It's quick, it says what it needs to say, and it gets out — all in a catchy 5-6-6-4 pattern that is neither iambic nor haiku, yet is ultimately superior to either of those forms. Best of all, it's not the 1-877-Kars-4-Kids jingle that makes you want to wreck a car and shoot a kid.

Cellino and Barnes' jingle is so sparse, so poetic that I often use the melody to express myself. It all started last year when I was sitting with a friend watching TV and a debate broke out. It prompted this lyric:

Cellino and Barnes

Which one is the hot one

I think it is Barnes

No, Cellino!

Which obviously led into more graphic (and obviously fictional) possibilities...

Cellino and Barnes

Have an honest bromance

Serve their clients by day

Then each other.

And..

Cellino and Barnes

Always up to party

Cellino brings the weed

Barnes the liquor.

Sometimes, my poems consider Cellino and Barnes' place in history:

Cellino and Barnes

Are such good attorneys

Could've gotten Dahmer

Just probation.

But for the past year, the jingle has inspired me to send emails to friends in what I call "Barnesian pentameter" whenever news breaks: