Welcome and say hello to one of the best anime of 2008, and along with Haibane Renmei and Hi no Tori, my favourite anime of only 12 or 13 episodes long. Kaiba is the product of director Masaaki Yuasa, who was the one behind Kemonozume, Cat Soup and Mind Game and it shows the result of when an already excellent director learns from his mistakes.

Kaiba is very much an experimental anime, which tries to be different from the stuff you usually see. The character-designs may look childish and simple, but make no mistake: this storyline isn’t afraid to show adult themes at all, and the perfect example of why you shouldn’t judge a book by its cover. It’s about a futuristic world with the fascinating concept in which people’s memories can be stored in chips and placed from one body to the other. The series smartly spends its first half fleshing out and playing with this concept, so that the viewer feels at home inside the setting, only for the second half to kick in with the real meat of the series, where the storyline keeps spiralling to the point of going out of control. The final episode is indeed one of chaos.

The setting may be already an incredibly imaginative one, what really won me over for this series is its sense of storytelling. It’s hard to explain, but if there ever was some kind of x-factor for anime, then Kaiba would have it. This is one series that knows exactly how to progress a mystery-storyline: lots of random flashbacks, in order to flesh out both the storyline and characters, a back-story that goes way beyond the “person x killed person y in the past” and lots of different hints to keep you guessing.

This also really helps fleshing out the characters, and the interesting twist that they keep changing bodies (made possible because of the setting) puts them in interesting different spotlights. The romance can be incredibly sweet when it’s in its element and even the villains get their own piece of development.

Overall, Kaiba is definitely recommended if you’re into experimental, mystery or science fiction anime. The only bad thing about it is that the plot isn’t the most solid one, so don’t expect everything about the setting to be fully explained by the end. Nevertheless, Kaiba is an masterpiece that makes excellent use of its limited time of only twelve episodes, and it has been my top pick of the past spring season ever since it started.

Short Synopsis: Neiro tries to tell Kaiba his secret as Kaiba and Warp go out of control.Highlights: Not all questions answered, but this series somehow gets away with it…Overall Enjoyment Value: 8,5/10
And so it’s unfortunately over. It was to be expected that not every question would be answered (like, what’s up with the planet that Kaiba lives on? It turns out, only the memory of Popo got killed, but how did that happen? and in this episode Kaiba also pulls out a number of random powers that would have been better if they were introduced earlier, so I think that one extra episode would have been sufficient to answer these questions, but still this was a pretty awesome episode.

Masaaki Yuasa clearly intended this episode to go out of control and become something surreal, in a way, it’s in the same style of the ending of Kemonozume, which also came from out of nowhere. It was obviously not the best episode of Kaiba, but at the same time it was very much fun to watch. The surreal parts in this episode were definitely worth watching.

So, in the end, the thing that Neiro discovered about Kaiba was that his mother’s memory was stuffed in the ostrich, as a punishment. At the same time, probably the cutest thing about this episode was this unexpected romance between Hyohyo and the memory-guy. ^^;

At this point, I’m not sure which series to call better: this one or Shion no Ou. They were both absolutely fantastic in their own ways, and without a doubt the best series of 2008. They both had fantastic storytelling, while Shion no Ou had incredible characters, while Kaiba had an incredibly imaginative setting.

Short Synopsis: Popo continues his plans to overthrow the heavens.Highlights: This is what you get if you build up properly…Overall Enjoyment Value: 9,5/10
Holy crap! This episode was utterly utterly incredible. The best episode of Kaiba yet, and with an already incredible series, that HAS TO SAY SOMETHING. I’m still baffled at all the plot-twists that bombarded the screen for the past twenty minutes. Obviously MAJOR spoilers follow. DO NOT read this entry if you haven’t watched this episode yet.

Oh my god, I’m still pretty speechless about this episode. The entire first half of the episode develops Popo further into insanity: the strange purple mist first caused Cheki to lose most of her memories, and he then lost his mother’s memory-chip. He already thinks that he defeated Warp, so he didn’t even bother to confirm whether or not Kaiba was really dead. He first claims to love Sate, but then betrays her by showing his affections for Cheki, and with the prospect of soon ruling the entire universe, his personality keeps moving out of control.

This guy was an excellent example of a great villain. He clearly is the villain in this series, but at the same time his desires kept spiralling out of control.

But the craziest thing about this episode was definitely the domino-effect-killing scene. I repeat: MAJOR SPOILERS IN THE NEXT PARAGRAPH:

Inside the main control room of Popo’s ship, Sate kills Popo. Then the body-collector kills Sate, who turns out to be a cyborg. The three older Kaibas then gloat over their victories. Fake Warp (who turns out to be alive) then kills the body-collector and the three older Warps. As an added bonus, we also learn that the memory-guy and Sate were sisters, and they grew up watching Neiro, Popo and Cheki play together.

