At the 6th international internet dance festival SideBySide-net 2010 (August-November 2010), artists get the unique opportunity to present their work on an interdisciplinary and intercultural platform and to a broad international audience for a longer period of time. The audience’s favourite artists (watch&vote-principle) receive prizes summing up to 3.000 Euro. Crucial criteria for nominations are the quality of dance, an individual style, and an innovative realisation of an interesting topic.

CAVE, one of Williamsburg’s longest-running experimental art spaces, hosts year-long subsidized studio share residency to five individual/groups. Through this residency, CAVE aims to provide an arena for artistic exploration to the local community of dancers, choreographers, interdisciplinary artists, and body-workers, all who seek the space to create and share their work.

ABOUT THE RESIDENCY

The next CAVE Subsidized Studio Share Residency begins September 1, 2010. For a flat monthly fee of $270 USD, CAVE Subsidized Studio Share Resident artists receive: up to twelve hours per week of rehearsal/private class space; bi-monthly inclusion of their activities on CAVE’s e-mail newsletter; access to Material for the Arts supplies; and the use of one small camcorder and one video projector (in-studio use only).

ABOUT THE STUDIO

This studio space is 450 square feet with 16 foot – 11 foot ceilings. It has a sprung, black marley floor, a private dressing area and an adjacent restroom. It is equipped with a stereo system (CD player and IPod hook-up). The space is heated during the winter and has fans for the summer, as well as skylights. Chosen artists will be responsible for self-management and keeping the studio clean.

Founded in 1996, CAVE is one of the longest-running experimental art spaces in Williamsburg, Brooklyn. CAVE strives to provide an explorative arena and support system for artistic development by hosting studio workspace, educational workshops, performance opportunities and assistance in the realization of projects that support risk taking in the in visual, media and performing arts.

Saxy dancers for cabaret. Full time salary, year round work plus meals. eclectic but clean technique essential! Must be able to follow directions quickly, and be courteous." A small sample of some of my work: http://www.youtube.com/watch?v=NkegTaXhpGQ Cabaret owners: www.oyadc.com Audition at: Maryland Youth Ballet 926 Ellsworth Drive Silver Spring, MD 20910 September 19, 2010 From 12-4 www.marylandyouthballet.org . . . You may send resume and head shot to: hilarygw@gmail.com, but you must also bring a resume and head shot with you to the audition.eclectic but clean technique essential! You will be given a short warm up class and then taught some choreography. If called back, you should have a short solo ready. We want as many styles as possible . . . bboys and girls needed, but you must be able to do our choreography as well. Full time salary, year round work, no layoffs, plus meals.

10 international dance artists will be selected for a 3-week collaborative residency. Culminating in 2 INFORMAL showings at the Omi campus and in New York City, the most unique aspect of this program is it’s gently facilitated process that emphasizes exploration and collaboration, not performance. Professional Dancer/Choreographers of ALL styles (Modern, Ballet, Improv, Ethnic Dance, etc), who have the desire to share ideas and process with dancers from around the world, should apply. It is recommended that applicants do not have specific projects in mind, but come open to working with others on jointly conceived projects. It is also imperative that all applicants have a genuine openness to collaborating with artists of different dance backgrounds.Selected residents receive FREE room, board, and studio space at Omi’s 300-acre facility & Sculpture Park (please note: Omi is UNABLE to provide travel funds)

Dance with Stars of The Paul Taylor Dance Company – Summer Intensive July 5-29, 2011

WHAT IT IS:

For dancers seeking a place in today’s competitive dance world, this is a once-in-a-lifetime opportunity.

Receive a scholarship and exceptional personal attention from some of the world's best instructors, including current members of the Paul Taylor Dance Company, Taylor 2, and Taylor alumni during the prestigious Taylor Summer Intensive program in New York City for aspiring professional dancers.

With Taylor's dances now in the repertoire of scores of renowned companies around the world, it is vital for dancers seeking a place in today's competitive dance world to learn Taylor style and repertoire. This Intensive provides that opportunity. Come learn from the masters.

