In the following essay, Jones perceives Ladder of Years as a “postfeminist revision” of Kate Chopin's The Awakening.

Following the 1995 publication of Anne Tyler's Ladder of Years, familiar comments about the author's much-debated stance on feminist issues once again appeared in book reviews. For example, in the Yale Review, Lorrie Moore described the Baltimore of Tyler's novel as “a land and time unto itself, untouched by such things as feminism […] or politics of any kind” (141). Brooke Allen, in the New Criterion, lamented that Tyler's characters “seem eerily untouched by any of the revolutions, be they sexual or feminist, of the last forty years.” Additionally, Allen complained, “...