Monday, 16 January 2017

It's that time again
when we look back at the best albums of the past twelve months. 2016
may have been a clusterfuck of a year when the fabric of reality
started folding in on itself. But musically it was an absolutely
joyous year with old masters rubbing shoulders with bright young
things to give us fans a real feast for the ears. We lost some
greats, that's true. But these thirty albums softened the blow a
little.

As always the format of our best of is not set, and in no
particular order of rank or genre bias, but this is a selection of
highlights you may have enjoyed, or even missed first time round. So without further ado here is this year's countdown.

David Bowie – 'Blackstar'

It was a given that
any top album list would have to include the enigmatic David Bowies
swansong album 'Blackstar'. Fusing rock, jazz and electronics this
short but beautiful parting gift from one of the most prolific
recording artists of all time was a beautiful, poignant slice of
experimental songwriting and deep heartfelt performances.

The
Sweetest Condition – 'We Defy Oblivion'

The sophomore
offering from The Sweetest Condition sees the bands signature sound
of synthpop crashing headlong into harder industrial elements and
some brash rock guitars further refined into a sharper and more
focused attack.

Dead When I Found Her – 'Eyes On Backwards'

The strongest Dead When I Found Her album yet. It is both
classic and relevant. A perfectly distilled expression of angst and
paranoia crafted by a skilled and intelligent hand. As with previous
releases it will appeal to older industrial fans as well as those
finding their way to the genre through newer bands.

Dawn Of
Ashes – 'Theophony'

Focused, energetic and renewed,
'Theophony' sees Dawn Of Ashes reach new heights. The album is a sure
sign that the band are reaching their full potential in terms of
writing and execution. A fitting and satisfying return.

Rave
The Requiem – 'Gospel Of Nil'

'The Gospel Of Nil' is a
breathtaking album that explores a multitude of styles and genres, in
every song. It's frantic pace and big atmosphere make it an exciting
and engaging listening experience from start to finish. And best of
all it hints at so much more to come from this band.

Mortiis
– 'The Great Deceiver'

It has been a long time
coming, but 'The Great Deceiver' was worth the wait. Hopefully this
album will see the love it deserves returned to it and a follow-up
album sooner rather than later. But in the here and now this is a
great album and one that the band should be very proud of.

Marc
Heal – 'The Hum'

The album's dark topical narratives,
gritty snarled vocals, and sumptuous blend of guitars, synths and
beats are a masterclass in how high industrial rock can aim. Heal
could have easily rested on the laurels of past glories and given us
more of the same. But instead he has pushed his abilities as a
songwriter, performer and producer.

Covenant – 'The
Blinding Dark'

This album will
probably split fans as to whether it is too experimental or an
unexpected but welcome curve-ball. Time will tell on how it is
received, but in the here and now this is a fresh and challenging
album from one of the scene's longest serving acts that shows they
still have plenty of ideas left.

Bestial Mouths –
'Heartless'

'Heartless' is a very strong album that shakes
you out of your complacency and forces you to listen to it. The band
have masterfully found the balance between their experimental and
accessible sides, and while this is easily their most accessible
effort to date. It is also their most enjoyable and well-rounded.

Pig – 'The Gospel'

'The Gospel' is a long overdue,
but very welcome return from one of industrial rock's unquestioned
pioneers. Watts honours the core of the Pig sound that endeared the
band to the industrial rock scene, but lovingly builds on its legacy
in order to secure its future.

Pain – 'Coming Home'

Peter
Tägtgren's CV speaks for itself, and it is great to see that nearly
20 years on since Pain's eponymous début he can still pull something
new and different out of the bag. 'Coming Home' is a huge sounding
album, subtle in places, but with an uncompromisingly heavy backbone
that will not only appeal to long-time fans but also certainly hook
some newbs as well.

Combichrist – 'This Is Where Death
Begins'

Fans of Combichrist's earlier sounds may find the
more metal direction hard to take, but those who have stuck with
their evolution thus far will not be too shocked by this move and
will undoubtedly embrace the blend of hard metal and gritty
electronics. Either way, Combichrist have crafted a monster here and
it will undoubtedly prove to be a notable release in an already
enviable discography.

Angelspit – 'Cult Of Fake'

'Cult
Of Fake' is a great album, easily one of the best Angelspit releases
so far. There is a great balance of industrial dance and vehement
punk rock attitude balanced out quite nicely across all the tracks.
Long-time fans will be able to pick this up with ease and it will
undoubtedly still attract new fans through casual listeners purely on
the strength of the songwriting and composition at work here.

Rhombus – 'Purity & Perversion'

This is another
great release from a band that are solidifying their legacy as one of
the country's strongest gothic rock acts for a long time. Strong,
powerful and most importantly high qualirt, 'Purity & Perversion'
is a must have for any fan of gothic rock.

