Jin Xu

Quincy Ngan

University of Iowaquincy-ngan@uiowa.edu
Ph.D 2016, “The Materiality of Azurite Blue and Malachite Green in the Age of the Chinese Colorist Qiu Ying (ca. 1498-ca.1552)”

Nancy Lin

Art History Department, Lawrence Collegenancy.lin@lawrence.edu
Ph.D 2015, “Representing Difference: Early 20th Century Japanese and Korean Art”

Stephanie Su

Bard Graduate Centerstephanie.su@bgc.bard.edu
Ph.D 2015, “Entangled Modernities: The Representation of China’s Past in Early Twentieth Century Chinese and Japanese Art”

Irene Backus

Department of Art, Oklahoma State Universityirene.backus@gmail.com
Ph.D 2015, “Entangled Modernities: The Representation of China’s Past in Early Twentieth Century Chinese and Japanese Art”

Yuhang Li

Department of Art History, University of Wisconsin-Madisonyuhang@wisc.edu
Ph.D 2014??, “Gendered Materialization: An Investigation of Late Imperial Chinese Women’s Artistic and Literary Reproductions of Guany”

Kris Ercums

Curator, Global Contemporary and Asian Art, Spenser Museum of Artkiercums@ku.edu
Ph.D 2013, “Exhibiting Modernity: National Art Exhibitions in China during the Early Republican Period 1911-1937”

Seunghye Lee

Curator, Lecum, Samsung Museum of Art, Seoul, South Koreaseunghye.lee@gmail.com
Ph.D 2013, “Arts of Enshrining: The Making of Relics and Bodies in Chinese and Korean Buddhist Art from the 10th to the 14th Centuries”

Wei-cheng Lin

Winston Kyan

University of Utahwinston.kyan@utah.edu
Ph.D 2005, “The Body and the Family: Filial Piety and Buddhist Art in Medieval China”

Matthew Philip Canepa

Department of Art History, University of Minnesotampcanepa@umn.edu
Ph.D 2004, “Exchange between Late Antique/Early Medieval Mediterranean and Near East with Central Asia, focusing especially on the Uighur Kingdom of Kotcho and the Yuan”