Exploring Alternative Art Mediums

Exploring Alternative Art Mediums

Discovering Alternative Art Styles

Every week I write a new article for members of our four wonderful art communities on
Facebook, The Artists Exchange, The Artists Directory, The Artists Lounge, and
The Artist Hangout. This week we explore alternative art-forms and mediums that
can add even more visual interest to your work. We also deep-dive into the
subject of mixed-media which is another great way of taking your existing
artistic style and adding even more depth and visual interest, it is also a technique that can jump-start one of those creative dry-spells to which we
artists sometimes succumb!

Consistency seems to be everything
in the art world. I get it, I know that I have collectors who only ever
purchase my landscape works, others who only collect my seascapes, and others
that are only ever interested in abstracts. I really wish sometimes that I
could forever commit to a single artistic style but that’s just not how my
artist's brain works at all. I did the art school thing, I have studied countless
books, and whilst this single subject, single style approach works for some, it
all depends on who the artist’s audience is.

Whenever I meet new artists and
they ask me for advice, I am always reluctant to say that they should do anything
other than to stick with one artistic style or medium. It’s what gets taught in
art school, it is also what is written in many books, it is the advice we read
everywhere online, but in all my time in the art world I have never ever seen
it is written in some biblical stone that you will forever work in one style and
on one thing.

In my 30-something year career, I
have made a living from selling everything from a pin to an elephant and I make
no apologies. Some artists who I studied with have since gone on to great
things by focussing on one thing, I know at least one who went on to become a
doctor, and another an accountant, I know of only two other than me who went on to work in the
arts, one is a curator the other works in multiple visual styles. Go figure.

I am very aware of the need for
consistency in some areas of the art world. When I sold my works through a
gallery one of them would only ever take on my abstracts and another gallery
dealt with my blue landscapes. No gallery was interested in my other works but
my own people were, in fact, those people were out-buying the works sold through
the galleries by a long way and I wasn’t paying 50% in commission fees to one
gallery and 60% to the other. It made zero financial sense to carry on. Yet
others seek the gallery gig and I totally get why it just wasn’t for me at the
time. Today, I use a network of retailers and sell directly which works for me
but might not work for everyone.

Collectors love consistency because
they like to collect consistent looking works or subjects, but consistency
isn’t the only absolute way of doing things. In art school, it was because that
is what we were told, but there is an elephant in the room. Most working
artists aren’t working in the gallery space, they are painting for the pure joy
of painting and to make a living from their people who might not buy from galleries
at all. Artists are not only surviving doing this, but some of them are also thriving.
To me, it seems like a disservice to those who are told there is only one way
to do things because I know from my own experience that this puts artists off
from pursuing their dreams. Not committing to a single subject or style is not
the same as having no commitment at all.

Sometimes no matter how consistent
we are when we create what we create, there are times when as an artist you
just need to stretch and flex your creative muscle in other directions.
Whenever I go through periods of creative block I always experiment
with different mediums and techniques and it all adds to this life-long-learning experience we consider the art world. There’s always something new (or
old) to learn!

But what of the other art forms
that aren’t quite so mainstream? First, we take a look through
some alternative artistic forms which may just whet your appetite for being
even more creative!

Glitch Art…

If you have ever worked with
technology for longer than a few minutes you might have come across something
known in the tech world as a glitch. We’ve all seen them and experienced them
and some people have even suggested that glitches don’t only affect technology
but they affect the physical world we live in too.

Strange and bizarre because that’s
what I do best, seem to be the order of the day when we listen to stories of
missing time. I have experienced it and hopefully, I am not alone in this, but I
am convinced I have lost days. I categorically know that I answered a question
my wife asked on Thursday last week and I answered, and then she asked me again
on Friday because she swears I didn’t give her an answer. I’m absolutely
resolute in my belief that I did, she is absolutely unmovable in her belief
that I didn’t. So where did the real Thursday go, or am I losing my marbles? No need to answer that because I probably am.

