Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to
dramatize, glamorize, and politicize the grand theatre of
creative life.

Diplomatic charm

Zukra-ruled Purvaphalguni
gentlemen are often found in the sparkling bright worlds of politics, romance, entertainment,
speculative finance, and spectator sports.
Yoni-born chaps often display a thick mane of leonine hair and a charming
sense of humor.

They are happiest when enjoying a choreographed sport, playing music, dancing
with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, Delighted by
spectacle and applause, they glitter and smile at parties, political campaigns, gambling and
games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the
Purvarjuni-born may also excel in financial showmanship, bargaining toward a political
or commercial agreement, and the high drama
of romantic relationships.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of
drugs and alcohol.
Political success depends upon the charisma of lagnesha Surya.
Financial success depends upon the dual-dhanakaraka Zukra and
Budha.

Themes of political celebrity,
lavish musical entertainments, arts and fashion, and financial
agreements may contextualize Pubba's
terrestrial experience.
Applies also to
Chandra-Purvaphalguni.

Dad was said to have been a partying musical man-about-town, popular but oft unemployed (Surya weakened in Kumbha).

Surya-Kumbha rules 5-drama, romance * Surya-11 salary, royalties

Mr. Harrison lived largely in a state of creative disconcern for the moral
outrage that his lifestyle provoked (Surya-Kumbha individualism
despite the system). He was more concerned with working
to pay his considerable alimony and child-support debts. The tabloid publishers appreciated his
ability to produce good copy.(Surya rules 3rd-from-3rd publications)

Somana-yuti-Shani
shows pressure from the Mother. His mother by contrast was a
disciplinarian who ran a respectable home. Chandra-12 suggests that mom
was emotionally invisible or emotionally unavailable. Chandra-12 thus
sets the framework for multiple marriages exemplifying the theme of
spouse = 6

MARRIAGE emotional support partnership

Harrison married a total of six times over a 30-year span.

7th-from-Chandra-12 = suggests that for one playing the husband role (Harrison) the
wife-role is fundamentally a private person who keeps his emotional
needs to himself. Some marriages are easier than others, but the overall
pattern is disagreement from the partner (6) and emotional withdrawal
(12) from the self.

Wife-2 Lilli Palmer, represented by his
Kuja-yuti-Zukra
in 2nd-from-Chandra = bhava-1 iconic personalit, was a famous celebrity actress
of the era, was a famous celebrity actress
of the era

Harrison was a mid-century
Matinee idol
upon whom the public audience projected their unrestrained fantasies =
Chandra-12 + Surya (drama) in 12th-from-Chandra-12

Harrison endured a nearly-career-ending scandal during
Chandra-Guru bhukti when his extramarital lady-love committed suicide (12) after spending the evening with Rex.

Also he endured a recurring scandal after the suicide of one of his six wive.
There was a permanent taboo-association affecting his reputation
stemming from his life habit of very married philandery
= Randhresha-Mangala-1.

However boosted by the fabulous Chandra-12 parivartamsha
uttama-Guru-4, the tabloid press amplifed (Rahu-3 press) the lurid
stories and the scandals ultimately added an exciting allure to his
Matinee idol aura.

Within the championship Mesha lagna,
Kuja-yuti-Zukra
in
2nd-from-Chandra
energizes (Kuja) and beautifies (Zukra) his singing voice. Kuja-Bharani
is also randhresha and adds a competitive sexual edge to his
relationships.

Rex Harrison was a distinguished and rather notorious stage-and-screen dramatist-singer who was engaged in theatrical acting throughout his long and professionally productive life. In fact, he was acting on stage until only a few weeks before his death
from pancreatic cancer at age 82.

Harrison's professional reputation was defined by several world-class performances in roles such as Professor Henry Higgins in My Fair Lady (1964) and Doctor Doolittle (1967). These classic
cinematic films have remained popular more than 50 years after their first release, due largely to Harrison's sharply articulate and charismatic performances.
Harrison played many popular male roles, but he was in
particular a master of wry comedy.

Rebirth and
self-reinvention randhresha-Kuja-1

In the capricious world of drama, he enjoyed extraordinary professional longevity.
He also negotiated ongoing sex-and-death scandals, from his teens until his eighties.

Randhresa Mangala-1 in strength grants the dynamic thrust necessary
rebirth and reinvent oneself.
By releasing the conventional limits on self-redefinition, one may use the old container
(1 body) to hold new energy (8 initiation, rebirth) thus appearing
re-born.

Intensely self-focused

Mr. Harrison is generally
retrospectively assessed to have suffered the classic patterns of
Narcissistic Personality Disorder,
which allows a lover to use then scorn the objects of their affection.
He was considered both a master of his craft and a bully, who denigrated
co-workers, showing special contempt for the leading ladies who
threatened to divert attention from the glamour of his performances.

Budha-Kumbha suffers moudhya-dosha
which afflicts bhava-3 and bhava-6 with a narrative of weak critical
thinking (3) and disagreeable relationships (6). Emotionally,Budhaarules both yuvathibhava-7 AND
7th-from-Chandra, suggesting that the area of life most impacted by the
combust Budha = relationships.rules both yuvathibhava-7 AND
7th-from-Chandra, suggesting that the area of life most impacted by the
combust Budha = relationships.

Harrison was loved by theatrical audiences due to the regal celebrity of
his high-visibility communicative craft and the charmingly humorous precision of his speech.
He particularly excelled in roles representing linguists and masters of
speech * such as Professor Higgins and Doctor Doolittle
* Rahu-Mithunaya Rahu drishti to Budha-11

Shani drishti upon Dhanuzyathe emotionally motivated, social-ordering,
leadership-seeking; 10th-from-Chandra while Shani-yuti-Chandra is
evidenced by the characteristics of age benefitting his career.10th-from-Chandra while Shani-yuti-Chandra is
evidenced by the characteristics of age benefitting his career.

Harrison famously ascended when his forehead became furrowed with the
lines of age. His most successful professional bhukti occurred when he
was eligible to enact middle-aged and elder male roles such as Professor Higgins (a sixty-ish
teacher) and Doctor Doolittle (a wizened, experienced veterinarian)

He was considered a difficult man to work with. Colleagues complained that Harrison was lacking empathy toward the needs of others and unappreciative of the gifts of others. In other words, his public perfectionism combined with private intolerance defines a textbook narcissist.

The tabloid celebrity press (3) eagerly developed Harrison's sensational
relationship stories to increase their readership. However, unlike a political career, a dramatic
entertainment career often benefits from the publicity of am unseemlyscandal. So it was with Harrison, whose six marriages and much extramarital mischief were excoriated by moral criticsscandal. So it was with Harrison, whose six marriages and much extramarital mischief were excoriated by moral critics but celebrated by his
delighted audiences (11 fanclubs).

Surya-Kumbha rules 5-romance. Surya is confident to operate outside conventional hierarchies,
giving readers the salacious romance stories that they wanted to read
and criticize (Budha critic). The fan-base network exemplifies the thespian's slogan "there's no such thing as bad publicity".