The Mamiya RZ67 Pro IID is the natural evolution of the legendary RZ Pro II, the industry standard used by many of today’s most renowned photographers and artists because of its large 6x7cm ideal format negative size, over four and a half times larger than 35mm. The use of digital backs, such as the Mamiya ZD Back or others, is easy through direct, digital communication with the camera body.

Also notable are the RZ’s ultra-high performance lenses, and multi-format versatility. Distinctive features include a convenient revolving back, bellows focusing, large, bright viewfinder, and extensive system of accessories.

Unbeatable combination

The Mamiya RZ Professional system has long been one of the favorite camera systems in the world. It is no wonder, when you look at its combination of smart, photographer friendly features, and its world-renowned optics. From its legendary "Ideal Format", almost perfect for making 8 1/2 x 11 proportional images with virtually no image cropping or format waste, to its unique revolving back, which provides vertical or horizontal composing, the Mamiya RZ Professional system has earned the respect of professional photographers around the world.

Now with the demand from photographers to provide clients with clearly superior digital image quality, Mamiya introduces the new RZ80, 33 and 22 digital camera kits with Mamiya/Leaf digital backs. They are the result of an evolution into the next generation of digital large sensor cameras. They offer advanced microprocessor technology for direct communication of all camera functions to their 80mp, 33mp or 22mp digital back through the MSC (Mamiya Serial Communication) system. The result is cable-free digital operation just as smooth and trouble-free as shooting with film.

Of course the new RZ80, 33 and 22 offer professional photographers the same exclusive features of its legendary predecessors such as:

Focusing
Rack and pinion bellows focusing, with left and right course and fine focusing adjustment knobs plus a locking focus lever. The bellows focusing system provides for close-up focusing capabilities with every RZ lens, as well as infinity focusing—all without mounting-and-unmounting cumbersome adapters.

LensesInterchangeable Mamiya world-class quality lenses, with built-in leaf shutters offer shutter speeds from 8 to 1/400sec. (plus T-setting for up 32 seconds). Electronic flash synchronization is achieved at all shutter speeds and intermediate shutter speeds can be set on the camera’s speed dial setting for more critical digital exposure control.

Interchangeable ViewfindersChoose from the waist-level finder (included) for low-angle versatility, or one of the eye-level prisms, such as the AE Prism Finder FE701 which provides A/S Matrix metering, 1/6 f/stops exposure accuracy plus an LED function display in the viewfinder.

Interchangeable power winder (optional)The Power Winder 2 is powered by AA batteries or an AC Adapter and adds ease of use by cocking the shutter and resetting the mirror automatically. It produces single or sequential exposures at about 1 frame per second. It can also be remote controlled with radio or infrared transmitters.

Many fail-safe system checks, warn the photographer both with visual and audible warning alert signals. And as you would expect, the new RZ80, RZ33 and RZ22 are system compatible with all existing RZ lenses and most accessories.

The Mamiya 50mm f/4.5
ULD L is an ultra-wide lens exhibiting minimal distortion and extreme depth of
field, dramatically linking foreground and background subject matter. Ultra Low
Dispersion glass is used for maximum sharpness, plus a floating element system
is incorporated to ensure that high contrast and resolution from the center to
the periphery of the image area are guaranteed.

Applications include landscape, architecture and photojournalism.

Equivalent to 24mm in 35mm format.

50mm f/4.5 ULD L Specifications

Lens Design

15 elements/11 groups

Angle of View

82°

Minimum Aperture

32

35mm Equivalent

24mm

Minimum Focus

1.8" / 46mm

Maximum Magnification

0.88X

Minimum Image Area

2.5 x 3.0" / 63 x 78mm

Filter Diameter

77mm

Lens Hood (supplied with lens)

Slip-on

Dimensions (L x W)

3.7 x 3.8" / 93 x 97mm

Weight

2 lb. 2 oz. / 954 g.

65mm f/4

The 65mm f/4 is a wide
angle lens with a 68° angle of view. It is the most popular wide angle focal
length in 6 x 7cm format. It renders natural perspective with increased depth of
field and angular coverage and provides the least amount of distortion of the
wide angle range for subjects at the edges of the frame.

Applications include group portraits, wedding photography, and general
purpose wide angle photography.

Equivalent to 32mm in 35mm format.

65mm f/4 Specifications

Optical Construction

9 elements/8 groups

Angle of View

68°

Minimum Aperture

32

Diaphragm

Automatic

Minimum Focusing Distance

1’ 1.8" / 0.35m

Maximum Magnification Ratio

0.7

Area Covered

3.2 x 3.9" / 80 x 100mm

Equivalent Focal Length for 35mm

32mm

Filter Size

77mm

Lens Hood

Slip-on

Dimensions (L x W)

4.5 x 3.8" / 113 x 97.2mm

Weight

2 lbs. 5 oz. / 1060 g.

