Tag Archives: Florence

Revealing the Early Renaissance: Stories and Secrets in Florentine Art (March 16 – June 16, 2013)

ART GALLERY OF ONTARIO (317 Dundas Street West)

$25 adult admission (includes admission to the rest of the gallery)

When thinking of the Renaissance, one might automatically conjure up images of Da Vinci, his Vetruvian man, and Michelangelo’s Sistine Chapel. It is a period in history renowned for its surge of creativity, knowledge, and innovation in areas of art, literature, music, architecture, and science.

It is a period that is also become more and more in vogue due to its resurgence in popular culture with T.V. shows like “The Tudors”, “The Borgias”, and the upcoming “Da Vinci’s Demons”, all putting their spin to this exciting and important moment in history.

But, what is rarely captured is the true birth of this period, and the movers and shakers who brought it all to life.

Perhaps its the fact that most art historians do not even know the names of most of the incredible artisans who painstakingly brought the churches of Florence to life with incredibly illuminated manuscripts, carvings, stained glass windows, and beautifully detailed panel paintings, between the years 1300 and 1350, that truly did start it all.

In partnership with the J. Paul Getty Museum in Los Angeles, the curators have painstakingly worked on this exhibition for the past 10 years, travelling far and wide to analyze and bring overseas for the first time some of the most elaborate examples of work from this period that define the breaking point from the flatness of Medieval art to a more expressive and “humanized” perspective that has come to characterize the Renaissance.

Many of these pieces have been shut away from the public for centuries, making this one of the most impressive exhibits the AGO has ever premiered, and one that is sure to capture the imagination of all those lucky enough to visit.

One might, at first, be intimidated by the prestige of such an exhibit, but fear not, as this portal on the past is as much a reflection of our present day, as it is the 14th Century.

Whether or not you know a great deal about Renaissance art, the exhibition is packed full of information, from the audio guide, to the i-pads strategically placed amongst the exhibition to give you the full backstory on some of the exhibition’s most intriguing pieces. The curators have created an easy to understand story, that truly captures all the excitement and mystery of the artists and the works they created amidst the social context of Florence during this period.

God is in the Details . . .

As you first step into the gallery, it may not immediately strike you how these works differ from the Medieval illustrations and paintings you are used to, but upon closer examination, you will find how rich, textured, and full of emotion each piece truly is.

They are not works of art to be admired from afar, but works that deserve an acute eye, and a willingness to get lost in the stories being told within them.

There is a certain excitement generated as you begin to see the layers of colour, and painstakingly small brush strokes that capture the most miniscule details of hair and embroidery. While our culture might be used to multiple images rapidly flashing before our eyes (surely a luxury akin to witchcraft for the men and women of the Renaissance), one must note that the multi-faceted panels and illuminated manuscripts are akin to the cinema of the Renaissance, with all the drama, suspense, horror, and spectacle you could expect from a film of today, with even a bit of special effects here and there.

An exquisite panel painting. Blood, gore, and devotion. The piece reads almost like an expensive 14th Century comic . . .

It”s all for devotion sake, of course; used to invoke prayer, meditation, deep-thought, or contemplation. There’s definitely that sense of entertainment in the midst, often showcasing the more brutal and tumultuous moments of martyrs and Christ: Agatha with her breasts being cut off, another martyr is grilled on coals in ecstasy, and check out any crucified Christ in the mix and you’re bound to see more than your year’s worth of blood squirt (the most impressive, hands down, being Pacino Di Bonaguido’s “The Crucifixion” from 1315-1320, whose flowing blood rains on the spectators of the scene, as well as a juicy squirt from the chest for the viewer).

Pacino De Bonaguida’s “The Crucifixion” and Detail of (1315-1320)

And while, we might cringe at the sight of this, its patrons felt the bloodshed and pain was the human aspect of their faith, and that one day perhaps, they may themselves reach divination, as did their faithful predecessors.

Getting lost in each piece, you begin to see that this society was obsessed with their idols, and their chance to be a part of them was as easy as getting a master to paint them into a panel or manuscript. In essence, it equated a wealthy merchant to the status of celebrity, having made his way onto the pages alongside the kingdom of heaven complete with Christ, the Virgin, and all the many martyrs who gave their life to the dedication of their fate.

The most entertaining example of this is the Laudario of Sant’Agnesse; an illuminated choir book commissioned by the Compagnia di Sant’Agnese, a fraternity of merchants, for use in charitable events and prayer, and who are also illustrated along the margins of the music. This remarkable collection of 24 illustrated manuscripts have been framed and reunited for the first time since the early 1800s, and will be performed by musical guests Lionheart on April 6 in the Walker Court of the AGO (click for more details).

