Patreon has been a godsend this last year, as I’ve been producing a short story every month, instead of every other month or so as I did last year. That said, the shitstorm at Patreon at the end of last year when they were going to up their fees by 40% for folks at the $1 tiers saw me bleeding fans from the platform. That experience reminded me again that this income – though provided by a large pool of 750+ fans, is still reliant on a third party system that could implode and fuck everything at any time….

What I hope for is this: that my time on the Shadow Clarkes will allow me to get better at walking that line between undiscerning joy and the relentless caution of analysis. That I’ll be able to communicate the joy of a trick well executed, and the astonishment of a trick never before seen. To explore the idea that there is joy in skill as well as show, and that when that joy is absent we can learn at least as much as when it’s present.

David Tennant’s time on Doctor Who may have ended over eight years ago, but his Tenth Doctor will always live on in the hearts of fans and, it seems, in clever video messages for friends.

Tennant recreated his role as the Tenth Doctor alongside his wife, Georgia Tennant, who appeared as The Doctor’s daughter in the appropriately titled episode “The Doctor’s Daughter,” for a short video to wish his friend, Doctor Who script editor Gary Russell, farewell upon Russell’s move to Australia back in 2013. You can check out the video embedded below

The military of Battlestar Galactica is supposedly egalitarian, with all types of soldiers filling all types of roles, and without divisions in bathing and sleeping areas. And yet, the women who have children on the show are never shown to have a systemic, military framework to fall back on when it comes to parental leave or childcare. It’s not that Sharon or Cally would be able to rely on the same system the military had in place before everything exploded, of course, but some traces of that system, some expectations, some details, had to have remained. Just like there are echoes of every other part of a particular military system on the show, even if parts of it have disappeared. Instead, for both women, it seems like they are the first soldiers in history to give birth, and the solutions they have to find for childcare, for being soldiers and mothers simultaneously, are personal and anecdotal.

Examples of stories that show a military like this, where everyone serves together and sleeps together and bathes together and yet pregnancy is not addressed one way or the other are endless in military science fiction. From old classics like Ender’s Game (where the kids in Battle School with Ender were in their mid to late teens by the end of the first book) to newly released books, like Yoon Ha Lee’s excellent Ninefox Gambit.

(7) SFWA STATS. Cat Rambo delivers the digits:

2 awesome numbers from that new @SFWA Bulletin that I mentioned in my Presidential letter: last year's Nebula HumbleBundle raised over $42k for the Givers Fund (our grant program) (& another 3k for the Legal Fund) + over 50% participation rate in the recent membership survey. pic.twitter.com/zkCtK0g1mm

Salem, Sabrina the Teenage Witch
Technically, Salem is not a cat, but a 500-year-old witch sentenced to live as a cat as punishment for attempting to take over the world. Cat people might argue that becoming a house cat only furthered Salem’s ambitions rather than stymieing it.

(9) WINDING UP 2016.Rocket Stack Rank concludes a multi-part series on the best short SFF of 2016 with a look at their different sources of recommendations: “guides” like reviewers, “best-of” anthologists, and awards finalists — “2016 Best SF/F Short Fiction Guides”.

Greg Hullender notes:

The biggest takeaway (which we saw in earlier installments) is that although some judgment is subjective, there does seem to be a strong underlying idea of excellence that runs across almost all the guides and which is consistent with the idea that the awards are, in general, recognizing stories that are among the very best. Awards are better guides than best-of anthologies, but the anthologies are better guides than any reviewer, and the reviewers are much better guides than just picking stories at random.

…I suspect that Le Guin, who herself majored in French at Radcliffe, must early on have taken to heart Flaubert’s dictum: “Be regular and ordinary in your life like a bourgeois, in order to be violent and original in your work.” For there is no question about it: This humorous, outspoken woman, who once told a feminist conference that she actually enjoyed housework, was one of the essential writers of our time. As I sit at this keyboard, the whole world, especially the science-fiction world, is mourning her passing—and a certain committee in Sweden is, I hope, kicking itself for having neglected to award her the Nobel Prize for literature.

(11) TRIVIAL TRIVIA

Today I learned that the name "Mjolnir" comes from a Proto-Germanic word meaning "to grind, break down" so basically Thor's hammer is named "Mr. Smashy." You're welcome.

Gregory Benford was born on January 30, 1941. He helped start the first science fiction convention in Germany, WetzCon, in 1956 and the first convention in Texas, Southwestern Con, in 1958. He received the Nebula Award for Best Novelette in 1975 for his collaboration with Gordon Eklund, “If the Stars Are Gods.” His novel Timescape received the Nebula Award for Best Novel, the John W. Campbell Memorial, Jr. Award, the Ditmar Award, and the British SF Association Award. It also loaned its name to a publishing imprint. Benford received a Phoenix Award from the Southern Fandom Confederation in 2004 and a Forry Award from LASFS in 2016. Benford was the Guest of Honor at Aussiecon Three, the 1999 Worldcon in Melbourne, Australia.

“Down the River Road” was included in After the King: Stories in Honor of J.R.R. Tolkien, edited by Martin H. Greenberg. Originally published in January 1992, the book and all the stories in it were translated into Dutch, Italian, and French. The story has not appeared outside of the original anthology.

Amal El-Mohtar has been named science fiction and fantasy columnist for The New York Times Book Review. She replaces N.K. Jemisin who served as the Otherworldly columnist for two years. Read more in this note from the Pamela Paul, Greg Cowles and David Kelly.

After two stellar (and interstellar) years as the Book Review’s science fiction and fantasy columnist, N.K. Jemisin is leaving to devote more time to her numerous outside projects, including her own books and a guest editorship for the Best American Science Fiction and Fantasy series. Since inaugurating the Otherworldly column in January 2016, Nora has gone on to win consecutive Hugo awards for best novel, and her book “The Fifth Season” (the start of her Broken Earth trilogy) is in development as a television series for TNT. We were delighted to have her.

… “I’m especially fascinated by books that don’t want to save the world so much as break or dislocate it further, in order to build something better in its wake,” she told us. “Fantasy and science fiction have long had at their heart the question of how to be good, and the 20th century’s shifting visions from monoliths of Good and Evil to the more complicated battle between individuals and systems has been a wild ride. I’m excited to see it develop further.”

The new year kicks off at Terraform with three excellent stories exploring futures that seems almost inevitable, that seems in many ways here already. The stories look at three very different things—immigration, employment, and nuclear destruction—but they all manage to tell emotionally resonating stories that share the feeling that most people are already accepting these futures as reality.

(16) RELATIONSHIPS SUCK. The Empties comic premieres on Valentine’s Day, 2018. Of course it does —

It’s a horror story centered around losing someone you love (or think you love). How scary is it to find out that person you love isn’t who you thought they were? (I’d say, pretty darn scary).

You can check out a preview of the book at emptiescomics.com. Kristen Renee Gorlitz says, “If you like what you see, sign up to check out the premiere of The Empties comic book on Kickstarter this Valentine’s day!”

When a loving chef comes home to an unfaithful wife, he cooks up a revenge plan so twisted… so disturbed… it will leave you in pieces.

Survivor was Butler’s third novel, and also the third in her first series, now called the Patternist series. Though the rest of the series was reprinted (some multiple times), Butler refused to allow Survivor to be included, and (rumor has it) she didn’t even like to talk about it at signings or appearances. In an interview, she said:

When I was young, a lot of people wrote about going to another world and finding either little green men or little brown men, and they were always less in some way. They were a little sly, or a little like “the natives” in a very bad, old movie. And I thought, “No way. Apart from all these human beings populating the galaxy, this is really offensive garbage.” People ask me why I don’t like Survivor, my third novel. And it’s because it feels a little bit like that. Some humans go up to another world, and immediately begin mating with the aliens and having children with them. I think of it as my Star Trek novel.

Primary school students at a school in the Chinese district of Shunqing were faced with this question on a paper: “If a ship had 26 sheep and 10 goats onboard, how old is the ship’s captain?”

The question appeared on a recent fifth-grade level paper, intended for children around 11 years old.

The answer in the last paragraph obviously comes from a fan….

The traditional Chinese method of education heavily emphasises on note-taking and repetition, known as rote learning, which critics say hinders creative thinking.

But the department said questions like the boat one “enable students to challenge boundaries and think out of the box”.

And of course, there’s always that one person that has all the answers.

“The total weight of 26 sheep and 10 goat is 7,700kg, based on the average weight of each animal,” said one Weibo commenter.

“In China, if you’re driving a ship that has more than 5,000kg of cargo you need to have possessed a boat license for five years. The minimum age for getting a boat’s license is 23, so he’s at least 28.”

The Blue Moon – second of two full moons in one calendar month – will pass through the Earth’s shadow on January 31, 2018, to give us a total lunar eclipse. Totality, when the moon will be entirely inside the Earth’s dark umbral shadow, will last a bit more than one-and-a-quarter hours. The January 31 full moon is also the third in a series of three straight full moon supermoons – that is, super-close full moons. It’s the first of two Blue Moons in 2018. So it’s not just a total lunar eclipse, or a Blue Moon, or a supermoon. It’s all three … a super Blue Moon total eclipse!…

IMPORTANT. If you live in North America or the Hawaiian Islands, this lunar eclipse will be visible in your sky before sunrise on January 31.

