Monday, July 28, 2014

The Verge takes a look at some of the interesting work being done by statistical physicists Ralph Kenna and Pádraig Mac Carron on medieval sources. Using their background in understanding connections, they examined works such as the Táin Bó Cúailnge to learn more about the relationships between the characters found in its pages.

What Kenna and Mac Carron found was that the epics fell between the real networks and the fictional ones. The network in The Iliad is relatively realistic, and Beowulf's also has realistic aspects, with the exception of the connections to Beowulf himself. That chimed with the idea from the humanities that he, unlike some others in the story, may not have existed. The Táin's network was more artificial. Interestingly, however, they found that a lot of the Táin's unreality was concentrated in just a few, grotesquely over-connected characters. When they theorized that some of those characters might actually be amalgams — for instance, that some of the times the queen of Connacht is said to speak to someone, it might be a messenger speaking for her instead — the network began to look more realistic. At least from a social network perspective, perhaps the Táin is not as fantastical as its reputation would suggest, the researchers proposed. That doesn't mean the events really happened, or that the people are real. But it raises the question of why the network looks the way it does.

In First Things, Dale M. Coulter takes a look at the life and influence of Jacques le Goff, who passed away earlier this year. He notes that:

Le Goff sought to help Europeans recognize themselves as still connected by the cultural fabric of a common medieval civilization. Along with his fellow members of the Annales school, he also strengthened the case for the long Middle Ages, extending them all the way to the mid-nineteenth century. Le Goff’s body of work, then, stands as a challenge to historians who argue for the Italian Renaissance and Reformation as a break that unleashed a series of forces, intended or not, ultimately leading to the current social imaginary.

The Australian Broadcasting Corporation’s Radio National network offers a look at the world of competitive jousting at an event taking place just outside Sydney. One of the competitors, L. Dale Walter explains how dangerous this sport can be:

"I broke my back in 2011 jumping off my horse when he was slipping in the mud and falling at the end of a list. We came in, I went to pull him up, it was slippery, he started to fall, and I had two pictures in my head: one him falling across my leg, which would shatter my leg, and more scary to me, him falling with his legs crossed, which would shatter his leg."

In an article about the upcoming changes to the comic book character Thor, Russell Smith of The Globe and Mail shows that he knows a few things about medieval literature:

I say the original King Arthur rules, and I have no tolerance for a politically correct “modernization” of the story. Everybody knows there was no Sir Lancelot or Holy Grail in the original King Arthur story, as told by Geoffrey of Monmouth in Historia Regum Britanniae in the early 12th century. Lancelot and the Grail were rudely added by Chrétien de Troyes 50 or 60 years later, around 1180. Are we really going to tolerate some French upstart turning King Arthur from a warrior into some kind of romantic soap-opera star just because it suited the spirit of the times?

Wednesday, July 23, 2014

Deborah Harkness, professor of history at the University of Southern California, has just published the final novel in her All Souls Trilogy. It follows the story of Diana Bishop, a historian and modern-day witch, Matthew Clairmont, a 1500-year-old vampire, and an enchanted manuscript at Oxford University's Bodleian Library.

Thursday, July 17, 2014

For those living in North America who were envious of the British Museum's recent exhibition on Vikings, there is now an exhibition under way at the Royal BC Museum in Victoria, British Columbia. Vikings: Lives Beyond the Legends features over 500 artifacts. It will be on display until November 11th.

Tuesday, July 01, 2014

The famous Bayeux Tapestry ends with the defeat of King Harold's army and the flight of the Anglo-Saxon soldiers. However, most scholars believe that the original tapestry would have ended with the coronation of William the Conqueror.

Now, a community project from the British island of Alderney has recreated the missing piece of the Bayeux Tapestry. It depicts several scenes that they believe would have been in the original tapestry, including a scene where William is crowned on Christmas Day, 1066.

Professor Robert Bartlett of the University of St.Andrews tells the BBC: "It has often been pointed out that the opening of the tapestry has a figure of King Edward the Confessor enthroned, and that around the middle point of the tapestry there is an image of William's enemy Harold enthroned.

"It would be a neat symmetry and make perfect sense of the story if the end of the tapestry had showed the victorious William enthroned, which is what the Alderney team have chosen to do. The other 'new' scenes are more speculative, but they are modelled on scenes earlier in the tapestry so look convincing."

The recreation is now being displayed next to the original at the Bayeux Tapestry Museum in France - the exhibition will run until August 31st.