The following
tables present the placards and page
proofs that contribute to each of the eighteen episodes of Ulysses. Individual documentsor more precisely the portions of
individual documents that pertain to any one episodeare grouped together
under their designated level number in Hans Walter GablersUlysses: A
Critical and Synoptic Edition. Within each level grouping, documents are
ordered according to line number. GablersCSE levels do not divide easily into placard or page proof groupscolour bands help to distinguish the material constituents
of any given level. Placards appear
in blue, page proofs in red. To distinguish subsequent levels, progressively
bolder colours are used. Further details on any
particular document, such as the location of duplicates (if any), the full text range it covers and full Archive pagination, can be accessed by
clicking on the Marked Copy to switch to material listings.

The dates between June 1921 and
January 1922 during which a particular document was active are denoted in the
Active Months column. This range indicates not only the time that Joyce spent
correcting or adding to a proof but also covers the physical documents life at
the Dijon print worksfrom
(in some cases) the date of its first pull from composed type to the date when,
after Joyce had returned a marked copy, any additions were set. In determining
this interval, and ensuring that it is as narrowly defined as possible, the Imprimeries on the physical documents (reproduced in the James Joyce Archive) and Darantieres letters to Beach, which are now at Buffalo,
were consulted. On the other
hand, in cases where the active months have been inferred from adjacent proof
documents, the entry appears in square parentheses. Towards the end of the
proofing job, Darantiere stopped declaring the
identities of the received proofs in his letters to Beach; this is reflected in
the paucity of terminal dates for the constituent dossiers of the final
episodes. For these documents, however, the approximate end date for their
usefulness to Joyce or the printers can be deduced from the subsequent
settings.

Individual
documents are denoted by Pl in the
case of placards and PP in the case
of page proofsfollowed by their Darantiere
numeration / alphabetization and the setting number. To distinguish placards from page proofs, coloured bands (blue and red, respectively) have been used.
In addition, the setting number is indicated for the placards with a lower case Roman numeral, the page proofs with an
Arabic numeral.

1.Placard
VII is written in the hand of a printer on the top of p. 51 (JJA 22.201). The instruction refers to
the switch back to placards from page
proofs. See the introduction to the placards-finder.

1.Placard VII is written in the hand of
a printer on the top of p. 51 (JJA 22.201).
The instruction refers to the switch back to placards from page proofs. See the introduction to the placards-finder.

2.Placard
IX is written in the hand of a printer on the top of p. 67 (JJA 22.251).

4.The page breaks of the following setting are marked by hand on
PP 5.3.

5.PP 5.4 appears on the odd-numbered pages of the Archive reproduction. The document at Texas comprises sixteen loose
pages printed on one side only. Instead of printing a sheet on both sides, two
sheets were printed on one side only, folded and opened.

1.Placards IXXI are paginated. See the introduction to the placards-finder.

2.The
seventh and eighth pages of Placard X
are blank. Joyces additions continue into this portion of the sheet.

3.Placard XI has only four pages. There
are no blanks, however, as only a half sheet was
pulled.

4.The page breaks of the following setting are marked by hand on
PP 5.3.

5.To judge from the line numbers, it appears that PP 6.1
does not follow directly on from PP 5.3. However, the first page of PP 6.1 has had
a fragment of paper, measuring 13.0 x 5.7 cm, physically attached onto it (JJA 22.315). The original first line of
the setting was Poisons the ouly [sic] cure (U 5.483, 081.14) which does indeed follow directly from PP 5.3s
last line Clogs the pores or the phlegm (U
5.483, 081.14). The fragment of paper attached to the proof extends the
material covered to include U 5.471483,
081.0114. These twelve lines of text, as they appear on the attached paper,
are a resetting of the marked-up end of Placard
XI, which include the corrections and additions indicated on that placard. There is also some additional
(now illegible) pencil writing beneath this additional proof. On 15 September
1921, Darantiere sent Joyce this additional text to
coordinate the text between Placard
XI and Gathering 6.

