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Chris hit the nail on the head – The Tale of Inspector Legrasse is to The Call of Cthulhu as The Empire Strikes Back is to Star Wars.

The way the mythology is piled on, layer upon layer of mystery and terror – and the white polyp… thing in the Louisiana swamp, I was as horrified by that as I was by Cthulhu Itself.

As for the podcast, what can I say? I wish it would never end. I don’t know if I mentioned it last week, but Reber Clark’s music is fantastically well-suited to the material.

Thank you, Chad and Chris for all your hard work.

Mike Davey on

May 20, 2010 at 12:14 AM

Another fascinating listen. I like the new “early Thursday morning” release (presumably because we’re now on York time) but it does mean that my first 30 minutes at work becomes a little less constructive than it used to be…

Great work with the podcast fellas. It’s pretty cool that HPL was referencing actual locations, persons and such in his work, giving it that air of pseudo-authenticity. Wonder if the Providence Art Club still smarts over its building being called ‘hideous’? Had always assumed the ‘black winged ones’ in the swamp may have beenanaloguous with the winged things corralled by the creeps in ‘The Festival’. Winged, residing in inner earth, and I’m sure more than able to leave peculiar disfiguring markson the corpses. Yuck. Also, love the idea of the ancient white polypous thing being so old and, like much HPL stuff, non-humanoid but sentient. Reminds me of Bram Stoker’s ‘Lair of the White Worm’, where the creature just kept accumulating knowledge and abilities throughout its thousands of years of existence. It was white and had luminous eyes, but unfortunately sucked really bad too. Lovecraft beats Stoker.

Connie on

May 20, 2010 at 5:38 AM

Awesome podcast guys. Everything was pitch perfect. The music definitely ADDED to the whole feel, and of course the discussion was great!

I realize that this is the HP Lovecraft Literary Podcast and not the Andrew Leman Cinematography Podcast, but I’d be very interested to hear more about the steps that were gone through to adapt this story for the film, since you’re all lurking around talking about CoC anyway…

Gotta agree with the Gneech about that film. Sure curious if Leman, Robertson et al were going for the Outer Limits 1963 look — the ones created by the Stefano/Oswald/Hall trifecta, in particular. Like THIS one, which, to me, is one of the most Lovecraftian things ever filmed, and has the best Failed Sanity Roll I’ve ever seen, beginning at about 5:40http://www.youtube.com/watch?v=W8PEZpeMHuc

Film aside, this podcast was a classic commenting on a classic. Been some great laughs along the way, too (like last week’s take on Wilcox’s post-Cthulhu dreams, or this week’s discussion of the Old Ones’ promises to the cult, i.e. “he’ll teach them by example” or the Eldritch Grenadine Of Doom) and I’m sure HPL would approve, particularly if we consider the goofy stuff he wrote to his correspondents about his monsters. I don’t think ANYTHING the cult (of homicidal maniacs) says should be taken for granted; for many years I questioned whether the creature’s name WAS Cthulhu, or if that was just part of the unintelligible telepathic signal it emits — and if HPL (in a letter) hadn’t bluntly stated that it IS the thing’s name, I’d still hold that view.

These CoC episodes have been fantastic — truly a step up in an already outstanding production.

I enjoyed mention of the CoC feature I find most amusing, which is how phenomenally indirect and nested the narrative is. As the reader, you are reading a document of Francis Wayland Thurston, who relates the papers of George Angell, who at one point tells the story of Inspector Legrasse, who relates his interview with the mestizo Castro, who discloses what Chinese cult leaders told him, which in part was what Alhazred said. And while the final section isn’t as ridiculously nested, the reveal of the Big Guy comes in reading the account in some additional papers (which of course are related in Thurston’s papers which the reader is reading).

Lovecraft often used this kind of nested narration (think of how many of his narrators are telling the story of what happened to someone else), but it reaches its apex here. And what is especially fascinating is, despite this ludicrously removed narrative technique, the story still works, and remains truly horrifying. I think this is only because of the “cosmic” nature of the horror itself. It would be laughable to tell a typical monster story or slasher horror tale in this fashion (“I read about this guy who found a description by his great uncle of a terrible serial killer case done by this policeman…”). But here, because the horror is truly about coming to understand the universe the way it actually is (as in the opening passage), this removed way of telling the story does nothing to lessen its impact. Indeed, scattering the story amongst several individuals makes the scale and generality of the horror even more obvious. The real terror was not just that some guys saw a monster — it is that the universe is a place where such monsters exist.

Grahm on

May 21, 2010 at 12:05 PM

Hey guys.
I was so inspired by this week’s podcast that I wrote you a song. As should become obvious upon reading it, it’s a parody of Sinatra’s Strangers In The Night, which I found to be extra fitting since Chris is the one who first turned me on to Frank back in the 90’s. Awesome work. And the music is rad too!

Creatures in the night – Gibbering madly
Lurking in the night – They’re so uncanny
You’ll be driven mad before the night is through

Something in the dark was whispering to me
Something in the sea is dead but dreaming
Something in my dreams is saying Cthulhu

Creatures in the night – A race of fish people
They were chanting through the night
Up to the moment when they said “Ph’nglui mglw’nafh”
Little did you know
Death was just a dream away, a blood curdling scream away and

Ever since that night, you’ve been muttering
Something about tentacles and dark wings fluttering
Now you’re terrified of creatures in the night

It’s interesting to me that HPL’s sketch of Cthulhu’s image has eyes more like a spider’s than an octopus. (Assuming Cthulhu is more or less symmetrical.) He never mentions that at all in his written description of the Cthulhu idols; can’t help but suspect that as he was drawing this thing, a wild idea hit him: “What if it had SIX EYES? That would REALLY be way out!”

If you add a British accent to Castro’s prediction of free men doing free things, and killing and yelling…

It sounds like an excerpt from The Hitchhiker’s Guide to the Galaxy

Genus Unknown on

May 26, 2010 at 1:51 AM

bar1scorpio: Maybe if there were some funny wordplay in there or something. But I read this…

“The time would be easy to know, for then mankind would have become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and revelling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the earth would flame with a holocaust of ecstasy and freedom. Meanwhile the cult, by appropriate rites, must keep alive the memory of those ancient ways and shadow forth the prophecy of their return.”

… and no amount of charmingly British enunciation can make that sound anything but evilly Lovecraftian. Did we read the same Hitchhiker’s Guide?

glad you guys got psyched up for this story. Hope you are as energized when the Shadow out of Time comes around (which also deserves multiple episodes). there are many great paragraphs in this story which I forgot about.