---. Dante Gabriel Rossetti. London: Newnes, 1890.
Contents: Dante Gabriel Rossetti: A Biographical Study by Ernest Radford
which includes a description of each of the 57 illustrations of Rossetti's
paintings as well as a table of dates. PRB-89

The Reproductive Engravings After Sir Edward Coley
Burne-Jones. Notes on each picture by John Christian; an essay on Burne-Jones
and his printmakers by Christopher Newall; and a catalogue by Julian Hartnoll.
London: Hartnoll, 1988. "1000 copies." PRB-665

Reynard the Fox. The History of Reynard the Foxe.
Done into English out of Dutch by William Caxton. Corr. by Henry Halliday
Sparling. Hammersmith: Kelmscott P, 1893. Based on a Dutch prose rendering
of Reinaerts historie, a 14th century recension and continuation of Reinaert
de Vos. Original limp vellum binding. PRBF-31

Reynolds, Simon. The Vision of Simeon Solomon.
Including a reprint of Simeon Solomon's A Vision of Love Revealed in Sleep,
originally published privately in 1871. Stroud, Glos.: Catalpa P, 1984.
Errata slip inserted. PRB-561

Richards, Alfred Bate. Medea: A Poem. With photograph
from the painting of "Medea" by Frederick Sandys. London: Chapman
& Hall, 1869. Albumen photo. Alfred Richards has written his poem as
a direct response to Frederick Sandy's painting of "Medea." Richards
comments in his introduction that he has strived to treat Medea as a human
being, dealing with "a flesh-and-blood Medea, although I am conscious
of treating even this aoccasionally as the suggestion of a wider theme.
I admit that my Poem is not stricly classical, simply because I am not
an ancient Pagan author." The author also includes a brief narration
of the story of Medea within his Preface. PRB-42

A Rossetti Cabinet: A Portfolio of Drawings by
Dante Gabriel Rossetti. William E. Fredeman, ed., with the technical assistance
of Robin Alston and Ronald McAmmond. Stroud, Glouchestershire: Ian Hodgkins,
1991. "Hitherto unpublished, unrecorded, or undocumented including
studies for known and unexecuted paintings, original early drawings, portraits
and caricatures, designs, and juvenilia." Reprinted from The Journal
of Pre-Raphaelite and Aesthetic Studies (II:2, Fall 1989, published in
1991). PRB-770

---. The Face of the Deep: A Devotional Commentary
on the Apolcalypse. 1st ed. ? London: Society for Promoting Christian Knowledge;
New York: E. & J. B. Young, 1892. Christina Rossetti has taken the
Book of Revelations and written commentary on it verse by verse. She has
done this with the aim of seeking "Patience as our lesson." PRB-6

---. The Face of the Deep: A Devotional Commentary
on the Apocalypse. 2nd ed. London: Society for Promoting Christian Knowledge;
New York: E. & J. B. Young, 1893. Bookplate of Charles T. Lane. Original
blue cloth. Christina Rossetti has taken the Book of Revelations and written
commentary on it verse by verse. She has done this with the aim of seeking
"Patience as our lesson." PRB-3

---. Familiar Correspondence, Newly Translated
from the Italian of Christina G. Rossetti. Stanford Dingley: The Mill House
P, 1962. 67 copies printed. Fiction. First published as Corrispondenza
Famigliare in The Bouquet from Marylebone Gardens, 1851-52. See introduction.
PRB-246

---. The Family Letters of Christina Georgina Rossetti, with Some
Supplementary Letters and Appendices. William Michael Rossetti, ed.
New York: Scribner's, 1908. Printed in Great Britain. PRB-776

---. Goblin Market. Ellen Raskin, ed. 1st ed. New York: Dutton,
1970. Summary: A sister's love saves Laura from the poison of the fruit
she bought from the goblins in the haunted glen. PRB-795

---. Goblin Market: The Prince's Progress and Other Poems. With
four designs by D. G. Rossetti. New ed. London: Macmillan, 1879. PRB-238

---. Goblin Market, The Prince's Progress and Other Poems. With
four designs by D. G. Rossetti. New ed. London: Macmillan, 1875. Bound
in quarter-leather with gold ruling and lettering on spine; t.e.g. PRB-735

---. The Prince's Progress and Other Poems. With two designs
by D. G. Rossetti. 1st ed. London: Macmillan, 1866. Added title page, eng.
with vignette. Bookplate of George Parker Heathcote. Bound in half-calf
with gold tooling on spine. PRB-256

---. Redeeming the Time: Daily Musings for Lent. London: Society
for Promoting Christian Knowledge; New York: E. & J. B. Young, 1903.
Ownership signature of Emily W. Griffiths on title page. Contains a meditation
for each day in Lent, and includes illustrations for each of the six Sundays.
PRB-8

