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Charles Larson title card for The FBI episode “Slow March Up a Steep Hill.”

Another in a series about unsung figures of television

In the 21st century, top producers of TV shows are celebrated as “showrunners.” In the 20th century, such figures were anonymous to the general public.

Thus was the case with Charles Larson. He was the founding producer (i.e. the day-to-day producer) of The FBI, who probably should have credited as the series creator but the show never had a creator credit. He guided other series as well.

As a writer only, Larson worked on everything from the Clayton Moore-Jay Silverheels version of The Lone Ranger to the mini-series Centennial.

One of his fans was director Ralph Senensky, whose many credits included episodes of 12 O’Clock High and The FBI where Larson worked as associate producer and producer respectively.

Larson “was a fine writer who did an amazing amount of rewriting on scripts before and even during filming,” Senensky wrote about Larson.

Concerning an episode of 12 O’Clock High titled “The Trap,” Senensky wrote: ” The script I was given was a blatant melodrama of five people stranded in a cellar during a London air raid. Charles fleshed out the people and created a complex study of the conflict of class differences as five people faced the ugly horror of war.”

Senensky wrote that his favorite episode of The FBI was a second-season installment called “The Assassin.” The teleplay was credited to John McGreevy and the plot to Anthony Spinner. “I detected Charles’ fine handprints all over THE ASSASSIN, the best script I had yet been handed on THE FBI and eventually the best one of the series I would ever direct.”

On The FBI, Larson wrote and produced the fourth episode, “Slow March Up a Steel Hill.” It looks like it may have been the pilot.

There’s a lot of explanatory dialogue concerning how the wife of Inspector Erskine (Efrem Zimbalist Jr.) was killed in an ambush meant for the FBI man. Erskine’s sidekick is determined to marry Erskine’s college-age daughter (!). And it’s established that Erskine was so stubborn, he sometimes got in trouble with his boss, assistant director Arthur Ward (Philip Abbott). The latter theme wouldn’t be used much after the first half of the first season.

Also, on The FBI, Larson had to deal with the real-life bureau, which had veto power over guest stars and scripts. “Charlie had a really difficult job,” production manager Howard Alston told author Jonathan Etter for the book Quinn Martin, Producer. “The first year he had to listen to all the FBI’s input, to all of the people who felt they knew more about how to do the show than he did.”

After departing The FBI after the fourth season, Larson produced other series, none of which was a big hit. He continued as a writer beyond that. One of his most memorable scripts was for the 1977 Hawaii Five-O episode The Bells Toll at Noon. There were three separate writing credits but Larson was listed as doing the final teleplay.

The story concerns a disturbed man (Rich Little) who kills people while re-enacting scenes from classic movies. Little, the famed impressionist, mimicked James Cagney and other movie stars. It was one of the highlights of the show’s ninth season.

The FBI, which celebrates its 50th anniversary on Sept. 19, was an idealized version of the real-life U.S. agency that symbolized the motto “fidelity, bravery, integrity.”

The series would go on to be the longest-running show for producer Quinn Martin. To do so, it would face challenges not faced by most television series.

According to the 2003 book Quinn Martin, Producer, the QM FBI endured a lot of scrutiny by its real-life counterpart.

Among those who underwent FBI background checks were star Efrem Zimbalist Jr.; William A. Graham, director of its first episodes (who served in U.S. Naval intelligence in World War II); Hank Simms, another World War II veteran and announcer for the show’s main titles; and Howard Alston, a production manager for the series.

What’s more, the bureau had veto power over guest stars, which cost The FBI the services of Bette Davis, a fan of the show.

Initially, the show emphasized the personal side of Zimbalist’s Inspector Lewis Erskine. He was a widower (his wife perished during an attack intended for Erskine) with a daughter in college. That fell off, in part because of audience reaction.

Quinn Martin & Co. quickly shifted to providing more detailed back stories for villains and other characters (not subject to the same scrutiny from the bureau), giving guest stars the chance to well-rounded characters.

It also helped that Martin paid about twice the going rate at the time for guest star roles ($5,000 versus the normal $2,500 for an one-hour episode). Actors such as Charles Bronson (primarily a movie actor by 1966), Louis Jourdan, Gene Tierney and Karin Dor (a one-time James Bond actress) signed up to play guest stars on The FBI.

