Hello friends! Two blogs in two days can only mean one thing...another giveaway of course! If, like me, you missed yesterday's epic-sounding Simplicity Blog Meet, fret not because the good people who organised it are offering one lucky reader in the UK this goody bag:

On a related subject, have you seen The Simplicity Sewing Challenge that was launched on Saturday? There are 4 patterns to choose from and 5 categories to enter with awesome judges picking the winners. Your chosen patterns (up to 2) are sent to you for free and the competition deadline is 31 August. Winners get a year's supply of patterns (12), crafty supplies and the chance to become VIP Simplicity bloggers.

If you've popped by today expecting a Simplicity giveaway, I'm afraid I've moved that to tomorrow. Stick around though as I have a copy of The Great British Sewing Bee: From Stitch to Style to give away today, thanks to Quadrille Publishing.

Before I go into details about the giveaway, here's an interview with the book's author, Wendy Gardiner. Considering the buzz that always surrounds the BBC 2 prime-time programme, I thought it would be fun to hear about what it's like to work on the fourth series, which kicked off this Monday.

You’ve been influential in the sewing industry for many years, having edited sewing magazines, authored sewing books and presented on television shows. Tell us a bit about your journey.

It has been incredible and I feel so lucky that I have had a career in something I love so much! It was a serendipitous start – I had edited a general interest magazine for the army in Germany, and it was that experience that led me to the job with Butterick and Vogue – as editor of the sewing magazines. I did sew of course, but not to the extent I now do! I love to share my passion for sewing so am always looking for ways to do that – writing books, presenting on TV etc.

The Great British Sewing Bee: From Stitch to Style is the fourth title in a series based on the popular BBC TV show. What drew you to this current project?

Who wouldn’t have been!?! It is an honour to be associated with the show and the book – it has done so much for the sewing industry, helping to promote sewing to a wider audience. I also felt I could add to what is broadcast by including lots and lots of techniques and how-tos in the book – to help readers grow their skill set in a way it is impossible to do on an entertainment TV show.

How did working on a book based on a TV series differ from other books you’ve written?

More people were involved in the decisions such as what garments to include and fabrics to use. The timing was also very, very tight from start to finish and of course, so much of the content is still confidential because it relates to the show – which is yet to be broadcast. However, the nitty gritty, of writing copy, producing rough diagrams, making samples etc – all that is the same whatever book I’ve written!

The book is divided into three main sections - Foundation, Inspiration and Exploration. How do these reflect and support who it’s aimed at?

I think the sections are very clever – and here is an example of others' involvement as it was Lisa from Quadrille who came up with the titles and idea to divide the book in that way. Anyone who wants to start out can begin at the Foundation stage and make the simpler garments whilst learning techniques as they do so. For those more experienced, they can dip right into the more challenging garments. It really is aimed at everyone who wants to dressmake!

There are 27 projects (with additional variations) in the book. How and why were they chosen?

We got together as a group to decide on the garments to include. Some are from the show of course, and others are based on ideas from the show, the rest are classic or wish-list garments that I know people want to make. We also wanted to ensure there was something to make for all the family so have some for children and men.

What format and size-range do the patterns come in and why?

The patterns are in a regular format, although you do have to trace them off if you don’t want to cut into the pattern sheet (which has all the patterns included). The sizes range from 8–20, but not traditional pattern sizing, the sizing is more closely akin to the high street sizing. As always, take measurements and make the size that is closes to your measurements.

How does this book set itself apart from the three that precede it?

Oh, that is difficult! It follows the same tried and tested format with lots of projects and occasional ‘hacks’ or variations, but I like to think that it also provides lots and lots of sewing advice. For instance, rather than have one zip insertion method, I’ve included lapped zips, surface mounted, exposed and invisible zip insertion. You can then take your pick.

Finally, did you get to work on The Great British Sewing Bee set and what was your highlight?

I did go for one day’s shoot to watch proceedings and I did, very briefly meet Patrick and the lovely new judge Esme. She is delightful and fun. Patrick is as handsome as he appears and very tall! The set is very busy with loads of camera crews all around the contestants filming their every move and utterance(!). I sat with the producer who watches everything and decides on which contestant to follow at each moment. It was fascinating. When the contestants get a break, the crew are still busy taking extra shots of the garments and the sewing team lead by Claire Louise Hardie are busy cleaning the workstations and getting prepared for the next. The days are also extremely long so really, hats off to all involved.

If you're in the UK and you like what you see, then leave me a comment for the chance to win a free copy of From Stitch to Style. Tell me your favourite thing about The Great British Sewing Bee by midnight (GMT) on Saturday 28 May...good luck!

Happy Bank Holiday, England friends! I've had a particularly long and fulfilling weekend as I took the Friday off work too, meaning I had time to finally sew for myself!

I chose Tilly and the Buttons' new Martha Dress, even though at first she seemed a little too late-1960s for my taste and I'm really not a fan of mandarin collars. But it was very difficult to resist the princess seamed bodice, gently gathered sleeve heads and bias-cut panelled skirt, especially after Tilly planted the seed of a ponte knit version.

I chose this ditsy-print ponte de roma from Girl Charlee, which has a nice retro vibe to it (1970s or 1990s...I really can't decide?!?) and is beautiful to wear and handle. Although it sadly camouflages Martha's lovely design lines, I absolutely adore the fabric and how the dress turned out.

Despite making a knit Martha, I wanted a dress with a bit of structure that wouldn't loose its shape after a day's wear. So I still included an invisible zip (which ended up perfect if I do say so myself) and I added stay-tape (cotton tape) to stabilise the waistline.

I followed Tilly's easy construction, but instead of setting in the sleeves, I sewed them in flat and closed them and the side seams up at the same time. I omitted the mandarin collar and cut the neckline down to the smallest size, making sure to cut my facings to the same size too.

I really like the neckline where it is, as it's modest enough for work, but not at all chokey. My one regret is topstitching it because the bulk of the ponte has made it go a little curly. I'll have to figure out a different way to finish off the neckline next time...any ideas would be most welcome!

Just to point out the obvious, I used a stretch needle and zig-zag stitch to sew my Martha up. For the skirt panels I just used a straight stitch as they're not fitted to the body so the seams don't need ease.

My one piece of advice would be to check the fit of the bodice as you go along, because unpicking six zig-zag bodice seams and two sleeves ain't fun. Yup, that's how I spent my Thursday evening!!! I know checking the fit is a no-brainer, but with knit fabric it's easy to get complacent due to its forgiving nature. Anyway, for reference, a straight size 4 with the regular 1.5cm seam allowances fits me perfectly.

Even though Martha is a much more time-consuming and fabric-hungry make than your average knit dress, she's totally worth it. The design is ridiculously flattering with a bodice that's fitted with both bust darts and princess seams and a beautifully swishy skirt without any waistline bulk.

I want more knit versions in my life, and heck, I'm even tempted to have a go at a floaty viscose version too! What do you think to the Martha Dress? Aren't these trimming ideas so much fun?!?

To celebrate Tilly and the Buttons patterns now being stocked at John Lewis, Freya, Jane and I will be joining Tilly for a Saturday Sew In on 21 May at John Lewis on Oxford Street. I hope you can pop by! It will be lovely to see both familiar and new faces!