Posts Tagged writing tips

I’m finally home from speaking in Pennsylvania. Was honored to keynote for The Write Stuff Conference and super sad to leave. I get so attached to the writers and miss them when I have to go. Their passion, imagination and enthusiasm never fails to inspire me. I’d keep them and collect them in my basement except apparently this is called “taking hostages” and is “illegal” *rolls eyes*

…that, and I don’t have a basement.

I never prepare a speech. I’ve tried. But I am too ADD and end up ignoring/forgetting everything I prepared, so why not save time? Also, I present quite often and never want attendees to feel like they will hear the same things from me. Every class, every presentation is new. I love listening to those around me so my content fits better because it’s custom made.

This said, when I arrived in Pennsylvania, I had no idea what my keynote would be about specifically, so I had to keep my ears open for the common themes.

There is NO Aspiring

Some of you have fallen for this when I speak. I will begin and ask how many aspiring writers are in the room. Yes, it is a trick question and yeah, it is more than a little evil of me, but it never fails to make a point. When the timid new writers “follow instructions” and raise their hands I yell, “NO! Stop it! You are a pre-published writer. Do or do not; there is NO TRY.“

Screw aspiring. Aspiring is for the weak and it takes guts to do this job.

Hey, I did it too. When I was new, I’d written tens of thousands of words, spent every spare moment reading about writing, studying, going to writing groups instead of the mall. I spent every spare bit of money on conferences instead of a vacation…but I was aspiring? NO. Writers WRITE. Stop being existential. We are REAL.

No one meets a lawyer who just passed the bar and asks if they are a “real” lawyer.

Really? A lawyer? How many cases have you won?

Granted there are aspiring writers. They are pretty easy to spot because they say the same crap:

Yes, well I want to write a book, but I just have to find the free time.

My life is SO interesting. It would make a GREAT novel. Hey, how about I give you my story, you write the book and I will give you half?

Um? NO.

Writers Deserve RESPECT

This is my new hot button and I’m going to handle future interactions very differently because I’ve had enough. I spent all day Wednesday traveling across the country. Didn’t get to bed until midnight. Presented from 8:00 in the morning until almost 6:00 in the evening. We were rallying to leave for dinner at the bar of the hotel’s restaurant and THIS conversation actually happened:

Guy at Bar: *looks at me and two fellow authors and starts polite conversation* What are you doing here?

Me: We are writers.

GAB: Really? *genuine shock face* You are writers? Like…real writers?

Me: Yes.

GAB: Real writers? People actually DO that? For a living? This is your real job?

Me: Yes.

GAB: How much money do you make? You can live off that?

OKAY, I am DONE. I have had this conversation WAY too many times. So, the next time someone does this the conversation is going to look like this:

Me: Well, what do you do?

GAB: Human resources. I’m an HR manager.

Me: Wow *genuine shock face*. People DO that? That’s a real job?

GAB: Yes.

Me: Are you sure? Don’t they have an app for that? Or robots? How many people are you in charge of? Can people make money at that? Really? HR. You can live off that? How much money do you make?

And THIS is why Kristen requires adult supervision :D

Thing is, yes humans do write for fun or for a hobby. But if we are asked what our job is and respond, “I’m a writer” odds are we are not writing bad haiku on a Starbuck’s napkin all day.

And I get it. Writers (creative professionals) are like unicorns. Everyone knows about them just they would be pretty shocked to meet a real one. Yet, what other profession has to endure this amount of disrespect? No one else has to cough up a tax return or show a profit to prove their job exists.

Keep this in mind. If we don’t respect who we are and what we do then why would anyone else?

Stop Apologizing

Image with Twig the Fairy

I hate the term “aspiring writer” because it takes guts to do this job. Everyone loves what we do. Their lives would implode without it. Without writers there would be no entertainment, no instruction, no industry. No movies, no television series, no books, no manuals, textbooks, magazines, newspapers, trade journals, warning labels, laws, speeches, and all songs would be instrumental. No lyrics. Heck there wouldn’t even be an Internet.

It would be all pictures of cats.

Modern society hinges on writers. If we can take a step back and truly take in all we contribute it’s easier to own our profession and value it. Most people take what we do for granted because they fail to make the connection that their favorite television show began as an idea and started with a writer.

They just assume they will log onto the Internet and be able to google anything they want. It’s easy to forget someone wrote that information.

So yes, I get it. This is a tough job. But if what we do didn’t matter then why is it dictators arrest and shoot the writers first? ;)

Writing is More than Literacy

Help those with no voice!

Yes, it is probably great to be literate to become a writer, but what we do is more than stringing words together in sentences. We have a unique set of eyes and see the world in a way mere mortals cannot. I saw this mannequin while out shopping with the family. I guarantee you that hundreds of people had passed by without wondering why the mannequins were getting too fat for their cardigans.

:D

Before my keynote, a fellow writer told me the story of how he was staying in a hotel that was run by foreigners. We’ve all seen the signs clearly written by someone who didn’t have English as a first language. Anyway, he’s in the bathroom and there is this sign that reads:

Beware of Soap Dish

I have NO idea what that warning was trying to convey, but as a writer? What the hell is so dangerous about that soap dish? It is demonic? Does it try to eat people when they sleep? Does it steal souls? I might have even had to call management to know exactly what makes this particular soap dish so sketchy…

And THIS is the stuff writers think about :D .

What are your thoughts? Do you struggle with apologizing for what you do? Do you get tired of having to justify your profession? Are you now going to ask people if they are real doctors?

I love hearing from you!

To prove it and show my love, for the month of MARCH, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Also, for more help on how to use characters to ratchet anxiety to the nerve-shreding level, I am finally back teaching and offering my Understanding the Antagonist Class on April 18th and YES, it is recorded in case you miss or need to listen again because this class is jammed with information.

I LOVE teaching this simply because our antagonists are pivotal for writing a story (series) readers can’t put down. Yet, too often we fail to harness characters for max effect. I look forward to seeing you there! I also offer the Gold level for one-on-one. Maybe you’ve hit a dead end. Your story is so confusing you need a GPS and a team of sherpas to find the original idea. Instead of wasting time with misguided revisions, I can help you triage your WIP and WHIP it into fighting form :D .

