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TODD LA TORRE-Fronted Version Of QUEENSRŸCHE: Self-Titled Album Cracks U.S. Top 25

The new self-titled album from the Todd La Torre-fronted version of QUEENSRŸCHE sold around 13,500 copies in the United States in its first week of release to land at position No. 23 on The Billboard 200 chart. The record arrived in stores on June 25 via Century Media Records.

"Frequency Unknown", the latest album from the Geoff Tate-fronted version of QUEENSRŸCHE, opened with around 5,500 units to debut at No. 82.

QUEENSRŸCHE's 2011 studio CD, "Dedicated To Chaos", registered a first-week tally of around 8,000 to enter the chart at No. 70. The band's 2009 effort, the epic concept album "American Soldier", premiered with 21,000 copies to debut at No. 25. This was roughly half the first-week tally registered by QUEENSRŸCHE's "Operation: Mindcrime II" album, which shifted 44,000 copies in the United States in its first week of release back in April 2006 to land at No. 14 on The Billboard 200 chart.

QUEENSRŸCHE's 2003 effort, "Tribe", sold 20,000 copies in the first week while 1999's "Q2K" opened with sales of 28,000.

QUEENSRŸCHE's top-selling album by far is 1990's "Empire", which was certified triple-platinum in October 1994 for sales in excess of three million copies in the United States. The original "Operation: Mindcrime" release (1988) attained platinum status in August 1991, while 1994's "Promised Land" reached the same plateau in December 1994.

"Queensrÿche" marks the debut release from the lineup comprised of La Torre (vocals; ex-CRIMSON GLORY), Michael Wilton (guitar), Parker Lundgren (guitar), Eddie Jackson (bass) and Scott Rockenfield (drums). The drums for the album were recorded at London Bridge Studios in Seattle, Washington with producer James "Jimbo" Barton — the man who engineered and mixed the band's classic 1988 LP, "Operation: Mindcrime", and its 1990 follow-up, "Empire", and co-produced 1994's "Promised Land". The rest of the music and vocals were laid down at several different facilities on the West Coast. The cover artwork was created by Craig Howell, who has previously worked on designs for "Star Wars", SLIPKNOT and "American Idol", to name a few.

Asked which album in QUEENSRŸCHE's catalog would most closely compare to what the band is doing now, drummer Scott Rockenfield told "Noize In The Attic": "Our big goal was, once we kind of made our transition last year and moved on as a band, and Todd being in the band, and our focus of the live shows and everything, it's always kind of been about looking at what really made QUEENSRŸCHE special. And for the live show, it's the old stuff. And we've been focusing a lot, in the show, doing that, for the last year, and we're continue to focus on doing that. On the record, I think the vein of what the record is a combination of all that great old stuff that we're kind of known best for. I mean, for me, I kind of summarize it by saying, to me, it's everything from the [debut] EP up to 'Empire', or maybe even 'Promised Land' at that point, which is, to me, the most defining catalog that we've ever done. And I think for this record, it's visiting that and taking that into the future."

Added guitarist Michael Wilton: "I also think that when you hear this record, each song is gonna be unique in its own. For people that have heard the single that's on YouTube called 'Redemption'. Everybody's asking, 'Is the album gonna sound just like that?' And I can say, 'No.' What's great about this record is that every individual here was in the creative process and the writing — there was no outside writers, like [there were] on the last few albums. And it really shows, and it's a real great blend of everybody's strength and their creative elements, and the songs are definitely reflective of the personalities of this band right now."

Continued Scott: "I think that's important. Especially what Michael was saying. I think the focus of that earlier stuff, there was a massive chemistry between all of us that really worked, and we wanted to find that chemistry again, 'cause we've, unfortunately, had to struggle with that the last few years. But we always knew that that's what we wanted to do, so now that we're able to do that, finding that chemistry and that energy that got us to make those records is what that energy now is in this record. And Michael's right: the songs, there's a great variety of things in it, but they're all QUEENSRŸCHE, they're all us doing it, it's our chemistry of working together."

Said Michael: "If you listen to all the other albums, like from 'Promised Land' back to the EP, you're gonna hear all these dynamics, from song after another song — you're gonna hear those dynamics, and that's the same sort of approach we wanted to take on this new one."

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