Between The Buried And Me

Formed in 2000 in North Carolina, Between the Buried and Me play extremely technical and varied death metal with super-growly Cookie Monster-esque vocals. The songs have many components, ranging from obliterating grind-core, to messing with signatures like the Gorguts on lithium, to moments of sheer ethereal beauty. But it's these passages with light guitars and sung vocals that really set Between the Buried apart from other folks playing death metal today.

Between The Buried And Me Concert Films

Coma Ecliptic: Live

Between the Buried and Me

Year: 2015

Runtime: 1 hr 11 min

Metal Blade Records, in association with Good Fight Entertainment, present Between the Buried and Me "Coma Ecliptic: Live". The concert, which features the band performing "Coma Ecliptic" in its entirety, was filmed live on location October 4th, 2015 at The Observatory North Park in San Diego, CA. Bassist Dan Briggs comments: "The genesis of the Coma Ecliptic filming was based around capturing the look and feel of the show our lighting director Chris Hill produced for the full album set. It's such an important record for us and our progression as a band and the visual representation captures the moods of our tragic tale so well. It's the perfect way to wrap up the last two years we've been living with this album day in and day out!"

The concept behind "Future Sequence: Live at the Fidelitorium" is in contrast with Between the Buried and Me's ambitious and impressive live stage production. This film features the band in a small studio setting in which they perform "The Parallax II: Future Sequence" album in its entirety at the Fidelitorium outside Winston-Salem, NC.

The Making of Coma Ecliptic" offers an in-depth look into the recording process of Between the Buried and Me's album, "Coma Ecliptic". Directed and edited by Justin Reich, with additional footage supplied by Blake Faucette.

Related Artists

Live at Brixton

Mastodon

Year: 2012

Runtime: 1 hr 37 min

On February 11, 2012, Mastodon took the stage at London's O2 Academy, Brixton capping off the band's world tour for their fifth studio album, "The Hunter." This sold out performance was the band's first show at Brixton. In addition to performing their latest songs "Curl of the Burl," "Black Tongue," and "Dry Bone Valley" the band dug into their catalog performing "Colony of Birchmen," "Capillarian Crest," and "Iron Tusk." Critics said this 23-song set list captures "an intense display of dark riffs and crushing choruses." Rolling Stone says "'The Hunter' demonstrates how contemporary radio rock can still be made with imagination, precision and a majestic sense of force."

This documentary highlights over two years of August Burns Red's continuous touring throughout an entire record cycle. The title Rescue & Restore (Foreign & Familiar Edition) pays homage to the vast fan-base that August Burns Red has built over the years with multiple world-wide tours in North America, Europe, Asia, South America, & Australia. Rescue & Restore marks August Burns Red’s fifth proper album, fleshing out an impressive body of work that also includes a live full-length record Home, a collection of B-sides Lost Messengers: The Outtakes, and a 2012 holiday album, August Burns Red Presents: Sleddin' Hill, A Holiday Album, released over the band’s lauded decade-long career. Since launching out of Manheim, PA, the industrious outfit has successfully transitioned from shake-up-the-field upstarts to one of the biggest names worldwide in the genre. On stages across the U.S. to Dubai, Japan, Australia, and South America, from renowned festivals such as UK’s Download Festival to the Vans Warped Tour, which they joined again in 2013 as a main stage act, August Burns Red have spent years taking their music and message directly to fans, and in the process have grown into one of the leading forces in the modern metal scene, a fact bolstered by their 1.5 million Facebook fans and more than half-million albums sold.

We got the opportunity to attend one of the most anticipated metal gigs of the year so far. The lights went down and the mighty Opeth entered the stage with the crowd roaring for them. Opeth blew the roof off the Enmore in Sydney, playing as amazingly as they always do. After they were all plugged in they began playing one of their hit songs. Effortlessly the members of Opeth themselves were getting lost in the music and drawing you in with them into a tranced atmospheric dimension as lead vocalist and guitarist Mikael Åkerfeldt’s voice carried through the venue.

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