This week is especially sweet for Pete, as Rebecca Hall features in two very different releases: Wally Pfister’s ambitious Sci-fi project “Transcendence,” and Patrice Leconte’s reserved romantic drama “A Promise.” Despite general dread at the prospect of Jason Reitman’s “Labour Day,” Cal managed to catch it, but did he find something of worth besides an appreciation for Diane Lane’s taste in men? We both saw “The Amazing Spider-Man 2,” of which there are fairly lengthy preconceptions, and elsewhere we discuss some relationship news, an odd piece of casting, and the eclectic competition jury for this year’s Cannes Film Festival. Tune in to find out why Cal is on particularly grumpy form, how many times Pete had to recount the plot of “Transcendence” in order to perfect it, and our potentially epic plans for our upcoming 100th episode!

This week we welcome Irini M back to the podcast to help us discuss the much-anticipated lineup of this year’s Cannes Film Festival, featuring the upcoming works of David Cronenberg, Mike Leigh, and many more European auteurs, some of which fill us with dread. We’re reviewing the Miranda Otto-led lesbian drama “Reaching for the Moon,” British heist comedy “The Love Punch,” and Tom Hardy’s one-man show “Locke,” which divided the camp in its depiction of drama and geography. Cal’s review of psychological horror film “Magic Magic” gets hijacked by Pete’s rant about a certain Pullitzer Prize winner, while Irini had a bone to pick with him about his “failure to understand” the point of Xavier Dolan’s latest delight. There are predictably many digressions, concerning Mr. Potato Head’s liberal use of his lips, Tom Hardy’s neglect of his razor, and Faye Dunaway’s fear of apostrophes, as well as a shocking Hathaway Protocol. It’s a week of regrets, as Irini’s belief in her own festival foresight lost her a fair bit of cash, while Naomi Watts finally bit the bullet and admitted that “Diana” wasn’t all that. Who knew?

Opening Segment: Discussing the recently announced line-up for this year’s Cannes Film Festival, featuring anticipation of films by David Cronenberg, Xavier Dolan, Nuri Bilge Ceylan, and Andrey Zvyagintsev!

Those tired of our sports banter may rejoice this week as we forego our usual sporty opening, instead heading on a tangent about the horrific state of 1994’s Best Actress Oscar race, and yet another aside involving the Dardennes brothers. This week’s episode sees us largely catching up with smaller films, as we tackle family drama “The Fold,” science-fiction horror “Last Days on Mars,” and John Michael McDonagh’s Catholic whodunit “Calvary.” Cal dishes all on the culinary allure of Indian romance “The Lunchbox,” before we react to the slew of cameos in the new Muppet movie, “Muppets Most Wanted,” which sadly lacks the presence of Amy Adams this time around. Elsewhere, tune in to find out what Pete’s Annette Bening moment of the week was, whose bohemian attire caused this week’s Huston Problem, how Linford Christie’s manhood and the cast of “Magic Mike” could have spiced up one of this week’s films, and which leading males bear the brunt of our wrath when we discuss the Academy’s worst ever choices for Best Actor. “Cat Ballou” fans: stay away!

The Gods look from upon high this week, as Pete has seen two Jennifer Connelly films in a matter of days, having finally caught up with Akiva Goldsman’s bizarre fantasy “A New York Winter’s Tale,” which Cal had already seen. We’re both on board for Crowe and Connelly’s re-teaming in Darren Aronofsky’s ambitious epic “Noah,” but at least one of us was put off by its emulation of Middle Earth and strange addition of rock people (no, really). Cal has seen Xavier Dolan’s tempestuous “Tom At The Farm,” and horror maestro Vincenzo Natali’s supernatural chiller “Haunter,” while Pete settled down for futuristic blockbuster “Divergent,” starring podcast favourite Shailene Woodley. All that, plus Pete has a sofa story which recalls Christopher Nolan’s “Memento,” Cal is under the spell of a certain farmhand, Abigail Breslin is at the centre of a retro-style Huston problem, and the reveal that Lady Gaga is in the new Muppets film is greeted with minimal enthusiasm.

This week we’re living up to our Boozy British stereotype, as Pete’s return from Canada brings news of some troubling Toronto drinking laws and a serious put-down to an over-excitable hockey fan. We discuss the death of a glamour puss and the reveal of Sofia Coppola’s new project, plus one of us finally gets around to Ralph Fiennes’ “The Invisible Woman,” and we have reviews of acting showcase “Jimmy P” and kidnap story “7th Floor.” Find out whether Paul Dano can atone for his many acting sins by putting together a credible list of favourite films, how Brian DePalma’s steamy “Passion” compares to the original French thriller “Love Crime, and whether Kathryn Hahn can make the most of a rare leading role in offbeat comedy “Afternoon Delight.” Discover which liberal category placement instigated a spontaneous sing-off, why Cal’s failure to have seen an Ozu film isn’t particularly useful this week, and why Abba and Rihanna trump Robin Thicke.

The Week’s News:

The death of Kate O’Mara

Sofia Coppola to direct a live-action version of “The Little Mermaid”

Paul Dano announces his top ten of all time

[5:00 – 22:05]

Preconception Corner

Reviews of:

The Invisible Woman

Jimmy P

Afternoon Delight

7th Floor

Days of Darkness

[33:00 – 1:15:50]

Closing Segment: Our take on Brian DePalma’s “Passion,” and likening it to original French film “Love Crime”[1:15:55 – 1:26:10]