- a one week critical performance about the hierarchy of labor, trickle- down economics and the dignity of workers

In the attic of Schloß Plüschow, a theatrical one-woman workroom is staged. A hierarchy of tables is stacked against the logic and comfort of her labors. The SeamStress manufactures hessian/burlap work dresses like the one she herself wears. At the lowest table, she cuts the cloth. Loudly echoing in the vast room, her scissors bite through the stiff fibers. Then, she climbs perilously up to the top most table where one sewing machine, high in the air, takes center stage. There, she sits in the light of one lamp and sews. The machine rumbles, stops, starts again and again. With each completed dress, she climbs back down to wash and hang it. The new work dresses drip, dry and shrivel on the line. The results of her labors fill the lines to her left and right with dresses for an army of absent workers.

The wall drawing, 'waterline' is transformed using water from the Lech canal which runs before the exhibition building. The illusion of woven cloth is transformed into an image of fluid water recalling the washing stage of textile manufacturing processes.

The wall drawing, 'waterline' is transformed using water from the Lech canal which runs before the exhibition building. The illusion of woven cloth is transformed into an image of fluid water recalling the washing stage of textile manufacturing processes.

The wall drawing, 'waterline' is transformed using water from the Lech canal which runs before the exhibition building. The illusion of woven cloth is transformed into an image of fluid water recalling the washing stage of textile manufacturing processes.