Photographing Urban Landscapes

I love cities. While I enjoy getting out into the wide open spaces of the countryside I am also a big fan of the hustle and bustle of inner city life. It’s not for everyone but I find that such areas are so interesting to spend time in – both on a personal level but also photographically.

Some people might be a little depressed by the greyness of concrete, towering skyscrapers and graffiti covered walls – but I find them full of photographic potential.

Urban Landscape Photography looks for these photographic possibilities in the cities and and urban areas where we live and work.

Urban Landscape photography is a little slippery to define as it sits between a number of other genres. For the purposes of this article let me contrast it with a few related photographic genres:

Cityscape Photography – urban landscapes go beyond the capturing of the big picture cityscape that is usually quote polished and clean.

Architectural Photography – urban landscapes are less interested in the building and it’s architectural style and more interested in what happens in and around it.

Candid Street Photography – urban photography focussed more upon the city itself (and it’s life) than the people who live in it.

Urban Landscape photography is often gritty, it’s not always pretty and it can be quite abstract.

Following are 11 tips to help you improve your urban landscape photography:

1. Take a Variety of Lenses

I find that taking two lenses with me is usually enough for urban photography. I prefer to take one wide angle lens and a zoom with a fair bit of length to it. Longer focal lengths are useful for capturing the details of building and street scenes (be aware that they also tend to flatten pictures) but wide angle lenses are great for capturing the big picture and they tend to give a bigger depth of field which can add interest and a nice feel to your shots.

2. Other Gear to Take

The gear you take on an urban landscape shoot will of course reflect your own style of photography (and budget) but in addition to the above two lenses and DSLR I take a monopod (or tripod if I’m going to shoot into the evening), polarising filters, UV filters (for when I’m not using the polarisers), sling style camera bag (I use a Crumpler bag which I find gives me the access I need as well as being reasonably inconspicuous, spare batteries and I generally take my external flash with me (although I don’t use it as much for landscape shots – it’s there more if I find a good portrait opportunity).

3. Look for Contrasts

One of the things that I love about cities is the diversity that you can find there – both in terms of the people (it’s where all types come together) as well as visual diversity in the sites you’ll see there. Look for and capture the contrasts between architectural styles, building materials, colours etc and you’ll end up with some very interesting shots.

4. Regarding People

A constant challenge for urban landscape photographers is that cities are places where people naturally gather. There’s nothing wrong with people but in urban photographs they do tend to become the focal point of shots whether you want them to be or not. My thoughts on people in urban photography is that you either work with the fact that there are people in the shots and use them as a focal point or if possible they need to be eliminated from the shot – there’s not really too much middle ground. One way of eliminating people from shots is to shoot on weekends or after work hours. Ultimately when it comes to whether to include people in a shot or not I ask myself the questions ‘are they relevant to the shot?’ and ‘do they add or take away from the composition?’. If they add something – include them. If they distract – get rid of them.

5. Evidence of People

If you choose to take the approach of eliminating people from your shots they almost always still live in the shots by the things that they leave there. Urban landscapes don’t always include people directly but speak about the way we live (both good and bad). It can be very powerful to look for the evidence of people in a landscape and to feature this in your shots. In doing so you add layers of interest and make your photos more dynamic.

6. Research Your Locations

Urban landscape photography might seem like a pretty spontaneous thing (and at times it can be) but many of the most spectacular shots are a result of careful planning. It’s amazing how a location can change depending upon the time of day (as a result of angles of light especially) so scout out potential locations at different times of the day and consider returning to the same location over time to see what else it might offer. In terms of what time of day is ‘best’ to photograph – I’m not sure there is one but my personal preference is late afternoon or on days which are overcast but where it’d not too dark.

7. Look for Themes

While there is real diversity in urban areas there are also many recurring themes of life. For instance I recently saw one exhibition of urban landscapes that explored the places people lived in a city – it was a series of people’s home ranging from park benches, to converted warehouses, to old period homes. Seeing them side by side was quite powerful.

8. Look for Mirrors

Many buildings these days are built with highly reflective surfaces. These can both present themselves as an opportunity and a challenge. Some stunning effects can be achieved by shooting the reflections in such buildings – to find the perfect way to do this often means you need to try lots of angles to find the best reflection. If you want to eliminate the glare or unwanted reflections from mirrors or shiny windows it is worth investing in and using a polarising filter.

9. Shoot into the Evening

Cities change incredibly as evening comes and the lights go on. What can be a drab or featureless scene can quickly become something with a lot of character and mood. I enjoy shooting in the twilight zone between day and night as there is still light in the sky but you also get the impact of city lights.

10. Explore Different City Zones

One thing that fascinates me about cities is the differences in the feel and sites that you can witness from area to area. Within a block or two you can move from a business district or commercial zone to a gritty, run down industrial zone or a trendy inner city residential or shopping area. Many urban landscape photographers have a preference for one or more of these types of areas but if you’re just starting out it can be worth experimenting with exploring the possibilities that each of these areas can present you with. Keep in mind that not all areas of cities are always safe – sometimes for this reason it can be wise to shoot with others.

11. Finding the Urban in the Suburban or Rural

Perhaps I’ve been a little ‘city-centric’ with this post – but most of what I’ve written about can be explored in the suburbs of our cities and even smaller towns as really urban landscapes document and explore the places where people live and gather – bid or small.

Thanks for sharing your ideas Darren. I really enjoyed reading your post.
I like number 5. Evidence of people. You’ve given me a new angle to explore.

Marso

You have one of the most horrific photo streams I have come across in quite a while. Please spare us all and stop spamming your “photography.” I promise you, it really is god awful.

otomatik kapilar

It is a good witting article.Becouse is photographic article, it should content more photos.Great read and tips on Verticals something I should start doing on my
landscapes. As I when threw my landscape stock photo’s I noticed they
were 99% Horz. It’s time to change and do both??? ????? – ????? ???? ???????
– upvc ????? –??? ?? ????

Great advice; I return to this page often and find some tremendous advice – I love the challenge of urban photography! I try to have a plan when I go but I also like to take advantage of the inpsiration of the moment!

Michael Chunko

One additional piece of advice I picked up from Lynsey Addario in her book, “It’s What I do: A Photographer’s Life of Love and War,” a bit of something she received from her mentor: “Be Patient. Observe.”

[...] Imagine all the steel and concrete are natural elements outside of the city. This challenge goes beyond cityscapes, architectural, street photography or city panoramas; here you want to find urban shape, patterns and compositions that mimic natural ones. As one person put it, “Urban Landscape photography is often gritty, it’s not always pretty and it can be quite abstract.” Here’s a good link to better understand what Urban Scapes (or Landscapes) is: http://digital-photography-school.com/photographing-urban-landscapes [...]

[...] architectural and candid street photography by Darren Rowse at DPS. He states in his article Photographing Urban Landscapes: Urban Landscape photography is often gritty, it’s not always pretty and it can be quite [...]