The Object-Lesson Edward Gorey

11/30/2009

Edward St. John Gorey was born in Chicago. His parents, Helen Dunham Garvey and Edward Lee Gorey,[2]divorced in 1936 when he was 11, then remarried in 1952 when he was 27. One of his stepmothers was Corinna Mura (1909-65), a cabaret singer who had a small role in the classic film Casablanca as the woman playing the guitar while singing "La Marseillaise" at Rick's Café Américain. His father was briefly a journalist. Gorey's maternal great-grandmother, Helen St. John Garvey, was a popular 19th century greeting card writer and artist, from whom he claimed to have inherited his talents.

Although he would frequently state that his formal art training was "negligible", Gorey studied art for one semester at the School of the Art Institute of Chicago in 1943, eventually becoming a professional illustrator.

Gorey is typically described as an illustrator. His books can be found in the humor and cartoon sections of major bookstores, but books like The Object Lesson have earned serious critical respect as works of surrealist art. His experimentations — creating books that were wordless, books that were literally matchbox-sized, pop-up books, books entirely populated by inanimate objects — complicates matters still further. As Gorey told Richard Dyer of The Boston Globe, "Ideally, if anything [was] any good, it would be indescribable." Gorey classified his own work as literary nonsense, the genre made most famous by Lewis Carroll and Edward Lear.

In response to being called gothic, he stated, "If you're doing nonsense it has to be rather awful, because there'd be no point. I'm trying to think if there's sunny nonsense. Sunny, funny nonsense for children — oh, how boring, boring, boring. As Schubert said, there is no happy music. And that's true, there really isn't. And there's probably no happy nonsense, either." [8]