Please tell us which country and city you'd like to see the weather in.

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with them. Let the powerful law of attraction work in your life and enjoy the abundance of wealth and riches that it provides.Give thanks and be grateful for all the blessings received. Please like and share this video and spread the blessings. God Bless.
Music by Ross Bugden. https://www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ
Please Donate to help me create many more exciting MindMovies and provide you the very Best Visualizations Possible.

published:02 Nov 2016

views:7723

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject

Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. Serra's work is known for it's immense physicality, compounded by the breathtaking bends and curves of steel plates that carve private moments out of public spaces.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins & Catherine Tatge. Camera: Ken Kobland & PeteShanel. Editor: Morgan Riles. Artwork Courtesy: Richard Serra / Artists Rights Society (ARS), New York & Dia Art Foundation. ThemeMusic: Peter Foley.
Thanks to the following volunteers for providing subtitles:
ARABIC
Maloka
http://www.amara.org/en/profiles/profile/91144/
FRENCH
Karen Lafuste
http://www.amara.org/en/profiles/profile/90546/
Frenchie4ever
http://www.amara.org/en/profiles/profile/90392/
GERMAN
Barbara Mauchle
http://www.amara.org/en/profiles/profile/55013/
GREEK
KATERINA KOLOKA
http://www.amara.org/en/profiles/profile/57616/
HEBREW
Elinoar Almagor
http://www.amara.org/en/profiles/profile/90306/
INDONESIAN
Dwi Rianto
http://www.amara.org/en/profiles/profile/269/
Pitra Ayu
http://www.amara.org/en/profiles/profile/50591/
ITALIAN
Emanuele Caccia
http://www.amara.org/en/profiles/profile/47985/
JAPANESE
Eri Nakamura
http://www.amara.org/en/profiles/profile/91874/
KOREAN
Ji Hyang Jeong
http://www.amara.org/en/profiles/profile/91139/
PORTUGUESE
FernandoLombardi
www.amara.org/en/profiles/profile/92243/
SPANISH
Isabel Pozas González
http://www.amara.org/en/profiles/profile/80153/
CarolinaTamara
http://www.amara.org/en/profiles/profile/74560/
THAITina Ka
http://www.amara.org/en/profiles/profile/91660/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/

published:11 Jan 2013

views:57382

http://www.adorama.com
Join Gavin as he undertakes another 15 minute photo challenge. This time he visits Madison Square Park in Manhattan on a cold, bright winter's day.
After taking the photos follow Gavin in to Photoshop CC where he shows you how to pull out the maximum amount of detail from a RAW file to create an eye catching image of an iconic landmark.
Related Products:
Canon 60D
http://www.adorama.com/ICA60D.htmlCanon 24-105mm Lens
http://www.adorama.com/CA24105AFU.html
Black rapid RS-7 Strap
http://www.adorama.com/BRRS7.html
Check out Adorama's latest contest here!
http://www.adorama.com/AdoramaU
If you have questions, share them with us at: adotv@adorama.com

published:08 May 2014

views:67358

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet vermouth and the bitterness of the Angostura to create a perfectly balanced, spirit-forward cocktail. For step-by-step instructions, check out our detailed video on how to make a Manhattan.
Glass: Cocktail glass (aka martini glass)
Tools: Stirring spoon, strainer, large ice cube maker
2 oz Still 630 Rallypoint Rye
.75 oz sweet red vermouth
1-2 dashes Angostura bittersCherryMethod: Stir rye, vermouth, and bitters together with a large cube of ice. Strain into a chilled cocktail glass. Garnish with a cherry.
https://www.themanual.com/awards/best-american-liquor/
https://www.themanual.com/food-and-drink/how-to-make-a-manhattan/

published:22 Oct 2018

views:144

Shop Our Barware Essentials:
BeerGlasses: http://amzn.to/1H1A2yu
ProfessionalBottleOpener: http://amzn.to/1RAeBgc
3 PieceShaker Set: http://amzn.to/1JFncsI
Liquor Bottle Pour Spouts: http://amzn.to/1EAAKBl
Bar Gigger: http://amzn.to/1EAAKBl
Muddler: http://amzn.to/1Fiss7B
Cocktail Strainer: http://amzn.to/1F51ltJ
Bar Spoon: http://amzn.to/1JFndgi
Lemon/Lime Juicer: http://amzn.to/1E3Zb9y
Beautiful & Cool Bar Toys:
Round Ice Ball Molds:http://amzn.to/1Iz559a
Elegant martini glasses:http://amzn.to/1K4vlKt
Cool Bartending Book:http://amzn.to/1H1AGw2
Crystal Tumblers: http://amzn.to/1JFntvI
Crystal Mixing Pitcher:http://amzn.to/1zY8r4f
WhiskeyStones: http://amzn.to/1E4bKSt
Whiskey Glasses: http://amzn.to/1PFiOeO
Cognac Glasses: http://amzn.to/1Hflsc8
Watch more CompleteGuide to Whiskey videos: http://bit.ly/1JaxaEk
How to make a Manhattan. Manhattan is one of the most classic of cocktails. Its ingredients are simple. Whiskey, sweet vermouth, and bitters, ice and water. You can make this in pretty much any bar so as long as you have the appropriate tools. A mixing glass, a bar spoon, a strainer, a jigger, and ice. All you need is your whiskey. Here we're going to use rye whiskey which is the more classic way of making the Manhattan but a bourbon is completely acceptable. Two ounces of your rye whiskey. One ounce of sweet vermouth. Two dashes of bitters. Angostura is your classic. You can experiment and substitute however you like. Then you add your ice and stir briskly.
There are a couple of schools of thought as to whether you serve it up which is in a coupe with no ice, or on the rocks in a glass with ice. And the cherry or the twist is the age old debate. Nobody's right, nobody's wrong, and much blood will be shed in the interim. I, myself, am a twist man, mostly because I love dancing. If you want to do your own brandy and cherries absolutely, but those little pink neon things, don't even bother. That's red number four and [inaudible 00:01:42].
Once you finish stirring your glass you add your strainer, get your conveniently and charmingly frozen glassware, hold the julep strainer with your finger in the glass so that no ice passes back out. Pour. Garnish, here we will use the cherry because that is delicious. Always wash your hands. Serve and smile.
And that's how you make a Manhattan.

published:16 Jun 2014

views:27020

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In this video I explain how to build the base model of the table, while a future video will explain how to build the custom additions (such as drawers/shelves) that I am putting in.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
Visit Inventables and their X-Carve! Just go to http://www.intentables.com
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Fanfare for Space" by Kevin MacLeod
http://www.incompetech.com

published:25 Jul 2015

views:3323

Thirty years ago, John McDermott and John Wren were young daredevils in need of union benefits, so they signed up for one of New York’s most dangerous professions: high-rise-window washing.
Still haven’t subscribed to The New Yorker on YouTube ►►
http://bit.ly/newyorkeryoutubesub
CONNECT WITH THE NEW YORKER
Web: http://www.newyorker.com
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Want even more? Subscribe to The Scene: http://bit.ly/subthescene
High-Rise-Window Washers of ManhattanDirector: Keven McAlester
Producer: The New Yorker

A new Film by Eric Minh SwensonJames AustinMurray : My work as an artist is about searching and it’s a little like searching in a dark room with a flashlight that will only brighten a few inches in front of it. We artists feel our way along the walls and try to identify the furniture and layout of the place that we find ourselves in. We use the tools we have and each of us arrive with slightly different tools. Each of us learn to build different tools to help us plod on in the dark.
Sometimes the dark is where you find the best surprises. Almost a decade ago, I moved from figurative work to working on small canvases, limiting myself to black oil paint. Forcing this parameter on myself was unpredictably liberating. Over the years I’ve expanded and contracted on my limiting parameters. I spent several years building shaped canvases which were a jumping off point for the paint that followed. Nearly a year and a half ago, I decided to go back to a single shape, the square. I wasn’t sure how far I could take it before I hit a wall and needed to reconsider the next step.
To my surprise, I found this even tighter parameter offered more of the unexpected. Every time I felt myself inching up to that wall, I found a way past it. Like martial arts, there was a type of repetition involved and I knew that if I ever got to the point where I could only repeat myself, I would be done with it. The surprise I am talking about is the increments of improvement in the technique and subject. I gathered more control and became more demanding of the work and more and more of the paintings would get scrapped because they just weren’t as good as I came to expect. In truth, I keep expecting to hit the wall but somehow I keep getting past it.
For more info on Eric Minh Swenson visit his website at emsartscene.com. His art films can be seen at https://vimeo.com/channels/76542
Instagram : @ericminhswenson

Early life and education

Serra was born in San Francisco as the second of three sons. His father, Tony, was a Spanish native of Mallorca who worked as candy factory foreman. His mother, Gladys, was a RussianJewish immigrant from Odessa (she committed suicide in 1979). He went on to study English literature at the University of California, Berkeley in 1957 before transferring to the University of California, Santa Barbara, graduating with a B.A. in 1961. While at Santa Barbara, he studied art with Howard Warshaw and Rico Lebrun. On the West Coast, he helped support himself by working in steel mills, which was to have a strong influence on his later work. Serra discussed his early life and influences in an interview in 1993. He described the San Francisco shipyard where his father worked as a pipe-fitter as another important influence to his work, saying of his early memory: “All the raw material that I needed is contained in the reserve of this memory which has become a reoccurring dream.”

