Notes from the Author

Greetings Legend! To call this a difficult second game would be an understatement of gargantuan proportions! ERA has had three name changes, two complete mechanics overhauls and at least two conceptual earthquakes to get it this far. The inspiration for the game came from an article I read many many years ago regarding the origins of Magic the Gathering. I recall it was designed to be played between games at conventions and this got me thinking about designing a game that could be played, by a couple of people, between sessions or when people dont turn up to your scheduled gaming sessions. The design is totally different from Duty & Honour and Beat to Quarters, and satisfies a completely different itch for me in terms of gaming. However, it does share one trope with those games - its another one where the players and the storyteller have to really be on their toes and think quickly at the table about the story. No pre-planned adventures here Im afraid - its just the way I roll nowadays! The way I will be supporting the game is different as well. If you have this, you have probably got it through the Pay What You Want function of RPGnow.com or an affordable printed copy direct from my good self. Beyond this, Im looking to use Patreon.com as a means of securing funding to publish further setting packs for the game. Im also going to be encouraging everyone to publish their own setting packs if they want - go wild! I hope you enjoy ERA and that your legends grow and grow. As always, if you have any questions or comments, direct them to the Omnihedron outlets on twitter, facebook , G+ or throw them onto the ukroleplayers. com forum and one of the Omnininjas will answer! Cheers Neil This book is dedicated to the person who challenged me, at my moment of lowest ebb, to dare greatly.

INTRODUCTIONWHAT IS ERA?ERA is designed to deliver classic epic heroic tale where a hero battles against formidable foes and against terrible odds. As a game where one player plays with one Storyteller, think about the tales of Hercules, Perseus, Judge Dredd, Highlander, Conan and countless others. Where two players play with one Storyteller, think of Han Solo and Chewbacca, Elric and Moonglum, Fafhrd and the Grey Mouser, Dr Who and [insert companion of your choice], Batman and Robin - the list goes on and on This version of the game focuses on legendary heroes of a mountainous fantasy wilderness with a distinctly Nordic feel, but your game could take place anywhere or anywhen. As long as your setting has heroes, villains and classic themes to exploit, ERA can tell your stories.

WHAT SORT OF A GAME IS ERA?

ERA uses a traditional set-up with players, who take on the roles of the Legends within the game, and a Storyteller, who helps to guide the story, interpret the rules and present conflict to the players Legends. However, at times, the direction of the story is directed by the players themselves, balancing out some of this responsibility to create a shared gaming and storytelling experience.

HOW MANY PEOPLE PLAY ERA?

It is a game specifically designed to be played with two or three people one hero and a storyteller, or two players and a storyteller.

WHAT DO YOU NEED TO PLAY ERA?

To play ERA you will need: One story sheet (included in this booklet) One character sheet (included in this booklet) A number of polyhedral dice (d4s, d6s, d8s, d10s and d12s) Pencil and Paper

HOW LONG DOES A GAME OF ERA TAKE?

You can expect the creation of your Legends to take ten to fifteen minutes - including time to revel in how awesome your Legend is! Playing through a full seven scene cycle of the game should take around an hour.5

CREATING YOUR LEGEND

Each character in ERA is defined by three facets; Elements, Trappings and Lore. Each of these is formed by three things: Dice: The dice that is attached to that facet. Element: The element that it represents. Description: A one line expansion, giving detail to the Element, Trapping or Lore.Example: The Executioners Sword of Chun (d8 Fire) - The description is The Executioners Sword of Chun, the element is Fire and the dice is d8.

ELEMENTS

There are five Elements with which you forge your Legend. They represent the staples of iconic heroic stories Fire Fire represents the strength and fury of the Legend. Mighty warriors and ferocious barbarians will have a high Fire. Weak-willed mages and lithe thieves will have low Fire. Craft Craft represents magic and the unknown forces that shape the world. Strong-minded mages and pious shaman will have a high Craft. Ignorant gladiators and corrupt charlatans will have a low Craft. Song Song represents the presence and charisma of your Legend. A silver-tongued thief and a charming temptress will have a high Song. A repugnant warrior and a vile witch will have a low Song. Granite Granite represents the wisdom and knowledge of the Legend. A learned Lorespeaker and a wizened crone will have a high Granite. A feckless thug or a ill-mannered sailor will have a low Granite. Ice Ice represents the speed and the agility of your Legend. A nimble archer and a shadowy rogue will have a high Ice. A slow moving Juggernaut and a crippled Seer will have a low Ice. Each Element is allocated a dice value either d4, d6, d8, d10 or no dice (0). Each dice value can only be allocated once. Each Element should also be given a short description, to show what particularly quality of the element the character exemplifies7

Example: We decide to create a new Legend called Ragnar, a rugged abrasive warrior who travels the frozen plains and hunts down the monsters that prey upon the weak. A might warrior needs a strong Fire, so we allocate d10 to that Element and give it the description Brutal Fighter. He does not have any truck with magic or such dark arts, so we allocate 0 to Craft and has the description Has no truck with magic. Likewise, he does not win his battles by charming the monsters to death, so we allocate d4 to Song, describing him as gruff and blunt. Our warrior more of a brutal force than a deft stiletto, so d6 is allocated to Ice, described as Battlefield awareness, leaving d8 for Granite. We decide that the warrior is learned he studies the monsters he hunts - and describe it as Student of monsters

Fire Craft Granite Song Ice

d10 d0 d8 d4 d6

Brutal fighter Has no truck with magic Student of monsters Gruff and blunt Battlefield awareness

TRAPPINGS

Of course, a Legend is not just about the elements in their soul they are draped with the trappings of a hero. These trappings can be weapons, armour, spells, charms, spirits, mounts, ghosts whatever things you think that your Legend would carry with them. Each Trapping is allocated an Element and a dice value. The Element that is allocated to the trapping is important as it denotes how the Trapping is used. A greatsword allocated Fire will be a weapon of war, whereas a Greatsword allocated Song will be a status symbol which can sway crowds when it is drawn. The Trappings should also say something about the setting as well. In the example above a Greatsword is dull, boring and non-descript. The Executioners Sword from the City State of Chun however, is dripping with potential. Who is the Executioner? Where is Chun? Why does it execute people? How did Ragnar get the sword? Each Legend chooses THREE trappings, allocating d4, d6 and d8 to them.

Example: The Executioners Hammer of Chun sounds like a great place to start, so that will be Ragnars main Trapping, allocating it D8 Fire. We decide that Ragnar has been a slave-gladiator in his past and has been blood-tattooed by vile sorcerors probably from Chun! We allocate Blood Tattoos of the Gladiator with d6 Craft. Finally, Ragnar wears a neck-chain with the teeth of the monsters he has hunted hung on it. Each tooth is carved intricately with the tale of the hunt. Monster Tooth Chain could be allocated Granite as it stands as a testimony to his experience or it could be something used to intimidate foes with evidence of the monsters that have fallen and thus be Song. We decide that the carved record of past foes sounds better, so allocate it d4 Granite. Ragnar is shaping up now: 8

Fire Craft Granite Song Ice Fire Craft Granite

d10 d0 d8 d4 d6 d8 d8 d4

Brutal fighter Has no truck with magic Student of monsters Gruff and blunt Battlefield awareness The Executioners Hammer of Chun Blood Tattoos of the Gladiator Monster Tooth Chain

MULTIPLE ELEMENTS IN ONE TRAPPING You may, if you wish, attach more than one element to a particular Trapping, so that it can be used in multiple scenes. For example, you could have the Executioners Hammer of Chun as Fire d8 and Song d6, to underline its martial prowess and ceremonial position. This would expend two of your three Trappings during character creation.

