The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

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As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Learn & Explore Tip of the Day

March 31, 2015

Scrapbooking is a fun way to remember special events. There are various digital scrapbooking options in addition to traditional scrapbooking; but it all comes down to creating a special memory out of your photographs, complete with captions and descriptions of your experiences.

When composing a sports picture, leave some room for the action. For instance, if a runner is going left to right, leave more room on the right side of the frame for him/her to run into. This will make a big difference on the impact of the image.

Try using a preset or custom white balance in a stadium or indoor arena. Because light often is different at indoor venues, the best way to get optimal color is to create a unique white balance, which is what the preset does. Cameras vary in how to accomplish that so check your manual.

A panorama can help you capture the breadth of a great vista. With a COOLPIX camera, try the panorama scene mode or panorama assist mode. Check your camera’s manual to see which mode your specific camera has. This will help you with overlap as you shoot your sequence of images.

Don’t let telephone poles or trees sprout out of your subject’s head. Check the background carefully. Look over your subject’s shoulder to see whether any poles, trees or even cars are in the background. Sometimes simply moving a step to the left or right a few feet can make your picture much better.

Did you know that the Nikon 1 line of cameras bodies can use many of your f/mount DSLR lenses? Using the FT-1 Mount Adapter, you can use many of your legacy lenses on a Nikon 1. This is great if you have a favorite macro lens or super telephoto.

Photographing cats or dogs with a flash can cause green/yellow eyes, which are similar to the red-eye seen in humans. To avoid this, use some of the same techniques you use to avoid red-eye, such as bouncing a Speedlight or increasing the light in the room you’re shooting in.

Always bring out your camera when family or friends gather together. Even if it is not a big holiday celebration. You never know when the kids will do something cute that you’ll want to capture and if you’re busy searching for the camera you may miss the moment.

A great way to remember your trips or special events is by making a photo book. There are many websites that allow you to upload your images and easily design a photo book, complete with captions, as well as photo labs, and at the photo department of larger stores. It's a fun way to share your photographic experiences with friends.

If you’re going out with the intention of photographing a specific type of animal, do a little quick research before you head out. Knowing their habits can give you an edge when it comes to getting great photographs.

If you’re using a GPS-enabled COOLPIX digital camera and are on vacation and not sure where to go next, check out the POI (Points of Interest) feature which will let you know of landmarks that are nearby to your location.

To get the starburst effect you often see in photos, use the smallest aperture possible on your camera (this is usually f/16 or f/22) and shoot towards the sun. Shooting towards the sun will cause you to see flare in an image sometimes but this can add interest to your image. Shoot a bunch of frames—capturing the starburst with and without flare.

If you’re taking really important photos that you won’t be able to recreate, bracket your exposures to ensure the photos look great. Most Nikon digital cameras have an exposure-bracketing mode that you can set. It is faster if you let the camera do the bracketing, instead of you having to snap a photo, change the exposure, snap another frame, change it again, and snap a new frame.

When shooting video of an event, add interviews for a unique viewpoint. Shooting a birthday party—talk to the birthday boy or girl; shooting your kids sport—interview them or the coach—at a wedding—ask the bride and groom to comment.

When shooting food, simple compositions are always better. Zoom into the dish so you don’t capture the table, or zoom tighter so you don’t even see the plate. If you’re taking a shot of your meal at a restaurant, move some of the cutlery or glassware out of the frame for a better shot. It will only take you a moment to do so.

Protect your DSLR lenses. Get a good UV, Skylight or Neutral Clear filter for the front of every lens. This will help protect the expensive front piece of glass in your lens. When you get in dirty or rainy conditions, you'll be wiping the filter clear instead of risking the front element.

When shooting a portrait of a person, even if it's a quick shot, don’t place them against a wall, even if they place themselves there. Its natural for people to back up against a wall for a picture, but that usually isn’t the most flattering way to shoot a portrait. Unless you specifically want to shoot right against a wall for creative reasons, politely ask them to take a few steps forward or follow you to where you want to place them in a scene.

