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Monthly Archives: June 2013

The under-painting is now finished. The next update will occur after the under-painting is thoroughly dry and a substantial amount of modeling and local color have been added. Part 2. Part 1. Part 4 Finished painting

This is my second update to the Oil Paint Brands post (a compendium of information about oil paint producers). Blue Ridge has proved to be a reliable producer and they have supplanted Windsor Newton as my day-to-day paint. Their paint is excellent and I had a bad experience with WN. Recently I bought two 200…

A professional from Guadalajara visiting Cleveland for the first time was enthusing about the city’s many attractions, especially the art museum. “It’s magnificent–world class,” she exclaimed! “The Rubens, the Velasquez, the Goya…,” she rattled-off several more masterpieces she’d seen. “I know,” I nodded, “I visit the museum every week.” “Every week? But, WHY,” the astonished art lover…

Not much to report this time as I’ve been under the weather. The small landscape is part of a Rockies-based series. I own a small property in Colorado but I don’t get out there often. If I moved away from the water, I would head for the mountains. The painting in the upper-right was finished…

The contemporary figurative artist Eric Fischl has written, with the aid of Michael Stone, his autobiography–Bad Boy: My Life On and Off the Canvas. Because Fischl’s work stands to the side of several currents in contemporary art, he has a (mild) reputation as a rebel. His lifestyle, according to this book, is one of pop-culture…

Here are three paintings I’ve started. The drawings for the bottom two were recently finished. All three are in the under-painting stage. These deviate somewhat from the more strict under-painting demonstrated in the ‘The Call.’ In that painting, the under-painting is restricted to neutrals, whereas in these the local color (still well towards neutral, however)…

The works in Virgie Ezelle Patton’s show at William Busta span the last two decades. That’s a lot of time to cover in a typical exhibition, but not enough time for a retrospective, especially for an artist born in 1928. All works on view were done after the artist reached 65. I mention this because…