Since we have a great polish scholar writing here about Józef Wieniawski there is no need on my part, in writing about his biography. Although I would like to contribute with some information, which came about from my study of this repertoire, and my experience as a pianist dedicated to explore the wider realms of piano literature. One of the most interesting aspects of Wieniawski’s studies (études) here presented is the number of famous pianists who received the dedication of each Étude, most of them were amongst the most distinguished virtuosos of those times, from the older Henry Charles Litolff (1818–1891) to the younger Eugen d’Albert (1864–1932). Wieniawski was only the second person, to perform all of the Chopin etudes in concert (after Liszt), whilst presenting us with his own cycle of Études (op. 44), which easily could be a sequence after Chopin’s etudes concerning the technical challenges.As a pianist myself I feel considerable poetry in his writing, and I would say these Etudes are far more musical and virtuosos than those composed by Chopin, because these are works created by someone who clearly know all the secrets of the piano of his time, and which is it its own way directly related to the etudes composed by Liszt, Chopin, Rubinstein, Delaborde, etc