The world premiere ofJay Cardinal Villeneuve’s short documentaryHoly Angelswill be featured as part of the festival’sOpening Night Gala, withMarie Clements’The Road Forwardshowcased on Closing Night. Legendary filmmakerAlanis Obomsawinwill beon hand withOur People Will Be Healed, her 50th film in her 50th year of a distinguished career, along withTasha Hubbard’s feature docBirth of a Family.

There’s a strong slate of Indigenous animation, including the world premiere ofEcho Henoche’sShaman,the Ontario premieres ofChristopher Auchter’sThe Mountain of SGaanaandAsinnajaq’sThree Thousand,as well as a screening of Diane Obomsawin’s multi-award-winningI Like Girls.

Jay Cardinal Villeneuve’s short documentaryHoly Angelspowerfully recaptures Canada’s colonialist history through impressionistic images and the fragmented language of a child. In 1963, Lena Wandering Spirit was one of the more than 150,000 Indigenous children who were removed from their families and sent to residential school. Five-year-old performer Phoenix Sawan brings Wandering Spirit’s recollections to vivid life, weaving the narrative together through dance. Villeneuve met Lena through his work as a videographer with the Truth and Reconciliation Commission—the result is a powerful work that speaks of the resilience of a people who are finding ways of healing and of coming home. The 14-minuteHoly Angelsisproduced by Selwyn Jacob, with Shirley Vercruysse as executive producer for the NFB’s Pacific and Yukon Studio.

Closing Night Gala

Writer/directorMarie Clements’The Road Forwardis an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country, as this feature documentary seamlessly links past and present through superb story-songs, blues, rock and traditional beats.The Road Forwardis produced and executive produced by Shirley Vercruysse for the NFB’s BC & Yukon Studio in Vancouver.

More great documentary films

Returning to imagineNATIVE is legendary filmmaker Alanis Obomsawin withOur People Will Be Healed,taking audiences inside the Helen Betty Osborne Ininiw Education Resource Centre, an innovative N-12 school in the Cree community of Norway House whose educators and programs are helping First Nations children to learn, thrive, and grow up strong and proud. The school’s name honours a young woman from Norway House whose notorious 1971 murder was left ignored and unsolved for 16 long years, with the film providing a sobering look at the painful history endured by Cree people in northern Manitoba. But in her 50th film, Obomsawin offers a tremendously hopeful vision for First Nations peoples, showing us how improved education can save lives and change the future for Indigenous youth.

Directed byTasha Hubbardand written by Tasha Hubbard andSaskatoon StarPhoenixjournalist Betty Ann Adam,Birth of a Familyfollows three sisters and a brother, adopted as infants into separate families across North America as part of Canada’s infamous Sixties Scoop, as they meet together for the first time. Among the 20,000 Indigenous children removed from their families and placed into foster care or adopted into white homes, these four siblings are now all in middle age, with no shared memories—but together, they take the first steps in building their family.Birth of a Familyis produced by Bonnie Thompson and executive produced by David Christensen for the NFB’s North West Studio in Edmonton.

Amazing auteur animation
imagineNATIVE is hosting the world premiere ofShaman, the first animated work by Echo Henoche, who grew up in Nain, Nunatsiavut, and is the granddaughter of accomplished stone sculptor Gilbert Hays. Echo sold her first piece of art when she was eight years old and hasn’t stopped drawing since. In her five-minute debut film, she brings to life the legend of how a polar bear was transformed into the iconic mountain in her home community.Shamanis produced by Kat Baulu for the Quebec and Atlantic Studio.

InThree Thousand,Inuit artist Asinnajaq, also known as Isabella-Rose Weetaluktuk, plunges us into a sublime imaginary universe: 12 minutes of luminescent, archive-inspired cinema that recast the past, present and future of Inuit in a radiant new light. Embedding historic footage into original animation, she dives into the NFB’s vast archive to parse the complicated cinematic representation of Inuit, conjuring up a vision of hope and beautiful possibility.Three Thousandis produced by Kat Baulu for the Quebec and Atlantic Studio.

