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About God of the Rodeo

Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill.

The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they’d had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There’s Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden’s car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there’s Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues.

Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching.

Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace.

From the Hardcover edition.

About God of the Rodeo

Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill.

The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they’d had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There’s Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden’s car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there’s Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues.

Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching.

Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace.

From the Hardcover edition.

Praise

"A fascinating descent into the hell of one of America’s most notorious prisons, God of the Rodeo offers a surprising and humane portrait of the men trapped in a horror beyond imagining."–JOHN BERENDT Author of Midnight in the Garden of Good and Evil

"A STORY OF SUCH ELOQUENCE AND BRUTALITY THAT, FROM TIME TO TIME, I SIMPLY HAD TO PUT THE BOOK DOWN AND THINK ABOUT WHAT I’D JUST READ. MAGNIFICENT!"–SEBASTIAN JUNGER Author of The Perfect Storm

"Chilling and heartbreaking . . . A vivid, ambitious, and ferociously reported book that reads like a novel . . . Even people who know something about prison rodeos will find it hard not to be caught up in the richly etched lives he discovers behind the ghoulish pageantry. . . . Bergner’s rich, probing and compassionate book is a rare look at both the physical and spiritual world on the other side of the bars. . . . An eloquent and valuable book."–The New York Times Book Review

"BERGNER’S PROSE IS POWERFUL, AT ONCE JOURNALISTIC AND PERSONAL. HE ROMANTICIZES NEITHER THE PRISONERS NOR THEIR KEEPERS."–USA Today