Tanith Lee

Well, it’s been an exciting few weeks from a writerly point of view. I’ve finished a first draft of the next novel (working title ‘Crashing Heaven’, but I suspect that will change), drafted a novella, had a wonderful – and very productive – time at this year’s Milford Writers’ Workshop, and have the launch of ‘The Immersion Book of SF’ (with my story ‘Golden’ in it, plus fiction from Tanith Lee, Lavie Tidhar, Aliette de Bodard, Chris Butler and others) to look forward to on Friday.

More later on Milford, and hopefully you’ll see both novella and novel in print sometime soon. Instead of going into detail on them, I thought I’d write a little about ‘The Immersion Book of SF’, as some comments that editor Carmelo Rafala makes in his introduction have been resonating with me quite deeply.

He describes wanting to put together an anthology ‘where each story was so vastly different from the other, that I felt like I’d visited a dozen or so different worlds by the time I’d put the book down’. In doing so, he hopes that he’s put together ‘a collection… as varied and entertaining as those I’d read when I was a youth’.

I grew up reading both the more formally recognised classics, and whatever pieces of genre mayhem I could get my hands on. The latter came to me in a variety of ways, often quite accidentally, and usually in anthologies of one kind or another. As Carmelo says, they were a great way of reading very widely, very quickly, and thus discovering just how many different subjects genre fiction could cover, and how many effects it could achieve within them.

My junior school library had stacked issues of 50s educational mag ‘Look and Learn’, buried in boxes. Each one contained a couple of pages of astonishing comic ‘The Trigan Empire’, plus various other marvellous bits and pieces. 2000AD was basically a weekly compendium of wondrous (and highly intelligent) weirdness.

My local library was well stocked with vintage fantasy and SF compilations. I found my favourite book of horror stories (a huge, superbly edited anthology from the 60s) in a jumble sale somewhere. It cost me 50p, and gave me at least ten years’ reading pleasure, if not more. And of course there were the various OUP and Virago ghost story anthologies – Christmas presents from my folks (thank you!).

Anyway, all this vaguely Proustian recollection has a point. I owe my passion for genre fiction as much to this slightly random collection of anthologies as to any more formal reading plan. And so it’s hugely exciting to think that a story of mine is going off into the world in a modern version of one of those collections; and that someone might come on that anthology, either buying it new, or pulling it off a library shelf, or in a jumble sale somewhere, and find in it the kind of formative thrill I found in all those books, all those years ago.

And of course, if you want to explore those strange new worlds yourself, you can pick up your own copy of ‘The Immersion Book of SF’, right here… Happy voyaging!