I met Jeanette when she attended the ALA-Midwinter Meeting in San Diego as a first-time author to promote her debut picture book.

Jeanette Larson: [Adrienne] does not work from sketches. There are some studies–pieces she did and then discarded — but she works directly on the fabric. It’s pretty interesting to watch!

Adrienne Yorinks: To briefly describe my process, I create small gesture drawings to see how the flow is for the entire book and then for each book, I figure out which method I use.

Baby hummingbirds

For Hummingbirds, I used all different ways to try to capture these exceptional creatures. I knew from the start that I wanted to create different art between the factual parts, and the folklore pages.

In the folklore section I knew I would do double spreads, and for the facts, the art would be tighter.

A text page from "Hummingbirds"

Final jacket for "Hummingbirds"

Anna Grossnickle Hines wanted to write a book about peace. Inspired by her writer friends, she set herself a goal to write one poem per day, with peace as her theme.

After many months of writing, revising, sifting and sorting, she felt she had enough poems to form the basis for her latest book, Peaceful Pieces.

Front jacket from "Peaceful Pieces"

Anna Grossnickle Hines: Peace has always been important to me, all kinds of peace, from an inner calm to the end of wars all over the earth. . .”

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. . . I knew I wanted to illustrate the book with quilts, and I knew that would be a new challenge. The poems, though all about peace, are varied in content. . .

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Some immediately suggest an image . . .

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. . . but others are more abstract. How was I going to translate these concepts into strong graphic images?

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And how was I going to create a collection of fifteen or more quilts that would feel like they belonged together in one book and not be too jarring as the pages were turned?

After quite a few rejections, I found editor Sally Doherty at Holt, who in turn, enlisted book designer April Ward. I sent them samples and sketches. They liked some but were disappointed in others. . .

For several months we went back and forth. I was grateful for their helpful comments, and had a much better vision of many of the quilts. . . .

I decided that it would help if the colors and patterns of the fabric could carry over from one page to the next, a bit of something familiar with each page turn, along with the new image.

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Joy Chu: Anna’s website is a plethora of information about both the children’s book process, and the work behind her many titles. For those of you wondering about making the transition from traditional art materials to digitized imagery, you can find out how Anna acquired new skills for the creation of her previous book I Am a Backhoe, here. Click here to visit her website.

Often the editor and designer, alongside the rest of the publishing team will reserve a conference room just to view finished art sequentially. Here’s Anna’s final art, being viewed and reviewed by all: