A journey through Western artistic culture with thirty-nine ancient and contemporary works from the Fabrizio Moretti collection, from the Gothic period to the experiments of the last ten years, passing through Mannerism and the Baroque.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

This publication extends an exhibition program that examines the environmental
challenges facing the art world and its institutions, drawing on the
concept of “destructive plasticity” theorized by philosopher Catherine
Malabou.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

The first of a two-volume publication dedicated to the artist's novel,
this theoretical essay aims to elucidate the pressing questions posed by
the emergence of this new artistic medium with a number of key case
studies and interviews.

Anthology of essays written alongside the exhibitions at the Wattis
Institute between 2014 and 2019. Celebrating the wide range of voices and
forms of curatorial writing, this volume is a unique
contribution to the study of art criticism, curation, and the history of
exhibitions.

Publication documenting the award-winning web series Revisiting
Genesis by Oreet Ashery. This documentary fiction on mourning in
the digital age explores
complex issues such as gender and death, digital reincarnation, and women
artists.

This publication documents a project inspired by Bradbury's Fahrenheit
451, in which performers memorize a book to form a collection of
living books to be read in libraries by visitors. The publication brings
together eighteen text contributions from artists and theoreticians, and a
visual essay.

This catalogue stems from an eponymous project on the Israel Museum in
Jerusalem. The artist brought out an impressive photographic recension of
artifacts, revealing the forgotten stories and fascinating polyphony of
the museum's collections.