One of the more intriguing entries at this year's festival, Sofia Coppola's third feature, MARIE ANTOINETTE, appears to inspire either rapture or hatred in audiences -- not unlike the film's much-maligned subject.

Coppola has used Lady Antonia Fraser's recent acclaimed biography as the source material for her film and she has approached the material in what has become her signature style -- dreamy and ethereal yet with an undercurrent of strength and charm. Say whatever you want about the filmmaker's approach -- it is not shallow or superficial as some have felt. Coppola has a vision and has managed to realize it on screen in a visually sumptuous production. Her take on the story is to concentrate on the lead character's youth -- Marie Antoinette was only 13 when she was basically sold into an arranged marriage with the 15 year old French Dauphin. A teenager, she is let loose among a society that thrives on gossip and appearance and she's immediately suspect given that she is a foreigner. Plus, every aspect of her life, from getting dressed in the morning to eating dinner to sleeping with her husband is subject to public view. Everyone at court knows everyone's business and despite some efforts, Marie Antoinette (nicely portrayed by Kirsten Dunst) doesn't ever fit in.

With location shoots at Versailles, MARIE ANTOINETTE is one of the most beautiful films to appear in 2006. The exquisite costumes designed by Oscar winner Milena Canonero, the cinematography of Lance Acord and the production design of KK Barrett all deserve special mention.

Coppola has put together an eclectic cast that includes Danny Huston, Marianne Faithful, Jason Schwartzman, Asia Argento and Rip Torn, all of whom offer nice work.

The film met with a bad reception at Cannes but that should not deter anyone from seeking out this unique and fascinating film. Coppola successfully has made a period film that doesn't feel like a museum piece.