Tag: Dawn of the Planet of the Apes

The conclusion of Jokerside’s Aperospective in the Year of the Monkey. In 2011 Rise of the Planet Apes seized the ideas of the lesser regarded latter films of the 1970s Apes cycle and took them to critical and box office success. Fox was on the brink of giant dystopian franchise once more and there was no need to rush a franchise that had previously stumbled at the same point…

Looking at Dawn of the Planet of the Apes and Battle for the Planet of the Apes

AS FAR AS MISLEADING NAMES GO, BATTLE FOR THE PLANET OF THE APES MANAGES TO STICK OUT IN A FRANCHISE THAT SEEMS INTENT ON BEATING IT WITH THE FORTHCOMING WAR OF THE PLANET OF THE APES. War will be the third of the rebooted Apes saga continuing the compelling story laid out by Rise of the Planet of the Apes and Dawn of the Planet of the Apes; the early years of the apes’ ascendency over man. Although that next film, due 2017, would break the mould should it portray a full war for supremacy of the Earth between the two sides. That said, there had certainly been battles before, in a franchise that usually set out to put science and intellect side by side with dystopian fantacism.

Walking away from the temporally complicated space fare of the original 1968 Planet of the Apes, the reboot saga has drawn heavily on that film’s later sequels, effectively making a strength out of their diminishing returns. Battle for the Planet of the Apes concluded the original cycle with the near completion of a circle that had already seen the destruction of both man and ape a few thousand years into the future. Harsh, considering Pierre Boulle’s original novel allowed apes to venture into space exploration. Those original films forged their own path, and as this retrospective has discovered, one of the most significant elements lost in translation from Boulle’s tome, was his fascinating exploration of the stagnation of ape society. In the film adaptations, when three simian survivors finally made it into orbit and beyond for the second sequel it was only to crash back to the Earth of their past. And in making that escape, those three chimps created a paradox that split the timeline, joining the alternative universes of the short-lived television series of the same name and animated series Return to the Planet of the Apes. And that’s just the official line. There’s no need to wander near the likes of the extraordinary Brazilian ‘remake’, Bungler on the Plateau of the Apes. In 2001, Tim Burton’s reboot of the 1968 film could be argued to have established another timeline, albeit removed from Earth like Boulle’s original novel, and unfortunately much of that books reason and science. And there’s no reason why that pattern hasn’t continued as the franchise has been reborn once again. Rise and Dawn are two strong films that have added yet another timeline of reality to the mix. One of the great virtues of the original film franchise, with its continual twists and turns, is that every iteration can exist in parallel. That is as long as, no matter the cause of man’s fall or the rate of or reason behind the rise of the apes, there remains one inevitable consistency: apes inherit the Earth. Every time.

Battle, for all the promise of its title, may feature a fight and a much trailed rematch between humanity and ape kind, but the stakes barely put the future seen by Charlton Heston’s cynical astronaut in the first film at risk. Indeed, the real battle, encouraged by the threat of what man was and could still prove to be, whether twisting in the desolated remains of their cities or as sheep out on the pastures, is between the apes themselves as they forge their new world. That’s the cue that Dawn took for the first sequel of the rebooted franchise, and a lead War will follow…

Battle for the Planet of the Apes (1973) and Dawn of the Planet of the Apes (2014)

External factors

“The greatest danger of all is the danger never ends”

Battle for the Planets of the Apes completes the original cycle with suitably mythic intent, even if it fails to round the circle entirely. It’s the American continent of 2670 – over 1,300 years before Taylor’s crash landing – and there’s the slightest hint of the static nature of Ape society that Pierre Boulle explored in the original book. It’s a curious choice to place it at an indeterminate time in the future rather than the dawn of the first film, but come the punchline there’s the suggestion of further sequels that never materialised. Battle is bookended in the future by the very real gravitas of a law giving orang-utan enacting a kind of This is Your Ape Life, especially profound when he’s played by John Huston. Yes, that John Huston. The Lawgiver recounts the story so far, filling in the gaps so that we, apparently his audience, are aware that for all the ape rebellion related in Conquest, mankind was undone by the hell of nuclear conflict which flattened cities soon after Caesar’s revolt, and perhaps going some way to explain the dystopian stylings of the previous film’s future city. Aside from the ape insurgency, surely a localised affair in Conquest of the Planet of the Apes that humans were soon distracted from, there is now a compelling if vaguely defined reason for humanity’s near extinction. Man has abandoned the planet to the apes, as suggested since the archaeological discoveries of the first film. That nuclear self-annihilation is considerably more important than Caesar’s uprising in the scheme of things returns the franchise to the central tenet that man is compelled to be the architect of his own ruin.

“Go”

Dawn of the Planet of the Apes makes a jump from the events of Rise, although only a decade following the downfall of man that was clearly signposted in the bleak end credits of the previous instalment. A handy, chilling and sparse recap relates the turmoil that befell humanity in the wake of the engineered virus – and with bigger things on man’s mind, although it’s not as physically destructive as nuclear weaponry, the apes were able to fade away to the Redwood forests of California. Nuclear destruction versus genetic modification, that’s the difference between the late 20th century and early 21st.

Spread across a far broader canvas, with links and logic built from the ground up, Rise and Dawn’s universe presents a wholly more satisfying explanation for the ascendency of the apes. And impressively, that’s managed without the implied threat of a dystopian future. Crafting a serious, epic story steeped in doom is no mean feat when you’ve jettisoned one of the saga’s most memorable and surreal aspects. As the Earth fades to darkness humanity has fallen within minutes of Dawn’s start, leaving space to build on the complicated familial ties of Rise. Not this time with a hectic jungle flight, but the harsh and meditated reality of Caesar’s new colony enacting their own hunt. Continue reading “Reboot to the future: Losing the Battle but Winning the War of the Planet of the Apes”