Two more impeccably-sculpted popcorn R&B sides, with contrasting but complimentary sounds. Ruben Fort's "So Good" is a real gem of early Detroit soul, released in 1960 amidst that super-exciting transitional period in the R&B sound of the city and indeed the nation as a whole. Deanne Hawley's "Bossman" is, strictly speaking, neither soul nor R&B, but instead sits in that unique bracket between rock 'n' roll, blues, country, and pop, a little niche from which so many popcorn sides seem to be culled.