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Koricancha

In Quechua “Koricancha” (aka Coricancha or Qoricancha) means “courtyard of gold” — and to the utter amazement of the Spanish Conquistadors, that’s exactly what they beheld when they first laid eyes on the glimmering temple complex.

Koricancha- Temple of the Sun

The massive, gold plated walls caught the rays of the setting sun. This stupefying architectural marvel was the most sacred of Inca shrines, presided over by the chief astronomer priest, the Huillac-Umu.
The Spanish stripped the gold, and razed the temple to build the Church and Convent of Santo Domingo on top of its foundation.

Koricancha- Temple of the Sun

But much of the complex, including its curved, once-gold covered, outer wall remains intact.
The Koricancha had six major structures, sanctuary temples to venerate the Sun, Moon, Stars, Lightning and Rainbows, as well as a residence for its priests. These chambers were revealed when an earthquake damaged the convent in 1953.

Koricancha- Temple of the Sun

You can now walk through several of the original temple chambers to witness trapezoidal archways and sloping anti-seismic walls, the most intricate and seamless stonework found in Peru. The the temples were built around the Inti Pampa, or Field of the Sun.

Koricancha- Temple of the Sun

At its center was a fountain, on which was mounted the legendary Inca Sunburst, a solid gold image of the sun.
According to the Chronicler Pedro de Cieza de León, the surrounding fields were strewn with a golden mimicry of plants: maize, actual size, was “planted” and its stalks cunningly wrought in gold.

Koricancha- Temple of the Sun

“The garden where the clods [of earth] were pieces of fine gold, and it was artificially sown with cornfields which were of gold, as well as the stems of the leaves and the [corn] cobs. Besides all this they had more than twenty llamas of gold with their young, and the [indigenous] shepherds life-size, with their slings and crooks to watch them … all made of gold.”

Koricancha- Temple of the Sun

The treasure was looted from the temple and used as ransom to free Inca Emperor Atahualpa, who was being held prisoner in Peru’s northern town of Cajamarca. Upon delivery of the treasure, the Spanish murdered Atahualpa anyway. The King of Spain’s inspector, Miguel de Estete, officially recorded every ounce of gold received in Cajamarca. He also described what he saw, all but confirming Cieza’s account: “straws made of solid gold, with their spikes just as they grow in the fields. And if I was to recount all the different varieties in the shape of gold my story would never end…’