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Pat Benatar was a major force in pop rock in the '80s. She started her career as a lioness, sporting a sexually aggressive campaign that gave her a powerful voice and an even greater persona to live up to. When she tired of that game, she subdued her image and performed songs that were subtler on the ears. But she never lost her knack for spotting a catchy melody, and these songs—just about every hit a fan would want—are jammed with hooks that permanently stain your brain. "Heartbreaker" was the monster FM-radio staple that established her career, while "Hit Me with Your Best Shot," "Treat Me Right," "Promises in the Dark," and "Hell Is for Children" continued her streak with songs that perfectly balanced rock and pop, with plenty of room for her guitarist (and future husband) Neil Giraldo to guide the band. She embraced the '80s and added a subtle grace to hits such as "We Belong," "Shadows of the Night," and "Love Is a Battlefield." A very good career overview.

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EDITORS’ NOTES

Pat Benatar was a major force in pop rock in the '80s. She started her career as a lioness, sporting a sexually aggressive campaign that gave her a powerful voice and an even greater persona to live up to. When she tired of that game, she subdued her image and performed songs that were subtler on the ears. But she never lost her knack for spotting a catchy melody, and these songs—just about every hit a fan would want—are jammed with hooks that permanently stain your brain. "Heartbreaker" was the monster FM-radio staple that established her career, while "Hit Me with Your Best Shot," "Treat Me Right," "Promises in the Dark," and "Hell Is for Children" continued her streak with songs that perfectly balanced rock and pop, with plenty of room for her guitarist (and future husband) Neil Giraldo to guide the band. She embraced the '80s and added a subtle grace to hits such as "We Belong," "Shadows of the Night," and "Love Is a Battlefield." A very good career overview.

About Pat Benatar

Pat Benatar's polished mainstream pop/rock made her one of the more popular female vocalists of the early '80s. Although she came on like an arena rocker with her power chords, tough sexuality, and powerful vocals, her music was straight pop/rock underneath all the bluster. Born Patricia Andrzejewski on January 10, 1953, in Greenpoint, Brooklyn, the singer was raised in the nearby town of Lindenhurst on Long Island, New York. Benatar began singing regularly in the New York City area in the '70s, where she was discovered at the Catch a Rising Star club and signed by Chrysalis Records. A stellar band led by guitarist Neil Geraldo (who the singer would later marry), provided the perfect accompaniment that was able to effortlessly alternate between rockers and ballads. Benatar quickly established herself as one of rock's top vocalists, scoring a hit right off the bat with her debut album, 1979's In the Heat of the Night, which spawned such radio favorites as "Heartbreaker" and "I Need a Lover" (the latter of which was written by a then unknown John Mellencamp).

Benatar's sophomore effort, 1980's Crimes of Passion, more than delivered on the debut's promise and it's often considered to be the finest recording of her career. Spurred on by such classic rock radio standards as "Hit Me with Your Best Shot," "Treat Me Right," and "You Better Run," the album was certified platinum shortly after its release and Benatar became a certified arena headliner in the U.S. She also became one of the most-played artists during MTV's early days, received several Grammy Awards around this time, and continued to enjoy massive hits and sold-out tours throughout the early and mid-'80s. She released such albums as 1981's Precious Time, 1982's Get Nervous, 1983's Live from Earth, 1984's Tropico, 1985's Seven the Hard Way, and 1988's Wide Awake in Dreamland, plus the singles "Fire & Ice," "Promises in the Dark," "Shadows of the Night," "Love Is a Battlefield," "We Belong," and "Invincible." But by the end of the decade, it appeared that Benatar had fallen of the face of the Earth as the hits seemed to dry up.

Benatar opted to shift musical gears and issue an album of blues and R&B, 1991's True Love, which failed to return the singer to the top of the charts. She returned to her patented arena rock sound with such further studio releases as 1993's Gravity's Rainbow and 1997's Innamorata (although the latter was largely acoustic-based), and while the albums didn't exactly measure up to her earlier releases, both were solid efforts. The late '90s saw a pair of live archival releases hit record store shelves, 1998's 8-15-80 and 1999's The King Biscuit Flower Hour Live, in addition to countless hits collections (although the best of the bunch proved to be 1989's Best Shots, which remains a steady seller). The singer began touring again in the middle of the decade (after taking a five-year hiatus from the road), co-headlining shows with REO Speedwagon, Fleetwood Mac, the Steve Miller Band, and Styx. She also continued to dabble in acting, appearing in the ABC Afterschool Special Torn Between Two Fathers and on various sitcoms. In August 2003, Benatar returned to recording with Go (Vanguard), her first studio LP since 1997's Innamorata. The LP revisited the arena rock/MOR sound that had defined Benatar's career, and was accompanied by an extensive tour.

Benatar's next big project was the 2010 publication of her memoir, Between a Heart and a Rock Place. Following that, she and Neil Giraldo regularly toured, including a 35th Anniversary blow-out that began in 2014 and ran into 2015, a year that also saw a commemorative live CD/DVD release of the tour. ~ Greg Prato & Stephen Thomas Erlewine