The story of how one Russian internet millionaire is turning to cutting-edge science to try to unlock the secret of living forever. Dmitry Itskov recently brought together some of the world's leading neuroscientists, robot builders and consciousness researchers to try to devise a system that would allow him to escape his biological destiny. Entering Dmitry's seemingly sci-fi world, Horizon investigates the real science inspiring his bold plan to upload the human mind to a computer. There are doubters - like the major neuroscientist who tells us 'it's too stupid, it simply cannot be done'.

Death is an imposition on the human race, and no longer acceptable. Men and women have all but lost their ability to accommodate themselves to personal extinction; they must now proceed physically to overcome it. In short, to kill death; to put an end to mortality as a certain consequence of being born. Our survival without the God we once knew comes down now to a race against time.

This research monograph covers extensively the theory of the muon anomalous magnetic moment and provides estimates of the theoretical uncertainties. The muon anomalous magnetic moment is one of the most precisely measured quantities in elementary particle physics and provides one of the most stringent tests of relativistic quantum field theory as a fundamental theoretical framework.

Authored by an acclaimed teacher of quantum physics and philosophy, this textbook pays special attention to the aspects that many courses sweep under the carpet. Traditional courses in quantum mechanics teach students how to use the quantum formalism to make calculations. But even the best students - indeed, especially the best students - emerge rather confused about what, exactly, the theory says is going on, physically, in microscopic systems.

L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, on Elektra Records. It is the last to feature the group's lead singer, Jim Morrison, who died three months after the album's release. It saw the band continue to integrate elements of blues back into their music, a direction begun with their previous album, Morrison Hotel. It was also recorded without record producer Paul A. Rothchild after he fell out with the group over the perceived lack of quality of their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.