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Tag: Anderson/Stolt

Expansive and spiritual in the vein of Tales From Topographic Oceans, this album–like all things Yes these days–has sharply divided the prog world’s opinions. And everyone’s got an opinion on this thing. Well, I’m firmly in the camp that Jon Anderson, Roine Stolt, and Co. have gifted us with a masterpiece. The album is a singular experience, a meditative exercise in four movements. The unrelenting positivity might sound out of place for these dark days, but it’s nonetheless needed. Strong contender for album of the year, for those with ears to hear.

Big Big Train – Folklore

Big Big Train keep adding members, and with each addition they get a little–scrap that, they get A LOT–better. I think they’ve hit on a perfect line-up, because they’ve just released a perfect album. They continue here with themes of the English countryside and fading cultural artifacts, rocking a ‘pastoral prog’ approach that owes a lot to Selling England By The Pound and Wind & Wuthering. Be sure to listen to the extended version as released on vinyl and hi-res download.

Childish Gambino – “Awaken, My Love!”
Donald Glover and Ludwig Göransson deliver the funk with plenty of 70’s heart and…well, y’know. There’s lots of organic percussion, fat synths and keys, deep grooves, and vocal effects to fill out the tracks. Childish Gambino keeps things varied here, but centered on those 70’s funk tropes, and somehow manage to inhabit rather than merely imitate. If Prince had released this album in the last few years, it would have been hailed as a renaissance and return to form.

Ben Craven – Last Chance To Hear

Great & Terrible Potions is quite an album to follow up, but Ben Craven has managed it with Last Chance To Hear. Loosely a concept album about the end of the music industry as we’ve known it, this album features William Shatner, prog-a-billy, a spot-on James Bond theme, and even a lovely piano elegy. It’s also a contender for best album art and packaging, with gorgeous designs by Freyja Dean. Cinematic, progressive, singer-songwriter with lush production.

The Fringe – The Fringe

Nick D’Virgilio, Jonas Reingold, Randy McStine. I was sold on the first two names alone, and I wish I had known about the third sooner. Perhaps the album I’ve listened to the most this year, The Fringe incorporates the more alternative rock side of prog into a garage band ethos with my pick for the best production work of the year. The album is stacked with deep grooves, vocal harmonies, and guitar solos. The Fringe are too good to remain a side-project, so here’s hoping that we hear more, and soon.

Frost* – Falling Satellites

Prog has always been a Populist musical venture, however strange that may sound these days. Why shouldn’t pop be progressive, anyway? The latest from Frost* is the most modern-sounding album of the year; it’s ahead of its time, really. All pop music will sound like this in ten years (we can hope). Hooky, layered, accessible, rich, and emotional–it suits a wide range of musical needs.

Steve Hindalong – The Warbler

Incorporating elements of his work with The Choir, The Lost Dogs, and his previous solo album, Steve Hindalong turns in another batch of so very human songs. His descriptive lyrics are so mundane–that is, they essentially capture the mundanity of everyday life–that they bypass our receptors for aesthetic filigree and hit straight at the heart. It’s not unusual for a song to prompt tears, chuckles, and tears again in the course of a verse and chorus. Essentially a singer-songwriter album, the rich production frames the lyrics while never obscuring them. Don’t let the religious backdrop scare you away; this is less of a ‘Christian’ album than what Neal Morse was writing before he was a Christian, and it captures themes of friendship and everyday existence so very well.

Marillion – F.E.A.R

Wow. Of course I want my Prog to be beautiful, grandiose, immersive, but to get one that’s also so…so important? If I were ranking albums, this would have to be #1, and I’ll happily listen to it twice for every person who’s turned off by the message. Political prog at it’s finest, and Mark Kelly is going to win an award for his keys on this album, right

Muriah Rose – Beneath The Clay

Muriah Rose hits the ground running with this gorgeous debut, comprising folk, country, Americana, and singer-songwriter forms recalling The Carter Family, Julie Miller, and The Byrds. Beneath The Clay is Appalachian music through and through, not only musically but thematically and emotionally. Her husband, Bill Mallonee, holds down the rhythm section and adds textured guitar, but Muriah’s voice and lyrics stand front and center in the spotlight, where they belong.

