The Alliance has selected Tom Wolfe’sA Man in Full; to read for the Alliance Book Discussion during the 74th Annual Surgical Update in Atlanta (June 6-9, 2012).

The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.

Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.

And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.

Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.

As the book is over 700 pages long; please don’t wait too long to pick up a copy & start reading. Anyone who attends the Annual Meeting is invited to participate. Please refer to future meeting publications for the date & location of this event.

If you have any questions, please contact Maggie Kearney, Alliance Liaison at mkearney@ficsonline.org or (312) 787-1662.

Summary: Widely considered The Great American Novel, and often remembered for its epic film version, Gone With the Wind explores the depth of human passions with an intensity as bold as its setting in the red hills of Georgia. A superb piece of storytelling, it vividly depicts the drama of the Civil War and Reconstruction. This Pulitzer Prize-winning story is the tale of Scarlett O'Hara, the spoiled, manipulative daughter of a wealthy plantation owner, who arrives at young womanhood just in time to see the Civil War forever change her way of life. A sweeping story of tangled passion and courage, in the pages of Gone With the Wind, Margaret Mitchell brings to life the unforgettable characters that have captured readers for more than seventy years.

Created as a "living memorial" to the philosophies and ideas of Dr. Martin Luther King, Jr., this essential volume includes more than 120 quotations from the greatest civil rights leader's speeches, sermons, and writings. Selected and introduced by Coretta Scott King, the book helps keep the dream alive by focusing on seven areas of the Nobel Peace Prize winner's concern: the community of man, racism, civil rights, justice and freedom, faith and religion, nonviolence, and peace.

The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.

Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.

And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.

Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.

In a suburban Atlanta neighborhood where divorce is as rampant as kudzu, Mary Bliss McGowan doesn't notice that her own marriage is in trouble until the summer night she finds a note from her husband, telling her he's gone -- and taken the family fortune with him.

Stunned and humiliated, a desperate Mary Bliss, left behind with her seventeen-year-old daughter, Erin, and a mountain of debt, decides to salvage what's left of her life by telling one little bitty lie.

At first, Mary Bliss simply tells friends and family that Parker is out of town on a consulting job. Then the lies start to snowball, until Parker turns up dead. Or does he?

Mary Bliss's formerly staid existence careens into overdrive as she copes with an oversexed teenager, a mother-in-law with Ethel Merman delusions, and the sudden but delicious shock of finding herself pursued by two men: the next-door neighbor who's looking for a suitable second wife, and a dangerously attractive ex-cop who's looking for the truth about Parker McGowan.

Little Bitty Lies is a comic Southern novel about all the important things in life: marriage and divorce, mothers and daughters, friendship and betrayal, small-town secrets, and one woman's lifelong quest for home -- and the perfect recipe for chicken salad.

In the trauma center of Atlanta’s busiest hospital, Sara Linton treats the city’s poor, wounded, and unlucky—and finds refuge from the tragedy that rocked her life in rural Grant County. Then, in one instant, Sara is thrust into a frantic police investigation, coming face-to-face with a tall, driven detective and his quiet female partner…

In Undone, three unforgettable characters from Karin Slaughter’s New York Times bestselling novels Faithless and Fractured collide for the first time, entering an electrifying race against the clock—and a duel with unspeakable human evil.

In the backwoods of suburban Atlanta, where Sara’s patient was found, local police have set up their investigation. But Georgia Bureau of Investigation detective Will Trent doesn’t wait for the go-ahead from his boss—he plunges through police lines, through the brooding woods, and single-handedly exposes a hidden house of horror. Then he finds another victim.…
Wresting the case away from the local police chief, Will and his partner, Faith Mitchell—a woman keeping explosive secrets of her own—are called into a related investigation. Another woman has been snatched. For the two cops out on the hunt, for the doctor trying to bring her patient back to life, the truth hits like a hammer: The killer’s torture chamber has been found, but the killer is still at work.

In her latest suspense masterpiece, Karin Slaughter weaves together moving, powerful human stories of characters as real as they are complex and unforgettable. At the same time she has crafted a work of dazzling storytelling and spine-tingling mystery—as three people, with their own wounds and their own secrets, are all that stand between a madman and his next crime.

Alice Randall explodes the world created in Margaret Mitchell's famous 1936 novel, the work that more than any other has defined our image of the antebellum South. Imagine simply that the black characters peopling that world were completely different, not egregious, one-dimensional stereotypes but fully alive, complex human beings. And then imagine, quite plausibly, that at the center of this world moves an illegitimate mulatto woman, and that this woman, Cynara, Cinnamon, or Cindy - beautiful and brown - gets to tell her story." "Cindy is born into a world in which she is unacknowledged by her plantation-owning father and passed over by her mother in favor of her white charges. Sold off like so much used furniture, she eventually makes her way back to Atlanta to take up with a prominent white businessman, only to leave him for an aspiring politician of her own color. Moving from the Deep South to the exhilarating freedom of Reconstruction Washington, with its thriving black citizenry of statesmen, professionals, and strivers of every persuasion, Cindy experiences firsthand the promise of the new era at its dizzying peak, just before it begins to slip away.

