DeepWit Recordingshttps://deepwitrecordings.wordpress.com
DeepWit Recordings BlogSat, 10 Mar 2018 02:20:19 +0000enhourly1http://wordpress.com/https://secure.gravatar.com/blavatar/c22b2c4e7a41ac337e740272d33dac07?s=96&d=https%3A%2F%2Fs2.wp.com%2Fi%2Fbuttonw-com.pngDeepWit Recordingshttps://deepwitrecordings.wordpress.com
We’ve Moved!https://deepwitrecordings.wordpress.com/2015/04/15/weve-moved/
https://deepwitrecordings.wordpress.com/2015/04/15/weve-moved/#respondWed, 15 Apr 2015 16:08:35 +0000http://deepwitrecordings.wordpress.com/?p=1527We’ve talked about merging our blog and website for years but I’ve alway been too intimidated to actually build a website myself. Come to find out with a little patience and work, it wasn’t that hard at all and I am really happy to have finally gotten the whole thing under one roof.

If you are already a subscriber, I strongly encourage you to head on over to the blog and subscribe as I have been unable to transfer the subscriptions over. If you aren’t, no like the time to hop on board. I don’t normally post enough for it become annoying and this way you are guaranteed to stay up to date with all the goings on around here from our Charts and advice articles to our Q&A’s and Give-Aways.

I will be leaving this blog up just a little while longer but soon I will be saying goodbye and only the new blog will be updated with new content.
I would love for you to head on over to the blog and website and let me know what you think of the new design.

https://deepwitrecordings.wordpress.com/2015/04/15/weve-moved/feed/0DeepWitRecordings500by500Logo copysierramayDeepWit RecordingsDeepWit Essentials Week 12https://deepwitrecordings.wordpress.com/2015/03/22/deepwit-essentials-week-12/
https://deepwitrecordings.wordpress.com/2015/03/22/deepwit-essentials-week-12/#respondSun, 22 Mar 2015 15:48:59 +0000http://deepwitrecordings.wordpress.com/?p=1515I’m going to come right out and say I would love to offer a valid excuse for not having kept up with the blog chart. Honestly though, I don’t have one. Yes we have been busy with building a new website, where this blog will call home along all of our other awesome stuff. Yes, it is warming up, which means more time preparing the vegetable garden for planting and getting new fruit bushes in the ground. Yes, we did decide to start on a ridiculously huge release schedule for the year, with something like a release every week. Oh and have I mentioned I’ve taken up knitting? Ok I feel much better about having dropped off from the DeepWit Essentials posts in the last three months but I plan on making them a bi-weekly habit again, alongside writing more advice posts, how-to’s and Q & A’s. Maybe slide in a few guest posts and charts if I can manage to get anyone interested! And with no further chit chat let me start off on this weeks essential tunes.

This one is a bit older, from last month. Which lets be honest, with quality music there isn’t an expiration date. Thanks Stratospherik for always putting out quality music, we are big fans of the Stratoliner sound.

Up next, another one from last month we missed out on. This one comes from Ready Mix Records and Addex plus remixers. We are really partial to the Original and Forteba Remix.

And now for some more recent stuff, including this great remix on Lagaffee Tales. The entire release is lovely but the Lay-Far remix really hits the spot.

And it wouldn’t be fitting to make an entire chart without adding in our latest release with Venntaur, which has been blowing up across the globe, getting massive airplay and support due to how very awesome it is. Just Listen.

To finish off the digital side and bordering on the vinyl we have this remix from Kalabrese of “Signs” from the Howling. Something that should be in all our collections.

]]>https://deepwitrecordings.wordpress.com/2015/03/22/deepwit-essentials-week-12/feed/0DeepWitRecordings500by500Logo copysierramayIMG_2514Get Your Mixes Noticedhttps://deepwitrecordings.wordpress.com/2015/03/21/get-your-mixes-noticed/
https://deepwitrecordings.wordpress.com/2015/03/21/get-your-mixes-noticed/#commentsSat, 21 Mar 2015 09:41:47 +0000http://deepwitrecordings.wordpress.com/?p=1478We have a ton of mixes shared with us on a regular basis. We listen to dozens of mixes a week. We promote and share mixes constantly and we of course have our own monthly mix “DeepWit Sessions“. With that in mind, there is no way we would have the chance to listen to every mix out there, which means often mixes that feature either Alvaro’s music or music from the label will win out over mixes that don’t feature our music. Good news for DeepWit supports though is that if you play our music, we will go out of our way to send some love back to you by sharing your mix far and wide via our Twitter, Tumblr, Pinterest, Flipboard and Facebook.

