The Mercado™ is approved by The National High School Coaches Association (NHSCA) compliant within the National Collegiate Athletic Association (NCAA) guidelines...

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Since its inception more than 70 years ago, the design of the wrestling headgear has never been truly functional, leaving the wrestler’s head and face exposed to injuries.

Designed with straps, snaps and other stuff, the headgear shifts all over the place, and is constantly pulled over a wrestler’s face and head. A headgear just never properly fits, and every wrestler faces the same problems – even choosing to not wear one at all.

As a former wrestler and coach, I know the struggle of finding a comfortable headgear that fits a wrestler without all the problems. So one day while in graduate school, I came up with an idea to design a better product. A world class team of mechanical, biomedical and industrial product engineers and designers was assembled and embarked on a 4-year mission to develop the most technical and functional headgear on the market that is secure, form-fitting, comfortable and protective – which won a national technology competition…

The Mercado™

The Mercado™ comes in 5 incredible unique graphic designs. Each design is created to capture the energy and spirit of training and competition.

For a proper size measure your head with a tape measurer. Starting at your forehead, wrap the tape measurer around the back of your head then back around to your forehead. Compare the measurements to the size chart below and select the size range that fits within your measurements.

NCAA compliant and NHSCA approved.

The Mercado officially hits the market November 15th.

ORDER NOW!

THE MERCADO NERO

THE MERCADO STORM

THE MERCADO WHITE

THE MERCADO CAMO

THE MERCADO RAGE

Sometimes society forces us to behave in a certain way. People laugh, talk, dress, excite, sadden, and live in a pattern. Sometimes people have to scream, suffer and fight to prove they live. Life is a game, and you have to resist to exist. Be Fearless. Be Distinct.

Tuulio began his career in 1906 as a Latin teacher at the Helsinki Normal Lyceum. Nevertheless, immediately after graduating he embarked, at the instigation of his teachers
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and
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, on a study visit to Italy, where he became interested in mediaeval Sicilian school poetry. Tuulio was named a docent at the University of Helsinki in 1910.

In 1917, Tuulio married one of his students,
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, who like her husband was fascinated by Spanish and Italian literature and who later became known for her translations and biographies.

In 1920, Tuulio was named amanuensis of the Department of History and Language Sciences at the University of Helsinki, and in the 1920s he was one of the first to arrange practical Spanish courses at the University. He was to wait for a professorship until 1928, when at the age of 50 hewas named professor extraordinary of Southern Romance languages.

Tuulio had been interested in astronomy since his school days, and he was able to combine his old interest with philology when publishing studies on the likes of 13th century Spanish astronomy. Moreover, Tuulio, like many Hispanists of the day, was fluent in Arabic, and he studied, among others, the geographic work known as the
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,
by the Moroccan-born geographer
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, which also dealt with the Nordic countries, including Finland.

Tuulio strongly believed in popularising science and learning, and he published popular works on numerous topics. He was the first to begin the work of making Spanish culture and literature known to a wider audience. Tuulio published, among others, travelogues of his visits to Spain and a history of Spanish literature. In addition, he worked in numerous academic societies and associations that promoted Romance countries and languages. Cultural events of many kinds were often arranged at the Tuulios’ home, and as chairman of the Satakunta student nation he also participated in the cultural education of his students outside the lecture theatre. One of Tuulio’s fascinations was the poetry of
Ibn Quzman
, which contained words in Spanish. Tuulio completed his critical edition of Ibn Quzman’s poems in 1941, when he was already seriously ill. Tuulio died the same year, and shortly after a eulogy to him was given by Professor
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at a meeting of the Academy of Finland.