Anyone who wishes to buy a DSLR camera these days will have tough time choosing, thanks to the range of choices available from different makers. While there is a tendency to pick a camera based on the popularity of a certain brand, you should go deeper than that. In fact, you should answer a couple of questions before you go on a search.

Questions to Ask Before Buying a DSLR

What is your skill level? Are you a beginner? Do you have any experience with other kinds of cameras? Are you shifting from using a smartphone camera to a DSLR? Answering questions like these will help narrow down your choices. Entry-level cameras are geared towards beginners while experienced users can choose between intermediate or professional models.

What are your usual photography subjects? This might be difficult to pin down, but having an answer to this question can help you choose a camera that fulfills your needs, especially in terms of lens and accessory offerings.

What do you want out of a DSLR camera? Do you want a camera that takes good still photos? Are you also interested in shooting video with your DSLR? Answering those questions can help you decide which model suits you best.

What is your budget? Decide on how much you are willing to spend on a DSLR, whether you are paying for it in cash or credit card.

Are you looking for a camera body only or a camera kit? Beginners usually start with a kit while more experienced users go for the body only because they already have a stash of lens and accessories that will work with the body.

Camera Technologies to Consider

After you’ve answered the necessary questions, decide on the technologies you’d like in a DSLR camera:

Nikon D850 DSLR

Sensor

These are important because they dictate the amount of light needed to create an image. DSLRs are available in APS-C or full-frame image sensors. Both sensors are big and can create exceptional images. With the full-frame sensor being bigger, it can perform better in low-light situations.

Monitors

The rear monitor lets you review images, compose shots, and access the menu. It would be helpful if the camera offers coverage of the entire frame, but not all cameras offer such a feature. Size is also important, with most cameras now equipped with 3.0-inch monitors. Plus, some monitors have touchscreen capability, which is useful for those switching from smartphones.

Canon EOS 5DS

Stabilization

This can be incorporated in the lens or in-camera. The latter provides stabilization no matter the lens being used, which is helpful for handheld shooting.

Autofocus

The focusing method used in DSLRs determines how fast it can lock onto a subject. Many cameras now have multiple AF points, with some being cross-type points.

Accessories

Think about how you will use your camera. Some allow microphones to be connected for better sound quality while other models support optional battery grips.

Buying a DSLR isn’t meant to be taken lightly. If you don’t want to regret your purchase, think really hard about what you want to get out of it then make a comparison and ask around. From there, you can have a better idea of what DSLR is the right fit for you.

A mirrorless camera offers more or less similar features as a DSLR camera. So what separates them? A couple of things, in fact. First off, mirrorless cameras (also known as CSCs or compact system cameras) tend to be preferred for their size compared to the chunky DSLR. Second, CSCs can be expensive, especially if you need a viewfinder because it doesn’t come with one.

But other than that, you get more or less the same specifications between a DSLR and a mirrorless camera. What else should you know about the sophisticated mirrorless camera should you want to invest in one?

It doesn’t have a complex mirror system

The non-existence of this feature in a mirrorless camera means that it is much lighter and smaller than a DSLR. In other words, they aren’t so different from compact cameras when it comes to size. Even better, those migrating from a compact won’t have too much trouble adjusting to a CSC compared to a DSLR.

Since it doesn’t have a mirror system, it doesn’t have a viewfinder for composing shots. Instead, you frame a scene using the rear screen but some consider this to be a disadvantage. To remedy that, users can purchase an electronic viewfinder.

It doesn’t have an extensive range of lens options

While it does support interchangeable lenses, there’s still not a lot of lens options for CSCs. However, as more people are warming up to the concept of a mirrorless camera, that lens range will surely grow in the coming years. Olympus and Panasonic offer the best range at the moment, especially the Micro Four Thirds offering.

The size of a CSC is also one of its major selling points. However, attaching a rather hefty lens still adds weight to the portable camera.

Fujifilm X-H1 Mirrorless Digital Camera with 16-55mm Lens

It has a faster autofocus system

CSCs make use of sensor-based autofocus, a number of which are contrast AF based. These types are usually faster than their DSLR counterparts.

More sophisticated CSCs also feature hybrid systems that combine contrast AF with phase-detection pixels. Models like the Fujifilm X-T2, Panasonic Lumix G9, and Sony Alpha A9 all feature these hybrid system that make them quick at locking on a subject, as well as following them around.

