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Hi-Fi Headphone
Product code: HD-650
Open hi-fi stereo headphones designed for audiophiles. They have a system with a tolerance of less than 1 dB hand picked in pairs, high quality titanium silver finish, special acoustic mesh for perfect transmission of sound over the entire surface, detachable OFC copper cable with kevlar reinforcement and a length of 3 m, they are comfortable even after prolonged use and easily connectable to hi-fi components of the highest quality (SACD, DVD-a, Blu-ray and CD player). Headphones have frequency response from 10 to 39,500 Hz, 300 ohm impedance and total THD: less than 0.05%. Connection with a 6.3 mm jack connector. Colour: Titan.

Dreadnought Guitar
Product code: PRO-1-ACOUSTIC-TL
Acoustic guitar with standard dreadnought body shape in reduced size from PRO-1 series that is easy to play, delivers the full, vibrant sound that Epiphone is known for, and provides innovative features such are JumboPRO frets or EZ-Profile neck – perfect not only for beginners but also for advanced players. Body of the instrument is made of select mahogany wood with reduced body depth and black one-layer binding, top plate is made of select spruce wood with custom PRO-prietary bracing. Set-in mahogany neck features “C” shape EZ-profile that was designed for easy chords forming without feeling fatigued, as well as Dual-Action truss rod with white PVC cover for adjusting the neck in both directions. Rosewood fingerboard with PRO-Ease Lubricant coating (also used on strings) provides sleek, smooth action with reduced string noise, while 20 JumboPRO frets make fretting less difficult – they are taller and wider. Fingerboard also features dot inlay and GraphTech Nubone nut with width of 42.672 mm. Also reduced scale length is 628.65 mm. Instrument is further equipped with slope dove-wing headstock with historic “Epiphone” metal badge, 18:1 ratio Deluxe tuners, rosewood bridge, black scratch-less pickguard, GraphTech Nubone compensated saddle, chrome hardware and strap buttons. Equipped Epiphone Ultra –Light (.009-.047) strings are easier to play. Beginner’s guide to guitar booklet by Craig Anderton, eMedia on-line lessons and humidifier are included in the package. Blueburst colour design.

Active Stage Monitor
Product code: PSM05A
Portable, ultra-compact active monitor that features a powerful Class D amplifier with incredible output of 150 W, and a built-in driver with frequency response of 60 Hz-18 kHz (at -10 dB; 90 Hz-13 kHz at -3 dB). Even though it’s a very compact unit, it provides unusual high maximum SPL – 115 dB. The front panel offers a variety of features and connectors: alongside standard combo XLR/jack mic and line inputs it also offers an AUX in. The microphone inputs can be powered by phantom power and they also features a 3-band EQ. The monitor further offers a built-in echo and Bluetooth compatibility for wireless playback of music. It can also be mounted on a microphone stand. Dimensions: 290 x 210 x 175 mm. Weight: 2.8 kg.

