Wednesday, June 24, 2015

Twentieth century Manila is without a doubt the golden age of the great and mighty city of the Far East. During the course of the first half of the century, the city grew not just in size, but also in population and the abundance of various architectural styles that sprung throughout. From the last century's Spanish colonial and Iberian architecture, to the then-current American neo-classical and federal styles, Manila has or had them all. Sadly, the ravages of war obliterated this once magnificent and celebrated city. As the 'Pearl of the Orient', Manila had to deal with tourists from around the Far East, Europe, and the Americas. With the opening of Manila to ocean liners and the introduction of air travel through the trans-Pacific Clipper planes, hospitality services had to be built, one of these hotels was the Luneta Hotel.

The Luneta Hotel, built in 1917 and completed in 1918, was designed by Spanish engineer Salvador Farre, in the French Renaissance style of architecture. Located in the residential section of Ermita at the corner of Calle San Luis (now T.M. Kalaw St.) and Calle Alhambra, the six-storey edifice facing the Rizal Park, is probably the only surviving example of the French renaissance style in the Philippines.

Ermita, the district on where the Luneta Hotel stands, was inhabited by old bahay na bato and bodegas, as Ermita has not been developed into what it was in the 1920s up to the 1940s. Ermita was where splendid mansions were built for people of importance in Manila, if not, the whole Philippine society.

As part of the American architect and city planner Daniel Burnham's vision for the Philippine capital, he suggested the building of hotels and apartments facing the new Rizal Park, which was t be lined up with trees and government buildings reminiscent of those in Washington D.C. and Paris. The Luneta Hotel boasts of having been built with ornate balconies and the French style mansard roof similar to those in post-Haussmann Paris. Because it was built in the French renaissance style with elements of art nouveau architecture, the Luneta Hotel features mythical elements such as the gargoyle-- which not only meant to serve as aesthetics, but also served to keep water away from the building.

There were originally sixty (60) rooms in the Luneta Hotel, each with its own private bathrooms, and two (2) suites. All rooms have their own telephone service. Today, the sixty rooms of the Luneta Hotel have been decreased to twenty-seven (27) rooms. The hotel also had a restaurant and a coffee shop.

During its early years, the Luneta Hotel was favored by merchant marine sailors and officers when they were staying in Manila because of its proximity to the Manila Harbor. In 1937, the Luneta Hotel gained international prominence when the city hosted the 33rd International Eucharistic Congress as it housed delegates for the Congress.

The liberation of 1945 took a toll on the Luneta Hotel. During the course of the war and occupation of the Philippines, the hotel housed non-commissioned officers of the United States Army, which assumingly, was a prison used by the Japanese Imperial Army. After the Second World War, the sparkle of the Luneta Hotel was not the same as it was before.

In 1952, the Luneta Hotel was bought by a man only written in records as Lednicky from Agustín and Rosalia Farre, in turn, sold it to Toribio Teodoro, owner of the famed Ang Tibay shoes. During the Martial Law years, the Luneta Hotel was confiscated from its owners and was given to the Kapampangan jeweller Panlilio family into its control. Another story was that the Luneta Hotel was not ill-gotten and that Panlilio family had bought the hotel from H.E. Heacock Resources, successor to the H.E. Heacock Company. The Panlilio family have been in the hospitality business due to their ownership of several five-star hotels, resorts , and transporation throughout the Philippines, namely: the now-closed Grand Boulevard Hotel (formerly the Silahis International Hotel), Philippine Village Hotel, and Grand Air International.

In 1983, the Luneta Hotel was renovated and restored to bring back its former glory. After the famed People Power Revolution in 1986, the Luneta Hotel was sequestered from the Panlilio family by the Philippine government through the Presidential Commission on Good Government as it was believed that the former First Lady Imelda Romualdez Marcos owns the hotel, using the Panlilio family as a front. Since then, the Luneta Hotel closed its doors to the public and never to see its patrons again.

In 2007, the Luneta Hotel was purchased by Beaumont Holdings, and declared that the hotel would be restored within three (3) years. In 2014, after almost seven (7) years, the Luneta Hotel was again reopened with a grand spectacle coming from heritage conservationists and locals alike.

