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Tag Archives: Onions in the Stew

If your family is anything like mine, the season of giving is a non-stop search for just the right book for everyone in our lives—Mom loves history! Dad loves art! Siblings love local food! Luckily University of Washington Press has you covered with a range of books that will surely appeal to everyone on your list.

We are delighted to extend a 50% discount to our University of Washington Press community. Please use the code WHOL16 when ordering via our website or when calling customer service at 1-800-537-5487. (Please contact Rachael Levay with any questions at remann [at] uw [dot] edu.)

Feeling lucky? Enter our Holiday Book Bundle giveaway using the form at the bottom of this post for a chance to win free copies of some of our favorite holiday picks, including the ones featured here.

For the animal lover or the art lover:

Ice Bear: The Cultural History of an Arctic Icon by Michael Engelhard combines amazing art and illustrations with a fascinating history of the polar bear. With over 170 color illustrations, Engelhard shows us the full scope of the polar bear’s appeal and ensures you’ll never think of the polar bear the same way.

For the lover of memoir or the literary type:

The Tao of Raven: An Alaska Native Memoir by Ernestine Hayes tells the poignant and lyrical story of Hayes’s return to Juneau and to her Tlingit home after many years away. Interweaving her personal history with the story of the Raven and the Box of Daylight, Hayes illuminates her frustration and anger at what still faces Alaska Natives in their own land while examining her own evolution as a writer.

Birds of the Pacific Northwest: A Photographic Guide by Tom Aversa, Richard Cannings, and Hal Opperman has over 900 illustrations and shows off the birds that live in our coastal rainforest, North America’s northernmost deserts, and the northern/mid-Rockies to the east.

Paula Becker‘s Looking for Betty MacDonald, the first comprehensive biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. In this guest post, designer Thomas Eykemans discusses the process of creating the cover in collaboration with the author and Seattle artist Tom DesLongchamp. He also shares the creation of the covers of three new editions of Betty’s memoirs, Anybody Can Do Anything, The Plague and I, and Onions in the Stew.

There are a million photographs of Betty MacDonald and any one of them could have made a great book cover. The portrait of a beaming bang-free Betty (below, lower left) was inset on many of the covers of her books when they were first published, and Paula describes how this particular image of her was perhaps the most familiar. Regarding The Egg and I:

After only a few months, Lippincott moved Betty’s appealing head shot from the back cover to the front, ditching Bennett’s art. For her readers, the merry pinup-girl author and the yarn she spun were indivisible.From this point on, Egg branded Betty, and Betty branded Egg.

Various photographs of Betty MacDonald.

Despite their prevalence, a photo of Betty seemed too static for a biography about her, and definitely too black and white. Her rich life, warm personality, and merrily snarky attitude required something more energetic and colorful. Tom DesLongchamp is a Seattle-based artist and illustrator whose imaginative style is perfect for the challenge.

Reviews and Interviews

David Takami reviews Judy Bentley’s Walking Washington’s History in the Seattle Times: “Coming soon to a city near you: clusters of visitors gazing intently at a handheld object as a way to engage with their surroundings. . . . The commendable new book by Judy Bentley. . . . is an immensely appealing approach to writing history. . . . Bentley demonstrates that history is not abstruse and remote from our current experience; it is ever present—and just around the next corner.“

Christian Martin reviews the book on the Chattermarks blog from North Cascades Institute: “Bentley provides brief but engaging historical overviews. . . . There are stories in the ground beneath our feet, dashed dreams lingering in the air, as well as legacies of benevolent forethought from a not-so-distant past all around us.”