The Timurids lost most of Persia to the Akkoyunlu in 1467, but members of the dynasty continued to rule smaller states, sometimes known as Timurid emirates, in Central Asia and parts of India. In the 16th century, Babur, a Timurid prince from Ferghana (modern Uzbekistan), invaded Kabulistan (modern Afghanistan) and established a small kingdom there, and from there 20 years later he invaded India to establish the Mughal Empire.

The origin of the Timurid dynasty goes back to the Mongol tribe known as Barlas, who were remnants of the original Mongol army of Genghis Khan.[5][9][10] After the Mongol conquest of Central Asia, the Barlas settled in what is today southern Kazakhstan, from Shymkent to Taraz and Almaty, which then came to be known for a time as Moghulistan – "Land of Mongols" in Persian – and intermingled to a considerable degree with the local Turkic and Turkic-speaking population, so that at the time of Timur's reign the Barlas had become thoroughly Turkicized in terms of language and habits.

Additionally, by adopting Islam, the Central Asian Turks and Mongols adopted the Persian literary and high culture[11] which had dominated Central Asia since the early days of Islamic influence. Persian literature was instrumental in the assimilation of the Timurid elite to the Perso-Islamic courtly culture.[12]

Timur conquered large parts of Central Asia, primarily Transoxiana and Khorasan, from 1363 onwards with various alliances (Samarkand in 1366, and Balkh in 1369), and was recognized as ruler over them in 1370. Acting officially in the name of Suurgatmish, the Chagatai khan, he subjugated Transoxania and Khwarazm in the years that followed. Already in the 1360s had he gained control of the western Chagatai Khanate and while as emir he was nominally subordinate to the khan, in reality it was now Timur that picked the khans who became mere puppet rulers. The western Chagatai khans were continually dominated by Timurid princes in the 15th and 16th centuries and their figurehead importance was eventually reduced into total insignificance.

Timur appointed his sons and grandsons to the main governorships of the different parts of his empire, and outsiders to some others. After his death in 1405, the family quickly fell into disputes and civil wars, and many of the governorships became effectively independent. However, Timurid rulers continued to dominate Persia, Afghanistan, Pakistan, India and much of Central Asia, though the Anatolian and Caucasian territories were lost by the 1430s. Due to the fact that the Persian cities were desolated by wars, the seat of Persian culture was now in Samarkand and Herat, cities that became the center of the Timurid renaissance.[7] The cost of Timur's conquests amount to the deaths of possibly 17 million people.[13]

Shahrukh Mirza, fourth ruler of the Timurids, dealt with Kara Koyunlu, who aimed to expand into Iran. But, Jahan Shah (bey of the Kara Koyunlu) drove the Timurids to eastern Iran after 1447 and also briefly occupied Herat in 1458. After the death of Jahan Shah, Uzun Hasan, bey of the Ak Koyunlu, conquered the holdings of the Kara Koyunlu in Iran between 1469 and 1471.

By 1500, the divided and wartorn Timurid Empire had lost control of most of its territory and within the following years were effectively pushed back on all fronts. Persia fell quickly to the ShiiteSafavid dynasty, secured by Shah Ismail I in the following decade. Much of the Central Asian lands was overrun by the Uzbeks of Muhammad Shaybani who conquered the key cities of Samarkand and Herat in 1505 and 1507, and founded the Khanate of Bukhara. From Kabul, the Mughal Empire was established by Babur, a descendant of Timur through his father and possibly a descendant of Genghis Khan through his mother, in 1526. The dynasty he established is commonly known as the Mughal dynasty though it was directly inherited from the Timurids. By the 17th century, the Mughal Empire ruled most of India, but eventually declined during the following century. The Timurid dynasty finally came to an end as the remaining nominal rule of the Mughals was abolished by the British Empire following the 1857 rebellion.

Although the Timurids hailed from the Barlas tribe which was of Turkicized Mongol origin,[14] they had embraced Persian culture,[15] converted to Islam and resided in Turkestan and Khorasan. Thus, the Timurid era had a dual character,[7] which reflected both the Turco-Mongol origins and the Persian literary, artistic, and courtly high culture of the dynasty.[11][11][16]

