Contents

After his death, many of Larsson's friends said the character of Lisbeth Salander was created out of an incident in which Larsson, then a teenager, witnessed three of his friends gang-raping an acquaintance of his named Lisbeth, and did nothing to stop it. Days later, wracked with guilt, he begged her forgiveness — which she refused. The incident, he said, haunted him for years afterward, and in part moved him to create a character with her name who was also a rape survivor.[3][4][5] The veracity of this story has since been questioned, after a colleague from Expo magazine reported to Rolling Stone that Larsson had told him that he had heard the story secondhand and retold it as his own.[6]

In the only interview he ever did about the series, Larsson stated that he based the character on what he imagined Pippi Longstocking might have been like as an adult.[6][7] Another source of inspiration was Larsson's niece, Therese. A rebellious teenager, she often wore black clothing and makeup and told him several times that she wanted to get a tattoo of a dragon. The author often emailed Therese while writing the novels to ask her about her life and how she would react in certain situations.[6][8]

Larsson's friend and colleague Kurdo Baksi believes the author was also influenced by two murders in 2001 and 2002: Melissa Nordell, a model killed by her boyfriend, and Fadime Şahindal, a Swedish-Kurdish woman killed by her father.[3] Both women were killed at the hands of men or as victims of honor crime. To Larsson, there was no difference, and the "systematic violence" against women highly affected and inspired him to take action against these crimes through his writing. Eva Gabrielsson, Larsson's longtime partner, wrote that "the trilogy allowed Stieg to denounce everyone he loathed for their cowardice, their irresponsibility, and their opportunism: couch-potato activists, sunny-day warriors, fair-weather skippers who pick and choose their causes; false friends who used him to advance their own careers; unscrupulous company heads and shareholders who wrangle themselves huge bonuses.... Seen in this light, Stieg couldn't have had any better therapy for what ailed his soul than writing his novels."[9]

People who knew Larsson, such as Baksi and Anders Hellberg, a colleague of Larsson's in the 1970s and 1980s, were surprised that he wrote the novels. Hellberg went so far as to suspect that Larsson is not the sole author of the series, reasoning that Larsson was simply not a good enough writer. His partner, Gabrielsson has been named as the most likely candidate, due to her chosen wording during at least one interview that seemed to imply co-authorship. She later claimed she had been misquoted.[1] In 2011 Gabrielsson expressed anger at such accusations and clarified: "The actual writing, the craftsmanship, was Stieg's. But the content is a different matter. There are a lot of my thoughts, ideas and work in there." As an example she said he used her unfinished book about architect Per Olof Hallman to research locations for the Millennium series, and that the two of them physically checked places together and discussed where the characters would live.[10]

Having begun writing the first book in summer 2002,[1] Larsson waited until he had finished the first two and most of the third before submitting them to Swedish publishers. Baksi suggested he might have written the first chapter in 1997, which is when Larsson told him he was writing a novel.[3] While other publishers had turned the manuscripts down, Expo's publisher Robert Aschberg recommended them to Norstedts Förlag, whose editors accepted after reading the first two books in a single sitting.[3] Norstedts commissioned Steven T. Murray to undertake the English translation.[11] Larsson tried to get British publishers to accept his book, but was turned down until Christopher MacLehose bought the global English-language rights of the book for his MacLehose Press, an imprint of the London publisher Quercus.[12][13] Both Gabrielsson and Murray have said that MacLehose "needlessly prettified" the English translation, this being the reason Murray requested he be credited under the pseudonym "Reg Keeland."[1] MacLehose explained that the translations were commissioned by the Swedish company who adapted the books to film in order to aid an English-speaking screenwriter whom the producers were hoping to hire. For that reason they were done quickly and were not intended for publication. MacLehose said he polished and tightened them up a bit, as he would with any translation.[1] The English releases changed the titles, even though Larsson specifically refused to allow the Swedish publisher to change the name of the first novel, and the size of Salander's dragon tattoo; from a large piece covering her entire back, to a small shoulder tattoo.[10]Alfred A. Knopf bought the U.S. rights to the books after Larsson's death in 2004,[14] and uses this same translation.

In December 2013, the Swedish publisher Norstedts announced that a fourth Millennium book, to be published in August 2015, would be written by David Lagercrantz, a Swedish author known for being Zlatan Ibrahimović's biographer.[15][16] Larsson's partner Eva Gabrielsson has voiced criticism against this project, which has not made use of the unpublished material which is still in her possession.[17] The Swedish title of the book is Det som inte dödar oss, literally translated "That Which Does Not Kill Us".[18] Like the previous novels, the English language translation was published by Quercus.[19] The book was released with the English language title The Girl in the Spider's Web in the UK on 27 August and in the US on 1 September 2015.[20]

An early review by Upsala Nya Tidning characterised The Girl in the Spider's Web as "standard crime" portraying more brooding, human versions of Blomkvist and Salander, while downplaying the earlier "exaggerated and cartoonish features of the series".[21]

The fifth book in the Millennium series was released in September, 2017, once again written by David Langercrantz. The Swedish title is Mannen som sökte sin skugga (literal English translation: The Man Who Hunted his Shadow) and the English title is The Girl Who Takes an Eye for an Eye.[22][23]

Journalist Mikael Blomkvist has been convicted of libelling billionaire industrialist Hans-Erik Wennerström and wants to escape the media attention. He is hired by industrial tycoon Henrik Vanger under the guise of writing a biography of Henrik and the Vanger family, while really investigating the 40-year-old disappearance of Henrik's niece Harriet. He teams up with the introverted and skilled computer hacker Lisbeth Salander.

