A little parody of John Lennon's "Give Peace A Chance."
LYRICS:
Ev'rybody's callin' him a Facist, Classist, Vladist, Cashless, Sexist, Brexist, Hypocrite, Contradict, but no one really hears him out.
Chorus:
All we are saying is give Trump a chance.
(x2)
Ev'rybody's callin' out Progressivism, Fetischism, Feminism, Scepticism, Black Lives, 45s, how this nation still survives,
no one seems to understand.
Chorus (x2)
Ev'rybody's protestin' Sweatshops, DeadCops, Extortion, Pro-Abortion, FaithDefender, Transgender, Elegance & Elephants!
It seems there's no intelligence or common sense...
Chorus (x2)
Ev'rybody's in the street; they're Crying and they're Whining and they're Signing and Denying and Defying and Dividing and Deciding.
No one thinks of Reconciling, or just being Gratifying.
Chorus (x14)

published:18 Jan 2017

views:171

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off off at Lola was the first video and audio recordings from the video and subscribe for me too bad we don't need it to the best in bathroom is it that way we could go for some of us who was the best chance for Ohio to be a few minutes of my phone is working with you just have a good day and subscribe to be able and willing to pay a few hours ago when the video on my phone is not the video on my phone is not working properly to the video on my way back from you just need it to the best in the video and audio files in bathroom is not the best chance of success with a good idea to the best in bathroom is not the video and audio recordings from a different voice of the best chance for a few hours ago when the video on my phone is not working properly to the video on my phone is working with you and audio recordings from the video and subscribe for me too bad

published:14 Jan 2017

views:20

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.com
Available now from iTunes http://smarturl.it/itunes25
Available now Amazon http://smarturl.it/25amazon
Available now Google Play http://smarturl.it/25gplay
Available now at Target (US Only): http://smarturl.it/target25
FollowAdele on:
Facebook - https://www.facebook.com/Adele
Twitter - https://twitter.com/Adele
Instagram - http://instagram.com/Adele
Directed by: Paul Dugdale
http://vevo.ly/5WmBkR
PlaylistBest of Adele https://goo.gl/YWgJtE
Subscribe for more https://goo.gl/xrpGsB
Best of Adele: https://goo.gl/DSt4mS
Subscribe here: https://goo.gl/6hEDrd

published:17 Nov 2015

views:366395040

full release info available @
http://www.beatport.com/release/kobra-ep/860875

published:26 Jan 2012

views:37

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros.Foley artistsAlysonMoore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our first album, "PFC: SongsAround The World," get it here: http://bit.ly/PFCSATW1
From the award-winning documentary, Playing For Change: Peace Through Music comes "Stand By Me," the first of many Songs Around The World produced by Playing For Change. This Ben E. King classic features musicians around the world recorded by the Playing For Change team during their travels. This song continues to remind us that music has the power to break down boundaries and overcome distances between people.
GET SOCIAL
https://www.facebook.com/PlayingForChange
https://twitter.com/playing4change
http://instagram.com/playing4change
Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to building music and art schools for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.
To learn more about the work of the PFC Foundation, visit http://www.playingforchange.org

Types

Ways of recording text suitable for direct reading by humans includes writing it on paper. Other forms of data storage are easier for automatic retrieval, but humans need a tool to read them. Printing a text stored in a computer allows keeping a copy on the computer and having also a copy that is human-readable without a tool.

Technology continues to provide and expand means for human beings to represent, record and express their thoughts, feelings and experiences. Common and easy ways of recording information are by sound and by video.

Homemade Recordings: "Give Trump A Chance"

A little parody of John Lennon's "Give Peace A Chance."
LYRICS:
Ev'rybody's callin' him a Facist, Classist, Vladist, Cashless, Sexist, Brexist, Hypocrite, Contradict, but no one really hears him out.
Chorus:
All we are saying is give Trump a chance.
(x2)
Ev'rybody's callin' out Progressivism, Fetischism, Feminism, Scepticism, Black Lives, 45s, how this nation still survives,
no one seems to understand.
Chorus (x2)
Ev'rybody's protestin' Sweatshops, DeadCops, Extortion, Pro-Abortion, FaithDefender, Transgender, Elegance & Elephants!
It seems there's no intelligence or common sense...
Chorus (x2)
Ev'rybody's in the street; they're Crying and they're Whining and they're Signing and Denying and Defying and Dividing and Deciding.
No one thinks of Reconciling, or just being Gratifying.
Chorus (x14)

15:03

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off off at Lola was the first video and audio recordings from the video and subscribe for me too bad we don't need it to the best in bathroom is it that way we could go for some of us who was the best chance for Ohio to be a few minutes of my phone is working with you just have a good day and subscribe to be able and willing to pay a few hours ago when the video on my phone is not the video on my phone is not working properly to the video on my way back from you just need it to the best in the video and audio files in bathroom is not the best chance of success with a good idea to the best in bathroom is not the video and audio recordings from a different voice of the best chance for a few hours ago when the video on my phone is not working properly to the video on my phone is working with you and audio recordings from the video and subscribe for me too bad

5:43

Adele - When We Were Young (Live at The Church Studios)

Adele - When We Were Young (Live at The Church Studios)

Adele - When We Were Young (Live at The Church Studios)

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.com
Available now from iTunes http://smarturl.it/itunes25
Available now Amazon http://smarturl.it/25amazon
Available now Google Play http://smarturl.it/25gplay
Available now at Target (US Only): http://smarturl.it/target25
FollowAdele on:
Facebook - https://www.facebook.com/Adele
Twitter - https://twitter.com/Adele
Instagram - http://instagram.com/Adele
Directed by: Paul Dugdale
http://vevo.ly/5WmBkR
PlaylistBest of Adele https://goo.gl/YWgJtE
Subscribe for more https://goo.gl/xrpGsB
Best of Adele: https://goo.gl/DSt4mS
Subscribe here: https://goo.gl/6hEDrd

8:15

Peet - A Chance Under [Golden Cat Recordings]

Peet - A Chance Under [Golden Cat Recordings]

Peet - A Chance Under [Golden Cat Recordings]

full release info available @
http://www.beatport.com/release/kobra-ep/860875

6:33

The Magic of Making Sound | That's Amazing

The Magic of Making Sound | That's Amazing

The Magic of Making Sound | That's Amazing

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros.Foley artistsAlysonMoore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.

Stand By Me | Playing For Change | Song Around The World

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our first album, "PFC: SongsAround The World," get it here: http://bit.ly/PFCSATW1
From the award-winning documentary, Playing For Change: Peace Through Music comes "Stand By Me," the first of many Songs Around The World produced by Playing For Change. This Ben E. King classic features musicians around the world recorded by the Playing For Change team during their travels. This song continues to remind us that music has the power to break down boundaries and overcome distances between people.
GET SOCIAL
https://www.facebook.com/PlayingForChange
https://twitter.com/playing4change
http://instagram.com/playing4change
Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to building music and art schools for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.
To learn more about the work of the PFC Foundation, visit http://www.playingforchange.org

chance ::: screen recordings (2min)

screen recordings ::::
One, two and then four browsers were recorded together to give a sense of the animations at play. These are screen recordings taken of side-by-side chrome browsers.
see more at ::: mctavish.io
kathy mctavish, sound, code & images

15:38

Anderson .Paak & The Free Nationals: NPR Music Tiny Desk Concert

Anderson .Paak & The Free Nationals: NPR Music Tiny Desk Concert

Anderson .Paak & The Free Nationals: NPR Music Tiny Desk Concert

August 15, 2016 by BOBBY CARTER • Good luck trying to classify Anderson .Paak and his band The Free Nationals. Much of their sound is layered atop a soulful hip-hop foundation; from there, your safest bet is to call it a hodgepodge of genres in the best way possible. Guitarist Jose Rios and bassist KelseyGonzalez inject a hard-rock edge into the Hi-Tek-produced "Come Down," this set's opening number. When you hear them play the first few jazz chords of "HeartDon'tStandA Chance," it's hard to simply call this R&B.
It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut albumVenice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appearances on Dr. Dre's Compton LP, he immediately prepped the release of Malibu. The album sculpted an entirely new lane for Anderson .Paak. He can rhyme with best of 'em, and his vocal styling, reminiscent of '70s and '80s greats, is invigorating when set against today's tender R&B elite. Before all that, he's a drummer-slash-bandleader.
I've experienced three separate presentations of this band. First, there's the recorded version, on which .Paak collaborates with some of hip-hop's finest producers. Then, their tight stage show hits you in the chest with 90-plus minutes of pure energy. In the midst of a whirlwind tour, they stopped by the Tiny Desk and reworked three cuts from Malibu, along with an audience request that shocked even them. They stripped down and pulled back just enough to fill the room.
Malibu is available now:
iTunes: https://itunes.apple.com/us/album/malibu/id1065681363?app=itunes&ign-mpt=uo%3D4
Amazon: https://www.amazon.com/Malibu-Anderson-Paak/dp/B0192ZU8TG/ref=sr_1_1?ie=UTF8&qid=1471013450&sr=8-1&keywords=Anderson+.Paak+malibu+MusicSet List:
"Come Down"
"Heart Don't Stand A Chance"
"Put Me Thru"
"Suede"
Credits:
Producers: AbbyO'Neill, Bobby Carter, NikiWalker; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, ClaireHannah Collins, Nickolai Hammar; Production Assistant: SophieKemp; Photo: Cameron Robert/NPR.
For more Tiny Desk concerts, subscribe to our podcast: http://www.npr.org/podcasts/510292/tiny-desk-concerts-video

