Tag Archives: Vampires

This week in Vampire Month we have Scarlett Flame who is here to suffer the painful interrogations of the Vampire month interview. Scarlett is a Manchester based writer who dabbles in many genres from Steampunk to Paranormal but all with a sexy, erotic twist. She is also the organiser of the Manchester Author signing and gig event that takes place every year in August. Details here: Manchester Author event and gigManchester Author event and gig

1) What is the earliest memory you have of writing? What did you write about?

This is a hard one to answer really. I always kept a diary or journal from a young age so that is probably my earliest memory of writing anything significant. It was just about what happened for day to day in my life.

2) When did you decide to become a professional writer? Why did you take this step?

I made the decision in 2013 after a discussion with friends that I used to chat to on Twitter. They were, for the most part writers and authors. on evening my friend John was talking about a book he was writing and I happened to mention that I had been writing secretly. I actually kept the writing in my bottom drawer of my chest of drawers in my bedroom.

He said to send me what I had written so I send him the first chapter of a story. A paranormal Steampunk story and he said it was pretty good and worth pursuing. Between about five of them they then came up with my author name. I loved to write so I thought, why not give it a shot.

3) What would you consider to be your greatest strength as a writer? What about your greatest weakness? How do you overcome this weakness?

My greatest strength I think is my ability to communicate with others and drive a story forward. My greatest weakness is procrastination. I am easily distracted. Like the dog off Up that can be distracted by the word and thought of squirrels.

4) Tell us about the place where you live. Have you ever derived any inspiration from your home or from anywhere you have visited?

The place I live is a very small village on the outskirts of Manchester. It is close to moss lands and very rural. Despite being close to the East Lancashire Road. I live in a pretty mining cottage.

In my steampunk book i mention a number of places including Wales where most of my family live and my latest book is set in Whitby. Lots of inspiration came from a holiday there and witnessing the most amazing sunset with the abbey ruins as a backdrop. In fact the cover of the book shows the view I had that evening.

I derive inspiration from here and the many places that I have visited or my family has lived.

5) Which book, if any, would you consider to be your greatest influence and inspiration?

There are a number but I think Dracula was very inspirational. I love a good vampire novel

6) What drove you to write about Vampires?

I simply love vampires in their many guises. Dracula, From Dusk till Dawn and of course Twilight.

7) What do you think is the attraction for Vampire fiction? Why is it such a popular topic?

I think vampires and sex are synonymous. Who could resist a sexy vampire tale of love, lust and blood?

8) In a fight between all the greatest Vampires of fiction, who do you think would come out on top?

I think Dracula would have to come out on top.

9) What about in some other contest such as sexiness or dress sense? Who would win that one?

Hmmm the Vampire Louis has to win on sexiness from Anne Rice’s The Vampire Lestat. I love the books by Anne Rice. As for dress sense that would have to be Dracula and his over the top dark cloaks.

10) How well do you think one of your characters would fare against the winner(s) of the above?

I think my vampires would fare well against any other vampires as they are superstrong, fast and have other powers too.

11) Tell us the basic premise behind your latest novel.

The story begins with a young woman visiting Whitby. Visiting her grandma in fact, on the outskirts of Whitby not too far away from the ancient Abbey. There she finally meets the resident vampire, Xander.

This is the story about how their relationship progresses and about the heroine – Ellenor, finding out that her life is about to change in ways beyond her imagination.

In magical ways and the ways of the Lifestyle. The Lifestyle being that of BDSM, bondage and spankings.

It is March and loyal followers of this blog all know what March means. That’s right – Vampire Month. That random idea I had many years ago to create a themed event because, one March, I happened to have four Vampire authors just itching to get some guest posts out there… Then, for some insane reason, once I had laid it to rest at the end of March I decided to bring it back for another year… and another… and another…

A lot has happened since then but Vampire month has managed to be released on time every year, no matter how busy or distracted I get. This year is no exception with regards to the distraction. I’ve started working on some educational resources (first one published recently, the other two still in production) and also been trying to work on several new projects, including a Vampire based story of my own for an upcoming anthlology to follow up the Over the Top Alphas collection (https://www.amazon.com/this-world-Alphas-Brynn-Burke-ebook/dp/B07MMVY2LK). This is unusual for me because I do not normally write about Vampires. Well, apparently now I do…

All of this distraction has meant that I have not been able to get hold of four Vampire authors to do spots this year. So, this year I have opted for a more freeform approach. Instead of the traditional ‘guest post and interview’ combo for all participants, this year contributors are free to submit what they want – guest posts, interviews, photos, flash fiction, anything that fits the theme. I am also going to do a couple of posts myself. One on a Vampire photoshoot I went on recently and the other on the short I am writing for the anthology.