The show’s producer for the first four seasons, Charles Larson, frequently rewrote scripts (usually without credit), keeping the show on more than an even keel. Larson exited after the fourth season, with the slack picked up by Philip Saltzman for another four seasons and Anthony Spinner for the series’ final ninth season.

The FBI heavily featured espionage stories, especially in its second and third seasons, as Erskine and his colleagues tracked down foreign agents. That trailed off over time, with three espionage stories (out of 26 total) in the seventh season and only one in the eighth. There were no spy stories in the final season.

The show never had a big following in U.S. syndication. Still, the series had a fan base. Warner Archive began offering The FBI on a “manufactured on demand” basis in 2011. There was enough demand the entire series was made available by the end of 2014. The last two seasons came out after the May 2014 death of star Zimbalist at age 95.

For more information, CLICK HERE to view The FBI episode guide. The site is still under construction but reviews have been completed for the first five seasons.

As the Sixties come to an end and a new decade begins, it’s business as usual for Inspector Lewis Erskine (Efrem Zimbalist, Jr.) and the men and women of the FBI as they continue to protect America from enemies within, in this hard-hitting fifth season collection. Inspired by actual cases and produced with the personal support of J. Edgar Hoover…
(snip)
A showcase for veteran actors as well as the up-and-coming, Season Five of The FBI shines the spotlight on an arresting lineup of guest stars including Oscar® winners Robert Duvall and Jeff Bridges, Hitchcock femmes Vera Miles and Laraine Day, Anne Francis, Sam Elliott, Jack Klugman, David Cassidy, Joe Don Baker, Cicely Tyson and Harrison Ford.

The 1969-70 season saw a major change behind the camera. Charles Larson, producer of the first four seasons, had departed. He was replaced by Philip Saltzman, who would end up as the top producer for QM Productions after founder Quinn Martin sold his production company in the late 1970s. Saltzman had big shoes to fill. Larson did many uncredited rewrites of FBI scripts and often penned a few of his own each season. Saltzman would oversee The FBI through its eighth season.

There was one other change. In the first four seasons, star Efrem Zimbalist Jr. had driven a Ford Mustang in the end titles. Starting with the fifth season, Ford had other models it wanted to promote and Inspector Erskine’s Mustang was no more.

The FBI is part of Warner Archive’s “manufacturing on demand” program, meaning the DVDs are made as they’re ordered. The price is $49.95 and it’s only available in the U.S. For more information on ordering, CLICK HERE.

It not official yet, but the Warner Archive division of Warner Bros. is planning to bring out season four of The FBI soon on DVD.

We don’t have a specific date. But we quizzed Warner Archive on Twitter if season 4 of the Quinn Martin-produced is coming out. The answer: “Soon, but not yet announced.”

The 1968-69 season has a number of highlights, including Caesar’s Wife, featuring Harrison Ford, then 26, as the grown son of a retired U.S. diplomat (Michael Rennie), who’s the target of a Soviet spy ring run by a deep cover agent played by Russell Johnson. Ford’s character gets the short end of a fight scene with the one-time Professor of Gilligan’s Island. Actually, it’s a good episode but from the Ford-Johnson fight will probably get a lot of 2013 viewer attention.

Other highlights of the season include Wind It Up and It Betrays You, the first episode of the season and another espionage story, which was plotted by Harold Jack Bloom (the only writer who scripted an episode of The Man From U.N.C.L.E. and contributed to a James Bond movie with “additional story material” for You Only Live Twice) and has Louis Jourdan as the villain; The Runaways, featuring a post-Opie Ron Howard; and Conspiracy of Silence, which has some backstory of Efrem Zimbalist Jr.’s Inspector Erskine character and whose cast includes Gene Tierney.

The fourth season was the last to be overseen by producer Charles Larson, who had been with the show from day one. It’s also the final season where Inspector Erskine drives a Ford Mustang convertible in the end titles. Ford Motor Co., the lead sponsor and supplier of vehicles, wanted to promote other models starting with season 5.

UPDATE II (February 2015): You can read more about this episode on the SEASON TWO PAGE of The FBI episode guide.

UPDATE (June 2013): The YouTube videos originally embedded were yanked by the Google-owned video service. The Gene Hackman episode is part of THIS BOX SET of The FBI. You can also CLICK HERE for IMDB.com’s entry about the episode.

You got to love YouTube. We’ve previously discussed how the TV series The FBI had numerous spy stories. Here’s one. The editing is a bit abrupt but it was written and produced by Charles Larson on behalf of executive producer Quinn Martin: