It’s a reasonable question, given the number of post-breakup fight songs that were released by all four of the ex-Fabs, none quite as nasty as Lennon’s How Do You Sleep?, “an answer to Paul McCartney’s ‘Too Many People’ and a direct attack on his old friend.” It even features a slide guitar part played by George Harrison.

As all the respondents noted in one way or another, before he died, John had already resolved his relationship with Paul.

To a similar question, a writer notes: “It’s easy to see how Paul feels about John. Every time he sings “Here Today”, he wells up with tears. There was a lot of love between those two. Brothers always.”

Well, not every time; I’ve seen McCartney get through the song dry-eyed. But in this 2015 interview, around the time of what would have been John’s 75th birthday, Paul notes how he is surprised how affected he can sometimes become, singing the song he wrote back in 1981 about his late friend.

I remember that shortly after Lennon was murdered in 1980, someone put a microphone in front of McCartney’s face and asked him how he was feeling. Paul uttered something like, “It’s a real drag, man.” And he was criticized in some circles.

Stick a mic in front of any grieving person and one is like to find a lack of eloquence. That’s something I’ve been sharply aware of when reporters stalk out people after tragedy.

Paul also mentioned Roy Redmond’s version of Good Day Sunshine, which he acknowledged was a rather obscure track. In fact, the ONLY reason I know it is because it appears on one of those Warner Brothers Loss Leaders that I collected in the 1970s. COOK BOOK, from 1977, focused “on Warner’s black acts,” which were negligible only a few years earlier.

The other single, from April 1967, was Ain’t That Terrible/A Change Is Gonna Come. Yes, the latter is the Sam Cooke song.

“Loma Records was established in 1964 in order for Warner Brothers to capitalize on the emerging soul market – but almost exclusively as a singles label. Bob Krasnow, who ran the San Francisco branch of King Records from 1958-1964, was tapped by Warner Brothers to run Loma Records from its founding until the label ceased operations in 1968.”

Redmond’s Good Day Sunshine was in the middle of three Beatles songs on COOK BOOK, codifying yet again that the effect black music had on the Beatles was reciprocated.

Randy Crawford’s version of Don’t Let Me Down appears on her 1976 album Every Must Change. The Long and Winding Road was a 1976 B-side to a song called Hurry, Hurry by New Birth, “the Detroit band that helped invent American funk music.”