Crime

“Widower Bluebeard and the Red Key” – a painting from Cassia Lupo’s wonderful series “Fables and myths.” Reproduced with permission and grateful thanks.

For very nearly all its course, the Blavet is a placid river. It winds its way through central Brittany: broad, unhurried, gentle and unthreatening, a favourite among fishermen, and – for the century or so since it was dammed at Guerlédan, creating a substantial lake – a magnet for holidaymakers, too. Yet even there, at the heart of an ancient county that knows its history as well as anywhere in France, not one person in a thousand could tell the awful history of the river. Few realise that there were times when it was not so tame, or can point to where the outlines of an ancient fortress can yet be traced, up on the heights above the dam. And almost nobody recalls the lord of that forgotten castle, or could tell you why, until about 150 years ago, Breton peasants crossed themselves at the mere mention of his name.

His name was Conomor the Cursed, and he lived in the darkest of the Dark Ages – in the first half of the 6th century, 150 years or more after the fall of Rome, when much of Brittany was still dotted with dolmens and covered by primeval forest, when warlords squabbled with one another other over patrimonies that were generally less than 40 miles across, and the local peoples were as likely to be pagan as they were Christian. We know almost nothing about him, save that he was probably a Briton, very probably a tyrant, and that his deeds were remembered long enough to give rise to a folkloric tradition of great strength – one that endured for almost 1,500 years. But the folk-tales hint at someone quite extraordinary. In local lore, Conomor not only continued to roam the vast forest of Quénécan, south of his castle, as a bisclaveret – a werewolf – and served as a spectral ferryman on another Breton river, making off with Christian souls; he was also the model for Bluebeard, the monstrous villain of Charles Perrault’s famous fairy tales. Continue reading →

Who served out the longest prison sentence known to history? My extensive investigation – begun in 2010 but now comprehensively updated – answers that question [it’s Charles Fossard, of Australia, with an all-but-incomprehensible 70 years, 303 days]. It also takes a look at some of Fossard’s unwitting and unwilling rivals, and tries to go inside the cells, to hear from the prisoners themselves. Their stories are often brutal, occasionally pathetic, but always surprisingly compelling.

The full story – which includes numerous case studies, a state-by-state listing of the longest sentences served everywhere from Alabama to Wisconsin, a look at record stretches from elsewhere, some notes on extraordinary cases of protracted solitary confinement, and a listing of all 16 known cases of men who spent in excess of 60 years behind bars – can be read here.

Detail from “The love potion”, by the nineteenth century Pre-Raphaelite Evelyn De Morgan. The tangled tale of Aqua Tofana is intimately connected to the “criminal magical underworlds” of the 17th century, which supplied love philtres, potions, medicines and poisons to a mostly female clientele.

Early in the autumn of 1791, while he was still hard at work on the great requiem mass that would form such a large part of his legend, Wolfgang Amadeus Mozart fell seriously ill. Convinced that there was no chance of recovery, he

began to speak of death, and asserted that he was setting the Requiem for himself… “I feel definitely,” he continued, “that I will not last much longer; I am sure that I have been poisoned. I cannot rid myself of this idea… Someone has given me acqua tofana and calculated the precise time of my death.

Scholars have wrangled now for two full centuries over the circumstances of the great composer’s passing. A handful have concluded that he really was murdered. Most support rival diagnoses of syphilis, rheumatic fever or even the deadly effects of eating undercooked pork chops. Whatever the truth, though, and however he died, Mozart was certainly convinced that there existed a rare poison, one that was colourless, tasteless, odourless, beyond detection – and also so flexibly murderous that a carefully-calculated dose could guarantee a victim’s death a week, a month or even a year after it had been administered.

Nor was the composer alone in this belief. Forgotten though it is today, the mysterious liquid that he feared so much was one of the great whispered secrets of early modern Europe. Aqua Tofana was credited with what amounted to supernatural powers, and blamed for hundreds of agonising deaths. Which is odd, since it is very far from clear that it ever existed – and, if it did, what it was, where it was invented, where first used, and when and how it got its name. Continue reading →

Earnest Pletch was mad on planes and mad on flying. In itself, that was scarcely uncommon in the America of the 1930s, a dozen years after Charles Lindbergh’s solo crossing of the Atlantic turned the United States into the epicentre of everything exciting in the aviation world. Yet Pletch was a pretty unusual case. He came from a well-off family, but had dropped out of school to find work in a travelling show. He was a serial husband and adulterer who was already, at the age of 29, planning to abandon his third wife. And he had actually been taking flying lessons.

Now – late on the afternoon of 27 October 1939 – Pletch was looking forward to going solo. He was not going to take the controls in the usual way, however. He was going to do so after shooting his pilot in the back of the head.

He may be long forgotten now, but Pletch came briefly to America’s attention that autumn after booking tuition in Missouri with a pilot by the name of Carl Bivens. Midway through the third of these sessions, while airborne at 5,000 feet and sitting in the rear seat of a tandem training plane equipped with dual controls, he pulled a revolver from a trouser pocket and, without giving any warning, sent two .32 calibre bullets through Bivens’s skull. Pletch then managed to land the plane, dumped the instructor’s body in a thicket, and took off again, heading north to his home state to… well, what he intended to do was never really clear, and we will come to that. Continue reading →

An Arab city of the early medieval period. Urban centers in the Middle East were of a size and wealth all but unknown in the Christian west during this period, encouraging the development of a large and diverse fraternity of criminals. From a contemporary manuscript.