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.

Which is more important? Plot or character? Though an interesting discussion—sort of like, Could Ronda Rousey take a Klingon with only her bare hands?—it isn’t really a useful discussion for anything other than fun. To write great fiction, we need both. Plot and characters work together. One arc drives the other much like one cog serves to turn another, thus generating momentum in the overall engine we call “STORY”.

If we goof up plot? Readers/Audiences get confused or call FOUL. Watch the movie Ouija for what I am talking about *shakes head*.

Goof up characters? No one cares about the plot.

New writers are particularly vulnerable to messing up characters. We drift too far to one end of the spectrum or the other—Super-Duper-Perfect versus Too Dumb to Live—and this can make a story fizzle because there is no way to create true dramatic tension. This leaves us (the frustrated author) to manufacture conflict and what we end up with is drama’s inbred cousin melodrama.

If characters are too perfect, too goody-goody and too well-adjusted? If they always make noble, good and professional decisions? Snooze fest.

Again. Bad decisions make great fiction.

Of course, the other side of that is what I call The Gilligan Effect. Yes, I am dating myself here and don’t want to upset ant DIE-HARD Gilligan’s Island fans, but I remember being a kid and this show nearly giving me an aneurism (being the highly logical child I was).

After the third time Gilligan botched up the escape off the island? Kristen would have gone Lord of the Flies and Piggy Gilligan would have mysteriously gone “missing.”

I also recall how the stranded party could make everything out of coconuts except a freaking BOAT, and the only reason I kept watching was because it was better than being locked outside to play in heat that returned asphalt back to a plasma state (Yay, Texas summers!).

Today we are going to talk about how we can make characters flawed without crossing over into TDTL (Too Dumb To Live) Territory. That and I SO had to blog about something that let me share THIS! *giggles*

Let’s hide behind the CHAINSAWS!!!! *clutches sides*

Okay, I’m back *giggles*.

Great stories are filled with characters making bad decisions, and when this is done well, we often don’t really notice it beyond the winding tension in our stomach, the clenching that can only be remedied by pressing forward and seeing if it works out okay. When characters are properly flawed, the audience remains captured in the fictive dream.

When we (the writer) goof up? The fictive dream is shattered. The audience is no longer part of the world because they’re too busy fuming that anyone could be that stupid. They also now cease to care about the character because, like Gilligan? They kind of want said TDTL character to die.

If this is our protagonist? Extra bad. Our protagonist should make mistakes, just not ones so egregious the reader stops rooting for him/her.

Bad Decisions Birthed from The Flaw

When we create a protagonist, we should remember that all strengths have a complimentary weakness. If a character has never been tested by fire, the protagonist is blind to the weakness.

For instance, great leaders can be control freaks. Loyal people can be overly naive. Compassionate people can be unrealistic. Y’all get the idea.

This dual nature of human strength paired with fallibility is why plot is just as critical.

The plot is the crucible that tests the mettle and reveals and fires out the flaw.The strength ultimately will have to be stronger than the weakness because this is how the protagonist will grow to become a hero by story’s end.

A great example of this is one of my favorite movies, The Edge. Anthony Hopkins plays billionaire Charles Morse. Charles is extremely successful and very much in his own head. Though he’s a genius, he lives the sheltered existence of the uber-wealthy.

What happens when all that “head-knowledge” is what he needs to survive a plane crash in the unforgiving wilderness?

When the plane crashes and he and the other two survivors make it to shore, Morse does the right thing. He knows they need to get dry before they all die from hypothermia. He also realizes Stephen, the photographer, is in full panic. What is the intelligent thing to do? Put the photographer to work doing something fruitful to take his mind off his fear.

The problem, however, is Morse assumes the photographer has the same knowledge-base and doesn’t take time to show Stephen how to use a knife properly and the man is badly injured. Now we’ve already had a problem (plane crash) and now we have a complication (bad injury) and then it gets worse.

Morse, again, being an in-his-own-head-guy and unaccustomed to having to communicate WHY he wants certain things done, tells Robert Green to bury the bloody fabric. Green is jealous of Morse and rebellious and instead of following instructions and burying the material? He hangs the blood-soaked rags from a tree where an incoming storm whips up the scent of an newly opened All You Can Eat Buffet.

Soon, the men are being hunted by an apex predator with the munchies for humans.

But all of this was birthed from a myriad of flaws. Morse failing to communicate and assuming his comrades are operating with the same head knowledge (because he’s never HAD to use this type of information in a real-world way) and also the two photographers who are City People and don’t have the sense to know 1) NOT to drag a knife towards the body and 2) that the smallest scent of blood will draw predators.

These men are used to the “civilized world” and at the beginning, have failed to properly appreciate that their position at the top of the food chain is NOT static.

Bad Decisions Depend on Circumstances

Sometimes characters will make bad decisions simply because this is a completely new world or a set of circumstances they’ve never faced, thus have no way to fully appreciate. The “bad” decision was not a “bad decision” before the adventure.

A good example? Merry and Pippin in The Lord of the Rings. In the Shire, people talk and are sociable. These naive characters haven’t yet felt the consequences of this new and dangerous world. To them? Chatting away and freely sharing information at The Prancing Pony is NOT a bad decision in their minds. Neither is frying bacon on top of a mountain.

They’ve always lived a life that if they were in a pub? They drank and made friends. If they wanted bacon? They just made bacon. They’ve never had to think beyond their mood or stomachs and don’t have the experience base to realize that fire is a “Come and Kill Me” beacon to the enemy.

Bad Decisions Can Be Birthed From The Wound

From the movie “Thelma & Louise”

We have talked about The Wound before. In Thelma & Louise what is the wound? A lifetime of male oppression. In Thelma’s case, her husband controls every aspect of her life. Thus, when she finally does get on her own, she has poor judgement and is naive and that’s how she nearly ends up raped in a honky-tonk parking lot.

Louise was raped and no one was there for her. She’s been a victim and doesn’t trust men or the law. Thus, her baggage is what leads her to shoot Thelma’s attacker, but then also dovetails into the really, really bad decision to run.

