"A.C. Donohue and L.E. Barone were magnetic as Magenta and Columbia" - Byron Woods for The Independent

"Rounding out the talented cast was the delightfully alluring A.C. Donohue as Magenta" - Lauren Van Hemert for Broadway World

"As Suzanne, the mistress-turned-cook (it all makes sense in the moment), A.C. Donohue brings down the house with every toss of hair and curl of lip. If her body language doesn't earn a laugh, her Marilyn Monroe-esque line readings do." - Garrett Sutherland for Talkin' Broadway

"The ladies here are the real standouts. A.C. Donohue pouts and fusses her way through her sultry portrayal of Suzanne, aided greatly by Vicki Olson’s fun costume choices." - Susie Potter for Triangle Arts and Entertainment

"A.C. Donohue plays Suzanne, a delightful and lovable bombshell, who wriggles her way around men and maybe she is good in the kitchen too." - Martha Keravuori and Chuck Galle for Triangle Arts and Entertainment

"The role of Truvy, owner of the salon and kind of de facto leader of the circle, is played by AC Donohue, energetically and sensitively. Her role is responsive and caring to all of the other women who come to her shop, and Donohue makes that concern genuine." - Martha Keravuori and Chuck Galle for Triangle Arts and Entertainment

"And engaging A.C. Donohue plays a variety of roles, all the while she’s tending bar for the thirsty customers of the Music Hall Royale... The Mystery of Edwin Drood is a befitting summer pleasure." - Martha Keravuori and Chuck Galle for Triangle Arts and Entertainment

"Parton’s playing of lovable smart blonde, Doralee, in the film makes it difficult imaging someone else in the part. A.C. Donohue skillfully channel(s) Parton’s twang and charm without merely copying, her vocals especially engaging." - Roy C. Dicks for The News and Observer

"Also to die-for is AC Donohue’s portrayal of Doralee Rhodes (aka Dolly Parton…basically). She is 100% Dolly Parton down to the voice and the patented giggle, not to mention the charm. Of course, she’s not really being Dolly Parton, just being Dolly Parton’s character in the classic film. And she nails that character, a sexy girl…but one with morals..who doesn’t like being objectified by her pervy boss, Franklin Hart, Jr. (Bill Andrews)...While all three of these women (or, according to Violet, “womyn”) have powerhouse voices and shine throughout the entire show, their skill and camaraderie is perhaps best showcased in the sweet and beautiful “I Just Might,” which is very effectively staged by Ilsley. Though this number is excellently done, it’s hard to pick a favorite between that and Donohue’s spot-on rendition of “Backwoods Barbie.” - Susie Potter for Triangle Arts and Entertainment

"AC Donohue, in the role made famous by Dolly Parton, has undertaken a tough job and manages it with aplomb and grace. She brings a Barbie-like quality to the role, and belts out music with a commanding and lovely voice." - Martha Keravuori and Chuck Galle for Triangle Arts & Entertainment

"Each of our heroines is an NRACT veteran and a strong performer in area theatre. AC Donohue has covered the NC map, with performances at the Opera House Theatre of Wilmington, Temple Theatre, and Raleigh Little Theatre, where she earned a 2014 Cantey Award for her role as Elvira in Blythe Spirit...In 9 to 5: The Musical, each gal seized her individual opportunity to shine. And when they teamed up, such as in Act I's "I Just Might," the crowd was all the more pleased... With three divine singer/actors as the protagonists and a strong and supportive ensemble cast, 9 to 5: The Musical gave a terrific night's entertainment." - Alan R. Hall for Classical Voice of North Carolina

"A musical as good as Legally Blonde should be illegal!...We could not ask for anyone better than A. C. Donohue as Elle. Her energy, her movement, and her singing are all top notch. We were also impressed by the depth and vulnerability of this character, a character that we half-expected to be shallow and two-dimensional but who proves to have more depth than most in her Harvard classes." - Pamela Vesper and Kurt Benrud for Triangle Arts & Entertainment

"Legally Blonde is a wonderful spring hit!...Elle Woods, the well-cast protagonist of the show is played with style and verve by A. C. Donohue, who commands the stage from opening to final curtain." - Martha Keravuori and Chuck Galle for Triangle Arts & Entertainment

“Donohue also proves adept at commanding a stage. She is outwardly resplendent in her flowing ghostly garb but still manages to communicate her character’s true, vindictive nature. Using over-the-top facial expressions and a cocky strut, she turns Elvira into one of the show’s most memorable and endearing-in-spite-of-herself characters." - Triangle Arts & Entertainment

“Elvira is seductively played by Anne-Caitlin Donohue who creates a marvelously ethereal, almost elfin movement in which she glides about the stage, mischievously wreaking havoc wherever she can. One doesn’t know whether to be on her side or not.” - Boom! Magazine

“Anne-Caitlin Donohue camps it up, evanescing all over the place as the captivating, cool and calculating Elvira” - Indy Week

"Donohue…was simply on a different vocal level than everyone else. She possesses a free, resonant voice, which she took care of throughout the performance. Because she sings on the breath and focuses her tones with real energy and support." - Classical Voice of North Carolina

"From the bold hints of sinful, searing red everywhere to the breathtaking leads, complex choreography, and over-the-top costumes, this is aesthetically-pleasing theatre to the max…Donohue is so sweet and so vulnerable in her portrayal of Queenie that it’s no wonder that Black, an innocent young man who has been lured to the party, falls for her almost instantly." - Triangle Arts & Entertainment

"Anne-Caitlin Donohue is precious as Lydia, with perfectly air-headed intentions and a marvelously expressive face, which changes drastically in a nanosecond as she reveals first her outermost—and then innermost—feelings." -Classical Voice of North Carolina

"Anne-Caitlin Donohue's acting triumph made lemon meringue of Lydia Languish's absurd ideas about love, as she glared, more or less romantically, at the audience during asides." -Indy Week

"Donohue's drop-dead version of "Fancy” is a show-stopper in the second act. "-Indy Week​Photography courtesy of North Raleigh Arts & Creative Theatre