Claire Taylor

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18 Times Lorde Was the Coolest Teenager Ever

Oh, Lorde! She’s just 18 years old and already cooler than you’ll ever be. The New Zealand songstress is so wise beyond her years that many have questioned her age. We’d love for her to be older (to ease our feelings of inadequacy), but it’s not. She’s simply a very awesome teen, and we just have to deal with it.
1. She personally curated The Hunger Games: Mockingjay - Part 1 soundtrack.
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All of the songs were handpicked by Lorde. She’s even got a few songs of her own on there, including the haunting “Yellow Flicker Beat.”
2. When she became a multi Grammy award-winning artist.
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She snagged the prize for Song of the Year and Best Pop Solo Performance for her hit tune “Royals” this year.
3. When she defended her bestie Taylor Swift against unsavory comments by Diplo.
@diplo should we do something about your tiny penis while we're at it hm
— Lorde (@lordemusic) November 13, 2014
When Diplo tweeted that someone should start a Kickstarter to get Taylor a booty, Lorde fired back, dissing Diplo’s “tiny” manhood. You go grrrl!
4. She called out publications that go crazy with Photoshop.
i find this curious - two photos from today, one edited so my skin is perfect and one real. remember flaws are ok :-) pic.twitter.com/PuRhxt2u2O
— Lorde (@lordemusic) March 31, 2014
Lorde isn’t afraid to go makeup-free – in fact, she would rather people know her skin has flaws.
5. The way she wears her hair.
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It’s big and spiral-y and we’re majorly envious.
6. Her trademark purple lipstick.
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She even had her own two-piece MAC collection. This girl’s a trend-setter.
7. Whenever she dances on stage.
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Some have accused her of looking like Gollum, but that’s just her giving in to the music. And we think that’s totally cool. She addressed her on-stage movements in a Reddit Q&amp;A once: “I know when i'm onstage, I don't think about how it looks, I just concentrate on really feeling what I hear. But I totally know I look like Gollum when I perform, so it's cool.”
8. That time she performed a Nirvana cover at their Rock and Roll Hall of Fame induction.
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She wasn’t even alive when Nirvana was a band, but she totally rocked this cover of "All Apologies."
9. She became the youngest solo artist to achieve a number-one single in the U.S. with "Royals" since Tiffany's "I Think We're Alone Now" in 1988.
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Lorde’s song is of a decidedly higher quality. Sorry, Tiffany.
10. Her lyrics are inspired by short story writers.
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Lorde is not only musically gifted, she’s well-read too. She’s cited writers like Raymond Carver, Wells Tower, Tobias Wolff and Claire Vaye as lyrical inspirations. (PS- We had to Google them.)
11. This October, Lorde was included on Time’s list of "The 25 Most Influential Teens of 2014."
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She was also named "The New Queen of Alternative" by Billboard.
12. That time she had a perfect response to a question about Halloween costumes.
people keep asking me what i will be for halloween and my answer is that i am halloween
— Lorde (@lordemusic) October 31, 2014
13. Britney freakin’ Spears once cited Lorde as an influence.
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When the princess of pop calls your music “really different and cool,” you know you’ve made it.
14. At age 14, she proofread her mother’s Master’s thesis.
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Yep, she’s THAT smart.
15. When she sported black dip-dye fingers at the Grammys.
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Because regular nail art is so last year.
16. The way she clarified her reaction to Kim Kardashian's Paper magazine cover.
for all those who may have misunderstood my reaction to kim's #BreakTheInternet cover, i explained it here: http://t.co/LBxbjfLs3S
— Lorde (@lordemusic) November 14, 2014
Because the Internet apparently didn't understand her teen slang. Get with it, Internet.
17. When she covered Jeremih's "Don't Tell 'Em."
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Shhh...we liked her version better.
18. The time she acknowledged that it's tough being a cool kid.
sometimes i use slang in emails and my phone autocorrects the word to the correct spelling so i have to change it back. it's hard being cool
— Lorde (@lordemusic) August 13, 2014
We'd be satisfied with only half of her coolness. Keep being you, Lorde!
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Touchstone Pictures via Everett Collection
Summer: it's a time to relax, soak up the sun, eat mountains of ice cream and tackle the massive pile of books you've been meaning to read. Whether you need to make your way through hundreds of pages of classic literature before school starts up again or you've just been putting off the heavier tomes on your shelf until you have some more free time, reading the classics can sometimes be a slog in the summer. But it's a task well worth undertaking, and not just because it's good to broaden your literary horizons. Many of your favorite films are actually twists on well-worn tales. Sure, they're enjoyable on their own, but the only way to really pick up on the humor of Jane Austen or the references to Shakespeare in a suburban high school rom com is to read the books first. We've rounded up the best movies that become even better, funnier and more charming after you've read the works their based on. Consider it a well-earned reward for a book well read.
