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men's lifestyle blog, blog for guysFri, 31 Jul 2015 16:00:41 +0000en-UShourly1http://wordpress.org/?v=4.2.3Blu Tuesday: Crazy Love, Rock Bands and Morehttp://blog.bullz-eye.com/2013/04/30/blu-tuesday-crazy-love-rock-bands-and-more/
http://blog.bullz-eye.com/2013/04/30/blu-tuesday-crazy-love-rock-bands-and-more/#commentsTue, 30 Apr 2013 11:16:01 +0000http://blog.bullz-eye.com/?p=26256As mentioned in last week’s column, things are finally starting to get back to normal for Blu-ray fans, with several great options arriving in stores today, including an Academy Award winner, a pair of Barbara Streisand films, and the latest from David Chase.

“Silver Linings Playbook”

Leave it to David O. Russell to create a romantic comedy as quirky, dark, funny and surprisingly touching as “Silver Linings Playbook,” because the movie is almost as crazy as its two leads. One minute a fiercely honest character study about a man coping with bipolar disorder, and the next minute a charming rom-com revolving around an amateur dancing competition, the film performs such an amazing tightrope act that it’s really to Russell’s credit that it doesn’t come crashing down like a house of cards. The movie wouldn’t be nearly as enjoyable if it weren’t for the risks it takes thematically, but none of that would matter without its incredible cast. Bradley Cooper finally gets the chance to show what he’s fully capable of in the best role of his career, and Robert De Niro has some great moments as Cooper’s superstitious father, but it’s Jennifer Lawrence (already so good at such a young age) who steals the show with a phenomenal performance fully deserving of her recent Oscar win.

Blu-ray Highlight: The making-of featurette, “The Film That Became a Movement,” does a great job of balancing the usual behind the scenes footage with cast and crew interviews promoting mental health awareness, while the Q&A highlights are worth watching for those who want to know more about the film’s production. And though most of the deleted scenes can be easily skipped, the alternate ending is a must-see for any fan of the movie.

“Not Fade Away”

You wouldn’t think that it’d be very hard for someone like David Chase – who helped reinvent the TV drama with “The Sopranos” – to get his feature film debut off the ground, but then again, “Not Fade Away” feels so hastily thrown together that it’s not surprising it took five years to do so. A good idea in need of a better script, Chase’s 1960s’set story about a kid trying to follow in the footsteps of The Beatles and The Rolling Stones to make it big as a rock n’ roll star doesn’t feature a single likable character. That makes enjoying its anticlimactic story even more difficult, because it’s hard to care what happens to anyone in the film when they’re as naïve, selfish and just plain boring as the characters here. James Gandolfini’s overbearing father is probably the most interesting (and levelheaded) of the bunch, and yet he’s portrayed almost like a villain. The music is good and the tale of failed stardom is more believable than most rock band movies, but that’s also what makes “Not Fade Away” so forgettable.

Blu-ray Highlight: Divided into three sections, “The Basement Tapes” offers a look at various aspects of the filmmaking process, including training the actors to play their respective instruments (with the help of Steven Van Zandt, no less), the 1960s setting and costumes, and the similarities between the story and David Chase’s teen years.

“The Guilt Trip”

With the exception of her supporting roles in the two “Meet the Parents” sequels, it’s been 16 years since Barbara Streisand actually starred in a film, so it’s a little surprising that she chose “The Guilt Trip” as her highly anticipated return from semi-retirement. It’s not a bad movie by any means, but it’s one that left me feeling totally indifferent, and you’d expect more from someone as respected as the veteran actress. There’s just nothing particularly funny about anything that happens to Streisand and Seth Rogen’s characters over the course the film, and that’s mostly due to the fact that the material is really tame. Dan Fogelman’s script is incredibly formulaic, and apart from its somewhat twist ending, there are so few surprises that it would’ve been entirely forgettable without its two stars. You wouldn’t think that Streisand and Rogen would have such great chemistry, but they make the movie a lot more tolerable. Unfortunately, while “The Guilt Trip” may have sounded funnier on paper, it’s a fairly harmless mother-son comedy that fails to leave much of an impression.

Blu-ray Highlight: There aren’t any standout extras on the disc, but there’s a nice collection of behind-the-scenes featurettes and deleted scenes that should please fans of Barbara. If you can’t stand the sound of Seth Rogen’s annoying laugh, though, you might want to steer clear of the gag reel.

