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Temperature Check: Body of Evidence
(September 1 – November 12, 2017)

More than 50 percent of Latinos in the United States see climate change as a key defining issue due to its far-reaching impact within the Latino community. Temperature Check: Body of Evidence will feature the work of Latino artists exploring the artifacts and patterns of climate change through installation, drawing, video and photography. The exhibition will also include a platform for education and exchange with our local community through a series of public programs including guest speakers, panel discussions and family programs to further strategies for discussion and action around issues of sustainability. Xavier Cortada’s “Diatoms” and “DO NOT OPEN” will be presented as part of the group exhibition.

Diatoms

Diatoms are single-celled organisms that live in the water and harness the power of the sun to convert CO2 into oxygen. Its glass shell, all that remains from the diatom, is used by scientists today to see what was as they research environmental issues crucial to the city in the century to come. Scientists—and artists—can determine the past salinity of water by examining the shells of diatoms preserved in sedimentary core samples. Each diatom species has a different salinity preference, so changes in the mixture of fresh and sea water (driven by sea level and changes in water management) can be inferred from past diatom remains.

DO NOT OPEN | San José 2117

Xavier Cortada, “DO NOT OPEN,” 2016.During the opening reception, MACLA invites attendees to participate in Cortada’s “DO NOT OPEN” performance. The work was first exhibited last year during the CLIMA exhibit. Here are the instructions.

Participant Instructions:

Walk up to the “DO NOT OPEN” wall in the MACLA Temperature Check

Close your eyes: Imagine San José 100 years in the future. Imagine the people living here then. Imagine how rising seas will impact the city and those who will live here then.

Think about what you would like them to know. Think about what someone living in San José in 2117 would want to hear from someone living here in 2017.

Unclip a piece of blank paper and envelope from the “DO NOT OPEN” wall and use a pencil to write it all down:

Tell them who you are.Tell them why you are writing to them.Tell them what you thought, what you saw.Tell them what you felt, what you feared.Tell them what you did, what you hoped for.Tell them what you want them to do.

Fold your handwritten letter in two, kiss it, place it inside the envelope and seal it. Sign and date the back of your envelope and write the words:“DO NOT OPEN until 2117”

Clip the sealed envelope to the “DO NOT OPEN” wall with the handwritten words facing out.

Stare at your envelope for 100 seconds. Visualize the changes rising seas will bring over each of the next 100 years. Think of how your words will be received in San José in 2117.

Walk away.

Artist’s statement:

In “DO NOT OPEN,” I ask residents of San Jose to write letters to the future. I do so because today, many of their neighbors aren’t willing to listen. Today, too many are in denial about the human impact on global climate change. For many, denial comes easier than visualizing the future impact of rising seas on their community. Our words fall on deaf ears.

So, instead, we must write it all down, keep it in a safe place, and share it later, when others are willing to listen.

Although the letters are intended for people not yet born, the true audience is those breathing in the present.

Sure, the future will be curious.
The future will read our letters and want to know why we couldn’t show restraint when facing insurmountable evidence of our role in creating this global crisis.

The future will be incredulous.
In 2117, our great-grandchildren will read the words we wrote them and want to understand why we didn’t do more when so much—everything– was at stake.

The future will be furious.
A century from now, San Jose will read what we penned and want to know how, on our watch, ecosystems collapsed, biodiversity plummeted and so much of humanity suffered.

The future will benefit from insights, but “DO NOT OPEN” isn’t for them. It’s not about them. It’s about us.

I’m less interested in them being able to hear us. And more interested in us being able to see them. By writing to them, we name them. By writing to them, we can’t deny their existence. By writing to them, we create a connection to them.

Being able to connect with our progeny raises the stakes for us now in 2017. It lengthens the “care horizon” beyond our lifetime. It provides a path to hope, purpose. It encourages us to do all we can now to protect our planet, its future generations and the animals we coevolved with.

ADVISORY: Miami Community Leaders, Elected Officials, and Artist, Join in Interactive Art Installation

to Highlight Sea Level Rise and Uncertain Future of South Florida

Miami, Fla. – One day before the inauguration of climate change denier President-Elect Trump, Miami-based and globally featured artist Xavier Cortada will host a live performance as a portion of his ongoing research driven art, CLIMA 2016. The interactive exhibit “Do Not Open” invites participants to imagine the future of South Florida, its communities, and the effects of sea level rise, writing letters to future Floridians placed in a time capsule.

What: The event, through art, will draw attention to the challenge of climate change impacts to South Florida and the need for more action now. This is an especially critical and timely message as the event is being held only one day before the inauguration of a new president who vocally denies climate change and its effects already being felt by communities throughout the world. The Do Not Open art installation is a time capsule to capture written messages/letters that will be added to the exhibit by Xavier Cortada. The performance also coincides with the full gallery opening featuring a series of ceramic and tile works.

Xavier Cortada will be exhibiting a series of ceramic and tile works depicting diatoms.

Diatoms are single-celled organisms that live in the water and harness the power of the sun to convert CO2 into oxygen. Its glass shell, all that remains from the diatom, is used by scientists today to see what was as they research environmental issues crucial to the city in the century to come. Scientists—and artists—can determine the past salinity of water by examining the shells of diatoms preserved in sedimentary core samples. Each diatom species has a different salinity preference, so changes in the mixture of fresh and sea water (driven by sea level and changes in water management) can be inferred from past diatom remains.

WAIST (Western Antarctic Ice Sheet Threat)Line: Using the “Eyes on the Rise” app, participants will determine their homes’ elevation, find out what the impact melting glaciers will have on their property. They will be use a blue tape to mark the WAIST (Western Antarctic Ice Sheet Threat) Line on their home. They’ll bring photo’s of their homes’ WAIST Line of the exhibit.

Melt: Blocks of ice will melt at the steps of the Milander Center for Arts and Entertainment.

During the first twelve days of the exhibit (which coincide with the Paris Talks), Cortada will convene a series of daily participatory performances and panel discussions addressing sea level rise, global climate change and biodiversity loss.

The CLIMA exhibit is presented by the City of Hialeah in partnership with Florida International University Sea Level Solutions Center (SLSC), Florida International University College of Arts & Sciences School of Environment, Society and the Arts (SEAS), the Florida International University College of Architecture + The Arts (CARTA), and the Southern Alliance for Clean Energy –with special acknowledgement of the support from the Rauschenberg Residency/Robert Rauschenberg Foundation.