"Whoever came up with the
saying that ’it takes a village to raise a child’ must have been thinking about
my friend Madea. In the black community, Madea was the head of that village. Her
name is the southern term for ’Mother Dear.’

Madea used to be on every
corner in every neighborhood when I was growing up and generations before. If
somebody's child was doing something wrong, Madea got to them and straightened
them out or she would go directly to the parents, and the parents straightened
the kids out.

She used to be everywhere,
but today she is missed. Back around the 1970s, the Madeas began to disappear
and they have left an unmistakable void. I want to dedicate the spirit and
intent of this book to all the Madeas and mothers that I grew up with.’
’Excerpted from the
Foreword

Tyler Perry has become both a screen and stage phenomenon starring
in Diary of a Mad Black Woman and Madea's Family Reunion as Mabel ’Madea’
Simmons, the sassy, pistol-packing senior citizen and self-appointed guardian of
the black community. Besides appearing in drag, the multi-talented Perry also
writes, directs and produces his own work.

Now we can add best-selling author to his long list of credits, as
his advice book, Don't Make a Black Woman Take Off Her Earrings: Madea's
Uninhibited Commentaries on Love and Life is already sitting in the #1 spot on
the New York Times best selling list. However, this text is not intended to be
taken at face value, for its content is more of a humorous than serious nature.

For these frequently
politically-incorrect words of wisdom come courtesy not of Perry but through the
mouth of his famous fictional character. And Madea is not one to think before
she speaks.

We learn that Madea has some
skeletons in her closet and that she was a single-mom and worked as a stripper
to support her daughter. She also shares that she was opposed to Rosa Parks call
for a bus boycott to end segregated seating because, ’I was too big to be
walking all that around.’

It's unfortunate that
someone being touted as a role model would have so many negative traits, even if
it's all just a joke. As for attracting a man, she tells women to, ’put on your
shortest dress and your longest hair.’

Madea also observes the difference between the way blacks and whites
dance. ’If you really want to bust your gut laughing,’ she says, ’watch white
people dance to black music.’ As for African-Americans, ’We have rhythm. I'm
talking about real dancing that comes through us, takes us back to Africa, where
you have the stripes across your face’ your breasts painted and nose pierced.’

The best explanation I can come up with for such cringe-inducing
comments is that Madea credits someone named Joel Brokaw with transposing her
audio tapes into the final manuscript. Let's give her the benefit of the doubt
and assume that a lot got lost in the translation by her ghostwriter. I'm sure
that the very successful Tyler Perry has plenty of priceless insights which
might prove valuable to impressionable young minds, and pray that they make it
into his next opus.