Description:
A Continental sculpted white marble model of the Venus de' Medici, second half 19th century, after the Antique, portrayed standing, with head to sinister, her arms raised before her to protect her modesty, her weight on her left leg, beside a support modelled as a dolphin mounted with two amorini, on a circular base, 94.5cm high; atop an associated octagonal stone composition socle, height overall, 106cm. The Medici Venus is a lifesize Hellenistic marble sculpture which, in itself is a 1st century BC marble copy, perhaps made in Athens, of a Greek bronze original following the type of the Aphrodite of Cnidos - a piece made by a sculptor in the immediate Praxitelean tradition. Currently housed in the Uffizi Gallery, Florence, it has become an iconic reference point in the formation and development of tastes in European art.

Description:
A Continental green serpentine marble and gilt metal mounted pedestal, early 20th century, the revolving square top above a Composite Order capital, the shaft descending through a foliate cast collar to a square section pedestal and base, 83.5cm high

Description:
After William Drummond and Charles J Basebee, The cricket match between Sussex and Kent at Brighton, Engraving by G.H Phillips with hand colouring (restrike) Together with a further aquatint of the interior of the Fives Court with Randall and Turner sparring, hand coloured (2) The larger 70cm x 100cm

Description:
A walnut and caned daybed, late 17th century, the headboard with scroll terminals, with a central double caned panel flanked by turned supports, on a rectangular caned base with turned support and the end with arched shaped carved stretcher, approximately 116cm high, 70cm wide, 167cm long

Description:
A walnut chest on stand, circa 1740 and later, the rectangular top above two short and three long drawers, on a base incorporating a long drawer, on barley twist legs, united by stretchers, 126cm high, 99cm wide, 57cm deep. Provenance: Nunney Court, Wiltshire, formerly the residence of Mr Rob Walker, owner of Formula One's highly successful Rob Walker Racing team.

Description:
A moulded and cut glass and brass mounted ceiling lantern, second quarter 20th century, the domed shade with vertical ribbing above a gallery of openwork arcading, suspended by three openwork supports beneath a pierced cylindrical top, the dished underside hinged to one side and with conforming terminal, 50cm high excluding hanging chain

Description:
A Victorian walnut luggage stand, circa 1880, with a slatted top on ring turned tapered legs united by conforming stretchers, stamped with a number to the underside, 44cm high, the top 68cm x 41cm overall

Description:
A William and Mary brass lantern clock, William Martin, Bristol, circa 1690, the posted bell striking movement with verge escapement and pendulum swinging outside the frame to the rear, the dial with symmetrical scrolling foliate tulip engraved centre and pierced iron hand within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and signed W'm Martin, Bristoll to lower edge, the angles with leafy infill, the 'Bristol' frame with one-piece column turned corner posts beneath dolphin engraved and pierced frets, integral tall vase turned finials and domed bell bearer, with brass side doors and hanging hoop to rear, on ball feet, (strike train rebuilt, lacking backplate and spurs), 37cm (14.5ins) high; with a 17th century style carved oak wall bracket carved in relief with entwined dolphins to the break-arch back panel. William Martin is recorded in Moore A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as working circa 1689-1739, he married Ann Loosley in 1689. Moore notes several clocks by him including a fine walnut longcase clock that is now in the possession of the Library Company of Philadelphia, having once belonged to William Penn who is believed to have purchased the clock prior to his emigration to America in 1699. Please note: The estimate for this lot has been revised and should read £1,600 to £1,800

Description:
A painted silk and sequin applied pleated fan, 19th century, the central panel decorated with a Watteauesque scene of a courting couple, flanked to each side by quatrefoil reserves, all on a ground of scrolling foliage and floral swags, on carved and parcel gilt bone blades, 52cm wide, opened, later mounted within a stained hardwood and glazed case, 38cm high, 64cm wide; and a smaller example, also 19th century, with a figural scene in the Classical taste painted on pleated paper, similarly mounted and cased, the fan 40cm wide, opened; the case 30.5cm high, 48cm wide

Description:
A set of four cast metal three light wall appliques, second half 20th century, the sockets on stems within openwork casings formed of conjoined foliate scrolls, 48cm high, 20cm wide, 14cm protrudence

Description:
A mahogany chest on stand, circa 1780 and later, the rectangular top with moulded edge, above three long drawers on a carved stand centred by a shell, on cabriole legs, 102cm high, 102cm wide, 62cm deep

Description:
A mahogany and satinwood crossbanded chest on chest, 18th century and later elements, with a dentil cornice, above two short and five long drawers on bracket feet, 166.5cm high, 96cm wide, 51cm deep

Description:
A set of six mahogany dining chairs in George III style, 20th century, with shaped top rail, pierced open splat carved with flowerheads, on needlework seats depicting flowers, on square legs united by stretchers, 93cm high, 57cm wide, 44cm deep