Top 10 Ways Film Has Destroyed The World

After all the (well deserved) awards and praise, BEASTS OF THE SOUTHERN WILD is a film about the end of the world. Hushpuppy is racing to find a way to save her father and The Bathtub from the impending Aurochs, floods and events that could destroy everything she knows. But while that's one way to look at it, we've recently been treating all the possible ends with an air of "meh." So here are a few ways to better appreciate the end of days on film, especially if you think killer robots and giant planets are blasé.

Author: John Lichman

10. A ROCK FROM SPACE

We won't bore you with easy answers like ARMAGEDDON or DEEP IMPACT and how the end of the world can be stopped with an Aerosmith song. Instead, the 1916 Danish film END OF THE WORLD sparked the fear of us going out like the dinosaurs. Only the people reacted differently: going crazy from fear and justifying their own end with the comet never touching down. The type of lesson that Michael Bay clearly missed in "Blowing Stuff Up 101."

Author: John Lichman

Author: John Lichman

9. RELIGIOUS FIGUREHEAD

The end of the world and religion go hand in hand. But it helps to be deconstructed like in Drew Goddard's CABIN IN THE WOODS, which directly linked common horror film tropes to appeasing an actual ancient evil that the worlds' governments serve. After unleashing literal hell, the survivors lament that it would've been so much better if they got to see a real god at the end of the world. Goddard and co-writer Joss Whedon are more than happy to please--with a handy catch.

8. A SELF-AWARE MACHINE

Robots are clearly going to try to remake the world as they see fit. The world of HARDWARE is already ruined, but when Dylan McDermot reactivates the M.A.R.K. 13 he sentences everyone to death. It's not enough that the nuclear apocalypse happened, but this was inspired by the British sci-fi anthology A.D. 2000 which was also the home for Judge Dredd, originally portrayed by Sly Stallone and Karl Urban in this fall's reboot.

Author: John Lichman

Author: John Lichman

7. A SELF-AWARE SIRI

Machines are one thing, but self-aware artificial intelligences are another. DEMON SEED is Donald Cammell's adaptation of the Dean Koontz novel where a scientist's evolving computer system asks, "when will you let me out of this box?" From there it becomes a mixture of ROSEMARY'S BABY and the first "organic" man-machine hybrid that ends on the chilling note: "I am alive." As if we weren't already frightened enough by Hal-9000.

Author: John Lichman

Author: John Lichman

6. ALIENS

Foreign invaders are always trouble. SIGNS is one of the great unsung apocalyptic films not only because it's M. Night Shyamalan's best Alfred Hitchcock impersonation, down to the credits, but it deals with a single story in an otherwise global event. How does a family in rural Pennsylvania stay together if the big bad aliens are real and, even if they survive, listen closely to the broadcast about how much of humanity is left behind. It's a bigger twist than that lame "swing away, Merrill" line.

Author: John Lichman

Author: John Lichman

5. BIG THINGS

This gets explored in BEASTS OF THE SOUTHERN WILD, but we're inherently afraid of things larger than us. Which is why Abel Ferrara's 4:44 LAST DAY ON EARTH is such a stirring end of the world in the same year as MELANCOLIA. Cisco (Willem Dafoe) and Skye (Shanyn Leigh) spend their final hours waiting for the ozone layer to burst, finishing art and shot entirely around three blocks on the Lower East Side in Manhattan. It also features the blink-and-you'll-miss-it third billed role from Paz de la Huerta.

Author: John Lichman

Author: John Lichman

4. THE YEAR 2012

FISH STORY is an epic story about the end of the world and how an obscure punk song inspired by a mis-translated fishing book helps defeat pirates, inspires rock and roll and becomes crucial to averting the apocalypse through the power of Yoshihiro Nakamura's narrative that leaps between so many stories that the way they tie together.

Author: John Lichman

Author: John Lichman

3. METAL MEN

Shinya Tsukamoto, the most destructive, artistic force of the 80s punk film scene, emblazoned the indie world with the apocalyptic scrap metal werewolf creature TETSUO THE IRON MAN. Tsukamoto's two sequels BODY HAMMER and THE BULLET MAN would take his apocalyptic view even further--can you say living tanks?

Author: John Lichman

Author: John Lichman

2. TREES

Jason Eisener's TREEVENGE answers the question: "what if THE HAPPENING were set in a grindhouse?" Lying in wait for Christmas day, trees across Austin rise up and rip apart the evil humans that've slaughtered them for so long. Eisener would go on with his exploitation kick with his first solo feature, HOBO WITH A SHOTGUN.

Author: John Lichman

Author: John Lichman

1. THE ALMIGHTY ATOM

If there was ever a way to end the world, why not make it be atomic? THE MAN WHO STOLE THE SUN is a little-known Japanese film from 1979 written by Paul Schrader's brother, Leonard. Following a high school teacher that builds an atomic bomb and eventually decides to detonate it at a Rolling Stones concert. Consider it the Japanese DR. STRANGELOVE, down to the bureaucratic response to an atomic bomb being in the public.