Gentlemen Prefer Blondes, Anita Loos' old story from the 1920s about a pair of single women in search of husbands, gets a makeover in Howard Hawks' 1953 musical. The remake stars Jane Russell and Marilyn Monroe as two friends who go to Paris looking for mates. The film is charged by Hawks's stylish snap, a famous set piece or two (Monroe descending that staircase while singing "Diamonds are a Girl's Best Friend"), Russell's wit and songs by Leo Robin and Jule Styne. The film may largely be a fluff project best remembered as a showcase for its leading actresses, but then Monroe and Russell rarely got such extended opportunities to prove that they were more than cinematic icons.--Tom Keogh, Amazon.com

Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton

Titles Comprise: All About Eve As Young As You Feel Bus Stop Don't Bother to Knock Gentlemen Prefer Blondes How to Marry a Millionaire Let's Make it Legal Let's Make Love Love Nest The Misfits Monkey Business Niagara River of No Return The Seven Year Itch Some Like it Hot There's No Business Like Show Business We're Not Married

A down-on-her-luck divorced woman meets and falls for a disenchanted outcast cowboy who earns his living by capturing wild mustangs. When she witnesses this cruel spectacle she teams up with a jaded rodeo performer in an attempt to free the horses. Last screen appearance for both Clark Gable and Marilyn Monroe who was married to playwright Arthur Miller during the course of the filming.

Billionaire Jean-Marc Clement (Montand) learns that he is to be satirized in an off-Broadway revue. He goes to the theatre where he sees Amanda (Monroe) rehearsing a song and the director thinks him an actor suited to play himself in the revue. Clement takes the part to see more of Amanda but for how long can he keep his identity and his intentions a secret?

Marilyn Monroe forever stands alone as Hollywood's quintessential icon of sex appeal and timeless allure. Her breathy voice, voluptuous figure and wide-ranging talents catapulted her to superstardom, where she remains as legendary today as ever. Immortalized here in this must-own collection are four of her best and most popular films, presented on Blu-ray - the perfect format to showcase Marilyn's flawless beauty and captivating performances as they're meant to be seen.Gentlemen Prefer Blondes:Marilyn Monroe and Jane Russell co-star as showgirls who set a course for love and laughter on board a luxury liner sailing to France.How To Marry A Millionaire:Marilyn, Betty Grable and Lauren Bacall play three Manhattan models who concoct a wild scheme to meet the men of their dreams.The Seven Year Itch:Marilyn plays a seductive starlet who tests the wedding vows of a married man when she moves into the apartment above him.Some Like it Hot:Marilyn is the lead singer of an all-girl band joined by Tony Curtis and Jack Lemmon, who are posing as women to hide from the mob.

Maybe "nobody's perfect," as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St. Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and IAL Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy." Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton, Amazon.com

In this sinister and dark portrait of human sexuality, Marilyn Monroe portrays a sexy and scheming wife who seduces her lover into helping with the murder of her husband during a romantic weekend at Niagara Falls.

Recently widowed Matt Calder (Robert Mitchum) and his young son begin a new life in the breathtaking rugged Northwest wilderness where Matt is robbed and beaten by ruthless gambler Harry Weston (Rory Calhoun). When Weston's beautiful fiance (Marilyn Monroe) then decides to nurse Calder back to health the insanely jealous Weston risks all their lives by taking them on a ride down a treacherous river...

Expertly directed by John Huston (The Maltese Falcon) from a screenplay by Pulitzer Prize winner Arthur Miller The Misfits is a &#39;probing exciting drama&#39; (Film Daily) of honesty intensity and sheer poetic brilliance. Divorced and disillusioned Roslyn (Marilyn Monroe) befriends a group of &#39;misfits &#39; including an aging cowboy (Clark Gable) a heartbroken mechanic (Eli Wallach) and a worn-out rodeo rider (Montgomery Clift). Through their live-for-the-moment lifestyle Roslyn experiences her first taste of freedom exhilaration and passion. But when her innocent idealism clashes with their hard-edged practicality Roslyn must risk losing their friendship... and the only true love she&#39;s ever known.

Let?s Make Love is a curious picture in many ways: Marilyn Monroe was the superstar, Yves Montand new to Hollywood, but she seems peripheral to the action and he's in almost every scene. Meanwhile director George Cukor, always happy with theatrical material, can't make the off-off-Broadway milieu come to believable life. In short, Let's Make Love lacks the sparkle promised by its talent roster, and for Monroe especially the bloom is off the rose. This 1960 film was her next to last, and she appears weary, although isolated moments have the old oomph (and she has a terrific romp through her first number, Cole Porter's "My Heart Belongs to Daddy"). Cameos by Milton Berle, Bing Crosby, and Gene Kelly increase the time-capsule feeling. The biggest failing is the lack of chemistry between Monroe and Montand, yet off-screen they had a romance during filming. A curious picture indeed.--Robert Horton, Amazon.com

Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton

Marilyn Monroe sizzles in this tense masterful thriller. While the seductive Rose Loomis (Monroe) and her husband George (Joseph Cotten) vacation in a charming guest cabin at spectacular Niagara Falls Rose and her lover plot to kill George. But things go terribly wrong and soon an innocent honeymooning couple find themselves swept up in the crime.