LORE

What Legend would be complete without tales of their previous exploits? Their place within the dangerous world they live in? The awe with which they are held by the the people, the Kings and the Gods themselves? This is the Legends Lore and like Trappings, each point of Lore as a Element and a dice value, and should be also expand the background of the game. Each Legend chooses FIVE pieces of Lore, allocating d4, d6, d6, d8 and d10 to them.Example: We have established that Ragnar is a hunter of monsters, but why? Maybe he hunts monsters because his betrothed is held by a crazed God and he does these tasks for him? Chosen Hunter of Nar-Rehn, God of Death with d10 Fire attached to it is not only thematic, but it also gives Ragnar d10, d10, d8 for Fire which confirms him as a great warrior. If we add in his estranged princess as well, Betrothed of Freya, Princess of Chun with Song d6 we now see where Chun comes into the story! We dont think Ragnar is from Chun he was snatched as a slave by those Sorcerers after all. So he can be a full blooded native of the blizzard swept Dragon Tooth Mountains. Leaping from icy rock to slippery ledge sounds like Ice, so we allocate d8 Ice to this. We still have d6 and d4 to allocate. Ragnar was a gladiator so lets add Undefeated in the Floating Arena as Song d4. Finally, we give Ragnar some history, making him the First Son of the White Bear Tribe as Granite d6

SPECIALISATION Specialising in a particular Element is possible, garnering you a maximum of 2d10 and 3d8 in that element. However, that will leave you woefully vulnerable in scenes using other Elements. Take that into consideration when you allocate your Elements.9

The godspeakers tell of the great warrior Ragnar and his mantle of Hunter for the God of Death, Nar-Rehn. The eldest son of the most scarred warrior of the White Bear Tribe, Ragnar was destined to become King of the Mountain until the mark of Nah-Rehn appeared on his skin and his future was set in stone. To become Deaths Own Hunter, Ragnar needed to prove himself as a great warrior and sacrifice many souls to the Nah-Rehns legions. He travelled from the snow-covered mountains to the volcanic city of Chun and voluntarily entered the gladiatorial hell that is the Floating Arena, where he fought, undefeated, as their champion, earning the Blood Tattoos of a freed gladiator. To honour his achievement, he was presented to the Lord of Chun and was even betrothed to his beautiful daughter. However the Lord of Chun is a suspicious man and upon learning that Ragnar was pledged to Nah-Rehn, he decided that the warrior wished to sacrifice all of Chun to NahRehn and ordered his execution. Ragnar escaped, killing the executioner and stealing his ritual hammer. Returning to the Dragon Tooth Mountains, he roams the highest peaks, hunting the monsters that plague the human villages and adding their teeth to his chain. He knows that one day, Nah-Rehn will give him his great quarry and he must be ready...

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TALES OF LEGENDLegends live in a chaotic world of rampaging monsters, armies of deadly zombies and foul, despicable Gods. There are, however, many aspects of that world that are constant violence, lost information, impossible love and the pathways of Fate itself. Each game of ERA tells a tale of your Legend and is formed from scenes focusing on these constant themes. Your Legend will celebrate amazing successes and grieve after terrible losses but their own story will march on.

SCENESA game of ERA has a structure of SEVEN scenes, called a CYCLE. A cycle includes an INITIAL GATEWAY scene, five PATHWAY scenes and a FINAL GATEWAY scene. Each scene is defined by a combination of two Elements. These are added to the scene as follows: Initial Gateway: Storyteller chooses first, player chooses second. Pathway scenes: The loser of the previous scene chooses first, the winner chooses second. Final Gateway: Player chooses first, storyteller chooses second.

FIRE scenes are scenes of physical conflict massed battles, raging gladiatorial combats and death-or-glory duels. They may also be feats of physical prowess, strength and endurance. CRAFT scenes deal with dark magics, summoning spirits and dealing with demons. They may also involve speaking with Gods, matching magical wits with a mage or casting down a possessing Fae. GRANITE scenes are involved with the discovery or revelation ofknowledge or the use of intelligence to win the day. They might involve a flashback to reveal information, solve a puzzle, a debate at a Kings table or a drug-addled sage speaking in tongues in a smoky mountain cave.

SONG scenes involve persuasion, seduction and manipulation. When your Legend sweeps a Princess off her feet, makes a fool of the arrogant Prince or matches wits with the Gods themselves, it is a SONG scene.12

ICE scenes are quick moving scenes of evasion and escape, stealth andpursuit. A chariot race, an infiltration of a dark tomb, fleeing from a Mages summoned skeletons and losing a pursuing ship at sea these are all ICE scenes.Example: A scene combining FIRE and ICE would combine themes of combat, violence and strength alongside speed, agility and stealth. So maybe a battle scene amidst falling rocks and crumbling pathways? A scene combining FIRE and SONG however, would take the same themes of combat and strength and add in some social aspects - maybe the fight is partially martial and partly a bragging contest?

Remember these additional rules for choosing the Elements within a scene: You can only have a PATHWAY scene for a particular element once in each story i.e. there will always be a FIRE pathway scene, an ICE pathway scene, a GRANITE pathway scene, a SONG pathway scene and a CRAFT pathway scene, although what order they come in will be determined by the player and the storyteller. The scene cannot share an element with the preceding scene

GATEWAY SCENES

The first scene is always the INITIAL GATEWAY scene. This is the scene that throws down the gauntlet to the Legend and presents their first challenge. GATEWAY scenes are special. The first Element attached to the Initial Gateway scene is determined by the Storyteller. Whoever loses the conflict in this Initial Gateway scene gets to choose and frame the first Pathway scene. Remember, you cannot frame the first Pathway scene with either element that were included in the Initial Gateway scene. The last scene of the story is the FINAL GATEWAY scene which acts as a climax to the adventure and possibly a signpost to the next. The first Element attached to the Final Gateway scene is determined by the Player and can be ANY Element, regardless of what was used in the previous scene. Similarly, the Storyteller can attach any of the remaining four elements to the scene, regardless of what has come before. This scene should bring the tale to a close in some way, although it is perfectly acceptable to leave the story open ended and lead into a new story, with a new set of Gateway and element-driven scenes.13

PATHWAY SCENES

Five scenes follow this Gateway scene are PATHWAY scenes. These scenes form the bulk of the story - answering the challenge laid down in the Initial Gateway scene and building towards the Final Gateway scene. CHOICES Your choices of Element guide the story and the way that your scenes play out inform what will come next. Sometimes, you might want to fight in the next scene, but you have already used your Fire pathway scene - dont bend the rules. Be creative and find a way to work with what you have. In ERA, the nature of the scenes is a resource. If the fight scene is your ace in a hole save it until it is just right for you.

ILLEGAL SCENE CHOICES

You may not choose an element for a scene that would make the next scene illegal. This can happen, in particular, when you choose the second Element for the fourth Pathway scene. To avoid this, you may not choose the remaining Pathway scene element for the last scene, as the second element for the penulimate Pathway scene. Example: A game has been played where the first three Pathway scenes have used Ice and Granite, Fire and Craft and Song and Ice. The two remaining mandatory elements are Craft and Granite. If Craft is chosen as the Pathway scene first element, Granite cannot be chosen as the second - you would have to choose Fire. Song and Ice have been used in the previous scene and choosing Granite would stop it from being used in the final Pathway scene.

