The last 22 minutes are the deal breaker. Sure, other movies have thrown ostensibly more disturbing stuff into a movie's climax, but this one is just heart wrenching to see what's happening to this girl. The actual ending of the last 22 minutes just takes every bad thing that has happened to the main characters and gives it a shot of lingering depression. It's about as real a found footage movie I've seen yet, and easily the best modern horror piece I've seen since Hunger.

So, Necro, Subrick..... Is it safe to say you would recommend Megan is Missing? I can't remember the last time a horror movie honestly disturbed me, and it seems like this would be a nice (or not so nice) change of pace.

_________________

Nochielo wrote:

Crick wrote:

Years from now, no one will remember Gandhi. They will speak only of Fenriz.

Yes. I highly recommend it as both a horror piece and somewhat as social commentary about how teenagers nowadays are pretty much unsupervised online, although the low budget kind of hampers the scenes where they are blatantly trying to say something. The rest of the movie's themes are underlying, which honestly works better since when this movie gets fucked up, it gets VERY fucked up and can seem on the surface like exploitation for the sake of exploitation. Plus the entire second half is hair-on-neck chilling, especially the last 22 minutes.

I totally agree that the film is extraordinarily powerful, doubly so for me for reasons I've explained twice already and just don't feel like typing out again, but goddamn Subrick keep it confined to one thread. I don't understand your fascination with double posting in separate threads, it's fucking obnoxious.

The cool thing is that, as much of a gore fan as I am, it doesn't rely on gore at all. There's virtually zero blood in it and there's only three shots in the whole movie that are graphic in any way. It relies on mood and the actual premise itself to scare the viewer, and it works.

La Haine : French movie about a methodical downward spiral and wasted, dissatisfied youth. Black and white, stark, slow paced. Vincent Cassel is really great in it. Cops have beaten and shot one of his friends during a riot. The friend is now in terminal condition and he says he will kill a cop if his friend dies. Hate breeds more hate. The movie happens in France and the language is intense french slang so even I had to use subtitles. It's also a surprisingly funny movie with a few surreal moments and a strong atmosphere and philosophical bent. A study of three friends getting closer to the edge.

Just finished Paranormal Activity 4. Good fuck, that sucked. That was about every bad aspect of the found footage genre in one 90 minute presentation. There are only two likable characters, and everyone else is either really stupid or possessed by demons. Even the two leads still make fatally boneheaded mistakes. Plus there's a plot point that completely negates the 2nd movie while being so mindbogglingly illogical that you cannot comprehend it. It bases its suspense entirely around the jump scare, and while there are a couple genuinely spooky moments and the climax is, for the most part, alright aside from the main girl being a fucking idiot, pretty much every attempt at being scary or startling in this movie falls flat on its face. The parents in particular are complete morons, ranging from leaving children unattended in a bathtub with a running laptop sitting next to the water filled tub for at least 10 minutes to brushing off their daughter's videotaped evidence of supernatural shit taking place with "just go to sleep, please".

Overall, it's a fascinatingly bad 90 minutes that show that when found footage is bad, it is BAD.

Ocean's Eleven : my sister came over and after much arguing over what to watch, we settled on this. A movie she liked and I hadn't seen. What to say? Basically it's neither bad nor good. It's one of those nothing movies that you gain nothing from. You turn off your brain for two hours and don't fully pay attention at parts. It's led by the charisma of it's cast, all of whom have been in much better movies. Typical heist film, with an undeveloped romantic sub-plot that it's impossible to care about.

The Bourne Identity : Slick, gritty, somewhat realistic, not all that gripping. The action scenes are well filmed and actually pretty cool in parts but that's about it. I feel like maybe the story could have had potential but I don't think it's told very well, and the scenes involving the government agents hunting him down are tedious. It sounds worst than it is, I never felt compelled to turn it off and it wasn't plagued with modern action quick cuts. I hear the second one is better.

The Bourne Identity : Slick, gritty, somewhat realistic, not all that gripping. The action scenes are well filmed and actually pretty cool in parts but that's about it. I feel like maybe the story could have had potential but I don't think it's told very well, and the scenes involving the government agents hunting him down are tedious. It sounds worst than it is, I never felt compelled to turn it off and it wasn't plagued with modern action quick cuts. I hear the second one is better.

