Before and after treatment, above.

Our client’s framed oil painting of
Marie-Antoinette fell off the wall and
was scraped in two dozen areas.
Luckily there were no punctures,
but a half-dozen dents or serious
scraps created a need for wax/resin
infills before painting infill.

The painting has no visible signature.
It appears to be a (very old) lovely
student copy of the image hanging inVersailles, by Élisabeth Vigée Le Brun, right. Students often copy famous
paintings for practice; as long as no
fake signature is applied it is not forgery,
and good student images have value.

Deep indentation, not a puncture.

PWR sticks to mix.

Hot wax pencil shaping PWR.

Protocol for treatment was to:
1) Gently clean area to be treated.
2) Infill and shape deep indentations (above) and deep scrapes as necessary using
Gamblin’s Pigmented Wax/Resin (PWR) using a wax carving pencil.
3) After curing, paint infill (mixing on palette) to match surrounding areas
using Gamblin’s Oil paint in the following pigments: Burnt Umber, Raw Umber,
Phthalo Green, Warm White, Golden Ochre, Pink Brown,
Van Dyke Brown, odd bits of premixed flesh colors, and Galkyd Gel.
4) Care was taken to match color/stroke patterns in the areas large enough for them to be seen; texture was matched when possible with the PWR before the infill.