Ceramic art is a complex process with a rich visual language, which gives me the possibility to express myself in a very sincere way.
Process is essential to my work and begins with the medium of clay itself.

I am very interested in telling a simple story or narrative about place; whether that is an objects place in time, a direct reference to location or an object’s intended place within the house..

Inspiration is wide-ranging and includes memories of childhood, every day life, travels, sensations. I am sensitive to small things that can pass withouth notice but they are the things from which life is made.

In my vision, the art of ceramics is one of fundamental importance for the research in the sculptural form.

I could distinguish between two major approaches towards sculpture, a first one based on the physical intervention on a natural material (like bone, wood, or stone) and a second one which consists in the moulding through fire of a particular material (like ceramics or metal). Regarding to these two, I consider myself equally faithful.

The geometries I conceive in the technique of ceramics follow this crafts tradition and thus they are personal formal researches who aim to bound tradition and contemporary practices.

Ceramics are like an "archive" made of clay and purified by fire, in which one can "read" over the centuries about customs, rites and cultic practices, technical achievements, ethical and aesthetic concepts and ethnic characteristics.

In the decorative oevres, we have attempted to reflect with the aid of specific means of the visual arts (signs and simbols) some of the major themes e.g.
the origins of the universe and natural phaenomaena (Big-bang and the Sphere)

Amongst this Simbols the spiral is repeatetly used im many oeuvres (e.g. The Wall, Columns,Sunflower etc.)