10 Things I Hate About YouBased On: The Taming of the Shrew by William Shakespeare.Most Drastic Change: Aside from the high school setting, he plot was simplified to reduce the amount of characters and false identities. For example, Joey Donner was originally two characters, Gremio and Hortensio. Best Reference to the Source: After Kat almost hits Michael with a car, he calls her a “shrew”; Michael also quotes Shakespearean sonnets several times throughout the film, and Cameron quotes the play itself (“I burn; I pine; I perish”). And there's that one girl who is oddly in love with "William."You’d Only Notice This if You Read the Book: Almost every name in the film is a reference to something else. Padua High School refers to Padua being the location of the play, and Patrick’s last name, Verona, is where Petruchio is originally from. Kat and Bianca’s last name – Stratford – is a reference to Shakespeare’s hometown.
Clueless Based On: Emma by Jane Austen Most Drastic Change: Updating the film to be about ‘90s Valley girls; none of the character’s names are similar to Austen’s characters.Best Reference to the Source: The wedding fake-out at the end of the film. Since Austen wrote a great deal about the marriage plot, all of her novels end with the heroine getting married. You’d Only Notice This if You Read the Book: While most of the characters have Austenian equivalents, Dionne is an original character, although it could be argued that she represents Ms. Weston. Also, Amy Heckerling cut out the character of Jane Fairfax completely. She is the main obstacle to Emma and Frank Churchill’s relationship; his Clueless doppelganger, Christian, is gay instead.
Bridget Jones’ Diary Based On: Pride and Prejudice by Jane Austen Most Drastic Change: Instead of the large family that Elizabeth Bennet has in the book, Bridget is an only child, and has a large group of friends to give her advice, all of whom vaguely resemble her sisters. Best Reference to the Source: Casting Colin Firth as Mark Darcy. Author Helen Fielding has said that she based the character (both in name and looks) on his portrayal of Mr. Darcy in the 1995 BBC miniseries. You’d Only Notice This if You Read the Book: Instead of Darcy making two proposals, he only makes one; Bridget’s speech when she finds out that he is moving is a reflection of his second confession of love.
She’s the Man Based On: Twelfth Night by William Shakespeare Most Drastic Change: In the play, Viola just pretends to be a man, and calls herself Cesario, rather than specifically impersonating her brother Sebastian. Best Reference to the Source: The character of Malcolm, who is based on the character of Malvolio, has a pet tarantula named Malvolio. You’d Only Notice This if You Read the Books: Like 10 Things I Hate About You, all of the names are either adapted from those of the characters - Duke Orsino is the modern-day equivalent of Orsino, who is a duke, and the restaurant they frequent is called Cesario – or the locations – the school’s name Illyria, is where the play takes place.
Screen Gems via Everett Collection
Easy A Based On: The Scarlett Letter by Nathanial Hawthorne Most Drastic Change: In the book, Hester is ostracized for cheating on her husband with a priest; she got pregnant during the affair. In the film, Olive only pretends to sleep with people. Best Reference to the Source: The foreign film that Olive goes to see, courtesy of one of her fake hookups, is called Der Scharlachrote Buchstabe, which translates to The Scarlett Letter.You’d Only Notice This if You Read the Book: The film is up-front about many of its similarities to Hawthorne’s book, as Olive is studying it in class. Though Olive doesn’t have an affair with anyone, Hester and Arthur Dimmsdale’s relationship is paralleled in the affair that Mrs. Griffith has with Micah.
ScroogedBased On: A Christmas Carol by Charles Dickens Most Drastic Change: At the end of the film, Frank reunites with his love, Claire. However, in the book, too much time has passed for him to reconcile with Belle, and so he is instead content with becoming part of the Cratchitt family. Best Reference to the Original: In addition to Frank Cross joking about “scaring the Dickens out of people,” one of the TV shows he produces is called “Scrooge,” which was an alternate title that Dickens published the story under. You’d Only Notice This if You Read the Book: The Bob Cratchitt part is played by two different characters: Frank’s overworked assistant Grace Cooley and the much-abused yes-man Eliot Loudermilk.
O Brother, Where Art Thou? Based On: Homer’s The Odyssey Most Drastic Change: Instead of journeying home after a great war, Ulysses has escaped from a prison chain gang. Best Reference to the Source: The film is filled with references to the epic, but the cleverest is the repeated use of the song “Man of Constant Sorrow,” as the name Odysseus (the Greek equivalent of Ulysses) means “man who is in constant pain and sorrow.” You’d Only Notice This if You Read the Book: In order to win Penelope’s hand in marriage, all the suitors must string Odysseus’ bow and shoot an arrow through a dozen axe heads, but only Odysseus is strong enough to string the bow. In the film, Ulysseus also strings a bow in order to prove that he is who he says he is, and not an imposter.
Ruby Sparks Based On: Pygmalion by George Bernard Shaw.Most Drastic Change: In the play, Higgins “makes” Eliza by transforming her from a flower girl into a lady, but in the film, Calvin physically creates Ruby, as she is a product of his imagination.Best Reference to the Source: At the end, Ruby becomes her own person, and leaves Calvin behind to do what she wants and become who she wants, which reflects the controversial ending of the play, in which Eliza leaves Henry behind in order to marry Freddy, even though Henry disapproves. The ending of Shaw's play was very controversial when it was first performed, but it was important to him that Eliza doesn't marry Henry. You’d Only Notice This if You Read the Book: Calvin’s brother, Harry, repeatedly warns him to be careful with what he’s doing, and not to disregard Ruby’s emotions, just like how Henry’s friend, Colonel Pickering, constantly warns Henry to be kind to Eliza and to treat her like a real person, rather than an experiment.
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DreamWorks
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody &amp; Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
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But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody &amp; Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
3/5
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NBC / Everett Collection
Get ready, Hollywood, for there is an epic prank war happening in your midst. At this year's Golden Globes, hosts Tina Fey and Amy Poehler poked fun at, amongst many other things, George Clooney's perpetual bachelorhood, which Clooney interpreted as the perfect opening for a joke of his own. At a Sirius XM Town Hall event to promote his latest film, The Monuments Men, Clooney revealed that he had stolen some stationary belonging to his co-star Matt Damon — who the ladies jokingly called "a garbage person" at the awards — and wrote Fey and Poehler a long letter as Damon, in which he pretended to be terribly hurt by their jokes. In response, Fey and Poehler sent the unsuspecting Damon two huge fruit baskets, and attached a letter to each one. In the first, they apologized for hurting Damon's feelings, and asked for forgiveness. In the second, however, they revealed that they suspected the whole thing was Clooney's fault, and challenged the two to "step it up."
Whether Damon likes it or not, he has been officially roped into a prank war for the ages, and Clooney couldn't have picked two tougher opponents. But will Fey and Poehler's quick wit be enough to out-plot such a master prankster? We've evaluated the teams based on their prank history, special skills, and comedic talents to determine who we think will win the Great Celebrity Prank War of 2014. Will it be Everyone's Favorite A-listers or the Funniest Ladies Around?
Team Clooney and DamonPrank War History: Clooney is a seasoned prankster, and has become known amongst his friends and co-stars for always having a trick up his sleeve. When it comes to pulling pranks, Clooney's in a different league than everyone else. He never give up, and he never forgets. However, while Damon has assisted his friends and co-stars on a few pranks of their own, he's been dragged into this war against his will, which means he's likely not planning to give it his all. Longest Running Showdown: 11 years and counting for Clooney, opposite Brad Pitt. 8 years and counting for Damon, against Jimmy Kimmel. Free Time to Devote to Pranking: Damon's starring in one upcoming film, and the television pilot he and Ben Affleck are producing just got picked up. Plus, as he said on Letterman, he's got four kids. Clooney also has one upcoming film, but without any kids to contend with, he's basically got all the time in the world for pranks. Collective Number of SNL episodes hosted: 6 (5 for Clooney, one for Damon)Collective Number of 30 Rock episodes: 4, all Damon. Team Members from Boston (the pranking capital of America): Will Hunting himself, Matt Damon.Collective Number of "Sexiest Man Alive" Covers: 3Potential Prank Backup Team: Sandra Bullock and Ben Affleck. Are They Considered to Be National Treasures?: Damon definitely is. It can go either way for Clooney. Special skills: An abundance of charm, the fact that Clooney doesn't appear to have any hobbies besides pranking, an absurd number of villas, great hair.Key Weakness: Damon doesn't seem that into it.