But if we look at all these examples from an analytical distance, these characters are just DUMB. But why aren’t they TDTL? Context. Because of plot we (the audience) are not staring down at them like specimens through a microscope. We are immersed in their worlds and thus empathize with the bad decisions.

The bad decisions are forgivable because unless we live in the Alaskan wilderness? We can empathize with maybe doing something seriously stupid if we were stranded, too. We (the audience) have “been” to the Shire and know what world created the childlike Merry and Pippin. We appreciate they are grossly out of their depth and give them a pass.

In Thelma & Louise we can understand how damaged people make poor decisions because, unless we’ve been living under a rock, we’ve made similar choices, and suffered consequences created from fear not reason.

What this means is that, while ALL of these characters made really wrong decisions, they are necessary and pardonable decisions that serve to drive the character arc and thus the plot’s momentum.

That is the final note on characters making bad decisions. Do we have a character making a mistake, withholding vital information, acting irrationally because it is coming from a deeper place of flaws, circumstance or wounds?

Or, do we have a character playing marionette? Characters are making a mistakes because we NEED them to. The tension has fizzled, so let’s just let them do something epically stupid (and random)?

Audiences can tell the difference between mistakes that are organic and flow from deeper emotional waters versus something contrived.And we can ALL be guilty of forcing characters to make bad choices simply because we sense tension is missing. Even I have to go back and ask the tough question…WHY is this character doing this?

For more help on how to use characters to ratchet anxiety to the nerve-shreding level, I am finally back teaching and offering my Understanding the Antagonist Class on April 18th and YES, it is recorded in case you miss or need to listen again because this class is jammed with information.

I LOVE teaching this simply because our antagonists are pivotal for writing a story readers can’t put down. Yet, too often we fail to harness characters for max effect. I look forward to seeing you there! I also offer the Gold level for one-on-one. Maybe you’ve hit a dead end. Your story is so confusing you need a GPS and a team of sherpas to find the original idea. Instead of wasting time with misguided revisions, I can help you triage your WIP and WHIP it into fighting form :D .

What are your thoughts regarding characters making poor decisions? What are some of your favorite examples? Ever quit a book, movie, or show because you wanted everyone to DIE? Did you hate Gilligan, too? Do you think Ronda Rousey could take on a Klingon with her bare hands?

I love hearing from you!

To prove it and show my love, for the month of MARCH, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.

The mark of a pro is they make whatever we want to do look easy. From running a business to playing guitar to wicked cool Kung Fu moves, masters rarely seem to even break a sweat. Same with authors. With the pros? The story flows, pulls us in, and appears seamless and effortless.

Just check out Ronda Rousey’s 14 second record-breaking WIN from this past weekend for an idea of JUST how EASY pros make things look…

Many of us decided to become writers because we grew up loving books. Because good storytellers are masters of what they do, we can easily fall into a misguided notion that “writing is easy.” Granted there are a rare few exceptions, but most of us will go through three acts (stages) in this career if we stick it through.

Act One—The Neophyte

This is when we are brand new. We’ve never read a craft book and the words flow. We never run out of words to put on a page because we are like a kid banging away on a piano having fun and making up “music.” We aren’t held back or hindered by any structure or rules and we have amazing energy and passion.

Woodleywonderworks Flikr Creative Commons

But then we go to our first critique and hear words like “POV” and “narrative structure.” We learn that maybe we don’t know as much as we think we do and that we need to do some training. We also finally understand why so many famous authors drank…a lot.

Act Two—The Apprentice

The Apprentice Phase comes next. This is where we might read craft books, take classes, go to conferences and listen to lectures. During the early parts of this phase, books likely will no longer be fun. Neither will movies. In fact, most of your family will likely ban you from “Movie Night.” Everything now becomes part of our training. We no longer look at stories the same way.

The apprentice phase is tough, and for many of us, it takes the all the fun out of writing. The apprentice phase is our Act II. It’s the looooongest, but filled with the most growth and change. It’s the span of suck before the breakthrough.

I’ve studied other forms of martial arts, but I am relatively new to Brazilian Jiu-Jitsu. Right now I am in the span of SUUUUUCK. When I started as a neophyte, I “seemed” to do better because I just muscled my way around on the ground and being naturally strong? It worked…against an equally green opponent.

Moments before Kristen gets her tail kicked….

But it also wore me out and gave me more than a fair share of injuries. I had to learn technique. Technique looks awesome when Coach does it. It looks easy on theYouTube videos.

When I do it? Eh…not pretty and NOT easy.

Right now, I’m losing most of…ok, all of my rounds, which is tough on the ego but easier on the joints. I’m focusing more on “rules”, finesse and drilling the basics because I know that in time? It will pay off. Right now is NOT the time for me to try and be “creative.” There is also NO substitute for time on the mat.

Same with writing. Many shy away from craft books because they fear “rules” will ruin their creativity. Truth? They will, but only for a little while ;) .

Eventually we realize that rules were made to be broken. BUT, the difference between the artist and the hack is that the artist knows the rules and thus HOW to break them and WHY and WHEN. We start to see rules as tools.

As we move through The Apprentice Phase and we train ourselves to execute all these moves together—POV, structure, conflict, tension, setting, description, dialogue, plot arc, character arc—it eventually becomes easier. In fact, a good sign we are at the latter part of the apprentice phase is when the rules become so ingrained we rarely think about them.

We just fight write.

We’ve read so much fiction, watched (and studied) so many movies, read so many craft books, heard so many lectures, and practiced so much writing that all the “rules” are now becoming instinct and, by feel, we are starting to know where and how to bend, break or ignore them.

Like anything, there is NO substitute for DOING. Watching Ronda Rousey videos is a good idea for understanding ground-fighting, but it can’t take the place of mat time. Reading, taking classes, studying cannot replace writing crap until we don’t write crap.

At the end of the apprentice phase, writing is now starting to become fun again, much like it was in the beginning when we were banging away on the piano keyboard. Like the fighter who instinctively knows to arm bar an opponent without conscious thought, we now find more and more of the “right” words and timing without bursting brain cells.

The trick is sticking it through the apprentice phase long enough to engrain the fundamentals into the subconscious.

