Plaid lined jeans call out for rolled cuffs giving emphasis to the hem. Likewise the pocket edges are rolled into plaid cottons. Further benefitting from a bit of degradation to give the impression of age.

Background image by Ela Stipicic | Images from left to right: Japanese Farmer Kimono (1980), depression era damage and right image from the book "Worn (2015)" by Lockett and Gunn

Broken seams, torn edges and ripped details are details that we love in our quest for a garment that looks aged and well loved. It helps if they are Japanese which have the added value of japan indigo romance.

Background image from the book "My Archives 3" by Antonio Di Battista | Front image from the book "DENIM - An American Story" by David Little

Original selvedge denims are the most sought after for being the original and iconic internal seaming worn to be seen as rolled cuffs. Red selvedge is today thought of as the original however, white selvedge is in fact the first and the most original denim edge woven on original shuttle looms way back when.

Background image by Ela Stipicic | Left image from the book "DENIM - An American Story" by David Little | Centre image from: Jeans Of The Old West by M.A. Harris | Image on the right from the book"My Archives 3" by Antonio Di Battista

Rough and ready hems and seams on original aged jeans and old look replicas.

Seams on the original orange tab jeans to the left benefit from aggressive high low 3D finishing on all seams and exposed edges. Even when the bleach level is light the light dark contrast is marked.

Heavy rust tint on an extremely old pair of confederate jeans highlights the white selvedge on the inside seam.

Twin and triple needling on big rolled cuffs end naturally in a rough cut edge.

Background image by Bruce Chatwin from the book: "Photographs and Notebooks" | Top by J. Watanabe

The most obvious areas for creative treatment are collars, cuffs and pockets. The bits around the edges that create attitude.

Background image by Bruce Chatwin. From the book: Photography and Notebooks. Left and right image from the book: My Archive 3 by Antonio Di Battista

Inside out denim which creates contrast additionally benefitting from degraded edges and the original "selvedge" denim. Degradation is enhanced by laundry coating to emulate the original wear of the garment. Focus is on white foamed and frayed edges and stone water textured indigo.

Background image by Bruce Chatwin. From the book: Photography and Notebooks. Left and right image from Diesel online store: D-GAIL and D-CARPER jackets

Contrast fabric cuffs for a sport style edge to white denim. Rolled cuffs which reveal the backside of a super dark denim.

Background image by Bruce Chatwin. From the book: Photography and Notebooks. French worker jacket (1930) from the book WORN (2015) by Douglas Gunn and Roy Lockett. Jackets from DIesel online store: D-CARPER and D-CAROL.

White pigment coated fine weave when subjected to a heavy finish reveals the blue secret inside. Further enhanced by creative repair where wear should be.

Contrast zippers, collars and seams give the style details more importance than the garment body.

Denim fabric is visibly little changed. We spend a great deal of time playing with variants of what has been before, adding new fibres for touch, for stretch, for performance. Current changes are mainly performance related and invisible. The excitement is currently derived from creative effects in the garment.

Denim garments are all about both detail and finish. The two are inextricably linked. Edges are frayed and unpicked; seams are degraded; edge stitching is obvious - blanket, braiding, beading. We consider what are the influences which give rise to new edge and fastening treatments.

All images from Diesel online store besides: Fringe jacket: MSGM | Collar on the right side of the image: From the book WORN(2015) by Lockett and Gunn. | Image above collar from the book: My Archive 3 by Antonio Di Battista.

We examine myriad variations of what's around the edges of a denim garment - collars, cuffs, pockets all which benefit from creative degrading; ripping and repairing; fraying and fringing. Contrast colour; white and blue spray; inside out denim, where the backside is as important as the face. The denim itself is a mere vehicle for creative edge work.

Use of creative hardware and hard logos as befits the tough nature of the jean. Buckles used as decoration in weird places for effect only with a creative nod to its western origins. Lacing instead of zips or buttons.

The constant throughout all the pocketing ideas is the angled western jacket pocket. Twin needled seaming which benefits from a heavy wash; flap pockets with button or snap fastenings. Closed pocket zippers are a more modern addition.

Japanese Farmer Viner Kimono (1890's) from the book "Worn" by Douglas Gunn and Roy Lockett | Background image from the book "Photography and notebooks" by Bruce Chatwin

The vintage reclaimed Japanese Kimono jacket which combines denim with original checks and stripes forces us to focus on the front edges the collar and the absent cuffs. The whole is enhanced by natural ageing creating a super romantic garment which would be much less alluring without the front edging.

Undulations continue on the body by bias cutting indigo and using lycra* to form the desired shape. Rigid indigo forms itself in stiffly curling shapes to both enhance the figure beneath and create sculpture from without.

Big bias cut shapes and front pleats contain volume in brightest indigo. Clear geometric shapes could be seen as influence or indeed bias cutting an influence on architecture. Either way there is a great deal of interaction and inter-influence between contemporary indigo textiles and architecture.

Indigo prints and jacquards were much used and loved in South Asian and South American culture when their origins were from historical ornament. Again we use the same jacquard ornamentation but now influenced by a more contemporary environment.

More complex jacquards in double faced and quilted cloths give the distinct impression of architectural origins. For structured simply cut jackets to showcase the pattern and fabric without interference of the stonewash effect.

Varying scales and different weights in indigo patterns layered for intrigue. Technical fibres and fabrics combined with geometry have a strictness which emanates from architecture as an influence. Issy Miyake is one of the most inventive exponents of such layered geometric statements.

This simple trend showcases bold statements in indigo "clothing" rather than just jeans. The purity of organic indigo sits in harmony alongside organic and brutalist creative architectural shapes, lines and spaces.

Stripes, lines, tucks and diagonal twists look new in indigo and strictly essential in our surroundings.

What's interesting about the link between architecture and denim clothing is the stiffness of denim fabric before cutting and washing and its ability to be tailored into strict shapes for a new wave of strict casual smart denim - a move on from casual chic jeanswear.