This is almost the opposite of a romcom: it deals with the prospect of a happy couple breaking up, as Williams is tempted away from cuddly partner Rogen by a handsome, wholesome neighbour. Which is better? The solid, stable kind of love, or the whirlwind, passionate kind? There are some irritating quirks, but on the whole it's an intelligent, truthful drama exploring guilt, regret, confusion and other grown-up emotions generally absent from the summer movie season.

It's really the Damon legacy we're talking about here, and whether Renner can plug the Matt-shaped hole in the action franchise. He's got the right mix of acting and one-man-death-machine skills for the job, though this story of shady government operatives out to cover their tracks doesn't so much take Bourne to a new level as just about keep it at the same one.

Lovely to look at but narratively underwhelming, this Scots-styled fairytale fits more into the Disney princess tradition than the Pixar oddball one. Macdonald's independent-minded royal lassie strikes out on her own, but is drawn back to the family when a witch curses her mother.

The senior action heroes pump their ageing biceps for a tongue-in-cheek Dirtier Dozen, with more money to throw around this time. New recruits Chuck Norris and Jean-Claude Van Damme (as the baddie) add interest, though the plot is merely something to hang one-liners and explosions on.

No prizes for guessing what's involved when Webb and Punch's wedding preparations are filmed by the best man, and a roster of Brit comedians lie embedded in the cast. It's an obvious farce, but still, occasionally, a funny one.

As with last year's Kill List, a simple job turns complicated for two chatty hitmen, and as the title suggests, there are other forces at work. It's a sharp, cleverly written little tale of the unexpected, making the most of four actors and a small budget.

A withdrawn, troubled woman is drawn out of her solitude by a stray pigeon she rescues – no really. It's a delicately told and winningly-acted story, which fills out its minimal premise very satisfyingly.