The New Verse News presents politically progressive poetry on current events and topical issues.

Guidelines

Submission Guidelines: Send unpublished poems in the body of an email (NO ATTACHMENTS) to nvneditor[at]gmail.com. No simultaneous submissions. Use "Verse News Submission" as the subject line. Send a brief bio. No payment. Authors retain all rights after 1st-time appearance here. Scroll down the right sidebar for the fine print.

Saturday, March 31, 2018

It was later than I thought when I first believed you, / Now I cannot share your laughter, Ship of Fools, —"Ship of Fools," The Grateful Dead, Lyrics by Robert Hunter

April Fool's Eve, 2018

Self-made darkness
Drawing us down
In a vortex of
Psychic disturbances,
Confusion of values,
Flight from consciousness,
Devaluation of knowledge, and
Abandonment of reason.

Led by a rising economic elite
With disdain for morality,
Egocentrism at the core of character.
Its heart chained to management wisdom,
Lacking passion and compassion
To grasp the human condition,
Ill-suited to struggle with our crisis
Of equality, fraternity, and hope.

George Salamon, who lives in St. Louis, MO, arrived in the United States in 1948 when, as the song says, America's bottles were still "filled."

Unharden, Lord, this heart and teach it, tear
by tear, till it contrives
to pardon those who sneer
at all these children begging for their lives.

Robert West lives in Starkville, Mississippi. His poems have appeared in Light, Poetry, Still: The Journal, Alabama Literary Review, American Life in Poetry, and other venues. Co-editor with Jonathan Greene of Succinct: The Broadstone Anthology of Short Poems (Broadstone Books, 2013), he's also the editor of The Complete Poems of A. R. Ammons, published in two volumes in late 2017 by W. W. Norton.

Friday, March 30, 2018

You mustn’t mean what you say, in the sex biz.
If you say, “ooh,” then it isn’t really an “ooh.”
If you say, “We have to keep our schools safe.”
You don’t mean, “We have to keep our schools safe.”
There’s no safety in numbers; just one svelte set
Of impregnable laugh lines—and the strength
To sweat out the entire scene, bulbous and sharp.
So the masters meet the masters in Las Vegas,
And, secretly, who could possibly avoid to watch?
The search tallies her hits to a million a month.
The money rolls in for being sexy in a certain way.
Oh to be Evita Peron’s corpse, whom the general
Was hired to guard! One might hear the squelch
Of the dictator’s hands being sawn off, the splash
As Hart Crane’s body in the steely Caribbean.
She made it her own; she says her name is Stormy
For a reason. There are many reasons I suppose.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Tuesday, March 27, 2018

from the perforated pages of our history.
People way back could breathe more.

Fresh air was not a negotiable item then.
Flags were cleaner, too.

And when the country was crafted,
we rejoiced in different names

to be filled with syllables
from around the world.

Our borders were elastic—
and broad-hearted America stretched beyond

a continent. And into the horizon.
We offered settlers so much

distance. We're shriveling
now into a walled street armory

of tight fists, deficits, and elected misfits
who want to put a tariff

on spacious skies.

Philip C. Kolin is the University Distinguished Professor at the University of Southern Mississippi where he also edits the Southern Quarterly. He has published more than 40 books on Shakespeare, Tennessee Williams, Edward Albee, African American playwrights as well as seven collections of poems. His most recent book is Emmett Till in Different States: Poems from Third World Press.

Rebecca Street is the author of You Can Help: A Guide for Family & Friends of Survivors of Sexual Abuse and Assault and the online program for survivors You Are Not Alone. She is also an actor and a poet. She has addressed both lay people and professionals at a wide variety of venues including the NY Office of Mental Health, the Fordham Graduate School of Social Work, and the University of CA., Santa Barbara. On April 4, she will be the keynote speaker for "Take Back The Night" at The Juilliard School.

Sunday, March 25, 2018

Sari Grandstaff is a high school librarian. Her work has appeared in TheNewVerse.News and other print and online journals. In March 2018 she has one of her haiku displayed just a few short blocks from the White House. She lives in the Catskill Mountains/Mid-Hudson Valley of New York State.

