TAKE NOTE: The Thelemic/Satanic ritual of rebirth
can be found in LIBER 44, a sacramental ritual of
Aliester Crowley known as the *Mass of the Phoenix*.(I have written extensively about this in previous posts, especially regarding the London 2012 Olympics rituals).

I’m going to have one last stab at interpreting the very strange geodesic and esoteric alignments that seem to have been engineered into Ariana Grange’s Dangerous Woman Tour concert sequence. In the past three posts I have attempted to add some context to, and to cover esoteric ground on, the seeming congruence between the Dangerous Woman Tour Manchester bombing at Grande’s 44th concert since the premiere Phoenix, Arizona, concert, and the Mass of The Phoenix (LIBER 44) from Aleister Crowley’s Thelemic/Satanic cult known as A∴A∴. It would seem that a Thelemic BABALON and the BEAST ritual is being invoked, related to the BREXIT divorce issued in 2016 during the 44th year of Great Britain’s membership in the European Union; which commenced January 1st 1973 when Great Britain officially entered the European Communities (aka, the ‘Common Market’).

The 44th city of the Tour should have been London, but was replaced by Paris due to the bombing, and, as discussed, the Manchester-London-Paris-Lyon concert locations, all lie on a geodesic Great Circle line that connected Westminster Abbey with the 1066 Battle of Hastings location. I won’t cover all of this ground again in this post. It has been covered thoroughly in the last three posts. The reason the coming Rome concert on June 15th 2017 seems to be connected to the Manchester bombing, is because of another uncanny geodesic alignment between the Manchester and Rome concert venues, and the landing spot in Deal, Kent, of the first Roman invasion of Britain in 55 BC, led by Julius Caesar himself, who was stabbed to death in the Roman Senate in 44BC.

This famous 55BC landing of Julius Caesar was the first epic invasion of Britain by a foreign force bringing the main continental power to blows with native Britons, whereas the next was not until 1066 AD with the invasion of the Duke of Normandy, who was a tributary lord to the King of France under the continental feudal system. Thus, the locations of Hastings, and Deal, both in Kent, have especial significance to the relationship between Britain and the City of Rome, from whence the Biblical Beast (Roman Empire followed by the Holy Roman Empire founded by Charlemagne) was enthroned as per the Book of Revelation in the Christian Holy Bible. London is the new financial centre of the world, and the European Union is a re-healed Beast of Rome. This interplay provides a solid ritual context for the second sacrifice ritual of the Dangerous Woman (Phoenix) Tour occurring in Rome; if, of course, such a Rome terror attack occurs to complement the Manchester bombing of May 22nd 2017, twenty-four days earlier.

BELOW: An aerial photograph of the Pala Lottomatica, and
the EUR Quarter of the city of Rome, Italy, where Ariana
Grande will perform the 49th concert since Phoenix, AZ.

This area of Rome was a planned section of Rome developed by Benito Mussolini’s Fascist regime, for the 1942 World’s Fair which was cancelled due to WWII. Many references to ancient and imperial Rome were planned, such as the building of the Palazzo della Civiltà Italiana as a cubic Colosseum, an obelisk to Guglielmo Marconi, and a projected but not built great arch, featured in the Fair posters.

BELOW: As I have covered in many previous posts, the London 2012 opening and closing ceremonies, were key Thelemic rituals outlining a coming series of planetary wide Hegelian terrorist events, all planned around occult doctrine. QEII, the 44th Monarch to ‘sit on St. Edward’s Chair’, and Darcey Bussell, the Phoenix dancer who was in her 44th year of life at the time of her performance, were both dropped from the heavens like birds into the arena at the opening and closing ceremonies respectively; this juxtaposition was quite deliberate (read my previous posts). Also, both were identified symbolically with the 8-Pointed Star of the Babylonian goddess of ‘sacred’ prostitution, Ishtar, hiding in the Union Jack parachute, and in the stage-set of the closing ceremony within which Darcey danced with her four ‘lovers’ of flame.

BELOW VIDEO: ‘Spirit of the Flame’ Mass of the Phoenix
ritual performed at the Closing Ceremony of the
2012 London Summer Olympics.

