September 2005

Special issue

ISSN 1480-6401

INTRODUCTION
Movism, the art of the fourth dimension
by
CTT
CONTENTS
1. The present represented in five different lines.
2. The journey of a speck of dust throughout time.
3. Symbols struggle to go out of their natural space, which they achieve sometimes.
4. The reluctance of shapes to be modified by time with a spectacular example of
the output.
5. The series of concepts followed each other in harmony.
6. Brief vision of a basic square shape.
7. The square shapes are surrounded by circular ones. Here, the "triple impression"
appears more intuitively.
8. The fragility of the fourth dimension.
9. The fourth dimension is an urban space.
10. The movement is shown as uneven, random and balanced.
11. Input and output of the light which generates shadows in its movement.
12. The balance from different points of view.
13. Semicircular reception of movement.
14. The fragility of the different strata and the immediate return.
15. The transmission of movement and magnetism between the symbols.
16. The reception of movement is transmitted in an electrical way.
17. Past and future struggle to be separated in order to create the present, which
is merely the continuity.
POST SCRIPTUM
18. The resistances, the obstacles are the determining factors to generate movement.

Artist Statement

We are in a society that says is nothing new to create, that everything is
invented. This must change, we must believe in ourselves and beleive in the
others. Therefore, we should look for something new, something that
stimulates everybody, an expert or not. It is necessary to think that our
time is as transcendental as others.
Movism is, in essence, movement. It is the search of the immaterial forces
that present in each scope of reality that can be made to represent in a
plastic work. The spectator will find in a work, that Movism is a treaty of
the perfection, the taste of the harmony, the magnetism between the shapes,
the life that is electrified in each curve and that is blocked in the
straight lines, it is the culmination of the movement that looks for life
insatiably.
Movism goes in that direction and takes like reference the time. The time is,
at the same time, the most important value of our time and the cause of our
problems. These are, probably, the two faces of the same subject. Maybe, we
fight between us, but in fact it is a manifestation of our obsession about
the time. The rules mark terms, the life demands a term.
Movism is a representation of the fight, a personal way to contribute
something to the art, a represented restlessness, a spirit reflected in
curved and straight lines. We must study the problem to find a solution.
Carlos Tello. Artist

1. The present represented in five different lines.

2. The journey of a speck of dust throughout time.

3. Symbols struggle to go out of their natural space,
which they achieve sometimes.

4. The reluctance of shapes to be modified by time with
a spectacular example of the output.

5. The series of concepts followed each other in harmony.

6. Brief vision of a basic square shape.

7. The square shapes are surrounded by circular ones.
Here, the "triple impression" appears more intuitively.

8. The fragility of the fourth dimension.

9. The fourth dimension is an urban space.

10. The movement is shown as uneven, random and balanced.

11. Input and output of the light which generates shadows
in its movement.

12. The balance from different points of view.

13. Semicircular reception of movement.

14. The fragility of the different strata and the immediate
return.

15. The transmission of movement and magnetism between the
symbols.

16. The reception of movement is transmitted in an electrical
way.

17. Past and future struggle to be separated in order to
create the present, which is merely the continuity.

18. The resistances, the obstacles are the determining
factors to generate movement.

All poems copyrighted by their respective authors. Any reproduction of
these poems, without the express written permission of the authors, is
prohibited.
YGDRASIL: A Journal of the Poetic Arts - Copyright (c) 1993 - 2005 by
Klaus J. Gerken.
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