Michael Garza

Name

Year

Credit

credited As

ABC Television Network
Every network has a tent pole series, but ABC has a tent pole show runner: Shonda Rhimes. So when the network unveiled their fall 2014-2015 schedule on Tuesday, nobody was surprised to see that Thursday nights are now all Rhimes, all the time. But one person can only develop so many shows, and luckily ABC has several other series lined up to fill in the hours that aren't produced by the woman behind Grey's Anatomy and Scandal, series that include a superhero spinoff, an immortal medical examiner who solves crime, and a sitcom about how kids these days are too obsessed with technology.
With so many new shows arriving this fall, it can be hard to figure out which ones are going to be worth your time, so we've rounded up all of ABC's upcoming shows and some clips from their first episodes to save you the hassle. Although, this batch features a next seasons' Trophy Wife and a replacement for Don't Trust the B in Apartment 23, so fans of those shows might want to tread carefully to avoid further heartbreak.
Selfie What It Is: Sitcom What It's About: After a 20-something woman finds herself the subject of an embarrassing viral video, she hires an image consultant to help her rebrand herself in the real world. Who's In It: Karen Gillan and John Cho What It Sounds Like: Pygmalion for the Internet age. How Good Will It Be: The premise (and title) are pretty ridiculous, but both Gillan and Cho are charming and talented, so they might just be enough to keep the show afloat. How Long It Will Last: Like Cougar Town and Trophy Wife before it, the terrible title will be its downfall. We’ll be surprised if it gets two seasons.Airs: Mondays at 8 pm
Manhattan Love Story What It Is: Sitcom What It's About: A romantic comedy about a couple in the beginning stages of their relationship that reveals their inner thoughts as well as their actions. Who's In It: Analeigh Tipton, Jake McDorman, Jade Catta-Preta and Nicholas Wright What It Sounds Like: Peep Show meets How I Met Your Mother How Good Will It Be: McDormand has been playing the loveable jerk for years now, and Tipton is charmingly awkward, but the inner monologue shtick seems like it will get annoying very quickly. How Long It Will Last: One and done.Airs: Mondays at 8:30 pm
Forever What It Is: Drama What It's About: A medical examiner who just happens to be immortal. Who's In It: Ioan Gruffudd, Alana De La Garza and Judd Hirsch What It Sounds Like: Remember New Amsterdam? No? Well, it’s basically the same thing. How Good Will It Be: It depends on how well the show is able to integrate the issue of him immortality, but there are so many “cop with a mysterious secret” procedurals on the air right now that this one does How Long It Will Last: Unlike New Amsterdam, it will probably get a full season. Airs: Mondays at 10 pm
Black-ish What It Is: Sitcom What It's About: An upper-middle class black man struggles to raise his assimilated, color-blind kids with a sense of cultural identity. Who's In It: Anthony Anderson, Tracee Ellis-Ross and Laurence Fishburne What It Sounds Like: The early episodes of The Fresh Prince that were actually about something How Good Will It Be: It’s got a cast full of TV vets and Larry Wilmore behind it, but it looks a little too generic to really stand out. How Long It Will Last: Even with Wilmore leaving for the Minority Report in October, the cast should be enough to earn it a second season. Airs: Wednesdays at 9:30 pm
Christela What It Is: Sitcom What It's About: An ambitious law student is torn between her dream job and her traditional Mexican-American family. Who's In It: Christela Alonzo, Carlos Ponce, Terri Hoyos, Andrew Leeds and Sam McMurray What It Sounds Like: If Leslie Knope were a character on George Lopez How Good Will It Be: Alonzo is an accomplished comedian, which will help the show in the long run, but thus far we haven’t seen anything that’s worth getting excited over. How Long It Will Last: Probably a yearAirs: Fridays at 8:30 pm
