The 37mm f/4.5C fisheye renders unusual perspective with a full rectangular image and expansive 180?angle of view.Linear distortion is apparent, and can be creatively used for unusual perspective of any scene or subject.-Applications include interpretive landscape and architectural photography, advertising illustration, industrial and editorial assignments.-Equivalent to 18mm in 35mm format.

The KL 65mm f/4L is a wide angle lens with a 68˚ angle of view. It is the most popular wide angle focal length in 6x7cm format. It renders natural perspective with increased depth of field and angular coverage and provides the least amount of distortion, among the wide angle range, for subjects at the edges of the frame. It incorporates an adjustable floating element system for correction of edge sharpness and distortion, especially at wide open apertures and close distances.-Applications include group portraits, wedding photography, and general purpose wide angle photography.-Equivalent to 32mm in 35mm format.

The KL 75mm f/3.5 L features an adjustable floating element system for correction of edge sharpness and distortion, especially at wide open apertures and close distances.-Applications include precise perspective for architectural or industrial rendering or table top photography.-Equivalent to 37mm in 35mm format.

The SHIFT L 75mm f/4.5 SL is a special application lens for perspective control. It features a unique wide field coverage and perspective control shift mechanism in a rotating mount, allowing the photographer to maintain proper linear perspective, identical to PC shift lenses for 35mm cameras.-Applications include precise perspective control for architectural or industrial rendering or table top photography.-Equivalent to 37mm in 35mm format.

The KL 90mm f/3.5 L is considered a wide-normal lens. Its 53˚ angle of view works well for a variety of subjects.-Applications include general purpose photography from landscapes to full length or head and shoulders portraits. It works well for close-up photography with or without extension tubes. Floating Element design assures edge-to-edge sharpnes at all focusing distances.-Equivalent to 44mm in 35mm format.

The KL 127mm f/3.5L is an excellent, all purpose normal lens. Its slightly long normal focal length makes it superb for close-focusing, portrait head shots, and three-quarter length portraits.-Applications include general purpose photography from landscapes to portraits and close-up photography with the RB's built-in bellows or added extension tubes.

The Macro KL 140mm f/4.5 M/L-A features outstanding resolution at all distances and apertures, and adjustable flat field correction. The built-in floating element system allows correction of edge sharpness for copy work down to 1:1 life size with optional extension tubes.The lens will focus from infinity to 1/3 life size magnification with the RB camera's built-in bellows.-Applications include copywork, macro and close-up photography of all objects from product photography to flowers. Fashion and beauty photographers find the140mm f/4.5 Macro particularly useful for a variety of subject close-ups and normal shots. An extremely versatile lens, the 140mm f/4.5 Macro can also operate as an excellent normal focal length lens focusing to infinity for portraits, landscapes and general purpose photography.-Equivalent to 68mm in 35mm format.

The KL 150mm f/3.5L is a short telephoto utilizing Mamiya's low dispersion glass with superior performance at all apertures.

Many table top, studio, portrait and fashion photographers find it an excellent choice for all purpose photography. It allows slightly closer working distance for portraits than longer lenses, facilitating a more informal and intimate approach.-Applications include portraiture, fashion, beauty, landscape and studio product photography.-Equivalent to 74mm in 35mm format.

The SF 150mm f/4.0C is a unique, special application lens offering variable soft focus and can be used as a normal application telephoto at smaller apertures. It is the prime lens for many portrait and wedding photographers because of its unusual and controllable soft focus effects using designed-in spherical abberation at apertures from f/4 to f/8 and a set of three diffusion discs. The combination creates soft focus images that appear sharp at the same time, eliminating the need for costly and time consuming retouching. At f/8 and smaller apertures, it renders completely sharp, normal images. Its 150mm focal length makes it ideal for small studio working distances.-Equivalent to 74mm in 35mm format.

The KL 180mm f/4.5L-A is a compact mid range telephoto lens, and the most popular telephoto for the 6x7cm format. It yields a good camera to subject distance, slight flattening of portrait subjects, and exceptional sharpness.-Applications include portraiture, fashion, landscape telephotography and sports.-Equivalent to 87mm in 35mm format.

The KL 250mm f/4.5L-A is an unusually compact long telephoto design, with five elements in four groups. It creates accentuated foreshortening and accentuated distance between foreground and background objects.-Applications include telephotography, landscape, wildlife, sports and fashion photography, where compression effect is desired.-Equivalent to 118mm in 35mm format.

