I won’t feign objectivity. Although director Andrew Rossi’s documentary Page One may center on The New York Times’ ongoing fight for survival, it’s more than that. The film is a snapshot of the collision between new media and mainstream journalism…with the latter as the bug, and the former as the windshield. Because there’s a chance you risked smudging your fingers to read this review, you know where I stand.

Once more, you have slogged through a thankless workweek filled with soul-crushing tasks and gut-wrenching obligations. Your reward? A new episode of Movieha, the greatest podcast in the history of podcasts run by guys named Matt and Ryan (NOTE: This fact has not been verified as accurate.) This week's episode features ANOTHER new segment, a glimpse of our hatred for The Green Lantern, a clown-murdering foreign...

You down with O-P-E? That’s right, I’m dropping a 90s-era hip-hop euphemism for promiscuous carnal relations to remind you about the Omaha Performing Arts and Cox Communications joint presentation of Music and Movies (or M&M as the cool kids are calling it). For the grand price of FREE, you can show up at the Holland Center’s East Lawn (12th and Douglas st) at 7:30 PM on July 1 and August 19 to chick-ity check...

The rosy-hued vision we often have of that always-intangible past is a fitting subject for Woody Allen, a director with a large segment of fans who pine for the kind of movies he made during his own vaguely defined “golden age.” His new picture, Midnight in Paris, is about a man with a similarly frustrated relationship with the present, and despite its handful of problems, it ranks among his most easily...