Somewhere in between collaboration and curation, Margaret Lee uses her potatoes to intermediate between the works themselves and the other two participating artists. Neither artist was asked to follow any guidelines or rules in their approach to the project (except that they incorporate the potatoes into their own work) and all the resulting works have singular authorship. In working with Lee, Abeles uses a pile of potatoes as a prop in a new ongoing series of human-cum-still life photographs. In another image, she crudely uses the digital gesture of “cut and paste” by taking a photograph of the pile of potatoes and pasting it onto one of her pre-existing still life images (which is also present in the exhibition). Bader, inserts a glass onto a shelf lined with potatoes and also buries an iPod in a large pile of potatoes, which connects to two large speakers, nestled into an armchair, as Alicia Keys’ “No One” plays on random repeat, yes – “no one, no one, no one”.