Tomorrow brings the end of Black History Month. Most often when we discuss the Jewish connection to this month, we think of Rabbi Abraham Joshua Heschel or other notable Jews involved in the civil rights movement. Rarely do we think back to those Jews, like so many southerners at the time, who owned slaves before the civil war, or the small number of enslaved African Americans who adopted the religion of their captors.

Mathew Lopez’s riveting play, The Whipping Man, explores the lives of these Jews—both enslavers and enslaved—and I had the chance to see it in Charlotte, where it will run through March 9th. The play is set in a dilapidated home in Richmond, Virginia, following the end of the Civil War. Caleb, a wounded Jewish Confederate soldier, returns home to find two former slaves there, Simon and John, who are also Jewish. They must rely on each other, while also figuring out how to relate to each other as equals.

The story itself is captivating, but the larger ideas discussed are what make this play simultaneously horrifying, fascinating and beautiful. The play deals directly with the conflict of Southern and Jewish identities by addressing the inconsistency of Jewish values and the way masters often treated their slaves. It also deals with loss of faith due to war. One thing I loved is that there are many frank discussions about what it means to be enslaved and what it means to be a Jewish slave with a Jewish master.

Just one small spoiler: there is a hilarious scene when all three characters try horse meat (which is not kosher) for the first time.

Tomorrow brings the end of Black History Month. Most often when we discuss the Jewish connection to this month, we think of Rabbi Abraham Joshua Heschel or other notable Jews involved in the civil rights movement. Rarely do we think back to those Jews, like so many southerners at the time, who owned slaves before the civil war, or the small number of enslaved African Americans who adopted the religion of their captors.

Mathew Lopez’s riveting play, The Whipping Man, explores the lives of these Jews—both enslavers and enslaved—and I had the chance to see it in Charlotte, where it will run through March 9th. The play is set in a dilapidated home in Richmond, Virginia, following the end of the Civil War. Caleb, a wounded Jewish Confederate soldier, returns home to find two former slaves there, Simon and John, who are also Jewish. They must rely on each other, while also figuring out how to relate to each other as equals.

The story itself is captivating, but the larger ideas discussed are what make this play simultaneously horrifying, fascinating and beautiful. The play deals directly with the conflict of Southern and Jewish identities by addressing the inconsistency of Jewish values and the way masters often treated their slaves. It also deals with loss of faith due to war. One thing I loved is that there are many frank discussions about what it means to be enslaved and what it means to be a Jewish slave with a Jewish master.

Just one small spoiler: there is a hilarious scene when all three characters try horse meat (which is not kosher) for the first time.

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