There were a few things I didn’t understand, though. What was up with the fans, wiping out the purple fog? Who activated them? Why did fake Warp erase the collection of all the memories, which basically meant the entire history of the world?

In any case, it’s amazing to see how much Masaaki Yuasa has learned from his mistakes. I remember how the pre-ending episodes of Kemonozume were a big mistake because the huge contrast between the light and extremely serious final episodes was way too big. For Kaiba, he made sure to build up as much as he can, he kept throwing in flashbacks, foreshadowing and different hints that all came together in this episode. This episode was dramatic, sure. But it WAS SO WORTH THE WAIT. It’s a definite candidate of the best episode of the year for me, along with episode 21 of Shion no Ou. I’m really curious as to how he plans to end this series. Kemonozume’s final episode was absolutely nothing like its other episodes, but on the other hand, Kaiba is absolutely nothing like Kemonozome, so I’m very interested, and at the same time very sad that the goodness will only last one more episode.

Short Synopsis: Thankfully, the hiatus “only” took two weeks. This week: Neiro’s background.Highlights: Kaiba’s back! Kaiba’s back! Kaiba’s back!Overall Enjoyment Value: 8,5/10
Okay, this time I didn’t care about the raws. I just wanted to watch Kaiba again as soon as possible, so I just settled for a horrible one. For this episode, we were promised Neiro’s background, and it doesn’t disappoint at all. This anime very cleverly wraps up about 50% of the questions that the previous episodes left hanging, while keeping the vital questions still a mystery, for the final two episodes to answer.

As it turns out, my theories were wrong. Kaiba is the real Warp, and he got the name Kaiba for no particularly important reason: Neiro gave it to him, because when the two met, he again had lost his memory when he met Neiro for the first time. Therefore, he didn’t know his name, so Neiro named him after the legendary plant, and only later he started to remember again. How this exactly works is unknown, but Kaiba possesses some sort of power that unconsciously erases and recovers his memory, which gets activated with either a huge mental of physical shock. Every time this power gets activated, the hole in his body increases in size.

Also, the fake Warp didn’t shoot Neiro at all, it was the real Kaiba, in order to protect her from that AI-manager who we’ve seen bothering the fake Warp a few episodes back. He properly revived her and brought her back afterwards. And as it turns out, Warp never killed Neiro’s parents in the first place. That too was just some alteration by Popo (or the memory guy, on request by Popo). That AI-manager also turned out to be one of the villains in this series. It used the fake warp to prevent Kaiba from finding out information about his parents, whom he thought he killed himself. Kaiba turns out to never have been evil, but this image was just spread by this AI-manager.

We now also know why Popo didn’t kill Kaiba when he had the hance. I can imagine how the guy needed to get a weapon strong enough to destroy Kaiba’s indestructible body, and failed to get there on time before Kaiba woke up. The shot he fired was indeed aimed at Kaiba, and not at the enemy. This gave the memory-guy the chance to escape with Kaiba, and with the help of that girl in dress (forgot her name), they managed to smuggle Kaiba away from Popo.

Now, the question remains: how did Kaiba get his first hole. Before he crashed in front of Neiro, he already had a hole inside of him, which suggests that he lost his memory due to some sort of shock before that. Also, what role is the plant Kaiba going to play in the end? And why did the memory-guy alter Neiro’s memory, if he was on her side? Was it to fool Popo?

Aagh, only two more episodes to go. I demand a second season. Or at least a series in the same style that goes on for longer than just 12 episodes! This series is too good for the treatment it’s getting.

What can I say? This episode was just incredible, no question possible. Spoilers obviously follow.

As it turns out, the memory-guy plays a vital role in the entire story. He never was aligned to Popo, but made it believe like he was. Popo probably ordered him to use the plant Kaiba on Neiro, in order to mask all of her memories and change all appearances of Warp/Kaiba into Popo. Behind his back, the memory-guy put the remains of these memories into Hyohyo. The ostrich was also a servant of the memory-guy, who indeed helped out Popo back in the first episode. That’s why he secretly let Hyohyo join Kaiba without Popo knowing about it.

And Heck, only now I realize that in Neiro’s memories, Warp’s images are also blackened out! We only saw the evil Warp shoot Neiro, but the rest of it are all images of a black-on-white caricature. I’m getting some strong urges here that Popo was the guy who really ended up killing Neiro’s parents. Why would he want to mask them otherwise? Especially since this episode shows how easily he can just kill people.

A few questions remain with this, mostly: who was the Neiro that evil Kaiba shot, and why is Neiro still alive. In this episode, we also get confirmed that Kaiba wasn’t the Warp that killed everyone, because Neiro addresses him as “Kaiba”. That leaves the biggest question that still needs to be answered: where the heck did Kaiba come from? What also seems strange is how the memory guy seems to think that Warp changed after he met Neiro, because it obviously conflicts with Neiro calling Kaiba Kaiba…

I must say that my biggest fear for Kaiba would be the episodes before the finale, simply because Kemonozume screwed up so badly at that point. It dived way too deep into melodrama for it to remain believable. Still, thankfully Kaiba has managed to avoid this flaw entirely, and this episode really used the building-up of the previous episodes wonderfully.

