I am not a regular at CES, the huge trade consumer technology fair in Las Vegas, but well recall my last visit, in 2014. I did the usual round of press conferences from various technology vendors, but reserved some time towards the end of my stay for the high-end audio rooms at the Venetian, one of the more civilized hotels in Vegas despite the fake canals.

There was plenty of activity there, floor upon floor of exhibitors showing all kinds of audio exotica, from cables thicker than your arm to amplifiers that would test the strength of your flooring. Of course there was plenty of audio on the main CES exhibits as well, but my observation at the time was that while the mainstream manufacturers like B&W and Sony had good sounds at relatively affordable prices, the crazy folk in the Venetian did achieve the best sonics, if you closed your eyes to the wild theories and bank-busting prices.

I was ushered into a room to hear a preview of Naim’s Statement amplifiers and heard a sound that was “muscular, etched and authoritative”, no less than it should be at £150,000 for a set.

It appears that memories will now be all we have of the these great days in the Venetian. Last year CEPro reported:

Maybe the writing was on the wall last year at CES 2017 when two of the suites in the high-performance area were occupied by AARP and Serta Mattress. The running joke among attendees was the elderly audiophiles there could take a nap and check in on their retirement status while listening to audio …. “This is the end of high-performance audio at CES,” said one exhibitor bluntly.

This year it has played out more or less as expected:

The impact of the high-fidelity corner of CES was certainly diminished by any standard. Actual listening rooms were reduced to a single hallway, with some stragglers to be found a few floors upward.

The word is that High-End Munich has replaced CES to some extent; but this is not just a matter of which industry show is more fashionable. You only have to look around you at a hi-fi shows to note that these enthusiasts are mostly an older generation. The future does not look good.

There is no decline in music appreciation, so what is wrong? There are several factors which come to mind.

The first and most important is that technology has made high quality audio cheap and ubiquitous. Plug a decent pair of headphones into the smartphone you already have, and the quality is already more than satisfactory for most listeners. Spend a bit on powered wireless speakers and you can get superb sound. In other words, the excellent performance of mainstream audio has pushed the high-end market into a smaller and smaller niche.

The industry has also harmed itself by seemingly embracing every opportunity for hype, regardless of what science and engineering tell us. Exotic cables, digital resolutions beyond anything that human ears can hear, unwarranted fuss about jitter or mysterious timing issues (MQA anyone?), and more.

In the meantime, the music companies have done their best to make high resolution audio even more pointless by excessive dynamic range compression engineered into the music they release, wasting the fantastic dynamic range that is now possible and even on occasion introducing audible distortion.

I became an audio enthusiast when I heard how much I was missing by using mainstream budget equipment. I recall listening sessions in hi-fi shops where I was stunned by the realism, musicality and detail that was to be heard from familiar records when played back on high-end systems.

A feature of Microsoft’s OneDrive cloud storage is that you can set it to upload photos from your smartphone automatically. It is a handy feature, in part as a backup in case the you lose your mobile, and in part because it lets you easily get to them on your PC or Mac, for editing, printing or sharing.

This feature used to work reliably on Windows Phone but I have not found it so good on Android. Photos never seem to upload in the background, but only when you open the OneDrive app and tap Photos. Even then, it seems to stop uploading from time to time, as if everything is up to date when it is not.

The fix that I have found is to open OneDrive settings by tapping the Me icon (not a particularly intuitive place to find settings, but never mind).

Then I turn Camera upload off. Go back to Photos. Go back to settings and turn Camera upload on again. It always kicks it back into life.

It is worth noting of course that Google Photos also has this feature and it is likely to be enabled, unless you specifically took care not to enable it. And cloud storage of photos on Google is free if you choose “High quality” for upload size. If you choose “Original” for upload size, you get 15GB free photo storage.

This being the case, why bother with OneDrive camera upload? A few reasons I can think of:

1. The Windows 10 Photos app integrates with OneDrive, showing previews of your images without downloading them and letting you download on demand.

2. You might have more space on OneDrive, especially if you use OneDrive for Business, which is now in beta

3. In a business context, automatic upload to OneDrive for Business has great potential. Think surveyors, engineers, medicine, anyone who does site visits for work

4. For consumers, it probably does not make sense to spread your stuff across both a Microsoft account and a Google account. If you have picked Microsoft, maybe because you use Windows or because you would rather trust Microsoft than Google with your personal data, then you would want your photos to be in OneDrive rather than Google Photos.

It is therefore unfortunate that in my experience it does now work right. I am not sure if this is just a bug in the app, or something to do with Android. In the end though, it is just another niggly thing that pushes Android users away from Microsoft and towards Google services.

