Those who work with these mysteries grow beyond the mere “mortal” understanding of good and evil – as without such self-honesty, the exploration of the Great Mysteries and the Great Deception become at once impossible…

This Mardukite NecroGate blog post is officially extracted from the Liber R materials currently available in the recently released second edition of the NECRONOMICON REVELATIONSby Joshua Free.

The way in which the mysteries were approached shifted away from the Divine after the “gods” left the earth in ancient times. The people forgot about the gods themselves, feeling abandoned and left within a system that was crashing – and the gods seemed to forget about the people, at least in the way they had watched over them in the past. The population was rising and the philosophers and politics changed the way in which the cultures operated within themselves and with others. To support the evolution of civilization, the programs had to be “upgraded” to keep the system from collapsing. More complicated and involved systems were going to need to be in place – and with this complexity came the rise in the chaos factor and the spread of the Darkness.

This material is sure to be misunderstood by the uninitiated that is not aware of the “higher order” at place in the Universe – and how everything we interpret as “good” or “bad” is from the perspective of the Ego or I. “Darkness” is a name given to the part of the system that is not contained by the “Light,” which from a physical perspective, is thought to be the “Shadows.” But beyond being morally “good” or “bad,” the Darkness is merely the force (or name given to the force) that drives the Great Deception – that which keeps the experienced physical material existence in place. Consider it both the “spaces between spaces” and the “ghost in the machine” at once.

Darkness and Deception, much like witchcraft and sorcery, are considered “negative” terms by the psyche. Curiously, each of these aspects are based on “fear” and the “unknown” – or “inexperience” and “ignorance.” Certainly, it is too cliché to simply say, as many have, that “people are afraid of what they do not understand.” But considering that experiential existence comes from “self,” it is wholly the case that people feed these experiences by their responses and thereby create a “resonance” with that concept. This impression or resonance is not felt just within the “reality” of the person experiencing it directly – it can be shared and it can spread. The larger the system and the more programs being run, the greater the chance for obscurity – the chaos factor. As more and more people became aware of this (and began feeding it), this too became “sentient” as its own program – and now people can even interact with it directly!

The manifestations of “Darkness” are not usually what we might expect and are not really the natures of the beings or creatures themselves – only how they are interpreted and interacted with. When approached with fear and without confidence, any aspects of the universe can quickly become a “devil” to you – from the perspective of Ego…

After the rise of the Hermetic Order of the Golden Dawn in the late 1800’s (and perhaps also such groups as the Theosophical Society) the metaphysical world of the mystics would seem to begin appearing in the public spotlight, or at the very least carry an illusion of being maintained in public view…

…with this followed the widespread use of medieval grimoires – many of them somehow involved with figures like MacGregor Mathers and Aleister Crowley. Organizations relating to these individuals, such as the GD (Golden Dawn), OTO (Ordo Templi Orientis) and the lesser known AA (Argentium Astrum) begin to influence mystical practices and underground traditions among the multitudes on the surface world.

Naturally we are concerned foremost with the content of the Babylonian derived Necronomicon Anunnaki Bible of the Mardukite Chamberlains and its interconnected relationship to the Great Mysteries. However, the association of modern pseudoepigrapha (literally artificial writings) is not limited simply to a book called the “Necronomicon” – for such is just a name, as is “Al Azif” – or anything else we want to definitively give a solid form too – that which cannot be solidified – that which has not meant to be solidified…

“El Club Dumas” was released in Spain in 1993. The American English-speaking audience would have to wait three years to find “The Club Dumas” on their shelves. The literary version by Arturo Perez-Reverte became doomed to be lost amidst the mysteries of Agatha Christie and Sue Grafton and did not receive the same pop-culture attention as its motion picture under a different title.

