BoomBox is an American rock and electronic duo formed in 2004 by singer-songwriter Zion Godchaux and producer Russ Randolph, both of whom have backgrounds as DJs. Originating in Muscle Shoals, Alabama, the band is signed to Heart of Gold Records and has released three studio albums, starting in 2005 with Visions of Backbeat. Their second album, downriverelectric, was released in June 2010, while their most recent, Filling in the Color, was released in 2014.

BoomBox was formed in 2004 by singer-songwriter Zion Godchaux on guitar/lead vocals and producer Russ Randolph on sequencers, groove boxes and turn-tables. Both members, who first met in 2004, had long careers as music producers, musicians and DJs.

After serving as the rhythm guitarist in his mother's band for several years,[5] Godchaux went on to become a vocalist, songwriter, guitarist, and music producer.[2] During the 1990s he toured as a DJ in the San Francisco area.[5] Both Randolph and Godchaux state that house music was an early influence on their musical taste; while Godchaux was exposed to house in San Francisco, Randolph listened to the genre while growing up in Muscle Shoals, Alabama, stating "I grew up influenced by that early house stuff. That heavy, full on the floor, hypnotic, minimal just tracks that made you groove."[4]

In 2004 Zion Godchaux and Russ Randolph met while recording the Heart of Gold Band album At The Table.[5] The Heart of Gold Band was a group started by Godchaux's parents[6] after their time with the Grateful Dead.[2][7]

Randolph had been hired by Godchaux's parents to help them upgrade their Muscle Shoals studio, as well as engineer[8] and record the album.[9] Godchaux was living in San Francisco in 2004, but he traveled to Muscle Shoals to help with the recording process.[9]

Randolph and Godchaux collaborated on the title track to provide drum programming. According to Randolph, they "understood almost immediately" that they worked well together, and "One hundred doors opened at the same time."[9] States Godchaux, "we both thought the same way about rhythm and about ways that we could layer stuff, ways that we could create songs."[10] The recording process for At The Table took around six months, with the duo often working on music together in their free time.[9] After a trip to Burning Man, where Godchaux pitched to Randolph the idea of working with electronic music again, they formulated the idea for the band.[10]

Godchaux moved more permanently to Muscle Shoals, which the band now considers their town of origin, despite Godchaux's California background.[8] Muscle Shoals is a historical hot spot for recording studios and musicians in rock and roll and rhythm and blues,[11] and BoomBox has incorporated some of this history into their sound, allowing for a contemporary style and coupling of rock 'n' roll, vintage psychedelic and house.[10]

On December 2, 2005, BoomBox released their debut album Visions of BackBeat on the Heart of Gold label.[2] According to Examiner.com, "Their debut album is a heady brew of psychedelic, beat-infused, funky house music that is nearly impossible not to dance to."[12]

Their second album, Downriverelectric, was released on June 30, 2010, also on Heart of Gold. Unlike their previous album, where tracks were largely layered via drum machines, their sophomore album had a more organic recording process. According to Randolph, "With the new record we started from scratch. We went back into the studio, analog tape, set up a drum set, mic’ed it, very old school, minimal miking, like Ringo StarrBeatles old-school miking. Then we set up a real bass rig, real keys, real guitar amps...I think this the closest thing we’ve done that’s sounds like what we have in our heads."[4]

The album was given away for free to the first 1,000 fans who visited the band's website.[13] As with their debut, the band toured heavily in support of the album, performing at venues such as the 2010 Mile High Music Festival.[13] By February 2012 the band was using a Mercedes-Benz Sprinter as a tour van, with only Todd Jones, who handles their visuals and projections, and their tour manager Heath Bennett traveling with them.[14]

Mastering for their third album was finished in September 2013, with most of the tracks recorded at Randolph's house. Filling in the Color officially released on January 14, 2014, on House of Gold Records. Stated Godchaux, “We have been splicing live instrumentation with produced material to create what we view as ‘studio quality with a live sound.'”[12] Funding for the album came from a Kickstarter campaign,[15] and within a week of the album's release the band was already touring in support.[3]

Since their first tours the band hasn't used set lists, instead changing their set's direction based on the crowd's energy.[2] According to the band in 2008, "we want to build an arsenal so that when we come out to rock a party, at anytime of the day, we can still connect with people."[9] The band typically performs with Randolph in a top hat, and Godchaux with a pink boa and furry hat.[16] Though only the two founding members remain constant, at live performances the band does occasionally have guest musicians join them on sets.[17]

As of 2014 the band has played notable concerts and venues such as the The Oregon Country Fair, The Echo Project, Rothbury Music Festival, Electric Forest, Summer Camp Music Festival, Mile High Music Festival, Hoxeyville Music Festival, Camp Bisco, IMPULSE Music & Arts Festival, French Broad River Festival, Bele Chere, The Bounce Festival, Hangout Music Festival,[1] and the Wanee Music Festival in Florida.[17] They performed at the February 2014 Tucson Gem and Jam Festival after starting a winter tour a few weeks earlier in Frisco,[20] and in May 2014 they performed at the Euphoria Music and Camping Festival at Carsons Creek Ranch in Texas.[1]

According to NUVO, "BoomBox plays a unique blend of psychedelic rock and electronica; think of a guitar-centric, slightly-relaxed Garganta or a less-spacey, more-groovy Papadosio."[21]

"I have trouble putting what we do musically into words. It’s dance music, but it’s rock & roll. Actually it’s just funky. It’s soul music. I end up just throwing a bunch of names around and never really dialing it in."

Early in their career a number of reviewers dubbed their sound "jamtronic" for its blend of jam and electronic music, but the band rejected the label for being inaccurate.[2] According to Godchaux, "Jamtronic, to me, is jam bands trying to sound like a DJ. We think of ourselves as just one DJ. Bands already have their songs, they have their sets. A DJ is trying to make the party happen."[2]

For songwriting inspiration, in 2011 the members pointed to old albums, with Randolph stating they listen to "really, really old stuff. Bob Marley demos. Jimi Hendrix demos from a hotel room with just a small recorder going. We listen to Townes Van Zandt and other singer-songwriters."[21] About their sound in 2012, Randolph stated, "We think of ourselves as a rock band, first and foremost, that happens to use electronic devices to create our music." Also, states Godchaux, "We’re real rooted in house. But at the same time house falls into a sub-category of our rock ‘n’ roll approach."[22] They've mentioned both Chicago House and San Francisco house as influences, with producers such as Johnny Fiasco and Miguel Migs.[10]

Instrumentation

As of 2008, the band used two drum machines when mixing live, which Randolph would use to blend tracks together much as a DJ uses vinyl turntables. According to Randolph, "I'm kind of weaving the song in to a kind of fabric. We're not locked in the way a DJ would be. We're not locked into song structure, a song arrangement or tempo and anything like that. We're pretty free to explore live."[9] As of 2011, when mixing live Randolph uses Ableton Live[21] or Logic Pro.[4] On top of that, Godchaux adds live instrumentation with guitar and vocals, often improvising.[21]