#003BFE0100844, with TKL gig bag.

A travel size instrument that sounds like a full size guitar? Impossible! The Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar.

Carlos Santana has had a longstanding creative partnership with Paul Reed Smith and over the years and offered variations of his signature guitar. This particular guitar has an astonishing Faded Blue Jean “10” top that’s as memorable as it is beautiful.

#113120, in “very good plus” condition, with a Sitka Spruce top with Brazilian Rosewood back and sides and period appropriate hard shell case.

When the work is done on this guitar, it will be one of the finest sounding 65-year-old Martin Brazilian rosewood dreadnoughts you may ever have the pleasure to hear. *This guitar has now been reserved - however, if you would like to be notified if person #1 should pass, please inquire below*

#110007, Sitka Spruce top with Brazilian Rosewood back and sides, in “very good plus” condition, with period appropriate case with the name “Warren Purdy” written on a plate on the case.

Epic poems and mythological fantasies that cross cultural boundaries are written and sung about C F Martin D-28 guitars made in the 1940s. The pace at the old North Street (Nazareth) factory was considerably slower in those halcyon postwar days. While C F Martin Co. was able to ship out a monumental 5,980 D-28 model guitars in 1973 (or approximately 23.64 of them produced per working day), in 1949 they shipped a total of only 427 D-28s (or around 1.69 per working day). The wood choices that were commonplace back then are, by today’s standards, mind-blowing. The Brazilian rosewood is quartersawn and straight-grained to the max.

#003BFD2200794, with gig bag.

A travel size instrument that sounds like a full size guitar? Impossible! The Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar. The CA List Price is $1999

#16024, with hard shell case.

The small size of the Parlor belies its full and rich sound. A sound that Is characteristic of all RainSongs. Key to the big Parlor sound is the combination of a unidirectional carbon soundboard and hybrid body construction. The P12 features the 12-fret, short-scale NS neck.

#K9HB050223, Engelmann Spruce top with Ziricote back and sides, in “excellent plus” condition, with the original hard shell case (with one latch in the back that doesn’t function).

Built for the 2005 Healdsburg Guitar Festival by Jimmy Caldwell, this guitar is exquisitely beautiful and unique. The guitar has an Engelmann Spruce top with highly figured Ziricote back and sides, showing blonde streaks on the top and bottom of the center. Double bound flamed Koa binding on the body, spalted maple soundhole rosette, clear pickguard, ebony bridge along with ebony bridge pins with abalone dots.

#1743144, Adirondack top with Madagascar back and sides, in "near mint" condition, with the original Custom Shop case with silver embroidery.

The action is low and eminently playable with the lightest touch, and the sound is magical. If new this would list for more than $11,500. However it is priced as a previously owned but almost never played instrument.

Adirondack top (and braces), Madagascar rosewood (fraternal twin to Brazilian, both born to Mother Dalbergia) back and sides connected to a Spanish Cedar neck with black ebony fingerboard. Hide glue and T-Bar truss rod are the Custom Shop’s nod to the pre-war greats of Martin's past. The headplate decal is “old style gold (small)” and the tuners are Waverly Model 4075-G with ebony buttons. Our Price WAS $5750 BUT IS NOW ON SALE!!

#1510646, in near mint condition, one of three total made, Adirondack top, Madagascar back and sides, with "Cabernet" (original) hard shell case.

This is a handsome, and sonically exquisite sounding nylon strung model is hand-built by the Martin Custom Shop team out of the delightful combination of Madagascar Rosewood and Adirondack Spruce. To further enhance the tone, 1/4" hand-scalloped Adirondack bracing was used, and the entire instrument was constructed with vintage hide glue. Hide glue is very well regarded due to its hardening characteristics which cause it to act as if it's part of the instrument and not just adhesive. THIS WAS $4899 BUT IS NOW ON SALE FOR:

#0089, excellent plus condition with the original hard shell case.

We present for your consideration another superb, hand-made, archtop from the Master Builder of Abington, Pennsylvania. While partaking of its ineffable beauty and sonic resplendence, a dexterous player may swoon from the unceasing pleasure. Made completely by the hand of a single illustrious crafter, this 17” jazz monolith has a carved and solid Sitka spruce top, equally carved and solid big leaf maple back and sides and finished in natural.

They say (well Wikipedia says) that the definition of the lower case word "cinderella" has, by analogy, come to mean one whose attributes are unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect.” That would describe this guitar perfectly. Now that this long overdue work is completed, this Gibson 1948 SJ guitar has metamorphosized into a great sounding and great playing instrument, one that will become an actual heirloom for you and your descendents to leave to one another for 8 to 10 generations to follow. Our Price is $5599

In 1990 Gibson advertised four limited and exciting colors for the Les Paul Standard. First was translucent yellow (or amber) in August, translucent blue in September, translucent black in October, followed by translucent purple in November. We know that this example was made on the 238th day of 1990, which is August 27th - hence the translucent yellow finish.

#1795038, with hard shell case.

We are impressed out of minds with the new CEO-7. It sounds fantastic, it is beautiful beyond description, and it is so affordable that the price makes one blink and unable to speak.

Reminiscent of models from the “Golden Era”, the CEO-7 features a sunburst finish, golden age tuners and authentic headplate lettering. This new 14-fret short scale OO “sloped shoulder” model features a solid Adirondack spruce top with solid genuine mahogany back and sides for complex tonality.

#34015, in Black,“excellent minus” condition, all original with the original hard shell case.

Everything looks best in black and white! This 6128 Duo Jet dates back to the earliest days of rock music. It has a black top with contrasting white engraved pickguard, mahogany back and sides and chrome metal parts. This guitar also has the first-in-’58 heel dowel on the back near the neck-body joint securing the neck joist. The ebony neo-classic fingerboard has eight thumb print inlays, electronics configuration with a three-position tone-elector switch next to the pickup selector, space control roller bridge, Pat. Applied for FilterTron pickups, and white “Gretsch” engraved pickguard.

This guitar is flawless. It is free from any signs of use or wear and what we call “near mint” (which is a term we don’t use lightly!). A new model sells for $2800 - this one can be yours for much less!

This rather nice, well preserved, guitar was made during the heyday of dedication to a high ideal and creativity that occurred in the 1950s, one of the finer periods of American fretted instrument history. It plays easily and sounds incredible.

"The fit and finish of a McPherson guitar is unsurpassed. It does not look, feel, play, or sound quite like any other guitar. But this Manhattan Skyline model is exceptional even by the standards set at McPherson.

The late Stan Jay was known for his preference for traditional fretted instruments. But he absolutely loved McPherson’s guitars, above and beyond any other modern innovator of progressive luthiery, and he proudly bought a fine example for his very own. Stan ordered this Manhattan Skyline guitar to sell, among many other McPhersons. But he did not live to see it completed." - T. Spoon Phillips at One Man's Guitar