Tuesday, October 1, 2013

Black Milk discusses his new album via Skype at the Drake in advance of his Mod Club show Oct 15.

Known for his progressive and
boundary-pushing style, Black Milk's anticipated new No Poison No Paradise finds the always on-point Detroit producer/MC going back to hip hop basics. While
2010's Album of the Year was an album of dense and heavily layered
sounds, the new record will have a more stripped-down approach,
relying on sample driven beats to support much more elaborate narratives.

The decision to move operations from his D-town home base played an important role in his recent burst of activity which resulted in the Record Store Day release of his vinyl-only instrumental set Synth Or Soul – the first in a collaborative series of EPs with illustrator Upendo Taylor called Fuzz, Freqs, & Colors – and his forthcoming album (due October 15) both on his new Computer Ugly label.

"Recording outside of Detroit for
the first time put me in a place without instant access to a lot of the
musicians, engineers, emcees and singers that I usually collaborate
with," Black Milk explains, "just me in a room with my equipment and my
thoughts." Although he did have a few guests drop by for a visit during the sessions, namely Dwele, Robert Glasper and Black Thought from The Roots.

"I
wanted to focus more on storytelling and having a collection of songs
with subjects that tie into one another," he continues, suggesting that No Poison No Paradise is very much a concept album which functions as a series of dream sequences drawn from the subconscious mind of the fictional character Sonny
Jr.

In the track Perfected On Puritan Ave. (below), Sonny flashes back to a time when he and his childhood
friend are playing basketball and aspiring to be NBA stars or rappers then flashes forward to find Sonny living some of his
childhood dreams. Along the way, Black Milk also touches on the experiences of some of Sonny's peers, weaving and bobbing
in a non-linear narrative. "Just like a dream, the scenes are always
changing and sometimes feel random and inconsistent," he
explains. "It's a mixture. Some songs and stories are told from Sonny's
older self, some from his younger days, and some from a third person
perspective."

Though not a direct first person account of his own
life, the themes Black Milk explores on No Poison No Paradise arose from the experiences he had growing up in a working-class Detroit
neighborhood as well as the internal conflicts of maintaining
inspiration and integrity as a musician. For more information about the No Poison No Paradise listening party at the Drake Hotel on Wednesday (October 2) from 6 pm to 10 pm and/or to RSVP, go here