Pavilion of Moscow Information Technology Department is located in VDNH, at the intersection of Kolcevaya road and Serenevaya alley east of the main Alley of VDNH. Pavilion construction continues development concept of the territory “Park Znaniy” in the context of a comprehensive upgrade VDNH landscape.

PANDEA is a space designed to serve as platform for artists and designers in Puebla; located in Sonata District, one of the fastest growing & modern zones of the city.

The architectural design was developed simultaneously with the visual identity of the pavilion in order to achieve a global concept, which transmits constant movement & modernity, projected in a versatile space with intense color and subtle polygonal applications.

In 2016 AVIOstudio designed the Sukhoi Superjet 100 pavilion within the Farnborough International Airshow (UK).

Every year Sukhoi Superjet 100, a modern regional jet, product of a Russian-Italian joint venture, takes part to the International Airshow: in even years in Farnborough, in odd years in Paris-Le Bourget.

Free-Space Is A Pre-Fabricated, Modular, System Of Components That Can Be Assembled, Disassembled, And Reassembled Into Many Different Configurations, In Order To Create Many Different Kinds Of Structures. These Structures Can Be Used As Very Functional Places Such As Pavilions, Or They Can Be Developed Into Various Kinds Of Non-Functional Sculptures. All Of The Structures Can Be Made From Bolting Together Two Panel Types. Both Panel Types Are Curved To An Eleven Foot Radius And Are Four Feet Wide, And Eight Feet Long. Each Of Them Is Made From Three Curved Steel Pipe Frames, Which Are Connected Together With A Series Of Wood Slats. The Slatted Panels Can Be Bolted Together End To End In Either A Horizontal Or Vertical Orientation. If The Panels Intersect Anywhere In The Structure, They Can Also Be Bolted Together At That Intersection. If The Panels Are Used To Create More Functional Structures Like This Shade Pavilion, Solar Panels Can Be Attached To The Curved Slatted Panels (In The Appropriate Location) In Order To Provide Solar Electric Power For Use In And Around The Pavilion. A Personal Shade Pavilion Is Shown Here With A Solar Panel Attached To One Of The Curved Slatted Panels. A Storage Cylinder, Two Lounge Chairs, A Dinning Table, And A Hammock, Are Placed Under The Shade Canopy For Use As A Special Summer Retreat Place.

Located in a residential condominium at Barra do Una Beach (located in São Sebastião, near of São Paulo city), the project UNA Pavilion was signed by the brazilian architecture office Apiacás Arquitetos. For this project, Apiacás had the feasibility as a premise, considering the choice of materials and mainly focusing on the constructive details, capable of organizing the assembly system. Therefore, the structure is made up of standardized and modular elements: the foundation was executed in concrete, followed by pillars and beams in Cumaru wood, strategically placed in central axes in order to give greater freedom to the pivotal doors that make up the facade.

The commission was for a pavilion bordering a tennis court that could handle four programs in the following order: sauna, gymnasium, baths, and lodgings for a caretaker. The two central programs were to be related to the ten- nis court, but not the lateral ones. At the same time, the three sports-related programs were to be interconnected, whereas the lodgings were to be isolated from the rest.

GLCRM and Provencher_Roy Architects consortium are the proud recipients of Canadian Architect’s 2016 Award of Merit for their work on the reception pavilion of Québec’s National Assembly. The award was handed out during the magazine’s 49th Awards of Excellence gala, held in Toronto. Since its inception in 1968, the Awards of Excellence have recognized exceptional architectural projects in the design stage, as reflected by buildings that are interesting from a structural point-of-view while being responsive to social and urban context, meeting client needs with discernment and creativity, and demonstrating awareness of sustainable development imperatives.

The Cinnamon tower was conceived as freestanding campanile – a pin on a piazza was the concept behind the premiated competition design by BOLLES+WILSON for the existing 19th century Harbour Masters Building.

A tower was not anticipated in the competition programme, but the jury agreed that a tower anchors the public functions around the only remaining historical building to survive between the megablocks of the ‘Overseas Quarter’ master plan. The historic building would thus be more autonomous.

The project of revitalization of a villa, built in the 19th century. The concept involves adapting the existing facility to the office function, building a new pavilion acting as the customer service and redesigning the park surrounding the villa. Currently the first stage of the project is completed, involving a comprehensive modernization of the historical villa.

Arthur Neumann’s villa built in 1926 at Rybnicka 27 in Gliwice is the object of a revitalization project.