Devin Townsend Project – Transcendence

Continuing in the vein of Sky Blue but with some Ocean Machine thrown in for good measure, Transcendence finds Devin Townsend working the “emotional mid-tempo rock” thing the DTP have perfected over the last several years, except that here they perfect it even a little more. While I’d love to hear more of Anneke Van Giersbergen’s vocals, the decision to lean on her vocals a little less really brings Dave Young’s guitar and Mike St-Jean’s keys more to the forefront. It’s not just marketing, folks: this album sounds less like a Project and more like a band effort. Nolly’s mixing and production also add some breathing room to Devy’s typically dense arrangements. It’s heavy, proggy, inspirational, and good.

Welcome ladies and gentlemen to the first official Progradar Reviewers and Friends ‘Best Of…’ feature.

I asked those who wished to contribute to cogitate over what great music they had heard, released 1st January to 30th June, in the first half of 2016 and come up with a list of their definitive five favourites.

Not an easy task, let me tell you but, here are the selections of nine (including me) erstwhile wordsmiths and friends, including a few words as to why these particular releases made the cut.

Emma Roebuck (Progradar reviewer)

Cosmograf – The Unreasonable Silence

This is Robin Armstrong on some amazing form. I loved ‘Capacitor’ and I thought ‘Man Left in Space’ was a hard one to beat. I was clearly wrong and happy about it too. Robin is at his best when looking at the human condition when viewed through a less than regular lens. The mythology of Sisyphus and alien abduction combine to make such a lens. I will treasure seeing his one and only live performance so far at Celebr8.3 fondly. The album is dark and melancholy which is the way I like my music to be honest.

This film might change your life and Relativity being high points in an album that is a mountain range of achievement.

Preacher – Aftermath

Their second album, and independently released like the Cosmograf album (and another 2 in my, selection if I remember rightly.) Preacher craft both songs and albums exceedingly well. ‘Signals’, the previous album, shows signs (poor, but unintentional, pun) of a band with tons to offer. They draw their roots from 70s Floyd and the melodic side of the genre. It could be said that this is the album that Floyd should have released instead of ‘The Endless River’, I could easily agree but this is not that Floyd this is a band that use melody, harmony and song in a way that could go beyond the genre.

Stand out Tracks

War/ War reprise and Vinyl show how we look to emotions and actions and make things or deeds of them as people.

Drifting Sun – Safe Asylum

I was too young to be really aware of the genuine impact of the classic period of Prog rock. I caught the periphery in my early teens but felt no ownership of Yes, Genesis, VDGG, Floyd, Gentle Giant, etc only a serious attraction to the music as a 14 year old in 1975. In the early 80s, having ridden the horror that was punk, I remember seeing Marillion, IQ and Pallas in small pubs and clubs in 82 and it was a pure emotional and intellectual epiphany. It felt like I was hit in the heart and the brain with a piece of 2 by 4. I found home and ownership of music. I liked ‘Trip the Light Fantastic’ immensely and when I heard this album I felt all those emotions again. I was in the Sheffield Limit club again hearing something of very high quality and I connected immediately to this music. It is Neo Prog of a very high standard. They sound like themselves with echoes of the last 40 years resounding through the music.

Standout Tracks Intruder and Desolation– Retribution.

Jump – Over The Top

I have been a fan of Jump for the best part of 21 years. It is the Classic rock society that I owe big style, not just for these but many others, in times of musical desolation. I found my first sample of these by old school recognition and recommendation by word of mouth. Fast forward to many Jump gigs later, the new album ‘Over the Top’ comes out and it was ‘yes, get in!’. Some of the current live set had been used to fine tune some of the songs over the last 18 months or so and it shows. John Dexter Jones is a storyteller par excellence and the band are an excellent vehicle for those stories. The words are heartfelt and the music comes from the same place. If they lived in medieval times they would be the bards of old. The use of the past to illustrate the way of the world we live in now is the stock in trade here.

Stand out tracks, I want to say all of them but if I was to choose The Beach and the Wreck of the St Marie are those choices.

