Tuesday, March 31, 2015

Down
on his luck and financially strapped low budget horror filmmaker Mandalor is
the laughing stock of the film community. His films are terrible and the
contrived, poorly done gore-effects make them unintentional comedies of the
cinema.

When
he presents his latest effort to sleazy, exploitation film producer Gelstein of
Gorrific Pictures with the hopes of getting a distribution deal, he is laughed
out of the screening room.

The ever-determined Mandalor, along with his trusty hunch-backed
cinematographer Rodney, set out to do another horror film but during the course
of filming, as he tries in vain to direct an intoxicated and uncooperative
actress he accidentally kills her. Rodney captures the dastardly deed on camera
and Mandalor includes the graphic footage in his film and screens it to an
impressed and delighted Gelstein who offers him a multi-picture deal to deliver
more gore galore! A wretched plan hatches that only filmmakers with “nerves of
steel” could carry out. Along with a hatchet or an cleaver...

Polaris shadows a tightly
knit cult hiding in a remote desert enclave as they prepare for the impending
apocalypse. Two dissenters try to escape through the vast desert wasteland as
the cult embarks on a mass suicide pact.

A
pea-soup fog chokes London for the first time in sixty years and nobody knows
why.

The
phones have stopped working, the broadband is down, and what are the voices
that tear through the night? The people know only that the fog has summoned back
an older London, where the dead seem as present as the living. Why is everyone
scared of the filthy old man in The Grapes? Why did he follow Bernadette to her
favourite Kurdish café in Hackney? And why can’t the Archduke Soupy van
Brilliantine, pacing along a northbound platform of the Bakerloo Line, remember
anything of his past.

Six lives intertwined; an aging rock-chick, a failing author, a charity
supremo, a retired financier, a middle-class dope-head and an inept lothario –
all go into the fog. Not all of them return. Only Alistair Hindmarch learns why
the dead prefer the fog of London to the place they are supposed to be. And
Alistair really wishes he hadn't.

The
Excerpt

Chapter
One

People
in the Light

The
end. They know it is coming and all across the city the parties are a little
too loud, the laughter too shrill, everything forced a pitch too high. This brilliant,
bright autumn cannot go on forever, these blazing days, this summer heat, the
spectacular clarity of the air. London shines, it is crisp, as hard-edged as a
world experienced through a new pair of spectacles. But yesterday was
Halloween, for pity’s sake – it must end soon. The people sense that it is
coming and they are right.

*
* *

He
is young, mid-to-late twenties maybe, three days’ growth of gingery stubble,
tall and stooping and as inconspicuous as it is possible to be for a tall man
dressed as a duck. His costume is yellow, once a bright synthetic yellow, but
now a patchwork of low organic shades, matted and wet-looking. He carries a
crumpled supermarket plastic bag that swings with the weight of the thing
inside, swings at the pace of his long, slow strides, and he drinks from a can
of Coke as he goes. In the same hand as the bag he carries the costume’s head.
It might be an unlicensed Tweety Pie or a bootlegged Donald, it might be an
attempt at a generic cartoon bird but, whatever, it is not a good attempt. He
finishes his Coke, head back, Adam’s apple prominent on his long throat that is
mottled by the heat and by the bothering ruff of nylon feathers. He drops the
can into a bin by Islington Green and continues his measured walk northward, a
huge string puppet loping up the Essex Road.

After
a while he turns into a strange, winding little park, narrow and punctuated by
man-made rock formations. In the quiet away from the main road he can hear
children’s voices and, as he reaches the gate of the park, he sees them, a
dozen little kids in an old-fashioned playground, a rare playground without
chipped tree bark on the ground or machines made of minimalist tubing and
sustainable timber. This park has missed its make-over, it has swings and a
multi-coloured, sharp-edged helter-skelter, and the kid at the top of this sees
the duck man and points, yells something to another kid. Not wanting to
disappoint a playground full of children, the man puts on the head and walks at
the same loose, easy pace, past the swings and the slide, waving to his
audience. The kids wave back and some of them follow him to the gate where
mothers and fathers turn them back, stop them going any further. Duck Man walks
on, plastic bag swinging, and, despite the heat, he doesn’t bother to take off
the head, not even when he has turned left, out of sight of the playground and
into a complex of tall red brick buildings that are handsome but have about
them the unmistakable downbeat rhythm of social housing. He turns another
corner and stops at one of the older buildings where he takes a small bunch of
keys from his bag and opens the door to a ground floor flat....

