This sequel is just as enjoyable as its predecessor Hex Hall. Here we follow Sophie as she goes overseas to stay on the English countryside with her father and a few of her friends. New characters are introduced, and it doesn’t take long before she is put into various peculiar situations. Great witty heroine and fun dialogue, but lacking depth to make it really good. A light entertaining albeit slightly forgettable read.

That was the whole reason she was sent to Hex Hall, a reform school for delinquent Prodigium (aka witches, shapeshifters, and fairies). But that was before she discovered the family secret, and that her hot crush, Archer Cross, is an agent for The Eye, a group bent on wiping Prodigium off the face of the earth.

I didn’t outright love this book. Yet it still exceeded my expectations. You see, I’ve learnt to expect the worst with sequels. And this, my friends, is a sequel which manages to be just as good as its prequel.

A miracle in itself.

What probably saved this one from the dreaded “middle-book-syndrome” was the change of setting. As soon as we enter the story, Sophie is whisked away from the familiar setting of Hex Hall to the castle Thorne Abbey in England, where her father, as well as the rest of the council, is staying.

Immediately we are introduced to a bunch of new characters (Daisy,Nick and Lara), as well as getting to keep some of the familiar faces (vampire BFF Jenna and betrothed Cal). There is the giant mansion Thorne Abbey with its corridors and secrets. And Archer is supposedly lurking somewhere on the English countryside.

My interest was piqued.

Just like in Hex Hall the tone is light and sarcastic and the pace is great. Not once was I bored. There were equal amounts of action sequences, as well as space for some bonding, father-daughter or Sophie-Jenna. Sophie Mercer once again proved what a fun character she is. It felt effortless following her around.

I also loved the snarkiness and wittiness, which reminded me of Cassandra Clare’s in the Mortal Instruments.

Let me give you a few examples:

On Sophie’s dad being British:

“Dad was at his desk when I opened the door, doing what all British people do when they’re freaked out: drinking tea.”

Or when Sophie finds out about the betrothal:

“As I stomped across the school grounds, all I could see was Cal sitting with my dad in some manly room with leather chairs and dead animals on the wall, chomping on cigars as my dad formally signed me away to him. They probably even high-fived.”

Or the snarky remarks between Sophie and Archer:

“Never hurts to be prepared….” “It just seems like overkill when you already have a sword and I have superpowerful magic at my disposal.” “‘Superpowerful’? …. Let me remind you of two words, Mercer: Bad. Dog.”

Entertaining indeed.

Yet, just like in Hex Hall, it also lacked depth. All though some terrifying things happened, it never affected me much. I didn’t feel the pain, the loss or the fear of any of the characters. Like I said in my review of Hex Hall, it never goes beyond a light version of Harry Potter. A shame, because the potential is definitely there. Hawkins sure knows how to write.

In this sequel we are also introduced to another one of those dreaded love triangles. Well, dreaded only if forced or superficial, which unfortunately this one is. I would have been perfectly happy with only Archer. God knows there are enough star-crossed problems hanging over them, without an additional problem being added of another guy viewing for Sophie’s attention. It doesn’t help that this other guy hardly talks or shows any emotions. Consequently, I have absolutely no idea of who he is, more than that he is good at healing. Good thing the love triangle was never at the forefront of the story.

The ending was a real cliffie. Practically everyone is in danger. Who has made it and who hasn’t? Well, get the next book to find out!

Urgh, I’ve never been a fan of those ones.

Yet, cliffie or not, since I did enjoy the book overall, I think I’ll have to get my hands on Spellbound when it hits the shelves in March next year. So yep, I have to say I remain intrigued..

Great new spin-off series of the Vampire Academy following the new protagonist Sydney, the human alchemist who helped Rose in Last Sacrifice. Sydney may not be as kick-ass as Rose (kind of hard to beat), but she is every bit as head-strong and protective of the ones she loves. She warmed my heart, as did the other characters in their group, Jill, Eddie and in particular Adrian! All in all, a wonderfully entertaining start to a new series!!

When alchemist Sydney is ordered into hiding to protect the life of Moroi princess Jill Dragomir, the last place she expects to be sent is a human private school in Palm Springs, California. But at their new school, the drama is only just beginning.

Populated with new faces as well as familiar ones, Bloodlines explores all the friendship, romance, battles and betrayals that made the #1 New York Times bestselling Vampire Academy series so addictive – this time in a part-vampire, part-human setting where the stakes are even higher and everyone’s out for blood.

I actually read this book a couple of weeks ago, but things were being so hectic at the time, that I never got a chance to sit down for a review. I do however remember my one thought after closing the last page:

I am in love with Adrian Ivashkov.

That’s right. Not since Jace in The Mortal Instruments have I felt so strongly for a male character. What a wonderful, cynical, broken-hearted, flawed, protective, kind and romantic character Mead has created. I felt as if he practically jumped out of the pages every time he was given page time. Talk about a scene-stealer!

So, taking that into account, my view of Bloodlines may be slightly biased, since Adrian had me feeling starry-eyed pretty much all the time.

That being said, I was conscious, more or less, of the rest of the plot as well. And believe me when I say that I was wary at the start. For one, I loved everything about the Vampire Academy and was wondering if Sydney the alchemist could be as good of a protagonist as Rose?

Well, was she?

Yes, I think she was. Obviously not as kick-ass. Not the center of attention. Not as drop-dead gorgeous. But every bit as head-strong and courageous, and protective of the ones she loves. Just managing the situations in a different way. While Rose tended to go running head-first into things, Sydney took time to think about the best possible way to handle something before acting on it. She is a bit of a brainiac, a book-nerd, responsible and all that. But she also proves that she has the guts to act in dangerous situations when it really comes down to it.

I found myself feeling for her, being human and trying to cope in a world of vampires, cleaning up after everyone, suffering from the repression of her father, trying to do everything right and please everyone but not always succeeding. Always putting everyone else before herself. I also see a lot of potential growth. I think she’ll learn how to stand up for herself and I hope in doing so she’ll also face her father. I can’t wait for that moment to happen.

The setting in this book is not much different from the Vampire Academy setting, except for the obvious. There are only humans in the school. Otherwise, Sydney and the Moroi princess Jill essentially face the same high school issues that Lissa and Rose once faced. That is, trying to cope with rumours, high-school bitches, not breaking school rules, boy crushes, demanding teachers, and the list goes on. It’s all very entertaining, and I loved seeing the little group of Sydney, Jill and Eddie taking care of each other and facing everyone around them.

Seeing as this is a spin-off, I should let you know that it works perfectly well to read this book if you haven’t read the Vampire Academy series. All though, be warned that there are quite a few spoilers as to how the previous series ended. So if you are planning to read VA, you should probably do that first before starting Bloodlines.

My one qualm about this book were the plot twists leading up to the finale which were a bit predictable. Someone of course had to turn out to be the bad guy with a hidden agenda. BUT, seeing as Adrian was given page time in the finale, I wasn’t too bothered. And some of the other plot threads were very nicely tided up. So all in all, I enjoyed reading it until the end.

Finally, what really made this book special for me, was the growing affection between Adrian and Sydney. It happened so slowly that I barely knew if I was feeling it right, but I do think now there is great potential for the two of them. They definitely share a connection, and I cannot wait to see that continue in the sequel.

Now, some people have been complaining about the romance being too slow, but how could it have happened in any other way? I mean, Adrian was suffering from a broken heart. It would have come off as rather strange if he had been able to throw himself into another relationship just like that. I really did prefer this slow but much more believable scenario. Just saying.

The ending is a bit of a cliffie. Let me just say, you will be dying to know what the next spoken words are.

I know I literally cannot WAIT to continue the journey of these wonderful characters in The Golden Lily, to be published in June 2012.

Great start with a tough heroine in a claustrophobic and grim dystopian world, but that fizzled out in a week plot, with a brooding male romantic interest and a forced love triangle. Be prepared for an abrupt ending. Overall, still a good read, but not as good as it could have been.

WELCOME TO THE APOCALYPSE In Deuce’s world, people earn the right to a name only if they survive their first fifteen years. By that point, each unnamed ‘brat’ has trained into one of three groups-Breeders, Builders, or Hunters, identifiable by the number of scars they bear on their arms. Deuce has wanted to be a Huntress for as long as she can remember.

As a Huntress, her purpose is clear–to brave the dangerous tunnels outside the enclave and bring back meat to feed the group while evading ferocious monsters known as Freaks. She’s worked toward this goal her whole life, and nothing’s going to stop her, not even a beautiful, brooding Hunter named Fade. When the mysterious boy becomes her partner, Deuce’s troubles are just beginning.

My thoughts regarding this book are nearly identical to Birthmarked. It started out strong with plenty of potential, but half way through the plot simply fizzled out. And so did my interest.

