Beatboxing (also beat boxing or b-boxing) is a form of vocal percussion primarily involving the art of mimicking drum machines (typically a TR-808), using one's mouth, lips, tongue, and voice.[1] It may also involve vocal imitation of turntablism, and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as "the fifth element" of hip-hop, although it is not limited to hip-hop music.[2][3] The term "beatboxing" is sometimes used to refer to vocal percussion in general. As of 2018, the top 5 overall "new school" beatboxers in the world (in no particular order) are: Alem - 2015 World Champion (France); NaPoM - 2015 Vice World Champion (USA); Alexinho - 2018 World Champion (France); B-Art - 2018 Vice World Champion (Netherlands); and D-Low - 2018 World Beatbox Classic Champion (UK).[4]

"Human beatboxing" in hip-hop originated in the 1980s. Its early pioneers include Doug E. Fresh, the self-proclaimed first "human beatbox";[9] Swifty, the first to implement the inhale sound technique[citation needed]; Buffy, who helped perfect many beatboxing techniques;[10] and Wise, who contributed significantly to beat boxing's proliferation.[citation needed] Wise inspired an entire new fan base of human beatboxers with his human turntable technique. Other pioneers of beatboxing include Rahzel well known for his realistic robotic sounds and for his ability to sing and beatbox simultaneously, Scratch a beatboxer and musician well known for further revolutionizing the use of vocal scratching in beatboxing, and Kenny Muhammad The Human Orchestra, a beatboxer known for his technicality and outstanding rhythmic precision, who pioneered the inward k snare, a beatbox technique that imitates a snare drum by breathing inward.

The Internet has played a large part in the popularity of modern beatboxing. Alex Tew (aka A-Plus) started the first online community of beatboxers in 2000 under the banner of HUMANBEATBOX.COM. An early example of modern beatboxing was seen in the 2001South Koreanromantic comedy film My Sassy Girl. In 2001, Gavin Tyte, a member of this community created the world's first tutorials and video tutorials on beatboxing. In 2003, the community held the world's first Human Beatbox Convention in London featuring beatbox artists from all over the world.

Sometimes, modern beatboxers will use their hand or another part of their body to extend the spectrum of sound effects and rhythm. Some have developed a technique that involves blowing and sucking air around their fingers to produce a very realistic record scratching noise, which is commonly known as the "crab scratch." Another hand technique includes the "throat tap," which involves beatboxers tapping their fingers against their throats as they throat sing or hum.

Today there is an increase in the variety in which we see beatboxing throughout musical culture. People have gone as far as adding beatboxing in with different instruments to create a completely different sound unlike any other. Artist Greg Patillo goes as far as adding in beatboxing while playing the flute to very iconic songs. Beatbox has become modernized and has even been seen in popular movies such as Pitch Perfect and Pitch Perfect 2. Both of these movies showcase classical songs performed with a capella covers in which all of the beats to the songs are done completely using the idea and technique of beatboxing to complete the sound capable to imitate the original song.

As with other musical disciplines, some form of musical notation or transcription may sometimes be useful in order to describe beatbox patterns or performances. Sometimes this takes the form of ad hoc phonetic approximations, but is occasionally more formal.

In a research study published in 2013 and based on real-time MRI imaging of a beatboxer, the authors propose a notation system which combines the International Phonetic Alphabet with musical staff notation, in part motivated by their observation that many beatboxing sounds can be adequately represented by the IPA.[14]

Each beatboxer can produce a very large number of unique sounds, but there are three distinct linguistic categories of sound within beatboxing. Ejectives are the strong puffs of air from the voicebox that give intensity to percussive sounds. The "t", "p", "k", "d", "b" and "g" sounds can all be made into ejectives. “Ch” and “j” are examples of ejective affricates.

