Plot Synopsis: (via IMDB)In the dead of a Wyoming winter, a bounty hunter and his prisoner find shelter in a cabin currently inhabited by a collection of nefarious characters.

My Opinion:

Yesterday I reviewed Jackie Brown as part of my 2017 Blind Spot Series & for Quentin Tarantino’s 54th birthday. In that review, I talked a bit about my disappointment over The Hateful Eight. It was hard to not compare the two films as I watched them almost back to back but it made me appreciate Jackie Brown even more and made me realize, in comparison, just how overblown The Hateful Eight is.

I already went on about this movie in yesterday’s review so I’ll keep this one short: The Hateful Eight is easily my least favorite Tarantino film (I’ve ranked them all HERE). It’s not a horrible film but he’s clearly believing his own hype too much & needs to return to the simplicity of a really good script as in things like Reservoir Dogs. His films have been getting more & more over the top and this one finally went fully overboard. It’s one thing to be over the top but another to be so dragged out & rather unenjoyable, which is something that I can’t say of any of his other films.

Okay – I’ll try to say some good things about this movie. Well, the best thing about it is Ennio Morricone’s score (but I’ll come back to that). The two main reasons I watched this were for Morricone and to see Jennifer Jason Leigh’s Oscar-nominated performance since I’m a fan of hers (plus to be able to say I’ve seen all of Tarantino’s films, I suppose). The clue is in the title and all these characters are indeed hateful (which isn’t going to make it easy to like a movie very much) but Leigh was great & her character was the one I enjoyed watching the most. I’m glad she got the recognition for this role as the movie itself lets its talented actors & composer down. Samuel L Jackson & Kurt Russell were also very good (although Jackson was, once again, his over-the-top Tarantino self) but no one else in the cast really stood out compared to these three. The other characters were extremely weak for a Tarantino film – he usually manages to make even the smallest characters in a film interesting. Maybe it should’ve just been The Hateful Three. But that’s a shit title. Did he come up with the title first & then had to write in five extra boring characters? Ah ha! That must be what happened. Plus, I think there were actually more than eight so he’s full of shit (you don’t count, Channing Tatum! The Hateful Nine isn’t a good title).

But back to Ennio Morricone. Morricone is a movie music God. Like I said in my Jackie Brown interview, the one thing Tarantino always does right in his movies is the music and I know he was overjoyed when he got Morricone to agree to score this (I want Morricone to score my whole life. That would be awesome). Is it Morricone’s best score ever? Well, no, but you can’t really top something like The Good, The Bad And The Ugly. Yes, he probably won the Oscar for this mainly because the Academy realized they’d seriously f*^kd up in never giving him an Oscar (other than an honorary one) until now. I hadn’t even realized that beforehand – he’s someone you’d just assume already had one. Anyway! Here’s a good interview with Tarantino talking about how he got Morricone to do this score. Wow. Morricone is a true professional. It was a very last minute thing and Morricone did it in very little time & in a way he’s not used to usually working. Combined with unused parts of his score for The Thing, I can’t believe they managed to pull this all together so well in that length of time. Tarantino of course wants to use him again so just imagine what we’d get if Morricone is involved in the project from the very start. It gives me chills thinking about it. I just hope, if they do work together again, that the movie can live up to the score next time!

Oh. The cinematography was good too. There’s one more thing! The last & final good thing. The outdoor shots were quite beautiful and the opening, combined with Morricone’s score, was very good (I’ll post the opening scene below). Too bad the majority of the film is inside a dark, tiny cabin!!! To start out in a rather epic sort of way with this beautiful snowy landscape and to then end up stuck in a dark little cabin for what felt like far more than the 3 hour & 7 minute running time was so damn cruel. To us. Cruel to the audience. Never mind the characters! Although I suppose they would’ve frozen to death outside, so…

The Hateful Eight. It’s too damn long. It has a good score from a true master. It has three really good actors doing the best they can with a weak script. It’s pretty to look at when they’re actually outside that goddamn cabin. It’s violent as f^*k. It’s definitely a Tarantino film. I still like Tarantino’s films & I’ll still watch them all despite finding this one the most disappointing so far. To be fair, it could’ve been worse. But it could’ve been SO much better. And this review was meant to be short. Like Tarantino, I sometimes don’t know when enough is enough.

Happy Birthday to Quentin Tarantino, who is 54 today. I figured this would be a good time to finally review my 2017 Blind Spot choice of Jackie Brown. And tomorrow I’ll be reviewing The Hateful Eight, which I’ve finally just watched as well. At least I liked one of these two movies! Here’s my review for Jackie Brown…

Plot Synopsis: (via IMDB)A middle-aged woman finds herself in the middle of a huge conflict that will either make her a profit or cost her life.

My Opinion:

I can’t believe it took me so long to get around to finally watching Jackie Brown, the only Tarantino-directed film I’d never watched (okay – not counting that Four Rooms movie or his guest director credit on Sin City, which isn’t a movie that I liked anyway).

Jackie Brown is an odd one in that I’m of course used to Tarantino’s style now & this one has a very different feel to it. I suppose the main reason for this is that the film is an adaptation of Elmore Leonard’s 1992 novel Rum Punch instead of a Tarantino original story like his other films. I think this works in the film’s favor but I’d also hazard a guess that it isn’t the number one favorite film for most diehard Tarantino fans.

I’ll be honest – I think someone needs to rein Tarantino in a bit. Not long after watching Jackie Brown I watched the overblown The Hateful Eight and it definitely made me appreciate Brown much more. At first, I wasn’t sure what to think of Jackie Brown. It’s a good but uneven film and, although I confess that I know nothing about the book and have never read anything by Elmore Leonard in my life, it feels pretty obvious which bits were probably embellished by Tarantino. There’s a welcome subtlety to parts of Jackie Brown that’s especially missing in Tarantino’s most current films. Don’t get me wrong – I like his movies and know they’re going to be over the top (Kill Bill being my favorite, which is OTT to the extreme, but in a good way). But…. What am I trying to say? I don’t know. I think Tarantino is just another director who has come to believe his own hype a bit too much & he needs to take a step back and focus on the great writing that made his older films like Reservoir Dogs such a success. Okay – I’m focusing too much on not liking The Hateful Eight. More about that one tomorrow but I can’t help but compare since I watched these two almost back to back & they’re so very different.

