1st year
Bradley, RaNelle rkb337@nyu.eduCurrently, I am engaged in a rigorous study focused on Classical reception in the English Renaissance. I use adaptation theory as a lens to see how Renaissance authors reworked and reimagined ancient Greek and Roman works. The areas of research that inspire me include the following: Renaissance literature and culture, Shakespeare, Classical reception, intertextuality, and adaptation theory. Feel free to visit my website: www.ranellebradley.com

5th year
Dominick, Ginagad256@nyu.eduMedieval British literature; Geoffrey Chaucer, Thomas Malory; aesthetic and affect theory; Adorno; feminism(s); ethics and representations of violence; medievalism(s); ancient and medieval theology/philosophy; horror and other feelings of dis-ease in literature, art, and film

7th year
Dorman, Stefaniesad329@nyu.eduAnglophone literatures of the long twentieth century; philosophies of modernity; Marxist/materialist hermeneutics; postmodern aesthetics and aestheticism; transnational ideology; histories of the discipline; historiography and narravitiy

6th year
Koehler, Robby
rdk252@nyu.edu
History of education; history of book; digital humanities; textual scholarship

3rd year
Koss, Zane
zk421@nyu.edu
Hemispheric Poetics / Poetry of the Americas; Modern and Contemporary Literature; Canadian Literature; U.S. Literature; Mexican Literature; Poetry and Poetics

6th year
Kotecha, Shiv
srk342@nyu.edu
Modern and Contemporary Poetics and Experimental Writing; 19th Century American Literature; The History of the Avant-Garde; Critical Theory; Media Studies; Psychoanalysis

2nd year
Thursten, Rebecca
rjt339@nyu.edu
Mid 19th- to early 20th- century British and American literature; the Harlem Renaissance; modernism; thing theory and object cultures; mental health and medicine

6th year
Yoder, Laura
ley212@nyu.edu
17th century British literature. Death, resurrection, and posthumaeity; remembrance and memorialization. History of dimension and early modern volumetries; cartography (especially globes). Collecting/collections, history of museums, the (imagined) material foundations of fiction, and speculative archiving.