Relax your shoulders, pull back your right arm a little bit, straighten your wrist more then the angle you have going now!

Can't you see your wrist is way too curved?

That blocks the right arm and shoulder from providing much needed counterpressure...and causes you to make tiny adjustments during play to try and be on time. You will never get there if you continue with this posture. You need the muscles and the weight of your arm and shoulder..the distance is to great like this.

That is why there is a gallop in your tremelo! your welcome...Now go try it and get that smug look of your face

Quote by Ortega: My original discovery of 9-9-17, 10:45am central time U.S. works perfectly and shall stand forever!
To me this is a lesson that any discovery, personal or otherwise does not translate into an immediate ability to use the discovery nor does the owning of a ‘famous player’ guitar mean the new owner can play it at the level of the professional. It also seems that 37 years of incorrect playing technique can not be overcomed without long, slow, and methodological practice to retrain the muscles.
Every professional I’ve heard, every Master Class instructor and every teacher I’ve had all say, Slow Down’ until every note is perfect. Playing the same snippet over and over at the same speed seems to me to have simply reinforced the existing incorrect muscle memory.
Pretty much everyone has said ‘Slow Down’ and so far its gone on deaf ears! Nothing else to say.

Check out what happened when I focused on ensuring that the a finger is completely limp *and kept in its naturally curved state* at all times, until the very moment of the pluck, at which time I only activate my tip joint, with that extraordinarily narrow/ tight/ immediate contractive trajectory that I've been talking about:

All parameters of the discovery are applied here, adding a focus on maintaining a natural limpness of the right hand fingers at all times. Especially with the finger that immediately follows p, or is used simultaneously with p, which ever the case may be.

The metronome is a tool. Measuring progress is one of its most important functions, as well as forcing one to practice slowly and mindfully.

That would be me. Thank you.

I had a friend over who was trying to play with me, and I told him he was playing unevenly. He denied it. Only then did I turn on the metronome and have hm play his part alone, which convinced him, where I could not.

The metronome is a tool. Measuring progress is one of its most important functions, as well as forcing one to practice slowly and mindfully.

That would be me. Thank you.

I had a friend over who was trying to play with me, and I told him he was playing unevenly. He denied it. Only then did I turn on the metronome and have hm play his part alone, which convinced him, where I could not.

I played bass once in a band where the drummer refused to practice with a metronome as he didn’t want “a little box telling him how to keep time”.

I'm not sure that a metronome will establish a sense if overall time, but it will help to control movement forms and help you learn precision of approach and stroke. I've had a tendency to rush a bit all my life, many many hours with the metronome have not cured that, only real awareness and listening can.