3:48

01 Birthday Boy & Trish - Chance to Go Far [Bastard Jazz Recordings]

01 Birthday Boy & Trish - Chance to Go Far [Bastard Jazz Recordings]

01 Birthday Boy & Trish - Chance to Go Far [Bastard Jazz Recordings]

Download: http://ks.kud.li/bj37
Subscribe: http://sb.kud.li/UCZQGbLzd3TmjfwJq4wu1Kig
Official stream from BastardJazzRecordings. Distributed by KudosRecords.
On iTunes: http://it.kud.li/bj37
On Spotify: http://sp.kud.li/bj37
On Amazon: http://az.kud.li/bj37
More music playlists: http://pl.kud.li/UCZQGbLzd3TmjfwJq4wu1Kig
Album: Joseph [EP]
Track: 1 of 6
Title: Chance to Go FarArtist: Birthday Boy & TrishLabel: Bastard Jazz Recordings
Cat#: BJ37
Formats: Digital
Digital Release: 19th January 2018
About This Release:
The Joseph EP comes from two talents from up North, Toronto's freewheeling producer/DJ Birthday Boy and Canadian songstress Trish (plus songwriter and backup vocalist Joe Law) who link up for a lesson in positive vibrations and soulful, R&B-infused house grooves. Throughout six heartfelt yet uplifting tracks, the duo let loose on a range of musical emotions and lyrical word play perfect for warming up the winter months.
Backed by Birthday Boy's swirling synths and extensive beat work, Trish waxes on everything from the reality of the daily grind to the dizzying power of human attraction. "GoldenMedal" packs infectious horns, with Trish singing pridefully about someone who lifts her up, while "Magic" toys with a mellow bassline and warm guitar loop. "Let It Out" takes a bunch of bubbly synths and throws them in with Trish's uplifting vocals for a Kaytranda-esque number about letting it all go.
The pair doesn't stay locked into any single sonic style for long though throughout the EP, with each track providing a different take on their collective musical vibe. Recorded in Birthday Boy's actual living room and later given a title that pays homage to Joe Law's important contributions to the EP, Joseph ends up feeling like where it was stitched together: a personal place where friends come together to make music. Consider this your invite.
Birthday Boy & Trish's Joseph EP will be out on Jan 19th via Bastard Jazz Recordings

Homemade Recordings: "Give Trump A Chance"

A little parody of John Lennon's "Give Peace A Chance."
LYRICS:
Ev'rybody's callin' him a Facist, Classist, Vladist, Cashless, Sexist, Brexist, Hypocrite, Contradict, but no one really hears him out.
Chorus:
All we are saying is give Trump a chance.
(x2)
Ev'rybody's callin' out Progressivism, Fetischism, Feminism, Scepticism, Black Lives, 45s, how this nation still survives,
no one seems to understand.
Chorus (x2)
Ev'rybody's protestin' Sweatshops, DeadCops, Extortion, Pro-Abortion, FaithDefender, Transgender, Elegance & Elephants!
It seems there's no intelligence or common sense...
Chorus (x2)
Ev'rybody's in the street; they're Crying and they're Whining and they're Signing and Denying and Defying and Dividing and Deciding.
No one thinks of Reconciling, or just being Gratifying.
...

published: 18 Jan 2017

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off off at Lola was the first video and audio recordings from the video and subscribe for me too bad we don't need it to the best in bathroom is it that way we could go for some of us who was the best chance for Ohio to be a few minutes of my phone is working with you just have a good day and subscribe to be able and willing to pay a few hours ago when the video on my phone is not the video on my phone is not working properly to the video on my way back from you just need it to the best in the video and audio files in bathroom is not the best chance of success with a good idea to the best in bathroom is not the video and audio recordings...

published: 14 Jan 2017

Adele - When We Were Young (Live at The Church Studios)

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.com
Available now from iTunes http://smarturl.it/itunes25
Available now Amazon http://smarturl.it/25amazon
Available now Google Play http://smarturl.it/25gplay
Available now at Target (US Only): http://smarturl.it/target25
FollowAdele on:
Facebook - https://www.facebook.com/Adele
Twitter - https://twitter.com/Adele
Instagram - http://instagram.com/Adele
Directed by: Paul Dugdale
http://vevo.ly/5WmBkR
PlaylistBest of Adele https://goo.gl/YWgJtE
Subscribe for more https://goo.gl/xrpGsB
Best of Adele: https://goo.gl/DSt4mS
Subscribe here: https://goo.gl/6hEDrd

published: 17 Nov 2015

Peet - A Chance Under [Golden Cat Recordings]

full release info available @
http://www.beatport.com/release/kobra-ep/860875

published: 26 Jan 2012

The Magic of Making Sound | That's Amazing

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros.Foley artistsAlysonMoore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/...

Stand By Me | Playing For Change | Song Around The World

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our first album, "PFC: SongsAround The World," get it here: http://bit.ly/PFCSATW1
From the award-winning documentary, Playing For Change: Peace Through Music comes "Stand By Me," the first of many Songs Around The World produced by Playing For Change. This Ben E. King classic features musicians around the world recorded by the Playing For Change team during their travels. This song continues to remind us that music has the power to break down boundaries and overcome distances between people.
GET SOCIAL
https://www.facebook.com/PlayingForChange
https://twitter.com/playing4change
http://instagram.com/playing4change
Playing For Change (PF...

chance ::: screen recordings (2min)

screen recordings ::::
One, two and then four browsers were recorded together to give a sense of the animations at play. These are screen recordings taken of side-by-side chrome browsers.
see more at ::: mctavish.io
kathy mctavish, sound, code & images

published: 11 Feb 2018

Anderson .Paak & The Free Nationals: NPR Music Tiny Desk Concert

August 15, 2016 by BOBBY CARTER • Good luck trying to classify Anderson .Paak and his band The Free Nationals. Much of their sound is layered atop a soulful hip-hop foundation; from there, your safest bet is to call it a hodgepodge of genres in the best way possible. Guitarist Jose Rios and bassist KelseyGonzalez inject a hard-rock edge into the Hi-Tek-produced "Come Down," this set's opening number. When you hear them play the first few jazz chords of "HeartDon'tStandA Chance," it's hard to simply call this R&B.
It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut albumVenice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appear...

A little parody of John Lennon's "Give Peace A Chance."
LYRICS:
Ev'rybody's callin' him a Facist, Classist, Vladist, Cashless, Sexist, Brexist, Hypocrite, Contradict, but no one really hears him out.
Chorus:
All we are saying is give Trump a chance.
(x2)
Ev'rybody's callin' out Progressivism, Fetischism, Feminism, Scepticism, Black Lives, 45s, how this nation still survives,
no one seems to understand.
Chorus (x2)
Ev'rybody's protestin' Sweatshops, DeadCops, Extortion, Pro-Abortion, FaithDefender, Transgender, Elegance & Elephants!
It seems there's no intelligence or common sense...
Chorus (x2)
Ev'rybody's in the street; they're Crying and they're Whining and they're Signing and Denying and Defying and Dividing and Deciding.
No one thinks of Reconciling, or just being Gratifying.
Chorus (x14)

A little parody of John Lennon's "Give Peace A Chance."
LYRICS:
Ev'rybody's callin' him a Facist, Classist, Vladist, Cashless, Sexist, Brexist, Hypocrite, Contradict, but no one really hears him out.
Chorus:
All we are saying is give Trump a chance.
(x2)
Ev'rybody's callin' out Progressivism, Fetischism, Feminism, Scepticism, Black Lives, 45s, how this nation still survives,
no one seems to understand.
Chorus (x2)
Ev'rybody's protestin' Sweatshops, DeadCops, Extortion, Pro-Abortion, FaithDefender, Transgender, Elegance & Elephants!
It seems there's no intelligence or common sense...
Chorus (x2)
Ev'rybody's in the street; they're Crying and they're Whining and they're Signing and Denying and Defying and Dividing and Deciding.
No one thinks of Reconciling, or just being Gratifying.
Chorus (x14)

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off o...

