Vidět, co je viděno, protože co vidí, nemůže být průpovědí

Gate Protector
Primary forms render a scale between need and function, but offer another visual disposition: materials otherwise classified as waste are torn and nailed to preserve material also slowly rotting into oblivion. Once framed, the lulls of societal mobility are plain to see — like ill-nourished skin or worn out tools: all crying out for a sense of texture, but indicative as a shield from the daily passing of many feet.

Conditional Surface
Semantical emphasis of a words denotation is made by writing the condition of weather the surface makes contact with. How often can the correlation of anachronistic units serve as evidence of something which evaporates? Together word and surface become linked hands, one in the face of the other, at first obscuring, but then releasing a look both up and down, ad infinitum.

Marked Residue
The excreted remains of an inceptor and substance used to inscribe navigational direction. Like the shavings salvaged from a sharpened pencil, or collected ink waste refused for the purpose of casting a relief out from a matrix, leaving behind its own minute mound, a clogged residue of colour slowly coils its own tipping point.

Removed Slab
Parts of the landscape are askew. Their composite constructs alight a potential hazard, but reveal misaligning layers of requirement: what is below serves the above, but once two separate entities are found on the same plane, they abut, and realign perforce, until the line between two different but equal things become flush.

Caged Light
Temporary structures permanently fixated. But when might the furniture of the street recode to become a prize, and who might decorate their interior with artefacts associated from external facets of everyday life? Even more peculiar is of all the things to protect from theft, the very aspect which enables direction in darkness, light, has been left almost unkempt: a clear lack of trust is implied from those who implement and sanction what it is that sits where, and for how long.

Hazard Waste
Language as a buffer for visible content which might otherwise be hidden. The precise containment of the package is withdrawn from view, with the words correlative instructive power yielding curiosity, but also simultaneously submitting a sense of self-guard, as if any approach might cause further personal damage at a later, if not immediate date.

Cone Tip
Perspective of form and scale unite, and invert back and forth against one another to recapitulate how the parallel between lens and frame allow for the path and line of an objects circumference to co-opt alongside its interior mass. In doing so, bringing about an optical illusion akin to a satellite image of land appearing inside the sea, and not instead, as initially thought, around it.

Split Pore
Just as the body retains and rebuilds its tissues, so too the ways in which threads immersed within the environment protrude and reveal themselves as equally penetrable, reverse in function, and instead serve as orphaned relics, depicting a kind of active, or ongoing and growing type of microscopic scarring and corrosion — but equally all around and out and away from us.

Indicator
Struggling to keep up with a chain of information a signal for indication becomes charred as if run through a flat bed scanner: acrylic is then braised through an undercurrent, its shooting formation gliding, then gleaning that even the most apparently singular of formal surfaces are also in fact a melee of constitutional parts. i.e. what is seemingly concrete, can quite readily become abstract.

Don’t Do This
When a disposition of words compound an action not undertaken, or equally pre-empt a future function, or hint toward something which follows something that has not even happened, and transverses likewise as a kind of sign, or signal to a place which is nowhere.

Life Line
An item which serves and acts like a word which spells itself the same forwards as it does backwards: its central body, waved in form, communicates an eternal effort — throughout all time, and its end points, coming into the world and leaving it, speechless.

Water Shute
Capturing the static motion of liquid falling and rising, a clear fore, mid and back ground counter punctuate as a frame to an area further pinned back, which brings into focus a mottled, fume like curl, pressed into a formal elevated plane.

Pipe Signal
Excavation secures the prospects of further construction, demonstrating the menial resources endemic of mass implementation, and peel back to display the formulaic operational features which allow signals to pass through various kinds of space: out of sight and resultantly allowing communication, of a kind, at ground level.

Breeze Block
One piece of material holding up the weight of another. Out of a shot, a risen hoarding, displaying information; information which by no means reads with the same ingenuity found in order to enable the display of the original point of attention.

Watching, Listening to Everything
An almost unseen note, barked into a corner, non-descript, partly torn, with another fragment carefully placed elsewhere, and the proclamation in such dainty presence that all is being observed, so small, yet so large, it can not pass without review.

Newspaper Eye
One plane of surface taking on the purpose of something else. Something else placed onto something else, with its purpose changed, bringing about a further image: when two segregated entities of substrate merge they can often transmogrify an extra dimensional quality aspect. This particular status is more often than not conditional and purely based on logic and function, rather than an external force to generate, or develop new formula.

Cobble Wrench
The metaphysics of slow movement of enclosed, but individual elements of solid matter, prised and inched apart and away from one another, one by one, piece by piece, and the ease of which this is achieved is no more than an isolated and inflammatory gesture similar to that of a passing signature of a document, or the peddling and wading through water, while aboard a small boat.

Homeless
Cutting out the option of rest. A flat surface can supplant and orientate to converge as a place for people to sleep. Yet society refrains and does not want to see comfort gained, eradicating any chance with the most overt of device, carefully blunted at the tip, which also stops injury to those with sufficient energy who pass by.

Love Key
Words written as a rite of statement, with attention sought in their combination, to offer a kind of truth.

Tied Up Bag
Regular things in unorthodox positions, their placement splicing the passage of a linear route: a run around is taken in order to follow the temporary designation of an individuals flow in and out of space, through time.