WHO IT'S FROM:

The Paul Taylor Dance Company. Paul Taylor is the last living member of the pantheon that created America’s indigenous art of modern dance.

Mr. Taylor’s impact on dance has stretched over six decades, since he burst upon the dance scene in 1954 as both a virtuoso performer and a choreographer.

His world-renowned Paul Taylor Dance Company sets the global standard for contemporary dance excellence. Since the company’s founding in 1954, Mr. Taylor has choreographed 134 dances, many of which have attained iconic status and have been celebrated throughout the world. The Company has performed in more than 520 cities and 62 countries. Mr. Taylor continues to create two new works a year for his 16-member Company.

There are so many opportunities with dancing and singers. One who have interest in this performing arts they don't have to worry about career. There are so many reality shows in which you can participate and talent hunt show. By this you can earn good and handsome income.

The Dance Omi International Dance Collective is now accepting applications for its Summer 2013 Residency! Each summer, the Dance Omi International Dance Collective invites 10 international dance artists to upstate New York for three weeks of artistic and cultural exchange. This year’s residency will take place August 6-26, 2013 on the grounds of the Omi International Arts Center in Ghent, New York.

Under the direction of Dance Omi Director Christopher K. Morgan and an alumni Guest Mentor, a group of highly accomplished, diverse dance artists will experiment, create, and collaborate in a facilitated, supportive setting. Although the Residency will include informal showings, it does not emphasize the creation of a final performance product; instead, it emphasizes the process of experimentation and collaboration.

More information, guidelines and the online application for the 2013 Dance Omi International Dance Collective can be found at: http://www.artomi.org/dance.php. The deadline to submit applications for the Summer 2013 Residency is February 1, 2013. Notification will take place in mid-March.

Professional dancers and choreographers of all styles who wish to collaborate with other artists from around the world are encouraged to apply. It is recommended that applicants do not come with specific projects in mind, but that they are open to working with others on jointly conceived projects. All applicants must have a genuine openness to collaborating with artists of different dance backgrounds.

All awarded fellows must commit to staying for the entire residency and receive full room and board during his or her stay at Omi. Please note that Dance Omi is unable to provide travel funds.

Club Zak hereby announces The Solo Dance Contest 2013 a contest for a short contemporary dance solo (contemporary dance/contemporary ballet). The International The Solo Dance Contest will take place during the Gdansk Dance Festival 2013.

The contest is directed to the contemporary dance artists from the European countries.The deadline for application is 28 February 2013

["Wichita"], any ethnicity, 18 - Late 20s. Wichita is an attractive, bold, and fearless woman who is also an expert liar and manipulator. She is a confident and unsentimental young woman who has no tolerance for sappiness or romance. When the world is overrun by millions of zombies, Wichita remains calm under pressure. STARRING ROLE

["Little Rock"], any ethnicity, 10 - 12. Little Rock is a smart, plucky, and pugnacious pre-teen girl who is brave in the face of the zombie apocalypse. She is very similar to her bold older sister, with whom she teams up in order to fight off the zombies together as they search for more humans. CO-STARRING ROLE

["Ainsley"], Caucasian or African-American, 30s - 40s. Ainsley is a chatty, hard-working, and yet prickly female secretary who works in the same office as Fred. She tends to complain about minor things when she's not around her boss. CO-STARRING ROLE

MALES

["Columbus"], any ethnicity, 18 - Late 20s. Columbus is a "hip nerd"----he's a strongly intelligent, slightly neurotic, and earnest recent college grad who suddenly finds himself battling against thousands of zombies. He is definitely not usually a tough guy, but the crazy situation has brought out a survivalist side of his personality. STARRING ROLE

["Fred"], Caucasian or African-American, 30s. Fred is a soft-spoken, earnest, and peppy guy who works in the same office as Ainsley. He is stuck in an uninteresting desk job and has trouble envisioning his future. PRINCIPLE ROLE

["Tallahassee"], any ethnicity, 40s - 50s. Tallahassee is an adventurous, irreverent, cocky, and intelligent guy who loves to break the rules and take chances. He is an expert zombie killer and has a charming quality to him that many women find appealing. CO-STARRING ROLE

"The Judge", a major upcoming movie from Warner Brothers Pictures, is now casting co-starring roles for production which begins in Late May.

