It is so international that I didn’t have any problem finding my audiodubbing people for Hungry bears don’t dance.
We did some location scouting but the nightlife was interfering the scouting performances.

The monthly returning Rialto podium stand dominated by special shows. Especially because always a particular guest enters the podium: the regisseur of the film, a film expert or someone from the world of art or political. Saturday 16 January it is the turn to scenario writer Martin Koolhoven. In Rialto he shares of its favoriete films with public: The Great Silence van Sergio Corbucci. The monthly returning Rialto podium stand dominated by special shows. Especially because always a particular guest enters the podium: the regisseur of the film, a film expert or someone from the world of art or political. Saturday 16 January it is the turn to scenario writer Martin Koolhoven. In Rialto he shares of its favoriete films with public: The Great Silence van Sergio Corbucci. Martin Koolhoven (The Hague, 1969) knew of young that he wants finish in the film industry. After completion of several (film) training he started its career in the film world with manufacturing a number of short drama productions. In 2001, made he are cinema debut with the thriller AmnesiA. He since then made long films still six, which both artistic recognition (the cave, the south) him brought, and commercial success (the escalope paradise, war winter). Rialto asked cabbage courts a favoriete choose film. Its choice fell on the spaghetti western The Great Silence. Before the vertoning cabbage courts comment its choice. The Great Silence Sergio Corbucci | Italy, France | 1968 | 105 \ \ \ ’ | Italian spoken spaghetti western without peer, which has reached cultstatus thanks to its unvarnished grimmigheid. Utah, 1899: the completely amoral and cruel premium hunter Loco (Klaus chin ski) frequently plays right and executioner in its relentless hunting on wretches which what stole food to survive. \ \ \ ’ Wanted: dead or alive \ \ \ ’ only \ \ \ ’ mean for Loco; dead \ \ \ '. Pauline, the widow of of Loco \ \ \ ’ s victims, like on revenge: they rents the stomme revolver hero Silenzio (Jean-Louis Trintignant) in to settle up with Loco. Also Silenzio \ \ \ ’ s mainspring is revenge.

Watched this yesterday and I thought it was brilliant. Really more of a period psychological drama than a western in its most conventional sense but no less brutal for it. Possibly my favourite film of 2017 so far; certainly one of them, anyway. That’s two cracking films inside the last year from Dakota Fanning (along with The Neon Demon).