From Asquith’s Underground (1928) to Winterbottom’s Wonderland (1999), BFI celebrates cinematic representations of the English capital with an ambitious summer season that highlights the city’s continuities and changes.

Possession’s demonic urge to summon the masters of the archaic arts on His Best Deceit, yet instil the enthusiastic energy a demo should hold, is striking in its execution.

Considering where we are now in looking back at this pre-MIDI era of the late '70s and early '80s, at the first generation of bedroom producers, staggeringly obvious become the true effects of Dr. Robert Moog's lifelong efforts to make electronic music more accessible.