The mark on the spoons is that of Bigelow, Kennard & Co., 925, and probably date from the last quarter of the 19th Century. The form of the handle is Old English, the bowls have the slightly narrower and elongated oval shape associated with early Georgian silver – and would go very well with flatware of that period. They are 5-5/8 in. long and weigh 258 g. A feathery script F is monogrammed to the front of the handle. There are no distractions of any kind...

The simplicity of the flat handle of this ladle is balanced by the curvacious four-lobed bowl. A stock of flowers is lightly engraved on the handle which is outlined with a thread. The underside is completely plain...

A classic mid-19th century pattern of the coin period, 'Oval Thread' appears with marks by most makers and retailers. The blades are even, without waviness, bites or burrs; the handles are firm, with no splits. There is no pitting. Wear is commensurate with their 150+ years, and have been well cared for. An anchor, Victorian head, and lion are stamped on the blades, indicating a New York maker. The name Phelps is lightly engraved on the handles in period script...

The Japanese influences of the 1870s and 1880s came to silver in many forms. The bright-cut designs of the period utilized such elements as flowers, leaves, birds, and branches found in Japanese textiles, but as in 'Chrysanthemum' (introduced 1885), their asymmetrical dispositions were constrained by the Old English forms into which they were cut. Acid etching is the background of the handles into which the flowers are incised and emphasizes the flowers, branches and leaves...

Engraving on Philadelphia silver is first-rate, and this spoon is no exception. The handle uses an engine-turned field enclosed by threads to set off a shield with 'Heritage' engraved in lovely period script. The bowl of the spoon is fluted with a dart and egg edge. James Watts, whose mark together with the word 'coin' appears on the undecorated reverse of the handle, was both a maker and a retailer, ca. 1840-1880, and I would guess that this spoon was probably made ca. 1860. It is 8.7 in...

Hanau, Germany, was a center for silversmiths from the mid-19th century to the first decades of the 20th century, and whose major works involved copying or recreating antique styles in flatware and holloware. Its special status allowed it to be free of the marking system that was incumbent on all other German cities, and many are not completely known today...

'Plymouth' was introduced in 1911, at the time when tastes were turning from ornamental styles to Colonial Revival; it was a very popular pattern. Multiple threads outline the handle which terminates with a boss. The fork is in excellent condition – hardly, if ever – used, with no monogram or removal. It is 6-3/16 in. and weighs 32 g. It has the Gorham mark and 'sterling' on the reverse.

Most pieces in this pattern, introduced ca. 1870, are unmarked as to maker, and this is no exception. Because, however, I have seen pieces with Whiting's mark, I will make that tentative attribution. The stylized leaves and berries are arranged on a textured ground and encased by a defining geometric edge. The blade is engraved with leaves inside a zig-zag outline. It is single-die cut. The condition is fine, with no bends or burrs, and only age-expected wear to the engraving...

The “Dognose” pattern was made in England ca. 1695-1715 during the period when the Britannia, or 95.84%, purity standard was used (1697-1720), and serving as a style that transitions from the trefid to Hanoverian; it was seldom seen after 1720. Typical of the Queen Anne style, the handle of this spoon has an upturned terminal which is characterized by a “wavy end” resembling a dog's nose when viewed from above...

Condition of this 150-year old salt spoon is very good. The threaded handle is double struck and encloses a honeysuckle vine which forms a cartouche on both sides. There is a monogram in script, Kettell, in the cartouche on the top of the handle. Even the bowl is free of salt damage. The length is 3-11/16 in. and it weighs 10g. Westervelt's mark is on the back of the handle.

“Oval Thread” was very popular during the coin period. At that time, knives were not made to match the pattern but were purchased separately, and this one went with many patterns. The picture shows 6 knives, but only 5 of them are coin – the 6th is plated and is included at no charge as a “completer.” The knives have no structural problems – no bends or burrs or pitting...

The Gaylord Farm Sanatorium was a tuberculosis rehabilitation center in Wallingford, CT, and was run by New Haven County, CT. The Gaylord Silvercraft Workshop was established there in 1925 to provide vocational and occupational training for patients. It produced many items of jewelry and household / table items until its closing in 1944; those were sold in the Workshop store and to small dealers and stores. There have been catalogs compiled from annual reports showing the numbers of items mad...

Schohay & Ludwig was a short-lived Philadelphia partnership (ca. 1867-73) producing items of both coin and sterling silver. The marmalade spoon is marked coin. Its handle is twisted with a wide flat terminal, engraved with volutes and blossoms; there is a central field with a script monogram EH. The heavy bowl is ovate with notches on the rim, engraved stems and leaves, and repousee fruits and berries. There are traces of gold. It is 7 in. long and weights 28 g. The condition is very good....

Arthur Stone (1847-1938) is often called “The Dean of American Silversmiths.” As an English born and trained silversmith, Arthur Stone's work embodied the fine workmanship associated with English silver, and with the individuality he found so appealing in early American forms. He produced both ecclesiastical and domestic silver. The shop he opened in 1901 trained many fine silversmiths in the hand-wrought method. This serving fork, in a Pointed Antique style, is heavy. Together with his m...

The Fiddle Thread pattern is one of the most representative of the coin period. These spoons are completely unmarked but are doubtless (guaranteed) coin silver. They're in fabulous condition – no dents, burrs, not even age-expected surface scratches – surprising for their 150+ years. There are two sets of monograms, an Old English M on the front and a script FH on the back of the handles. Length of the spoons is 5.6 in. and their weight is 98 g.

Long admired for innovative design, Denmark's silver makers have produced admirable silver, often associated with abstract organic interpretations. This serving fork is such a piece. The two tines and lower handle are flat and mirror-like but terminate in an abbreviated openwork of reeds and berries enclosed in a frame of blossoms. Three irregular lines suggesting water separate the two areas and provide an interesting contrast in the single-die construction. The length is 8-5/16 in. and wei...

In addition to generations of households, Ercuis his been a well-known and highly respected French manufacturer that has supplied cutlery since the 1860s to embassies and hotels throughout the world. The 12 pieces probably date from the second half of the 20th century, but have been relatively unused. A classic style, the hollow handles of both knives and forks are securely attached to the blades. The condition is excellent, with no scratches (beyond cleaning), discoloration, dented or burre...