Pacific Northwest Landscape / Nature Photography

Timelapse

You may have noticed that I’ve been posting more videos lately. It’s because I’ve been gradually easing my way into a new project I’ve been thinking about for a little while. My blog has consistently maintained a “travel” style focused on trip report type of posts. I have used my posts to provide a sense of what each location is like as I’ve explored the region. I thought about all the places I have been and realized that having some photos wasn’t good enough. I wanted another way, perhaps a better way of remembering these special places. How could I capture the scenery and instantly immerse myself back into these locations?

The answer was HD video mixed with high quality audio. For the last year or two, I’ve always carried a little GoPro camera to capture time lapse sequences so just recording some additional video sequences with it is no big disruption to what I normally would do. On the audio side, I had to do some research and ultimately decided on picking up a nice portable digital audio recorder (specifically the Zoom H2N). It added a little bit more to the pack but it’s not that big and offers some really great quality audio. I’ve also used it in a variety of weather and so far it’s held up well (note: the unit is NOT weather proof or resistant).

I’m calling my new, ongoing series of videos “Natural Northwest” but what exactly are these videos? Each video will be about five minutes in length (sometimes longer) and consist of an audio “soundscape” (a single recorded source (not multiple clips mixed together), and excluding the sounds of humans to the extent possible) along with a compilation of several video clips. Put together, I hope transport the viewer into the scene, if only for a few minutes. I’m doing this primarily for my own benefit but I hope others will enjoy the videos as well. I have some additional plans for the project but those are on the backplate until Vimeo implements some new features that will support what I have in mind.

I’ve created a new channel over on my Vimeo account for this series and I hope you’ll check in from time to time and leave some comments about the videos. Thanks in advance and I hope you enjoy the videos!

The second “supermoon” of this year occurred August 10th and I fell prey to its allure. Instead of shooting the actual supermoon, I opted to photograph it the day before. Why? Well- the actual supermoon would rise just 18 minutes before sunset but moon rise the day before was almost a full hour before sunset. This mattered to me because that meant a better chance of a balanced exposure of the bright supermoon and any landscape elements it rose above. Having shot a full moon rising above ridges just after sunset, the photos are either going to be underexposed to account for the moon’s brightness or overexposed for the moon in order to properly exposure for the rest of the photograph.

Having decided the right day to head out, the next question was where to go. Using my standard photo planning tools (The Photographer’s Ephemeris and Google Earth), I evaluated several options located up & down the Mountain Loop Highway east of Granite Falls but nothing strong stood out. I don’t like to just keep going to the same spot over & over but this time it made sense. All the research pointed towards a return trip to Kulshan Ridge & Huntoon Point near Mount Shuksan. The research indicated that the moon would rise above Mount Shuksan just east of a feature called the Hourglass at Point 7848 (this ridge separates the Curtis Glacier from the Sulphide Glacier). Any longtime blog visitors will know that Huntoon Point is a regular destination for me during winter. In summer, it’s made even easier by the Mount Baker Highway which ends at Artist Point. All that’s left is a short hike of less than 0.5 miles to Huntoon Point.

My thoughts were to try and set up at one of the tarns located near Huntoon Point since it adds a nice foreground to the very obvious fabulous background. I came overprepared- I had my GoPro for a time lapse, my regular camera kit,my Sigma 50-500mm lens & gimbal for super telephotos and finally my Pentax Q camera and K-mount adapter for potentially super-duper telephotos of the moon. After surveying the scene below the Huntoon Point’s high point, I settled down in a small cliff with flowering heather on one side of a tarn. I set up & fired off the GoPro and then returned to my camera gear for some big camera photographs. Given the late hour, it was quiet and peaceful with only an occasional person passing through on their way back to the parking lot.
My friend headed off to find his own compositions and I tried to work my own. I wanted to work incorporate some of the heather in bloom around me but the depth of field coupled with the rocky cliffs made this a huge challenge. I actually couldn’t use a tripod so I tried to hand cradle the camera as firmly as possible. The skies were pretty much cloud free for sunset; in the minutes leading up to the appearance of the super moon, a family of 6 appeared out of nowhere and promptly decided to plop down in my foreground. groan. Exactly what I was hoping to avoid but- it happened anyway. I was angry but the fact is I don’t own the scene in front of me. Others are entitled to it just as much as I am.

