Category Archives: Angela Hewitt

Angela Hewitt boldly emphasizes the importance of slow practicing in this brief video segment. She states that everything you do behind tempo should be molded into a faster reading as to phrasing, dynamics, etc. And it goes without saying that … Continue reading →

The high point of my trip to NYC was inhabiting a paradise of pianos on “piano row.” That’s what they call “West 58th” between Broadway and 7th Avenue. In the imposing shadow of Carnegie Hall that envelops the neighborhood, Klavierhaus … Continue reading →

The Urtext (original) editions of Bach’s keyboard music offer sparse directions about phrasing/articulation, (groupings of notes) so the player has to make important decisions that reflect a Baroque style. But what are the guidelines in a process that has an … Continue reading →

I must admit that when I journeyed to Piedmont Pianos before it moved out of downtown San Francisco, I wasn’t taken by a huge, 10-foot plus Italian piano with extra keys that was the featured attraction. (The Giraffe piano at … Continue reading →