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It is verifiably true that white people love Wes Anderson movies, they also love Wes Anderson. This midgety little auteur has come a long way since his magnificent debut feature, Bottle Rocket. Here is a brief guide to the cinema of Wes Anderson before we hand it over to him to discuss his musical taste.

Bottle Rocket, 1996: genius-level debut, cinematography and plot aren't all there, Luke Wilson's Orientalism plot a little racist, but Owen makes himself a supastar and that's all you can really ask for, B+

Rushmore, 1999: critics initially balked at its overlong third act, no movie has ever been more in love with itself, Schwartzman deserved best actor, like most Anderson movies it grows on you like a fungus, there will never be another, A+

The Royal Tenenbaums, 2001: so bizarre and sprawling it's hard to digest, has the spirit of six different movies, another botched third act, and yet there's so much to love, from buckley to danny glover's performance, to owen wilson's arc, to luke wilson's suicide attempt, a classic, A

The Life Aquatic with Steve Zissou, 2004: love letter to Jacques Cousteau, Murray is again terrific, long-lost son plot is a half-baked, pregnant Cate turns us on, total male perspective a la Darjeeling, best plot consistency, best set design, there's too much to savor here, watch it again and see what I mean, A-

What finally sparked the making of this movie after 14 years of it staying in your head?

I wrote a little short story when I was in college. It wasn't even a short story, it was like one paragraph that was just a description of this one character and Anjelica's character and the ship, The Belafonte, and just the setting. So, I had that but I didn't mean for it to be a movie. I was just trying to write a story and it never really got any further. It was actually Owen Wilson who kept bringing it up from time-to-time over the years and kept reminding me about it and got me into thinking about it some more. I remember one day on The Royal Tenenbaums seeing Anjelica and Bill Murray on the set together. All they had together was about 30 seconds but I felt there was a great rapport between the two of them that would be worth exploring.

We were very lucky to be able to use two great Cat Stevens songs in Rushmore. Here is a particular favorite of Randy Poster's (music supervisor on The Darjeeling Limited) from early in Stevens' career.

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Thanks, that was actually a really nice round up (although, on a side note, maybe a little less random capitalisation would be nice?). I have been waiting for The Fantastic Mr Fox for what seems like ages. I have high hopes for Anderson's take on Roald Dahl.

Nice review, but for *chrissake* take it easy on the comma splices. Journalists are wordsmiths, so have some self-respect and use some conjunctions or semicolons now and again. Some of us are grammar freaks, and when we read articles like these, the "this is a neat article" thought can get quickly replaced by the "this writer should go back to middle school."

Whit Stillman is a known pederast; He has been blackballed repeatedly since dropping his tiny biscuit into several of my "so-called friends". Let him rot in his savilles. Forgive and forget everything Whit? Missing the point - -it's reverent or irreverent on a whim - any angle or assemblage is fair game. Grades are good, but about +1.0 generous on Tennenbaums and Life aquatic, imhobitches

i agree, orientalism?What are you talking about.He's a master at using colors, his characters are oddly shaped little wes andersons but nevertheless cool, captivating intriguing.We can start badmouthing this guy when there are hundreds of Indie kids making their own style that heavily involves who they are like he does. I think he's a shiner but I know the deadpan humor and scripts that are all characters saying what they are feeling back and forth to each other creating comedy-might turn somebody who doesn't appreciate overall filmakers concepts. Don't belive his genuine? find somebody who is.and orientalism doesn't play a role in any of this.

i love wes, i love darjeeling i love how critics hate him and i love all the "bad third acts" and the music is always so good. i think all the hate makes me love it more! needle in the hay to the suicide scene in royal is classic son and no i am not white i am a mexican and i love bottle rocket! you racist f***!

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I heard Wes did read this article and he said that he was a little upset at first thinking people would think he's a "showboat" and "a bit of a prick". But then he thought "That's me...I did those things...I said those things. I can live with that."

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