The exhibition David Bowie Is, originally at the Victoria and Albert museum in London and subsequently on tour around the world, has proved an enormous success with over 2 million visitors in 12 locations. Sony Entertainment has now released David Bowie Is AR Exhibition, an app for iOS and Android that uses Augmented Reality to enable users to enjoy the exhibition at home and whenever they like.

I found the app though-provoking. I am a fan of course, so keen to see the material; and I attended the London exhibition twice so I have some context.

I tried the app on an Honor 10 AI – note that you have to download the Google ARCore library first, if it is not already installed. Then I ran the app and found it somewhat frustrating. When the app starts up, you get a calibrating screen and this has to complete before you can progress.

If you struggle at all with this, I recommend having a look at the help, which says to “Find a well-lit surface with a visible pattern or a few flat items on it. A magazine on a desk or table works well.” Another tip is that the app is designed for a table-top experience. So sit at a desk, do not try walking around and using a wall.

The app streams a lot of data. So if you are on a poor connection, expect to wait while the orange thermometer bar fills up at the bottom of the screen. The streaming/caching could probably be much improved.

Once I got the app working I began to warm to it. You can think of it as a series of pages or virtual rooms. Each room has an array of object in it, and you tap an object to bring it into view. Once an object is focused like this, you can zoom in by moving the phone. Pinch to zoom should work too though I had some problems with it.

Here is a view of the recording page:

and here I’ve brought a page of Bowie’s notes into view (note the caption which appears) and zoomed in; the resolution is good.

The clever bit is that you can move objects around by tap and drag. This is a nice feature when viewing Bowie’s cut-up lyric technique, since you can drag the pieces around to exercise your own creativity.

Fair enough, but is this really Augmented Reality? I’d argue not, since it does not mix the real world with the virtual world. It just uses the AR platform as a viewer into this virtualised environment.

The experience is good when it works, but not if you get disappearing content, endless “calibration”, stuttering videos, or content that is too small and stubbornly refuses to come into view – all issues which I encountered. It also requires a fairly high-end phone or tablet. So your environment has to be just right for it to work; not ideal for enjoying on a train journey, for example. And some of the content is literally shaky; I think this is a bug and may improve with an update.

Would it be better if it were presented in a more traditional ways, as a database of items which you could search and view? Unfortunately I think it would. This would also reduce the system requirements and enable more people to enjoy it.

I would love to be able to look up these items easily. Instead I have to hunt through the virtual rooms and hope I can find what I am looking for. Just like a real exhibition, complete with crowds and kids wanting toilets I guess.

Synology has released a new budget NAS, the DS119j, describing it as “An ideal first NAS for the home".

It looks similar to the DS115j which it probably replaces – currently both models are listed on Synology’s site. What is the difference? The operating system is now 64-bit, the CPU now a dual-core ARMv8, though still at 800 MHz, and the read/write performance slightly bumped from 100 MB/s to 108 MB/s, according to the documentation.

I doubt any of these details will matter to the intended users, except that the more powerful CPU will help performance – though it is still underpowered, if you want to take advantage of the many applications which this device supports.

What you get is the Diskstation, which is a fairly slim white box with connections for power, 1GB Ethernet port, and 2 USB 2.0 ports. Disappointing to see the slow USB 2.0 standard used here. You will also find a power supply, an Ethernet cable, and a small bag of screws.

The USB ports are for attaching USB storage devices or printers. These can then be accessed over the network.

The DS119j costs around £100.

Initial setup

You can buy these units either empty, as mine was, or pre-populated with a hard drive. Presuming it is empty, you slide the cover off, fit the 3.5" hard drive, secure it with four screws, then replace the cover and secure that with two screws.

What disk should you buy? A NAS is intended to be always on and you should get a 3.5" disk that is designed for this. Two common choices are the WD (Western Digital) Red series, and Seagate IronWolf series. At the time of writing, both a 4TB WD Red and a 4TB IronWolf are about £100 from Amazon UK. The IronWolf Pro is faster and specified for a longer life (no promises though), at around £150.

What about SSD? This is the future of storage (though the man from Seagate at Synology’s press event says hard drives will continue for a decade or more). SSD is much faster but on a home NAS that is compromised by accessing it over a network. It is much more expensive for the same amount of storage. You will need a SATA SSD and a 3.5" adapter. Probably not the right choice for this NAS.

