Flightplan Deciphered

Flightplan is a recently-released film that I recommend you make a
point of seeing, not because it is a diverting source of entertainment, but
rather because it constitutes a valuable source of enlightenment.

Starring the consummate actress Jodie Foster, under the brilliant direction of
Robert Schwentke, Flightplan is based on an ingenious screenplay by Peter
Dowling and Billy Ray which, whether intentional or unintentional, has a covert
significance capable of helping humanity to wake up from our insane
Alice-in-Wonderland nightmare induced by the traumatic events of 9/11.

Stated in the simplest possible terms, the implicit message of this film is that
our current task is to wake up from our traumatically induced nightmare, see
through the deceptive illusions, and reclaim our power.

To be specific, Jodie plays the role of an intelligent American woman who has
been doubly traumatized: first by the seemingly accidental death of her husband,
and then by the mysterious disappearance of her six-year-old daughter on a
crowded passenger plane during a flight from Germany back to the United States
carrying her husbandís coffin.

The key to deciphering the covert significance of this cinematic masterpiece
resides in the fact that the culprits, who have abducted the child as part of an
elaborate extortion plot, turn out to be, not two innocent Muslims who
constituted the initial suspects, but rather the air marshal and a flight
attendant, to whom everyone looked for protection because they were in a
position of authority.

Carried to its logical conclusion, the clear implication of this filmís message
is that we can no longer rely on our governments to protect us because they have
degenerated into corrupt protection rackets which seek to subjugate us in the
guise of protecting us.

What this ultimately means is that We the People must reclaim our sovereign
power and stop giving it away to corrupt governmental agents whose actions have
proved to be unworthy of our trust.

There is one brief sequence, which occurs toward the end of this extraordinary
film, that is particularly deserving of our most careful attention.

I am referring to the interaction which occurs between Jodie, the air marshal,
and the captain, just as they are about to leave the plane after all of the
other passengers have disembarked.

This brief interaction constitutes a most remarkable study of the question: Who
is really in control now?

What I would like to propose for your consideration is that the answer to this
question may be applicable to the current interaction between We the People, the
Dark Illuminati, and the Ashtar Command of the Galactic Federation who are
patiently encouraging us to wake up and reclaim our power.

When Jodie suddenly realizes that she is momentarily in control of the
situation, she immediately chooses a courageous course of action which gives
exercising that control priority over attempting to reveal the truth.