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Brougham’s father is an amateur painter, and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and, the father being dead and the widowed mother left penniless, he is reared in the family and home of an uncle.

Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning, and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.

Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.

Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.

Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces and which boosts his popularity with working-class audiences.

In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.

After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.

Collins makes the decision to become an astronaut after watching John Glenn‘s Mercury-Atlas 6 flight. He applies for the second group of astronauts that same year, but is not accepted. Disappointed, but undaunted, Collins enters the USAF Aerospace Research Pilot School as the Air Force begins to research space. That year, NASA once again calls for astronaut applications, and Collins is more prepared than ever. In 1963 he is chosen by NASA to be part of the third group of astronauts.

Collins makes two spaceflights. The first, on July 18, 1966, is the Gemini 10 mission, where Collins performs a spacewalk. The second is the Apollo 11 mission on July 20, 1969, the first lunar landing in history. Collins, accompanied by Neil Armstrong and Edwin “Buzz” Aldrin, remains in the Command Module while his partners walk on the moon’s surface. Collins continues circling the moon until July 21, when Armstrong and Aldrin rejoin him. The next day, he and his fellow astronauts leave lunar orbit. They land in the Pacific Ocean on July 24. Collins, Armstrong and Aldrin are all awarded the Presidential Medal of Freedom by Richard Nixon. However, Aldrin and Armstrong end up receiving a majority of the public credit for the historic event, although Collins is also on the flight.

Collins leaves NASA in January 1970, and one year later, he joins the administrative staff of the Smithsonian Institution in Washington, D.C. In 1980, he enters the private sector, working as an aerospace consultant. In his spare time, Collins says he stays active, and spends his days “worrying about the stock market” and “searching for a really good bottle of cabernet under ten dollars.”