A Change of Heart is set in a standard Urban fantasy milieu where vampires rule in the shadows and humans are largely unaware of their existence apart from a few who are in the know – either because they serve the vampires or are actively trying to destroy them.

The central tale of this novel follows the story of Gabriel, a geeky university student who gets caught up in the hidden supernatural world when he is bitten by Lucas, a vampire Royal. You follow the changes that occur to him as he transforms – improved strength and speed, better night sight and all the other benefits of immortal blood, including a psychic link to a ‘dark beauty’ who is actually Lucas’s sister, also a powerful vampire. How he copes with this and how it affects his day to day life makes an interesting story, albeit one rather tropetastic with themes that have already been explored to death in other settings, including Peter Parker in Spider-Man (with the compulsory ‘weedy hero beats up the bullies’ scene in there for good measure). This thread is entertaining despite being heavy on the cliché – basic geek wish fulfilment stuff – and would make the basis of a strong novel by itself.

However, that strong story is somewhat swamped in the rest of the novel which is overambitious in its attempt to encompass the entirety of the world building. There are chapters and chapters in which many PoV characters weigh in, most of them with very little to actually contribute. Each of the main vampire characters, many more minor vampires, some of the human servants of the vampires, each of Gabriel’s friends, several of the modernised Knightly order of Vampire hunters and many other characters all get a shot in the spotlight and most of them waste it without actually progressing any of the plot. Some of these sections are very short – a paragraph or two – and if those chapters had been removed I do not think anyone would have noticed. At most, this needed four characters in the spotlight (Gabriel, his mortal love interest, the ‘dark beauty’ and the leader of the vampires) and could have done very well with only Gabriel’s point of view – allowing the reader to explore the mystery of the new world he has fallen into. A whole novel could have covered the transformation of Gabriel, the effect this has on his life and relationships and ended with him and his friends meeting the Knights (something that occurs about half way through the book) and leading into a second book where more of the politics of vampire society and the nature of the knights is revealed. Pared down like that, cutting out the extraneous fluff and pumping up the scenes with Gabriel, this could have been a great YA urban fantasy novel with a lot of potential for sequels.

I guess the issue here is the author is trying to portray a complicated political situation with conspiracies and secrets and is making the mistake of thinking that the reader needs to see all that immediately. As a writer myself I know the temptation is there when faced with this and I think the solution is to strictly limit point of view – the reader sees what the character sees and therefore may well be oblivious to the plots in the background but will see evidence of it in other character actions. It is a hard trick to pull off well (and I am by no means an expert at it myself).

Overall, a good story that manages to entertain marred by an over ambitious plot that needed a subtler approach to manage well.

This topic has been on my mind recently because a few weekends ago, the LRP event I used to be a major part of (Odyssey LRP – which I have talked about in the past on here) came to a satisfying end. Through seven years of ongoing story, many of the characters worked through story arcs which matched those seen in mythology. Several found themselves ascending to godhood or higher, others emerged as political leaders of their people. There was glory, honour and tragedy; with much of the plot driven by the inevitable heroic fatal flaw. All in all it was an emotional finale.

As part of the preparation for this event we listened to some podcasts on myths and legends. In particular, one on the Trojan war by Paul Vincent which I feel highlights the problem (or maybe the advantage) with mythological heroes – heroes are idiots. Seriously, have you actually looked at that story? They make massive mistakes in tactics and common sense which lead to what should have been a very quickly settled dispute into ten years of constant siege. I am fairly sure that they were suffering from the age old problem of the self fulfilling prophesy in that the gods decided that there has to be a war and it must last ten years so the mortals channel their stupidity to ensure that a) the war happens and b) it carries on as long as the gods say it should.

