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» The 11th International Butoh Festival kicked off last week with performances Sonata For An Uninhibited Body by Rosana Barra, Oju Obá -- The Eyes Of The Falling King, The Eyes Of The Rising King by Calé Miranda and Indonesian performer Tony Broer's untitled show. Awaiting Butoh fans on this second and final weekend is one of the festival's highlights: Quiet House, a collaboration piece by Japan's Takayuki Takita and Yuko Kawamoto, and Teerawat Mulvilai from B-Floor Theatre.

» From now until March, a weekend in Hua Hin will no longer be just about seaside activities or a stroll around night markets. Launched earlier this month, Vic Hua Hin's inaugural "Theatre Season", a festival of music, dance and stage performances and film screenings, will keep both locals and visitors busy every weekend.

» In the waters off Hua Hin's coastline, all was calm at first. Then, all of a sudden, a strong wind picked up, sending a young boy and his sailing dinghy to clash with another boat, which was leading the race.

» Almost five years ago the late writer and National Artist in literature Prabhassorn Sevikul wrote a short story. The text was not published on paper but painted along the bank of Mae Khlong river, and you had to walk the total of 3km to finish the story. The ephemeral aspect of this, along with 74 other artworks installed around Ratchaburi, featured in the first edition of the community-based "Art Normal" event.

» The painting looks computerised, yet there are imperfections as if it was made by hand. Looking closely, the forms on the work seem abstract, yet from afar, they are clearly human figures kneeling down as if praying. Entitled Jamaah 2, an Arabic term loosely meaning the act of doing good in congregation with the community, the work is by Thidarat Chantachua, and it was the winner of the 2015 UOB Painting of the Year Award in the Established Artist Category.

» A watermelon is in the centre of the screen, and we watch it being gradually squeezed as two pairs of hands continuously put rubber bands around it. On another screen, a woman is in the middle of nowhere and suddenly takes out a toaster before hurling it away with all her strength like a hammer throw.

» At Serindia Gallery, all is still and calm until you look closer and everything -- the landscapes, animals and plants -- suddenly comes to life. Magnifying glasses are of course provided. In the exhibition "A Painter From Bikaner", Indian traditional miniature painter Mahaveer Swami presents a selection of his exquisitely detailed works whose subjects range from the mundane daily lives in India, landscapes and animals to tales from mythology.

» With cartoons, it's her recreation of incidents -- with simple drawings and snappy dialogue -- which draw our attention to the significance that lies hidden in the mundane. With her illustrations -- oftentimes incredibly detailed and reminiscent of Martin Handford's Where's Wally? series -- there is an in-depth knowledge about Thai society and characters of people that is colourfully imbued.

» Echoing the title of Paphonsak La-or's solo exhibition "Silent No More", his opening reception at Lyla Gallery in Chiang Mai on Boxing Day last year was buzzing with locals and those who had made the trip from Bangkok. Milling around, everyone in the exhibition room couldn't possibly have avoided the huge 7m-long centrepiece that comes with a shade of blue paint that is neither gloomy nor reassuring in the background. While there's a sentence in the middle, "This image is no longer available", the bottom text reads, "Love which was woven in our society leads to a great tragedy and sorrow".

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