It’s that time of year again, when back to school ads plague the television and everyone starts saying “this summer went by way too fast!”. Although I’m looking forward to the start of university, I’ll miss being able to come in to work at a museum with such awesome staff and volunteers.

This summer has been a whirlwind of projects, from learning how to add photo negatives into our collections database, to setting a new record in August for our busiest month ever. I never could’ve foreseen how interesting my time here would be! Working at the museum also gave me the opportunity to improve skills that are much needed at university; I worked on my writing and research capabilities while creating the articles on this blog, I learned how to edit video in different formats through working with our footage of Alan Farrell, and I even got to create a video promoting the museum.

One of my favourite parts of this job is the fascinating conversations I have had with people who came into the museum. You never know what memories or connections will be brought up while looking through the exhibits. My view of the Coast has also changed as I learned to see it through the eyes of first-time visitors. I’ll never get tired of recommending activities to do and places to eat here!​Even if I had an endless summer, it would be impossible to learn all of the stories and mysteries within the Sunshine Coast Museum and Archives. I’m grateful for the (way too short) summer that I did have here and for everything that I learned during it.

Kaylin Schober

]]>Sat, 10 Aug 2019 20:46:56 GMThttp://www.sunshinecoastmuseum.ca/blog/august-10th-2019Why are some archives in collections restricted, and why have they been made inaccessible? To work in a museum one must have a good knowledge of ethics, on top of many other things. Since historically significant objects can be personally or culturally sensitive, this understanding of ethical practices is crucial in accepting, displaying, and allowing access to these items.

Either the donor or the museum curator or archivist may decide to restrict an archive. The reasons for this can vary greatly but the over-all purpose is to protect sensitive information. For example; if a diary is donated and a person who was written about in the document is still alive, the curator may choose to preserve the book in a sealed envelope. Nobody, including the museum staff in this case, has permission to open the envelope until a pre-determined date, which would have been decided and recorded at the time of the acquisition.

The Sunshine Coast Museum and Archives holds some restricted archives. One that has recently caught our attention is a large envelope containing a map which leads to a time capsule created by Gibsons Elementary. The date on which the time capsule was buried is unknown, but the instructions state for it to be opened on September 1st of 2020. We can’t wait!

Culturally significant items may also need to be restricted from public access to protect the integrity of religious or ceremonial practices, or physical locations. A map indicating the whereabouts of sacred or religious areas may be restricted in order to prevent others from disrespecting or endangering the space. “The amount of this material may constitute a small percentage of the entire collection. For Native American communities the public release of or access to specialized information or knowledge gathered with and without informed consent-can cause irreparable harm. Instances abound of misrepresentation and exploitation of sacred and secret information.” (Protocols for Native American Archival Materials copyright First Archivist Circle https://www2.nau.edu/libnap-p/protocols.html#Accessibility)

Laura Millar, a well-known archival consultant and author of Archives- Principals and Practices, expertly summarized the subject to SCMA staff recently:"Archivists act as trusted custodians of documentary evidence, and our goal is to preserve archives so that these materials may be used. But archivists have to balance access with privacy, and sometimes we find it necessary to restrict access to archives. Sensitive correspondence, for example, may be restricted for a number of years, often until the people mentioned in the letters are no longer alive and so cannot be directly affected by the contents of the communications. Archivists work closely with donors to consider appropriate restrictions, and we strive to support reasonable privacy concerns without denying access entirely. What archivists will not do is accept restrictions that unfairly inhibit the potential use of archives, such as closing archives permanently or only permitting certain people to use the materials. Unless we ensure that we can provide balanced and fair access to the materials in our care, archivists are left storing nothing but hidden secrets." (Laura Millar, archival consultant and scholar, personal communication, 8 August 2019).

The world of ethics in museum work is complex and ever evolving. There are always countless points of view to be taken into consideration; even a seemingly straight-forward inquiry into archival restriction reveals the many layers of expertise that are required in the field. So much waits to be discovered in the world of archives, who knows where our sealed map will take us next September!

