This site-specific vignette presents a camera obscura image of a willow tree with an early historical anatomical drawing of a lung, that mirrors the willow like a visual echo. Personal scarring is paired with environmental scarring as things are literally turned upside; the willow weeps, inverted through both the “dark room”, and the human eye, which initially forms images upside-down. The granite rocks at the base of the suspended print are carved with letters forming the word SCAR.