March to Fuzz

AllMusic Review
by Steve Huey

Mudhoney was most convincing when the 7" recording format limited their more indulgent tendencies. In general (especially early on), their albums were always peppered with great songs -- usually variations on the band's trademark scuzzy sound and sneering attitude -- but rarely sustained momentum all the way through, thanks in part to the band's weakness for ponderous jams. The sorely needed, two-disc best-of March to Fuzz attempts to have it both ways: the first disc is a generous, 22-track overview of their recordings from 1988-1998, while the second compiles 30 rarities for the devotees. It's a tactic that's been used before, and it's usually maddening, giving both casual and die-hard fans an entire disc they don't want. But March to Fuzz actually works very well. For one, it's not priced as a double-disc set, and for another, both discs are actually very strong. Mudhoney's sound didn't change very much over the course of their career, which means that even though disc one isn't arranged chronologically, everything is pretty much of a piece. It's also very well chosen, even if the surprisingly strong latter-day albums My Brother the Cow and Tomorrow Hit Today aren't heavily represented. But the disc makes a convincing case that Mudhoney never stopped making bruising, vital rock & roll, or writing great (albeit samey) songs. The rarities disc is surprisingly entertaining, featuring plenty of cover versions, cranky goofs, and songs that were certainly better than some of their album tracks, but were relegated to B-sides or indie compilations. Their '60s garage and surf roots are actually summed up very effectively here, as well as their love of early-'80s hardcore. March to Fuzz might be a little hard to handle all in one sitting, but it's hard to imagine a better overview of Mudhoney's career.