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The number of comments this CreativeWork (e.g. Article, Question or Answer) has received. This is most applicable to works published in Web sites with commenting system; additional comments may exist elsewhere.

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The service provider, service operator, or service performer; the goods producer. Another party (a seller) may offer those services or goods on behalf of the provider. A provider may also serve as the seller. Supersedes carrier.

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More specific Types available in extensions

Acknowledgements

Fairly straightforward painting markup.
<div>
<h1 lang="fr">La trahison des images </h1>
<p>
A painting also known as The Treason of Images or
The Treachery of Images.
</p>
<img src="http://http://upload.wikimedia.org/wikipedia/en/b/b9/MagrittePipe.jpg" />
<div>
<p>
The painting shows a pipe. Below it, Magritte painted,
<q lang="fr">Ceci n'est pas une pipe.</q>, French for
"This is not a pipe."
</p>
<p>
His statement is taken to mean that the painting itself is not a pipe.
The painting is merely an image of a pipe. Hence, the description,
"this is not a pipe."
</p>
<p>
Similarly, the image shown above is neither a pipe nor even a painting,
but rather a digital photograph.
</p>
<p>
The painting is sometimes given as an example of meta message conveyed
by paralanguage. Compare with Korzybski's <q>The word is not the thing</q>
and <q>The map is not the territory</q>.
</div>
<ul>
<li>Artist: <a href="https://www.freebase.com/m/06h88">René Magritte</a></li>
<li>Dimensions: 940 mm × 635 mm</li>
<li>Materials: oil on canvas</li>
</ul>
</div>

<div itemscope itemtype="http://schema.org/VisualArtwork">
<link itemprop="sameAs" href="http://rdf.freebase.com/rdf/m.0439_q" />
<h1 itemprop="name" lang="fr">La trahison des images </h1>
<p>
A <span itemprop="artform">painting</span> also known as
<span>The Treason of Images</span> or
<span itemprop="alternateName">The Treachery of Images</span>.
</p>
<img itemprop="image" src="http://http://upload.wikimedia.org/wikipedia/en/b/b9/MagrittePipe.jpg" />
<div itemprop="description">
<p>
The painting shows a pipe. Below it, Magritte painted,
<q lang="fr">Ceci n'est pas une pipe.</q>, French for
"This is not a pipe."
</p>
<p>
His statement is taken to mean that the painting itself is not a pipe.
The painting is merely an image of a pipe. Hence, the description,
"this is not a pipe."
</p>
<p>
Similarly, the image shown above is neither a pipe nor even a painting,
but rather a digital photograph.
</p>
<p>
The painting is sometimes given as an example of meta message conveyed
by paralanguage. Compare with Korzybski's <q>The word is not the thing</q>
and <q>The map is not the territory</q>.
</div>
<ul>
<li>Artist:
<span itemprop="creator" itemscope itemtype="http://schema.org/Person">
<a itemprop="sameAs" href="https://www.freebase.com/m/06h88">
<span itemprop="name">René Magritte</span>
</a>
</span>
</li>
<li>Dimensions:
<span itemprop="width" itemscope itemtype="http://schema.org/Distance">940 mm</span> ×
<span itemprop="height" itemscope itemtype="http://schema.org/Distance">635 mm</span>
</li>
<li>Materials:
<span itemprop="artMedium">oil</span> on <span itemprop="artworkSurface">canvas</span>
</li>
</ul>
</div>

<div vocab="http://schema.org/" typeof="VisualArtwork">
<link property="sameAs" href="http://rdf.freebase.com/rdf/m.0439_q" />
<h1 property="name" lang="fr">La trahison des images </h1>
<p>
A <span property="artform">painting</span> also known as
<span>The Treason of Images</span> or
<span property="alternateName">The Treachery of Images</span>.
</p>
<img property="image" src="http://http://upload.wikimedia.org/wikipedia/en/b/b9/MagrittePipe.jpg" />
<div property="description">
<p>
The painting shows a pipe. Below it, Magritte painted,
<q lang="fr">Ceci n'est pas une pipe.</q>, French for
"This is not a pipe."
</p>
<p>
His statement is taken to mean that the painting itself is not a pipe.
The painting is merely an image of a pipe. Hence, the description,
"this is not a pipe."
</p>
<p>
Similarly, the image shown above is neither a pipe nor even a painting,
but rather a digital photograph.
</p>
<p>
The painting is sometimes given as an example of meta message conveyed
by paralanguage. Compare with Korzybski's <q>The word is not the thing</q>
and <q>The map is not the territory</q>.
</div>
<ul>
<li>Artist:
<span property="creator" typeof="Person">
<a property="sameAs" href="https://www.freebase.com/m/06h88">
<span property="name">René Magritte</span>
</a>
</span>
</li>
<li>Dimensions:
<span property="width" typeof="Distance">940 mm</span> ×
<span property="height" typeof="Distance">635 mm</span>
</li>
<li>Materials:
<span property="artMedium">oil</span> on <span property="artworkSurface">canvas</span>
</li>
</ul>
</div>

