Daniel Edwards
unpacks at least the first level of meaning of his
sculpture in what are no doubt carefully prepared remarks at the
unveiling... Play the clip and give a listen for yourself.

Perhaps I am reading too much into his efforts, in our
earlier interpetation of the
Paris Hilton sculpture . But after all, the critic is artist
now... and we should be free to project anything (reasonably smart and
defensible) onto the Rohrshach inkblots that popular culture throws up
before us. No doubt the obituary contest
will provide ample further fodder for reflection.