It is great with 4K video

If you are a user with a mind to the future, you want to be on the 4K path now rather than later. DSLRs for entry-level users have been slow to offer this feature while mirrorless cameras offer it even to starters. Plus, the ease of use that accompanies CSCs make them a better fit for those who are daunted by camera technology but still want a device that can take great images and video.

It comes in different designs

There are two, as of the moment. A mirrorless camera can resemble a classic rangefinder or it can look and feel like a DSLR. Which choice is best depends on you, but good factors to consider are a quality chassis and weather-sealed construction.

The future seems headed in the way of mirrorless cameras. That and there are a couple of good models already available, including the Panasonic Lumix GX800, the Sony A6000, the Fujifilm X-T20, and the Olympus OM-D E-M10 Mark III – just to name a few.

The most-awaited gadget orgy has just started in Las Vegas and the world is hoping it will bring more sanity or insanity to the world of tech. Nothing could be more satisfying than seeing last year’s smart consumer electronics become smarter than ever.

8K Concept TV

The 88-inch 8K OLED display is just one of the commercial proofs of concept presented in the event, which is a truly amazing idea, but one that many would have resented, especially those who have recently switched to 4K. It is definitely something to look forward to.

But, for now, the new kid on the block is a 4K TV with better HDR that is paired with Dolby Vision and other features. Better is in the formats of HDR10+ and Hybrid Log Gamma (HLG) HDR.

Voice Assistant Speakers

The 3.5mm jack remains important for audiophiles and is unlikely to change now that headphones and earphones are seen to adopt voice assistants, the same way that some smart speakers have. The trend, however, points more to voice assistants integrated to speakers.

Slimmer, Sleeker PCs

While many favorites are likely to look the same, some PCs may come with a slimmer frame, thinner bezels, and improved batteries. Some may be offered in new colors as well. As for features, the most prominent one is advanced sign-in.

Headsets for PCs, on the other hand, will shift from VR to AR, while the Pascal cards from Nvidia offer refinements in gaming rigs.

Fashionable Wearable Hybrids

You are going to see wearables and fitness gadgets in CES but nothing mind-blowing or extraordinary. Most of what you’ll find are analogs made fashionable and built with basic notification and tracking capabilities.

Smart Home

With more products integrated with voice control capabilities, expect home gadgets to be smarter than ever. Still, the Internet of Things remains central to such devices so you can expect some impractical yet expensive gadgets presented in CES.

VR Video Cameras

Although many of the major camera brands don’t attend CES, some off-brand VR video cameras will grace the event, along with other 360-degree cameras and drones.

The problem started following the company’s attempt to expand beyond its video camera business by making drones and creating a media and entertainment unit. When these efforts failed to make a buzz, multiple rounds of job cuts were made.

15% of its workforce was cut November 2016 and eliminated its entertainment division. The move was done in an effort to gain profitability come 2017.

GoPro’s Karma drone was expected to lift sales but trouble was already encountered from the get-go. Thousands of the drones that hit shelves in 2016 were recalled due to a glitch that had them falling from the sky due to an abrupt power shut down, resulting from the battery disconnecting mid-flight.

Sales of the drones were temporarily stopped, even when the technical glitch was fixed.

The products only returned on the market February of 2017 that brought in a positive boost for the company’s finances. However, it was not enough.

Karma’s appeal may have been eclipsed by DJI that introduced to the market Mavic Pro and Spark, its own portable drones.

DJI was once GoPro’s partner in a project that became the Karma but parted ways. The company is also said to be taking advantage of the action camera maker’s attempt to diversify.

Although GoPro’s efforts to expand was due to competition, it was those same efforts that led to major job cuts.

You’re not alone in your dilemma. There are differences between the two which beginners and those who are still testing their skills using a Digital SLR camera will have difficulty understanding.

One thing is sure, a digital camera is never without a sensor, what with it being the most important component. After all, it captures an optical image and converts it into an electrical signal that, when optimized, is converted into a digital image.

The format, on the other hand, indicates the image sensor’s size. This is where DX and FX come in.

What is the DX-format sensor?

This is a smaller sensor that measures 24x16mm. It is used in several Nikon cameras – entry-level D3000/D5000, semi-professional D90, and professional D300. Due to the size of the sensor, the subjects appear more magnified.

Any digital camera with a sensor smaller than film is referred by Nikon as DX. All Fujifilm DSLRs are DX cameras as well as other Nikon models, including D1, D2x, D40, D70s, D80, D3000, D5300, and D7200.

What is the FX-format sensor?

