So there I was, after last week’s post, with my aquila lander for Azazel’s terrain challenge all primed and ready to go — and then something just jumped the queue. It’s still a terrain project, however, after a fashion. And I am confident it’ll make another fitting entry for the community challenge. So what is this about?

A bit more than two years ago, I converted and painted a model that still stands as one of my proudest hobby achievements: My interpretation of Angron, Primarch of the World Eaters, in his ascended form as a Daemon-Primarch of Khorne:

I am still extremely proud of the model, which inspired several blog posts and was, itself, part of an even bigger project to build models to represent Angron at different moments in his violent life.

Anyway, you can find out more about the process of creating Daemon-Primarch Angron here. The truth of the matter, however, was that more than two years later, the model still wasn’t completely finished.

You see, back when I built the base for my Daemon-Primarch version of Angron, it was planned as a modular display base, based on the shattered Imperial aquila terrain piece from the Honoured Imperium kit.

The actual base for Angron himself was, carefully and painstakingly, sawn out of the original terrain piece:

At the same time, I added two more Ultramarines to the bigger part of the display, in order to create a small mini-diorama of the XII Legion Primarch slashing through the remains of an Ultramarines squad. Something like this:

Alas, that modular piece was never finished, as I kept telling myself I would just quickly paint it up at a later point — I should really have listened to my buddy Augustus b’Raass who told me that I should not put it off for too long, lest I end up taking years to finish it. Which is precisely what happened…

But when I took a look at the unpainted base last week, I felt the need to finally finish it and give Angron his proper display — if nothing else, I wanted to have the model completely finished before GW decides to release an official model for Angron in his 40k form…

With both the actual terrain and two Ultramarines models left to complete, this was actually a pretty substantial hobby endeavour, but I surprised myself by actually making fairly quick work of it.

First up were the actual aquila base and the kneeling Ultramarine who is lining up a last shot at the Primarch:

I went for the same scratched and scuffed armour look I had aready used on the unlucky bisected officer held in Angron’s right fist, to create the impression the scene was set during a grueling battle. Due to the slightly 30k-styled Armour of the Ultramarines, this could be set either in the 30k timeframe (at the very end of the Shadow Crusade, upon Angron’s “ascension”) or during any of the following millennia, up to “current-day” 40k.

The Ultramarine standard to the right of the Marine actually mirrors an identical piece appearing on the base of my Forgeworld Angron:

The most complicated part of the paintjob was, ironically enough, to match the colour of the right side of the aquila to that appearing on the smaller part of it that makes up Daemon-Angron’s base, something that would, of course, have been trivially easy, had I painted it all in one go…

As you can see, that left only the fallen Marine in the middle (actually one of the Marine’s from the stock base of Forgeworld’s Angron), and I quickly painted that last model over the weekend.

Of course I made sure to create a suitable bloodstain on the ground, before gluing down the model:

So without further ado, here’s the finished display base, showing a charging Lord of the XII Legion and the courageous, if ill-fated, last stand of an Ultramarines squad:

Here’s a view from the unlucky survivor’s perspective…

I really feel I am giving the Ultramarines a fair shake here, in spite of everything: That last guy looks dead set not to abandon his position and to fight to his last, which seems very much in character for the legion. I feel this also prevents the dead smurfs from just feeling like gratuitous splatter effects. And after all, it’s Angron we are talking about here — there was always going to be blood, right? 😉

And of course the whole ensemble is still modular, allowing me to use Angron on his own, smaller base:

Here are some additional detail shots showing off various parts of the finished piece:

It feels great to finally have finished the complete piece – and also the last part of my little collection, or “Massacre”, of Angrons! The modular display bases for Forgeworld’s Horus Heresy characters were an inspiration for this, and now it definitely seems like a FW base turned up to eleven.

Now for that aquila lander… 😉

Anyway, that’s it for today. I would, of course, love to hear your thoughts about the finished piece, so please leave a comment! And, as always, thanks for looking and stay tuned for more!

The Battle of Armatura

Distance did nothing to steal any of the primarch’s blunt, savage grandeur. He was a ruined, towering thing of pain-spasms and sutured flesh. Lotara had only ever seen two primarchs, but despite the legend that each was cast in the Emperor’s image, Lorgar and Angron couldn’t have looked less alike. The former had a face that belonged on antique coins, and a voice that made her think of warm honey. The latter was an angel’s statue, desecrated by a hundred blades and left in the rain. Angron was ripped skin and roared oaths over a core of thick blood vessels and muscle meat.

Aaron Dembski-Bowden, Betrayer

Having finished my Wayne England-inspired conversion of the Primarch Angron during the Night of the Wolf, I originally didn’t plan on throwing myself headfirst into painting yet another version of the Primarch — at first. But inspiration can be a fickle mistress, and that model was intended as a test run for the Forgeworld version of Angron still languishing, unpainted, on my painting desk, after all. So I found myself messing around with yet another version of the XII Primarch in short order — bear with me, though, there’ll be a finished model at the end of this 😉

As I have mentioned before, the model came to me as an incredibly generous gift courtesy of Adam Wier (of Between the Bolter And Me), and this was doubly amazing because I doubt I would ever have gotten off my arse to actually get my hands on Forgeworld’s version of Angron — not for lack of appreciation, though, because I love the model and think it is one of Forgeworld’s best Primarch interpretations!

So Adam really did me a good turn there, and as luck would have it, the whole thing became even more interesting due to the fact that a few pieces of the original model were missing: The plasma pistol was easily ignored (because, let’s face it, who would expect Angron to be actually using a weapon that isn’t an axe or a chainblade?), but the missing cape presented a bit of a conundrum because it provides some extra bulk to the model and also covers up Angron’s rather crudely designed back.

With a bit of thought – and the generous help of fellow hobbyist Helega – I was able to overcome this problem, however, replacing Angron’s stock cape with the chain cape from the WFB Chaos Lord on Manticore — arguably the one bit from GW’s entire catalogue that is up to the task. Even better, Angron is actually described as wearing a chain mesh cape like that in the various BL novels, and is even shown wearing one in the accompanying artwork:

Illustration from the ebook version of “Galaxy in Flames”

So with a bit of elbow grease, I had managed to cobble together a complete model, ready for painting, right?

Well, almost. Because there remained one last hurdle to overcome: The last part missing from the model was the base: Like all of Forgeworld’s Primarch models, Angron comes with a two part base: An outer ring, making for a stunning display base, and an inner piece that will fit on a 30mm base (for gaming purposes) and can be slotted into the larger piece to create the entire display base.

Now I did have the “outer ring” part, but not the actual piece that goes on top of Angron’s base. The easy solution would have been to simply build a smaller base and discard the larger piece as optional and non-essential — but I really liked the idea of being able to create that large and ostentatious display base. So I had to come up with a design that would work well on its own while also interacting with the larger display base piece.

After a bit of thinking, I realised that I could use this to tie the model closer into the background for my 30k project (the battles of Armatura and Nuceria) and touch up some parts of the original base I didn’t like. Because while I am a huge fan of Forgeworld’s Angron model, I don’t quite have the same fond fealings for the base: You see, Angron is surrounded by three Marines, one he is resting his right foot on and two standing (or rather, falling) Astartes he is in the process of turning into minced meat. The objective here is obviously to show how deadly Angron is, but in my opinion, the two defeated Astartes on eather side just draw a bit too much attention away from the real star of the show:

So with that in mind, I got to work. Here’s what I came up with:

First up, I needed something of greater height that Angron would be standing on, so I purchased another Forgeworld rock piece (from Badab-War-era Huron, if I am not mistaken) from a bitz seller, because it would match the rest of the base more closely than any rock I could have improvised. I decided to use a Cataphractii Terminator as a fallen enemy at the Primarch’s feet, which seemed appropriate enough. And due to clever positioning of the parts, this only set me back one Cataphractii torso front, one shoulder pad and half a power-fist arm. Here’s the basic setup:

As you can see, the basic structure was built up using some GS. And the mangled head of the Cataphractii originally came from the Crypt Ghoul kit — I chose it because it resembled how I imagine somebody who has taken a chainaxe to the head might look…

The next part was to create some texture for the ground. My trusty Vallejo Sandy Paste once again turned out to be the perfect tool for the job:

At this point, I also created some additional, grisly detail in the Terminator’s abdominal region, using my tried and true combination of shaved down Skaven tails and stringy glue to suggest entrails:

The floor texture was then used on the rest of the base, to blend all parts together and make them look like they had been designed to fit together:

I also added some small details, namely a discarded Mk. IV helmet and a tattered XIII Legion standard. And while the outcome may not fit together quite as seamlessly and ingenuously as Forgeworld’s stock solution, I was still rather happy with how everything came together after undercoating:

Seeing the base come together so well actually gave me a huge boost when it came to painting Angron himself, which was really for the best, as painting a Forgeworld Primarch model had seemed like such a daunting challenge to me.