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off off at Lola was the first video and audio recordings from the video and subscribe for me too bad we don't need it to the best in bathroom is it that way we could go for some of us who was the best chance for Ohio to be a few minutes of my phone is working with you just have a good day and subscribe to be able and willing to pay a few hours ago when the video on my phone is not the video on my phone is not working properly to the video on my way back from you just need it to the best in the video and audio files in bathroom is not the best chance of success with a good idea to the best in bathroom is not the video and audio recordings from a different voice of the best chance for a few hours ago when the video on my phone is not working properly to the video on my phone is working with you and audio recordings from the video and subscribe for me too bad

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off off at Lola was the first video and audio recordings from the video and subscribe for me too bad we don't need it to the best in bathroom is it that way we could go for some of us who was the best chance for Ohio to be a few minutes of my phone is working with you just have a good day and subscribe to be able and willing to pay a few hours ago when the video on my phone is not the video on my phone is not working properly to the video on my way back from you just need it to the best in the video and audio files in bathroom is not the best chance of success with a good idea to the best in bathroom is not the video and audio recordings from a different voice of the best chance for a few hours ago when the video on my phone is not working properly to the video on my phone is working with you and audio recordings from the video and subscribe for me too bad

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.com
Available now from iTunes http://smarturl.it/itunes25
Available now Amazon http://smarturl.it/25amazon
Available now Google Play http://smarturl.it/25gplay
Available now at Target (US Only): http://smarturl.it/target25
FollowAdele on:
Facebook - https://www.facebook.com/Adele
Twitter - https://twitter.com/Adele
Instagram - http://instagram.com/Adele
Directed by: Paul Dugdale
http://vevo.ly/5WmBkR
PlaylistBest of Adele https://goo.gl/YWgJtE
Subscribe for more https://goo.gl/xrpGsB
Best of Adele: https://goo.gl/DSt4mS
Subscribe here: https://goo.gl/6hEDrd

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.com
Available now from iTunes http://smarturl.it/itunes25
Available now Amazon http://smarturl.it/25amazon
Available now Google Play http://smarturl.it/25gplay
Available now at Target (US Only): http://smarturl.it/target25
FollowAdele on:
Facebook - https://www.facebook.com/Adele
Twitter - https://twitter.com/Adele
Instagram - http://instagram.com/Adele
Directed by: Paul Dugdale
http://vevo.ly/5WmBkR
PlaylistBest of Adele https://goo.gl/YWgJtE
Subscribe for more https://goo.gl/xrpGsB
Best of Adele: https://goo.gl/DSt4mS
Subscribe here: https://goo.gl/6hEDrd

The Magic of Making Sound | That's Amazing

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the wo...

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros.Foley artistsAlysonMoore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
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Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros.Foley artistsAlysonMoore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.

Stand By Me | Playing For Change | Song Around The World

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our firs...

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our first album, "PFC: SongsAround The World," get it here: http://bit.ly/PFCSATW1
From the award-winning documentary, Playing For Change: Peace Through Music comes "Stand By Me," the first of many Songs Around The World produced by Playing For Change. This Ben E. King classic features musicians around the world recorded by the Playing For Change team during their travels. This song continues to remind us that music has the power to break down boundaries and overcome distances between people.
GET SOCIAL
https://www.facebook.com/PlayingForChange
https://twitter.com/playing4change
http://instagram.com/playing4change
Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to building music and art schools for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.
To learn more about the work of the PFC Foundation, visit http://www.playingforchange.org

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our first album, "PFC: SongsAround The World," get it here: http://bit.ly/PFCSATW1
From the award-winning documentary, Playing For Change: Peace Through Music comes "Stand By Me," the first of many Songs Around The World produced by Playing For Change. This Ben E. King classic features musicians around the world recorded by the Playing For Change team during their travels. This song continues to remind us that music has the power to break down boundaries and overcome distances between people.
GET SOCIAL
https://www.facebook.com/PlayingForChange
https://twitter.com/playing4change
http://instagram.com/playing4change
Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to building music and art schools for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.
To learn more about the work of the PFC Foundation, visit http://www.playingforchange.org

chance ::: screen recordings (2min)

screen recordings ::::
One, two and then four browsers were recorded together to give a sense of the animations at play. These are screen recordings taken of s...

screen recordings ::::
One, two and then four browsers were recorded together to give a sense of the animations at play. These are screen recordings taken of side-by-side chrome browsers.
see more at ::: mctavish.io
kathy mctavish, sound, code & images

screen recordings ::::
One, two and then four browsers were recorded together to give a sense of the animations at play. These are screen recordings taken of side-by-side chrome browsers.
see more at ::: mctavish.io
kathy mctavish, sound, code & images

August 15, 2016 by BOBBY CARTER • Good luck trying to classify Anderson .Paak and his band The Free Nationals. Much of their sound is layered atop a soulful hip-hop foundation; from there, your safest bet is to call it a hodgepodge of genres in the best way possible. Guitarist Jose Rios and bassist KelseyGonzalez inject a hard-rock edge into the Hi-Tek-produced "Come Down," this set's opening number. When you hear them play the first few jazz chords of "HeartDon'tStandA Chance," it's hard to simply call this R&B.
It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut albumVenice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appearances on Dr. Dre's Compton LP, he immediately prepped the release of Malibu. The album sculpted an entirely new lane for Anderson .Paak. He can rhyme with best of 'em, and his vocal styling, reminiscent of '70s and '80s greats, is invigorating when set against today's tender R&B elite. Before all that, he's a drummer-slash-bandleader.
I've experienced three separate presentations of this band. First, there's the recorded version, on which .Paak collaborates with some of hip-hop's finest producers. Then, their tight stage show hits you in the chest with 90-plus minutes of pure energy. In the midst of a whirlwind tour, they stopped by the Tiny Desk and reworked three cuts from Malibu, along with an audience request that shocked even them. They stripped down and pulled back just enough to fill the room.
Malibu is available now:
iTunes: https://itunes.apple.com/us/album/malibu/id1065681363?app=itunes&ign-mpt=uo%3D4
Amazon: https://www.amazon.com/Malibu-Anderson-Paak/dp/B0192ZU8TG/ref=sr_1_1?ie=UTF8&qid=1471013450&sr=8-1&keywords=Anderson+.Paak+malibu+MusicSet List:
"Come Down"
"Heart Don't Stand A Chance"
"Put Me Thru"
"Suede"
Credits:
Producers: AbbyO'Neill, Bobby Carter, NikiWalker; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, ClaireHannah Collins, Nickolai Hammar; Production Assistant: SophieKemp; Photo: Cameron Robert/NPR.
For more Tiny Desk concerts, subscribe to our podcast: http://www.npr.org/podcasts/510292/tiny-desk-concerts-video

