Sunday, March 31, 2013

The Slightly Erratic and Mildly Drunken Interview With Jon Fat Beast

Somewhat sadly, London appears to have caught the same disease that has
long afflicted Perth and Melbourne in Australia, with live venues giving way to
more "upmarket" ventures. The disappointing announcement of the closure of the Bull and Gate, long a fixture for
up and coming bands seems to make this interview timely.

The Time Box was an incredibly important regular live music night held at the Bull and Gate at a
time when not many others were prepared to give new alternative bands a go. Never one to miss an eye for the main chance, Plunder The Tombs seized a surprise opportunity to talk to the man responsible, Jon Fat Beast.

I'd be the first to admit that this is not the best
interview, not least because at least one of the participants was far from
sober when it was done, but in the best tradition of Gonzo journalism, I think
we'll just whack this out there, relatively unedited, so the rest of you can
appreciate the very high journalistic standards that we employ at Plunder The
Tombs.

James Von Sutekh

Hello,

Is this the guy behind Timebox and Brian?

I would very much like to interview you.

Jon Fat Beast

It is me. Yes I am for my sins Jon Fat Beast.

Yeah an interview would be lovely,but quite sweary
on my part no doubt.

Theres plenty of links on google etc for Timebox
and Hype but probably not a lot on Brian. My pic on my FB site was a messy
Brian gig. Mick (Mercer) probably remembers more than me about the five or six
years I did Bull and Gate clubs. I was normally drunker than him. We had 4
timebox venues at one time in London alone.

James Von Sutekh

Tell us first about Timebox. How did that come
about, and how did it evolve?

Jon Fat Beast

I was 18,new to London and Punk had just finished
its short spell knocking bloody pomp rock into oblivion .I started putting on
goth/punk/evolving indie acts on at The Red Rose Club in Finsbury park and
upstairs and down at The Clarendon in Hammersmith.

I wanted my own venue and approached the Bull and
Gate in Kentish town to take over booking ALL their nights.

I put thousands of acts on at Timebox over a two
year period. Voice of the Beehive and The Poppinjays were regular staff, as
were loads of other famous pop tarts.

I just wanted to see great new bands in a nice
atmosphere

Timebox was all about unity and fun/and I married a
penguin Live on stage.

James Von Sutekh

What were the bands that really fascinated you at
the time?

Jon Fat Beast

I loved All About Eve, they played a few times, The
Primatives from Coventry, I loved Voice Of The Beehive, Half Man Half Biscuit,
Bogshed, The Fifteenth, all played loads. A Witness, Breathless, oh there’s
hundreds I loved. it was very much a Do it Yourself attitude .We loathed record
companies or agents.

I used to call Simon Cowell a cunt twice a week, he
was at Phonogram as an A and R man

I upset loads of important people. We just wouldn’t
tow the line

Record papers Melody Maker, NME,Sounds etc loved
us. Some weeks we would get half the country’s gig reviews from Timebox venues.

We enjoyed what we were doing but I did it full
time.

I would get sent over 300 demos a week at its peak.

We were very cheap/free entry and made our money
selling hundreds of sweary tee shirts I designed

I am just ranting now. lol

James Von Sutekh

Tell us about Brian? And we do want to know about
the penguin.

Jon Fat Beast

Brian got quite famous, really very strange
considering it was just me, and a mate of mine Sean on guitar, Jesus Sex on
drums with any indie stars we could rope in whenever we played. We once pulled
500 just to see Brian at Dingwalls. Mad. It was just inappropriate cover
versions sung and played badly whilst I poured buckets of various foods on my
head. It was just two fingers up to bands who took themselves too seriously. I
enjoyed every minute. Ian Brown from the Stone Roses wanted to hit me for
covering one of their songs. He chased me around Camden one drunken evening.

Jon Fat Beast

Oh and I married a penguin.................

James Von Sutekh

I hope you two were very happy. How would you
describe Brain's music

Did you ever release anything?

Jon Fat Beast

Brian’s music was "Shite but we don’t
care" as our tee shirts said. My favourite song to sing was anything with
swear words. It wasn’t much about the music really, more the theatre.

James Von Sutekh

Timebox- your venue: who played there (in the Goth
sense)

More to the point, what do you think of the current
scene?

Jon Fat Beast

We must have had 500 Goth bands at least. Wayne
Hussy used to be sick in the ladies toilets on a regular basis if that’s any
help. I don’t think there is a well defined "Current Scene", where I
now live, In The Midlands every band seems to be speed metal/Goth which I find
very dull. I like Operatic/Goth acts but nowadays I mostly listen to Radio 6 in
the UK, its all new stuff, a cross section of punk/Indie/Goth stuff. I have
worked with Goth bands since Sex Gang Children and Flesh for Lulu days.

No comments:

Post a Comment

A Welcome and Introduction

Plunder the Tombs was started back in 2010 by way of looking back on a musical past that I felt in sore need of curation.

It was a strange and sad time when what passed for “Goth” in clubs seemed a pale imitator of what once was, following first a decade of cookie-cutter Sisters of the Nephilim clone bands and then another decade of industrial dance being palmed off to younger audiences as a type of faux goth. When on rare occasion DJs in “Goth” clubs did finally become brave enough to play something like Bauhaus it was not untypical to have the dance floor clear, and it became obvious that the memory, meaning and legacy of much that had gone before had been lost.

It’s probably safe to say that the boundaries of what was “Goth” were never clearly defined. An absolute blessing for those bands on the original scene before it had a name pinned to the donkey, but an outright curse for those who came later and found rules had been imposed to dictate that which was and that which was not acceptable. Worse still was to come in the 90s from a lazy and unquestioning media who simply assumed that anything that wore black and make up was by definition “Goth”, thus allowing all manner of pretenders licence, and maximising confusion as to what the term actually referred to.

This has gone on for way too long and its time is at an end. Neo Post-Punk bands now proliferate across Europe, old long dead Goth bands rise from their crypts in the UK, and new deathrock bands are breeding like rabbits up the west coast of America. It is time to reclaim our scene back from metal bands and ravers in disguise.

While the Plunder the Tombs of old focused on what had gone before, there are now far too many exciting new things to ignore. We roar back to life in a reboot, covering past , present and things yet to come.

Let us plunder the tombs….

About Me

A DJ throughout the 90s at numerous Goth night clubs in Perth including The Cell, Dominion and others he was probably far too drunk to remember, largely as a result of his preference to work for bar tabs over cash. Also helped found 6RTR fm's Goth & Industrial showcase Darkwings.
More recent projects include the currently dormant Descent - a small night dedicated to playing genuinely good Goth music both old and new in preference to packing the dance floor with songs everyone had heard 20 million times before. He currently runs a monthly show on Behind the Mirror on 6RTR fm which can be heard on Wednesdays at 11pm WST.
Rumour has it he once masterminded an ill-advised Goth fanzine "Small Pleasures" that in retrospect, he remains profoundly grateful never made it off his desk.