Mikael Blomkvist is contacted by freelance journalist Dag Svensson in regards to having Millennium publish his exposé on the sex trade in Sweden, which includes implicating government officials. Svensson and his girlfriend are murdered and the police believe Lisbeth Salander is the culprit. Blomkvist works to prove Salander's innocence while also trying to finish Svensson's piece and finds that both are connected.

Having learned of a secret group within the Swedish Security Service that has committed several constitutional violations against Lisbeth Salander, Mikael Blomkvist and a group of policemen from Swedish Security Service's Constitutional Protection division try to learn who its members are and have Salander cleared of the murder charges against her.

Journalist Mikael Blomkvist receives a phone call from a source claiming to have information vital to the United States. The source has been in contact with a young female superhacker—a hacker resembling someone Blomkvist knows all too well. The implications are staggering. Blomkvist, in desperate need of a scoop for Millennium, turns to Lisbeth Salander for help. She, as usual, has her own agenda. The secret they are both chasing is at the center of a tangled web of spies, cybercriminals, and governments around the world, and someone is prepared to kill to protect it.

Lisbeth Salander has never been able to uncover the most telling facts of her traumatic childhood, the secrets that might finally, fully explain her to herself. Now, when she sees a chance to uncover them once and for all, she enlists the help of Mikael Blomkvist, the editor of the muckraking, investigative journal Millennium. And she will let nothing stop her — not the Islamists she enrages by rescuing a young woman from their brutality; not the prison gang leader who passes a death sentence on her; not the deadly reach of her long-lost twin sister, Camilla; and not the people who will do anything to keep buried knowledge of a sinister pseudoscientific experiment known only as The Registry.

Larsson wrote an incomplete manuscript of another novel in the series before his sudden death in November 2004. His partner, Eva Gabrielsson, is in possession of the notebook computer with the manuscript, but does not own the rights to Larsson's work.[2] In an attempt to protect Gabrielsson from the people he was investigating in real life (Swedish Neo-Nazis and racists), Larsson never married. He wrote a will but it was not witnessed, making it invalid according to Swedish law. Thus, it is his family who have succession. Outlines or manuscripts for a fifth and sixth book possibly exist.[1]

In 2010, Larsson's friend John-Henri Holmberg showed Associated Press emails he received from the author shortly before his death that supposedly described plans for another book in the series. In them Larsson wrote "The plot is set 120 kilometres north of Sachs Harbour, at Banks Island in the month of September ... According to the synopsis it should be 440 pages."[24]

Gabrielsson has described the manuscript as roughly 200 pages, having a working title of "Guds hämnd" (God's Revenge),[25] being 30% complete and "Not worth publishing as is." In 2011 Gabrielsson said, "I once offered to finish it, but I have to have the legal rights to do so, and they didn't want to give me that, so I think we should all be happy that there are just three."[10] Only months earlier, Larsson's former colleague Kurdo Baksi said he and the author's father were shown the manuscript by Gabrielsson shortly after Larsson's death and that "It is at 260 pages at the moment – about 70% complete." He described the manuscript as being the fifth in the series, set "between Ireland, Sweden and the US" and largely featuring Lisbeth Salander's twin sister Camilla. Baksi is also against having a ghost writer complete it, believing that they "would not respect Stieg Larsson's style."[26]

The first novel won Sweden's Glass Key award in 2006, that same year the second book won the Best Swedish Crime Novel Award, and in 2008 the third novel also won the Glass Key award. In the 2012 revised edition of Japan's Tozai Mystery Best 100, the Millennium series was ranked the twelfth best mystery from the West.[27] By May 2010, 27 million copies of the trilogy had been sold worldwide,[1] a number that would grow to more than 46 million over the next five months,[28] and reach 65 million in December 2011.[29] In July 2010 the series made Larsson the first author to sell a million electronic copies of his work on the Amazon Kindle.[30] Sales reached 75 million copies throughout fifty countries by December 2013,[15] and 80 million by March 2015.[31]

The Swedish film production company Yellow Bird has produced film versions of the Millennium Trilogy, co-produced with The Danish film production company Nordisk Film and television company,[32] which were released in Scandinavia in 2009. In 2010, the extending of all three films to approximately 180 minutes led to their being shown on Swedish television as the six-part Millennium series. Each film was divided into two parts of 90 minutes. This version was released on July 14, 2010 on DVD and Blu-ray Disc in three separate sets and on November 24, 2010 as a Complete Millennium Trilogy box set with an extra disc.

Originally, only the first film was meant for a theatrical release, with the following ones conceived as TV films, but this was changed in the wake of the tremendous success of the first film. The first film was directed by Niels Arden Oplev and the next two by Daniel Alfredson, while the screenplays of the first two were adapted by Nikolaj Arcel and Rasmus Heisterberg, and the last one by Ulf Rydberg and Jonas Frykberg. All three films feature Michael Nyqvist as Mikael Blomkvist and Noomi Rapace as Lisbeth Salander.

The Girl with the Dragon Tattoo, Book 1, released on November 13, 2012.

The Girl with the Dragon Tattoo, Book 2, released on May 7, 2013.

The Girl Who Played with Fire, released on June 3, 2014.

The Girl Who Kicked the Hornet's Nest, released on July 28, 2015.

For the Franco-Belgian market, a separate adaptation has been published, written by Sylvain Runberg with artwork by José Homs and Manolo Carot. Starting in 2016, Runberg followed up the series with newer stories based on the characters, independent of David Lagercrantz' reboot.