If a helicopter is the top of the box office, you sure as heck bet Tom Cruise is climbing up a rope below it with his bare hands, and nothing will stop him. After Mission: Impossible – Fallout debuted stronger than every other entry in the franchise last weekend, the Christopher McQuarrie film remained at number one this weekend, surpassing Disney’s live-action/animation hybrid take on the Hundred Acre Wood pals. The new action film earned $35 million in its second weekend, while also pocketing an additional $76 million internationally for a whopping total of $205 million overseas.

It’s a much sadder story for Disney. Maybe that because their Christopher Robin is a bit of a bummer, a weird and glum take on Winnie-the-Pooh. The movie fell below expectations, opening with $25 million, their lowest opener since 2016’s Pete’s Dragon, which debuted at $21.5 million. Disney has certainly been on a hot streak this year, with every film earning $100 million or more, but Christopher Robin is their second film to not open at number one, following Ava DuVernay’s A Wrinkle in Time. Even that “flop” ended up surpassing the $100 million mark, so perhaps Pooh and his forlorn pals can do the same.

Not all spies were in luck this weekend. The R-rated Mila Kunis and Kate McKinnon-led buddy comedy The Spy Who Dumped Me debuted with $12.3 million. Though it got a B CinemaScore, the spy farce earned plenty of poor reviews from critics (including this one). The other biggest new release was Fox’s YA dystopian thriller The Darkest Minds, which opened with a paltry $5.8 million. As Box Office Mojo points out, that makes it the 11th worst opening of all time for a film debuting in +3,000 locations. Ouch.

It wasn’t just a big weekend for major releases though. Desiree Akhavan’s The Miseducation of Cameron Post, which stars Chloe Grace Moretz as a young teen sent to gay conversion camp, earned the highest per theater average with $26.5 million at just two theaters. And Bo Burnham’s Eighth Grade expanded wide this past weekend, raking in $2.6 million from 1,084 theaters, landing at the twelfth spot.