Tuesday, April 28, 2015

The Philippine capital of Manila was a city of high stature, comparable to those fine cities of the Occident such as Paris, London, and Madrid. The pre-war years have given Manila to acclaim itself as the 'Most Beautiful City in the Far East' whilst Manila's neighbors, Hong Kong, Jakarta, Kuala Lumpur, and Singapore, were backwater outposts of their colonial masters. This is proven by the influx of European migrants and expatriates to the city in the first half of the 20th century. Germans, Spaniards, Americans, British, French, and Russians made Manila their home, at least, until the end of the Second World War. These migrants and expatriates mingled with the Philippine alta sociedad and had the city developed from a medieval Spanish city into a progressive capital of a semi-independent nation.

Shopping around the city is one of the best things to do in Manila. Long before the existence of modern Philippine shopping mall complexes such as Rustan's, Shoemart, Robinson's, and Ayala, the Crystal Arcade is considered the first shopping mall in the Philippines.

The Crystal Arcade was one of the most modern buildings located along the Escolta, the country's then premier business district. Built on the land owned by the Pardo de Tavera family, an illustrious Filipino family of Spanish and Poruguese lineage, the modern building was designed by the great Andrés Luna de San Pedro, a scion of the latter. The Crystal Arcade was designed in the art deco style, a style prevalent in the 1920s to the 1940s. It was to be one of Luna's masterpieces, with the building finish resembled that of a gleaming crystal.

The conception of a construction of the Crystal Arcade started in the 1920s as a pet project of Luna. Luna wanted to have the same prestige in the arts and architecture like that of his father, the great revolutionary-painter Juan Luna Novicio. To make such thing possible, he infused the sleek and streamline art deco design with crytal-like glass in his design for the building.

The Crystal Arcade was inaugurated in June of 1932, and was the first shopping establishment, or the first commercial establishment that was fully air-conditioned. Its interiors reminded the Philippine elite of the arcades that of Paris, with covered walkways, glass covered display windows and cafés and other specialty shops.

Inside the Crystal Arcade, one can find the home of the first Manila Stock Exchange, the precursor to today's Philippine Stock Exchange.

A typical trading day at the Manila Stock Exchange inside the Crystal Arcade.

According to sources, the Crystal Arcade was used to be owned by its architect, the great Andrés Luna de San Pedro, probably due to the land being owned by his maternal family, the Pardo de Taveras, but was foreclosed by its creditor, the El Hogar Filipino, due to the financial situation that came about during the Wall Street crash and the Great Depression in the late 1920s to the early 1930s. The Crystal Arcade was also planned to have more floors but was eventually scrapped because of lack of funds.

When the Crystal Arcade opened in 1932, it was the most elegant building in the area as it was constructed with glass which illuminates like crystal at night. Its interiors were also as elegant as the exterior, showing art deco lines and motifs.

"The Arcade had a mezzanine on both sides of a central gallery that ran through the length of the building and expanded at the center to form a spacious lobby containing curved stairways. Stairs, balconies, columns and skylight combined to create vertical and horizontal movement, as well as a play of light and shadow in the interior. Art deco bays pierced by a vertical window marked each end of the façade and complemented the tower over the central lobby. Wrought-iron grilles and stucco ornaments were in the art deco style featuring geometric forms, stylized foliage, and diagonal lines and motifs." (excerpt from Philippine Politics and Society in the Twentieth Century: Colonial legacies, post-colonial trajectories)

In 1941, the Second World War came to the Philippines only hours after Pearl Harbor was bombed. The capital city, Manila, was also bombed by the invading Japanese forces causing damage to the city. The following year, in January, triumphant Japanese forces entered the city despite of it being declared an open city. During the occupation years, the Crystal Arcade was home to Japanese occupation agencies such as the Japanese Government Railways and the Board of Tourist Industry.

The year 1945, for those who lived in Japanese-occupied Manila, was probably the most traumatic and devastating year. In the months of February and March saw the most bitter fighting in all of the Pacific. Sixteen thousand (16,000) fanatical Imperial Japanese Navy soldiers fought American and Filipino forces to the last man, bringing with them about one hundred thousand (100,000) civilians massacred. The effect of this bitter fighting resulted in the near-total destruction of the City of Manila. More than eighty (80) percent of the city's structures were obliterated, many of them into extinction. The Crystal Arcade, located along the Escolta, was one of the casualties of war, Escolta being one of the areas of fierce combat.