Please click the pic to finish reading the excerpt, and help bring this book to horror fans!

Even
though it hasn’t yet been unlocked as a stretch goal, we’re going ahead and
publishing this as a hardcover instead of a softcover. Why? For two reasons,
actually: Because we love you and because it’s something we want to do. Oh…and
because “rules” aren’t really our “thing”.

What this means is that anyone who has already pledged to receive a
softcover edition will now receive a hardcover edition AT NO ADDITIONAL COST,
WHATSOEVER (this includes the shipping amount), instead. The hardcover edition
will have two different covers; a “standard” cover (illustrated by Dave
Johnson) and an exclusive, limited edition “photo” cover, featuring Jen &
Sylvia Soska in costume as The Sister Sisters (the homicidal twin nuns featured
in the story), that includes a slipcase.

Monday, March 30, 2015

Ghostcom
Ghost Communicator is a truly remarkable application which attempts to receive
messages from the spirit world.

Simply
place your finger within the on-screen circle and leave it there until
instructed otherwise.

After
removing your finger a personal message will gradually appear over the
following minute or so. If no spirits are detected you will be instructed to
try later.

Ghostcom
is a professional quality application and a valuable addition to any ghost
hunter’s arsenal. Great for Halloween parties!

Use often to uncover a few hidden surprises!

Ghostcom
works by utilizing randomization based algorithms. Some people believe that
these algorithms are susceptible to manipulation by forces yet to be understood
by science. As this is not currently possible to verify scientifically we ask
that you use this app responsibly and for entertainment purposes only. The
creators of

Ghostcom
will not be held responsible for any consequences that may arise during or
after the use of this application.

If
you are easily scared and of a nervous disposition we advise that you do not
use this application.

HAPPY
GHOST HUNTING!

Whats
new in 1.0.4:

•
Less chance of words overlapping.

•
Fixed issue causing some older devices to crash.

•
Added Twitter support.

• General bug fixes.

"IF
YOU BELIEVE IN GHOSTS This app is FOR REAL!!!! I've used it many times and
it does work. If you are easily scared by the paranormal, then don't get
this,because the spirit folks will come to you to speak!"

"Awesome Love
this app. I love the supernatural and this Is the best app that really
works"

"Great Fun! Really gets you thinking sometimes as to how words
apply to your life. Awesome with friends too!"

March
16th 2015, NY - A MESSAGE FROM SHIP TO SHORE PHONO CO: "Thank
you so much to all the fans who helped us reach our funding goal faster than we
ever thought possible! It's truly amazing that this project is going to happen
and it's all thanks to you! Yes, you! The person reading this! You're awesome!

It's
not going to stop there, though. We don't just want to bring the MOTHER OST to
vinyl, we bring to make the MOTHER of all MOTHER OSTs to vinyl. We've come up
with some packaging stretch goals that we think you guys are going to love.

If
we hit $60,000, we will be able to add an OBI strip (to make the album look and
feel like it came out in Japan in 1989), emboss the cover of the album (just
like the cover of the Famicom box), and print physical copies of our liner note
booklet. Check out the graph below for more information.

Thanks
for believing in us!"

xoxo

Ship
to Shore

Highly
coveted among fans of the MOTHER series (known as Earthbound in the West), the
original soundtrack features arranged versions of the songs from the game.
Composed by Keiichi Suzuki (The Moonriders) and Hirokazu “Hip” Tanaka (Metroid, Kid Icarus), the game’s eclectic
score also features guests vocalists Catherine Warwick, Louis Philippe, Jeb
Million and the St. Pauls Cathedral Choir. The final track, “The World of MOTHER,” contains nearly
seventeen minutes of music from the actual Famicom cartridge.

These
songs will be remastered specifically for vinyl to ensure that they will sound
the best they ever have. In addition, the deluxe gatefold packaging will be
something that fans will be able to treasure forever.

In
addition, a digital liner notes booklet in conjunction with Fangamer to
supplement the album. In tracking down the original artists and writers who
contributed to the album, we've uncovered some real surprises, so fans won't
want to miss out on this.

Meet
Amy Butler. Though her life consisted of school, friends, and sneaking
cigarettes in the forest-no one knew about the real her. Nobody knew about the
monster behind closed doors; unless they wanted to be the next person on her
plate.

Check
out this review…

"This
was an interesting book that follows the teen girl, Amy as she discovers the
only way to satisfy her insatiable hunger is to dine on human meat and being a
bit awkward and shy, Amy never finds herself in shortage of finding someone
worth her plate. If you enjoy series like Hannibal or Dexter then this is
definitely the book for you."

