Meyer Sound Marks a Dozen Years at Outside Lands’ Main Stage

Meyer Sound Marks a Dozen Years at Outside Lands’ Main Stage

Widely heralded as one of America’s premier music and arts festivals,
Outside Lands has been staged every August since 2008 in San Francisco’s
expansive Golden Gate Park. Since the event’s inception, audio for the “Lands
End” main stage has been delivered through a Meyer Sound system as supplied by
legendary Bay Area rental company UltraSound. Also, 2019 marked the eighth time
UltraSound has deployed a LEO Family line array system to support the headline
acts, which this year included Paul Simon, Childish Gambino and Twenty One
Pilots.

This twelve-year run at Lands End underscores the close working relationship
the sound providers have forged with the festival’s promoters, Another Planet
Entertainment and Superfly.

“It’s a relationship that goes back to the beginning of Outside Lands,” says
UltraSound Director of Operations Josh Osmond. “Since this event is held right
in the backyard for both our company and Meyer Sound, it just makes sense. It’s
been a no-brainer for us all the way around.”

Speaking on behalf of Another Planet Entertainment, Production Director Mary
Conde notes, “In the beginning, when we were carving out roles and
responsibilities for vendors, I was insistent on using UltraSound and Meyer for
the main stage. We knew that the quality had to be there, it could not fail,
and it had to be great from the first note to the last. I’m happy we made that
decision, and every year it just gets better.”

Prior to this year’s event, the promoters held several community meetings to
address concerns about sound bleed into adjacent residential neighborhoods. As
a result, the LEO Family system at Lands End was reconfigured to maintain
uniformly high levels across the audience area while better confining broadband
sound within the festival boundaries. The main front arrays of, per side, 13 LEO
over three LYON-W line array loudspeakers were boosted by two sets largely
down-firing delays. The near set comprised three towers, each with 11 LEO over
three LYON-W loudspeakers; the far delay system had two towers, each with six
LYON-M over six LEOPARD loudspeakers. This configuration enabled maximum
control of level adjustments, when required.

Rounding out the full range complement were side hangs each with 10 LYON
line array loudspeakers (six LYON-M and four LYON-W) plus 16 LEOPARD for front
lip and L/R front fill. Dual flown gradient arrays of nine each 1100-LFC low
frequency control elements joined with 10 1100-LFC elements in a 5×2 ground arc
to deliver low frequency punch. VIP areas were served by a mixed inventory of
34 loudspeakers including UPA-1C, UPJ-1P, LEOPARD, CQ-1 and UPM-2P. The VIP DJ
system comprised six LINA line array loudspeakers coupled with four 900-LFC low
frequency control elements.

The LEO Family system was a welcome sight for Kenny Sellars, FOH engineer
for Twenty One Pilots, as the band had toured with a similar rig the prior
year.

“It’s always nice to walk in and see a familiar rig, because then you know
what to expect,” says Sellars. “One thing I always appreciate about a Meyer Sound
PA is the self-powered aspect. I can’t say enough about the transient response,
how fast and tight everything sounds. I mean, when your speaker cable is a foot
long, you don’t lose much between the amp and the speaker. I can pick out and
hear a depth in my mixes I don’t always get from other PAs.”

Sellars is also enamored with the system’s bass impact. “The low end
information I get from the 1100s is amazing. When the kick drum hits, it just
slaps you right across the chest. It’s everything I’ve always wanted from
subs.”

UltraSound also equipped The Barbary tent, a “comedy and variety” venue
hosting an eclectic mix of acts including Mike Birbiglia, Tony Danza and Jimmy
O. Yang. The system here was anchored by eight LEOPARD line array loudspeakers
per side, bolstered by two CQ-1 and four UPM-2P loudspeakers, and with four
900-LFC elements for deep bass.

“The Barbary stage has become a very popular venue,” reports Mary Conde. “We
have great stand-up comedians along with a series called D.A.V.E. – Discussions
About Virtually Everything. Usually it’s one person with one microphone and
there’s no room for error. It has to be right from the get-go.”

Over the past dozen years, the working relationship developed between the
main stage sound providers and the event promoter illustrates a collaborative
approach to problem solving and enhancing the audience experience.

“We work closely with Mary and Another Planet on next year literally from
the day this festival ends,” says UltraSound’s Osmond. “Every year we strive to
improve, and we continue working through the year to make the next Outside
Lands even better.”

“I’m always pleased by our partnership with Meyer Sound and UltraSound,”
adds Mary Conde. “We bring in Meyer Sound when it really has to be perfect, as
it must be at the main stage of our marquee festival.”

A third Meyer Sound system was deployed at the GastroMagic stage, in this
case as supplied by McCune Audio/Video/Lighting of South San Francisco. Here,
the aromatic mixture of food talk (Molly Baz, Roy Choi) was spiced by music
from the likes of Cherry Glazerr, Ella Mai and Adam Duritz. The system here
tallied 16 LEOPARD line array loudspeakers and six 900-LFC low frequency
control elements.

The Outside Lands Festival celebrates the San Francisco traditions of
excellent and eclectic music, fine food and drink, engaging and extravagant
art, and the exploration of new ideas. It takes its name from the far western
parts of the city, today including most of Golden Gate Park, that were once
largely covered by sand dunes and considered uninhabitable by early settlers.