]]>Fri, 19 Jul 2019 21:39:07 GMThttp://www.sunshinecoastmuseum.ca/blog/celebrations-of-the-pastWhen the rain finally gives way to sunny days on the Sunshine Coast, the towns begin to buzz with an air of celebration. And celebrate we did! From pillow fights in canoes, to the crowning of the “Pulp Queen”, West Howe Sound was the place to be.​The Sunshine Coast didn’t have many permanent residents during the early 1900’s, but the summer months brought crowds of people looking to catch a break from the city, and with all these vacationers came the West Howe Sound Regatta. Starting in 1929, it was held alternately at Granthams Landing, Hopkins Landing, and Gibsons Landing. A “costume parade” started the festivities and soon enough the wharf would be brimming with spectators, many of whom had just made the trip over by a Union Steamship. The surrounding waters were swarming with local boats, there to participate in or simply watch the chaos. Events included home-made raft races, sailing races, swimming and diving competitions, and pillow fights in canoes. There was even a sun-tanning competition called “skin game”, with each community submitting 3 contestants. The regatta continued throughout the 30’s, but came to an end after the Second World War.

“Postcard-West Howe Sound Regatta, held this year at Gibsons. Moderate crowd of people & boats gathered to watch a swimming competition. Gibsons bay area in background. William Prowse's long boatbuilding workshop at right.” (photo #453)

The middle of August would then bring along the Fall Fair, which contained events lasting from Friday to Saturday evening. Community members brought in entries for a wide variety of categories, and judges chose the most impressive to receive cash prizes for their efforts. The displays were shown at Gibsons Elementary, of which categories included: baked goods, farm animals, flowers, produce, and even displays of hobbies such as needlework or photography. Apart from the displays, a children’s parade would also take place on the Saturday. “A group entry won special merit, a group of Gibson Girls all charming maidens who excelled in doing the Charleston. When time came to gather names half these charming maidens were found to be young gentlemen” (Coast News 1959-08-20, “Children Stage Parade”). After the overall winners had been announced, the festivities finished off with an evening community dance.

”Two views (a&b)of the new wharf in lower Gibsons showing how it was decorated for the Wharf Day parade/events that occurred on Aug. 16, 1947.” (photo #1322)​Port Mellon also had its time to shine with the annual Labour Day celebrations taking place at the Seaside Park. Throughout the day various sports competitions and races would be held, although the main event was the crowning of the Pulp Queen. This tradition started in the late 1940’s and carried on for many years to come. School children voted for a Queen from the 6th grade, while the representatives of the younger grades would be cast as flower girls, pages, and a crown bearer. There were also games of Bingo held, and an evening of dancing to wrap up the day.

“Pulp Queen Ceremony: (Kristin(Lien)Dubois), Verna Bursey (braids), Lily McGee (taller girl). Flower girls left to right: Janet (Swanson) Flumerfelt, & Kathy Hostland. Maids of honor left to right: Verna (Swanson) Turner, & Helen (Stewart) Kennaugh.” 1951 (Photo #3861 )​In more recent history, from 1969-2018, Gibsons Landing was home to the Sea Cavalcade. Originally created to bring all of the communities together, this was undoubtedly the most elaborate celebration on the Sunshine Coast. The whole town was turned upside down to host the spectacle; which at times included 2 dances (one on the Gibsons wharf and one in the legion), a beer garden, the crowning of the Sea Cavalcade Queen, a children’s fishing derby, races, a “war of hoses”, fireworks, and a parade.

“B&W 4x4" photo. Local volunteer firefighters’ "War of Hoses" event in the Sunnycrest Mall parking lot as part of the Gibsons Sea Cavalcade. 4 men (2 in uniform) try to control a basketball with fire hoses. Spectators in background.” (photo 2287)

For the first time this summer we will see Gibsons Landing transform into a wonderland of lights with the first ever Lantern Festival. Taking place on July 27th, the day will include music performances, free dance lessons, food trucks, and a lantern procession at 9pm. “In coming years, we will look at expanding the scope and getting the word out even more--this year we have had only a couple of weeks to get everything together,” said Verna Chan, the event’s main organizer.​Celebrations have come and gone, but as time has proven, there will always be something exciting to bring the Sunshine Coast together.

