This amp delivers sounds ranging from the Classic 50 to vintage British to the modern Triple XXX and all tones inbetween.The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean).

Originally launched in 1991, these versatile all-tube amps retain their distinctive sound and circuitry but now feature an updated chassis design. With three 12AX7s up front and four EL84 power amp tubes plus normal and bright inputs, 3-band passive EQ, and presence control, it's all the classic tone you seek and all the gigging versatility you need.

The ValveKing 212 combines boutique features and hot-rodded tones with legendary Peavey reliability. Features a patent-pending control called Texture which allows sweepable selection between power structures, as well as any combination of the two.

Peavey ValveKing amps feature a patented, variable Class A-A/B control called Texture, which allows sweepable selection between Class A and Class A/B power structures, as well as any combination of the two.

Overall I'm really impressed with the amp, it suits metal music really well and has lots of features for the price it can be grabbed at these days. With a bit of tweaking with the EQ you can really craft a good sound out of it too, and it really compliments pedals well.

This has obviously been designed with the working/studio musician in mind and has pretty much the features, tones, power and portability you could want. It's the kind of amp you can appreciate after a few years of playing and you have matured a bit.

Ultra 112 is an all-tube combo amp, featuring true three-channel control for increased tonal flexibility. Designed for any rehearsal, studio or live application, the it's built for easy portability. It delivers 60 watts of all-tube power into selectable 4, 8 or 16 ohms, so it can handle stand-alone or any extension speaker combination.

The amp is very versatile, but has its own character too. Categorized as hybrid, the amp sounds like a tube amp and therefore can make any sound IMO. It definitely belongs to the Vintage group sound wise and can sound Fender-ish.

Originally launched in 1991, these versatile all-tube amps retain their distinctive sound and circuitry but now feature an updated chassis design. With three 12AX7s up front and four EL84 power amp tubes plus normal and bright inputs, 3-band passive EQ, and presence control, it's all the classic tone you seek and all the gigging versatility you need.

The amp can run stereo at 50 watts per side or mono at 100 watts. It is all tube with 4 12AX7's and 8 EL84's. It has level, resonance, and presence knobs for each side and 2 1/4 inch inputs for each side.

At the price I got it, I doubt I could do any better. There are a lot of options with the amp itself to help customize your tone without investing in a ton of pedals, although I've been told it accepts pedals well.

Brand New, 2009 I believe. Three channel, 120 watt all tube with 4 12ax7 preamp (one is a driver) and 4 EL34s poweramp tubes. Clean, rhythm and lead channels. Rhythm and lead channels have separate active EQ, volume and gain.

It gives you distortion that is almost, but not quite, Marshall and it gives cleans that are almost, but not quite, Fender. Spend the money to buy a Marshall and a Fender, or buy one of these little guys for between 60 and 100 dollars.

The amp was released just this year in October 2008. It features 12amp models, 11 stompboxes, and 11 effects. It's an open back and it's got a 12" speaker. The speaker is a blue marvel which sucks, but at low volumes it sounds great.

With its responsive gain structure and warm/punch double-team of 12AX7 and EL84 tubes, Classic Series guitar amps are revered by gritty blues benders, chicken pickin' country cats and nouveau-Stones rockers alike. These amps are available in vintage tweed with Blue Marvel speakers and knobs straight out of the rock 'n' roll revolution.

The Backstage boasts the lowest price of any Peavey amplifier and includes features such as high and low EQ controls, a 6.5 inch speaker, switchable TransTube overdrive, a tape/CD input for jamming along to your favorite songs and a headphone input for doing so quietly.

Ampkit is a combination of Ampkit Link (hardware) and Ampkit+ (software). I think this could be a useful practice/cheap tool. The downside is you need to have a iOS device since the software is working only on iPod Touch/iPhone/iPad.

This amp delivers sounds ranging from the Classic 50 to vintage British to the modern Triple XXX and all tones inbetween.The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean).

Peavey's Vypyr 15 watt practice amp packs in a dozen or so amp models with each having two different sounds: clean and distorted. The amp models range from the JSX to a named but non-credited K-Stein to a Peavey Classic to a 6150.

40W of all-tube power through a 12" Triple XXX 30 speaker delivers stellar tone with high gain and ample volume for most gigs. A fantastic amp for the studio, it features an Accutronics spring reverb and footswitchable effects loop. Clean, crunch, and ultra channels with independent EQ and tight, medium, and loose resonance control.

The amp has a full tube section, 12AX7 preamp, 6L6 power section, and two twelve inch speakers that deliver plenty of headroom. It's plenty loud enough with 120 watts of tube driven power behind it, and it has enough modeling capbilities to suit anyone's needs.

The distortion can be Kinda brutal when there's max Low, Overdrive and High, with no Middle.It sounds very punkish then. When this amp is turned up loud, the Clean pretty much only gets louder, except when you have distortion and volume on Max, then it sounds pretty bad.

It features a patent-pending, variable Class A/B control called Texture, allowing sweepable selection between Class A and Class B power structures, as well as any combination of the two. With this exclusive feature, guitarists can coax a wide range of tones from this amplifier.