When it came to advertising, watch- and clockmaker Burrows Dowdney was industrious, advertising in more than one newspaper published in Philadelphia in the late 1760s. Although he deployed fairly standard language to describe his services, pledging “the utmost care and dispatch” in doing his work “after the neatest and best manner,” he adopted other means of distinguishing his advertisements from those placed by other artisans. In particular, Dowdney embellished his notices with visual images related to his occupation and his wares.

Yesterday the Adverts 250 Project examined one of those advertisements published in the Pennsylvania Gazette. It included a woodcut of an engraved clock dial with hours in Roman numerals and minutes in Arabic numerals as well as other decorative elements. Dowdney placed another advertisement in the Pennsylvania Chronicle the same week that he advertised in the Gazette, repeating the copy almost exactly but with a different and even more impressive woodcut. It depicted an elegant dial with an arched top that denoted the phases of the moon. Readers could also view the day of the month on the dial. These additional elements further testified to the complexity of the clocks Dowdney constructed, proclaiming to prospective customers that they were not intended merely for keeping time. Instead, they were meant for display, to create genteel living spaces, to impress friends and visitors. Although not depicted in the woodcut, readers could expect the ornamentation of the cases to rival the engraved dials.

Commissioning not one but two woodcuts represented a significant investment for Dowdney, but he may have considered it a necessary expense as he commenced his own business “in the Shop lately occupied by Mr. Emanuel Rouse” on Front Street. As a newcomer, he needed to attract a clientele for his shop quickly to avoid failing before even having a chance to get started. Commissioning woodcuts that featured much more detail than most of the images that appeared in colonial newspapers demonstrated his commitment and attention to detail, reassuring prospective customers that he did not merely reiterate the usual marketing pitches but did indeed construct clocks “after the neatest and best manner.” The woodcuts certified the quality and elegance associated with clocks made by Burrows Dowdney.

Relatively few advertisements in eighteenth-century newspapers included visual images. Those that did tended to feature stock images that belonged to the printer and could be inserted interchangeably in advertisements from the appropriate genre, such as woodcuts of horses, houses, slaves, and ships. Woodcuts of houses could be used in any real estate notice. Woodcuts depicting runaway slaves could be used in any notice alerting colonists about fugitives that might be in their midst.

Some advertisers, however, did invest in woodcuts to enliven their advertisements, distinguishing them from others that consisted solely of text or that were decorated with generic images readers were accustomed to seeing in the pages of the public prints. Unlike the stock images, these woodcuts belonged to advertisers rather than printers. Even if the image happened to match the contents of other advertisements, such woodcuts appeared only in connection to those who had commissioned them. For instance, clock- and watchmakers regularly advertised in the pages of the Pennsylvania Gazette, yet the woodcut depicting the face of a clock appeared solely in notices placed by Burrows Dowdney. That unique image made his advertisements distinctive and memorable for potential customers, especially since it was sometimes the only image on a page otherwise composed of text (as was the case on the final page of the supplement that accompanied the May 12, 1768, edition of the Pennsylvania Gazette).

Many of the woodcuts commissioned by advertisers dominated the notices in which they appeared, but that was especially true for Dowdney’s advertisement. The image of the clock dial accounted for approximately half of the space his notice occupied on the page. Readers would have been able to identify his occupation and wares at a glance, even if “CLOCKS” and “WATCHES” had not been listed in all capitals in the copy that appeared to the right of the image. Printing technologies of the period did not particularly facilitate including images in advertisements, yet some advertisers still invested both money and energy in experimenting with woodcuts that would set their advertisements apart from others that flooded the pages of eighteenth-century newspapers.