SCENE EXAMPLEExample: The Storyteller has kicked off the game with the Initial Gateway scene: a ferocious attack upon a wounded maiden by a pack of wolves, a fortunate escapee from the hands of the Serpent. This is a FIRE and ICE scene, as Ragnar wades into the fray to save the maiden and hears the horror befalling the village. Ragnar wins the day (how? See later). The Storyteller now gets to choose and frame the first Pathway scene as he lost the previous scene. He decides that he is going to shake things up by having the maiden be the beloved of the villages chieftain, a former White Bear Tribe mercenary and names the GRANITE scene. The Storyteller could not make this scene a FIRE or ICE scene, as the Initial Gateway scene was a FIRE and ICE scene. Ragnars player can now choose between SONG and CRAFT as the second element. He cannot choose FIRE or ICE as they were chosen in the previous scene. He chooses SONG. Note that this means there cannot be another GRANITE scene until the final GATEWAY scene, but there can be another FIRE scene, as the previous FIRE scene was a GATEWAY 14

The masstyf is the chosen guardian of the princelings of Chun. The massive dogs, who roam wild in the lower reaches of the Dragon Tooth Mountains are tamed and bonded to the young princes during their naming ceremony. They then serve as the protectors, playmates and mounts for the princes until they grow to adulthood. Loyal unto death, a masstyf will fight any foe that threatens his master and legend has it that if a prince dies, the masstyf will venture into the underworld to stand vigil over the boy until the end of time. That is, of course, just a legend...

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CREATING CHALLENGESAll Legends have adversaries that try to stand in their path as they complete their quests. Some of these will be living, breathing (or shambling ) active opponents, whereas others will be inanimate obstacles such as unclimbable cliffs, unfathomable mazes or impenetrable blizzards. There are four levels of adversarial challenges Minion: These are trivial challenges, totally within the basic capabilities of any hero. Only a disaster or complete ineptitude would result in a loss here. These provide an easy challenge to a single hero and a trivial challenge to a pair of heroes or a hero with a companion. Standard: These are challenges on par with the capabilities of any single hero. If they have a companion they should be able to handle these regularly Elite: These are challenges which will stretch the capabilities of a hero and offer a decent challenge to a hero and a companion. Legendary: These challenges will daunt even the strongest hero and challenge strongly a hero and their companion. Dont be afraid of Elite or Legendary adversaries for your Legends. They are meant to be challenged within the game and failing in a scene merely hands narration of the story into the hands of the players. Anyway, how can a hero truly underpin their legend if they never battle true gods and monsters? Rather than being represented by dice for each of their elements, trappings and lores, challenges have a static number that forms their opposition to the hero. These static numbers are derived from their equivalent dice level and the level of the challenge. Dice d4 d6 d8 d10 d12 d20 Minion 1 1 2 2 3 5 Standard 2 3 4 5 6 1016

Elite 3 5 6 8 9 15

Legendary 4 6 8 10 12 20

Example: The storyteller needs to put together the stats for a pack of hungry wolves chasing down the Legend. She decides upon the following:

By cross-referencing the dice associated with each Element, Trapping or Lore, she can now create a minion, standard, elite or legendary foe for this encounter.

Animal Adversaries

As you can see in the example above, animals will have a number of Elements rated at 0 animals rarely have GRANITE or CRAFT and only a few will have SONG

Packs and Groups of Lesser Monsters

Another option for adversaries are packs of monsters. No selfrespecting Legend is going to be troubled by a single Goblin but what about a pack of Goblins? Packs should be designed just as an ordinary creature , but you only need to defeat the pack rather than each individual one. Note that this pack-mechanic can be used for noncombat groups as well say, impressing a royal court?

Inanimate Adversaries

An inanimate adversary will always have THREE scores of the same type, to represent the nature of the threat that it poses.Example: A heavily blocked standard door might be 4,4,4 FIRE, a paltry magical trap would be 1,1,1 CRAFT whilst a fiendish labyrinth might be 8,8,8 GRANITE. Note that even the pointless magical trap could cast someone out if they do not have three dice of Craft! Sometimes, that companion is very helpful!

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Example Adversary Levels

You can use the different challenge levels to create a number of different challenges from the same core creature. Here is a wolf-pack with their core dice scores noted, and then two quick variants.

Trained Hunting Wolves (Elite)

Wolf-Spirit Lord (Legendary)

Pack Borne Instincts Shadow Stalkers of the Night Bound to the Forest Spirits18

RESOLVING CONFLICTSLegends are forged in conflict, moments of critical importance where fate can take you in a number of undetermined directions. Conflicts are not always based on physical violence - a Legends fate can depend upon decoding an ancient transcript or solving the riddle of the fallen goddess. Conflicts are completed in four steps

STEP ONE: DETERMINE ELEMENTS and INTENT

Each conflict is determined by the combination of the two ELEMENTS chosen when the scene was framed. Remember: The Elements must not be the same so no FIRE/FIRE conflicts. If this is a PATHWAY scene, it cannot involve either of the elements from the previous scene, be that the first GATEWAY scene or a PATHWAY scene. The participants must also state what they want from the conflict the INTENT. This should be specific rather than vague.Example: The Storyteller frames the scene of Ragnar arriving in the terrified village with the injured maiden, only to be confronted with the raging Mercenary that acts as their headman. This has already been determined as a GRANITE scene a battle of lore, precedence and authority. Ragnars player ponders whether to make this a violent scene adding FIRE or a matter of personality adding SONG or even using his mythic quest as leverage adding CRAFT. He decides that the fact that he is questing for the Death God could be interesting, so he chooses CRAFT. This scene will resolve using GRANITE and CRAFT. As an intent, Ragnar wants the Mercenary to recognise his authority and status and concede that he has the right to destroy the Serpent. The Mercenary wants to run Ragnar out of his village, into the frozen wilderness again. The Mercenary is a STANDARD opponent

STEP TWO: DETERMINE YOUR DICE POOL

To create your dice pool, you may include the following: The dice associated with ONE of the Elements involved in the conflict. The dice associated with the Elements of up to TWO Trappings involved in the conflict. The dice associated with the Elements of up to TWO pieces of Lore involved in the conflict.19

As you are playing out the scene, you should state exactly how these Trappings and Lore are being used to influence the conflict. If a reasonable reason for them to be involved cannot be found, they cannot be used.Example: Ragnar needs to assert his superiority over his rival if he is to progress and he is the First Son of his tribe, the son of the Chieftain. Rather than chastising him for some supposed slight on his maiden, the Mercenary should open his halls to him. He chooses Granite d8 as his Element. He states that he wants to show that he is an expert monster hunter adding his Monster Tooth Chain (Granite d4) and wants to add his Blood tattoos but he concedes that he would be reaching to try to bring them into this particular conflict. Looking at his Lore, he obviously includes First Son of the White Bear Tribe (d6 Granite). He has no other Lore that he can bring into the conflict. His resulting dice pool is d8, d6, d4.

