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Testimonials

"They are so special, they stand on their own as beautiful works of art. If the artwork indicates the quality of the film, then we'll have a smash hit."David Hess - Horror Icon, Grammy Award winning songwriter, actor, musician... appearances include The Last House On The Left, The House On The Edge Of The Park, Hitch-Hike, Body Count and Smash Cut.

"A fantastic graphic site, showing the skills and art of an artist to whom I owe the best illustrations for my past and recent work."

Jim VanBebber - Director, actor, writer, one-man assault team - features include Deadbeat At Dawn, The Manson Family plus videos for Necrophagia and Skinny Puppy.

"I wish I had met Silver Ferox at the time I was making my movies - I would certainly have asked him to conceptualize and create all my posters! His work is gorgeous and more intriguing than the originals... which gives me yet another reason to try and make a third movie!"

Corrado Farina - Novelist, screenwriter and director of several features including Baba Yaga.

"Silver Ferox is a remarkably talented visual artist whose eloquent and imaginative renderings are compelling and powerful. You can't go wrong with him."

Harry Bromley Davenport - Director, writer, composer on the cult classic sci-fi horror Xtro, director/producer on various titles including Life Among The Cannibals, Smile Pretty and Frozen Kiss.

"Silver Ferox film design works are things of real beauty, they rock my world and are like a breath of fresh air compared to the samey, generic film posters I'm always seeing. It's great to work with someone who takes so much pride and attention to detail in his work and also someone happy to make changes and compromises to please his clients. He managed to capture the exact feel I was after with his stunning designs which compliment the look and feel of INBRED perfectly. I would definitely work with him again."

Alex Chandon - Writer, producer and director - features include Inbred, Cradle of Fear and Pervirella.

"Versatile, energetic eye for capturing the grittiness of the bygone era of exploitation film/video posters. After having 3 commissioned pieces of work, all I can say is... Amazing!"

Darren Ward - Writer, producer and director of Sudden Fury and A Day Of Violence.

"I've been impressed with the quality of the submissions for the Empire magazine contest in general. This one is especially cool."

"A great professional! Silver Ferox Design creates pure art with a guarantee of originality. With few elements to work with, he succeeds in creating fantastic poster designs that allow the spectator to embrace the content of the film, short or documentary. We are happy to find ourselves here amongst the many jobs realized by Silver Ferox."

"Silver Ferox's designs jump right off the page. His posters are a long-awaited return to the days when poster art really meant something and they resonate with a genuine passion and authenticity for his art."

Dave Andrews - Soundtrack artist - has composed and produced music for Inbred, Endless, A Day Of Violence, Unwelcome and the music of Film4 Frightfest.

"Some of Silver Ferox's poster creations for the classic exploitation and horror films he's tackled are even better than the original one-sheets that initially promoted the films. I certainly can't think of too many graphic designers I'd say that about."

Robin Bougie - Comic book artist, freelance writer, and self publisher of Cinema Sewer, Sleazy Slice, The Ex-Revenge Project, The John Project, as well as over 40 other publications.

"I haven't seen satisfying poster art and design for years. Jeremy not only learned the craft of poster design, he brought it to a more intellectual level in conveying the theme of the film while simultaneously entertaining you with the graphic design layout - an event in itself. I love viewing his art!!!"

"After collecting original movie paper for almost half my life and being familiar with the original poster designs for so long, Jeremy's work is a great opportunity to discover what the advertising campaigns for some of my favorite movies could have looked like if the distributors had a different approach towards marketing these movies back then. Even if I am in love with most of the old designs, I have to admit that in some cases I wish Silver Ferox and his art had been around 40 years ago."