The story centres around Marie, a young Antwerp woman who has dedicated herself body and soul to qualifying for the European championships in Portugal. Her world then begins to fall apart as, following the qualifying heat, she collapses. The doctors indicate that she is suffering from iron deficiency – significantly her periods are irregular – and proscribe a month resting; going to the championships is out of the question.

Finding it impossible to stay cooped up at home with her mother, an ageing hippy type who runs a health food store, Marie spontaneously decides to move in with Bobby, an archer and used car salesman she met at the athletics park. They make love and Marie, living a life of not having to worry about what she eats, drinks, smokes or does for the first time, falls for Bobby.

Then Marie starts to uncover the secrets of the building, centring around the disappearance of the last inhabitant of the apartment, built on the Left Bank of the River Schelde atop a former dumping ground for the city's poor and diseased. But is it already too late.

JUST ANOTHER LOVE STORY is about Jonas (Anders W. Berthelsen), a likeable but world-weary husband with a wife and two kids who lives in a leafy suburb and whose life takes an unexpected twist when he inadvertently if at all causes Julia (Rebecka Hemse) to crash her car and go into a coma. When Julia comes out of her coma her memory has vanished. Via a grotesque mix-up she and her nearest and dearest believe that when Jonas pops into the hospital to see how she is, he is in fact Sebastian (Nikolaj Lie Kaas), her exotic new boyfriend, whom they had all been expecting to fly in from abroad. Jonas assumes Sebastians identity and pretends to be the man Julia believes is the love of her life: a brand new identity, a brand new life, and an untrammeled existence full of promise opens up to Jonas. But real life cant be lived on fantasy and exotic dreams, and one day the truth comes knocking at the door.

Two brothers, part of a border-recognition treaty detachment after a very long war, confront and deal with the wartime acts of brutality and violence of the older brother. The older brother has been part of this war for 25 years; the younger brother has been studying to become a professor and has been comparatively sheltered from the horrors. The younger brother comes face to face with his older brother's moral deterioration, and, disturbed by the older brother's acts of war, eventually persuades (and forces) the older brother to completely atone for those actions. The amount of spookiness achieved with no special effects other than blood, is truly remarkable, and a lesson for Hollywood. And in the end, the viewer is left with an uncertainty as to who must pay for sins, and why, and whether anyone, ever, is truly innocent.

When the mummified remains of a man are found in a remote forest, his disturbing suicide by self-imposed starvation is uncovered. His mysterious last days are hypnotically and evocatively recreated from his incredibly detailed journal entries.

"In my imagination, I have a small apartment in a small town where I live alone and gaze through a window at a wintry landscape." -- TL