Most Wanted Marvel Omnibus

Generation X arrived on the verge of the X-Men franchise’s glory days starting to spoil in the Onslaught era. For that reason, many fans tend to write it off – or, they weren’t even around for it.

Yet, the comic readers who stuck by the X-Men through the 90s know that Generation X wasn’t more of the same compared to other X-Men books of the period. A huge part of that was the Scott Lobdell and Chris Bachalo creative partnership that lasted through the first few years of the series.

Probable Contents: This volume would certainly include Generation X #1-25 & Annual 1995, 1996, 1997, and material from Generation X Ashcan Edition, San Diego Preview, and material Generation X Collector’s Preview. It wouldn’t be surprising to also see Uncanny X-Men #316-318 and X-Men #36-37 duplicated from the Phalanx Covenant OHC.

That makes for a somewhat short volume that slightly cuts off the end of the Lobdell/Bachalo run, but it marries to the Operation Zero Tolerance OHC, which begins at #26. Alternately, this book could duplicate #26-31 from that volume to include the complete works of the original creative team, also adding #-1 – pencilled by Bachalo.

(It could also add Daydreamers #1-3, which continues from Generation X #25 and has never been collected.)

Either way, the remainder of the series could likely be knocked out in a single additional volume starting from #32.

Creators: This run is primarily written by Scott Lobdell and drawn by Chris Bachalo with Mark Buckingham and Scott Hana on inks.

An army of pencillers fill in for the year where Bachalo is away – notably including Roger Cruz and Tom Grummett. Issues #28-31, if they were to be included, were written by James Dale Robinson.

Can you read it right now? No. There’s are a pair of Generation X classic trades that run from #1-11, but then you’re stuck with floppies until #26. Guide to Young X-Men covers that and all the rest of the series.

Generation X was the totally weird X-Men book that no one knew they wanted but everyone was strangely happy to have when it launched in 1994.

It used to be that New Mutants was the book with the young, school-age cast and Excalibur was the oddball book full of humor. That had changed in the prior year, with X-Force focusing more on a proactive approach to preserving the mutant race and Excalibur finally being sucked into all of the standard X-Men crossover drama.

That left a hole to be filled by a quirky book set at a school. That is what Marvel launched out of the Phalanx Covenant crossover, which introduced a new generation of mutant coveted by the race of techno-organic life forms.

Probable Contents: It’s complicated. I cover it in full at the bottom of the post.

Creators: Written by Jonathan Hickman.

The co-writers and other artists vary wildly depending on what gets collected, but the core issues that we’ll see no matter what were drawn by Salvador Larroca and Leinil Francis Yu (Avengers) and Simone Bianchi, Rags Morales, Valerio Schiti, Kev Walker, and Larroca (New Avengers).

Can you read it right now? Yes! This Avengers and New Avengers portions of this run have now been collected in three formats, all still readily available. Avengers World is around in TPB only. It’s all covered on the Guide to Avengers Flagships.

The first Avengers by Jonathan Hickman Omnibus will be in our hands in a matter of weeks, and it collects exactly what fans were hoping for (and exactly what I predicted last year) – an integrated run of Avengers and New Avengers that incorporates Infinity, ending with Avengers (2013) #23 and New Avengers (2013) #12.

There is much debate over what a second volume of Hickman Avengers will contain, and I’ll cover that in detail below. What’s in common between the three possibilities is that it will surely cover both Avengers and New Avengers through the start of the “Eight Months Later / Time Runs Out” period, which begins in Avengers #35 and New Avengers #24.

Of a number of Marvel authors who pulled half-decade-or-longer runs on their titles in the 80s and 90s, Larry Hama’s run on Wolverine tends to be one that gets overlooked. Maybe that is because Hama wrote such a far-ranging, diverse take on Wolverine that saw him as both superhero and civilian, savage and strategic, and solo and surrounded by friends and allies.

While these initial years aren’t necessarily the best of that run, they might be the best looking thanks to increasingly flashy art from Marc Silvestri leading up to his departure to launch his own Cyberforce for Image Comics.

Wolverine Vol. 3 AKA Wolverine by Hama & Silvestri is tied as he #38 Most-Wanted Marvel Omnibus of 2017 on Tigereyes’s Secret Ballot. Visit the Marvel Masterworks Message Board to view the original posting of results by Tigereyes and visit Guide to Wolverine for details on how to collect every Wolverine issue, ever.

Probable Contents: Wolverine (1988) #31-57, along with at least the three OGNs, which stood in for annuals in this period – Wolverine: The Jungle Adventure, Wolverine: Bloodlust, and Wolverine: Rahne of Terra.

Since those issues have been recently recollected in paperback (and are just a modestly-sized book when combined), this volume could also include some or all of other contemporaneous Wolverine material including stories from Marvel Comics Presents #62-71, 85-92, & 97-100, Marvel Fanfare #54-55, and Marvel Collector’s Edition; plus any or all of Fantastic Four (1961) #347-349, Wolverine/Punisher #1-3, Spider-Man (1990) #8-12, and the original graphic novels Wolverine: Bloody Choices and Hearts of Darkness.