During the Timurid era, Central Asian society was bifurcated and had divided the responsibilities of government and rule into military and civilian along ethnic lines. At least in the early stages, the military was almost exclusively Turko-Mongolian, and the civilian and administrative element was almost exclusively Persian. The spoken language shared by all the Turko-Mongolians throughout the area was Chaghatay. The political organization hearkened back to the steppe-nomadic system of patronage introduced by Genghis Khan.[17] The major language of the period, however, was Persian, the native language of the Tājīk (Persian) component of society and the language of learning acquired by all literate and/or urban people. Already Timur was steeped in Persian culture[18] and in most of the territories which he incorporated, Persian was the primary language of administration and literary culture. Thus the language of the settled "diwan" was Persian, and its scribes had to be thoroughly adept in Persian culture, whatever their ethnic origin.[19] Persian became the official state language of the Timurid Empire[11][16] and served as the language of administration, history, belles lettres, and poetry.[20] The Chaghatay language was the native and "home language" of the Timurid family[21] while Arabic served as the language par excellence of science, philosophy, theology and the religious sciences.[22]

Persian literature, especially Persian poetry occupied a central place in the process of assimilation of the Timurid elite to the Perso-Islamic courtly culture.[23] The Timurid sultans, especially Šāhrukh Mīrzā and his son Mohammad Taragai Oloğ Beg, patronized Persian culture.[11] Among the most important literary works of the Timurid era is the Persian biography of Timur, known as "Zafarnāmeh" (Persian: ظفرنامه‎), written by Sharaf ud-Dīn Alī Yazdī, which itself is based on an older "Zafarnāmeh" by Nizām al-Dīn Shāmī, the official biographer of Timur during his lifetime. The most famous poet of the Timurid era was Nūr ud-Dīn Jāmī, the last great medieval Sufimystic of Persia and one of the greatest in Persian poetry. In addition, some of the astronomical works of the Timurid sultan Ulugh Beg were written in Persian, although the bulk of it was published in Arabic.[24] The Timurid ruler Baysunğur also commissioned a new edition of the Persian national epic Shāhnāmeh, known as Shāhnāmeh of Baysunğur, and wrote an introduction to it. According to T. Lenz:[25]

It can be viewed as a specific reaction in the wake of Timur's death in 807/1405 to the new cultural demands facing Shahhrokh and his sons, a Turkic military elite no longer deriving their power and influence solely from a charismatic steppe leader with a carefully cultivated linkage to Mongol aristocracy. Now centered in Khorasan, the ruling house regarded the increased assimilation and patronage of Persian culture as an integral component of efforts to secure the legitimacy and authority of the dynasty within the context of the Islamic Iranian monarchical tradition, and the Baysanghur Shahnameh, as much a precious object as it is a manuscript to be read, powerfully symbolizes the Timurid conception of their own place in that tradition. A valuable documentary source for Timurid decorative arts that have all but disappeared for the period, the manuscript still awaits a comprehensive monographic study.

The Timurids also played a very important role in the history of Turkic literature. Based on the established Persian literary tradition, a national Turkic literature was developed in the Chagatay language. Chagatay poets such as Mīr Alī Sher Nawā'ī, Sultan Husayn Bāyqarā, and Zāher ud-Dīn Bābur encouraged other Turkic-speaking poets to write in their own vernacular in addition to Arabic and Persian.[7][26][27][28] The Bāburnāma, the autobiography of Bābur (although being highly Persianized in its sentence structure, morphology, and vocabulary),[29] as well as Mīr Alī Sher Nawā'ī's Chagatay poetry are among the best-known Turkic literary works and have influenced many others.

During the reign of the Timurids, the golden age of Persian painting was ushered.[30] During this period — and analogous to the developments in Safavid Persia — Chinese art and artists had a significant influence on Persian art.[7] Timurid artists refined the Persian art of the book, which combines paper, calligraphy, illumination, illustration and binding in a brilliant and colourful whole.[31] It was the Mongol ethnicity of the Chaghatayid and Timurid Khans that is the source of the stylistic depiction Persian art during the Middle Ages. These same Mongols intermarried with the Persians and Turks of Central Asia, even adopting their religion and languages. Yet their simple control of the world at that time, particularly in the 13–15th centuries, reflected itself in the idealised appearance of Persians as Mongols. Though the ethnic make-up gradually blended into the Iranian and Mesopotamian local populations, the Mongol stylism continued well after, and crossed into Asia Minor and even North Africa.

