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Incidentally with 2001 being the 25th anniversary of Dame Agatha's death on 12 January 1976 her books are being relaunched by Harper Collins and the Palace Theatre in Westcliff-On-Sea, Essex has dedicated a festival season to all 23 of her plays.

The original Granada series is available in DVD and VHS tape formats from Amazon and Britannia Music.

Yet the public loved him and Christie refused to kill him off, claiming that it was her duty to produce what the public liked.

The two episodes I have seen recently, and first shown in February 1989, seem to particularly warrant some observation on their themes.

His head was exactly the shape of an egg, and he always perched it a little on one side. Even if everything on his face was covered, the tips of moustache and the pink-tipped nose would be visible.

The neatness of his attire was almost incredible; I believe a speck of dust would have caused him more pain than a bullet wound.

Although divorce was a painful experience for Dame Agatha herself in 1928 (with her husband's affair leading to her notorious disappearance for eleven days in 1926, the subject of Michael Apted's stylish 1979 film `Agatha') she does not address the issues with any feeling, only using it as a contrivance, unlike Charles Dickens some 70 years earlier in the 19th century with his social commentary in `Great Expectations', when there was little scope for women caught in an abusive marriage.