"Doing the Reactionary" was written by Harold Rome as part of the 1937 musical revue Pins and Needles, first staged by the International Ladies' Garment Workers Union. Notable recordings of this particular song include Cab Calloway and a then-20-year-old Barbra Streisand.

Lyrics observe that anti-leftist scaremongering can simultaneously stifle labor activism, and push popular opinion towards fascism - to the benefit of the rich and powerful:

All the best dictators do it,
Millionaires keep steppin' to it,The Four Hundred love to sing it,
Ford and Morgan swing it...

But seriously, interesting post. Nothing really does change, does it?posted by hippybear at 8:51 PM on August 8, 2010 [1 favorite]

No mention of The Four Hundred would be complete without a mention of The Four Million:

Not very long ago some one invented the assertion that there were only "Four Hundred" people in New York City who were really worth noticing. But a wiser man has arisen--the census taker--and his larger estimate of human interest has been preferred in marking out the field of these little stories of the "Four Million."

i thought for sure this was going to be a rocky horror parodyposted by rhizome at 8:59 PM on August 8, 2010

Was this part of the Workers Theatre Movement? there was a buttload round about that time, I read a thing on it a while ago. Might have been this thing or something like it.posted by shinybaum at 9:03 PM on August 8, 2010

hippybear: “Nothing really does change, does it?”

Nope. Barbra's voice still makes me want to kill puppies. It's comforting to know that there are constants in this life.

This is fantastic. I don't suppose anyone happens to have a link to a set of chords or somesuch kicking about?posted by Dysk at 1:03 AM on August 9, 2010

These lyrics are inane, but the orchestra is incredible. And I love the narrow-bandwith AM radio quality of the recording.

Lyrics observe that anti-leftist scaremongering can simultaneously stifle labor activism, and push popular opinion towards fascism - to the benefit of the rich and powerful:

"Anti-left scaremongering" did indeed give rise to fascism, but it is hard to say whether Bolshevism or fascism was worse. I think it was a tie. Personally I prefer my dictators to be rich and powerful rather than just powerful. At least the rich ones have some concept of self-interest.posted by three blind mice at 1:56 AM on August 9, 2010 [2 favorites]

Anti-left scaremongering.

There was plenty to be scared of in the 1930s, but it wasn't the reactionaries. It was the revolutionary left and revolutionary militarists of the U.S., Europe and Japan. It was the people screaming for change, not the people who wanted to keep their settled ways (reactionaries) or go backward in time. It was the militant unions, who in the 1930s, began the organizing that eventually destroyed cities like Detroit and Youngstown and other union ghost towns, who were the threat to the kind of freedom enjoyed by Harold Rome and their pals -- not (as you would think, from looking at old New Yorker cartoons) the elderly male reactionary sitting in a club chair with his cronies, looking out over Fifth Avenue. Everyone in the 1930s, from left to right, wanted "change, change, change" -- and that anti-reactionary political tension on every side fired up the conflageration of all moral values that was World War Two.posted by Faze at 3:24 AM on August 9, 2010

Faze, I quite like how your theory links the start of WWII to union activity in the United States and 'moral values'. Y'know, because socialism was a huge part of the start of the War in Europe...posted by Dysk at 3:37 AM on August 9, 2010 [1 favorite]

It was the revolutionary left and revolutionary militarists of the U.S., Europe and Japan. It was the people screaming for change, not the people who wanted to keep their settled ways (reactionaries) or go backward in time.

Missed this the first time. The FPP is worded a little awkwardly. Barbara Streisand was born in 1942 - she did a cover of this song in the 1960s. It's a great cover BTW. Even at 20 years old she had her phrasing down pat.

It was actually anti-right scaremongering, comrade, but I can see how one is easily confused with the other. We are talking about the 1930s after all.

The music each inspired is pretty much the only thing that differentiates them. You can't dance to fascist music at all.

There is a reason: fascism, more organized and brutal than everything Napoleon III could imagine, cannot afford even the slightest dissonance in their artificial harmony — posted by three blind mice at 6:05 AM on August 9, 2010

Faze: “There was plenty to be scared of in the 1930s, but it wasn't the reactionaries. It was the revolutionary left and revolutionary militarists of the U.S., Europe and Japan. It was the people screaming for change, not the people who wanted to keep their settled ways (reactionaries) or go backward in time. It was the militant unions, who in the 1930s, began the organizing that eventually destroyed cities like Detroit and Youngstown and other union ghost towns, who were the threat to the kind of freedom enjoyed by Harold Rome and their pals -- not (as you would think, from looking at old New Yorker cartoons) the elderly male reactionary sitting in a club chair with his cronies, looking out over Fifth Avenue. Everyone in the 1930s, from left to right, wanted "change, change, change" -- and that anti-reactionary political tension on every side fired up the conflageration of all moral values that was World War Two.”

Unions destroyed Detroit and Youngstown? Right. People wanting 'change, change, change' destroyed the thirties? Have you ever read a book about that decade? Generally, what people wanted in the thirties was 'food, shelter, and a job.' You may still be all het up about FDR's innovations – you don't mention him, I don't know if you just forgot to or what – but you are urged to take note of the fact that when everything came tumbling down in 1929, it sure as hell wasn't because of militant unions. On the other hand, if you can give me some evidence for the preposterous notion that 'militant unions' somehow infiltrated the hallowed halls of Wall Street in the twenties and executed some sort of secret conspiratorial plot to destroy the market, I'm all ears. I guess I could use a good laugh.posted by koeselitz at 10:17 AM on August 9, 2010

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