I loved the overall mood of Jackie Brown, which was of course helped once again by the use of a truly fantastic soundtrack. If there’s one thing that Tarantino always does right, it’s picking the music for his films. I loved this soundtrack so much. Best music (as in, songs as opposed to score) that I’ve heard in a film in a long time! Remember when movie soundtracks used to be good like this?? Sorry to go on about this so much but it’s not something that is done as well in films nowadays. When I think back to my teen years, I bought loads of movie (song) soundtracks. There were so many good ones then. What the hell happened? The music in a movie is very important to me as I think it plays such an integral part in creating a film’s mood. I keep saying “song” to differentiate as I’m actually more of a lover of original film scores than of “song” soundtracks usually but, when a movie puts together a lot of previously recorded music as perfectly as Jackie Brown does, it makes me happy. Hey – at least I have to give credit to Tarantino for getting Ennio Morricone to score The Hateful Eight. I worship people like Morricone & John Williams the way that most people worship the pretty celebrities who are in front of the cameras. Maybe I’m weird?! And, shit – I’m talking about The Hateful Eight again. Sorry.

As I said, there’s a subtlety to parts of Jackie Brown unlike in Tarantino’s more recent works and it’s these understated scenes that were easily my favorite bits of this movie. Pam Grier & Robert Forster were brilliant and I was happiest when the movie went back to the scenes involving their characters. Loved their chemistry! I totally wanted a love story there (if you’ve not seen it, I won’t say if this happens or not).

There are bigger name stars in this one (Robert De Niro and, of course, Samuel L. Jackson) but the scenes involving them were the ones that I felt had a little too much of that “Tarantino vibe” going on. Who the hell doesn’t love Samuel L. Jackson, right? He’s awesome. But he’s his usual “Tarantino-self” in this and, for once, I enjoyed having those Grier & Forster scenes involving more than just Tarantino/Jackson sweary banter and extreme violence.

Speaking of extreme violence, this is the least violent Tarantino movie (well, maybe that Four Rooms thing isn’t violent?). I think it’s the first of his films that I was able to watch with my eyes fully open the entire time! I mean, it’s of course plenty violent but it’s not explicitly shown. I’m a wuss. I prefer to not see full-on gore. Yet Kill Bill is my favorite so I suppose that makes no sense… Eh, I just love a good revenge story (and women who kick ass). And I have yet to watch all of Kill Bill with my eyes fully open. I guess, looking at it that way, Jackie Brown is the first & only Tarantino movie that I’ve actually seen. 😉 And I appreciated that.

Perhaps Tarantino should try adapting someone else’s work again sometime. I do like his style and I didn’t mind Jackie Brown having that Tarantino stamp on it but I also liked the way in which adapting someone else’s work meant he kind of managed to keep the story more on track & to not go so medieval on our asses. Again, I think Jackie Brown is also unfortunately somewhat uneven because of this and it’s certainly not a perfect film but I do think it’s better than several of Tarantino’s other films (yet I don’t think it’s widely accepted as so?). I did a post a very long time ago ranking the Tarantino films I’ve seen, which I’ve finally updated HERE. Have a look if you really want to see where I’ve placed Jackie Brown (although you can probably guess where The Hateful Eight ranks!).

Jackie Brown is a good film. It probably deserves more credit than it gets and I’m glad to have added it to my Blind Spot list as it was well worth finally watching. Grier & Forster are the true stars who make this film and it’s unfortunate that they’re somewhat overshadowed by “more famous” names being in the movie as well. I have a confession: I seriously don’t know Robert Forster. I know his face but never could have told you his name and had to look him up after watching this. He’s been in 177 things!!! And I watch loads of movies & know my actors. Is he one of these actors who flies under the radar & won’t get any proper recognition until he’s gone? Or have I just seriously overlooked him for years? He’s so damn good in this & I’m happy to see that he got an Oscar nomination for this role. But… Where the f*^k is Pam Grier’s nomination?!? What the f*^k, you m*^herf*^king Academy?!? I’m going to go Samuel L. Jackson on your asses! She’s great. She’s super sexy at fortysomething. I want her & Forster’s characters to live happily ever after (maybe they do? I’m not saying). I’m going to go listen to that Delfonics song now…

My Rating: 7.5/10

Didn’t I Blow Your Mind This Time – The Delfonics:

And here’s the opening of Jackie Brown, with Bobby Womack’s Across 110th Street. God I love this soundtrack. Can I just post YouTube videos of the whole soundtrack??:

Who Is He (And What Is He To You?) – Bill Withers:

And this one is bizarre. I like it! Good job, Tarantino. I’ll stop posting videos now. I need to buy this soundtrack… The Lions And The Cucumber – The Vampire Sound Incorporation:

Plot Synopsis: (via IMDB)A young teenager camping in the woods helps rescue the President of the United States when Air Force One is shot down near his campsite.

My Opinion:

I watched this last week but then I watched Mad Max: Fury Road which is a billion trillion times better than Big Game so I of course had to review that first (review HERE). Then I watched Pitch Perfect 2 yesterday which is also better than Big Game but, well, I had this review partly ready to go so let’s get this silly Samuel L Jackson movie out of the way.

I saw a trailer for this a while ago & thought it looked silly but fun. The trailer kind of made it look like Escape From New York but set in the wilderness in Finland with Samuel L Jackson playing the Donald Pleasence role & a little kid playing Kurt Russell. Ha! Well, that would have been kind of cool but Big Game isn’t quite as much fun as I was hoping. Silly, yes! Not very good. Kind of fun, I suppose. It’s not like it ruined my day or anything but it’s certainly not one you need to go to the cinema to see. Watch it at home if you’re a Jackson fan.

