Like Dylan, Born To Sing will probably be an acquired taste for some (the jazzy backing may put some off, as may Morrison's tendency to incessantly repeat lines and start scatting every so often), but it's yet another example of his sometimes erratic genius.

The greater, constant lift is in the album's earthy-R&B roll--the slow-drag groove in "Born to Sing" suggests Ray Charles leading the band at New Orleans' Preservation Hall – and the disarming, one-of-a-kind warmth of Morrison's gift.

Van feels fed up and disgusted, intense and focused, on Born To Sing: No Plan B, but unfortunately, the songs, more often than not, end the conversation there, leaving just a few hard knock lessons and some pretty jazz.

There are a lot of ups and downs to this album. On the positive side the instrumentation for the most part is very smooth, organic creates aThere are a lot of ups and downs to this album. On the positive side the instrumentation for the most part is very smooth, organic creates a nice atmosphere, further shown in Morrison's very distinct voice vocal delivery we've all grown to love. The melodies for some tracks can really hook you in the lyrics remain inspired for the most part, especially on tracks centered around social commentary like End of the Rainbow, If In Money We Trust Educating Archie. But there's also straightforward classic pop songs like Open the Door to Your Heart Retreat and View that work just as well. But unfortunately there's two BIG problems with Born to Sing: No Plan B, and that's the song structures lengths. A lot of songs here are very predictable, repetitive and do much more than their fair share of meandering just for the sake of throwing in another verse that doesn't add much or a 3-minute instrumental break that could've been a couple minutes shorter. This especially gets problematic with the 8-minute songs Going Town to Monte Carlo If In Money We Trust, which both start out great but I end up bored after 4-5 minutes have passed, if not sooner. The latter is affected the hardest, with a haunting atmosphere great basslines wearing off in appeal by the heavily drawn out length, which isn't helped by the repetitive lyrics. Basically, if you cut out every time a verse was repeated here, the song would be 5 minutes shorter. Unfortunately what could've been a great song is reduced to a repetitive mess. Similar problems happen in the title track Born to Sing. And moving on to more specific gripes, Close Enough for Jazz was shaping up to great little instrumental in the first half but is unfortunately interrupted in the second half by completely unnecessary verses that only bog down the song. Other songs like Mystic of the East Pagan Heart just don't go anywhere, and the place they're at can't hold my attention for their entire 5+ minute durations. Morrison just seems too content with an idea to want to develop it any further, and I think those decisions are what ultimately lead to Born to Sing's main flaws. No song here should've been over 5 minutes. Still, his all-around songwriting skills, whether instrumentally, melodically or lyrically, still shine through. Tracks like Open the Door to Your Heart, Retreat and View, End of the Rainbow, If In Money We Trust Educating Archie are probably gonna go down as Morrison discography staples for me. Score: 64/100…Full Review »