Crime Scene: Barbie's murderhttps://www.gaudry.be > Photo > Galerie[62]07/05/2020- Dernière modification le 22/05/2020 A fairly straightforward case you might think. So did the police in 1991.
Barbie was friendly with Blaine, an Australian surfer who worked part-time for her as gardener, during her split with Ken.
The cause of death was multiple stab-wounds –18 in all – to the chest and abdomen (but as the head is not here, perhaps is it the real cause of death: Does she have long lived without a head like some other women?). The medical examiner estimated that it had taken the injured woman between 15 and 30 minutes to die after the initial assault. The time of death was not difficult to establish as Mrs. Barbie Handler had telephoned a friend at 11:48 am on that fateful Sunday but had failed to arrive at the Davis' at 1 pm (Jessie and Woody Davis are the Barbie's neighbours)
According to the police who found the body, the door to the basement – the only means of entry or exit – had been barricaded by a collapsible bed and an iron bar, apparently placed there by the murdered woman to prevent the return of her assailant.
On the inside of the door was the message Ken m'a tuer – Ken killed me – traced with a finger in the victim's blood, and further away the same message again, incomplete this time and scarcely legible: Ken m'a t.. . There was also a bloody hand-print. The blood was later confirmed to be Mrs. Barbie's. Mot clé = mul (titre ou description) | Niveau = 17

...WHERE...https://www.gaudry.be > Photo > Galerie[63]07/11/2011- Dernière modification le 31/05/2020‘Transformatie’ en het fluisterbosGLOW - International Forum of Light in Art and Architecture
Eindhoven 2011 - 6th Edition - 'Illusion and reality'
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: TU/e campus, bij gebouw Impuls
About the project:
Michel Suk has used theatrical and design techniques to arrive at Transformation. In this work of light art he gives center stage to personal formation and development. Characteristic of Transformation are the multiples of knowledge and continuous innovation, nurtured from a common source: Eindhoven University of Technology. This energy is enclosed and embedded in a steel tube and can only exit this tube through an organized structure in the metal. Only a purely pointed source of light unlocks and translates the structure in the metal into a circular projection. The result: a concentrically arranged light projection on the floor whose rings are not in contact with each other, but which do originate from the same source.
To illustrate knowledge, the wood has been changed as if by magic into a whispering wood, where one hears whispers of mysterious scientific formulae.
From Glow 2011 website.
Mot clé = mul (titre ou description) | Niveau = 18

...WHERE INNOVATIONS...https://www.gaudry.be > Photo > Galerie[64]07/11/2011- Dernière modification le 25/05/2020‘Transformatie’ en het fluisterbosGLOW - International Forum of Light in Art and Architecture
Eindhoven 2011 - 6th Edition - 'Illusion and reality'
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: TU/e campus, bij gebouw Impuls
About the project:
Michel Suk has used theatrical and design techniques to arrive at Transformation. In this work of light art he gives center stage to personal formation and development. Characteristic of Transformation are the multiples of knowledge and continuous innovation, nurtured from a common source: Eindhoven University of Technology. This energy is enclosed and embedded in a steel tube and can only exit this tube through an organized structure in the metal. Only a purely pointed source of light unlocks and translates the structure in the metal into a circular projection. The result: a concentrically arranged light projection on the floor whose rings are not in contact with each other, but which do originate from the same source.
To illustrate knowledge, the wood has been changed as if by magic into a whispering wood, where one hears whispers of mysterious scientific formulae.
From Glow 2011 website.
Mot clé = mul (titre ou description) | Niveau = 19

Beauty of stagnation - 3https://www.gaudry.be > Photo > Galerie[65]09/11/2011- Dernière modification le 24/05/2020Beauty of stagnation (Michel Suk en Bart van Dongen)GLOW - International Forum of Light in Art and Architecture
Eindhoven 2011 - 6th Edition - 'Illusion and reality'
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: TU/e en Kennispoort
About the project:
On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019.
Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully.
Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes.
From Glow 2011 website.
Mot clé = mul (titre ou description) | Niveau = 20