By turns hilarious and poignant, the lives of three vibrant and unique Southern women -- a proper Atlanta matron, her rebellious teenage daughter, and their housekeeper's young daughter -- intersect in unexpected and extraordinary ways in this richly compelling debut novel of family, friendship, and folly.

Getting Past Her Grief Would Lead Her Across Town—To a Whole New World

Mary Swan Middleton has always taken for granted the advantages of her family's wealth. But a tragedy that touches all of Atlanta sends her reeling in grief.

When the family maid challenges her to reach out to the less fortunate as a way to ease her own pain, Mary Swan meets Carl—and everything changes. For although Carl is her opposite in nearly every way, he has something her privileged life could not give her. And when she seeks his help to uncover a mystery, she learns far more than she ever could have imagined.

After ten years of cleaning up the dirt on Atlanta's streets, Callahan Garrity is trading in her badge for a broom and a staff of house cleaners. But, though the uniform is a little different, Callahan soon finds herself right back in the middle of a mystery when a client's pretty, pious nineteen-year-old nanny is gone ... along with the jewelry, silver, and a few rather sensitive real estate documents.

Before she knows it, the meticulous Callahan is up to her elbows in a case involving illicit love triangles, crooked business deals, long-distance scams, and a dead body. Now she has to roll up her sleeves and start some industrial strength sleuthing to solve -- and survive -- this mess.

With grown-up kids and a husband always on the road, Katharine Murray's nest would be empty if it weren't for her Aunt Lucy—until the elderly woman dies. Now Katharine's saddled with her Aunt's worldly belongings—mostly knickknacks destined for the dumpster. But there's a priceless Celtic necklace among the dross—and a diary written in German, neither of which Katharine's ever seen before.

Determined to find out where these objects came from, Katharine unwittingly discovers a branch of her family tree she never knew existed—namely Aunt Lucy's brother Carter, murdered more than fifty years ago after a mysterious trip to Austria. And when Lucy's artifacts are stolen, and the main suspect turns up dead, Katharine realizes she must solve a burglary and two unsolved homicides separated by a half-century . . . before more than her family secrets end up dead and buried.

Few are aware that Eugene Debs (1855-1927), the best loved socialist agitator of his time, wrote one of the most insightful books on prisons. Debs's only full-length book, WALLS & BARS is a lively memoir as well as a stirring critique, drawing on his own prison experiences.

From bestselling author Anne Rivers Siddons comes a bittersweet and finely wrought story of friendship, family, and Charleston society.

At twelve, Emily Parmenter knows alone all too well. Left mostly to herself after her beautiful young mother disappeared and her beloved older brother died, Emily is keenly aware of yearning and loss. Rather than be consumed by sadness, she has built a life around the faded plantation where her remote father and hunting-obsessed brothers raise the legendary Lowcountry Boykin hunting spaniels. It is a meager, narrow, masculine world, but to Emily it has magic: the storied deep-sea dolphins who come regularly to play in Sweetwater Creek; her extraordinary bond with the beautiful dogs she trains; her almost mystic communion with her own spaniel, Elvis; the dreaming old Lowcountry itself. Emily hides from the dreaded world here. It is enough.

And then comes Lulu Foxworth, troubled daughter of a truly grand plantation, who has run away from her hectic Charleston debutante season to spend a healing summer with the quiet marshes and river, and the life-giving dogs. Where Emily's father sees their guest as an entrée to a society he thought forever out of reach, Emily is at once threatened and mystified. Lulu has a powerful enchantment of her own, and this, along with the dark, crippling secret she brings with her, will inevitably blow Emily's magical water world apart and let the real one in—but at a terrible price.

Poignant and emotionally compelling, Anne Rivers Siddons's Sweetwater Creek draws you into the luminous landscape of the Lowcountry. With characters that linger long after you've turned the last page, this engaging tale is destined to become an instant classic.

It was the end of summer, a summer during a two-year nightmare. African American children around Atlanta were vanishing, and twenty-nine would be murdered by the end of 1981. Like all kids across the city, fifth-grade classmates Tasha Baxter, Rodney Green, and Octavia Harrison were discovering that back-to-school now meant special safety lessons, indoor recess, and being thrown into a world their parents couldn't comprehend, one in which the everyday challenges of growing up were coupled with constant fear - and the news of the murders of one's peers." Tasha can't understand why she daily falls in and out of favor with her classmates - she isn't weird like Rodney or "too dark" and outspoken like Octavia. Then, through a sudden crush on a boy from the wrong side of town, she finds that words have the power to both heal and wound. (The next thought was that Tasha herself had brought it upon him with her hateful words. "I hope the man snatches you." And she meant it when she said it.)