Resonant Mastering

We are talented engineers with both technical skills and musical ears. Integrating top flight mastering-specific analog gear with coveted digital processing, the audio chain at Resonant Mastering has the versatility to handle all genres and recordings.

Resonant Mastering was founded when audio mastering engineers Rachel Field & Ed Brooks purchased RFI Mastering in 2016. Resonant Mastering is known for their work with artists such as Fleet Foxes, Death Cab for Cutie, Pearl Jam, The Fucking Eagles, Fauna Shade, Old Coast and more.

Learn more about us and a small selection of our past clients below.

Rachel Field moved to Seattle from California in 2009 and quickly became heavily involved in the PNW recording scene. She has worked in several areas of audio production, and found her passion to be mastering. As Mastering Engineer she works on all genres, and with a wide variety of local and international artists such as Whitney Mongé, Fauna Shade, Old Coast, Jericho Hill, Ryme, The Fucking Eagles, The Baggios, Mouths of Babes, and Anomie Belle. Rachel also does freelance recording in several studios in the Seattle area.

Ed Brooks has been making records since the dawn of time, well almost. Ed started his career producing amd engineering records in basement studios, working his way up into major studios during Seattle’s music explosion of the early 90s. He started full time as a mastering engineer 18 years ago. Artists Ed has mastered projects for include, REM, Pearl Jam, Fleet Foxes, Death Cab For Cutie, Courtney Marie Andrews, The Head and The Heart, Chris Robinson, and Noah Gundersen. He also plays pedal steel guitar in several bands based in the Seattle area.