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Monday, 21 October 2013

Kirsty Wark at the Literary Luncheon in Ilkley

A familiar face
for most of her audience, which was sitting around tables in the long
restaurant room of the Wheatley Arms in Ilkley, Kirsty Wark spoke engagingly –
of course – about the books which have influenced her since her early days and
which she can not live without. For the enlightenment of non-British readers of
this blog, Kirsty Wark is best known as the long-term female presenter of the
nightly BBC current affairs programme Newsnight. She has also hosted the weekly
Arts and Cultural review and comment show, The Review Show, and has interviewed
a long list of famous and infamous people. On this occasion, she was
interviewed by the accomplished Ruth Pitt, a television veteran who knew
exactly which buttons to press.

After a message
from Chair of Brontë Society Council Sally Macdonald, who was unable to be
present, and which included a tribute to Bob Barnard, Kirsty Wark revealed that
she had entered the game herself as a novelist, with The Legacy of Elizabeth
Pringle, described as ‘a multi-generational story of love and belonging set on
the Scottish island of Arran’ after fielding jokey comments about her second
place in a Celebrity Masterchef series. “I used a different part of my brain I
didn’t know I had,” she told us. “The power of research is very important.
There was a prosaic start to the whole business. I had the bones of an idea
when I was on Arran a long time ago, then picked up the threads years later… I
don’t work quickly…and it is exhilarating to work with an editor. She calls
what she does ‘invisible mending’" The novel will be launched in March 2014, but can be ordered now.

The first book
she picked was a poetry book for reading out loud published in 1957 which
contains Boats sail on the rivers by Christina Rossetti, and the second was The
Rattlebag, the poetry anthology put together by Ted Hughes and Seamus Heaney.
“I just adore Seamus Heaney – a wonderful man – humane and sympathetic.” She
has interviewed him, naturally.

After diverting
briefly to architecture (“I love the buildings of Frank Lloyd Wright, but when
I read about him I found he was an absolute bastard who treated women very
badly”) she moved on to Robert Burns, and revealed
that, unsurprisingly, she had grown up learning Tam O’Shanter. “Oral
literature is so important, especially for your children.”

Sylvia Townsend Warner’s 1920s satirical novel Lolly Willowes, about a woman who moves out of town to
escape her appalling relatives and who becomes a witch, is greatly admired, by
herself (and by Donna Tartt, whom she has recently interviewed) because it is
“about the otherness of women” and it was at this point that she broke off to
speak about “the new misogyny”, quoting Germaine Greer, who thinks that “we are
in danger of losing all the gains made” for women. She was appalled (in tune
with everybody in the room, probably) by the “extraordinary fuss” and the
vicious comments from some which had accompanied the putting of Jane Austen’s
head on a banknote.

“I read Little
Women by Louisa May Alcott when I was about ten, sitting in a window seat. It
has never been out of print for good reasons… I recognized the scenes where
they are making jam and bottling plums, because that is what we did in our home
when I was a child.”

The theme of
displacement came next, and we were told about No Great Mischief by Alistair
McCloud, the title being a phrase from a statement by General Wolfe, famous for the storming of the heights
of Abraham at Quebec, who describes the members of the MacDonald clan who fought
under his command by writing in a letter, "They are hardy, intrepid,
accustomed to a rough country, and no great mischief if they fall." It is
mainly about leaving home and the old country, which links with her own family
history.

Ellis Lacey is the biddable daughter of at the heart of Colm
Toibin’s novel Brooklyn, an exile from County Wexford who ends up in New York.
“Toibin writes so brilliantly about women.”

Rider Haggard’s She was a surprising item on her list: “It
was originally chosen possibly simply because it was in the bookcase at home. Yes, it is
dated but it is a strong adventure story and it gives an insight into how
conservative colonialists thought at the time.”

After mentioning that she does not like using Kindle, she
moved back to strong women with Margaret Atwood’s Alias Grace, which she
considers to be better than The Handmaid’s Tale, “a lovely book which was made
into one of the most rubbishy films I have ever seen.”

We got to Wuthering Heights in the end. She has read it to
her children: horrified by
Heathcliff, they thought that the character had no redeeming features at all
and that the novel is full of cruelty. Perceptive children. She elaborated on
the theme of landscape-based writing and on timeless relationships (“Everybody
makes bad choices sometimes…”) and said that she disliked the film directed by
Andrea Arnold.

Donna Tartt must be fresh in her mind after the recent chat on the occasion of her new book Goldfinch. “She is a
wonderful author…she takes her time… she is captivated by the research… and she
left eight months of work on the floor.”

Kirsty Wark was definitely a popular choice of speaker,
warmly received, as they say, and much commented upon afterwards. Plenty of
people could be seen jotting down the titles. She went on to be interviewed by Ann Sumner at an event organised by the Ilkley Literature Festival at the King's Hall, before driving back to Glasgow.

1 comment:

This was indeed a very good, entertaining and thought-provoking talk, spoiled a bit by the tight, cramped conditions in the hotel room. regarding Wuthering Heights, I wish Kirsty had made some attempt to help her children to understand Heathcliff rather than let them condemn him.

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