He later produced films such as "The Cat and the Canary," "Horror Hospital" and "Inseminoid."

"Gordon's horror and sci-fi movies changed with the times, incorporating slasher-type violence and some nudity because of the demands of the marketplace," Weaver said in an e-mail. His book-length interview with Gordon, "The Horror Hits of Richard Gordon," was published this year.

Gordon's "heart was in the Golden Age of horror movies he grew up with, and actually paid tribute to, even in the goriest of his pictures," Weaver said.

"Fiend Without a Face" was a gory 1958 "science-gone-wild" movie in which a reclusive scientist's research results in the creation of human brains with snake-like spinal cord tails that attack and kill people.

When the movie opened at the Rialto Theatre in Times Square, a "Fiend" was displayed in a glass case in front of the theater.

"Every few minutes, the Fiend would move its motor-activated tail as a tape played the sounds that the Fiends make in the movie," Gordon told Weaver.

But after two days, he said, "the police made us take away the display because they said we were disrupting the traffic and flow of Times Square pedestrians."

Born in London on Dec. 31, 1925, Gordon developed an early love of the movies and wrote articles on films, edited fan club magazines and organized a film society while still in school.

After serving in the British Royal Navy from 1944 to 1946, he and his movie-loving older brother, Alex, worked for film distributors in London before they moved to New York City in 1947.

While Richard Gordon remained in New York, Alex headed west, where he produced low-budget movies in the 1950s and '60s such as "The She-Creature" and "Dragstrip Girl."

In 1949, Richard Gordon launched Gordon Films Inc., which imported foreign movies for distribution in the U.S. He operated the company until his death.