But now I just got started, deciding to tread carefully and to, once again, keep TheApatheticFish’s painting tutorial close for reference. And surprisingly enough, I made good progress:

Now like I said, this was my first Forgeworld Primarch model, and they are truly something else: There’s so much fine detail there that warrants a lot of attention – the chains wrapped around Angron’s weapons and wrists, for instance, are so delicate and lovely.
That being said, I hope I don’t sound too full of myself when I say that, with three versions of Angron already under my belt by this point, I was able to take it all in stride 😉

Fun fact, I actually suck at painting freehands, but I seem to be getting pretty handy with painting the XII Primarch’s warpaint:

Must be all of that practice 😉

Anyway, Angron was coming along pretty well, and soon I was at a point where only fairly little remained to be done:

But then, it’s a Primarch we are talking about here, so I made sure to add several rounds of highlights and touchups 😉

At the same time, there was also the base to keep track of. Here’s what it looked like after I had blocked in all of the base colours yesterday afternoon:

The process that came afterwards was a lot of fun, really, as the muddy, dusty nature of a battlefield allowed me to play a bit fast and loose with the painting, while still arriving at a suitably gritty and realistic result.

Here are the two finished parts of the base:

And here’s how everything looks when assembled:

I am really very happy with the result, and I think this could even read as a “complete” Forgeworld base — at first glance, if nothing else. Plus it also allowed me to push the thematic idea of having my 30k “army” centered around the battles of Armatura and Nuceria, where the XIII legion were the main adversary.

Speaking of which, the base could actually be seen as telling its own little story: How did that Terminator get there? Was he torn apart when trying to stand in the way of the charging Primarch? Was he buried under the falling rubble and debris when the defensive forces of Armatura detonated Valika Junction in a desparate attempt to stall the World Eaters’ advance?

So with the base finished, putting the last round of finishing touches on its occupant was quick work. And then, incredibly enough, my first – and possibly only – Forgeworld Primarch model was complete:

Angron

The Conqueror, The Bloody One, The Red Angel,
Primarch of the XII Legion

„This is not freedom. He knows that. He knows it well.

This is not freedom, he thinks as he stares at the World Eaters screaming his name. But the fight is only just beginning.
When the Emperor dies under his axes, when his final thought is how the Great Crusade was all in pathetic futility, and when his last sight is Angron’s iron smile…
then the Master of Mankind will learn what Angron has known since he picked up his first blade.

Freedom is the only thing worth fighting for.

It is why tyrants always fall.“

Aaron-Dembski-Bowden, Lord of the Red Sands

Once again, I am pretty happy with the outcome: This has been a premiere for me, but my main fear (messing up the model with sub-par painting and gooey paint) didn’t become a reality, at least for the biggest part 😉 There’s always room for improvement, and my version of Angron certainly cannot hope to compete with some of the utterly stunning versions from fellow hobbyists (and much more accomplished painters) out there, but even so: Tackling this model really was pretty far beyond my comfort zone, and I do think I have still done him justice!Above all else, the face was the one part of him I really wanted to get right, and I am really rather happy with the finished piece:

So with this latest version of Angron completed, I now have three different versions of the Primarch before his ascension to a Daemon-Prince of Khorne, showing Angron at different moments in his life of violence:

From left to right: Angron as a gladiator in the fighting pits of Desh’ea, Angron during the Night of the Wolf, and Angron at the Battle of Armatura.

Possibly the best remark I have received for the three models so far is this comment from Ynneadwraith:

However, my personal favourite touch is how in the 3 humanoid (as primarchs are definitely not human) versions it actually looks like he’s aged. The pitfighter looks slightly fresh-faced, while Night of the Wolf Angron is starting to look a little more sallow. By the time you get to the Forgeworld one he’s looking veritably grizzled, perhaps even a little haggard as the Butcher’s Nails take their toll.

If that is indeed the case, I am really happy, because I was really gunning for the impression that this is the same character at various stages in his life — and on a downward spiral, no less…

So does this conclude this particular project? For the most part, yes. And yet, and still…

If nothing else, there are still some loose ends left to tie up, namely the display base I created for Angron in his Daemon-Primarch form. And now I can’t stop thinking about a shared display base for all the models — working title: “Stations of a violent life”. And there are even more moments in the life of the XII Primarch that would warrant an own version: his mourning his brothers and sisters on the boneyard at Desh’elika Ridge. The moment of his ascension. Angron holding a freaking Titan’s leg over his head, allowing a horribly maimed Lorgar to crawl free….I need to stop thinking about this! 🙂

For now, let’s just say that while I cannot possibly reach the same levels of dedication and/or madness as, say, Reg, maybe we haven’t heard the last of the XII Primarch either…

And in any case, we’ll be seeing more 30k World Eaters for him to lead:

For now, thanks must go to Adam Wier, above all else, for providing me with the chance to paint this excellent model! To Helega for providing a crucial bit. To Matthew Farrer and Aaron Dembski-Bowden for turning “Angry Ron” into one of the setting’s most fascinating and tragic characters. And, of course, to everyone who has helped this project along with their suggestions and comments — speaking of which, it goes without saying that I would love to hear your feedback, so drop me a comment!

The Night of the Wolf

Lhorke never saw who fired the first shot. In the decades to come, the World Eaters claimed it came from the Wolves‘ lines, and the Wolves claimed the same of the XII Legion. He had his suspicions, but what was hindsight in the face of catastrophe? Without either primarch giving an order, two Legions fought.

The Night of the Wolf, they’d called it in the years since. Imperial archives referred to it as the Ghenna Scouring, omitting the moment the World Eaters and Space Wolves drew blood. A source of pride for both Legions, and a source of secret shame. Both claimed victory. Both feared they’d actually lost.

Aaron Dembski-Bowden, Betrayer

So I really wanted to complete my most recent converted version of the XII Legion Primarch as soon as possible — and as part of the Loyalty And Treachery III event over at The Bolter & Chainsword, no less, which left me with a fairly tight deadline. But then the model was already pretty much finished, wasn’t it? Here’s where we left off last time:

But I wasn’t perfectly happy yet and thought the model needed some final tweaks before it could be painted. So I gave it another round of conversion touchups:

A rather simple addition was the tangle of viscera Angron is holding in the Wayne England artwork that inspired the conversion: It was simply created with two Skaven tails and a bit of stringy glue.

However, there remained another, more substantial addition to complete, and no, don’t worry about the tinfoil on his shoulders: The XII Primarch wasn’t about to get some super tacky coloured hairtips. Rather, I used the tinfoil as a base to build up his cape with some extra GS on top of it:

I wanted Angron’s cape to have a bit more volume and look less like a tacked-on bit, so GS really was the way to go here. At the same time, I really wanted to keep the cape and body as separate parts during the painting progress. So the little trick I came up with was to carefully push some tinfoil down onto the model’s shoulders. Since the foil can be bent to conform to a certain shape, there’s really no need to glue it to the model or attach it otherwise, provided you are careful enough. Yet it will also “insulate” the surface of the model against bonding with the GS added on top, making it easy to take the sub-assemblies apart again. Granted, it would have been even easier had I attached it to something solid. The pauldron’s weren’t glued in yet, however, and so the whole thing turned a bit more finicky than it needed to be. But it worked rather nicely for getting the structure of the cape in place!

