Series: How Art Made the World

Embark on a thrilling journey through time and five continents to the heart of creativity. Fusing social history, politics, science, nature, archaeology and religion, this international landmark series unravels a universal mystery - why the world around us looks like it does. Modern-day mysteries are answered by journeying back to the beginning of civilisation via some of the most amazing man-made creations in the world. In the first episode, one image dominates our contemporary world above all others: the human body. How Art Made the World travels from the modern world of advertising to the temples of classical Greece and the tombs of ancient Egypt to solve the mystery of why humans surround themselves with images of the body that are so unrealistic.

Dr Nigel Spivey explores how art influences life by tracing the development of the image from cave paintings to our modern obsession with images. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1879 a young girls exclamation of 'Papa, look, oxen!' to her father, local amateur archaeologist Marcelino Sanz de Sautuola, is explained to have meant that Maria had just become the first modern human to set eyes on the first gallery of prehistoric paintings ever to be discovered.

Dr Nigel Spivey shows how The political power of art was discovered by kings and emperors in the ancient world, It was these leaders who first used imagery to manipulate their subjects, And today our modern politicians
are exploiting those same visual strategies, This is the story of how those ancient leaders created techniques of visual persuasion so powerful they've still got a hold on us today.

The power of visual storytelling is not a modern phenomenon, feature films today are using techniques developed way back in the distant past. For thousands of years, artists grappled with ways to bring their stories alive, to engage their audience. This is the story of how our ancient ancestors made the discoveries that have given films such a hold over our imaginations.

Every day of our lives, we are bombarded by thousands of different images,
images which affect us in countless different ways. But of all these there's one particular kind of image whose power is uniquely mesmerising, because while it terrifies us somehow it also comforts. But although it can manipulate us, it also reassures, It's the image of death.