The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

Archived Products

As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Photography Glossary

Nikon Imaging Apps

Nikon Apps include educational apps such as the Learn & Explore, NIKKOR and ACC and Manual Reader 2 apps, as well as the Nikon Image Space image sharing app and apps for connecting select cameras to a compatible smartphone or tablet via Wi-Fi (WMU and Connect to S810c).

Learn & Explore Tip of the Day

August 2, 2015

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

On photo sharing sites like Flickr you can often view the details of a photograph and take a look at the shutter speed, aperture, ISO and other settings. While this won’t teach you how to create a photo from scratch it will show you what technical choices photographers made to capture their images.

If your COOLPIX camera or NIKKOR lens has image stabilization (Nikon calls it Vibration Reduction), know when to use it and when to turn it off. If you don’t know how your stabilization system works, turn it off when you’re shooting with a tripod. If it doesn’t sense that the camera is solidly mounted, it can add movement while trying to reduce blur.

Always use your lens hood (if you have one) or buy a lens hood (if you don’t). The lens hood isn’t just good for preventing flare. It can keep you from losing the contrast of your images as well as protect your front lens element from raindrops too.

When shooting a portrait of an athlete, use fill flash (or flash turned on even in daylight) to light up the shadow areas under a hat or helmet. This will balance the light from the entire scene and light up the face. On a compact camera, the setting to choose is "Flash On."

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

If your camera can capture images in both RAW and JPEG format, do so even if you don’t work with RAW images now. These RAW files have the highest image quality possible, so you can edit them years from now and be sure you’re getting the best looking image possible.

Shooting a lightning storm can be exciting. Use a tripod and set you camera to record a long exposure. With DSLRs, 15 seconds is a good start, but you may have to use up to 30 seconds, or bulb setting (where the shutter stays open as long as you hold down the shutter button). Because you never know when the lightning will occur, keep shooting for best results. Remember to always keep a safe distance, and don’t forget the tripod to avoid blurry photos!

Take a self-portrait each day for a week or month (or a year). It’s harder than you think to take an attractive photo of yourself, and if you do it for long enough you’ll have an interesting series that shows how you’ve changed over time.

Look on photo sharing sites for inspiration for your next photo shoot. Pick a subject you want to photograph or a location and search for photos of that. You’ll see a wide array of different techniques and styles that will inspire you.

Don’t stop shooting after the action has finished in sports. Get in close on a happy or sad face … a celebration after a goal … or the dejection on the sideline after a loss. The emotion of the game speaks volumes and can really round out a series of pictures.

If you live in a city or near a big photo store, find a photographic rental house and rent a lens that you don’t have. Take a telephoto lens to a ball game or rent a wide-angle lens and take it camping. This will give you a chance to try a new piece of equipment and expand your photographic horizons.

You should format the memory card in your camera on a regular basis. By using the camera’s built-in “Format” function, found in the menus, you lessen the chance of having card problems in the future. Doing so is better than just deleting the images using the camera or the computer.

Take a step back. No, farther back. See what the scene looks like from far away to get perspective. Walk around it, to see it from different angles. There’s a tendency to rush up to something and take a photo, but if you look at it from different angles you’re more likely to find something you would otherwise have missed.

Most cameras with built-in flashes have a red-eye reduction setting that fire several quick pre-flashes before the main burst of light. Turn this off if you’re not photographing people because it drains the battery and doesn’t help light up your scene.

Make a great team picture. Get the team together in front of a nice background—maybe the goal, the net or the team logo on the field or floor. Shoot the ordinary, and then let the kids have some fun, making faces or funny poses. That’s the one they will always remember.

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

It’s always best to shoot group pictures in a location that tells something about the people. For example, shoot the sports team on the field instead of the parking lot. Try to think about how the background, or setting, adds to the story of who they are.