Fitting the drive is not difficult, but neither it is as easy as it could be. It is not difficult to make bays in which drives can be securely fitted without screws. Further, the design of the bay is such that you have to angle a screwdriver slightly to turn the screws. Finally, the screw holes in the case are made entirely of plastic and it would be easy to overtighten then and strip the thread, so be careful.

Once assembled, you connect the drive to a wired network and power it on. In most home settings, you will attach the drive to a network port on your broadband router. In other cases you may have a separate network switch. You cannot connect it over wifi and this would anyway be a mistake as you need the higher performance and reliability of a cable connection.

To get started you connect the NAS to your network and therefore to the internet, and turn it on. In order to continue, you need to find it on the network which you can do in one of several ways including:

– Download the DS Finder app for Android or iOS.

– Download Synology Assistant for Windows, Mac or Linux

– Have a look at your DHCP manager (probably in your router management for home users) and find the IP address

If you use DS Finder you can set up the Synology DiskStation from your phone. Otherwise, you can use a web browser (my preferred option). All you need to do to get started is to choose a username and password. You can also choose whether to link your DiskStation with a Synology account and create a QuickConnect ID for it. If you do this, you will be able to connect to your DiskStation over the Internet.

The DiskStation sets itself up in a default configuration. You will have network folders for music, photo, video, and another called home for other documents. Under home you will also find Drive, which behaves like a folder but has extra features for synchronization and file sharing. For full use of Drive, you need to install a Drive client from Synology.

If you attach a USB storage device to a port on the DS119j, it shows up automatically as usbshare1 on the network. This means that any USB drive becomes network storage, a handy feature, though only at USB 2.0 speed.

Synology DSM (Disk Station Manager)

Synology DSM is a version of Linux adapted by Synology. It is mature and robust, now at version 6.2. The reason a Synology NAS costs much more than say a 4TB WD Elements portable USB drive is that the Synology is actually a small server, focused on storage but capable of running many different types of application. DSM is the operating system. Like most Linux systems, you install applications via a package manager, and Synology maintains a long list of packages encompassing a diverse range of functions from backup and media serving through to business-oriented applications like running Java applications, a web server, Docker containers, support ticket management, email, and many more.

DSM also features a beautiful windowed user interface all running in the browser.

The installation and upgrade of packages is smooth and whether you consider it as a NAS, or as a complete server system for small businesses, it is impressive and (compared to a traditional Windows or Linux server) easy to use.

The question in relation to the DS119j is whether DSM is overkill for such a small, low-power device.

Hyper Backup

Given that this NAS only has a single drive, it is particularly important to back up any data. Synology includes an application for this purpose, called Hyper Backup.

Hyper Backup is very flexible and lets you backup to many destinations, including Amazon S3, Microsoft Azure, Synology’s own C2 cloud service, or to local storage. For example, you could attach a large USB drive to the USB port and backup to there. Scheduling is built in.

I had a quick look at the Synology C2 service. It did not go well. I use the default web browser on Windows 10, Edge, and using Hyper Backup to Synology C2 just got me this error message.

I told Edge to pretend to be Firefox, which worked fine. I was invited to start a free trial. Then you get to choose a plan:

Plans start at €9.99 + VAT for 100GB for a year. Of course if you fill your 4TB drive that will not be enough. On the other hand, not everything needs to be backed up. Things like downloads that you can download again, or videos ripped from disks, are not so critical, or better backed up to local drives. Cloud backup is ideal though for important documents since it is an off-site backup. I have not compared prices, but I suspect that something like Amazon S3 or Microsoft Azure would be better value than Synology C2, though integration will be smooth with Synology’s service. Synology has its own datacentre in Frankfurt so it is not just reselling Amazon S3; this may also help with compliance.

An ideal first NAS?

The DS119j is not an ideal NAS for one simple reason: it has only a single bay so does not provide resilient storage. In other words, you should not have data that is stored only on this DiskStation, unless it is not important to you. You should ensure that it is backed up, maybe to another NAS or external drive, or maybe to cloud storage.

Still, if you are aware of the risks with a single drive NAS and take sensible precautions, you can live with it.

I like Synology DSM which makes the small NAS devices great value as small servers. For home users, they are great for shared folders, media serving (I use Logitech Media Server with great success), and PC backup. For small business, they are a strong substitute for the role which used to be occupied by Microsoft’s Small Business Server as well as being cheaper and easier to use.

If you only want a networked file share, there are cheaper options from the likes of Buffalo, but Synology DSM is nicer to use.

If you want to make fuller use of DSM though, this model is not the best choice. I noticed the CPU often spiked just using the control panel and package manager.

