Tuesday, 9 February 2016

Four versions of a piece that originally appeared as the second side of catalogue number winebox26 (or rather the middle part (the juice) of the second side of that tape). The four interpretations – from a written instructional score included here in redacted form – are pleasingly disparate, with some plucking, some blowing and some striking amongst them. No more spoilers, other than to say that each interpretation is to these ears an extremely fine distillation of four fine individual artist's recorded practices.