Post navigation

The adolescent tragedies of Heinz Schwarz

Swiss sculptor Heinz Schwarz (1920 -1994) was a genius. “Genius” is a big word, I know. It is the anatomist in me that is filled with admiration for his rendering of the human form. But there is more: much more. His works are true-to-life, poignant and smooth. They tell stories. Geneva is fortunate to be home to two of his most well-known statues: both touchingly evoke adolescence but speak also of tragedy and loss.

L’adolescent et le cheval, 1976.

There is a story in these parts of a young boy who, many years ago, was swimming on the lake edge with his horse. The boy drowned. Schwarz made this tragedy the theme of this huge work. The distress of the horse is evident. But how does Schwarz denote the boy’s tragic end? The beautiful solution he found can only be seen from a particular angle as you come down Avenue de France towards the lake. In the last moment of his life, the sinking boy’s desperate hand reaches up from the waves of the horses back. Genius!

View from Avenue de France.

From the lake edge, take yourself up to Place Bourg de Four in the old town. Prepare to have your heart-strings pulled!

Clementine, 1974.

Schwarz’s “Clementine” is much more than an exquisite statue. She is a symbol of solidarity for women and girls – especially those forced into prostitution – all over the world: the reason why there are often floral tributes strewn at her feet. Clementine is overpoweringly sad and beautiful in her budding adolescence. She is unspeakably delicate and stands fully and unashamedly naked. She is quiet but her vulnerability screams out. You can only weep for her innocence that has been or is soon to be brutalised. And Schwarz has evoked all this in bronze! Genius!

I have to wait to take my photograph because an obese man – to the amusement of his tourist friends – drapes an arm around Clementine’s shoulder and fingers her right breast. Digital shutters click amid giggles. My disgust wells inside. Clementine doesn’t flinch. She’s seen and felt it all before.

Gondebaud by Roger Ferrier, 1957.

But there is hope. Clementine has a guardian high on a wall nearby. King Gondebaud “des Burgondes” (480-516) looks like such a nice old guy. He watches over her. He may just unleash reasoned violence with that sword if one more person violates her adolescence.

Looking for something?

Connect with us

Mission

Talking Beautiful Stuff was founded by Robin Coupland and Isaac Griberg. We aim to encourage others to think about and describe beautiful stuff in a fun, coherent and objective manner.

House rules

If you want to comment on a post, please don’t use the word “art.” Please don’t talk about your own beautiful stuff. Just comment on Who is creating What, for Whom, When, Where, How, and What this means for you.

Disclaimer

We welcome you to join in and share your voice in our community. While we value honesty and different perspectives, we reserve the right to delete comments that contain offensive statements or abusive language.