How
did we come to this? What was the journey taken to bring us here? Why do we
look upon an open grave as an opportunity? Why do rotting corpses, animated and
not, draw from us a smile? Why do shadowy wisps of ectoplasm bring us
joy and hope?

I
am fascinated by shadows and I know you are too.

Horror
is not for everyone; not even in passing. Horror is not a hobby; it is a
passion, a lifestyle and a direction of mind.

For
example, the most delicious aspect to the Food Channel involves cutlery; true
or false? Be honest. Be deeply true and honest with yourself. Doesn’t that
clever inspire you?

When
I was a child of five my first finger painting assignment was finished quickly.
While my classmates took due care in scrawling the likenesses of their families
and pets; their homes and yard; their leafy trees, gardens and the golden sun,
mine stood apart.

I
am no artist. I can only draw stick figures --- badly and even obscenely. What
set my painting aside was something else; a surprise to my friends
and family no doubt, but something I automatically knew and was drawn to
do.

My
painting was black. It was all black. It was nothing but black end to end and
side to side. Every space on the yellow construction paper including the
corners and edges were covered. So were my fingers and palms as I smeared the
black paint obsessively and thickly to be make sure nothing of light
shown.

Then
each of my classmates, alphabetically of course, shared their bucolic lives;
their happiness and story book perfection. When my teacher reached the
“P’s” the mood of the day changed significantly.

Teacher:
“Okay Joseph what exactly did you draw?”

I
was eager to share. I was proud to be asked. This was to be a
watershed moment in my little life. The words spilled from my tongue
with glee.

Me:
“Death. This is death.”

My
feet never touched the ground as my teacher tightly grasped my
right wrist as she ran to the principal’s officewith me in tow. With
the painting in my left hand I could have been mistaken for a kite.

In
succession, the principal, then my parents and soon the
Board of Education’s psychologist saw and studied my masterpiece
and heard my oration. And what was the result of this incident?

No
institutionalization; no drugs; just a suspension from ‘Chiller
Theater’ and the ‘The Twilight Zone’.

No
matter I still had my dreams…

How
did we come to this? What was the journey taken to bring us here?

Nature;
it is our nature deeply imprinted on our DNA, residing deep within our guts,
flowing through every artery and blood vessel. It is nature.

Our
nature; horror is what we breathe; what we taste; what we see and hear. Horror
is us and our thoughts and imaginations.

Horror
is our wonder and humor. It is our comfort in the night. It
demonstrates our ability to expand our minds over the drone of
saccharine.

Horror
allows us to transport ourselves from the day to day to explore the depths of
humanity and existence, the mystery that is man in a more meaningful
way than any ‘Hallmark’ movie.

Why
horror? Because my friends we are fortunate and blessed.

Article
by: Joseph J. Patchen

About
Joseph:

I
am the resident literary critic for www.lurid-lit.com and
have published short stories, poems and articles in a variety of venues.

Los Angeles, CA, 3/2/15 – The Readmond Company has teamed up with
Director/Writer Todd Nunes to bring you a terrorizing, blood-soaked Christmas
slasher. ALL THROUGH THE HOUSE stars scream queens Ashley Mary
Nunes (SYFY’S ROBOT COMBAT LEAGUE), Jessica Cameron (TRUTH OR DARE), and
Jennifer Wenger (JIMMY KIMMEL LIVE). The film’s gory special effects were
created by Tommy Pietch of SYFY’S FACE OFF and STAR TREK: RENEGADES.

ALL
THROUGH THE HOUSE is an 80s-style slasher film featuring a deranged Santa
Slayer who rips through the town of Napa for some yuletide-terror.

Fifteen years ago, a peaceful Christmas neighborhood was engulfed by
fear when five-year-old Jamie Garrett was mysteriously taken from her bedroom
never to be seen again. Now on Christmas break, Rachel Kimmel comes home from
college to find her neighborhood struck again by a reign of terror. A violent
killer is hiding behind a grisly Santa mask, leaving a bloody trail of
slaughtered women and castrated men to the steps of the Garrett house. Rachel
finds herself in a horrifying nightmare as she discovers the twisted secret
behind the mask.

“This slasher has been brewing in my mind since I was
a kid,” says Director/Writer Todd Nunes. “It’s not a rehash of popular
Christmas horror movie subplots, like punishing the naughty, Santa obsessed
psychos, or death by antlers. This is a dark, scary, violent story that
delivers on a big bloody body count, beautiful girls, and lots of terrifying
action. It’s everything I love to see in a horror movie - every murder is shown
on screen and the anti-hero is a killer with a diabolical, sadistic mystery.”

