Digital collections

Faculty(121 collections)SCUA

Bronislaw M. Honigberg Papers, 1949-1991.

1 box (1.5 linear feet).Call no.: FS 071

Bronislaw Honigberg was a parasitologist who, though studying the intestinal parasites of amphibians, provided research for the U.S. Department of Public Health’s infections diseases lab. Born in Warsaw, Poland in 1920, Honigberg fled to the United States at the beginning of World War II, cutting short his Polish medical education to become an undergraduate at the University of California Berkeley, where he earned his B.A. (1943), M.A (1946) and Ph.D. (1960). Honigberg joined the University faculty in 1961 and taught in the zoology department until his death in 1992.

The collection is comprised of Honigberg’s lecture notes, including exams, lab exercises, and illustrative material. There is also five folder of reprints spanning the years 1949 to 1991 and thus representing Honigberg’s research throughout his career.

Subjects

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of Zoology

Contributors

Leonta G. Horrigan Papers, ca.1936-1986.

37 boxes (55.5 linear feet).Call no.: FS 114

A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.

The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.

David R. Inglis Papers, 1929-2003 (Bulk: 1946-1980).

David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.

The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.

Subjects

Allegiance--United States

Argonne National Laboratories

Condon, Edward Uhler, 1902-1974

Federation of American Scientists

Los Alamos National Laboratory

Nuclear disarmament

Nuclear energy

Nuclear warfare

Oppenheimer, J. Robert, 1904-1967

Physics--Massachusetts

United States--History--1945-1953

United States--History--1953-1961

University of Massachusetts Amherst. Department of Physics

University of Massachusetts Amherst. Institute for Man and His Environment

Fred P. Jeffrey, 1911-1997.

2 boxes (1 linear feet).Call no.: FS 010

Frederick Painter Jeffrey was born in the coal mining town of Trauger, Pennsylvania in February 1911. Jeffrey received a BA in poultry husbandry at Pennsylvania State College in 1932 and then an MS in poultry genetics at Massachusetts State College in 1934. Jeffrey became a professor of Poultry Science at Rutgers University from 1935-1944; after leaving Rutgers, Jeffrey became a professor in the Poultry Science Department at the University of Massachusetts, a department he later headed. In 1954 he became the Dean of the Stockbridge School of Agriculture, a position he held until his retirement in 1971. Frederick Painter Jeffrey died in September 1997.

The Frederick Painter Jeffrey Papers include materials about his work with Bantam chickens and document his tenure at the University of Massachusetts Amherst. There are also limited materials related to his family and schooling.

Subjects

Poultry--Breeding

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of Poultry Science

University of Massachusetts Amherst. Stockbridge School of Agriculture

Contributors

Richard Jones Papers, ca.1970-1991.

2 boxes (1 linear feet).Call no.: FS 006

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Subjects

Admans Theatre

Dance

University Dancers (University of Massachusetts Amherst)

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of Music and Dance

Contributors

Jones, Richard

Types of material

Donald Junkins Papers, 1961-1970.

3 boxes (1.5 linear feet).Call no.: FS 074

A poet, expert on the works of Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning his energies to poetry, Junkins studied theology at Boston University School of Theology. While a student, Junkins met poet Robert Francis, took courses with Robert Lowell and, discovering his love of poetry through these contacts, Junkins life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before coming to the University.

The Donald Junkins Papers document some of his creative output while at the University through a collection of literary journals containing his poetry, drafts of poems, published and unpublished with notes and galley proofs of his poetry collection And Sandpipers She Said, published by The University of Massachusetts Press in 1970. Two mimeographed publications of student poems represent his teaching work at Chico State University.

Subjects

Poetry

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of English

Contributors

Sidney and Emma Nogrady Kaplan Papers, ca.1937-1993.

An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest. Joining the English Department at UMass in 1946, Kaplan’s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the Massachusetts Review, and he was the editor of Leonard Baskin’s Gehenna Press. Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays’ Rebellion. In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, The Black Presence in the Era of the American Revolution (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney’s essays, American Studies in Black and White. A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the Journal of Negro History, and he was awarded the UMass Amherst Chancellor’s Medal in 1979, one year after his retirement. Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.