This girl looks like a younger Joan of Arc,
whose mission, burning in her, was the spark
that helped to light her nation in the dark.
This girl looks like a younger Joan of Arc.

Her mission, burning in her, is the spark
that kindles the crowd to chant, Never again!
The NRA can’t stop this hurricane.
Her mission, burning in her, is the spark.

The crowd is solid, chanting, Never again!
They’re marching with their families for our lives,
and for the dead, whose spirit still survives.
The crowd is solid, chanting, Never again!

We’re marching with our families for our lives,
led by this girl, a younger Joan of Arc,
showing us all the way to leave our mark:
by marching with our families for our lives.

This girl, though young, is like her: Joan of Arc.
Her mission, burning in her, is the spark
to light and lead our nation out the dark.
This girl’s a heroine, our Joan of Arc.

Anna M. Evans’ poems have appeared in the Harvard Review, Atlanta Review, Rattle, American Arts Quarterly, and 32 Poems. She gained her MFA from Bennington College, and is the Editor of the Raintown Review. Recipient of Fellowships from the MacDowell Artists' Colony and the Virginia Center for the Creative Arts, and winner of the 2012 Rattle Poetry Prize Readers' Choice Award, she currently teaches at West Windsor Art Center and Rowan College at Burlington County. Her new collection Under Dark Waters: Surviving the Titanic is out now from Able Muse Press, and her sonnet collectionSisters & Courtesans is available from White Violet Press.

Saturday, March 24, 2018

Fumed.
Fussed at folly.
Feeling firebrand-ish.
Flabbergasted and furious.
Formidable at finger-pointing.
Fixed, firm and fretted.
Fault-finder.
Fireproof and flinty.
Family-oriented.
Friendly to school kids.
Unflinching
Finally,
NRA: keep my F rating
in your book. I know it’s in
the big book at end of days,
the one that counts.
Finis.

Tricia Knoll is an Oregon writer whose poetry book How I Learned to Be White (an investigation of how white privilege has impacted her life and how she has come to understand it) is now available from Antrim House.

Friday, March 23, 2018

Mansour Omari smuggled the strips of cloth bearing his fellow-detainees’ names by sewing them into the collar and cuffs of a shirt. Photograph by Miriam Lomaskin / US Holocaust Memorial Museum via The New Yorker.

Omari “said to them, ‘What do you think if we write the names of all the people, since we can’t memorize all of them?’” he told me. “Of course, they said yes.” —“Written in Blood and Rust from a Syrian Prison: ‘Don’t Forget Us’ by Robin Wright, The New Yorker, December 19, 2017

When they called my name, I grabbed Shurbaji’s shirt.
It was blue and white striped. He was saving it
for his wedding as soon as he could get out
but he gave us his shirt to smuggle our names.
The tailor honed a chicken bone for a quill.
Shurbaji, the other journalist, was skilled
at handwriting, so he etched the names on strips
of cloth. We made ink from rust scratched off cell bars,
mixed with blood that Omar slowly collected.
Making the quill a needle now, the tailor
pulled the threads in Shurbaji’s shirt to embed
the strips of names inside the cuffs and collar,
replaced the threads. Omar the tailor is dead.
The first one called out takes the shirt. When I heard
my name I grabbed his blue and white wedding shirt.
They transferred me to another underground
prison and still another. I saved the shirt.
Sweat blurred some names by the time I was released.My love, we are coming back. Don’t forget us.
Our group of five shared a space of three floor tiles.
Still unfolding in the news, the dead, the names
of all eighty-five of us, sharing space in there.
She learned that Shurbaji died after three years
In prison and terrible beatings. My love,My love, we are coming back. Shurbaji sang.
He’d kept the shirt in prison for the wedding.
Don’t forget us. My love, see the names. His shirt.

Blue-gray stones setAbove the sea,Above the hillAnd then the worldThey are likewhat we imagineDemocracy might be

Majority rule,

Minority rights

Free, fair elections

Cooperation,

Compromise.

Blue-gray stonesset above the worldto remind us

That democracies

have flown,

are fleeting.

