Victoria

On Friday, 12th July 1013, the hottest weekend of the year so far, I joined 180 members of the Romantic Novelists’ Association at The Edge, part of the University of Sheffield Endcliffe Campus, for their annual conference.

Modern and spacious, The Edge offers superb conference facilities with onsite accommodation. But my goodness was it hot.

However, Romantic Novelists are never afraid of a challenge, and faulty air conditioning was not going to deter us.

I collected my ‘goodie bag’ full of books, chocolate, biscuits, more books and even more chocolate and joined everyone for the welcome speech from our Chairman (or should that be Chairwoman) Pia Fenton. News of new contracts and awards followed, giving us a reason to celebrate. This, of course, was followed by wine, a chance to gossip, share tips and market opportunities, as well as to catch up with friends, and drink more wine!

The serious business started the following morning with Maggi Fox’s very informative session on public relations. Other sessions included using theme to deepen your work with Julie Cohen; how to manage your time, hot scenes and how to make them, and diversifying your career, had our heads buzzing with ideas.

The Gala Dinner took place on Saturday evening; sadly I was unable to attend, but the food, I’m told, was delicious, and the outfits and shoes were fabulous.

More sessions by followed on Sunday. Nina Harrington’s, in particular, on how to stop procrastinating was especially pertinent for me, and now I’m itching to finish the book that has been floating around in my head for the last 6 or 7 months!

Nina Harrington

Then all too soon it was time to say ‘goodbye’ to old and new friends, with whispered promises to catch up once more at RNAConf14 in Telford.

My second romantic suspense novel set in the Highlands of Scotland (which has been out of print for some time) is now available from Amazon.

When Anna MacDonald leaves Edinburgh to find peace in the Scottish Highlands, she gets a twofold surprise: a lost sailor teaches her to love again…while a mysterious stranger has plans to kill her.

Passed over for promotion by her boss, Anna walks off the job in anger. But being reactionary has its price. Unable to afford the rent on her fashionable Edinburgh apartment, she retreats to the only place she has ever felt safe – her grandmother’s croft on the edge of remote Loch Hourn in the Scottish Highlands. With two border collies for company, she sets out to achieve her lifelong dream: to write the novel that has burned within her heart for years.

Meanwhile, renowned American artist, Luke Tallantyre, has sailed across the Atlantic to escape an artistic dry spell. Engine trouble lands him in Loch Hourn, and on Anna’s doorstep, but the reception he receives is less than welcoming – in fact it’s downright frosty.

When an unseen assassin comes after one of them, they unwillingly embark on an adventure neither ever imagined…including a chance at true love.

Set in the steamy heat of the Florida Gulf Coast, Ring of Lies is the story of one woman’s struggle to find the truth surrounding her marriage and her husband’s true identity.

When English accountant Daniel Elliott dies in a car accident one rainy night, his widow, Grace, is overcome with grief…and panic. Daniel was controlling and their marriage loveless, but he always took care of the sheltered Grace.

Or so she thought.

She soon discovers Daniel kept secrets: an alias, mob ties, a list of numbers, a mysterious beach house in Florida….and a girlfriend who looks like Grace.

Swallowing her fear, she flies to Miami to claim the house Daniel left her. But the price of her curiosity is peril. Underworld figures stalk her. The other woman has left a damning trail of evidence pointing her way. And handsome, troubled FBI agent Jack West has crossed precarious paths with Grace before. He could be her savior or her damnation. All she knows for certain is that she longs to be in his arms.

With little to go on and danger at every turn, Grace must depend on Jack to help her navigate the criminal world of south Florida, and find the truth behind the Ring of Lies.

“Victoria Howard pens a suspenseful tale full of intrigue.”

– The Romance Studio

“Filled with danger, corruption, and a myriad of pitfalls for our hero and heroine to navigate through, and it is really a thrill ride to the very end.”

– Romance at Heart Magazine.

“A story about a heroine full of guts and a hero with a need for understanding.”

Ciara is a a writer of high fantasy, lawyer, and dragon expert. Bent on world domination and born argumentative, Ciara invested her natural inclinations in a career in law. Her short story, A Magical Melody, is available as part of the Spells: Ten Tales of Magic ebook anthology.

