The hovering sculptures featured in the ongoing series "Emergent Behavior" are inspired by self-organizing
"emergent" systems in nature, such as termite mounds, swarming locusts, schools of fish and
flocking birds. The images attempt to tap into the mixture of fear and fascination that those phenomena
tend to evoke, while creating an uneasy interplay between the natural and the manufactured, the real
and the imaginary. At the same time, each image is an experiment in juxtaposition. By constructing the
sculptures from unexpected materials and placing them where they seem least to belong, I aim to
tweak the margins of our visual vocabulary, and to invite fresh interpretations of everyday things.

The hovering sculptures featured in the ongoing series "Emergent Behavior" are inspired by self-organizing
"emergent" systems in nature, such as termite mounds, swarming locusts, schools of fish and
flocking birds. The images attempt to tap into the mixture of fear and fascination that those phenomena
tend to evoke, while creating an uneasy interplay between the natural and the manufactured, the real
and the imaginary. At the same time, each image is an experiment in juxtaposition. By constructing the
sculptures from unexpected materials and placing them where they seem least to belong, I aim to
tweak the margins of our visual vocabulary, and to invite fresh interpretations of everyday things.

The hovering sculptures featured in the ongoing series "Emergent Behavior" are inspired by self-organizing
"emergent" systems in nature, such as termite mounds, swarming locusts, schools of fish and
flocking birds. The images attempt to tap into the mixture of fear and fascination that those phenomena
tend to evoke, while creating an uneasy interplay between the natural and the manufactured, the real
and the imaginary. At the same time, each image is an experiment in juxtaposition. By constructing the
sculptures from unexpected materials and placing them where they seem least to belong, I aim to
tweak the margins of our visual vocabulary, and to invite fresh interpretations of everyday things.

The hovering sculptures featured in the ongoing series "Emergent Behavior" are inspired by self-organizing
"emergent" systems in nature, such as termite mounds, swarming locusts, schools of fish and
flocking birds. The images attempt to tap into the mixture of fear and fascination that those phenomena
tend to evoke, while creating an uneasy interplay between the natural and the manufactured, the real
and the imaginary. At the same time, each image is an experiment in juxtaposition. By constructing the
sculptures from unexpected materials and placing them where they seem least to belong, I aim to
tweak the margins of our visual vocabulary, and to invite fresh interpretations of everyday things.

The hovering sculptures featured in the ongoing series "Emergent Behavior" are inspired by self-organizing
"emergent" systems in nature, such as termite mounds, swarming locusts, schools of fish and
flocking birds. The images attempt to tap into the mixture of fear and fascination that those phenomena
tend to evoke, while creating an uneasy interplay between the natural and the manufactured, the real
and the imaginary. At the same time, each image is an experiment in juxtaposition. By constructing the
sculptures from unexpected materials and placing them where they seem least to belong, I aim to
tweak the margins of our visual vocabulary, and to invite fresh interpretations of everyday things.

The hovering sculptures featured in the ongoing series "Emergent Behavior" are inspired by self-organizing
"emergent" systems in nature, such as termite mounds, swarming locusts, schools of fish and
flocking birds. The images attempt to tap into the mixture of fear and fascination that those phenomena
tend to evoke, while creating an uneasy interplay between the natural and the manufactured, the real
and the imaginary. At the same time, each image is an experiment in juxtaposition. By constructing the
sculptures from unexpected materials and placing them where they seem least to belong, I aim to
tweak the margins of our visual vocabulary, and to invite fresh interpretations of everyday things.