4 comments:

Anonymous
said...

I applied for FOOM membership when it was advertised in Marvel UK in the early 70s (think it was only 50p) and waiting in anticipation for ages, then one day I got a letter with a slip in in (and my 50p PO)saying it was sold out - I was so disappointed. I managed to pick up a couple of FOOM mags in Glasgow about 10 years ago and to be honest want impressed but 12 year old me in 1973 would have loved it - have to say go a couple of the e "World of DC comics" fanzines as well and thought they were really good - enjoying the UK Marvel stuff keep it up please - McScotty

Interesting comparing your two postings - the FOOM covers designed by Steranko are really well-considered pieces, the next lot look like they were handed over to the office intern to knock out as quickly as possible.

STUDIO 77

About the artist:

From 1985 to 2000 A.D. (little joke there), I contributed to a variety of high profile comics and magazines for various companies.

For IPC/FLEETWAY/EGMONT, I freelanced as a lettering and logo artiston various weekly comics and monthly magazines, and also as a resize comic artistandspot illustratoron pocket books, summer specials and annuals.

ForMARVEL U.K., BLACK LIBRARY, REDAN and USBORNE BOOKS, I again freelanced as a lettering artist, also working as arestoration artistfor MARVEL U.S., restoring and re-creating certain pages of JACK KIRBY art for their MARVEL MASTERWORKS editions.

I also lettered the MARVELMAN sample pages submitted to MARVEL U.S. when they were considering acquiring the character, which - as we all now know - they DID.

Supplied comic strips, cartoons and illustrated advertisements for local business campaigns and newspaper publication on a professional basis since the age of 16. Did my first paid art job for publication at 14 or 15 for Lanarkshire Education Board.

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