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SWEET HOMERICHARD BLACK
OF SHARK ISLAND
TALKS TO ROCKWIREDABOUT
THE FORCES THAT DROVE THE BAND APARTTHE
GLORY DAYS OF SUNSET STRIPAND
THE
BANDS COMEBACK CD 'GATHERING
OF THE FAITHFUL'INTERVIEWED BY BRIAN LUSH

Rock
n roll is full of break-ups, but in recent years, people have also
found that it's full of reunions as well. Why, just the other day, I
noticed on YAHOO NEWS that three of the surviving members of LED
ZEPPELIN were getting back together. There have been a handful of times
where the success of such reunions could be measured in substantial
dollar amounts. More often, success can be measured artistically. It's
too early to say what one can expect from a band like SHARK ISLAND (who
have reunited after 16 years of being apart) but after hearing the
bands comeback CD 'GATHERING OF THE FAITHFUL (MANIFEST MUSIC), it's
safe to say that this 13-song collection is a winner.

RICHARD
BLACK and guitarist SPENCER SERCOMBE started the band as THE SHARKS in
1979. In the eighties, the band was a part of the now legendary L.A.
Rock scene on Sunset Strip which included the likes of MOTLEY CRUE and
CINDERELLA and just about every other hair-metal act you can think of.
There were a string of independent releases until a deal was offered by
EPIC RECORDS and the newly christened SHARK ISLAND released 1989's LAW
AND ORDER. Being one of the most acclaimed bands on the scene, you'd
think that things would be on the up and up. This wasn't the case.
Where most bands are done in by ego, jealousy or drugs, SHARK ISLAND
was done in by those who claimed to have their best interests at heart
- their management and label. "We didn't know. We
shouldn't have gotten into an arrangement with
a management company that was also a record company.
It sounded wise at
the time." says BLACK. " I thought I was making the right decision. We
thought we were
doing the right thing but we trusted people too much. If I was given
the same situation now, we probably wouldn't have broken up. Things
happened but they happened because of poor decisions on our part."

Each
member ventured off into different projects. SERCOMBE moved to Germany
and BLACK continued with a short-lived outfit called CONTRABAND. Just
when one expects SHARK ISLAND to become a distant memory, time does
what it does best - it heals all. BLACK and SERCOMBE have dusted off
the cobwebs and have delivered a rockin' 13 track album full of the
hard rock bravado that made them favorites of the LA scene almost
twenty years earlier.

When ROCKWIRED spoke to
RICHARD BLACK, he
was in a studio with SPENCER SERCOMBE (visiting from Germany) working
on material for a new album. Here is how it went.

You guys are
writing songs now?
That's
exactly what we're doing. We're already working on a new album. We need
some songs written in
six weeks. It takes a while as you know to get this whole thing
started.There is the writing and the recording and the mixing.
With
our schedules, it probably takes us about nine months since we're all
scattered all over the world.

When was GATHERING
OF THE
FAITHFUL released?
It's
just been released in the U.S. now, but it was released in Europe about
a year ago. We didn't have a good enough distribution deal in the U.S.
and it really wasn't important for us at the time. We just wanted to
get the music out their and emerge from Europe since half of the band
is there now. This next album will be released in America
first.
The music industry has changed alot now. There's no longer one set way
of doing things. You just kind of invent it as you go along.

When you guys
started it seemed
as if there were alot more rules.
There
were patterns, and committees and ways of doing things. Back then you
did the song, you did the album, you got your pictures taken, then
you toured and got a publicist and everything was really cookie cutter.
Now things are alot more wide open. I actually find it a little more
difficult because it is a lot different than what I'm used to. We don't
have any big hopes of being rock stars or anything like that- we try
keeping things more along the lines writing songs, and creating
something and
having fun doing it.

It sounds that way
just by
listening to GATHERING OF THE FAITHFUL.
That
was what it was. It was the most fun I had ever had recording anything
in my life. It was so effortless. You could do what you want and there
was no A&R person breathing down your neck and there were no
expectations. We we're just going to record it. We had a lot of fun! We
tried to capture it and that was what we did.