SEARCH FOR RADIOS

Manhattan Tool - Tutorial Video

Best Visualization Tools - Luxury $43 Million Loft Mansion in Manhattan New York City **MUST SEE**

Best Visualization Tools - Luxury $43 Million Loft Mansion in Manhattan New York City **MUST SEE**

Best Visualization Tools - Luxury $43 Million Loft Mansion in Manhattan New York City **MUST SEE**

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with them. Let the powerful law of attraction work in your life and enjoy the abundance of wealth and riches that it provides.Give thanks and be grateful for all the blessings received. Please like and share this video and spread the blessings. God Bless.
Music by Ross Bugden. https://www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ
Please Donate to help me create many more exciting MindMovies and provide you the very Best Visualizations Possible.

11:34

26 - Garage Tool Shelf / Shop Tool Setups - Manhattan Wood Project

26 - Garage Tool Shelf / Shop Tool Setups - Manhattan Wood Project

26 - Garage Tool Shelf / Shop Tool Setups - Manhattan Wood Project

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject

Richard Serra: Tools & Strategies | Art21 "Extended Play"

Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. Serra's work is known for it's immense physicality, compounded by the breathtaking bends and curves of steel plates that carve private moments out of public spaces.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins & Catherine Tatge. Camera: Ken Kobland & PeteShanel. Editor: Morgan Riles. Artwork Courtesy: Richard Serra / Artists Rights Society (ARS), New York & Dia Art Foundation. ThemeMusic: Peter Foley.
Thanks to the following volunteers for providing subtitles:
ARABIC
Maloka
http://www.amara.org/en/profiles/profile/91144/
FRENCH
Karen Lafuste
http://www.amara.org/en/profiles/profile/90546/
Frenchie4ever
http://www.amara.org/en/profiles/profile/90392/
GERMAN
Barbara Mauchle
http://www.amara.org/en/profiles/profile/55013/
GREEK
KATERINA KOLOKA
http://www.amara.org/en/profiles/profile/57616/
HEBREW
Elinoar Almagor
http://www.amara.org/en/profiles/profile/90306/
INDONESIAN
Dwi Rianto
http://www.amara.org/en/profiles/profile/269/
Pitra Ayu
http://www.amara.org/en/profiles/profile/50591/
ITALIAN
Emanuele Caccia
http://www.amara.org/en/profiles/profile/47985/
JAPANESE
Eri Nakamura
http://www.amara.org/en/profiles/profile/91874/
KOREAN
Ji Hyang Jeong
http://www.amara.org/en/profiles/profile/91139/
PORTUGUESE
FernandoLombardi
www.amara.org/en/profiles/profile/92243/
SPANISH
Isabel Pozas González
http://www.amara.org/en/profiles/profile/80153/
CarolinaTamara
http://www.amara.org/en/profiles/profile/74560/
THAITina Ka
http://www.amara.org/en/profiles/profile/91660/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/

12:55

Manhattan 15 Min Photo Challenge: Take and Make Great Photos with Gavin Hoey: Adorama Photography TV

Manhattan 15 Min Photo Challenge: Take and Make Great Photos with Gavin Hoey: Adorama Photography TV

Manhattan 15 Min Photo Challenge: Take and Make Great Photos with Gavin Hoey: Adorama Photography TV

http://www.adorama.com
Join Gavin as he undertakes another 15 minute photo challenge. This time he visits Madison Square Park in Manhattan on a cold, bright winter's day.
After taking the photos follow Gavin in to Photoshop CC where he shows you how to pull out the maximum amount of detail from a RAW file to create an eye catching image of an iconic landmark.
Related Products:
Canon 60D
http://www.adorama.com/ICA60D.htmlCanon 24-105mm Lens
http://www.adorama.com/CA24105AFU.html
Black rapid RS-7 Strap
http://www.adorama.com/BRRS7.html
Check out Adorama's latest contest here!
http://www.adorama.com/AdoramaU
If you have questions, share them with us at: adotv@adorama.com

1:07

How To Make A Manhattan

How To Make A Manhattan

How To Make A Manhattan

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet vermouth and the bitterness of the Angostura to create a perfectly balanced, spirit-forward cocktail. For step-by-step instructions, check out our detailed video on how to make a Manhattan.
Glass: Cocktail glass (aka martini glass)
Tools: Stirring spoon, strainer, large ice cube maker
2 oz Still 630 Rallypoint Rye
.75 oz sweet red vermouth
1-2 dashes Angostura bittersCherryMethod: Stir rye, vermouth, and bitters together with a large cube of ice. Strain into a chilled cocktail glass. Garnish with a cherry.
https://www.themanual.com/awards/best-american-liquor/
https://www.themanual.com/food-and-drink/how-to-make-a-manhattan/

2:29

How to Make a Manhattan Cocktail | Whiskey Guide

How to Make a Manhattan Cocktail | Whiskey Guide

How to Make a Manhattan Cocktail | Whiskey Guide

Shop Our Barware Essentials:
BeerGlasses: http://amzn.to/1H1A2yu
ProfessionalBottleOpener: http://amzn.to/1RAeBgc
3 PieceShaker Set: http://amzn.to/1JFncsI
Liquor Bottle Pour Spouts: http://amzn.to/1EAAKBl
Bar Gigger: http://amzn.to/1EAAKBl
Muddler: http://amzn.to/1Fiss7B
Cocktail Strainer: http://amzn.to/1F51ltJ
Bar Spoon: http://amzn.to/1JFndgi
Lemon/Lime Juicer: http://amzn.to/1E3Zb9y
Beautiful & Cool Bar Toys:
Round Ice Ball Molds:http://amzn.to/1Iz559a
Elegant martini glasses:http://amzn.to/1K4vlKt
Cool Bartending Book:http://amzn.to/1H1AGw2
Crystal Tumblers: http://amzn.to/1JFntvI
Crystal Mixing Pitcher:http://amzn.to/1zY8r4f
WhiskeyStones: http://amzn.to/1E4bKSt
Whiskey Glasses: http://amzn.to/1PFiOeO
Cognac Glasses: http://amzn.to/1Hflsc8
Watch more CompleteGuide to Whiskey videos: http://bit.ly/1JaxaEk
How to make a Manhattan. Manhattan is one of the most classic of cocktails. Its ingredients are simple. Whiskey, sweet vermouth, and bitters, ice and water. You can make this in pretty much any bar so as long as you have the appropriate tools. A mixing glass, a bar spoon, a strainer, a jigger, and ice. All you need is your whiskey. Here we're going to use rye whiskey which is the more classic way of making the Manhattan but a bourbon is completely acceptable. Two ounces of your rye whiskey. One ounce of sweet vermouth. Two dashes of bitters. Angostura is your classic. You can experiment and substitute however you like. Then you add your ice and stir briskly.
There are a couple of schools of thought as to whether you serve it up which is in a coupe with no ice, or on the rocks in a glass with ice. And the cherry or the twist is the age old debate. Nobody's right, nobody's wrong, and much blood will be shed in the interim. I, myself, am a twist man, mostly because I love dancing. If you want to do your own brandy and cherries absolutely, but those little pink neon things, don't even bother. That's red number four and [inaudible 00:01:42].
Once you finish stirring your glass you add your strainer, get your conveniently and charmingly frozen glassware, hold the julep strainer with your finger in the glass so that no ice passes back out. Pour. Garnish, here we will use the cherry because that is delicious. Always wash your hands. Serve and smile.
And that's how you make a Manhattan.

