56 C/kú SHERI\Y- NETHEPtIAN D / Stay here a night be- fore you arrange for fall or winter in town. Test the private-home luxury of these tower apartments, the tranquil and beautiful surroundings, the compe- tent domestic staff . . . and consider the economy of living here. FIFTH AVE. AT 59TH ST. NEW YORK . THE, AR. T GALLE,R.1E,5 The Taste of Today I T is scarcely 'fair to let autumn burst in upon us without uttering a word of thanks for two public exhibi- tions which are soon to close: one ....,. at the Metropoli- tan Museum and the other at the Mu- seum of Modern Art. "The Taste of Today in Masterpieces of Painting be- fore 1 900" is both handsome and in- genious. Any pretext that brings to the :Metropolitan a painting like "The Mountebank's Family," by Daumier, has well served its purpose; but this was only one of an excellent array that has been hanging all summer. Con- venience and historical logic usually keep one from seeing on the same wall three pictures like Brueghel's "Har- vesters," one of the most precious pos- sessions of the Metropolitan; a superb still life by Cézanne; and Delacroix's "L'Enlèvement de Rebecca," a scene out of Walter Scott. But what an ad- mirable eye and instinct put them together! The paintings actually seem- ed complementary-each still as fresh as an apple clinging to the same tree, I that tree which Mr. Albert Jay Nock lovingly calls the Great Tradition. Not · the least advantage of an exhibition like this is that it sets one examining once more what "the taste of today" is, and, since that is a subject for endless dIspu- tation, it tempts one to compose an ex- hibition of one's own. EI Greco was an inevitable choice; . but was Titian? True, the particular painting, "The Adoration of the Kings," obviously was. In this composition, Titian treated the beams and posts of the barn with the same intensity of interest as the Holy Family itseif-a thoroughly satis- factory design, provided that one ac- quiesced gracefully in this displace- ment of the subject. But Titian is not really very close to us; I should have preferred Piero della Frances- ca, or even Giovanni Bellini, whose landscape in "The Agony in the Gar- den," at the National Gallery in Lon- don, makes him seem curiously contem- porary. W HEN all is said and done, does Rubens belong, either? He has OCTOBER I, 1'32. o . ."." ". : .., 4:Þ 0 f'I co ,0 " " <:) <:J (\ 0 Co" c; .0 0 0 o Occooooog :::::'.:: 'j! . a' ._. f:I :({;'" . Sorry we can't send you our wines. But even without wine life is bearable if one can secure Roquefort veritable. And one can. Imported from France only. . . Sold in five-pound loaves . . . Also in Portions, repacked by leading U. S. distributors llh&t; 0(1 æI1Chet!4J!4 , For tl.ose in sear !I. of qualit" r .... .. TI -' -. '"2.ffi:. .., i t T" '::; :;'t,;: Itl;:.:t; :: . ;:\rrt ". "" t '; ',"'7 ' ; ^ ;j &d::_ _ _ "_,,, . Make your place beautiful O. CHARLES MEYER & CO., Inc. 37 & 39 W. 8th St. near 5th Ave. Specialists in care of fine homes and offices. Cabinet makers and Upholsterers. Fine Furniture and Draperies. Architectural paneling. Beam Ceilings. Paint and Grain your rooms any wood. Display rooms & Consultant at your disposal