Multiple materials: A piece of Installation Art which uses multiple instances of the material property.
<div>
<h1>My Bed</h1>
<p>
My Bed, first created in <time datetime="1998">1998</time>,
is an installation by the British artist Tracey Emin.
</p>
<img src="http://upload.wikimedia.org/wikipedia/en/9/9d/Emin-My-Bed.jpg" />
<div>
<p>
<cite>My Bed</cite> was exhibited at the Tate Gallery in
<time datetime="1998">1999</time> as one
of the shortlisted works for the Turner Prize. It consisted of her
bed with bedroom objects in an abject state, and gained much media
attention. Although it did not win the prize, its notoriety has
persisted.
</div>
<ul>
<li>Artist: <a href="https://www.freebase.com/m/015sxw">Tracey Emin</li>
</ul>
<p>
The artwork generated considerable media furore, particularly over the
fact that the bedsheets were stained with bodily secretions and the floor
had items from the artist's room (such as condoms, a pair of knickers with
menstrual period stains, other detritus, and functional, everyday objects,
including a pair of slippers). The bed was presented in the state that
Emin claimed it had been when she said she had not got up from it for
several days due to suicidal depression brought on by relationship
difficulties.
</p>
</div>

<div itemscope itemtype="http://schema.org/VisualArtwork">
<link itemprop="sameAs" href="http://rdf.freebase.com/rdf/m.0dbwsn" />
<h1 itemprop="name">My Bed</h1>
<p>
My Bed, first created in <time itemprop="dateCreated" datetime="1998">1998</time>,
is an <span itemprop="artform">installation</span> by the British artist Tracey Emin.
</p>
<img itemprop="image" src="http://upload.wikimedia.org/wikipedia/en/9/9d/Emin-My-Bed.jpg" />
<div itemprop="description">
<p>
<cite>My Bed</cite> was exhibited at the Tate Gallery in
<time datetime="1998">1999</time> as one
of the shortlisted works for the Turner Prize. It consisted of her
bed with bedroom objects in an abject state, and gained much media
attention. Although it did not win the prize, its notoriety has
persisted.
</div>
<ul>
<li>Artist:
<span itemprop="creator" itemscope itemtype="http://schema.org/Person">
<a itemprop="sameAs" href="https://www.freebase.com/m/015sxw">
<span itemprop="name">Tracey Emin</span>
</a>
</span>
</li>
</ul>
<p>
The artwork generated considerable media furore, particularly over the
fact that the <span itemprop="artMedium">bedsheets</span> were stained
with bodily secretions and the floor had items from the artist's room
(such as <span itemprop="artMedium">condoms</span>,
<span itemprop="artMedium">a pair of knickers</span> with menstrual
period stains, other detritus, and functional, everyday objects,
including a <span itemprop="artMedium">pair of slippers</span>). The
<span itemprop="artMedium">bed</span> was presented in the state that
Emin claimed it had been when she said she had not got up from it for
several days due to suicidal depression brought on by relationship
difficulties.
</p>
</div>

<div vocab="http://schema.org/" typeof="VisualArtwork">
<link property="sameAs" href="http://rdf.freebase.com/rdf/m.0dbwsn" />
<h1 property="name">My Bed</h1>
<p>
My Bed, first created in <time property="dateCreated" datetime="1998">1998</time>,
is an <span property="artform">installation</span> by the British artist Tracey Emin.
</p>
<img property="image" src="http://upload.wikimedia.org/wikipedia/en/9/9d/Emin-My-Bed.jpg" />
<div property="description">
<p>
<cite>My Bed</cite> was exhibited at the Tate Gallery in
<time datetime="1998">1999</time> as one
of the shortlisted works for the Turner Prize. It consisted of her
bed with bedroom objects in an abject state, and gained much media
attention. Although it did not win the prize, its notoriety has
persisted.
</div>
<ul>
<li>Artist:
<span property="creator" typeof="Person">
<a property="sameAs" href="https://www.freebase.com/m/015sxw">
<span property="name">Tracey Emin</span>
</a>
</span>
</li>
</ul>
<p>
The artwork generated considerable media furore, particularly over the
fact that the <span property="artMedium">bedsheets</span> were stained
with bodily secretions and the floor had items from the artist's room
(such as <span property="artMedium">condoms</span>,
<span property="artMedium">a pair of knickers</span> with menstrual
period stains, other detritus, and functional, everyday objects,
including a <span property="artMedium">pair of slippers</span>). The
<span property="artMedium">bed</span> was presented in the state that
Emin claimed it had been when she said she had not got up from it for
several days due to suicidal depression brought on by relationship
difficulties.
</p>
</div>

