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Legends

There are several traditional legends associated with Pele in Hawaiian mythology. In addition to being recognized as the goddess of volcanoes, Pele is also known for her power, passion, jealousy, and capriciousness.
She has numerous siblings, including Kāne Milohai, Kamohoaliʻi, Nāmaka and numerous sisters named Hiʻiaka, the most famous being Hiʻiakaikapoliopele (Hiʻiaka in the bosom of Pele). They are usually considered to be the offspring of Haumea. Pele's siblings include deities of various types of wind, rain, fire, ocean wave forms, and cloud forms. Her home is believed to be the fire pit called Halemaʻumaʻu crater, at the summit caldera of Kīlauea, one of the Earth's most active volcanoes; but her domain encompasses all volcanic activity on the Big Island of Hawaiʻi. [2]

Expulsion version

In one version of the story, Pele is daughter of Kanehoalani and Haumea in the mystical land of Kuaihelani, a floating free land like Fata Morgana[disambiguation needed]. Kuaihelani was in the region of Kahiki (Kukulu o Kahiki). She stays so close to her mother's fireplace with the fire-keeper Lono-makua. Her older sister Nā-maka-o-Kahaʻi, a sea goddess, fears that Pele's ambition would smother the home-land and drives Pele away. Kamohoali'i drives Pele south in a canoe called Honua-i-a-kea with her younger sister Hiʻiaka and with her brothers Kamohoaliʻi, Kanemilohai, Kaneapua, and arrives at the islets above Hawaii. There Kane-milo-hai is left on Mokupapapa, just a reef, to build it up in fitness for human residence. On Nihoa, 800 feet above the ocean she leaves Kane-apua after her visit to Lehua and crowning a wreath of kau-no'a. Pele feels sorry for her younger brother and picks him up again. Pele used the divining rod, Pa‘oa to pick a new home. A group of chants tells of a pursuit by Namakaokaha'i and Pele is torn apart. Her bones, KaiwioPele form a hill on Kahikinui, while her spirit escaped to the island of Hawaiʻi.[4]:157 (Pele & Hi'iaka A myth from Hawaii by Nathaniel B. Emerson)

Flood version

In another version, Pele comes from a land said to be "close to the clouds," with parents Kane-hoa-lani and Ka-hina-liʻi, and brothers Ka-moho-aliʻi and Kahuila-o-ka-lani. From her husband Wahieloa (also called Wahialoa) she has a daughter Laka and a son Menehune. Pele-kumu-honua entices her husband and Pele travels in search of him. The sea pours from her head over the land of Kanaloa (perhaps the island now known as Kahoʻolawe) and her brothers say:

O the sea, the great sea!
Forth bursts the sea:
Behold, it bursts on Kanaloa!

The sea floods the land, then recedes; this flooding is called Kai a Kahhinalii ("The sea of Ka-hina-liʻi"), as Pele's connection to the sea was passed down from her mother Kahinalii.[4]:158[5][6]

Pele and Poli'ahu

Pele was considered to be a rival of the Hawaiian goddesses of snow, Poli'ahu, and her sisters Lilinoe (a goddess of fine rain), Waiau (goddess of Lake Waiau), and Kahoupokane (a kapa maker whose kapa making activities create thunder, rain, and lightning). All except Kahoupokane reside Mauna Kea. The kapa maker lives on Hualalai.

One myth tells that Poli'ahu had come from Mauna Kea with her friends to attend sled races down the grassy hills south of Hamakua. Pele came disguised as a beautiful stranger and was greeted by Poli'ahu. However, Pele became jealously enraged at the goddess of Mauna Kea. She opened the subterranean caverns of Mauna Kea and threw fire from them towards Poli'ahu, with the snow goddess fleeing towards the summit. Poli'ahu was finally able to grab her now-burning snow mantle and throw it over the mountain. Earthquakes shook the island as the snow mantle unfolded until it reached the fire fountains, chilling and hardening the lava. The rivers of lava were driven back to Mauna Loa and Kīlauea. Later battles also led to the defeat of Pele and confirmed the supremacy of the snow goddesses in the northern portion of the island and of Pele in the southern portion.[7]

Historical times

Pele belief continued after the old religion was officially abolished in 1819. In the summer of 1823 English missionary William Ellis toured the island to determine locations for mission stations.[8]:236 After a long journey to the volcano Kīlauea with little food, Ellis eagerly ate the wild berries he found growing there.[8]:128 The berries of the ʻōhelo (Vaccinium reticulatum) plant were considered sacred to Pele. Traditionally prayers and offerings to Pele were always made before eating the berries. The volcano crater was an active lava lake, which the natives feared was a sign that Pele was not pleased with the violation.[8]:143
Although wood carvings and thatched temples were easily destroyed, the volcano was a natural monument to the goddess.

