Paganfire from Quezon City, Philippines, plays on "invoke false metals death's" an old school raw thrash metal attack This records features the two thrash demos "Tasteless Revenge 2004" and "Vehemence Ensue 2006" on one vinyl LP.

Live recording at Joe's Garage - Fort Worth, Texas May 20th, 1989, with songs from the album "Power Metal" and previous unreleased songs for the forthcoming album "Cowboys From Hell". On B Side a medley with special guest Kerry King to play two classic Slayer Songs and a cover of Judas Priest.

These recordings were remastered to be released on black vinyl, limited to 250 copies!

"Seeking Infinity" is a 60-minute cinematic journey through funeral doom landscapes. Those already familiar with the band, will be delighted by its twists and turns, presenting elements of brutal doom death metal and extreme blast beats, and turning with equal ease to ambient sounds, neofolk and post rock elements.

In 1991, Death Metal was at its very peak and two particular bands, both hailing from New York, Cannibal Corpse and Suffocation, established the benchmark for brutality with their respective releases from that year and soon created a wave of imitators in the underground. Paralysis is one of those obscure bands which are always overlooked by some, and for those who choose to look a little bit closer often find a hidden gem in the making. This album despite being their only full length release has very strong tracklists and an overall Death Metal vibe, not so much grindcore in my opinion.

Paramnesia delivers atmospheric and progressive black metal rather uncommon for the European scene. Their music is inspired by Cascadian black metal bands such as Weakling, Leviathan, Fell Voices, Ash Borer, and Yellow Eyes. Although the band started in 2005, their first demo "Ce Que Dit La Bouche d’Ombre" came out in 2013 and was followed by 2 short Euro tours that same year. A true sensibility, an innate feeling for arrangements, atmospheres which can be both solemn and at times personal, an enthralling musical universe, an atypical and unique sound, and a proactive band are all qualities that make Paramnesia a no brainer.

Patronymicon was started in 2008 by N.sadist. The intent was to create straightforward cold and hateful black metal. During the first two years it was a one man project and N.sadist spent his time writing and recording preproductions. In early 2010 Patronymicon finally entered the studio to create what was going to be the first official demo Coldborn. At the end of 2010 Patronymicon sings with Blackcrowned records to release the bands debut album. In 2013 Carnal Records released the All daggers Towards the sky.

Second compilation of demos and rehearsal recordings between 1971 and 1976. Pentagram the legendary D.C. band has been committed to the dark arts for more than forty-five years, and has only recently seen the kind of recognition its legacy deserves. Though the band has released nine influential full-lengths over the course of its career, Pentagram's most popular and influential material since it's Relapse resurrection 15 years ago can be found in First Daze Here, a collection of the band's earliest works that has been out-of-print for years.

At long last, American black/death barbarians PERDITION TEMPLE release their highly anticipated second album, The Tempter's Victorious. The Tempter's Victorious follows PERDITION TEMPLE's celebrated debut album, Edict of the Antichrist Elect, from 2010. Though many years have passed, the (hell)fire stills burns brightly in the PERDITION TEMPLE, and The Tempter's Victorious sees the band perfecting their militant, malevolent brand of blackened death metal. However, band founder/scene veteran Gene Palubicki is joined by an elite cadre of new members here, including his old AngelCorpse guitar foil Bill Taylor (also of Immolation) and, on vocals, Black Witchery's intimidating Impurath. Together, the revitalized quintet peal off one surging, contorting attack after another, their crush chaotic yet controlled, making The Tempter's Victorious a swift eight-track tornado. Finally, The Tempter's Victorious!

Comes with a large poster of the cover artwork and a lyrics insert. Pressed on colored vinyl (this), black vinyl and 111 picture discs.

The Best Old School Death Metal album from the Netherlands gets a well-deserved re-issue! Crushing, aggressive, abrasive, pounding, bone crunching...
In an age when blast speed drums were still mostly used by grindcore acts and now classic bands such as Cannibal Corpse, Suffocation, Deicide were still tiny demo acts, Dutch masters Pestilence released one of the best old school Dutch death metal classics ever to be unleashed upon mankind, the album that made a huge impact upon its release.
"Consuming Impulse" is one intense album. one could say this album is definitely up there with classic death metal albums such as Death’s "Leprosy", Obituary’s "Slowly We Rot", and Morbid Angel’s "Altars of Madness".