---. Seek and Find: A Double Series of Short Studies of the Benedicite.
1st ed.? London: Society for Promoting Christian Knowledge; New York: Pott,
Young, 1879. Bookplate of Robert Gathorne Hardy. Christina Rossetti has
taken the Latin canticle beginning Benedicte, omnia opera Domini as a basis
for this devotional work. She has a chart in the front comparing the Praise-Givers
with God's creatures and Christ's servants, complete with Biblical citations.
Then this chart serves as the outline for the work itself. PRB-11

---. Time Flies: A Reading Diary. London: Society for Promoting
Christian Knowledge; New York: Young, 1897. Ownership signature of Ellen
Underhill, dated Nov. 18th 1901 on dedication page. This work was published
posthumously and contains mediations for each day of the year. These meditations
combine prose and poetry in nearly equal proportions. PRB-12

---. Verses. London: Privately printed at G. Polidori's, 1847.
Dedicated to her mother. "Composed from the age of twelve to sixteen,"
and printed at the private press of the writer's grandfather, Gaetano Polidori.
Note on the 1st prelim. leaf: "Excessively rare. . .first edition."
Bound in red morocco with gilt-raised bands on spine by Sangorski &
Sutcliffe, London; a.e.g. In case with Hood, Thomas. Odes and Addresses
to Great People. 1825. PRB-173

---. Verses. London: Society for Promoting Christian Knowledge,
1895. Reprinted from "Called to be Saints," "Time Flies,"
"The Face of the Deep." Published under the direction of the
Tract Committee. 12th thousand. Inscription on flyleaf to Irene Hebden
from John & Mary D. Martin. Contents: Out of the deep have I called
unto thee O Lord; Christ our all in all; Some feasts and fasts; Gifts and
graces; The world; Self-destruction; Divers worlds; Time and eternity;
New Jerusalem and its citizens; Songs for strangers and pilgrims. PRB-733

---. Verses. Rpt from "Called to be saints," "Time
Flies," "The Face of the Deep." Published under the direction
of the Tract Committee. London: Society for Promoting Christian Knowledge,
1893. Red line borders. PRB-773

---. The Blessed Damozel: The Unpublished Manuscript, Texts and Collation.
Intro by Paull Franklin Baum. Chapel Hill: U North Carolina P, 1937. "This
edition is limited to four hundred copies, and the type from which it was
printed has been melted." PRB-949

---. Chimes: Poems. Etchings in Relief by Birgit Skiold. Guildford,
Surrey: Circle P, 1969. In portfolio. Limited ed. of 75 copies, with 10
artists proofs, each with 7 original prints designed and hand printed by
the artist. No. 2. First published in 1881 in the author's Ballads and
Sonnets. Awarded first prize at the Festival du livre, Nice, 1970.
PRBF-20

---. Dante and His Circle: With the Italian Poets Preceeding Him
(1100-1200-1130). Rev. ed. London: Ellis and White, 1874. Contents:
pt. 1: Dante's Vita nuova, etc. Poets of Dante's circle; pt. 2: Poets chiefly
before Dante. Bound by R. De Coverly. The author notes in his advertisement
to this work that it actually is a rearranging of an earlier work entitled
The Early Italian Poets, published in 1861. This work is designed "to
make more evident at a first glance its important relation to Dante. The
Vita Nuova, together with the many among Dante's lyrics and those of his
contemporaries which elucidate their personal intercourse, are here assembled,
and brought to my best ability into clear connection, in a manner not elsewhere
attempted even by Italian or German editors." PRB-130

---. Dante and His Circle: With the Italian Poets Preceding Him (1100-1200-1300).
A collection of lyrics translated in the original metres. New ed. Preface
by William M. Rossetti. London: Ellis and Elvey, 1892. PRB-897

---, comp. and tr. The Early Italian Poets from Ciullo d'Alcamo to
Dante Alighieri (1100-1200-1300). London: Smith, Elder and Co., 1861
ASU has two copies of this work. The first is in slipcase. Author's presentation
copy. Signed: D. G. Rossetti, 1868. Printed at the Chiswick Press. Contents:
pt. I: Poets chiefly before Dante; pt. II: Dante and his circle. Rossetti
states in his preface that his aim with this work "has been to give
a full and truthful view of early Italian poetry; not to make it appear
to consist only of certain elements to the exclusion of others equally
belonging to it." PRB-131

---. Hand and Soul. Hammersmith: Kelmscott P, 1895. First printed
in the "Germ" for January, 1850. Proof copy with manuscript additions
by William Morris. Colophons of both the English and American editions
printed on the final leaf. Ownership signature of S[idney] C. Cockerell
and cut signature of William Morris on flyleaf. Bound in red morocco with
gold lettering on spine; original blue wrappers bound in. PRB-721

---. Hand and Soul. Hammersmith: Kelmscott P, 1895. Colophon:
Reprinted from The Germ for Messrs. Way and Williams of Chicago by William
Morris, at the Kelmscott Press, Upper Mall, Hammersmith. Finished the 24th
day of October, 1895. Sold by William Morris at the Kelmscott Press. Original
white vellum binding. Limited to 300 copies. Cut signature of William Morris
paste inside front cover. Bookplate of A. Edward Newton. PRB-499

