NYPD Blue s04e06 Episode Script

Yes Sir, That's My Baby

PREVIOUSLY ON NYPD BLUE. O.C.C.B. WANTS ME BACK ON A GUY I GOT NEXT TO. YOU'RE GONNA DO IT? YEAH. THEY WERE JUST FILLING ME IN. BUTTON YOUR BLOUSE. MY UNDERGARMENT IS RUBBER. YOUR BUILDING, HUH? YEAH. HOW'D THIS HAPPEN? LOOKS LIKE AN EXECUTION. NOTHING'S TAKEN. SHE GOT SHOT THROUGH THE PEEPHOLE IN HER DOOR. WHAT? LOOK, I KNOW YOU THINK I'M A CREEP. AND SOMEHOW 'CAUSE I GOT MONEY PROBLEMS AND BAD HABITS, I MUST HAVE BEEN INVOLVED. I'M NOT SAYING KNOWINGLY. IF I WAS, I DON'T KNOW HOW. - [ Simone ] YOU GOT A GLOVE I CAN BORROW? - YEAH. - THANKS. HOW'D THE JOB COME IN? - ANONYMOUS, TO 911. ALL THIS BLOOD, DON'T LOOK LIKE HE WAS MOVED, HUH? YEAH, HE GOT IT RIGHT HERE. GREG AND JAMES ARE GONNA WANNA BE LOOKING FOR A BUM WITH A GOOD PAIR OF BLACK SHOES. I'M GUESSING SIZE 12. ANDY, THIS GUY WAS CARRYING A PIECE. HEY, BOB. GUY HAD THIS IN HIS PACK. COUPLE OF BULLET HOLES IN IT. GAS CREDIT CARD RECEIPT. LICENSE PLATE NUMBER PLUS THE SIGNATURE, MIKE KINNAN. DID YOU TAKE THIS JACKET OFF THIS GUY? MY MAN DON'T NEED IT ANYMORE. YOU STRIP THE SHOES OFF HIM TOO? - NAH, SOMEBODY BEAT ME TO THOSE. - GO STAND AND WAIT OVER THERE. BLACK LIMOUSINE, RIGHT THERE. HE WAS DRIVING IT. WOULD YOU SAY IT WAS A SHORT LIMO? WHAT THEY CALL A TOWN CAR? IT WAS A STRETCH. THREE MEN GOT OUT. THERE WAS AN ARGUMENT. THE DRIVER AND TWO MEN FROM THE BACK. COULDN'T TELL YOU WHAT THEY WERE ARGUING ABOUT. KEPT ON MY WAY. WASN'T ANY OF MY CONCERN. WHEN WAS IT YOU SAW THIS? LAST NIGHT. CAN'T SAY WHAT EXACT TIME. COULD YOU DESCRIBE THE PASSENGERS, THE TWO MEN FROM THE BACK? THEY WERE WHITE. ONE WAS SHORT. WORE A COWBOY HAT. COWBOY HAT? I THINK IT WAS A COWBOY HAT. - AND THE OTHER ONE? - HE WAS TALLER. SIX FOOT. - ANYTHING ELSE ABOUT THE CLOTHES THEY HAD ON? - NOPE. [ Liquid Trickling ] UM-- BOTH WHITE MALES, THOUGH. YOU SURE ON THAT? RIGHT. WHAT'S YOUR NAME, MA'AM? I DON'T MIND TELLING YOU WHAT I SAW, BUT I REALLY DON'T WANT MY NAME BROADCAST OVER THE RADIO. I UNDERSTAND IT. JUST IN CASE WE HAVE TO FIND YOU AGAIN. I'LL KEEP IT IN CONFIDENCE, I PROMISE. MARGARET NORMAN. THANK YOU, MA'AM. WOMAN PISSED ON MY SHOES. LIEUTENANT FANCY? CORNER OFFICE. LIEUTENANT? YEAH. I'M JILL KIRKENDALL. ARTHUR FANCY. I'VE HEARD NOTHING BUT GOOD THINGS. I'M LOOKING FORWARD TO DOING DETECTIVE WORK AGAIN. - SO, D.O.I. WASN'T IT FOR YOU? - I LOCKED UP MY QUOTA OF BUILDING INSPECTORS. WELL, THE SQUAD'S OUT AT A CRIME SCENE. I'LL SHOW YOU TO YOUR DESK. YOU CAN INTRODUCE YOURSELF AROUND WHEN THEY GET BACK. EXCUSE ME, LIEUTENANT. THIS MAN WANTS TO SPEAK TO A DETECTIVE. SAYS SOMEBODY'S THREATENING TO KILL HIM. I'LL TALK TO HIM, LIEU. POINT MY DESK OUT. YEAH, OKAY. THERE YOU GO. GREAT. HOW ARE YOU DOING, SIR? I'M DETECTIVE KIRKENDALL. UH, LOOK HERE. UH, SOMEBODY'S MAKING THREATS ON MY LIFE AND I'M HOPING YOU CAN DO SOMETHING ABOUT THAT. WHAT'S YOUR NAME? ARIES MITCHELL. ARIES, LIKE THE ZODIAC SIGN? - YEAH. - I'M A SCORPIO. THAT'S THE FIRST TIME IN 20 YEARS I EVER SAID THAT TO ANYBODY. DUDE NAMED BERNARD MAYS IS LOOKING TO KILL ME. I WENT OUT WITH HIS SISTER FOR A MINUTE, AND OUT OF THE WILD BLUE YONDER SHE POP UP WITH A BABY TRYING TO PUT IT ON ME. OH, HELL NO. I'M NOT FALLING FOR THE ROPE-A-DOPE. DO ME A FAVOR, ARIES. TALK SO I CAN UNDERSTAND YOU. BRENDA'S SAYING I'M HER KID'S DADDY. BUT HER BROTHER BERNARD'S LIKE, HE'S GONNA THROW ME OFF A ROOF IF I DON'T MARRY THE GIRL. HAS HE DONE YOU ANY HARM PHYSICALLY IN ANY WAY? NOT YET, BUT THAT'S THE TYPE OF DUDE THAT WOULD FOLLOW THROUGH ON SOME CRAZY-O-MATIC TALK. TRUTH IS, ARIES, ABOUT ALL I CAN DO IS HOLD YOUR HAND AND FIX YOU SOME HOT COCOA. OLD DUDE SAY HE'S GONNA THROW ME OFF A ROOF. IS THAT LEGAL? THE BEST YOU CAN DO IS TRY FOR AN ORDER OF PROTECTION. [ Sighs ] THAT'S A-- THAT'S A HELL OF A WAY TO DIE IF YOU AIN'T EVEN THE ONE. I MEAN, I MIGHT UNDERSTAND IF I WAS THE ONE. I'M JUST-- I'M TRYING TO STAY HAPPY-GO-FUNKY, YOU DIG? I AIN'T GOT TIME FOR THIS. I CAN'T ARREST HIM, ARIES. BUT IF YOU THINK IT WILL HELP, I GUESS MAYBE I COULD TALK TO THIS BERNARD. OH, YES. THAT-- THAT MIGHT COULD DO SOME GOOD, DETECTIVE. GIVE HIM SECOND THOUGHTS ABOUT DOING SOMETHING STUPID. YOU GOT AN ADDRESS FOR THIS BERNARD? HE LIVE UPTOWN SOMEWHERE. GOT BRENDA'S PLACE, THOUGH. RIGHT HERE. ON FIRST AVENUE. ALL RIGHT, ARIES. I'LL