MONTRÉAL - Amid the architectural
avant-garde of Expo's steel, chrome, plastic, glass and brick pavilions is what
appears to be a single-thatched hill with trees growing on top.

It is the $1,300,000 pavilion of Western Canada -- British
Columbia, Alberta, Saskatchewan and Manitoba -- and its displays are as unique
as its outward appearance.

GIANT SCULPTURE

There is a mechanized, 11-ton sculpture by an Edmonton
artist that was built from pieces of 23 machines that are manufactured and used
in the west.

The pretty hostess flips a switch and the "sculpture" goes
into motion -- the rock picker parts flail forth, the grain auger portion grinds
into gear and the art show is in full swing.

Unlike most displays in other of the pavilions, Western
Canada's appeals to the sensory as well as the visual perceptions.

As the visitor walks through the areas depicting the major
industries of the west, he is surrounded by the smells of freshly cut hay, fish,
oil and gas, cooking green beans and sawed logs.

There are no windows in the pavilion. Lighting is provided
in most of the display areas by brightly flashing, colored bulbs, and most of
the walls are black, giving a cave-like effect.

But all this, according to the hostess, was designed to
guarantee undivided attention to the displays.

Altogether there are nine display areas, or "capsules" in
the pavilion, each depicting some facet of each of the four provinces' major
industries.

MINE SHAFT

A dimly lit mine shaft, complete with timber shorings and
rock-like walls and ceilings, three stuffed Hereford heads, a field of
Saskatchewan wheat and a dozen British Columbia Douglas fir represent the
mining, farming and lumbering industries.

In the centre of the pavilion is a round, open-air area with
a giant, fully-loaded logging truck set in natural surroundings.

The exterior design of the pavilion is symbolic of western
topography. The roof of the conical shaped building slopes up from ground level
to a height of about 30 feet, symbolizing the terrain from the prairies to the
Rocky mountains.

From the vantage point of Expo's minirail, Ontario's huge
pavilion looks like a series of inverted pyramids, covered with tents and
surrounded by a modern stone hedge.

Inside, the impression is that of a combined museum of
modern and historical art.

The exhibits, most of which are encased in rectangular,
glass boxes, trace the industrial and cultural developments of the province from
1900.

There is everything from the female wardrobe of 1900 to the
latest transistor radio and a life-size robot.

MORE SCULPTURES

There are 14 modernistic sculptures by Ontario artists --
each enclosed in an individual glass cage. And there are a number of pieces of
children's art suspended from the roof.

But, except for a huge artificial waterfall the visitor can
view from a vantage point directly overhead, there is nothing particularly
unique within the display areas.

The entire display is covered in mauve carpeting, and the
ramps and grounds around the pavilion are covered in grey, crushed
stone.

The pyramid-shaped roofs, made from opaque vinyl glass fibre
stretched over steel, don't quite reach to the wooden rectangular bases of the
pavilion, providing visitors with a panoramic view of the rest of the
pavilions.

One outstanding feature of Ontario's pavilion, however, is
its 570-seat circular theatre, where the visitor is treated to a preview showing
of a 20-minute film.

- End of article. Copyright by The Ottawa Journal, April
28, 1967. All rights reserved.