Notes:
- Summer of 89 starts with a dedication to Trey’s wife Sue and the coming anniversary of their first date 29 years ago
- Trey plays Sand by request of a sign up front, despite saying he’s “not sure how that’s gonna to work on this thing”
- after Sand, pleased with how it came out acoustically, Trey decided to try one of his “favorite Phish songs” that is “not built for an acoustic guitar”
on an audience in a ”forgiving mood”
- theme of non acoustic songs play continues with Trey giving a “what the hell” before Carini
- Wilson contains a Russell Wilson Super Bowl story
- Rise/Come Together, Light, Ocelot, Sand, Fuego were all solo acoustic debuts
- Thanks to Red Light Management for their extra efforts to allow space and access for tapers

Notes:
- Summer of 89 starts with a dedication to Trey’s wife Sue and the coming anniversary of their first date 29 years ago
- Trey plays Sand by request of a sign up front, despite saying he’s “not sure how that’s gonna to work on this thing”
- after Sand, pleased with how it came out acoustically, Trey decided to try one of his “favorite Phish songs” that is “not built for an acoustic guitar”
on an audience in a ”forgiving mood”
- theme of non acoustic songs play continues with Trey giving a “what the hell” before Carini
- Wilson contains a Russell Wilson Super Bowl story
- Rise/Come Together, Light, Ocelot, Sand, Fuego were all solo acoustic debuts
- Thanks to Red Light Management for their extra efforts to allow space and access for tapers