Ive been working in and around transdisciplinary practice for the last twenty years now, and have found it to be a fertile and stimulating ground both for those working consistently within it or just passing through, Ive just noticed that only recently has it started to become fashionable.

With a background in architectural design, followed by research in architectural history, and then a period teaching public art and writing art criticism, my research has tended to focus on transdisciplinary meeting points  between feminist theory and architectural history, conceptual art practice and architectural design, art criticism and autobiographical writing  through individual and collaborative research projects.1