Also I bought this 5 years ago and I meant to post this review for just as long.

The Fantasy of Eight Roleplaying Game, or F8te if you want to confuse people who heard about Fate system before, is pretty much a pure fantasy heartbreaker. It mostly seems to serve as a ginormous ego trip for the author.

Frankly I doubt that it was supposed to be bought by anybody but the author and his players, but then a guy in Poland decided to spend the last bit of money on his gift card for something RPG-related. So now I can talk about it online.

According to the back cover

This is the F8S (FATES) role playing game designed by the author of the Pleides Series (Za’Varuk’s Stone), The Moonweaver Memoirs, and Pleidian Tales. It has all the information needed to begin play, including 20 character classes, a huge list of monsters and races, and example characters.

The book is thin (100pgs.), and over a fifth of it is pre-generated characters.

Which the author found necessary to include.

A further big part of the book is tables upon tables of monster stats. The approach to their stats is a bit schizophrenic. On the one hand Nymphs are split into a table with 3 entries of Nymphs of various powers. Elementals just have 3 entries as well, and aren’t even split up into different elemental classes. On the other hand there are the tables for ogres, where one can find a whopping 75 entries, diligently listing the stats for ogre axemen, priests, and necromancers up to level 25.

I kind of see what the author was going for, but I think he missed the mark somewhat.

The actual rules to play the game are surprisingly short. In fact they make up most of pages 1 to 32 of the book, and in between you find another few pages with characters from one of the author’s stories.

The rules are definitely inspired by D&D, and try to mostly improve on the model set by that game. It allows and encourages mixing and matching of classes to create just the hero one wants for a game. And it boasts 20 classes and 15 races for that. Of course in the limited amount of space it has, the difference between a Warrior, a Karateka, and a Barbarian is explained in a single paragraph, with maybe a sentence for each.

Alignment is still present, but instead of the classic model we now have Caliginous, Neutral, and Luminance. What either of these means is not explained and can only be inferred through some comments in the section on races.

Equipment is limited to a page of weapon descriptions, and a short paragraph on treasure. Interspersed between those two is the section on attacking enemies, and this is followed by the section on religion, which just tells us that the number of gods in the campaign world would be too big to list, so it lists a few of the bigger gods (including Thor, Demeter, and Orcus).

The section on attacking by the way does not contain any further explanations than the terse rules mechanics. Further explanations are provided, in two more sections a few pages further, one called “Basics for the game, Taken from the short story Nightmares Born of Bliss”, the other simply “Tomb Adventure”. Interestingly enough the second part decides to reiterate the rules on attack darts for clarity, despite the fact that these rules are at the bottom of the same page and were not mentioned beforehand.

“Tomb Adventure” also seems to be what goes for a sample scenario in this game. It is nearly 2 pages long, half of which is explanation how combat works, the rest of which is a description of a tomb in text form:

Stairs lead downt.

Landing has a hallway leading off.

Thief must make check to notice trap door in the floor.

And after “Tomb Adventure” we have the three paragraphs [!] on Attack Darts, creating Undead, and Character Death.

The book also contains one dedication, one epigraph quoting Shakespeare, a list of abbreviations, 2 pages of introduction, an afterword that promises a forth coming expansion to the tomb adventure presented in the book, a bio of the author with his msn.com email address, 4 pages of advertisement for at this point not-yet published fiction and non-fiction by the author.

Oh, and then a section headed “Bibliography” that reads

A thanks to the mythmakers of old, for without them this book would not be what it has become!

Uhm. I don’t think this word means what you think it means.

OK, this book is charming in its way. A wonderful example of DIY rpg stuff of the early 2000s. I bet the author and his players had lots of fun in their campaign. So that was good for them. I love to see this stuff sometimes.

I also love some of the design ideas here. The whole system is pared down and streamlined to allow for a quick and eventful game. E.g. it acknowledges that people will use spell components, but when playing the game this should just be ignored. It also is intended to allow a maximum of character customization… but forgets that D&D is not the only game there is and that other games might have better ways to do that. And you can still see the traces of D&D in there anyway.,

But the bad points are overwhelming: there’s no structure, no real sense of place (the author assumes you have read his novels, not all of which might have been published), and the game is barely understandable. There are barely any explanations as to how rules actually work, and lots of far-reaching assumptions on how things are supposed to go in a game.

