In cooperation with the Joan Mitchell Foundation in New York, Kunsthaus Bregenz and Museum Ludwig present an extensive survey of the artist, whose painting is seen by art historians in the tradition of abstract expressionism and the orbit of the New York School.

This publication is part of the Textiles: Open Letter exhibition and research project lasting several years and comprising conferences, seminars and workshops alongside the extensive exhibition of the same name.

This publication appeared in the course of the 55th Biennale di Venezia in 2013. Based on hitherto unpublished photographs, plans and correspondence from public and private archives, this scholarly 540-page bilingual publication presents the first comprehensive synopsis of Austria’s participations in the art biennials since 1895.

This book illustrated with hitherto unpublished interior shots analyses the architecture and furnishings of Palais Ephrussi on Vienna’s Ringstraße. The palais was built in the mid-19th century to the plans of Theophil Hansen. With its opulent appointments and unique ceiling painted by Christian Griepenkerl, it is designed for maximum effect.

Imitation of Life is a film work and installation by the artist Mathias Poledna. The three-minute 35mm colour film is produced in the time-consuming legacy technique of a hand-made animated cartoon and features a specially developed cartoon character at the centre of a piece of music.

Westend magazine, published by the Institut für Sozialforschung since 2004, targets a broad academic audience. The publication features essays from a range of disciplines of social science and the arts intended to analyse the current situation of society.

We started working for the Institute of Art and Design at Vienna University of Technology in 2003, designing the institute’s website and, over the following years, several of its publications. In this book, Klaus Zwerger portrays the wooden architecture of the Dong, an ethnic minority living in southern China.

Florian Pumhösl is developing an exhibition with new works for Vienna’s mumok museum, focussing on abstract films and painting. Simultaneously, another level of the museum is showing “Abstract Space”, an exhibition devised by Pumhösl in collaboration with the curator Matthias Michalka.

The works on show at the Generali Foundation exhibition, all of them created between 1968 and 2011, illustrate Morgan Fisher’s early and pioneering investigation of the film medium as well as his longstanding conceptual approach to painting.

Simone Forti, born in Florence in 1935, is an artist, choreographer, dancer and writer. The catalogue of this important contemporary of Cage, Cunningham or Rainer accompanies a retrospective at the Museum der Moderne Salzburg curated by Sabine Breitwieser.

The Secession Talks is a collection of exhibition talks organised by the Friends of the Secession since 1998, with artists, curators and writers engaging in a dialogue spanning more than 600 pages. Published as a book, the collected texts provide an exhaustive synopsis of the activities and exchange of ideas taking place at this exhibition venue steeped in tradition.

Taking over management of the Museum Moderner Kunst Stiftung Ludwig, Karola Kraus commissions a new logo design for the institution and thus the design and reworking of all printed matter, exhibition labels, and the internal wayfinding system.

In 2008 we were commissioned with creating the redesign for Barcelona’s Museo d’Art Contemporani. The concept we have devised covers all the essential aspects of museum design, ranging from the museum’s logo, printed matter and advertising material to exhibition graphics.