This is what Rob Zombie
albums should be. Long-time fans will have plenty to get their teeth
into and new fans will have a pretty good starting point from which
to explore his earlier solo efforts or dive back further into the
White Zombie years.

Surgical Meth Machine – 'Surgical Meth
Machine'

'Surgical Meth Machine' is a brilliant first step in
what will hopefully be an exciting new journey for Jourgensen. This
album is his most diverse in his career to date and the unexpected
twist at the end shows he still has a lot of tricks up his sleeve.

The 69 Eyes – 'Universal Monsters'

It would still be
nice to hear a bit more of that slow and thick gothic sound that made
albums like 'Blessed Be' and 'Paris Kills' such attention grabbing
releases. But with 'Universal Monsters' The 69 Eyes find a nice
balance between their different influences in a focused and
consistent way that shall please almost all of their fans.

Skold
– 'The Undoing'

'The Undoing' may have been delayed since
2014, however it is another example of Tim Sköld's solo albums being
worth the wait. Unencumbered by other band members and expectations
he is free to let loose and indulge his creativity to its fullest.
And the result is brilliant.

Victor Love – 'Technomancy'

This is a great full-length début by a honed and hardened
veteran of all things cyberpunk. The collaborations are great and the
album presents quite a varied spread of sounds that will easily
appeal to established fans and attract new ones.

Beastmaker –
'Lusus Naturae'

'Lusus Naturae' is a
great début. It hits hard and fast with a tonne of great material
that will make you want to catch them live, and recommend them to a
friend. Fans of doom, stoner rock, and occult rock will have a great
time with this album, and hopefully this is just the first step on a
long career path for the band.

Blood Ceremony – 'Lord Of
Misrule'

'Lord Of Misrule' is a
fantastic album, and a highpoint of Blood Ceremony's career so far.
The balance of folk, prog and doom elements makes this an accessible
but nonetheless stunning album that is sure to put many of their
imitators in their place. It is an absolute joy to listen to from
start to finish.

Mourning Beloveth – 'Rust & Bone'

'Rust & Bone' is a
brilliant example of doom metal done right. The band don't rest on
their laurels and continue to push their ideas. The song writing,
compositions, and performances are all high quality. Mourning
Beloveth have crafted a stunning album here.

Youth Code –
'Commitment To Complications'

It is hard to believe this is
the band's sophomore full-length outing. Their rounded out hardcore
meets industrial sound has sharpened and it is evident they have
distilled the best moves from their demo and self-titled album into a
brilliantly sustained attack.

Blush Response – 'Reshaper'

Delving into more rhythmic noise territory than previous releases but nonetheless still enjoying the same free-flowing sense of experimentation that has always marked Blush's songwriting. 'Reshaper' sees a grittier slant on his modular manipulations, yet Blush maintains the manifesto of an ever evolving sonic arsenal. A definite must-have.

Iszoloscope – 'False Vacuum'

'False Vacuum' is an
album that sticks to the strengths of the Iszoloscope sound and
excels because of it. The focus may be somewhat narrowed but
Faussurier shows the true extent of his skills and delivers on all
the goods. This is sure to be a fan-pleaser.

M‡яc▲ll▲
– 'M‡яc▲ll▲'

M‡яc▲ll▲ are one of those bands
that just seem to get better with every release. The cinematic scope
of their songs ever increasing and as a result their self-titled
album is truly a thing of beauty. It is great to see their stock
continue to rise with quality releases such as this.

Neurotech
– 'In Remision'

'In Remission' shows Wulf as a man very
much on top of his game. The songs continue to show a definite
progression from last year's albums and another step up in quality,
if that were possible. There is plenty of deep and exciting music to
get lost in, and when listed to last year's album's back-to-back it
becomes a real feast for the ears.

Nick Cave And The Bad
Seeds – 'Skeleton Tree'

A poignant and traumatic
confrontation of death, 'Skeleton Tree' marks Nick Cave And The Bad
Seeds sixteenth studio album and one that shows just what an
important artist he is. Soulful, dark and teetering on the brink of
utter collapse, the album is a therapeutic exorcism of a master of
his craft.

Katatonia – 'The Fall Of Hearts'

The
band's run since 2003's 'Viva Emptiness' has been an enviable one
with a consistent trend upwards in terms of quality of releases, and
'The Fall Of Hearts' doesn't break this pattern. The progressive
elements sound excellent and add a greater dynamic to the band's
atmospheric metal steeped in sadness and loss but more complex and
free in execution.

Strvngers –
'Strvangers'

Strvangers' self-titled
album is a head mix of nostalgia, haunting vocals and outright
passion. The blend of retro 80s atmospheres with modern ebm and
darkwave is inspired and the album is an enticing and intriguing
listen from start to finish. The best of the 80s filtered through a
contemporary approach.

That's it for our
personal countdown of 2016's choicest cuts. What were your favourite
albums off the past twelve months? Let us know on our Facebook page.