In August 2014 Antonio Regalado introduced an almost heretical approach to cancer treatment to the wider world in a feature he wrote for MIT Technology Review. Regalado, the senior biomedicine editor for the magazine, suggested we were going about cancer … Read more

Sarah Schweitzer has spent almost two decades honing her narrative instincts at The Boston Globe and the St. Petersburg Times. In April 2015 she was acknowledged by the Pulitzer Prize committee, which named her story “Chasing Bayla” a finalist … Read more

Phoebe Judge and Lauren Spohrer launched “Criminal” in 2014, with producer Eric Mennel. Judge and Spohrer had worked together on “The Story” with Dick Gordon, a public radio program that went off the air in 2013. Afterwards, … Read more

Science presents particular challenges for narrative writers, like deciphering the often arcane language of scientific studies, or coaxing pithy quotes from scientists accustomed to speaking in academicese, and wary of having their work misinterpreted. Then there’s the usual daunting … Read more

Matt Negrin writes politics, not sports. Just 29, the Bloomberg Politics reporter’s first job after college was live-blogging about President Obama for Politico, and he’s also written for ABC’s World News. Two years ago, though, he spent more than a year criss-crossing the … Read more

Elizabeth Weil had never written about criminal justice, but when asked to write about a controversial case of whether a baby was killed by his father, she produced the gripping “What Really Happened to Baby Johan?” Her … Read more

I first met Teju Cole under a tree strung with white lights. It was six years ago, at a book party in lower Manhattan, at the apartment of someone fortunate enough to have a backyard. All around us were fancy … Read more

Emily Yoffe When Emily Yoffe started looking into the issue of young men being expelled from colleges over alleged sexual assaults, she had in mind writing a “cheeky” 2,500-word story telling them what not to … Read more

A good story transports its audience to the scene of the action. The classics of narrative nonfiction are memorable because they find the words that put the reader in the author’s shoes, witnessing the key moments as they unfold—think of … Read more