A few months before the revolution, Farah turns 18. She joins a politically-engaged band of musicians and discovers freedom and love against her mother Hayet’s will, who is more conscious of Tunisia and its taboos

The director returns to her native Lebanon due to the financial difficulties of her father, the principal of the Lebanese Rabie School in the southern suburb of Beirut. The family home forms the venue for frequent lively and often humorous discussions. From these debates emerges the recent history of the country and the way political change has irreversibly transformed society

Mostapha, in his late 70's, suffers from a sleeping disorder. His daughter comes to visit him home while he's running some medical tests. The film dwells in various intimate moments that the daughter tries to capture all along her stay, trying to get answers to all her questions, before it's too late

Maream is the mother of 4 kids, her husband Rachid worked abroad for more than ten years. From 1978 to 1988, Mariam's correspondence with her husband happened through audio cassettes that she sent with travellers

Al Shambouk is one of the highest mountainous areas in Lebanon. It is located in the Akkar heights and is only a few kilometres away from Syria. It is the homeland of Haykal, a 60- something-year-old Christian farmer.

Sarah Srage was born in Beirut. She debuted her career by working in scenography, and then as a journalist in a TV station. Living in Paris since 2009, she perused her studies at the Beaux-Arts de Paris school, Elsa Cayo studio, and then specialized in Documentary Film Making at Lussas (MA). “Children of Beirut” is her first feature film.

Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories and their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery.