April 25, 2010

I urge you to watch tonight’s
episode of Breaking Bad, which finds Bryan Cranston’s Walter White adjusting to the
dissolution of his marriage while declining to abandon one big reason it
dissolved: He still wants/needs to make meth to pay the bills. He goes to a new
location to ply his chemistry-teacher skills and acquires a new assistant,
played by David Costabile (the scruffy villain from last season’s Damages,
among many other credits).

New
Assistant finds it comforting to quote Walt Whitman’s “When I Heard The Learn’d
Astronomer” to justify his illegal, and let’s face it, immoral ways to God and
to himself. Cut to our Walt sitting in his new cheap apartment, a copy of Leaves of Grass on his lap, poring over the pages silently.

It’s
a terrific moment in a terrific new season of Breaking Bad, which digs
deeper, with each succeeding episode into questions of what makes a man or
woman “bad,” what needs to be done to protect one’s loved ones, and constantly
asks the viewer: “How far would you go? Not here, you say? You’re lying to
yourself, then.”

Breaking
Bad airs on AMC, home of Mad Men, which returns with a new season in July,
it was announced earlier this week. Me, I can easily await MM when there are
new hours of Breaking Bad to watch. The two shows could not be more different.
If Mad Men is a novel of manners for TV (John O’Hara meets Louis Auchincloss in
Updike/Cheeverville), Breaking Bad is working thriller territory mapped out by
the likes of Charles Willeford, David Goodis, and Jonathan Latimer.

It’s
lean and
mean (a cop takes an axe to the back of the head in the opening minutes
tonight), but thanks to the inspiration of creator Vince Gilligan to insert a
middle-class nebbish into the role usually occupied by the cynical sharpie in
most thrillers, it never lets ordinary folks like you or I to step back and
say, “Oh, I’d never do that.” Breaking Bad is all about what you’d do if you
were desperate enough. “And from time to time,” as Whitman writes, the show
makes sure that you have “look’d up in perfect silence at the stars,”
contemplating the full measure fate.

Comments

I urge you to watch tonight’s
episode of Breaking Bad, which finds Bryan Cranston’s Walter White adjusting to the
dissolution of his marriage while declining to abandon one big reason it
dissolved: He still wants/needs to make meth to pay the bills. He goes to a new
location to ply his chemistry-teacher skills and acquires a new assistant,
played by David Costabile (the scruffy villain from last season’s Damages,
among many other credits).

New
Assistant finds it comforting to quote Walt Whitman’s “When I Heard The Learn’d
Astronomer” to justify his illegal, and let’s face it, immoral ways to God and
to himself. Cut to our Walt sitting in his new cheap apartment, a copy of Leaves of Grass on his lap, poring over the pages silently.

It’s
a terrific moment in a terrific new season of Breaking Bad, which digs
deeper, with each succeeding episode into questions of what makes a man or
woman “bad,” what needs to be done to protect one’s loved ones, and constantly
asks the viewer: “How far would you go? Not here, you say? You’re lying to
yourself, then.”

Breaking
Bad airs on AMC, home of Mad Men, which returns with a new season in July,
it was announced earlier this week. Me, I can easily await MM when there are
new hours of Breaking Bad to watch. The two shows could not be more different.
If Mad Men is a novel of manners for TV (John O’Hara meets Louis Auchincloss in
Updike/Cheeverville), Breaking Bad is working thriller territory mapped out by
the likes of Charles Willeford, David Goodis, and Jonathan Latimer.

It’s
lean and
mean (a cop takes an axe to the back of the head in the opening minutes
tonight), but thanks to the inspiration of creator Vince Gilligan to insert a
middle-class nebbish into the role usually occupied by the cynical sharpie in
most thrillers, it never lets ordinary folks like you or I to step back and
say, “Oh, I’d never do that.” Breaking Bad is all about what you’d do if you
were desperate enough. “And from time to time,” as Whitman writes, the show
makes sure that you have “look’d up in perfect silence at the stars,”
contemplating the full measure fate.

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Radio

I left it
on when I
left the house
for the pleasure
of coming back
ten hours laterto the greatnessof Teddy Wilson"After You've Gone"on the pianoin the cornerof the bedroomas I enterin the dark