When shooting in bright sand or snow, experiment with the exposure compensation settings (the +/- button) on your camera. Set it for +1 to make the image brighter, which often will make sand or snow look better.

Change your white balance during a sunrise or sunset. Take your camera off auto white balance and switch to Cloudy or Shady white balance. This will add more strength to the reds, oranges and yellows. Auto White Balance tries to keep colors neutral.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Fast, f/1.8 compact FX-format prime (fixed focal length) lens

This updated classic with a fast maximum aperture is ideal for everyday shooting, perfect in low lighting situations and great for producing images with beautiful background blur (Bokeh). The AF-S NIKKOR 50mm f/1.8G includes Silent Wave Motor technology (SWM) for fast and precise autofocus, M/A Focus Mode Switch for seamless changes between manual and autofocus operation and an aspherical lens element for outstanding optical performance with high contrast.

Brilliance In Any Light

Get astonishing low light results

This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance.

Capture Every Detail

Shoot tack-sharp portraits every time

Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.8G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.

When fine manual focusing is needed, simply rotate the lens focus ringM/A mode allows you to seamlessly override the AF system with virtually no time lag.

Effective Aberration Correction

Since the 1960s, aspherical lenses have been an important part of the NIKKOR lens family. Virtually eliminating coma and other types of aberration, every new addition to the lineup provides a new level of contrast, resolution and compact design.

5 stars and more
if you are new to a dslr wont to learn aperture settings and shutter speeds do to affect the picture u need a fix focal length lens and u have found it. this lens will make u fall in love with it like i did worth every dollor u spent on it. i use the new D3200 camera and it just makes the pictures pop with the new sensor.
December 18, 2012

Highly recommended!!!
This lens takes tack-sharp images even in low light situations. Jaw-dropping bokehs. Works great with DX and FX formats. Great for portraits, candids and general photography. Compact and lightweight design. An absolute must-have!!!
November 30, 2012

Great lens
I got this lens 4 days ago and I just used today, it is a great lens. you can take Bokeh photos.
October 24, 2012

Incredible results!
I have had this lens for over a year now and I rarely take it off my D3100. While sometimes 50 mm is too long for what I am shooting, I somehow always manage to get the image I am looking for. This lens works under all circumstances. I have used it through a variety of things - from taking pictures of soccer games to homecoming pictures to lovely images of nature and wildlife and great portraits. The bokeh is fabulous and this lens works like magic in low light conditions. For the quality of the images and the quality of the lens, I think at $219 this lens is a steal and is a must have for any Nikon user.
October 15, 2012

Great Lens! Worth The Price!
I took photos at a private candlelit dinner party two days ago and had an awful time taking photos because the aperture on my other lens only goes to about f/5.6. I met a photographer at the party and he recommended this lens. I bought it today and have been testing it out, and it is probably going to be the only lens on my camera body for a while! It's a great price, not too expensive. Also, it will be great for portraits. Very sharp, nice bokeh, GREAT lens!
September 18, 2012

vr
i wish it featured with VR but still like it its cooooooool
August 24, 2012

Excellent
This is a excellent prime lens at good price!!!!!!
August 4, 2012

Forget all other lenses
I have been absolutely and madly in love with this lens. The moment you would put it on your camera, you wont want to use any other lens. If you own a Nikon DSLR and do not have this lens, then believe me you are at loss. It works equally good on entry level SLR like D3100, D3200 or D5100 and the picture is as crisp and sharp as taken from a pro camera. Look at the sample pictures i have posted. I am not a professional photographer by the way.
July 13, 2012

Love this lens
Is it possible to be in love with camera equipment? I think so. Recently upgraded from a D60 to a D7000 and wanted a good lens to use for family portraits and at the gym where I volunteer to shoot at different events. Yesterday I took it to the gym to photograph some youth Hockey players training for the up coming season. All the photos came out fantastic.
July 6, 2012