In the opening chapters, we are introduced to the claustrophobic dark tunnels of Deuce’s world. She belongs to the human settlement The Enclave, deep in these tunnels, a society which follows strict rules in order to ensure the settlement’s survival. Child mortality is high and children earn their names only if they manage to survive the first 15 years. On the naming day, each one is categorized into breeders, builders or hunters. Deuce belongs to the latter category, a huntress, whose goal is to protect the settlement from all the zombie-like freaks that roam around the tunnels.

Grim world, to say the least, but very very intriguing.

Deuce is a great heroine, with similarities to Katniss, which may explain the comparisons to Hunger Games on the cover. She is a survivor and a fighter who takes matters into her own hand. Her mind is more practical than sentimental. She has a tough shell, but doubts and vulnerability exist on the inside, which just makes her that much more endearing.

Fade, the guy she is paired up with to guard the enclave, is an outcast. He was found out in the tunnels by the enclave, and it’s an enigma how he survived by himself that long. He’s quiet but strong and an excellent fighter. I immediately felt Deuce’s curiosity regarding him. In short, I was hooked!

But half way though, something unexpected happens. They leave the enclave. And that’s where it all started to go downhill for me.

They embark on a journey seemingly without plans, where each event that happened seemed rather random. Instead of focusing on the secrets of The Enclave, or why things were the way there were, the plot took a turn into typical YA territory.

Yes folks, I’m talking about that inevitable love triangle! The problem is, I would have been perfectly happy with only Deuce and Fade. The second male interest felt forced, introduced only for the sake of creating some romantic tension.

A shame.

Especially since there was so much potential there in the beginning. I almost wished that Deuce had stayed with The Enclave, despite the hopelessness of that world, since the characters and potential plot was so much stronger there.

By the time it ended I was loosing interest quickly. Good thing it was only 250 pages long, or else it might have got an even lower grade. That said, the ending itself actually lowered the grade, since there was no real closure, just a cessation of words.

Despite all my qualms above, it was still overall a decent read, and I will keep an eye out for the reviews of the next book Outpost, to be released in 2012.

An outstanding debut featuring Saba, who in a dystopian future heads out in search of her kidnapped twin brother. This is an epic adventure of enormous proportions, involving cage fighting, giant killer worms, a prison break out, mad chases across the desert, sand storms and a swoon-worthy romance. And I loved everything about it; the kick-ass heroine and her palpable growth throughout the book, the sibling love, the romance, the action, the writing. Absolutely amazing!!!!

Saba has spent her whole life in Silverlake, a dried-up wasteland ravaged by constant sandstorms. The Wrecker civilization has long been destroyed, leaving only landfills for Saba and her family to scavenge from. That’s fine by her, as long as her beloved twin brother Lugh is around. But when a monster sandstorm arrives, along with four cloaked horsemen, Saba’s world is shattered. Lugh is captured, and Saba embarks on an epic quest to get him back.

Suddenly thrown into the lawless, ugly reality of the world outside of desolate Silverlake, Saba is lost without Lugh to guide her. So perhaps the most surprising thing of all is what Saba learns about herself: she’s a fierce fighter, an unbeatable survivor, and a cunning opponent. And she has the power to take down a corrupt society from the inside. Teamed up with a handsome daredevil named Jack and a gang of girl revolutionaries called the Free Hawks, Saba stages a showdown that will change the course of her own civilization.

Blood Red Road has a searing pace, a poetically minimal writing style, violent action, and an epic love story. Moira Young is one of the most promising and startling new voices in teen fiction.

“Frikin’ amazin’, that’s what it was”. If I were to speak like Saba in Blood Red Road.

Which, after reading this book, I nearly did!

As you’ve probably heard, the writing of the book is depicted as the dialect the characters speak. That is, you’ll get sentences like:

He ain’t bin right fer a long time.

Which, truth to be told, made me wary of this book. I knew some reviewers claimed that after a few chapters, you’d get used to it. But seeing as English is not my native tongue, I wondered if that applied to me as well.

Well, fear not! I did struggle for the first few pages, while mapping a few of the changes in my head:

fer – for

jest – just

naught – nothing

bin – been

But once the major changes had registered with me, I ceased to notice. And before I knew it, I’d flown through the book in no time at all.

Looking back at the writing now, I’m glad it was depicted the way it was, as it made me get a better feel of Saba’s world. A world of illiteracy and roughness where intellectuals don’t exist. Where all that matters is your skill to survive.

In a way, the world was fairly similar to what I usually encounter in fantasy genres. People are dirty, rough and simple, there are taverns named One Eyed Jack, the land is traveled by horse or foot, no technology in sight and it’s all ruled by an evil king. The only signs of a dystopia is the talk of “wreckers” which supposedly are us, who vanished from the face of the earth in some kind of world disaster many years ago. Traces are left from our era, useless wreckage such as broken planes and cars that can be found scattered in deserts or ghost towns.

Either way, whether the feel of the world was dystopian or fantasy, it was amazingly well-crafted. I felt as if I could turn around 360 degrees and see exactly what Saba saw with her own eyes, at all times throughout her journey.

As a character, Saba was amazing too. As were all the other secondary characters in this book. I immediately took a liking to them all, and had my first tear slip at page 71, when Saba’s sister Emmi talks about the loss of their mom. Yes folks, this is emotionally packed stuff!

Yet, it never gets too much. Saba is such a strong heroine, the kind that doesn’t take crap from anyone. She fights, she struggles and she gets on with it, no matter the circumstances. If I have ever seen a true kick-ass heroine, Saba is the one! I simply loved everything about her. Her tough act, her growth, her vulnerability, her trust issues, her red hot, her rawness and honesty. I especially loved her complex relationship to her siblings, Emmi in particular. Anyone who has a little sister will know what I mean.

There is romance, and holy smoke how I loved those two together. A match in heaven, without doubt. Both as head strong, both as fierce, both survivors. It made me swoon, big time.

That said, you should know that the romance is not at the forefront of the book. In fact, it takes roughly 250 pages before he even enters the picture. What’s so great though is that it didn’t matter. Romance or not, I was practically glued to the pages from start to finish. My mind reeled, I had trouble breathing during the action sequences, tears fell during some of the most heart-breaking family scenes. I had to stop at times, just to remind myself that “Relax Tess, it is only fiction!”.

When the ending came, I just wanted more. So thank god there is a sequel. That said, Blood Red Road can be read as a stand-alone too, since everything wraps up in a satisfactory way. There are a few open ends of course, just to keep you a little bit curious for what’s to come next. But no cliff-hangers in sight.

On a final note, what’s up with DeMalo? He played a minor role here, but I’ve got a strong feeling his role will expand. I guess we’ll find out in 2012 when the sequel is published. Cannot wait!!!

In this sequel of The Nightshade series, Calla finds herself struggling with the consequences of having left her pack. She and Shay are being cared for by the Searchers, but the rest of her group, including Ren, are still with the enemies. I loved Nightshade, but was less than thrilled with this one. Too much talking and info dump. Not enough action. In the end, not much was solved, and it finishes off in a cliff-hanger. All in all, disappointing.

When Calla Tor wakes up in the lair of the Searchers, her sworn enemies, she’s certain her days are numbered. But then the Searchers make her an offer—one that gives her the chance to destroy her former masters and save the pack—and the man—she left behind. Is Ren worth the price of her freedom? And will Shay stand by her side no matter what? Now in control of her own destiny, Calla must decide which battles are worth fighting and how many trials true love can endure and still survive.

Only 50 pages in, my “filler warning bell” started ringing. (The bell that rings when I see filler-signs, usually in sequels, see Linger or Desires of the Dead.)

I tried to ignore it, because I wanted to like Wolfsbane. I had been dying to read it ever since I finished the amazing Nightshade a couple of months ago. But the more I read, the higher the bell rang. And after another 100 or so pages I could no longer deny the fact that my “warning bell” had a valid point. The plot was definitely missing!

Throughout the first 250 pages, we follow Calla and Shay as they hang out at the Searcher’s quarters. Doing what you may ask?

Well, bickering. That’s what they do. They sit around and talk, joke, banter, discuss things and once in a while drink coffee or take a tour on the grounds. Then back to talking and joking around some more.

Literally 250 pages of dialogues, I kid you not!

You know, I’m usually a fan of dialogues, since they are a convenient way of showing what the characters are like, rather than the author telling us through descriptions. My problem with these dialogues though were that they seemed to have no purpose, other than serve as fillers.

A pattern that would repeat itself over and over again, was the following:

A vital piece of information needed to be delivered, maybe half a page at the most. But throw some bickering of the group in between that vital piece of information and voila! Three pages have been filled rather than a half.

It would usually go like this:

(One line of actual information)

“You’ll rendevouz with Grant tonight”, Silas said, pulling a crumpled piece of paper out of his jeans pocket. “I just got confirmation”.

“I wouldn’t touch that if I were you”, Connor said. “You don’t know where that’s been”.