As for building up the actual fur on top of the cape, Capt. Jack’s fur tutorial was really invaluable! I tried to adapt it as best I could to my inferior skills. And where that failed, I used an old toothbrush to create some extra texture. Which led to this result:

To show you what’s happened under the hood, so to speak, here’s another look at the GS’ed shoulder area:

And here you can see how the body and cape were still separate pieces at this point, making for much easier and more exact painting:

So just one last step before everything was ready for painting: I had to build the right base for Angron. Now I believe I already mentioned earlier how a sentence from Betrayer provided me with the right context for the model:

In those early years, Angron carried his first axe, the precursor to all others. He called it Widowmaker. It would break this day, never to be used again.

This sentence appears in the description of the event called “The Night of the Wolf” — and everything just fell into place: Why not imagine that my converted model, still wielding the iconic, two-handed axe with the wing-motif from the Wayne England illustration, represented Angron during that fateful night at the tail end of the Ghenna compliance?

Which meant that I needed a fallen Space Wolf — also the owner of that lenght of gut Angron’s clutching in his left fist, incidentally…

A short while later, I had come up with a fitting base:

So with everything in place, it was time to get some paint on the model, and this made me slightly nervous: Not only did I want the model to end up as cool as possible, but this version of Angron was also supposed to serve as a “test run” for when I finally paint the Forgeworld Angron Adam Wier sent me. So I did some research on possible recipes, especially for Angron’s armour. And while I initially thought about merely copying GW’s “official” Custodes colour scheme, I eventually decided on something more bronze and brass than gold, because it just seemed more appropriate for the character (and visibly distanced him from the Emperor’s closest servants who all wear gold). In the end, I discovered ApatheticFish’s painting tutorial and followed it to the best of my ability, and it really clicked for me!

So here are a couple of pictures illustrating the painting process:

First up, Angron with his armour mostly painted, but without his pauldrons:

This picture is interesting because it shows how wonky the model seems without the shoulder pad. It also reveals the ugly truth of what I had to do to make everything fit together — I am just glad that the pauldrons neatly covered the whole mess up when they were back in place:

In order to add some structural stability to the whole assembly, I painted the base next (then attached the model to it):

So here’s the model with the cape and some detail work left to sort out:

And while the model’s back would end up being almost completely covered by the cape, I did of course completely paint it. Here’s a photo serving as proof that I didn’t skimp on my homework:

So just one final push, and the model would be finished! Fortunately enough, I had a scheduled painting session together with my good friend Annie coming up anyway, so I used this as the perfect opportunity to add a lot of small tweaks and finishing touches and complete Angron’s cape.

And so let’s look at the finished model. Keep in mind that this was the piece of artwork that inspired the conversion in the first place. A fantastic piece by the late, great Wayne England:

Angron by Wayne England

Incidentally, I only found this zoomed-out, higher quality version of the picture when the conversion had already been finished: So there are skulls in that tangle of gore in Angron’s fist — who woulda thunk, huh? 😉

Anyway, without any further ado, here’s the XII Primarch:

Angron

The Conqueror, Primarch of the XII Legion

„I am loyal, the same as you. I am told to bathe my Legion in the blood of innocents and sinners alike, and I do it, because it’s all that’s left for me in this life. I do these things, and I enjoy them, not because we are moral, or right – or loving souls seeking to enlighten a dark universe – but because all I feel are the Butcher’s Nails hammered into my brain. I serve because of this ‚mutilation‘. Without it? Well, perhaps I might be a more moral man, like you claim to be. A virtuos man, eh? Perhaps I might ascend the steps of our father’s palace and take the slaving bastard’s head.“

The Primarch Angron to his brother, Leman Russ
from Aaron-Dembski-Bowden’s Betrayer

Okay, guys: Now I do realise that I might have a tendency to be a bit too much in love with my own work, but I have to admit that I am really, really happy with this model! Are there things I could have done better? You bet! The fur on the cape is probably not as good as it could have been. Using a flesh shade for the shadows on the armour didn’t work out quite as well as I had hoped.

But all in all, he really reads as a believable version of Angron to me, and that makes me very happy, indeed! I am also rather pleased with the way his armour has turned out, and if I have one actual regret right now, it’s that the metal looks a bit too flat and monochromatic in the photos, because it works so well in real life — seriously, this guy sparkles from a couple of feet away 😉 I shall endeavour to take some better pictures that actually show off the armour a bit better.

For now, another detail shot at how the Butcher’s Nails, the armour and the partially sculpted cape come together:

And what makes this even sweeter is that the completion of Angron also marks the completion of my vow for the aforementioned “Loyalty and Treachery III” event. I have managed to complete four models I am really pleased with and really nailed down the look I want for my 30k World Eaters:

In addition to Angron, find my detailed thoughts on the rest of the models in the following posts:

And when looking at the bigger picture, I have also come one step closer to completing my fourth (and likely final) incarnation of the XII Primarch. Here are my two converted, Slaughterpriest-based versions of Angron:

So this means two down, one to go:

And finally, Angron among his sons (the meagre extents of my 30k collection so far):

I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

Indeed, another post focused on the XIIth Primarch, Angron Thal’Kr, The Conqueror, The Red Angel. So what’s up today?

You all know that building different versions of Angron was a pretty big part of my 2016 hobby life: I built and painted a version of Angron in his daemonic form, something I wouldn’t even have thought myself capable of a few years ago:

But I also went back to Angron’s past, converting a version of him inspired by this piece of artwork, probably showing the Primarch during his pitfighting days on Nuceria:

It turned out that one of the AoS Slaughterpriests of Khorne makes for a pretty convincing Angron, with a couple of tweaks:

So there was only one last planned model: The “official” Forgeworld Angron very kindly sent to me by Adam Wier. So just get that one painted and we’re done, eh?

Yes, well. It all ended up being a bit more complicated than that…

Here’s what happened: When White Dwarf was relaunched as a monthly magazine, the first issue came with a free Slaughterpriest — incidentally, the design I hadn’t used for my Angron conversion. And at the same time, I had also picked up the same version a bit earlier, when my beloved FLGS went under (still sore, you know).

So I ended up with a spare Slaughterpriest. And I started thinking. What if I were to build…just one more…?!

So yeah 😉

In order to come up with a model that wouldn’t just be a retread of the versions I already had, I thought it would be fun to base this next Angron on the pre-Forgeworld era artwork, such as the iconic illustration of Angron created by the late, great Wayne England for the Horus Heres Trading Card Game:

Angron by Wayne England

And, of course, on the similarly iconic illustration by John Blanche:

Angron by John Blanche

In the era before Angron actually had a dedicated Forgeworld model, there were a couple of elements that appeared in almost every piece of artwork. Most of these were later incorporated into Simon Egan’s model, but some fell by the wayside. Such as the two-handed axe with the ornamental wing and the three spikes crowing Angron’s collar. And of course there’s a certain, stylised and angular charm to Wayne England’s piece of artwork above that would be fun to reproduce.

So I started messing around with a couple of bitz, and I’ve actually already shown you the first attempt at this new model a while ago:

But while this guy already looked pretty cool, he didn’t actually read as Angron all that much — at least not in a way that moved beyond what was already present on the other versions in my possession. And since the model just didn’t come together for one reason or another, I just set him aside for a while.

Until I found myself playing around with some of the new plastic Custodian bitz last week, and suddenly it seemed like I might have the solution on my hands! So after some rigurous cutting, here’s what I ended up with:

Whoa, much better, wouldn’t you agree? Replacing the entire torso with that of a Custodian might seem like a rather radical approach, but it instantly moved the model a lot closer to the artwork that inspired it! And I was able to keep the versions of the previous version that already worked well enough — such as the arms and legs. And, of course, that brilliantly sculpted Slaughterpriest face (that just happens to instantly turn into Angron as soon as you add some cabling).

However, I wasn’t quite there yet: The Khorne icon on Angron’s belt buckle needed to be replaced, for fairly obvious reasons, and I also made some minor tweaks to the pose. Which led to this:

A Custodian tasset served as a pretty good replacement for the Khorne symbol and also recalled the aquila symbol appearing in the aertwork.

Almost there! I did feel the model needed a bit more presence at this point to really read as a Primarch, though. And the collar around Angron’s head wasn’t quite as prominent as in the artwork — it just turned out that fitting all that cabling in there made the entire ensemble a bit less striking than I had hoped:

Good thing, then, that the next addition was really a bit of a happy accident: I always knew that he’d be getting some kind of cape, so I fooled around with a couple of different options. And the solution arrived from the unlikeliest of places, i.e. the cape that comes with the Chaos Terminator Lord kit. With a bit of cutting and fitting, it ended up working very well, plus the cape also gave me the chance of incorporating those three spikes that are another staple of Angron in the classic artwork:

The cape also adds the right sense of bulk: I already liked the model well enough before, but it now has the massive, overmuscled look that sells it as a Primarch, if you ask me. Granted, some fine tuning may yet be in order, but I think I’m on the right track!

Time for a comparison with the other versions of (pre-ascension) Angron in my collection:

Regarding the size of the model, it must be noted that FW’s Angron is still quite a bit taller — he only doesn’t look like it because he’s posed at a very low crouch. But even so, I think the three of them look fairly good together.

So I only made one last addition to the model. Here’s what the latest version of Angron looks like right now:

I’ve added two leather straps to either side of Angron’s chest, in order to add an element resembling the straps appearing in Wayne England’s illustration. They also happen to camouflage the slightly hokey joints where the arms meet the torso. And, once again, they add some more oomph to the model and its stature.

The model is pretty much finished at this point, except for a finishing touch or two: I want Angron to be holding the same tangle of viscera he has in the artwork in his open left hand. And there needs to be something underneath the Primarch’s right foot. Incidentally, this also ties into the question of where my newest version of the XIIth Primarch fits into the timeline:

I see this version of Angron as a depiction of him about halfway through the Great Crusade, shortly before or during the event known as The Night of the Wolf (an event where the XII and VI Legions actually came to blows over Angron’s order of outfitting his legion with the Butcher’s Nails, thereby turning the legionaries into bloodthirsty madmen): There’s a throwaway line in Aaron Dembski-Bowden’s Betrayer about the first and greatest of Angron’s two-handed axes, Widowmaker, being broken and discarded at the end of that battle, so it would be fun to imagine my new version of Angron in that context.

Which is why there’ll probably be a suitably mangled Space Wolf underneath his foot — at least the XIII Legion is off the hook, for once… 😉

One last interesting detail about the model is how the shoulder pads (from MaxMini, I believe) were originally used as a mere stopgap solution, but I really rather like the way they look: They have a certain gladiatorial flair, plus the pteryges on the sides basically perfectly match the ones in the Wayne England illustration. And what’s more: Through sheeer coincidence (or maybe through intervention from the powers of the warp, who knows…) all three converted version of Angron I have built so far have ended up with shoulder pads that were originally sent to me by Augustus b’Raass as part of a bitz drop — that in itself would be enough reason to stick with those shoulder pads, wouldn’t you agree?

Anyway, I am pretty happy that the model has finally come together like that! And just when I thought I finally had all the Angrons I needed, I stumble upon this little gem the other day and almost find myself reaching for my AoS starter box sprues…damn!

Anyway, I would love to hear your feedback! And, as always, thanks for looking and stay tuned for more!

Oh my, it has really happened… The rumours seemed far too crazy at first, but now here we are with the first actual Daemon-Primarch and what could be the beginning of a complete (and much needed) design update for the entire CSM faction, especially when it comes to models for the cult legions (I am crossing my fingers so hard it hurts, as you can probably imagine).

That remains to be seen, though. For now let us focus on the new Thousand Sons, as that means we have enough on our plate as it is.

I may have mentioned before that I usually find Tzeentch the hardest chaos god to like, mostly due to the whole wanton mutation angle: The daemonic servants of Tzeentch are often too abstract for my taste, and the often heavily mutated mortal servants also tend to leave me cold — what can I say, I am a Khorne “heavy armour and no nonsense” kind of guy through and through 😉

That being said, I have always liked the concept of the Thousand Sons very much, precisely because they put such a nice spin on the usual Tzeentchian approach: Ahriman’s Rubric was an attempt to stop the very mutating powers that usually plague servants of the Architect of Fate, and it ended up creating an army of unfeeling, disembodied combat automata — the exact opposite of what you would expect of a Tzeentchian host (and then again, the subversion is delicious, of course, this being Tzeentch we are talking about). Anyway, there’s something clever and interesting about the legion, and the Thousand Sons are also, arguably, one of the most tragic traitor legions, so there’s much to like there in concept. And now we finally see them as a fully fleshed out model release — I never thought I’d see the day!

I also think it’s a rather clever approach to release 30k and 40k Thousand Sons back to back like that, and once again, there’s delicious irony in the fact that both are released at the same time while 10 millennia have passed in the background between both incarnations of the legion. A clever bit of planning there — if it was planned in the first place, of course. But, again, it’s Tzeentch we are talking about here, so yeah…

Before this all gets a little bit too meta, however, let’s just focus on the models, take a look at all the different parts of the release and consider some of the possible conversion opportunities.

Before we begin, allow me to point out that, once again, there is something I would like to think of as an unofficial companion piece to this review over at Wudugast’s blog, and I recommend you check it out as well.

So here we go:

Magnus the Red, Daemon-Primarch of the Thousand Sons

So yeah, it seems like Daemon-Primarchs are now officially a thing in 40k. Good thing I already made one earlier this year 😉

But anyway, it’s obvious that this is a pretty exciting development, especially given the fact that our only look at the Daemon-Primarchs in model for so far were the respective Epic 40k versions — and the less said about them, the better…

If we look at the model at hand, I have to say that Magnus looks pretty much exactly the way I always envisioned him — well, except for the chicken feet, maybe 😉
But even an element as unexpected as the avian feet works pretty well for giving the model a Tzeentchian look without sacrificing any of Magnus’s impressive physicality.

It pleases me immensely that there is quite a lot of Wayne England’s interpretation of Daemon-Primarch Magnus in the model, because you just cannot go wrong with taking cues from Wayne England, if you ask me:

illustration by Wayne England

What’s more, all the changes made to Wayne England’s design certainly make sense: I already mentioned the avian feet above, and the inclusion of feathers on strategic points of the model (and the choice of replacing the classic daemon wings in the art with feathered wings) all enforce Magnus’ connection with classic Tzeentch imagery. These elements also make him look like a scintillating hellish bird of prey — rather fitting for Tzeentch’s favoured daemonic servant. One could argue that the finished model is almost too fabulous — but come on, which other Primarch would warrant a look as exalted as this, if not the lord of sorcerers? Well, Fulgrim perhaps, but we’ll be getting there, I suppose… 😉

The model is also pretty enormous, easily towering over even greater daemons (which probably doesn’t bode well for my Angron conversion. Bugger!):

As is always the case, however, it’s the small things that make or break even a huge model like this, and GW has certainly put in the required work:

I really love the inclusion of three different heads, for one: The actual cyclopean face – for all its dorkiness – echoes the classic Epic model and the vintage depiction of Magus in the fluff. What’s more, the three different faces also mirror a particular scene in Aaron Dembski-Bowden’s Betrayer where Magus’ face seems to be jumping between different versions while you look at him — and I really, really love that little bit of lore represented in model form!

Personally, I prefer the masked face, both for its mysterious and regal qualities and because it’s not quite as gnarled as the other two.

I also like the fact that we get the choice of arming him with either a glaive or a Kopesh. If you ask me, the sword seems like the more elegant solution, mostly because that huge ball of energy forming above the glaive’s blade doesn’t quite come together visually:

I wonder if this “multiple choice” version of characters will happen more often in the future, as the classic approach is to have one version for a special character and no options whatsoever. Such are the liberties of plastic models, I suppose…

There’s also an incredible amount of detail on Magnus’s armour, and all of those embellishments don’t merely serve as decoration: It seems like there’s a real depth of symbolism here, with layers and layers of callbacks to the lore – or, indeed, to real world culture – for us to figure out. Wudugast has done a fantastic job of pointing out many of these elements in his aforementioned post, and it would be remiss of me to steal his work here, so make sure to give it a look.
I wonder why his right hand is so freakishly big, though. Is there some explanation for this in the lore? Or is that just his literal Red Right Hand? (Badum-Tish! 🙂 )

Speaking of red, though, I have to say that the ‘Eavy Metal paintjob of the new model – while technically impeccable, of course – makes Magnus look a tad too pink for my taste. Fellow hobbyist Tzen is currently doing a paintjob in a darker red, and with feathers that almost look crystalline — I am really looking forward to the results! Check out his progress here.

