Beautiful RARE certificate from Champion - Five, Inc. issued in 1961. This historic document was printed by the Goes Company and has an ornate border around it with a vignette of an Eagle. This item has the hand signed signatures of the Company’s President, Gower Champion and Secretary, George Mecader and is over 52 years old. The certificate was issued to Irving B-J Levine. Champion - Five, Inc. was the co producer of the original Broadway Show of Hello Dolly with Carol Channing in 1964 and Gower Carlyle Champion was the choreographer and director.

Champion was born in Geneva, Illinois, the son of John W. Champion and Beatrice Carlisle. He was raised in Los Angeles, California, where he graduated from Fairfax High School. He studied dance from an early age and, at the age of fifteen, toured nightclubs with friend Jeanne Tyler billed as "Gower and Jeanne, America's Youngest Dance Team." In 1939, "Gower and Jeanne" danced to the music of Larry Clinton and his Orchestra in a Warner Brothers & Vitaphone film short-subject, "The Dipsy Doodler" (released in 1940).

During the late 1930s and early 1940s, Champion worked on Broadway as a solo dancer and choreographer. After serving in the U.S. Coast Guard during World War II, Champion met Marjorie Belcher, who became his new partner, and the two were married in 1947. Throughout the 1950s, they performed on a number of television variety shows, and in 1957 they starred in their own short-lived CBS sitcom, The Marge and Gower Champion Show, which was based on their actual career experiences. During this period, they also made several film musicals, including the 1951 remake of Show Boat (with Howard Keel and Kathryn Grayson), the autobiographical Everything I Have is Yours (1952), Give a Girl a Break (1953), and Three for the Show (1955).

In 1948, Champion had begun to direct as well, and he won the first of eight Tony Awards for his staging of Lend an Ear, the show that introduced Carol Channing to New York theater audiences. During the 1950s, he only worked on two Broadway musicals—choreographing Make a Wish in 1951 and directing, staging and starring in 3 For Tonight in 1955—preferring to spend most of his time in Hollywood. However, in the 1960s, he directed a number of Broadway hits that put him at the top of his profession.

He had a solid success in 1960 with Bye Bye Birdie, a show about an Elvis-like rock star about to be inducted into the army. The show starred relative unknowns Chita Rivera and Dick Van Dyke along with a youthful cast. It ran 607 performances and won four Tony awards, including Best Musical and two for Champion's direction and choreography. Next came Carnival! in 1961, which ran 719 performances and garnered seven Tony nominations, including one for Champion's direction.

In 1964, he directed one of Broadway's biggest blockbusters, Hello, Dolly!. It ran for 2844 performances—almost seven years. Starring Carol Channing, it's best remembered for the title number, where Dolly is greeted by the staff of a restaurant after having been away for years. The show won ten Tony Awards, including Best Musical, as well as two for Champion's direction and choreography. Champion - Five, Inc. was the co producer along with David Merrick.

Champion had his fourth consecutive hit musical with I Do! I Do! in 1966. It featured a cast of two—veterans Mary Martin and Robert Preston--playing a couple seen throughout the years of their marriage. The show ran for 560 performances and got seven Tony nominations, including one for Champion's direction.

His next show, The Happy Time in 1968, broke his streak. It had a relatively disappointing run of only 286 performances. This would be followed by many more disappointments and worse. In the 1970s, Champion directed minor hits (Sugar in 1972 and the revival Irene in 1973), flops (Mack & Mabel in 1974) and complete disasters (Rockabye Hamlet--seven performances in 1976—and A Broadway Musical running only one night in 1978, not to mention Prettybelle, which closed out of town in 1971). On top of all this, he and Marge were divorced in 1973.

After the failures of the previous decade, Champion was able to make a comeback with his longest-running show. In 1980, he choreographed and directed a stage adaptation of the movie classic, 42nd Street. It won the Tony for Best Musical, and Champion was nominated for his direction and choreography, winning for the latter. The show ran for 3486 performances, but Champion did not live to see any. After numerous curtain calls on opening night, producer David Merrick stunned the cast and audience by announcing Champion had died earlier that day.

Champion was married in 1947 to actress Marjorie Celeste Belcher with whom he had two sons: Blake and actor Gregg Champion. In 1976 he married again to Karla Russell who survived him.

In early 1979 Champion received from his doctors at the Scripps Institute a diagnosis of Waldenström macroglobulinemia, a rare form of blood cancer. He began treatment at Cedars of Lebanon Hospital in Los Angeles and was advised not to take on work. In August, 1980, he died in New York City at Memorial Sloan-Kettering Cancer Center.

Broadway credits

Count Me In (musical), performer (1942)

Lend an Ear, musical staging (1948)

Small Wonder (musical), choreographer (1948)

Make a Wish, choreographer (1951)

3 for Tonight, director and performer (1955)

Bye Bye Birdie, director and choreographer (1960)

Carnival!, director and choreographer (1961)

Hello, Dolly!, director and choreographer (1964)

I Do! I Do!, director (1966)

3 Bags Full, director (1966)

The Happy Time, director and choreographer (1968)

A Flea in Her Ear, director (1969)

Prettybelle, director and choreographer (1971)

Sugar, director and choreographer (1972)

Irene, director (1973)

Mack & Mabel, director and choreographer (1974)

Rockabye Hamlet, director and choreographer (1976)

A Broadway Musical, production supervisor (1978)

42nd Street, director and choreographer (1980)

Awards and nominations

Awards

1949 Tony Award for Best Choreography – Lend an Ear

1961 Tony Award for Best Choreography – Bye Bye Birdie

1961 Tony Award for Best Direction of a Musical – Bye Bye Birdie

1964 Tony Award for Best Choreography – Hello, Dolly!

1964 Tony Award for Best Direction of a Musical – Hello, Dolly!

1968 Tony Award for Best Choreography – The Happy Time

1968 Tony Award for Best Direction of a Musical – The Happy Time

1981 Drama Desk Award for Outstanding Choreography – 42nd Street

1981 Tony Award for Best Choreography – 42nd Street

Nominations

1962 Tony Award for Best Direction of a Musical – Carnival!

1967 Tony Award for Best Direction of a Musical – I Do! I Do!

1973 Tony Award for Best Choreography – Sugar

1973 Tony Award for Best Direction of a Musical – Sugar

1975 Tony Award for Best Choreography – Mack & Mabel

1975 Tony Award for Best Direction of a Musical – Mack & Mabel

1981 Tony Award for Best Direction of a Musical – 42nd Street

History from Wikipedia and
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