#TheResistance becoming preoccupied with completely made-up fantasies about Melania while all reporting about Puerto Rico continues to be buried and ICE kidnaps children at the border sure feels like a metaphor for something.

American flag-waving obfuscates these and other abuses of power; reveals the state’s protection and definition of a white, hetero socioeconomic class as the legitimate citizen class at the expense of black, brown, Muslim, trans, disabled, or immigrant lives; and is our traditional response to a sense of foreign impingement on “normal American life” (white suburban families). The message goes: Don’t think about the President’s baseless claims about weapons of mass destruction in Iraq, don’t think about the imprisonment of Chelsea Manning and, now, Reality Winner, don’t think about the dependence of all power on a disenfranchised, exploited class. Think instead of the firefighters at ground zero, who were certain that America would endure. Think of ordinary citizens, like those depicted in the “Main Street USA” ad, and their faith in this city on a hill. Think instead, “Make America Great Again!” Don’t ask: Who suffers in this society when the state makes better security and freedom for its populace a goal? Freedom for whom? Who does a Muslim ban serve? Who do police serve? On which caskets do we lay the flag?

* In 1975, Gary Gygax revealed the Tomb of Horrors module at the first Origins convention, presenting it as a campaign that would specifically challenge overpowered characters who would have to rely on their wits to outsmart incredibly lethal, subtle traps, rather than using their almighty THACOs to fell trash-mobs of orcs or other low-level monsters.

* A research question I’ve been pondering for awhile: When, exactly, did the idea that the President — and only the President — was in charge of the decision to use nuclear weapons get turned into real policy? Answer seems to be September 1948, with NSC-30.

* I’m heading to Zurich later tonight for the From Human to Posthuman? Ethical Inquiry workshop to be held at the Collegium Helveticum. I’ll be talking about the Anthropocene and various versions of The Time Machine, jumping off my Paradoxa “Global Weirding” essay and a loooong forthcoming piece for a Ralahine Utopian Studies collection on “Science Fiction and Utopia in the Anthropocene.”

* For many years now, tuition-dependent institutions — notably small private colleges and regional public universities — have grappled with such existential questions. Many find themselves in a difficult, complex market, with rising costs in operations, pressure to keep tuition down, increasing competition, an insufficient supply of traditional-age students, and national doubts over the value of college. Naturally, those factors have prompted many observers to take a dour view of the institutions’ future. Moody’s Investors Service recently downgraded higher education’s outlook from “stable” to “negative,” noting that demographic challenges, weak revenue growth, and rising labor costs will bedevil colleges in the near term.

* Today, almost every piece of software comes with a disclaimer on its user license that basically says that the product may not work as intended and that its maker may stop supporting it at any time, and that’s the user’s problem. It’s a wonder companies don’t insert “nyah nyah nyah nyah” into the tiny-print legalese. Equifax’s Maddening Unaccountability.

West’s Batman/Bruce Wayne is, and will always remain, the single most important screen incarnation of the character, for better or worse: For better because it was the most surprising, at times confounding, interpretation of the Caped Crusader, feather-light and hilarious precisely because of the character’s seeming lack of self-awareness; for worse, in the eyes of some fans, because it encouraged millions of people who had never picked up a Batman comic, or any comic, to be amused by the sight of adults dressing up in wild outfits and pretending to punch each other in the face. Every subsequent, high-profile reinvention of Batman, whether in Frank Miller’s The Dark Knight Returns, Alan Moore and Brian Bolland’s The Killing Joke, Tim Burton’s alternately perverse and sincere Batman and Batman Returns, Christopher Nolan’s operatic trilogy, and Zack Snyder’s funereal Batman vs. Superman, is, first and foremost, a reaction against the Adam West–driven Batman series.

* Trustees of the Whittier Law School said on Wednesday that it would close down, making it the first fully accredited law school in the country to shut at a time when many law schools are struggling amid steep declines in enrollment and tuition income.

* Hey, ICFAites! I’m posting this too late to hype yesterday’s talk on Black Panther and Wakanda as Nation, but there’s still time to hype my Rogue One roundtable at 8:30 and the Modern Masters of Science Fiction book signing at 12:30…

* Overall, Obama’s performance in office looks like most American presidencies since Reagan, not altering all that much at home while pressing ahead with imperial tasks abroad—in effect, a largely conventional stewardship of neo-liberal capitalism and military-diplomatic expansionism. No new direction for either society or empire emerged under him. Obama’s rule was in this sense essentially stand-pat: business as usual. On another plane, however, his tenure was innovative. For he is the first celebrity President—that is, a politician whose very appearance was a sensation, from the earliest days of his quest for the Democratic nomination onwards: to be other than purely white, as well as good-looking and mellifluous, sufficed for that. Catapulted into the White House on colour charisma and economic crisis, and commanding the first congressional supermajority since Carter, Obama in office continued to be an accomplished vote-winner and champion money-raiser. But celebrity is not leadership, and is not transferrable. The personality it projects allows no diffusion. Of its nature, it requires a certain isolation. Obama, relishing his aura and aware of the risks of diluting it, made little attempt to mobilize the populace who cast their ballots for him, and reserved the largesse showered on him by big money for further acclamation at the polls. What mattered was his personal popularity. His party hardly counted, and his policies had little political carry-through.