Christmas in the Heart of Texas

In a quiet neighborhood, a family compound gears up for the holidays

Slide 1 Of Christmas in the Heart of Texas

Werner Straube

Just beyond the bottlenecks of west Houston but well within the city limits, a bucolic civility reigns. Horses graze, peacocks strut, and a favorite antique carriage (a three-spring Studebaker trap, vintage 1910) glistens with spit and polish. Lisa and Jerry Simon and their extended family--most of whom live in the family compound--are gearing up for their annual holiday ride through the grounds and along the neighborhood's quiet, tree-canopied streets. Pulling the carriage this season are a pair of matched bays--Socrates, a Danish warmblood, and Roberto, his Dutch doppelgänger. This is the life--and has been for 65 years.

In 1945, Stewart Morris--now a shrewd 90-year-old and still very much the patriarch of both the family and its business, Stewart Title--and his wife, Joella, built a ranch-style home in an undeveloped area where they raised their three children--Lisa, Carlotta, and Stewart Jr. As an adult, Stewart Jr. was the first of the siblings to move back, building his home on six acres.

Two years ago, Lisa and husband Jerry returned. They bought four acres of adjacent land and built a plantation-style house that was influenced by the architecture of the late A. Hays Town--Southern, with a distinctive Creole flavor.

"It was inevitable that Lisa gravitate to this style," says her designer, Sandra Lucas. "She was raised with a love of the traditional decorative arts--her mother founded Houston's Museum of Southern History."

All things Southern segue gracefully into some things antebellum at the Simon home. Friends with the owners of Lousiana's Parlange Plantation--a circa-1750 French Colonial near Baton Rouge--Lisa made several trips there to soak up ideas. One result: Jerry's study, inspired by one of Parlange's octagonal pigeonniers.

"Though they weren't limited by the lot size, Lisa and Jerry had no interest in overbuilding," explains Lucas. They were resistant to excess and kept the home's footprint reasonable (three bedrooms and an open floor plan for entertaining groups). And as ardent recyclers, they embraced salvage. All of the exterior cypress doors are old, and the oak floors are cut from 19th-century beams. Bricks are antique, as are the kitchen's French clay tiles. The living room's limestone mantel also is 18th-century French. The eco-friendly house won the Houston ASID's Best Green Design for 2009.

"We wanted an extensive use of older materials and recycled elements," notes Lisa, president of MFT Interests and the family's foundation, and chairman of the board of Southern National Bank until its sale in 2006. "We scoured the Louisiana countryside to reclaim beautiful, timeless materials that would add the texture and create the interest we wanted in our home. We hoped to convey a collected feel and spent two years designing and planning."

Green design, at its easiest, means reusing what already exists. If there were a green design award for Christmas decorating, the Simons would be shoo-in winners for that, too. Lisa's grandmother crafted the Christmas stockings hanging in the kitchen 50-some years ago. Ditto for the felt holiday placemats and centerpiece. And the peacock feathers ornamenting the living room's 10-foot-tall Noble fir? "Our family's been decorating with peacock feathers for 65 years," says Lisa, pointing outdoors to "the Reverend," who routinely leaves his flock to hang with the humans and proudly show off his brilliantly plumed vestments.

Jerry, senior vice president and managing director for Northern Trust, is a passionate pianist during his downtime, embracing the tunes of iconic Texas musicians. (Texas singer-songwriter Shake Russell recently performed at the house for a fund-raiser.) Jerry's love of music resounds in the house's design. "Jerry's Steinway dictated the configuration of the great room," explains Lisa. The piano required careful placement to facilitate small home concerts and also to provide Jerry with a good view of the TV, so he can jam with televised concerts by his favorite musicians. "Lisa didn't want this huge TV to be visible all the time, though," recalls Lucas. "They compromised by having a hidden TV cabinet custom-built, utilizing a painting already in their collection."

Lisa extends the celebration of music to her holiday gift wrap. For this family, it seems that nothing exists or occurs without a purpose steeped deeply in tradition. A collector of vintage sheet music, Lisa dips into her array of melodies to create one-of-a-kind gift tags that she secures to packages with sealing wax. "The original [wax] impressions are those used on my parents' wedding invitations," Lisa explains, nodding at her mom, Joella, who is lovingly known to family by the chirpy sobriquet, Goodmornin'.

The joy of music and merrymaking reappears in the holiday centerpiece on the living room mantel--antique brass and copper coach horns that were traditionally played from the carriage to signal its arrival. With 45 coaches and carriages in their own personal collection, both Lisa's dad and her brother are past presidents of the Carriage Association of America and former chairmen of the Carriage Museum of America. "Stewart Jr. started driving at age 8," says Stewart Sr., "and Stewart III is well on his way." In this neck of Houston, that's how they roll.

Jerry Simon's' Steinway takes center stage in the great room. Osborne & Little fabric covers the sofa. The medallion chair fabric is Brunschwig & Fils; its blue welt is Schumacher. The palette is pulled together by a large antique Serapi rug.

"Nothing forced or fake" might be the decorating mantra for Lisa and Jerry's home at Christmas. The stockings at the kitchen fireplace were made by Lisa's grandmother, as were the felt camels on the cut-cedar centerpiece. The old iron chandelier was scooped up at the nationally popular Texas Round Top Antiques Fair.

The tufted custom headboard is dressed in a Cowtan & Tout fabric. An antique bench at the foot of the bed goes subtle in a Fabricut solid trimmed with Scalamandré gimp. The blanket cover and shams are from Hamburg House. Softening the room is a Tabriz rug.