D5

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Overview

In each millisecond, a masterpiece. Take a step forward. See those critical moments that had previously been invisible. Capture those moments that had previously been lost. Define them with a clarity that had previously been unattainable. For photographers who understand that photography is about critical moments, the D5 delivers an exceptionally sharp viewfinder image, stable even during 12 frames per second*1 high-speed continuous shooting. It features an incomparable autofocus system with 153 focus points including 99 cross sensors. It provides EXPEED 5 to maintain saturated colours and clarity between ISO 100 and 102400. Coverage is exceptionally wide, and a new buffer allows up to 200*2 NEF (RAW) images to be captured during one high-speed burst. Combining 4K/UHD video capability, rugged reliability, a new radio-controlled flash system, wireless transmission and NIKKOR’s unparalleled lens line-up, the new D5 opens up a clear path for you to take your step forward. Endless new territory for your photography lies within each millisecond. Go there, and discover your masterpiece.

Stay on top of your game with next-generation 153-point AF and 200 NEF (RAW) image buffer

Own the game with Nikon’s phenomenal new autofocus (AF) system. With an incredible 153 focus points and 99 cross-type sensors, the D5 offers exceptionally wide coverage. Whether you are shooting the race or the red carpet, almost every situation is covered. Small subjects moving at high speed can be tracked with a new level of precision. Subjects at the edge of the frame are easily detected, and vertical shooting is vastly improved. AF sensitivity down to -4 EV*3 enables superior low-light performance, and all AF modes have been improved. The system is configurable in 153-point, 72-point and 25-point coverage settings in Continuous AF mode. All 153 focus points are compatible with AF NIKKOR lenses with an open aperture of f/5.6 or faster, and 15 central focus points work with an effective aperture of f/8. The camera’s high-performance buffer allows up to 200*2 NEF (RAW) or large JPEG images to be captured during one high-speed burst: enough to cover an entire 100m sprint final without taking your finger off the shutter-release button.

Beat the odds with a winning combination of power and precision

The phenomenal performance of the D5 is all you need to capture images that defy the odds. Thanks to a new AF ASIC unit, maximum computing power is allocated to AF at all times. No matter how fast the action, the camera does not compromise. Shoot at up to 12 frames per second (fps)*1 with AE/AF tracking, or at up to 14 fps with mirror up. AF tracking and viewfinder visibility are vastly improved when shooting sports or any scene in which subjects tend to change direction suddenly. Faster sequential shutter and mirror mechanisms significantly reduce viewfinder blackout during high-speed bursts. For ultimate precision, pair the D5 with a professional NIKKOR lens equipped with SPORT VR mode, such as the AF-S NIKKOR 600mm f/4E or the AF-S NIKKOR 500mm f/4E. SPORT VR mode also delivers a stable viewfinder image when tracking high-speed movement. Combine the D5 with one of these lenses and you will capture fast-moving, unpredictable subjects with unprecedented smoothness.

Move ahead of the pack with new metering and image sensors

The sheer imaging power of the D5 is a liberating experience. The all-new 20.8-megapixel FX-format CMOS image sensor and 180K-pixel RGB metering sensor deliver phenomenally accurate subject recognition and image detail. Even if you are shooting fast sports indoors, this camera will get you the shot. And not just any shot: tonal gradations are richer and more accurate. The D5 also boasts a new 3.2 inch, 2360k-dot LCD monitor, which offers touch operation in review mode. With a level of responsiveness comparable to smartphones, this high-resolution screen means you can easily check and select key images on the spot. Shoot in Live View and you can use touch operation to change the focus point, or acquire preset Spot White Balance data, based on the selected area within the frame. For even greater control, Picture Control 2.0 makes it easy to define parameters whether you are shooting stills or video. Ease post-production with the Flat pre-setting for maximum dynamic range and fine-adjust details with the Clarity pre-setting.

From bright sunlight to astronomical twilight: shoot beyond what the eye can see

The D5 opens boundless possibilities for low-light shooting. With a standard ISO range of 100 to 102400, and the highest expanded sensitivity in Nikon’s history, the envelope is yours to push. Thanks to the camera’s new EXPEED 5 image processing engine, image quality is unprecedentedly high across the standard ISO range. This exceptionally clean performance is made possible by a signal processing system optimised for the new sensor's 25% higher pixel count. Fine noise is dramatically reduced and even cropped images shot at high ISOs retain their quality. In an incredible feat of engineering, the ISO range can now be extended to ISO 3280000 equivalent, at the Hi 5 setting. Designed for specialist use, such as surveillance or security applications, these astonishingly high ISO counts enable colour images to be captured without a flash in astronomical twilight, which is equivalent to an amazingly low 0.001 lux.

Go to extremes: 4K high-definition D-Movies

As the first Nikon DSLR to record high-definition 4K/UHD movies in-camera, the D5 brings moviemaking flexibility to the forefront of the pack. 4K movies (3840x2160 pixels) can be recorded at 30p/25p/24p in dot-by-dot native pixel crop, which ensures the highest image quality. Shooting in Full HD (1080p) video allows you to record at frame rates up to 50p/60p in multiple sensor crop formats, including native Full HD pixel crop. And when filming in M mode, sensitivity for all video resolutions and crop modes can be set from ISO 100 all the way up to Hi 5. Auto ISO allows ISO 200 up to Hi 5, and allows you to configure the maximum ISO settings you want to work with. The camera offers clean HDMI out, where 4K movies can be recorded to the in-camera memory card or output uncompressed to HDMI with 8-bit 4:2:2 YCbCr. Furthermore, HDMI output is available for all movie resolutions during remote shooting.

Faster, sharper, and easier to handle, everything about the D5 is geared towards a smoother experience. Engineered to incorporate feedback from photographers who spend all day shooting, this camera reduces the stress factors that come with the demands of professional photography. Ergonomically, improvements include buttons with more defined ridges and curves, which enable more intuitive control, especially when shooting through the viewfinder. New double XQD card slots*4 easily handle the D5’s incredible capacity to shoot up to 200 NEF (RAW) images in one burst, and ensure the buffer is instantly cleared for the next burst. A new USB 3.0 port enables high-speed transfer of large amounts of data, and wireless and Ethernet connection is now 4 times faster.

Fearless in the face of the elements

The rugged D5 is built with a magnesium alloy housing that repels even the most persistent dust particle or water droplet. The shutter unit is just as well-built, delivering phenomenal performance and outstanding durability no matter where inspiration takes you.

