"Binah hope to align themselves with well-loved death metal bands like Morbus Chron and Horrendous who have spliced psychedelia into the classic death metal sound. It's at once progressive and regressive, hearkening back to the genre's early '90s heyday while venturing far outside of the footprint of a typical death metal band. And while these Englishmen are not quite so adventurous as either of those touchstone bands, Phobiate still wraps itself around unexpected corners combining Swedish heft and a sprinkle of Finnish eccentricity." Serious Binahess. [Give in to your anger...]

"Californian upstarts Skeletal Remains is a solid exponent of old school death, worshiping early '90s (mostly) American death like Christians cherish the Bible." Remains of the death day.[Give in to your anger...]

"How do you like your Swede-death in the morning? I like mine with a kick. I like to gargle the shards of old-school chaos around my mouth with verve. Sometimes I take less pleasure from this, though. Sometimes the taste of old-school chaos can become a numbing experience. The thrill and energy can wear off as swarm after swarm of newer bands look to add polish to the dirty obscurity of the early 90s underground by bringing it to the unwashed masses of 2017. Ensnared are disciples of this old-school sound." Olde school is never out for summer.[Give in to your anger...]

"Deathcult can be comfortably lumped in the niche “weird” OSDM scene with bands like Obliteration, Morbus Chron, and Tribulation. The root of it all is old Death, Entombed, and Autopsy riffs, but it tries to be more “progressive” by making the songs a bit more technically involved and spaced out, but less immediate along with hints from the melodicism of the old Swedish scene to spice things up. Beasts of Faith aims to mix this all together with a nearly transparent coat of new paint much like The Matrix added virtual reality to a combination of Descartes’s “evil demon” thing and Plato’s cave allegory." This isn't your father's old school death.[Give in to your anger...]

"I can almost hear the collective groans as I break the news that we have another old school death metal band on our hands, hailing from Stockholm, Sweden no less. That horse has been pounded into dust after all and the number of sub-par clones has exceeded the saturation point. Yet being a sucker for old school death I always approach such situations with a glimmer of optimism, particularly when bands like Horrendous and Tribulation have demonstrated that old school death metal can be executed with a degree of originality and innovation." We review death metal. Deal with it.[Give in to your anger...]

"As I walk through the valley where I harvest my grain, I take a look at my list and realize it's very plain. Barring an oddity or two, this feels like the most predictable list I've assembled since joining the AMG crusade. I can't even blame 2014, since it was a decent if not amazing year for metal during which we all learned to enjoy of deep sadness and worship at the altar of the all seeing Sphere of I-ruhn." Brace yourselves, sheeples, a two ton Top Ten(ish) heavy thing is about to drop from the steely skies onto your eager eyes.[Give in to your anger...]

Oh shit! Record(s) o' the Month for March are only running a couple weeks late. You know, when I wrote that post about how this year "might" be a bit of a rough year for music reviewing for Ye Olde Angrye Metale Guye, I wasn't fucking wrong. It hasn't been rough. It's been brutal. I am up to my fucking neck in shit to do, and most of that doesn't involve "listening to heavy metal" or "telling the Internet why it's wrong about the new _insert band_ record." So, be glad that I am even taking the time to deign give you my now extraordinarily expensive, state-funded time. Because, when the Swedish state isn't paying me to produce research that helps us better understand the world, I should be drinking beer, getting laid, playing video games, or watching sports. But no, here I am writing a Record(s) o' the Month post for AngryMetalGuy.com. Show me your thanks via Flattr, people. We need to move hosts soon.
And without further ado...[Give in to your anger...]

"The times they are a changing! If you were around for my review of Morbus Chron's 2011 opus Sleepers in the Rift, you know how impressed I was with their Autopsy-laden salute to early American death metal. That album was a sewage leak of nastiness and I still spin it often. Naturally, I expected more of the same with their follow up, but I didn't get it. Not even close. That's because Sweven (yea olde English for "visions") is an enormous departure in style and approach, veering off into the world of proggy, tripped out weirdness, while somehow still remaining death metal." Wow, this one really knocked Steel Druhm off his feet, and he's notoriously difficult to knock over. You best read on.[Give in to your anger...]

As I listen to this unheralded piece of nasty, morbid, old school death, one word comes to mind: Spewage. That's the best way to describe what you'll be getting here. Morbus Chron is a Swedish band playing filthy death metal like Autopsy, Death and Massacre. This breaks the current trend of following in the footsteps of legendary countrymen Entombed, Dismember. It's still plenty retro but not the typical Swedish retro. Basically, their raucous debut Sleepers in the Rift sounds like something spewing from the underground in the late 80's and it's wonderfully repellant, low-fi, non-techy and makes you feel like you need to be disinfected and vaccinated. It's underproduced, muddy, discordant and vile all the way but somehow manages to be catchy. What more could one ask for? Nothing.[Give in to your anger...]