All in all, I think Magnus is a really worthy first Daemon-Primarch, and I am really looking forward to seeing his brothers rendered in equally monstrous forms! At the same time, I cannot stop wondering whether was it really clever to release the Daemon-Primarch version before the regular FW Primarch version. I think there’s a very real danger of the “mortal” version ending up feeling slightly underwhelming now — oh well, I guess FW’s sculptors will just have to give it their best shot 😉

Ahriman

After Eldrad Ulthran and Khârn the Betrayer, Ahriman is the third classic 2nd edition Jes Goodwin model to be given a redesign, and it should be obvious that these models are the ones to be nervous about, given the originals’ iconic quality.

The first thing to note, then, is that the model definitely reads as Ahriman, and in a bit of a surprise, the new version might actually be closer to Jes Goodwin’s original sketch than the classic version:

Nearly all the iconic elements of Ahriman’s previous incarnation are accounted for: the horned helmet, the sorcerer’s staff topped with the same gazelle horns, the robes and high collar — even the pose is very close to the original! This is obviously the same guy, only in a slightly more modern version.

There are a couple of devations (or rather, evolutions) of the classic design, however: For one, the new model has much more depth and dynamism, whereas classic Ahriman is very much a product of his time: I remember a WD article where Jes Goodwin said that Ahriman was one of the first 40k models to get actual additional pieces for added depth instead of being single-piece. Now the new model continues this approach and adds lots of depth to the character, making him look dynamic and like he has some agency while basically standing still:

At the same time, the model neatly keeps the original’s arrogant pose — the addition of a disc of Tzeentch arguably even enforces Ahriman’s haughtly look: He’s just too important and powerful to merely walk.

Now I’ve never been a huge fan of the whole disc idea, which is why I appreciate the fact that a) the disc is an optional part of the model and it’s just as feasible to just have Ahriman on a base like the original version and b) the designer went for a less creepy crawly approach, making the disc look more like an arcane machine, which is a great fit for Ahriman’s character! And there’s even a scarab symbol on top of the disc — a very nice touch!

In fact, it’s subtle touches like these that really sell the model as an evolution instead of a mere retread of the older model: For instance, the buffalo skulls dangling from the stole around Ahriman’s neck on the original model, have been exchanged for more delicate occult doodads, which seems like a much better fit for the character.

However, I do have some very minor quibbles with the model, even if all of these are plainly based on personal preference: That sorcerous flame in Ahriman’s left hand is a bit of an acquired taste for me — but can arguably look amazing when painted well. While I love the rest of the official paintjob, though, the flame just doesn’t work all that well in green and blue. Or maybe I just miss the hand holding the bolt pistol? For some strange reason. It’s a surprisingly iconic part of the original model for me.

On a related note, I find myself going back and forth over whether I like the original helmet better (I think I do — it has something to do with the precise proportions and angles of the faceplate).

But when all is said and done, Ahriman stands as possibly the best re-envisioning of a classic Jes Goodwin model to date. Much better than Eldrad and even with a bit of an edge over the new Khârn. And what’s simply beautiful is that – due to the new model being so similar to the classic version – the excellent mix of similarity and contrast between the 30k and 40k versions I described in my last review remains firmly in place:

Thousand Sons Exalted Sorcerers

I love building characters, so this is really the perfect kit for me, allowing for three highly individualised sorcerers with lots and lots of options. One thing that strikes me about the kit is how many mutated bits are featured, as this seems like a slight readjustment in the fluff to me — didn’t the Rubric of Ahriman stop the flesh change outright in those with enough sorcerous power? Then again, maybe the millennia in service to the god of change were just too much. Anyway, expect lots of mutations of the avian variety.

In all fairness, however, those bitz are fairly excellent, especially the plethora of staffs and heads we get out of this kit!

There are also many charming little touches on those parts: The sorcerous hand using an ectoplasmic flame to reload a bolt pistol might be a bit much, but I do love the avian skulls on this guy’s stole seemingly snapping at the enemy:

Also, can we just spend a moment in quiet contemplation at the beautiful way the cloth has been attached to the same sorcerer’s backpack:

In fact, the backpacks are probably one of the best parts of the kit, making the best possible use of Egyptian and Tzeentchian elements to create a unique silhouette for each of the sorcerers — this is an excellent touch that we need to see more of, especially because, for the most part, CSM backpacks only used to be a bit of an afterthought so far.

I also rather love the avian feet on this guy:

Upon closer inspection…what exactly is keeping him aloft, though? Is it sorcerous power or…erm, something altogether more nefarious?

Nice as the three models featured on the product page are, however, I almost prefer the alternate builds that were showcased earlier, on GW’s new community site:

Even when the sorcerers are more mutated than their ghostly brethren, they are arguably more disturbing when fitted with concealing helmets, leaving their exact nature ambiguous (I also really love the raptor-like look of the top left guy with that sweet Mk. VI variant helmet).

Maybe the biggest strength of this kit lies in how it gives you the freedom to build your sorcerers exactly how you like them best: As overly mutated, massively corrupted creatures of chaos. As masked and mostly unchanged, yet also subtly touched, master planners. Or as something in between.

Whatever you do, the models you end up with will look powerful and arcane, and there’ll be a really nice contrast between their warped, dynamic forms and their more regimented Rubricae brethren. This is easily one of the most tempting parts of the release for me, in spite of the odd moment of silliness 😉

Thousand Sons Rubric Marines

In a way, this was the one kit they just had to get right, even moreso than Magnus and Ahriman: The Rubricae are what defines the look of the Thousand Sons more than anything else, so they had to make this count. And if you ask me, boy did hit it out of the park with the new Rubric Marines!

I remember the first Thousand Son I ever saw, one of Jes Goodwin’s iconic set of models for the cult legions, appearing in the colour section from the 2nd edition rulebook:

It’s utterly astounding how – even decades later – those four guys still stand among the best models ever designed for the cult legions. And the Rubric Marine was just lovely, hinting at an arcane and mysterious legion through visual cues: You got an excellent idea of what the legion was about simply by looking at this model, without ever needing to read a single line of background.

During the 2000s, we saw a dedicated Thousand Sons conversion set, based on some of the design cues from that first proof-of-concept model. And while the conversion set was nice enough for its time, it never really lived up to the quality of Jes Goodwin’s original Thousand Son. Then several Space Wolves models tantalisingly featured the iconic helmet as a trophy – trampled underfoot, no less – and ever since I have been hoping for a true successor to that first Rubric Marines.

And the new guys really fit the bill:

Seriously, I just love them! The strongest part of the cult legions’ design was always in strong silhouettes and clear visual cues. And the new Rubric Marines absolutely deliver on that, clearly reading as Chaos Space Marines, followers of Tzeentch and Thousand Sons at the same time. The helmet designs are just beautiful, and the flowing lines of the armour trim really takes the classic CSM design to the next level. The added tassets are an excellent little touch. I also love how the new Rubric Marines have their own dedicated backpack designs!

As a bonus for fans of the Horus Heresy, there’s a marked resemblance between the Rubricaes armour and Mk. IV power armour, which begs the question: Will we go back to certain armour types being associated with certain cult legions? I would really love to see bulky Mk. II Plague Marines and massive Mk. V World Eaters whose armour is covered in studs and bolts!

In addition to the beautifully redesigned bolter-wielding Rubricae, we also get some new weapon options, which certainly makes sense:
Well, those flamers certainly look Tzeentchian to me! 😉

Plus we also get the most arcane looking rotary cannon ever witnessed by Man:

If I have one minor gripe about the kit, it’s merely the fact that the new sorcerer cannot quite match the excellent old one, a model only available as part the classic upgrade set:

What can I say: I just love that guy 😉

But all things considered, this is a stellar new kit for the Rubric Marines, and arguably a cornerstone of this release. Excellent work!

