146 )isUC81aud,jtel SIXTY EXCITING ACRES OF FUN! 616 Magnificent Air Conditioned Rooms and Su ites. Private Sun Patios. Gourmet Restaurants, Coffee Shops and Cocktail Lounges. Golf Center. 40 Avante Guarde Shops in New Com plexft Olympic Pool. Complete Con- vention Facili- ities 27 meeting Rooms and 23,000 Sq. Ft Ex- f. \") hibit Space. Heli- , 'Ý port on Hotel v .t í> Grounds "V "'" . .., " \ \Aò þ t . \..- ....\ '!ij ., I. if/-''\ .... )1 -I 0..:. 1'" . U"/ --;J Ht ' q '\- .....--{'- \'",*-"" t , < M in utes # .iJ .... ,"7 .( '4, from sports }i /jit Studios, - t l+ J and Famous Southern California Attractions. Free Parking. The Official Hotel on the Monorail at the Magic Kingdom a subsidiary of Wrather Corporation RESERVATIONS: Anaheim (714) 535-8171 From Los Angeles: MAdison 5-1369 Name Address City sections where the real nature of things may be revealed. What to me seems interesting is to re- cover in the representation of an obj ect the whole complex set of impressions we receive as we see it normally in everyday life, the manner in which it has touched our sensibility, and the forms it assumes in our memory. . . . The method of draw- ing as taught in art schools can only add to the natura] difficulties of such an en- terprise, and the only successful results will be found among completely ingenu- ous individuals, such as children or those persons who have never taken lessons, but like idly to trace a design, with a stick perhaps, in the wet plaster of a wall. . . . the vague Idea, which has haunted me for a great man} years, that such an excessively rapid way of drawing, brutal even, and without the least care, elimi- nating as it does all affectations and man- nerisms, might bring into being a sort of innocent and primordia] figuration that "",'"ould be most efficacious. I fee] a need that every work of art should in the highest degree lift one out of context, provoking a surprise and a shock. Creation through controlled acci- dent, exaggerating a detail, seizing the total impression ( as opposed to the academic copying of parts), Imitating the presumed Ingenuousness (despite Freud? ) of childhood and the uncon- scious, getting around the mind by dashing things off, aiming to provoke surprise and shock-none of these Ideas are exactly new, though they are not commonplace, either. Dubuffet's per- ceptions strike the middle ground be- tween modernist platitudes and the accumulated insIghts of twentieth-cen- tury art. Perhaps the adjective for them is "sound. " Or, better still, "tradi- tiona1." He IS a practitioner of tradi- tionally sanctioned shock, like wearing a still shorter miniskirt. Much of his writing sounds as if he were deliver- ing a lecture on vanguard schools of the past hundred years, and much of his painting is an enactment of that lecture. His attitude of antagonism to women and his strategy of assault are revivals of a turn-of-the-century dan- t dyism. His brown putty pâtes, mashed minerals, salads of leaves and fruit skins could be i11ustrations of Rimbaud's "1 ha Ve an appetite for earth and stones, 1 dine on air, rock, coal, iron." Not that Dubuffet may not have had experiences of disorder and defiance, but he had them after they had been aesthetically legitimized. Crudeness, spontaneity, surprise were, at the tÎ1ne he hegan to practice them, no longer leaps into the dark. Thev had become a set of certified propositions belonging to the rhetoric and ruses of modern art. Dubuffet's début, in 1944, coincided with the opening of the period in which OCTOßER 2,,, '9 " 8 . * j ( ; ! J\l n i OF } { NEW ENGLAND ak,. ; ,9'""" IBM & } { \ ' \ - } { I I ( { { { { { { { { t { { { { { \w\w\w\w\\.Y ..u.I I'" ............... I"; ,j )f 1t!J o;uilà oice Classic model in hand stained imported brown or black English Albion grain and shell cordovan Available at finer shops or please write. j } I"; I'" à or. .AI ,eu lrttt orO. (!J1!IJCk&;n 6'4, I I..i I..i *., .' $ '>.. -=,: " .: \, ;. \,.;y. .'. - .. ... """ .. '* ... > r <" ( ., ! ,. f< ;. " '\. I ;.' <.:., ':. ,;f>"" _, \ k... < ,. , . -+ . 7,Wi t? >'i'- "f .., .,. F ",. > '\4 .,." <' ..... tP .. <'J. .'f.4> "!:1' ..:-. ", ' y '.;j ""oJ ",': {. " .: . The Fur Parka... From Tibet via Sweden The fur is Marmot from the remote Tibetan highlands. The parka is made in Sweden where they're experts on cold weather gear. Attached hood has drawstring adjustment. Zipper closing on cuffs. Wide, full belt. Leather buttons. State suit size. $250 Please add $2 for postage at ' !!nte !M,!rt New York, N.Y. 10017