Chapter 3: Time and Space Coordinates (DD)

Assignment

Please go to the Church of St. Mary (Mariacki) on the corner of the main
Market Square - you really can't miss it. Listen to the bugle that announces
the hour: its call, known for centuries as the Hejnal Mariacki, is curiously
truncated. Many people in Cracow today will explain this as a tradition
which dates back to 1241, when a bugler was allegedly killed by an arrow
from Tatar invaders as he sounded his alarm. That is also what you will
find in most of the tourist guides. It is through customs such as this
that the past is alive in the present, even in a complex modern society
such as ours. Indeed this bugle call was adopted in 1927 by national radio,
and a live rendition (not a tape) is transmitted every day at midday. The
replacement of a communist government by a democratic one has not affected
this sort of cultural continuity.

But the history of this custom is more complex than most citizens realise.
In fact the use of a bugle call for timekeeping cannot be found in historical
records until the end of the fourteenth century. The custom went into abeyance
in the seventeenth century but was revived in 1810. However, the connection
with the Tatar invasion of 1241 was not made until the inter-war years of the
twentieth century. In 1928 an Irishman called J. P. Kelly published a children's
book in the United States called 'The Trumpeter of Cracow', and it is this version
which is now repeated in city guidebooks and engraved into the consciousness
of residents. So, far from being evidence of the persistence of ancient custom,
this is an apt illustration of globalisation and 'invented tradition'. But though
there is probably no direct link between this bugle call and a historical event
in 1241, this does not detract from its meaning for Polish people today. Please
think of comparable examples of invented tradition from the histories of your
own countries. What are the major landmarks in popular perceptions of past time?
Can history and myth always be kept quite distinct?

Figure 13: The Mariacki Church and statue of Adam Mickiewicz (national
poet - who never set foot in Cracow)

Figure 14: The Central Panel of the High Altar

Ania and Tom followed their assignment and visited St. Mary's Church. There
were too many tourists here. Ania paused for some minutes in front of the splendid
carved altar. Her thoughts, however, were with the disturbing faces of the AIDS
sufferers and other beggars who beseeched visitors at the church entrance. Tom
told her that most were not Poles at all, but Gypsies from Romania. Leaving
the crowded church, they crossed a smaller market and continued beyond the inner
ring road into a quieter zone of buildings that had once been elegant but now
seemed grey and delapidated.

They turned into a broader street that displayed the hallmarks of recent
gentrification. Ania exclaimed: 'isn't this the district where they filmed 'Schindler's
List'? You know, Steven Spielberg's epic about the fate of Poland's Jews in
the Holocaust.' 'Sure I know the movie,' said Tom, 'and you're right, this is
Kazimierz, this is where the ghetto used to be. These days it's more like a
theme park. There's a restaurant around the corner which claims to serve authentic
Jewish dishes. We can get some lunch there. Mind you, all the staff seem to
be Poles so I'm not sure how authentic the place really is. There aren't too
many Jews left in Poland these days, though my grandfather once told me that
they dominated the city's commercial life before the war.'