Author Archives: geoffcox

Commissioned essay by The Photographers Gallery for their Unthinking photography series. https://unthinking.photography/themes/machine-vision/ways-of-machine-seeing Part of an collaborative initiative with Cambridge Digital Humanities Network, and CoDE (Cultures of the Digital Economy Research Institute) and Cambridge Big Data. http://www.digitalhumanities.cam.ac.uk/Methods/woms2017/woms2017CFP Also published in Machine

Commissioned essay by The Photographers Gallery for their Unthinking photography series. https://unthinking.photography/themes/machine-vision/ways-of-machine-seeing Part of an collaborative initiative with Cambridge Digital Humanities Network, and CoDE (Cultures of the Digital Economy Research Institute) and Cambridge Big Data. http://www.digitalhumanities.cam.ac.uk/Methods/woms2017/woms2017CFP Also published in Machine

The Contemporary Condition book series offers a sustained inquiry into the contemporary condition from a range of perspectives by key commentators who investigate contemporaneity as a defining condition of our historical present. Contemporaneity refers to the temporal complexity that follows

The Contemporary Condition book series offers a sustained inquiry into the contemporary condition from a range of perspectives by key commentators who investigate contemporaneity as a defining condition of our historical present. Contemporaneity refers to the temporal complexity that follows

This is a simple website that archives selected projects by Geoff Cox. Biography: Geoff Cox is Associate Professor/Reader in Fine Art at Plymouth University (UK) and Associate Professor/Lektor in the School of Communication and Culture, Aarhus University (DK), currently engaged

This is a simple website that archives selected projects by Geoff Cox. Biography: Geoff Cox is Associate Professor/Reader in Fine Art at Plymouth University (UK) and Associate Professor/Lektor in the School of Communication and Culture, Aarhus University (DK), currently engaged

Taking Benjamin’s 1921 essay “A Critique of Violence” as starting point, the essay/paper analyses the notion of violence as an idea inherent to language and software, and questions its uses and ethical consequences. A version was published in Spanish “Crítica

Taking Benjamin’s 1921 essay “A Critique of Violence” as starting point, the essay/paper analyses the notion of violence as an idea inherent to language and software, and questions its uses and ethical consequences. A version was published in Spanish “Crítica

The Contemporary Condition is a research project at Aarhus University made possible by a grant from the Danish Council for Independent Research. The project is led by Associate Professor Jacob Lund and Associate Professor Geoff Cox and runs for three

The Contemporary Condition is a research project at Aarhus University made possible by a grant from the Danish Council for Independent Research. The project is led by Associate Professor Jacob Lund and Associate Professor Geoff Cox and runs for three

FREE eBROCHURE (PDF) PRINT ON DEMAND As a portrait of the network in real-time, Pirate Cinema somewhat reflects the temporal complexity of the world now in the coming together of different co-existing ways of being in time. The text argues

FREE eBROCHURE (PDF) PRINT ON DEMAND As a portrait of the network in real-time, Pirate Cinema somewhat reflects the temporal complexity of the world now in the coming together of different co-existing ways of being in time. The text argues

The Museum of Ordure is a self-institution that explores the cultural value of ordure through its projects and ongoing public collections. It takes a special interest in the management of human waste and its impact on the concept of the

The Museum of Ordure is a self-institution that explores the cultural value of ordure through its projects and ongoing public collections. It takes a special interest in the management of human waste and its impact on the concept of the