The Mercenary includes 3 Granite, Ursas Transformation 3 Craft (he is a shapeshifter) and Gnarled Chieftains Staff 3 Granite. He has no more Lore or Trappings which he can apply. His opposition is only 3,3 and 3 WHAT IS REASONABLE? The object of the game is not to create barriers of pedantry by demanding that everything has a cast iron established reason for inclusion. If the players can legitimately find a reason to include their dice, allow it.

STEP THREE: MATCH YOUR DICE AND SCORES

There are three phases in each conflict. The Storyteller allocates their scores to each of the three phases of the conflict. At least one score, if possible, must be allocated to each phase. The player then allocates his dice against these scores. At least one dice, if possible, must be allocated to each phase. The player then rolls these allocated dice and notes whether they have exceeded the opponents total in that phase. If they have, they have won. If they have not, they have lost. If both are equal, it is draw and neither side has won that phase.Example: The mercenary allocates his scores equally to each phase; 3,3 and 3. Ragnar allocates a d8 to one phase, a d6 to another and a d4 to the final phase. Ragnar rolls his d8 (rolling 5, which beats the 3) and narrates his storming entrance into the village catching the Mercenary unawares and with his arms wrapped around another woman! Enraged by this intrusion, the Mercenary demands that Ragnar leaves the village. Ragnar chuckles and picks up the d6 allocated to his second phase, rolling 6 (beating the 3). Ragnar quotes his lineage, back through the 20

Chieftains of the White Bear Tribe, demanding that the Mercenary backs down. Ragnar demands that the Mercenary gives him aid and courtesy whilst he hunts the Serpent. The Mercenary has 3 once again in the final phase of the conflict. Ragnar only has his d4 to roll and only rolls a 2 (losing to the 3). The Mercenary states that he can have his courtesy after he has defeated the Serpent!

STEP FOUR: THE EFFECT OF THE CONFLICT

After all three phases of the conflict have been won or lost, the results of the conflict are determined. Each side is allowed to make one declaration for each phase of the conflict they won. Starting with the winner of the conflict (i.e. the person who won the most phases. If there is a tie, the player that stated the initial element for the scene goes first), a declaration is made. If you still wish to achieve your intent, one of your declarations must address that issue. Example declarations could include:The guards let me pass through the gateway without harassment We discover the secret password for the gate of the Gods My sword carves a deep gash across the barbarians face I dash through the castle, hiding in the shadows. My rune magic overcomes the molten barrier and we pass

If the loser agrees with this declaration, the declaration becomes part of the story. However, if they disagree with this statement, they can alter it but it costs them one of their declarations. An alteration to a declaration cannot totally reverse that declaration, but it can change or reduce its effect upon the target. Each side takes turns with any remaining declarations until they have all been used.

Wounds

If you wish to create a lasting effect on something with a declaration, you can do so by wounding them. These wounds do not have to physical they can be emotional, social or organisational wounds instead. To create a wound, you must make a declaration which cannot be altered. You now roll your highest dice associated with the Element of the scene which was chosen first. If a Storyteller character is delivering the wound, they do not roll and simply match their score against the table below.21

The character affected receives a descriptive Wound equal to the nearest highest dice to the roll. A Player Character is allocated a static number for their wound, a NPC is allocated a dice. Roll Wound ( on a PC) Wound (on a NPC) 0-3 2 d4 4-6 3 d6 7-8 4 d8 9-10 5 d10 11-12 6 d12 The wound should be given a description, like a Trapping or Lore, and has the same Element as the scene in which it was given.Example: If Ragnar wants to inflict an injury on the mercenary, it would be a GRANITE wound almost certainly a social wound that would impact upon the mercenarys respected. He would roll his highest GRANITE dice, d8. If the mercenary wanted to inflict a wound on Ragnar, he would use his GRANITE element of 3.

Using Wounds

Wounds can be included in an enemys score when the associated Element is involved in a future conflict.Example: In the above example, if Ydar decides to injure Ragnar instead of scarring him. He spends his declaration and using his 3 GRANITE gives Ragnar a 2 point wound. He calls it Shamed in front of Ydars Village 2 Granite. If, in the future, Ragnar is faced with a GRANITE scene, his confidence in his own knowledge has been damaged and his opponent will start with an extra 2 GRANITE from this wound.

Healing

Similarly, you can HEAL a wound by making a suitable declaration, which cannot be altered. This removes the wound.

Additional Declaration Rules

You may not make the same declaration twice, after it has been altered. Any second declaration should address a totally different issue. If someone has made a declaration and you have chosen not to alter it, you cannot negate it with your own subsequent declaration.

Dealing with Death

Obviously, there is one declaration that can be made that could have a radical impact on the game - I kill him22

There are three ways to deal with this sort of statement. 1. Play the game with this as a possibility and word your declarations and intent accordingly. 2. Only allow death to be effective in the final gateway scene. 3. Disallow death-related declarations within the game as a whole This is something that should be discussed and agreed between the players and the storyteller to ensure that the rules are clear for everyone.Example: Ragnar has two declarations and the Mercenary has one. Ragnar, in line with his intent states that the Mercenary opens his doors to him and gives him the hospitality his status demands. The Mercenary considers the implications of this and accepts, begrudgingly, that Ragnar does have the right to be given hospitality. This uses one of Ragnars declarations, leaving him with one. The Mercenary considers his position. Ragnar can alter anything he suggests, or accept it and then have free reign to make whatever declaration he desires. He needs to force Ragnar to alter the result. His intent was that Ragnar would leave his village as he fears the warrior could wrestle control from him. He declares that Ragnar can have hospitality, but as he is a quester for the Death God Na-Rehn, he will have just two nights to hunt the Serpent or the villagers will sacrifice the wounded maiden to the Dark God themselves. Ragnars player scowls at the Storyteller. Ragnar would not want to death of the young maiden on his conscience but he was planning to leverage some extra aid with his final declaration. He shakes his head and alters the declaration extending the time of the hunt until the next moon, three weeks hence. Ragnar has his shelter but the Storyteller has the choice of the next scene

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ADVANCEMENTLegends grow. Whether through fame and splendour, or infamy and horror, the tales of a Legend spread and their power increases as they progress through their journey. In ERA, this is represented by the passing of cycles. At the end of a cycle, you can choose one of the following Increase the size of the dice allocated to one of your Elements, Trappings or Lore by one size, to a maximum of d12. Introduce a new Trapping or Lore at d4 Add a new element to a Trapping at d4 Heal all Wounds that the character is currently suffering. Whilst it is by no means essential, some storytellers may rule that you should have a good reason to apply the increase to a particular area. Example: Ragnar has completed a cycle. Before the next one starts he can choose one of the following: Increase a dice by one size i.e. increase Brutal Fighter (Fire, d10) to (Fire, d12) or increase Monster Tooth Chain (Granite, d4) to (Granite, d6) Introduce a new Trapping of Lore i.e. add Vanquisher of the Ice Serpent (Song, d4) Add an element to a trapping i.e. add Craft d4 to the Executioners Hammer of Chun (Fire, d8) turning it to (Fire, d8/Craft d4) Heal all wounds he is currently suffering.

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COMPANIONS & PARTNERS

PARTNERS - A SECOND PLAYERERA can be played with two players and a storyteller, telling the epic tale of a fantastic pair of heroes. When the game is played with two main characters, in any given challenge one character takes to role of the hero, and another takes the role of the companion. However, when heroes are partners there is no room for any other help and neither can have a companion character!

