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Immanuel’s Kant’s groundbreaking work, considered to be among the most influential philosophical texts in the Western canon

Familiar to philosophy students through the centuries, The Critique of Pure Reason is in many ways Kant’s magnum opus. First published in 1781, it seeks to define what can be known by reason alone without evidence from experience. Kant begins by defining a posteriori knowledge, which is gained through the senses, versus a priori knowledge, or self-evident truths understood without the benefit of experience. He then examines these two types of knowledge in the context of analytic and synthetic judgments, using the relationship between them to conclude that through reason alone, humans are capable of reaching deep universal truths. Kant then demonstrates how—even as much of the world around us can never be truly known—the laws of the universe are in fact made possible by the human capacity for reason itself.

Sparking intense and lasting discussion, The Critique of Pure Reason remains essential reading for anyone seeking a deeper understanding of the ideas that, since their initial publication, have gone on to shape much of Western philosophy.

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The Metaphysics of Morals is Kant's major work in applied moral philosophy in which he deals with the basic principles of rights and of virtues. It comprises two parts: the 'Doctrine of Right', which deals with the rights which people have or can acquire, and the 'Doctrine of Virtue', which deals with the virtues they ought to acquire. Mary Gregor's translation, revised for publication in the Cambridge Texts in the History of Philosophy series, is the only complete translation of the whole text, and includes extensive annotation on Kant's difficult and sometimes unfamiliar vocabulary. A new introduction by Roger Sullivan sets the work in its historical and philosophical context. This volume will be of wide interest to students of ethics and of legal and political philosophy.

"Pluhar maintains a fine, even tone throughout. . . . Those who have found the prospect of teaching the third Critique daunting will admire its clarity. . . . No one will be disappointed." --Timothy Sean Quinn, The Review of Metaphysics

This carefully crafted ebook: “IMMANUEL KANT Premium Collection: Complete Critiques, Philosophical Works and Essays (Including Kant’s Inaugural Dissertation)” is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Introduction: IMMANUEL KANT by Robert Adamson KANT’S INAUGURAL DISSERTATION OF 1770 Three Critiques: THE CRITIQUE OF PURE REASON THE CRITIQUE OF PRACTICAL REASON THE CRITIQUE OF JUDGMENT Critical Works: PRELOGOMENA TO ANY FUTURE METAPHYSICS FUNDAMENTAL PRINCIPLES OF THE METAPHYSIC OF MORALS THE METAPHYSICS OF MORALS Philosophy of Law; or, The Science of Right The Metaphysical Elements of Ethics Pre-Critical Works and Essays: DREAMS OF A SPIRIT-SEER IDEA OF A UNIVERSAL HISTORY ON A COSMOPOLITICAL PLAN Preface to THE METAPHYSICAL FOUNDATIONS OF NATURAL SCIENCE PERPETUAL PEACE: A Philosophical Essay OF THE INJUSTICE OF COUNTERFEITING BOOKS Criticism: CRITICISM OF THE KANTIAN PHILOSOPHY by Arthur Schopenhauer Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.

1. Idea for a Universal History with a Cosmopolitan Intent (1784) 2. An Answer to the Question: What Is Enlightenment? (1784) 3. Speculative Beginning of Human History (1786) 4. On the Proverb: That May Be True in Theory, but Is of No Practical Use (1793) 5. The End of All Things (1794) 6. To Perpetual Peace: A Philosophical Sketch (1795)

This 1790 polemic by one of philosophy's most important and influential figures attempts to establish the principles that support the faculty of judgment. Kant's third critique — after Critique of Practical Reason and Critique of Pure Reason — remains one of the most important works on human reason. The Critique of Judgment informs the very basis of modern aesthetics by establishing the almost universally accepted framework for debate of aesthetic issues.As in his previous critiques, Kant seeks to establish a priori principles. The first part of this work addresses aesthetic sensibility. The human response to specific natural phenomena as beautiful, he asserts, is a recognition of nature's harmonious order that corresponds to a mental need for order. The critique's second half focuses on the apparent teleology in nature's design of organisms. The philosopher declares that the mind is predisposed to find purpose and order in nature, and this predisposition forms the main principle underlying all our judgments. Although this could be interpreted as an argument in favor of a creator, Kant insists that a supernatural dimension or the existence of God cannot be proven — such considerations lie beyond the realm of reason, solely within the province of faith.