This is the larger sensor that measures about the same size of a 35mm film or 36x24mm. It is designated as full-frame and first appeared in the Nikon D3 FX camera, the first DSLR from Nikon that has a 35mm equivalent digital sensor. Since then, more cameras were produced with an FX-format sensor, such as the D3s, D4s, D5, D600, D700, D800, D810, and Df.

Nikon discovered that by increasing the pixel size, the problem with low-light situations in a DX sensor is reduced, what with the sensitivity increased. This is why Nikon increased the size of the pixel by 2.4 times.

Any digital camera with a sensor size similar as a film is referred to as FX.

What are the differences between a DX and FX format sensors?

DX-format sensor

Less expensive, smaller, and lighter

Features a “Telephoto” effect

Can work with “normal” and specially designed smaller lenses

Less vignetting and more sharpness

Smaller dynamic range and viewfinder image

Lack “super-wide” lenses

Inferior performance under low-light situations

FX-format sensor

Higher dynamic range and more control over depth of field

Better performance and image quality in low light-light situations

No need for conversion since you get “True” angle of view/focal lengths

More expensive than a camera with a DX sensor

Larger and heavier in build

Doesn’t work with lenses designed for smaller sensors

What are the similarities between the two format sensors?

Both have an imaging circle since lenses are all designed with one. This covers a particular capture area. The size of the imaging circle varies between FX and DX sensor size, with the former having a bigger one.

Some DX sensors can cover an imaging circle the size of an FX sensor at certain focal lengths. FX lenses, however, can be used on DX bodies.

Based on the information above, it will be easier to decide which type of format sensor to choose. One quick solution to map out equivalent focal lengths for lenses and see which one offers better flexibility.

Camera modes

Think of them as pre-set buttons where all the settings have already been set on your behalf. Considering that different situations call for different exposure requirements, having these modes to choose from makes it easier on your part to take photos in different environments and scenes.

What you should know, however, is that using pre-set modes doesn’t always guarantee the perfect quality image. Taking a portrait shot, for example, is easier with a portrait mode. But you might need to trigger a flash when you’re taking a photo into the sun to brighten up your subject’s face.

These modes are perfect for beginners, however. But make an effort to learn more as you go along, so you can use manual mode and get the best exposure requirement for every shot in different environments.

Aperture

This refers to a lens’ opening that is measured in f-stops, such as f/8, f/5.6, f/4, f/2.8, f/2, and f/1.4. In this range, f/8 is the smallest opening, while the f/1.4 is the biggest. Aperture also takes into account the amount of light that gets through the lens.

Adjusting the aperture will affect your shot’s depth of field (DOF), or that amount of the shot you’re taking that is in focus. A large DOF keeps most of your image in focus, while small or shallow DOF keeps only part of an image in focus, leaving the rest fuzzy.

ISO

In digital photography, this refers to your camera’s sensitivity to light. The lower the ISO the less sensitive it is, and the higher it is the more sensitive your camera is to light.

100 is the normal ISO. In darker situations, a higher ISO setting is used and the opposite in brighter settings.

Take note, however, that some cameras can’t handle higher ISO settings and may leave your photos grainy.

Shutter Speed

This refers to the amount of time that a shutter is open and your image sensor captures the image you want to shoot. It is measured in seconds and is generally set at 1/60 of a second. But it can go pretty high since the speed usually doubles with each setting.

Shutter speed, along with ISO and aperture, is part of the exposure triangle, or the 3 main settings you need to adjust to get the best photo.

In addition, you should learn about Automatic Exposure Bracketing (AEB), White Balance, and Aperture and Shutter Priority Modes. Start with these settings and you will be on your way to making the most of your DSLR camera.

A camera that is designed strictly for video tends to be quite huge. It’s not something you can just leisurely carry anywhere for shooting noteworthy scenes. While there are compact-sized cameras capable of shooting video, they don’t offer the same creative opportunities as shooting with a DSLR or other video-centric models. But since video and stills are two different beasts, how exactly do you get started with video capture on a DSLR?

Choose a frame size and frame rate based on the video’s purpose

Why are you shooting a video? Are you documenting your travels? Where are you going to showcase your footage? Answering these questions helps you decide what frame size as well as a frame rate.

The frame size you use is pretty important because it not only dictates the video quality but also where you can showcase your work. For example, a 1920×1080 video puts your video at HD resolution which is enough to put up on big screens. It should also be noted that frame size also dictates file size. A large frame size always results in a bigger file size.

