Introduction

Image

Dates

05.12.2018

30.01.2019

Location

Teatro Dioscuri - Via Piacenza 1, Roma

Category

Art, Exhibition

Information

OPEN ON:
TUES-SUN: H10:00 – H18:00

Istituto Svizzero is pleased to present “Backdrop Switzerland”— a unique exhibition of archive photos and material on Switzerland seen through more than a century of foreign films at Teatro dei Dioscuri al Quirinale, Rome.

Based on the homonymous book by Cornelius Schregle, this cinematic exhibition offers a glimpse of Switzerland and its clichés through the eyes of international cinema, backdrops of films—both real or make believes—chosen by producers and directors from the 1900’s such as American duo Laurel & Hardy to contemporary Italian director Paolo Sorrentino.

Historically a backdrop has been defined as “a large painted piece of cloth that is hung across the back of the stage”. At the beginning of the 1900’s it was recreated with paintings, today it’s the real or recreated set (sound stage) which depicts, in the specificity of Switzerland, clichés such as bank vaults, mountain chalets, romantic lakesides, conveying the scenery’s essence on screen. Rhapsody (1954), —featuring Vittorio Gassman and Elizabeth Taylor—for example, combines real Zurich exteriors and Hollywood sets. James Bond shows off his skiing abilities on different mountain slopes and terrifying summits.

Through a selection of photographs, films, and posters spanning over a century of cinema’s history, we invite the public to discover or rediscover Switzerland through iconographic images imagined by foreign and Italian artists and directors; from snow covered alpine landscapes to peaceful lakes or financial city centres: a mosaic of possible identities for, in some way, an exotic small country; a fictional backdrop that supports drama as well as action movies’ scenarios.

The exhibition will be accompanied, in the month of January 2019, by a rich programme of screenings and talks.

The publication Backdrop Switzerland: Switzerland as seen through the lens of more than a century of foreign films(2016, L’Age d’homme) by Cornelius Schregle has been made possible with support from cinémathèque suisse and pro helvetia.