The Kaplan Papers document a long career devoted to the study of African American history and life. The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.

Subjects

African Americans--History

Massachusetts Review

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of Afro-American Studies

Marshall O. Lanphear Papers, 1917-1969.

Marshall O. Lanphear spent forty-five years at Massachusetts Agricultural College, earning his B.A in 1918 and a Master’s in 1926, after which he taught agronomy and served as college registrar. After service as an infantryman at the end of the first World War, Lanphear worked briefly as an instructor at the Mount Hermon School before returning to MAC for graduate study. Known to his colleagues as “Whitey,” he taught courses on farm management, dairying, and pomology and on his retirement, Lanphear was awarded an honorary doctorate of humane letters. He died on April 24, 1993 at the age of 98.

The Marshall O. Lanphear Papers include a number of his published articles, correspondence regarding his honorary degree, speeches, lecture notes and personal items including illustrated Christmas cards from 1915, his 1917 driver’s license, and correspondence related to his retirement. There is also a folder of business records from the college farm.

Subjects

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Registrar

Contributors

Henry A. Lea Papers, 1942-ca. 1980s.

6 boxes (7 linear feet).Call no.: FS 139

A talented musician and member of the UMass Amherst faculty in the Department of Germanic Languages and Literatures, Henry A. Lea was born Heinz Liachowsky in Berlin in 1920. With the rise of the Nazi Party, the Jewish Liachowskys left their home for the United States, settling in Philadelphia and simplifying the family name to Lea. Henry studied French as an undergraduate at the University of Pennsylvania (1942) but shortly after graduation, he began his military service. After training in Alabama and in the Army Specialized Training Program (ASTP) program at Ohio State, he was assinged to duty interrogating prisoners of war with the G2 (intelligence) section of the First U.S. Army; he later served as a translator at the Nuremberg War Crimes trials in 1947-1948 and for the military government in Frankfurt (1948-1949). Lea returned to his alma mater for a masters degree in German (1951), and accepted a position teaching at UMass in the following year. In 1962, he received a doctorate for a dissertation under Adolf Klarmann on the Austrian expatriate writer Franz Werfel. During his tenure at the university he published extensively on Werfel, Wolfgang Hildesheimer, and Gustav Mahler, including a book on the composer and conductor entitled Gustav Mahler: Man on the Margin. Lea remained at UMass until his retirement in 1985.

The Lea Papers consist chiefly of two types of material: research notes and correspondence. The nearly 200 letters written by Henry A. Lea during his military service in the Second World War provide an excellent account, albeit a self-censored account, of his experience from training through deployment and return. Lea’s research notes include notebooks on Werfel and files on Mahler and Hildesheimer. Other items include a pre-war album containing commercial photographs collected during a vacation and a baby book from an American family living in occupation-era Germany.

Subjects

University of Massachusetts Amherst--Faculty

University of Massachusetts Amherst. Department of Germanic Languages and Literatures

Werfel, Franz, 1890-1945

World War, 1939-1945

Contributors

Lea, Henry A

Types of material

Howard Lebow Collection, 1947-1983 (Bulk: 1960-1970).

(32.5 linear feet).Call no.: FS 115

Howard Miles Lebow was an accomplished concert pianist and composer who was first celebrated during his tenure as a student at Julliard School of Music where he earned both his BA and MFA. While at Julliard, Lebow studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and was acclaimed for his performances of Busoni’s works. Lebow exceled as a pianist, performing in fifteen countries across Europe and the Americas. Appointed to the post of Assistant Professor of Piano at the University of Massachusetts in September 1965, Lebow lectured and performed until his untimely death in 1968 at age 32. Although known for his interpretations of contemporary music, Lebow was equally at home in the entire piano literature; one of his last and most memorable recitals was devoted to the music of Franz Liszt, another artist whom he had studied and whom he greatly admired. After his death, the Howard M. Lebow Scholarship Fund was established (1968).

The Lebow Collection numbers over 5,000 items and is comprised primarily of sheet music and a small sampling of audio recordings. The collection includes many unusual early editions, a reflection of Lebow’s taste and discrimination as a musician and enthusiastic collector.