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It’s tempting to compare analogue sequencers to hardware MIDI sequencers, both rackmount and computer-based, if only because they are all capable of producing repetitive sequences and effects that can be modified in real-time. But, while a hardware MIDI sequencer can look like its analogue counterpart, it lacks one important facility inherent to analogue voltage control: you can’t add multiple MIDI controllers or use audio signals as modulators to create new effects.

Unfortunately, vintage analogue sequencers from companies such as ARP and Korg sell for hundreds of pounds, and you’ll be lucky to get change from £1,000 if you want an original Moog sequencer. Worse still, these originals are becoming increasingly rare, and by modern standards they can be rather limited. This is why the RS Integrator has a dedicated analogue sequencer, the RS200. Not only does it eliminate the need for a vintage unit if you want to create sequences with the Integrator itself, the RS200 will (with an RS10 or RS15 case) function as a self-contained unit capable of controlling almost all other analogue monosynths.