“Although
I loved my character because she is strong and complex, I’m really drawn to the
twisted and crazy characters she meets in this movie,” says actress Ashley Mary
Nunes (as Rachel Kimmell). “The Killer in ALL THROUGH THE
HOUSE is disturbing, gross and really unique - I’m fascinated by the
depraved impulses. I know that everyone is going to love all the gore and violence,
but there is also a twisted mystery that ties it all together like a big
Christmas bow.”

ALL THROUGH THE HOUSE was shot in 21 days in the summer of
2014 in Los Angeles, San Francisco, and Lake Arrowhead, CA. The 95 minute film
finished post-production in February, 2015. Director/Writer Todd Nunes
graduated with honors from The Los Angeles Film School and studied
screenwriting at UCLA's Writers' Program. This is the first film by Santa
Monica-based The Readmond Company.

It
was Kim Fowley’s ‘dying wish’ to have his cadaver on the cover of Girls and
Corpses Magazine… and who are we to deny someone their final wish? Kim Fowley
(iconic music record writer/producer and founder of The Runaways) was a great
friend of Girls and Corpses Magazine and wrote and worked for us at dozens of
events. He only had one request and that was “to be on the cover of his
favorite magazine, Girls and Corpses, when he was died.

We had to put Fowley’s corpse on the back cover, so our distributers
wouldn’t toss us off the newsstands, but this is truly historic moment in
publishing because it is the first time a corpse has been photographed in a
body bag… with a fetish model… and put on a magazine cover… for Girls and
Corpses. We also have the last mad writings of Kim Fowley which we have
exclusively published in this diseased issue and it will make your head spin
and pop off.

But
there are two sides to every issue and Kim would be proud to be featured in our GIRLS
and CORPSES Spring Outbreak issue which is a pandemic of
diseased comedy and our most infectious issue! You’ll wheeze in
a panic as we explore deadly diseases that will end life on earth: Ebola,
The Plague, The Fluand The Kardashians. Catch our tribute
to Iwo Jima’s 75th anniversary with ourHazmat Hotties: RILEY
STEELE, JILLIAN JANSON, RAVEN BAY and JODIE TAYLOR. On
our historic back cover, as promised we unzip iconic record
producer KIM FOWLEY’s body bag with fetish supermodel JIN N
TONIC. Also, a deadly photoshoot with PATIENT ZERO at a Biohazard
Field Hospital with nurses IVY SHERWOOD and JEZAZBEL
VESSIR. Exclusive Interviews with: Rockabilly legend The REVHORTON
HEAT; MOLLY DUNSWORTH (Septic Man, Hobo With A Shotgun), BIANCA BRADEY (Wyrmwood);
metal band BLOODBATH; INCITE’s necro-erotic WTF music
video; and GWYNETH PALTROW’s Toxic Shit. We also examine:
The Black Death “The Good Years”; The Lobotomy Mobile;
Hasmat Horror flicks;Gruesome Graphx; sick pics of STEFAN
GESELL. Also, a 12 page graphic comic is included, THE FUNGUS
AMONGUS. So, slap on some Deet and wash your hands throughly after reading
Girls and (cough) Corpses Magazine. You’ll be glad you (cough-cough) dead
(hack-spit). Order this diseased issue now before the plague infects
your brain: http://www.girlsandcorpses.com/store/index.html

Saturday, March 28, 2015

Bloody Legends leads the
reader along a thrilled journey through the most alluring of all genres:
Horror. The book tells the story of Daniel Cooper, who after a friends’
invitation to go hunting, sees his most violent and morbid fantasies come forth
in a compulsive desire to perpetrate murder crimes based on famous urban
legends.

Flesh
of my Flesh,
Portland’s own “home-grown” epic zombie adventure is Hellbender Media’s second
feature, and chronicles the last hours of The Great Zombie War, through the
eyes of the hapless people stuck in the middle. Flesh of my Flesh premieres
April 25, 2015 at the Joy Cinema in Tigard.

