Just when you thought it was safe to go back into the theatre!
We don't have to see a film to write a review.

Oscar and LucindaTITANIC UNSINKABLE? Yes, indeed!And so big it needs a page of it's own!The English Patient...Is
there a doctor in the house?Hamlet Kenny B
style! Question is, is he as *bad as he wanna be* And can he stand the action figure test?Looking For
Richard ...Al seeks him here. Al seeks him there!Angel Baby, it ain't
Shine!Evita Don't Cry for
Andrew Lloyd Webber. He's still got his moneySome Mother's SonSave
your tears for this oneLove Jones Hark! Another love story! No blood, no violence and NO SPAM! Not to mention very few people you've ever heard of! That's okay, because they still loved it at Sundance!CONTACT It's a bird! It's a plane! It's much ado about nothing!

"The English Patient"

The English Patient's heated passion is like a pot of tea left under
a tea cozy for just the right amount of time on a Saturday afternoon in
Sussex. Fiennes as the Hungarian Count Almasy reminds one of a Hungry Man Swanson dinner, big, inviting and filled with meat. Juliette Binoche gives us a Hana so ethereal as to remind one of cotton candy at a circus where the bigtop has tragically burned to the ground. Willem DeFoe, thumbless as a pre-evolutionary creature that has just crawled from the muck, startles, yet reassures. Kristin Scott Thomas, a woman of three names, plays Katherine like a cool corpse on a hot summers day.

All in all, The English Patient is like a plane with a full tank of gas flying over the desert by moonlight.

As we know, the devil is in the details and the details of The English Patient are as finely crafted as a bone china teacup. In what will undoubtedly become known as THE bathtub scene with Fiennes and Scott-Thomas, we can see the shimmering surface of the water ripple, just like the shimmering lives of these two characters as they come togther in a volcanic eruption of passion. You will swear that you can see the lava flow. The relationship of Hana and Kip, is more subdued. Where Katherine and Almasy are like a volcanic eruption, Hana and Kip are a bicycle ride through a summer field of wildflowers, fresh and beautiful, though in the end you might sneeze from the scent. Of course there still is the brooding image of the thumbless Caravaggio, who stands like a butcher with bad aim. A man who has missed the chop, only to dethumb himself, left alone to watch the action, knowing the tragic end that awaits the two pairs of lovers.

In the end you will laugh, you will weep, you will decry the injustice of the world and thrill to the sights of doomed lovers in The English Patient.

And now for the moment you've been waiting for. The Really Important Films rating of The English Patient. Now that the review has been written I went to see the film, twice and after the second viewing have decided to give it:

Four out of Four Camels and I actually saw this film more than once! The English Patient is a movie that will satisfy for the long haul. Go see it.

Why does Al Pacino go looking for Richard? Like Branagh's struggle with Hamlet, Pacino battles his Richard III! Maybe this search is to help Pacino find out why he faired so poorly in the Broadway version of Richard III.
Was he intimidated by Shakespeare or did he buy into the rumour that Americans just can't do Shakespeare?

Pacino maintains a "homeboy" charm as he hits the streets of New York and London. Donning his baseball cap(worn fashionably backwards) to find out what the everyday person thinks of
Shakespeare and why we find it so complicated to read and understand Shakespeare.

"Looking for Richard" serves to disspel the nasty and nagging rumour that American actors just can't do Shakespeare! (Well, maybe not all American actors, anyway). He interviews accomplished American and British actors who have wrestled with Shakespeare.
Kenneth Branagh, Kevin Kline, and Vanessa Redgrave admitted to having a bit of rowl
with Shakespeare! Then of course, there's Sir John Gielgud who would have us believe he never broke a sweat over Shakespeare! According to Sir John, Americans struggle with Shakespeare, because we don't read enough!
I may have to give him a brownie point on that one!

On Pacino's journey to find Richard he gets around to talking to *the experts* on both sides of the Atlantic. Some argue that it's not all that important that you understand the *language*, but you should at least have an idea of what's going on in the plays. Hello! Call me a spoiler, but I'd still like
to have an idea when Richard is telling whomever to *bugger-off* at a precise moment. It would certainly set the tone for the scene! What some of us might need is a translator and we'll set to go! Of course there are the pesty little historians who give explainations as complicated as some of the Bard's works! Blah, blah, blah. Why even Pacino had to scratch his head a couple of times!

The production crew take a trip to Shakespeare's place of birth (the actual birthing chamber) for inspiration. Pacino and his co-producer proceed to set off the smoke detectors in the room and are asked to leave!
It whole scene is quite funny! We see rehearsals back in the States for what will be the *stage* version of Richard III. The rehearsal scenes between the actors are wonderful. Castmembers discuss their respective characters and their interactions and reactions with and to other characters. Sometimes the discussion get quite heated. The rehearsals and street interviews scenes are interestingly woven in with footage of the play.