Immediately after the liberation of Manila, businesses soon opened even its locations were in shambles. In the Crystal Arcade, businesses reopened and some new businesses found a home in the Crystal Arcade. Only the first floor was occupied with stores and the second floor being a bodega, or storage room of the tenants. Eventually, in the 1960s, the Crystal Arcade was demolished to pave way for the post-war revival of the Escolta. Its successor, the new Philippine National Bank Building, designed by Carlos Argüelles, replaced the Crystal Arcade, the Lyric Theater, and the Brias Roxas Building.

Sunday, March 8, 2015

Long before the existence of today's department stores such as Rustan's, Robinson's, and the ever-famous Shoemart, now known as SM, there were already department stores that were far more luxurious than that of today's. Manila, being the city that boasted numerous feats in architecture, also hosted and boasted the finest shops and stores in all of the Orient. One of these department stores was Heacock's, probably the most recognized and popular stores in the city back in the day.

Heacock's Department Store first became a jewelry store operating under the partnership name Heacock & Freer, two American brothers-in-law from San Francisco. H.E. Heacock, one of the partners, was a travelling salesman originally hailed from Salem, Ohio and first came to the Philippines in 1901 to open a branch of his jewelry store. After arriving in Manila, Heacock & Co. set up shop on the second floor of the McCullough Building at the foot of the Santa Cruz Bridge. Since then, Heacock & Co. became the best known American jewelry store in the city.

In 1909, the brothers-in-law Heacock and Freer sold the company to Samuel Francis Gaches, a young American entrepreneur-turned-philanthropist who arrived in Manila in the same year as Heacock, but the reason being is that Gaches worked for the American colonial civil service.

In the post-Gaches acquisition of the company, the year 1910, H.E. Heacock & Co. transferred its operations south, at an old building along the five-block Escolta. The old Escolta shop was renovated and had the most modern storefront in all of Manila with its products displayed in front, a first in the country. Eight years later, in 1918, Heacock's transferred its operations again due to the success of the department store. It moved one block east, along the Escolta corner Calle David. The new four-storey Heacock's Department Store was the most modern of its time. The department store was built on the lot of American businessman William J. Burke, the owner of the Burke Building on the Escolta.

As the years progress, Heacock's grew larger in terms of popularity and in assets. The H.E. Heacock & Company opened branches in other parts of the Philippines such as in Baguio, Cebu, Davao, and Iloilo. Heacock's, being the country's largest department store back in the day, carried imported luxury goods from the Elgin Watch Company, which carried the brands Lord Elgin, Lady Elgin, and Elgin. Other brands include Remington Typewriters, Rogers Flatware, International Silver, and Frigidaire Refrigerators.

The year 1929 saw the birth of a stronger and larger Heacock's Department Store. Gaches and the H.E. Heacock & Company started the construction of the one million peso (P1,000,000.00), eight-storey Federal style building on the corner of Calle Escolta and Calle David. The new Heacock Building was designed and constructed by the triumvirate of the Filipino architect Tomás Argüelles, the American W. James Odom, and the Spanish Insular Fernando de la Cantera. Opened a year later, the Heacock Building had the same features that of the old Insular Life Building at Plaza Moraga.

In an article of the American Chamber of Commerce Journal in 1930, the new million-peso Heacock Building was described as being one of the tallest in the city. The article also described the interior layout of the department store.

"The main entrance on the Escolta opens into Heacock’s proper, the jewelry store; then comes Denniston’s, the photographic department, with its valuable Eastman agency, and then the office equipment department. The jewelry store is L-shaped; one of the illustrations gives a good view of it.

In the new building the Heacock store occupies the main and mezzanine floors, both handsomely finished and artistically arranged. The second floor is also all occupied by the Heacock company; the offices are there, and the stock, accounting, mail order, wholesale and optical departments. Four rooms on the third floor are given over to stock and records; the other rooms of that floor are rented as offices, as are the rooms and suites of the fourth, fifth and sixth floors. These rooms, all of them desirable because of their location and the building they are in, offer great latitude of choice.