(1) WORLDCON 76 MEMBERSHIPS SPONSORED FOR MEXICANX FANS, CREATORS. Artist John Picacio, a Worldcon 76 guest of honor, and John Scalzi, are funding four memberships —

GOOD NEWS: As Artist GoH of @worldcon2018, I'm pleased to share that this Monday, January 29th I'll be awarding a Worldcon attending membership to four #Mexicanx. Hugo Award-winning author / International Badass @scalzi and I are each sponsoring two. 1/6 pic.twitter.com/w8mIlEaTCI

Two #Mexicanx professional sf/f artists or writers AND two Mexicanx sf/f fans will each receive a membership. Who decides the recipients? ME. Mr. Scalzi says I should make the decisions, and so I will. 🙂 2/6

Want to be considered? Post a reply here or email me. Answer this: "Why do you want to attend this Worldcon?" I'll review your submissions and make my decisions. Don't craft an epic, but just make it you. Make it from the heart. 3/6

Fair warning: in some cases, it may be necessary to have a followup phone chat this weekend. Maybe, maybe not….we'll see how this goes. This business, this field, this life is about relationships. It's about your stories and your dreams. 4/6

I'm doing this because our world needs more #Mexicanx stories, more #Mexicanx sf/f pros and fans, and more #DREAMers. To own our future, we *must* own our narratives, lest we continue to be villainized, abused, and butchered. 5/6

(2) COMMEMORATION. Naomi Novik was asked by the New York Times to write an appreciation of Ursula K. LeGuin. She responded with a poem — “For Ursula” – which begins:

I want to tell you something true
Because that’s what she did.
I want to take you down a road she built, only I don’t want to follow it to the end.
I want to step off the edge and go into the underbrush
Clearing another way, because that’s also what she taught
Not how to repave her road but how to lay another
Even if it meant the grass came through the cracks of the pavement, and the thicket ate it up.

And now for my favourite Ursula Le Guin letter, one which highlights the two things I like best in an author, a lack of pretentiousness and a sense of humour. The following letter appeared in Philosophical Gas #2, published by John Bangsund in October 1970. The Hugo in question was awarded to Ursula for The Left Hand of Darkness at Heicon ’70, the worldcon held in Heidelberg, Germany in August of 1970. I assume the rocket was accepted on Ursula’s behalf by Terry Carr of Ace Books (which would explain a lot).

Last night, I went to the SFWA Reading to see my friends Josh Vogt, Greg Bear, and Tod McCoy read. I realized something: I’d missed my SFWA community. These are people I only see at conventions and SFWA events. I’d been so busy with my own stuff lately, and needed some distance from the organization after I stepped down as a Director-At-Large, that I’d pulled away too much. That was the wrong approach, but I suppose it was one I needed at the time.

It’s hard to express just how good it feels to be in a room full of like-minded people who all understand why losing one of the greats like Ursula K. Le Guin is such a tragedy or why naming Peter S. Beagle as SFWA’s newest Grand Master is such a joy. So many of the people I met up with last night are at various points in their writing careers. It was like looking at my past, present, and future writing self. They all understood the language of the writing professional and the publishing industry. It felt like coming home. It felt like family.

Recently, SFWA has had to deal with some tough issues. All of them center around protecting its membership at large. I know, intimately, what they’ve been going through—all the time spent, the discussions had, the decisions made—and I’m proud of the Board. I think, with the evidence they had on hand, they did the only thing they could do to protect the SFWA organization and the community they’ve built.

(6) MORE ON COMMUNITY. SFWA President Cat Rambo tweeted —

I logged on this morning to find out Sarah Craft made a point of making that first thread in there a celebration of Ursula K. LeGuin, and it's so sweet that I finally let myself cry about this terrible loss.

The Arthur C. Clarke Award has long been an excellent point of reference for taking stock of the changes in the field. It has a deliberately loose mandate to identify the “best” science fiction book of the year, acknowledging that the definition of “best” must be decided by a changing pool of jurors on an annual basis. The Clarke shortlist and the eventual winner showcase the work that has been done in the field, providing an intriguing snapshot of a field in flux. Since its inception the award has been at the heart of a robust critical discussion which interrogates the centre of the genre, its heartland, as well as the margins, where the genre pushes outward. This is why we’ve chosen the Clarke Award submissions list as a starting point for our discussions, and why we return to their shortlist in our discussions.

…What a shadow jury might do, then, is bring these debates into sharper focus. We believe the criticism is valuable, and that detailed, provocative, and respectful criticism enhances our understanding of the text and the cultures which produced it. This form of criticism is not intended to serve the needs of marketers or publicists but those of readers and writers. It aims not only to make visible but also to illuminate and contextualise.

Here’s the thing – a critic’s job is not to provide plot synopses, nor is it to tell you whether or not you’ll like a novel. It is definitely not a critic’s job to act as an unpaid publicity agent. A critic’s job is to look at the fiction itself, and to have a view about it. Critics write about all sorts of things. They think about where a text sits in relation to other works of sf, they explore themes, tease out aesthetic similarities and differences; they consider what a novel says about the world at large, and, yes, they make judgement based on their experience as informed readers. Which is, if you think about it, exactly the same kind of work as that carried out by an award jury.

Which makes it all the more puzzling that criticism per se has become so frowned upon in the last few years. Is it just that people don’t want to admit this is what is going on behind the scenes? Is it because the word ‘criticism’ carries two meanings, one analytical, the other disapproving? We couldn’t tell but we were fascinated by this pushback against the Shadow Clarke project and decided we needed to explore it further. So, we have decided to run the project for a second year, and this time, rather than simply focusing on the Clarke Award, we’re taking the opportunity to use the shortlisting process as a springboard to exploring the business of criticism more broadly, because we continue to believe that critical analysis has a vital role to play when it comes to talking about science fiction.

Geologists matching rocks from opposite sides of the globe have found that part of Australia was once attached to North America 1.7 billion years ago.

Researchers from Curtin University in Australia examined rocks from the Georgetown region of northern Queensland. The rocks — sandstone sedimentary rocks that formed in a shallow sea — had signatures that were unknown in Australia but strongly resembled rocks that can be seen in present-day Canada.

With great pleasure, Gallifrey One today is proud to announce the release of our Schedule of Events for our upcoming convention, The 29 Voyages of Gallifrey One in February. As in prior years, we are using the Sched online scheduling system for a seamless and easy-to-navigate program that can be used on your desktop or mobile device….

(12) RON ELLIK AND THE RONVENTION (1962). Although I never met LASFS member Ron Ellik, who died before I ever joined the club, he was a well-known newzine editor (Starspinkle) and influence on Bruce Pelz, who kept his friend’s name alive in the title of his annual wine and cheese party that I attended for years. Now Rob Hansen gives us new reasons to remember him —

Ron Ellik in 1962.

This year’s Eastercon is being held in Harrogate for the first time in more than half a century. Known as the RONVENTION, that earlier one was organised by Ron Bennett and attended by TAFF-winner Ron Ellik, hence the name. At the January first-Thursday pub meeting here in London, Eastercon committee and staff persons Mark Plummer and Caroline Mullan asked me if I could add a section on the RONVENTION to my website that they could link to. Since this was one of those I’d always intended to get around to I was happy to oblige. I drew mainly from conreports by James White and the two Rons when putting it together: “Ronvention, the 1962 Eastercon”.

I’m uploading this earlier than originally intended because of something I realised after I started work on it, namely that tomorrow, 25th January, is the fiftieth anniversary of Ron Ellik’s death at the tragically young age of 30. So I’m publishing it today in memory of him.

Weird to think that when Ron died, Martin Luther King and Robert Kennedy were still alive, the Beatles were still together, and astronauts had yet to leave Earth orbit and strike out for the moon.

For weeks, Minnesota Public Radio refused MPR News’ repeated requests to comment on the company’s separation from Keillor. But as negotiations with Keillor’s company stalled and pressure from news organizations mounted, Jon McTaggart, president and CEO of MPR and American Public Media Group, broke his silence.

In an interview with MPR News Tuesday afternoon, he said the company’s separation of business interests from Keillor came after it received allegations of “dozens” of sexually inappropriate incidents involving Keillor and a woman who worked for him on A Prairie Home Companion. He said the allegations included requests for sexual contact and descriptions of unwanted sexual touching.

“When we reached a point that from all sources we had sufficient confidence in facts that really required us to act, we took the action we did,” he said. “It was the right thing to do. It was the necessary thing to do, and we stand by it.”

Since the firing, Prairie Home Companion has been renamed Live From Here.

The cavalier way men have systemically abused their power over women in and around the workplace warrants little leniency. But a more slippery question has emerged in this me-too moment of cultural reckoning: What to do with the works of artists whose conduct has been abhorrent?

In the growing gallery of alleged predators, there aren’t any artists I hold dear. James Toback’s films aren’t in my Netflix queue. I never mistook Kevin Spacey for one of the greats. And my admiration for James Levine’s conducting has been mostly of the dilettantish variety.

