SpecialMusic for Easter: Dvorak's Stabat Mater - one of the most
powerful declarations of faith in musical history.

Antonin Dvorak's Stabat Mater has to be one of the most beautiful and most
moving pieces of music ever to come out of the Czech lands. The text is a
devotional poem written in Latin in the 13th century, probably by the
Franciscan monk Jacopone da Todi. It opens with the grief of the Virgin
Mary at Christ's crucifixion, but then turns into a prayer, written in the
first person and addressed to the Virgin - in which the writer longs to be
reunited with Christ. The poem ends with the hope of the resurrection. The
poetry is powerful in its very simplicity.

"At the cross her station keeping, / Mary stood in sorrow weeping /
When her Son was crucified."

Dvorak was among many composers, including Palestrina, Haydn, Mozart,
Schubert, Rossini and Poulenc, to put the Stabat Mater to music, but his
version stands out with its extraordinary spiritual intensity and
emotional range, as well as a strongly symphonic quality. It is a huge
work - when performed it usually lasts well over an hour - for orchestra,
choir and soloists.

Antonin Dvorak
For some insight into the spiritual impulses behind Dvorak's Stabat Mater,
you do not have to delve far into the composer's biography. He began work
on the piece in 1875, when his joy at his first successes as a composer
and his happy family life, were shattered by personal tragedy. His
daughter Josefa died at just two days old, and as a man with deep
religious beliefs, Dvorak began work on the Stabat Mater as a way of
coping with his grief. He soon had to put aside the work to deal with
other commissions, but he returned to it after the family was struck
another bitter blow. In August 1877 his 11-month-old daughter Ruzena
accidentally drank a phosphorous solution and died. Less than a month
later, tragedy struck yet again with the death of Dvorak's son Otakar.

A household that had been filled with the sounds of children crying and
laughing was empty - Antonin and his wife Anna were suddenly left
completely childless. They were later to have further children, but at the
time their sense of loss must have been huge. Dvorak immersed himself in
his Stabat Mater, and two months later, on November 13th 1877, the work
was complete.

This may seem a recipe for an irredeemably gloomy work, but in fact the
Stabat Mater is hugely uplifting. The shifts of mood from grief and near
despair to hope and faith run throughout the ten movements, and culminate
in the ecstasy of the final Quando corpus morietur, with its overwhelming
confidence. In the dying minutes of the Stabat Mater, the orchestra goes
silent and the choir breaks out unaccompanied into an amazing hymn of
praise:

Stabat Mater"When my body dies, grant that to my soul be given the glory of
paradise."

Then the orchestra comes back to accompany the choir for the final
"Amen".

This must be one of the most powerful declarations of faith in the history
of music. The Stabat Mater was first performed in Prague on December 23rd
1880, and was an instant success. For an English-speaking audience it has
a special importance. It was thanks to the Stabat Mater that Dvorak was
first invited to England - which began his long and hugely fruitful bond
with both Britain and the United States. But more of that another time.