Photo: Courtesy of Sam Brocato Salon

Those looking for something completely customized should head over to Makeup For Ever. For Halloween, the Village shop is offering regular, full-face makeup ($60) or character face painting ($80), all with their signature smudge-proof products. The staff on hand is also willing to try to replicate any look you’re going for. Appointments are necessary.
Available October 26-October 31.

Photo: Courtesy of Makeup For Ever

DIYers opting to be dramatic versions of themselves this Halloween can learn a thing or two from British cosmetic label Illamasqua. They'll be sending their top educator to multiple Sephora locations this month to demonstrate ultra-theatrical looks, using products from their new fall collection (like Precision Ink, a Sharpie marker–like liquid eyeliner). Available October 25, 10am-2pm at 144 E. 86th St. and from 4pm-8pm at 119 Fifth Ave.; October 29, noon-7pm at 630 Old Country Rd., Garden City; October 30, noon-7pm at 1500 Broadway, nr. 43rd St.

Photo: Courtesy of Illamasqua

A fashion industry favorite, Butterfly Studio in Flatiron will be offering eye makeup applications to enhance your Halloween costume (from $100). Options include Cleopatra, a peacock (pictured), or a fifties Hollywood bombshell look (which is especially timely with My Week With Marilyn opening next month). And for those looking for a head start on what will surely be a weekend-long sugar binge, espresso martinis will be offered. Appointments are necessary.
Available October 29.

Photo: Courtesy of Butterfly Studio

Zombie and vampire makeovers are on the menu at Revolver, Ricky NYC’s funky in-house salon. The complete treatment they’re offering for Halloween (from $45) includes a full face of makeup and fake blood. Those looking for something less in-your-face can opt to have individual zombie bites, bullet holes, or large gashes applied (starting at $25). Appointments are encouraged. Available now through October 31.

Photo: Courtesy of the Brokers

What: This light, bright corner apartment has two bedrooms and two baths; the fully amenitized doorman co-op has a children's room, garage and private storage.
Campus commute: Five minutes to Cooper Union and 10 minutes to some of New York University's buildings.
Asking price: $1,325,000
Monthly Maintenance: $1,434
Agents: Richard Balzano and Barry Brown, Prudential Douglas Elliman

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.

Photo: Courtesy of the Brokers

Slide Header

For me, the high point of the show is this, which manages simultaneously to be a painting, a force field, and an electromagnetic visual discharge. This is an artist sloughing off old consciousness, making something he doesn’t even know is art, giving up nearly all known languages of painting, and maybe violating the laws of nature by making something that seemingly puts off more energy than went into making it.