Team Fey and PoehlerPrank War History: Funnily enough, they once compared themselves to "Cloons and Damon" in an interview with Marie Claire, in which they joked about pulling pranks on each other while filming Baby Mama. However, neither one is particularly well known for pranking people, it's important to remember that, as they said in their letter to Damon, these are "grown-ass professional comedians" and as a result, they're not afraid of anything. They've both got years of improv, Saturday Night Live, and long-running sitcoms under their belt, so they know what's funny, and they're not afraid to look stupid in the name of comedy. Longest Running Showdown: Two years and counting for both of them and Taylor Swift. And only one side of that feud seems to be having fun.Free Time to Devote to Pranking: Both Fey and Poehler each have two young kids, which eats up a great deal of plotting time. Fey also has two upcoming films and two sitcoms in the works, while Poehler also has two films in the pipeline, as well as her role as Leslie Knope on Parks and Recreation.Collective Years Spent at SNL: 17 (9 for Fey, 8 for Poehler)Collective Number of Sitcom Seasons: 14 (7 each for 30 Rock and Parks and Rec)Team Members from Boston: Amy "Boston" Poehler. Improv History: They spent 4 years at Second City in Chicago and Poehler is the co-founder of the Upright Citizens Brigade.Potential Prank Backup Team: Jimmy Fallon and Seth Meyers. Are They Considered to be National Treasures?: You betcha. Special Skills: Innate comedic timing, the kind of creativity spawned by three very weird shows, the ability to make everyone want to be their friend, great hair. Key Weakness: Poehler is considered to be the nicest woman in Hollywood.
Overall Winner: Team Fey and Poehler. Clooney's got the experience and dedication, but his reluctant teammate may hurt him in the long run. Fey and Poehler might not have such a storied pranking history, but they've got plenty of creativity and they're always willing to commit to a bit. We're going to give this one to the ladies. Your move, Clooney.
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Tribeca Film via Everett Collection
For a film that involves a love triangle, mental illness, a Bohemian colony of free-spirits, an impending war and several important historical figures, the most exciting elements of Summer in February are the stunning shots of the English country and Cornish seaside. The rest of the film never quite lives up to the crashing waves and sun-dappled meadows that are used to bookend the scenes, as the entertaining opening never manages to coalesce into a story that lives up the the cinematography, let alone the lives of the people that inspired it.
Set in an Edwardian artist’s colony in Cornwall, Summer in February tells the story of A.J. Munnings (Dominic Cooper), who went on to become one of the most famous painters of his day and head of the Royal Academy of Art, his best friend, estate agent and part-time soldier Gilbert Evans (Dan Stevens), and the woman whom they both loved, aspiring artist Florence Carter-Wood (Emily Browning). Her marriage to Munnings was an extremely unhappy one, and she attempted suicide on their honeymoon, before killing herself in 1914. According to his journals, Gilbert and Florence were madly in love, although her marriage and his service in the army kept them apart.
When the film begins, Munnings is the center of attention in the Lamorna Artist's Colony, dramatically reciting poetry at parties and charming his way out of his bar tab while everyone around him proclaims him to be a genius. When he’s not drinking or painting, he’s riding horses with Gilbert, who has the relatively thankless task of keeping this group of Bohemians in line. Their idyllic existence is disrupted by the arrival of Florence, who has run away from her overbearing father and the fiancé he had picked out for her in order to become a painter.
Stevens and Browning both start the film solidly, with enough chemistry between them to make their infatuation interesting. He manages to give Gilbert enough dependable charm to win over both Florence and the audience, and she presents Florence as someone with enough spunk and self-possession to go after what she wants. Browning’s scenes with Munnings are equally entertaining in the first third of the film, as she can clearly see straight through all of his bravado and he is intrigued by her and how difficult she is to impress. Unfortunately, while the basis of the love triangle is well-established and entertaining, it takes a sudden turn into nothing with a surprise proposal from Munnings.
Neither the film nor Browning ever make it clear why Florence accepts his proposal, especially when they have both taken great pains to establish that she doesn’t care much for him. But once she does, the films stalls, and both Stevens and Browning spend the rest of the film doing little more than staring moodily and longingly at the people around them. The real-life Florence was plagued by depression and mental instability, but neither the film nor Browning’s performance ever manage to do more than give the subtlest hint at that darkness. On a few occasions, Browning does manage to portray a genuine anguish, but rather than producing any sympathy from the audience, it simply conjures up images of a different film, one that focused more on Florence, and the difficulties of being a woman with a mental illness at a time when both were ignored or misunderstood.
Stevens is fine, and Gilbert starts out with the same kind of good-guy appeal the won the heart of Mary Crawley and Downton Abbey fans the world over. However, once the film stalls, so does his performance, and he quickly drops everything that made the character attractive or interesting in favor of longing looks and long stretches of inactivity. He does portray a convincing amount of adoration for Florence, although that's about the only real emotion that Gilbert expresses for the vast majority of the film, and even during his love scene, he never manages to give him any amount of passion.
