Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion. Summer vacation starts: Anne's parents leave her alone with the servants for two months at the family château. She and Lore are free to make mischief. They are cruel as well and play games of seduction. As summer ends and fall term begins, things come to a head.

Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.

Forgotten Tomb is an Italian blackened doom metal band, formed in Piacenza in 1999 by Ferdinando "Herr Morbid" Marchisio. The lyrical themes of the band's early albums revolve mostly around depression and suicide, while the recent albums lyrics deal with negativity and nihilism.New studio album of FORGOTTEN TOMB. Includes 7 new tracks, almost 50 minutes of music. It's definitelly one of their darkest, most eerie albums to date, still with some doomish/rock vibes.

Budgie's last gasp, 1982's Deliver Us from Evil no doubt draws its title from born-again singer Burke Shelley's newfound Christian convictions; but no amount of faith can rescue this record from a complete musical shipwreck…

Budgie. One of the most underrated among hard rocking and heavy metal bands on this planet. "Deliver Us from Evil" had been their last effort before the project was on hiatus for more than two decades? The album starts with a solid rocker "Bored With Russia" and this is a promising opener…

For most intents and purposes, Sugarloaf was finished after their 1973 album I Got a Song failed to generate any attention, but the band continued to push ahead, channeling their frustrations into the bubblegum sarcasm of “Don’t Call Us, We’ll Call You.” The song became a fluke hit in 1975, prompting a re-release of I Got a Song under a new title borrowed from the hit, which also was prominently featured on the new release. Of course, the fizzy pop of “Don’t Call Us” sounded very little like the rest of the earlier record, which itself wasn’t all that reminiscent of their percolating 1970 hit “Green Eyed Lady,” either. It was a curious mix of pompous neo-prog – best heard on the charging instrumental “Myra, Myra” – light hippie funk, and coolly trippy soft rock, all sounds redolent of the early ‘70s, but certainly not the epitome of it. Which isn’t to say that lead singer/songwriter Jerry Corbetta couldn’t write – in addition to the hits, he knocked off Billy Joel/Elton John’s Western fantasia quite well on “Colorado Jones” – but this album tends to drift in and out of focus, making it a period piece but not much more. [Fuel 2000’s 2010 reissue added a host of worthwhile bonus tracks, including a live version of “Green Eyed Lady.”]

Berry Gordy, Jr. once said "Don't bore us – get to the chorus," which basically sums up most of pop music. It doesn't, however, do credit to Roxette, who has crafted some of the best tunes of the '80s and '90s. This compilation exhibits what pop masters Per Gessle and Marie Fredriksson are…

Don't Turn Me From Your Door comprises a set of 1953 sessions that were originally released in 1963 and later in 1972, under the title Detroit Special. Despite its twisted historical background, this is fine, first-rate Hooker. A few tracks feature the support of guitarist/vocalist Eddie Kirkland, a few others, an unnamed bassist, but this is pretty much pure John Lee Hooker – just him and a guitar, running through a set of spare, haunting blues that include such tracks as "Blue Monday" and "Stuttering Blues." There are none of his best-known tracks on the album, but it's one of his most consistent original records.