Written and directed by Patrick Brice, The Overnight is a sex comedy that takes on the issue of two couples sexually comingling. It is strange, awkward, and works brilliantly because of Brice’s brutally honest approach to the curiosity and insecurity that plagues each of us.

In The Grand Budapest Hotel director Wes Anderson seems to fully resolve two warring sides of his creative personality, the need to craft exciting visual moments and the ability to build a cohesive long form narrative.

Disney’s new film Saving Mr. Banks alternates between compelling and troubling. Its parallel story lines and characterization of the manipulative and fatherly Walt Disney (Tom Hanks) make it a slightly entertaining mess.