I would suggest stretching to at least the DS218j, which is similar but has 2 bays, 500MB of RAM and a faster CPU. Better still, I like the x86-based Plus series – but a 2-bay DS218+ is over £300. A DS218j is half that price and perhaps the sweet spot for home users.

Finally, Synology could do better with documentation for the first-time user. Getting started is not too bad, but the fact is that DSM presents you with a myriad of options and applications and a better orientation guide would be helpful.

I have been writing about Google Chromebooks of late and as part of my research went out and bought one, an HP Chromebook 14 that cost me less than £200. It runs an Intel Celeron N3350 processor and has a generous (at this price) 32GB storage; many of the cheaper models have only 16GB.

This is a low-end notebook for sure, but still boots quickly and works fine for general web browsing and productivity applications. Chrome OS (the proprietary version of the open source Chromium OS) is no longer an OS that essentially just runs Google’s Chrome browser, though that is still the main intent. It has for some time been able to run Android applications; these run in a container which itself runs Android. Android apps run fairly well though I have experienced some anomalies.

Recently Google has added support for Linux applications, though this is still in beta. The main motivation for this seems to be to run Android Studio, so that Googlers and others with smart Pixelbooks (high-end Chromebooks that cost between £999 and £1,699) can do a bit more with their expensive hardware.

I had not realised that even a lowly HP Chromebook 14 is now supported by the beta, but when I saw the option in settings I jumped at it.

It took a little while to download but then I was able to open a Linux terminal. Like Android, Linux runs in a container. It is also worth noting that Chrome OS itself is based on Linux so in one sense Chromebooks have always run Linux; however they have been locked down so that you could not, until now, install applications other than web apps or Android.

Linux is therefore sandboxed. It is configured so that you do not have access to the general file system. However the Chromebook Files application has access to your user files in both Chrome OS and Linux.

I found little documentation for running Linux applications so here are a few notes on my initial stumblings.

First, note that the Chromebook trackpad has no right-click. To right-click you do Alt-Click. Useful, because this is how you paste from the clipboard into the Linux terminal.

Similarly, there is no Delete key. To Delete you do Alt-Backspace.

I attribute these annoyances to the fact that Chrome OS was mostly developed by Mac users.

Second, no Linux desktop is installed. I did in fact install the lightweight LXDE with partial success but it does not work properly.

The idea is that you install GUI applications which run in their own window. It is integrated so that once installed, Linux applications appear in the Chromebook application menu.

I installed Firefox ESR (Extended Support Release). Then I installed an application which promises to be particularly useful for me, Visual Studio Code. Next I installed the .NET Core SDK, following the instructions for Debian.

Everything worked, and after installing the C# extension for VS Code I am able to debug and run .NET Core applications.

I understand that you will not be so lucky with VS Code if you have an ARM Chromebook. Intel x86 is the winner for compatibility.

What is significant to me is not only that you can now run desktop applications on a Chromebook, but also that you can work on a Chromebook without needing to be deeply hooked into the Google ecosystem. You still need a Google account of course, for log in and the Play Store.

You will also note from the screenshot above that Chrome OS is no longer just about a full-screen web browser. Multiple overlapping windows, just like Windows and Mac.

These changes might persuade me to spend a little more on a Chromebook next time around. Certainly the long battery life is attractive. Following a tip, I disabled Bluetooth, and my Chromebook battery app is reporting 48% remaining, 9 hrs 23 minutes. A little optimistic I suspect, but still fantastic.

Postscript: I was always a fan of the disliked Windows RT, which combined a locked-down operating system with the ability to run Windows applications. Maybe container technology is the answer to the conundrum of how to provide a fully capable operating system that is also protected from malware. Having said which, there is no doubt that these changes make Chromebooks more vulnerable to malware; even if it only runs in the Linux environment, it could be damaging and steal data. The OS itself though will be protected.

Last week I attended IFA in Berlin, perhaps Europe’s biggest consumer electronics event, and was struck by the ubiquity of Google Assistant. The company spent big on promoting its digital assistant both outside and inside the venue.

Mach mal, Google; or in English, Go Google.

On the stands and in press briefings I soon lost count of who was supporting Google’s voice assistant. A few examples:

JBL/Harman in its earbuds

Lenovo with its Home Control Solutions – Lenovo also uses its own cloud and will support Amazon Alexa

LG with audio, TV, kitchen, home automation and more

Bang & Olufsen with its smart speakers. No logo, but it is using Google Assistant both as a feature in itself (voice search and so on) and to control other audio devices.

