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Feeding Your Book Addiction – Win A Design Book From Lost Art Press

Yes, I admit it, I have a book problem. But my wife and I can’t agree on exactly what that problem is. For me it’s the continual challenge of finding places to put more of them, and for her it’s the unending flow of them through the front door.

The only time I ever had all my books where I could easily put my hands on them was when we lived at the beach. The bungalow we rented was just too small for everything so we ended up renting the one across the drive from us. Besides a 6 foot drawing table the only thing in the rooms was books. Every room was floor-to-ceiling bookcases.

My wife said recently, “You have to get rid of some of these books.” I said, ‘O.K., I’ll give some books away.” Notice I didn’t say I’d give any of my books away.

Lost Art Press

Lost Art Press was started in 2008 by Lucy May, Christopher Schwarz and John Hoffman to publish books which would help woodworkers rediscover the lost art of traditional hand tools and building techniques. Schwarz was the former editor at Popular Woodworking magazine as well as Woodworking Magazine and has been one of a small group of key individuals who have brought about a hand tool renaissance. Traditional tools and methods which were thought to be inferior to modern methods are reshaping both the woodworking and the tool making communities.

The company has released 11 books so far and has six more scheduled for release in 2014. Their first effort was an excellent annotated version of the 17th century book The Art Of Joinery by Joseph Moxon, the first English language book on the topic. The book soon sold out and copies fetched over $100 on Ebay. They have recently rereleased a newly edited and updated version.

The Kind Of Books They Don’t Print

What Lost Art Press doesn’t publish are junk books. What’s a junk book? Here’s an example; about ten years ago a builder on the East coast “published” a series of design books which were basically just bad scans out of period design books and pasted them up into thin, jumbled perfect-bound pamphlets which were selling for over $30. Junk. That’s not what Lost Art Press puts out.

Besides the fact that their books are traditionally bound sewn-signature volumes on quality paper, the editions, some reprints of classic books and some original, are written by authors who clearly know what they are talking about. And most of these books, while written with woodworkers in mind are incredibly valuable and informative even if you never plan on picking up a saw.

Selfish Motives

So, to keep my promise I’m giving three digital versions of their books away for purely selfish reasons. I want companies like Lost Art Press to be around a long time and the more people that know about them the more likely they’re going to keep pumping out great books. Chris, John, keep them coming, please.

The Loot

I reviewed this book in an earlier post and think it’s an important book for designers. The should be part of your main reference library along with a fifth edition of Architectural Graphic Standards and a copy of McKay’s Building Construction.

If wood is a complete mystery to you then you should get this book. It simply and clearly explains the basics of wood and its use in furniture making. There are chapters on wood movement and how to calculate it in furniture construction and the characteristics of different species of trees.

This book is the result of over six years of work and is the first english language translation of the classic book by Andre Roubo, originally publish in the 18th century. Lead by Donald Williams, a former head conservator for the Smithsonian Institute, the book is far more than a reprint. Williams spent years recreating the techniques described by Roubo as well as reconstructing most of the tools he describes as typical of the Menusier in France. An absolute must-have if your interests include period furniture. A second volume on furniture construction is due out next year.

Here’s another must have for your reference library. Since most everything we draw is custom, it helps to understand door and window construction when you’re creating those full-size details. This book is a reprint of two English joiners manuals which explain the process.

How To Enter

There will be three winners. Basically all you have to do is take a guess at the number of books in my personal library, kind of like guessing the number of gum balls in the jar. As a hint, it was over fifteen years ago when they could fill a 550 square foot bungalow.

You can either post a reply with your guess (and your book choice if you’re a winner) to this post or send your guess to:

designbookcontest@gmail.com

Deadline is midnight on Friday, December 6. Please, only one entry per person. Ties will be decided by picking a name from a hat by Coco the Psychic Bunny.

Winners will be notified on December 7 and sent a link where they can download their book. If you want the Windows And Doors book, it is only available in hardcover and will ship in late December.

I hope that if you win you’ll buy a hardcopy version as well and a digital copy for a friend. And if you don’t win I hope I’ve enticed you to spend your own cash on what are truly terrific books.

30,000 books. Door making and Window making.
My wife says you really need to give some away or donate them all to the library and then you can borrow them back anytime you want and you won’t have to store them. I said you just need to add on to your house and build your own library!!!! 🙂

Since this sounds like conceptual estimating, which I would love to be able to perform, I’ll give it a try. 550 sf / 9 = 61.11 x 2.25 = 137.5 lf of book shelves, figuring 5 shelves per = 687.5 lf of book shelves. Calculating the average book width at 1.15″ (687.5 x 12″ = 8,250 li) = 7,174 books in 1998. Assuming 1 new book per month (12 x 15 = 180) we arrive at 7,174 + 180 = 7,354 books on the shelves, not counting electronic versions on your kindle, iPad or other electronic device. Thank you for the exercise and should I be so lucky, I am really not nor ever have been, “By Hand and Eye” if you please and thank you once again.