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This book is a fine example of what can be contributed to theological understanding through a study of narrative. The author contends that the presence of a disembodied Voice in the Book of Genesis has a profound effect upon the style of narration and the way in which the plots of various sub-narratives develop. His approach is distinctive in his use of semiotic theory to show how the style and plots of specific narratives lead to new perceptions and understandings of the mysterious discourse of the divine Voice.