---. The House of Life. New Rochelle, NY: Elston P, 1901. Added
double floriated title within ornamental borders; each sonnet on separate
page with floriated initial and ornamental border. Printed on double leaves
joined at the top; the "pagination" is the numbers of the sonnets.
Colophon: now newly done into type by Clarke Conwell and printed by him
at the Elston Press, with decorations by H. M. O'Kaned. Three hundred and
ten numbered copies of which this copy is number 93. PRB-632

---. The House of Life, A Sonnet Sequence. Introduction and notes
by Paull Franklin Baum. Cambridge: Harvard UP, 1928. PRB-895

---. Jan Van Hunks. ed from the original manuscripts by John
Robert Wahl. New York: New York Public Library, 1952. 500 copies printed.
PRB-755

---. Jenny. Wausau, WI: Philosopher P, 1899. Colophon: Here ends
Jenny, written by Dante Gabriel Rossetti and made into this book by Van
Vechten & Ellis, at the Philosopher press, which is in Wausau, Wisconsin,
at the sign of the green pine tree; & put through the press by Helen
Bruneau Van Vechten and finished on the twenty-third day of December, MDCCCCXCIX.
. .Of this edition. . .six hundred copies were made on handmade paper,
of them this is number 88." PRB-274

---. Poems and Translations, 1850-1870, Together with the Prose Story
'Hand and Soul.' London: Oxford UP, 1926. PRB-750

---. Poems and Translations, 1850-1870, Together with the Prose Story
"Hand and Soul". London: Milford, Oxford UP, 1913. Contents:
Poems (1870); Sonnets and songs, towards a work to be called 'The house
of life'; Sonnets for pictures and other sonnets; Poems and a prose story
from 'The Germ' 1850; The early Italian poets (1861): pt. I Poets chiefly
before Dante; pt. II Dante [the New life, and poems having reference to
its events] and his circle; Appendix to Part II. PRB-748

---. The Poems of Dante Gabriel Rossetti. 2 v. New York: Bretano's,
1909. The text "follows the standard edition edited by William Michael
Rossetti in 1886. The arrangement is, however, somewhat different."
Contents: v.1: The blessed damozel and longer poems; v.2: The house of
life and shorter poems. PRB-910

---. The Poems of Dante Gabriel Rossetti, with Illustrations from
His Own Pictures and Designs. W. M. Rossetti, ed. 2 vols. London: Ellis,
1904. "30 copies printed with the plates on Japanese Vellum, of which
25 are for subscribers and 5 for presentation. No. 23." PRB-751

---. The Poetical Works of Dante Gabriel Rossetti. William M.
Rossetti, ed. London: Ellis and Elvey, 1891. New edition in one volume.
PRB-280

---. The Poetical Works of Dante Gabriel Rossetti. William M.
Rossetti, ed. New ed. in one volume. London: Ellis and Elvey, 1893. Bound
in 3/4 morocco with marbled boards; gold tooling and lettering on spine;
t.e.g. PRB-715

---. The Poetical Works of Dante Gabriel Rossetti. William M.
Rossetti, ed. A new ed. in one volume. London: Ellis, 1875. PRB-752

---. The Poetical Works of Dante Gabriel Rossetti. William M.
Rossetti, ed. A new ed. in one volume. London: Ellis, 1903. PRB-753

---. The Rossetti-Leyland Letters: The Correspondence of an Artist
and His Patron. Francis L. Fennell, Jr., ed. Athens: Ohio UP, 1978.
This work contains 137 never before published letters, 103 from Rossetti
to Leyland and 34 from Leyland to Rossetti. These letters "document
a business relationship that extended over sixteen years and that involved
enough intricacy and confusion to satisy the most ambitious accountant"
(ix). Rossetti depended heavily on his circle of wealthy patrons, and Leyland
spent more money on commissioning Rossetti's works than anyone else. No
one else "maintained his relationship with the artist over so long
a time. Moreover, Leyland was the kind of buyer who made demands on Rossetti's
art, who helped determine the shape and direction of that art. And the
rather surprising friendship which grew up between thes men who were in
so many ways dissimilar is itself an important dimension of Rossetti's
life" (xii). PRB-93

---. Rossetti's Sister Helen. Janet Camp Troxell, ed. New Haven:
Yale UP, 1939. "The text of Sister Helen is traced here through the
author's changes from its first appearance in the Dusseldorf artists' album
in 1854 to the Poems, 1881." PRB-950

---. So This Then is The House of Life: Being a Collection of Sonnets.
East Aurora, N.Y.: Roycrofters, 1899. Cover title: House of life. "There
were printed and specially illumined by hand nine hundred and twenty-five
copies. This book is no. 305." Illumined by Edith Andrews. PRB-866

