BIG FAT LIAR

SYNOPSIS:
Jason Shepherd (Frankie Muniz) is a 14 year old with a lying streak. When his English
class paper falls into the hands of movie producer Mart Wolf (Paul Giamatti), he finds
himself telling the truth but neither his family nor his teacher believe him. To earn back
their trust, Jason sets off to Hollywood, where Marty is turning the stolen paper into the
only decent movie he's likely to make in his wretched career. And being an even bigger
liar than Jason, Mart refuses to reveal the truth. Jason has to find a way to somehow
break Marty's lying habit.

Review by Louise Keller:
Big Fat Liar is for Big Kids. And little kids. Kids of all ages. In fact, it's quite a
blast. A fun spoof on Hollywood and the film producer, Big Fat Liar is a cool, good
natured romp that revs up like a hot racing car. The whole concept is a bit of a hoot, and
probably emanated from one of countless horror stories about producers. I mean, have you
heard the one about the producer in Cannes with a chain saw? Ah, but that's another story…
Reminiscent of a young Michael J. Fox, Frankie Muniz charms us as Jason, the irresistible
teen whose compulsive lying habit belies his boyish energy and angelic features. He is so
likeable that the most improbable wild tales are just plain entertaining, and we are happy
to go along with them. Amanda Bynes shows good comedic sense as his no-nonsense pal
Kaylee, but it's Paul Giamatti, who steals the scenes as the big-time, big-headed, shocker
of a producer with piles of panache and theatrical flair. He is smarmy, slimy and
sycophantic, and Giamatti repulses stylishly. Wolf by name, and wolf by nature. And in the
course of events, he brings new meaning to 'being blue'. Fast paced and inventive, the
film never runs out of ideas and steams along with a punchy, upbeat soundtrack. The kids
actually act like kids, and the ideas they concoct are simple and credible (in the context
of the story, that is), like putting superglue in the mobile phone ear piece. One of my
favourite scenes is when Jason sneaks into Marty's office, while Kaylee quickly fills in
at the reception desk, taking messages from Adam Sandler and Steven Soderbergh as
nonchalantly as if she were swatting flies. Cool as cucumbers, both of them. He may no
longer be the 6 Million Dollar Man, but watch out for Lee Majors, who still sparks some
interest as an old-timer stunt man. The 88 minutes simply fly and beyond the superficial
are underlying themes about family, trust and truth.

Review by Andrew L. Urban:
Hollywood is funny, isn't it. In most films that are set within the Hollywood movie
business, Hollywood gives itself a bad rap. But - perhaps to pretend it isn't really like
that - it also portrays its activities with such grotesque wraps of fact that it becomes
unrecognisable. It's as if the Hollywood we are shown is a joke Hollywood. It isn't really
like this 'cause look how phoney it looks. Nothing like the real thing. It's just in your
imagination. And mostly, the ruse works, because mostly Hollywood can't begin to imagine
the awful reality….but I'm getting carried away here. I started out on this train of
thought because Big Fat Liar is set in the movie business, and it demeans its people for a
joke. However, the people it portrays are not really real people, so we get to laugh at a
set up. And funny it is, too. Very squarely aimed at early teens, BFL carries enough
invention and characterisation to achieve its objectives in entertainment with a message.
Always looking for moral rectitude, the studio picture ends up with a moral brownie point
and this one's no exception. It's more enjoyable than I expected, though, and that's
because the laughs come from fairly basic comedic constructs. Cinematic pratfalls given a
working over. The cast is spot on and the mood is laid back. The only thing you have to
invest is your time.