Brave new frontiers with confidence

Optimise the D5’s capabilities with a wide range of accessories. Boost communication speeds and bridge distances with the WT-6, a new wireless transmitter that is compatible with the D5. Nikon’s Creative Lighting System continues to go from strength to strength with the new Speedlight SB-5000. This new Speedlight utilises radio communication and improves the performance of Nikon flash systems under challenging conditions. From stills in the studio to 4K movies in the great outdoors, the D5 stands ready.

*1 Possible in Continuous high speed (CH) release mode with shutter speeds of 1/250 s or faster*2 When Lexar Professional 2933× XQD 2.0 memory cards are used*3 The center focus point has a detection range beginning at −4 EV, and detection with other focus points begins at −3 EV (at ISO 100, 20°C)*4 The camera is available in two versions, one that uses two XQD cards and one that uses two CompactFlash cards

The D5 features an AF system with 153 densely packed focus points (55 selectable points)*, that are compatible with all AF NIKKOR lenses and provide over 130% coverage compared to the D4S. Ninety-nine of them feature cross sensors, with superior subject-detection performance, that are distributed efficiently in central and peripheral areas, delivering more compositional freedom. With higher accuracy for overall subject detection, including small subjects as well as those with low overall contrast, sharp focus is now ensured. * Number of focus points that function as cross sensors may vary depending on lens and maximum aperture.

AF compatible to -4 EV, for smooth and reliable focusing in low light

Newly developed to keep noise to an absolute minimum, the D5’s Multi-CAM 20K autofocus sensor module achieves focus at -3 EV* with all AF points, and at -4 EV* with the central focus point. This makes autofocus possible even when your subject is in a low-light or low-contrast situation. By combining superb image quality, provided up to the highest standard ISO sensitivity setting of 102400, and metering with extended low-light performance, the D5 significantly broadens the scope of your shooting opportunities. * At ISO 100 and 20°C/68°F.

The D5 is newly equipped with a dedicated AF engine chip, capable of rapid calculations. Between this engine and the sequence control microcomputer, several tasks are handled in parallel, resulting in overall shorter processing time for autofocus calculations and control. In addition, a newly developed AF algorithm efficiently coordinates a range of operations — including advanced subject detection and detailed scene analysis — based on rapid calculation by the AF engine, realizing more reliable acquisition and tenacious tracking of moving subjects. Precise AF tracking is possible even when capturing fast-moving subjects at approx. 12-fps continuous shooting speeds. This superior AF performance during high-speed continuous shooting results in a camera system of unprecedented power — power which is compounded even further when used with the latest NIKKOR super-telephoto lenses.

Breathtaking AF performance even when using a teleconverter

When using a teleconverter, all 153 focus points are compatible with effective apertures of f/5.6 or faster*. Even when apertures are slower than f/5.6, autofocusing is possible in many scenes. Fifteen focus points with nine selectable points are compatible with an effective aperture of f/8. * Number of effective cross sensors varies with certain lens combinations.

Further improvement in seven AF-area modes

The new AF system enhances all seven AF-area modes. Taking advantage of the new, smaller focus points, single-point AF achieves pinpoint focus more accurately. In dynamic-area AF (25, 72 and 153 points), group-area AF, 3D-tracking and auto-area AF, the increased number of focus points densely covers each AF area, enhancing subject acquisition. Auto-area AF is particularly effective when shooting subjects that move around freely, such as figure skaters or ice dancers. As the camera automatically detects subjects and focuses in this mode, you can concentrate more on composition and selecting moments to capture. Even during high-speed shooting, the camera demonstrates accurate focusing. Single-point AF: The camera achieves focus with a selected point. Dynamic-area AF (25, 72 and 153 points): The camera acquires the subject with one selected primary focus point. If the subject leaves this selected point during tracking, the camera continues to focus, based on the information from surrounding points (areas covered by 25, 72 or 153 points*). This is effective for erratic movement that is hard to follow with one focus point. * In dynamic-area AF with 25 or 72 points, the number of focus points actually used may be less than 25 or 72, depending on the selected primary focus point. Group-area AF: The camera recognizes the subject as an area, using the selected point and surrounding points as a group. This is highly effective for erratic movement that is difficult to capture with one point. If faces are detected in AF-S lens servo mode, the camera prioritizes them as portrait subjects. 3D-tracking: The camera uses color information of the subject that is initially focused by your selected point. It maintains focusing by automatically changing the focus point within all 153 points, following the subject’s movement, as long as the shutter-release button is pressed halfway. This is an advantage when shooting moving subjects in a creative composition. Auto-area AF: The camera identifies the major subject automatically using all 153 points and achieves focus. When faces are detected, it prioritizes them as portrait subjects in any lens servo mode.

Quick AF-area mode switching allows temporary use of a different mode

Switching between AF-area modes is faster as you can assign different modes to custom buttons (Pv, Fn1, Fn2 or lens focus function and other buttons). When the button is pressed, the camera switches to the pre-assigned AF-area mode (not including 3D-tracking). Release the button and the D5 reverts to the original AF-area mode. This lets you change AF-area modes quickly and flexibly according to the subject matter and purpose.

AF lock-on optimizes tracking performance according to situation

The performance of AF lock-on, or “Focus tracking with lock-on*,” can be adjusted by two parameters: “Blocked shot AF response” and “Subject motion.” The former option adjusts AF response when an object passes between the subject and camera on a scale from “Quick (quicker response and easier to shift focus to the intervening object and then return it to the original subject)” to “Delayed (less likely to lose focus from the original subject).” The latter option can be toggled according to the subject’s movement characteristics towards the camera, from “Erratic (movement prone to sudden starts and stops)” to “Steady (movement at a constant speed).” * Available in AF-C lens servo mode.

To ensure as accurate focus as possible for each lens type, AF fine-tune lets you make subtle adjustments to the focus point. This was once a tedious process of repeatedly setting the tuning value, shooting and confirming the results. However, now with the D5’s auto fine-tuning option*, it’s simply a matter of achieving focus in live view and then letting the camera automatically acquire the AF tuning value with just a few button operations. Adjustments can be made quickly and easily during a shoot, with the results automatically registered in a “Saved value” list, allowing you to focus accurately. * “AF fine-tune” in the setup menu must be turned on to enable the tuning values for shooting.

12-fps continuous shooting with full-time AF/AE up to 200 frames

The D5 provides photographers with the capacity and power to continue shooting with no loss of speed or confidence. It is equipped with an image sensor that allows fast data readout, as well as the new EXPEED 5 image-processing engine featuring extremely fast data management. While the buffer memory has been expanded, the cutting-edge sequencer mechanism has also minimized the shutter charge and mirror sequence time. The result of such enhancements is a camera that delivers stable high-speed continuous shooting at a frame rate of approx. 12 fps{sup(*1)} (with full-time AF and AE) at any image quality or sensitivity, including Hi 5. It permits you to shoot continuously up to 200 frames in 14-bit lossless compressed RAW{sup(*2)}. *1 Assumes shutter speed of 1/250 s or faster in CH (continuous high) release mode. *2 When using Lexar Professional 2933× XQD 2.0.