GAINING A COMPANION

During an adventure a hero may acquire a companion character, who assists in their adventures. You may only have one current companion. A companion character has their own set of Elements, Trappings and Lore. The dice allocated to these are: ELEMENTS: TRAPPINGS: LORE: d8, d6, d4, d4, 0 d4, d6 d8, d6, d4

FORMER STORYTELLER CHARACTER?

If a companion has its origin as an existing character under the control of the Storyteller, their statistics are reduced to be in line with these characteristics; the companion is after all, an assistant to the hero and should aid rather than overshadow.

COMPANIONS OR PARTNERS IN CHALLENGES

When you face a challenge, your companion may aid you by adding dice from their elements, trappings or lore to your dice pool. You may include one dice deriving from an Element and one dice deriving from either a Trapping or Lore.Example: Ragnar is taking part in a vicious battle of sword and sorcery against a dark warrior daemon. This is a FIRE and CRAFT scene. He is aided in his battle by Tyk the Godspeaker. Tyk chooses one Element (his d8 in Craft) and one Trapping or Lore (his d6 in Craft as a Talented Godspeaker) and adds them to Ragnars available dice.

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SAMPLE COMPANIONSExample: Ragnar travels into Chun and picks up a young Godspeaker heretic as a companion. The Godspeaker is called Tyk.

Tyk the Godspeaker

Elements Fire 0 Craft d8 Granite d6 Song d4 Ice d4 Trappings Song d6 Granite d4 Lore Song d8 Craft d6 Ice d4 A man of words not action A servant of the Gods A keeper of legends Practiced orator Slim and slippery Facial Scars of the Godspeaker Law Staff of Chun Heretic Worshipper of La-Ri, Lord of Light Talented Godspeaker Guttersnipe of the depths of Chun

Example: Ragnar is granted a spirit of death to accompany him on a quest for Nar-Rehn

The Shadow of Your Passing

Elements Fire d4 Craft d4 Granite 0 Song d8 Ice d6 Trappings Ice d6 Fire d4 Lore Song d8 Craft d6 Fire d4 The shadow knows ... your death The shadow knows ... death magic The shadow knows ... nothing except death The shadow knows ... the words of death The shadow knows ... the paths of death Cloak of Chilling Shadow Touch of Death To see him is to know your own end A creature of the Darkest Dark Walk away of die, this is your future

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STORYTELLER ADVICEPREPARING THE GAMEAs the Storyteller, it is your responsibility to prepare the game, even if you have decided to use ERA as a quick pick-up game. So what do you do? The first thing to do is gather the materials needed for a game. These include the rules, either some printed character sheets for the Legends, a cycle sheet or some paper that can be used to scribble these on, and a handful of polyhedral dice (d4, d6, d8, d10, d12 and in extreme cases of truly Legendary foes, a d20). Clearly, your players may bring these as well. You also need a playing space that is conclusive to a game that requires people to talk, a lot. You then need to decide which setting pack you are going to use. Each setting pack should have a list of quick-start cycle ideas that you can use to prime an impromptu game - otherwise read through the setting pack and note down any themes that you think would make a great game. When you are introducing the game to your players, this is the place to start so that they understand where you are coming from. The final thing to do is read through the adversaries that are presented in the setting pack and highlight a few that you want to showcase in the game. These too, will allow you to frame the game with a little more certainty. Introduce these elements to the players and let their rabid imaginations loose on character generation. It is time to awaken their Legends!

GATHERING PLAYER INPUT

Whether you are using your own setting or one of the ERA setting packs, the Legends that the players create will define the setting that actually hits the table. Each Trapping, each piece of Lore and each description will add details and nuance to the setting. Use these nuggets of information to the best of your ability. Look at them and ask the players what aspects of them are the most important to the Legends? What to they, as players, want to see explored within the game? Not only does this increase the ownership and commitment within the game, but it also gives the players the idea that they are part of the story creation as well - a very real thing within an ERA game. This input from the players also serves to set the tone for the game and the direction for the story. Settings can offer a massive swathe of game that you can sample, and the ideas of the players will focus down onto one or two themes that can be explored during a cycle.

SHARED CREATIVITY

ERA is a game where the responsibility to be creative is shared equally around the table. This means that as a storyteller, you have to encourage your players 27

to contribute as much as possible, especially when it is their turn to frame the next scene. It is important to remember that this is their story to form, as well as the storytellers. ERA is also a game that cannot work with a pre-planned story arc. As the narrative authority within the game can quickly pass back and forth between the players and the storyteller, nothing is set in stone. Dont remain precious about your favourite ideas or themes - they almost certainly wont survive through a cycle. Taking both of these things into consideration, talk to each other around the table. What sounds like it would be a cool direction for the story to take? Which awesome character that has appeared previously might be great at this point? What devastating fallout from a failure might make for a really interesting twist? This dialogue is crucial to an excellent game.

MAKE LEGENDS ... LEGENDARY

Your players characters are called Legends for a reason. These are larger than life, epic scale characters who are destined to walk a pathway of danger and majesty and live on in memory forever. Bear that in mind whilst playing the game - nothing should be small, intimate or subtle. ERA is a game of Legends clashing with monsters, treasures ripped from the hands of the Gods themselves, wars that will tear planets apart and plagues that will destroy life as we know it. If you can think of a larger, more impressive way to take the story, dont hesitate to grab that option! That said, the pathway to greatness is never an easy one and these Legends should be challenged in the extreme during the story. As the game plays out there will naturally be scenes where the Legends have an advantage in the Elements that can be brought into play and others where they are out of their ... well, element. This is all part of the trials of a great Legend. Dont be afraid to sorely test your Legends - throw elite and legendary challenges at them. If they win, they have earned their title and if they lose, narration passes over to them and allows them the chance to rebuild their Legend after their failure.

PACING THE GAME

One part of ERA that needs to be watched very carefully, is the pace and structure of the story. Each Cycle should form a fully contained story, even if it is part of a greater multi-Cycle epic. This means that as the game moves towards the final pathway scenes and the last gateway scene everyone should have an eye on the climax of the cycle and moving the story towards that climactic challenge. However, what if this doesnt happen and by hook or by crook the cycle looks like it will end without a conclusion? End in a cliffhanger, with a definite hook into the next cycle! Another pacing and structure issues that Storytellers should be aware of is the purpose of each pathway scene. There is a danger that the game becomes a series of fights, rather than an epic story. Remember that not everything has to be a martial challenge - there can be epic storytelling contests, feats of athletic prowess, debates with Kings and riddles with monsters. All of these are challenges but they do not involve swords. 28

