In this existential murder mystery, it is Christmas Eve, and fifty-five-year-old professor Pål Andersen is alone, drinking coffee and cognac in his living room. Lost in thought, he looks out the window and sees a man strangle a woman in the apartment across the street. Failing to report the crime, he becomes paralyzed by his indecision. Professor Andersen’s Night is an unsettling yet highly entertaining novel, written in Dag Solstad’s signature concise, dark, and witty prose.…

In Her Feminine Sign follows on the heels of Dunya Mikhail’s devastating account of Daesh kidnappings and killings of Yazidi women in Iraq, The Beekeeper. It is the first book she has written in both Arabic and English, a process she talks about in her preface, saying “The poet is at home in both texts, yet she remains a stranger.” With a subtle simplicity and disquieting humor reminiscent of Wislawa Szymborska and an unadorned lyricism wholly her own, Mikhail shifts between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, between a game of chess and a flamingo.…

In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker’s first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars.…

At the heart of Happiness, as Such is an absence—an abyss that pulls everyone to its brink—created by a family’s only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own.…

The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator’s murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?…

Poor, hard-luck Harbart Sarkar—born into a fancy Calcutta family but cursed from birth. Orphaned as a baby, he is taken into his uncle’s house, only to fall further and further down the family totem pole. Despite his native talents and good looks (with his “Hollywood-ish air, Leslie Howard-ish air”), he is scorned by all but his kind aunt. Poor Harbart: so lovable but so little loved. Cheated of his inheritance, living on the roof in hand-me-down clothing, he pines for love, but all is woe: his own nephews beat him up.…

Poetry

Who has not suffered grief? In Mourning Songs, the brilliant poet and editor Grace Schulman has gathered together the most moving poems about sorrow by the likes of Elizabeth Bishop, William Carlos Williams, Gwendolyn Brooks, Neruda, Catullus, Dylan Thomas, W. H. Auden, Shakespeare, Emily Dickinson, W. S. Merwin, Lorca, Denise Levertov, Keats, Hart Crane, Michael Palmer, Robert Frost, Hopkins, Hardy, Bei Dao, and Czeslaw Milosz—to name only some of the masters in this slim volume.…

The Chandelier, written when Lispector was only twenty-three, reveals a very different author from the college student whose debut novel, Near to the Wild Heart, announced the landfall of “Hurricane Clarice.” Virgínia and her cruel, beautiful brother, Daniel, grow up in a decaying country mansion. They leave for the city, but the change of locale leaves Virgínia’s internal life unperturbed. In intensely poetic language, Lispector conducts a stratigraphic excavation of Virgínia’s thoughts, revealing the drama of Clarice’s lifelong quest to discover “the nucleus made of a single instant”—and displaying a new face of this great writer, blazing with the vitality of youth.…

The Kites begins with a young boy, Ludo, coming of age on a small farm in Normandy under the care of his eccentric kite-making Uncle Ambrose. Ludo’s life changes the day he meets Lila, a girl from the aristocratic Polish family that owns the estate next door. In a single glance, Ludo falls in love forever; Lila, on the other hand, disappears back into the woods. And so begins Ludo’s adventure of longing, passion, and love for the elusive Lila, who begins to reciprocate his feelings just as Europe descends into World War II.…

New Directions was founded in 1936, when James Laughlin (1914–1997), then a twenty-two-year-old Harvard sophomore, issued the first of the New Directions anthologies. “I asked Ezra Pound for ‘career advice,’” Laughlin recalled. “He had been seeing my poems for months and had ruled them hopeless. He urged me to finish Harvard and then do ‘something’ useful.”