Beauty of stagnation - 2https://www.gaudry.be > Photo > Galerie[66]09/11/2011- Dernière modification le 24/05/2020Beauty of stagnation (Michel Suk en Bart van Dongen)GLOW - International Forum of Light in Art and Architecture
Eindhoven 2011 - 6th Edition - 'Illusion and reality'
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: TU/e en Kennispoort
About the project:
On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019.
Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully.
Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes.
From Glow 2011 website.
Mot clé = mul (titre ou description) | Niveau = 21

Beauty of stagnation - 1https://www.gaudry.be > Photo > Galerie[67]09/11/2011- Dernière modification le 24/05/2020Beauty of stagnation (Michel Suk en Bart van Dongen)GLOW - International Forum of Light in Art and Architecture
Eindhoven 2011 - 6th Edition - 'Illusion and reality'
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: TU/e en Kennispoort
About the project:
On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019.
Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully.
Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes.
From Glow 2011 website.
Mot clé = mul (titre ou description) | Niveau = 22

Beauty of stagnation - 4https://www.gaudry.be > Photo > Galerie[68]09/11/2011- Dernière modification le 24/05/2020Beauty of stagnation (Michel Suk en Bart van Dongen)GLOW - International Forum of Light in Art and Architecture
Eindhoven 2011 - 6th Edition - 'Illusion and reality'
Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: TU/e en Kennispoort
About the project:
On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019.
Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully.
Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes.
From Glow 2011 website.
Mot clé = mul (titre ou description) | Niveau = 23

Istanbul, Topkapi palace - Imperial Council (Defterhāne)https://www.gaudry.be > Photo > Galerie[69]22/02/2012- Dernière modification le 08/05/2020Defterhāne
This picture shows the third chamber called Defterhāne.
Imperial Council
The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity.
The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II.
From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time.
The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers:
- The first chamber where the Imperial Council held its deliberations is the Kubbealtı.
- The second chamber was occupied by the secretarial staff of the Imperial Divan.
- In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive.
On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check.
In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol.
Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions.
From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan.
All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour.
Source: Wikipedia, the free encyclopedia - version 10Mar2012
Mot clé = mul (titre ou description) | Niveau = 24

Bernard Wright's strange househttps://www.gaudry.be > Photo > Galerie[71]05/05/2020- Dernière modification le 21/05/2020The story:At the edge of a cliff somewhere on the coast, stands a strange house with a whole section seems to have disappeared in the waves. This is where patient Rork, the mysterious man with white hair ...
Three days ago, Rork was contacted by Bernard Wright. He had finally decided Rork to follow him in his strange house, after telling him a strange story.
Bernard Wright bought the house two months ago, because this kind of place stimulates creativity. But strange rumors about the place, although at the beginning of its installation the young writer did not notice anything strange, if not the remains of a machine's usefulness in an unknown parts the remains.
The nightmare has actually started three days ago. After a slumber, Bernard Wright awoke to a letter written by him but the alphabet and the time of writing are unknown. The only certainty is this strange letter from his hand.
Having heard of the immense knowledge of ancient writing Rork, so he decided to call on him to solve this riddle ...
Referring to "A Century for a house" where Rork met the young writer Bernard Wright.Mot clé = mul (titre ou description) | Niveau = 26

Bernard Wright's strange house - Chimneyhttps://www.gaudry.be > Photo > Galerie[72]25/04/2020- Dernière modification le 16/05/2020The story:At the edge of a cliff somewhere on the coast, stands a strange house with a whole section seems to have disappeared in the waves. This is where patient Rork, the mysterious man with white hair ...
Three days ago, Rork was contacted by Bernard Wright. He had finally decided Rork to follow him in his strange house, after telling him a strange story.
Bernard Wright bought the house two months ago, because this kind of place stimulates creativity. But strange rumors about the place, although at the beginning of its installation the young writer did not notice anything strange, if not the remains of a machine's usefulness in an unknown parts the remains.
The nightmare has actually started three days ago. After a slumber, Bernard Wright awoke to a letter written by him but the alphabet and the time of writing are unknown. The only certainty is this strange letter from his hand.
Having heard of the immense knowledge of ancient writing Rork, so he decided to call on him to solve this riddle ...
Referring to "A Century for a house" where Rork met the young writer Bernard Wright.Mot clé = mul (titre ou description) | Niveau = 27

