Wednesday, September 7, 2011

How I Plot A Novel in 5 Steps

By popular request (ok, 1 person, but they're populace, so that makes it popular, right?) I've put together a step by step process for how I go from "Hey I should write a novel" to "Ok, let's get writing!" Though I managed to get things grouped into steps, what I've really done is labeled and applied order to the phases I go through as I work toward the point where I feel I know enough about a book to start writing. Some parts of my process may seem a bit obsessive, but the most important part of writing fast is knowing as much as you can about what you're writing before you write it, and that means lots and lots of planning.

Planning a novel takes me anywhere from a few days to weeks. Usually I plan while I'm working on other things, like editing, but I've also had whole weeks where I did nothing but put a story together. I should say that I plan far more novels than I actually end up writing. My computer is littered with the cast off husks of half started worlds. I consider this a normal part of the process. If you do it right, planning is where you uncover all the things that are wrong with that idea you thought was so amazing last week. Sometimes these faults are workable, other times it's better to just move on. Even so, it's way better to discover a novel isn't as strong as you thought at the planning stage instead of 3 chapters in. Not every idea deserves to be a novel.

Well, enough of that. You came to see how I plan novels. So, best as I can articulate something that changes for every book, here is my general process. I really hope everyone finds something useful they can take away to help organize and speed up their own writing system.

Disclaimer: Unlike my other posts, which I think will work for anyone, parts of this method are personal and might not be right for your books. Feel free to cut, expand, or add steps to my process where ever you feel you should.

Step 0: Decide what book to write!
This is one of those decisions that seems obvious but can get you into a lot of trouble if you don't give it the respect it deserves. When you sit down to write a book, you are embarking upon a very large project. As such, the first question you should be asking yourself is "Is this actually the story I want to spend my time on?" You don't need to have the plot or characters set up at this stage, but you do need a certainty that the book idea floating in your head is something that will not only interest you for the time it takes to write, edit, and polish a manuscript, but will, once finished, do whatever it is you want your book to do (i.e., get an agent, please your editor, sell fantastically, etc.). Your time is precious, don't waste it on a project you're not excited about or doesn't work toward your goals.

While not actually part of the planning process, this step is really, really important. Don't skip it, and try a couple of projects on for size before settling down. Remember, you can always switch projects later, but invested time can never be recovered, so do yourself a favor and think things through before you spend weeks working on a world you're not actually interested in writing about.

Step 1: Get Down What You Already Know
Now that I've decided what novel I want to write, the first thing I do is write down everything I already know about the book. These are usually the ideas that exploded into my mind and made me want to write the story in the first place. Sometimes it's a character or situation, sometimes it's a magical system or a setting. Whatever it is, I write it down quickly and efficiently. I don't bother with details and I don't force myself to write past the initial flash of interest. This is just getting down the rough idea of what excites me the most about this book, what makes it special.

I use this step to codify and organize what I already know about my world, characters, and plot, which is usually very little. But, by putting this very little down, I have laid a basic framework and can now see the holes I need to fill in before any actual writing can begin.

Step 2: Lay Down The Basics
This is the part of the process where I figure out the bare bones of the three pillars of story - characters, plot, and setting. You know, that High School English stuff. Since I use Scrivener to write (amazing program), I just make a folder for each of these topics and throw everything remotely related underneath, but you don't have to do that. So long as you can keep your notes straight, any system will do.

Now, what bare bones am I talking about? Here's my list:

For Characters, I need: The Main Characters (usually 2-4), the Antagonists (usually at least 2), and the Power Players (as many as needed). The numbers are very subjective and change from book to book, but you get the idea. MCs and Antagonists are self explanatory, but Power Players are the people in the story who are not for the MCs or against them, but are never-the-less very important to the setting. These are the people who move and shake in the world. Think Etmon Banage in my Eli Monpress books or Dumbledore in Harry Potter. You know, the BIG names.
Now, I'm not doing detailed character sheets yet, I'm just getting down the basics - names, what they want, and the general sense I have of them as a character. Physical descriptions and histories come later. All I care about right now is how this person relates to the story. I've had character sheets that were nothing but a name and a one line description at this stage of things, and that's perfectly fine.

