5 posts in this topic

The Statue of Liberty was a Masonic concept conceived from within Freemasonry. The chief promoter and fundraiser for the project was Edward Laboulaye and he collaborated with the sculptor Frederic Bartholdi to develop a statue of Masonic enlightenment.

The statue was developed from within the highest doctrines of Freemasonry. This “enlightenment” took its form in various symbols found in the sculpture itself.

#1. The Crown of 7 Spikes:

This symbol was to represent the enlightenment of the Babylonian sun god Shamesh/Utu. The idea was that this sun god’s occultic illumination could be focused by each of the 7 spikes of the crown. Each spike would flash this occultic enlightenment to each of the 7 “horas” or large landmasses of the world.

In other words, the each spike would flash occultic enlightenment to a continent on planet earth. Each of the 7 spikes would then be representative of one of the 7 large landmasses or continents of the world.

#2. The Tablets:

A common misconception is that the tablets represent the 10 Commandments that God gave to Moses. This is not true. The tablets are engraved only with the Roman numerals standing for July 4th, 1776.

According to the preeminent Statue Historian, Marvin Trachtenberg in his book “The Statue of Liberty” the tablets represented a generic notion of the concept of law. This should not be confused with the Laws of Moses.

Freemasonry gives lip service to Judaism, Christianity and Islam as law-giving religions but Freemasonry tries to synthesize all religions into one central focus…the idea of “law” in general. Hence the tablets being held by the Statue of Liberty carry that general meaning.

#3. The Robe:

In the original planning, the Statue of Liberty was designed in the initial stages to be in color. She was to be wearing the royal robes of scarlet and purple.

It became obvious that for reasons of monetary purposes the statue must be made from copper. The use of copper precluded the use of any color schemes. Thus the original plans for scarlet and purple robes were abandoned.

#4. The Torch:

This item was originally designed to be a golden cup filled with the wine of freedom. This golden cup remained in the planning and was actually made.

However, before completion and shipping of the entire statue, the New York Port authorities asked if there could be some sort of modification to allow for an eternal flame or light to be designed into the statue so that ships could use her as a night time navigational aid. Bartholdi consented to make modifications to the basic cup design to allow for a natural gas flame to be utilized.

The torch we see today is actually the same type of cup design used in ancient times for drinking wine. It featured a handle for the cup at the bottom and the handle looked much like a stick. The golden aspect itself was altered again to conform to the needs of the natural gas flame.

The actual, original golden cup was later sold by the project to the Czar of Russia, Czar Nicholas. In 1917 during the Russian revolution the Communist government took possession of it.

The cup has remained in Russian hands but in 1997 was reportedly offered for sale by the Russian government to help pay off Russia’s foreign debts. This author has not been able to determine whether or not the cup was actually sold or not. It is only known that the cup is still in existence.

#5. “Mother of Exiles”

“Mother of Exiles” is a key term in the poem by Emma Lazarus. In her famous poem about the statue, (now etched into the base of the statue) Lazarus refers to the woman as “The Mother of Exiles”. The poem has forever indelibly linked the statue to immigrants from around the world.

The statue is the patron “saint” of immigrants everywhere. Oddly enough, the Babylonian goddess Ishtar was also the patron goddess of immigrants in Babylon because as a goddess of personal freedom, she brought hope to immigrants seeking to make a better life for themselves in Babylon.

So too for this “Mother of Exiles”. In fact, if we try to transliterate the English term “Mother of Exiles” into the Greek… Mother as a word has similar phonetic sounds. Doing the same with “exiles” from English into Koine-Greek, the Koine-Greek listener would link it to a similar Greek word that connoted deep inhalation of air or “heavy breathing.”

This is tied into the Greek word “epithumia” which in English is normally translated as “lust” but the literal meaning in Koine-Greek meant literally “heavy breathing” and was connoted with desire.

Now this terminology is then linked to the word “Porneoh” from which we get the word Pornography. Porneoh=lust fulfillment by sexual relations in exchange for money… which again was the main claim to fame for Ishtar… holy sexual prostitution.

Ishtar worship is the very first instance of prostitution in human history and it was deemed “holy!” Now, this may indeed just be an interesting coincidence but remember Revelation 17:5 where the woman called Mystery Babylon is referred to as the “Mother of Harlots.”

