The Lab by Kevin Tong Methamphetamine kingpin Gus Fring (played by Giancarlos Esposito) built his superlab beneath the benign façade of an Albuquerque industrial laundry business.

Untitled family portrait by Kirk DemaraisThe Whites are not your typical all-American family. Walt poses with his jittery wife Skyler (played by Anna Gunn) and their son Walt Jr. (RJ Mitte).

For Jane by Frank KozikAustin, Texas-based poster legend Kozik pictures the sinister side of Walter White as the character surveys a grim scene.

Where Something Delicious Is Always Cooking by Jessica DeahlIn the seemingly mundane world of Breaking Bad, appearances can be deceiving.

Emilio's Disposal by Dave PerilloNearly every week, Walter and his team deal with some gruesome challenge. In the first season's "Cat's in the Bag" episode, they had to dissolve a corpse in hydrofluoric acid in Jesse's bathtub.

Untitled portrait by Jermaine RogersUnveiled at Comic-Con International last month, this painting offers Jermaine Rogers' take on the Walter/Jesse dynamic.

Untitled teddy bear by Jessica DeahlA pink teddy bear floated in Walter White's swimming pool with its eyeball stuck in the drainage system for most of Season 2 before the prop's significance was finally revealed.

Who knew five years ago that a cancer-stricken school teacher named Walter White would become the baddest meth-making brainiac to hit prime time since, well, forever? Yet Bryan Cranston’s Breaking Bad antihero, his protégé Jesse Pinkman and their criminally depraved circle of friends and enemies have struck a deep, dark chord with viewers.

Midway through its two-part final season, the addictive AMC series has inspired The Breaking Bad Art Project, an exhibit that showcases big-name artists’ interpretations of the twisted psychic landscape envisioned by Breaking Bad creator Vince Gilligan. Like the deceptively bland, sun-bleached New Mexico killing floor that serves as setting for Breaking Bad, these art pieces simmer with weirdly hypnotic glimmers of deceit, greed and ingenuity.

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