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Sonata No 1 in G minor, BWV1001

Introduction

Bach’s set of unaccompanied violin music begins with the Sonata in G minor (BWV1001). Its richly ornamented opening Adagio is both harmonically and expressively wide ranging, taking us far from the home key in the first half of the movement. The Fuga which follows is concisely argued, its densely worked theme almost ever present and discernible throughout. It was later transcribed, perhaps by Bach, for solo organ and for lute solo. The Siciliana, in which three voices are sustained, has something of the character of a trio sonata movement. This technically demanding piece contains intriguing implication and ambiguity for the listener. The Sonata concludes with a lively Presto whose sixteenth-note passagework, chordal figurations and technical virtuosity lend brilliance to its character.

Recordings

From Wilhelm Kempff’s subtle resetting of Wachet Auf to Ferruccio Busoni’s virtuosic grandeur in the Violin Partita Chaconne, these performances by universally praised pianist Alessio Bax capture the reverence and resplendence of Bach’s music in t ...» More

The dazzling young virtuoso Alina Ibragimova has enthralled audiences with her live Bach performances. Critics have acclaimed her beautiful tone, superlative technique and a musical wisdom far beyond her years. Now, in this new recording of Bach’s ...» More

'Elizabeth Wallfisch's deft articulation succeeds in getting to the heart of the music' (The Strad)'This set would be a most tempting release at full price; at budget price it is irresistible' (Soundscapes, Australia)» More