For Plot, I need: The end and the beginning, in that order. Figuring out the end of a book is my number 1 priority. After I've got my start point and my end point, I set down the major twists/scenes/climaxes I've already thought up. I don't worry about how all these thinks link together, or even if the events are in the right order.
This is also the point where I determine if this book is a stand alone novel or part of a series, and if it is a series, then I work out the end of the larger meta plot and where this current book's plot fits into the larger scheme.
Finally, I write a sort of manifesto about the kind of story I am trying to tell. Is this primarily an adventure story, a rebellion story, a love story? An adventure story can have a love plot and a love story can be an adventure, but it's important I decide early which story is going to be the primary tale. After all, a love story places the dramatic emphasis on different scenes than an adventure story does. The tone is different as well, so I need to know for sure right from the beginning what kind of story I'm writing as this decision will influence the style of the novel right from page one.

For Setting, I need: The magical system, if there is one. The basic political system. Where does this book take place and how does that relate to the rest of the world? What kind of a culture is this? What's the level of technology? Who has power in this world and why? How did the world get to its current state and why? If I'm writing a fantasy I'll do creation stories and work out the pantheon, for SciFi I figure out how humans got into space. This step changes wildly from book to book. I basically just write until I feel I've got a firm hold on what kind of world the action takes place in (though, again, I don't sweat the details yet).

This is the most important part: What we're doing here is the purest form of world building, and it should be enormously fun. If you are not having fun putting your world, characters, and plot together, you need to seriously reconsider if this is the book you should be writing.

Step 3: Filling In The Holes
By the time I move on to step 3, I've got all the basics down. I know how my novel starts and ends plus a few big scenes, I know who's in it and where it's taking place. Now comes the nitty gritty of making everything work together.

When I reach this step, the first thing I start filling in is the plot. Now, a book is way too huge to plot all at once, so rather than trying to just write out a plot, I break things down into small chunks. Thanks to the work I've already done, I know the story's beginning, so that's usually where I start. I go to the beginning, look at my world and my characters's motivations, and ask "what happens next?" And then I write that down. Once it's down, I ask again, and so bit by bit the plot fills in.

Of course, I always get stuck. Sometimes I just don't know what comes next. When this happens, I usually jump further down the line, either straight to the ending (which I already worked out, clever me!) or to one of the big scenes I was excited about. When I get to the big scenes, a battle, say, I look at my world and my characters and ask "how did this happen?" And then I go backwards until I either reach the place where I got stuck the first time or I get stuck again.

Sometimes, though, I get really stuck. Like, I have no idea how two scenes are connected, or how I can possibly get from the middle of the book to the end. When this happens it's very tempting to think the plot is completely borked, but here's a trade secret: there's no such thing as an unfixable plot. Often, you don't even have to figure out a clever solution, you just need to discover why something isn't working and the solution will simply appear. One of the earliest lessons I learned about writing was that, if I was stuck, it was because I didn't know something. When a plot won't move forward, it's because there's something you don't know. Figure out what that is and you can unstick even the most stubborn plot.

So, when I get seriously stuck, I let the plot go and start working out other things. This is where I fill out those character sheets you find on line. I work out the detailed history of my world and spend time with my characters, try to figure out what they're thinking. If that still isn't enough to get me moving again, I set down in ludicrous detail what's going on in the world at the moment where the plot is stuck. I especially map out exactly what the villains are doing, that alone is often enough to snap the plot back into place.

Learn from my Fail - Never get so wrapped up in pinning down particulars that you kill the novel for yourself. Long ago, before I'd actually finished a novel, I was working on a sweeping epic fantasy. Now, I'd read online that a writer should know her world inside and out, so I set to work Building My World (TM). I wrote and wrote and wrote for days, getting down all this absurdly detailed information that had nothing to do with my story, things like the political backdrop of wars that happened five hundred years before the plot and table manners in countries across the sea I was never going to visit. About half way through naming the different dead princes of the Empire that had fallen a thousand years ago, I threw away the novel in disgust. Now, if you like planning out your worlds to that level of detail, go for it, but there's absolutely such a thing as too much planning, and you can make yourself sick of your world before you've even started writing if you're not careful.