6.The final word of text on the proofIis boxed off
on PP 5.4 and written in hand on the first line of the next gathering, PP 6.2.
With this change made, Gathering 5 ends at 080.37.

PP 5.4 appears on the
odd-numbered pages of the Archive reproduction.
The document at Texas comprises sixteen loose pages printed on one side only.
Instead of printing a sheet on both sides, two sheets were printed on one side
only, folded and opened.

3.PP 9.3+ is a holograph letter from Joyce to Darantiere indicating a number of revisions and additions
on Gatherings 9, 11 and 13. The physical document is bundled in with PP 13.4 in
the Archive and so clicking on
Marked Copy links to PP 13.4+ in the page proof-finder. Joyces letter reads:

Changementsà faire si
les pages indiquées

ne sont pas déjà tirées.

p.
196, l 2 au lieu de stated imprimez capped

p
162, l 10 après la parole foodlift ajoutez avant

le point across his stained square of

newspaper.

p.
13^<1>2^, l 26 au lieu de Gray mettez Grey (JJA 23.363)

The letter is dated 11.X.21 (by
the printer, one assumes) and its third instruction refers to PP 9.3 (the first
and second changementare for PP 13.4Scylla and Charybdis and PP 11.4Lestrygoniansrespectively).

Several weeks earlier, in late August,
Joyce had made an addition on Pl 14.ii
for the printer: Gregor Gray made the design for it
(JJA 18.50). The October letter
corrects Gray to Grey, the surname of an artist listed in Thoms 1904Don Gifford with
Robert J. SeidmanUlysses
Annotated: Notes for James Joyces Ulysses.2nd ed.,
rev. and enl. (Berkeley: University of California Press, 1988), p. 142a
change described as an
authorial correction or revision at a6 of a2 in Gabler
notation. PP 9.3 had
already been marked Bon àtirer, returned and reset
by 7 October. Rather than pull the gathering again and send it out to Joyce,
the correction was made on this same document by a printer (JJA 23.092). Joyce obviously did not
have PP 9.3 to hand when he wrote the notethe whole grounds of his writing to
Darantierebut he spotted the flaw while looking at
PP 9.1. Gray appears on page 131, line 26 of the first setting of Gathering 9
(JJA 23.059). Perhaps it was then
that he recalled the second setting because the change in page number from 131
to 132 matches with the appearance of Gray on PP 9.2 (though there it is on
line 2 of page 132: JJA 23.076). One
would imagine PP 9.2 was readily available when Joyce was writing the
noteeither the marked copy, assuming the used up marked proofs were being
returned to him, or a duplicate. Perhaps this second setting was simply
overlooked.

1.The
fifth page of the placard has 19bis
written on the top of it (JJA 18.145).
No such document was pulled.

2.The pagination
differs to that given in the Archive
due to the restatement of several pages as PP 10.3+, PP 10.4 and PP 10.5.

3.PP 10.3+ is a holograph letter from Joyce to Darantiere
indicating an addition on Gathering 10. PP 10.3 was marked Bon àtirer,
signed by Joyce and countersigned by Beach. Before the material was set Joyce
sent a letter to the printerssometime between 310 October
(probably between 710 October). The letter
reads:

La page 34 bis manqué

Inserez selon dépêche

p.
146

l. 16

apres seagoose. et avant Wonder

Swans from Anna Liffey
^<come> swim^ down here

sometimes to preen themselves. No accounting

for tastes. (JJA
23.141)

The letter arrived in time and Darantiere wrote Attention!
Montrer cette correction à Mr [dAvout] avant
de rouler on the relevant page of PP 10.3 (JJA
23.140). The single page, with its PP 10.3
additions, was set and pulled and SABernard dAvout,
perhaps?copied Joyces addition onto it
(JJA 23.142).

