Micchelli writes that "the drawing is imperfect, which is essential to its probing, critical, transporting beauty. Leonardo’s inquisitive hand never settles on a single way of seeing or doing: the cheek on the right is molded with an exquisite caress, with the artist’s distinctive left-to-right hatch marks cascading like sheets of water, while the shadow across the woman’s back feels bluntly swiped in, as if he saw no reason to spend time on it. The dancelike curls delineating the locks of hair trailing down her spine are rendered minimally, almost abstractly, even as the minute strokes of white gracing her nose, cheeks and eyelid return the drawing to a moist, porous realism."

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Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.