As covered on a number of posts on this site - I’ve been a long time fan of the Boss HM-2 Heavy Metal pedal - which alas has been out of production since 1992. In the meantime a whole host of pedal-builders have stepped up to fill the gap as the number of pristine HM-2 pedals becomes ever more scarce. In fact I’ve not seen a properly ’Mint’ version on Reverb.com for a long while - too many sellers misuse that term in any case as Mint means pedal is actually and literally...

When I did my Stackable Overdrive + Distortion Pedals feature at the start of the year my intentions were always to do a follow-up with Distortion + Distortion Pedals, and the recent release of the KSR Ceres makes it opportune to do this now. For my former article I could have included a few others in the overview - I just selected the 4 most similar, while for this new one I actually struggled to find even the 4 included within the same category. And of those 4 the Suhr Eclipse is kind of ...

This feature was inspired by a couple of recent events, and partly as a counter to my highlighting of the really rather complex Empress Zoia Modular Synthesizer / Multi-Effects unit in my last feature. For the last week or so I’ve been working on updating my rather extensive Guitar Pedal Directory page which features all of the above, and around 2,000 more from across 160 or so pedal builders around the world.

I periodically review each of the sites referenced - to keep tabs on ...

It’s long been a mystery why the enduringly popular Boss HM-2 Heavy Metal pedal has been out of production for quite so long - being as it at the root of the key Swedish Death Metal genre/movement, and still the weapon of choice for many of the best practitioners of that art. A pristine HM-2 on Reverb.com is becoming increasingly rare, and when it does appear its pricing is often quite frankly ridiculous.

So last year I did a sort of 15 Metal Pedal overview - but I’ve come across a few more since - and there have been some new launches - so I thought it opportune to do a more extensive round-up. This is actually the first of a series of 4 articles featuring my favourite High Gain, Distortion, Fuzz and Overdrive - pedals - one feature per category - with 24 pedals in each overview. I have been doing these for the last couple of years and this is the 2019 series as such.

So it’s that usual post NAMM-haze time where I figure out the longer-term impact of NAMM, and how those new products will affect the layout, order and composition of my now sort of 40-slot pedal-chain. As noted several times - this was indeed a bumper year for really innovative and highly appealing new pedals - and I will look to accommodate a number of those as they materialise in the forthcoming months.

As I hinted in my last pedal-chain overview - while 2018 was very evidently...

This year’s show has seen a bumper crop of interesting new pedals. In fact I was so dazzled by all the various cool pedals that I did not take note of much else - actually not entirely as there were a few synths weirdly that I liked the look of - including the new Teenage Engineering Modular Series in particular. There were very few guitars or amps though that properly piqued my interest.

I’ve featured BYOC’s Crown Jewel Multidrive on this site several times previously but only superficially really. It is the kind of Swiss Army Knife of drive pedals that will put some off by virtue of its sheer range and versatility (so many dials and switches) - so I’ve tried to break things down here in a more manageable fashion, while providing everything you need to get the most out of this pedal. I am generally a huge fan of Keith Vonderhulls - Mr BYOC himself - and if and...

In doing my 2019 pedal-chain planning I realised I had recently just completed a few notable duos of pedals - in fact the right-hand side of the above visual is fully mine with the REVV G4 the latest addition. There’s something of a theme here with the red pedal or red-accented pedal typically being the gainier half of the pair, and I could have done a similar exercise for Wampler with the Pantheon and the Pinnacle, but felt that the Tumnus and Pantheon were the two best / most versatile ...

At the end of 2018 / beginning of 2019 - I start thinking ahead for the year and considering what pedals I would like to swap-out or rotate-in on my pedal-chain. The long-awaited Empress Effects Zoia did not materialise in 2018, and is now expected as one of the major Winter NAMM launches - I see that as being one of two larger (monetary) acquisitions in the year - along with the Line 6 HX Stomp. I kind of did not figure out the HX Stomp until fairly recently really, where I have deemed it to ...