Master

This is where we all want to be. In fact, we all want this on Day One, but sadly, I believe this Day One Master is reserved for only a handful of literary savants. Mastery is when we return to that childlike beginning. We write with abandon and joy and, since the elements of fiction are now part of our DNA, our literary marrow, what we produce isn’t the off-key clanging of a neophyte, it’s actually a real story worth reading. Granted, it isn’t all kittens and rainbows. Masters have a lot of pressure to be perpetual geniuses.

Portrait by Yosuf Karsh via Wikimedia Creative Commons

I believe most of us, if we stick to this long enough, will always be vacillating between the Advanced Apprentice Phase and the Mastery Phase. If we choose to try a totally new genre, we might even be back to Neophyte (though this will pass more quickly than the first time).

We have to to keep growing. The best writers still pick up craft books, refresh themselves in certain areas, read other authors they enjoy and admire to see if they can grow in some new area. Masters seek to always add new and fresh elements to the fiction.

The key to doing well in this business is to:

1. Embrace the Day of Small Beginnings—Starting is often the hardest part. Enjoy being new. Enjoy that feeling because you will reconnect with it later because you recognize it.

2. Understand We All Have an Apprentice Phase—We will all be Early, Intermediate, then Advanced Apprentices. How quickly we move through these will be dictated by dedication, hard work and, to a degree, natural talent.

3. No One Begins as a Master and Few Remain Permanent Masters—Every NYTBSA was once a newbie, too. When we understand this career has a process, it’s easier to lighten up and give ourselves permission to be imperfect, to not know everything. Many writers get discouraged and give up too soon because they don’t understand there is a process, and they believe they should be “Masters” right away.

Hey, I did.

We need to give ourselves permission to grow. If we love and respect our craft, we will always be learning, so we will continue to dip back into “Apprentice” to refine our art even further.

Does this make you feel better to know this career has a process? Are you in the Act II span of suck and getting weary? What are you doing to remain focused? Which part has you the most discouraged? Write with the abandon of the Neophyte then edit with the eyes of an Advanced Apprentice or Master ;) .

I love hearing from you!

To prove it and show my love, for the month of MARCH, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.

Success has a LOT of common denominators. Whether we want to be an excellent parent, run a thriving business, earn a promotion, have great friendships, become published, lose weight, one day have enough money to build a secret lab in the side of a mountain…? There are fundamentals we are wise to understand and apply.

Thus today, we are going to talk about 5 Principles of Achievement or The Doctrine of the Doers because I dig alliteration :D .

Principle #1—Understand What We are Doing is HARD

Pros make stuff look easy. I can listen to Donald Trump ten minutes and believe I, too, could be a financial genius. When I was four, I recall being allowed to watch Wonder Woman and she did these amazing handsprings. Well, pshaw! I totally could do that…or not.

And my cousin found me semi-conscious and confused why my arm was going the wrong way.

I made this mistake of not understanding I was seeing the END result of a lot of training. Outsiders make this mistake all the TIME. They see a thriving business or someone who drives a nice car and…that person must have “inherited money.”

When I was a teen, I was in marching band, the swim team and taught karate in the evenings. This meant I was up before dawn marching until 9 a.m. I then swam laps from 2 in the afternoon until 4:30 just in time to get home and pack up my gear so I could teach martial arts at the local recreation center.

One night, I was taking a break and a woman—holding a candy bar and a Pepsi—bemoaned how I was born so naturally fit.

Really?

Success is NOT natural. What’s natural? Entropy. Disorder. Chaos. Those who write a book, finish a book, have a thriving blog, a strong business, great kids, a clean house, a smoking hot body often worked hard for it.

We must do what others are unwilling to do. We are not the AVERAGE. Even those of you who are just starting out. You are NOT the average. Most people never try.

We must always guard ourselves from thinking someone “better” than us achieved whatever easily. If we don’t, we will get discouraged and are more likely to give up. The other side of that is if we DO the hard work? Expect someone to believe whatever we achieved was purchased, inherited or the result of “magic.”

Principle #2—No Company Better Than Bad Company

Lions don’t hang with sheep. Show me your three closest friends and I’ll show you your future. Complaining, excuses, procrastination, laziness are contagious because they represent the natural order of the universe—ENTROPY. When I began as a writer, I had A LOT more “friends.” Now? Not so much.

Even in martial arts, I don’t roll with people who are reckless and lazy. It’s a good way to get injured and it won’t make me better. I won’t spar with the guy who always shows up to class conveniently after the grueling warmup is over and who needs a water break every five seconds.

Choose people who are willing to do the hard stuff. If you’re a writer, hang out with people who WRITE, who are willing to read and take classes and are always pushing their skills to a higher level. Yes, there will be fewer of those, but it’s worth it.

Principle #3—Basics Trump Cleverness

There are always people who want the shortcut. They want the Shake Weight Success and instead of being “successful” they look more like they are….ok, *leaves that to your imaginations*.

From music to writing to business to parenting to marriage to martial arts, there are fundamentals we should master because they never outlive usefulness. From white belt to black belt, the Kimura is one of the most successful tactics in Brazilian Jiu-Jitsu even though it’s one of the first we’re taught.

Writers? Proper grammar, punctuation and tight prose never go out of style. I see way too many new writers so busy trying to come up with a plot never written in HUMAN history and they do this at the expense of learning and mastering the essentials.

Principle #4—There Will Be BLOOD

We live in a world that tells us we can have it all. NO. We can’t. That’s a lie designed to sell us stuff. We must choose and then focus and then sacrifice. Often, people see how much I write and think everything else is perfect in my life. Nope. I gave up the idea of having a Martha Stewart house a looooong time ago. Also haven’t had my hair done since last summer. I focus on family, writing and martial arts. Anything else? I’ll get to it.

*whimpers*

Principle #5—Achievement is a PROCESS

It also never ends. We have to be careful we aren’t comparing the highlight reels of others to our own “behind-the-scenes.” When I started blogging, NO ONE cared except the man-part-enlargement bots. I was thrilled to pass 40 visits in a day.

