Panasonic Lumix DMC-G3 Reviews

ExpertReviews reviews the Panasonic Lumix DMC-G3 and writes;“We’re happy to report that the G3’s noise levels are much lower than the G2’s and the GF2’s, despite the jump from 12 to 16 megapixels. The NEX-5 still has the advantage, though, producing similar results at ISO 3200 as the G3 at ISO 1600.”Rating:

HardwareZone reviews the Panasonic Lumix DMC-G3 and writes;“In the two days of manhandling the G3 and GF3 in Chiang Mai, both cameras performed up to speed with our expectations and were outstanding in their respective specialization. The G3 is best for its simplified SLR build, fast AF, speedy 4 fps performance and excellent noise control; the GF3 for its compact and light build, and iA-focused button layout. “Rating:

CNET reviews the Panasonic Lumix DMC-G3 and writes;“The bottom line: If you’re looking for a camera that’s not quite as big as a dSLR but doesn’t skimp on hardware controls or features like an articulated LCD, EVF and stereo full HD video, the G3 is one of my top options. But performance is hit-and-miss for shooting action, so you may end up having to go with something just a bit bigger, anyway.”Rating:

DCRP reviews the Panasonic Lumix DMC-G3 and writes;“the Panasonic Lumix DMC-G3 remains a well-designed, responsive, and easy-to-use compact interchangeable lens camera. Beginners will enjoy its Intelligent Auto mode and touchscreen interface, while enthusiasts have a good set of manual controls at their disposal, as well. “rating: N/A

ImagingResource reviews the Panasonic Lumix DMC-G3 and writes;“Default images out of the G3 are very good with regard to color fidelity and sharpness in the IA/IA+ modes – in part, I suspect, because the camera employs features such as Intelligent Resolution in the mix of settings for auto shooting. “rating: N/A

TrustedReviews reviews the Panasonic Lumix DMC-G3 and writes;“Overall, we remain mightily impressed by the specifications, handling, performance and overall image quality of the G3. Having spent some extended shooting time with it, we’re confident enough to say that it’s Panasonic’s best G-series model yet…If you’re looking to buy into the micro system camera genre, you should definitely consider the G3. “Rating:

Pocket-Lint reviews the Panasonic Lumix DMC-G3 and writes;“We were quite happy with the default images delivered by the camera, with both RAW and JPEG shooting offered. However, we also enjoyed delivering a little more in the way of contrast and colour saturation in-camera by delving into the G3’s newly re-named digital filters, split between Creative Control and Photo Style modes which we feel could have been amalgamated in terms of a single access point (one is found via the dial, the other via the record menu screens).”Rating:

Techradar reviews the Panasonic Lumix DMC-G3 and writes;“Panasonic appears to have a winner on its hands. The Panasonic G3 manages to combine the best elements of the G2 and GF2 and as a result is a camera that is likely to find favour with many enthusiasts, especially those who like street and reportage photography. While Panasonic has made strides in noise control and low light performance, the G3’s strength is in its small size and high-quality images in ‘average’ lighting conditions.”Rating:

PhotographyBlog reviews the Panasonic Lumix DMC-G3 and writes;“The new 15.8 megapixel Live MOS sensor achieves the very neat trick of increasing the resolution and improving the image quality at the same time, in particular moving things on in the ISO stakes, with noise not rearing its ugly head until ISO 1600. Recent DSLR users probably won’t be impressed by this feat, but in the world of Micro Four Thirds it’s a big advancement. Coupled with its sheer portability and all-round feature-set, this makes the G3 a great carry-everywhere camera, and also a very discrete one to boot.”Rating:

Imaging-resource reviews the Panasonic Lumix DMC-G3 and writes;“the Panasonic G3 is a fairly responsive camera overall, well-suited to handling typical family shots, though not a particularly good choice for really fast action. It’s quicker than the G2 in most respects, but still slower than most SLRs in almost every category. Autofocus and burst speeds are however competitive with lower-end SLRs which can’t be said for a lot of CSCs, but buffer depths are a little shallow.”rating: N/A