I know I've reached the end of step 3 when I can write out my whole plot, start to finish, with no blanks or skipped scenes. By this point, I've also gotten stuck enough that I've written detailed sheets for all my characters and major settings. If I have missed writing out the details for someone or someplace, I'll sometimes go back and fill them in, but not always. Usually, if I didn't need their information while I was writing out the plot, that's a sign that they weren't as important to the story as I thought.

Finally (and this is where things get a little hokey), I know I'm ready to move on to the last part of my planning when the feel of the book becomes tangible. All my books have a unique feel, almost like a taste in my mind that belongs to that book alone. I can't really describe it, but I never move on to the next step until I can feel the book clearly. I guess you could also call it the book's voice. This is about as "feel the muse" as I get.

Step 4: Building a Firm Foundation
This was the point where I used to just go ahead and dive into the novel, but now that I'm writing faster, I've discovered that taking a day to do one extra step of refinement can save you weeks of trouble down the line. At this stage I've got my plot, I know my characters, my world has its history, rules, and feel, so now it's time to start pouring the concrete details that will support my novel through the writing and edits to come.

In this step, I always:

Make a timeline. I didn't have time lines for the first 4 Eli novels and OMG did it bite me in the ass. Lesson finally learned, I now make timelines not just for the events of the novel itself, but the history before it as well. I especially make sure to note relative ages and how long everyone's known everyone else. Yes, it's annoying and nitpicky, but timelines have saved my bacon many, many times over, and I very, very much recommend making one. Trust me, you are not nearly as good at keeping track of things in your head as you think you are.

Draw a map. Actually, I usually end up doing this back in step 2, but if I don't have a detailed map by now, I'll make one, usually several, of the world at large as well as all my important locations. I also write out short descriptions of each place. This helps me describe things consistently and removes the burden of making this shit up as I go along.

Write out who knows what, when. This is usually just a paragraph where I look over the plot and jot down who discovers what when. This is to make sure I don't have Protagonist A making an argument (or worse, a plot decision) using information they wouldn't actually know yet. This is less of a resource and more of a double check on my plot.

Make sure I memorize everyone's particulars. I need to know name spelling, physical description, motivations, and relative ages for all my major cast by heart. Can't have anyone's name dropping vowels or eyes changing color, can we?

Write out a scene list This is where I take that plot I wrote out at the end of step three and break it into scenes and chapters. I've talked about what makes a scene before, so, using that criteria, I slice my plot into scenes and list them in a bulleted list. Once I have a list of scenes, I group them into chapters to make a nice little list. In my experience, a chapter usually consists of three scenes, though I've done as few as two and as many as five before. Chapter breaks should also take into account dramatic tension, so I try to take that into accout as well. For example, the first chapter of The Spirit Thief would look like this:

Chapter 1

Eli charms his way out of prison

The king of Mellinor discovers Eli has escaped, is moved to safer quarters

Eli and Josef take advantage of the confusion and kidnap the king.

Word Count estimation: Now that I've got a rough idea of my chapters, it's time to do an even rougher estimation of how long this book is going to be. I know from personal experience that my chapters tend to run between 5000 and 6000 words long. I don't know why, that's just what feels like a chapter to me, I guess. But this regularity is very handy when it comes time to estimate! By looking at the number of chapters I've cut my scenes into and multiplying that by my average chapter length, I know that a book with 15 chapters will most likely run 75k - 90k words long, or right smack dab in the sweet spot of publishable book length. Of course, this is just an estimation, but doing a check like this is also a really good early warning signal. If, for example, I've lined up all my scenes and found that I have 30 chapters worth of plot, then I know I probably need to cut something to avoid ending up with an 180k unpublishable monster. Trust me, it is SO MUCH EASIER to cut scenes at this stage than to cut them after you've written them. Even if you don't know your average chapter length yet, chances are your chapters won't be shorter than 5k. Counting them up and multiplying to get an idea of how big your book is is a great way to avoid painful cutting later down the line.

