The story of the Fourmyula begins with songwriter Wayne Mason. He was
born in New Plymouth in 1949, and lived in Rotorua for a period in the 50's
before moving to Upper Hutt in 1958. There he began to take piano lessons.
Although serious, he would break into a bit of boogie-woogie whenever there were
a few spare minutes at lessons. In 1962 his father bought him a guitar and he
formed his first band with classmates from Heretaunga College. Calling
themselves the Southern Auroras, they consisted of Frank Stevenson on
vocals, Martin Hope on lead guitar, Les Gruebner on bass, Jim McEwan on drums,
and Wayne on rhythm guitar and piano.

As a group they never really got going, but it was a sufficient experience to
learn their musical basics. In September 1963, they changed their name to the Sine
Waves. They got regular work playing at Saturday night dances, but in 1964
Jim McEwan had to pull out of the group as his parents objected to his late
nights. His place was taken by another school friend, Chris Parry.

Insect 1966, Martin Hope, Wayne Mason, Ron Gascoigne and Chris Parry.

With Parry now in the group, they decided on another name
change, calling themselves the Insect. For the next two years they played
the Hutt Valley circuit of high school dances, youth clubs, social functions and
bible classes, gaining a considerable reputation for themselves. The Hutt Valley
produced some very reputable bands during the 60's, and by the mid-60's the
better ones were the Bitter End, the Roadrunners,
the Dedikation and the Insect.

By mid-1966 Frank Stevenson left the group to begin his cabaret
career as Frankie Stevens. A reshuffle of the group took place with
Martin Hope taking over lead vocals, and Wayne Mason moving to keyboards. Les
Gruebner also left and his position was taken by Ron Gascoigne, but Ron stayed
less than six months and by the end of 1966 he had left to join the Simple
Image. A new bass player was required and he was Alistair Richardson. Time
for a new name and the Fourmyula was born, consisting of Hope, Mason,
Richardson and Parry.

Fourmyula 1967 Richardson, Mason, Parry and Hope.

The Fourmyula debuted at an Upper Hutt dance on March 11,
1967, and the more they played the stronger their popularity became. They
invested all their spare cash into new equipment and clothes to perform in. They
entered a "National Battle of the Sounds" competition in September
1967 and won the Wellington heat. In January 1968, the finals were held in the
Lower Hutt and the winners of other regional heats included the Hi-Revving
Tongues and the In-Betweens. Supported by a home audience, the Fourmyula
easily won the final and the prize that went with it was a trip to Britain
aboard a Sitmar liner.

While the band had been rehearsing for the competition, they
made a demo tape which they gave to HMV's Howard Gable. He liked what he heard,
but felt they needed a stronger lead singer. Meanwhile they set off for their
first tour of the South Island. Their booking agent found a new vocalist and he
caught up with the band in Dunedin in March 1968. His name was Carl Evenson,
and he had been vocalist with the Kal-Q-Lated Risk.

1968, Mason, Evenson, Richardson, Hope and Parry.

While they were traveling, Richardson and
Mason began writing a song. The result was "Come With Me", which they
took to their first recording session. The group wanted to release it as their
first single, but Howard Gable already had a song by Martha and the Vandellas,
"Honey Chile", lined up. The boys persisted and a compromise was
reached by putting "Come With Me" as the B-side of the single. When
the single was released by HMV in July 1968, it was only "Come With
Me" that received the attention of DJs and the public. It spent three weeks
at number two on the national charts and stayed on the charts for three months.

The Fourmyula had become New Zealand's
top band overnight. Television appearances, radio interviews and newspaper
articles followed. Mason and Richardson continued writing new songs and in
October 1968, HMV made the unusual move of releasing the next two singles at the
same time. They were "Alice Is There"/"I Dig Your Act" and
"I Know Why"/"It's Only Make Believe". The two singles
reached number 4 and 7 respectively on the charts. They also released their
self-titled debut album in time for the Christmas market.

At this stage they still hadn't taken their
prize for winning the "Battle of the Sounds" competition, so in
January 1969 they recorded their second album, "Green B Holiday" and
three more singles to be released while they took their trip. They were
"Start By Giving To Me"/"If I Had The Time",
"Home"/"Tell Me No Lies" and "Forever"/"Mr
Whippy".

1969, Richardson, Parry, Mason, Evenson and Hope.

On February 8, 1969, the Fourmyula
sailed to England on the Fairsky. Once there, they were soon faced with the
realities of international rock'n'roll. With very little work available for
them, they spent a lot of time watching some of the major acts that were
performing at the time. They did get a few poor-paying gigs, and after a lot of
pestering to Decca, they had a recording session at Abbey Road. The result was a
cover of Hans Poulsen's "Lady Scorpio" and it was released in New Zealand in
August and reached number 7 on the charts. An EP of four hits was subsequently
released, called "Four Hits Of The Fourmyula".

