Harriet! Welcome to DSTP! It is such a pleasure
to have you hear on our “pop-sofa!”Its well-overdue! Hope you're sitting comfortably?

I am indeed! And yes, well overdue :-)

We’re
heading into 2015 –2014
was an interesting year for you! The appearance of Afterglow started proceedings 11 months ago! How does it feel looking back and your achievements.

It feels a little overwhelming. The journey this year has been very
special. So much has happened in such a short space of time, and the response
to the music we’ve put out there (including Afterglow)
has been incredible.

You’re performing live on Graham Nortons show tomorrow! Are you excited?

I am. Very! Also a little nervous though. This is such a huge deal. I am so lucky to have had so much support from Graham Norton, Paul O’Grady and of course Malcolm Prince (their producer) at Radio 2 with my music so far. The endorsement has been a little overwhelming!

You’re
working with Steve Anderson. Kylie’s
Music Director. I wanna know more about the collaboration. How did it come to
be –and
so far –what
has been the best song you’ve
written....

I was introduced to Steve by a mutual friend, who worked with Steve
when he started out in the music industry. Before we met, I had been
collaborating with numerous brilliant songwriters and producers in an attempt
to discover and develop a sound that would define me as an artist going
forward. This experience was invaluable and has proven fundamental in my
learning to write. However, when Steve and I had our first session together,
something incredibly special happened - I can still remember the feeling I got,
upon listening back to the track at the end of the day; I thought “This
is it. This is me and this is all I want to do”.
I was very excited (and I’m a little embarrassed to say I
felt rather emotional)! I feel very fortunate to have such a great partnership
with Steve. He is one of the kindest, most talented people I have ever met.
With regards to the “best song”…I struggle to answer that; what defines, “best”?!
Hmmmm I am fond of all the songs we have written for different reasons - each
captures a bunch of memories and feelings from the time it was written…I love performing Afterglow - every time I sing it, I go to a somewhat magical
place. And there are some songs to be revealed in 2015 that I am proud to have
been involved in writing, including the one from our first ever session
together!

You’re
also working with the maestro Cliff Masterson. What was that like?

Oh it was wonderful! Cliff has an immense gift for hearing the entire
musical journey of a song before it has even been written! Hence, why
everything he works on seems to emit fairy dust! I remember the first time we
worked together, he played me a chord progression that he had been working on,
that I connected with instantly. The session flowed from there. We had to dig
deep for the lyrics of this song; the time it was written was surrounded by a
profound event, which inspired the song enormously. I can’t
wait to go into the studio with Cliff and Steve together, again! The two of them could have been separated at birth! We will have a
songwriting, magic-making ball!

He also worked with Steve –most notably on Kylie’s
immense Abbey Road Sessions and Susan Boyles winter albums. How does that music
history of your fellow song-writers and collaborators contribute to the
session?

I can only speak for myself of course, but the fact that I tend to
love anything that either of them work on, really does say something about why
we work well together. The Abbey Road Sessions is a dreamy whimsical
masterpiece. People forget that behind a ‘pop
hit’is most frequently, a truly
beautiful song. The album exposed the quality of the writing behind Kylie’s
amazing career. It is like they re-interpreted the colour of the original
tracks and then repainted them with an entirely new palate. Wonderful. Both
Susan and Kylie have such distinctive voices, and these are examples of where
Cliff and Steve know exactly what they are doing when it comes to surrounding a
vocal with the perfect arrangement to best enhance and support it.

Cliff and I just did an interview where he
mentioned an intriguing song called Empty Shoes which is yet to be released. I
wanna know more!

Ah, Empty Shoes! The plan is to release it next year. It is special. I
hope that it ends up on the album actually.

So would you say your album is pretty much
wrapped-up? Or is there still a bit more fine-tuning left with you and Steve?