August 15, 2016 by BOBBY CARTER • Good luck trying to classify Anderson .Paak and his band The Free Nationals. Much of their sound is layered atop a soulful hip-hop foundation; from there, your safest bet is to call it a hodgepodge of genres in the best way possible. Guitarist Jose Rios and bassist KelseyGonzalez inject a hard-rock edge into the Hi-Tek-produced "Come Down," this set's opening number. When you hear them play the first few jazz chords of "HeartDon'tStandA Chance," it's hard to simply call this R&B.
It's been a slow build for .Paak, who released a few mixtapes before his 2014 debut albumVenice. This year has marked his official breakout with Malibu, on which he did what so many in his position fail to do: He capitalized. After bursting into the spotlight with his appearances on Dr. Dre's Compton LP, he immediately prepped the release of Malibu. The album sculpted an entirely new lane for Anderson .Paak. He can rhyme with best of 'em, and his vocal styling, reminiscent of '70s and '80s greats, is invigorating when set against today's tender R&B elite. Before all that, he's a drummer-slash-bandleader.
I've experienced three separate presentations of this band. First, there's the recorded version, on which .Paak collaborates with some of hip-hop's finest producers. Then, their tight stage show hits you in the chest with 90-plus minutes of pure energy. In the midst of a whirlwind tour, they stopped by the Tiny Desk and reworked three cuts from Malibu, along with an audience request that shocked even them. They stripped down and pulled back just enough to fill the room.
Malibu is available now:
iTunes: https://itunes.apple.com/us/album/malibu/id1065681363?app=itunes&ign-mpt=uo%3D4
Amazon: https://www.amazon.com/Malibu-Anderson-Paak/dp/B0192ZU8TG/ref=sr_1_1?ie=UTF8&qid=1471013450&sr=8-1&keywords=Anderson+.Paak+malibu+MusicSet List:
"Come Down"
"Heart Don't Stand A Chance"
"Put Me Thru"
"Suede"
Credits:
Producers: AbbyO'Neill, Bobby Carter, NikiWalker; Audio Engineer: Josh Rogosin; Videographers: Niki Walker, ClaireHannah Collins, Nickolai Hammar; Production Assistant: SophieKemp; Photo: Cameron Robert/NPR.
For more Tiny Desk concerts, subscribe to our podcast: http://www.npr.org/podcasts/510292/tiny-desk-concerts-video

Download: http://ks.kud.li/bj37
Subscribe: http://sb.kud.li/UCZQGbLzd3TmjfwJq4wu1Kig
Official stream from BastardJazzRecordings. Distributed by KudosRecords.
On iTunes: http://it.kud.li/bj37
On Spotify: http://sp.kud.li/bj37
On Amazon: http://az.kud.li/bj37
More music playlists: http://pl.kud.li/UCZQGbLzd3TmjfwJq4wu1Kig
Album: Joseph [EP]
Track: 1 of 6
Title: Chance to Go FarArtist: Birthday Boy & TrishLabel: Bastard Jazz Recordings
Cat#: BJ37
Formats: Digital
Digital Release: 19th January 2018
About This Release:
The Joseph EP comes from two talents from up North, Toronto's freewheeling producer/DJ Birthday Boy and Canadian songstress Trish (plus songwriter and backup vocalist Joe Law) who link up for a lesson in positive vibrations and soulful, R&B-infused house grooves. Throughout six heartfelt yet uplifting tracks, the duo let loose on a range of musical emotions and lyrical word play perfect for warming up the winter months.
Backed by Birthday Boy's swirling synths and extensive beat work, Trish waxes on everything from the reality of the daily grind to the dizzying power of human attraction. "GoldenMedal" packs infectious horns, with Trish singing pridefully about someone who lifts her up, while "Magic" toys with a mellow bassline and warm guitar loop. "Let It Out" takes a bunch of bubbly synths and throws them in with Trish's uplifting vocals for a Kaytranda-esque number about letting it all go.
The pair doesn't stay locked into any single sonic style for long though throughout the EP, with each track providing a different take on their collective musical vibe. Recorded in Birthday Boy's actual living room and later given a title that pays homage to Joe Law's important contributions to the EP, Joseph ends up feeling like where it was stitched together: a personal place where friends come together to make music. Consider this your invite.
Birthday Boy & Trish's Joseph EP will be out on Jan 19th via Bastard Jazz Recordings

Download: http://ks.kud.li/bj37
Subscribe: http://sb.kud.li/UCZQGbLzd3TmjfwJq4wu1Kig
Official stream from BastardJazzRecordings. Distributed by KudosRecords.
On iTunes: http://it.kud.li/bj37
On Spotify: http://sp.kud.li/bj37
On Amazon: http://az.kud.li/bj37
More music playlists: http://pl.kud.li/UCZQGbLzd3TmjfwJq4wu1Kig
Album: Joseph [EP]
Track: 1 of 6
Title: Chance to Go FarArtist: Birthday Boy & TrishLabel: Bastard Jazz Recordings
Cat#: BJ37
Formats: Digital
Digital Release: 19th January 2018
About This Release:
The Joseph EP comes from two talents from up North, Toronto's freewheeling producer/DJ Birthday Boy and Canadian songstress Trish (plus songwriter and backup vocalist Joe Law) who link up for a lesson in positive vibrations and soulful, R&B-infused house grooves. Throughout six heartfelt yet uplifting tracks, the duo let loose on a range of musical emotions and lyrical word play perfect for warming up the winter months.
Backed by Birthday Boy's swirling synths and extensive beat work, Trish waxes on everything from the reality of the daily grind to the dizzying power of human attraction. "GoldenMedal" packs infectious horns, with Trish singing pridefully about someone who lifts her up, while "Magic" toys with a mellow bassline and warm guitar loop. "Let It Out" takes a bunch of bubbly synths and throws them in with Trish's uplifting vocals for a Kaytranda-esque number about letting it all go.
The pair doesn't stay locked into any single sonic style for long though throughout the EP, with each track providing a different take on their collective musical vibe. Recorded in Birthday Boy's actual living room and later given a title that pays homage to Joe Law's important contributions to the EP, Joseph ends up feeling like where it was stitched together: a personal place where friends come together to make music. Consider this your invite.
Birthday Boy & Trish's Joseph EP will be out on Jan 19th via Bastard Jazz Recordings

WinGene Hoglan's SIGNED Ride Cymbal:
►http://www.Drumeo.com/giveaways/
Arguably the most requested drummer by our viewers, Gavin Harrison is here at Drumeo to share his tips and methods for coming up with tasteful drum parts, how to improve your creativity, and your general mindset when playing the drums whether in the studio or performing live.
This hour-long lesson is jammed full of incredible drumming knowledge, so pay attention! He also plays several tracks from his solo project "Cheating the Polygraph", as well as a track from The Pineapple Thief.
Watch four exclusive courses with Gavin in the Drumeo members area.
►http://www.Drumeo.com/trial/
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Johnny "Guitar" Watson - Untouchable! The Classic 1959-1966 RecordingsRelease Date: September 18, 2007Label: Ace Records (CDCHD 1180)
GreatR&B and soul by Johnny "Guitar" Watson before he hit that funky spot!
Like many a journeyman bluesman, Johnny "Guitar" Watson led something of an itinerant recording life during much of his career, wandering from label to label in the 1950s and 1960s with just a little chart success. Untouchable! does a great service to collectors by assembling 27 tracks from 1959-1966, many of which, surprisingly, had not only never previously come out on CD, but had never been reissued in any form. While in general these are blues/R&B crossover sides, there's more variety than one might think, and though the hopping between styles makes it a little uneven, it mak...

Weldon Kekauoha Live At Hawaii Theater!

Hisessions is proud to present our first live streamed concert from the HawaiiTheater. Weldon Kekauoha is one of Hawaii's most popular artists and he presents tonight songs from his catalog, as well as taking requests from the audience and online.
If you didn't get a chance to watch it live, he was absolutely fantastic! Lucky for you, we've got it posted for you to enjoy.
To learn more about Weldon Kekauoha please visit:
http://www.weldonkekauoha.com
If you want to be informed of our next live concert make sure you subscribe to our YouTube channel and follow us on Facebook and Twitter.
Visit http://www.hisessions.com to see a complete list of artists, purchase recordings of some of our videos and get information about new videos!
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Louis Armstrong: The Best Of The Hot Five & Seven | Jazz Music

Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to our playlist “The Best ofJazz” on Deezer: http://bit.ly/2tu25aM
Like ...

Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to our playlist “The Best ofJazz” on Deezer: http://bit.ly/2tu25aM
Like us on Facebook: https://www.facebook.com/halidonmusic/
▶ BUY the full MP3album from our music store: http://bit.ly/1spgtQQ ♫♫♫ Special Price ♫♫♫
LOUIS ARMSTRONG
The Best of the Hot Five & Hot Seven
LOUIS ARMSTRONG AND HISHOT FIVE: Louis Armstrong (cornet / trumpet & vocal). Kid Ory (trombone), Johnny Dodds (clarinet / alto sax track 7 only), Lil Hardin (piano & vocal), Johnny St. Cyr (banjo & guitar)
1 Muskrat Ramble
2 CornetChop Suey (2:30)
3GeorgiaGrind (5:25)
4 Heebie Jeebies (7:58)
5 Yes! I’m in the Barrel (10:50)
6 Gut BucketBlues (13:27)
7 Come BackSweetPapa (16:09)
8 King of the Zulus (18:37)
9 Sweet Little Papa (21:39)
10 Skid-Dat-De-Dat (24:23)
11 Big Butter and Egg Man (27:25)
LOUIS ARMSTRONG AND HIS HOT SEVEN: Louis Armstrong (cornet/trumpet & vocal), unknown* (trombone), Johnny Dodds (clarinet), Lil Hardin (piano), Pete Briggs (tuba), Johnny St.Cyr (banjo & guitar), Baby Dodds (drums)
12 Willie the Weeper (30:23)
13 Wild Man Blues (33:29)
14 AlligatorCrawl (36:38)
15 Potato Head Blues (39:39)
16 Melancholy Blues (42:34)
17 Weary Blues (45:35)
18 Twelft Street Rag (48:33)
19 Keyhole Blues (51:36)
20 S.O.L. Blues (55:02)
LOUIS ARMSTRONG AND HIS HOT FIVE: same as before
21 Ory’s Creole Trombone (57:54)
22 The Last Time (1:00:58)
23 Struttin’ with Some Barbecue (1:04:26)
Same. Lonnie Johnson (guitar) added
24 I’m Not Rough (1:07:30)
25 Hotter Than That (1:10:31)
26 Savoy Blues (1:13:33) -
* The Hot Seven trombone player has never been fully identified. Certainly he was not Ory, who at that time was in New York with King Oliver. Honore Dutray, Roy Palmer, GeraldReeves and John Thomas have variously been suggested. They might also alternate from session to session.
In november 1925, one week after returning to Chicago from New York, where he had spent one year in the Fletcher Henderson orchestra, Louis Armstrong started his famous “Hot Five” series of recordings. The band, set up in advance by his wife, piano player Lil Hardin, and Okeh record company consultant Richard M. Jones, included some of the best New Orleans musicians available in town. It was not a working band. The musicians were only re-united for recording purposes. Reportedly they only played in public once, at a promotional big party, along with other Okeh recording artists. With this all-stars band, Louis had a chance to fully showcase his advanced musical thought, emancipating the soloist’s role for all the jazz to come. “Cornet Chop Suey”, “Big Butter and Egg Man”, “Hotter Than That” among the others, tell the story. On top of it, for the first time, he could show his vocal powers. Unbelievably, before february 1926, the only chances to hear his voice on record were a few bars in an obscure Henderson record and some talking in “Gut Bucket Blues”. Nobody dared to commercialize his unconventional vocal tone. Of course he didn’t waste time and just after “Georgia Grind” he put down one of the most influential vocals of all time: “Heebie Jeebies”, that caused nearly every jazz singer in the world to start singing “scat” choruses. As Okeh didn’t have a recording studio in Chicago, an engineer with portable equipment was sent from New York a few times a year. In one week or so all the company’s recording artists had to make their recordings in a hurry (that’s why no alternate takes by the Hot Five, and others acts as well, are known). When the engineer came in may 1927, somebody thought it would be a good idea to add tuba and drums to the band, adjusting the name to “Hot Seven”. The outfit produced at least one masterwork: “Potato Head Blues”, not to mention the rest. After these sessions the Hot Seven went back to being a quintet, with occasional sittin’-in of the great blues guitar player Lonnie Johnson, also from New Orleans. In 1928 a the “Hot Five” was completely revamped… but that’s another story.

Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to our playlist “The Best ofJazz” on Deezer: http://bit.ly/2tu25aM
Like us on Facebook: https://www.facebook.com/halidonmusic/
▶ BUY the full MP3album from our music store: http://bit.ly/1spgtQQ ♫♫♫ Special Price ♫♫♫
LOUIS ARMSTRONG
The Best of the Hot Five & Hot Seven
LOUIS ARMSTRONG AND HISHOT FIVE: Louis Armstrong (cornet / trumpet & vocal). Kid Ory (trombone), Johnny Dodds (clarinet / alto sax track 7 only), Lil Hardin (piano & vocal), Johnny St. Cyr (banjo & guitar)
1 Muskrat Ramble
2 CornetChop Suey (2:30)
3GeorgiaGrind (5:25)
4 Heebie Jeebies (7:58)
5 Yes! I’m in the Barrel (10:50)
6 Gut BucketBlues (13:27)
7 Come BackSweetPapa (16:09)
8 King of the Zulus (18:37)
9 Sweet Little Papa (21:39)
10 Skid-Dat-De-Dat (24:23)
11 Big Butter and Egg Man (27:25)
LOUIS ARMSTRONG AND HIS HOT SEVEN: Louis Armstrong (cornet/trumpet & vocal), unknown* (trombone), Johnny Dodds (clarinet), Lil Hardin (piano), Pete Briggs (tuba), Johnny St.Cyr (banjo & guitar), Baby Dodds (drums)
12 Willie the Weeper (30:23)
13 Wild Man Blues (33:29)
14 AlligatorCrawl (36:38)
15 Potato Head Blues (39:39)
16 Melancholy Blues (42:34)
17 Weary Blues (45:35)
18 Twelft Street Rag (48:33)
19 Keyhole Blues (51:36)
20 S.O.L. Blues (55:02)
LOUIS ARMSTRONG AND HIS HOT FIVE: same as before
21 Ory’s Creole Trombone (57:54)
22 The Last Time (1:00:58)
23 Struttin’ with Some Barbecue (1:04:26)
Same. Lonnie Johnson (guitar) added
24 I’m Not Rough (1:07:30)
25 Hotter Than That (1:10:31)
26 Savoy Blues (1:13:33) -
* The Hot Seven trombone player has never been fully identified. Certainly he was not Ory, who at that time was in New York with King Oliver. Honore Dutray, Roy Palmer, GeraldReeves and John Thomas have variously been suggested. They might also alternate from session to session.
In november 1925, one week after returning to Chicago from New York, where he had spent one year in the Fletcher Henderson orchestra, Louis Armstrong started his famous “Hot Five” series of recordings. The band, set up in advance by his wife, piano player Lil Hardin, and Okeh record company consultant Richard M. Jones, included some of the best New Orleans musicians available in town. It was not a working band. The musicians were only re-united for recording purposes. Reportedly they only played in public once, at a promotional big party, along with other Okeh recording artists. With this all-stars band, Louis had a chance to fully showcase his advanced musical thought, emancipating the soloist’s role for all the jazz to come. “Cornet Chop Suey”, “Big Butter and Egg Man”, “Hotter Than That” among the others, tell the story. On top of it, for the first time, he could show his vocal powers. Unbelievably, before february 1926, the only chances to hear his voice on record were a few bars in an obscure Henderson record and some talking in “Gut Bucket Blues”. Nobody dared to commercialize his unconventional vocal tone. Of course he didn’t waste time and just after “Georgia Grind” he put down one of the most influential vocals of all time: “Heebie Jeebies”, that caused nearly every jazz singer in the world to start singing “scat” choruses. As Okeh didn’t have a recording studio in Chicago, an engineer with portable equipment was sent from New York a few times a year. In one week or so all the company’s recording artists had to make their recordings in a hurry (that’s why no alternate takes by the Hot Five, and others acts as well, are known). When the engineer came in may 1927, somebody thought it would be a good idea to add tuba and drums to the band, adjusting the name to “Hot Seven”. The outfit produced at least one masterwork: “Potato Head Blues”, not to mention the rest. After these sessions the Hot Seven went back to being a quintet, with occasional sittin’-in of the great blues guitar player Lonnie Johnson, also from New Orleans. In 1928 a the “Hot Five” was completely revamped… but that’s another story.