“Shut up, you louse”, Silas snapped.

“Louse?” Connor laughed. “How deep did you have to dig for that one?”

(End bickering)

(One line of actual information)

(Start bickering..)

You see what I mean? It went on like this for the entire novel!

It also felt like Cremer tried so hard to make the searchers a likable bunch of people, that in the end, it felt forced. All their bantering and bickering felt like “Oh look at us! We’re so cool, deep and fun, we listen to cool music, we play guitar and on top of it all, we are kick-ass warriors who can wield all sort of lethal ninja-weapons”.

Sorry guys, but you did not impress me.

It felt more like a parody of other warriors, or as if Cremer had just read The Mortal Instruments and tried to create a new kind of Shadowhunters. Same type of bickering, same tight relationships, same weaponry rooms with enchanted weapons and the same type of enormous headquarters situated all over the world. There was even the same type of war going on against our parallel world, a demon world with black magic.

Only, in The Mortal Instruments it worked, because I saw it in action. It was an on-going thing, as in, they would head out and meet demons and fight them on a daily basis. Here, not so much. It was more talking and yada yada yada. I never felt any urgency, and I certainly never felt that they were skilled or talented. They made a huge fuss over preparing well and making plans, but when they actually went out there, it ended up being the most unplanned thing I’ve ever seen, which quickly went downhill as soon as they set foot on enemy territory. Skilled warriors? I think not.

Another thing that fell short for me was the love triangle. Surprisingly, because if you remember my review of Nighshade, I devoured Calla’s difficulties with choosing between her alpha mate Ren and the newcomer Shay. In this installment however, Shay has turned into an obnoxious macho guy who would not take no for an answer. Ren is practically absent the entire novel, save from a 3 second cameo appearance, and like most reviewers have commented, I missed him!

Moreover, I no longer recognized Calla. She lost her spine in this book, and was walking around feeling lost and guilty most of the time. A shame, since Calla was one of my favorite heroines in Nightshade.

The ending is a cliff-hanger, and promises more of Ren, which I have to admit is intriguing. Nevertheless, I am considering ending the series here. Unless of course, the next book Bloodrose recieves stunning reviews.

Bloodrose to be released in January next year. For all you “Team Ren” out there, see a teaser chapter here.

Light and fun read about Sophie, who after casting a particulary bad spell gets sent to Hex Hall, where she learns one or two things about the magical world and about herself. This is a Harry Potter for girls, with a distinct teen-age feel to it. As a 30+ year old, I found it slightly too immature. Yet because of the witty voice of Sophie, and a good pace, it’s still an entertaining read. Sequel is called Demonglass.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Synopsis:

Three years ago, Sophie Mercer discovered that she was a witch. It’s gotten her into a few scrapes. Her non-gifted mother has been as supportive as possible, consulting Sophie’s estranged father–an elusive European warlock–only when necessary. But when Sophie attracts too much human attention for a prom-night spell gone horribly wrong, it’s her dad who decides her punishment: exile to Hex Hall, an isolated reform school for wayward Prodigium, a.k.a. witches, faeries, and shapeshifters.

By the end of her first day among fellow freak-teens, Sophie has quite a scorecard: three powerful enemies who look like supermodels, a futile crush on a gorgeous warlock, a creepy tagalong ghost, and a new roommate who happens to be the most hated person and only vampire student on campus. Worse, Sophie soon learns that a mysterious predator has been attacking students, and her only friend is the number-one suspect.

The main character Sophie is sent off to a boarding school for magical folk.

Said school is essentially a pale version of Hogwarts, with ghosts floating around, furniture that change shapes, spooky bathrooms and classes featuring subjects such as The History of Warlocks and Transformation.

Like Harry, Sophie was brought up in the human world, hence is a complete novice when it comes to all things magical.

Like Harry, Sophie is famous in the magical world, given her family status, and I won’t say anymore here due to spoilers.

Like Harry, Sophie is special and has a dark streak to her witch craft, which makes her not only a prime target for evil forces, but also has her doubting her own goodness.

Like Harry, Sophie has a tendancy to get herself into trouble, with pretty much everyone at school, earning her several punishments and detentions.

Like in the Harry Potter books, the plot revolves around students getting attacked at school by a mysterious evil force.

Well, isn’t it obvious where Hawkins got her ideas from? I really felt as if I was reading a girl-version of Harry Potter.

A very light version though, which lacked the depth that made Harry Potter such an engrossing read. You see, the theme dealt with here (as in Harry Potter) is quite dark. A character actually dies in this book. Still, because of the light tone of the book, this event never affected me. I didn’t feel the tragedy that the loss of that character was.

Compare that to my reaction to the fourth Harry Potter book where at the end of the book, a character died. I remembering being shocked, as a heaviness settled on me. I just couldn’t believe it had happened. And I certainly felt the grief of Harry and everyone around him.

Hex Hall could have been all that, but instead settled on being just a light, fun and easy read. Something which I liked, but didn’t devour.

Being a girl-version of Harry Potter, the romantic lead is also obvious, pretty much from the start. The romance (or crush as I prefer to call it) was cute, but that’s about it. Sophie was a well-rounded character and a fun voice to follow. Archer however, felt a bit too one-dimensional for me. He was hot. He was mysterious. He was every girl’s crush. But then what? I would have liked to know more about him. The ending however promises more, and I have to admit I am curious to see how it develops.

Finally, I should warn the adult readers, that the book has a teen-age feel to it, and at times I felt too old (and rightly so, since I am much older than the target audience). I appreciate that Sophie’s voice felt so close to her age, not one year more or less than her 16 years. So kudos to Hawkins for portraying a teen that realistically. However, for an adult reader, it came across as a bit too immature at times.

In fact, I believe the extent of enjoyment of Hex Hall depends on the reader’s age. Say if you’re a teen or early tween, it will most likely rate 4-5 stars. If you, like me, are 30+, the grade is more likely to end up around a 3.

In a world where teenagers can be unwound, essentially scavenged for their body parts, the teens Connor, Risa and Lev escape and make an attempt to survive until the safe age of 18. This is an action-packed adventure, with fully realized characters I truly cared about and a frighteningly well crafted world-building. My only minor criticism was the too-fitting ending.

The Second Civil War was fought over reproductive rights. The chilling resolution: Life is inviolable from the moment of conception until age thirteen. Between the ages of thirteen and eighteen, however, parents can have their child “unwound,” whereby all of the child’s organs are transplanted into different donors, so life doesn’t technically end. Connor is too difficult for his parents to control. Risa, a ward of the state is not enough to be kept alive. And Lev is a tithe, a child conceived and raised to be unwound. Together, they may have a chance to escape and to survive.

Unwind should come with a warning tag: Be aware, once you start you will not be able to stop.

It sucks you in pretty much straight away and keeps an extremely high-paced tempo throughout the book. Plenty of action, lots of twists. Every chapter ended with something breath-taking, which forced me to continue just one more page.

It’s told from the point of view of several POV’s, mainly our lead characters Connor, Risa and Lev but other POV’s will occasionally pitch in as well.

I’m not a huge fan of multiple POV’s since the various voices usually blend into each other, thus making it messy to follow. In Unwind however, it worked. More so, it felt like it was necessary in order to understand the various backgrounds of these teens. Especially Lev, the tithe, who has been raised his whole life to become an unwound.

As so many other reviewers commented, the world felt frighteningly real. I had a hard time at first believing in the premise, that is, how such a world came to be. Surely, the Pro-Choice side would never allow for outlawing abortion in exchange for teens getting unwound?

On the other hand, since all the human parts continue “living” in other people, unwind is not really considered dying. Somehow, in Shusterman’s world, this twisted idea of “life in a divided state” has taken root.

Once the unwinding business established, pure greediness took over. People were getting used to the constant availability of human parts in case of accidents or diseases. And so the world ceased to care for all these unwound teens, many of them unwanted babies to begin with.

The following passage from Unwind explains it further:

“of course, if more people had been organ donors, unwinding never would have happened… but people like to keep what’s theirs, even after their dead. It didn’t take long for ethics to be crushed by greed. Unwinding became big business, and people let it happen”

Wow, terrifying world, to say the least, and somehow, every bit believable, thanks to Shusterman’s writing.

There is a touch of romance as well, to please us softies, but Shusterman keeps it there just barely visible. It never takes over the plot.

The biggest strength with the book were the characters, who were all fully fleshed out, and given realistic personalities. No Mary Sues or Gary Stues in sight. Even the bad guys had a few good traits. No one was perfect, and no one was fully evil, and I could clearly picture them all in my head.

The ending was slightly too neat, that is, everything packed up just a bit too nicely. But that’s me nit-picking on an otherwise great piece of dystopian fiction.

