In Soho’s Welsh Church, a former nightclub, the space filled with the sound of the Bauhaus track “Bela Lugosi's Dead” – the club scene soundtrack from David Bowie eighties vampire film The Hunger – disconcerting and trippy. Gaunt and hollow eyed models appeared with black feathers tangled in matted hair.

Legacy:

In continual homage to Lee McQueen, a subtle and soft grey tartan crept across heavy belted trenches, suit jackets and wool coats, before rupturing into an unexpected pale pink and purist white.