Johnny "Guitar" Watson - Untouchable! The Classic 1959-1966 RecordingsRelease Date: September 18, 2007Label: Ace Records (CDCHD 1180)
GreatR&B and soul by Johnny "Guitar" Watson before he hit that funky spot!
Like many a journeyman bluesman, Johnny "Guitar" Watson led something of an itinerant recording life during much of his career, wandering from label to label in the 1950s and 1960s with just a little chart success. Untouchable! does a great service to collectors by assembling 27 tracks from 1959-1966, many of which, surprisingly, had not only never previously come out on CD, but had never been reissued in any form. While in general these are blues/R&B crossover sides, there's more variety than one might think, and though the hopping between styles makes it a little uneven, it makes for a better listen in one gulp than you might expect. There's some relatively straight blues, particularly in the earlier sides; there are rather more blends of blues/R&B with pop than many blues fans might realize exist, sometimes on covers of pop standards, and sometimes employing strings; and there are cuts, particularly in the mid-'60s selections, that verge on out-and-out soul. It's true that the three songs most likely to be familiar to general blues and rock fans are among the very best material here, those being "Looking Back," which was covered by John Mayall's Bluesbreakers (with Peter Green on guitar); "Cuttin' In," a 1962 Top Ten R&B hit and one of Watson's most effective fusions of blues (with biting guitar) and orchestration; and "Gangster of Love," one of Watson's signature tunes (though this 1963King single, fine as it is, is not his original version). But everything here is at least OK, and much of it is above average to excellent, even on some tracks where the influences of others like Clarence "Frogman" Henry, the Olympics, the Temptations, and Ray Charles are obvious. There might be a little less guitar pyrotechnics than some straight-ahead blues fans would like, and it's unfortunate that a few interesting cuts referred to in the liner notes from this period were not available for licensing. But overall it's a solid overview of a time when Watson was among the more interesting (and certainly overlooked) artists building bridges between the blues, R&B, and soul. --Richie Unterberger, All Music GuideVeteran photographer Brian Smith has good reason to remember the night of 3 April 1965 that R&B legend Johnny “Guitar”’ Watson played Manchester’s Twisted Wheel club, with sidekick- Larry Williams, “It was the first time I took out my wife [39 years married, last June] - though I still stuck to the job in hand and buggered off to the ‘Wheel All-Nighter’ after I had put her on the bus home. I got a few decent black and whites on at Twisted Wheel, and then a couple at the PrincessClub, same week: on stage, and some posed too.”
Some of Brian’s best shots adorn the booklet of this Ace collection of what might be termed JGW’s ‘missing years’ - those between his first flurry of success as a guitar- crushing mid-50s bluesman, and his reivention as a 60s soul hero. For the first half of the 1960s, Johnny bounced from label to label in an effort to recapture the chart success that he had first found with Modern’s RPM subsidiary. He had few hits along the way, but he made a whole lot of great music and “UNTOUCHABLE!” represents the first time that almost all of it has been gathered together.
With another must-have item for blues and soul collectors, young, cool and in his prime, here is the late, great Johnny “Guitar” Watson. --Tony Rounce, Ace Records
Track Listing:
1. The Bear aka The Preacher And The Bear (0:00)
2. One More Kiss (02:54)
3. Untouchable (05:13)
4. The Eagle Is Back (07:48)
5. Looking Back (10:23)
6. Johnny Guitar (12:19)
7. Posin' (14:44)
8. Embraceable You (17:25)
9. Broke And Lonely (20:06)
10. I Just Wants Me Some Love (23:04)
11. Cold, Cold Heart (25:51)
12. The Nearness Of You (28:20)
13. Sweet Lovin' Mama (31:21)
14. Cuttin' In (34:24)
15. What You Do To Me (37:40)
16. The ChanceYou've Got To Take (40:10)
17. GangsterOf Love (43:22)
18. You Better Love Me (46:16)
19. In The Evenin' (48:50)
20. I Say I Love You (51:49)
21. Those Lonely, LonelyNights (54:50)
22. BabyDon't Leave (57:39)
23. Ain't GonnaMove (01:00:14)
24. Wait A Minute, Baby (01:02:34)
25. Oh So Fine (01:04:40)
26. Big Bad Wolf (01:06:51)
27. You CanStay But The Noise Must Go (01:09:27)
"I have no Copyrights rights", only for entertainment/nonprofit educational purposes, If somehow this video damages someone's interests please inform and the video will be Removed.

Johnny "Guitar" Watson - Untouchable! The Classic 1959-1966 RecordingsRelease Date: September 18, 2007Label: Ace Records (CDCHD 1180)
GreatR&B and soul by Johnny "Guitar" Watson before he hit that funky spot!
Like many a journeyman bluesman, Johnny "Guitar" Watson led something of an itinerant recording life during much of his career, wandering from label to label in the 1950s and 1960s with just a little chart success. Untouchable! does a great service to collectors by assembling 27 tracks from 1959-1966, many of which, surprisingly, had not only never previously come out on CD, but had never been reissued in any form. While in general these are blues/R&B crossover sides, there's more variety than one might think, and though the hopping between styles makes it a little uneven, it makes for a better listen in one gulp than you might expect. There's some relatively straight blues, particularly in the earlier sides; there are rather more blends of blues/R&B with pop than many blues fans might realize exist, sometimes on covers of pop standards, and sometimes employing strings; and there are cuts, particularly in the mid-'60s selections, that verge on out-and-out soul. It's true that the three songs most likely to be familiar to general blues and rock fans are among the very best material here, those being "Looking Back," which was covered by John Mayall's Bluesbreakers (with Peter Green on guitar); "Cuttin' In," a 1962 Top Ten R&B hit and one of Watson's most effective fusions of blues (with biting guitar) and orchestration; and "Gangster of Love," one of Watson's signature tunes (though this 1963King single, fine as it is, is not his original version). But everything here is at least OK, and much of it is above average to excellent, even on some tracks where the influences of others like Clarence "Frogman" Henry, the Olympics, the Temptations, and Ray Charles are obvious. There might be a little less guitar pyrotechnics than some straight-ahead blues fans would like, and it's unfortunate that a few interesting cuts referred to in the liner notes from this period were not available for licensing. But overall it's a solid overview of a time when Watson was among the more interesting (and certainly overlooked) artists building bridges between the blues, R&B, and soul. --Richie Unterberger, All Music GuideVeteran photographer Brian Smith has good reason to remember the night of 3 April 1965 that R&B legend Johnny “Guitar”’ Watson played Manchester’s Twisted Wheel club, with sidekick- Larry Williams, “It was the first time I took out my wife [39 years married, last June] - though I still stuck to the job in hand and buggered off to the ‘Wheel All-Nighter’ after I had put her on the bus home. I got a few decent black and whites on at Twisted Wheel, and then a couple at the PrincessClub, same week: on stage, and some posed too.”
Some of Brian’s best shots adorn the booklet of this Ace collection of what might be termed JGW’s ‘missing years’ - those between his first flurry of success as a guitar- crushing mid-50s bluesman, and his reivention as a 60s soul hero. For the first half of the 1960s, Johnny bounced from label to label in an effort to recapture the chart success that he had first found with Modern’s RPM subsidiary. He had few hits along the way, but he made a whole lot of great music and “UNTOUCHABLE!” represents the first time that almost all of it has been gathered together.
With another must-have item for blues and soul collectors, young, cool and in his prime, here is the late, great Johnny “Guitar” Watson. --Tony Rounce, Ace Records
Track Listing:
1. The Bear aka The Preacher And The Bear (0:00)
2. One More Kiss (02:54)
3. Untouchable (05:13)
4. The Eagle Is Back (07:48)
5. Looking Back (10:23)
6. Johnny Guitar (12:19)
7. Posin' (14:44)
8. Embraceable You (17:25)
9. Broke And Lonely (20:06)
10. I Just Wants Me Some Love (23:04)
11. Cold, Cold Heart (25:51)
12. The Nearness Of You (28:20)
13. Sweet Lovin' Mama (31:21)
14. Cuttin' In (34:24)
15. What You Do To Me (37:40)
16. The ChanceYou've Got To Take (40:10)
17. GangsterOf Love (43:22)
18. You Better Love Me (46:16)
19. In The Evenin' (48:50)
20. I Say I Love You (51:49)
21. Those Lonely, LonelyNights (54:50)
22. BabyDon't Leave (57:39)
23. Ain't GonnaMove (01:00:14)
24. Wait A Minute, Baby (01:02:34)
25. Oh So Fine (01:04:40)
26. Big Bad Wolf (01:06:51)
27. You CanStay But The Noise Must Go (01:09:27)
"I have no Copyrights rights", only for entertainment/nonprofit educational purposes, If somehow this video damages someone's interests please inform and the video will be Removed.

The sound of Los Angeles’s current spiritual jazz and beat scene is shaped by many hearts and minds, as well as the ears and creativity of Benjamin Tierney. Beg...