And Sony with its TVs and more. For example, then new AF9 and ZF9 series: “Using the Google Assistant with both the AF9 and ZF9 will be even easier. Both models have built-in microphones that will free the hands; now you simply talk to the TV to find what you quickly want, or to ask the Google Assistant to play TV shows, movies, and more.*

I was only at IFA for the pre-conference press days so this is just a snapshot of what I saw; there were many more Google Assistant integrations on display, and quite a few (though not as many) for Amazon Alexa.

It is fair to say then that Google is treating this as a high priority and having considerable success in getting vendors to sign up.

What is Google Assistant?

Google Assistant really only needs three things in order to work. A microphone, to hear you. An internet connection, to send your voice input to its internet service for voice to text transcription, and then to its AI/Search service to find a suitable response. And a speaker, to output the result. You can get it as a product called Google Home but it is the software and internet service that counts.

Vendors of smart devices – anything that has an internet connection – can develop integrations so that Google Assistant can control them. So you can say, “Hey Google, turn on the living room light” and it will be so. Cool.

Amazon Alexa has similar features and this is Google’s main competition. Alexa was first and ties in well with Amazon services such as shopping and media. However Google has the advantage of its search services, its control of Android, and its extensive personal data derived from search, Android, Google Maps and location services, GMail and more. This means Google can do better AI and richer personalisation.

Natural language UI

Back in March I attended an AI Assistant Summit in London organised by Re-Work. One of the speakers was Yariv Adan, a Product Lead at Google Assistant.

I attend lots of presentations but this one made a particular impact on me. Adan believes that natural language UI is the next big technological shift. The preceding ones he identified were the Internet in the nineties and smartphones in the early years of this century. Adan envisages an era in which we no longer constantly pull out devices.

“I believe the next revolution is happening now, powered by AI. I call it the paradigm switch to natural UI. Instead of humans adapting to machines, machines adapt to humans. What we’re trying to create is we interact with machines the same way we interact with each other, in a natural way. Meaning using natural language, showing things, pointing at things, assuming context, assuming a human-like memory, expecting personality, humour, opinion, some kind of an emotional connection, empathy.

[In future] it is not the device changing, it is the device disappearing. We are not going to interact with devices any more. We are starting to interact with this AI entity, an ambient entity that exists everywhere.”

Note: If you ever read Isaac Asimov’s science fiction novels, you will recognise this as very like his Multivac computer, which hears and responds to your questions wherever you are.

“Imagine now that everything is connected, that the entity follows you. That there is no more device that you need to take out, turn on, speak to it. It’s around you, it’s on the TV, it’s in the speakers, it’s in your headphones, it’s in the watch, it’s in the auto, it’s there. Internet of things, any connected device that only has a speaker you can actually start interacting with that thing,”

said Adan.

Adan gave a number of demonstrations. Incidentally, he never uttered the words “Hey Google”. Simply, he spoke into his phone, where I presume some special version of Google Assistant was running. In particular, he was keen to show how the AI is learning about context and memory. So he asked what is the largest castle in the UK where people live. Answer: Windsor Castle. Then, Who built it? When? Is it open now? How can I get there by public transport? What about food? In each case, the Assistant answered as a human would, understanding that the topic was Windsor Castle. “I found some restaurants within 0.4 miles,” said the Assistant, betraying a touch of computer-style logic.

“Thank you you’re awesome,” says Adan. “Not a problem”, responds the Assistant. This is an example of personality or emotion, key factors, said Adan, in making interaction natural.

Adan also talked about personalisation. “Show me my flight”. The Assistant knows he is away from home and also has access to his mailbox, from where it has parse flight details. So it answers this generic question with specific details about tomorrow’s flight to Zurich.

“Where did I park my car?” In this case, Adan had taken a picture of his car after parking. The Assistant knew the location of the picture and was able to show both the image and its place on a map.

“I want to show how we use some of that power for the ecosystem that we have built … we’re trying to make that revolution to a place where you don’t need to think about the machine any more, where you just interact in a way that is natural. I am optimistic, I think the revolution is happening now.”

Implications and unintended consequences

An earlier speaker at the Re-Work event (sorry I forget who it was) noted that voice systems give simplified results compared to text-based searches. Often you only get one result. Back in the nineties, we used to talk about “10 blue links” as the typical result of a search. This meant that you had some sort of choice about where you clicked, and an easy way to get several different perspectives. Getting just one result is great if the answer is purely factual and is correct, but reinforces the winner-takes-all tendency. Instead of being on the first page of results, you have to be top. Or possibly pay for advertising; that aspect has not yet emerged in the voice assistant world.

