Movie Review: Gabe Ibañez’s “Automata” is a post-apocalyptic sci-fi thriller that feels more pretentious than efficient. The story is set in 2044 AD, in a time where atmospheric disturbances, reduction of the population, and technological regression, are compensated with robots that enforce the two protocols responsible for ruling the almost deserted world. Jacq Vaucan (Antonio Banderas), an insurance claim checker for ROC, the company that makes the robots, embarks in a one-man journey to assure the future of humanity. The chaotic scenarios are not so negative, but the film never transcends itself into something worthy. To tell the truth, we wait and wait for long periods of time, and nothing meaningful really happens, making us enter in a sort of melancholy that is very difficult to get rid of, even during the action scenes. There’s still time for some ludicrous scenes that include a sentimental dance between Vaucan and a robot, or a problematic cop who shows a compulsive ability to shoot robots in the head. Vaucan’s screams of frustration felt dried, and the world depicted in the heavy-handed “Automata” never provided any compassion or sympathy. The presence of Antonio Banderas was also insufficient to boost an unfocused plot, written by the Spanish director Ibañez together with Igor Legarreta and Javier Sánchez Donate, which ended up being an unenthusiastic assembly of small ideas.