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Friday, August 19, 2016

Kubo and the Two Strings

Review by Bob Ignizio

Fleeing from his vengeful grandfather, the one-eyed boy Kubo
(voiced by Art Parkinson) and his mother wash up on an island. There he makes a
living by telling stories in a nearby village. As Kubo tells his tales, he
plays a traditional Japanese stringed instrument whose music brings origami
figures to life to act out his words. The only problem is Kubo can't ever seem
to finish his tales. Still, the villagers keep coming back for more, anyway.

Meanwhile, Kubo's mother lays in a semi catatonic state all
day, becoming somewhat more aware and energetic in the evening. She warns Kubo
to always be back by nightfall, but of course one day he ignores this advice
and finds himself being chased by a pair of evil spirits that turn out to be
his Aunts (both voiced by Rooney Mara). They've been sent by Kubo's
grandfather, the Moon King (voice of Ralph Fiennes), to bring the boy back. But
it's not just a family reunion the Moon King wants; he also has designs on
Kubo's other eye.

As Kubo goes on the run, he finds help from two unusual
allies: Monkey (voiced by Charlize Theron), a wooden charm come to life, and Beetle
(voice of Matthew McConaughey), a samurai warrior transformed into an insect with
short term memory issues. It appears their only hope is to find all the pieces of a suit
of magic armor once worn by Kubo's father, but the real answer may lie elsewhere.

Directed by Travis Knight (making his directorial debut) from a screenplay by Mark Haines and Chris Butler, KUBO AND THE TWO
STRINGS is definitely geared toward a slightly older audience that the
average kid flick - say 8 years and up. It doesn't shy away from sadness or
complexity. And despite a fair amount of action and (PG level) violence, the
film's ultimate message is that compassion and forgiveness are more effective
than violence. I don't want to get into spoiler territory, but at times I was reminded of BOOK OF LIFE, and how that film's protagonist showed that a musical instrument and a true heart could be just as powerful as any weapon.

If there's one gripe I have with the movie, it's in the
voice casting. Don't get me wrong, no one does a bad job here. It's just
another case of Hollywood whitewashing. Call me a whiny liberal if you want,
but it's kind of ridiculous to have George Takei and Cary-Hiroyuki Tagawa
providing the voices for small supporting roles, thus showing that the
producers were, in fact, aware that Japanese voice actors do exist, while all
the lead roles are voiced by Caucasians. Seriously, why couldn't Takei at least
have been given the meaty role of The Moon King? Would swapping him with
Fiennes really have hurt the film's box office prospects that much?

No, I'm not calling for a boycott or anything. I think you
should go see the movie. But it's pretty ridiculous that, in this day and age,
a movie centered on Japanese culture in which all the characters are Japanese would
still give all the lead roles to white people. It may not be as obvious or
offensive as Mickey Rooney doing yellow face in BREAKFAST AT TIFFANY'S, but it's still not right. 3 out of 4 stars.