What is the Tomatometer®?

The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.

From the Critics

From RT Users Like You!

Fresh

The Tomatometer is 60% or higher.

Rotten

The Tomatometer is 59% or lower.

Certified Fresh

Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.

AUDIENCE SCORE

The Man from Elysian Fields Photos

Movie Info

George Hickenlooper directs this psychological drama about an impoverished writer lost in a world of money, power, and male escorts. Though happily married with a young child, Byron Tiller (Andy Garcia) is struggling to make ends meet as a novelist. His last work, called "Hitler's Child," had an ignoble run in the bookstore bargain bins and his editor is not interested in his latest work about migrant workers. One day, he is approached by a dapper Brit named Luther Fox (Mick Jagger) who actually read Tiller's last opus. Luther explains that he runs an escort agency named Elysian Fields, which caters to rich women looking for intelligent companionship. Desperate for any kind of income source, Tiller takes the job while keeping the whole thing a secret from his loving wife (Julianna Margulies). He soon is rubbing elbows with the beautiful wife (Olivia Williams) of an aging Pulitzer Prize-winning writer. Gradually, Tiller finds himself immersed in this strange new world that he cannot quite understand, much less explain to his spouse. This film was screened at the 2001 Toronto Film Festival.

Audience Reviews for The Man from Elysian Fields

A mature and worldly screenplay is executed by actors giving elegantly crafted performances. Garcia, Jagger and Coburn all work together (despite Coburn and Jagger never sharing a scene). It's the way actions affect others and how ones own selfish desires can make or break a person. The men not only assert their power to gain wealth and acceptance but are also exploited by their female counterparts. All characters evolve and learn life lessons without the screenplay coming across as a self help novel. Emotional and funny only hampered by a surprisingly uninspired montage and an ending that feels to happily rushed.