A Little Evil Goes a Long Way…

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Sometimes I feel like I’m the only person in the world that feels a particular way about a particular thing. Sometimes I can’t even tell you why I feel like i do. I just do.
But with regards to Star Wars, I am most certainly not alone. It has meant the world to me since I was a kid, from the first time I saw it until now. While I have suffered many disappointments in life, it was almost never in relation to the Star Wars universe.
As I’ve mentioned before, I’ve read in excess of 50 Star Wars books (probably closer to 100 or more) over the years, and I credit the existence of the Expanded Universe with keeping Star Wars alive between the original trilogy and the prequels.
While I don’t like that Disney effectively killed the Expanded Universe, as a writer I can understand why they did it: they have the opportunity to tell new stories without having to lug around the history and baggage of literally decades worth of history and attempting to build something consistent with it.
That said, there was so much history in the EU that Disney didn’t even have to bat an eye to have dozens of waiting films if they literally made each book or story into its own film. I didn’t expect The Force Awakens to be The New Jedi Order or Legacy of the Force, but as I’ve said before, there’s no reason it couldn’t have lived aside then.
In this, I’ve felt alone. Only a couple friends of mine have felt the same way. But, today I’ve discovered that I’m not alone.
“Give Us Legends” isn’t asking Disney to ignore the new direction of the franchise, but asking that they allow the old direction to live on. There were many storylines that began before the Disney purchase of LucasFilm that have simply died and gone unresolved since the purchase because no new Legends/EU books are being produced, only official canon material in the new direction.
I think it would be an absolute shame to never find out what happens to the Skywalker-Solo clan after Fate of the Jedi, and I’m now sure many others think the same.

Like this:

Due to circumstances beyond my control, I was not a part of the Star Wars: The Force Awakens record breaking opening though I did see the film today. I liked it. Like, in fact, isn’t a strong enough word; I was impressed with it. Enough, in fact to see it twice today. This is the first time ever that I’ve paid to see the same movie twice in theaters on the same day. (Albeit, once was in IMAX and the other wasn’t, though both were in 3D.)
My summary is that it was a very enjoyable film and I found no major issues with it. A friend nitpicked a particular point where the Resistance didn’t attack some First Order ships, to which I countered the First Order was kind enough to not attack the Millennium Falcon despite the precedence they set earlier in the film. Nonetheless, that was the only item I think is really worth considering a possible flaw.
There is the presumed death of a major character that I think is worth discussing. Contrary to my normal spoiler laden attitude, I’m going to avoid specifics, but this particular character dies in a fashion that leaves room for debate as to whether he or she is actually dead. The thing is, even though we see the attack that leads to the presumption of death, we don’t see the final disposition of the body and there are two objects at the location that could be escape vehicles. In film, the presumption of death is but actual death; usually the body has to be seen laying dead with on screen to be actual death. Given the actor’s health and age, I think that the character may have actually died despite what I’m saying here, but there’s a chance, however slight the odds, that he or she might have lived. To quote Han Solo, “never tell me the odds”, usually because they can be beaten.
Now to the heart of this post… As much as I enjoyed the film, as good as I thought it was, there was no need it necessity to invalidate all of the expanded universe comics and novels. No need at all. With some relatively minor changes to the movie we got, the film could’ve been consistent with the novels leading up to and including the Fate of the Jedi series of novels without destroying the plot. You could make the argument that FotJ is built on 20+ actual years covering 30+ book years and thus too much baggage to carry into the new trilogy, but then The Force Awakens and its new trilogy is reinventing those fictional 30 years from scratch, and still has to explain what happened. It could be argued that it was too much work to research and properly place all that lore in context in order to write the script, but for the bulk of the Star Wars fans, that lore has been Star Wars since the original run of Jedi ended decades ago, and the effort to include and build on it would have been appreciated so much more than simply giving us a good film. Instead, there are a lot of rabid fans like myself that enjoyed this film, but are sitting on 30+ books that are now completely meaningless. I saw some Force Awakens books at Barnes and Noble, after the second time through, and I couldn’t even bear to read the synopsis because the new LucasFilm, the Disney LucasFilm, is willing to trample all over the memories, dreams and wallets of those that have helped this franchise not only live when there was no hope for new films, but thrive! I can’t abide that by purchasing books or merchandise that would give the impression that I find that forgivable. I just can’t.
Many, many years ago, I accepted that there would be no films beyond the original trilogy. Then Timothy Zahn wrote the Thrawn trilogy (as I call it; Heir to the Empire and its sequels) and I had hope that one day there would be more books and maybe a new film. Lucas then promised the prequels and made them; they weren’t perfect, but I mostly enjoyed them. The books were still there and the films were working in concert with the books; virtually nothing contradicted anything else in the films or the books. The books advanced over 30 years while expanding the events and scale of the characters and conflicts. They delighted and amazed, bringing joy and sorrow and we were thankful for them. Then in one fell swoop, it was all rendered obsolete in favor of the new regime. How can I support that?
I don’t blame J.J. Abrams for it; it probably wasn’t his call or even within the scope of his power or influence though he did build upon the new ground that paved over the Expanded Universe, its creators and writers, and its fans. But I sincerely feel that someone owes those creators, writers, and fans a sincere apology for the loss of both time and money by this abandonment. I think until there is such an apology, there will always be a rift between those of us that supported the Star Wars franchise in the years between the original trilogy and the prequels, between the prequels and the new era, and the new direction of the mythos. There’ll be an open wound that just won’t heal with time.

