C.T. Adams is a U.S.A. Today Bestselling Author who writes both individually and as co-author with Cathy L. Clamp. Our new joint pen name is Cat Adams. This is Cie's Blog. View and Participate AT YOUR OWN RISK (BWA, HA, HA, HA!!!)

Wednesday, December 14, 2011

VISITING DIGNITARY - DAVID BOOP

Everything
You Wanted to Know about Publishing (Since You Were Going to Ask Anyway.)

By David
Boop

I was recently asked to sit on a
panel for a local writer’s meet-up on the topic of “Building Suspense in Your
Mysteries” with two other colleagues of mine. After discussing our respective careers, we
decided to ask if there was anything in particular they wanted us to focus
on. A shy hand raised up and asked, “So
just how do you get published?” Nearly two hours later, we never addressed the
topic we’d shown up for. (It is also interesting to note, that when polled,
only two out of the dozen or so people attending actually wrote mysteries.)

You all are hungry to be read. You
wouldn’t be reading a blog from an author on the topic of writing if you
weren’t. Heck, you’re even reading the guest blog from a hack such as myself.
That’s dedication to the craft if I’ve ever seen it. You’ve probably just
completed a month of fitting in a couple thousand words a day in between kids
pageants, prepping turkeys, making up guest rooms and subtly telling your S.O.
what you want for Christmas, knowing full well he/she won’t get it in the right
color or size. Now you have something - a manuscript, a novella, a chunk of
your soul - throbbing, desperate to make its mark on the world. You know it
needs editing, or completing, or revising, or… and many writers feel this way…
deleting. I mean, after all, who is going to publish you… the retail manager,
the domestic goddess, the retiree?

I’m here to tell you the truth.

Nobody will publish you AND
everybody will publish you.

No, stop with the accolades. I can
just hear you out there saying, “Oh, thank you, St. Dave. That makes everything
clearer. I was so worried, but you’ve shown me the light!”

Seriously, before you light the
torches and make your way to Denver, let me explain. When I was asked, “How do
you get published?” I answered, “There are as many ways to get published as
there are stories waiting to be published.” I could have gone with the Kevin
Costner, “as many ways as there are stars in the sky,” but then I’d have to do
my little tatanka dance, and really, no one wants to see that.

Every author I know has been
published in a different way than the next. Few actually go through the
recommend steps as taught in colleges, on panels and during lectures. They made
their own way to publishing, as you will yourself.Some claim that the only road to
true success is to be published through a traditional press. You know, the old
guard, the men (and women) in the white towers who pay you an advance, edit
your story, turn it into a book, get that book into bookstores, get it reviewed
by well-respected critics, and place you on the New York Times Bestseller list.
Those people aren’t wrong. Along with that, however, you have
to take pennies for your work, loss of creative control, a token marketing
effort and sometimes being lost in the shadow of the authors already making
them money. It’s a horrible, frustrating road that involves countless rejection
letters and spending money you don’t have to attend conventions, conferences
and networking opportunities. It involves putting yourself out there, making
them read you, critique you, judge you. And for many of us, in the end, when
you walk through that Barnes and Nobles and see your book next to one of your
idols, worth every sacrifice. The number of authors who have succeeded this way
is about the same as those who didn’t. Your chances are even. This is my
current path and, as a brother in the trenches, I salute you!

