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Alexander McQueen: Evolution is the story of the designer's thirty-five runway shows and the genius behind them. From Jack the Ripper Stalks His Victims, his 1992 graduate collection, to Plato's Atlantis, the last show before his death in 2010, Lee Alexander McQueen was as celebrated for the meticulous craftsmanship and stunning originality of his designs as he was notorious for his theatrical — and often controversial — runway shows. Taking his inspiration from sources as diverse as his own Scottish ancestry, Alfred Hitchcock movies and Yoruba mythology, McQueen brought together exquisite tailoring and avant-garde performance art. Combining gripping narrative and vivid photography with quotes from the designer and those who knew him best, this book brings each of the designer’s runway shows to life, including a look at the pieces and inspiration behind Angels and Demons, the show he was working on before his untimely death. This is the definitive, immersive account of a unique career and a fitting tribute to the enfant terrible of British fashion.

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Features garments made by the designer throughout his career, accompanied by quotes from the designer, an essay about his fashion career, and an interview with his long-time design assistant.

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When Alexander McQueen committed suicide in February 2010, aged just 40, a shocked world mourned the loss of its most visionary fashion designer. McQueen had risen from humble beginnings as the youngest child of an East London taxi driver to scale the heights of fame, fortune and glamour. He designed clothes for the world's most beautiful women including Kate Moss and Naomi Campbell. In business he created a multi-million pound luxury brand that became a favourite with both celebrities and royalty, most famously the Duchess of Cambridge who wore a McQueen dress on her wedding day. But behind the confident facade and bad-boy image, lay a sensitive soul who struggled to survive in the ruthless world of fashion. As the pressures of work intensified, so McQueen became increasingly dependent on the drugs that contributed to his tragic end. Meanwhile, in his private life, his failure to find lasting love with a string of boyfriends only added to his despair. And then there were the dark secrets that haunted his sleep… A modern-day fairy tale infused with the darkness of a Greek tragedy, Alexander McQueen: Blood Beneath the Skin is soon to be adapted for film, directed by Andrew Haigh (45 Years). This book tells the sensational story of McQueen's rise from his hard East London upbringing to the hedonistic world of fashion. Those closest to the designer - his family, friends and lovers - have spoken for the first time about the man they knew, a fragmented and insecure individual, a lost boy who battled to gain entry into a world that ultimately destroyed him.

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DIVLee Alexander McQueen (1969†“2010), whose design combined visionary aesthetics, emotional power, and extraordinary craft, was known for staging provocative shows that were as much performances as venues to display his couture creations. Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen’s shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist. Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen: The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.†? —New York Times “Deniau’s close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.†? —San Francisco Chronicle “Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen’s vision; like one of the designer’s fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen’s vast, unique talent is also a eulogyfor his tragic loss.†? — “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal “Lush, previously unpublished backstage photographs from many of the late designer’s provocative fashion shows.†?—The Los Angeles Times “The kinetic color and black-and-white photographs document the fantastical, shocking spectacle of a McQueen show in action: hairdos trussed up with birds of prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrial cheek prostheses. The images are sensual, spooky, and whimsical, playing up the drama of McQueen’s vision; like one of the designer’s fabulous garments, the photographs transform fashion into high art. The book is both an homage and a memorial; this celebration of McQueen’s vast, unique talent is also a eulogy for his tragic loss.†? —Publishers Weekly “Love Looks Not with the Eyes document[s] the intense work and equally intense emotions that played out behind the scenes of McQueen’s poetic, passionate, and provocative shows. . . . The intimacy is evident in the pictures.†? —Vogue “The haunting images offer a rarefied glimpse into the designer’s inner world.†? —Harper’s Bazaar “Deniau, in the process of documenting 26 McQueen presentations, captured images which, too, transcend photography—matching the decadent and grand world created by the hands of McQueen.†? —Time.com “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969†“2010).†? —Wall Street Journal Â /div

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Alexander McQueen made headlines as Kate Middleton wore a gown designed by the House of McQueen for her royal wedding. This paper doll tribute to the late fashion superstar includes 3 dolls and more than 30 costumes.

