PowerPoint Slideshow about 'ETHAN FROME' - tyme

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In Ethan Frome, Wharton explores the concept of determinism—the idea that human lives are determined by outside forces, including social customs, heredity, environment, history, and laws of nature. For instance, Ethan’slife is “determined” in a variety of ways: his desire to become an engineer is thwarted by the moral necessity of returning to Starkfield to care for his dying parents; his plans to leave Starkfield after his marriage are thwarted by the infertility of his farm, which no one wants to buy, and his wife Zeena’s “sickliness;” and Ethan‘s desire to abandon Zeena in favor of Mattie is blocked by the feeling, ingrained in him by his New England culture with its Puritan roots, that such an action would be immoral. As a result, Ethan has the sense that he is helpless to affect his own life and, rather than acting, he indulges in his naïve wish that Mattie will always live at the farm without him having to do anything decisive at all

Ethan struggles against the customs and rules of society, fighting an inner battle between what he feels he needs in order to be happy and what he feels he must do to appease his family and society. Most prominently, this theme plays out in Ethan’s struggle between his desire for Mattie and his sense of duty toward Zeena, his wife.

As in many of Wharton’s novels, Ethan Frome makes the case that traditional gender roles limit the potential of men and women, and destroy male-female relationships. Through Mattie, the novel critiques gender expectations that resulted in young women being raised to become nothing more than domestic servants and companions for men.

In the rural Berkshires where Ethan Frome is set, the characters are at the mercy of nature. The short New England growing season and thin mountain soils discouraged large-scale agriculture, ensuring that most farms, like the Frome farm, allowed for only “subsistence” farming that prevented farm owners from overcoming poverty. In addition, as Harmon Gow’s comment thatEthan has “been in Starkfield too many winters” suggests, the prolonged and brutal winters of the region had a profound effect on the personalities of the inhabitants of rural villages, resulting in reserved social behavior, a tendency toward pathological illness (especially in women), and a sense of disconnectedness from the larger world

The most important use of symbolic imagery in Ethan Frome is the winter setting, which is first described in the prologue and is carried throughout the main story. Harmon Gow's assessment of Ethan Frome early in the prologue is that he has endured too many Starkfield winters. From that point on, winter presides over the tragedy in all its manifestations of snow, ice, wind, cold, darkness, and death. The Narrator speculates that the winters in Ethan's past must have brought about a suppression of life and spirit. Winter is also symbolic of the isolation, loneliness, and immobility that Ethan experiences.

The name of the town, Starkfield, symbolizes the devastating and isolating effects of the harsh winters on the land and the men who work the land. The name is also symbolic of the stark and carefully composed prose Wharton used to writethe story

Other symbols include the dead vine on the front porch of Fromes' farmhouse that symbolizes the dead and dying spirits that inhabit the house and its adjacent graveyard, the farmhouse itself that has lost the "L" seems to be symbolic of Ethan (the house looks "forlorn" and "lonely"), it stands alone without support — isolated and lonely.

In the two key scenes when Mattie and Ethan are alone together—outside the church after the dance and in the Frome house on the evening of Zeena’s absence—Wharton emphasizes that Mattie wears red. At the dance she wears a red scarf, and for the evening alone she puts a red ribbon in her hair. Red is the color of blood, ruddiness, good health, and vitality, all of which Mattie has in abundance, and all of which Zeena lacks. In the oppressive white landscape of Starkfield, red stands out, just as Mattie stands out in the oppressive landscape of Ethan’s life. Red is also the color of transgression and sin—the trademark color of the devil—especially in New England, where in Puritan times adulterers were forced to wear red A’s on their clothes (a punishment immortalized in Nathaniel Hawthorne’s The Scarlet Letter). Thus, Mattie’s scarlet adornments also symbolize her role as Ethan’s temptress toward moral transgression

The breaking of the dish, Zeena’s favorite wedding present, symbolizes the disintegration of the Frome marriage. Zeena’s anguish over the broken dish manifests her deeper anguish over her fractured relationship

Irony pervades Ethan Frome, in the sense that the natural, expected outcome of every incident is subverted: the worst possible thing happens each time. Ethan should be a successful engineer, but after he breaks off his studies to care for his parents, he must settle for farming, for which he has neither inclination nor especial talent. Ethan and Mattie's first evening together should be a romantic idyll, but descends into distress after the pickle dish is broken. During this evening, Zeena should be absent at the doctor's, but the cat acts as her 'agent' and comes between Ethan and Mattie.The most terrible irony is the failed suicide pact. Instead of being united in glorious death, Ethan and Mattie are crippled and sentenced to living with Zeena forever.