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Ergebnisse in CDs mit Pop für Dreamworks SKG

1-25 von 119

Given that so much music has aired on the show, it's inevitable that some favorites are missing -- whether it's the Replacements' legendary drunken appearance or Simon & Garfunkel's reunion. 1 are pretty great.

, the follow-up to its platinum Tonight the Stars Revolt. The move riled drummer Al 3 and bassist Dorian 27, and both parted ways with Spider and guitarists Adam 12 and M. 33. Suddenly, instead of revving up for a new release, Powerman 5000 was half the band it used to be, and stuck with an album it didn't believe in.

Whereas many of the songs on their previous album sounded unfinished and rushed, The Night sounds like a fully realized work. In fact, the band took time to focus on expanding their minimalist sound to include other instruments (cello, violin, upright bass, oud, organ) and new approaches (female backup singers, string arrangements), while Sandman produced the album himself.

Between Bourgeois Kitten, Blinker the Star's 1996 major-label debut, and 1999's August Everywhere, their first effort for DreamWorks, a funny, unpredictable thing happened to the band. It certainly has the feel of an ambitious, smart pop album, with layered productions, and varied songs and hooks.

Chicago native Dave Hollister recalls his past situations on Chicago 85. The Movie. A great follow-up to his gold CD Ghetto Hymns, the singer/songwriter enlists top talent such as Mike City (who has worked with another Chicago native, Carl Thomas) to make his recollections crystal clear.

No Name Face, the debut release by Los Angeles-based Lifehouse, certainly proves the theory that less is more. The moody album contains pensive lyrics, soulfully sung by Jason Wade, which are supported by organic electric guitar arrangements.

Not only is it easy to argue that some bands were overlooked (Pearl Jam, for instance), but it's also easy to complain that certain songs don't capture the featured artist at their best. 2 is still very entertaining and even useful; while not every performance is classic, many are great and are of interest to hardcore fans of any of the featured artists.

It's a great surprise, then, that Creeper Lagoon's second long-player bucks expectations and actually makes good on the indie rock promise of the band's full-length debut, 1998's overhyped albeit underwhelming I Become Small and Go.