01 July 2016

Stephen Voss - In Training

"I began making the photos of each tree as a sort of respite, an excuse to be near something beautiful and to appraise it fully, without the usual time constraints I had grown accustomed to in my professional work. The bonsai, themselves, seemed the very opposite of the subjects I usually photographed—they stood before me fully present, their sense of time measured in decades, even centuries. From my first glimpse of the trees all those years ago, I knew implicitly that there was something to be learned from them, from their endurance and quiet dignity."

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