10:42

30 - Customizable Power Tool Table - Manhattan Wood Project

30 - Customizable Power Tool Table - Manhattan Wood Project

30 - Customizable Power Tool Table - Manhattan Wood Project

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In this video I explain how to build the base model of the table, while a future video will explain how to build the custom additions (such as drawers/shelves) that I am putting in.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
Visit Inventables and their X-Carve! Just go to http://www.intentables.com
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Fanfare for Space" by Kevin MacLeod
http://www.incompetech.com

4:44

High-Rise-Window Washers of Manhattan

High-Rise-Window Washers of Manhattan

High-Rise-Window Washers of Manhattan

Thirty years ago, John McDermott and John Wren were young daredevils in need of union benefits, so they signed up for one of New York’s most dangerous professions: high-rise-window washing.
Still haven’t subscribed to The New Yorker on YouTube ►►
http://bit.ly/newyorkeryoutubesub
CONNECT WITH THE NEW YORKER
Web: http://www.newyorker.com
Twitter: http://twitter.com/NewYorker
Facebook: http://www.facebook.com/newyorker
Google+: http://plus.google.com/+newyorker
Instagram: http://instagram.com/newyorkermag
Pinterest: http://www.pinterest.com/thenewyorker
Tumblr: http://newyorker.tumblr.com
The Scene: http://thescene.com/thenewyorker
Want even more? Subscribe to The Scene: http://bit.ly/subthescene
High-Rise-Window Washers of ManhattanDirector: Keven McAlester
Producer: The New Yorker

Michael Zieba MS 2 - "Manhattan Special"

JAMES AUSTIN MURRAY : MANHATTAN BLACK

A new Film by Eric Minh SwensonJames AustinMurray : My work as an artist is about searching and it’s a little like searching in a dark room with a flashlight that will only brighten a few inches in front of it. We artists feel our way along the walls and try to identify the furniture and layout of the place that we find ourselves in. We use the tools we have and each of us arrive with slightly different tools. Each of us learn to build different tools to help us plod on in the dark.
Sometimes the dark is where you find the best surprises. Almost a decade ago, I moved from figurative work to working on small canvases, limiting myself to black oil paint. Forcing this parameter on myself was unpredictably liberating. Over the years I’ve expanded and contracted on my limiting parameters. I spent several years building shaped canvases which were a jumping off point for the paint that followed. Nearly a year and a half ago, I decided to go back to a single shape, the square. I wasn’t sure how far I could take it before I hit a wall and needed to reconsider the next step.
To my surprise, I found this even tighter parameter offered more of the unexpected. Every time I felt myself inching up to that wall, I found a way past it. Like martial arts, there was a type of repetition involved and I knew that if I ever got to the point where I could only repeat myself, I would be done with it. The surprise I am talking about is the increments of improvement in the technique and subject. I gathered more control and became more demanding of the work and more and more of the paintings would get scrapped because they just weren’t as good as I came to expect. In truth, I keep expecting to hit the wall but somehow I keep getting past it.
For more info on Eric Minh Swenson visit his website at emsartscene.com. His art films can be seen at https://vimeo.com/channels/76542
Instagram : @ericminhswenson

Given 1/4 sheet of plywood cut into pieces, and a very limited list of hardware, I made a VERY useful tool chest to mount on my wall. While it's nowhere near as packed as Henry O. Studley's tool chest, I used up most of my plywood scraps and a good amount of the allowable hardware. I also got to clear out three drawers in my toolbox, which may end up holding items like drill and router bits.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
This video was part of a cut list challenge. The others who took place are:
- krtwood - https://www.youtube.com/user/krtwoodworking
- The Nomadic Polywright Show - https://www.youtube.com/user/johnzzhu
- Steve French - https://www.youtube.com/user/blockyimage
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Oppressive Gloom" and "Thatched Villagers" by Kevin MacLeodAvailable on his website www.incompetech.com
Licensed under Creative Commons: By Attribution3.0http://creativecommons.org/licenses/by/3.0/

5:01

Barrel-Aged Manhattan from the Cocktail Dudes

Barrel-Aged Manhattan from the Cocktail Dudes

Barrel-Aged Manhattan from the Cocktail Dudes

Barrel-aging a Manhattan nicely rounds out this classic and provides it with an extra layer of richness and depth by adding subtle oak, smoke, and vanilla notes. The Manhatten is a great cocktail to initially age in your barrel. Follow it up, and experiment, by aging a different bourbon or rye-based cocktail (such as the Boulevardier). Enjoy it as it ages and evolves in your barrel. You’ll notice changes at day 5, with a peak (in a 3-liter barrel) at about 4 weeks. (The larger your barrel, the longer it will take to reach its aging peak.) Check out our Tools & Techniques video about CocktailAging Barrels as well as the different BarrelAgedCocktails we have made.

45:40

AMAZING Machine Shop Tour: Berkeley Lab with Tom Lipton!

AMAZING Machine Shop Tour: Berkeley Lab with Tom Lipton!

AMAZING Machine Shop Tour: Berkeley Lab with Tom Lipton!

One of the most amazing machine shop and science facilities in the world! This lab played a critical role in nuclear technology (including Manhattan project), discovered 13 periodic elements and is still conducting groundbreaking research today! They even have a particle accelerator!
Many thanks to Tom Lipton for the tour https://www.youtube.com/user/oxtoolco Tom's channel has top-notch machining videos!
Check out more on Berkeley Lab at: http://bit.ly/1Q9hGUK
If you enjoy this NYCCNC video please hit the like button and share with a friend, it really goes a long way!
Recent Videos:
DIYClamp: https://www.youtube.com/watch?v=fQG_LlbxUoA
Vise Fixture Plate: https://www.youtube.com/watch?v=VL7t87Bpl08
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Follow on Twitter - http://twitter.com/nyccnc
Facebook - https://www.facebook.com/nyccnc
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Music copyrighted by John Saunders

Manhattan Tool - Tutorial Video

Best Visualization Tools - Luxury $43 Million Loft Mansion in Manhattan New York City **MUST SEE**

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with them. Let the powerful law of attraction work in your life and enjoy the abundance of wealth and riches that it provides.Give thanks and be grateful for all the blessings received. Please like and share this video and spread the blessings. God Bless.
Music by Ross Bugden. https://www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ
Please Donate to help me create many more exciting MindMovies and provide you the very Best Visualizations Possible.

published: 02 Nov 2016

26 - Garage Tool Shelf / Shop Tool Setups - Manhattan Wood Project

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject

Richard Serra: Tools & Strategies | Art21 "Extended Play"

Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast st...

published: 11 Jan 2013

Manhattan 15 Min Photo Challenge: Take and Make Great Photos with Gavin Hoey: Adorama Photography TV

http://www.adorama.com
Join Gavin as he undertakes another 15 minute photo challenge. This time he visits Madison Square Park in Manhattan on a cold, bright winter's day.
After taking the photos follow Gavin in to Photoshop CC where he shows you how to pull out the maximum amount of detail from a RAW file to create an eye catching image of an iconic landmark.
Related Products:
Canon 60D
http://www.adorama.com/ICA60D.htmlCanon 24-105mm Lens
http://www.adorama.com/CA24105AFU.html
Black rapid RS-7 Strap
http://www.adorama.com/BRRS7.html
Check out Adorama's latest contest here!
http://www.adorama.com/AdoramaU
If you have questions, share them with us at: adotv@adorama.com

published: 08 May 2014

How To Make A Manhattan

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet vermouth and the bitterness of the Angostura to create a perfectly balanced, spirit-forward cocktail. For step-by-step instructions, check out our detailed video on how to make a Manhattan.
Glass: Cocktail glass (aka martini glass)
Tools: Stirring spoon, strainer, large ice cube maker
2 oz Still 630 Rallypoint Rye
.75 oz sweet red vermouth
1-2 dashes Angostura bittersCherryMethod: Stir rye, vermouth, and bitters together with a large cube of ice. Strain into a chilled cocktail glass. Garnish with a cherry.
https://www.themanual.com/awards/best-american-liquor/
https://www.themanual.com/food-and-drink/how-to-make-a-manhattan/

