Friday, 26 February 2016

Odefey lived and worked in Hoopte an der Elbe (just south of
Hamburg). He studied in Hamburg with Julius Wohlers (1867-1953) and in
Weimar with Ludwig von Hofmann
(1861-1945), Hans Olde (1855-1917)
and Theodor Hagen (1842-1919) and travelled to Paris and the Isle of Bornholm.

Departure of the steam ferry in Hamburg harbor. The dramatic, balancing the composition, towering mass of the "Dukdalf", the movement of the right turn suggested by the water and the disappearing from sight ferry (only half a ship) are very clever. With the lonely female figure (his love?) Odefey may have left a hidden message in this print. Much like Emil Orlik put in an extra layer (or two) in his gossiping women print (below).

The steam ferry leaving seen in Odefey's print is possibly SS "Gottfried Semper" named after an important architect and was put into service in 1907 by the HADAG, the "Hamburg Dampferschiffart A.G." It was in service until 1945 and then scrapped. Few photo's survived, finding these was not easy. (I've planned a posting with more great works of art showing Hamburg harbor "under steam") and also this ferryboat.

Odefey's initials (monogram) E. O. are sometimes confused with Emil Orlik, which lead to the local auctioneers mistaken attribution and now correct identification of the opening print.

Ernst Odefy and Emil OrlikI'm intrigued by the partly visible red mural/poster (the letters AB (B reversed) and a seated figure(?),possibly a third layer in this early 1898 Orlik print.

The name (M ?) Kafka above the entrance and the black (William Nicholson-like) silhouette no doubt a tribute and portrait caricature of close friend Franz Kafka (1883-1924). They knew each other from childhood in Prague. Kafka visited Munich in 1903, 1911 and 1916. Orlik visited London and will have seen and known Nicholson's/Beggarstaf work.

Odefey held a teaching position 1914-20 at the Kassel “Kunst Akademie” and was a member of the “Hamburgische Künstlergesellschaft” and
the “Hamburger Künstlerverein”. Works are represented in collections of the “Kunsthalle Hamburg” and Hamburg “Museum für Hamburgische Geschichte”.

There's not much more to be found or to go on in the "sources", the Internet and Artist Lexikons.

This posting more or less summing up wat is known about Odefey's life and his printed oeuvre. Sending me pictures of other examples and all biographical facts will be welcomed open armed and shared in this humble Blog.

All pictures borrowed freely from the Internet for friendly, educational and non commercial intentions only.

Wednesday, 17 February 2016

Son of woodsculptor Julius Bechler and Johanna Conrad. Studied from 1889 in Munich “Kunstakademie” with Heinrich
Knirr (1862-1944) and from 1891 with Karl
Raupp (1837-1918), and from 1894 with Paul
Hoecker (1854-1910) He was a close friend of Leo
Putz (1869-1940) with whom he founded artist group “die Scholle” and worked at the literary magazine “Jugend”. Lived and worked 1898-1905 in Steinberg in Tirol later
settling in Maurach and Jenbach and also working as a photographer. Travelled
to Berlin, Leipzig and Dresden and in 1911 to Rome.

Appointed professor in
Munich Academy in 1927. He painted mainly alpine landscapes especially around
the “Achensee”. His known color woodblock
prints are also Alpine landscapes and were published in many books and
magazines.

His earliest woodblock prints date 1902 which put him among the
earliest of modern printmakers and the other Munich based printmakers: Emil Orlik, Koloman Moser,
Walter Klemm and the Neumann brothers. He married Karoline Frankenhauser from Steinberg and they had three children.

Exhibited with “die Scholle”
in the “Glaspalast” im Munich 1909,
his woodblock “Schneidende Winter”
winning a gold medal while “Winterstille”
was awarded a bronze medal in Turin “Internationale
Ausstellung” 1911. Exhibited in Berlin 1908, Munich 1910, Cologne1914,
Leipzig 1920, in the 1930’s in Innsbruck as a member of the Innsbruck Secession
and in Innsbruck 1955 and Achenkirchen 1999.

His prints are collected in “Graphische Sammlungen” in Munich, Vienna, Dresden, Berlin and
Leipzig. Member of the KVSch. and DKB.

Dressler Kunsthandbuch 1921: living Maurach
Achensee/Tirol

-------------------------

Leo Putz

(Merano 18-06-1869 – 21-07-1940 Merano)

Tirol painter.

Son of the mayor of Merano Karl Putz. Entered Munich “Kunstakademie” at the age of 16
studying with Gabriel von Hackl (1843-1926)
and was sent by his father to the “Academié
Julian” in Paris returning after military service to Munich to study with Paul Hoecker (1854-1910) where he will
have met his friend Gustav Becker.

In 1897 he opened his first studio and became a member of the Munich Secession
and started working for popular and influential magazine “Jugend”.

His best-known works are
two series known as the "Boat
Pictures" and the "Bathers", putting him somewhere between Renoir (1841-1919) and Anders Zorn (1860-1920).

-------------------

All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.

Youngest
of three sons of Karl Wilhelm Friedrich
Kibler (1871-1937) and Hedwig Zeller
(1870-1836). Studied in the “Kunst Akademie” in Stuttgart and in Berlin with
sculptor Georg Kolbe(1877-1947)(below). He married Luba Herschensohn (1898-1946) and worked in Stuttgart. His sculptural
work was influenced by Ernst Barlach
(1870-1938) who also favored wood as sculpting material.

In Heilbrunn (Bavaria) a statue of the Berlin Bear (“Berliner Bär”) was placed in 1960 (with Willy Brandt (1913-1992) and chancellor 1969-1974). It has been replaced in recent years.

He also created a port-folio “Ilias” containing 25 etchings. Which I am very curious to see.................