If we get into the habit of shopping via voice assistants, it will be disruptive for brands. Maybe Amazon Basics will do well, if users simply say “get me some A4 paper” rather than specifying a brand. Maybe more and more decisions will be taken for you. “Get me a takeaway dinner”, perhaps, with the assistant knowing both what you like, and what you ate yesterday and the day before.

All this is speculation, but it is obvious that a shift from screens to voice for both transactions and information will have consequences for vendors and information providers; and that probably it will tend to reduce rather than increase diversity.

What about your personal data? This is a big question and one that the industry hates to talk about. I heard nothing about it at IFA. The assumption was that if you could turn on a light, or play some music, without leaving your chair, that must be a good thing. Yet, having a device or devices in your home listening to your every word (in case you might say “Hey Google”) is something that makes me uncomfortable. I do not want Google reading my emails or tracking my location, but it is becoming hard to avoid.

For most people, Google Assistant will just be a feature of their TV, or audio system, or a way to call up recipes in the kitchen.

From Google’s perspective though, it is safe to assume that the ability to collect data is a key reason for its strong promotion and drive behind Google Assistant. That data has enormous value. Targeted advertising is the start, but it also provides deep insight into how we live, trends in human behaviour, changing patterns of consumption, and much more. When things are going wrong with our health, our finances or our relationships, it is not implausible that Google may know before we do.

This is a lot of power to give a giant US corporation; and we should also note that in some scenarios, if the US government were to demand that data be handed over, a company like Google has no choice but to comply.

Personalisation can make our lives better, but also has the potential to harm us. An area of concern is that of shared risk, such as health insurance. Insurers may be reluctant to give policies to those people most likely to make a claim. Could Google’s data store somehow end up impacting our ability to insure, or its cost?

Personalisation is always a trade-off. Organisation gets my data; I get a benefit. I shop at a supermarket and this is fairly transparent. I use a loyalty card so the shop knows what I buy; in return I get discount points and special offers.

In the case of Google Assistant it is not so transparent. The EU’s GDPR legislation has helped, giving citizens the right to access their data and the right to be forgotten. However, we are still in the era of one-sided privacy policies and in many cases the binary choice of agree, or do not use our services. This becomes a problem if the service provider has anything close to a monopoly, which is true in Google’s case. Regulation, it seems to me, is exactly the right answer to the risks inherent in putting too much power in the hands of a business entity.

For myself, I am happy to cross the room and turn on the light, and to find my flight in my calendar. The trade-off is not worth it. But if Adan’s “ambient entity” comes to pass (which is actually most likely Google) I am not sure of the extent to which I will have a choice.

Adan’s work is terrific and the ability for machines to converse with humans in something close to a natural way is a huge technical achievement. I have nothing but respect for him and his team. It is part of a wider picture though, about data gathering, personalisation, and control of information and transactions, and it seems to me that this deserves more attention.

It is classic Microsoft. Launch something before it is ready, then struggle to persuade the market to take a second look after it is fixed.

This may prove to be the Windows Mixed Reality story. At IFA in Berlin last year, all the major Windows PC vendors seemed to have headsets to show and talked it up in their press events. This year, Acer has a nice new generation headset, but Asus made no mention of upgrading its hardware. Dell is showing Oculus Rift on its stand, and apparently is having an internal debate about future Mixed Reality hardware.

I reviewed Acer’s first headset and the technology in general late last year. The main problem was lack of content. In particular, the Steam VR compatibility was in preview and not very good.

Today I tried the new headset briefly at the Acer booth.

The good news: it is a big improvement. It feels less bulky but well made, and has integrated headphones. It felt comfortable even over glasses.

On the software side, I played a short Halo demo. The demo begins with a promising encounter with visceral Halo aliens, but becomes a rather dull shooting game. Still, even the intro shows what is possible.

I was assured that Steam VR compatibility is now much improved, but would like to try for myself.

The big questions are twofold. Will VR really take off at all, and if it does, will anyone use Windows Mixed Reality?

Audirvana Plus, an audiophile music player for the Mac, has now been released for Windows.

Audirvana was developed in France by Damien Plisson, originally as an open source project (you can still get this here but it has not been updated since 2012). The description there still applies: “No equalizer, no trendy special effects, just the music”. Both Mac and Windows come with music players bundled with the operating system – in Apple’s case the mighty iTunes – but the issue which Audirvana addresses is that these players are about convenience and features as well as sound quality.

