]]>http://blog.dedeland.com/2017/09/guitars-reverb-and-basses-soundscape-with-a-little-piano/feed/0A track for a compilation remembering the late Bassel Khartabilhttp://blog.dedeland.com/2017/09/a-track-for-a-compilation-remembering-the-late-bassel-khartabil/
http://blog.dedeland.com/2017/09/a-track-for-a-compilation-remembering-the-late-bassel-khartabil/#commentsSat, 16 Sep 2017 09:52:23 +0000http://blog.dedeland.com/?p=631Out Of The Cave (El Tala)
I played two charangos, two flutes (bamboo from bali and plastic flutophone from the USA), I sang four part harmonies, I played some percussion: bombo and kuntrun (from Argentina), plastic tubes, derbouka (from Turkey) and a hi pitched filtered percussion loop (that served me as metronome).
The convolution reverb used is from “Buffalo Cave”, wherever it is.

Image by Laura Agusti

This track is featured in the compilation “a future in commons” dedicated to Bassel Khartabil

https://afutureincommons.bandcamp.com/

Other tracks I created to support Bassel’s liberation and then to honour his memory when he was executed, are here:

]]>http://blog.dedeland.com/2017/09/strings-and-synthesizers-inspired-by-the-great-angelo-badalamenti/feed/0“Commons” naive track taken back from the dark of my vault….http://blog.dedeland.com/2017/09/commons-naive-track-taken-back-from-the-dark-of-my-vault/
http://blog.dedeland.com/2017/09/commons-naive-track-taken-back-from-the-dark-of-my-vault/#commentsThu, 14 Sep 2017 15:45:47 +0000http://blog.dedeland.com/?p=627A simple and sensitive track taken back from the dark of my vault….

http://blog.dedeland.com/2017/08/new-film-noir-instrumental-cues-black-nylon-string-bass-guitar/feed/0Orchestral soundscapes, real strings and library samples combinedhttp://blog.dedeland.com/2017/07/orchestral-soudnscapes-ral-strings-and-library-samples-combine/
http://blog.dedeland.com/2017/07/orchestral-soudnscapes-ral-strings-and-library-samples-combine/#commentsFri, 14 Jul 2017 09:23:46 +0000http://blog.dedeland.com/?p=598Some are orchestral instrumental tracks, some more like a “soundscape” and drone/ambient oriented, some other more plain classical.