This work consists of time-lapse images of plants projected on the human body. Ephemera emerged from an investigation about plants in the context of art and technology. Plants are interfaces for nature, if we think of nature as a broad concept. In the creative process, as well as in nature, light plays a fundamental role. On this project the element light was taken as the metaphor, as well as the physical path that merges human beings and nature in a single landscape.

In a world mediated by technics art endures as the key action for reconciliation between human intuition and the vital energies concealed in nature. Plants are alive and in motion, but they exist in a mode of being that many of their behaviour escape human perception. Ephemera builds its poetic upon these different temporalities to create a space in between. Its metaphor aims to bring visibility to such an interstice in which new forms of being may happen.

More than transforming the human skin in a sort of organic screen, Ephemera is rather using light as a medium for amalgamating beings of different nature but which share a inner connection: organic life.