Making Book

Thursday, 23 June 2005

It’s not a collection of new work; it’s a compilation of essays
previously published at various spots around the web. It’s not about
the Mac, nor is it about programming — although there are several
essays that touch on those topics, and others. Just like the title
says, it’s about software, and, more importantly, about good writing
about software.

My contribution is “The Location Field Is the New Command Line”, published here on this site precisely one year ago. I
didn’t choose it, Spolsky did, but if I had been approached and asked
to pick one of my pieces for inclusion, “Location Field” very likely
would have been it. It’s one of my favorites, and it’s also one that I
think might have some staying power — meaning that it could be
relevant, or least still interesting, a few years from now. (It did
not escape my attention, however, that I say nice things about one of
Spolsky’s own essays in “Location Field”, but I truly believe this is
coincidental to its inclusion; but, just in case Spolsky subsequently
edits a second volume, I will say he’s a very handsome and clever
fellow.)

So if you just want to read my piece, you can read it for free right
here. Likewise for the rest of the book: if you’d rather read
the essays for free than cough up the $17 for the book, go ahead and
read them on the web.

I’m not getting any sort of royalties on the sales; Apress (the
publishers, who were a pleasure to work with) paid me a nominal
amount (emphasis on “nominal”) for the rights to include the essay,
but it’s one of those cases where it really is an honor just to be
included. (Ordering copies of the book via the Amazon links here
on this site, however, will line my pockets with wads of referral-fee
kickback cash.)

If you enjoy thoughtful, clever, carefully crafted essays on software,
it really is a very good book.

I do obsess over the visual presentation of my work; and for my
writing, that means layout and typography. And so my only reluctance
before agreeing to participate in this book was a concern that the
book would look bad. I’d rather not see my work published at all than
see it published in a poorly-designed setting.

My concerns were unwarranted; this is a well-designed book. In fact,
the main body copy is set in Sabon, my very favorite text face. I’m
fond of several other Garamond-derived and/or -inspired faces —
Garamond No. 3 and Adobe Garamand, for example — but Sabon is the
font family I’d choose to take with me to a desert island. The cover
is quite nice, too.

The formula is not complicated:

Good writing + good typesetting = a pleasure to read.

All Work and No Play Makes Jack a Dull Boy

One of the fringe benefits of procreation is that you finally find
yourself on the receiving end of the Father’s Day racket. And so
speaking of good books, that’s exactly what I got from the wife: a
copy of The Stanley Kubrick Archives, a massive, beautiful,
exquisitely-detailed tome edited by Alison Castle with full
cooperation of the Kubrick estate and published by Taschen. Included
with each first edition is a 12-frame strip of film from one of
Kubrick’s own 70mm prints of 2001: A Space Odyssey; mine shows a
landscape in the “Dawn of Man” sequence.

And so of course come Monday morning, my first thought was to ping my
friend and fellow Kubrick devotee Jim Coudal so I could brag to him
about what my wife bought me — and but it ends up the highlight gift
of his Father’s Day was a copy of the same book. In fact, his
strip of film from 2001 also seems to be from the “Dawn of Man”
sequence, so assuming the strips are being included in chronological
order, order now and you might get the sequence with the best cut in
the history of cinema.

This book is why they make coffee tables.

Opposites Are All Around

Last but not least, while speaking of good books and fatherhood, the
boy insists that I put in a good word for “Opposites With Oswald”,
which we’ve read several times a day, every day, for the last few
months. There’s not a man, woman, or child who shouldn’t be reading
this book daily.