The length of blackout time and image blur in the viewfinder determine viewfinder visibility and the photographer’s subject recognition. The D5’s newly developed mirror driving mechanism has significantly reduced blackout time, which ensures the continuity of viewfinder images, while also cutting image blur. These improvements result in stunning viewfinder visibility during continuous shooting, realizing truly confident tracking of fast, erratically moving subjects — previously difficult to achieve.

The Vibration Reduction (VR) system’s SPORT mode, incorporated in new super-telephoto lenses and other models of the NIKKOR series, cuts vibrations effectively and delivers an incredibly stable viewfinder image. Together with NIKKOR lenses, the D5 creates a more complete camera system — one that makes it easier to frame fast-moving subjects and those prone to sudden starts and stops.

14-fps continuous shooting for nailing the moments that matter

Set the camera to 14 fps (mirror up) mode and prepare to perform super high-speed continuous shooting at approx. 14 fps* and at any image quality or sensitivity up to Hi 5. * Assumes CH release mode and shutter speed of 1/250 s or faster. Note: Optional Speedlights will not fire when 14 fps (mirror up) mode is selected.

Standard sensitivity up to ISO 102400 — the highest in Nikon’s history

Working hand-in-hand, newly in-house developed Nikon FX-format CMOS sensor and the new EXPEED 5 image-processing engine allow the D5 to achieve standard sensitivity up to ISO 102400 — the highest in Nikon’s history. This contributes to further enhanced image quality in the wide sensitivity range that starts from ISO 100. The sensitivity can also be reduced down to ISO 50 equivalent (Lo 1) or elevated up to ISO 3280000 equivalent (Hi 5). At Hi 5, you can now take pictures of extremely dark scenes — scenes that were previously impossible — and capture them in color.

Newly designed Nikon FX-format CMOS sensor: An excellent balance of three key elements

The D5 incorporates a highly refined Nikon FX-format CMOS sensor, newly in-house developed. High resolution delivered by the 20.8 effective megapixels, rich tonal gradation, and a refined signal-to-noise ratio, which contributes to high image quality at high ISO — the sensor acquires image data with an excellent total balance of these three elements, satisfying a wide spectrum of photographic purposes. At the same time, pursuing ultimate detail-reproduction performance, the EXPEED 5 image-processing engine delivers JPEG pictures of an appropriate standard for media outlets straight out of the camera, all with image integrity that is further retained after aggressive cropping. Overall, this contributes to a more efficient, flexible workflow. The image sensor also realizes a wide sensitivity range starting at ISO 100 thanks to its optimized pixel structure, simultaneously providing significantly increased sensitivity per unit area, while maintaining advanced color reproduction capability. Together, these factors contribute to bolstered image quality in the high sensitivity range. While rapidly reading out image data of a wide dynamic range, the sensor markedly reduces noise generated within, ensuring superior noise reduction, throughout the sensitivity range.

Boasting powerful calculation capabilities, the new EXPEED 5 image-processing engine easily handles data from the D5’s increased pixel-count image sensor as well as high-speed continuous shooting. Its increased data writing speed from the image sensor enables rapid data processing of approx. 14-fps (mirror up) ultra-high-speed continuous shooting and 4K UHD (3840 × 2160)/30p video recording. Taking advantage of this data handling performance, the new image-processing algorithm quickly and comprehensively processes data that comes with a wide dynamic range, without losing any of the rich information. Bringing the best out of the image sensor, it creates a richer, more natural rendering of smooth tonal gradations.

Superior image quality ensured even in high-sensitivity range

Thanks to the new FX-format CMOS sensor and EXPEED 5 image-processing engine with a further enhanced, new noise-reduction function, the D5 realizes unprecedented image quality in the high-sensitivity range including between ISO 3200 and 12800 — the range favored by sports photographers. The camera also reproduces delicate details of subjects in highly saturated colors — which has previously been difficult — thanks to the rich, natural rendering of tonal gradation achieved by maximizing data with a wide dynamic range from the image sensor. The new image-processing algorithm takes advantage of EXPEED 5’s advanced performance and brings improved accuracy to auto white balance.

Three Auto modes in white balance selectable for a range of purposes

The D5’s white balance features three Auto modes to offer you a range of optional colors. The AUTO 0 “Keep white (reduce warm colors)” option — equivalent to the D4S’ AUTO 1 “Normal” mode — faithfully renders the whites of team uniforms even under the complicated lighting sources of outdoor stadiums. It also brings out the full white of dresses at wedding banquets. The D5’s AUTO 1 “Normal” maintains a balance between the original subject color and the ambient lighting. In the AUTO 2 “Keep warm lighting colors” option, you obtain images with a natural sense of warmth, retaining the color of incandescent or other lighting.

Picture Control system for your ideal image creation

With seven preset options, let Nikon’s Picture Control system help you create the ideal image to fit your creative intentions or picture usage purposes. By fine-tuning preset settings such as sharpening, clarity, contrast and brightness, Picture Control opens up a wider range of paths towards your ideal image. The Flat option, with a tone curve closest to a straight line, allows you to acquire as much information as possible regarding your subjects’ color, brightness and texture. Flat prevents blown-out highlights, blocked-up shadows and color saturation even after adjusting or editing, completing pictures with rich contrast, colors and tonal gradation. It is effective for creating video material for color grading in post-production.

Creating custom Picture Controls for specific subjects and scenes delivers more ideal JPEG images — that won’t require post-production processing — straight out of the camera, which can speed up your workflow. This in-camera process is easy, as it lets you create your own Picture Controls by customizing the settings of the preset modes. Up to nine custom options can be saved in the camera. Further customize them in detail on a computer with Picture Control Utility 2 installed (available for free download from Nikon websites), and then transfer your unique custom Picture Controls via memory cards and register them with your camera.

Equipped with 4K UHD (3840 × 2160) video, vital to filmmakers

For moviemaking professionals today, 4K video-recording capability is crucial. The D5 comes equipped with 4K, and features enhanced sharpness of HD and Full HD videos as well. The camera records 4K UHD (3840 × 2160) 30p/25p/24p videos, saving the data onto in-camera memory cards. The HDMI output of uncompressed data is available at 4K UHD as well as Full HD, and can be directly transferred to an external display or recorder simultaneously. Saving a selected frame option is available with 4K UHD videos, allowing you to extract approx. 8-megapixel JPEG pictures — yet another technique for nailing decisive moments.