Set in a dystopian world, not too far away, where people spend most of their time in front of a computer screen, Maddie meets the charismatic Justin who wants to change the world. I thought this book had an intriguing concept, and the writing was really good. The romance was steamy, all though not very memorable. Overall enjoyable but not great.

Maddie lives in a world where everything is done on the computer. Whether it’s to go to school or on a date, people don’t venture out of their home. There’s really no need. For the most part, Maddie’s okay with the solitary, digital life—until she meets Justin. Justin likes being with people. He enjoys the physical closeness of face-to-face interactions. People aren’t meant to be alone, he tells her.

Suddenly, Maddie feels something awakening inside her—a feeling that maybe there is a different, better way to live. But with society and her parents telling her otherwise, Maddie is going to have to learn to stand up for herself if she wants to change the path her life is taking.

In this not-so-brave new world, two young people struggle to carve out their own space.

Only a few chapters in, I knew that Awaken shared similarities with many other dystopias I’ve read lately, who have put too much focus on a romance, and much too little into an actual plot and a believable world-building.

The signs were there, namely:

Romance with a mysterious Boy – an outcast who wants to change the current world they live in: Check!

Upon meeting the Boy, the Girl who thought she was content with said world, starts to awaken: Check!

Girl and Boy cannot be together in this world because of “insert controlling rule of the Society”: Check!

World-building has an intriguing concept but is not fully realized, i.e. plenty of holes: Check!

Yet, despite including all the points above, Awaken still surprised me by being a fairly entertaining read!

First off, I liked following the thoughts of Maddie, the heroine. She seemed relatable to me, with plenty of insecurities, but also a risk-taker, smart and witty.

Secondly, the writing was easy to get immersed in. And it was filled with all these thought-provoking quotes I constantly felt the need to scribble down, for instance:

“Thoughts are circular, they don’t take you anywhere. They don’t have feet-they can’t gain any ground. They can trap you if you don’t eventually stand up and make a move.”

or

“You need to be content with small steps. That’s all life is. Small steps that you take every day so when you look back down the road it all adds up and you know you covered some distance. It took me a long time to accept that, but it’s true. You need to have patience.””

I was also enjoying the attraction that was slowly building between Maddie and Justin. That said, I had a few issues with Justin. He had that tortured “My life is too dangerous for you/You’re too good for me” thing going on which as you know, is something I’m getting increasingly tired of.

Maddie was also, at times, too obsessed for her own good with Justin, when for instance, she should have been paying attention to other pressing matters, such as an impending escape or her family situation. She usually acknowledged this obsession though, which made me forgive her behaviour. After all, being young and experiencing your first love can make you slightly obsessed.

The world-building was intriguing, seeing as we are really not that far from it today. Aren’t we already talking more through computer screens than face-to-face? But I wished Kacvinsky would have explored the idea further. As it was now, there were too many question marks and inconsistencies to make it truly believable. For instance, it’s said to be dead on the streets, since no people need to commute anymore. But what about all those professions that cannot be done online, such as plumbers, electricians etc. Surely not everyone could stay at home?

It’s also not very clear why the national education system Digital School feels threatened by face-to-face interactions. Nor if those type of meetings are illegal or just very uncommon. I wished this had been made clearer.

The ending felt rushed and contrived, as if an action scene was needed for the climax and something had to be thought up quickly. Thankfully though, no cliff-hanger in sight!

About Cassia, who in a dystopian future where The Society control all, is matched with Xander and then finds out that it could have been Ky. Or could it? Once the doubts are there, she can’t stop thinking about Ky, and eventually falls in love. It’s slow-going, bogged down with irrelevant details and lacks any sense of urgency. I had a hard time getting to the end without falling asleep. Recommended for fans of Delirium.

Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander’s face appears on-screen at her Matching ceremony, Cassia knows with complete certainty that he is her ideal mate . . . until she sees Ky Markham’s face flash for an instant before the screen fades to black.

The Society tells her it’s a glitch, a rare malfunction, and that she should focus on the happy life she’s destined to lead with Xander. But Cassia can’t stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society’s infallibility and is faced with an impossible choice: between Xander and Ky, between the only life she’s known and a path that no one else has dared to follow.

I have a theory: What you think about Matched, is what you think about Delirium, and vice versa.

As you know, I was not a fan of Delirium, and consequently I am not a fan of Matched. For nearly the same reasons as with Delirium. In fact, I could almost copy and paste my whole review from Delirium and insert the appropriate names and locations because really, they are that interchangeable!

Both are set in an all-controlling society who decides where you’ll live, what you’ll work with, who you’ll marry and how many children you’ll have. Both heroines, who are strikingly similar personality-wise, meet a boy who is an outcast of the society and hence forbidden. Both girls have been assigned a match who they should fall in love with. I could go on but you get the idea.

Instead, let’s move on to my issues:

Just like in Delirium, I had problems with the world-building in Matched. For instance, I thought it odd that people didn’t seem to create anything anymore. The Society had saved 100 of everything (poems, books, songs) but nothing new was being created? It appeared as if the only tool of creation was the long-forgotten pen. But wait, can you not write a poem on your computer? It just did not seem plausible and the whole oh-so-forbidden act of writing in cursive, which is what Ky secretly teaches Cassia, had me rolling my eyes.

Just like in Delirium, I thought the romance happened too fast. Cassia started to get drawn to Ky pretty much straight away, which given what happened with the micro card, is understandable. What I didn’t understand is how quickly she thought herself to be in love with him. They barely exchanged any sentences. And when they did, it was all very stiff or dramatic.

Just like in Delirium, there was a lack of urgency. It was too slow, and there were too many redundant passages that bogged everything down so that I ended up feeling every single one of the 384 pages.

Finally, I didn’t like the writing style, which seemed to try hard to be poetic but not quite making it. Let me give you an example (from page 175):

“Can I do it? I look out at the view from the top of the hill. The sky does not have an answer for me. The dome of City Hall in the distance certainly doesn’t. I remember thinking of the angel stories when I went to my Match Banquet. I don’t see any angels and they don’t fly down on their cotton soft wings to whisper in my ear. Can I trust this boy who writes in the earth?

Someplace deep within me – Is it my heart? Or perhaps my soul, the mythical part of human that the angels cared about? – tells me that I can.”

Now, some people might like this type of writing. Too me, it just sounds overdone. It makes me notice the author (for trying to be poetic) rather than get immersed into the story. But then, that is just my opinion. If you like a flowery poetic language with plenty of side tracks and a few philosophical rhetorical questions thrown in for good measure – then this might be the book for you.

In a dystopian world set approximately 400 years in the future, 16-year old Gaia goes on a rescue mission to save her parents who have been arrested for traitory. It was an overall great read, with an intriguing world-building, good writing and a kick-ass heroine. The plot that at times felt too convenient, and a few holes in the world-building had the grade lowered.

In the enclave, your scars will set you apart, and the newly born will change the future.Sixteen-year-old Gaia Stone and her mother faithfully deliver their quota of three infants every month. But when Gaia’s mother is brutally taken away by the very people she serves, Gaia must question whether the Enclave deserves such loyalty. A stunning adventure brought to life by a memorable heroine, this dystopian debut will have readers racing all the way to the dramatic finish.

It captivated me immediately, and for the first half of the book I had a hard time letting it go. I kept thinking about it all the time, and was dying to get back to reading whenever I was working or doing something else. In other words, all symptoms of it being a 5:er were there. But half way through my interest faded, and it didn’t peak again until just towards the end.

My overall feeling on finishing the book was that the potential was there (which is what I felt in the beginning), but that it failed to fully deliver. A shame.

But let me start with what captured me in the beginning:

The writing and the world-building drew me in so smoothly, that before I knew it, I was completely immersed into the world of Gaia, who lives outside the walls of the Enclave, the governing state. Gaia was a heroine I immediately grew fond of, because of her kick-ass personality. She was brave and tough and fought for what she believed was right.

Early on in the book, we realise that Gaia’s parents have been doing something illegal, which has been put into some sort of undecipherable code. This peaked my interest straight away, as I anticipated the unraveling of said code and secret.

We also meet Captain Grey, one of the Enclave’s tough guards, who may or may not have an interest in Gaia. He reminded me of the fierce Valek in Poison Study, which is a great compliment right there.

In short, you could safely say that my interest had been captured!

What happened next is that Gaia smuggles herself into The Enclave in order to save her parents. However, it was after some time inside The Enclave, that my interest began to fade. The plot started to feel a bit too convenient, like when Gaia needed somewhere to hide, suddenly someone would appear in a doorway and whisk her in. She would get help just about everywhere, and everything would just always solve itself, in the most random and implausible manner. I can take one or two events happening this way, but not throughout an entire novel.

Secondly, the unraveling of the secret wasn’t fully explained. I was wondering why on earth it was such a big deal, what Gaia’s parents did? And seeing as the Enclave had such a problem with inbreeding, why hadn’t they thought of said thing themselves? It seemed odd.