But inevitably a contemporary artist with whom I feel a special kinship will shatter my illusions about his or her character. I doubt that I will throw away the books or delete the recordings or swear off the films. I’m sure I’ll be disillusioned and quite possibly disgusted, but I know that an artist is not identical with his or her masterpieces and that few human beings can live up to their greatest achievements.

This is a theme that Marcel Proust returns to in his epic novel, “In Search of Lost Time” (more romantically known in English as “Remembrance of Things Past”). The narrator recalls a dinner party in which, as a young man, he meets his hero, the writer Bergotte. The young Marcel, intimidated to be seated among the important guests of the swanky Swanns, is struck immediately by the way Bergotte bears no physical resemblance to the man he had “slowly and painstakingly constructed … a drop at a time, like a stalactite, out of the limpid beauty of his books.”

More distressing to Marcel than Bergotte’s coarse appearance is “the busy and self-satisfied mentality … which had nothing in common with the type of mind that informed the books.” The narrator, a natural philosopher, begins to understand through this encounter that art is not contingent on the specific circumstances of an artist’s life.

Being well-read both inside and outside the genre, Wessells contends that the first major work of alternate history was a 1931 collection of essays, edited by J.C. Squire, titled “If It Had Happened Otherwise.” Its fanciful “lapses into imaginary history” include “If Lee Had Not Won the Battle of Gettysburg,” by none other than Winston Churchill. Wessells also lingers over one of the most chilling dystopian novels of the 20th century, “Swastika Night,” written by Katharine Burdekin under the pen name Murray Constantine. Drafted in 1936 and published in 1937, it projects a Nazified far-future Europe where Hitler is worshiped as an Aryan god and women are kept in pens as breeding animals. (For more about this remarkable book, I recommend Daphne Patai’s excellent Feminist Press edition or the Gollancz SF Masterworks paperback, for which I wrote a short introduction.)

(17) A COMFORTING DOOM. Jill Lepore’s “A Golden Age for Dystopian Fiction” in the June 5-12 New Yorker last summer, is an essay-review of several dystopian novels, including Cory Doctorow’s Walkaway and Ben H. Winters’s Underground Airlines. Martin Morse Wooster flagged up its quotable last paragraph:

Dystopia used to be a fiction of resistance; it’s become a fiction of submission, the fiction of an untrusting, lonely, and sullen twenty-first century, the fiction of fake news and infowars, the fiction of helplessness and hopelessness. It cannot imagine a better future, and it doesn’t ask anyone to bother to make one. It nurses grievances and indulges resentments; it doesn’t call for courage; it finds that cowardice suffices. Its only admonition is: Despair more. It appeals to both the left and the right, because, in the end, it requires so little by way of literary, political, or moral imagination, asking only that you enjoy the company of people whose fear of the future aligns comfortably with your own. Left or right, the radical pessimism of an unremitting dystopianism has itself contributed to the unravelling ot the liberal state and the weakening of a commitment to political pluralism. ‘This isn’t a story about war,’ (Omar) El Akkad writes in American War. ‘It’s about ruin.’ A story about ruin can be beautiful. Wreckage is romantic. But a politics of ruin is doomed.

All things considered, the savvy choice for best picture might be Guillermo Del Toro’s The Shape of Water, which has been nominated in a whopping 13 different categories. Admittedly, it’s yet another film with a male director, but it does have a female co-writer, Vanessa Taylor, and a female lead, Sally Hawkins, and it passes the Bechdel Test within minutes. If that weren’t enough, it has major black and gay characters, as well as a South American immigrant; true, he’s a half-human, half-newt South American immigrant, but that’s not the point. More diverse and inclusive than any of the other best picture nominees, the film doesn’t just rail against sexism, racism and homophobia, it argues that they are all symptoms of the same patriarchal disease – a disease which all voiceless and oppressed people should defeat together. In short, The Shape of Water is a lot more militant than the average magic-realist fable about a woman who fancies a fish-monster. What’s more, it’s even more topical now than when it premiered at the Venice Film Festival last August.

(1) WORLD SF. Rosarium Publishing has announced the table of contents for its American edition of Future Fiction: New Dimensions in International Science Fiction, edited by Bill Campbell and Francesco Verso, will be released March 1, 2018.

In its brief existence, Rosarium Publishing has worked hard in “introducing the world to itself” through groundbreaking, award-winning science fiction and comics. In combing the planet to find the best in each field, Rosarium’s own Bill Campbell has found a fellow spirit in Italian publisher, Francesco Verso. Borrowing from the fine tradition of American underground dance labels introducing international labels’ music to the people back home, Rosarium brings to you Future Fiction: New Dimensions in International Science Fiction, a thrilling collection of innovative science fiction previously published by Francesco Verso’s company, Future Fiction. Here you will find thirteen incredible tales from all around the globe that will not only introduce you to worlds you may not be familiar with but also expand your horizons.

Gregory Frost is the author of Shadowbridge, Lord Tophet, Fitcher’s Brides, and The Pure Cold Light and a whole mess of short stories of the fantastic. His collaboration with Michael Swanwick, “Lock Up Your Chickens and Daughters, H’ard and Andy Are Come to Town” won an Asimov’s Readers’ Award for 2015. That worked out so well that he and M. Swanwick are currently engaged in writing another collaboration. Greg is the Fiction Workshop Director at Swarthmore College, and with Jonathan Maberry founded the Philadelphia branch of The Liars Club, a collective of semi-deranged and often inebriated authors. Greg is working on a collaborative series with Jonathan Maberry based upon their novella “Rhymer,” published in the anthology Dark Duets.

Rajan Khanna

Rajan Khanna is an author, blogger, reviewer, and narrator. His post-apocalyptic airship adventure series starting with Falling Sky and Rising Tide concluded in July 2017 with Raining Fire. His short fiction has appeared in Lightspeed Magazine, Beneath Ceaseless Skies, and several anthologies. His articles and reviews have appeared Tor.com and LitReactor.com and his podcast narrations can be heard at Podcastle, Escape Pod, PseudoPod, Beneath Ceaseless Skies, and Lightspeed Magazine. Rajan lives in Brooklyn where he’s a member of the Altered Fluid writing group.

This is a long – and often quite meandering – book. There’s a slow start, followed by a lot of quiet, discursive tangents. Several of Undoing’s plots and ‘hints’ don’t coalesce until the very end, and certain momentous occasions and world-changing events – which would be the very heart and soul of other fantasy novels – are downplayed, and shifted to the background. As a result, The War of Undoing can feel frustrating at times. But, and I can’t stress this enough, stick with it: this book simply has different priorities.

The War of Undoing uses a deceptively simple premise and a by-the-numbers fantasy world to great effect. It isn’t a book about what happens, where it happens, or, in some cases, even who it happens to. It is, instead, a book about the why – the choices we make, and what drives us to them.

That’s all worth excerpting – but then, Jared goes into overdrive deconstructing the book’s familiar motifs as if he was scoring the qualities of a role-playing game. That part is really entertaining.

The Doctor is in the house! The RiffTrax house, that is! The stars of Mystery Science Theater 3000®, Mike Nelson, Kevin Murphy and Bill Corbett, are back on the big screen for a legendary riffing of the 1983 Doctor Who film “The Five Doctors.” Someone is taking the Doctor’s past selves out of time and space, placing them in a vast wilderness – a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.

Join Mike, Kevin and Bill as they join the Five Doctors for one of the most thrilling Doctor Who adventures ever!

(7) BUDGET BOOK LAUNCH. Mark-kitteh says, “I’m reading The Prey of Gods by Nicky Drayden — rather fun concept so far, not sure where it’s going but I’m interested to find out — and I went to check out her website. I thought this recent blog post on the finances of her book promotion might suit as a scroll item” — “Book Promotion on a $800 Budget”.

ARC GIVEAWAYS AND EARLY REVIEWS:

Four to six months before your book launches, you want to start getting ARCs (Advance Reader Copies) into as many people’s hands as possible. These early reviewers will help generate buzz for your book and get other readers interested. The easiest way to do this is by holding giveaways on Goodreads. Goodreads is where readers congregate and socialize, so you get a lot of visibility through social shares. Plus, unlike Amazon, people can start leaving reviews and ratings as soon as the book is listed, and not just once launch day has arrived.

Aim to give away at least 30 physical ARCs through random giveaways and targeting bigger name reviewers. If you’re with a big house or small press, they should be offering some giveaways on their own and getting you reviewers, so you’ll just be supplementing as necessary. For these figures, I’m assuming it costs about $7 to ship each book and $8 per book copy beyond free books provided by the publisher. I’m also assuming if you’re with a big house, you’ll get at least 20 free copies of your book, 10 for small press, and 0 for indie authors.

I’d recommend doing three big pushes prior to launch, and two small giveaways (1-2 books each) in the months after launch. Goodreads users can mark your book as to-be-read when they enter the contest, which will make them much more likely to purchase your book. With each giveaway you should see more and more interest. Below you can see how much “to-read” numbers jump when there’s a giveaway. The smaller spikes are the start of the giveaways….