TLDR: As a game it is basically unplayable, mired in barely understood D&Disms, structured like a Jackson Pollock painting, and completely full of itself. It’s a fantasy heartbreaker.

Venârivè is the larger region Harn is situated in. Previously the setting description of HarnWorld focussed mostly on the island Harn itself, and a few areas in the general vicinity. This publication changes that and pushes the known world up to the borders of the cultural region Venârivè. Some of these places were already mentioned in the Lythia article in HarnWorld, a lot of others are mentioned here for the first time.
That includes the name of the publication. The copy of HarnWorld I own just mentions the continent of Lythia, and doesn’t have a specific name for the subcontinent.

But at least Venârivè sounds like a real name.

Venârivè is the region between and around the Ivinian and the Venarian seas, and defined more by cultural coherence than geographically*. This region has been settled for a few thousands of years, and there are traces of older, most likely alien civilizations (the Earthmasters).

The predominant race in this area of the world are humans (oh, really?), splintered in thousands of smaller tribes and nations. There are some other, older races (Elves and Dwarves) that have been in decline for a long time. They used to influence human civilization, but now only a few scattered realms in remote locations remain. There also are a few other non-human races, often scatted and marginalized. The largest group here are the Gargun of Harn (the Harnic orcs), which are an economical and ecological disaster just waiting to happen.
Most of Venârivè is wilderness, with few pockets of civilization huddled around larger villages and towns, and sometimes even actual cities. Many states only effectively control the immediate area around their towns, and maybe a few strategic highways (read: wilderness trails) to other civilized areas.
The religion of the region is diverse, but the region is locked in the protracted struggle between the cults of two different war gods: the protective Larani/Varani (a goddess of chivalry), and the aggressive Agrik (with a might-is-right philosophy). The conflict between these two philosophies informs a large part of the religious and political conflicts in the setting, although other religions have their own issues.
The technology of the setting is somewhere between 10th and 15th century (so basically standard fantasy fare), with some areas more developed than others. Most of civilized Venarive is very much in the feudal, manorial mode of living. So there is not too much change for seasoned Harniacs.

Nations and states, tribes and cultural regions are described in loving detail, even if most likely no-one ever will play in these parts. There are lists of rulers, historical personages, ports, and so on.

As always with Harn products this book describes this setting at one specific point in time (the year 720 of the Tuzyn calendar), so there is no metaplot to go against, besides what is described in the book itself.

The setting veers away from the usual RPG everything-but-the-kitchen-sink setting that has become the standard over time; the setting does not go out of its way to fit one genre or another into it; the authors clearly went for internal coherence rather than actual playability. I do not really see many people wanting to play a power struggle in Quarphor (Scythia?), or courtly intrigues in Dalkesh (quasi-medieval Egypt?). Some people, yes, but not many.

This book is both one of the best RPG supplements I have come across so far, as well as one of the most frustrating. I absolutely love looking at this book. I enjoy the worldbuilding, the additional detail, the insane amount of information I can get out of it, but the setting doesn’t make it easy to put it into a game.

But maybe I should just come to grips with the fact that I did not buy this book to use it. I bought it because I enjoy reading about a well-crafted world.

Now here’s something interesting: California has banned RPGs. At least the ones that use polyhedrals other than d6s. Or rather, it seems to have banned the possession of respective RPG paraphernalia.

According to this site it is “Illegal to possess any dice with more than 6 faces” in the state of California.

I wonder if D&D games often get raided in that part of the world.