---. Sonnets and Songs Towards a Work to be Called The House of Life.
Maastricht: Leiter-Nypels, 1926. "Printed in two hundred copies only."
"This copy is no. 182." Blue printed wrappers. PRB-303

---. Verses. London: Privately Printed, 1881. A "Wise forgery."
Contents: At the fall of the leaf; After the French liberation of Italy.
c.1: Original wrappers; has buckram folder in slipcase with quarter-leather
with gilt raised bands on spine. c.2: Bound in red half-leather with marbled
boards; includes original cover. PRB-308

---. The White Ship: A Little Book of Poems Selected From the Works
of Dante Gabriel Rossetti. Boston: Colesworthy, 1896. Title in red
and black. "Four hundred, fifty copies. This is no. 196." "Printed
at the Cornhill Press." PRB-438

Rossetti, Gabriele Pasquale Giuseppe. Gabriele Rossetti: A Versified
Autobiography. William Michael Rossetti, tr. London: Sands, 1901. "This
edition consists of 1000 copies only." The Special Collection copy
is not numbered. Gabriele Rossetti, father of Dante Gabriel and Christina
Rossetti, has found popularity in Italy, but is little known in England,
according to William Michael Rossetti, translator. Rossetti goes on to
quote Dr. Garnett, in his History of Italian Literature who said that "Rossetti
assuredly will not be forgotten by England, for which he has done what
no other inhabitant of these isles ever did, in begetting two great poets."
Rossetti continues by saying that "on me it can be no less than a
filial obligation to do what I can for the memory of my patriotic, highly
gifted, laborious, and loving father. I therefore offer to the British
public the following authentic record of him, and leave it to obtain such
readers as it may." The contents of this work then include Gabriele
Rossetti's autobiography, including his life in Italy and his life in exile
in Malta and England. The appendix has six of his letters to his wife and
eight letters to Charles Lyell, Kinnordy. There are also three letters
to him from Seymour (Barone) Kirkup and eleven from Giuseppe Mazzini, as
well as six poems by Gabriele Rossetti. The work contains six illustrations
and concludes with an index of names. PRB-147

---. Versi di Gabriele Rossetti. n.p.: Bonamici, 1847. Inscribed
on the title page: "Offered by Christina Rossetti." This work
includes a letter from Gabriele Rossetti to his publisher, S. Bonamici,
as well as a brief author introduction, all in Italian. PRB-146

Rossetti, Lucy Madox Brown. Mrs. Shelley.
London: Allen, 1890. Half-title: Eminent Women Series, J. H. Ingram, ed.
Inscription on flyleaf: Aggie, from M. A. K., April 9th, 1890. Original
green cloth binding with gold lettering on cover and spine. PRB-342 Rossetti,
Maria Francesca. A Shadow of Dante, Being an Essay Towards Studying Himself,
His World and His Pilgrimage. London: Rivingtons, 1871. Maria Francesca
Rossetti opens this work with introductory comments about Dante, "a
name unlimited in place and period. Not Italy, but the Universe, is his
birthplace; not the fourteenth century, but all Time, is his epoch. He
rises before us and above us like the Pyramids–awful, massive, solitary;
the embodiment of the character , the realization of the science, of his
clime and day; yet the outcome of a far wider past, the standard of a far
wider future. Like the Pyramids, again, he is known to all by name and
by pictorial representation; must we not add, like them unknown to most
by actual sight and presence? Who among us has indeed experienced the soul-subduing
hush of his solemnity? Who beheld all average heights dwarfed by his sublimity?"
Thus, Rossetti sets the mood for her work on Dante. She continues with
chapters on Dante's universe, Dante's life experiences, the apparition
of Virgil, Hell, Dante's pilgrimage through hell, purgatory, Dante's pilgrimage
through purgatory, Garden of Eden and the descent of Beatrice, paradise,
and Dante's pilgrimage through paradise. The work also contains five illustrations,
four of which are fold-out maps of the universe, hell, purgatory, and the
rose of the blessed. PRB-143

---. A Shadow of Dante, Being an Essay Towards
Studying Himself, His World, and His Pilgrimage. 5th ed. London: Rivingtons,
1889. PRB-710

Rossetti, William Michael. Dante and his Convito:
A Study with Translations. London: Mathews, 1910. Rossetti notes in
his introduction to his translation that Dante wrote Il Convito (The Banquet
or Meal) sometime after writing Vita Nuova. Il Convito is written mainly
"in prose, four treatises; but it embodies three of Dante's canzoni,
and the aim of the treatises is to explain the true meaning of the canzoni."
Rossetti continues by explaining that this work is of particular interest,
even if it is incomplete, because in it Dante "certifies us as to
what he meant by certain poems which wear the external aspect of love-poems."
This translation is a literal rendering for the sake of exactness. Rossetti
notes that "a reasonably poetical version would necessarily be less
exact, and therefore less serviceable for my present purpose."
PRB-134