Ciara recently published on the differences between British English and American English, and as a British author whose books are available on both sides of the pond, I can relate to how she feels when told that she has misspelled something because she chose to write in her own language – British English. Ciara has very kindly allowed me to reproduce her article.

‘I had never in my life met someone who didn’t know there was a difference between British and American English until I joined Twitter. Everyone in Australia seems to know, and it seems that knowledge is widespread in Canada and Britain as well. I also know many Americans who do know there are differences, but by the same token the only people I’ve yet met who didn’t know were also Americans.

I respect your right to change your own language, but I draw the line at being told I’ve misspelled something just because I’ve used British English. The most notable example was when someone tweeted a response to my tweet of my blog post, including the word ‘judgement’ in the title. This person helpfully pointed out I’d misspelled ‘judgement’. Um, no, that’s correct spelling in British English.

This person clearly hadn’t even read my Twitter bio, or they might have twigged to the fact that a lawyer, of all people, is highly unlikely to be misspelling a word like judgement. To add insult to injury, this person didn’t even have the courtesy to apologise or acknowledge their mistake when I replied it is correct spelling in British English – and I was polite about it too. This level of ignorance is up there with the Republicans who wanted to come to Australia after the election because we have a male, Christian president – but at least that was also amusing!

That was an annoying experience, but far more concerning is the fact I know authors who self-publish using British English (because, hey, that’s their native language) and then get bad reviews from ignorant readers who complain that the book contains multiple instances of bad spelling and had a poor editor, because they don’t know those words are British English.

I don’t run around leaving bad reviews of books written in American English because of spelling errors, so why is this happening in reverse?

I have a theory. For reasons I don’t entirely understand, books written in British English are often converted into American English for the American market – this includes not just changing spellings, but changing a word where the name of something in British English isn’t the same as it is in America e.g. a ‘Mac’ in Britain is a raincoat, and these types of words get changed. Harry Potter, for example, was changed significantly for the American market. If you bought Harry Potter in America, I can guarantee you it’s different to my copies purchased here in Australia.

The reason for this, I’m told, is because Americans don’t understand British English. Say what? American English isn’t translated into British English for the UK, Australian and Canadian markets. What are publishers trying to say? That we’re cleverer than Americans, or it doesn’t matter if we don’t understand? Well I do understand, and I can’t ever remember a time when I didn’t understand, and that’s because I’ve been exposed to American English from a young age. If this tendency had never been catered to, Americans would have as much knowledge of British English as I have of American.

The problem we have now is that this practice in the past has generated a level of ignorance in the American market that now we have to perpetuate the practice in order to avoid bad reviews saying words are misspelled. My horror reached new peaks when Momentum Publishing here in Australia (the digital imprint of Pan McMillan) stated they publish all their digital books in American English, even though the authors are Australian and would have written it in British English. I know why they’re doing it, I’m just appalled it’s become necessary.

What are your thoughts on this practice? Why do you think it started? Do you think it should continue? Do you see value in all parts of the English-speaking world being aware of the general differences between British and American English? Do you think British English should be converted to American? How about American to British? If you’re an American writer, how would you feel if asked to convert to British English? And how would you feel if you were required to convert to British English, but I wasn’t required to convert to American English? I’m fascinated to hear others viewpoints on this issue.

If I ever self-publish, I can see myself putting a big notice at the front that says the book is written in British English! Not that it will help – people don’t read that stuff.’

You can find information on Ciara and her novels by visiting any of the links below:

I’ve been a very bad blogger of late… but I’ve had my reasons, which I wont bore you with, but suffice to say they’ve involved a few trips to the Accident and Emergency Department at our local hospital.

However, now that matters are more or less under control, I’m once again working on my manuscript and determined to finish it before summer is out.

One of the questions I’m frequently asked when giving talks, is where do I get my ideas? Are they generated by things I read in the newspaper or hear on TV? Is it a snippet of conversation overheard in a coffee shop that creates that spark and the idea for a novel?

Actually, it’s none of the above! With me, it’s places. My first novel, Three Weeks Last Spring is set on the San Juan Islands in the Pacific Northwest.

The small, picturesque town of Friday Harbor, is unspoilt, and yet lies on a busy shipping route. The Islands are a paradise for wildlife as whales, sea otters and bald eagles . I realised that it would take very little to upset the ecology of the islands and thus the idea for Three Weeks Last Spring was born.

