Leroy Chiao is a former NASA astronaut and commander of the International Space Station. During his 15-year flying career, he performed six spacewalks. Chiao is the special adviser for human spaceflight to the Space Foundation, and holds appointments at Baylor College of Medicine and Rice University. Chiao contributed this Op-Ed to SPACE.com's Expert Voices: Op-Ed and Insights.

The story at the heart of the new film "Gravity" plays upon the biggest secret fear of a spacewalker: Becoming untethered from the vehicle and tumbling away to a slow, terrifying death. The film is a drama, designed to connect with your fears and emotions, and a story of survival that reveals what it is in each person that drives us to do what we do.

A portrait of former astronaut Leroy Chiao, who commanded the International Space Station during his 15-year NASA career.

Let me start by saying that "Gravity," as most of us in the business expected, is full of big inaccuracies, starting with Sandra Bullock and George Clooney, who are way too good-looking to be astronauts. I enjoyed the film, but if viewers will set aside, for 90 minutes, the big technical and operational inaccuracies (of which there are many), they will be entertained. [See photos from the film "Gravity"]

The film's creators actually did a lot of homework on the hardware, and used enough correct details to convey a framework for the story with the right look and feel of space, even if the physics, at times, are totally wrong. The special effects of creating a space environment (views of the Earth, the lighting from the sun) were also quite well done, adding to a realistic look and feel of being in space. But the story is what this film is about.

The film begins with astronauts Ryan Stone (Sandra Bullock) and Matt Kowalski (George Clooney) on a spacewalk. Suddenly, orbital debris destroys the space shuttle and sends them both tumbling off into space. Kowalski is able to reach Stone, since he is wearing a manned maneuvering unit (MMU) jet pack, and he tethers the two of them together. The two then begin using their wits to piece together some way in which they might survive this catastrophe.

Most space films are technically inaccurate. But, without these inaccuracies, the movies would not work. Take "Star Wars," for example. Fighters whooshing around in space making noise as they "fly," in graceful arcs, as if they were winged vehicles flying in an atmosphere — it's about as technically inaccurate as you can get. Yet, it was a great film, made more so by those depictions.

Keeping that in mind, I feel obliged to point out the bigger technical and operational inaccuracies of this film (this list is, by no means, all-inclusive):

First, the orbital debris "chain reaction" that causes all of the problems is not credible. China shot down a satellite in 2007, causing a debris cloud. There was no chain reaction. In 2009, a defunct Russian satellite struck an active Iridium satellite in the first confirmed orbital debris destruction of a spacecraft. No chain reaction occurred then, either.

Second, the orbits and orbital mechanics are totally wrong in most of the scenarios that the movie depicts. The Hubble Space Telescope (HST) and the International Space Station (ISS) are in totally different orbital inclinations. China's anticipated Tiangong station is planned to be in yet a third orbital inclination. No existing or anticipated spacecraft would have nearly enough fuel to fly between those three vehicles.

Third, the MMU does not carry anywhere near the fuel, or have anywhere near the thrust, required to do the things that the movie depicts. The unit, never recertified after the Challenger accident, was mostly an experiment. It had only a limited operational capability.

Fourth, the astronauts would not be able to see the other spacecraft, the orbital debris or each other after such an accident — especially if they were tumbling out of control.

Fifth, existing spacecraft are depicted with hatches and other controls that are in the wrong places.

And finally, there is no way to enter an airlock from the outside, unless it had already been prepared for such an entry. The inner hatch would have to already be sealed.

On an emotional level, "Gravity" works. "Gravity" is a thriller that, at points, made me gasp — and I'm an astronaut. It taps into primal fear and perseverance. If you can't get beyond the gross technical inaccuracies, you will hate this film. But, if you can, "Gravity" is a thriller that will make you think about yourself and of what you are made.