The Brooklyn-based performance artist Anya Liftig has chosen Los Angeles for the debut of her latest work. For seven days Highways Performance Space and Gallery will be showing “Falling/Flying,” a seven-part video installation in which Liftig continues to cross the boundaries of the natural and unnatural. Accompanying the video installation will be a new four-hour durational performance, presented February 19 as part of the 18th Street Arts Center Art Walk Event.

Says Liftig, “These actions mostly originate from desires I had as a child, but could not be expressed until now. For me, these pieces are about the ongoing struggle to connect with people, places and things, and the correlating difficulty of making sense of the world.”

A rock, an ice cream cake and a badminton racket are just some of the objects Liftig turns to for help in her dauntless, often physically brutal search for creative transcendence. These pieces find Liftig doing everything from ticking off the names of every store she can think of, to hitting the heights of erotic ecstasy in a parking lot. (All thanks to a cheap bar of margarine.)

“This work is about breaking through the boundary of solitude with my body. I use repetition of simple actions to highlight the poetry of the unfolding of time,” Liftig says. “I also want the viewer to challenge his or her assumptions about what is comfortable, what is right, and what is supposed to make sense.”

Anya Liftig’s work has been featured at TATE Modern, Exit Art, Joyce Soho and many other venues. At MoMA, she staged an intervention into the Marina Abramovic retrospective, sitting, dressed as a doppelganger of the elder artist, for six hours. Liftig has published her work or been written about in New York Times Magazine, BOMB, ArtNews, Art Papers, The Wall Street Journal, Vogue Italia, Marie Claire Italia, New York Magazine, X-TRA, and many others.