If the look and feel of this sneak-peek reminds you of “Triplets of Belleville”—you’re onto something. “Triplets” scenic illustrator Michel Breton, who later became a LAIKA concept artist, seems to have influenced this tableau more than past projects. On “Coraline,” Breton was put (figuratively and literally) in a corner, assigned to paint and composite rural northwest American scenery when his expertise clearly lies closer to antique urban European architecture. But two films later, it looks like LAIKA is finally leveraging the opinionated French Canadian’s signature vision.