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Braindead (UK - DVD R2)

Before King Kong, and before the One Ring, there were guts... and lots of 'em

Feature

About a year ago, one Peter Jackson officially became the highest paid director (initially) of all time, and he got the money for creating his dream project, a remake of King Kong. Before that, he became a household name because of his impossible direction of New Line's epic Lord of the Rings Trilogy, for which he won a bunch of Oscars. Back in the mid-'90s, even the most avid Jackson fan wouldn't have thought for a second that this is where the creator of such bad taste comedies as, erm, Bad Taste, and Meet the Feebles would end up. If you'd asked me what the apex of the indie Kiwi's career would forever be when I was back in High school, I'd answer, without a second's hesitation, Braindead (or Dead/Alive, as it was known in my native land).

The story goes a little something like this: Lionel is a lonesome momma's boy, guilted into caring for his perfectly capable mother through years of mental abuse. Paquita is a shamelessly romantic immigrant girl, looking for the right man to complete her life. The Sumerian Rat Monkey is a beastly creature, who wants nothing more than to eat flesh and spread his horrible zombie disease. When Paquita is told it is her fate to be with Lionel, she cannot be stopped, and her innocent allure is a threat to Lionel's mother, who follows them on their date to the zoo...only to be savaged by the Sumerian Rat Monkey while spying on them from behind the bushes.

Lionel is again guilted into caring for his now zombifyed mother, finding no time to continue his budding relationship with Paquita. When his mother escapes the house and is hit by a bus, she is pronounced dead, and Uncle Lester comes looking for his share of the inheritance. The problem here being that Lionel's mother isn't actually dead, but undead, a fact that Lionel has decided to keep under wraps. How will he deal with the spreading zombie virus, how can he quell his gold digging uncle, and how can he win back his love? One thing's for sure, hilarity will ensue.

Braindead (the title has a similar double meaning to that of Bad Taste) may not seem like one of the three logical precursors to The Lord of the Rings at first, but this was a major step. Though Heavenly Creatures dealt with the mature and dramatic themes that'd later win him honour, and The Frighteners established his effects company WETA as a force to be reckoned with, it was this extremely ambitious zombie flick that cemented Jackson's talents in the greater public eye. No, it wasn't a film for everyone, especially not the weak-stomached, but it was a boundary-crossing breakthrough that few critics have been able to find real fault with. Who’d’ve thunk that the heir to the title of ‘Goriest Film of All Time’ would be so lovable, funny, and unabashedly romantic.

Oh, the romance amongst the viscera. Paquita and Lionel's predestined love is so endearing, and almost all the films tension comes out of their relationship's speed bumps, rather than the plight of the numerous zombie victims. Braindead may be my favourite romantic comedy of all time, because I really do care about the characters and their struggle. How many women would stand by a man whose mother ate her dog? That's true love. Jackson's Zom-Rom-Com predates Edgar Wright’s by more than a decade. It's too bad he didn't coin the phrase. I suppose being the highest paid director in history will have to be his substitute.

I won't play Mr. Highroad though, it's really all about the splatter in the end. I'm very hesitant to even refer to Braindead as a horror film, as it's far too gleeful to really ‘horrify’ anyone. The violence is strictly played for laughs, never is there a feeling of real animosity, and even the weakest of stomachs can usually get used to the icky excesses. And just when you don't think Jackson could take it any further, he does. Severed limbs not doing it for you any more? Have an eyeful of internal organs. Seen enough guts yet? Well, here are some living ones, complete with a gas-spewing anus. And least we not overlook the maniacally gooey lawnmower sequence. Lovely.

Video

Um, this isn't the best-looking DVD on the market, but it is a totally uncut version. The US release, dubbed Dead/Alive is an unrated version, and contains most of the footage that was deleted for the US 'R' rated version, but is still missing several minutes of gags. The catch is that that version was anamorphically enhanced. This version is not, and is pretty filthy beyond that fact. Apparently there is one uncut and anamorphically enhanced version of the film on the market, a hard to find German release only available in a box set. I guess good luck finding one.

This UK disc is presented in a 1.66:1 aspect ratio, revealing a little more head and foot room not available on Artisan's region one release. The ratio actually alters itself throughout the film. The overall image is very dark, and very dirty, but still decent enough to be considered a definite upgrade from VHS versions. The Artisan release was actually too light at some points, and had some issues with edge enhancement because of it. I've included a comparison shot here.