The ending made up for some of the short-comings, as it was action-filled, tensed and made me swoon. It’s no cliff-hanger but slightly open-ended for a sequel to fill the holes.

I loved Oliver’s debut novel Before I Fall. This one however was a disappointment. The premise was interesting about a girl in a dystopian world where love is forbidden. But it turned out to be slow-going, with a sketchy world, a meek boring heroine and a shallow romance. The only good thing was the writing. Sorry to say I won’t continue the series.

As you know, I loved Lauren Oliver’s debut Before I Fall. Therefore it came as a bit of a surprise that her second book Delirium was such a let-down.

Since the hype surrounding this book was massive I’m sure you’re familiar with the general plot already, but here’s a quick reminder in case you’ve missed it:

This is a dystopian novel, set in a time when love is considered a disease and the root of all the problems of mankind. The government has decided it mandatory that all 18-year olds undergo a surgery to remove the part of the brain that triggers and senses love.

We meet Lena, who only a few weeks before the operation does the unthinkable. She falls in love with a boy.

Okay, so the premise sounded intriguing and I was expecting a similar roller-coaster ride as the one I was taken on while reading Before I Fall.

Instead I was treated to about the most boring story I have ever read. I got to the end, but it sure involved quite a bit of struggles on my part. Let me explain why:

The plot is practically non-existent for the first half of the book and then some. Meaning, you could easily flip forward a few pages and not miss a thing. Oliver writes beautifully, I get that. But I wished she would have cut some of her descriptions as they bogged everything down. It felt like the book could have been slimmed down 200 pages and still kept the story line intact. It felt like there was so much fillers!

I also had a hard time connecting to Lena, the protagonist. Do you remember in my review of Before I Fall how I said that the heroine was a breath of fresh air from all the other ordinary plain and meek heroines out there. Well, unfortunately Lena falls straight into the latter category. She did not seem to have one single trait to make her stand out. Apart from maybe indecisiveness and low self-esteem. How Alex would fall for her and not her charismatic best friend Hana is a mystery.

The romance was (once again) of that “fall at first sight” type which I am beginning to loathe. After only a few weeks of knowing each other, Alex and Lena are already proclaiming their eternal love for each other, where they are literally ready to die for each other if so be it. Romantic? I don’t think so. Stupid is more like it.

The boy Alex seemed like a generic and bland perfect-type of guy. Always saying the right thing. No chemistry nor sparks in sight. Yawn.

The dystopian world was a joke. Now, as you know, if a story pulls me in, I am more than willing to suspense belief of an incomplete dystopian world. Here however, because of a non-existent plot, the many holes in the world Oliver had created were kind of hard to miss. A couple of things bothered me:

1) Why had the government decided that love of all things was to be considered dangerous, but not some other emotion, such as hatred, jealousy, fear etc? What had happened that made masses of people beg to be lobotomized, to have their love removed? None of this is explained more than a vague “love made people do crazy things“. Sorry Lauren, but I need more than that to believe in the world you’ve created.

2) I found it hard believing that the pre-operated teens could co-live with operated adults and still want to go through with the operation. Wouldn’t any normal teen who hangs out with both loving uncured teens and cured glazed-eyed adults realize that something is very odd about the way this society runs? Wouldn’t tons of teens oppose to this operation? In for instance Uglies,which deals with a similar world, Westerfeld solves this dilemma by keeping pre-operated and post-operated people separate. Which made much more sense to me.

3) I did not see how the government could think this made for a more peaceful society. There were obviously a lot of violence going on, what with the raids, the crypts and so on. All the violence in the book contradicted the whole notion that love was the root of all the problems/wars/disturbance of mankind.

4) The government is said to be very controlling. Yet it seemed as if the teens could get away with just about anything, such as break curfew a number of times, jump the fence to the wilds, hold huge parties in abandoned houses, listen to illegal music on the internet and so on. I certainly didn’t get the feeling that it was all that controlling and I never felt scared of the authorities.

If I were to sum everything up, while reading this book, it felt like I was the one who had been lobotomized, to have love removed, because the only feeling the book provoked in me was indifference. Needless to say, I won’t be continuing the series.

Rose graduates from The Vampire Academy and goes to the court with Lissa and other guardians. It doesn’t take long until she has a new crazy plan in store, to save Dimitri from the undead. I loved this roller-coaster from the beginning to the end all though the end was quite a cliff-hanger this time. Can’t wait to dive into the final book Last Sacrifice.

This is the 5th installment of the Vampire Academy Series, a series I have gradually got drawn into, the more books I’ve read. I devoured the previous book Blood Promise, where Rose goes to Siberia in order to find Dimitri and kill him. She fails that mission and ends up having to return to the Vampire Academy, knowing he is still out there in his undead Strigoi state.

Not many pages into Spirit Bound we learn that the tables have turned. Dimitri is now the one chasing Rose, and he is just waiting for her to graduate from the academy so that he can go after her. After the graduation, Rose and Lissa go to the court, along with other newly graduated guardians that are all waiting to receive their real-life assignments.

Rose however, has other things on her mind other than her new status as a guardian. She has heard rumours about someone once having restored a Strigoi back to the living. The one person that may be able to tell her more is Victor Dashkov, who is imprisoned in a high-security jail for his deeds towards Lissa (which you may remember from the first installment). Soon Rose has come up with a plan which includes breaking into Victor’s prison, and well, I won’t say anymore than that.

What I will say is that I loved reading the book. Let me break it up to you in points:

1) Adrian: Rose has started dating Adrian, and all though I am really a hard-core Dimitri fan, I can’t help but feel something for this guy. You can tell how much he cares about Rose, and it’s heart-breaking to watch, because no matter how much Rose tries to tell herself she’s over Dmitri, she is so not.

2) Lissa. Like so many other reviewers have commented, this is the book where Lissa grows a backbone, and it’s about time. We’ve watched Rose doing everything for Lissa (including drawing darkness from her), without really getting anything in return. In this installment, Lissa finally shows us why she is worthy of Rose’s friendship and devotion.

3) Dimitri. Well, I did see that coming, all though maybe not that soon. His depression made very much sense to me. Who wouldn’t feel depressed with those memories haunting you? I only hope he’ll overcome it.

The ending was a huge cliff-hanger that I really didn’t see coming at all. Can’t wait to see what happens to Rose and all my other favorite characters in the final installment The Last Sacrifice! All in all, a great read!

In a dystopian world where life span has been shortened to only 20-25 years of age, Rhine is married off to a wealthy guy to produce children. I loved the original concept, but quickly got bored when I noticed that the whole book took place within the house, and that nothing ever happened. The romance was non-existent and the characters underdeveloped. Won’t continue the series.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A few chapters in:

This dystopian book by debut author Lauren Destefano created quite a stir when it the shelves earlier this year, receiving quite a few stunning reviews. Enough to peak my interest. It is also found at the top of my “next book to read” – poll. Thanks as always to all who voted!

And so, here I am a few chapters in:

As we enter the story, a couple of girls have been kidnapped, and 16-year old Rhine is one of them. She and two others are picked out and taken to a big mansion where preparations start to make all three of them wifes of the Governor Linden.

Meanwhile, we learn that genetic modifications of the human race has sucessfully cured cancer and other diseases. But now it has backfired, and created a uncurable virus, which kills men at the age of 25 and women at the age of 20. People desperate to find a cure kidnap young girls to be mated and experimented upon with young men.

Yes, this is truly a grim world. But intriguing, as I have absolutely no idea of what will happen (and you know how I love unpredictability in my books!). Rhine has just tried on her wedding dress for the first time, and is about to get married, along with the other two girls. Will she be able to escape? Will they find a cure?

After finishing the book:

Okay, so I’m gonna cut to the chase here: I did not like this book.

Surprising actually, because I thought I would, considering that favorite web sites such as yareads rated it 5/5.

Now, the reason why I disliked it, wasn’t because of the serious topics dealt with in this book. Topics such as polygamous marriages and a child brides. None of that shocked me. I’ve read and seen a bunch of books/movies far worse than that.

Nor did I care too much about the dystopian world not being sufficiently built up, like so many other reviewers have commented on. I did notice it, for instance that it seemed a bit strange that Rhine was able to roll around in silk, take bubble baths, and eat strawberries when supposedly the entire world (except the states) were lying below water. I also found it strange that when so many orphans were running around on the streets (given their parents’ premature deaths), there was still a need for “gatherers” to force girls to marriage rich men and produce babies. I mean, wouldn’t there be an abundance of orphaned girls willing to do this in exchange for food and shelter?

Yet, I can easily forget holes in a dystopian world if the story pulls me in, and this my friends, is where it fell short for me. Not the serious topics, nor the plot holes of the dystopian world, but the story itself.

You see, I found the story lacking. Rhine is taken into this house with her two sister wives, and forced into a marriage with Linden. Then what?

