Below is a list of my favorite episodes from Season Two of the Netflix series, “THE CROWN”. Created by Peter Morgan, the series starred Claire Foy and Matt Smith as Queen Elizabeth II and Prince Philip, Duke of Edinburgh:

TOP FIVE FAVORITE EPISODES OF “THE CROWN” SEASON TWO (2017)

1. (2.05) “Marionettes” – After Queen Elizabeth II makes a tone-deaf speech at a Jaguar factory, she and the British monarchy come under public attack by an outspoken liberal peer named Lord Altrincham.

2. (2.03) “Lisbon” – Palace insiders try to prevent the scandalous divorce of the Duke of Edinburgh’s aide, Lieutenant-Commander Mike Parker, that could reflect poorly on the former and the monarchy. Prime Minister Anthony Eden faces censure from his cabinet and the press over the Suez Crisis.

3. (2.09) “Paterfamilias” – Prince Philip insists that Prince Charles attend Gordonstoun, his alma mater in Scotland. Also, he reminisces about the life-changing difficulties he experienced there as a student.

4. (2.07) “Matrimonium” – A heartbreaking letter from former lover Peter Townsend spurs Princess Margaret to make a bold proposal to her current lover, photographer Antony Armstrong-Jones. The Queen has good news that causes complications for Margaret.

5. (2.02) “A Company of Men” – Elizabeth feels disconnected from Philip during his five-month royal tour in the South Pacific. Meanwhile, Eden copes with ill health and international pressure to withdraw British troops from Egypt during the Suez Crisis.

Two years ago, the ITV aired “DOCTOR THORNE”, Julian Fellowes’ four-part television adaptation of Anthony Trollope’s 1858 novel. As it turned out, the latter was the third novel in Trollope’s literary series known as the Chronicles of Barsetshire.

From what I know, the 1858 novel seemed to have little in common to the rest of Trollope’s Barstshire series. Dr. Thomas Thorne, the main character in “DOCTOR THORNE”, was a distant cousin of Mr Wilfred Thorne, a minor character in “Barchester Towers”. Aside from that, the rest of the characters in “DOCTOR THORNE” seemed to have very little or no connections to the remaining Barstshire series.

The plot for “DOCTOR THORNE” seemed pretty straightforward. Our main protagonist is a respected doctor who has been raising his niece, Mary Thorne, on his own. Years earlier, Doctor Thorne’s ne’er-do-well older brother Henry had seduced one Mary Scatcherd. When her stonemason brother Roger Scatcherd had learned about his sister’s pregnancy, he engaged in a fight with Henry and killed him. Scatcherd ended in prison for several years, his sister gave birth to a daughter before moving to Australia with a new husband, and Doctor Thorne ended up raising his niece and keeping her parents’ identities a secret.

Following his release from prison, Roger Scatcherd becomes wealthy as railway project undertaker, got married, became a father and acquired a baronet. He also becomes a chronic alcoholic. Thorne becomes the family doctor to the Greshams, a local family of the landed gentry. He he persuades Scatcherd to lend money Mr. Francis Greshams, the local squire, who has troubles managing his finances. Within time, much of the Gresham estate is put up as collateral. Meanwhile, Mary forms a close friendship with the Gresham children and falls in love with Frank Gresham, Squire Gresham’s only son and heir of the squire, and he with her. But due to the family’s finances, Squire Gresham’s wife, Lady Arabella, plots to end Mary and Frank’s romance and find a wealthy wife for her son. However, Sir Roger’s only son and heir, Louis Scatcherd, also falls in love with Mary. And like his father, Louis has also acquired a drinking habit. Dr. Thorne is forced to struggle to help his niece find happiness, while at the same time, deal with Lady Arabella’s scheming for her son, and the tenuous financial situation between the Scatcherds and the Greshams.

“DOCTOR THORNE” received mixed reviews when it aired on both British and American television. I suspect that many critics believed that the production seemed to lack the bite of previous Trollope adaptations. And if I must be honest, I agree with them. Overall, “DOCTOR THORNE” struck me as a fluff piece into the life of Victorian society, despite the social snobbery portrayed in the miniseries, along with the fact that two of the characters were alcoholics. I believe it had something to do with the production’s tone. Thanks to Julian Fellowes’ writing, the miniseries felt more like a light comedy with flashes of melodrama. Especially for a story that featured social bigotry, family secrets and alcoholism.