"With Flesh
of my Flesh,”
says writer/director Edward Martin III, “I wanted to try and do something
different, to explore this entire genre from a perspective that I haven’t
already seen a million times. So, that was my first driving force — tell this
tale as if this isn’t the same old Zombie Apocalypse tale, but something
entirely different. Then, something strange happened. I started talking to
people who had historical background in strange happenings, and people who had
biological backgrounds. One thing led to another and all of a sudden, it’s not
just a zombie movie at all, but more like a terrifying adventure into a kind of
Where Did All These Legends And MythsReally Come From place.
And then once we started shooting and the actors brought this all to life, I
knew that it wasn’t just the creatures that had a life of their own — the movie
did too!”

The Joy Cinema has long enjoyed a reputation for showing eclectic
strange movies, and is the perfect place for the premiere. “The Joy is
basically my favorite theater, and [owner] Jeff makes no bones about being a
part of the filmmaking community as much as he is a local businessman. I’m
really, really glad we’re showing there,” adds Martin.

About
Hellbender Media Headquartered in the Pacific Northwest, Hellbender Media
specializes in movies, books, games, and other media that embraces the strange,
the peculiar, the weird, or might simply be a little off the beaten track.
Hellbender Media produces material that gets under our skin, that tickles us,
or intrigues us. This way, we can at least say our soul’s clean.

Friday, March 27, 2015

Hello.
I am John Pleak a.k.a. Jack Chattox to those who love science
fiction, horror and fantasy art. I am a professional painter and
illustrator living in Indianapolis with a BFA in Painting from Herron
School of Art & Design. Drawing and painting is my lifelong
passion. Creating unique works of art gives me the opportunity to
communicate and enrich lives through the manipulation paint and ink. I work in
many forms of traditional media including watercolor, ink, acrylic,
pencils, charcoal, pastel, and marker. My paintings and illustrations come
in all shapes and sizes ranging from trading cards to wall size murals.

Blanc-Biehn
Productions and Lony Ruhman is proud to announce well-known
genre actor and stunt-man Matt Lasky has joined the cast of
itssupernatural psychological thriller feature “Good Family Times.”

Synopsis:

Meet
Beatrice. She’s happily married, has a darling young son, and she’s a talented
artist. Her home is a happy one. Beatrice dotes on her family, and they love
her back. Too bad her husband and child are not exactly… alive. When Beatrice
comes into some money, another family – one that’s not quite so happy – decides
they’re more deserving of the dough and set out to rob her by breaking into her
home under the cover of night. In the course of that one evil evening, both
families soon learn the true meaning of ‘blood relations’.

Matt
Lasky plays one of the home-invaders, Shasta. Shasta is unusually observant…
but in spite of his ability to see danger coming, he still manages to find
himself in deep trouble. Lasky’s career is on the upswing, with
a role in the recent horror hit “The Purge: Anarchy”, and a
featured turn in an episode of the top-rated CBS series, Scorpion (“Once Bitten,
Twice Die”).Aside from “Good Family Times” look for Lasky (and our
own Jennifer Blanc) in the gothichorror film “Havenhurst.”

The
main character of Beatrice is played by sexy scream queen Brachfeld, who is
known for her work in genre films such as “The Haunting of Whaley House”,
“Return of the Ghostbusters”, and “LOVE: As You Like It”. Arielle is
actively involved in several charity organizations including The Horror
Starlets, a group that fund-raises to fight breast cancer, and The Young
Storytellers Foundation which encourages literacy through the arts.

“Good
Family Times” is based on a story by producer Lony Ruhmann (“Psychophonia”). It
is written and directed by award-winning filmmaker and cinema pundit Staci
Layne Wilson (“Fetish Factory”, “The Night Plays Tricks”). “Good Family Times”
is produced by Blanc-Biehn Productions (“Hidden in the Woods”), created by
famed husband and wife filmmaking team, Michael Biehn (“Terminator”) and
Jennifer Blanc-Biehn (“The Crow”). It is also produced by Danny Bellens, Tony DeBenedetto
(“Treachery”, “Psychophonia”, “Jacob”), Cynthia Paredes,
Garrett Longley, and Jenimay Walker (“Psychophonia”, “The
Lincoln”).

Original score by Randy Chance, a former member of rock supergroup The
Lovin’ Spoonful (“Do You Believe in Magic?”), with additional songs by
up-and-coming Japanese heavy metal band, MergingMoon (“Greyen”).

