Gore

By: Addison Wylie Cooties hits theatres and VOD at a fantastic time. Jonathan Milott and Cary Murnion’s skittish dark comedy/horror works as great escapism for a post-secondary crowd already dreading more responsibilities, and it’s an entertaining essential for future Halloweens. Scream Queens co-writer Ian Brennan and SAW co-creator Leigh Whannell have teamed up to make a subversive, gory lil’ number featuring self-centred teachers seeking safety after a virus unleashes itself onto children through batches of skunked…

By: Addison Wylie With recent horror anthologies, it seems as though the first instalment serves as an extreme experimental period. There’s a foreboding feeling of failure when making a project that draws in different visions from all over a filmmaking pallet, but horror nuts who are true to their craft will let their audacious attitudes plow through anything resembling an obstacle. This was a clear example for the V/H/S series – an easy comparison to…

By: Addison Wylie My most anticipated movie of 2014 is one I’ve already seen, but has yet to make a widespread appearance in theatres or on DVD/VOD. I want to recommend this excellent indie as soon as it shows its bloody face. Found screened for horror hounds at last year’s Toronto After Dark. It left the audience – particularly me – shaken and disturbed. The low budget flick about a sibling who discovers his stoic,…

By: Addison Wylie A high school ditzy clique suffers fatal injuries. The clique are brought back from the dead using Wiccan rituals, leading the ragtag undead to seek revenge. Yes, that premise is rote. But, when it comes to telling a story that simple, I imagine it’d be hard to screw it up. Surprisingly, the minds behind All Cheerleaders Die unfathomably do so. How do you do it? How do you mess up a movie…

By: Addison Wylie Eli Roth exploded onto the scene with Cabin Fever, a subversive backwoods horror that took a flesh-eating disease and made it as terrifying as any nightmarish creature. It was a bizarre film with nasty visuals and a peculiar sense of humour, but everything about it was addictive. I haven’t seen Cabin Fever 2: Spring Fever. I just haven’t got around to it. Maybe some day, but director Ti West’s distain towards his…

By: Addison Wylie Afflicted isn’t a found footage film, but rather a mockumentary documenting Derek Lee and Clif Prowse’s year long trip around the world. The film does, however, use the same techniques we’ve seen in previous found footage horrors. Luckily, the filmmakers in charge of this creature feature know what they’re doing. In fact, there are a lot of things filmmakers/co-stars Lee and Prowse do brilliantly in Afflicted. Firstly, the duo cover their asses extremely…

By: Addison Wylie Lloyd Kaufman has proven with Return to Nuke ‘Em High Volume 1 that you can go “back to the well” and resurrect a bawdy riot that was started more than two decades ago. The filmmaking ringmaster returns to Tromaville to continue the story of plagued teenagers who are slowly mutating due to exposure of toxic waste. The nasty nuclear power plant (which was stationed beside the high school) has been torn down,…

By: Addison Wylie Antisocial is middle-of-the-road fare, which I’m sure director/co-writer Cody Calahan doesn’t want to hear. He wants his film to act as a commentary for how immersed we are with technology and social media. In order to drive home the social satire, he and co-writer Chad Archibald use networking devices as a means to drag the living to a state of infection. Tech junkies start to hallucinate and graphically bleed out of the…

By: Addison Wylie While I try hard not to make the obvious crack at a movie, Hansel & Gretel Get Baked really does feel like a movie that’s been conceived by a bunch of stoners progressively coming down from their rich buzz. It begins on ecstatic notes. For one, Duane Journey’s horror/comedy has some delicious gore that had me squirming. It’s the type of execution that sets the tone for how much of a riot…

If you’ve been keeping up with my writing at Film Army, you would’ve been more than acquainted with our coverage of this year’s Toronto After Dark Film Festival. The festival which focuses on bringing hardcore genre films (short and feature length) to eager audiences has been stronger than last year but still hit-and-miss. While gems like We Are What We Are and Big Ass Spider! had audiences glued, other horrors like Silent Retreat and Septic…