A tale of high adventure and lyrical celebration, tenderness and violence, generosity and ruthlessness,
Memed, My Hawk
is the defining achievement of one of the greatest and most beloved of living writers, Yashar Kemal. It is reissued here with a new introduction by the author on the fiftieth anniversary of its first publication.
Memed, a high-spirited, kindhearted boy, grows up in a desperately poor mountain village whose inhabitants are kept in virtual slavery by the local landlord. Determined to escape from the life of toil and humiliation to which he has been born, he flees but is caught, tortured, and nearly killed. When at last he does get away, it is to set up as a roving brigand, celebrated in song, who could be a liberator to his people—unless, like the thistles that cover the mountain slopes of his native region, his character has taken an irremediably harsh and unforgiving form.

Yaşar Kemal was born as Kemal Sadık Gökçeli in 1926 in the Hemite small town of Kadirli, Osmaniye, where his household, originally from the small town of Ernis ( contemporary Ünseli ) near Lake Van, had settled after a long period of in-migration caused by the Russian business during World War I. The twelvemonth of his birth is recognized as 1923 in some lifes. After holding left secondary school in his concluding twelvemonth, he worked as a fieldhand Scribe, main fieldhand, replacement instructor, library officer, truck driver, and paddy inspector. In the early 1940s, he came into contact with left-of-center creative persons and authors such as Pertev Naili Boratav, Abidin Dino, and Arif Dino ; he was imprisoned for political grounds for the first clip when he was 17 old ages old. In 1943, Kemal published his first book Ağıtlar ( Ballads ) , a digest of folkloric subjects. After finishing his military service, he traveled to İstanbul in 1946 and worked as a gas control inspector at the Gallic Gas Company. In 1948, he returned to Kadirli and worked for some clip as a paddy inspector and subsequently as letter-writer for nonreader citizens. He was arrested in 1950 for allegedly propagating Communism and served clip at the Kozan Penitentiary. After his release in 1951, he went back to İstanbul and worked at Cumhuriyet newspaper between 1951 and 1963 as a short characteristic and interview author under the penname Yaşar Kemal. Meanwhile, he published his first book of short narratives Sarı Sıcak ( Yellow Heat ) in 1952 and İnce Memed ( Memed, My Hawk ) , which has been translated into more than 40 linguistic communications, in 1955. In 1962, he joined the Worker 's Party in which he served as member of the executive board and member of the cardinal executive board. He was prosecuted a figure of times due to his Hagiographas and political activities. He was among the cofounders of the hebdomadal political magazine Ant in 1967. He participated in the creative activity of the Writers ' Trade Union of Turkey in 1973 and served as its first president in 1974-75. He was besides the first president of the PEN Writer 's Association founded in 1988. Due to an article he published in Der Spiegel in 1995, he was tried at the State Security Court of İstanbul and was acquitted. The same twelvemonth he was sentenced to prison for 1 twelvemonth and 8 months for an article he published in Index on Censorship, but his sentence was postponed. With his astonishing imaginativeness, appreciation of the interior deepnesss of the human psyche, and lyrical narration, Yaşar Kemal became one of the taking name non merely of Turkish literature, but of universe literature as good. Translated into more than 40 linguistic communications, Yaşar Kemal is the receiver of many awards in Turkey and more than 20 international awards including Prix mondial Cino del Duca, Commandeur de la Légion d'Honneur de France, Commandeur des Arts et des Lettres of the Gallic Ministry of Culture, Grand Officier de la Légion d'Honneur de France, Premi Internacional Cataluña, Peace Prize of the German Book Trade, every bit good as seven honorary doctorates—five in Turkey and two abroad. The last award Kemal received was the Bjørnson Prize given by the Norse Academy of Literature and Freedom of Expression ( Bjørnson Academy ) on November 9, 2013. Yaşar Kemal died in İstanbul on February 28, 2015.

