound in the town of Echo Bay. But the book opens before they begin.

How could I capture the real tone of the book when Sydney, the first character featured, doesn’t yet have any idea what’s in store for her? I knew I could do other things: seed angst from her daily life, establish her personality, explore the haunted feel of the book’s beachside town. But was that enough to hook readers, to truly give them a sense of what’s to come?

My editor and I decided that, in this case, a short prologue would be the perfect solution. It could take place in the future and show the aftermath of the dares: someone is dead! That way, from page one, the reader immediately knows just how high the stakes will get.

Favorite Openings

Walking to school over the snow-muffled cobbles, Karou had no sinister premonitions about the day. It seemed like just another Monday, innocent but for its essential Mondayness, not to mention its Januaryness. It was cold, and it was dark—in the dead of winter, the sun didn’t rise until eight—but it was aloes lovely. The falling snow and the early hour conspired to pain Prague ghostly, like a tintype photograph, all silver and haze.
—Daughter of Smoke & Bone by Laini Taylor

I loved this opening paragraph. Right away we get a sense of the setting, the author’s beautiful writing, and the idea that something big and sinister is about to happen.

Jason was going to Brain Camp. It had another name, a real name, but that’s what everyone called it.
—The Truth about Forever, by Sarah Dessen

I thought this was such a great opening line for realistic fiction YA; I immediately got a taste of the character’s voice, and wanted to know who she was and how she was connected to Brain Camp boy.

About the Author

Jacqueline Green grew up in Wynnewood, PA, where she devoured books the way other kids did candy. She never stopped loving those books she read as a kid, so after receiving her BA from Cornell University, she went on to get her MFA in Writing for Children from The New School. She's since worked in many parts of the children's publishing field, from marketing to editorial to writing. She now lives in Brooklyn, NY with her husband and their very small dog, who moonlights as her writing companion.Check out Jacqueline's website

When a simple round of truth or dare spins out of control, three girls find it’s no longer a party game. It’s do or die.

It all started on a whim: the game was a way for Tenley Reed to reclaim her popularity, a chance for perfect Caitlin “Angel” Thomas to prove she’s more than her Harvard application. Loner Sydney Morgan wasn’t even there; she was hiding behind her camera like usual. But when all three start receiving mysterious dares long after the party has ended, they’re forced to play along—or risk exposing their darkest secrets.
How far will Tenley, Caitlin and Sydney go to keep the truth from surfacing? And who’s behind this twisted game?

Set against the backdrop of Echo Bay, an isolated beach town haunted by misfortune, Truth or Dare will keep readers in suspense from beginning to end.

I'm getting so great feedback sharing my first page with Dianne Salerni and Marcy Hatch. I'm loving what they're sharing about the opening, along with the comments, because it gives me a lot of great things to consider. Plus, this list can help me improve the opening of my story, make the essence of it more "known" in the beginning and not so vague.

That's a great point Angela! Getting the reader solidly grounded is important, but it's a fine balancing act sometimes, It's great that you've got great critique partners to help you test that balance and give you feedback!

YA FICTION GIVEAWAYS

A WRITER'S DIGEST 101 BEST WEBSITE

Follow Us on Twitter!

LOVE FOR TWO LIFETIMES by MARTINA BOONE

Everything, Everything meets Nicholas Sparks: Chasing clues in her mother’s unsent love letters, Izzy steps into a world of English royalty to find her father and falls in love with a young aristocrat—only to discover he may be her brother...

MARTINA ON TWITTER

FAVORITE QUOTES

March 1st 5 Pages Workshop

The March 1st 5 Pages workshop will open for submissions on Saturday, March 7 at noon, ET. It's a great opportunity for selected participants to be mentored by three published authors through three rounds of revisions and to receive additional feedback from our literary agent mentor on their first five pages and their pitch. The agent mentor will select the best of the five manuscripts in the workshop and offer additional feedback to the author, and perhaps to additional participants.

Featured Post

Happy Monday! We hope our American readers had a lovely Thanksgiving weekend. We're grateful to have another round of giveaways up for...

VISITORS

WRITING CONTEST

To keep subscribers from getting inundated by posts, we've moved our agent-judged writing contests off to Adventures in YA Contests, a separate site just for AdventuresInYAPubilshing.com contests. Stay tuned for a new contest starting soon!

AdventuresInYAPublishing.com sometimes receives books for free from publishers or authors in the hope that we will mention them on the blog, but otherwise we receive no compensation for writing posts or content on this site. We have no material connections to the brands, products, or services mentioned, except those by individual site members in their capacity as authors. Our posts often include convenient links, and a small commission may be paid on some of these if you purchase the item after clicking. We use the income from this and from sidebar advertising to help defray the costs of postage for mailing books to giveaway winners. Inclusion of a book on the site does not imply an endorsement unless the individual who authored the post specifically states that they have personally read the book or believes the product or service mentioned will add value to our readers.