4.PP 10.4 is a single page of proof and constitutes a resetting of the
text of PP 10.3. The document is not recorded in the JJA. It is recorded by Gabler as Lestrygonians level 6 (see Ulysses: A Critical and Synoptic Edition
320.2224 for the swan addition made to it). The single page was again pulled,
incorporating the addition in SAs hand and dated.
This is PP 10.5 (pace the Archive)
and Gabler level 7. Cf. Gathering 19.5 for Cyclops (JJA 25.97116) and Gathering 30.2.b for Circe (JJA 26.171186).

5.This single page setting
does not contain an Imprimerie but, as a reset of PP
10.4, must be PP 10.5. The Archive,
perhaps following Texas material arrangement, places it with PP 10.3. Cf. Gablers
treatment of PP 19.6 and PP 35.3.

6.PP 11.4+ is a holograph letter from
Joyce to Darantiere indicating a number of revisions
and additions on Gatherings 9, 11 and 13. The physical document is bundled in
with PP 13.4 in the Archive and so
clicking on Marked Copy links to PP 13.4+ in the page proof-finder. Joyces
letter reads:

Changementsà faire si
les pages indiquées

ne sont pas déjà tirées.

p.
196, l 2 au lieu de stated imprimez capped

p
162, l 10 après la parole foodlift ajoutez avant

le point across his stained square of

newspaper.

p.
13^<1>2^, l 26 au lieu de Gray mettez Grey (JJA 23.363)

The letter is dated 11.X.21 (by
the printer, one assumes) and its second instruction refers to PP 11.4 (the
first and third changementare for PP 13.4Scylla and Charybdis and PP 9.3Aeolusrespectively).

Joyce and Beach had signed off on
PP 11.4 between 711 October. A further setting was
made, PP 11.5, to which Hirchwald added in Joyces
addition by hand (JJA 23.226). The Imprimerie date is 12 October and the pull was sent to
Joyce and Beach for a second Bon àtirer. The final printers
date on the document is 14 October.

1.The last two pages of Pl 23.i are blank. The printers may have
run out of typescript to set at this stage. Darantiere
informed Beach on 12 August 1921 that the typesetters were nearing the end of
the portion of typescript then in their possession. Buffalo
XIV.22: Darantiere to Beach; 12 August 1921.
T. l. s.: 1l.

3.GrodenIndex, p.
163 corrects the order of the settings of PP 12 in volume 23. For PP 12.1, JJA 23.259274, the Archive reproduces the unmarked Buffalo V.C.2, claiming, Joyces
corrected copy is not extant (though see next note). Another duplicate is unreproduced.

4.Since
GrodenIndex
the marked copy of PP 12.1 has surfaced. It originally disappeared after Sylvia
Beach gave it to Irwin Swerdlow in 1945. She
inscribed the document: Proofs of Ulysses, 1921, with corrections in Joyces
handwriting | for Erwin [sic] Swerdlow from Sylvia BeachParis 1945. Swerdlow, drafted into the United States Army, participated
in the liberation of Paris in 1944. After earning a Ph.D. from Harvard he
taught English at Dillard and Dartmouth colleges. PP 12.1 is item 43 in Glenn
Horowitz, James Joyce: Books &
Manuscripts (New York: Glenn Horowitz Bookseller, 1996), pp. 3839, 100. The current location of the proof is not known.

5.GrodenIndex, p.
163 corrects the order of the settings of PP 12 in volume 23. PP 12.2, JJA 23.243258, has two unreproduced duplicates: Buffalo V.C.112b; V.C.2.

6.GrodenIndex, p.
163 corrects the order of the settings of PP 12 in volume 23. PP 12.3 is JJA 23.275290.

7.GrodenIndex, p.
163 corrects the order of the settings of PP 12 in volume 23. PP 12.4 is JJA 23.291302, 305308.