The sound of Los Angeles’s current spiritual jazz and beat scene is shaped by many hearts and minds, as well as the ears and creativity of Benjamin Tierney. Beginning as an in-house engineer at Bomb Shelter Studios in downtown Los Angeles, the Minnesota native immersed himself in LA’s beat and jazz underground in 2007 following a chance encounter with CarlosNiño. In 2009, Tierney was brought on to record, mix and co-produce the seminal project *Suite for Ma Dukes*, an orchestral EP by Miguel Atwood-Ferguson in tribute to the late James “J Dilla” Yancey. From there, Tierney expanded on his relationship with Atwood-Ferguson, recording and co-mixing his orchestral arrangements for such artists as Seu Jorge, Hiatus Kaiyote, Bebel Gilberto and Flying Lotus. In 2015, Tierney mixed *The Epic*, Kamasi Washington’s highly celebrated album for Brainfeeder.
For this episode of StudioScience, filmed on location at UnitedRecordings in Hollywood as part of the Red Bull Music AcademyFestival Los Angeles, Tierney sat down with Carlos Niño to discuss his career and approach before bringing on pianist Kris Bowers and drummer Jamire Williams to detail how to get the best out of a live session and catch the right vibe.
TOPICS:
00:57 - Hands-on learning
03:04 - Coming to Los Angeles and working at Bomb Shelter
07:31 - Setting up a live session
09:35 - Meet the musicians
12:25 - Recording a live session
21:01 - Catching a vibe
For more RBMA Studio Science episodes, head here: http://daily.redbullmusicacademy.com/studio-science
The RedBullMusicAcademy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year.
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The sound of Los Angeles’s current spiritual jazz and beat scene is shaped by many hearts and minds, as well as the ears and creativity of Benjamin Tierney. Beginning as an in-house engineer at Bomb Shelter Studios in downtown Los Angeles, the Minnesota native immersed himself in LA’s beat and jazz underground in 2007 following a chance encounter with CarlosNiño. In 2009, Tierney was brought on to record, mix and co-produce the seminal project *Suite for Ma Dukes*, an orchestral EP by Miguel Atwood-Ferguson in tribute to the late James “J Dilla” Yancey. From there, Tierney expanded on his relationship with Atwood-Ferguson, recording and co-mixing his orchestral arrangements for such artists as Seu Jorge, Hiatus Kaiyote, Bebel Gilberto and Flying Lotus. In 2015, Tierney mixed *The Epic*, Kamasi Washington’s highly celebrated album for Brainfeeder.
For this episode of StudioScience, filmed on location at UnitedRecordings in Hollywood as part of the Red Bull Music AcademyFestival Los Angeles, Tierney sat down with Carlos Niño to discuss his career and approach before bringing on pianist Kris Bowers and drummer Jamire Williams to detail how to get the best out of a live session and catch the right vibe.
TOPICS:
00:57 - Hands-on learning
03:04 - Coming to Los Angeles and working at Bomb Shelter
07:31 - Setting up a live session
09:35 - Meet the musicians
12:25 - Recording a live session
21:01 - Catching a vibe
For more RBMA Studio Science episodes, head here: http://daily.redbullmusicacademy.com/studio-science
The RedBullMusicAcademy is a global music institution committed to fostering creativity in music. We celebrate music, its culture, and the transformative minds behind it. Begun in 1998, the Academy has taken the core principles that underlie its annual workshop for selected participants and applied this curatorial approach to events, lectures, and city-wide festivals throughout the year.
► VisitRed Bull TV: http://win.gs/1uy4YFF
► Subscribe to our YouTube Channel: http://bit.ly/10OyDHc
► Visit our official website: http://win.gs/avjLrK
► Our latest videos on YouTube: http://bit.ly/12nkX7h
► Follow us on Twitter: http://bit.ly/Lx4wQy
► Like us on Facebook: http://on.fb.me/12N5Ch0

Weldon Kekauoha Live At Hawaii Theater!

Hisessions is proud to present our first live streamed concert from the HawaiiTheater. Weldon Kekauoha is one of Hawaii's most popular artists and he presents...

Hisessions is proud to present our first live streamed concert from the HawaiiTheater. Weldon Kekauoha is one of Hawaii's most popular artists and he presents tonight songs from his catalog, as well as taking requests from the audience and online.
If you didn't get a chance to watch it live, he was absolutely fantastic! Lucky for you, we've got it posted for you to enjoy.
To learn more about Weldon Kekauoha please visit:
http://www.weldonkekauoha.com
If you want to be informed of our next live concert make sure you subscribe to our YouTube channel and follow us on Facebook and Twitter.
Visit http://www.hisessions.com to see a complete list of artists, purchase recordings of some of our videos and get information about new videos!
Follow HI*Sessions:
http://hisessions.com
http://www.facebook.com/hisessions
http://twitter.com/hisessions

Hisessions is proud to present our first live streamed concert from the HawaiiTheater. Weldon Kekauoha is one of Hawaii's most popular artists and he presents tonight songs from his catalog, as well as taking requests from the audience and online.
If you didn't get a chance to watch it live, he was absolutely fantastic! Lucky for you, we've got it posted for you to enjoy.
To learn more about Weldon Kekauoha please visit:
http://www.weldonkekauoha.com
If you want to be informed of our next live concert make sure you subscribe to our YouTube channel and follow us on Facebook and Twitter.
Visit http://www.hisessions.com to see a complete list of artists, purchase recordings of some of our videos and get information about new videos!
Follow HI*Sessions:
http://hisessions.com
http://www.facebook.com/hisessions
http://twitter.com/hisessions

Homemade Recordings: "Give Trump A Chance"

A little parody of John Lennon's "Give Peace A Chance."
LYRICS:
Ev'rybody's callin' him a Facist, Classist, Vladist, Cashless, Sexist, Brexist, Hypocrite, Contradict, but no one really hears him out.
Chorus:
All we are saying is give Trump a chance.
(x2)
Ev'rybody's callin' out Progressivism, Fetischism, Feminism, Scepticism, Black Lives, 45s, how this nation still survives,
no one seems to understand.
Chorus (x2)
Ev'rybody's protestin' Sweatshops, DeadCops, Extortion, Pro-Abortion, FaithDefender, Transgender, Elegance & Elephants!
It seems there's no intelligence or common sense...
Chorus (x2)
Ev'rybody's in the street; they're Crying and they're Whining and they're Signing and Denying and Defying and Dividing and Deciding.
No one thinks of Reconciling, or just being Gratifying.
Chorus (x14)

15:03

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on...

Hark back to the video and audio recordings from a different voice and that's ok you just have to ha

Hgdggbjthe c recurve confetti in huh what is it a different voice of my favorite places on YouTube channel to be able and willing the best of all about it off off at Lola was the first video and audio recordings from the video and subscribe for me too bad we don't need it to the best in bathroom is it that way we could go for some of us who was the best chance for Ohio to be a few minutes of my phone is working with you just have a good day and subscribe to be able and willing to pay a few hours ago when the video on my phone is not the video on my phone is not working properly to the video on my way back from you just need it to the best in the video and audio files in bathroom is not the best chance of success with a good idea to the best in bathroom is not the video and audio recordings from a different voice of the best chance for a few hours ago when the video on my phone is not working properly to the video on my phone is working with you and audio recordings from the video and subscribe for me too bad

5:43

Adele - When We Were Young (Live at The Church Studios)

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.c...

Adele - When We Were Young (Live at The Church Studios)

'When We Were Young' is taken from the new album, 25, released November 20. http://adele.com
Available now from iTunes http://smarturl.it/itunes25
Available now Amazon http://smarturl.it/25amazon
Available now Google Play http://smarturl.it/25gplay
Available now at Target (US Only): http://smarturl.it/target25
FollowAdele on:
Facebook - https://www.facebook.com/Adele
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Directed by: Paul Dugdale
http://vevo.ly/5WmBkR
PlaylistBest of Adele https://goo.gl/YWgJtE
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8:15

Peet - A Chance Under [Golden Cat Recordings]

full release info available @
http://www.beatport.com/release/kobra-ep/860875

The Magic of Making Sound | That's Amazing

In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros.Foley artistsAlysonMoore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
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Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.

3:42

Make Vocal Recordings Stop Sucking - Ambits Q/A

Email questions to ambitsmusic@gmail.com
Tweet us at @AmbitsMusic
Intro Song : https://w...

