I lost all faith in Fuji when they discontinued Neopan 400 in 120 without warning, and released no information to the public regarding it. That was in my opinion one of the most versatile films ever. It's a shame. More power to Ilford in this day in age. I will support Ilford til the end.

I 100% agree with this statement. I thought Fuji handled that situation so poorly and I have not supported them since. These days it is Ilford who gets my dollars.

Add my vote. I like to support the companies that look after and care about their customers, and I think Ilford does both. It's lucky for us that a company that is in it for the long run also happens to make great products.

I lost all faith in Fuji when they discontinued Neopan 400 in 120 without warning, and released no information to the public regarding it. That was in my opinion one of the most versatile films ever. It's a shame. More power to Ilford in this day in age. I will support Ilford til the end.

Fuji wakes up one morning and finds out that a key ingredient in a film has been banned. Now what? Well, they look at the sales. Not so hot. How much does it cost to reformulate that film? That much??? For how much in sales? Eh, it was good while it lasted.

I'll use Acros 100 until it runs out. It's good stuff, and I don't blame a film manufacturer because a bureaucrat wants to feel good. What would you do if Ilford had to discontinue an emulsion because an agency changes a rule? We are at the mercy of a lot of factors.

Does anyone else find it ironic that a company formally titled FujiFILM is advertising digital cameras?
But the mere fact they've kept the name should tell you something, esp about their at least keeping up appearances with corporate continuity. Maybe you folks who only shoot black and white
can do without them, but they're still very important in the color game. And ACROS is a homerun product in is own right. We all hate to lose a favorite item from time to time, but this is nothing new,
and as long as I can remember companies have been retailoring their lines. Blaming any single source
doesn't help a thing.

Fuji wakes up one morning and finds out that a key ingredient in a film has been banned. Now what? Well, they look at the sales. Not so hot. How much does it cost to reformulate that film? That much??? For how much in sales? Eh, it was good while it lasted.

I'll use Acros 100 until it runs out. It's good stuff, and I don't blame a film manufacturer because a bureaucrat wants to feel good. What would you do if Ilford had to discontinue an emulsion because an agency changes a rule? We are at the mercy of a lot of factors.