News reportage and analysis, criminal conspiracy investigations, general threat assessments and Information extractions from the memory hole. As well as insights and commentaries on the captive existence that we all experience currently as life under siege.

04 April, 2012

Friends, enemies and good readers, as anticipated, Killing Joke have released their latest CD Monday. However, going forward, I cannot in all good conscience support them any longer due to the fundamental contradictions they display. On the one hand, they produce vibrant, articulate musical outrage coupled with a unifying message, performed with organic thunder with deftness of musical proficiency. This, in contrast, appears to be only one facet of their being and beneath it lurks some diabolical affiliations and seriously nefarious interests that I personally cannot abide by, much less promote. I'm a man of truth and always have been, no matter where it takes me or to whom its barrel is levelled. Truth is truth, and reality is undeniably reality, stark and unyielding. It has always been my mission to wield this particular sword with the utmost objectivity and to the best of my mortal ability. If we don't have simple, raw truth, then all that remains are lies and the accompanying delusion which binds us to that which we are attempting to transcend.

Through email correspondence with a regular reader of my blog, who's a rather steadfast fellow on the path of justice and veracity. I was alerted by him to some rather disturbing facts about Jaz Coleman, Geordie Walker and Killing Joke in general, that I had somehow overlooked. Namely the matter of their affiliation with satanism in the form of lauding the works of one Aleister Crowley, and his particular brand of Golden Dawn/Ordo Templi Orientis magick. This, in addition to their incorporation of Rosecrusianism, Kabbalah, Druidry, elements of Freemasonry, and other occult sources of unholy power. This is not conjecture and instead a great part of this is readily admitted by Mr. Coleman himself in interviews. By Killing Joke's own admission, and in other biographical documents, they state that these are the interests that they infuse into their persona and music. So, therefore, this wickedness is summoned and carried forth into the minds and consciousness of their fans an audience. These satanic works and the long dead Mr. Crowley, all represent everything our collective enemies love and the impetus of everything that currently slithers beneath us, undermining our security, lives and freedom.

It was no joy for me hearing that in 1982 when Jaz Coleman and Geordie Walker effectively disbanded Killing Joke and moved to Iceland. They did so to seek solace and space to enact an elabourate, demonic ritual known as 'Abramelin Working' . For a frame of reference, Wikipedia defines this satanic invocation as follows: "During the period of the work, the magician must daily pray before sunrise and again at sunset. During this preparatory phase, there are many restrictions: chastity must be observed, alcoholic beverages refused, and the magician must conduct his business with scrupulous fairness.

After the preparatory phase has been successfully completed, the magician's Holy Guardian Angel will appear and reveal magical secrets. Once this is accomplished, the magician must evoke the twelve Kings and Dukes of Hell (Lucifer, Satan, Leviathan, Belial, etc.) and bind them. Thereby, the magician gains command of them in his own mental universe, and removes their negative influence from his life. Further, these spirits must deliver a number of familiar spirits (four principal familiars, and several more associated with a set of magical word-square talismans provided in the Abramelin's Book Four).

The magical goals for which the demons can be employed are typical of those found in grimoires: the practitioner is promised the ability to find buried treasure, cast love charms, the ability of magical flight, and the secret of invisibility, to list a small number of examples".

The post continues by stating: "For Coleman a one world government is necessary to curb the irresponsibility that’s grown from corporate manipulations of the populace, and to somehow control the dangers of over population and wars that have marked the 20th century".

What does Jaz think of conspiracies that he alludes to in Killing Joke's songs? In an interview for Invisible Oranges he promulgated "I don’t care for the whole conspiracy culture. I certainly don’t buy into most of it. But I do buy into the fact that there is a secret history of the world. There’s two histories. There’s a history for the ordinary, and there is a history for the initiated or enlightened. It’s always been the case throughout history". He continues, "You could also live in a state of fucking paranoia as well that drives you mad. A lot of the things that drive conspiracy theories are phantoms. What makes you think anyone gives a flying monkey about half of our lives? Most of us aren’t terrorists or terrorist material, and I think half the time all the conspiracy culture is fuelled by fantasists. But it sells, doesn’t it?" It certainly does Jaz, quite a Janus-like turnabout, for it seems to reveal that for him, so-called conspiracies are nothing more than a band marketing gimmick to lure in the youth.

Coleman then pontificates on his view of how the state of the world should be managed. "The biggest problem is how to tell the subcontinent of India not to reproduce. Part of it is education. Gandhi tried this – [offering] free radios for sterilisation. There needs to be mass education and taxes on people for every child. In schoolbooks, there should be no positive associations with childbirth. That would be a good start." Really Jaz? More than a bit hypocritical, since you bloody well have three fucking children of your own. For crypto-Eugenicist promoters, what they say is never, ever, supposed to apply to them or their brood, that's rules for the rabble.

