The fiendish image of a killer dressed all in black, calmly machine-gunning the customers – and he was WHITE!

Well, just fancy that – a

WHITE MALE KILLER

WHITE MALE KILLER

WHITE MALE KILLER

We’re at the pizza house at the Rue de la Fointaine au Roi, on November 13th – and this deadly duo sound rather like the SAS:

At about 9.30pm a new looking black Mercedes pulled up outside with dark tinted windows at the back and the passenger and driver windows down. I could clearly see the passenger’s face as he was not wearing a hat or mask.

As soon as the car stopped he quietly opened the door and got out in front of the restaurant.

�That is when I saw he was holding a machine gun that was resting on his hip. I could not take in what I was witnessing.

�People outside spotted the shooter approaching with his gun and tried to run inside but he shot them down in the doorway.

�Then people inside moved forward to see what was happening and he sprayed more bullets into them. I was trying to catch them on my camera phone but the gunman saw the light on my mobile and I ducked down behind the wall as they fired at my hotel. The gunman calmly reloaded his weapon several times. He then shot up at the windows in the street to make sure nobody was filming anything or taking photographs. It lasted over six minutes

�He fired lots of bullets. He was white, clean shaven and had dark hair neatly trimmed. He was dressed all in black accept for a red scarf.
The shooter was aged about 35 and had an extremely muscular build, which you could tell from the size of his arms. He looked like a weightlifter.”

�He was not wearing gloves and his face was expressionless as he walked towards the bar.

�The driver had opened his door shortly before the shooting began and stood up with his arm and a machine gun rested on the roof of the car. He stood there with his foot up in the door acting as a lookout.

�I would describe him as tall, with dark hair and also quite muscular.

�They looked like soldiers or mercenaries and carried the whole thing out like a military operation. It was clear that they were both very heavily armed and the gunman was carrying several magazines on him.

�They both then coolly sat back in the car and sped off in the direction of the Bataclan Theatre.

No mention of suicide vests, that’s for sure. Then,

One survivor told Sky News that he was in the Bataclan concert hall and saw the attackers who murdered hostages. He added that one of the gunmen had white skin and blonde hair.

Well, just fancy that, another

WHITE MALE KILLER

-as reported the next day in the Metro newpaper. You might almost suppose ….

No, no, it couldn’t be.

Crisis Actors

No-wounds, fake blood. Mobile phone call as in ‘Tell me again, how come the police are taking two hours to arrive?’

Unstressed crisis actors from the concert-hall stare into the camera.

Evidence is emerging of fake deaths in the concert theatre. “… a hoax. It is neither a false flag attack nor a real, spontaneous event. These are complete misrepresentations. No one is in shock to any degree. People are moving slowly. Others are milling around. No one is in obvious pain. There are no raw gunshot wounds from an AK-47 to be found… No one is suffering from burnt, shredded flesh and/or amputations… These people are crisis actors. The wounded are fake wounded. There are no wounds visible anywhere. The corpses are also fake. No one died, and no one was injured.

Of all the people in that concert hall, how come not one of them took a photo or recorded the screams? Why is there not even a single image showing the deadly shooting in action, where shootings are firing at people, where they are killing them randomly, as advertised?

Hall of Horror (click to enlarge)

This is the only picture of what remains, and we are probably looking at fake dummies with ‘blood’ splashed about – and swept strangely around the floor. Journalists were not allowed to enter this theatre after whatever had happened. It is a very low-resolution screen-capture image, deliberately so.

No emergency medics attend the bodies, no police are there, as they would be, were it real. Five people just stand around on the upper balcony. Some claim that freshly-killed dead bodies were dragged in to lie there, which accounts for the blood being ‘swept’ on the floor. Notice also the unsightly bare concrete, with none of the normal carpets and chairs for concerts – they did not want them spoiled for this macabre theatre.

The Wikipedia account went up much too soon, with an unduly-detailed narrative. This hardly changed as events unfolded, i.e. its purpose was to define the narrative . That original Wiki version, of 23.06 pm (the event happened at 21.16) contained the statement: “In a televised statement at approximately 23:58, French President Francoise Hollande declared a state of emergency and closing of borders for the whole of France.” If that is indeed the original Wiki version, then the French people need to start asking questions.

At this point (November 16th) notice that all the suspects are either allegedly dead or escaped, as with Charlie Hebdo event. Have you seen any cellphone pictures of the shootings put up onto Youtube?

Spot-on RT interview:

As one commentator wrote of this interview: “You’ll see more truth in 10 minutes from RT in this interview than in 10 years of watching the Fake News in the USA! RT just made our news look like the disgusting lying pigs they are” – Correct!

If Hercule Poirot were investigating this case, he’d probably start off by enquiring how the police managed to take two hours before storming the concert theatre. How can a killing spree go on that long in central Paris? Then, he’d check out how two burly white men dresed in black turned up in a new-looking black Mercedes with tinted windows, with a machine gun on the roof of the car etc. – and calmly started shooting at the diners. After that he’d probably seek out the story of how a new-looking passport survived after a suicide bomber blew himself up with a huge bang in a football stadium. He might then grill the police about the terror-drill they were conducting that same day in Paris…

He might interview the two Jewish-Zionist owners of the Bataclan theater, who had owned it for forty years, then sold it on … September 11th, two months before the event.

Anyone paying attention knows that the state-sponsored terror that was once openly condemned by the European Parliament has become the central art-form and political driver of the 21st Century historical narrative.

Paris was attacked by mercenary commandoes. Who did it and why? One here needs to read the sombre truth by TierryMeyssan; The French Republic Taken Hostage (Voltaire Network). Deals with the Devil have been made. How France has fallen! Its politicans are compromised and blackmailable. Only the Power of Truth can save it now.