Collected in Daniel Guérin, ed., The Writings of a Savage (1996) [tr. Levieux].

Often given as "Art is either plagiarism or revolution," or sometimes "Art is either a revolutionist or a plagiarist." This is often cited from James Huneker, The Pathos of Distance (1913), but there it is given as a paraphrase: "Paul Gauguin has said that in art one is either a plagiarist or a revolutionary."

(Huneker's book elsewhere contains the parallel paraphrase, "Paul Gauguin has said that all artists are either revolutionists or reactionists.")

Happiness ain’t a thing in itself, it’s only a contrast with something that ain’t pleasant. That’s all it is. There ain’t a thing you can mention that is happiness in its own self — it’s only so by contrast with the other thing. And so, as soon as the novelty is over and the force of the contrast dulled, it ain’t happiness any longer, and you have to get something fresh.

The whole lesson of my life has been that no ‘methods of stimulation’ are of any lasting use. They are indeed like drugs — a stronger dose is needed each time and soon no possible dose is effective. We must not bother about thrills at all. Do the present duty — bear the present pain — enjoy the present pleasure — and leave emotions and ‘experiences’ to look after themselves.

Such is the state of life, that none are happy but by the anticipation of change: the change itself is nothing; when we have made it, the next wish is to change again. The world is not yet exhausted; let me see something tomorrow which I never saw before.