Do some photography pro bono. Find a charitable organization in your area that can’t afford a photographer and offer your services for free. The group will end up with a precious resource it wouldn’t have had access to; and photos of an event or service the organization provides can help it get funding.

Try to buy the fast and large memory cards. Speed ratings on the cards are important for live action shots, especially when you’re shooting in sports or continuous scene modes, or at the highest frame rate. That will allow the camera to shoot at its fastest frame rate with little worry the camera will have to pause to offload images to the card.

Freeze the sports action. The key is using a high shutter speed. On compact cameras, use the sports scene mode. On a DSLR, pick a high shutter speed of 1/500th of a second or above. This will freeze almost all action. If the light is low, adjust your ISO to a higher sensitivity (800-1600 ISO), which will allow you to select a faster shutter speed.

Place your subjects equally away from the camera when shooting a group. Avoid placing any of your subjects a lot closer to your camera than others. That can lead to some of your family members being out of focus or just looking a little out of the mix.

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

Photographing at the zoo? Careful composition can hide the fact that your wild animal subjects are behind fences or in pens. Zoom in for tight close-ups so you don’t see man-made objects like fence posts, concrete swimming holes or perches for the animals to play on.

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.

AS

AS stands for Aspherical lens elements. This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration.

M/A

Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

IF Lens

A NIKKOR lens in which only the internal lens group shifts during focusing. Thus, IF NIKKORS do not change in size during AF operation, allowing for compact, lightweight lenses capable of closer focusing distances. These lenses will be designated with the abbreviation IF on the lens barrel.

Fine Architectural lens
I use this lens all the time for basic interior and exterior architectural shots. Minimal barrel distortion and chromatic aberration, not a tilt shift, but next best thing for DX sensor.
April 14, 2011

Special use lens
I like the lens - it serves me well, but it isn't the "best" Nikon lens I have. I use this one for interior shots of hotels, homes, etc. Prior to getting a full frame camera I used the 12-24 (equal to 18-36mm), I believe that lens focal length was more useful. If I were to buy a new lens today I think I would go for the 16-35mm f.4 - for my style of photography (architecture and event) this lens would be better. One fault of the 14-24 - too much distortion at 14mm - fine at 18 through 24.
April 14, 2011

Superb DX Wide-Angle
This is a superb wide-angle lens for use on DX cameras, in my case a D50 and D80. I have captured stellar images in the Alps, Sierra Nevadas, Tetons, Grand Canyon, and numerous other wilderness areas with this lens. A slim circular polarizer lives on it and together they produce sharp, high quality images. The 12-24 provides me with a lot of freedom to capture large landscapes. I've used this lens in adverse conditions (rain, snow, sleet, hail, sand, dirty fingers, ...) for over 4 years and it's performed flawlessly. Inevitably, after each trip, I have a few photos that I elect to print as 20x30s and frame. The people at the photo store and the frame place are always blown away by the images.
December 8, 2010

Great lens for landscape
I have had this lens for 6 months and really love it.I can take pictures of large buildings and get the whole building and landscaping in the picture.With this lens and my 16-85 and 70-300 lens everything is covered,Thanks Nikon.
November 18, 2010

Best Super Wide I've Ever Used!
This lens always nails the focus even to the sharpness in the corners. For landscapes or scenic views this lens is the ticket!
September 24, 2010

18-24 very useful
is a good lens but overpriced in a lot of place (900-1000) i got mine for only 650
if u love landscape or creative picture you going to love this lens
It's very sharp at the 18-24mm, be careful when u using the 12-15mm and don't set the aperture go lower than f10
August 28, 2010

Great range for DX cameras but doesn't hold up
When I first got this lens a few years ago, it worked great and produced excellent images out of my D2X.
As it got older (and subjected to more of the knocks that come with pro use in the field), image quality gradually degraded. Have had it back to Nikon in CA twice to get it serviced. This has helped restore some of the image quality, but after five weeks it looks like quality is slipping once again. Will have to sell this for a substantial loss.
August 11, 2010