Thousand Sons Scarab Occult Terminators

Oh wow, dedicated traitor legion Terminators — yet another pleasant surprise! Even better, though, is that the Scarab Occult Terminators look completely unlike vanilla CSM Terminators and yet perfectly read as Thousand Sons. Make no mistake, I am really fond of the classic CSM Terminator look, spikes and tusks and all. But for the Thousand Sons, something more elegant and less barbaric seems far more appropriate.

By the same token, all the strengths of the new Rubric Marines are present on the Terminators as well, — in fact, there’s a palpable sense of visual coherency between the two kits, with many of the design elements (the Keltaran helmet crests, the flowing lines of the armour trim, the avian skulls and weapon designs) appearing across both kits, allowing you to field very different troop types that still look like they belong to the same traitor legion.

And in another parallel to the Rubric Marines, the Scarab Occults’ Terminator armour also clearly resembles an established Heresy era armour mark, namely the Tartaros pattern. Again, this seems like a very interesting (and possibly promising) design decision that I hope will be used again on possible future traitor legion releases — it also really enforces the notion that the armour dates back to the actual Heresy era, which certainly makes sense, given the fact that the victims of Ahriman’s Rubric have been bodyless automata for millennia, with no need (or even ability) for changing their armour.

Let me also mention that the squad champion/sorcerer just exudes a sense of elegance and terrible dignity

Also, chain kopesh swords FTW! 😉

Between the Rubric Marines and Scarab Occult Terminators, it’s possible now to build a Thousand Sons army that is visually distinctive, with a strong identity for the legion. And that’s really a brilliant development for CSM players, even moreso considering the quality of the new sculpts!

Tzaangors

The inclusion of these guys is certainly a bit of a surprise — although I guess all the signs were there to see back when plastic Tzaangors first appeared as part of the Silver Tower boxed set. Even so, it’s certainly nice to have dedicated Tzeentchian beastmen available now, mostly because the classic goatman look doesn’t really fit the Changer of the Ways all that well…

While its’s fairly obvious that the multipart Tzaangors share many common design traits with the Tzaangor models from Silver Tower, I would argue that the multipart models are not quite as good as the Silver Tower guys: The latter just seem to have the more iconic poses — which is easier to achieve with a monopose model, of course, but what can I say: Just look at those fantastic poses:

On the other hand, there’s a real benefit to the multipart nature of the new kit that goes beyond the usual flexibility offered by plastic kits: It looks like kits that cross over between 40k and Age of Sigmar are now officially a thing again (even beyond the Chaos Daemon line of models, that is), as a closer inspection of the sprues reveals an extra sprue that can only be considered a dedicated 40k weapons sprue, when the other sprue seemingly has the more medieval looking weapons intended for AoS.

All things considered, these guys are maybe the weakest parts of the release for me. But I think we can let it slide, both because we didn’t even expect 40k Tzaangors in the first place, and because the proper Thousand Sons models make for a pretty robust competition. When all is said and done, it’s still a nice kit that provides Tzeentch players with some interesting new option!

Conversion options

Oh man, the chaos community is going to have a field day with these new kits! And I, for one, can hardly wait for talented folks like Aasfresser, for instance, to put the new bitz through their paces! For now, let me just jot down some quick ideas for possible conversion projects involving the new models:

First up, the obvious idea: I think that many parts of this release would work brilliantly for 30k Thousand Sons as well!
To wit:

the Scarab Occult Terminators could be used as, well, 30k Scarab Occult Terminators with next to no need for further conversion. In fact, the kit almost seems like the first dedicated unit for a specific legion to appear in plastic and not as a FW upgrade set. I would like to see more of this, please! 😉

by the same token, it’s also possible to use parts from the Scarab Occult for 30k Thousand Sons Praetors and officers.

there’s also nothing stopping you from you from sprinkling some of those new Thousand Sons bitz on top of your 30k Thousand Sons, seeing how the legion grew more and more towards the arcane by its latter days as a loyalist legion, and how things like the iconic Keltaran crests had obviously taken root within the legion far before the present day of 40k (at least judging by their mention in “The Talon of Horus”, which is set not too long after the Heresy). The brilliant thing is that you bascially get to decide “how far gone” you want your Thousand Sons to be: Have they only started their descent? In that case, just add a staff or helmet from the new kits here and there. Do they already embrace the sorcerous powers more actively? Then you can use more and more 40k Thousand Sons bitz to create Marines that look more and more like sorcerers –and have begun to display physical changes.

expanding on that last part, mutation bitz from the Exalted Sorcerers could be used to depict 30k Thousand Sons in the throes of the flesh change.

I also think that all of those gorgeous helmets, mutation bitz and arcane doodads also allow for quite a bit of crossover between 40k and WFB/Age of Sigmar: So why not use some of those helmets and bitz to create a warriors of chaos warband that really looks Tzeentchian?

Back to 40k – and, arguably, INQ28: The Tzaangor weapons could be used to turn Khairic Cultists from Silver Tower into Tzeentchian cultists for the 40k setting. Or you could use the same weapons to give chaos cultists from Dark Vengeance that extra bit of Tzeentchian oomph.

And finally, why not use those Tzaangor bodies and heads to create your own, strangely avian xenos species for INQ28 — or your Tau army? Speaking of Tau, maybe those Tzaangor parts would also be promising if spliced together with Kroot bitz?!

All in all, this is a truly stellar release for CSM players, arguably made even better by the fact that it wasn’t really expected in the first place. Even if we don’t get any more modernised CSM models, it’s already a great addition to the armouries of chaos. Certainly more than I expected in every conceivable way!

I also love the fact that a chaos god other than Khorne or Nurgle is finally getting some love. I’ll never tire of Khornate and Nurglite kits, of course, but let’s just face it: It was really somebody else’s turn this time around 😉

At the same time, it won’t surprise you to learn that I really wish for more plastic cult troops (we *need* new Khorne Berzerkers! And Plague Marines!) and updated vanilla CSM. Let’s just dream for a moment: How awesome would it be if we could only get this amount of quality for the rest of the traitor legions — maybe only one kit each? We can always hope! And if nothing else, if the sheer quality of the new Thousand Sons is anything to go by, we may be in for quite a ride indeed!

So what’s your take on the new models? Are you as pleased as me or did you expect more? And are there any conversion ideas you would like to share? I’d be happy to hear from you in the comments!

And so, after a short interlude, we are actually back to Angron: Today I actually intend to deliver on the “Triptych” part of this mini-series, as I show you my completed conversion of Angron in full-on gladiator mode, based on one of the plastic Slaughterpriest models. I already showed you the conversion in the very fist post of this series:

Interestingly enough, the other version of the Slaughterpriest – the one that was recently included as a pretty awesome giveaway with the first issue of the new White Dwarf – seems to be more more popular at the moment, and it would make for a pretty cool base model for an Angron conversion as well — but the original Slaughterpriest has that wonderfully angry face which made me think of Angron in the first place 😉

As a matter of fact, when I fist discussed this conversion, I completely forgot to mention another model that had been a huge inspiration for this project: PDH’s brilliantly disturbing “Pursser-Sin”, a true scale Emperor’s Children Marine he built for his excellent Slaneeshi INQ28 warband:

Pursser-Sin by PDH

Peter just has an excellent eye for original conversions, and this one really made me consider using the Slaughterpriest as a Primarch model for the first time — of course there’s also the fact that his turning a Khornate model into a Slaneeshi dog is the biggest possible heresy, so I hope my Angron conversion balances this out a bit… 😉

But anyway, I was really itching to get my plastic Angron painted, so I jumped right in: The first step was to block out all the different basecoat colours:

I decided to use the same recipe for bronze armour between this model and my Daemon-Primarch version of Angron, to create a bit of visual continuity between both models, so I used the exact same steps to paint the various parts of the armour.