Another problem is that the sound system in a modern operating system is complex and needs to support every kind of application while from the user’s perspective it should “just work”; and this can mean compromises, such as resampling or normalizing the audio. This does not matter in most circumstances, but if you want the best possible sound and spend money on high-res downloads or streaming, for example, you want bit-perfect sound.

This perhaps is a good reason not to play music directly from a PC or Mac; but the counter-argument is that using your existing computer reduces the box-count (and expense) of streaming, and that the flexibility and processing power of desktop computer is handy too.

So what does Audirvana offer? The Windows version is still to some extent work in progress and not yet as full-featured as the Mac version; however the developers are promising to add the missing pieces later. However the product is already a capable player with the following key features:

DSD support works whether or not you have a DSD DAC. If you have a DSD DAC, you get full native DSD. If you do not, Audirvana will convert to hi-res PCM and it still sounds good. You can control how the DSD is converted in settings, such as the amount of gain to apply (without it, DSD files will sound quiet).

Here is a DSD file playing on a non-DSD DAC:

2. MQA unfolding whether or not you have an MQA DAC. The way this works is similar to DSD. If you have an MQA DAC, the decoding will take place in hardware. If you do not, Audirvana will process the MQA track in software. For example, I have a 16-bit, 44.1 kHz MQA-encoded FLAC that plays in Foobar 2000 as a 16/44 file, downloaded from here. In Audirvana though, the same file claims to be 24-bit/352.8 kHz track.

That resolution is not genuine; but what matters is that MQA decoding is taking place. If the file is played through an MQA-capable DAC like the Meridian Explorer 2, I get a green light indicating MQA decoding on the DAC. If I play the “original resolution” version, I get a blue light indicating “MQA Studio”. WASAPI and ASIO support. WASAPI is the native Windows standard which enables bit-perfect output and is aimed at professional audio engineers. ASIO is a standard with similar features developed by Steinberg.

3. A library manager which performs well with large numbers of tracks. I tried it with over 50,000 tracks and it was perfectly responsive. It uses the open source SQLITE database manager.

4. Hi-res streaming via Qobuz, HIRESAUDIO or Tidal. There is no support for the likes of Spotify or Apple Music; I guess these are not the target market because they use lossy compression.

Not available yet, but coming, is a remote app for iOS (iPhone, iPad and iPod Touch), audio effects via VST plugins, and kernel streaming output.

The Audirvana User Interface

Audirvana is delivered as a download though it is a click-once application which means it updates semi-automatically, prompting you to update if an update is available. The user interface is, from the point of view of a Windows user, rather quirky. There is no menu or ribbon, but by clicking around you can find what you need. Some of the settings are accessed by clicking a gearwheel icon, others (such as the per-device options shown in the illustration above) by clicking an arrow to the right of the device name. There is also a compact view, obtained by clicking a symbol at top left, designed for playback once you have lined up the tracks you want.

The current version seems unreliable when it comes to showing cover art in the library. Sometimes cover art shows up in the mini view, but not the full view.

Searching the library is quick, but because the user interface is fairly blocky, you do not see many results on a page. An option just to show details in a list would be good (or perhaps it exists but I have not clicked in the right place yet).

I can forgive all this since despite a few annoyances the user interface is responsive, the search fast, and playback itself works well.

Sound quality

How much impact does the music player have on sound quality? This is difficult to answer definitively. On the one hand, the amount of distortion introduced by a sub-optimal player should be negligible compared to other sources of distortion. On the other hand, if you have gone to the trouble and expense of investing in hi-res downloads, streaming or DSD, it must be worth ensuring that every link in the chain does justice to those sources.

It is true that on Windows, with its enthusiastic technical audiophile community, most of what Audirvana does can be achieved with free players such as Foobar 2000 or VLC. There is also the excellent JRiver as an alternative paid-for player, though this lacks software MQA decoding (appreciating that not everyone likes or needs this).

That said, the uncomplicated user interface of Audirvana Plus is great for audio enthusiasts who would rather not spend too much time fiddling with settings or plugins. Support for the iOS remote app is an unfortunate missing piece at present, and Android users miss out too.

The Windows version needs a bit more work then (I also encounted some unpleasant noises when trying to adjust the volume within the application), but it does enough right to justify its relatively modest cost, and the bugs will fixed. Head over to the Audirvana site for a free trial.

I am having a clear-out which is bringing back memories and unearthing some intriguing items. One is this Compaq C140 PC Companion, running Windows CE, which launched in December 1997.

The beauty of this device is that it takes two AA batteries. I stuck in some new ones and found that it started up fine, not bad after more than 20 years. Most more recent devices have a non-replaceable rechargeable battery which usually fails long before the rest of the electronics, rendering the entire device useless (at least without surgery).

