The mode of silently reading prayers puts the worshiper in the realm of the cognitive—just as we might experience reading a book on the subway. But the act of mumbling moves from a purely cognitive experience to a more viscerally emotional act. The aesthetic effect of this mumbling serves a dual purpose: Besides its own value as a way of engaging in prayer, it provides a contrast to the truly silent parts of the prayer: the Amidah. . . .

In Uman, Ukraine (and in [the Breslov [community] in general) during the repetition of Rosh Hashanah Musaf, when when the ḥazan gets to the special brokha in the Amidah for Yamim Nora’im [the Days of Awe]: . . .

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