Charts the sexual awakening of young Charity Royall from her carefree life in June through her affair in July and August, ending in autumn with her de facto abandonment and marriage of convenience to the man who raised her.

This novel is set in eighteenth-century Italy and focuses on the rise and conflicts of Odo Valsecca, who deals with virtually every social class of the period. Here Wharton pits folks inspired by the antireligious thoughts of Rousseau and Voltaire against the orthodox leaders of the day. This is a long and complex novel.

IT rose for them--their honey-moon--over the waters of a lake so famed as the scene of romantic raptures that they were rather proud of not having been afraid to choose it as the setting of their own.

"It required a total lack of humour, or as great a gift for it as ours, to risk the experiment," Susy Lansing opined, as they hung over the inevitable marble balustrade and watched their tutelary orb roll its magic carpet across the waters to their feet.

"Yes--or the loan of Strefford's villa," her husband emended, glancing upward through the branches at a long low patch of paleness to which the moonlight was beginning to give the form of a white house-front.

"Oh, come when we'd five to choose from. At least if you count the Chicago flat."

"So we had--you wonder!" He laid his hand on hers, and his touch renewed the sense of marvelling exultation which the deliberate survey of their adventure always roused in her.... It was characteristic that she merely added, in her steady laughing tone: "Or, not counting the flat--for I hate to brag--just consider the others: Violet Melrose's place at Versailles, your aunt's villa at Monte Carlo--and a moor!"

She was conscious of throwing in the moor tentatively, and yet with a somewhat exaggerated emphasis, as if to make sure that he shouldn't accuse her of slurring it over. But he seemed to have no desire to do so."Poor old Fred!" he merely remarked; and she breathed out carelessly:"Oh, well--"

John Durham, while he waited for Madame de Malrive to draw on her gloves, stood in the hotel doorway looking out across the Rue de Rivoli at the afternoon brightness of the Tuileries gardens.

His European visits were infrequent enough to have kept unimpaired the freshness of his eye, and he was always struck anew by the vast and consummately ordered spectacle of Paris: by its look of having been boldly and deliberately planned as a background for the enjoyment of life, instead of being forced into grudging concessions to the festive instincts, or barricading itself against them in unenlightened ugliness, like his own lamentable New York.

But to-day, if the scene had never presented itself more alluringly, in that moist spring bloom between showers, when the horse-chestnuts dome themselves in unreal green against a gauzy sky, and the very dust of the pavement seems the fragrance of lilac made visible—to-day for the first time the sense of a personal stake in it all, of having to reckon individually with its effects and influences, kept Durham from an unrestrained yielding to the spell. Paris might still be—to the unimplicated it doubtless still was—the most beautiful city in the world; but whether it were the most lovable or the most detestable depended for him, in the last analysis, on the buttoning of the white glove over which Fanny de Malrive still lingered.

Professor Joslin, who, as our readers are doubtless aware, is engaged in writing the life of Mrs. Aubyn, asks us to state that he will be greatly indebted to any of the famous novelist's friends who will furnish him with information concerning the period previous to her coming to England. Mrs. Aubyn had so few intimate friends, and consequently so few regular correspondents, that letters will be of special value. Professor Joslin's address is 10 Augusta Gardens, Kensington, and he begs us to say that he"will promptly return any documents entrusted to him."

Glennard dropped the Spectator and sat looking into the fire. The club was filling up, but he still had to himself the small inner room, with its darkening outlook down the rain-streaked prospect of Fifth Avenue. It was all dull and dismal enough, yet a moment earlier his boredom had been perversely tinged by a sense of resentment at the thought that, as things were going, he might in time have to surrender even the despised privilege of boring himself within those particular four walls. It was not that he cared much for the club, but that the remote contingency of having to give it up stood to him, just then, perhaps by very reason of its insignificance and remoteness, for the symbol of his increasing abnegations; of that perpetual paring-off that was gradually reducing existence to the naked business of keeping himself alive. It was the futility of his multiplied shifts and privations that made them seem unworthy of a high attitude; the sense that, however rapidly he eliminated the superfluous, his cleared horizon was likely to offer no nearer view of the one prospect toward which he strained. To give up things in order to marry the woman one loves is easier than to give them up without being brought appreciably nearer to such a conclusion.

Coming HomeIThe young men of our American Relief Corps are beginning to come back from the front with stories.

There was no time to pick them up during the first months--the whole business was too wild and grim. The horror has not decreased, but nerves and sight are beginning to be disciplined to it. In the earlier days, moreover, such fragments of experience as one got were torn from their setting like bits of flesh scattered by shrapnel. Now things that seemed disjointed are beginning to link themselves together, and the broken bones of history are rising from the battle-fields.

I can't say that, in this respect, all the members of the Relief Corps have made the most of their opportunity. Some are unobservant, or perhaps simply inarticulate; others, when going beyond the bald statistics of their job, tend to drop into sentiment and cinema scenes; and none but H. Macy Greer has the gift of making the thing told seem as true as if one had seen it. So it is on H. Macy Greer that I depend, and when his motor dashes him back to Paris for supplies I never fail to hunt him down and coax him to my rooms for dinner and a long cigar.

