Much has been said about the fact that Nosipho Dumisa has made an ode to Alfred Hitchcock’s Rear Window with her debut feature film, Nommer 37 (Number 37), and, for good reason. The film features the legendary British director’s infamous touch-points of suspense in its story-telling. But beyond an homage to a legend of filmmaking, Nosipho’s given us a calling card, of her skills as a filmmaker in her own right. She’s got a keen eye – and ear – for what creates tension, anticipation, and frustration, but also for taking the sound of a good idea and turning it into a good film. The premise is centred on Randal (played…