In his monumental Critique of Pure Reason, German philosopher Immanuel Kant (1724–1804) argues that human knowledge is limited by the capacity for perception. He attempts a logical designation of two varieties of knowledge: a posteriori, the knowledge acquired through experience; and a priori, knowledge not derived through experience. Kant maintains that the most practical forms of human knowledge employ the a priori judgments that are possible only when the mind determines the conditions of its own experience. This accurate translation by J. M. Meiklejohn offers a simple and direct rendering of Kant's work that is suitable for readers at all levels.

In the Critique of Judgement, Kant offers a penetrating analysis of our experience of the beautiful and the sublime. He discusses the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits ofrepresentation, and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the degree in which nature has a purpose, with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists, writers, and philosophers of the classical and romantic period, including Hegel, Schelling, Schopenhauer, and Nietzsche. In addition, it has remained a landmark work in fields such as phenomenology, hermeneutics, the Frankfurt School, analyticalaesthetics, and contemporary critical theory. Today it remains an essential work of philosophy, and required reading for all with an interest in aesthetics.

'beauty has purport and significance only for human beings, for beings at once animal and rational' In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling. It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory. J. C. Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary. This edition also includes the important 'First Introduction' that Kant originally composed for the work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This entirely new translation of Critique of Pure Reason is the most accurate and informative English translation ever produced of this epochal philosophical text. Though its simple and direct style will make it suitable for all new readers of Kant, the translation displays an unprecedented philosophical and textual sophistication that will enlighten Kant scholars as well. This translation recreates as far as possible a text with the same interpretative nuances and richness as the original. The extensive editorial apparatus includes informative annotation, detailed glossaries, an index, and a large-scale general introduction in which two of the world's preeminent Kant scholars provide both a succinct summary of the structure and argument of the Critique and a detailed account of its long and complex genesis.

The second, corrected edition of the first and only complete English translation of Kant's highly influential introduction to philosophy, presenting both the terminological and structural basis for his philosophical system, and offering an invaluable key to his main works, particularly the three Critiques. Extensive editiorial apparatus.

Written during the height of the Enlightenment, Immanuel Kant’s Introduction to Logic is an essential primer for anyone interested in the study of Kantian views on logic, aesthetics, and moral reasoning. More accessible than his other books, Introduction to Logic lays the foundation for his writings with a clear discussion of each of his philosophical pursuits. For more advanced Kantian scholars, this book can bring to light some of the enduring issues in Kant’s repertoire; for the beginner, it can open up the philosophical ideas of one of the most influential thinkers on modern philosophy.

This edition comprises two parts: “Introduction to Logic” and an essay titled “The False Subtlety of the Four Syllogistic Figures,” in which Kant analyzes Aristotelian logic.

The Critique of Judgment, or in the new Cambridge translation Critique of the Power of Judgment, also known as the third critique, is a 1790 philosophical work by Immanuel Kant. It lays the foundations for modern aesthetics.

The Critique of Pure Reason (German: Kritik der reinen Vernunft, KrV, in original: Critik der reinen Vernunft) by Immanuel Kant, first published in 1781, second edition 1787, is one of the most influential works in the history of philosophy. Also referred to as Kant's "first critique," it was followed in 1788 by the Critique of Practical Reason and in 1790 by the Critique of Judgment. In the preface to the first edition Kant explains what he means by a critique of pure reason: "I do not mean by this a critique of books and systems, but of the faculty of reason in general, in respect of all knowledge after which it may strive independently of all experience." Before Kant, it was generally held that truths of reason must be analytic, meaning that what is stated in the predicate must already be present in the subject (for example, "An intelligent man is intelligent" or "An intelligent man is a man"). In either case, the judgment is analytic because it is ascertained by analyzing the subject. It was thought that all truths of reason, or necessary truths, are of this kind: that in all of them there is a predicate that is only part of the subject of which it is asserted. If this were so, attempting to deny anything that could be known a priori (for example, "An intelligent man is not intelligent" or "An intelligent man is not a man") would involve a contradiction. It was therefore thought that the law of contradiction is sufficient to establish all a priori knowledge.

