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Tuesday, February 2, 2016

You know that realization when you read the first few pages of a book and you feel the protagonist is just like you? Every characteristic of them reminds you of a trait you have. That's how I felt when I started reading Rachel Watson's story. But the feeling soon changed. Her character progressed to be more muddled, raw and messed up.

The Girl on the Train is a smooth, easy read. Racy and engrossing. The climax grips you. Makes your heart beat faster. Just like a thriller should be.

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Remember...

That man whom you see in the same lift as you every time you take the lift to your office floor?
That girl in the metro whom you notice standing at the same spot near the window every morning?
That old lady whom you always find singing to herself when you are out for a run in the park?

Those familiar strangers. We all have a list of them. They all take up some space in our mind, in our thoughts, even if it's just for a couple of minutes a day. We try to imagine their lives. We construe their stories. We cook up their quirks. We relate to their mannerisms.

Rachel Watson did the same. She was just like you and me. Her only mistake - she stretched this seemingly innocuous habit into a frustrating, annoying obsession. Conceiving stories around strangers. Imagining herself in their stories. Fighting hard to be a part of their stories. In the end, it messes up her life even more.

Moral of the story? Sometimes, it's better to be strangers. We are meant to stay strangers in certain stories.

Tuesday, January 19, 2016

He opened his eyes as he felt something solid under his feet and tried to gain balance. It was like someone had picked him up, and plopped him gently on the ground. Now eyes wide open, it did not seem like a normal ground. It didn't seem like anywhere he'd been before. There was an eerie silence, and yet his ears were ringing. The ringing that he felt after listening to loud music constantly. In front of him was a wall of thick fog, the kind that he experienced every winter; but this time he did not feel cold.

Gingerly, he took a step further, hoping to see what lay on the other side of the fog. But it continued with him, it was like a tunnel, not dark, yet not lit up. He kept walking. With no recollection of time. With no memory of how long he had been walking. "Is it a dream?", he wondered, looking at his hands. And a shiver ran down his spine. His hands looked the same, yet weren't like his. The jagged lines had smoothed out. The calloused edges had eased. The ugly scar, just below his right thumb had faded. Instinctively, his hand moved to his forehead, fingers searching for the stitches, which he presumed would still be raw. But all he could feel was smooth skin. No pain. No stitches. Flustered, he shook his head to break away from the dream, closed his eyes and turned around.

"Take a deep breath."

"Count to five."

"It always works."

He willed himself, opening his eyes. But, he was still there. Amidst deep fog. He continued walking, knowing that the dream would eventually end. Until he heard his name.

He blinked and the fog had disappeared. And in front of him, stood an old gentle man. Gentle, the first thing he thought of looking at the man. His kind eyes. His warm smile. His soft voice. Calling out his name. He responded, "Where am I?"

"In transition."

"Before I get to choose between heaven or hell?" He chuckled.

The old man smiled. "You don't get to choose, because there is no hell or heaven."

"Then why am I here?"

"To answer one question."

He sighed. Eyes expectant.

"Who would you be?", the old man continued.

"If they wipe away your work?

If they strip you off your talents?

If they seize all your possessions?

If they take away all your money?

If they un-changed what you have changed?

If they take away what you have brought?

If they destroy what you have created?

If they forget who you are?

Would you still be you?"

The old man's kind eyes were piercing him now. Probing for an answer. He held out a glimmering shard of glass to him. "Look into this mirror. You will know the answer."

He took the mirror in his hands. The razor-sharp edges not hurting his fingers. Taking a deep breath, he held up the mirror in front of his face. The mirror reflected a thick wall of fog, instead of his reflection. In the mirror, in his own reflection, he did not exist. He had ceased.

Sunday, November 8, 2015

When I was a kid, the first definition of love came from the movies (read SRK movies). Even if he was the bad guy, I believed his love was the right kind of love. And then came the books, the Danielle Steels, the Nora Roberts, the Eric Segals, the Nicholas Sparks, the Cecilia Aherns, it goes on. And then when I began grasping English movies, it was more of Nicholas Sparks, Disneys, Pixars, and it goes on.

Every movie, every book, dripping with love, soaked in mush, drizzled with tears, twisted, construed and shaped the definition of love in a new way. There was everything. Young love. Old love. Long distance love. Disastrous love. Comic love, Emotional love. Mismatched love. Rich love. Poor love.

When did we start referring to books to talk about true love?

It's made up, isn't it? It's the writer's definition of love. It's a play of words.

And with the zillion definitions of love, came a zillion conditions.

It's not love if he can't call you every morning.

It's not love if she can't cook for you every day.

It's not love if he goes out with his friends.

It's not love if she doesn't give up eggs for you.

It's not love if he doesn't say I love you every day.

It's not love if she stopped dressing up for you.

When did we start talking of "unconditional" love as something unique, something elusive?

I've never heard of conditional love. I doubt if anyone has.

What led me to this speculation was a recent conversation I had with a friend. She was a little miffed with how movies showcase over-the-top, too-good-to-be-true, too-illogical-to-be-real kind of love stories. All I could say to calm her down was, "It's fiction. It's a fictional love. Don't let some movie or book define what love means to you. Find your own definition. Create your own definition."

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I believe...

There are too many books I haven't read, too many places I haven't seen, too many memories I haven't kept long enough.

I quote...

''The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - that you'd thought special, particular to you. And here it is, set down by someone else, a person you've never met, maybe even someone long dead. And it's as if a hand has come out, and taken yours.'' ~ The History Boys.