It’s been a long wait, but finally my beloved Kaiba is back. And what an episode does it return with! For once, Kaiba doesn’t appear in it at all, and instead it’s all about Popo, and how the bastards killed off his own mother to keep up his appearances. As it turns out, she once changed his body, which is against the rules of the organization Popo works for. That does make me wonder why Neiro was just allowed to change into Ger and all…

In any case, we indeed learn that there is another Warp besides Kaiba. This guy probably was the one who shot Neiro. If I understood things correctly, then Neiro’s body was shot, and she ended up in Hyohyo. It seems that her memory got split in two: one part works for Popo, and the other one went along with Kaiba.

That still leaves the question to: which Warp is the real one? What we know is that the body that Kaiba was in in episode one was the genuine indestructible body of Warp. I believe that the Warp we see in this episode is the real Warp who killed off those hundreds of people. Then at one point, he ran into this “Kaiba”, which stole his body. Kaiba then met Neiro and the two fell in love. Warp then tracked down Kaiba and destroyed Neiro’s body, though what I suspect is Popo’s meddling, Kaiba escaped him, somehow causing Kaiba to lose his body and get that hole through his body, after which episode 1 started.

What interests me the most is the real link between the plant Kaiba and the human Kaiba. We know that that plant has a lot of an appetite and that it eats memory, but what I want to know is how such a plant ended up being turned into actual memory. What I also want to know: who are on Kaiba’s side in this story, and most importantly: why? Why would the ostrich be working for such a plant? What’s the connection to the memory-guy to all of this?

I must say, that this series knows EXACTLY what makes a good mystery-series. I totally forgot about this, since 2007 was a bad year for mystery-series, but a good mystery-series doesn’t just ask questions, but it forces its viewer to form his own theories about what happened. This is what sets the genre apart from series that have to rely on some obscure side-story that you can only understand if it’s spelled out in front of you.

And indeed, even though I originally thought that Crystal Blaze would be a mystery-series, its mystery turned out to be just a simple back-story and the story focused on storytelling and characters instead. Instead, Shion no Ou’s mystery-plot was simple, yet it knew how to make its viewer guessing about the identity of the murderer, and most viewers already knew exactly what happened when facts were finally revealed. Nijuu Mensou no Musume is about to do the same: the simple question is: what happened to Nijuu Mensou, and there are several theories possible, and enough clues to keep you guessing.

Another great approach to mystery is the one used in Himitsu: it offers you the pieces of the puzzle for each episode, and they only really fall into place when you connect these pieces. Ergo Proxy and Boogiepop Phantom are yet another story: they just provide a few clues here and there and apart from that they make no attempt to help the viewer figure out what happened.

I now see that the series that just feature a huge setting, but withold some of this information at the start aren’t necessarily good mystery-series, and rather use the appeal of the unknown to create tension. I personally loved Dennou Coil, but it was excellent because of its plot, characters and the amount of imagination that was put into the setting. Not because of its mystery, and I’m surprised it took me so long to realize this.

At the moment, I’m wondering whether Real Drive will be able to pull off good mystery. Right now, it relies a lot on the appeal of the unknown, and it’s definitely got my attention about its concept, but interestingly enough, it hasn’t started asking focused questions yet. When this’ll happen, I wonder whether it’ll allow the viewer to speculate about the setting, or whether it’ll just carry the viewer along with its revelations.

This episode was absolutely incredible. There’s probably no better way to say it. It’s one of those very rare episodes that just blew me away due to its sheer awesomeness. Everything Kaiba has been building up to has come together perfectly. Seriously, Kaiba right now has actually a chance of surpassing Haibane Renmei as my favourite 13-episode series, if it continues on at this pace.

Seriously, in seven mere episodes, Kaiba did what other series usually takes other series 20. When I first learned that Masaaki Yuasa would direct this series, I had my doubts, seeing as Kemonozume, Mind Game and Cat Soup were all good, but seemed to lack something, though Kaiba really shows that he’s evolving as a storyteller, and Kaiba is the work of a genius.

Vanilla, sacrificing himself for Kuroniko indeed had it coming, and I haven’t forgotten the horrible things he did in the first and second episode, and yet his end was so incredibly sweet. The guy knew full well that Kuroniko didn’t like him, and he only got this confirmed with her disgusted look after he kissed her, after which he planned to send her away, back to the planet where it all began in the first episode.

And then Neiro’s past. Her memory is a bloody mess, and it’s especially interesting to see Hyo-hyo being so shocked about it. We now know that it’s got something to do with Neiro, but it wasn’t aware of what exactly was done to her. There are also more Hyo-hyos than just Hyo-hyo, so I guess that it was just assigned to do a simple task: keep an eye on Warp, and I have reason to believe that that ostrich was also part of the complot.

