This set of North Korean propaganda posters was originally posted on Reddit today but the images were soon removed. I’ve mirrored them here and you can also find alternate mirrors along with translations at the original Reddit article. Pretty incredible these images made it to the outside world and the goat one seems so friendly. Here are the translations in case the original goes down:

· “When provoking a war of aggression, we will hit back, beginning with the US!”
· “Though the dog barks, the procession moves on!”
· “Death to US imperialists, our sworn enemy!”
· “Prevention and more prevention. Let’s fully establish a veterinary system for the prevention of epidemics!”
· “Let’s drive the US imperialists out and reunite the fatherland!”
· “Let’s extensively raise goats in all families!”
· “The US is truly an Axis of Evil.”
· “When we say we will, we will. We do not talk idly!”
· “Wicked Man.”
· “Do not forget the US imperialist wolves!”

We’ve had the “Random Nostalgia” category on this blog for a while, but I think this is the first time a post has truly fit the bill. I was searching around my hard drive last night and stumbled upon this gem from my past, the photo you see above (sorry for the poor quality, I can’t find the original photo I scanned this from). I’m not quite sure, but this is probably from sometime around mid-1999 in Sacramento. This was the firs time I assembled what I would consider a proper studio, although it was just my bedroom (you can see the futon folded up in the right corner). I think before this I had a Roland MC-303 and SP-202 set up on a dresser in the corner so this was a big step up from that. This was also when I started using a computer to record; I had previously recorded everything into an ASR-X Pro sampler which could handle about 6 minutes of audio. I would then record the outputs of that to Minidiscs (still have a huge box of those I need to sift through).

This was before I really started designing but if you look closely you can catch one of my very early visual influences on the left wall. I rescued that tapestry thing from a dumpster; it depicts a waterfall made of rainbows. Pretty bad I know, but looking back I realize that color scheme and subject matter informed a lot of my earlier work. Not sure what happened to it, must have lost it in a subsequent move. The same goes for the other stuff, the only things I still have around are the computer keyboard, the grey box in the stereo cabinet and the wooden table in the foreground. I gave the keyboard stand to Dusty Brown and I saw it at the show in Sacramento this weekend, nice to know it’s still alive and well with the same Renthal sticker on it. As for the other stuff, it was either sold on eBay or junked (the milk crates that are holding up the desk, for example). Here’s a kit list of what I can make out from the picture:

Crazy story about the JP-8000, I put it on eBay about a year after this shot was taken. The winner of the auction was from the area so he came out to pick it up. It turned out to be Shaun Lopez, we ended up becoming friends and he still does mixing work on my tracks today (Daydream, Adrift, Disconnect to name a few).

Today Mux Mool’sViking Funeral drops as a free download for everyone, the EP is a collection of live edits, one has a MC for the first time and one song even samples the Hobbit cartoon with Led Zeppelin drums, enjoy.

Culled from Mux Mool’s EPs, mixtapes, and beat vaults, the Viking Funeral EP collects five choice Mux cuts into one concentrated blast of music, an introduction to Brian Lindgren’s dazzling take on homespun electro hip-hop and a preamble to his upcoming full-length opus, Skulltaste.
Viking Funeral contains everything that Mux Mool does best, making it a fine road map to Lindgren’s cracked universe. “Teal Trim” starts things off right with a tight, incisive beat, mixed to cut through a fog of hard-panned synths and distorted melody lines. Mux’s live edit of “Ladies Know” is a hard-to-find instrumental version which foregrounds the track’s bitcrushed drums and dirt-crusted vocal samples. Next up is “Drum Babylon”, a highlight from Mux’s song-a-day project Drum EP, and “Goblin Town”, a mischievous interlude featuring a choir of deep-voiced goblins, singing about their hometown. The Viking Funeral EP closes with its lone track with vocals, “Death 9000 (Prof & P.O.S. Broadcasting Version)”, in which the MCs have their way with one of Mux’s more sinister beatscapes.
Five tracks, five different shades of Mux; but the Viking Funeral EP is just the tip of the iceberg. Skulltaste is lurking below the waterline, and it goes down for miles.

I’m definitely getting way into this style right now; what can I say, people are doing some amazing things with type and shapes. These posters are by Quadradao out of Brazil. There is something familiar about the look of course, but I think it’s still fresh in its own way. What I find interesting about it is how much harder it is to design effectively in this style than it looks like. Sure it’s just type and shapes, but try and work something equally refined and see if you don’t go completely nuts.

Couldn’t find too much information on the studio, but from what I can deduce they’re chilling down in Brazil pumping out crazy good posters like these. If I had to guess I would have said these were straight out of the Netherlands.

Last week I shared with you the start of a 4 [maybe more?] part series of covers that some of my friends did that was free to download here. Here is volume 2:

Calmer covers Bob James: I think when I asked Calmer to cover the Taxi theme song he thought I was joking but I actually wasn’t I always play this song when I DJ late nights. He does a great hazy looped cover which shows off his drumming skills and that was what I was hoping for.

Andre Obin covers Editors: Boston’s Andre Obin is the bridge from Synth Pop to Underworld/the older Kompakt sound, he covered Munich, he went with a great direction which was ditching the sped up original and owning the vocals.

Tom Croose edits Van Morrison: Our Tom Croose does what he does best which is turning rock oldies into respectable dance floor pleasers without referencing that whole Justice dance beat movement, back to the basics for 2010 and more from Tom Croose. [Sorry, this song has been removed due to a DMCA complaint]

D. Gookin covers Primus: Are you ready for your early teen years to flash before your eyes? D. Gookin might have just made the rowdiest intro for a song ever posted on iso50 but don’t let that fool you the cover is really diverse and he did it within hours on his drum kit. I asked Gookin to do it because on tour over a year ago he played a ton of Primus for us in the car and I could tell he loved them plus Pork Soda was the first CD I ever bought so I thought it would be fitting.

Charles Trees remixes Mayer Hawthorne: Ann Arbor, MI remixing Ann Arbor, MI both Mayer and Charles are around my age and from the same city as me. You may know Charles from his other alias Mingus Rude who gave us that very memorable Fleetwood Mac edit. Charles does a fantastic job of making Just Ain’t Gonna Work Out more heady and head noddy which totally made my ears smile.