Writing a Novel Outline – No Roman Numerals Needed

If you hear the word “outline” and start imagining
Roman numerals and indenting, you aren’t alone. I remember trying to write
outlines by hand in school and trying to make sure all my sections and subsections
matched up. I remember teachers drilling it into us that we couldn’t have Point
A without a Point B, and I’d have to try to
figure out where the heck to put my lonely Point A.

Writing a novel outline is much different. It can look
however you want it to look. If you are a Pantser (someone who writes by the seat
of their pants) or a Plotter (someone who has detailed outlines) or something
in between, an overview will keep you and your novel on track.

A Twist on Traditional Outlining

When you think about writing a novel, or even a short
story, another concept from your school days may come to mind too. You think of
the plot structure diagram with the rising action, climax, and falling action.
That plot diagram lends itself very well to the traditional concept of an
outline.

Instead of setting up your story introduction as item
I. on your outline, challenge yourself to change it. Try using a specific
character or place in the story you are planning as your main points. See how differently your story develops by shifting the focus of your outline. For a
character outline, make your top three headings something like childhood, teen
years, five years ago, or 15 years from today. Work out a similar framework for your settings as well. For a
place, think about what that place looked like in the past, how it has changed,
what changed it, and how do all of those things play into your story.

When it comes time to write your story, take the
overarching plot outline along with any character and setting outlines you developed to guide you. Keep all
of your outlines within easy reach when
you write and refer back to them often. Use those to help guide your story and keep you moving toward the next big
plot event in your story. The critical thing to remember is that in the
process of actually writing, you may find your characters
are leading you down another path. Give yourself permission to go with them and
revise your outlines. You may end up writing a novel outline based on the new direction, and that is great.

Beat Sheet

Using layered outlines
like the ones described above is very similar to using a beat sheet. A beat
sheet gives a snapshot of your story scene by scene. It could be a bullet point
list, a chart, or just a simple numbered list. This method is sometimes more
helpful when you know certain things will happen or have to happen in your
story, but you aren’t entirely sure how or why those things happen. For
example, your main character may wake up in the back seat of a Buick in a car
impound lot, but you aren’t sure how or why this happens yet.

There are a few important
terms you should know when writing a beat sheet. Most writers are familiar with
the opening and the hook—or the “gotcha moment” where you grab the reader with
the story. For a beat sheet, you will also add things like plot and pinch
points in the rising action and the falling action. Plot points are things or
events that drive the story forward and are usually stronger than a pinch
point. A pinch point is a smaller scale event the character faces and
overcomes. These points happen in predictable spots along the novel diagram.

Writing a novel outline using a beat sheet works well for fiction as well as screenplays, stage plays, memoir, biography, and much more. For more information on beat sheets, check out Larry Brooks—he is the master at using beat sheets. (Story Engineering by Larry Brooks)

Grid Sheets

Another approach that may work for people, especially
those who tend to be more visual is a grid sheet. If you are a Harry Potter
fan, chances are you have seen the picture of the J. K. Rowling’s notebook page with the lines and scribbles that she used
when writing about the adventures of Harry and his pals at Hogwarts.

This variation on
an outlining theme is nothing more than a sheet of
paper or an Excel file if you want to be fancy, broken into boxes to track chapters,
story timeline, scenes, and characters and events in the story scene by scene. Where
a beat sheet could be a word, phrase, or sentence to identify a scene, a grid
sheet lays out more detail about who and what is going on in a particular
moment in your story.

Having a column for each
character can help you identify plot holes and logistical issues within your
story. For example, if you have a character hiding something in a Louisiana
swamp in one scene, but then three pages later that same character is on a
research mission in Antartica—you probably need to go back and do a little
explaining for your reader.

Write the Synopsis First

One method I like and have used a couple of times now is writing my synopsis
first. For those who may be newer to writing, a
synopsis is a dreaded task for most writers that becomes important when you start to send your finished manuscript
out to publishers or agents.

Most writers wait until they have at least the first
draft of their novel before they tackle
the synopsis. The purpose of the synopsis
is to give a publisher or agent a detailed
overview of the story, up to and
including the actual ending. This summary of
your story allows the publisher or agent to decide if they want to read
your manuscript.

I think of it as working backward. I write a short paragraph for each significant event I believe will need to be in my story. I leave some space between
these short paragraphs. Then I go back and fill in the spaces between the principal points with short sections detailing the scenes that will help
get me from one major scene to the next. Of
course, this changes as I get into the
actual writing, but the synopsis is easily adjusted
to keep pace with my story.

Which method is the best?

That is a question only you as the writer can answer. There are endless options for writing a novel outline. Some authors put everything down on index cards or post-it notes on a corkboard. You can devote an entire wall to plotting out a novel and connect the pieces with different color strings. Some writers have mountains of notebooks with their book notes. Some use things like Scrivener (see my review here) or other software to help organize their thoughts.

The key, as with most things when it comes to writing, is
finding the method that works best for you. While the desired outcome is the same—to finish a brilliant
novel—there are several ways to get there. Don’t be afraid to blend methods or
change your approach for each project. There is no right or wrong way to get to
the end of a novel.