Des hommes comme vous et moihttps://www.gaudry.be > Photo > Galerie[75]30/04/2012- Dernière modification le 22/05/2020The museum Ramioul:
The museum is designed to encourage visitors not to look at prehistory from the outside but rather to make him live it by experiencing the sensations of prehistoric man.
The exhibition collections refuses to privilege the public scholar, it aims instead to familiarize the visitor with prehistoric life itself rather than with the representation given by the Archaeology. The chronology is not the main theme of the course. The museum is structured according to themes of prehistoric life in order to create a genuine relationship between the daily life of the visitor and that of prehistoric man. For this purpose, the concept expographique refers to his daily life, in a participatory approach and a variety of scenic resources: interactive terminals, multimedia projections, reconstructions, facsimiles to handle, ...
The cave Ramioul:
The cave Ramioul is a treasure of natural heritage and archaeological Walloon. It is a listed site of the Walloon Region. Discoveries that were made and the beauty of its concretions make it unavoidable.
Cave Ramioul extends to within one kilometer of the cave Engis which were discovered in 1829, the first Neanderthal fossils in the world. "Chercheurs de la Wallonie" fought for many years to preserve it, and it narrowly escaped the shots backhoe. Since its inception, Prehistoric - Museum of Prehistory in Wallonia, has made every effort to conserve, preserve and enhance this jewel stone and its biodiversity.
The upper level of the cave has archaeological interest. The terrace was cleared in progressively different excavations. In October 1908, A. Vandebosch and her team of "Chercheurs de la Wallonie" discover the Neolithic ossuary of "triangular cave" that overlooks the terrace of the cave when masked by sediments. Shards of pottery, faunal remains, some stone tools and numerous body parts belonging to seven children and dated + / -2750 years BC have been unearthed. Continued excavations beneath the ossuary and the release of the entry in 1911, leading the researchers to explore the cave itself. It delivers the tools belonging to Palaeolithic industries as well as faunal remains of now extinct species (bear, lion, cave hyaena, wolf, woolly rhinoceros, mammoth).
On the terrace, two archaeological layers were identified. The first was attributed to the Upper Palaeolithic to Aurigacien (+ / - 30000ans BC) and contains various tools slide and faunal remains consumed. The second oldest (+ / - 70000ans BC), contains tools and Middle Paleolithic characteristics attributed to Keilmessergruppen (Neanderthal).
Cave Ramioul contributes to the dialogue between past and present. She is behind the Museum of Prehistory in Wallonia and participates in the ongoing dialogue established between the prehistoric sites of excavation, the archaeological material and the public.
Source: www.ramioul.orgMot clé = mul (titre ou description) | Niveau = 30

Glow tour 2012: Groupe LAPShttps://www.gaudry.be > Photo > Galerie[78]17/11/2012- Dernière modification le 23/05/2020Groupe LAPS - KeyframesGLOW - International Forum of Light in Art and Architecture
Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City'
From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Location: Politiebureau Mathildelaan
About the project:
Groupe LAPS consists of six artists and designers with experience in film, lighting technology and multimedia applications. Together they developed Keyframes, a work on the intersection of film and sculpture.
Dozens of human figures in various poses, made up of LED tubes, light up one by one. Because the figures show up one after another continuously, the suggestion of movement arouses. Each figure marks a moment in a nocturnal narrative or dance. The light images are accompanied by a soundtrack composed especially for this installation.
Keyframes was designed in 2011 for the Fête des Lumières in Lyon, France and has traveled all over the world since. Before the work came to Eindhoven, it was exposed in Singapore and Jerusalem.
www.groupe-laps.org
More information: www.gloweindhoven.nlMot clé = mul (titre ou description) | Niveau = 33