In the realm of architecture, the Timurids drew on and developed many Seljuq traditions. Turquoise and blue tiles forming intricate linear and geometric patterns decorated the facades of buildings. Sometimes the interior was decorated similarly, with painting and stucco relief further enriching the effect.[6] Timurid architecture is the pinnacle of Islamic art in Central Asia. Spectacular and stately edifices erected by Timur and his successors in Samarkand and Herat helped to disseminate the influence of the Ilkhanid school of art in India, thus giving rise to the celebrated Mughal (or Mongol) school of architecture. Timurid architecture started with the sanctuary of Ahmed Yasawi in present-day Kazakhstan and culminated in Timur's mausoleum Gur-e Amir in Samarkand. Timur's Gur-I Mir, the 14th-century mausoleum of the conqueror is covered with ‘’turquoise Persian tiles’’[32] Nearby, in the center of the ancient town, a Persian style Madrassa (religious school)[32] and a Persian style Mosque[32] by Ulugh Beg is observed. The mausoleum of Timurid princes, with their turquoise and blue-tiled domes remain among the most refined and exquisite Persian architecture.[33]Axial symmetry is a characteristic of all major Timurid structures, notably the Shāh-e Zenda in Samarkand, the Musallah complex in Herat, and the mosque of Gowhar Shād in Mashhad. Double domes of various shapes abound, and the outsides are perfused with brilliant colors. Timur's dominance of the region strengthened the influence of his capital and Persian architecture upon India.[34]

"Akhangan" tomb, where Gowharšād's sister Gowhartāj is buried. The architecture is a fine example of the Timurid era in Persia.

^Manz, Beatrice Forbes (1999). The Rise and Rule of Tamerlane. Cambridge University Press, p.109. ISBN 0-521-63384-2. Limited preview at Google Books. p.109. "In almost all the territories which Temür incorporated into his realm Persian was the primary language of administration and literary culture. Thus the language of the settled 'diwan' was Persian..."

^Maria Subtelny, Timurids in Transition, 40: "Nevertheless, in the complex process of transition, members of the Timurid dynasty and their Turko-Mongol supporters became acculturate by the surrounding Persianate millieu adopting Persian cultural models and tastes and acting as patrons of Persian culture, painting, architecture and music." pg 41: "The last members of the dynasty, notably Sultan-Abu Sa'id and Sultan-Husain, in fact came to be regarded as ideal Perso-Islamic rulers who develoted as much attention to agricultural development as they did to fostering Persianate court culture."

^ abEncyclopædia Britannica, "Timurid Dynasty", Online Academic Edition, 2007. (Quotation:...Turkic dynasty descended from the conqueror Timur (Tamerlane), renowned for its brilliant revival of artistic and intellectual life in Iran and Central Asia....Trading and artistic communities were brought into the capital city of Herat, where a library was founded, and the capital became the centre of a renewed and artistically brilliant Persian culture...)

^ abcdeB. Spuler, "Central Asia in the Mongol and Timurid periods", published in Encyclopædia Iranica, Online Edition, 2006/7, (LINK): "... Like his father, Olōğ Beg was entirely integrated into the Persian Islamic cultural circles, and during his reign Persian predominated as the language of high culture, a status that it retained in the region of Samarqand until the Russian revolution 1917 [...] Ḥoseyn Bāyqarā encouraged the development of Persian literature and literary talent in every way possible ..."

^David J. Roxburgh. The Persian Album, 1400–1600: From Dispersal to Collection. Yale University Press, 2005. pg 130: "Persian literature, especially poetry, occupied a central in the process of assimilation of Timurid elite to the Perso-Islamicate courtly culture, and so it is not surprising to find Baysanghur commissioned a new edition of Firdawsi's Shanama

^M.S. Asimov & C. E. Bosworth, History of Civilizations of Central Asia, UNESCO Regional Office, 1998, ISBN 92-3-103467-7, p. 320: "... One of his followers was [...] Timur of the Barlas tribe. This Mongol tribe had settled [...] in the valley of Kashka Darya, intermingling with the Turkish population, adopting their religion (Islam) and gradually giving up its own nomadic ways, like a number of other Mongol tribes in Transoxania ..."

^Lehmann, F. "Zaher ud-Din Babor — Founder of Mughal empire". Encyclopædia Iranica (Online ed.). New York City: Columbia University Center for Iranian (Persian) Studies. pp. 320–323. Retrieved 2012-09-17. ... His origin, milieu, training, and culture were steeped in Persian culture and so Babor was largely responsible for the fostering of this culture by his descendants, the Mughals of India, and for the expansion of Persian cultural influence in the Indian subcontinent, with brilliant literary, artistic, and historiographical results ...

