Carmen Oquendo-Villar, José Correa-Vigier and Felipe Tewes were the lucky recipients of a mentorship program run by NALIP, the National Association of Latino Independent Producers, which included story sessions with me. When they called me, they had three films from three cuts. They liked bits and pieces of each but needed only one. After working their storytelling and editing magic, a single documentary emerged that premiered to great success at DOC NYC. Here’s more about how they got there:

Smart MoveThe team’s smartest move implied a sacrifice — to remove a key character because it was throwing the film off balance. Though it greatly improved the focus of the film and the structure of the story, it was a tough decision. Then Oquendo-Villar and Correa-Vigier realized they could create a new film from the excised footage. Oquendo-Villar said, “We could, in the short, explore the character’s own storyline deeper and also give her something back for having allowed us to shoot her in the first place.”

Never AgainCo-production and international agreement may add points to a film and its production value, but there are a few hoops to jump through. “Our first editor was in Spain, but we had an American contract. There was no way to enforce any terms without local representation,” said Oquendo-Villar.

Memorable Moments“At our Puerto Rican premiere, the subject of our film, José Quiñones, gave a beautiful and emotionally charged speech about the need for the LGBT community of Puerto Rico to come together and look out for each other.” The filmmakers didn’t know what he was going to say in advance. As Quiñones created a connection with the audience, Oquendo-Villar said “it made the countless hours of work behind sharing his story through our film feel all worth it.”

Will They Relapse and Make Another Film?Yes! Oquendo-Villar and Correa-Vigier are now developing documentary and narrative projects.