Philosopher, novelist, dramatist and existentialist Jean-Paul Sartre is one of the greatest writers of all time. He was fascinated by the role played by the emotions in human life and placed them at the heart of his philosophy. This brilliant short work - which contains some of the principal ideas later to appear in his masterpiece Being and Nothingness - is Sartre at his best: insightful, engaging and controversial. Far from constraining one's freedom, as we often think, Sartre argues that emotions are fundamental to it and that an emotion is nothing less than 'a transformation of the world'. With a new foreword by Sebastian Gardner.

Philosophical reflection on the emotions has a long history stretching back to classical Greek thought, even though at times philosophers have marginalized or denigrated them in favour of reason. Fourteen leading philosophers here offer a broad survey of the development of our understanding of the emotions. The thinkers they discuss include Aristotle, Aquinas, Ockham, Descartes, Malebranche, Spinoza, Hobbes, Hume, Shaftesbury, Hutcheson, Kant, Schiller, Schopenhauer, Nietzsche, James, Brentano, Stumpf, Scheler, Heidegger, and Sartre. Central issues include the taxonomy of the emotions; the distinction between emotions, passions, feelings and moods; the relation between the emotions and reason; the relationship between the self and the emotions. At a metaphilosophical level, the collection also raises issues about the value of historical study of the discipline, and what light it can shed on contemporary concerns. Thinking about the Emotions is a fascinating and illuminating collective study of how philosophers have grappled with this most intriguing part of our nature as beings who feel as well as think and act.

Text as Process is about the literary work before it becomes a completed work of art. It is concerned with draft materials, with the manuscripts that constitute text in a state of process. What is text as process? And what should we, as readers, try to do with it? Bushell’s aim in Text as Process is to develop a research method for the study of compositional material. Although she draws on an international context—mainly French and German traditions—for current approaches to textual criticism, hers is the first book to apply a new form of critical analysis to authors in the Anglo-American tradition. Bushell revisits issues of intention within process and makes this the center of her new approach, employing "case studies" of the work of three major nineteenth-century poets: Wordsworth, Tennyson, and Dickinson. She applies her methodology to each writer in different ways, allowing for cross-comparison as well as the recognition of individual distinctiveness in creativity. In doing so, Bushell demonstrates the need for a unique hermeneutics in relation to the making of the literary work of art. The author concludes with a philosophical account of the status and meaning of the literary work as it comes into being.

Playwright, novelist, political theorist, literary critic and philosopher, Jean-Paul Sartre (1905-80) remains an iconic figure. This book examines his philosophical ideas and methods. It is an introductory guide for the student who wishes to understand Sartre's philosophical argumentation. It reconstructs in plain language key instances of Sartre's philosophical reasoning at work and shows how certain questions arise for Sartre and what philosophical tools he uses to address those questions. Each chapter considers a range of issues in the Sartrean corpus including his conception of phenomenology, the question of self-identity, the Sartrean view of conscious beings, his understanding of the self, his theory of value, human action as both the originator and the outcome of social processes, dialectical reason, and his conception of artistic activity. Hatzimoysis uncovers the philosophical argumentation, identifies Sartre's most important philosophical ideas and addresses the arguments in which those ideas are employed. Readers are able to get a real understanding of Sartre's approach to the activity of philosophising and how his method favours certain types of philosophical analysis.

THE PSYCHE IN CHINESE MEDICINE comprehensively discusses the treatment of mental-emotional disorders with both acupuncture and herbal medicine. Suitable for practitioners and students of Chinese medicine it discusses first the aetiology, pathology and diagnosis of mental disorders. It explores the nature of the Mind (Shen), Ethereal Soul (Hun), Corporeal Soul (Po), Intellect (Yi) and Will-Power (Zhi) and then presents the diagnosis and treatment of the most common psychological disorders with both acupuncture and Chinese herbs in detail. Specific chapters focus on the treatment of common conditions including depression, anxiety, insomnia, panic attacks, bipolar disorder and Attention Deficit Hyperactivity Disorder. Each condition is illustrated with case histories from the author’s 35 years-long practice. Comprehensive discussion of the nature of the Shen, Hun, Po, Yi and Zhi in Chinese medicine The first detailed description of the nature and functions of the Hun (Ethereal Soul) and how that relates to conditions such as depression, bipolar disorders and Attention Deficit Hyperactivity Disorder An entire chapter dedicated to the functions of acupuncture points in the treatment of mental-emotional disorders Case studies that offer realistic insights and understanding to the range of diagnostic and treatment choices the practitioner can make Attractive 2-colour page layout gives easy access and navigation around the text

Phenomenology is the general study of the structure of experience, from thought and perception, to self-consciousness, bodily-awareness, and emotion. It is both a fundamental area of philosophy and a major methodological approach within the human sciences. Experiencing Phenomenology is an outstanding introduction to phenomenology. Approaching fundamental phenomenological questions from a critical, systematic perspective whilst paying careful attention to classic phenomenological texts, the book possesses a clarity and breadth that will be welcomed by students coming to the subject for the first time. Accessibly written, each chapter relates classic phenomenological discussions to contemporary issues and debates in philosophy. The following key topics are introduced and explained: the methodological foundations of phenomenology intentionality as the ‘mark of the mental’ and the problem of non-existent objects perceptual experience, including our awareness of things, properties, and events the experience of body, self, and others imaginative and emotional experience detailed discussions of classical phenomenological texts, including: Brentano's Psychology from an Empirical Standpoint Husserl's Logical Investigations, Cartesian Meditations, and On the Phenomenology of the Consciousness of Internal Time Heidegger’s History of The Concept of Time, and Being and Time Stein's On the Problem of Empathy Sartre's Transcendence of the Ego, Sketch for a Theory of the Emotions, and The Imaginary Merleau-Ponty's Phenomenology of Perception. Also included is a glossary of key terms and suggestions for further reading, making this book an ideal starting point for anyone new to the study of phenomenology, not only in Philosophy but related disciplines such as Psychology and Sociology.