I’d say that we probably have the
main bulk of material for the album, yes. But it’s
not done until it’s done (if you know what I
mean)! We have some writing sessions planned in the new year, so who knows…

You released your first EP this year –What’s
Mine Is Yours (link here). What is the story behind the songs and why did you include those
three from your growing songbook?

I wrote What’s Mine Is
Yours with Steve and the wonderful Judie Tzuke. The
song is about receiving a gift and sharing it with everyone you love.It also deals with the subject of nostalgia
and that often we hear or experience things that are able to take us to another
time or place in our hearts. Afterglow was a definite choice for my
debut EP, because I feel that the song captures everything about who I am as an
artist - the lyric and melody, and Steve’s
production best define my ‘sound’and identity as an artist. If (When You Go)
is a cover of Judie’s original version of the song
and it was written by her and Steve. Quite simply, I adore the song and love to
sing it. We thought it would tie our collaboration on What’s
Mine Is Yours together well too.

What is the heartbeat behind
the lyric "some part of me has been here before...you'll hear it in my
voice" –This always sends me into a harmony of goosebumps!

People say that my music reminds them of artists that
were around in the 60s/70s and interestingly, these are the eras that have most
influenced me. That line in the song refers to this comparison. The song is
about receiving a gift and sharing it with those that you love. If people
connect with my voice and my songs because I remind them of a previous time or
an artist that was close to their hearts, then that is very special.

After the release of the EP, you covered Michael
Buble and 10CC. What made you pick those two specific songs?

I’m Not In Lovecame about because Steve and I wanted to record
a version of a song from the era of the music that I love (predominantly the
1970s), but without it being an obvious choice. I am a hugely influenced by
acts from the 60s and 70s that used such elaborate arrangements and vocal
harmonies - The Beach Boys, The BeeGees, Art Garfunkel, The Carpenters, and
10CC’s original hit record felt like something we
could be true to the spirit of it, whilst still injecting something fresh into
our version.

Michael Buble’s Home (listen here) came about
through my adoration for his voice and work. I honestly believe he is one of
the most exceptional singers and performers of this generation. He has mastered
combining classic ‘crooner-ism’with contemporary pop, and Home is a
perfect example of this. It is written so phonetically and his phrasing is
magnetic - I couldn’t help but connect with song as
soon as I heard it. The song was written by Amy Foster and Alan Chang (Buble’s
MD). The words are so simple, yet incredibly effective, and the melody flies to
every destination in the lyric and back - it’s
beautiful to sing.

What Michael Buble song would most love to duet
on together?

His entire Christmas album :-D Please.

And, while we’re
on the subject of inspirations and duets –what living male act would you most love to duet
with?

Ok, so Michael Buble, you have probably already gathered. George
Michael would be a dream come true. He is quite probably my favourite male
vocalist of all time. I would love to hear our voices together, it would be a
dream come true. Also, Steve has been working with a brilliant singer, Mark
Feehily (of Westlife). I was treated to a taster of what they’d
been working on and I think my mouth just hung open throughout the entire song!
What an instrument. He’d be awesome to sing with.

What is it about GM’s
voice that draws you to him in particular?

Everything about his voice gets me. His inflections are so unaffected,
yet incredibly distinctive. In fact, I believe they become the way the song is
remembered - If you sing back a verse of one of his songs, you cannot help but
copy all the little magical things he does - it is magnetic. I also love that
you can hear every word he sings, unlike a lot of singers, where you catch the
odd vowel sound and you have to kind of guess…!
You can’t only hear his voice, you can smell, taste and
feel it - somewhere between smoking wood, molten chocolate and wintery night
air. I love it!

You recently picked his Christmas song as a
b-side to Maybe This Christmas. The way you performed his song –its as if you lived his lyrics. What drew you to
December Song? (Soundcloud link here)

The song has always been a favourite Christmas song of mine. I love
the way the melody sits over particular chord changes. It is close to my heart
because I have memories where difficult times during the year, were put aside
at Christmas time. In a way, it might seem wrong to pretend that everything is
ok when it isn’t, but I think we all need to
do that sometimes, in order to remember what is important.

