Young Felicity lives in a monastic school. The only way to live out her sexual fantasies is together with her girlfriend Jenny. But then she receives an invitation to her sister in Hong-Kong and can't wait to finally do the real thing.

Queen Elisabeth I travels 400 years into the future to witness the appalling revelation of a dystopian London overrun by corruption and a vicious gang of punk guerrilla girls led by the new Monarch of Punk.

Jacopo Tintoretto changed the face of Venetian painting. His fast and furious brushwork was likened to a thunderbolt. Combining the rich colors of Titian with the dramatic muscularity of Michelangelo’s figures, Tintoretto covered the walls of his native city with pictures that astounded his contemporaries; Vasari declared him “the most extraordinary brain that the art of painting has ever produced.” This documentary examines Tintoretto’s career with original footage of his works in the churches and palaces of Venice.

Jacopo Tintoretto changed the face of Venetian painting. His fast and furious brushwork was likened to a thunderbolt. Combining the rich colors of Titian with the dramatic muscularity of Michelangelo’s figures, Tintoretto covered the walls of his native city with pictures that astounded his contemporaries; Vasari declared him “the most extraordinary brain that the art of painting has ever produced.” This documentary examines Tintoretto’s career with original footage of his works in the churches and palaces of Venice.

In this comedy, set during the Nazi occupation of France, Peter Sellers plays most major male parts, so he stars in nearly every scene, always bumbling in inspector Clouseau-style. As British Major Robinson he is hidden in Madame Grenier's Parisian brothel, right under the nose of the Nazi clients, such as Gestapo agent Herr Schroeder (again him). As Général Latour he leads the French resistance, which includes the brothel madam -made a colonel in charge of her sexy 'troops'- and a priest, and is joined by young US diplomat Alan Cassidy. As Japanese imperial Prince Kyoto he becomes a target for the resistance in a monastery on his way to Hitler (again him). At the end he decorates the heroes as French president.

There’s never been another filmmaker quite like Dušan Makavejev. Even in the 1960s, when all of cinema’s rules seemed to be breaking down and artists such as Godard, Cassavetes, and Marker were dissolving the boundary between fiction and documentary, Yugoslavia’s Makavejev stood alone. His films about political and sexual liberation were revolutionary, raucous, and ribald. Across these, his wild, collagelike first three films, Makavejev investigates—with a tonic mix of earnestness and whimsy—love, death, and work; the legacy of war and the absurdity of daily life in a Communist state; criminology and hypnosis; strudels and strongmen.