‘A series of divertissements followed for the Queen, and again these contained changes from the current programme. Satan’s solo from Job had gone, as had Wayne McGregor’s idiosyncratic Qualia pas de deux…’

‘Apart from the artistic heritage of the ballets themselves — all of them native, made by British choreographers — what this mixed programme offered was a magnificent parade of outstanding dancers in stunning performances.’

‘There was no template for British ballet. No one had used those two words together before. So the fact that, 75 years on, that company’s distinct British take on classical dance is globally recognised and admired is an achievement to toast in style.’

‘The show’s inventiveness and daring impress, yet, significantly, its most affecting sequence is also one of its simplest. A vast, undulating metallic sheet unfurls over the audience; rising and crashing down like an enormous wave, it has a thrilling, elem…

This final week of the Royal Ballet’s Season is devoted to a mixed bill that celebrates the company’s 75th anniversary by featuring work from each decade of its life so far. Rolling back these years … Continue Reading

“There are some stellar moments: Carlos Acosta and Tamara Rojo making time stand still in the balcony scene from Romeo and Juliet, Edward Watson and Leanne Benjamin taut, implacable and sexy in Wayne McGregor’s Qualia.”

Five years ago Tony Hall took over as chief executive of the Royal Opera House. Having just renewed his contract he reflects back on his successes so far.“The ROH has now balanced its books for the seventh… Continue Reading