The main character of the novel, Corso, set in a dusty environment of Antiquarian book-selling, is on a quest to uncover the truth of a lost fragment or chapter of the serial by Alexander Dumas, the famous “Three Musketeers”. In the course of events, Corso is culled into a different kind of quest… and there are surprisingly more people aware of the influence of this modern tale then you might originally suspect, for it is also known by another name – the name:

From its Spanish edition we deduce the title “Nine Doors to the Kingdom of Darkness,” though the American language version prefers “Gates” to “portals” – and thus too, the “Shadows” to the “Darkness.” American audiences are also more receptive to video media then literary and thus was probably the inclination Roman Polanski carried with him in filming “The Ninth Gate” with Johnny Depp, released in 1999. Depp’s performance is astounding as always and the woodcarved engravings that are so paramount to the film are taken directly from the illustrations found in Reverte’s novel.

It would surprise many occultists to note that the vein of pseudoepigrapha runs deep within the mystic stream – reaching all too familiar works as the “Keys of Solomon” or even the “Book of Abramelin” – it comes by no surprise that we should see the rise within this age of more tales of such “books within books” – “fantasies about fantasies” – for we have undoubtedly reached our ends in the world of Light and must by necessity reach out to the Shadows…

Assuming the lore of the Nine Gates, let us say that the work is based on yet too another book – furthering our psyche down the literary rabbit hole.

The DELOMELANICON (which is unarguably another vision of the Necronomicon Cycle) is a book reported to have been written by the “Devil himself” as a guide to “his followers.” The work, said to have once been in the possession of King Solomon, reaches the realm of Medieval Sorcery in 1666 by Aristide Torchia, who publishes his version of the “Devil’s Notebook” as “De Umbrarum Regni Novem Portis.” Both Torchia and all but three copies of this work are burned by the Church.

The title, “Delomelanicon,” the current editor translates to mean “Book of Summoning the Darkness” (very similar to the coveted but equally fantasy-based witches Book of Shadows) although some Chamberlains have preferred the translation “Invocation of Darkness” [as given in the Soto translation to English].

If we lend a thought to this for a moment, leaving the trappings of semantic vocabulary and verification of medieval sorcerer’s grimoires aside – consider a book then that has been given to a class of followers of an entity contrary to the accepted “God On Duty” – considered a devil to one side and a savior to the other.

Immediately, when thinking of the politics that arose in ancient Mesopotamia, beings like MARDUK and ENKI are immediately conjured to mind – or some specific alien intelligence that might have reason for leading folks back through the Gates. And if they would indeed be hidden in folds “between” the Realm or Reality of Light we see everyday, then they would most certainly belong to the Shadows – and the spaces between spaces.

The archetype conjured to mind by the “Nine Gates” is very similar to the Necronomicon. There is, at the very least, an obvious emphasis on the symbolism of “portals”, “thresholds” and “gateways” – such as is inseparably paramount to this lore. Following the esoteric and occult traditions, the “Gates” are introduced to the Seeker under the guise of “Darkness,” because such was (and remains to be) the perception of what is “forbidden” and “hidden” knowledge – at least from the perspective of the Realm of Light…

So once we have put our foot it in, all that remains is of course to dislodge the Gates. To unleash the mighty forces within and around us – to being back the Anunnaki and let them have their reign on the Earth. And it matters not which names and ideals we attach to this ideal so long as it is maintained in the hearts and thoughts of the dedicated…

NECRONOMICON ANUNNAKI BIBLE – Sixth Edition

[This blog post is officially extracted for the Mardukite NecroGate from the Liber-9 Tablet-Q“Qlippoth”Series found originally in the Nine Gates of the Kingdom of Shadows (Liber-9 Special Edition) edited by Joshua Free, the Year-1 anthology Necronomicon Anunnaki Bible by Joshua Freein addition to the Necronomicon compact edition as well as the Year-1+2 mega-anthology Necronomicon Anunnaki Legacy. It was incorporated into the Mardukite cycle by request for geniune Lovecraftian Necronomicon Gnosis ritual lore, this part being adapted as an interpretation of the inner teachings of the O.T.O. Ordo Templi Orientis led by Kenneth Grant.]