30 - Customizable Power Tool Table - Manhattan Wood Project

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In this video I explain how to build the base model of the table, while a future video will explain how to build the custom additions (such as drawers/shelves) that I am putting in.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
Visit Inventables and their X-Carve! Just go to http://www.intentables.com
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Fanfare for Space" by Kevin MacLeod
http://www.incompetech.com

published: 25 Jul 2015

High-Rise-Window Washers of Manhattan

Thirty years ago, John McDermott and John Wren were young daredevils in need of union benefits, so they signed up for one of New York’s most dangerous professions: high-rise-window washing.
Still haven’t subscribed to The New Yorker on YouTube ►►
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High-Rise-Window Washers of ManhattanDirector: Keven McAlester
Pr...

published: 26 Aug 2015

Michael Zieba MS 2 - "Manhattan Special"

JAMES AUSTIN MURRAY : MANHATTAN BLACK

A new Film by Eric Minh SwensonJames AustinMurray : My work as an artist is about searching and it’s a little like searching in a dark room with a flashlight that will only brighten a few inches in front of it. We artists feel our way along the walls and try to identify the furniture and layout of the place that we find ourselves in. We use the tools we have and each of us arrive with slightly different tools. Each of us learn to build different tools to help us plod on in the dark.
Sometimes the dark is where you find the best surprises. Almost a decade ago, I moved from figurative work to working on small canvases, limiting myself to black oil paint. Forcing this parameter on myself was unpredictably liberating. Over the years I’ve expanded and contracted on my limiting parameters. I...

Given 1/4 sheet of plywood cut into pieces, and a very limited list of hardware, I made a VERY useful tool chest to mount on my wall. While it's nowhere near as packed as Henry O. Studley's tool chest, I used up most of my plywood scraps and a good amount of the allowable hardware. I also got to clear out three drawers in my toolbox, which may end up holding items like drill and router bits.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
This video was part of a cut list challenge. The others who took place are:
- krtwood - https://www.youtube.com/user/krtwoodworking
- The Nomadic Polywright Show - https://www.youtube.com/user/johnzzhu
- Steve French - https://www.youtube.com/user/blockyimage
www.manhattanwoodpro...

published: 24 Oct 2014

Barrel-Aged Manhattan from the Cocktail Dudes

Barrel-aging a Manhattan nicely rounds out this classic and provides it with an extra layer of richness and depth by adding subtle oak, smoke, and vanilla notes. The Manhatten is a great cocktail to initially age in your barrel. Follow it up, and experiment, by aging a different bourbon or rye-based cocktail (such as the Boulevardier). Enjoy it as it ages and evolves in your barrel. You’ll notice changes at day 5, with a peak (in a 3-liter barrel) at about 4 weeks. (The larger your barrel, the longer it will take to reach its aging peak.) Check out our Tools & Techniques video about CocktailAging Barrels as well as the different BarrelAgedCocktails we have made.

published: 17 Aug 2014

AMAZING Machine Shop Tour: Berkeley Lab with Tom Lipton!

One of the most amazing machine shop and science facilities in the world! This lab played a critical role in nuclear technology (including Manhattan project), discovered 13 periodic elements and is still conducting groundbreaking research today! They even have a particle accelerator!
Many thanks to Tom Lipton for the tour https://www.youtube.com/user/oxtoolco Tom's channel has top-notch machining videos!
Check out more on Berkeley Lab at: http://bit.ly/1Q9hGUK
If you enjoy this NYCCNC video please hit the like button and share with a friend, it really goes a long way!
Recent Videos:
DIYClamp: https://www.youtube.com/watch?v=fQG_LlbxUoA
Vise Fixture Plate: https://www.youtube.com/watch?v=VL7t87Bpl08
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Best Visualization Tools - Luxury $43 Million Loft Mansion in Manhattan New York City **MUST SEE**

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with ...

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with them. Let the powerful law of attraction work in your life and enjoy the abundance of wealth and riches that it provides.Give thanks and be grateful for all the blessings received. Please like and share this video and spread the blessings. God Bless.
Music by Ross Bugden. https://www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ
Please Donate to help me create many more exciting MindMovies and provide you the very Best Visualizations Possible.

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with them. Let the powerful law of attraction work in your life and enjoy the abundance of wealth and riches that it provides.Give thanks and be grateful for all the blessings received. Please like and share this video and spread the blessings. God Bless.
Music by Ross Bugden. https://www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ
Please Donate to help me create many more exciting MindMovies and provide you the very Best Visualizations Possible.

26 - Garage Tool Shelf / Shop Tool Setups - Manhattan Wood Project

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
...

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject

Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. Serra's work is known for it's immense physicality, compounded by the breathtaking bends and curves of steel plates that carve private moments out of public spaces.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins & Catherine Tatge. Camera: Ken Kobland & PeteShanel. Editor: Morgan Riles. Artwork Courtesy: Richard Serra / Artists Rights Society (ARS), New York & Dia Art Foundation. ThemeMusic: Peter Foley.
Thanks to the following volunteers for providing subtitles:
ARABIC
Maloka
http://www.amara.org/en/profiles/profile/91144/
FRENCH
Karen Lafuste
http://www.amara.org/en/profiles/profile/90546/
Frenchie4ever
http://www.amara.org/en/profiles/profile/90392/
GERMAN
Barbara Mauchle
http://www.amara.org/en/profiles/profile/55013/
GREEK
KATERINA KOLOKA
http://www.amara.org/en/profiles/profile/57616/
HEBREW
Elinoar Almagor
http://www.amara.org/en/profiles/profile/90306/
INDONESIAN
Dwi Rianto
http://www.amara.org/en/profiles/profile/269/
Pitra Ayu
http://www.amara.org/en/profiles/profile/50591/
ITALIAN
Emanuele Caccia
http://www.amara.org/en/profiles/profile/47985/
JAPANESE
Eri Nakamura
http://www.amara.org/en/profiles/profile/91874/
KOREAN
Ji Hyang Jeong
http://www.amara.org/en/profiles/profile/91139/
PORTUGUESE
FernandoLombardi
www.amara.org/en/profiles/profile/92243/
SPANISH
Isabel Pozas González
http://www.amara.org/en/profiles/profile/80153/
CarolinaTamara
http://www.amara.org/en/profiles/profile/74560/
THAITina Ka
http://www.amara.org/en/profiles/profile/91660/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/

Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. Serra's work is known for it's immense physicality, compounded by the breathtaking bends and curves of steel plates that carve private moments out of public spaces.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins & Catherine Tatge. Camera: Ken Kobland & PeteShanel. Editor: Morgan Riles. Artwork Courtesy: Richard Serra / Artists Rights Society (ARS), New York & Dia Art Foundation. ThemeMusic: Peter Foley.
Thanks to the following volunteers for providing subtitles:
ARABIC
Maloka
http://www.amara.org/en/profiles/profile/91144/
FRENCH
Karen Lafuste
http://www.amara.org/en/profiles/profile/90546/
Frenchie4ever
http://www.amara.org/en/profiles/profile/90392/
GERMAN
Barbara Mauchle
http://www.amara.org/en/profiles/profile/55013/
GREEK
KATERINA KOLOKA
http://www.amara.org/en/profiles/profile/57616/
HEBREW
Elinoar Almagor
http://www.amara.org/en/profiles/profile/90306/
INDONESIAN
Dwi Rianto
http://www.amara.org/en/profiles/profile/269/
Pitra Ayu
http://www.amara.org/en/profiles/profile/50591/
ITALIAN
Emanuele Caccia
http://www.amara.org/en/profiles/profile/47985/
JAPANESE
Eri Nakamura
http://www.amara.org/en/profiles/profile/91874/
KOREAN
Ji Hyang Jeong
http://www.amara.org/en/profiles/profile/91139/
PORTUGUESE
FernandoLombardi
www.amara.org/en/profiles/profile/92243/
SPANISH
Isabel Pozas González
http://www.amara.org/en/profiles/profile/80153/
CarolinaTamara
http://www.amara.org/en/profiles/profile/74560/
THAITina Ka
http://www.amara.org/en/profiles/profile/91660/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/