Just the other day I was commenting on how I was beginning to be cautiously optimistic about the new Star Wars, but I may have spoken too soon. On MoviePilot.com, there’s an article called Star Wars Episode 7: Kylo Ren and the New Empire in which the author discusses the 20 or so new novels, comic books, etc., that are scheduled to be released to fill in the 30 year gap between Jedi and The Force Awakens. Why does this sound as if all the novels and comics that already exist in this period are simply being swept away? This sounds an awful lot like what Lucas was doing for the Clone Wars cartoon, making the Mandalorians pacifists.
I’m suddenly no longer optimistic.
It could be argued that all the expanded universe work (which has now been rebranded as “legends”) was never canon, that all of this new work will be. I’d be fine with that if Lucas had licensed everything then was hands off with the outcome all these years. But that’s not the case. When Timothy Zahn was writing Heir to the Empire way back in the early 90s, he wanted to use Obiwan’s clone in the role he named Joruus C’Baoth, but he said in an interview that “Lucas had other plans for him.” Later, when R.A. Salvatore was writing the inaugural novel in The New Jedi Order series, Vector Prime, he was explicitly told to kill off a major character by Lucas. The sometimes silly, sometimes convoluted plots of the game The Force Unleashed also lend credence to the Lucas is overseeing everything argument I’m making here. 20+ years of creativity does not get spawned and set free without some specific guiding force (oddly, no pun intended). The expanded universe was even blessed by references to some of it in the films, such as the presence at the pod races of Aurra Sing in the Phantom Menace. Therefore I would say that the expanded universe was as canon as the films, because even Lucas is contradicting himself. (“Always two, there are, a master and an apprentice” yet Count Dooku, Darth Maul, and Darth Sidious/Palpatine running around more or less at the same time; yeah, I know, Yoda could’ve been wrong.)

Like this:

Although I’ve more than once on this site screamed that “this will be the last spoiler warning I ever give” because I generally just don’t give a damn, since this film has not yet been released, I feel obliged to at least warn folk this time around. I’m not going to say that I’ll never give you a heads up again, but I think it’s unlikely that I’ll care as much to do so in the future. Any how…

So, there’s a book. It’s called “The Girl With The Dragon Tattoo.” It’s been out for a few years and it’s garnered a lot of attention. Ever hear of it? Yeah, I’m sure you probably have. We all knew this movie was coming. Well, anyone that vaguely heard of it the book at any rate, so I’m not going to go into any details about the plot. But I will say this right off the bat:

WHAT THE HELL IS SONY DOING WITH THE OPENING?

Ok, let me back up a bit, and explain a few things. I saw the movie tonight, Monday December 19, legally and for free with a number of friends. It was a preview showing they were doing in Birmingham, Michigan, and the head of my program at Oakland University alerted the department students that this preview was happening. So, a few of us independently got ourselves passes and guests and made our way to the theater to watch this film. After nearly getting killed on the escalator due to bad planning with regards to admittance to the theater, we all surrendered our cellphones and all other recording devices prior to entry into the exhibition room. (By bad planning, I mean they allowed the line of people passing through security to grow long enough to block the top of the escalator where people were basically being thrown into the line by virtue of no place else to go and the irresistible force of the heavy machinery deciding you can’t stand still…) Surviving the chaos, we turned off our phones, had a metal detector run over us, and handed over the phones. Fine whatever.