4K UHD videos × D5’s highlight performance

The combination of sharp 4K UHD videos and the unique, high performance of Nikon flagship D-SLRs will push the boundaries of creative video, opening up new opportunities that fully bring out this camera’s potential. 4K UHD videos × Dot-by-dot readout × EXPEED 5: Dot-by-dot readout means that information from every pixel on the image sensor is recorded to produce video with less in-camera processing, delivering detail-rich, high-resolution videos. Combining this method and EXPEED 5’s uniquely advanced video processing, while taking advantage of the 4K UHD’s high resolution, the D5 produces stunning quality videos. 4K UHD videos × High ISO performance: Produce more videos under extreme low light. The D5’s maximum standard sensitivity of ISO 102400, expandable up to Hi 5 (ISO 3280000), is compatible with 4K UHD videos. When using the auto ISO control, the camera automatically adjusts its sensitivity between ISO 100 and Hi 5. In exposure mode M, the sensitivity is manually adjustable between ISO 100 and Hi 5 in the movie-shooting menu. As the D5 delivers excellent video image quality even in the high ISO range, light levels will not hinder 4K UHD video production with this camera. 4K UHD videos × Wide range of NIKKOR lineup: The NIKKOR lens series has been highly praised for sharpness and exceptional rendering by countless professionals including filmmakers. Add in the diversity of the lens lineup, and the D5 becomes a uniquely agile cinematic system that gives you the power to realize a broad range of videos using 4K UHD’s high resolution. The 4K UHD movie image area (3840 × 2160) is almost the same as the DX-based movie format. 4K UHD videos × Picture Control Flat: Of the seven Picture Controls, Flat is the most effective in producing video material for post-production thanks to the way it enables recording of as much image information as possible, including subject colors, brightness and texture. You can produce high-resolution videos that faithfully reflect your creative intentions in a relatively simple process.

Multi-area D-Movie: offering selectable image areas (angles of view)

The D5 offers four image area options — the 4K UHD movie image area (3840 × 2160) and three options compatible with Full HD. The FX-based movie format takes advantage of the large image sensor and produces video with beautiful bokeh effects. Compared to the FX-based mode, the DX-based movie format and 4K UHD movie image area (3840 × 2160) have an angle of view equivalent to approx. 1.5× lens focal length, while that of the 1920 × 1080 crop is equivalent to approx. 3× lens focal length. These two image areas can create a close-up effect even when using lenses with shorter focal lengths. Combined with the diverse NIKKOR lens lineup the D5’s four selectable image areas allow you to try different styles more fluidly, and with a minimal number of lenses. Note: The aspect ratio is 16:9 in any movie image area.

Exposure compensation and power aperture engineered for movie recording

Shooting a scene with drastic exposure changes, such as when filming the sun at dawn or panning from a dark area to a brighter area, the D5 renders everything with gradual transitions via a delicate auto exposure control dedicated to movie recording. Even at high ISO settings, the camera reproduces the changes naturally while maintaining rich tonal gradation and details. Exposure compensation is now possible{sup(*1)} using the Pv button (for + compensation) and Fn1 button (for - compensation), allowing smooth compensation by changing the ISO sensitivities. The power aperture control{sup(*1)} {sup(*2)} can be also assigned to the Pv button (power aperture [open]) and Fn1 button (power aperture [close]), allowing you to continuously change brightness and depth of the field during filming with smooth, quiet control of apertures. *1 Smooth adjustment (not broken down into steps) is possible via operation of buttons pre-assigned with functions during movie live view and recording. *2 Available in A and M exposure modes.

Auto ISO control for recording with a fixed shutter speed and aperture in M mode

When filming a scene in which the brightness significantly changes within one take, such as following a subject from a dark corridor into the noonday sun, you may want to maintain the intended depth of the field and motion-blur effects. In cases like this, fixing the shutter speed and aperture in exposure mode M while using auto ISO sensitivity control will help keep the appropriate exposure. Set a maximum sensitivity limit between ISO 200 and Hi 5 to avoid running too high.

Handy in-camera time-lapse movie feature, compatible with 4K UHD

Capture the movement of clouds against the heavens or the stars across the night sky with a time-lapse movie, which renders slow, gradual changes dramatically in a condensed timeframe. The D5 allows you to produce time-lapse movies easily, and all inside the camera. This feature is compatible with any frame size/frame rate or movie quality, including 4K UHD/30p. What’s more, the exposure smoothing function is also available. This efficiently reduces unwanted flicker effects in a time-lapse movie where the brightness changes widely, such as at dawn or dusk, by automatically reducing the subtle exposure variance of each frame in exposure mode A. The exposure smoothing function is also available in interval timer photography.

Comprehensive sound control for realistic sound recording

While equipped with internal stereo microphones, capable of realistic audio recording, the D5 is also compatible with the ME-1 Stereo Microphone and ME-W1 Wireless Microphone (both optional). During filming, microphone sensitivity levels can be adjusted by 20 increments while visibly confirming them with the audio level indicators. You can monitor the sound using third-party headphones (the volume can be adjusted across 30 increments). Choose the most appropriate frequency response function. Select “Wide (wide range)” for recording a broad range of frequencies — from music to the bustling hum of a city street. Meanwhile, the “Voice (vocal range)” function is optimized for recording human speech. Wind noise reduction is also available when using the built-in microphone.

Dedicated features for more efficient filmmaking workflow

Movie-shooting menu: The D5 has a new, dedicated movie-shooting menu. This comes in particularly handy when switching back and forth between still-photo shooting and movie recording, because you can select different settings like white balance and Picture Control in advance and maintain them throughout the shooting. Setting changes via i button: By pressing the i button during movie live view, you can quickly access and change the following settings: movie image area, frame size/frame rate, movie quality, movie-recording target destination, monitor brightness, and headphone volume. Microphone sensitivity, frequency response, wind noise reduction and highlight display can be accessed and adjusted during movie recording.

HDMI output during remote filming using Camera Control Pro 2 for smooth professional workflow

Connecting your D5 to a computer with optional Camera Control Pro 2 software installed enables you to transfer videos to external equipment connected via HDMI during remote filming. Imagine recording uncompressed, high-quality 4K UHD video straight to a third-party external HDMI recorder. Such a process is compatible with the workflow at TV stations. During filming, you can confirm the results of exposure and sensitivity setting changes using the live view image on both the D5 and a computer monitor. Camera Control Pro 2 also offers start/stop control for recording 4K UHD video and Full HD video to the in-camera memory card, as well as transfer of movies to a computer after shooting. 4K UHD videos recorded using Camera Control Pro 2 are also supported by ViewNX-i software.

