Last we have my own very different pop story, “Press Conference,” an excerpt from my e-novel The Tower. In the book I aimed first for readability, while at the same time trying to capture the moment. It’s about an NFL press conference.

Friday, January 23, 2015

I just received word yesterday about the death of underground writer and artist Lisa B. Falour. She was famed as “Bikini Girl” of the 1980’s. Later was a member of the Underground Literary Alliance in its heyday. Lisa had problems with a small press publisher taking advantage of her. Changing her work without her permission and not paying her. One of the ULA’s successes was obtaining a payment from said publisher for her, after some lobbying. I’d been invited several times to visit her and her husband in Paris, but never raised the money or time off for such a journey.

Lisa’s work defined edgy writing. By all accounts she was an edgy personality. RIP, Lisa.

Friday, January 16, 2015

A WORRY common among all writers is whether any of his/her writing will survive the step out of this world. Part of the writing impulse no doubt is a desire to leave the shred of a record behind. A marker that we were here, and tried to make a difference.

Some of my best writing is not available on line. Chief among the lot is a long essay I wrote way back in 1994 for the prestigious literary journal North American Review. The essay was titled, “Detroit: Among the Lower Classes.” Though I have yet to find an archived copy anywhere, I do know of an essay about Detroit which references my piece, and has some flattering things to say about it.

I did manage to discover the text of a much shorter and lesser piece I wrote in 2011 for the iNewp website, which seems to no longer exist. That essay, “A Tale of Two Literary Worlds,” is linked to the left, under Fun Stuff, if you care to take a look.

Was this posture a result of an essay I wrote back in 2011 or so, at the now-defunct “Voice of Anyone” iNewp website, about the defunct Underground Literary Alliance? The essay was titled “A Tale of Two Literary Worlds,” contrasting the fate of two literary groups; one at the center of the literary establishment, with all that entails, and one not.

Keith Gessen misses not having the street cred of a bottom-up, populist literary organization. One not so highly placed; not backed by the rich and the powerful. He generously wishes to change places with a fledgling outfit—to go from top to bottom, and allow someone else to move to the forefront.

You know what? We at NEW POP LIT are going to do everything in our power to help Gessen accomplish this goal!