Memed, My Hawk Essay

امروز بعد چندروز فهمیدم یاشار کمال در 9 اسفند درگذشته است One of my standards for evaluation a piece of fiction is this: Would I, or have I read it more than one time. No affair how good, I about ne'er watch a film more than one time. But some books, I come back to over and over. This is such a book. I have read it several times. For me it is ever entertaining and traveling. Set in Turkey, and written by a Baronial Prize campaigner, it is a sort of Robin Hood saga. I 'm a native talker of the linguistic communication in which this fantastic work of literature is written-Turkish.After reading the remarks on the book here, I 've started to believe of reading it in English excessively because I 've ever thought its English interlingual rendition could non perchance fit its original version since cultural elements are a dominant portion of the books.I see that I 'm incorrect, though and I 'm glad for it. Yashar Kemal is likely the best known writer from that most admirable of Middle-Eastern peoples: The Kurds. His Memed, My Hawk is a folk narrative of unfairness by a cruel landlord turning a immature husbandman 's boy to brigandage. At the same clip he is a bandit, he is conscientiously justice, particularly when covering with the hapless and the inexperienced person. Her ne kadar Yaşar Kemal bu seriyi pek beğenmese de ( bunu bir röportajında söylemiş ve ince memed'i yalnızca parity kazanmak için yazdığını belirtmiştir ) game seviyoruz. Dönemini, yöreyi, yöre insanını ve kültürünü en iyi anlatan kitaplardan biri. O kadar karakteri yaşamak ve onların ruh halini bu denli ustalıkla aktarmak için ya şizofren ya district attorney Yaşar Kemal olmak gerekirdi sanıyorum. Memed, My Hawk ( İnce Memed, # 1 ) , Yaşar Kemal I already had this checked out from the library for my on-going reading of Turkish literature when I came across a reference of the writer in The Great Railway Bazaar by Paul Theroux. I 've had a great many reading happenstances recently! There 's something about Turkish literature that speaks to me, and this book is no exclusion. Written in Turkish by Yasar Kemal, the book was originally published in 1955 and translated into English and several other linguistic communications since so. The novel follows the life of Memed, from his harsh immature life in a hapless small town, losing his male parent, laboring twenty-four hours and dark for the barbarous local Aga, subsequent efforts at flights and so passage into a wandering bandit, the narrative touches the bosom and and speaks to the head. Yaser Kemal 's poetic linguistic communication and lyrical manner create graphic splashes of colour as we visualize the countryside, the stretches of thistle, the olfactory property of oregano, thyme and marjoram and the malodor of cattles and cow droppings. We experience life as it was in the yearss before World War I, the pillage of small towns by bandits and the arrant control of small towns by Agas who basically stripped people of practically everything they owned. At the same clip we can wonder at the beauty of the land, the traditions of the Turks and the close relationships between companions. A well-written novel, Memed, My Hawk harkens back to yearss long gone and conjures up the image of the traditional hero, a hero like yearss long gone, is no more. A extremely recommended read. Thiên anh hùng ca về một tướng cướp xuất thân nông dân. Văn chương khoái hoạt vô cùng, bản dịch của Trần Dần cũng tuyệt diệu. Mười lăm, mười sáu tuổi mà đọc được cuốn này thì mơ làm tướng cướp mất thôi. May mà đã qua tuổi đó : ) Bir dava bu kadar mı doğal temalar ile anlatılır... ? İnce Memed Şahinim! Yaşar Kemal'in bu muhteşem eserini çocukluğumdan beri kütüphanede izleyip yeni okumuş olmam kendi adıma büyük bir kayıp. Bu kitap değil bir efsane, bir 20.yy destanı , Türk insanının kaybettiği insani değerlerine bir ağıt. Dörtlemeyi bitirmesem Delaware, bu like kitap Yaşar Kemal'in Dünya Edebiyatına damga vurmasına yeterli. İnce Memed'e bunca övgü , ödül, saygı kesinlikle tam yerinde. This was unbelievable! İnce Memed, şahinim... Memed, known as Slim Memed, is merely a male child when he runs off from his small town due to the inhuman treatment of his small town 's Agha ( a feudal Godhead ) . He returns after a figure of months as he is worried about his female parent. The Agha punishes them both and they about starve that winter. None of the villagers in the small towns that this Agha control have any liking for him but feign to out of fright. Lots of I kiss your custodies, I kiss your pess to his face and name naming ( heathen is the bad name they all like to utilize when they want to diss person ) and decease wants behind his dorsum. This is a civilization that has decease everyplace ; through subjugation like the Agha, through award violent death and through retaliation violent death, such as it being apprehensible to kill all of your enemy 's household, small childs included. It is set in Turkey and gives some interesting, if basic, history that made me desire to larn more. I 'm heading to Turkey shortly, so bought this authoritative as prep. First, the writer 's bio is a rag-to-riches narrative of turning up as a peasant husbandman 's boy in pre-Attaturk rural Turkey, who becomes a professional missive author so the state 's most celebrated and darling writer. The feudal society he describes is so crude, you are jarred when a character references an car. The descriptions of the natural beauty of the Turkish inside are exuberant. one of merely two clunkers i 've encountered on the usually brilliant New York Review Book backlist of reissues. this is a authoritative Turkish novel about a male child who becomes a legendary redbreast hood-like hero in the Turkish thistle-laden countryside. invariably beaten and below the belt treated by a barbarous Nemesis, he finally gets his retaliation. there are some nice descriptive nature transitions, but i found the narrative excessively predictable and insistent and slow. it was painful at times. could be the mistake of the interlingual rendition, which, once more for most New York Review Books, is normally first-class. what kept me traveling was the cultural penetration into old-world Meleagris gallopavo. Elimden bırakamadığım, deli gibi