As the moon began to appear over Mount Shuksan, I turned to my Sigma 50-500 lens for some telephoto shots. The sudden appearance of a crowd hamstrung my options and I could not take any sort of a wide angle shot of the moon & Mount Shuksan without including people in the frame. It was still early so I made the decision to gather my gear and quickly find another spot. The downside, of course, was that it did mean that I had to abruptly end my GoPro time lapse. I repositioned to a vantage point that I’ve also used in the winter that’s a bit further off the beaten path. I had a little bit more time until the difference in brightness between the landscape and the moon became too much to continue.

As my friend and I broke down our gear for the return trip to the truck, my friend suggested that we make a quick stop at Picture Lake to see if anything was happening. If you don’t know Picture Lake by name, you will know it by photo. It is considered one of those “icons” that photographers put on their bucket lists. Hundreds of thousands of photos have been taken of it and made into things such as jigsaw puzzles and who knows what else. By my own beliefs, it’s been overdone. It’s really hard to come up with anything that would be considered remotely original. This is why you haven’t seen a photograph of it by me. Until now.
We arrived at the boardwalk around the lake and were the only people there. Granted, it was now dark but having a place all to yourself is always special. Due to its popularity, Picture Lake is being loved to death. It is a sensitive area with a short growing season and it cannot compete with the constant beating that feet bring. People don’t always respect this and stay on the constructed boardwalk that lines the perimeter of the lake. Arriving at one of the boardwalk decks along the shore, we found a light mist / fog rising from the water’s surface and drifting across to the north. THIS was a fine example of the different type of Picture Lake composition that I wanted to photograph!

We spent the better part of the next hour taking photos. This was my maiden outing with the new Sigma 18-35 f1.8 lens and I wanted to take advantage of that. The Pentax mount version of this lens was announced over a year ago but only recently began shipping. It is something I’ve been eagerly waiting for. I’ve wanted a faster lens for taking night/star photography since my current Sigma 17-70mm F2.8-4 leaves a lot to be desired. At $800, it is pricy but I had trouble trying to decide on one of the various Samyang/Bower/Rokinon lens offerings that many night photographers have embraced. I kinda wished that it was a bit wider than 18mm but the constant 1.8 aperature across the 18-35 zoom lens seemed like a great solution for me.

Here are some quick observations about the lens so far- like many people have reported across the internet, I will confirm that it’s quite heavy but with a good build quality. Manual focusing with it is a step up from my older Sigma 17-70. The movement of the focus ring has just the right amount of resistance without being too loose and sloppy. Focusing at f1.8 has a narrow tolerance but I didn’t think that the focus ring made it MORE difficult. The constant f1.8 really brings in the light so the mere act of focusing using live view on my camera was vastly improved compared with my older lens.
It’s tough for a “consumer” lens to be perfect and I will admit that the 18-35 does suffer from lens flare in wide open conditions. This is something that others on the internet have experienced. I will say that I was surprised to experience it at the hands of the full moon. Initially, with the super moon still lower in the sky, I was making compositions where the actual moon and it’s reflection on the water’s surface were in the same frame. These shots would exhibit noticeable flare that would diminish if you stopped down. Eventually, I had to re-compose my photos to exclude the actual moon, and leaving the reflected moon in.

I wanted to also try some star photography but the super moon just isn’t the time for that. I am looking forward to experimenting more with this lens in the coming weeks. Here’s the abbreviated time lapse from that evening:

To close out my small series of blog posts about my trip to Florida, I’ve saved what might be the best for last- those Florida skies. I don’t want to say that I took it as a given that there would be some great sunsets and sunrises during our stay but- I kinda did. We’d be staying on Sanibel Island’s Gulf side which faces west so it’s like shooting fish in a barrel, right? Err- sort of.

What I ended up learning during my week there was that sunrises and sunsets had different challenges. Sanibel Island (and Captiva Island which is connected by a small bridge) is shaped like a banana. Our lodging for the week was the Island Inn (which I cannot recommend highly enough) and it faces almost due south. This small point was driven home during our first afternoon when the setting sun went down directly over the beach on our right side. Sanibel Island is a popular tourist destination so I wanted to minimize my chances of people appearing in my compositions and this meant I would have to figure out some alternate locations for sunsets.Sunsets
The biggest challenge with shooting sunsets from Sanibel Island is going to be that, for the majority of the beaches, the sun sets directly above the shore break. On a tourist heavy location like Sanibel, this means that you’re going to have people in your compositions. In order to have photos with the sun setting over the Gulf, you’ll need to head north to Sanibel Island where the beaches have more of a western aspect. On one particular afternoon, there weren’t any good clouds to the west but there was a huge thunderhead towards the south out over the Gulf. If you find yourself in similar conditions, consider heading to the south end of Sanibel Island to the Lighthouse Beach Park. I was able to photograph the thunderhead with side lighting from sunset and this worked out quite well. There’s potentially another option but I don’t have experience with it. I’ve seen some nice “sunset” photos taken within Ding Darling National Wildlife Refuge. The problem is that the refuge closes a half hour before sunset so I don’t know feasible this is.

