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ASH FROM CHAOS by Joe CorréPunk has become a marketing exercise to sell yousomething you don’t need. The illusion of analternative choice, a cog in the Nonstop DistractionMachine. The establishment endorsed impotentrebel.Whilst we are occupied with Punk’s carcass ofNostalgia in the pursuit of cool. Our house is beingburgled and set on fire.What will be the value of its Ashes?DIY is Punk’s only lasting ethic of value. Discoverthe truth for yourself and act on it.This is activism.You can choose, how you inform yourself, vote, whatyou eat, buy, consume and discard, where you putyour money, how you participate in OUR FUTURE.

Press Release:

A reserve price of £6 million, has been put on the ‘pile of ash’ from the highly controversial punk memorabilia burn by Lazinc Gallery in Mayfair – which is now immortalised in a dramatic artwork.Lazinc’s reserve makes the ‘Punk Ash Art’ worth more than the artefacts’ original value of £5 million.Lazinc director Steve Lazarides is best known for being the agent of Banksy. He says: “We are very proud to be exhibiting Corré’s art work. His incredible work defines an era.”The work will be on display in Lazinc’s first-floor viewing room until 7th May 2018The artwork will also incorporate Malcolm McLaren’s death mask. Sculptor Nick Reynolds, who created the original, was instructed by Joe Corré to recreate the mask for his art presentation.On the 40th Anniversary of the release of Anarchy In The UK, 26th November 2016, Joe Corré, who co-founded Agent Provocateur, torched his entire punk memorabilia collection including bondage gear, Johnny Rotten’s trousers and a tiny swastika-sporting Sid Vicious doll. It followed a year of punk celebrations orchestrated by the Museum of London, the British Library, the British Film Institute, the British Fashion Council, the Heritage Lottery Fund as well as the Mayor of London.Corré was highly critical of the shameless commercialisation of punk by the State and corporate sector. “With Virgin Punk credit cards, Punky McNuggets, Punk Fairy Liquid, bondage trousers from Louis Vuitton and punk car insurance, something needed to be done to put a stop to the rot” he says.“This expensive pile of ash commemorates the demise of Punk but also society as we know it,” says Corré. “Punk was hijacked by corporations and the Establishment, it’s potency rendered meaningless”.Corré has double-hijacked Punk back, killing it off as an act of kindness.“NO NINSDOL! Punk became new wave. Punk became tame, conformity in another uniform. Punk needed to be destroyed so it’s spirit could be set free,” remarks Corré.According to Corré: “Punk is dead, it is used by corporations to offer people an illusion of an alternative choice to sell them something they don’t need. It’s been hijacked but I’ve hijacked it back and we can now use that opportunity to see things for what they really are. Now we’re talking about the value of ash.”All of the profits from the sale of this ‘Ash From Chaos’ artwork will go towards the Humanade charity to continue the fight against fracking, support some of London’s youth organisations as well as environmental protection.This unique display will feature as one of the last chapters in a series of events culminating in the Burn Punk London Documentary, which will be released later this year and will explain the reasons behind the burn.

To coincide with the 40th anniversary of the seminal X-Ray Spex album Germfree Adolescents, a new film titled Poly Styrene: I Am A Cliché is in the works. Co-written and narrated by Poly’s daughter Celeste Bell, the film is being crowdfunded via Indiegogo until May 2, with various rewards offered in return for donations, including limited edition t-shirts, mugs, tote bags, DVDs and signed books, along with unique opportunities such as Associate and Executive Producer credits.Bi-racial, female, working class and possessing one of the most satirical perspectives in punk, X-Ray Spex founder Poly Styrene was, as Billboard proclaimed, “one of the least conventional front-persons in rock history”. Poly was responsible for some of the most original, intelligent and exciting music of the punk era and beyond, but away from the songs, the look and that warrior-cry voice, her fascinating and sometimes frightening story, incorporating struggles with misogyny, racism and mental health issues, has remained largely untold. Until now.In this feature-length documentary, the jigsaw pieces of Poly’s life will be brought together for the first time. Original interviews, new research and previously unseen archive material are combined to present a thrilling, poetic and at times impressionistic portrait of a singer, seeker and mother. Underscored with Poly’s music from throughout her career, I Am A Cliché celebrates one of punk’s most uncompromising icons.To support the crowdfunding campaign and find out more about the film, follow this link: igg.me/at/polystyrene

About 5 weeks ago Worlds End shop had a visit from one of its favourite customers, Allan Bradbury.
He had come down to London with Gareth & Natasha who are in the process of making a documentary about Allan & his philosophy, to be called ‘Appy Allan’. They were filming his visit to the shop & I met them there. Continue reading →

In this week’s post we feature an interesting customer at World’s End shop.
For 15 years Johnny Stein has been steadily & carefully building his collection.
Just recently his passion for Westwood inspired an exhibition which is on view Now!…
In Burbank, California.
Thank you Johnny & now lets hand over to you…….. Continue reading →