^ abMir 'Ali Shir Nawāi (1966). Muhakamat Al-Lughatain (Judgment of Two Languages). Robert Devereux (ed.). Leiden: E.J. Brill. OCLC3615905. LCCPL55.J31 A43. Any linguist of today who reads the essay will inevitably conclude that Nawa'i argued his case poorly, for his principal argument is that the Turkic lexicon contained many words for which the Persian had no exact equivalents and that Persian-speakers had therefore to use the Turkic words. This is a weak reed on which to lean, for it is a rare language indeed that contains no loan words. In any case, the beauty of a language and its merits as a literary medium depend less on size of vocabulary and purity of etymology that on the euphony, expressiveness and malleability of those words its lexicon does include. Moreover, even if Nawā'ī's thesis were to be accepted as valid, he destroyed his own case by the lavish use, no doubt unknowingly, of non-Turkic words even while ridiculing the Persians for their need to borrow Turkic words. The present writer has not made a word count of Nawa'i's text, but he would estimate conservatively that at least one half the words used by Nawa'i in the essay are Arabic or Persian in origin. To support his claim of the superiority of the Turkic language, Nawa'i also employs the curious argument that most Turks also spoke Persian but only a few Persians ever achieved fluency in Turkic. It is difficult to understand why he was impressed by this phenomenon, since the most obvious explanation is that Turks found it necessary, or at least advisable, to learn Persian – it was, after all, the official state language – while Persians saw no reason to bother learning Turkic which was, in their eyes, merely the uncivilized tongue of uncivilized nomadic tribesmen.

^Babur, Emperor of Hindustan (2002). The Baburnama: Memoirs of Babur, Prince and Emperor. translated, edited and annotated by W.M. Thackston. Modern Library.

^Beatrice Forbes Manz. The Rise and Rule of Tamerlane. Cambridge University Press, 1999. pg 109: "...In Temür's government, as in those of most nomad dynasties, it is impossible to find a clear distinction between civil and military affairs, or to identify the Persian bureaucracy solely civil, and the Turko-Mongolian solely with military government. It is in fact difficult to define the sphere of either side of the administration and we find Persians and Chaghatays sharing many tasks. (In discussiong the settled bureaucracy and the people who worked within it I use the word Persian in a cultural rather than ethnological sense. In almost all the territories which Temür incorporated into his realm Persian was the primary language of administration and literary culture. The language of the settled population and the chancery ("diwan") was Persian, and its scribes had to be thoroughly adept in Persian culture, whatever their ethnic origin.) Temür's Chaghatay emirs were often involved in civil and provincial administration and even in financial affairs, traditionally the province of Persian bureaucracy...."

^B.F. Manz, W.M. Thackston, D.J. Roxburgh, L. Golombek, L. Komaroff, R.E. Darley-Doran (2007). "Timurids". Encyclopaedia of Islam (Online ed.). Brill Publishers. During the Timurid period, three languages, Persian, Turkish, and Arabic were in use. The major language of the period was Persian, the native language of the Tajik (Persian) component of society and the language of learning acquired by all literate and/or urban Turks. Persian served as the language of administration, history, belles lettres, and poetry.

^B.F. Manz, W.M. Thackston, D.J. Roxburgh, L. Golombek, L. Komaroff, R.E. Darley-Doran (2007). "Timurids". Encyclopaedia of Islam (Online ed.). Brill Publishers. What is now called Chaghatay Turkish, which was then called simply türki, was the native and 'home' language of the Timurids...

^B.F. Manz, W.M. Thackston, D.J. Roxburgh, L. Golombek, L. Komaroff, R.E. Darley-Doran (2007). "Timurids". Encyclopaedia of Islam (Online ed.). Brill Publishers. "As it had been prior to the Timurids and continued to be after them, Arabic was the language par excellence of science, philosophy, theology and the religious sciences. Much of the astronomical work of Ulugh Beg and his co-workers... is in Arabic, although they also wrote in Persian. Theological works... are generally in Arabic.

^David J. Roxburgh. The Persian Album, 1400–1600: From Dispersal to Collection. Yale University Press, 2005. pg 130: "Persian literature, especially poetry, occupied a central in the process of assimilation of Timurid elite to the Perso-Islamicate courtly culture, and so it is not surprising to find Baysanghur commissioned a new edition of Firdawsi's Shanameh

^B.F. Manz/W.M. Thackston/D.J. Roxburgh/L. Golombek/L. Komaroff/R.E. Darley-Doran; "Timurids", in Encyclopaedia of Islam; Brill; Online Edition (2007): "... As it had been prior to the Timurids and continued to be after them, Arabic was the language par excellence of science, philosophy, theology and the religious sciences. Much of the astronomical work of Ulugh Beg and his co-workers [...] is in Arabic, although they also wrote in Persian. Theological works [...] are generally in Arabic. ..."