Panelists discussed a wide range of topics and people, including racism in stand-up comedy, Bill Maher and Sarah Silverman, the television shows “Fresh Off the Boat” and “Black-ish,” and Emerson alum Norman Lear, ‘44.

Underneath the powerful pulse of pop hits playing, the thundering stomp of combat boots, and the crisp clap of tap shoes, the only other noise in the Greene Theater last Saturday night was “YAS WERK!”—the distinct battlecry of dancing superheroes and daunting supervillians.

As two test subjects, Jake and Mika, wait to try an experimental drug, they start to connect with one another. Under the influence, the medicine exposes the characters’ true emotions, and they begin to build an affectionate and authentic relationship.

Meyerhoff, a Student Academy Award nominee, is the founder of Film Fatales, a collective of women filmmakers from all around the world who get together to mentor each other, collaborate on projects, and build a community.

Last Monday night, the Bright Family Screening Room hosted a free advanced showing of "Spotlight" for the Emerson community. The biopic follows a team of four investigative journalists who shined a light on the sexual abuse of minors by the Catholic Church in Boston.

“Legally Blonde: The Musical,” based on the popular 2001 movie of the same name, tells the story of a sorority sister who spurns her stereotype. Last weekend, Emerson’s Musical Theatre Society adapted the original Broadway production for the Semel Theater.

Each post highlights a different neighborhood or locale, and the models’ outfits reflect the nature of their particular surroundings. Initially, the two New York City natives focused on areas in their hometown, like Williamsburg, the Meatpacking District, and Central Park.

The scores of scary movies, perhaps more than in any other genre, are all reminders of how crucial the relationship between imagery and music is. These compositions are eclectic, intricate, and intense; without them the terrors on screen would fall flat.