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Collaborative work by Warhol and Basquiat, featuring a Basquiat’s painted depiction of Billie Holiday

Angel of Harlem is a song by Irish rock group U2. It was released in December 1988 as the second single from their album, Rattle and Hum. Written as a homage to Billie Holiday, it was released with two different B-sides; one was an original U2 song called A Room at the Heartbreak Hotel, while the other was a live version of Rattle and Hum‘s Love Rescue Me.

The lyrical content of the song refers to various New York City-area landmarks, including JFK airport, WBLS radio and Harlem. It also refers to jazz-related history including John Coltrane and A Love Supreme, Birdland club, Miles Davis and Holiday herself (“Lady Day”).

Angel of Harlem was written during 1987’s Joshua Tree Tour and the in-studio performance on the Rattle and Hum movie dates from a recording session at Sun Studio in Memphis, Tennessee during the later stages of the tour’s third leg. The song was a regular on 1989’s Lovetown Tour and was played with B.B. King‘s band.

The song has also been performed on 2009’s 360° Tour with dedications to Michael Jackson, and included snippets of Man in the Mirror and Don’t Stop ’til You Get Enough. In the Berlin concert of the 360° Tour three young fans from Prague, Czech Republic, held signs asking to play Angel of Harlem together with U2, Bono invited them to the stage, the band lent them the instruments and they played the song together.

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“Art flies around truth, but with the definite intention of not getting burnt. Its capacity lies in finding in the dark void a place where the beam of light can be intensely caught, without this having been perceptible before.”

Louis VuittonCore Values campaigns revisit the brand’s heritage with a completely fresh interpretation of the concept of travel in an emotional sense, viewed as a personal journey, a process of self-discovery. The campaign debuted in September 2007 in major international titles featuring no other but the former Soviet statesman Mikhail Gorbachev, the French movie siren Catherine Deneuve, the founding member of The Rolling Stones Keith Richards and the tennis power couple Andre Agassi and Steffi Graf, among many other influential and famous people.

Pietro Beccari, Senior VP of Communication explains this shot: “Not only does it capture the unique quality of a father-daughter relationship, in which both are enriched by a shared experience, but it also evokes the heritage of Louis Vuitton with its suggestion of know-how being passed from one generation to the next.”

Celebrating the 40th anniversary of Apollo 11’s first steps on the Moon, the ad features legendary astronauts Sally Ride (first American woman in space), Buzz Aldrin (Apollo 11, first steps on the Moon, 1969) and Jim Lovell (Apollo 13) looking up in the Californian desert night sky.

In 2010 Brazil’s Pelé, Argentina’s Diego Maradona and France’s Zinedine Zidane all won football’s ultimate prize, and all wore the emblematic N°10 shirt. They met up in the Café Maravillas, a typical bar in Madrid, and were tempted into a game of table football. The image leaves the suspense intact, but clearly captures the atmosphere of fun and friendly rivalry.

Given the photographer of all Core Value campaigns personal and financial troubles in 2010, Louis Vuitton wished to offer support in the most positive way and suggested that Annie Leibovitz become the next campaign’s hero. She accepted on the condition that she appears alongside for friend and one of the foremost dancers of the 20th century, Mikhail Baryshnikov.

This is the first time U2 frontman Bono has appeared in an ad sans his bandmates, but instead with his wife Ali Hewson. It’s also the first time that a label other than Louis Vuitton is getting a fashion credit – the pair are wearing their own clothing line Edun, a line of ethical fashion. Proceeds from the sales will go to TechnoServe, which supports sustainable farming in Africa.

As the pioneer of the art du voyage, Louis Vuitton is always on the look out for the exceptional people with extraordinary journeys. The question is who will be next?

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Following the “Retirement Gig” on 3 July 1973, Bowie and a handful of friends held a small post-concert party at the Inn On the Park.

The next evening (4th July 1973) Bowie’s retirement party (now known as “The Last Supper”) was held at one of London’s most expensive restaurants – the Café Royal in Regent Street, following frantic last minute calls from MainMan inviting guests to the impromptu party. Word soon spread and large crowds gathered in the streets to watch the celebrities (usually arriving in Rolls Royce’s and Bentley’s) enter the restaurant.

The guest list of those who attended was a virtual Who’s Who of top music and film celebrities in London at the time and included: Paul McCartney and his wife Linda, Keith Moon, Lulu, Tony Curtis, Peter Cook and Dudley Moore, The Goodies, Cat Stevens, Ringo and Maureen Starr, Mick and Bianca Jagger, Jeff Beck, Lou Reed, Barbra Streisand (she was in London to film a TV special), Ryan O’Neil, Sonny Bono, Elliot Gould, Britt Ekland, Spike Milligan, Hywel Bennet, D.A. Pennebaker and Dr John who supplied the live music for the evening.