It did not help that the only characters in this story who truly suffered in the end were the members of the Scatcherd family. Personally, I wish that Lady Arabella Gresham had suffered a lot more than a slight embarrassment over the discovery of Mary Thorne’s newly inherited wealth by the end of the story. I found the aristocratic matriarch’s efforts to break up Frank Jr.’s romance with Mary a lot more perfidious than the Scatcherds’ financial hold over the Greshams or even the malice and hostility that Sir Roger’s son Louis had harbored toward the high-born family. After all, the Greshams had found themselves in financial difficulties, thanks to Squire Gresham’s mishandling of the family’s income and the family’s spending habits.

But despite my qualms over the production, I still managed to enjoy it. “DOCTOR THORNE” proved to be a humorous and romantic story about Mary Thorne’s relationship with Frank Gresham Jr. and the obstacles – both socially and emotionally – they were forced to overcome. I also enjoyed the humorous subplot involving the political going-ons in Barsetshire and the upcoming election between Sir Roger Scatcherd and Mr. Moffat, another self-made man who had managed to gain support from the Gresham family. The miniseries also proved to be a poignant family drama involving the Thorne and Scatcherd families, with a big emotional payoff. And all of this romance and family drama was witnessed by the always dependable Doctor Thorne, who seemed to serve as the story’s backbone.

The production values for “DOCTOR THORNE” proved to be top-notch. Production designer Kristian Milsted did a solid job in re-creating Barsetshire, the fictional mid-19th century community (for its middle-class and upper-class citizens) featured in this story. Her efforts were ably assisted by Caroline Story’s art direction and Jan Jonaeus’s sharp and colorful photography, which did justice to various locations utilized in various counties in Southern England. I especially enjoyed the costumes created by Colleen Kelsall as shown below:

However, I felt a bit disturbed when I noticed that the day dresses worn by some of the women characters exposed a bit of cleavage:

Unless I happened to be wrong, 19th century women did not reveal any cleavage during the daytime. It was considered appropriate to do so in the evening for formal dinners and parties. I also noticed in the image above that actress Gwyneth Keyworth is also wearing a flower crown. A flower crown with daytime casual wear? I do not think so. Flower crowns – popularized by Queen Victoria during her wedding to Prince Albert – were usually worn by brides and bridemaids during wedding ceremonies, formal dinners and parties. I have one last complaint. The mid 19th century hairstyles worn by the women cast members seemed spot on to me . . . with one exception:

What on earth was the production’s hairstylist thinking by allowing this modern touch to actress Stefanie Martini’s hairstyle? Or was the hairstylist trying to copy the following look?

The problem is that the above style was prevalent in the 1840s, a decade before the setting for “DOCTOR THORNE”. And Ms. Martini’s “curls” are a tad too short.

The miniseries featured a mixture of solid and excellent acting. I can honestly say that there was not a bad performance in the production. Performers such as Nicholas Rowe, Alex Price, Cressida Bones, Janine Duvitski, Danny Kirrane, Tim McMullan, Nell Barlow all provided solid performances. More solid performances came from Edward Franklin, who seemed a tad over-the-top as the hostile and alcoholic Sir Louis Scatcherd; Harry Richardson, whose portrayal of Frank Gresham Jr. struck me as a bit bland; and Stefanie Martini’s performance as Mary Thorne struck me as charming, but not quite interesting. The real problem proved to be the character, who seemed to lack any interesting personality traits.

One of the more interesting performances came from Rebecca Front, who did an excellent job in conveying Lady Arabella Gresham’s snobbish and ruthless nature. Phoebe Nicholls’ Countess de Courcy (Lady Arabella’s sister-in-law) proved to be equally snobbish and ruthless. However, Nicholls skillfully conveyed how Lady de Courcy’s ruthlessness proved to be more subtle. Richard McCabe did an excellent job of portraying Francis Gresham’s likable, yet slightly weak nature. Gwyneth Keyworth gave an excellent performance as Frank Jr.’s complex and slightly mercenary sister, Augusta Gresham. Kate O’Flynn gave a skillful performance as Augusta’s equally mercenary cousin, Lady Alexandrina de Courcy, who proved to be a lot more manipulative. Alison Brie gave a very charming, yet sly performance as the wealthy American heiress Miss Dunstable, who proved to be a very sensible and wise woman. One of two best performances in the miniseries came from Ian McShane, who gave a superb performance as the alcoholic, yet proud and loyal Sir Roger Scatcherd. The other best performance came from Tom Hollander, who did a superb job as the leading character, Doctor Thomas Thorne, a sensible and put upon man, who constantly struggles to look after his niece from the likes of Lady Arabella and keep Squire Gresham from folding under the weight of debts.