(8) JULIE GOMOLL OBIT. Julie Gomoll (1962-2017), sister of Jeanne, died this past weekend. Jeanne’s eulogy on Facebook is now set to public.

That was the last time I got to see you, and now I’m just reeling. How is it that you’re not going to be around anymore? No more Julie snark on Facebook, no photos of Mr. Pants sitting inappropriately, no more brainstorming. I just can’t bear it.

I sit here trying to make sense of it all, and I know you’re probably just rolling your eyes, wanting to tell me to go do something else. But it’s you, Julie, and I can’t. I knew about your personal struggles, and I knew you were trying to reinvent yourself professionally (like all of the best entrepreneurs do). But even though things were tough sometimes, you were a fighter. A bad ass. So I just can’t understand.

One thing’s for sure. I’m not alone. There’s a not-so-small army of friends and family who you inspired, and we’re all struggling to understand. We miss you so much already. You didn’t leave a hole behind when you left us—you left a chasm as wide as the Grand Canyon.

Julie founded Go Media in 1987. It became one of the first major digital agencies in Texas. The web just seemed to run in her veins. Even when companies asked Julie to create mailers, she’d build them a website. One day, I was fortunate enough to see Julie’s portfolio. One page after another, I saw another piece of Austin digital history. Dell. Whole Foods. The City of Austin. Julie helped pin these organizations on the digital map. With the switch of a DNS server, her company connected them to the entire world.

Julie took the money she made on the sale of Go Media to Excite, and invested in a coworking space named Launchpad. This wasn’t 2015?—?this was 2007. She was a coworking goddess when other people were sweating their 9–5. Launchpad was an unfortunate casualty of the 2008 recession. The coworking movement, however, was not. Dozens of other Austin coworking formal and informal spaces emerged thanks to early adopters like Julie. There are hundreds of small companies that emerged as a result…

(9) ZIMMERMAN OBIT. Bookstore owner Lorraine Zimmerman died July 12 reports The Indy. Along with her husband Norman, she owned the Fahrenheit 451 bookstore in Laguna Beach, CA from 1976 until it closed in 1988. It wasn’t a specialty store, however, they did sell everything Bradbury had in print. I bought Bradbury’s book of Irish stories there in the Eighties.

Lorraine Zimmerman, owner of legendary Fahrenheit 451 Books in Laguna Beach (1978-1988), of Collected Thoughts Bookshop in Berkeley (1996-2004), and partner at Berkeley’s University Press Books (2004-2017), passed away on July 12. She was 76 and is survived by her two brothers, three children and seven grandchildren.

Born and raised in Chicago, Lorraine entered the University of Wisconsin, Madison, in 1957. Pausing from university studies after marrying and starting a family, Zimmerman relocated to Orange, Calif., with family in 1970. She resumed her studies at UC Irvine, earning a Bachelor of Arts degree in social ecology. A lover of books and ideas, Zimmerman bought Laguna Beach’s Fahrenheit 451 Books in 1976.

The bookstore soon received national recognition. In 1981, Lorraine was one of five booksellers interviewed in The New York Times for an article on independent bookstores.In 1987, the Los Angeles Times described Fahrenheit 451 Books as “one of the most distinctive independent bookstores in Southern California,” and “Laguna Beach’s literary landmark.” Zimmerman inspired Laguna residents with her own literary flare, publishing Fahrenheit Flasher, a newsletter with colorful images, stories about upcoming author signings and her reviews of forthcoming books. Zimmerman’s innovative promotional strategies included a children’s reading program that enrolled 40 families at its height, and a 12-book plan whereby customers received credit for the average price of their purchases.

Zimmerman made headlines by hosting book signings with such renowned authors as Ray Bradbury, Lawrence Ferlinghetti, Allen Ginsberg, June Jordan, P.D. James, and Michael Chabon. Upon selling Fahrenheit 451 Books, Zimmerman reflected on her experience in American Bookseller magazine, writing in May 1989: “Discussing books with customers and local writers; sponsoring literary events; having a finger on the pulse of current American thought through the knowledge of forthcoming books and my customers’ requests; having the ability to disseminate hard-to-find information–these were the daily rewards of bookselling.”

(12) CLARKE WINNER. Colson Whitehead said in his Arthur C. Clarke Award acceptance remarks, “Way back when I was 10 years old, it was science fiction and fantasy that made me want to be a writer. If you were a writer, you could work from home, you didn’t have to talk to anybody, and you could just make up stuff all day. Stuff about robots and maybe zombies and maybe even miraculous railway lines. Fantasy, like realism, is a tool for describing the world, and I’m grateful that a book like The Underground Railroad, which could not exist without the toolkit of fantastic literature, is being recognized with the Arthur C. Clarke award.”

What makes this so special? It is a full-bodied portrait of Ellison the writer as well as the ups and downs of his personal life. It doesn’t turn away from the touchy subjects (“The City on the Edge of Forever,” the Connie Willis controversy, the never published Last Dangerous Visions), but it also celebrates not only his successes, but the way he has inspired the writers who followed him, created works of lasting value, and demonstrates that while he is, indeed, one of the giants of science fiction, he is also a writer of mysteries, of criticism, of essays, and of one of the most interesting lives in modern American letters. Even If you are not a devoted Ellison fan, it is a fascinating story, and you may find yourself eager to fill in the gaps in your own reading of Ellison.

To everything there is a season, and the season for short stories is summer — except for tales of ghosts and demons, which should be reserved for late fall. To help you enjoy your time on a beach or in a hammock, here are seven short-story collections worth looking for.

Other Arms Reach Out to Me: Georgia Stories, by Michael Bishop (Fairwood Press). Michael Bishop is well known as a science fiction writer — don’t miss his best-of collection, “The Door-Gunner and Other Perilous Flights of Fancy” — but this new book collects his equally fine stories about contemporary Southern life. How can anyone resist “The Road Leads Back,” which pays homage to Flannery O’Connor? From the opening sentence, its tone is pitch-perfect: “Flora Marie did not want to visit the Benedictine monastery in Alabama. Back in April, at the insistence of her aunt Claire, who had paid for the pilgrimage, she’d made a fatiguing round-trip journey by air to Lourdes. Aunt Claire had believed that a reverent dip in the shrine’s waters would enable Flora Marie to throw away her crutches and live again as a ‘normal person.’ ” Other stories recall the trailer-park black humor of Harry Crews or Barry Hannah: In “Doggedly Wooing Madonna,” a misfit teenager repeatedly writes letters proposing to the Material Girl, who eventually pays him a visit while he is working at Finger Lickin’ Fried. Bishop closes his excellent collection with the Nebula Award-nominated “Rattlesnakes and Men.” …

(15) YOU’RE INVITED. There will be a “Chinese Fandom Fan Party” at Worldcon 75. The public is invited. (Here is the Facebook event link.)

Hosted by The Shimmer Program, Storycom and Science Fiction World Publishing House

You have to be a Worldcon 75 member to attend the parties. Our party welcome all guests and feel free to share it with your friends who are coming to Worldcon this year! The more the merrier! Highlights:

Although the late George Slusser (1939–2014) was best known for coordinating academic conferences on science fiction and editing volumes of essays on science fiction, he was also a prolific scholar in his own right, publishing several books about major science fiction writers and numerous articles in scholarly journals and anthologies. His vast body of work touched upon virtually all aspects of science fiction and fantasy. In articles like “The Origins of Science Fiction” (2005), he explored how the conditions necessary for the emergence of science fiction first materialized in France and later in England and elsewhere. Seeking early texts that influenced and illuminate science fiction, he focused not only on major writers like Mary Shelley, Jules Verne, and H. G. Wells but also on usually overlooked figures like E. T. A. Hoffmann, Benjamin Constant, Thomas De Quincey, Honoré de Balzac, Guy de Maupassant, J.-H. Rosny aîné, and J. D. Bernal. His examinations of twentieth-century science fiction regularly established connections between a wide range of international authors, as suggested by the title of his 1989 essay “Structures of Apprehension: Lem, Heinlein, and the Strugatskys,” and he fruitfully scrutinized both classic novels by writers like Arthur C. Clarke and Ursula K. Le Guin and the formulaic ephemera of the contemporary science fiction marketplace. A few specific topics repeatedly drew his interest, such as the mechanisms of time travel in science fiction and the “Frankenstein barrier” that writers encounter when they face the seemingly impossible task of describing beings that are more advanced than humanity. And he aroused controversies by criticizing other scholars in provocative essays like “Who’s Afraid of Science Fiction?” (1988) and “The Politically Correct Book of Science Fiction” (1994). No single paragraph can possibly summarize the full extent of his remarkably adventurous scholarship.

The George Slusser Conference on Science Fiction and Fantasy seeks to pay tribute to his remarkable career by inviting science fiction scholars, commentators, and writers to contribute papers that employ, and build upon, some of his many groundbreaking ideas; we also welcome suggestions for panels that would address Slusser and his legacy. To assist potential participants in locating and studying Slusser’s works, a conference website will include a comprehensive bibliography of his books, essays, reviews, and introductions. This selective conference will follow the format that Slusser preferred, a single track that allows all attendees to listen to every paper and participate in lively discussions about them. It is hoped that the best conference papers can be assembled in one volume and published as a formal or informal festschrift to George Slusser.

