Udstillingsdesign

For many years, Arno Design (Mirka Nassiri, Claus Neuleib, Peter Haberlander) has stood for spectacular solutions for the design and realization of trade fair stands, event architecture, showrooms and shops. On the occasion of their 20th anniversary, this publication shows the variety of their creative work for a broad spectrum of customers from the fields of fashion, sport, industry and communication. Many of these firms, such as Mercedes-Benz, Yves Saint Laurent, Lego, Porsche, Sto and Apple, have used Arno Design for many years. In these cases, the developments and design trends can be traced over a longer period of time. The versatility of the office is astounding: besides very clear-cut trade fair stands such as those for Loewe or Grundig, you will also find more opulent, decorative and baroque echoes, for instance as manifested in the booth of Alessandro. This look behind the scenes also includes unrealized competition entries and reveals more about the origins of the designer team.

This book encompasses an extensive selection of non-commercial exhibition designs, applied to a wide range of different environments, including museums, shopping malls and educational centers. A line-up of outstanding international architects and designers has made use of the latest technologies in the field to create spaces that entice, educate and delight. Full-color glossy photographs, rigorous graphic documentation and explanations by the authors of the works themselves accompany the selected works. All this makes this publication a necessary and exciting tool for architects, designers and students, as well as for all professionals wishing to extend their knowledge in the field.

Good exhibition design involves more than the presentation of art, objects and ideas, and also more than the mere transmission of information: A successful and compelling concept must tell a story and contribute to a deeper understanding. It must not only allow but initiate and inspire communication and interaction between the exhibit and the observer. The interdisciplinary fusion of architecture, design, digital media, and scenography enables almost unlimited creativity. The permanent and temporary projects presented in this volume include museums, art exhibitions, and installations as well as the presentation of products at fair booths and showrooms. All concepts behind the projects are distinguished by powerful, creative design ideas and their skilful and ingenious elaboration, so that grand visions become an exciting reality.

Without you it would be easier commented Jan-Christian Warnecke from Landesmuseum Württemberg in Stuttgart with a twinkle in his eye when talking about the book he is producing as editor with guest authors about the collaboration between client (museum) and service provider (designer) on exhibition projects. The book will give both sides a chance to have their say. Subjects that will be tackled include legal issues, the unpopular topic public procurement regulation, competition formalities as well as aspects of project management. A summary of the Greatest Hits of Conflicts aims to enable the parties towork together as constructively as possible. The publication is intended to help them understand each other better - because at the end of the day they both need each other! With articles by Korkut Demirag, Bettina Probst, Ulrich Schwarz and many more.

Museums are using games in many innovative ways - for interpretation, education, marketing, outreach and events. Museums at Play provides an extraordinary and comprehensive international overview of the development, use and evaluation of games within museum and cultural contexts, through over 40 detailed case studies. It also draws on the experience of game designers and theorists and explores the range of new opportunities for interactivity using gaming. Contributors include specialists from world-class institutions including The British Museum, Smithsonian Institution, Science Museum, Tate, and the Walker Art Center as well as leading game developers, curators, designers, and educators from some fourteen countries.

An exhibition centre is a central focus of a city''s economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not so much markets as forums for the exchange of information and contacts. This new volume in the Construction and Design Manual series spotlights twenty-two exemplary European buildings that have overcome the resulting architectural challenges. It also includes an overview of the cultural history of European trade fairs, and an interview on successful exhibitioncentre design with Volkwin Marg of gmp Architekten, one of the world''s leading specialists in this area of architecture.

The book is a fundamental reference work for exhibition designers, architects, and museum professionals who want to adequately conceive, design, plan, and produce clearly focused thematic exhibitions. Each thematic field represents different challenges for an exhibition design. This typology by Bertron Schwarz Frey elaborates the special features of the various thematic fields û nature, archeology, history, art, and science. Sketches, floor plans, visualizations, and photographs illustrate the approach, whose essential structure remains the same while finding a different solution for each theme. For students of architecture, interior design, exhibition design, scenography, and visual communication it is also useful as an introduction to the subject. The book presents current exhibitions including the Museum für Naturkunde and the Jewish Museum in Berlin, the Pommersches Landesmuseum in Greifswald, and the Württembergisches Landesmuseum in Stuttgart.

