This was a big year on television. Netflix and Amazon added a bunch of new shows and a whole new model for making them. A bunch of big shows, from 30 Rock to Breaking Bad, aired series finales. And what the hell happened to Homeland? The result was a lot of turnover on my list of best episodes. Some shows, like Louie, didn’t air in 2013, and some, like Community, simply dipped in quality. Anyway, here are the top ten episodes of the year. With spoilers, obvs…

10) “The Marry Prankster” — Happy Endings

Happy Endings did not get one. It was cancelled unceremoniously after a season that was kind of a letdown. But it was still one of the funniest shows on TV until its dying day. “The Marry Prankster” was probably the best example of its absurdist humor to air in 2013, from the Usual Suspects homage (“I’m not as dumb as I am”) to the crafty one-liners (“Classic Brad panic move, like when 9/11 happened and you full on supported the War in Iraq…” “We were lied to!”). Happy Endings will be missed, though some of the cast have found new homes on Fox sitcoms.

The original plan — like four years ago — was for John S and Tim to barrel through the 53 original episodes of Arrested Development and cooperatively rank them best to worst, with an in-depth review of each. Circumstances intervened with the thoroughness of that project, and egos intervened with the idea of two people “cooperatively” ranking all 53 episodes. (Ranking Game isn’t as effective with just two people.)

So here’s the result of all that labor: Shorter reviews of all 53 original episodes, presented in chronological fashion (albeit with a good deal of ranking going on within them).

Arrested Development is our favorite show, and this, in 53 different ways, shows why.

(Extended) Pilot

John once made a point — I think it was in here — about how dramas are most perfectly conceived in their first seasons. (He’s taken a step back, btw.) Comedies have always been driven differently. It takes time for the characters to evolve and develop the right way, for the proper interactions to take hold.

Which makes watching Arrested Development’s extended pilot so remarkable. The characters are properly and almost comprehensively established right away. “This is Michael Bluth. He’s a good man” is the first line of the series, and it foregrounds everything that is to come after it.* Lucille is overdramatic and quick-witted, Lindsay is hypocritical, Tobias is oblivious, Gob is creepy, Buster is incompetent, George Sr. is going through one of his phases (a cowboy one to be exact). None of these characterizations ring untrue.

*The “He’s a good man” is actually cut from the pilot that aired. Seems like it shouldn’t have been.

This isn’t the funniest episode of the series by any stretch of the imagination, but it’s one of the funnier pilots you’ll ever see, especially considering the amount of expository work that has to be done. The series lays its extensive deck of cards on the table right away, complete with the eccentricities of its characters and absurd plot developments (i.e. incest in the first episode). It’s a nearly flawless pilot. —Tim