The Blitz Club celebrated its 30th Anniversary with a special reunion at its old site which is now The Red Rooms in Holborn, London.

its original soundtrack centred on the music of DAVID BOWIE but also included KRAFTWERK, ROXY MUSIC, ENO, LA DUSSELDORF, GINA X PERFORMANCE, ULTRAVOX, THE NORMAL, THE HUMAN LEAGUE, YELLOW MAGIC ORCHESTRA, TELEX and MAGAZINE amongst others.

This vibrant post-punk scene, whose clientel were dubbed ‘The Blitz Kids’ and ‘The New Romantics’, became the catalyst for several bands including SPANDAU BALLET, CULTURE CLUB and of course, VISAGE as well as assorted fashion designers and visual artists.

Also reunited for the first time in many years were members of The Blitz Club dance troupe SHOCK including Carole Caplin, LA Richards, Tim Dry aka Tik from TIK & TOK and Barbie Wilde who appeared in ULTRAVOX’s ‘Passing Strangers’ promo video with the absent Sean Crawford aka Tok.

After an initial DJ set by Rusty Egan, PARADISE POINT took to the stage to deliver a lively performance with their bassist Roman Kemp following in the footsteps of his father Martin by playing The Blitz Club. His mum Shirlie looked on proudly. Despite at least three members of the group looking barely old enough to be playing on licensed premises, they were impressive with a polished danceable pop style that wholly suited the occasion.

Singer Cameron Jones has a charismatic confidence which should see PARADISE POINT fill the gap in the market for a smart boy band that actually plays their own instruments. During the interlude to remove the stage to reveal the dancefloor proper, both Steve Strange and Rusty Egan took to the mic to thank everyone for attending. Rusty even took great delight in mentioning The Electricity Club by announcing: “These guys know more about the music I play than I do!!” Merci beaucoup Rusty!

The old Blitz Club dancefloor filled as its original resident DJ spinned classic after classic with many songs from the original Blitz Club playlist.

It was quite surreal to not only be hearing the 12 inch mixes of ‘Fade To Grey’, ‘To Cut A Long Story Short’ and ‘R.E.R.B.’ in the very place that helped inspire them, but to also be in the presence of the very people that were involved in their genesis and recording.

However, one particular highlight with a modern twist occurred when the EMP 09 dance remix of ULTRAVOX’s ‘Visions In Blue’ was warmly received by the crowd.

With the essential inclusion of DAVID BOWIE’s ‘Heroes / Helden’, ‘The Model’ by KRAFTWERK, OMD’s ‘Enola Gay’, JOY DIVISION’s ‘She’s Lost Control’ and a bit of BRYAN FERRY et voila… this was the perfect combination to celebrate nearly four decades of fantastically inventive avant pop music.

Next to take the decks was Princess Julia who famously appeared in the iconic ‘Fade To Grey’ promo video with Steve Strange. Again, it was surreal to see the pair standing together in the DJ booth.

Onlookers were even treated to the former Steven Harrington doing some impromptu miming over the soon-to-be released reworking of VISAGE’s ‘Frequency 7’ which now features extra lyrics borrowed from HEAVEN 17’s ‘Temptation’.

This is a song which incidentally also has Blitz Club connections as it was Rusty Egan who recommended Carol Kenyon to Messrs Marsh, Ware and Gregory when the Sheffield trio were seeking a soulful backing vocalist for their then yet-to-be completed 1983 single.

Meanwhile Princess Julia’s set was varied, ranging from the not entirely unexpected like DEPECHE MODE’s ‘Just Can’t Get Enough’ to the biggest surprise of the night, FANCY’s cult Euro hit from 1983, ‘Slice Me Nice’. The various Germans and Scandinavians, who have made the journey specially to be at this reunion tonight, were particularly appreciative!

But with the landlords The Red Rooms reverting to their usual source of income as a table dancing establishment, it was time for The Blitz Club, like Cinderella, to make its exit before midnight. The whole night was terrifically friendly with lots of great electronic pop music and many attendees got into the spirit of things by togging up as New Romantics, Peacock Punks or in the case of The Electricity Club, 1950’s German bank clerks!

The Return To The Blitz Club 2011 couldn’t have been any better. With ULTRAVOX having just signed a new recording deal with Universal Music and plans also for a new VISAGE album, the legacy of The Blitz Club is alive and well! Tonight really was a Club For Heroes!