Jennifer Aniston’s watchout-boy-she’ll-chew-you-up character in “Horrible Bosses” calls her underling “a little faggot” for resisting her advances. Half-hearted attempt to whip up a little outrage ensues in the Daily Beast, which ponders whether the word should simply be extinguished from the language. But she’s horrible. Everything her character says is supposed to be shocking, inappropriate and offensive. Are screenwriters supposed to fail to avail themselves of shocking language?