The future belongs to those who believe in the beauty of their dreams.

–Eleanor Roosevelt

Kirk Boyd is a visionary. He’s an attorney who teaches at the University of California, Berkeley, School of Law where he is executive director of the 2048 Project. He’s also a client and the author of 2048: Humanity’s Agreement to Live Together.

Kirk met Jeevan Sivasubramanian, executive managing editor at Berrett-Koehler, at the San Francisco Writing for Change Conference. BK published 2048 last April, and it spent four weeks on the San Francisco Chronicle bestseller list.

Kirk wants 2048 to change the world, and he’s using the book to help build a movement. He is a passionate advocate for his dream of having an enforceable International Convention on Human Rights, signed by every country by 2048. The date will be the hundreth anniversary of the signing by the United Nations of Universal Declaration of Human Rights, which Eleanor Roosevelt helped to write.

Kirk and Jeevan will discuss how to make a book a regional bestseller and build a movement at the Third San Francisco Writing for Change Conference, November 13-14, 2010, at the eco-friendly Hilton/Financial, www.sfwritingforchange.org. Berrett-Koehler is a conference sponsor, www.bkpub.com.

Kirk wants everyone to help write the declaration by contributing to it by mail or by email at www.2048.berkeley.edu. You’re welcome to help him change the world by participating. Kirk is a perfect example of how one writer can make a difference. If you have a dream about creating change, the conference can help you make it a reality.

The hope of the world lies in what one demands, not of others, but of oneself.

–James Baldwin

The imprints of six companies fill bestseller lists. KGO Radio talk-show host John Rothmann reports that the radio business is even more concentrated. Four companies control 80% of the nation’s talk-radio stations. They syndicate their shows because it’s cheaper than using local talent and pleases the national advertisers that sustain them.

Also news to me is that 40 million people listen to talk radio throughout the day at home and while working, traveling, and exercising, More remarkable still is that 80% of talk radio advocates the conservative agenda. The three leading talk-show hosts fill nine hours of prime time, echoing talking points they’ve been given. They have the power to make a bestseller out of Laura Ingraham’s The Obama Diaries, which you may not even find at San Francisco’s independent booksellers.

Forsaking truth and fighting change can entertain the public, win elections, and make bestsellers, but it won’t serve the country or the world. More than ever, we need writers who are change agents.

Through their writing, speaking, the Web, and other media, writers can help provide the ideas, the understanding, the guidance, and the inspiration to act on it. The issues are many, but for some of them, the time for averting disaster grows short. To the keyboard! Write about the change you most want to see in the world.

The Third San Francisco Writing for Change Conference: Changing the World One Book at a Time / November 13-14, Hilton Financial/Chinatown / www.sfwritingforchange.org / Keynoters: Dan Millman (Way of the Peaceful Warrior) and John Robbins (Diet for a New America) / blog: sfwriting4change.wordpress.com

William Hamilton once did a cartoon showing an aspiring young woman writer asking a balding, mustachioed literary type: “Are you fiction or nonfiction?”

If you’re writing a memoir (a me-moir to the cynical) you may wonder whether it would be better as a novel. What reasons might there be for making that decision?

Legal Reasons

Publishers are extremely wary about anything that might cause litigation. If you’re going to include unflattering things about living people, they may sue. You can disguise them, but if you’re living in a small town or people will know who you’re referring to anyway, that won’t help.

Personal Reasons

Fictionalizing your past may make it easier to write about. A memoir is constrained by the truth. Writing fiction liberates you to alter your experience as you wish.

Literary Reasons

What are your literary goals in writing the book? If you want to create a legacy for your friends and family, writing a memoir makes more sense. Nonfiction is easier to write because you’re drawing on your experiences and facts you can verify.

But writing fiction liberates you to create whatever combination of character, plot, and setting will have the most impact on readers. And a memoir should read like a novel. Frank McCourt’s bestseller, Angela’s Ashes, which ignited the interest in memoirs, certainly does. You could call it a novel without changing a word. The dialogues he had as a child with his family capture the emotional truth if not the factual truth of what was said.

Like a novel, a memoir has to describe places, characters, and situations so readers will want to keep reading about them. The book needs a story arc that traces your transformation from who you are at the beginning of the book to the person you become after being changed by your experiences. Many novels, especially first novels, are autobiographical, and all novels make use of the author’s experience filtered by the imagination and the needs of the story.

Commercial Reasons

What are your financial goals for your memoir? Will it be more salable as a novel? Will it be more promotable? Will it have more film and foreign rights potential? Will have more potential for follow-up books?

My partner, Elizabeth Pomada, spent quite a while trying to sell Pam Chun’s biography of her great grandfather, The Money Dragon. Finally, we suggested Pam call it a novel, and the first publisher to see it published it complete with photos and trial transcripts. It became a prizewinning bestseller in Hawaii, where it’s set.

I hope these considerations help you answer the question of whether to fictionalize your memoir. Everyone has a story to tell, and I encourage you to tell yours. First get it down on paper in the most effective, enjoyable way you can, and get feedback from a fiction or memoir critique group as you write. Then, if you still can’t decide whether to fictionalize it, let your community of readers help you figure out how best to offer your story to the world. If your writing has enough humor, drama, insight, or inspiration, it will find its audience.

Take heart. The hardest part of many memoirs is surviving the research!

The Third San Francisco Writing for Change Conference: Changing the World One Book at a Time / November 13-14, Hilton Financial/Chinatown / www.sfwritingforchange.org / Keynoters: Dan Millman (Way of the Peaceful Warrior) and John Robbins (Diet for a New America)