“Every season for Burberry the girls grace the catwalk with elegance and style, the look is effortlessly beautiful. Makeup Director Wendy Rowe created the look using Burberry’s own make up range. The girls all wore a very well blended light smokey eye using Burberry Eyeshadows in Almond and Taupe brown. A little mascara in Midnight Brown was used on each girl. The skin was kept fresh only given a tiny bit of a warm base where needed using Burberry’s Sheer Foundation. A gentle sculpting was used on the cheek, and Burberrys Lip Cover in a rose shade was applied very sheer on the lips. Absolutely divine.”

One of the high points of London Fashion Week is always Richard Nicholl’s exquisite show, and this year was no exception. Here’s what Sam’s team leader Celine Bopp had to say:

“The girls at Richard, oh my word…sensational. Gorgeous lunar skinned highlighted girls, and the inspiration for Richard’s collection was from a unfinished film in the 1960s called L’Enfer. Think groovy chic, babydoll silhouettes, a simply amazing collection.

Sam created the look for the girls coming up with a 60’s feel, by taking a 60’s liner and adding a conceptual twist.

The girls had dreamy lunar skin, absolutely gorgeously highlighted, and a dewy, minimal base was created using MAC Face and Body foundation, just to cover any imperfections and give it a sheer feel. A slight contour was used on some of the girls if they needed it using a foundation shade darker than their skin tone. The lashes were curled and MAC Shell Cream Colour Base was used to highlight the girls on the cheekbones, bridge of nose, cupid’s bow, and every body part that wasn’t covered by clothes. The conceptual liner was made out of a matte black tape, cut out in exact oblong shapes and put in a titled placement on the outer corner of the eye. In the line up Sam added an extra highlight on each girl, using white iridescent powder.”

London Fashion Week had its most exciting season in ages with amazing shows, both for the clothes and the hair and makeup looks. London is traditionally where the fash pack cut loose with their creativity and go for looks that are less ‘safe’ (as you usually get in New York, or even Paris and Milan). This season was no exception with lots of 90’s grunge references, big brows, outrageous back combed hair, dip dyed nails and even stick on eyeliner! The MM LFW backstage correspondent is again fabulous London makeup artist Celine Bopp who was on a number of teams this season, including Sam Bryant, Kay Montano, Florrie White and Alex Box, and we’re lucky enough to have the first of her backstage reports here:

John Rocha Look – Shadowy Androgyny

“Taking a cue from last season’s look Sam created a grungy shadowy androgen look, keeping the skin light and pale with shaded eyes and sculpted cheeks.

Using MAC Pro Sculpting Cream in Sand Brown we shaded inner, outer, socket line and under the eye. We followed with a grey shadow, MAC Typographic to intensify, layering up the colours gave the look an edge, something interesting, grading the shades.

Using MAC Sand Brown Pro Sculpting Cream to sculpt the cheeks when needed, and followed by MAC Shadowy Sculpting powder to intensify the cheek.

The luminizer was MAC Shell Cream Colour Base dusted over the lips and cheek bones.”

The inspiration for the gorgeous, glowing makeup at the Issa show at London Fashion Week this season was Bo Derek in ‘10’. It was a super sexy, vibrant, colourful show (complete with Ana Beatriz in full-on carnival headdress and costume) and the makeup made the girls look like Ipanema goddesses. Here’s what Kay used:

Foundation

MyFace MyMix foundation

Powder

Jurlique Rose Silk Finishing Powder

Luminiser

Revlon SkinLights in Warm Glow on the tops of the cheekbones

Bronzer

NARS Laguna to contour, shade and sun-kiss the girls

Blush

Stila Convertible Colour in Poppy

Eyes

Chanel Eyeliner pencil in Brun-Ciuvre smudged into lashline and on inner rim of eye

The girls at Richard had very defined eyebrows, with a ‘finished and sporty’ glow, dewy and alive, but always cool.

Skin

The skin was perfected and kept cool toned using MAC Studio Sculpt foundation.

Eyebrows

Squared off and elongated using MAC Eyebrow Pencils in Fling, Lingering, Spiked and Stud (depending on the model’s colouring).

Contouring

Using three tones on the cheeks, MAC Cream Colour Base in SandBrown to create the cheek bone, Cheek Matt low on the cheeks, with a touch of Ginger Cream Blush in the middle, all beautifully blended together. Divine.

Highlights

Beautiful highlights were placed on the cheekbones, bridge of nose, inner eyes, Cupid’s bow and chin using Vaseline and MAC Silver Dusk powder