Thursday, October 06, 2016

Thursday was supposed to be a quiet one. It started with a
saunter that took in La Fiambrera to catch the SHAG exhibit. To see this stuff
on a screen and in books or even prints is one thing but in person, it’s truly
something. The much sought after “Spirit of 76” artists proof was there and the
originals are more vibrant than a supremely vibrant thing. Munster and WEIRDO BAR! were next and I ended up at Wurli while the show was still going full
pelt. This one had a hardcore flavour but all of the bands went way over that
ideal HC 18 minute set limit by quite a margin. I could hear the racket from
the street so that was close enough. GAS Drummers sounded particularly
reasonable from that proximity.

Thanks to the Jägermeister/Mahou/stellar
company combo, any notion of an early night hit the skids. I would never have
touched Jäger before I visited the Wurlitzer but their magic temperature
machine serves it at just the right viscosity for such a medicinal compound. And
who could realistically say no to those J-girls? I mean, really!?

So Friday was a little woozy and I was late in setting
out. A late lunch at Restaurante Cantalejo with Eva, Murky and Nickie was a nice
way to recharge. I recommend the albóndigas.

Alvaro Wurli kindly schlepped me along to see DEATH who were
playing at Sala Caracol. We got there in time to catch the last 4 songs by The Zelatorswho are the best “new” thing that I’ve seen in a long time. Combining the bass-tastic whoosh of Mysterious-era
Rezillos with The Comateens to arrive at a crazy cocktail of futuristically
backdated fizzy pop, I really thought they were good. DEATH on the other hand
were entertaining but not my Santa Claus by any means. I know the story, haven’t seen the film and the record I’d heard was at the Hendrix end of the
MC5. Imagine BŐC interpreted by Prince, good if that sort of thing floats your boat but I’d just seen and heard the very agreeable racket that The
Zelators make though. My judgement was (living) coloured.

Then all of a sudden, it was show time and to take in the
musical program that had been set. Over the next two days both Los Chicos and
The Boys would take the stage. I think there could have been a theme emerging
here...

Le Moto de Fernan are one of those spirited two person
outfits of which a little goes a long way with me. You’re familiar by now that
I have no attention span, right? I’d heard Juana Chicharro before when I fell down a bandcamp
rabbit hole one evening. They remind me of Desechables with a hint of Flamenco.
Relentless and damn good, their record is an accurate account of the atmosphere
they whipped up.

Los Wallas verge on the psychedelic and pack quite a twang.
For some reason they made me think about The Waterboys but that might have just
been the singer’s hat. By that time I’d had a few sherbets. They definitely enjoy
their Sergio Leone/Morricone.

The Chicos are nothing short of incendiary. We hear people
rattle on about bands being dangerous but these guys literally live up to that
epithet in the most positive sense possible. They were always great but now
they’re really cranking out musical kalimotxo that is obviously fuelled by the
stuff they neck in no small volume. Robert Rodriguez needs to cast the twins as
a kind of Cheech Marin/Tommy Chong on Pacharan in a Netflix original series
now. On top of their musical prowess, they are solid entertainers. The show
left everyone dazed. I offer the consideration that Los Chicos are
better than The Supersuckers were at the peak of their powers give or take a
song or three. There. I said it.

After they’d done, the inaugural Wurli blasting of The
Dahlmanns“Play It” and “Do You Want Crying” took place. Both sounded majestic
in their home away from home. Kent Norberg of Sator is also a member of The
Boys now. He was in the house and the last time I’d seen him was in Moss all of
this stuff happens for a reason and that notion takes on a whole new dimension
when one is pished. I needed to be somewhere sort of early so I left just after
5am, drinking water with the hooch really helps (thanks for the tip Jorge).

All of a sudden it was bloody Saturday. How the hell did
that happen?

When I eventually surfaced, I covered a fair amount of
terrain. Victor of I Wanna Management hepped me to the fact there was early
evening activity in (formerly Groovie) Mongo Sci Fi and Tiki Bar. They were
screening Animal House on the TV as mod and r+b blasters blared and I would
have liked to have hung around longer but time was literally slipping away.

Grabbed some fine hot pastry from my favourite haunt - El Cambalache - close to WEIRDO! and Mongo
then made my way down to Tres Cruces to meet up with the Robledo Crew. They
arrived just as the opening band started. Terrier are local pop youngsters with
a penchant for jangle and they sound like Luna in places. On this showing, they
have a healthy following.

Psychotic Youth had just started when we got in. Juancho
told me it was the first time they’d played Spain and this was a one off show.
Judging by the reaction, they’ll almost certainly be back. The Boys delivered.
I don’t think I’d seen them since they opened for The Ramones at Edinburgh
Playhouse. Great to see Kent Norberg of the mighty Sator front and
centre with his heroes, he was clearly having a ball as was the packed crowd. I
was subjected to a non-stop pummel as I tried to deflect revellers and have the
bruises on my arms to prove it. There was a hint of Mott marinated into their
performance of songs from their career. Uno highpoint was a local lass getting
up and singing "Brickfield Nights" with them. Another hoot was
Aku crowd-surfing. That gal is fearless!

Laura, you were well represented.

It is always a pleasure to hang out with friends and to meet
nice folks for the first time, some of whom are heading for Funtastic in just 3
weeks time!

As joints go, this one jumps more than it’s safe to think
about. 10 years in the ring and showing no signs of flagging, these shindigs just keep getting bigger and better. When I left a wee bit
north of 5.30am on Sunday morning, our hosts and hostess and the Wurli crew had
another fiesta to throw. And as I made it out the door a couple of punters came
in and broke into spontaneous dancing.

A total surprise and honour was to have NBT immortalised on
the birthday t-shirt. An extreme measure of success and muchas gratitude is hereby bestowed upon all who make Wurlitzer tick. Tick. BOOM!

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A wee bit of background, etc.

This all kicked off as a print (Xerox) magazine in 1977 and now it's on the interweb. Named after the title track on The Dictators Go Girl Crazy (40 years old in 2015) the purpose has always been to uphold what’s good and pure and right in terms of rock’n’roll and its satellites.

It has nothing, nada, nowt to do with any festival(s) that devalue our namesake so don't send mp3's or anything else with regard to setting course for a career in the music business or anywhere else.

Take a look at what goes on here and if you think your fare fits then drop a line and maybe we can work something out.

I plan to put PDFs of all physical issues up here eventually and in addition, all Rockin’ Bones, Watch This and Fuzzbuzz.Maybe Psychedelic Basement, etc from Sounds too so that everything is in one place. Some of the quality of the source material isn’t terribly good but it’s all I have to work with. It will take some time. The 3 page pilot issue, “NBT 0” from September 1976 never survived as far as I know. Some of the content is a wee bit embarrassing at this juncture but every journey has to start someplace, right?