An inside move

In three short years, Ken Auster has firmly established his position in the front ranks of contemporary plein-air painting. And like very few other artists, he has proven himself as adept at capturing the frenetic energy of the urban cityscape as the bucolic splendor of the California landscape.

Now, in a new series of paintings, he moves inside to more intimate quarters.

“The interiors are a natural progression of my urban paintings,” Auster says. “On the inside, you’re confronted with a more intimate approach to the city. Outside, you’re in a rush to get someplace. Inside, you’ve arrived. You stop and smell the coffee.”

Auster’s fascination — and ability — with light finds new stimulation inside. “Inside,” he says, “you have the advantage of two types of light — the natural light from outside, plus lamps and deli counters and chandeliers. It’s almost like having two suns.”