SEE WHAT I CAN DO. ALL RIGHT, THANK YOU. I REGRET EVER LAYING EYES ON THAT BIG BITCH, MAN. HEY, BOSS. HEY. UH, JILL KIRKENDALL. - YEAH, HUH? - SO, WHAT'D YOU GET? D.O.A.'s A WHITE MALE, LATE 40s. MIKE KINNAN. A WITNESS PUTS HIM DRIVING A LIMO. WE GOT AN ALARM OUT ON THE CAR. WE'RE ALSO GONNA RUN A PISTOL CHECK. THE GUY HAD AN ANKLE HOLSTER AND NO WEAPON. MEDAVOY, UH, HE FOUND THIS HOMELESS WOMAN. SAYS THE D.O.A. HAD A BEEF LAST NIGHT WITH TWO OF THE PASSENGERS HE WAS DRIVING. - SAVINO. - HOW'S IT GOING? YOU GOT A FEW MINUTES FOR ME? YEAH, SURE. WE'LL NOTIFY THE WIFE. TRY FOR A LINE FROM HER ON THE GUYS HE WAS DRIVING. SO, HOW ARE YOU DOING ON THE HOMICIDE IN BOBBY'S BUILDING? STILL A MYSTERY, AS MUCH AS I GET TO WORK ON IT. SO, WHAT? YOU WANNA TALK IN THERE? YEAH. - BACK IN A SECOND. - I COULD SEE WHY YOU WOULDN'T WANT THIS CONVERSATION IN FRONT OF YOUR BOSS. HI, BOBBY SIMONE. HOW'S IT GOING? HI, BOBBY. JILL KIRKENDALL. TRANSFERRED IN FROM DEPARTMENT OF INVESTIGATIONS. WE HEARD YOU WERE COMING IN. IF YOU GET A CHANCE, GOOD-LOOKING BALD GUY WITH THE MUSTACHE OVER THERE, THAT'S MY PARTNER, ANDY SIPOWICZ. OKAY. SORRY. BOBBY, I DON'T KNOW WHAT YOUR PROBLEM IS ON MY CASE, BUT I AM DONE BABYSITTING OVER IT. - WHAT ARE YOU TALKING ABOUT? - YOU GONNA PLAY CHERRY WITH ME NOW? - YOU'RE TRACKING MUD ALL OVER MY CASE AND I WANT IT TO STOP. - HOW AM I TRACKING MUD ON IT? HENRY COFFIELD GAVE ME THE NAMES OF THOSE SHYS, I TURNED 'EM OVER TO YOU. LET'S TALK ABOUT THAT NUT-JOB BREEDER SOLD THE VICTIM HER DOG. TELL ME ABOUT REACHING OUT TO HIM. I'M WRONG CALLING THE DOG BREEDER. THEN WHAT? THEN YOU PUT A HANKIE OVER THE PHONE, TELL HIM YOU'RE ME AND THANKS FOR THE HELP? I'LL TELL YOU THE TRUTH. I COULD HALFWAY LOOK AT YOU FOR THE HOMICIDE. YOU'RE ACTING WACKY ENOUGH. MY ALIBI'S PRETTY GOOD. WHAT ARE YOU SAYING? YOU LIKE THESE SHYS THAT HENRY OWED? WHAT, NOW WE'RE ON THE SAME TEAM AGAIN? NICK, COME ON. I OVERSTEPPED. I'M SORRY. WHAT DO YOU WANT ME TO DO, JUMP OUT THE WINDOW? I DON'T LIKE THE SHYS. THEY'RE A BUNCH OF COKED-UP ASSHOLES. NOBODY IN MY OFFICE SEES 'EM HAVING STONES TO WHACK THIS GIRL JUST SHOWING HENRY THEY MEAN BUSINESS. YOU FIGURE THEY'D GIVE HIM A GOOD ASS-KICKING BEFOREHAND. MY HEAD'S UP MY ASS WITH THIS CASE. I'M NOWHERE. COULD I GO HARD AT THIS HENRY? FOR WHAT? MAYBE HE'S CIRCLING WHAT HE REALLY IS TRYING TO SAY. MAYBE HE JUST NEEDS TO GET SHOOK UP. [ Sighs ] YEAH. ALL RIGHT. YOU WANT ME TO DO IT AT YOUR HOUSE? YEAH. DO IT IN MY BOSS'S OFFICE. I'LL WATCH YOUR CAR. HEY, NICK, I'M LOOKING NOT TO BUMP INTO YOU NO MORE. YEAH, I KNOW. TALK TO HIM HERE. ALL RIGHT. [ Doorbell Chimes ] - SHEILA KINNAN? - WHAT'S HAPPENED? I'M DETECTIVE SIMONE. THIS IS DETECTIVE SIPOWICZ. - WHAT'S HAPPENED TO MIKE? - THERE'S NO EASY WAY TO TELL YOU. YOUR HUSBAND WAS KILLED LAST NIGHT, MA'AM. WOULD YOU LIKE TO SIT DOWN, MRS. KINNAN? CAN I GET YOU SOME WATER? HOW-- HOW WAS HE KILLED? WAS HE KILLED IN THE CAR? THERE WAS A HOMELESS WOMAN SAID SHE SAW YOUR HUSBAND GET OUT OF THE LIMOUSINE. THERE WERE TWO MEN IN THE BACK OF THE CAR. THEY GOT OUT OF THE CAR AND SHOT HIM. THE LIMOUSINE WAS STOLEN. WE'RE LOOKING FOR IT RIGHT NOW. FOURTEEN YEARS. FOURTEEN YEARS HE LIVED THROUGH GOING INTO BURNING BUILDINGS. WHEN DID MIKE RETIRE? HE WAS INJURED IN 1991. THEY FORCED HIM OUT. HE HATED DRIVING. SOMETIMES THE MEN THAT HE DROVE-- I KNEW THAT THINGS UPSET HIM. CERTAIN THINGS THAT HE SAW AND-- MRS. KINNAN, DID YOU DEAL WITH THE RENTALS FOR THE LIMOUSINE? NO, I-I BOOKED THE RENTALS. YEAH, LAST NIGHT WAS-- HE DROVE MR. CURRY. HE PICKED HIM UP AT HIS WORK AT 8:00. I CAN GIVE YOU THE ADDRESS. WAS THIS MR. CURRY A REGULAR CUSTOMER? HE WAS A BIG TIPPER. HE TIPPED MY MIKE A HUNDRED DOLLAR BILL EVERY TIME. [ Sniffles ] I THINK HE WAS A HOMOSEXUAL. I GOT THAT IMPRESSION FROM THE THINGS THAT MIKE DIDN'T SAY. - HERE. - THANK YOU. YOU KNOW, MY HUSBAND REALLY LOVED BEING A FIREMAN. HE LOVED IT SO MUCH HE COULDN'T EVEN TALK ABOUT IT AFTER HE HAD TO STOP. HE COULDN'T EVEN SEE HIS FRIENDS BECAUSE THEY WERE STILL DOING IT, YOU KNOW. NOW I'M NOT GONNA HAVE ANYBODY TO TALK TO. [ Sobbing ] WE'RE VERY SORRY. [ Baby Crying ] [ Woman ] WHO IS IT? POLICE. BRENDA MAYS? YOU BERNARD MAYS? YEAH. LET'S TALK INSIDE. WHAT ABOUT? YOU KNOW ARIES MITCHELL? WHAT ABOUT HIM? WHAT'S YOUR RELATIONSHIP WITH HIM? HE GOES