Posts Tagged Putumayo

Once a week I host a writer who uses music as part of their creative process – perhaps to tap into a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by multi-genre novelist and indie publisher Devon Flaherty @devtflaherty

I have to admit, ever since I started staying at home with babies/small children, my interaction with music has been different. Not only do I have to put up with terrible kid music (with the exception of BNL’s Snacktime) and avoid music I formerly loved with questionable lyrics or themes, but I also have the occupational challenge of keeping my ears open, all the time, listening for a breach of boundary, a breaking glass, a sibling fight. Most of the writing of my recently published book, Benevolent, has taken place in this music vacuum—stealing moments of Alanis Morisette’s Jagged Little Pill while driving alone to a friend’s home.

But this has been a really big month for me. On section two of my next novel, The Family Elephant’s Jewels, my husband has graduated nursing school, my son has been registered for kindergarten, and mommy has been given — by the appreciative husband — an iPod Nano! Fifteen years ago I wouldn’t have been caught dead without my Discman, but an iPod seemed a little extraneous with my loveable cling-ons. And now? It’s truly wonderful.

Fireworks

Last night, while listening to Gungor’s Dry Bones and folding clothes (and doing air pumps and some orchestra conducting), I saw the vision for my much-needed book trailer. The music just flowed through me. And I don’t know about you, but when I get really carried away with a song, visions break out like fireworks on my inner retina, making music videos of my creativity, my thought-life. Which is why, for me, music is such an integral part of the writing process.

I have been known to say, in recent interviews, that my ideas often come from moments in life when something small and extraordinary jumps out at me. I can’t begin to count, even during my music-starved twenties, the times that that small and extraordinary moment was fueled by music. My future fantasy trilogy Spin was almost completely born out of the song White Flag by Passion (which is kid-friendly). I have a whole story built around Tom Waits’s A Little Drop of Poison (which happens to be on the Shrek soundtrack).

The truth is, that even without music playing all the time (which it had for the first twenty-five years of my life), music was still inspiring me as I wrote Benevolent. It’s evident when I reach out and bring in a very specific piece of music, even in the prose. Gaby is listening to Over the Rhine’s Good Dog, Bad Dog as she rumbles bus-bound through Jerusalem, thinking about her romantic attachments. Putumayo’s Gypsy Groove lilts on the air during a disastrous scene near the end of the book (no spoilers!), but I had to change the title (Mali to Memphis) due to time differences. Heck, Belinda Carlisle’s Heaven is a Place on Earth was the song that got me in the whole 80s and 90s mood to begin with. And let’s not forget the one I made up (because that’s how story and legend often convey):

And The Queen and her lover
ran for cover
Holding each other tight.
While the tall story man
and his evil war band
Chased down the beautiful knight.
Where have all the heroes gone?
I want a stately red-headed queen
to make love to angels
and wield a sure sword
And Jaden to save the day,
Oh-oh Jaden to save the day.

I like to bring my readers all the way into a story, and that means engaging all the senses, if possible. They are seeing a dingy 1980s dining room, eating chicken, smelling old carpet, feeling a chink in porcelain under their fingertip and the roughness of a tuxedo jacket against their arm, listening to—what? Besides Nadine yammering on? Besides the humming of the fridge and the clink of silverware? In Gaby’s opening scene, I have music everywhere: being rudely interrupted, then bursting out again, ‘in the foreground and background and off the walls,’ Stellar crooning obnoxiously to Bette Midler.

And I like to be immersed, myself, into life. I like to see, feel, smell, taste, and hear when I walk through the woods, when I take my husband on a date, when I read a book, and definitely, most definitely, when I write it.

Devon Flaherty is a writer in Durham, North Carolina. Originally from metropolitan Detroit, she is a mother, a wife, a hobby yogi, photographer, painter, and foodie. She has been writing seriously since her very earliest brushes with literature, and has published articles, poems, and photography in literary journals and magazines. She received a bachelors in philosophy and was an assistant editor, freelancer, and blogger, until she founded a publishing company, Owl and Zebra Press, and launched her novelist career with Benevolent. Follow her on Twitter @devtflaherty, at her blog The Starving Artist, or by signing up for her E-Newsletter. You can buy Benevolent here (or plenty of other places).

GIVEAWAY Devon is giving away a signed copy of Benevolent and also a copy of She & Him’s new CD, which Devon says is the kind of music her protagonists would be listening to today. You can enter both these giveaways via the links on Rafflecopter. For the signed copy of Benevolent go here, and for the She & Him CD go here. (And she’d probably appreciate it all the more if you also share the post!)