]]>Sun, 23 Jun 2019 18:32:16 GMThttp://www.sunshinecoastmuseum.ca/blog/film-and-video-on-the-sunshine-coast​The impact that The Beachcombers has made on the Sunshine Coast is undeniable; tourists remain keen to engage with the show, and every local has a mutual friend that was somehow involved in its production. The series made the Coast known to the world, and paved the way for productions to come.​Before The Beachcombers, the first movie to be filmed in this area was a suspense called The Trap. The Trap was shot on Bowen Island in 1966, before the Canadian film industry had made its name; it was therefore an important event for the whole area. Then, 6 years later in 1972, The Beachcombers moved into town and made Canadian television history. It started off with a small crew composed mostly of CBC news workers, as well as locals who were hired to control the traffic, to be extras, and to do the odd carpentry job. Before the series ended in 1990, there was a spin-off series called Ritters Cove, which filmed in Egmont between 1979 and 1980. The series followed many of the classic tropes of The Beachcombers, except with airplanes instead of boats.

In terms of large-scale Hollywood productions, the Sunshine Coast has had three notable movies that were either entirely or partially filmed here: The Fog (1980), Needful Things (1992), and Charlie St. Cloud (2010). We have also been home to several Hallmark TV productions over the past few years, the most memorable probably being A Carousel Christmas in the summer of 2018 which resulted in the wharf at Lower Gibsons being transformed into a winter wonderland. Although, this was not the first time that the Coast received a major make-over for a production.​In November of 1992, Gibsons played the role of Castle Rock, Maine, for the film adaptation of Steven King’s Needful Things. Not only did Lower Gibsons completely change face, but entirely new buildings were added to accommodate the film.

Molly’s Reach became almost unrecognizable as a run-down café named “The Dot”.​

​ I was fortunate enough to find a piece of the original storyboard in the museum’s collection. This segment illustrates the church explosion scenes, which make up the climax of the film.

“I don’t think Gibsons was quite ready for that movie,” recounts Steve Sleep, manager of Eastlink TV. “They built a church right over top the tourist info booth, and on the other side of the road they built another front, the Needful Things store. In the middle of the night they blew it up. I’d been working on it because it was a lot of night shoots and they needed extra lighting people. They set up this huge explosion with canons to blow that whole thing up. The fire department was on standby, they locked down the whole town, and there were police everywhere. Meanwhile, the church was on fire at the same time. It was quite a big deal.”

After having worked on The Beachcombers, Needful Things, and with the CBC, Sleep became the manager of EastlinkTV (formerly CoastTV) which also plays a key role in our community’s relationship with film and video. It all started in 1978 with a partnership between Coast Cable (now Eastlink), Maryanne West, and Marta MacKown to create a television production course at Elphinstone Secondary. “There were a lot of people who were seeing the movies, specifically Beachcombers being shot, and realized then that we could do this” said Sleep as he retold the channel’s history.

Crew members from The Beachcombers setting up a travelling shot. Terry Blair is the camera assistant/focus puller, Phil Lindsay is the camera operator.

The Beachcombers crew was very open to giving support to the students, with everything from lighting gear to props. The program is still running today in partnership with Eastlink TV, and continues to give students valuable opportunities to work on a real television crew. “That’s where I see the future going, is with the youth being the strong point of the community channel, and bringing their young knowledge and enthusiasm to the station; because that’s always been the way that station’s thrived is having young people and adults and everybody in between working on a level playing field. And I think if I could see that continue that would be my dream.”

The Sunshine Coast’s involvement in film also goes beyond being used as a back-drop. The Sunshine Coast Film Society (SCFS) started a little under 20 years ago with small screenings in Roberts Creek and Gibsons. Today they screen independent films at both the Raven’s Cry Theatre and the Heritage Playhouse. Alan Sirulnikoff, one of the founding members, states the importance of having a society such as this one: “I think the impact of the SCFS has been very important as generally Gibsons would only offer the most mainstream commercial films. The SCFS was an opportunity for the community to experience films that might be out of their comfort zone or films they might not have thought to see otherwise.” Co-founder Tim Mclaughlin adds that “the original vision was to show titles that were inaccessible on the Sunshine Coast, especially those titles that could be supported by a live presentation by the film maker… showing films that sparked ideas, interest and discussion,”. Despite the growing popularity of online streaming, the SCFS’s screenings still have a high attendance rate, and the board is continuing to work on bringing in more challenging films.

