The Stroll

The Stroll

Like many Belgian artists who grew up during the war,
Roger Raveel pondered the role of painting in this world. He started out around in
his native Machelen, a village on the river Lys, where all was familiar and altogether ordinary.
But even a village will eventually be affected by modernity, albeit in an entirely different way
than the big city. It is this feeling that Raveel wanted to express, without nostalgia or even
sentiment.
A cat steps onto a red spot encircled with black. A green dotted line stops abruptly at a
brook. A man with a mosaic head looks out over the landscape. The viewer sees what he sees, and
perhaps more.
The Stroll is full of pictorial contradictions. It is at once a painting incorporating a
variety of effects and a drawing emphasising the interplay between lines and white areas. The
wooden beam in the left foreground adds a three-dimensional touch to the composition. The scattered
realistic elements are also reminiscent of an assemblage.

DIY

This work shows how Raveel treats elements of rural life differently than his predecessors did.
They used to create what they regarded as finished, autonomous works of art, while Raveel’s
universe is never a finished product. He never offers the viewers an overall picture, but rather
invites them to adopt a position and to fill in the lacunas.