Great for Macro Photography
I bought this lens solely for doll photography, but on occasion I do use it for people and portraits. The picture is really crisp and clear, and the bokehs I get from this lens are absolutely amazing. And, the clarity is still consistent even under low light settings or being indoors. Not a lot of grain like my standard kit lens.
I use this lens on a Nikon D5000, so unfortunately AF doesn't work, but it's only a minor drawback, and I enjoy working with MF anyway.
June 14, 2012

Awesome lens for the price!
I just got the lens for an event. Awesome, handy and light. Very reasonable price with all it's features!!!
May 18, 2012

One stop sollution
I have brought it on November,11. Believe me u cant expect anything better than this with in this price. Its just awesome. The lens is so sharp and quick that you would not like your other lenses after using it. It is something that will fulfill most of your needs. That's why it is one stop solution to me. I can bet its one of the best lens Nikon has ever came up with.
March 15, 2012

GREAT LENSE...MUST HAVE
Very sharp images. Great for indoors.
I am using with D80 amazing...
March 8, 2012

50mm 1.8G
i had a hard time trying to locate this lens. I've looked on amazon b&h photo etc even local stores and nobody had them in stock! this was in Jan 2012. the best buy here had it on display but had nothing in stock, even looked for other Best Buy stores in the area that would be able to have it shipped to me, no deal. so i asked if i could buy the display model (it was in a glass case, and he said nobody ever takes them to touch them or try them on cameras). sales person said yes, i can buy it. made my day. came with all the paper work, warranty bag, box hood etc... so far within the 2 months I've had it i have taken some amazing shots, pretty fast lens, super sharp when stopped down at 2.8-3.2, for the price, you really can't beat it. i also own the 35mm 1.8, which i also love, it was my favorite lens till i bought this one. for the price... you can't go wrong. if you want bokeh, this is the lens, its almost obnoxious. i have it on a D5100 body, I'm not a pro... just an enthused hobbyist.
March 2, 2012

Better Than Expected
This lens was recommended to me by my friend after I was complaining about shooting in low light for indoor sports. It is very inexpensive, so I bought it. I love this lens. It is so useful, and it has helped me produce some phenomenal pictures in low light. The depth of field has a very large range, so it is very versatile. The build is good, nothing special, just a standard plastic structure. The autofocus is accurate and fast; perfect for close-up sports. However, I use this lens now for so many other things like nature and other stills. Love it!
February 6, 2012

Great Beginner Lens
I bought this lens for my Nikon D3100. Excellent sharp and fast. I have used this for 6 months and i absolutely love it. Would recommend for anyone who is beginner in photography and interested in their first prime lenses.
February 5, 2012

must have in your camera bag!
great little lens sharp, fast focus, and great performer in low light
February 2, 2012

small, light, fast and sharp
Have used my 28-70 f2.8 AF-S for years. Great lens but heavy. The 50 f.18 is small, light and sharp and far more comfortable to carry around. Bought it so I could carry my camera all the time without the weight and bulk of the 28 - 70. Results with the 50 1.8 are crystal clear, great depth of field. Perfect for every day casual use.
January 26, 2012

Fast, light, bokeh
Great as first lens, fast and the bokeh is nice...
December 25, 2011

Sophisticated lens
In my opinion the best lens for still photography. Its light, compact, inexpensive and produces impressive pictures.
November 20, 2011

Excellent Lense
Excellent lense specially for hte price. I bought it few months ago and I have been shooting with this lense only.
I am using it for following :
1. Portraits
2. Party pictures
3. Product photography pics
1.8 Aperature is great for low light. I have taken some awesome pictures in low light.
November 17, 2011

Great Lense
Got this lens right before my sister's wedding. I was amazed by the quality of the photo. Nice clear photo with very nice background blur. Love it!
November 10, 2011

AWESOME LENS!
I just got my lens today...went outside and took a few shots...it is amazing! The detail is awesome, close up and wide shots. I have a feeling this lens will be on my camera for some time!! (shooting with a D90) Can't wait to use it on a newborn shoot this weekend!!
October 18, 2011