Nonstandard fricatives are the mechanical sounds such as snare drums, cymbals, and other buzzing noises in beatboxing that are made with fricatives. Certain sounds, such as velar lateral fricatives, bilabial lateral fricatives, and linguolabial fricatives, are all judged impossible according to the IPA but are technically possible and are sounds that are commonly used in beatboxing.[15]

Coarticulation is the act of controlling a sound in two places at once. A common example of this is the sound created by rolling an “r” sound while saying a “v” sound. This is called a voiced alveolar trill with labiodental articulation. Similarly, epenthesis is the sound created when beatboxers sing and do percussion at the same time. Contrary to what the sound suggests, their tongue is not in two places at once. This effect is created by placing percussive sounds in the middle of words. [14]

Multi-vocalism is a form of vocal musicianship conceptualized by British Beatboxer and vocalist Killa Kela. It describes Beatboxers who incorporate other vocal disciplines and practices into their routines and performances such as, Singing, Rapping, Sound mimicry and other vocal arts. Beardyman is a well known multi-vocalist.

According to the Guinness World Records, the current record for the largest human beatbox ensemble was set by Booking.com employees. The record involved 4,659 participants and was achieved by Booking.com employees together with beatboxers at the RAI Amsterdam in Amsterdam, Netherlands, on 10 December 2013 during their annual company meeting.[16]

The previous largest human beatbox ensemble involved 2,081 participants and was achieved by Google (Ireland), Shlomo (UK) and Testament (UK) at The Convention Centre, Dublin, Ireland on 14 November 2011.[17]

Before Shlomo's record, the previous record for the largest human beatbox ensemble involved 1,246 participants and was achieved by Vineeth Vincent and Christ University (India) in Bangalore, Karnataka, India, on 5 February 2011.[18]

When asked to beatbox, Siri will repeat the phrase "Boots and Cats" to mimic beatboxing.[21]Teen Vogue called it "perhaps the most entertaining mid-day pick-me-up ever created."[22]

A GEICOradio commercial, featuring a supermarket employee beatboxing various announcements over a store intercom ("Cleanup on aisle 14" with beats interspersed), won the Westwood One Sports Sounds Awards Media Choice Award for best commercial heard during the radio network's coverage of Super Bowl LII.[23]

1.
Biz Markie
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Marcel Theo Hall, better known by his stage name Biz Markie, is an American rapper, beatboxer, DJ, comedian, actor, singer, reality television personality, grartist, and commercial spokesperson. He is best known for his single Just a Friend, an American Top 10 hit in 1989, in 2008, Just a Friend made #100 on VH1s list of the 100 greatest hip hop songs of all time. Biz Markie currently lives in Howard County, Maryland, and has helped support County Executive Ken Ulman during his fundraisers, Markie has been called the Clown Prince of Hip Hop. Markies career began on Long Island, New York and he attended and graduated from Longwood High School in 1982. Before he got famous Biz Markie was interviewed in the 1986 cult documentary Big Fun In The Big Town. Markie released his album, Goin Off in 1988, which attracted a fair amount of attention, largely due to the lead single, Make the Music With Your Mouth. The album also featured the hit singles Nobody Beats The Biz, Vapors. On October 10,1989, Biz Markies second studio album, Records, produced by Biz, his cousin Cool V and Paul C. The single Just a Friend, in which he alternates between rap and singing, became Markies most successful single, reaching #9 on the Billboard charts. The song interpolates the 1968 song You Got What I Need by singer/songwriter Freddie Scott, whose basic chord, Just A Friend was ranked 81st on VH1s 100 Greatest One-Hit Wonders in 2000, and later as number 100 on VH1s 100 Greatest Songs of Hip Hop in 2008. The music video, directed by Lionel C, martin, chronicles the rappers woman problems. At the climax of the video, Biz Markies character stumbles upon a girl he was trying to date kissing another man she had referred to as just a friend. It also includes a scene of Biz singing the chorus dressed as Mozart in 18th-century clothing with a powdered wig in a candlelit room while playing the piano. This scene was inspired by the video for the 1986 hit Rock Me Amadeus. Markies third studio album I Need a Haircut was released on August 27,1991, on Cold Chillin/Warner Bros. Records and was produced by Biz Markie and his cousin Cool V. Sales of the album were low when Markie was served a lawsuit by Gilbert OSullivan. This development reflected the popularity of hip-hop and the financial stakes over which releases were set. Biz responded in 1993 with the mischievously titled All Samples Cleared, but his career had been hurt by the publicity emanating from the lawsuit, and the record suffered accordingly

