The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.Jasmine Bashara never signed up to be a hero. She just wanted to get...

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The bestselling author of The Martian returns with an irresistible new near-future thriller—a heist story set on the moon.Jasmine Bashara never signed up to be a hero. She just wanted to get rich.

Not crazy, eccentric-billionaire rich, like many of the visitors to her hometown of Artemis, humanity's first and only lunar colony. Just rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she's owed for a long time.

So when a chance at a huge score finally comes her way, Jazz can't say no. Sure, it requires her to graduate from small-time smuggler to full-on criminal mastermind. And it calls for a particular combination of cunning, technical skills, and large explosions—not to mention sheer brazen swagger. But Jazz has never run into a challenge her intellect can't handle, and she figures she's got the 'swagger' part down.

The trouble is, engineering the perfect crime is just the start of Jazz's problems. Because her little heist is about to land her in the middle of a conspiracy for control of Artemis itself.

Trapped between competing forces, pursued by a killer and the law alike, even Jazz has to admit she's in way over her head. She'll have to hatch a truly spectacular scheme to have a chance at staying alive and saving her city.

Jazz is no hero, but she is a very good criminal.

That'll have to do.

Propelled by its heroine's wisecracking voice, set in a city that's at once stunningly imagined and intimately familiar, and brimming over with clever problem-solving and heist-y fun, Artemis is another irresistible brew of science, suspense, and humor from #1 bestselling author Andy Weir.

"Negative." I kept running. "There was a pop right before the leak alarm. Metal fatigue. Got to be the valve assembly. If you cross-connect you'll puncture your line on a jagged edge."

"I'm willing to take that risk!"

"I'm not willing to let you," I said. "Trust me on this, Bob. I know metal."

I switched to long, even hops. It felt like slow motion, but it was the best way to move with all that weight. My helmet's heads-up display said the airlock was fifty-two meters away. I glanced at my arm readouts. My oxygen reserve plummeted while I watched. So I stopped watching.

The long strides paid off. I was really hauling ass now. I even left Bob behind, and he's the most skilled EVA master on the moon. That's the trick: Add more forward momentum every time you touch the ground. But that also means each hop is a tricky affair. If you screw up, you'll face-plant and slide along the ground. EVA suits are tough, but it's best not to grind them against regolith.

"You're going too fast! If you trip you could crack your faceplate!"

"Better than sucking vacuum," I said. "I've got maybe ten seconds."

"I'm way behind you," he said. "Don't wait for me."

I only realized how fast I was going when the triangular plates of Conrad filled my view. They were growing very quickly.

"Shit!" No time to slow down. I made one final leap and added a forward roll. I timed it just right—more out of luck than skill—and hit the wall with my feet. Okay, Bob was right. I'd been going way too fast.

I hit the ground, scrambled to my feet, and clawed at the hatch crank.

My ears popped. Alarms blared in my helmet. The tank was on its last legs—it couldn't counteract the leak anymore.

I pushed the hatch open and fell inside. I gasped for breath and my vision blurred. I kicked the hatch closed, reached up to the emergency tank, and yanked out the pin.

The top of the tank flew off and air flooded into the compartment. It came out so fast, half of it liquefied into fog particles from the cooling that comes with rapid expansion. I fell to the ground, barely conscious.

I panted in my suit and suppressed the urge to puke. That was way the hell more exertion than I'm built for. An oxygen-deprivation headache took root. It'd be with me for a few hours, at least. I'd managed to get altitude sickness on the moon.

The hiss died to a trickle, then finished.

Bob finally made it to the hatch. I saw him peek in through the small round window.

"Status?" he radioed.

"Conscious," I wheezed.

"Can you stand? Or should I call for an assist?"

Bob couldn't come in without killing me—I was lying in the airlock with a bad suit. But any of the two thousand people inside the city could open the airlock from the other side and drag me in.

"No need." I got to my hands and knees, then to my feet. I steadied myself against the control panel and initiated the cleanse. High-pressure air jets blasted me from all angles. Gray lunar dust...

About the Author-

ANDY WEIR built a career as a software engineer until the runaway success of his debut novel, THE MARTIAN, allowed him to pursue writing fulltime. He is a lifelong space nerd and a devoted hobbyist of subjects such as relativistic physics, orbital mechanics, and the history of manned spaceflight. He lives in California.

Reviews-

July 1, 2017

A huge hit at BookExpo delivered to us by the Martian man himself, this November title (I just caught up with it) is set in Artemis, the first and as yet only city on the moon. Jazz Bashara can't quite get by with the salary she earns as a porter and does the odd bit of smuggling to make ends meet. She can't resist the chance to haul in some serious cash by committing the perfect crime, but soon there's trouble: she's stepped into a hornet's nest of a conspiracy to control the city itself. With 3.5 million copies of The Martian out there, you know this will be hot.

Copyright 2017 Library Journal, LLC Used with permission.

August 15, 2017Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.Jasmine "Jazz" Bashara is a 20-something deliveryperson, or "porter," whose welder father brought her up on Artemis, a small multidomed city on Earth's moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she'll be able to get better work, such as leading tours on the moon's surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum's automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don't go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian's smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike "Gizmos"), although intriguing elements--such as the fact that space travel is controlled by Kenya instead of the United States or Russia--do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, "for helping me tackle the challenge of writing a female narrator"--as if women were an alien species. Even so, Jazz is given such forced lines as "I giggled like a little girl. Hey, I'm a girl, so I'm allowed." One small step, no giant leaps.

COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

Starred review from September 11, 2017Jazz Bashara, the heroine of this superior near-future thriller from bestseller Weir (The Martian), grew up in Artemis, the moon’s only city, where she dreams of becoming rich. For now, she works as a porter, supplementing her legal income by smuggling contraband. She hopes that her situation can improve drastically after she’s offered an impossible-to-refuse payday by wealthy entrepreneur Trond Landvik, who has used her in the past to get cigars from Earth. Trond asks Jazz to come up with a way to sabotage a competitor so that he can take over the moon’s aluminum industry. She develops an elaborate and clever plan that showcases her resourcefulness and intelligence, even as she continues to have misgivings about her client’s true agenda, suspicions borne out by subsequent complications. The sophisticated worldbuilding incorporates politics and economics, as well as scientifically plausible ways for a small city to function on the lunar surface. The independent, wisecracking lead could easily sustain a series. Weir leavens the hard SF with a healthy dose of humor. Agent: David Fugate, LaunchBooks Literary Agency.

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Nov 14, 2017

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