The Marxists and “fat feminists” have taken over everywhere, he says, spreading a “computer virus of rules” — a “war on fun”.

“When did the social justice warriors get so much power?” he asks.

“It happened in the past 15 years. My theory is it started with eradicating bullying and the whole idea of the death of the in-crowd, which I think we can all support — no one likes mean girls, the prom king jock — but what happened is the fat feminists gained power and like the proletariat took over.

“Like the Marxists, the oppressed became the oppressors and they are now way worse. It’s not only affecting high schools, it’s affecting the workplace, comedy clubs.”

He mentions a flyer he saw recently being passed around inside New York Comedy club UCB with “some trans-man who looks like your dad in a wig” dictating who can be cast in sketches if the character is transgender.

“Here are these nerds Trojan-horsing their way into comedy clubs,” he says.

McInnes, who has been labelled by critics as sexist, racist, white supremacist, Islamophobic and transphobic, is the latest right-wing provocateur to set his sights on Australia.

McInnes and the Proud Boys were kicked off Twitter earlier this month for being “violent extremists” ahead of the anniversary of the deadly Unite the Right neo-Nazi rally in Charlottesville, Virginia.

While McInnes disavowed the rally, its organiser Jason Kessler was once a member of the Proud Boys — McInnes has previously said Kessler was kicked out for his racist views.

McInnes, who left Vice in 2008, says he is of two minds about the Twitter ban.

“On one hand as a libertarian I say, oh well, that venue doesn’t want me anymore,” he says. “We don’t have a contract, I was just using it. It’s kind of nice to not have Twitter in my life.

“But we are having lawyers looking at suing them. There’s something grander going on. There’s a war on conservatives because they’re petrified of Trump getting re-elected, they’re in a state of panic.

“Facebook, Google, YouTube, even Snapchat are clamping down on conservatives. It’s the DNC and Big Tech colluding. That is the government colluding with big business. That is not America, that’s not the west — that is Communism and it’s morally wrong.”

A “western chauvinist” and friend of Milo Yiannopoulos and Lauren Southern, whose recent trips Down Under were marred by violent left-wing protests, McInnes says his message is one of “pride”.

“Shame is such a scam,” he says. “There’s this sense of apology and shame with western countries. I noticed this when I was in Israel, they even sort of assume you’re going to come at them so they come out on the defensive.

“They go, ‘Look we had to build this wall, we were getting a terror attack a day.’ I said, I love your wall, I don’t care.

“What Australia built is so incredible. (But) look at Sydney, it’s being lost to Islam just like West London was. In fact there’s parts of Sydney totally indistinguishable from West London. It’s exactly the same — the sense of capitulation, discouraging assimilation.”

Census data from 2016 reveal Australia is a religiously diverse nation, with 52 per cent of the population identifying as Christian, 2.6 per cent as Muslim and 2.4 per cent as Buddhist.

In the 10 years from 2006 to 2016, the proportion of people listing a religion other than Christianity in the Census increased from 5.6 per cent to 8.2 per cent.

“Although the increase was spread across most of the non-Christian religions, the top two were Hinduism (0.7 per cent to 1.9 per cent) and Islam (1.7 per cent to 2.6 per cent),” the ABS said.

“My goal is to show people that conservatives are funny. In fact we’re the rebels, we’re Animal House. Who got kicked off campus? John Belushi. Milo and Lauren, even Alan Dershowitz are getting kicked off campus. We’re the fun ones.”

McInnes describes Australia as “like a hot Canada”. “I love Australia, I feel a real kinship,” he says. “The only difference between me and my friends in Australia is there’s more masculinity. I’m looking forward to that, just getting pissed.”

He wants to “have some fun, do some comedy and show millennials and everyone else that there’s life outside of this liberal bubble, outside of social justice warriors monitoring every joke and telling you what you can and can’t say”.

And yes, he’s expecting violent left-wing protesters.

“I don’t know why,” McInnes says. “We don’t come to their things. I don’t understand why there’s a problem with free speech. Why is that seen as a threat?

“Even the worst, most right-wing guys like (white supremacist) Richard Spencer, I don’t like their ideas but I’m not scared of their ideas. A 100-pound girl, what are her words going to do to you — start a world war? Why are people so frail?”

McInnes adds “people will show up and if they want to fight, I’m happy to fight”.

“Our motto is we don’t start fights but we’re happy to finish them,” he says. “Isn’t that what your dad used to tell you?”

Antifa, he says, are “rich kids who are the sons of professors and they’ve been brainwashed by this Marxist crap their whole lives”.

“There was a time when fighting racist bigots was cool, like the Freedom Riders in the 1960s,” he says. “The problem is the bad guys are gone, there’s no more Nazis — so how about we make Milo a Nazi?

“It’s like a Twilight Zone episode where everyone to the right of Bernie Sanders is considered a Nazi. So they get to feel like they’re fighting for justice, like they’re these brave warriors.”

At the end of the day, though, “people in the media tend to overintellectualise this — it’s just the mods and the rockers fighting on Brighton Beach”.

“We’re talking about a few different trends,” McInnes says.

“The street fights outside venues, that’s just mods and rockers playing silly games. It’s not real. That’s why they don’t want to argue with you. That’s why I can’t get them on my show.

“Usually when they brawl, like the punks and skinheads or the mods and rockers, it’s just middle class kids fighting working class kids. The Proud Boys are blue collar.”

The “more insidious” and threatening element is the underlying cultural shift.

“The obsession with making sure everyone has equal outcomes, that women are part of all action movies, this computer virus of rules invading everything including art,” he says.

“It’s a war on fun, on colour, where they want every radio station to be playing the same music. How is that different from Stalinism?”

The Gavin McInnes Live Australian Tour runs from November 2-11 in Perth, Adelaide, Sydney, Melbourne and Gold Coast. For more information visit www.gavinlive.com.au