Moving from glass-fingered slide to pedal steel to acoustic to hollow body to Stratocaster, Kimock kept a rotating tone throughout the night. The second-set “54-46 (That’s My Number)” bubbled with Toots and the Maytals’ signature reggae funk, but accessorized by Kimock’s signature noodling. Ernest Ranglin’s interpretation of “54-46” definitely influenced Kimock, who leaked funky blues into the brewing tune. It’s a sweet mix when Kimock finds his groove, singeing every cranny with his fiery licks.

While the Kimock-Worrell jams sometimes tripped into the realms of introspective rehearsal work (as in “Hey Man” or “You’re The One,”) Hess and Ingram kept tight rein on the deep end, corralling the occasional wanderers. Worrell’s fun “Burning (Bernie?) Down The House” saw the four-top stomping in controlled consolidation, each dribbling their own go-go juice into the heady mix.

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