This sketch of a dancer by Ernst Kibler more or less sums up what can be found in the Internet but gives a nice clue to his teachers and his connections with earlier generations of artists.

---------------

His teachers:

Kolbe, Georg

(Waldheim 15-04-1870 – 20-11-1947 Berlin).

Initially trained as a painter he
studied in Dresden and Munich and from 1897 at the “Académie Julian” in Paris.
Lived in Rome 1898-1901 where he took up sculpting influenced by (probably under the
guidance of) Louis Tuaillon(below) (1862-1919) a
German sculptor living in Rome 1885-1903. Kolbe has his own Museum in his
former house/ studio in Berlin. He became instantly famous when the “Nationalgalerie” in 1912 bought his bronze “Tänzerin” (below). He was am member of the Berlin
Secession and the the yearly award of the “Verein
der Berliner Künstler”, the “Georg Kolbe Preis” is named after him.

Tuaillon, Louis

(Berlin 07-09-1862 – 21-02-1919 Berlin).

Studied in the "Hochschule
für Bildende Künste" in Berlin 1879-1881, with Reinhold Begas (1831-1911) in Berlin and with Rudolf Weyr (1847-1914) in
Vienna. He lived in Rome 1885-1903. Awarded a gold medal in the “Grossen Berliner Kunstausstellung”
1899, member of the Berlin Secession and since 1906 professor in Berlin “Kunst Akademie”. Known for his
sculptures of "man and beast". This classic bronze however, "Sandalenbinderin", could have adorned a roman Villa in Claudius time.

Although there's little evidence of Kiblers creative work in the Internet, from his sketch a red thread, of classical (roman) beauty can be followed connecting the students and his masters.

--------------

All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.

Thank you Markus. What great fun solving these puzzles so quickly combining forces.

The picturesque bridge, part of a bike-trail, is not a popular or tourist landmark and it's location is rather hidden. The river crossing, although renewed, is still there, making use of the great bolder, but the surroundings have changed dramatically since the days Richard Graef was here exactly a century ago. Brenner Highway today towering high over the landscape.

Campodozza (Italian) or Atzwang (German) a little village in the valley of river Eisack in Italian Trentino or South Tirol province. Near Bosen (Bolzano). Along the Brenner Highway to Innsbruck via the Brenner mountain pass.

All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.

Monday, 8 February 2016

This woodblock last week appeared in Ebay: "Pantoffelheld", "slipper hero" but I think Vagabond or Tramp would be a better attempt translating. Searching the Internet I found several of his comic illustrations for Simpliccimus satirical magazine which appeared 1896-1944 and was published in Munich. Including more examples of this bearded character.

Working in Dachau near Munich he had studied in
Munich in the painting school of Anton
Azbe (1862-1905) and with Hans von
Hayek (1869-1940) in Dachau and
later in Paris. He created a portfolio with woodblocks: “Dachauer Land” Dachau 1916.

Donau near Regensburg

Anton Azbe ran his painting school in Munich 1819-1905 (Wassily Kandinsky was among his students) and Hans von Hayek ran a private painting school in Dachau 1900-1915 (Norbertine Bresslern-Roth and Carl Olof Petersen, who also drew for Simpliccismus, were among his students).

But I saved this, 1916, (very "Japanese") woodblock for last, a wooden bridge across a small river: but where ? In German it would be called an "überdachte Holzbrücke" or roofed wooden bridge. Readers are invited to help, since I was not able to understand it's title.

Update:

Once you know it you see it: Atzwang.

Thank you Markus for solving the location overnight !

For more details see next posting please.

Printmaker Carl Thiemann (1881-1966) who worked and lived in Dachau wrote in his memoirs about the visiting students in Dachau following summer painting courses in Hayeks painting school. I think it is only reasonable to assume it will have been Thiemann who initiated Graef in the technique of woodblock printmaking.

---------------------

All pictures borrowed freely from the Internet for friendly. educational and non commercial use only.

Sunday, 7 February 2016

I discovered this very nice set of woodblock prints by chance in the Internet and it made me wishing it was summer. They are executed almost like drawings in an enviable loose and "easy" style. Nice for sharing in midwinter.

....., what if: they would be still available, for "Eine Mark" only ?

Arthur Segal was the son of a Jewish banker from Rumania and settling in Berlin in 1892 studied with Eugen Bracht (1842-1921) and in Munich
Academy with Ludwig Schmidt-Reutte
(1863-1909) and Friedrich Fehr
(1862-1927). He marries his cousin Ernestine in 1904 and the couple became very
active in the artist scene was among the founders of the Berlin “Neue Secession” (opposing Max Liebermanns cs. opposing Berlin Secession) traveling to
Paris 1910-1911.

After the outbreak of WW1 he fled to Ascona (Swiss Lago
Maggiore) and started a painting school which became a meeting point for German
exiled artists: Hans (Jan) Arp
(1886-1966), Marianne von Werefkin
(1860-1938), Alexej Jawlenski
(1864-1941) etc… taking part with these
Dadaists in Cabaret Voltaire, an avant-garde cabaret, in Zurich.

He returned to
Berlin in 1920 and in 1919 became a member, and chairman, of the “Novembergruppe” exhibiting
1921-1925 and 1927-31. He ran a painting school in Berlin Charlottenburg
1920-1933 which also became a centre for artists. With Otto Dix (1891-1969), George
Grosz (1893-1959) and Kate Kollwitz
(1867-1945) he was politically active urging him to flee with his family to
London in 1933 founding the Arthur Segal Painting School which was in existence
until 1977. He died in London in the Blitz. His son is Arthur Segal (1907-1985) a leading London architect.

And he visited the Danish island of Bornholm, located at the southern tip of Sweden in the Baltic scratching together all pictures from Google for this Blog article

All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.