His cold remains all naked to the sky
On distant shores unwept, unburied lie.

Line 67.

Who ne'er knew salt, or heard the billows roar.

Line 153.

Heav'd on Olympus tott'ring Ossa stood;
On Ossa, Pelion nods with all his wood.

Line 387. Compare: "Then the Omnipotent Father with his thunder made Olympus tremble, and from Ossa hurled Pelion", Ovid, Metamorphoses i.

The first in glory, as the first in place.

Line 441.

Soft as some song divine thy story flows.

Line 458.

Oh woman, woman! when to ill thy mind
Is bent, all hell contains no fouler fiend.

Line 531. Compare: "What mighty ills have not been done by woman! Who was ’t betrayed the Capitol?—A woman! Who lost Mark Antony the world?—A woman! Who was the cause of a long ten years’ war, And laid at last old Troy in ashes?—Woman! Destructive, damnable, deceitful woman!", Thomas Otway, The Orphan, Act iii, Scene 1.

What mighty woes
To thy imperial race from woman rose!

Line 541.

But sure the eye of time beholds no name
So blest as thine in all the rolls of fame.

Line 591.

Rather I'd choose laboriously to bear
A weight of woes, and breathe the vital air,
A slave to some poor hind that toils for bread,
Than reign the sceptred monarch of the dead.

He ceas'd; but left so pleasing on their ear
His voice, that list'ning still they seem'd to hear.

Line 1. Compare: "The angel ended, and in Adam's ear / So charming left his voice, that he awhile / Thought him still speaking, still stood fix'd to hear." John Milton, Paradise Lost (1667), Book VIII, lines 1–3.

His native home deep imag'd in his soul.

Line 38.

And bear unmov'd the wrongs of base mankind,
The last and hardest conquest of the mind.