DRAGON TOOTH MOUNTAINS

Dragon Tooth Mountains is the default setting pack presented in this book. It presents an example of how the Lore and Trappings from a few characters can come together to bring flavour and detail quickly to your game. The Dragon Tooth Mountains are a snowbound, wind-swept, isolated range that houses an ancient conflict between men, daemons and immortals. The mountains, so-named after the numerous jagged peaks that form the spine of the range, have housed civilisation for millenia, and in the caves and under the snow, inhuman carvings and ancient artifacts can be found pointing back into history. Giants were once said to roam the Mountains, battling with ancient spirits and deadly dragons. Legend says that the caves and crevasses of the mountains were carved in these great conflicts. However, today the Mountains are the battle ground of more mortal factions. The first is humanity, lead and protected by the White Bear Tribe, whose is the major human settlement on the mountains. These rugged people live off the caves and crevasses of the mountain, hunting what they can and trading the ores of the mountains to the merchants of the distant city-state of Chun. They are a ferocious and violent people, trained from birth to deal with the threats on, in and above the mountains. The White Bear Tribe are not the only humans on the Mountains though - there are other, smaller settlements across the peaks. The White Bears offer these settlements protection and it is not unknown for a White Bear warrior to pledge the eternal vigil of protection for a settlement. Another defence presented by the tribe are their tamed white-furred bears. These animals, clad in golden runed armour, protect the temples of the spirits and act as companions for the greatest fighters The second is the Crone Queen Morna and her goblin hordes. High in the mountain, the Crone Queen lives, served by hellspawn familiars and twisted packs of daemons. She is descended from a long line of Godspeakers and has been driven mad by the voices of the Gods. Combine this insanity with her formidable magical powers and she regularly calls down chaos upon the mountain at the whims of her daemonic masters. She is aided by the Goblins, surging forth from their ancient burrows and tunnels long forgotten the people who created them. These twisted abominations and their tamed wolves, spill from the mountains to pillage the settlements on the command of Morna and bring back sacrifices for their ancestor spirits ... whoever and whatever they are.29

The third is the Court of the Mountain, a gathering of the animal spirits said to represent the Gods themselves. The Court lies high above the Mountains highest peak and act as the guardians of the Spirit of the Mountain itself. Amongst their number are counted Nar-Rehn - the winter wolf spirit of death, Ursa - the mother spirit of the bear, Talyn the Eagle Spirit, and Kel-Sha-Resh - the dead spirit of the sabretooth. The humans of the Mountains are a pious people, linked to these spirits by the Godspeakers - people possessed of the spirits of the immortals. Some pledge themselves to these gods, drawing power from them and becoming their living heralds. Others are blessed (or cursed) at birth to act as their mouthpieces on the Mountain. Godspeakers can share greater power with the Court spirits, even to the point of being able to change shape into their totem spirit form. And then there are the great beasts - the Dragons. These massive, power Wyrms live on the highest peaks of the mountains, swooping down to feed and terrorise everyone on their home. To kill a dragon is the mark of a great warrior and thus, many warriors forge weapons and armour from their skin, bones and hide. To carry a dragon item that you have not killed and forged yourself is considered a sign of cowardice and in some cases, heresy! The Dragon Tooth Mountains offer the chance for Legends to stand against multiple epic threats, an exceptionally hostile environment and battle with, or alongside the gods themselves.

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EXAMPLE LEGENDSRagnar, Monster HunterRagnar will one day lead the White Bear tribe, but now he is proving himself as a great warrior by hunting monsters on the Winter Mountain. He has pledged himself to Nar-Rehn and carries the great hammer of Chun, a nearby kingdom of slavers and scum, home of the floating arena. He scours the villages of the Dragon Tooth Mountains, hearing tales of great beasts that he can pursue and glory he can gather. Element Fire Craft Granite Song Ice d10 0 d8 d4 d6 Brutal fighter Has no truck with magic Student of monsters Gruff and blunt Battlefield awareness

The Executioners Hammer of Chun Blood Tattoos of the Gladiator Monster Tooth Chain Chosen Hunter of Nar-Rehn, God of Death Native of the Dragon Tooth Mountains Betrothed of Freya, Princess of Chun First Son of the White Bear Tribe Undefeated in the Floating Arena

Mark my words, Bear Lord, the one known as Ragnar will come for your throne. He will crush you with that hammer and use your skull as a crucible to drink your blood. Hush Mongoth, your words are twisted as always. Ragnar serves Nar-Rehn and through him, death is brought to our enemies. He is my ally, not my rival. As you wish, King of the Mountain. As you wish...

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Mysha the Ghostwalker

Her pale skin, and white blonde hair marked her as destined to become Godspeaker from an early age, but when she had not spoken a word by the age of ten when most young warriors had made their first solo kill, there was fear the voices had taken her mind. She was shunned and left to wander, so no one notice when she entered the haunted and burned ruin of the temple to Kel-sha-resh, the slain goddess. She returned with a carved and blackened oak staff, and a prophecy that Ursa's temple would fall, before the next chief saw springs thaw. Element Fire Craft Ice Granite Song 0 d10 d6 d8 d4 Weak and feeble Speaker of the Gods Swift and nimble Lived amongst Godspeakers Voice of authority Charred Staff of the Fallen Temple Silver braided hair Spirit-ridden by Kel-sha-resh Reader of the Forgotten Runes Disowned child of Yale the Godspeaker Native to the Dragon Tooth Mountains Feasted on the flesh of Morna's daemons Walked among the spirits of the Gorle Plains

Beyond the boundaries of the White Bear Tribe village, the people of the Mountains live in small, hidden settlements, carving out a living in the snow-covered wilderness. Janek is a young hunter and scout, tasked with the protection of his village and a constant set of eyes against Goblin raiding gangs. Janek is a follower of Talyn, the Eagle Spirit and swears that his eagle claw necklace was gifted by the Spirit herself during a fasting pilgrimage on the highest Mountain peaks. Element Fire Craft Granite Song Ice d6 d8 0 d4 d10 Protector in the wilderness Bonded to Talyn No time for learning Handsome and brave Leaves no snowprint!

Heartwood Hunting Spear Eagle Claw Necklace Chun-forged Chainmail Sure footed snow scout Human eyes of the Eagle Spirit I will stand between the innocent and the dark Every stone on the mountain is known to me Friend to the traders of Chun

Janek, Beloved of the Eagle, a scout of some renown yes, but are you sure that he is suitable? The White Bear Tribe hate weakness and the lad is hardly our greatest warrior? Weakness comes not in the sword arm, but in the instinct. Janek is the strongest we have, mark my words...

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THE WHITE BEAR TRIBE

The King on the Mountain, The Bear Lord (Legendary Threat)Since the song of the mountain began, there has been a King on the Mountain - a lord of the White Bear Tribe. The King must prove his worth through some great show of bravery and ferocity and then loses the name which he is given at birth and takes on the title of Bear Lord. The current King was once a great warrior - beaten in combat only once, before he took up his weapons as a man. He proved his worth to be selected as King by hunting and slaying Ulgar, the last true blooded giants on the mountain. He is known as a man of a quick and devastating temper and yet he is also a great and learned student of lore and tradition. His constant companion is Great Red Claw, one of the tribes war bears. The bear is old now, and will one day pass away into the arms of Ursa. When that day happens, the Godspeakers say the Bear King will fall... Element Fire Craft Ice Granite Song 10 0 4 6 8 Greatest Warrior on the Mountain The King has no truck with demons Fights on snow and ice Born to rule, taught to rule One man, one voice, one rule Bear Skin Cowl of Dread Golden Hunting Spear Guarded by the Eternal Vigil, warrior elite I am the King on the Mountain! Chosen Champion of Ursa Slayer of Ulgar, the Last Giant Blood of a Dozen Kings in my Veins Anger that Shakes the Mountains

Mongoth, Twisted Shamen of Ursa (Standard Threat)