What I liked is that this movie said “screw it!” and just did all kinds of stupid & cliché things (oh! it’s the Secret Service guy’s final assignment before retiring? no way!) but the director & actors are clearly just enjoying making an almost “family friendly” film that’s almost done 80’s-action-movie-style. Almost. The silly side of 80’s action movies, at least. Things like Commando. Will I be in trouble for calling Commando silly? That’s the one with Alyssa Milano, right? I remember when I wanted to be cool like Alyssa Milano back in the Who’s The Boss days! Anyway – I have nothing against movies like that. Those were great! Not GREAT like in a Predator or Terminator way but, you know – more fun than most shit that gets made today. Hmm. Maybe Commando was actually awesome. I don’t remember. I should watch it again sometime. But I’m pretty sure it didn’t have the American President and a 13-year-old boy from Finland flying around all over the place in a freezer. Spoiler warning? Oops. Doesn’t matter. The flying freezer pisses all over the Kingdom Of The Crystal Skull fridge nuking! But it’s meant to be ridiculous. I think? I wouldn’t quite say this is a “so bad it’s good” movie because it’s really not that bad. If you just go into it with an open mind & in the right kind of mood, you might get a few good laughs out of it.

Summary:

I kind of had fun with Big Game. It’s ridiculous but it’s not like you’re meant to take it seriously. Remember the good old days (yeah, the Eighties) when we weren’t so judgmental & snobby about movies and just had fun with silly action movies that were violent but actually really tame and didn’t have blood & guts flying all over the place and we watched them even though we weren’t really meant to because we were a little too young? Big Game is like that. But who the hell cares now that MAD MAX: FURY ROAD is out?!?! THAT’S a great action movie just like the old days! Go to that! Don’t go to Big Game. Don’t go to Pitch Perfect 2 (did that seriously do better at the box office than Fury Road? seriously???). Go to Fury Road!

My Rating: 6/10

For those who don’t know it, there’s something called the Eurovision Song Contest every year where a bunch of countries perform an original song & try to win the contest and the songs are CRAP and everyone makes fun of the whole thing. Anyway, my favorite moment from it was the year that Finland’s entry by the band Lordi won. So I kept thinking of Lordi while watching Big Game since that’s pretty much the only thing I know about Finland. Because I’m American & Finland is outside of America. 😉 Here’s Lordi’s winning song Hard Rock Hallelujah! Lol

Plot Synopsis: (via IMDB)When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and it is up to the Avengers to stop the villainous Ultron from enacting his terrible plans.

My Opinion:

I enjoy superhero movies. I go to them all (usually as soon as I possibly can after they come out). They’re fun! But then I kind of forget about them… I realized while watching Age Of Ultron that I rarely watch most superhero movies ever again after that first viewing in the cinema/theater. There’ve been a few exceptions – I watched The Dark Knight twice, the first couple X-Men movies at least twice, and of course Superman & Burton’s Batman several times. I really should have re-watched the first Avengers film before going to this one because I barely remember it. I think I’m a little superheroed out. I have a pretty good memory when it comes to movies (I mean, I’m a movie blogger after all) but I know I must not be too into these countless Marvel films when I keep having to ask my hubby questions during them. Things like “who’s THAT?” to which he rolls his eyes & replies “only someone who’s been in most the Marvel films so far!”. Also, as I always have to say in these superhero movie reviews, I ONLY have knowledge of the films. God – I can’t even keep all those straight in my mind! I can’t imagine actually reading the billions of comic books as well.

So now that we know where I stand on these types of movies (I like them & have a lot of fun with them but wouldn’t say I love most of them), we can move on to what I liked & disliked about Avengers: Age Of Ultron. I did a super-short mini-review of the first Avengers movie HERE when I did a roundup of all the films I’d seen in 2012 (I see I ranked it as the 9th best film that year & gave it a 7.5/10). I’ll say I think Age Of Ultron is the better film overall. It drags a little in the middle but the second half is much better than the first half & I think it’s a better finale than in the first film. It’s close, though – I think people may be pretty evenly divided on which they prefer. Also, I thought they actually did a pretty damn good job on character development in this one considering just how many characters are in this thing. It must have been hard to get the balance right between that & all the kick ass action but I think they did very well. What I really liked is that they spent more time on the characters we don’t know as well from a million other movies (Hawkeye, Black Widow & Hulk) and I enjoyed their stories quite a bit (especially Hawkeye’s). Don’t worry – you still get loads of time with the others as well but we already know a lot about them from their own films. I’d have liked a little more focus on Scarlet Witch & Quicksilver but, like I said, there are so many characters that you can’t expect anything too in-depth with each of them in only 2 hours & 21 minutes.

I guess I didn’t really list anything I disliked about this movie. Well, I suppose I didn’t really dislike much. I wasn’t crazy about Ultron’s voice but that’s because I’m old (that asshole in Pretty In Pink?!). It did feel a little overlong plus it didn’t really pick up until (a character who is on one of the posters but I still won’t name in case it’s a spoiler to some of you) showed up (he was great). There’s some light humor between the characters as always, which is fun (especially a bit involving Thor’s mighty Mjölnir). Speaking of Thor & his big Hammer, I was once again very distracted every time his bare arms were on screen. Chris Hemsworth is so insanely beautiful. Too pretty, really. Maybe it’s why my mind goes all loopy during these movies & I never fully know what the hell is going on. I’m just going to wrap this thing up – I’m picturing those arms again now & I can’t think straight.

Summary:

If you love all the Marvel films & you loved the first Avengers film, you’ll love this one too. It’s, well, the same thing again. Which is fine… It’s a formula that clearly works. But I have to say I kind of prefer some of the individual films as, while it’s loads of fun seeing all the superheroes together, I like seeing & knowing more about each of their individual stories. I probably almost like the first Iron Man movie & maybe even Captain America: The Winter Soldier more. At least, I think they’re probably better films than either of the Avengers movies but they’re not quite as flashy or cool. We’re talking about superheroes, though, not the Oscars – flashy & cool is sometimes okay too. Avengers: Age Of Ultron has proven one thing to me, though – I really did LOVE Guardians Of The Galaxy. That felt unique instead of the same old superhero movie once again. I think it’s time I do a massive update of my Top Ten Superhero Movies because there will be a lot of changes. Age Of Ultron will make the ten but I’m not sure where. However, Guardians Of The Galaxy will be at number one. Sorry, Age Of Ultron! You were loads of fun. Thanks for entertaining me but I won’t remember much of you in a year. You’re still one of the better films in this genre, though.