8-cm/3.2-in., 2359k-dot high-resolution, touch-screen monitor

Experience smoother workflow with a new touch-screen monitor that can even respond to operation wearing gloves, enabling quick image confirmation via rapid scrolling through thousands of pictures. What’s more, it has an impressively large, 8-cm/3.2-in. screen with a high resolution of approx. 2359k dots. The monitor image is extremely sharp, even when magnified, permitting speedy and comfortable focus confirmation during live view and playback.

Touch operation of the monitor

Touch operation during playback: Place a finger on the bottom of the display and a “Frame advance bar” appears, allowing you to scroll rapidly through playback images. The movement of your finger determines the number of frames to be scrolled through. Focus-point confirmation on continuous shots of sports scenes is easier, as you can concentrate on one spot of a frame while each sharp playback image quickly moves by. Double tap anywhere on the frame to magnify the spot you are touching. Movie playback, pause, stop and audio control can be done with the tap of a finger as well. Touch operation during live view: To move the focus point, simply touch anywhere on the screen. When using “Spot white balance” mode, the camera acquires the preset manual data of the spot you touch during live view, allowing for even quicker white balance adjustments. Entering text via touch panel: With the touch-operated onscreen keyboard, entering text has become much easier, helping you quickly register copyright or IPTC information, as well as the names of files, folders and networks.

Drastically improved communication via wired/wireless LAN

Whether using in-camera wired LAN or wireless LAN with the optional WT-6/A/B/C Wireless Transmitter, the D5’s communication speed is more than twice as fast as that of the D4S. This is made possible by the increased speed of the communication interface as well as key components with greater processing capability.

Attach an optional WT-6/A/B/C Wireless Transmitter to the D5 to perform high-speed transfer of image data from the camera to computers{sup(*1)} and FTP servers via wireless LAN. The maximum communication distance is approx. 200 m/656.1 ft{sup(*2)}, and the speed is boosted thanks to compatibility with the new standard IEEE802.11ac (2×2 VHT80). You can quickly send pictures taken out in the field to editors’ computers{sup(*1)}, or from studios to storage/review servers. The WT-6/A/B/C also enables wireless camera remote control from a computer{sup(*1)} with optional Camera Control Pro 2 installed. The WT-5A/B/C/D Wireless Transmitter, also optional, is compatible with the D5 as well. *1 Wireless Transmitter Utility (downloadable from Nikon websites) must be installed. *2 With large antenna at wireless LAN access point. Range varies with signal strength and presence or absence of obstacles.

Quicker, more efficient network connections and settings

Establish a network connection faster than ever. The newly incorporated Fn3 button, under the OK button, has the “Connect to network” command pre-assigned as the default setting, allowing for quick access to the network menu screen and effortless connection to the network. This function can also be assigned to Pv, Fn1 and Fn2 buttons. Once established, you can save the network settings on a memory card and transfer it to another D5. This significantly speeds up the entire connection process when working with several D5 units.

More convenient, multifunctional HTTP server mode

In addition to conventional methods of remote shooting and viewing pictures stored on in-camera memory cards, the D5’s HTTP server mode allows continuous shooting* with remote cameras via a computer or smart-device web browser. The D5 allows you to enter text via web browsers, which means that you can check and edit in-camera IPTC, comments and copyright information. * When silent mode is selected in HTTP server mode, only single-frame release is possible.

Access point mode for easy connection with wireless LAN

With the optional WT-6/A/B/C Wireless Transmitter (or optional WT-5A/B/C/D) attached, the D5 can be used as a wireless LAN access point, enabling an effortless connection with most wireless devices such as computers and smartphones. Up to five devices can be connected at the same time in HTTP server mode, as opposed to only one device in FTP upload, image transfer and camera control modes.

Selectable for XQD × 2 or CF × 2: Double slots for the same media

Based on your preference of memory card, select between two D5 models*: XQD-Type or CF-Type. The camera’s double card slot unit loads two XQD cards or two CF cards (Type I, UDMA compatible). Three recording options — “Overflow,” “Backup” and recording RAW and JPEG onto separate cards — help you store your image data efficiently and securely, and according to your workflow. You can copy stored images from one card to another, while choosing a card with enough space to work as a movie-recording destination. * Double memory card slot unit can be exchanged after purchase at Nikon service facilities (a charge applies).

RAW size L/M/S, selectable for different purposes

The D5’s RAW files have three size options: RAW size L, M and S. When looking for speed in data transfer, select “RAW size M” or “RAW size S” (both 12 bit, lossless compression). While being easy to handle, they retain the very flexible editing unique to RAW data. They are also compatible with in-camera “NEF (RAW) processing.”

Sophisticated playback options, addressing various needs on location

Select first frame or last frame to check immediately after continuous shooting: When confirming pictures immediately after continuous shooting, you can choose to display either the first frame or the last frame of the series in the “After burst, show” menu of the playback menu*. * Selectable when “Image review” option is turned off. Consecutive playback of continuous shots from the first frame: When “Image review” in the playback menu is turned on and the camera is in a continuous release mode, the playback begins with the first frame of the series after the shooting, and continues consecutively. Move frames while zooming in via sub-selector: Assign “skip to the previous/next frame” as the sub-selector’s function during playback. Efficient playback operation thanks to the i menu: Pressing the i button during full-frame playback, thumbnail display, or zooming in on a playback image calls up frequently used menu options, allowing for efficient operation and setting changes. The i menu: Rating, select/deselect for transfer, IPTC, record voice memo, retouch, edit movie, choose slot and folder.

Greater operability means deeper concentration while shooting

The D5 has achieved a body contour ideal for almost any hand size. The side grip is long enough to ensure a secure hold for large fingers, while simultaneously featuring a more rounded form that makes it easier for smaller hands to handle securely. The bottom grip used in vertical shooting now has a deeper groove and more space for the middle finger. Both grips fit more comfortably and securely in the hands, supported by a leather-like surface texture and large rubber thumb patches. In addition to the exposure compensation button, the ISO button is now located near the shutter-release button, allowing you to operate exposure-related controls using your right hand only. The five buttons to the left of the LCD monitor are now larger in size. In addition, the locations and operational angles of the AF-ON button, sub-selector, and multi-selector for vertical shooting have also been optimized.

