This Whole Land of our Sojourn is my Home

This summer, we whisked ourselves away to the rugged northern wilds of California, Minnesota, and Michigan. On the West Coast, we ducked into a secret redwood garden awash with Rivendell lights; in Michigan, we built campfires on the edges of a 19th century settlement, and — while reading Amory Blaine’s exploits in F. Scott Fitzgerald’s This Side of Paradise — drove through both Amery and Blaine.

The sun rose and set, for me, in four states on three of this country’s borders, over two different oceans, on the edge of one Great Lake, and even — thirty thousand feet aloft — over dozens and dozens of sparkling little towns.

I highlighted as many lines in Steinbeck’s Travels With Charley in Search of Americaas my digital swipe would allow, then watched them all vanish in a burst of pixels, as the server sucked the virtual book back in after three loaned weeks. I sorted through old family documents, scratched away in fountain ink, faded proof of all the secrets and genes tumbling down through the generations.

It’s temporary glory, to put words in Steinbeck’s mouth.

It’s all a temporary shimmer of the eternal.

“To find not only that this bedlam of color was true but that the pictures were pale and inaccurate translations, was to me startling. I can’t even imagine the…colors when I am not seeing them…. ‘It is a glory,’ she said, ‘and can’t be remembered, so that it always comes as a surprise.'”

It can’t be remembered.

It always comes as a surprise.

I belong nowhere, and everywhere. I come home through so many different doors, walk with a sigh across so many different thresholds.

Sarah Dessen rattles her way across the keyboard onto the novel’s page to tell us all, “Home [i]sn’t a set house, or a single town on a map. It [i]s wherever the people who loved you [a]re, whenever you were together. Not a place, but a moment, and then another, building on each other like bricks to create a solid shelter that you take with you for your entire life, wherever you may go.”

This shell of mine is stained with the red clay of Oaxaca and the Sierra Nevada, gilded in copper patina from the Ljubljanica River,dusted over from the kiln-like heat of the Sacramento Valley, preserved in the subzero howl of the northern wilds, and sloshing from the perpetual rain of these subtropics.

It’s always with me.

And it always comes as a surprise.

I don’t know how I would handle having my roots all smashed together and compacted into one tiny plot of earth. I wasn’t made for roots like that. I was made for the kind that stretch and strain and burrow, through clay and sand and heat and rain, putting a little branch down here and other down halfway across the globe.

Steinbeck felt it through and through. “When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships’s whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, once a bum always a bum. I fear this disease incurable. I set this matter down not to instruct others but to inform myself….A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we not take a trip; a trip takes us.”

The faded old documents I sorted this summer traced a journey across the Atlantic, on both sides of the family, through Ellis Island. As a child, I flew this route over their ghosts by air; less than a hundred years earlier, great grandparents on both sides of the family took this route by sea.

Neruda once said it was our destiny to love and say goodbye. I think it’s our destiny to love and say hello, over and over and over again — in all the “places with no weight” as Octavio Paz would say —

in all our many homes, knowing that He’s put eternity in our hearts [1], knowing all the time that we’re heading Home no matter how many different places we land,

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I'm Gina Munsey, a Jesus-lover and a sojourner; a weaver of words, anchored in hope. I am Mexico-born, Eastern Europe-raised missionary kid who ended up being a Californian in Orlando, Florida. I live my humidity-drenched days full of coffee and adventures while my 6-year-old learns Mandarin Chinese and my artist-husband creates worlds from pixels and light. I'm an editor, a magazine contributor, and a writer who has only completed four chapters of my languishing manuscript. On any given day, you can find me in the middle of [home]school surrounded by stacks and stacks of books. Oh, and the name of this blog? Oaxaca -- wuh-HA-kuh -- is in Southern Mexico, where I was born! (See full bio).