My Rating: 7.5/10

Is There A Scene After The Credits? Like, duh. It’s a Marvel film. However, there’s ONLY a mid-credits scene & nothing at the very end. However, do not take my word on this, Americans! We may have gotten this movie a week before you but we’ve been screwed out of end credits scenes in the past (the end credits scene from the first Avengers film wasn’t shown in the UK). There have been rumors & supposedly leaked footage of an end credits scene that wasn’t the one I saw here in the UK.

Does Thor take his shirt off once again? Yes. Yes he does. However, it’s not at all gratuitous like it was in his own films. He is, however, soaking wet while shirtless. But there’s no lingering shots. It’s quick. Too quick. I’ll have to buy the Blu-Ray…

As we all anxiously await this Thursday’s (UK) release of Avengers: Age Of Ultron, today’s IMDB Top 250 Guest Review of the first Avengers film comes from Tim of Beermovie.net. Thanks for the review, Tim! 🙂 Now let’s see what he has to say about The Avengers (aka Avengers Assemble), IMDB rank 129 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

Also, if you’d like to add a link to your IMDB review(s) on your own blogs, feel free to use any of the logos I’ve used at the top of any of these guest reviews.

The Avengers is a huge film in every way – budget, hype, box office, you name it. Plenty of people were doubtful that Marvel could truly pull this off given how high they had raised expectations, even though they had already shown time and time again how good they were at exceeding them. Given the sequel is very close on the horizon, now is a good time to revisit one of the biggest films of all time.

From the very beginning, a portal being opened to another dimension and Loki popping out, it is clear that The Avengers is pretty grand big budget storytelling. The film invokes a little bit of classic Hollywood storytelling as it rounds up the squad, and introduces us to the new characters really succinctly. The introduction of Black Widow, totally schooling a bunch of inept mobsters, is particularly memorable. Unfortunately Jeremy Renner’s Hawkeye really misses out on a proper introduction and his character really feels like a bit of an afterthought throughout the film. Mark Ruffalo’s Hulk similarly feels a little short-changed in the intro stakes, but his position in the narrative means that the audience gets to know him a bit better as the film goes along, without ever totally satisfactorily setting up the mythology of the character. The first act of the film manages to function both as a fully formed introduction for viewers new to the MCU and as a charm-filled start for everyone else.

As good as the balance is between the characters, there is no doubting that Robert Downey Jr’s wisecracking Tony Stark occasionally overshadows the film. He is meant to be the funniest, smartest and most powerful of all the Avengers and that on occasions feels like a lessening of the others in the crew. Even more so than some characters getting shortchanged, this obsession with Downey’s Stark is the main aspect of the script that brings down the quality of the film as an ensemble story. It will be interesting to see how Marvel handle this in the forthcoming sequel, a couple of years removed from Iron Man 3 and with Downey Jr’s future in stand-alone films up in the air as far as I understand it.

There are plenty of reasons why Marvel has gotten this whole shared universe thing so right where basically everyone else has faltered in a big way. But casting is perhaps foremost amongst its successes. The choice of Loki for this film, could have been really ho-um, recycling a villain that had already been seen in a stand-alone film. However Hiddleston is so good in the role that you quickly forget you’ve seen him before and come to perceive him as a threat necessitating the entire crew coming together. There is also a pleasant uniqueness in the fact that Loki takes a much more psychological approach rather than simply a ‘raaargh I’m going to crush the world with my huge muscles’ style vibe. Similarly, Scarlett Johansson is perfect as Natasha Romanoff/Black Widow, capturing a lot of the great attitude that character has in the comics, without needing to delve into dense comic book history (now if only Marvel would get over their strange aversion to a Black Widow stand-alone film).

Plenty of (somewhat justified) criticism has been aimed at Marvel for the sameness of their third acts, so rewatching The Avengers it was nice to be reminded just how well they can pull it off. I noticed this a lot whilst re-watching the film for this review and it was a main reason why I actually enjoyed it more this time than when I saw it in cinemas. Part of what sets this third act apart from some of the others is that the script weaves in occasional pieces of wit and levity to balance out the vibe. Some charming moments break up the huge, long-running battle toward the end, not least of which is Hulk’s hilarious “puny god” interaction with Loki. It’s a hell of a sprawling, choreographed battle that seems to wheel across the whole city. And whilst it’s basically all CGI, it never feels too computerised or like one clump of pixels crashing into another clump of pixels.

It is difficult to overestimate how big an achievement The Avengers is. Not all of that is restricted to the film. Much of it relates to how expertly Marvel crafted their cinematic universe in a way that has ‘inspired’ so many inept imitators that I’m pretty sure none of us ever want to hear the phrase “cinematic universe” ever again. But this film is an exceptional payoff and it both wraps Phase 1 up beautifully and feels like it was something too big for one of the earlier standalone films to handle.

Plot Synopsis: (via IMDB)A spy organization recruits an unrefined, but promising street kid into the agency’s ultra-competitive training program just as a global threat emerges from a twisted tech genius.

My Opinion:

I’ve gone to a bunch of Oscar nominated movies so far this year (Birdman, Foxcatcher, Whiplash…). I could have gone to The Theory Of Everything yesterday but decided I needed a break from all that worthiness and went to Kingsman: The Secret Service instead. It certainly doesn’t take itself seriously and was a lot more fun than all those Oscar nominated ones. I’d rank Whiplash above Kingsman but I certainly enjoyed it more than than Foxcatcher or Birdman. Yes! I rank everything I watch HERE. Doesn’t everyone do that?! 😉

Kingsman is from director/writer team Matthew Vaughn & Jane Goldman. They also gave us the delightful Stardust (did I just use the word “delightful”?), Layer Cake & X-Men: First Class. Oh yeah, and Kick-Ass. I freaking hate Kick-Ass! So they’ve once again adapted a comic book by Mark Millar. I won’t even begin to pretend I know anything about The Secret Service comic book so this review is based only on the movie. Anyway – Vaughn & Goldman’s movies are quite varied. Which one is Kingsman the most similar to? You all probably know by now that it’s Kick-Ass crossed with James Bond (I also hate James Bond!). Yet… It works. I thoroughly enjoyed it despite the excessive violence. And, yes, this thing is violent! Wow. I’m a wuss but the gore was more “comedic” than gross and some of the deaths were fantastic (especially a finale toward the end – brilliant). Oh, Vaughn is also married to Claudia Schiffer. Schwing! She’s a babe. How did he manage that??

