Defecation-inducing sub bass riffs that are anti-melodic yet somehow catchy are torn by murderous vocal-chord-scarring screaming over relentlessly asymmetrical snare-and-bassdrum pressroll blasting at the limit ov what is performable.

Truly rife with extremes ov tempo and frequency, this is high-contrast minimalist audio warfare that begins and stays at insektoid tempos before downshifting into a hypnotic twenty-minute double-bassdrum solo.