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A while back my good friend Niklas from NOR and Norator visited me here in Stockholm for an epic synth weekend (featuring amongst others Kraftwerk and Cold Cave…) and helped me modify my Doepfer LC9 boxes from north american voltage (110v) to the swedish (230v).

Its a relatively simple modification if you’re handy with the soldering iron and know the basics of electrical engineering, but since I wouldn’t put either on my resume Nicklas volunteered to perform the procedure.

Below are some shots from the operation.

Start by loosening the screws in the back…

That hold the cover for the actual PSU (the one that say you will DIE if you tamper with it…)

Next break the two soldering bridges that north american units ship with, and create two new ones to match the spec of the european units…

And that’s it! My LC9 boxes are now fully compatible with the swedish electrical standard :). Many thanks to Niklas for taking the time!

Like this:

Now that I’ve gotten most of my gear in place I’ve slowly started to work on material for the next Cumulus compilation. The track below is a sketch, not yet complete but I thought I’d share the working versions along the way. Have a listen if your interested.

The track was made in one take entirely on my modular system. Live 9.1 was used as a recording device only.

In January this year I presented the FiveG store in Harajuku, Tokyo, but the city is home to many other fantastic gems for synth heads. Today I’ll post some pictures from the Echigoya Music (えちごやミュージック) store in Shibuya.

Along with FiveG, I would list Echigoya as probably one of the best spots in Tokyo to go searching for vintage or just used synthesizers and other studio gear. It’s a small shop but filled floor to ceiling with some really fantastic gear. Prices are reasonable too, and the manager is more than happy to assist with shipping to just about any region of the world.

To get to this store you get off at the Shibuya station and walk towards Harajuku along the JR (Yamanote) line tracks. You’ll bump into Tower Records on your right side.

Look at that, a used Korg Volca Beats makes a surprise appearance. I would have bought it but my mind is set on a Elektron Machinedrum now…

Lots and lots of gear.

If I had the means I would have picked up a SEM or two…

Lot’s of MPC goodness. With some custom skins too…

On a side note, when I was walking back to Harajuku I spotted this charming sign near the Yoyogi park:

It basically says that all unauthorized live music performances using amps are forbidden in the park. The background is most likely that this has traditionally been one of the most popular spots for amateur bands and performers to do impromptu shows. Thus, today the area was entirely devoid of any music and mostly desolated. Sad to see such a nice ‘tradition’ go, but I’m sure they will find other spots across the city.

The tracks on this album represent different fantastic visions of abandoned environments that could or perhaps do exist somewhere only the clouds travel. The tracks are meant to be heard in order as a continuous journey.

All tracks were recorded using my modular synth (The Cumulus Machine) with Ableton Live as a recording deck. With the exception of a few overdubs the tracks were recorded ‘live’ as continuous takes.

Download it now!
It’s free, or you can pay any amount you want
if you feel generous and like what you hear :).

I’d like to put a goldfish in a large bowl, point 2-3 cameras at it and write a small script that tracks it’s movements in 3 dimensions. The movements would then be translated into CV to be passed via an X-out, Y-out, Z-out on a custom built eurorack module.

Behold the ‘Goldie module’! It would become the centerpiece of my stage performance…