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Never-before-seen photos of McQueen s brilliantly creative world from an exclusive backstage photographer Alexander McQueen, the iconic designer whose untimely death in 2010 left the fashion world reeling and fans worldwide clamoring for more, fused immense creativity, audacity, and a hauntingly dark aesthetic sense into powerful, unforgettable imagery. The strange, singular beauty of his clothing was matched by the spectacle of his legendary fashion shows, which demonstrated his outstanding showmanship and consistently pushed the boundaries of runway events. Robert Fairer s intimate, vibrant full-color photographs of McQueen s collections, taken backstage and on the catwalk when few photographers were allowed access, offer a unique insight into the life and work of one of the world s most captivating figures. This previously unpublished portfolio of stunning, high-energy photographs captures the people and the spirit that made the designer s flamboyant shows unique. Fairer, "Vogue's" backstage fashion photographer for over a decade, was an integral part of the whirl of activity behind the scenes. These images, which capture both the glamor and the grit, represent a new genre of fashion photography and are a treasure-trove of inspiration. This superb book contains an introduction and collections texts by fashion expert Claire Wilcox. Dynamic images of McQueen s collections--thirty of his total of thirty-six shows are presented chronologically--portray behind-the-scenes moments that reveal stylists, models, hairdressers, makeup artists, and McQueen himself at their most candid and creative."

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Alexander McQueen was from the controversy of his early shows to the elegiac perfection of his last British fashion's most significant figure. His stellar career is a story of iconoclasm, ambition and visionary brilliance. Vogue On Alexander McQueen shows how his darkly beautiful designs, immaculate tailoring, slashed material and sculpted outlines realised his ambition: I want to be the purveyor of a certain silhouette or a way of cutting so that, when I'm dead and gone, people will know that the twenty-first century was started by Alexander McQueen.

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Lee Alexander McQueen's last show before his untimely death in 2010, titled "The Horn of Plenty," functioned as a kind of personal survey in which McQueen revisited his 15-year archive of work, revitalizing it through the new collection. He invited photographer Nick Waplington to document the collection from inception to runway. "It is not just a book about a season in a fashion house," says Waplington; "It is also a personal record of Lee's imagination, his version of himself, and a tribute to the many important and lasting relationships he had with all those who worked alongside him." With over 250 photographs, "Working Process" allows readers an intimate glimpse into McQueen's dynamic creative process. This boxed limited edition of 100 copies includes an original signed and numbered print by Waplington, which features McQueen behind the scenes at the fashion shoot, from page 36 of the book.

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In Gods and Kings Dana Thomas, author of Deluxe, tells the story of how John Galliano and Alexander McQueen changed the face of fashion In the first decade of the 21st century the fashion world was dominated by two very different but equally successful and turbulent figures. But, within twelve months, Alexander McQueen had committed suicide, and John Galliano had professionally imploded. Who was to blame? And how was fashion changed by their rise and fall? Spanning the 80s, 90s and noughties, Gods and Kings tells the story of these two charismatic figures and times of great change in the world of fashion, from London's raucous art and club scene to the old-world glamour of Parisian couture, and reveals the machinations of this notoriously secretive industry. [Praise for Dana Thomas's Deluxe]: 'A crisp, witty social history that's as entertaining as it is informative' - New York Times 'Definitive' - Daily Telegraph Dana Thomas began her career writing for the Style section of The Washington Post and served as Newsweek's European culture and fashion correspondent for fifteen years. She has written for The New York Times Magazine, The New Yorker, WSJ, the Financial Times, Vogue, Harper's Bazaar, and was the European editor of Condé Nast Portfolio. She is a contributing editor for T: The New York Times Style Magazine, and is the author of the New York Times bestseller, Deluxe: How Luxury Lost Its Lustre. She lives in Paris.

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His extraordinary career, which took him from humble beginnings as an apprentice on Savile Row to the creative directorship of his own global brand, is a story of hard work, ambition and visionary brilliance. Leading photographers such as Mario Testino and Corinne Day photographed his stunning designs for Vogue, and through them Alexander McQueen's career is presented - from the controversy of his early shows to the elegiac perfection of his last - with a particular emphasis on the evolution of his signature style: immaculate tailoring, slashed fabric, historical references and beauty in the macabre. The book shows that McQueen's own ambition was fully realised: 'I want to be the purveyor of a certain silhouette or a way of cutting so that, when I'm dead and gone, people will know that the Twenty-first Century was started by Alexander McQueen'.

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Magnificently illustrated with some of McQueen's most riveting designs, this book illuminates the struggles of a man who dared to defy accepted fashion norms and give the world a new sense of grandeur From conflicted gay teenager and aggressive and remote young man, through to his lonely suicide, this book charts Alexander McQueen's ascent to couturier par excellence, highlighting his spectacular shows and showing how his confrontational, streetwise manner was simply a shield that protected and masked a very shy, sensitive, and insecure man who hailed from the wrong side of the high fashion tracks. McQueen's talent is now globally acknowledged to have been unmatched in contemporary haute couture, and this book distills from the lavish sweep of his colors, designs, fabrics, and forward-driving concepts the essence of a man on a quest for beauty and his own contentment. In casting the spotlight on the stark contrast between catwalk glamour and his upbringing and personal demons, the book shows how his talent both nourished and destroyed him. It takes us from the vicious glare of the walkway where he was fêted by the wealthy and famous as an innovative artist to behind the glamour. There, defiance delineated a life that was hurled into inescapable depression by the deaths, first of his great friend and supporter Isabella Blow and then by his mother.

