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Ben Stiller Is a Strong Anchor for the Unstable 'Museum' Franchise

The first installment of Night at the Museum may have been a pithy, middle-of-the-road, grade-B comedy lark with grade-A special effects, but when it grossed a half-billion dollars worldwide, its days as an inoffensive guilty pleasure were over.

In America's theme-park Mecca, Orlando Weekly recently explored these themes: How a private group of developers pulled the strings that directed public land-use policies. How a millionaire time-share mogul made his money selling bogus promises. How an annual Gay Day...

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Alan Moore is a big baby, because Watchmen is a worthy adaptation of his work. It captures a significant amount of the novel's paranoiac essence while making changes to keep things filmable. It's a nice homage to his fine work.

With Hollywood's adaptation of Alan Moore's 1986 graphic novel, the future of pop culture hangs in the balance: Post-literary hipster culture meets post-cinematic movie culture to see who will dominate.

What Push's heroes need is super-Prozac. Instead they get one chase scene after another, as McGuigan plasters over the many plot holes with quick cuts, flashbacks, changes of film stock, and disturbing glimpses of Fanning’s milky upper thighs. It’s entertaining, in a nervous, just-ate-ten-boxes-of-Nerds kind of way.