By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard
times. Theartists were polarized between newcomers hungry to innovate and old
timers not yet ready to relinquish control. The conditions produced a series of
box office flops and pessimistic forecasts: maybe the best days of animation
were over. Maybe the public didn't care. Only a miracle or a magic spell could
produce a happy ending.

Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney
regained its magic with a staggering output of hits -- "The Little Mermaid,"
"Beauty and the Beast," "Aladdin," "The Lion King" and more -- over a 10-year
period.

Director Don Hahn and producer Peter Schneider bringtheir insider knowledge to
Waking Sleeping Beauty. Hahn was one of the Young Turks at Disney who produced
some of its biggest sensations.Schneider led the animation group during this
amazing renaissance and later became studio chairman. Their film offers a
fascinating and candid perspective of what happened in the creative ranks set
against the dynamic tensions among the top leadership, Michael Eisner, Jeffrey
Katzenberg and Roy Disney (the nephew of Walt).

The process wasn't always pretty. The filmmakers bring a refreshing candor in
describing ego battles, cost overruns and failed experiments. During times of
tension, the animators' favorite form of release was to draw scathing
caricatures of themselves and their bosses. Director Hahn puts several memorable
ones on display and marshals a vast array of interviews, home movies, internal
memos and unseen footage.

Announcing the world premiere of Waking Sleeping Beauty at the 2009 Toronto
International Film Festival, the festival's documentary programmer Thom Powers
said, "Waking Sleeping Beauty celebrates the rich history of Disney animation
and honors the many writers, artists and composers who created the Disney magic.
The treatment is so thorough that it includes key figures who famously left
Disney such as Don Bluth, John Lasseter and Tim Burton. At one time, children
imagined that Walt Disney's signature meant a film was the creation of one man.
This is a more grown-up portrayal that reveals the collaborative, often
contentious, experience in all its complexity."