The stones of the Acropolis

Are mighty stones, Weighty stones

Set upon higher ground.

Gil Hoy is a Boston poet and trial lawyer who studied poetry at Boston University through its Evergreen program. Hoy received a B.A. in Philosophy and Political Science from Boston University, an M.A. in Government from Georgetown University, and a J.D. from the University of Virginia School of Law. He served as a Brookline, Massachusetts Selectman for four terms. Hoy’s poetry has appeared (or will be appearing) most recently in Chiron Review, Ariel Chart, Social Justice Poetry, Poetry24, Right Hand Pointing/One Sentence Poems, The Penmen Review, I am not a silent poet, Clark Street Review and TheNewVerse.News.

Tracey Gratch lives just south of Boston with her husband and their four children. Her poems have appeared or are scheduled to appear in publications including Post Road, Mezzo Cammin, The Literary Bohemian, Annals of Internal Medicine, Boston Literary Magazine, TheNewVerse.News, and The Yale Journal for Humanities in Medicine. Her poem "Strong Woman" is included in On Being A Doctor, Volume 4, from the American College of Physicians.

Tuesday, March 20, 2018

Something is out there, and we’re all just a bit
Terrified of what’s going to happen next, but
What in the heck can we do about something
That we can’t even see when it’s coming about
To slash and twist us about so turning us into
Just about everything we’ve never ever wanted
To be, or even not be, and it’s just awful the way
Some of us know that it’s pretty hard to stop
What we don’t want, or grab at what we do
By crying out loud, or even whispering, but
Some suggest we find all our sleeping masks
And look around in the kitchen for kitchen knives
And run outside in the dark which is darker
Than we’ve ever known, but now we’re slashing
And stabbing and hoping one of those we
Think we’re gutting will be what’s started us
All into the panic we’re in, even on such a
Cold night in the smack dab middle of March
And we don’t want to make too much of it
But we do go out in the morning to see if any
Can find any blood splatters, anything that
Might let us know we’ve once again shaken
The cry baby who keeps us all up late at night,
Twittering and tweeting scaring the whatever
Out of us, but now we can rest a bit until the
Next blowhard makes a mess of something
Out there, which is really here, where we are.

Poems of DeWitt Clinton have appeared recently in Santa Fe Literary Review, Ekphrastic Review, Diaphanous Press, Meta/Phor(e)Play, and The Arabesques Review. A new book collection of poems On a Lake by a Moon: Fishing with the Chinese Masters will be published in 2018 by Is A Rose Press, (Jerusalem) and a second book collection At the End of the War will be published by Kelsay Books (Hemet, Calif.) in the fall of 2018. He lives in Shorewood, Wisconsin.

Monday, March 19, 2018

Nevada looked like its NCAA tournament was going to come to end Sunday in the second round. But after trailing by 22 points in the second half, the Wolf Pack rallied to beat the Cincinnati 75-73 and advance to the Sweet 16. Nevada’s stirring comeback – the second-largest in tournament history – came just two days after the No. 7 seed rallied from 14 points down in the second half to beat Texas for its first NCAA victory since 2007. “Nothing feels better than this,” Nevada coach Eric Musselman said. “Nothing. Sweet 16!” —USA Today, March 18, 2018

We’re in the madness. We back our pack of wolves who dodge
the long, curved horns. The bearcats loom. We lift together-hands.

T R Poulson, a Nevada Alum (yep, I proudly sign my ghazal with support for my Wolf Pack. Her work has appeared in Rattle, Alehouse, Trajectory, Wildcat Review, The Meadow, Verdad, The Raintown Review, J Journal, and Tuck Magazine), currently lives in San Carlos, California.