They’ve done a fantastic job casting this movie. I’ve never been a huge fan of Colin Firth but he’s PERFECT in this – I loved him. Michael Caine is a pretty obvious choice for his role but it’s hard to imagine anyone else playing his character. Samuel L Jackson is his usual over-the-top self but, hey, that’s what we all love about him! I also really liked newcomer Taron Egerton as the young council estate troublemaker Colin Firth takes under his wing – I can see him being in many more films after this one. It’s also good having two decent female characters – Sophie Cookson as one of the “kingsman” recruits and Sofia Boutella as the kick ass super villain sidekick with deadly blades for lower legs. Oh! And a great cameo from Mark Hamill, who was apparently named in the comic book so I’m sure fans of the comic book liked seeing him in this.

This movie is obviously a spoof on the James Bond/spy thriller movie but it’s a great, violently action-packed spy thriller itself with a wonderful sense of humor that doesn’t stoop to an Austin Powers level of stupid comedy (hmm – that’s the second Mike Myers reference in this review). The main villain and evil plot are ridiculously fun and I loved the training of the young new recruits in order to hire the next “kingsman”. They even almost managed to make this movie non-sexist, unlike the Bond films. That is, until the “end”. Literally. (You’ll get what I mean, Mike). 😉

Summary:

I thought Kingsman: The Secret Service was bloody good fun. Fans of Kick-Ass and/or James Bond will love it as will, apparently, people like me who hate both of those! Just be warned that it may be more violent than you’re expecting so maybe don’t take your grandparents to it. It’s a good “buddy” flick or date movie with a girl who’s happy to watch a fun & violent action movie (I think there are more of us girls like this than you realize). Seriously – give me THIS Colin Firth over the one in those obnoxious Bridget Jones movies any day. And, yes – a guy in a tailored suit is sexy.

My Rating: 7.5/10

**Scene After Credits?: Why do people rush out the SECOND the credits roll?? Anyway, if you do that you’ll miss the extra scene that’s only about ten seconds or so into the credits so it’s worth staying for that. You don’t have to stay until the very end, though, if you really have to pee. 🙂

Today’s IMDB Top 250 Guest Review comes from Rob of MovieRob. He also reviewed Saving Private RyanHERE and The Manchurian CandidateHERE. Thanks for the reviews, Rob! 🙂 Now let’s see what he has to say about Pulp Fiction, IMDB rank 4 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

Also, I’ve never thought to mention it but if you’d like to add a link to your IMDB Review(s) on your own blogs, feel free to use any of the logos I’ve used at the top of any of these guest reviews. I know I’ve made a few that are specific to the movie being reviewed. I’ll also do an IMDB update post soon & will post some more logos.

Quentin Tarantino showed the world was he was made of with his debut film Reservoir Dogs and that movie’s success led to this masterpiece getting proper funding.

His use of non-traditional methods of storytelling works extremely well here as he tells three interweaving stories in a very unconventional non-linear fashion.

The fact that he was capable of securing so many great actors for this movie is a testament to how amazing his story and script are.

I love how QT has always been able to take characters in non-conventional roles and write perfect conversation dialogue totally unrelated to their current situations making the characters seem more real than we thought possible.

The idea of having two hitmen discuss fast food in Europe while on their way to ‘work’ is brilliant.

Truth is in many ways, QT’s written dialogue is what holds his stories together.

In the twenty years since this movie came out, I have found its dialogue to be so easily quotable.

Here’s a list of some great lines from this movie. In order to try and keep this spoiler free, I will omit what characters say each line.

Hamburgers. The cornerstone of any nutritious breakfast.

I don’t need you to tell me how ****ing good my coffee is, okay? I’m the one who buys it. I know how good it is. When Bonnie goes shopping she buys ****. Me, I buy the gourmet expensive stuff because when I drink it I want to taste it. But you know what’s on my mind right now? It AIN’T the coffee in my kitchen, it’s the dead nigger in my garage.

That’s thirty minutes away. I’ll be there in ten.

It breaks down like this: it’s legal to buy it, it’s legal to own it, and, if you’re the proprietor of a hash bar, it’s legal to sell it. It’s legal to carry it, but that doesn’t really matter ’cause – get a load of this – if you get stopped by the cops in Amsterdam, it’s illegal for them to search you. I mean, that’s a right the cops in Amsterdam don’t have.

The way your dad looked at it, this watch was your birthright. He’d be damned if any slopes gonna put their greasy yellow hands on his boy’s birthright, so he hid it, in the one place he knew he could hide something: his ass. Five long years, he wore this watch up his ass. Then when he died of dysentery, he gave me the watch. I hid this uncomfortable piece of metal up my ass for two years. Then, after seven years, I was sent home to my family. And now, little man, I give the watch to you.

That’s when you know you’ve found somebody special. When you can just shut the **** up for a minute and comfortably enjoy the silence.

Are you calling me on the cellular phone? I don’t know you. Who is this? Don’t come here, I’m hanging up the phone! Prank caller, prank caller!

Uuummmm, this is a tasty burger

Mind if I have some of your tasty beverage to wash this down with?

What now? Let me tell you what now. I’ma call a coupla hard, pipe-hittin’ niggers, who’ll go to work on the homes here with a pair of pliers and a blow torch. You hear me talkin’, hillbilly boy? I ain’t through with you by a damn sight. I’ma get medieval on your ass.

1994 was a very strong Oscar year and although this movie got 7 nominations including Best Picture, it only was able to win 1 award (Best Screenplay).

It’s hard to say if this is a better overall movie than Forrest Gump or Shawshank but it is clear that this movie has grown in appreciation over the last two decades.

This movie is currently #5 (but #4 when Mutant first started her list) on the IMDB Top 250 and is definitely worthy of such a lofty position.

Today’s IMDB Top 250 Guest Review comes from Drew of Drew’s Movie Reviews. He also reviewed InceptionHERE. Thanks for the reviews, Drew! 🙂 Now let’s see what he has to say about Jurassic Park, IMDB rank 247 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list of remaining films HERE. See the full list & links to all the reviews that have already been done HERE.