I read a lot of other blogs to hone my skills and still do. And, even though it’s common for this blog to have triple digit comments and thousands of shares, I still read blogs with 27,000 or more shares and have to maintain perspective.

Whoever is getting those 27K shares didn’t get that Day One. Just like I blogged for over a year and a half before real humans started outnumbering the spammers who commented on my blog.

I so lick your blog. Wonderful poinsettias you make. I must tell my brother about you’re genius. What web browser do you use? Is there a grate spam filter?

Apparently not “grate” enough…

Have any idea how HARD it was not to delete these comments in the beginning? Um, maybe the commenter is writing English as a second language?

THIS is how blonde I was when I decided to blog. I started my WordPress site and posted…and immediately got MY FIRST COMMENT. Proof I was awesome! *does bad Cabbage Patch dance* It was a lovely and thoughtful comment from this dude named…Akismet?

What kind of name is that? Must be foreign.

Or an automatically generated message from the WORDPRESS SPAM-FILTERING software *head desk*.

What if I’d given up? We all start somewhere. Goals will always be shifting and evolving. We never cross a true finish line unless we decide to quit.

And we’ll need to remember to take that moment where we can enjoy our achievement, but new level? New devil. I was so STOKED when I earned my second stripe on my BJJ white belt. I felt bad@$$! Those two stripes cost me a broken nose, a few broken toes, sprains, strains, time and sweat. I was EPIC (in my own mind).

Double-rainbow all the WAY!

***For those who don’t know, in BJJ you are a white belt FOREVER—okay, about a year to a year and a half. Four stripes and then blue belt. Most people QUIT.

I basked in my awesomeness until the next class when I got my tail beaten like a drum.

With writing? Finishing a book is life-altering? Publishing it? Holding it in your hands? OMG! Then you get the scathing review from someone who loved the book, but gave you two stars because there were four typos in 70,000 words.

Also, once that book is out? It’s back to the beginning with the next book and the next. We are always starting over and reaching higher than the last time. It’s why we need a solid relationship with being a beginner ;) .

You can DO this! I know you can. Just remember baby steps are steps and the most valuable stuff in life, money can’t buy.

What are your thoughts? Ready to rule the world? Do you get frustrated with people believing what you do is easy? Or people who want the fruits without the work? Maybe people who dismiss all the sacrifices you’ve made? Do you find you do better if you keep revisiting these basics? I do. If it can be overcomplicated? I AM your GIRL!

I love hearing from you!

To prove it and show my love, for the month of FEBRUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.

Last time, we talked about how to deepen characters and how EVERYBODY LIES (thank you Dr. House). Lies are critical for great fiction. To become excellent writers, we need to become great secret-keepers. Denial is more than a river in Africa ;) .

I’d started a series on this a few months ago and Shingles got in the way of the next posts I had planned. But, the first of the intended series was about THE WOUND. Check it out if you have a bit of time.

Most of us don’t go around lying because we are pathological liars. We lie because of our wounds. And, if you read the post, wounds don’t have to be big to be BIG.

Newer writers sometimes think we have to have a rape or death for it to be “enough” but never underestimate “smaller” wounds. They are far more common, very damaging, and readers have a lot likelier time empathizing and thus connecting.

Though I had my fair share of big wounds in life, strangely enough, the small ones did just as much damage and maybe even more. It was the jokes about me being ugly or fat from family members or schoolmates. It was being teased that my clothes were from Kmart (had a single mom).

It was playing sports, competing in martial arts, or being first chair in clarinet and playing a key solo…yet every kid had a parent/family member in the audience but me.

These wounds drove me to being more of a perfectionist, a people-pleaser, and insecure about my body and looks. One can only be called “Thunder Thighs” so many times. To this day, I refuse to wear shorts even though, when people made these comments, I was 11% body fat. I just happen to be built for strength and “willowy” is an adjective that will never describe me.

Me at 5’3″, 165 pounds and a Size 10.

Yet, though the wounds did their fair share of damage, they also created a person who learned to be self-sufficient VERY early….which is a mixed bag. Also, I learned to ignore other people’s opinions. This helped A LOT when I was blogging about how social media would change the world and had others calling me a lunatic.

But, I can also say there are times I maybe should have been better at listening to counsel and opinions. Learning to discern when to listen and when to ignore is still a struggle for me…because of the WOUNDS.

Beyond “The Wound”

Today, we’re going to explore an extension of the WOUND. The BLIND SPOT. There are no perfect personalities. All great character traits possess a blind spot. The loyal person is a wonderful friend, but can be naive and taken advantage of.

The take-charge Alpha leader can make a team successful, but also inadvertently tromp over feelings or even fail to realize that others have great ideas, too. Maybe even BETTER ideas.

Often the antagonist (Big Boss Troublemaker) is a mirror of the protagonist, especially in the beginning of the story. In the first book of the series I am currently writing, Romi (my protagonist) is LOYAL. She believes everyone has some good and the world will reward you if you simply are good and work hard.

How she ends up in trouble and the number one suspect in an Enron-like scam is that she trusted the wrong people and they let her take the fall for the scheme.

Romi is VERY Elle Woods in “Legally Blonde.”

To arc and be able to beat the antagonist and solve the core story problem—Find money and clear her name—she’s going to have to grow up. Her bright-eyed naiveté is an asset. Others (ALLIES) gravitate to her because she is such a Pollyanna. They are there to buttress her weaknesses and even mentor her growth.

Yet, by story’s end, she cannot be the same. She’s going to have to be more realistic and see truth about people in order to come out alive.

Conversely, the antagonist is betting that the original blind spot used to make Romi the sucker will remain. The antagonist is banking that she will refuse the call and thus not grow. The antagonist’s blind spot is pride and opportunism. Being able to manipulate.

Yet as Romi grows, she learns to see who people truly ARE, not what she simply wants to see and that is a large reason the antagonist fails.

Application

To use an example from a movie we have likely all seen. In Top Gun, what makes Maverick the best pilot is his complete lack of fear. He has the cajones to do what other pilots wouldn’t ever consider.

He’s driven by his wound, the lie about his father. This has made him one of the best pilots (trying to overcome his tainted history and impress a ghost) but he’s missed the lesson on how to be part of a team.