WITH MY SISTER. I WANT TO TALK TO YOUR SISTER TOO. SHE'S TAKING CARE OF HER KID. YOU GOT A WARRANT? YOU'RE GOOD ON POLICE PROCEDURE, HUH, BERNARD? THREE COLLARS IN THREE YEARS. I THOUGHT THIS WAS ABOUT ARIES MITCHELL. I'M HERE TO LET YOU KNOW THAT THREATENING PEOPLE'S LIVES IS A SERIOUS MATTER. SHEET YOU GOT, YOU DON'T WANNA BE DOING THAT. WHO SAYS I'VE BEEN DOING IT? YOU'VE BEEN THREATENING ARIES MITCHELL. ARIES? SEE, Y'ALL DON'T EVEN KNOW. HE GOT MY BABY SISTER PREGNANT. THEN HE TRIED TO PLAY HER OFF LIKE LAST WEEK'S GARBAGE. THERE'S RECOURSE OTHER THAN THREATS AND VIOLENCE. GO TO SOCIAL WELFARE. THEY CAN MAKE HIM DO THE RIGHT THING. THAT WAY YOU STAY OUT OF TROUBLE. WENT RUNNING TO THE POLICE. DO YOU WANT A PROBLEM WITH ME? BECAUSE YOU'RE ON THE VERGE OF A REAL PROBLEM. ARE YOU HEARING ME, BERNARD? I HEAR YOU. [ Baby Continues Crying ] IS THAT BABY ALL RIGHT? IT'S CRYING. I KNOW. I WANT TO SEE IS THAT BABY ALL RIGHT. BACK UP. BRENDA? BRENDA? BRENDA? COME ON OUT. I'M DETECTIVE KIRKENDALL. IS YOUR BABY OKAY? YEAH, UH, HE'S JUST SLEEPY. WHAT'S HIS NAME? - HE'S JUST A WEEK OLD. SHE HASN'T NAMED HIM YET. - NO, HUH? SHE'D LIKE TO NAME HIM AFTER ARIES, IF THAT PUNK WOULD DO WHAT HE'S SUPPOSED TO DO. BRENDA, LIKE I TOLD BERNARD, THERE'S A RIGHT WAY TO GET THE FATHER TO DO HIS DUTY. ALL RIGHT. YOU GONNA REMEMBER THOSE THINGS WE SAID? - YEAH. - ALL RIGHT. HAVE A GOOD DAY. A MR. CURRY CALLED FROM HIS CAR. HE SAID HE'S PARKING. I GOT THE BOSS. YEAH. DETECTIVE? I'VE GOT SOMETHING FOR YOUR DESK. UH-HUH. I NOTICED YOU HAD A FROG. AND HERE'S ANOTHER ONE. IT'S RUBBER. [ Squeaks ] YEAH. LIKE THE HUMAN-CONDOM CUTOFFS I'VE GOT ON FOR UNDERWEAR. [ Fancy ] I KNOW. IT'S A COMSTAT MEETING, LILLIAN. I GOTTA PREPARE MY CASES. NO, I CAN'T LEAVE EARLY. LOOK, IF I DON'T MAKE IT ON TIME, THEN FORGE MY SIGNATURE. YEAH, ALL RIGHT. [ Handset Settles In Cradle ] PARENTS' NIGHT AT JENNIFER'S SCHOOL. THE TEACHERS LAY THE WORK OUT, AND EACH PARENT'S SUPPOSED TO SIGN. - YOU GOT A COMSTAT MEETING IN THE MORNING, HUH? - I TOLD LILLIAN TO SIGN FOR ME. SO, WE GOT THIS GUY COMING UP WHO HIRED THE D.O.A.'s LIMO LAST NIGHT. THE D.O.A.'s WIFE SAYS THIS GUY WAS A REGULAR CUSTOMER AND THAT HE'S GAY. DID SHE THINK HE WAS CAPABLE OF VIOLENCE? DIDN'T GET THAT HIT. MAYBE HE HAD SOME NASTY FRIENDS. [ Simone ] THAT MUST BE HIM. I GOTTA TALK TO THE BOSS. ALL RIGHT, I'LL TALK TO HIM IN THE POKEY. YEAH, I'LL COME IN. I'M BEING HARASSED BY THIS P.A.A. AND I GOTTA DRAW THE LINE ON IT. SHE GIVE ME THAT. IT'S RUBBER. SHE'S A RUBBER FANATIC. TELLS ME SHE'S WEARING CONDOM UNDERGARMENTS AND EVERY OTHER DAMN THING. -YOU TELL HER YOU'RE MARRIED? - DON'T TAKE A BACKWARD STEP. ARE WE TALKING PHYSICAL ADVANCES, ANDY? SHE CORNERS ME ALL THE TIME. SHE MAKES PHYSICAL ADJUSTMENTS WITH MY COLLAR AND SO FORTH. YEAH. ALL RIGHT, I'LL TALK TO HER. YEAH, I FEEL YOU GOTTA STEP IN. - ALL RIGHT. - [ Groans ] CAN YOU BE LESS OBLIQUE ABOUT WHAT YOU NEED WITH ME? AT THE MOMENT I JUST NEED TO KNOW YOUR WHEREABOUTS LAST NIGHT. HAS SOME CRIME TAKEN PLACE? BECAUSE I CERTAINLY WASN'T INVOLVED. ARE YOU INTERESTED IN COOPERATING HERE, MR. CURRY? JUST ANSWER THE QUESTIONS THAT I'M PUTTING TO YOU, PLEASE. DETECTIVE SIPOWICZ, LAWRENCE CURRY. HOW DO YOU DO? GOOD. WHERE WERE YOU LAST NIGHT? MR. CURRY, WE KNOW A LIMOUSINE PICKED YOU UP AT YOUR OFFICE LAST NIGHT AT 8:00. WHERE'D IT TAKE YOU? I WENT TO HAVE A FEW DRINKS AT A BAR BEFORE GOING HOME. I'M NOT SUPPOSED TO BE DRINKING. MY WIFE DOESN'T KNOW. - WHAT BAR? - I DON'T REMEMBER THE NAME OF IT. -HOW LONG DID YOU HAVE THE LIMO? -THE DRIVER DROPPED ME AT MY HOME AROUND MIDNIGHT. NOW, I WANT TO KNOW WHAT THIS IS ABOUT. YOU BY YOURSELF IN THE LIMO? - IS MIKE KINNAN ALL RIGHT? - NO, MIKE KINNAN IS NOT ALL RIGHT. MIKE KINNAN IS DEAD. - OH, NO. OH, MY GOD. - WHAT DO YOU KNOW ABOUT THAT? - I DON'T KNOW ANYTHING ABOUT IT. - YOU'RE A LIAR. MR. CURRY, YOU WERE AT A GAY BAR LAST NIGHT. ISN'T THAT RIGHT? DID YOU PICK ANYONE UP? YOU UNDERSTAND THAT I'M MARRIED? COOPERATE AND WE WILL TRY TO MINIMIZE THE EMBARRASSMENT. MIKE TOOK ME TO A PLACE IN THE VILLAGE, THE FROLICS. THERE'S A YOUNG MAN, FREQUENTS THAT PLACE, LUKE. WALKS AROUND IN COWBOY BOOTS AND THIS RIDICULOUS HAT. I PICKED HIM UP AROUND 10:00. WE WENT WITH A FRIEND OF HIS I HADN'T MET TO A HOTEL ON WEST 46th. - WHO WAS THE FRIEND? - BILLY. I