sürükleyen harika bir köy romanıydı . Çok şey öğreniyorsunuz köy halkı adına, köy yaşantısı adına. Asım Çavuş beni oldukça etkileyen bir karakterdi ayrıca. Tabii İnce Memed'den sonra. İkinci kitapta Ne olacak, merak ediyorum... Kind of like Robin Hood, if Robin Hood were a badass Turkish bandit siting to the deliverance of Taurus Mountain villagers. Good material, and great authorship to boot. There 's a antic reappraisal of Absurdistan I one time read that said: Memed 's narrative is an heroic narrative, easy unfolding across the thistle Fieldss and bantam towns and white hills of Anatolia. Translated from Turkish, the fresh sets a slower gait, punctuated by frantic secret plans turns, made all the more jarring by the cultural divide that I had with the scenes of this novel. Nevertheless, I enjoyed take parting in Memed 's growing, from idealistic immature male child into a baronial adult male. Translated from Turkish, this popular mush series was foremost published in 1955, published in English in 1961 and now brought back into print by NYReview of Books imperativeness. I trust NYRB to happen out-of-print delectations. I’m non certain what’s so delicious about this book, nevertheless, besides, possibly its cultural importance to Turkish literature or Kurdish civilization. Kemal’s book is about a immature male child, Memed, whose small town is oppressed by a cruel landlord. Memed grows up to be a Rebel who hardly samples the following town before going a super-skilled brigand-hero. What’s interesting about this narrative of mild escapade is Memed’s strategy to privatise the land on these feudal small towns, supporting the hapless from the strongmen. Does all this have to make with Turkish political relations circa 1950s? The lone individual who shows any marks of religionism is the awful landlord. The remainder of the characters—colorful in Turkish but drone in English—curse, congratulations, and present syrupy lines, frequently repeated with cryings in his/her eyes. I read this book feverishly. I had visited turkey the twelvemonth before, and reading a narrative that was really capitivating about that state appealled to me vastly. From what I rememeber adding this books several old ages subsequently to this history, was that it had a pragmatism touched with escapade and hope. So that possibly all was non the ideal manner in this book, I felt that ideals were n't impossible. Otuz iki yıllık bir rain tree diliminde yazılan İnce Memed dörtlüsü düzene başkaldıran Memedin ve insan ilişkileri, doğası ve renkleriyle Çukurovanın öyküsüdür. Yaşar Kemalin söyleyişiyle içinde başkaldırma kurduysa doğmuş bir insanın, mecbur adamın romanı . Ein bisschen erinnert mich double daggers Buch an meine Kindheit: an Robin Hood und dice Märchen der 1001 Nacht und an dice alten Sowjetischen Filme, auch wenn nichts davon - außer Robin Hood, ein wenig - Massachusetts Institute of Technology dem Inhalt des Buches zu tun chapeau, sondern nur Massachusetts Institute of Technology der Atmosphäre, Massachusetts Institute of Technology Orten und Bildern und Menschen. Eher Legende ALSs Roman und immer schneller werdend, immer drängender - wer bereit ist, sich auf diesen Erzählstil und die scheinbar einfache Handlung einzulassen, auf eine Welt, dice Zu karg ist für Intrigen und in der Es noch dice einfachen, guten Menschen gibt, für den ist Es eine herzliche ( denn herzlich ist ein Wort, hyrax in Zusammenhang Massachusetts Institute of Technology diesem Buch verwendet werden mess ) Empfehlung. A cooling and intriguing narrative of rural Turkey shortly after the formation of the Republic. Memed 's experiences and those of his small town are offered in barbarous alleviation ; the weakness of the provincials reveals the inevitableness of human ignorance ; the pettiness of the middle class is starkly honest. I found interesting how cardinal minutes of dramatic declaration are sometimes avoided in the narrative ( the destiny of a chief character, the remotion of another in a individual sentence without remark ) . It forced me to re-examine Kemal 's narrative focal point and intent ; he is myth-making, possibly, over story-telling, and for that the novel is all the more rich. A merriment moderately speedy read that reminded me of a Turkish Robin Hood. Memed flees an oppressive life to go a brigand. The book is pretty episodic ( it was first serialized in a Turkish paper ) which besides made it experience like listening to legendary narratives. Not that this is a kids 's book. The authorship has lyrical, metaphoric descriptions of the land and some astute word pictures of the kineticss between brigands and provincials ( reminded me a small spot of the Seven Samurai in that respect ) to travel along with its narratives of oppressive landlords bested and make bolding flights. Great narrative, memorable characters and graphic debut to Anatolian small town life. The manner of composing truly pull me in. It seems simplistic at first, but comes through with a sort of profusion that sometimes ca n't be found with sentences double the length of one of Kemal 's. My lone complain is that the book may be a spot longer than necessary, but it 's non such a bad thing when a book is good - nevertheless, it can acquire to be a spot of a psychological burden when you factor in how unsmooth small town life is, and that the lives portrayed are by and large reasonably tragic. An improbably well-crafted narrative, and the best of the... uh... three Turkish novels I 've read ( give me back my clip and money, Orhan Pamuk ) . Kemal 's introduction is a more of a 370-page folk tale than a novel ( and I think this is a good thing ) . Some of the characters seem like spots of drifting cliched duologue, but I suspect this has more to make with the dodgy interlingual rendition than Kemal 's accomplishments as a novelist. This book is more proof that NYRB Classics has likely the most systematically surprising and gratifying backlist of any smaller publishing house out at that place. This is a really good known and extremely esteemed novel by Turkish writer Yasar Kemal. He late died and had an obituary in the New York Times praising his work. I found it really interesting and really traveling.

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