From the director of "Wedding Crashers", this dramatic movie will be about a slick big-city attorney who returns to his rural hometown for his mother's funeral only to discover that his senile father is a murder suspect.

"The Judge" will star Robert Downey Jr. The movie was written by Nick Schenk and Bill Dubuque, and it will be directed by David Dobkin.

The movie is being produced by Susan Downey and David Gambino for Big Kid Pictures and Team Downey in association with Warner Brothers Pictures.

["Carla"], any ethnicity, 18 - Late 20s. Carla is an extremely intelligent, pretty, and determined young woman who is currently studying to be an attorney. She meets Hank Palmer at a restaurant and they get along right off the bat. Carla has a wry sense of humor and a sharp intellect----both of which are qualities that Hank is drawn to. CO-STARRING ROLE

["Sam"], any ethnicity, 30s - 40s. Sam is a frank and honest, beautiful, and down-to-earth woman who grew up in the same small town as Hank Palmer. She dated Hank back in high school but their romance ended after he left town to become an attorney. Sam is now an entrepreneurial woman----she has made a lot of money in real estate, but the wealth has not gone to her head. STARRING ROLE

MALES

["Dale Palmer"], Caucasian, African-American, or Latino, 20s. Dale is a rumpled but charming, eccentric, and somewhat troubled guy who still lives in the small town where he was born. He is a caring and concerned young man who is currently helping to take care of his senile father. CO-STARRING ROLE

["C.P. Kennedy"], any ethnicity, 30s. C.P. Kennedy is a down-to-earth, clean-cut, and well-intentioned small-town lawyer who comes from humble roots. He is a genuinely unassuming and nice guy----but these qualities sometimes make it difficult for him to fight hard enough in a courtroom setting. CO-STARRING ROLE

["Glen"], Caucasian, 40s. Glen is a lethargic, downtrodden, and mildly depressed man who runs an auto parts shop in a small town. He was once an up-and-coming sports star when he was younger, but an accident on the field forced him to drop out of sports. PRINCIPLE ROLE

["Dwight Dickham"], any ethnicity, 40s - 50s. Dwight is a stern, hard-nosed, and ruthless lawyer who is the prosecuting attorney in the murder case against Judge Palmer. He seems to be a well-mannered gentleman at first, but when he's arguing in the courtroom he will stop at nothing to put Judge Palmer behind bars. CO-STARRING ROLE

"Left Behind", an upcoming movie from Samuel Goldwyn Films, is now casting co-starring roles for production which begins in April.

From the producer of "Romance and Cigarettes", this action movie will be about a group of people who struggle to survive in the aftermath of a natural disaster which has mysteriously removed people from Earth.

"Left Behind" will star Nicolas Cage and Ashley Tisdale. The movie was written by Paul Lalonde and John Patus, and it will be directed by Vic Armstrong.

The movie is being produced by J. David Williams, Paul Lalonde, and Michael Walker for Stoney Lake Entertainment in association with Samuel Goldwyn Films.

["Venice"], any ethnicity, 18 - Mid 20s. Venice is an attractive, sensitive, and fearless woman who has made an effort to change her past ways----she is a recovering drug addict who has spent several years in drug rehab and has finally quit the habit. Venice was once an aspiring fashion model and she still has something of a wild streak to her personality. When Venice is traveling on a plane, she at first begins to panic as several passengers suddenly vanish without explanation. STARRING ROLE

["Shasta Carvell"], African-American, 30s. Shasta is a caring, emotionally dramatic, and slightly neurotic suburban housewife who is married to an NFL player. She is very protective of her daughter Katie and would do anything to shield her from harm. Shasta is traveling with Katie on a plane when suddenly her little daughter vanishes. Shasta begins to panic. CO-STARRING ROLE

