'I also plan to make a documentary on the Indian spy princess Noor Inayat Khan. Nothing has been decided yet, but it is in the pipeline,' said Benegal, a Dada Saheb Phalke award winner.

He revealed that he had to defer his plans for a few big-budget films due to the economic downturn.

'Some of my films have got pushed back by a few months because of the ongoing recession. These are very big budget films, and that kind of money is not easily accessible right now. We are just waiting for things to settle down,' he said.

Starting from art house movies to successfully going mainstream, the veteran insists that the 'parallel and commercial' classification in cinema no longer exists.

'There is a kind of stamp that has been put that tries to draw distinction in cinema as parallel or commercial. But now these lines have faded out and have become very blurry. In fact, films being made today that could have been earlier called parallel are being played in multiplexes commercially,' Benegal said.

'For example, films like 'A Wednesday' and 'Rang De Basanti' ... if these movies would have been made earlier would have been called parallel cinema vis-Ã -vis their wide commercial acceptance now,' he added.

Known for giving new dimensions to parallel cinema with movies like 'Manthan', 'Ankur', 'Nishant' and 'Junoon', Benegal ventured into mainstream Bollywood for the first time in 2001 with 'Zubeidaa'.

The film starred one of the then top actresses Karisma Kapoor and yesteryears' top actress Rekha.

Asked about the wide variety of subjects he chose for his films, the 74-year-old said: 'I pick my subjects as to what I feel and like according to my interests and concern. I deal with the social problems that confront us. It makes me gravitate to what I want to work on.'

Benegal, in his earlier works, has cast the late Smita Patil in quite a few movies like 'Nishant', 'Charandas Chor', 'Bhumika' and 'Manthan'.

Asked if he considered any of the current actresses at par with her, Benegal said: 'Every generation has its own actors and they have different qualities. We can't generalise actors and compare them with those from earlier films. They have their own strong and weak traits.'