Georges Hobeika's creations presented endearing and tactile beading and embroidery. From contrasting to ton sur ton, they added vivaciousness and opulence to the womanlike designs and responded wittingly to the ubiquitous sheer.

The shirts with gathered sleeves are terrific bridal ideas as well as the intricate bodices and necklines with whimsical shapes. Nudes (with golden accents), whites and sister colours were abundant, celebrating a modern and dramatic would-be bride. A masterfully embroidered cape, complementing a yellow short dress, and pink corset are great examples of the exquisite detailing that can be seen throughout Hobeika's collection. I am inspired. Are you?

Diane Kruger was beyond adjectives in a breathtaking mustard-coloured Jason Wu. The neckline, sleeves and ruching of the bodice, which continues through the tail, are works of art. The accessories and make-up going for the ruby/gold combination contributed to the flawless ensemble.

Christina Applegate went for a magnificent light blue silk chiffon by Roberto Cavalli with embellishments galore. Her look was the definition of celestial and had a certain vintage feel to it that made me love it even more. Ruching is a great way to add interest to a bodice and Cavalli's design is both flattering and clever. Her hair was the most gorgeous braided bun adorned with a Lorraine Schwartz jewel. It is blown up for you to take to your hairdresser!

Sandra Bullock impressed by choosing a black Alexander McQueen with blue beads adorning the neckline. I am not a fan of the keyhole opening, but it didn't bother me as much as it usually does. Another garment that wowed me was Stana Katic's body-hugging dress with plunging cowl back and all-over metallic sequins. Her hair, make-up and choice of jewellery added sophistication and grandeur to the ensemble.

Drew Barrymore's navy blue Monique Lhuillier gown had yet another delightful ruched bodice, which subtly changed shade when caught by the light. The tiered skirt with embellished hem made for a romantic shape but was also a fun take on the concept.

For me, Anna Kendrick's joyful purple Alberta Ferretti gown with multi-mini-tiers was a much more appropriate choice than her Golden Globes' Marchesa. The earrings and bracelet were a great choice to complement her youthful look. Anna's co-star in “Up in the Air”, Vera Farmiga, went for one of my favourite Spring 2010 collections, parading a heavenly pleated J. Mendel. I am not one for deep Vs, but Vera's was discreet and delicate.

Christina Hendricks chose a one-shoulder red Carolina Herrera gown to showcase her curves. That natural waist seam was just perfectly placed. I love her eye colour and her make-up really brought out the beautiful blue.

Below is my selection and some of the hairstyles that caught my eye at the 2010 SAG Awards. Enjoy!

The new Johanna Johnson collection, Zepphora, is bias cut heaven lit by an interpretation of 20's and 30's panache and effervescence with a sea of crystals, beads and the shimmer of satin. It is dramatic, glamorous and completely wearable by the passionate bride, sure of herself and of her figure.

The hand-worked lace and the hand-beaded embellishments complement Johanna's designs in such a regal way. Just look at The Isolde II, with its Swarovski belt and shoulder detail, or The Susannah, with its French lace appliqué positioned to create fluttery capped sleeves and frame the open back.

I find it amazing that all the accessories showed can be purchased and many of the details added or removed according to the bride's taste. It says a lot about a collection when you are able to contribute your touch to the dress. A bit like Monique Lhuillier's formula of the separates, one which I am all for!

I hope you like my selection, but make sure to stop by here and here to check the rest of the dresses! Oh, and Johanna tweets! I have to say I got super envious when she posted “Knee deep in Parisian laces and embellishments...”!