Resolution, color reproduction and overall sharpness are enhanced at all apertures because chromatic abberation is eliminated. The 350mm APO lens includes tripod support bracket.-Applications include long distance landscape, aerial, industrial and wildlife photography.-Equivalent to 167mm in 35mm format.

Resolution, color reproduction and overall sharpness are enhanced at all apertures because chromatic abberation is eliminated. The 500mm APO lens includes tripod support bracket.-Applications include long distance landscape, aerial, industrial and wildlife photography.-Equivalent to 238mm in 35mm format.

The Zoom 100-200mm f/5.2W features a 14 element 12 group design with a focal length range that is ideal for studio use. One lens can be used for full length portraits to head shots eliminating the need to change lenses, synch cords or camera position, throughout a sitting. Because of Mamiya computer aided design and manufacturing techniques, the 100-200mm Zoom provides image performance equal to prime focal length lenses. It offers a choice of helicoid or camera bellows focusing. A tripod support bracket is included.-Applications include studio portraiture, fashion and landscape photography.-Equivalent to 48-97mm zoom in 35mm format.

Mamiya's exclusive revolving back system allows you great freedom in camera positioning and an extensive choice of films and formats. Interchangeable magazines permit a wide variety of films to be used by simply changing magazines or film holders at any time during a shooting session: 120, 220, Polaroid Pack Film, or Kodak and Polaroid Sheet Films.

A choice of 4 format sizes allows you to pick the perfect format for each job. Additionally, there are 2 formats for instant proofing.

Roll film is advanced with a single 114˚stroke of the Cocking Lever, and can also be advanced with the Film Advance knob of the Film Holder. Extra Magazines allow mid-roll change to other films.

7 types available to be used according to the lenses and shooting purpose and conditions.

Type A Matte(A型磨沙): All matte with Fresnel lens, suited for general purpose photography. (Supplied with camera)

CODE NO. 514621

Type A (6X8 Matte)(A型6X8磨沙):All matte with Fresnel lens, suited for general purpose photography.

For use with the Power Drive Holder 6x8: bright viewfinder image.CODE NO.514627

Type A4 Checker(A4型橫直線): Same as Matte, but with perpendicular grid. Pattern ideal as a compositional aid. Grid intersections also useful as reference points for multiple exposures. CODE NO. 514622

Type B Range finder Spot(B型中央圓圈裂像): Same as Matte, but with a vertical central split-image rangefinder wedge added. Matte surface can be used for focusing, but the vertical split-image feature makes focusing easier and more accurate for subjects such as portraits. CODE NO. 514623

Type C Microprism(C型微稜): Same as Matte, but with central microprism spot added. Provides an alternative Rangefinder Spot screen with same benefit of enhanced focusing precision.

CODE NO. 514624

Type D Cross Hair(D型十字星光鏡片): All matte screen with small aerial (totally transparent) spot with cross hairs. Used for parallax focusing and designed for special high magnification applications. Especially suited for macro and telephoto photography.

CODE NO. 514625

Type E Range finder Spot/Microprism(E型中央圓圈裂像/微稜): Same as Matte, but with a 45˚ split-image rangefinder wedge surrounded by a microprism collar. Highly versatile 3-way focusing (rangefinder, microprism, and matte). Ideal for general purpose photography.

Attached to the prism finder, it assures enhanced precision focusing by magnifying the central portion of the screen. After focusing, it can be raised to confirm overall composition. Built-in -6 to +4 diopter correction.Weight: 70g. 內置視差補償-6 至 +4

Bellows Lens Hood G-2 /風琴型伸縮遮光罩G-2

CODE NO.524080

Bellows Lens Hood G-3 w Gelatine Filter Mount /風琴型伸縮遮光罩G-3 (有濾片夾)

The G-3 can be used with lenses of focal length from 65mm to 350mm and 100~200mm Zoom lenses except for the 75mm shift lenses. Weight: 335g.

CODE NO. 528085

Front Hood for G-3/給風琴型伸縮遮光罩G-3延伸遮光使用

Lenses from 127mm to 350mm except for the 75mm shift lens, 100~200mm Zoom lens can be used with this combination for the suitable forcal lenght. Weight: 145g.