But that issue is only part of what I want to talk about here. The main focus of this post is that weird transition between myths and history. The events in the Iliad and Odyssey, for example, combine elements of both. Archaeological evidence points at the existence of Troy, there is a good chance that there was indeed a war there between Greece and Troy. There have even been attempts at working out the exact date of this war by use of dating techniques and evidence of bodies buried near the ruins of what is believed to be Troy. The podcast also talked about how many of the historic kings of Greece claimed descent from the (in)famous kings described in these myths. Though it is unclear whether they actually were descended from those people (assuming they even existed) or were just legitimising their claim to the throne.

I think the problem here is actually based on lack of actual historic evidence coupled with biased oral history reporting. Stories passed down for generations from a time when little was actually recorded which are embellished in each retelling by individuals who have a good reason to amp up the exploits of their ancestors or excuse them their sins by blaming them on fate or the gods. The result is a bizarre merging of myth and reality where the actual exploits of individuals get exaggerated to the point where they take on a supernatural air. Cultures like the Celts have been shown to have added a creative and boastful bent to their oral storytelling – where a story of one man defeating two becomes the same man defeating ten and ultimately hundreds of enemies. The ancient Greeks would likely to have had the same tendency and it is easy to see how many famous warriors became demigods. Chances are they were good – good enough to make a name – and their fame spread and grew and their stories were embellished and added to until they were legends.

A character at Odyssey LRP enters the underworld (with a little help from photoshop).

So, how does this apply to a writer? Well, it is an insight into the nature of story in general and myths specifically and can be applied other things to0, such as faerie tales. Many Urban Fantasy novels play with ideas of myths and legends – whether they are vampires, werewolves, fey, wizards or similar. Thinking critically about the stories you are playing with can help to make these more believable, especially if it is removed to a modern setting. What is the real reason why vampires do not show up in mirrors? Is this even a real thing in your world or is it just a confused story based on the recollections of survivors of vampire attacks whose perception of the events may not have been fully reliable due to stress? What about all this stuff about garlic and crucifixes? If I were an ancient undead creature trying to survive, I’d probably consider spreading some rumours about things that can kill me in the hope that the prey would turn to them when attacked instead of investigating more reliable methods. Then I could laugh at their pathetic attempt to kill me with a spear made of garlic while killing them, making sure no one knows the garlic failed. Or maybe there was a vampire who was actually allergic to garlic or one who really hated the church to the extent of reacting badly to any symbol from it and the story grew from there?* What about all the legends of fey and the rules associated with them? Can we apply a rational rule to these too? Probably.

Also, I guess you can say there is precedent (Classical Precedent at that, you cannot get much more venerable that Homer***) for allowing your characters to be idiots. Always a good way to progress a plot and make readers shout ‘No! Don’t do that, you idiot!’ at the page while they read.

Ian Stewart** said that we are Pan narrans (the story telling ape) rather than Homo sapiens (the wise man). Telling stories is our strength but sometimes the way we tell them mutates them. Understanding this can help a writer produce more unique ideas, or at least present old ones in a new way.

*It is worth pointing out here that AFAIK (correct me if wrong) the earliest example of vampire being repelled by crucifix is Dracula but since then every single one seems to have that weakness. Could it be that Dracula merely had a personal grudge against Catholicism due to their perceived betrayal and other vampires are perfectly fine with it? What about atheist vampires or those of other religions?

**In The Science of Discworld series, which is well worth a read for many many reasons. It has been invaluable to me as a science teacher for the way it interprets and describes scientific theories and challenges preconceptions. They’re also great fun, and not in the way science teachers (like me) often say ‘this is going to be fun’.

*** Not that ‘Homer’ apparently existed. Evidence suggests it was a name given to a story teller so the Iliad and the Odyssey are actually collections of folk tales. Probably the most popular versions of those tales. So again we have the oral tradition getting involved.

Therefore I have absolutely no qualms about recommending Blood Secrets which is the second book in the series that begins with Cranberry Blood… I hope to be able to read and review this myself sometime soon. Until then please read this extract…

Gambit meets Elizabeth Morgan

Blood SecretsBlood Series: Book Two

Blurb:

When your life is messed up to begin with, how much worse can it really get?

