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Tuesday, June 28, 2011

"It appears from the newly discovered treatise of Cicero de Republica, that there was a law of the republic prohibiting the culture of the vine and olive beyond the Alps, in order to keep up the value of those in Italy. Nos justissimi homines, qui transalpinas gentes oleam et vitem serere non sinimus, quo pluris sint nostra oliveta nostraeque vineae." - Footnote from Gibbon's Decline and Fall of the Roman Empire.

I found this reference interesting because I had not thought about the Romans engaging in trade protectionism before. I did a little more research and found that the prohibition of the cultivation of grape vines beyond the Alps was actually mandated by the Roman Senate as early as 154 BCE.

But, by the 1st century CE, Roman demand for wine had grown so much that the ban must have either been overturned or was largely ignored as it is reported that by then Italian-produced wine was in such short supply that wine had to be imported from the Iberian peninsula or Gaul.

Mulsum was wine sweetened with honey, mixed in just before drinking (and therefore not like mead) and served as an aperitif at the beginning of the meal. (Conditum had herbs and spices such as pepper added as well.) Often freely dispensed to the plebs at public events to solicit their political support, the demand for mulsum became so great that it was more profitable to sell wine at home than to export it and, by the first century AD, wine had to be imported from Iberia and Gaul. - Wine and Rome

The problem of a wine shortage was further exacerbated by Domitian's vine edit in 90-91 CE.

"[Domitian]...thought that the corn-fields were being neglected as a result of too much concentration on vineyards, and issued an edit that no more vines were to be planted in Italy and that vineyards in the provinces were to be cut down, leaving no more than half standing..." - Suetonius, Life of Domitian, 7.2

Suetonius goes on to point out that Domitian did not initially go through with this measure when a poem appeared depicting him as a vine-eating goat. But he was later praised by others like Silvae (4.3.11-12) who hailed the legislation saying "to chaste Ceres, restores acres long denied her and a sober countryside", obviously considering the legislation more moral than economic, as did Suetonius and Statius.

"Undoubtedly, he wanted to encourage cereal-production both in Italy and in the provinces for shortages were not unknown. The vine edit (of c. 90-1) had been issued just before the severe famine in Pisidian Antioch (92-3) but there was more to it than this; the cities of Asia had been growing and their populations expanding for many years, but the emperors were reluctant to allow the local elite to assume complete control over the production of corn [grain], for fear it would result in a concomitant loss of imperial authority. In fact, what it did produce was famine. Domitian tried to deal with the problem: hence, perhaps, his popularity amongst the provincials." - Brian W. Jones, The Emperor Domitian

Furthermore, the cultivation of grapes in the provinces was apparently restricted to Roman citizens until Caracalla conferred citizenship on all free inhabitants of the empire in 212 CE. Then, the last restriction on viticulture, Domitian's edict, was finally overturned in 280 CE.

In researching this aspect of Roman law, I found one other little interesting bit of information. I knew that Falernian wine (made from grapes grown on the slopes of Mount Falernus on the border between Latium and Campania) was generally considered the best quality. A wine price list still visible on the wall of a Pompeii tavern declares, " "For one as (a unit of money) you can drink wine; for two, you can drink the best; for four, you can drink Falernian."

"Next in rank were the wines of the Alban Hills southeast of Rome, and Surrentine and Massic (among others) from the Campania. Finally, there was Mamertine from Messina, first brought into favor by Julius Caesar, who had it served at public banquets." - Wine and Rome

Apparently Julius Caesar spent lavish sums of money on public banquets but even he did not favor the mob with the best wines Italy had to offer!

Thursday, June 23, 2011

The glamor surrounding Hannibal and his amazing trek through the Alps with a cadre of elephants during the Second Punic War has captivated history buffs for so long that the First Punic War has been virtually overlooked by many historical novelists. Likewise, although many authors have written thousands of pages about Rome's fierce legions, Rome's first tentative efforts to build a navy and develop seamanship that would eventually rival Carthaginian mariners who had ruled the Mediterranean for centuries have been largely ignored as well. But Irish author John Stack has redressed both of these oversights in his "Masters of the Sea" series of novels.

I was unaware of Stack's efforts until the third book in his series, "Master of Rome", popped up in the available titles on Audible.com. As I am always on the lookout for stories set in the ancient world, I immediately selected it as one of my choices and was pleased to discover that its story focussed on the naval battles of the last years of the First Punic War.

The story's protagonist, a Greek born Roman prefect named Atticus Perennis, has honed his seamanship fighting pirates (which I learned later is covered by the first book in the series, Ship of Rome) and has learned to use the corvus, a boarding ramp introduced by the Romans to allow them to take advantage of land-type assault maneuvers at sea, to deadly effect.

The Roman corvus, a boarding ramp anchored to the enemy

ship by a sharp spike, is estimated to have weighed over

a ton causing severe instability in rough seas. Though

advantageous under the right conditions, it was ultimately

abandoned after the loss of an entire fleet in a storm following
the battle of Cape Ecnomus during the First Punic War.

I had known about the corvus from earlier studies but didn't realize that it was actually used for only a few years during the First Punic War because of the massive loss of ships in a storm following the brilliant Roman victory at the battle of Cape Ecnomus.

