So this matchup didn't have the lustre it appeared to have when the schedulers initially made it the Sunday Night Football game.

Which is why it got switched back to a 1pm kickoff.

As a mediocre game on paper, it was actually a riveting contest on the field. (No, smartpants, they didn't imitate Rosie the Riveter in football pads, the game was actually kind of compelling).

Seattle played well for the first three quarters, They ran the ball at will, converted third downs into first downs, and led the Super Bowl runners-up 21-13 heading into the fourth quarter.

Much of Seattle's offensive success was due to a superb game by former Patriot receiver Deion Branch, who scored two touchdowns. Maybe it's luck, but after spending the past four weeks watching plays go away from me, all of Seattle's touchdowns ended up in my lap.

Branch scored the first touchdown on a little out route in the first quarter, then ran straight towards me in celebration before stopping to bow not once, but twice. The frame I like best didn't have him bowing. To my way of thinking, when one's record is 2-11, one shouldn't actually be accepting applause for a first quarter touchdown.

(Nikon D3, 24-70mm/f2.8 lens @ 44mm, ISO 1600, 1/1250th sec.,f2.8)

In the second half, Branch set up his second touchdown with a weaving and wandering 63-yard catch and run that ended up with his celebrating with quarterback Seneca Wallace.

New England challenged the call, which was ruled as called on the field, and Branch let out a wide smile as he returned to the huddle.

(Nikon D3, VR 600mm/f4.0 lens, ISO 2000, 1/1250th sec.,f4.0)

Branch scored on the same drive after catching a little four-yard pass in the back of the end zone. As he got up in front of me, I realized his field suite (where his family watches him play) was right behind me. He rushed by me towards them, and I was lucky to have a wide-angled lens ready.

(Nikon D3, 24-70mm/f2.8 lens @ 24mm, ISO 1600, 1/800th sec.,f2.8)

Seattle's fine rookie tight end John Carlson had another good game, hauling in a team-high eight catches including this touchdown in the second quarter after he got past New England linebacker Junior Seau.

Meanwhile, Seattle's defense followed its same routine of starting fast and ending slowly. They brought pressure on Cassel early, but then began to fade near halftime. New England tight end Benjamin Watson got behind Seattle linebacker Leroy Hill for a touchdown catch making the score 14-10 in favor of Seattle.

(Nikon D3, VR 600mm/f4.0 lens, ISO 1600, 1/800th sec.,f4.0)

New England clawed its way back throughout the second half, finally taking a 24-21 lead in the final minutes.

Seattle, needing a field goal to send the game into overtime, got a good kickoff return and a nice Seneca Wallace run to get to the New England 43-yard line. They needed maybe 10-15 more yards to get into field goal range. Instead, what happened was a variation on the last minute turnovers of the past few games.

Wallace, dropping back to pass, was smothered by New England's Brandon Meriweather who came through untouched on a blitz, forcing a fumble that was recovered by the Patriots and sealing their victory.

(Nikon D3, VR 600mm/f4.0 lens, ISO 2400, 1/800th sec.,f4.0)

Here's the cropped version we ran in the paper:

(Nikon D3, VR 600mm/f4.0 lens, ISO 2400, 1/800th sec.,f4.0)

After the game, I tried to get Seneca Wallace and Mike Holmgren in the same frame.

(Nikon D3, 24-70mm/f2.8 lens @ 48mm, ISO 1600, 1/500th sec.,f2.8)

As after every game, Holmgren is greeted by his daughter Gretchen after the loss to New England.

(Nikon D3, 24-70mm/f2.8 lens @ 24mm, ISO 1600, 1/500th sec.,f2.8)

Wandering into the scrum that is the coaches meeting at midfield is always a dicey proposition, especially if you're not tall (hint...I am not tall). There are some rules of engagement that pretty much everyone follows, though. Some pushing is allowed, as are "hail mary" shots where you hold the camera straight over your head. Everyone is cognizant that there are others in the scrum too, and while you are trying to get your shot, you are aware that there are others trying to shoot as well.

That is why holding your camera out to one side in front of the lenses of other shooters is poor form. An Associated Press photographer decided to be selfish, and put a camera out in front of me. As you can tell from the frame below, she didn't have to do it. With the camera in front of her own face, she had a fine frame. Holding out two feet to her right didn't help her, it only hindered me.

(Nikon D3, 24-70mm/f2.8 lens @ 24mm, ISO 1600, 1/500th sec.,f2.8)

Like any subculture, there are accepted mores and other actions that are inconsiderate. File this under the latter. This photo is featured in my current gallery over at Sportsshooter.com, and I've received emails from around the country agreeing with my assessment. And yes, I did get a very usable frame besides this one, but this is the most fun one to show. Or, it's at least a new ad for Canon.

Last thing I do each game is head over to Mike Holmgren's press conference. Sometimes I shoot pictures, most times I listen so I know what angles were important to the game and so I can edit accordingly.

This time, I was thinking about the strain on Holmgren. It's his last year coaching the Seahawks, and the strain has to be getting to him. Shooting with an abnormally long 600mm lens (at least for a press conference, I was able to capture the stress of the situation.