Persnickety Press

Tuesday, September 21, 2010

Autumn is my favorite season for many reasons. Mostly because the weather offers a nice break from extremes and a lot of holiday vacation time is coming up, but I digress. It is also the season when new TV shows compete to capture our ADD-afflicted attention spans. Their objective? To hook us and keep themselves employed for the next seven years, of course.

In the spirit of giving them a shot, let's all attempt to pause from Tweeting/Facebooking about our weekend (you know no one reads that stuff anyway, right?) and see what's new on this year's viewing buffet. I haven't included them all, only those that appear most interesting to me because, well, this is my blog.

Pitt & Buscemi

Boardwalk Empire- HBO. Sundays, 9 pm ET.

Pay stations have an edge with me when it comes to a series. They usually have better actors, bigger budgets and more cursing, sex, and violence. This one also has Michael Pitt (The Village, Murder by Numbers) as a returning war hero and the

pilot was produced/directed by Martin Scorsese. I'm so there!

Set in Atlantic City during Prohibition, the show centers around Nucky Thompson (Steve Buscemi), the not-so-by-the-book town treasurer. Already on the take from every business in town, Nucky realizes that the alcohol ban has positioned him to make a killing off of the mob, who will now be funneling their activities through his city.

The cast of characters includes many a mob legend, such as Lucky Luciano (Vincent Piazza), Arnold Rothstein (Michael Stuhlbarg) and Al Capone (Stephen Graham). All of these bad boys naturally need the force of good to contend with, which appears in the person of federal agent Van Alden (Michael Shannon). Legendary mobsters, Buscemi, Pitt and Scorsese? What's not to love? Well, we'll see.

This is one of those time-shifting shows that alternately flashes back,

then forward, then back again, all to explain what's going on in the present.

Underwood

In the pilot we meet Sean Walker (Jason Ritter), an apparently well-adjusted, normal enough guy who somehow ends up waving a gun in an airport two weeks later. Where did his girlfriend go? What happened? An event of some sort, maybe?We just don't know!

We also have a new president (Blair Underwood) trying to dig up information on a prison in Alaska run by the CIA via the enigmatic Sophia (Laura Innes). The episode ends with (you guessed it) an event that could change the world forever. Or did that already happen and this is just a flashback? Is Jack Bauer here? Oh, the suspense!

It is no coincidence that I mentioned Twitter above. Of course, if you've been reading Persnickety for any length of time, you know I do little without an ulterior motive. The premise of this sitcom is the first ever based on a Tweet-Feed. Specifically, this one, in which Justin Halpern repeats all of the politically incorrect utterances of his father.

It stars William Shatner as the multi-person offending pops, Ed Goodson. To counteract the loneliness such behavior inevitably induces, Ed asks his unemployed son (Ryan Devlin in the pilot, although word is the role has been recast) to move in with him and hilarity, hopefully, ensues. The cast also includes Will Sasso as Henry's brother Vince, and Nicolle Sullivan as Vince's overbearing wife Kathleen. I guess if they can make an entire movie about Facebook, they can make a series based on Tweets. My only question is, will all of the dialogue be 140 characters or less?

Perhaps NBC was so busy trying to figure out a way to keep fans of The Office around after Steve Carell leaves, they failed to notice that we are trying to claw our way out of a recession. If they had watched the news at some point, they might have realized that jobs being sent overseas is not making Americans all that happy-schmappy.

Poorly chosen premise aside, this show follows American executive Todd Dempsey (Ben Rappaport) to Mumbai where he is sent to manage his company's call center. Once there, Todd discovers he is going to have to "Americanize" his team (including Rizwan Manji, Sacha Dhawan and Parvesh Cheena) so they can capably sell the product. It was apparently assumed that the culture clash between Dempsey and his Indian employees amidst the always hilarious racial humor would induce riotous laughter. So far, the premise has only caused controversy. In all fairness, the show hasn't even aired yet, but I'll still be keeping my bag of rotten tomatoes at the ready.

What do you get when you mix the Thrillervideo with 28 Days Later? A Zombiepocalypse! Okay, so there's no singing and dancing, which is a damn shame! After nearly all of the human population are turned into flesh-eating predators, a small group of survivors attempt to find a zombie-free safe haven. As they begin to lose hope, they discover that there is little they will not do to survive — even painstakingly choreographed boogying. Okay, okay, I added that last part.

