Month: January 2017

Ok, so one day I’m living in the city, surfin’, hanging-out with my mates, everything is totally awesome and then along comes one annoying, diarrhoea pants, little snot-nose sister, Miss Smelly Melly Poop Pants.

‘You’re a big brother now, Sam.’

‘We’re moving to the country, Sam.’

What the? Why? Do I get a say in this …

NOOO!

Prelude

Ok, so one day I’m living in the city, surfin’, hanging-out with my mates, everything is totally awesome and then along comes one annoying, diarrhoea pants, little snot-nose sister, Miss Smelly Melly Poop Pants.

‘You’re a big brother now, Sam.’

‘We’re moving to the country, Sam.’

What the? Why? Do I get a say in this …

NOOO!

Sam has moved to the country and he’s not loving it. But luckily for Sam, another former city kid arrives. They speak the same language, they get into the same trouble. And that’s where this story really begins. In the aftermath of a particular adventure-gone-wrong, Sam realises that all old people know exactly the same lectures. He and Jared decide to write a manual to help other kids decode these same lectures. The manual will also help other kids to get out of trouble, particularly if they have annoying little sisters. Black and white illustrations are scattered throughout.

Sam is full of helpful advice for his readers, offering translations and responses to those tedious stories from adults about how things were different in their day. From his first person perspective, he’s is the innocent victim in every action, every accidental disaster, every conversation. Readers will recognise the situations and enjoy Sam’s insights. He also offers the final, fool-proof formula for getting out of anything you don’t want to do. It’s in the International Rule book you know! For newly independent readers transitioning to longer chapter books

She hurried to the porthole and looked out. The sky was filmed with cloud through which the sun glowed sullenly, casting an eerie yellow light. The sea was dull and oily-looking. At first she could see nothing unusual. And then she began to pick out dark shapes beneath the surface of the water, many, many dark shapes, and as she realised what they were, the hair on the back of her neck began to prickle.
‘Turtles!’ she whispered.

Although the Star of Deltorahas managed to escape Illica, Britta is still in danger. She must stay in her cabin, safe from the moody distrust coming her way from the ship’s crew, who think she is a witch and the reason the voyage has been beset with problems. In spite of Britta’s protestations, the ship is being surrounded by turtles, seeming to want to steer the ship. Britta soon realises that the Staff of Tier has sensed her, and wants her to come to the Hungry Isle. Could it be that her secrecy has lead her and her friends, including Trader Mab, into terrible danger?

The fourth title in the Star of Deltora series, The Hungry Isle provides a gripping climax to the journey that Britta and her fellow would-be Trader’s apprentices have been on. Britta has managed to keep her true identity – as the daughter of the hated Dare Larsett – a secret, but when everything hangs in the balance, the secret is no longer hers to keep.

Best read after the first three titles, The Hungry Isle is a satisfying conlusion to the series.

Sarah’s dad’s family have a long tradition of making their own barbecues, from the simple to the world-famous. So it comes as no real surprise when Dad decides he’s going to make them a barbecue. There’s only one problem. Unlike some of the barbecue-makers of the family, Dad’s not known for his building skills. Sarah and Mum try to talk him out of it, but barbecue-making is in his blood and he’s determined. What a disaster! Sarah watches (from a safe distance) as Dad builds and tests his barbecue. Finally, he’s sure he’s got it right. Now it’s time to test it. There are colour illustrations on each opening and a header and footer illustrations (sauce and mustard trails)

The ‘Mates’ series from Omnibus are early chapter books are tall tales and true from Australian back yards. Sarah narrates this story of her father and his recycling and building adventures. She is captivated by his building projects, even the ones that don’t quite work. ‘The Great Barbie Disaster’ is full of fun and sure to have young readers giggling. Recommended for newly-independent readers.

A child reflects on her time shared at her grandparents’ farm. Initial slightly scary elements become less scary with time, and there are plenty of adventures to be had with the animals. In all it becomes her favourite place. Until things change and she has to figure out what she really loves most. Illustrations depict a rural then urban landscape and include many elements of days gone by.

‘Granny’s Place’ is a farm, and it is full of new experiences for a small urban child. Luckily there are bigger cousins and siblings to help negotiate some of the more confronting experiences. There are plenty of elements here for grandparents to share with grandchildren and to stimulate discussions about how things can change. Recommended for pre- and early school-age.

Molly thought Mae was silly and told her so.
Mae was tired of being bossed around.
Molly was angry and loud and rude.
Molly turned her back.

Molly and Mae are friends, embarking on a train journey. First they have a long wait for the train, but they play games, exchange secrets and eat together. Finally, they are on their way, and the train holds lots of adventures. But the journey grows long, and the girls quarrel. Not spekaing to each other, though, makes the journey tedious, and they build bridges to once again be best of friends.

Molly and Mae is a beautiful tale of friendship, with the highs and lows of a train journey being a wonderful metaphor for the journey a friendship can take, with togetherness, tension, obstacles and healing. The text is fittingly sparse, so that readers can fill the spaces for themselves, and also enjoy the sumptuous illustrations which capture both the emotions of the girls and the variety of life and passengers on the train. The girls are more brightly coloured than their fellow passengers, a touch which adds focus.