Although The Beachcombers left the most permanent impression on the Sunshine Coast, we still have a rich involvement in film and video beyond that series. From hosting large productions, to creating our own, and to screening films from all over the world, this small town “North of Hollywood North” has a considerable amount to offer.

​Summer is approaching once again, and with that another new student museum assistant will be joining the team! My name is Kaylin Schober and I couldn’t be more excited to learn about the work that goes into conserving the history of the Sunshine Coast. I greatly value community involvement and have spent many hours volunteering for various projects, so being able to work while giving back to the community is a fantastic opportunity.

I was born and raised in Roberts Creek, but I will be moving to Vancouver this September to attend Capilano University’s Bachelor of Motion Picture Arts Program. In relation to my passion for film and storytelling, I will be working to create video projects with the museum on top of my regular assistant duties. During my time here this summer I am looking forward to learning about the foundations of the coast, how artifacts are processed, and the work behind making an exhibit. The amount of time that goes into researching and caring for the collections astounds me, as well as how much support is given by the community. I hope that I will be able to share my appreciation for the Sunshine Coast with people from all over the globe as well as the locals who stop by.

I’ve already learned so much in my first day here and can’t wait to see what these upcoming months will bring!

​This weekend marks the 50th anniversary of Sea Cavalcade, one of the biggest summer events on the coast. Before Sea Cavalcade began, every community had a different celebration: Sechelt had May Day, Gibsons had Dominion Day (July 1), and Port Mellon had Labour Day. ‘The West Howe Sound Regatta’ (pictured above) was another summer celebration held alternately in the communities of Gibsons, Granthams, and Hopkins Landing. It started in the late 1920s, and continued throughout the ‘30s and ‘40s. Finally, in 1968, event organizers decided to create a celebration that would bring all of these communities together. Sea Cavalcade was declared officially opened in 1969 by BC Premier W. A. C. Bennett.

While the events of Sea Cavalcade have evolved over the years, the basic structure has remained the same. Perhaps the longest running tradition is the Sea Cavalcade parade, where community members and organizations come together for a march through Gibson’s Landing. The fireworks display has also been an integral part of Sea Cavalcade since the beginning. Similar to Sea Cavalcade 2018, early celebrations included live music and dances throughout the weekend. Other events, such as the pancake breakfast and the salmon barbeque, have also remained a important part of the community involvement in Sea Cavalcade.

"World's Largest" Tugboat Race, c. 1970.

​​The seaside location of Sea Cavalcade and its predecessors meant that many events took place on the waters of the Shoal Channel. The “World’s Largest” Tugboat Race (pictured above) was a Sea Cavalcade staple for the first 10 years of the festivities. The infamous ‘Boat Blow-Up’ began in 1970, when a run-down boat was set up with explosives. These were two of the most popular events until both were cancelled in 1979, as captains of the tugboats were met with insurance difficulties and the boat blast resulted in shattered windows from the Bluff to Granthams. However, the special effects crew of ‘The Beachcombers’ brought the revival of the ‘Boat Blow-Up’ in 1981, using fewer explosives. This event remained a crowd favourite until it was cancelled again in recent years. ​​Another signature Sea Cavalcade event that has withstood the test of time is the crowning of the Sea Cavalcade Queen (also known as 'Miss Sea Cavalcade' or ‘Royal’) and princess. In early years, young women representing local businesses or organizations would compete for the title. Another title, “Sea Cavalcade Golden Girl”, was first awarded in 1987. This title focuses on recognizing women who have contributed to improving the quality of life on the Sunshine Coast. ​

There have been so many events over the last five decades it would be impossible to name them all! The future of Sea Cavalcade is guaranteed to change and evolve with the communities of the Sunshine Coast. But the annual celebration of Sea Cavalcade has been a tradition for five decades, and I can't wait to see what the next fifty years will bring.

My name is Eva. This is my second summer working as the Museum Assistant at the Sunshine Coast Museum & Archives, and I’m excited to be back! I just completed my second year at the University of British Columbia Okanagan, where I am enrolled in the nursing program. I was raised in Gibsons, and I feel so lucky to be able to spend my summer here, spreading knowledge of local culture and history. The above of Gibsons was taken by Helen McCall, looking towards the wharf at the Union Steamship Co. vessel S.S. Capilano.

