This video short, which crosses the traditions of collage film and film essay, presents unexpected convergences between the figure of the concentration camp and campy aesthetics. Camp assembles a framework out of documentary material used in the Nuremberg Trials and choice excerpts from Busby Berkeley’s campy masterpiece, The Gang’s All Here, both produced at the same historical moment. Beneath the visual track, two narrators, one in Arabic and the other in Mandarin, reflect on the political and theatrical meanings of “camp” in exploring the role of fantasy in traumatic historical memory and the ethical root of flamboyant enjoyment.