The year is—let us say—1170, and you are the leader of a city watch in medieval Persia. Patrolling the dangerous alleyways in the small hours of the morning, you and your men chance upon two or three shady-looking characters loitering outside the home of a wealthy merchant. Guessing that you have stumbled across a gang of housebreakers, you order them searched. From various hidden pockets in the suspects’ robes, your men produce a candle, a crowbar, stale bread, an iron spike, a drill, a bag of sand—and a live tortoise.

The reptile is, of course, the clincher. There are a hundred and one reasons why an honest man might be carrying a crowbar and a drill at three in the morning, but only a gang of experienced burglars would be abroad at such an hour equipped with a tortoise. It was a vital tool in the Persian criminals’ armory, used—after the iron spike had made a breach in a victim’s dried-mud wall—to explore the property’s interior.

We know this improbable bit of information because burglars were members of a loose fraternity of rogues, vagabonds, wandering poets and outright criminals who made up Islam’s medieval underworld. This broad group was known collectively as the Banu Sasan, and for half a dozen centuries its members might be encountered anywhere from Umayyad Spain to the Chinese border. Possessing their own tactics, tricks and slang, the Banu Sasan comprised a hidden counterpoint to the surface glories of Islam’s golden age. They were also celebrated as the subjects of a scattering of little-known but fascinating manuscripts that chronicled their lives, morals and methods. Continue reading →

A photo sometimes said to depict members of Chiloé’s murderous society of warlocks—founded, so they claimed, in 1786 and destroyed by the great trial of 1880-81.

There is a place in South America that was once the end of the earth. It lies close to the 35th parallel, where the Maule River empties into the Pacific Ocean, and in the first years of the 16th century it marked the spot at which the Empire of the Incas ended and a strange and unknown world began.

South of the Maule, the Incas thought, lay a land of mystery and darkness. It was a place where the Pacific’s waters chilled and turned from blue to black, and where indigenous peoples struggled to claw the basest of livings from a hostile environment. It was also where the witches lived and evil came from. The Incas called this land “the Place of Seagulls.”

Today, the Place of Seagulls begins at a spot 700 miles due south of the Chilean capital, Santiago, and stretches for another 1,200 miles all the way to Tierra del Fuego, the “land of fire” so accurately described by Lucas Bridges as “the uttermost part of the earth.” Even now, the region remains sparsely inhabited—and at its lonely heart lies the island of Chiloé: rain-soaked and rainbow-strewn, matted with untamed virgin forest and possessed of a distinct and interesting history. First visited by Europeans in 1567, Chiloé was long known for piracy and privateering. In the 19th century, when Latin America revolted against imperial rule, the island remained loyal to Spain. And in 1880, a little more than half a century after it was finally incorporated into Chile, it was also the scene of a remarkable trial—the last significant witch trial, probably, anywhere in the world.Continue reading →

Joe and Sarah Moore, c.1905 with their eldest two children, Herman and Katherine. All four, together with two younger children and two of Katherine’s young friends, would die together in June 1912, killed by an unidentified ax-wielding assailant. The unsolved crime remains Iowa’s most infamous murder mystery.

Shortly after midnight on June 10, 1912—one hundred years ago this week—a stranger hefting an ax lifted the latch on the back door of a two-story timber house in the little Iowa town of Villisca. The door was not locked—crime was not the sort of thing you worried about in a modestly prosperous Midwest settlement of no more than 2,000 people, all known to one another by sight—and the visitor was able to slip inside silently and close the door behind him. Then, according to a reconstruction attempted by the town coroner next day, he took an oil lamp from a dresser, removed the chimney and placed it out of the way under a chair, bent the wick in two to minimize the flame, lit the lamp, and turned it down so low it cast only the faintest glimmer in the sleeping house.

Still carrying the ax, the stranger walked past one room in which two girls, ages 12 and 9, lay sleeping, and slipped up the narrow wooden stairs that led to two other bedrooms. He ignored the first, in which four more young children were sleeping, and crept into the room in which 43-year-old Joe Moore lay next to his wife, Sarah. Raising the ax high above his head—so high it gouged the ceiling—the man brought the flat of the blade down on the back of Joe Moore’s head, crushing his skull and probably killing him instantly. Then he struck Sarah a blow before she had time to wake or register his presence.

The Moore house in Villisca, 1912. One of the town’s larger and better-appointed properties, it still stands today and has been turned into Villisca’s premier tourist attraction. For a price, visitors can stay in the house overnight; there is no shortage of interested parties.

Leaving the couple dead or dying, the killer went next door and used the ax—Joe’s own, probably taken from where it had been left in the coal shed—to kill the four Moore children as they slept. Once again, there is no evidence that Herman, 11; Katherine, 10; Boyd, 7; or Paul, 5, woke before they died. Nor did the assailant or any of the four children make sufficient noise to disturb Katherine’s two friends, Lena and Ina Stillinger, as they slept downstairs. The killer then descended the stairs and took his ax to the Stillinger girls, the elder of whom may finally have awakened an instant before she, too, was murdered.

What happened next marked the Villisca killings as truly peculiar and still sends shivers down the spine a century after the fact. Continue reading →

Blog philosophy

"You can write something and every sentence in it will be a fact, you can pile up facts, but it won't be true. Inside a fact is another fact, and inside that is another fact. You've got to get the true facts. When I got there, I said to myself, 'I don't give a damn what happens, I am going to take my time.'"
Joseph Mitchell

Envoi

"I have always imagined Paradise as a kind of library."
Jorge Luis Borges, Poem of the Gifts.