The documentary does manage cut to the chase, Richard! *His story*; his motivation; his sometimes bloody use and malnipulation of events and people around him. Many would believe that because of Richard's physical malady he should by all rights be a self-loathing man, he is not. At least if he is, he's not letting anyone know it. Where he may be twisted in body, he makes up for in twisted but shrewd intellect, timing, and loathing of those around him. I never quite pity Richard until the very end, when he finds himself alone on the battle mornfully uttering the famous words "A horse. A horse. My kingdom for a horse". Does he value his life over his hard fought for kingdom? By the time the play is done with him, we know if he had gotten that horse, he would been back for the his kingdom, another horse, and the whole shabang! Face it, Richard would have made a killing in the corporate and political world of the 1990's!

One lesson learned is that Richard III is the most performed of all Shakespeare plays! More than *Hamlet* you ask? Yep! I never knew that myself and I took Shakespearian literature in college. What *Looking for Richard* proves that one can never know too much about Shakespeare. Or can one? This is always something to be learned. God knows, I got more out of this film, then I got out of that lit class!

Does Al ever find Richard? My guess is that he doesn't really, not in the professional sense anyway, but he does battle quite well against his demon! Pacino does a great job at this self-directed and produced documentary film on Richard III. The street interviews are fun to watch and the editing is superb!

Would I run out to see Pacino in Shakespeare? Nay! Of course, if he's wearing his baseball cap (worn fashionably backwards) and allowed to do it in his
Bronx accent, I might be persuaded! Otherwise, in the words of a friend he's *too contemporary* for traditional Shakespeare!

"The English Patient's" Caravaggio would give "Looking For Richard"
two thumbs up, but he's already given them up for the cause!
I, on both hands, have thumbs.
Two thumbs up and a *Woooo Aaah*!
It's absolutely engaging!

John Lynch and Jacqueline McKenzie star in this winner of 7 Australian Film Institute Awards, which include Best Picture, Best Actor and Best Actress.

While big Hollywood studios find themselves in a quandary of what direction to
take after taking a beating by independent films at this years Academy Awards, the Indies seem to continue to give us quality
films with extraordinary performances by relatively unknown actors. "Angel Baby" is no exception.
This Australian film is another character study in the mentally challenged. Grant it, Angel Baby
was released before in the internationally acclaimed and Oscar winner 'Shine'. However,
Angel Baby is no ‘Shine’!

I confess to having somewhat of a passion for character study films. I find human
beings to be so fascinating. Even when we are at our best and worst, we are still poetry in
motion.

"Angel Baby" is a quiet but intense film. Unlike "Shine", the characters are in a sense everyday. They are people
who ride public transportation and have no special sights or struggles for greatness; they just want to live
out their lives like everyone else with a purpose. The film neither shocks nor does it leave the audience with a feeling
of awe. It blames no one. The characters are even.

John Lynch is absolutely superb in the role of the gentle Harry. His Harry tugs at your heart. There is a
sad beauty to Lynch’s Harry. In Harry’s gentleness, he is a slave to his heavy medication.
Even still, he yearns for a normal life. Jacqueline McKenzie's Kate reminds you of a sassy young
woman you’d bump into on a Saturday afternoon. However, not without her problems. She is a
free spirit. Kate gets guidance from her guardian angel through messages sent via the
Australian version of ‘Wheel of Fortune', through the solved puzzles of
each day's shows. (So what's so wrong with this you ask? Millions of Americans find
guidance and solace in psychic hotlines, astrology, and numbers!)

Harry and Kate meet during a therapy session at The Clubhouse. Harry is instantly attracted to Kate (his *special
angel*) Love blossoms for Harry and Kate. Eventually they move in together and lead
somewhat normal lives. That is, until it is discovered that Kate is pregnant. In Harry's concern for
the health and well-being of the baby, it is decided they both will discontinue their daily
medication. Not the best decision for either! It's only downhill from there! We slowly watch them
crumble.

One of the most moving scenes happens in a shopping mall. This
where it is apparent that Kate begins to slip away. We see Harry and Kate at their most vulnerable. We discover that Kate is every bit Harry’s heart and soul. There is nothing he wouldn't do
for her! He is her knight in shining armor. Kate, his savior in all their desperation.

As I said "Angel Baby" is no "Shine". However, unlike many films
that deals with the issue of mental illness, the performances are not over-wrought, never over the
edge! The subject matter is dealt with great compassion, not a freak show. There is no pot of gold at the end of the rainbow for Kate and Harry. While many of us
sometime (if just for a split second) hope for a fantasy out of our misery, Harry knows there is
none. I could feel for the characters, not simply because of their *illnesses*, but because they are so fragile. As
we all can be.

Since there is no major ad campaign, this could be an uphill battle for "Angel Baby". It can only survive in theatres by way of mouth. I was lucky to have found it
playing at a local art house theatre with a very limited engagement, one week. I pray, it goes into general release.

