Introduction; Karen Fricker and Milija Gluhovic -- PART I: FEELING EUROPEAN: THE EUROVISION SONG CONTEST AND THE EUROPEAN PUBLIC SPHERE -- 1. 'Sharing the Moment': Europe, Affect and Utopian Performatives in the Eurovision Song Contest; Marilena Zaroulia -- 2. 'It's Just Not Funny Any More': Terry Wogan, Melancholy Britain and the Eurovision Song Contest; Karen Fricker -- 3. Europe, with Feeling: The Eurovision Song Contest as Entertainment; Mari Pajala -- PART II: EUROPEAN MARGINS AND MULTIPLE MODERNITIES -- 5. Back to the Future: Imagining a New Russia at the Eurovision Song Contest; Yana Meerzon and Dmitri Priven -- 6. 'Playing with Fire,' and Playing It Safe: With(out) Roma at the Eurovision Song Contest?; Ioana Szeman -- 7. From Dana to Dustin: The Reputation of Old/New Ireland and the Eurovision Song Contest; Brian Singleton -- 8. Edited Transcript of Panel Discussion with ESC Broadcasters (held at Royal Holloway, February 2011); Kjell Ekholm, Joergen Franck, Steve Hocking and Mariana Rusen -- PART III: GENDER IDENTITIES AND SEXUALITIES IN THE EUROVISION SONG CONTEST -- 9. Competing Femininities: A Girl for Eurovision; Elaine Aston -- 10. Taken by a Stranger: How Queerness Haunts Germany at Eurovision; Peter Rehberg -- 11. Sing for Democracy: Human Rights and Sexuality Discourse in the Eurovision Song Contest; Milija Gluhovic -- 12. Conundrums of Post-Socialist Belonging at the Eurovision Song Contest; Katrin Sieg.

Reproduction

Electronic reproduction. Perth, W.A. Available via World Wide Web.

Note

Description based on online resource; title from digital title page (viewed on June 19, 2013).