Early Islamic Art, 650-1100 is the first in a set of four volumes of studies by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century. Each volume takes a particular section of the t...

Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. ...

Narga Sellase's monastery sits on a tiny islet in the middle of Lake Tana, the great body of water in the centre of the Ethiopian plateau near to the imperial city of Gondar. Founded in 1748, Narga Sellase is one of the constellation of monasteries o...

If art mirrors identity, this is particularly the case in the Christian Middle East. At first glance, the imposed minority position of the various communities and inherent feelings of peril are the driving forces behind the devel...

The round and octagonal churches of Jerusalem were the earliest of their kind. Powerful, monumental structures, recalling imperial mausolea and temples, they enshrined the holiest sites of Christianity. Constantine himself ordered the building of the...

Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture, and the production of artifacts and performance,...

Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500, focuses on the unique ways that natural materials carry the spirit of place. Since early Christianity, wood, earth, water and stone were taken from loca sancta to signi...

There is no country in the world that matches Ethiopia in the number of forms and types of its crosses. Ever since Ethiopia's conversion to Christianity, the cross has appeared almost universally, not only as a liturgical instrument in churches and m...