More About
This Textbook

Overview

Mechanical Witness is the first cultural and legal history charting the changing role and theoretical implications of film and video use as courtroom evidence. Schwartz moves from the earliest employment of film in the courts of the 1920s to the notious 1991 Rodney Kind video, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media as a dominant mode of knowledge formation. At the same time, film and video in juridical contexts has developed a distinct theoretical legacy. The particular qualities of film as evidence both resonate with and contradict existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film change from its meanings when shown in a movie theater or broadcast on television, yet the public (and cinema scholars) tend to assume that the two are the same. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the full effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.

Editorial Reviews

From the Publisher

"This pathbreaking study of case law rescues film studies from the cloisters by tracing the use of cinema in the U.S. courts. Valuable for its research and a model of exposition, this is a marvelous book."-Toby Miller, author of Makeover Nation

"Mechanical Witness is an important piece of film history and it is well situated in ongoing dialogs in film history and theory. It is well written and informed by outstanding research."-Lisa Cartwright, coauthor of Practices of Looking

Related Subjects

Meet the Author

Table of Contents

1. Introduction
2. Introducing Films into the Courts: The 1920s
3. The Development of Case Law Governing the Use of Motion Picture Evidence in the 1940s and 1950s
4. Framing Videotape: The Electronic Para-Sight, Juridical Infrastructure, and Testimonial Images In and Out of Court
5. The Rodney King Case, Or Moving Testimony
Bibliography
Index

Your Rating:

Your Recommendations:

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked,
or didn't, with others. By submitting an online review, you are representing to
Barnes & Noble.com that all information contained in your review is original
and accurate in all respects, and that the submission of such content by you
and the posting of such content by Barnes & Noble.com does not and will not
violate the rights of any third party. Please follow the rules below to help
ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer.
However, we cannot allow persons under the age of 13 to have accounts at BN.com or
to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the
information on the product page, please send us an email.

Reminder:

- By submitting a review, you grant to Barnes & Noble.com and its
sublicensees the royalty-free, perpetual, irrevocable right and license to use the
review in accordance with the Barnes & Noble.com Terms of Use.

- Barnes & Noble.com reserves the right not to post any review -- particularly
those that do not follow the terms and conditions of these Rules. Barnes & Noble.com
also reserves the right to remove any review at any time without notice.