Heather Ryan’s life has never been simple. The latest in a long line of descendants who have made it their mission to hunt down and slay the Ancient Vampire, Marko Pavel, she is also the first born Infected. Up until recently, the biggest downside to living with the Vampyrric Virus was simply that she craved blood, but after receiving a DVD from her deceased Grandmother Sofia and being kidnapped with friend and so called guardian Werewolf, Brendan Daniels, she quickly discovers that she is also the inspiration behind the Vampires’ attempt to create a whole new breed of super monsters—Hybrids.

The truth comes at a cost, but how much does one have to sacrifice to gain success?

Following the breadcrumbs left by her psychic Grandmother, Heather and Brendan find themselves in new territory. Venice is where Heather hopes to find Marie, the second Bloodling of Marko, along with Brendan’s three taken Pack members. But an old Peace Pact between the Italian Pack and the Colony means they are left hunting blind, and due to the Italian Alpha’s reluctance to believe their story of kidnap and experimentation on Loup-Garous, time is running out. So when help comes from an unlikely source, they have no choice but to accept.

All families have secrets, but blood can’t lie.

Caught up in an intricate and complicated scheme spun by the one she trusts the most and the friend of her enemy, Heather soon discovers that she is the pawn in a plan she would never have been able to conceive. But how many of her new allies were in on the game, to begin with?

This title contains explicit language, violence, and some scenes of a sexual nature.

Well, that is all for Vampire month for this year. Join us again next year for more excitement, adventure and creatures with big fangs and strange accents.

This is what they do look like

It has been an excellent collection of writers this month so please take the time to check out their posts and visit their blogs and so on. They have worked hard this month to entertain you (as have I, March is always more stressful for me) and so deserve some love in return. Give them all a huge round of applause.

This year our celebrations were only interrupted by Eastercon and there will be more on that very soon (once I finish processing the photos from the weekend…).

If you want to contribute to Vampire month (or indeed any aspects of this blog) feel free to get in touch – leave a comment, send an email or visit me on Facebook or twitter (links to the side of this blog post).

Ambrose Hall is here now to talk about his favourite stories and how they have influenced his writing… Be prepared for sticky ends and maggots.

I’ve always enjoyed stories told on a grand scale, with the emotions writ large, the stakes high, and the amp cranked up to eleven. That’s why I enjoy the gangster genre in film—because everything is so big, so extreme, so much larger than reality. The emotions and the motivations have the quality of myths; they have that do or die edge to them. It’s possibly why The Wire is one of my favourite TV shows, and Omar my favourite character in it. With a clear nod to Achilles, he pushes his revenge to the edge of insanity for his Patroclus. Characters in these stories tell themselves they have a code, that their world is run according to rules, but in the end, no one else is playing their game, and they meet tragic ends. It’s a hyper-real, exploded version of reality, of our emotions thrown up against the nonsensical blocks of existence. If we delude ourselves that there are rules, that we can feel so strongly without compromise, we’ll come to a sticky end.
At the other end of the scale, I like stories with big gaping holes at the heart. Like Conrad’s Heart of Darkness. I like stories that leave the horrors of the world unspoken, but still let you know that they’re there. Like Kafka, where the protagonists throws themselves against an unmoving horror of bureaucracy, over and over, until they slowly wilt and fail. I like characters who lose themselves amongst the labyrinth of existence, and never quite find themselves again. And those everyday scenes, in everyday cities, like Chandler’s LA, where you know if you chip away the first layer of the sun-bleached stucco, there’ll be nothing but maggots writhing there.I realised, when I started writing my vampire story, that there’s the potential to do either, or both. That writing gothic fiction can provide a larger than life mythic edge. But that, in the ambiguous potential of eternity, there could be one hell of a long time spent staring into the void.Biography – Ambrose Hall

Ambrose Hall is a speculative and literary fiction writer who currently lives in the South East of England. He originally comes from Bradford, in West Yorkshire, where he fell in love with gothic decay and wild moors. Ambrose has had flash fiction published in Crannog and A cappella Zoo magazines, and recently published a gothic vampire novella, Love is the Cure, available on Amazon. You can find out more about his work, and read some free short stories here: https://mrvolpone.wordpress.com/

Our second victim in the Vampire Month interrogation chair is Ambrose Hall… find out more about their life in the questions that follow…

What is the earliest memory you have of writing? What did you write about?