Some people are convinced that they
have experienced glitches where days or time have been lost. A friend of mine
swore that I had bumped into him at the station and I said to call me as I
jumped on a train, I thought I saw him too but we were both at different
stations and I didn’t say a word to anyone, it was on the London Underground
and no one speaks to each other even if they’re wedded. Strange, bizarre, and
completely no explanation why this happened, although I would like to think
that there was a more logical reason than anything else. I know, I have no idea
either, maybe coincidence that sometimes we have doppelgangers who just happen
to pass each other.

Glitches though are more common
than we think and even more so since they started to appear as artworks. Glitch
art in case you haven’t come across it is a real thing. It is also an art form
that I have to admit to not totally getting at all for a few years. Some of it
can be quite beautiful, some even perplexing, but an artwork replicating
pixelated, hallucinatory jagged lines isn’t something I have taken too much
notice of, to be honest. That was until I came across Maya, a young girl standing
alone at the end of a train platform in Bristol, England, between 2013 and
2015. That’s when I started to wake up to the art of the glitch.

Who’s she with? Is she travelling
alone? Engrossed in her own world, she is still and focuses on the phone she carries.
As a concerned member of the public approaches, her form appears to digitize
and fragment into cubes. Is this some form of reverse augmented reality?

Maya was a 3D sculpture which acts
somewhat like a three-dimensional pixelated portrait. From a distance you would
have thought that Maya was alone, abandoned on a busy platform, if you moved
closer you would find that she was indeed glitch art that fragmented into
cubes. You can see the work right here.

Glitch art is just like technology
falling apart at the seams and whilst there are many Instagram and Facebook
pages and groups dedicated to the form of glitch art, it isn’t new. In fact, it
was something that appeared in the days of Web 1.0 when Rosa Menkman wrote the Glitch Studies Manifesto which you can
see on the Internet Archive right here.

Below you can
see one of my early forays into Glitch Art. Everyday
Glitches I created in 2015 but it hasn’t gone on sale at all yet. When
it does, it will only be offered directly, it will be signed, and it will only
be offered for sale on one day and the original file will be given to the buyer
on an encrypted USB stick and it will be removed from my storage completely as
if it was never there. You just never quite know when the work will arrive,
just like any other glitch!

Everyday Glitches by Mark Taylor

Post-It Note Art…

Another art form which if you have
ever had to sit in one of those team meetings or if you have ever been on an
away day becomes almost performative and interactive, is the art of creating
art using sticky notes.

Sticky notes come in all sorts of
colours and hues and if you have a day job with a stationary cupboard there is
a fair chance that you have a couple of them sat on your desk right now. Pages
of the sticky-backed notepads might have been torn off, they are used for all
sorts of things including placing them on the side of your computer screen with the computer's password written cryptically on them. On telephone conferences, millions of pieces of micro-sized artworks are produced every day as we sit and
doodle while we intently try to listen to what is being said.

Post-It notes have been used in performance
art where the audience has been asked to write down things or to create a quick
doodle, and they have been used for years to recreate pixel-art. I dread to
think just how many forests we have got through since they were invented back
in 1974 when Arthur Fry found a way of holding bookmarks in his hymnal while
singing in the church choir. Their stickiness added by a 3M employee by the
name of Spencer Silver.

Post-It Note Art

Google that great curator of searchable
zeros and ones have an employee-led sticky-art crew that was formed after a
neighbouring company across the street used sticky notes to say hello in one of
their windows facing the search giant. Google being Google wanted to up the
ante, they went one or maybe a few thousand post-it notes bigger.

You can read about Google’s Sticky
Crew right here, where they even share some tips for pulling the individual papers off the pad
(pull from left to right and not from the bottom of the page) and make sure
there are two sticky-notes worth of space between the floor and the first note
to avoid inadvertent mop damage when cleaning.

