praise for DSU:“The new name to drop in alt-rock circles” The Guardian“DSU is an album for kids that scour the internet as they would a crate full of physical records” DiS 8/10“DSU is carved up into palatable little nuggets of joy” TLOBF 9/10“The Internet’s Secret Best Songwriter” FADER“It has the potential to be one of the defining American indie records” The Quietus“a masterful handling of mischievous lyrics and beautiful melodies” Uncut ****“DSU’s charm is its’ blissfully care fee vibe” Mojo ****“Everyone who comes into contact with him seems to fall in love” The 405“Music so immensely personal, it’s hard to believe you’re even capable of comprehending the majority of what you’re hearing.” CMJ“DSU is a homespun gem from virtually out of nowhere” Consequence of Sound“Idiosyncratic sketches each capable of wending its way to a distinct place into the hearts of anyone” Pitchfork 7.9“DSU may well be the year’s most genuinely exciting and, ultimately, rewarding album” London in Stereo

Ahead of their next mini-tour across Europe, which kicks off with a special London appearance at the DIY All-Dayer at the Laundry this Saturday, Deers proudly present the AA-side from their second single ‘BARN’, ’Between Cans’. A softly lilting and lovelorn melody alongside the band’s cacophony of harmonies means that the track perfectly compliments and contrasts with the raucous ‘Castigadas En El Granero’.

‘BARN’ will be available digitally and physically on November 3rd, via Lucky Number and our friends Mom+Pop in the US. Limited to just 750 copies worldwide the vinyl can be pre-ordered here. http://smarturl.it/barnvinyl

All of the bands upcoming tour dates are below, including a support slot with one of their idols The Black Lips, a debut Scandinavian show in Copenhagen and confirmation of their appearance at next year’s SXSW Festival in Texas.

Ahead of his first ever visit outside of the US this November, which includes an already sold-out headline show at London’s Sebright Arms, the anticipation for Philadelphia native Alex G’s gritty and lo-fi-tinged music has been building. So much so that he’s booked his next run of UK and first European dates for this coming February and March – set to take in Berlin, Paris, London and more.

After meeting each other this March to concoct beats, FTSE and Jakwob instead birthed something much more ballistic than they could have expected. 6 weeks later, they were announcing details of their face melting debut AA single ‘PARTY/DRUGS’, and performing at two packed out ‘word of mouth’ gigs at The Great Escape.

Now we are thrilled to share their second single ‘FIGHT’. Instantly in-yer-face and totally innovative, ‘Fight’ perfectly expresses the bipolarity of the schoolyard scuffle. Lyrical non-sequiturs are sequenced into constantly catchy choruses atop a rhythmic collage of cross-genre sounds equally relevant to electro, hip-hop or hardcore. This could only be Get Hot and perfectly illustrates just why they have now been signed for North America by Last Gang Entertainment (Death From Above 1979, Crystal Castles, Ryan Hemsworth, Purity Ring).

‘Fight’ is available to download/stream from today. Get Hot will be performing at Queen of Hoxton, London on Wednesday 12th November.

In their latest video, Deers indulge in a little bit of role-play, as they elaborate further; “Tim, Mark, Brendon and Cole playing ‘Castigadas En El Granero’ from Deers. The song belongs to a single called BARN, the video was directed by Alex Delucas and the left hand of Carleone Films and it was shot by Alex and Jorge Leon.”

Donning workers’ overalls and undoubtedly thrift-shop-found stitched name-tags, there’s an Americana feel to the proceedings, as the band run through a typically energetic performance that belies their lo-fi charm.

Jake Bullit today stream the latest song from their acclaimed ‘Pain Killer’ EP, entitled ‘Pushing Buttons’, which is out now. The EP’s title track has also been made Record of the Week on Huw Stephens‘ Radio 1 show.

A euphoric and escapist take on 9-5 drudgery, ‘Pushing Buttons’ feels inspired by the disco and boogie grooves of Chromeo, the idiosyncratic British pop of Hot Chip, and the everyday urban lyricism of Blur circa ‘Girls & Boys’. It’s a deft and dancefloor-friendly mix, marrying the boys’ upbringing in Birmingham’s DJ’ing scene with the songwriting efficiency of a band who’ve already won an impassioned live following. Enjoy!

“About the grimmer side of life, not withstanding disco-ball shimmer” Guardian“Jake Bullit seem to present a world of possibility…each track brims with pop potential” Clash“Chromeo-esque synth sounds and disco beats” The 405“If this track doesn’t make you move, there’s no hope.” Indie Shuffle

Alex G has today premiered his video for ‘Hollow’,the first full single to be lifted from the forthcoming new album DSU, with Noisey.

Directed by John Vizzone, a fellow Philadelphian, the video’s crafted visuals match the song’s moody and pensive atmospherics, finding the eponymous singer shrouded in darkness, except for the glow of a flickering TV screen. Putting a face to the name in Giannascoli’s case belies his youth and, in effect, the wise-beyond-his-years nature and lyricism that makes his songwriting so captivating.

Eyedress has today premiered a brand new track ‘When I’m Gone (feat. GEoRGiA)’. The first track from his debut album working title ‘Astral Traveling Man’ (due Spring 2015) follows the critically acclaimed mixtape ‘Hearing Colours’ and his debut EP ‘Supernatural’.

Jake Bullit have premiered their idiosyncratic debut video for ‘Pain Killer’, taken from their debut EP of the same name, which will be released on October 6th.

Inspired by Bob Godfrey’s self-consciously wonky aesthetic, the video to ‘Pain Killer’ was made by lead singer and co-producer Jake, who taught himself the art of animation to make it. Original sketches – and photos taken from the top of a bus – were painstakingly pieced together, telling the simple story of a plug in pursuit of a socket. Describing the process, Jake says “whilst we didn’t necessarily have a set stylistic idea when we started, we wanted something that might end up having a fun, DIY charm to it. We did it in 4:3 so it would look better on our Nan’s telly”.