Quick-release mode selection for instant setting changes

The D5’s release mode dial features a new quick-release mode selection option. After setting the dial to this, operate the release mode button and main command dial together for smooth release mode change. Also, you can adjust the continuous shooting speed and self-timer duration, or switch between quiet shutter release and quiet continuous (approx. 3 fps) modes by operating the release mode button and sub-command dial simultaneously. When the release mode dial is set to CL or CH, you can alter the continuous shooting speed by operating the release mode button and main command dial together. When Q is selected, this operation changes the release mode to the quiet continuous option.

More buttons illuminated for low-light shooting opportunities

When shooting where light is scarce, the D5’s button illumination provides enhanced visibility of the camera controls. The release mode dial and major button icons on the rear and upper-left sides of the camera can be lit with LED transparent illumination, as well as the top and rear control panels. The playback and delete buttons can now also be illuminated.

Newly incorporated Fn2 and Fn3 buttons for increased custom settings

The D5 incorporates two new custom buttons. The Fn2 button, conveniently placed on the front of the body for vertical shooting, allows photographers to use three assigned functions simultaneously in combination with the Pv and Fn1 buttons also on the front side. With the Fn3 button on the rear of the body, you can assign the functions “Connect to network,” “Voice recording” and “Rating,” as well as “Index marking” and “View photo shooting info*” when recording movies. The result: a more streamlined workflow. * Display still-photo shooting information during movie recording (including movie live view). This information may differ from movie shooting information.

The image quality (Fine/Normal/Basic) and the compression option (Optimal quality/Size priority) menus are now combined in one menu screen. You can also select and change these settings by operating the QUAL button and the main command dial together.

Easier custom control assignment for still-image shooting and movie recording

Assigning functions to custom buttons — such as the Pv and Fn1 buttons — is easier with the D5, as the camera now features separate “Custom control assignment” screens for still-image shooting and movie recording. With the new Fn2 and Fn3 buttons, more functions can be assigned. The two screens allow you to confirm the function assignment to each button at a glance, enhancing operational efficiency.

Constant display of focus point available during playback for quick focus confirmation

Select “Focus point” in the “Playback display options” of the playback menu, and your chosen focus point* will be constantly displayed during image playback. Pressing the center button of the multi-selector instantly magnifies the focus-point area to a pre-selected magnification ratio (50%, 100% or 200%) allowing efficient confirmation. * The point selected by the camera in the 3D-tracking or auto-area AF mode.

“Rename” option for more convenient image management

When creating new image folders on the D5, you can now use the “Storage folder” menu of the photo shooting menus to change the last five letters of a folder’s name*. Renaming folders using attributes of the pictures stored inside can help you manage the images more efficiently, such as when sports photographers create a new folder for each inning of a baseball game. * Available only with newly created folders.

Multiple exposure modes combine up to 10 frames to create a singe picture. The previous “Add” and “Average” image overlay modes are now joined by “Lighten” and “Darken.” With “Lighten” mode, the camera compares pixels in each exposure and uses the brightest. Conversely, the “Darken” option employs the darkest.

Advanced, more detailed settings for professional needs

Silent mode: With the D5, you can record larger images in silent live-view photography than before. When the FX (36 × 24) 1.0× image area is selected, you get an image size of 2784 × 1856 pixels (approx. 5 megapixels, with image quality fixed at JPEG fine★*), which is equivalent to size S images. Continuous shooting is possible for up to 5 seconds by pressing the shutter-release button all the way down. Expect approx. 15 fps in the release mode CL, or approx. 30 fps in CH. In exposure mode M, the shutter speeds can be set between 1/30 and 1/8000 second, while the ISO 100 to Hi 5 range is available as the sensitivity range (in other modes, the camera automatically selects the ISO). * ★ indicates an image quality option with compression optimized to ensure maximum quality. Synchronized shutter release: Expect more flexible control in synchronized shutter release mode, which you can use by connecting multiple cameras via WT-6/A/B/C Wireless Transmitter, WR-1 or WR-R10 Wireless Remote Controller (all optional). It is possible to enable or disable the synchronization, as well as preassign interruption functions to customized buttons like Pv, Fn1 and Fn2. When synchronization is enabled, you can interrupt it by pressing a custom button, allowing you to isolate and trigger the shutter release of either the master camera or the remote cameras only. Then, while synchronized release is disabled, this can also be interrupted, permitting either synchronized release of the master and remote cameras or release of the remote cameras only. Split-screen display zoom: When you want to achieve perfect leveling of your subject, such as in architectural photography, you can employ the D5’s handy split-screen display zoom function. During live view, two points on the same horizontal line are enlarged on a split screen (points are indicated by □ in the navigation window). The magnification ratio of the boxes can be adjusted simultaneously, while magnified areas can be moved horizontally and vertically at the same time. This allows you to fine-tune the camera angle by confirming the image.

The D5’s viewfinder with approx. 100% frame coverage achieves a clear view with high transparency and neutral color, thanks to a sophisticated coating applied to various parts of the main mirror and viewfinder optics. The magnification ratio of 0.72 makes it easy to confirm the viewfinder image as well as all viewfinder information simultaneously. The camera employs organic EL display elements in the viewfinder information display to ensure easy viewing even under bright daytime sunlight, as well as rapid response at low temperatures.

Detachable eyepiece adapter and eyepiece with fluorine coat

The D5 employs the DK-27 Detachable Eyepiece Adapter, which helps quick attachment of a rain cover. Prepare a second eyepiece adapter and have it attached to a rain cover in advance. If rain suddenly starts, you can quickly cover your camera with it, just like changing the eyepiece adapter, so you won’t miss any photogenic moments. What’s more, Nikon’s unique fluorine coat protects both sides of the lens incorporated in this adapter as well as the outer side of the viewfinder eyepiece lens (DK-17F Fluorine-Coated Finder Eyepiece). It repels dust, water droplets, oil, mud and more — making it easy to wipe and clean the surface, and allowing you to confidently change the eyepiece adapter in bad weather.

Electronic front-curtain shutter minimizes mechanical vibrations

When you want to minimize any vibration caused by the camera mechanism — for instance, when shooting landscapes with a telephoto lens — switch to the electronic front-curtain shutter. Selectable in Mup (mirror up) mode*, this makes the camera’s image sensor act as the front curtain of the focal-plane shutter, eliminating vibrations caused by mirror bounce and movement of the mechanical front curtain. You can use a computer to switch to this mode via the optional Camera Control Pro 2 software. * The electronic front-curtain shutter cannot be used during continuous shooting at 14 fps with mirror up in CH mode. Note: When using the electronic front-curtain shutter, the fastest shutter speed available is 1/2000 s, and the highest sensitivity is ISO 102400.