Do a boredom check. Once I've broken my novel into scenes and chapters (and cut and reworked the plot if the book was too long), it's time for the final and most important plot test: the boredom check. What I do here is I think through my plot, imagining the story in my head as thought it were a movie. There's no sound, no dialogue, I just go through the story scene by scene in my head, testing the story's flow. All the while, I'm on the look out for slow spots. Does the action lag anywhere? Are there any sections I can't visualize or scenes I skip over? If so, I go back to those points and figure out why. See, when you cruise through your plot like this, you're seeing your story with your reader mind and not your writer mind. Your writer mind might consider a scene necessary for plot reasons, but if your reader mind is bored you'll skip right over it and move on to the good stuff. This is BAD. I don't want my readers to be bored by or skip over anything I write. Plus, I don't want to waste my time writing boring crap, no matter how nicely it fits into the plot. This is all part of "be excited about everything you write." If a scene is boring, I rip it out and redo it. Ripping up a finished plot can feel really scary, but just remember: there's always more than one way to solve any problem, and a boring scene can always be replaced by an interesting one, usually by raising the stakes or upping the tension. This step may seem unnecessary, especially since you've been over your plot 10000 times by now, but take thirty minutes and do it anyway. A boredom check is your final defense against having to rewrite stupid scenes later. If you take the time and make sure every scene is golden right from the start, you'll save yourself wasted work and heartache later.

Step 5: Start Writing!

By this point I'm usually chomping at the bit to get writing. I know my world, I know my characters, I know exactly what's going to happen and why, and I know the climax I'm working toward. I know everything I need, all that's left is to put the words down.

Of course, no matter how well you plan your novel, it's important to remember that no one has all their great ideas at one time. Chances are the plot will change as you write. Characters will mature and deepen, you'll discover plot holes you never thought about, and ideas you thought were amazing will start to look played and stupid. All of this is part of the natural writing process. Never be afraid to let go of your plans and just roll with things. After all, the real purpose of planning is the acquisition of knowledge. If that knowledge inspires you to make a better decision for the book later down the line, then go with it. Never let your planning hold you back.

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And that, more or less, is my system, I hope you can find something in there to help you with your own writing process. Again, I can't stress how much planning has improved both my writing and my writing experience. I have never had as much fun writing a book, or had my books come out better, than when I'm working from a plan. If you're the kind of writer who writes by the seat of their pants and is afraid strict planning will ruin the fun of writing for you, my only suggestion is to try it, just once. You might be surprised.

Again, hope this helps someone. As always, thank you for reading! And if you have your own novel planning process, leave a comment below. I'd love to hear about it!

76 comments:

This is awesome!! I especially love the advice about the timeline. I'm sure that's something so MANY authors wished they had-- once they're already a good way through writing their novel.

I also extra-appreciated the sample of how you summarize your chapters. You wouldn't think something so simple could help you so much, just bulleting the scenes so easily like that; but you've proven how much it DOES work.

Thank you so much for writing this!! It's great how responsive you are to your fans, and how obviously excited and loving you seem to be about the craft of writing!

Thank you for revealing your writing secrets to us! Keep up the awesome blog.

I was hoping you would share some insight into editing. I recently finished writing a first draft of a fantasy novel *phew* and now I have a mountain of editing and polishing ahead of me. I'd love to know how you tackle your editing! (Especially when there is no chocolate left in the cupboards to keep us writers motivated!)

Reading back on the earlier chapters of my book, I find myself cringing at the painfully descriptive sentences or realising that a chapter is drowning in information needed to help the novel progress. It can also be difficult to know what to change and what not to change - I'm hesitant to start cutting or modifying it incase I somehow make it worse! Luckily, reading further on, I find I love some of the scenes I've written.... Yay!

I confess, I did virtually no planning when I begun this novel. I just had an idea, ran with it and hoped my imagination would come up with what happened next! But with all your success with planning, I think you may have converted me! :)

@Theresa I have my own problems with editing that I'm still trying to work out. When I have something intelligent to say on the subject, I'll make a post for sure. Right now, I just sort of beat the novel with my face until it looks right T__T

I've just discovered your blog and I'm impressed. I'm normally a pantster writer, and this works well for short stories. However, after a string of abandoned novels (writing, not reading) I have decided to change my ways. So I actually copied and pasted your advice into a word document, and I'm using it as a template to write a longer piece. Thank you for sharing your method.

