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Monday, December 15, 2014

Let me start by being clear that I am a huge fan of both
Robert McCammon and Stephen King. I've read all of their collective works and I love horror as well as many other genres. In both cases there are books I
haven’t cared for, though they are the exception. I’ve
also been able to see each writer mature over time to become true masters of
the written word and it’s been one hell of a ride. Because
I’ve loved both since I got into horror in the 80s, I was
always irritated by flippant claims that Mr. McCammon copied Mr. King. There is
no need to defend Mr. McCammon, but there has been an unfair criticism of his early
work that are still making the rounds. The two most often used examples are the
vampire novels Salem’s Lot and They Thirst and the apocalyptic novels The Stand and Swan Song.

Let’s first look at the vampire
novel. Salem’s Lot and They
Thirst were the same in the following ways:

They were vampire novels

They both had a “Master”
that directed the mayhem

They both happened in the USA

How they were different:

Salem’s Lot had themes
focusing on imbedded evil or evil calling to evil while They Thirst was more apocolyptic

Salem’s Lot was on a small
scale with few characters or POVs unlike many others of King’s
works while They Thirst was more on the scale of Swan Song including spending a lot of time on the Master’s
POV.

The novels aren’t similar in scope or
arc. There were very few vampire novels at the time. Before Salem’s
Lot, there are only 38 works of fiction dealing with Vampires going back to
the 1800s. It was not heavily trod ground. They
Thirst came out in 1981, the same years as The Hunger by Whitely Strieber and The Keep by F. Paul Wilson. Only McCammon gets criticism for “copying”
King by daring to write a vampire novel 5 years after Salem’s
Lot.

As for the apocalyptic novels, The Stand and Swan Song
are the same in the following ways:

They were apocalyptic fiction

Both dealt with evil

They both happened in the USA

Both were on a grand scale and involved traveling across the
USA

Both had an avatar of evil walking the earth in human form

Both ended with hope

Both are long works

How they are different:

The Stand started
with disease while Swan Song started
with nuclear war.

The Stand covered
approximately two years while Swan Song
covered nearly twenty.

The Stand climaxed
with a Dues Ex Machina and Swan Song resolved
though the decisions made by its characters.

The Stand had two
camps where good and evil people were drawn. Swan Song had no camps. It was a world of suffering where the evil
avatar worked hard to eliminate hope in any form and people became concentrated
version of who they were inside, later to be revealed in physical transformation.

When King released The
Stand in 1978, there had been over a hundred fictional works dealing with
apocalyptic themes, 17 of which were due to a disease. Though saying The Stand was only about a disease that
reduced the worlds population until it collapsed is as much of an
oversimplification as claiming that Swan
Song was a copy of The Stand
because it was a apocalyptic horror story that came out ten years after King’s
novel.

But what exactly is the claim? Certainly not plagiarism
since neither plot is either original or a copy of any other. Then what is the
gripe? That Stephen King came out with his versions of these tropes before
Robert McCammon? I fail to see how this translates into one copying the other.
Neither man invented these genres and each brought something different to the
table with their works.

Neither Salem’s Lot nor They Thirst were the strongest works
from either writer, while The Stand
and Swan Song are perhaps in the top
five books each man has written. The genre was already well-tilled ground when
both started their versions, yet each managed to bring something memorable with
their efforts.

Stephen King’s first novel was
published in 1974, while Robert McCammon was first published in 1978. Mr. King
was more prolific in his first ten years and after creative differences with
his publishers, Mr. McCammon stopped writing for a decade. Since his return, he
has released 5 Matthew Corbett novels, a new collection of short stories about
Michael Gallatin (The Wolf’s Hour), The Five, I Travel by
Night and soon to be released The Border.

Mr. King just released the novel Revival, where the main character is
a musician, and where music plays a big roll in moving the story forward. I
won’t give away any spoilers, but only an asshole would
claim that he copied Robert McCammon’s novel The Five from
three years earlier because it was about musicians.

Both writers are masters of their craft and both have had
books that have not been as well received as the bulk of their work. What I recommend
is that you read them all, enjoy them all and forget about the claims. They are
hay made by small minds at a time when Horror was in its hay day and Mr. King
was crowned. King’s accomplishments do not detract
from anyone else’s, and I can enjoy other works
without performing blasphemy and so can you.