The basement, under the entire building, counts as the eighth floor. It is to accommodate automobiles during the day. Seventy-five cars will not crowd it; a wide ramp opens from Calle David, egress and ingress are safe and convenient. This public service in connection with the Heacock building will materially mitigate the downtown parking nuisance." (excerpt from the American Chamber of Commerce Journal)

The triumvirate-designed edifice only lasted for seven years. In 1937, a powerful earthquake hit the Philippine capital which heavily damaged the Heacock Building. The building suffered irreparable damages which led to the demolition of the eight-storey building. Heacock's shut down its business and was quickly reorganized a month after the earthquake.

The new edifice, also eight stories high, replaced the old demolished Heacock Building. The new building, built in the streamline art deco style, was designed also by Tomás Argüelles, but with Fernando H. Ocampo and the American George E. Koster.

The streamline art deco building had the latest in building technology, it had installed pneumatic tubes which could transport small parcels throughout the building without the need of a messenger. The building cost around P800,000.00, which is P200,000.00 cheaper than the triumvirate-designed Federal style building.

The deadly Battle of Manila in 1945 greatly reduced the city into rubble. Escolta, home of the city's financial district, was obliterated by bombshells and gunfires. The Heacock Building was damaged but was reconstructed after the war.

Saturday, December 20, 2014

Long before the rise of multi-storey residential apartments in post-war Manila such as in Makati, there were already numerous apartments that were as elegant, if not, more elegant, than those of today's, in pre-war Manila. Manila, being the capital of a prosperous Philippine Islands, was once home to many expatriates of different nationalities, such as Spanish, American, British, and German. And within the confines of the modern residential section of Ermita and Malate lies the Michel Apartments, one of the city's top residential apartment.The Michel Apartments was an art-deco, mid-rise apartment building designed by Francis 'Cheri' Mandelbaum, whose other work was the Rosaria Apartments nearby. Mandelbaum was an American architect trained in Cornell University in Ithaca, New York. He also spent some time in the Philippines, coming to the islands in 1904 to work in the Bureau of Public Works with William Parsons, urban planner and architect of the Paco Station of the Philippine National Railways. Also, he worked as a professor of architecture at the University of Santo Tomás in Manila. At some time, the Michel Apartments was the tallest apartment building in the City of Manila.

The Michel Apartments stand nine storeys high on a 1730-square meter lot along Calle A. Mabini in Malate, the residential section of the city where many of the country's pillars in social, economic, and political institutions resided. The Michel was commissioned by Don Pedro Sy-Quia y Encarnacion, a scion of the old and landed Sy-Quia family from the north. The Michel was said to be named after his wife, Doña Asuncion Michels de Champourcin y Ventura, a mestizo from Pampanga.

This year, 2014, the Michel Apartments was hounded with a demolition permit, despite of it being a protected structure under law. The demolition of the Michel Apartments was stopped by heritage conservation activists and citizens alike through the "cease-and-desist order" from the court. But, the demolition of the Michel had already started when the court ruling came out, so it would be of no use.

Destruction of heritage structures should be given the highest priority, as physical heritage is rapidly declining because of irresponsible governance of local leaders. If the government continues to act in a way like they do not give importance to the country's heritage, then these structures will be prey to money-hungry developers.

Friday, December 19, 2014

The grandeur of pre-war Manila makes people of today reminisce about the past, the past that has been prosperous and plentiful. Manila, being the finest city in the Orient proves its stately grandeur through the representation of the city's finest homes, shops, and imposing structures. Sadly, many of the structures that Manila boasts and had boasted is now being turned into fine pieces of powder as they are being demolished to pave way for the so-called "progress".

Along the scenic Dewey Boulevard, where the pride of the City of Manila, the Manila Bay, is located, there were numerous stately homes and apartments that stood in front of its glowing waters. One of them is the Admiral, located at the corner of Dewey Boulevard and Cortabitarte. The Admiral Apartments had been home to numerous historical figures, both local and global, and had been a witness to the gruesome days of the Second World War.

