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Wednesday, July 10, 2013

Ryan W Bradley's Would You Rather

Bored with the same old fashioned author interviews you see all around the blogosphere? Well, TNBBC's newest series is a fun, new, literary spin on the ole Would You Rather game. Get to know the authors we love to read in ways no other interviewer has. I've asked them to pick sides against the same 20 odd bookish scenarios. And just to spice it up a bit, each author gets to ask their own Would You Rather question to the author who appears after them....

I hope you have as much fun reading their responses as I did!! First up:

Ryan W Bradley,

Would You Rather...

Would you rather write an entire book with your feet or with
your tongue?

My tongue, and it
being me I’m not sure I need to elaborate.

Would you rather have one giant bestseller or a long string
of moderate sellers?

I tend toward the “go
out in a blaze of glory” attitude, so I think I’d rather have one giant
bestseller.

Would you rather be a well known author now or be considered
a literary genius after you’re dead?

This is hard for my
ego to decide between. On the one hand I’d very much like to be considered a
literary genius, though I find this unlikely. And if I’m dead I couldn’t really
enjoy it anyway, so I’ll take the well known author now option, I want to soak
that in before I die.

Would you rather write a book without using conjunctions or
have every sentence of your book begin with one?

Not using
conjunctions would change the tone of my writing quite a bit, I think, so I’ll
go with beginning every sentence with one. I’m pretty sure I could make that
work with some practice.

Would you rather have every word of your favorite novel
tattooed on your skin or always playing as an audio in the background for the
rest of your life?

It’s a good thing my
favorite novel is short. I’d totally have it tattooed on me, small text though,
and then as I got old it would just be a block of black ink.

Would you rather write a book you truly believe in and have
no one read it or write a crappy book that comprises everything you believe in
and have it become an overnight success?

There are days when I
think I would happily sell out, but honestly, I’ve tried to write
“commercially” and it just doesn’t work for me. I write what I write because
it’s what I’m compelled to write, so I guess that has to be my choice here,
though I’d like to pick money over integrity.

Would you rather write a plot twist you hated or write a
character you hated?

I hate a lot of my
plot twists and characters. I try to write things that make me uncomfortable.
If I could only do one I guess I’d pick a character I hated, because my stories
hinge on the people and their interpersonal relationships.

Would you rather use your skin as paper or your blood as
ink?

Well, I am partial to
being tattooed, so using my skin as paper doesn’t sound so bad. On the other
hand I’m not much fond of bleeding, so having to tap into my blood to write
with is not such a fun idea.

Would you rather become a character in your novel or have
your characters escape the page and reenact the novel in real life?

I’ve been a character
in my novel. Not sure I need to do that again. Could be entertaining to see
them come to life as long as they keep me out of their dysfunction.

Would you rather write without using punctuation and
capitalization or without using words that contained the letter E?

Too many words use
the letter e. The lack of punctuation and capitalization (at least in my
fiction) would bother my obsessive compulsive nature, but seems, in the long
run easier to deal with.

Would you rather have schools teach your book or ban your
book?

Well, having my books
banned seems incredibly plausible. Though I’ve heard tell of Code for Failure being talked about in
college classes, I even visited a class to talk about it a year ago. Both
options are flattering in their own right.

Would you rather be forced to listen to Ayn Rand bloviate
for an hour or be hit on by an angry Dylan Thomas?

Don’t think I could
be in the same room with Rand, and being hit on is great for my ego. This one’s
a no brainer!

Would you rather be reduced to speaking only in haiku or be
capable of only writing in haiku?

I don’t mind being
quiet, so I’d probably do all right speaking only in haiku. Most people
wouldn’t notice anyway, right?

Would you rather be stuck on an island with only the 50
Shades Series or only the BLANK series?

Well, if I’m
seriously stuck on an island and all I have with me is a book series, I’m
probably going to get more use out of 50 Shades...

Would you rather critics rip your book apart publicly or
never talk about it at all?

No press is bad press,
right? I go into everything I do expecting people to dislike it, so I feel
pretty prepared for bad reviews. On the other hand, getting no attention
whatsoever is bad for my ego.

Would you rather have everything you think automatically
appear on your Twitter feed or have a voice in your head narrate your every
move?

No one would talk to
me if all my thoughts got tweeted. And I have a pretty solid inner narrative
going all the time anyway, so I’m pretty used to that.

Would you rather give up your computer or pens and paper?

Pens and paper. No
hesitation. I could go without writing by hand pretty easily I think. You know,
aside from my signature, of course.

Would you rather write an entire novel standing on your
tippy-toes or laying down flat on your back?

Lying flat? That’d be
tricky. Tippy-toes would be tough but more manageable I think. Until I’m
crippled by arthritis or something.

Would you rather read naked in front of a packed room or
have no one show up to your reading?

Sometimes reading in
front of a crowd feels like reading naked. And not having any audience is bad
for the ego. So...

Would you rather read a
book that is written poorly but has an excellent story, or read one with weak
content but is written well?

Written well, hands
down. Bad writing annoys me, and sets me into “editor” mode. When I’m reading
for pleasure I want to read something I can get engrossed in and there’s way
less chance of that happening with something that is poorly written.

Ryan W. Bradley has fronted a punk band, done construction in the Arctic Circle,
managed an independent children's bookstore, and now designs book covers. He is
the author of a story collection, PRIZE WINNERS (Artistically Declined Press,
2011) and a poetry collection, MILE ZERO (ADP, 2013). His novel, CODE FOR
FAILURE was recently re-released by Civil Coping Mechanisms. In September, 2013
Concepcion Books will publish THE WAITING TIDE, a poetry collection homage to
Pablo Neruda. He received his MFA from Pacific University and lives in Oregon
with his wife and two sons.

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Who's That Girl?

I have been buried beneath small press and self-published review copies since 2009. My passion for supporting the small press and self publishing communities has driven me out into the world wide web to demonstrate alternative ways to spread the word about amazing publishers, authors, and novels you might never had heard of. Feeding your reading addiction, one book at a time.