14 heavy metal drumming tips and techniques

27th Dec 2014 | 10:25

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Technique: Tuning

Following the essential guide to heavy metal drum gear, now it’s time to figure out how to coax some convincingly metal sounds from the kit. Courtesy of Rhythm magazine, here you’ll find five killer techniques, eight priceless tips from the pros, and one essential metal drummers’ checklist. Ready? Good, let’s start with tuning…

Metal drum sounds have become more and more processed over recent years with huge toms, clicky bass drums and cracking snares being the order of the day in most cases. While a lot of this is down to the way the drums are miked and processed, the tuning of the drums themselves is of huge importance.

To begin with, toms should be tuned to a medium/low tuning, with the floor toms showing wrinkles when the hand is pressed into them. And while tuning the bottom heads to the same pitch as the top will produce the most tone and sustain, tuning the bottom heads slightly lower will shorten the sustain and introduce some pitch bend, which is often preferable.

In metal, the snare is often quite high in pitch and tension and although it feels good to play it’s important to appreciate that, under a mic, a cranked up head can sound thin - so this is often an area of compromise.

Finally bass drums should be tuned low, with the same wrinkle effect as the floor toms. They’ll also need some dampening to enhance the thud by reducing the overtones and sustain. Some metal drummers tend to favour placing pads on the head at the point of beater impact in order to increase the ‘click’ - however this quality is easily ‘dialled in’ using EQ when using a decent mic.

Technique: Hi-hats and X-hats

In metal hi-hats are usually played slightly open for a trashy sound with some players even setting the clutch quite low so as to play the double pedal without affecting the hi-hat sound. However this will compromise the open and closed sound from the hi-hats, which is where X-hats, free standing hi-hats usually on the opposite side of the kit, come in.

They enable the drummer to set regular hi-hats more open and mean the left hand has access to the rest of the kit, whether playing double kick drums or not.

Finally, be sure not to clamp the top hi-hat cymbal too tightly in the clutch as it will need to be free to move. Failure to do this can damage the top hi-hat cymbal, causing it to crack in the worst case.

Technique: Cymbal choke

One essential metal drumming sound is the cymbal choke where the decay of the cymbal is stopped short to create an aggressive punctuation in the music. The choking action is usually done using the opposite hand to that which hits the cymbal.

However, as you get more proficient it is possible to crash and choke with the same hand, and for maximum effect it’s worth practising this using either hand. Choking the cymbal is usually done over individual bass drum hits. However it can also be very effective when played over double bass drum patterns.

Technique: Riding the crash

As hi-hats have become more openly and aggressively played, so the dynamic of the rest of the drum kit has had to increase, to the point where simply moving over to the ride cymbal is no longer enough to achieve a lift in the music.

As a result, most metal drummers now frequently play the ride part on a crash cymbal or sometimes even a china cymbal in order to create an appropriate shift in dynamics. This is best done on a larger cymbal, usual 18" or upwards, so as to create desired wash or spread.

Pro tip: Chris Adler: "Get your pedal right first"

Lamb Of God

"If you don’t have a lot of money, the one thing you want to spend money on, and find what is comfortable for you, is your pedals. You can get away with a crappy drum kit but if your feet aren’t comfortable trying to do that stuff, it’s never going to work."

Pro tip: Derek Roddy: "Concentrate on the spaces between"

“You might think playing a shuffle at 40bpm is boring, but that improves your fast playing because you don’t concentrate on the notes themselves, you concentrate on the space in between the notes.

"The most important thing in extreme metal is not the speed but the consistency of the notes. For metal drummers it’s very important to be able to fast blast-beat at the same volume you play something slow and driving.”

Pro tip: Vinnie Paul: "Pace yourself"

Pantera/Hellyeah

"It’s like being an athlete and doing a two-mile run. You don’t want to blast all your energy. I’m a really hard player so I drink a lot of water onstage and have a fan up there to keep the air moving."

Pro tip: Daniel Erlandsson: "Work out"

Arch Enemy

"I’ll practise a lot when I’m at home, just on my own, to a click track. I also do a bit of running to stay in shape. This is basically like a sport, especially when you’re doing 90-minute headline shows."

Pro tip: Mike Wengren: "Prepare for gigs"

Disturbed

"Before a show, I spend an hour in the dressing room getting in the zone. I have a playlist on my iPod with bands to get me pumped up, like Pantera, Machine Head, Lamb Of God. I do stretches from head to toe to loosen up. Then I start playing a few simple rudiments on a practice pad or run through some of my parts.

"Before leaving for stage the band has a customary shot of Jägermeister and then it’s time to throw down!"

Pro tip: Joey Jordison: "Work hard"

Slipknot

"To the younger readers I say, you’ll never learn to play it all, but always strive to. Keep working as much as you can. Eventually it will happen as long as you have the will and strive to be a good drummer."

Pro tip: Dave Lombardo: "Start with AC/DC"

Slayer

"Play along to whatever you can properly play. Start at AC/DC. After a while try some early Judas Priest and maybe bring in some double bass stuff. If you’re doing good there, move on to the next record."