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Simon and Garfunkel Biography

BIG NEWS!!!

Simon And Garfunkel Plan New Tour

NEW YORK (VIP-NEWS) -- Simon and Garfunkel are planning to tour together for the first time in five years, Art Garfunkel has said.

The singer revealed the plans five days after making a surprise appearance at a Paul Simon concert in New York where the pair performed three songs.

Our plan to work together is coming together but it doesn't go through England this time, he told BBC News.

Garfunkel, 67, would not confirm if the tour would be in the US. The duo last toured together in 2003 and 2004.

Their 2003 concerts marked their first US tour in 20 years.

On Friday night, Simon and Garfunkel performed together to rapturous applause at a concert to mark the reopening the Beacon Theater after refurbishment.

Worldwide success

Simon was joined on stage at the end of his concert by Garfunkel for the last three songs of the night - The Sounds of Silence, The Boxer and Old Friends.

Garfunkel, who performed solo shows in Florida on Thursday and Saturday nights, said: It had a real reaction - it was extraordinary.

It was extraordinary so I squeezed that in and did a lot of running around in the last week. Just a hell of a knockout of a reaction.

I said to the audience, 'you don't have a right to expect - and we didn't expect - that the interest in us would last and you would still care right to today and I'm touched'.

Simon and Garfunkel had worldwide success with songs including Bridge Over Troubled Water, Mrs Robinson and Scarborough Fair.

The duo have famously fallen out on a number of occasions since they first made music together as school friends in New York in the 1950s.

They split up in 1970, reuniting in 1981 for an open-air concert in New York's Central Park.

The pair did not play together again until 1993, when they got together for a series of concerts in New York.

They reunited at the Grammys in 2003 - their first public performance in 10 years - where they played The Sounds of Silence and were presented with a lifetime achievement award.

That led to their US tour of 2003 and a further string of dates, including some in Europe, the following year. According to BBC

The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic, and electric guitars; and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum, and were sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s. But the best of S&G's work can stand among Simon's best material, and the duo did progress musically over the course of their five albums, moving from basic folk-rock productions into Latin rhythms and gospel-influenced arrangements that foreshadowed Simon's eclecticism on his solo albums.
Simon & Garfunkel's recording history actually predated their first mid-'60s hit by almost a decade. Childhood friends while growing up together in Forest Hills, NY, they began making records in 1957, performing (and often writing their own material) in something of a juvenile Everly Brothers style. Calling themselves Tom & Jerry, their first single, Hey Schoolgirl, actually made the Top 50, but a series of follow-ups went nowhere. The duo split up, and Simon continued to struggle to make it in the music business as a songwriter and occasional performer, sometimes using the names of Jerry Landis or Tico & the Triumphs.
By the early '60s, both Simon and Garfunkel were coming under the influence of folk music. When they reteamed, it was as a folk duo, though Simon's pop roots would serve the act well in their material's synthesis of folk and pop influences. Signing to Columbia, they recorded an initially unsuccessful acoustic debut (as Simon & Garfunkel, not Tom & Jerry) in 1964, Wednesday Morning, 3 A.M. They again went their separate ways, Simon moving to England, where he played the folk circuit and recorded an obscure solo album.
The Simon & Garfunkel story might have ended there, except for a brainstorm of their producer, Tom Wilson (who also produced several of Bob Dylan's early albums). Folk-rock was taking off in 1965, and Wilson, who had helped Dylan electrify his sound, took the strongest track from S&G's debut, Sounds of Silence, and embellished it with electric guitars, bass, and drums. It got to number one in early 1966, giving the duo the impetus to reunite and make a serious go at a recording career, Simon returning from the U.K. to the U.S. In 1966 and 1967, they were regular visitors to the pop charts with some of the best folk-rock of the era, including Homeward Bound, I Am a Rock, and A Hazy Shade of Winter.
Simon & Garfunkel's early albums were erratic, but they steadily improved as Simon sharpened his songwriting, and as the duo became more comfortable and adventurous in the studio. Their execution was so clean and tasteful that it cost them some hipness points during the psychedelic era, which was a bit silly. They were far from the raunchiest thing going, but managed to pull off the nifty feat of appealing to varying segments of the pop and rock audience -- and various age groups, not just limited to adolescents -- without compromising their music. Parsley, Sage, Rosemary and Thyme (late 1966) was their first really consistent album; Bookends (1968), which actually blended previously released singles with some new material, reflected their growing maturity. One of its songs, Mrs. Robinson, became one of the biggest singles of the late '60s after it was prominently featured in one of the best films of the period, The Graduate (which also had other Simon & Garfunkel songs on the soundtrack).
It was unsurprising, in retrospect, that the duo's partnership began to weaken in the late '60s. They had known each other most of their lives, and been performing together for over a decade. Simon began to feel constrained by the limits of working with the same collaborator; Garfunkel, who wrote virtually none of the material, felt overshadowed by the songwriting talents of Simon, though Garfunkel's high tenor was crucial to their appeal. They started to record some of their contributions separately in the studio, and barely played live at all in 1969, as Garfunkel began to pursue an acting career.
Their final studio album, Bridge Over Troubled Waters, was an enormous hit, topping the charts for ten weeks, and containing four hit singles (the title track, The Boxer, Cecilia, and El Condor Pasa ). It was certainly their most musically ambitious, with Bridge Over Troubled Waters and The Boxer employing thundering drums and tasteful orchestration, and Cecilia marking one of Simon's first forays into South American rhythms. It also caught the confused, reflective tenor of the times better than almost any other popular release of 1970.
That would be their last album of new material. Although they didn't necessarily intend to break up at the time, the break from recording eventually became permanent; as Simon began a solo career that brought him as much success as the S&G outings, and Garfunkel pursued simultaneous acting and recording careers. They did reunite in 1975 for a Top Ten single, My Little Town, and periodically performed together since without ever coming close to generating albums of new material. A 1981 concert in New York's Central Park attracted half a million fans, and was commemorated with a live album; they also toured in the early '80s, but a planned studio album was canceled due to artistic differences. ~ Richie Unterberger, All Music Guide
Written by Richie Unterberger

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