One can almost see the sombre face of Eddard Stark looming up behind these lines:

BRUTUS:

For let the gods so speed me as I love

The name of honour more than I fear death.

– Julius Caesar, II.ii

Hailed as Shakespeare’s great political tragedy, Julius Caesar presents the delicate balance between the private and public self; a central conflict for both Ned and Brutus. The parallel is likely intentional, especially considering that George R. R. Martin has named Julius Caesar as one of his two favorite Shakespeare plays. Throughout A Song of Ice and Fire, the conflict of private self vs. public self persists as a vibrant theme–a duality of opposing concepts, much like ice and fire. It is also congruent with Martin’s ultimate conflict; the heart at war with itself.

By examining Ned’s orientation as a Brutus figure, we can identify how Martin incorporates thematic elements of

Just over a month ago (at the time of this post’s creation) Con of Thrones 2018 was in full swing in Dallas, Texas.

In the past weeks I’ve shared a links to audio from panels that I was fortunate to be a presenter on, but I wanted to highlight a few of my favorite panels that I experienced as a member of the audience.

Two in particular are of note since they were the first two panels I saw at Con of Thrones and shared the similar theme of exploring the influences of other bodies of work on George RR Martin and his epic series A Song of Ice and Fire.