In my drawings and pieces involving maps I follow the tradition of topographical mapmaking in which equations of scale and the location of energy sources are demarcated on a vertical axis in relation to the earth. I work with circular motifs, created by cutting into layers of paper. A reorientation of perspective and reading is created that aligns the viewer’s sight line by encouraging them to look through the holes that are configured in the layering of the paper sheets. These circular areas seemingly travel deeper in the direction of a diffuse nucleus. The spatial and chromatic variations of these works have many interpretive possibilities: the image of the fertility of the earth, a metaphysical approximation associated with archaeological and anthropological questions, the real possibility of accessibility to chemical components, and considerations deriving from the quality of the aura of the materials found.