DescriptionThe early twentieth century saw a radical change in so-called scholarly music, with the birth of many movements that led to a plethora of new piano languages following new logic of interpretation. This masterclass will examine questions of interpretation about the nature of these new styles, from French impressionists to dodecaphonists and serialists, neoclassical or postromantic Russians to Bartók, but also all the new movements and styles that emerged after the war and up to now.