You
guys have been apart for 17 years. What was it like getting back
together? What brought everyone back together on the same pages after
so many years apart?
The
answer to that is two-prong. Physically we look alot different so
getting together was really odd, but the music side of it felt like
like we never really left the band. We just picked up where we left off
like old friends that see each other after a long time. If you have an
affinity for an old friend, you kind of feel like you've never been
apart. You just kind of pick up where you left off. Every seven years,
every cell in your body is replaced so physically, we're not even the
same people. But the mind is still the same. There are places in my
mind that feel 25 years old still so it's frustrating when I walk by a
mirror and go, 'who's that?'.

Less hair? I have
no idea what
you look like, so I'm just assuming.
I shave my
head now. I'm sure there is less hair than their was. Thank God it's
fashionable to shave your head now.

That's right! It
wasn't when you
guys got started.
No it wasn't.

Talk about the
other members of
SHARK ISLAND. What do you thnk each of them brings to this thing that
makes it all worthwhile.
The
band is essentially the same as it was before. We have a different
drummer now. His name is GLEN SOBEL. He brings a fresh approach to the
drums. We've got something really fresh to play to. SPENCER SERCOBE is
the guitar player, CHRIS HEILMANN is the bass player and I'm the
singer. What we bring to this thing is ourselves. In a lot of ways each
of us have really diverse music backgrounds and we bring the experience
of what we grew up with to the table and the concoction that we come up
with is SHARK ISLAND. I don't know if I can explain that any further.
I've never analyzed it that far.

What was your
background,
musically?
I
started listening to the ROLLING STONES. Some people are BEATLES fans.
I liked the STONES. And as I got older, I was into T-REX, AC/DC, and
AEROSMITH. Later on down the line, I got into VAN HALEN. They
were sort of the hometown heroes, when I was growing up.

What's your
hometown?
Los
Angeles. SPENCER and I are one of the few original LA people. It's just
me, SPENCER and that guy from TOTO. That's it. Everyone else is
transplants from somewhere else.

Yeah. That whole LA
music scene
on Sunset back in the 80's - those bands were all from somewhere else.
We
were local boys. I grew up in Pasadena.

What was that whole
scene like.
I'm expecting a long answer.
I don't know if your
familiar with Sunset Strip and all -

Sunset is the only
place I go in
Hollywood.
The
streets between Doheny and Fairfax, there was people in the streets.
The sidewalks were full and it would fill out into the streets and it
would get in the way of traffic. There were traffic problems just
because of how many people were out. It looked like a huge party of
people walking around. Now, nobody walks at all anymore. You scarcely
see anybody. The clubs were all full. You'd come out of one club and go
into another, it was really fantastic. It was alot like I imagined it
was in the seventies from the rumors I heard. People were just dressed
to the nine and trying to outdo everyone else. It was this
big
social event and there was alot of carrying on and the music was going
out into the streets from the clubs. It was really fantastic. That is
virtually gone now. Sometimes, they actually had to block off the
streets because it wasn't practical to drive down the road.

What else do you
find is
different now?
There
are a couple of big differences that I noticed. The way music is
exchanged is very different now because of the internet. That may be
great for the person thats listening because they get a high quality
recording for nothing. What do they need to go out and buy it for?
That's a problem. I think in the long run, that the quality of music is
going to suffer because of it. Good musicians won't bother doing it
anymore. It's alot of money, alot of work and a lot of heartache and
sacrifice that goes into this. People sacrifice alot to do this and
they'd like to be compensated. I'm not talking about big mansions and
limousines. I'm talking about making a living as a musician.
There was a time when a band was like the musketeers. You'd
stay
together and against all odds and be loyal and pledge allegiance to
your group and make your shows. You can't do that anymore. Now,
everyone is in ten different bands. The guitar player's got another gig
to do other than yours. Everything now is sort of broken up and
disconnected. There is no brotherhood anymore. Those are the two
diffrerences that I've noticed. If it all keeps up, it's going to
change the way music is going to go. Whether it's for the better or for
the worse, that remains to be seen. There was a time when there was a
lot of money being made. Maybe it was too much. But then again, I think
alot of these athletes make too much money too. I don't get that at all.

And some people
make a lot of
money and you don't know what the fuck they do. Like PARIS HILTON.
You're
right. What does she do? She just shows up.

