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Fine Bindings

A designer binding is the most visible of all the book arts. To those artists whose medium is the binding of a book, the old adage that you can't judge a book by its cover is untrue. From colored leathers and gold foil, vellum and exotic woods, the artistry of a book is vividly ...

(Lunenburg, VT): Stinehour Press, 2000. (16)pp. This short text describes things a book can be, starting with the practical ("a general term given to a variegated species whose individual members share the trait of being composed of several sheets of paper of like size...") and becoming increasingly more fanciful ("Books... More

London: John Murray, 1836. Octavo. xxii, 530 pp. First edition, extra-illustrated with engraved portraits and landscapes related to Johnson's life. A collection of extracts not included in James Boswell's acclaimed biography of Dr. Samuel Johnson due to space restrictions, but which "are essential to the completion of the intellectual portrait... More

(Watertown, MA): Anne and David Bromer, 1977. (24)pp. The text is printed on Japanese paper with ornamentation in green. Wood engravings by Sarah Chamberlain, as her first miniature book commission. This is the first miniature book published by the Bromers. Midori Kunikata-Cockram captures the whimsical nature of the text, which... More

Newton, IA: Tamazunchale Press, 1987. 31pp. Truman Capote's essay describes his first meeting with French author Colette, during which she gave him a crystal paperweight and inspired him to start collecting the objects for himself. The book has been specially bound by Tom McEwan to reflect the world in miniature... More

Worcester: Stanbrook Abbey Press, 1965. Small quarto. 81pp. One of 500 copies beautifully printed in red, black, and green on handmade paper. Title-page decorations by Margaret Adams. Lithographed portrait of the author tipped in. With an English translation on each page facing the original French text by Raissa Maritain, who... More

N.p. (1845). Octavo. (26)ff. A manuscript alphabet book of calligraphic paintings, signed by the artist, Jean Midolle. Includes an elaborately decorated title page, twenty-four letters, and "Fin." A renowned nineteenth-century Swiss calligrapher and miniature-painter, Midolle executed his alphabets in the gothic style of lettering to resemble the text of a.... More

London: Methuen, (1927). First edition. This famous collection of children’s verses, featuring Milne’s son, Christopher Robin, and his bear, is illustrated throughout with Ernest H. Shepard’s whimsical drawings. Signed at a later date on the title page by Shepard. Handsomely bound by Bayntun-Rivière in deep red morocco, with gilt ruled... More

Boston: Anne & David Bromer, 1989. (32)ff. This Gorey rarity features a one-of-a-kind designer binding by Gabrielle Fox, one of the leading artisans in binding and conservation. Signed by Fox and the artist, Edward Gorey. With twenty-nine illustrations accompanied by rhyming couplets, Q.R.V is an homage to Isaac Watts, and... More

Rome: Delfino, (1985). Folio. 106pp. According to the colophon, this is one of 1,200 copies. Illustrated with ten color lithographs after drawings by Henry Moore. The editor, Dr. Stanley Wells, notes in the Foreword that this work reveals an "unsuspected spiritual kinship between one of the greatest visual artists of... More

Dallas: Somesuch Press, 1983. 24pp. Inscribed by Stanley Marcus, noted miniature book collector and proprietor of the Somesuch Press, to his friend and fellow microbibliophile Donn Sanford. A collection of love poems by Shakespeare, Chaucer, and Browning, illustrated with two United States "Love" stamps and a British stamp in honor... More

Chelsea: Ashendene Press, (1906). Small quarto. 161pp. One of 100 copies. Printed in red and black with initials by Eric Gill. This is the first book by the Ashendene Press with marginal notes printed in red. Featuring a designer binding by Franklin Mowery of black morocco blind-tooled with an intersecting... More

(Hammersmith: Kelmscott Press, 1895). Three octavo volumes. 399; 412; 421pp. One of 250 copies. Ornate wood-engraved double-page opening in Volume I and initials and borders throughout the three volumes by William Morris. In a letter to a friend in 1855, William Morris wrote that he had just been reading Shelley's... More

Baltimore: Xavier Press, 1993. 19pp. A timeless essay by Lewis Carroll on the art of correspondence, illustrated with two pasted-in postage stamps promoting letter-writing and a fold-out sample of a letter by the author. In a designer binding by Dominic Riley featuring gilt-tooled envelopes and abstracted stamps in onlays of... More

Sea Pen Press & Paper Mill: Seattle, 1989. Broadside measuring 14 1/8 by 28 5/16 inches. One of 60 copies, signed by the author. A poem by Thomas Brush printed on black, white, and turquoise-patterned paper created using various techniques for manipulating the paper pulp. Fine. More

Mill Valley, CA: Sunflower Press, 1977. (16)ff. From an edition of 250 copies illustrated in color by Marcie Collin and printed by Carol Cunningham, this copy is in a designer binding by Sonya Sheats. Evoking the fierce battle between the Gingham Dog and the Calico Cat, the artist envisioned "a... More

(Livorno): C. & J. Ollier, 1819. Octavo. xiv, 104pp. First edition. One of 250 copies. This dark drama of a besieged daughter's retribution against her tyrannical father was the only one of Shelley's works to reach an authorized second edition in his lifetime. This copy has been bound in full... More

Worcester: St. Onge, Achille J. 1973. 55pp. From an edition of 1,500 copies, this is one of thirty-four in a special binding executed by Sangorski & Sutcliffe. Printed with large ornamental initials in red by Joh. Enschedé en Zonen. Tiny book label to rear paste-down, else fine in burgundy morocco... More

Baltimore: Xavier Press, 1988. vi, 18pp. Samuel Clemens's account of his formative time spent as a printer's apprentice, presented as a speech at a dinner for New York printers. Illustrated with a frontispiece portrait of Clemens and a vignette depicting a compositor setting type. This copy is in a designer... More

Boston: Riverside Press, 1929. Seven octavo volumes. One of 500 large paper copies. Includes illustrations from photographs of Tennyson's country by Charles S. Olcott, as well as a portrait of the author. Introduction by Henry Van Dyke. ALs by Tennyson tipped-in to preliminary leaf. A lovely set bound in full... More

Boston: Houghton Mifflin and Company, 1884. Folio. (57), (viii)ff. First deluxe edition. One of 100 copies, printed on Japanese paper and signed by the artist on the limitation page. The fifty-seven Art-Nouveau illustrations, drawn in pencil, ink, chalk, and watercolor over ten months from May 1883 to March 1884, are... More

(Paris: 1959). Folio. 65pp. From an edition of 211 copies, this is one of fifteen copies signed by the artist, Jacques Villon, the poet, Henri Pichette, and by the editor, Pierre de Tartas; and with an extra suite of all thirteen etchings, plus duplicate extra suites of the four double-page... More

Boston: Anne & David Bromer, 1983. (62)pp. First edition. From an edition of 400 copies signed by Gorey, this is one of 100 copies comprising the deluxe issue with the illustrations hand-colored by him. The text is an alphabet of short humorous couplets patterned after early moral primers for children... More

Toronto: (Little Gem Press), 2002. (25)ff. One of 300 copies. A collection of musical advice compiled, illustrated, and printed by Robert Wu, with recommendations drawn from his personal experience. Illustrated with a frontispiece portrait of the British cellist Jacqueline du Pré and humorous full-page black & white line drawings throughout... More