Sunday, March 18, 2018

She rolled her eyes, and then she was gone. Liang Xiangyi, who raised her eyebrows and turned away from a fellow journalist who was asking a servile question during China’s choreographed National People’s Congress on Tuesday, has not been seen or heard from since. —The Sunday Times, March 17, 2018

into new life defy science defy reality band together perform miracles

speak for the dead speak for their ghosts speak for future ghosts

oh shoes what will become of you don’t let them take you away

don’t let anybody dump you in the latest landfill and forget about you

whisper shout mutter sing yell into enough ears of enough saviors

who will pick you up and save you for another demonstration

on another lawn at the capitol of a state until you convince

the crooked men with their crooked souls and their crooked suits

to do something to do anything to stop stop stop their crooked silence

until you find more and more shoes thousands of more shoes hundreds

of thousands of more shoes who will join you and join an army

that cannot be stopped an army of 7000000 ghosts of 70000000

ghosts of victims who cannot speak anymore cannot laugh anymore

cannot run anymore cannot enjoy a day with cousins at a picnic on a lawn

much like the capitol lawn cannot return the smile of an infant

because two of the shoes are hers cannot think of a time

when guns didn’t exist cannot live in a land of guns any longer

David Spicer has poems in Chiron Review, Alcatraz, Gargoyle,Reed Magazine,Raw, The Ginger Collect,Yellow Mama,Ploughshares, The New Verse News, The American Poetry Review, and elsewhere. He is the author of Everybody Has a Story and five chapbooks; his latest chapbook is From the Limbs of a Pear Tree, available fromFlutter Press.

Wednesday, March 14, 2018

inspired by the film The Theory of Everything and dedicated to Stephen Hawking ... "who dreamt and made incarnate gaps in Time & Space through images juxtaposed." (Allen Ginsberg, "Howl")

what twists and turns create the burn that makes the heart’s intones?

what organizing force infuses courage in our bones?

what questions help us quest to truths of how we do exist?

what answers satisfy the dark allowing light, sun-kissed?

a single speck of stardust that comprised him from the start

gave Hawking humble genius-sparks endorsing his own chart

of new galactic concepts none before had dared to breach,

of how the seasons stretch in space defying standard speech.

and facing such a fatal future from an early age,

he forced himself to move his mind to think outside the cage

impounding human theories bound by knowledge found on Earth.

he broke the mold of sanctioned mass, thus causing a rebirth

inside the field of physics where professors marveled more

at how his bright endurance conquered paralyzing odds

than at his hot hypotheses that came at last to bore

through scientific lenses lacking stabilized tripods.

deteriorating muscle strength could hardly stop his flow

of fiery radiation-thoughts and populated spheres

outside our milky, wayward mindsets curbed by what we know,

of places past the brink of time, beyond our pointless fears.

determined, clear persistence reigned till, sev’nty-six, he passed,

his focus never quitting quantum gravity at all,

his wit most sharp, intact until his heartbeat played its last.

study his work for ages so his star shall never fall.

Author’s Note: This elegy is specifically structured with seven rhythmic feet per line and six stanzas so as to represent the awe-inspiring age of 76 to which Hawking lived.

David James Olsen’s iconoclastic and encrypted poetry has been published in various sources including Instigatorzine, The South Townsville micro poetry journal, and three previous times here on TheNewVerse.News. A New Yorker juggling myriad passions, he is currently most focused on intensive poetic study and writing while gracefully diving into increasing vegan activism.

Tuesday, March 13, 2018

People protest outside a speech by U.S. Atty. Gen. Jeff Sessions on Wednesday in Sacramento, where he admonished state politicians for not cooperating with federal authorities on immigration enforcement issues. (Noah Berger / AFP/Getty Images via the Los Angeles Times, March 7, 2018)

Oddly, we (sort of) welcome the Trump administration's legal challenge in hopes that it will clarify not just for state officials, but for the federal government where the lines of responsibility and culpability might lie. We suspect the courts will side with California on most if not all of the legal issues Session's lawsuit raises, and in the process could underscore the reality that California's menu of state and local laws limiting involvement with federal immigration enforcement do not offer anyone anything remotely like sanctuary. —Los Angeles Times, March 7, 2018

Enjoy your Tuesday dinner at $35,000+
a head in Beverly Hills. If you have time,

Mr. Pres., explore SoCal culinarily. There's
an Indian place up the street from your shindig

called the Spice Affair. But beware. You don't
need more tsuris. Their chicken tikka masala

is excellent. Or try their saag aloo, potatoes
simmering in a spinach curry. Instead of

checking out prototypes of prejudice, try some
pork or beef enchiladas at El Portal. You can

have two, plus rice and beans for under $15.
Let's see, would you order black beans or frijoles?

