I want to get there: to have nuanced discussions about text descriptions; I want to read poetry in alt text; to have our work’s success measured by how broadly it can be accessed; to create moving, beautiful experiences for people who may not use the web like I do.

Chris ponders the motivations behind companies sharing their design systems publicly. Personally, I’ve always seen it as a nice way of sharing work and saying “here’s what worked for us” without necessarily saying that anyone else should use the same system.

That said, I think Chris makes a good poin here:

My parting advice is actually to the makers of public design systems: clearly identify who this design system is for and what they are able to do with it.

An online documentary series featuring interviews with smart people about the changing role of design.

As technology becomes more complex and opaque, how will we as designers understand its potential, do hands-on work, translate it into forms people can understand and use, and lead meaningful conversations with manufacturers and policymakers about its downstream implications? We are entering a new technology landscape shaped by artificial intelligence, advanced robotics and synthetic biology.

So far there’s Kevin Slavin, Molly Wright Steenson, and Alexandra Daisy Ginsberg, with more to come from the likes of Matt Jones, Anab Jain, Dan Hill, and many, many more.

Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.

I have no doubt that showing just the top outrageous tweets leads to more engagement. If you’re constantly hitting people with outlandish news stories they’ll open the app more often and interact and post about what they think so the cycle continues.

This is a really good explanation of the difference between context-aware layouts—that we’ve had up until now—and content-aware layouts, which are now possible with CSS grid:

With the min-content, max-content and auto keywords, we can size grid tracks based on their content. I think this is very cool. If we manage to embrace as much of the web’s flexibility as we can, we can get the most out of these tools, and let CSS help us with designing for the unknown.

Some useful lessons here for strengthening a culture of sustained work on a design system.

Creating and maintaining a design system is like planting a tree—it has to be nurtured and cared for to reap the benefits. The seed of our design system has been planted, and now our teams are working together to maintain and grow it. Our new way of working supports gives people recognition, facilitates trust, and creates strong partnerships.

We need to think harder about the future and ask: What if our policies, institutions, and societies didn’t have to be organized as they are now? Good science fiction taps us into a rich seam of radical answers to this question.