In Newport, films will be shown outdoors and symphony members play online, while the Lincoln City Cultural Center has reopened to the public

Friday, June 5, marks the start of the PAC Picture Show. Due to licensing restrictions that I don’t quite understand, the Performing Arts Center cannot reveal what the coming films are, beyond describing them as nostalgic, but you can find the titles by going to the website.

The films will be shown outdoors in socially distanced “Parking Lot Theatre style” at the Performing Arts Center on Friday and Saturday nights. The sound is broadcast via FM radio, so you’ll need a working FM radio if you want to hear the film. A $15 donation is requested for admission, which guarantees a parking spot. Space for SUVs, trucks, vans, and minivans is very limited, organizers say, so best if you can drive a smaller vehicle.

The picture show is sponsored by the Oregon Coast Council for the Arts, which is also sponsoring the ongoing online art show at the Visual Arts Center.

Astoria dials back the 35th-anniversary celebration of the cult classic because of COVID-19 restrictions, but fans will still find ways to fete the film

In June 1985, as Mikey Walsh and his young friends set out from their coastal Goon Docks neighborhood in Astoria in search of hidden treasure, I was living on Alaska’s Kenai Peninsula and knew nothing about his adventure. Of course, we had movie theaters there, but if The Goonies made the local big screen, I didn’t know about it.

In truth, it would be 20 years before I heard of the movie. That was 2005, the year of the first Goonies Day, hosted by the Astoria-Warrenton Area Chamber of Commerce. For those who don’t know the story, Mikey’s family is about to lose their home to the expansion of the neighboring country club. Then Mikey stumbles on a treasure map and, with his friends, sets out to find the pirate’s treasure and save their neighborhood. First, however, they must elude an evil family whose restaurant sits above the entrance to the cavern where they believe the treasure is buried.

It’s a fun story by Steven Spielberg that takes many viewers back to their own childhoods. But it’s more than just a family-friendly flick; its devoted fans have elevated The Goonies to a worldwide cult classic.

Astoria annually celebrates June 7 as Goonies Day, with blowouts every five years since 2005, and, since 2011, smaller events during the years in between.

“It touches people from all over the world,” said Regina Willkie, marketing manager for the chamber. “Visitors come from all over: Australia, Spain, Italy, Japan, Brazil, and all over the U.S. The fans are always so excited. They seem to adopt Astoria as a second home.”

This summer was to be the 35th anniversary celebration. And it still will be – in the virtual world.

Voices From the Front: McMinnville’s Third Street Books rides out COVID-19 with home deliveries, curbside pickup, and mail order

Over the past decade or so, every time I see one of those The End of Books stories or yet another article about how Amazon is crushing small, family-owned businesses or how eBooks are rendering bookstores irrelevant, I’ll make a point of asking Sylla McClellan, who has owned and operated Third Street Books in downtown McMinnville since 2004, how her shop is doing.

The answer is usually positive, sometimes less so. Given how the odds are stacked against indie bookstores even in the best of times, Third Street Books stands out as a survivor. So far, at least. That’s why I thought the occasion of a pandemic might be a good time to check in.

OREGON IN SHUTDOWN: VOICES FROM THE FRONT

In Yamhill County, most of our restaurants are shut down, though a few have modified their menus for curbside pickup. Third Street’s crown jewel, McMenamins Hotel Oregon, is shuttered. When I had breakfast there a few days before the governor’s executive order closed restaurants statewide, I was the only one in the restaurant at 9 a.m. Third Street Books just down the block remained open to customers, but the next day, March 12, McClellan posted this on Facebook:

“I have never spent so much time thinking about public health and the impact on our economy that it can (and will) have on my business. The news is changing so fast I have a hard time keeping up. We’ve been wiping down door handles and counter-tops all week. No hugging, handshaking or coughing is allowed (only sort of joking)!”

Sylla McClellan (right) laid off her staff at Third Street Books when the coronavirus forced the shop to close its doors, but has hired back one employee. Emily Kelly (left) hosts online story times, streaming Thursday mornings on Facebook. Photo by: David Bates

There’s always been a strong “shop local” culture in McMinnville, which clearly helps stores such as Third Street Books. McClellan is fortunate enough to run a bookstore in a city that likes to read. When New York Times columnist Nicholas Kristof and his wife, Sheryl WuDunn, were here in February to plug their book, more than 800 people showed up. Anecdotally, it seems there’s a high concentration of writers, artists, and teachers who, along with many others, must be regularly satiated with reading material — now, more than ever. Via email, McClellan and I talked about how you run a bookshop during a pandemic. The exchange below has been edited for length and clarity.

Let’s start at the beginning, just to give readers some context about how Third Street Books was positioned as the pandemic hit. Give us the quick version of the store’s origin and history, how you came to start it.

McClellan: In 2004, I purchased the then-named The Book Shoppe on Third. We opened in early January of that year with fresh paint as Third Street Books. I’ve always been grateful to be in a community that values having access to books. The downturn of ’08 didn’t really hit us until 2011. It was tough, but we learned how to slim down, work hard, and survive. That experience will be helpful now.

How was the shop doing before COVID-19? It seems like every time I’ve asked over the years how things are going there, you seem pretty upbeat.

We were solid before mid-March. We had a great staff of Real Professional Booksellers, as I like to call everyone, with a combined bookselling history of over 50 years. We were moving forward with new ideas; author visits to schools, tiptoeing into expanding our events offerings, and getting out of debt! Now all that has changed.

Even in these strange days, people are finding the silver lining. At the Lincoln City Cultural Center, that’s been a chance to connect with innumerable people who previously may not have known the center existed. It’s also been a reminder of what creative and innovative people are in our midst.

Last month, Executive Director Niki Price temporarily closed the center due to COVID-19. It wasn’t easy. There were layoffs, reduced hours, and the cancellation of one of the year’s biggest kids’ events, the Festival of Illusion.

The work of young filmmakers, stories inspired by Cinderella and Dr. Suess, and a documentary about Anne Frank are among coastal offerings

It’s film festival time in Manzanita, and the light is shining on young filmmakers from around the world. Each of the short films to be screened Friday was honored last year at the Gateway Film Festival, organized and hosted by students and Media Arts Department faculty at Pacific University in Forest Grove. Professor Jennifer Hardacker, who has shown her own films at the Hoffman Center for the Arts, will attend the screening to discuss the films. Showtime is 7:30 p.m. Feb. 28 in the Hoffman Center. Admission is $7. Films to be shown are:

Let.Go.Before.Trying,
by Anna Mendes of Ashland

Istanbul: Home Away From Home,
by Selin Tiryakioglu of Florida

Double Vida,
by Sharlany Gonzalez of the Dominican Republic and Maryland

63 Miles Away, by
Emma Josephson of Portland

Writer’s Block Party,
by Gabriella Sipe of Olympia

The Quiet, by
Radheya Jegatheva of Australia

She, by Felix Koble of
South Africa

Beacons of Portland,
by David Pascual-Matias of Portland

Irony, by
Radheya Jegatheva of Australia

Mel Brown will lead his jazz quartet in a concert during Nehalem Winterfest.

NEHALEM IS PREPARING for the annual Nehalem
Winterfest March 6-8. Performers are: the Marlin James Band, a country/rock
group with influences ranging from Eddie Van Halen to George Strait, at 7 p.m.
Friday; Eagles tribute band Eagle Eyes at 7 p.m. Saturday; and legendary
Portland jazz band the Mel Brown Quartet at 2 p.m. Sunday. Performances are in
North Country Recreation District Performing Arts Center. Tickets range from
$18 to $29 and are available here.

With subjects ranging from Indian relay horse-racing to Newberg's own 99W drive-in, there's a lot to like in this weekend's McMinnville Short Film Festival

The McMinnville Short Film Festival will unveil more than 80 films this weekend, beginning Friday night, and even the very limited sneak preview I got — “only” a couple dozen films — was enough to leave a variety of impressions along with a few thoughts about the state of cinema as an art form and the cultural health of Yamhill County.

In the spirit of the event, I’ll present these
random thoughts, observations, and impressions in a series of easily digestible
short takes.

“Eat the Rainbow,” in the Experimental/A Bit Strange block Sunday, is a musical fable about an odd-yet-kind man who becomes a disruptive force when he moves into a conservative suburban neighborhood.