2.
Drum machine
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A drum machine is an electronic musical instrument designed to imitate the sound of drums, cymbals, other percussion instruments, and often basslines. Drum machines are most commonly associated with electronic music such as house music. They are usually used when session drummers are not available or if the production cannot afford the cost of a drummer. Also, many modern drum machines can also produce sounds, as well as allowing the user to compose unique drum beats. In the 2010s, most modern machines are sequencers with a sample playback or synthesizer component that specializes in the reproduction of drum timbres. The invention could produce sixteen different rhythms, each associated with a pitch, either individually or in any combination, including en masse. Received with considerable interest when it was introduced in 1932. The next generation of rhythm machines played only pre-programmed rhythms such as mambo, tango, Chamberlin Rhythmate In 1957 Californian Harry Chamberlin constructed a tape loop-based drum machine called the Chamberlin Rhythmate. It had 14 tape loops with a head that allowed playback of different tracks on each piece of tape. It contained a volume and a control and also had a separate amplifier with bass, treble, and volume controls. The tape loops were of real acoustic jazz drum kits playing different style beats, with additions to tracks such as bongos, clave, castanets. First commercial product – Wurlitzer Side Man In 1959 Wurlitzer released a drum machine called the Side Man. The Side Man was intended as an accompaniment for the Wurlitzer organ range. The Side Man offered a choice of 12 electronically generated, predefined rhythm patterns with variable tempos, the sound source was a series of vacuum tubes which created 10 preset electronic drum sounds. Combinations of these different sets of rhythms and drum sounds created popular rhythmic patterns of the day, e. g. waltzes and these combinations were selected by a rotary knob on the top of the Side Man box. The tempo of the patterns was controlled by a slider that increased the speed of rotation of the wiper arm, the Side Man had a panel of 10 buttons for manually triggering drum sounds, and a remote player to control the machine while playing from an organ keyboard. The Side Man was housed in a cabinet that contained the sound-generating circuitry. Raymond Scott In 1960, Raymond Scott constructed the Rhythm Synthesizer and, in 1963, scotts machines were used for recording his album Soothing Sounds for Baby series

3.
Roland TR-808
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The Roland TR-808 Rhythm Composer, often referred to simply as the 808, is a drum machine introduced by the Roland Corporation in 1980 and discontinued in 1983. It was one of the earliest programmable drum machines, with which users could create their own rather than having to use presets. Unlike its nearest competitor, the expensive and sample-based Linn LM-1 Drum Computer. Launched at a time when music had yet to become mainstream. It was succeeded in 1984 by the TR-909, over the course of the decade, the 808 attracted a cult following among underground musicians for its affordability, ease of use, and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the electronic, dance, and hip hop genres, popularized by early hits such as Marvin Gayes Sexual Healing and Afrika Bambaataa. At the time, drum machines were most often used to accompany home organs, Lewis was known for performances using electronic instruments he had modified himself, decades before the popularization of instrument hacking via circuit bending. He made extensive modifications to the Ace Tone drum machine, creating his own rhythms and wiring the device through his organs expression pedal to accent the percussion, unique at the time. Lewis was approached by Ace Tone president and founder Ikutaro Kakehashi, in 1972, Kakehashi formed the Roland Corporation and hired Lewis to help design drum machines. By the late 1970s, microprocessors were appearing in such as the Sequential Circuits Prophet-5 synthesizer. In 1978, Roland released the CompuRhythm CR-78, the first drum machine with which users could write, save, with its next machine, the TR-808, Roland aimed to develop a drum machine for the professional market, expecting that it would mainly be used to create demos. Though the engineers aimed to emulate real percussion, the prohibitive cost of memory drove them to design sound-generating hardware instead of using samples, Kakehashi deliberately purchased faulty transistors to create the machines distinctive sizzling sound. Roland engineer Makoto Muri credited the design of the voice circuits to Mr. Nakamura. The 808 generates 16 different sounds in imitation of acoustic percussion, bass drum, snare, toms, conga, rimshot, claves, handclap, maraca, cowbell, cymbal, and hi-hat. It is completely analog, meaning its sounds are generated via hardware rather than sampled, users can program up to 32 patterns using the step sequencer, each with a maximum of 768 measures, and place accents on individual beats, a feature introduced with the CR-78. Users can also set the tempo and time signature, including unusual signatures such as 5/4, the machine has multiple audio outputs and a DIN sync port to synchronize with other devices, considered groundbreaking at the time. The 808s sounds do not resemble real percussion, and have described as clicky and hypnotic, robotic, toy-like, spacey. Fact described them as a combination of tones and white noise