Unsurprisingly a lot of mixes go unnoticed and unplayed though. Here is a a list of what we consider to be the most important parts of getting your mixes heard by the masses.

Artwork and Design that both calls attention and already gives the listener an idea of who and what they are listening to. Keep the artwork relevant, which normally shouldn’t involve sexualising women or being discriminatory towards different groups of humanity. (Check out this post on Artist names if you haven’t picked yours yet).

A track listing. I can not stress the importance of this, including making it easier for labels and artist to see you have supported them (yay more likes and shares!) to giving your listeners a chance to see your good taste before they ever hit the play button. (You can check out more reasons why here.)

Sharing directly with the artist and labels you have supported in your mix. Make sure to tell them one of their tracks is included! This makes sure they will at least give it a quick listen and are more likely to pass it onto their followers, if it is a good quality mix and has a track list of course.

Building a base of supporters who enjoy your mixes. This takes time, effort and networking. But you got into Djing because you wanted to share your love of music anyways, so just think of this as more reason to make friends in the music scene.

Social Media is your Friend. Share your mixes in a thousand different ways after having uploaded them to sites like Soundcloud and Mixcloud, two of the friendlier more universal services out there but there are several great sites to use. Don’t stop there though, share your mixes via your Twitter, Personal and Artist Facebook pages, Google+, Reddit, Pinterest, Flipboard, Instagram, Tumblr, ect.

]]>https://deepwitrecordings.wordpress.com/2015/03/21/get-your-mixes-noticed/feed/1sierramayGet Your Mix HeardProtected: Q&A w / Nikosf. – DeepSounds Masteringhttps://deepwitrecordings.wordpress.com/2015/03/15/qa-w-nikosf-deepsounds-mastering/
https://deepwitrecordings.wordpress.com/2015/03/15/qa-w-nikosf-deepsounds-mastering/#respondSun, 15 Mar 2015 22:28:22 +0000http://deepwitrecordings.wordpress.com/?p=1501This post is password protected. You must visit the website and enter the password to continue reading.
]]>https://deepwitrecordings.wordpress.com/2015/03/15/qa-w-nikosf-deepsounds-mastering/feed/010517471_1005436682819830_9031159282654023133_nsierramayQ&A w/ Darren Braddickhttps://deepwitrecordings.wordpress.com/2015/03/15/qa-w-darren-braddick/
https://deepwitrecordings.wordpress.com/2015/03/15/qa-w-darren-braddick/#respondSun, 15 Mar 2015 20:09:43 +0000http://deepwitrecordings.wordpress.com/?p=1491Darren Braddick is the man behind a slew of successful labels that all live under the umbrella of Krafted Music Group that he runs with Paul Sawyer. You might recognise Endemic Digital and of course Unrivaled Music, who we just featured on our Deep House United Vol 2 compilation alongside other labels like UM Records, Wind Horse Records, Lagaffe Tales and several other quality House labels that live on the deeper side of sound.

Q. How long have you been running your label and how did you come up with the name?

I have been running my label group for exactly a year today, I inherited the name from Wez Saunders who I bought the labels from. Then when joining forces with Paul we became Krafted Music Group. (editors note: this was written a few months ago, so congratulations Darren on running Krafted for well over a year now!)

Q. Is it more rewarding to run the Krafted Music Group or working your day job?

I run Krafted Music Group full time.

Q. What is the hardest part about running a label?

Managing your time, being available 24/7 with all the different time zones etc.

Q. Favorite Genre of music outside of what you release on your labels?

Thanks for taking the time to give us a little look into your label life Darren and we look forward to seeing what you do with Krafted in the years to come!

Now check out the track he contributed from Unrivaled Music for the latest Deep House United Va to get a feel for the great sounds coming from his label.

