Hi, Thanks for stopping by my sb...thought I'd swing by and see what you're up to.

Looks like you've got a good start to your "fresh start".

I like your pencils and designs...very creative and your form is good! The "still lifes" are pretty good too...especially the one where you "put it all together"...ambitious and cool!! Dig the armor and sky on the last one...it sets the mood!

The Following User Says Thank You to Jamie Romoser For This Useful Post:

Dude, I want to but I haven't had a ton of time to draw and paint with class, but next week I have a digital painting lab next week so hopefully I'll be able to get more done, but when I get some more work I'll for sure post.

Thanks everyone haven't been doing as much art as I would like lately. Been trying to organize my life out a bit.
Here is a commission I did for a clients warhammer 40K role playing character. A lot of stuff wonky but they where happy with it.
The description for this piece was very detailed so tried to do it justice.
cya next time everyone! keep on the grind

Heey! =) Haven't checked out your works in a while =) Your lighting is looking very good =) Jus got a small crit I guess, atm the trees in your last painting look a bit transparent/floaty, it's maybe nitpicking but I thought to mention it, hope that feedback isn't annoying.. Cheers =)

That skeleton rider is wicked! There is also something very cute about your demon guys and I mean that as a compliment. It's very easy to make an alien, nasty, angry demon but faceless or neutral ones have more room to act and can actually be scarier.

Have you seen the design work in the Persona games? Kind of like that.

Hey man, very cool! Every illustration looks really complete. I think you could define the planes on some of your characters a lot better, especially the faces, i think things are very lacking in form sometimes.

I'm honored you stopped by my sketchbook, thanks for that, and wow this one is amazing. You make still lifes look easy lol, astounding work on those. I like how you tackle lighting/mood the most in your works.

You may question why we do not at once proceed to the finished, smooth, round form. The answer is that in a drawing or painting, something of the individual procedure and structural quality should remain... It is the big form that does the job--not the little and exact.