If you’re in charge of turning someone’s home into a wedding headquarters, you already have your work cut out for you. However, if you’re trying to do it without breaking the bank, some real planning is necessary. The home needs to magically become the place where the wedding party will eat, sleep, hang out, get ready, and eventually get hitched, and where the guests will gather afterward. What’s more, the home also may need to house the bridal party’s family.

There are different aspects involved in making an event a success, and they are planning ahead of time, budget, bringing together a great team, great marketing skills, involving latest technology such as user-friendly interface, logistics, catering, security, photography, cleaning, welfare, etc.

Technology has completely changed how we work, travel, socialize, and even what we do in our free time. We humans depend on technology a lot and it has made almost all of our routine activities and tasks easier. The UK event management industry is growing at a very high pace and there are a lot of areas where technology already plays a vital role yet there is a lot more room for it to revolutionize the industry.

I’m travelling around the coastline of the UK this August. After visiting all the States of America and every Prefecture of Japan, it is now time to travel the entire coastline of the United Kingdom. It is also a great excuse to visit events and festivals in villages, towns and cities on our trip.

You need a licence when you want to sell alcohol, or authorise the sale of alcohol, at licensed premises. Licensed premises, such as bars, restaurants, events and festivals, need a Designated Premises Supervisor (DPS). And to become one of those you need to be a Personal Licence Holder. So you can work behind the bar without being a Personal Licence Holder but in order for you to become a DPS you need the Licence.

The Tokyo 2020 Olympic Games are working on facial recognition for when fans enter a stadium. Will this be the future of ticketing? Imagine the data event companies or ticketing companies will have access to. According to Newsweek (2017) “businesses can analyse their customers’ faces to help tailor marketing strategies to people of different genders, ages and ethnic backgrounds”.

I went to Tokyo Disneyland. It was on my bucket list and as it is my last time in this grand city the decision to go was an easy one. Already on the train there I spotted several people in complete Disney gear. It made me wonder why people dress up like that. It’s not just Disney. You see the same at events like Comic Con and also at festivals. People like to go out of their way to dress up.

When it comes to presentations, we’ve entered the age of audience expectations. At conferences and summits, time-short and busy attendees anticipate and want more than stale, run-of-the-mill, 45-minute, lecture-style presentations. They want to be engaged.

When I organised my event, Zhivago Theater, we discussed the idea of selling alcohol at the theatre prior to the show. The theatre had a Premises Licence but this did not cover the sale of alcohol. I am a Personal Licence Holder but in order for me to sell alcohol in the theatre I would have had to apply for a TEN. My licensable activity would be ‘selling alcohol’.

In the UK the Licensing Act 2003 came into affect in 2005. You might remember the news items on BBC News where a reporter stood outside a pub that had received a license to be open for 24 hours. Surely this new Act meant that people would drink non-stop. It wasn't really about that though.

Zhivago Theater is a multimedia theatre show that offers a window to the soul of Russia's turbulent past. This weekend (27/28 May) in Brighton in the Montague Studio. Show starts at 7pm and tickets are £10.

We work on the principle that every person drinks at least 1 bottle of water. One bottle is half a litre. So for a 10,000 capacity festival we are looking at least at 5,000 litres. At Electric Daisy, with 145,000 attendees, we poured roughly 1 million bottles: or 500,000 litres of water over 3 days.

Stern Grove Festival welcomes over 100,000 people to its festival site each year. But how do they organise this admission free event? My interview with Steven Haines, executive director of the festival.

I met up with Tucker Gumber at Lightning in a Bottle Festival in 2015. Tucker is also known as the Festival Guy, and we talked about event promotion and his app FestEvo.

Please introduce yourself and explain what The Festival Guy does.

I’m Tucker and I’m known as the Festival Guy. It started as a way to go to festival for free. I thought if I review festivals I could come in as media. For that to actually work I had to visit a lot of festivals and it turned into something else. What I do is I look at problems at festivals and try to find solutions for them.

For example I've created a campaign to change the crowd’s perception that it is our responsibility to pick up after ourselves. I’m writing about the other stuff at festivals that no one else is talking about.

When did you start The Festival Guy and how many festivals have you visited so far?

My first festival was March 2011 and Lightning in a Bottle Festival in 2015 is number 78. I like to think I’m a seasoned festivalgoer by now.

What is your advice to a future festival organiser about how they should organise a festival?

Be very clear with your audience what they can expect. Give them rules. Rules at a festival are not bad. In fact it is for everyone’s benefit. Here at Lightning in a Bottle the rule is that you pack it in, pack it out. We’re going to pick up after ourselves and they have signs across the site to remind people of that rule. It works!

What happens at festivals where you do not have these rules is that I cannot go up to someone who throws something on the ground and say “hey, that’s not how we do it here”. So, rules work.

How do you find out about new festivals and especially the smaller festivals?

Normally I hear about festivals word-of-mouth. It will probably always that way because if you throw a good festival you want to come back again next year and brig your friends with you. I do get press releases on all the festivals and that’s how I keep my app FestEvo up to date.

I also started my own app called FestEvo that let’s you research the line up of festivals. The idea behind the app came from what I said about addressing problems at festivals. I discovered two main problems that we experience when at festivals. One we go to these festivals to spend time with our friends but you never really know which of your friends are going to be there.

We had met at a conference and after Northern Night Music Festival I received a message from this guy (he’s referring to me) that he was at the same festival and that it would have been cool to hang out. I replied by saying: “if someone only worked really hard on an app to solve that problem”.

The other problem is that when you go to a festival is hard to find out the entire line up and listen to the music. So you end up spending hours trying to find artists on Spotify and Youtube. In my app you can click on any festival and it will show you the entire line up and you can listen to every artist. The app can give a customised line up based on how you rate the artist. The app is free but the customised list is $1.

What aspects of the festival do you focus on when you review festivals?

I focus on everything. I want festivals to be sustainable but also easy to attend. I want there to be bathroom lights. I want to see and hear the music from the back of the crowd. I want to know what the crowd is like. The only thing I do not write about is what happens on the stages. Don’t go to the festival if you don’t like the line up.

How do people find out about festivals?

You want your festival to be on websites like Fest300, Music Festival Junkies, Wiki Festivals, and of course my app FestEvo.

What can festivals do to promote themselves?

Festivals should get way more creative with the content they create at the festival. Very few festivals let their artists control their Instagram account. They should all do that. Make smart content along the way and focus on more user generated content. Give someone a camera for the day and at the end of the day you can use that content.

Is it social media that festivals should focus on?

Honestly, a festival should focus on throwing the absolute best festival! Because if you throw an amazing festival, everyone that came this year will want to come back next year and they will bring people with them.

Lightning in a Bottle for example doesn’t rely on the line up. Everyone buys their tickets in advance because they want to be here, because it’s Lightning in a Bottle.

Where can people go if they want to find out more about you?

You can visit my website FestivalGuy.com or FestEvo.com and via there they can look me up on Twitter, Facebook and Youtube.