Mongoth is old for a White Bear, having lived over sixty winters, many as a warrior, a member of the Eternal Vigil and finally rising to the most exalted position in the Cult of Ursa. His battles have left him scarred and rendered his left arm weakened and impotent, but despite his age he still has the look of a killer born. As the legends demand, he has never removed his hair since taking his position, allowing the growth of a truly impressive beard, plaited with bear teeth. Element Fire Craft Ice Granite Song 2 3 0 5 4 Only one good fighting arm Shamen of the Whie Bear Tribe Crippled and slow Learned elder My voice is heard... Razor-edged Bear Bone Knife Bear Tooth Beard A Body of Battle Scars Grizzled Veteran Warrior High Shaman of the White Bear Tribe The Power Behind the Bear King Blood of the Great Bear in his Veins My Arm for the Tribe35

YDar, White Bear Tribe Mercenary (Elite Threat)

A loyal member of the White Bear tribe, YDar has taken the oath of the Eternal Vigil - the warriors pledge to watch over a brethren-clan and protect them from the wilderness. He is a formidable fighter, geared with the best arms and armour his tribe can muster and possessed of his Shamens magic with the power of the bear god Ursa. Only a fool would cross YDar! Element Fire Craft Ice Granite Song 8 0 6 3 5 Expert spear fighter Pledged to the Eternal Vigil Fast as the charging bear Veteran warrior Blessed of Ursa Dragon Scale Armour Tempered Steel Spear Gnarled Chieftains Staff White Bear Tribe Mercenary Keeper of the Eternal Vigil Betrothed of the Priests daughter Ursas Transformation Mountain Born Toughness

Armoured Mountain Bear (Elite Threat)

The White Bear tribe present formidable defences in their mountain strongholds. Their pact with the bear god Ursa has forged bonds between these warriors and the bears of the mountain, who now wear the golden armour of the temple and fight alongside the tribe Element Fire 9 Rugged War Bear Craft 0 Ice 5 Sure footed Granite 0 Song 0 Trappings Fire 5 Craft 6 Lore Song Ice 5 6 Claw and Maw Golden Bear Armour Crazed Guardian of the Temple Relentless Charge36

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THE HORDE OF THE CRONE QUEEN

Morna, the Crone Queen (Legendary Threat)Morna lives in a deep mountain crevass, lurking in the shadows plotting the destruction of the moutain tribes. She is a descendant of the ancient Godspeakers - those possessed of the voice of the Gods but her caste was thrown from the mountain for heresy, leading to her generations-long feud with the tribesmen. She has forged pacts with dark hellspawn to further her aims, selling her own soul for arcane power... Element Fire Craft Ice Granite Song 0 10 4 8 6 Wizened old arms and legs Pacted wth dark hellspawn Quicker than she looks The Witch of the Mountain Voice like poisoned honey Tempered Dragon Claw Dagger Staff of the Elder Crone Mark of the Godspeakers Crone Queen of the Black Spire Soul of Ebon Ice Nimble like Death Immortal Knowledge Hellspawn Familiar

You speak no longer for the Gods or their Spirits, Morna of the Mountain. Our blood runs in your veins now and you speak only for the Daemons and the Hellspawn and the Lords of the Dark Beyond. Your soul has been replaced with black ice, your heart has been frozen. You are one of us.

You will sit beneath the Mountain and you will gather your allies. The twisted ones, the ragged and the monstrous. We will send you minions and bullies; creatures of nightmare -and when the time is right you will drive the humans from the Mountain, cast down the Court of the Mountain itself and sacrifice its Great Spirit. This is our pact, that you readily accepted. You are ours Morna For eternity 38

Pack of Goblins (Standard Threat)

Another threat on the mountain, are goblins. Crazed packs of deformed humanoids from the depths of the warren-like caves which penetrate the rock, the goblins surge from their lairs when they need food or sacrifices for their demonic ancestors. Individually, the goblins and their lupine allies are easy to defeat, but as a pack they offer a greater challenge. Element Fire 3 Craft 0 Ice 5 Granite 2 Song 2 Trappings Fire 3 Fire 2 Ice 3 Lore Ice Craft Song 4 3 2 Scrabbling mob of pointy things No demons! No demons! Quicker than an avalanche Everyone knows everyones business Nervous babbling Short and rusty, sword and dagger Lizard hide armour Pet Wolf Companions Born amongst the icy peaks Ancestor Worshipping Fanatics Heckle and Jeer

Pack of Wolves (Standard Threat)

Everyday on the mountain, wolves are a constant threat. Packs of mangy, desperate animals will track and slaughter anything they think of as weak and vulnerable. Some wolves are bound to the ephemeral forest spirits as guardians, whilst others are ridden by the goblins. Element Fire 4 Craft 0 Granite 0 Song 2 Ice 4 Snarling pack fighters Bonded by the pack Swift predator

Hellspawn Servitors (Elite Threat)

Dragged from the depths of darkness and despair by the magical power of the Crone Queen, the hellspawn are a constantly changing and chittering pack of daemons, afflicted spirits and elementals of pain and anguish. The Crone Queen keeps them near to her as courtiers and sychophants but when she needs to remove a threat, she unleashes them to do her will. Element Fire Craft Ice Granite Song 8 6 5 3 0 Gouts of burning death Spawned in the pits of Hell Quick as a flashfire Learned of forgotten tradition No mortal trusts a Hellspawn Jet Black Claws and Teeth Chittering and Leaping Shadows Flesh carved with evil runes Voices like the screams of dead children Knowledge beyond the ken of man Pledged to the Lords of the Deep Quicker than a dead mans breath

Trappings Fire 8 Ice 6 Craft 5 Lore Song Granite Craft Ice 8 6 5 5

Hellspawn Minions (Standard Threat)

Element Fire Craft Ice Granite Song 5 3 4 2 0

Lesser than the servitors are the minions, packs of screaming imps. Bred to eat flesh. All flesh Spawned in the pits of Hell Spinning mob of claws and teeth Learned in the lore of the dark No mouths, no voice Millions of tiny razor sharp teeth Never at rest; always moving Shifting souls beneath their skin

Trappings Fire 4 Ice 3 Craft 3

DENIZENS OF THE MOUNTAINS

The Spirit of the Mountain (Legendary Challenge)Before the dragons, before the White Bear Tribe and before Morna, the Spirit lay within the mountain, awaiting the Dawn the day when the snow will melt and the mountain will blossom and thrive. The Shaman of the White Bear Tribe tell of a day when the Court of the Mountain will call upon the Spirit to cleanse the mountain of those that would harm it. Fear of this cleansing has been used for centuries to strike fear into the hearts of warriors and children alike! The Spirit has never been seen, but it chooses to manifest gnarled and twisted creatures of wood and stone who speak with its voice and enact its wishes. When the Spirit of the Mountain manifests, the ground quakes, the snows shift and all creatures on the Mountain hold their breath Elements Fire 8 Craft 12 Ice 0 Granite 12 Song 8 Trappings Craft 8 Fire 8 Granite 8 Lore Song Craft Granite Fire Song 8 6 4 6 12 Fists like giant boulders Magic older than the Moutains heart Slow and ponderous The Mountain knows all... A voice from beyond time.