8.PP
12.4+ is a holograph letter from Joyce to Darantiere
indicating an addition on Gathering 12. PP 12.4 was marked Bon àtirer,
signed by Joyce and countersigned by Beach, and sent back to Darantiere (dated 12 October). A day or two after sending
the proof Joyce sent a letter:

Ajoutez si encore possible

p 188, l 11 après commentator, et avant His

de la ligne suivante imprimez Mr

George Bernard Shaw. Nor should we

forget Mr Frank Harris.

pour évites des enems les nomes sont

GEORGE BERNARD SHAW

FRANK HARRIS (JJA
23.303)

The letter is dated 14.X.21 (by
the printer, one assumes). It evidently arrived in time because Hirchwald copied the correction onto the Bon àtirer-ed proof PP 12.4 (JJA 23.302). Since the page and line number Joyce gives in his note
are correct one assumes he was looking at an unmarked duplicate of PP 12.4.
Rather than mark up a second pull of the same setting (as he did on several
other occasions) he sent in the note containing his single addition. The text
of that addition, however, is problematic. He instructs the printer to insert
the name Frank Harris along with that of Shawyet Mr Frank Harris has been
in the text of Scylla and Charybdis since at least
the first setting in proof, Pl 21.i (JJA 18.177). The page and line numbers
make clear that Joyce was using a PP 12.4 duplicate (the three earlier settings
of Gathering 12 have Harris on either p. 187 or l. 10 of p. 188)it seems,
however, that either he misread the document or he is taking particular pains
that the names are spelt correctly.

9.PP
13.4+ is a holograph letter from Joyce to Darantiere
indicating a number of revisions and additions on Gatherings 9, 11 and 13. PP
13.4 was marked Bon àtirer, signed by Joyce and countersigned by
Beach. While the material was in transit (PP 13.4 is dated 12 October) Joyce
sent a letter to the printers a day or two before 11 October. Letter reads:

Changementsà faire si
les pages indiquées

ne sont pas déjà tirées.

p.
196, l 2 au lieu de stated imprimez capped

p
162, l 10 après la parole foodlift ajoutez avant

le point across his stained square of

newspaper.

p.
13^<1>2^, l 26 au lieu de Gray mettez Grey (JJA 23.363)

The letter is dated 11.X.21 (by
the printer, one assumes) and its first instruction refers to PP 13.4 (the
second and third changementare for PP 11.4Lestrygonians
and PP 9.3Aeolusrespectively).

The marked-up PP 13.4 was
received by the printers by 12 October. The change of stated to capped in
Buck Mulligan stated was made on this proof by one of the printers.

10.The
paginations
differ to those given in the Archive
due to the restatement of pages as PP 12.4+ and PP 13.4+.

1.Gathering
17.1 is divided between Buffalo and the Rosenbach Foundation.
Pp. 257260 and 269272 are at Buffalo. Pp. 261268 are
at the Rosenbach Foundation. The Archive reproduces the unmarked pages of a duplicate in place of
the Rosenbach portion (JJA 24.189196). Page 266 of the marked proof (now the text of U 11.07910829) contains, as well as
Joyces additions, a dedication written by Beach a page proof [ ] for Sylvia
with love from her aunt Sylvia and an appended screed with Joyces signature.
The page is reproduced in Michael Barsanti, Ulysses in Hand:
The Rosenbach Manuscript (Philadelphia: Rosenbach Museum & Library, 2000), p. 41.

The first
setting of Cyclops Placard 37 contains the
draft text of some material for this setting of Gathering 17. In the upper
border of the third page of the placard,
Joyces draft of two elements appears (JJA
19.205). The second of these has not been identified, but the first is
Joyces sketch for Siopold (now U 11.0751).

Lionel

Leopold

Simon<Richsiopold>Siopold

Richie

The second exclamation was added to Sirens on PP 17.1at the same
time Joyce was working on the placards
of Cyclops (i.e. early October 1921). The relevant page of the Sirens proof
is not reproduced in the Archive as
it forms part of the Rosenbach Foundations holdings.
See JJA 24.192193 for the surrogate
reproduction.