In December 1824 the High Chiefess Kapiʻolani descended into the Halemaʻumaʻu crater after reciting a Christian prayer instead of the traditional one to Pele. She was not killed as predicted, and this story was often told by missionaries to show the superiority of their faith.[9]Alfred, Lord Tennyson (1809–1892) wrote a poem about the incident in 1892.[10]

When businessman George Lycurgus ran a hotel at the rim of Kīlauea, called the Volcano House, he would often "pray" to Pele for the sake of the tourists. Park officials took a dim view of his habit of tossing items such as gin bottles (after drinking their contents) into the crater.[11]

Plantation owner William Hyde Rice published a version of the story in his collection of legends.[12]
In 2003 the Volcano Art Center had a special competition for Pele paintings to replace one done in the early 20th century by D. Howard Hitchcock displayed in the Hawaii Volcanoes National Park visitors center. Some criticized what looked like a blond caucasian as the Hawaiian goddess.[13] Over 140 paintings were submitted, and finalists were displayed at sites within the park.[14] The winner of the contest was Pahoa, Hawaii artist Arthur Johnsen. This version shows the goddess in shades of red, with a digging stick in her left hand (the ʻōʻō, for which the currently erupting vent was named), and an embryonic form of Hiʻiaka-i-ka-poli-o-Pele in her right hand. The painting is now on display at the Kīlauea Visitor Center on the edge of the Kīlauea crater.[15]

Pop culture references

The musician Tori Amos named an album Boys for Pele in her honor. A single lyrical excerpt from the song "Muhammad My Friend" makes the only outright connection, "You've never seen fire until you've seen Pele blow." However, the entire record deals with the ideas usually associated with Pele, such as feminine "fire," or power. Amos claims the title reflects the idea of boys being devoured by Pele, or alternatively, as boys worshipping Pele.

Simon Winchester, in his book Krakatoa, stated about the Pele myth: "Like many legends, this old yarn has its basis in fact. The sea attacks volcanoes – the waters and the waves erode the fresh laid rocks. And this is why Pele herself moved, shifting always to the younger and newer volcanoes, and relentlessly away from the older and worn-out islands of the northwest."

In 2004, American composer Brian Balmages composed a piece entitled "Pele for Solo Horn and Wind Ensemble" on commission by Jerry Peel, professor of French Horn at the University of Miami Frost School of Music. It was premiered by the University of Miami Wind Ensemble under the direction of Gary Green, with Jerry Peel on Horn.

Pele is mentioned in the song "Hot Lava" by Perry Farrell on the South Park Album:

And after the eruption, we lay dormant for a while
Let's just hold each other and talk,
For now, Pele sleeps

Steven Reineke created a musical composition called "Goddess of Fire" which was inspired by the story and life of Pele.

In the 1990s a character claiming to be the goddess Pele appeared as a villainess in the DC Comics comic book Superboy. Pele later reappeared in the comic book Wonder Woman where she sought revenge against Wonder Woman for the murder of Kāne Milohai, who in that story was her father, at the hands of the Greek god Zeus.[17]

An eight-woman world-beat band (featuring djimbe drums, steel drums, and saxophone) called Pele Juju was based in Santa Cruz, California.

Pele appears on Sabrina the Teenage Witch in the episode "The good, the bad and the luau", as Sabrina's relative, who gives her the final clue to the family secret. This version of her has a slight tendency to unwittingly set things on fire.

In Borderlands and its sequel, Pele is referenced in the rare weapon named "Volcano", which the ammunition can explode causing fire damage on impact. The descriptions reads "Pele demands a sacrifice!" in the first game and "Pele humbly requests a sacrifice, if it's not too much trouble." in the second.

In the Wildefire book series written by Karsten Knight, Pele is one of many deities that are reincarnated in teenagers along the centuries. Ashline Wilde and her two sisters (Evelyn and Rose) represent the spirit of the goddess (the Flame, the Spark and the Fuse), which was divided in three by the Cloak because of the (self)destructiveness of hers.

Pele appears in a 1969 'Hawaii Five-0 episode' 'The Big Kahuna' in which her appearance is faked by a couple of crooks intent on frightening their uncle into selling his property to them.

Pele was also referenced in an episode of "Raven", entitled Heat, in which she is alluded to as the cause of a severe heat wave, as well as being a mysterious woman who leads Jonathan to causing an explosion.