It's not that it's better. It's more or less the same movie: Bourne tries to figure shit out, evades some attempts to catch/kill him, discovers more tidbits about his past, then escapes a couple more attempts and leaves everyone confused. Third movie is more of the same. It's hard to care about any of them if you're not interested in how the Bourne character develops and what he uncovers along the way. The action is fun though, and seeing how he outsmarts government agencies and assassins and shit is also fun.

127 Hours is quite good. James Franco is pretty much the only character onscreen throughout the vast majority of the movie, and whenever he's not onscreen the action still pertains to him. He's very, very good in it and pretty much makes the movie.

I didn't like that 127 Hours movie at all, which is surprising cause I have such low standards anyway. I usually prefer slow and actionless movies but this was simply boring. It was a few years back and I can't really remember if anything specifically annoyed me or was it simply the fact it was boring but yeah, wasn't a gripping one.

I didn't like that 127 Hours movie at all, which is surprising cause I have such low standards anyway. I usually prefer slow and actionless movies but this was simply boring. It was a few years back and I can't really remember if anything specifically annoyed me or was it simply the fact it was boring but yeah, wasn't a gripping one.

I thought it was vastly mediocre. It should have been left as a news story, a book at best or an over-dramatized, Unsolved Mysteries-esque reenactment. It never rose above it's subject matter and barely gave anything new to those who already knew Aron Ralston's story. Basing an entire movie over something that can be summarized in one page will lose the viewers interest pretty quickly unless you incorporate more intriguing fictionalized elements or different sections of his timeline that aren't about him being trapped.

Currently watching The ABCs of Death, an anthology movie about, what else, death. Just so you know what in the world I'm dealing with here:

One of the segments is about a Japanese schoolgirl who gains sexual pleasure from farting who lusts after her teacher. All of a sudden, God farts noxious black smoke in the form of an earthquake that kills all people not indoors. The schoolgirl tells the teacher that if she is to die, she wants it to be done by her teacher's fart gas. The teacher undresses, farts, and her anus emits a deadly yellow gas that fills the room, kills the schoolgirl (who orgasms during this), and then gets sucked back into her asshole along with the schoolgirl. The schoolgirl awakens inside the teacher's asshole looking like the Starchild from the end of 2001: A Space Odyssey, having reached enlightenment through farting. The teacher then appears inside her own asshole, now a Starchild as well, and she and the schoolgirl finish the segment by making out passionately while farting yellow gas.

Currently watching The ABCs of Death, an anthology movie about, what else, death. Just so you know what in the world I'm dealing with here:

One of the segments is about a Japanese schoolgirl who gains sexual pleasure from farting who lusts after her teacher. All of a sudden, God farts noxious black smoke in the form of an earthquake that kills all people not indoors. The schoolgirl tells the teacher that if she is to die, she wants it to be done by her teacher's fart gas. The teacher undresses, farts, and her anus emits a deadly yellow gas that fills the room, kills the schoolgirl (who orgasms during this), and then gets sucked back into her asshole along with the schoolgirl. The schoolgirl awakens inside the teacher's asshole looking like the Starchild from the end of 2001: A Space Odyssey, having reached enlightenment through farting. The teacher then appears inside her own asshole, now a Starchild as well, and she and the schoolgirl finish the segment by making out passionately while farting yellow gas.

-There are evil Nazi half-human/cat furry strippers that melt and explode when electrocuted.

-An animated woman is killed by her freshly laid turd coming to life and bouncing into her asshole.

And...

-A bunch of people in Eyes Wide Shut-esq masks are spectators to a masturbation tournament. Japanese men are forced to whack off to things such as naked women, a one legged amputee getting boned by her own prosthetic foot, and a fat man violating a young child, until one of them climaxes. Whoever reaches peak arousal first moves onto the next round (12 of which are made through in the segment), while the loser is killed by a spike being driven up their ass. The main contestant in the segment at one point is helped to win a round by one of the stage handlers showing him her vagina, which is actually a moving, living, sentient eyeball. After the guy fails to win one round, the scene cuts to him getting screwed on a bed by a busty lady as part of another round of this masturbation contest, only to be violently disemboweled with a chainsaw.

I thought that when the ABC's of death worked, it was pretty fucking entertaining. It certainly was mostly creative and sometimes even innovative, but the misses were more constant than the hits I'm afraid. Segments like Ti Wests look like they were conceived and filmed in 5 minutes.

Ti West is, for some reason, not that good with anthology movies. His segment in The ABCs of Death was really lazy, and his segment in V/H/S was easily the worst segment in that movie. His feature lengths are great though, particularly House of the Devil; I could watch that Jocelin Donahue 80s dance scene forever and never get tired of it.

