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It's like the plot of a John Le Carre novel: A former double agent found unconscious on a park bench; allegations Mother Russia poisoned him with a secret nerve agent; diplomatic repercussions. Before assuming life imitates art, it would be well to check our facts, not least because stumbling into war with a nuclear power is a silly thing to do.

The complexity of environmental policy in SA echoes a broader trend in environment issues: climate change has monopolised the debate, squeezing out local conservation concerns. The upshot is a Left-leaning government can be progressive on clean energy, while holding a regressive stance on less prominent topics.

This affair has done little to encourage Australians keen on pushing a more robustly independent line from Washington. A ceremonial subservience and deference to US power has been exhibited. Such sentiments embrace the inherent inequality of the Australian-US relationship. To be in deficit to the US is seen as a good and necessary thing.

The question that goes begging in the discourse around data is beyond any 'right' for us to control collection, storage, or deployment. Each of us produces so much data, in so many diverse forms, it is almost impossible to imagine all the places where our data might reside. How can we control something we don't know to exist?

I was in a lecture with 50 pre-service teachers preparing to transition into the profession. One student spoke up saying he was afraid to teach in Catholic schools, fearing he'd be reprimanded if he said 'the wrong thing'. In fact, a church school comes alive when teachers and students breathe an air of freedom.

A man took his own life Saturday, shooting himself outside the White House. The scene was cleared, the victim identified, and everyone moved on. In America, a 26-year-old firing multiple rounds into himself right outside the presidential residence is not an A1 story. It may not spark conversation or policy change - but it should.

Is it any wonder that when I came to work in the press gallery I was cynical about arts policy? In those lockup hours scouring budget papers it was clear yet again the arts would not see any wins. It wasn't always this way. Prime ministers and arts ministers of yesteryear produced arts policy informed by their personal and political interest.

I've been thinking about my former students lately. Anyone who has ever spent time with young people over the past ten years would see something inevitable in the current moment over gun control in the US, where Parkland students are charging at the seeming edifice of the NRA - and leaving cracks.

'Francis' statement is not one merely for theological or academic contemplation. It is in effect Francis' call to establish a new benchmark for our economy, one where exclusion and inequality are no longer a natural and accepted consequence of its operation.' Director of Economic Policy for Catholic Social Services Australia addresses the CSSA annual conference in Melbourne, February 2018.

The practice of appointing business people to oversee arts bodies is as questionable as referring to the arts as an 'industry'. Business and the arts work on almost diametrically opposed rationales. Understanding this might go a long way towards assessing the art world more intelligently.

The mass murderous gun, even in the hands of a disgruntled teenager, remains a manifestation that will linger in the face of legislative apathy and constitutional fervour. A civilised society may not require such guns, but US civilisation expresses a frontier brutality that refuses to abandon them.

It sounded like the ultimate election sweetener. Six weeks out from polling day, SA Premier Jay Weatherill announced a plan to install free solar and Tesla batteries on 50,000 homes. Except it's not quite that simple. Seduced by the chance to publish more clickbait about Elon Musk, the media misrepresented the details.