I did a lot of writing and drawing as a kid. I think most of my writing was fantastical or magical in some way. I remember being obsessed with witches, as well as Narnia and Robin Hood. I think I was a bit of a goth, even then. I had a secret magic club in my mum’s garden shed, which I shared with my friend. I wrote a lot of poems as a kid, and in my teens, but I’ve lost my bottle for it as an adult.

When did you decide to become a professional writer? Why did you take this step?

I studied English and media with the intention of writing professionally, in journalism or political communication, but graduated during a recession, so I ended up teaching instead. By my mid-thirties, I’d done a lot of jobs that I hadn’t really found very rewarding. I wanted to do something that was creatively and intellectually stimulating. Then I had a family crisis, which caused me to take stock of a lot of things. As I needed to take a break from working anyway, I had a chance to reassess what I wanted to do with my life, and I started putting a lot of time into my writing. It’s still early days. Hopefully this will work out, as I feel like I’ve finally found something I love.

What would you consider to be your greatest strength as a writer? What about your greatest weakness? How do you overcome this weakness?

I’m good at coming up with ideas, and I can be very focused when I want to be. In the past, I was a terrible perfectionist, and found it very difficult to get useful critical distance from my work. I joined an online writing community, which has helped me a lot with learning to revise and edit my work, and getting that critical perspective I need.

Tell us about the place where you live. Have you ever derived any inspiration from your home or from anywhere you have visited?

I live in Letchworth Garden City in Hertfordshire at the moment. I’ve not really lived here very long, so I don’t think it’s had a chance to get under my skin yet. I originally come from Bradford, in West Yorkshire. Being surrounded by post-industrial decay, and the remains of a Victorian boom, has definitely influenced my gothic tendencies. I’m fairly obsessed with the idea of decay, and write dystopian fiction, as well as gothic. I worked on a dystopian noir novel last year, set in Bradford. I’m just trying to shop it round agents at the moment. I’d say the Yorkshire countryside has influenced me as well: the ruggedness of it, and of course, people going mad on moors, Wuthering Heights style.

Love is the Cure is set in London. I’ve got a bit of a love/hate relationship with the city, as a northerner, but I’ve spent a fair amount of time there over the years. It’s a place of extremes, which suited this story.

Which book, if any, would you consider to be your greatest influence and inspiration?

I’ve taken influences from a lot of places. I’m a pretty avid reader. My biggest influences are probably Chandler, Camus and Conrad. Heart of Darkness is definitely an important one for me. I love empty spaces, howling holes and rotten hearts in stories, and characters that are strangers to their emotions.

What drove you to write about Vampires?

I played a lot of vampire roleplay games in my late teens and early twenties, so the genre is one I’ve always been interested in, but I avoided writing vampires for a long time, for fear of churning out something derivative. Then a friend in my writing group suggested a Halloween vampire challenge, so I thought I’d give it a go. It was great fun seeing all the very different takes on vampires. I started out with a short story, but it kept growing. Soon enough I had a six part novella, told from different points of view. I got really into the challenge of portraying the very different voices, with their different historical influences and personalities.

What do you think is the attraction for Vampire fiction? Why is it such a popular topic?

I suppose, as gothic monsters, they represent our fears and desires, and those can come out in different ways, depending on the writer. The idea of human monsters is a fascinating one—vampires allow us to explore a lot of different facets of humanity and morality. They tend to be larger than life characters, so you can amp everything up to an almost mythic level of intensity. Immortality is both attractive and tragic, and something that people have written stories about as long as people have written stories. One huge advantage of these potentially very old characters is it gives writers an excuse to plunder history for goodies.

In a fight between all the greatest Vampires of fiction, who do you think would come out on top?

I have a feeling it would be Dracula. He’s the original badass, and he’s so steeped in violence. He’s also completely ruthless.

What about in some other contest such as sexiness or dress sense? Who would win that one?

Anne Rice’s Lestat. He’s a pretty irresistible bad boy.

