Indie-rock troop Car Seat Headrest, led by singer-songwriter Will Toledo, played at Rams Head Live on Feb. 17 as they continued the second North American leg of their tour celebrating the re-release of their 2011 classic, Twin Fantasy. As an avid music fan, to say I had never been to a concert in my life was near blasphemy. So when I saw my favorite band coming to Baltimore on the day before my 20th birthday, I had no choice but to book some tickets.

On Friday, February 15, I traveled to Philadelphia to see G Jones on tour for his debut album The Ineffable Truth. I had seen G Jones live three times prior to this show, but this would be my first time seeing him headlining. I had been anticipating it for months.

I got the chance to interview some of the writers and directors involved in the Witness Theater’s 2019 Intersession Showcase on Saturday, February 16. Every semester, the Witness Theater performs four plays, each written and directed by students, that gravitate around a central theme, idea or location. This year, the central location of every play was an art gallery. Even within those limits, the plays — The Importance of Being Terry, Art Isn’t Dead, Montana and Framed — all had styles that differed starkly from one another, ranging from comedy to drama and each expressing the unique voices of the directors and writers who worked on them.

I am neither an avid skateboarder nor a Tony Hawk skateboard fanatic, but in the past few years, I’ve grown increasingly interested in the subculture’s influence on fashion, arts and the community it holds together. Skateboard videos have claimed their own unique niche in the world of social media, where young, talented individuals showcase their tricks in oddly satisfying clips that are edited to match trending hip-hop songs. In fact, just last year, Jonah Hill made his directorial debut with Mid90s, a film about a 13-year-old skateboarder and the friendships he builds while venturing out to skateboard parks across Los Angeles. And even a few months before that, Chicago-based director Bing Liu released Minding the Gap, a gripping documentary that exposes personal stories behind a few skateboard friends that Bing himself grew up with in the small town of Rockford, Ill. Since then, Minding the Gap has been nominated for Best Documentary Feature at the upcoming 91st Academy Awards.

One of the best surprises is watching a movie you know almost nothing about (perhaps because you were craving theater popcorn), and it turning out to be absolutely brilliant. Green Book happened to be such a surprise for me.

From the writer of all those Paranormal Activity sequels comes yet another horror movie sequel, Happy Death Day 2U. It feels like an odd combination of the time-loop films we know fairly well at this point — basically, a crazed science project, countless physics theories that will register as alien to non-majors and a psycho killer in a baby mask equals a flood of weirdness, inconsistencies and a copious amount of blood.

When I saw that Charli XCX was putting on a concert in Baltimore with tickets selling for only $22, that ticket was in my cart almost faster than I could read the offer. With so many of her songs topping my middle school playlists, it would have felt dishonest to do anything else.

If Isn’t It Romantic was a character in a romantic comedy, it would be the first-act love interest: attractive, charming, generally a nice enough guy, but the protagonist isn’t going to burst into the church at the last second to stop their wedding. The parody of romantic comedies/actual romantic comedy has some good jokes and a lot of heart, but its attempts to subvert the expectations of the genre, though admirable, often feel underdeveloped — especially in the film’s final moments. Still, for all of its flaws, Isn’t it Romantic finds a lot of humor and heart in the clichés and is ultimately a fairly enjoyable, if shallow, satire.

The Barnstormers presented their Intersession show, The Wolves by Sarah DeLappe, in Arellano Theater this weekend. The play — directed and produced by juniors Sydney Thomas and Maya Singh Sharkey, respectively — featured nine young women on a high school indoor soccer team.

Alfonso Cuarón’s Roma is the sensational masterpiece we are all — and should be — talking about. The film has also become the center of attention for the upcoming 91st Academy Awards, where it has secured nominations for Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Cinematography, Best Director, Best Foreign Language Film, Best Picture, Best Production Design, Best Sound Editing, Best Sound Mixing and Best Original Screenplay. And these prestigious accolades come just after countless other titles it has claimed over the few months since its 2018 debut at the 75th Venice International Film Festival.

Music doesn’t exist in isolation. Many factors influence how a song makes you feel, including the song that precedes it, whom you hear it with, your surroundings and your state of mind. Every once in a while, I happen to listen to a song in an atmosphere that causes me to fall in love with it, when I likely wouldn’t have in any other place or time.

High Flying Bird is a film of contradictions. It’s a film about basketball, one of the most dynamic sports ever created, yet also one where the action primarily takes place in nondescript business rooms, hotel lobbies and living rooms. It is also one of many recent films shot entirely on an iPhone, but its stylistic trappings are more indebted to classic Hollywood than to any new stylistic possibilities the iPhone has opened up. It is both a film where Netflix (the film’s distributor) figures in as a major plot point and also one where men conduct backdoor business in saunas like it’s the slickest thing since buttered bread.

If you’re like me, then you probably spent the majority of not only your winter break but also the entirety of Intersession dedicating yourself to exploring the depths of every streaming service out there. If you, indeed, are like me, then you watched You, the confusingly-named Netflix original series featuring Penn Badgley, who played the infamous Dan Humphrey on Gossip Girl.

Tired of listening to the Spotify Discover playlists? Bored by the same artists that pop up on the top 100 charts? Want to become more well-versed in music? You’ve come to the right place. In this article I’ll lay out a simple road map that will turn you — a boring layperson who listens to lo-fi music while studying — into a well-respected, nay I say sophisticated, music fan.

In honor of the recent transition into the Year of the Pig, the Walters Art Museum hosted a celebration of the Lunar New Year on Sunday, Feb. 10. The event featured a wide array of activities that balanced education with entertainment, such as a series of shows organized by local performance groups. All in all the Lunar New Year Celebration was a fun and family-friendly event that more than lived up to the high standards set by its predecessors.

I always thought that my Spanish teachers in middle school were lying to me when they insisted that Google Translate was grotesquely inaccurate. But then Ariana Grande got a kanji tattoo that read not “7 rings” but instead “small charcoal grill.” She tried fixing it, and the ink now translates to “Japanese barbecue finger.” In the song whose title she sought to commemorate on her hand, Ariana opines that “whoever said money can’t solve your problems / must not have had enough money to solve ’em.” I can’t help but wonder how many times she’ll have to spend money on fixing her tattoo to solve it!

Sylvia Plath died in 1963, and yet her writing has lived on. Plath’s poetry collection Ariel was published two years after her death, establishing her as an icon in 20th century poetry. But Ariel does not contain the only material written by Plath published posthumously — far from it. More poetry followed in the ‘70s, and as interest in the poet grew, her private letters and journals followed.

The highlight of the opening ceremony for the Black Heritage Celebration on Friday, Feb. 1 was undoubtedly the poetry, though the conversation was lively and the hot chocolate provided some much needed warmth as well. To kickoff its year-round initiative to celebrate African-American history and culture, the Office of Multicultural Affairs invited a group of incredibly talented poets to read their work and reflect on the experiences of people of color in the United States. Through their unique voices and powerful poems, the three women who read crafted an experience that was equal parts thought-provoking and heart-breaking, and their performances formed a strong cornerstone for the rest of the event series.