My Modern Met…

If you suddenly find yourself
wanting some inspiration to start creating artworks from unusual materials, My Modern Met has some twenty-five
which you can view right here. It is here that you will find works created out of cassette tapes (those born
within the past twenty-years might not be familiar with these but us oldies
are) and you will find coloured pencil artwork that uses the pencils in the
form of sculptures, even smoothies aren’t off the table here when it comes to
creating beautiful works of art.

Introducing Other Mediums…

Ninety-percent of my time is spent
working digitally these days, that wasn’t always the case. Back in the early
nineties, I worked with various home computers but much of my time was spent
working on canvas. To this day I try to keep my hand in with traditional
painting techniques and many of the private commissions I have created over the
past decade have often been a combination of both digital and traditional in
mixed media works. My preference whenever I create these is to use watercolour
and acrylics, I’m just too impatient to use oils.

My mixed digital/traditional works
are created by using a gel transfer and the other parts of the image are created
using traditional materials and then scanned into whichever application usually
using a drum scanner depending on the size of the work. The reason I don’t do
more of this is because drum scanners are expensive and they are big, so I tend
to hire the use of one through an outside company and then scan in a number of
works when I go and use it.

Drum scanners also tend to need
older computers with older software to function, more modern drum scanners are
available to buy but the costs for most working artists are prohibitive, expect
to pay anywhere between $4000 and $70,000. Some traditional artistic techniques
no matter which digital application or digital painting engine you use can ever
be faithfully recreated digitally. The use of a drum scanner makes the images
much more realistic and they really are the best at creating exact digital
replicas of your traditional paintings. There are plenty of companies around
who use them or provide professional scanning services and some like the one I
use will rent time on the scanner out. A smaller high-end scanner is perfect
for smaller works and it is so much more affordable.

When I work with both digital and
traditional mediums though I also use gel mediums to transfer the digital
images on to canvas. Using this technique I can create an almost plastic effect
and bring what is on the screen onto a completely different medium that can’t
easily be directly printed on. I sometimes do print directly onto a canvas and then
overpaint the image, the canvases, however, have to be suitable for use in my
printer and there is a limit to the final size. A gel transfer medium is an
easy and reasonably quick way of transferring the image if quick is having a
few days to spare.

I have used Liquitex as an acrylic
pouring medium for a few years now but Liquitex also have gel mediums available
specifically for this kind of transfer work. Other manufacturers have similar
versions and I really have no preference, I just find the Liquitex variants
more readily available where I live and some are better than others.

You can adjust the gel to your
needs so you can add retarder if you want to increase the smoothness of a finished piece or you can mix in acrylic, I have even mixed in gold leaf
which provides a metallic feel but if you want a grainier texture then using
sand is also something you could try.

When you print the artwork out for
transfer you will want to avoid using glossy photo stock, I tend to find that
something that is about the same quality as a newspaper or an uncoated magazine then the page is more effective at transferring the image. Generally the cheaper the medium the better but I
always try to ensure that the paper medium is 100% acid-free as this could have
long-term issues with the robustness of the final image and the rest of the canvas.

Just apply the first coat of gell to
the picture but remember to keep the brush strokes smooth, and then allow it to
dry. I always allow it to dry a little longer than the recommended time of
twenty to thirty minutes, often leaving it for a couple of hours. Once it is
dry, the gel turns completely clear. As it hardens I place a piece of clean
glass over the paper to make sure that the moisture from the gel doesn’t make the
paper buckle which can make the images distort. You need to reapply a few more
coats and for best results always try to apply it in the opposite direction to
the lower coat. Once that’s done, I leave it to dry for three or four days. It
is a slow process and proves once again that art needs patience.

