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I admit it. I am a tilter. I just love the little feeling you get that this is a moment captured rather than a posed shot (even when it is, like this one after she got her 6th sequential soccer award–well, every player gets one every season, but special to her nonetheless). To me, slightly or moderately tilting the camera gives the picture energy. The other benefit of tilting is that if you, like me, hardly ever hold the camera really straight (making my images sometimes look a bit “off”) no one notices that the image wasn’t straight to begin with. So I just go with my natural tendency to tilt and use it for effect. Now many people feel tilting is over-done. And it can be. And there is certainly a time when it is not appropriate and can ruin an image. But I like it. And I’m sticking with it. For now. (ISO 800; 55mm; F/4.8; no flash; program mode; auto white balance). PS-can you see the catch light in her eyes? It’s coming from an overhead skylight! So look around for a light source when you are figuring out where you want your subject to stand.

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I was waiting to catch my limo to take me away from my daughter for 5 days. And I needed an updated photo of her to show off to my colleagues and to look at while the plane took off (since having her I fear take-off and landing terribly). So I took five minutes to sit her on the ledge of our bay window and snapped for as long as she would let me. I made a quick bw print to take with me. But while surfing ThePioneerWoman.com website, I found her photoshop actions and decided to try to make a new black and white today that would really bring out her eyes. I used Black and White Beauty and Boost. I really loved how the light from the window sculpted her face: since she was so close to the window, the side farther away from the window is a little in shadow, which gives the portrait dimension. If she was further away from the window, her face would have a more even tone from left to right. I used a medium telephoto setting combined with an F5.6 in aperture priority mode. That was enough to blur out the patio furniture that was visible outside the window.

Love this photo of my niece. She’s so sweet and I just want to kiss that face. Seated in a restaurant on an overcast day, soft light poured in the large window to the right. As she conversed with her mom and dad, I shot at a wide F/3.5 aperture setting with the vibration compensation turned on to accommodate the slow 1/25th sec shutter speed. Only when her face was turned slightly towards the window did I get that twinkle in her eyes. Tip: Look for north facing window and position your subject’s cheek toward the window. You’ll get nice side lighting that gives dimension to the face and highlights in the eyes.