Then we got a verbal warning as a collected audience about the slim chance that we might have managed to sneak a recording device into the theater. If there had been time and room for a strip search, I’m sure it would’ve been conducted as well. At the height of our boredom and wandering minds (mostly wondering what time it was since we all had to surrender our phones), the theater darkened and the movie began.

And I began to wonder how bad this film was going to be.

I didn’t jump on the Millennium Series bandwagon until kinda late. In fact, I didn’t read Dragon Tattoo until early this year, and I haven’t read the other two books yet, so I wasn’t quite sure what to expect out of this film. I generally avoided the previews and trailers, because I wasn’t sure I was going to watch this film. My expectations were really, really low that they could pull it off. And the opening computer generated animation with the techno music reinforced my fear that this was going to be a shitty film enjoyed with friends. As speechless as I was with the opening, I was just as speechless with the abrupt end of it and the shift to the much slower pace that I expected of the film. If I had to describe this transition, I’d have to say it’s like using one of the openings to a James Bond movie — perhaps “Casino Royale” with Chris Cornell’s “You Know My Name” blaring — and then suddenly finding yourself in “The Da Vinci Code.” That’s the God’s honest truth: the opening is so out of place with the rest of the film that I honestly think it was bolted on by some Sony exec that thought it would liven the film up.

In reality, the film doesn’t need it. I think Sony would be better off dropping that opening, and use something more at home with the film’s actual pace, utilizing bits of footage that they undoubtedly shot but didn’t use in the film… Perhaps some news coverage of the Blomkvist trial… Really anything connected to the film rather than some abstract music video. Don’t get me wrong, it was interesting to watch, but ultimately it’s a horrible way to open the film.

Once you get past that opening, the movie is overall very good. There are a number of *REALLY* uncomfortable moments in the film, however. Maybe the film is taking a European ethic with regards to sex scenes, maybe it was just in an effort to be faithful to the book, but there are a couple of key sex scenes in the film that you wouldn’t normally see in a Hollywood film. In both cases, my “trained” American film sensibilities screamed that the sex acts would be cut at a certain moment, and we’d be on to the next scene or at least jump a few minutes or hours in time to the aftermath. That’s how Hollywood has trained us for decades; we don’t see people having sex, typically, for longer than a few seconds except on very rare occasion. THIS is one of those rare occasions, and it’s very uncomfortable, even for someone that was expecting them like I was. They were [mostly] faithful to the book, but they made even me uncomfortable.

That said, all in all, this is one of the more accurate film adaptations of a novel that I’ve seen. There were differences, naturally, some of which my dear friend E. and I predicted before the film as a way of “dumbing” down the story, others we suspect were done to eliminate possible confusion. As I seem to have guessed a few things incorrectly in the book that were apparently told correctly in the film after all (despite my proclamations otherwise to E. on the way home), I won’t go too far into them, but fans of the book: you will notice the differences, but you probably won’t be too upset with them. The quality of the film and the story outshine the sometimes significant discrepancies, and in the end, no harm is done to the story.

Rating… I think I used a 10 point scale previously, so I think I’ll stick with that here… I’d give it a 9.5 our of 10; I have to knock half a point off for that opening, but otherwise Stieg Larsson’s work is too good to be muddied by the differences between novel and film.

Like this:

I am not going to claim that I am a great writer, but I think I’m pretty good. I’m not going to pretend that I’m a genius at marketing, otherwise I’d be quite rich. But one thing I am going to do is throw a bit of my self-respect out the window and pimp my short story “Right and Wrong”, now available for Barnes & Noble’s Nook and Amazon’s Kindle!

As usual, I can’t and won’t claim to be unbiased, and no self-respecting journalist would do a review or critique of his or her own work. So I won’t claim those things, nor will I do those things. What I will do is tell you a small bit about the story so you can make up your mind if you might be interested in purchasing it through either of the above sources.