How to Get Away With Murder What It Is: Drama What It's About: A group of law school students find themselves entangled in a real-life murder mystery. Who's In It: Viola Davis, Alfie Enoch, Liza Weil, Matt McGorry, Aja Naomi King and Michael Gaston What It Sounds Like: Legally Blonde, minus the light-hearted goofiness, plus Scandal How Good Will It Be: Like Shonda Rhimes’ other shows, it will probably be campy and over-the-top, but completely addicting nonetheless. How Long It Will Last: Again, it’s Shonda Rhimes, so at least 7 seasons.Airs: Thursdays at 10 pm, after Grey's Anatomy and Scandal
Agent Carter What It Is: Drama What It's About: A female secret agent helps to establish S.H.I.E.L.D. in the days following World War II Who's In It: Hayley Atwell What It Sounds Like: It’s an extended version of the Agent Carter short film. How Good Will It Be: Marvel’s last TV show floundered, but Peggy Carter is an established character, a fan-favorite and is played by the very talented Atwell, so things should go a lot more smoothly this time around. How Long It Will Last: Thanks to the Marvel brand, it’s guaranteed at least two seasons.Airs: Between the winter finale and spring premiere of Agents of S.H.I.E.L.D.
ABC Television Network
Galavant What It Is: Comedy What It's About: A musical fairy tale that follow a prince’s quest for revenge on the king who stole his true love. Who's In It: Vinnie Jones, Joshua Sasse, Timothy Omundson, Mallory Jansen, Karen David and Luke Youngblood What It Sounds Like: Once Upon a Time: The Musical! How Good Will It Be: If it doesn’t get bogged down in mythology and plot complications like Once Upon a Time in Wonderland, it could be entertaining in its ridiculousness. How Long It Will Last: Well, Once Upon a Time has been on for three years and Glee has been on for five, so four seasons sounds about right. Airs: Between the winter finale and spring premiere of Once Upon a Time
Fresh Off the Boat What It Is: Sitcom What It's About: Based on the memoir by chef Eddie Huang, it follows as 12-year-old boy as he and his immigrant family adjust to life in suburban Florida. Who's In It: Randall Park, Paul Sheer, Constance Wu, and Aubrey K. Miller What It Sounds Like: Aliens in America meets The Goldbergs, but set in the 1990s How Good Will It Be: It’s written by Nahnatchka Khan, who ran Don’t Trust the B in Apt. 23, so it will probably be quirkily funny. How Long It Will Last: Like Don’t Trust the B, it will squeak its way to a second season.Airs: Midseason
Secrets and Lies What It Is: Drama What It's About: A man discovers the body of his neighbor’s son in the woods, sending the town into a tailspin that will reveal everyone’s hidden secrets. Who's In It: Ryan Phillipe, KaDee Strickland, Natalie Martinez, Clifton Collins Jr. and Juliette Lewis What It Sounds Like: Broadchurch, minus David Tennant, with a touch of Revenge. How Good Will It Be: It’s a pretty generic premise, but the cast is good, so like most of ABC’s dramas, you will become addicted to it but you won’t tell anybody about it. How Long It Will Last: It will either be cancelled in the middle of the first season, like Hostages, or it will run for at least four seasons. Airs: Midseason
American Crime What It Is: Drama What It's About: After a couple are attacked in their home, racial tensions are stirred up in a small California community. Who's In It: Felicity Huffman, Timothy Hutton, W. Earl Brown, Richard Cabral, Benito Martinez and Penelope Anne Miller What It Sounds Like: Crash: The TV Series How Good Will It Be: It’s a bit of a complicated topic for ABC's brand of soap-y drama, so we don't see things working out. How Long It Will Last: Cancelled after one season.Airs: Midseason
The Whispers What It Is: Drama What It's About: Aliens have invaded the earth by inhabiting the bodies of children. Who's In It: Lily Rabe, Barry Sloane and Milo Ventimiglia What It Sounds Like: The exact plot of Torchwood: Children of Earth, minus both Peter Capaldi and John Barrowman How Good Will It Be: It’s got a solid cast behind it, but the premise has been done before – and done really well – so we don’t have high hopes. How Long It Will Last: Well, Resurection got a second season, so this probably will too.Airs: Midseason
Follow @hollywood_com
//
Follow @julesemm
//

