“That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay.” – Ray Bradbury

Category Archives: Crime

Nick Travers’ musician friend Fats is dead, and his saxophone—a vintage 1940s beauty—is missing. Determined to honor the memory of his late friend the only way he knows how, Travers sets out through the rain-soaked streets of New Orleans to recover the sax.

The plot of Last Fair Deal Gone Down, adapted from the short story of the same name by Ace Atkins, doesn’t get much more complicated than that, leaving Atkins and artist Marco Finnegan plenty of room to revel in the seedy Crescent City atmosphere. Continue reading →

It is a year after the fire that consumed the empty shell that was once the Holy Innocents church – a fire that resulted in the deaths of three Boston firefighters. Those deaths still haunt Jack McGee, a fellow firefighter who has grown increasingly frustrated with his own department’s investigation into the incident. So frustrated, in fact, that he does the near-unthinkable and reaches outside the firefighter family for help. The man he calls on is a P.I. named Spenser. Continue reading →

Chris Ould’s The Blood Strand is a solid start to a promised trilogy of novels set in the Faroes islands, a small, isolated community that’s just as complicated – and captivating – as the novel’s characters.

British police detective Jan Reyna was taken from the Faroes by his mother when he was just a child, and he’s never known why. Reyna returns when his estranged father falls ill, only to find his father has been implicated in a murder investigation. Evidence from that case points to blackmail, and the entire sordid affair begins to turn back in ever-tightening circles to include more members of Reyna’s family. Continue reading →

After nine novels and a number of short stories and novellas, sitting down with a new Hap and Leonard book is less like reading and more like meeting up with a couple of buddies to have a drink and swap some stories. That’s just about the highest compliment I know how to pay author Joe R. Lansdale, who has created a set of timeless characters who seem to live and breathe outside of his own considerable imagination.Continue reading →

In my 2014 reading recap, I discussed how a number of familiar names dominated that year’s Top Ten, and I predicted that several of those names would resurface in 2015 – names like Joe Lansdale, Ace Atkins and Stephen King. Well, not only did that prediction come true, but I’m making a similar prediction for 2016. Lansdale has both a Hap and Leonard novel and a Hap and Leonard short story collection on deck; King has the finale of his Bill Hodges trilogy ready to go; and Atkins will once again favor us with new entries in his Quinn Colson series and his continuation of Robert Parker’s Spenser series. Don’t be shocked if some (or all) of those titles make the Top Ten for 2016. Continue reading →

If I tell you that Adam Howe’s Gator Bait features an out-of-the-way Louisiana bar that has a trapdoor over a swamp in which a giant, ravenous alligator lives, do I really need to tell you anything else? Because, yes, Gator Bait has that very thing, and yes, the gator eats well (and often) throughout the course of this gloriously fun pulp novella.

Well, even though I don’t get paid by the word around here, I suppose I’ll tell you a little more. Gator Bait is anchored by a guy named Hammond, a classic ne’er-do-well who is on the run from a sequence of events that cost him a few fingers. This is a bit of a problem for Hammond, seeing as he’s a juke joint piano player by trade, but he proves to be quite resourceful (not to mention a talented enough musician to overcome the loss of a few digits). He hitches a ride and ends up at The Grinnin’ Gator, a dump of a bar owned by a man named Croker.

Croker is the very definition of “repulsive,” but he’s managed to snag a very attractive woman named Grace as his wife. Grace is drawn to Hammond, now the Gator’s new piano player, and the two quickly enter into a clandestine relationship. Grace tells Hammond about the safe full of money Croker has in his office, and the two begin to cook up a scheme designed to get them both out from under the abusive man’s thumb.

Naturally, things do not go as planned, leading to blood-soaked finale punctuated with double-crossings, gator feedings, and death by moonshine.

Howe takes several familiar elements and spins them into a thoroughly entertaining read. He’s particularly good at bringing the seamy Grinnin’ Gator to life, making it – and the steamy Louisiana swampland that surrounds it – a character in its own right. If you’re anything like me, you’ll power through this one in one sitting and then hit the Internet to track down more of Howe’s work. Gator Bait is tasty stuff, and highly recommended.

In 1953, Fawcett Gold Medal published Thieves Fall Out, a crime novel set against a backdrop of political unrest in Egypt. Written by an unheralded author known as Cameron Kay, this minor piece of pulp fiction came and went without much fanfare. It has remained in obscurity since then, unavailable in any new printing and unknown to all but a handful of readers and scholars who knew the truth: “Cameron Kay” was actually respected American writer Gore Vidal.

Vidal wrote the novel when he was 28, and reportedly never thought much of it. When the book came to the attention of Hard Case Crime founder Charles Ardai, he immediately approached Vidal about republishing it, but Vidal wasn’t interested. After the author passed away in 2012, Ardai approached his agent and estate and was granted permission to reprint the book. The new edition was released in April of this year.

If you remove Vidal’s name and legacy from Thieves Fall Out, what you’re left with is fairly standard pulp fare. It’s the story of Pete Wells, an American drifter of sorts who finds himself broke and just this side of desperate in an Egypt that is teetering on the edge of revolution. He becomes entangled with a woman named Hélène and a man known as Hastings; the pair have a job they need done and they feel Wells is just the man to do it. The duo remains disturbingly coy about what exactly the job is, but Wells is in little position to make demands, so he goes along with their scheme. Eventually it’s revealed that the pair are working to smuggle a valuable necklace out of the country, and Wells is their chosen vessel.

Fawcett Gold Medal’s edition of ‘Thieves Fall Out’ by “Cameron Kay.”

Of course, in fine thriller tradition, things are not quite what they seem. There’s a police inspector, incredibly (and distractingly) named Mohammed Ali, who may or may not be “on the take;” there’s a love interest, a woman with a Nazi background and a suspicious relationship with the Egyptian king; and there’s a shadowy puppet master named Le Mouche who may be friend or may be foe.

Thieves advances at a methodical pace – not to the point that it plods, mind you, but patience is definitely a virtue. The writing is uneven at times; the young Vidal proves adept at depicting both the beauty and the grit of the Egyptian setting, but stumbles over the occasional clumsy phrase. There are no big action set pieces to speak of, but things accelerate entertainingly towards the end. It’s the kind of curiosity that Hard Case Crime excels at producing: a peek into the formative years of a gifted and influential writer, and an enjoyable if not essential addition to the crime genre.