DON'T KNOW IF EITHER OF THEM USED REAL NAMES. THE THREE OF YOU LEFT THE HOTEL TOGETHER AFTERWARDS? YOU, LUKE AND BILLY? MIKE TOOK ME HOME, I TIPPED HIM AND TOLD HIM HE SHOULD DRIVE THE BOYS THE REST OF THE NIGHT. - DESCRIBE LUKE AND BILLY. - MY EXPERIENCE, THESE ARE NOT VIOLENT BOYS. DESCRIBE THEM PHYSICALLY, MR. CURRY. ALL RIGHT. OKAY. LUKE IS AROUND 5'6", VERY PALE SKIN, BROWN EYES, BLACK HAIR, MEDIUM LENGTH, DELICATE BODY. FACIAL HAIR? DISTINGUISHING MARKS, TATTOOS? HE'S CLEAN SHAVEN, NO TATTOOS. THE OTHER ONE DID HAVE A CUT, A SCAR, UH, ALONG HERE, ABOUT TWO INCHES IN LENGTH. - LIKE A SURGICAL SCAR? OR DID IT LOOK LIKE HE WAS STABBED? - THAT'S BEYOND MY EXPERTISE. GEEZ, YOU WERE EXPERT ENOUGH TO KNOW THAT THESE BOYS WEREN'T VIOLENT. I'M DOING MY BEST TO HELP YOU! THIS IS THE WORST MOMENT OF MY LIFE. CAN YOU UNDERSTAND THAT? - WHAT ELSE ABOUT THE OTHER ONE? - WHATEVER YOU THINK OF ME, I'M ABLE TO RECOGNIZE A GOOD HUMAN JUST DIED. HEY, THE BOYS THAT YOU PUT IN THAT CAR WITH THEIR BEAUTIFUL BODIES AND RIDICULOUS HAT, THOSE ARE THIEVES, MR. CURRY. THEY ARE HUSTLERS WHO WILL HURT WHOEVER THEY HAVE TO HURT TO GET OVER. YOU WANNA GET RIGHT WITH YOUR CONSCIENCE? CONCENTRATE ON HELPING US FIND THESE ASSHOLES! THAT'S ALL I WANNA HEAR COMING FROM YOU. UH, GERI? LIEUTENANT. THIS IS AWKWARD. I NEED TO TALK TO YOU ABOUT YOUR RELATIONSHIP WITH DETECTIVE SIPOWICZ. ALL RIGHT. HOW WOULD YOU DESCRIBE YOUR RELATIONSHIP WITH HIM? FRIENDLY. WELL, DETECTIVE SIPOWICZ FEELS YOU'VE BEEN, UH, INAPPROPRIATE, MAKING REFERENCES TO YOUR UNDERGARMENTS AND SO FORTH. HAVE YOU MADE THOSE KIND OF REFERENCES? I MAY HAVE MENTIONED I WAS WEARING A RUBBER UNDERGARMENT. HAD DETECTIVE SIPOWICZ INDICATED HE WAS UNCOMFORTABLE WITH THAT KIND OF TALK? HE SAID HE WAS MARRIED. I DIDN'T TAKE THAT AS SAYING HE WAS UNCOMFORTABLE. WELL, WHAT DID YOU TAKE THAT AS? I THOUGHT HE WAS INDICATING HE WASN'T INTERESTED IN A SERIOUS TYPE RELATIONSHIP. MORE OF A FUN TYPE. BUT YOU UNDERSTAND NOW THAT HE'S NOT INTERESTED IN THAT TYPE OF RELATIONSHIP? WELL, I THINK HE COULD'VE TOLD ME THAT, BUT YES, I DO. AND I'M A LITTLE OFFENDED THAT HE WOULD EXPOSE ME TO THIS KIND OF EMBARRASSMENT. UH-HUH. IF YOU'RE ASKING DO I GET THE MESSAGE, THE ANSWER IS YES. ALL RIGHT. AND I'M SORRY PEOPLE CAN'T GET PAST THEIR EMOTIONAL RESTRAINTS. D.O.A.'s LAST FARE GAVE US SOME GUYS TO LOOK FOR THAT WORKED OUT OF A COUPLE OF GAY BARS. [ Fancy ] YOU'LL GO OUT LATER ON? [ Simone ] YEAH. JILL. HAVE YOU MET ANDY SIPOWICZ, BOBBY SIMONE? I MET BOBBY. HI, ANDY. HOW'S IT GOING? YOU WERE AT D.O.I., HUH? YEAH, YEAH. BOSS, YOU GOT A MINUTE FOR ME? YEAH. THANKS. MM-HMM. NO CALLBACK FROM HENRY COFFIELD? - NO. - YOU WANNA START WORKING ON THIS? YEAH, LET ME GET STARTED. WHAT A LITTLE BABY YOU ARE. WHAT A LITTLE TATTLETALE. THAT GUY I TALKED TO EARLIER, SAID HE WAS GETTING THREATENED? YEAH. WHAT'S IT ABOUT? HIS EX-GIRLFRIEND'S BROTHER WAS HASSLING HIM OVER NOT TAKING RESPONSIBILITY FOR THE GIRLFRIEND'S BABY. - I WENT TO TALK TO THE BROTHER, TRY TO COOL IT OUT. - DURING A MEAL PERIOD? THE EX-GIRLFRIEND WAS THERE ALONG WITH THE WEEK-OLD BABY, BAWLING THE WHOLE TIME. LIEU, A WEEK OLD INFANT CRIES, THE MOTHER'S BREASTS START GOING LIKE SPIGOTS. THIS GIRL JUST STOOD THERE. SO, YOU THINK THE BABY'S NOT HERS? I'M WONDERING IF I SHOULDN'T BE LOOKING FOR REPORTS OF MISSING BLACK NEWBORNS. WELL, YOU CAN DO THAT, JILL. BUT YOU NEED TO HEAR ME ON GOING OUT BY YOURSELF. IT WAS A SOFT COMPLAINT. I DIDN'T WANT US TO HAVE TO TAKE A CASE ON IT AND GET NO CLEARANCE. UNDERSTOOD. ON THE OTHER HAND, YOU GO OUT BY YOURSELF DURING A MEAL PERIOD, SOME KIND OF BEEF GETS FILED, HOW DO WE BACK UP YOUR VERSION OF THE STORY? YOU'RE RIGHT. OKAY. REACH OUT TO MISSING PERSONS. [ Chattering ] ???? [ Dance ] -TALK TO THE BARTENDER? - YEAH. HE'S GONNA GIVE YOU THE HIGH SIGN? IF ONE OF THEM SHOW UP. THESE PUNKS GOT HALF A BRAIN BETWEEN 'EM, THEY'LL BE HITTING FLORIDA BY NOW. AND IF THEY DON'T, THEY WILL BE HERE ON THE HUSTLE. HOW'S RUSSELL DOING ON HER UNDERCOVER? I GUESS OKAY. SHE DON'T TALK TO ME MUCH ABOUT IT. HI. GET THE HELL AWAY FROM ME. IS THAT OUR BOY THERE? RIGHT THERE. THAT'S HIM. YOU SEE ANYONE ELSE WHO LOOKS LIKE THE OTHER GUY? [ Simone ] THE GUY OVER THERE IN THE GRAY SUIT MUST'VE BEEN WAITING FOR HIM. THEY'RE GETTING READY TO LEAVE, ANDY. KID LOOKS LIKE