Thank you for answering my question from the forums! Sorry it took me so long to reply I've been busy trying to keep up with my word count. Thanks this helps out a lot even though I've already started my story.

I might toss in a comment on editing. The first thing I do is put down the manuscript for long enough to forget it. For short stories this might be a week or two, for a novel it's a good month. I send my chapters out as I go to a few friends who like my writing and keep me motivated, and when I start having to ask them to tell me who a character they're commenting on was, I know I'm ready to edit.

Then I go back through reworking scenes and dialogue and structure, not worrying about typos or the like unless my eye happens to fall on them. My prose style is usable almost as is, so this edit is really about at the paragraph to chapter level. Does this scene drag here? Does it rush too fast and lose its rhythm? Do I have no idea what this paragraph was supposed to convey?

Once I've gone back through that way, I then make another run for spelling, grammar--the proper copyediting. At this point I don't worry about larger structure at all. It's fixed. It's not going to change now unless some external force forces it to.

I wish this post had existed a couple years ago when I was starting my WIP. I'm just starting a rewrite after writing BY HAND half of my MS and then figuring out that the story I began was so flawed that it needed redoing. So for the last few months I've reworked my plot and world and begun rewriting from page 1. It's been kind of a pain, but my story is better than ever now.

This is so incredibly helpful! I bought Scrivener a little while ago and that alone was a godsend, but this really helps me see what parts of my process have been working against me and how to move forward. Thank you, thank you, thank you!

This is just fantastic. My approach to planning anything usually involves throwing down a couple of ideas on a piece of paper, then going for it, accompanied by countless cups of tea. Plotting always seemed to kill my stories but that's because I was going about it the wrong way. If I'd been going through your steps, I would have been having much more fun with the plotting process and I would have been keeping the story alive in my imagination. In fact, the further I read through your post, the more impatient I came because I wanted to be able to put all of your advice into effect straight away!

Thanks so much for taking the time to share your expertise. I'm definitely going to take your advice and see if it will work for me.

Oh my god, I love this post. I write for websites like FictionPress and such, and have to update on a weekly basis. Planning helps me move the story forward, so I don't get stuck and disappoint readers.

I already tried this method on a new story I've been working on and got excellent feedback. Thanks!

Thanks so much for the excellent advice. I've started using Scrivener because of your recommendation, and am now reworking a novel I've been trying to get past Chapter 3, with the new work based on your methods. I have a better feel for what I'm doing, as a result, and I can see why I've been stuck for so long - little previous planning resulted in my feeling overwhelmed with a sense that the story had escaped my control.

Brilliant post, has given me a lot to think about. I have too many ideas cluttering up my brain, so I need to get them away from there quickly. BTW thankyou for posting the first chapters of your books, they are great, can't wait for the ones I've ordered to turn up from Amazon.

@Vilite246 IsMyScreenName I tend to read widely, watch TV, and just listen to the world around me. Right now I am in the middle of creating a Fantasy story based on an overheard conversation, something they said lit up that idea net in my mind.

Dear Rachel, I found this a fascinating and very useful post. I started restructuring my children's novel a week ago - finally realised it's where the problems lay.Wish I'd worked that out months ago! Your words have given me much encouragement though. Thanks! :)cheersSheryl

Thanks Rachel!This is great. I took some notes to provide myself with some "ongoing guidance" and printed them out in bold then stuck them onto the bulletin board above my desk. Let ye be reminded, self!I think your direct, no BS approach boils it down, and it is easy for us to apply to whatever type of writing we are undertaking.Thanks again!To geek out, Write On!

Melissa Foster actually pointed to this blog post in one of her comments in Fostering Success, and I had to laugh when I clicked over here. I already have 2000 to 10,000, and it has helped me TREMENDOUSLY in writing the sequel to Finding My Escape! So thank you!

Hi Rachel, Excellent article, has helped me kick start a few projects that have been stalled, literally for years. I was determined, or rather just hopeful, to get them moving, and have read lots of articles and few books to that end, but yours has been the best and most clear.I was a “seat of the pants” writer, and consequently when I got stuck, stuff just got abandoned after a while. Upside of that though, is I have lots of material to reformat or recycle as the case may be.However, doing an outline or plan, which in the past I have dismissed as “manufacturing” or “artificial” in some way, means when the time comes to “press the button” and write, it will be “mostly” all there. Even in the few days since I first came across your article (and others), seeing the plot take shape in front of my eyes spurs me on, and changed my perception. I’m enjoying writing again. However, I am setting time limits for each stage, as I know my outline does not need to be perfect.Just glad to be hitting the road again, as it were.