Guitar Effect
Product code: FLINT
Tremolo and reverb effects pedal that delivers the classic effect combination and harnesses the complete power of a super high performance SHARC DSP 32-bit floating point processing to authentically exhibit these details. It offers three hand crafted tremolo algorithms faithfully deliver classic tremolo experiences: ’61 Harmonic Tremolo, ’63 Power Tube Tremolo, ’65 Photocell Tremolo. The ’61 Harmonic Tremolo is somewhat rare due to its very short period of availability in tube amplifiers in the early 1960s. It gets its signature sound through a dual-band filtering effect that alternately emphasizes low and high frequencies. The end-result is a soothing pulse that has shades of a mild phaser effect combined with tremolo due to the nature of the frequency bands that are alternated. The ’63 Power Tube Tremolo utilized the LFO signal to directly influence the power tube bias of the amplifier’s push-pull output stage. The power tubes are biased into lower and higher idle currents, creating the fluctuating gain that produces the tremolo effect. The effects of crossover distortion at low tremolo volumes, increased power tube harmonic distortion at maximum tremolo volumes, as well as the influence of power-supply sag, all add up to the boggy and dirty nature of this tremolo circuit. The ’65 Photocell Tremolo is a faithful recreation of the classic photo-trem circuits found in mid-1960s American amplifiers. Those classic circuits used a light-dependent resistor to attenuate the input signal, coupled with a miniature neon bulb that is connected to the LFO. As the LFO oscillates, the bulb gets brighter and dimmer which in turn varies the resistance of the LDR. The varying resistance works with other circuit impedances to change the signal level, which produces a characteristically ‘hard’ sounding tremolo that moves between two levels, reminiscent of a square wave. The pedal also offers three distinct reverb algorithms: ’60s Spring Tank Reverb, ’70s Electronic Reverb, ’80s Hall Rack Reverb. The ’60s Spring Tank Reverb is the faithful recreation of the full-size two-spring tank that was commonly used in vintage amps. The two-spring tank uses spring segments of differing delay times, which adds to the complexity of the reverberated sound. Contributing greatly to the sound are the input and output tube circuits which convert the electrical guitar signal into a mechanical signal and then back to an electrical signal. The ’70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created. The astounding hardware-based algorithm used multiple delay-lines configured in parallel, with each delay featuring multiple output taps and filtered feedback paths. The result is a rich, smooth reverb with a very quick build-up in density due to the summation of the many parallel output taps. The ’80s Hall Rack Reverb is the rendition of the now nostalgic digital microprocessor rack reverbs from the late ’80s. The limited processing power of the day led to the implementation of efficient regenerative series loops of all-pass filters, delays, and low-pass filters. Modulating delay lines were used to increase the reverb density and add warmth. This reverb provides the signature sound of distinctive early reflections followed by the slowly-building density of the late reverberation. The sound can be further adjusted via two tremolo adjustment and tone shaping knobs (Intensity and Speed), three reverb adjustment and tone shaping knobs (Decay, Color, Mix) and four “hidden” knobs for extensive tone tweaking – Tremolo Boost/Cut, Reverb Boost/Cut, Effect Order, Tap Subdivision. The pedal is equipped with ultra low noise, high performance 24-bit 96kHz A/D and D/A converters, an analogue dry path (when reverb only is engaged) and premium analogue front end and output section. The pedal provides a high impedance mono input (internal jumper enables selectable TRS stereo input) and a stereo output, Tremolo Bypass and Reverb Bypass footswitches, an expression pedal input that allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote control of tremolo) or Favourite switch (to save a favourite preset), plus an adjustable +/-3 dB boost or cut when effect is engaged. The +8dBu maximum input level easily handles instrument and line signals. The pedal is a true bypass (electromechanical relay switching) but also offers selectable “trails” mode with high quality Analog Buffered Bypass. It is powered with a standard 9V centre negative DC supply, 250mA current draw (included), and features strong and lightweight black aluminium chassis. Typical S/N ratio: 115 dB. Frequency response: 20 Hz-20 kHz.

Active Studio Monitor
Product code: RPRE020
Two-way active monitor from Eris series that delivers a smooth and accurate frequency response, powerful 130W Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Equipped with a custom-woven 8” Kevlar woofer it helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. Front-firing acoustic port further adds to superior bass-frequency reproduction. The monitor’s 1” ultra-low-mass silk dome tweeter is designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cut-off filter makes it easy to integrate Presonus’ Temblor subwoofer into the monitor setup. With three different types of audio inputs, it is easy to feed audio to the monitor from an audio interface, mixer, monitor controller, or almost any other line-level source. It provides balanced XLR, balanced 6.3mm TRS, and unbalanced RCA line-level inputs. The monitor’s compact and powerful design makes it an ideal solution for home and professional studios alike. Its cabinet features an optimized, resonance-suppressing internal bracing and RF interference, output current limiting, over-temperature, transient, and subsonic protection. The amplifier’s “soft start” feature also eliminates popping on power-up. Dimensions: 250 x 299 x 384 mm. Weight: 10.07 kg.