TAKE NOTE: The Thelemic/Satanic ritual of rebirth
can be found in LIBER 44, a sacramental ritual of
Aliester Crowley known as the *Mass of the Phoenix*.(I have written extensively about this in previous posts, especially regarding the London 2012 Olympics rituals).

I’m going to have one more stab at interpreting the very strange geodesic and esoteric alignments that seem to have been engineered into Ariana Grange’s Dangerous Woman Tour concert sequence. The 44th city on her tour — not including the first premiere performance in Phoenix, Arizona — will be the Lyon concert at the Halle Tony Garnier, which just happens to be an ex-industrial animal slaughterhouse (!) converted in the late 1980’s into a concert venue which maintained this large historical buildings’ unique architectural structure. It is very possible, in relation to the facts I have covered in the last two posts on this blog, that it will be the June 9th 2017 Lyon concert for which a planned sister-sacrifice (false-flag terror attack) may occur. June 9th each year, on the ancient Roman religious calendar [LINK], was the ‘dies religiosus’ (holy day) for the key Roman goddess of Vesta: The literal ‘Spirit of the Flame’ of the domestic Roman hearth/fire, tended to by a college of dedicated chaste Virgin priestesses.

BELOW: The Halle Tony Garnier in Lyon, France, was an industrial *ANIMAL SLAUGHTERHOUSE* which was only converted and opened in 1988 as a concert hall.(The demotion of the masses of general public to the rank of herd animals, is a feature of ‘Illuminati’
break-away race theory; such as the Ubermensch theory of Third Reich Nazi Germany).

Ariana’s concerts and the host cities are listed above. Due to the fact
that two prior cities have hosted two rather than one concert, Ariana’s
shows can be numbered from Zero-to-44 (upper register), and the
cities can be numbered from Zero-to-44 (lower register).
— The 44th performance after Phoenix occurred in Manchester, England —
— The 44th city after Phoenix occurs in Lyon, France —

As the mythical firebird of death and rebirth, which sacrifices itself cyclically in order to strengthen its own rebirth, the first concert of Ariana’s tour, in Phoenix, represents the Zero-point. The 44th after this (whether using shows or cities as numerators), represents the return to the origin on a circle of 44. This is perhaps why the numeration does not start with Phoenix, Arizona, as #1, as I previously thought. However, if Phoenix is made #1, then #44 would have been the London concert at the O2 Arena, but this concert was cancelled together with another 6 (7 in total). It was then announced that the next concert would be the Paris event at AccorHotels Arena, in Bercy, Paris, on June 7th 2017. This created an esoteric connection between London and Paris, making them both relevant as the *LAST* notches on a Circle-of-44, from which point death begins, only to lead to rebirth at the zero-point, once again; that’s my theory, for what it’s worth! … but it is in-keeping with Hermetic and Thelemic ideology.

Now, the annual Roman festival of Vesta — the ‘Spirit of the Flame’ of Roman paganism — occurred each year between June 7th (date of the first commencement concert in Paris) and June 15th (the date of Ariana’s Rome concert), with a very special holy day of Vesta to be held on June 9th (the date of the Lyon concert). During this festival, the separation veil of Vesta’s temple in Rome would be opened, so that it could be seen by the public. In addition to this, the masculine counterpart of Vesta, known as Vulcan, had a holy day observance on May 23rd each year. When the bomb went off in Manchester on May 22nd, the time was 22:30 (BST), which, in Mecca, happened to be 00:30 on May 23rd (30 minutes after midnight, the next calendar day — Mecca is currently two hours ahead of England and France). The Muslim sacred center is Mecca, thus the bombing occurred on the religious day of Vulcan.

BELOW: As I have covered in many previous posts, the London 2012 opening and closing ceremonies, were key Thelemic rituals outlining a coming series of planetary wide Hegelian terrorist events, all planned around occult doctrine. QEII, the 44th Monarch to ‘sit on St. Edward’s Chair’, and Darcey Bussell, the Phoenix dancer who was in her 44th year of life at the time of her performance, were both dropped from the heavens like birds into the arena at the opening and closing ceremonies respectively; this juxtaposition was quite deliberate (read my previous post). Also, both were identified symbolically with the 8-Pointed Star of the Babylonian goddess of prostitution, Ishtar, hiding in the Union Jack parachute, and in the stage-set of the closing ceremony.

