Before Wanted reaches the end of its wild course, the violence that's been nothing but oppressive becomes genuinely if perversely impressive; the ritual carnage becomes balletic carnage (railroad cars included); the Walter Mitty-esque hero, Wesley, played by James McAvoy becomes a formidable enforcer of summary justice, and Mr. McAvoy, most memorably the young doctor in "The Last King of Scotland," becomes a certified star.

Parents need to know that this over-the-top action film -- which stars Angelina Jolie and is based on a series of comic books, both of which will up its appeal with teens -- is loaded with extraordinarily explicit, extensive, stylized violence, including lots of bloody shootings, beatings, and more (blood and brain matter splatter are shown). The movie's style owes a debt to The Matrix, but it's much more graphic than that sci-fi epic. The film also suggests that the central character's transformation from corporate cog to killing machine is a positive thing to be admired. Also expect lots of swearing, some cigar smoking, and some pretty passionate scenes (including male and female rear nudity).

Families can talk about the appeal of action films. Why does violent entertainment have such a grip on the public imagination? Talk with your kids about the difference between real life and fantasy -- even teens. Point out that consequences exist -- even if it makes you feel humorless. The fact that violent movies stimulate parts of the brain bears some commentary from the parental units. Families can also contrast Jolie's positive public work as a Goodwill Ambassador for the United Nations with her professional work in violent action films. Do the two roles fight against each other, or are they simply different aspects of the same person? Which do you think is the "real" her?

The good stuff

Messages: The film revolves around a secret society of assassins who kill on the orders of a mystical "Loom of Fate" the group's ideology is based on the idea of "Kill one, save a thousand" -- i.e. eliminating people based on the hypothetical ramifications of their unknown future acts. Lead character Wesley vents many of the frustrations of the modern cubicle-dwelling office laborer, questioning the choice between tedious, anonymous conformity or exciting, violent transgression. The fact that he ends up going with the latter is presented as a positive choice.

What to watch for

Violence: Extensive, graphic, and bloody violence, including (but not limited to) lots of shootings (shown in great detail, with blood splatter and visible brain matter, and often reversed on screen and shown again for cinematic effect), stabbings, slashings (including blood and extensive tissue damage), beatings (including broken bones, shattered flesh and extensive blood), people being burned alive, dead bodies used for target practice, a shooting victim used as a human shield (with a firearm poked through what's left of the head), assassinations, rats used as delivery platforms for plastic explosives, a violent train wreck, car crashes, and a graphic murder/suicide.

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