That might be a tough choice. Or try camarones a la diabla. That's shrimp in a spicy red sauce.

Very close to the Mexican place is a Salvadorian
hole-in-the-wall delight. Do you know what

a pupusa is? It's not what you're thinking. If
you've got more time, stop by Saladang. It's close

to Beverly Hills. Have you ever tasted pad thai
or ginger chicken? And what about fried calamari?

That's our fave. BTW, you can have two scoops
of ice cream there. Yes, vanilla, if you don't like

ginger or mint tea. But if you want chocolate sauce,
you'll have to cross the street to Kabuki, where

all the sushi chefs are either Korean or Mexican.
So sue us!

Judith Terzi is the author of Casbah and If You Spot Your Brother Floating By (Kattywompus). Her poetry appears or is forthcoming in journals and anthologies such as Caesura, Columbia Journal, Good Works Review, Main Street Rag, Raintown Review, Unsplendid, and Wide Awake: The Poets of Los Angeles and Beyond. Her poetry has been nominated for Best of the Web and Net. Museum of Rearranged Objects will be published by Kelsay Books later this year.

Monday, March 12, 2018

The victorious strike by teachers in West Virginia did not only result in a long overdue pay raise. With the exuberance of a nine-day teach-in, the teachers and their supporters have taught the nation a compelling lesson on the historical role of a true resistance. Taking to the streets, picketing on the sidewalks, and charging into the Capitol itself, the strike turned the public commons into a counter space for “we the people.” One by one, the roughly 20,000 teachers in West Virginia essentially forced lawmakers – and the nation – to stop our daily routine and address the growing education crisis on the terms of those most devoted to ensuring the best outcomes for our children: our teachers. —The Guardian, March 10, 2018

The teachers are digging for coal;
They pour out of the mines, dark-drenched,
Unimpressed by the earth’s time tables,
The maps colored outside the lines.
They are heading home from the mines.

The teachers have received the cables
That mark their pay; their fists are clenched
Even grading papers, their precious ore
A losing industry. As the work clock chimes
Apocalypse, for health they pay the fines.

The teachers breathe fumes of a Stygian shoal
As they sail on—confused, wrecked and bled,
Their career an entanglement of labels.
Of their day’s take nothing survives.
They’re servants to the ironies and declines.

Like prophets, they cluster countless Babels,
Their clothes contain the prints of our kindred.
Yet, where gratitude should be, there’s a hole.
A relentless grind, their minds like stripped mines,
For expenses overdue, for quarrying lives.

Alejandro Escudé published his first full-length collection of poems My Earthbound Eye in September 2013. He holds a master’s degree in creative writing from UC Davis and teaches high school English. Originally from Argentina, Alejandro lives in Los Angeles with his wife and two children.

Sunday, March 11, 2018

The watch slipped from my wrist and dropped
to the sand, burying itself. Retracing
my footprints, I couldn’t find it, though I searched
and searched, my palm skimming the beach
like a metal detector.

Home from vacation, I wonder who might
find that watch, wonder
what lonely, homeless beachcomber—years from now—
might idly sift a handful of sand and

discover it. Would the watch be
silent, its cracked face filled with grains that seeped in,
little by little, smothering the two luminous hands?
Or would it still be ticking away in some other time zone,
each sweep of the second hand like a wave
smoothing a distant shore?
If he held it to his ear, like a spiral seashell,
could he hear the azure roar of the ocean inside it?

If I could replace something, it wouldn’t be
the watch I lost. Instead, I’d retrieve
a minute, an hour, a day or two, a month,
even a whole year. I’d retrieve
a few friendships, the blurred mistakes I’ve made,
the faces that faded from the family photo,
an afternoon of tender touching. I’d recover

those moments that passed
while the grains
in the hourglass fell
and fell
in a line so thin and steady I could hardly tell it was moving.

