With Live Picks!, I make a conscious effort of tilting the spotlight towards DC bands with upcoming shows who might not necessarily be receiving attention they deserve. (Prior to 2013, did you know about DC’s nerdcore rap duo or multi-genre infused, crooner-fronted orchestra? Probably not!) In other words, I try to examine what other groups’ shows are happening concurrently alongside the region’s more prominent acts.

But let’s be real, people: I would be totally remiss if I didn’t acknowledge Paperhaus’ show at the Rock n’ Roll Hotel this Friday as the show to get to this week. It’s really a triumphant homecoming for the self-described psychedelic-blues quartet, as they’ve just returned from a two month, 54 (!) date nationwide tour. Over the last two years, they’ve accomplished a tremendous amount, not only as a band, having recently released the exceptionally good Lo Hi Lo EP (more about that in a minute), but also as true community builders with their Petworth DIY show space. (During their absence, there’s been a comparative lack of DIY house shows, so it will be good to see them return to “business as usual”. Um, by the way, did you hear that the space is hosting Julian Lynch next week? Daaaaaaaaaaaaaaaaaamn.)

Anyway, a bit about that Lo Hi Lo EP that I just got around to checking out tonight. Four tracks, but the brevity is irrelevant, as the first phrase that hit me was “well assembled!”. Having seen the band on several occasions, there’s less psych on display herre than there is mood-ambiguous indie pop. With intricate, heavily reverbed guitar arpeggios and peppy, straight ahead drum parts, The Pains of Being Pure at Heart and Wild Nothing come across as easy comparisons (minus the synths). I’m especially fond of the guitar interplay on “Corazon”, which incidentally, I snagged a video of last fall at the Red Palace, which has since been re-imagined as an Italian restaurant (so long tassels, hello pasta & bocce[?!]).

Concerning other reasons to attend, there’s also the absolutely absurd “supporting” lineup of Shark Week and Young Rapids. Some discussion on each: I haven’t actually seen Shark Week, so it’ll be great to see them do their naughty surf-blues thing in person. Then there’s Young Rapids, whose Daylight Savings is the album that gets played when: