Riegelman

In accordance with Riegelman (2006, p.11): Inside of the fashion industry, intention of the fashion drawing (the conceptual, opposing drawing to the drawing technician used in the periods of training of manufacture of the parts) is to present a project of consideration for possible manufacture. A drawing can be considered useful, of the point of view of designer, if it presents the concept of the project in the positive way clearest and possible, representing fabrics and materials in the way next real it. So that a good work of fashion drawing can be developed, it has the necessity of the study of the human body with regard to forms, volumes and movements. The body is the support for the clothes and the objective of the drawing is to show as the clothes if it configures when it is covering this support, that is, the human body. Still in accordance with Riegelman (2006, p.11): Of the point of view of? customer? that one who goes to analyze the drawing and to decide if the product will be or not manufactured? the utility of the drawing is in the representation of the materials that not only must seem attractive, but mainly must be represented of realistic form, so that it has a necessary impression of the product and its final effect. The drawing is seen as ability that can be learned and be taught: To learn to draw is more than what to develop the ability in itself.

To learn to process the visual information in that used special way for the artists. It is different in the way that normally is used to process visual information and it seems to demand that if it uses the brain in also different way of the common one. And one of the things that you will learn is that the properties special of the brain allow in them to draw images of what we perceive.