Handicrafts are devices or works of art that are made completely by hand or by the use of relatively simple tools. Such goods are usually made in the traditional way of manufacturing goods. Therefore, the knowledge of the art of craft is usually passed down from one generation to another. The items made using these traditional methods of manufacturing are usually produced in smaller quantities and they often represent the culture or religious beliefs of the community that makes them. The goods are also handmade from natural materials that are found in the environment of the particular economy.

A painting is equal to thousand words, means a beautiful painting is equal to million of words. Paintings are one of the oldest art forms -- throughout history artists have played an important role in documenting social movements, spiritual beliefs and general life and culture.

History Of Paintings: The history of painting reaches back in time to artifacts from...

MIRA
started for Brindaban, singing and dancing in the way as she passed. As she
crossed the burning sands of Rajaputana, her face did not betray any sign of
physical pain or suffering. All the way nothing came to her lips but
"Giradhara Gopala : He is my all, I have no one else to call my own."

Whoever
saw her was peculiarly moved, and everybody was drawn towards her. The heart of
the poor was filled with sympathy for her, and they requested her to share with
them their unostentatious meals. The children took her to be their mother who
had for long been away from them. She, on her part, clasped them; for she saw
in them so many Krsnas. Her touch was magical, and her look captivating.
Everybody wanted her blessings, and returned overjoyed after seeing her with
the Lord's name on her lips. It was apparent that the Lord, taking compassion
on them, had sent them His own child as the messenger to deliver them His
message the secret of divine bliss. They would not let her part. But to her the
Lord's mandates were supreme and she would waste no time in answering the
Divine Call. She therefore went on and on for days and nights, cheerful and
unfatigued, till she reached the suburbs of Brindaban. There, as if by
intuition, the cowherds' children recognized her, ran to her and, forgetting
all decorum and decency, kissed her, raised her up and cried out, "Come,
friends, she has come."

They
had recognized the Gopi that had been absent from Vraja for so long. She
reciprocated those sentiments of love thus showered upon her; for, were they
not the genuine outpourings of affection and the fragrant draughts of pastoral
love? They forced her to dance, and, when they felt she must have been tired
little did they know that those feet knew no tiring they gave her fresh milk to
drink and the piece of the loaf that was lying in the cupboard. They brought
her water and cleansed her feet, and in the midst of such exuberance of
affection she lifted her head to see who it was that was playing those touching
tunes that enraptured the heart and sent a quiver through it: and whom else
would her eyes meet but the Lord Himself, seated on yonder tree, witnessing His
own Lila. As she ran to catch Him, He disappeared. Mira lay weeping, and the
children started consoling her. After some time she recovered and started on
her journey in spite of the children's vain entreaties to stay for some days
more.

Her
eyes could not be arrested by any other thing in the world except the purpose
in hand, and that purpose was none else but the love for the Lord, and that
mission no other than the journey to His abode. Thus, nothing, not even the
children's entreaties, howsoever feeling, could divert her from her purpose,
which was to meet the Lord at Brindaban. At last the journey was over and she
reached the place and there fell in a reverie. In her dreams she looked about
herself and seemed to recognize the old place. She remembered the good old days
when she had with other Gopis played with the boy Krsna, danced with Him and
had been the butt of all His jokes. She remembered that she was Radha in her
previous birth and had adorned the place and taught the womankind the ideal of
selfless love for their consorts. She awoke from her reverie and found herself
entirely amongst new surroundings. She tried to find the old places. They were
all gone, and huge buildings stood in place of lovely bowers where His dramas
were enacted by Lord Krsna. She went about and rested in the temple dedicated
to the Lord. As she passed through the streets, people laughed at her. Careless
of the caustic remarks, she went on intuitively.

As
evening approached, she went out to beg for food. Having got some, she took it
to the banks of the Jamuna, offered it to Lord Krsna and partook of it. During
night she sat in prayers, her little Krsna before her, and passed hours in
devotion as usual, careless of the new surroundings. To her there was nothing
new. It was a return home, and not a streak of care was visible in her face.
There she sat all aglow with divine fervor. She had not long to stay. Like the
moths that surround the lamp, devotees began to gather about her. The news
spread all round that Mira had come. All seemed to recognize her. Her name
seemed to be familiar to everybody. News spread far and wide that the Lord
Himself visited Mira while she sat in devotion and danced in ecstasy. People
started on the holy pilgrimage to visit her. This news also travelled to
Chitor, and devotees arrived from there and begged Mira to return to her native
place. Since her departure from there they had suffered great troubles. The
Rana himself realizing his folly repented, and dressed like a mendicant, came
to Brindaban to seek her forgiveness. Clad in saffron, he approached Mira and
asked her for alms.

Mira: What alms can you
expect of a beggar!

Rana: You can give me
whatever I want.

Mira: Then ask.