Panasonic Lumix DMC-G3 User Manual (PDF)

Panasonic Lumix DMC-G3 Features

Panasonic’s LUMIX DMC-G3 offers the benefits of a DSLR interchangeable lens system camera with a point-and-shoot camera’s compactness, light weight and simplicity. This reduction in size and weight is thanks to advancements in mirror-free viewfinder technology, and large DSLR format sensors that are more compatible with a new class of compact Micro Four Thirds (MFT) System lenses. This new class of Compact System Cameras (CSC) offers a weight and compactness not seen in traditional DSLRs, for greater portability and creative control. The DMC-G3 image resolution has been upgraded to 16.0-megapixels from its predecessor, the DMC-G2.

Panasonic Lumix DMC-G3 Highlights
Mode Dial and Hotshoe
The DMC-G3 provides a traditional DSLR-like experience with an external Mode dial for quick access to common modes like Program, Shutter and Aperture Priority, Manual. Additional dial settings include two Custom Modes, Scene Modes and the new Creative Control Mode. The DMC-G3 provides a dedicated video button that can be used to switch to video capture quickly without changing modes. Like most DSLRs, the DMC-G3 provides a built-in flash and hotshoe for connecting optional LUMIX flashes.

Lens Options and 3D Capture
LUMIX G Series Compact System Cameras utilize the Micro Four Thirds (MFT) System mount. MFT offers greater size and weight reduction in the lens without compromising lens performance and clarity. The LUMIX G MFT System offers a selection of 11 high performance fixed focal length and variable aperture G Vario zooms, including a highly versatile 3D lens capable of capturing both 2D and 3D images at the same time. There are lens adaptors available for mounting older Leica M and Leica R lenses, including older LUMIX full Four Thirds lenses. An innovative 14-140mm HD G Vario lens provides the best of video and still-image shooting with a long 10x range and near silent high-speed focusing. When connected to the DMC-G3, ultra fast focusing and auto subject track AF can be achieved.

Many Lumix MFT lenses come with MEGA O.I.S. (Optical Image Stabilization) built-in. This feature helps prevent blurring from hand-shake. Working together with the cameras intelligent ISO Control, which reduces motions blur by adjusting the ISO sensitivity if the subject moves, you’re sure to capture images that are sharp.

Dust Reduction System
As with many interchangeable lens cameras, dust on the sensor reduces image clarity. To eliminate this potential, The DMC-G3 uses a Dust Reduction System that uses a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 time per second, the filter repels dust and other particles effectively.

Touch-Enabled LCD Screen
At the heart of the DMC-G3’s improved functionality is a movable 3.0-inch LCD (460k- dot) that allows for intuitive touch control of menus and most shooting, focusing, playback and effects controls. Menus can be customized using simple drag-and-drop actions like those on most touch-enabled cell phones. This allows for a custom user interface, giving Quick Menu access to functions that can be tailored to any user’s expertise level. Even the shutter can be triggered from the touch-enabled LCD by simply touching the subject you want focused and captured. Using the touch-screen operation, a user can lock onto a subject, enabling AF Tracking in both still and video modes. When you’re ready to shoot, the subject will be in focus and ready to capture.

Live Viewfinder
For many, a traditional eyelevel viewfinder is still a must have. The DMC-G3 meets this demand with an eye-level electronic viewfinder that projects a high resolution 1.44m-dot image with 100% field of view (800×600, 0.7x magnification). Color breakup has been improved vs. the DMC-G2, resulting in smooth image viewing while panning.

HD Video Capture
The LUMIX DMC-G3 also shoots 1080/60i High Definition video using the AVCHD format (sensor output 30p). It offers a built-in stereo microphone and is available with Dolby Digital Stereo Creator. Advanced video sound controls include a wind-cut function that further enhances the sound as it helps reduce noise caused by background wind, and an L/R audio meter display for controlling audio levels.

