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Archive for the ‘Kenny Pickett’ Category

I stumbled on Kennedy Express in some London collectors shop, I think it was 50p. How could the staff not have noticed both the writers and producers were Kenny Pickett and Eddie Phillips of The Creation? Aren’t you paid to know these things?

Better yet, how did I not know The Creation were essentially recording under another name? Bigger fuck up.

Okay, so ‘Is There Life On Earth?’ was released in 1980, when the band were traveling the has-been patch before legend. Not sure if The Creation were ever really has-beens though. Never mind, the discovery was the shop’s loss and my gain.

It was pretty 80′s sounding stuff but the Phillips/Pickett hooks were still obvious. This was around the time when ‘Teacher Teacher’, a song they’d written for Rockpile, became a worldwide hit. Proof there is a God.

Presumably Don Arden, who owned Jet, decided to give the guys a release. Clearly he continued to be an investor, given some seven years later, when Eddie Phillips reformed The Creation, he released ‘A Spirit Called Love’, also on Jet. That was during a brief period when both Mick Avory and John Dalton from The Kinks made up the band’s rhythm section.

Considered disposable pop by those in the know apparently. ‘Is There Life On Earth?’ doesn’t even appear in the RECORD COLLECTOR PRICE GUIDE. Possibly only for we hardcore Creation specialists. I can live with that too.

The Creation, undisputed masters of British psychedelia. Eddie Phillips is as stellar a guitarist as he is a songwriter. He wrote, or at least co-wrote, most, if not all of their original material. Plus he was the first to use a violin bow on the instrument, combining his mastery of feedback with scraping, screeching chaos to ultimate effect. Jimmy Page later brought the technique mainstream on ‘Whole Lotta Love’, but fairly, has always credited Eddie Phillips for the idea. It’s also widely documented that indeed he asked him to join Led Zeppelin as second guitarist.

They recorded two versions of ‘How Does It Feel To Feel’ in summer ’67. Oddly, this one specifically for the US market, apparently deeming the violin bowed manic version more suitable to American programmer. Huh? Nonetheless, it’s a super version and top single to own and cherish, which I do.

In ’01, The Creation finally made it to America, playing The Warsaw Theater here in New York. I had injured my leg, it was a very cold November night, none of my friends wanted to attend, so I struggled along alone. The pain vanished when the musty maroon curtain lifted and there were The Creation, looking weirdly not a day older than those pictures from back when, sharp haircuts, great colored shirts and pants, but not dressed too young for their age. Sorta like if today’s Paul Weller would tone his image down a bit. Huge Union Jack backdrop. Sounding so powerful, my jaw dropped. Everyone’s did.

Bob Garner, original bassist and then sometimes singer, now permanantly on lead vocal, executing the red and purple spray paint free form psychedelic graffiti routine during the closing song ‘Painter Man’. Truly worth the 34 year wait.

A hybrid version of Dave Edmunds’ Rockpile from 1970. Actually, Dave Edmunds had just broken up Love Sculpture and John Williams, that band’s bassist, came along to play on his solo album, which was preceded by, and also included, the single ‘I Hear You Knocking’. That single in the UK credits the artist as Dave Edmunds’ Rockpile, yet in the US, as with the UK and US album, it’s simply credited to Dave Edmunds. Add to that, Terry Williams (no relation to John) plays drums on the aforementioned recordings.

Ten years later, Terry is still playing with Dave and now, Nick Lowe is as well; and their band is called Rockpile. Confused? Then re-read the above.

Well this was probably their biggest hit, and despite the proven pop songwriting talents of both Nick Lowe and Dave Edmunds, ‘Teacher Teacher’ was actually written by Eddie Phillips and Kenny Pickett, flawless higher forms of life behind The Creation, as both members and songwriters. Glad to know they earned some money in the end. They sure could write a tune.