In many ways then it is a perfect song to follow
your very own Christmas song –Maybe
This Christmas. What was the internal heart behind the song & its lyrics?

You have probably heard the phrase, “Christmas
is for children”. Well, I believe this. But I
also believe that we are all children inside; hence why it is for everyone.
When we are little, the only things we have to worry about are being good (so
Santa Claus will come) and that we know where the people are who love us most,
so we are safe. When we become adults, life becomes so complicated, and we
suddenly see the truth in everything, which of course makes people confused,
unhappy and sometimes bitter. Maybe This Christmas is about wishing to
return to being a child, when you didn’t have all
the answers and you were happy to ‘believe’without any need for proof or reason. If we
capture that at Christmas, well “be alright”.

How was Christmas for you growing up –as a child?

Growing up, Christmas was a very special time of year - the best in
fact. I love Autumn/Winter weather. Bitterly cold - blue skies. I grew up in
the countryside, so remember long walks on Boxing Day. Decorating the tree was
always a scheduled event - carols playing, mince pies (and champagne as I got
older)! Christmas was always spent with family, and we would all dress up and
make an effort to wrap gifts beautifully. And most importantly, Christmas is
probably the time of year that I got to know most of my extended family…We saw each other throughout the year, but
Christmas with tons of cousins and uncles, aunties and grandparents was just
wonderful. I feel very fortunate to have had that closeness with my family at a
young age.

You live
your lyrics.

Very. In fact, I was in a writing session recently and we were writing
a song on a topic that I was struggling so hard to relate to and we kept
reaching brick walls…What
started off as a great idea for a song, ended up as something I felt incredibly
disconnected to.

There is hope in Maybe This Christmas –but also loss. What is the saddest song you ever
wrote?

There is an element of sadness in quite a few songs I’ve
written, but if I had to choose one, I would say Empty Shoes that I
co-wrote with Cliff Masterson. It was hard to get the words out when I was
recording the vocal. There were some teary eyes that afternoon.

And I have to ask…what
female artists would you most love to duet with?

There are so many female voices I love, but I really don’t
know who I could duet with (I think I would wait to be asked!!). This is mainly
because I love distinctive voices, which more often than not, stand alone, and
I don’t think I compliment any of the singers I really
love. However, saying that…Judie Tzuke sang backing vocals
on our song, First And Last, which got me very excited about the
prospect of doing a duet with her one day. I would love if the song could be
one we have written together too.Of
course, I wouldn’t turn an opportunity to duet
with an incredible voice if it came along! Kylie, Olivia Newton John…Goldfrapp - Would be pretty incredible.

You’ve
started to get a lot of early support from blogs like Paul’s
fabulous My Fizzy Pop music blog and ChartShaker. What has that been like?

It’s been amazing. Paul (My Fizzy
Pop) is such a beautiful writer, and is always extremely generous with his
choice of words in reviewing my work. And Nick (Chartshaker) was responsible
for my first interview for a music blog. I enjoyed answering those questions so
much. It is very special to have such brilliant musical critics saying great
things about what you are doing.

Is it true you introduced the artist Tom Butler
to Paul. An artist you’ve actually
been working with recently?

Steve and I have recently been in the studio with a wonderful
singer/songwriter, Tom Butler working on some new material. Tom writes on
guitar and we thought it would be great to bring his writing style into the
mix, and Steve and I usually write on the piano. The sessions were brilliant
and we got two new songs out of them; each very different.

Ah so when do you think we will get to hear
about Fall In Love Again? Will it be part of a release next year perhaps?

Perhaps…;-)
The song was written on guitar and has a lovely melancholy feel to it - very
simple, almost touching on the vibe of mine and Steve’s
Can I Keep You. I’m excited for people to hear,
as it’s very different to a lot of my work so far.

When do you think you’ll
embark on a tour?