I suspect that, assuming that everything Kaiba saw inside of Neiro’s memory came in chronological order, Warp once got attacked by Kaiba, and got his memory copied of some sort. That’s how Kaiba was born, and Kaiba was the one who got close to Neiro and fell in love with her, at the displeasure of Warp, so he tried to shoot her, like we saw in this episode. I have no idea how Neiro managed to survive, but if I had to guess, then Popo came to their rescue. He then messed with the memory of both of them, in order to manipulate them. I’m not sure what kind of purpose Kaiba has in his plans, though.

Oh, and I HATE TENNIS. Two freaking weeks without Kaiba!? $#!!$#$!@!@!!!

Really, is there no end to this series awesomeness? This was quite possibly the best episode of Kaiba yet, for very obvious reasons. For the sake of spoilers showing up in the blog-aggregators like animeblogger antenna, this sentence is meant to fill up space. This one is meant to fill up space as well. So, this should be enough.

Kaiba finally meets Neiro! Although under very strange circumstances. She spends this episode in the form of a huge male cyborg without any hands. The thing that made this so awesome was that both of them were struggling with the feelings of being in the body of another gender. Kaiba has his first period as well, while Neiro has trouble with the male hormone-impulses.

As it turns out, Warp was the worst kind of king. He killed Neiro’s family, imprisoned thousands, and he was also probably responsible for the huge gap between rich and old, and several of the memory-clouds we see in space. That makes me even wonder why Neiro fell in love with him in the first place, because right now she seems to consider him as an enemy.

What’s more: in this episode a strange plant appears, which sucks out the memories of nearby persons. Neiro calls it a KAIBA!!! Could it really be that Warp fell victim to one of these Kaiba, and that’s how Kaiba originated? Oh boy.

The case in this episode looked a lot like the episode with the old couple in Kemonozume. Both couples have been travelling for decades now, and both suffer a huge loss as the episode went on. I must say that I prefer the Kaiba-version. This might be a small spoiler, but the problem with Kemonozume was that the ending had no point whatsoever. The two of them just turned into monsters and killed each other due to the big bad guy. This episode in Kaiba has been very deep, though. This time, just the old lady gets her memory sucked out, and as it turns out, she has been cheating on her husband. And yet the husband doesn’t matter, and he’ll just continue to travel with her memory-less body.

With this episode, I know for sure that Kaiba is my favourite series this season. The 26-episode series really need try their best in their second halves if they want to trump this series.

This episode was surreal, even for a Kaiba-episode. I think it has to do with a guy named “Jamie Vickers”, who was listed in the end-credits. His previous work includes a few episodes of Kemonozume, and the animation of the ED of Tokyo Tribe 2. This guy’s sense of style is even messier than that of Masaaki Yuasa.

This episode was all about bodies, and how they’re discarded once they die. The previous episodes have never really shown what happens to a person if he or she dies from a natural reason, but I suspect that the mind and body die together, and the body can’t be used anymore by another mind, so it is discarded and destroyed. In this way, Kai’s body also gets destroyed accidentally. Oh, and Hyo-Hyo mysteriously disappears in this episode without any clue whatsoever as to where… “it” went, apart from the fact that it saw a huge load of Neiro-like bodies with “Neiro” written on them.

Kaiba this time runs into a designer of bodies, who has become quite famous. He’s of the opinion that people shouldn’t walk around with dull bodies, and his vision seems to catch on rather well. Nearly everyone walks around with some kind of strange body. His own body seems to be actually powered by electricity, and his servant, in the body of a dog, just needs to be re-winded once in a while. This dog seems to be a former woman who took care of the… “cat”, though she got too old at one point and separated her mind from her body, just as she was about to die. The two of them also share the same eyes: the designer can only see what the dog sees, and nothing more, and therefore he’s really dependant on the dog, and they’re always together. The dog also takes care of powering this designer.

In this episode, I also noticed a huge difference between this series and Himitsu ~The Revelation in terms of privacy. In Himitsu, Aoki is very much bothered by the fact that he’s intruding the privacy of others, and yet Kaiba just peeks into the minds of others without any second thoughts, in order to find out their stories.

I also have a theory. In this episode, we learn that Kaiba’s original body was some sort of hero, famous enough to warrant his own statue, though at the same time, nobody knows who this guy actually was. I didn’t totally understand the explanation, but it seems that we’re dealing with a king here. My theory is that Kaiba and Warp are two different persons, and Kaiba was just meant to protect Warp’s body as something happened to him, involving the terrorists and Popo. That still makes me wonder what Hyo-Hyo’s purpose was, because the mission of protecting Kaiba’s body clearly failed. Heck, we have no idea where it is now. Or is there more about the locket that it just being a pretty picture?

