riedly disniissed as unworthy, that Ma- dame Chose probably speaks quite good English. The steadying reflection that after the first few minutes you sometimes begin getting used to the sound of French so that you can un- derstand it. The remark by Madame Chose, which you get with what at first seems gratifying ease. The painful realization that she's speaking at about one-third her natural speed, using sim- ple constructions perfectly adapted to the intelligence of idiots and very small children. The melancholy. The loss of spirit. The inability to do more than listen with bright, fixed attention, mur- . " 0 . ' O . .,,, murlng, U'Z. U'Z, ouz. at appro- priate intervals and wishing you didn't sound quite so much like the last little pig in the nursery rhyme. The pale, rigid fragments of lettuce with bright- red dressing. The unwholesome-look- ing green ice cream. The coffee. The merciful thought, as you light a ciga- rette, that it is now time for M . Tel. T HE lady chairman in beige. The reflection that if all introducers '. had to write their speeches in some for- eign language with which they were only moderately familiar, the effect on public luncheons would be very brac- ing. The speaker. The peace. The re- laxation. The vague astonishment be- cause you've somehow begun to under- stand almost everything he says and it's quite entertaining. The joke at which you are one of the first to laugh. The returning self-confidence. The en joy- ment. The applause, in which you join with real regret because his speech is over. The glance at Madame Chose. The desperate courage. Your rather breathless statement that son critique sur les Surrralistes vous sel'nblait juste lnais un peu s/ivère, which sounds phony but maybe she won't notice it. Her reply, spoken at normal speed, of which you understand everything except the key word, which forever eludes you. The merciful interruption. The gen- eral breakdown. The English. The leave taking. Your hostess, who hopes you'll come to more of their meetings, because she's sure that since you've kept up your French so wonderfully, you'd have a very interesting time. -ALICE FRANKFORTER . When the curtain rises on "The Great Waltz" the bill will be in the neighbor- hood of $300,000. It's divided two ways- production cost and the expense of humor- ous physical changes in the theatre -The Tillies. Like )nst?1.1i.ng the seats backward? 109 ,;-::"!::::f::( .:-......:."... :::t; ?&ft( :;: . '; ... ) . 00" \:: q ;, i7j;; " ;:r jl::..-::'t.:::I!:; , (Jt';".< 'zQ ., " Q ' , :1G.:: : ., i: . :"'---:-:":" :..-:...:.... Y'í-i "j f t 0-:: : .;,:-. .:'. .: . ....... ,,}j;;!5M \ , ;; ",!, .., ........::: .. '\ì .. .::-:,-:::,:::;: . il r . :::::::6: :: .::; :5: . :ti ti -..... . .,:." :. . . ì: . Z< . : , ..; . .. . ' , '; . . . , ,/ , ;. , : . . , . , . ,= . . --.";.): . :""" ":.:::.". -;,(" " ?i!;', ..." ,:to:;. . . .> :,d; :: tk i g: : 'tif:f.;,1i:tf: .. ... . . '. . .. --. .' . "' - - Â . . Scotch Whisky has won something more than acceptance throughout the world as a day-to-day beverage. . . It shares, in a large measure, those distinctive qualities that have made Buchanan's Liqueur (in Ovals) such an outstanding favourite for special occasions. . n every bollie is our famous trademark- tSHAW) THE H'lGliEST STANDARD 'OF. QUALITY A'l E X. D. 5 HAW & CO.., I N C : NEW YORK SAN J=RANCISCO CHICAGO