4.
Human voice
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The human voice consists of sound made by a human being using the vocal folds for talking, singing, laughing, crying, screaming, etc. The human voice frequency is specifically a part of sound production in which the vocal folds are the primary sound source. Generally speaking, the mechanism for generating the human voice can be subdivided into three parts, the lungs, the vocal folds within the larynx, and the articulators, the lung must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds are a vibrating valve that chops up the airflow from the lungs into audible pulses that form the sound source. The muscles of the larynx adjust the length and tension of the folds to ‘fine-tune’ pitch. The articulators articulate and filter the sound emanating from the larynx, the vocal folds, in combination with the articulators, are capable of producing highly intricate arrays of sound. The tone of voice may be modulated to suggest emotions such as anger, surprise, singers use the human voice as an instrument for creating music. Adult men and women typically have different sizes of vocal fold, adult male voices are usually lower-pitched and have larger folds. The male vocal folds, are between 17 mm and 25 mm in length, the female vocal folds are between 12.5 mm and 17.5 mm in length. The folds are within the larynx and they are attached at the back to the arytenoids cartilages, and at the front to the thyroid cartilage. They have no outer edge as they blend into the side of the tube while their inner edges or margins are free to vibrate. They have a three layer construction of an epithelium, vocal ligament, then muscle, which can shorten and they are flat triangular bands and are pearly white in color. Above both sides of the cord is the vestibular fold or false vocal cord, which has a small sac between its two folds. The difference in vocal folds size between men and women means that they have differently pitched voices, additionally, genetics also causes variances amongst the same sex, with mens and womens singing voices being categorized into types. For example, among men, there are bass, baritone, tenor and countertenor, there are additional categories for operatic voices, see voice type. This is not the source of difference between male and female voice. Men, generally speaking, have a vocal tract, which essentially gives the resultant voice a lower-sounding timbre. This is mostly independent of the folds themselves

