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Author: Rebecca M. BrownPublisher: John Wiley & SonsISBN: 1444396323Size: 65.58 MBFormat: PDF, ePub, DocsView: 1666Download and Read
A Companion to Asian Art and Architecture presents acollection of 26 original essays from top scholars in the fieldthat explore and critically examine various aspects of Asian artand architectural history. Brings together top international scholars of Asian art andarchitecture Represents the current state of the field while highlightingthe wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions oftenoverlooked in a field that is often defined asIndia-China-Japan Explores the influences on Asian art of global and colonialinteractions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperialcommissions, ancient tombs, gardens, monastic spaces, performances,and pilgrimages.

Author: Tom McNultyPublisher: McFarlandISBN: 1476613974Size: 14.45 MBFormat: PDF, DocsView: 418Download and Read
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.

Author: Toshie M. EvansPublisher: Greenwood Publishing GroupISBN: 9780313287411Size: 21.99 MBFormat: PDF, ePub, MobiView: 925Download and Read
Defines and illustrates the usage of hundreds of words borrowed from Japanese and now used in English-language publications.

Author: David CarrierPublisher: Penn State PressISBN: 0271036060Size: 61.77 MBFormat: PDF, ePub, MobiView: 966Download and Read
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.

Author: James ElkinsPublisher: Psychology PressISBN: 9780415939430Size: 55.91 MBFormat: PDF, KindleView: 5638Download and Read
In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art history usually avoids.

Author: Sherman E. LeePublisher: Prentice Hall PressISBN: 9780131833661Size: 35.52 MBFormat: PDF, MobiView: 3075Download and Read
Sherman E. Lee's A History of Far Eastern Art, for decades regarded as the premier compendium of the visual arts of Asia, is the only book of its scope in English -- a one-volume account that covers art from the Indus River to Japan and Java between the fifth millennium B.C.E. and 1850 C.E. It offers a clear and comprehensive study of the three major artistic traditions of Asia -- Indian, Chinese, and Japanese -- as well as a cogent overview of their interrelationships and their influences on, and from, the neighboring traditions of Southeast Asia and Indonesia, Central Asia, and Korea. Copious illustrations reveal the evolution of styles and artistic traditions, providing in themselves an unrivaled panorama of Asian achievement in art. This new edition of A History of Far Eastern Art takes full account of the astonishing recent archaeological discoveries, as these have confirmed, modified, or overturned previous interpretations. Many of these new finds are included among the hundreds of reproductions.

Author: Max MarmorPublisher: Amer Library AssnISBN:Size: 46.25 MBFormat: PDF, ePub, DocsView: 5045Download and Read
Among the most engaging genres of scholarly literature, art history and architecture history publications appeal to the eye as well as the intellect. In the late 20th century the literature of art history has been documented by two standard reference bibliographies published by the American Library Association: Mary Chamberlin's Guide to Art Reference Books (ALA 1959), and Guide to the Literature of Art History by Etta Arntzen and Robert Rainwater (ALA Editions, 1980). Now, a new supplementary volume, Guide to the Literature of Art History 2 (ALA Editions, 2004) has arrived to record and annotate the best art and architecture books and journals published worldwide in the last two decades of the 20th century. supplement its predecessor by recording important publications produced primarily in western languages. Adopting the chapter and numbering system of the first volume, GLAH 2 will help art scholars keep abreast of more recent publications in art and architectural history. An expert team of 24 contributors has come together with editors Max Marmor and Alex Ross to produce this significant work, featuring new titles, volumes, editions, and reprints, while providing ample cross referencing to GLAH 1. and Cultural Heritage, which covers the literature of art preservation and art law. Librarians and scholars will welcome the new collection development information, including: The best electronic art and architectural history sources. Cumulative 40-year bibliography of art history literature, with GLAH 1. Critical selection of nearly all literature in art history, primarily in Western European languages, since 1977. Resources for art historians outside their areas of specialization. architectural literature for the last two decades of the 20th century, Guide to the Literature of Art History 2 is the authoritative, must-have resource for all art history students, institutions, and agencies.

Author: Corinne Debaine-FrancfortPublisher: Harry N Abrams IncorporatedISBN:Size: 62.32 MBFormat: PDF, KindleView: 7214Download and Read
Covers the history of archaeology in China discussing many of the explorers who have uncovered long-buried secrets and treasures.

Author: Mary M. DusenburyPublisher: Hudson HillsISBN: 9781555952389Size: 27.92 MBFormat: PDF, ePub, MobiView: 5392Download and Read
Written for both specialist and general audiences, this stunning volume places new research within a comprehensive socio-historic context, including information on technique, production, iconography, function, patronage, and trade. Five maps, a glossary

Author: Vishakha N. DesaiPublisher: Clark Art InstituteISBN: 9780300125535Size: 65.83 MBFormat: PDF, MobiView: 2089Download and Read
With essays by Frederick M. Asher, Melissa Chiu, John Clark, Gao Shiming, Yukio Lippit, Saloni Mathur, Kaja M. McGowan, Rana Mitter, Alexandra Munroe, Jerome Silbergeld, Kavita Singh, Nancy S. Steinhardt, Akira Takagishi, and Gennifer Weisenfeld Since its beginnings in the early 1900s, the study of Asian art has dramatically changed and has constantly been shaped by shifting world politics. Asian Art History in the Twenty-First Century explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by fourteen leading authors specializing in Chinese, East Asian, Indian, and Japanese art history. They consider what is meant by the term "Asian art"; how it is manifested in museums, exhibitions, and galleries; and how it should be understood in relation to shifting geopolitics. Among the many fascinating topics discussed are the Zen portrait in medieval Japan, the influence of Asian art on American art, and public art and memory of war in contemporary China. The authors also consider what new theoretical structures must be created to suit the realities of the twenty-first century and Asian art today.

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