Pura Lempuyang (Lempuyang temple) is located on Lempuyang Mountain, Karangasem Regency, east Bali. The Balinese Hindu’s named it Sad Khayangan Agung Lempuyang Luhur, which is the place for Hyang Iswara and Hyang Agni Jaya. Puja Wali/ piodalan (sacred day) is held every six months, exactly on Umanis Galungan, Kamis (Thursday) wuku Dungulan, or the day after the Galungan ceremony.
To go to Lempuyang temple from Denpasar, it is about 80 km, a 2 hour journey to the east. Along the way, you will see beautiful scenery, rice field panoramas and rivers.
Lempuyang Temple contains a lot of mysteries from a long time ago, when Sang Hyang Pasupati recommended Hyang Gni Jaya together with Hyang Putra Jaya and Dewi Danuh to save Bali from disaster. Later, according to the villagers, as well as for praying, there are also people who come to Lempuyang Temple for other purposes, such as to recover from illnesses, avoid evil, and there are even politicians or officials who pray that their authority will be forever or to try to obtain a certain position. Usually they come in the middle of night, in order to avoid the public.

JBali is sometimes called the "Island of 10.000 Temples" (or "Island of the Gods") and this is not exaggerated. First of all, every village has at least three temples: the Pura Desa, where religious festivals are celebrated, the Pura Dalem for the Goddess of Death (this is the place where the funeral cremation rites start), and the Pura Puseh that is dedicated to the Gods of Heaven. Temples are everywhere, on the mountains and in the valleys, in the ricefields (they are small shrines for the Rice Goddess), and on the seaside, and every temple is different.
The Balinese religion is still very much alive. Every morning you can somewhere in Bali see small or larger groups of girls and women bringing offerings to a temple and the important festivals are celebrated by everybody with large processions to the temple that are accompanied by gamelan musicians.
The Balinese religion is based on Hinduism, but incorporates a lot of pre-Hindu, animist beliefs (primarily ancestor worship). In ancient times the founder of a village was revered as a god after his death by the village people. When the Hindu princes from Java occupied Bali (see ">Short Overview of the History of Bali) their form of worshipping their dead kings as gods came very close to the old Balinese ancestor worship. The many different gods of Bali (gods of Earth, Fire, Water, and Fertility) were now all viewed as different manifestations of the Trimurti, the Hindu trinity of Brahma, Vishnu, and the destroyer/creator Shiva.

Mantram

Sacred keys and magic words to God. Many common Mantram are used in the original Sanskrit language. However it is of utmost importance to truly know and be fully aware of a Mantram's true spiritual meaning. To benefit from its true and Divine Power of freeing and healing you should know the true meaning and you should fully agree with its meaning and identify yourself with its meaning and Divine power.
For that particular reason we prefer to use Mantram in your own language or a language you truly understand. The Divine power of any Mantram is completely free of the language the Mantram is used in. It is your intent - your inner attitude that frees the Divine magic power contained in every Mantram.
Words are magic. Use words consciously and concentrated. Be aware of what you say and use your words - and thoughts - always with Love for the greatest spiritual result and benefit. Anything else - any other attitude - may give any different result - may be even detrimental to your spiritual goals and detrimental to your souls well-being !!!
Be wise in the use of Mantram - choose the path of Love and Mantram of Love only and do it with all the power of your soul and heart to result in ONENESS in God. What ever you do with all the Divine power of your soul and heart is always enough to lead you to the final destination of ONENESS in God in Love. If at any time you put all at stake that you have, all your possession, all your power, all your Love, all you ever have created, collected, earned, including ALL your memories and turn it ALL to God with Love - in Love - then it ALWAYS is sufficient to open and pass through the door of Love to God.

Ongkara

Ongkara, or the Balinese Om, is one of the most sacred symbols in the Balinese culture, symbolising the universe and life itself.When Au Kara meets Ulu Candra, the romanization is not “Aung”, but “Om”. And the letter has a special name Ongkara This word is used almost everywhere in the text, as it is the symbol of God Himself. The most notable sentences using OM are the greetings: Om Swastiastu
(May God blesses you), Om Şanti Şanti Şanti, Om
(May peace be everywhere)

Some religious ceremonies in Bali are usually completed with sacred or wali dances. They are closely related to the procession of the ceremony. By its absence, it may be considered incomplete, as this dance constitutes a part of the ritual itself. And,

of course, they are always performed in sacred places like at temples and other areas where the ceremony takes place.

They are called sacred dances since they bring offerings or ingredients like canangsari in the Pendet dance, thread in Rejang Renteng or yellow rice in Sidakarya mask. In addition, all dancers must have been ‘purified’ through mewinten rites for adults otherwise they should be underage girls who are still virgins or unmarried. Perhaps, the last but not least, this dance is never performed for commercial purposes like public entertainment or a theme for a dinner party. Dance is also a devotion to the Supreme Being. Balinese people (Hindu devotees) would be very glad when they dance for this purpose. They call it ngaturang ayah (literally means devotional service). The more so, if the dancers are children, this opportunity becomes a beneficial process of learning where they are introduced to one core of Balinese art that is useful for their future learning, especially in dancing. Sacred dances are performed on temple festivals, human exorcism rites, Ngaben ceremony and so forth. On the temple festival, when the melasti procession has just been completed, all divine manifestation has been put to their thrones, the devotees usually prepare a rejang dance in the middle courtyard. A group of young girls, fewer than twelve, make their devotion through dances. They show off their rhythmical dance in front of the shrine complex in bright yellow and white colors costume. Their headdresses are made of fresh young coconut leaf decorated with flowers. In Hindu mythology, or Usana Bali chronicle, this Rejang symbolizes the vidyadhari (female angels) who accompany the deities come down to earth to witness the ceremony. While the gandharvas (heavenly artists play various gamelan) to accompany the dance. This mythology is then believed to be the base of the sacred Rejang dance. Another sacred dance is wayang lemah. It is a puppet shadow play that’s presented without a screen and lantern at noon. It uses a thread and perforated coin tied on two dadap (Erythrina subumbrans) twigs instead of a screen. This symbol makes a bridge between the visible and invisible world so the performance of the ritual will flourish. In the Ngaben ceremony, the Balinese usually perform a puppet shadow with special titles like Cupak’s Passage to Heaven or Bhima Svarga in which both recount the journey of both figures to heaven. It is expected that this could become a ‘travel companion’ for the soul to heaven since both stories carry much information on what to do and where to go.