Hannah is 16, all mouth and pink pedal-pushers. Margate is her patch - or so she thinks until several Kosovo refugees arrive in search of asylum. When Hannah meets Hanna, one of the refugees, she resents her, believing that Hanna has taken over both her name and her town. And when Hanna appropriates karaoke-mad Hannah's song, hostilities break out.

Don't be put off by the fact that John Retallack's canny two-hander was written for teenage audiences. It's a little scorcher that gets right to the heart of the tensions that arise in depressed communities when refugees arrive. It's funny and sad, and every time it comes within a whisker of sentimentality it veers off with head-butting toughness. For a play about racism and rape, there's a surprising feel-good factor, accentuated by the clever use of chart hits.

There are two winning performances: from Alyson Coote as the Margate girl who defies her National Front boyfriend, and Celia Meiras as the Kosovan girl who is so scarred by her experiences, and has such an idealised view of Britain, that she kisses the ground when she arrives at Dover. Their tricky, odd-girl friendship is charted with a touching tenderness and honesty, and Retallack's racy production makes a virtue of theatrical minimalism. "It's got to be perfect," goes the song the girls sing. No, not perfect, but very nice indeed.