The Fish That Got Away. Once,
long ago, pulling in live television from a distant city or country was a thrill beyond
parallel. Add to that thrill the joy of receiving pictures on a set that you and Grandfather
built! Today, of course, the great mechanical television transmitters are rusting scrap metal.
But the shortwaves remain, and as the evening sky darkens, it teems with distant radio
transmissions.

Picture Characteristics.
Most early television systems reproduced pictures with 24 to 60 lines. This definition
produced useful, but coarse-grained pictures. A typical receiver with a Nipkow scanning
disc could display pictures an inch and a half across. The pictures tended to be keystone-shaped,
rather than rectangular. A neon glow tube recreated gray tones in the image. The tube lent
its quaint, orange patina to the light areas in the picture. Experiments with other gases made
color possible by 1928. Regardless, most broadcasts stuck to black-and-white, or more properly,
black-and-orange pictures.

What the Viewer Saw resembled a
moving newspaper halftone. While viewers could readily detect picture grain, the motion
canceled out some of the grain. Some deluxe television sets included a magnifying lens. This lens
could enlarge the image to postcard size, but also accentuated scan lines.

Another way of thinking about mechanical television pictures
is that they duplicated the detail of today's computer icons. Of course, unlike computer graphics,
mechanical television was an analog medium. Mechanical television pictures' gray scale was
vastly superior to what computer icons offer. A television picture could display
an unrestricted number of grays.

Closeups. Even the lowest-resolution mechanical
television pictures could convey recognizable closeups of faces. As definition increased to 60 lines, useful
medium shots and two-shots became possible. A long shot at 60 lines could even reproduce
an entire baseball diamond. However, much as with today's television, this long shot would
lose details of individual players.

Speaking of baseball: Comparing 60-line and earlier 24-line
pictures is difficult. Each is in its own ballpark, even though outwardly similar
mechanical devices produced the pictures. The 60-line picture provides over six times as
much picture detail. By the way, today's NTSC television involves 40 times as much
detail as a 60-line picture.

Nighttime Television DX. Today's television is a line-of-sight medium. We
receive faraway telecasts by satellite, microwave or coaxial cable, rather than
by direct broadcasts. Mechanical television was a different story. For several years,
mechanical television transmitters operated on the shortwave frequencies. These
special frequencies travel vast distances across the earth. Shortwave transmission
made possible direct reception over hundreds or even thousands of miles.
Under normal conditions, contemporary broadcast television still can't match this feat.

Larger Pictures About 1932,
manufacturers began offering smaller sets with larger pictures. In this type set, a lens disc
replaced the aperture disc of earlier production. A lens disc and crater neon tube could project
images two feet across. Lens discs also made theatrical television possible. Typical theatrical
installations paired the lens disc with an arc lamp and Kerr Cell or a Taylor tube.

The 60-Line Barrier. Some television history books claim
that mechanical television ended with 60-line pictures. These books often assert that a
mechanical device isn't capable of high-resolution video. Neither statement is accurate.
True, most amateurs dropped out of the hobby when the line count exceeded 60. A 60-line aperture
disc to support 1.5-inch pictures measured 31 inches in diameter. Yet each scanning hole was a
mere two hundredths of an inch across. These specifications challenged the most precise amateur
builder. Lens discs were somewhat even more difficult to construct.