The skin recipe is based on Rakarth Flesh as a basecoat — as are all my recipes for human skin. Since the model represents Angron in fairly healthy shape, however, I decided to make his skin look a bit healthier than the tone I usually use on my chaotic models. So I tweaked the recipe a bit, using the following steps:

GW Rakarth Flesh was used for the basecoat.

the entire skin area was then washed liberally with GW Ogryn Flesh (I loaded up on that wash while it was still available, although I imagine GW Reikland Fleshshade would have worked just as well).

the skin was then given a thin coat of GW Cadian Fleshtone for a slightly healthier look

At this point I already had a reasonably convincing flesh tone. However, I went one step further and used a mix of GW Carroburg Crimson and GW Druchii Violet to create shadows and distressed looking skin in select areas, especially around Angron’s cranial implants, around the metallic spine and on his “Triumph Rope” chest scar, giving these areas some extra pop.

Here’s the model with most of the paintjob already in place:

I was definitely getting somewhere, but I wasn’t perfectly happy yet. So I decided to set the model aside for a moment and work on the base instead for a change of pace.

Since the model is supposed to represent Angron either uring his days as a gladiator on his “homeworld” Nuceria or during a sparring match in the Conqueror’s fighting pits, I really wanted the base to have the texture of a sany arena floor. In order to get the texture just right, I decided to try something new and picked up a pot of Vallejo’s Sandy Paste:

Going for a completely unfamiliar tool like this was a bit of a gamble, of course, but fortunately enough, the paste was extremely easy to work with: After getting an idea of what I was up against from this helpful YouTube tutorial, I was able to add it to the base and create the right texture using an old hobby knife. I also decided to add two discarded pieces of gladiatorial equipment half-buried in the sand. A shield from the WFB Vampire Counts Skeletons and a gladiator helmet from MaxMini that Augustus b’Raass had sent me a while ago provided the perfect pieces for the look I wanted. A part of the helmet was carefully shaved off to create a half-buried look. Both bitz were pressed into the still soft paste. Here’s what the base looked like after this step:

I also carefully pressed the model into the paste while everything was still drying, in order to create believable indentations in the sand around his left foot and the pile of skulls his right foot is resting on. Then the base was painted and the mostly finished model was glued to it before I tackled the finishing touches.

To be perfectly honest, there was a stretch during the painting where I wasn’t quite sure whether or not everything was really coming together. In the end, however, a couple of factors really pulled the various parts of the paintjob together:

I added some rather subtle blood spatter to Angron’s axes, his armour and to his chest and legs, making it look as though he had just messily vanquished a foe (or ten…). This really added that extra bit of realism to the model that I needed.

Once Angron had been glued to the base, his feet and the bottom of his loincloth were carefully drybrushed with the same sandy colour I had used for the base, and once again, this added some realism to the model and made it look more grounded.

And finally, the model really started looking like Angron once the trademark facial tattoos were in place: I even painted the markings around his eyes, even though I had been slightly nervous about that area beforehand.

So without further ado, here’s the second part of my Triptych about the Lord of the XII Legion:

Angron Thal’Kr, Lord of the Red Sands

“Come and die, dogs of Desh’ea! I am Angron of the pits, born in blood, raised in the dark, and I will die free! Come, watch me fight one last time! Is that not what you want? Is that not what you always wanted?
Come closer, you dog-blooded cowards!”

Aaron Dembski-Bowden, Betrayer

Like I said on my previous post on the matter, the metallic spine doesn’t appear in the official fluff, of course, but is rather a feature of the Slaughterpriest model. But I really liked the disturbingly crude nature of it and thought it would perfectly match the brutally invasive style of the cranial implants Angron had received on Nuceria, so I decided to keep it. The same element also appears on my Daemon-Primarch version of Angron. Oh, and I made sure to make the skin on either side look suitably bruised and inflamed…

All in all, I am really vey happy with the finished model, and I do think the guy really reads as Angron now! To wit, here’s another look at that cover artwork of “Butcher’s Nails” that served as an important piece for reference during the painting process:

And here’s a closer look at the model’s face, an area that I am pretty happy with:

To allow you to accurately gauge the model’s bulk and size, here are some comparison pictures showing Angron next to…

…one of his power-armoured sons:

… Forgeworld’s official Angron model, the still-to-be-painted third and final part of my Triptych 😉

…and finally, the three 30k World Eaters I have managed to paint so far:

So yeah, I am pretty happy with how the second part of this project has turned out! Two down, one to go — well, one and a half, really, because there’s also the rest of Daemon-Primarch Angron’s base left to finish, of course…

Before I wind up this post, allow me to point you in the direction of two related projects from fellow hobbyists. In both cases, I only discovered these models while I was already working on my own, but they are still fantastic alternate interpretations of the same character and archetype — and both happen to be based on the same Slaughterpriest model as well!

First up, there’s Calle’s Angron, a version that is pretty similar in approach to my own, but even more visceral:

Angron conversion by Calle

Calle shared his model in the comments to one of my previous posts, but since I really love his take on Angron, I felt it definitely deserved a proper shout out!

And then there’s Reg, whose Daemon-Primarch Angron was instrumental for my own version. Now wouldn’t you know it, he seems to be at least one step ahead of me yet again, building not only another fantastic rendition of the big man himself, but also an entire gang of Angron’s Nucerian gladiator buddies as well. Nuts!

Angron and his gladiators by Reg

These are just incredible — I can’t even…
Now if Reg would pnly answer to the PM I wrote to him on Dakka…
Anyway, I am a huge, huge fan of these!

And so another post on the Lord of the XII Legion comes to a close. In closing, I have one final image to share with you, an impression of how Angron might have looked in the arena of Desh’ea. It goes without saying that I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

Another look at Angron this week, as we finally put the big red daemon-monster on its own base. Don’t worry, it won’t be nearly as boring as you might think 😉

“But wait! Wasn’t this supposed to be a triptych? Then why are we already on part four of this series?”, I hear you asking. Now I know how to count to three, of course — it’s just that the whole triptych idea refers to the three different forms of Angron I will be working on, while there can (and will) be many more posts than three. There, glad to have that out of the way 😉

So far, so good, but Angron needed a proper base, indeed. And this is where things got a bit out of hand. Allow me to explain:

Possibly the biggest challenge was that I had already basically given it my all with the base for my Bloodthirster model, pulling out all the stops and ending up with something pretty ostentatious:

At the same time, it was perfectly clear that I would need to come up with something even better for Angron, because…well, it’s ANGRON we are talking about here, right?

So I spent a lot of time thinking about this, and then it suddenly hit me: What if I were to base Angron on the big aquila terrain piece from the Honoured Imperium boxed set?

I bought the kit a while ago – mostly for the Space Marine statue – so I still had the aquila piece. I also really liked the allegoric nature of the idea: What better way to base a Daemon-Primarch than on the shattered remains of the Imperium’s most iconic symbol?

The problem was the size of the aquila, because it was considerably larger than the oval base that came with the Bloodthirster kit. This would make gaming a whole lot more complicated, but that wasn’t really that much of a concern to me, mostly because I don’t exactly consider my Daemon-Primarch conversion a playing piece. However, the whole ensemble ended up looking and feeling a bit too clunky, so I wasn’t perfectly happy yet.

Having the bigger part of the aquila as an optional addition that the actual gaming base could be slotted into? That actually sounded absolutely awesome! However, after taking a closer look at the aquila piece and trying to decide where to possibly make the cuts, I was just about prepared to discount the idea as unfeasible…

…and then my buddy Biohazard posted a few ideas about how to make it work after all, and down the rabbit hole I went, eagerly sawing through the thick plastic with my cheap-o hobby knife from the DIY superstore — at the cost of several blisters on my right hand, I might add. But here’s what I ended up with:

That’s the complete aquila, and yet you can already make out the line where I cut a smaller part from the ensemble. Now let’s take the two apart:

And as you can see, the entire left wing and the left head make up a piece that fits fairly neatly onto the stock oval base. Which gave me this basic shape for Angron’s base:

Not bad, not bad at all! Especially since the part still clearly read as a symbol of the Imperium of Man, even though the biggest part of the aquila was actually missing. The part I had cut out also seemed to fit the base almost perfectly, right?

But let’s take a look at another perspective:

Here you can see the huge hole left underneath the (hollow) aquila piece that I needed to fill up with something — and whatever that something would be, it was clear that I would need to pay attention to make sure both parts of the aquila would still line up correctly afterwards.

