With its body in perfect alignment, Alberto Giacometti's Le Chat is one of the most recognizable compositions of his post-war production, a period during which he created some of the most remarkable sculpture of the twentieth century.

A glorious celebration of colour and form, Gabriele Münter im Freien vor der Staffelei dates from a key period of development for Kandinsky and marks the artist’s definitive transition into the abstract.

Dating from March 1939 – a tumultuous period in Europe as well as in Picasso’s private life, Tête de femme au chapeau orange combines features of both of his muses from this time: Marie-Thérèse Walter and Dora Maar.

Le Boulevard Montmartre, brume du matin, painted in 1897, is an outstanding work from one of the most important series of Pissarro’s urban views. The excitement and spectacle of the city at the fin-de-siècle are brilliantly evoked by the artist’s handling of paint and the elegant composition.

The years from 1880-85 were eventful ones for Gauguin and saw great change both in his domestic life and in the development of his artistic vision. It is the period when he was most closely linked with the Impressionists yet, as Fleurs dans un panier shows, he was already beginning to experiment more radically with form and perspective.

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