Her work is the result of her interest in the primitive, the body, and the senses.

She works largely with formlessness.

Her practice is focused on her research on matter, which she exposes in a raw naked way: matter becomes body.

The works originate from basic shapes, roughly manipulated, so that their angles and edges disappear. The initial geometry is lost in an organic deformity.
Her sculptures suggest the idea of the body through flesh, and its precarious solidity.

In a wide range of formats and sizes, her sculptures highlight process, through tactile marks, scratches, and object-based prints.