Sunday, April 12, 2015

The Meetles Can't Be Beat in the NYC Subway System

A
lot of times just the thought of descending into the subway can compound the
complexities of living in New York City, but not even the spirit of the most
hardened New Yorker can be sunk as the sounds of live Beatle's music rises to
greet them every Friday and Saturday night at the Times Square and Herald Square
Subways.

The
four man, two woman recreation is known as The Meetles. “It’s a play on the
Beatle’s album, “Meet the Beatles,” says the band's drummer Eric Paulin.

With
the numbers and gender identity obviously off, the Meetles make no attempt
to recreate the long ago visuals. “It’s more like a people’s Beatle's cover
band,” he says.

And
he’s not the only one who stacks the Meetles up against more polished
productions such as Broadway’s Rain. “We have more rough edges," he says, "but
people who’ve seen both are very charmed by the organic quality of what we are
doing."

The
four hour long party among the masses has got to go along way toward
accomplishing that. On the other hand, the subway presents the Meetles with the
same types of survival of the fittest issues that the rest of us face.

Aside
from the rough atmosphere, non sanctioned freelance artists attempt to infringe
on their space. "Sometimes they give us grief and we have to get the cops to
help us,” he says. "So it can turn into a bit of a scene."

The
fact that most of the cops love the Beatles and their act eases the eviction,
but no wave of blue support can warm their chilled instruments or frozen
digits when winter sets in. Although it
is summer that truly gives the band pause.
Adding 20 degrees to the New York City heat and humidity, he says, "you
have to be extremely careful and pace yourself because a heart attack is
definitely in play."

That
said, the middle aged Meetles still go at it full tilt. Keeping the breaks very
short and enduring the cold and heat almost every weekend throughout the year,
he says, "I truly believe this is the hardest working band in the
subway."

But
it must suffice in order to sustain what the Meetles are after. "We get a crowd.
We want to keep the crowd," he says. "So yes we want to make money but we also
want to keep up the fun and good spirits."

Metrocards
submerged, Meetlemania puts destinations on hold and tapping feet on the move –
even if New York has dealt them yet another difficult hand. "A lot of people
come up to us and say 'we’re having a miserable time but you just made you our
day'", he relays.

The
Meetles, who definitely dabble into other feel good classic Rock 'n Roll, were
unfortunately born out of the worst day in Beatle history. Every December
8th (and on John Lennon’s Birthday) musicians from all over converge
on Strawberry Fields in Central Park. There they play homage to the fallen
Beatle. Paulin has been doing it since 1998 and the first stages of the Meetles
grew out of that. "We played there so many times that we decided to get together
and do some projects," he said.

By
2007, they would go on to become a house band at various Beatle Meetups, (which
also serves in the origins of the name) and in 2009 Paulin convinced the first
iteration of the Meetles to play the subway. "All those people checking you out
and digging what you are doing," he said, "band mates liked the gig."

But
he concedes that the first Meetles were not quite there.
Additionally, playing
in the subway created a different type of groupie that always kept things in
flux. "So many fans wanted to play in the band," he says, "and it just got way
too loud and big."

Settled
on six for about a year, which includes his wife Naomi on base, the dollars pile
up in varying degrees. “Sometimes the money is ok and sometimes it’s very good,
he says.

In
contrast, the Meetles met up with a little more financial bulk when a producer
from 30 Rock saw the show in the subway and invited them to play the rap
party. "They didn’t get to see us in all
our Times Square glory, where we're getting a 150 people going, but they all
liked the music and were very cool to us," he said.

Still,
their most connected acknowledgement came quietly in the form of a simple
gesture. "She stopped for 30 seconds, smiled and gave us a peace sign,” he says
as Yoko Ono passed them playing at Strawberry fields in
2005.