Tag Archives: electronics

There are two great things about bands from Iceland. One is their incessant hunger to create and innovate, the second is their refusal to be confined in narrow-cast genres. I am hardly surprised, therefore, that straight edge hardcore wreckers xGADDAVÍRx team up with electronics artist AAIIEENN.

AAIIEENN hails from Grundarfjörður and produces electronics that are raw and straight-forward, yet weirdly captivating. Cooperating Akranes band xGADDAVÍRx is a fascinating clash of two styles that still works pretty well since, I quite dig this release and am eager to share it with you here.

xGADDAVÍRx is a violent eruption of Icelandic proportions. Bottled up rage and fury is what they deliver after the distorted, electro-intro of ‘Freki Karlinn’. Simmering riffing brings the song on, after which a galloping pace takes over as the band races onward to oblivion with a catchy tune and energetic pace. Vocals are furiously spat out. Man, this grips me. That actually makes the follow-up ambient grooves of AAIIEENN so weird. One minute of flowing water and tranquility, following directly on the violence has a particular contradictory effect on the listener.

We switch back to the Icelandic hardcore punkers, with ‘Kominn með Nóg’. This song sounds like they’re chopping wood, with constant strikes of a hatched. The rattling base is a prominent element in the grooving sound, but it’s that drum that keeps knocking you to the head with force. Some high-intensity riffing comes in as well, to add a taste of fire to the whole expression on a galloping pace. After a brief break, we go to the real beatdown part. This band is so hard, you got to love it. We close the split with another AAIIEENN track, namely ‘Hypersurface’, which is a Nintendo-beat dance tune, featuring hardcore vocals roaring over it. A bit like EnterShikari when they were at their must awesome. Sweet beat too.

New roars from that good old underground with Mgła, Perturbator, GosT and Heidenland. Black metal and synthwave for greater glory. Check it out!

Mgła – Excersises in Futility

source: bandcamp

The mighty Mgła from Poland has a new release out, which lasts a good 42 minutes. The abum is already number three for the band, who have a sound that is pretty impressive and reminds me a bit of a more blackened Behemoth (who, let’s be honest, have shifted to a more death sound). That makes this band sound strangely much like an orthodox band, creating very pure, beat driven black metal that is kinda mid paced for most of the tracks. Sure, then you get the blastbeats pounding and running amok, which gives it more of a full frontal attack vibe, but it never drags the rest of the sound with it.

The title of the album says a lot about the lyrical content and the general feel the album gives. There’s no veiled, atmospheric mysticism here. No grander scheme of things or deep meanings hidden behind it all. There’s just this and the bleak guitars o Mgła. There’s a certain compactness in that sense to the sound of the band, which allignes with the brevity of it all. Nothing more needs to be said, this is it brother. We live and then we die. Amen.

GosT – Behemoth

source: Bandcamp

I was not entirely sure about this release. Regarding the title and bandname, it felt like someone was trying to cash in on the hyped bands in metal these days in a very weird way. Weirder even was the sound, but the label of Blood Music does bring with it some sort of status. Also the label tends to push the envelope a bit. So, first thing to really say is that this is not a metal album. It’s a weird, glitchy bit of synthwave that has strong eighties feelings to it.

That means it has none of the heavy artillery you’d be waiting for, but it does have a whole lot of atmosphere and cold electronics. Therefor it approaches a raw, cold sound rather smoothly and you can actually dance to it. There’s a tension in the sound, that prevents it from moving towards the slightly tacky region of electroclash and revival acts. There’s also some harsh electronics to melt away the clean feeling, all in all this is surprisingly pleasant record.

Perturbator – Sexualizer

source: Bandcamp

Sticking with the Finnish Blood Music for another release, there pops up this strange pink/yellow cover of a re-release of Perturbator’s ‘Sexualizer’. Another bit of peculiar narrative synthwave, telling the story of an inception like story of a drug abusing porn star named Jimmy. The hazy rave like sound is telling the story of how reality start to fade away in the mix of all that. Perturbator is an artist from Paris, delving into the human consciousnes.

The sound you get as a result is a strange mixture between Miami Vice eighties synth and EBM beats from the DAF era. Jazzy loops cut through the rhythm in a spiralling manner, creating that musical high of the storyline. The attempt at creating a story really helps in your interpretation of the music, it sets your mind in motion to visualize and imagine this taking place. It also makes the music more sensible and not just a weird sort of harking back to a long gone past of angel dust, disco and porn. Perturbator is weaving a movie here.

Heidenland – Stormvloek: Beschonken, Kwaad en Goddeloos

source: Bandcamp

The story of this release is rather interesting. The band has been around for 20 years it seems, but only now this compilation/full length is out. Originating in the Netherlands, Havoque started the band to play black metal in the same way as Darkthrone, Bathory and all the original bands. Harsh, lo-fi and anti-christian chants of hatred so to say. After having relocated to Canada, the record is finally ready now and out on Heidens Hart.

Don’t mistake this band for an NSBM band, which I was thinking it might be for a moment. This is simply anti-christian pagan rage as emphasized in the lyrics. Violent and back-to-basics sounding black metal, with that thudding blast-beat drum section, gritty sound and peculiar folk elements to emphasize the ancient pagan roots. The record is labelled as a compilation, which explains the difference in audio quality. It’s a great record for those willing to listen to some good, old black metal, the way they used to make it.