The Earthsea Trilogy

A Wizard of Earthsea
The Tombs of Atuan
The Farthest Shore

Ursula K. Le Guin

It consists of three short novels, the longest just over 200 small
pages in my old Puffin edition. And, though adults can read it without
feeling at all out of place, it is written for children — "For readers
of eleven and over" the covers say, though it could be read by, or to,
very much younger children. But the Earthsea trilogy is still the first
work that comes to mind when I'm asked "The Lord of the Rings, yes,
but what then?"

In A Wizard of Earthsea young goatherd Ged discovers his talent for
magic and is sent to the school for wizards on the island of Roke,
at the centre of the world. There his pride leads him to folly, and
the loosing of a terrible evil on the world. His attempts to escape
that will bring him to confront dragons and one of the old powers of
the Earth, before an epic chase takes him right to the edge of the world.

Chosen at age five to be the new One Priestess of the Nameless Ones,
Tenar is stripped of her name, becoming Arha, the Eaten One. she is
the nominal suzerain of a tomb complex. When, in The Tombs of Atuan,
she discovers an intruder in the forbidden labyrinth that is her domain,
she chooses to turn her back on everything familiar, in exchange for an
uncertain future.

In The Farthest Shore something is leaching the wizardry out of the
world, and the joy. Arren, the young prince of Enlad, joins Ged on a
quest to find the source of the evil. Their search will take them to
sojourn with the raft people on the open sea, then across the wall into
the dry land of the dead.

Earthsea is a superb exercise in world-building. The novels have both
depth and detail, but appropriate amounts of both, forming an organic part
of the story rather than artificial additions. Where many fantasy writers
draw on a hodge-podge of material and clearly have only a superficial
understanding of their sources, Le Guin has a wide and deep knowledge
of myth, language, and history. She has dug selectively and worked her
material wisely, making something genuinely original — and if parts
of her work seem exposed thirty years on, that is only because later
writers have carried out indiscriminate open-cut mining in the area.

A Taoist conception of "Balance" underlies Earthsea: the use of magic
is dangerous, and can destabilise the natural order. And there are many
patterns and parallels in the trilogy. A Wizard of Earthsea is about
a young man's coming of age, in which he attends an all-male school for
wizards, and much of it is set at sea; The Tombs of Atuan is a young
woman's coming of age in an all-female temple complex, and much of it
happens underground. And so forth. None of this is explicit, however,
nor is conscious understanding of it at all necessary for appreciation
of the novels. They are, first and foremost, spellbinding stories,
with memorable characters.

There are now sequels to the Earthsea trilogy. Fifteen years later
Le Guin wrote Tehanu, which is often coupled with these three
novels to form an Earthsea "Quartet". Tehanu is different in many
ways, however — it is not a children's book, for one thing — and I
consider its inclusion in one volume with the trilogy to be misguided.
More recently has come The Other Wind and a book of short stories,
Tales From Earthsea.

I would not normally have considered reviewing the Earthsea books:
they have received plenty of academic criticism and have been set texts
in schools, so they should need no promotion. (Though the cynical
might argue quite the opposite.) I keep running into people, however,
who rave about Harry Potter and claim to be fantasy fanatics, but who
haven't heard of Earthsea.