We have always been huge fans of Francis Bacon’s work so it was such a treat to get to see some of his most iconic and monumental pieces in plain sight. His use of colour and his treatment of form are to this day as raw and exciting as they were over fifty years ago when they first made their premiere to the world at large. His vivid triptych, with its monolithic expanse, as well as his haunting portrait and studies of the Pope are alive with wonder, and indeed, beauty and terror.

Bill Brandt, Henry Moore in His Studio (1940)

Henry Moore, Spanish Prisoner (1939)

Henry Moore, Falling Warrior (1956 – 57)

No stranger to the work of Henry Moore, the AGO has always housed an impressive collection of his work since first stepping foot in the museum as a child, and has since remained a pleasure to gaze at. His contorted figures which resonate with an almost ancient wisdom and mystic mystery were given new life juxtaposed amongst Bacon’s equally amorphous figures and mysterious backdrops.

Curator Dan Adler has done an excellent job of showcasing equally the similarities and discrepancies between the two artists, and is sure to bring fresh views on both artists’ life and works.

Not only does the show offer a comprehensive and distinct juxtaposition of the artists, it also lends the viewer a greater vision of the world as a whole, and how history and the events therein contribute to the creation of our culture.

Some of the most stunning, but quiet works include Moore’s beautiful depictions of sleeping figures inspired by the surrealistic memories of the thousands of people who made their ways to the underground during the London Blitz.

These sketches, and photographs of London during the blitz provide further insight into our own world today, and the devastating affects they have had on our society, and the musings these travesties have inspired.

The most interesting thing about the show was that although the artists’ aesthetic similarities are plain to see, it is impossible to ignore the individual voice of the artists and seeing the differences between the two. The mind easily deciphers them, and while so much in their lives run parallel, I never felt like there was a true intersection. Henry Moore was very much in his realm, and Bacon very much in his, and it’s these differences that really sing throughout your time walking amongst the spaces filled with their individual iconographies.

We hold them both very close to our hearts now, and no doubt, our soul will be pumping with the inspiration the AGO has brought forward with this exquisite showing of two of the world’s finest architects of the mind.

We also can’t wait for what they have in store for us next!

Rumor has it: MICHELANGELO!!

In the meantime, lets invoke the spirit and seek our style inspiration from the master of modernity himself-

+FRANCIS BACON+

Here he is rocking out a black PVC trench coat in front of one of his wicked fine masterworks. The classic mens trench coat is given an ample boost of modernity and edge crafted from oil slick black vinyl, giving the look a dark cool that is the epitome of Bacon’s style. He wears it with slim cut trouser and a black turtleneck for a sophisticated and timeless togetherness.

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