In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written. Includes illustrations and explanatory footnotes.

In this autobiography, first published in 1929, poet Robert Graves traces the monumental and universal loss of innocence that occurred as a result of the First World War. Written after the war and as he was leaving his birthplace, he thought, forever, Good-Bye to All That bids farewell not only to England and his English family and friends, but also to a way of life. Tracing his upbringing from his solidly middle-class Victorian childhood through his entry into the war at age twenty-one as a patriotic captain in the Royal Welsh Fusiliers, this dramatic, poignant, often wry autobiography goes on to depict the horrors and disillusionment of the Great War, from life in the trenches and the loss of dear friends, to the stupidity of government bureaucracy and the absurdity of English class stratification. Paul Fussell has hailed it as "the best memoir of the First World War" and has written the introduction to this new edition that marks the eightieth anniversary of the end of the war. An enormous success when it was first issued, it continues to find new readers in the thousands each year and has earned its designation as a true classic.

In 1967, Joan Didion wrote an essay called Goodbye to All That, a work of such candid and penetrating prose that it soon became the gold standard for personal essays. Like no other story before it, Didion’s tale of loving and leaving New York captured the mesmerizing allure Manhattan has always had for writers, poets, and wandering spirits. In this captivating collection, 28 writers take up Didion’s literary legacy by sharing their own New York stories. Their essays often begin as love stories do, with the passion of something newly discovered—the crush of subway crowds, the streets filled with manic energy, and the sudden, unblinking certainty that this is the only place on Earth where one can become exactly who she is meant to be. They also share the grief that comes like a gut-punch, when the metropolis loses its magic and the pressures of New York’s frenetic life wear thin on even the most fervent dwellers. As friends move away, rents soar, and love—still— remains just out of reach, each writer’s goodbye to New York is singular and universal, like New York itself. With Cheryl Strayed, Dani Shapiro, Emma Straub, Ann Hood, and more.

High Quality Content by WIKIPEDIA articles! Good-Bye to All That, an autobiography by Robert Graves, first appeared in 1929, when the author was thirty-four. "It was my bitter leave-taking of England," he wrote in a prologue to the revised second edition of 1957, "where I had recently broken a good many conventions." The title may also point to the passing of an old order following the cataclysm of the First World War; the inadequacies of patriotism, the rise of atheism, feminism, socialism and pacifism, the changes to traditional married life, and not least the emergence of new styles of literary expression, are all treated in the work, bearing as they did directly on Graves' life. The unsentimental and frequently comic treatment of the banalities and intensities of the life of a British army officer in the First World War gave Graves fame, notoriety and financial security, but the book's subject is also his family history, childhood, schooling and, immediately following the war, early married life; all phases bearing witness to the "particular mode of living and thinking" that constitute a poetic sensibility.

May, 1992. Hana is twelve years old when her older sister Atka puts her on a UN evacuation bus fleeing the besieged city of Sarajevo. Thinking they will be apart for a short time, they make a promise to each other to be brave. But as the Bosnian war escalates and months go by without contact, their promise becomes deeply significant. Hana is forced to cope as a refugee in Croatia, while Atka and their younger siblings battle for survival in a city overwhelmed by crime and destruction. Then, when Atka manages to find work as a translator, events take an unexpected turn, and the remarkable events that follow change her life, and those of her family, forever.