Thanks for visiting this page but i don't write here anymore. I've moved to Medium (medium.com/shaktianspace) and i am quite regular there. Only the platform has changed. Nothing else. Thanks for your not-so-precious time :)

Friday, February 27, 2015

The heart of leaving

It's been almost two
weeks since Valentine's Day and i wonder how much love is indeed in
the air. And while i do so, let's walk through the lane that has been
shaping our idea of love. For reasons bordering on utter abstraction,
isn't it attached to the big screen? Of course, it's present in
poetry and art as well but cinema manages to charm almost everyone.
What's more interesting is that some films don't hinge on the usual
they-lived-happily-ever-after theme as some stories go much beyond.
Like Facebook would want us to believe, it's complicated—at times.
Such films walk us through heartbreakingly beautiful moments of love
without the burden of clichés. Pointing out a few of them...

Forrest Gump (1994)

Director: Robert
Zemeckis

Lowdown: No matter
how simple-minded he was, Forrest (Tom Hanks) had his heart in the
right place when it came to the girl (Robin Wright) he always loved.
During their childhood, she urged him to run as fast as he can. As
they grew up, she kept running away from him only to come back home.
He accepts her by staying closer than ever before.

Sleepers (1996)

Director: Barry
Levinson

Lowdown: In this
film about how things change between friends when the going gets
tough, Brad Pitt's character has always been in love with Minnie
Driver's but owing to certain events that took place in his
childhood, their equation has changed. So much so he wouldn't even
bring himself to hug her when she knows it very well that their
feelings are mutual.

The English Patient
(1996)

Director: Anthony
Minghella

Lowdown: He (Ralph
Fiennes) betrays his nation because to him, what mattered the most
was the life of his beloved (Kristin Scott Thomas). To their
misfortune, it was too late before he took several drastic steps that
didn't do justice to his professional standing. When the war, there
were not only wounds perpetrated by hatred. Quite a few of them were
gifted by love.

Titanic (1997)

Director: James
Cameron

Lowdown: The water
is icy cold and Jack (Leonardo DiCaprio) has a choice to make. As
soon as he helps Rose (Kate Winslet) onto the floating piece of
furniture, that choice is made. By the end of it, Jack's frozen
about-to-sink face couldn't have appeared warmer.

Good Will Hunting
(1997)

Director: Gus Van
Sant

Lowdown: What should
a mathematical genius aspire for? A career of the highest order? An
existence that justifies his brainy prowess? Or be with the girl of
his dreams? Going by Matt Damon's prodigy, the last option ends up to
be the most viable one. Besides, he somehow leaves everything behind
and chooses to opt for his girlfriend who earlier chose her college
over him.

Fight Club (1999)

Director: David
Fincher

Lowdown: The
protagonist (Ed Norton) has unwittingly given rise to a movement
whose second name happens to be mayhem. When he acknowledges the
peril associated with his personality, he turns to the only thing he
cares about: his lover (Helena Bonham Carter). He requests her to run
away. He loves her so much that he's willing to be separate for her
safety.

The Brokeback
Mountain (2005)

Director: Ang Lee

Lowdown: For a film
that has ambiguity written all over the canvas, its climactic scene
is as straightforward as it can possibly get. Ennis (Heath Ledger),
older and wiser now compared to the time when he had a 'fling' with
Jack (Jake Gyllenhaal), walks up to his closet. He takes Jack's old
shirt, tucks inside his own and lets the two hang together inside.

Away From Her (2006)

Director: Sarah
Polley

Lowdown: Julie
Christie's Alzheimer-affected protagonist is shown cutely flirting
with a fellow patient inside an institute. The person watching this
is her husband and he can only be happy about it. After all, his
ailing wife no longer remembers him and whatever makes her happy is
bound to make him happy too. Even if this whole incident sounds remarkably bizarre.

Apocalypto (2006)

Director: Mel Gibson

Lowdown: Jaguar Paw
(Rudy Youngblood) has to protect his expectant wife (Dalia Hernández)
and son while making sure he doesn't put himself in jeopardy. Running
out of ideas—after running like a marathon runner—he decides
to hide his family in a dry well. To make matters worse, it begins to
rain and within minutes, the well begins to fill up. Her unabashed
trust in her husband is tested and how. -

WALL·E (2008)

Director: Andrew
Stanton

Lowdown: Don't you
ever wish somebody loved you the way WALL·E loved Eve? For a major
part of this film, the chemistry between the two robotic characters
is as dull as it can get. But that's solely because the 'girl'
doesn't reciprocate his 'feelings' for her. Nevertheless, he keeps
doing what he has to. In other words, he continues to care for her
well-being.

The Art of Getting
By (2011)

Director: Gavin
Wiesen

Lowdown: He (Freddie
Highmore) is too full of himself to let his guard down and she (Emma
Roberts) doesn't really have the patience to wait for him. At the
same time, he has fallen in love with her; something he's not
prepared to come to terms with, but he has to. And when he finally
does, we get a peek into the art the film's title propagates.

Tyrannosaur (2011)

Director: Paddy
Considine

Lowdown: An
alcoholic (Peter Mullan) is a loner with nobody to answer for while
Olivia Colman plays a harassed housewife (Olivia Colman). They both
bump into each other in the unlikeliest manner and a change takes
place. He begins to care for her while she grows mildly fond of him.
Turns out this 'change' took place because she happened to be the
first person who smiled at him without any hidden agenda!

The Artist (2011)

Director: Michel
Hazanavicius

Lowdown: A silent
era actor (Jean Dujardin) is struggling to cope with the rise of
talkies. The woman he literally handpicked to stardom (Bérénice
Bejo) has become the face of a technology he can't stand. His
downfall is mitigated by her persistence to mix the best of both
worlds. One of the many things she does without resorting to
melodrama.

Short Term 12 (2013)

Director: Destin
Daniel Cretton

Lowdown: Mason (John
Gallagher Jr) cherishes Grace (Brie Larson) way too much but the
latter is self-confessedly so 'damaged' that there might never be a
chance for the two. Regardless, he sticks around patiently waiting
for that moment when she'd let him in. A reason why that particular
scene—which establishes her utmost faith in him—is poignantly
epic.

Blue is the Warmest
Colour (2013)

Director: Abdellatif
Kechiche

Lowdown: There's no
denying that this film is very graphic in nature, especially given
the two subjects featured are lesbians. However, that aspect doesn't
come in the way of its heartwrenching finale as the two ex-lovers
face off in a restaurant. The dialogues between them and the
resulting ambiance reek of tragedy. At that point, one lover's
indifference towards another becomes the coldest colour.

The Lunchbox (2013)

Director: Ritesh Batra

Lowdown: So the moment of confrontation is scheduled and the lady (Nimrat Kaur) arrives on time, waits for him before leaving the table. We wonder why didn't he turn up. Later, we are informed that he arrived much before she did and on taking a look at her, our retired hero realized he's way too old for her. After slyly gazing at her for an hour, he accepts the truth that he can't provide her what she needs.

Whiplash (2014)

Director: Damien Chazelle

Lowdown: When you know precisely what you want from life—or love—you're in a far better place. Miles Teller (has anybody noticed his striking resemblance to younger Marlon Brando?) loves drumming in this mesmerizing film. In fact, he knows he's on the cusp of genius but he's a fool too. He breaks up with the very girl he eyed for months. Reason: He doesn't want her to resent him when he is fast climbing up the ladder of ingenuity! He should have dragged instead of rushing there.

N.B. This happens to be my last article for mid-day before i moved to Zomato.