Live Space 1 (Left) - 2.6m (w) x 3.4m (l) x 2.6m (h)

Live Space 2 (Centre) - 2.6m (w) x 3.5m (l) x 2.6m (h)

Live Space 3 (Right) - 3.4m (w) x 5.7m (l) x 2.9m (h)

Latest Purchases

Telefunken U47 Tube

Telefunken U47 Tube

Kawai TP-125 Upright Piano

Kawai TP-125 Upright Piano

Console

Custom Series 75

Custom Series 75

Within the Custom Series 75, the classic Neve circuitry has kept faithful to the original whilst taking advantage of modern technology. The original circuits have only been changed if a guaranteed improvement in reliability or performance was clear. A classic desk with a modern finish and a pleasure to work on.

Hear Technologies Hear Back Personal Monitor Mixer System

A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. If that’s not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

Yamaha NS10M Monitors

Yamaha NS10M Monitors

The legendary NS-10Ms are a centrepiece of any studio. With their prominent mid range and incredibly focused sound, these are the staple monitors for any engineer working in a new room.

DBX 160 Compressor/Limiter

Elysia Xpressor Compressor

There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.

SSL G-384 Stereo Compressor

Equalisation & Mic Pre's

Burl B1 Mic Preamp (x2)

Burl B1 Mic Preamp

API 3124+ 4 Channel Mic Preamp

API 3124+ 4 Channel Mic Preamp

The API 3124+ is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary API output transformer found in the 512c single mic pre and throughout the API product line. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.

Summit Audio EQP-200 Dual Tube EQ

Summit Audio EQP-200 Dual Tube EQ

API 550 Discrete 3 Band EQ

API 550 Discrete 3 Band EQ

Cartec EQP-1A Tube Program Equalizer

Cartec EQP-1A Tube Program Equalizer

Focusrite ISA 110 Mic Preamp/EQ (x6) (check for availability)

Focusrite ISA 110 Mic Preamp/EQ

Tube-Tech MEC 1A Recording Channel Strip

Tube-Tech MEC 1A Recording Channel Strip

This all tube recording channel features an EQ 1A active EQ and CL 2A compressor.

Reverberation / Delays / Processors

EMT 140 Stereo Plate Reverb

EMT 140 Stereo Plate Reverb

Lexicon 480L Digital Effects System

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Roland RE-501 Chorus Echo

Roland RE-501 Chorus Echo

The Roland RE-501 was the last tape effect that Roland produced as the introduction of digital delay and reverb was quickly replacing the older style tape effects. The RE-501 was built using Roland's free running tape system that minimized wow and flutter and extended the life of the tape for more than 300 hours of use.

Microphones

AKG D 12

AKG D 12

AKG's classic mic. It brings the full solid thud sound which was very popular with drummers in the 50's.

AKG C 28 Valve

AKG C 28 Valve

AKG's classic C 28 valve microphone has all of the vintage warm sound you'll ever need. They sound especially great in a pair as overheads.

AKG C 414 EB (x3)

AKG C 414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG C 451 E

AKG C 451 E

The AKG C-451 E is a newly developed Condenser Microphone System using audio frequency circuitry with Field Effect Tran­sisters. Low noise level, extremely high reliability and life-long sta­bility are inherent features of the C-451 E.

AKG D 112

AKG D 112

AKG D 140

AKG D 140

AKG D 190 (x3)

AKG D 190

AKG D 202 (x2)

AKG D 202

AKG D 224 (x4)

AKG D 224

Beyerdynamic M 201

Beyerdynamic M 201

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.Useful for snare drum, freak high-SPL situations where you still need good midrange clarity. If the SM57 were a microphone, it would sound like this.

Coles 4038 (x2)

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential. The 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.

DPA 4011 (x2)

DPA 4011

Electrovoice RE 20

Electrovoice RE 20

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

Lomo 19A19 Tube

Lomo 19A19 Tube

The LOMO 19A19 tube mic system is a fabulous sounding recording device for capturing the true essence of a voice performer or the "wide performance" of an orchestra. Built by Russia's finest-- known for their cultural interests in music and the high calibre of classically trained composers and musicians world renowned-- the LOMO 19A19 has attributes very much akin to the famed Telefunken | Neumann U47.

Milab LC-25

Milab LC-25

Neumann KM 84 (x2)

Neumann KM 84

Neumann U 47 FET

Neumann U 47 FET

he U 47 fet is an essential contributor to the 1960s and 1970s. As a secret weapon for recording producers eager to experiment, it was not only a top microphone for soloists, but also decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87 (x2)

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Reslo RBH Ribbon

Reslo RBH Ribbon

Sennheiser MD 421 (x3)

Sennheiser MD 421

Shure SM57 (x5)

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58 (x2)

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

TC Helicon Voice Tone Synth

Shared between both studios - if essential call ahead to book

Little Labs Red Eye DI/Re-amper

Technics SL-1210 MK2 Turntable

Technics SL-1210 MK2 Turntable

Software

Apple OS X 10.8 (Mountain Lion)

Apple OS X 10.8 (Mountain Lion)

Apple Logic Pro X

Apple Logic Pro X

Jump-start your ideas any way you want. Begin with drums. Explore samples and loops. Add virtually any software instrument to your arrangement. And with 64-bit architecture, you’ll have the power you need to handle projects of any size.