I like industry. I like industrial aesthetic. Machines fascinate me, their imposing beauty. The disproportion of a steel mill or a shipyard
represent for me the ideal creation space. I like machines, for behind the machine, at the heart of the machine, lies the genius of man.
The man who has designed it and the man who operates it. A machine is worthless without a man.

From the roar of the industrial site to the aseptic space of a clean room, the photographer has to adjust. Photography is a mix of
empathy and discretion. The photographer has to know how to take ownership of places, how to adopt them and make them adopt
him to impose his own eye. He also has to be able to highlight his subject, to place it in an optimal position to show it in the full
function of its expertise. Then the photographer steps aside.