BELOW VIDEO: ‘Spirit of the Flame’ Mass of the Phoenix
ritual performed at the Closing Ceremony of the
2012 London Summer Olympics.

As I covered in the previous post, an esoteric map of London was placed on the surface of the 2012 Olympic Stadium, and it was centred on a specific location on the Isle of Dogs, where, in 1996, the IRA exploded a massive bomb which destroyed the London World Trade Centre (WTCA; the sister trade centre of the Twin Towers in NYC). Thus, the Stadium was esoterically aligned with terrorism; deliberate occult semiotics. As we will see, this has bearing on the location of the Paris and Lyon concert venues being utilized by the Dangerous Woman Tour. The London 2012 opening ceremony was focussed on the theme of the Industrial Revolution, which began in Manchester, and it featured blacksmiths forging the Olympic rings (NOTE: The British Rothschild’s started off in Manchester, and then moved to London). Vulcan was the god of forges and blacksmiths. The closing ceremony represented Vesta, the ‘Spirit of the Flame’.

Thus, we have an *OPENER* in Manchester on Vulcan’s holy day of May 23rd Mecca time, to represent Vulcan, and so, does it follow that we will have a *CLOSER* in Lyon on Vesta’s holy day of June 9th before midnight Mecca time (22:00 Lyon time)??? The Lyon concert opens at 19:00 Lyon time. If a sister terror attack happens in Lyon, this would mean that the concert scheduled for directly *after* Manchester, was London, and likewise, the concert scheduled directly *before* Lyon, was Paris. These two major cities — London and Paris — have been hit by multiple terror attacks between the Manchester concert, and this coming Lyon concert, almost as if they have both been singled out for some purpose of esoteric/symbolic mutual identification, to create a Hegeian dialectic around a common established narrative: A thoughtform, so to speak.

A young cult icon like Ariana Grande and her crew of One Love Manchester sycophants (sorry, I can’t stand any of them, their slutty and trashy acts, or their commercialized common-as-a-cardboard-box ‘music’), is the perfect lodestone Phoenix ‘Mistress of the Rites’ to sit at the centre of these manipulations, ready to issue orders to her cult of personality chorus on how they should think and feel about every event. Katy Perry’s virtue signalling and sermonizing at the One Love Manchester benefit concert made me feel literally nauseous. In addition to all of this, Lyon was the subject of a major ‘truck of peace’ terror attack on June 26th 2015. This Manchester-London-Paris-Lyon terrorism relationship is why the following geodesic alignment is just plain damning (especially if there is a Lyon concert attack).

TAKE NOTE: Manchester, London, Paris, and Lyon, all lie on a single Great Circle (aka, a ‘cord’), alignment, when projected onto the surface of a planetary globe.

Manchester — London — Paris — Lyon

All four of these cities were founded by the Romans, named respectively as follows; Mamucium, Londinium, Lutetia, and Lugdunum. All four represent a successive expansion from the boot of Italy, with Lyon/Lugdunum indicating the start of the conquest of Gaul, and Manchester/Mamucium indicating the consolidation of the core of Britain by a large fortress designed to hold auxiliary soldiers to put down revolts and protect extractive island trade in the Province of Brittania. Interestingly, in Latin, the name Lugdunum means ‘Hill of Light’; Lugh being the native Celtic god of light which the Roman’s, through religious syncretism, identified with their god Apollo in a solar sense. Lugh’s name is derived from the Proto-Indo-European root *leuk-, “flashing light”, and is specifically related to lightning strikes. This means that Lyon’s original Roman name meant the “Hill of the Lightning Strike”. Lightning is the ultimate divine *FIRE* from heaven — the core subject of many of my posts, and the specific fascination of Adam Weishaupt, founder of the late 18th century Bavarian Order of the Illuminati.

“The allegory in which the mysteries and higher grades are to be
clothed, consists of fire worship and the whole philosophy of
Zoroaster or the Parsis of old, who remain to this day in India.
This is why the Order, in the higher grades, will be called again:
the Cult of Fire, the Fire Order, or the Order of the Parsees;
it is something magnificent, above and beyond all expectation.”