There is a persistent trope of disembodiment that frames many investigations into the impact of new media technologies on culture. When we sit in chat rooms or immerse ourselves in virtual worlds, our bodies are supposed to lapse into redundancy—meat, as William Gibson called it. Despite the aching necks and backs and chronic RSI suffered by those who engage heavily with computing technologies, this trope persistently surfaces. So it was interesting to note that the body, in all its glorious corporeality, emerged as a loose theme binding the works exhibited as part of the ACMI Screen Gallery component of 2004: Australian Culture Now. [Introduction]