I don't know if this is absolutely revolutionary or just terribly self-indulgent... then again I could say the same thing about Sufjan Stevens who I love with a passion.
*A couple listens later*
Okay, now I'm getting it. Much better on second listen. 3.9/5

While numerous contemporary art pop artists heavily rely on excess and elaborate arrangements, Fiona Apple opts for unorthodox minimalism on her first album in seven years. The Idler Wheel... is all about subtle piano balladry, and this approach to songcraft works wonders for Apple whose eccentric, if vulnerable personality is now at the forefront, perfectly bare and not muddled by any unnecessary studio tricks. That's the reason why The Idler Wheel... is so profoundly personal, tackling Apple's neurotic tendencies and fears with raw intensity. It also makes complete sense that the artist's vivid voice and trusty piano playing are supplemented with Charley Drayton's equally important percussion work, that gives the record an eerie, often idiosyncratic vibe. Even in its most rhythmically non-conventional moments though, The Idler Wheel... revolves around alluring melodies which, along with Fiona's truly unique vision, largely make for its resounding triumph.

It's hard to admit The Idler Wheel is a mess, because the album gives the impression of being meaningful. It only flirts with purposeful melodies, and basks in bitter dissonance for something with which we're supposed to connect. What's the album trying to say, though? Hell if I know, and I'm not sure I want to.