Greer is a small hard-muscled youth, with pleasant manners, a sallow face, straight hemp-coloured hair and grey eyes of unexpected inwardness. He has a voice like thick soup, and speaks with the slovenly drawl of the new generation of Americans, dragging his words along like reluctant dogs on a string, and depriving his narrative of every shade of expression that intelligent intonation gives. But his eyes see so much that they make one see even what his foggy voice obscures.

Some of his tales are dark and dreadful, some are unutterably sad, and some end in a huge laugh of irony. I am not sure how I ought to classify the one I have written down here.

Faced with an array of wealthy suitors, New York socialite Lily Bart falls in love with lawyer Lawrence Selden, whose lack of money spoils their chances for happiness together. Dubious business deals and accusations of liaisons with a married man diminish Lily's social status, and as she makes one bad choice after another, she learns how venal and brutally unforgiving the upper crust of New York can be.--From publisher's description.

This is a tragic 19th century love story. The main characters are Ethan Frome, his wife Zenobia, called Zeena, and her young cousin Mattie Silver. Frome and Zeena marry after she nurses his mother in her last illness. Although Frome seems ambitious and intelligent, Zeena holds him back. When her young cousin Mattie comes to stay on their New England farm, Frome falls in love with her. But the social conventions of the day doom their love and their hopes. The story forcefully conveys Wharton's abhorrence of society's unbending standards of loyalty. Written while Wharton lived in France but before her divorce (1913), Ethan Frome became one of the best known and most popular of her works. -- The Merriam-Webster Encyclopedia of Literature.

Charts the sexual awakening of young Charity Royall from her carefree life in June through her affair in July and August, ending in autumn with her de facto abandonment and marriage of convenience to the man who raised her.

This is a tragic 19th century love story. The main characters are Ethan Frome, his wife Zenobia, called Zeena, and her young cousin Mattie Silver. Frome and Zeena marry after she nurses his mother in her last illness. Although Frome seems ambitious and intelligent, Zeena holds him back. When her young cousin Mattie comes to stay on their New England farm, Frome falls in love with her. But the social conventions of the day doom their love and their hopes. The story forcefully conveys Wharton's abhorrence of society's unbending standards of loyalty. Written while Wharton lived in France but before her divorce (1913), Ethan Frome became one of the best known and most popular of her works. -- The Merriam-Webster Encyclopedia of Literature.

This is a tragic 19th century love story. The main characters are Ethan Frome, his wife Zenobia, called Zeena, and her young cousin Mattie Silver. Frome and Zeena marry after she nurses his mother in her last illness. Although Frome seems ambitious and intelligent, Zeena holds him back. When her young cousin Mattie comes to stay on their New England farm, Frome falls in love with her. But the social conventions of the day doom their love and their hopes. The story forcefully conveys Wharton's abhorrence of society's unbending standards of loyalty. Written while Wharton lived in France but before her divorce (1913), Ethan Frome became one of the best known and most popular of her works. -- The Merriam-Webster Encyclopedia of Literature.

A girl came out of lawyer Royall's house, at the end of the one street of North Dormer, and stood on the doorstep.

It was the beginning of a June afternoon. The springlike transparent sky shed a rain of silver sunshine on the roofs of the village, and on the pastures and larchwoods surrounding it. A little wind moved among the round white clouds on the shoulders of the hills, driving their shadows across the fields and down the grassy road that takes the name of street when it passes through North Dormer. The place lies high and in the open, and lacks the lavish shade of the more protected New England villages. The clump of weeping-willows about the duck pond, and the Norway spruces in front of the Hatchard gate, cast almost the only roadside shadow between lawyer Royall's house and the point where, at the other end of the village, the road rises above the church and skirts the black hemlock wall enclosing the cemetery.

The little June wind, frisking down the street, shook the doleful fringes of the Hatchard spruces, caught the straw hat of a young man just passing under them, and spun it clean across the road into the duck-pond.

As he ran to fish it out the girl on lawyer Royall's doorstep noticed that he was a stranger, that he wore city clothes, and that he was laughing with all his teeth, as the young and careless laugh at such mishaps.

This is a tragic 19th century love story. The main characters are Ethan Frome, his wife Zenobia, called Zeena, and her young cousin Mattie Silver. Frome and Zeena marry after she nurses his mother in her last illness. Although Frome seems ambitious and intelligent, Zeena holds him back. When her young cousin Mattie comes to stay on their New England farm, Frome falls in love with her. But the social conventions of the day doom their love and their hopes. The story forcefully conveys Wharton's abhorrence of society's unbending standards of loyalty. Written while Wharton lived in France but before her divorce (1913), Ethan Frome became one of the best known and most popular of her works. -- The Merriam-Webster Encyclopedia of Literature.

Complementing the complete text of Wharton's landmark novel, this extensive volume also includes a wealth of contextual material. "Background Readings" explores the culture of 1870s New York, as depicted in the novel, as well as views on marriage and divorce at that time. In "Other Writings by Edith Wharton," the author discusses fiction writing, old New York, women, and her winning of the Pulitzer Prize. The "Critical Readings" section features essays on the novel from a wide variety of perspectives.