Actress Alana De La Garza has become a mother for a second time after giving birth to a baby girl. The former Law & Order star and her husband Michael Roberts welcomed their daughter last Sunday (07Jul13), according to UsMagazine.com.
No more details about the new arrival were available as WENN went to press.
The little girl is the couple's second child, joining elder brother Kieran Thomas, two.
De La Garza married writer Roberts in 2008.

David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
="font-style:>

It was the trickle of pee heard around the world. Cannes attendees were aghast and/or amused an infamous scene from The Paperboy that shows Nicole Kidman urinating on Zac Efron; this is apparently a great salve for jellyfish burns which were covering our Ken Doll-like protagonist. (In fact the term protagonist should be used very loosely for Efron's character Jack who is mostly acted upon than active throughout.)
Lurid! Sexy! Perverse! Trashy! Whether or not it's actually effective is overshadowed by all the hubbub that's attached itself to the movie for better or worse. In fact the movie is all of these things — but that's actually not a compliment. What could have become somethingmemorable is jaw-droppingly bad (when it's not hilarious). Director Lee Daniels uses a few different visual styles throughout from a stark black and white palette for a crime scene recreation at the beginning to a '70s porno aesthetic that oscillates between psychedelic and straight-up sweaty with an emphasis on Efron's tighty-whiteys. This only enhances the sloppiness of the script which uses lines like narrator/housekeeper/nanny Anita's (Macy Gray) "You ain't tired enough to be retired " to conjure up the down-home wisdom of the South. Despite Gray's musical talents she is not a good choice for a narrator or an actor for that matter. In a way — insofar as they're perhaps the only female characters given a chunk of screen time — her foil is Charlotte Bless Nicole Kidman's character. Anita is the mother figure who wears as we see in an early scene control-top pantyhose whereas Charlotte is all clam diggers and Barbie doll make-up. Or as Anita puts it "an oversexed Barbie doll."
The slapdash plot is that Jack's older brother Ward (Matthew McConaughey) comes back to town with his colleague Yardley (David Oyelowo) to investigate the case of a death row criminal named Hillary Van Wetter. Yardley is black and British which seems to confuse many of the people he meets in this backwoods town. Hillary (John Cusack) hidden under a mop of greasy black hair) is a slack-jawed yokel who could care less if he's going to be killed for a crime he might or might not have committed. He is way more interested in his bride-to-be Charlotte who has fallen in love with him through letters — this is her thing apparently writing letters and falling in love with inmates — and has rushed to help Ward and Yardley free her man. In the meantime we're subjected to at least one simulated sex scene that will haunt your dreams forever. Besides Hillary's shortcomings as a character that could rustle up any sort of empathy the case itself is so boring it begs the question why a respected journalist would be interested enough to pursue it.
The rest of the movie is filled with longing an attempt to place any the story in some sort of social context via class and race even more Zac Efron's underwear sexual violence alligator innards swamp people in comically ramshackle homes and a glimpse of one glistening McConaughey 'tock. Harmony Korine called and he wants his Gummo back.
It's probably tantalizing for this cast to take on "serious" "edgy" work by an Oscar-nominated director. Cusack ditched his boombox blasting "In Your Eyes" long ago and Efron's been trying to shed his squeaky clean image for so long that he finally dropped a condom on the red carpet for The Lorax so we'd know he's not smooth like a Ken doll despite how he was filmed by Daniels. On the other hand Nicole Kidman has been making interesting and varied career choices for years so it's confounding why she'd be interested in a one-dimensional character like Charlotte. McConaughey's on a roll and like the rest of the cast he's got plenty of interesting projects worth watching so this probably won't slow him down. Even Daniels is already shooting a new film The Butler as we can see from Oprah's dazzling Instagram feed. It's as if they all want to put The Paperboy behind them as soon as possible. It's hard to blame them.

The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.

The actress gave birth to her first child, Kieran Thomas Roberts, on 28 September (10).
In an email to Latina.com, De La Garza wrote, "He is here! I’m in looooove!"
The actress and her husband Michael Roberts announced the pregnancy in April (10).