Creators: Issues of the main Wolverine series were written by Larry Hama with a single fill-in by Peter David.

The run was penciled by Marc Silvestri (with fill-ins by Larry Stroman and Jerry DeCaire and an arc by Andy Kubert) with Silvestri inked by Dan Green. The run was colored by Glynis Oliver, Mark Chiarello, and Steve Buccellato.

J. Michael Straczynski – commonly known to fans as JMS – is a famed author across multiple mediums. After cutting his teeth on a number of early-80s children’s cartoons, he broke out in 1993 with syndicated sci-fi hit Bablyon 5 – an epic and nuanced take on similar subject-matter to Star Trek: Deep Space Nine. He also made his entrance into the comics world in the 90s with his creator-owned book Rising Stars.

As you can imagine, fans were excited for him to take over Amazing Spider-Man in 2001 after a few years’ dip in quality of the Spidey flagship – especially as accompanied by classic Marvel artist John Romita, Jr.

Past Ranking: This book ranked #30 in 2014 and just missed the survey in 2016, coming in somewhere between #51-56

Probable Contents: Amazing Spider-Man (1999) #30-58 and 500-508 (though it could stretch as far as #518)

JMS’s run on Spider-Man accounts for 87 issues as gathered in his five-volume Ultimate Collection set, which means we’d be looking at either two hefty 40+ issue volumes or three slimmer 30-ish issue volumes to cover it.

I’m speculating on the former, which would leave a second volume to collect Amazing Spider-Man #509-545, Friendly Neighborhood Spider-Man (2005) #1-4 & 24, Marvel Knights Spider-Man (2004) #19-22, The Sensational Spider-Man (2006) #41, and Spider-Man: The Other (2005) Sketchbook, and Spider-Man: One More Day Sketchbook (2007).

Creators: J. Michael Straczynski & John Romita, Jr. handle the entirety of the run through #508 with few interlopers; #508 is the end of Romita’s run.

Can you read it right now? Yes! This run has been collected in several formats, including oversized hardcover. Head to The Guide to Spider-Man for details. It’s also available in full on Marvel Unlimited.

The Details:

Spider-Man was on a major high when J. Michael Straczinski took the reigns of his flagship comic in June 2001, but not for the reasons you might think.

Amazing Spider-Man was one of the last Silver Age comics that Marvel relaunched in the late 90s, leaving only Uncanny X-Men to continue its original numbering into the new millennium. Amazing and its sister titles started with a flash with John Byrne co-scripting and pencilling, but faded afterwards during what was a massive overall fade for the comic industry a the time.

Completionism is a a crazy impulse. There are hundreds of Avengers issues unrepresented by oversized volumes, but omnibus collectors are super-focused on getting the relatively unheralded back third of Avengers West Coast into an oversize volume to complete their bookshelves.

The funny thing is, I’m not sure all of the voters realize just how strong and cohesive this Roy & Dann Thomas run on Avengers really is.

Creators: Written by Roy Thomas and Dann Thomas with pencils by Paul Ryan and Dave Ross with Tom Morgan, George Freeman, Herb Trimpe, and Andrew Currie.

Can you read it right now? Mostly. Issue #76-79 and #83-88 remain uncollected (as is the U.S. Agent mini-series), but everything else has been captured. Visit Guide to Avengers West Coast for the full details. Unfortunately, most of this run is not on Marvel Unlimited.

The Details:

Avengers West Coast had gone for years as a forgotten era of Avengers as far as reprints were concerned until Marvel’s Cinematic Universe began focusing strongly on its core cast of Iron Man and Hawkeye, and later Scarlet Witch and Vision.

Suddenly, West Coast reprints were abounding – a set of Marvel Premier Classic hardcovers, corresponding paperback reprints, two omnibuses, half of an Avengers by John Byrne volume, and a handful of trades covering the latter run of the series. The only remaining gaps are #76-79 and #83-88, two stories split by the massive “Galactic Storm” crossover.

Comic books fans are nothing if not obsessive completists, so that makes a final omnibus edition of Avenger West Coast sorely tempting – especially since it’s all co-written by comic book royalty Roy Thomas along with his wife Dann (who was the first woman to ever script an issue of Wonder Woman!) mostly to illustration by a pair of strong pencillers – Paul Ryan through #69 and Dave Ross from #71 through the end of the series. [Read more…] about Avengers West Coast by Thomas & Thomas – The #40 Most-Wanted Marvel Omnibus of 2017

The 80s and 90s diminished Black Panther from a leading man and Avenger to a minor character practically in exile aside from a pair of mini-series and a run of quarter-issue stories in Marvel Comics Presents.

That’s part of why Christopher Priest’s 62-issue run on 1998’s Black Panther is such a revelation – Panther simply hadn’t been seen or used at length in nearly two decades. Also, Priest marked the first time a black author scripted T’Challa (though he had long been associated with black artists, from Billy Graham on his original run to Denys Cowan and Dwayne Turner pencilling him in those 1988 and 1991 mini-series, respectively).

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