Posts Tagged With: photography

A small ancient village in South-Eastern Poland, Zalipie, is home to a charming tradition and definitely one of the country’s top tourist attractions. Not because it has five-stars hotels or massive glass buildings, but on the contrary, due to its small wooden houses, which are painted in the most vibrant colors.

This lovely tradition started with more than a century ago, when every single female resident in Zalipie begun to paint her home with floral motives. Over the years, the flower patterns became gradually more and more sophisticated and the village literally bloomed! Currently, Zalipie is considered one of the most picturesque villages in Poland.

Although no one is completely sure why this tradition began, it seems the reason was the smoke from stoves escaped through little more than a hole in the ceiling of the house. Women would paint over the spots of soot with whitewash. Yet the spots would still be partially visible and it is believed that the women, in order for their house to appear immaculate for religious festivals, took to covering the remnants of soot stains with paintings of flowers. The spreading of this idea may have happened spontaneously throughout the village. Yet I like the idea of a lone woman looking around her kitchen and suddenly having her “Eureka!” moment. And since they didn’t have professionally made equipment, they manufactured the brushes themselves, using hair from the tails of their cows. As or the paint itself, the women used fat from the dumplings they made. Very important is that each year, all the women had to repaint their charming drawings. And they did so, after the Feast of Corpus Christi, when they weren’t so busy with their farm work. Once modern cooking and better ventilation came in to practice, these cover-ups were no longer necessary.

In time, this joyfully and unique habit was passed on from one generation to another. Moreover, women found inspiration in nature and local folklore, so their paintings became both larger and more colorful. Over time, the practice has spread beyond the walls of the cottages too – it seems in Zalipie any immovable object is potentially the site for a florescent flourish. Nothing, it seems, escapes their attention. The chicken coups are painted. The village bridge is painted. The bins are painted. The dog’s cages are painted. Old fountains are painted. Not to mention fences, windows and interior walls. It’s a real delight!

One woman in particular retained and developed the tradition. Felicja Curyłowa (1904 – 1974) became so obsessed with the floral decorations that she covered almost every possible surface of her three-bedroomed cottage with her ornate adornments. Unsurprisingly her beautiful home has been turned into a museum, to be preserved as the epitome of this wonderful folk art. Yet although Curyłowa’s house is beautifully maintained, the art was not created with the aim of attracting visitors. Some of it looks a little worn around the edges – yet these pieces, left to their own devices, are often those which look both the most attractive and authentic.

The perfect time to visit Zalipie is spring, as during this season, since 1948, the village hosts an important contest: the Painted Cottage competition or “Malowana Chata”. Its introduction was part of the movement to help the country psychologically recover from the horrors of the Second World War, in which it saw over 17% of Poland’s population perish.

Zalipie is quite well known to Poles yet tourists from further afield are still something of a novelty for the villagers. They are said to be as curious of their visitors as their guests are about the gorgeous painted cottages of Zalipie. So pay them a visit, maybe? Meanwhile, let’s take a virtual tour.

Photojournalist Steve McCurry is best known for shooting one of the most famous photographs ever taken -– 1985′s “Afghan Girl,” an image of a young girl with sea green eyes staring defiantly into the camera. But war and those affected by it are not his only subjects. “Like most photographers, I’m fascinated by people in everyday situations,” he says. “The work I do is mostly wandering and observing human nature and human activity, working and playing and leisure time. As you’re walking around the streets of China, India, New York, whererver -– it is fun to photograph people simply doing things.”

One of his ongoing projects is compiling a collection of photos of people reading, entitled “Fusion: The Synergy of Energy and Words” (Part I and Part II). The idea to shoot photos of people reading was itself prompted by his relationship with legendary Hungarian photographer André Kertész, who was also fascinated with images of people reading. (You can view a gallery here).

McCurry’s photos cross these cultural and socioeconomic boundaries. His personal favorite of his collection is a photo of a young Thai man reading a book while nestled up to the back of an elephant, shot earlier this year (and reproduced below). Among the two dozen images posted online is photo of a group of Chinese men perusing newspapers through a shop window, another of an Afghan shopkeeper reading in his modest stall, and one Italian monks in contemplation with their Bibles.

As a photographer, McCurry is always on the hunt for the “unguarded moment,” that slice of time that reveals something personal and honest. “Reading offers a time for contemplation. Even in Afghanistan, where life is not easy, you notice people in unlikley circumstances reading,” he says. “I have a picture of a man in a manhole (below) -– he was using it as a bomb shelter between air raids — who was reading the book. Reading is something any literate person is drawn to do and it becomes a part of your life. It’s just one of the things that connects us all together, that reminds us that we’re all the same.”

I’m longtime fans of photojournalist Peter Menzel, whose visual anthropology captures the striking span of humanity’s socioeconomic and cultural spectrum. His Hungry Planet portrayed the world’s sustenance with remarkable graphic eloquence, and today I’m turning to some of his earliest work, doing the same for the world’s shelter: Material World: A Global Family Portrait — a beautiful visual time-capsule of life in 30 countries, captured by 16 of the world’s leading photographers.

In each of the 30 countries, Menzel found a statistically average family and photographed them outside their home, with all of their belongings. The result is an incredible cross-cultural quilt of possessions, from the utilitarian to the sentimental, revealing the faceted and varied ways in which we use “stuff” to make sense of the world and our place in it.