Since video is basically a bunch of still images moving at a really fast pace, this brings up the importance of frame rate. Expressed in frames per second (fps), frame rate refers to the frequency at which frames are displayed. It has become standard to use 24fps because it allows a smooth flow of movement, but some have even upped that (if supported by the camera) to 30fps, 48 fps, and even 60fps.

So just like frame size, you decide on the appropriate frame rate for the purpose of your video.

Use a shutter speed that compliments your frame rate

The shutter speed you choose should match up with your chosen frame rate for the resulting video to look natural. We won’t bother too much with technicalities but the rule of thumb is this: shoot at 1/(frame rate * 2). For example, if you’re shooting at 25 fps, your shutter speed should be at 1/50.

But “breaking” the rules somewhat allows you to achieve more creative effects. For example, deliberately choosing a slow shutter speed creates more blur thus making the video look more “dreamy.” On the other hand, using a faster shutter speed allows you to present a somewhat hectic feel.

Essentially, the creative choices you make are yours (except of course when you also have a client to please).

Do not use the camera’s internal mic to record sound

Yes, it is a convenience to not have to lug around extra equipment when going on a shoot. But unless you are planning a silent video, the overall quality of your footage greatly depends on your audio. As such, it helps to record sound externally so you can really focus on individual qualities. Doing it this way allows you to record high quality video as well as add on an equally great sound quality.

These may be rather basic guidelines on shooting video with a DSLR but knowing the essentials helps you on your way to creating better videos.

With all the drones on the market, choosing the best one can be quite a challenge. You need to learn the difference between camera drones and other types, such as hobby-grade drones, racing drones, toy drones, and DIY drones.

To make the most of your purchase, there are other factors you must consider as well.

Camera Drones Buying Guide

DIY vs RTF vs ARF vs BNF

UAVs may come DIY (requires assembly), RTF (ready to fly), BNF (Bind-and-Fly), and ARF (Almost-Ready-to-Fly). The first two come complete with all the necessary components, while the last two may lack a part or two.

A BNF quadcopter, for example, does not come with a controller but could work with your existing controller provided that it is compatible.

The RTF and the BNF are also delivered completely assembled but the ARF is partially assembled and the DIY requires full assembly.

What you choose will depend on whether you are a beginner or has a knack for putting together and taking things apart.

Budget

RTF drones cost slightly more than DIY ones. If you need to buy other components separately, you need to take that into consideration as well.

Most people, however, say that they find it difficult to fly a cheap drone than an expensive one. So be ready to make a significant investment if you want a drone with the best components and features.

Flight time

When shopping for a camera drone, always check the average flying time with a single charge. This way, you will know if you need a backup battery in the event that a photography session takes longer to finish.

Most drones have a minimum flight time of between 10 and 12 minutes with a battery that takes 45 to 90 minutes to fully charge. Flight time can shorten if you keep doing tricks and flips.

Some drones come with a rechargeable battery while others don’t. This can have an impact on a drone’s flight time.

Controller

A majority of drone controllers operate at 2.4 GHz frequency range which will tell you how far it is you can fly a drone before it is out of the range of your control. Some new models, however, may come with better features and specifications. This is why you must check controller specs, control guide, and management features.

Sensors

GPS and temperature sensors are just some the few sensors you are likely to find onboard a more expensive unit but not on cheap drones. So if you want to be able to adjust longitude and latitude values of your quadcopter, for example, choose one with the necessary sensors.

Camera

Since you are in the market for a camera drone, it is important that the drone you choose has the ability to carry a camera unit and perform a wide array of camera actions. These include taking aerial shots from different angles, recording with high quality, and capturing stills with information about an active location.

With these in mind, buying a camera drone is easier. Now all you need to do is add one to your cart and click checkout.

Christmas is inching ever closer and if you’re still racking your brain about the kind of present to give that drone enthusiast in your life, hopefully the gift ideas on this list will help sort out your shopping list.

For those expressing an interest

Let’s face it: drones from the big names tend to be pricey. Of course, they are made of higher quality material and are carefully crafted to ensure the best experience. However, you might be hesitant to purchase such an expensive machine for someone with just a passing interest.

How can you satisfy their interest without breaking the bank? The answer is getting an inexpensive drone with more or less the same features as those premium models. There are many drones that fall in this category, including the Altair UDI Discovery 2 AA818 that is ideal for both recreational flying and aerial photography.

For the intrepid explorer

There are varying levels of interest in drones. Some just like to fly an unmanned vehicle around the home for pleasure; others step up another level or two by taking their drones around on trips so they can get aerial views. For this kind of enthusiast, a Powerextra Waterproof Carrying Bag Case will do to ensure their equipment is protected during their travels.

