Colorfull hand painted decorations play the main role in the sculpture. The decoration techniques used were different kinds of under glaze colours and porcelain painting techniques. Without any preplanning or excesive sketching, I painted the pieces by seizing the mood of the moment. I didn´t plan the form of the sculpture beforehand either. I build it up from the fragments that I had painted, directly to the gallery space. The randomly combined decorations formed suprising combinations, even to myself.

Textual part of my thesis is a narration of my working process. I write about the materials and techniques that I choosed to use and how my working proceed. I also ponder different themes that are present in my working process: Randomness, unplannedness, open outcome and signification of a space, for example. I reflect my work to the literary written from these themes and to the discussion had with glass- and ceramic artist professor Oiva Toikka.

Analysing and exploring my working process and making of Fanfare has gained me enormous knowledge. I´ve learned and realized a lot from myself, my working style and artistic process. Without this profound wondering, I would not have ever achieved this information. My master thesis, Fanfare, has brought me lots of joy, actual content and indispensable understanding for the future.