In a radical departure, Heller has concocted a clever, strange piece of experimental historical fiction. As the novel begins, slovenly, debt-ridden Rembrandt van Rijn is painting his now-famous Aristotle Contemplating the Bust of Homer. Suddenly, we are whisked from 17th century Holland to ancient Greece, where an exiled, weary Aristotle clairvoyantly watches Rembrandt doing his portrait. Not much has changed, the philosopher concludes as he gazes down the centuries at our dawning modern era of greed, wars and capitalism run amok. Written in a flat, reportorial style, omniscient in viewpoint, the narrative confusingly and annoyingly jumpcuts in time and spacebetween and within epochs. The chapters on Athens, where Plato pontificates while Socrates berates the belligerent youth Alcibiades, are occasionally wickedly funny. Best read in short takes, this startling parable about the degeneration of art into commodity and the survival of human values in a materialistic world demands total suspension of disbelief. For willing readers, it casts an undeniable spell.

Book is in excellent, clean condition (Fine). No marked, torn or loose pages. Binding is tight.