What else can I say about “DOCTOR THORNE”? It is not one of the best television productions I have seen. It is probably the least impressive Anthony Trollope I have ever come across. But despite its flaws, I rather enjoyed it. I found it rather charming and likable, thanks to Julian Fellowes’ screenplay and the excellent cast led by Tom Hollander.

Below is a list of my favorite movies set in Britain during World War II:

FAVORITE MOVIES SET DURING WORLD WAR II BRITAIN

1. “Dunkirk” (2017) – Christopher Nolan wrote and directed this Oscar nominated film about the British Expeditionary Force’s evacuation from Dunkirk, France in 1940. Fionn Whitehead, Tom Hardy and Mark Rylance starred.

2. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomlinson starred in this entertaining adaptation of Mary Norton’s novels about a woman studying to become a witch, who takes in three London children evacuated to the country during World War II. Robert Stevenson directed.

3. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

7. “The Americanization of Emily” (1964) – James Garner and Julie Andrews starred in this excellent adaptation of William Bradford Huie’s 1959 about a U.S. Navy adjutant in Britain during the period leading to the Normandy Invasion. Written by Paddy Chayefsky, the movie was directed by Arthur Hiller.

9. “On the Double” (1961) – Danny Kaye starred in this comedy about a U.S. Army soldier assigned to impersonate a British officer targeted by Nazi spies for assassination. Co-written and directed by Melville Shavelson, the movie co-starred Dana Wynter and Wilfrid Hyde-White.

10. “Sink the Bismarck!” (1960) – Kenneth More and Dana Wynter starred in this adaptation of C.S. Forester’s 1959 book, “The Last Nine Days of the Bismarck”. Lewis Gilbert directed.

Over seventy years ago marked the publication of author Winston Graham’s first entry in his novel series about a former British Army officer who had served in the American Revolution and his life experiences following his return to home in Cornwall. The BBC aired a successful television series that was based upon Graham’s first seven novels in 1975 and 1977.

Four years after the publication of his seventh novel, Graham concluded his literary series with five more between 1981 and 2002. In 1996, the HTV channel produced a pilot episode, which proved to be an adaptation of Graham’s eighth novel,“The Stranger from the Sea”. HTV had hoped this television movie would prove to be the first of a continuing adaptation of the 1981 novel and the remaining four. Unfortunately, fans protested against the casting of new performers in the lead roles of Ross Poldark and Demelza Carne Poldark. Fifty members of the Poldark Appreciation Society marched in full 18th-century costumes to picket HTV’s headquarters in Bristol, England. When Graham admitted that he preferred the new film to the original television series from the 1970s, he found himself cold-shouldered by the Society of which he was president. Needless to say, the television film, also titled “POLDARK”, proved to be a ratings flop and the network dropped all plans for an adaptation of Graham’s later novels.

I first learned about “POLDARK” and its literary source, “The Stranger from the Sea” from the ELLEN AND JIM HAVE A BLOG, TWO website. Already familiar with the 1970s series, I decided to check out this movie via Netflix. Set between 1810 and 1811 (eleven to twelve years after the 70s series’ conclusion), the plot revolved around the Poldark family’s initial encounter with a young smuggler named Stephen Carrington, while they awaited the return of patriarch Ross Poldark from his Parliamentary duties in London. I realize that this summary seems rather simple, but it was for a good reason. Like all narratives, “POLDARK” featured a good number of subplots. But for the likes of me, I found it difficult to pinpoint a main narrative for this particular plot after watching thirty minutes of the film. I was able to detect various subplots in this production:

*Ross Poldark’s political mission regarding the possible end of the Peninsular War
*Demelza Carne Poldark’s frustration over her husband’s absence from home
*The arrival of smuggler Stephen Carrington in Cornwall, whose presence will have an impact upon others
*Clowance Polark’s romantic involvement both Carrington and Lord Edward Fitzmaurice, whom she met in London
*Jeremy Poldark, Carrington and Ben Carter’s smuggling operation
*Jeremy’s attraction to the well-born Cuby Trevanion
*Widower George Warleggan’s courtship of Lady Harriet
*Clash between the Poldarks and Warleggan over Wheal Leisure (mine)