]]>https://deepwitrecordings.wordpress.com/2015/03/15/qa-w-darren-braddick/feed/01013479_919978621359653_6084145049285153691_nsierramay1013479_919978621359653_6084145049285153691_nChoosing Your Artist Namehttps://deepwitrecordings.wordpress.com/2015/03/14/choosing-your-artist-name/
https://deepwitrecordings.wordpress.com/2015/03/14/choosing-your-artist-name/#respondSat, 14 Mar 2015 16:50:00 +0000http://deepwitrecordings.wordpress.com/?p=1475As a label owner, there are certain issues I deal with on a pretty regular basis. One of these is Artists names. Now to understand why it can be such a problem, you don’t have to look any farther than the large digital download stores such as Beatport and Traxsource. Have you ever listened to an artists catalogue and stumbled upon music that is just clearly not the artists you were listening to? This is most likely due to someone looking to steal some sales off the association or because they simply didn’t take the time to check and see if the name was already taken.

With more producers cropping up every week, it is essential you try to remain original and take the time to check the availability of the name before you start releasing under it. Think of your name as the first introduction to your audience. To be frank, there are artists we have refused to work with because of their names (either extremely unprofessional or offensive). You should also consider the fact, you want people to actually be able to find YOUR music. If you are producing Deep House, you definitely don’t want your music going on another persons Beatport page that makes Trance. My best advice, use your Original name or a variation of it.

On a side note, if you find another person has started using your artists name, you should contact the label the music was released under as well as the artist themselves if you can find them and ask them to change their name. You can also ask a label you work with for assistance.

]]>https://deepwitrecordings.wordpress.com/2015/03/14/choosing-your-artist-name/feed/0Choosing an Artist NamesierramayChoosing an Artist NameHappy International Women’s Dayhttps://deepwitrecordings.wordpress.com/2015/03/08/happy-international-womens-day/
https://deepwitrecordings.wordpress.com/2015/03/08/happy-international-womens-day/#respondSun, 08 Mar 2015 14:04:31 +0000http://deepwitrecordings.wordpress.com/?p=1469Today is International Women’s Day, which is a wonderful time to take a moment and thank all the great women in your life from your Mom, to your favourite school teacher, your favourite female DJ, and to your wife. One of the best ways to show your appreciation and support for the women in your life is to support equality and speak out against the sexism and violence that is so prevalent across the globe. Music is the universal language of mankind, shouldn’t everyone have the chance to be heard?

]]>https://deepwitrecordings.wordpress.com/2015/03/08/happy-international-womens-day/feed/0International Womens DaysierramayInternational Womens DayQ&A with Venntaurhttps://deepwitrecordings.wordpress.com/2015/03/07/qa-with-venntaur/
https://deepwitrecordings.wordpress.com/2015/03/07/qa-with-venntaur/#respondSat, 07 Mar 2015 18:35:38 +0000http://deepwitrecordings.wordpress.com/?p=1455Venntaur, a music producer and a DJ from Tampere, Finland, combines in his deep house the things that he loves: chest-pounding bass, soulful melodies, smooth ambience and groovy rhythms. All of this you can find on his brand new EP with us here on DeepWit, “Hillside“.
Venntaur is currently having fun in the studio and channeling his music-making experience of nearly two decades into fresh dancefloor-friendly tunes.
The future may be an infinite sea of possibilites, but one thing is certain for Venntaur: there will be music that moves you.

Q. Name and Favourite time of day?

I’m Antti Pekka Vilkko a.k.a. Venntaur. I like early mornings if I’ve managed to get enough sleep. It’s the best time to work on your projects because it’s quiet and your brain is not yet overloaded. On the other hand there’s also something intriguing in the deep of the night.

Q. What drives you to make music?

Inner necessity. Making music makes me happy. It’s my “in the zone” thing. That’s the main reason for doing anything in life, isn’t it? Secondary reasons might be connecting with people, making a mark in the world, small or large. Getting nice feedback on my music adds to the forward momentum too.

Not long. I started DJing when I started making music as Venntaur, spring 2013.

Q. Favourite Genre of music outside of what you produce?

Tough one because there are so many. My preferences change according to mood and time of day: for energy I go with technical/math/prog metal like Textures or Meshuggah; if it’s time for a feel trip I put on folkier stuff like Daughter or Anaïs Mitchell; for fun and good times it’s cheesy 80s synth pop or Finnish rap.

This country is relatively free (as in not oppressed) and laid back. People are generally direct and honest. Nightless nights in the summer. Good opportunities to spend time outdoors in the beautiful nature. Most importantly proper saunas.

