"Antique" was the release that has raised awareness for this duo from New Zealand, whose fresh new sound that should please fans of Scott Walker, Einstürzende Neubauten, Bela Bartok, or Dead Can Dance.

"Antique" was the release that has raised awareness for this duo from New Zealand, whose fresh new sound that should please fans of Scott Walker, Einstürzende Neubauten, Bela Bartok, or Dead Can Dance.

Electronica meets modern classical in this creation of a perfectionist, adamant control freak, in which every note, ambience layer, string arrangement, field recording, baseline, vocal or beat, is meticulously modified and then assigned its place.

Blueneck bring their sense of melancholy mood and melody to a new instrumental project, inspired by commissioned solo work on soundtracks for independent films and composers and soundscapers such as Brian Eno, Air, John Carpenter and Clint Mansell.

The electronica of Boards of Canada, the movie soundtracks of Ennio Morricone and John Carpenter and the melodicism and melancholia of "Kid-A" era Radiohead and Arcade Fire come together in Blueneck's most vibrant, accessible and exciting album yet.

The electronica of Boards of Canada, the movie soundtracks of Ennio Morricone and John Carpenter and the melodicism and melancholia of "Kid-A" era Radiohead and Arcade Fire come together in Blueneck's most vibrant, accessible and exciting album yet.

"The Outpost" eschews the southern-gothic sepia of "King Nine" in exchange for a maxed-out colour contrast of electronic beats, vibrant vintage synths and guitars that are by turns ballsy, soaring and delicately intricate.

Celeste enhance their unique, incomparable sound with new elements, interlacing samples and sumptuous piano and string arrangements (provided by Les Fragments de la Nuit) over their blend of Black Metal, Sludge, Doom and Posthardcore.

Celeste enhance their unique, incomparable sound with new elements, interlacing samples and sumptuous piano and string arrangements (provided by Les Fragments de la Nuit) over their blend of Black Metal, Sludge, Doom and Posthardcore.

Expressionistic, sophisticated, evolved, overflowing, pitch-black. A double album crafted over the course of 3 years, which results in an opus so loaded and dense that it can barely withstand its inner pressure.

Expressionistic, sophisticated, evolved, overflowing, pitch-black. A double album crafted over the course of 3 years, which results in an opus so loaded and dense that it can barely withstand its inner pressure.

9 new songs, more than 50 minutes of sheer hopelessness. The riffs are just that little bit more raw, the melodies turned out to be even more black and the total composition is tearing apart the last men standing firm after the 'Nihiliste(s)' assault.

Their most diversified album to date, showcasing ever richer melodies. While "Animale(s)" was rather a cohesive concept album, here each song is different and stands on its own - 10 different absolute entities, each with its own character.

Celeste enhance their unique, incomparable sound with new elements, interlacing samples and sumptuous piano and string arrangements (provided by Les Fragments de la Nuit) over their blend of Black Metal, Sludge, Doom and Posthardcore.

Their most diversified album to date, showcasing ever richer melodies. While "Animale(s)" was rather a cohesive concept album, here each song is different and stands on its own - 10 different absolute entities, each with its own character.

9 new songs, more than 50 minutes of sheer hopelessness. The riffs are just that little bit more raw, the melodies turned out to be even more black and the total composition is tearing apart the last men standing firm after the 'Nihiliste(s)' assault.

Ensemble Economique ardently absorbes the nuances between restlessness and relaxation, gloom and serenity, rarifying and moulding them into a seamless array of glimmering, from drone and ambient to shoegaze and post-wave.

Ensemble Economique ardently absorbes the nuances between restlessness and relaxation, gloom and serenity, rarifying and moulding them into a seamless array of glimmering, from drone and ambient to shoegaze and post-wave.

Pyle’s latest opus dials up the cinematic flourishes that have graced many of his earlier recordings, through his sinewed synth-tone undulations, polyphonous ostinato, Wolfgang Voigt pulses, and fractalized cascades of generative serialism.

A. In The Clear Water Of Memory (21:12)
B1. Battle Cry (3:59)
B2. Gonna Get Right With God, Right After This Next Cigarette (7:35)
B3. I Can See The Light, The Edge Of Forever (3:42)
B4. You In The Horizon (7:15)

Pyle’s latest opus dials up the cinematic flourishes that have graced many of his earlier recordings, through his sinewed synth-tone undulations, polyphonous ostinato, Wolfgang Voigt pulses, and fractalized cascades of generative serialism.

Field Rotation concentrates on a more classically based production, marked by a noticeable inner fragility, and the contrast between bitter harshness and stirring melancholy applied to his mix modern classical and electronica. One for Max Richter fans!