Though the book is now 17 years old, it is still relevant and it’s still a curious meta-evidence for the material world we live in. Some of these families may have more today, but the disparity is probably the same in most cases. It still circulates. And for another excellent companion read, see Menzel’s 1998 follow-up, Women in the Material World — a fascinating look at an even more intimate aspect of the human family.

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Mali: The Natomo Family

It’s common for men in this West African country to have two wives, as 39-year-old Soumana Natomo does, which increases their progeny and in turn their chance to be supported in old age. Soumana now has eight children, and his wives, Pama Kondo (28) and Fatouma Niangani Toure (26), will likely have more. How many of these children will survive, though, is uncertain: Mali’s infant mortality rate ranks among the ten highest in the world. Possessions not included in this photo: Another mortar and pestle for pounding grain, two wooden mattress platforms, 30 mango trees, and old radio batteries that the children use as toys.

Well known for his eye-opening book Material World: A Global Family Portrait where he asked an average family in 30 locations to empty out their homes to show their possessions, Peter Menzel came up with another brilliant book idea. He teamed up with his wife, Faith D’Aluision, and together traveled the world exploring how the eating habits differ from country to country. Then the duo presented their results in a photo album, called Hungry Planet: What the World Eats.

Apart from being interesting and educative, the project brings up some social issues. The exposed weekly grocery list provides information not only about dietary habits, but also about health, economy, lifestyle, etc. It also clearly shows the division between the first world and the developing countries. Interestingly, less affluent families eat more nutritious food than those who could actually afford it. On the contrary, more economically stable families eat more processed food, while fresh products constitute just a small part of their diet.

The wife and husband’s team visited 24 different countries and 30 families to photograph them at home, at the market, and surrounded by their weekly food supplies.

What was your favorite toy as a child? In Gabriele Galimberti’s wonderful series Toy Stories, which I recently spotted over at Feature Shoot, the Italian photographer traveled the world to photograph children with their most prized possessions, be they pink or blue, new or old, plentiful or scarce. The resulting photo series is in turns haunting and funny, but Galimberti’s reports from the field are equally interesting. “The richest children were more possessive. At the beginning, they wouldn’t want me to touch their toys, and I would need more time before they would let me play with them,” Galimberti says. “In poor countries, it was much easier. Even if they only had two or three toys, they didn’t really care. In Africa, the kids would mostly play with their friends outside.”

Toy Stories doesn’t just appeal in its cheerful demeanor, but it really becomes quite the anthropological study. And, ultimately, these photos give poignant insight into poverty on a very basic level – children’s toys.

Page through a few of our favorites from the series after the jump, and then be sure to head over to Galimberti’s website to see many more.

Out of sight, out of mind, the phrase continues to plague my perspective. I suppose that’s why traveling’s so important. And that’s exactly what Kenyan-born, English-raised, Venice-based documentary photographer James Mollison explores in Where Children Sleep – a remarkable collaborative project between him and American journalist Chris Booth capturing the diversity of and, often, disparity between children’s lives around the world through portraits of their bedrooms. The project began on a brief to engage with children’s rights and morphed into a thoughtful meditation on poverty and privilege, its 56 images spanning from the stone quarries of Nepal to the farming provinces of China to the silver spoons of Fifth Avenue.

Perhaps most interestingly, this project was designed as an empathy tool for nine- to 13-year-olds to better understand the lives of other children around the world, but it is also very much a poignant photographic essay on human rights for the adult reader.

One of the more meaningful photo series I’ve come across in a while, these photographs paint a reality that is difficult to depict through words, revealing shocking differences across countries, going from girls with thousand dollar dresses in their private mansions to shepherd boys sleeping with goats.

Read on to let Chris Booth and James Mollison show you where children sleep.

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Lamine, 12, lives in Senegal. He is a pupil at the village Koranic school, where no girls are allowed. He shares a room with several other boys. The beds are basic, some supported by bricks for legs. At six every morning the boys begin work on the school farm, where they learn how to dig, harvest maize and plough the fields using donkeys. In the afternoon they study the Koran. In his free time Lamine likes to play football with his friends.

Russian photographer Murad Osmann creatively documents his travels around the world with his girlfriend, Nataly Zakharova, always leading the way in his ongoing series known as Follow Me To.

With her back turned, never revealing her face to the camera, Osmann’s girlfriend guides us all on a journey across the globe to some of the most beautiful, exotic, and radiant environments. There are also comforting and familiar settings mixed in for good measure.

Whether the couple is spending a romantic night in Moscow, having an exotic adventure in Asia, wandering the streets of Tokyo, or simply going to Disneyland, Osmann keeps a visual record of their escapades as he trails behind his beloved.

He shoots the photos either on his iPhone or digital SLR camera and processes them using multiple filters in the Camera+ app before posting on Instagram.

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GB is an unapologetically unreconstructed hippie and devoutly politically incorrect. She sold her soul to Guns 'N' Roses in the 90s, bought her first good electric guitar from Slash's ex-wife in Detroit, and never looked back. She /sometimes/ writes fiction (you figured it out after the "Slash's ex-wife in Detroit" part, didn't you?), nonfiction, and some things she can’t quite define. Also, she can turn bullshit into articles. She’s been published in her obscure blog, and two or three local newspapers, leaving behind digital traces like glitter. Like most snobbish wiseguys, she also pretends to know everything about everything, until questioned. :D