A
well-designed space if only has a reasonable function is not enough, the design
of one of the main goal is to give users with comfortable feeling, if through
the space of the external morphological characteristics cannot give a person
with vision wallop and pleasing to the eye, unable to arouse people's life
interest and value, so the idea won't get the wide recognition of the world. To
sum up, how to make space has affinity, visual effect is a reasonable way and
means undoubtedly.

Design
can be understood as a kind of purposeful creation activity. Different
professional design is in essence the process of making creativity in our
surrounding environment through different means in design. But generally
speaking, good creativity is not equal to good design, and the final effect of
space largely restricts the connotation of space. Then, how to properly express
the content of space is the real foothold of creativity.

When
it comes to creativity, it is an essential component of artistic design. So
what exactly is creativity? Specifically, creativity is a rebellion against
tradition and a reaction against conventionality. Its philosophical connotation
is to break away from conventions and represent a new general trend in design.
In short, creativity is the idea of novelty and creativity.

Over
the past century, creativity has been applied more as a commercial factor in
the production of goods. From those successful design cases, we can fully
understand creativity as the regulating agent in art design, which not only
speeds up the overall development pace of the art industry, but also defines
the design direction for the art market to a certain extent, and promotes the
renewal of space through design to meet the needs of social life. More
importantly, by incorporating a lot of creativity into the design, designers
can create higher design added value and further improve the cultural
connotation and artistic taste of the landscape.

With
the continuous improvement of international design system, creativity has
occupied an important position in the field of art design. Since the goal of
design is directed to the future, if the design from design to construction and
production depends only on the existing market demand and people's inherent
thinking pattern, then the whole design system may become permanently passive
as time passes. Therefore, we need to make a comprehensive consideration at the
beginning of the design. While catering to people's current aesthetic taste, we
should make reasonable expectations for the future through creativity and
improve the predictability and initiative of the design work.

The
essence of space design is the combination of technology and art, that is, the
aesthetic characteristics of design constitute the essence of art. Through the
grasp of the aesthetic to achieve the creation of form, thus emotional
expression and the display of meaning. Generally, we require the aesthetic
expression of the space to revolve around its functional connotation and
coordinate with the purpose of use and application place, so that the product
can realize its value in the unification of appearance and use performance as
well as the unity of effectiveness and performance. Its core is to make
functional beauty, rather than formal beauty, become the center of gravity of
spatial form design.

On
the other hand, as the core of artistic creation is the generation of image, we
can not actually leave behind the psychological representation and discuss the
aesthetic concept alone. If there is no psychological analysis and judgment of
people, there will be no use groups in space, let alone design. Attention to
human psychology and adaptability on human scale are the most reasonable
interpretation of the principle of supremacy of function. That is to say, in
fact, there is no single aesthetic symbol, no clear aesthetic process, and the
display of aesthetic effect is just based on the grasp of users' psychological
needs, to realize their feelings of function and understanding of meaning.

So
in general, in a space of all involve the issue of aesthetic creation in the
design process, we should adhere to function as the guidance of the principle,
purpose is to make the space of the spiritual value recognition, to contribute
to the whole design and originality of the realization of the purpose and
practical function, we also need through the design process the cold material
make broad designers will give the function of the warm and comfortable
feeling, will need to become aesthetic demand.

A
well-designed space if only has a reasonable function is not enough, the design
of one of the main goal is to give users with comfortable feeling, if through
the space of the external morphological characteristics cannot give a person
with vision wallop and pleasing to the eye, unable to arouse people's life
interest and value, so this design will not be widely recognized around the
world. To sum up, how to make space has affinity, visual effect is a reasonable
way and means undoubtedly.

It
needs to be made clear here, that is, whether designers or users, the
understanding of space design is not only expressed in the explicit
consciousness with clear images, but also hidden in its subconscious. This deep
psychological differentiation will generally lead to an implicit perception
pattern, involving people's desire, emotion, concept and other subliminal
areas. Through the direct influence on people's psychology, the basic cognition
of people is realized, and then people's rich aesthetic perception ability and
perfect visual experience are formed.

Therefore,
as consumers, if we want to realize a functional space, we need to evaluate the
visual impression of the existing space. This visual impression is inseparable
from the image features of space and beauty. Therefore, if we want to make the
beauty of space the functional undertaker of promoting commodity circulation,
we should make it an effective display of space use value. So in terms of design,
creative overall design is not enough, but also need to have detailed design
operation. Human needs are constantly changing, and aesthetic needs are
constantly changing, which requires designers to not ignore their visual
effects when designing space, and create visual impact through continuous
aesthetic creation, so as to make the space adapt to people's pursuit of
various tastes and freshness.

The
space usually designed by designers is the organic combination of technology
and art, where the form makes the space obtain the final appearance. Here, the
form factor of space directly ACTS on human's sense organ, making the
appearance of space cooperate with its constituent elements to realize a
certain function. This requires the consideration of the interaction mode
between human and space, which is related to human psychology, physiology,
cognition and unconscious behavior, which directly forces us to clearly grasp
the formal freedom of space design and how to convey information through its
symbolic function. It is interesting to note that many design cases we see in
daily life have the cognitive function of space, which is often an aesthetic
function. This impetuous design phenomenon is actually highlighting a design
trend: at least in the eyes of ordinary people, the appearance of space is
beautiful. I can't help asking myself the question: how to appreciate beauty
without knowing it?

According
to maslow, aesthetic needs are higher than cognitive needs. Therefore,
cognition is the priority of human needs to be met. Cognition, by definition,
refers to the process of human cognition, which is the input and summary of
external information and the premise of realizing spatial utility and aesthetic
function. In this case, the space modeling symbols derived from the cognition
will not impede the stylization and personalization of the space. At the same
time, if the spatial function cannot be correctly identified and recognized,
its aesthetic function is like a castle in the air, which is not only
tasteless, but also a pity to abandon.

If
we start from the origin of design semantics, we can learn from saussure's
semiotics. When interpreting symbols, saussure tends to understand language as
a systematic abstract system, which is not subject to human will. In other words,
any living environment should provide sufficient information for people and
facilitate their cognitive activities through adequate design language. All
kinds of Spaces should not only use symbols to increase their recognizability,
but also the amount of symbol information must exceed the amount required for
general cognition, so that different information receivers can guarantee enough
information to identify, without too much thinking and judgment.

To
sum up, the success of a space design in addition to the production process
into the designer's ideas, more important is through various means and
practical function of aggrandizement space and visual effect, users can
generally formed unique aesthetic perception of space, finally on the premise
of not affect use appropriate strengthen its identification, in this way, the
space with the foundation of success. However, there is a point that cannot be
ignored. In fact, we can see that different creative factors play a key role in
how to design, produce and market the space. So far, how to properly balance
the relationship between creativity and visual expression is still a long-term
problem for different design fields in the future, and the design itself still
has a long way to go.