Let ous discuss first the Primary Elements involved, the primum mobium as it were – water and air, yet also the spaces between them – the Heights and the Depths and the spaces between them. You have heard the name of Cthulhu – that name which men have connected to the Crossings, to the Land of Kutha (or Cutha), to the Sumerian Underworld – of KUTU-LU – Darkness and Shadow abounds the name of TUTU and the TUTU-LU or alter-ego [Shadow] of the TUTU is what men have feared – and they know not its nature – it has simply been whispered out of the ethereal mists and remained unseen in the Realm of Light.

Know that the animal forms given over to minds as “gods” are but shadows of truth of the “gods” who have fragmented our beings as separate and distinct – and at first it had been decreed that the union of the two were to remain separate and distinct – the blending being taboo. This lore has existed concerning those among the Old Ones and Elder Gods that did come down to set themselves upon the “daughters of men” – though it has been written that they “corrupted” the women – we knoweth not the natures and minds of the gods.

What fierce beast waits for us at the Crossing to the Abyss – what monstrous visions will we be forced to behold? What is the nature of the Dweller at the Threshold? And in what names are we to know these by? For after climbing the Ladder of Lights and establishing the whole of the Light – what other motivation can there be except to enter into the Beyond? Perhaps one of the most fundamental of thoughts when considering the Gnosis of the Necronomicon Cycle is the reverberating echo of: “The Power of Man is the Power of the Ancient Ones.”

It has been compared to the Lovecraftian semantics – that the Depths are likened to Cthulhu and the Heights are to Yog-Sothoth. While these names, among others invoked from that mythos, do not necessarily appear one-to-one with specific names on ancient tablets or from classical mythologies. The idea of a system (or belief paradigm) being so restricted as to require a specific verbiage to operate correcting, completely defies the infinitude of magickal ideals and metaphysical mysticism.

The Circle of Stone is a mystical representations of space and time, of course, fragmented space and fragmented time. The number and arrangement of the stones, just like the number of points indicated on a star (significant to a number of stars and not necessarily the point). The elemental entity? The Watchtowers? Yea, they are interconnected to the Four that are One and to the Stones in the physical world raised and named to them.

In the element of Water, Three Stones to SYTH OOLOO
In the element of Fire, Six Stones to SYTH ODOWOGG
In the element of Air, Eight Stones to HRU SYTH
In the element of Earth, Five Stones to SHUGNIGOTH

Necronomicon: Anunnaki Legacy (Silver Edition)

The interpretation of this, as some [OTO, AA] have arrived at, is the close sounds to the Lovecraftian entities, namely:

For those not privy to the methods of old, the ceremonial formula is simple enough: the number of stones are indicative to the energetic current being fragmented and channeled from the whole.

The circle, is as always, a holy mandala of the Universe – the inner circle may be indicative of a transitionary element (e.g. the water gate or sea shells) and the diameter too is usually reflective of the current. The stones are equally spaced and “named” as they are set out or marked (much as in the manner of the shamanic Medicine Wheel) – though all workings can also be done in the astral.

ADDITIONAL NOTES: Lines of Power – forming seemingly “star-glyphs”, run across the surface of the most holy nemeton [mandala] that has been erected by the Stones of the Ancients. They not only form an energetic boundary for the “circle” – but too they cross the surface meeting not only the practitioner in the center, but also sharing the amplified resonance with one another to aid in the building of and channeling of energetic powers. Traditionally the stones [“earth element”] are to be collected by [near] the sea [“water element”] by the light of the full moon [“lunar current”] and the working is sealed with the Incantation of Eridu.

When examining thousands of years of esoteric lore it becomes evident that after love, money and material power, the apocalypse or opening the gates to unleash some primordial force into the world is the next most common effort made by mystics throughout the ages…

…For every magician of order and harmony there is a warlock of chaos and discord. For every divine name or TETRAGRAMMATON there is that coveted unspeakable word said to undue all the systems of the material world: the Uncreation, so to speak. Even hidden in the infrequently touched crevices of Enochian magick and Kabbalistic lore such teachings exist.

