Pretty. Stupid.

Danny McCarthy is a journalist focused on the intersection of pop culture and politics. His work has appeared in Westchester Magazine, Mediaplanet, The Odyssey Online and The BU Buzz. He is passionate about queer issues, personal essays and Ina Garten. He is currently pursuing a Master's in Journalism from the University of Southern California.

He describes Senator Harris’ June Senate Intelligence Committee interaction with Attorney General Jeff Sessions, in which Harris continually pressed Sessions to answer questions that the latter tried to dodge with the excuse of a particular “policy.” Numerous times, Harris was interrupted by her male colleagues, leading to numerous articles reporting on that, rather than Harris’ strength of interrogation.

Chait highlighted the coverage of Harris as an example of “victimhood” in order to make his point that female politicians lean into that victimhood as a way of appealing to the leftist base.

“On the left, victimhood is a prime source of authority, and discourse revolves around establishing one’s intersectional credentials and detailing stories of mistreatment that reinforce them,” said Chait. “Within the ecosystem of the left, demonstrating that you have suffered harassment or microaggressions is a big win.”

He described a recent GQ profile of Gillibrand, who went into more detail of the sexual harassment that she’s endured. “Much of the story followed this theme, describing not only Gillibrand’s leadership on the issue of sexual harassment, but her status as actual victim of harassment.”

He ended his article by saying, “Playing to the most popular tropes in progressive circles on social media is a seductive way for Democratic female candidates to capture attention from activists. It may not be their straightest path to the White House.”

When first reading it, the premise could have been extremely interesting and valid. The argument could’ve been directed at the media, and the ways that we often lean into stereotypical representations of women. It might’ve been a lampooning of the articles that, instead of applauding Harris and Gillibrand for their perseverance, focused on the male interruption.

However, the headline and ending paragraph seem contradictory to what some could say is the meat of Chait’s piece. It took the twist of assuming, or at least implying, that Harris and Gillibrand at least partially to blame for the coverage they received. He never acknowledges the obvious – that Gillibrand and Harris did not create the coverage that portrayed them as victims.

Chait plays into the very thing that he is critiquing. Rather than writing about them as he argues they should be written about, Chait imposes his own world view upon these women by assuming what they must be thinking and doing.

It’s a phenomenon that’s come up recently in an entirely different sphere, a situation I’m dubbing the “Chrissy Teigen Conundrum.”

“if I had my choice, not a single story would ever be written about any tweets of mine. they make people (me) seem like…the most annoying people,” Teigen tweeted, about…I guess the thing I’m doing. “the “clapback” wasn’t “epic”, it was just a fuccccccking tweet – just please stop with these stupid words.”

It’s a common critique of Chrissy Teigen, that she is annoying or omnipresent on social media. But as she points out, rightfully, that’s not because she’s doing anything. It’s because journalists make the choice to write about everything she does, and use clickbait-y titles to draw readers. But because all we see is “Chrissy Teigen,” that’s all we associate with the deluge of coverage.

We are not annoyed by Chrissy Teigen, we are annoyed by the coverage of Chrissy Teigen, with which she has nothing to do.

Blaming Chrissy Teigen for the coverage she receives is as ludicrous as blaming Harris or Gillibrand for the victim-slanting coverage they garner.

I don’t doubt that people leaning into certain narratives is true in some cases. But I don’t think that’s what’s happening here, or what’s happening at large. Chait views victimhood as a media or political strategy. In his lens, there is no way that Gillibrand could be discussing the harassment she’s received for any other reason than to garner sympathy in a 2020 presidential run. It’s possible that Gillibrand was not ignorant to the fact that she would gain sympathy, but that was in addition to shining light on a malignant and previously hush-hush tenet of politics.

And if that’s his view, it’s bizarre that he does not point out that Trump won on a platform of victimhood, playing up the false victimization of white, middle-class Americans, particularly men. He does not mention this once, preferring to attack female politicians who, as far as we know, did not request such coverage. He does not mention Representative Maxine Waters (D-Calif.), or how she pushed back against Treasure Secretary Steve Mnuchin’s meandering with “Reclaiming my time,” which could ostensibly be considered the antithesis of victimhood or rerouting the “man-interrupting-woman” trope. He also fails to point out that, despite instances of harassment, these female politicians rose to the uppermost echelons of American politics.

“On the left, victimhood is a prime source of authority.”

There is the notion that victims disclosing harassment are doing it with nefarious or shady intentions. The truth is that, often, the intent of disclosure is very clear: to open dialogues about harassment with the aim of minimizing and eliminating those situations. There is power in opening up about being a victim, but that in itself does not constitute a power play.

Pointing out bias (in gender, sexuality, race, class or religion) is often just that, but it also serves to highlight that there are peoples (often of intersecting identities) who are disproportionately affected by biases.