[the answer is no by the way; this was a joke]

]]>https://gmkeros.wordpress.com/2018/04/21/dd-illegal-in-california/feed/1gmkerosdice_28typical_role_playing_game_dice29Review: Zombies of the Gene Poolhttps://gmkeros.wordpress.com/2018/04/20/review-zombies-of-the-gene-pool/
https://gmkeros.wordpress.com/2018/04/20/review-zombies-of-the-gene-pool/#respondThu, 19 Apr 2018 23:30:44 +0000http://gmkeros.wordpress.com/?p=3422The successor to Bimbos of the Death Sun, and the second Jay Omega “mystery” from 1992.

After this the author ran out of steam for this series and now focuses on a rather more dark series, which is understandable. Both this and Bimbos are less mysteries, and more satirical meditations on science fiction fandom with a weak murder plot tacked on. It is maybe quite telling that Mrs. McCrumb barely mentions these two books anywhere on her website, despite winning an award for the first one.

The murder in this book happens after the 2/3rds mark, and Jay solves it by going to a chat room and asking people to look up stuff in their local phone directory.

Before that happens he has to be told to switch off caps lock.

Our hero, ladies and gentlemen.

I guess in ’92 talking to people over the net seemed rather futuristic.

Not that it matters so much, there really isn’t a reason for our power couple to be involved in the plot at all. A fact that is even recognized in the story itself.

So…

In the 1950s a small commune of science fiction writers and fans that lived together on a farm in Tennessee. At one point they decided to bury a time capsule with stories written by all of them. Then they drifted apart, and a few years later the area of the farm was flooded by a dam.

Decades later some of the people who lived there have become famous, burned out, died, or all three together. And that’s when the dam is drained for repairs. A small media spectacle follows. The time capsule is to be unearthed, and the rights to the stories contained therein to be auctioned off.

Our nominal main protagonists are dragged along by s fellow professor. Down in Tennessee they encounter the dysfunctional members of the old commune, meet some colorful Southern locals, and generally don’t do anything.

At one point one of the guys who was thought dead shows up, insults everyone, insinuates dark things, and ends up dead for real.

Sigh.

The worst about this book is that the plot has elements that could make a good, maybe even great book. There are so many elements in there that could have been good set pieces, shocking twists, and colorful characters, but in the end it feels as muddy as the drained lake this takes place at.

Don’t read this. And if you do, don’t complain.

]]>https://gmkeros.wordpress.com/2018/04/20/review-zombies-of-the-gene-pool/feed/0gmkeros876676[Shadowrun] Seattle is a prisonhttps://gmkeros.wordpress.com/2018/04/19/shadowrun-seattle-is-a-prison/
https://gmkeros.wordpress.com/2018/04/19/shadowrun-seattle-is-a-prison/#respondThu, 19 Apr 2018 09:10:11 +0000http://gmkeros.wordpress.com/?p=3521I have been working on a game set in 2050s Seattle lately. So I started to try and understand the setting a bit better to get the feel for it. Which is a bit funny, considering I played the game since the 90s. But this was supposed to be for new players that did not have so much exposure to the setting yet.

And here is something that hit me only after decades of playing: Seattle in Shadowrun is a city state surrounded by foreign lands, and cut off from the rest of the nation it belongs to by at least two international borders.
Seattle has a population of more than 6 million, 2 of which are SINless.
In the 6th world of Shadowrun a SIN is basically the thing that marks you as a citizen, and in a lot of cases as a person. Someone without a SIN does not exist according to most governmental institutions.
A person without a SIN cannot go to school, hold a proper job, pay taxes, open a bank account, get a credit, or even call the police.
They do not even count as casualities when killed, and the police will stop investigating crimes when they find out the person was SINless.
And here we come to the problem for these people: there is no way out of this. They are effectively imprisoned in the citystate of Seattle.
As a SIN is used as proof of citizenship, someone without a SIN is not elegible to cross an international border legally.
Did I mention that Seattle is surrounded by international borders?
Now truth be told, the border there is not the Berlin Wall, and there are lots of examples in Shadowrun fiction about people crossing it comparatively easy. But it still is an international border. A normal person trying to live their live as easy as possible will not think about sneaking through those. They will see the border fence as an insurmountable wall. Sure, runners will go over there twice a day and check back in the evning to see if they left the oven on. But a normal person doesn’t. A normal person without a SIN sees the border and sees a wall they can’t cross.

