Friday, December 11, 2015

In the previous two discussions about the nature of sacred images appropriate for a church, Prof. McNamara spoke of how liturgical art should portray those aspects of the liturgy that are present but invisible to us. This concerns predominantly the saints and angels in heaven participating in the heavenly liturgy. Here, he turns his attention to the church building as a manifestation of the Heavenly City, the New Jerusalem as described in the Book of Revelation. He connects this future ideal with the temple of Solomon as described in the Old Testament; we, the people of the church, are the living stones that constitute the Church, transformed symbolically into the 12 gemstones that are at the gates of the Heavenly City.