This is a lot for a 102 minute television movie. If the HTV network really wanted to continue the “POLDARK” series with episodes that are adaptations of Graham’s last five novels, it should NOT have adapted all of “The Stranger from the Sea”in the space of 102 minutes. Another problem I had with the movie’s narrative is that it resumed the “Poldark” saga without any recollections or flashbacks on what previously happened during the 1975-1977 series. I would have dismissed this if the 1996 movie had aired less than a year after the last episode of the original series. But it aired nineteen (19) years after the original series’ last episode. Nineteen years. I think some narrative or recollection of what happened in the 1970s series should have been given before the story could continue.

On the other hand, I feel that the production had more or less found its footing some twenty or thirty minutes into the production. I actually found myself investing in the movie’s subplot – especially those that involved Jeremy and Clowance’s romantic lives. And I thought Richard Laxton did a pretty solid job in maintaining the movie’s pacing and conveying Graham’s story to the screen. The author had seemed satisfied with movie. Mind you, his attitude got him into trouble with his saga’s many fans. But I could see why he enjoyed the movie overall. It really is not that bad. Aside from the first twenty or thirty minutes, I found it easy to follow and rather enjoyable.

Some people blame the casting of John Bowe and Mel Martin as Ross and Demelza Polark for the ratings failure of“POLDARK”. This is probably the truth. Many viewers simply refused to accept the two performers as the leads . . . especially since the producers had originally considered Robin Ellis and Angharad Rees from the 1975-1977 series to reprise their roles. They also seemed displeased with Michael Atwell as George Warleggan, even though Ralph Bates, who had originated the role, had passed away five years before this movie aired on television.

I have to be honest. I did not have a problem with Bowe, Martin and Atwell. Both Bowe and Martin gave solid performances as Ross and Demelza Poldark. But to be honest, the screenplay did not allow their characters to be showcased that much during the first two-thirds of the movie. By the time the pair’s characters were finally reunited for the movie’s last half hour, both Bowe and Martin were allowed to strut their stuff . . . so to speak. This was especially true for Bowe in one scene with Michael Atwell. I certainly had no problems with Atwell’s portrayal of Ross Poldark’s long-time rival, George Warleggan. I found it very intense and complex. Atwell did not portray his character was a one-dimensional villain – especially in scenes that featured Warleggan’s continuing grief over his late wife Elizabth Chynoweth Poldark Warleggan, who had died eleven years ago; or his rather odd courtship of the slightly intimidating Lady Harriet.

The production also featured first-rate performances from Nicholas Gleaves as Stephen Carrington, Hans Matheson as Ben Carter, Amanda Ryan as Cuby Trevanion and Gabrielle Lloyd as Jane Gimlet. But aside from Atwell, I felt the other two best performances in the production came from Kelly Reilly, who gave a very complex performance as Ross and Demelza’s daughter Clowance; and Ioan Gruffudd as the couple’s son, Jeremy. It was interesting to see both Reilly and Gruffudd when they were both near the beginning of their careers. Even then, the pair displayed the talent and screen presence that eventually made them well known.

In the end, I realized that I could not share the antagonism toward the 1996 televised movie “POLDARK”. Yes, I had a problem with the vague storytelling in the movie’s first half hour. And this adaptation of Winston Graham’s 1981 novel should have stretched out beyond a 102 minute television movie. But I still enjoyed it in the end, thanks to some exceptional and solid performances from the cast and the energy that seemed to infuse the subplots after that first thirty minutes. I would consider it a worthy addition to my collection of televised adaptations of Graham’s novels.

Arthur Conan Doyle created a force of nature when he set out to write a series of mystery novels featuring the fictional detective, Sherlock Holmes. His novels have not only provided a series of movie and television adaptations for the past century, but also the Holmes character has led to a great number of movies, novels and television series that featured original stories not written by Doyle. Among them is Mitch Cullin’s 2005 novel, “A Slight Trick of the Mind”.

