comics

Gobbledygeek episode 401, “Texed,” is available for listening or download right here and on iTunes here.

We’re all responding to quarantine (semi- or otherwise) in different ways. Paul seems to be practicing some sort of immersion therapy, living out the post-apocalypse in games like The Last of Us and shows like The Leftovers. Arlo, meanwhile, reaches for the comfort of old reliable favorites like the first Teenage Mutant Ninja Turtles movie or the modern classic sketch comedy series Key and Peele. Have you ever realized they’re different people? The boys discuss texting syntax, Paul’s genuine repulsion at a certain aspect of The Leftovers, Arlo’s journey through old superhero comics, and so much (or at least a little) more.

Jennifer Garner in Gary Winick’s ’13 Going on 30′ (2004). Her face upon realizing she has boobs has become humanity’s face upon awakening each morning.

Gobbledygeek episode 399, “Disclaimer: Not a Criminal Act,” is available for listening or download right here and on iTunes here.

FIRST THING’S FIRST: Paul obliquely confesses a past sin during this episode, it’s kind of a super tense moment, but Arlo has cleared off-mic that it was not a criminal act! So…do with that what you will! Elsewhere, the world is fucking ending, so you might as well watch The End of the Fucking World. Paul and Arlo muse on the collapse of civilization, discuss proper social distancing etiquette, and recommend things to watch and read as society dissolves. Some of those recommendations: The Hunt, now available on VOD since movie theaters have shuttered; comfy junk food movies like Yes Man and Ghosts of Girlfriends Past; Netflix’s I Am Not Okay with This; Hawkeye: Freefall by Matthew Rosenberg and Otto Schmidt; Matt Fraction and Steve Lieber’s uproarious Superman’s Pal Jimmy Olsen; and, of course, perennial classic Good Burger.

Next: Ten years. 400 episodes. It’s all led to this. It’s a shame we’re all dying.

Gobbledygeek episode 397, “Four-Color Flashback: Black Hammer,” is available for listening or download right here and on iTunes here.

Don’t you just hate it when you’re a superhero who saves the world and then gets zapped to a shitty little farm town in another dimension that you literally cannot leave? In Jeff Lemire and Dean Ormston’s Dark Horse series Black Hammer, Abraham Slam, Golden Gail, Barbalien, Talky-Walky, Colonel Weird, and Madame Dragonfly sure do. For this month’s Four-Color Flashback, Paul and Arlo discuss the recently concluded “main” storyline of Lemire and Ormston’s ever-expanding creation, consisting of Black Hammer issues #1-13 and Black Hammer: Age of Doom issues #1-12. From a backwater farm to the furthest reaches of time and space, our heroes explore every facet of the superhero genre. Along the way, they confront the metatextual realities of comics storytelling–and the just plain textual fact of aging.

Next: we have no plans.

THE BREAKDOWN

Total Run Time: 02:33:48

00:00:37 – Intro

00:02:14 – Black Hammer

02:29:10 – Outro / Next

THE MUSIC

“(Don’t Go Back To) Rockville” by R.E.M., Reckoning (1984)

“How You Gonna Keep ‘Em Down On the Farm” by Andrew Bird, Soldier On (2007)

Gobbledygeek episode 395, “Four-Color Flashback: Watchmen (feat. Greg Sahadachny).” is available for listening or download right here and on iTunes here.

After a year of pointedly discussing no superhero stories, Paul and Arlo revive Four-Color Flashback for a new decade with the big kahuna of all superhero stories: Alan Moore and Dave Gibbons’ 1986-87 maxi-series Watchmen. Aided by emotional sherpa Greg Sahadachny, once and future host of The Debatable Podcast, the boys openly admit there is no new light to shed on perhaps the most analyzed comic book of all time–then get to shedding. What’s it like reading Watchmen in 2020? In the wake of Damon Lindelof’s TV sequel? The gang finds that, like all great art, Watchmen has not changed in the 33 years since its run wrapped, but we have. In a world where fascism seems much more tangible, where superhero fiction reigns supreme, Moore and Gibbons’ work has taken on a renewed sense of meaning. The gang discusses the book’s formalist genius; our heroes’ utter contempt for those they claim to save; why, for a certain type of reader, Rorschach is a morally just idol; and plenty more.

Next: we continue watching the Watchmen with a discussion of Lindelof’s HBO show.

Gobbledygeek episode 392, “Four-Color Flashback: Daytripper,” is available for listening or download right here and on iTunes here.

It took Brás de Oliva Domingos so long to find out, and he found out. What, if anything, he found out is the central question of Fábio Moon and Gabriel Bá’s 2010 Vertigo series Daytripper, subject of our final Four-Color Flashback for 2019. You see, Brás writes obituaries for a São Paulo newspaper–and at the end of most chapters in this book, he dies. Twin writers/artists Moon and Bá pave the way for an existential journey along the many turning points of a life, from the imperceptible to the unmistakable. Paul and Arlo discuss Daytripper’s hint of magical realism; the coherent, airtight structure that grounds the book’s absurdity; how the series’ hopeful attitude brushes up against horrific tragedy; Moon and Bá’s distinctive (though not so distinctive we know who is penciling and/or inking what!) art style, accentuated by master colorist Dave Stewart; and more.

Next: on the Gobbledygeek season 10 finale, Christmas gets twisted with John McPhail’s 2018 horror-comedy-musical Anna and the Apocalypse.

Gobbledygeek episode 391, “Four-Color Flashback: The Private Eye,” is available for listening or download right here and on iTunes here.

The Cloud burst, and for forty days and forty nights, all of our secrets rained down. In the not terribly distant future world of Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s 2013-15 series The Private Eye, the Internet is a distant memory and anonymity is now the foundation of American society. Of course, our hero is an amoral paparazzo-slash-private investigator whose job is to dig up those old secrets; of course, this leads him into a world of trouble. For the penultimate Four-Color Flashback of 2019, Paul and Arlo discuss Vaughan’s clever utilization of noir tropes in the post-Internet age, Martin’s dynamic pencils/inks, Vicente’s eye-popping colors (this is one noir that doesn’t hide in the shadows), their radical pay-what-you-want self-publishing platform Panel Syndicate, and the big philosophical question at the heart of the book: is the Internet worth it?

Next: for the final Four-Color Flashback of the season, we get existential with Fabio Moon and Gabriel Ba’s Daytripper.

Our favorite thing is Gobbledyween, so to close out this year’s frightening festivities, Paul and Arlo are breaking from the norm to discuss Emil Ferris’ 2017 graphic novel My Favorite Thing Is Monsters. Joining them for this first Gobbledyween/Four-Color Flashback crossover is their The Deli Counter of Justice collaborator Eric Sipple. The gang marvels at Ferris’ stunning art (all done in ballpoint pen!), attempts to process the numerous threads in this first of two planned volumes (sexuality, duality, and reality, oh my!), draws unexpected parallels to Art Spiegelman’s Maus (a FCF entry just this past August!), and so much more (no parenthetical necessary!). We promise there are monsters.