"final cut"

Alex Buono, DP for SNL, discusses how his team uses the Adobe Creative Cloud toolset to meet the considerable demands of producing the shorts for Saturday Night Live. Switching from Final Cut Pro to Premiere Pro has helped save valuable time thanks to Dynamic Link and broad native camera format support.

See how filmmaker Kyle Alvarez created the first film adaptation of David Sedaris’ short story “C.O.G.,” which premiered in US Dramatic Competition at the 2013 Sundance Film Festival. Alvarez wrote the screenplay, as well as directed and edited the film. This presentation will cover Kyle's switch from Final Cut Pro to Adobe Premiere Pro and use of other Adobe Creative Cloud products.

See how SoulPancake, a production company founded by Rainn Wilson (of NBC’s “The Office”), is using Adobe Creative Cloud to produce extraordinary original online video content for one of the top 100 YouTube channels. This presentation will cover SoulPancake's switch from Final Cut Pro to Adobe Premiere Pro and its workflows using After Effects, Photoshop, and other Adobe tools to create its daily content, which incudes series on topics ranging from art and philosophy to creativity and spirituality.

See how Adam Pertofsky, award-winning editor and partner at Rock Paper Scissors, cut national and Super Bowl TV spots under tight timelines using high performance Adobe post-production tools. This presentation will cover Adam's switch from Final Cut Pro to Adobe Premiere Pro and his workflows using After Effects and Photoshop to create the high-quality national ads.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.