18.11.2012

In the House of the Hangman 1147

I study the
ringing in my ears / true silence is as elusive as bigfoot / this joke of a night of rest / and plagues
of irregular heartbeats / I’m talking days and nights / the rest of a five year
famine / if white eyeballs bulging out of bogs, lit stethoscopes moving through
pipes, lips hanging from tenements, and 500-watt lightbulbs inside screams are
all playfields in a variation of Sesame
Street’s iconic ‘12’ pinball machine / a Venus Flytrap ravenous for hamburgers,
tornados, marshmallows, the flesh of its own children / all zoom into the
reverse POV of a ghost looking back in on itself, longing to become a part of
the process that systematically destroyed it in the first place.

My face that has
been copied onto thin paper
Sits on the long seat of the subway train, line number 4
And falls into light for the millionth time
My face doesn't even know where its original is
I have already become as faint as faint can be
I draw the route of my next commute
When I return home, I wash my face with a soap named Despise
And erase my face with a face cream called Deface

“Who says that
one person leaves and the other arrives?”

The analyst is
not a master, nor an authority.
She does not tell the analysand what her symptom means or is “really”
saying (given the singular nature of every unconscious, how could she?). She
does not reveal a diagnosis like “hysteric”, “obsessional”, “phobic”, etc in
the clinical setting, alienating her analysand in a generic category. The point
is to discover the singular desire of the analysand, not subsume under a
generic type. Here’s a snippet from an interview with Elizabeth Grosz, to
be published in the inaugural issue of Interstitial
Journal (if you’re interested in submitting, the deadline is December 31,
2012): Q: To begin, you're
often recognized as a feminist materialist, yet materialism, itself, is a hotly
contested theoretical frame, and one whose traditional parameters are being
challenged by new philosophical trajectories, like speculative realism. How has
materialism informed your political and ontological commitments? Moreover, why
do you think new feminist materialism has been so heavily utilized in thinking
through twenty-first century social problems, even beyond feminist research or
women’s studies? A: Materialism is an ontology, one that is often set
up in opposition to the ontology of idealism. I would not call myself a
materialist at all because of how strongly this opposition has figured in the
history of Western thought in framing what materialism is, whether it is
understood in terms of atomism, of physicalism or in terms of dialectics. I am
interested in an understanding of the real or the universe that does not reduce
what is there to matter but is capable of conceptualizing the nuances and
layers of ideality that matter carries within itself. For me, this ontology is
a politics (and an ethics) to the extent that this is the open ground on which
we exist and the forms the horizon of possibility. That is,

Knife loves a knife
It loves in the air like something without feet
The knife that has fallen in love is not a knife
but a magnet …
It looks as if two knives are going to lie down
for a bit with their bodies

in fact the big
bang happens periodically when parallel universes expand too much (too much is
just enough) is absolutely nothing. Limit of C/X=0 when x > infinity

On Saturday, Affleck bested four directors who had all previously won the top DGA honor and gone on to win the Best Director Oscar. It has been a particularly tough awards season for Spielberg, nominated by the DGA for the 11th time with "Lincoln" and a two-time winner for "Schindler's List" in 1994 and "Saving Private Ryan" in 1999. "What an incredible year for movies," said Spielberg.
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Minister assured the panel that the recommendations would be looked into by the government.Former chief minister Ashok Chavan played a major role in the Adarsh scam and misused his official position to grant favours to the housing society, the Central Bureau of Investigation (CBI) said on Monday.
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Dr Peter Fenwick, senior lecturer at King's College, London, consultant at the Institute of Psychiatry, and president of the British branch of The International Association for Near Death Studies, acknowledges that there are deep problems in interpreting first-person memories of experiences that are supposed to have happened when the brain was out of action. Since the lucky survivor can only tell you about them after the event, how can we be sure that these things were perceived and felt at the time that their brains were messed up, rather than being invented afterwards?
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