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And, considering how many versions there are of some of his works, it is surprising there are some others that are hardly represented at all. I've been working on a cool piece of his called "Paysage" (or "Landscape"), from his op. 59. My edition has a typo in the metronome marking, so I thought I would check on YouTube to see what tempo others were taking for it. And I was amazed that I could only find one single performance of it. Fortunately for my needs, it was from a recognized and expert Prokofiev pianist - Richter.

I wonder if Mark was facetious in throwing in "great" in the title. Such a title would assume that we can only pick from the accepted 15 or 20 "greats".

Otherwise it obviously turns into either 1) who's your favorite composer of the moment that's not Bach/Chopin/Rachmaninoff... or 2) who do you wish you heard a lot more regularly on Sirius/XM or your local classical station, even though they didn't create 25 Variations on a theme by Handel, or a suite inspired by Iberia or something...

I'll nominate Carl Vine. Besides everyone jumping at the chance to recommend a new listener to his Piano Sonata No 1, does anyone ever actually say anything about the work itself? If only Kreisler could post more frequently.... If his music is recommended so frequently, shouldn't people talk about his music more?

3rd sonata anyone? Ok ok fine, there was this, but years later. I was disappointed there wasn't at least feigned interest in his recent concerto premiere.

*crickets* *crickets*

-Daniel

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Currently working on:-Dane Rudhyar's Stars from Pentagrams No 3

wr, I only know choice works by some of the composers on your list because of invaluable YT contributors like John11 and especially fyrexianoff (I forget now, but I believe he is reincarnated SWMD.)

I haven't even heard of some of them. Any specific recommendations for the ones listed?:

Originally Posted By: wr

Off the top of my head, here's a list of composers who have written some fine piano music who rarely get mentioned here...Kenneth LeightonHarold ShaperoRoger SessionsErnest KrenekArthur HoneggerIgor MarkevitchSigrid Karg-ElertCharles Koechlin...

Originally Posted By: wr

...Even relatively well-known composers of piano music like Poulenc hardly ever come up for discussion here.

I admit I only know Poulenc's two-piano concerto, but I don't understand why I hear it all the time. I don't think it's a great work at all... I cringe from that opening crash and piano flourish. The simple-hommage-to-Classical-wait-no-just-boring Larghetto.. The 3rd movement is the highlight and somewhat catchy and bouncy, but overall, the piece is hardly worth the frequency of performance and airtime that I come across. I don't even own a recording of it and I hear it all the time...

What else by Poulenc is worthwhile?

-Daniel

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Currently working on:-Dane Rudhyar's Stars from Pentagrams No 3

I performed the Poulenc sonata for 4 hands. definitely a fun high-energy piece full of funny and quirky moments, but I wouldn't define it as "great". It's also pretty simple in its technical demands if i remember correctly.

His favorite instruments were the voice and woodwind. His Flute Sonata is lovely and so are his songs. And his Concert champêtre (Harpsichord Concerto) and Concerto for organ, strings and timpani are rather more interesting than his Piano Concertos. And his opera Dialogues des carmélites is amazing, complete with guillotine effects as the heads get chopped off one by one.....

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"I don't play accurately - anyone can play accurately - but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life."

Mark_C
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Originally Posted By: Ridicolosamente

I wonder if Mark was facetious in throwing in "great" in the title. Such a title would assume that we can only pick from the accepted 15 or 20 "greats"....

Wasn't facetious at all, including because IMO in all such things there's plenty of room for debate on who is 'great' and how many there are, plus just what it means. I realize that many people would dispute calling Joplin great, and also (as Plover noted) that many people don't consider him "classical."

I could see some people feeling that there are only 3 or 4 or 5 "great" piano composers, and others feeling there are 20.....or 50.

Villa Lobos. I never head his name in this forum, only in this thread. Really people, listen to his lyrical pieces, the Bachianas, "valsa sentimental", "lenda do caboclo"... Or if you're feeling adventurous the "Rudepoema". Masterpieces....

wr, I only know choice works by some of the composers on your list because of invaluable YT contributors like John11 and especially fyrexianoff (I forget now, but I believe he is reincarnated SWMD.)

I haven't even heard of some of them. Any specific recommendations for the ones listed?:

Originally Posted By: wr

Off the top of my head, here's a list of composers who have written some fine piano music who rarely get mentioned here...Kenneth LeightonHarold ShaperoRoger SessionsErnest KrenekArthur HoneggerIgor MarkevitchSigrid Karg-ElertCharles Koechlin...

Originally Posted By: wr

...Even relatively well-known composers of piano music like Poulenc hardly ever come up for discussion here.

I admit I only know Poulenc's two-piano concerto, but I don't understand why I hear it all the time. I don't think it's a great work at all... I cringe from that opening crash and piano flourish. The simple-hommage-to-Classical-wait-no-just-boring Larghetto.. The 3rd movement is the highlight and somewhat catchy and bouncy, but overall, the piece is hardly worth the frequency of performance and airtime that I come across. I don't even own a recording of it and I hear it all the time...