Durable, high-precision shutter

Tested for 400,000 cycles with the shutter unit actually loaded into a fully assembled camera, the D5’s shutter boasts proven durability, and is ready to take on the heavy demands of professionals. It also features a self-diagnostic shutter monitor, which automatically detects and minimizes the difference between the designated shutter speed and the actual speed, ensuring maximum precision.

Strong, rugged body with anti-dust and weather sealing

Employing a light and strong magnesium alloy, the D5 possesses an extremely robust and durable body while maintaining light weight. Effective sealing of joined sections ensures high resistance to dust and bad weather, letting you shoot with the utmost confidence, even in inclement conditions.

Super-extended battery life achieved by the exceptionally energy-saving design

The D5 demonstrates exceptional energy efficiency, so you can concentrate on shooting without having to worry about battery life. The internal power circuit has been optimized and the camera employs key components that minimize energy consumption, such as EXPEED 5. The EN-EL18a Rechargeable Li-ion Battery enables shooting up to approx. 3780 shots per charge in single-frame release mode (Based on CIPA Standards), or approx. 8160 shots in the professional-oriented continuous-release mode (Under test conditions established by Nikon). It also allows filming for approx. 110 minutes (CIPA Standards). As an alternative to the single EN-EL18a, you can use an optional EH-6b AC adapter (with EP-6 Power Connector) as a source. Note: Battery durability varies depending on operating environment, including battery charge, shooting cycles and menu settings.

Powerful and multifunctional: SB-5000 Speedlight with radio-controlled system

For the first time in a Nikon Speedlight, the SB-5000 is compatible with radio-controlled communication. Since it is less vulnerable to obstacles than conventional optical-controlled system, and unaffected by the brightness of the environment, employing the SB-5000 for your remote units in wireless multiple-flash photography gives you more freedom in your lighting (radio-controlled Advanced Wireless Lighting{sup(*1)}). What’s more, the Speedlight now comes equipped with a cooling system, which prevents overheating of the flash panel from consecutive firings. As a result, the SB-5000 can fire consecutively for longer than conventional models, without flash cool-down time between bursts, all while featuring a powerful output at the guide number of 34.5 m/113 ft{sup(*2)}. *1 Radio-controlled AWL with the D5 and SB-5000 units requires WR-R10 Wireless Remote Controller and WR-A10 Wireless Remote Adapter. *2 ISO 100, 23°C/73.4°F, FX format, standard illumination pattern.

A radio-controlled system enables wireless multiple flash photography when conventional optical control is difficult due to obstacles, long distances or bright sunlight. With the optional WR-R10 Wireless Remote Controller{sup(*1)} attached, the D5 can handle remote flash units{sup(*2)} via radio-controlled communication (communication distance is up to approx. 30 m/98 ft{sup(*3)}). Up to 18 remote units{sup(*4)} can be managed this way, so you can expect more flexibility in highly advanced lighting. With the interactive communication between the camera and flash units, you can conveniently check each remote unit’s conditions — such as battery level or flash-ready indicators — on the D5 monitor in your hands. It is also possible to perform Advanced Wireless Lighting using both radio-controlled and optical-controlled units (up to three groups) by simply attaching a conventional, optical-control Nikon Speedlight (as a master or commander unit){sup(*5)} and a WR-R10 (as a commander) onto your D5. *1 Requires optional WR-A10 Wireless Remote Adapter. The WR-R10’s firmware must be updated to be compatible with radio-controlled AWL (check Nikon websites for details). *2 Must be SB-5000 Speedlight. *3 Approximate range at height of about 1.2 m/4 ft; varies with weather conditions, presence of obstacles and radio communication conditions. *4 This requires you to select the same channel for the WR-R10 attached to the D5 and all remote SB-5000 units and link-mode setup. *5 Limited to SB-910, SB-900, SB-800, SB-700, SB-500 or SU-800.

Benefit from faster, more convenient access to flash settings from the camera as well as your computer via unified flash control. Whether a single SB-5000{sup(*1)} is mounted onto your D5, or SB-5000 unit(s) are being used remotely in radio-called Advanced Wireless Lighting, flash settings can be accessed from the camera or a computer connected to the camera using Camera Control Pro 2 software{sup(*2)}. Any setting changes made from either the camera, computer or the SB-5000 itself will be shared among the devices. What’s more, you can store flash settings on memory cards using the camera’s “Save/Load settings” menu and share them with multiple D5 cameras. *1 Also supports the SB-500, SB-400, SB-300. Available when it is connected to the camera via SC-28/SC-29 TTL Remote Cord. *2 Version update required for Camera Control Pro 2 (Ver. 2.23.0 or later).

Auto ISO control options help attain exposures you need

When using auto ISO control during flash photography, you can select the target for correct exposure as “Subject and background” or “Subject only” in the custom menu. In the former option, the camera automatically controls the sensitivity to render both the main subject and background in a more appropriate exposure. This helps when you want to render a night landscape brightly as a background. In the latter option, the camera calculates to obtain an optimal exposure of the main subject alone by altering the sensitivity when the flash output is too high or low. Take advantage of both options and explore your creativity in how you render the background. You can select a maximum sensitivity for flash shooting, independently of the one used for non-flash shooting (from ISO 200 to Hi 5). The maximum sensitivity can be set low when using a flash to add volume of light.

NIKKOR: Solid advantage of Nikon D-SLRs

AF-S NIKKOR 14-24mm f/2.8G ED

This wide-angle zoom lens epitomizes the NIKKOR series with its edge-to-edge sharpness. The combination of Nano Crystal Coat and ED glass elements renders contrast consistently — even in backlit scenes. High performance like this meets professional demands under a range of difficult conditions.

*1 Based on CIPA Standards. The value is achieved when attached to a full-frame (35mm-format image sensor) D-SLR with zoom set at the maximum telephoto position in NORMAL VR mode. *2 The VR effect is up to 4.0 stops when AF-S TELECONVERTER TC800-1.25E ED is attached.

AF-S NIKKOR 24-70mm f/2.8E ED VR

Thanks to the aspherical ED glass element and High Refractive Index lens elements, this lens realizes an extremely high optical performance. The Vibration Reduction (VR) system provides a powerful effect equivalent to a shutter speed 4.0 stops faster{sup(*1)} as soon as you switch on the power. The lens supports high-speed continuous shooting with quick and highly accurate AF and stable AE control using an electromagnetic diaphragm mechanism, while the fluorine coat and strong, durable, shock-resistant body ensure that it can withstand severe shooting conditions.

*1 Based on CIPA Standards. The value is achieved when attached to a full-frame (35mm-format image sensor) D-SLR with zoom set at the maximum telephoto position in NORMAL VR mode. *2 The VR effect is up to 4.0 stops when AF-S TELECONVERTER TC800-1.25E ED is attached.