Cellulose acetate film (Sicherheitsfilm)https://www.gaudry.be > Photo > Galerie[80]25/04/2020- Dernière modification le 16/05/2020 Cellulose acetate film, or safety film, is used in photography as a base material for photographic emulsions. It was introduced in the early 20th century by film manufacturers as a safe film base replacement for unstable and highly flammable nitrate film.
Beginning with cellulose diacetate in 1909, this innovation continued with cellulose acetate propionate and cellulose acetate butyrate in the 1930s, and finally in the late 1940s, cellulose triacetate was introduced, alongside polyester bases. These less flammable substitutes for nitrate film were called safety film.
The motion picture industry continued to use cellulose nitrate supports until the introduction of cellulose triacetate in 1948, which met the rigorous safety and performance standards set by the cinematographic industry. The chemical instability of cellulose nitrate material, unrecognized at the time of its introduction, has since become a major threat for film collections.
Decay and the "vinegar syndrome"
The first instance of cellulose triacetate degradation was reported to the Eastman Kodak Company within a decade of its introduction in 1948. The first report came from the Government of India, whose film was stored in hot, humid conditions. It was followed by further reports of degradation from collections stored in similar conditions. These observations resulted in continuing studies in the Kodak laboratories during the 1960s.
Beginning in the 1980s, there was a great deal of focus upon film stability following frequent reports of cellulose triacetate degradation. This material releases acetic acid, the key ingredient in vinegar and responsible for its acidic smell. The problem became known as the "vinegar syndrome."
Source: WikipediaMot clé = mul (titre ou description) | Niveau = 35

NATO Antennahttps://www.gaudry.be > Photo > Galerie[81]23/05/2020- Dernière modification le 30/05/2020The antenna
The construction of this ground station began in 1969, and the multi satellite antenna is operational since 1971. Since January 2013, the dismantling of the site is ongoing as part of the modernization of satellite telecommunication centers of NATO, and new ground stations with multiple antennas should be located on the current site, but also Lunghezzano (Verona, Italy), as well as single antennas Oglaganasi (Turkey) and Atalanti (Greece).Mot clé = mul (titre ou description) | Niveau = 36

Eindhoven Philips stadionhttps://www.gaudry.be > Photo > Galerie[82]16/11/2013- Dernière modification le 24/05/2020ClashlightGLOW - International Forum of Light in Art and Architecture
Eindhoven 2013 - 8th Edition - 'Urban Playground'
From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Artist: Noralie
Location: Philips stadion
About the project:
This year, the Philips Sport Association celebrates its centenary. That, coupled with this year’s theme ‘Urban Playground’, is a great excuse to pay tribute to the football stadium by including it in the light art route.
Clashlight visualises the identity of the Philips Stadium. When you think of football stadiums words like harmony, competition, power, winning, struggle and pride always come to mind. The typical sounds of the Philips Stadium are fused into a composition. We hear the cheering of supporters, the train racing by and the reverberations of a concert by Guus Meeuwis. The Philips Stadium is, moreover, the only Stadium that has its ‘roots’ in light. So, inevitably, lamps and light are the stars of this show. The result is a multidisciplinary experience that blows away the public and shakes the complex to its foundations.
Source: gloweindhovenMot clé = mul (titre ou description) | Niveau = 37

Eindhoven glow 2013 - Noralie 1https://www.gaudry.be > Photo > Galerie[83]16/11/2013- Dernière modification le 21/05/2020ClashlightGLOW - International Forum of Light in Art and Architecture
Eindhoven 2013 - 8th Edition - 'Urban Playground'
From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Artist: Noralie
Location: Philips stadion
About the project:
This year, the Philips Sport Association celebrates its centenary. That, coupled with this year’s theme ‘Urban Playground’, is a great excuse to pay tribute to the football stadium by including it in the light art route.
Clashlight visualises the identity of the Philips Stadium. When you think of football stadiums words like harmony, competition, power, winning, struggle and pride always come to mind. The typical sounds of the Philips Stadium are fused into a composition. We hear the cheering of supporters, the train racing by and the reverberations of a concert by Guus Meeuwis. The Philips Stadium is, moreover, the only Stadium that has its ‘roots’ in light. So, inevitably, lamps and light are the stars of this show. The result is a multidisciplinary experience that blows away the public and shakes the complex to its foundations.
Source: gloweindhovenMot clé = mul (titre ou description) | Niveau = 38