1.Pl 37.i includes drafts of two addition for Sirens (JJA
19.205). The second of these, Siopold (now U 11.0751), was added onto PP 17.1. See
the note to Sirens Gathering 17 above.

2.The fifth page of the placard
has Pla. 36 bis written on the top of it (JJA 19.179).

3.It is not known if
there was a marked set of this setting of Gathering 19 because no revisions or
additions were made at this level.

4.GrodenIndex, p. 164 corrects the order of the settings of PP 20 in volume
25. No corrections or revisions were made at this level.

5.On 10 November Hirchwald sent a two-page
holograph letter to Joyce. He wrote requesting confirmation on a number of
points in PP 19.5 (his first page) and PP 20.2 (his second page). The first
page of the letterPP 19.5+reads (with Joyces responses in bold):

289, l. 4.jivic
rays?Yes

289, half-page:devanic
circles?Yes

290, l5slidder off?Yes

291.paragr in
italics: Is the

littlei intentional? Is the punctu-

ation as it should be?Yes

293, l. 8golloped(Yes) it down or galloped?

294, bottom ^<page> line^  no î at hand.

294, l. 17: broadsheet is one word?Yes

297, l. 21.
Maxwell ffrenchmullan

double or single f?double: ff (minuscules)

304, 2nd paragr.

Should
the punctuation be left

as it stands? Would it not be better

to put a comma between the names

and the titles (William Delany,
S. J.) and

a semi-colon after each name?

(the rev. W , D. D.;)Yes, change accordingly

Do
you want capital letters or little ones

to rev., very rev. etc.?minuscules

The suggested change which Joyce
okayed (the punctuation of the priests names and titles) resulted in the
setting of PP 19.6 (a single page).

The second page
of the holograph letterPP 20.2+requests confirmation on a number of points
in PP 20.2. The points of clarification
(with Joyces responses in bold) are:

308. Is not the paragr. beginning with

Six and eightpence
a reply in the dialogue?

310, l. 7, from the bottom: corned beef

off of that one?No. Laissez come ça

311, l. 4 tholsel?va bien

311. l. 9: Lamh Dearg Abu?Yes

315. l. 10meila murder?vabien

And also dly go over my

own corrections.

Answer by return
please.

10.X[sic].21

Joyces own additions to PP
20.2separate to the checks on Hirchwalds
letterresulted in PP 20.3 being set.

6.PP 19.5++ is a
holograph letter from Joyce to Darantiere indicating
an addition on Gathering 19. PP 19.5 was marked Bon àtirer,
signed by Joyce and countersigned by Beach. Sometime shortly after, Joyce sent
a letter to the printers. The letter reads:

Dear Hirschwald [sic]: If you have not

already passed pp. 294 & 295 will you

please insert in the list of names

after GoosepondPrhtrKratinabritchisitch

andbefore Herr Hurhausdirektorpresident[]
etc.

the name; BorusHupinkoff,

sincerely
yours

James
Joyce

P.S: the letter f appears

to be imperfect often

in the type (JJA 25.102)

Unlike the Lestrygonians
case (PP 10.3+) the letter did not arrive in time. The material had already
been set. The card was initialed R, marked trop tard and
dated 15.XI.21. Hupinkoff did not appear in the 1922
Paris edition.

7.GrodenIndex, p. 164 corrects the order of the settings of PP 20 in volume
25.

8.The paginations differ to those given in the Archive due to the restatement of pages
as PP 19.5+/20.2+ and PP 19.5++.

9.This single page
setting does not contain an Imprimerie but it must be
PP 19.6. See note 5 above for explanation. The Archive, perhaps following Texas material arrangement, places it
with PP 19.5. Gabler identifies it as PP 19.6 in his
proof table.

10.GrodenIndex, p. 164 corrects the order of the settings of PP 20 in volume
25. No corrections or revisions were made at this level.

