CONDUCTUS AT NOTRE DAME

Chapter:

CHAPTER 6 Notre Dame de Paris

Source:

MUSIC FROM THE EARLIEST NOTATIONS TO THE SIXTEENTH CENTURY

Author(s):

Richard Taruskin

The remaining polyphonic genre practiced at Notre Dame was the conductus. Its status there was far more modest than at previous
monastic polyphonic centers, but well over a hundred conductus nevertheless survive, in two, three, and four voices.

Taruskin, R. (n.d.). Chapter 6 Notre Dame de Paris. In Oxford University Press, Music from the Earliest Notations to the Sixteenth Century. New York, USA.
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