From Feynman’s childhood in Long Island to his work on the Manhattan Project to the infamous Challenger disaster, by way of quantum electrodynamics and bongo drums, the graphic narrative unfolds with equal parts humor and respect as it tells the story of one of the founding fathers of popular physics.

Colorful, vivid, and obsessive, the pages of Feynman exude the famous personality of the man himself, full of immense brilliance, genuine excitement for science, and a healthy dose of snark.

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From Ancient Egypt to Lady Gaga, or what P. T. Barnum has to do with Stanley Kubrick.

Since ancient times, spectacles and public performances have transfixed, entertained, and socialized audiences. Between the mid-1800s and mid-1900s, the American circus swelled into the largest show-biz industry in the world and Circus Day became the year’s biggest event, captivating imaginations with its marvelous minstrel shows, audacious acrobats, and crazy clowns. What made the circus extraordinary isn’t merely that it was the birth of American pop culture, the Super Bowl, Macy’s Parade, and the Olympics all rolled up into one, it’s that it created a place for outsiders to become the superheroes of their day, for women to showcase their physical strength in ways that would be socially unacceptable elsewhere, and for audiences to experience cultures from around the world long before the age of global citizenship.

The Circus Book: 1870-1950 is a magnificent volume from Taschen (♥) exploring the circus as a living organism and a way of life, from its history and sociology to its glamor and discipline, through 650 stunning images, culled from a collection of 30,000 spanning 40 different sources, including many of the earliest photographs ever taken of the circus, as well as rare images by Stanley Kubrick and Charles and Ray Eames. More than 80% of the images have never been published, and most have never even been seen before.

The images in this book capture the entrepreneurial audacity for which the circus became famous, and also the remarkable personality and energy of its performers.” ~ Noah Daniel

Alongside the images are fascinating micro-essays that frame the photos, illustrations, and other visual ephemera in a sociocultural context, exploring everything from the ancient origins of public spectacles to how the circus paved the way for film and television.

A time-capsule of a bygone era and priceless artifact of cultural anthropology, The Circus Book: 1870-1950 is both a visual treasure for design- and photography-lovers alike, and an essential primer on understanding the evolution of contemporary pop culture.

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You can also become a one-time patron with a single donation in any amount.

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One cold winter night in 2005, while strolling through Helsinki, Finnish artists Tellervo Kalleinen and Oliver Kochta-Kalleinen had an epiphany — what if they could transform the daily grievances people complain about en masse into a source of surprise and joy? In Finnish, there’s an actual word for those mass complaints — “Valituskuoro,” which translates roughly to “complaints choir.” So the duo set out capture the world’s everyday rants in actual choirs and Complaints Choir was born — a traveling record of the world’s grievances, crowdsourced from citizens and set to song.

We defined complaining as “dissatisfaction without action,” nevertheless behind most of the complaints there is an idea or a belief or a value that a person is committed to. Complaints have therefore inbuilt the potential of being a transformative power. The truth about the revolution in East Germany is, that it only happened because a critical mass of people was dissatisfied with and complained about everyday life issues.

There is another fundamental aspect to the culture of complaining. Why do people complain about things they have not the slightest influence upon, for example the weather? Here complaining is not at all about changing things, but rather to build a communal feeling: I am not alone with my little problems, we share the same burden – of an total in-acceptable climate for example.”

From Birmingham to Budapest, Helsinki to Hamburg, Jerusalem to Chicago, the choirs cover everything from the petty and mudane (job resentment, traffic, bureaucracy, the weather) to the amusingly specific and offbeat (neighbor holding Hungarian folk dance classes above bedroom, being ignored by friend’s cat, racist grandmother)

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