It’s no secret that Hollywood saves some of its biggest guns for the end of the year, and between all the awards season hopefuls and holiday blockbusters, there’s an entire arsenal of exciting movies coming to theaters this December. While Kathryn Bigelow, Tom Hooper and Quentin Tarantino duke it for Oscar honors with their newest films, “Jack Reacher” and “The Hobbit” promise to deliver pure escapist entertainment. The only thing missing is a big red bow, because this is the ultimate present for film lovers.

“HYDE PARK ON HUDSON”

Who: Bill Murray, Laura Linney, Olivia Williams, Olivia Colman and Samuel WestWhat: The story of the love affair between FDR and his distant cousin Margaret Stuckley during the weekend in 1939 when the King of England visited upstate New York.When: December 7thWhy: Bill Murray is notoriously picky about choosing scripts, but not even he could turn down the chance to play Franklin D. Roosevelt, which practically comes with an Oscar nomination attached to it. All kidding aside, Murray is actually a pretty inspired choice to play the wheelchair-bound 32nd President, especially because Roger Michell’s film appears to be much lighter for a story that takes place during such a harrowing period in history. While it’s unlikely that “Hyde Park on Hudson” will garner the same awards recognition as 2010’s “The King’s Speech” (although the two movies would make a perfect double feature), it’s hard to imagine that it will disappoint with such a solid cast.

“THE HOBBIT: AN UNEXPECTED JOURNEY”

Who: Martin Freeman, Ian McKellan, Richard Armitage, Andy Serkis and Hugo WeavingWhat: Bilbo Baggins journeys to the Lonely Mountain with a vigorous group of dwarves to reclaim a treasure stolen from them by the dragon Smaug.When: December 14thWhy: After years stuck in development hell due to the MGM bankruptcy crisis, the most anticipated prequel to come out of Hollywood since “The Phantom Menace” is finally arriving in theaters, although not exactly in the way that most people were expecting. For starters, Peter Jackson is back in the director’s chair after Guillermo del Toro cut his losses to work on other projects (and really, it’s for the better), while two movies have now become three after the decision was made to turn “The Hobbit” into its own trilogy. Though I’m not exactly sure how Jackson plans to do that (especially when Part One, subtitled “An Unexpected Journey,” will reportedly run 160 minutes long), that doesn’t make me any less thrilled about getting the chance to revisit Middle Earth all over again.

“ZERO DARK THIRTY”

Who: Jessica Chastain, Joel Edgerton, Kyle Chandler, Chris Pratt and Jason ClarkeWhat: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the 9/11 attacks, and his death at the hands of Navy SEAL Team Six.When: December 19thWhy: The last time director Kathryn Bigelow and writer Mark Boal got together, they made the superb military thriller “The Hurt Locker,” which went on to win six Oscars, including ones for Best Picture, Best Director and Best Original Screenplay. The pair has reportedly been working on a movie about the hunt for Osama bin Laden for quite some time – so long, in fact, that they had to completely rewrite it after the al-Qaeda leader’s death in 2011 – but if there’s one film with the potential to outdo their last collaboration, “Zero Dark Thirty” is it. Though the movie is clearly much larger in scope than “The Hurt Locker,” with a lot of moving parts and an incredible ensemble cast too big to list here, if Bigelow and Boal get it right, this could be the movie event of the year.

“THE GUILT TRIP”

Who: Seth Rogen, Barbra Streisand, Adam Scott, Colin Hanks and Yvonne StrahovskiWhat: An inventor and his mom hit the road together so he can sell his latest invention.When: December 19thWhy: With the exception of her supporting roles in the two “Meet the Parents” sequels, it’s been 16 years since Barbara Streisand starred in a film, so naturally people are excited. Though “The Guilt Trip” isn’t exactly the type of movie that a lot of her fans would expect from the actress, the idea of pairing her with man-child Seth Rogen is just interesting enough to perk my interest. Rogen’s career has been pretty hit-and-miss, especially when given too much freedom to improvise, so hopefully having a screen legend like Streisand around will encourage him to bring his A-game, because if the duo can strike the right chemistry, “The Guilt Trip” could be a pleasant holiday surprise.