Synopsis
Archeologist Alan Grant (Sam Neill) and archeobotonist Ellie Sattler (Laura Dern) are invited by John Hammond (Richard Attenborough) to visit Jurassic Park, Hammond’s unique prehistoric wildlife preserve, along with choatition Ian Malcolm (Jeff Goldblum), and Hammond’s grandchildren (Joseph Mazello and Ariana Richards). When systems start failing across the park, Grant and the other guests must survive on an island where dinosaurs are roaming free and causing havoc on the island.

ReviewJurassic Park holds a special place in my heart. Not only because it was the first PG-13 movie my parents let me watch before I was 13 (rebellious, I know), but because it was one of the first movies I would watch over and over again. After viewing it more recently, I realized I had missed several of the finer points of the story when I was younger. I guess the kid in me just enjoyed watching dinosaurs come to life, like most young boys dream of. Even today that is one of my favorite parts about this movie, but now I appreciate more of the nuances of the story, as well as the fantasy of living dinosaurs.

At the time, computer-generated imagery (CGI) was still in it’s infancy. Several movies had dabbled with the it previously, but nothing really substantial. However, Jurassic Park completely embraced the up-and-coming technology, revolutionizing it, leading to the flashy and spectacular effects we see today in blockbusters like Avatar, The Avengers,Pacific Rim, and the recently delayed Jupiter Ascending. And despite being twenty years old, the effects don’t look dated. It looks almost as good as effects you would expect to see today. An amazing feat considering it is one of the earliest films to use CGI.

Before CGI became the predominant method for special effects, animatronics were used. I think this movie is a perfect example of how to use animatronics correctly, and is the pinnacle of the technology (which is funny considering it also ushered in the age of CGI). If the movie had been done completely with CGI, the dinosaurs would not have come life as well as they did. That is one of the reasons Steven Spielberg is my favorite director, because he understood how to use both CGI and animatronics side-by-side.

The Tyrannosaurus Rex is largely featured in the marketing for Jurassic Park. However, the “big baddies,” if you will, are the velociraptors. From the very first scene, literally, they are set up as smart, cunning, and dangerous. First, a worker gets pulled into the cage and eaten. Then Alan Grant (Sam Neill) talks about how they are pack hunters. Later, the characters go to the raptor cage and they discuss how “they don’t want to be fed, they want to hunt.” Then there is a break away from the velociraptors to focus on the T-Rex, but there is a mention about the character causing the power outages knowing not to shut down the power to the velociraptor cage. So finally, when the velociraptors appear on screen, it is well established how deadly they are. It was a fairly slow process, but it did well to establish the threat they possessed.

To me, a movie’s soundtrack and score is very important. It can almost tell you how to feel more than what is happening on screen can. John Williams, my all time favorite film composer, writes a great and memorable soundtrack. But honestly, what would you expect? Everything the man writes is fantastic. His score for Jurassic Park is up there as one of my favorite film scores. I mean, try not to become filled with emotion and wonder and awe when John Hammond (Richard Attenborough) says “Welcome to Jurassic Park” and Williams’ Jurassic Park theme starts playing. Go ahead, I dare you.

Some movies have one character who is just fun to hate. In this film, that would be Jeff Golblum’s Ian Malcolm. He’s annoying and obnoxious, but he has a charm to him that I don’t think many other actors other than Goldblum could portray so well.

One thing that surprised me about this movie is how funny it can be. It is by no means laugh out loud funny, but every now and then someone says something that made me smile or even chuckle a little. Even though it wasn’t much, this small amount of humor prevented Jurassic Park from becoming too serious or dark.

Here is your daily fun fact. Several times throughout the movie, Lex Murphy (Ariana Richards) refers to herself as a “hacker,” even correcting her brother (Joseph Mazello). Back in the day, the term “hacker” didn’t have the negative meaning it usually is said with today. Instead, it meant someone enjoyed exploring computers as a hobby. This included building, modifying, and creating either hardware or software or both. There is your little slice of knowledge for the day. Don’t say I never did anything for you.

Jurassic Park is special to me because it was one of the first movies I really go into. When I was younger, I enjoyed it because of the action and the fantasy of dinosaurs roaming the Earth once again. As I grew older, I started to appreciate it for the story as well. A mix of revolutionary CGI and amazing animatronics give this movie a unique look and feel, truly bringing prehistoric creatures back to life. From the beginning, velociraptors are set up as a dangerous threat, so when they are finally shown on screen, the danger they pose has already been established. John Williams’ Jurassic Park theme is very emotional and one of my favorite movie scores. Although not laugh out loud funny, there is still humor throughout the film that prevents the movie from slipping into a dark tone. No matter how old I get, I will never lose the sense of wonder I felt when I first watched Jurassic Park and believing that, despite this being a piece of fiction, dinosaurs once again roamed the Earth.

Today’s IMDB Top 250 Guest Review comes from Josh of JJames Reviews. He’s already done a review of Apocalypse Now (which you can read HERE). Thanks so much for joining in, Josh! Now let’s see what he has to say about Inglourious Basterds, IMDB rank 113 out of 250…

There are still some movies up for grabs if anyone wants to do a guest IMDB Top 250 review. You can find the list HERE. See the full list & links to all the films that have been reviewed HERE.

In an alternate history mash up, two different groups of assassins plot the murders of important Nazi leaders, including Adolf Hitler (Martin Wuttke) and Joseph Goebbels (Sylvester Groth). Meanwhile, Hitler, Goebbels and Nazi detective, Col. Hans Landa (Christoph Waltz) hunt The Basterds, a group of special forces assassins led by Lt. Aldo Raine (Brad Pitt).

My Take

Inglorious Basterds bears Quentin Tarantino’s trademarks, mostly in good ways. Using at least three storylines and an episodic chapter structure, it is always fun and suspenseful. Soshanna Dreyfuss (Melanie Laurent), Hans Landa (Christoph Waltz) and Aldo Raine (Brad Pitt) take turns as the film’s protagonist, and each proves capable of carrying the movie, in no small part because all three of the actors are spectacular. Waltz won an Oscar for Inglorious Basterds, and it is easy to understand why, but his is not the only award-worthy performance. This might be Pitt’s best acting since 12 Monkeys (1995) and Laurent shines, as well, especially when she’s opposite Waltz or Daniel Bruhl (Frederick Zoller).

