December 18, 2014

He is best known for the spoken word meets Electro-House track "Dear Diary" nearly a decade ago. His latest offering is in the same spirit as that one, but it's a clever and witty song discussing the halcyon days of clubbing and nightlife from the 90s and 2000s. One will find themselves agreeing with nearly every point brought up. The spoken vocals float atop a hypnotic Def Mix era Deep House production. It is a timely track given that clubs and clubbing have changed significantly during the last 10 to 15 years.

-Listen to the original version here (YouTube)
-Purchase the original here (iTunes)

December 15, 2014

This release has been getting the attention of DJs and clubbers alike during the last few months. It features the vocals of the legendary Kathy Sledge (of Disco and R&B group Sister Sledge). It is a rousing, uplifting track. The main versions are in a funky Disco/House direction. There are additional remixes by C-Rod, DJ Ting, Eric Kupper, John Rizzo, Mike Rizzo, Ranny, Razor N Guido, Serving Ovahness, Stingray, and The Degenerates. Every single mix brings something special to the table. The highlights include the Eric Kupper, Razor N Guido, and Serving Ovahness mixes. Eric Kupper delivers a Def Mix era throwback mix with lush pianos. Razor N Guido's darker mixes also utilize an organ-based hook that is further highlighted in their Duhb. Serving Ovahness delivers both a solo and collaboration mix with Alexander which make this into a peak hour circuit anthem.

November 25, 2014

This is the proper clubland debut of the Gospel/Jazz singer-songwriter. She famously co-wrote the song "Reap (What You Sow)" recorded by Gospel artist Vernessa Mitchell. The song is notable because it was eventually remixed by Junior Vasquez and Joe Carrano and it led to Vernessa reaching a whole new audience with the remixed versions of her inspirational songs. The message of "Rejoice!" is powerful and beautiful. NovoGain has remixed this one into an anthem. It even incorporates some instrumental references to "Reap (What You Sow)". Lisa's vocals soar over the thundering production.

The Dance/Pop diva is back with another catchy song that is sure to be a classic. It is in a similar vein as her earlier hits. She sounds fantastic. All of the remixes on this package are in an uplifting big room style. Amy Alderman, Griffin White, Mission Groove, and QUBIQ provide the remixes. Amy Alderman's dark treatment is perfect for peak hour with the massive synths and drums. Griffin White's mix is a little lighter but it still packs a punch. Mission Groove's mix is on the techy side. It's better suited for the afterhours. QUBIQ's mix is very synthy and has a slight Hi Nrg feel. Overall, every remix is excellent!

November 11, 2014

Nick's highly anticipated first solo album since splitting with his brothers Joe and Kevin has him shedding his squeaky clean image and taking on the role of the bad boy. Sex is clearly on his mind as evidenced by the racy photoshoots he did that were a homage to Mark Wahlberg's iconic Calvin Klein ad campaigns nearly 20 years ago. Nick has commented in numerous interviews that this album is meant to be suitable for playing in the bedroom while one gets down and dirty, and he was absolutely right. The R&B and Pop fusion that is the significant majority of the album has a distinct sexiness to it. The album is in the same aesthetic as Justin Timberlake's acclaimed first two solo albums. The album is strongly influenced by the work of Michael Jackson, Morris Day, Prince, and R. Kelly. Nick's voice is meant for music of this nature and he does a great job of showcasing all aspects of it. It is easily one of the best albums of the year. There are many highlights from the playful "Jealous" to the ambient "Chains" and the experimental "Numb." He does incorporate a little bit of 80s Synthpop on the hypnotic "Teacher" and the hooky "Wilderness." He also incorporates the 80s Power Ballad in the form of "Avalanche" with close friend Demi Lovato. Every song is a gem. "Teacher", "Wilderness", and "Avalanche" are begging to be future singles

November 8, 2014

Tony Moran has teamed up with Dance diva Debby Holiday to cover Phyllis Nelson's 1985 hit "I Like You". The main version produced by Tony and longtime collaborator Warren Rigg is an uplifting peakhour masterpiece. Debby's vocals are mesmerizing. There are additional remixes by Edson Pride with Leandro Moraes, James Anthony, Nick Bertossi, Phil B with Andy Allder, and Twisted Dee. Edson Pride and Leandro Moraes keep the peakhour vibe of the main mix, however, there's is a tad harder. James Anthony's mixes are much darker and have some dazzling, Trancey synths. Nick Bertossi's mix is more tribal and has some well-timed electro buildups and breakdowns. Phil B & Andy Allder provide a Hi Nrg meets Electro House mix which has a slight 80s vibe. It has a deep bassline. Twisted Dee's mix has a big room Trance flavor to it as well. Every single remix is great with the main one being the best of the bunch, but all are thoroughly enjoyable.