["Hattie Durham"], any ethnicity, 20s - 30s. Hattie is a pretty, glamorous, and confident woman who is a stewardess for a major commercial airline. She has a very wry sense of humor and a sharp intellect. She meets a pilot named Ray and they get along right off the bat. Hattie begins to have feelings for Ray and they make plans to get together when they reach Europe. But during the flight a horrible crisis begins to take place. CO-STARRING ROLE

["Irene Steele"], Caucasian or African-American, 40s - 50s. Irene is an old-fashioned, loyal and dignified woman who is very religious. She has attended church regularly for years and strongly believes in biblical scripture. Irene is married to an airline pilot named Ray. What Irene doesn't know is that her husband Ray is considering cheating on her with a flight attendant. PRINCIPLE ROLE

MALES

["Edwin"], any ethnicity, 18 - Late 20s. Edwin is a highly intelligent, clean-cut, "fashionably geeky", and articulate college grad who suddenly finds himself thrust into a situation in which the normal rules of science no longer apply. He is traveling on an airplane when suddenly many of the passengers inexplicably disappear. Edwin begins to freak out, and he must question all of the science he has ever learned in order to get a handle on what is happening. CO-STARRING ROLE

["Bruce Barnes"], any ethnicity, 30s - 40s. Bruce is a stoic, self-disciplined, and humble man who has a polite and respectful way of dealing with people. He is deeply religious, and he has dedicated his life to being a pastor at a church. Bruce originally comes a small town, and his old-fashioned manners clearly come from his upbringing. He presides over the congregation at the church that Irene Steele regularly attends. CO-STARRING ROLE

["Melvin Weir"], Caucasian, 40s. Melvin is a tormented soul. He is a proud yet embittered, self-reliant yet troubled, and hard-working yet hot-tempered man who is furious over the loss of his job. He has a history of taking out his anger on other people----and when his fellow passengers starts vanishing on his plane flight, Melvin attempts to blame the phenomenon on a Middle Eastern passenger. PRINCIPLE ROLE

["Dennis Beese"], Caucasian or African-American, 50s. Dennis is a highly-respected, blunt, and powerful petroleum executive from Houston who is both revered and feared by his colleagues in the oil business. He is used to getting his way in life and is used to having complete cooperation from his underlings. CO-STARRING ROLE

This is the first year that the Jadin Wong Award for Emerging Asian American Dancer will be presented. This award is administered by the Asian American Arts Alliance with funding from the New York Community Trust. This award is a tribute to the life and work of renowned Chinese American actress, dancer, and comedienne Jadin Wong. Since her teenage years, Ms. Wong had been a pioneer and innovator of Asian American performing arts.

The inaugural award is intended to recognize one emerging Asian American dancer whose work shows strong potential for greater achievement and hopes to make a significant impact on the Asian American artistic community as a whole. The award aims to recognize exemplary work that will continue to inspire young artists and the Asian American community for years to come. There is a cash award of $3,000 to provide educational assistance, training, and support for a young person of Asian descent with limited financial means to help them achieve their career as a dancer.

This cash award is intended to be used for “Professional Development” (see below), but not for undergraduate or graduate tuition fees. Priority consideration will be given to young dancers not currently enrolled in university programs.

ELIGIBILITY

The Asian American Arts Alliance will receive nominations for this award. You may NOT nominate yourself.

The nominee MUST:be of Asian American decentbe an emerging dancer between 18-25 years of agebe based in any of the five boroughs in New York Cityhave at least five years of experience in dancehope to make a significant impact on the Asian American artistic community through his or her workshow potential for greater future artistic achievement in dance

Current Alliance staff and board members, as well as immediate family members of the Alliance staff and board are not eligible.

DEADLINE

Phase I nomination forms must be submitted electronically by 11:59pm EST on Friday, March 21, 2014.

NOTIFICATIONNominees will be notified by March 26, 2014, for invitation to submit letter of intent and work samples if they advance to Phase II of the application process. A winner will be announced the week of May 12, 2014.

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