I thought it was really boring and didn't make much sense. Even though the other segments don't explain much, if anything, either, at least with those segments you can kinda figure out what the deal is. With his segment, the fact that they don't explain who this robber is or what her connection to his girlfriend is beyond them apparently being lovers only makes things confusing. Plus there are only two scenes of "suspense" in the segment; when she steals his money and toilets his toothbrush, then when she kills him, with everything before and in between just them screwing around in that wild west town, in the hotel, and in the mountains.

Really the rule of thumb with V/H/S is that the odd numbered segments are great, while the even numbered are not.

Yeah sure, that's what all the reviewers say, but my personal opinion is that they were all varying levels of good How did it not make much sense? The wife has a secret lover and he/she followed them on the trip and killed the husband. It's literally the most straightforward and realistic of all the stories.

Those bondage photos, man. They stay with you for days. Same with the rape scene, the barrel stuffing scene, and Amy's screams going quieter and quieter as she's buried alive.

I actually told my dad about it, and he told me about another found footage child abduction movie that's on Netflix called Amber Alert. After wrestling tonight I'll give it a look as he said that it's pretty good.

Well Michael Goi intentionally tried to make a movie that had an underlying message to it, and he succeeded. It definitely shows how bad internet predators can get, and still manages to be effective as a horror piece at the same time.

I absolutely agree. It's very strong as an actual film, while also being actually horrifying. That mostly has to do with the fact that it makes you realize that people have actually gone through shit like that, and it's chilling. Seriously; reality is, time and time again, scarier than fiction.

_________________

Nochielo wrote:

Crick wrote:

Years from now, no one will remember Gandhi. They will speak only of Fenriz.

The only times that the movie really feels kinda blah is the newscast scenes and the party scene. The party scene and its aftermath with the camp counselor is just Larry Clark gone found footage, and the newscasts really show the film's low budget. Everything else though is pretty damn good.

To anyone who thinks Megan is Missing is original/worthwhile/not-completely-awful: have you guys seen The Poughkeepsie Tapes? Because it's basically Megan is Missing only, you know, actually watchable.

I've been meaning to check that out, darkeningday. It looks like a decent exploitation film. Also for all you shock hounds, apparently The Girl Next Door (2007) is the most shocking movie ever. Knock yourselves out, I have no interest in seeing it.

Those bondage photos, man. They stay with you for days. Same with the rape scene, the barrel stuffing scene, and Amy's screams going quieter and quieter as she's buried alive.

Spoiling the ending much. I don't care though as I watched it the other day.

Recently watched The Collection and thoroughly enjoyed it. It's got a very basic and predictable plot but so did the first one so it works fine, plus it's great to Lee Tergesen (Tobias Beecher from Oz) in a starring role. I liked that Josh Stewart's character had a significant role and wasn't just cheaply knocked off in the opening like Children of the Corn 2. You wont find character development here and the traps aren't as mysterious as the first but if you want a well executed and fast paced slasher that feels similar to an 80's movie, you could do alot worse.

The same director also made Quarantine and Devil. What a great record he's got, indeed.

I've never seen Devil, and while Quarantine was quite bad I found it generally more palatable than [REC], because at least it had a filmmaker's touch (as opposed to [REC], which felt like a slapped-together college capstone project).

That the Jack Ketchum one, Necro? It was awful. I turned it off early not out of horror but out of boredom. However, An American Crime (which I *THINK* was based on the same true story, or inspired by similar events or something like that) was fairly respectable and definitely worth a gander. Neither film struck me as particularly shocking but I am fairly jaded.

The same director also made Quarantine and Devil. What a great record he's got, indeed.

I've never seen Devil, and while Quarantine was quite bad I found it generally more palatable than [REC], because at least it had a filmmaker's touch (as opposed to [REC], which felt like a slapped-together college capstone project).

Devil was written by M. Night Shyamalan, so that should tell you all you need to know about it.

Ti West's segment in V/H/S was easily my favorite, and the best thing he has done yet. Short, sweet, atmospheric - well done stuff.

I want to see Poughkeepsie Tapes...didn't think it'd be very good, but hey, maybe I'll be surprised. Megan is Missing I dunno if it's really GOOD, but it effected me - so I can say it was powerful. It had its impact.

And I liked Devil. It was fun - had some bounce and verve to it. Stupid, sure. But fun.