1992 "Hierarchy in art". Gallery in Tryokhprudny Lane., Moscow "The Artist and the Book". Peresvetov Lane., Moscow. Criticism. . Against the background of the Moscow Art, . which is the sum of the individual "histories", . position of AlexanderSigutina distinguishes declarative "health", . commitment to the norm, . Canon, . Samples, . Master Standard, . in itself contrary to the traditional definition of the artist as being a normal -, . "border-crossers.,

. In the series "Comparative abstract," he, . unashamedly banality of associations, . usually concealed brought up art connoisseurs, . may, . example, . likened mondrianovskie geometrizmy child colored cubes, . that make up the horses, . airplanes, etc., . In its own way by treating the modernist mythology of children's drawings as a kind of "reserve" of pure creative energy, he sings "manuals" exemplary creative work in order to show them in kindergartens and nurseries. Or check the skills of their colleagues with the help of children's books, coloring (it should be noted that few of them managed to exercise due diligence and accuracy).

. The obvious irony of this search model for "proper art", . which would be clear, . as sea charter (and Alexander, . before you become an artist, . was a sailor), . laws and accessible criteria for "good" and "bad" (like a ruler and scales, . measuring the creative growth and social weight of its shares "Hierarchy in the art" for opreleniya reference artist and critic), . intentional buffoonery conceals the seriousness aspirations Sigutina, . thus mitigating hopelessly utopian ideal location, .