Ann Rice’s Bad Boy, Lestat De Lioncourt

How well do you think one of your characters would fare against the winner(s) of the above?

I have two very ancient vampires in Love is the Cure, and they’re both powerful. Bren, who is first introduced as the Crow King, reads others’ minds like they’re open books. He’s amoral, and takes whatever he wants from people without much thought. He embodies death and decay, and patriarchal arrogance. His one time lover, Ena, is very different. She’s the spirit of fire and anarchy. She’s more moral than Bren, but she’s trapped in a cycle of vengeance. I think either of them would give Dracula a run for his money, if they stopped fighting each other.

Only one of my vampires, Sebastian, is concerned with appearance, but he’s also a little stuck in the 1920s. His mortal days represent a golden time for him. Based on reader feedback so far, he seems to be most popular character. I had a lot of fun writing him. He’s a bit of a fop, extremely arrogant, and with a taste for re-enacting Hellenic myths.

Tell us the basic premise behind your latest novel.

Love is the Cure is a six part novella, told from different points of view. Although the different fragments fit together to tell a story, it’s unified more by common themes. I explore how the very different vampires cope, or don’t cope, with immortality, as well as ideas about power and consent. At the heart of the story is Kerrick, a vampire created in the late Victorian period. He had a particularly violent creation, and still bears the emotional scars from that. He’s desperately lonely, but his own violent nature always acts as a barrier to finding companionship. In trying to keep his newly created child alive, he stumbles into an ancient feud between Bren and Ena.

There were a few things I wanted to do with the story. I wanted to explore the idea of these creatures all being monsters of one kind or another, however human they were, or appeared to be. I was interested in the idea of them being locked in cycles of behaviour, determined by their creation. I wanted to be conscious of the way their power is exorcised, as a few people had said to me that one of the things which made them uncomfortable about some vampire fiction is that vampiric powers are used as a way to override or dismiss the need for consent. So I decided to try and confront that idea head-on. One of the main bones of contention between Bren and Ena is that he takes without asking.

It’s not all serious. I’ve played around with ancient mythology, and history, in some pretty cheeky ways. Although it’s not paranormal romance, it’s very homoerotic. Most of the characters are unambiguously gay or bisexual, which I guess is my antidote to the lack of pay-off during my teenage years reading Anne Rice. It’s definitely larger than life. I wanted to show extremes, from petty criminals and rent boys, to baroque splendour and depraved aristocracy. One of my early readers said the story made them think of Caravaggio. I guess that’s a win.

Biography

Ambrose Hall is a speculative and literary fiction writer who currently lives in the South East of England. He originally comes from Bradford, in West Yorkshire, where he fell in love with gothic decay and wild moors. Ambrose has had flash fiction published in Crannog and A cappella Zoo magazines, and recently published a gothic vampire novella, Love is the Cure, available on Amazon. You can find out more about his work, and read some free short stories here: https://mrvolpone.wordpress.com/

YesterdayYesterday you were introduced to Angela and her books. Here we get a deeper insight into her as we subject her to the gruelling Vampire Month interview…

1) What is the earliest memory you have of writing? What did you write about?

Unfortunately, my earliest memories of writing weren’t good ones. I remember getting very excited about writing a short story in primary school and then getting it back covered in red pen corrections. I was eventually diagnosed with mild dyslexia. It took me a long time to start writing again, but with my husband’s encouragement, a computer that spellchecks and a great editor, I’m once again enjoying writing. I’m still a little bitter about the lack of encouragement by my teachers who must have spotted that I enjoyed reading and writing.

2) When did you decide to become a professional writer? Why did you take this step?

I’m not a professional writer. I would like to be, but at the moment I have to work to pay the bills.

3) What would you consider to be your greatest strength as a writer? What about your greatest weakness? How do you overcome this weakness?

I think I’m a strong story teller with a dark sense of humour. I can see the ridiculousness in all situations and I don’t take life or myself too seriously. I think that not taking myself seriously is also my greatest weakness. I feel uncomfortable about self-promotion. Taking part in Vampire Month is a nice bit of therapy; I’m here promoting my books! I’ve had some great reviews so I know my books are worth reading, so expect to see more of me.

4) Tell us about the place where you live. Have you ever derived any inspiration from your home or from anywhere you have visited?

