Thursday, 29 January 2015

In 2002 I had a mad idea. Why not set up a publishing company focusing on short story collections by unknown writers who worked in mixed genres? Pundits will tell you that the hardest sells are books by first timers, short stories, and genre-defying works. Still, I went ahead, rode the cusp of the digital print wave which revolutionised publishing at the same moment I put my toe in the water, and by the time I felt the press had run it's natural course in 2009 we had published 31 books and gained seven awards including multiple British Fantasy Society awards for Best Small Press and Best Anthology, and climaxing with Chris Beckett's The Turing Test winning the prestigious Edge Hill Short Story prize. I consider that to be a success.

But it wasn't easy. The press had taken over my time to the extent that my own writing suffered as a result. From 2007 to 2009 I barely wrote a short story, but following the dissolution of the press I've written around 100 short stories, five novels, and three novellas with many of those published or accepted for publication. So despite the success of the press I feel that it was a good decision to halt it when I did.

However, publishing always held an attraction. When my partner, Sophie, decided a few years ago that she wanted to run a magazine I agreed to support her as co-editor. Fur-Lined Ghettos was the result and we've ticked along quite nicely for three years.

But then last year we had a mad idea. Why not set up a publishing company focusing on surrealist literature and poetry? Pundits will tell you that the hardest sells are weird literature and poetry, but what the hell we're going to do it anyway.

So, we've just launched salò press. Here are the guidelines for our first two projects:

Our first anthology - now open to submissions from writers/poets/artists/photographers - will be "A Galaxy of Starfish: An Anthology of Modern Surrealism". Please check out the guidelines here.

We are also seeking poetry collections from established and new poets including alt-poetry | surrealism | automatism | cut-up | existentialism | experimentation | subtle beauty. Guidelines for these collections are here.

Friday, 23 January 2015

If you've been following this blog you will know I have recently edited a book of punk-inspired stories for DogHorn Publishing titled “punkPunk!”. Punk music has been the catalyst for so many (ad)ventures in my life that I couldn’t resist editing an anthology of stories which are influenced by the music and celebrate the lifestyle. Finally it’s now available for purchase, and to kick-start sales I’ve organised an event in London at the Hope & Anchor pub in Islington (one of the main venues for the emerging punk scene back in the 70s) on Saturday 28th February 2015 from 2-6pm.

As well as some author readings there will be a performance by new punk band anarchistwood, as well as a set from a punk band who were around ‘back in the day’. Due to a previous contractual agreement I’m unable to announce the headliners until the 15th February, however capacity at the venue is limited so should you wish to attend (and why not) it’s advisable to purchase tickets now.

Tickets for the event include a copy of the book (not bad for an afternoon out) and can be bought here.

Of course, you don’t have to be an old punk like me or even like the music in order to attend. The book isn’t simply a nostalgia trip. The stories are vibrant and eclectic and the event will also be the chance to catch up with old friends and make new ones.

Friday, 2 January 2015

Well, it's that time of the year when everyone is doing their 'best and worst of' lists, so here is mine. I'm going to list the books and movies I read/watched in 2014 and then pick my favourites. This isn't restricted to what was new in 2014, but what I actually watched and read - some of these items might be very old indeed.

Books:

I read the following in 2014:

David Foster Wallace – Oblivion

Jack Finney – Invasion of the Body Snatchers

Conrad Williams – Blonde on a Stick

James Sallis – Drive

Cinema - The Archaeology of Film and The Memory of a Century – Jean-Luc Godard

Fabio Moon and Gabriel Ba (graphic novel) – Daytripper

Louis Aragon – Paris Peasant

Simon Bestwick – The Faceless

Barry Hines – A Kestrel For A Knave

Frank Burton – A History of Sarcasm

F. Scott Fitzgerald – The Great Gatsby

Kinky Friedman – Elvis, Jesus and Coca-Cola

Kim Laken-Smith – Tourniquet

David Peace – 1973

Georges Perec – Life A User’s Manual

Adam Nevill – House of Small Shadows

Thomas M Disch – The Genocides

Guy Adams – The Breath of God

Susanna Jones – The Earthquake Bird

Raymond Chandler – the Long Good-bye

Margaret Millar – Beast In View

Brian Azzarello – Filthy Rich

Yasunari Kawabata – Beauty and Sadness

Jonathan Carroll – A Child Across The Sky

Rhys Hughes – Mister Gum

Warren Ellis – Gun Machine

Budd Schulberg – On The Waterfront

Maj S Jowall & Per Wahloo – Roseanna

Simon Louvish – Laurel & Hardy

Daphne Du Maurier – Rebecca

Adam Nevill – The Ritual

Stephen Vizinczey – In Praise Of Older Women

Jonathan Letham – Motherless Brooklyn

J G Ballard – Crash

Jean-Claude Carriere – Please, Mr Einstein

Neil Gaiman – American Gods

JG Ballard – Super-Cannes

Thomas Ligotti – Teatro Grotesco

Christopher Fowler – The Water Room

Gherasim Luca – The Passive Vampire

Ray Bradbury – Something Wicked This Way Comes

RandolphStow – The Green Girl as Elderflower

Robert Desnos – Liberty or Love

Where The Heart Is – edited by Gary Fry

Michel Houellebecq – The Map and the Territory

Carole Johnstone – Cold Turkey

J K Huysmanns – La Bas

Alexi Sayle – Train To Hell

Tony Ballantyne – Dream London

Paul Auster – The Invention of Solitude

Strange Tales IV – edited by Rosalie Parker

Lauren Beukes – Moxyland

That's worked out at 52 books this year, one a week. Definitely the worst of the bunch was Margaret Miller's "Beast In View" which felt poorly written considering it was a crime masterworks title. I was similarly disenchanted by Neil Gaiman's "American Gods". Simon Bestwick's "The Faceless" deserves a special mention, as does Adam Nevill's "The Ritual" - the first half of which is exemplary for sustained terror. I also thoroughly enjoyed Daphne Du Maurier's "Rebecca".

From memory, I was expecting J G Ballard's "Crash" to make my final three - it was a life-changing book. But I've referred to my Goodreads ratings to supplement my memory and three titles alone got 5/5 from me.

In reverse order, these are my top three:

"Beauty and Sadness" by Yasunari Kawabata

A tentative, sometimes astonishing book, about tremors of memories of a past relationship: beautifully written.

"The Long Good-Bye" by Raymond Chandler

Chandler's prose never disappoints and I'm working through each of his books with sheer joy. I can't fault this novel: perfect hardboiled noir with a killer ending.

And the winner is:

"Life: A User's Manual" by Georges Perec

This richly detailed book is quite simply incredible. It's an easy read, full of brilliantly observed stories as well as puzzles, lists, quirks and humour. The ending is sublime. There is so much in this book to recommend it, but words themselves won't do it justice. Just read it.

Interesting to see the impact having a child has on movie watching. In 2012 it was 93 films, last year it was 53, and this year it's 47. She's now two and a half. Hopefully the figures will rise again! In addition to the movies we did manage to watch the first series of Twin Peaks and quite a lot of The Office: An American Workplace (genius!), and a season of Adventure Time.

As usual when picking my top three I'm discounting movies I've previously watched. So that knocks out "Dead Poets Society" which I enjoyed seeing again after 25 years, "Bambi" and "Blue Velvet" which I barely remembered. Biggest disappointment was probably "The Grand Budapest Hotel" which - technically brilliant - just seemed to be Wes-Anderson-by-numbers and emotionally bland. Coming close are Nymphomaniac (thoroughly enjoyed, very thoughtful, less keen on the ending), Love (solo space movie that hits the spot), Possession (kooky 1980's psychological horror or alternate-WTF experience!), Post Tenebras Lux (containing some moments of pure cinematic joy and others of extreme tedium), and Salo (my partner will be annoyed this didn't make my top three as it's one of her favourite films: Pasolini's beautifully shot scatological-infused political satire).

Again, in reverse order, my top three:

"Air Doll" - Hirokazu Koreeda

There was something weirdly poetic, Japanese-charming, and ultimately poignant about this movie where a blow-up doll comes to life. One of those movies where within a few minutes you just know you're going to cry at the end, and this was no exception. Delightfully quirky!

"Dogtooth" - Yorgos Lanthimos

Psychologically bonkers! A family keep their three children ignorant of the outside world and deliberately subvert everyday knowledge. Planes flying overhead are claimed to be toys and toy planes are hidden in the garden to corroborate this. That's just one aspect of this audacious movie. Utterly compelling.

And the winner is...

"Tetsuo: The Iron Man" - Shinya Tsukamoto

This short movie is quite simply insane. A man is literally transformed into a machine after a car accident with a metal fetishist. It plays like a music video/arcade game with breathtaking intensity. Audacious and surreal I genuinely have never seen anything like it. For that reason alone it has to make the top spot.