Once dry you just need to soak the
entire image with the gel coat in water to dissolve the paper, hence the reason
why using high-quality paper stock that tends to have some inbuilt water
resistance is a bad idea. The trick here is to only allow the image to soak for
around 15-minutes. Once done, gently scrape away any remaining paper, if there
is any of it left the image will look less clear and the sharpness erodes. Once
the paper is off the gel, run it under a gentle flow of cold water and allow it
all to dry. Again, I tend to leave it at room temperature for a good few hours.

Once it has dried you will have a
crisp image on the gel which you can then incorporate into your traditional
paintings or whatever surface you need the image to appear on. It’s a great way
of creating intricate designs for wooden trinket boxes and you can also apply
it onto glass surfaces. My advice is to check the labels of any medium you do buy,
follow the instructions and remember that some only work effectively with laser
printers. Mod-Podge have small kits available and as always with Mod-Podge, the
results are usually great.

You can produce some interesting
visual forms using a combination of gel transfer medium and traditional
materials and I find that the technique can be used for most things. I have in
the past had to quickly recreate tins for use as props but you could add visual
interest in assemblage works by using the gel transfer method. The work below,
Tsunami is a creation of mine from a few years back. It’s also now available as
a print from both Fine Art America and Pixels. The original hung in my studio for a while but eventually, I had to let it go. If you look closely you will see multiple textures.

Tsunami by Mark Taylor

Ink Application…

We looked at art forms such as
Frottage not too long ago in another article but there are other effects which
can be created using everyday items. Gyotaku is an ancient Japanese method of
printing whereby a natural object is smeared in ink, rubbed on paper and this then
is used to transfer the image onto the support. It takes some practice, my own
early attempts ended up as smudges rather than anything distinguishable but
with practice, there is an elegant timeless beauty that you can create by using
natural materials such as termite destroyed wood, the bark of fallen trees, even
leaves and mushrooms. Anything that has even a slight texture is fair game, but
be warned that the ink might stain the objects completely and forever. Yes, I
didn’t think of that when I first experimented with this technique!

Do Not Try This At Home!

Do not try this at home…

The lengths some artists go to when
they create art never fails to amaze me. My one ambition is to create an
installation artwork using an aircraft but alas, I just don’t have the space or
that kind of art budget to create it in my studio. But space, budget, when has that ever put an artist off doing what they have to do?

Rosemarie Fiore
does something that you definitely shouldn’t do at home, or at least without
having experience of pyrotechnics, she uses fireworks to create beautifully colourful abstract art from the smoke. Her works are often large and she
frequently layers her compositions. If you haven’t as yet come across
Rosemarie’s work, you should definitely take a look at her website right here.

Using Alternative Mediums in Your
Own Work…

Whenever you have been painting for
any length of time you can sometimes feel like you are getting stuck in a rut,
it might not be anything to do with having a creative block but you might just sometimes
fall slightly out of love with your own current artistic style. That’s surprisingly
more common with artists than one might think. At one time I worked only in
acrylics professionally, and many of my artist friends who have worked with me
over the years on projects have all wanted at some point to step onto other
creative paths, it’s not new or strange to want to do this, this is how artists
evolve and it is well documented throughout art history, artists have always done this. Jackson Pollock anyone?

Consistency is key with art but
there are times when even the most experienced artists feel that a particular
work just needs a little something else, a little more pop, a little more
thinking outside the box, something that is a little different or more
original, it needs some added zing and occasionally some added bling. Sometimes we have to add that little extra zing by introducing other
mediums and materials. Remember, there are no laws against it!

When I look back to the time when I
studied art formally I clearly recall that along with the other twenty-something,
twenty-somethings, in the class I would only ever create my works on white paper stock. There are some beautiful papers out there but just occasionally it
is good to change things up a little. One of my best selling works is a print
of a work I created on a piece of fence panelling, the original 24 x 24 inch
work was sold many years ago to a long-time collector, it was the first time I
had sold anything on a support that wasn’t either paper or canvas and today it
surprises me at how often it is resold as a print. We literally had to replace 30-feet of fencing after it was removed!

