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harwork

Let’s talk about how to keep going with your writing, against all the odds: time, the miniscule likelihood of being traditionally published, the challenges of being standing out amid the ocean of self-published works. I could go on, but you get the point.

In last week’s post here, I mentioned business woman Beate Chelette’s quote on breakdown, breakthrough and breakout. I’ve been thinking a lot about this as I’ve been struggling with writingboredom. I know myself well enough to know that boredom comes from within me. It’s not an external thing that’s imposed, it’s in my head. I realised that something had to bewrong with my writing if I was bored, but what?

This has been my process of reinvigorating my writing.

Realise that perseverance is not just willpower or resilience
Persevering in your writing is not just a matter of willpower (bum glue, making time, mind over matter), resilience (against rejection, fear and criticism) or endurance (it takes so very long to write and especially to write well).

Perseverance comes down to loving what you’re doing. Research on the psychology of creativity shows that we produce our best results when we’re slightly excited, optimistic and seeking pleasure (not in fear mode). You don’t always have to love what you produce, especially first off, but you need to love the process; the story, words, creating.

My main problem was that the feelings I had inside me weren’t being reflected on the page. My writing was reading adequately, but not as richly or evocatvely as I wanted. I was frustrated about the level of my writing but I had no idea of how to improve it. What to do?

Ask yourself if you need to grow, and howFor inspiration on how to rekindle my love of writing, I beganreading a new (deceased) author, Angela Carter. Her writing is intense, beautiful, transcendental. It’s not how I write or want to write, but her use of words is masterful. I realised I wanted some of that in my writing, which felt a bit safe reflecting the fact that I felt safe in my writing. I wasn’t pushing the envelope anymore and I was truly bored. (Aside: Reading is so important to being a better writer.)

I explored some websites and ordered a few time-honoured books on the craft of writing. Why I didn’t already have these technical books is beyond me (der!), although I’m sure I’ve read such things in the past only I took what I needed from them at that time, which is not what I need from them now.

From this research I worked out that I wanted to strengthen my style and voice. Ideas, structure and plot have not been issues for me so far (but every book is different). Next I found a free online course on style and voice. Wow! I spent just half a day completing week one, then rewrote the first page of my current novel adding in sensuous description. I referred to Carter’s work as a guide.

The result? My writing group loves my current novel (unlike my last), but rewriting the first page has taken it to a whole new level. I received comments like: “It has a dreamlike quality about it now that draws me in deep.” Not bad for a day’s work!

Since then, I can’t wait to write every day. I’m writing much slower, but I have a sense of fulfillment and accomplishment that’s been missing for a long time.

Be determined to grow
Perseverance in itself isn’t enough to be a good writer. It’s perseverance in a willingness to grow your writing that’s critical. If you read published authors on writing, many say they must relearn how to write eah new book. What is life if it it’s not change, and what is change if it’s not growth?

Be willing to examine where you’re at and how you might improve your writing. Listento your gut, listen to yourcritics. Open up and always look for opportunities to challenge yourself and grow. Stagnation is death.

To stay engaged in your writing process and become a better writer, what do you need to improve?

Also, for inspiration and camaraderie, read this amazing pieceHere’s a link to an incredible piece by writer Michael Ventura that I occasionally read during times of doubt called ‘The Talent of the Room’. It’s deep, brutal and real. In it he discusses the dangers of the (writing) room: the craziness, compromise and learning, the slog, the selling out and success (or is that really failure?).

“Writing is something you do alone in a room. The only thing you really need is the talent of the room. Unless you have that, your other talents are worthless.”

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