I’m very lucky to live in the south of France, but unlike a lot of ex-pats I’m not of retirement age. Work is seasonal and in the winter of 2013 I found myself unemployed and very frustrated by an unusually wet January. To stop me from climbing the walls, my husband suggested I write him a horror story. The tale got rather out of hand and grew into a two-book series – Language in the Blood. It’s a comedy about a young Scotsman, Cameron Blair, who goes off to fight in the First World War. Lying wounded on the battlefield, he is discovered by a vampire… with inevitable consequences. The story follows Cameron as he comes to terms with his new ‘life’, from his first days as a hapless vampire in war-torn France to the glamorous modern day setting of the Côte d’Azur. Along the way, he develops a distinctive taste for the finer things in life: jewels, yachts, small dogs and champagne-infused human. I’m Dutch, but lived most of my adult live in Scotland. These places and my current abode are huge inspirations.

5) Which book, if any, would you consider to be your greatest influence and inspiration?

It wasn’t a particular book, but I’m a big admirer of PG Wodehouse and his irreverent humour. I hope I created in Cameron Blair a vampire that in some small way captures some of his British wit and eccentricity.

6) What drove you to write about Vampires?

It all started with a friend telling me about the theft of a mirror from the lift in her building. My first thoughts were: it’s obviously a vampire setting a trap for his victim; he removes the mirror to avoid early detection. I used it as the scene that forms the turning point in the first book. Also my husband wanted me to write a zombie story, but we all know that vampires are way more interesting.

7) What do you think is the attraction for Vampire fiction? Why is it such a popular topic?

For a writer, it is a great genre as it gives you an enormous freedom to take the character anywhere you want. Readers enjoy being taken to a different world which can be dangerous, sexy, frightening or in my case amusing. The genre takes us away from our everyday lives and personalities. I think vampires appeal to our darker side.

8) In a fight between all the greatest Vampires of fiction, who do you think would come out on top?

I think Dracula. Bram Stoker’s masterpiece has been reworked so often for good reasons. Dracula is the daddy of them all.

9) What about in some other contest such as sexiness or dress sense? Who would win that one?

If I say anything other than Cameron here, he will come and bite me. He prides himself on his dress sense and sexual attractiveness. But I must say I’ve had a bit of a soft spot for Aidan Turner who played the vampire in Being Human.

10) How well do you think one of your characters would fare against the winner(s) of the above?

Again I have to declare Cameron the winner otherwise I’ll be in trouble. He and Aidan do share their dark, Celtic good looks.

11) Tell us the basic premise behind your latest novel.

Not about a vampire I’m afraid. My cat, Clicquot, is my main inspiration at the moment, but to be honest he is as much a hindrance as a muse. Despite his best efforts, I’m putting the final touches to my third book, a romantic novel for cat lovers called Conversations with Tom.

You can learn more about Angela on the links below. Next up is her guest post…

Another year, another Vampire month. This feature is like the mythical creature it is named after, difficult to keep down. It certainly seems one of my more popular features with several articles from past years cropping up in my views stats on a regular basis. So, until such time as I run out of author/artist/academic victims to mercilessly interrogate in my spikey Vampire Month Questioning Chair, we won’t be putting a stake into this feature or serving the garlic sauce. Especially not after the wonderful R.A Smith (who I finally allowed to feature in last year’s event) said he was jealous of it…

Also, I am still waiting patiently for Ann Rice or Rachel Caine to get in touch…

For those new to this feature, Vampire month is where we dedicate the whole of March to all things Vampire. The usual format is to give over a week each to four people with an interest in Vampires and in that week two posts are produced. One is an interview so you can learn all about them, the second is a guest post on the topic of their choice. You can browse the previous years to see what has been posted before (just type Vampire Month in the little search box above) and prepare yourself for a month of interesting posts and interviews.

As ever it is never really possible to predict the response to the call for posts I put out. Sometimes I despair of filling all the slots (though managed it somehow every year so far) whereas others I end up with more than I need. This year seems to be the latter as there are (at the last count) five authors on our line up… so there may have to be some wrangling of the normal schedule to fit them all in… Stay tuned to find out who they are and what they have to offer us.