Even though that was the first time
I had sold a piece of work using non-traditional supports, it wasn’t the first time I had used something that wasn’t either canvas or card-stock. Using other
materials instead of the traditional ones can take your work in a completely
new direction or it can just add that little something that takes it from okay
to wow. A surface that has its own markings and indentations can bring
beautiful irregularities to your work or lend its colour to your own creations,
but above all, older surfaces bring something else, a history which can enrich
the story you are trying to tell through your art.

If you don’t fancy the idea of
painting your garden fence (you do have to be very committed by doing this or you have to live with it) and want to stick with more traditional supports
then changing the type of support to something with a heavier grain, or
paper-stock that has a darker or more neutral tone can also give your work an
edge by using the contrast of the paper as highlights or shade. You can even use materials that would have otherwise been sent for
disposal, tearing papers and card and layering those elements onto a
mixed-media board will give you plenty of added depth and add more interest to
your work. My Tsunami work which you saw earlier included the use of tissue paper, acrylic, gel-transfer medium and digital art.

Mixed Media

Mixed Media…

The term mixed media is often used
interchangeably with the term multi-media however, there are some key
differences that are worth noting. While both terms describe works that are
created with a range of different materials. Multi-media is generally used to
define works that use or includes a combination of electronic media such as
video, computers, film and audio. The work I create with elements of digital
art would be mixed-media as there are no electronics within the piece.

When it comes to using mixed-media,
there really are no rules. Mixed-media is a paradise for exploring texture and
it is a discipline of the arts that demonstrates perfectly that art can be
created with anything or any combination of things. Mixed media first found its
way into the art world around 1912 with the cubist collages and constructions
of Picasso and Braque. As attitudes to art mediums became more open it paved
the way for the continued use of mixed-media works.

I am constantly surprised by the
imagination and beauty of the mixed media works that I see created by
independent artists and some of the pieces I see are arguably more
aesthetically pleasing than some of the early works of the great masters. But
in all honesty, I do tend to find that there are many works created by
independent artists today that aesthetically speaking are far superior to some
older works. They might not have the provenance but they certainly have style.

Just to digress for a moment but I
often think that if an artist of today was able to produce the very same work
in the same way, as they create their works today back in the days of the great
masters, whether or not that work with its 21st Century pigments and
materials would have been seen as something very special indeed a few hundred years earlier. A digital
artwork created today if it could have been seen in the 15th Century
would have probably freaked people completely out. It would have certainly got
some attention.

Back to mixed-media, there are many
other artistic disciplines that fall within the term, assemblage is perhaps one
of the better known and this is a subject I covered in an earlier article which
you can read right here.

One of the most common methods of
producing mixed-media works is to use collage which is also how those earlier
works from Picasso and Braque were created. The beauty of collage is that you
can literally create pretty much anything out of anything. Whilst some will
remember collages from school projects, others might more easily remember the
works of famous collage artists such as Kurt Schwitters, such as the painting, Collage Das Undbild – 1919 which you can
see below. Schwitters is often credited as being the very first collage artist
although others disagree and credit Picasso.You can read more about the work of Schwitters right here.

Fred Tomaselli, an American artist is
amongst one of my many long-time favourites. His paintings include medicinal
herbs, prescription pills, and hallucinogenic plants alongside images cut from
books and magazines, all combined to create dazzling patterns that spread over
the surface of the painting like a beautiful virus or growth, and along with an explosion of colour the works are completed by painting over the elements used
within the work by using paint or varnish. You can find out more about
Tomaselli on Wikipedia right here, where there are also links to his many works through a range of galleries the
world over.

Mixed Ideas…

So many artists have discovered that
adding something different to an artwork beyond the traditional paint and
canvas can make their works come alive. The possibilities are endless and it
can be as simple as drawing an image in black ink and then adding in colour
using paint, or cutting out shapes from materials such as paper or fabric. It
can also be as complicated as you want with the addition of string and metals.

