Born on February 8, 1941, ‘the ghazal king’ was a singer, composer, activist and entrepreneur. The 70-year old was admitted in Mumbai’s Lilavati hospital after he suffered brain h[a]emorrhage last month. He underwent two surgeries and was on life support.

He has sung in several languages including Hindi, Urdu, Punjabi and Nepali. Jagjit Singh entered the music circuit at a time which was primarily dominated by Pakistani ghazal singers, and Indian singers were considered relatively lesser authentic than their Pakistani counterparts.

Unlike other ghazal singers, Singh did not hesitate in lending his voice for films. His silky voice ruled during early 80’s in films like Prem Geet, Saath Saath and Arth. However, his major work is spread over more than 60 filmy and non filmy albums.

Jagjit Singh was also known for modern approach and infusion of technology in the traditional art of ghazal singing. Singh was the first Indian music director to use the technique of multi-track recording for his album ‘Beyond Time’.

Recipient of Padma Bhushan award, Jagjit Singh was the man behind making the ghazal genre available and understandable to all. Prior to Singh, ghazal singing was considered as an elite art, which was difficult for the common mass to understand due to high class Urdu and Persian.

Jagjit Singh broke this myth by coming up with songs such as ‘Kaagaz ki kashti’, ‘Chaak jigar ke’, ‘Kal chadhanvi ki raat thi’, and ‘Shaam se aankh me name si hai’. He mixed the words of legends like Ghalib, Qateel Shifai, Firaq Gorakhpuri, Nida Fazli and Sudarshan Faakir with melodious indigenous tunes and achieved a state where nothing came in between him and his listeners.

Later when television started showcasing music videos, he was among one of the prominent members of the music fraternity to avail the facility. He again came up with brilliant albums such as ‘Face to Face’, ‘Marasim’, ‘Aaeena’, and ‘Dil Kahin Hosh Kahin’.

Padma Bhushan Jagjit Singh was regarded as one of the greatest singers India has ever produced. He belonged to the Agra Gharana of Indian classical music.
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Jagjit Singh gained acclaim together with his wife in the 1970s and 1980s, as the first ever successful duo act (husband-wife) in the history of recorded Indian music.
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Remembering his contribution, noted classical vocalist Pandit Jasraj said, “I have lost a beautiful friend. His contribution was immense. After Begum Akhtar he was the one who revived Ghazals.”