Four-storied wooden cabinet made of finest walnut wood, intended for mounting 3U modules by Analogue Systems. It provides as power supply and a "trink line". Each of the RS8000's four rows offers 84HP space for modules.

The Sorceror is the ideal solution for a keyboard-based medium-sized modular system as its beautiful walnut case houses both a 49-key keyboard as well as a cabinet for modules.
The keyboard in the bottom half features MIDI, CV plus elaborate keyboard and wheel controls, while the upper part is a cabinet with 168HP space for modules. Pretty much like a Demon keyboard with an Apprentice cabinet on top combined in one unit.

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Brandon Smith's set of 4 EPROMS with sound banks for the Piston Honda.
You can exchange the pre-installed ROM chips with other ones to get new sounds and wavetables. To install all four Eeproms simultaneously you need a Harvestman ROM expander for the Piston Honda which will give you the possiblitly to have six eeproms installed in your module.

Creative eight step pulse sequencer with random and one-shot modes and adjustable loop cycle length, number of repeats and step length. The module can be coupled with other Algorhythms to create longer patterns or to cross-influence the sequencers which can be interesting for polyrhythmics or odd time signatures.

Sync Gen 2 LS is a module for sample-accurate rhythmical pulse synchronisation between your DAW and your Eurorack modular system. Or in simple words: for creating a perfect clock from your computer!
The clock is available at several minijack sockets and in addition there is a MIDI clock output and a DIN-Sync output!

The bigger version of Innerclock's Sync-Gen again generates a very stable MIDI clock via your computer's audio interface but it has been expanded by a number of MIDI Clock outputs and even DIN Sync outputs.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

With a double footswitch or switch triggers you can generate Midi signals of any kind. The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

The Voyager with a backlit color of your choice combined with an individual kind of wood is probably the highlight for furniture fetish people in between the synthesizer nerds. This standard model of the luxury version is shipped in Eschenholz (?) combined with blue backlight, all other combinations are declared as an extra, please choose the extra costs and give us your choice, we will get it done somehow, thank you.

The Minifooger Drive pedal offers a Moog cascade lowpass filter besides an overdrive with FET amplifiers and OTAs. The filter interacts heavily with the bipolar tone control and the peak switch that provides a broad palette of sounds, ranging form filtering ober british Amp sounds to Fuzz. Very sensitive to input volume and dynamics. An expression pedal can control filter frequency, e.g for Wah effects.

Actually it's not necessary to spend words about the grandfather of all compact synthesizers. Released in 1971 he quickly became the blueprint for THE synthesizer - and it still is. Even 45 years later its stringent concept, intuive operation and of course its timeless and inimitably powerful sound are the benchmark forevery modern synthesizer.
Now it is re-relased by Moog, made entirely by hand, exclusively using highest-specification components (partly with military specifications). Sound generation, look and feel correspond exactly with these of the 1970ies original, although there are a few yet very useful extras.

The MF-107 FreqBox(tm) is different from other effects ? the effected sound is not a processed version of your input signal, but the sound of the input signal modulating an internal oscillator. It contains a VCO with continuously variable waveshape, and the capacity to modulate that Oscillator in the following ways: - the VCO can be hard synced by the input signal - The VCO can be frequency modulated (FM) by the input signal - The VCO frequency can be modulated by an envelope follower which tracks the dynamics of the input signal - The Amplitude of the VCO also tracks the dynamics of the input signal The FreqBox, like all moogerfoogers, works with any instrument to line-level input. In addition to the panel controls there are control inputs for use with expression pedals or control voltages and control outputs for interconnecting moogerfoogers like you would a modular synth.

Compact analog synthesizer with a 37-key keyboard with velocity and aftertouch. New for a modern monophonic analog synth is the duo-paraphonic mode: you can ply both oscillators individually with different notes. Pseudo-dophonic play ist possible that way.
Furthermore the Sub37 features USB/MIDI connectivity, CV/gate inputs, two DADHSR envelopes, an external audio input, an easy-to-use modulation matrix and 256 presets.

The MF-103 Phaser works with two so-called comb resonance filters. Depending on the amount of the internal phase shifter circuits it is called 6-stage or 12-stage.

The 6-stage mode has 3 notches in the frequency spectrum while the 12-stage version has six of them. Both modes have distinct differences in sound. Additionally the MF-103 has a controllable feedback loop that increases the resonance or "depth" of the phaser sound. If this comb- or notch filter is being shifted thru the audio spectrum the typical "sweep sound" of the phaser is created.

In- and outputs for CVs and pedals allow external control of the parameters.

Moog Music has found a bathc of the BBD chips responsible for the delay and re-releases the analog Delay in a revised version. Unfortunately the run is limited as are the chips but the unit has new features like tap-tempo, a LFO and the parameters can be controlled by MIDI.

As supply of the chips still is ver hard according to Moog and the chips aren´t in production anymore, quantities of the Mf-104M are limited. Better be quick if you want one!

As a modern Replica of the Minimoog the Voyager delivers exactly what we can expect from a Classic Synthesiser: Plug in, push down, turn on the fattest dial and you get superb wobbling or grinding sound. Its still a bit like old times. But what one could not afford back then has not become any cheaper now a days:
Undoubtable sound quality, feature packed, with top quality workmanship and technical features of the highest level. Much more interesting though seems the ideological value of the recording instrument.
After more than 30 years the ?famous last word? from the old master of Trumansburg /NY closes the circle from the very first unsurpassed handy Mini Moog to the present day.
So now we stand not only in front of a top class Instrument, but also in front of a piece of Musical history, which once again finds a use in our current, modern Studios ? when we can afford it.
Available in various woods types it is almost a decadent status symbol, although its basic components like keys, housing and Synthesis are as expected, simply functional, top quality and beautiful. Already a potential Classic.

Analog effect stompbox based on modulation effects. It offers flanger, chorus and vibrato effects, a number of connections and a LFO with 6 wave forms. The delay time can be tapped or synchronized to MIDI.

About us

SchneidersLaden is a place of electronic music. We carry hardware synthesizers, effects and sound processors, sequencers, almost everything for contemporary modular systems, interfaces and other devices for creative use with sound and music.

This website is intended to make devices available online, pass on our knowledge about manufacturers and their products and to answer questions.

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