From an intangible dream to a phantasmagorical reality, The Walt Disney Family Museum is excited to announce Disney and Dalí: Architects of the Imagination, on view from July 10, 2015 through January 3, 2016.

Guest-curated by filmmaker Ted Nicolaou, this extraordinary, immersive, and enriching experience tells the story of the unlikely alliance between two of the most renowned innovators of the twentieth century: brilliantly eccentric Spanish Surrealist Salvador Dalí and American entertainment innovator Walt Disney. Presented through an interactive multimedia experience of original paintings, story sketches, conceptual artwork, objects, correspondences, archival film, photographs, and audio—many of which highlight work from Disney studio artists Mary Blair, Eyvind Earle, John Hench, Kay Nielsen, and more—this comprehensive exhibition showcases two vastly different icons who were drawn to each other through their unique personalities, their mutual admiration, and their collaboration on the animated short Destino. Although the film was not completed during their lifetimes, the friendship between these two great men nevertheless endured.

“The Walt Disney Family Museum, founded by Walt’s daughter, Diane Disney Miller, presents the life story of Diane’s father, which story inspires visitors to heed their imaginations and persevere in pursuing their goals,” said The Walt Disney Family Museum’s Executive Director Kirsten Komoroske. “In keeping with this mission, the exhibitions at the museum feature dreamers, innovators, and collaborators. The museum’s next major exhibition unveils another aspect of Walt’s story: the friendship between Walt and the influential and revolutionary artist, Salvador Dalí. The exhibition, co-organized with the Dalí Museum, not only further fulfills the mission of the museum, but also further solidifies the museum’s place among the many phenomenal fine art institutions in the San Francisco Bay Area.”

Born almost three years and half a world apart, Disney and Dalí’s boyhood imaginations were grounded in their upbringing in the 1900s, causing their lives, careers, and legacies to be paralleled on a level unlike any other. Though they may seem like opposites on the surface, a deeper look into the lives and artistic prominence of the surrealist and the dreamer—highlighted through hand-written letters, alongside archival film and audio—will showcase just how alike these two innovators really were in blurring the lines between reality and dreams.

Minutely detailed and saturated with philosophical meaning, these works (most often paintings or sculptures) are a feast for the eyes and the mind—nested squares and circles are arrayed to represent the center of the cosmos and the four cardinal directions. For Buddhist practitioners, however, mandalas are not just images to view, but worlds to enter—after recreating the image in their mind’s eye, meditators imaginatively enter its realm.But is it possible to have this experience without years of meditative discipline?
Enter the Mandala says yes. In this exhibition, 14th-century paintings align a gallery with the cardinal directions, transforming open space into an architectural mandala—a chance to experience the images in three dimensions, to dwell in the midst of the cosmic symbols and be transported to another world. Visitors can literally “enter the mandala,” exploring places in the cosmos—and perhaps themselves—that might otherwise remain invisible. “

“Featuring a variety of exquisite art objects from the Indian subcontinent, Loving Devotion illuminates the rich heritage and symbolism of Hindu worship in the lives of believers, immersing viewers in the beliefs and culture of one of the world’s oldest and largest religions.

Focusing on images of Vishnu and Krishna that span centuries of history, the exhibition explores how bhakti (the practice of fervent, impassioned devotion to deity) influences the lives and worship of Hindu people and reveals the depth and intimacy of their relationship towards the divine.

Indeed, building a relationship with God is at the core of life’s purpose for the devoted believer, and both Vishnu, the Preserver, and his incarnation, Krishna, are highly revered deities that have both been the focus of significant bhakti worship. Through powerful images of these Gods inscribed on stone, in bronze or in paintings, worshippers and viewers alike are invited to learn that god is love and not fear, and understand how worship can evolve from practice to joyful experience of immense love and devotion. . . . .”

“Showcasing ralli quilts from the exceptional contemporary textile collection of Patricia Ormsby Stoddard, Fabric of Belonging explores how historical traditions contribute to the deep sense of belonging that ralli quilts provide for people living in the areas of Sindh, Pakistan and West India. For their owners, ralli quilts are a personal form of identification that connects them with their region and their heritage.

Both Hindu and Muslim women make ralli quilts. Without quilting frames or modern fabrics, they create these stunning works of art with thousands of minute, closely sewn quilting stitches and exquisite pieced, appliqued and embroidered patterns.Stoddard, who holds a Ph.D. in textiles and served as an assistant professor at Brigham Young University, collected these remarkable quilts while living with her husband in Pakistan for several years. She is the author of Ralli Quilts: Traditional Textiles from Pakistan and India (2003). Through her collecting and research, she has brought the beauty of rallis to the attention of the world. . . .”

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