Okay, so while the introduction of weird accents didn’t exactly help my ability to understand this episode, I still loved every bit about this episode. Really, I’m trying to think of one part of this series that doesn’t stand out, but so far this series couldn’t have progressed better. I absolutely LOVE the pair of Kaiba and the guard (I think his name was Vanilla) as they travel through various world. They stand so incredibly far apart from your usual travelling-companionship. The two of them are without a doubt my favourite characters of all new shows this season, apart perhaps from xxxHolic.

I originally thought that Kaiba would switch bodies with every new episode, but this episode proves us wrong. He just has two bodies: one of the stuffed animal and one of the girl. Both bodies are very different from the Kaiba we saw in the first episode, and it felt especially weird when the stuffed animal suddenly started talking. It turns out that normal rules don’t really apply when you’re into the mind of a person.

What’s also interesting: we see Vanilla into Kaiba’s mind this time, and there, we saw the body he was in when we found him in episode 1. The thing is also that this doesn’t seem to be his original body (because yes, this episode also gives us a small shot of Kaiba when he still had his memory). There’s nothing of that fancy outfit we saw. And really, what the hell has happened to Popo? He hasn’t appeared for four episode, and yet he seems like a vital character in all this, after the previous episode showed some hints that he was connected to Neiro.

In any case, this episode is about an old woman, who refuses to share her dead husband’s “treasure” with her two sons. They may be poor, but they’re always causing trouble for others, and don’t ever pay attention to their surroundings. Of course, the “treasure” turns out to be an ordinary memory-box, but still. The interesting thing is how this episode went into this old woman’s mind, as she’s still trying to forget her deceased husband. He fell off a lighthouse, but she never knew why. Inside her memory, she then finds out that he was just trying to pick a flower, in the hope of making his wife smile again. I probably missed the important point of this episode again, though, due to the above-mentioned dialect.

The art this time was also different from usual. It looked much more like Kemonozume than ever. While it’s usually not that good of an idea to have an episode with a different animation-style than usual (just take a look at Gurren Lagann 04), for Kaiba it works surprisingly well. Perhaps it’s because the changes are there, but not quite radical.

Kaiser-Eoghan
I enjoy TONS of subtitled stuff, but I have to admit...sometimes to re-winding and pausing when the dialogue gets heavy or complex.

Kaiser-Eoghan
I know Aico has a shit dub but sometimes I find myself watching in English and feeling lazy because its easier to watch more now that way.

Kaiser-Eoghan
I used to be able to marathon stuff so easily but now I can't do the 12 episodes in one go thing like I used to.

Kaiser-Eoghan
Something goes off, even after 30 minutes to an hour "Shit....have to see if something update...like NOW....can't stop myself"

Kaiser-Eoghan
I'm not the kind of person who messes with their phone in a cinema, but at home somehow theres this moments where I just get this distracting urge to keep checking some site, E-mail, snacking, going to the bathroom too often or lie down, look at someones doujin/smut art or write something all when I'm supposed to be doing something else.

Kaiser-Eoghan
What I mean is, I'll be reading/watching something and its not boring at all, maybe even interesting, but I can't stop pausing sometimes for...reasons and it takes me longer to get through something because of this.

Kaiser-Eoghan
I know this is pretty much an effect of living in this generation but, for those of you who experience this, how do you guys deal with "distraction." Sometimes this annoys me....

Kaiser-Eoghan
@Amagi: I'm evasive of "non-old man pubs" at night , particularly late at night, I don't want to come across any "characters" I'd prefer not to encounter.

Amagi
Well it's the reason why I never drink alcohol at home. Even if I were depressed it wouldn't change my mood so it's pointless.

Amagi
I can reach a point where I feel like dreaming but none of my character traits change. Guess it always varies depending on the person. Same with my best friend, he's just get tired when drunk, but nothing else ever happens.

Amagi
@Kaiser: Same here. Often go to pubs with friends at night but not only do I not want to ever get my mind "altered" by alcohol, it doesn't even work it seems. Or maybe it's the will or that I am just not influenceable.

KTravlos
I have been drunk, I do not like it. I do like being tipsy, but hate drunk. I generally like beer because it does not muck me up as bad as harder drinks (ouzo, raki, and I absolutely despise tequila). The first time in my life I celebrated Valentine's Day was this year. Have to say that it was not too bad.

Kaiser-Eoghan
Baccardi and Vodka were the only forms of alcohol I felt didn't especially taste "off" to me.

Kaiser-Eoghan
I also dislike Valentines day for the schmaltz, insincerity, fakeness around it and the idea there has to be "a day" for it and the captilization, commercialization of emotions.

Kaiser-Eoghan
In all my thirty one years I have never been drunk and never intend to, I dislike the idea of surrendering my mind to alcohol and feeling "altered". If anything you would be safer doing marijuana.

Kaiser-Eoghan
Its really just a day off or an excuse for 13 year olds to get drunk.

Kaiser-Eoghan
He was Welsh aswell and there weren't exactly that much snakes in Ireland to begin with.