As soon as it is possible to do so! I am so excited to spread the
music across as many places and to as many people as possible.

And, what would you like to achieve in the early
part of next year?

We have a few exciting things planned for 2015. Including a physical
release. Watch this space!

How is your debut album coming along?

Choosing songs for the album is going to be a tough one. We are
fortunate enough to have a good sized collection to choose from, but are also
planning more writing sessions in the new year. It’s
got to be just right. We have been working on some more uptempo songs,that
should help balance the album well.

Its great to hear that your
album is in works AND on the way to be completed. Exciting. Before that
though are you planning anything perhaps in the early quarter of 2015 Perhaps
an EP?

We are planning a release in the early part of next
year. Can’t
say too much so maybe we’ll
have to do another interview in January or Feb –if you’ll
have me?!

Of course, I’d love to to have you back. Can
you share some hints to the next EP?

With my debut EP being an introduction to my music,
and the Christmas EP being…well, Christmas! I wanted to explore a romantic and uplifting
theme for the new year. I’m
excited for everyone to hear the songs we’ve chosen for it!

Next year, a new James Bond
Movie is being released! I can totally envisage you fronting the next James
Bond feature. That has to happen! Lets make it happen! What is your favourite
James Bond theme song annnnnnnnnnddd how many heartbeats would it take for you
to say yes if they actually offered you the chance to sing the next James Bond
theme?

I love the theme to Octopussy, Live And Let Die and
The Spy Who Loved Me. And I would probably say “yes”before the question of “would you like to…”could be finished!

Talking of film soundtracks, your Christmas EP
also included a magical cover of A Dream Is A Wish Your Heart Makes. A good
idea to include a song on a Christmas EP that is yet both festive and not. Was
that the intention?

In a way, yes. I think the lyric is perfect for that of a lullaby to a
small child. And I guess that although we can have dreams all year round,
Christmas is the time of year when there is a little more magic in the air and
they are perhaps more likely to come true…!
The song also feels like a little reminder - it’s
Christmas, so don’t forget to make a wish!

Beyond “A Dream”,
what are your favourite Disney songs?

“God Help The Outcasts”from The Hunchback of Notre Dame and “When
She Loved Me”from
Toy Story 2.

And if you would do a Disney Songbook EP what
would be your 5 additional Disney songs you’d
cover in a heartbeat?

The two above, He’s A Tramp (Lady And The Tramp),
You’ve Got A Friend In Me (Toy Story) Some Day My
Prince Will Come (Snow White And The Seven Dwarfs)

And into that what is it that makes Disney films
- and their confluent soundtracks - that makes them ever so special?

The ability to touch every heart in a unique way, through catching an
imagination or hitting a nerve…Cynics
underestimate the power of Disney films. And the best songs stand alone in
those movies. Look at how much of a hit Let It Go (Frozen) was and still
is! And I remember years ago, from when I used to sing in a jazz band, Some
Day My Prince Will Come was in the Jazz Fake Book!

What is your favourite Disney Princess and would
you ever consider a role in a future film?

Elsa & Anna (Frozen) And not just because it’s
the most recent movie. And Rapunzel. And YES, of course!

Back to the music. Since introducing yourself
and your music with the appearance of Afterglow this year, what have you learnt
so far?

A good friend of mine has the perfect quote to answer this question. I
was going through a tough time and was getting anxious and impatient, and said,
“All I want, is to move the world”.
He replied with, “Be yourself and the world will
move with you”. It was so profound, I even
wrote it in my note book there and then! I have learnt that in this industry,
there is a lot of pressure to try and fit yourself into a box in which you don’t
belong. I am so happy doing what I’m doing and
am so grateful to have the opportunity to do it. If it makes other people happy
too, then that is immensely special.

Although its early days –what you say to other singer-songwriters
starting out tracing the same path as your own?