Perennis commands one of the few ships that survive the storm and is assaulted by charges of incompetence when he returns to Rome to report the loss to the senate. We learn that in earlier novels Perennis has apparently made a powerful enemy in the form of Gnaeus Cornelius Scipio Asina who earned his cognomen "Asina" meaning "donkey" when, as the first Roman fleet commander, he led an ill-conceived rush to take possession of the Lipari Islands and was subsequently captured by the Carthaginians. Since I had read only about the glory of the Scipioni in regards to the Second Punic War and the ultimate defeat of Hannibal, I was surprised to learn that the family had someone in the family tree much less militarily successful. A little research revealed that he was actually a brother to Lucius Cornelius Scipio who begat the much more glorious line of descendants.

Roman galley depicted in a fresco recovered from Pompeii, 1st century BCE -

1st century CE. Photographed by Mary Harrsch at the Archaeologico Nazionale

di Napoli in Naples, Italy.

Fortunately, Perennis has a powerful Senator in his corner, and he survives the spurious charges and is placed in command of a new fleet no longer equipped with the corvus. But this change brings the Romans back to their original problem. How do they overcome the supremely skilled Carthaginian seamen? To make matters worse, Scipio Asina is elected consul and ignores any advice Perennis offers to help the Romans achieve victory.

Perennis trains his men furiously but even the most brutal training schedule cannot equal the skills acquired and handed down for centuries by generations of Carthaginian sailors. However, Perennis manages to maintain a blockade of the city of Panormus and Scipio's legions eventually breach the city's defenses. But the Carthaginian defense is spearheaded by Greek mercenaries so Scipio refuses to acknowledge Perennis' crucial contributions to the ultimate Roman victory.

In the meantime, Hamilcar Barca has hired another of Perennis' wily countryman from Rhodes to slip through the Roman blockade and keep Barca informed of Roman dispositions of ships and legions.
This Rhodian, a real historical figure named Hannibal the Rhodian, was almost equal to Perennis in command seamanship and Perennis has to employ every ounce of his mariner's skill as well as a cuning ruse to finally overwhelm the Rhodian's sleek quadreme when the Rhodian attempts once again to run the Roman blockade. (I noticed in my research that the Rhodian's ship is thought to have been used subsequently as the model for faster Roman ships as the war progressed.)

The Rhodian's capture yields valuable intelligence about the location of the main Carthaginian fleet at Drepana and Scipio Asini is once again, all too quick to jump on the opportunity to grab a fistful of glory and orders a night voyage to surprise the Carthaginians.

For the sake of historical accuracy, I must point out that in history, Publius Claudius Pulcher, not Scipio Asini, was consul by then, and it is Pulcher who supposedly threw the uncooperative sacred chickens overboard when they refused to eat during the auguries before the battle of Drepana, declaring "Bibant, quoniam esse nolunt " - "Let them drink, since they don't wish to eat!". Stack includes this bit of theater in his story although some scholars point out that it was only referenced indirectly by Cicero and not documented by Polybius, recognized as the definitive ancient source on the Punic Wars, so whether it really happened is questionable.

Some reviewers have criticized Stack's consolidation of some of the Roman commanders but I think he meant to streamline the story to improve pacing and allow the reader to focus on the actions of the main protagonist and antagonists. Stack also simplifies the Carthaginian command structure by having Hamilcar Barca, Hannibal's father, in primary command of all Carthaginian forces, including the fleet. In reality, Hamilcar Barca commanded the land forces and did not possess the level of naval acumen attributed to him by Stack in this story. However, since the story was so engaging I was obviously motivated to research the time period and battles covered further so I gained an understanding of the real details eventually anyway.

Hoping to surprise the Carthaginians, the Roman consul plans to sail under cover of darkness and trap the Carthaginians inside the harbor. But, Perennis feels his crews are not experienced enough to maintain battle formation at night. However, Perennis is once again ignored as orders are given to set sail for Drepana. As Perennis predicted, the ships are soon strung out in a long disorderly line and are spotted by the Carthaginians as they approach the harbor. The Carthaginians not only escape the trap but turn the tables on the Romans and destroy almost the entire fleet.

But the ever tenacious Romans once again rebuild their fleet and exact their revenge at the Battle of the Aegates Islands, the rousing climax of the novel.

Although a relatively new author, Stack demonstrates a command of the history of the era and the cultures involved coupled with the crucial ability to people his stories with vibrant personalities as well. I have little doubt that Stack will eventually be ranked among such bestselling historical fiction writers as Conn Iggulden and Harry Sidebottom.

Furthermore, I found Stack's ability to conjure up the terrifying ferocity of an ancient naval engagement with its splintering oars, screaming crewmen, shuddering timbers and gore-slickened decks absolutely riveting. I definitely plan to go back and read the other books in this series.

An excellent summary of the battles immediately preceding and including the events in this novel can also be read here.

About The Editor

I am passionate about technology, education and history, particularly ancient history. I am constantly exploring ways to use technology to enhance the learning environment and am particularly ecstatic when I can develop a technology to advance the study of ancient history.Follow me on Twitter! Comments or Questions: mharrsch@uoregon.edu

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In addition to creating figures for museum exhibition, artist historian George S. Stuart also produces commissioned figures for serious collectors. One of his collectors requested this figure of a Roman legionary.
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See a full length view of this amazingly detailed figure at the Gallery of Historical Figures!