Vincent Perini/222 Recordings/Interscope RecordsNoel Gallagher, formerly of British superstar rockers Oasis, has been randomly attacking pop stars in a variety of interviews lately...and his latest targets are Maroon 5 and Taylor Swift.

Noel, who earlier this year went after Ed Sheeran, saying, "I can’t live in a world where Ed Sheeran sells out Wembley stadium,” disses Adam Levine and crew in a new interview with Vogue magazine.

"As long as the music’s good, nobody cares about what you f**ing wear," says Gallagher, as part of a discourse on music and fashion. "If your songs are OK, then your songs will seem better if you look good -- like those f**wits from Maroon 5. The tattoos take your mind off the fact that they’re s**t. OK?"

Later on in the interview, Gallagher gets another dig in: he says, "Stagecraft is beneath me. That guy from Maroon 5 -- he needs stagecraft."

As for Taylor, he attacks her in an interview with Rolling Stone. When the magazine says that many have praised her songwriting skills, Gallagher scoffs, "Who says that? Her parents?" When the Rolling Stone writer responds, "Lots of people," Gallagher says, "Who's 'people?' Name these people. You're f**ing lying. She seems like a nice girl, but no one has ever said those words, and you f**king know it."

Also in the Rolling Stone interview, Gallagher also puts down One Direction. He calls them "lovely lads," but adds, "I have difficulties with people who don't write their own songs, who've got a team of songwriters who work for your record label."

But when the interviewer points out that One Direction actually does co-write many of their own songs, and adds that may of the biggest and most legendary Motown stars had a team of writers at their record label providing them with material, Gallagher doesn't buy it.

"If you're trying to insinuate that what's going on now is akin to what was going on at Motown -- what, were you out late eating magic mushrooms?" he says. "Not equivalent. Not in the slightest."

Gallagher currently has a solo career. With Oasis in the '90s, he scored hits like "Wonderwall" and "Champagne Supernova."

High school student Andrew Cain from New Brunswick, Canada made a YouTube video asking Miley to be his prom date. In the clip posted Monday, he gets some of his pals to vouch for him and further makes his case by demonstrating his twerking skills and showing off his Miley shrine. He ends the video by getting down on one knee, bouquet of roses in hand, and officially asking the pop star to the prom.

Miley’s been an in-demand prom date for years. Last year, Phoenix teen Matt Peterson tried to get Miley to be his date. She declined, but invited him to the Arizona stop on her tour. He attended the concert and she serenaded him on stage. Not a bad deal. Let’s hope Andrew has similar luck!

ABC/Lou RoccoYou can’t deny Taylor Swift has widespread appeal. Her songs have the power to soothe even the crankiest babies.

The singer posted a video to Twitter Monday of a 6-month-old baby named Rosie who only stops crying when Taylor’s song “Blank Space” is playing. Taylor wrote in response to the YouTube video: “THIS IS THE BEST THING I HAVE EVER SEEN.”

It's good to know Taylor has a way with babies. She was just named godmother to her pal Jamie King’s yet-to-be-born second child. This trick might come in handy if she babysits!

Courtesy of Comedy CentralThe latest promo for the Comedy Central Roast of Justin Bieber was released, and it spoofs Justin’s Calvin Klein ad.

In the clip, a shirtless Justin plays the drums and poses, just like in his real Calvin ad -- but this time, Roastmaster General Jeff Ross plays the role of the female model. Jeff, wearing a long blonde wig and a shirt that exposes his less-than-toned tummy, proceeds to make Justin very uncomfortable.

Usher "Pumped Up Kicks"

He did this for a BBC radio show. You know on Amer­i­can Idol how they always say “you can sing the phone book” or “you can sing any­thing”. Usher proves he is one of those artists right here. The leg­endary R&B crooner and pop heart­throb absolutely rocks this per­for­mance and owns the lyrics.