23 March 2015

Genre:
Drama, SatireDistributor:
Arrow AcademyRelease Date:
23rd March 2015 (UK)Rating: 15Director:
Sidney LumetCast:
Faye Dunaway, William Holden, Peter Finch, Beatrice Straight, Robert DuvallBuy: Network - [Blu-ray]
Sidney Lumet is the link between old Hollywood and New Hollywood. He got his start doing live television like his contemporary John Frankenheimer. He made a splash in the late 50s with his debut film 12 Angry Men, and throughout the 60s made gems like The Pawnbroker, The Fugitive Kind, and The Hill. He is best known however, for a handful of extraordinary films he made in the 1970s, with films like the experimental police drama The Offence with Sean Connery, the taboo busting Dog Day Afternoon, Serpico, and finally the prophetic Network, which with each passing year becomes more relevant.

Network is a satire about cynical television executives who exploit a mentally unstable man Howard Beale (Peter Finch) to get higher ratings, after he states he will commit suicide on air and the ratings raise considerably. The crazed conspiracy right-wing nut job Glenn Beck recently admitted live on air that he suffered from a neurological illness that “made him look crazy”. The right-wing grassroots US movement The Tea Party incorporated the famous "I'm as mad as hell and I'm not going to take this any more!" speech by Howard Beale which is funny considering the film’s cynical leftist message is as far away from their beliefs as it can get.

Despite being a film that predicted aspects of reality television, 24-hour news and the Glenn Becks of the world; Network was actually inspired by the story of Christine Chubbuck who committed suicide live on-air. This put a seed in the mind of writer Paddy Chayefsky who wrote the screenplay (he won the Oscar for the script), and is considered one of the finest writers of his generation, both on film and on stage, however, sadly he died of cancer at a young age.

Sometimes Network is considered to be a writer’s film more so than a director’s film, which I find completely unfair to Sidney Lumet’s work. Lumet always put performance and story above everything else but in Network it’s one of his most visually inventive films, especially during the film’s last half - the “explosive” final. The performances as expected from Lumet are all brilliant. The actors completely inhabit their characters so it’s no wonder Finch won the first posthumous Oscar and Faye Dunaway and Beatrice Straight also collected Oscars for their performances as well. It’s often reported that Tim Robbins is an assassin in the film but the guy just bares an uncanny resemblance, it’s not Robbins he was still a senior in high school during the shoot.

In a decade that in retrospective is now considered by many to be the second Golden age of Hollywood, Network stills remains a high water mark. It’s shocking to think Rocky beat it for Best Picture but Americans always love a sentimental underdog story after all. Network was in good company - Taxi Driver and All the President’s Men also lost, and all stand the test of time more so than the winner.

The package from Arrow, I have to admit, falls below their normal average when it comes to special features. It has two lengthy, but overall disappointing special features; the first one is Sidney Lumet episode of The Directors series, I’m not a fan of the series because I consider them little more than puff pieces. The other, meatier, feature is a visual essay by Dave Itzkoff, the author of Mad as Hell: The Making of Network, that is more insightful and the better of two features. It’s shame due to rights issues it couldn’t use the impressive features on the US WB disc which includes a feature length documentary along with other documentaries.

The Killing of a Chinese Bookie, released on 15 July 2013, is the fifth and final title in the BFI's John Cassavetes Collection. Presented on Blu-ray for the first time, it is released in a Dual Format Edition (containing both DVD and Blu-ray) in both its original 1976 cut and Cassavetes’ re-edited shorter 1978 version. Also available on the same date will be a Limited 3-Disc Collector’s Edition which has a bonus DVD containing the documentary Anything for John (1993), the short film The Haircut (1982), and an interview with Tamar Hoffs, director of The Haircut.

In an absorbing performance, Ben Gazzara plays small-time Sunset Strip entrepreneur Cosmo Vitelli, owner of the Crazy Horse West night spot. An obsessive showman, Cosmo navigates a murky world of loan sharks and crooks to keep his club afloat, but, when a gambling debt spirals out of control, he is blackmailed into accepting a murderous commission.

Featuring standout turns by Seymour Cassel and Timothy Agoglia Carey as the underworld racketeers out to fleece Cosmo, John Cassavetes' portrayal of one man's hubristic descent subverts the conventions of its plot to explore the darker regions of the American dream.

Arguably the most plot-driven of all his films, Cassavetes withdrew The Killing of a Chinese Bookie shortly after the initial release and subsequently cut a new version which features different scenes.

Check out this funny clip from the documentary Anything For John, in which actor Ben Gazzara talks about the time he and Cassavetes discussed the film's title. The documentary the clip is from is included as a bonus on the BFI's 3-Disc Collector's Edition of The Killing of a Chinese Bookie.

Special features
• Presented in both High Definition and Standard Definition
• Includes the original 1976 cut of The Killing of a Chinese Bookie
• Selected scenes commentary on 1976 version by Al Ruban and Peter Bogdanovich
• Illustrated booklet with a newly commissioned essay by Tom Charity