The Admiral Apartments along Dewey Boulevard, now Róxas Boulevard, was a work of the eminent Fernando H. Ocampo, whose other works include the Calvo Building along Escolta, Angela Apartments in Malate, and the post-war rehabilitation of the Manila Cathedral. Built in 1938 and completed in 1939, the Admiral Apartments was commissioned by Don Salvador Araneta Zaragoza and his spouse, Doña Victoria López de Araneta.

Salvador Araneta Zaragoza and Doña Victoria López de Araneta.

The Admiral Apartments, after its opening in the late 1930s, was one of the tallest residential building in the city, with eight storeys high living quarters. Because of its height, the Admiral became the focal point of sailors and ships anchoring in Manila Bay.

According to Manila society legends, the Admiral was conceived by Doña Victoria's mother, Doña Ana López Ledesma. It was said that Doña Ana was responsible for financing the construction of the Admiral to please and impress the Aranetas, specifically Don Salvador's father Don Gregorio Araneta Soriano, because it has been told that Don Salvador had married Doña Victoria without their knowledge.

The Admiral was designed in the art-deco style, designed by the eminent Fernando H. Ocampo. According to an architectural historian, he described the Admiral of having "an air of quiet elegance with definite Spanish touches in the design of its façade. The apartments were pleasant spacious, airy, and bright rooms. The Spanish feeling became more pronounced in the reception room that opened directly to a side street. Both the furniture and the metal chandeliers reflected a Spanish Gothic style, rather forbidding in its formality." (excerpts from a PowerPoint presentation by Isidra Reyes. Retrieved from Manila Nostalgia)The features of the Admiral's interiors, such as the main dining halls, were designed with different themes and motifs. "The main dining room, called the Malayan Court, was so-called due to the strong Malayan motif of its design and an imposing mural painting by Antonio Dumlao. The Spanish Room was a reception room while a small dining room called the Blue Room was done in royal blue, old rose, crystal, and silver. A cocktail lounge called the Coconut Grove was decorated with a coconut trees with green light bulbs as fruits, inspired by the Cocoanut Grove Nightclub at the Ambassador Hotel in Los Angeles." (excerpts from a PowerPoint presentation by Isidra Reyes. Retrieved from Manila Nostalgia)

During the war, the couple's own home, the Victoneta I, was seized by the Japanese and made it their headquarters. So, the couple and their family moved to the Admiral to seek refuge, along with other members of the López-Araneta families. It has been said that Doña Victoria personally did the washing of the dirty linens and taking phone calls as the Admiral Apartments was understaffed. In the last days of the war, the Japanese took control of the Admiral Apartments. With that, the Araneta couple moved out of the Admiral and sought refuge in Baguio along with other members of the López-Araneta family.

The battle for the liberation of the City of Manila left most of the city in ruins. The Admiral Apartments was not severely damaged in the fight for the recapture of the Philippine capital. Shortly before the capitulation of the Japanese forces in the Philippines, top commanders of Allied nations in the Pacific stayed in the Admiral Apartments. The Supreme Commander of the Allied Forces in the Pacific and Field Marshal of the Philippine Army Douglas MacArthur has made the Admiral his temporary home after his home in nearby Manila Hotel was bombed out during the liberation. The British supreme commander, The Earl Mountbatten of Burma, formerly Prince Louis of Battenberg, uncle of Prince Philip, Duke of Edinburgh, also stayed in the Admiral Apartments.

This year, in 2014, news regarding the Admiral Apartments sparked when it was reported that it is being demolished to pave way for a new development, the Admiral Hotel by Anchor Land Holdings. Petitions have been made throughout social media by heritage conservation activists and ordinary citizens alike, saying that the capital city of Manila has already had too much "massacre" of heritage buildings. The petition for the stopping of the demolition had reached the Manila City Hall, but took a blind eye on the issue. So, the developer, Anchor Land Holdings, continued the demolition, much to the disappointment and frustrations of heritage conservationists.

The year 2014 has already been a roller-coaster ride for Philippine heritage. No concrete plans and actions have been laid out by the government for the protection of heritage structures. As long as there are no concrete and stricter laws regarding the destruction of heritage structures, they will fall prey to greedy developers whose aim is to destroy the country's physical heritage.

