February 13, 2006

Feeling all Olympic-y

The
Winter Olympics is looking more and more like the trendy X Games, with new sports like
snowboarding contributing to the "extreme
makeover" of the Olympic Games. The English language is getting an
extreme makeover too, as anyone who has heard 19-year-old snowboarding
phenom Shaun
White, aka "The Flying Tomato," can attest. At his news
conference after winning the gold medal for the men's halfpipe
event, White displayed a typical array of snowboarder slang (a
subcultural offshoot of West Coast surfing and skateboarding lingo): gnarly, stoked, pumped, amped, and so forth. A more
innovative usage appeared in an offhand comment he made between
qualifying rounds, admitting
his nervousness after an unimpressive first run. Three media sources
gave slightly different versions of White's overheard remark:

"I'm feeling
all Olympic-y," he confessed to one of
his Burton snowboards support crew. (Los
Angeles Times)

Standing at the base of the mountain, he said
he felt
"all weird and Olympic-y." (New
York Times)

"I wasn't thinking straight," White told Finch
before
jumping on a chair lift for his second qualifying run. "I got all
Olympic-y. I got that out of the way." (Yahoo
Sports)

Regardless of White's exact wording, he apparently used "all
Olympic-y" to mean 'suddenly overwhelmed by the experience of participating
in the Olympics.' Once White overcame that anxious feeling of
Olympic-iness, he
was able to relax for his second qualifying run and win the gold.

White combined the use of two forms common in the casual speech of
young American speakers: the intensifier all and the productive suffix -y. Intensive all should not be confused with
quotative all ("So I'm all,
'Huh?'"), though both of these usages have been investigated by the "Changing All"
project at the Stanford Humanities Lab. (See Arnold Zwicky's discussion
of the project here
and here.)
The intensive usage is nothing new, despite what the RecencyIllusion
might lead you to believe. It's easy enough to find 19th-century
examples of intensive all,
particularly in representations of Scots and other British dialects.
And it turns out that intensive all
has long been attached to adjectives ending in -y describing some sort of
emotional or physical state. Here are two early dialectal examples I
found from a full-text search on Oxford English Dictionary
citations:

The pattern get/go/feel all X-y
was extended in the 20th century to a wide variety of forms, as in these three examples from well-known novels:

1922 JOYCEUlysses
445 Eat it and get all pigsticky.

1932 S.
GIBBONSCold
Comfort Farm v. 71 She will only go and keep a tea-room in
Brighton and go all
arty-and-crafty about the feet and waist.

1934 A.
CHRISTIEMurder on
Orient Express I. vi. 59
This is where I'm supposed to go all goose-fleshy down the back.

I'm afraid I don't have a clue what Joyce might have meant by "get all
pigsticky," but Stella Gibbons' "go all arty-and-crafty" and Agatha
Christie's "go all goose-fleshy" are transparent enough.

Beginning in 1997 the productivity of the suffix -y got a tremendous boost by the television show "Buffy the
Vampire Slayer," as meticulously detailed by Michael Adams in his book Slayer
Slang. (Followers of the truthinesswars
will remember Adams as the wordanista who dared to define "truthiness"
without reference to Stephen Colbert, instead relying on the Buffyesque
formulation of "truthy, not facty.") Many of the examples of -y usage cited in Adams' book also
make use of intensive all:

"Oh, so who are we to be all judgy?"

"And none of us look all passiony
murdery, so we're probably safe here."

"So, you gonna say good-bye this time, or just
split all secret agenty like
last time?"

"Wanna come and get all unwindy?"

"Darla's cute until she turns all
vampiry."

As the above lines demonstrate, the "Buffy" writers felt free to
attach -y to just about
anything (more complex examples given by Adams include twelve-steppy, out-of-the-loopy, and stay-iny). Context is
sometimes necessary to establish the exact semantic relation between
the base form and the suffixed form, but the use of intensive all at least helps establish that
a particular -y innovation
refers to a mental, emotional, or physical state of being.

Context is also key in the case of Shaun White's comment. Out of context, one might assume that "feeling all Olympic-y" is an emotionally positive
state of being, something like "feeling all warm and fuzzy" or "feeling
all gooey (inside)." If White had used the expression during the
opening ceremony or on the medal stand (as well he might), then the expression could indeed have had this positive sense. But coming immediately after his shaky qualifying run, the usage was properly understood by his snowboarding colleagues and other overhearers as referring to a state of heightened anxiety or "stage fright" that can afflict Olympic athletes at crucial moments.

By the way, White wasn't the only American Olympian to use the -y suffix in an innovative fashion
this past weekend. Outspoken figure skater Johnny Weir used the word princessy in
comments to the Associated
Press (offering an implicit critique of athletic norms of gender
and sexuality):

"I am very princessy as far as travel is
concerned and having a nice
room and things like that. Sorry to say 'princessy,'" he added,
laughing, "but that's what we do."