Potential contributors are asked to submit by email a 250-word paper abstract and a brief curriculum vitae to any of the four conference coordinators: Jon Alexander (jfalexan@uci.edu), Gregory Benford (xbenford@gmail.com ), Howard V. Hendrix (howardh@csufresno.edu), or Gary Westfahl (Gwwestfahl@yahoo.com ). The deadline for submissions is December 31, 2017, and decisions will be provided by mid-January, 2018. Further information about the conference schedule, fee, location, accommodations, and distinguished guests will be provided at the conference website.

(18) AT HOME WITH RAY’S HUGOS. Jonathan Eller writes about this photo —

Ray Bradbury’s two most recent Retro Hugo Awards, “Best Fan Writer, 1941” and “Best Fanzine, Futuria Fantasia, 1941,” have been in the Center for Ray Bradbury Studies since Center director Jon Eller accepted them on behalf of the Bradbury family at the 2016 World Science Fiction Convention in Kansas City (August, 2016). The Bradbury family graciously agreed to have the Bradbury Center curate these Hugo Awards through a long-term loan agreement completed earlier this year. Here you see both awards in the Bradbury center, guarded by a Martian modeled on one of the 1970s stage productions of The Martian Chronicles. The Bradbury Center, as well as the Indiana University School of Liberal Arts and IUPIU, are deeply indebted to the Bradbury family for this curatorial loan. — Jon Eller

[Thanks to Steven H Silver, Matthew Kressel, Howard Hendrix, Andrew, JJ, Cat Eldridge, Andrew Porter, Mark-kitteh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA.]

In fiction, you can sell just about anything as contemptuous so long as the characters react to it appropriately. You can give it a cultural underpinning if you want; the story about longbows and the V-sign may not be true in reality, but in a story something along those lines could be a great touch of historical depth. In many cases, though, trying to explain why the gesture is offensive would probably turn into an unnecessary infodump. Instead it can just be like the line from Shakespeare: “Do you bite your thumb at me, sir?” We don’t need to know why biting the thumb is an insult for it to work in the scene. We just need to know whether this is a mild way of saying “screw you” or something to fight a duel over, whether it’s just vulgar or a sign that the other person is placing a curse. The intent and the reaction will tell us all that’s necessary.

(2) JOANN KAISER. The GoFundMe for JoAnn Kaiser has blown past its goal and has raised over $14,000 as of today. She is the widow of fan and bookdealer Dwain Kaiser, who was killed earlier this week.

Haffner Press. If you have any interest in pulp fiction, this is the publisher for you. Stephen Haffner issues substantial hardback volumes devoted to the magazine stories of Edmond Hamilton (creator of Captain Future); the crime fiction of Fredric Brown; the early work of Leigh Brackett (whose later credits include the screenplay for “The Empire Strikes Back”); and the occult detective stories of Manly Wade Wellman. One recent title, “The Watcher at the Door,” is the second volume in an ongoing series devoted to the weird tales of the versatile Henry Kuttner. Its foreword is by Robert A. Madle, a Rockville, Md., book and magazine dealer, who may be the oldest living person to have attended the first World Science Fiction Convention, held in 1939…..

Wildside Press. While its books aren’t fancy, this Washington-area publisher maintains an enormous backlist of classic, contemporary and off-trail works of fantasy, science fiction, adventure and horror. Wildside also issues new works of criticism focused on these genres, most recently Darrell Schweitzer’s “The Threshold of Forever.” In these easygoing and astute essays, Schweitzer reflects on the comic side of Robert Bloch (best known for his novel “Psycho”), Randall Garrett’s “The Queen Bee,” often regarded as the most sexist short story in the history of science fiction, and the work of idiosyncratic horror writers such as James Hogg, William Beckford and Sarban.

In Andy Weir’s novel-turned-Matt-Damon-movie The Martian, the protagonist endures the harsh terrain of Mars by using his own shit to grow potatoes. The idea isn’t that outlandish—over the last few years, a NASA-backed project has been attempting to simulate Martian potato farming by growing taters in the Peruvian desert. While early results were promising, new research suggests that survival of any life on Mars—much less potato-growing humans—might be more difficult than we thought. I blame Matt Damon.

Scientists at the University of Edinburgh tested how the bacteria Bacillus subtilis would react to perchlorates, which were first discovered in Martian soil back in 2008. Perchlorates are naturally-occurring (and sometimes, man-made) chemicals that are toxic to humans, but they’re not always so bad for microbes. In fact, in the Atacama Desert in Chile, some microbes use perchlorates in the soil as an energy source. On Mars, perchlorates allow water to exist in a briny liquid form despite the planet’s low atmospheric pressure.

However, when the researchers put B. subtilis in a bath of magnesium perchlorate solution similar to the concentrations found on Mars, and exposed the microbes to similar levels of UV radiation, the bacteria died within 30 seconds.

(5) WAFFLE TEST PATTERN. Scott Edelman invites the internet to chow down on chicken and waffles with Nancy Holder in Episode 42 of Eating the Fantastic. The encounter was recorded during StokerCon weekend.

Luckily, my guest this episode was not a skeptic, and enthusiastically accompanied me for the greasy goodness. Five-time Bram Stoker Award winning-writer Nancy Holder had been the Toastmaster during the previous night’s ceremony, is the author of the young adult horror series Possessions, and has written many tie-in works set in such universes as Teen Wolf, Buffy the Vampire Slayer, Angel, Smallville, and Wonder Woman.

We discussed her somewhat secret origin as a romance novelist, why her first horror convention made her burst into tears, how she got off on the wrong foot with acclaimed editor Charles L. Grant, what caused her Edgar Allan Poe obsession to begin, why she was a fan of DC Comics instead of Marvel as a kid, what Ed Bryant might have meant when he called her “the first splatterpunk to chew with her mouth closed,” and more.

Speaking before a Karlovy Vary film festival screening of Taylor Sheridan‘s Wind River, in which Renner plays a federal wildlife officer drafted to help solve a murder on a Native American reservation in Wyoming, Renner said the injuries would not affect his ability to do his job.

“It won’t stop things that I need to do. I heal fast and am doing everything I can to heal faster,” he said.

(7) MISSING IN ACTION. Massacres like this are usually reserved for Game of Thrones. Ben Lee of Digital Spy, in “Once Upon a Time season 7 adds five stars including this Poldark actor”, notes that season 7 of Once Upon a Time has started production and no less than seven members of the cast have been booted: Jennifer Morrison, Ginnifer Goodwin, Jack Dallas, Jared S. Gilmore, Emile de Raven, and Rebecca Mader.

(8) JOAN LEE OBIT. Deadline’s Patrick Hipes, in “Joan Lee Dies: Wife of Comics Icon Was 93”, notes her passing on July 4. IMDB shows she had parts in X-Men Apocalypse and the TV versions of Spider-Man, Iron Man, and Fantastic Four. She and Stan Lee had been married for 69 years.

(9) TRIVIAL TRIVIA

Lon Chaney Jr. is the only actor to portray four major Universal Monsters; the Wolf Man, Frankenstein’s Monster, the Mummy (Kharis), and Count Dracula.

(10) TODAY IN HISTORY

July 7, 1955 — The Science Fiction radio serial X Minus One aired “The Green Hills Of Earth.” As John King Tarpinian says, this probably wasn’t a coincidence.

This novelette opens with Avery getting a call offering her a job transporting an alien from the DC area to St. Louis. The aliens had appeared overnight, large domes across the country and until this one decided they wanted a tour of the country, what they wanted and their motives for coming to Earth were unclear. Their motives are still not very clear at the outset of the journey, but by the end–well.

The alien comes aboard the bus in crates and is accompanied by his human translator, Lionel. Each alien has a human translator, someone who was abducted as a child from a family that didn’t care for them, a child no one would miss (how horrible is that?) Avery starts driving and as they make their way across the US, she gets to know Lionel and through Lionel, the alien.

Avery’s a sympathetic narrator and she is genuinely curious about the aliens and willing to acquiesce to most of Lionel’s requests on the alien’s behalf. There is a lot about what it means to have consciousness—the aliens are not conscious—and what value, if any, that brings to existence. I found the ending to be both a surprise and quite endearing. Gilman is an easy prose stylist and Avery’s conversational and self-reflective voice is exactly what this story requires.

(15) ANOTHER TAKE. Speaking of “the one,” it’s given an actual review as part of Doris V. Sutherland’s “2017 Hugo Reviews: Novelettes” at Women Write About Comics.

Alien Stripper Boned From Behind by the T-Rex is, of course, the Rabid Puppy pick for Best Novelette. It is here as a result of Vox Day rather lazily repeating his prank from last year when he got Chuck Tingle’s Space Raptor Butt Invasion on the ballot as a dig at Rachel Swirsky’s “If You Were a Dinosaur, My Love.”

