[Y]ou could never do [Musique concréte] at this juncture in time because it’s too expensive. It can’t exist. You’re losing a form of music. So I felt like I would like to at least contribute to the side of things where — if people do want to use something, or chop it up, they can do that. The thought that goes into that kind of stuff can bring out new ideas. And that will bring about more different kinds of music. I’d hate to see that whole thing go away.

You can read an excerpt of the conversation on 10 Zen Monkeys and listen to the episode in its entirety here.