Articles: We focus primarily, but not exclusively, on experimental theaterAmerican and internationaland theater that touches on political and cultural debates. We discourage submissions of academic papers, dissertations, and theses. Submitted articles should not exceed twenty double-spaced manuscript pages.

Scripts: We are no longer able to accept or return unsolicited manuscripts of plays.

Send manuscripts for submission and letters concerning editorial matters to Theater, P.O. Box 208244, New Haven, CT 06520-8244; phone: 203-432-1568; fax: 203-432-8336; e-mail: theater.magazine@yale.edu. Theater magazine accepts hard copies as well as submissions by e-mail in plain or text-only format. We can return only manuscripts accompanied by a self-addressed stamped envelope. Please allow one month for articles and four months for scripts.

Book reviews: Send review copies to Book Review Editor, Theater, Yale University School of Drama, 222 York St., New Haven, CT 06520.

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Description

Published on behalf of the Yale School of Drama/Yale Repertory Theatre

For almost fifty years Theater has been the most informative, serious, and imaginative American journal available to readers interested in contemporary theater and performance. It has been the first publisher of pathbreaking plays from artists as diverse as Romeo Castellucci, Guillermo Calderón, Richard Foreman, W. David Hancock, Peter Handke, Elfriede Jelinek, Sarah Kane, Toshiki Okada, and Suzan-Lori Parks. Theater has also featured lively polemics and essays by dramatists including Dario Fo, Heiner Müller, and Mac Wellman. Special issues have covered site-specific performance, digital dramaturgies, contemporary Brazilian drama, theater and social change, new Polish directing, and the curation of performance.