Audio

This is a film that could use a 5.1 overhaul. Anyone who's listened carefully to the 5.1 track on From Dusk Till Dawn knows how much fun flying viscera can be. Unfortunately this disc is only available in Dolby Digital Mono. Mono doesn't hurt the film at all, it is of a low budget nature, but this is, again, a downgrade from the Artisan region one disc. The track is a bit fuzzy at times, but dialogue is clear (well, as clear as it can be with those Kiwi accents), and effects are splattery. At times the minimalist score can be slightly lost in the mix of glops and glorps, but is never lost completely. Not up to DVD standards, but again, slightly upgraded from VHS standards.

Extras

Well, there aren't any, unless you count the inclusion of the deleted footage.

Overall

Braindead is a splatter comedy classic, maybe even the splatter comedy classic. Peter Jackson fans that aren't aware of the director's earlier work should start here, as the film is generally more palatable than his first two films. The deleted footage really is worth the purchase if you're a fan, and even includes a few minutes more of lawnmower carnage. Basically, this, and the cut region one disc are simply placeholders in the hopes that Anchor Bay or some similar studio gets their hands on the film and releases a proper special edition. Let's keep out sticky fingers crossed.

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Anybody else catch the cage labled 'Sumerian Rat Monkey' on the boat in King Kong? I thought that was a nice autohomage.

This movie is really begging for a R1 double dip. From what I know, the current US one is bare-bones, and pretty old so I'd bet the transfer isn't up to snuff. Granted, the film stock probably has a lot to do with it, but I am sure they can make it look better.

Gabe Powers wrote: *edit: Now I feel bad about writting this. It's perfectly fine to like what you like £ukasz D, and to not like what you don't like. I'm sorry.

Pussy There's nothing to like about a shed load of those, and that's coming from the man with multiple copies of Transformers: The Movie in his collection! I mean come one, Bridget Jones 2? F**k me, if that isn't one of the worst five films I've seen in the cinema since the turn of the century..

Have you seen Scorsese's early work? He made pretty obtuse art flicks and exploitation flicks for Roger Corman. The difference is that Jackson chose to make gore comedies, and made them under his own production company. These were the kinds of things he dreamed of making. He matured later, but you can still see chunks of silly gore in his new work, especially the scene in Two Towers where the Uru-kai attack and eat the Mordor Orcs. He even uses the same sound effects.

Chris Johnson wrote: Kaya Savas wrote: I still can't believe that Peter Jackson came from movies like these.

Gotta start somewhere. Yeah I know, it shows his diversity and high ability in filmmaking. But look at the track records for other great directors like Spielberg, Ridley Scott, Scorsese, etc. lol, there was never a jump in genre like Jackson. I found this one to be good solid fun, but my favorite "pre-ring" Jackson has to be The Frighteners.

Too long and overly padded and it blows it's load too soon, as 'Muppet' at the end can't compete with the jaw-dropping lawn mower scene.

I much prefer the far leaner "Bad Taste" and the amazingly anarchic "Meet the Feebles". "Braindead" is still good stuff though and I agree the Uk needs much better versions of it and "Bad Taste".

And it is amazing that an Oscar winner and mainstream champion came from films 'like these' (esp the gross-out bad taste of "Feebles&quot but unlike good old Kaya I don't say 'these films' with the same obvious snottiness, as there is nothing wrong with these films, and films like them, at all.

Hell yeah! I own the R1 Lion's Gate unrated edition of Dead-Alive which runs at 97 minutes and I love it! This is one of the greatest gore-filled films of all time. A long time ago, I rented the R-Rated version of Dead-Alive available on VHS, which has a running time of 85 minutes and it sucks. Most of the gore was taken out. By the way, why is it called Braindead in the UK and called Dead-Alive in the US?

YlowBstard wrote: Kaya Savas wrote: I still can't believe that Peter Jackson came from movies like these.Yeah, it is hard to believe, but Braindead, The Frighteners, and even Bad Taste all kick major a$$. Don't forget "Meet the Feebles"

Great idea to draw attention to this. I've been holding out for a decent release for ages.

I also thought that with Peter Jackson's new found fame and attention this would get a super duper release. Hard to believe that New Line looked at this and decided he was the one for lord of the Rings - but great that they did.

Still holding out for a decent version of this film. You'd have thought that will all the attention PJ gets nowadays we'd have one (a la The Frighteners), but I guess Braindead might alienate some of his new fans with its over-the-top gore.