Content Tag: female

This study is one of several, working on some expressions and gestures. Very subtle differences in how the charcoal is applied along the lips and eyes can make a staggering difference in the perceived expression. Very small tweaks to the … Continue reading →

Another study done, working on facial expressions and gestures. The slight tilt to the head and body are what bring the character to the image, emphasized by the passive, almost pouty expression. Eyes casted away suggest distraction.

This is a study of body posture and gaze. One challenge with this drawing was getting the face down. When someone is lying down, their face naturally distorts, a LOT… just like when talking, chewing, gesturing, or practically any picture … Continue reading →

A study of pose and body form. I’ve really been going back and looking at R.Crumb et al. lately and man, talk about detail in the right places. Not that I’m trying to emulate exactly what he’s doing. Obviously I’m … Continue reading →

A charcoal and graphite study done to look at body posture, balance and movement. I am always startled at how a slight change in the relative position of the rib cage in relation to the hips can make such a … Continue reading →

I have always been fascinated by Michaelangelo’s portrayal of eyes. If you look close, he does them in very solid confident strokes of color or line that sit RIGHT on the edge of the shape his is creating for the … Continue reading →

This is a study done to work out a problem I was having modeling the back properly. Female back musculature is very subtle. With the male form, the shape is much more distinct and follows the ribs and scapula in … Continue reading →

A study done looking at posture and facial expression. In this graphite and charcoal drawing, I was aiming for an open, challenging look, tempered by the coy shoulder. I went pretty soft on the graphite and ended up taking twice … Continue reading →

Image 5 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 4 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 3 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 2 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 1 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 4 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 3 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 2 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 5 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 4 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 3 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 2 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 1 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 5 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 4 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 3 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 2 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 1 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →