In this week's video, Ibarionex discusses the role of anticipation and patience in producing great street photographs. He explains how recognizing the potential of a scene and waiting for the moment to play out increases the likelihood that you will produce a great photograph.

For the past 5 years, I have been using the Fujifilm x100s as my preferred camera of choice. After borrowing a friend's camera for my first trip to Europe, I purchased my own and it's been hanging on my shoulder almost every day.

Fujifilm replaced the camera with the x100T and later the x100F each of which offered performance enhancements and new features which improved on an already fine camera. Yet despite these advancements, I delayed upgrading. And though those later versions addressed some of the issues that I and others had with my camera, I didn't make a beeline for my camera store with my credit card burning in my hand.

BRIAN “B+” CROSS is one of the most promi­nent music photographers working today. He has photographed many album covers for artists such as Damian Marley, David Axelrod, DJ Shadow, Fly­ing Lotus, Eazy-E, J Dilla, Jurassic 5, Rza, Company Flow, Madlib, Dilated Peoples, Mos Def, Thundercat, Kamasi Washington and Q-Tip. Cross was the director of pho­tography for the Academy Award–nominated documentary Exit Through the Gift Shop, and he has made several feature-length music films (Keepintime, Brasilintime and Timeless) and many music videos.

In this week's video, Ibarionex discusses how light falling differently on disparate elements in the frame can result in more complex and interesting compositions. He suggests how looking beyond the subject, you can develop an awareness of the environment that will open you up to stronger photographs.

Yesterday I spent the afternoon making photographs in Pasadena. I was getting familiar with the new Fujifilm X100F that I had purchased to replace the X100S I had been using as my primary camera for the past 5 years.

It was while walking through the streets that I spotted this shopping cart discarded in a parking lot. It reminded me of an assignment I had given myself years ago where I challenged myself to photograph nothing but shopping carts for the week.

Born in Brooklyn in 1968, Sasha Waters Freyer makes non-fiction films about outsiders, misfits, and everyday radicals. Trained in photography and the documentary tradition, she fuses original and found footage in 16mm film and digital media. Most recently, she has crafted lyrical explorations of motherhood, documentaries on the New York of her youth, and essay films on the cultural and political legacies of the late 20th century. Her newest work is a feature documentary on American photographer Garry Winogrand. The film titled Garry Winogrand: All Things Are Photographable will air on PBS American Masters in 2019.

Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City.

He currently teaches at the International Center of Photography and has taught in several undergraduate and graduate photography programs in the past. Stein is a frequent lecturer on photography both in the United States and abroad. His latest book is Mexico: Between Life and Death.

In this week's video, Ibarionex discusses how to consider the use of umbrellas in a photographic composition. He shares how to use the line, shape, and color of an umbrella as a graphic element in the photograph that can complement the subject and the other elements in the frame.

In the spring of 1992, the city of Los Angeles erupted in civil unrest. Five Los Angeles police officers were acquitted of crimes related to the violent arrest of Rodney King. Captured on videotape, the beating was seen a visual confirmation of a history of brutality by the LAPD. Many believed that the recording provided incontrovertible evidence that would finally see justice served. Twelve jurors believed otherwise.

Peter Turnley is renowned for his photography of the realities of the human condition. His photographs have been featured on the cover of Newsweek 43 times and are published frequently in the world’s most prestigious publications. He has worked in over 90 countries and has witnessed most major stories of international geopolitical and historic significance in the last thirty years. His photographs draw attention to the plight of those who suffer great hardships or injustice. He also affirms with his vision the many aspects of life that are beautiful, poetic, just and inspirational.

In this week's video, Ibarionex discusses what it takes to make a good photograph of an interesting character walking down the street. He demonstrates how to see beyond the subject and consider the relationship between the person(s) and the other people and elements in the frame. Using a variety of techniques, he suggests choices that can improve your ability to produce more consistent photographs.

While traveling in Paris recently, I had the pleasure of spending time with Canadian-based street photographer Olaf Sztaba. He was conducting a workshop in the City of Lights and luckily it coincided with our time there.

Kate Parker is a mother, wife, Ironman, and professional photographer who shoots both personal projects and commercial work for her clients. Her STRONG IS THE NEW PRETTY photo series led to collaborations with brands such as Disney, Athleta, Kellogg’s, and NBC. It has also inspired Kate to launch a philanthropic arm of SITNP, partnering with organizations such as Girls on the Run, Girl Up, The Arthur Blank Family Foundation, Disney, Glam4Good, and The Bully Project by investing in girls’ health and education. Strong is the New Pretty was also adapted for a book with Workman Publishing and became a national bestseller as well as selling overseas. Additional books will be published with Workman in 2018, 2019, and 2020.

For many years, I was a writer for hire. I wrote countless magazine articles and books as the means by which I made a living. I loved writing and I loved photography and so I counted myself lucky that I could earn money from doing two things that I enjoyed and felt that I did well.

But about three years ago, I burned out. I was writing, but doing so for the sake of a paycheck. I had lost the joy and passion that had spurred me to make this my life’s work. That decision resulted in a big financial hit, but I just didn’t have it in me to keep pressing on.

Randal Ford believes that simplicity is the ultimate sophistication. He is obsessed with details, creative collaboration, and chasing a timeless aesthetic.

Ford's works have appeared on the cover of Time Magazine, 20 different Texas Monthly covers, and the cover of Communication Arts. To name a few, Ford has been commissioned to create works for brands such as Anheuser Busch, Comcast, Frito Lay, LL Bean, Pepsi, Pfizer, Verizon, & Yeti.