Wednesday, May 31, 2017

The recent passing of SOUNDGARDEN's CHRIS CORNELL has been a blow to the music industry and has left many asking 'why'? Unfortunately the phenomenon of charismatic front men from the Seattle area passing before their time is due has cast an eerie pall over a city famed for bringing back rock n roll's uncompromising edge. From the opposite end of the country (Atlanta, Georgia to be exact) is the band LULLWATER who have taken tremendous inspiration from the sounds of Seattle. Hell, the band even relocated to the Pacific Northwest and one can hear that inspiration on the band's previous efforts SILHOUETTE and REVIVAL. If their back catalog hasn't convinced you, than their forthcoming release SEATTLE SESSIONS will. Their embrace of the Seattle sound is worn proudly on the band's sleeve in this live recording where the band's cover of the PEARL JAM classic RELEASE. You can call this forthcoming EP a grunge tribute but LULLWATER manages to keep these solid performances raw and unflinching, on their own terms.

Tuesday, May 30, 2017

The element of surprise is what keeps a publication like ours going, and we've got to say that the Martin, South Dakota - based heavy metal band UNCOMMON KNOWLEDGE has indeed surprised the hell out of us with an electrifying live set that they had put on recently at the ALBUQUERQUE CENTER FOR PEACE AND JUSTICE. At the moment that band is on a tour throughout the Southwestern United States in promotion of their brand new single FALLEN STAR and while this series of shows is taking place in small venues, we feel that it is only a matter of time before the venues and the band become much bigger. UNCOMMON KNOWLEDGE is a band made up of varying members of local South Dakota bands RAZOR CHAIN, NUCLEAR DECADENCE and LOST IN IRRELEVANCE. Together, these Lakota brothers-in-arms are determined to bring their brand of metal to the masses and leave a profound impression on listeners throughout Indian Country and beyond.

Monday, May 29, 2017

There are all kinds of professions that are keeping the music industry
an industry. You've songwriters and producers and the heads of
independent record labels but none of those professions and business
models would mean anything without the actual music makers creating the
very thing that separates this industry from everything else. Before
becoming the owner of the indie label RAVE ON RECORDS, FRANK
MIGLIORELLI had written and recorded an extensive catalog of music used
for advertising agencies, video game projects, children's publications
and television. Eventually, MIGLIORELLI made that life altering
decision to start writing music for himself and after listening to
FRANK MIGLIORELLI & THE DIRT NAPPERS latest release BASS, DRUMS,
GUITARS AND ORGANS, we are indeed grateful. The straight-ahead
production and approach to rock n roll showcases MIGLIORELLI's
strength's as a songwriter in the vein of JOHN HIATT and the band's
considerable chops. The band's rhythm section is comprised of TONY
TINO on bass, PHIL CIMINO on drums and ERIC PUENTE on percussion.
Rounding out the sound are JEREMY BAUM on organ, ANDY STACK and DUCAN
CLEARLY on guitars, MIKE BOOKER HEAPHY on steel guitar and backing
vocals but SHERRYL MARSHAL, STEVE CHIZMADIA and DAN PELLETIER. With
such a wide cast of talent, BASS, DRUMS, GUITARS AND ORGANS brings rock
n roll back to the days when it truly popped with melodies, hooks and a
spirited delivery. Some things never should've gone out of style.

Friday, May 5, 2017

Since we're on the subject of crazy, talented seventeen-year olds, we're going to be turning our attention to singer songwriter MEGAN FLECHAUS. As a publication, we've made mention of the fact that rock n roll is no longer the music of the day and that goes double for anything that can be described as folky an introspective but that in no way takes anything away from FLECHAUS' hard hitting new album NEW. Rather than go it alone,with just an acoustic guitar FLECHAUS brings a full band tot eh proceedings, elevating her knowing and heartfelt songcraft to some pretty rocking heights.

Ah! A boy wonder who writes and plays every bloody instrument on his latest release! It sounds like a novelty these days but in the case of RAY GOREN, it's just the way that the seventeen year old whipper snapper does business. RAY is certainly no stranger to us here at ROCKWIRED. We practically heard this young man grow up before our very ears with a sound that spans gut bucket blues to all out rock n roll. The kid's musicality is a knowing one and has captured the ear of JIMI HENDRIX's legendary producer EDDIE KRAMER who continues to mentor this one-of-a-kind talent. One his newest release FREE, GOREN widens his musical palette to include strong R&B and hip hop flourishes.

2017 marks the 25th anniversary of a moment in time when rock n roll gave itself a grunge-y make under and took a rough and raw approach to getting people to bang their heads. If you're reading this we don't need to drop names or mention that these guys were largely from Seattle. At around the same time there was a jam band out East making there presence known in frat houses on the Villa Nova campus. Such an inconspicuous beginning for a band but didn't the CHILI PEPPERS start out the same way? Aside from gaining a massive following thanks to their electrifying live sets, RUGBY ROAD is a band that has achieved something spectacular. They have stuck it our for over 25 years now and their latest EP RUGBY ROAD III only goes to prove that these committed troubadours are all to eager to keep giving the people what they want - music that can get a crowd going.

About Me

ROCKWIRED.COM was launched on New Years Eve of 2004 as a means of promoting the weekly internet radio show ROCKWIRED LIVE (which LUSH produced and hosted from January 2005 to April 2009). As a means of attracting listeners, LUSH turned the website into a forum where artists could discuss their life and work. This forum became known as the ROCKWIRED ON-LINE EXCLUSIVE and after being billed as such, LUSH noticed something curious. “The number of people who came to ROCKWIRED.COM for the printed interviews was exponentially larger than the number of people that tuned in for the weekly broadcast.” says LUSH. “The website was launched as a satellite for the radio show and eventually the show became the satellite for the website. I never saw that coming.”