Well said. I had no timeline for my first novel, so it ended up spanning 25 years and became a trilogy. My fourth novel I decided would span one month, and my chapter outline was day by day what would happen, with one act for each week. Much easier to outline and write.

I like your boredom check. When I find a boring scene, I either completely rethink it, or summarize in narrative and move on. But I need to make it a regular part of my process.

I've read a couple of your blogs on writing and love what I am hearing. I bought the book 2k to 10k and will be devouring it before next month when I attempt the NaNoWriMo. Thank you so much. I've been floundering to long with scenes here and there and no form to put them together.

Thank you so much for doing this! It's helped a lot. :) I usually just go for it, writing novels without any proper planning, but all I've got to show for my years of writing is a ton of short stories and a crapload of unfinished novels. This blog post was very helpful! Thank you! :)-Maddie

Thank you for this. I've written six novels, published five, but I was having a bit of trouble starting my next project. It just wasn't as much fun. The problem, I think after seeing your post, is that I have not yet done the level of planning (timelines, character sheets, plot outline) that I had done for the others, thinking that now that I have some experience, I could bypass some of this. Not true! Back to my worksheets.

It is amazing how differently people can do the same thing. I have written and published two novels. Neither was planned out, outline, time-lined, etc. Yet I like your ideas, because I can see my next books sounding too much alike. Your "boredom check" is a great idea. I am going to try to adopt some of your processes for my fourth novel (#3 is ready for final editing).

Holy geez. This is just the best thing ever. I am getting through my writing in a way that I have never been able to do before. Thank you so much for that. I really and truly appreciate it. Keep on writing! :)

This is amazing! It is detailed and wonderful! Thank you so much for sharing this process with us! I have actually used it just now in getting my new project ready - I already started writing it, but having this basic information down is wonderful! :D

Hi, after having a horrible first introduction day at my University (Second year, Creative Writing and English Literature.) Where in my first module; 'Writing and Editing Fiction', on Monday mornings (Hate Mondays) a rather dull teacher told me in front of the class I use a verb before I start a sentence and I have trouble changing tenses. I just didn't want to write stories any more, ever. I came home today depressed and utterly dejected, crossing out the one thing I actually wanted to accomplish career-wise and started thinking of boring alternatives. While wallowing in self-pity I tried to start a story on MS. Word only to get stuck and be completely put off by doing that 'verb-starting-sentence' thing, and then getting revolted and stuck by the ridiculous intro to my story. I stumbled across your planning/plotting blog and it cheered me up a little. it actually encouraged me to plan, something I always avoided. And I must say this is much easier to grasp than the snowflake method which literaly wanted to make me cry out of its complexity lol.

When writing your scene list you talk about slicing the plot into scenes. Am I understanding you correctly when I interpret this as grouping the plot points together into a scene? Or do you mean dividing a plot point down further into several scenes?

Dear Rachel,As a first time novelist I was so relieved (and impressed with myself) to find I had come up with an almost identical system to that of yours! The boredom check was something I hadn't thought of though, so that's going to be a helpful tip when I get to that point in my process.Wanted to thank you for your thorough outline. I personally have found this process to be incredibly helpful, and indeed fun!Wish you all the best in your future endeavors!

Great post. I'll add a couple of tricks that have really helped me. I use a spreadsheet for my characters and timeline. If you know Excel/Google Spreadsheets it's not hard to set one up. This way, I can spot the relationships between my character ages. I can also check to make sure there aren't too many similar names. Finally, it's really easy to change a character's birth year (for instance) and see all of the spots where the ages will impact other events.

One more thing that's been helpful to me. When writing some specific piece of *important* physical description—a house, an article of clothing, an ornate pipe, a tomb, whatever—I do a Google Image Search and find one that fits the mental model, and download the picture. I use that as a reference. Makes it real for me, and makes it easy to make that thing seem tangible in the text.