On global management he states: "The only logical answer is to divide the world into four blocks. The Americas, the European Union, The African Union, and the Asia-Pacific Union. Then a world council that will be annexed onto the exiting U.N. That’s the only way to solve all of these problems effectively at once. And now you see! It could still go two ways. It could be the dream of Beethoven and Schiller, the brotherhood of man. Or it could be an authoritarian model. We have a choice there also". Well done Jaz, you've managed to articulate the exact same rubbish and agenda that our enemies wish to create. That's just a coincidence though eh? Cut the world into more easily managed sectors for the predators to control and if it wasn't for their rapacious greed (Greece financial plunder), it would be well on it's way.

Like a loose thread in a ratty, old sweater, the background on Jaz Coleman and his bizarre philosophies and bankrupt postulations come apart the more I pull at it. I'll leave any further investigation to those in dire need of more vomitous examples, as now I am thoroughly sickened and ashamed that I ever recommended them to anyone. I apologise, for in my zeal and haste for promoting the progressive, I let sentimentality and loyalty get the better of me and I should have absolutely fucking known better. Now I feel cheated, deceived, betrayed and pissed off, and I'll come away with this an even harder and distrustful man, more well for the lesson.

As those of you who know me virtually through my writing, you know that evil and the worship of it is something I cannot stomach, condone nor ignorantly propagate. Had I taken the time to investigate them further I would have, should have sussed it out, and perhaps I carry the guilt of failing to do so.The dialectic reality is that one cannot server two masters, and the fact that Killing Joke has these inherent contradictions, makes me as both a (former) supporter and fan confront an ugly actuality that Jaz and company are perhaps taking the piss at our expense. Using our collective and growing hunger for justice to propel another more covert agenda. Go to www.killingjoke.com and watch the intro which is an interview with Jaz, interspersed with some rather repugnant and symbolism laden publicity shots (VigilantCitizen and Aferrismoon should have a field day there).

Once again I learned the lesson eternal — always… always… be careful of whom and what you ally yourself to, always be focused and vigilant. In all honesty though, I had been a fan of Killing Joke pretty much when they started and I never saw this dark side until very, very, recently. With the advent of the internet, now nothing can be concealed for long and evidence can be found with persistence and patience. Lately it seems Jaz has become more candid, more open about their dark proclivities and its influence . Since discovering this new and rather ugly reality, I've struggled with trying to resolve this contradiction and my moral response to it. I could just ignore it all and accept the music at face value, but I've reached a crossroads and cannot reconcile the two. So, what we have is a band seemingly all about energising their audience with catalytic lyrics that reveal and inspire progressive ideas. Converse to this, is that the band plays about with satanic powers, performs rituals and is influenced by the satanic personages whom manifested and articulated them. Rolling about in the very same dark arts worshipped and utilised by those who seek to enslave us. As they revel in and incorporate into every aspect of warfare they deploy as PSYOPS and vile policy against us. Evil no longer hides in shadows, instead it lurks in the plain sight of the 'Revelation of the Method', mocking us all as a "killing joke".

I think this all has affected me so profoundly is because I was such an a fan of theirs for many years and sung their praises. That being said, if I didn't pass this information onto my readers, I would be derelict in my duties and an outright hypocrite. To conceal this truth would undermine the foundation of truth that I've established here and that is something counter to everything I stand for and believe. So here we are, and it is what it is, and I am coming from a political standpoint and not a religious one. Though I am versed in the teachings of many religions, and taken the best teachings from each, religion has always been a personal matter that I am perpetually analysing and updating. It doesn't have a place in political investigations which require sharp eyes, lightning analysis and objectivity.

Ultimately bands, much like favourite leaders or personalities, are to be viewed as simply tram rides, that you board and ride for a short while and then disembark when the journey has ended. Only a fool rides all the way to the end of a line they do not command the direction of. Mindlessly dispensing full trust only to conclude embarrassingly that they should have gotten off well earlier. History well documents case after case of people who rode their trams with mad drivers who jettison their vehicles whilst driving, leaving all to perish. Or the driver who runs it straight off a cliff killing all passengers aboard. So-called leaders and all personalities are just bus rides for your journey and edification, just keep your eyes open and try not to sleep past your stop. At one point I rode the David Icke and Alex Jones bus lines, as well as a number of other trams travelling towards my destination. At the time they all seemed proper, fit and mapped to my journey, and I travelled on them until they diverted from that path. To which I promptly stood up, disembarked at the next stop, boarded another tram and rode a bit further on that line. This is life, and you must take control of navigating your way to where you need to go. This has served me well in all my years and I encourage you all to do the very same. Which is why it's nothing for me to ring the bell and get off the Killing Joke bus. I'll keep walking down the road and then board another travelling in the correct direction.