7 Second edition of the workshop Final Cut in Venice (August 31 September 1) The Venice International Film Festival, in collaboration with the Festival International du Film d Amiens and the Festival International de Films de Fribourg, presents the second edition of the workshop FINAL CUT IN VENICE, which will take place from August 31 to September 1, 2014 as part of the Venice Film Market. The films in post-production selected for the second edition of Final Cut in Venice are: The Council by Yahya ALABDALLAH (Jordan, United Arab Emirates) I Have a Picture by Mohamed ZEDAN (Egypt) A Maid for Each by Maher ABI SAMRA (Lebanon, France) Possessed by Djinn by Dalia AL KURY (Jordan, Germany) Rollaball by Eddie EDWARDS (South Africa, Ghana) Tee Shirt Man by Tovoniaina RASOANAIVO (Madagascar) The Venice Film Festival intends to provide concrete support to complete films coming from African countries, from Jordan, Lebanon, Palestine and Syria. The Final Cut in Venice workshop consists in a two-day session during which the work-in-progress copies of the 6 selected films will be presented to producers, buyers, distributors and organizers of international film festivals, to facilitate their post-production process, promote possible co-production partnerships and access to the distribution market. There will be opportunities for networking, encounters and gatherings in which the directors and producers can meet the participants in the workshop. Final Cut in Venice is held in collaboration with Mactari Mixing Auditorium, CNC, Knightworks, Titra TVS, Festival International du Film d Amiens, Festival International de Films de Fribourg, Île de France Film Commission, Institut Français and starting this year Laser Film, Rai Cinema, Sub- Ti Ltd and the Organisation Internationale de la Francophonie (OIF). The Prizes The workshop will end with the award of prizes in kind or in cash, intended to provide financial support for the films during post-production: 15,000 euro for the color correction of a feature-length film offered by Laser Film (Rome) for up to 50 hours of work (technician included); a discount of 15,000 offered by Mactari Mixing Auditorium (Paris) for the sound mixing; 10,000 for the purchase of two-year broadcasting rights by Rai Cinema; 10,000 for post-production costs to be carried out in France, offered by CNC Centre National du Cinéma et de l Image Animée (Paris); Up to 10,000 for visual effects and special effects, offered by Knightworks; Up to 10,000 for digital color correction, for the production of a DCP master and French subtitles, offered by Titra TVS (Paris); Up to 6,000 for the production of a DCP master and the Italian or English subtitles, offered by Sub-Ti Ltd. (London). 5,000 offered by the Organisation Internationale de la Francophonie (OIF) to an African or Arab film from a member-country of La Francophonie. A 35mm print (without subtitles) or the participation in the production costs of a DCP, offered by the Festival International du Film d Amiens; A 35mm print (without subtitles) or the participation in the production costs of a DCP, offered by the Festival International de Films de Fribourg; The prizes will be awarded at the discretion of the Director of the Venice Film Festival, assisted by the partners in the project, and the executives of the institutions and service companies underwriting the prizes. All decisions will be final Biennale College Cinema The 71st Venice Film Festival will screen the three feature films selected, developed and produced at Biennale College Cinema, a laboratory for advanced training dedicated to the production of low cost films. The laboratory was created by the Biennale di Venezia in 2012 and is open to young filmmakers from all over the world. Blood Cells by Joseph Bull (director, United Kingdom), Luke Seomore (director, United Kingdom), Samm Haillay (producer, United Kingdom), Ben Young (producer, United Kingdom) (first work); with Barry Ward, Hayley Squires, Francis Magee, Jimmy Akingbola, Keith McErlean, Chloe Pirrie, Silas Carson, Hannah Hornsby, Lauren Goodwin. H. by Rania Attieh (director, Lebanon), Daniel Garcia (director, USA), Shruti Rya Ganguly (producer, India), Pierce Varous (producer, USA) (second work); with Robin Bartlett, Rebecca Dayan, Will Janowitz, Julian Gamble. Short Skin by Duccio Chiarini (director, Italy), Babak Jalali (producer, Iran/United Kingdom) (first work); with Matteo Creatini, Francesca Agostini, Nicola Nocchi, Miriana Raschillà, Bianca Ceravolo, Michele Crestacci, Bianca Nappi, Crisula Stafida, Francesco Acquaroli, Lisa Granuzza di Vita. Biennale College Cinema, organized by the Biennale di Venezia in partnership with Gucci, is supported by the Ministry of Cultural Heritage and Activities Cinema Head Office, and the Veneto Region. Academic collaboration is provided to Biennale College Cinema by New York s IFP, the Dubai International Film Festival, Torino FilmLab and the Busan International Film Festival. Alberto Barbera is the Director, Savina Neirotti is the Head of Programme. July 1 marked the conclusion of the application period for the third edition ( ) of Biennale College Cinema. Applications were received from over 70 countries. In the upcoming weeks, the selection process will be held to choose the next 12 projects and teams which will be invited to participate in the first workshop in October, the initial stage of a development process that will conclude at the 2015 Venice Film Festival with the projection of three new low-cost films. The names of the 12 selected projects will be announced during the Biennale College Cinema press conference at the Lido on the 31 of August.

8 Join the VFMPlatform! The VFMPlatform (www.venicefilmmarket.com) for the Industry Gold and Industry Trade accredited is the online tool to plan beforehand your agenda in Venice and to consult in real time all your needs. HOW TO LOGIN: Go to and enter your (the one you used for the Venice Film Market accreditation) and the code mentioned on the frontside of the accreditation badge. The platform includes: agenda, news, participant profiles, Digital Video Library Catalogue, venues, maps and useful information, social wall. Agenda: every event that is a part of the program of the Venice Film Market is published in the platform s agenda. A timeline in the homepage dynamically give an overview of all the scheduled events. Every event is marked and a tooltip gives a description of it. News and Special Events: is an area focused on important updates and events. A notification system is be integrated in this area, so that every registered user can receive short messages related to the very latest news, according to his/her specific fields of interest and competence, and according to his/her classification as a buyer or a seller. Participants: this area contains the profiles of all Accredited and other categories of users (e.g. Film Commission, Producers). Visit the profiles and get in contact with them by in order to share opinions or set up a meetings. Venues: information on the exclusive locations of the Venice Film Market as well as a map and instructions on how to get there, is accompanied by a gallery of images in a dedicated area of the digital platform. Search engine for the DVL: the platform includes an internal search engine based on keywords (e.g. title, abstract, actors) for the Digital Video Library database, that allows you to view films from the official selection of the festival and titles submitted through the Venice Film Market. Social Wall: share your opinions and comments on meetings, screenings, venues and all the other aspects of the Venice Film Market. If you want to use the VFMPlatform as a promotional tool for your film - s, SMS, advertising - please get in touch with mob The VFMPlatform is presented by La Biennale di Venezia and Expo Venice. 12

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