Season One of this horrorfest will be comprised of six episodes written by Robert Kirkman, the author of the comic book on which the series is based. Details are being kept on the down low, but the cast features Andrew Lincoln as police officer Rick Grimes. We have plenty of shows about vampires, so it is time that zombies get their share of the gore, but can brain-eating monsters who don't dance hold our attention long enough to stick with a series? Even if it cannot, the first few episodes may prove an interesting diversion from the normal fare.

Monday, September 13, 2010

As a conscientious journalist, I cannot in good faith write a full review on this band's new release. I would be far too biased as one of the members is my brother. However, I will preface this by stating that I am very choosy as to what gems will grace my iPod, Stan (yes, I name my favorite electronics).

For the last three days Stan has been giving Mysteriana's self-titled release more play than New Order's back catalog— a sign from the Muse's indeed!

What is most impressive about Mysteriana (pronounced My-steriana) is that the two members, Lance Tyler and Daniel Lomelino, have done everything themselves, including playing all of the instruments. Yet, their sound is full, melodic, haunting and occasionally orchestral.

But, don't take my word for it! If you are a fan of Smashing Pumpkins, The Cure, Interpol, VAST or Massive Attack, you should definitely give them a listen! Previews of all of their songs are available on their Web site, or you can download the album at cdbaby.

Sunday, July 25, 2010

In the '90s, one of the most rewarding ways to kick off your Saturday was to catch Mystery Science Theater 3,000 on the Sci-Fi channel. The show was set in space on the Satellite of Love, where a man and two robots were being held prisoner by an evil mastermind. The villain's favorite form of torture was forcing the captives to watch really, really bad movies.

The entertaining part was the commentary provided by Mike Nelson and his lovable robots, Tom-Servo (Kevin Murphy) and Crow T. Robot (Bill Corbett). Alas, the series ended in 1999. However, there are numerous episodes available on DVD, as well as the aptly titled 1996 film, Mystery Science Theater 3000 The Movie — or you could just download some RiffTrax.

That's right, the boys are back, and this time they are not limited to low-budget schlock (although, who doesn't love that stuff?). At the RiffTrax Web site, the guys are still doing what they do best. Visitors can download RiffTrax and synchronize the file with their own DVD, or they can purchase the video file with the commentary included.

The best part of this new incarnation is that, while they still feature some delectably horrible offerings (Voodoo Man starring Bela Lugosi, for instance), and delightfully dated informative public shorts (my personal favorite is Carnivorous Plants) the guys are now riffing on Hollywood heavy weights.

As Corbett told Fearnet.com last year, they have merely added to their repertoire.

"We do the MP3 downloadable commentary for the newer releases," Corbett explained. "But we're also doing some older stuff and a lot of shorts like we used to do on Mystery Science Theater, which are some of my favorite things to do, probably because my attention span is about 15 minutes in general."

Included in the ever-growing list of more recent films are The Dark Knight, Spiderman, Twilight, three of the Harry Potter films and all of the Star Wars franchise. It could be argued that Darth Vader's first appearance in Star Wars would have been improved had the line from Rifftrax been used:

"Alright, what am I doing? Cuttin' a ribbon on a mall? Nobody tells me anything!"

Additionally, the scene in The Dark Knight, when Two-Face realizes the best way to blackmail Gordon is with his son, would only have been strengthened by the Riffers contribution of having the little boy triumphantly proclaim, "Daddy loves me best! Daddy loves me best!"

According to Corbett, though, riffing on the newer films has
proved to be a bit of a challenge.

"I find them a little harder, although I've kind of gotten into the swing of 'em now," Corbett told Fear.net. "There are a couple of things, for one they are longer, as a rule. Just maintaining the level of writing quality is a little more difficult. There are go-to areas for jokes in any movie but by hour three of any of these movies it's like, ‘Oh man, we've commented on this thing like a hundred times already.’"

It may seem to those who are unfamiliar with MST3K that these guys are just attempting to cynically tear down films which the public holds in high esteem. However, Corbett said that this is not the case at all.