Even still, the performances are not Inglorious Basterds’ greatest strength. Editing is. Tarantino and Oscar-nominated editor Sally Menke piece together the separate storylines sparklingly well, cutting away from each at exactly the right moments. Even more impressively, they time many takes and shots a heartbeat or two longer than we subconsciously expect, a decision that creates tension and heightens our anxiety. Consider the movie’s opening scene, when Landa arrives at Pierre LaPadite’s (Denis Menochet) home in search of hidden Jews. When the former first meets the latter’s daughters, he politely compliments their beauty, at which point Menke and Tarantino use a wide-angle shot from behind the young women, one that frames Landa’s face with the female’s bodies, thereby ensuring we see the intimidating glare the Colonel gives them. At that point, we expect Menke and Tarantino to cut away from the shot, probably to a close up of Landa, or perhaps LaPadite, but they don’t. Instead, they hold it an extra moment, just long enough to make us feel Landa’s threat. Later in the same scene, the Nazi is centered in the frame as he drinks a glass of milk. While he’s drinking it, we expect the director and editor to show us a reaction shot of LaPadite or one of his daughters. They don’t. Instead, they hold the shot of Landa until the milk is gone, a decision that once again increases our anxiety. Why? Because now we know that Landa can and will do anything he wants, that the LaPadite family is powerless to stop him, and that soon all of them might be dead.

Such brilliant editing continues throughout the movie. Menke lost the Oscar to The Hurt Locker, but she unquestionably deserved her nomination and would have been a fitting victor.

Tarantino makes other standout directorial decisions. Inglorious Basterds is visually striking, and the sound design is very good. So too are all of the director’s casting decisions. Daniel Bruhl is excellent as the flirtatious but frightening Frederick Zoller, and Michael Fassbender is scene-stealingly good as British soldier Lt. Archie Hicox. Diane Kruger (Bridgit von Hammersmark), Jacky Ido (Marcel) and Sylvester Groth (Joseph Goebbels) all give memorable supporting performances, as well.

With excellent acting, near impeccable direction and some standout technical elements, Inglorius Basterds has potential for perfection. Unfortunately, Tarantino’s screenplay is uneven. Yes his dialogue is witty and sometimes funny, as it is in everything he writes, but the way he tells this story fundamentally prevents emotional attachment to the characters, something that is all the more disappointing given each of the protagonists’ potential to be memorable. Shoshana is a tragic anti-hero if ever there was one. Raine could be, too. And Landa could be a complex opportunist, whom we never completely understand and therefore whose actions we cannot predict.

But instead, Tarantino chooses to gloss over his three lead characters, assigning each of them one or two traits, and never further developing them. Then, he introduces a bevy of minor characters, some of them historical figures and others not. He gives these secondary players as many traits as the leads, which guarantees that no one is well developed. That, in turn, means we do not care about any of the characters.

And so we do not extrapolate important life lessons from their experiences.

Conclusion: Inglorious Basterds, then, is a prime example of style over substance. It is entertaining and darkly comedic, just as it is incredibly well made. But, thanks to underdeveloped characters, it is not thematically resonant. Though we can enjoy it, we are not inspired by it.

As I’ve said at the beginning of every superhero movie I’ve reviewed, I don’t know anything whatsoever about these things beyond what I’ve seen in the films. So, luckily, I can just sit back, eat popcorn, and watch these superheroes kick some ass without having to get all geeky nitpicky. I really enjoyed Captain America: The Winter Soldier.

Captain America isn’t my favorite Avenger (so far). He can be a little dull and he’s not exactly Thor-level hot. I liked the first movie fine but it didn’t exactly blow me away. I also felt the same way about the first Thor movie. But I thought Thor: The Dark World was a lot of fun (you can read my review HERE). And I think Captain America: The Winter Soldier is also a very big improvement over the first one. With the exception of Iron Man 3 (review HERE), I think these Marvel movies are getting better & better and it’s getting me very excited about seeing more.

I’m struggling to think of what to say about this. As I said, I’m far from being an expert on these superhero movies. So I’ll list a few good & not so good things.

The Good:

– The Cast. I really can’t say anything negative about any of them. Scarlett Johansson is one of the best things about this and I quite often don’t like her much. That’s two in a row where I really liked her! (This & Her). Samuel L Jackson, Sebastian Stan, Robert Redford – all good! And I especially liked Anthony Mackie. Like. LIKE! I liked everyone! Really – this is cool because I usually hate at least one person in a movie. Oh, and Chris Evans is good too but, to be honest, he’s kind of the weakest thing about the movie. (Sorry! More about that later).

– The Winter Soldier. Well, I thought he was pretty bad ass. And occasionally hot. But not from every angle. I can’t decide! Sometimes hot, sometimes not. But his metal arm is pretty freaking cool.

– Falcon & Agent 13. I like these characters!

– Stan Lee cameo. They’re always fun but I thought this one was especially cute. Am I allowed to use “cute” in this review? Screw it – I’m a girl so I can say cute if I want to say cute. It’s really cute!

– The action. There’s A LOT of it but I thought it was all really good. The fight scenes were, I dunno – really well-choreographed? That sounded stupid. What I mean is – they looked cool! And the car chase scenes were pretty damn awesome too. Now, I like some “worthy” films. But, in the UK, the first couple months of the year tend to be the time they show all the worthy Oscar-nominated movies in the cinemas. I thoroughly enjoyed The Wolf Of Wall Street, Dallas Buyers Club, Her… (not American Hustle so much). But sometimes you really just want to be entertained & have some fun and I was SO ready for a movie like that. The Winter Soldier is the very definition of a “good-time popcorn movie”. I didn’t look at my watch once. (And by watch I mean phone. Who has a watch?). But I still want a decent plot & characters (Hello Pacific Rim! You were fun but some time spent on your script would have been nice!). The Winter Soldier delivers just fine on plot & especially on characters as well as some really kick-ass action. (And, yes, sometimes there can be too MUCH action. I’m talking to you, Man Of Steel!).