The gathering was also a great opportunity for Bowie to celebrate his fame and new friendships with fellow musical heavyweights such as Mick Jagger. But according to biographer Jerry Hopkins (1985) Bowie had reason to be anxious about Mick Jagger’s attendance. Reportedly Jagger had threatened Bowie because he believed that Bowie had put the “make” on his wife Bianca earlier that week. Hopkins even reports that Bowie had wanted to cancel the show because of Jagger’s threats. However, all was made up at the party and Bowie danced with Jagger and briefly kissed both Jagger and Lou Reed when asked to by Mick Rock who was photographing the event.

Photos by Mick Rock

“This was at the Cafe Royal in London after the final Ziggy gig at Hammersmith. Lou Reed and Mick Jagger, who’s behind us, came down. I’m not actually kissing him. If you study it, I’m talking into his ear and he’s talking into mine. I’m quite a way over. But it was near enough to a kiss for the press and they all printed it. We were supposed to have been kissing at that time anyway so there was the evidence. No, I think Lou Reed is the last person in the world I’d want to kiss.” – David Bowie (1993)

Not to be outdone Angie Bowie and Bianca Jagger were also seen dancing and embracing that night.

“The Cafe Royal party the next night was a great success, with David at the very top of his form; he was pure charm and gentle friendliness, open and happy and gay. And I must say, I had a wonderful time too. The mood was light, the glitter dazzling, the night bright and beautiful with stars and success and serendipity”. – Angie Bowie (1993)

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“Hearing Ryan Adams’ album Heartbreaker was a seminal point for this part of my career. I just fell in love with him and that record. And I had the great fortune of doing Songs From the West Coast with producer Pat Leonard. He got my idea and simplified the record, and made me work with other musicians. I have to say that one of the biggest regrets of my life is that I’ve not fallen out, but I’ve drifted away from Pat. I feel very ungrateful to Pat that I didn’t make another record with him. We were so close on that record, he shifted me so much in the direction that I wanted to go. Original Sin is one of the best songs I’ve ever written.”

Elton John

The music video for the song Original Sin (David LaChapelle, 2001) featured Elizabeth Taylor and Mandy Moore. It also featured John playing the father of Moore’s character and the husband of Taylor’s character. Moore was the centre of the video, who plays a huge Elton John fan from the 1970s who is transported by a dream (à la The Wizard of Oz) to one of his concerts, where she socializes with various celebrities of the period (Bette Midler, Sonny Bono and Cher, Barbra Streisand, Liza Minnelli, etc.) played by look-alikes. Then at the end she wakes up and Elton’s character asks, “Who is this Elton John, anyway?” It also has more of an upbeat dance mix to the music.

It is the third and last single extracted from the album Songs from the West Coast (reported back to the origins of the musical career of Elton and the period of the seventies). This is a slow song with the melody sweet and melancholy and based on Elton’s piano playing, as well as Rusty Anderson on guitars and keyboards producer Patrick Leonard.

Related photographs posted on The Genealogy of Style’s Facebook page:

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The tagline is “Be unexpected.” The fragrance created by perfumer Jacques Polge debuted on fall 2010 preceded by a media campaign which include the short advertisement “Bleu de Chanel” by Martin Scorsese featuring French actor Gaspard Ulliel. Prior to Scorsese, Baz Luhrmann had worked on Chanel No. 5.

The Rolling Stones‘ She Said Yeah, from band’s 1965 album December’s Children (And Everybody’s), propels the script of the short film, in which rising international star Gaspard Ulliel plays the role of a young actor whose artistic talent, rebelliousness and good fortune have thrown him into the public eye. However, he refuses to conform to the lifestyle and expectations his newly found fame has placed upon him. As he struggles with new pressures and expectations, he runs into his first love, who for years, supplied him with the passion and turmoil that fueled his work. Faced with a decision, he pushes aside convention to embody the bold energy and elegance of Bleu De Chanel by daring to be unpredictable and refusing to bow down to convention. Scorsese had directed the 2008 Rolling Stones concert film Shine A Light.

The song She Said Yeah was recorded by the group in September of 1965 at RCA Studios in Hollywood, the very same place where the band’s anthem (I Can’t Get No) Satisfaction had been recorded a few months earlier. She Said Yeah was written by the late Sonny Bono and West Coast rockabilly performer Roddy Jackson, and had been a single for Larry Williams in the late 1950s. Williams became known with such early rock ‘n’ roll hits as Bony Maronie, Dizzy Miss Lizzy and Slow Down, the last two of which were covered by The Beatles.

