FROM WHY NEW YORKERS ARE ALWAYS LATE

“There is no question that there is an unseen world. The problem is, how far is it from midtown and how late is it open?”
― Woody Allen

No one should have ever allowed me to play softball. No one. Ever.

But they did, and for six glorious years I was a token bench warmer, left field grass picking twirling off-balanced outfielder, eyes-closed heavy hitting strike out slugger. Infamous for finishing the teams snacks before the fifth inning and praised for my ability to come up with rhyming cheers on the spot.

But one thing about me, I showed up. Always. I was there every weekend for our games and the first to arrive at practices every single Monday night. I was never the MVP, or a home run hitter, but more comfortably, I earned a spot at the very bottom of the batting order. Sometimes, they’d leave my name off the batting lineup, accidently of course, and put me in for the final inning—if the team was at least 5 runs ahead.

It didn’t matter to me. It never did. I was on a team and my name was on a jersey and for someone who had the high hopes and soaring dreams to one day be somebody, anybody really, that was enough.

One Saturday morning, after pulling up my lime green socks over the nubs of my knees and blowing bubbles of gum around the edges of my lips, I arrived approximately 30 minutes before the first pitch of my game, pranced on to the field, waved hello to my fellow t’mates, and I suddenly had a mini 10-year-old moment of heart failure.

I was, for the first time in my life, late. Really late. So late in fact my team had commenced a 2-hour long game and was in the middle of slapping hands with the opponents and popping open bottles of celebratory Gatorade. The game was over, people were packing up to leave and I was standing there, with a bag of equipment on my arched back, getting laughed at by teammates and told by my coach that I need to learn how to “speed up”.

We all have our moments. The ones that haunt us 20-something years later when we are all dolled up, hiding behind pounds of red lipstick while gallivanting around on the arm of someone we have grown to love, or who enters our life and so desperately tries to understand us. “Why is it that you’re always 7 minutes early to everything?” they will ask as if it’s something I know how to control, to stop, to fix, to slow down.

I was never late again.

Until I moved to New York City. And here is why:

There’s a Starbucks on every corner.

But, there’s also a Dunkin Donuts on every corner and so your decaffeinated skeleton will jitter their toes in one direction before deciding that maybe, today, Starbuck’s blonde roast is still too bitterly strong and so you waddle toward settling for a Dunk-a-chino before heading, full force, the other way to get a mocha Frappuccino. Some days you are late because you stop to get one of each.

The F train, like an ex-boyfriend, shows up only when it wants to.

Though you finally have become accustomed to the correct pronunciation of Houston Street (It’s not, my friends, “hugh-ston” street), you still can’t manage to find it.

$1 slices of pizza.

Getting approached by strangers on the streets and trying to decipher 1) if you know them, 2) what they want from you, 3) how to handle the fact that you do indeed know them and they do indeed want something from you.

Entering the backseat of a taxi cab that smells like a homemade concoction of body odor, urine and a brewing brown substance stuck on the edge of the seat that you don’t want to flirt with, pinching the edges of your nose, you’ll decide two blocks into the drive that you’d rather walk, 30 blocks.

Dodging tourists, dodging tourists who stop in their tracks to take a picture of a picture, dodging tourists who stop to take a picture of a picture while their overstuffed shopping bags pound you in the groin.

All different types of people live in NY, from all over the world, all types of ethnicities and races and religions, and even celebrities. And sometimes they escape from their celebrity cages and tap their Prada covered toes in front of you while you’re waiting for some greasy, mystery meat, street food on the corner of 5th Avenue and 56th street.

Because rent is so high that sometimes, NY’ers just want to lounge around in our jammies, flipping through our Time Warner cable channels and relax on a couch we had to take out a loan to afford.

However, when you show up to rendezvous over dinner at some new chic French restaurant in the West Village, arriving solemnly out of breath, disheveled, hanging the remnants of your dead iPhone with the tips of your chipped manicure fingers, offering up a long confession about a crowded train that was held up for 20 minutes, people will bat their tired eyelashes on top of your rambling words, motion for you to just sit down, and in the late Ed Koch fashion tell you this, straight out:

All the excuses in the world don’t matter, whether you like it or not. You are officially a New Yorker.

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I’m Jen Glantz. I’ve been a published writer for over 13 years, spilling my words into magazines (ranging from style to scuba diving), newspapers, websites and even this one time, a speech, for someone who didn’t speak a word of English.
What drives my words, my site, my writing, is the power of relating to people. I find that many people, especially young girls, feel so alone and quite often they feel embarrassed. I want to shatter those feelings! I want them to read what I write and understand that it’s okay to be a little outside of the box, but most importantly, that it is okay to just be who they are.

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Jen Glantz, CEO & AUTHOR

Jen Glantz is the founder of Bridesmaid for Hire , the author of two memoirs, and an energetic & crowd-moving speaker. She writes stories that occupy a confessional territory where she exposes her deep love affair with New York City, her chaotically tremendous attempts at finding love, and the embarrassing stories that still haunt her from the second grade. She'd like to say a giant HELLO to her high school Journalism teacher who told her she should give up writing and try something else--like finger painting. She's really glad you're here now, reading this.

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