l don't know whether or not this, which I picked up from Facebook, will come across as a successful link or not, nor have I the competence to comment on it, but I thought people might find it interesting.

l don't know whether or not this, which I picked up from Facebook, will come across as a successful link or not, nor have I the competence to comment on it, but I thought people might find it interesting.

I clicked and got this:

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I Googled on Suzuki and fraud, and there was the article at the top of the page.

This seems to me over the top. Whatever Suzuki's life story may have been, nobody is claiming that Suzuki's system doesn't work or that he didn't invent it. Surely that's what really matters. As for "the biggest fraud in music history," there have been far more consequential ones, such as Fritz Kreisler attributing some of his own compositions to 18th century Italian composers.

Over the past five decades, millions of children – starting as young as three – have learnt to play the violin all using the same system. But now the Japanese music teacher behind the Suzuki method has been unmasked as a liar and a fraud.

According to his critics, Dr Shinichi Suzuki invented his early life story and used false claims – such as being a friend of Albert Einstein and learning to play with one of Berlin’s greatest teachers – to peddle a method of teaching the violin and other musical instruments that netted him a fortune.

The system has become the pre-eminent method for teaching children to play music in many countries around the world. Dr Suzuki’s philosophy of teaching involves getting children to begin as young as possible – ideally before they are five years old – and teaching them pieces from memory which they play repeatedly.

Dr Suzuki travelled to Germany in the 1920s where he claims he came under the guardianship of Einstein, who was a keen amateur violinist. It is claimed Dr Suzuki, who died at the age of 99 in 1998, studied with Karl Klingler, one of the leading violinists and teachers of the era. From those heady origins, Dr Suzuki went on to formulate his own teaching method that has been followed by children everywhere.

Now his critics are claiming that he made up his back story. “I think it is one of the biggest frauds in music history,” said Mark O’Connor, a violin teacher and professional fiddler who has spent years delving into Dr Suzuki’s past. “I don’t believe anybody has properly checked his past.”

Mr O’Connor has detailed his allegations in a series of posts on his internet blog site. Under his latest posting, last week, entitled “Suzuki’s biggest lie”, Mr O’Connor has posted a page from the Berlin music conservatory where Dr Suzuki claimed to have studied. Mr O’Connor says the page shows that Dr Suzuki, aged 24 in 1923, was rejected after failing his audition.

Mr O’Connor writes “Shinichi Suzuki had no violin training from any serious violin teacher that we can find. He was basically self-taught, beginning the violin at the age of 18, and it showed. He was never allowed a position in any orchestra.”

According to the British Suzuki Institute, there are currently more than a quarter of a million Suzuki students being taught by 8,000 teachers worldwide. Minette Joyce, the institute’s administrator, said: “The idea behind the Suzuki method is people can be taught to play an instrument to the best of their ability. It isn’t designed to turn out professional musicians but to enable children to play regardless of their ability and to increase their enjoyment of the music.”

l don't know whether or not this, which I picked up from Facebook, will come across as a successful link or not, nor have I the competence to comment on it, but I thought people might find it interesting.

You'd be hard-pressed to find high-caliber professional violinists who would tell you they started out with the Suzuki method.

Prodigies typically start with Schradieck, Ševčík, and possibly Wohlfart before they are even allowed to practice playing actual melodies (as per Suzuki). Dorothy Delay's pedagogical sequence was quite similar to this. The Suzuki publications are probably a less expensive means of access to a number pieces that violinists do use in their performance repertoire, however.

All that being said, Suzuki did make violin music more accessible to young children who didn't have access to premier conservatory talent, so it's difficult to condemn the man for lying about his credentials.

"You'd be hard-pressed to find high-caliber professional violinists who would tell you they started out with the Suzuki method. You'd be hard-pressed to find high-caliber professional violinists who would tell you they started out with the Suzuki method."