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Here’s science writer Carrie Arnold, in a newly published article at Aeon titled “Watchers of the Earth,” discussing the possibility that indigenous myths may carry warning signals for natural disasters:

Shortly before 8am on 26 December 2004, the cicadas fell silent and the ground shook in dismay. The Moken, an isolated tribe on the Andaman Islands in the Indian Ocean, knew that the Laboon, the ‘wave that eats people’, had stirred from his ocean lair. The Moken also knew what was next: a towering wall of water washing over their island, cleansing it of all that was evil and impure. To heed the Laboon’s warning signs, elders told their children, run to high ground.

The tiny Andaman and Nicobar Islands were directly in the path of the tsunami generated by the magnitude 9.1 earthquake off the coast of Sumatra. Final totals put the islands’ death toll at 1,879, with another 5,600 people missing. When relief workers finally came ashore, however, they realised that the death toll was skewed. The islanders who had heard the stories about the Laboon or similar mythological figures survived the tsunami essentially unscathed. Most of the casualties occurred in the southern Nicobar Islands. Part of the reason was the area’s geography, which generated a higher wave. But also at the root was the lack of a legacy; many residents in the city of Port Blair were outsiders, leaving them with no indigenous tsunami warning system to guide them to higher ground.

Humanity has always courted disaster. We have lived, died and even thrived alongside vengeful volcanoes and merciless waves. Some disasters arrive without warning, leaving survival to luck. Often, however, there is a small window of time giving people a chance to escape. Learning how to crack open this window can be difficult when a given catastrophe strikes once every few generations. So humans passed down stories through the ages that helped cultures to cope when disaster inevitably struck. These stories were fodder for anthropologists and social scientists, but in the past decade, geologists have begun to pay more attention to how indigenous peoples understood, and prepared for, disaster. These stories, which couched myth in metaphor, could ultimately help scientists prepare for cataclysms to come.

Reading this triggered a flood of associated thoughts this morning, mostly related to things I’ve read elsewhere that resonate with it. Although the basic focus is different, for me this article somewhat recalls a starkly apocalyptic and millenarian passage from the ending to Benjamin Hoff’s The Te of Piglet (1992), a book that many readers found off-putting for its semi-grimness, which represented a departure from the more charmingly whimsical presentation of Taoism that Hoff had adopted in its predecessor, The Tao of Pooh: Read the rest of this entry →

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The Teeming Brain explores news, trends, and developments in religion, horror, science fiction, fantasy, the paranormal, creativity, consciousness, and culture. It also tracks apocalyptic and dystopian trends in science, technology, politics, ecology, economics, the media, the arts, education, and society at large. Its founder and primary author is Matt Cardin.

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Praise for the Teem

FOR MATT CARDIN:

"[Dark Awakenings is] a thinking-man's book of the macabre...Cardin's tales are rich with references to Lovecraft, Nietzsche, and other writers whose work gives them unusual philosophic depth." – Publishers Weekly

“It’s a bold writer who, in this day and age, tries to make modern horror fiction out of theology, but Cardin pulls it off.” – Darrell Schweitzer

“In the tradition of Poe and Lovecraft, Cardin's accomplishments as a writer are paralleled by his expertise as a literary critic and theorist.” – Thomas Ligotti

“Matt Cardin is one of those rare horror authors who is also a true scholar and intellectual.” – Jack Haringa

FOR RICHARD GAVIN:

"Literate horror fans who have yet to encounter Canadian author Richard Gavin are in for a treat. The lyrical prose is often at a higher level than usual presentations of otherworldly demons and malevolent forces." – Publishers Weekly

"Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read." – S. T. Joshi

"Gavin's storytelling can be masterly. As with Machen and Blackwood at their best, an epiphany or illumination is achieved, though Gavin's mysticism is darker and distinctly his own." – Wormwood

FOR STUART YOUNG:

"No one can accuse Stuart Young of avoiding the big issues -- with insight and verve, he tackles head-on the existence of God, the mystery of human consciousness and the transformative effects of psychedelic drugs." – Mark Chadbourne