The Miners' Film (d. Cinema Action, 1974-75) is epic in conception. The
miners' work and way of life are portrayed as integral. Their importance is
stressed by the film's opening, which contends that the economic health of the
nation is at the cost of miners' lives. When a miner is asked what is really in
the national interest, he feels that a more just society will be what he can try
to leave his children.

Former Cinema Action member Steve Sprung has described The Miners' Film as
"filmic [not] like a television programme... this is a film to represent the...
traditions and aspirations of the miners".

Unlike Cinema Action's campaign films, which were made during the actions
they depict, the outcome of the miners' strikes was well understood by the time
of the film's completion. Edward Heath's government was defeated at the election
he called quickly during the strike, hoping for public support. In this respect,
the film is like Cinema Action's earlier Arise Ye Workers (1973).

A 1976 article in the journal Afterimage praised the latter for placing the
narrative section of a successful campaign between depictions of continuing
struggle. The Miners' Film was criticised for presenting past events as if they
were still unresolved and thereby lulling worker audiences into a false sense of
comfort when the narrative closes them successfully. However, the film's
insistence on allowing ordinary miners, their families and lower-ranking union
officials to articulate their views belies this argument. Its position is
clearly that of respect for the miners and a desire to encourage other workers
to emulate them.

A sad historical irony of the above arguments is that The Miners' Film was
just as relevant ten years on and needed only a new prologue and epilogue when
shown on Channel 4 during the miners' strike of 1984-85.