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About Mirette on the High Wire

One day, a mysterious stranger arrives at a boardinghouse of the widow Gateau—a sad-faced stranger, who keeps to himself. When the widow’s daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it.

But Mirette doesn’t know that the stranger was once the Great Bellini—master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again.

Emily Arnold McCully’s sweeping watercolor paintings carry the reader over the rooftops of nineteenth-century Paris and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.

About Mirette on the High Wire

One day, a mysterious stranger arrives at a boardinghouse of the widow Gateau- a sad-faced stranger, who keeps to himself. When the widow’s daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it.

But Mirette doesn’t know that the stranger was once the Great Bellini- master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again.

Emily Arnold McCully’s sweeping watercolor paintings carry the reader over the rooftops of nineteenth-century Paris and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.

About Mirette on the High Wire

One day, a mysterious stranger arrives at a boardinghouse of the widow Gateau- a sad-faced stranger, who keeps to himself. When the widow’s daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it.

But Mirette doesn’t know that the stranger was once the Great Bellini- master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again.

Emily Arnold McCully’s sweeping watercolor paintings carry the reader over the rooftops of nineteenth-century Paris and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.

About Mirette on the High Wire

One day, a mysterious stranger arrives at a boardinghouse of the widow Gateau—a sad-faced stranger, who keeps to himself. When the widow’s daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it.

But Mirette doesn’t know that the stranger was once the Great Bellini—master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again.

Emily Arnold McCully’s prose and own narration carries the listener over the rooftops of nineteenth-century Paris and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.

About Emily Arnold McCully

Emily Arnold McCully was born in Galesburg, Illinois, and grew up “a daredevil child,” always climbing trees or buildings. She made it to college intact, however, and received her B.A. from Brown University and an M.A. in art history from… More about Emily Arnold McCully

About Emily Arnold McCully

Emily Arnold McCully was born in Galesburg, Illinois, and grew up “a daredevil child,” always climbing trees or buildings. She made it to college intact, however, and received her B.A. from Brown University and an M.A. in art history from… More about Emily Arnold McCully

About Emily Arnold McCully

Emily Arnold McCully was born in Galesburg, Illinois, and grew up “a daredevil child,” always climbing trees or buildings. She made it to college intact, however, and received her B.A. from Brown University and an M.A. in art history from… More about Emily Arnold McCully

About Emily Arnold McCully

Emily Arnold McCully was born in Galesburg, Illinois, and grew up “a daredevil child,” always climbing trees or buildings. She made it to college intact, however, and received her B.A. from Brown University and an M.A. in art history from… More about Emily Arnold McCully