The fun!? of homeless surgery, Basic announcement: Hello, folks; pardon the delay in publishings; I have been hospitalized due to un-relenting pain connected to a gigantic/ large ovarian mass/es in my body, physical for the last 7 or nearly eight years; it’s [it has] been exhausted and just had surgery; I am now in recovery, while uh homeless, … While recovering from surgery I will still aim to have at least some postings up per week; and my next publications out just a bit slower, … Anyhow; onto the post –ing: that was meant to be up already, …

Dates: 61018-61118

Like the moves, pushing cars on a button or vice-versa; actually; paying attention to *connection between the button pushing & the cue of the, what->you hear. I mean the car is an entropy body right? as it moves and that type of coordination. Even if un-spirited; on something as charging coordination: it is, alive; if only in segments.

[To answer why you can’t talk to them]

cited: Transformers?

(for the Death project, the whole thing)

From a house you can walk into death; and also the dead; how s*o? The house has a body: structure as your physical body: structure.

|—[Housing is bigger than[t] you; [why do you have housing issues of any and any all variants including homelessness] to your body] of housing [in physical structure

theme: in a read lollipop is a whole … at least.

and so in rational dynamics; think rations: you can walk in. Additionally; whatever % assumptive qualifies characteristics of something to it something being living; likely most current housing is qualified to dead in the applicable qualities of: living & dead. Likely, if you walk into a housing structure; even a smaller one; even for a short visit; you are walking into a, the dead. And perhaps the same with non-housing structures of similar relative size difference; if they also [qualify] as dead. If you thus walk into the dead; you might find what deadened and-or deadened: killed then appear in a view-able way; and and you might try to comprehend it; and this may, be the way to come into the knowledge of: the great mysteries or a sets; sets of one or two of them: in categories.

Life as an artist and a holy derelict-clothwad

Dedicated to my brother: J.L. Da.F. and J.C.

Like something wouldn’t believe I was huddled into the quill of read; and on-top of the cushion of pink; where the phony Mary posed in Gregorian and couldn’t cat: chat; the cushion turned to the prick that must have cemented it

The dip and climb of

Sea’ to me.

In front of me the thin flowers and then ribbons as a thing of my: floral art. It’s a drinking tin; with paper taupe as a spherical [as in becoming] ribbon.

The lights flash since the strobe plantain also known as my focus, switches modality to ex-tended [ why, by the way: ] rest. I think of fans and teddy bears; but also of fans of teddy bears.

the only problem then; of course becomes travelling as in depoyeument and there’s no way to be near enough the teddy bear; this sounds like a sentiment for various variations of heart.

the problem shouldn’t be does the teddy bear; bears even smell strongly enough of potpourri that you sniffing it: is too much for you.

[draw a cloth, wallet]

The smell should be something you either need to smell or can’t ever smell too much of; and not sure if the or belongs there. [Like a greeting carpet at the front door or back door; or sum, sum, thing.] To the first problem; and perhaps the only one; there might be a travelling accompanying teddy bear.

I’m not sure if it can or has turned into the travelling accompanying teddy: beer; who actually smells of, beer; and not something pretending to be beer: but of much worse odor:

Would the potpourri teddy bear that also travels with you on depoyeument: be smaller [with less potpourri or lighter] than the normal regulary non-travelling one

are you only travelling and-or depoyeument [in] because those that won’t don’t care for you; or like in fiction: heart you enough.

Hypothesis: A piece or real art over schematic or rough sketched or wavy sketched art ; transforms both to real art either together; and of course the latter also alone. The former of course has already won that award; and any real work awarded of course cannot lose such work. Metafaces of Enlightenment

Using main frame brief art: of today’s cited fiction posting.

Part two. The mini-di

Date: 51817

Tag[s]: for esp. cited: c.s.u. educational, needs

The salt shaman continued

Source, text, cited: Love Story by Erich Segal

So; on cited page 3

If both “coffee”[s]
“and a brownie

With ice cream

(for her).”

First of all it is

Unclear; if

Both “coffee” [s] are

For the narrator with

Only the subjunct

Meal for the other;

But in any case

Where the latter in

Combination only

Or not is like

Salt;

Certainly the former

Is; and past

The already counted

Consent as in last

Posting; is

This further

Consent to salt: and

Whether since we don’t

Know for sure whether

The mini-meal and-or

Refreshment[s] in this case

The salt is actually consumed

Or not; we only know that

The salt enactment

Is complete from the

Former consent in the

Order.

Most would argue … that

Any meal-type setting

Is an opener;

But perhaps it

Is it as salt:

After the order:

The other introduces

Itself to the narrator

And discovers

The narrator’s family

Heritage

Cited p. 4-5

But on cited

p.5

“ “Jenny, if you’re so

Convinced I’m a loser,

Why did you bulldoze me

Into buying you coffee?”

She looked me straight in the

Eye and smiled.

“I like your body,” she said.”

Where salt is not

Water but in water; “coffee”

Is salt; buying “coffee”

Even when “bulldoze(d)”

Is consent to salt.

“coffee” like salt? Like salt-liquid

Is salt we’re looking for

Something that translates the

Liquid …

Or to liquid

“She looked me straight

In the eye and smiled.”

“ … Look me …” always implies

Mirror and mirror

Always implies water

“straight” implies

Examining image

“eye and smiled.”

Means also I and “smiled.”

Recognition of self-image

Implies with the other

Recognition of another

Image that has

“ … looked me straight …”

Quality of water viewing.

See cited: Sylvia Plath’s mirror

“ “I like your body, “ she said.

The other views “body”

Outside of itself over salt;

Is again

Most aptly

Captured by a

Body of water;

And or liquid.

[other notes: salt near body; “coffee” near a body, actual ]

In fiction analysis of

Salt in this text then;

This is the description

Of entryway to outside and

Inside yourself view; comprehension

: in other words; this

Text analysis seems to imply

Do it over salt, salt-like ; and-or

Do it with salt.

Perhaps one inconsequential

Proof : for long

Days or nights

With salt-kind;

i.e. such as

coffee.

Theme: who kneads

Lust; when you

Can image comprehension;

Instead.

—Reality checks.

As an aside: of course;

This is fiction analysis,

And if wanting to apply

This motif to real life;

If you ordered a book

Instead for yourself;

And something like that

For the other:

Not being salt would

It provide the

Tag[s]: & policias of l,ibrares

Same-type

Of opening;

Opener?

Perhaps if you

Got really close to

The salty? Salt-like

Pages.

Maybe this is one real reason

Some? Library workers?

Never want to anybody to eat

Or drink in the library when

Wit: books; they might be

Attempting to control socialization

And from previous posting

Salt, salt-like’s entry-way [if even fiction][in the reality check?]

Into actual knowledge. Ha!

& in the knowledge stream:

Library. That’s a real time –

Out kicke.

Tag[s]: the culture of several bay area libraries and some of their staff; but not all of their staff.

Part Three. More perfume and garbage notes.

It larger thing is turning into a potpourri bottle or something; or potpourri paper weight or something;

And the other other two are also being added to as photographed.

Oh perfume notes and art notes of garbage: what will happen next.

Will I rub you and view you and you at the same tryin.

and then of course I also rubbed the leftover “grease” of the flower all over my face and stuff. Oh no hygiene. || know ||