Over the course of this summer, I hope to continue to expand my knowledge of local culture and history as well as learn more about the work done within the museum. Although I had the opportunity to learn plenty about archival/curatorial studies during my time here last year, I am always open to learning more! I will also be working on a variety of projects over the summer, look for blog posts discussing those in the upcoming weeks!

For my final blog post, I wanted to reflect on my time here at the museum and say thank you. I’ve had a great time this summer! I am incredibly grateful that I had the opportunity to spend my summer learning and working with such a passionate group of people.

During my time at the Sunshine Coast Museum & Archives, I have learned an incredible amount about the history of the Sunshine Coast, but also about technical aspects of a museum. It’s fascinating to learn more about the community you were raised in, and this has been an amazing experience. I was also able to gain experience working with photo negatives, collections care/documentation, writing blog posts and a newspaper article!

A special thank you to Matthew, Marci, and Gary for being so welcoming. I had a wonderful time getting to know all of you, and I couldn’t have asked for a better team to be a part of. To everyone else that I worked with, it was a pleasure to meet you and I hope to see you around soon! And a final thank you to everyone who visited the museum this summer, we wouldn't be here without your support.

The guiding principles here at the Sunshine Coast Museum & Archives are to inspire curiosity, involve our community, and share our story. Our latest exhibit, ‘Fixed’, demonstrates all three by exploring the community conversation about creating a fixed link to the Sunshine Coast.

The discussion of a permanent, drivable connection to the Sunshine Coast began in the 1950s, with the introduction of car ferries. While residents would have to wait for up to three days for travel by steamships, the new ferries allowed for quick transportation to and from the Lower Mainland. The influx of visitors began, and this ease of transportation changed life on the coast dramatically.

To see how the fixed link story has evolved, we included local news articles dating back to the 1950s. Since then, the community dialogue has continued- often when difficulties in ferry service arise. How would the fixed link to the Sunshine Coast affect your life? How do you think it would impact the communities of the Sunshine Coast? The province is in the process of completing a feasibility report that highlights two possible links: a bridge to Anvil Island and a road connecting Langdale to Squamish.

The importance of community involvement is highlighted in our exhibit through a video created in collaboration with students from Elphinstone Secondary, Coast TV, and the Elphinstone TV Club. Students Mary Thompson and Sarah Macey conducted Interviews of fellow students, discussing BC ferries and the possibility of a fixed link. There is also a whiteboard mounted among the exhibit, encouraging visitors to share their thoughts on a permanent connection to the mainland. We take pictures weekly and have included a selection of photos from the board below.

The Sunshine Coast is a unique community, and our location is a big part of our story: not the island and not quite the mainland- our own peninsula. The community conversation surrounding a fixed link has been around for decades, with no end in sight. Will it ever be built?

​Drop by the museum Tuesday through Saturday, 10:30-4:30 and join the conversation!

Have you ever wanted to know more about the evolution of medical care on the Sunshine Coast? How did we evolve from a small, rural community with one doctor, to where we are today? I'm in the nursing program at the University Of British Columbia (Kelowna), and was interested in how our local health services came to be. During my time here at the museum, I decided to find out!

​​In 1913, Dr. Frederick Inglis arrived in Gibsons and opened the first medical clinic of the Sunshine Coast. He operated his clinic and a pharmacy out of his home, Stonehurst, in Gibson's Landing. For the next 33 years, Dr. Inglis travelled throughout the coast to provide medical services. He was the only medical practitioner servicing Port Mellon to Halfmoon Bay. During this time, the only doctor in Pender Harbour had lost his license for malpractice. However, he was the only person with any medical knowledge in the area, and continued to practice illegally until 1920. As the Sunshine Coast grew, so did the need for more access to medical care.

The Columbia Coast Mission Society vessel M.V. Columbia in Kingcome Inlet c.1930. This was a medical and hospital ship that also went to Garden Bay to drop patients off at St. Mary's (now shíshálh, or Sechelt) Hospital.