While they were in England they realised
there was new music around and that they were out of touch with current trends.
They stayed in England for four months and returned to New Zealand with the best
musical equipment available, their hair longer, their music louder and
themselves a lot wiser.

In England 1969.

Their first gig back in New Zealand was at the Astoria Ballroom
in Palmerston North. The venue was packed, but the crowd was in for a big
surprise. This was a totally different band to the one that left New Zealand six
months earlier. Their clothes were different, they looked different, but when
they plugged into their massive stack of equipment, heads jerked back as they
opened with a version of Led Zeppelin's "Good Times, Bad
Times". What followed was a set of covers from what they had heard in
England and by the time they had finished, the audience just stood in total
disbelief and silence. It wasn't what the audience wanted and bowing to their
pressure they had to revert to the style they had become famous for.

Back from England 1969.

They went back to the studio and worked with Peter Dawkins to
record their next two singles and an album for release in the new year. The
first single, "I'll Sing You A Song"/"Mill Stream" was
released in October 1969. This was the last of the Mason-Richardson
compositions. From this point on, the songwriting role was left to Mason alone.
The single reached number 3 on the charts.

The Fourmyula spent most of October and November touring
the country, trying to earn as much income as they could, so that they could
return to England and have a decent go at making it big on the international
circuit. They left in December, knowing perfectly well what lay ahead of them,
and vowing not to return to New Zealand unless they returned in triumph.

The second of the two singles was released in December 1969. It
was a composition Mason had put together while they were in the studio recording
their album. The group had forgotten about it, but Peter Dawkins saw great
potential in it, which was evident by the amount of work he put into the
production. The single was "Nature"/"Home" and in the first
few weeks of January 1970 it had reached number 1 on the national charts.
"Nature" also won Wayne the prestigious APRA Silver Scroll Award. Their
third album they had recorded before departure was also released. It was called
"Creation".

When the boys received the news of the success of their single
in New Zealand, they didn't really care as that part of their life was behind
them, as was the style of music that "Nature" represented. They were
now free from audience demand and could concentrate their efforts on a more
aggressive sound. They did however use their New Zealand success status to keep
the pressure on Decca. A follow-up single, "Make Me Happy"/"Lord,
I'm Coming Home", struggled on the charts, only making it to number 19. HMV
released a fourth album called "The Fourmyula Live (With Special Guest Star
Shane)".

Throughout 1970, Fourmyula performed extensively around Britain
and Europe, proving very popular in Scandinavia. Their sound became heavier, but
with Mason's melodic touches, they could not be branded heavy metal.

In mid-1970, Decca took a gamble and allowed the group to record
an album. Out of those sessions came a track called "Otaki". It was
released in August 1970, with "Which Way Did She Go" on the reverse.
It would rate as their heaviest single and made it to number 15. That was the
last time the Fourmyula made it onto the New Zealand charts. Two more
singles, "Turn Your Back On The Wind"/"Believe In Love" and
"Lullaby"/"Molly", were released and both failed miserably.

To avoid confusion with a similar named group, Fourmyula
renamed themselves Pipp (a Danish word meaning 'mad') for the release of
"Otaki" in Britain. It received no airplay and sold very few copies.
Decca's interest in the band waned and they kept postponing the release of the
album, eventually advising the group that it would not be released at all.

At that point enthusiasm in the band died. Wayne Mason was the
first to leave. He was replaced by Canadian Paul Pryde in
October 1970. The group continued as Pipp for a little while, but without
success they slowly disbanded.

1970 with Paul Pryde at far left.

In 1974 an album was released by Axis, called "A
Portrait Of The Fourmyula". It was basically a collection of their greatest
hits. In 1992 EMI released "The Most Of The Fourmyula". It contained
all of their singles and some of the better album cuts.

Martin Hope later joined a version of Human Instinct
in 1972. Wayne Mason and Carl Evenson became original members of Rockinghorse
after their return from England in 1973. Chris Parry ended up in a plum position
in the music industry in England. He signed the Jam to Polygram, managed
the Cure and formed Fiction Records. Whilst in England, Wayne Mason
formed a band called Flinders, consisting of Wayne
on bass, Bruce Robinson on guitar, Carl Evenson on vocals and Richard Burgess on
drums, and they released one single on Parlophone
called "Riverboat Song"/"I Know" in 1972. Carl Evenson had a
solo single in 1974 called "Green River Dam"/"Slow Roaming
Man".

Wayne Mason was also a member of the Romney Army and
the Warratahs, after which he went solo, releasing his first album,
"Between Frames" at the end of 1995. A new version of his song
"Nature" was released in 1992 by the Muttonbirds. It reached
number 4 on the national charts.

A further best of CD was released in 1999 by EMI and called
"The Very Best Of The Fourmyula".

In 2002, to mark the 75th Anniversary of APRA, many hundreds
of APRA members and an invited academy of one hundred people, voted on their
favourite New Zealand songs of the last 75 years, from a list of 900 songs.
"Nature" was voted the most popular song from the list.