This marks another change of direction from that versatile workaholic, Jon Boden. Best known for his work with the traditional duo Spiers and Boden and the rousing folk big-band Bellowhead, this is a bravely original solo project: a post-apocalyptic folk concept album. As with his 2006 set, Painted Lady, he sings and plays all the instruments (anything from guitar to fiddle, bass, drums, melodeon and bagpipes), but this time there are fewer rock influences. Instead, there's a brooding, traditional feel to this atmospheric and evocative set of songs dealing with life in a post-industrial age where factories are deserted, garbage has become a decoration and motorways are a place to sleep. The lyrics are often infuriating - who is the mysterious preacher in several songs, and what is the spooky, neo-traditional ceremony of Beating the Bounds? - but there are some fine songs here, from the rousing folk melody of Dancing in the Factory to the sturdy Don't Wake Me Up 'Til Tomorrow. Boden has composed several theatrical scores, most recently for the RSC's Merchant of Venice, and this sounds like the music for a play that hasn't been written yet. I hope he finds a suitable dramatist.