Content Category: Lenticular

Image 5 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 4 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 3 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 2 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 1 in the Sexy Arms series. 16×20 3-d lenticular print. A big fan of pin-up art, these are a tribute to the art form with a bit of a twist. I am so gay for flowers. And mechanized warfare … Continue reading →

Image 5 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading →

Image 3 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading →

Image 2 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. This series is influenced by what I believe is the pinnacle, at least for me, of the surrealist movement: Breakfast in Fur, by Meret Oppenheim. This piece makes my … Continue reading →

Image 1 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 8 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 7 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 6 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 5 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 4 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 3 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 2 of the Vapor Series. 16×20 3-d lenticular print. The Vapor Series stems from my fascination with contrails and ‘natural’ composition. I have a ridiculous number of images that I have taken of what I find to be perfect … Continue reading →

Image 3 of 3 in the Starring Series. 16×20 3-d lenticular print. The Anemia Series (along with the Broadcast series) comes from representational surreal imagery I’ve been seeing lately when I close my eyes. These images are meant to be … Continue reading →

Image 2 of 3 in the Starring Series. 16×20 3-d lenticular print. The Starring Series (along with the Broadcast series) comes from representational surreal imagery I’ve been seeing lately when I close my eyes. These images are meant to be … Continue reading →

Image 1 of 3 in the Starring Series. 16×20 3-d lenticular print. The Anemia Series (along with the Broadcast series) comes from representational surreal imagery I’ve been seeing lately when I close my eyes. These images are meant to be … Continue reading →

Image 2 of 2 in the Broadcast Patriot Series. 16×20 3-d lenticular print. The Broadcast Patriot Series is a representation of surreal imagery I’ve been seeing lately when I close my eyes. For some reason I have this thing with … Continue reading →

Image 1 of 2 in the Broadcast Patriot Series. 16×20 3-d lenticular print. The Broadcast Patriot Series is a representation of surreal imagery I’ve been seeing lately when I close my eyes. For some reason I have this thing with … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 4 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 3 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 2 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. A manifestation of a visual idea I’ve had… one of those visions that you have when you’re looking out at the rain or zoning out sitting on a public … Continue reading →

Image 5 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 4 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 3 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 2 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 1 of 5 in the Curve Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 5 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 4 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 3 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 2 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 1 of 5 in the Arch Series. 16×20 3-d lenticular print. I’ve always been fascinated by the work of Peter Paul Rubens, always pulling off this fleshy living feeling to just pigment on canvas. A lot of his secret … Continue reading →

Image 5 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading →

Image 4 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading →

Image 3 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading →

Image 2 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading →

Image 1 in a series of 5. 16×20 3-d lenticular print. Simple and surreal, this series is meant to suggest cleanliness contrasted with unease. Unidentifiable appendages being washed in tinted water. When I view them, it strokes my queasy bone … Continue reading →

16×20 3-d lenticular art print. I did this image in collaboration with Mark White-Masters. I freaking love his artwork, it is incredibly vital, yet always gave me the jeebeez a bit. I dropped into his place for a weekend and … Continue reading →

16×20 3-d lenticular art print. I did this image in collaboration with Mark White-Masters. I freaking love his artwork, it is incredibly vital, yet always gave me the jeebeez a bit. I dropped into his place for a weekend and … Continue reading →