I have trouble wrapping my mind around the idea of Funny Face, based on a '50's movie, as new and different. There's absolutely nothing any more innovative about it than Fledermaus. That said, Tessa and Scott have made it their own over the season and are making it better than I thought possible.

Yeah, I wish "An American in Paris" had been named "A North American in Paris" since I think the same Gershwin tunes work better in there, and that film may provide for more interesting themes.