Best Famous Connie Wanek Poems

Here is a collection of the all-time best famous Connie Wanek poems. This is a select list of the best famous Connie Wanek poetry. Reading, writing, and enjoying famous Connie Wanek poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of Connie Wanek poems.

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Butter, like love,
seems common enough
yet has so many imitators.
I held a brick of it, heavy and cool,
and glimpsed what seemed like skin
beneath a corner of its wrap;
the decolletage revealed
a most attractive fat!
And most refined.
Not milk, not cream,
not even creme de la creme.
It was a delicacy which assured me
that bliss follows agitation,
that even pasture daisies
through the alchemy of four stomachs
may grace a king's table.
We have a yellow bowl near the toaster
where summer's butter grows
soft and sentimental.
We love it better for its weeping,
its nostalgia for buckets and churns
and deep stone wells,
for the press of a wooden butter mold
shaped like a swollen heart.

Before you knew you owned it
it was gone, stolen, and you were a fool.
How you never felt it is the wonder,
heavy and thick,
lodged deep in your hair like a burr.
You still see the smile of the magician
as he turned the coin in his long fingers,
which had so disturbed your ear
with their caress. You watched him
lift it into the light, bright as frost,
and slip it into his maze of pockets.
You felt vainly behind your ear
but there was no second coin,
nothing to tempt him back.
No one cared to know why he did it,
only how.

In the democracy of daisies
every blossom has one vote.
The question on the ballot is
Does he love me?
If the answer's wrong I try another,
a little sorry about the petals
piling up around my shoes.
Bees are loose in the fields
where daisies wait and hope,
dreaming of the kiss of a proboscis.
We can't possibly understand
what makes us such fools.
I blame the June heat
and everything about him.

There is menace
in its relentless course, round and round,
describing an ellipsoid,
an airy prison in which a young girl
is incarcerated.
Whom will she marry? Whom will she love?
The rope, like a snake,
has the gift of divination,
yet reveals only a hint, a single initial.
But what if she never misses?
Is competence its own reward?
Will the rope never strike her ankle,
love's bite? The enders turn and turn,
two-handed as their arms tire,
their enchantments exhausted.
It hurts to watch her now,
flushed and scowling,
her will stronger than her limbs,
her braids lashing her shoulders
with each small success.

Each picture is heartbreakingly banal,
a kitten and a ball of yarn,
a dog and bone.
The paper is cheap, easily torn.
A coloring book's authority is derived
from its heavy black lines
as unalterable as the ten commandments
within which minor decisions are possible:
the dog black and white,
the kitten gray.
Under the picture we find a few words,
a title, perhaps a narrative,
a psalm or sermon.
But nowhere do we come upon
a blank page where we might justify
the careless way we scribbled
when we were tired and sad
and could bear no more.

I don't know if we're in the beginning
or in the final stage.
-- Tomas Tranströmer
Rain is falling through the roof.
And all that prospered under the sun,
the books that opened in the morning
and closed at night, and all day
turned their pages to the light;
the sketches of boats and strong forearms
and clever faces, and of fields
and barns, and of a bowl of eggs,
and lying across the piano
the silver stick of a flute; everything
invented and imagined,
everything whispered and sung,
all silenced by cold rain.
The sky is the color of gravestones.
The rain tastes like salt, and rises
in the streets like a ruinous tide.
We spoke of millions, of billions of years.
We talked and talked.
Then a drop of rain fell
into the sound hole of the guitar, another
onto the unmade bed. And after us,
the rain will cease or it will go on falling,
even upon itself.