---. Dante Gabriel Rossetti as Designer and Writer. Notes by
William Michael Rossetti, including a prose paraphrase of the House of
Life. London: Cassell, 1889. A 12 line autograph inscription on recto of
second prelim. leaf by W. M. Rossetti, signed and dated 22 August 1902
may be found in copy 1. In this work William Rossetti states that his "decided
inclination therefore is not to put myself forward, now or hereafter, as
the biographer of my grother; nor as the critic, still less as the direct
panegyrist, of his works. I do not even attempt to describe them otherwise
than in a very brief and restricted way." PRB-91

---. Fine Art, Chiefly Contemporary: Notices Re-Printed, with Revisions.
London: Macmillan, 1867. Contents: Style, subject-matter, and successes
in art (a propos of the Academy exhibitions of 1861-4); The externals of
sacred art; The epochs of art as represented in the Crystal Palace; The
international exhibitions of art; Preraphaelitism; Critiques on contemporary
painters and designers; Turner's life and genius (in a review of Mr. Thornbury's
book, 1861); Mr. Palgrave and unprofessional criticisms on art; British
sculpture, its position and prospects, 1861; Japanese woodcuts. The articles
contained within this work "have all previously appeared in some other
form; and the table of contents will show" what publications have
been drawn upon. These articles have been revised but Rossetti notes that
he has "not changed anything essential, not substituted new lamps
for old ones." PRB-50

---. Lives of Famous Poets. A companion volume to the series
Moxon's popular poets. 1st ed. London: Moxon, 1878. Signed on flyleaf:
W. M. Rossetti, 1878. MS notations on several leaves by an unknown hand.
PRB-156

---. Notes on the Royal Academy Exhibition, 1868. Part I by Wm.
Michael Rossetti. Part II by Algernon C. Swinburne. London: Hotten, 1868.
PRBP-20

---. Rossetti Papers, 1862 to 1870: A Compilation. London: Sands,
1903. "In 1899 I published. . .Ruskin, Rossetti, Praerahaelitism,
and Praeraphaelite diaries and letters. They both consist of letters, journals
and similar papers, of old date. The main. . . object of these books is
to show forth the career of . . .Dante Gabriel Rossetti. They carried the
record up to February 1862. . . in the present volume I prolong the record
up to April 1870." PRB-322

---, ed. Praeraphaelite Diaries and Letters. I. Some early correspondence
of Dante Gabriel Rossetti 1835-54. II. Madox Brown's diary etc. 1844-56.
III. The P.R.B. journal kept by W. M. Rossetti 1849-53. London: Hurst and
Blackett, 1900. Republished: Westmead, Farnborough: Gregg, 1971. This work
consists of three parts, beginning with "an early correspondence of
dante Gabriel Rossetti, beginning (for curiosity's sake) in April 1835,
when he was not quite seven years of age, and going on to March or April
1854." The next section contains "some letters from Ford Madox
Brown to his first Wife, Elizabeth (Bromley), December 1844 to May 1845,
followed by a much longer item, extracts from his Diary from 4th September
1847 to 6th January 1856." The final section contains "extracts
from the P.R.B. Journal, which I [William Rossetti], as a memeber of the
Brotherhood actting as its Secretary, kept from 15th May 1849 to 29th January
1853." Rossetti's intention in this work is "not to give any
continuous narrative or dissertation of my own, but to set forth original
documents, with such introductory or annoatating amtter as may make them
plain." PRB-69

---, ed. Ruskin: Rossetti: Preraphaelitism: Papers 1854 to 1862.
New York: Dodd; London: George Allen, 1899. "Two hundred and fifty
copies of this edition have been printed on hand-made paper." This
is no. 66. According to the author's preface, this volume is "restricted
to that part of my brother's life which began with his personal acquaintance
with Mr. Ruskin, 1854, and ended with the death of his wife, 1862. Either
Mr. Ruskin in relation to my brother, or my brother in relation to Mr.
Ruskin, counts as the principal figure in this complilation. There is also
a good deal of matter regarding other persons, especially Ford Madox Brown.
Christina Rossetti appears to some small extent; but it happens that, within
that range of dates, I possess few things concerning her." PRB-71

The Rossettis: Poems, Review, Etc. s.l.: s.n, 1910? Title from spine.
Card laid in signed by May Morris and dated Christmas 1910. Summary: A
collection of poems, articles and reviews dealing mostly with the Rossettis,
which have been assembled and bound together in this volume. PRB-606

A Round of Days Described in Original Poems by Some of Our Most Celebrated
Poets, and in Pictures by Eminent Artists Engraved by the Brothers Dalziel.
London: Routledge, 1866. "Poems and pictures representing every day
scenes." Dalziels' gift book, 1866. Contributions by: William Allingham,
Christina G. Rossetti, George Dalziel, etc. Bound in green cloth; stamped
in blue, gold and orange. PRB-559

