Madge Gill lived in a children’s home until she was nineteen when she moved to Ilford to stay with an aunt who introduced her to spiritual séances. Married at twenty-three, Gill had three sons, the second of whom, Reggie, died of influenza in 1918. After losing an eye and almost dying while giving birth to a stillborn daughter, Gill began to paint and draw. She usually worked in bed by oil lamp; sometimes she painted in complete darkness. Gill consistently depicted the female form, often set against abstract, architectural lines, crosses and zigzags. The name MYRNINTEREST often appears in her pictures, which might mean ‘mine innerest self’. Her son claimed that she believed her work was guided by a spirit, although she denied this in public. Around 1935 she began weekly séances and first showed her work at the East End Academy. By the time she died Gill had hundreds of drawings piled in her wardrobe and underneath her bed. Her work gained recognition at the Hayward Gallery’s Outsider show in 1979.