Listen to clips of all the mixes and purchase the single here (Beatport)

Indie Rock group Jublio Drive has been around for a couple of years and they are currently on tour. Their music is in the style of the Classic Rock groups that were in fashion in the 80s, but with a modern twist. "Radio" has the feel of something Depeche Mode or Duran Duran would have done around that that time. "Hidden In Plain Sight" is a light Rock instrumental track begging for some vocals. This group has tremendous potential to be huge in the near future. Please take a moment to check out these two songs!

October 18, 2014

This is the latest single from the Polish producer. He teams up with vocalist Fred Triplett on this glorious throwback to the Def Mix era. The laidback production is very faithful to that time. The lyrics are positive and are sung beautifully. The vocals call to mind the great stylings of Byron Stingily, Robert Owens, and Terrance Downs. The main mix plays up the Disco elements of the song while the Club mix and its companion dub are deeper. The Seb Skalski & Masta P mix is at a slightly lower tempo and it has a late 70s/early 80s Disco/Funk vibe. It almost feels like it could have been on one of Michael Jackson's early solo albums. Steven Stone's mix also has a Funk vibe to it. Overall, every mix is great, however, the Seb Skalski & Masta P one is the best of the bunch.

October 17, 2014

This song featuring the lead vocalist of Blondie was an underground club hit in 1997. New remixes have been produced by Barry Harris and Serving Ovahness to reinvent this song. The original remixes by Darrin "Spike" Friedman with Fred Jorio and Plasmic Honey still hold up well nearly 17 years later. Barry Harris fuses 90s piano-based Handbag House with hard drums on his mix. Serving Ovahness delivers a drama-filled mix with lots of buildups and breakdowns. Both remixers have made the vocals the focal point of their respective mixes. Both mixes are hot!

October 10, 2014

Hailing from Canada, Nancy Love is an independent Dance/Pop singer-songwriter. Her debut album serves as an excellent showcase for all that she is capable of from uptempo club bangers to midtempo pop ballads. It consists of 8 solid tracks that are expertly sung. Every track is thoroughly enjoyable. The highlights include the playful "Mocha Chika Loca" with Spanish guitar elements and a thumping beat and the synth-laden "Fresh To Me." Of the few midtempos, both "First Lover" and "Rise and Shine" are beautiful.

October 9, 2014

This mood-setting club track takes inspiration from Voyage's Disco/Hi Nrg classic "Souvenirs." The main "let's find a place...let's keep on moving" hook is from the bridge in the Voyage song. Michelle Weeks does a great job as usual with the main vocals and the divalicious ad libs peppered throughout the dubby track. The main version and edits contain more vocals whereas the Electro Dub has just a few. The latter is more of a peakhour track.

This is an exciting new collaboration involving producers MYNC and Mario Fischetti and singer Deborah Cox. "Everywhere" is an uplifting big room vocal track with potential to be huge in the clubs and on radio. The song's composition calls to mind Rihanna's hit "We Found Love", however, this goes above and beyond.

This special private mashup mix was produced by Tony Moran for his 2007 magnum opus The Event. It was combination of elements of Finbarr Massi & Dan DeLeon's track "Show You" and some unused ad libs from Deborah Cox's "House Is Not A Home" which she had recorded new vocals for the club mixes in 2005, and of course some additional production. Additional ad libs from those recording sessions were used on the Tony Moran & Warren Rigg Destroy U Mix of that song. This mashup was one of many highlights on The Event and it had remained unreleased as an umixed track until a couple of weeks back when it was included on a special compilation called Flaunt by Dan DeLeon.

