Life on Earth: A Natural History by David Attenborough is a television natural history series made by the BBC in association with Warner Bros. and Reiner Moritz Productions. It was transmitted in the UK from 16 January 1979. During the course of the series presenter David Attenborough, following the format established by Kenneth Clark's Civilisation and Jacob Bronowski's The Ascent of Man (both series which he designed and produced as director of BBC2), travels the globe in order to trace the story of the evolution of life on the planet. Like the earlier series, it was divided into 13 programmes (each of around 55 minutes' duration). The executive producer was Christopher Parsons and the music was composed by Edward Williams. Highly acclaimed, it is the first in Attenborough's 'Life' series of programmes and was followed by The Living Planet (1984). It established Attenborough as not only the foremost television naturalist, but also an iconic figure in British cultural life.

In the aftermath of her financier husband’s suicide, Emma Shay Compton’s dream life is shattered. Richard Compton stole his clients’ life savings to fund a lavish life in New York City and, although she was never involved in the business, Emma bears the burden of her husband’s crimes. She is left with nothing.

Compiled and designed in the manner of Love, Murder, and God, three thematically compiled Johnny Cash anthologies released to wide acclaim in the spring of 2000, Life brings together 18 songs from Cash's back catalog that in one way or another deal with the nuts and bolts of many people's existence – home, nation, work, family, surviving hard times, and celebrating good times. Of course, the nature of this theme is broader and not nearly as cleanly defined as the themes of the three previous sets, and a few of these songs might have fared better elsewhere – "Where Did We Go Right" and "You're the Nearest Thing to Heaven" would have fit nicely on Love, while "I Talk to Jesus Everyday" and "Lead Me Gently Home" would not feel out of place on God. But as a summation of the broad and idiosyncratic worldview of Johnny Cash, Life fares very well indeed; Cash could set a protest song like "The Ballad of Ira Hayes" or "Man in Black" next to the fiercely patriotic "Ragged Old Flag" and see no contradiction, and celebrate the importance of hard work ("Country Trash") while savoring the sweet prospect of punching out the boss ("Oney").