"The fact that we can riff a movie doesn't mean it's bad," Corbett pointed out. "We often riff movies we really like. Like Jaws, we did that a few months ago, and we're all fans. There are some things in there that haven't aged as well, but still it's a great movie. But because it's pretty serious, we found a way in I think."

So, what titles can we expect to see on the Web site in the future?

"Hopefully we're going to work on an occasional 80's title [since] we all have a fondness for that era when we grew up" Corbett revealed.

Oh, please let one of them be Gremlins!

Do you have a favorite MST3K or Rifftrax quote? Post it up in the comments!

Wednesday, September 16, 2009

If Dark Shadows and Twilight had an anemic baby, it would be The Vampire Diaries. The new TV series, based on the Y/A books by L.J. Smith, debuted on The CW last week and the first episode followed a well-known and, by now, more than tiresome formula.

For nearly 20 years I have been reading books and watching films, and television shows about vampires. Finally, this otherwise useless vault of knowledge will come in handy.

The latest vampire craze has been painful for me for three reasons:

1. All of this has been done before.2. I prefer vampires who live up to their name, not vampires trying to be human.3. ALL OF THIS HAS BEEN DONE BEFORE!

The parenthetical information included below will help you Google your way to sighing over the monotony.

Set in the fictional town of Mystic Falls (ohhh...ahhh), Episode One kicks off with a couple being attacked in their car from above (see: The Lost Boys).Next, we meet our gorgeous, but haunted human heroine (see: Bella from Twilight, Mina fromDracula, Sookie from True Blood, Beth from Moonlight and Caitlin from Kindred: The Embraced). Elena Gilbert (Nina Dobrev) has recently lost her parents in a car accident. However, a new school year has begun and our brave little toaster straps on her emotional armor and hides her pain with a smile.

Everyone loves Elena because she is just so beautiful! All the boys want her and all the girls want to be her (why does this sound so familiar?). Recently, Elena dumped super-jock Matt (Zach Roerig) because their relationship lacked "passion."

Rather than moving on, Matt humiliates himself in public by pathetically continuing to pursue her (see: Mike and the rest of the Bella harem in Twilight, Sam in True Blood).To round out the female archetypes and make sure young women realize they can only fall into one of two camps - good girl or WHORE - there is Vicki Donovan (Kayla Ewell). Vicki is free-spirited and sexually extroverted (see: Lucy in Dracula, all those chicks that were offed in the first season of True Blood, and any young woman who has had sex in a horror movie ever).

Vic dislikes it when boys want to talk to her or establish anything resembling emotional intimacy (we women SO hate that crap). Elena's substance-abusing brother Jeremy (Steven R. McQueen) is just such a lad. He refuses to give up on Lucy - er, I mean Vicki - because, like all teenage boys, he wiles away his hours scrap-booking future wedding plans, longing for true love and an oh-so-serious relationship.

I am not sure what is causing the severe lack of testosterone in these young men. Perhaps the water in Mystic Falls is contaminated with enormous amounts of estrogen.

Because of her sextra-curricular activities, we know that Vic, like Lucy, is sure to be chomped early on. When she is discovered after the attack, we are treated to the obligatory "Oh-my-God-she-has-teeth-marks-in-her-neck-and-her-blood-has-been-drained-and-she-must-have-been-attacked-by-a-wild-animal" scene (see: every movie, book, short story, or TV show about vampires or werewolves ever).

Now on to the vamps. Stefan Salvatore (Paul Wesley) sees Elena and is instantly smitten (see: Edward Cullen, Barnabas Collins, Dracula, Mick St. John, Julian Luna, Bill Compton). He enrolls in high school (see: Edward Cullen) even though he is like 400-years-old because he must get to know her! We find out later that Elena looks exactly like Stefan's former true love/soul mate (see: Coppola's Bram Stoker's Dracula, Dark Shadows).

Stefan is "on the wagon" when it comes to killing humans (see: all of the Cullens, Louis de Pointe du Lac of The Vampire Chronicles, Angel from Buffy the Vampire Slayer, most of the vamps in Kindred: The Embraced, the "assimilating" vamps in True Blood). He is also desperately in need of tweezers because Peter Gallagher's eyebrows have reincarnated on his face.