HE'S PACKING ON HIS LEFT SIDE. YEAH, I CAUGHT THAT. COME HERE. COME HERE. RELAX! RELAX! - [ Simone ] JUST LIKE THAT, LUKE. - HOW DO YOU KNOW MY NAME? HE GOT HIT IN THE HEAD WITH A METEOR WHEN HE WAS A KID, GAVE HIM STRANGE MENTAL POWERS. COME ON. BACK OFF. SORRY, GUYS. I ONLY GOT ONE SET OF CUFFS. - SO, WHAT'S YOUR REAL NAME? - RICK OUSLEY. THIS COULDN'T BE ANY MORE SIMPLE, RICK. WE'VE GOT A MURDERED LIMOUSINE DRIVER. WE'VE GOT A WITNESS THAT PUTS YOU AND YOUR FRIEND BILLY IN BACK OF THAT LIMOUSINE. WE'VE GOT THE VICTIM'S REGISTERED .32 IN YOUR POCKET. THE ONLY WAY YOU IMPROVE YOUR SITUATION IS YOU TELL US EVERYTHING WENT DOWN BETWEEN YOU, YOUR PARTNER AND THAT DRIVER. - THEN WHAT HAPPENS? - WELL, THAT DEPENDS ON WHO DID WHAT. PLUS MITIGATING FACTORS LIKE REMORSE. I DIDN'T SHOOT THAT DRIVER. - BILLY SHOT HIM. - WHAT'S BILLY'S REAL NAME? - BILL LYNCH. - WHY'D HE SHOOT THE DRIVER? DIDN'T WANT TO DRIVE US, AFTER LARRY HAD PAID HIM. TRIED TO THROW US OUT OF HIS CAR. WAS THERE SOME KIND OF DISAGREEMENT THERE? 'CAUSE THAT COULD BE SIGNIFICANT. THERE WAS. THERE WAS. BILLY HAD SOME SPEED. AND HE WAS SNORTING IT IN THE BACKSEAT, AND THE DRIVER PULLED OVER AND HE SAID, "GET THE HELL OUT." BILLY WAS LIKE, "NO WAY. THAT OLD GUY JUST PAID YOU $100 TO TAKE US WHERE WE WANTED TO GO." SO, ME AND BILLY, WE WOULDN'T GET OUT OF THE CAR. WELL, FINALLY WE DID. I GOT OUT FIRST AND THEN BILLY. I THOUGHT WE WERE JUST GONNA TALK IT OUT. MM-HMM. AND THEN WHAT HAPPENED? BILLY SAID, "WELL, YOU'RE NOT GONNA DRIVE US LIKE THE OLD GUY SAID. THEN GIVE US THAT $100 HE GAVE YOU." THEN THE DRIVER STARTED NAME-CALLING. AND THAT'S WHEN BILLY TOOK OUT THIS GUN THAT HE'S GOT AND HE SAID, "OKAY, HOW ABOUT THIS?" THAT SHUT THAT SUCKER UP. HE GAVE UP THE $100 THAT POINT. NO SHOOTING AT THAT POINT, THOUGH? ABSOLUTELY NOT. AND I THOUGHT IT WAS SETTLED. BUT BILLY MUST'VE HAD TROUBLE ON HIS MIND, HUH? BILLY TOLD THE DRIVER TO MOVE AWAY FROM THE CAR. SO, THE DRIVER, HE STEPS AWAY, BUT BILLY-- BILLY FIRES A SHOT ANYWAY. NOW, I SWEAR, I DIDN'T KNOW HE WAS LIKE THAT. - HE JUST FIRES THE ONE SHOT? - THE DRIVER GOES DOWN. BUT THE GUY, HE STARTS GROPING FOR HIS ANKLE AND BILLY PUMPED A FEW MORE SHOTS INTO HIM. REACHED DOWN, HE TOOK THE GUY'S GUN OUT OF HIS THING. HE SAID, "LET'S GO." I'M TOTALLY NUMB AT THAT POINT. HOW'S THE DRIVER'S GUN GET IN YOUR POCKET? BILLY SAID THAT YOU NEED SOMETHING ON THE STREET TO HANDLE YOURSELF. HE KNOWS MORE THAN I DO. I'VE ONLY BEEN OUT THERE, LIKE, A COUPLE OF MONTHS. HE'S BEEN OUT THERE, LIKE, A COUPLE OF YEARS. SO, HE GAVE IT TO ME. - WHERE'S BILLY NOW? - HE WAS HEADED FOR JERSEY. EVENTUALLY HE WAS HEADED FOR FLORIDA, BUT HE SAID HE'D GET HIMSELF PICKED UP AT A TRUCK STOP AND LEAVE THE LIMO THERE. WHAT WAS HE GONNA GO TO FLORIDA FOR? HE'S POSITIVE. YOU KNOW, THE H.I.V. BUG. HE'S GOT THIS GUY IN DAYTONA HE WAS SCREWING FOR HIS MEDS. SOME KIND OF NEW INHIBITORS. - YOU KNOW THAT GUY'S NAME? - NO, I-- I GOT THE GUY'S PHONE CREDIT CARD. THAT WOULD BE IN YOUR WALLET. YOU GUYS TOOK THAT, YOU PUT IT IN A MANILA ENVELOPE. - YOU'RE GONNA HAVE TO WRITE ALL THIS DOWN FOR US. - WE GOT IN THE LIMO AND BILLY WAS DRIVING AND HE'S FREAKING OUT, RIGHT? HE'S SAYING, "WE GOTTA GET OUT OF NEW YORK." I'M LIKE, I JUST GOT TO NEW YORK. PLUS I DIDN'T SHOOT ANYBODY, SO I DON'T GOTTA RUN. SO, YOU WANT ME TO STRESS HOW SHOOTING THAT GUY-- THAT THAT WAS ALL BILLY, RIGHT? AND THAT I WAS TRYING TO SETTLE THE ARGUMENT? WE'RE DESPERATE TO HAVE YOU DO THAT. I'M GLAD I TOLD YOU WHAT HAPPENED. I FEEL A LITTLE BIT BETTER. I FEEL LESS REMORSE. THAT'S NICE OF YOU. I'LL THINK ABOUT IT. LIEU, MORNING. MORNING. HOW'D YOU DO WITH MISSING PERSONS? ONE POSSIBLE. A BLACK WOMAN CHECKED OUT OF ROOSEVELT HOSPITAL LAST WEEK WITH A NEWBORN. HER MOTHER REPORTED HER MISSING THREE DAYS AGO, BUT NOW SHE THINKS SHE MIGHT'VE GONE TO NORTH CAROLINA. CAN'T MOVE ON THAT. I'M GONNA PUT YOU INTO THE CATCHING ORDER. - OKAY. - NO MORE SOCIAL WORK FOR THIS GUY. ARIES, WHAT'S GOING ON? BERNARD ROLLED UP ON ME IN HIS RAGGEDY-ASS PONTIAC. SLAMMED ME UP AGAINST A BRICK WALL WANTING TO KNOW WHY DID I BRING THE COPS INTO IT. HE WOULD'VE KILLED ME RIGHT THERE IF I DIDN'T SAY I WOULD MARRY BRENDA. WHEN YOU BROKE UP WITH BRENDA, SHE DIDN'T SAY ANYTHING ABOUT BEING PREGNANT? YOU DON'T SEEM TOO IMPRESSED ABOUT ME GETTING SLAPPED