"Nor thence partakes / Fresh pleasure only: for the attentive mind, / By this harmonious action on her powers / Becomes herself harmonious: wont so oft / In outward things to meditate the charm / Of sacred order, soon she seeks at home / To find a kindred order, to exert / Within herself this elegance of love, / This fair-inspir'd delight: her temper'd powers / Refine at length, and every passion wears / A chaster, milder, more attractive mien."

"Nor thence partakes / Fresh pleasure only: for the attentive mind, / By this harmonious action on her powers / Becomes herself harmonious: wont so oft / In outward things to meditate the charm / Of sacred order, soon she seeks at home / To find a kindred order, to exert / Within herself this elegance of love, / This fair-inspir'd delight: her temper'd powers / Refine at length, and every passion wears / A chaster, milder, more attractive mien."

Metaphor in Context

Not a breeze
Flies o'er the meadow, not a cloud imbibes
The setting sun's effulgence, not a strain
From all the tenants of the warbling shade
Ascends, but whence his bosom can partake
Fresh pleasure, unreprov'd. Nor thence partakes
Fresh pleasure only: for the attentive mind,
By this harmonious action on her powers
Becomes herself harmonious: wont so oft
In outward things to meditate the charm
Of sacred order, soon she seeks at home
To find a kindred order, to exert
Within herself this elegance of love,
This fair-inspir'd delight: her temper'd powers
Refine at length, and every passion wears
A chaster, milder, more attractive mien.
(p. 95, Bk. III, ll. 593-608)

Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>