...upon looking closer at the scan, something is really, really wrong with the angles. Where is the rest of Tony? Isn't Madame Masque supposed to be straddling him? Ergo, shouldn't we be seeing, oh, I don't know, his LEGS at least? Did the floor just open up and swallow everything from his nipples downwards? THIS IS BOTHERING ME.

I'm a huge fan of contextual costuming. Fighting in high heels is okay if the rest of the work doesn't take itself seriously and there is enough similar content to balance it out (nobody complained about Else Bloodstones fabulous kicks in Nextwave because they where to busy marveling Machine Mans wonderfull tools or oh hey, dropbears!).

Sure, she'd be all like "honey, why do you always want to do it 69?" and I'd have to avoid admitting that I'm trying to keep face to face with the end of her that looks better so she doesn't kill me, but what the hell.

I think her face will be unscarred and undamaged. At least nothing really serious. She is just freaking crazy and believes ´her face is messed up.W: Do you see the Horror, Tony? DO YOU SEE THE HORROR?T: Uh, Whitney, your face is actually very beautiful.W: THAT IS A LIE! ITS HIDEOUS! HIDEOUS!(collapse sobing on Tonys manly chest)I think something like this will happen in nthe next issue.

Well, to each their own. I think my point still stands though. But I wouldn't say drawing it is much harder than the foot itself (I'd say the hardest thing feet related for me are toes).

The foot is basicly articulated in three places. The toes, the middle foot (I don't know the anatomic name for this) and the heel that attaches to the calf.

If you can draw someons foot bracing for a leap you can draw it in heels.

The rest is just observation and shapes in perspective.

That's what I figure anyway. But I don't know if its to any help without visual aids. Then again its three in the morning, I'm not feeling very pedagocic, my tea is getting cold and I should probably hit the sack.

Also the whole robots (we thend to blank out the design of robot feet as "well it whas probably designed that way for functionality", see Starscream) and un-ironic focus on 80's pop. Or the aerobics cut-ins.

It fits the world of the story. Also, the title allready loads all kinds of ideosyncratic images in our head using "Bubblegum".

She told him (or, rather, told someone else to tell him) "Thanks for caring". Of course, Busiek's story ended with her seemingly off to do something different (his suffocating captions told us she wasn't going back into the organized crime business) - then nobody used her for 7-8 years, and she reappeared in her classic incarnation (though, since she's not exactly right in the head, backsliding isn't a big stretch).

They already did that with Oubliette in the Marvel Boy mini. It's the same as Jack Kirby's original idea for Dr. Doom--that one day we'd see Victor's face and it would have one little scar on it from the explosion. But Stan Lee established that the sight of Doom's face could drive someone insane, so that was out; John Byrne later tried to resolve the two by redoing the origin so that when Doom saw the little scar, he told the monks that forged his mask to put it on him red-hot.

Fabian Nicieza (I think he was the one) refer to Cable and Deadpool as one of the greatest love story he has ever wrote, and Wade Wilson's entire body is scarred by tumours.

At first, I really shy away from the fanart, even though I thought the fic was hot, because Wade's personality is hot, but over time, I found the fanart hot because Wade's personality is hot. I wager the same thing it is with Tony, he loves her personality enough to love her face as well, it sound like they had a hack of a snarky time together.

...and Christ, I've always read Tony as a bit of a submissive, so a villaintress suits him...

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