Tag: Guns of Ivrea

It’s publication week for The Guns of Ivrea, my first secondary-world fantasy which combines traditional epic swashbuckling with a slightly contemporary edge. Set in a renaissance-like Mediterranean world, the story revolves around a set of characters that couldn’t be more different yet find themselves implacably drawn together. It has
mermen and mermaids, monks and mantichora, pirates and princes, ship battles and tavern brawls, and some inter-species romance to boot. You see, I had a conceit to pen a novel that evoked a 15th century-style fantasy, something that might not have been out of place on a table in Milan, Pisa or Venice when the Borgias were throwing their weight around and daVinci was sketching, painting and experimenting. I don’t know if I succeeded but it was a hell of a lot of fun to write it anyway.

It was also a bit of a challenge. The mechanics of writing an adventure novel with an aquatic species of humanoid needed some thinking. People have been writing about merfolk for centuries, but to sustain a mermaid character at book-length, in particular one that has a huge amount of interaction with the world of land-dwelling men, meant I had to consider some new ways of imagining what merfolk would look like. I took a cue from dolphins so my merfolk are actually air-breathing (with great diving abilities like marine mammals), blue-grey skin, and can survive out of the water (for a time). The big difference is that they have two legs. Sorry to disappoint those who have a thing for scales and tails but a woman who is a fish from the waist down tends to put a limit on the scope of a fulfilling romance.

Being an epic fantasy the book naturally has a variety of villains and villainesses, both major and minor. And with a few notable exceptions, most of the inhabitants could be considered to fall in the category of self-interested “grey” rather than white hats. Which, let’s face it, is the way of the world in much of real life. When I first started writing the novel my intention had been to be much more retro and binary: clear good-guys and clear baddies. But very quickly I realised that the possibilities and nuances of the “grey” character would be much more interesting for readers—and the writer. You will find magic in The Guns of Ivrea but no duelling wizards with staffs. It is a much more subtle kind of magic that is supernatural and religious-based, rather than lightning bolts from the fingertips. I found this allowed more scope for building menace and dread around the leading dark character, Lady Lucinda della Rovera.

I’m currently in the final stages on a sequel entitled The Witch of Torinia, which will be published next year. That’s the thing with world-building in fantasy: once those people and places come to life, that world expands and those living in it take the ship’s wheel right out of your hands.