DYING FETUS‘ latest album, “Reign Supreme”, sold around 3,000 copies in the United States in its first week of release to debut at position No. 186 on The Billboard 200 chart. The CD landed at position No. 5 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

DYING FETUS‘s previous collection of original material, “Descend Into Depravity”, opened with around 2,700 units to land at No. 166.

Released on June 19, 2012 via Relapse Records, “Reign Supreme” was recorded at Wrightway Studios in Baltimore with longtime producer Steve Wright (SLIPKNOT, MISERY INDEX). It will feature nine tracks and is “a ‘return to roots,’ with production focused slightly more on slam than in the band’s last few works,” according to a press release. “Thematically, the album is set to be a good old-fashioned piece of social and political commentary in the style of DYING FETUS as we have come to know.”

Commented DYING FETUS guitarist/vocalist John Gallagher: “The last album had some groove in it, but [it] was basically a lot of tech; this one is a return to form of older DYING FETUS albums, so to speak — more modern production, though, of course. Everything’s tight, the sound is crushing, the drums are amazing.”

Digital Tour Bus, which gives fans “an all-access pass” to the tour buses that their favorite bands travel in, has posted its latest episode, focusing on New York death metallers SUFFOCATION. The five-minute clip, which was filmed on April 23, 2013 in Chicago, Illinois, can be seen below.

SUFFOCATION recruited John Gallagher (DYING FETUS) to handle lead vocals on a number of shows this spring. Gallagher filled in for SUFFOCATION‘s regular singer, Frank Mullen, who was unable to make the dates due to personal commitments.

“Pinnacle Of Bedlam”, the new album from SUFFOCATION, entered the German Media Control chart at position No. 58. The CD was released on February 19 via Nuclear Blast Records. The artwork was handled this time around by Raymond Swanland.

“Pinnacle Of Bedlam”sold 3,200 copies in the United States during its first week of release to land at position No. 152 on The Billboard 200 chart. The effort landed at position No. 2 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

“Pinnacle Of Bedlam” was produced by the band at Full Force Studios in New York with longtime collaborator Joe Cincotta. The mixing and mastering of the effort was handled by Chris “Zeuss” Harris (HATEBREED, ARSIS, SUICIDE SILENCE).

“Pinnacle Of Bedlam” features 10 genre-defining-bone-crushing tracks and also marks the return of drummer Dave Culross, who previously played on the “Despise The Sun” EP. Founding member and former drummer Mike Smith also makes a special guest appearance on the re-recorded “Breeding The Spawn” track “Beginning Of Sorrow”.

Quality fan-filmed video footage of DYING FETUS‘ August 25 performance at Foufounes Électriques in Montreal, Quebec, Canada can be seen below.

DYING FETUS‘ latest album, “Reign Supreme”, sold around 3,000 copies in the United States in its first week of release to debut at position No. 186 on The Billboard 200 chart. The CD landed at position No. 5 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

DYING FETUS‘s previous collection of original material, “Descend Into Depravity”, opened with around 2,700 units to land at No. 166.

Released on June 19, 2012 via Relapse Records, “Reign Supreme” was recorded at Wrightway Studios in Baltimore with longtime producer Steve Wright (SLIPKNOT, MISERY INDEX). It will feature nine tracks and is “a ‘return to roots,’ with production focused slightly more on slam than in the band’s last few works,” according to a press release. “Thematically, the album is set to be a good old-fashioned piece of social and political commentary in the style of DYING FETUS as we have come to know.”

Commented DYING FETUS guitarist/vocalist John Gallagher: “The last album had some groove in it, but [it] was basically a lot of tech; this one is a return to form of older DYING FETUS albums, so to speak — more modern production, though, of course. Everything’s tight, the sound is crushing, the drums are amazing.”