An artist by nature, not by stress of research. She puts scholars to rout by embracing nature's teaching problems that have fretted trained minds. Working in experimental and poetic documentary forms, her iconoclastic work embodies her interest in landscape and transformation, and relationships between bodies and landscapes, and all sorts of borders.

Vanessa Renwick has been a singular voice in the experimental cinema for over 20 years. Eschewing an allegiance to any one medium or form, Renwick builds authentic moving image works revealing an insatiable curiosity and unflinching engagement with the world around her. Often focusing her lens on themes of westward expansion and the locales of her adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, her screening history reads as a map of independent cinema in North America. She has screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.