- tracklist -

A1. The Uncanny
A2. Valse Fatale
A3. Fatalist
B1. History (Fragment)
B2. The Repetition Of History
B3. The History Of Repetition

In its dreamy yet unsettling electronica, "Elysian Park" offers a deep sense of space and emptiness surrounding the music forcing the listener’s attention to focus on the physicality of the sound rather than any melodic, harmonic or rhythmical content.

In its dreamy yet unsettling electronica, "Elysian Park" offers a deep sense of space and emptiness surrounding the music forcing the listener’s attention to focus on the physicality of the sound rather than any melodic, harmonic or rhythmical content.

For his new album, Haines replaces cascading strings with intricate layers of tape-worn synthesizers, and any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Lim. 150 copies.

For his new album, Haines replaces cascading strings with intricate layers of tape-worn synthesizers, and any recordings of piano have been transformed and affected until their sound is at times barely recognizable.

A special collaboration between Anna von Hausswolff and Matti Bye. Their first project brings forth an eclectic and delicate album, located somewhere inbetween neo-classical experimentalism and avantgarde dream-pop. Lim. 350 copies.

A1. Last Evening Of The Year (3:10)
A2. The Little Match Girl (6:45)
A3. Hypothermia (4:03)
A4. Losing The Slippers (4:29)
B1. Grievance Of A Young Girl (5:00)
B2. Grandma's Appearance (5:33)
B3. Fall Of A Star (2:23)
B4. Joys Of A New Year (2:55)
B5. The End (5:49)

A special collaboration between Anna von Hausswolff and Matti Bye. Their first project brings forth an eclectic and delicate album, located somewhere inbetween neo-classical experimentalism and avantgarde dream-pop.

01. Last Evening Of The Year (3:10)
02. The Little Match Girl (6:45)
03. Hypothermia (4:03)
04. Losing The Slippers (4:29)
05. Grievance Of A Young Girl (5:00)
06. Grandma's Appearance (5:33)
07. Fall Of A Star (2:23)
08. Joys Of A New Year (2:55)
09. The End (5:49)

"Musique De Nuit" features newly recorded tracks from the early days as well as brand new pieces. Variety is testimony to the band's ability to take Contemporary Classical music beyond its typical standards.

"Musique De Nuit" features newly recorded tracks from the early days as well as brand new pieces. Variety is testimony to the band's ability to take Contemporary Classical music beyond its typical standards.

Dreamy electronica, ethereal pop, modern classical minimalism and Post-Rock ambiance are some of the numerous strands that Petrels feeds from, whilst confidently weaving them together into something new that promises even more to come.

Piano Interrupted explore a more introspective approach to their sound - sonorities and recordings brought back from Senegal are deconstructed, mangled and texturised, turned into a pointillist landscape until only a faint and distant souvenir remains.

Piano Interrupted explore a more introspective approach to their sound - sonorities and recordings brought back from Senegal are deconstructed, mangled and texturised, turned into a pointillist landscape until only a faint and distant souvenir remains.

An attentively crafted work with emphasis upon clarity and enveloping warmth, "Foray" moves away from the orchestral ensembles of his second album to pursue a more minimal approach, with darker ambient textures and field recordings.

Using cello and piano for his Neo-Classical pieces, Marc Euvrie composed six songs for six different locations and points in time, reaching way back to ancient centuries as well as taking a glance into our near future of a yet unknown place.

Using cello and piano for his Neo-Classical pieces, Marc Euvrie composed six songs for six different locations and points in time, reaching way back to ancient centuries as well as taking a glance into our near future of a yet unknown place.

His darker output to date. This sister album to "Acoustic" confronts us with despair – pitch-black and constricting - influenced by the likes of Third Eye Foundation, Portishead, Neurosis, Sigur Ros, Grieg, Rachmaninov or Godspeed You! Black Emperor.

His darker output to date. This sister album to "Acoustic" confronts us with despair – pitch-black and constricting - influenced by the likes of Third Eye Foundation, Portishead, Neurosis, Sigur Ros, Grieg, Rachmaninov or Godspeed You! Black Emperor.

With this piece Köner builds a bridge between his associated sensation of a large white space and the snowy, foggy landscapes known to him from his various own expeditions, in a quasi dialectic process. 180gr vinyl.

With this piece Köner builds a bridge between his associated sensation of a large white space and the snowy, foggy landscapes known to him from his various own expeditions, in a quasi dialectic process. 180gr vinyl.

Köner's second tiento (a form of keyboard music that originated in Spain in the mid-15th century) - in addition to his distinct live electronics, there are two piano parts, percussion, and viola da gamba. Beautiful and soothing Modern Classical.

Köner's second tiento (a form of keyboard music that originated in Spain in the mid-15th century) - in addition to his distinct live electronics, there are two piano parts, percussion, and viola da gamba. Beautiful and soothing Modern Classical.