Kiama – Sign of IV

Just when you think you have Rob Reed figured out, Sanctuary, Magenta and so on, he does something out of the blue and blows the socks of you. Take good old rock sensibilities from the 60s and 70s, put them in the hands of some very talented individuals and they become a band which sounds like they have been a unit for years. I recently saw them support Frost* and wow, just wow.

This is a hybrid, musically drawn from the past in a very real sense, and is a homage to how they used to work but it does not feel like a tribute band in anyway. It results in a multifaceted album of light and shade with some fantastic songs and heartfelt lyrics. It is some of Luke Machin’s best work outside of Maschine & Rubidium. Rob Reed has a blast playing with sound and tone to create things like ‘Muzzled’, which is a tribute to the Floyd Album ‘Animals’, using the tones from the period to reflect the music and the time it came out. Dylans voice is amazing, we need more Kiama …

Stand Out Tracks Muzzled and Slip away.

Leo Trimming – (Progradar and TPA reviewer)

Red Bazar – Tales From The Bookcase

This was my TPA’s review’s conclusion early in the year for this surprise package, and I’ve had no reason to change it since…

This is an excellent collaboration: Red Bazar have helped Peter Jones express more of his serious, darker side and also allowed him to display more vocal dexterity. In return Red Bazar have gained a talented and very fine rock vocalist who has added great lyrical skill and vocal feeling to their own fine emotional musical palette…

This may be a bit of a dark horse, but Red Bazar may just have released one of the Prog albums of the year.

Matthew Parmenter – All Our Yesterdays

A favourite on two levels – it’s a great album of subtle artistry and fine music, and on another level the artist & his music touched me personally. My Progradar review concluded:

‘Matthew Parmenter has stepped aside from the magnificent, gothic group dynamic of Discipline to create a solo work of art suffused with dramatic shades and emotional lyricism, conveying tragedy and hope. This is an album that is likely to captivate and beguile with subtlety and delicate emotion. It certainly gave me unexpected comfort – Inside.’

Nine Stones Close – Leaves

A darkly trippy and psychedelic album. Part dream, part nightmare – this is an album for which repeated listens gradually unpeal the layers, like all the best progressive releases. My Progradar review observed:

‘Nine Stones Close create rich musical landscapes suffused with a sense of the dramatic and psychedelic… They do not stick to their old formula and want to progress. My advice is stick with these guys because you are never quite sure in which direction their songs or this albums may turn, but it sure is an imaginative and fascinating ride!’

Big Big Train – Folklore

A much anticipated release does not disappoint as the album describes modern folklore, ancient legend, elegies for lost love and epic stories of heroism and loss … plus bees (!) in a rich tapestry of folk tinged progressive rock. Lyrically intelligent and insightful, conveyed with integrity and emotion, and played with consummate skill and passion. Impossible to ignore – we all sort of knew it would be great. Of course it’s great!

Cosmograf – The Unreasonable Silence

Simply stunning. Robin Armstrong has imagined a rich narrative of alien incursion (or paranoid breakdown?!) with sonic brilliance. The imaginative story is unnerving, whilst the music is captivating on a human level but cinematic in scope – ranging from crunching Purple riffs, through atmospheric acoustic passages to sweeping Floydian soundscapes. Undoubtedly, major contender for Album of the Year already from one of the best Progressive Rock artists of this generation.

Gary Morley – (Progradar reviewer)

Hawkwind – The Machine Stops

Everything that Hawkwind evoke distilled into one disc. Great musicianship, tunes and tons of atmosphere make this the top of the pops for me. It’s been a long time since a Hawkwind album had such a buzz about it. Biggest regret – that I missed the live shows. Biggest hope – a proper live blu-ray & CD set is coming.

Preacher – Aftermath

Prog at it’s best for me needs a driver. Preacher use guitars. Proper guitars like your dad waffles on about when he talks about Pink Floyd, Steve Hillage, Jimmy Page and that time he watched Rory Gallagher play for 3 hours at the Hexagon Theatre and your mum was drinking pints and ended up paralytic, singing along to “Wayward Child” sat on his boss’s shoulders…

I Am The Manic Whale – Everything Beautiful In Time

Local boy’s debut embraces everything that is good about music. It has great tunes, off the wall lyrics and subjects that place it head and shoulders above most of what passes for modern music from the under 30’s. I’m looking forward to their next offering, be it a live gig in Reading or more music.