This heartfelt ballad was the 2nd single from her PRISM album. It performed only moderately well after the massive hit "Roar" which preceded it, and then of course "Dark Horse" was huge afterwards. This is still one of many highlights on the album. The song had a number of remixes, however only a couple of them were really well done. The best remix of the song surfaced this week! It is the previously unreleased production by Nu Collective (the trio of Billy Waters, Floor One, and John Michael Di Spirito). Despite the title containing the word 'demo', the remix sounds completely polished and complete. It is a melodic, big room mix staying true to the original, maintaining the emotional element that made the original so special.

October 7, 2014

This is the latest single from the producer/DJ's new album Listen which is due out later in the year. In several interviews, David has mentioned that this album will be in a different musical direction than previous albums. The song is significantly different than his usual in that it is a midtempo. It begins and ends with orchestral elements. One could compare the song to Rihanna's Electro/R&B midtempo hit "Diamonds" but it's funkier.

October 4, 2014

The dynamic duo's latest single is a playful, sensual song. Just as Olivia Newton-John did with "Physical", the music video flirts with the erotic overtures of the lyrics but uses lots of humor as a distraction when it is about to get naughty. The midtempo Dance/Pop song is super catchy. One will most definitely be singing the chorus after just a single listen! NovoGain has done some remixes. The song is now faster and more uplifting in its transformed state. NovoGain's Higher & Higher dub has a twisted, dark production with harder beats and just a few of the spoken word parts. This is excellent for teasing into the vocal mix though the full vocal mix does have a little bit of the harder intro and outro. The additional percapella and 'ambient mix' versions are basically DJ tools. The former loses all the main programming and keeps just the vocals and percussion while the latter has no percussion.

Listen to all of the remixes here:

-Purchase the original here and the remixes here (iTunes)
-Watch the music video here (YouTube)

Dance Diva Reina (of "Find Another Woman", "No One's Gonna Change You", and "Miss The Way" fame) teams up with Sweet Rains on this brand new single. It is a lovely song that will work perfectly in the clubs and on radio. The main version is a nice balance between the Electro of today and the melodic House of the 90s. Additional remixes are by Nick Harvey, Nukage, Ranny, and Serving Ovahness. Nick Harvey's big room mixes are uplifting and pretty, but they still pack a punch with the hard beats. Nukage's hard Electro take works, but the aggressive chainsaw synths aren't the best match for Reina's beautiful vocals. Ranny's mix is more suited for peak hour with its tribal production. Serving Ovahness delivers a mix that is a good middle ground between peak hour and full blown anthem. Overall, the original, Nick Harvey, and Serving Ovahness ones are the best of the bunch.

September 29, 2014

Swedish producer/DJ Avicii has had many successes during these last few years. He is all set to release his new artist album Stories. The first single is a guitar-driven Dance/Pop song with vocals by British Pop singer Robbie Williams (of Take That fame) performing the vocals. Robbie's vocals are excellent, blending well with Avicii's production. This one has the potential to be another worldwide club and radio hit and could potentially re-introduce Robbie Williams to the U.S. He had several solo hits stateside in the late 90s and early 2000s but he has not released anything targeted towards that market.

September 19, 2014

This is the latest single from the Swedish producer and DJ. It is an uplifting, euphoric big room Electro/House track. The song is carried by a gorgeous female vocal hook, reminiscent of last Summer's crossover hit "Take Me Home" by Cash Cash. This is underground enough for the clubs, however, it has crossover appeal. This is smash hit waiting to happen.

September 16, 2014

Joi's brand of Soulful House music with thoughtful, inspirational lyrics is always welcome. She has released a handful of singles here and there in between albums. The Art Of Being is the singer-songwriter's first album in nearly 3 years. It contains a few of the singles that were released separately. This is her strongest album to date. Every single one of the songs is beautifully produced by many of the heavy hitters of clubland. All of the songs have a melodic sound that is distinctly classic but also sounds current. Joi's vocals are amazing! There are a couple of revisits to her earlier singles "Jump For Joi" and "You Gonna Make Me Love Somebody Else" as well. Every one of the songs is great so it is hard to choose the best ones, but "Confusion", "Return To Love", "Je T'Adore", "Shot Through The Heart", and "Lucky Charm" really stood out. All of the songs could work as singles. With the recent shift towards early 90s House sounds, this record arrives at just the right time.

