The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...].
— The Atlantic

Christoper Hawthorne, former LA Times architecture critic and now Design Officer for the City of Los Angeles, dissects Robert Venturi's 1966 book, Complexity and Contradiction in Architecture (which famously scoffs at the Miessian classical Modernism with the "less is a bore" tagline), and argues... View full entry

From VSBA Architects: Trailblazing architect, and 1991 Pritzker winner, Robert Venturi has passed away on Tuesday at the age of 93. He is survived by his wife and life-long business partner Denise Scott Brown. Their firm Venturi Scott Brown Associates, now VSBA Architects & Planners based in... View full entry

With more and more buildings of the postmodern school regaining media attention—either by entering the realm of heritage protection or by getting contemporary makeovers (essentially taking the Po out of PoMo)—we've now learned about another threatened structure, designed in the late 1970s by... View full entry

Now, decades after the original hardcover edition sold out, the MIT Press is publishing a facsimile edition of the original large-format Cooper-designed edition of Learning from Las Vegas, complete with translucent glassine wrap. This edition also features a spirited preface by Denise Scott Brown, looking back on the creation of the book and explaining her and Robert Venturi’s reservations about the original design.
— MIT Press

45 years after its first publication, the groundbreaking book, Learning from Las Vegas, is still read, purchased and studied by architecture and urban planning students, thinkers and practitioners around the world. Last year Archinect spoke with Denise Scott Brown about the Learning from Las... View full entry

After being proposed for addition to the Philadelphia Register of Historic Places last year, the iconic Vanna Venturi House has officially joined the list after being voted in by the Philadelphia Historical Commission on November 10th. According to PlanPhilly:"After a nomination first heard last... View full entry

While the buyer’s name and official selling price will be kept anonymous until June, the real estate agency behind the sale, Kurfiss Sotheby’s International Realty, confirmed that the new owner is from the area and apparently wants to preserve the property as it has been maintained thus far. The last known price of the house was $1,500,000 back in March.
— Chestnut Hill Local

On the happy and historic occasion of Denise Scott Brown and Robert Venturi being jointly awarded the 2016 AIA Gold Medal, we speak with Brown about whether this could be a watershed moment for architecture, and the long road that she and Robert took to arriving here. We last spoke with Brown... View full entry

Along with her husband and partner-in-design Robert Venturi, it was announced on Twitter that 84-year-old Denise Scott Brown has been awarded the 2016 AIA Gold Medal. Denise Scott Brown, who spoke to Archinect earlier this year, did not win the Pritzker when it was awarded to Robert Venturi back... View full entry

Today it houses one of London’s best permanent collection displays, but the 1991 Sainsbury Wing extension to the National Gallery in London was almost scuppered when Prince Charles and the other trustees opposed the architect of the new building, Robert Venturi.

The row was over a false Corinthian column that the US architect wanted as a decorative feature on the Trafalgar Square façade of the new extension.
— The Art Newspaper

Al describes CityCenter as the product of “the Bilbao effect: the notion that buildings designed by celebrity architects bring in tourists, and in particular a higher-end type of visitor”. MGM’s version was to bring in name-brand architects such as Daniel Libeskind, Helmut Jahn and Norman Foster [...].

“It goes against the casino design convention,” Al says, “by having towers that let in natural light and meet the street the way buildings do in other cities” – with retail spaces, not gaming.
— theguardian.com

Modern architecture, despite breaking with the past stylistically, nonetheless maintains this image of the gifted architect as a lone autonomous genius who overcomes gravity and prevails over his client [...]

Rather than an inner activity done in solitude, it has been found that people often discover their thoughts and ideas through interactions with others [...]

The centrality of collaboration in architecture is often overlooked in a culture celebrating and branding “starchitects.”
— Lilith

Referring to recent statistics concerning women in architectural practice and the Denise Scott Brown Pritzker controversy, architect Esther Sperber calls for an overhaul of how we think about creativity and authorship in architecture. Her piece for Lilith, "Revising Our Ideas about... View full entry

This study considers the question of how Louis Kahn’s development as an architect was shaped by the influences of Robert Venturi. The personal and professional interaction between these two historically significant architects began late in Kahn’s career and early in Venturi’s.
— Sam Rodell, WASHINGTON STATE UNIVERSITY, Thesis 2008

If my friend Kurt Dillon has not sent me the link for this significant thesis by then Master of Science in Architecture candidate Sam Rodell in Washington State University in 2008, I would have my suspicions hanging in the air without proper documentation. It is a great reading for folks who are... View full entry

Three of the most important modernist houses in the Northeast, including the 1964 house Robert Venturi designed for his mother, have been (or will soon be) put up for sale by their long-time owners, two of them without covenants that would ensure their preservation.
— archrecord.construction.com

Robert Venturi, who along with his wife Denise Scott Brown formed one of Philadelphia’s best known architectural firms, has retired and the firm known as Venturi Scott Brown and Associates Inc. has been renamed VSBA.
— bizjournals.com

Modernism is about space, post modernism is about communication, you should do what turns you on" - Robert Venturi
— youtube

After saying, "my understanding of post modernism was pretty shallow," film maker John Thornton, a.k.a Rusty Scupperton, finds out what Robert Venturi is all about in this 2 parts video. View full entry