The story centers around a private detective named Reginald Washington in 1946, a little more than a year after World War II officially ended. A former fighter pilot that lead bomber escort missions into Germany, and a cop before that, Washington is tasked to find a missing young woman in southern Illinois. The catch? He’s black, she’s not, and the town of Green Prairie is deep in Klan country.

If that piques your interest, and you have a Nook, Kindle, or their apps on an Android, iPhone, computer, or other device, why don’t you pop on over to the appropriate store and purchase a copy now!

I’ve already confessed to being a major science fiction nut, so I don’t think I need to reiterate that fact. I profess and honestly commit to loving the Star Wars saga & universe as much as I love that of Star Trek, Battlestar Galactica, Stargate, and Firefly/Serenity. These shows and films have kept me going when my life seemed unbearable, and they’ve given me much to shoot for in my own life and writing.

So, I’m feeling more than a little angry right now that I’ve discovered that the next book in Star Wars: Republic Commando series has not only been canceled, but the author, Karen Traviss, has been burned, and official Star Wars canon is being rewritten in favor of the Star Wars: Clone Wars PC, kid oriented stories.

Where to start? Where to start?

When Boba Fett was introduced in the Empire Strikes Back, everyone became awed by the Mandalorians, and their history was quickly written into the lore of the Star Wars universe. They were a war like people that had been long at odds with the Jedi, going all the way back to the to the great wars between the Sith and Jedi. So, needless to say, they were a major power. According to the the previously established storyline, at some point the Sith betrayed the Mandalorians and pretty much broke them as a power player in the galaxy. They didn’t, however, become pacifists as the current Star Wars: Clone Wars cartoon has declared. Instead, they became mercenaries and assassins; the Mandalorians became some of the most feared and respected warriors in the galaxy. So much so that Palpatine, as Darth Sidious, used one of the best of them, Jango Fett, as the template for the army that he would use to first divide then control the galaxy.

That is how those of us that really know Star Wars have known it; not just from the films, but also from comic books, novels, histories and backstories given on toys, and even the Star Wars web site among other sources. Personally, I’ve read more than 30 Star Wars novels since Timothy Zahn practically single-handedly resurrected the world with Star Wars: Heir to the Empire twenty years ago. Even now, I’m eagerly awaiting the next book in the Fate of the Jedi series, and it was my search to find the next book in that series that reminded me that I hadn’t seen or heard of the next book in the Republic Commando series that I was also reading. The last book, under the new series name Imperial Commando, was 501st chronicling some of the missions of Vader’s elite troops, and furthering the escape plans of some of the major characters from the prior books. I had purchased that book about a year ago, but I’ve been too busy with school to do a lot of reading over the last year, so I thought the next books in the series had just slipped past me. Until my search last night, that is…

When I discovered that the next Fate of the Jedi book, Conviction, wouldn’t be out for some months, I did a search for “Karen Traviss” and “Republic Commando” which lead me to this Wookieepedia article which states that the next book had been canceled. Reading through that article, I found a link at the bottom to Karen Traviss’ blog, and her post on the canceled book. While it is just one side of the story, it’s my gut feeling that it’s probably accurate. Even if I only had one reason, the revision to A New Hope making Greedo shoot first is evidence enough that George Lucas and LucasFilm aren’t shy about making a revisionist history of the Star Wars universe. I can tolerate the less roguish Han Solo. I love Ewoks. (Yes, I said it.) And despite the vast numbers of people that hate him, I’m cool with Jar Jar. But I really don’t know what in the hell they’re thinking by completely nullifying decades worth story telling within the universe, and undermining the work of the numerous authors that have told these stories on behalf of George Lucas and his companies.

Beyond Ms. Traviss and Mr. Zahn, star authors R. A. Salvatore, Troy Denning, James Luceno, and Aaron Allston have all written pivotal and significant portions of the Star Wars universe for Lucas. I know that Star Wars is Mr. Lucas’ child and puts a significant amount of money in his pocket every year, but why undermine the work of these fantastic authors, and alienate the millions of diehard fans like myself that spend fortunes on these books with a new canon history that completely contradicts everything we’ve been told for all these years…

This pisses me off almost as much as the Sci Fi channel becoming Siffie. Almost. I’m not going to go around shouting “‘F’ you Lucas!”, though I really wouldn’t blame all of these Star Authors if they chose to break their contracts with the publishers and Lucas over this kind of revisionist bullshit.