Amazing simply put
I'm a photography student and I bought this lens not only to have a fast piece of glass, but to get an amazing low light lens. The nano coating and the aspherical element do exactly what they are supposed to, it prevents against CA (chromatic aberration)
September 29, 2011

Great Lense
I recently bought a D3100 and added the 50mm f/1.8g for portraits and general shooting. The lense works realy well with my camera. Low light shots are wonderful and closeups are clear and crisp. Great lense at an affordable price.
September 19, 2011

Good Lens, Good Price
I bought this lens for two reasons - 1) I wanted a DX portrait lens and 75mm equivalent is as close as I can get (prefer 85-105mm) and 2) the lens is a bargain.
Optically the lens is excellent, AF is very fast and the handling is terrific. I find the focal length awkward on DX for most uses and prefer the 35/1.8G, but for a short portrait lens at a low price, this lens is unbeatable. If I shot FX, this lens would certainly get more use.
September 8, 2011

Great performance for the money
This is my 4th Nikkor 50mm prime. I purchased a 50/1.4G ~three years ago, but did not like it due to its lack of sharpness and contrast at the first 3 stops. Having expected a better product for the money at that time I returned it after a week. This new 50/1.8 is technically amazing! At short distances it is very sharp already at f/1.8. At longer, landscape distances, it is sharp at f/2.2. For most situations, it stays pretty consistent until f/14, and then the picture quality clearly drops off at f16. That''s a pretty large range of useful apertures set in 1/3 steps!
Compared to my other 50mm lenses, it outperformes the older, manual 50/1.8, with regard to corner sharpness and contrast, especially wide open, but it does not hold a candle to the manual AIS 50/1.2 whith regard to color reproduction and bokeh. With my 50/f1.2, pictures more often turn out to be vibrant and alive, whereas this new 50/1.8 seems to produce very accurate, but also a bit sterile results.
The above are my personal (non-technical) impressions. Comparing lenses solely at an objective, measurable, technical performance level does not do them justice, IMO. Each lens has its own character, and some are more suited for certain situations, motives and camera bodies, than others. It takes time to really get to know a lens, and I still learn something new about my gear even after having owned it for several years.
That said, user reviews always need to be read with a grain of salt. Nevertheless, if you are in the market for a modern 50mm prime, this lens maybe is the best product for the money right now. I wholeheartedly would recommend it to my best friends.
August 13, 2011

Amazing lens.
Have a feeling this won't be leaving my camera for a while. Crisp photos, great in low light, all around awesome lens.
August 10, 2011

Must have lens!
Very sharp images.
Great for indoors.
a must have! =)
August 8, 2011

Never Leaves My Camera
This lens is really awesome; it never leaves my D5000. It is really good in low-light, but I would suggest a tripod to prevent motion blur. I hardly ever leave it on f/1.8 in the light though, because it is sort of soft, but it is really good at capturing motion. The best part about this lens that really was the selling point for me was that its pretty cheap and it autofocuses, even on my D5000! I do suggest this lens to any beginner or professional, because, being a prime, it doesn't zoom, so it helps you with composition and you have to move if your going to get closer.
August 7, 2011

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Answers

+2points

2out of2found this answer helpful.

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Answers

+1point

1out of1found this answer helpful.

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sorry to be redundant, i know you have said it's compatible with the D5100, but I want to be sure that is true for AF as well as manual. Thanks.

3 years, 6 months ago by

by

Anonymous

Age: 25-34

4 Answers

Answers

+8points

8out of8found this answer helpful.

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From what I know all AF-S lenses has a built in focusing motor so they will focus on the d5100 even though it doesn't have a focus motor built in camera body.

Sep 28, 2011 by

by

Anonymous

+4points

5out of6found this answer helpful.

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When 'AF-S' is labeled on a lens, what does this really mean? That it's recommended to use Auto Focus-Servo? When taking photos?

Was just curious - Thanks in Advance!

