Vaudeville musical prop-based comedy dickheads, the Raymond and Mr Timpkins Review have been winning standing ovations all over Britain for decades. We talk about their origins filling in during the scoring on battle of the bands nights, why they consider themselves hobbyists despite being full-time professionals, and find out how and why they're gearing up for their first ever Edinburgh Fringe run...

It’s episode 100 of the podcast and Stu’s been saving this one up! If you’ve donated in the last few months you’ll have heard this one as a sneaky pre-release but here it is for the rest of us…
Phil Kay is a force of nature. Not a metaphorical one; an actual force of nature. “The guy that speaks really fast until it goes wrong” waxes sagacious about staying in the bit that works, no longer being appropriate to the bullets, and most importantly of all believing in belief.
Phil’s autobiography “The Wholly Viable” is available online now and you’d be an idiot to miss it.

From “Porky the Poet” to “Never Mind The Buzzcocks” to his own stand-up tours, Phill Jupitus is responsible for a prodigious comic output.
We discuss his origins as a performer, his use of his family in his material, and the usefulness of unresolved anger…

A master of off-the-wall wordplay, Noel James is disarmingly honest about his struggles with comedy and real life.
We analyse his use of metaphor and analogy as well as delving into his psychology, what it’s like to commit one’s life to comedy, and the public craving for “one voice of truth”.

Rambling man Norman Lovett is the comedy equivalent of a tai chi master, using subtlety and gentleness to often devastating comic effect.
In this episode Norman is convinced to put aside his distrust of analysing comedy, at least some of the time, and we learn about the acts that inspired him, his audition for Red Dwarf, and the anger simmering beneath the whimsy…