5.
Turntablism
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The mixer is plugged into a PA system for live events and/or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio, so that a wider audience can hear the turntablists music. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records, the word turntablist was originated by Luis DJ Disk Quintanilla. The new term coincided with the resurgence of hip-hop DJing in the 1990s, some turntablists use turntable techniques like beat mixing/matching, scratching, and beat juggling. Some turntablists seek to have recognized as traditional musicians capable of interacting and improvising with other performers. The use of the turntable as an instrument has its roots dating back to the 1930s, 1940s. Experimental composers used them to sample and create music that was produced by the turntable. Cages Imaginary Landscape No.1 is composed for two variable speed turntables, frequency recordings, muted piano and cymbal, edgard Varèse experimented with turntables even earlier in 1930, though he never formally produced any works using them. Examples of turntable effects can also be found on popular records produced in the 1960s and 1970s, creedence Clearwater Revivals 1968 self-titled debut album features a backspin effect in the song Walk on the Water. However, turntablism as it is known today did not surface until the development of hip hop in the late 1970s, Turntablism as a modern art form and musical practice has its roots within African-American inner city hip hop and hip hop culture of the late 1970s. Kool DJ Herc, Afrika Bambaataa and Grandmaster Flash are widely credited for having cemented the now established role of DJ as hip hops foremost instrumentalist. Kool Hercs invention of break-beat DJing is generally regarded as the development in hip hop history. His influence on the concept of DJ as turntablist is equally profound, to understand the significance of this achievement, it is important to first define the break. Briefly, the break of a song is a musical fragment only seconds in length, Kool Herc introduced the break-beat technique as a way of extending the break indefinitely. This is done by buying two of the record, finding the break on each record, and switching from one to the other using the DJ mixer. Using that idea, Grandmaster Flash elaborated on Kool Hercs invention of break-beat DJing and came up with the quick-mix theory and he described it as being. like cutting, the backspin, and the double-back. Kool Hercs revolutionary techniques set the course for the development of turntablism as an art form in significant ways, most important, however, he developed a new form of DJing that did not consist of just playing and mixing records one after the other. The type of DJ that specializes in mixing a set is well respected for his/her own set of unique skills, the DJ would be examined critically by the crowd on both a technical and entertainment level. Grand Wizzard Theodore, an apprentice of Flash, who isolated the most recognizable technique of turntablism, [ Eshun

6.
Musical instrument
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A musical instrument is an instrument created or adapted to make musical sounds. In principle, any object that produces sound can be a musical instrument—it is through purpose that the object becomes a musical instrument, the history of musical instruments dates to the beginnings of human culture. Early musical instruments may have used for ritual, such as a trumpet to signal success on the hunt. Cultures eventually developed composition and performance of melodies for entertainment, Musical instruments evolved in step with changing applications. The date and origin of the first device considered an instrument is disputed. The oldest object that some refer to as a musical instrument. Some consensus dates early flutes to about 37,000 years ago, many early musical instruments were made from animal skins, bone, wood, and other non-durable materials. Musical instruments developed independently in many populated regions of the world, however, contact among civilizations caused rapid spread and adaptation of most instruments in places far from their origin. By the Middle Ages, instruments from Mesopotamia were in maritime Southeast Asia, development in the Americas occurred at a slower pace, but cultures of North, Central, and South America shared musical instruments. By 1400, musical instrument development slowed in areas and was dominated by the Occident. Musical instrument classification is a discipline in its own right, Instruments can be classified by their effective range, their material composition, their size, etc. However, the most common method, Hornbostel-Sachs, uses the means by which they produce sound. The academic study of instruments is called organology. Once humans moved from making sounds with their bodies—for example, by using objects to create music from sounds. Primitive instruments were designed to emulate natural sounds, and their purpose was ritual rather than entertainment. The concept of melody and the pursuit of musical composition were unknown to early players of musical instruments. A player sounding a flute to signal the start of a hunt does so without thought of the notion of making music. Musical instruments are constructed in an array of styles and shapes

