The musical was produced by Ray Stark, who was Brice's son-in-law via his marriage to her daughter Frances, and starred Barbra Streisand. The production was nominated for eight Tony Awards but, facing tough competition from Hello, Dolly!, it failed to win in any categories.

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The musical is set in and around New York City just prior to and following World War I. Ziegfeld Follies star Fanny Brice, awaiting the return of her husband, Nick Arnstein, from prison, reflects on their life together, and their story is told as a flashback.

Fanny is a stage-struck teen who gets her first job in vaudeville. Her mother and her friend Mrs. Strakosh try to dissuade her from show-business because Fanny is not the typical beauty ("If a Girl Isn't Pretty"). But Fanny perseveres ("I'm the Greatest Star") and is helped and encouraged by Eddie Ryan, a dancer she meets in the vaudeville shows. Once Fanny's career takes off, Eddie and Mrs. Brice lament that once she's on Broadway she'll forget about them ("Who Taught Her Everything?"). Fanny performs a supposedly romantic number in the Follies, but she turns it into a classic comic routine, ending the number as a pregnant bride ("His Love Makes Me Beautiful").

She meets the sophisticated and handsome Nick Arnstein, who accompanies Fanny to her mother's opening night party on "Henry Street". Fanny is clearly falling in love with Nick, while acknowledging their complex vulnerabilities ("People"). They meet in Baltimore and have a private dinner at a swanky restaurant and declare their feelings ("You Are Woman"). Fanny is determined to marry Nick regardless of his gambling past ("Don't Rain on My Parade").

They do marry and move to a mansion on Long Island ("Sadie, Sadie"). In the meantime, Mrs. Strakosh and Eddie propose to Mrs. Brice that she should find a man to marry, now that her daughter is supporting her ("Find Yourself a Man.") Fanny has become a major star with Ziegfeld and the Follies ("Rat-Tat-Tat-Tat"). Nick asks Ziegfeld to invest in a gambling casino, but although Ziegfeld passes, Fanny insists on investing. When the venture fails and they lose their money, Fanny tries to make light of it, which propels Nick to get involved in a shady bond deal, resulting in his arrest for embezzlement. Fanny feels helpless but stronger than ever in her love for him ("The Music That Makes Me Dance").

In the present, Fanny is waiting for Nick to arrive and has time to reflect on her situation. Nick arrives, newly released from prison, and he and Fanny decide to separate. Fanny is heartbroken, but resolves to pick up her life again ("Don't Rain on My Parade, Reprise").

Ray Stark had commissioned an authorized biography of Brice, based on taped recollections she had dictated, but was unhappy with the result. It eventually cost him $50,000 to stop publication of The Fabulous Fanny, as it had been titled by the author. Stark then turned to Ben Hecht to write the screenplay for a biopic, but neither Hecht nor the ten writers who succeeded him were able to produce a version that satisfied Stark. Finally, Isobel Lennart submitted My Man, which pleased both Stark and Columbia Pictures executives, who offered Stark $400,000 plus a percentage of the gross for the property.[1]

After reading the screenplay, Mary Martin contacted Stark and proposed it be adapted for a stage musical. Stark discussed the possibility with producer David Merrick, who suggested Jule Styne and Stephen Sondheim compose the score. Sondheim told Styne, "I don't want to do the life of Fanny Brice with Mary Martin. She's not Jewish. You need someone ethnic for the part." Shortly after, Martin lost interest in the project and backed out.[2]

Merrick discussed the project with Jerome Robbins, who gave the screenplay to Anne Bancroft. She agreed to play Brice if she could handle the score. Merrick suggested Styne collaborate with Dorothy Fields, but the composer was not interested. He went to Palm Beach, Florida for a month and composed music he thought Bancroft would be able to sing. While he was there, he met Bob Merrill, and he played the five melodies he already had written for him. Merrill agreed to write lyrics for them; these included "Who Are You Now?" and "The Music That Makes Me Dance." Styne was happy with the results and the two men completed the rest of the score, then flew to Los Angeles to play it for Stark, Robbins, and Bancroft, who was at odds with Merrill because of an earlier personal conflict. She listened to the score, then stated, "I want no part of this. It's not for me."[2]

With Bancroft out of the picture, Eydie Gormé was considered, but she agreed to play Brice only if her husband Steve Lawrence was cast as Nick Arnstein. Since they thought he was wrong for the role, Stark and Robbins approached Carol Burnett, who said, "I'd love to do it but what you need is a Jewish girl." With options running out, Styne thought Barbra Streisand, whom he remembered from I Can Get It for You Wholesale, would be perfect. She was performing at the Bon Soir in Greenwich Village and Styne urged Robbins to see her. He was impressed and asked her to audition. Styne later recalled, "She looked awful ... All her clothes were out of thrift shops. I saw Fran Stark staring at her, obvious distaste on her face." Despite his wife's objections, Stark hired Streisand on the spot.[2]

