Many of my friends at this point in life are touring musicians, and many of them are dating people they are not touring with. It’s no mystery that dating on the road can be hard. I mean, how many songs have been written about the subject?

Any podcast that has to do with DIY touring will tell you that in the 90s there were a lot of stop-and-go, using the payphone, sending letters and postcards, paging significant others, and other stressful situations happening in those days.

Did you know that music halls date back to the 18th century? Yes. According to history, music halls can be traced back to coffee houses and the inns where people met to do business, eat, and drink. Artists entertained while the audience watched and sometimes sang along, ate, drank, and had a good time. Later on, these inns created rooms devoted to music. The music rooms soon became very popular through music performances being scheduled twice or thrice a week to become what we know today as music halls.

Having a Facebook fan page for your music has so many benefits besides displaying your “like” count to the world. Some advantages of fan pages over personal pages are rather obvious — such as separating your personal and professional life, having no fan limit (versus the 5,000 friend cap on personal pages), using Insights to get key metrics about your fans, and getting taken more seriously as an artist overall.

As with any subject, positive reinforcement will keep your students striving to perform more and perform better. Throw student parties the day after a great concert or recital. Reward students for doing something outside of their comfort zone with “extra credit,” or a use a “point-system”. Even a good old, run-of-the-mill, gold star/name chart will do wonders when encouraging students to help their peers and work hard

I don’t think that any respectful musician should be proud of violating the copyright of another one. With all the social networks that exist nowadays, if someone makes a plagiarism, the news will spread worldwide in a matter of minutes. It is far too embarrassing of a place to put yourself in.

On his latest release, Onism, Photay’s Evan Shornstein combines his study of West African percussion with a heavy grounding in ’80s and ’90s beat-driven electronic music. And in the process, he diverges from popular, tried-and-true song form through a series of irreverent arrangements, arresting textures, and a radical withholding of the conventions of the “drop” and “release” that the uninitiated might expect from contemporary dance-inflected music.

Shornstein’s charge is, as he says, “to explore unfamiliar musical realms,” and he manages to do so with respect and reverence for the myriad traditions he’s moving through, resulting in music that’s both “incorrect” and deeply informed.

When I decided to record an album this year, I knew I was going to use crowdfunding to raise money. I was fairly certain I would be successful with it based on the pool of people I could reach, and I liked the idea of my fans being engaged in the entire process of recording.

I’ve been lucky enough to run several successful businesses. VNUE, along with its partner DiscLive, has grown to be the global leader in recording live concerts and releasing them in high quality to fans on limited edition CD sets and USB drives, immediately after their performance. We’ve worked with venues and artists all over the world, from Father John Misty and The Pixies to Blondie and 3 Doors Down. I also own and founded both RockHouse Live venues in the great city of Memphis, offering live entertainment every single night (as well as some killer grub).

The 1976 Copyright Act provides for the termination of copyright transfers – but authors need to act within a limited timeframe. Creators are entitled to reclaim their copyrights regardless of any contract stating otherwise after certain time periods. Therefore, even if an author, artist, musician, photographer or songwriter signed a contract which purports to transfer all rights in a work for perpetuity, the Copyright Act provides that the author of the work can terminate that grant and demand that the rights revert. Authors and creators are now entitled to terminate their contractual transfers and demand back control of their copyrights; authors can terminate their book publishing contracts, songwriters can demand return of their musical compositions from music publishers and recording artists and record producers can demand return of their sound recordings from the record companies.

If you’re in the music business and your career is taking off, there may come a time when you will need to relocate. Whether this is a temporary move to collaborate with another musician or a permanent relocation to be a part of another music community, this can create a major headache if you don’t know how to relocate safely. Here are four things to keep in mind if you have to pull up stakes for the sake of your music career.

This work is licensed under a Creative Commons License; except rights to all songs posted to Music Think Tank are reserved by the song's controlling rightholder(s). Powered by Squarespace | Designed by Sculpt | Managed by Hypebot