Gail Pickering creates tableaux vivants combining historical and modern references. She ferries porn stars to the remains of the Marquis de Sade's chateau in the south of France where they reinterpret Peter Weiss's play Marat/Sade. She builds a backdrop for a bodybuilder as fantastic as his muscles and abandons him to his ablutions. The artist describes these as "open film sets"; audiences are party to the scene but denied the whole story. Her new work, Brutalist Premolition, is inspired by the Robin Hood Gardens estate in east London, designed in the 1960s by Alison and Peter Smithson and now at the centre of the debate surrounding social housing. Pickering has invited tenants to write a folk play about their experiences in an architectural utopia.