We learn that Linden is completely innocent (or naive) regarding how his three wives ended up in his house. His father is apparently the mean one. We are told repeatedly how that father is a huge threat, and yes, he is obviously not kind judging by the first chapter. Yet, we never actually see any proof of the supposed threat that he is, apart from the fact that he has this cellar where he performs dissections of bodies that have died in order to find a cure. Sorry, but that does not qualify as a big threat.

We learn that Rhine has a twin brother and is desperate to find a way out. Yet, I didn’t really see why she was so desperate. Sure, the house was a prison, but certainly a very comfortable one. Especially if compared to the harsh realities of the world outside. Linden is infatuated with her and grants her every wish, which makes me wonder: Why not just ask him to have her brother being brought there? Problem solved!

The whole book seemed to revolve around her wanting to escape, yet nothing ever happened. She would lie in bed, have a manicure, eat some strawberries, take a walk in the garden, lounge with her sister wives in the drawing-room, take a bubble bath, order some food and repeat the whole process again. Lie in bed, have a manicure, eat some strawberries…you get the idea.

It got so tedious after a while it took all my will power to keep going.

There is a tepid romance as well involving a staff-boy and Rhine, but seeing as he was absent for most part of the book, it was hard to care or feel anything for those two.

The only thing that I liked was the relationship that developed between the sister wives, and how they stood up for each other. The character that stood out the most was quiet Jenna. I liked her.

About gifted musician Deirdre who meets and falls in love with mysterious Luke, who may or may not be a one of the faeries who are after her. Too many plot holes, a romance that happened way too fast, a Mary Sue heroine and underdeveloped secondary characters made this a boring read. Only the writing was good.

Meh! That was my reaction after finishing this book. To be honest, I had a hard time finishing it since my mind kept wandering off as soon as I opened the book. Not a good sign at all.

Why?

A couple of reasons:

Firstly, the romance is of the “fall at first sight” kind, and geez am I getting tired of those type of romances. Deirdre falls head over heels with this outwordly guy Luke, who shows up out of thin air one day to play with her on a competition. All we know of Luke is that he is good-looking and seems to be hiding something. Not much to fall in love with if you ask me. He is of course also suggesting that it’s dangerous for her to be with him. He’s not good for her, yet he can’t help being drawn to her at the same time.

Now, where have we read this before? Yawn.

Secondly, Deirdre discovers that some faerie folk, or rather a very powerful faerie queen is after her. Why you’d ask? Well, Deirdre, it appears, has some serious powers herself, which is intimidating the queen.

Now, about those powers: I like when a heroine discovers her strengths and tests them out, but this got a bit too ridiculous. I mean, Deirdre’s powers were at first limited to some kind of telekinesis, such as move a leaf across the floor with her mind. Then suddenly, she could build walls around herself, create giant hands to push dangerous creatures away, outrun hounds, start cars from a distance, read minds and what not else. I mean seriously, it’s not much fun when the heroine is this “can do all” – girl. What’s the challenge in that? I’d rather the author would stick to just one supernatural power.

Thirdly, there were threads left hanging just about everywhere. Things happened for no reason at all, and much was left unexplained.

Beware of spoilers:

For instance, I never got the whole story behind the aunt and why she acted the way she did. And why were all the four-leaf clovers left for Deirdre to find? What was the point of that? And how come Deirdre had access to Luke’s memories when he wasn’t even there? What happened to Rye the dog and how was it involved in the whole thing? Most importantly, if the queen just wanted Deirdre killed, why not just get it over and done with instead of going through all her loved ones first?

End of spoilers

In short, a lot of what happened didn’t make much sense. Or rather, it felt like it happened because it was convenient for the plot at the time. I also never got a feel for the characters, and consequently never really cared what happened to either one of them.

The only redeeming quality about this book was the writing, which is shown in the well drawn descriptions of the faerie folk. Stiefvater sure knows how to write beautifully. It’s a shame that the rest fell flat.

There is a companion novel called Ballad, but this is the end of this faerie journey for me.

Sequel to Iron King. Meghan Chase follows Ash, as promised, to the Unseelie Court where more adventure follows. The random little group of Ash, Meghan, Puck, Grim and Iron Horse made for a wonderful trip through NeverNever and the Mortal World. Can’t get enough of this wonderfully drawn world. In short, this is something as rare as an amazing sequel! I cannot wait to get my hands on the third installment Iron Queen!

I read Iron King a while ago and remember being in awe over the world building. Julie Kagawa had created the most intriguing fairy world that I had ever read, not a small feat considering everything fantasy and fairy that I’ve been reading in the past year. On finishing the book, I knew it was just a matter of time (weeks) until I’d start the sequel.

And here I am, a few chapters in:

In the prequel Iron King, Meghan made a deal with prince Ash of the Unseelie Court that if he helped her rescue her brother Ethan from the Iron King, she would willingly let him take her to Queen Mab of the Unseelie Court. As you know, if you read Iron King, it ended with Ethan being successfully rescued.

Hence, at the start of Iron Daughter, it’s Meghan’s turn to fulfill her side of the bargain. And so, she and Ash travel to the Unseelie Court, where Meghan is to stay as Queen Mab’s guest/prisoner.

The Unseelie court, also called The Winter Court is a cold and eerie place and Meghan feels terribly lonely. Ash is nowhere to be seen, and when he finally does arrive, he treats her like dirt which makes Meghan doubt everything that happened between them on their travels.

One night, the Iron Fey attack the Winter Court and kill prince Sage, Ash’s brother. Queen Mab is certain the attack was orchestrated by King Oberon of The Summer Court and declares war.

And this is as far as I’ve got but let me tell you, I am feeling the pull, big time!!!

After finishing the book:

Here is another sequel that has turned out to be as good as its predecessor. I’m so happy to find these rare cases, because I was honestly starting to doubt they existed!

In this sequel, we are taken on a journey to the winter court, and later to the middle lands and the mortal world. Just like in Iron King, I loved every minute of being succumbed into this amazing world-building. The detailed accounts of various creatures and the strange happenings that took place, were as imaginative and spot-on described as in the prequel. And for that, I (once again) envy you Julie Kagawa.

The group of Meghan, Ash, Puck and Grim was a joy to follow, as always. This time, they’ve got company from a rather unexpected ally in their quest to end a fairy war: the Iron horse. You might remember him from Iron King where he captured Meghan and Ash in Machina’s territory. He was a welcomed addition, all though, to be honest I never truly understood why he felt the need to help Meghan, apart from the fact that the king he now served was false. Maybe the true intentions of the Iron Horse will be revealed in the following books?

A love triangle is also emerging in this sequel. We all knew it was bound to happen, between Meghan, her best friend Puck and prince Ash. What I liked though is that there are never really any doubts of who she wants. In other words, not a lot of bouncing back and forth, to which I was grateful.

Meghan’s powers are also growing throughout this installment, and it is a subtle thing. That is, she is starting to realize that she has some serious powers but is still very much struggling with what those powers are, and how to use them. I loved the fact that it takes some time, and is not accomplished in a flash, as with so many other paranormal stories I’ve read.

If there is anything I can complain about, it is that we don’t get very much closer to the mystery that is the Iron Fey, and how Meghan is connected to all of this. In that sence, it is a middle book. Yet, because of great characters (Grim still being my favorite), awesome world-building, quirky dialogues, mind-blowing action and heart-pounding romance, I couldn’t have cared less. Also, I feel confident that Kagawa will explain one or two things in the next installment.

Finally, I absolutely loved the end. Won’t spoil anything, and no it’s not exactly a cliff-hanger. But, it left me aching, happily sighing and dying to know what will happen next, all in one go!

Needless to say, I’ll be reading the third installment Iron Queen very soon.

This is the sequel to If I Stay. Three years has gone since Mia left Adam, and he is still trying to come to terms with it. One night in New York they bump into each other. Is there hope for something new? This was a great follow up, almost better than If I stay! I Loved watching from Adam’s point of view, and what happened felt very real. All in all, a great read!

I remember reading If I Stay a while ago, about Mia whose spirit is trying to decide whether to go or stay in this life, after she learns that her entire family was killed in a car crash. I wasn’t blown away, neither did I cry. Yet it was still good enough for me to want to read the sequel.

Fast forward a couple of months, and here I am with the follow-up, which takes place roughly three years after the accident, all told from Mia’s boyfriend Adam’s point of view. We learn that Mia walked out on Adam, and he never got to know why.

Adam continued with his music and is now a famous rock-star. Mia went on to Juilliard to pursue a carrer as a professional cellist. One night they bump into each other in New York. They each have flights the next morning, so it’s really just one night. The book is essentially of the two of them wandering around in New York and talking.

In fact, it felt a little bit like the movie Before Sunset with Ethan Hawke and Julie Delpy, all though the setting of the movie is in Paris instead of New York. If you haven’t seen the movie, please do, it’s great!

