From the Publisher:First published 70 years ago, the classic, prophetic novel capturing the socialized horrors of a futuristic utopia remarkably explores the now-timely themes of cloning, individual creativity and freedom, and the role of science, technology, and drugs in humankind's future. Reprint. 25,000 first printing.

Annotation:A satirical novel depicting a scientific and industrialized utopia in which Ford and Freud are worshipped, eugenics policies have eliminated class conflicts (while strengthening the division of the classes), and personal unhappiness is assuaged through drugs and pornography.

Author Bio

Aldous Huxley

Aldous Huxley was the third son of Leonard Huxley, a teacher, editor, and author, and the former Julia Arnold, a schoolmistress. His paternal grandfather was the famed scientist Thomas Henry Huxley (a noted defender of the theories of Charles Darwin, and the person who coined the term "agnostic"), and a maternal great-uncle was the poet and critic Matthew Arnold. Their grandfather's mantle was taken up by Huxley's older brother Julian, who became a noted biologist. Aldous was planning on a career in medicine; he was educated at Eton and Balliol College, Oxford. When he was 14, his mother died of cancer, and three years later Huxley was stricken by an eye infection that left him blind for a year. His eyesight never recovered beyond a return of partial vision in one eye, and this led him to change his plan of studying medicine; instead he studied literature at Oxford. While he was at Oxford, his older brother Trevenen committed suicide. After completing his bachelor's degree in 1916, Huxley worked briefly as a teacher at Eton. He then moved to London and pursued a career as a literary critic and poet. In 1919 he married Maria Nys, who gave birth to their only child the next year, the same year Huxley published his first volume of stories. By 1923, Huxley had published two acclaimed novels, CHROME YELLOW and ANTIC HAY, and his reputation as one of the finest satirists of his time was established. He and Maria spent the next several years living on the Continent, and he continued to publish books, achieving great success with the novels POINT COUNTER POINT and BRAVE NEW WORLD. In 1934, upon the completion of EYELESS IN GAZA, Huxley experienced severe writer's block, along with depression and insomnia. In an effort to cure these afflictions he began practicing meditation and pursuing an interest in metaphysics. Huxley emerged from this dark period the next year, and leaving behind his famed sardonicism, embraced a more idealistic view of human potential. He and his family moved to the United States in 1937, living first at the ranch of his deceased friend D. H. Lawrence, and in 1938 settling in Southern California. Huxley worked as a screenwriter in Hollywood during the late 1930s and 1940s while continuing to write fiction and essays. His interest in metaphysics deepened over the years, and in 1953 he experimented with the hallucinogenic drug mescaline; the results of these experiments are recounted in his book THE DOORS OF PERCEPTION. In 1955, Maria Huxley died. The next year Huxley married Laura Archera, a musician, film editor, and therapist. In his final years, Huxley continued his long-established interest in travel, visiting countries around the world, often lecturing on his ideas. He published his final novel, ISLAND, in 1962, and succumbed to throat cancer the next year, on the same day John F. Kennedy was shot. Huxley is best known in the United States for BRAVE NEW WORLD, which is often assigned reading in secondary schools, but ISLAND--whose model society is much more pleasant than the one found in BRAVE NEW WORLD--also has a durable and devoted following. His early novels are fine portraits of postwar English society, and it is on these that his reputation as a literary stylist rest. The contrast between these early satires and the metaphysical and sociological concerns of his later work is stark, and readers are often fans of either his "English period" or his "American Period," but not often fans of both. No matter what works of Huxley one reads, however, one will find perceptive social observation and elegant prose. He is immortalized with a place in the jacket collage of the Beatles' SERGEANT PEPPER album.

Praise

New York Times Book Review"He has satirized the imminent spiritual trustification of mankind, and has made rowdy and impertinent sport of the World State whose motto shall be Community, Identity, Stability....So here we have [Mr. Huxley], as entertainingly atrabilious as ever he was...mocking the Fords, the Hitlers, the Mussolinis..." - John Chamberlain 02/07/1996

Saturday Review"Mr. Huxley is eloquent in his declaration of an artist's faith in man, and it is his eloquence, bitter in attack, noble in defense, that, when one has closed the book, one remembers--rather than his cleverness and his wit, which one admires and forgets."

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