Online Resources

AMEA - World Museum of Erotica ArtFeatures exhibits of vintage erotic illustrations from the 18th and century. High quality reporductions of the art are also available.BiblioCuriosaA personal catalogue of erotic, pornographic and curiosa literature; over 750 titles.Bibliotheque Nationale de FranceThe library maintains an online, searchable catalog of their book holdings, including erotica.Book Hunters PressPublisher of the "Used Book Lover's Guide" series. Eight regional guidebooks to 8,000 used book and antiquarian booksellers in the United States and Canada. The guides are also online for a subscription fee.British Library Public CatalogueThe library maintains an online searchable catalog of the Insititute's book holdings, including erotica.Clegg's International Directory of the World's Book TradeA catalogue of booksellers, printers, etc. active between the late 1800s and early 1900s. Google Books offers full view for the years 1894, 1903 and 1906DatenschlagAn education and support group based in Germany and Austria, they also maintain an extensive, online bibliography of vintage BDSM literature. (In German and English)EB EroticThe website of artist Electric Bill Pridgen. Great work!The Erotic Print SocietyFor people who appreciate the best in erotic books, art, photography and literature.The Erotic Woman ...Home of the Sensual WomanA very classy, sexy, and informative online magazine devoted to you, the sensual woman. Explore the extensive articles, reviews, tutorials, forums... Highly recommended!Fata LibelliA Paris bookseller of rare and unique books, including rare illustrated erotica.Ferdinando Family History SiteOn-line Ferdinando family tree. It's huge.The John Patrick CollectionThis website is dedicated to traditional bawdy songs, erotic toasts and other recitations. Includes sound clips and .php and .pdf documents of songbooks published between c.1700 and c.1970. A great erotic folklore resource. Kinsey Institute Library, TheThe Library maintains an online searchable catalog of the Insititute's erotica holdingsLes Larmes d'ÉrosA bookshop which promotes ancient as well as contemporary erotic art, in all its forms.Magnus Hirshfeld Archive for SexualityLocated at the Humboldt University of Berlin, this online archive contains an extensive collection of information related sexuality: history, people, research data, an online library, etc.New York Public LibraryThe library maintains an online, searchable catalog of their book holdings, including erotica.L'Origine du mondeHere you will find original erotic etchings, lithographs and drawings from 17th through 21st century artists available for sale.Philadelphia Rare Books and Manuscripts CompanyEarly Printed Books, Substantive Manuscripts, U.S. and Latin Americana, Mexico & New World Languages, Hispanica, Histories & the History of Ideas, Travels, Cookery, Law, Religion, & Bibles (All Antiquarian)RefWorksWeb-based bibliography and database manager. A fabulous program!Scissors and Paste BibliographiesChecklists and catalogues on the authors and publishers of 18th and 19th century erotic literature (Bibliothèque des Curieux, Pascal Pia, Isidore Liseux, etc.)TallulahsTallulahs is a unique combination of nude paintings and erotic art, with an extensive focus on vintage nudes.University of Sydney LibraryContains an online searchable catalog of the library's book holdings. See their Special Collections catalogues for Carrington material.University of TexasContains an online searchable catalog of the library's book holdings.VenusbergVirtual erotic art museumWellcome LibraryOne of the world's greatest collections of books, manuscripts, pictures and films around the meaning and history of medicine, from the earliest times to the present day. Online searchable catalog.Voila!A unique and impressive collection of vintage erotic photos and illustrations from the mid-19th through mid-20th centuries.William Daily Rare BooksA bookstore with a large inventory of rare to very rare erotic and clandestine literature

p.s. Don't worry about it, Stud! Everybody here at the BOOK LOVES YOUR vids. We just have to do that for the christians and spoilsports. Keep on pumpin the MP4s. YOU ROCK OUR BOOK!!!!!!!!!

takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.

*World starring Baby Bubbles (1963) [HQ]

...as this may be my last hurrah and my other home away from home is positively neglected, I thought I'd go ahead and upload THE BEST VOICEOVER TO A WAY TOTALIZATOR UNDER HIPSTER-RADAR (BECAUSE I FOUND EXACTLY ONE ENTRY ABOUT IT IN positivelast searcher on the web, Google Books...

*Hollywood's World of Flesh (Baby Bubbles 1963) *I decided: Given the choice between a Murderer and a person who clicks that "Even we can't believe you're about to click this button: we only put it up here because we are required to-Report" button:

I'd bunk with the Murderer every time...what do you think that says about me?

Oh, I know! I'm such a bad boy. Just call me the James Dean of FB or if you prefer sausage, the Jimmy Dean of FB...(cunt. below)

(cunt from above)just call me Searchy O! This is the best VO and Faux setup for a faux exploitation sleeper you'll ever see. And as it's set only to Private (although I already miss those teenager's comments), maybe you'll actually get to watch this one for more than two days. But you know where to find me if we dissipate.

The American Film Institute Catalog of Motion Pictures Produced in the United States:

Feature Films, 1961-1970

American Film Institute

University of California Press, 1997 - Performing Arts - 2148 pages

Back in print after more than fifteen years, this American Film Institute Catalog covers the decade of the sixties. This was the era in which films began to challenge the taboos on sex and violence and treated social issues in a new light. Included in this volume are The Wild Bunch, Bonnie and Clyde, Guess Who's Coming to Dinner? and Who's Afraid of Virginia Woolf? The decade also produced such all-time

Old Stand-

ard

Font Family

Old Standard was intended as a multilingual font family suitable for biblical, classical and medieval studies as well as for general-purpose typesetting in languages which use Greek or Cyrillic script. The font is currently available in three shapes: regular, italic and bold. Old Standard is still far from being finished, and yet it already covers a wide range of Latin, Greek and Cyrillic characters, as the image below can demonstrate. Beginning from version 2.0 it also supports early Cyrillic letters and signs (including those added in Unicode 5.1) and thus can be used for texts containing fragments in Old Slavonic and Church Slavonic languages.

In addition to its support for various special characters, Old Standard also implements many advanced rendering features, implemented by the means of two rendering technologies: OpenType and

Graphite. Both Open Type and Graphite allow to resolve many tasks, especially important for typesetting texts in "exotic" languages, such as printing accented combinations which are not available in the Unicode standard as precomposed characters. At the present time there are already many applications for various platforms. which can take advantage of OpenType features. Graphite is much less popular, but its support would be very actual for OpenOffice.org (and LibreOffice) users. So one of the intended tasks of the Old Standard font family is to attract the attention of philologists to "smart" rendering technologies by demonstrating how useful they can be for their purposes.

Origin and Design

Old Standard reproduces a specific type of Modern (classicist) style of serif typefaces, very commonly used in various editions of the late 19th and early 20th century, but almost completely abandoned later. However, this lettertype still has at least two advantages:

it can be considered a good choice for typesetting scientific papers, especially on social and humanitarian sciences, as its specific features are closely associated in the people's eyes with old books they learned on;

the most beautiful examples of Greek and Cyrillic lettertypes were all based on the classicist style, so that for those scripts "Modern" fonts are much more appropriate than any contemporary (e. g. Times-based) designs.

The name "Old Standard" was selected as opposed to the "Obyknovennaya Novaya" ("New Standard") typeface, widely used in the Soviet typography, which represents another, slightly different type of the same Modern style. The digital version of this font is now available from Paratype. Of course this name doesn't look very original, but it seems to be a good choice for a revival of the most common lettertype of the early 20th century.

Note on available formats

The Old Standard font family is currently available in several formats:

There are many differences between TrueType and OpenType-CFF formats, but their functionality is nearly the same from the user's point of view. In particular it should be noted that both versions of the Old Standard fonts include the same set of advanced OpenType features. As for Graphite tables, they are currently available only in TrueType fonts, but this advantage makes no difference for most applications.

Previously I used to recommended installing TrueType versions, since the support for this format was generally better both on Windows and *nix platforms. However since then most of the problems with OpenType-CFF fonts have been fixed by software developers (in particular it is now possible to use them in the Linux versions of OpenOffice.org and LibreOffice), and so preferring one of the two formats is now essentially a matter of taste. Note that it is possible to install both TrueType and OpenType-CFF versions of the Old Standard family alongside, as they follow different naming conventions (a "TT" suffix is appended to the font name and family name fields in TrueType fonts).

WOFF is a relatively new format, developed for use in web pages. Basically a WOFF file is an OpenType font compressed for size reduction. Like other OpenType fonts, it may be either TrueType or PostScript flavored. Note that the WOFF files I distribute for the Old Standard font family have TrueType contours, but no "TT" suffix in their font names. Of course you may want to download these font files only if you are engaged into web design.

It is worth pointing out that there is no PostScript Type 1 version available. This is because Type 1 is an old 8-bit format, which doesn't support Unicode. Yes, modern rendering engines usually can assign Unicode codepoints to glyphs from a Type 1 font basing on their PostScript names, but this doesn't work very well for Greek, and especially for Private Use Area. That's why releasing a Type 1 version of Old Standard would make no sense, as this would contradict to its basic scope as a multilingual font. On the other hand, I can hardly imagine such a situation where you would prefer a Type 1 font, although there is a good quality TTF version available. The only exception is TeX, where Type 1 font are really preferred. I have not adapted Old Standard to the TeX typesetting system yet, but if you would like to do this for your purposes, then I would recommend you using the excellent LCDF Typetools package by Eddie Kohler, which contains all utilities necessary for converting OpenType-CFF fonts to Type 1 and generating all additional files needed for TeX.

Finally, you also can download the FontForge sources of the Old Standard font family. Of course this package may be useful for you only if you have the FontForge font editor, as well as some other font editing utilities, and know how to use them.

Terms of Use

Old Standard is freely available and may be used by anyone at no cost. It is released under the SIL Open Font License, a free and open source license that permits modification and redistribution.

To download Old Standard, go to my font download page, where all download links are placed. Except the font files themselves, there is a PDF manual available, where you can find detailed instructions on how to install the fonts and use them effectively.

Steve began his professional design career at Compugraphic in 1977 where over the next seven years he assisted in the production of their phototype library as well as focusing on custom font services. From there, in 1984, he moved to Bitstream Inc. and played a key role in the development of the first true digital font library, which included standard and custom fonts. Ten years later, Steve and four other designers founded the Galápagos Design Group, specializing in custom font and design products. After seven years there, he returned to Bitstream Inc. as the Graphic Designer for the two subsidiaries, MyFonts.com and Pageflex Inc.

Throughout his professional career, Steve has continued to follow his true calling by doing illustration and design work for various clients. His studio is Tail Spin Studio.

Steve began his professional design career at Compugraphic in 1977 where over the next seven years he assisted in the production of their phototype library as well as focusing on custom font services. From there, in 1984, he moved to Bitstream Inc. and played a key role in the development of the first true digital font library, which included standard and custom fonts. Ten years later, Steve and four other designers founded the Galápagos Design Group, specializing in custom font and design products. After seven years there, he returned to Bitstream Inc. as the Graphic Designer for the two subsidiaries, MyFonts.com and Pageflex Inc.

Related tags

gord

Gord-Regular

Welcome to the MyFonts Webfonts . This document presents the webfonts in your Kit and explains how to use them on your webpage.

This MyFonts Webfonts Kit is a collection of files, code and fonts. Since different browsers accept webfonts in different formats, your MyFonts Webfonts Kit provides all the necessary code to. All you need to do is copy-paste some sample code, and make some edits to your CSS. Here's how.

1. Upload your Kit

Upload the contents of the Kit to your server. This is typically done using an FTP program - the same way that you upload other files to your website. It'll be easiest if you upload all the files and folders to the root folder of your site, but you can also create a subfolder and place the Kit files and folders there.

Note: You do not need to upload the StartHere.html file or the Start here files folder.

2. Connect the Kit to your website

Include a reference to the Kit CSS file in the Kit's main folder. You should place a reference to this file in the head section of your website's HTML code. Make sure that the reference appears on all HTML pages of your site.

This will "connect" the webfonts from the Kit to your website. If you uploaded the Kit to the root folder of your site, then you can just copy-paste the code below. If you uploaded the Kit to a subfolder, you'll need to adjust the path to the font files in the CSS file.

3. Apply the webfonts to CSS styles

Assign the webfonts to tags, classes or other CSS selectors. Now you need to decide where on your site you would like to use the webfonts. Would you like to use one webfont for all text on your site, including body and headings? Or perhaps you have selected a headline webfont and a body text webfont? Using CSS, you can assign webfonts to specific HTML tags, classes or other CSS selectors. There are several ways to do it, and we'll explore more advanced options later.

A simple method is to add a CSS style block in the head section (below the reference to the Kit connector file), and then assign the family names of the webfonts that are included in the Kit to separate CSS classes. Here's how it is done:

Here are a few examples how you can use the Gord-Regular webfont on your site.

If you'd like all text on your HTML page to be formatted using this webfont, you need to assign it to the body element. Use the following CSS declaration in the style block of the head section of your website:

body { font-family: Gord-Regular; }

If you'd like all headings to be formatted using this webfont, you need to assign it to the h1…h5 elements. Use the following CSS declaration in the style block of the head section of your website:

You can also assign the webfont to a specific HTML class, which will allow you to easily mix different webfonts on the same page. Use the following CSS declaration in the style block of the head section of your website:

.Gord-Regular { font-family: Gord-Regular; } }

Then, use the class as follows in the body section of your HTML:

<p class="Gord-Regular">Hello World!</p>

You can use any valid CSS selector (such as an HTML tag name, a class or an ID, or a combination of those) if you want to format a specific portion of the document.

MyFonts | 500 Nickerson Road, Marlborough, MA, USA

MyFonts and MyFonts.com are registered service marks of Bitstream, Inc. Other technologies, font names, and brand names are used for information only and remain trademarks or registered trademarks of their respective companies.

Description: A black and white art nouveau theme. Graphics are taken from the work of Aubrey Beardsley, the famous British illustrator associated with Oscar Wilde, among others. Try reloading the page to see a new border in the bottom corner of the page, from BeardsleyÕs illuminations for the 1893 Dent edition of MalloryÕs 'King Arthur'. Version: 1.1.3