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For his twelfth illustration of Martin Chuzzlewit, Eytinge depicted Mrs. Todgers, the owner of the London boarding-house where the Pecksniffs tend to stay when in town (e. g., in Part Four) and the youngest of her male lodgers, the disconsolate lover Augustus Moddle, who had fallen in love with Mercy ("Merry") Pecksniff and cannot completely permit her sister, Charity ("Cherry"), to displace the now Mrs. Chuzzlewit (Jonas's wife) in his affections. Introduced as early as chapter 9, Mr. Moddle, referred to only as
"The youngest gentleman in company" (90) at that point, saves Pecksniff after
the architect falls into the fireplace: Moddle "had him out in a second. Yes,
before a hair upon his head was singed, he had him on the hearth-rug" (89-90).
Ultimately, feeling trapped into a marriage wholly unsuited to his disposition,
Moddle decamps to Van Dieman's Land (modern Tasmania). Mrs. Todgers, too, is
involved in a romantic subplot, since she has cast her net upon the widower Seth
Pecksniff. Dickens's description of her in chapter 8 presumably influenced
Eytinge's conception of her, especially with respect to her curls, although not
her taste for finery implied in Phiz's April 1843 illustration, for Part Four
(chapter 9):

M. Todgers was a lady — rather a bony and hard-featured lady
— with a row of curls in front of her head, shaped like little barrels of
beer; and on the top of it something made of net, — you couldn't call it a
cap exactly, — which looked like a black cobweb. She had a little basket
on her arm, and in it a bunch of keys that jingled as she came. [Chapter 8;
Diamond Edition, p. 74]

The kindly aspect of her disposition is not suggested in Eytinge's
illustration, but her role as counsellor to the inmates of the boarding-house
is well suggested by the illustration. The dialogue that Eytinge has in mind
between Mrs. Todgers and Mr. Moddle occurs in the middle of the narrative, in
chapter 32, when Charity has established herself at Mrs. Todgers's once
again:

This was the only great change over and above the change
which had fallen on the youngest gentleman. As for him, he more than
corroborated the account of Mrs. Todgers; possessing greater sensibility
than even she had given him credit for. He entertained some terrible
notions of Destiny, among other matters, and talked much about people's
'Missions'; upon which he seemed to have some private information not
generally attainable, as he knew it had been poor Merry's mission to
crush him in the bud. He was very frail and tearful; for being aware
that a shepherd's mission was to pipe to his flocks, and that a
boatswain's mission was to pipe all hands, and that one man's mission
was to be a paid piper, and another man's mission was to pay the piper,
so he had got it into his head that his own peculiar mission was to pipe
his eye. Which he did perpetually.

He often informed Mrs. Todgers that the sun had set upon
him; that the billows had rolled over him; that the car of Juggernaut
had crushed him, and also that the deadly Upas tree of Java had blighted
him. His name was Moddle.

Towards this most unhappy Moddle, Miss Pecksniff conducted
herself at first with distant haughtiness, being in no humour to be
entertained with dirges in honour of her married sister. The poor young
gentleman was additionally crushed by this, and remonstrated with Mrs.
Todgers on the subject.

"Even she turns from me, Mrs. Todgers," said Moddle.

"Then why don't you try and be a little bit more cheerful,
sir?" retorted Mrs Todgers.

"Then you had better avoid her for a short time, if she
does,' said Mrs. Todgers, 'and come to know her again, by degrees.
That's my advice."

"But I can't avoid her," replied Moddle, "I haven't strength of
mind to do it. Oh, Mrs. Todgers, if you knew what a comfort her nose is to
me!"

"Her nose, sir!" Mrs. Todgers cried.

"Her profile, in general," said the youngest gentleman,
"but particularly her nose. It's so like," — here he yielded to a
burst of grief, — "it's so like hers who is Another's, Mrs.
Todgers!"

The observant matron did not fail to report this
conversation to Charity, who laughed at the time, but treated Mr Moddle
that very evening with increased consideration, and presented her
side-face to him as much as possible. Mr. Moddle was not less
sentimental than usual; was rather more so, if anything; but he sat and
stared at her with glistening eyes, and seemed grateful.

"Well, sir!" said the lady of the boarding-house next day.
'You held up your head last night. You're coming round, I think."

"Only because she's so like her who is Another's, Mrs
Todgers," rejoined the youth. "When she talks, and when she smiles, I
think I'm looking on HER brow again, Mrs. Todgers." [Ch. 32, Diamond
Edition, p. 294, facing the illustration]

Whereas Eytinge thought the proprietress of the commercial boarding-house
worthy of visual comment, Barnard relegates her to a corner of a single
illustration late in the narrative in the 1872 Household Edition. Phiz, on the
other hand, seems to have been content to let the reader imagine his appearance
and manner resulting from his suffering from "a blighted heart" until well
into the story, when in the May 1844 number he shows a pallid youth in
respectable, middle-class garb accompanying Charity on a shopping expedition
to set them up in housekeeping. Certainly in his twelfth illustration Eytinge
captures Moddle's depressive state.