If you appreciate character studies, then I recommend "Angel Baby" For those not familiar with
the work of John Lynch, there is no better film to start with!

If you are interested in getting more information on
John Lynch or the film "Angel Baby" visit these sites:

Love Jones

Director/writer Theodore Witcher (Boyz In the Hood) offers a welcome change of pace in films dealing with African American life and the "L" word! Witcher's LOVE JONES picked up the Audience Award at this years Sundance Film Festival! No small feat!

Now before we go on, there are some things we need to get straight. First off for those not the least bit familiar with LOVE JONES, it is NOT the name of a female action hero in a cheesy "B" Hollywood film! Secondly, (for the benefit of those really out of the loop) "love jones" is an African American slang term for one truly, madly, deeply in love (if I may borrow shamelessly from Anthony Minghella's film namesake)! Now that we've gotten that out of the way. Oh, alright, I'll get on with it!

What IS so special about LOVE JONES you ask? Plenty! The cast of characters are attractive, well educated, employed, and caring twenty something African Americans grappling with complex and perplexing questions and thoughts on love and relationships. It's not a new concept... people grappling with the idea of love and relationships but how often does the movie going public get to see people of colour deal with them?

The films main characters Nia Long and Laurenz Tate are wonderful and believeable in the roles of Nina Mosley a struggling photographer and Darius Lovehall a writer (with a last name like Lovehall, how could he not be?)
Nia and Darius first set eyes on each other at a local Chicago hang out for the literate and artsy, The Sanctuary. On the first meeting Darius is totally taken by Nia (I kid you not) and dedicates a poem he reads on stage to Nia (surprised yet?) Nina, though flattered, is not impressed with Darius' poem since it makes very sexual overtones. (Uh, huh) Nothing like great first impressions!

What makes LOVE JONES unique, aside from the fact it reflects African Americans in an intelligence light, is the dialogue between the characters. The dialogue between the sexes in the scene at The Sanctuary, it's hilarious!

One of favorite characters is Darius married' friend Savon played by Isaiah Washington. Savon, whose marriage is in big trouble, tries to offer some advice and opinions on marriage, love, etc. He finds himself lost, but he does know how and what he feels. Savon is very open with Darius.
LOVE JONES is rather romantic in it's own way.
I have one confession to make about LOVES JONES and that is if you didn't know that Mr. Witcher was the writer of the film, it is very obvious LOVE JONES is written from a male point of view. There's nothing wrong with that! Witcher does treat his female characters with love and respect. It's just that the male characters got the better dialogue!

Why did Sundance audiences respond so favorably to LOVE JONES? Probably because it offers up something we all can relate to regardless of gender, race, or sexual orientation. LOVE JONES may not a great film by Hollywood standards but it's got heart, it's fun, and it's well made!

CONTACT

Is it a bird? Is it a plane? No! It's Jodi Foster in CONTACT! CONTACT
is the eagerly awaited film adaptation of the late Carl Sagan's
sci-fi novel that asked the question:
"Who is out there and do we care?"

Well, to be honest, I have always cared. I own a telescope and
have been known to lug it outside to watch lunar eclipses,
comets that show up once in a life time, Mars, Jupiter, Saturn and
the moon. So, heck, I want to know if there is life beyond this planet.

Enough of that! What you want to know is if there is life in CONTACT!
Well, yes and no. There is certainly life in Jodi Foster's portrayal
of Ellie, the reaearcher who against all odds makes contact with some
sort of life on Vega.
As for the film, directed by Robert "Gump" Zemeckis, that is another
story. Zemeckis just had to show off his Gumpian super powers by
putting President Clinton in the film. It doesn't work, is distracting
and frankly Clinton may end up competing for a Best Supporting Actor
Oscar against all those CNN anchors who also appear in the film.

So what about the performance of last year's flavor of the week,
Matthew McConaughey? If you had asked I'd tell you not to because
the poor man has a part that hasn't been written. He has no character
to portray. Palmer Joss, spiritual advisor in the story to President
Clinton, is a cipher. He is there to represent the religion line. He
is God's standin, so to speak, there to challenge Foster's scientific
non-believer. And of course to provide a love interest for Foster.
It is a part of the story line that never works.

But, even though he has no character to play, why does McConaughey
look like he's contracted stage fright? He is stiff, awkward and
frankly, just bad in this thankless part.

Okay, so you're saying to yourself "I guess you didn't like CONTACT."
And you'd be right, though I did like the opening scene that goes
under the credits which gets you thinking you're in for something special.
But really, CONTACT is a letdown, a disappointment. It is like
apple pie with no apples, fried chicken with no grease, a trip
to Vega with no Vegans.

CONTACT is rated PG and I'm sure there are a number of websites
to visit which this reviewer will make contact with and put up
some links.