1.PP 21.1+ is a holograph document from Joyce to Darantiere indicating two corrections on Gathering 21. The
document is not extant but reference to it appears in a letter from Darantiere to Beach. Both Joyces corrections and Darantieres letter were written on 14 November. According
to the latter, Joyce had sent two corrections for the gathering on a piece of
paper appended to the proofs he returned that morning. Buffalo
XIV.44: Darantiere
to Beach; 14 November 1921.T. & A. l. s.

Two
corrections appear in the hand of a printer on the first page of the Nausicaa portion of PP 21.1 (JJA 25.181). The erroneously set pushcarnd and matc hand are
corrected to pushcar and and match and. As corrections
of typesetting errors neither of these changes has a CSE level.

1.Placards
Y and Zthe Messianic scene of Circewere set and pulled out of sequence. Joyce had
composed the scene long after Circe was completed and typed up, but before he
had submitted the episode to Darantieres printers. Each
of the two extant typescript exemplars of Circe contains a coloured line to denote the point of insertion of the
Messianic scene typescript but, for whatever reason, the printers set this
latter portion of the text first.

3.Placard
52 has only four pages. There are no blanks,
however, as only a half sheet was pulled. On the final page, after the words
their reign is over for ever (now U 15.1397),
the printed instruction (ICI, pl. Y, Y biset Z) appears (JJA 20.056).

4.The second marked copy of PP 30.2 arrived too late for its corrections to
be included.

5.The pagination
differs to that given in the Archive
due to the restatement of one page as PP 31.2+.

6.PP 31.2+ is a holograph letter from Joyce to Darantiere indicating a revision on Gathering 31. PP 31.2
was marked Bon àtirer, signed by Joyce and countersigned by
Beach. The returned proof is dated 23 December 1921 by Hirchwald.
Joyces letter reads:

Changements à faire

page 485, ligne 18

au lieu de Elephantulus

imprimez Elephantuliasis

Best wishes for Xmas and

New
Year

James
Joyce (JJA 26.210)

The revision was not handwritten
onto PP 31.2, the latest pull of the gathering known to be extant, but it is
present in the 1922 edition. Presumably a final setting was made which was
never sent to Joyce.

7.Material was accidentally set twice at
the end of Placard 61. The
compositor, who was working through Darantieres copy
of the typescript, came to page 135 (JJA 15.286)
and halfway down the pagehaving set that
carman is waiting (now U 15.4424)went back a page
and set the text U 15.440513 from
(To the crowd.) No, I was with the private to Noble art of self-pretence a
second time. Perhaps there had been a break in the setting and when the
compositor resumed his work he started at the wrong place. The typescript page
which covers the duplicate material (JJA 15.285)
has a mark around the word Personally, which becomes the first word of the
next placard, again duplicating
material already set (U 15.441424)
on the previous placard. Joyce
crosses out the duplicate material at the end of Placard 61 and beginning of Placard
62.

8.GrodenIndex, p. 164 states that this setting
of Gathering 36 is PP 36.2. This partial gathering contains pages for the end
of Circe only. The gathering comprises a single sheet of four pages: 564 and
561 on one side, 562 and 563 on the other (U
15.48464967). Since the last page of PP 36.2 is also for Circe the
gathering could not conceivably have continued into Eumaeus.

9.GrodenIndex, p. 164 states that this setting
of Gathering 36 is PP 36.3.

10.The capital letters A and B appear on the first pages of the two
marked versions of PP 36.3.

12.This
single page setting does not contain an Imprimerie
butbased on the pagination of p. 561it must be PP 36.4. The Archive, perhaps following Texas
material arrangement, places it with PP 35.2. Gabler
identifies it as PP 35.3 in his proof table and places it in Circe level 11.
As a fourth setting of Gathering 36, however, it would at best be level 12
oras in this editiondesignated as none.

1.The four b copies
of the first setting of Placards III-3,
III-4, III-5 and III-5bis contain nothing more than the correction of a number
of literals; no new material is added.