Cooper does his best with what he’s given, and tries his hardest to imbue the film with some substance and drama. His Munnings is by turns charming, brash, and brooding, the kind of person who has been told all of their life that they are special, and believes it. He even manages to give the character some depth, and even though he and Browning have very little chemistry, he manages to convey a genuine affection for her. It’s a shame that Munnings becomes such a deeply unlikable character, because Cooper is the only thing giving Summer in February a jolt of life – even if it comes via bursts of thinly-explained hostility. It's hard to watch just how hard he's working to connect with his co-stars and add some excitement to a lifeless script and not wish that he had a better film to show off his talents in.
Unfortunately, by the time Florence and Gilbert are finally spurred into activity, the film has dragged on for so long that you’re no longer invested in the characters, their pain, or their love story, even if you want to be. Which is the real disappointment of Summer in February; underneath the stalled plot and the relatively one-note acting, there are glimmers of a fascinating and compelling story that’s never allowed to come to the forefront.
2/5
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Netflix / ABC
The 2014 Screen Actor Guild Award nominees were announced Wednesday morning, and after losing out to Claire Danes for best actress in a drama at the Emmy's this past fall, we're sure Kerry Washington is glad she's got another chance at victory. If we've learned anything from Olivia Pope on Scandal, it's that you never give up (and obviously that you always look amazing while doing so).
Other TV nominees we can expect to see strutting down the red carpet are Kevin Spacey from Netflix's House of Cards, Jessica Lange from American Horror Story, Don Cheadle from House of Lies, and Matt Damon from Behind the Candelbra. Oh, and get ready to see the cast of Arrested Development running amok since they've been nominated for best ensemble in a comedy series.
Check out the film nominees here. The 20th Annual SAG Awards will take place on Jan. 18, 2014, at 8 PM.
Outstanding Performance by a Male Actor in a Drama Series
Steve Buscemi, Boardwalk EmpireBryan Cranston, Breaking BadJeff Daniels, The NewsroomPeter Dinklage, Game of ThronesKevin Spacey, House of Cards
Outstanding Performance by a Female Actor in a Drama Series
Claire Danes, HomelandAnna Gunn, Breaking BadJessica Lange, American Horror Story: CovenMaggie Smith, Downton AbbeyKerry Washington, Scandal
Outstanding Performance by a Male Actor in a Comedy Series
Alec Baldwin, 30 RockJason Bateman, Arrested DevelopmentTy Burrell, Modern FamilyDon Cheadle, House of LiesJim Parsons, The Big Bang Theory
Outstanding Performance by a Female Actor in a Comedy Series
Mayim Bialik, The Big Bang TheoryJulie Bowen, Modern FamilyEdie Falco, Nurse JackieTina Fey, 30 RockJulia Louis-Dreyfus, Veep
Outstanding Performance by an Ensemble in a Drama Series
Boardwalk EmpireBreaking BadDownton AbbeyGame of ThronesHomeland
Outstanding Performance by an Ensemble in a Comedy Series
30 RockArrested DevelopmentThe Big Bang TheoryModern FamilyVeep
Outstanding Performance by a Male Actor in a Television Movie or Miniseries
Matt Damon, Behind the CandelabraMichael Douglas, Behind the CandelabraJeremy Irons, The Hollow CrownRob Lowe, Killing KennedyAl Pacino, Phil Spector
Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Angela Bassett, Betty &amp; CorettaHelena Bonham Carter, Burton and TaylorHolly Hunter, Top of the LakeHelen Mirren, Phil SpectorElisabeth Moss, Top of the Lake
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series
Boardwalk EmpireBreaking BadGame of ThronesHomelandThe Walking Dead
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One of Taylor Swift's biggest fears is ending up in handcuffs under police custody. The country sweetheart, 23, has built up a reputation for herself as a clean-living role model for fans, but the I Knew You Were Trouble hitmaker admits she's seriously scared of landing behind bars like other young stars such as Lindsay Lohan and Amanda Bynes.
Filling out wide-ranging questionnaire for Marie Claire magazine, she lists her Top Five Fears as: "(1) Sea urchins, (2) Googling myself, (3) Earwigs, (4) Cynics, (5) Getting arrested."
In the article, she also reveals she's planning to one day go back to school to get a college degree, insisting she will succeed "somehow, someway", and confesses her "fantasy itinerary" would be a TV marathon of new episodes of hit crime drama Law & Order: Special Victims Unit.