About a decade later, “MR. HOLMES”, a film adaptation of Cullin’s novel finally hit the movie screens. Directed by Bill Condon, the movie told the story of a 93 year-old Sherlock Holmes, who has returned to his Sussex farm, following a trip to Hiroshima, Japan in 1947. The aging retired detective had taken the trip abroad to acquire a prickly ash plant and use its jelly to help him improve his failing memory. Apparently, Holmes has been unhappy with his ex-partner Dr. John Watson’s account of his last case, which occurred over 30 years earlier, and hoped to write his own account. Holmes recruits the help of Roger Munro, the young son of his housekeeper, Mrs. Munro, to help him regain his memories and care for the bees inside the farmhouse’s apiary. Over time, Holmes and Roger develop a strong friendship. And Holmes’ memories of his last case prove to be different than he had expected.

When I had first decided to see “MR. HOLMES” in the movie theaters, I did not expect it would be a mystery involving crime. I felt certain that it would more or less be a character study about the famous fictional detective. Not only was I right, I was also surprised to learn that Holmes’ last case said a lot about a certain aspect of his personality and how much he had changed through his relationship with Roger Munro and his mother. The movie also focused on Holmes’ trip to Japan and the curious relationship he had developed with a Mr. Tamiki Umezaki, who helped him find the prickly ash plant. Holmes discovered that Mr. Umezaki had a reason, other than admiration for his past reputation as a detective, for helping him. The latter believes that Holmes knows the real reason why his father had abandoned the Umezaki family many years ago. Only Holmes does not remember.

Ever since its release in theaters, “MR. HOLMES” has been showered with acclaim from film critics, aside from a few who were not completely impressed. When I first saw the trailer for “MR. HOLMES”, a part of me immediately suspected that the movie would feature a mystery. But I also suspected that the mystery would have nothing to do with a crime. I was proved right when I finally saw the film. In the end, “MR. HOLMES” proved to be at its core, a character study of the fictional detective. But the movie is also a study of a man struggling with aging and the slow loss of his memories and faculties. Due to Holmes’ failing memory, the details surrounding his last case and the disappearance of Mr. Umezaki’s father served as the story’s two mysteries.

A character study of Sherlock Holmes. The last time I saw a similar narrative unfold occurred in the 1976 movie, “THE SEVEN PERCENT SOLUTION” in which the detective struggled with cocaine and morphine, along with an unpleasant childhood memory. But the 1976 movie also featured a mysterious death and kidnapping. No crimes were featured in “MR. HOLMES”. The interesting aspect about “MR. HOLMES” is that the detective’s last case revealed an aspect about his personality that he had never acknowledge or recognized in the past. A personal shortcoming that led to the final failure of his last case. And this discovery . . . this failure led him to retire as a private detective in disgust. And yet, thirty years later, Holmes finds himself struggling to face that aspect of his personality again, due to his relationship with his housekeeper Mrs. Munro and her young son, Roger.

Overall, “MR. HOLMES” was an interesting and well-paced experience for me. I thought director Bill Condon and screenwriter Jeffrey Hatcher did a first-rate job in exploring not only Holmes’ personality, but also the other major characters featured in this movie. I also have to give kudos to both men for being able to maintain the story’s main narrative and unveiling the mysteries of Holmes’ past, while flashing back and forth between the detective’s past and present. And they did this without the movie falling apart in the end.

I also have to give kudos to the movie’s production values. Production designer Martin Childs did an excellent job of re-creating both London in the 1910s, along with Sussex and Hiroshima in the mid-to-late 1940s. There was nothing earth shattering about his work, but I believe it served the movie’s purpose. His work was ably enhanced by Jonathan Houlding and James Wakefield’s art designs, and Charlotte Watts’ set decorations. In fact, the movie’s entire production values seemed to be in a state of understated elegance, including Keith Madden’s costume designs, which ably re-created the wardrobes of the two decades featured in the movie.

If Ian McKellen failed to get an Oscar or Golden Globe nomination for his portrayal of the aging Sherlock Holmes, I will be disgusted. I was amazed at his ability to portray the same character in two different time periods, yet at the same time, reflect at how much that character had changed over the years. And remained the same. Another Oscar potential performance came from Laura Linney, who was outstanding as Holmes’ put upon housekeeper, Mrs. Munro. First of all, I thought she did a first-rate job of recapturing her character’s regional accent. And two, she did a superb job of conveying her character’s unease over the growing friendship between her son and Holmes. If Milo Parker can stay the course, he might prove to be an outstanding actor as an adult. He was certainly first-rate as the very charming and intelligent Roger Munro. He also managed to hold his own against the likes of both McKellen and Linney.