Rowley, Charles. Fifty Years of Work without Wages (Laborare est
Orare). 2nd ed. London: Hodder and Stoughton, 1911. Many of the ports.
are mounted. Contents: The hungry forties; The fighting fifties; The maturing
sixties; A municipal era; A municipal school of art; Fredric Shields; Ford
Madox Brown; The Rossettis; William Morris; Holman Hunt; Prince Kropotkin
and a group of refugees; Some friends at home; Friends abroad; Recreation
in Ancoats; The Brotherhood proper; An education committee; The round table;
An amateur lecturer. Port of auth by Ford Madox Brown--see list of ill.--others
noteworthy. This work contains the "memories of over seventy years
in a busy community." The author discusses life in and around Manchester
and Lancashire from the 1840's onwards. In addition to the information
and recollections found within the text, this work also contains a number
of illustrations by prominent pre-Raphaelite painters, including Ford Madox
Brown, Rossetti, Morris, Burne-Jones, and Holman Hunt. PRB-40

The Royal Academy from Reynolds to Millais. Charles Holme, ed.
London: "The Studio," 1904. Special summer number of "The
Studio" 1904. Special Collections copy: Original paper wrappers. Partial
contents: The Royal Academy, its origin and history, by W. K. West; Painters
of the Royal Academy, 1768-1868 by W. S. Sparrow; The sculptors of the
Royal Academy, 1768-1868 by W. S. Sparrow; Engravers of the Royal Academy,
1768-1868, by W. S. Sparrow; The architects of the Royal Academy, 1768-1868
by W. S. Sparrow; Notes on portraits of some leading academicians, by T.
Martin Wood. PRBF-63

Ruskin, John. The Art of England: Lectures Given in Oxford. Sunnyside,
Orpington, Kent: Allen, 1884. Contents: Realistic schools of painting,
D. G. Rossetti and W. Holman Hunt; Mythic schools of painting, E. Burne-Jones
and G. F. Watts; Classic schools of painting, Sir F. Leighton and Alma
Tadema; Fairy land, Mrs. Allingham and Kate Greenaway; The fireside, John
Leech and John Tenniel; The hillside, George Robson and Copley Fielding.
Ruskin notes in his Appendix that he has given this series of lectures
in direct response to a general exhibition of Rossetti's works. Ruskin
seeks to provide "some permanently rational balance between the rhapsodies
of praise and blame which idly occupied the sheets of various magazines."
In examining the art of England, Ruskin wishes to find a balance "chiefly
in the form of qulified, though not faint, praise, which is the real function
of just criticism" (245). Ruskin also seeks to discover "why
British painters, great or small, are never right altogether? Why their
work is always, somehow, flawed,--never in any case, or even in any sigle
picture, thorough?" (246-7). PRB-41

---. The Contemptible Horse: The Text of John Ruskin's Letter to
"My Dear Tinie" Written from the Bridge of Allan on 31 August
1857. With an introductory essay by Norman H. Strouse and 5 pen-and-ink
illus. by Adele Bichan. Harper Woods, MI: Adagio, the private press of
L. F. Bahr, 1962. One of approximately 360 copies. PRB-660

---. Catalogue of the Rudimentary Series: In the Arrangement of 1873
with Ruskin's Comments of 1878. Edited, with an introduction, notes
and appendix by Robert Hewison. London: Lion and Unicorn: 1984. "The
Ruskin Art Collection at Oxford." "Published in an edition of
275 copies." "Binding in quarter leather and cloth." "Endpapers:
Ruskin's Deed of gift of the collection to the University of Oxford."
In box as issued. PRBF-48

---. The Elements of Perspective. Arranged for the use of schools
and intended to be read in connexion with the first three books of Euclid.
London: Smith, Elder, 1859. Bookplate of Francis Frederick Fox. Ruskin's
aim in this work is to provide what he feels is a much-needed "written
code of Perspective Law." The laws he draws up are in mathematical
form and are such that "any school-boy may read through [them] in
a few days, after he has mastered the first three and the sixth books of
Euclid." After a brief introductory chapter, Ruskin proceeds to provide
the rules for the following topics: fixing the position of a given point,
drawing a right line between two given points, finding the vanishing-point
of a given horizontal line, finding the dividing-points of a given horizontal
line, using sight-magnitude and dividing points to draw a horizontal line
in a given position and magnitude, drawing any triangle, drawing any rectilinear
quadrilateral figure, drawing a square, drawing a square pillar, drawing
a pyramid, drawing any curve, dividing a circle into any number of equal
parts, drawing a square within a larger square, drawing a truncated circular
cone, drawing and inclined line, finding the vanishing point of a given
inclined line, finding the dividing points of a given inclined line, finding
the sight-line of an inclined plane, finding the vanishing-point of steepest
lines in an inclined plane, and finding the vanishing-point of lines perpendicular
to the surface of a given inclined plane. The work concludes with two appendices:
one on the practice and observations on the preceding problems and the
other containing demonstrations which could not be included in the text.
Most of the pages in this work remain uncut. PRB-140