Q. What do you get up to outside of music?

Last year I wrote a lot about creativity and productivity in my blog. I also wrote a book about the subject. (Finnish only, sorry.) I haven’t been active in that area lately though, which might be a good thing because there’s more time to make music. If I get a strong inspiration I might work on my own programming projects. To keep in shape I go to CrossFit.

Q. Do you better like better zoos or aquariums?

Zoos, although they might be a bit depressing if you notice that the animals are stressed or apathetic.

Q. Favourite country to eat cake in?

My memory in these kinds of things goes back maybe one week max and before that it’s all a blur :). So I can’t really tell if I’ve eaten cake anywhere else than Finland. Anyways, cake is cake regardless of location. Just eat it and enjoy the moment.

Q. What is the question you wished people would ask you?

I wish they’d ask themselves “Who am I? What is the true nature of this consciousness I am experiencing?” and then we could discuss it.

]]>https://deepwitrecordings.wordpress.com/2015/03/07/qa-with-venntaur/feed/01235175_621292891255139_623909055_nsierramay1235175_621292891255139_623909055_nVenntaur – Hillsidehttps://deepwitrecordings.wordpress.com/2015/03/07/venntaur-hillside/
https://deepwitrecordings.wordpress.com/2015/03/07/venntaur-hillside/#respondSat, 07 Mar 2015 17:50:27 +0000http://deepwitrecordings.wordpress.com/?p=1459Venntaur, a Finnish musician for over two decades has joined us here at DeepWit. The three tracks offered up are nothing but well crafted, well balanced and hypnotic. They will carry you away to another place where life moves in sound and texture. Climbing The Hill That Is You is an emotive, warm and sensual track while Consequences is more of an eclectic groover made to inspire with its visionary sounds. The last track, Never Knew, is a moody, expressive and enchantingly scenic track to completely take you away from it all.

The true value of music is in it’s ability to move you and this EP will move you to your very core.

]]>https://deepwitrecordings.wordpress.com/2015/03/07/venntaur-hillside/feed/0DWR039-Cover-ArtsierramayDWR039-FlyerRules of Remixing from Harold Heathhttps://deepwitrecordings.wordpress.com/2015/03/03/rules-of-remixing-from-harold-heath/
https://deepwitrecordings.wordpress.com/2015/03/03/rules-of-remixing-from-harold-heath/#respondTue, 03 Mar 2015 18:49:27 +0000http://deepwitrecordings.wordpress.com/?p=1452Now now, it has been a long time since I’ve written. I honestly keep meaning to write more and even have a whole slew of things to write about. Just seem to be experiencing a bit of writers block! So what to do? How about share some great advice about making a remix pack written by one of our favourite writers, Harold Heath, on his always funny and insightful blog “Harold’s House“.

Here is an excerpt about what he expects from a remix pack when it lands in his inbox and make sure to hear over to his blog for more interesting tales of how he thinks the world should run

1. The track is excellent.

If a track is brilliant, it spurs the remixer on to do even better. It also suggests that:

2. All the parts are excellent.

If you’ve got a load of good parts to work with, then a remix can be joy to do. If you ever get a chance, I strongly advise you remix Shur-I-Kan. His sounds are brilliant. The bass line he supplied me when I was lucky enough to land a job remixing one of his tracks was so good, I literally couldn’t turn it off. I got stuck in my studio for like 9 hours until my wife snuck in wearing ear muffs to protect her from the irresistible power of the b-line and managed to turn it off.

3. You supply me with ALL the parts, not just a few bits.

I’m afraid I can’t build you a track from scratch. If you would like a track from scratch, you should ask me to make you a track from scratch, rather than attempt to get me to remix something that has so little substance all I can do is make a new track. And please, give me all the parts, I want all the beats and the little fx etc. even the hats and the claps, you never know, they might come in handy.

4. No huge stems

I no longer have the time to receive huge great long stems of audio that need loads of cutting and editing before I can use them. I need to get all the parts, available to use, in sensibly edited, instantly usable wavs.

5. You supply me with a bowl of M&Ms with the blue ones removed.

Those are the rules, there’s absolutely no compromising, especially on the M&Ms, that’s a deal breaker. Now, if I had simply posted these rules, with no explanation would you think that I were a little Diva-ish, a little demanding? Perhaps, but hopefully now you understand the need for the new remix rules. There can be no compromise in the new musical landscape: comply or die!