Stefan begins following Elena around, showing up at her house late at night without calling first and disappearing as if he has (GASP!) supernatural speed (see: Edward Cullen, Batman). He also gets all shaky, pale and generally wack at the sight of her blood (see: Dracula, Twilight, Kindred: The Embraced, Dark Shadows, a bunch of other stuff I'm forgetting). However, our heroine is not creeped out in the slightest by this strange, Ted Bundy-like behavior. On the contrary, she is delighted (see: Bella Swan, women who write love letters to inmates).

At this point, I was not entirely sure that I wasn't watching a new episode of 90210 written by Stephenie Meyer. I also wondered exactly when a hot vampire with normal supercilia was going to show up.

Enter Damon Salvatore (Ian Somerhalder), the best The CW could find. Damon is Stefan's high-spirited brother. He is pro-vamp, definitely not a "vegetarian" and enjoys hunting humans - a major no-no in his bro's opinion (see: Lestat de Lioncourt from The Vampire Chronicles, all of The Lost Boys, Spike and Drusilla from Buffy the Vampire Slayer, Victoria's gang in Twilight, the anti-assimilation vamps from True Blood).

It is immediately obvious that, despite having spent several centuries together, these boys do not get on so well (see: Louis and Lestat from The Vampire Chronicles, Angel and Spike from Buffy the Vampire Slayer, Eric and Bill from True Blood). It is also revealed that Damon is responsible for the attacks on Mystic Falls' residents.

At the end of the episode, Elena invites stalkin' Stef into her home, and we all know what that means (see: Dracula, The Lost Boys, Buffy the Vampire Slayer, True Blood).

The Vampire Diaries is, quite simply, Twilight for TV and all of the characters, the plot and the mythology have been recycled from better films, books and TV shows. Granted, Smith's books were published pre-Twilight, so it is really Stephenie Meyer (big surprise) who has done most of the stealing. However, the real question is: why waste the air time?

This is what happens when a sub-culture phenomenon catches the attention of the public at large and becomes a trend. Any originality and depth is left by the wayside to appeal to the larger, less discriminating mainstream audience.

Remember the hair bands of the 80s? This show is the equivalent of Winger.

I cannot blame The CW for jumping on the fang-bang bandwagon. After all, a lot of money stands to be made. What is frustrating is that they chose a Twilight-esque series of books to base the series on, when they could have chosen something with a premise we haven't seen before, or invented an entirely new mythology.

If someone could create (or at least remake with passionate fervor) a vampire protagonist that actually kills people, it would be most refreshing. If his primary motivation is to fall in love with Mary Sue, then he is really just a human with bad teeth.

Boooooooooring.

Episode Two airs Sept. 17 at 8 p.m. EST on The CW.

What did you think of the show? Please share your thoughts in the comments.

Wednesday, September 9, 2009

Following the demise of my beloved Buffy the Vampire Slayer in 2003, I essentially gave up on network television. This was easy to do as I have no interest in cop, hospital or legal dramas. I like my shows quirky, dark and witty, with a dash of the occult.

Earlier this year, while conducting interviews for another story, one of my sources suggested I check out Supernatural. This recommendation stuck with me and this summer I finally got around to renting Seasons One through Four.

The series follows brothers Dean (Jensen Ackles) and Sam Winchester (Jared Padalecki) as they travel across the country in a bad-ass 1967 Chevy Impala listening to cock-rock and hunting evil.

They had me at Back in Black.

At first, it seemed too good to be true. This show had everything I love—clever writing, ghosts, demons,psychics, witches, good vs. evil— but throw in a soundtrack featuring Black Sabbath, Ratt and Soundgarden, and I am definitely in it for the long haul.

Of course, it doesn't hurt that the two leads are extensively easy on the eyes, but I digress.

I suspect the writers of Supernatural have taken a Joss Whedon Master's class. Like Buffy, each season thus far has followed a main story arc, with side-roads throughout. Another big plus is that, at times, it is downright scary.

In an interview featured on the Season One DVDs, creator Eric Kripke said that his intention was to make a mini-horror movie each week and this vision has been successful, although, in some episodes more than others.