Owl doesn’t speak, doesn’t sing and doesn’t even hoot. All the other animals are worried. They would like a sign that Owl is all right. Finally, Owl does make a noise – by playing a series of musical instruments.

The Silent Owl is a gorgeous rhyming picture book, illustrated with paper collage and water colour backgrounds. The humour of the story, coupled with the big eyed characters will appeal to young readers, and the deceptive simplicity of the collage will entice young artists to experiment with collage themselves.

The sun had sneaked out from behind the clouds, and sparkles from the shoes bounded about the grass. Madeleine looked back up. the girl crossed her arms. ‘I was not enquiring after the shrubs, she said imperiously. ‘I want to know what you are doing in Bea’s dress slippers.’

Madeleine is not impressed at being sent to the country to stay with her eccentric grandmother for the holidays, while her big brother gets to stay with his best friend. Staying with Mum Crum means early mornings, yoga and hard work. But when she finds a pair of shoes hidden in the cupboard she is renovating, Madeleine is intrigued and wants to know more. Soon, she is finding out far more than she bargained for, when she finds herself transported back to 1900, to the home of the shoe’s owner.

Now Madeline is part of a family and time where women have no power or independence, as the Federation of Australia’s colonies nears. She witnesses the treatment of Aboriginals, staff and children, and is conflicted about both what she sees and how little she can do to change it. She also watches the family struggle through personal turmoil as she worries about how she will get back to her own time.

When the Lyrebird Calls is an absorbing time-slip novel for children and young adults, set in late colonial Australia, as well as in contemporary Victoria. While a number of issues are explored through the text, the action carries the story so that it does not become issue heavy. Young readers will enjoy being able to see aspects of colonial life through the yes of a contemporary narrator.

Ginger Green has invited Maya to come and play after school. Maya is excited too and things start well, despite Ginger’s younger sister’s antics. But things soon start going wrong. Ginger is accustomed to being in control of play dates, but no matter what she tries, this time things seem to be going wrong. For the first time, Ginger feels left out. There are black white and purple illustrations on every opening.

Ginger Green Play Date Queen is a series for newly independent readers transitioning away from fully illustrated text to first chapter books. Ginger and the rest of the ‘cast’ are anthropomorphised foxes, but the stories will be recognisable to young students navigating the everyday challenges of school and home life. Each episode/instalment presents a realistic dilemma and offers solutions that restore harmony. Recommended for newly independent readers.

Popcorn was friendly and entertained all the farmyard animals, brightening their days with story. Life in the farmyard was richer for her sunny nature and helpfulness. But then she discovers a strange object in the corner of the barn: the Fabulous Friend Machine. Gradually all of Popcorn’s time and energy is sucked into communing with the friends she has found inside the object. She has so many friends that she hardly notices that the friends around her are missing her. Illustrations use a limited but rich palette of reds greens and blacks.

‘The Fabulous Friend Machine’ is a cautionary tale about the dangers of contemporary communication channels. Virtual ‘friends’ may not always be who they seem. Real friends are sidelined by the Fabulous Friend Machine until it seems that disaster must ensue. Recommended for early primary readers and teachers/family wanting to open conversations about cyber-safety with young users of technology.

A dark shape wobbles beneath the water, getting closer to the beach. You’re ninety-nine percent sure it’s just seaweed drifting on the currents – but what if it isn’t?

What if it’s one of those big saltwater crocodiles Harrison warned you about?

You look up and down the beach. There are crushed shells, dead jellyfish and a shapeless mountain which might once have been an epic sandcastle – but no people.

No one to ask for advice. Nobody who will call for help if something happens to you. You didn’t even tell anyone you were going surfing, which now seems like a mistake.

30:00

A dark shape wobbles beneath the water, getting closer to the beach. You’re ninety-nine percent sure it’s just seaweed drifting on the currents – but what if it isn’t?

What if it’s one of those big saltwater crocodiles Harrison warned you about?

You look up and down the beach. There are crushed shells, dead jellyfish and a shapeless mountain which might once have been an epic sandcastle – but no people.

No one to ask for advice. Nobody who will call for help if something happens to you. You didn’t even tell anyone you were going surfing, which now seems like a mistake.

The clock is ticking. In the 30 minutes from the time you notice the shape in the water life as you know is over. You are on your own. Your decisions will be life and death ones, and not just for you. Get it wrong and at the very least, you die. Get it right, you may save lives, save livelihoods, be a hero. But this is no game. This is deadly serious. There are multiple possible endings – which will you choose?

Jack Heath is known for action-packed stories and this series of Choose Your Own Ending stories is no exception. Who know there were so many ways to die? Or live? Full of extreme options, every horrible ending man-made and ‘natural’ element seems to have you in the crosshairs. The stories are told in second person and present tense and the pace is fierce. Recommended for mid-primary readers looking for some choice in how the story ends. Will also appeal to older fans of wild adventures.