The Basics - Keep Your Friends Close (2009)

The Basics

Keep Your Friends Close

Tracks1. Fear Of Failure2. With This Ship3. The Day Mairead Goes Away4. Home Again5. What Do You See In Me?6. The No. 1 Cause Of Death Amongst Youth Today7. Trouble In My Head8. The Executioner9. Keep The Door Open10. All Or Nothing

Review by Liam Tracey

In 2004, a little three-piece from Melbourne called The Basics released their first long player, "Get Back".

You
only had to look at the cover of that album to see these three lads –
Kris Schroeder, Wally De Backer and then guitarist Michael Hubbard –
were retro rockers. They had matching outfits (smart ones, too), shaggy
haircuts and the blissful smiles that only true rock and roll can bring
to your face.

Fast forward to 2007 and there they are again
(now with new guitarist Tim Heath) in matching grey suits on the steps
of St Kilda’s iconic Espy.

In that time, The Basics developed what could, for all intents and purposes, be labelled a cult following. They were the reincarnation of The Beatles, the Kinks and everything else great about 60s rock.

A band can not let itself grow stale, though.

The Basics
know that and they know how to solve the problem: by evolving out of
the 1960s, moving from retrospective grey suits into hip, matching
wetsuits or perhaps nothing at all (see recent photoshoots if you need
a clearer picture).

2009 sees the release of The Basic's third
long player, "Keep Your Friends Close", an album with an all too
appropriate title. It wasn't too long ago that diehard fans at the East
Brunswick Club were given a sloppy threat of a final ever gig.

Thank god Mr Schroeder didn’t follow through with that.

If
you are familiar with The Basics in their live sense, "Keep Your
Friends Close" might actually sound quite familiar – they have been
road testing some of the songs for a while now.

Of course, that means that tracks like the formidable With This Ship had the practice it needed for the record.

As
a complete product, though, "Keep Your Friends Close" might surprise
even the closest to the band. It is a considerably softer record,
despite what the singles released thus far might say about it.

Add to that the fact the trio has ditched the retro sound almost entirely and you’ve got something quite new here.

Fear of Failure and All or Nothing act like bookends, placed at either end of the record respectively, encasing the contents between two gentle folk tunes.

The
aforementioned single is the real kick start to listening pleasure at
track two, though, and heads the record in the right direction. The
themes throughout the album cover relationships loved and lost, both
personally and as a band.

There are sadder undertones on the album, too, with the Heath penned and vocalised, Trouble in His Head. It is the lesser-seen sad side of The Basics. The Executioner shows a delightful twist on their sound, also, with Jake Mason adding some chilling saxophone.

There
is plenty that remains from the tried and true Basics sound, though,
none more prevalent than the amazing harmonies they have been so loved
for in the past. The Crowded House sounding, and heavily harmonised intro track, Fear of Failure, sees each member sharing the lead vocals and is an absolute pleasure.

What Do You See In Me? is arguably the best harmony culprit and you will find it hard to not want to add your own voice in.

As in most of The Basic's previous work, De Backer (who also helms the side project of Gotye)
and Schroeder share the vocal duties on all bar one track, and just
like on the previous two records, you will be struggling to decide
whose voice you love more.

Schroeder probably wins for having the majority of tracks on lead vocals; though if the remarkable Money had appeared here instead of on the "Like a Brother" EP, De Backer may have had the edge.

"Keep Your Friends Close" might not be what you expect from The Basics, but that is a very good thing.

What
they have delivered on album number three, aside from a selection of
great tracks, is evidence of their ability to evolve as musicians. The
flashbacks to the best times in rock and roll have been made, and we
loved them, but now it’s time for something impressively new.