The beauty of impermanence has many manifestations - whether in the artistic, natural or spiritual realm. Each transitory piece elicits a response in the participant - a heightened awareness of the senses occurs in order to capture impressions before it is too late. The design of exhibition and trade show stands exemplifies this temporary quality, providing intriguing displays that are at once eye catching, sophisticated and memorable. Whether controlled or interactive, the installations featured frequently make use of all surfaces from floor to ceiling to arrest one''s attention and direct further explorations. Through the innovative use of lighting, multimedia displays and custom fixtures, a story is told, creating a unique experience for the visitor and a reference for future recommendations.

Successful exhibitions are much more than just objects on display. The fascination of an exhibition comes from the dynamic interplay of communication, knowledge, interaction, experience and contemplation. Drawing on examples from the authors own experience as exhibition designers, this book examines every phase of exhibition creation. Topics include concept and design, presentation and staging, communicative forms and media, text and graphics, typography and layout, and the use of lighting. Throughout the book, full-color illustrations, sketches, diagrams, wall plans, models and photographs provide detailed insights into the design process. 2nd. updated edition, English and German edition.

A history of World''s Fairs and Expositions from London to Shanghai 1851-2010. Imagine an area the size of a small city centre, bristling with buildings set in beautiful gardens; fill the buildings with every type of commodity and activity, in the largest possible quantities; invite all nations on earth to take part, sparing no expense. After six months, raze this city to the ground and leave nothing behind, save a number of landmarks intended to survive and to go on to serve a new purpose. The World''s Fairs, held since 1851, were occurrences such as these, spectacular gestures which briefly held the world''s attention before disappearing. Millions of visitors strolled through the sites, urban centres were re-planned to accommodate them, national economies were damaged, fortunes made and international hostilities postponed. In Paul Greenhalgh''s beautifully illustrated book some forty expositions are dealt with in detail and many more are described. From America, exhibition tradition to Amsterdam, Antwerp,

For six months in 2010 Shanghai has been host to the biggest and most ambitious World Expo in history. Central to the event are the truly remarkable pavilions and halls that house exhibitions of the 189 countries and 57 international organisations taking part. The first to include photographs and architectural drawings of the completed buildings, this important new book showcases the Expos most ambitious buildings and reflects a dynamism and spirit of creativity that will surely influence architects and designers for years to come.

A good exhibition tells a multidimensional, interactive story within a cultural environment that involves all sorts of modern media. Such resources can create a chemical reaction, while also supporting a balanced construction of interconnected components. Engaging Spaces features Kossmann.dejong, an Amsterdam firm specializing in exhibition design. The book offers a visual explanation of the company''s work, making projects fully comprehensible through photographs, plans, and sketches. Decisions are clarified. And one chapter provides clear instructions on how to create exhibition designs. Highlighted by essays written by specialists, Engaging Spaces covers all aspects of exhibition design and is sure to be of interest to students, professionals, and other inquiring minds.

Commercial trade fairs, brand experiences, themed attractions, world expositions, museum galleries, visitor centers, historic houses, landscape interpretation and art installation are all areas that can be categorized under the broad umbrella term of æexhibitionÆ. Millions of people visit exhibitions of one sort or another every year and globally it is a multi-billion dollar industry. Basics Interior Design: Exhibition Design offers a better understanding of the complexity of exhibition design as a discipline, by exploring the role of the exhibition designer as a creative practitioner. It considers the blurring of borders with other design disciplines, but interior, graphic design and marketing in particular. Supported by case study examples and practical in nature, this book offers a guide on how to approach the design of the narrative.

What is Exhibition Design? is the ultimate guide to the many facets of this rapidly emerging discipline, from retail design to museums and trade shows--every field that applies graphic information to place and object. This unrivalled handbook is a guide to the world of exhibition design, exploring what constitutes successful design and how it works. It clarifies the roles of the various design skills involved in exhibition design, as new technology and materials expand the possibilities for both form and function. What is Exhibition Design? provides a stunning, diverse portfolio of cutting-edge work from designers and studios around the world. Like the other titles in the Essential Design Handbooks series, this is an essential reading for every professional and student involved with exhibition design.

Showcases a comprehensive selection of recent retail interiors from around the world. Following a brief introduction, the book is divided into seven themed chapters. As a special feature each chapter begins with an interview with a key figure in the world of retail design, exploring their views on how our changing shopping habits affect retail design.