My producing partner Aaron Wiederspahn and I recently had the privilege of attending a rather unique film event in Nashville, narrowly missing the devastating floods that have inundated Music City, USA in recent days.

Unique is a good word to describe this three-day gathering—as far as I know, something that has never been attempted before. Called Film-Com, it took place just prior to the Nashville Film Festival and consisted of bringing together two dozen film executives from Los Angeles and from other points around the country—major players in established production and Read the rest of this entry »