Abstract:

The purpose of this study is to discuss characteristics of musical expression in Franz
Schubert’s Lieder, “Nacht und Träume” and “Die junge Nonne.” This study provides a
theoretical analysis of each piece with a discussion on how elements in the score relate to
musical expression. The analysis focuses on: 1) Schubert’s harmonic language such as the use of
chromatic sequences, common-tone chord relationships, and chromatic mediants; 2) the
relationship between the voice and piano through the motivic, melodic, and rhythmic connection;
3) musical interpretations in various recordings by different performers; and 4) suggestions to
help vocalists expressively interpret Schubert’s “Nacht und Träume” and “Die junge Nonne.”
This study concludes by noting the importance of enhancing musical expression. Vocalists
achieve stronger musical expression by carefully considering and understanding the musical and
technical details. Additionally, the conclusion offers recommendations of possible topics related
to this study that may be worthy of further intellectual development and expansion through
scholarly research.

Description:

Access to thesis permanently restricted to Ball State community only.

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