Eindhoven glow 2013 - Noralie 2https://www.gaudry.be > Photo > Galerie[84]16/11/2013- Dernière modification le 21/05/2020ClashlightGLOW - International Forum of Light in Art and Architecture
Eindhoven 2013 - 8th Edition - 'Urban Playground'
From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Artist: Noralie
Location: Philips stadion
About the project:
This year, the Philips Sport Association celebrates its centenary. That, coupled with this year’s theme ‘Urban Playground’, is a great excuse to pay tribute to the football stadium by including it in the light art route.
Clashlight visualises the identity of the Philips Stadium. When you think of football stadiums words like harmony, competition, power, winning, struggle and pride always come to mind. The typical sounds of the Philips Stadium are fused into a composition. We hear the cheering of supporters, the train racing by and the reverberations of a concert by Guus Meeuwis. The Philips Stadium is, moreover, the only Stadium that has its ‘roots’ in light. So, inevitably, lamps and light are the stars of this show. The result is a multidisciplinary experience that blows away the public and shakes the complex to its foundations.
Source: gloweindhovenMot clé = mul (titre ou description) | Niveau = 39

Eindhoven glow 2013 - Laserhttps://www.gaudry.be > Photo > Galerie[85]16/11/2013- Dernière modification le 23/05/2020GreenPower Lagoon MonsterGLOW - International Forum of Light in Art and Architecture
Eindhoven 2013 - 8th Edition - 'Urban Playground'
From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Artist: Davide Carioni & Lorenzo Pompei
Location: Kop van het kanaal
About the project:
Davide Carioni, also known as “Asker”, is a graphic designer, painter, graffiti artist and media artist. Together with Lorenzo Pompei of Laser Entertainment, a company that creates laser and multimedial shows, he has developed the GreenPower Lagoon Monster.
The work was first unveiled in Venice. The first patron saint of Venice was St. Theodore of Amasea, a Byzantine warrior who, legend has it, killed a dragon that was terrorising the town of Amasea. The story can be read as a metaphor for the victory of good over evil.
During GLOW, this legend is brought to life in a completely fresh, new way. The dragon appears as a terrifying sea monster, rising up out of the waters of the Eindhoven canal. Only now, it isn’t St. Theodore of Amasea who vanquishes the dragon, but the technology of Davide Carioni and Lorenzo Pompei.
Concept and 3d Motion Graphics by:
Davide Original Asker
Laser Graphics by
Lorenzo Pompei
Technical Concept and setup
Laser Entertainment. (italy)
Source: gloweindhovenMot clé = mul (titre ou description) | Niveau = 40

Eindhoven glow 2013 - GreenPower Lagoon Monsterhttps://www.gaudry.be > Photo > Galerie[86]16/11/2013- Dernière modification le 13/05/2020GreenPower Lagoon MonsterGLOW - International Forum of Light in Art and Architecture
Eindhoven 2013 - 8th Edition - 'Urban Playground'
From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light.
Artist: Davide Carioni & Lorenzo Pompei
Location: Kop van het kanaal
About the project:
Davide Carioni, also known as “Asker”, is a graphic designer, painter, graffiti artist and media artist. Together with Lorenzo Pompei of Laser Entertainment, a company that creates laser and multimedial shows, he has developed the GreenPower Lagoon Monster.
The work was first unveiled in Venice. The first patron saint of Venice was St. Theodore of Amasea, a Byzantine warrior who, legend has it, killed a dragon that was terrorising the town of Amasea. The story can be read as a metaphor for the victory of good over evil.
During GLOW, this legend is brought to life in a completely fresh, new way. The dragon appears as a terrifying sea monster, rising up out of the waters of the Eindhoven canal. Only now, it isn’t St. Theodore of Amasea who vanquishes the dragon, but the technology of Davide Carioni and Lorenzo Pompei.
Concept and 3d Motion Graphics by:
Davide Original Asker
Laser Graphics by
Lorenzo Pompei
Technical Concept and setup
Laser Entertainment. (italy)
Source: gloweindhovenMot clé = mul (titre ou description) | Niveau = 41

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