Everyone who mentioned Twilight at Carbon Lake is completely right though - that song is absolutely stunning. It's rare that someone can talk about a song they've written in advance and actually describe it anywhere close to how it actually sounds, but that Pitchfork interview with Bradford from a while back where he calls it "kind of a doo-wop, 50s/early 60s, Everly Brothers, but through this kind of schizophrenic lens. So it has this really cathartic end, but it starts out really simple" is pretty spot on.