Wednesday, February 24, 2016

Pride and Prejudice
and Zombies is what it sounds like, and more. About the first fifteen
minutes consists of slapping together scenes of zombies with Pride and Prejudice. Then the movie
becomes much more serious, integrating those two disparate elements together
into a satisfying storyline.

If you like the video above, you’ll like the movie, if you
don’t like it, don’t see the movie. Surprisingly, it pretty much follows the
story of Lizzy and Mr. Darcy, but with zombies integrated. For instance, Jane
takes sick on her way to Mr. Bingley’s not just because of a rainstorm, but
because she is too shocked to defend herself from a zombie mother and baby,
saying, “This cannot be.” And there is a deeply moving scene as Lizzy reads a
letter from Darcy, and she has to reconsider who is truly guilty of pride and
prejudice.

Standout scenes include Lizzy leading her sisters in a wedge
attack against zombies at a dance, Darcy beating back zombies from the great
wall around London, Matt Smith (a former Doctor Who) as the delightfully
dimwitted Parson Collins, and a rather surprising Lady Catherine de Burgh.

If you like alternate versions of Pride and Prejudice, there is the best science fiction Jane Austen
movie, the 2008 Lost in Austen.

Or there is the fundamentally wacky web series, the Lizzie
Bennett Diaries.

Saturday, February 13, 2016

I don’t normally review short stories, but the current issue
of Analog (March 2016) features the
excellent “The Coward’s Option” by Adam-Troy Castro. This is an Andrea Cort story,
but it works well for a reader who hasn’t read the previous stories. Cort is a
total misanthrope, and her Diplomatic Corps finds her cynical, unrelenting
pursuit of justice useful in her job as a prosecutor.

Cort cares nothing about the perpetrator in this case, who
obviously deserves death for his murder of an indigenous person on this alien
planet. What intrigues her is these aliens have a “coward’s option” as an
alternative to the death penalty. Since this society despises cowards, she
wonders if this alternative is worse than death. If you read this issue of Analog, you’ll find out.

I’m also making my way through Worst Contact, edited by Hank Davis. Obviously a riff on “first
contact,” these short stories tell of first contacts between humans and extraterrestrials
that go bad for the humans, the extraterrestrials, or both. My favorite is an
old one, “Puppet Show” by Fredric Brown, written in 1962. If you ignore some of
the dated details, it’s quite hilarious.

Also worthy of mention is “The Flat-Eyed Monster” by William
Tenn, written in 1955, which is almost as funny. It concerns a professor who is
transported to a planet of aliens with bulbous eyes at the ends of their
multiple tentacles, who finds out they can be as boastful and egotistical as
humans. There’s also “Early Model” by Robert Sheckley, written in 1956, about
an astronaut whose personal force field keeps snapping on automatically when
aliens try to approach and make friendly contact with him.

Despite the above, not all the stories are old, and not all
of them are funny (but the older ones tend to be so). So Worst Contact contains a generous amount of older stories, mixed
with some newer ones.

The short story among those I’ve read recently that I
recommend the most highly is the original version of Ender’s Game, by Orson Scott Card. (It’s not in Worst Contact or the Analog issue I mentioned above. It
appeared in the 1977 issue of Analog,
and it’s up to you to find it online.)

For those of you who have read the novel or seen the movie (which I reviewed here),
the original novella is notably different. Don’t worry, it’s the same plot. But
the original starts with Ender already a hardened commander, and he meets his
subordinate Bean, who is quite cocky. Also, Maezr Rackham’s first encounter
with Ender is quite violent.

The twist ending is still there, but it is different. You’ll
have to read it to find out why Ender is so inconsolable. If you do, you may
get the same reaction I did when I told a couple of people who read the novel.
They disagreed with me, one of them strenuously, about how the original ended.