2006

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Abstract

The aim of this article is to examine the relations between the old and the new in the context of 20th-century Slovenian music. The question about the old and the new is seen not only as a question of different facets of an age-old opposition, but also as a complex issue of the epistemological contextualization of those different facets. Centered on the main historiographical entries - the avant-garde, modernity, traditionalism, and post-modernity -, the outline of the 20th-century Slovenian musical culture endeavors to point out what is a common problem of the Western musical heritage from the past century: the problem of defining constituents of the old and the new within different epistemological contexts.