This product really works well as a wide angle.
I have over 15 Nikon lenses. When I hike, I found that the 18-200 f 3.5 - 5.6 was not wide enough. I have used the 12 - 24 at Yosemite, Bernie Falls, and at other locations. It is sharp for people and landscapes and with just 2 lenses and my D 300, I have a wide range that does not weigh me down too much. I have been very pleased with the addition of the wider focal ranges, sharpness,and the construction of the lenses. I can recommend it as a lens that is sharp and works when you feel cramped by 18 mm on a DX camera. The extra range really helps to set pictures apart. After much research, I settle on this lens and I am glad that I did.
August 9, 2010

Absolute Best Wide-Angle Zoom
I am a landscape photographer, and landscapes are my passion. From Virginia to Alaska, I shoot landscapes of all types. I have 4 main lenses that I use for most of my work, but until recently, for really wide angles I owned the Sigma 10-20, which I thought would be the best lens for me, after doing a LOT of researching. I was so WRONG!! I owned the Sigma for 2+ years, and it was an ok lens, but there were many things wrong with it: rectilinear aberration at focal lengths shorter than 13 mm, even after running the picture through programs like DxO Pro Optics. Noticeably warmer pictures than with my Nikkor lenses, although same WB. And noticeable softness, especially compared to all the other much better "gold-ring" Nikkor lenses, even to the point that my non-photographer wife could spot which lens I used by just glancing at the picture. So I finally broke down and bought the 12-24 f4G, and never looked back. And I didn't trade in the Sigma, just put it back in its box, with some vague ideas of selling it or whatnot, but I'm just having too good a time with my 12-24 Nikkor f/4. Everything that was wrong with the Sigma is RIGHT with the 12-24 Nikkor. All the trees are straight even at 12mm. The pictures are tack-sharp at almost every focal length. No WB change. Focusing is instaneous. I don't miss the extra 2mm compared to the 10mm Sigma, because in fact I ended up gaining 1mm, as I had to always step down the Sigma to 13mm to get acceptable pictures. The 12-24 Nikkor lens is a pleasure to use, super-bright, and exceedingly well made. The lens performed flawlessly in -20 degrees in February north of Fairbanks, or on the sands of Olympic National Park, on the Pacific this past August. It's exactly what I have come to expect for a "gold-ring" Nikkor, and it officially ends my forays into third-party lenses. I strongly recommend it to anyone who is into landscapes, as I am. I also think it is a professional lens, which it shows clearly, and therefore I would strongly urge anyone who thinks that it would be better to get the 10-24 "consumer" version to instead consider the 12-24. I have played with the 10-24, and you can definitely tell which lens is meant for the pro vs which one is meant for the amateur. If you want to save money, then of course go for the cheaper lens (which happens to be wider), but if you want demonstrated optical quality and mechanical reliability, and a lens that you will keep for a lifetime, do not hesitate to sacrifice the 2mm, and choose the 12-24 lens. I have absolutely no regrets from this purchase, the only regret is the once-in-a-lifetime places that I was not able to capture with this lens because of my previous purchase of the Sigma, and because I put stock in the opinions of people on the web that I thought knew what they were talking about, instead of just going with Nikkor professional lenses, such as this one.
August 3, 2010

Favorite wide angle zoom
Solid construction, quick, silent focus. wonderful focal length range. great optic performance. Not exactly light weight wise. Be sure to get thin filters or they will vignette the image. Would like to see the wide angles cover down to the 8 to 10mm range similar to the Sigma products. I particularly like the super wide image look and feel..
August 2, 2010

Great coverage with good quality.
This lens was purchased with my real estate clients in mind. It's proven to be a worthy investment for that purpose. I get great coverage for the shots with good sharpness. Other's comments about sharpness at 12mm have been consistent with my lens. In my experience, 12mm sharpness does suffer, nothing too much that cannot be corrected in post-production. Autofocus speed is not bad, but I don't think it's meant for sports or children. Highly recommended for the right need.
August 1, 2010

