These works are still, and will most likely remain, incomplete. Inspired by traditional Mashrabiya, tooled wooden screens traditionally separating the private and public spaces in Islamic Architecture, they are about many things. They revel in the ‘in between’; photography and drawing, public and private space, Representation and abstraction, obscuring and revealing. Weather they transcend or trespass, these are about the lines we draw, and the spaces in between.

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