Thursday, November 6, 2014

Many have either walked past by this building or have walked through its halls. This outstanding structure is the epitome of institutional architecture in the Philippines, mainly because of its classical ornaments such as its white-washed walls and spacious halls. The St. La Salle Hall embodies the spirit of not just of the green and white, but also embodies the triumph of Catholic education in the Philippines.

Lasallian education in the Philippines was established in 1910 when the pioneer brothers arrived. It was not until in 1911 when the Brothers opened a school, which was then called the De La Salle College, at the Pérez Samanillo compound in Calle Nozaleda in Paco. Ten years later, as the student population began to increase and due to the lack of space, the De La Salle College moved to a much wider lot in the southwestern part of the city, along Taft Avenue in Malate.

A competition for the design of the new school building was initiated by the Lasallian brothers. Tomás Mapúa, a pensionado architect, won the competition against nine other entries and was awarded with a prize of P5,000.00. Mapúa is the country's first registered architect who was one of the first-generation pensionado architects who studied abroad. Educated in Cornell University in New York, he became one of the country's leading architects during the pre-war years, with projects such as the De La Salle University's St. La Salle Hall and the Philippine General Hospital.

The cornerstone for the new school building was laid by the Archbishop of Manila, the Most Reverend Michael J. O'Doherty, in March of 1920. The St. La Salle Hall was completed almost four years after, owing to the phase-by-phase construction because of the Brothers' lack of funds. The new school building was officially opened in December 1924.

According to an article by Arch. Augusto Villalon on the Philippine Daily Inquirer, the St. La Salle Hall is the only Philippine structure to be included in the coffee-table book 1001 Buildings You Must See Before You Die: The World's Architectural Masterpieces. Denna Jones, one of the book's contributors, Denna Jones, have written about the St. La Salle Hall as an epitome of classical and imperial style of architecture not just in the Philippines but also in Southeast Asia.

"Mapúa's H-shaped, three-story reinforced concrete building is pure Classical expression. A triangular pediment crowns an entablature of cornice, frieze and architrave supported by Corinthian columns to create a three-bay portico main entrance."

"Wide, open-air portico wings extend from either side; the square openings on the third floor balanced over the rectangular openings of the upper floors? balustrade level. Corinthian pilasters and a dentiled cornice unite the floors between each arch."

"The interior quadrangle is similarly ordered but stripped to basic flat elements without benefit of pediment and entablature. A later addition of an exterior green metal slope-roof walkway wraps the ground level on the quadrangle side. The ground floor interior offsets Corinthian grandeur with the geometric simplicity of Tuscan columns, and a square coffered ceiling." (excerpt from Inquirer.net, original text by Denna Jones)

In 1939, an addition was made to the St. La Salle Hall. Mapúa added a chapel on the western-most side of the building. After its completion, it was named as the Chapel of the Most Blessed Sacrament and was dedicated to St. Joseph.

The years 1941 to 1945 were bitter years for the Philippines. The country was unexpectedly and forcibly dragged into war as the Japanese landed on Philippine soil. The capital city, Manila, was bombed by enemy planes. So, La Salle, being located at the far end of the city and being far from the city center of Binondo, Ermita and Sta. Cruz, became a center of refuge for civilians.

The Battle of Manila devastated and greatly reduced the Pearl of the Orient Seas into rubble. More than eighty (80) percent of the city's structures were either damaged or ruined. For the civilians, the date 12 February 1945 will forever be etched into their memories. It was when twenty-five (25) civilians and sixteen (16) Lasallian brothers were brutally massacred by the fanatical Japanese forces who vowed to fight to the death in the name of the Shōwa Emperor, known by many as Emperor Hirohito.

After the liberation of the City of Manila, the St. La Salle Hall was in shambles. Its exterior shelled by belligerent forces, and its halls filled with the stench of death coming from the dead bodies massacred by the Imperial Japanese Forces. Shortly after, the surviving Brothers began to put La Salle back on its feet, introducing more programs into its curriculum offerings. At present, the St. La Salle Hall is now returned into its former glory by demolishing the front structure which housed the Marilen Gaerlan Conservatory. Because of the demolition, the University would now have an additional green breathing space.