Still from Mishima, a Life in Four Chapters (Paul Schrader, 1984)

Still from short advertisement “Bleu de Chanel” (Martin Scorsese, 2010). The exploding screen wall seems to be inspired by Ishioka’s set design for Mishima. “We knew the old Hollywood system was gone, so we thought we could get in the cracks somehow. Francis was already at it — he was the big brother…”, Scorsese said about starting out with his friends George Lucas, Steven Spielberg and Francis Ford Coppola. Rolling Stone Magazine 40th Anniversary (2007)

Gaspar Ulliel taking pictures to the woman he was chasing. This scene reminds the famous photo-shoot played by David Hemmings and sixties model Veruschka in Blown-Up. In a piece called, The Man Who Set Film Free, Scorsese wrote about the sensation of seeing the Italian director’s L’Avventura for the first time, almost 50 years ago.

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“Though Torn In Two We Can Be One
I Will Begin Again, I Will Begin Again
Oh And Maybe The Time Is Right
Oh Maybe Tonight
I Will Be With You Again
I Will Be With You Again”…

It was released as War‘s lead single in January 1983. Written about the Polish Solidarity movement, “New Year’s Day” is driven by Adam Clayton‘s distinctive bassline and The Edge‘s piano and guitar playing.

The lyric had its origins in a love song from Bono to his wife, but, as stated before, was subsequently reshaped and inspired by the Polish Solidarity movement. The bass part stemmed from bassist Adam Clayton trying to figure out what the chords to the Visage song Fade to Grey were.

The video was one of their first to see heavy rotation on MTV. It was filmed in Sälen, Sweden in December 1982 and directed by Meiert Avis. The band only appeared in the performance scenes of the video as it was filmed in the dead of the Swedish winter. U2 guitarist Edge revealed in the official U2 biography that the four people riding on horseback in the video that appeared to be the four U2 members were in fact four Swedish teenage girls disguised as the members of U2 riding on horseback with masks over their faces. This was done as the band were frozen from shooting the video in sub-freezing temperatures the day before. Their biography states that Bono refused to wear any headgear despite the cold weather and had a lot of trouble mouthing the lyrics.The video also features footage of Soviet troops advancing in winter during World War II.

Based on a German drinking song, Must Be Santa is structured as a call and response, with the lead singer posing the question of who has a certain feature, with a chorus responding that Santa Claus has said feature. After every other verse, the list of features mentioned up to that point is reiterated, followed by the chorus of “must be Santa” repeated three times and ending with “Santa Claus.”

In November 2009, Bob Dylan covered Brave Combo‘s version of the song in a polka style for his Christmas album, Christmas in the Heart. The New York Daily News described Dylan’s version as such: “It’s sort of unclear if Dylan (…) was aiming to celebrate the holiday, or gently poke fun at the music’s Norman Rockwell-esque simplicity.”

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“…And so this is Christmas
For weak and for strong
For rich and the poor ones
The world is so wrong
And so happy Christmas
For black and for white
For yellow and red ones
Let’s stop all the fight
A very merry Christmas
And a happy New Year
Let’s hope it’s a good one
Without any fear…”

John Lennon

Jake Gyllenhaal in Jarhead (Sam Mendes, 2005)

Third studio album by Irish rock band U2, released on 28 February 1983. The album has come to be regarded as U2’s first overtly political album, in part because of songs like “Sunday Bloody Sunday“, “New Year’s Day“, as well as the title, which stems from the band’s perception of the world at the time; Bono stated that “war seemed to be the motif for 1982.”

John Lennon in How I Won the War (Richard Lester, 1967)

Iain MacMillan designed the cover for the couple’s single Happy Xmas (War Is Over), where he skillfully morphed photographs of John and Yoko together.

Originally a protest song about the Vietnam War, “Happy Xmas (War Is Over)” has since become a Christmas standard, frequently covered by other artists and appearing on compilation albums of seasonal music, and named in polls as a holiday favorite “Happy Xmas (War Is Over)” was the culmination of more than two years of peace activism undertaken by John Lennon and Yoko Ono that began with the bed-ins they convened in March and May 1969, the first of which took place during their honeymoon. The song’s direct antecedent was an international multimedia campaign launched by the couple in December 1969—at the height of the counterculture movement and its protests against U.S. involvement in the Vietnam War—that primarily consisted of renting billboard space in 12 major cities around the world for the display of black-and-white posters that declared “WAR IS OVER! If You Want It – Happy Christmas from John & Yoko”. Although this particular slogan had previously appeared in the 1968 anti-war songs “The War Is Over” by Phil Ochs and “The Unknown Soldier” by The Doors (which features the refrain, “The war is over.”), its subsequent use by Lennon and Ono may just be coincidental; there is no evidence to confirm whether or not they were acquainted with these prior works.