Textured effects can be created
from tissue paper which is then painted over, newspapers can be added to
provide a richer context where the story in the news is carried through into the
art. You can even use books (no first editions – this my friends is a thing I
witnessed a few years ago), and you can create some stunning textures when
painting on cardboard.

Gesso becomes your best friend
again to build up textures but so do materials like modelling compounds which
can be applied and then scratched. The possibilities of adding mixed media
elements to your original works are only ever limited by your own imagination.
Like I said earlier, there are really no rules at all with mixed-media, you can
throw all sorts of things together that usually wouldn’t share the same space. I absolutely love it, it makes me feel like a child again!

New Releases…

Excuse the really quick interlude, an artist has to eat! My new releases this week include
two works that I absolutely loved creating. Pisces which is one of my personal
all-time favourites has been really popular this week. The artist proof set has
been signed and is on its way to its forever home, and this will also be sold
through a specialist aquatics retailer too as signed editions. Prints are
available through Fine Art America and Pixels and you can also order through my
usual retailers. A further eleven works are planned in this series and you can
also see the work in full right here. And no Jane, I haven’t forgotten the Ram! I am working on him! How difficult can rams be!

Pisces…

Pisces by Mark Taylor - Available Now

My second work of the week is Bedtime
Story. There was a time when as a young boy I would go to bed at night and take
a torch under the covers to explore my books and comics. It was my own little
space, it became my den. We didn’t have the technology we have today, we might have had a pet
goldfish in a bowl, we often had an analogue alarm clock that would wake us
from our slumber to head for school.

In this piece, I wanted to show how some things change but other things never do. Instead of a
torch and a book, the illumination comes from a smartphone, instead of an
analogue clock, we now have digital, and as for the goldfish, that has now been
replaced with tropical and exotic species. Some things never change but changes
to some things do. This is my bedtime story and you can see it in full right
here.

Bedtime Story…

Bedtime Story by Mark Taylor - Now Available

A new appetite for painting…

Using mixed-media for me is
something that always fuels my creative fire. It’s a great way of adding more
visual interest but for me, there is something else, it can transport you back
to those days when you were a child without a care in the world. Sometimes I
long for the imagination I had back then and mixed-media can certainly get you
close. Sometimes you just have to be that kid again when it comes to creating
art. Have the confidence of a three-year-old wearing a Batman costume whenever you paint!

Hopefully, you will have found this
week’s article will have whetted your appetite for creating something
different. Art is about taking risks as much as anything else, sometimes we
just need a steer in the right direction to take them. If you have created
mixed media works let us all know how you go about creating them in the
comments below. If you are thinking about adding elements into your own works,
let’s see the results! As always, leave a comment below and I will look out for
the best ones to feature in an upcoming article.

Big Love and Happy Creating as always,

Mark X

About Mark…

I am an artist and blogger and live in
Staffordshire, England. You can purchase my art through my Fine Art America
store or my Pixels site here: https://10-mark-taylor.pixels.com

Any art sold through Fine Art America and
Pixels contributes to the ongoing costs of running and developing this
website. You can also view my portfolio website at https://beechhousemedia.com

If you would like to support the upkeep of
this site or maybe just buy me a coffee, you can do so right here. Every penny goes on making sure I can bring you unbiased and thoroughly researched articles week after week and which contribute to the funding I need to be able to do this and to support other independent visual artists.

Thanks Jane and that sounds exciting! I’m winding down towards my holiday, albeit a slightly worky holiday with a bit of added art, photography and sea! Oh and Boo and Bear who are way more excited about the beach than even I am! (The two dogs who think they’re human!)

Mark Taylor is a professional artist and blogger who supports other independent visual artists and creatives.
His work is sold online through Fine Art America, Pixels, and Zazzle, and through more than 150 retail locations across the USA, Canada, and the UK