http://www.adorama.com
Join Gavin as he undertakes another 15 minute photo challenge. This time he visits Madison Square Park in Manhattan on a cold, bright winter's day.
After taking the photos follow Gavin in to Photoshop CC where he shows you how to pull out the maximum amount of detail from a RAW file to create an eye catching image of an iconic landmark.
Related Products:
Canon 60D
http://www.adorama.com/ICA60D.htmlCanon 24-105mm Lens
http://www.adorama.com/CA24105AFU.html
Black rapid RS-7 Strap
http://www.adorama.com/BRRS7.html
Check out Adorama's latest contest here!
http://www.adorama.com/AdoramaU
If you have questions, share them with us at: adotv@adorama.com

http://www.adorama.com
Join Gavin as he undertakes another 15 minute photo challenge. This time he visits Madison Square Park in Manhattan on a cold, bright winter's day.
After taking the photos follow Gavin in to Photoshop CC where he shows you how to pull out the maximum amount of detail from a RAW file to create an eye catching image of an iconic landmark.
Related Products:
Canon 60D
http://www.adorama.com/ICA60D.htmlCanon 24-105mm Lens
http://www.adorama.com/CA24105AFU.html
Black rapid RS-7 Strap
http://www.adorama.com/BRRS7.html
Check out Adorama's latest contest here!
http://www.adorama.com/AdoramaU
If you have questions, share them with us at: adotv@adorama.com

How To Make A Manhattan

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet ve...

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet vermouth and the bitterness of the Angostura to create a perfectly balanced, spirit-forward cocktail. For step-by-step instructions, check out our detailed video on how to make a Manhattan.
Glass: Cocktail glass (aka martini glass)
Tools: Stirring spoon, strainer, large ice cube maker
2 oz Still 630 Rallypoint Rye
.75 oz sweet red vermouth
1-2 dashes Angostura bittersCherryMethod: Stir rye, vermouth, and bitters together with a large cube of ice. Strain into a chilled cocktail glass. Garnish with a cherry.
https://www.themanual.com/awards/best-american-liquor/
https://www.themanual.com/food-and-drink/how-to-make-a-manhattan/

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet vermouth and the bitterness of the Angostura to create a perfectly balanced, spirit-forward cocktail. For step-by-step instructions, check out our detailed video on how to make a Manhattan.
Glass: Cocktail glass (aka martini glass)
Tools: Stirring spoon, strainer, large ice cube maker
2 oz Still 630 Rallypoint Rye
.75 oz sweet red vermouth
1-2 dashes Angostura bittersCherryMethod: Stir rye, vermouth, and bitters together with a large cube of ice. Strain into a chilled cocktail glass. Garnish with a cherry.
https://www.themanual.com/awards/best-american-liquor/
https://www.themanual.com/food-and-drink/how-to-make-a-manhattan/

Shop Our Barware Essentials:
BeerGlasses: http://amzn.to/1H1A2yu
ProfessionalBottleOpener: http://amzn.to/1RAeBgc
3 PieceShaker Set: http://amzn.to/1JFncsI
Liquor Bottle Pour Spouts: http://amzn.to/1EAAKBl
Bar Gigger: http://amzn.to/1EAAKBl
Muddler: http://amzn.to/1Fiss7B
Cocktail Strainer: http://amzn.to/1F51ltJ
Bar Spoon: http://amzn.to/1JFndgi
Lemon/Lime Juicer: http://amzn.to/1E3Zb9y
Beautiful & Cool Bar Toys:
Round Ice Ball Molds:http://amzn.to/1Iz559a
Elegant martini glasses:http://amzn.to/1K4vlKt
Cool Bartending Book:http://amzn.to/1H1AGw2
Crystal Tumblers: http://amzn.to/1JFntvI
Crystal Mixing Pitcher:http://amzn.to/1zY8r4f
WhiskeyStones: http://amzn.to/1E4bKSt
Whiskey Glasses: http://amzn.to/1PFiOeO
Cognac Glasses: http://amzn.to/1Hflsc8
Watch more CompleteGuide to Whiskey videos: http://bit.ly/1JaxaEk
How to make a Manhattan. Manhattan is one of the most classic of cocktails. Its ingredients are simple. Whiskey, sweet vermouth, and bitters, ice and water. You can make this in pretty much any bar so as long as you have the appropriate tools. A mixing glass, a bar spoon, a strainer, a jigger, and ice. All you need is your whiskey. Here we're going to use rye whiskey which is the more classic way of making the Manhattan but a bourbon is completely acceptable. Two ounces of your rye whiskey. One ounce of sweet vermouth. Two dashes of bitters. Angostura is your classic. You can experiment and substitute however you like. Then you add your ice and stir briskly.
There are a couple of schools of thought as to whether you serve it up which is in a coupe with no ice, or on the rocks in a glass with ice. And the cherry or the twist is the age old debate. Nobody's right, nobody's wrong, and much blood will be shed in the interim. I, myself, am a twist man, mostly because I love dancing. If you want to do your own brandy and cherries absolutely, but those little pink neon things, don't even bother. That's red number four and [inaudible 00:01:42].
Once you finish stirring your glass you add your strainer, get your conveniently and charmingly frozen glassware, hold the julep strainer with your finger in the glass so that no ice passes back out. Pour. Garnish, here we will use the cherry because that is delicious. Always wash your hands. Serve and smile.
And that's how you make a Manhattan.

Shop Our Barware Essentials:
BeerGlasses: http://amzn.to/1H1A2yu
ProfessionalBottleOpener: http://amzn.to/1RAeBgc
3 PieceShaker Set: http://amzn.to/1JFncsI
Liquor Bottle Pour Spouts: http://amzn.to/1EAAKBl
Bar Gigger: http://amzn.to/1EAAKBl
Muddler: http://amzn.to/1Fiss7B
Cocktail Strainer: http://amzn.to/1F51ltJ
Bar Spoon: http://amzn.to/1JFndgi
Lemon/Lime Juicer: http://amzn.to/1E3Zb9y
Beautiful & Cool Bar Toys:
Round Ice Ball Molds:http://amzn.to/1Iz559a
Elegant martini glasses:http://amzn.to/1K4vlKt
Cool Bartending Book:http://amzn.to/1H1AGw2
Crystal Tumblers: http://amzn.to/1JFntvI
Crystal Mixing Pitcher:http://amzn.to/1zY8r4f
WhiskeyStones: http://amzn.to/1E4bKSt
Whiskey Glasses: http://amzn.to/1PFiOeO
Cognac Glasses: http://amzn.to/1Hflsc8
Watch more CompleteGuide to Whiskey videos: http://bit.ly/1JaxaEk
How to make a Manhattan. Manhattan is one of the most classic of cocktails. Its ingredients are simple. Whiskey, sweet vermouth, and bitters, ice and water. You can make this in pretty much any bar so as long as you have the appropriate tools. A mixing glass, a bar spoon, a strainer, a jigger, and ice. All you need is your whiskey. Here we're going to use rye whiskey which is the more classic way of making the Manhattan but a bourbon is completely acceptable. Two ounces of your rye whiskey. One ounce of sweet vermouth. Two dashes of bitters. Angostura is your classic. You can experiment and substitute however you like. Then you add your ice and stir briskly.
There are a couple of schools of thought as to whether you serve it up which is in a coupe with no ice, or on the rocks in a glass with ice. And the cherry or the twist is the age old debate. Nobody's right, nobody's wrong, and much blood will be shed in the interim. I, myself, am a twist man, mostly because I love dancing. If you want to do your own brandy and cherries absolutely, but those little pink neon things, don't even bother. That's red number four and [inaudible 00:01:42].
Once you finish stirring your glass you add your strainer, get your conveniently and charmingly frozen glassware, hold the julep strainer with your finger in the glass so that no ice passes back out. Pour. Garnish, here we will use the cherry because that is delicious. Always wash your hands. Serve and smile.
And that's how you make a Manhattan.