But let’s get back to the book, and I’ll be honest. At first I felt that Adam was being a bit too emo for my taste. You know, he had achieved everything he could possibly have dreamt of in terms of his music, and instead of enjoying it, he was a wreck. All because of one high school break-up. Get a grip! I wanted to yell at him.

As the story unfolded though, I started to understand what he had gone through. I think more than anything, he was trying to cope with the not knowing why. Mia practically cut him off, without any explanations. Un unresolved relationship, especially that of your first love does seem like a tough cross to bear. Add the terrible accident and how that must have affected him as well.

We get to follow these two through the streets and places of New York, as they are talking about everything that happened, and I felt myself getting more and more attached. What I liked the most was that it felt so very real. As if what happened to their relationship after Mia’s accident was something that would probably have happened in real life.

Somehow, through Adam’s point of view, I also got a clearer picture of Mia as a person, and of her grief, which is something I struggled with in If I Stay. I felt for Adam as well, and even shed a few tears there at one point.

In short, I am so glad I read Where She Went, as it proved that a sequel can actually top its predecessor. Yes folks, it is possible!

The previous two books in this series, Wings and Spells were not amazing, but enjoyable. Unfortunately this book is less than enjoyable, with no plot to speak of, no Avalon in sight and instead centering around an irritating love triangle between Laurel and her two boys. This is the end of the series for me.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Synopsis:

Laurel hasn’t seen Tamani since she begged him to let her go last year. Though her heart still aches, Laurel is confident that David was the right choice.

But just as life is returning to normal, Laurel discovers that a hidden enemy lies in wait. Once again, Laurel must turn to Tamani to protect and guide her, for the danger that now threatens Avalon is one that no faerie thought would ever be possible. And for the first time, Laurel cannot be sure that her side will prevail.

There are 36 chapters in this book. Chapter 1 to 34 are devoted to the love triangle between Laurel, her human boyfriend David and fairy guardian Tamani. In other words, that’s 34 chapters of “should I choose this boy or that boy”, with no resolution at the end of it, I kid you not. Chapter 34 to 36 finally gives us a plot and some action, before it abruptly finishes in a.. yes, you guessed it right, a cliff hanger!

Now, the synopsis of the book promises something else entirely. I quote:

“Once again, Laurel must turn to Tamani to protect and guide her, for the danger that now threatens Avalon is one that no faerie thought would ever be possible.”

Okay, did I miss something here? Danger, where? Apart from one page of sudden troll action (and chapter 34- 36), there was no danger anywhere. I certainly never felt that Laurel was threatened, and besides, she had about 200 sentries protecting her, plus of course her two suitors watching her every step. Was Laurel in danger? Nope, did not feel it, at all.

What I did feel was irritation. The main reason being the love triangle.

Now, if you’ve read my blog, you know I have nothing against love triangles, if they’re done well. This one however is ridiculous, and even more so since it’s the center theme of the book. Laurel’s indecisiveness annoyed me to no end. She kept bouncing back and forth so much that it had me feeling dizzy. She behaved like a spoiled child that wants to have one’s cake and eat it too. She would chastise David for being jealous, then go on and kiss Tamani. Then she would tell Tamani off for pursuing her, and in the next second throw a tantrum when he flirted/danced/talked to another girl. Seriously? My 6-year old cousin behaves more mature than that.

I was not impressed.

What would have saved this book for me, was a lot less teen-age drama and more of Avalon. I loved Avalon in the previous book Spells but here we only got a very brief glimpse of that world when Laurel visits her mentor Jameson. Other than that, it all takes place in the human world, with highschool, teen-age drama, teen-age angst and the obligatory school dance to finish things off.

There is one more book in the series to be published next year, but this is the end of the series for me. One more word of “David or Tamani” and I’ll be screaming out loud.

I absolutely loved the first three books of MI series, and was thrilled to continue the series. Sadly, it left me disappointed. The plot was all over the place, more problems were thrown at Jace and Clary, and my favorite character Jace turned into an emo. Still ok read because of the great setting and the writing, but nowhere near as good as the first three.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A few chapters in:

I have finally started reading the fourth installment of the Mortal Instruments. I’m feeling a bit giddy as I dive into this wonderful world of Cassanda Clare’s again. Actually, it’s a mixture of giddiness and nervousness. I’m eager to revisit this world, but also anxious about not messing up that perfect ending that was City of Glass. In particularly when it comes to Jace and Clary.

Nevertheless, I still want to read it. And, it’s on the top of my “what to read next” poll! Thanks to all who voted!!

Okay, so taking a deep breath here, and diving in:

I’m now a few chapters in. Clary’s friend, the vampire Simon is the narrator in this installment, and he is experiencing some problems. Firstly, there are problems of a romantic nature, as he is dating not one, but two girls at the same time: Werewolf Maia and shadowhunter Isabelle, who are bound to find out about each other soon. Then, there is his mom, who is growing increasingly suspicious of his weird habits (such as never eating), and is starting to demand answers.

The biggest problem however is his new status as the untouchable daylighter. That is, not only is he the only vampire who can walk in daylight (hence the nickname daylighter), but since The City of Glass, he is also protected by a rune mark on his forehead. A rune that Clary gave him in order to save his life. All this makes him a very powerful vampire, and a threat to many others.

A vampire named Camille Belcourt (you may remember her from Clockwork Angel), has realized his potential power, and asks him to join her on her quest to become the leader of the NY vampire clan.

But does Simon really want to become involved in vampire power struggles?

As Simon ponders these issues, we also get a look into the Shadowhunter institute where Clary is now conducting her training to become a full-fledged shadowhunter. She and Jace are as much in love as before, all though Jace has been distancing himself slightly.

Oh no! Don’t give me that again!

But yes, I am definitely sensing troubles on the Clary and Jace horizon. Jace is once again doubting himself, or so I think.

I’ll admit I’m not too happy about that development. BUT, I am loving everything else. The characters, the dialogues, the humour, the vividly described settings are all spot on. And I am certainly feeling the pull..

After finishing the book:

I have a hard time writing this review, hence why it’s taken so long. But I guess I just have to get over it and write the words I’ve been dreading to spell out. I was disappointed.

There, I said it.

I hate to be criticizing my favorite author Cassandra Clare, but I have to be honest and write what I feel, sorry all you fans of the Mortal Instruments Series!

What I feel is that City of Glass was the true end to the series, but as Clare decided to extend the series, she had to quickly come up with a continuation. Consequently, the plot in this installment suffered. It felt forced.

The only part of the plot that was intriguing was the beginning, where Simon is being drawn into the politics of the vampires. I so wish she would have continued on that path.

Sadly, the first intriguing chapters quickly fell into the background, as a number of other irrelevant plot threads took the forefront. There is Simon who is tormented by two-timing his two girlfriends and his desire to drink blood. The new character Kyle is introduced, but does not really bring anything new. There are lots of preparations for a wedding that never actually takes place. Some shadowhunters are also being killed but that all happens off-page. Alec and Magnus are off on some honey-mooney kind of trip and keep sending pictures to the rest of the group. Clary is learning some self-defense. And what not else.

The overall feeling was a plot that felt jumbled, and a bit messy. The POV also changed like there was no tomorrow, and added to my confusion.

However, messy plot aside, what really disappointed me, more than anything else, was the problems Jace and Clary were having.

I had no problems with their issues in the previous books, but City of Glass brought a sense of closure for these two. And having them getting into more problems now felt like a huge step backward. Moreover, the issues they experienced this time around felt forced, as if Clare had to desperately create something to keep the lovers apart (and supposedly keep the readers interested). It was almost as if I could see her thinking: Okay, now the sibling problem is solved, so what do we do now?

She essentially tries to (re)create the romantic tension with the “I don’t deserve you because I’m too dangerous for you” -dilemma, something which is really getting very old. I’m not impressed with Clare trying to implement that here. Not impressed at all.

I also didn’t like that Clary and Jace, after all they had gone through, couldn’t talk about their problems sooner. You’d think they’d be closer to each other than that. It also annoyed me how their characters changed in this book, Jace going all emo on us and Clary going all whiny about whether Jace loved her or not. I mean come on! In all seriousness, can she really doubt Jace’s love now??

The ending promises more problems regarding the Jace and Clary relationship, and I can only sigh. I so wish Clare had taken a different direction. I wish she had left Clary and Jace alone, and concentrated on Simon and his new adventures instead. Why didn’t she?

Ah well. For the first time ever with a Cassandra Clare book I am actually contemplating whether to read the next book or not. I probably will, just out of pure curiosity but if the end is any indication of where this is going, I am pretty much convinced I will be disappointed again. Damn it Clare, you should have left it where it was!

At least we have her other series to look forward to, which I am truly grateful for. I never thought I’d say this but I am now looking more forward towards The Infernal Devices than The Mortal Instruments Series.

Second installment of The Maze Runner trilogy. Thomas and the gladers discover that the maze was only the beginning, as they enter phase two in the trials set up by WICKED. Interesting world, but would have liked less trials, and more on the background of the project. I also keep having issues with the underdeveloped characters. Won’t continue the series.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A few chapters in:

The Maze Runner told the story of a couple of teen boys who find themselves in the center of a giant maze, with no recollection of their pasts. I didn’t outright love the book, but I thought it was intriguing enough to want to read the sequel. The ending in particular had me hooked as it promised revelations about the reasoning behind the maze, and more on the dystopian world outside.

Enough said, I started reading The Scorch Trials and I’m now a few chapters in.

We enter the story exactly where The Maze Runner ended. Thomas and the other gladers have been rescued and are enjoying their first night of good sleep in dormitories provided by the rescue team. But that peaceful sleep shatters the next morning when all hell breaks loose.

The first thing they notice is that their dormitories are surrounded by screaming “cranks” – which is what the insane disease-affected people are called. Then, they discover that the entire rescue team has been murdered in the kitchen. Thomas finds that his friend Theresa has disappeared and in her place there is a new boy, Aris, who appears to have come from another group who also went through the maze.

Not surprisingly, Thomas already overfull head is now swarming with a million new questions. As is mine. Thankfully, just as my head is about to explode with questions, a man appears in the dormitory. And he reveals the following:

The Maze was phase one of a series of tests which essentially were designed to monitor the reactions of the human race, and pick out who is the most fit to fight the world catastrophe which is currently going on in the world right now. The man also tells them that Phase two is about to begin, which is predicted to be even tougher than the maze (if that’s possible).

The next day the boys are instructed to march outside the dormitories, into the blaring sun of a destroyed world in order to complete phase two. And this is where I am now. The boys are marching through a desert land towards a city, and I can only imagine what they will encounter there. Crazy cranks for sure..but what else?

After finishing the book:

I can’t help but feeling a bit disappointed. I read this sequel in order to understand why someone would put the boys through the maze. I read it in order to find out more of the dystopian world outside. None of that materialized here.

Instead, we got a rehash of the maze runner. The only thing that changed were that the boys now knew that they were being put through some kind of trials. Apart from that little detail, it was the maze all over again. The boys stuck somewhere, where they had to survive various “variables” thrown at them, all directed by the creators of WICKED. In the end, the sequel didn’t bring us anything new. It felt very much like a middle book, whose only goal was to take us readers to the book three where the BIG CONLUSION will be revealed. I could have easily skipped the book entirely and gone straight ahead for the final book The Death Cure instead, and not feel the slightest lost.

The biggest downfall however were the lack of development in the characters. I said it in The Maze Runner, and I’m saying it again here. I could not connect to the main character Thomas. Which is strange, since I’ve been following him through two full books now. I’ve been watching him being beat up, betrayed, kissed and what not else, and all I feel is nothing! I’m wondering if it is because he’s got a bit of that Mary Sue syndrome, always doing the right thing in every situation, always good at everything he does. I’ve never been a fan of characters that are too perfect. Yet, even so, it’s strange that I care so little about him.

And that goes for the rest of the characters. Apart from maybe Minho, I couldn’t have cared less who died and who survived. Granted, we know very little of the other characters, which in itself is another fault of this series. When they start off on their phase two journey in this installment, there are twenty or so boys in the group. Yet it seems as if Thomas (as well as the reader) knows of only Newt, Minho and Frypan by name. The rest of the group is reduced to nameless stand-ins, only there to be killed along the way (in order to spare the main characters).

I wasn’t a big fan of the romance either. I mean, it felt like Thomas had more chemistry with Minho than with Teresa. Likewise with Brenda. There was just nothing there, and I consequently got tired very quickly of all the angst regarding these two girls. I wish it had been skipped all together.

The question is now: Will I continue the series?

These first two installments are promising a final conclusion to the series that will explain the grand scheme of the WICKED . Only, I am almost positive I will end up being disappointed again, just like I was disappointed with the escape from the Maze.

You see, I don’t think there is a brilliant solution. There is all this talk about variables and killing patterns and how it’s all supposed to bring them closer to a cure. Considering the awful things these boys have gone through, there has to be a seriously brilliant solution to explain all this, and frankly, I don’t think there is one. Dashner did not deliver in regards to “the solution” to the maze, and I have a strong feeling he will fail to deliver in the last installment as well. Hence, I’ve decided to leave this series.

The final installment The Death Cure to be published in October this year.

About popular girl Elena who falls in love with vampire Stefan. Problem is, Stefan’s evil vampire brother has decided he wants Elena as well. This underdeveloped story, with contrived dialogues and shallow characters is clearly aimed for young teens only. I could barely get through the book.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My Full Review:

I recently decided to give the Vampire Diaries a go, which is why I’m now sitting with The Awakening in my hand. With doubts creeping in: What the heck was I thinking?

Anyone who has been following blogs and reviews knows that this series hasn’t exactly received what you’d call high praise. Why then torture myself through another crappy novel? As if Evernight wasn’t enough suffering for one month.

But I suppose it’s for the same reason as when I want to see a supposedly crappy but very much talked about movie. I get this strange urge to see it just so that I can form my own opinion. (I remember watching The Da Vinci Code for this very reason.)

And let’s face it. Vampire diaries is a talked about series, most likely due to its resemblance to Twilight (note that it was published before Meyer’s work) and to the succesful tv series which is airing at the moment.

Enough said, with these whopping high expectations, I’ve plunged into the world of Elena, Stefan and Damon (of course picturing them all as the actors in the tv series – hard not to!).

We enter the story as the beautiful and popular girl Elena returns to school after a summer in France to discover that a new student has enrolled. And not just any student but an outwordly-looking handsome young boy who seems to have no interest whatsoever in Elena.

Frustrating to say the least. Well, at least for Elena who is used to get anything she wants, especially when it comes to boys.

After a couple of weeks of “suffering” the ignorance of Stefan, as the boy is called, she is molested by another boy at a cemetery. Who comes to her rescue? Yes, you guessed it right. Stefan.

Despite a few eye-rolling moments here and there, I was sort of enjoying it though, as I found myself turning pages hoping to see some chemistry when Elena and Stefan finally got to know each other.

Well, turns out I should not have been bothered.

On that first night, when Stefan rescues her from the cemetery, they kiss. After that, Elena’s first words to Stefan (and I repeat first words), are I love you.

I mean, come on!

It’s explained that Elena and Stefan need no words to communicate to each other, because they just feel what the other one feels. Really? They have barely exchanged greeting phrases and they already know each other that well?

To me, that just signals a lazy author who can’t care enough to create some dialogues between our main characters.

When they eventually do talk (a couple of pages later), it’s generally something dramatic such as I love you, I’ll protect you, I’ll always be there for you, or something along the same lines. What happened to normal conversations?

Bah!

Once I established that this contrived soap-opera relationship was to be the main theme of the book, it was hard not to just drop it on the spot. But there are only 200 pages of the book, and I figured that if I’d got this far, I might as well continue.

At least there was Damon, who seems infinitely much more interesting than Stefan could ever be. Stefan and Damon are brothers and are mortal enemies ever since something happened way back then when they grew up. Damon is supposedly evil, but I have a feeling he may experience some development, which means he could become an interesting figure. That’s about the only good thing I can say about this series.

Elena on the other hand was a self-centered brat. Her friends were only there to support her, without any motivations or feelings of their own. There’s that one-dimensional evil bitch at school who is out to destroy Elena. Yawn. Nothing out of the ordinary.

In short, it all felt very underdeveloped. As if the story could have come to life, had more thought and investment been put into the characters. As it was now, I could not connect to anyone, and I certainly couldn’t connect to the romance of Elena and Stefan.

So yep folks, this was just about as bad as I thought. Despite its similarities to Twilight, it’s nowhere near the same league.

Rate this:

About me

Hey there! I'm a 32-year old avid reader who devoured the Twilight Series, and am now scanning the YA paranormal world for the next great YA fiction/paranormal romance! Hope you want to join me on my quest :-) See more details under "About". Thanks for stopping by and have a great day!

Most Popular Posts

Review System

5 ~~ LOVED IT! Will reread again and again..
4.5 ~~ Excellent book, almost perfect!
4 ~~ Great read! But not amazing.
3.5 ~~ Enjoyable but with a few flaws.
3 ~~ Okay. May or may not continue the series.
2.5 ~~ Hmm..barely OK. Won't read the sequel.
2 ~~ Nope, did not like this one.
1 ~~ So bad I couldn't finish it.

Reading tips?

I'm always on the look-out for new addictive YA paranormal romance or suspense fiction out there, and even though I am finding quite a few at the moment - hence my ever growing TBR list, I'm sure there's much more out there.