7.
Hip hop
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Hip hop is a subculture and art movement developed by African-Americans and Latinos from the inner-city South Bronx neighbourhood in New York City in the late 1970s. Jamaican immigrant DJ Kool Herc also played a key role in developing hip hop music, at 1520 Sedgwick Avenue, Herc mixed samples of existing records and DJed percussion breaks, mixing this music with his own Jamaican-style toasting to rev up the crowd and dancers. These youths mixed these influences with existing musical styles associated with African Americans prior to the 1970s, Hip hop music became popular outside of the African-American community in the late 1980s, with the mainstream commercial success of gangsta rap. Critic Greg Tate described the hip hop movement as the only avant-garde still around, Hip hop culture has spread to both urban and suburban communities throughout the United States and subsequently the world. These elements were adapted and developed considerably, particularly as the art spread to new continents and merged with local styles in the 1990s. Sampling older culture and re-using it in a new context or a new format is called flipping in hip hop culture. Hip hop music follows in the footsteps of earlier African-American-rooted musical genres such as blues, jazz, rag-time, funk, cowboy later worked the hip hop cadence into his stage performance. The group frequently performed with artists who would refer to this new type of music by calling them hip hoppers. The name was meant as a sign of disrespect, but soon came to identify this new music. The song Rappers Delight, by The Sugarhill Gang, released in 1979, begins with the phrase I said a hip, hop the hippie the hippie to the hip hip hop, and you dont stop. Lovebug Starski, a Bronx DJ who put out a single called The Positive Life in 1981, and DJ Hollywood then began using the term when referring to this new disco rap music. Bill Alder, an independent consultant, once said, There was hardly ever a moment when rap music was underground, one of the very first so-called rap records, was a monster hit. Hip hop pioneer and South Bronx community leader Afrika Bambaataa also credits Lovebug Starski as the first to use the hip hop. Bambaataa, former leader of the Black Spades gang, also did much to popularize the term. In the 1970s, an urban movement known as Hip Hop began to develop in the South Bronx in New York City. It focused on emceeing over breakbeats, house parties and neighbourhood block party events, Hip hop music has been a powerful medium for protesting the impact of legal institutions on minorities, particularly police and prisons. Jamaican-born DJ Clive Kool Herc Cindy Campbell pioneered the use of DJing percussion breaks in hip hop music, beginning at Hercs home in a high-rise apartment at 1520 Sedgwick Avenue, the movement later spread across the entire borough. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of impromptu toasting, on August 11,1973 DJ Kool Herc was the DJ at his sisters back-to-school party

8.
Hip hop music
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It developed as part of hip hop culture, a subculture defined by four key stylistic elements, MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, while often used to refer solely to rapping, hip hop more properly denotes the practice of the entire subculture. Hip hops early evolution occurred as sampling technology and drum machines became available and affordable. Turntablist techniques such as scratching and beatmatching developed along with the breaks and Jamaican toasting, rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat. The Sugarhill Gangs 1979 song Rappers Delight is widely regarded to be the first hip hop record to gain popularity in the mainstream. The 1980s marked the diversification of hip hop as the genre developed more complex styles, prior to the 1980s, hip hop music was largely confined within the United States. However, during the 1980s, it began to spread to scenes in dozens of countries. New school hip hop was the wave of hip hop music, originating in 1983–84 with the early records of Run-D. M. C. The Golden age hip hop period was a period between the mid-1980s and the early 1990s. Notable artists from this era include the Juice Crew, Public Enemy, & Rakim, Boogie Down Productions and KRS-One, EPMD, Slick Rick, Beastie Boys, Kool G Rap, Big Daddy Kane, Ultramagnetic MCs, De La Soul, and A Tribe Called Quest. Gangsta rap is a subgenre of hip hop that often focuses on the violent lifestyles, in the West Coast hip hop style, G-funk dominated mainstream hip hop for several years during the 1990s. I. G. In the 1990s, hip hop began to diversify with other regional styles emerging, such as Southern rap, at the same time, hip hop continued to be assimilated into other genres of popular music, examples being Neo soul and nu metal. Hip hop became a pop music genre in the mid-1990s. The popularity of hip hop music continued through the 2000s, with hip hop influences also increasingly finding their way into mainstream pop, the United States also saw the success of regional styles such as crunk, a Southern genre that emphasized the beats and music more than the lyrics. Starting in 2005, sales of hip hop music in the United States began to severely wane, during the mid-2000s, alternative hip hop secured a place in the mainstream, due in part to the crossover success of artists such as OutKast and Kanye West. Creation of the hip hop is often credited to Keith Cowboy, rapper with Grandmaster Flash. However, Lovebug Starski, Keith Cowboy, and DJ Hollywood used the term when the music was known as disco rap. Cowboy later worked the hip hop cadence into a part of his stage performance, the first use of the term in print was in The Village Voice, by Steven Hager, later author of a 1984 history of hip hop

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