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Shooting the 2015 World Nordic Championships (aka “…And then the Drunk Old Man Punched Me.”)

Therese Johaug winning the 15k Skiathlon

I’ve had a couple of questions along the lines of “What was shooting the World Championships like?”

In short — Awesome.

It was an amazing event with incredible performances. Petter Northug. Charlotte Kalla. Alex Harvey. Rosie Brennan. All special in their own way. And if your heart doesn’t skip a beat when you’re standing with 25,000 rabid ski fans on the top of the Mordarbacken (A famous hill on the course) when the pack comes by — you probably don’t have one.

At the same time, it was a tough event to shoot. Three quick reasons come to mind :

One of the many places that the photographers weren’t allowed to stand.

1. Access – I’ve shot a bunch of World Cups — both FIS & IBU — this was easily the most restrictive. There were five, count ’em, five approved photo positions along roughly six miles of ski trail. And seemingly every other day, we were told that the organizers had decided to eliminate a position or — in one case — event VIPs complained about photographers tromping through their special area, so our access to a position was cancelled.

The biggest culprit? Television. It’s safe to say that every position of visual interest had a television camera parked on it. And unlike the NFL or MLB where an occasional pan of the photographers is part of the “presentation,” these folks truly don’t want to see you/have you in the shot/want you at the event. UT UR BILDEN!!!

The access restrictions brought other challenges. Our position on the Mordarbacken was approximately 15 minutes by foot away from the finish line. The photo coordinator (“fixer”) — after having his request for a shuttle denied by race organizers — would walk us up to the position with the strict instructions that we had to leave “90 seconds after the lead skier went by.” Period. No discussion. No exceptions. Trying to get a shot of Matt Gelso in his first World Championship, but he’s trailing off the pack? “So sorry, but we need to get back to the finish.”

The men’s pack coming up Mordarbacken

And once we left, we were moving. Imagine 20+ middle aged men and women, careening downhill through the forest, dodging fans and carrying tens of thousands of dollars of camera equipment. Now imagine that same forest is full of snow & ice. And imagine that some of those fans are drunk. It was like a real-life version of “Frogger.” I’m still surprised that no one died in the process.

2. Light or lack of it – The race schedule was determined by anticipated television viewing. As a result, most race finals started at 2:30 or later in the afternoon. And not only is Sweden getting dark at that time, but the stadium was getting really dark.

This shot of Alex Harvey was at ISO 3200 and f2.8. And quite honestly, I should have cranked it up even higher.

Alex Harvey celebrating his silver medal in the 30k skiathlon.

We asked why the finish area was so poorly lit and the answer — snarky or otherwise — was “they ran out of money after building the new ski jumps.” The reply from the big-time photographers who were there — snarky or otherwise — was “would it be helpful if we all pointed our rental car lights toward the stadium?”

3. Overly rabid fans – I’m convinced that Scandinavia is home to the nicest people on earth. No question. But the combination of big races, warm weather and a lot of alcohol brought out the crazies — just like NASCAR or the NFL.

I was standing at the top of a hill with about ten photographers during the Team Sprint qualifying rounds. An older gentleman standing behind us — clearly intoxicated — kept yelling at the group that he couldn’t see the large television in the stadium. The local photographers tried talking to him, but the more they talked, the angrier he got.

Rosie Brennan leaving the main stadium.

A few minutes later, I slid into position to grab a few shots of a USA skier. I felt taps on my shoulder and ignored him. Just as I brought my camera up to my eye, I got hit in the back of the head. A good solid “smack” that knocked me forward into other photographers.

Our fixer quickly came running over to start the process of getting security involved. Honestly, I was lucky. Given the crowd size and their overall condition, it could have quickly escalated from “unfortunate” to something much more.

Would I do it again?

Probably. Maybe. I think so.

Despite a few problems, it was an incredible event. The photo supervisors — Nisse & Marcus — were fantastic. The people of Falun & Sweden are amazing. And I’ve got a collection of awesome images.

The World Championships are definitely not a place for the timid. Short of the Olympics, almost any other race will give you more latitude in terms of course positioning, skier access and overall shooting conditions.

But at the same time — you won’t be joined by 25,000 fans on the Mordarbacken. All cheering their hearts out…

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2 Comments on “Shooting the 2015 World Nordic Championships (aka “…And then the Drunk Old Man Punched Me.”)”

This really is a great behind the curtain look at Nordic Worlds as it always is… An event with scale that surpasses the Olympics and security which makes for all fighting to find the front! Many great images here and a huge thanks to you for attending and helping drive a new era and interest in usa nordic!