Yes, maybe breaking all the rules makes you “the best”, but it can get others killed. It isn’t all about HIM.

This is why when I refer to “the antagonist” I prefer my made-up term Big Boss Troublemaker. The antagonist isn’t always “bad.” The antagonist is simply the person responsible for creating the core story problem.

Iceman isn’t a bad guy. He isn’t evil with a plan to take over the world or infiltrate the Top Gun school as a sleeper terrorist.

He’s simply a by-the-book fighter pilot who believes Maverick shouldn’t be there. He loathes Maverick because he thinks he’s a danger to himself and others (and, frankly, he has a very valid point).

The plot provides the crucible. Maverick butts heads with Iceman over and over in a um, man-part-measuring contest. But what happens when Maverick loses Goose? Crisis.

A hard event (PLOT) has now forced Maverick to face the truth about himself. For the first time, he SEES the blind spot Iceman and others have been pointing out (which has been the core source of conflict). This loss forces him to go searching for answers deeper than buzzing the tower.

He finally recognizes others might actually have a point.

The beauty of this movie and why it’s remained so timeless (aside from hot guys in Navy dress) is it’s a movie exploring people. Real, broken, hurting people blind to who they really are. By story’s end? Everybody arcs.

Maverick learns there are other people in the sky besides HIM and that he is part of a TEAM. Iceman lightens up and recognizes that Maverick, too, has a point. Sometimes one just has to toss out the rulebook.

Thus, when creating characters in any story, to deepen them, we need to KNOW them. What DRIVES THEM? How would they react according to their past, their wounds and their blind spot?

As a writing exercise, take a scenario. Maybe an attempted mugging. How would different characters react?

For instance, when I was in college, I taught Jui-Jitsu during the day and sold papers in the evening. One dark winter night a drunk tried to mug me in a dark apartment complex and take my hard case briefcase.

Because of MY background, growing up powerless and determined to be in CONTROL, I’d taken years of martial arts. Also, when I was eight, I witnessed my 6’8″ male family member raise his hand to hit my mom while she was cooking….and she beat his ass out the front door wielding a mad hot cast iron skillet.

This left a mark (though likely more on said family member).

Thus, 12 years later when a MUCH larger drunk came up behind and tried to mug ME, he got beaten heartily with a briefcase and then chased until I lost him.

But why did I fight, not just hand over the briefcase?

I’d always been POOR. I was very poor in college and had worked long hours to buy a really nice briefcase in hopes of landing a better job than selling and delivering papers. There was no money in the case. I could have handed it over but because of MY wounds, the briefcase was more than a briefcase.

Clearly my BLIND SPOT is I have an alligator mouth and a pekinese @$$. I could have lost and ended up hurt or dead.

But what about a person with a different background? A different wound? A different blind spot?

What if the person mugged was a trust fund baby who could easily buy another briefcase? Or a person who’d been beaten badly in formative years and would do anything to avoid experiencing that pain? What if the person was elderly? There are a lot of variables that make a VERY rich palette to create characters with LIFE.

Think of your own life and personality? What is your greatest strength? How does it create your greatest weakness? What is YOUR blind spot. Play a little armchair psychiatrist and what you find might be really interesting ;) . Feel free to share about you or even your favorite characters you’ve read or even written.

I love hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.

It’s tempting for us to create “perfect” protagonists and “pure evil” antagonists, but that’s the stuff of cartoons, not great fiction. Every strength has an array of corresponding weaknesses, and when we understand these soft spots, generating conflict becomes easier. Understanding character arc becomes simpler. Plotting will fall into place with far less effort.

All stories are character-driven. Plot merely serves to change characters from a lowly protagonist into a hero….kicking and screaming along the way. Plot provides the crucible.

One element that is critical to understand is this:

Everyone has Secrets

To quote Dr. Gregory House, Everybody lies.

All good stories hinge on secrets.

I have bodies under my porch.

Okay, not all secrets in our fiction need to be THIS huge.

Secret #1—“Real” Self Versus “Authentic” Self

We all have a face we show to the world, what we want others to see. If this weren’t true then my author picture would have me wearing a Gears of War T-shirt, yoga pants and a scrunchee, not a beautifully lighted photograph taken by a pro.

We all have faces we show to certain people, roles we play. We are one person in the workplace, another with family, another with friends and another with strangers. This isn’t us being deceptive in a bad way, it’s self-protection and it’s us upholding societal norms. This is why when Grandma starts discussing her bathroom routine, we cringe and yell, “Grandma! TMI! STOP!”

No one wants to be trapped in a long line at a grocery store with the total stranger telling us about her nasty divorce. Yet, if we had a sibling who was suffering, we’d be wounded if she didn’t tell us her marriage was falling apart.

Yet, people keep secrets. Some more than others.

In fact, if we look at The Joy Luck Club the entire book hinges on the fact that the mothers are trying to break the curses of the past by merely changing geography. Yet, as their daughters grow into women, they see the faces of the same demons wreaking havoc in their daughters’ lives…even though they are thousands of miles away from the past (China).

How could she just LEAVE those babies?Image via IMDB “The Joy Luck Club”

The mothers have to reveal their sins, but this will cost them the “perfect version of themselves” they’ve sold the world and their daughters (and frankly, themselves).

The daughters look at their mothers as being different from them. Their mothers are perfect, put-together, and guiltless. It’s this misperception that keeps a wall between them. This wall can only come down if the external facades (the secrets) are exposed.

Secret #2—False Face

Characters who seem strong, can, in fact, be scared half to death. Characters who seem to be so caring, can in fact be acting out of guilt, not genuine concern for others. We all have those fatal weaknesses, and most of us don’t volunteer these blemishes to the world.

In fact, we might not even be aware of them. It’s why shrinks are plentiful and paid well.

The woman whose house looks perfect can be hiding a month’s worth of laundry behind the Martha Stewart shower curtains. Go to her house and watch her squirm if you want to hang your coat in her front closet. She wants others to think she has her act together, but if anyone opens that coat closet door, the pile of junk will fall out…and her skeletons will be on public display.

Anyone walking toward her closets or asking to take a shower makes her uncomfortable because this threatens her false face.

