Wednesday, 31 July 2013

Another crucial element when it comes to creating
attraction between a hero and heroine is likeability. Now I’m not saying
that the hero and heroine will necessarily like one another all the time. In
most romance novels, sparks are usually flying, and it’s fair to say that the
hero and heroine don’t always see eye to eye on matters. But in a good romance
novel the hero and heroine will often find themselves liking each other – even
if it’s against their will.

Leading on from this is the idea of humour as an
import aspect of attraction. In a heated discussion between the hero and heroine,
what often diffuses the scene, and also adds to the likeability factor between
the two characters is humour. Nothing is more likely to create a buzz between
your two main characters than some humorous exchanges.

Humour and intelligence are often linked, and when
two characters connect, it’s because they have an appreciation for each other’s
mind or way of thinking. This is a very important element of attraction because
if two characters cannot connect on an intellectual level, then they’re doomed
as a romantic couple… just think of Mr and Mrs Bennet in Pride and Prejudice
for a telling example of a couple who were mismatched intellectually… If the
heroine never catches the hero’s jokes, or she finds him an inferior
intellectually, any attraction between the two will fizzle out after a while,
and die.

Mr and Mrs Bennet from the BBC version of Pride and Prejudice

Now I’ll come to the final element of attraction – which
being the most obvious, I’ve left till last… and this is physical attraction!
The hero and heroine must find each other physically attractive otherwise the
relationship will never get off the ground, let alone approach anywhere near an
altar.

Do you have any other aspects of attraction you’d like to
add to my list? If so, please leave a comment…

Monday, 15 July 2013

In my previous post I outlined three important elements
that create attraction between a hero and heroine in a romance novel, namely mystery,
desire and confidence.

Another important aspect in creating attraction between a
man and a woman is unpredictability. In the beginning of a relationship
the hero shouldn’t be able to predict the heroine’s behaviour, and vice versa.
This generates romantic tension in a relationship, which creates an interesting
dynamic between the hero and heroine. Of course, as the romance progresses the
main characters will become more familiar with each other, in that they’ll
start to know each other better, but this shouldn’t make them predictable.

What adds to the attraction between a man and a woman is
some sort of challenge. The hero should find the heroine challenging in
some way. Even if you’ve created a meek and mild heroine, something in her
demeanour should challenge the hero. For instance, the hero might find it
exciting to see if he can discover whether passion lurks beneath the quiet
surface of the heroine; or he might try and find out why she behaves in a
particular manner with certain people, while behaving quite differently around
him…

The heroine should also find the hero challenging – either
to her ideas about love and life in general, or something in his personality should
intrigue her to get to know him better.

Social status is another
important aspect of attraction. This doesn’t mean that the hero must be a
powerful, wealthy character, but he should be able to command some sort of
respect from the people around him. It boils down to a natural authority the
hero should command, to be well… a hero! A similar thing applies to a heroine –
she should have aspects of her character that other people admire, because
think about it – if no one in the book likes and respects her, why would a
reader bother to spend time with her between the covers of a book?