Moxie Theatre closes its current season with Will Cooper’s story of a young woman struggling to reconcile her sense of identity and family belonging.

Jade (played by Dana Lau) was abandoned as an infant in China, and then adopted and brought to America by Brenda (Julie Sachs), a white single mom.

The play, which premiered in Chicago four years ago, explores how Jade strives to bridge the gap between her shattered past and the life she has come to know.

Delicia Turner Sonnenberg, co-founder and artistic chief of the women-centered Moxie, directs a production whose cast also features Albert Park, Dana Byrne and Joyce Lai. (See the dates and details at the end of this story.)

As the women-centered Moxie concludes this season, it also has just announced its next one, the company's 10th. Here's a look at what's coming up -- including two world premieres -- starting this fall:

"A Discourse on Wonders of the Invisible World," Sept. 18 to Oct. 12 (opens Sept. 20): This sequel of sorts to Arthur Miller's "The Crucible" is by one of Moxie's favorite playwrights, Liz Duffy Adams. The company previously produced her works "Dog Act," "Wet," "The Listener" and Or,."

"Enron," Nov. 6 to Dec. 7 (opens Nov. 15): A year after canceling a previously planned production of this Lucy Prebble play, Moxie has revived plans for the piece about the infamous energy firm whose name became synonymous with corporate greed and malfeasance. (The theater produced Prebble's "The Sugar Syndrome" in 2009.)

"The Anatomy of an Accent," April 30 to May 24, 2015 (opens May 2): The season's first world premiere is this piece by Tatiana Suarez-Pico; Moxie calls it "a powerful coming-of age-story about loss and learning to trust your own voice."

"Eternally Bad," July 10 to Aug. 2, 2015 (opens July 11): This world-premiere work is "a new musical about mythological goddesses who make being bad look good," says Moxie. Its creator is Javier Velasco, co-director of San Diego Ballet and a go-to choreographer for theaters around town, San Diego Rep in particular. Velasco based the musical on the Trinna Robbins book of the same name.