Watch any episode of House and most of the team’s investigations are hindered because patients don’t want to reveal they are not ill and really want attention, or use drugs, are bulimic, had an affair, are growing marijuana in their attics, etc.

Secret #3—False Guilt

Characters can be driven to right a wrong they aren’t even responsible for. In Winter’s Bone Ree Dolly is driven to find her father before the bail bondsman takes the family land and renders all of them homeless.

Ree is old enough to join the Army and walk away from the nightmare, but she doesn’t. She feels a need to take care of the family and right a wrong she didn’t commit. She has to dig in and dismantle the family secrets (the crime ring entrenched in her bloodline) to uncover the real secret—What happened to her father?

She has to keep the family secret (otherwise she could just go to the cops) to uncover the greater, and more important secret. She keeps the secret partly out of self-preservation, but also out of guilt and shame.

Seeking the truth is painful…Image via “Winter’s Bone”

I’m working on a fiction series and nearly finished with Book Two of three. But in Book One, my protagonist takes the fall for a massive Enron-like scam. She had nothing to do with the theft of a half a billion dollars and the countless people defrauded into destitution. Yet, she feels false guilt. She feels responsible even though she isn’t.

This directs her actions. It makes her fail to trust who she should because she’s been had before. When she uncovers a horrific and embarrassing truth about someone she trusts and loves, she withholds the information (out of shame for the other person) and it nearly gets her killed.

This embarrassing secret is the key to unlocking the truth, yet she hides it because of shame. Shame for the other person and shame that this information reveals her deepest weakness…she is naive and has been (yet again) fooled.

Be a GOOD Secret-Keeper

This is one of the reasons I HATE superfluous flashbacks. Yes, we can use flashbacks. They are a literary device, but like the prologue, they get botched more often than not.

Oh, but people want to know WHY my character is this way or does thus-and-such.

Here’s the thing, The Spawn wants cookie sprinkles for breakfast. Just because he WANTS something, doesn’t mean it’s the best thing for him. Don’t tell us WHY. Reveal pieces slowly, but once secrets are out? Tension dissipates. Tension is key to maintaining story momentum. We WANT to know WHY, but it might not be good for us.

The Force was more interesting before it was EXPLAINED.

Everybody LIES

They can be small lies, “No, I wasn’t crying. Allergies.” They can be BIG lies, “I have no idea what happened to your father. I was playing poker with Jeb.” Fiction is one of the few places that LIES ARE GOOD. LIES ARE GOLD.

Fiction is like dating. If we tell our date our entire life story on Date #1? Mystery lost and good luck with Date #2.

When it comes to your characters, make them lie. Make them hide who they are. They need to slowly reveal the true self, and they will do everything to defend who they believe they are. Remember the inciting incident creates a personal extinction. The protagonist will want to return to the old way, even though it isn’t good for them.

Resist the urge to explain.

Feel free to write it out for you…but then HIDE that baby from the reader. BE A SECRET-KEEPER. Secrets rock. Secrets make FABULOUS fiction.

What are your thoughts? Questions? What are some great works of fiction that show a myriad of lies from small to catastrophic? Could you possibly be ruining your story tension by explaining too much?

I love hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.

Last time we took a satirical look at Twitter with 8 Ways to Make People on Twitter Want to STAB US IN THE FACE. Here’s the deal, we are in sort of a New Gold Rush with this Digital Age publishing paradigm. That means “experts” are everywhere. But, just because someone claims to be an expert doesn’t mean their advice is worth more than the Vista Print cards their title is printed on.

This means it is incumbent on US to do our homework. Hey, yes, I am an expert, but to stay at the top of my game? I love learning new things.

Yet, here’s the deal. If someone is charging you to teach you how to blog, yet their blog has NO comments or single digit comments or they aren’t following their own advice (blogging when they feel like it)? Probably not the best expert to hand cash to.

And, just my POV, but I think anyone with social media services to SELL (outsourcing) is not in the business of empowering an author. Social media is HIGHLY personal these days. People don’t want to talk to a bot or something an assistant wrote. They want to talk to US and outsourcing just pisses them off.

And if Anne Rice can do her own Facebook posts? So can we.

Today we are going to talk a little bit about how to use Twitter. Why? Because I have some really unique methods to help you guys build massive social platforms (meaningful platforms) with far less work.

What the Heck is that # THINGY and What Does it DO?

To be effective at Twitter and discovering and cultivating readers we have to understand the hashtag and how it works. If we don’t know how to properly use a tool, we can easily become a tool, if ya dig ;). Too many writers mistakenly believe they need to be on social media eight hours a day to build an effective platform.

Um, that would be a no.

My tips involve the hashtag conversations, but if you don’t know what a hashtag is or what it does, the tips will make no sense. Feel free to scroll down if you happen to be hashtag savvy.

For the rest of you, you might find yourself asking, What the heck is that # thingy I see all the time?

Kidding! But, seriously. Download TweetDeck (or a similar application. Yes, HootSuite is fine and plays better with Apple). Trust me. It will make life simpler.

What is a #? That little # symbol is going to help you build a worldwide following. I know. That’s partly how I did it.

So what is it? Well, when you first join Twitter, you are all alone…save for the celebrities that Twitter gives you, but it isn’t like you and Lady Gaga are going to chit chat (though Kim Kardashian might be available). This basically means you are going to have to make some friends or Twitter is gonna be a seriously lonely and confusing place.

Hashtags will help you meet people who love to talk about the same things you do. When you place a # with a keyword at the end of your tweet, Twitter slots your tweet into a conversation shared by people all over the world bound by topic.

Some popular writer hashtags are:

#writegoal (place daily writing goals and keep each other accountable), #amwriting, #pubtip, #indie, #amediting, #nanowrimo, and the one hashtag to rule them all is, of course, #MyWANA.

Thus, when I tweet about my blog, it might look like this:

@KristenLambTX Want to know how to use Twitter to help build your platform? (shortened link goes here) #MyWANA #nanowrimo #pubtip

My Tweet now will not just go out to my specific followers, it will be seen by the THOUSANDS of people all over the world who might be participating in those three popular hashtag conversations.