Kaiser-Eoghan
@Mario: Its technically St Patricks day now yes. Not that I personally care for it, I got going to the parade out of my system over a decade ago, never liked the oirishness and cliches/commercialisim around it, in the end it just makes it impossible to get around the city, plus the weather is so poor its pointless going out anyway.

SuperMario
I saw some Irish flags around my area. Is it St Patrick day today?

Kaiser-Eoghan
I did listen to some of aico's dub, I don't think any of these people are experienced or professional voice actors.

Kaiser-Eoghan
Anon: B the beginning was too much of an awkward genre mix. I was content to just ignore aico because I'm not a fan of Bones as a studio but you're the second person to say it reminds them of some old ova.

Kaiser-Eoghan
@Anon: I enjoyed the combination of old and new with devilman, it even being able to eclipse the ovas, aswell as the experimental visual style and transgression, and as you said, the surprising emotional involvement.

Anonymous1889060
So i finish, B the Beginning, Aico, Devilman( What a feel's ride). and I must say that they're far from perfect, but they remaind me of 90, early 2000 anime, that i loved so much and that is a big plus. Today's anime doesnt feel quite the same in my opinion, what are your thoughts.. Now im getting excited to watch SWORD GAI!.

Kaiser-Eoghan
While obvious an anime series, After the rain often feels like a live action film.

Kaiser-Eoghan
@Mario: Actually that does remind me, I never saw Pola X by Carax.

Kaiser-Eoghan
Miike is extremely hit or miss, but I loved how Audition minipulated the viewer with its slower first half before really taking off, most of Ichi the killer is just a perversely funny black comedy to me.

Kaiser-Eoghan
Chang-dong-Lee is refreshingly less melodramatic then other Korean directors.

Kaiser-Eoghan
Benh Zeitlin is one I'm not familiar with, but it turns out he did beasts of southern wild and I enjoy magical realism.

Kaiser-Eoghan
@Mario: I wasn't aware Carax was still alive, some sgements of holy motors work, others don't , lovers on the bridge was a more accessible film I recall.

SuperMario
@Fluca: okay. Kinda fixed it. I don't think we have a spoiler code so I just changed your spoiler into white color

Kaiser-Eoghan
Every time I here the title Aico, it makes me think its some kind of eco/environmental thing, which I know it isn't.

Kaiser-Eoghan
The fate/extra Alice character (I looked her up) looks like she belongs in rozen maiden.

Kaiser-Eoghan
The modern Japanese directors can be prolific Miike and Sono pump out more than one film a year.

Kaiser-Eoghan
And it shows, that Our little sister adaptation, that live action adaptations CAN sometimes work.

Kaiser-Eoghan
Quick fact, that action crime josei anime, Bananna fish, coming out in April is based on a manga by the writer of Our little sister's manga.

Kaiser-Eoghan
@Mario: The interest being, how he would handle something so removed from his usual style.

Kaiser-Eoghan
@Mario: Actually re-checking, its next week, The third murder , which seems very different, a courtroom drama with some philosophy in it.

SuperMario
I really enjoy Our Little Sister, but I think mainly because the film is entirely within my comfort zone (Slice of life manga material, about the life of these girls)

SuperMario
@Kaiser: Which one will you see? He now directs one movie per year so it's hard to keep track some times. I really like his style and I reckon people who like slice-of-life will enjoy his movies

Kaiser-Eoghan
@Mario: Hirokazu Koreeda has a new film out, seeing it on Friday, I've only seen Our little sister by him.

Kaiser-Eoghan
@Anon: I essentially deleted the rest of the episodes off my computer after struggling through the first, like most, maybe moreso I got very turned off by the genre mixing. Thats not to say that I'm against genre mixes though, but they have to be weird, I mean really weird.

Amagi
I am not a fan of breather episodes, something most modern anime are pretty keen to insert. I hate breaking of climaxes in order to show three SoL-, fanservice- or formularic monster of the week episodes before the main plot progresses further. When I want SoL I go watch a full fleshed SoL. Aico is pretty straight forward and kinda easy to watch in one go in that regard. Nothing really new though.

Amagi
Just finished Aico. Had a few downsides like most series but I enjoyed it. Felt like a classic scifi anime you'd see in the 90s.

AidanAK47
@Anon, I watched it. Though it was mixed but a decent enough watch. It really felt like two shows hastily combined into one. Been thinking of writing a review for it and Aico once I finish Aico.

Kaiser-Eoghan
Nice animation showcase aswell though I don't know how long this will really stay i my memory, though it was nice.

Kaiser-Eoghan
Although it relies on being fairly convenient, linear and simplistic, that Mary witch flower anime movie is at its strongest when visually drawing the viewer into its world and wherever it shows spectacle. I'd say its adequately charming. Fair enough.

KTravlos
Hakata sounds like Gangasta. A series I enjoyed, despite its massive flaws

KTravlos
thanks guys. I will probably give it a try. I am also watching the Castlevania anime finally. Not really worth it for me. Also I watched the first episode of Garo Vanishing Line. I can a say it was fun.