Bill Meissner is a teacher/writer and the author of four books of poems, two short story collections, and a novel Spirits in the Grass which won the Midwest Book Award. He lives in Minnesota. Visit his Facebook author page.

grandpa’s wet eyeslook skywardas his beloved lies dying intheir wrinkled marriage bedwhile he harvests her favoritespring peas from afresh-furrowed gardenone more time—if i could paint on the horizonall the love i’ve known in my lifei would need abigger sky—

she falls silent

anger retreating

sun alighting silver-winged

on salt-saturated sands

an uncertain balm in

this gilead

when we buried herhe weptas the church choirencircled her burial plot andmusic and mourninglinked arms to riseup from the earthand weavea hopeful hem ontothe grief-wornfabric of the firmamentJill Crainshaw is a professor at Wake Forest University in Winston Salem, NC.

Saturday, March 10, 2018

If you like me
I promise
to like you.
If enough of you
follow me
a social platform
will emerge
constructed of
digital timbers
sturdy enough
to hold the weight
of a million
similar minds.
We don’t have to be
indistinguishable,
so long as
you approve of
what I say.
I don’t know
where you live
or even have
the time to find out
but truth conforms
to no geography.
Let’s just say
it’s sufficient
that our thoughts
are linked.
Connect me
with others
and we’ll grow
a constituency.
Like me.
We’ll be a multitude.

THE NEW VERSE NEWS

The New Verse NewsLive since 2005

Most Recent Poems

The New Verse News on FaceBook

Follow Us On Twitter

Subscribe to The New Verse News

Subscribe via email

Enter your Email:

Support The New Verse News

#Resist

#StrongerTogether

PROTECT THE SPECIAL COUNSEL

#EndFamilySeparation

Donate to the RAICES fund via The Action Network to directly support legal services for detained separated parents and the direct funding for bonds to get parents released!!! The Refugee and Immigrant Center for Education and Legal Services (RAICES) is a 501(c)(3) nonprofit that promotes justice by providing free and low-cost legal services to underserved immigrant children, families and refugees in Central and South Texas. RAICES is the largest immigration non-profit in Texas with offices in Austin, Corpus, Dallas, Fort Worth, Houston, and San Antonio.

Emails to The New Verse News that do not follow the guidelines printed at the top of this page and in this column will be deleted. Poets are reminded, therefore, NOT to send attachments unless specifically requested to do so.

Although the editors and audience of The New Verse News have a politically progressive bias, we welcome well-written verses of various visions and viewpoints.

In any event, opinions expressed in The New Verse News are those of the poems' writers (or, perhaps, only of the poems' speakers) and not necessarily those of the editors, the audience, or other contributors to the site.

By submitting work to The New Verse News, each contributor is affirming that the work is entirely her/his own creation, that s/he owns the copyright to the work, that the work has not been previously published in print or posted online (including on personal blogs and social media or even on a private, password-protected location online), and that the work's publication in The New Verse News does not violate the rights of any publication, organization, or individual. The New Verse News thus requires and expects that each poem published herein is the original work of the person, named in the byline, who submits the poem, although it cannot guarantee that this is the case.

The writer retains all other rights to her/his work. The writer of a poem accepted by the editors will be informed of that acceptance simultaneously with the posting of the poem on site. The editors try to respond to submissions within a fortnight.

The New Verse News accepts multiple, but NOT simultaneous submissions. In general, the editors of The New Verse News try not to post the work of any one poet more than once in ten days.

The editors do not have the time to comment on poems submitted to The New Verse News. Even had we the time, we have found from unhappy experiences in the past that editorial feedback is too often the prompt for argument and too infrequently accepted as constructive. Decisions are based on the needs of the journal on any given day and are not at all meant to be judgements on the quality of submitted poems. Many poems rejected by The New Verse News have been eagerly accepted and published by other fine journals.

Poems published in The New Verse News generally remain available in the site's archives eternally or until a writer requests that her/his work be deleted.

The New Verse News wherever possible follows the practice invented, as far as we know, by Joyce Carol Oates to spell the name of the #FakePOTUS "T***p" so as to avoid soiling the site with an obscenity.

The Managing Editor of The New Verse News is James Penha. Interviews with him regarding the editorial policies of the journal are available at:DuotropeSix Questions