The Rock & Roll Hall of Fame… we’ve always been very blasé about that stuff. So we don’t want to offend anyone. We just think that we just don’t quite understand it. We’ve had it explained to us, so it’s cool. But we don’t really understand it as English people. I think our problem is essentially that every awards ceremony in the UK stinks. We grew up with the Brits, which is like this sort of drunken car crash that you don’t want to get involved with.

A bootleg recording from a Radiohead soundcheck in 2006, featuring the never before released song known to fans as “Come to Your Senses,” has found its way online. From Consequence of Sound:

Back in 2006, Radiohead embarked on a tour to test out material for what would become their landmark 2007 LP, In Rainbows. On June 24th, the band was preparing for its second night at Berkley, California’s Greek Theatre when during soundcheck, they played a song that has come to be known as “Come to Your Senses”. That composition has never been heard or released since, falling into legend.

As Radiohead’s music publisher, it’s true that we’ve been in discussions since August of last year with Lana Del Rey’s representatives. It’s clear that the verses of “Get Free” use musical elements found in the verses of “Creep” and we’ve requested that this be acknowledged in favour of all writers of “Creep.” To set the record straight, no lawsuit has been issued and Radiohead have not said they “will only accept 100%” of the publishing of “Get Free.”

It’s true about the lawsuit. Although I know my song wasn’t inspired by Creep, Radiohead feel it was and want 100% of the publishing – I offered up to 40 over the last few months but they will only accept 100. Their lawyers have been relentless, so we will deal with it in court.

Radiohead and Hans Zimmer have teamed up on a reworked version of “Bloom.” The song will be known as “(Ocean) Bloom)” and be featured on an upcoming episode of the BBC nature series Blue Planet II:

“Bloom was inspired by the original Blue Planet series so it’s great to be able to come full circle with the song and reimagine it for this incredible landmark’s sequel,” said Yorke in a press release.

“Hans is a prodigious composer who effortlessly straddles several musical genres so it was liberating for us all to work with such a talent and see how he wove the sound of the series and Bloom together.”