Students will explore a range of approaches, techniques and mediums, both traditional and experimental.
The units incorporate art history and theory, contemporary practices, linear perspective, colour theory, design principles and collaborative projects.
Excursions, gallery visits and artist talks are also included in the program.

A minimum deposit of 25% must be paid before Thursday 7th of February to secure a place in this course.

To book and pay in person come into reception at Castlemaine Community House.

To book online click the icon below to go to our booking page:

Tutor Profiles:

Ana Radvovcich:

Ana Radvovcich has been teaching Art Pathways since 2010.

Ana’s art practice moves between drawing, painting, installation and object-based work. Recurrent themes in Ana’s work are Desire and the Sublime – these are explored through found-objects, text and imagery. She has been teaching drawing since 2009, employing both traditional and experimental techniques.

Ana holds a Bachelor of Fine Art – majoring in Painting, Curtin University, Perth, and completed a Master of Fine Art with a high distinction at RMIT, Melbourne, 2013.

Helen has been teaching art for over ten years and has taught printmaking, drawing and sculpture.

Helen’s studio work is informed by both outer and inner landscapes. Making it is a process of integrating past with present… of making what is invisible visible.

Her works reflect a deep affection for the landscape in which she lives, a landscape made richer by its man-made objects in their various states of decay.
She has a Masters degree in Visual Art (Printmaking) from Latrobe University and is represented by Marlene Antico Fine Arts in Sydney and (until recently) Art Galleries Schubert in Queensland.

“I have been a practicing artist since 1987. First studying at East Sydney Technical College and exhibiting in artist-run spaces, later I gained a BVA from San Francisco Art Institute, California. I have also studied Education and Science. From 1997 to 2011 I lived in the Northern Territory working as an artist and teaching in remote communities, Charles Darwin University and the Museum & Art Gallery of the Northern Territory. In 2015 I relocated to the Castlemaine, Victoria.

I have a studio-based practice that is informed by travel and artist residences. My research aims incorporate autobiographical investigation expressed through the depiction of built environments. Themes of memory, history, abstraction and intervention underlie my subject matter. I have a diverse studio practice centred on drawing, painting and sculpture.”