The series began with the guys hunting creatures based on urban legends, such as Bloody Mary and the infamous Hook Man, but for Season Five the show has taken on an arc of biblical proportions. At the end of Season Four, Sam had inadvertently unleashed Lucifer, signaling the beginning of the Apocalypse, and Dean had been chosen by the angels to stop it all.

Kripke told TV Guide Magazine that viewers will indeed see an Apocalypse, complete with "four horsemen" and that they have definitely put a new spin on Lucifer (Mark Pellegrino).

"One of our goals is to depict Lucifer in a way that’s rarely seen on television," Kripke said. "We want Lucifer to be the most sympathetic character this season. He’s this wounded angel who feels very betrayed by God and his fellow angels."

Lucifer may be the Devil we don't know, but the Apocalypse sounds disturbingly familiar.

"Our version of the Apocalypse includes things like hurricanes unexpectedly slamming into the U.S. coasts, and swine flu, and North Korea suddenly arming up with nuclear weapons," Kripke said. "We’re really trying to create the idea that we always have, that this could be happening right outside your door and you don’t know it."

So far, we have angels, demons, the resurrected dead and Lucifer, so how about the Big Kahuna?

"God will be a character on Supernatural this season," Kripke confirmed. "He’s vanished from Heaven, which is why the Angels have taken over the joint, but we’re planning on God’s return, probably around the end of the season. This story thread has generated much hilarity in the Supernatural writer’s room. We ask ourselves questions like, 'Well, what’s God’s motivation in this scene?' And then we start laughing, cause, you know, Gossip Girl just ain’t having these problems."

At this point, my fellow Buffsters may be wondering if Supernatural is (dare I say it?) better than Buffy?

Not yet. In fact, only the dialogue has, occasionally, come anywhere close to Buffy standards, but that could all change this season. So instead of watching the same tired NBC Thursday night sitcoms this fall, give Supernatural a shot.

Wednesday, August 26, 2009

What kind of music would we be listening to if the guitar had never been invented? Would we all be jamming to Mozart while sitting in rush hour traffic? I pondered this thought while waiting to discover when It Might Get Loud, the new documentary by Davis Guggenheim, will be premiering in my city.

In his film, Guggenheim explores the instrument that links three talented musicians, each from a different generation. First, there is guitar legend Jimmy Page from the Yardbirds and, of course, Led Zeppelin. Next we have the Edge from U2 and Jack White of The White Stripes. The film recounts how each man discovered the guitar and attained fame, but Guggenheim said there is also a universal message.

"It's less about the gadgets and the toys and the guitars and more about these guys' creative path," Guggenheim told USA Today. "It's the story of what it's like to be a kid in a remote city wanting to say something and finding your voice."

Getting the three to participate was the first challenge."I'm not the sort of person who wants to be bothered about being profiled all the time," Page said. "But it is important to pop out now and then to show you're not 6 feet under."

The Edge said he does not usually like to discuss music because it is difficult to avoid cliches, but that the film was able to capture honest moments.

"I sort of forgot the cameras were there after a while because I was absorbed in the memories."

It Might Get Loud opened in N.Y. and L.A. Aug. 14 and will be premiering across the country over the next few months. Release dates can be found at the official Web site.

This topic often produces much spirited debate between musicians and fans. Below are some of my favorites. Post your choice in the comments!

Jimi HendrixOften cited as the greatest guitarist of all time, Hendrix began his career at the age of 16. Known for his flamboyant playing, which included using his teeth, Hendrix pioneered an innovative style by combining fuzz, feedback and controlled distortion, which other guitarists tried to emulate, but never quite mastered.

Jimmy Page - Led ZeppelinIt is no surprise Guggenheim invited Page to participate in It Might Get Loud. After working as a first-call studio musician at Decca Records in London for several years, Page eventually joined the Yardbirds which evolved into the powerhouse known as Led Zeppelin. Page's powerful riffs and solos, as well as his innovative use of a bow, helped make him one of the most influential guitarists of all time.

Eric ClaptonNicknamed Slowhand because of his laid back style, Clapton started playing guitar at the age of 13. Influenced early on by the blues roots of American music, he made it his own. Clapton's solos burst with blues, soul and creativity, making his oeuvre required study for young guitarists everywhere.

