The frequently quoted descriptions of Michael Donaghy as a modern metaphysical may make prospective readers nervous; yet in the main there is nothing ostentatiously intellectual about his work. Rather, the abiding impression is that a poem is a minor fuss worth making.

The Royal Irish Academy’s five-volume history of art is a hugely ambitious project which has been five years in the making and involves two hundred and fifty contributors. Here two of its editors explain its range and place in the development of Irish art history.

A new book on 1914-18 is lavishly illustrated and, without doubt, a rollicking good read. This is military history as entertainment on a scale that we have not seen since, well, since the First World War.

Political journeys are not always one-directional. For some people neither the right nor the liberal left is an entirely satisfying place and it becomes necessary, if one is motivated by a desire for the common good, to endorse values from one and the other.

Ideas certainly played an important role in the intellectual and political ferment that was the French Revolution, but it may be going too far to attempt to separate those ideas into distinct, contending political philosophies to which the main revolutionary figures can be attached.

Books and bookselling have been with us for a couple of thousand years, in which time they have progressed out of the libraries and into bookshops and homes, away from institutions and towards individuals. A great success story, but nearly all stories have an ending.

The German theatre company Schaubühne has toured its surtitled version of Hamlet in a translation which would more be accurately described as a transformation. The interpretation may be daring but the interweaving of meaning and “music” which makes Shakespeare’s language so memorable is lost.

Shifted whole from one language to another, philosophical terms leave behind a rich history of usage, interpretation, and interaction with other terms. To understand them properly we must recover some of that past, working against the grain of the monologic of the monoglot.

How should religious groups interact with the public sphere and attempt to influence policy? Or should they stay out of the political marketplace altogether? The liberal Catholicism of Daniel O’Connell, which emphasised that a right or freedom is a right or freedom for everyone, may provide a model.

Good-humoured, charming, hospitable and gregarious, yet drawn to tragedy. Are the Irish subject to some kind of collective manic depression ‑ lurching wildly from exuberant craic to existential despair? Or is this just the kind of moonshine we like to feed our customers?