Wednesday, March 19, 2008

I'm not going to go with my normal review format for a reason I will make clear shortly. I'll come out and say it straight from the start: Cowboy Bebop is my favorite anime series of all time. Cowboy Bebop is the greatest anime series of all time. No anime series will ever top Cowboy Bebop (in my mind). Since simply naming it's strong points would be useless since I would just name every category, I'll just highlight why it is so strong in some of those categories.

Characters: The crew of bounty-hunters on the ship Bebop consists of 4 members (and a dog). They all get a couple of episodes that heavily develop their characters and offer us a glimpse into their past and into their soul. Each of these characters (maybe not Ed) could easily star in an entertaining series revolving around their pre-bebop lives. That's how interesting they are. Amazingly, the same can be said for the characters that only appear in the single episode stories. The series as a whole easily has 30 rainmaker characters. Imagine if every character in a Gundam series were unique, likeable and interesting. Wouldn't that make a huge difference.

The main protagonist, Spike Spiegel, is developed a bit differently. Even though he gets a few more episodes revolving around himself and the characters from his past than the others, information about his past is given in snippets. We are teased with hints and implications and some answers are never fully given, leaving you to fill in the blanks. This only adds to Cowboy Bebop's charm, giving it a Casablanca-like quality in the way Spike, Vicious and Julia can refer and act in accordance with a complicated and heavy past without letting the viewers in on all the details. Not surprisingly, these episodes are also the best and most dramatic episodes of the series.

Music: From the first episode, the quality of the selection of music peppered throughout the drama hits you like a ton of bricks. Yoko Kanno, already an established soundtrack veteran from series like Macross and Escaflowne, supplies Bebop with her best work yet. Though jazz and blues-heavy, the soundtrack runs the gamut from heavy-metal to bubblegum pop. Great collaborations from artists like Mai Yamane(vocals on the OP-ED) contribute to making the anime pinnacle soundtrack. It's the only anime OST that I listen to a regular basis. More important than the quality of the music however, is its appropriateness. The OST works so well with the subject matter and is used so selectively well than you can feel it enhance the drama, and vice-versa. I think that effect is the true measure of its success.

Style: Not usually a criteria in a review, style is the most unique strength of Cowboy Bebop, and most difficult to explain :( More than the obvious cool and calm way most of the main characters act : their witty replies, their clutchness when the pressure is on, and their overall demure; Bebop is crammed full of pop-culture references and influences. You can see Bruce Lee/kung fu influence in the fight choreography, the 40's drama influence in the character interactions and conversations, the sci-fi influence in the dramatic space-action scenes, on top of all the music and writing influences sprinkled and reflected over and over again throughout the series. When I'm debating the virtues of Cowboy Bebop with someone, one of the arguments I like to use to describe it's success is the quality of the ending scene of every episode. The last 30 seconds or so of every episodes is almost always a memorable and fitting ending to the story. It can be a dramatic pause to a contemplating character, or an ironic and clever turn of fortune that leaves its victim bemused but that final scene bring the whole episode together perfectly. Though difficult to explain in words, the reaction is quite palpable when witnessing it for the first (or second, or third) time.

Final Verdict

Every 6 months or so I pick up my Cowboy Bebop DVDs and watch all the episodes over a period of a couple of days. Whenever I'm done, I never fail to have the urge to call up a friend or shoot them an email to pressure them into watching Cowboy Bebop, even to those friends with zero interest in anime (weirdos!). No other anime series has had such an effect on me and I know none other ever will.

Wednesday, March 12, 2008

Romantic Comedy about a high school student who is forced to marry the famous daughter of a mermaid mafia clan, much to the dislike of most of her clan.

What's good about it?

Fast-paced and action-packed comedy with mermaids. What's not to like? Funny and diverse characters, good one-liners and plot twists abound!

What's bad about it?

At times it gets annoying when everyone is screaming. There isn't a lot of character development on a whole. The jokes, especially the slapstick stuff, get repetitive and predictable at times.

Final Verdict

Despite it's shortcomings, Seto no Hanayome remains a highly entertaining series. It's hard to get bored when oneliners and action is thrown at you from every corner. A solid cast with some solid material make for a clearly above-average comedy. ~Masa-san~

Wednesday, March 05, 2008

The emperor's son is believed to be the host of a drought-causing spirit. Realizing her son's life is in danger, the empress entrusts the prince to a female bodyguard called Balsa. Balsa vows to protect him and discover the true nature of the spirit.

What's good about it?

Amazing animation, great characters, a solid storyline. The fight scenes are insanely good. A very solid title overall.

What's bad about it?

The pacing is on the slow side. The few filler episodes were hit-and-miss. The amazing fight scenes were far too few and almost all in the first half episodes.

Final Verdict

Seirei no Moribito was a great show. It's more story-heavy than action-heavy which is too bad since the handful of fight scenes are enthralling and the plot can move too slowly in parts. Nevertheless, the story is well plotted and the overall effort comes off as strong.

Sunday, March 02, 2008

Continuation of the first Genshiken. Read that review if you need info. Besides, I wouldn't suggest you watch this unless you've seen the first season anyways.

What's good about it?

Much of the same it had going in the first season. Likeable characters, lots of drama, interesting subject matter. Some characters take on a larger role now that some of the older members have moved on, notably Ogiue, who I like a lot.

What's bad about it?

Some of the characters that have moved on are those that are the most interesting. Conflict, humour and debating have been drastically reduced with the reduced presence of Madarame, Kusakabe and the old chairman. In what was a complete surprise move to me, Kuchiki is back for the second season and the decision to handover the ice-breaker, joking role to him was a complete mistake.

Final Verdict

In many ways the second season of is more ambitious than the first. It wasn't afraid of moving out of it's confort zone and making drastic changes to the content, the cast and the themes. Of course, when you make so many changes to an already great series the bulk of the changes end up being hit-and-miss, you're more likely to hurt the quality and that was the case here. Despite the increase in output from the more "vanilla" characters, Genshiken 2 remains a good series, if not a lesser one than its predecessor. Fans of the original won't need my endorsement to watch the second season but viewers unfamiliar to Genshiken should definitely watch the first season to decide if the second one will appeal to them.