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Tagged With_Archive 2012

Syndicate 1

Technology isn’t just changing the way poetry is produced and disseminated, and it isn’t just creating new media forms for poets to colonise. It’s also creating a context in which many techniques characteristic of experimental poetry practice have become commonplace.

The first instalment of Syndicate will explore the raw intersection of avant-garde poetics, technology and cyberculture through a series of live performances, installations and dialogues. Join us to debate the meaning of authorship and identity in a digital context.

Syndicate 2

Bram Gieben, Justin Katko, Lisa Otty and Jo L Walton will perform / present under the broad rubric of Real Time Strategy. The term chiefly refers to a genre of computer game, and thereby hints at Syndicate’s large, even ontologically nosy, exploratory remit.

Real Time Strategy also has an aura of the ad hoc, of acts on the fly. Just as allopoiesis elides with autopoiesis, so “real time” suggests a raft of unreal types of time: turn-based time, false time, untimeliness, being out of time, and – ahead of all – being before one’s time.

48 hours | SoundFilmMusic 3.0

SoundFilmMusic celebrates its third year as a collaborative platform for composers, sound designers and film makers to work together producing short film projects. The goal is to explore how sound design and music can enhance the moving image and create greater resonance and meaning.

Featuring the critically-acclaimed Edinburgh Film Music Orchestra in a live concert, performed works will include music for films and video games composed by Ennio Morricone, Jian Xiong, Wojciech Kilar, Josh Sabin and J. Jensen. The orchestra is directed by Yati Durant.

Dialogues | Konk Pack

Konk Pack brings together three major figures in contemporary music, Tim Hodgkinson, Thomas Lehn and Roger Turner. This is a band that stretches free improvisation, opens out an architecture in which shifting space and detail of sound can explode into zones of accelerated high volume electronica & sonic detritus.

Dialogues | Club Inégales

notes inégales are one of the most innovative new ensembles in Britain. Described as ‘post-fusion’ they combine playing written new music with improvisation/collaboration – and playing rhythmically ‘funky’ (inégales!) as well as straight.

The ensemble have their own club in London, club inégales. At each session notes inégales play, then guests play, then a new collaboration together. The sheer range of guests - in a friendly interactive environment - constantly invites the audience to ‘hear fresh’.

48 hours | Into Deep Space

Take a trip back in time...way back in time, to the Big Bang. An immersive short history of the Universe with astrobiologist Dr Duncan Forgan, who brings us right up to date with Scottish exoplanet research. Includes a screening of the short documentary 'Into Deep Space'.

PechaKucha Edinburgh #20

PechaKucha Night was devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public. It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide.

It is curated in Edinburgh by Gordon Duffy, Principal of architecture practice Studio DuB. Drawing its name from the Japanese term for the sound of "chit chat", it rests on a presentation format that is based on a simple idea: 20 images x 20 seconds.

Sonica 2012

Sonica is a new programme of events dedicated to world-class sonic arts, presenting emerging British talent alongside exceptional international artists in collaboration with renowned co-producers and venues.

Sonica was devised by three curators each with a strong interest in sound and art, particularly in the way artists and composers deal with sound across various mediums in today’s highly developed visual culture.

Alt-w | Citizens: Teasel and Scabious

As part of the Aesthetica Short Film Festival, Lyndsay Mann has taken the true story of poet Pedro Garfias, briefly exiled in Scotland after the Spanish Civil War, and explores the nuances and dynamics of the obscene, in its literal meaning ‘out of the scene’.

The script is formed from interviews conducted with specialists from several fields. Engaging sculptural installation and hypnotic repetition, the film follows a conversation: silence and language, performance and rhythm, action and memory.