Robbins had an argument with Lennart and told Stark he wanted her replaced because he thought she was not capable of adapting her screenplay into a viable book for a stage musical. Stark refused and Robbins quit the project.[2]

Funny Girl temporarily was shelved, and Styne moved on to other projects, including Fade Out – Fade In for Carol Burnett. Then Merrick signed Bob Fosse to direct Funny Girl, and work began on it again, until Fosse quit and the show went into limbo for several months. Then Merrick suggested Stark hire Garson Kanin. It was Merrick's last contribution to the production; shortly afterward he bowed out, and Stark became sole producer.[2]

Streisand was not enthusiastic about Kanin as a director and insisted she wanted Robbins back, especially after Kanin suggested "People" be cut from the score because it didn't fit the character. Streisand already had recorded the song for a single release, and Merrill insisted, "It has to be in the show because it's the greatest thing she's ever done." Kanin agreed to let it remain based on audience reaction to it. By the time the show opened in Boston, people were so familiar with "People" they applauded it during the overture.[2]

There were problems with the script and score throughout rehearsals, and when Funny Girl opened in Boston it was too long, even though thirty minutes already had been cut. The critics praised Streisand but disliked the show. Lennart continued to edit her book and deleted another thirty minutes before the show moved to Philadelphia, where critics thought the show could be a hit if the libretto problems were rectified.[2]

The New York opening was postponed five times while extra weeks were played out of town. Five songs were cut, and "You Are Woman," a solo for Sydney Chaplin, was rewritten as a counterpoint duet. Streisand was still unhappy with Kanin and was pleased when Robbins returned to oversee the choreography by Carol Haney.[2]

Kanin's novel Smash is based loosely on his experience directing Funny Girl.

After seventeen previews, the Broadway production opened on March 26, 1964 at the Winter Garden Theatre, subsequently transferring to the Majestic Theatre and The Broadway Theatre, where it closed on July 1, 1967 to complete its total run of 1,348 performances. The musical was directed by Garson Kanin and choreographed by Carol Haney under the supervision of Jerome Robbins. In addition to Streisand and Chaplin, the original cast included Kay Medford, Danny Meehan, Jean Stapleton, and Lainie Kazan, who also served as Streisand's understudy. Later in the run, Streisand and Chaplin were replaced by Mimi Hines and Johnny Desmond, and Hines' husband and comedy partner Phil Ford also joined the cast.

Streisand reprised her role in the 1966 West End production at the Prince of Wales Theatre directed by Lawrence Kasha. When Streisand became pregnant and had to drop out of the show, her understudy, Lisa Shane, wife of "The Italian Job" Director, Peter Collinson, took over, and continued to perform until the show closed.

In regional theatre the Paper Mill Playhouse, Millburn, New Jersey production ran in April to May 2001 with Leslie Kritzer and Robert Cuccioli. The New York Times reviewer noted: "What makes it all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago."[9] The Westchester Broadway Theatre production ran from March to June 2009, with Jill Abramovitz as Fanny.[10] The Drury Lane Oakbrook, Oakbrook Terrace, Illinois production ran from December 2009 to March 7, 2010. Gary Griffin was the co-director with Drury Lane artistic director William Osetek, with the cast that featured Sara Sheperd.[11]

A revival directed by Bartlett Sher had been announced to premiere at the Ahmanson Theatre, Los Angeles, in January 2012 [12] with Lauren Ambrose starring as Fanny Brice and Bobby Canavale as Nick Arnstein,[13] and then open on Broadway in April 2012.[14] However, on November 3, 2011, producer Bob Boyett announced that this production has been postponed. He said "We have made the extremely difficult decision today to postpone our production of 'Funny Girl'. Given the current economic climate, many Broadway producing investors have found it impossible to maintain their standard level of financial commitment."[15]

Streisand's label, Columbia Records, passed on making the cast album, so Capitol Records released it. It peaked at #2 on the Billboard 200 and achieved gold record status. The recording was issued on CD in 1987 on Capitol and then in 1992 on EMI's Broadway Angel label. The album received a commemorative 50th Anniversary edition which was released on April 29, 2014. This edition consists of a handsomely designed box set which includes an LP of the cast album as well as a remastered CD and a 48-page soft-cover collector's book full of photographs of the original Broadway production.