Roots to the Heart of the Mountain Bark from the Tree that holds the World Every stone tells me their story One soul, as strong as the mountain The snow will melt, the dawn will come The Court of the Mountain is mine to rule Daemons tear at my heart, in darkness You are all my subjects, hear my voice

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The Child of Kel-Sha-Resh (Elite Challenge)

On the far side of the mountain, three deep, jagged crevasses are cut into the rock, legend has it carved by the dying throes of the dead sabretooth god, Kel-Sha-Resh. Deep within these crevasses is the lair of the last of the dead gods children. This giant sabretooth prowls the night, dragging whatever prey ventures into its abode deep into the mountain. Some say it does not need to feed - being made immortal as the last wish of the god ... and yet it still hunts and forever will. Element Fire 8 Vicious primordial animal Craft 6 Blood of the sabretooth god Ice 8 Faster than fear Granite 0 Song 0 Trappings Ice 8 Fire 6 Craft 5 Lore Fire Ice Craft Granite 8 6 5 6 Sight of the Old World Razor Sharp Sabre Teeth Blood of Kel-Sha-Resh Blood Frenzy The Hunter in the Night Walker twixt Shadows and Dark Immortal Child of a Dead God

Winged Ice Serpent (Legendary Threat)

The most destructive monster on the mountain, is the dread Winged Ice Serpent. Said to have been the mount for the King of the Giants himself, the serpent is a deadly foe to even the hardiest warrior. Element Fire Craft Ice Granite Song 12 Crush, smash, swallow, ROAR! 8 Rune carved hide 10 Lashed by wings and tail 8 Older than the Giants 0 Hide of Glacier Ice Wings of the Ice Wind Rending Talons of the Winter Lord The Wind That Freezes Souls Ancient Beast of Lore I Have Ate the Hearts of Gods Wing and Claw, Tail and Maw44

Trappings Fire 8 Ice 6 Fire 10 Lore Ice Granite Craft Fire 8 8 6 10

Old Olaf, Mountain Giant (Standard Threat)

Standing over eight feet tall, Olaf is an outcast from the White Bear tribe and a legend on the mountain. He lives by himself, apparently untouched by every monster, animal and goblin. Olaf knows the mountain and he knows the ways of the beasts that roam there ... and he has his secret. Olaf knows how to call down the Winged Ice Serpent, the beast that can fly to the gods themselves! Elements Fire 3 Craft 5 Ice 0 Granite 4 Song 2 Trappings Fire 4 Song 3 Granite 5 Lore Granite Song Craft Fire 4 2 4 3 Blood of the Giants in his veins Keeper of the Secret Places Big and slow Only I know the secret ways Speaks with dragons Maul of God-Runed Iron Fur Wrap of the Mountain Beasts Calling Staff of the Serpent The Stone of the Mountain in my heart Voice of rolling thunder The Song of Snow, Ice and Wind Hands that can crush granite

Hor, the Cannibal Lord - (Standard Threat)

The madman of the mountains, Hor is a bent and broken old man now - not the promising young warrior who fought the brash firebrand who would become the Bear King. Hor fought and defeated the Man Who Would Be King - the last time he lost in battle - and was exiled when the King claimed his throne. Bitter and twisted he descended into in the mountains crevasses and lived out his days preying upon unwary travellers ... seeking their flesh Element Fire Craft Ice Granite Song 5 0 3 2 4 Human form with tooth and claw Abandoned by the Gods Crevass jumper Long ago exiled into solitude Rantings of a mad man White Sabretooth Cloak Massive Icebladed Axe Frame of the Ancient Mountain Lords45

Trappings Ice 4 Fire 5 Song 3

Lore Craft Fire Song Granite Fire

3 4 3 3 2

Lord of the Bear Claw Crevass Vanquished the Bear King .... once Eater of Blessed Flesh Friend to the Dead Gods Child Blood of the Giants in his veins

The Dread Skord (Legendary Threat)

The Dread Skord is a legend on a mountain filled with legends. Some say it is the predator that hunted the dragons into near extinction. Others say that it is death itself, the wolf-child of Nah-Rehn. Others claim it is a creature summoned from beyond and trapped on the mountain by a pact of blood lasting generations. The only thing that can be agreed is that it strikes without being seen, kills everyone it meets and has never been killed. Many say it can never be killed - how can you kill death? Elements Fire 10 Death walks in its shadow Craft 8 Shrouded in magic Ice 10 Moves without sound or sight Granite 0 Song 0 Trappings Ice 10 Fire 6 Song 5 Lore Fire Ice Craft Song 8 8 4 4 Faster than Deaths Last Breath Claws of Ice, Pierce your Soul The Last Words You Will Ever Hear Hunter of the Great Serpents No snow shifts in its passing Dined on the finest serpent essence Chained to the mountain...until when?

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ADVENTURE SEEDSTHE DRAGONS AWAKENThe Winged Ice Serpent sits alone atop the highest mountain and screams. Villagers cower in their homes and the White Bear tribe arm their finest. The great beast is calling for a mate and it is only a matter of time before they arrive. This time has been foretold and it is the end of days for the humans on the mountain. The serpents will devour all in their path in their mating frenzy. Only an exodus from the mountain or the actions of a true legend can save them - which will it be?

THE CRONE QUEEN RISES

Deep beneath the mountain, Morna has been gathering her warriors; hordes of twisted goblins, packs of rabid wolves and every type of hellspawn her masters will spare. Now she unleashes them on the mountain in an avalanche of carnage and death. Why? Morna seeks to bend the Court of the Mountain to her will by killing every single Godspeaker and silencing their voice. She will be left, the sole voice of the Gods and all-powerful. Stand fast Legends, lest you lose the Gods forever.

THE KING IS DEAD, LONG LIVE...

The Bear Lord, King of the Mountain, is dead - murdered in his bed. Without a leader, the White Bear Clan is at the whim of Mongoth and his machinations and unable to protect the mountain. Who killed the Bear Lord? Will someone be able to renew the pact with the Mountain Bears? Who will be the new King and what plot does all of this mask?

DEATH AT COURT

The sun is eaten during midday. The skies darken and hot hail falls. Birds fall from the skies and plants wither and die. This can mean only one thing - one of the Spirits of the Court of the Mountain is dying. The Godspeakers flail and rock as their voices scream for a Legend to travel beyond the highest peak and bring peace to the Court - healing the Spirit and returning the world to balance. When Kel-Sha-Resh died, her children tore holes in the mountain and killed thousands. This cannot happen again.

DRINKING WITH RAGNAR

It started as a wager during a celebration in the Bear Lords lodge. Now Ragnar stands beside a Legend as they prepare to undertake the Final Hunt - a life or death challenge between two great hunters. Mongoth has named the Dread Skord as your quarry; a beast that no man has ever defeated. One Legend will rise and one will surely die...47

PHASE ONE

PHASE TWO

PHASE THREE

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DECLARATIONS

The winner of the scene makes the first declaration, linked to the intent of the conflict

This declaration can be altered by the loser, at the cost of one of their own possible declarations

Loser now makes a declaration, if they have any left. This statement can be altered by the winner at the cost of their remaining declaration.

Winner can make a final declaration if they have any left. It cannot be the same as, or even a rewording of, the first declaration made.

FIRST GATEWAY PATHWAY SCENES

Can contain any two elements. Primary element chosen by Storyteller. Second element chosen by the player.

Each element can only be chosen once as a primary element. No scenes that feature the same element twice.

The loser of the previous scene frames the next scene and choses which element is the primary element.

The loser of the previous scene chooses the secondary element.

FINAL GATEWAY49

Can contain any two elements. Primary element chosen by players regardless of success in final pathway scene

LEGEND NAMEConcept Strength and Fury Magic and the Unknown Wisdom and Knowledge