First there was the mystery of the film star and the diamond...then came the "suicide" that was murder...the mystery of the absurdly cheap flat...a suspicious death in a locked gun room...a million-dollar bond robbery...the curse of a pharaoh's tomb...a jewel robbery by the sea...the abduction of a prime minister...the disappearance of a banker...a phone call from a dying man...and finally, the mystery of the missing will. What links these fascinating cases? Only the brilliant deductive powers of Hercule Poirot!

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Publisher's Summary

First there was the mystery of the film star and the diamond...then came the "suicide" that was murder...the mystery of the absurdly cheap flat...a suspicious death in a locked gun room...a million-dollar bond robbery...the curse of a pharaoh's tomb...a jewel robbery by the sea...the abduction of a prime minister...the disappearance of a banker...a phone call from a dying man...and finally, the mystery of the missing will.

What links these fascinating cases? Only the brilliant deductive powers of Hercule Poirot!

Poirot, like Sherlock Holmes, is at his best in short stories, and this is a collection of mostly clever ones. Agatha Christie has a tendency to cheat sometimes, and Poirot's deductions are sometimes little more than guesswork, but that's a lot more forgivable in a short story than a full-length novel. It happens in some of these stories, but they're good enough to survive it.

Also, David Suchet pretty much is the voice of Poirot now. He does it well here.

STORY (short detective stories) - This is a collection of maybe 10-15 short stories by Agatha Christie, set in the early 1900's. The star is a Belgian detective named Hercule Poirot, a small man with a big ego who always manages to outsmart everyone and crack the case. The publisher's summary gives hints about the different stories so I won't repeat that here, except to say that there's a bit of everything -- kidnapping, murder, robbery, etc.

I think the mysteries are well-written and interesting. My only negative comment is that, since the stories are short, there is very little "fluff." Everything is important, so you must listen carefully. Unfortunately, I'm used to much longer books and, as I'm commuting to and from work, my mind wanders a bit. In a mystery which is, say, 30 minutes in duration, you can't afford to "zone out" for two or three minutes without missing something important. I found myself lost several times and having to rewind and rehear to understand. Alternatively, I often just continued and was completely lost at the end of the story.

PERFORMANCE - Throughout most of the book, Mr. Suchet performed convincing French and British accents, great emotional performances and probably the best female voices I've ever heard performed by a male narrator. The only reason he received a four-start rating is because the last few stories (about the last hour) seemed like a completely different narrator was reading! The great voice of Hercule Poiroit was gone and blended in with the voices of the other minor characters. What happened? Anyway, he went from a five-star rating to a four just because of the final hour.

OVERALL - No sex or cursing. There's kidnappings and killings but they're described with basically no violence. Recommended for any audience, but must be prepared to listen carefully and concentrate!

This was a fun little collection of Poirot short stories. Glad to say, of the 14 mysteries, I caught the same clues as Poirot and guessed the culprit at least a few times. If nothing else, I can always tell what Hastings will pick up on and know that that will likely be wrong. Last story a rare gem in which Poirot relates a story of a case in which he failed. As only my second Poirot book, though I have read many since, I thought these made a great introduction to Christie's style, almost like they were a way of breaking me in as a reader and getting to know Poirot's methods before getting to some more of the full-length novel mysteries.

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