Touring the Angel: Live in Milan

This film presents the beloved British synth-pop act performing live in support of its well-received comeback album, PLAYING THE ANGEL. Touring the Angel Live in Milan songs, this film presents concert versions of eight songs from ANGEL only, including the darkly vibrant "Suffer Well" and the melancholy "Precious. "

The band's first show as the Airborne Toxic Event took place in fall of 2006, and was followed by a regional rise to stardom, attracting offers from indie labels and accolades from magazines like Rolling Stone.

Riding the wave of industry buzz, the Event released their first EP and accompanying single (both titled Does This Mean You're Moving On?) in 2007, which only helped to heighten the band's standing in the indie scene. They signed with Majordomo Records in 2008 and released their self-titled first album, The Airborne Toxic Event, later that year. "Sometime Around Midnight" became a Top Ten modern rock hit, prompting Island Records to sign the band in early 2009. Two years later, the Airborne Toxic Event -- now signed to the same label as one of their major influences, U2

Marillion are one of the UK music scenes best kept secrets; purveyors of soulful, powerful, and often deeply-moving music, with a long-standing reputation for blistering live shows which have earned them an impressive and faithful global fanbase.

Steve "h" Hogarth fronts the band (original lead-singer, "Fish", having departed in 1988).
and brought a new heart and energy to the band when arriving in 1989 and becoming lead-vocal/lyricist.

The band has evolved into a vibrant musical force to those who already love Marillion, theyre something special; to everyone else theyre a love affair waiting to happen.

During 2011 the band will be continuing the writing and recording of the new (yet to be titled) 17th studio album and performing a string of Christmas gigs in Germany, Holland and the UK.

Glastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!

This is it! Your front row seat to the greatest hip hop experience ever captured on film. This is the ultimate back stage pass for your total pleasure. "Up In Smoke" is it and now you've got it all. Fire it up.

These twin sisters are an engaging live act and have slowly amassed a sizable following over the past decade and a half. They’ve done it by writing smart, quirky folk-pop tunes that are as emotionally true as they are catchy. Tegan and Sara’s studio albums have given them the luxury of adding accompaniment, but their live performances have been stripped to acoustic guitars, keyboards, and their intuitive vocals. The show recorded here was performed for family and friends at a Vancouver studio, so the sound is excellent and well-controlled. “Relief Next to Me” is nicely detailed. “The Ocean” could be a beatnik’s dream. “I Hear Noises” is exquisite folk, beautifully restrained. “Call It Off” is touching and gentle. “I Won’t Be Left” furiously strums with intention, with the bonus of drums accentuating the new wave pop drive. Their entire catalog is raided to great effect; just hearing the ache in Tegan’s voice should be enough to convince a skeptic.

The Pixies are one of the most influential American acts of all time. Initially spanning the late eighties and early nineties they created the blueprint for alternative rock that would be followed and embellished upon by everyone from grunge to Britpop. After 10 years apart the Pixies reformed in 2004. This film features their first ever all acoustic performance filmed at the famous Newport Folk Festival and is a companion to the simultaneously released Club Date: Live At The Paradise Club, Boston.

Happy Mondays were, along with the Stone Roses, the defining band of the Madchester scene in the late eighties and early nineties. Their music combined rock and house elements in a unique fusion which, coupled with Shaun Ryders biting lyrics, became the soundtrack of the era. This program captures the band on their first American tour in 1990 in support of their bestselling album Pills n Thrills And Bellyaches. It combines brilliant full performance footage from The Sound Factory in New York with behind the scenes material to give a really intimate portrait of the band at their peak. There are also cameo appearances from Keith Allen and the late Tony Wilson, founder of Factory Records.

It was one of the most anticipated events in the history of Canadian music. The Tragically Hip, Canada's most beloved rock band, was headlining a festival concert in Bobcaygeon - the small Ontario town, population 2,500, that inspired one of the group's most popular and enduring songs. 25,000 fans from across North America and Europe would make the pilgrimage. This is the story of a monumental concert, told through intimate footage of devoted Hip fans, the townspeople who embraced them, and of the inimitable band who, after more than 25 years of playing music together, have come to represent the soul of Canadian rock.

