Blue Velvet

Before director David Lynch got too carried away with his so-called genius, before his television show Twin Peaks brought him into the home and consciousness of the casually pretentious, before he would slap any old weird images together and have people call it art, back in ’86 he made his best film...Blue Velvet. It had much of the surreal oddball touches we’ve come to expect from a "David Lynch film," but instead of relying on hammy artifices, it’s just simply a haunting, funny, and beautifully crafted film. Though it’s challenging and can be considered an "art film," it’s still one of Lynch’s most accessible films and works just as well as a straight suspense movie.

Before Blue Velvet helped push David Lynch further into the "auteur" big leagues, he had already had some major artistic success. His first feature film, the horror, sci-fi, surreal Eraserhead became an instant cult film for both its disturbing imagery as well as the humor in its strange pacing. He got an Oscar nomination for his next film, the beautiful and disturbing studio picture, The Elephant Man. He was miscast as blockbuster director for Dune; the adaptation of the popular sci-fi novel was a massive bomb, both financially and creatively. Though Blue Velvet was produced by the big-time producing Dino De Laurentiis Company and was even originally sold as a mainstream thriller, it was Lynch’s return to his roots with an original screenplay, not developed for him, but by him and his own weird mind. Lynch and the film were obviously embraced by Hollywood. With Blue Velvet he would score another Oscar nomination for directing, but it meant he would never go back to being a "director for hire."