That all our knowledge begins with experience there can be no doubt. For how is it possible that the faculty of cognition should be awakened into exercise otherwise than by means of objects which affect our senses, and partly of themselves produce representations, partly rouse our powers of understanding into activity, to compare to connect, or to separate these, and so to convert the raw material of our sensuous impressions into a knowledge of objects, which is called experience? In respect of time, therefore, no knowledge of ours is antecedent to experience, but begins with it.

Immanuel Kant was one of the most influential philosophers in the whole of Europe, who changed Western thought with his examinations of reason and the nature of reality. In these writings he investigates human progress, civilization, morality and why, to be truly enlightened, we must all have the freedom and courage to use our own intellect.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

This edition of Prolegomena includes Kant's letter of February 1772 to Marcus Herz, a momentous document in which Kant relates the progress of his thinking and announces that he is now ready to present a critique of pure reason.

This expanded edition of James Ellington’s preeminent translation includes Ellington’s new translation of Kant’s essay Of a Supposed Right to Lie Because of Philanthropic Concerns in which Kant replies to one of the standard objections to his moral theory as presented in the main text: that it requires us to tell the truth even in the face of disastrous consequences.

"One of the greatest problems of education," Kant observes, "is how to unite submission to the necessary restraint with the child's capability of exercising his free will." He explores potential solutions to this dilemma, stressing the necessity of treating children as children and not as miniature adults. His positive outlook on the effects of education include a conviction that human nature could be continually improved; to achieve this end, he advocated that pedagogy, the science of education, be raised to academic status and studied at a university level — an innovative notion for the 18th century.

Whether the treatment of that portion of our knowledge which lies within the province of pure reason advances with that undeviating certainty which characterizes the progress of science, we shall be at no loss to determine. If we find those who are engaged in metaphysical pursuits, unable to come to an understanding as to the method which they ought to follow; if we find them, after the most elaborate preparations, invariably brought to a stand before the goal is reached, and compelled to retrace their steps and strike into fresh paths, we may then feel quite sure that they are far from having attained to the certainty of scientific progress and may rather be said to be merely groping about in the dark. In these circumstances we shall render an important service to reason if we succeed in simply indicating the path along which it must travel, in order to arrive at any results—even if it should be found necessary to abandon many of those aims which, without reflection, have been proposed for its attainment.

That logic has advanced in this sure course, even from the earliest times, is apparent from the fact that, since Aristotle, it has been unable to advance a step and, thus, to all appearance has reached its completion. For, if some of the moderns have thought to enlarge its domain by introducing psychological discussions on the mental faculties, such as imagination and wit, metaphysical, discussions on the origin of knowledge and the different kinds of certitude, according to the difference of the objects (idealism, scepticism, and so on), or anthropological discussions on prejudices, their causes and remedies: this attempt, on the part of these authors, only shows their ignorance of the peculiar nature of logical science. We do not enlarge but disfigure the sciences when we lose sight of their respective limits and allow them to run into one another. Now logic is enclosed within limits which admit of perfectly clear definition; it is a science which has for its object nothing but the exposition and proof of the formal laws of all thought, whether it be a priori or empirical, whatever be its origin or its object, and whatever the difficulties—natural or accidental—which it encounters in the human mind.

"Kant's Science of right ... was published in 1796, as the first part of his Metaphysic of morals, the ... sequel and completion of the Foundation for a metaphysic of morals, published in 1785."--Pref.