Haida filmmakerChristopher Auchter’sThe Mountain of SGaanaspins a magical tale of a young man who is stolen away to the spirit world, and the young woman who rescues him. Inspired by a traditional Haida legend and co-written with Annie Reid, this10-minute dream-like film brilliantly entwines traditional animation with formal elements of Haida art, brought to life by a rich palette and stylized effects.The Mountain of SGaanais produced byShirley Vercruysse and executive produced by Shirley Vercruysse (Pacific and Yukon Studio) and Michael Fukushima (Animation Studio) for the NFB.

A Montreal cartoonist and animator of Abenaki descent,Diane Obomsawin, a.k.a. Obom, adapts her latest graphic novel for the screen, using endearing anthropomorphic figures to tell real-life stories of first love inI Like Girls. Winner of five awards to date, including the Nelvana Grand Prize for Independent Short Animation at the Ottawa International Animation Festival, this eight-minute film was produced by Marc Bertrand, with Julie Roy as executive producer for the NFB’s French Animation Studio.

Groundbreaking digital works

The festival’s Digital Media Showcase will feature four works by NFB Indigenous creators:

What Brings Us Here, created by Métis author and filmmaker Katherena Vermette and NFB producer Alicia Smith, is a digital companion to the multi-award-winning short documentary filmthis river,co-directed byVermette and Erika MacPherson. An experiment in social medial storytelling,What Brings Us Herecombines photographs and statements by the dedicated volunteers of Drag the Red and the Bear Clan Patrol—grassroots MMIWG and MMIP movements in Winnipeg—to answer the central question: “What brings you here to do this work?” Documented by Winnipeg photographers Karen Asher, Mark Reimer and Janine Kropla,What Brings Us Hereisexecutive-produced by David Christensen.

Three interactive essays will also be showcased fromLegacies150,an NFB online series offering first-person perspectives on the themes of legacy and inheritance, with Nicholas Klassen of the NFB’s Digital Studio in Vancouver as series producer:

Xinonais analternative-universe tale that puts post-colonial oppression in its place, written and illustrated by Mohawk comic book artistWalter Kaheró:ton Scottand produced by Jelena Popović at the English-language Animation Studio.

Living north of the Arctic Circle, there’s only one place they call home—out on the land, far from the government-sponsored outpost.The Cacheis based on the personal stories of Inuit artistsMichelline Ammaaq and Bonnie Ammaaq, with photographs by Jonathan Frantz, and produced by Alicia Smith at the North West Studio.

From her family’s ancestral hunting camp in Quebec’s Manicouagan region, Innu poetNatasha Kanapé Fontainesends a message across time and generations inTetepiskat, written by Natasha Kanapé Fontaine, with photos by Maryse Goudreau. Produced by Denis McCready at the French-language Documentary Studio.

A four-minute prototype of the upcoming NFB/Prospector Films-co-produced virtual reality workWest Wind(Tegs’g, inMi’gmaq)by directorJeff Barnaby will also be on display at imagineNATIVE in2167, a program of Indigenous-directed VR experiences allset in the year 2167, 150 years from the present day.2167ispresented by imagineNATIVE in partnership with the Toronto International Film Festival,Pinnguaq and the Initiative for Indigenous Futures.

About the NFB
The NFB is Canada’s public producer of creative documentaries, auteur animation, interactive stories, and immersive experiences. Since 1968, the NFB has produced more than 280 works by First Nations, Métis and Inuit filmmakers—an unparalleled collection that pushes past dominant narratives and provides Indigenous perspectives to Canadian and global audiences. Guided by therecommendations of Canada’s Truth and Reconciliation Commission, the NFB has announced a three-year plan that will redefine its relationship with Indigenous peoples, with actions that include devoting a minimum of 15 percent of overall production spending to Indigenous-led productions and making its Indigenous collection more accessible via a new destination onNFB.caand its appsfor mobile devices.

The complete text of the Indigenous Action Plan and an overview of Indigenous filmmaking at the NFB are availablehere.

IMAGE GALLERY

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MUSKRAT is an on-line Indigenous arts, culture, and living magazine that honours the connection between humans and our traditional ecological knowledge by exhibiting original works and critical commentary.