Robbie Krieger - The DoorsPerhaps the most underrated guitarist in music history, the riffs Krieger created with The Doors proved not only his creative talent, but also his versatile artistic style. Trained first in flamenco, Krieger went on to study folk, jazz and the blues, all of which are present in The Doors' body of work.

Wednesday, August 12, 2009

When the news broke last week that writer/director John Hughes, 59, had died of a heart attack, I will admit that I got more than a little teary-eyed. Like most of my generation, I grew up with his films, and his marvelous dialogue still peppers my everyday speech. In fact, the day he passed away I had already quoted The Breakfast Club twice before I even heard the news.

Although he had given up on Hollywood years ago and had made countless entertaining films outside the adolescent-angst genre (Planes, Trains and Automobiles and Home Alone, just to name a few), while Hughes was alive there was still hope. Hope that one day he would return and do what he did best — write and direct a movie about what it is really like to be a teenager.

The pain, the heartbreak, the struggles, and the laughter, these integral elements were all present in Pretty in Pink, Some Kind of Wonderful, Sixteen Candles and, of course, the mighty Breakfast Club.

Nobody did it like Hughes. He did not write teenage characters as one-dimensional, sex-crazed idiots because, as actor Judd Nelson confirmed, that is not how he saw them.

“John’s desire for the truth of the spoken word aligned perfectly with his gift for treating young people not as children but as developing adults,” Nelson said in a statement to Buzzine.

Hughes also had not forgotten those awkward years which, for many people, are the toughest of their lives. In an article she wrote for The New York Times, actress Molly Ringwald said that Hughes relived his teens through the characters he created in writing and nurtured through directing.

“In retrospect, I feel that we were sort of avatars for him, acting out the different parts of his life — improving upon it, perhaps,” Ringwald wrote. “In those movies, he always got the last word. He always got the girl.”

The teen movie has suffered so completely since Hughes retreated, it is no longer even worthy of a genre. There is no ache of first love, merely sex shenanigans with dessert foods. There is no dialogue, just profanity lazily used as adjectives. There is no trace of the sarcastic, clever comedy Hughes brilliantly wove into his screenplays, merely stereotypes who can barely tie their shoelaces.

Those who should be most offended by the pieces of drivel being marketed to young people is the target audience themselves. Is this how they want to be perceived as a generation? More importantly, is this how they see themselves? I hope not. In fact, I hope one of them will step up to the plate and do it right.

John Bender and Ferris Bueller would no doubt have endless fun tormenting the neo maxi zoom dweebies of today’s teen flicks, while Duckie cheered them on from the sidelines and Samantha Baker subjected them all to a severe sarcasm beat-down.

Below are some of my personal favorite John Hughes quotes. Please share yours in the comments.

Laura Nelson: Check it out. This girl is popular, she's beautiful and, obviously, in the middle of some emotional shootout to consent to date the human tater tot. What did you do to her, Keith? Threaten her life?

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About

One of us is a no-nonsense (stop giggling, please) journalist and one of us is a poet (you'll love Emily's e-news stories written in iambic pentameter). However, first and foremost we are fans of pop, not-so-pop and never-gonna-be-pop culture.

We will do our best to keep you up-to-date on pop-culture news, with our own Persnickety twist. Well, and if the topic interests us in the first place (sorry Paris, Lindsay and anyone whose last name is Jonas). Feel free to leave us comments and suggestions. We might even read them and, occasionally (rarely) take them. Drop us a line if you dare: persnicketypost@gmail.com.

About Amanda Mitchell

Amanda is a full-time development editor for a global book publisher. She enjoys sarcasm, paper airplanes with window seats, making large messes while cooking, and Bedazzling things that shouldn't be bedazzled. She prefers the company of cats to most humans, and that of a gray tabby named Sid Vicious in particular.

About Emily Dawn

Emily works full-time and is a part-time college student. While slowly working to earn her Bachelor's in English she spends her free time filling her head with useless nonsense. She enjoys reading, movies, music, the macabre, and writing down words in ways she hopes will form some semblance of poetry.

Emily lives happily (ever after) with her Husband and their cat they call Miss Oona.