Necronomicon: Anunnaki Legacy (Silver Edition)

According to our “Book of Star Gates”[Tablet B] there is a correlation…

…between these Gates and the “Seals of the Apocalypse,” or that is to say the “Armageddon Clock” of humanity that has been set forth…the Earth Planet and local system moves through it’s own initiatory “Ladder of Lights, and the finality of this coincides with the opening of the “Quadrangles,” meaning the Gates of the “Four Corners” of the Universe – to the outside! These Gates do not open all at once but instead “swing wide” gradually over time…

Most practitioners who are drawn to these mysteries are not sympathetic to the destruction and malignant energies manifested by the human population [correctly dubbed by T.H. White as “homo ferox” in his “Book of Merlyn”] on the planet.

It seems to some that the only solution to the protection of the integrity of “the Big Picture”, even beyond the next >> “seven generations” << requires the reincorporation of the original source powers that brought this all into being at its start.

Whether or not this energy can peacefully coincide with the current human systems in place – is the last of our concerns…

The concept of H.P. Lovecraft’s Necronomicon became inseparable from what literary fans and contributors would later call the “Cthulhu Mythos,” which was not really intended as a functional pantheon in itself, but was really a part of a cycle composing Lovecraft’s final works…

CTHULHU first appeared to the public in 1925 (by general consensus), a year after Lovecraft’s marriage. In this new cycle, he sought to give more definite forms to the thoughts and visions that had haunted his life prior. He sought to make sense of the universal reality as it had affected him – as his personal experience has dictated it to be so. Not surprisingly, this cycle of literature was just as sporadic and sparse as his earlier works – one must remember that they were being published as serials in a magazine called Weird Tales, and few of them are book-length as stand alone works.

CALL OF CTHULHU is a short story that debuts the figure that has now become a very familiar name among the left-hand-path, which is to say the “darker” and more “rebellious” aspects of the occult. One really is led to wonder what enlightenment is meant to be gained through the blatant disregard for natural order, preferring the love of chaos. Nonetheless, the darker aspects of the “mythos” are what has attracted the attention. This is not surprising given the retail attention given to such topics. A fluffier book on self-help candle meditation methods using incense and bath soaps has an appeal to lonely housewives, but for those who seek a more antagonistic approach to the “rebellious” nature that results from gleaning the “reality deception,” the system always provides.

CALL OF CTHULHU is essentially a “detective mystery” where-by the rites and activities of a very modern and active “Cthulhu Cult” are unveiled. While the esoteric lore and occult mystery runs deep, just as with any well-established cult in history, the means of enlightenment by “hippie” methods of free love, drunken orgies and the like, certainly leave much to be desired – though many do. Celebration of the lower is hardly a means to the high-er – those who mistake the secret power embedded very intentionally into the “sex gate” will find the experience to be just as physically, emotionally and spiritually disturbing and damaging as any of the other “gates” alluded to throughout the universal NECRONOMICON cycle. This is not to say there is not some validity to the methods – but the human psyche seems to muddle the “sexual” energies, and so it is not a preferred method to instruct in (or at least certainly not at the “neophyte” levels of occult instruction).

What can we say for humans? They were programmed to enjoy fucking so you wouldn’t confuse it with the act of killing – and the emotional charge to try make rational sense of both. If sex wasn’t made to feel good, for at the very least “evolutionary” purposes, the human race would have bred itself out into extinction a long time ago. The race has grown to hate each other, itself and everything “apart” from itself. How dismal, indeed – perhaps Lovecraft had a point or two after all.

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all it contains. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piercing together of dissociated knowledge will open up such terrifying vistas of reality, and our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.”~H.P. Lovecraft, Call of Cthulhu