My
method is usually to work on short well defined projects. These might
last initially from a few weeks to several months,
often revisited from time to time over the years.

Most
projects are to a theme, involving research and interpretation but an
essential part of each one is the use of a different type of clay or the
same clay in a different form, or fired by different means. In this way
the theme provides a vehicle to explore the unique qualities that each
one brings to the table.

Each
project is seen as an entity in itself but each one adds another colour
to the palette and often suggests the next line of enquiry.