Seven Positions is a short, written, shoot-from-the-hip interview series launched by davidbrubeck.com. Each position is a response to a question. Positions one through five will remain consistent while the sixth and seventh positions will be tailored to each interview. We are very proud and pleased to have Charles “Charlie” Vernon respond to launch Seven Positions.

Mr. Vernon is best known as the bass trombonist in the Chicago Symphony Orchestra (CSO). As a student of Edward Kleinhammer and Arnold Jacobs, Vernon has worked to preserve their legacy through his performances with the CSO, through his teaching (currently Professor of Trombone at DePaul University) and as the author of “The Singing Trombone”. But for Vernon, excelling in what is perhaps the most storied low brass section in the world was only the beginning. In 1991 Vernon premiered a bass trombone concerto by Ellen Taaffe Zwillich in celebration of the CSO Centennial. In 2006 Vernon and the CSO premiered a concerto for alto, tenor and bass trombones by Christian Lindberg entitled “Chick ‘a’ Bone Checkout”. At a recent International Trombone Festival a long time attendee and occasional host commented to me that he thought the level of solo performances on bass trombone were about 20 years ahead of the solo performances on tenor- a trend that began with Vernon.

1st PositionWhat do you look for in an instrument?An open, free blowing response with a great fundamental sound. The slide must blow and move well.

2nd PositionHow do you conceive of, visualize or describe an ideal tone quality?I think of the most beautiful tone quality, using adjectives that I can imagine while I’m playing.

3rd PositionWhat is your secret to a beautiful legato?One beautiful note followed by another with nothing in between. The tongue, lips, and slide go exactly with the rhythm: everything going at the same time.