UP. HE CHOKED ME BY MY NECK. I'M GONNA LOOK AT THAT. FAR AS BEING PREGNANT, I RAN INTO HER TWO MONTHS AGO, SHE DIDN'T HAVE TWO WORDS TO SAY. HOW DID SHE LOOK? DIDN'T LOOK PREGNANT. SHE'S SO DAMN BIG THOUGH, WHO'S TO SAY. ARE YOU WILLING TO PRESS CHARGES AGAINST BERNARD? WHAT CHOICE DO I GOT? I AIN'T MARRYING HIS SISTER. - WE'RE GONNA PICK HIM UP. - YOU THINK THEY'RE SCAMMING? - THAT BABY AIN'T EVEN HERS? - I'M NOT SURE WHAT'S GOING ON. MAKE YOURSELF COMFORTABLE. WHERE DID THE KID COME FROM THEN? YOU DON'T SHOW UP HERE, I'M COMING TO BROOKLYN. I'M GONNA PADLOCK YOUR APARTMENT AND YOUR ASS IS GONNA BE OUT ON THE STREET. HI, BOBBY. UNFAMILIAR FACE. THERE'S ANOTHER ONE. JILL, UH, KIRKENDALL. CAME OVER FROM DEPARTMENT OF INVESTIGATIONS. WHAT'S SHE LIKE? I DON'T KNOW. I HAVEN'T GOTTEN A CHANCE TO WORK WITH HER YET. SO, HOW'S YOUR STUFF GOING WITH JIMMY LIERY? HE'S EXPANDED HIS CIRCLE OF FRIENDS. I GUESS HANGING AROUND THE AIRPORT WILL DO THAT FOR YOU. I DON'T KNOW WHAT THAT MEANS, DIANE. HE'S NOT JUST HANGING OUT WITH RUSTY STICKUP GUYS ANYMORE. YOU GONNA TELL ME ANY MORE OR YOU JUST GONNA SAY ENOUGH TO MAKE ME CRAZY HERE? I DON'T KNOW HOW TO TALK TO YOU ABOUT IT, BOBBY. IT'S NOT A LOT OF FUN FOR ME. YOU SHOULD TELL THAT TO THE BOSS. - I'M ON THE GUY FOR REASONS. - YOU SCREW THEIR REASONS. THIS GUY LIERY'S NOT SETTING UP TO DYNAMITE THE WORLD TRADE CENTER, IS HE? I'M NOT SURE WHAT HE'S SETTING UP TO DO YET. I'M NOT DRINKING WITH HIM AND I'M NOT SLEEPING WITH HIM, OKAY? MUGGING IT UP A LITTLE BIT WITH HIM, MAYBE? OH, BOBBY. [ Fancy ] GO OUT WITH JILL. PICK A GUY UP. I GOTTA GO MEET LIERY. OKAY, EVERYONE BUT DIANE. - DIANE RUSSELL. - JILL KIRKENDALL. I'M SORRY, I'M ON A CASE. LOOK FORWARD TO WORKING WITH YOU. [ Sipowicz ] ALL SET? I GOT THE KEYS. ACTS LIKE SHE'D JUST AS SOON BE CHANGING A TIRE. SO, HOW'S DIANE LIKING THAT UNDERCOVER SHE'S ON? I'M NOT TOO SURE. SHE'S NOT TOO COMFORTABLE TALKING ABOUT IT. YEAH, I DON'T KNOW HOW COMFORTABLE I'D BE WORKING LIKE THAT. GUYS PUTTING THEIR HANDS ON, SO FORTH. IT'S NOT SOMETHING YOU GOTTA WORRY ABOUT, RIGHT, GREG? THERE HE IS. [ Bernard ] WHAT YOU DOIN'? I'M TRYING TO PUT THIS-- YOU GOTTA COVER THE BABY'S HEAD, MAN. OH, I DON'T-- WELL, COVER HIS HEAD FOR ME. - DON'T EVEN THINK ABOUT RUNNING. - FREEZE! PUT YOUR HANDS FLAT AGAINST THE CAR. PUT YOUR HANDS ON THE CAR! - NOW, BERNARD, DO IT! -PUT YOUR HANDS FLAT ON THE TOP! WHAT ARE YOU DOING TO HIM? WHY ARE YOU ALL LANDING ON ME? ARIES SAID HE GONNA MARRY HER, SO THERE AIN'T EVEN A ISSUE NO MORE. WHAT SOMEBODY SAYS WITH YOUR HANDS AROUND THEIR THROAT, THAT CAN'T BE HELD TO THEM. - THAT PUNK BETTER NOT BACK OUT. - SHUT UP. - BRENDA, WE'RE TAKING YOU IN ALSO. - BERNARD. YOU DON'T WANNA KNOW WHAT I'D DO YOU DIDN'T HAVE THAT BADGE AND GUN. THAT'S GONNA REMAIN ONE OF THOSE THEORETICAL QUESTIONS, BERNARD. RIGHT THIS WAY. I'D LIKE TO TALK TO YOU, DETECTIVE. JUST HANG ON A SECOND. - COFFEE ROOM? - YEAH. LET ME JUST TALK TO THE BOSS. [ Kirkendall ] OKAY. ANY PROBLEMS? THERE MIGHT BE SOME THINKING THAT THIS BABY GOT STOLEN. THERE'S A REAL WEIRD HIT COMING OFF THIS GIRL. SO WHY IS THIS GUY WHO HIRED THE LIMO BACK HERE? HE BROUGHT A LAWYER FOR THE PERP, ASKED TO TALK TO YOU AND ANDY. LAWYERS UP THE KID WHO DOES THE MURDER. YOU SHOULD'VE HEARD THIS GUY IN THE INTERVIEW. HE'S ALL TORN UP THE D.O.A. GOT MURDERED. LOOKS LIKE HE GOT OVER IT. DON'T SPEND TOO MUCH TIME WITH THIS ASSHOLE. I WANT YOU IN WITH KIRKENDALL. - WHAT DO YOU WANT? - I ENGAGED A LAWYER ONLY ON THE BASIS OF LUKE HAVING NOTHING TO DO WITH THIS SHOOTING. HE SAID HE MADE YOU UNDERSTAND THIS. YOU'RE NOT AS STUPID AS YOU'D NEED TO BE TO BELIEVE WHAT YOU'RE SAYING TO ME RIGHT NOW. - ARE YOU SAYING YOU DIDN'T BELIEVE LUKE'S STORY? - YOU KNOW I DIDN'T. THAT'S ABSOLUTELY NOT TRUE. LUKE TOLD ME IT WAS BILLY WHO POINTED THE GUN AND BILLY WHO SHOT IT. NOW, UNDER THOSE CIRCUMSTANCES, I WANTED TO MAKE SURE LUKE DOESN'T GET USED AS A PATSY BECAUSE HE'S IN CUSTODY AND BILLY GOT AWAY. NAH, US EVIL, LAZY COPS DON'T NEED TO USE LUKE AS A PATSY, MR. CURRY. SEE, 'CAUSE BILLY'S BANGING A SCUMBAG A LOT LIKE YOU DOWN IN FLORIDA. WE GOT WAYS TO REACH OUT FOR BILLY. AND YOU'RE NOT HERE TO PROTECT LUKE. YOU'RE HERE TO GET OFF ON HIM. TO SIT THERE ALL EXCITED IN THE VISITORS' ROOM, REALLY COMING TO UNDERSTAND LUKE'S AWFUL LIFE