The first single from the singer's new covers album Nostalgia is her take on Screamin' Jay Hawkins' "I Put A Spell On You." The hypnotic production is faithful to the original but updated slightly. The song takes on a more dramatic, almost sinister tone. This recording of it makes it sound like it could be the opening theme of a James Bond movie. Annie's vocal performance is full and rich. She has always excelled on using the darker parts of her voice. This is a fresh and exciting cover.

September 12, 2014

This is the new single from the Canadian singer-songwriter's debut album Sound Of Woman due out on October 21. This is in a similar style as previous singles, though this one is far more bass-driven, and is quite the room shaker. Her uplifting vocals remain the focus. The hook and chorus are super memorable. This is easily her strongest single to date.

Nick was a formerly a member of the teen group The Jonas Brothers with his brothers Joe and Kevin. They recently went their separate ways. He recently showcased his new, mature musical direction with "Chains" a few weeks back. "Jealous" is a groovy R&B/Electro-pop track. One could compare the style of the song to that of Miguel's recent material. Nick's falsetto-laden vocals are a joy to listen to. The song has already begun to gain traction on radio just a week after its release. This has serious crossover potential and will be a multiformat smash.

September 4, 2014

The haunting ballad by the English singer-songwriter has topped the charts in nearly all parts of the world. The song has struck an emotional chord with many due to the relatable lyrics and the genuine vocal performance by Sam. There have been dozens of bootleg remixes which just did not mesh that well with the sentimental vibe of the song, however, the legendary Mark Picchiotti stepped up to the plate and produced some unorthodox Chic-inspired remixes which work perfectly. The Disco/R&B-styled remixes are at a lower tempo. The song is less melancholy in this arrangement.

Listen to the remix here: (it is also available as a free download if you 'Like' Mark's Facebook page)

This is the lead single from his new album Strut which will be coming out on September 23. The single was released several months back, however, the music video was a released today. The song is a throwback to the sounds of the 80s but within a modern context. The main guitar riff and programming bear a striking, unintentional resemblance to that of Stevie Nicks' classic "Edge Of Seventeen". It's classic Lenny from the hook to the lyrical style, and of course, his always strong vocal performance. The song is quite the grower.

August 27, 2014

This was previewed several weeks back and it was quietly released yesterday. This song is indeed a partial cover of the classic by The Temptations. Jason Walker puts his own spin on it with his signature falsetto style. He sounds fantastic. The peak hour production by Tony Moran and Deep Influence is fierce and uplifting. The song works best in its longer form with the additional vocals whereas the radio edit just feels like it's over too soon. The dub is basically the instrumental of the longer version with a handful of vocals. The beatapella is just the vocals and the drums. This is a strong release overall.

August 18, 2014

The Christian/Pop artist's highly anticipated remix album was released today. It was announced late last year that this was in the works. A handful of some of her biggest hits were selected for this collection and they were remixed by an A-list team of remixers. Every remix is produced in an uplifting style that maintains the emotional and spiritual message of the original songs. Some of the songs will take some getting used to with the club-oriented productions. This is another rare case where every remix is well-produced and suits the songs. The remixes of "Say Once More", "You're Not Alone", "Better Than A Hallelujah", and "Stay For Awhile" (both of them) are outstanding, though every remix is excellent. The only downside of this collection is that 90% of the main tracks are radio edits and not full length or mixshow length.

August 11, 2014

This is the latest single from the Dance diva and the subject is one final intimate encounter before the relationship comes to an end. This relatable subject is handled in a tasteful manner. The main QUBIQ versions are big room-oriented, however, they could fit into mainstream sets as well. Griffin White and The Popstar's remixes are full blown peak hour stormers. The latter is harder while the former is synthier. All of the mixes are great.