AF-S NIKKOR 70-200mm f/2.8G ED VR II

A powerful VR effect of up to 3.5 stops makes this telephoto zoom lens extremely useful when handheld shooting. Expect excellent rendering throughout: from the center to peripheral areas, as well as from infinity to the minimum focus distance of 1.4 m/4.6 ft. Nikon’s exclusive Nano Crystal Coat reduces ghost and flare effects, thereby delivering pictures of striking clarity.

*1 Based on CIPA Standards. The value is achieved when attached to a full-frame (35mm-format image sensor) D-SLR with zoom set at the maximum telephoto position in NORMAL VR mode. *2 The VR effect is up to 4.0 stops when AF-S TELECONVERTER TC800-1.25E ED is attached.

Incorporating two fluorite glass elements, these fast super-telephoto lenses have significantly reduced body weight. While providing an effect equivalent to 4.0 stops faster{sup(*1)} in NORMAL mode, the VR system also features SPORT mode, which delivers a stable viewfinder image while tracking the erratic subject matter often found in sports and wildlife photography. These lenses also feature superior AF tracking capabilities and stable AE control through their electromagnetic diaphragm mechanism.

*1 Based on CIPA Standards. The value is achieved when attached to a full-frame (35mm-format image sensor) D-SLR with zoom set at the maximum telephoto position in NORMAL VR mode. *2 The VR effect is up to 4.0 stops when AF-S TELECONVERTER TC800-1.25E ED is attached.

AF-S NIKKOR 800mm f/5.6E FL ED VR

With a lightweight body thanks to fluorite lens elements and a powerful VR effect of up to 4.5 stops{sup(*1)} {sup(*2)}, this lens enables exceptional super-telephoto shooting. The supplied teleconverter, in a dedicated design using ED glass elements, extends the focal length to 1000 mm while maintaining the same high optical performance. Combined with the D5, this lens and teleconverter allow smooth AF shooting using a total of 37 focus points, which include 25 cross sensors.

*1 Based on CIPA Standards. The value is achieved when attached to a full-frame (35mm-format image sensor) D-SLR with zoom set at the maximum telephoto position in NORMAL VR mode. *2 The VR effect is up to 4.0 stops when AF-S TELECONVERTER TC800-1.25E ED is attached.

Wireless remote controllers and software for greater utility

WR-1 and WR-R10 Wireless Remote Controller

The WR-1 Wireless Remote Controller enables a variety of remote shooting possibilities, as it functions as a transmitter as well as receiver using 2.4 GHz radio frequencies. When configured as a transmitter, the WR-1 screen allows you to confirm and change the D5 settings{sup(*1)}. A WR-R10 Wireless Remote Controller{sup(*2)} can replace the WR-1 as a receiver in remote shooting{sup(*3)}. The communication distance between two WR-1 units is up to 120 m/394 ft{sup(*4)}, with 15 channels available. Using a WR-1 as a transmitter and attaching a WR-1 unit (or WR-R10 and WR-A10{sup(*5)}) as a receiver on multiple cameras enables simultaneous release of the cameras with a receiver, and synchronized releases to a master camera{sup(*6)} with an attached transmitter unit. Independent remote control of camera groups and interval timer photography are also available using WR-1. *1 Several settings only. *2 Attaching WR-R10 to the D5 requires optional WR-A10 Wireless Remote Adapter. *3 This requires selecting the same channel for all WR-1 and WR-R10 units, and their pairing. Maximum number of controllers that can be paired: 20 (WR-1) or 32 (WR-R10). *4 Approximate range at height of about 1.2 m/4 ft; varies with weather conditions, presence of obstacles and radio communication conditions. *5 Cameras with an accessory terminal do not require WR-A10. *6 Only a camera with a ten-pin remote terminal can be employed as a master camera in synchronized release.

Camera Control Pro 2: Remote control software

Camera Control Pro 2 allows you to control nearly all the Nikon D-SLR functions from a computer connected via USB (wired LAN also available with the D5). This includes activating AF, changing shutter speeds and apertures, fine-tuning white balance, live view shooting, movie recording and more. The software newly supports Windows 64-bit (native). In combination with the optional WT-6/A/B/C Wireless Transmitter, it allows remote shooting and image transfer to a computer via wireless LAN. Collaborating with the supplied ViewNX-i software, you can expect to smoothly transfer, store and view your pictures. The software greatly helps in remote shooting with the D5 and SB-5000 Speedlights, whether in the studio or outdoors, as it is compatible with unified flash control*, which lets you share flash setting changes between flash units, camera and computer. * Version update required for Camera Control Pro 2 (Ver. 2.23.0 or later).

ViewNX-i (free download): Still image/movie management

ViewNX-i allows you to view JPEG, RAW, TIFF and movie files using a simple interface, all while offering a diverse array of functions, including image management, RAW processing, fine-tuning still images, mapping and printing. Use this as the launchpad for your workflow, as it coordinates with Capture NX-D (free download) for advanced still-image editing and ViewNX-Movie Editor (included) for movie editing. It supports 4K UHD videos and allows you to save a frame as a still image from the ultra-high-definition footage. The platform offers smooth access to various online services, including Facebook, YouTube and NIKON IMAGE SPACE.

Capture NX-D (free download): RAW image processing

Try Capture NX-D for the best processing of NEF/NRW images — Nikon’s RAW format — without losing any of the extremely rich data. You can fine-tune images by fully taking advantage of Picture Controls, as well as adjusting exposure compensation, white balance and tones. Changes made to Picture Controls can be saved and applied to other pictures on Capture NX-D. The software now incorporates an auto retouch brush that lets you easily remove dust spots on pictures. Capture NX-D also offers a wide range of other useful functions to help you: adjust the overall brightness, contrast and hue; enable and disable noise reduction; make camera and lens corrections; utilize LCH editing, straightening and unsharpen mask; as well as adjustment levels and tone curves. The software can also handle JPEG and TIFF files.

Compatible with AF NIKKOR lenses, including type G, E, and D lenses (some restrictions apply to PC lenses) and DX lenses (using DX 24 x 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster (the electronic rangefinder supports 15 focus points with lenses that have a maximum aperture of f/8 or faster, of which 9 points are available for selection).

1. Unless otherwise stated, all measurements are performed in conformity with Camera and Imaging Products Association (CIPA) standards or guidelines. All figures are for a camera with a fully-charged battery. Nikon reserves the right to change the appearance and specifications of the hardware and software described in these specifications at any time and without prior notice. Nikon will not be held liable for damages that may result from any mistakes that these specifications may contain.