Follows a day in the life of two men living at either end of the music game. A successful rapper, A-Maze, is dealing with the pitfalls and trappings of his success and facing new challenges in the music business to get a check while the other, Young Eastie, is a young man struggling in a harsh world that is threatening to destroy him.

As Hannah Montana's popularity begins to take over her life, Miley Stewart, on the urging from her father takes a trip to her hometown of Crowley Corners, Tennessee to get some perspective on what matters in life the most.

Nemesis is the hottest rapper in rap's hottest city; Miami, the 305. But he has a little secret...he's not really a rapper. As a boy the artistic Nate Harris drew cartoons and dreamed of changing the world. A record label discovers Nate's talent, and offers to make him a star, as a rapper. They create Nemesis, a Hip Hop gangster designed to sell records and spit hate. Fame quickly follows, but at a price. The fans demand true street cred, and to get it, Nate's label turns a fellow rapper and former childhood friend against Nate, spawning a rap feud. The feud quickly escalates into a war, and Nate is trapped in the reality of the fiction he has created. Nate is faced with a choice: Either become a superstar by giving Hip-Hop what it wants; a war between two rap rivals, or, give it what it needs; destroy his real rival, the fictional character and become a true hero; he has the ability to save hip hop...but can he save himself?

A real estate developer goes to his 25th high school reunion without his wife, and finds his old teenage band playing. They get him up on stage for a couple of songs, and convince him come to a rehearsal. His wife is outraged that he played. His daughter thinks it's kind of cool. His Mother, in a retirement home, encourages him to enjoy life. He feels some temporary relief from the pressures of business complexities and the stress of marriage tensions. The band gets booked at a popular bar, which leads to a last minute booking to open for a reunion tour, with the possibility of additional tour dates. But the band has internal conflicts. He faces a tough decision to give it a shot even though it will affect his marriage, his family, particularly his daughter, and his business.

"The Boat That Rocked" is an ensemble comedy in which the romance takes place between the young people of the '60s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that, incomprehensibly, preferred jazz. The Count, a big, brash, American god of the airwaves; Quentin, the boss of Radio Rock — a pirate radio station in the middle of the North Sea that's populated by an eclectic crew of rock and roll DJs; Gavin, the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Dave, an ironic, intelligent and cruelly funny co-broadcaster; and a fearsome British government official out for blood against the drug takers and lawbreakers of a once-great nation.

Teenager Will Burton lives in his head, and his head is filled with music. When his mother, Karen Burton, gets a new job in New Jersey, Will starts his junior year at a new school only to find the old cliques still apply, but rock-n-roll rules the scene. Perpetually a misfit, Will strikes up a friendship with like-minded outsider Sa5m (the 5 is silent). They are both surprised when the school's "it" girl, Charlotte recruits Will to help assemble a band to compete in "Bandslam," a battle of the bands that is "Texas High School Football BIG." Charlotte's ex-boyfriend Ben Wheatly is poised to win with his band Glory Dogs - Springsteen wannabes down to their hats. For the first time in his life, Will finds he is uniquely suited to not only participate in something, but to truly make a difference.

Peter is a composer and a likable sad sack who's devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he's checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she's lost, and what about Rachel?

Though it's been some twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorcese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

The Rocker tells the story of a failed drummer who is given a second chance at fame. Robert "Fish" Fishman is the extremely dedicated and astoundingly passionate drummer for the eighties hair band Vesuvius, who is living the rock n' roll dream until he is unceremoniously kicked out of the band. Twenty years after his rock star fantasies are destroyed, just when Fish has finally given up all hope, he hears that his nephew's high school rock band A.D.D. is looking for a new drummer. They reluctantly make him the newest member of the band, giving him a chance to reclaim the rock God throne he's always thought he deserved, and taking the young band along for the ride of their lives.

Having been a part of a soul trio called "The Real Deal", Luise Hinds (Samuel L. Jackson) and Floyd Henderson (Bernie Mac) find themselves in the wilderness after the frontman Marcus Hook (John Legend) has left the band, made a solo career and reached the top of musical Olympus. But when he suddenly dies, two singers set up for a nostalgic tour across the country to win back their popularity. But it is not an easy task to stand each other after twenty years of separate living and working.

It's been three weeks, two days, and 23 hours since Tris broke up with Nick. And now here she is at his gig, with a new guy. How could she have moved on so fast? This begins the night of Nick, Norah and Manhattan. The night of stripping nuns, hotel ice rooms, Russian food, psychotic ex-boyfriends and lovingly trashy ex-girlfriends. It's the night of Julio and Salvatore. The night of holding hands and writing songs and singing in the rain. It's a night they'll never forget.

Blackly comic, music-infused biopic about the life - and tragic death - of maverick British songwriter and record producer Joe Meek. Flamboyantly gay in a time when homosexuality remained outlawed, tone deaf, drug addicted, famously paranoid and obsessed with black magic, Meek (Con O'Neill) was responsible for a string of 1960s chart-toppers including 'Have I the Right', 'Just Like Eddie', 'Johnny, Remember Me' and the groundbreaking 'Telstar'. Kevin Spacey co-stars as 'Major' Wilfred Banks, the businessman who bankrolls Meeks's home studio at 304 Holloway Road in North London.

Who will you root for in this laugh-out-loud rockumentary about a Christian Battle of the Bands? Wrathful Old Testament hip-hoppers Sons of Abraham or born-again hard-rockers Savior? Lapsed Catholic Angie Hynes, who's gone from punk to country in search of success, or the folksy love-fest of harmony-laden trio Glory Authority? A recording contract awaits the winner. Who that will be, only God, and perhaps the promoter, knows.

Raymond Ayala (better known as Daddy Yankee) stars as Edgar Dinero, an angry young man from the slums of Puerto Rico who gets tangled between the thug life of his neighborhood and the beat of his barrio. On that path Edgar encounters disruption among his crew men while falling in love with an uptown girl, whom "Dinero" must conceal his strong ties with the violent barrio underworld. Edgar may run, but is unable to hide from the scores of corrupt cops and the full blown war for the "Caserio" among his men. Soon enough Edgar must face the question. Would he die as the "Cangri" of the underworld or would he live as the "Big Boss" of Reggaetón?