Some have dismissed Stix Hiscock (who, despite her masculine choice of pseudonym, is a woman) as a mere Chuck Tingle imitator. This would be unfair. After all, Chuck Tingle was not the first author to write weird dinosaur erotica, and Ms. Hiscock has as much right as he does to try her hand at the genre.

Taken on its own terms, Alien Stripper Boned From Behind by the T-Rex is a solid but undistinguished specimen of its kind….

He concludes that “Salvation strongly resembles recent congressional budget debates, punctuated by occasional kidnappings, car chases, and gunplay by an unidentified gang of thugs that want the world to end.”

One of the interesting aspects of science fiction is that it is a form sometimes used to criticize science, or more precisely the application of science, rather than glorify it. From Barry Malzberg to J.G. Ballard, Ray Bradbury to Pat Cadigan, Tom McCarthy to James Morrow—these and other writers in the field have in some way expressed a wariness at technological change and its impact, intended and unintended, on people and society. The quantity of such fiction dropping since the days vast and quick technological change first threatened, change has almost become the norm. Getting more outdated with each day, Eric Frank Russell’s 1965 The Mindwarpers is one such book. Republished as an ebook in 2017 by Dover Publications, the message at its heart, however, transcends time.

(18) MANY A TRUTH IS SAID IN TWEET. Wax on. Wax off.

Willful obtuseness on your part does not oblige engagement on my part.

(19) VIDEO OF THE DAY. Isotype from Henning M. Lederer is a soothing kaleidoscope-type animation with music from Orchestral Manoeuvres in the Dark.

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, and Andrew for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

(1) IRON MAN. Gregg Van Eekhout was injured at “San Diego Cracked-it-Con 2016”. Before he was taken away on a cart he signed his fan’s books! Click the link for the whole story. The bottom line —

So, it’s going to be six weeks in a hard cast, and that’s my Comic-Con story. And I’d like to reiterate that I continued to autograph copies of my books even with a fractured fibula. That’s pretty metal, I feel.

The U.S. Attorney’s Office for the Eastern District of California has sought and obtained an indictment against a young man named Stephen Cebula for sending online threats to Blizzard Entertainment, the freakishly successful powerhouse behind the Warcraft, Starcraft, and Diablo games as well as many others. The case is notable because it’s so rare: there’s so much threatening behavior online, and so little of it is addressed by the criminal justice system.

Careful blizzard … I live in California and your headquarters is here in California …. You keep silencing me in Heroes of the STorm and I may or may not pay you a visit with an AK47 amongst some other “fun” tools.

You keep silencing people in heroes of the storm and someone who may live in California might be inclined to “cause a disturbance” at your headquarters in California with an AK47 and a few other “opportunistic tools” …. It would be a shame to piss off the wrong person. Do you not agree blizzard?

It’s easy for Americans like me, who are almost maddeningly intrigued by the romance of that famous fellowship, to idealize the Inklings—to imagine that the meetings were all chummy chortles and pipe smoke, pints of beer and chin-stroking, heady conversation and magical recitals of what are now classic works of literature. The Inklings were human, after all, and they lived in the same tired old world that we occupy, bearing the same weaknesses and wounds in varying degrees. The meetings were probably more sporadic and less inspired than we like to think. The story is a good one: Christians getting together in the name of friendship and good books. It piques an almost mythic longing in many of us. Who wouldn’t want to be a fly on the wall in one of those rooms? For that matter, who wouldn’t want to be a member of that inner ring?

Glyer’s thesis, contrary to some academic works that claim too much has been made of the Inklings’ influence on each other, is that the very nature of friendship, of nearness, of interaction, guarantees influence on their work. Like it or not, the famously grumpy and immovable Tolkien simply had to have been affected by his relationship with Lewis, and his work must have been affected, too. It was Glyer’s book where I first grasped the idea that The Lord of the Rings probably wouldn’t exist if not for C. S. Lewis. Yes, it was Tolkien’s God-given genius that wrote the masterpiece, but it was C. S. Lewis’s encouragement that nudged Tolkien along and convinced him that the public would care to read it. Friendship matters. Encouragement, resonance, accountability, and criticism were crucial ingredients that went into the feast of Middle-Earth.

One of the central tenets of the Rabbit Room is that art nourishes community, and community nourishes art. And to me the profound thing about that idea is that the friendships—the heart-shaping relationships, the Christ-centered community—will outlast the works themselves. Glyer’s book makes a strong case for the influence of the Inklings on one another, imperfect though it was. If you want to write good books, good songs, good poems, you need some talent, yes. You also need to work hard, practice a lot, cultivate self-discipline, and study the greats. But you also need good friends. You need fellowship. You need community…..

On October 6 – 9, the Rabbit Room will convene Hutchmoot 2016 at Church of the Redeemer in Nashville, Tennessee. You’re invited to come and enjoy a weekend of live music, delicious food and conversation, and a series of discussions centered on art, faith, and the telling of great stories across a range of mediums.

Speakers, sessions, and special events will be announced as they are confirmed.

(8) VERTIGO. Flashbacks to the right of them, flashbacks to the left of them, volleyed and thundered.

One of the pleasures of summer holidays is choosing just the right books to pack along on the annual visit to the beach. I stress that word “books” because only the foolhardy would take an electronic device anywhere near sand, water, intense heat and — as one learns by experience — children predestined to spill their soda where it will do the most damage. Much better to pick one of the following recent titles in paperback or hardcover.

The Big Book of Science Fiction, edited by Ann and Jeff VanderMeer (Vintage). How big is big? In this case, we’re talking nearly 1,200 double-columned pages, dozens of representative short classics of science fiction, and newly translated work from around the world. There are surprises, too: Did you know that W.E.B. Du Bois wrote sf? That’s just one indication that the VanderMeers hope to establish a more culturally diverse science fiction canon. Still, there are many old favorites here, some of mine being William Tenn’s “The Liberation of Earth,” J.G. Ballard’s “The Voices of Time,” Cordwainer Smith’s “The Game of Rat and Dragon” and Joanna Russ’s “When It Changed.”

(12) ARRIVAL. The Wikipedia tells us:

Arrival is an upcoming American science fiction drama film starring Amy Adams and Jeremy Renner. The film is based on the short story “Story of Your Life” by author Ted Chiang. The film is scheduled for released on November 11, 2016 by Paramount Pictures.

The changes keep on coming for Sesame Street. Last year, the controversial news broke that the show was packing its bags and moving on up to HBO from PBS—and now, most of the children’s show’s longtime (non-puppet) cast has been let go.

At Florida Supercon, original cast member Bob McGrath, known simply as “Bob” to his young audience, said that he and comrades for several decades Emilio Delgado (“Luis” on the show) and Roscoe Orman (“Gordon”) have had their last hurrah on Sesame Street.

“As of this season, I completed my 45th season this year,” McGrath said. “And the show has done a major turnaround, going from an hour to a half hour. HBO has been involved also. And so they let all of the original cast members go, with the exception of Alan Muraoka—who is still on the show, he is probably 20 years younger than the rest of us—and Chris Knowings, who is also young.”

The point of Gratuitous Lists is that the things on it are not listed in order of excellence, but are just on there so people can talk about the shows/games in question rather than argue about the order, which is often arbitrary. But sometimes arguing about the order is just too much fun. After Entertainment Weekly issued a list of Star Trek movies ranked by quality that is simply objectively wrong (how high up is Nemesis?), here’s my riposte…

(16) TODAY IN HISTORY

July 29, 1958 — The U.S. Congress passes legislation establishing the National Aeronautics and Space Administration (NASA).

July 29, 2002 — M. Night Shyamalan’s Signs. Shyamalan cited The Birds, Night of the Living Dead and Invasion of the Body Snatchers as the influences for this film.

(17) TODAY’S BIRTHDAY BOY

Born July 29, 1972 – Wil Wheaton

(18) BELATED BIRTHDAY GIRL

Born July 28, 1866 — Beatrix Potter, British author/illustrator of the Peter Rabbit stories.

(19) FIRST TREK CON. Stu Hellinger announced he’ll be part of a fan panel at Star Trek Mission New York over the September 2-4 weekend.

On September 2 – 4, at the Javits Center here in NYC, ReedPOP is running a 50th Anniversary Star Trek Convention called Star Trek: Mission New York.

One of the program items is titled: “The First Convention and How it Helped Resurrect Star Trek”.

The panel description: The first Star Trek Convention, in New York City, began as a crazy idea with a shoestring budget that created ripples all the way to the Klingon Empire and helped put the Enterprise back in space. A panel discussion with members of the original organizing committee.

The participants on this panel are Linda Deneroff, Devra Langsam, Elyse Rosenstein, Joyce Yasner and myself as the moderator.

We have not been informed, as yet, what date and time the panel will be, but I will post the information as soon as I know.

Join us to reminisce or to learn more about what we did that helped create the ongoing phenomena that is Star Trek.