Super great lens.
I use this lens more than any other. I mostly shoot landscape and architecture for travel. This lens is sharp, colorful, and makes fantastic pictures on my D300.
July 31, 2010

Diverse Lens
This lens is a got to have if you shoot landscapes! It's diversity gives great perspectives at all focal lengths. I researched a lot of lenses, then decided on this one. It's been a great performer in the field. The clarity of the lens compaired to the standard one I recieved with the camera is amazing. It's been a great addition to my equipment!!
July 30, 2010

Just love the extreme wide angle.
The lower end, 12mm, is wonderful that
wide photo. I have 65super angulon for my 4x5
view camera and this 12-24mm makes up for "not" carrying the view camera around. A great all around lense. Super for those wide grain field
or curved escalator's in Las Vegas. Does wonders to caputre the great Hoover Dam and surrounding areas.
Wonderful zoom wide variations for my Florida
photography. Very sharp. My D200 just loves this lens. The other brand recommended by many photographers on web site forums, always their's
is almost as good as the nikon. Reason I bought this wide angle zoom, because it is the best combination for my present camera system.
July 30, 2010

nikon 12-24 wide angle
I have been using this lens for about 4-5 years. It is used with my D70 body. There seems to be minimal to no distortion even at the maximum zoom. My main use is I take pictures of houses and apartments.
July 30, 2010

My best lens
This is a lens that once you start use in it you never go back to another lens. Sharp clear images make it a good choice for everyday photos, landscape and interior.
July 30, 2010

Reasonable wide-angle lens
I purchased mine 2nd hand, and it proved to be a reasonable (very) wide angle lens for DX cameras. I did use post shot lens correction.
July 30, 2010

My favorite wide-angle lens
Overall, I am quite pleased with this lens for most of my wide-angle shooting. Its range is almost perfect for close-quarters and the slight advantage of F4 aperture puts it right in there with available lighting.
July 30, 2010

Great lens!!!
I used this lens to shoot a hot air baloon race in Montreal. What a great lens! It allowed me to get very close and personal with the people and their equiptment.
July 30, 2010

Super wide versatility
I don't shoot a wide-angle a lot but when you really want to create a sense of relationship or emphasize relationships an ultra-wide-angle is often what you need and having the flexibility of being a zoom and being able to manage the relationships by varying focal length is highly beneficial. I would consider this a lens for more visually advanced photographers. When it is the "right' lens, it has big payoffs! Sharp and not too bulky with the lens hood, I recommend it!
July 30, 2010

Amazing lens
Although expensive, I find this lens worth every cent. The sharpness at all focal lengths, feel and operation of this lens make it a valuable and dependable lens to use. Reviews of it's technical nature and abilities are correct. If you are hesitant about paying this much, save more, wait longer and then buy it
July 30, 2010

Great lens
Great range for the price. Also works on full frame, though they don't advertise it. Every once in a while it's not completely sharp, but mostly top notch.
July 30, 2010

great at 24mm, poor performance at 12mm
This lens is exceptional from 14 to 24mm. At 12mm, I often observe a significant decrease in quality on one side of images, particularly in the corners, from wide-open to f16. Nikon's repair center examined the lens and (surprisingly) considered its performance acceptable. My overall recommendation of 3 stars is the average of 5 (at 24mm) and 1 (at 12mm). I can't recommend this lens to anyone who wants to use it at the wide end of its range.
July 30, 2010

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Optimized for DX-format cameras, the AF-S DX Zoom-NIKKOR 12–24mm f/4G IF-ED is a popular choice for travel, architecture and landscape photography; and establishing shots when recording HD video. This lens is fully compatible with the DX-format D3200. For more assistance on picking a lens for the D3200, please see: https://support.nikonusa.com/app/an...