Lisa Conroy is the last person you'd expect to find in a highway-side 'sports bar with curves',--but as general manager at Double Whammies, she's come to love the place and its customers. An incurable den mother, she nurtures and protects her girls fiercely--but over the course of one trying day, her optimism is battered from every direction...Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?

Now the top-selling female artist in the world, Yayoi Kusama overcame impossible odds to bring her radical artistic vision to the world stage. For decades, her work pushed boundaries that often alienated her from both her peers and those in power in the art world. Kusama was an underdog with everything stacked against her: the trauma of growing up in Japan during World War II, life in a dysfunctional family that discouraged her creative ambitions, sexism and racism in the art establishment, mental illness in a culture where that was particularly shameful and even continuing to pursue and be devoted to her art full time on the cusp of her 90s. In spite of it all, Kusama has endured and has created a legacy of artwork that spans the disciplines of painting, sculpture, installation art, performance art, poetry and literary fiction. After working as an artist for over six decades, people around the globe are experiencing her installation Infinity Mirrored Rooms in record numbers, as Kusama continues to create new work every day.

In her own words, comedienne Gilda Radner reflects on her life and career. Weaving together her recently discovered audiotapes, interviews with friends (Chevy Chase, Lorne Michaels, Laraine Newman, Paul Shaffer and Martin Short), rare home movies and diaries read by modern-day comedians inspired by Gilda (Bill Hader, Amy Poehler, Maya Rudolph and Cecily Strong), LOVE, GILDA opens up a unique window into the honest and whimsical world of a beloved performer whose greatest role was sharing her story.

It’s true, Joan Jett became mega-famous from the number-one hit "I Love Rock n Roll," but thats only part of the story. That fame intensified with the music video’s endless play on MTV, world tours and many hits to follow like "I Hate Myself for Loving You," but that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, starting her record label out of the trunk of a car after being rejected by 23 labels, and influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-bullshit style. Bad Reputation gives you a wild ride as Jett and her close friends tell you how it really was in the burgeoning ’70s punk scene and the rocky road to rock stardom decades on. Their interviews are laced with amazing archival footage. The theme is clear: Even though people tried to define Jett, she never compromised. She will kick your ass, and you’ll love her all the more for it.

When police officer Asger Holm (Jakob Cedergren) is demoted to desk work, he expects a sleepy beat as an emergency dispatcher. That all changes when he answers a panicked phone call from a kidnapped woman who then disconnects abruptly. Asger, confined to the police station, is forced to use others as his eyes and ears as the severity of the crime slowly becomes more clear. The search to find the missing woman and her assailant will take every bit of his intuition and skill, as a ticking clock and his own personal demons conspire against him. This innovative and unrelenting Danish thriller uses a single location to great effect, ratcheting up the tension as twists pile up and secrets are revealed. Director Gustav Möller expertly frames the increasingly messy proceedings against the clean Scandinavian sterility of the police department, while Cedergren’s strong performance anchors the film and places the audience squarely in Holm’s tragically flawed yet well-intentioned mindspace.

THE LAST RACE is an impressionistic portrait of a Long Island stock car race track as its octogenarian owners struggle to maintain an American racing tradition in the face of a real estate development boom. The film merges narrative, image, and sound in a wholly unique cinematic form to bring the audience into the world of grassroots racing culture and explore a story that subtly grapples with questions of blue collar American identity that have taken on a profound relevance in the current political era.