After his long time friend and art collaborator artist Jeff Fennel ( www.Jefffennel.com ) convinced him to try painting on aluminum Jeff left the game business behind and went to painting full time with aluminum his new canvas. Through the new millennium Jeff’s work became nationally known with increased appearances as a exhibitor,guest,panelist and guest of honor at conventions around the country and as a illustrator and cover artist. Jeff’s work is much sought after by art collectors whether one of his classic SF/ astronomical pieces or his beautiful renderings of the american west. Jeff’s newest project is Jeff Sturgeon’s last Cities of Earth as his much anticipated shared world project comes to fruition with an anthology with the top writers in the field, an art book of Jeff’s city paintings and concept art., other platforms are in negotiation to try and bring this amazing world Jeff has created to life. Jeff lives in great pacific NW with wife and artist Leslie Kreher and sons Duncan and Corwin.

When it came to politics, Jerry Doyle and I disagreed on, well, pretty much everything. Politically, Jerry was just to the right of Attila the Hun. There is a line in Babylon 5 where his character, Michael Garibaldi, suggests that the way to deal with crime is to go from electric chairs to electric bleachers. That line is quintessential Jerry Doyle. I say this with confidence because I overheard him saying it at lunch then stole it for the show.

Despite our differences, when Jerry ran for congress as a Republican not long after Babylon 5 ended, I donated to his campaign. Not because I agreed with him, but because I respected him; because there was one area in which we agreed: the vital intersection between the arts of acting and storytelling. In that respect, Jerry was a consummate professional. Regardless of whatever was going on in his life, whether it was marital issues, a broken arm, forced couch-surfing with Bruce and Andreas or other problems, he never once pulled a prima donna on us; he showed up every day on time, knew his lines, and insisted that the guest cast live up to the standards of the main cast, to the point of roughing up one guest star who showed up not knowing his lines. Trust me when I say that after Jerry got done with him, every day he showed up, he knew his lines. And then some.

He was funny, and dangerous, and loyal, and a prankster, and a pain in the ass; he was gentle and cynical and hardened and insightful and sometimes as dense as a picket fence…and his passing is a profound loss to everyone who knew him, especially those of us who fought beside him in the trenches of Babylon 5. It is another loss in a string of losses that I cannot understand. Of the main cast, we have lost Richard Biggs, Michael O’Hare, Andreas Katsulas, Jeff Conaway, and now Jerry Doyle, and I’m goddamned tired of it.

So dear sweet universe, if you are paying attention in the vastness of interstellar space, take a moment from plotting the trajectory of comets and designing new DNA in farflung cosmos, and spare a thought for those who you have plucked so untimely from our ranks…and knock it off for a while.

Because this isn’t fair.

And Jerry Doyle would be the first person to tell you that. Right before he put a fist in your face. Which is what I imagine he’s doing right now, on the other side of the veil.

(24) PROFESSIONALISM. Amanda S. Green reminds readers “It is a business. . .” at Mad Genius Club. It’s a good point in its own right, and a lesson that can be expanded to apply to fan activities as well.

So treat it as one. Yesterday, as I was looking at FB, I came across a post from someone I respect a great deal. He also has one of the most unverifiable jobs there is in publishing. No, not reading the slush pile, although that is part of his job. He has taken it upon himself to do what so many publishers don’t do. He responds to those who send something in, letting them know whether or not their work has met the minimum threshold to be passed up the line for further consideration. Believe me, that is definitely more than a number of publishers do. Too many simply never get back to you unless they are interested.

What caught my eye with his post was how unprofessional someone had been in response to his email letting them know their story had not been passed up the line. Now, I know how it stings when you get a rejection. It’s like someone telling you your baby is ugly. But it happens and we have to accept it with grace and move on. Yes, we can kick and scream and curse in public but you do not send a note back telling the editor how wrong they were. Nor do you tell them that the title has been published during the time the editor was considering it, especially if the editor has gotten back to you in less than half the time they say it normally takes.

And that is where this particular author screwed up. Not only did they send back an unprofessional note to the editor, insuring he will remember the author and not in a good way, but he went ahead and self-published the book without removing it first from consideration by the publishing house. That is two very big strikes and, in this case, the author doesn’t get a third strike before he’s out….

Is the Earth too perfect? The Moon too grey? Mars too dusty? Then how about setting up a human colony in the depths of space?

Richard Hollingham travels to the Tennessee Valley Interstellar Workshop in Chattanooga, Tennessee to meet scientists, engineers, doctors and anthropologists planning human colonies in space and spaceships that will take humanity to the stars.

These are not dreamers – although they all have an ambitious dream – but well qualified experts. Several work at Nasa, others have day jobs at universities and research institutes.

Richard hears of proposals to build giant space stations and worldships – vessels packed with the best of humanity. These caravans in space might be lifeboats to escape an approaching asteroid or perhaps the first step to colonising the galaxy.

The programme features conference chair and Technical Adviser to Nasa’s Advanced Concepts Office, Les Johnson. He is keen that any discussions about our interstellar future are rooted in reality, not Star Trek.

We also hear from John Lewis, Director of the Space Engineering Centre at the University of Arizona, who advocates mining asteroids and suggests the first space colonies would be like lawless frontier towns.

Other contributors include architect Rachel Armstrong, who is engineering soils for living, breathing organic spaceships and anthropologist Cameron Smith.

As the programme is recorded on location in Chattanooga, it would be remiss of us not to make some reference to trains. Fortunately, our spacefaring future is being discussed in a railroad-themed hotel and on the local tourist train passengers are surprisingly open to living life permanently away from Earth.

If you read the entire list of semifinalists, you’ll understand why I’m tempted to run a set of brackets and let people pick which sounds most deadly.

Next to “Lollipop Fried Bacon Wrapped Quail Breast on a Stick,” a bacon-wrapped churro sounds like health food….

[Thanks to John King Tarpinian, Martin Morse Wooster, Cat Rambo, JJ, Dawn Incognito, Michael O’Donnell, David K.M. Klaus, Carl Slaughter, and Michael J. Walsh for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Three decades later Bradbury, by then a seasoned author with dozens of publications to his credit, became a highly valued writer at the Knopf firm. During the 1970s he worked closely with editors Robert Gottlieb and Nancy Nicholas, who published his Where Robot Mice and Robot Men Run Round in Robot Towns, Dandelion Wine, and When Elephants Last in the Dooryard Bloomed, among others. In a letter to Nicholas (shown in the slideshow above), Bradbury, who often wrote nostalgically of childhood, included a picture of himself at the age of three. He jocularly describes the photograph as “beautifully serious, as if the young writer had just been disturbed in the midst of some creative activity.”

The newEar Contemporary Chamber Ensemble performs a Bradbury-inspired piece called The Martian Chronicles, an original composition written by UMKC professor Paul Rudy. Bradbury published The Martian Chronicles in 1950. A collection of interconnected short stories about human colonization of Mars, the book is widely regarded as an iconic work of science fiction. This performance blends intricate notated music (including pre-recorded electronics) with jazz-style free improvisation in an effort to capture the spirit of one of Bradbury’s most popular and captivating books.

“This is my attempt at mapping some ideas from Bradbury’s book onto a socio-political statement of contemporary culture – our world of conformity,” says Rudy. He adds that the improvisational saxophone riffs express the importance of freedom of ideas – a thematic element that Bradbury carried through Fahrenheit 451, as well. It is this blend of controlled expression and unrestrained creativity that makes any performance of The Martian Chronicles a one-of-a-kind experience.

As part of our Big Read celebration, MCPL’s Story Center will sponsor a writing contest to showcase – and reward! – Bradbury-esque writers in our community. The twist?

All short story submissions must be no more than 451 words long. All contest entries must be original creative works submitted via email to wn@mymcpl.org between March 15 and April 30, 2016.

In the book Zen in the Art of Writing, Bradbury described a prompt he employed early in his writing career.

He made lists of nouns as triggers for potential stories. The lists were something like this: The lake. The night. The crickets. The ravine. The attic. The basement. The trapdoor. The baby. The crowd. The night train. The fog horn. The scythe. The carnival. The carousel. The mirror maze. The skeleton.

This method kept him unblocked, writing and would someday churn out the storyline for Something Wicked This Way Comes.

Your original work could begin with one of the nouns from Bradbury’s list, or you can create your own list.

If you’re on Twitter, reply to the Twitter handle @YouAreCarrying with the word “inventory” and you’ll receive a list of nouns in reply. Whatever your inspiration, the story should be inventive, transporting and vivid. All entries will be considered for an anthology collection of contest submissions, which will be published by the Woodneath Press.

In recognition of Ray Bradbury’s powerful belief in the importance of creativity and imagination, MCPL is hosting a contest for teen artists to share their own vision of a powerful and imaginative invention from the pages of Fahrenheit 451: the Mechanical Hound, which plays a pivotal role in the story and gives it a stronger sci-fi feel.

Submissions should be single images no larger than a standard sheet of paper, which shows the artist’s depiction of the Mechanical Hound; any medium and style (including line art, black-and-white, acrylics, digital art – anything!) is acceptable.

Submissions must be accompanied by a completed MCPL Big Read Big Art Contest entry form, available at any branch location or online beginning March 15.

The contest officially kicks off on April 16, coinciding with MCPL’s annual Access Art event and will conclude on April 30. An announcement of the winning artist will soon follow.