In the opposite extreme, there are
those writers who have embarked on that quest and gave up, or were scared off
from it by people like me who told them the truth about it. They have decided
to self-publish their work via print-on-demand (POD) publishers or to e-publish,
or both. Many once, and currently successful authors will speak on this, and
they have more experience than I, but having working in the POD field, I will
share what I know. First, if you do not have the
resources to have your manuscript edited by a professional, experienced-in-the-publishing-field
editor, don’t go down this route. There is nothing worse than shelling out
nearly $20 for a trade paperback book and find five typos in the first chapter.
(And don’t get me started on grammar, pacing, POV and the like. The typos were
bad enough!) Someone who understands
plots, the Hero’s Journey (even if you’re defying it,) and transformation of
character. Nothing will turn a reader off to any and all future endeavors
you’ll embark upon if you cannot tell a good story. So why risk this? It’ll be nearly
impossible to get it reviewed by legitimate sources. You won’t make Oprah’s
book list. You’ll be treated differently by many authors (justified or not.) Well, after your initial investment,
you make all the profit, which sometimes can be substantial. You’ll be in
control of your destiny. You can make things happen with your book traditional
publishers would never consider. I’ve seen SP authors win major competitions,
get their works turned into movies, and sit on panels with Hugo nominees
carrying on intelligent conversations. I think some mediums work better for
self-publishing than others, such as children’s books, non-fiction and poetry,
but I’ve seen someone defy the rules in every genre.Somewhere between traditional and
self-publishing is the uncharted territory of small press. These golden shores
offer a publisher for each and every genre known to man and woman. I know a
publisher that focuses exclusively in gay pirate stories and does quite well at
them. And small press doesn’t mean small by any stretch of the imagination.
Independent publishers have won Hugos and Nebulas, and turned series into video
games, comics and films. They do get books into stores, though usually not as
many, and only after a successful track record. Editors of small presses are
more approachable at conventions and the like. They are more willing to take
chances on something that otherwise wouldn’t fit the norm. They are tech savvy,
as hungry for success as you and have been known to cry when a book they
believed in hasn’t taken off. They pay everything from pro rates to only shared
royalties. They’ll make you part of
their street team, showing you off all over the world.The only disadvantage is… they’re
breeding like horny, little bunnies and not all of them have cleaned the
afterbirth from their fur yet. You never know what you might get. I’ve heard
horror stories about big name Independents not paying on time, or not
accurately, or not at all. Who am I kidding? I’ve been in that horror story. I’m
the guy that Jason machetes while watching his sister make it with her
boyfriend. And I’d do it all over again.
I had a beautiful novel, which sold really well until I pulled it from the
publisher for not paying me on time, or accurately. It happens to the best of
us. I deliberately didn’t touch on
agents, as I’ve run out of space. Or sleeping with editors to get published
(don’t do it. Unless they’re hot. Then forget the book and marry the
editor.) Or a myriad of other ways writers
have become authors. George R. R. Martin suggested finding a patron of the arts
to marry, so you can focus all your time on writing. So, as I leave you to go
log into SugarMamma.com, I’ll pass along these last words…If you want to get published, and
your writing is sound, you’ll get published. Not tomorrow. Probably not the
next day either. You’ll get published your way. And then you’ll know how to answer the question, “How do you get
published?” next time you show up for a panel on suspense.

***********************

David Boop is a Denver-based single father, returning
college student, full-time employee and published author. His first novel, the
sci-fi noir, She Murdered Me with Science,
came out in 08. He’s also had over a dozen short stories and novellas published
in many genres. His most recent appears in The
Green Hornet Casefiles. He travels all over the country speaking at
conventions, libraries and schools on writing and publishing. Dave’s hobbies
include film, anime, Mayan history and The Blues. To find out more, visit
www.davidboop.com.

And now to the interview portion:

HI!

It's good to hear from you again. It's been a while. I understand you've been
very busy. What have you been working on?

Thanks for having me aboard! Yes, it’s been
far too long. Well, besides conventions, I’ve been working on the follow-up to
my first novel, She Murdered Me with
Science. It’s going to be called, Murdered
in a Mechanical World (and I’m a Mechanical Girl!) Once again, Noel R.
Glass, forensics detective in 1955 must wrestle his demons and save the world
from destruction. I’ve also sold seven short stories and novellas between
2010-11 (including my first media tie-in based on The Green Hornet T.V. series from the sixties.) In addition, I
changed agents, and she has two outlines for novels, one fantasy, one a
paranormal police procedural.
What releases do you have coming out in 2012? (ASIDE, would you like them
listed on the calendar I have on the website for readers to see what's coming
from folks I know and those I've featured?)

The only thing I can say about 2012 is that
there are a lot of irons in the fire, from novels, comics and films. Nothing I
can speak of yet, save to say I’ve been invited to another anthology based on a
different sixties T.V. series, this one a bit sexier than the Hornet.

How many books have you written? Can you give us the titles?

The aforementioned novel is my only
completed. Because of the amount of research it takes to write a Noel Glass
novel, it takes me years to complete one. I do a lot of research to make sure
the fifties I write about is as real as the fifties in our reality. The
outlines for the other two novels didn’t take as long, as they didn’t require
the same level of research.
If you had to be “stuck in an elevator” with one of your characters for several
hours, who would it be and what would you talk about?

