13. Autoethnography as the Engagement of Self/Other, Self/Culture, Self/Politics, Selves/Futures14. Getting Out of Selves An Assemblage/ethnography?; 15. Fire A Year in Poems; 16. How Global Is Queer? A Co-autoethnography of Politics, Pedagogy, and Theory in Drag; 17. Sentimental Journey; Section Three: Representing, Breaking, and Remaking; Introduction: Braiding Evocative with Analytic Autoethnography; 18. Reflections on Writing and Autoethnography; 19. Writing Autoethnography The Personal, Poetic, and Performative as Compositional Strategies

20. Reflections on Writing through Memory in Autoethnography21. Mindful Autoethnography, Local Knowledges Lessons from Family; 22. Artful and Embodied Methods, Modes of Inquiry, and Forms of Representation; 23. Writing My Way Through Memory, Autoethnography, Identity, Hope; 24. Wedding Album An Anti-heterosexist Performance Text; 25. Putting the Body on the Line Embodied Writing and Recovery through Domestic Violence; Section Four: Moving and Changing; Introduction: Autoethnography as a Mode of Knowing and a Way of Being; 26. Autoethnographic Journeys Performing Possibilities/Utopias/Futures

13. Autoethnography as the Engagement of Self/Other, Self/Culture, Self/Politics, Selves/Futures14. Getting Out of Selves An Assemblage/ethnography?; 15. Fire A Year in Poems; 16. How Global Is Queer? A Co-autoethnography of Politics, Pedagogy, and Theory in Drag; 17. Sentimental Journey; Section Three: Representing, Breaking, and Remaking; Introduction: Braiding Evocative with Analytic Autoethnography; 18. Reflections on Writing and Autoethnography; 19. Writing Autoethnography The Personal, Poetic, and Performative as Compositional Strategies

20. Reflections on Writing through Memory in Autoethnography21. Mindful Autoethnography, Local Knowledges Lessons from Family; 22. Artful and Embodied Methods, Modes of Inquiry, and Forms of Representation; 23. Writing My Way Through Memory, Autoethnography, Identity, Hope; 24. Wedding Album An Anti-heterosexist Performance Text; 25. Putting the Body on the Line Embodied Writing and Recovery through Domestic Violence; Section Four: Moving and Changing; Introduction: Autoethnography as a Mode of Knowing and a Way of Being; 26. Autoethnographic Journeys Performing Possibilities/Utopias/Futures