The winning artist will be selected by visiting artist Tim Hamilton and will receive a signed copy of Hamilton’s graphic novel adaptation of Fahrenheit 451.

Rules: This contest is open to students in 6th through 12th grade. All contest entries must be original creative works submitted with the Big Read Big Art Contest form to an MCPL branch between March 16-April 30, 2016. Entrants agree to allow MCPL the right to post submissions to its website and to reproduce it for promotional purposes.

MCPL will also host an ongoing online discussion on Fahrenheit 451 on the MCPL Goodreads page moderated by Mariah Hone, Assistant Manager of the Information and Reader Services Department at MCPL. This Goodreads group is lively and active, and the discussion is available for readers to jump in at any time while MCPL celebrates The Big Read.

(8) KEYNOTE SPEAKER. Critic Michael Dirda will present “The Future as Nightmare: Dystopian Visions Before and Since Fahrenheit 451” on April 7. (Register)

Fahrenheit 451 weaves together so many important issues and compelling themes that some readers may not recognize this seminal novel as dystopian science fiction – the same literary vein that has attracted readers to The Hunger Games and Divergent series as well as others.

Pulitzer Prize-winning literary critic Michael Dirda discusses the dystopian vision of Fahrenheit 451 (which is at times eerily prescient) and places it within the broader context of its entire genre, which has its roots in 19th Century England. An engaging conversationalist with a wealth of literary knowledge at his fingertips, Dirda will also trace the influence Bradbury has had on contemporary authors in this presentation developed specifically for Mid-Continent Public Library.

Dirda earned a Pulitzer Prize for Criticism for his book reviews published by The Washington Post. He is the author of several books about great writing and the reading life, including: Bound to Please; Classics for Pleasure; On Conan Doyle (which earned an Edgar Award from the Mystery Writers of America); and most recently, Browsings: A Year of Reading, Collecting, and Living with Books. The Paris Review calls Dirda “the best-read person in America.”

Award-winning artist Tim Hamilton discusses the challenges and rewards of adapting Fahrenheit 451 into a graphic novel, a project endorsed by Ray Bradbury. Hamilton will discuss his artistic process as well as what it is about this classic sci-fi story that made him want to update it for contemporary readers.

Hamilton’s 2010 graphic novel adaptation of Fahrenheit 451 was nominated for an Eisner Award for Best Adaptation.

Hamilton’s work includes a graphic novel adaptation of Treasure Island for Puffin Graphics. His work has been featured in The New Yorker, The New York Times, and Mad Magazine while other clients include Marvel, DC Comics, and Dark Horse. He lives in Brooklyn and was once a clue on the quiz show Jeopardy.

By Andrew Porter: I returned from nearly a week away from the computer to find the shocking and horrifying news of Alice Turner’s death. I was stunned by this totally unexpected news — I’d last spoken to Alice earlier — and so, instead of acting immediately, have waited a week after Alice’s death to write about her.

The hardest part of the process of creating each issue of my Science Fiction Chronicle, was doing obituaries for my friends. And here I am, writing about Alice, whom I’d known for more than 40 years. Her many accomplishments over the decades have dimmed in the brilliance of her time as fiction editor at Playboy Magazine in its heyday, when she was able to wield the power of the purse, offering science fiction and fantasy writers a market which paid around a dollar a word, vastly eclipsing all other genre markets. Within the confines of Playboy’s restrictions, she was an absolutely brilliant editor, as the Washington Post obituary describes.

Before her years at Playboy, she was an editor at New York Magazine and at Ballantine Books and then Paperback Editor and later Staff Writer at Publishers Weekly, where I first encountered her while seeking permission to reprint an Arthur C. Clarke interview she’d done. She also contributed material about Cordwainer Smith to my 1975 chapbook Exploring Cordwainer Smith.

I attended parties at her apartment in the West Village, which while on the first floor of a high-rise building also sported a large and airy deck. The decor was dominated by enormous paintings from her childhood in China, while her accent retained a faint Southern drawl which she used to devastating effect. She lived near Gilda’s House, the cancer-support house named for comedienne Gilda Radner, where I was a visitor when we both suffered from — and beat! — cancer.

Below are some of my Alice Turner photos, taken over the decades. They show Alice at her physical peak. She chose to advance in the world using her talent, not her beauty, but in fact she could be breathtakingly lovely, as I was startled to discover in 1966, when she attended a SFWA Banquet on the arm of her old friend Baird Searles, wearing a dress which displayed her cleavage to stunning effect.

I’ll let Michael Dirda, who reviews so brilliantly for the WP, have the last word here. He wrote in an on-line forum —

“Alice K. Turner, the longtime fiction editor for Playboy, died [January 17th]. She was, I know, a friend to many. I saw her briefly [earlier in January] when I was in New York for the Baker Street Irregulars annual festivities — I usually stay at her apartment when I’m in New York — but she spent most of the time I was there in the hospital with pneumonia. Just before I left, she came home, but a few days later complained again of shortness of breath, and was sent back to the hospital. I’d known her for 35 years, ever since I first encountered her at the American Booksellers Association convention, where she was wearing leather pants and looking incredibly sexy. I soon discovered that Alice had read everything, helped hone the fiction of a lot of young writers, and gave many others their first big paychecks. She herself wrote one splendid book, The History of Hell. I’ll miss her and I’m sure many others will too. She was 75.” — Michael Dirda

I met him in San Diego a few years ago. He was being pushed along in a wheelchair, surrounded by people who were in glory to see him, and hear his voice. We were at Comic-Con, marooned among booths selling ray guns and comic books and maps of Martian worlds. Every third person who walked by wore a cape.

“All this,” I said, pointing around us, “is your fault.” I had to shout to be heard. His hearing wasn’t good.

He laughed — it was one hell of a laugh — and nodded and said, “You know, some of it probably is.”

But he always remained, in the hearts of many, America’s greatest science fiction writer, eventually being honored by a special Pulitzer Prize for his lifetime achievement. In truth, though, Bradbury’s fantasy, horror and science fiction did more than merely entertain. In all his work, he explored loneliness and the troubled human heart and our deep-seated fear of otherness. In that regard, he became what he always wanted to be — a great storyteller, sometimes even a mythmaker, a true American classic. Live forever, Mr. Bradbury.

Five years later, a young woman who lived across the street had to wear eyepatches for several days, making her effectively blind. I went over to her house to help her pass the time. I brought that hardcover of I Sing the Body Electric. I read to her.

That was when I realized that Bradbury’s stories were not meant to be read silently. Your lips have to move, your voice has to produce those words, the cadences of his language have to rise out of your own throat.

What counted in the Whitman quote Bradbury used for his title was not the word “electric.” Not even “body.” It was “sing.”

The girl I was reading to married me. Talk about a book changing your life! (She assures me that it was me, not Bradbury, she fell in love with.)

In the 1940s, when a young Ray Bradbury began a series of stories that would eventually become The Martian Chronicles, man had yet to even send a satellite into space. Since then, six U.S.-launched landers have touched down on Mars, with a seventh, Curiosity, due to land in 60 days.

The first images sent back by Viking 1 in 1976 confirmed what scientists already knew — nothing like the advanced Martian societies of Bradbury’s imagination existed on the planet. Still, scientists are hopeful that we’ll find signs of past life; more importantly, many of them were inspired to explore Mars in the first place thanks to works like The Martian Chronicles and The Illustrated Man.

One of those people was Ashley Stroupe. She first read his work as a 10-year-old girl living in the suburbs of Washington, D.C. Today she holds a job with the charmingly prosaic title of “Mars Rover Driver.”

Andrew Porter

Interesting that the various media websites that include photos show him after he became famous, such as at the White House or at mainstream author events. But of course there are no photos of him at the many SF conventions that he attended, because back then he was just some dumb sci-fi geek/nerd.

Note: I published Bradbury’s 1986 Atlanta World SF Convention Guest of Honor speech, in the December 1986 issue of my Science Fiction Chronicle; I taped his speech and had it transcribed. AFAIK, this was the only place it appeared in print.

March 9: SF author Michael Swanwick will interview Billee Jenkins Stallings, daughter of Will Jenkins, best known as Murray Leinster, the original “Dean of Science Fiction”. Leinster/Jenkins invented the alternate world story and the first contact story. Stallings and her sister, Jo-An Evans, have written a memoir about their father titled, Murray Leinster: The Life and Work ( McFarland, 2011).

April 13: On this Friday, fans who defy superstition will be lucky enough to hear from critic Michael Dirda.

These are General Meetings, open to the public. See the club website for location, starting time and other information.

Old Earth Books (Baltimore). Other Worlds, Better Lives: A Howard Waldrop Reader, Selected Long Fiction, 1989-2003 is a companion to Waldrop’s selected short stories, Things Will Never Be the Same, a volume justly praised by a certain Washington Post reviewer of admirable perspicacity (me). Waldrop parodies and pastiches popular culture and literary tradition with seriously manic brilliance. See, in this volume, his novella-length retelling of the labors of Hercules in 1920s Mississippi, “A Dozen Tough Jobs.”