Pacifica’s production of “Little Shop of Horrors” is a twisted tale with dynamic characters, energetic emotional shifts and a set with a grimy, worn-down look. Set in the 1960s on old “skid row,” the story follows a flower shop attendant, Seymour, and his rise to fame after discovering a strange carnivorous plant. His life becomes complicated however, when the plant hungers for human blood, forcing Seymour to find its next victims. Juxtaposing terror and comedy, Pacifica’s production is an experience to die for.

With a slightly slumped stance, quivering hands, and a high, nervous voice, Alex Cobb is charming in his awkwardness as the sweet yet clumsy Seymour. He bursts with nervous energy when confronted, rushing through the shop and knocking over plants. The character’s sympathetic side is revealed as he gazes sweetly at his love interest, Audrey. The contrast between passionate longing and nervous hesitation reaches its climax in “The Meek Shall Inherit” as Cobb trembles and paces, his eyes wide with terror as he debates keeping his deadly plant alive.

Melody Espinoza brings a kind, hopeful personality to the stage as Audrey with her gentle voice, New York accent and reserved posture, her hands always close to her body as though she is trying not to take up space. She is submissive and timid around her boyfriend, ducking her head suddenly, her voice rising in fear. However, her voice rings with clarity and joy in “Somewhere That’s Green,” becoming stronger in a perfect blend of quiet sweetness and growing passion.

Terrifyingly shifting from smiling arrogantly to screaming in frustration, Brett Beard sends laughs and chills through the audience as Orin, Audrey’s boyfriend. He struts onstage confidently, dropping to his knees or jumping into the air, his joy and large grin a stark contrast to his violent, sadistic nature, revealed in “Dentist!” He slaps, pushes and grabs Audrey roughly, shouting at her all the while.

The set by Dakota Hill captures the griminess of skid row with its faded brick walls and pastel-colored paint splattered with gray and brown to convey a dirty, uneasy atmosphere. The set folds in and out to change locations and further draw the audience into the action.

Pacifica’s production, rife with unique, energetic characters and a terror-filled atmosphere, proves that giving in to evil always leads to destruction. “Little Shop of Horrors” will feed your desire for comedy!