The idea second novel, The House on the Shore, came from my experiences of managing a small company involved in the offshore oil and gas industry and from working as an administrator on an estate. I’d also spent twenty years living on a croft in the North East of Scotland and was familiar with the area around Loch Hourn, the setting for the novel.

While sat on the beach on Gasparilla Island, on Florida’s Gulf coast, admiring the stunning beach houses, I started to think about how it would feel to own one. (Note the aspiration, readers!) I played around with the idea for a couple of hours while I thought about how much I was missing the winter weather back home in England (not one little bi, in case you were wondering!), until I had the rough outline of a plot. Ring of Lies, was published eighteen months later and tells the story of Grace Elliott’s struggle to navigate her way through the criminal world of South Florida.

All of which, brings me to my the book I’m currently working on. It has a title, but I’m not going to share it at the moment. However, I will tell you that it is set in the Peak District, in Derbyshire, and, as before, it was a place that gave me the idea. See if you can recognise the setting from the photograph.

As some of you may know, Milly Johnson and I held a crash course in novel writing on the 17th June. I must admit that, for a short time at least, I had a few sleepless nights about picking a date that coincided with Father’s day here in the UK. Fortunately, I need not have worried at 50 people turned up to our event. The feedback we have received has been very positive, but don’t take my word for it. Here is a copy of an article that appeared in the local press.

First of all, I’m on Book IT! on SineFm chatting to Sheila North about books and the workshop my good friends and fellow author, Milly Johnson, are giving on the 17th June. The interview will be available as a podcast for the whole of June. http://www.sinefm.com/a_z_of_shows/book_it

Secondly, there are still places available for our Crash Course in Novel Writing on the 17th June. Milly and I are promising an information and fun filled afternoon, with supporting literature and refreshments. We’ll tell you how to develop your ideas and characters; how to plot, how to make your novel flow and a whole lot more. So come along and be inspired to start writing that novel you’ve dreamed about for years. Just drop me an email victoria@victoriahoward.co.uk to reserve a place.

Finally, I’m currently in discussions about placing my workshop on line. It’s early days yet, so I don’t want to say too much. Watch this space for more details as they become available.

World Book Night is now in its second year, was celebrated in the UK, Ireland, Germany and the USA by tens of thousands of people gifting books. This year it fell on the 23rd April which also marked the birth and death of Shakespeare.

World Book Night 2012 - Thomas Rotherham College

The college had been chosen as a giver and had copies of Kazuo Isiguro’s ‘The Remains of the Day’ to give away to ‘A’ level English Students and their guests. I had been invited to take part in the celebrations and to give an introductory talk about novel writing. After refreshments we settled back into our seats for readings from staff and students of various texts including Shakespeare’s ‘Othello’ and ‘As You Like It.’

I would like to thank the Staff and the students for a very enjoyable evening and wish them all good luck in the forthcoming examinations.

‘crash course’ in writing a book in Barnsley on Sunday 17th June, 2pm-5pm

Both of us will be giving a presentation, there will be afternoon tea,
plenty of time for questions and our latest books will be available to purchase.

We’ve both given our course before and they’ve gone down very well, so
this time we’ve decided to join forces.
We’ll tell you how to take your idea from concept
to finished manuscript.
We’ll also tell you:

How to make your novel flow
How to plot
The importance of dialogue
The importance of male protagonists in Romantic Suspense Novels.
How to approach an agent
What NOT to do

…plus lots more.

We intend you home with some supporting literature and full of enthusiasm
to get started.

The afternoon will run – approximately – like this

1.30pm – arrive early if you want to catch us for an early book sale

2pm – Milly will be talking with a Powerpoint Presentation

3.15pm – break for afternoon tea, cakes and a mingle

3.45pm – I will present my Power Point Presentation

4.45pm – A Q & A session with both of us

5.00pm – book signings.

We do so hope you can join us. Places are limited so please book early
to avoid disappointment. We won’t be issuing tickets but you will be
give a booking reference number.

My novelist friend Milly Johnson and myself have pleasure in announcing that on Sunday 17th June at Brooklands, Barnsley – we will be holding a crash course in book-writing. Tickets will be on a first come first served basis, but will include refreshments and course literature. We hope to send you away raring to go and write your own book AND know exactly what a writer’s life is really like. See my events page for more details.