What else by Poulenc is worthwhile?

Well, to me, Poulenc's 2-piano concerto is wonderful, so I wouldn't know what to hazard as a guess of something his you might think was worthwhile. It's quite possible you just don't care for his particular sensibility. But, if you want to check out some more - I very much like this Trio, for oboe, bassoon, and piano.

There is a variety of piano works from him - sonatas, etudes, concertos, etc. This "Fantastia Contrapuntistica" is impressive, I think (historical note - Pollini gave the premiere performance, back in 1956)

He was quite prolific, and wrote in a variety of idioms, ranging from the simplest diatonic harmony to hard-core 12-tone stuff, sometimes within the same piece. Here's a fun example that covers quite a bit of ground in terms of tonality - his "George Washington Variations".

His story is quite strange - he was becoming widely respected composer, but something happened, and he stopped composing while still fairly young, and went on to have a career as one of the great conductors of the 20th century. His Variations, Fugue and Envoi on a Theme of Handel for piano was his last original composition, and it is, IMO, a masterpiece. There's only one performance on YT that I found and it's frustrating in a couple of ways - one is that it is from a competition and the time bell cuts it off during the fugue. The other is that the sound is pretty murky, and the pianist really deserves much better. But beggars can't be choosers, I guess, so here it it...

(That was a typo in the first name, of course.) Karg-Elert is mostly known to the organ world these days, I think, but he wrote other music (my first encounter with his music long ago was through some etudes for solo saxophone, and IIRC, they were pretty interesting). I was thinking of his big, feverishly late-Romantic third piano sonata when I mentioned him, and it turns out I can't find a recording of it on YT at all (but I know it has been recorded). You can find the score at IMSLP, at any rate.

Charles Koechlin

Koechlin was very prolific, and left a good deal of piano music. His Paysages et Marines are fairly representative, I think.

He's also (rather surprisingly) BBC Radio 3's "Composer of the Week" this week, so you can listen to that daily program (which is available on from their website for a week after it is first broadcast) to get a dose of his other music, and pick up various bits of information about his life.

Certainly agree with you on this one, Francisco! After trying to identify in my own mind composers who wrote a significant body of really good piano music, but are only seldom mentioned in this Forum, three names -- Faure, Medtner, and Villa Lobos -- came to mind. And, of those three, Villa Lobos the least of all, and really by quite a lot. A real shame, because there are some wonderful treasures to be had.

He's also (rather surprisingly) BBC Radio 3's "Composer of the Week" this week, so you can listen to that daily program (which is available on from their website for a week after it is first broadcast) to get a dose of his other music, and pick up various bits of information about his life.

I've been listening to it all week (because I know very little of his music), and it confirms for me what I've long thought - that French composers of that era - especially 'Les Six' - were most comfortable writing for woodwind, even if they were pianists themselves. Their piano music are often not that interesting - Debussy and Ravel are the exceptions.

_________________________
"I don't play accurately - anyone can play accurately - but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life."

Agreed! Over time, Joplin has become one of my favorite composers along with Mozart, Chopin, Schumann etc.

I believe many people brush him off as "just a Ragtime composer", but Joplin himself treated Ragtime as Classical. He innovated the genre into a form which should be treated the same as Classical. Look at works such as Bethena, Elite Syncopations, Euphonic Sounds, Pineapple Rag, Solace, Wall Street Rag etc, these are works of authentic genius. People also seem to forget this is the guy who wrote TWO Opera's (one of which, unfortunately is lost). His remaining Opera "Treemonisha", only exists in Piano/Vocal format as the orchestration was lost, but it has been orchestrated many times and it gives us a hint as to what it would have sounded like, and it's genius.

It's an absolute tragedy that he passed away so young. Before he died, he was working on a Symphony, Piano Concerto, Orchestrations of "Magnetic" and "Stoptime" Rags - which all remain lost. His final work Magnetic Rag, shows his general music direction and he was beginning to innovate Ragtime. If only his Symphony or Concerto had been finished, I think many more would appreciate his genius.

Another under-rated composer is Joseph Lamb. He composed some of the most beautiful, and intricate Rags without any musical training. I've also read a Biography on him, he sounded like a wonderful man with such a talent.

Not sure if Ives counts, since he hardly wrote for piano. but what he wrote was pretty great.

Ives was a complete genius, and his vision suits the piano well in a variety of senses. He wasn't massively prolific for the instrument, but "hardly wrote" is misleading: two massive sonatas, a short sonata, multiple etudes... certainly everything except for the Concord Sonata is neglected.

Ives was a complete genius, and his vision suits the piano well in a variety of senses. He wasn't massively prolific for the instrument, but "hardly wrote" is misleading: two massive sonatas, a short sonata, multiple etudes... certainly everything except for the Concord Sonata is neglected.

His piano works are a tiny portion of his oeuvre, but i guess you're right that what he did do was pretty massive. it's like calling Mendelssohn a violin composer though - he didn't write much, but what he did write was pretty substantial.