---. The Ethics of the Dust: Ten Lectures to Little Housewives on
the Elements of Crystallisation. London: Smith, Elder, 1866. First
edition, bound in tan calf with gold tooled compartments on spine. Contents:
The Valley of the Diamonds, The Pyramid Builders, The Crystal Life, The
Crystal Orders, Crystal Virtues, Crystal Quarrels, Home Virtues, Crystal
Caprice, Crystal Sorrows, The Crystal Rest. Ruskin states in his "Preface"
that the lectures in this volume "were really given, in substance,
at a girls' school (far in the country); which, in the course of various
experiments on the possibility of introducing some better practice of drawing
into the modern scheme of female education, I visited frequently enough
to enable the children to regard me as a friend." Ruskin does not
intend that this volume should serve as an introduction to mineralogy,
but merely "to awaken in the minds of young girls, who were ready
to work earnestly and systematically, a vital interest in the subject of
their study." These lectures are written in the format of dialogues
between an "old lecturer" and a number of young girls. The work
concludes with a section of notes. PRB-4

---. Fors Clavigera: Letters to the Workmen and Labourers of Great
Britain: New Series, Letter the First - [Third]. London: Hazell, Watson
& Viney, 1878. To be had of Mr. George Allen, Sunnyside, Orpington,
Kent, 1878. Originally issued in parts, paged consecutively. Letters 2
and 3 lack original paper cover titles. Binder's title: Fors Etc.
With: General statement explaining the nature and puposes of St. George's
Guild by John Ruskin. Sunnyside, Orpington, Kent: George Allen, 1882. Instructions
in the preliminary exercises arranged for the lower drawing-school, Oxford
by John Ruskin. Oxford: s.n., 1873. Giotto and his works in Padua: Part
III by John Ruskin. London: Printed for the Arundel Society, 1860. PRB-572

---. Giotto and His Works in Padua: Being an Explanatory Notice of
the Series of Woodcuts Executed for the Arundel Society after the Frescoes
in the Arena Chapel. London: Printed for the Arundel Society, 1854.
Originally issued in 3 continuously-paged parts, 1853-1860. Remainder sheets
collected and issued in a single volume in June 1877, with the uncancelled
1854 title page. PRB-827

---. Giotto and His Works in Padua: Part III. London: Printed
for the Arundel Society, 1860. Pt. I published 1853; Part II published
1854; subsequently issued in 1 volume. With: Fors Clavigera by John Ruskin.
London: Printed for the author by Hazell, Watson & Viney, 1878. PRB-572

---. Lectures on Art Delivered Before the University of Oxford in
Hilary Term, 1870. 1st ed. Oxford: Clarendon P, 1870. Contents: Inaugural;
The relation of art to religion; The relation of art to morals; The relation
of art to use; Line; Light; Colour. Bookplate of William E. Stuart. Bound
in quarter sheep with mottled boards. Facing t.p.: London, Macmillan Publishers
to the University of Oxford--check. These lectures are all interconnected,
and the paragraphs are numbered consecutively through the work. PRB-51

---. Lectures on Art Delivered Before the University of Oxford in
Hilary Term, 1870. 2nd ed. Oxford: Clarendon P, 1875. Contents: Inaugural;
The relation of art to religion; The relation of art to morals; The relation
of art to use; Line; Light; Colour. Bound by Bickers & son, London,
in red polished calf with seal stamped on front cover "Cambridge local
examination, London, 1880." PRB-336

---. Letters Upon Subjects of General Interest from John Ruskin to
Various Correspondents. London: Privately printed, 1892. "Limited
to a few copies for private circulation only." According to W. G.
Partington's "Forging Ahead" (p.294), this was printed by R.
Clay & Sons for T. J. Wise, who stated that 40 copies were issued.
PRB-198

---. Love's Meinie: Lectures on Greek and English Birds. Sunnyside,
Orpington, Kent: Allen, 1881. Originally published in 3 parts, 1873-1881.
A proposed 4th part on the chough was never issued separately, but is included
in the complete works, edited by E. T. Cook and A. Wedderburn, v. 25. Bound
by Zaehnsdorf in full brown morocco with gold lettering on spine; inner
gold dentelles border; t.e.g. Contents: Preface; The robin; The swallow;
The dabchicks; Appendix. PRB-294

---. The Nature of Gothic, A Chapter of the Stones of Venice.
Hammersmith: Kelmscott P, 1892. Colophon: Printed by William Morris at
the Kelmscott Press, Hammersmith, and published by George Allen. . .London,
Sunnyside, Orpington, 1892. 500 copies printed in "golden" type,
with border and initials; printer's device at end of preface and colophon.
Preface by William Morris dated Feb. 15th, 1892. In stiff vellum. PRB-466

