(Above) -Twelve Gods seated in Order, as judges before a table of offerings. (Below) - The Psychostasia of Weighing of the Conscience of Ani. The Jackal-headed Anubis trying (in the balance) the heart of the deceased against the feather (symbolising the law). On the left, Ani and his wife cn be seen in a pose of devotion; on the right an Ibis-headed Thoth, the Scribe of the Gods, notes down the resultsof this trial, whilst behind, the monster Amemit, the Devourer, looms menacingly. On the left of the balance, Shai (Destiny) with two Goddesses Renenit and Meschenit behind, all under the soul of Ani (symbolisedby a human-headed hawk and the symbol of a cradle). Date: around 1550 BCE

Dress Reform - The Attempt to Force Comfort Upon Men. Page from The Bystander July 14 1937. Men cling with pathetic firmness to their extraordinary clothes, some from conservatism, some from conventionality and tailor-domination. But the Men's Dress Reform League, shunning the clean sweep of the Nudists, are out to help. The board of experts who judged men's reformed dress were James Laver, Dr. A. C. Jordon, Dr. J. C. Flugel, and Mr. A. E. Bridgland. Date: 1937

Promotional postcard of the Idols by Roy Horniman. From W. J. Lockes novel. First produced in Birmingham on 24th August and at the Garrick 28th September 1908. The Great Trial Scene (Act III). Irene Merriman stands in court to give the accused the alibi which frees him. In fact, he was with a different woman whom he had secretly married. This image is from the Hutchison Company's tour to the Grand Theatre, Southampton, 16th August 1909. Date: circa 1909