Interpretation of the Mural

According to research done at Leicester University by Miriam Gill, the Hardwick wall-painting represents in its lower part the Seven Deadly Sins:

Pride
Envy
Anger
Avarice
Sloth
Gluttony
Lust
and in its upper part the Seven Corporal Works of Mercy:

Feed the hungry
Give drink to the thirsty
Welcome the stranger
Clothe the naked
Visit the sick
Visit the prisoner
Bury the dead
though only five of the latter are known to be present.

Apparently wall paintings with this theme were not uncommon in English churches in medieval times, though most have been destroyed or obliterated. Hardwick was one of just twenty churches used in the Leicester University study, the others being: Arundel, Brooke, Catfield, Dalham, Hoxne, Hunworth, Ingatestone, Kentford, Kingston, Milcomb, Milton Abbas, Netherbury, Oddington, Quatt, Ruabon, Ruislip, Stanningfield and Trotton. Hardwick is unusual in that the Sins are portrayed riding on animals, the only other place where this is found being Langar in North Wales.

Element type

Times depicted

Number of figures

Gender of main figure

Gender of secondary figure

Attributes of main figure

Attributes of secondary fig

Pride

1

1

M

–

bearded, crowned, sword in right hand, riding on lion

–

Avarice

1

1

M

–

riding on horse?

–

Envy

1

1

M

–

hat, riding on dog?

–

Anger

1

1

M

–

hat, suicide, stabbing self in head, riding on deer

–

Lust

1

1

M

–

hat, touching heart, riding on goat

–

Gluttony

1

1

M

–

hat, drinking from cup, riding on unidentified animal

–

Sloth

1

1

M

–

hat, right hand under cheek as if sleeping, riding on donkey

–

Feed hungry

1

2

F

M

veil, holding objects (loaf) in left and right hands

beardless, with crutch

Drink to thirsty

1

2

F

M

veil, holding flagon in left hand

bearded crutch and wooden right leg below knee

Welcome stranger

0

0

–

–

–

–

Clothe naked

1

2

F

M

–

bearded, loin cloth, crutch, kneeling

Visit sick

1

2

F

M

veil, standing over bed

in bed

Visit prisoner

0

0

–

–

–

–

Bury dead

1

5

F

M

standing and pointing to body, in shroud, before church

gathering round shrouded body

It is probable that the wall painting was whitewashed over not because of fear or rejection of superstition, as surmised by John Willis Clark in his 1859 article, but because in certain eyes it appeared to justify Redemption by Good Works rather than by Faith alone. (Thanks to Dr Graham Jones, Leicester University, for this comment.)