Anonymous1881860
@Anon1880687 - I watched a couple of episodes. Feels like a foreign series. Since it doesn't feel like an anime made in Japan. I did like the group of revengers seem to have more personality than the main leads which insinuate chemistry but doesn't go deep into it. I don't remember if they explain why one of the leads chooses to dress like a girl. Though at least they give him/her a male voice.

SuperMario
@KTravlos: me. Not impressed. First few eps were alright with a set of bold characters, but later the lot just goes around in circle for these characters acting cool and cool rules the day. I dropped it after episode 6

Amagi
@Vonter: It gets more serious later although I agree it's better starting this without any knowledge about the series, like I did. I just loved the tragicomical jokes and the obsessive nostalgia Bojack suffered from and neither needed nor expected any drama but it was pretty good when it happened nonetheless.

AidanAK47
@Anon, Not really. They just wanted to find some justification for the trashy aspects for a show they liked rather than accept it.And while I understand how obnoxious it can be, there are times when people complain about a show doesn't explain itself and then get pissed off when you try to give an explanation.

Kaiser-Eoghan
@Vonter: From what I hear, while it does have comedy, by the second season not only does it improve, but its more of a drama.

Vonter
I've been watching Bojack Horseman. It's good, yet watching certain clips before the actual series made me expect a darker show. I know it's a cartoon, but some jokes reduced the impact of certain events. Though I suppose it's meant to be uplifting and not just mean spirited. It gave me some Nier and Aku no Hana vibes.

KTravlos
We watched the first three episodes of B the Beginning. I must say I enjoyed it. We will see how the rest goes.

Kaiser-Eoghan
For example, doing a rant of a film will only communicate to your intellectual friends and people already in the know, the working class guy you want to inform with your societal/political/religious ideas , was probably watching a western back in the 60s/70s, just incorporate the themes into that while not sacrificing the films appeal

Kaiser-Eoghan
With regards to pretension, I think that comes into play when you have a director trying to communicate ideas but ends up becoming ridiculously, overly polemical, its better to communicate thought provoking ideas through something straight, while also remaining some distance.

Amagi
I think it often happens when authors create things on the fly, at least with manga. You can see terrible forms of comedy/SoL -> drama/scifi switches among webcomics, which are usually done by "amateurs", some of them being pretty young. It's always good when a series hints or blatantly shows what it is during its first episodes/chapters. Not talking about mysteries but genres.

Kaiser-Eoghan
Usually for dramatic comedy to work I feel it needs to let the viewer know early on that the story will feature both....the sudden drama thing generally is a result where a funny film needs an ending and a story needs to be fabricated hastily.

Amagi
Melodrama is like genre mixes. If it does work it can be something special, but it's really hard to write and most directors just lack the talent to do so. It's like a comedy that turns serious at some point. It CAN work, but there aren't many cases where that happens. Usually they're just alienating their comedy fans and the drama fans weren't there to begin with.

Kaiser-Eoghan
If the mekodramatics can properly cast a spell on a viewer, I am open to it if the writers strong enough but in general, when I'm watching something, the best stories are the ones where the atmosphere is so assure I forget I'm watching fiction.

Amagi
I know they just want to make their audience feel good but I think it's a terrible moral or idea. Especially since most people know at least one person they loved that died from such illnesses. No matter what they did or tried to do to overcome it.

Amagi
Yeah exactly. Honestly most cancer movies are terrible I think. I also hate these series in which the main character, I don't know, wins a match for his cancer-ridden love and then s/he recovers.

Amagi
@Kaiser: Not using music can be a great method to illustrate serious moments I think.

Kaiser-Eoghan
I've spoken to my father about this, who recovered from cancer years ago, those kind of phrases irritate him, hr said "Yeah....you don't battle, fight cancer, you fucking suffer through it, then if your lucky you get through it"

Amagi
I mean, again, I loved Madoka but I see how this method they used is kinda cheap. It's still better than many other series of that type. I am aready looking forward to see how terrible Magical Girl Site is, the trailer looks like a psycho face trash fest.

Kaiser-Eoghan
The really annoying thing is when some of these docs and dramas use phrases like "her battle, her FIGHT, her BRAVE fight against cancer.

Amagi
I enjoyed Madoka but I know what you mean. I think I will never rewatch Madoka but I love to see certain Tutu- and Sailor Moon scenes from time to time. I think Madoka is kinda similar to netflix shows or code geass in that regard. It always ends with some evil cliffhanger to hype you up for the next episode and it throws in one shocking revelation after another for the same reason.

Kaiser-Eoghan
@Amagi: On the music thing, some documentaries do this. What I loved about Shoah and night and fog is that the directors showed the landscapes/buildings where it happened and never used music.

Amagi
I mean I know how bad ww2 and other things were. I really don't need rain, sad music and lots of actor tears to realize that. It reminds me of the laughing tracks sitcoms have that tell you when you have to laugh. And newer movies have exaggerated effects as well, not a fan of that. I rather see well thought-out content than a bomb-show. Not to mention that I hate sensory overload.

