Category Archives: processing and analysis

The lights, the music, the camaraderie, the set design, the choreography, the props, the costuming, the audience–even the countless rehearsals and late nights, if I’m involved with a show’s production.

I also have a running mental list of moments I want to remember forever: climbing the holly tree with my brother when we lived in Virginia, belting Let it Go with my sister for no reason in particular, Meghan’s surprise when she found the cherry limeade I’d left her on our porch, helping Becky get her stuff to the car in the pouring rain, dinner with my parents before leaving for another summer in North Carolina, the taste of fresh strawberries in Galway, the awe that comes from staring at the Alps.

Theatre, though–there’s something about particular moments in theatre that resonate so completely with me, moments that make me understand how the Greeks used theatre so adeptly for catharsis. Of course, that’s not always the case, but sometimes–

Sometimes, there are moments in theatre that make you feel utterly, impossibly alive.

Last year, I saw Les Miserables on stage about a month after I’d seen the movie. The story had completely inundated me. Let’s be real: a story whose central moving force is grace extended, grace accepted, grace transforming and who has a character death centered around the fact that he simply could not accept grace? I was sold from the get-go.

As much as I love the movie, though, the theatre production goes above and beyond what a film could ever do. In the production I saw, the final scene closed with these two set pieces sliding apart. The entire stage is swathed in darkness until the golden backlight fades in, silhouetting all of those who died as they move slowly through the fog towards Valjean, singing.

Chills.

Also, tears. Pretty sure Emalyn and I sobbed our way through that finale.

Well, a few weeks ago, Basia and I joined some other friends and people from our building to see Phantom of the Opera when it was in Philly.

Both of us have a deep and abiding love for this play, so we were pretty excited.

In the production we saw, the prologue concludes (as always) with the auction of Lot #666–the repaired chandelier, originally covered in canvas and hanging somewhere above rows J and K. As the auctioneer cued the spotlights towards it, the canvas was sucked into the chandelierand, as the lights sparked off of the set piece, it began to move.

Some people, I realize, are not huge fans of theatre (my best friend among them). While I don’t completely understand that, I do understand what draws people in to theatre. Whether we’re working backstage, reciting lines, or watching from the audience, theatre is about contributing towards a story.

And there’s something about a good story–whatever the narrative and its form–that inherently captivates us, reminds us that there is purpose in life and that our lives can be part of the most magnificent story ever told, that everyone around us carries their own stories, too, and sometimes those of others–

that we can always be learning; that we are always works are always works in progress; and that we are always, always full of possibility.

You don’t have to love books or theatre to enjoy good story. You just have to be human.

I have been staring at this little box for over an hour now. I woke up at 4:30 — yay jet lag! — and while my eyes aren’t bleary and heavy with sleeplessness at the moment, I know that will come back, too. Like I did.

Yes, that sign does say “Welcome home, (girl) Connor! … yes, that is HER name!” Apparently I confuse people with that name of mine.

Not the city of brotherly love (that one’s called home, and I’m not quite there yet) — and no, I’m not making some vague reference to falling in love or a whirlwind romance during my time in Dublin, as neither of those occurred (saving my falling in love with the city itself and my whirlwind romance with the pastries of Avoca and KC Peaches).

No, I mean it quite literally, presenting it as a title: Paris.

… though, to be quite honest, I’d have to say that the City of Light seems more appropriate. I didn’t quite get the “City of Love” vibe (but perhaps this is because I speak no French other than mais oui, merci beaucoup, pardon, and bonjour).

City of Light, though — that’s a name I could get behind.

…even if it is supposed to be due to the Age of Enlightenment and not electricity.

I went to Italy this past weekend. Somehow, one of the biggest American holidays rolled around without me paying any attention to it: I turned around suddenly and the Black Friday e-mails had swamped my inbox, my mother was sending me pictures of one of my Thanksgiving favorites (squash rolls, for those of a curious nature), Hanna accompanied me to Thanksgiving dinner with some friends in Maynooth, and next thing I knew I was stepping off a plane in Italy.

Nope, no quippy titles or alliterative themes for this post. I just can’t quite think of one that’s appropriate for the subject matter.

When last I updated this blog of mine, Lis and I had just concluded three marvelous, marvelous days of adventuring through Edinburgh. They really were quite amazing. Since then, we have gone to the Cliffs of Moher — or, for you Princess Bride fans, the Cliffs of Insanity — and, with our “reading week” off from class, I flew off to the Netherlands and then met up with Lis in Berlin.

Highlights from the Netherlands include seeing the lovely Erika, eating delicious Dutch food, attempting to learn Dutch — really, I’m quite dreadful at it — and seeing the Rijksmuseum, the Van Gogh Museum, and the Anne Frank House.

Highlights from Berlin include my awe at their train system, a fun restaurant called Wok to Walk, a tour of Sachsenhausen Concentration Camp, a bicycle tour of the city and, on a lighter note, eating Berliners with Lis because, you know, Ich bin ein Berliner.

But before diving in with the deep-thinking and heart-aching accounts of my travels, here’s a glimpse of the Cliffs of Moher –because they are extraordinary and, quite frankly, staggering — not least because of the incredible gusts of wind.

Do be warned: this post, at least, focuses on some rather bleak experiences, and if you are looking for another happy-go-lucky, all-is-well, “I’m seeing the world and study abroad is the best thing ever!!1!!!!11!!!!” post… this is decidedly not that, so read with caution.