Dutch Death Metal legends Pestilence are back!
The start of Pestilence took place in the area of the Dutch/German border in 1986 and Pestilence started as a 3-piece Thrash Metal band. Pestilence released their debut album, "Malleus Maleficarum", in 1988, further refining their approach to thrash metal, and becoming leading in the genre, being seen as one of the most intense and brutal bands. In 1989 released their second album, "Consuming Impulse", a big turn towards the then buzzing Death Metal scene. With its release, Pestilence gained international attention and became highly regarded worldwide by death metal fans. So while recording their third album "Testimony of the Ancients", they enlisted bassist Tony Choy, who at the time was playing with the technical death metal band Cynic and Patrick Mameli took over the vocal duties and released the classic Death Metal album "Testimony of the Ancients". The band’s fourth album, "Spheres" was released in 1993. Pestilence started to mix jazz fusion elements into their Death Metal style, and used guitar synths throughout the album. Looking back it was just too far ahead of its time. So after a short period of time, the band unanimously decided to split up, feeling they had reached their creative climax.

In September 1988 when Malleus Maleficarum was released, Death's Leprosy had only been out for a month and Morbid Angel didn't have an album out yet, these were quite early days for Death Metal. Pestilence is clearly a death metal band, "Malleus Maleficarum" is full of thrash metal influences. Make no mistake though, the thrash played here is extreme in the vein of Possessed and early Death with harmonies reminiscent of Metallica. The music on the album has little to do with the groovy thrash that was played around at that time.

After one of the most succesfull years in their already more than impressive career Pestilence announces a final release for 2018... and what a release this will be! Under the name "Prophetic Revelations 1987-1993" Pestilence present you a killer boxed-set of their first four legendary albums as 180 grams Picture-LP's, in a high quality box, with some more extra's added.

Deluxe Picture-LP Boxset from Pestilence! This will be a one-time limited release of 1000 copies worldwide.

The 4th album by Dutch Death Metal legends Pestilence gets a well deserved re-issue!
"Spheres", the fourth and final album by the original lineup of Dutch death metal legends Pestilence, is one of the most criminally misunderstood and underrated albums in the history of extreme metal. Largely reviled at the time of release, the bad reaction was demoralizing enough for mainman Patrick Mameli to split up the band and keep it on ice for around fifteen years. In the typical fashion of idiot trendy music journalists and fickle metal listeners to not recognize something groundbreaking for what it is until well after the fact, "Spheres" has been given something of a critical re-appraisal the last few years. One could actually claim it is a a direct source of inspiration for many progressive extreme Metal band these days.

An iconic landmark album within Death Metal. "Testinomy of the Ancients" gets the well-deserved reissue!
Two years after releasing one of the best death metal albums ever to surface from The Netherlands, Pestilence hit jackpot again with their 1991
album "Testimony Of The Ancients". The biggest differences with their previous effort "Consuming Impulse" are simple: The production is more
clean, short intermezzos between all the songs, the average pace is lower and Patrick Mameli has taken over lead vocals.
Pestilence has had a well-deserved place in the first wave death metal elite, mentioned in one breath with the likes of Death, Sepultura, Cynic,
Atheist and the likes. Rightly so, because their progression up untill this album is comparable to, say, Carcass. With every album they developed
their sound so no release sounds alike but still stays Pestilence undeniably.

Phantom was a Power/Speed Metal band from New York who released three albums in the late 80's and beginning of the 90's: Dead or Alive, Phantom and Cyberchrist. The band relied on a sound that drank from the fountain of Vicious Rumors, Riot V, Metal Church and such, with fast riffs and high-pitched vocals. Their first two albums are a little bit weak in terms of production and performance, but Cyberchrist is far superior to both, showcasing fast, angry Speed Metal riffs, a great performance from "Falcon" Eddie Green on vocals, good production, solid drumming and simple but fun lyrics that are catchy and will definitely stick in your head for a while. The album is an ode to the USPM scene. It starts by kicking you in the nuts with the fast "Well of Souls", a hymn for every Power Metal fan out there and a perfect example of what to expect for the rest of the ride. "Six Feet Under" and "Graveyard Shift" keep up the fast pace, while "Blind Man's Sight" and "Big Daddy" offer a slower approach and a great change in the construction of the album. All the other songs are equally as great, and there are no ballads here, just punch after punch of fast and heavy quality music.

Official release of the legendary "Into the Abyss" demo plus lots of other cruel songs from 1984-1987. POISON were probably the most extreme German Black Thrash Metal band in their time. The Cult is Alive.... New updated version, after lots of requests from Metal maniacs worldwide. Matt thick LP sleeve with silver print, printed inlay.

Sensational Finnish goth metal masters Poisonblack featuring former Sentenced-vocalist Ville Laihiala are back with a vengeance! Poisonblack once again threw themselves into the abyss to create gloomy, literally dead heavy songs that are exceptionally personal and heart-felt.