Kaiser-Eoghan
Its also kind of why I can NEVER look at hentai of something I enjoyed when I was young.

Kaiser-Eoghan
I grew up with Cardcaptor Sakura and Sailormoon and looking into lighthearted mahou shoujo , I don't mind nanoha and tutu, but there was always the feeling madoka was corrupting something.

Kaiser-Eoghan
On dark moe, I've stopped with lol edgy when criticizing Madoka, I realize that its the equivalent to Batman porn to me, the idea of that level of a slant on a genre I went for when I was a kid.

Amagi
I agree. I was interested in Schindler's List when I was ~12 or so because it was something new for me. Nowadays I realize it's not really my thing, there are many western war shows that come of as too "pathetic" to me, they feel too much like, well, Hollywood blockbusters (which is what they actually are) than a serious commetary on war or so.

Kaiser-Eoghan
@Amagi: Thats the trouble I have with Hollywood , a film about Autism like Rain man or a mental illness movie like I am Sam, these American movies never seem real and the depictions feel so hammy and inaccurate.

Kaiser-Eoghan
On the dark moe trope, rather than throwing out words on it, its the tonal inconsistency that gets to me.

Amagi
Yeah the opposite is bad as well. A show can have good intentions, even lots of good ideas but still have a bad execution.

Kaiser-Eoghan
Schindler's list is a great example of this, personally I think popcorn drama/oscar baiting the holocaust is somewhat distasteful and the film comes off as comparitively ingenuinely when I've seen a couple of eastern war films by people who actually lived during the war.

Amagi
And "egdy" is very much about the tone a series has and not so much the actual content. Therefore it has to be explained as well, a dark series, even one with lots of blood, isn't necessarily edgy, it depends on the stance the autor has, whom we're supposed to root for and why, how characters and scenes are depicted and the overall tone, moral and so on.

Kaiser-Eoghan
On another note, to go back to "critic proof", this is a terrible practice because it allows people to take an easy topic for a story and it become forbidden to give a bad review.

Amagi
Yeah, "badly written" for example doesn't mean anything unless you're gonna illustrate how it is badly written by showing and analyzing examples from the show and explain why the writing for these scenes is weak

Kaiser-Eoghan
Thats why I like here, people actually talk about a show in some detail, even the reviewers.

Kaiser-Eoghan
An non-backed up opinion when I'm looking for a show to follow doesn't tell me anything, how am I meant to know to watch something based on a single word or sentence?

Kaiser-Eoghan
I suppose its less of a case of buzzwords and more how people don't explain anything . The reason I say I have to do a 300 word review or long opinion on something is because I feel buzzwords and one word/one sentence opinions are un-helpful.

Kaiser-Eoghan
@Amagi: And I think thats certainly an issue, the lines being bkurred between shitposting/trolling and genuine critique .

Amagi
I mean there are a lot of badly written shows out there or shows that are too tryhard, but people often use these phrases as buzzwords for everything and don't state reasons for using these terms for a specific show. I see tons of "egdy" posts as soon as a series is a bit darker than the usual harem and it's hard to distinguish these pieces from actual shitposts or trolls.

Amagi
It sounds better to say that I don't like something because it's too egdy, too stupid and pure pandering (when it's about moe) or "badly written" than saying that I can't relate to certain settings, characters and so one or that I've seen a certain idea too often.

Amagi
@Kaiser: I think many people just don't want to admit that disliking a series is usually a subjective thing. They rather want to credit their own intelligence for not liking it.

Kaiser-Eoghan
Tetsuo , bubblegum crisis, cyber city oedo are other good ones as was goku midnight eye.

Kaiser-Eoghan
@Vonter: It was the rebellion bit that got me worried if they were planning some sort of follow up.

Kaiser-Eoghan
I, robot eh? I remember that one, I don't mind Will Smith but he's not convincing in a serious role.

Vonter
The replicants preparing for war, took me out of the movie, since it was delivered like a footnote for your action blockbuster, kinda like how they ripped apart I, Robot.

Vonter
Still I got reminded why it inspired manga and anime like Akira, Cowboy Bebop and many others. There's a lot of atmosphere, and like I said, the visual storytelling is very strong. Since there were a lot of double meanings to several shots early in in the film. The egomaniac Jesus wannabe villain felt very odd, especially his speechifying.

Kaiser-Eoghan
But I'll have to see it again with that extended cut when I'm less the victim of hype.

Kaiser-Eoghan
Theres a certain idea of....they made an OKAY blade runner sequel, it wasn't allowed to be bad or great.

Kaiser-Eoghan
@Vonter: Its a case really of, you had a four star film! Then turned it into a three star!

Kaiser-Eoghan
Then again I am interested when Denis will be going back to his arthouse films instead.

Star Crossed Anime Blog

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