90mm f/3.5

The 90mm f/3.5 is considered a wide-normal lens.
Its 53° angle of view works well for a variety of subjects.

Applications include general purpose photography from landscapes to full
length or head and shoulders portraits. It works well for close-up photography
with or without extension tubes.

Equivalent to 44mm in 35mm format

90mm f/3.5 Specifications

Optical Construction

6 elements/6 groups

Angle of View

53°

Minimum Aperture

32

Diaphragm

Automatic

Minimum Focusing Distance

1’ 4.9" / 0.43m

Maximum Magnification Ratio

0.51X

Area Covered

4.3 x 5.4" / 110 x 136mm

Equivalent Focal Length for 35mm

44mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

3.2 x 3.8" / 82.1 x 97.2mm

Weight

1 lb. 8 oz. / 690 g.

110mm f/2.8

The 110mm f/2.8 is an
excellent, all purpose normal lens. With an f/2.8 maximum aperture, it is the
fastest lens in the RZ line, ideal for existing light photography.

Applications include general purpose photography from landscapes to portraits
and close-up photography with the RZ’s built-in bellows or added extension
tubes.

Equivalent to 53mm in 35mm format.

110mm f/2.8 Specifications

Optical Construction

6 elements/5 groups

Angle of View

44°

Minimum Aperture

32

Diaphragm

Automatic

Minimum Focusing Distance

1’ 8.9" / 0.53m

Maximum Magnification Ratio

0.42

Area Covered

5.3 x 6.6" / 135 x 167mm

Equivalent Focal Length for 35mm

53mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

2.4 x 3.8" / 62 x 97.2mm

Weight

1 lb. 6 oz. / 610 g.

150mm f/3.5

The 150mm f/3.5
is a short telephoto utilizing Mamiya’s low dispersion glass with superior
performance at all apertures. Many table top, studio, portrait and fashion
photographers find it an excellent choice for all purpose photography.

It allows slightly closer working distance for portraits than longer lenses,
facilitating a more informal and intimate approach.

The 180mm f/4.5 is a
compact mid range telephoto lens, and the most popular telephoto for the 6x7cm
format. It yields a good camera to subject distance, slight flattening of
portrait subjects, and exceptional sharpness.

The 210mm f/4.5 APO is the shortest of Mamiya’s 6x7cm
format APO series lenses. It utilizes computer-aided design and Mamiya’s
ultra-low dispersion glass for elimination of chromatic abberation. The
extensive use of low dispersion glass makes APO lenses heavier and more costly
than standard design telephoto lenses.

Typically, lenses over
200mm focal length show decreased sharpness, resolution and color saturation due
to increased chromatic aberration, especially at wider apertures. The Mamiya APO
Series are specifically designed to give the utmost performance in telephoto
design lenses, yielding consistent, unparalleled image quality.

No other medium format lens manufacturer offers such a series of APO
telephoto lenses, optimized for a wide range of apertures and distances for
commercial applications, not just at infinity focus, as traditional medium
format APO designs.

Applications include commercial and table top photography, landscape, aerial,
wildlife, sports, portrait, beauty, and fashion photography, where ultimate
image quality from a long focal length and an image compression effect, is
desired.

Applications include available light photography for reportage, wildlife,
sports, fashion and beauty.

Equivalent to 121mm in 35mm format.

250mm f/4.5 Specifications

Optical Construction

5 elements/4 groups

Angle of View

20°

Minimum Aperture

45

Diaphragm

Automatic

Minimum Focusing Distance

6’ 0.9" / 1.85m

Maximum Magnification Ratio

0.19X

Area Covered

11.7 x 14.5" / 297 x 369mm

Equivalent Focal Length for 35mm

121mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

5.0 x 3.8" / 126 x 97.2mm

Weight

2 lbs. 6 oz. / 1,080 g.

250mm f/4.5 APO

The 250mm
f/4.5 APO is in the mid-range of Mamiya’s 6x7cm format APO series lenses. It
utilizes computer-aided design and Mamiya’s ultra-low dispersion glass for
elimination of chromatic abberation. The extensive use of low dispersion glass
makes APO lenses heavier and more costly than standard design telephoto lenses.

Typically, lenses over 200mm focal length show decreased sharpness,
resolution and color saturation due to increased chromatic aberration,
especially at wider apertures. The Mamiya APO Series are specifically designed
to give the utmost performance in telephoto design lenses, yielding consistent,
unparalleled image quality.

No other medium format lens manufacturer offers such a series of APO
telephoto lenses, optimized for a wide range of apertures and distances for
commercial applications, not just at infinity focus, as are traditional medium
format APO designs.