At
this, the Rana removed his disguise, disclosed his identity and sought her
forgiveness. Mira recognizing her husband fell down at his feet. She acceded to
his entreaties, and consented to accompany him back home.

On
arrival in Chitor her time was passed in prayers in the temple. This continued
for some time. Bhojaraja died while Mira was only twenty-three, and only ten
years had elapsed after her marriage. She now felt more at liberty to carry on
her devotional practices. But soon things changed, and, at the instance of his
counsellors, Ratan Singh, the new Rana of Mewar and Mira's brother-in-law,
started persecuting her. Mira bore patiently all the humiliations to which she
was subjected, in the name of the Lord, and uttered not a word of complaint.
Who could know what she was, what she wanted and what she did! Her feelings are
expressed in her own lines:—

O friend, I am mad with love: none

knows my anguish.

There, on the point
of the pike lies my

bed, how can I sleep!

The bed of the Dear
One is spread in

heaven, how can I
meet Him !

Only he who has a
wound can

understand the condition of

the wounded,

Or else he who has
dealt the blow.

Only a jeweller can know the secrets of

a jeweller or else he
who the jewel be.

Smitten with pain I
roam about the

forests,

Physician I have found none.

The pain of Mira will
leave her,

0 Lord, when You play
the physician.

The
persecution of Mira continued day and night and she was ridiculed for mixing
freely with the tonsured mendicants and for dancing before the Lord's image.
She was asked to give up this dancing and singing as it cast a shadow on the
fair name of her family. Her characteristic reply is contained in her following
lines:-

Mine is Giradhara Goma.la, none else.

He who wears the peacock crown is

Mira's Lord;

Father, mother,
brother or kin, none

is mine,

I have flung the pride of my family:

what care I for any one !

Living in the company
of saints, I

bade good-bye to the
world and its

opinions,

I tore aside my veil of many hues and

bedecked myself with
coarse thread;

Pearl and corals I
cast aside to weave

the garland of wild flowers.

With my tears for
water, I nourished

the creeper of love;

Now that the creeper has spread, the

fruit shall be joy
itself.

The milk-churn I
twirled with deep

emotion,

And butter I gleaned
: let him who

would, have the leavings.

I was born for
devotion's sake, but

the sight of the
world made my heart

captive.

Mira is Thy maid, 0
Lord Giradhara;

save me now.*

How could such a child be loved in this world!

All
sneered at her, but she did not care. Her heart aimed at pleasing one and one
alone, and that was the Lord Himself.

The
Rana was always busy inventing a new form of torture for her. Once he sent a
snake in a basket to her with a message that it contained a garland of flowers.
Mira, after performing her ablutions, sat before it. On opening it she
discovered a beautiful image of her Divine Beloved.

The
Rana then tried another trick. This time he sent her a cup of poison, saying it
was nectar. Mira, after performing her prayers, raised it to her lips and
quaffed the deadly liquid, which was really transformed into nectar. She has
described these incidents of her life in the following beautiful song :-

Rana made a present
of a basket

of serpent.

Mira performed her
ablutions and put

her hands in it.

Lo! it was turned
into an image of

the Lord.

Rana sent a poisoned
cup: having

performed her

Prayers, Mira drank
of it.

It had changed into
nectar.

Rana sent a bed of
nails for Mira to

sleep on.

Evening fell and Mira slept on it.

Lo! it had
transformed into a bed

of roses.

Mira's Lord, ever beneficent, keeps her

ever out of all
trouble.

Mira has dedicated
herself to Giradhara

and roams about in ecstatic mood

arising out of deep
love.

The
mystery behind these miracles can only be explained by her love for the Lord.

Steeped
in the wine of love, the lover sees nothing else but the wine all round. The
whole panorama is dyed red. The very wine seems to pervade and fill the
atmosphere by its fragrance. The whole consciousness is gone. Nay, the devotee
himself becomes symbolic of it. Everything that he takes smells of that wine.
His love is responsible for that conversion.

When
she was thus tortured and troubled at her place, and when it became impossible
for her to carry on her devotional practices, she sought the aid of one who
could understand her condition. She addressed the following lines to a renowned
contemporary saint, Tulasidasa:—

All the dear ones of my household

ever create trouble

Over my association
with the Sadhus,

and in my devotion
cause

me intense pain.

From my childhood
have I made the

child Giradhara my
friend.

The bonds of attachment have grown

too strong for me now
to break.

Tulasidasa
gauged her mental agony and physical pain and came to her rescue. He replied
thus:—

In the field of paintings , Rajasthan is a wonderland and unique. Diverse varieties of traditional Rajasthani paintings adorn the art galle...

Company Overview

Art of Legend India has the distinction of being one of the best in the Indian Handicraft Industry. We are about 75 years old handicrafts manufacturer & exporter. We are having team of more than 500 craftsman.

We are having our business offices in India, USA & Germany to ensure our best services.