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Both the title track and its successor United match and drive the album deeper into the passions, BUY STILNY OVER THE COUNTER. The first is simply a respectful roll call of punk greats no longer with us, an impacting homage and reflection on so many who have shaped bands and punk rock as a whole. With a musical wrapping which ignites the primal rocker in us all the track is a tremendous exploit igniting nostalgia and hungry satisfaction. The second of the two swaggers in on an infectious tsunami of rhythms to which the guitars align blazes of rock riffs as vocals whip up thoughts and passions. The bass again brings an extra lick of the lips for its heavyweight prowling and as a whole the song and band again draws and exploits the primal pleasure and anarchy in us all.

As My Very Good FriendBUY STILNY OVER THE COUNTER, brings the A side to a close it is hard to remember Menace sounding this good and predacious musically and emotionally since those early days. The last track opens with a slow female and male vocal croon alongside a lone guitar, their reflective stroking capturing thoughts for a following ska punk eagerness to stomp through the ear. The track veers more on the punk side as it saunters along but with a healthy flame of jagged guitar to tease and coax the listener’s appetite, the track is a thrilling mix of Angelic Upstarts and The Vox Dolomites but uniquely Menace.

The second side immediately seizes the senses in a fury of belligerent punk revelry with firstly the rapacious Party Animal, another ridiculous infectious anthem, and then the excellent toxicity of Get Out There, niggling grooves an incendiary temptation within the bruising and intimidating viscous sounds. The tracks continue the impressive presence and stature of the release, the pair lingering imprints on the memory and passions as is the outstanding Busy which soon follows equipped with that instinctively resonating bass call and addiction sparking hooks.

Leave Me Alone is a raw eyeballing argumentative squall, an agonistic encounter which stands toe to toe with its intended and pulls them into a mouthwatering call to arms before passing them onto the enjoyable acoustically borne rocker We Are The Boys. Both songs bring the album to a thrilling conclusion though there is still room for a bonus track, the brilliant One Two One Two, vintage punk at its ridiculously anthemic and riotous best. It is a brilliant end to a cracking album and though there is not quite a GLC or a Carry No Banners on it, the Rebel Sound released Too Many Punks Are Dead has a wealth of tracks to show the emerging punks of today how to craft and unleash real punk rock whilst showing Menace is as influential and irresistible as ever.

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