Sunrises
This is more problematic than sunsets. Unless you’re staying someplace on the bay side of the island, public access to the bay side is pretty limited. Ding Darling would be nice for sunrise but it doesn’t open until after actual sunrise. The sure shot is to photograph the western beaches and just enjoy the backlight that any offshore clouds would embrace. The previously mentioned Lighthouse Beach Park provided the best bay side waterfront access I could muster during my week there. There is some driftwood present that can provide foreground interest along with some living trees/shrubs. The view back across San Carlos Bay is pretty open with only a faint display of development (2 or 3 high rises). The biggest downside to this location were the people collecting seashells. Despite the early hour there was a steady stream of people and they didn’t really care about photographers set up & taking photographs.
All that being said, here’s my quick rundown on the various locations I utilized:

Lighthouse Beach Park-

Pros: Good for sunrise; good for certain sunsets (storm clouds over Gulf); plenty of parking; not as crowded

Pros: Westernmost- facing aspect for Sanibel Island proper; short hike north to lose the sunset crowds

Cons: Limited parking on either side of bridge; lots of people immediately on either side of Blind Pass

Captiva Beach (Captiva Island)

Pros: Westernmost facing aspect that you can get on Sanibel/Captiva Island

Cons: Lots of people near parking lot so short hike south needed to find a thinner spot along the beach; potential for people walking through your frame; parking limited

If all of that isn’t enough to keep you busy, there is also the opportunity for some storm photography! The high humidity of Florida generates afternoon thunderstorms and something called heat lightning. Several evenings, after 10pm, I noticed regular flashes of lightning out over the Gulf. I spent about an hour each of these evenings photographing the stars, lighting, and the Gulf. I was skeptical that I would be able to see the Milky Way given all the development up and down the Gulf Coast but I was successful! Except for the bites from sand fleas, I could have sat there for hours watching the lightning and listening to the waves lapping the shore.

As I learned, the trick was to get into rhythm with the lightning. Once you’re in sync with the lightning’s timing, you’ll start getting a lot of photos with lighting. Once you’re set up, wait for the first lightning strike. After it flashes, wait another 2-3 seconds and then click the shutter for a long exposure. This should get you in sync with the lightning. You always won’t be so lucky, though. During my sunset shoot at Lighthouse Beach Park, the thunderhead over the Gulf also had lightning striking the water for over a half hour. Despite my best attempts, neither my SLR or my GoPro shooting a time lapse could successfully capture any of the strikes. That was very, very frustrating!
That pretty much wraps up my trip to Florida. I didn’t know what to expect and, although I certainly felt flustered and overwhelmed at times, the trip and opportunities far exceeded any expectations I had. Finally, I’ll leave you with this compilation of the various time lapses I shot during my various sunrise & sunset sessions. Enjoy!

Now that winter is firmly under way, I paid my first visit of the winter to Huntoon Point and Artist Ridge near the Mount Baker Ski Area. Things looked pretty discouraging for sunset since most of the color developing was well south of us in the central part of the Puget Sound. Without much warning, things began to change. The color began to creep east towards Hagen Mountain and Mount Blum. Suddenly, color exploded over Table Mountain, and then Goat Mountain and Mount Larrabee, followed finally by Mount Baker itself. The color was fleeting and I had to move quickly from composition to composition. The last hurrah of sunset finally faded away 15 minutes after sunset and the increasing cold signaled that it was time to head home.

No two days are ever the same which is all the more reason to keep making regular visits to locations you love to photograph..
Lastly, a little time lapse of Mount Shuksan:

Mount Saint Helens was the last stop on my recent trip south to Mount Hood and the Columbia River Gorge. Any longtime reader of my blog will know that I have a special reverence for Green Lake in Mount Rainier National Park but Mount Saint Helens is the true reason that I eventually moved to the Pacific Northwest. Back in college, I really became intrigued by the eruption and subsequent recovery of the landscape following the event. I studied geography in college with an emphasis in computer mapping and remote sensing. At that time, no one had done an analysis of the recovery using remote sensing (basically an analysis using satellite imagery) and this really surprised me given the 20 year plus archive of imagery at that time. Anyways, it was this seed that actually encourage my first ever visit to the northwest.