The Not So Good:

– Captain America. Chill while I explain. I’ve gone & decided to break this down into the good and not so good and have now realized that I can’t really think of anything for the not so good bit but I’m too lazy to go back & change things. Lol. So…

I already mentioned above that Chris Evans is kind of the weakest thing about the movie but I don’t really mean him as an actor – I just think they’ve not done the greatest job developing his character. Yet. I feel like we should know this guy a bit better by now plus he’s not developed much of a personality in the way they at least made Thor more “fun” in The Dark World (Although we still didn’t get anything deep from his character. I’d like Thor a lot less if Chris Hemsworth wasn’t so damn FINE). To be fair, though, it’s kind of a problem with most superhero movies. I think it’s probably also very hard with these movies to get that right balance between “too serious” and “too cheesy” but they’re getting it right more & more often these days, especially with all the Avengers-related ones. So I’m not really complaining much. Other than Iron Man 3, these movies just keep getting better.

Summary:

Captain America: The Winter Soldier is, well, a kick-ass superhero movie. What else can I say? If you like all the other movies with all the other Avengers, I really can’t see you not liking this one. And I think it’s a massive improvement on the ones that have come before it. I find the character of Captain America a little bit weak compared to the others but if they put this level of effort into the rest of the Marvel Avengers films, we’re in for a real treat. I can’t WAIT to see more based on this one. A thoroughly entertaining movie.

My Rating: 8.5/10

Scenes After Credits?: Duh. It’s a Marvel movie! Why do people rush out the second the credits roll?!

Are they worth holding your pee for? There are two: One partway through the credits and one at the very end. The one partway through is a definite must-see. Man I want to see what comes of that one!!! And thanks to the hubby for filling me in on the details with that one. The scene at the very end is worth watching if you’re a completist. I MUST stay for these scenes after the credits otherwise I get really annoyed knowing that I’ve missed something. But, hey – you’d probably have time for a quick pee between the two end credits scenes if you really can’t hold it. 😉

Set in the antebellum era of the Deep South and Old West, the film follows a freed slave (Foxx) who treks across the United States with a bounty hunter (Waltz) on a mission to rescue his wife (Washington) from a cruel plantation owner (DiCaprio).

I should maybe re-watch this one as I saw it in the cinema back in January but I remember it well anyway. I still consider it my favorite film of 2013 (UK release date). But it’s one of the only 2013 movies that I didn’t review. I have a strange relationship with Tarantino films – I think they’re brilliant but I also can’t fully watch any of them as I’m a mega wuss about violence. Figure that one out… Plus so many people love Tarantino and there will be tons of great reviews online from people who are proper writers and I don’t know what I could really add to all that. So, as usual, I’ll just discuss what I personally liked about the film.

I’ll get right to it and say that there’s ONE very specific thing that made me really go for this movie even though I literally “saw” less of this than probably any other Tarantino film as I found the violence in this one the most disturbing yet & didn’t even look at the screen for a couple entire scenes (the “Mandingo” fight for one – the sound effects alone were enough to make me feel ill). I think everyone knows what I’m going to say that one specific thing is as I think most people agree:

CHRISTOPH WALTZ

He’s brilliant. Absolutely brilliant. I have to say I’m not one to worship actors – I just like movies. I do have some favorite actors, of course, and a few actors who will make me actually watch a film they’re in (or, more often, avoid one). But I just enjoy watching movies I think are good and for the most part don’t care who’s in them as long as the actors fit the part and they’re not really horrible at acting and they’re not Tom Cruise.

But… Oh my god I love Waltz in Tarantino films! I know that not ALL the credit can go to Waltz, though – As many people have already said, there’s just something about a Tarantino script combined with Waltz’s acting that’s just the perfect fit. I really need to watch Inglourious Basterds again – the scene with Waltz at the beginning was so intense (I barely watched that scene. Sorry – I just couldn’t! My heart was pounding like crazy).

I love the character of Dr King Schultz in Django Unchained. He’ll go down as one of the all-time best characters with one of the all-time greatest performances (in my opinion but, hey, he did win an Oscar for it). This is why poor Jamie Foxx seems so overlooked in the title role – He was fine but he just didn’t quite have that special “something” that Waltz has so his performance naturally pales in comparison.

Before I go on kissing Waltz’s ass too much, there was one other performance that I also felt was worthy of at least an Oscar nomination: Leonardo DiCaprio. Why does he keep getting overlooked? Is it because he’s a former “heartthrob”? I’m not exactly a Leo fan but I think he’s had some amazing performances in a variety of films and Django Unchained is one of them.

As for the film itself, I liked the overall story. I like revenge (Kill Bill being my favorite Tarantino film) and I like some good old-fashioned “rescue the helpless woman” sometimes as it’s set in the old West (or old South). I found the “Blazing Saddles” type of comic relief scene with the masks funny, all the stuff at Candyland was great, Don Johnson was actually not bad and, as already mentioned, DiCaprio and especially Waltz were brilliant and a joy to watch whenever they were on screen (which was quite a lot, luckily).

Tarantino’s role was a bit embarrassing, the violence was too much for me, and I’m not 100% sure if it’s okay to like Samuel L Jackson’s character or not. I love the guy (I’ve had it with these motherfucking snakes on this motherfucking plane!) but that role was probably getting into iffy territory and I’m so not going there – there’s already been enough talk of the excessive use of the N word in this so I’ll leave that to intelligent people to dissect. I also felt that Django Unchained lost its way a bit in the last 45 minutes or so – it started to feel a little overlong and seemed to not be completely sure how to end although I found it a satisfying enough conclusion.

Summary:

Django Unchained is another great film from Tarantino with a brilliant script and excessive violence than can be a little hard to watch. But I suffer through the violence as I think Tarantino is one of today’s most talented filmmakers. I’ve never watched classic Westerns but did force myself to watch the excellent Once Upon A Time In The West for the first time a couple months ago and it’s made me appreciate Django Unchained even more and made me want to further explore the influences on the film. Django Unchained isn’t a perfect film and does lose its way toward the end but with such a mesmerizing performance from Christoph Waltz, who cares? The man is amazing.