видеопоказ

English translation: video presentation

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A real-time algorithmic video installation that is permanently in the lobby of the newly re-opened Museum of Modern Art in NYC. The content is generated live. Images and actions appear across multiple screens. If you watch the screens indefinetly, you will never see exactly the same thing twice.

The system algorithmically selects from a catalog of still images, then selects from a repertoire of action sequences to apply to these images. Actions occur on anywhere from one to nine screens. Multiple actions occur simultaneously across the image field.

The museum regularly provides the system with new still images of temporary shows and the permanent collection, as well as new text information generated as needed, so the content displayed is always new.

MoMA display screens is a project of MoMA, Imaginary Forces, slinc, and Kurt Ralske. I designed the system architecture, co-designed the image sequences, and was solely responsible for implementing the image processing code.

A NEW VIDEO INSTALLATION BY BOSTON-BASED VIDEO SCULPTOR DENISE MARIKA OPENS AT THE MUSEUM OF MODERN ART

The Museum's Video Gallery Reopens with a New Work that Uses Three-Dimensional and Time-Based Media To Examine Issues of Vulnerability and Power

More Weight

November 15, 1996­January 26, 1997

The Museum of Modern Art reopens its third-floor Garden Hall Video Gallery on November 15, 1996, with a new installation by Boston-based video sculptor Denise Marika. Marika is well known for work that combines three-dimensional and time-based media; the installation, More Weight, features a video loop of lifesize nude figures projected onto a large rectangular structure made of metal and felt.

In the video a woman is carrying a man and struggling to keep from dropping him. She moves forward, gasping from the weight, trying to keep him in her arms. The only sound is of her labored breathing and footfalls. The man is motionless and vulnerable, arms and legs hanging, like a sleeping child. The drama plays out endlessly—with the woman working hard to avoid causing injury to herself or her charge—and is both disturbing and absurd.

Asker: well, video installation is a work of art presented, but how to call an event dedicated to such kind of artworks? you see?

Asker: hm, taking about the experimental movie (by the way, this exaple was given in brackets) as a genre, I dont this is the most helpful variant. "Видеопоказ" could be dedicated just to one 20-30 min. movie. The point is that in Ukraine such movies, unfortunately, as the rule, are not demonstrated at the cinema, but at the galleries. But the procedure is the same: people sit for about half of an hour watching movie in a dark room :)

Peer comments on this answer (and responses from the answerer)

neutral

Alexander Alexandrov: Yeah, this is the thing, the process is exhibition. Just remember - you can see this word in usual home video captions.

20 mins

-> Yes, to me it wasn't completely clear in the question. I agree, in fact I suggested, well, "video exhibition" after Chiuko explained the situation. See note.

Part two of the Virginia Museum of Fine Arts' three-part ***video-art exhibition *** opened Saturday, April 6, featuring "Rapture," a major recent work by Iranian-born artist Shirin Neshat. "Rapture" presents lush black-and-white projections on opposing walls in an exploration of the strict division in some Islamic countries between men and women.

Annotated Video Exhibitions (1963-1974)- [ Перевести эту страницу ]This might have been the first gallery video exhibition on the West coast. .... Vision and Television , the first group video exhibition to take place in an ...
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