In this narrative, Obama is, as I wrote almost a year ago, "the well-meaning but ineffective 'friend of the Left,' tragically hobbled" by Tea and circumstance.

Stoller puts it this way:

[Democrats see him as] not bold enough! Congress is holding him back from his progressive instincts! We haven’t made him do what we know he wants to do!

This is the Democratic party's framing of Obama, and it's both consciously sold and uncritically accepted — despite the fact that more and more people with ties to the Party are starting to say something very different in private.

There's another explanation ... that Obama is one of our strongest presidents, though widely misunderstood. In this explanation, Obama is playing poker across the table from ... us, the Left.

And the whispers into his shell-like come from Republicans and Clintonistas, i.e., Movement Conservatives and NeoLiberals. He wants what they all want; he just wants his own machine to be in charge of the profits and benefits.

The trick? Keep the Left from knowing they're being played. The goal? Keep the game alive until 2013, when Obama's home free (at which point, Mr & Ms Left better seriously watch out).

Keeping these different explanations of the president in mind, I want to point out a great catch by Stoller near the end of his piece:

... You can see [the strength of Obama's narrative] in the utter lack of an effective comedic impersonator of Barack Obama.

When Tina Fey first gave her impression of Sarah Palin, the political world exploded in chatter about how perfectly Fey had captured Palin’s character. Will Ferrell nailed something about Bush ... a kind of juvenile cunning frat-boy type spirit.

No one has captured in comedy Obama's flawed self, whatever you think those flaws are.

Think about that. There have been flawed-self caricatures of almost every major political figure and most presidents. Fey's Palin was brilliant, as was the Jekyll-and-Hyde "Bill Clinton" who used to call in to Marc Maron's Morning Sedition show. Comedy genius and golden opportunity.

But no flawed-Obama. To me this suggests both a failure of analysis and a lack of trying. Is he really that likeable? Yes. Is there also a counter-narrative that could be mined for comic gold? I can easily think of several.

The closest I found to an actually adversarial "impersonation" of Obama (and it's really just a characterization, but with comic potential) is this, from Karl Rove of all people:

"...even if you never met him, you know this guy. He's the guy at the country club with the beautiful date, holding a martini and a cigarette that stands against the wall and makes snide comments about everyone who passes by."

Not saying it's right or wrong, this characterization — just that it has the core of a comic representation the way Tina Fey's Palin does. Rove's Obama-the-trickster verbal image, and that iconic cigarette photo, are as close as anyone gets to an alt-Obama representation in art.

Rove is building an "anti-elitist" ad campaign around this idea, so he's twisting it to his new purpose.

But the core image is broader. Using this core as a base — the self-absorbed, poised Mr. Smarter-than-you — the self-confident opportunist who wants your help but won't give his (why won't he go to Wisconsin for the Walker Recall?) — could have real comic potential.

Will we ever see this alt-Obama reflected in art, performance or otherwise? I'm not sure. It may have to wait for the day when Obama has descended and the world perhaps sees the misdirections and missed opportunities of his reign, as James Galbraith has done:

[T]he President ... is a young man. Unlike say Lyndon B. Johnson or Jimmy Carter, when his term ends he won't be able simply to go home. He'll need a big house in a gated suburb, with high walls and rich friends....

[But that] won't save him. For if and when he ventures out, for the rest of his life, the eyes of all those, whose hopes he once raised will follow him. The old, the poor, the jobless, the homeless: their eyes will follow him wherever he goes.

In this narrative, Obama is, as I wrote almost a year ago, "the well-meaning but ineffective 'friend of the Left,' tragically hobbled" by Tea and circumstance.

Stoller puts it this way:

[Democrats see him as] not bold enough! Congress is holding him back from his progressive instincts! We haven’t made him do what we know he wants to do!

This is the Democratic party's framing of Obama, and it's both consciously sold and uncritically accepted — despite the fact that more and more people with ties to the Party are starting to say something very different in private.

There's another explanation ... that Obama is one of our strongest presidents, though widely misunderstood. In this explanation, Obama is playing poker across the table from ... us, the Left.

And the whispers into his shell-like come from Republicans and Clintonistas, i.e., Movement Conservatives and NeoLiberals. He wants what they all want; he just wants his own machine to be in charge of the profits and benefits.

The trick? Keep the Left from knowing they're being played. The goal? Keep the game alive until 2013, when Obama's home free (at which point, Mr & Ms Left better seriously watch out).

Keeping these different explanations of the president in mind, I want to point out a great catch by Stoller near the end of his piece:

... You can see [the strength of Obama's narrative] in the utter lack of an effective comedic impersonator of Barack Obama.

When Tina Fey first gave her impression of Sarah Palin, the political world exploded in chatter about how perfectly Fey had captured Palin’s character. Will Ferrell nailed something about Bush ... a kind of juvenile cunning frat-boy type spirit.

No one has captured in comedy Obama's flawed self, whatever you think those flaws are.

Think about that. There have been flawed-self caricatures of almost every major political figure and most presidents. Fey's Palin was brilliant, as was the Jekyll-and-Hyde "Bill Clinton" who used to call in to Marc Maron's Morning Sedition show. Comedy genius and golden opportunity.

But no flawed-Obama. To me this suggests both a failure of analysis and a lack of trying. Is he really that likeable? Yes. Is there also a counter-narrative that could be mined for comic gold? I can easily think of several.

The closest I found to an actually adversarial "impersonation" of Obama (and it's really just a characterization, but with comic potential) is this, from Karl Rove of all people:

"...even if you never met him, you know this guy. He's the guy at the country club with the beautiful date, holding a martini and a cigarette that stands against the wall and makes snide comments about everyone who passes by."

Not saying it's right or wrong, this characterization — just that it has the core of a comic representation the way Tina Fey's Palin does. Rove's Obama-the-trickster verbal image, and that iconic cigarette photo, are as close as anyone gets to an alt-Obama representation in art.

Rove is building an "anti-elitist" ad campaign around this idea, so he's twisting it to his new purpose.

But the core image is broader. Using this core as a base — the self-absorbed, poised Mr. Smarter-than-you — the self-confident opportunist who wants your help but won't give his (why won't he go to Wisconsin for the Walker Recall?) — could have real comic potential.

Will we ever see this alt-Obama reflected in art, performance or otherwise? I'm not sure. It may have to wait for the day when Obama has descended and the world perhaps sees the misdirections and missed opportunities of his reign, as James Galbraith has done:

[T]he President ... is a young man. Unlike say Lyndon B. Johnson or Jimmy Carter, when his term ends he won't be able simply to go home. He'll need a big house in a gated suburb, with high walls and rich friends....

[But that] won't save him. For if and when he ventures out, for the rest of his life, the eyes of all those, whose hopes he once raised will follow him. The old, the poor, the jobless, the homeless: their eyes will follow him wherever he goes.

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