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When I heard that Disney was going to start mining its ownership of Marvel for future animated properties, I admit my blood (unnecessarily) ran to ice water. This corporate marriage of Mouse House and House of Ideas has yielded a remarkable run of quirky and thrilling and poignant live-action cinematic blockbusters, rife with whimsy and adventure. However, the idea of Spider-Man potentially swinging his way through a princess fairytale musical extravaganza gave me pause.

I should’ve known better. These guys aren’t messing around.

Big Hero 6, Disney Animation’s latest offering, based on an obscure Marvel comic about teenagers saving the world in some indeterminate polyglot future world, absolutely sparkles. I was a lone-dissenting voice in my distaste for Frozen, and, while I enjoyed Wreck-It Ralph, I thought it got rather lazy in its final act. However, Big Hero 6 is perfection.

This latest addition to the Disney canon has its feet planted firmly in the superhero genre, and, while comfortably familiar (it is Disney/Marvel after all), it takes the conceit to new humanistic heights. The tried-and-true Disney themes of family and acceptance and kindness and altruism and championing the underdog are all gloriously on display, but they are infused with a hyper-charged cheekiness that we typically only see over at corporate cousin Pixar.

The story relates the life of two loving brothers, who having lost their parents, now live with their aunt (voiced warmly by Maya Rudolph) above a bakery in San Fransokyo. One can only presume at some point in the near future, the Pacific Ocean dries up, with Tokyo and San Francisco inevitably meeting “urban spawl cute” somewhere in the middle. Or something.

Older brother Tadashi is a robotics expert at the local university, and his younger brother, Hiro, equally bright, aspires to join him. They are surrounded by a colorful and sweet group of friends, a United Colors of Benetton with brains and self-awareness. These are misfits for our modern age, open-hearted kids who embrace their intelligence, see the world as a playground of opportunity, and wear the term “nerd “as a badge of honor.

It wouldn’t be a Disney movie, if there were not some tragic death that prompts the narrative to action. Someday someone needs to write a thesis on that inherent dark heart in all the Disney “magic.” Tadashi and his beloved professor Callaghan (voiced perfectly by the always dependable James Cromwell) disappear in a tragic accident, and Hiro and his pals must band together to solve the mystery (and thereby overcome their heartache … paging Joseph Campbell).

And, like any Disney or Marvel film, we are introduced to an instantly unforgettable character – the kind of character who should have absolutely no appeal but who, though the power of design, voice, and script, somehow enters the halls of classic animated sidekicks the moment he steps on screen.

Before his disappearance, Tadashi had invented a medical robot named Baymax, a large squishy creature, one part marshmallow, one part Michelin Man, and one part unadulterated love. Baymax lives to heal, having been designed as a one-stop walking/talking urgent care facility, and his life’s work becomes the central metaphor throughout the entire film … in a way, rather ingeniously undermining the genre. So many of these movies use violence to bring peace, but in Baymax’s case, his very design (and every intention) is to use peace and love to end violence and heartache.

The film is most enjoyable in its first half, as it establishes the relationships among these thoughtfully drawn characters. It is a rich and diverse cast, and I applaud that the filmmakers are able to offer us nuance and depth for each and every member of the cast in the film’s lean 90-minute running time (with nary a fart joke to be had).

The film also looks gorgeous. As I said, it quite literally sparkles. I don’t know that I have ever seen an animated film, to this date, in our computer-generated era, that is so immersive and so beautiful and so fluid. It is a treat to watch, and likely will benefit from repeated viewings.

AND, don’t miss the lovely animated short that precedes it, Feast (from the same team that crafted the glorious Paperman) – an affectionate ode to animal rescue, the joys of food, and the ability of one little dog to bring a family together.

One of Baymax’s signature lines is the query, “Are you satisfied with your care?” Indeed, this evening at the movies fit the bill. That’ll do, Bay. That’ll do.