Nurturing Russia's writers

As the head of Overlook Press Peter Mayer is committed to nurturing little-known writers and works. Almost 15 percent of Overlook’s authors are foreign writers in translation, including Russians. Source: Mark Grubstein

Overlook Press, whose emblem is a winged elephant, is a safe place for risky books. And what could be riskier than Russian contemporary fiction?

From the
outside, there is nothing auspicious about Overlook Press on Wooster Street, where the receptionist
buzzes visitors up and the elevator is an uncomfortable squeeze. Inside,
the atmosphere is nothing short of familial, with the charismatic patriarch,
Peter Mayer, at the center of his staff’s attention.

The Soho office seems so intimate that it might as well be the apple shed in
Woodstock, N. Y., where Overlook started in 1971. Since then, longtime
publisher Mayer has cultivated (with the emphasis on cult) his “it’s all about
the books” vibe. The result is a thriving, eccentric literary publishing house
that releases about 100 books a year. Overlook got its name when Mayer and his
father decided to nurture great books that hadn’t found the readership they
deserved, and ended up being … overlooked.

Almost 15 percent of Overlook’s authors are foreign writers in translation.
Every year, some of the books Mayer and his small team nurture in their quirky
incubator include Russian contemporary fiction, as well as Russian classics —
some that were previously out of print. Overlook published Olga Slavnikova’s “2017” and Russian novelist
and opposition figure Lyudmila Ulitskaya’s “Daniel Stein, Interpreter.”

When Mayer purchased Ardis Books, the longtime home of Joseph Brodsky, in 2002,
Mayer ramped up his commitment to Russian literature. At the end of last year,
and with little fanfare, Peter Mayer was awarded Russia’s Big Book prize for
lifetime achievement in supporting Russian literature — the first time such a
prize was awarded to an American.

Peter Mayer was born in 1936 in London; his family emigrated to New York three years later. He earned his bachelor’s degree from Columbia University and then went on to Oxford University to continue his studies. After serving in the United States Merchant Marines, he received a Fulbright grant to study German Literature at the Free University in Berlin. He began his publishing career in New York in the 1960s, climbing the ladder at Avon books. Eventually, he became C.E.O. of Penguin.

“Ever since I met Peter Mayer in 1990, he has has been committed to publishing
emerging voices from this part of the world, and he has been focused on larger
questions of freedom of expression,” said Mayer’s colleague Peter Kaufman,
president of Intelligent Television and executive director of Read Russia. “His
knowledge and expertise and his desire to make a world full of smarter
publishers — in these many ways he is without peer.”

The Russian Library

Mayer, now in his mid-70s, said he has become more reflective, and is seeking a
“legacy project.” He decided to make a bold announcement that cold night in
Moscow when he received the award: “I am pleased to note it now, here tonight,
the first announcement of a uniform series of 100 books called The Russian
Library, impeccably translated and produced, annotated and introduced by
leading scholars.”

In his Wooster Street office, Mayer showed off elegant dummy copies of volumes
of “The Russian Library.” The project will officially be launched and discussed
during Read Russia at BookExpo America.

“I was always terrifically interested in Russia,” Mayer said, “if not always a
great admirer of its history.” He was at Penguin Books for 20 years, and it was
there that he made his first professional trip to Moscow. “I had been to Russia
out of my own cultural and social interest. But this time we were there to buy
the rights to Anatoli Rybakov’s novel ‘Heavy Sand.’”

Mayer recalled in those days he had to deal as much with the authorities as the
authors. These days, he is busy deciding on writers he hopes will be included
in The Russian Library. Unfamiliar but significant works will start the series,
like “The Song of Igor’s Campaign,” the only surviving ancient Russian epic,
and “The Primary Chronicle,” rich anecdotes compiled around the year 1100.
Russian classics will be included, as well as poets like Anna Akhmatova and
Joseph Brodsky. Finally, Mayer will also publish Russia’s contemporary writers
in a volume titled “Read Russia: An Anthology of New Voices”.

Mayer said that he believes literature has the potential to support the reset
of the Russian-American relationship. “One has to hope that there will be a
reset,” he said. “And even though I don’t carry any political banners, I hope
it is in the area of individual freedoms that I think people all over the world
crave.”