And you have the Super Star specials that Fleer was so fond of during the 1980s and were at least a little fun — they dubbed Vince Coleman “Terror on the Basepaths” before anyone knew about his love of firecrackers.

And you have the blue borders throughout the set, which would have seemed more unusual if Donruss hadn’t hit on the same idea at the same time.

For the most part, though, 1986 Fleer baseball is mostly boring — lots of posed shots, a few typical action shots, and a couple of candids.

Hernandez is usually remembered as the suave, thick-mustachioed 1979 National League co-MVP (shared with Pittsburgh Pirates great Willie Stargell) who could field anything at first base, as evidenced by his 11 Gold Gloves, and who was atypically productive at the plate, first for the St. Louis Cardinals and then for the New York Mets.

He was atypical because, although Hernandez didn’t hit for much power, he drew lots of walks and was often in the race for the NL batting crown.

Hernandez was also a GQ sort who always looked perfect on and off the field — perfect hair, perfect clothes, perfect uniform.

But on his 1986 Fleer card, Hernandez looks more like the perfect baseball player, the sort you’d want to go to battle with any day.

Hernandez stands in the center of the frame in front of the low brick wall behind home plate in Wrigley Field. The Cubs catcher — Jody Davis, probably — is fumbling around in the dirt at Hernandez’s feet, to his right.

Keith is looking off to his left, toward third base.

And the best part of all is that Hernandez’s road New York Mets uniform is completely filthy.

You can guess from these circumstances that Hernandez has raced home to find some sort of incident at the plate, and he’s sussing out whether or not the guy behind him should take on the same entanglement.