Captured video can be played back in High Definition via an optional HDMI mini cable directly to an HD-compatible TV, or easily played directly on Panasonic VIERA TV via the SD card. New near silent focusing features offered in several Lumix Micro Four Thirds lenses helps keep lens noise at bay while the touch-enabled LCD allows you to automatically keep active subjects in focus with touch-enabled subject AF Tracking.

Manual control over focus is available in the DMC-G3 and has been greatly improved over DMC-G2. When magnification is first enabled at 4x by simply touching the subject, that subject is enlarged in a small window allowing you to keep the rest of the image in view as a framing reference. Beyond 4x, that small window fills the monitor so even more control over focus fine-tuning can be achieved. This handy feature is available from both the MF Assist (Manual Focus) and AF + MF focus modes.

The DMC-G3 now offers a larger LCD touch focus area vs. the DMC-G2. Now touch focus can be enabled from any part of the image as seen on the LCD. Unlike traditional DSLRs that limit the number and position of focus points, the DMC-G3 uses the entire image sensor and can even fine-tune focus with a new fine-tuning Pinpoint AF feature. When Pinpoint AF is enabled, the image is enlarged, allowing for pixel-level setting of the focus area desired. Once set, the DMC-G3 will use this fine-tuned focus point to produce a sharp, detailed image.

More Burst Shooting Options
Rapid burst control at various rates and resolutions. Capture full-resolution 16-megapixel images at up to 4 frames per second with mechanical shutter enabled, or an even faster 20 frames per second using the electronic shutter feature at a reduced resolution of 4- megapixels.

Intelligent Auto and Intelligent Auto Plus (iA, iA+)
The DMC-G3 has advanced functions that will satisfy experienced photographers, yet is easy enough for beginners to use comfortably in both photo and video recording modes with iA (Intelligent Auto) Plus. In the new iA Plus mode, the defocusing area, exposure control, and white balance can be adjusted for scenes where a slight manual adjustment may produce a more desired result.

Color and Effects
Using the new Photo Style Mode, popular color effects can be achieved. These settings can be further enhanced with fine-tuning of Contrast, Sharpness, Saturation and Noise Reduction. Color effects include: Standard, Vivid, Natural, Monochrome, Scenery, Portrait and Custom.

With the new Creative Control Mode, accessed from the Mode dial at the top of the camera, an expressive look to the image can be achieved without the need for complicated post-processing software. Common effects can be achieved via the touch-control menu as a pre-setting in an easy-to-understand “what you see is what you get” experience. Effects include: Expressive, Retro, High Key, Sepia, and High Dynamic.

Venus Engine FHD
The new Venus Engine FHD offers vastly improved compensation for electronic noise under low light and shadows where higher ISOs typically add grain to the image. Circuitry on the new 16-megapixel sensor further reduces low-noise signal problems at the pixel level and at the amplifier circuit level. As a result, higher ISOs with much lower noise can be achieved. This means faster action-stopping shutter speeds in low light, and a maximum achievable ISO of 6400.

The noise level of the DMC-G3 offer significant reductions in electronic noise vs. prior models. Noise is significantly suppressed by more than 66%. Notably in shooting at high ISO setting, S/N value is improved by approximately 200% compared with the conventional 12.1-megapixel sensor. The sensor performance improves by 6db at ISO 3200 and max. 9db at ISO 6400.

The new Venus Engine FHD uses new Intelligent Resolution technology to sharpen edge detail without softening fine details. In addition to maximizing edge and fine detail, the Venus Engine offers Intelligent D-Range Control. Intelligent D-Range Control enables maximum capture of the image’s full range of brightness, without blown-out highlights and mudding shadows.

Rival

Listed below are some of the rivals of the Panasonic Lumix DMC-G3 that competitive to sell photos online.

This entry was posted on Friday, March 22nd, 2013 at 2:50 am and is filed under Compact System Cameras, Digital Camera, Panasonic. You can follow any responses to this entry through the RSS 2.0 feed.
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