30 - Customizable Power Tool Table - Manhattan Wood Project

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In...

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In this video I explain how to build the base model of the table, while a future video will explain how to build the custom additions (such as drawers/shelves) that I am putting in.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
Visit Inventables and their X-Carve! Just go to http://www.intentables.com
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Fanfare for Space" by Kevin MacLeod
http://www.incompetech.com

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In this video I explain how to build the base model of the table, while a future video will explain how to build the custom additions (such as drawers/shelves) that I am putting in.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
Visit Inventables and their X-Carve! Just go to http://www.intentables.com
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Fanfare for Space" by Kevin MacLeod
http://www.incompetech.com

Thirty years ago, John McDermott and John Wren were young daredevils in need of union benefits, so they signed up for one of New York’s most dangerous professions: high-rise-window washing.
Still haven’t subscribed to The New Yorker on YouTube ►►
http://bit.ly/newyorkeryoutubesub
CONNECT WITH THE NEW YORKER
Web: http://www.newyorker.com
Twitter: http://twitter.com/NewYorker
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Want even more? Subscribe to The Scene: http://bit.ly/subthescene
High-Rise-Window Washers of ManhattanDirector: Keven McAlester
Producer: The New Yorker

Thirty years ago, John McDermott and John Wren were young daredevils in need of union benefits, so they signed up for one of New York’s most dangerous professions: high-rise-window washing.
Still haven’t subscribed to The New Yorker on YouTube ►►
http://bit.ly/newyorkeryoutubesub
CONNECT WITH THE NEW YORKER
Web: http://www.newyorker.com
Twitter: http://twitter.com/NewYorker
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The Scene: http://thescene.com/thenewyorker
Want even more? Subscribe to The Scene: http://bit.ly/subthescene
High-Rise-Window Washers of ManhattanDirector: Keven McAlester
Producer: The New Yorker

A new Film by Eric Minh SwensonJames AustinMurray : My work as an artist is about searching and it’s a little like searching in a dark room with a flashlight that will only brighten a few inches in front of it. We artists feel our way along the walls and try to identify the furniture and layout of the place that we find ourselves in. We use the tools we have and each of us arrive with slightly different tools. Each of us learn to build different tools to help us plod on in the dark.
Sometimes the dark is where you find the best surprises. Almost a decade ago, I moved from figurative work to working on small canvases, limiting myself to black oil paint. Forcing this parameter on myself was unpredictably liberating. Over the years I’ve expanded and contracted on my limiting parameters. I spent several years building shaped canvases which were a jumping off point for the paint that followed. Nearly a year and a half ago, I decided to go back to a single shape, the square. I wasn’t sure how far I could take it before I hit a wall and needed to reconsider the next step.
To my surprise, I found this even tighter parameter offered more of the unexpected. Every time I felt myself inching up to that wall, I found a way past it. Like martial arts, there was a type of repetition involved and I knew that if I ever got to the point where I could only repeat myself, I would be done with it. The surprise I am talking about is the increments of improvement in the technique and subject. I gathered more control and became more demanding of the work and more and more of the paintings would get scrapped because they just weren’t as good as I came to expect. In truth, I keep expecting to hit the wall but somehow I keep getting past it.
For more info on Eric Minh Swenson visit his website at emsartscene.com. His art films can be seen at https://vimeo.com/channels/76542
Instagram : @ericminhswenson

A new Film by Eric Minh SwensonJames AustinMurray : My work as an artist is about searching and it’s a little like searching in a dark room with a flashlight that will only brighten a few inches in front of it. We artists feel our way along the walls and try to identify the furniture and layout of the place that we find ourselves in. We use the tools we have and each of us arrive with slightly different tools. Each of us learn to build different tools to help us plod on in the dark.
Sometimes the dark is where you find the best surprises. Almost a decade ago, I moved from figurative work to working on small canvases, limiting myself to black oil paint. Forcing this parameter on myself was unpredictably liberating. Over the years I’ve expanded and contracted on my limiting parameters. I spent several years building shaped canvases which were a jumping off point for the paint that followed. Nearly a year and a half ago, I decided to go back to a single shape, the square. I wasn’t sure how far I could take it before I hit a wall and needed to reconsider the next step.
To my surprise, I found this even tighter parameter offered more of the unexpected. Every time I felt myself inching up to that wall, I found a way past it. Like martial arts, there was a type of repetition involved and I knew that if I ever got to the point where I could only repeat myself, I would be done with it. The surprise I am talking about is the increments of improvement in the technique and subject. I gathered more control and became more demanding of the work and more and more of the paintings would get scrapped because they just weren’t as good as I came to expect. In truth, I keep expecting to hit the wall but somehow I keep getting past it.
For more info on Eric Minh Swenson visit his website at emsartscene.com. His art films can be seen at https://vimeo.com/channels/76542
Instagram : @ericminhswenson

Given 1/4 sheet of plywood cut into pieces, and a very limited list of hardware, I made a VERY useful tool chest to mount on my wall. While it's nowhere near a...

Given 1/4 sheet of plywood cut into pieces, and a very limited list of hardware, I made a VERY useful tool chest to mount on my wall. While it's nowhere near as packed as Henry O. Studley's tool chest, I used up most of my plywood scraps and a good amount of the allowable hardware. I also got to clear out three drawers in my toolbox, which may end up holding items like drill and router bits.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
This video was part of a cut list challenge. The others who took place are:
- krtwood - https://www.youtube.com/user/krtwoodworking
- The Nomadic Polywright Show - https://www.youtube.com/user/johnzzhu
- Steve French - https://www.youtube.com/user/blockyimage
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Oppressive Gloom" and "Thatched Villagers" by Kevin MacLeodAvailable on his website www.incompetech.com
Licensed under Creative Commons: By Attribution3.0http://creativecommons.org/licenses/by/3.0/

Given 1/4 sheet of plywood cut into pieces, and a very limited list of hardware, I made a VERY useful tool chest to mount on my wall. While it's nowhere near as packed as Henry O. Studley's tool chest, I used up most of my plywood scraps and a good amount of the allowable hardware. I also got to clear out three drawers in my toolbox, which may end up holding items like drill and router bits.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
This video was part of a cut list challenge. The others who took place are:
- krtwood - https://www.youtube.com/user/krtwoodworking
- The Nomadic Polywright Show - https://www.youtube.com/user/johnzzhu
- Steve French - https://www.youtube.com/user/blockyimage
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Oppressive Gloom" and "Thatched Villagers" by Kevin MacLeodAvailable on his website www.incompetech.com
Licensed under Creative Commons: By Attribution3.0http://creativecommons.org/licenses/by/3.0/

Barrel-Aged Manhattan from the Cocktail Dudes

Barrel-aging a Manhattan nicely rounds out this classic and provides it with an extra layer of richness and depth by adding subtle oak, smoke, and vanilla notes...

Barrel-aging a Manhattan nicely rounds out this classic and provides it with an extra layer of richness and depth by adding subtle oak, smoke, and vanilla notes. The Manhatten is a great cocktail to initially age in your barrel. Follow it up, and experiment, by aging a different bourbon or rye-based cocktail (such as the Boulevardier). Enjoy it as it ages and evolves in your barrel. You’ll notice changes at day 5, with a peak (in a 3-liter barrel) at about 4 weeks. (The larger your barrel, the longer it will take to reach its aging peak.) Check out our Tools & Techniques video about CocktailAging Barrels as well as the different BarrelAgedCocktails we have made.

Barrel-aging a Manhattan nicely rounds out this classic and provides it with an extra layer of richness and depth by adding subtle oak, smoke, and vanilla notes. The Manhatten is a great cocktail to initially age in your barrel. Follow it up, and experiment, by aging a different bourbon or rye-based cocktail (such as the Boulevardier). Enjoy it as it ages and evolves in your barrel. You’ll notice changes at day 5, with a peak (in a 3-liter barrel) at about 4 weeks. (The larger your barrel, the longer it will take to reach its aging peak.) Check out our Tools & Techniques video about CocktailAging Barrels as well as the different BarrelAgedCocktails we have made.

AMAZING Machine Shop Tour: Berkeley Lab with Tom Lipton!

One of the most amazing machine shop and science facilities in the world! This lab played a critical role in nuclear technology (including Manhattan project), ...

