Abstract: Dating from approximately 1992 to 1996, materials comprise drawings, presentation boards, and a landscape study model generated
as part of the design process for the Central Garden at the Getty Center in Los Angeles. Artist Robert Irwin conceived of
the design and produced the materials, assisted by Spurlock Poirier Landscape Architects.

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Language: Collection material is in
English

Biographical note

Born September 12, 1928 in Long Beach, California, artist Robert Irwin is a leader among the generation of West Coast artists
that defined the Light and Space movement. Irwin studied at the Otis Art Institute and the Chouinard Art Institute, Los Angeles
and began his career as a painter, associating with the vibrant Ferus Gallery scene of the late 1950s and 1960s. Irwin's ongoing
considerations of the nature of light and space led him to create complex environmental paintings and, in turn, non-object
based environments and installations. The transformative pieces he produced in the 1960s and 1970s helped shape the aesthetics
and conceptual foundations of the Light and Space movement, which continues to inform the complex works he produces. Irwin
strategically places his artwork in its interior or exterior environment, confronting the viewer with the conditions and qualities
of the surroundings as well as the work, thereby orchestrating the viewer's awareness and experience. His work is therefore
characterized with unique perceptual qualities that are produced as a viewer interacts with and responds to his art as a physical,
sensory, and temporal experience. In addition to his painting, installations, and landscape design, Robert Irwin has contributed
to the arts through extensive theoretical writing.

Historical background

The Central Garden, created by American artist Robert Irwin, lies at the heart of the Getty Center in Los Angeles, California.
The 134,000-square-foot design features a natural ravine and tree-lined walkway that leads the visitor through an extraordinary
experience of sights, sounds, and scents.

The walkway traverses a stream that winds through a variety of plants and gradually descends to a plaza where bougainvillea
arbors provide scale and a sense of intimacy. Continuing through the plaza, the stream cascades over a stone waterfall or
"chadar," into a pool with a floating maze of azaleas. Specialty gardens encircle the pool. All of the foliage and materials
of the garden, including over 500 varieties of plants, have been selected to accentuate the interplay of light, color, and
reflection. Robert Irwin began planning the Central Garden in 1992, as a key part of the Getty Center project. Since the Center
opened in 1997, the Central Garden has evolved as its plants have grown and been trimmed. New plants are constantly being
added to the palette. Irwin's statement, "Always changing, never twice the same," is carved into the plaza floor, reminding
visitors of the ever-changing nature of this living work of art.

Executing Irwin's design for the Central Garden required the collaboration of a number of people, including engineers, soil
scientists, plant experts, landscape architects, and Getty staff. In finalizing all aspects of the garden, Irwin worked closely
with Harold M. Williams and Stephen D. Rountree of the J. Paul Getty Trust; Richard Naranjo, the Getty's manager of grounds
and gardens; and Spurlock Poirier Landscape Architects.

The Central Garden is set within the larger context of the Getty Center campus. Emmet L. Wemple & Associates Landscape Architects
designed the landscaping of the major hillsides of the 110-acre site while Olin Partnership, Philadelphia designed additional
gardens throughout the campus.

Administrative Information

Access Restrictions

The materials described in accession 1998.IA.15 are available for use by qualified researchers. The landscape study model
in accession 1998.IA.13 is oversized, fragile, and stored off site; special arrangements must be made to view the model.

The following types of records are permanently closed: records containing personal information, records that compromise security
or operations, legal communications, legal work product, and records related to donors. The J. Paul Getty Trust reserves the
right to restrict access to any records held by the Institutional Archives.

Dating from approximately 1992 to 1996, materials comprise drawings, presentation boards, and a landscape study model generated
as part of the design process for the Central Garden at the Getty Center in Los Angeles. Artist Robert Irwin conceived of
the design and produced the materials, assisted by Spurlock Poirier Landscape Architects.

Material comprises preliminary drawings, sketches, and schematics in various media and of various sizes, the largest being
30 x 86 inches. The drawings were created by Robert Irwin and Spurlock Poirier Landscape Architects.

Roll 1998.IA.15-01

"Roll 1,"around 1995-1996

Scope and Content Note

One tube containing 7 original drawings (pencil and colored pencil on vellum) of various sizes. Drawings include zig-zag path
rest area bench detail; lower garden bench detail; standing lamp detail; and set of 4 drawings, which layer to demonstrate
foliage, buildings, garden structures, and the underlying topography.

Roll 1998.IA.15-02

"Roll 2,"1995-1996 and undated

Scope and Content Note

One tube containing approximately 29 drawings (pen, pencil, and colored pencil on vellum and tissue). Drawings depict various
aspects of the garden, including its topography; circle path bench detail; standing lamp detail; bridges and their guardrails;
azalea maze; bougainvillea arbors/trellis; and a color palette for bed planting.

Roll 1998.IA.15-03

"Roll 3,"1994-1996 and undated

Scope and Content Note

One tube containing approximately 23 drawings (pencil and colored pencil on vellum and tissue) of various sizes. Drawings
depict general landscape; stone patterns of walkways/footpaths; drainage; and grading.

Flatfile 1998.IA.15-04

"Roll 4,"1994-1996

Scope and Content Note

Contents were rehoused from one architectural tube into an oversized flat file at time of accession. Contents include over
60 drawings (pencil and colored pencil on vellum, tissue, and graph paper) of various sizes. Drawings depict general landscape
as well as detailed drawings of bridges and guardrails; stone patterns for footpaths/walkways and garden walls; planters;
and gates.

Flatfile 1998.IA.15-05

"Roll 5,"1994-1996

Scope and Content Note

Contents were rehoused from one architectural tube into an oversized flat file at time of accession. Contents include approximately
39 drawings (pencil and colored pencil on vellum and tissue) of various sizes. Drawings depict general landscape as well as
detailed drawings of bridges; standing lamps; stone patterns; terrace walls; the "arbor"; the rock waterfall; and the azalea
maze planters.

Flatfile 1998.IA.15-06

"Roll 6,"1994 and undated

Scope and Content Note

Contents were rehoused from one architectural tube into an oversized flat file at time of accession. Contents include 7 drawings
(blueline prints and pencil/colored pencil on vellum or tissue) of various sizes. Drawings depict the general landscape, including
an overall site plan of the garden dated September 8, 1994.