I have not seen Hattie Morahan in a movie or television production for quite a while and it was good to see her. More importantly, she was superb as the housewife Ann Kelmot, who was under investigation by Holmes in the past. The actress managed to effectively project an intelligent, yet melancholic air that nearly permeated the film. “MR. HOLMES” is probably the first dramatic project I have ever seen feature Hiroyuki Sanada. Well . . . perhaps the second. I have always been aware that he was a first-rate actor. But I feel that he may have surpassed himself in giving, I believe, the film’s most subtle performance. I was astounded by how delicately he shifted the Tamiki Umezaki character from an ardent admirer of Holmes’ who wanted to help the latter to the emotional and suspicion son, who demanded to know the whereabouts of his missing father. The movie also featured solid performances from Roger Allam, Patrick Kennedy, Frances de la Tour, John Sessions and a surprise cameo appearance of Nicholas Rowe (who portrayed the fictional detective in the 1985 movie,“YOUNG SHERLOCK HOLMES”).

As much as I enjoyed “MR. HOLMES”, I believe that it suffered from one major flaw. Some critics had complained about Holmes’ visit to Japan and more specifically, his visit to the Hiroshima bomb site. I did not have a problem with Holmes and Mr. Umezaki’s visit to the famous site. Personally, I found it rather interesting. On the other hand, I had a problem with the subplot regarding the mystery of Tamiki Umezaki’s father. I will not spoil the ending of this particular story arc. But needless to say, I not only found it disappointing, but downright implausible. Was this how Mitch Cullin ended the Umezaki story arc? If so, I wish Hatcher and Condon had changed it. There was no law that they had to closely adapt Cullin’s novel.

Aside from the Tamiki Umezaki story arc, I found “MR. HOLMES” very satisfying, engrossing and very entertaining. Director Bill Condon and screenwriter Jeffrey Hatcher did a top-notch job in adapting Mitch Cullin’s novel. And they ably supported by the subtle artistry of the movie’s technical crew and the superb performances of a cast led by the always excellent Ian McKellen.

1. “Without a Clue” (1988) – I still love this spoof of the Sherlock Holmes stories in which the real detective is Dr. John Watson, who has hired an unemployed alcoholic actor named Reginal Kincaid to satisfy the public’s demand for a real Sherlock Holmes. In this film, the pair investigate the disappearance of Bank of England banknote plates and a printing supervisor. Michael Caine and Ben Kingsley are magic under Thom Eberhardt’s direction.

2. “Sherlock Holmes: Game of Shadows” (2011) – Guy Richie made this second film about the Sherlock Holmes character and the latter’s conflict with his worst nemesis, Professor James Moriraty and his attempt to stop a major assassination. I loved it even more than Ritchie’s 2009 film. Robert Downey Jr. and Jude Law starred as Holmes and Watson.

3. “Sherlock Holmes” (2009) – Guy Ritchie’s adaptation of Doyle’s character about Holmes’ conflict against a nefarious aristocratic with plans to assume political control of the British Empire has become a major favorite of mine. Robert Downey Jr. and Jude Law, along with Rachel McAdams and Mark Strong star.

4. “The Adventures of Sherlock Holmes” (1939) – I am a big fan of this adaptation of William Gillette’s play about Sherlock Holmes’ investigation of a series of death threats against a well-to-do London family. This is the second film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

6. “The Hound of the Baskervilles” (1939) – This is my favorite adaptation of Doyle’s novel about Holmes’ investigation of an English family’s connection to a “demon” hound and a Candandian heir to the family’s fortunes. This is the first film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Sidney Lanfield directed.

7. “Young Sherlock Holmes” (1985) – Steven Spielberg produced and Barry Levinson directed this fanciful imagining of Holmes and Watson’s first meeting as adolescents at a prestigious boys school, as they investigate a series of suspicious suicide deaths. Nicholas Rowe, Alan Cox, Anthony Higgins and Sophie Ward starred.

9. “Murder By Decree” (1979) – Directed by Bob Clark, Holmes and Watson investigate the Jack the Ripper murders. Excellent, although a bit bloody for my tastes. Christopher Plummer and James Mason co-starred as Holmes and Watson.

10. “The Private Life of Sherlock Holmes” (1970) – Billy Wilder directed this tale about a bored Sherlock Holmes, who eagerly decides to investigate the attempt on the life of a woman with a missing identity. Robert Stephens and Colin Blakely starred in this entertaining, yet flawed movie.