Sign In

Sign Up

Objectives & Goals

To create an attractive system that takes into cognizance the rules and aesthetics of both melody-centric (such as Indian Classical) and harmony-centric systesms (like Western Classical/Jazz) and negotiates the differences between them.

To showcase similarities between diverse systems, which can lead to a positive appreciation of the distinctions between them.

To enhance the awareness of rules of melody-centric systems among composers and musicians of harmony and vice-versa which in turn can create music with greater fidelity to each fused system.

To create a theoretical framework that enables composers and musicians from any part of the world to create melharmonic music.

To highlight sophisticated melodic concepts to audiences used to harmony through compositions and arrangements.

To bring a rich feel of harmony and texture into melodic systems such as Indian, yet highlighting their fundamental melodic rules and values.

To explore new chord, counterpoint possibilities anchored on strong theoretical base as well as aeshetics of all constituent systems in the fusion, using melharmonic principles.