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Learn & Explore Tip of the Day

March 31, 2015

Scrapbooking is a fun way to remember special events. There are various digital scrapbooking options in addition to traditional scrapbooking; but it all comes down to creating a special memory out of your photographs, complete with captions and descriptions of your experiences.

When composing a sports picture, leave some room for the action. For instance, if a runner is going left to right, leave more room on the right side of the frame for him/her to run into. This will make a big difference on the impact of the image.

Try using a preset or custom white balance in a stadium or indoor arena. Because light often is different at indoor venues, the best way to get optimal color is to create a unique white balance, which is what the preset does. Cameras vary in how to accomplish that so check your manual.

A panorama can help you capture the breadth of a great vista. With a COOLPIX camera, try the panorama scene mode or panorama assist mode. Check your camera’s manual to see which mode your specific camera has. This will help you with overlap as you shoot your sequence of images.

Don’t let telephone poles or trees sprout out of your subject’s head. Check the background carefully. Look over your subject’s shoulder to see whether any poles, trees or even cars are in the background. Sometimes simply moving a step to the left or right a few feet can make your picture much better.

Did you know that the Nikon 1 line of cameras bodies can use many of your f/mount DSLR lenses? Using the FT-1 Mount Adapter, you can use many of your legacy lenses on a Nikon 1. This is great if you have a favorite macro lens or super telephoto.

Photographing cats or dogs with a flash can cause green/yellow eyes, which are similar to the red-eye seen in humans. To avoid this, use some of the same techniques you use to avoid red-eye, such as bouncing a Speedlight or increasing the light in the room you’re shooting in.

Always bring out your camera when family or friends gather together. Even if it is not a big holiday celebration. You never know when the kids will do something cute that you’ll want to capture and if you’re busy searching for the camera you may miss the moment.

A great way to remember your trips or special events is by making a photo book. There are many websites that allow you to upload your images and easily design a photo book, complete with captions, as well as photo labs, and at the photo department of larger stores. It's a fun way to share your photographic experiences with friends.

If you’re going out with the intention of photographing a specific type of animal, do a little quick research before you head out. Knowing their habits can give you an edge when it comes to getting great photographs.

If you’re using a GPS-enabled COOLPIX digital camera and are on vacation and not sure where to go next, check out the POI (Points of Interest) feature which will let you know of landmarks that are nearby to your location.

To get the starburst effect you often see in photos, use the smallest aperture possible on your camera (this is usually f/16 or f/22) and shoot towards the sun. Shooting towards the sun will cause you to see flare in an image sometimes but this can add interest to your image. Shoot a bunch of frames—capturing the starburst with and without flare.

If you’re taking really important photos that you won’t be able to recreate, bracket your exposures to ensure the photos look great. Most Nikon digital cameras have an exposure-bracketing mode that you can set. It is faster if you let the camera do the bracketing, instead of you having to snap a photo, change the exposure, snap another frame, change it again, and snap a new frame.

When shooting video of an event, add interviews for a unique viewpoint. Shooting a birthday party—talk to the birthday boy or girl; shooting your kids sport—interview them or the coach—at a wedding—ask the bride and groom to comment.

When shooting food, simple compositions are always better. Zoom into the dish so you don’t capture the table, or zoom tighter so you don’t even see the plate. If you’re taking a shot of your meal at a restaurant, move some of the cutlery or glassware out of the frame for a better shot. It will only take you a moment to do so.

Protect your DSLR lenses. Get a good UV, Skylight or Neutral Clear filter for the front of every lens. This will help protect the expensive front piece of glass in your lens. When you get in dirty or rainy conditions, you'll be wiping the filter clear instead of risking the front element.

When shooting a portrait of a person, even if it's a quick shot, don’t place them against a wall, even if they place themselves there. Its natural for people to back up against a wall for a picture, but that usually isn’t the most flattering way to shoot a portrait. Unless you specifically want to shoot right against a wall for creative reasons, politely ask them to take a few steps forward or follow you to where you want to place them in a scene.

When shooting in bright sand or snow, experiment with the exposure compensation settings (the +/- button) on your camera. Set it for +1 to make the image brighter, which often will make sand or snow look better.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

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Any subject. Any setting.

True versatility and stellar performance

The highly versatile AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR delivers incredible optical performance in any setting. Its compact 5.3x wide-angle to medium telephoto zoom is ideal for a broad range of still and HD video shooting situations, from interiors and portraits to breathtaking landscapes. Focus as close as 1.3-feet from your subject throughout the entire zoom range, and discover how far your creativity will take you.

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

AS

AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.

M/A

Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

IF Lens

A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.

