Synopsis

Picking up the story three years after Mike bowed out of the stripper life at the top of his game, "Magic Mike XXL" finds the remaining Kings of Tampa likewise ready to throw in the towel. But they want to do it their way: burning down the house in one last blow-out performance in Myrtle Beach, and with legendary headliner Magic Mike sharing the spotlight with them. On the road to their final show, with whistle stops in Jacksonville and Savannah to renew old acquaintances and make new friends, Mike and the guys learn some new moves and shake off the past in surprising ways.

It was the first full week for The Avengers: Age of Ultron on the home market and it topped the new releases for October 6th, 2015 and earned first place on the combined DVD and Blu-ray chart for October 11th. Over the week, the film sold 1.02 million units and generated $18.02 million for the week for sales of 2.62 million units / $47.21 million after nine days of release. By comparison, Furious 7 generated $47.05 million, not during its first two weeks, but since its release nearly a month ago. It is already in the top ten for the year and it should climb into the top five shortly.
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The home market release report is a little late this week, because in our ongoing attempt to improve our site, we are looking at the format of this column and it will change shortly. (Also, this week both Amazon and Rotten Tomatoes were acting up. I had to download a script blocker and block all scripts on Rotten Tomatoes. Certain things no longer work, but at least it doesn't cause Firefox to freeze every ten minutes.) The biggest release of the week is The Avengers: The Age of Ultron, sort of. It came out last Friday, not this Tuesday. I'm waiting for my copy to arrive so I can do a full review. Meanwhile, the best new release of the week is When Marnie Was There in Blu-ray Combo Pack.
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This week's list is led by Pitch Perfect 2, which was a surprisingly strong performer at the box office. However, its reviews are not up to Pick of the Week levels. The best of the best are dominated by TV on DVD releases, including Modern Family: Season 6, which is the last sitcom I watch every single week. However, it is a double-dip that wins the Pick of the Week honors, Moonrise Kingdom:Criterion Collection. The original Blu-ray didn't have nearly enough extras, but this one corrects that problem.
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It is a special week on the international chart, as we have an international film in first place. Monster Hunt earned first place in China with an estimated $72 million over the weekend and a total opening of $107.58 million. (This includes less than $1 million in early previews.) This movie is a romantic comedy, of sorts, set in a world of CGI monsters. This is the kind of film that could have appeal in many markets outside of the usual markets Chinese films play in. Additionally, this is the kind of opening that will make distributors here interested in obtaining the rights. It is too soon to tell if it will have a global run, but it will be worth keeping an eye on.
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Matching its stellar domestic debut, Minions rose to first place with $130.7 million on 9,606 screens in 56 markets at the international box office at the weekend for totals of $287.77 million internationally and $403.49 million worldwide. The film debuted in 30 new markets, earned first place in all of them, and broke the record for the biggest animated opening in 28 of them. This includes Russia, where it earned $15.12 million on 1,209 screens, which is the biggest opening in that market, animated or otherwise. Its biggest opening was in Mexico, where the film earned $15.72 million on 692 screens over the weekend. Meanwhile, it earned first place in France with a total opening of $12 million on 868 screens. It remains above Despicable Me 2's pace and this puts it on track to reach $1 billion worldwide.
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As expectedMinions dominated the box office earning first place with more than a 50% share of the total box office. It became the fourth film to open with more than $100 million this year. Three of those were released by Universal. On the other hand, the less said about The Gallows or Self/Less the better. To be fair, The Gallows earned more during its opening day that it cost to make, but its advertising budget is much bigger than its production budget. Meanwhile, Self/Less barely topped the Mendoza Line (earning only just over $2,000 per theater). The overall box office reached $215 million, which was 59% more than last week and 43% the same weekend last year. Year-to-date, 2015 has earned $5.92 billion, which is 6.4% higher than last year's pace.
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Terminator: Genisys expanded its market count to 47 over the weekend, which allowed it to rise to first place with $74.0 million for a two-week total of $85.5 million internationally. Its biggest new market was Russia, where it dominated with $11.17 million on 2,192 screens over the weekend. South Korea was close behind with $9.24 million on 1,113 screens for a total opening of $11.06 million. The film earned first place in Mexico with $4.73 million on 1,307 for a total opening of $6.18 million. It only managed second place in Brazil with $3.9 million on 1,012. In all four markets, the film set records for the franchise. It wasn't as lucky in the U.K., where it opened in second place with $5.83 million in 536 theaters. That's about on par with its opening here in the US. The goal for the film is to earn over $200 million internationally and $300 million worldwide. If it can get there, then the film will likely break even, eventually. On the other hand, "breaking even" isn't enough to justify continuing the reboot trilogy.
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It was not a good weekend for new releases, as the top two spots went to holdovers. Fortunately, Inside Out earned first place over Jurassic World, because I had no idea what I was going to do for an image this time around. (That's not true. I was going to look for pictures of corgis dressed as dinosaurs.) Neither Terminator: Genisys or Magic Mike XXL matched expectations. At least Terminator: Genisys came close. Overall, the box office plummeted 26% from last weekend to just $135 million. Granted, that's still 2.2% higher than the same weekend last year, but boy have we come down from the highs we saw just a few weeks ago. Year-to-date, 2015 has earned $5.62 billion, which is 6.0% above 2014's pace of $5.31 million. 2015 would really need to sink for a number of weeks before that lead was in trouble, but after this week, that scenario is a little more likely.
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Two much-anticipated sequels have fallen short of knocking the two incumbents from the top of the box office chart this weekend. Terminator: Genisys will come closest with a mediocre $28.7 million three-day weekend, and $44.1 million after five days in release. That’s a couple of million behind the two returning giants, which are essentially tied for the weekend at this point. Jurassic World has the edge according to the official studio estimates, with Universal putting its total at $30.94 million for the weekend, compared to Disney’s $30.11 million projection for Inside Out. Other tracking we’ve seen suggests that the films will both end up with a shade over $30 million. The film’s respective performance on Sunday will determine who ends up the weekend winner.
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Inside Out earned first place on the Friday chart, just ahead of Jurassic World $12.5 million to $11.8 million. This is bad news, as the new releases will be well behind films that are three and four weeks old respectively. At this pace, Inside Out should top $30 million over the weekend, but barely. Jurassic World will earn about $28 million. This is roughly in line with Friday's predictions. On the other hand...
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If one of the new releases doesn't earn top spot this weekend, then the box office is in trouble. Jurassic World has been in first place for three weeks in a row and even last week it only won because the new release, Ted 2, missed expectations. If it or Inside Out win this weekend, it will be because Terminator: Genisys and Magic Mike XXL are both struggling. Fortunately, the two films topped the chart on Wednesday during their opening day, but not by enough to ensure they come out on top over the full weekend. It could be a very close race for first place. This weekend last year was led by Transformers: Age of Extinction with $37 million, while Tammy was second with an opening of $21.58 million over the three-day weekend and $33.51 million over five days. The overall box office take was just $133 million last year, while the top five could top that this year. 2015 should have no trouble coming out on top in the year-over-year competition.
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June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
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The first weekend of July has two potential $100 million hits: Magic Mike XXL and Terminator Genisys. Both movies have nearly identical box office potentials, but Terminator Genisys should start faster due to its genre and target audience. As such, it is the choice target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Terminator Genisys.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Maggie on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Maggie on DVD.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize featuring a previously reviewed DVD or Blu-ray.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.