​In the early 1900s, the Columbia Coast Mission provided medical services to remote Sunshine Coast communities by boat. At this time, the primary industries on the coast were logging and fishing- it was these communities that pushed for a hospital. In Bright Seas, Pioneer Spirits, the authors described the conditions at that time. "In those days, loggers injured in Jervis Inlet or even down the coast as far as Halfmoon Bay would be taken by small boat to Irvine's Landing where they would have to lie in the freight shed until the next steamer arrived, perhaps a day later, in order to get to hospital in Vancouver. Too many of them died before a ship arrived and so the logging and fishing communities resolved that a hospital must be built in Pender Harbour..." The need for a hospital was met through the collaboration of the Columbia Coast Mission and St. Mary’s Church Parish in Vancouver. On August 16th, 1930, St. Mary’s Hospital opened in Garden Bay. It was a simple building with 12 beds, one doctor, two nurses, and two other staff.

​While convenient for camp workers, this location proved difficult for many residents of the lower Sunshine Coast as there was no land access to Garden Bay. It wasn’t until 1936 that the government road was connected to Garden Bay and Irvine’s Landing. And even with access to transportation, the road to Garden Bay remained unpaved and difficult to navigate. This meant that the lower Sunshine Coast had to rely on one doctor (Dr. Inglis) for medical care. As the population continued to increase, it became apparent that more medical services were required.

The Gibsons Post Office at the corner of School Rd and Gower Point Road, before moving to it's current location. This building was purchased by Dr. Hugh Inglis in 1962 and became the first Gibsons Medical Clinic.

By the 1960s, the lower Sunshine Coast communities had grown significantly. Dr. Fred Inglis’s son, Dr. Hugh Inglis, had taken over the clinic at Stonehurst. But the population was rapidly expanding beyond the small clinic. The need of a bigger clinic was met by Dr. Hugh Inglis, who purchased and renovated the old Gibsons post office. In December of 1962, the Gibsons Medical Clinic was opened directly across from Stonehurst. Another doctor, the semi-retired Dr. Mackenzie, also opened a clinic near Soames Point. This provided the residents of Gibson's Landing access to more medical services without having to make the long drive to Pender Harbour.​The community was quickly outgrowing the small rural hospital of Garden Bay and the need for a more centrally located hospital was recognized. According to Dr. Swan in House Calls by Float Plane, "Halfmoon Bay was considered the center of the lower Sunshine Coast, [and] the population hub was in Roberts Creek.” So in 1964, St. Mary’s Hospital moved to Sechelt. The new hospital was built on land generously donated by the shíshálh Nation, consisted of 35 beds and had a 13 bed nurse’s residence. However, as Dr. Paetkau notes in his novel, “the new hospital was already proving inadequate for the Sunshine Coast’s growing population”. By 1968, the number of patient days in the hospital had almost tripled (from 4,926 in '64 to 13,464). However, the move from Garden Bay to Sechelt did increase the availability of St. Mary’s Hospital services throughout the coast. Since then, it has continued to expand. The shíshálh, or Sechelt, Hospital was recently renovated and now has larger emergency, radiology, and maternity departments, single patient rooms, and 44 beds.

When the new hospital opened, the Garden Bay location was closed, which sparked an outcry among the remote communities of the area. In Bright Seas, Pioneer Spirits, the authors noted that “many of [the residents] had volunteered labour or materials for the construction of the old building..”, and the loss of medical services had a huge impact on the area. Consequently, they rallied to open a clinic. And in 1976, they achieved their goal. The clinic moved to more centrally located Madeira Park, ensuring that everyone had access to services.

At this time, growth on the Sunshine Coast became much more rapid. This development allowed an influx of medical professionals to the coast, as there were multiple employment opportunities. The historical record of medical care on the Sunshine Coast in the next few decades seems to die off. We had a community hospital, clinics in Gibsons, Sechelt and Madeira Park (and multiple private clinics that opened in the Sechelt area, mostly in the late '70s-'90s). As the population increased and communities developed, medical care grew. The availability of medical care has come a long was since the isolated hospital of the 1930s. The evolution of medical care on the Sunshine Coast is largely due to the community's dedication in implementing change- and our hardworking healthcare professionals. Without the efforts of these early Sunshine Coast residents, we wouldn’t have the access to the healthcare that we do today.

Are you interested in learning more about local history? Drop by the SCMA with your research requests; we would be happy to help!