The C140 runs Windows CE 1.0 and has a monochrome touch screen designed to be used mainly with a stylus. 4MB RAM, 4MB storage, and comes with versions of Word, Excel, Calendar, Contacts and Tasks. There is also a calculator and a world clock. It is expandable with PCMCIA cards (though not many have drivers). The idea is that you link it to your PC with the supplied serial cable and synch with Outlook, hence PC Companion.

The odd thing is, looking at this device I still find it superficially compelling. A pocketable device running Word and Excel, with a full QWERTY keyboard, stylus holder so you do not lose it, what’s not to like?

A lot, unfortunately. The biggest problem is the screen. There is a backlight and a contrast dial, but it is faint and hard to read in most lights and you constantly fiddle with the contrast.

The next issue is the keyboard. It is too cramped to type comfortably. And the format, though it looks reassuringly like a small laptop, is actually awkward to use. It works on a desk, which seems to miss the point, but handheld it is useless. You need three hands, one for the device, one for the stylus, and a third for typing. The design is just wrong and has not been thought through.

I have searched for years for small portable devices with fast text input. I suppose a smartphone with a Swype keyboard or similar comes closest but I am still more productive with a laptop and in practice the thing that has made most improvement for me is that laptops have become lighter and with longer battery life.

Spare a thought though for Microsoft (and its partners) with its long history of trying to make mobile work. You can argue back and forth about whether it was right to abandon Windows Phone, but whatever your views, it is a shame that decades of effort ended that way.

Microsoft has announced Surface Go, a cheaper, smaller model to sit at the budge end of its Surface range of tablets and laptops.

The new model starts at $399, will be available for pre-order today in selected territories, and ships on August 2nd.

In the UK, the Surface Go is £379 inc VAT for 4GB RAM and 64GB storage, or £509.99 inc VAT for 8GB RAM and 128GB storage.

I go back a long way with Surface, having been at the launch of the first device, Surface RT, back in 2012. The device was a flop, but I liked it. The design was genuinely innovative and sought to make sense of a Windows in transition from desktop-only to a viable touch/tablet device. It failed primarily because of the poor range of available apps, lack of user acceptance for Windows 8, and somewhat underpowered hardware. There were also keyboard issues: the fabric-based Touch keyboard was difficult to use because it gave no tactile feedback, and the Type keyboard less elegant and still somewhat awkward.

Surface Pro came next, and while it was more useful thanks to full Windows 8 and an Intel Core i5 CPU, it was disappointing, with battery life issues and a tendency to stay on in your bag, overheating and wasting battery. There were other niggling issues.

The big disappointment of Surface for me is that even with full, Apple-like control over hardware and software, the devices have not been trouble-free.

Another issue today is that Windows 10 is not designed for touch in the same way as Windows 8. Therefore you rarely see Windows tablets used as tablets; they are almost always used as laptops, even if they are 2-in-1 devices. The original kickstand design is therefore rather pointless. If I got another Surface it would be a Surface Laptop or Surface Book.

Of course they are not all bad. It is premium hardware and some of the devices are delightful to use and perform well. They are expensive though, and I suggest careful comparison with what you can get for the same money from partners like HP, Lenovo and others.

What about this one? Key specs:

10″ screen, kickstand design

1800 x 1200 (217 PPI) resolution

8.3mm thick

USB-C 3.1 port, MicroSD, headphone jack socket

Intel® Pentium® Gold Processor 4415Y

Windows Hello camera supporting face-recognition log in

Up to nine hours battery life

Intel® HD Graphics 615

Display supports Surface Pen with 4096 levels of pressure sensitivity

Signature Type Cover with trackpad supporting 5-point gestures

Windows Hello face authentication camera (front-facing)

5.0 MP front-facing camera with 1080p Skype HD video

8.0 MP rear-facing autofocus camera with 1080p HD video

Single microphone

2W stereo speakers with Dolby® Audio™ Premium

It sounds a great deal for £379 or $399 but you will pay more, for three reasons:

The base spec is minimal in terms of RAM and SSD storage and you will want the higher model

The Type Cover is essential and will cost – a Pro Type Cover is $159.99 and this may be a bit less

The Surface Pen is £99.99 or $99.99

This means your $399 will soon be $550 or more.

It could still be a good deal if it turns out to be a nice device. The Hello camera is a plus point, but where I would particularly recommend a Surface is if you want Pen support. Microsoft is good at this. Unfortunately I do not get on well with pen input, but some people do, and for artists and designers it is a real advantage.