Swiss artist, celebrated chiefly for his engravings on wood, was born at Zürich. Of his personal history little is known beyond the fact that he removed in 1560 to Nuremberg, where he continued to reside until his death in March 1591. His productiveness was very remarkable, as may be gathered from the statement of one of his pupils, that the drawings he made during a period of four years would have filled a hay wagon. A large number of his original drawings are contained in the Berlin collection of engravings. The genuineness of not a few of the specimens to be seen elsewhere is at least questionable. A series of copperplate engravings by Amman of the kings of France, with short biographies, appeared at Frankfurt in 1576. He also executed many of the woodcut illustrations for the Bible published at Frankfurt by Sigismund Feierabend. Another serial work, the Panoplia Omnium Liberalium Mechanicarum et Sedentariarum Artium Genera Continens, containing 115 plates, is of great value. Amman's drawing is correct and spirited, and his delineation of the details of costume, etc., is minute and accurate. He executed too much, however, to permit of his reaching the highest style of art. Paintings in oil and on glass are attributed to him, but no specimen of these is known to exist.