Wednesday, September 10, 2008

Morality Police in Yemen

'The Egyptian crooner Ehab Tawfiq has bedroom eyes, smouldering good looks and a voice that enchants Arab audiences. Sadly he won't be perfoming any time soon in Yemen, where he has been blocked by a controversial new Saudi-style "religious police" charged with enforcing austere standards of public morality. Tawfiq sings catchily about love and relationships. But a concert he was due to give in Sana'a was postponed and then cancelled last month after a campaign by the country's newly-formed "virtue committee", which distributed posters and leaflets — and, say some, encouraged death threats and intimidation — condemning the handsome Egyptian for promoting "sedition, immorality and nudity".

For many Yemenis, and for women in particular, this was another alarming sign of the growth of Salafi extremism — an unwelcome import from neighbouring Saudi Arabia where the "mutaween" religious police are part of the scenery. "These people scare the hell out of me," complained Nadia al-Sakkaf, the editor of the Yemen Times. "Yemeni youth are frustrated and depressed. There's nothing for them to do. And since when did we need to act against pop singers?"

The first signs appeared a few months ago in the Red Sea port of Hodeida, where young men and women began to be accosted by bearded vigilantes demanding proof that couples were related. A hotel disco and bar were closed down and several Arab women dancers deported. Daoud al-Jeni, a self-styled "virtue activist', described his mission as being to curb "obscenity and prostitution". Anti-vice teams, some armed with sticks, have also been operating in Aden, the former British colony in the south.

In mid-July the Authority for Promoting Virtue and Combating Vice — exactly the same name as used in Saudi Arabia for 80 years — was launched in Sana'a and quickly moved to pressure the authorities to raid and close down two Chinese restaurants that were allegedly being used for "immoral" purposes, including selling alcohol....

Ironically, the virtue committee idea appears to be taking off in Yemen just as the Saudis, angered by some high-profile excesses, try to loosen the stranglehold of their own mutaween, who police the ban on women drivers, on women travelling without a chaperone and whose latest activity is to enforce a prohibition on selling dogs and cats for domestic pets.Yemen is a highly traditional Muslim country where most men wear tribal robes and carry curved jambiya daggers in their belts. But it has never been comfortable with the brand of dour Salafi/Wahabi fundamentalism promoted by the Saudi religious establishment. "If these vigilantes start approaching couples and asking them for their marriage certificates in Sana'a you will soon see jambiyas flying," warned a middle-class resident of the capital.

Arwa Othman, an author and folklorist who is defiantly bareheaded in a land where most women wear the hijab, is horrified by the virtue campaign and the zealots behind it. "This idea will kill this country," she says. "They've been talking about it for a long time in schools and mosques and in the army. Now they're in alliance with the government. These people appear when there is poverty and hunger and dictatorship. These are the right circumstances for extremists."

From article by Ian Black in The Guardian, 3 September 2008. Read full article here.

Here's a bit of what they object to - Ehab Tawfik's song Allah Allaik Ya Seedi:

Politics of Dancing

'People have always come together to move to music. In the process communities have been created, social divisions challenged, pleasure exalted over work and a billion relationships have blossomed. At the same time dancing bodies have often been subject to regulation – rules about when, where and how they can move, rules about who is allowed to dance with who, rules about what dancers can wear and put inside their bodies… That, in essence, is the 'politics of dancing'.

Musicking

'musicking... is an activity in which all those present are involved and for whose nature and quality, success or failure, everyone present bears some responsibility. It is not just a matter of composers, or even perform­ers, actively doing something to, or for, passive listeners. Whatever it is we are doing, we are all doing it together—performers, listeners... dancers, ticket collectors, piano movers, roadies, cleaners and all' (Christopher Small).

Dancing Questionnaire

The aim of the 'dancing questionnaire' is to get a sense of the diversity of people's experiences of dancing and musicking. If you want to contribute, please answer the following questions yourself and send to transpontine@btinternet.com.

1. Can you remember your first experience of dancing? / 2.
What’s the most interesting/significant thing that has happened to you while out dancing? / 3. You. Dancing. The best of times… / 4. You. Dancing. The worst of times… / 5.
Can you give a quick tour of the different dancing scenes/times/places you’ve frequented? / 6. When and where did you last dance? / 7. You’re on your death bed. What piece of music would make your leap up for one final dance? (Previous Questionnaires)

Photo policy

I spend a lot of time trying to find evocative images to go with some of the text on this site. I always fully credit and link to where photos were sourced from. If though I have used one of your images in a way you are not happy with, email me and I will remove it.