In its 103 years of existence as one of the premiere universities in the Philippines, the De La Salle University's St. La Salle Hall gives us stories to tell, stories that will forever be etched on its halls. The St. La Salle Hall is a witness to the country's colorful past, from the dark days of war to the liberation of an occupied nation, and will still be a witness to the progress of the nation in the future.

Monday, September 15, 2014

Manila, capital of the Philippines for more than five hundred (500) years, is the seat of the country's political, educational, financial, and religious power. It's status as the country's primate city have earned the reputation of being the 'Most Beautiful City in the Far East' and as the 'Paris of Asia', but all these monikers were taken away after the city was greatly reduced into rubble during the dying days of the Second World War. Almost seventy years have past, and the city is still trying to regain its status as the finest city in the East. Here and there, new developments have been sprucing up, not to mention the priceless aspect called heritage.

The city was once a lively city, with its streets lined with shops and department stores, theaters, banks, and social clubs. In one of these streets, a building called the First City National Bank stood, and still is, standing proudly along the banks of the Pasig River.

The First City National Bank Building is a five-storey office building located along the corner of Calle Juan Luna, formerly Calle Anloague, and Muelle de la Industria in Binondo. One prominent building also stands along the thoroughfare which is the El Hogar Filipino Building. The building, a joint project between the International Banking Corporation and the Pacific Commercial Company, sits on a 1,800 square meter lot and is designed by the architectural firm Murphy, McGill, and Hamlin of New York in the beaux-arts style of architecture. Its design is said to be originated from the management of the International Banking Corporation, with its design coming from the trademark bank design of the company in other overseas branches.

According to University of the Philippines' Prof. Gerard Lico's book entitled 'Arkitekturang Filipino: A History of Architecture and Urbanism in the Philippines', it is stated that the First City National Bank's design was a prototype of the other overseas bank branches.

"The bank’s prototype was made up of a row of colossal columns in antis, which was faithfully reproduced for its Manila headquarters. The ground floor was fully rusticated to effect a textured finish. This floor had arched openings with fanlights emphasized by stones forming the arch. The main doors were adorned with lintels resting on consoles. Above the ground floor were six three-storey high, engaged Ionic columns, ending in an entablature topped by a cornice. These six columns dominating the south and west facades were, in turn, flanked by a pair of pilasters on both fronts. The fifth floor was slightly indented and also topped by an entablature crowned by strip of anthemion." (excerpt from Arkitekturang Filipino: A History of Architecture and Urbanism in the Philippines)

The First City National Bank Building in the 1960s.

The First City National Bank Building survived the horrors of the Battle of Manila in 1945. It was one of the few buildings left almost intact. During the post war years, the building was briefly used as the office of Ayala Life-FGU until they completely moved out to transfer to Makati.

Recently, an interest on the First City National Bank Building was shown after it was bought by a business process outsourcing company to be converted into a call center. The building was renamed as the Juan Luna E-Services Building and is still under restoration. As of this year 2014, the restoration of the building is almost complete and will soon be ready to be leased to its new occupants.

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About the Author/Sobre el Autor

An alumnus of Colegio San Agustín-Makati, Paúlo's love for architecture started over a decade and a half now. Having been exposed to his father's career as an architect of more than 25 years, his interest for local heritage began when he was in grade school after browsing through a coffee table book of Jonathan Best's turn-of-the-century postcards on Manila's landmarks. Though he calls himself a conservative in dealing with his designs as he is influenced by the City Beautiful Movement and Haussmann, he is also influenced by the modernists locally and internationally such as Arellano, Locsin, Luna de San Pedro, Calma, Speer, Niemeyer, Van der Rohe, Burnham, Wright, Calatrava, among others. His love for Manila's grand old architecture pushes him to be a heritage architect as built heritage in the Philippines is rapidly diminishing due to the so-called "globalization". After finishing his architectural studies, he will go on and become the country's (and the world's) sought after architects in urban planning, heritage architecture, and innovative designs.
He is now residing in Mississauga, a suburb of Toronto, in Canada.