3 years ago

by

Anonymous

3 Answers

Answers

-1point

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The D5000 is compatible with the AF-S NIKKOR 50mm f/1.8G. The D5000 has a DX format sensor and this lens is an FX lens. The D5000 would be able to auto focus with this lens due to the lens' autofocus motor. To see the effects of the DX and FX combination, please see the lens simulator: http://static.nikonusa.com/Lens-Sim...

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+2points

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The focal length is same as it is on a DX body, it does not miraulously change, however, the its the angle of view that will change. Just multiply the focal length by 1.5 and it will give you field of view of the relevant focal length on FX.

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I just recieved my AF-S NIKKOR 50mm f/1.8G and my D90 is not recognizing the lens in auto-focus mode. It functions manually - but controls blank out when auto is set. Is this a specific compatibility issue - if so - what are recommended troubleshooting steps. Thanks

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-1point

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This is brand new out of the box - all contacts are clean. Swap lenses with frequency between stock lens and 300mm zoom with no issues to date on the 2 current lenses in weekly use.

Oct 1, 2011 by

by

Anonymous

-1point

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Autofocus is not compatible with D3000 when using AF-S NIKKOR 50mm f/1.8 D lens... need to know if AF-S NIKKOR 50mm f/1.8G autofocus is compatible with D3000.

3 years, 2 months ago by

by

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Baltimore, MD

Location :

Baltimore, MD

Age: 25-34

Favorite Subject: Family & Friends

Nikon Family: 2-5 years

Experience: More than a year

Role: Occasional user, memory keeper

2 Answers

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+13points

13out of13found this answer helpful.

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Does this lens have the motor in it, so will it autofocus on the d3100?

3 years, 1 month ago

by

Jlgertie

Lancaster, PA, USA

Location :

Lancaster, PA, USA

Age: 25-34

Favorite Subject: Portrait

Nikon Family: 0-1 years

Role: Occasional user, memory keeper

2 Answers

Answers

+11points

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I own Nikon d3100 with Kit lens. I am planning to purchase my first Prime lens. I can not decide between the afs- 35mm 1.8 and af-s 50mm 1.8.I was wondering weather they differ in sharpness and quality or it is just the focal length.If not,Which one can make better Bokeh?and what is the advantage of each and which is more recommended.

3 years, 1 month ago

by

Nikon Lover

United Arab Emirates

Location :

United Arab Emirates

Age: 25-34

Favorite Subject: Portrait

Nikon Family: 0-1 years

Role: Occasional user, memory keeper

2 Answers

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+2points

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I have both but use a DX body, the 35mm is great on a DX body as its a DX format lens, the 50mm works great on an FX body, Its an FX format too, but if you put an FX lens on a DX body, you have to multiply the 50 by 1.5 and come up with a focal length of 75, they all work great but I think an FX lens on a DX body better than a DX lens on an FX body. As far as sharpness and quality, I say they are the same, I dont know about which one to buy first but I have both, bokeh has been the same on both.

Mar 11, 2012 by

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1) According to DxO labs tests, on the D90 (they have no data regarding the D3100) the AF-S f/1.8 G 35mm reaches 42 lp/mm and 50mm 1.8G only 39; but the 50mm has slightly less distortion and chromatic aberration. On real use these lenses have similar sharpness (they are both *excellent*) when used on DX bodies like your D3100 (on FX bodies the 50mm has a clear advantage).

2) Longer lenses have better out of focus background. The bokeh *quality* of them is similar, but the 50's is a bit smoother due to the longer focal length.

3) There isn't an "advantage", they are actually quite different. One is longer, the other is wider. If you intend to have an "all rounder" prime DX lens, than the 35mm is more appropriate. If you intend to do mostly portraits, the longer 50mm has more out of focus background.

4) The real advantage of these primes over zoom lenses is the large 1.8 aperture, excellent for low light necessities. But if all you care is bokeh, the AF-S 55-200 VR actually has better bokeh than *both* - for less money. Both attached pictures were taken with a D5000 and a 55-200vr lens at 200mm @ f/5.6, 1/200 shutter speed, ISO 200.