Why I recommend you download TweetDeck is that you can slot each hastag into its own column and then follow the people and conversations. When it comes to social media, we must interact and be vested in others, or we risk being perceived as fake and selfish.

The hashtag is to help us meet and converse with others effectively. It is not a new way to spam our fellow tweeps.

Thus, to help you guys out, today we are going to talk about three Twitter Tool Tactics, but then I will follow each Tool Tactic with a Tweep Tactic. I never criticize unless I can offer a solution.

Without further ado…be a tweep, NOT a tool.

TOOL Tactic #1

Using an auto-tweet system with hashtags.

BAD idea. This can get you banned to Twitter Limbo.

I’m utterly, completely, totally against authors using auto-tweets anyway. If our face and name are our Twitter identity, then our tweets need to be us tweeting IN PERSON.

These days, even large companies can’t get away with auto-tweets. Granted, no one expects to have a conversation with @BestBuy. They will, however, expect conversation from us.

And don’t even TRY to cheat. People are smart and will smell an automatically generated message a mile away…and then promptly ignore you, report you or unfollow you.

At the very least, they will think you are a big fat phony, and, in an age of people looking for authenticity, that is bad. It won’t win any friends, so I recommend just avoiding anything automatically generated.

We really don’t need a Thank you for following me. Check out my awesome blog (link) sent to our direct messages. It’s not personal. It’s spam….and it seriously pisses us off.

It really is better for you to tweet less, but it be genuinely you, than it is to assign a machine to pump out your message. Millions are gravitating to social media to escape spam. Bring these tactics into their sacred space and the penalty can be steep.

And “experts” and writers argued with me over this for YEARS and then THIS happened. Check out this post regarding Twitter and The Boston Marathon Bombing. Many writers (and celebrities) did major damage to their brands because of automation. In a world that can shift in a microsecond? It will cost more time to repair the damage than any automation might “save” us.

But, okay, you feel you must auto-tweet. Don’t say I didn’t try to talk you out of it. Do NOT include a hashtag. It is very likely you could clog up a whole column with your spam…um, tweets.

Maybe you didn’t mean to, but since you weren’t present, you didn’t get to see the mess your auto-tweets were creating (think Mickey Mouse and the brooms). Then people get angry and they report you and Twitter bans you from using the most powerful tool you have to connect with people worldwide.

You could accidentally gum up all three hastag conversations like this:

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@Kristen LambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

Now, I might have meant well, but folks on Twitter use these hashtag conversations to interact with a broader pool of people. If they see my tweet over and over and over and it is taking up the whole column, do you think it inspires them to like me?

Or hunt me down with torches and pitchforks?

Also, the reason that I recommend TweetDeck (HootSuite) is that you can see if your tweets are gumming up a column. I scan the #MyWANA column to make sure I don’t already have a tweet talking about my blog in that column. If I do, I use another hashtag #amwriting or just wait to tweet about my blog.

When I was new, I only tweeted 3 times a day to self-promote my blog. Morning, afternoon, evening to catch different Twitter crowds.

Once you hit a certain critical mass, others will spread your content for you. Until then, feel free to tell us you have a post. Just don’t get crazy…

TWEEP Tactic #1

Be a Genuine Peep

Moi with the AWESOME Chuck Wendig…

To rule the Twitterverse, we don’t need to be interesting just interested. Focus on others and relax. That book will sell better if we are forging relationships than it will if we are camped on top of a kitschy promo campaign that’s as appealing as getting a handful of flyers under our windshield wipers. We can even make some really amazing friends.

Forget traditional marketing. It’s DEAD and OUTDATED. It’s like strutting around the Digital World in a mullet and a Where’s the Beef t-shirt. Might get attention? But not the right kind of attention.

TOOL Tactic #2

Nonstop self-promotion.

Yes, we know you have a book to sell…really. Using Twitter as a free and easy way to spam people is annoying and grossly ineffective. It is also traditional marketing, which doesn’t sell books. Never has and here is why. The best way to sell a lot of books is to write an excellent book. Then go write some more.

TWEEP Tactic #2

Be COOL

Again…be cool. Just talk to people. Socialize. Let others genuinely promote you. It’s more authentic anyway. And not the “Let’s Team Up and I Sell Your Books and You Sell Mine.” We actually have an IQ higher than a sea sponge. I NEVER recommend a book I haven’t read and that I do not OWN.

If we are promoting a work we LOVE, people feel our passion. Passion is what ignites a fandom. Manipulation just ticks people off. Shocking, right?

TOOL Tactic #3

Not changing the hashtags when we RT (retweet).

We all need to pay attention to this tip. All of us, at one time or another forget to delete or change the hashtags at the end of an awesome tweet we long to share.Ah, but we can unintentionally gum up an entire column with the same information and that is bad juju.

Why this can be really bad is this can kill a hashtag. People will start ignoring the # or close the column or not use the # because it is always backed up with redundancy. Only you can prevent Column Constipation.

NO ONE wants to see the same tweet 20 freaking times. Social media is a community so we should use good manners.

TWEEP Tactic #3

Now that you know what hashtags are, add them or change them when you RT for others.

I might see a writer who has an outstanding blog…but she didn’t add any hashtags. So, when I RT, I stick in a couple. Try not to do more than one or two. This isn’t a hard and fast rule, it just (to me) feels less “spammy.”

But, what if one of your peeps has a GREAT blog and they did use hashtags? If you RT and leave the same hashtags, then you risk gumming up a column with the same link. So change them.

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #indie

RT @KristenLambTX Want to know how to use Twitter to help you build your platform? (link goes here) #fiction #writer

Now my message will go into two totally different columns. This helps more writers SEE my blog and I don’t risk clogging up the conversation. People who follow the # conversations will really appreciate that. Also, it makes it where I don’t have to add 8 hashtags to the end. I know my tweeps will help me out.

At the end of the day, Be a Tweep, Not a Tool and success will surely be yours. Thought? Comments? Recipes for world domination using a cupcake maker and trained hamsters? Share!

I LOVE hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding bookRise of the Machines—Human Authors in a Digital World onAMAZON, iBooks, or Nook.