The bag is specially designed for DJI 3 Professional, Advanced, Standard, and 4K quadcopter models, including their accessories. Features of this bag include double EVA protect for the best protection; space to accommodate batteries, charger, propellers, controller, and other accessories; and side and back pockets for storing items such as smartphones, iPads, and more.

The Powerextra bag is also compact and lightweight, making it comfortable to carry around during trips.

For the rather advanced enthusiast

If the drone fan in your life likes tinkering with their equipment, maybe giving them a set of tools like those in the Parrot AR Drone 2.0 Tool Kit is a good idea. Included in the package is a Phillips screwdriver for removing and reassembling motors; a Torx screwdriver for use on the main board and navigation board; and a special circlip tool.

For those who want smarter batteries

If you know someone with a DJI drone, why not get them an Intelligent Flight Battery? This is different from a traditional battery in that it features built-in sensors and bright LEDs so its easier to check on the status of the battery as well as its remaining power in real time.

This is a great gift for those who want more information about battery life, but do keep in mind to purchase one that is made for the exact same drone model they have.

For the one who just loves filming

Storage is important when filming, and it always helps to have extra cards when shooting. You can get your drone enthusiast friend or family member a microSD card or more with the maximum storage capacity supported by their drone. This way, they have more than enough storage for various footage.

Drones may be sophisticated machines, but you don’t need to spend too much to satisfy the enthusiast in your life come the Christmas season. Consider the items on this list when you go shopping.

The best cameras of today can cure some of the most common photography mistakes you can make, but advances in camera technology cannot protect you from taking bad shots. And sometimes, the blunders you make could have easily been avoided had you bothered to learn a bit about your camera.

That said, if you want to avoid returning home from a photography walk or photography excursion with a storage card filled with missed opportunities, take note of the common mistakes photographers make and how you can avoid them:

AF done wrong

The beauty of autofocus (AF) is in the name itself: it does the job for you. But just because a camera offers the function doesn’t mean you can trust it 100%. Yes, even the lenses and cameras of today can’t help you achieve the shot you want if you don’t put in a bit of effort.

Apart from flicking on the Autofocus switch, you also need to choose how the camera will focus. One-Shot AF or Single-Servo AF is best for stationary subjects while moving subjects are best handled by AI Servo AF or Continuous-Servo AF.

The actual autofocus point you choose matters as well. This is you choosing where the camera will focus. It could be a single point or multiple ones – the choice is yours. That said, it’s always best to focus on the eyes when taking portraits.

Shaky and un-sharp photographs

Cameras and lenses already have image stabilization built in, but an incorrect shutter speed setting can still ruin a what was supposed to be a perfectly good shot. Some shaky and blurry photographs are hard to fix, so it makes sense to get everything right from the settings to the way you hold your camera.

A good guideline to follow for getting sharp photos is the reciprocal rule. This involves setting the shutter speed equal to the lens’ focal length. But not all sensors are the same, and some maths will be needed to calculate your ideal shutter speed setting. What you can do instead is use a shutter speed equivalent to the maximum focal length.

Using a tripod can help with stabilization issues (and shots where you need to really slow it down) but if you want to shoot handheld, make sure to find something – a wall maybe – that can help stabilize your shot.

Really dark photos and blown highlights

Sure, there are ways to fix this when shooting in RAW but it can’t save you all the time. Knowing how the different elements of the exposure triangle affects each other can save you time correcting mistakes in post.

Not understanding how light works

There might be camera’s that can shoot well even in low-light conditions, but that’s not an excuse for not wanting to understand how light affects the scene or subject. For example, the soft, warm light a little after sunrise or sunset is ideal for landscape photos. On the other hand, the diffused light from overcast days make for better food photos.

Yes, there will be times when the conditions of the day don’t match what you’re trying to accomplish with your photographs. But you can still take good landscape images on overcast days and great food pictures on a bright and sunny day. It just takes understanding how light works.

Crooked horizon

Tripods can cure issues with horizons, as can editing in post but you also run the risk of losing some detail while doing so. So the trick to achieving straight horizons is to really focus on getting it right and always ask yourself: “Does this look straight?”

Photography isn’t something you get right by purchasing the best equipment. It takes practice to understand how everything works. And if you keep at it, you will find yourself making less mistakes and producing more quality images.

