Tag Archives: women and humor

It’s not easy to find Julie Schumacher. Like the setting of her book, Dear Committee Members, winner of the James Thurber Prize for Humor, her office in the English Department at the University of Minnesota seems exiled to a warren of rooms deep in the bowels of Lind Hall on the East Bank campus. Go downstairs, through some doors, down a hall, through the door with the arrow on it and its on the right somewhere at the end of the hall. Leave a trail of breadcrumbs to find your way back.

Also, like her fictional protagonist, Jay Fitger, she’s a creative writing professor and pens scores of letters of reference for students who are applying for jobs and grad school. Dear Committee Members consists solely of such letters in which the arrogant and curmudgeonly Fitger reveals more about himself than his students.

Peppered with a hilariously snooty vocabulary (with phrases like “floculent curds”), his letters perpetually digress to lament his department’s lack of status in the University, the ongoing building repairs and the trials of having an office next to the bathroom. “…we are alternately frozen and nearly smoked, via pestilent fumes, out of our building,” says Fitger. “Between the construction dust and the radiators emitting erratic bursts of steam heat, the intrepid faculty members who have remained in their offices over the winter break are humid with sweat and dusted with ash and resemble two-legged cutlets dredged in flour.” He bemoans the lack of respect for the liberal arts and the struggle of dealing with office technology—topics dear to Schumacher’s heart. Clearly, she follows the old adage “write what you know.”

Julie Schumacher in her University of Minnesota office.

Funny Women
Yet, when you do arrive at her office, it’s easy to see that Julie Schumacher is no Jay Fitger. She’s downright pleasant, enjoys her colleagues and proudly shows off her former students’ published novels. She swears her letters of reference never wander off, Fitger-like, into completely inappropriate discussions of sexual indiscretions around the department. Finally, unlike poor Jay, her work regularly receives recognition.

She was first woman to win the Thurber Prize in its 18-year history.The award is named for James Thurber, the author of The Secret Life of Walter Mitty, the creator of numerous New Yorker magazine cover cartoons and one of the foremost American humorists of the 20th century. Previous Thurber Prize winners have included Jon Stewart, David Sedaris and Calvin Trillin.

So many women have written funny books—Tina Fey, Nora Ephron and Betty White to name a few—it’s surprising that a woman hasn’t won the Thurber prize before now. See my previous post about James Thurber. That changed last year when all three of the finalists were women including New Yorker cartoonist Roz Chast for her memoir Can’t We Talk About Something More Pleasant? and Annabelle Gurwitch for I See You Made an Effort: Compliments, Indignities, and Survival Stories from the Edge.

As the first woman to win, Schumacher recognizes the irony that her lead character is a man. “It never occurred to me to make him a female,” she says. “This character has certain expectations of power, a big ego and he’s crushed when things don’t turn out professionally and romantically. It had to be a guy.”

No Joke
Schumacher came to this place of distinction through long experience and serious practice of her craft. She grew up in Delaware, graduated from Oberlin College and from Cornell University with an MFA in fiction. She joined the University of Minnesota faculty after teaching as an adjunct at several Minnesota colleges in an effort to “keep an oar in the water” while raising her two daughters. Along the way she published books for young readers, a short story collection, and a critically acclaimed first novel, The Body of Water.

Of Dear Committee Members she says, “I didn’t start out to write a funny book. Actually, it’s a really a sad book. For Jay, things haven’t turned out like he expected, he’s besieged and disappointed. He’s a complicated character. I fell in love with him.”

Her sophisticated style of humor eschews the raunchy (no f-bombs here) in favor of writing that observes the funny in everyday life and in human nature. “The trick,” she says, “is to push the discomfort of a character’s behavior just to the edge, but not too far.” That makes it perfect for an award named after James Thurber. “Humor, he said, is “a kind of emotional chaos told about calmly and quietly in retrospect.”

Schumacher says life today requires humor. “Its a release, a catharsis.” Through her alter ego, Jay Fitger, humor also gives Schumacher a means of serious social commentary. He says, “…there are other faculty here on campus who are not disposed to see notable scholarship ignored; and let it be known that, in the darkened, blood-strewn caverns of our offices, we are hewing our textbooks and keyboards into spears.”

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