Narrated by Laurence Fishburne, EVERYDAY SUNSHINE charts the turbulent history of the pioneering all-Black rock band Fishbone. From the streets of South-Central to Hollywood punk clubs and stages around the world, Fishbone rose to become one of the most original bands of the past 25 years—their influence discernible in many of today’s biggest pop acts. An effortlessly entertaining tale of artists following their own creative paths with punk rock endurance in the face of personality conflicts, family and financial woes, and an unforgiving music industry.

As the Godfather of alt-rock and founder and frontman of Dinosaur Jr., J Mascis hardly needs an introduction. Touring on the back of his first solo studio album, Several Shades of Why, Mascis delivers his trademark laconic guitar riffs with an acoustic delicacy. With beautiful, raw vocals sung in his signature style, this is J Mascis laid bare.

Jane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.

Primal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.

After the success of his first single "Hulapalu" Andreas Gabalier makes this intimate live performance for MTV Unplugged. The music feature includes all time favorites influenced by superstars as Paul McCartney, R.E.M., Nirvana, Xavier Naidoo, and Gregor Meyle.

Derided by critics as pompous, melodramatic, and bombastic, the Mission, as they were known in their native U.K., nonetheless attracted a core audience of goth rock fans. The band was formed in 1986 by guitarist/singer Wayne Hussey and bassist Craig Adams, who both left the Sisters of Mercy to do so. (Hussey had also played with the Walkie Talkies and Dead or Alive.) The two soon recruited Artery guitarist Simon Hinkler and former Red Lorry Yellow Lorry drummer Mick Brown, who solidified the line up.

After a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.

Like many other British bands of the '90s, Supergrass' musical roots lie in the infectiously catchy punk-pop of the Buzzcocks and the Jam, as well as the post-punk pop of Madness and the traditional Brit-pop of the Kinks and Small Faces. the band brings in elements of decidedly unhip groups like Elton John, as well as classic rockers like David Bowie, the Beatles, and the Rolling Stones. With an exuberant, youthful enthusiasm, Supergrass tied all of their influences together in new surprising ways, where a Buzzcocks riff could slam into three-part harmonies out of "Crocodile Rock," or have a galloping music hall rhythm stutter like the best moments of the Who.

Britpop rockers Supergrass collects 17 of their videos as well as the 80-minute documentary A Home Movie on this film from EMI and Parlophone. With hits from the band's first four albums represented on the disc, the videos cover their early rocket-rise to stardom with such cuts as "Alright" and go all the way through their contagious 2002 hit "Grace." The documentary contains interviews with the band and features home movies from various tours and recording sessions dating back even before the band had properly formed. Filled with the kind of off-the-wall humor and style that has surrounded their work for the first ten years, the film is a must for Supergrass fans and collectors alike.

A significant footnote in rock 'n' roll's chequered history, 'Glange Fever' is the rockumentary to end all rockumentaries. A fascinating and faintly ridiculous film following the adventures the Diamond Hoo Ha Men (aka Gaz & Danny from Supergrass) on their UK live club tour throughout December 2007. An unsettling behind-the-scenes peek into life on the road with the world's finest sequin-suited glange rock duo.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two hometown concerts at Cat's Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement of this extraordinary band.

This Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.

Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.

Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.

Suzanne Vega broke-through with her eponymous debut album in 1985 in both Europe and America. The album featured the hits Marlene On The Wall and Left Of Center. She hit even greater heights with her second album Solitude Standing, which contained the hits Luka and Toms Diner. In many ways, she opened the way for the rush of female singer-songwriters that followed in the late eighties and early nineties. She continues to have hit albums and to play to packed houses on both sides of the Atlantic.

This live performance contains Fall Out Boys’ performances of Dance, Dance, A Little Less 16 Candles, This Aint A Scene, It's An Arms Race, Sugar We're Going Down and Thriller. It was filmed at San Francisco's historic Warfield Theatre. The fan will enjoy also a bonus interview where Fall Out Boy talks to Soundcheck about their fans, their latest record and Vincent van Gogh.

The last episode of "Evolution of a Song" finds the band, management, and label coming together to decide on the single for radio. After much debate, the decision becomes clear and the band gets the opportunity to promote and hear their song premiered live in New York City.

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