Painting Gillibrand’s discussion of the sexual harassment she’s faced, or critiquing Harris for how she was covered, has a very distinct aim – to discount sexism, racism and other biases as political ploys and grabs at attention. It diverts from any conversation about how these things came about and what might be done about them.

Chait’s argument, under the guise of concern, boils down to this notion: if you have been a victim, then you are weak. If you disclose harassment or abuse, you are seen as weak. And people do not someone weak in the Presidency. Again, it’s telling that he does not bring up Trump, who constantly and consistently affirms his place as a victim – of the media, of the Democrats, of the political system. So perhaps the problem is not the victimhood platform, but the fact that they are not men.

The article ignores that people who have been harassed, assaulted or victimized are survivors; have thrived despite such obstacles; and that those people might actually make better, more empathetic and more driven presidents than, say, someone who has no experience with such hardships.

In a move that probably caused the simultaneous bursting of a thousand-thousand Republican aneurysms, President Donald Trump took to Twitter more than a week after his administration announced the end of DACA, the Obama-era program that gave temporary two-year work visas to immigrants who came to the country illegally as minors.

“Does anybody really want to throw out good, educated and accomplished young people who have jobs, some serving in the military? Really!…..” said Trump in two Tweets. “…They have been in our country for many years through no fault of their own – brought in by parents at young age. Plus BIG border security.”

The program was implemented in 2012 under President Obama. It allowed certain illegal immigrants who came to the country as minors to apply for a work visa and a two-year period of deferred action from deportation. The idea was to shift immigration enforcement away from low-priority illegal immigrants with good standing. Most of these illegal immigrants who came here as minors are called DREAMers, from the 2001 DREAM Act (Development, Relief and Education for Alien Minors). The DREAM Act sought to qualify alien minors for conditional residency that could lead to permanent residency. The DREAM Act was scrapped and stalled multiple times, leading to President Obama introducing DACA.

When Trump’s actions are getting increasingly damaging to vulnerable minorities, it’s getting harder and harder to imagine why we should expect people like Kathy Griffin to keep apologizing.

Kathy Griffin, the comedian who faced massive backlash from a May 30th photo she posted of her holding up a mask of President Donald Trump covered in fake blood, styled to look like his decapitated head, is refusing to apologize anymore.

The story, which takes place in late June, opens with a description of Trump’s Twitter rant that day: denouncing Robert Mueller’s investigation, mocking House Minority Leader Nancy Pelosi and calling Senate Minority Leader Chuck Schumer “Cryin’ Chuck.” The nickname came from Schumer getting emotional when discussing the Trump immigration ban.

“Why are people still expecting me to apologize and grovel to a man that tweets like this?” Griffin “vented” to the piece’s author Bashar Ali. “I’m a comedian; he’s our fucking president.”

The members of Congress who have not disavowed Trump are actively cosigning on everything he does.

On Friday, the New York Times news podcast – The Daily – posted an episode that centered on Sen. Jeff Flake (R-Ariz.) and his criticism of President Donald Trump, as well as Trump’s open rooting for Flake’s defeat from public office in a 2018 race.

Because of this, Trump has attacked Flake both in speeches and on Twitter, for being “weak” on immigration and crime, and openly encouraging his defeat at the hands of opponent, Dr. Kelli Ward. Ward is self-identified as standing with Trump and seeking to “make Arizona great again.” Trump also railed against the “one vote” that stopped the repeal of the Affordable Care Act, a thinly-veiled attack at John McCain whose vote, alongside Senators Lisa Murkowski (Alaska) and Susan Collins (Maine), prevented the Senate Republicans from passing the repeal.

I can’t decide if Twitter jokes about nuclear war makes me want to laugh or cry, and really that’s the best description I can think of for Twitter – and the internet world in general.

So I’m coming off working my first freelance job, and it was very exciting but a little draining for someone who, until now, has considered wearing pants with zippers to be the greatest triumph of any given day. So I almost considered skipping this, because I knew it would have to be about the whole Trump-North Korea thing and I just wasn’t ready to put on my journalist hat. But then I realized, infusing humor and drama into politics is what I do best. So I’m going to give you a Casual Cool Hip Take on the Trump-North Korea dramz.

Anthony “The Mooch” Scaramucci was let go from his position as the communications director of the White House at the behest of the new chief of staff, John Kelly, according to the New York Times.

Scaramucci was only communications director since July 21, during which time he missed the birth of his son to attend Donald Trump’s speech at the Boy Scouts’ Jamboree and had an expletive-filled tirade during a phone call with a reporter from the New Yorker, where he called Reince Priebus, the former chief of staff, a “f*cking paranoid schizophrenic” and threatened to fire everyone in the White House until the leaks stopped. In comparison, I have done very little since July 21.