Tuesday, December 27, 2016

Absolutely heartbroken over the death of actress and author Carrie Fisher...

As Princess Leia she was strong feisty and fun as was Fisher herself--like a lot of you--a piece of my childhood was ripped from me today. Sure she will live on in the Star Wars films that she completed, including Star Wars: Episode VIII out next year...

Beyond the "galaxy far, far away" there was so much more to her. Click here for details about her extraordinary life and career.

Fisher once said that no matter how she dies, all obituaries should read that her cause of death be listed as having “drowned in moonlight, strangled by her own bra”.

Thursday, December 22, 2016

I was a big skeptic
of this new Disney phase of the Star Wars franchise, but Rogue One has won me
over. Here’s why…

(Note: this review is aimed to be as spoiler-free as
possible, however it’s pretty hard to talk about this movie without spoiling at
least parts of it, so if you’re intent on avoiding any and all details, I advise you skip
reading this and just go watch it yourself.)

On a scale of “Casual Fan” to “Grandiose Star Wars Nerd”, I
fall squarely into the second category.

Being an OCD completionist since childhood, I have an
obsession with continuity, so when it came to Star Wars I’ve always felt
compelled to know it all.

People like me live for the insider thrill of knowing the
secret history of an alien in the background, and sneaky cameos were pretty
much the only redeeming quality of the prequel trilogy for me.

So naturally, the child in me died a little when he found
out that Disney was re-setting the entire millennia-spanning storyline surrounding
the actual movies. But what about the First Sith Empire? The iconic
blue-skinned Admiral Thrawn? Han and Leia’s twin Jedi children?? Poof, gone.

At least, gone in the sense that they no longer count
towards any new films or franchise content. And that’s a deep blow to someone
who can tell you who originally stole
the Death Star plans. (It was Kyle Katarn, in case you were wondering.)

There’s a point to this self-aggrandizing, and
it’s this: people like me are among Disney’s toughest customers when it comes
to the Star Wars franchise. It was going to take a whole lot to get me on board
with this “new” Star Wars universe, and The Force Awakens didn’t quite manage
it. Episode VII felt like a recycle of A New Hope, right down to a
force-sensitive orphan starting on a desert planet suspiciously like Tatooine
and a quest to destroy another super
weapon.

Rogue One finally offers a large-scale exploration of this
‘new’ universe without being tied to the Skywalker storyline, and it’s arguably
the biggest departure from any previous movies. No Jedi here: just desperate
soldiers in a fight for survival.

In particular, we get a really good look at the Rebel
Alliance beyond the glossy do-gooder sheen of the original trilogy. This is an
Alliance on the verge of internal collapse, full of infighting and radical
factions that threaten to turn the whole uprising inside out. Even some of the
‘heroes’ have done a few things they aren’t proud of in the name of taking down
the Empire.

The closest thing we even get to a Jedi is Chirrut Imwe
(played by martial arts movie star Donnie Yen), once a protector of the ancient
Jedi ruins on the planet Jedha, now cast adrift by the Imperial occupation. His
lifetime devotion to the Jedi and his blindness offer him some access to the
powers of the Force, but even those are very limited (think of it as a
toned-down Daredevil ninja sense).

The characters in this story don’t have the benefit of
ghostly Jedi appearing to give them clues or Force powers to open locked doors,
either. They have to rely on their wits, luck, and a willingness to do whatever
it takes to finish the job—even dying.

Speaking of which, the plot-armor of ‘destiny’ is not totally
active on these characters; people die in this film, and not just extras. This
adds a much-needed level of tension because we obviously know they’re going to find the Death Star plans, since we’ve all
seen Episode IV. However, that certainty is overshadowed by the realization
that yes, they do find the plans, but at what cost?

This film certainly has its flaws. The absence of any real
planning before the final assault feels very unrealistic. The CGI face of Peter
Cushing sits too deep in the uncanny valley (the place where things are just real enough to be creepy, but not
convincing). There’s a whole lot of planet jumping, and yet we somehow still
end up spending too much time on yet another desert planet. I could go on.

But, even with my
inherent disappointment in the franchise handover, and even with all its flaws,
I was willing to put aside all of my skepticism within the first 20 minutes
because the loving care taken in world-building made me feel like I was getting another insider glimpse into the larger
Star Wars world.