By now you probably know enough about how the exposure triangle affects the outcome of your photos. Let’s throw in another term for you to know: depth of field (DoF).

How best to explain the concept to you? In the simplest sense, DoF refers to just how much of your photograph is in focus. With that in mind, it follows that an image can have a shallow DoF and a large or deep DoF.

Consider a single flower as the main subject amongst a field. A shallow depth of field will highlight that one bloom while the rest are visible but not in focus. A large depth of field will showcase that flower along with others.

Controlling Depth of Field

You’re probably aware by now that aperture controls how much light gets in. This, together with your distance from the subject, affect DoF.

As you know, aperture is this strange element where the lower number signifies a wider aperture. For instance, an aperture setting of f/1.4 allows more light in than one set at f/22.

To make this more simple to understand: a large aperture (small f-number) produces a shallow DoF while a small aperture (large f-number) creates a deeper DoF.

You can do a little DoF exercise to better understand the concept. Choose a subject for your series of photos. Keep everything else the same – the subject itself and your distance from it – while you tinker with the aperture. In fact, it might be best to work with a stationary subject or a someone willing to pose while you take pictures.

Compare all the images and notice how changing the aperture altered how much of the image was in focus and how much light was allowed to get in.

Distance and Its Effect on Depth of Field

Distance plays as much a part with regards to how much of your photo is in focus. Getting closer to your photo produces a shallow DoF while moving further away creates a deeper DoF.

When you want to highlight details of a particular subject, you want to get as close to it as possible. On the other hand, if you want to show a subject in relation to its surroundings, you would want to move farther away to take the picture.

Based on that, you could venture a guess that larger depth of fields are mostly utilized in landscape photography. You want as much of the scene in sharp detail.

Portraits and other close-ups of subjects are examples of when you want a shallow depth of field so attention is drawn on the subject while the background is blurry or has a “bokeh” effect.

Focal Length and Depth of Field Control

Lenses can come in primes, telephotos, and zooms. As such, explaining how it affects DoF necessitates venturing into technical matters. But it can be explained briefly like this: a longer focal length results in a shallower depth of field (minding distance and aperture as well).

DoF provides a way for you to capture a scene as you see it. Be as creative with it as you like. Keep practicing with various subjects and you’ll definitely get the hang of it.

When you have started to fall in love with travel photography or if you are out on a vacation and want to be ready to capture images of your travels then you need to prepare at least the essentials when it comes to being a travel photographer.

There are a lot of things that you can bring with you during one of your exploits and it would depend on how much weight are you comfortable travelling with. In theory you can even bring a whole studio with you if you want, but you have to take into account a lot of factors.

One practical factor you must take into account is how much luggage you are allowed to bring when travelling through plane or by boat. Knowing this detail full well will help you plan out the things you want to bring more efficiently and help you avoid having to pay extra for excess luggage.

With that out of the way below is a list of some of the most important and essential camera gears you can choose to bring with you and help you experience a great time capturing your adventure.

A Portable Tripod

There will be shots wherein you will need a stable and reliable tripod. Having one ready in your bag will be a total lifesaver; this is especially true when you come across a shot that needs a stable platform with an impossible angle for your camera to take. You will also need a tripod when you want yourself to be in the shot and there is no one (reliable) to take the shot for you. Just be sure to choose a tripod that is sturdy enough to bear the weight of your camera.

Extra Memory Cards

When you have bought your camera you should already have researched the type of memory cards it supports as well as the size of the memory card that can work well with it. When out travelling you will never know when you will run out of memory and there might be no store in sight selling memory cards that you can conveniently go to. Having a couple of preformatted memory cards ready at hand helps you to continuously enjoy taking photos and videos of your travel. Have a system in place that helps you to quickly determine which of the cards have full memories and which are fresh.

Extra Camera Lenses (preferably the nifty-fifty)

Having more than one camera lens to add variety to your shots is one of the best ways to make the most of your photography travel experience. A favorite among travellers, especially notorious street photographers is the ‘Nifty-Fifty’ lens. This is the nickname people give for the 50mm prime lens. This lens is a favorite since it is arguably one of the best lens to use for street photography that gives the photographer more realistic takes from the world around them.

Extra Battery

Investing in good batteries for your camera is one of the best investments you can do when starting out in photography. Being a beginner requires you to take a lot of shots to help you improve your skills. Having an extra set of batteries will certainly help you with this goal.

These four are just some of the most common tools to bring when you are out on a photography adventure. There are more gears that photographers can’t do without out there and it is up to you to find out which of those are for you.