“JACK REACHER”

Who: Tom Cruise, Rosamund Pike, Robert Duvall, Richard Jenkins and Werner HerzogWhat: A homicide investigator digs deeper into a case involving a trained military sniper who shot five random victims.When: December 21stWhy: Fans of Lee Child’s popular Jack Reacher book series were outraged when it was announced that Tom Cruise would be playing the lead character in Christopher McQuarrie’s big screen adaptation of the series’ ninth novel, and understandably so. After all, Reacher’s hulking physical appearance supposedly plays an important role in the books, and the diminutive Cruise is one of the last people you’d think of for the part. With that said, however, the actor has not only gotten the stamp of approval from Child himself, but based on the trailers released thus far, it appears that what he lacks in physicality he more than makes up for in attitude. And to think that Cruise wasn’t even McQuarrie’s oddest casting choice. Instead, that honor goes to German director Werner Herzog as the movie’s villain, which is actually kind of perfect when you think about it.

“THIS IS 40″

Who: Paul Rudd, Leslie Mann, Jason Segel, Melissa McCarthy and Albert BrooksWhat: Picking up a few years after the events of “Knocked Up,” Pete and Debbie continue to fight their way through marriage.When: December 21stWhy: As far as spinoffs and sequels go, the idea behind “This Is 40” is pretty great, but it’s been awhile since Judd Apatow did anything that really made me laugh, and I’m skeptical that his new movie can buck that trend. Though Paul Rudd and Leslie Mann were responsible for some of the funniest moments in “Knocked Up,” they were much better off as supporting characters, so it’ll be interesting to see if they’ll be able to carry an entire movie on their own. Apatow has already covered many of the basic milestones in adult life – losing your virginity, giving birth and death – so it certainly makes sense that he would be attracted to telling a more complete story about marriage as well. The real question is whether returning to the world of “Knocked Up” will help rekindle Apatow’s comic spark, or if it just makes him look that much more desperate by trying.

“DJANGO UNCHAINED”

Who: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio and Kerry WashingtonWhat: With the help of his mentor, a slave-turned-bounty hunter sets out to rescue his wife from a brutal Mississippi plantation owner.When: December 25thWhy: Quentin Tarantino has dabbled in just about every genre at this point in his career, so it’s only natural that he tried his hand at a Western, even if it’s not exactly a Western in the conventional sense. Much like his last film, “Django Unchained” is set against the backdrop of a particular time in history, and the director seems to thrive when working in that environment. Though I wasn’t crazy about his decision to cast Jamie Foxx in the title role (especially with guys like Idris Elba and Michael K. Williams also auditioning for the part), Tarantino’s casting is almost always spot-on, so I’m willing to give him the benefit of the doubt. He hasn’t let me down yet, and between its promising concept and great cast (including Leonardo DiCaprio as the film’s villain), I don’t expect him to start here.

“LES MISERABLES”

Who: Hugh Jackman, Anne Hathaway, Russell Crowe and Amanda SeyfriedWhat: In 19th-century France, criminal Jean Valjean agrees to care for a factory worker’s daughter while being hunted by the ruthless policeman Javert.When: December 25thWhy: After “The King’s Speech” won Best Picture and Best Director at the Academy Awards two years ago, Tom Hooper could have done anything he wanted, so it’s very telling of his aspirations as a filmmaker that he chose to follow it up with a project as ambitious as a big screen adaptation of “Les Miserables.” Though the movie musical was reinvigorated with 2002’s “Chicago,” many of the ones released in the years since have failed to replicate that same level of success. But there aren’t many musicals that are bigger than “Les Miserables,” and judging by the trailers, Hooper has delivered a moviegoing experience that could rival “Chicago.” From the incredible ensemble cast, to Hooper’s rather unconventional decision to record all of the musical performances live, “Les Miserables” is already shaping up to be one of this year’s Oscar frontrunners.

“PROMISED LAND”

Who: Matt Damon, John Krasinski, Frances McDormand and Rosemarie DeWittWhat: A salesman for a natural gas company experiences life-changing events after arriving in a small town, where his corporation wants to tap into the available resources.When: December 28thWhy: There aren’t very many movies that manage to fly under my radar, but “Promised Land” did just that, and I’m not exactly sure how it happened, because the film is jam-packed with talent. Not only does it mark the reunion of Matt Damon with his “Good Will Hunting” director Gus Van Sant, but it’s Damon’s first screenplay since 2002’s “Gerry,” which was also directed by Van Sant. And in keeping with Damon’s habit of co-writing movies with his co-stars, “Promised Land” also counts John Krasinski among its many multi-hyphenates, making the film a somewhat intimate affair. Though it’s difficult to tell how the indie drama will fare against the rest of the season’s competition, despite its environmentally charged subject matter, it’s probably a dark horse contender at best.