It is amazing to think that at one time, masters like Botticelli, Leonardo Da Vinci, and Michelangelo must have set their gaze on these exact works to hone their own craft, and garner inspiration to create the masterpieces of the Renaissance we marvel at today. For when staring at the suggestive expression of Bernardo Daddi’s “A Crowned Virgin Martyr” (1334-1338), a glimpse of Da Vinci’s “Mona Lisa” with her mysterious stare, and face full of subtle shadows that delicately sculpt her face, can definitely be seen, which make the exhibition all the more exciting, and relevant.

In many ways, the exhibition brings to light that not much has changed in the world of art and commerce; citing the importance of banking and the prosperous merchant class to the creation of these vital works of art. Being so wealthy, members of the merchant class became so concerned that they may not reach heaven, that they began spending their fortunes on commissioning buildings, and filling them with new art that expressed their hopes, fears, ideals, and emotions.

With prosperity, comes art – and not much has changed today, as many of the world’s most successful artists rely on wealthy investors and corporate big wigs to the cut the cheque on a commission. Perhaps they no longer fear purgatory for their sins, but they are most definitely keeping their fingers crossed that their commission could strike them big dollars, and in that way, achieve idol status, and a bit of heaven.

The exhibition has already been lauded by the Wall Street Journal and Los Angeles Times as one of the most important exhibitions in recent years, so don’t miss out on this once-in-a-lifetime opportunity to travel through time, and take in 90 once-hidden masterworks that came to redefine life as we know it today.

Lorenzo Liverani is one of those rare talents in the world of fashion today. Multi talented, impeccably stylish, dapper, and business savvy – it should come as no surprise that this Style Star calls Florence, the hometown of the Renaissance, his home. Lorenzo’s style is showcased on his blog, Your-Mirror, and we are consistently impressed with Lorenzo’s signature style, so it was great to get the opportunity to pick the master’s brain, and learn a bit more about what makes his style his own, and his thoughts on fashion, and the future.

First, a bit of an introduction to yourself. What is your name, and what do you do?

My name is Lorenzo and I’m a studying fashion designer in Florence, where actually I live. The last October I decided to open Your-Mirror man’s blog. Until now it has more than 40,000 visits.

What would be your earliest fashion memory, and has it played a part in leading you to your fashion future?

Since I was a child, I lived surrounded by clothes. In fact, my Dad has a big clothes shop and I was always there, so I lived fashion work and fashion life every day, so I think this is my world

When you wake up in the morning, what thoughts go through your mind while picking out your outfit for the day?

When I choose my outfit I always think about my day’s commitments, weather, and absolutely depends on my mood.

Do you have any go-to inspirations or style idols you look up to in your own style?

Honestly I haven’t a fashion icon, and my typical style is classic informal, younger, modern and contemporary. Especially in the summer, my outfits are easy wear.

You’re walking down the street and stumble upon a time portal that will take you anywhere you want to go in the history of time. Where do you decide to take it, and why?

Really fun and nice question. Absolutely in nineteenth-century when dandy style was born. I love the fashion and lifestyle of that period.

You get the chance to work with anybody in the fashion industry, who would it be and why?

Anna Wintour because I want to know if she is as bad as she seems (ahah). No, honestly I’d like to much work for Dior, Valentino, Yves Saint Laurent… iconic fashion.

Here’s a fun one. You’ve accidentally conjured up an angry spirit who won’t get the hell out of your closet. You want to call the cops, but you know they won’t believe you so you pull out your exorcism kit and go to work. What is the one thing you are hoping to save from your wardrobe?

My sunglasses. I never go out without them.

What is the worst fashion advice you’ve ever heard or been given?

OK, I think the fashion world is so big and different from country to country, so everyone has a peronal style. So for me, there isn’t good style or bad style because it subjective, however, I don’t remember because honestly I didn’t listened to many suggestions from other people about fashion.

Any thoughts of the future of mens fashion and/or fashion in general, through the eyes of Lorenzo?

I think that classic style will win always. I think usually some designers or people exaggerate with whimsical style and thus becoming circus people.

You can browse through and buy Lorenzo Liverani’s own collection here, so take a look!

We will be showcasing E.O.F. Style Stars on our site, so if you are one, or know of a stylishly gifted individual out there who deserves some praise, give us a shout at the.eye.of.faith@gmail.com

Enjoy this wickedly witchy song from the one and only Florence and the Machine, from the album Ceremonies. Bedroom Hymns is one of the more unique songs with a dark voodoo mama beat and goth quality that only Florence Welsh could make oh so very relevant.

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