THIS BLOG IS ABOUT 7" RECORDS ONLY. YOU CAN NEVER HAVE TOO MANY. EVERY SONG IS CONVERTED TO MP3 FROM MY PERSONAL 45 COLLECTION, AND THERE'S NOT ONE THAT I WOULDN'T RECOMMEND YOU SEEKING OUT. ANY COPYRIGHT HOLDERS WHO DON'T WANT THEIR MUSIC HEARD HERE JUST LET ME KNOW, AND DOWN IT WILL COME. CLICK ON ANY IMAGE TO ENLARGE.

I really shouldn’t like Audience. I’d have done a lot better in school had it not been for them. I could have been a doctor or something. Instead, I spent seemingly an entire Fall semester possessed by their album, THE HOUSE ON THE HILL. It wasn’t just me. My two room mates Larry and Stewart caught the Audience sickness as well. We would literally listen to this album over and over and over. Lights low, candles, pot, huge Audience poster hanging squarely above the turntable (still have it – neatly folded and slid inside the album with the label bio and 8×10′s). We were all entrenched at the college radio station, WITR. We pretty much ran the joint. I was both the music director and program director, not to mention concert chairman. It was English bands and only English bands. If you didn’t like it – transfer out. Every night we’d come back to the apartment with the latest promos that had arrived from the labels. We weren’t in the dorms – we had a proper apartment with very little furniture, lots of mis-matched pillows, orange shag rug and a low coffee table covered in music magazines and drug utensils. Mattresses on the floor in each bedroom – no beds, cardboard boxes for dressers. The records were everywhere, cinder blocks and clapboards constructing many makeshift shelves. Emergency suitcase record players in each bedroom for late night listening too. So we would whirl through the latest offerings: Greenslade, Byzantium, Atomic Rooster, Colosseum, Chicken Shack, If, Family, Juicy Lucy, Manfred Mann’s Earth Band, just endless titles. But THE HOUSE OFN THE HILL would start and end the sessions, with a few plays during as well. You could really justify fucking off to it, nothing was more important, it was that good.

I’d heard ‘Indian Summer’ on the radio just before school went into session, must have been late August. Wow – what was that?!? It stood right out and was getting that suspicious two week window of play at Top 40. They called this being tested, and if good results came back, then they’d really hang you out for payola. Isn’t American radio great!!! This sophisticated British sounding song in between Andy Kim and Lobo, or whatever. Yes, I paid attention. I remember the single charted briefly on the Billboard Top 100 too.

During the following winter, I made one of my life’s biggest mistakes. I missed Audience live on their brief, and only, US tour. Gasp. They were opening for The Faces. It was a Sunday night, in Buffalo, about 80 miles away. I had no car, no one did, and no money to get there and certainly no way to get home. I watched the clock that evening, knowing they were playing so close yet so freaking far away. Why didn’t I just hitch hike? Risk being murdered – no brainer. But I didn’t and they never returned. Still bothers me to this day.

Such beautiful music. I know that sounds well corny but just listen. Howard Werth’s shivering vocals, Keith Gemmell’s signature sax that years later The Psychedelic Furs would unknowingly coin, just the right touch of baroque classical trimmings, not stuffy or overdone. The Strawbs, Amazing Blondel and ELO were klutzy klompy plodding wannabes next to Audience. Mind you, Audience had a wonderfully sloppy feel as well. But it was a magical balance and no one ever came close to matching it.

I’ve posted a bunch of Audience mandatories above. That first US 7″ is a classic double sider, and the promo only UK sleeve that housed ‘You’re Not Smiling’ is a prized possession. Isn’t even in the price guide. ‘Stand By The Door’, their final single is simply a perfect masterpiece.