There are 6-7 million people in this city, and 2-3 million of those can never leave this place.

Just something to think about.

In later editions this gets even worse. In 4th and 5th edition (in the 2070s) everyone has to broadcast a valid SIN constantly, and not doing so is reason for arrest. So all of a sudden these 2 million people are not only limited to Seattle, but also unable to even enter (or work in) places like Downtown, Bellevue, or Tacoma.

Scenario ideas:

Police for Hire: the police won’t care for the problems of the SINless. In fact they might arrest the SINless instead as it is easier on the paperwork. If a SINless person is murdered and the police doesn’t care, maybe they hire runners for an investigation

Manhunt: A hunting association has taken to the most dangerous game: they are now hunting SINless with impunity. Someone hires the runners to stop that (this in fact is the plot of one of Michael Stackpole’s Wolf and Raven stories)

Sabotage: a landshark wants to gentrify a neighbourhood and force out all the SINless that have been living here for decades. The runners are hired to stop him, somehow. (this one might have shades of the A-team)

Did I mention we have a toddler now? I plan to rear a fledgling gamer over time, but right now he’s more interested in balloons and tractors. One of his favourite activities is going through the picture books we have, pointing out things, and asking what they are.

Tractors mostly, although he branched out to other vehicles lately, so I was able to learn a lot of names for vehicles I never thought I needed to know before.

Of course that means that gaming fell even more to the wayside than usual. For the last six months our group tried to meet up, but was hamstrung by multiple illnesses. Toddlers collect those like teenagers collect Pokémon I guess.

Even this entry was typed up on my phone one-handed while I was rocking the little one to sleep.

So what was I doing?

* Planned a Shadowrun scenario. Of course then I got sidetracked and decided to set it in the 2050s. And then I decided to make it a one shot. Haven’t gotten that far with it. I did read a few of the novels though

* Decided to make my own monster manual. One that includes roleplaying notes and variety tables for all monsters and clears up some of the unnecessary kludge in other manuals (do we really need half a dozen different entries for fish people?) .

* Decided to get some miniatures for my games. Gathered a variety of miniatures I collected over time. Even though I never used them in games I still accumulated a few dozen of them. Unfortunately my plans to get into painting them so far have also been hamstrung. Also tried to find some cheap ways to bulk out my collection and got way too serious with that.

Oh well. Don’t mind typos. This was written on the phone.

]]>https://gmkeros.wordpress.com/2018/02/04/state-of-the-crocodile/feed/2gmkeros[Discworld] …And A Thousand Elephants!https://gmkeros.wordpress.com/2017/04/27/discworld-and-a-thousand-elephants/
https://gmkeros.wordpress.com/2017/04/27/discworld-and-a-thousand-elephants/#respondThu, 27 Apr 2017 13:33:25 +0000http://gmkeros.wordpress.com/?p=3440Well, more or less at least.
Remember all the posts I had, oh, years ago, regardingmodding some variant of D&D for a Discworld game? Huh, looking over them there were A LOT. I even statted out Death.

The reason being, I have had GURPS Discworld since the 90s and never felt any inclination to play a game with it. Somehow it always felt like, you know, the writers of that book had kind of missed the point. Not that I knew the point better. My idea for a Discworld RPG was one which emulated the sword and sorcery high fantasy parody of the early books, maybe with some stuff from the later ones. For some reason the world that was described in Mort, and Guards Guards seemed to be so big and interesting as a fantasy setting. Much more interesting than the Forgotten Realms for sure. And so I was on and off working on a D&D variant set on the Discworld.