Applications include commercial and table top photography, landscape, aerial,
wildlife, sports, portrait, beauty, and fashion photography, where ultimate
image quality from a long focal length and an image compression effect, is
desired.

Equivalent to 121mm in 35mm format.

250mm f/4.5 APO
Specifications

Optical Construction

7 elements/5 groups

Angle of View

21°

Minimum Aperture

45

Diaphragm

Automatic

Minimum Focusing Distance

6’ 1.3" / 1.86m

Maximum Magnification Ratio

0.19X

Area Covered

11.7 x 14.6" / 298 x 370mm

Equivalent Focal Length for 35mm

119mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

5.7 x 3.8" / 144.8 x 97.2mm

Weight

2 lbs. 15 oz. / 1,340 g.

350mm f/5.6 APO

The 350mm
f/5.6 APO is in the mid-range of Mamiya’s 6x7cm format APO series lenses. It
utilizes computer-aided design and Mamiya’s ultra-low dispersion glass for
elimination of chromatic abberation. The extensive use of low dispersion glass
makes APO lenses heavier and more costly than standard design telephoto lenses.

Typically, lenses over 200mm focal length show decreased sharpness,
resolution and color saturation due to increased chromatic aberration,
especially at wider apertures. The Mamiya APO Series are specifically designed
to give the utmost performance in telephoto design lenses, for consistent,
unparalleled image quality from wide angle to telephoto.

No other medium format lens manufacturer offers such a series of APO
telephoto lenses, optimized for a wide range of apertures and distances for
commercial applications, not just at infinity focus, as are traditional medium
format APO designs.

Applications include commercial photography, landscape, aerial, wildlife,
sports, portrait, beauty, and fashion photography, where ultimate image quality
from a long focal length and a noticeable image compression effect is
desired.

Equivalent to 167mm in 35mm format.

350mm f/5.6 APO Specifications

Optical Construction

7 elements/6 groups

Angle of View

15°

Minimum Aperture

45

Diaphragm

Automatic

Minimum Focusing Distance

11’ 2.7" / 3.42m

Maximum Magnification Ratio

0.13X

Area Covered

16.5 x 20.5" / 420 x 521mm

Equivalent Focal Length for 35mm

167mm

Filter Size

77mm

Lens Hood

Screw-In

Dimensions (L x W)

7.5 x 3.8" / 191.2 x 97.2mm

Weight

3 lbs. 3 oz. / 1,455 g.

37mm f/4.5 Fisheye

The 37mm f/4.5
fisheye renders unusual perspective with a full rectangular image and expansive
180° angle of view.

Linear distortion is apparent, and can be creatively used for unusual
perspective of any scene or subject.

The 75mm f/4.5 Shift
is a special application lens for perspective control. It features a unique wide
field coverage and perspective control shift mechanism in a rotating mount,
allowing the photographer to maintain proper linear perspective, identical to PC
shift lenses for 35mm cameras.

Applications include precise perspective control for architectural or
industrial rendering or table top photography.

Equivalent to 36mm in 35mm format.

75mm f/4.5 Shift Specifications

Optical Construction

11 elements/9 groups

Angle of View

62°

Minimum Aperture

32

Diaphragm

Automatic

Minimum Focusing Distance

1’ 4.5" / 0.42m

Maximum Magnification Ratio

0.60X

Area Covered

3.7 x 4.5" / 93 x 115mm

Equivalent Focal Length for 35mm

36mm

Filter Size

105mm

Lens Hood

None Required

Dimensions (L x W)

6.0 x 4.3" / 152 x 108mm

Weight

3 lbs. 11 oz. / 1,660 g.

140mm f/4.5 Macro

The 140mm
f/4.5 Macro features outstanding resolution at all distances and apertures, and
adjustable flat field correction. The built-in floating element system allows
correction of edge sharpness for copy work down to 1:1 life size with optional
extension tubes.

The lens will focus from infinity to 1/3 life size magnification with the RZ
camera’s built-in bellows.

Applications include copywork, macro and close-up photography of all objects
from product photography to flowers. Fashion and beauty photographers find the
140mm f/4.5 Macro particularly useful for a variety of subjects, close-ups and
normal shots. An extremely versatile lens, the 140mm f/4.5 Macro can also
operate as an excellent normal focal length lens focusing to infinity for
portraits, landscapes and general purpose photography.

Equivalent to 68mm in 35mm format.

140mm f/4.5 Macro Specifications

Optical Construction

6 elements / 4 groups

Angle of View

35°

Minimum Aperture

32

Diaphragm

Automatic

Minimum Focusing Distance

2’ 5.9" / 0.76m

Maximum Magnification Ratio

0.33X

Area Covered

6.8 x 8.4" / 173 x 214mm

Equivalent Focal Length for 35mm

68mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

3.8 x 3.8" / 97 x 97.2mm

Weight

2 lbs. 1 oz. / 930 g.