Example showing artEdition property in use for a piece of artwork that was created as a series of multiple identical items
<div>
<h1>Still Life under the Lamp</h1>
<p>
Print from <time datetime="1962">1962</time>
by Pablo Picasso. Numbered from the edition of 50,
each signed by the artist in pencil, lower right: Picasso.
</p>
<img src="http://www.pada.net/Photos/38/Full/picasso.lamp.jpg" />
<div>
<p>
<cite>Still Life under the Lamp</cite>, from 1962, made when the artist
was eighty years old, are counted among Picasso’s most important works
in linocut, a technique that he explored in the late 1950s and early
1960s. The progressive proofs show the step by step sequence by which
Picasso created his linocut images showing the development of the
image into its final form.
</p>
</div>
<ul>
<li>Artist: <a href="https://www.freebase.com/m/07pj7mx">Pablo Picasso</li>
<li>Dimensions: 25 3/16 inches × 20 3/4 inches</li>
<li>Materials: linoprint on paper</li>
<li>
See also <a href="http://www.pada.net/members/memPicFull.php/38/367">here</a>
and <a href="http://www.britishmuseum.org/about_us/news_and_press/press_releases/2014/picasso_linocuts.aspx">here</a>.
</ul>
</div>

<div itemscope itemtype="http://schema.org/VisualArtwork">
<link itemprop="sameAs" href="http://www.pada.net/members/memPicFull.php/38/367" />
<h1 itemprop="name">Still Life under the Lamp</h1>
<p>
<span itemprop="artform">Print</span> from <time itemprop="dateCreated" datetime="1962">1962</time>
by Pablo Picasso. Numbered from the edition of <span itemprop="artEdition">50</span>,
each signed by the artist in pencil, lower right: Picasso.
</p>
<img itemprop="image" src="http://www.pada.net/Photos/38/Full/picasso.lamp.jpg" />
<div itemprop="description">
<p>
<cite>Still Life under the Lamp</cite>, from 1962, made when the artist
was eighty years old, are counted among Picasso’s most important works
in linocut, a technique that he explored in the late 1950s and early
1960s. The progressive proofs show the step by step sequence by which
Picasso created his linocut images showing the development of the
image into its final form.
</p>
</div>
<ul>
<li>Artist:
<span itemprop="creator" itemscope itemtype="http://schema.org/Person">
<a itemprop="sameAs" href="https://www.freebase.com/m/07pj7mx">
<span itemprop="name">Pablo Picasso</span>
</a>
</span>
</li>
<li>Dimensions:
<span itemprop="width" itemscope itemtype="http://schema.org/Distance">25 3/16 inches</span> ×
<span itemprop="height" itemscope itemtype="http://schema.org/Distance">20 3/4 inches</span>
</li>
<li>Materials:
<span itemprop="artMedium">linoprint</span> on <span itemprop="artworkSurface">paper</span>
</li>
<li>
See also <a href="http://www.pada.net/members/memPicFull.php/38/367">here</a>
and <a href="http://www.britishmuseum.org/about_us/news_and_press/press_releases/2014/picasso_linocuts.aspx">here</a>.
</ul>
</div>

<div vocab="http://schema.org/" typeof="VisualArtwork">
<link property="sameAs" href="http://www.pada.net/members/memPicFull.php/38/367" />
<h1 property="name">Still Life under the Lamp</h1>
<p>
<span property="artform">Print</span> from <time property="dateCreated" datetime="1962">1962</time>
by Pablo Picasso. Numbered from the edition of <span property="artEdition">50</span>,
each signed by the artist in pencil, lower right: Picasso.
</p>
<img property="image" src="http://www.pada.net/Photos/38/Full/picasso.lamp.jpg" />
<div property="description">
<p>
<cite>Still Life under the Lamp</cite>, from 1962, made when the artist
was eighty years old, are counted among Picasso’s most important works
in linocut, a technique that he explored in the late 1950s and early
1960s. The progressive proofs show the step by step sequence by which
Picasso created his linocut images showing the development of the
image into its final form.
</p>
</div>
<ul>
<li>Artist:
<span property="creator" typeof="Person">
<a property="sameAs" href="https://www.freebase.com/m/07pj7mx">
<span property="name">Pablo Picasso</span>
</a>
</span>
</li>
<li>Dimensions:
<span property="width" typeof="Distance">25 3/16 inches</span> ×
<span property="height" typeof="Distance">20 3/4 inches</span>
</li>
<li>Materials:
<span property="artMedium">linoprint</span> on <span property="artworkSurface">paper</span>
</li>
<li>
See also <a href="http://www.pada.net/members/memPicFull.php/38/367">here</a>
and <a href="http://www.britishmuseum.org/about_us/news_and_press/press_releases/2014/picasso_linocuts.aspx">here</a>.
</ul>
</div>