Well, I just finished that one yesterday. Or at least I finished a very first draft. It’s about 60 pages long, and should technically work. No, I haven’t tried it out yet. But at one point, maybe even this coming weekend, my players might experience the joy of eating Dibbler’s products, well, second hand.In fact, now that I am finally finished with the draft I will have to think about some scenario to throw at them. Hmm.But anyway, here a short description:I used my Harnic game system as the base, the one I wastalkingaboutlately. Which means it is Labyrinth Lord at it’s core, with an extended LotFP skill system. I replaced the old Saving Throws with the D20 categories (Fortitude, Reflex, and Will). I changed negativeACintopositive.I used spells taken from Gorgonmilk’s Vancian Magic Supplement (because at least in early books magic seems to be very Vancian on the Discworld), supplemented with a few spells from the books, the GURPS Discworld book, and the Discworld MUD. Not all of the latter ones really work, but some of the names are great.I created a troll and a zombie class (which I might publish here soon), the latter mostly because my players asked for it and really, there are a lot of zombie protagonists in the books. I use the LotFP Specialist, but remade him into a Guildsman. I nerfed the cleric but decided to give some additional powers to get over the lack of flavor this class normally has.I am using a DeathandDismemberment table. Mostly as a Wound table actually, where some of the wounds are instantly fatal (except for zombies). I already noticed that my players will have to get used to it, especially because there won’t be much healing magic (the cleric being nerfed somewhat). Oh, and there are ideas like the Shields Shall Be Splintered! rule that actually will help a bit there.Ok, lets see how this will actually play.

I don’t know any other mystery novel that uses a D&D game as a parlor scene.
This one does.
Unfortunately the parlor scene sucks. It actually does manage to capture the atmosphere of a badly run exhibition game quite nicely. At the the end of the game players and audience are frustrated, and the bored reader is glad that this waste of time is over. It’s just as well the exposed murderer commits suicide, because this mess would haver never held up in court.
In fact the whole mystery part of the book seems like an afterthought, a mere excuse to be able to sell it as some, any genre at least. After all it’s a book about SF fandom, but it hardly is science fiction in itself. So after half the book the asshole victim is killed, nobody really is bothered so much by that, and the only reason the main character finds who killed him is because he is marginally more computer savvy than the police.
But that’s not the reason why this book is readable. It is readable because it’s set on a small science fiction con in the late 80s, written by someone who knew what she was writing about.
There’s trekkies trying to organize a Star Trek wedding, roleplayers having meltdowns over their characters, postal gamers using the con for political scheming in a made up world, cosplayers (before cosplay was called cosplay), etc.
The guest stars are Appin Dungannon, an ass of an author who hates his main character and his fans (guess who ends up dead?), and the main character, a local engineering professor called Jay Omega. Jay is, to his chagrin, the author of a hard science fiction novel that somehow contracted the title “Bimbos of the Death Sun” and a near-pornographic cover during editing. Jay and his fellow professor and girlfriend Marion spend most of the novel being bemused by what is happening. Jay is new to fandom, Marion is an old SF fan who’s seen it all.
The fascinating thing about this book is how it manages to capture SF fandom so well, without resorting to the usual trite clichés. Sure, there are some spots that seem mean-spirited, but even these read like someone wrote from experience.
Altogether: readable, but don’t expect an actual mystery.

]]>https://gmkeros.wordpress.com/2017/02/22/review-sharyn-mccrumb-bimbos-of-the-death-sun/feed/1gmkerosBimbos of the Death Sun (Jay Omega, #1)[Circumflex] Social Status as a new abilityhttps://gmkeros.wordpress.com/2017/01/09/circumflex-social-status-as-a-new-ability/
https://gmkeros.wordpress.com/2017/01/09/circumflex-social-status-as-a-new-ability/#commentsMon, 09 Jan 2017 08:08:30 +0000http://gmkeros.wordpress.com/?p=3434I think I am overdoing this whole thing a bit. The whole project was supposed to be a clone of basic D&D with Harnic furnishings. And I am still working on it.

To be fair, right now I am mostly trying to figure out the details for spells and invocations. I converted the spells from the HarnMaster rules, even though in some cases I had to really put them through the wringer to make them fit. Some of them basically are completely different spells, aside from their names. And well, I mostly was converting them for the names anyway. Still, it is kind of a bitch figuring out all those small details like range or duration.