-Watch the music video set to the QUBIQ radio edit here (YouTube)
-Purchase the digital EP here (iTunes)

Just released is an essential, feel-good song that will make you want to dance this weekend. It features the soulful vocals of Tascha Johnson and the mainstream yet big room production by Jared Jones. The main version's style recalls that of the Soul Seekerz, except it is a bit harder. Additional remixes are by Jadin Recks, Jared Jones, Jeff Morena, Matt Moss, Naked Highway, Oliver Watts, Sean Niles, and Sudad G. Jadin Recks delivers a techy-tribal mix with lots of cool vocal effects. Jared Jones' remix is in line with MK's classic production style that has recently been revived. Jeff Morena's electro mix is totally twisted with all its loops and manipulations. Matt Moss provides a softer, Deep House treatment. Naked Highway delivers the usual 80's leaning electro mix which is lots of fun. Oliver Watts' bass driven tribal mix will be perfect for peak hour. Sean Niles' Dance/Hip Hop fusion recalls early 90s Booty House with Freestyle elements. Sudad G's mix closes out the package in a hard yet Deep House style. All versions of the song are top notch with Jared Jones' remix being the best of the bunch along with the Naked Highway one.

The Country star has had a string of chart hits throughout her nearly 2 decade career. A number of her singles were remixed for the clubs and she had success on the Club Play chart. An album consisting of both previously unreleased and released mixes was released last week. It is completely unmixed and features remixes of some of her biggest hits as well as a few other selected singles that didn't quite get the attention they deserved. Every single one of these remixes is melodic and is a good match for the original song. The highlights include the remixes of "Gasoline And Matches", "You've Ruined Me", "Can't Fight The Moonlight", "I Need You", "How Do I Live", "Strong", "Nothin' Better To Do", and "Headphones." This is an outstanding collection of remixes.

Originally released in 1998, the instrumental tribal track based on a repeated horn riff first got noticed by clubbers and DJs when Junior Vasquez would play it at Twilo. Elements of this track went on to be incorporated in many remixes by Junior and others. The song was re-imagined in 2005 as "Relentless (Was It Just A Game)" with singer Veronica providing vocals (of "Someone To Hold", "Let Me Go...Release Me", and "I'm In Love" fame). The original mixes which only released on vinyl were given a new digital release last month. Newcomer Serving Ovahness has given the song 2 hot and fresh remixes which retain the soul of the original but also update it slightly. The main version is darker and in line with the original while the Deeper one lives up to its name. Both are extremely well done.

July 30, 2014

It's really tough to categorize the singer as she has embodied the styles of so many legends who have come before her. There is a certain theatricality and fabulosity she projects which recalls greats such as Barbra Streisand, Bette Midler, and Liza Minnelli. Her current release is a cover of the song made famous by The Supremes. It was also the theme song to the show China Beach. This serves as the lead single from her upcoming album Trouble In Paradise. This cover is faithful to the original, however, it has a slightly more modern arrangement. The retro sound of it is perfect. Isabel's vocals are exquisite. There are some club remixes by Frankie Knuckles with Eric Kupper (as Director's Cut). These mixes are believed to be the final mixes Frankie worked on before he unexpectedly passed away on March 31. The duo deliver a lush, classic sounding production straight out of the early 90s, complementing the rich vocals.

French producer/DJ Cedric Gervais became a household name last year when an edit of his remix of Lana Del Rey's "Summertime Sadness" became a top 10 hit in the U.S., and nearly everywhere else. He had been known in clubland previously for his distinct Electro-flavored sound. The new single has a slight Country/Western flavor a la Avicii's smash "Wake Me Up!" fused with 90s handbag House. There are additional remixes by Chris Lake, CID, and Mednas. Chris Lake's noisier EDM production only keeps some of the original elements while making it edgier. CID's mix is best suited for the big room floors as is the Mednas one. The original ends up being the best of the bunch.

-Watch the music video here (YouTube)
-Purchase the song here (iTunes)

She broke out into the mainstream with her hit "Royals" last year and received a number of awards for it. The followup "Team" was slightly less successful than its predecessor. The new single "Tennis Court" has begun to pick up steam on CHR/Pop radio. The song is in a similar style as previous singles though this one feels a tad darker overall. The hook is incredible. Diplo has done a remix that is at a similar tempo as the original but it is dancier. It is funky and current.

-Listen to the original here (YouTube)
-Listen to the Diplo remix here (YouTube)

This is the latest single from the Dance/Pop artist. It is as catchy as her previous releases. This one has a lovely summer feel. It recalls the Eurodance brilliance of the mid 90s that artists such as Alexia and Corona were known for with catchy, melodic earworms. The original could easily be played on Pop radio and the longer version would be perfect for the clubs and mixshows. There are nearly half a dozen remixes, but the best one of the bunch is the peakhour friendly NovoGain mix. The mix has some layered uplifting synths coupled with contemporary EDM influences. This is a great mix.

