The Cure for Tabanca

Tabanca is love gone bad, or so they say. The only cure I know of is this: knowing that there are two ends. The first “end” is the ending that causes the pain I feel right now. It is inevitable, always happening or about to happen. As certain as death, my human frailty, once recognized, will betray me (and others). Every character trait has a finite quality that will fall short of whatever expectations I set for them.

The second “end” is the end of my pain, which no person can ease until it has run its course and done what it is meant to do. Whether I think of it as a poison or an elixir, I should know that what I feel is not the absence of the other, but my own, unavoidable, presence. Not the inarticulable hurt that seems to herald these bouts of maddening loss, nor the fact that I have always been a little mad, but the unsatisfying truth that I am who I am. Not the selective remembering that defines my grief and heartbreak, but the unmistakeable beating of a heart I’ve learned to ignore, caught up as I’ve been in other sounds, other noises, bodies, mouths, eyes, tongues, words. And while I may have played at exploring the anatomy of love, I cannot escape my heart–the thing beating [within] me. It is always with me. This is why we sometimes feel like we want to die, that we will die–either because of the pain, or to escape it. So strong is the idea that this pain must subside, then disappear, that I forget that I am the source of what I feel. And while I may feel as though I want the end to come, my pain is proof that I’m not yet ready to let go. I still feel. It is a frailty that (like all other things about myself) I must accept.

The end, in this sense, is both teleological and ontological–or, more accurately, the purpose and possible outcome (telos) of my experience is the rediscovery of my damaged, dormant, and muted self (ontos). That is the lesson, a lesson that I’ve sought to understand without taking the time to question. It is also a fact, one I’ve pretended to forget: by shifting my attentions from myself to another, I’ve only changed the direction of those attentions, not their source or their quality. And though it may be tempting to suggest that how badly I feel is a direct result of how deeply I’ve loved, the opposite may be more accurate. That is, how badly I feel is a direct result of how badly I’ve loved–and how well. Pain is pain, no matter the cause.

But since we know that our capacity for denial is the inevitable precursor to Tabanca–a symptom, if you like–then reflection may be viewed as treatment. Recognition is your recovery. Acceptance, in this vein, is the cure. But all this denial says is that you’ve been misdiagnosed. Love gone bad was never love to begin with, only a placebo that has expired, leaving you with little choice but to withdraw. That withdrawal is nothing more than a painful return to a state you never really left: yourself.

Then I think of something pithy to say, to mask the fact that I’m as disappointing as I am disappointed. Failing to do that, I choose a kind of silence.