These are 4 titles out of the 9 RIGA TRACKS, a collection of audio-guide- and score-pieces for open headphone, mp3-device, a book and you, the audience-who-is-the-performer-who-is-the-audience.

The pieces are independent from each other; there is no need to run through the entire Riga Tracks in one go. Still, the dramaturgy from one to the other offers a meta-perspective, showing a complex manifest of audio-guidance.

The Riga Tracks are as much tailored to specific places as they are generic.

The guide is on tour since 2013, always being adapted in each city. In the same time some of the tracks are easy to do in what-ever city. The audio files and the score-book are available at this website.

Riga Tracks approaches listening as a performative act.

In a mix of actions and contemplations, the potential of headphone-pieces, their technology as well as their social connotations, is challenged into various set-ups.

Next to an extensive use of site-specific field-recordings, the tour also contains references to Bruce Nauman’s ‘Body Pressure’ and Vali Export's ‘Body Configurations’, as well as Guy Debord's psycho-geography blended with the Versailles scores of Louis XIV,.