THE FESTIVAL IS A SIGNIFICANT YAMHILL COUNTY EVENT. Just shy of a decade old, it has emerged as one of the more ambitious cultural undertakings in the area, arguably in the same league with infrastructure projects such as Newberg’s Chehalem Cultural Center as well as the more recently launched Aquilon Music Festival, which runs several weeks. The film festival started small and rather anonymously with a few screenings and has blossomed into a three-day extravaganza that fills McMinnville Cinema 10’s largest auditorium with often-breathtaking work from around Oregon, the United States, and the world. Founders Dan and Nancy Morrow set out to make it a filmmaker-friendly event. If the testimonials of film artists (many of whom come to talk about their work) are any indication, it is indeed that. But it’s also something that ought to have mass appeal to mainstream audiences (not just cinephiles) and those who perhaps don’t get to the theater as much as they used to. Bottom line, locals haven’t really discovered this thing yet in large numbers. They need to.

“Word on the Street” is a one-joke comedy in the style of film noir that dazzles with a clever, rhyming, linguistic hook.One might say it’s an interesting presentation of cinematic experimentation that’s likely to win your admiration.

THERE’S NOTHING NEW HERE. By that I mean: Cinema started as a short-format medium. When the National Film Preservation Foundation released the first of its many American Treasures collections in 1997, the package squeezed 50 films from the earliest days of filmmaking onto four DVDs. Most ran 10 minutes or less and some ran little more than a minute or two. The Academy of Motion Picture Arts and Sciences awarded its first film-short Oscar in 1932 — to The Music Box, a Laurel and Hardy flick about the pair trying to move a piano up a flight of stairs. Under one name or another, live-action short films have had their own category at the Oscars since 1957. Thanks to a variety of streaming services, it’s never been easier to see them.

SO MANY CHOICES, BUT SO EASY TO CHOOSE. The single best thing about this year’s festival is that it’s easy to see precisely what you want. For three days starting Friday at Linfield College, 85 films will be shown in nine screening blocks organized by theme. Documentary-lovers need not be subjected to horror films; animation fans will find their thing in a Saturday afternoon block; those with an interest in the environment or Indigenous stories and issues will find most of those films in separate screening blocks.

Nearly 100 commercial fishermen and women will share poems, stories, and songs during the 23rd annual FisherPoets Gathering next week in Astoria

I had been on the Oregon Coast just shy of five months when I learned of the FisherPoets Gathering. I’d never heard of fisher poets, much less a gathering for them. But I must have been intrigued all those 19 years ago, because I drove the 130-odd miles up U.S. 101 to Astoria, a place I’d never seen.

That was the fourth year of the gathering, which celebrates the commercial fishing industry in poetry, prose and music. Even then, the Wet Dog Café venue was filled to overflowing. I returned several years for more, and nearly two decades later, the poems — though not necessarily the poets’ names — stay with me.

There was the young guy who hired on with a fishing vessel only to show up at the dock on the appointed day to find the skipper had headed out a day early. Not long after, he learned the entire crew perished when the vessel capsized. One woman talked of the time her boat burned on Thanksgiving, destroying everything, which wasn’t much in the first place. I made friends with Dave Densmore, who read Skeeter’s Song, the story of the day he lost his son and his father when they took Skeeter’s boat out for a quick cruise on the bay and never returned. It was Skeeter’s 14th birthday.

This year marks the 23rd FisherPoets Gathering, which takes place the last weekend of February at multiple venues around Astoria. Nearly 100 poets, storytellers and songwriters will share tales beginning Feb. 28. Event buttons, good for all weekend, are $20 and available at the door.

The gathering was fisherman Jon Broderick’s idea, earning him the title of “founder,” but only, he says, because he made the first phone call. That was to John van Amerongen, then-editor of Alaska Fisherman’s Journal, who frequently published the work of fisher poets in the magazine.

“I called to see if he had addresses for me,” Broderick
recalled. “He did. Forty addresses. I contacted all of them. Thirty-nine said
yes. Everybody I called said, ‘Let me talk to someone else.’ One person called
another. We never talked to anybody who didn’t think it was a great idea. By
word of mouth it spread. We never had to twist anyone’s arm.”

Broderick, whose family has fished for salmon in Bristol
Bay, Alaska, for three decades, was already writing poetry, but his motive in
putting together the gathering was not so much to foster literary pursuits, but
friendship.

“Commercial fishermen are tightly knit, but far flung,”
Broderick said. “You lose track of people. These are people … they’ve sunk
boats, gone aground. They’ve had to deal with hardship and figure ways to carry
on. That kind of resiliency is typical of commercial fishermen. Of course, this
was all in the days before social media, and if you wanted to get together, you
needed an occasion. I invited my friends to get together and read poems.
Everybody came and they brought friends.”