Gandalf’s Fist – The Clockwork Fable

‘The Clockwork Fable’ is a Steam punk opera, like a space opera or a soap opera but without the bad romance and dodgy backdrops.

I loved the variety of musical genres used to tell a totally bonkers tale of clockwork suns and steam powered boys looking for missing cogs in a giant machine all played out in a cavernous underground city. There are rock tracks, some great drumming, some “epic” prog , some plaintive melodies and a host of guest vocalists and musicians, all of which add to the mix without overegging the lily.

The first time you listen you get sucked into the world presented here. It’s a Post apocalyptic, dark dystopian world but there are flashes of humour and the absurdity does not detract from the sheer brilliance of the effort here.

It took several spins for this album to truly work its magic on me, but once hooked it just won’t let me go. A beautifully organic record, informed and powered by vintage sounds but not a slave to them. The tastefully arranged guitar work on this album is a particular highlight. Favorite tracks: Balearic Blue, Celestial Spheres.

Haken – Affinity

Haken leaves the 1970s sounds of ‘The Mountain’ behind, makes a brief stop in the 1980s for the song 1985 and then ventures forward into the future on Affinity. An endlessly inventive collection of intricately designed and passionately performed pieces it’s one of the most thrillingly forward-looking albums of 2016. It’s time to drop the “Prog Metal” genre tag, these guys have transcended it. Favorite tracks: The Architect, Red Giant

Purson – Desire’s Magic Theatre

Purson’s follow-up to ‘The Circle And The Blue Door’ is essentially a solo album from Rosalie Cunningham who wrote, arranged, produced and performed the majority of D.M.T. herself. A conceptual psychedelic journey influenced by her Father’s record collection and her own experimentation with mind-expanding substances. Another case of an artist using the canvas of vintage instrumentation and production techniques to create very personal and unique modern music. Favorite tracks: The Sky Parade, The Bitter Suite.

Big Big Train Folklore

Another beautiful collection of immaculately arranged and produced “pastoral prog” from this master collective of musicians. I recommend going for the extended track-list available on the LP and High-Res download editions, I believe an even stronger collection than the shorter CD version. Favorite tracks: Salisbury Giant, London Plane

Knifeworld – Bottled Out OF Eden

A wonderfully quirky concoction of pop sensibility, progressive experimentation and the harmonic sophistication of jazz all mixed together into a thoroughly accessible brew. And it’s fun! Favorite tracks: I Am Lost, I Must Set Fire To Your Portrait.

Roger Trenwith – (TPA reviewer and Astounded by Sound blog)

Bent Knee – Say So

An unparalleled triumph of invention, melody, and strangeitude, it will take some beating for album of the year.

David Bowie – Blackstar

Hardly seems right relegating this poignant artistic statement and full stop on a career of a true visionary to No.2, but from a purely musical point of view, them’s the breaks.

Knifeworld – Bottled Out OF Eden

A chronicle of loss leavened by hope, Knifeworld get better with each release. Criminally underrated.

Body English – Stories of Earth

Is there a sub-genre called “prog-pop”? If not, this is it. A truly joyous record shining a light in this dark Year of Stupid.

Whatever I put here means leaving out at least half a dozen albums equally as good, so this came out on top after a complicated mathematical randomisation process involving dice, incantations, dead frogs, toads, and copious amounts of single malt. The mighty Crim remake, remodel like no-one else. The version of Epitaph will make you shiver, unless you have no soul. Superb!

Kevin Thompson (LHS) – (Progradar reviewer)

Big Big Train – Folklore

Does this really need a reason?, best of the Band’s excellent output so far and an album that will always be on my desert island disc list. As near to perfect as it gets…

Long Distance Calling – Trips

There are so many bands in this area of music it’s hard to stand out, but, on this release, Long Distance Calling have…..

Gandalf’s Fist – The Clockwork Fable

A tremendous 3 disc concept package of such quality. Never been better value for money and shames the bigger bands!!