Based on CIPA Standard. This value is achieved when: DX-format lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

great walk around lens
it would be nice with a wider aperture, it would also cost more and surely be heavier than I want to carry. The VR handles the low light, so in actuality, depth of field might be the lone disadvantage .
November 11, 2014

A must have general purpose lens.
This is my "goto" for general photography. Whenever I'm out and about I never know what I'm going to run into. So I usually bring this lens along and my 40mm macro just in case something catches my eye.
This lens is sharp from 16 to 85mm. The VR works wonderful and its very well made. The 16-85mm VR uses allot of metal in its construction which makes for a solid feeling lens in the hand. The zoom ring is nicely dampened so you don't have to worry about lens creep. The focus ring also feels smooth when using manual focus. This lens is equipped with Nikon's ring type SWM motor. Its AF speed is almost as fast as my Nikkor 70-300mm VR. So I hardly miss any shots with this lens.
The 16-85mm focal range is very useful to me. I can get a nice wide angle shot, though not the same effect as a true wide angle lens. The wide 16mm focal length with this lens allows you to fit everything into the frame. But this lens doesn't have the distortion associated with wide angle lenses.
The 85mm focal length is a good enough reach for me. I really have no use for mega zoom lenses since I'd rather photograph whats around me instead of wasting time with distant objects.
I use this lens on my D3100 and D7000's. Its sharp and contrasty on all my bodies.
If your looking for a lens that built better then your kit lens, offers better VR, faster AF speed and a more useful focal range as well as sharper images then this lens might be your ticket.
October 19, 2013

Very sharp lens
Produces very sharp images on a D7000. However I would have traded some focal length on the long end for another f-stop; a sharp 16-60 f/2.8-4 would have been preferable but none exists. (VR not helpful for moving subjects.)
March 29, 2013

My "go-to" lens with my D7000
The Nikkor 16-85 VR is Nikkor's best zoom lens in a DX format in terms of image quality. Great colour rendition and clarity. Having the extra wide field of view does make a big difference shooting at 16 mm rather than 18 mm. I have taken more photos on my D7000 with this lens than any of the other 6 Nikkor lenses I own. It is a real workhorse.
I've also used this lens on my D600 when shooting corporate video and have found it to be excellent for that purpose as well.
November 16, 2012

This has become my "go-to" lens
Purchased this lens when I bought my D300S body. While I have five other lenses, this one has become my "standard" lens that I shoot 75% of the time. If I don't want to carry "everything," I rely on this lens as my "walk around" lens. Not as sharp as my 70-200 2.8, but a easier to carry around on a long day.
June 1, 2012

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I currently have a Nikon D3x SLR camera and looking at getting a lense for it. The lense I am looking at is the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR lense. Is this lense compatible with my camera?

3 years, 11 months ago by

by

Arti

Melbourne

Location :

Melbourne

Age: 45-54

Favorite Subject: Family & Friends

Nikon Family: 2-5 years

Experience: Less than a month

Role: Serious passion, hobbyist

5 Answers

Answers

+2points

2out of2found this answer helpful.

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The 16-85mm lens is a DX lens which means it is designed for the smaller APS-C sized image sensors of Nikon's DX series of digital SLR cameras. The D3x (along with the D3s, D3, and D700) all use a 'full-frame' 35mm sized sensor. While the lens is compatible with the camera, you will not be using the full image sensor and will end up shooting images using just a smaller portion of the sensor at a reduced resolution.

If you don't have other DX cameras you need to use this lens on, you may want to consider searching among lenses designed for full frame. A suggestion would be the 28-300mm VR lens.

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You can use it on the 3x but in crop mode which kind of defeats the idea of having a D3x in the first place. If its wide angle you are after why not look at getting a 17-35 2.8, superb lens that it is.andwork very well o

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Is there an easy way to know what lenses are compatible with what camera?

1 year, 11 months ago

by

Anonymous

California, USA

Location :

California, USA

Age: 35-44

Favorite Subject: Landscape

Nikon Family: 0-1 years

Role: Serious passion, hobbyist

4 Answers

Answers

-1point

0out of1found this answer helpful.

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Second part of your questions, the D5100 does not have a built in focus drive, so you need lenses with a AF-S or the older AF-I designation. They have built in focus motors. If you look up the specs for a camera it will tell you what classification of lenses are compatible but won't list them individually.

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Answers

+1point

1out of1found this answer helpful.

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Very good at the wide angle end. Some distortion as expected. Is equivalent to 24mm on my D300.

Aug 19, 2011 by

by

DORADUS

Age: Over 65

Favorite Subject: Landscape

Nikon Family: 21+ years

Experience: More than a year

Role: Serious passion, hobbyist

-1point

0out of1found this answer helpful.

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If you mean for DX camera, I think 10-24 is better choice for wide angle, it's really wide. 16mm on DX is not much wide. But if you mean for FX camera, it's cannot use with FX camera you need 16-35 f/4G VR.

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All retail merchants I have searched, including Best Buy and Wolf Camera, say they are out of this lens.

3 years, 1 month ago

by

Vince

Austin, TX, USA

Location :

Austin, TX, USA

Age: 45-54

Favorite Subject: Landscape

Nikon Family: 2-5 years

Role: Serious passion, hobbyist

2 Answers

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If you have an urgent need I'd strongly suggest ordering one now from an authorized dealer so that you will be on their list as they receive shipments from us. Please click on the link below and then got to authorized dealers:http://www.nikonusa.com/Nikon-Produ...

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