2.The two b copies of the second setting of Placards III-1 and III-2 contain nothing more than the correction
of a number of literals; no new material is added.

3.On the fourth page of Placard III-2.ii.b Hirchwald has
written Joyce all other spellings of this expression have been a propos
without italics? (JJA 20.282).

4.GrodenIndex, p.
164 states that this setting of Gathering 36 is PP 36.3. PP 36.2 does not occur
in the Eumaeus CSE
levels because the partial gathering contains pages for the end of Circe
only. The gathering comprises a single sheet of four pages: 564 and 561 on one
side, 562 and 563 on the other (U 15.48464967).
Since the last page of PP 36.2 is also for Circe the gathering could not
conceivably have continued into Eumaeus.
Accordingly no material appears in the setting of the Eumaeus
portion of 36.3 that cannot be traced to autograph additions in 36.1. This
explains the leap in Gablers levels: PP 36.1 is his
Eumaeus level 3 and PP 36.2 Eumaeus
level 4.

5.The capital
letters A and B appear on the first pages of the two marked versions of PP
36.3.

6.This partial gathering
has been the subject of two misstatements. In the Archive it is placed with PP 37.2 (JJA 27.56). In the errata at the back of GrodenIndex, p. 164, we are told that pp.
7378: These pages constitute the fourth version of Gathering 36 (gathering pp.
571576 only) and should be so identified on p. 1. They should follow p. 54 in
the reproduction sequence. In fact the pages are numbered 577579. Thus they
constitute a third version of Gathering 37. As such they represent one of the
last settings (if not the last setting) of this material as the page- and
line-breaks and line numbers follow those of the 1922 Paris edition exactly.
The only textual difference is the presence of à propos which becomes apropos
by the first edition (the former reading is restored by Gabler
at U 16.034243). There is no
autograph correction for this alterationand Gabler
cues it as a rejected first-edition reading in his historical collation
listbut the proofs for Eumaeus instance the
changeover of three apropos to apropos
in Pl III-2.i (JJA 20.266) and PP 37.1 (JJA 27.587) and PP 39.1 (JJA 27.132). The printers apparently
took it on themselves to correct this instance of the phrase. Cf. the query written on Pl III-2.ii.bsee
note 3 above.

Hans Walter Gabler
calls this partial gathering 36.4 in his table of proofs (Ulysses: A Critical and Synoptic Edition
1915). Regardless, it corresponds to Eumaeus level
5. A quick check of the synoptic text (or the Archive facsimile) reveals that no authoritative changes were made
to the text at this level (Ulysses: A Critical and Synoptic Edition 1356.321362.20). Eumaeus level 5 is empty, as it were.

7.This single page
setting does not contain an Imprimerie. The Archive, perhaps following Texas
material arrangement, places it with PP 38.2. Gabler
identifies it as PP 38.3 in his proof table, as it constitutes a reset of
material in the former (Joyces autograph addition passimJJA 27.608, now U 16.1637has been set). While the
material covered by the page does indeed comprise a reset of the end of PP
38.2, the page number612 means that materially this page must, in fact, be
PP 39.2. Like PP 37.3 above, the page constitutes one of the last settings (if
not the last setting) of this material as the page- and line-breaks and line
numbers follow those of the 1922 Paris edition exactly.

In any event, the page proof is Eumaeus level 5. A quick check of the synoptic text (or
the Archive facsimile) reveals that
no changes are made to the text at this level (Ulysses: A Critical and Synoptic Edition
1356.321362.20). Eumaeus level 5 is empty, as it
were.

1.PP
43.1.a+ is a holograph letter from Joyce to Darantiere
indicating a revision on Gathering 43. The letter is not extant but reference
to it appears on PP 43.1.a. The printer makes the substitution atonement for
peace offering and in a marginal box writes lettre
de M. Joyce reçue le 30.1.22. Presumably, after
Joyce had sent PP 43.1.b on 30 January he made this final correction by letter.
The correction was marked onto PP 43.1.a rather that b.