Iamthemorning – Lighthouse

A delicately beautiful album from this Russian duo added further poignancy with the heartfelt vocals from Mariusz Duda on the title track.

Downriver Dead Men Go – Tides

Another band who came recommended and I’d not heard before buying. Slow, dark and emotional, this Dutch band surpassed my expectations.

David Elliott – (Prog Guru™, TEP, Bad Elephant)

Lazuli – Nos Âmes Saoules

There is nothing else quite like them, and they keep on going from strength to strength….

Bent Knee – Say So

My first exposure to this amazing American band…genuine innovators, and hairs-on-the-back-of-the-neck exciting!!

A great return to the arena from the masters of modern progressive. Progressive rock with pop sensibilities – what’s not to like?

John Simms – (Progradar reviewer, Rev Sky Pilot blog)

Big Big train – Folklore

Consistently turning out excellent pastoral English progressive music, BBT have hit the motherlode again with this suite of songs celebrating the British folkloric tradition. From the sublime beauty of ‘Transit’ to the quirky tale of ‘Winkie’ the Pigeon, this is music of the highest calibre.

Anderson/Stolt – Invention of Knowledge

This, for me, is simply the best music anyone connected with Yes has produced since ‘Awaken’. It draws on the bestaspects of Yes and Flower Kings and produces something sublime and beautiful. It was a very close call between my Top 2.

Southern Empire – Southern Empire

One of the up sides to Unitopia folding a few years ago is that we now have both UPF and Southern Empire to carry on the legacy. This is a fine collection of melodic progressive rock music, exhibiting high levels of virtuosity and songmanship.

Knifeworld – Bottled Out of Eden

Another band with a unique style and approach to music making. This is a wonderful follow-up to ‘The Unravelling’ and Kavus and his band of minstrels continue to delight.

Mothertongue – Unsongs

The best music is that which stands out from the crowd, and Mothertongue certainly do that. Ecclectic, bizarre, unexpected and bonkers, this is a wonderful collection of (un)songs.

And finally my thoughts, this selection of five albums was incredibly difficult to pick but I’m pretty certain that, at this moment in time, it is my definitive top five!!!

Mothertongue – Unsongs

With its incisive, intelligent lyrics and first-class musicianship, Unsongs is unlike anything you will have heard in recent years. The music will lead you on a roller-coaster journey of acid jazz inventiveness that’s a big heap of noisy and light and also includes a lot of brass because everyone likes brass, right? A musical breath of fresh air that you will return to again and again, it’s just brilliant!

Big Big Train – Folklore

The acknowledged masters of pastoral progressive rock and intelligent and incisive storytelling return with a fresh collection of tales gleaned from our heritage and history. With their penchant for heartfelt lyrics and beautiful music it is an involving and mesmerising journey that everyone should take at least once in their life.

Cosmograf – The Unreasonable Silence

Thought provoking, questioning and inventive, ‘The Unreasonable Silence’ has all that I ask for in my music. A well constructed and intelligent concept brought to reality by a gifted musician with incomparable support from some incredible guests. It makes you really think about what you have heard and, above all, is a peerless, outstanding and incomparable listening experience that you will not forget any time soon.

Iamthemorning – Lighthouse

‘Lighthouse’ is an amazing musical journey from the first note to the last. It is bewitching and beguiling and removes you from your everyday life to a place of wonder. Darkly captivating, it is not all sweetness and light but is a musical legacy that iamthemorning can build on and the ‘Lighthouse’ can light the way. These two exceptional artists have now moved into the major leagues and it is well deserved, album of the year? why not!

Tilt – Hinterland

A superb album by a cast of very accomplished musicians. Brilliant vocals, burning guitar solos, a thunderous rhythm section and songwriting of the highest quality combine to deliver one kick ass release that I keep returning to again and again. By the way, three of these guys are better known as Fish’s backing band but, oh my god, have they risen well above that soubriquet now….

So, there you have it, a small selection of our own, very subjective, opinions on what has been the best music of a highly impressive first six months of 2016. You may agree, you may not but, one thing that everything agrees on is that the music just keeps getting better, and long may it continue!!