It makes more sense to me, because the whole society in the setting is stratified and sees things like that as important, but I now have to integrate this ability in the rest of the rules. And already I encountered a problem with one of my players. I tried to bounce the idea of him, and he was generally for it, but then expected SOC to be a variable quantity. Which also makes sense, but not if I treat it as a D&D-like ability. SOC in the case of my rules needs to be static and show the heritage of the character instead of his current social status.

In other words, SOC is the social class the character starts with, and it modifies how much money he/she receives at the beginning and… well, yes, then what?

There should be effects that are based on this quality. It might modify reaction rolls in certain situations. An Earl is more likely to be favorable to a character if that character is of noble birth. As will an innkeeper.

And even if a low born character raises through the social strata, he/she still might be stuck with the disadvantage of a low birth.

“Yeah sure Sir Ered is the champion of Olokand, but he was born a commoner! We don’t associate with commoners!”

But well, that is one effect.

Some other ideas:

Social Standing determines the caller/leader of the group (from Planet Algol)

social standing gives access to better weaponry (specifically knightly weapons can only be purchased by people of sufficient standing)

SOC might also allow for bonuses on other social interactions, it might give bonuses on training rolls (because people might want a noble client), and on carousing rolls.

Speaking of that… I might have to create my own Harnic carousing table. Oh, and speaking of tables, I have to create a “random extremity” table which I already referenced on my “Death and Dismemberment table”.

Sometimes it feels I started with a 30 piece puzzle, only to find at piece 100 that the puzzle has grown and not even halfway done.

In the mid-2000s Lego was the bestselling toy manufacturer in the world. It also was on the verge of bankruptcy. This was a surprise to everyone, most of all Lego’s management. It took the work of a group of talented analysts to convince them that while some of their recent business decisions were quite successful to say the least (Star Wars, Harry Potter, and Bionicle), altogether the company was losing money on developing and even selling their products.

In the ’90s, when action figures and computers became all the rage in the toy industry, a few bad numbers had convinced Lego’s management to take a new direction. Old people with insitutional knowlege were let go, new people with the best, but often unrelated, qualifications were brought in. Multiple new development units had been created that were not providing any benefit to the company. New toys were created that did not really fit with the Lego brand. Some created that were successes, like the buildable actionfigure line Bionicle, or the robotics supplement Mindstorms, but others fizzled out unloved and unlamented. A media tie with a TV series and action figures that could not interface with the usual Lego bricks was a non-starter. Classic Duplo bricks were replaced with non-brick toys. And sets started to become filled with specialized parts unusable for other models, but costing enormous amounts of money to produce.In the end the company arrived at a point where many sets cost more to manufacture than they retailed for, while management was unaware of any issues, not talking to each other.

Spoiler: it helped that they went back to their roots and started creating high-quality, well-designed brick toys again. Who’d have a-thunk?

This book is about the history of Lego and how they first became famous and successful, but it mostly is about the business decisions that lead to their near-collapse, and what the company did to turn itself around. This means this book has a lot of interesting parts about the company itself and the philosophy that drives it. It also has some long and astute observations about business decisions that are analyzed in how they can affect a company, and how they actually worked out for the company in question.

Unfortunately this is also where the book loses its impact. Maybe it is the fact that I am not an economist, but some of the analysis seems long-winded, overly-laudatory, and oddly contradictory in places. Some of the elements seem to come out of the blue with no explanation (e.g the first time we hear about the success of Bionicle is in the chapter about Bionicle). Sometimes economic jargon is used with no explanation whatsoever. This doesn’t make the book unreadable, but it lost my interest about 3/4s in, when nothing really seemed to happen anymore, and I had to force myself to go on reading. I think the main problem is that while the topic of the book could be framed as an interesting story, after about the half-way point the author just seems to fill it with descriptions of how all those new and awesome product lines were developed. Definitely interesting in parts, but drags.

]]>https://gmkeros.wordpress.com/2016/11/10/david-robertson-brick-by-brick/feed/0gmkerosBrick by Brick: How LEGO Rewrote the Rules of Innovation and Conquered the Global Toy Industry