The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

Archived Products

As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Photography Glossary

Nikon Imaging Apps

Nikon Apps include educational apps such as the Learn & Explore, NIKKOR and ACC and Manual Reader 2 apps, as well as the Nikon Image Space image sharing app and apps for connecting select cameras to a compatible smartphone or tablet via Wi-Fi (WMU and Connect to S810c).

Learn & Explore Tip of the Day

August 2, 2015

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

On photo sharing sites like Flickr you can often view the details of a photograph and take a look at the shutter speed, aperture, ISO and other settings. While this won’t teach you how to create a photo from scratch it will show you what technical choices photographers made to capture their images.

If your COOLPIX camera or NIKKOR lens has image stabilization (Nikon calls it Vibration Reduction), know when to use it and when to turn it off. If you don’t know how your stabilization system works, turn it off when you’re shooting with a tripod. If it doesn’t sense that the camera is solidly mounted, it can add movement while trying to reduce blur.

Always use your lens hood (if you have one) or buy a lens hood (if you don’t). The lens hood isn’t just good for preventing flare. It can keep you from losing the contrast of your images as well as protect your front lens element from raindrops too.

When shooting a portrait of an athlete, use fill flash (or flash turned on even in daylight) to light up the shadow areas under a hat or helmet. This will balance the light from the entire scene and light up the face. On a compact camera, the setting to choose is "Flash On."

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

If your camera can capture images in both RAW and JPEG format, do so even if you don’t work with RAW images now. These RAW files have the highest image quality possible, so you can edit them years from now and be sure you’re getting the best looking image possible.

Shooting a lightning storm can be exciting. Use a tripod and set you camera to record a long exposure. With DSLRs, 15 seconds is a good start, but you may have to use up to 30 seconds, or bulb setting (where the shutter stays open as long as you hold down the shutter button). Because you never know when the lightning will occur, keep shooting for best results. Remember to always keep a safe distance, and don’t forget the tripod to avoid blurry photos!

Take a self-portrait each day for a week or month (or a year). It’s harder than you think to take an attractive photo of yourself, and if you do it for long enough you’ll have an interesting series that shows how you’ve changed over time.

Look on photo sharing sites for inspiration for your next photo shoot. Pick a subject you want to photograph or a location and search for photos of that. You’ll see a wide array of different techniques and styles that will inspire you.

Don’t stop shooting after the action has finished in sports. Get in close on a happy or sad face … a celebration after a goal … or the dejection on the sideline after a loss. The emotion of the game speaks volumes and can really round out a series of pictures.

If you live in a city or near a big photo store, find a photographic rental house and rent a lens that you don’t have. Take a telephoto lens to a ball game or rent a wide-angle lens and take it camping. This will give you a chance to try a new piece of equipment and expand your photographic horizons.

You should format the memory card in your camera on a regular basis. By using the camera’s built-in “Format” function, found in the menus, you lessen the chance of having card problems in the future. Doing so is better than just deleting the images using the camera or the computer.

Take a step back. No, farther back. See what the scene looks like from far away to get perspective. Walk around it, to see it from different angles. There’s a tendency to rush up to something and take a photo, but if you look at it from different angles you’re more likely to find something you would otherwise have missed.

Most cameras with built-in flashes have a red-eye reduction setting that fire several quick pre-flashes before the main burst of light. Turn this off if you’re not photographing people because it drains the battery and doesn’t help light up your scene.

Make a great team picture. Get the team together in front of a nice background—maybe the goal, the net or the team logo on the field or floor. Shoot the ordinary, and then let the kids have some fun, making faces or funny poses. That’s the one they will always remember.

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

It’s always best to shoot group pictures in a location that tells something about the people. For example, shoot the sports team on the field instead of the parking lot. Try to think about how the background, or setting, adds to the story of who they are.

Do some photography pro bono. Find a charitable organization in your area that can’t afford a photographer and offer your services for free. The group will end up with a precious resource it wouldn’t have had access to; and photos of an event or service the organization provides can help it get funding.

Try to buy the fast and large memory cards. Speed ratings on the cards are important for live action shots, especially when you’re shooting in sports or continuous scene modes, or at the highest frame rate. That will allow the camera to shoot at its fastest frame rate with little worry the camera will have to pause to offload images to the card.

Freeze the sports action. The key is using a high shutter speed. On compact cameras, use the sports scene mode. On a DSLR, pick a high shutter speed of 1/500th of a second or above. This will freeze almost all action. If the light is low, adjust your ISO to a higher sensitivity (800-1600 ISO), which will allow you to select a faster shutter speed.

Place your subjects equally away from the camera when shooting a group. Avoid placing any of your subjects a lot closer to your camera than others. That can lead to some of your family members being out of focus or just looking a little out of the mix.