Although I’ve climbed the mountain from the south side several times since moving up here in 1999, my last visit to the blast area was in 1997 or 1998. I was definitely overdue for a return visit! What I decided to do was head to Johnston Ridge for sunset, hang out overnight for some star photography and then shoot sunrise before finally heading home. I still had an entire day to get to Johnston Ridge so I made another trip up the Lewis River drainage to explore a little more. The initial weather was pretty good for stream and waterfall photography with mostly cloudy skies and nice, even light. Far too quickly, however, it changed to mostly and completely sunny skies. On my way up the valley, I stopped off near the Ape Caves and visited the Trail of Two Forests interpretive trail. I almost visited it last year while up in this area but a busload of school kids at the site kept me going. On this day, I had the area to myself.
The trail is a small, 1/4 mile boardwalk trail with several interpretive signs pointing out several volcanic features from a previous lava flow event such as lava tubes, log dams, and tree molds where the base of trees used to be (before being burned by the lava). It was a nice spot to explore and I did manage to come away with this shot of one of the lava tube openings. After completing the trail, I headed further up the Lewis valley making several stops to poke around. The forest floors here are rich with vanilla leaf and I’m a sucker for trying to capture a representative scene of this. Today was no exception…

The bright sun made it painfully obvious that I wouldn’t be photographing much else of what I had hoped to. I turned around and began my drive back to I-5 to make my way to Johnston Ridge. Just before you reach the Volcanic Monument, you pass Weyerhaeuser’s Forest Learning Center perched atop a cliff overlooking the Toutle River valley with the mountain in the distance. It’s free and does have some nice views so it’s worth a stop at least once. Keep in mind they are a commercial logging company so the center is a bit of a “hooray for us” PR piece where they strongly tout their reforestation efforts. While they are impressive, monolithic stands of Noble Firs doesn’t necessary qualify as “recovery” from an ecosystem perspective and takes on a somewhat Children of the Corn appearance (in other words, eerie).
As I approached Coldwater Lake, I was greeted by an intersection with my travel direction blocked by a manned and closed gate. I did not remember this from my last visit so I pulled over to go talk with the Forest Service employee. After setting me straight with directions, I was asking him about my intended plans for the evening. I was informed that, although they do not close a nightly gate, the Johnston Ridge area is closed to the public from 9pm to 7am. So much for my night and sunrise plans! Sunset on this evening was literally minutes before 9pm and that pretty much restricted my options for sunset. From the Visitor Center, I walked west and found one spot with some wildflowers in the foreground. I had some time to work with so I headed east from to see what other options there may be. I didn’t want to go too far east because parts of the ridge would begin to block some parts of the Plains of Abraham. I eventually found another spot with some Indian Paintbrush in bloom and set up my camera as well as my GoPro for a timelapse.

I started my timelapse and sat down to watch sunset. Things were looking good- stringy, wispy clouds were scattered across the sky. About a half hour before sunset, those wispy clouds had been pushed further east and I wasn’t left with much. The light on Mount Saint Helens just smoothly changed from white to yellow to orange to pink without much fanfare. The time of sunset arrived and I technically had just minutes to be back at my truck and leave. I forced myself to stop my timelapse and quickly packed up my gear for the hurry hike back to the parking lot. There was a slight rebound in the light and it killed me that I couldn’t really stop and photograph it (or capture it with my timelapse). At one point on my way back, I had a view down at the parking lot and my truck was the only car in a lot that held hundreds of cars. Today, I would be the last person to leave Johnston Ridge. Before I did, however, I enjoyed the silence a little bit longer. I expected to see a Forest Service employee sweeping the area clear but that didn’t happen. I really wanted to stay but…I left.

But where to go for my night and sunrise plans? Weighing my options, I made my way back to the Castle Lake Viewpoint. I arrived to an empty parking lot (and it would stay empty overnight and through sunrise). Now it was a matter of waiting for it to get dark and for the stars to come out. At 10:30-11pm, it was finally dark enough to start experimenting. Ideally, I was looking to take a photo with the Milky Way arching above the mountain but that looked to be hours away. Several sequences in, I attracted a visitor. Although I never saw it, the yelp from a (presumed) coyote kept sounding off in the darkness off to my right. At one point, the yelps suddenly were off to my left. All right, I admit- this was a bit freaky. About a half hour after my visitor made its vocal appearance, high clouds really started to roll in from the west. Soon enough, I lost any chance to take more star shots. I took that as my cue and hunkered down in my truck for a cat nap.

