Encino

Jonn Coolidge

"I love the exaggerated chesterfield tufting and the fastening bolts and carabiners, so you can reconfigure it into a pit or anything else," Walcott says of the 1970s Camaleonda seating by Mario Bellini. The softness of the sectionals plays off the clean lines of the architecture. To the right: A tree set in a box of red rocks reaches toward the skylights.

"I love the exaggerated chesterfield tufting and the fastening bolts and carabiners, so you can reconfigure it into a pit or anything else," Walcott says of the 1970s Camaleonda seating by Mario Bellini. The softness of the sectionals plays off the clean lines of the architecture. To the right: A tree set in a box of red rocks reaches toward the skylights. (Jonn Coolidge)

"I love the exaggerated chesterfield tufting and the fastening bolts and carabiners, so you can reconfigure it into a pit or anything else," Walcott says of the 1970s Camaleonda seating by Mario Bellini. The softness of the sectionals plays off the clean lines of the architecture. To the right: A tree set in a box of red rocks reaches toward the skylights.