This article was largely triggered by the recently released Slö Multi Texture Reverb which of course I love and which has gone straight onto my wishlist despite its mono output. I see it as a solid competitor to the rather pricier and more complex Chase Bliss Audio Dark World and a perfect tool for ambient textures. I personally would use it as a textural tool in my ’glitch pedal’ slot as my main time-based effects are stereo.

I already singled out the Newly Revamped Matthews Effects Range in my piece on Pedal Graphic Design - but there I focused more on the design of the actual pedals - principally the facia graphics and control topology - knob choice etc. However there was much more to the Matthews Effects Range Revamp than just a pedal design change - and some of the most significant improvements happened within the disciplines of Packaging and supplementary Collateral. ...

Poland was both trickier and yet eventually easier to rationalise than originally perceived. I have scanned through many a country now, and Poland seems to be the last of those with sufficient numbers of high calibre pedal builders to warrant a dedicated feature*. As noted before - these sorts of article take quite a lot of work to complete - and so this is the last of these I will be doing for a while.

* Note that USA and Japan are the leading pedal builders of the world still and too...

Denmark is a country which is known for punching above its weight - particularly in the field of exports - with a number of globally renown brands in several categories - including Bang and Olufsen, Ecco shoes, Georg Jensen jewellery, LEGO, The Republic of Fritz Hansen furniture (Arne Jacobsen etc.) and Stelton homewares. So it’s no surprise really that so many of its pedal brands are well-known too - particularly of course TC Electronic - which is one of the overall Big 4 along with Boss...

Now definitively defined as a Pedal-format Modular Synthesizer, Sequencer and Multi-Effects unit. The control interface consists of a small OLED screen accompanied by a grid of 40 (5x8) 7-coloured LED backlit soft-touch buttons, 4 further control buttons for Secondary Functions, and a large Menu scroll dial. There are 3 footswitches to activate live playback and scroll through presets.

Essentially you have a building-block interface-led hybrid-modular-synthesiser where you chain ...

So I at last managed to get a hold of one of these from a UK dealer - looks like Sound Affects Premier were amongst the first to receive a sizeable delivery of Volantes on this side of the pond. For veteran Strymon owners this is really just more of the same - by which I mean another really smartly and intuitively interfaced delay pedal with some significantly clever built-in tone-sculpting.

Unbeknownst to some - Strymon pedals very much have their own kind of slightly polished tone / ...

Following last year’s ’Year of Fuzz’, I declared that for 2019 I would shift my focus to Granular Synthesis or Micro-Sampler/Looper / Glitch Effects Pedals. To those ends I did a slightly more long-form overview in mid-December - ’16 of the Best Glitch Effects Pedals’ of which I’ve acquired 5 to date.

In fact I’ve honed the list down further to the six above, which I believe are currently the ’state of the art’ for this genre, with ...

So some of you know that I declared 2019 would be my ’Year of Glitch’ following on from last year’s ’Year of Fuzz’. I had a longlist of 16 of the Best Glitch Effects Pedals - and indicated which of those were my preferred options. I very soon had 4 of those pedals in my collection - in order of arrival - King of Gear Mini Glitch, Montreal Assembly Count to Five, Drolo Molecular Disruptor V3, and the gold-face Pladask Elektrisk Fabrikat. There are a few missing off ...

So it’s that usual post NAMM-haze time where I figure out the longer-term impact of NAMM, and how those new products will affect the layout, order and composition of my now sort of 40-slot pedal-chain. As noted several times - this was indeed a bumper year for really innovative and highly appealing new pedals - and I will look to accommodate a number of those as they materialise in the forthcoming months.

As I hinted in my last pedal-chain overview - while 2018 was very evidently...

This year’s show has seen a bumper crop of interesting new pedals. In fact I was so dazzled by all the various cool pedals that I did not take note of much else - actually not entirely as there were a few synths weirdly that I liked the look of - including the new Teenage Engineering Modular Series in particular. There were very few guitars or amps though that properly piqued my interest.