Originally drawn in 2009, the fourth translated volume of Lewis Trondheim’s Little Nothings diary strip now pushes the series up near the 500-page mark. It’s simultaneously Trondheim’s most disposable work and some of his best. Entirely free of genre and … Continue reading →

MK Reed’s forte has always been her dialogue, and this is a crucial part of the success of her mainstream-publisher debut Americus. It helps that in Jonathan Hill, she has an artistic collaborator whose sensibilities—in terms of body language, nuance, and … Continue reading →

The story of a drunken art-school malcontent stumbling his way through awful parties, lousy punk shows, mortifying painting-class critiques, and portentous encounters with the woman of his (wet) dreams. Continue reading →

Like Pope and Graham before him, Fiffe warps the influences of the medium’s ‘80s sci-fi masters into an original construction, one infused with enough of an individual voice to make it feel new and exciting. Continue reading →