Definitely not Wan Lee. He’s been known to
stink up a place with his perchance for spicy food. Probably, the assassin Degna
Sagese from “Justice is Not Taken By the Storm,” featured in Space Sirens. She’s unconventionally hot,
intelligent and willing to take chances. That is, if I’m not on her hit list.
If you could change one of your characters, which one would it be and why?

Noel R. Glass’s transformation took a
little longer in the first book than I’d like, but that’s what the story
dictated. The reason I wanted to write a second one was to show a whole Noel,
at the top of his game. He’s a fully realized man now, which is why I have to
screw that up by the end of the second book.
Do you listen to music as you write? If so, which artists? What is your
playlist?

I tend to do a lot of Blues when writing
noir, but usually, I don’t play music. I love music too much and invest in the
songs, pulling me away from my writer’s trance. It’s been harder to get in
these days, due to life demanding my attention, so when I get there, I need to
focus.
What hobbies do you use to relax? Do you have a day job? If so, doing what?

By the time I get home, or finish writing,
I’m wiped, so I tend to zone out on TV. I recently took up watching hockey,
after being a “football only” person for many years. I also DVR all the current
spec-fic series and try to catch up as I can. I recently left a job as a
mailroom supervisor and I’m going back into audio-visual work. It’s what my
first and second degrees were based on and I decided to use them again. I’m
also working on my third one, English BA, which I hope to have completed in two
years.My son also goes to an online school, so I
work with him a lot, which is almost like being a part-time teacher.

The business of writing is changing rapidly. Do you find the change scary?
Invigorating? How (if at all) have you changed your career plans/path as a
result?
I hate that I’ve gotten so close to the golden ring, and may never see it.
Hardback books are all but gone unless you have a Martin or King as your last
name. I may never have a dust cover book, and that makes me sad. However, there
are untapped possibilities for the new medium. We may see the return of hypertext-style
stories, or more illustrations and animations. On the agent front, the roles of
agents are changing from marketers to accountant-lawyers. We’ll see more of
them fighting in the trenches for author rights, than making sales. I’ve had
four agents over the years, and not one made a sale for me. Mind you, the first
two don’t count, as my writing was really shit back then. I’m just a good
salesman.

What is one key bit of advice you would give to a prospective writer?

1.Join a writer’s group that has the sole purpose of making
sure everyone gets published.

2.Have someone reliable edit your work outside the group.

3.Go to conventions, attend panels, listen to those that
have gone through this already, and network.

Thanks for visiting, David. This was very informative. I talk to a lot of authors who wear many hats and it appears you are no exception. Bravo to you sir, I know being a single parent in college is hard, throw in the writing and I wonder how you get it all done. Loved the interview. Looking forward to reading your work.

WOW I am tired just reading all the ins and outs, how does one ever get a book written much less out there when time it takes to get the process started is so all consuming. Bravo Mr. Boop for not giving up, you are truly dedicated and I applaud that. Not sure how you have kept sane with all the hoops you seem to be juggling but good for you that they all seem to be staying in motion!

Thanks for the interesting post, as a reader not a writer it just confirms my thoughts that I will stay as I am turning pages of books other people have gone to so much trouble to make a reality.

I don't get everything done all the time. Sometimes you have to just be okay with that and hope for better luck next time. "Somedays the bull wins, senior." That's the punchline to an old joke. But it's relevant to writing, too.

Who says I'm sane? Muwahahaha!!! A famous bumpersticker once read, "Of course I listen to the voices in my head. I'm a writer." I especially like the demotivational poster that reads, "Madness: It's not always howling at the moon. Sometimes it's that the quiet voice you hear in the back of your head that says, 'Do you have room for one more?'"

Of course the process is tough. Nothing worth doing is easy. Learning a skill. Raising a child. Writing is just an extension of both processes. There are no overnight successes. There are no words that flow onto the page. If each word doesn't take a little bit of your soul with it each time you type it, then it's not art. You should love them, and hate them, all at the same time. But in the end, when someone tells you that those words touched them, then it's worth all the pain.