"The program’s centerpiece was a bravura performance in Liszt’s Piano Concerto
No.1 attacked with confidence and flair. Her strength in the splashy chords and
sparkling runs of the first movement was matched in a thoughtful nicely
controlled slow movement that alternated episodes of shade and sunlight'.

"The growing responsiveness between soloist and orchestra was most evident in an
exuberant finale that brought the audience to its feet'.

"In Beethoven’s Opus 57 Sonata, her certain grasp of the
composer’s subtle rhythmic and dynamic shifts coupled with her effortless
technique lent a startling freshness to her interpretation; the relaxed
breathing of the long under-phrases in the finale was memorable'.

"… in Chopin’s B-flat Minor Nocturne sounding like a
spontaneous creation, a poem directed at her listeners'.

"… in the slow movement of Prokofieff’s 6th Sonata riding wave
upon wave of lovely voicing…'