Even so, I was still energised by this small success. I also made a quick and dirty Photoshop mockup to get an idea about how Angron would fit on the finished base:

The basic idea was to have him charging towards the centre of the aquila — and, by extension, whatever would be added to the other side of the base.

But first, I needed to fill in those huge holes! Thankfully, my good friend Annie provided me with some Milliput for the task, and so when we met for a little hobby session recently, she kept painting away at her crazy-awesome pirate-themed Blood Bowl team (to be featured here on the blog in a future post, scout’s honour!), while I plugged all the holes in the base using Milliput, and added some structure by pressing some cork into the putty after it had begun to dry, stamping a rocky texture onto the surface.

As you can see in the above pictures, some additional detail work also took place during this step. My usual mix of cork, slate and sand was added to the empty parts of the base and sealed with PVA glue and plastic glue. The effect was also used to blend the seams between the different areas and materials together. I also added some skulls to the front of the base, both to make the area look more interesting and also because, well, Khorne! (DUH!). Two spiky poles were used to add even more of a chaos feel to the base.

Possibly the longest time was spent on the missing half of that poor Ultramarine officer clutched by Angron: I used a pair of plastic Mk IV legs and made quite a few tweaks to them to ensure that their position on the base seemed suitably natural and organic:

And with that, the basic setup of the base was more or less complete:

So all that was left before I could break out the paints was a final round of touchups and additional texture. Augustus b’Raass very helpfully suggested applying some Liquid GS to the stony parts of the aquila, in order to create a slightly more believably texture and make the whole thig look less like smooth plastic, so that’s what I did:

And I used some regular GS to tidy up all the rough parts of the Marine legs, filling gaps in the legs, adding flex fitting and a profile to the sole of the right foot and scultping all the gribbly bitz pouring out of the body…ewww!

And with those final details out of the way, Angron’s base was finally ready for painting!

So everything was covered with a nice and even Coat of Chaos Black spray, which once again did wonders for pulling all of the different elements together:

Now at this point I spent a fair bit of time detailing the other, bigger side of the eventual display base, but I’ll be focusing on that part in a dedicated post. From a purely logical standpoint, it would surely have made much more sense to paint both parts of the base at the same time before adding Angron to the smaller part of the base, but seeing how this whole project had already expanded into something far more involved than I had usually planned, I knew I needed a milestone achievement somewhere in there and decided to focus on finishing Angron his “gaming base” first.

So for now, you’ll have to content yourselves with a teaser picture of the two parts of the aquila in all its basecoated glory:

I added a slightly more controlled spray of Army Painter Uniform Grey on top of the Chaos Black. Now at first glance it might seem as though we were back to square one (the unpainted plastic), but upon closer examination, the grey works really well with the Liquid GS-based texture to create a slightly sandy, stony look on the aquila parts. There’s also a slight shading effect on the areas that aren’t part of the shattered aquila, as a consequence of focusing the grey spray on the actual stone.

So from here on out, I basically used my usual recipe of painting the earth dark grey, then washing and drybrushing the entire thing to bring out lots of texture. I also painted the extra bits, such as the skulls, spiky poles and the legs of the fallen Ultramarine, of course. Here’s what it looked like after this step:

The legs also received some serious weathering to tie them together with the Astartes’ upper half: Charadon Granite was carefully sponged on with a bit of blister sponge, and metal scratches were created with a detail brush and some Leadbelcher. The best part about this kind of weathering is that you can keep repeating the various steps to achieve a more and more battered look, until you’re happy.

And then, finally, the blood came out 😉

I will say that I am probably really, really careful with adding blood effects, especially for a World Eaters player: There’s almost no other effect that is so easy to overdo and that can ruin a model so thoroughly: With too much blood, every model ends up looking cartoony and overly-edgy in a “bad 90s’ video game” kind of way. Only very few models warrant massive amounts of blood, so when in doubt, less is more.

With that in mind, I thought about where the blood on the base would probably come from (hint: the Ultramarine’s maimed remains) and how the blood would behave, given the slightly angled surface. I also remembered that, according to the lore, Astartes blood starts to clot super-fast, so that was yet another reason to go easy on the gore. Then again, there was no getting around the fact that the guy had been torn in half. So with all these factors in mind, here’s the solution that I came up with:

Ultimately, I tried to use as much blood as was necessary and as little as I could get away with. I also mixed a tiny drop of black into the Tamiya Clear Red to create the centre of the various pools of blood, than added pure Clear Red on top and around the darker areas in order to add some depth and tonal variety to the puddles.

One part where I tried to achieve a fairly realistic look was the blood running along the crevices in the stone, with the aquila statue’s features basically acting like small drain channels:

I also think I’ve done a fairly good job of blending in my Milliput additions with the rest of the base:

Granted, the finish could probably have been even smoother, but let’s not forget that it all needed to line up with the other half of the base!

And finally, Auggie’s suggestion about creating extra stone texture with a thin layer of Liquid GS turned out to be golden, as the aquila really looks like it’s made of stone, rather than plastic, now 😉

So all in all, I was really happy with the finished gaming base:

No more excuses, it was time for the Lord of the XII Legion to put his foot on the ground!

Now actually gluing Angron to the base was actually an exercise in frustration, seeing how the point of attachment between the model and its base was so small. And it definitely took a lot of super glue and swearing. But I persevered. And I triumphed. And thus I give you…

Angron, The Red Angel, Daemon-Primarch of the World Eaters and the Blod God’s Favoured Son

Now here’s a closer look at the base:

As you can see, I have added two more “special effects”: One is an additional spot of blood directly below the Ultramarine’s torso (for obvious reasons). The other effect is something I had never tried before, and I am rather happy with the outcome: I wanted the stone in the direct vincinity of Angron’s right foot (and the flames below it) to look as though it were heating up due to the Primarch’s daemonic presence. The effect was achieved by carefully building up several layers of Bloodletter glaze:

And with the model and base now combined, our brave little smurf finally gets reunited with his lower half. Well, after a fashion, at least…

I know I am probably boring you to tears by saying this, but I am still so incredibly happy with Angron’s head and face…

Both models’ skin tones actually differ far more in real life than is obvious from looking at the picture. However, I do think I’ve done a pretty good job of surpassing the base on the Bloodthirster and of making both models look pretty different, in spite of being built from the same stock model.

And here’s a hint of things to come…

For now, this has been an incredible ride! I think Angron is easily one of my best models – if not the best model – so far, and while this has project has certainly veered outside of my comfort zone more than once, it has been a blast! Thank you so much to everyone who provided ideas, suggestions and critical feedback! Thanks to those who provided bitz and materials for this project! And thanks to thosw responsible for my main inspirations, Reg’s fabulous, Bloodthirster-based Angron conversion,Aaron Dembski-Bowden’s hugely evocative descriptions of Daemon-Primarch Angron — and, of course, Alex Boyd’s illustration that probably served as the most important reference piece!

Speaking of which, here’s a little something that I made using Photoshop and Pixlr, to celebrate the occasion:

“It turned its eyes to us. The skeletal landscape of its face turned with a slowness I could only describe as bestial, but it most definitely saw us. The coal pits of its eyes steamed as blood bubbled and boiled in the thing’s swollen tear ducts. Slowly – still so very slowly – its jaws opened to reveal a quivering tongue the colour of spoiled meat, with pinkish saliva roping and stretching between rows of sharkish teeth.“

Aaron Dembski-Bowden, The Emperor’s Gift

And here’s Alex Boyd’s illustration again:

illustration by Alex Boyd

While my Angron is far from a perfect match (Reg and Rumplemaster score far higher marks on that account!), I do believe he looks like a plausible interpretation of the same character, wouldn’t you agree?

Anyway, I am super-proud of this guy! One down, two versions to go 😉 Until then, however, I would love to hear any feedback you might have! And, as always, thanks for looking and stay tuned for more!

A quote:

You fools! Your gods have blinded you with visions of glory and power, of a golden future that awaits you in their service. But our lord has shown us more than you could ever imagine. There are no empires awaiting you. In the endless cold between the stars, there is only the hunter and his prey. And those who were once the former and are now the latter. All that remains is the hunt, for only the hunt is eternal.