This could get messy. I’m tasked with scribbling a few lines about the upcoming journey into the “Y” Universe undertaken by 2 legends, Prog heroes that 99% of you reading this know more about than me. Yes, it’s part of “That” band’s DNA, as expected. It shares that “Y” chromosome, with the “X” supplied by the Flower King and his court.

I’d say that it distils the “Yes”sence, the very DNA of that home world and that if the CD underwent a Paternity test, the answer would be in the affirmative.

It could be a fragile creature born in the heart of the sunrise, floating on silent wings of freedom. It could be the owner of a lonely heart…

Oops sorry about that. That’s too easy and a cheap shot. Jon Anderson is a unique and individual vocalist and sounds like, well, Jon Anderson no matter what the setting and here it’s on a grand scale. Mister A and Mr S, with help from Mr R have created a great sounding album that deserves to be played loudly through proper speakers. I am willing to bet that the vinyl sleeve will be at least a gatefold, probably a triptych of Roger Dean Acid fried surreal dreamscapes, and such is the warm 70’s vibe that even the mp3 files radiate.

There are ethereal voices, orchestras, layers of guitar and Big church organs, all heralding back to the heydays, the golden summers of the seventies, when Prog was king and boys (and girls) sat, rapt at the feet of the minstrels playing and singing for them.

The music takes you to this parallel place, you get lost in the swirl of words and notes. The language is a familiar one, but the meaning? Well, “be nice to each other on your journey” seems to be the best my babel fish can provide after listening a couple of times.

To be honest, it’s the whole rather than the sum of the parts that we are celebrating here.

I could break it down, track by track, note by note but I’m neither anal enough nor knowledgeable enough to try.

It’s a thing of beauty, ethereal and floaty. It’s the joy of living rather than documenting. More abstract art than selfie.

Timeless, resonant with that which has gone before, there are echoes of the old- that warm semi hollow body guitar sound, the thunderous bass runs, the big church organ that all go to make up the language of the affirmative.

There are also flashes of the other parents – those vocal harmonies, that guitar sound, that break with just bass and keyboards- Very Flowery, but ultimately this is a celebration of a particular band, and it works beautifully.

The first time I played it, it was a grey and cold day and the warmth of the music felt at odds with my mood. Today, it’s bright, sunny and hot and the ambience suits the music, it feels “right” for summer’s day. The perennial optimism of the lyric lifts the soul, although the deeper meaning passes me by, I get a feeling, rather than a definite statement.

At the final analysis, this is a labour of love, the sounds and vibes are faithful to the era that it celebrates. However, I must confess that the excesses of the period that allegedly spawned punk are echoed here, with it all merging into a body of work that works on one level, but it’s a bit like angel delight. Tastes good, you get stuck in and before you know it, you’ve overindulged and are suffering from indigestion. There are some lovely parts – A lovely piano piece at the climax of Everybody Heals has just caused me to pause from scratching this to listen to it in full, but this album has that marmite potential. Part of me loves it, but another part says to the inner 15 year old that there is more to life than gatefold sleeves, Science Fiction tinged lyrics and everything including the kitchen sink tracks.

So, hit or myth? I’m glad that I’ve had the opportunity to spend time with this album. It is particular exercise in nostalgia for a world that I was just too young to be a part of, an elder brother’s world whereas I was the eldest. I tried. At the time I adored “Going for the One”, the first album I remember hearing / buying by Yes. I’ve filled the gaps in my collection sporadically over the years and this will join them on that shelf. It will get played, I am looking forward to seeing the artwork and hearing it in its full uncompressed digital glory, but I’ve moved on and whilst the inner 15 year old me will be enraptured, 40 years of exposure to the world outside of Yes means that the modern me will wax nostalgically for the world that this invokes, encourage the artists to be true to their muse by purchasing their efforts and accept that I’ve moved on.

Yes world – a great place to visit, but would I want to live there? I’m an urban dweller now, flouncing around slaying dragons, tripping away across summer meadows to the minstrel’s tune is a dream of an Arcadian land that I’m a stranger in. It’s an aspirational holiday destination; one that for the duration of your visit is perfect as it’s totally removed from day to day living.