One of the most amazing machine shop and science facilities in the world! This lab played a critical role in nuclear technology (including Manhattan project), discovered 13 periodic elements and is still conducting groundbreaking research today! They even have a particle accelerator!
Many thanks to Tom Lipton for the tour https://www.youtube.com/user/oxtoolco Tom's channel has top-notch machining videos!
Check out more on Berkeley Lab at: http://bit.ly/1Q9hGUK
If you enjoy this NYCCNC video please hit the like button and share with a friend, it really goes a long way!
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DIYClamp: https://www.youtube.com/watch?v=fQG_LlbxUoA
Vise Fixture Plate: https://www.youtube.com/watch?v=VL7t87Bpl08
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Music copyrighted by John Saunders

One of the most amazing machine shop and science facilities in the world! This lab played a critical role in nuclear technology (including Manhattan project), discovered 13 periodic elements and is still conducting groundbreaking research today! They even have a particle accelerator!
Many thanks to Tom Lipton for the tour https://www.youtube.com/user/oxtoolco Tom's channel has top-notch machining videos!
Check out more on Berkeley Lab at: http://bit.ly/1Q9hGUK
If you enjoy this NYCCNC video please hit the like button and share with a friend, it really goes a long way!
Recent Videos:
DIYClamp: https://www.youtube.com/watch?v=fQG_LlbxUoA
Vise Fixture Plate: https://www.youtube.com/watch?v=VL7t87Bpl08
Subscribe For More - http://www.youtube.com/subscription_center?add_user=saunixcomp
Follow on Twitter - http://twitter.com/nyccnc
Facebook - https://www.facebook.com/nyccnc
Instagram http://instagram.com/saundersmachineworks
Music copyrighted by John Saunders

Best Visualization Tools - Luxury $43 Million Loft Mansion in Manhattan New York City **MUST SEE**

Watch this powerful video daily and assume that you are living the life of a Millionaire. Feel,breathe and enjoy all these wonderful images and become one with them. Let the powerful law of attraction work in your life and enjoy the abundance of wealth and riches that it provides.Give thanks and be grateful for all the blessings received. Please like and share this video and spread the blessings. God Bless.
Music by Ross Bugden. https://www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ
Please Donate to help me create many more exciting MindMovies and provide you the very Best Visualizations Possible.

26 - Garage Tool Shelf / Shop Tool Setups - Manhattan Wood Project

Instead of providing guidance on how to build this simple tool shelf, I focus on how I manipulate the Shopsmith and radial arm saw to cut plywood and rabbets.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject

Richard Serra: Tools & Strategies | Art21 "Extended Play"

Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. Serra's work is known for it's immense physicality, compounded by the breathtaking bends and curves of steel plates that carve private moments out of public spaces.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins & Catherine Tatge. Camera: Ken Kobland & PeteShanel. Editor: Morgan Riles. Artwork Courtesy: Richard Serra / Artists Rights Society (ARS), New York & Dia Art Foundation. ThemeMusic: Peter Foley.
Thanks to the following volunteers for providing subtitles:
ARABIC
Maloka
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FRENCH
Karen Lafuste
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GREEK
KATERINA KOLOKA
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HEBREW
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INDONESIAN
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ITALIAN
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JAPANESE
Eri Nakamura
http://www.amara.org/en/profiles/profile/91874/
KOREAN
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www.amara.org/en/profiles/profile/92243/
SPANISH
Isabel Pozas González
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CarolinaTamara
http://www.amara.org/en/profiles/profile/74560/
THAITina Ka
http://www.amara.org/en/profiles/profile/91660/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/

Manhattan 15 Min Photo Challenge: Take and Make Great Photos with Gavin Hoey: Adorama Photography TV

http://www.adorama.com
Join Gavin as he undertakes another 15 minute photo challenge. This time he visits Madison Square Park in Manhattan on a cold, bright winter's day.
After taking the photos follow Gavin in to Photoshop CC where he shows you how to pull out the maximum amount of detail from a RAW file to create an eye catching image of an iconic landmark.
Related Products:
Canon 60D
http://www.adorama.com/ICA60D.htmlCanon 24-105mm Lens
http://www.adorama.com/CA24105AFU.html
Black rapid RS-7 Strap
http://www.adorama.com/BRRS7.html
Check out Adorama's latest contest here!
http://www.adorama.com/AdoramaU
If you have questions, share them with us at: adotv@adorama.com

How To Make A Manhattan

How to Make a Manhattan
In the canon of rye-based cocktails, nothing stands out more than a Manhattan. The spice of the rye combines with the herbal, sweet vermouth and the bitterness of the Angostura to create a perfectly balanced, spirit-forward cocktail. For step-by-step instructions, check out our detailed video on how to make a Manhattan.
Glass: Cocktail glass (aka martini glass)
Tools: Stirring spoon, strainer, large ice cube maker
2 oz Still 630 Rallypoint Rye
.75 oz sweet red vermouth
1-2 dashes Angostura bittersCherryMethod: Stir rye, vermouth, and bitters together with a large cube of ice. Strain into a chilled cocktail glass. Garnish with a cherry.
https://www.themanual.com/awards/best-american-liquor/
https://www.themanual.com/food-and-drink/how-to-make-a-manhattan/

How to Make a Manhattan Cocktail | Whiskey Guide

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Watch more CompleteGuide to Whiskey videos: http://bit.ly/1JaxaEk
How to make a Manhattan. Manhattan is one of the most classic of cocktails. Its ingredients are simple. Whiskey, sweet vermouth, and bitters, ice and water. You can make this in pretty much any bar so as long as you have the appropriate tools. A mixing glass, a bar spoon, a strainer, a jigger, and ice. All you need is your whiskey. Here we're going to use rye whiskey which is the more classic way of making the Manhattan but a bourbon is completely acceptable. Two ounces of your rye whiskey. One ounce of sweet vermouth. Two dashes of bitters. Angostura is your classic. You can experiment and substitute however you like. Then you add your ice and stir briskly.
There are a couple of schools of thought as to whether you serve it up which is in a coupe with no ice, or on the rocks in a glass with ice. And the cherry or the twist is the age old debate. Nobody's right, nobody's wrong, and much blood will be shed in the interim. I, myself, am a twist man, mostly because I love dancing. If you want to do your own brandy and cherries absolutely, but those little pink neon things, don't even bother. That's red number four and [inaudible 00:01:42].
Once you finish stirring your glass you add your strainer, get your conveniently and charmingly frozen glassware, hold the julep strainer with your finger in the glass so that no ice passes back out. Pour. Garnish, here we will use the cherry because that is delicious. Always wash your hands. Serve and smile.
And that's how you make a Manhattan.

30 - Customizable Power Tool Table - Manhattan Wood Project

With a new power tool coming into the shop, I need a strong table to hold the tool and a place to hold all the small parts and materials I will need for it. In this video I explain how to build the base model of the table, while a future video will explain how to build the custom additions (such as drawers/shelves) that I am putting in.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
Visit Inventables and their X-Carve! Just go to http://www.intentables.com
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Fanfare for Space" by Kevin MacLeod
http://www.incompetech.com

High-Rise-Window Washers of Manhattan

Thirty years ago, John McDermott and John Wren were young daredevils in need of union benefits, so they signed up for one of New York’s most dangerous professions: high-rise-window washing.
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High-Rise-Window Washers of ManhattanDirector: Keven McAlester
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JAMES AUSTIN MURRAY : MANHATTAN BLACK

A new Film by Eric Minh SwensonJames AustinMurray : My work as an artist is about searching and it’s a little like searching in a dark room with a flashlight that will only brighten a few inches in front of it. We artists feel our way along the walls and try to identify the furniture and layout of the place that we find ourselves in. We use the tools we have and each of us arrive with slightly different tools. Each of us learn to build different tools to help us plod on in the dark.
Sometimes the dark is where you find the best surprises. Almost a decade ago, I moved from figurative work to working on small canvases, limiting myself to black oil paint. Forcing this parameter on myself was unpredictably liberating. Over the years I’ve expanded and contracted on my limiting parameters. I spent several years building shaped canvases which were a jumping off point for the paint that followed. Nearly a year and a half ago, I decided to go back to a single shape, the square. I wasn’t sure how far I could take it before I hit a wall and needed to reconsider the next step.
To my surprise, I found this even tighter parameter offered more of the unexpected. Every time I felt myself inching up to that wall, I found a way past it. Like martial arts, there was a type of repetition involved and I knew that if I ever got to the point where I could only repeat myself, I would be done with it. The surprise I am talking about is the increments of improvement in the technique and subject. I gathered more control and became more demanding of the work and more and more of the paintings would get scrapped because they just weren’t as good as I came to expect. In truth, I keep expecting to hit the wall but somehow I keep getting past it.
For more info on Eric Minh Swenson visit his website at emsartscene.com. His art films can be seen at https://vimeo.com/channels/76542
Instagram : @ericminhswenson

