Feature Films

A truly original Vertigo riff, based on a novel by Tomoka Shibasaki, Asako I & II is an enchanting, unnerving paean to the notion of love as a trance state. Ryusuke Hamaguchi, who gained plenty of attention for 2015’s five-hour-plus Happy Hour, has returned with a beguiling and mysterious film that traces the trajectory of a love—or, to be accurate, two loves—found, lost, displaced, and regained.

Sometimes the end of the word can be a new beginning. In this boldly original take on the last man on earth genre, filmmaker Ulrich Kohler – part of the acclaimed Berlin School, a loosely defined group that includes Christian Petzold and Maren Ade – tells the story of a man adrift who awakens one morning to discover that seemingly all of humanity has disappeared.

A director speaks at length to a psychoanalyst, confiding his obsessions, fears, ideas about cinema, and creative blocks. Based on his own six-day psychoanalytic treatment with trauma specialist Zohar Rubinstein, Heinz Emigholz’s latest masterwork is a demonstration of his singular working methods, and a playful, moving treatise on trauma and architecture.

A young man disappears while working on a biography of an enigmatic and controversial political theorist in Ricky D'Ambrose's extraordinary debut film. Set inside New York City apartments, subway stations, bookstores and cafés, Notes has been hailed as "an anti-mystery in the tradition of L’Avventura assembled with the cool reserve of Robert Bresson." (Village Voice)

Questions of faith, tradition and honor course through de Los Santos Arias’ rapturous crime fable. Set in the Dominican Republic, Cocote follows a kind-hearted gardener, an Evangelical
Christian, who has returned home to take part in traditional mourning rituals for his father's death, only to discover that he is expected to commit an unthinkable act.

A fable-like road movie, Araby is a beautifully written and photographed story about a young boy who discovers an old notebook and is soon swept up in the writer's wanderings, adventures and loves; a twenty-year journey across the Brazilian countryside in search of a better life.

In a delicate, even generous manner, Milla begins as a story of two young lovers’ life on the fringes before shifting towards one of recent cinema’s finest depictions of motherhood. Valerie Massadian's poetic, startling visionrecalls the work of filmmakers like Barbara Loden or Chantal Akerman but remains wholly and fiercely original.

Charting the languorous, mysterious existence of two men who seem to share a deep, liminal understanding beyond words, until a third man enters their secluded space, Dane Komljen's debut feature, All the Cities of the North, is a radically open-ended but ravishingly beautiful work that’s animated by rhythms and ideas entirely its own.

Using letters Anna Magdalena Bach wrote to her husband, Johann Sebastian, filmmakers Jean-Marie Straub and Danièle Huillet created one of the most precise, rewarding biopics ever put to screen. On the occasion of its 50th anniversary, this masterpiece has been immaculately restored.

A faithful adaptation of Pierre Corneille’s Othon, the classic tragedy that premiered at the court of Louis XIV at Fontainebleau in 1664 and today is more hallowed than actually performed, Eyes do not want to close… depicts the power vacuum that followed Emperor Nero’s death.

This complex interpretation of Brecht’s unfinished novel The Business Affairs of Mr. Julius Caesar explores history as it has been written by the victors, with their hero worship of tyrannical leaders (whether Caesar or Hitler), and offers an alternate view of history writing as fractured and potentially revolutionary.

One of Straub-Huillet's major films, this adaptation of Schoenberg’s unfinished opera is a thrilling and rigorous consideration of Biblical and archaeological history; set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.

Six scenes concerning resistance to “forms of domination and violence of man on man,” including Communist prisoners who face down their Fascist interrogators during World War II and Egyptian workers and peasants who revolt against their colonial exploiters in 1919.

A terrorism thriller like no other, recalling Robert Bresson’s The Devil, Probably as much as it does George A. Romero’s Dawn of the Dead, the acclaimed new film from Bertrand Bonello (Saint Laurent) is one of the 21st century’s most provocative and stirring cinematic experiences.

One of the year’s most bracingly original debuts, The Human Surge is a global journey that jumps from Argentina to the Philippines to Mozambique, a road movie that fuses fiction and documentary for a portrait of today’s youth at a time of economic uncertainty and illusory hyper-connection.

Winner of the Critics Week Grand Prize at the Cannes Film Festival, Oliver Laxe’s stunning new film, Mimosas, is a breathtakingly-shot Western that follows a mysterious caravan transporting a dying sheikh into the Moroccan Atlas Mountains.

Conceived as a documentary, director Pietro Marcello had to change course when his lead, a humble shepherd turned local hero, passed away during production. The resulting film is a beautiful and fantastical ode to his memory and their beloved country.

A bracingly original debut, filmmaker Benjamin Crotty uses the tragicomic plight of a frail young man stranded at a military outpost amid a lascivious band of army wives to craft a queer soap opera for the ages.

In only his second feature, Portuguese filmmaker Pedro Costa (Horse Money) brilliantly reworked Jacques Tourneur's classic I Walked with a Zombie into a reflection on his country’s colonial legacy. Never before released in the U.S. and now beautifully restored.