Exploited in Life and Death, South African to Go Home

Exploited in Life and Death, South African to Go
Home

By SUZANNE DALEY

ARIS, Jan.
29  The young Khoikhoi woman who boarded a ship for England from South
Africa in 1810 apparently was convinced that she would make a fortune
there.

Instead, she was put on display around Europe as a sexual freak,
paraded naked on runways by a keeper who obliged her to walk, sit or stand
so that audiences could better see her protruding backside and large
genital organs.

Even when she died, destitute and diseased, the "Hottentot Venus," as
she was called, did not get a decent burial. Napoleon Bonaparte's surgeon
general made a plaster cast of her body and put it, along with jars of her
pickled body parts, on display at the national Mus´e de L'homme.

But Saartjie Baartman may finally be going home, closing a particularly
sordid chapter in Europe's colonial history.

Today, the French Senate voted unanimously to return Ms. Baartman's
remains to her homeland after an often emotional debate.

"This young woman was treated as if she was something monstrous," said
Nicolas About, the senator who sponsored the bill. "But where in this
affair is the true monstrosity?"

For many South Africans, the vote has been too long in coming.

With the end of apartheid, the image of Ms. Baartman's body rotting on
the shelves of a Paris museum had become a rallying point for a new
movement to reclaim the country's history.

Many saw the young woman's story as a metaphor for what had happened to
their country during centuries of human conquest.

Her proper burial was seen as a necessary part of rebuilding
self-respect. In the past, they were also derogatorily called
Hottentots.

Former President Nelson Mandela also took up the cause of trying to get
the young woman's remains a proper resting place, asking the late
President Franois Mitterrand for his help in the matter when the two men
met in South Africa in 1994.

Two years later, South Africa's foreign minister, Alfred Nzo, again
formally raised the issue with France's minister of operation, Jacques
Godfrain. "The return of South Africa to the international community
marked the beginning of the process of healing and restoring of our
national dignity and humanity," Mr. Nzo said at the time in a statement.
"The process will not be complete while Saartjie Baartman's remains are
still kept in a museum."

But no progress was made.

South African officials said today that they were pleasantly surprised
to see that the bill to release Ms. Baartman's remains finally appeared to
be on track, with passage tentatively scheduled for Feb. 19. French
officials said privately that they believed that museum and government
officials were initially very reluctant to give in to South Africa's
request for fear of opening a Pandora's box: Other countries might start
asking for other exhibits back.

The Senate report on the issue that accompanies the new legislation
does not deal with that issue, but describes French foot-dragging on
returning the remains as showing "grave management dysfunction" and
"incompetence fighting with absurdity."

In the report, unidentified French officials are quoted as saying that,
since they had not heard from the South Africans on the issue in a while,
nothing needed to be done.

The report notes that Ms. Baartman's remains were removed from public
display in 1976 and are no longer deemed to serve any scientific
purpose.

Jean Le Garrec, who heads the National Assembly's cultural affairs
committee, said he had no doubt that the Senate proposals would be
approved.

"As soon as it was brought to my attention it was very clear that this
had to happen," Mr. Le Garrec said, noting that as a child he had been
brought to see the plaster cast of the "Hottentot Venus."

"I was outraged even then and I should have acted long ago but I did
not," he said. "Mr. About did it first."

Not much is known about Saartkie Baartman's early life but that she was
born in the late 18th century in the Eastern Cape region of South Africa.
By the time she was about 20 she had migrated toward Cape Town, where
records say she was living in a small shack in 1810.

That year she met a British ship's doctor, William Dunlop, who
persuaded her to travel to England with promises that she could make a
fortune by displaying her body. There, contemporary descriptions say, she
was paraded on a stage, led by a "keeper." Eventually, her treatment came
to the attention of anti-slavery activists who asked the government to
stop the shows. But a London court apparently found that she had entered
into a contract with the doctor.

In 1814, she was brought to France, where she was part of a traveling
circus. Her body was analyzed by scientists, including Napoleon's surgeon
general, George Cuvier, even while she was alive. He apparently first met
Ms. Baartman, on display as a naked and exotic savage dressed only in
feathers, at a high society ball.

Several "scientific" papers were written about her at the time, using
her as proof of the superiority of the white race. She died in 1815,
probably suffering from tuberculosis and possibly syphilis.

Dr. Cuvier made a plaster cast of her body before dissecting it. He
removed her skeleton and cut out her brain and her genitals, which he put
on display.