In my experience, people who are trained as Sound Engineers tend to be almost like scientists. …Compared to people who are trained more like Video Editors initially. …And I'm, I come from the latter background. …I'm a filmmaker, and I came to working with professional audio later. …People working video used to seeing how it looks an being satisfied with it, …whereas if you're working with sound, you really have to be closer to an Engineer. …You have to understand what's going on, what the physics is of sound. …But actually, if you want to produce some audio to incorporate into a film, or any …kind of video production, there's a very small number of rules you really need to …attend to. Audition is a very powerful application, …it's a very deep, feature-rich application.…

But really, all you need to know is if you're going to make a file for video …production, let's just go here to File > New > Audio File. …If you're making a new file, you'll probably going to want a sample rate of …48 kHz, 48,000 Hz. Now, to cut a very, very long story …

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Released

9/24/2012

One of the great strengths of the Adobe Creative Suite Production Premium 6 is the seamless integration between the various applications. Even so, the best-practice approach to sharing media and creative work between applications remains mysterious to many users. In this course filmmaker and author Maxim Jago breaks everything down into simple, clear steps, offering guidance on project and file management and examples that demonstrate the best use of the technology. If you use Adobe Creative Suite CS6 for video post-production, this course can make your work faster, easier, and more efficient.

Topics include:

Improving speech-to-text analysis with Story

Organizing projects in Prelude

Batch renaming with Bridge

Preparing images for video in Illustrator

Working with Photoshop files in Premiere Pro

Round-tripping a soundtrack from Premiere Pro to Audition and back again