---. Notes by Mr. Ruskin on his Collection of Drawings by the Late
J. M. W. Turner, RA. Exhibited at the Fine Art Society's Galleries.
Also a list of the engraved works of that master shown at the same time.
Illustrated with thirty-five plates, and a map indicative of the places
in the British Isles illustrated by him. London: Printed at the Chiswick
P for the Fine Art Society, 1878. Illustrated in "the new process
of photogravure" mounted. PRBF-25

---. Notes by Mr. Ruskin on Samel Prout and William Hunt, An Illustration
of a Loan Collection of Drawings Exhibited at the Fine Art Society's Galleries
in 1879-80. Illustrated with twenty autotypes. London: Fine Art Society,
1880. 2 copies. PRBF-61

---. Notes on Some of the Principal Pictures of Sir John Everett
Millais, Exhibited at the Grosvenor Gallery, 1886. With a preface and
original and selected criticisms by John Ruskin. A. Gordon Crawford, ed.
London: Reeves, 1886. PRB-636

---. Of Queens' Gardens. London: Allen, 1902. Colophon reads:
Here ends Of Queen's Gardens by John Ruskin, printed at Ballantyne Press,
Edinburgh, and published by George Allen, London, in the year 1902. Each
page of text within ornamental woodcut border. Bound in gilt-stamped vellum;
brown silk ties. Includes index. PRB-619

---. "Our Fathers Have Told Us": Sketches of the History
of Christendom for Boys and Girls Who Have Been Held at the Fonts. Part
I. The Bible of Amiens. Sunnyside, Orpington, Kent: Allen, 1884. The
Bible of Amiens was originally published in five separate parts. References:
Wise 245. Bound in tree-calf; marbled endpapers. PRB-574

---. The Political Economy of Art: Being the Substance (with Additions)
of Two Lectures Delivered at Manchester, July 10th and 13th, 1857.
1st ed. London: Smith, 1857. Published also under title: "A Joy Forever."
(?Check) Ownership signature of Charles C. Pyne on title page. Original
printed cloth boards. Contents: Discovery; Application; Accumulation; Distribution;
Addenda. Ruskin tells his readers in his preface that "the greater
part of the following treaits remains in the exact form in which it was
read at Manchster; bu the more familiar passaged of it, which were trusted
to extempore delivery, ahve been since written with greater explicitness
and fullness than I could give them in speaking." PRB-52

---. Praeterita: Outlines of Scenes and Thoughts Perhaps Worthy of
Memory in My Past Life. 3 v. Orpington, Kent: Allen, 1885-87. First
edition; one of 600 large paper copies. Each part bound in original printed
wrappers. Part 25 contains a steel engraving, "The Castle of Annecy,
Sunset," drawn by Ruskin and engraved by George Allen. PRBF-19

---. The Queen of the Air: Being a Study of the Greek Myths of Cloud
and Storm. London: Smith, Elder, 1869. Bound in half leather with marbled
paper boards; t.e.g. PRB-273

---. Ruskin on Music. Ed. A. M. Wakefield. London: Allen, 1894.
The frontispiece is illuminated. Contains extracts gathered together to
put in collective form the thoughts of Ruskin on music. Wakefield has organized
this work with passages from Ruskin in a larger font than his accompanying
commentary. He has attempted to locate all references by Ruskin to music.
PRB-39

---. Sesame and Lilies. New York: Barse and Hopkins, 1914. Contents:
Of kings' treasuries; Of queens' gardens; The mystery of life and its arts.
Bound in limp suede with gold stamping; title within decorative border.
PRB-696

---. Time and Tide. The Crown of Wild Olive. London: George Allen,
Ruskin House, 1907. The World's Classics. At head of title: The Works of
Ruskin. "Printed. . .at the Ballantyne Press". PRB-423

---. The Two Paths: Being Lectures on Art, and its Application to
Decoration and Manufacture, Delivered in 1858-9. London: Smith, Elder,
1859. Presentation copy. Contents: The deteriorative power of conventional
art over nations; The unity of art; Modern manufacture art and design;
The influence of imagination in architecture; The work of iron, in nature,
art, and policy; Appendices. PRB-295

---. The Winnington Letters: John Ruskin's Correspondence with Margaret
Alexis Bell and the Children at Winnington Hall. Van Akin Burd, ed.
London: Allen & Unwin, 1969. Inscribed and signed by the editor. PRB-634

---. The Works of John Ruskin. E. T. Cook and Alexander Wedderburn,
eds. 39 v. London: Allen, 1903. "Two thousand and sixty-two copies
of this edition--of which two thousand are for sale in England and America--have
been printed at the Ballantyne Press, Edinburgh, and the type has been
distributed." Each volume also has special t-p. At head of title:
Library edition. PRB-885

Ruskin, John James. The Ruskin Family Letters: The Correspondence
of John James Ruskin, His wife, and Their Son, John, 1801-1843. 2 v.Van
Akin Burd, ed. Ithaca, NY: Cornell UP, 1973. PRB-829