I would love to read your blog because I am aspiring writer but I can read white text on black background. I will admit that it looks cool but it hurts my eyes and it levels a imprint in my vision for about a half an hour. This is a common problem so it would be kind of you to switch the text and background colors. Thank you so much :)

I wish I found this post sooner... I have all of these awesome ideas but they're not organized. I have difficulties to do it. -.-' I search and search tips online to help but all of them are complicated.

I'm using this one and it seems to work pretty good so far. I just have a question. At step 3, how do you write what will happen? I know but what do you add, a scene, a reason why it's going on. Do you stick to the main character or do you explore the other characters as you write? Right now I'm simply using key words of what happens to have a general idea.

I have been planning to write an ethnographic novel but a bigger challenge has been on the time planning and scope setting. I know the beginning and the end- at least how I would like to take off and end, but how to weave the rest of the matter into something interesting has remained a sheer mystery.

I was getting worried that stretching a storyline over a century would probably lead to the 'unpublishable monster' or get drowned in unnecessary scenes. This is just a perfect piece, and a piece of knowledge I wasn't taught anywhere in my creative writing class.

I've just started my first novel and it's going great. (2 months of planning and writing and almost 6000 words.) I am trying to write a sequel for one of my favorite old books, so I already know some of my characters fairly well. I'm glad to know that I'm not the only one who uses a timeline. I think my mom was wondering why I would make it so detailed, but it's helping me from getting stuck.

There have been a couple of times where my main character has just done something that I wasn't expecting. Is that completely crazy or does that happen to other people too? It's like he's come alive in my mind and he reacts to situations in ways that I didn't really plan. :)

On a side note, does anyone know when the copyright of "Indian Drums and Broken Arrows" by Craig Massey ends? I can't find it anywhere. (Yes, I know this book already has a sequel, but I can't find it for a decent price anywhere. Therefore I am writing my own! :) )Amy Ruth (age 17)

I also suggest writers read "Stomping Kittens: a first-draft workbook" as I was recommended it and it has done wonders for my writing. It's simple and very easy to understand, and it's improved my writing 1,000% heck, it used to take me nearly a year to finish a novel, but now after reading Stomping Kittens it literally takes me only a few months from start to finish. A least give it a free look-over at Amazon. There's a lot of great info on the free pages they let you see even if you don't buy the book ;-)

Thanks for this excellent Blog post,I've just started writing my novel and I think using your techniques for sure help me in completing my novel.Looking forward to see what else you post in the future.

This advice was incredibly helpful! I've been working on my novel for three years and have recently decided to take on writing full time. Strangely, this is when my writing hit a huge wall. I had all this time to write, but the writer's block was so bad I made next to no progress. I knew my story had huge holes in it, I just didn't know how to fix it.

After reading your posts, mainly this one, I realized I needed to go back to the beginning: Plotting. What a difference!

My writer's block is gone. I've made countless changes to the story and am being more productive than I've been in over a year. Had I done this right from the start, I might have finished my novel a long time ago!

Thank you. And as a result, you've gained a new customer for your books.

Thank you so much for the easy advice about writing a novel, I once too believed the lie of having to know my world inside and out. True there's a lot of things you need to know, but if it's irrelevant to the story, no one needs to know. I've had the hardest time over the passed *cough* ten years *cough cough* trying to write my novel, but I won't give up now, I know I have something great, I just need to get it done and I know this will help.

Bought and listened to your audiobook on audible. Something about the way to approach this - your passion - works for me and greatly improved my writing. And I have been doing this a long time. You are a writing guru because you don't try to be one. Thanks.

Hi. If you are a minor in high school... what is the likely hood of the book you are working on ever getting published? Hypothetically speaking, of course. Also, your tips will help so much. I am looking forward to start writing!!!Thanks.

2k to 10k

If you like my writing posts, you'll love my book!

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Kick-Ass Science Fiction

The Book That Started It All

Who are you again?

My name is Rachel Aaron/Rachel Bach, and I write the books you see over there on the left. I also play video games, watch anime, read manga, and read a TON of books. I love great sword fights, witty dialog, and charming rogues (except for the ones who stunlock me).