20 living bass greats

1 Dave Holland

Fifty-one years since being discovered by Miles Davis, Holland’s global influence cutting across a swathe of post-bop styles remains immense. The beating heart of In a Silent Way. Pick out his work with Kenny Wheeler for later thrills. Still a force to be reckoned with especially on 2018’s UnchartedTerritories and the brand new Good Hope with Zakir Hussain and Chris Potter.

2 Esperanza Spalding Breakthrough bassist/vocalist Spalding has rewritten the rulebook in terms of what a 21st century bassist can do.

3 Marcus MillerFusing jazz, soul, and African music Miller’s sound whether heard as far back as Tutu with Miles Davis, Luther Vandross, or more recently on Laid Black is instantly recognisable.

4 John Patitucci With a solo reputation for leading his own bands and making his own records nonetheless it’s for his role in the Wayne Shorter quartet that has defined the technically accomplished US bassist’s career over many years now.

5 Reid AndersonAs a member of one of the leading small groups in contemporary jazz in The Bad Plus bassist Anderson has an eclectic approach influenced by jazz, rock and classical approaches that appeals to a new generation exploring jazz often for the first time.

6 Larry Grenadier Best known for his work with Brad Mehldau and the Fly trio Grenadier thrives on a riff, his impossibly woody sound cornering tricksy rhythms with consummate ease.

7 Arild AndersenPlaying Cork this autumn. Was part of the history making Triptykon.

8 Ron Carter Elegant and refined, the heir in some ways to Ray Brown, Carter was the bassist in the Miles Davis “second great quintet” fact enough to be included in this list. He is still leading bands to this day, and is a regular visitor to Ronnie Scott’s.

9 Stanley ClarkeHugely influential from Return to Forever and George Duke days and in demand as a movie composer.

10 Cecil McBee The Forest Flower bassist. Need I go on? OK, yep McBee is on the title track of Journey in Satchidananda too.

11 Richard Bona The Cameroonian with the jaw-dropping bass guitar technique and unique vocal style, jazz, African music and a sense of improvisational adventure all roll into one.

12 Reuben Rogers The Charles Lloyd and Joshua Redman bassist has some of the best chops in jazz as at ease with free-jazz as straightahead.

13 Gary PeacockAvant gardist by reputation and also the ultimate standards bassist for many years with Keith Jarrett.

14 Linda May Han OhAdventurous chamber-jazz stylist globally known through touring with Pat Metheny, already with a formidable track record of achievement on her own genre-busting records.

15 Dan BerglundHe reached a huge global fanbase with EST and now leads his own group Tonbruket. Look out for Rymden.

16 Thomas MorganBig toned US bassist known for his work with Tomasz Stańko, he’s a revelation with Jakob Bro.

17 Richard Davis As well known as an educator as for his appearance on some classic records Richard Davis’ big sound has decorated albums as influential in very different ways as Astral Weeks and Out to Lunch.

20 Henry GrimesAvant god. Ayler, Cecil Taylor, another time, another place. Lost now found.

Staring at the top line of the sheet music with the chord symbols scrawled on top of each line beyond reach moulded into the CD tray of Stories (it’s the music for ‘Where Stories Are’, just eight lines including the coda), the track comes up as the pre-penultimate number here of the eight tracks, where Pieranunzi, whose Play Morricone sessions have just been reissued is joined by bassist Scott Colley and drummer Antonio Sánchez, the pairing who illuminate the very tasteful Sentiana released last month.

Most of the tunes are Pieranunzi’s, who it must be said, stating the obvious, is a poet of the piano, like Bill Evans or Brad.

Opening with ‘No Improper Use’ it's ‘Detrás Más Allá’ where the trio really rise to the challenge yet it’s still for now generic uptempo jazz but you know something, a moment, might emerge and it does, like a waterfall.

A magnificent album, just go and buy this February 2011 set made at Avatar in New York. It’s Farber sound so that’s not an issue; the tune not composed by Pieranunzi who is 65 this year is Colley’s ‘The Slow Gene’.

Cultured piano music beyond genre but heartland jazz nonetheless with a Puccini-like head for melody there’s plenty to savour, Colley’s solo on ‘The Real You’ at the end of this album that’s just shy of 50 minutes, enough to stop you dead in your tracks and cancel whatever your plans are for the rest of the day. An instant classic. SG