Monthly Archives: July 2017

I am sad to report on the death of architect Bryan Avery, who led the design team for the extension and refurbishment of the Museum at Covent Garden which was launched in November 2007. We chose Bryan because of his skillful use of awkward space under Waterloo Bridge, for the creation of the Museum of the Moving Image in 1988 (which closed in 1999), for the glazed exterior of the IMAX at Waterloo (1999) and the brilliant performance and support spaces at RADA (2000).

A primary consideration for London Transport Museum was a new glazed screen entrance to give the Museum a light and attractive face onto the bustling east piazza of Covent Garden. Our brief also included a new basement space now known as the Cubic Theatre, a comfortable 120 seat space for lectures, corporate hire, music and film, with great acoustics and moquette fabric covered seating. The third major element was to introduce an independently supported mezzanine floor high in the west transept of the grade two listed Flower Market building of 1871, with access by stairs and lifts at both ends. The fourth element was the improvement of the historic building’s performance as a Museum space, controlling light levels and heat gain and loss from what is essentially a cast iron greenhouse. Over-cladding, louvring and the largest installation of solar panels on a listed building to supplement the reinstatement of natural ventilation was deftly incorporated into the Avery design, with specialist input from Max Fordham.

Bryan worked on our scheme from 2001 to enable a successful application to the Heritage Lottery Fund. We worked intensely together to incorporate our vision of the new Museum and its narrative of transport shaping London, past, present and future, into the wonderfully located Flower Market. The tight space within demanded that every square foot worked for that vision. Bryan’s questioning of visitor flow and accessibility led to an optimal final design that has served the Museum very well since 2007, with visitor numbers rising from 210,000 to 400,000, and facilities for evening events, school visits, retail and cafe, promoting support from Transport for London, funders, stakeholders and visitors. Bryan’s work has proved crucial to the Museum’s success, working within a range of constraints to create colour, light and movement within a historic structure.

The Museum’s former Assistant Director, Systems and Infrastructure, Rob Lansdown reminded me of how “when you talked to Bryan about space or form he was driven to pull out one of his blank index cards and a classic black Pentel Sign fibre-tipped pen (beloved of architects since the 1960s) and sketch his understanding for explanation and later reference”. His sketches of buildings and ideas were wonderfully concise and I hope plans for their exhibition and publication come to fruition.

Bryan remained a close friend of the Museum and had been consulted on our new Cafe extension project shortly before his death. We understand there is to be a memorial event in October.

Entrance screen onto the Piazza

Looking up at the spiral stair around the lift shaft at the southern end of the new mezzanine floor