Each track stems from one of four photographs.Four photographs, all black and white and hyper-processed into having a coherent tone-feel (Coy Howard's influence still lingers).The idea is to present myself with a series of visual obstructions that will trigger a complex array of emotions and memory-dependent sensations that can be described through a single track. At the same time, the photographs are meant to be writing triggers. Words are meant to solidify the output so that sounds don't shape the feelings being evoked by the photographs. It is easy for sound to tinge feelings; the goal for the sounds to be informed by the photograph, rather than having the sound shape perception and therefore alter the tone-feel of the image.