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“Terrifically exciting and fun” (Publishers Weekly), Champagne Supernovas is “a lucid, smoothly executed look at a pivotal decade in the legacy of American fashion” (Kirkus Reviews) as told through the lives of Kate Moss, Marc Jacobs, and Alexander McQueen—the three iconic personalities who defined the time. Veteran pop culture journalist Maureen Callahan takes us back to the pivotal style moment of the early 1990s—when supermodel glamazons gave way to heroin chic, when the alternative became the mainstream, and when fashion suddenly became the cradle for the most exciting artistic and cultural innovations of the age. Champagne Supernovas gives you the inside scoop from a bevy of supermodels, stylists, editors, photographers, confidantes, club kids, and scenesters who were there. They’ll tell the unvarnished story of three of the most influential personalities to emerge in fashion in decades—Kate, Marc, and McQueen—and show why the conditions in the 1990s were perfect for their rise…but also helped contribute to their personal struggles. Steeped in the creative brew of art, decadence, and genius that defined the era, Champagne Supernovas is a “titillating ride through the fashion world” (Elle) that offers readers front-row tickets to a gloriously debauched soap opera about the losers and freaks who became the industry’s It Girls and Boys…and who changed the larger culture forever.

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In 1962, Alexander McQueen Quattlebaum first visited the Isle of Skye, off the west coast of Scotland. After surveying the land and finding it a stark contrast to the fertile fields of South Carolina's lowcountry, he understood why, after generations, his forbears had chosen to leave the Scottish isle and cross the Atlantic. However, over the next two decades he made annual visits to Scotland and slowly uncovered the rich history of the MacQueen and Macfarlane families.

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 18. Chapters: Alexander McQueen (brand), Balenciaga, Bottega Veneta, Frida Giannini, Gucci, Oscar de la Renta, Sergio Rossi, Stella McCartney, Tomas Maier, Yves Saint Laurent (brand). Excerpt: Alexander McQueen is a luxury fashion house founded by designer Alexander McQueen (1969-2010). Its current creative director is Sarah Burton. An Alexander McQueen dress from his last show, on display at the Victoria and Albert Museum, London, in 2010. A display from "Savage Beauty," a retrospective of Alexander McQueen designs at the Metropolitan Museum of Art, New York City, 2011.Alexander McQueen was founded by designer McQueen in 1992. It was the suggestion of Isabella Blow that McQueen use his middle name for the label. The house's early collections developed its reputation for controversy and shock tactics (earning the title "l'enfant terrible" and "the hooligan of English fashion"), with trousers aptly named "bumsters" and a collection entitled Highland Rape. Alexander McQueen staged lavish, unconventional, runway shows, such as a recreation of a shipwreck for his spring 2003 collection, spring 2005's human chess game and the Fall 2006 show, Widows of Culloden, which featured a life-sized hologram of supermodel Kate Moss dressed in yards of rippling fabric. During his time as head designer, McQueen was awarded the title "British Designer of the Year" four times between 1996 and 2003; he was also awarded the CBE and named International Designer of the Year by the Council of Fashion Designers in 2003. In December 2000, the Gucci Group acquired 51% of his company and appointed him as Creative Director before launching stores in London, Milan, New York, Los Angeles and Las Vegas. In October 31, 2011, Alexander McQueen opens its first store in Beijing with a runway show. Following the take over, the brand's catwalk presentations were...

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The most detailed and revealing biography to date of a Hollywood great. Steve McQueen is that rare Hollywood combination of a classic actor and a style icon in the tradition of James Dean. ‘ The King of Cool’ , as he was dubbed, was at one time the highest-paid film star in the world, a status earned through his roles in films like The Magnificent Seven, Bullitt, The Thomas Crown Affair and The Great Escape. But he also turned down at least as many roles in classic films, including Breakfast at Tiffany’ s, Butch Cassidy and the Sundance Kid and The French Connection. This is the first biography to cover in detail every film that McQueen made, and to put him into the context of the movie business, showing how he had problems trying to be a Method actor where an exact contemporary like Clint Eastwood thrived at it, and how Eastwood understood the studio system and made it work for him, while an insecure McQueen struggled with his sense of himself, both on and off screen. It includes interviews with people who have never spoken about him before, and draws upon diaries in the private McQueen collection.
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