The Right Brain of Darkness is a series of watercolor drawings celebrating Ursula K. Le Guin’s classic sci-fi novel, The Left Hand of Darkness; claiming the book as a proto-transfeminist text. Organized by Haverford College Libraries in conjunction with the Cantor Fitzgerald Gallery exhibition Bring Your Own Body: transgender between archives and aesthetics.

Riva Lehrer borrows the concept of "informed consent" from biomedicine in order to pose questions about consent in the context of portraiture, especially portraiture involving subjects who are socially stigmatized.

Inspired by the Inquisition case of an F to M surgeon, Eleno de Céspedes (Toledo, 1587), Cabello / Carceller’s mixed media project (photos and video) reflects on the traces of a life recorded in the inquisitorial dossier.

An exhibit curated by the students of "Japanese Modernism Across Media." This East Asian Languages and Cultures curatorial seminar examines the revolutionary transformation of Japanese artistic production and exhibition practice from the late 19th century through the present day.

Broken Treaties, Forgotten Archives is a collaborative recovery project completed by the students in John Hyland’s writing seminar, “Ecological Imaginaries: Identity, Violence, and the Environment.” Using archival materials, this exhibition seeks to tell the story of a fight for Indigenous rights, sacredness, and environmental justice that has been—like so many stories of dispossession—too easily forgotten.