I teach at Lehigh University in eastern Pennsylvania. I work on British colonialism, modernism, postcolonial/global literature, and the digital humanities.

Wednesday, November 17, 2004

Zakaria on Fallujah

Welcome to ZakariaWatch, the official Fareed Zakaria stalker blog.

The latest -- a meditation on the likelihood of success in Fallujah, and a consideration of the possible outcomes. This is more a news summary than an opinion piece; helpful bits of information on what has actually happened in the battle thus far. Zakaria's argument is, if things go well as a result of the offensive, things look good for elections, for Allawi, and for the overall success of the U.S. operation there.

If things go poorly, then elections probably won't happen on time, confidence in Allawi will erode, everything goes to hell. Or better: stays there.

My question is, on what basis should one claim the operation to be 'successful'? If many of the fighters, and certainly all of the insurgent leaders, left the city before the re-invasion, what can the U.S. hope to gain? I suppose it is pessimism, but I think Fallujah will change very little in the dynamics of the ground war. The fighters will vanish -- as they did at the time of the initial invasion -- only to resurface again somewhere else. Meanwhile, the battle has been very costly to the U.S., both in terms of U.S. soldiers killed (about 40), and a pretty vast number injured (about 400).

1 comment:

I generally find Zakaria's comments on Iraq reasoned and insightful. In his latest Newsweek piece on Fallujah, however, I have to disagree with his analysis. Zakaria has bought into the military and media hype that Fallujah represents a key moment in the occupation. This seems unlikely, as you imply Deep in noting that many of the insurgents have simply vanished. A far more convincing take on Fallujah is David Morris' opinion piece at Salon.com last Friday, "Playing Cowboys and Indians."

Links, Selected Posts

Amardeep Singh, Associate Professor of English at Lehigh UniversityOn Twitter

My book, Diaspora Vérité: The Films of Mira Nair, published by the University Press of Mississippi in 2018, is now available on Amazon.

I have been working on several digital projects in Scalar. All are in progress as of January 2019.
One is digital archive I am calling "The Kiplings and India." Working with a team of graduate research assistants, we have been building the site in Scalar here. Feedback welcome; it's a work in progress.

I have also been working on a Digital Collection called "Claude McKay's Early Poetry (1912-1922)" This project began as a collaborative class project called "Harlem Echoes," a digital edition of Claude McKay's "Harlem Shadows." The new version of the project is much-expanded, including McKay's early Jamaican poetry as well as his uncollected political poetry from magazines like The Liberator and Workers Dreadnought.

I also put together a digital edition of Jean Toomer's Cane, taking advantage of the fact that that work is now in the public domain. That project can be found here.