July 18, 2014

German producer Wankelmut released this single featuring Australian singer Emma Louise last year and it went on to be a top 10 hit throughout much of Europe. It is a fun Dance/Pop track in its original version. There were additional remixes by MK which transformed this into a 90s handbag House anthem with plenty of happy piano elements. The remix is in MK's signature style with his distinct beats and trademark vocal cut ups. This takes the song to the next level. A radio edit of the remix is about to be released in the UK so this can do better the second time around as MK's sound has made a huge comeback in recent months.

-Pre-order the single here (iTunes)
-Listen to the original here (YouTube)
-Watch the MK remix video here (YouTube)

July 10, 2014

VELO's new single is about this specific type of man that many find attractive. It is a beat-driven circuit track in its original version. David Lee Rotten's mix is a techy Electro House one, while Naked Highway's is more mainstream with some Electro elements. Wayne Numan's mix is the best of the bunch containing the right balance of melody, Electro elements, and drama.

-Watch the music video here (YouTube) NSFW
-Purchase the single here (iTunes)

July 7, 2014

This is indeed a remake of the Melanie Williams song of the same name from the mid 90s which was remixed by Junior Vasquez and Love To Infinity. Niki Haris delivers a fantastic vocal performance. She remains true to the original, though she did put her own spin on some of the notes. The main version produced by John LePage and Brian Cua is in a similar vein as the classic Love To Infinity mix of the Melanie version. It's a modern take on handbag House. There are additional remixes by Julian Marsh, NovoGain, Peter Brown, and Tony Moran with Warren Rigg. Julian Marsh's happy Hi Nrg inflected House mix is uplifting and pretty. NovoGain's big room, peak hour mix is anthemic. The soft yet moderately anthemic Peter Brown mix has an Ibiza House feel. Tony Moran and Warren Rigg's mix is also for the big room and circuit floors. Theirs is uplifting as well. Overall, every remix is wonderful, however, the NovoGain and Moran & Rigg ones are the standouts.

July 4, 2014

Barry Harris, best known for his work with Chris Cox as Thunderpuss from 1997 until 2003. During their time together, they produced chart-topping remixes with their distinct tribal, big room sound with melodic elements for many heavyweights of the music industry including Amber, Britney Spears, Cher, Christina Aguilera, Donna Summer, Enrique Iglesias, Janet Jackson, Jennifer Holliday, Jennifer Lopez, Madonna, Shakira, Tamia, and Whitney Houston. Both Barry and Chris have continued to produce ever since they split in 2003.

Earlier this week, Barry released an extract of one of his live sets for Pride containing a number of brand new reworks and updates to some of the songs that him and Chris had remixed as Thunderpuss. Many of the new mixes contain elements from the original mixes they did, but they also contain contemporary sounds as well.

July 2, 2014

Two icons of the 90s club scene have united for this new single. This is everything one could expect from such a duo. The Dance/Pop production is clubby enough for the clubs and has the Pop sensibilities needed for a crossover, and of course, there are Crystal's always warm and inviting vocals delivering the amazing hook. There is a full package of remixes as well, and most of them are in a similar vein as the original, however, the S69 Classic mix is pure Disco bliss with the sax solo and uplifting keys and strings.

This is the Canadian singer's debut single. It recently topped the UK singles chart and has quickly become a favorite all over the world. It has begun to get some buzz in the U.S. and is being sent for adds on CHR/Pop radio in July. It features a quirky uplifting vocal over a lush bassline driven handbag House instrumental. It could easily have been produced in the 90s and discovered just now, yet it's still very current. This is poised to be a worldwide smash.

June 18, 2014

This Electro/Trap vocal track has taken clubland by storm during these last few months. The main vocal sections of the song sung by Nafsica are the most identifiable parts and they lend themselves well to being adapted and remixed in other production styles. The definitive remixes for this song have been done by NovoGain & 6KU. The the hooky vocal takes center stage and is supported by a throbbing peak hour production. A DJ friendly radio edit and instrumentals are included as part of this package.