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

Photographing at the zoo? Careful composition can hide the fact that your wild animal subjects are behind fences or in pens. Zoom in for tight close-ups so you don’t see man-made objects like fence posts, concrete swimming holes or perches for the animals to play on.

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Unwavering sharpness

Nikon VR II image stabilization

From daylight to low light, inside or out, near or far, your creative bases are covered with the astonishing versatility of the AF-S NIKKOR 16–35mm f/4G ED VR. Nikon VR image stabilization provides 2.5 stops of blur free handheld shooting. You can leave the tripod at home and create with spontaneity and confidence, even when lighting is less than ideal.

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

AS

AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.

M/A

Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

Based on CIPA Standard. This value is achieved when: FX-format compatible lenses are attached to an FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

I'm Impressed!
I had some reservations about putting out the $$$ for a wide angle lens in this price range. WOW! What a job this lens does. Now I regret waiting so long to buy it. Crisp, clean, and clear photos with no visible distortion.
March 25, 2015

Extremely Sharp Ultra Wide Angle Zoom Lens
This Nikon ultra wide angle zoom lens has exceptional resolution and an excellent focal length range. Its wide breath of focal length is well suited for landscape images without having to change lenses. Attached is a photo of the North Rim of the Grand Canyon, taken at a shutter speed of 1/250, an aperture of f/4.5, an ISO of 100, and a focal length of 16mm, taken with a Nikon D800 camera body.
October 8, 2014

This is the Wide Angle Lens You Need
I would not hesitate to recommend this lens. If you have money to burn, buy the 14-24mm; but if you buy the 16-35mm you won't be sorry and you'll save money. I use this lens with a Nikon D800E mainly for scenes in the FX mode. The filter thread on the lens is 77mm, which is the same thread used on many of the best Nikon lenses. You can buy one set of quality filters and use the filters on multiple lenses. This lens is awesome in every aspect. It's only competition is the 14-24 2.8 which only goes 2mm wider and is about $750 more than the 16-35. Plus 16-35 has a lot more useful focal range. Built solid, ZERO slop in the focus ring. Highly recommended if you're looking for a pro wide lens.
April 4, 2014

sharp,sharp,sharp
I really like this lens. I have had it for a couple of months by now, and I am still amazed by how sharp it is. Highly recommend it!
Note to Nikon: I really miss the f-stop ring
March 25, 2014

best of class
I read all the reviews and commentaries and took the plunge. I was using the D90 with 10-24 Nikkor and decided it was more important to have UWA in that range with my FX D600. The 10-24 is an amazing lens, but so far the 16-35 seems even better. VR actually is very useful (I often need to take advantage of mega depth-of-field) and stopping down to f11ish I can hand-hold at crazy-slow shutter speeds, this is particularly useful when I am shooting at an angle that is not conducive to tripod use. As noted, it is a big lens, but if you want all the bells and whistles of today's cutting-edge optical tech best start doing some bench presses, ha ha.
March 5, 2014

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+1point

1out of1found this answer helpful.

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Yes this lens will work on the D5100,the S indicates a built in focusing motor in the lens'However it will no longer be 16-35mm, It will be 24-56.5 mm because of the APS-c sensor& its 1.5x multiplication factor.

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I asked the question previously re serial number location. The lense has no serial number and it seems to be a genuine product - can you help please?

1 week, 6 days ago

by

Blueyshutta

Malaysia

Location :

Malaysia

Age: 45-54

Favorite Subject: Landscape

Nikon Family: 6-10 years

Experience: 3-6 months

Role: Serious passion, hobbyist

2 Answers

Answers

0points

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It's Blueyshutta - thanks very much for the great information - serial number found as per your instructions. :)

Jul 20, 2015 by

by

Blueyshutta

Malaysia

Location :

Malaysia

Age: 55-65

Favorite Subject: Landscape

Nikon Family: 6-10 years

Experience: 3-6 months

Role: Serious passion, hobbyist

+1point

1out of1found this answer helpful.

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Should be On the lens' housing, engraved in the black paint just 2mm from the metal bayonet on the opposite side from the mount-alignement dot.You will need bright light and a magnifying glass. If you bought it new it is also on a sticker on the outside of the box. I highly doubt it is a counterfeit lens.

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Nikon operates factories all across the globe and each operates to the same high standard. While individual cameras and lenes are marked with their country of manufacture we can't make a blanket statement about which camera or len is produced where.

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The AF-S NIKKOR 16-35mm f/4G ED VR lens is compatible with D600. There are many things in Nature that can be capture with different types of lenses. Please check NIKON Learn & Explore Library for articles on Nature Photography.http://www.nikonusa.com/en/Learn-An...