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Two From Powell/Pressburger Criterion releases gorgeous new transfers of two of the greatest films to come out of post-war Britain, from that period’s greatest filmmaking team: Michael Powell and Emeric Pressburger. Black Narcissus was originally released in 1947 and caused a sensation with its explosive story about a nun (Deborah Kerr), cloistered in a remote convent in the Himalayas, who must battle elements both external (the punishing weather) and internal (temptations of the flesh over duty to the spirit). Also features stellar turns by England’s greatest actresses at the time: Flora Robson, Kathleen Byron and a young Jean Simmons. One of the most dazzling films ever made, bolstered by Oscar-winning cinematography from Jack Cardiff. Bonuses: New transfer, supervised by Cardiff, editor Thelma Schoonmaker Powell; Introduction by filmmaker Bernard Tavernier; Commentary by Powell and Martin Scorsese; Featurettes; Documentaries and interviews; Trailer. The Red Shoes,

Austin-shot indie Artois the Goat, which premiered at SXSW 2009 (with a live goat at the Ritz and everything) has finally made it to DVD after a long and successful film-fest tour. It's a sweet romantic comedy/foodie film from Cliff Bogart and Kyle Bogart (we sure do love our brother filmmaking teams in this town) that deserves more attention than it's received so far.

Virgil (Mark Scheibmeir) is a lanky slacker who spends his days working in a lab that creates artificial flavorings, and his spare time with the woman he loves, Angie (Sydney Andrews), often enjoying foreign goat cheeses procured (perhaps not entirely legally) by Virgil's mysterious and paranoiac friend Yens (Stephen Taylor Fry). Angie is unfortunately transferred to Detroit, however, and it could be a year before Virgil's company can place him in the department where he wants to work. Angie can't understand why Virgil won't take a job in a different department,

Editor's Note: In the spirit of December's theme (Gear and Software), we asked our contributors to weigh in with their Top 3 gear finds and why they like them, and we are bringing them to you in a series that we are calling "My Perfect 3". Here are the three that Brian Satterwhite chose, and a short rundown on why he picked them.

I'm not trying to be different merely for the sake of being different, but the honest truth is, I'm not a huge gear-head. Yes, it's true I have gear. I use it daily and rely on it heavily for my personal welfare and the advancement of my career. But for me, it is merely a means to an end. Under the right conditions, I would probably not think twice about abandoning most of my gear in order to escape the limitations it sometimes burdens me with. I'm not meaning to disparage technology.

SXSW is one of my favorite festivals of the year as it showcases some of the best and most innovative real independent films, and with this host of world premiers, it's also playing alot of Sundance material as well as genre fare from all over the world, many of which we've covered heavily in these pages.

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