June 13, 2014

To herald the arrival of the FIFA World Cup, several festive songs have become the anthems of the games. Other songs composed specifically for the World Cup by Pitbull & Jennifer Lopez with Claudia Leitte, Shakira, Ricky Martin, and Aloe Blacc have also become quite popular. This one by the legendary Carlos Santana with Wyclef Jean on lead vocals, production by Avicii and additional vocals by Alexandre Pires ends up being a rousing, tribal anthem that is sure to get people up on their feet and into the mood. It's a positive and universal song. There are a number of club mixes of the song, however, Cutmore's is the best as he stays close to the original making it a little dancier.

June 4, 2014

This is the second set of remixes for the sexy workout song. The Carry Nation, Dani Toro, Nick Bertossi, and Nick Harvey provide the new mixes. The Carry Nation delivers a bass heavy peak hour mix. Dani Toro's mix is tribal, but it has some cute 90s Handbag House elements. Nick Bertossi's mix is percussion driven with all sorts hard drums and buildups. Nick Harvey's main mix on this second package is different from the ones he did previously. It's harder. His Instradub is really hot too. Overall, every mix is great.

This is the followup to "Ricky Ricardo" which got some buzz and moderate airplay last year. The new single is in a similar vein as prior singles, however, this one is based around a prominent sample from Green Velvet's international hit "La La Land." The new lyrics are a great match for the sampled ones. Coupled with the colorful music video, this one will easily be a viral hit and finally introduce KAPTN to the masses.

-Watch the music video here (YouTube)
-Download the song here (KAPTN's official site)

May 27, 2014

This is the debut artist album from the modern Opera singer. This album provides a golden opportunity for the public to discover the versatility and power of Thaea's voice. She shines on every single song, delivering soaring operatic vocals on some songs and then singing traditionally on others. Produced by NovoGain, the productions have a modern yet timeless feel. The lyrics are thoughtful and relatable.

"Vox Occulta" serves as both an intro and the first song. The dramatic symphonic opening while Thaea vocalizes is stunning. Soon the uplifting big room Trance production comes in. "Dancefloor (Surrender To The Sound)" and "Dance Until I'm Free" are contemporary Dance/Pop confections. The former has operatic vocals. "Here As One" is another dark operatic cut. "On My Own" has a slight Rock feel. It could easily be an acoustic ballad. "This Is Your Chance" is a powerful uptempo. "Will Be True" is a gorgeous midtempo Pop track with a slight Dance element. "I Feel It All Over" and "Good Enough" are the only true non-Dance songs on the album. The latter is structured like a dramatic power ballad with lots of strings. The album closes with two remixes by NovoGain. The remix of "Dancefloor" is a longer take on the album version. It feels a bit harder. The "Dance Until I'm Free" remix is also in a similar vein. Overall, this is an incredible album with every track being single-worthy.

May 22, 2014

This is the 14th studio album from the legendary singer-songwriter. After numerous delays and changed release dates, the album will be released on May 26. The album is one of her most introspective since her Daydream and Butterfly albums released in 1995 and 1997. Those gave fans a window into the her troubled first marriage and her emotional state. This album also shows signs that all is not well with her current marriage, as illustrated on a number of the songs. While some of the songs are open for interpretation and could be hypothetical, but given how involved Mariah is with the writing of her songs, it's safe to assume that these songs could be at lease semi-autobiographical.

The album begins with the midtempo ballads "Cry" and "Faded" which seem to hint at potential trouble in her marriage. Things pick up with "Dedicated" which features Nas and "Beautiful" which features Miguel. "Dedicated" is a delightful throwback to late 90s Mariah. "Thirsty" is a campy Hip Hop club banger that is sure to be a fan favorite with all of its quotable lines. "Make It Look Good" and "You're Mine (Eternal)" also recall 90s Mariah. "You Don't Know What To Do" is a stunning, groovyy Disco/R&B cut which samples the underground classic "I'm Caught Up (In A One Night Love Affair)" by Inner Life & Jocelyn Brown. This is a borderline Disco/House track. It's the closest Mariah has come to Dance music since 2008's "I'm That Chick", and her own remixes. "Supernatural" is a sweet track with additional vocals by Mariah and Nick's adorable children. Things go Disco for one more song in the form of "Meteorite" which is an interesting critique on fame. It could be argued that this song is about American Idol. "Camouflage" is a dark song about hiding how one really feels. This could be seen as a companion to "Looking In" (from Daydream). "Money" is another ratchet uptempo. Things close on an almost church-like note with her cover of George Michael's "One More Try" and the rousing "Heavenly".