"Outre" sees Portal take their adhering style of surreal demented bizarre death metal (although Portal really transcend such a term these days, especially in this day in age where most bands that pass as "death metal" present a feeble display, far from what true horrifying death metal should encompass) and take it to a much more disturbing paradigm, than was found on the band's monumental "Seepia" observation.

Standard black vinyl comes in a gatefold cover (printed with copper ink on black) with re-worked layout (under the bands supervision) and an exclusive audio mastering for this LP pressing only. The original cover artwork is featured inside of the gatefold cover.

A vision of utter horror, 'Seepia' is perhaps one of the most unique and intimidating albums ever conceived. Depraved, artsy and morally-impaired, through a twisted mindfuck of oppressive histrionics and the class of classic avant-garde cinema, Portal portrays theatrical musical dementia through a death metal lens.

The latest work of death metal psychosis from Australia's Portal, úSwarthî is the death metal release that invokes the end of the world and is Portal_s most surreal, disturbing, and irregular offering to date.

Swamp green/beer marbled vinyl with laser etched artwork on side D. Comes with a 16-page LP size booklet in a gatefold cover.

Possessed’s Demo 1991 for the very first time on vinyl with a handful of bonus tracks that were completely unreleased and never heard before. This record is focused on the line-up featuring Bob Yost (RIP) of Desecration and it’s hands down some of the fastest and heaviest Possessed stuff ever recorded. Desecration’s side includes the early demos ("Psycho" and "Cowboys in bondage") and some unreleased studio outtakes, recorded from 1985 to 1986.. all this for the first time on vinyl.

Primordial’s strong debut has obviously been done with nostalgic empathy for this back then truly avant-garde music and is surely worth its money if you’re not familiar with this classic record of Irish pagan metal so far.

This is NOT the new PROFANATICA album, but rather an intriguing 39-minute DOUBLE 12" MLP recorded in two distinct studio sessions. Both records feature a laser etching around the outer rim on all 4 sides and come in silkscreened picture disc sleeves housed in a matte finish jacket with UV spot gloss.

After their successful return with “Reanimated Homunculus”, Protector now deliver their second full-length album of the not-so-new millennium.
What can fans of Protector expect from the new LP? Martin Missy tells a bit about “Cursed and Coronated”, which contains a nice surprise for everyone familiar with the Protector back catalogue: “On ‘Cursed and Coronated’ there is a song with the same title. The lyrics to this song are about Urm the Mad, who people might know from our 1989-album – this is so to say the return of Urm the Mad!”
About the last Protector album Martin said that the band “wanted an 80’s Thrash metal sound, and I hope we have succeeded with that.” Judging from the reviews “Reanimated Homunculus” got, a lot of people out there think they definitely have achieved this. Now what were the band’s goals for the new record? Has it been forged in the same furnace as the “Reanimated Homunculus”?
“Definitely! We keep the ‘Protector boat’ sailing steadily on the seas of Thrash Metal, with some visits to ‘Death Metal Island’. I think that fans who liked ‘Reanimated Homunculus’ will like ‘Cursed and Coronated’ as well.”

German-rooted and now Sweden-based thrash metal veterans Protector have made their successful comeback with two marvellous releases, "Reanimated Homunculus" from 2013 and "Cursed and Coronated" from 2016. With “Live '89”, Protector are now looking back into their own glorious past, presenting their fans and followers with a new offering from the good old days in the late 80s.
"Live '89" was recorded on the 27th of November 1989 at Tor 3 in Düsseldorf, where Protector shared the stage with Rage, Risk, Mona Liza Overdrive and Pink Cream 69 that night.
This show was and is special for a particular reason: It was Protector’s last live appearance with the original Protector line-up (give or take Michael Schnabel, who had only played with Protector in 1986) and with original singer Martin Missy. Shortly after having played in Düsseldorf, Missy left the band and was replaced by new vocalist Olly Wiebel. The plan had been to release the live album right after it had been recorded, but when Missy was out of the band, the whole thing was sacked. Luckily, the recordings have somehow made it into the present and are now out on vinyl for the very first time.

Teutonic Thrash veterans Protector's new album completes what one can only describe as a classical hat-trick. After a glorious return to original form on "Reanimated Homunculus" with a wholly new line-up and its successor "Cursed and Coronated", Martin Missy and company again hit the proverbial bull's eye with "Summon the Hordes", an epitome of consolidation and rejuvenation at once.

Await the triumphant return of the German death metal plague PURGATORY with their 6th assault "Necromantaeon"! Be prepared for nameless horrors from the blackened abyss, a morbid incantation of pure blasphemy, the soundtrack for the end of men!

Puteraeon are a death metal band from Sweden and this is their latest EP. Five new tracks of the finest Oldschool Swedish Occult Death Metal!
Lock up your entrails and close your eyes, as much horror and death this way stalks.