We are happy to announce our next new release

WILT – “Self Titled”

WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.

Here is a track from the upcoming LP

“Sermon for the Bootlickers”

Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.

WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile

STORM OF SEDITION – “Decivilize” LP

Are you prepared to brave the storm?…

Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!

Comes with a 12 page booklet containing lyrics, notes, and song explanations.

Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us

Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate

Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen

Get outside, meet with real people! Even if we use these tools We must never forget

Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death

AUS-ROTTEN

“The System Works For Them” LP

-FINALLY RE-ISSUED AFTER 20 YEARS!-

Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.

All original artwork (label logos updated) with three different vinyl color options.

In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.

“The Battlefield Is Still Red” Bloodsplatter Edition.

PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!

“What Good Is Money, When There Is No One Left To Buy” T-shirt.

To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.

See through “Smoke” vinyl. Available at SKULLFEST/ PROFANE EXISTENCE 27th anniverseray party / record release show.

SILENCE

The Deafening Sound of Absolutely Nothing LP

Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.

“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.

Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.

LISTEN TO THE TRACK “WAR DRUMS” HERE.

When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?

They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.

Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.

Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.

Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!

Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!

Put simply, the guy has no clue what the actual punk scene is. This is apparent by a number of factors; such as he actually mentions Cortney Love, Sex Pistols and Ramones as ‘punk bands’ where as no one active in the underground scene gives a shit about any of those bands and most would laugh at the very idea of Courtney Love being thought of as punk. The only actually punk band mentioned in the article I could see was Fugazi, and even they are pretty mainstream compared to the bands who most diy kids wear patches of (Aus-Rotten, Amebix, Zounds, Discharge, Nausea, MDC, etc). One must wonder if he would even know the difference between Crust and OI!, or would have even heard of genres like D-Beat and Powerviolence. Yet he thinks presents himself as an expert in position to publish extreme condemnations.

through most of the diatribe he seems to be saying everyone should give up on punk and become a good capitalist and share in the materialistic dream (american dream) and that if you don’t, your just being immature. It is like he watched that terrible MTV Movie SLC Punk and decided to write an article parroting the subtext.

Throughout the article he makes strange constant references to Marxist imagery and ideas. I have met about 4 punks ever that were in support of the Sandanistas or thought Che, Stalin, and Mao were cool. They are all in the same band. all 4 of them… His constant attempts to connect punk wth Marxist Communism is really odd and seems totally out of left field (pun intended)

The section on Seattle is particularly out of touch. How someone could write an article on Punk and have an entire section on Seattle and the pacific north west, without mentioning the massive anarchist crust bands (Seattle use to be the hot bed for big crust bands like Consume and Skarp) is kinda confusing. But farm more confusing is how you could write about punk and Seattle/PNW without mentioning the legendary ‘Battle of Seattle‘ (WTO riots that shook the USA and made news internationally, including the rise of the Black Bloc in North America), nor mentioning the notorious “Eugene Anarchists” is beyond me. It would be like writing an article about the economy of Alberta and Texas over the last 4 decades, without mentioning OIL! The North West was not only huge for bands and DIY scenes, but also for actual physical action. The rise of Earth First! (eco-defense), the anti-globalization movement, and more extreme the Earth Liberation Front, Animal Liberation Front, all of which punks played part in. There was also of course the Riot Grrl movement, much of which centered on Seattle bands, only mentioned in passing as a slag by this writer. John Roderick clearly has no clue what the actual underground punk scene is, nor probably that it still is very active today. Big distros, zines, and well known underground labels, like Maximum Rock’n Roll, or Profane Existence, or event Havoc Records, are not even mentioned. In fact nothing of importance to the DIY punk scene is mentioned in this article at all. It would be like me writing an article saying why the rave scene was bullshit… Or like a Liberal writing an article on the black bloc without even doing any research.

There is a ton of other issues here, his repeated use of the term ‘primitive’ as a derogatory, which i find utterly racist. Or how he misreprestens DIY, as if hand making your demo tapes with hand drawn art, and black and white photocopied liner notes so they can be sold cheap enough that street kids and other poor folks can afford them, is the equivalent of selling tupperware. In the punk underground, DIY is about empowering people to realize we artists, we are all musicians, we all can do it. Or as Crass put it, There Is No Authority But Yourself! You don’t need to wait some big promoter; rent the hall yourself and borrow or rent a PA, make a poster and grab the tape. Kids creating art and recording their own bands or setting up $5 All Ages shows for free clearly not at all the same as vacuum salesmen or Mary Kay. I speak from experience here as someone who set up these types of shows for years working with bands from all over the world like Sweedish hardcore band Regulations, or Imperial Leather,legendary bands like Resist and Exist, Conlict, and a whole host of amazing Canadian bands like Leper, Mechanichal Separation and Mass Grave, Iskra, Self Rule, Eleutheros. All of which highly doubt John Roderick has ever even heard of.

It seems like he’s just another a mainstream individualistic guy who thinks he is alternative, whining about people he doesn’t understand who have ethics he doesn’t understand, who look down on him for being materialistic.Not all of us want big screen TV’s and 13 yr old groupies following us. Not all of us want to be rock stars. Many of us have our own visions, our own desires outside of the scripted grey future we are told we are suppose to want. If you don’t think punk has accomplished anything, you need to get your head out of your ass. Look to the Gaian Mind Institute in LA, or Dial House, to the tons of projects and ecovillages, communiy houses, and venues run by punks. Look to stuff like the SHAC Campaign, who nearly took down a horrible multinational animal testing laboratory; getting them dropped from the NY Stock Exchange, causing over 500 businesses to cut ties with them putting them nearly $90 million in debt. Most of the key organizers in SHAC – both in Turtle Island and the UK – have been punks. In fact, one of the UK Shactivists was a member of the UK punk band Active Slaughter. AK Press, the largest anarchist publisher in the world, and PM Press, were also both started by Ramsey Kanaan, who sang in the Scottish band Political Asylum, as well many other publishers like Combustion Books and Crimethinc were also started by punks.
For all your criticisms, what the hell have you done?

Ian McKaye was once asked about selling out as a way to get his message out so more people could hear their music. He replied by stating he didn’t care about making it so everyone could hear their music. It was about making it so the kids who wanted to hear their music could. Well John Rodernick, maybe you should listen – by which I mean don’t… That’s the point really, if you don’t want to hear it, fuck off. We don’t want or need your opinion. We’re too busy building the world we want to see in the ashes of this one. And as Mike XvX said, this town isn’t going to burn itself down!

If you want to read informed opinions on punk, I would suggest following the old slogan, buy books buy us, not about us. Penny Rimbaud’s book Shibboleth: My Revolting Life is a great start. Can’t get much better. The Philosophy Of Punk by Craig O’ Hara, The Day The Country Died, and Sober Living For The Revolution are also great. But of course the best way to learn the reality of what punk has to offer is to take part; go to a show, not some Bad Religion or Warp Tour kinda crap, but an actual show, in some kids basement, with bands who actually have something to say. Bands who play for nothing more than gas money so that the kids who have nothing, who could never afford a Death Cab For Cutie, or Long Winters show.

It is better to make a piece of music than to perform one, better to perform one than to listen to one, better to listen to one than to misuse it as a means of distraction, entertainment, or acquisition of “culture.”