Don’t pay attention to what
everyone says you should be doing, stick to what makes you happy. Don’t
be precious with your material or your technique - listen to criticism, take it
in and then say yes or no. Take every opportunity presented to you
(within reason). And only surround yourself with people who enrich your life.
Learn something from everything and everyone.

Some quarters have begun to draw comparisons to
Karen Carpenter (in relation to the voice) and Adele (in relation of being a
young & exciting new female singer-songwriter). How does that feel?

Well, they are huge compliments as both are exceptional artists. There was no other like Karen and there never will be again. Karen is undoubtedly one of my favourite all time female singers. I adore her voice. If people say if I move them in a similar way to how Karen did then that is a great honour. And to be spoken about alongside Adele is amazing - she defies any trend or genre and has achieved an enormous amount of success in such a short space of time. I would love to meet her.

I get the sense your most happiest both on stage
but also in the studio too.Right?

I love both. Creating (studio) and sharing (stage).

Who else would you love to bring into your
writing and recording sessions?

I would love to work with David Foster - I think he is a wonderful producer
and songwriter, with such a great ability to work with distinctive voices.
Also, Diane Warren is such a great songwriter - I would love to hear what she
would write for me, or even collaborate with her…Burt Bacharach would be fantastic, as I grew up
with so much of his music. And Barry Manilow - I think he is one of the most
underrated songwriters and producers of our time. What a wonderful gift. I
listen to his songs constantly; he is a big influence. Also,
Jake Shears and Rufus Wainwright are two writers I would love to work with.
Rufus Wainwright wrote Going To A Town on George Michael’s Symphonica album and I
adore it. And Jake Shears is a brilliant songwriter.And Richard Carpenter is just incredible. His songs and arrangement
have always been a big inspiration to me and that music, very close to my
heart.

Would you ever consider ever a collaboration
that is outside your current sound/direction? Perhaps a dance/house release.
Like what Judie Tzuke did with the Freemasons? I could hear a special dance
hook-up with Freemasons working especially with your voice.

Definitely. I think this would be a great way to reach another
audience, that might not otherwise discover my music. Also, this would be such
a great experience.

And, would you ever commission a dance remix of
one of your singles? And if so –who
would you most like to see take your song and bring it to the dancefloors……??

Mark Ronson. I think he is so brilliant at merging genres and would
love to hear what he’d do with my voice and one of
my songs.

What song do you wish you’d
written?

A Song For You, written by Leon Russell.

I love A Song For You! Such beautiful song
writing. Why do you wish you’d
written that song in particular?

For me, this song is flawless. I feel incredibly connected to the
lyric. I love everything about where the melody takes the voice. The Carpenters’version is my favourite, but I also love Donny
Hathaway’s version. I can’t
really explain any more why this song in particular. Occasionally a song comes
alone and it hits every spot it possibly could inside you. This does that to
me. “I love you in a place where there’s
no space, or time. I love you for in my life, you are a friend of mine. And
when my life is over, remember when we were together. We were alone and I was
singing this song to you”. Perfection.

Do you think she'll release a cd of her songs soon? Even if it is just an EP. I love her music. She doesn't remind me of Adele though! It is good she writes all her song. Except the covers. Will she release music in the US properly?

Nero, that way I've got an album by Harriet. Its not the best solution (especially as Christmas songs aren't my favourite type of songs).

But.

I too can't wait for her REAL ALBUM!!! I love that her favourite song is Song For You. It is one my all time favourites. She should cover it. Though I do love her originals. Much prefer originals!!!!!!

Her talent resembles influences of many female artists from the 70's and 80's..... as all who sing until they come into their own. I've noticed she sounds somewhat like Karen Carpenter but also Amy Grant, Enya and also Olivia (who Harriet could pass as her niece).

I'm glad to read she's doing more in the new year. I heard First and Last the other day on the radio and i have to say that that while her ballads are beautiful (perhaps the best things i've heard all year)...i found myself loving First and Last most. She has a stunning tone to her voice and a wonderful grace to her singing. one to watch. I