Given 1/4 sheet of plywood cut into pieces, and a very limited list of hardware, I made a VERY useful tool chest to mount on my wall. While it's nowhere near as packed as Henry O. Studley's tool chest, I used up most of my plywood scraps and a good amount of the allowable hardware. I also got to clear out three drawers in my toolbox, which may end up holding items like drill and router bits.
If you like this video, please give it a thumbs-up and leave a comment! If you're not a subscriber, please subscribe!
This video was part of a cut list challenge. The others who took place are:
- krtwood - https://www.youtube.com/user/krtwoodworking
- The Nomadic Polywright Show - https://www.youtube.com/user/johnzzhu
- Steve French - https://www.youtube.com/user/blockyimage
www.manhattanwoodproject.com
www.facebook.com/manhattanwoodproject
Music "Oppressive Gloom" and "Thatched Villagers" by Kevin MacLeodAvailable on his website www.incompetech.com
Licensed under Creative Commons: By Attribution3.0http://creativecommons.org/licenses/by/3.0/

Barrel-Aged Manhattan from the Cocktail Dudes

Barrel-aging a Manhattan nicely rounds out this classic and provides it with an extra layer of richness and depth by adding subtle oak, smoke, and vanilla notes. The Manhatten is a great cocktail to initially age in your barrel. Follow it up, and experiment, by aging a different bourbon or rye-based cocktail (such as the Boulevardier). Enjoy it as it ages and evolves in your barrel. You’ll notice changes at day 5, with a peak (in a 3-liter barrel) at about 4 weeks. (The larger your barrel, the longer it will take to reach its aging peak.) Check out our Tools & Techniques video about CocktailAging Barrels as well as the different BarrelAgedCocktails we have made.

Early life and education

Serra was born in San Francisco as the second of three sons. His father, Tony, was a Spanish native of Mallorca who worked as candy factory foreman. His mother, Gladys, was a RussianJewish immigrant from Odessa (she committed suicide in 1979). He went on to study English literature at the University of California, Berkeley in 1957 before transferring to the University of California, Santa Barbara, graduating with a B.A. in 1961. While at Santa Barbara, he studied art with Howard Warshaw and Rico Lebrun. On the West Coast, he helped support himself by working in steel mills, which was to have a strong influence on his later work. Serra discussed his early life and influences in an interview in 1993. He described the San Francisco shipyard where his father worked as a pipe-fitter as another important influence to his work, saying of his early memory: “All the raw material that I needed is contained in the reserve of this memory which has become a reoccurring dream.”

JAMES AUSTIN MURRAY : MANHATTAN BLACK...

20 - H.O. Studley Inspired Tool Chest - Cut List C...

Barrel-Aged Manhattan from the Cocktail Dudes...

AMAZING Machine Shop Tour: Berkeley Lab with Tom L...

Maintain

[EDI - Talking]Uh, time done came, maintainThis for all them niggaz in the game, you know? hustlin, street lifeGettin that money, niggaz gotta maintain, you know? Holla! (yeah)[Napolean - Verse 1]The streets is a mother fucker, and I done said it beforeDrive-bys, crack heads knockin at your front doorAll them race for the money at the end of the roadFully-loaded by my waist, I'm bout to explodeI'm on a mission for the money, ain't shit funnyPut a hole in your tummy, leave you smellin like a mummyYou crossed the game that the streets don't likeAnd fuckin with the Outlawz will get you killed tonightI guzzle my pipe and think about the shit I ain't never had (uh-huh)Just write my frustrations on my notepadAnd life ain't nothin but a toe-tagWhen I was three years old, I done known that[Supreme C - Verse 2]And yo the game got a nigga fucked upI don't know who to trust, but I know just who to bust (bow)Change your main form to ashes to dustMinds stay corrupt, I'm a killa in the cutI crush any competitor, writin back his editorLeave your body leakin, it's Supreme C speakinPledge you then a edge you on, yo you just a pawnYou're runnin with the big boys, one move you're goneI'm explosive when my rap over-dosesLabel me ferocious on 'Wanted' signs postedSee me on the screen like blood on murder scenesMidnight screams, sharp-shooter teamThe williest, silliest, but yet I'm dead seriousHate me with a passion up in the club mashinFoul minds, I'm in your ears like a loud nineHoldin off screamin, yeah niggaz it's about timeIt's on again, got a brother feelin born againI swore to win then, naturally my order's inRecorded and stated, let the record show I made itThis dated when we blewin, and how you mother fuckers tradedOutlawz![Chorus - Napolean & EDI]Gettin that money it ain't no tellin man (ain't no tellin)You hustlin and strugglin and niggaz say you changed (huh)One time, knockin they hotter with change (with change)They eyes was watchin, but still we maintain (maintain)Your baby momma gone say she want some change (ain't that a bitch)Niggaz used to know, since you rollin game (oh)Fuckin with that money now your brain tameYou fuckin the game and yo we maintain![Young Noble - Verse 3]And you ain't never had a nigga that'll die for youAnd you ain't never had a nigga that'll cry for youAnd you ain't never had a nigga that'll pay your rentAnd you ain't never know niggaz that was truly legitAnd you ain't never had soldiers that'll hold you downAnd you ain't never know killers that loan you poundsAnd you ain't never had bitches that'll fuck the clanBetter yet, have bitches that'll fuck your manAnd you ain't never had soldiers to floss the weekYou couldn't hustle down the way nor walk the beatAnd you ain't never had a clique that was thorough and toughAnd you ain't never know Yak and Pac so give it up![Kastro - Verse 4]I love bitches and all types of fast cars (hahaha... me too)Loud guns, money-runs, and those strip barsWe watch the sun turn to stars, back to sun againI put a box under rocks to dump a body inAnd I swin in sin, couldn't pretend it's all wellMy world is a jail cell, I can't seem to find bailWe gas up, trouble, bubble in my belly (uh)Every body knew it but ain't nobody try to tell meWe maintain!Chorus[Mil - Verse 5]I'm a hell-raisin nigga and I'll burn the place up (Mil)The streets made me, look at me now and I'm straighten upWhen I rolled on your block, all I see is your pumpWhen you roll through my hood, niggaz'll fuck you upYou're weak, won't live long, niggaz rely on luckSpeak it cheap-goin nigga, I got the heart of a thugLeave your pillow like a puddle of a bloodAnd I'm gonna show you how it is to stomp and never been love at all[EDI - Verse 6]Every day I'm stuck in this game so I got to play itYeah I made up my bed so I got to lay in itThere's only one way out, limo, window tintedMy momma prayin daily for my spiritFuck that! I'm here to stay nigga deal with itAnd I'm one of the real niggaz that's actually real with itMeals, I'm gonna get it, but it's about what happens when I get itWill these niggaz come clackin for my trinkets? Think it's a joke?Part it out while I kick it and smokeWe live on the ropes, triple-beam hopesSimple schemes broke, two minutes to go aloneFall or come up, fuck it, stack ones upI keep my guns up, for these killersMy eyes on these bitchesAnd when it's me and the law, shit I'm the first to drawMaintain, till the end of the gameMaintain, till the end of the game, you hear me man?Chorus x 2[Kastro - talking over second chorus]Fuck that! Fuck that!Fuck you too baby! Fuck all y'all niggazI'm on some maintain shitAll my money gettin niggaz maintainMost of the time, niggaz get money and only last for like a yearI'm tryin to have money for twenty years, thirty years, forty yearsIt's called a general,It's easy to get money in your pocket nigga, but can you keep it?