Stop mourning oppressors: Anti-condolences for Karl Lagerfeld

The fashion industry continued to let this terrible person hold a place of high-esteem and reduced his commentary to Lagerfeld simply being a bit eccentric.

Chanel’s creative director, Karl Lagerfeld, died at 85 on Tuesday in Paris. Lagerfeld, known for being “the King of Fashion”
and a prolific designer who left his mark on the industry, was also an
islamophobic, racist, misogynistic, fatphobic rape apologist, whose
beliefs and political stances were ignored by millions for the sake of
his wealth accumulation and impact as a designer.

It isn’t surprising to witness
publications and people wax poetic about Lagerfeld’s genius while they
ignore his history of oppressive comments towards anyone who did not fit
into his narrow esthetic of human existence. Lagerfeld took pride in
being a gatekeeper of an industry which has for a long time continued to
perpetuate white supremacy
and other forms of oppression. He claimed that he didn’t feel
constrained by Coco Chanel’s legacy as a designer, but he certainly
continued a legacy of a far-right Europe and a diluted version of his
predecessor’s role as Nazi spy and sympathizer.

Rather than separating the art from
the artist, I think it is time that fashion come to terms with
Lagerfeld’s abhorrent comments — the first thing to do would be to admit
that they exist and that commentary continues to be harmful and that
the designer’s beliefs only affirmed the feelings and ideologies of
millions who hate people whose bodies fall outside of the white
supremacist, misogynistic, ableist norm.

Throughout his career, Lagerfeld was notoriously misogynistic. In a conversation with Carine Roitfeld, editor-in-chief of CR Fashion Book, he stated that it would be a shame to be saddled with an “ugly daughter” and that having children was for women, not for men. He also once stated that Coco Chanel wasn’t a feminist because she “wasn’t ugly enough for that.”

There are no shortage of fatphobic comments from the designer, including how he didn’t believe that the fashion industry had any relationship to eating disorders: “In
France there are a large percentage of young girls who are overweight
and less than one percent are skinny. So let’s talk about the 25 percent
who have a weight problem, or are overweight. We don’t need to discuss
the less than one percent. Anorexia is nothing to do with fashion. These
Russian girls are so young. Chinese ones are skinny, too, and bony. I
don’t think it’s a subject to discuss. And in today’s world, many people
take drugs, not only models, hmm? It’s an unnecessary subject. Let’s
talk about the fat ones.”

Lagerfeld’s limited and disgusting beliefs about women included his staunch opposition to featuring plus-sized models in any media:
“No one wants to see curvy women. You’ve got fat mothers with their
bags of chips sitting in front of the television and saying thin models
are ugly. Fashion is about dreams and illusion.”

His comments weren’t limited to
generalizing and shaming women, he also disgustingly remarked that
Adele, “is a little too fat, but she has a beautiful face and a divine
voice.”

On Heidi Klum: “Heidi
Klum is no runway model. She is simply too heavy and has too big a
bust. And she always grins so stupidly. That is not avant-garde – that
is commercial!”

In a 2018 interview,
Lagerfeld stated that he was “fed up” with the #MeToo movement and that
what shocked him the most was “the starlets who have taken 20 years to
remember what happened. Not to mention the fact that there are no
prosecution witnesses” — as if the problem was memory and as if there
are usually witnesses to sexual assaults. He continues with, ““If
you don’t want your pants pulled about, don’t become a model! Join a
nunnery, there’ll always be a place for you in the convent. They’re
recruiting even!”

Publications have described his comments as “catty”, “bitchy”, “acid-tongued and superficial” and “controversial”
instead of sexist, misogynistic, racist, fatphobic, and islamophobic.
The blatant separation of the artist from the art perpetuates cycles of
abuse in which men like Lagerfeld can occupy prominent spaces in our
industries and face no consequences for their words or actions, and be
fondly remembered when they are dead. The fashion industry continued to
let this terrible person hold a place of high-esteem and reduced his
commentary to Lagerfeld simply being a bit eccentric. It’s time the
fashion industry make honest remembrances of the man and that you
grapple with his true legacy and the reality of oppression in fashion if you truly hope to make more space for marginalized people and bodies in fashion—I’m not going to hold my breath for this one, I don’t want to pass out.

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