from the the-system-is-broken dept

If you follow the history of copyright law, it's truly about taking a ridiculous duct-tape approach to dealing with changes in technology. Basically, each time a new technology comes along that shows how the old laws are obsolete, lobbyists run to Congress and some sort of change is duct-taped on, often haphazardly, with little concern for either the unintended consequences or exploring how broken the system is in the first place. That actually makes things worse, because you have all these random "add-ons" that make copyright law make even less sense. When radio came along, we got some duct tape. When cable TV came along, we got some duct tape. When the internet came along, we got some duct tape. And not all of it made sense. There are still big fights going on today as everyone tries to sort out how the radio duct tape applies to the internet. And, of course, the Aereo fight was partly about whether or not the cable duct tape applies to the internet (leading to the Supreme Court turning duct tape into a duck).

We've discussed at length the ridiculous process by which cell phone unlocking was briefly declared legal under copyright law... and then magically became illegal due to a decision by the Librarian of Congress to rescind an exemption to the DMCA. After over 100,000 people signed a petition asking for it to be fixed, the White House told Congress to fix it -- but in true duct-tape fashion, decided that it should just add on some more duct tape by saying changes should be made to telecom regulations, rather than targeting the root of the problem: Section 1201 of the DMCA, better known as the anti-circumvention clause.

As we noted recently, after a year-and-a-half of a mix of fighting over this and a whole lot of nothing, the Senate came up with a compromise that isn't horrible, but doesn't do very much other than make it legal to unlock your phones again. The full Senate has now approved this. Of course, earlier this year, the House passed a dangerously bad bill to pretend that it was dealing with the problem as well, but it actually had some bad problems. The two houses will have to bring the bills into alignment now, and hopefully the Senate bill wins out.

However, as Tim Lee over at Vox points out, this is a huge missed opportunity because it's Congress taking that same duct tape approach yet again. Rather than actually fixing the underlying problem (a broken Section 1201), Congress has decided to pass a bill that duct tapes on "except for unlocking mobile phones... for now." This isn't surprising. Actually fixing Section 1201 would be a massive process that would lead to quite an insane fight from Hollywood (they love the anti-circumvention provision, because it allows them to DRM everything and create controls for themselves beyond what everything else in copyright law allows -- such as taking away fair use).

The other big stumbling block is that, thanks to bogus international trade agreements, doing something so simple as to actually fix this broken part of the DMCA that possibly made cell phone unlocking illegal... would likely violate more than half a dozen trade agreements. While Congress has the power to ignore those trade agreements if it wants, lobbyists love to go apeshit about anything that might "violate international agreements," as if suddenly Europe won't do business with us any more because we dare to let people unlock their mobile phones.

Either way, this one issue does a lot to show why copyright law continues to be such a mess. It's just a hack process, which new technology routes around... and Congress' response is just to duct tape on the next mess to "fix" the mistake, rather than look at the underlying reasons why the law is outdated and problematic. Hopefully you'll be able to unlock your mobile phones soon without worrying about breaking the law -- but that won't be true for other things, like modifying your video game console or other types of electronic devices. A sane world would get to the root of the problem and fix it, but this is Congress we're talking about, and no one thinks that's a sane world.

from the ridiculous dept

It's that time again, when the Librarian of Congress and the Register of Copyright announce their triennial "rulemaking" on DMCA exemptions for the anti-circumvention clause. Just the fact that they have to do this every three years should show how ridiculous the anti-circumvention clause of the DMCA is. Basically, it's so screwed up that, every three years, the Librarian of Congress gets to randomly decide when the law can be ignored. Maybe... instead of doing that, you fix the law? There are some interesting exemptions, though they're limited. For example, people making "noncommercial" remix videos can apparently use clips from DVDs with specific limitations.

Motion pictures, as defined in 17 U.S.C. § 101, on DVDs that are lawfully made and acquired and that are protected by the Content Scrambling System, where the person engaging in circumvention believes and has reasonable grounds for believing that circumvention is necessary because reasonably available alternatives, such as noncircumventing methods or using screen capture software as provided for in alternative exemptions, are not able to produce the level of high-quality content required to achieve the desired criticism or comment on such motion pictures, and where circumvention is undertaken solely in order to make use of short portions of the motion pictures for the purpose of criticism or comment in the following instances: (i) in noncommercial videos; (ii) in documentary films; (iii) in nonfiction multimedia ebooks offering film analysis; and (iv) for educational purposes in film studies or other courses requiring close analysis of film and media excerpts, by college and university faculty, college and university students, and kindergarten through twelfth grade educators. For purposes of this exemption, "noncommercial videos" includes videos created pursuant to a paid commission, provided that the commissioning entity's use is noncommercial.

In explaining this, they specifically call out the examples of remix videos as to why this should be allowed:

Creators of noncommercial videos provided the most extensive record to support the need for higher-quality source material. Based on the video evidence presented, the Register is able to conclude that diminished quality likely would impair the criticism and comment contained in noncommercial videos. For example, the Register is able to perceive that Buffy vs Edward and other noncommercial videos would suffer significantly because of blurring and the loss of detail in characters' expression and sense of depth.

Of course, it's not all good news. Public Knowledge had put forth a request for an exemption for being able to rip legally purchased DVDs for the sake of watching them on a computer or tablet. This is something that a ton of people already do, but which technically violates the anti-circumvention part of the DMCA. Unfortunately, this request was rejected -- even though it's already acknowledged as legal to do the same thing with CDs -- and, as PK's Michael Weinberg points out, even movie studio bosses seem to recognize that it should be legal to rip your own movies:

And the RIAA and the MPAA agree with you. In 2005, their lawyer (now the Solicitor General of the United States) assured the Supreme Court that "The record companies, my clients, have said, for some time now, and it's been on their Website for some time now, that it's perfectly lawful to take a CD that you've purchased, upload it onto your computer, put it onto your iPod."

Movie executives agree as well. Mitch Singer, the Chief Technology Officer of Sony Pictures Entertainment explained to author Robert Levine that the idea for the movie industry's UltraViolet program evolved out of Singer's own frustration with transferring movies between PCs in his home.

So what is the reasoning for the rejection? Well, they argue that space shifting might not be legal after all, despite all of the above. They claim that key cases involving the VCR and the mp3 player -- both of which were found to be legal -- do not "provide the legal basis for a broad declaration that space shifting of audiovisual works is a noninfringing use." Think about that for a second.

In 2006 and 2010, the Librarian of Congress had permitted users to unlock their phones to take them to a new carrier. Now that's coming to an end. While the new rules do contain a provision allowing phone unlocking, it comes with a crippling caveat: the phone must have been "originally acquired from the operator of a wireless telecommunications network or retailer no later than ninety days after the effective date of this exemption." In other words, phones you already have, as well as those purchased between now and next January, can be unlocked. But phones purchased after January 2013 can only be unlocked with the carrier's permission.