Stand By Me | Playing For Change | Song Around The World

Shop some of the gear used in this video at Sweetwater ▶️ https://goo.gl/vVv3ns
Join the PFC movement: http://bit.ly/1x9CAfJ
This song is featured on our first album, "PFC: SongsAround The World," get it here: http://bit.ly/PFCSATW1
From the award-winning documentary, Playing For Change: Peace Through Music comes "Stand By Me," the first of many Songs Around The World produced by Playing For Change. This Ben E. King classic features musicians around the world recorded by the Playing For Change team during their travels. This song continues to remind us that music has the power to break down boundaries and overcome distances between people.
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Playing For Change (PFC) is a movement created to inspire and connect the world through music, born from the shared belief that music has the power to break down boundaries and overcome distances between people. The primary focus of PFC is to record and film musicians performing in their natural environments and combine their talents and cultural power in innovative videos called Songs Around The World. Creating these videos motivated PFC to form the Playing For Change Band—a tangible, traveling representation of its mission, featuring musicians met along their journey; and establish the Playing For Change Foundation—a separate 501(c)3 nonprofit organization dedicated to building music and art schools for children around the world. Through these efforts, Playing For Change aims to create hope and inspiration for the future of our planet.
To learn more about the work of the PFC Foundation, visit http://www.playingforchange.org

Types

Ways of recording text suitable for direct reading by humans includes writing it on paper. Other forms of data storage are easier for automatic retrieval, but humans need a tool to read them. Printing a text stored in a computer allows keeping a copy on the computer and having also a copy that is human-readable without a tool.

Technology continues to provide and expand means for human beings to represent, record and express their thoughts, feelings and experiences. Common and easy ways of recording information are by sound and by video.

The tropical disturbance in the Yucatan Peninsula is becoming more likely to become the year's first storm, according to the National Hurricane Center. The NHC said there’s a 70 percent chance of formation over the next five days, a number that has increased all week. There’s a 10 percent chance... ....

MIAMI (AP) — Forecasters say chances are increasing for the first tropical weather system of the year in the Gulf of Mexico. The NationalHurricaneCenter said Thursday a mass of low pressure in the western Caribbean is becoming better defined and will likely become a subtropical or tropical depression by late Saturday. They're putting the chances of formation at 80 percent over the next five days ... ....

The NationalHurricaneCenter on Thursday said there's an 80 percent chance that Invest 90L will form into a tropical system in the Gulf of Mexico by the weekend ... There's a chance for scattered thunderstorms Thursday and Thursday night with the potential for an isolated severe thunderstorm with strong winds ... The chance of rain on ......

Louis Armstrong: The Best Of The Hot Five & Seven | Jazz Music

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LOUIS ARMSTRONG
The Best of the Hot Five & Hot Seven
LOUIS ARMSTRONG AND HISHOT FIVE: Louis Armstrong (cornet / trumpet & vocal). Kid Ory (trombone), Johnny Dodds (clarinet / alto sax track 7 only), Lil Hardin (piano & vocal), Johnny St. Cyr (banjo & guitar)
1 Muskrat Ramble
2 CornetChop Suey (2:30)
3GeorgiaGrind (5:25)
4 Heebie Jeebies (7:58)
5 Yes! I’m in the Barrel (10:50)
6 Gut BucketBlues (13:27)
7 Come BackSweetPapa (16:09)
8 King of the Zulus (18:37)
9 Sweet Little Papa (21:39)
10 Skid-Dat-De-Dat (24:23)
11 Big Butter and Egg Man (27:25)
LOUIS ARMSTRONG AND HIS HOT SEVEN: Louis Armstrong (cornet/trumpet & vocal), unknown* (trombone), Johnny Dodds (clarinet), Lil Hardin (piano), Pete Briggs (tuba), Johnny St.Cyr (banjo & guitar), Baby Dodds (drums)
12 Willie the Weeper (30:23)
13 Wild Man Blues (33:29)
14 AlligatorCrawl (36:38)
15 Potato Head Blues (39:39)
16 Melancholy Blues (42:34)
17 Weary Blues (45:35)
18 Twelft Street Rag (48:33)
19 Keyhole Blues (51:36)
20 S.O.L. Blues (55:02)
LOUIS ARMSTRONG AND HIS HOT FIVE: same as before
21 Ory’s Creole Trombone (57:54)
22 The Last Time (1:00:58)
23 Struttin’ with Some Barbecue (1:04:26)
Same. Lonnie Johnson (guitar) added
24 I’m Not Rough (1:07:30)
25 Hotter Than That (1:10:31)
26 Savoy Blues (1:13:33) -
* The Hot Seven trombone player has never been fully identified. Certainly he was not Ory, who at that time was in New York with King Oliver. Honore Dutray, Roy Palmer, GeraldReeves and John Thomas have variously been suggested. They might also alternate from session to session.
In november 1925, one week after returning to Chicago from New York, where he had spent one year in the Fletcher Henderson orchestra, Louis Armstrong started his famous “Hot Five” series of recordings. The band, set up in advance by his wife, piano player Lil Hardin, and Okeh record company consultant Richard M. Jones, included some of the best New Orleans musicians available in town. It was not a working band. The musicians were only re-united for recording purposes. Reportedly they only played in public once, at a promotional big party, along with other Okeh recording artists. With this all-stars band, Louis had a chance to fully showcase his advanced musical thought, emancipating the soloist’s role for all the jazz to come. “Cornet Chop Suey”, “Big Butter and Egg Man”, “Hotter Than That” among the others, tell the story. On top of it, for the first time, he could show his vocal powers. Unbelievably, before february 1926, the only chances to hear his voice on record were a few bars in an obscure Henderson record and some talking in “Gut Bucket Blues”. Nobody dared to commercialize his unconventional vocal tone. Of course he didn’t waste time and just after “Georgia Grind” he put down one of the most influential vocals of all time: “Heebie Jeebies”, that caused nearly every jazz singer in the world to start singing “scat” choruses. As Okeh didn’t have a recording studio in Chicago, an engineer with portable equipment was sent from New York a few times a year. In one week or so all the company’s recording artists had to make their recordings in a hurry (that’s why no alternate takes by the Hot Five, and others acts as well, are known). When the engineer came in may 1927, somebody thought it would be a good idea to add tuba and drums to the band, adjusting the name to “Hot Seven”. The outfit produced at least one masterwork: “Potato Head Blues”, not to mention the rest. After these sessions the Hot Seven went back to being a quintet, with occasional sittin’-in of the great blues guitar player Lonnie Johnson, also from New Orleans. In 1928 a the “Hot Five” was completely revamped… but that’s another story.

49:39

RACEY - singles & b-sides -ORIGINAL RECORDINGS-

as a young boy RACEY meant everything to me and I collected anything of the band including...

Weldon Kekauoha Live At Hawaii Theater!...

Trance - AVA Recordings Best Of 2016 Top 20...

Latest News for: chance recordings

The tropical disturbance in the Yucatan Peninsula is becoming more likely to become the year's first storm, according to the National Hurricane Center. The NHC said there’s a 70 percent chance of formation over the next five days, a number that has increased all week. There’s a 10 percent chance... ....

MIAMI (AP) — Forecasters say chances are increasing for the first tropical weather system of the year in the Gulf of Mexico. The NationalHurricaneCenter said Thursday a mass of low pressure in the western Caribbean is becoming better defined and will likely become a subtropical or tropical depression by late Saturday. They're putting the chances of formation at 80 percent over the next five days ... ....

The NationalHurricaneCenter on Thursday said there's an 80 percent chance that Invest 90L will form into a tropical system in the Gulf of Mexico by the weekend ... There's a chance for scattered thunderstorms Thursday and Thursday night with the potential for an isolated severe thunderstorm with strong winds ... The chance of rain on ......

The low pressure system heading for the Gulf of Mexico has a 90 percent chance of becoming at least a tropical depression over the next five days, the National Hurricane Center said in a&nbsp;Thursday afternoon forecast (May 24) ... the system had a 70 percent chance of forming into a tropical ......

Nick Deeds and his new service dog, Chance, get ready to go home together for the first time ... Tringali said she began training Chance as a service dog for Deeds. “Nick is everything I would want in someone to own Chance,” she said. Tringali said she will donate Chance to Deeds because she has seen how her service dog aids in her PTSD. Chance has spent about two months going on outings with Deeds, and he will soon be living with Deeds....

Chance the Rapper took to Twitter on Wednesday to call out city officials for approving plans for the ObamaPresidential Center without a community benefits agreement in place ... — ChanceThe Rapper (@chancetherapper) May 23, 2018 ... “It’s exciting to see that Chance supports us,” said youth organizer Kyana Butler, who is part of the Obama Community Benefits Coalition....

A&nbsp;low pressure system heading for the Gulf of Mexico has an 80 percent chance of becoming a tropical depression this week, the National Hurricane Center said in its Thursday morning forecast (May 24) ... The low pressure system has a 40 percent chance (medium) of becoming at least a tropical depression within 48 hours and an 80 percent ......