GROWING UP. NO WONDER HE TURNED OUT TO BE A MURDERING WHORE. HE SEEMS TO HAVE CAPTURED YOUR IMAGINATION AS WELL. HMM. WELL, THERE YOU GO, MR. CURRY. ALL THAT A.C.L.U. STUFF, THAT'S OUT THE WINDOW, JUST YOU AND YOUR DIRTY SOUL. GERI. YOU CALL ME IF THIS DEGENERATE DON'T LEAVE. WHERE'S BERNARD? SOME OTHER DETECTIVES ARE TALKING TO HIM RIGHT NOW. I'M ASKING ABOUT YOUR BABY. I'D THINK YOU'D BE MORE WORRIED ABOUT HIM. [ Cooing ] I'M ASKING WHERE HE WAS BORN. WHAT HOSPITAL? BETH ISRAEL. WHAT DAY? LAST WEEK. HOW LONG WAS YOUR LABOR? BRENDA, ME AND DETECTIVE SIMONE BOTH GOT KIDS. IT'S WRITTEN ALL OVER YOUR FACE THIS IS NOT YOUR BABY. WHEN CAN I SEE BERNARD? TELL ME ABOUT THE BABY. THAT'S THE ONLY WAY WE CAN KEEP YOU TOGETHER. ME AND BERNARD? THAT'S RIGHT. OH. BERNARD THOUGHT TO DO IT. 'CAUSE THIS WAY ARIES WOULD MARRY ME 'CAUSE I LIKED HIM. TELL ME HIS PLAN. UM, UH-- HUNG AROUND THE HOSPITAL, OUT THE ENTRANCE. AND WHEN THE GIRLS WOULD COME OUT WITH THEIR BABIES, I'D SAY THAT THEY COULD RIDE IN BERNARD'S CAR FOR A DOLLAR TO WHERE THEY LIVED. AND THIS GIRL WANTED A RIDE. SO, BERNARD LIED IN THE CAR. HE SAID I COULDN'T HAVE BABIES AND SHE COULD HAVE $500 FOR HERS. AND THEN SHE WANTED TO GET OUT OF THE CAR. AND THEN THIS GIRL STARTED YELLING. SO, HE GOT HER AROUND THE THROAT IN THE ALLEY SO SHE'D BE QUIET. AND YOU TOOK HER BABY. [ Sniffles ] WHERE'S THE WOMAN'S BODY? [ Sniffles ] SHE'S IN THE ALLEY. BERNARD WAS GONNA PAY HER. HE HAD A MONEY ORDER TO FILL OUT. YOU GOTTA TAKE US TO THE ALLEY BEFORE YOU CAN SEE BERNARD. THEN I CAN SEE HIM? ABSOLUTELY. OKAY. I THINK I CAN FIND IT. [ Knocking ] EXCUSE ME. IS THAT HENRY? YEAH. JILL'S GONNA NEED YOU TO TAKE A RIDE WITH HER AND BRENDA. SURE. NICE PIECE OF CONVERSATION THERE, DETECTIVE. SOMEONE USING MY ROOM? WHAT DO YOU MEAN? I WAS SAYING, IS SOMEONE USING THE COFFEE ROOM? NOPE. SO, WHAT DID THOSE BROOKLYN DETECTIVES THINK OF THOSE GUYS? WHAT DID THEY THINK ABOUT THE SHYLOCKS YOU OWED? SOLESTRI AND LEONE. THEY WEREN'T INVOLVED IN THE HOMICIDE. YOU SURE ABOUT THAT? YEAH, THEY'RE SURE AND I'M SURE ABOUT IT, HENRY, SO SHUT YOUR MOUTH ABOUT SOLESTRI AND LEONE. WHO ARE YOU, THE BAD GUY INHOGAN'S HEROES? WHO ELSE SHOULD WE BE LOOKING AT, HENRY? YOU WANT TO GIVE ME MY GLASSES BACK? WHO ELSE SHOULD WE BE LOOKING AT FOR KILLING THIS GIRL? I'VE TOLD EVERYONE I COULD THINK OF INCLUDING THOSE SHYLOCKS. YOU WANT, I'LL PICK SOME NAMES OUT OF THE PHONE BOOK. NO, HENRY, WHAT YOU SAID FIRST WAS THAT YOU DIDN'T KNOW ANYONE THAT COULD'VE BEEN INVOLVED. THAT WAS IN THE HALLWAY WHEN THAT GIRL WAS LYING THERE DEAD. THEN YOU GIVE DETECTIVE SAVINO ABOUT A HALF DOZEN NAMES. PEOPLE YOU COP REEFER FROM. PEOPLE YOU COP SPEED FROM. PEOPLE FROM THE O.T.B. YOU GAVE HIM A HALF DOZEN ZEROS IS WHAT YOU DID, HENRY. SO, NOW YOU'RE HUMILIATING ME? YOU TAKE MY GLASSES OFF MY FACE? WHAT, YOU WANT TO MAKE ME FEEL BAD? I LOOK LIKE A MOLE. I KNOW WHAT I LOOK LIKE. SEE, WHAT I'M WONDERING, A GUY WHO CAN'T KEEP AN APPOINTMENT UNTIL HE STIFFS ON A FEW FIRST, MAYBE HE CAN'T COME UP WITH THE RIGHT SUSPECTS UNTIL HE STIFFS OUT ON A FEW OF THEM TOO. I DON'T EVEN UNDERSTAND WHAT YOU'RE SAYING, AND I THINK YOU'RE A TOTAL ASSHOLE. I'M DONE PLAYING WITH YOU, YOU TWITCHY LITTLE CREEP. I'VE TOLD YOU EVERYTHING I COULD THINK OF, YOU SON OF A BITCH! NOW, GIVE ME MY GLASSES! I WILL BREAK YOUR GLASSES IN TWO, HENRY! I WILL TAKE YOUR SHOES FROM YOUR FEET AND I WILL KICK YOU OUT OF THIS BUILDING BAREFOOT. I DON'T KNOW WHO IT COULD'VE BEEN! OH, YES, YOU DO. YOU DO! YOU'RE LOOKING FOR THE GUTS TO COME UP WITH IT. I DON'T. I LIKED HER SO MUCH. I RESPECT YOU. I WILL HUMILIATE YOU, HENRY. I WILL PUT YOU OUT THERE NAKED IN THE STREET. IT MUST HAVE BEEN SOME CRAZY OFF OF HER LIVING UP THERE. WHO? SHE USED TO LIVE THERE BEFORE HER. WHO DID? MY MOTHER. BEFORE SARA MOVED IN THE BUILDING, MY MOTHER LIVED UP THERE. WHEN SHE GOT SICK, I MOVED HER DOWNSTAIRS. HOW DOES THAT FIT IN, HENRY? I DON'T KNOW. I DON'T KNOW. IF THERE WAS, LIKE, THIS JUNK LETTER ADDRESSED "SUPER" WITH MY MOTHER'S OLD APARTMENT NUMBER, SOME GUY LOOKING FOR ME PICKS THAT UP. WHO WOULD HAVE KNOWN YOU LIVED IN THAT BUILDING, BUT NOT WHAT APARTMENT YOU LIVED IN? HOW THE HELL WOULD I KNOW? SOMEONE I WAS BEING A BIG SHOT WITH! SOMEONE I TOLD I WAS GETTING THAT BUILDING, AND THEN MAYBE I BACKED OUT. ON WHAT? ON THE