Tag Archives: Used

Fingerboard/The fingerboard of Gibson’s J-45 Vintage is constructed from the highest grade Indian rosewood on earth, which is personally inspected and qualified by Gibson’s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45’s classic dot inlays are made of genuine mother-of-pearl, and are inserted into the fingerboard using a process that eliminates gaps and doesn’t require the use of fillers. The fingerboard also sports traditional binding over the fret ends, which was a staple feature of many classic Gibson acoustics for many years.

Bracing/Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument’s sound projection. The J-45 True Vintage features a variation of Gibson’s “X” bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top, all bonded with hot hide glue. This legendary bracing design-exactly as it appeared in the first J-45 in 1942-delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. When pushed for more volume, the J-45 True Vintage projects a natural compression, which helps it blend nicely with any accompaniment.

Hardware/Gibson’s J-45 True Vintage features Gotoh’s nickel white button tuners. With a gear ratio of 15:1, these nickel Gotoh tuners deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage, with a special lubricant inside the gear box for smooth and accurate tuning stability.

Gibson’s 1942 J-45 Legend acoustic features period-correct strap open-back white button tuners that are identical to the original Kluson tuners used in 1942. Each tuner is painstakingly handmade for this guitar using the exact dimensions and design as on the original 1937 model, reproduced with precise handcrafted detail, and resulting in a high-quality, vintage tuner not available on any other instrument.

Rosewood Fingerboard with Traditional Binding and Classic Dot Inlays
The fingerboard of gibson j-45 usedLegend is constructed from the highest grade rosewood on earth, which is personally inspected and qualified by Gibson’s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45’s classic dot inlays are made of genuine mother of pearl, and are inserted into the fingerboard using a process that eliminates gaps and doesn’t require the use of fillers. The fingerboard also sports traditional binding over the fret ends, which was a staple feature of many classic Gibson acoustics for many years.

Pickguard
The pickguard for the 1942 J-45 Legend is Gibson’s standard fire stripe tortoise tear drop shape, exactly as it appeared on the very first J-45 in 1942. As with all of Gibson’s pickguards, the coloring and binding are all done by hand.

The dovetail neck joint is one of the oldest—and best—ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill.

The top of the 1942 J-45 Legend is made from genuine Adirondack red spruce, while the back and sides are constructed from pattern-grade Honduran mahogany, giving the 1942 J-45 Legend the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson’s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with “the most durable, elastic, and sonorous qualities,” and today’s guitars from Gibson Acoustic are no different.