Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.

For her exhibition "ears to speak of" at The Power Plant, Amalia Pica will develop "Ears (2017)", a new work, which continues her engagement with the failures and impossibilities of communication and obsolete technologies.

Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.

For her exhibition "ears to speak of" at The Power Plant, Amalia Pica will develop "Ears (2017)", a new work, which continues her engagement with the failures and impossibilities of communication and obsolete technologies.

Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.

For her exhibition "ears to speak of" at The Power Plant, Amalia Pica will develop "Ears (2017)", a new work, which continues her engagement with the failures and impossibilities of communication and obsolete technologies.

Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.

For her exhibition "ears to speak of" at The Power Plant, Amalia Pica will develop "Ears (2017)", a new work, which continues her engagement with the failures and impossibilities of communication and obsolete technologies.

For her exhibition "ears to speak of" at The Power Plant, Amalia Pica will develop "Ears (2017)", a new work, which continues her engagement with the failures and impossibilities of communication and obsolete technologies.

Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.

Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.

For her exhibition "ears to speak of" at The Power Plant, Amalia Pica will develop "Ears (2017)", a new work, which continues her engagement with the failures and impossibilities of communication and obsolete technologies.

Speakers from the world of art and beyond offer their responses to the current exhibitions. Whether focusing on a single work/artist or on multiple exhibitions, guest presenters draw provocative connections between our programs and broader cultural and intellectual debates.
Savik Ramkay is Program Coordinator of the Aviation Safety and Operations programs at Seneca College. A highly regarded professional, he educates students in various aspects of the aviation industry including Canadian aviation regulations, safety procedures and other technical and practical skills in airside operations. Ramkay will discuss Amalia Pica’s exhibition 'ears to speak of.'

These FREE arts workshops for children ages 7-12 begin with a tour of the gallery and conclude with an art activity, inspired by the ideas behind the current exhibition. Tours and workshops are led by Amanda Foulds, Power Kids Family Programs Coordinator and assisted by Erica Cristobal, Power Kids Teaching Assistant.
While photographing different urban sites in the Democratic Republic of Congo, Sammy Baloji often finds billboard advertisements depicting cityscapes from Dubai and other recent hot spots from the Global South to which the Congo aspires. After discussing Baloji’s interest in Congo’s imagined future, we will design and create our own billboard complete with glowing lights.