Overall, this album is her strongest since her comeback album The Emancipation Of Mimi. It is a cohesive collection of songs covering a variety of styles and sounds dating all the way back to her debut. Mariah's voice sounds stronger and fuller than it did on her last two albums. The songwriting is mature and deeply personal. There are no surprising disasters or missteps with this one.

May 14, 2014

The long-awaited album was released late last month. The tight 8 track set covers a wide variety of sounds and styles though one could call it mostly Deep House. The album opens with the minimal "Brave Myself". The long, sinewy intro leading into the vocals sets the tone and mood. The big room meets Deep House production of "Paradise" is divine. Things slow down for a break with the moderately downtempo "I'm Ready." The Dubstep-influenced "Remember" has a fun 80s feel though it sounds current too. "Wishing" is dramatic and haunting power ballad. "Feel It" is a sexy tribal, deep cut with lush pianos. "Always Behind" is another great track with it's mid 90s Twilo sound. The album ends with an uptempo tribal remix of "Paradise". Overall, every one of the songs is single-worthy. Jei's vocals are enchanting. The album arrives just in time for the warm Summer months.

May 8, 2014

Soulful House music has been making a huge comeback during the last year. This new release is yet another one in that style. It features the warm vocals of Tascha Johnson. The main version is straight out of the Def Mix era. The additional mixes by Earl TuTu with John Kahn, Sandro Valentino, and Fry with Chizo all maintain the soulful elements of the original, however, each one adds a little something making it suitable for different types of dancefloors. Earl TuTu with John Kahn's mix is close to the original but a little meatier. Sandro Valentino's is more peak hour, but still on the lighter side. Fry with Chizo's mix is also peak hour-oriented. All 4 mixes are amazing.

May 2, 2014

This is the lead single from the King Of Pop's second posthumous album entitled Xscape. The original song was apparently written and recorded nearly 30 years back with Paul Anka but remained unreleased until now. A new version was produced specifically for the album. Despite having been updated, the song has a distinct sound characteristic of what Michael was doing around that time. An alternate remix version with additional vocals by Justin Timberlake, produced by Timbaland has also been released. The production on the remix is different. Justin's vocals do complement Michael's, however, there is an unfortunate noticeable difference in the sound quality that is distracting.

April 24, 2014

The latest remix package for Cher's empowerment anthem has been serviced. This set of big room mixes by NovoGain are the hardest ones released so far. NovoGain delivers a set of mixes that are dark, tribal, and techy. All of them are loaded with hard, massive beats, deep, twisting synths, and gorgeous dramatic buildups and breakdowns. The main vocal mix is a tad more mainstream as it has all the vocals while the dub keeps just a handful of them and is perfect for peak hour and afterhours.

Listen to the main mix here:

The main NovoGain mix will be available for purchase on April 29 on Amazon.

April 20, 2014

This single was released several months back and did modestly well on Alternative radio. The song was an interesting amalgam of late 70s Disco and 80s New Wave with its Bee Gees styled harmonies and synth-heavy production.

The song has been given some remixes by Solomun which stay close to the original. The mixes have a strong 80s Hi Nrg flavor which works well with the song. The only drawback, and it is a minor one is that only some of the vocals were used, but the gorgeous production makes up for it.

April 14, 2014

This is a collaboration of the Australian DJ and the former The Voice runner up. The result is an ultra catchy Dance/Pop song with a light Country flavor. Dia's vocals are lovely, and they are complemented by a smooth guitar-driven production. The additional remixes make this song even more dancefloor friendly. Frank Pole's mix is softer during the verses but then it is full on Electro House for the riff. Brad and Victor H's mix is a perfect balance of the soft original and the harder Frank Pole mix. Overall, every version is great.

This is the new EP from the singer/songwriter. The EP opens with the title song which is an uplifting club track. It is in a big room style. "I Just Wanna Be With You" is a guitar driven midtempo ballad. "Disculpame" is in a similar vein. Things end on an upbeat note with "Balance" which is a festive, tribal number. Overall, this EP serves as a good showcase for the newcomer.