Anna Leath is a young widow, an American living in France. Behind her lies an arid marriage and a life deeply influenced by the rigid code of Old New York. Ahead lies new hope: a chance encounter in London with George Darrow, her first love, has left her awakened, disturbed. Anna returns to her beautiful country chateau, Givré, to await her future. Between two short distances can anything happen to disrupt such promise ...?

"Having begun my book with the statement that Morocco still lacks a guide-book, I should have wished to take a first step toward remedying that deficiency. But the conditions in which I travelled, though full of unexpected and picturesque opportunities, were not suited to leisurely study of the places visited. The time was limited by the approach of the rainy season, which puts an end to motoring over the treacherous trails of the Spanish zone. In 1918, owing to the watchfulness of German submarines in the Straits and along the northwest coast of Africa, the trip by sea from Marseilles to Casablanca, ordinarily so easy, was not to be made without much discomfort and loss of time. Once on board the steamer, passengers were often kept in port (without leave to land) for six or eight days; therefore for any one bound by a time-limit, as most war-workers were, it was necessary to travel across country, and to be back at Tangier before the November rains"--Preface.

Charts the sexual awakening of young Charity Royall from her carefree life in June through her affair in July and August, ending in autumn with her de facto abandonment and marriage of convenience to the man who raised her.

Originally published in 1932, The Gods Arrive is the sequel to Hudson River Bracketed and continues the development of Lance Weston and his relationship with Halo Spear who, it transpires, has left her husband to live with Lance. Where the first novel dwelt at length with Lance's aspirations and growth as a writer, this aspect now plays a secondary role to their relationship. Given that the Hudson River is considered a lesser novel in the Wharton collection, The Gods Arrive is merely an adjunct. Yet, surely Wharton knew that and as much it gives a real sense of a writer producing for her own benefit and relaxation. Which is no bad thing in the scheme of things.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This book contains Edith Wharton's first novella and the second book she ever wrote, 'The Touchstone'. This narrative follows Stephen Glennard, a young man whose destitution leads him into a dubious money-making scheme which he embarks on so that he can afford to marry the woman he loves. After seeing an advertisement seeking any papers or correspondences related to a recently deceased author that he had been in communication with, he snaps up the opportunity. A tale of how social strata, money, and self-deprecation can impact love, 'The Touchstone' is well worth a read and is not to be missed by fans and collectors of Wharton's prolific work. This classic text has been chosen for its immense literary value, and we are proud to republish it here, complete with a new introductory biography of the author. Edith Wharton was a Pulitzer Prize-winning American novelist, short story writer, and designer.

Though best remembered for her novels The Age of Innocence and The House of Mirth, Edith Wharton's 1912 novel The Reef ranks among her most critically acclaimed works. The book offers a piercingly insightful look into a complicated family dynamic that stems from the intertwined relationships of several generations of star-crossed lovers.

Originally published in 1907, Madame de Treymes is a short novella about the efforts of an American, John Durham, to win the hand of his former girlfriend Fanny Frisbee who has become Madame de Malrive by marriage. Durham seeks to use the eponymous character, a cousin of Fanny, to establish a divorce for Fanny whose marriage is a distinctly unhappy one. Unfortunately the aristocratic family works to establish a trap into which Fanny must walk. Wharton's principal theme is a comparison of American and European family values, with Durham as the individualist who refuses to conform to accepted norms and the aristocratic family as a unit that is constrained by deep historical prejudices towards marriage and the Church. In such a thematic choice, Wharton weaves a loose and necessarily brief plot around her study of these differences.

The four novellas collected here, by the Pulitzer Prize-winning author of The Age of Innocence, brilliantly capture New York of the 1840s, '50s, '60s, and '70s. Originally published in 1924, this outstanding quartet includes False Dawn, about a rocky father/son relationship; The Old Maid, the best known of the four, in which a young woman's hidden illegitimate child is adoted by her best friend, with devastating results; The Spark, involving a young man and his moral rehabilitation -- "sparked" by a chance encounter with Walt Whitman; and New Year's Day, an O. Henryesque tale of a married woman suspected of adultery. Each reveals the codes and customs that ruled society of the time, drawn with the perspicacious eye and style that is uniquely Edith Wharton's.

Pocket Books' enriched Classics present the great works of world literature enhanced for the contemporary reader. This valume reprints the orginal New York Times Book Review feature on Old New York, a piece that helps fix the stories in the contemporary critical landscape. Also included are critical perspectives, suggestions for further reading, and a visual essay composed of authentic period illustrations and photographs.

Highly acclaimed at its publication in 1913, The Custom of the Country is a cutting commentary on America’s nouveaux riches, their upward-yearning aspirations and their eventual downfalls. Through her heroine, the beautiful and ruthless Undine Spragg, a spoiled heiress who looks to her next materialistic triumph as her latest conquest throws himself at her feet, Edith Wharton presents a startling, satiric vision of social behavior in all its greedy glory. As Undine moves from America’s heartland to Manhattan, and then to Paris, Wharton’s critical eye leaves no social class unscathed.