Salt the propulsive new thriller from Phillip Noyce (Clear and Present Danger Patriot Games) has been dubbed “Bourne with boobs ” but that label isn’t entirely accurate. In the role of Evelyn Salt a CIA staffer hunted by her own agency after a Russian defector fingers her in a plot to murder Russia’s president Angelina Jolie keeps her two most potent weapons holstered hidden under pantsuits and trenchcoats and the various other components of a super-spy wardrobe that proudly emphasizes function over flash.
But flash is one thing Salt never lacks for. Its breathless cat-and-mouse game hits full-throttle almost from the outset when a former KGB officer named Orlov (Daniel Olbrychski) stumbles into a CIA interrogation room and begins spilling details of a vast conspiracy. Back in the ‘70s hardline elements of the Soviet regime launched an ambitious new front in the Cold War flooding the western world with orphans trained to infiltrate the security complexes of their adopted homelands and wait patiently — decades if necessary — for the order to initiate a series of assassinations intended to trigger a devastating nuclear clash between the superpowers from which the treacherous Reds would emerge triumphant.
The Soviet Union may have long ago collapsed (or did it? Hmmm...) but its army of brainwashed killer orphan spies remains in place and if this crazy Orlov fellow is to be believed they stand poised to reignite the Cold War. It’s a preposterous — even idiotic — scheme but no more so than any of our government’s various harebrained proposals to kill Castro back in the ‘60s. As such the CIA treats it with grave seriousness even the part that that pegs Salt who just happens to be a Russian-born orphan herself as a key player in the conspiracy.
Salt bristles at the accusation but suspecting a set-up she opts to flee rather than face interrogation from her bosses Winter (Liev Schreiber) and Peabody (Chiwetel Ejiofor). A former field agent she’s been confined to a desk job since a clandestine operation in North Korea went south leaving her with a nasty shiner and a rather unremarkable German boyfriend (now her unremarkable German husband). She’s clearly kept up her training during while cubicle-bound however and in a blaze of resourceful thinking and devastating Parkour Fu she fends off a dozen or so agents of questionable competence and takes to the streets where she sets about to clear her name and unravel the Commie orphan conspiracy before the authorities can catch up with her. That is if she isn’t a part of the conspiracy.
The premise which aims to resurrect Cold War tensions and graft them onto a modern-day spy thriller is absurdly clever — and cleverly absurd. But Kurt Wimmer’s screenplay isn’t satisfied with the merely clever and absurd — it must be mind-blowing. Salt is one of those thrillers that ladles out its backstory slowly and in tiny portions every once in a while dropping a revelatory bombshell that effectively blows the lid off everything that happened beforehand. No one is who they seem and every action every gesture no matter how seemingly trivial is imbued with some kind of grand significance. The effect of piling on one insane twist after another has the effect of gradually diluting the narrative. When anything is possible nothing really matters.
But spy thrillers by definition trade in the preposterous and the principal function of the summer blockbuster is to entertain. In that regard Salt more than fulfills its charge. Noyce wisely keeps the story moving at pace that allows little time for asking uncomfortable questions or poking holes in the film’s frail plot. And he has an able partner in the infinitely versatile Jolie who having already exhibited formidable action-hero chops in Wanted and the Tomb Raider films proves remarkably adept at the spy game as well.
It’s well-known that Jolie wasn’t the first choice to star in Salt joining the project only after Tom Cruise dropped out citing the story’s growing similarities to the Mission: Impossible films. But she’s more than just a capable replacement; she’s a welcome upgrade over Cruise not least because she’s over a decade younger (and a few inches taller) than her predecessor. Should Brad Bird require a pinch-hitter for Ethan Hunt he knows where to look.

WHAT IT’S ABOUT?
Claire is an attractive CIA operative and Ray is an M16 agent who simultaneously leave their Governmental spy activities in the dust to try and profit from a battle between two rival multi-national corporations both trying to launch a new product that will transform the world and make billions. Their goal is to secure the top-secret formula and get a patent before they are outsmarted. While their respective egomaniacal CEOs engage in an unending battle of wills and one-upmanship Claire and Ray start out conning and playing one another in a clever game of industrial espionage that is even more complicated due to their own long-term romantic relationship.
WHO’S IN IT?
Reuniting Closer co-stars Julia Roberts (as Claire) and Clive Owen (as Ray) turns out to be an inspired idea. They turn out to be the perfect pair oozing movie-star charm and electricity in this elaborate con-game that might have been the kind of thing Audrey Hepburn and Cary Grant might have made in the '60s (in fact they did in Charade). Roberts with that infamous hairstyle back the way we like it and Owen looking great in sunglasses prove they have what it takes to navigate us through this ultra-complex plot in which no one is sure who they can trust at any given moment. They play it all in high style and the wit just flows as the story skirts back and forth during the period of five years. The supporting cast is well-chosen with juicy roles for Tom Wilkinson and Paul Giamatti (out of their John Adams duds) as the two CEOs going for each other’s throats. Giamatti who sometimes has a tendency to overdo it is especially slimy here and great fun to watch.
WHAT’S GOOD?
Big-star studio movies today rarely take risks and often talk down to the audience but in Duplicity writer/director Tony Gilroy (Michael Clayton) has crafted a complicated con-comedy that requires complete attention at all times just to keep up with the dense plot’s twists and turns. It’s the cinematic equivalent of a New York Times crossword puzzle and Gilroy and his top-drawer production team deliver a glossy beautiful-looking film that’s easy on the eyes hitting locations from Dubai to Rome to New York City.
WHAT’S BAD?
Like any good puzzle it sometimes can be frustrating putting it all together and Gilroy’s habit of taking us back in time and then inching forward gets a little confusing even with the on-screen chyron pointing out where we are at any given moment. Stick with it though and you will be well-rewarded.
FAVORITE SCENE:
A scene near the end where the formula must be found scanned and faxed in a matter of minutes is sweat-inducing edge-of-your-seat moviemaking and it provides the ultimate opportunity for Roberts and Owen to take the “con” to the next level. Another where Roberts uses a thong to try and trick Owen into admitting an affair he never had is also priceless and gets right to the heart of the game-playing.
GO OUT AND GET POPCORN WHEN ...
Never. Stock up during the coming attractions. If you miss a moment of this entertaining romp you might never figure it all out.