Conclusions:

The are just too many coincidences when we compare the characteristics in the scriptures relating to the woman called “Mystery Babylon — “Mother of Harlots” with that of Ishtar of Babylon and the Statue of Liberty. What we conclude:

The Statue of Liberty is the woman being described in Revelation 17/18 and especially 17:4-5, 9 and 18:7 along with Isaiah 47:1-15.

We say this because we know that the Statue of Liberty is actually the artist/sculpture’s vision of Ishtar, the goddess of Babylon. This makes the Statue of Liberty the largest Idol ever made by human hands.

Is it any wonder that our Congressional lawmakers seem to be so perpetually “screwed up?”

The reference to “Mystery Babylon — Mother of Harlots” is referencing Ishtar, the Mother of Harlots of Babylon…and her “mystery doctrines” such as salvation by sex for money.

Satanists have always equated the flaming torch as a symbol of Lucifer. "Lucifer, having regained his star and his diadem, will assemble his legions for new works of creation. Attracted by his flaming torch, celestial spirits will descend ... and he will send these messengers from unknown spheres to earth. Then, the torch of Lucifer will signal 'From Heaven to Earth!' -- and the (New Age) Christ will answer, 'From Earth to Heaven'." [Occultist Edourd Schure, quoted by Texe Marrs, Mystery Mark of the New Age , p. 240]

This explanation of the symbolism of the torch is the Luciferian belief that, at the Battle of Armageddon, Lucifer and his forces will defeat Jesus Christ and then conquer Heaven. Thus, the Torch signifies the belief that Lucifer will ultimately defeat Jesus Christ.

Masonic author, Manley P. Hall, 33 Degree Mason, states that "the torches represent the occult arts and sciences, the doctrines and dogmas by the light of which Truth is made visible." [Hall, Freemasonry of the Ancient Egyptians to Which Is Added an Interpretation of the Crata Repoa Initiation Rite , Los Angeles, The Philosophers Press, 1937, p. 122; Emphasis added]

We also find it highly interesting that one of the Masonic publishing houses is called The Torch Press .

We also know from history that the Statue of Liberty was given to us by Illuminist French Freemasons in 1876. "Towering above the shimmering but polluted waters, she holds in her outreached arm and hand a torch of fire and light. A gift of the Masonic Order, the modern inheritors of the Illuminati heritage, the Statue of Liberty was sculptured by Frederic Bartholdi, a member of the Masonic Lodge of Alsace-Lorraine in Paris, France. The statue is significant to the secret societies plotting the New World order." [Texe Marrs, Dark Majesty: The Secret Brotherhood and the Magic of a Thousand Points of Light , p. 212]

Please note that our symbol of the Statue of Liberty was the actual terra cota model constructed in 1870 by the Masonic sculptor.

In Satanism, virtually any perpendicular symbol is the phallus , so the torch certainly qualifies; indeed, one might wonder, from the explanation given, above, that the torch is Lucifer's phallus, if the occultist really believes the torch is a symbol of the god. The goddess holding the torch would provide a good female symbol. Thus, the Freemason depicts the sex act every single day of every year, in New York harbor.

The origins of all things created evolve, mutate, become obscured or lost and change with the changing times. Do the ancient meanings of things hold any resemblance, relevance or effect on the modern meaning and understandings of a thing?

If we believe that a statue holds the symbols of Liberty but others say that they know that, that same statue is a symbol of Lucifer, do we have to change our belief systems after becoming informed by them?

Many people mistakenly believe that the French government gave the Statue of Liberty to the American government but it was individuals in the French Grand Oriental Temple of the Masons that built and presented the statue named, "Liberty Enlightening the World" as a gift to the Masons of America in celebration of the centenary of the first Masonic Republic in 1884.

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"In 1869, the Egyptian government expressed interest in designing a lighthouse for the Suez Canal. Eager and excited, Bartholdi designed a colossal statue of a robed woman holding a torch, which he called Egypt (or Progress) Brings Light to Asia."

“Bartholdi saw the possibility of achieving a colossal project in the land of his dreams. Its location was to be at the entrance to the Suez Canal nearing completion in 1867 when Bartholdi first proposed it."

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