THE
FILM IS ALSO BEING SPONSORED BY KATY FIELDER DESIGNS

Kathy’s
passion for beautiful design, quality, and fashion is evident throughout her
illustrious career as a designer, creator, and manufacturer; and is projected
across all aspects of her life.Since starting her first design firm, Studio
Interiors in 1998, Kathy has gone on to create many successful collections
tailored to the masses, including Isabella Collection by Kathy Fielder,
Isabella Collection Linen Co, IbCDesign Studio, her 100% American Made brand,
Harrison Mercantile as well as her namesake brand Kathy Fielder Design I Life I
Style. Kathy’s design expertise is called upon every day in both the home and
fashion industries to make beautiful and trendsetting product for retailers
such as Neiman Marcus/Horchow, One Kings Lane and RueLa La, just to name a
few. After many years of hard work, perseverance and vision, the Kathy
Fielder branded products are proudly shipped worldwide. Kathy’s passionate
dedication to her craft, staying on cutting edge of trends and her indisputable
talent has placed her at the top of her industry, realizing her dream of
providing her customers timeless designs to be cherished throughout
generations.

ABOUT
BLANC/BIEHN PRODUCTIONS & PRODUCERS:

Blanc-Biehn
Productions is the partnership of famed actors Michael Biehn and Jennifer
Blanc-Biehn. The pair decided to put their passion for acting and filmmaking
together, creating their own production company. The duo produced and starred
in Biehn’s directorial debut, “The Victim”, a grindhouse film which co-stars
scream queen, Danielle Harris. The company’s other feature releases include
“Treachery”, “The Night Visitor”, “The Night Visitor 2”, “Hidden in the Woods”,
“The Girl”, “Altered Perception”, “She Rises”, and the horror anthology
“Hellevator Man”. Look out for more releases on their slate as well as festival
screenings in the near future, as well as a new list of fabulous directors
being added to the roster. For more information on upcoming BBP features,
please go to www.TheBBBasement.com and sign up for news and updates. Also
check out www.blancbiehnproductions.com Many projects are currently in
post-production with partner, executive Lony Ruhmann.

Producer
Tony DeBenedetto launched his career in 2011 with the multi-award winning
independent film “Jacob”. In March of 2014, he established his own
production company, Javelina 98 Productions, Inc. He partnered with Scott
W. Perry with Slick Devil Entertainment on two projects in 2014 - a short film
entitled “Once, When I was Dead” and a Web Series entitled “In Fear Of” which
was awarded the 2014 Best Web Series by the Macabre Faire FilmFestival in New
York. Tony is currently working on an “In Fear Of” television pilot. He
has teamed up as a producer with Blanc-Biehn Productions on several projects in
the past few years. Some of the projects included are “Treachery”, “She
Rises”, “Psychophonia”, “Fetish Factory”, “Hidden in the Woods”, and most
recently, “Good Family Times”. Operating out of the Houston, Texas area,
Tony is making it his mission to “Bringing you the galaxy, one star at a time.”

Producer
Jenimay Walker is an actress with roots in theatre, singing, burlesque and
contemporary dance. Born in the West-Island of Montreal, Canada, Jenimay’s
passion for the theatre arts began in childhood. She was in The Pauline
Rathbone Children's Theatre in Montreal, Ottawa school of Contemporary dance
and is currently pursuing an acting career in Los Angeles, California. Jenimay
has trained with top Meisner coach Jacqueline McClintock, she has studied the
technique of Uta Hagen in Florida and other prominent acting teachers in North
America. Jenimay’s performing career began to evolve in 2007, as she landed the
role of Janis Weiss in the live musical theatre production of the cult classic
'Rocky Horror'. Jenimay played the role of Janet, for 3 consecutive years in
reputable Montreal venues. She has acted in over 40 theatre shows in Toronto
and Montreal and sold out performances in a popular Burlesque troupe and then
as a solo performer in various events all over Canada. Shortly thereafter
Jenimay moved to South Beach, Miami where she was a professional go-go/showgirl
dancer in some of the most prominent venues and events in Miami, including,
Liv, Set and The Ultra Music Festival. Following this, Jenimay was in two
critically acclaimed short films which both went to Cannes Film Festival and
many other festivals, “Serpent’s Lullaby” starring Jenimay Walker and “Ceramic
Tango”. Jenimay moved to LA permanently in 2014. She has been working with
Blanc-Beihn Productions in “Fetish Factory” she played ‘Rosie’ directed by
Staci Layne Wilson. A principal role in “Psychophonia” as ‘Angel’, directed by
Brianne Davis. A producer credit in “Good Family Times”, directed by Staci
Layne Wilson. Jenimay was also in “The End of April” directed by Larry Wade
Carrell. Jenimay will also be acting in “Fembot” and “The Lincoln” produced by
BBP in the summer of 2015.