To my surprise, I got about 4 hours of sleep and woke up at about 3:30am to a crescent moon which had risen. I could see my surroundings better and could also see that those high clouds were still around. To the east, however, was a nice sized clear window. I really was hoping that the sunlight would flood through and reflect off of the cloud ceiling. For ONCE I was ready and in position! Once again, I started my GoPro and waited for the light show. And waited. And waited some more. Still waiting. Oh- it tried! I could see a faint show of color immediately near the horizon but not the explosion I was so eagerly awaiting. I held out hope but no dice. Once it officially was sunrise, I waited just a little longer to make sure I was shut out. I was- but there was a subtle surge of orange color. I set back up and focused on the mountain where the color was a contrast to some brooding clouds behind and to the east of the mountain.

So now it was finally time to head home. Hold on- why did that car stop? As I scanned the slopes below where the car stopped, I finally saw what they were looking at: a herd of elk heading down to the Toutle River valley. Comically, I run and get my camera & telephoto lens and set up again. My telephoto lens at 300mm was still a bit too far but you work with what you have. I was fortunate enough to capture a sequence of some playful sparring between a couple of young elk. Ok, now I’m REALLY leaving! A few hours later I was back in the Puget Sound and back on the grid. My phone was catching up with all its notifications and one of them was a message from a friend from the previous night. The message I didn’t get was an alert to look for the auroras. So- while I was enjoyed cloudy skies, the auroras were out and being photographed by people as far south as Crater Lake in Oregon. Perfect. My luck sometimes….

I spent a lot of time driving around Mount Hood on my recent trip but not a lot of time actually SEEING it. This first photo came about during my attempt to reach the Top Spur trail head. The winter snowpack still were lingering so I was turned around by snow about a half mile from the trail head. At the point of my turnaround, however, the road is located very near the spine of a ridgeline. I bushwhacked up to the top of the ridge to take a look around. Once on the ridge, I didn’t find a viewpoint of Mount Hood like I had hoped. Actually, the forest here was creepy with no understory and lots of dead limbs on the lower sections of each tree. I was all packed up and ready to head back down when the sun broke free from the persistent clouds and presented me with beautiful god rays. As fast as I could, I got all my gear out of my backpack just in time for the sun faded away before I could snap even one picture. I figured that if it happened once, it would happen again. I waited patiently and, sure enough, another outburst of god rays appeared. This time I was ready! I stayed around long enough for a third episode of god rays before feeling satisfied that I had captured the moment.
Earlier in the day, I poked around Lolo Pass Road and encountered some really dynamic conditions. Valley clouds were lifting quickly up and across the road from time to time. This was also occurring throughout the Sandy River valley. Perfect conditions for a timelapse! Here it is:

On the last full day of my time down around Mount Hood, the weather looked like it might be breaking up as sunset drew closer. I saw the summit for the first time on my trip from near the Mount Hood Meadows Ski Area. I decided to hang out and retreated to the Bennett Pass Snow Park. I shot this peek-a-boo of Mount Hood from there:
I had set up my GoPro for another timelapse and everything was going great until the clouds walled up and swallowed Mount Hood once again. Time to relocate! Here’s my abbreviated timelapse:

Hoping to take advantage of the lee side effect, I headed north on Highway 35 and turned off on Brooks Meadow Road (FS Road 44). A few years ago, I stumbled across an old clearcut that offered a great view of Mount Hood. I arrived but still had no mountain. Nonetheless, it was quiet and peaceful so I watched sunset while my GoPro snapped off another timelapse. The mountain never appeared but the clouds sure put on an entertaining show:

I packed up and headed back down to Hood River to make my way back to my motel. While I was driving through Parkdale, I looked up at my rear view mirror and, despite the darkness, there was Mount Hood clear as could be! I immediately pulled over and pulled out my camera and telephoto lens. This was happening during “blue hour” (the hour immediately after sunset) so while I could still see the mountain, it wasn’t possible to use autofocus. Using my Liveview setting, I dialed in focus as best as I could and then began taking several shots. After 15 minutes or so, sporadic clouds began popping up between my location and the mountain. This was a great way to end my day.

Welcome to my blog! Through it, I hope to provide more information about my photography as well as the stories that go with them. My focus is on the landscapes and natural environment found in the Pacific Northwest.