Co-Director of Emovere project, an interdisciplinary creative and research project that incorporates Dance, Sound Art and New Technologies to develop interactive art performances that draws from themes of sensoriality, physiology, consciousness and experience as fundamentals for interdisciplinary and artistic experimentation. The artistic work of Emovere has been presented in theaters both in Santiago and Valparaíso, as well as delivering workshops and seminars in several cities and universities across Chile. This project has been funded by the three different grants, both from within University and from the National Arts and Culture Fund.

Collaboration with Border Agency Art Collective in the development of a multimedia installation opened in November 2016 at the Modern Art Museum in Santiago. In it the cultural construction of landscape is explored, particularly in relation to the minefields of the Atacama Desert. The sound design of the exhibition seeks to extend key concepts of the demining process, such as the idea of tension and instability which raises the uncertainty caused by the nonstatic condition of mines due to geographical characteristics, and the remoteness and inaccessibility of the demining process itself. This has been generated by a sound construction in which mixes synthetic sounds and in situ recordings that overlap and mix with each other, using the spatiality of the room and exploiting the acoustic characteristics of it.

Invited to participate in breviary handbook that explores form beyond canon, among Chilean and international artists such as Brandon LaBelle, Mauricio Barría, Daniel Cruz and many others. My participation proposed a generative algorithmic patch for Max/MSP that explored the phonetics of the letter ‘Ñ’.

Sound design for the dance performance Sentidoseis by Pablo Zamorano based on the five senses. The design was commissioned for ‘hearing’ and was built as a tribute to Steve Reich’s “Pendulum Music” with choreographer Francisca Morand.

An interactive installation created at the Sonic Arts Research Centre (SARC) in collaboration with Adnan Márquez-Borbón, Cavan Fyans and Paul Stapleton. Public launch on December 2012. Funded by Dublin City of Science.

Author of interactive installations Ground Me! and Chains of Emotion that built from skin electrical conductivity to generate interactive sound environments that reflect on human social connections. Installations have been exhibited in the Electric Picnic Festival (Ireland) and galleries in New York, China, Taiwan and the Philippines.

Interactive installation that emulates the strongman game without the hammer and using electromyography to extract muscular tension. This project was installed in the Science Gallery tent at the Electric Picnic Festival in Ireland, in collaboration with Niall Coghlan and R. Benjamin Knapp.

UnSound is an interactive short-film shot and post-produced in N.Ireland that draws from the physiological response of the audience to drive in real-time the music composition as well as the selection of the pre-recorded movie scenes. UnSound was premiered in Northern Ireland and screened at the SXSW festival in 2011.

Multiple presentations with the contemporary ensamble BioMuse Trio formed by Eric Lyon, Gascia Ouzounian and Ben Knapp, measuing audience physiological responses to be utilized for real-time music compositions. This work was performed in Sydney, New York, England and Ireland, among other locations.

AffecTech is an interactive audio-visual installation which uses physiological signals from the human body to explore notions of presence, action and reaction, as experienced by the viewer. The installation uses sensor enhanced chairs, cameras, interactive visuals and surround sound audio to place two viewers into the virtual world where the mediascape is dependent on and reactive to, the similarity or disparity of their bio-signals. AffecTech was commissioned for the pre-symposium of the ISEA2009 conference.

In Chile, Javier Jaimovich released his first album with the band Sicotropa, ‘El Club de los que Escuchan Mal’ (2007), where he played electric bass, performing in multiple concerts and music festivals between 2003-2007. Sicotropa won the prize for young emerging bands in 2004.

Sound Engineer for the first sound art album recorded in Chile, which included works from renowned visual artists such as Matilde Pérez, Francisco Brugnoli, Virginia Errázuriz and Gonzalo Díaz, among many others.