DEAL. TELL ME WHAT HAPPENED, HENRY. PLEASE GIVE ME MY GLASSES. COME ON. TELL ME WHAT HAPPENED. TELL ME WHAT HAPPENED. YOU'RE ALMOST THERE. YOU'RE ALMOST THERE. TELL ME. I WAS SUPPOSED TO FRONT MONEY FOR COKE OFF OF SELLING THE BUILDING! AND I WANTED TO BE A BIG SHOT. AND I'D ALREADY BORROWED MONEY AGAINST THE BUILDING. I WAS SUPPOSED TO BE A BIG SHOT. BUT MAYBE WHEN I BACKED OUT, THAT SCREWED THE GUY AND THE BASTARD CAME AFTER ME HOW HE SAID HE WAS GONNA, BUT HE HAD THE WRONG NUMBER FROM THE JUNK MAIL AND HE SHOT SARA THROUGH THE DOOR. MAYBE THAT'S WHAT HAPPENED. HEY, GINA. HI, JAMES. WHAT'S UP? DO YOU KNOW WHY I'M SUPPOSED TO SEE HIM? - LIEUTENANT FANCY? UH-UH. -SERGEANT LORENZO SAID I WAS SUPPOSED TO SEE HIM. YEAH, I DON'T KNOW. WELL, GO AHEAD IN. HE WON'T BITE YOU. MIGHT AS WELL SEE WHAT IT'S ABOUT. YEAH. HELLO, LIEUTENANT. OH, HI, GINA. THANKS FOR STOPPING BY. SERGEANT LORENZO SAID I SHOULD STOP IN. YEAH, I, UM, SPOKE WITH SERGEANT LORENZO A LITTLE WHILE AGO ABOUT YOUR POSSIBLY WORKING IN THE SQUAD. US AND ANTICRIME EXCHANGING P.A.A.'s. WHAT WOULD BE YOUR FEELINGS ABOUT THAT? IS SERGEANT LORENZO DISSATISFIED WITH MY WORK PERFORMANCE? HE THINKS YOUR WORK'S FINE. HE TOLD ME A FEW WEEKS AGO HE THOUGHT MY PERFORMANCE WAS SATISFACTORY. THIS DOESN'T REFLECT BADLY ON YOU AT ALL. UNDER THOSE CIRCUMSTANCES, WHEREVER I'D BE MOST USEFUL. THERE'S A BIG OVERLAP BETWEEN YOUR RESPONSIBILITIES IN ANTICRIME AND WHAT YOU'D BE DOING IN THE SQUAD. AND I'M A GOOD LEARNER TOO, I THINK. I'D HOPE I'D PICK THINGS UP. I'M SURE YOU WILL. WELL, THAT'S GREAT. UNLESS YOU HEAR DIFFERENTLY, WORK YOUR SHIFT TOMORROW HERE. - ALL RIGHT. THANK YOU. - I LOOK FORWARD TO WORKING WITH YOU. I'M TRANSFERRED DOWN HERE, JAMES. GO ON. LIEUTENANT FANCY SAID TO WORK MY SHIFT DOWN HERE TOMORROW UNLESS I'M TOLD DIFFERENT. THAT'S GREAT, GINA. THAT'S TERRIFIC. GUESS I'LL BE WORKING IN THE SAME OFFICE WITH YOU. I'M REALLY DELIGHTED. WONDER WHERE GERI'S GOING? I THINK TO ANTICRIME. LIEUTENANT FANCY SAID WE'RE LIKE AN EVEN TRADE. THAT'S NOT AN EVEN TRADE. WE OUGHT TO HAVE TO BUY ANTICRIME'S COFFEE AND FILL THEIR FRIDGE FOR, LIKE, THREE AND HALF YEARS. GOOD NIGHT. GOOD NIGHT, LIEUTENANT. GOOD NIGHT, BOSS. - I SHOULDN'T STAND HERE TALKING TO YOU. I'LL SEE YOU TOMORROW. - YEAH, YOU BET. I'LL SEE YOU BEHIND THAT DESK. GERI. WHAT IS IT? GOOD NIGHT. GOOD NIGHT. GERI, I'VE THOUGHT ABOUT THIS MORE AND I'M NOT SATISFIED YOU CAN SUCCESSFULLY WORK IN PROXIMITY TO DETECTIVE SIPOWICZ. I'M CERTAINLY CAPABLE OF IT. I'VE SPOKEN WITH SERGEANT LORENZO IN ANTICRIME AND ARRANGED FOR YOU TO WORK UP THERE. THAT'S AN EXTRA FLIGHT. I'D PREFER TO DO THIS IN-HOUSE, BUT IF YOU'D LIKE, WE CAN APPROACH THIS OFFICIALLY. MEANING WHAT? MEANING I COULD WRITE UP YOUR BEHAVIOR AND WE CAN SEE WHERE THAT COMES OUT. I'M REALLY HAVING A LOT OF DIFFICULTY BELIEVING ADULTS CAN'T DEAL WITH SOMETHING LIKE THIS. - ARE YOU WILLING TO ACCEPT THE TRANSFER? - YES. OKAY. THAT'LL BE EFFECTIVE TOMORROW MORNING. GOOD NIGHT. GOOD NIGHT, LIEUTENANT. YOU CAN COME OUT NOW. YOUR BOSS HAS DONE YOUR DIRTY WORK FOR YOU. ARE YOU LEAVING HERE? I'M TRANSFERRED UPSTAIRS, EFFECTIVE TOMORROW MORNING. GOOD. - HEY, ANDY. - HI. SIMONE'S GOT YOUR GUY IN INTERVIEW 2. COME ON. I'M FROM SOCIAL SERVICES. I'M HERE FOR THE BABY. I'M DETECTIVE KIRKENDALL. THIS IS THE CHILD. [ Baby Cries ] [ Medavoy ] COME ON. GOT HIM? YEAH. GOOD-BYE, SWEETHEART. JUST GIVE US A SECOND, HENRY, HUH? BOBBY, I APPRECIATE THE CONSIDERATION, LETTING ME TAKE IT ON PAPER. THE GUY YOU'RE LOOKING AT IS JIMMY CORTEZ FOR THROWING THE SHOTS. THAT'S THE NAME HE'LL COME BACK TO. YOU SHOULD, UH, HOLD ONTO THESE UNTIL HE SIGNS. THEY WON'T SEND ME TO JAIL, WILL THEY? YOU JUST ANSWER DETECTIVE SAVINO'S QUESTIONS, HENRY. I WAS TRYING TO. I WASN'T LETTING MYSELF REMEMBER. ALL RIGHT. I CAN STILL LIVE THERE? YEAH. I'LL TALK TO YOU, HENRY. SO, YOU'RE BATTING A THOUSAND TODAY, HUH? I HEARD YOU DID A GOOD INTERVIEW YOURSELF. BUT I STOPPED BATTING A THOUSAND A LONG TIME AGO. I'M SO GLAD BEING BACK IN A SQUAD. - IT'S A GOOD ONE TO BE IN. - YEAH. - GOOD NIGHT, ANDY. - GOOD NIGHT. NIGHT. GUESS YOU HELD UP YOUR END TODAY. YEAH, I GOT LUCKY. WE GENERALLY CLEAR AT LEAST ONE HOMICIDE A DETECTIVE PER SHIFT. - DON'T BE LOUSING UP OUR PERCENTAGE. - I'LL TRY NOT TO, ANDY. ALL RIGHT. IT'S SICK, LIKING IT SO MUCH. NIGHT.