Thursday, June 24, 2004

"Made of wood and bound with iron, the wheels of the carriages, wagons, and riding chairs that navigated rugged colonial roads had to be strong and tight.

Producing wheels requires strength, ingenuity, and the talents of both a carpenter and a blacksmith. Precise measuring skills are mandatory.

Like their Williamsburg predecessors, the wheelwrights who practice the trade at the Governor's Palace today start with a hub fashioned on a lathe from properly aged wood such as elm. A tapered reamer opens the center to receive a metal bearing; The wheelwright uses a chisel to create rectangular spoke holes around the circumference of the wheel. Carved from woods like ash, the spokes radiate to meet a rim of mortised wooden arches, called "fellies," that join to form a perfect circle." - Colonial Williamburg website

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I am passionate about technology, education and history, particularly ancient history. I am constantly exploring ways to use technology to enhance the learning environment and am particularly ecstatic when I can develop a technology to advance the study of ancient history.Follow me on Twitter! Comments or Questions: mharrsch@uoregon.edu

Quotation of the Day

Artist/Historian George S. Stuart Honors Olympics with Manchu Figures

To honor the 2008 Beijing Olympic Games, the Gallery of Historical Figures is hosting the highly-acclaimed Manchu Dynasty Historical Figures® of sculptor and historian George Stuart. Until now, the unique 26-piece group could only be seen in museum exhibits. "What better time to recognize recent Chinese history and to share a westerner's view of it?" said Stuart.

The Manchu Dynasty collection begins with Nurachi, who defeated the ailing Ming Dynasty in 1616 and ends in 1967 with the death of Pu Yi, the last emperor. The 350-year interval is represented by emperors, other royalty, courtesans, warlords, military, reformers, peasants and more. Pictured here is the ill-fated Taiping Emperor Hung Hsiu Ch'üan, self-acclaimed "Brother of Christ".

To assure maximum possible historical accuracy, Stuart collaborated with LU Zhengliang Arts Studio in Suzhou, China on many of the Manchu Historical Figures. LU located and studied many of the original robes and then embroidered the quarter-scale designs on specially selected fabrics.

I was privileged to design the website for artist/historian George Stuart's Gallery of Historical Figures. Mr. Stuart's meticulously detailed historical figures reflect his dedication to accuracy and obvious passion for his subjects.