180mm f/4 Variable Soft Focus

The 180mm f/4
VSF lens is a compact mid range telephoto lens. It yields a good camera to
subject distance, slight flattening of portrait subjects, and exceptional
sharpness.
The unique optical design essentially has an ?optically correct
center,? which can produce a sharp image virtually equal to a standard 180mm
lens, when an aperture of f/8 or smaller is used. The edges of the lens elements
are designed to induce ?spherical aberration,? which creates a dreamy, soft
focus effect when the lens is used at apertures wider than f/8. Unlike common
soft focus attachments that simply degrade a sharp image, the RZ 180mm VSF can
?build? a soft focus image using its unique combination of spherical aberration
and diffusion disks. The result is tremendous creative control for effect from
dramatic to subtle.

Three supplementary disks are supplied with the lens, and fit internally in
the lens barrel. The three disks are labeled No.1 (5), No.2(5.6) and No.3 (6.3).
The numbers in parentheses are the approximate f/stops to which the lens
diaphragm, when set to f/4, is modified. The disks, numbered one, two and three,
have different diameter holes in the center, surrounded by numerous smaller
holes extending toward the edges of the disks. These small holes act like
multiple diaphragms, overlaying softer images on top of the sharp image
projected through the center hole. The overall level of sharpness is controlled
by the diaphragm opening and choice of disk. Also, whether or not a disk is used
at all.

Applications include fashion, beauty, and portraiture, commercial and
advertising work.

For more information on use of Mamiya soft focus lenses, see photographer
John Woodward?s comments on the use of the similarly designed Mamiya RB 150mm
f/4 soft focus lens.

Equivalent to 87mm in 35mm format.

180mm f/4 VSF Specifications

Optical Construction

6 elements / 4 groups

Angle of View

28°

Minimum Aperture

32

Diaphragm

Automatic

Minimum Focusing Distance

3’ 6.4" / 1.11m

Maximum Magnification Ratio

0.26X

Area Covered

8.5 x 10.5" / 217 x 270mm

Equivalent Focal Length for 35mm

87mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

4.7 x 3.8" / 118 x 97.2mm

Weight

2.25 lbs. / 1039 g.

180mm f/4.5 Short Barrel

The 180mm SB
f/4.5 is a compact mid range telephoto lens. It yields a good camera to subject
distance, slight flattening of portrait subjects and exceptional sharpness. This
short barrel lens allows for continuous focusing from infinity to close-up when
attached to the Tilt/Shift Adapter. The 180mm SB f/4.5 is optically identical to
the RZ 180mm f/4.5 W-N. It covers a wide image area and allows full use of the
Tilt/Shift Adapter?s capabilities.

The 180mm SB f/4.5 may be used on the RZ camera without the Tilt/Shift
Adapter. To use like the standard 180mm lens the 27.2mm Spacer must be
attached.

Applications include portraiture, fashion, landscape and sports.

Equivalent to 87mm in 35mm format.

180mm f/4.5 Short Barrel
Specifications

Optical Construction

4 elements/3 groups

Angle of View

28°

Minimum Aperture

45

Diaphragm

Automatic

Minimum Focusing Distance*

3’ 7.7" / 1.11m

Maximum Magnification Ratio*

0.26X

Area Covered*

8.5 x 10.6" / 217 x 270mm

Equivalent Focal Length for 35mm

87mm

Filter Size

77mm

Lens Hood

Screw-in

Dimensions (L x W)

3.5 x 3.75" / 91.8 x 97.2mm

Weight

2 lbs. / 900 g.

100-200mm f/5.2 Zoom

The
100-200mm f/5.2 Zoom features a 14 element 12 group design with a focal length
range that is ideal for studio use. One lens can be used for full length
portraits to head shots eliminating the need to change lenses, synch cords or
camera position, throughout a sitting. Because of Mamiya computer aided design
and manufacturing techniques, the 100-200mm Zoom provides image performance
equal to prime focal length lenses. It offers a choice of helicoid or camera
bellows focusing. A tripod support bracket is included which is compatible with
the RZ67 Pro II both with and without the Power Winder Model II mounted on the
camera body.

The Spacer is designed for use with the Short
Barrel Lenses. It provides for the full focusing range of the Short Barrel
lenses, making them equivalent to the standard lenses of equal focal length.
When using the Short Barrel lenses without the Tilt/Shift Adapter or Spacer the
bellows must be extended 27.5mm to reach infinity focus. This distance is the
same distance provided by the Tilt/Shift Adapter or the Spacer. Cat. #213-376.
Weight: 11.8 oz., 335 g.