Kevin and Brad keep talking video game movies in this bonus episode, specifically about the inconsistencies in the premise of Wreck-It Ralph, the lack of intellectual property rights in Rampage, the leafblower shooting money at the cast of Assassin’s Creed, and the trance music of the clubbing tail…

Sonic the Hedgehog has us racing to its defense, before moving on to discuss how quickly Scott Pilgrim can put on a hat, how many egregious name-checks Ready Player One has per second, and how to literally and figuratively turn on the gaming system in eXistenZ.

Does Scott Pilgrim vs. the World get too clever for its own good? Does Ready Player One even achieve “clever” at all? And can we keep it together long enough to analyze eXistenZ in a meaningful way after a drunken derailing? All this and more on Sonic the Hedgehog, Video Games Remastered, and Halliday’s 17th Favorite Watersports Movie…

Uncut Gems has us doubling down on the Safdie brothers, before moving on to discuss Ryan Reynolds’ liquor of choice, Nicolas Cage’s crooked gait, and Jessica Chastain’s ski injury.

Should Ben Mendelsohn be in every movie after Mississippi Grind? Is Port of Call New Orleans the last great bonkers Nic Cage movie? And does Aaron Sorkin direct Molly’s Game with enough style to overcome its shortcomings? All this and more on Uncut Gems, Gambling, and the Lord of the Rings of Basketball Movies…

To discuss the films of August 2005, hosts Brad and Kevin have forced each other to rewatch The 40 Year-Old Virgin, The Constant Gardener, Broken Flowers, and 2046.

Is The 40 Year-Old Virgin even better today than it was 13 years ago? Did Rachel Weisz deserve the Oscar for The Constant Gardener? Does Broken Flowers prove that Bill Murray can be interesting while doing literally nothing? And did Kevin even watch 2046? All this and more on Cartoons, Michael Jordan, Whatever…

The Irishman has us hitting on the finer points of Scorsese crime sagas, before moving on to discuss Julianne Moore and Tom Cruise breaking down, Michael Shannon melting down, and Viggo Mortensen stepping up.

Can the de-aging be taken seriously for 3.5 hours in The Irishman? Can we list fewer than ten scenes we could call our favorite in Magnolia? Can Kevin pronounce “Jessica Chastain” while discussing Take Shelter? And should Viggo Mortensen have won an Oscar for A History of Violence? All this and more on The Irishman, Recurring Collaborations, and a Constant State of Climax…