People's priorities
are all
fucked up now.
Well
I think the media is largely at fault for that. You create a demand for
these kind of things. Like sneakers. Why do you have to pay 160 dollars
for PUMA Sneakers? Because so-and-so is wearing them. They're probably
only worth five bucks in China, but hey, you've got to wear them. It
doesn't make sense to me. I just hope there is some kind of epiphany
with people where they wake up and go 'What the hell?!" I
can't
even watch TV anymore. It's all reality TV now. Why would I want to
watch TV just to watch another person live their life? There was a time
when people lived their own lives.

As did SHARK
ISLAND. How did the
band begin.
It
began with SPENCER and I getting a band together. Our objective was to
play music in backyard parties, drink alot of beer, doing alot of
things that I won't mention, and to play and have have a great old
time. That was what we wanted to do and once we got a taste for it, we
said "let's try making this into a career or something." So we went on
from there. It was all about fun and all about creating and making alot
of noise and having a lot of fun and meeting a lot of people. It was
just fantastic. I've been playing music since I was seventeen. It's
pretty intoxicating. I feel more at home playing on a stage than
anywhere else.

What drove you guys
apart?
It's
kind of complicated. It's really an ugly and complicated story. It had
a lot to do with our manager and our record company, which were one and
the same. They kind of broke the band apart and were driving a wedge
between us. They were trying to develop this band called CONTRABAND for
a while and they were constantly putting our album on the backburner
and we just kind of lost momentum and then we had a big falling out
with the record company/manager and then one day found ourselves
without either. At that point, we had already lost alot of momentum and
we weren't really prepared to start from scratch again. So we took a
break and did some other things and that's it. There were alot of bad
decisions on our part. We didn't know. We shouldn't have gotten into an
arrangement with a management company that was also a record company.
It sounded wise at the time. I thought I was making the right
decision. We thought we were doing the right thing but we trusted
people too much. If I was given the same situation now, we probably
wouldn't have broken up. Things happened but they happened because of
poor decisions on our part. That's the way it goes. No one twisted our
arms. It was very heartbreaking. When you lose your heart, it's hard to
get back.

Well,
you're back
with a great CD, and I think it's really exciting that you're calling
me as you're writing new songs. Maybe everything went down the way it
was supposed to and it was all for the best.
Thank
you. I tell myself that and I hope that is the case. Things are gonna
have to be alot different from here on out.

You've got alot of
songs on
GATHERING OF THE FAITHFUL. Are thre any that sort of stand out for you
as favorites?
Not
really. Somedays, I like of the songs and other days, I like the
others. I know that sounds like a cheap ass answer but it's not because
all of the songs have alot of meaning to me for their own reasons. I
kind of look at the whole album as a work. It is a little
long.
After such a long hiatus, I wanted a good group of songs on it.

13 songs is a good
number for a
band that's been away for a while.
I think so to.

It seems like the
songwriting for
this band is a collaborative effort. Would you like to talk about that?
It
is
a collaborative effort. It's cheifly SPENCER and I. What we'll do is go
into a room and jam. The drummer will play and we'll pick a beat that
we like and then jam on it and record everything. Then, we'll go back
and listen to all of the material and pick out the parts that we like
and construct a simple arrangement out of the parts that we
like.
I'll take it and put a melody line to it, then we'll go back into the
studio again and on the fly, we'll make any kind of arrangment that we
need. We'll rehearse it and record it again and refine it. After all
that, we'll nail down a final arrangment and then we'll learn it.
And that's it.

I like the title
GATHERING OF THE
FAITHFUL
The
reason for that is the band and the crew that used to work with us were
like a big loyal family and everyone had mutual respect for everyone
elses function no matter what they did. After being apart for so many
years it was like "let's gather everyone back together!" and hence the
title.

I also like the
packaging. It
looks like you guys have a good label working with you - MANIFEST MUSIC.
Yeah,
they pretty much let us do everything. I did all of the photography on
the sleeve. This album was a real labor of love and I had my
finger in it all the way. It's just a downright blessing. I can't
explain it any other way. It's like a dream come true. Any musician
would love that. It's fantastic.