What Group f/64 would have to say

Worrying about whether Group f/64 would take away my card for some of my fuzzy pictures got me to thinking about how their manifesto fits in with what I do.

Also I started to think that the group might have embraced digital. This is asinine you say? But hear me out - digital isn't the main point.

They wanted photography to stand on its own, as photographs being all they can be. Not trying to be painting or drawing. So they rejected the pictorialists (who wanted to emulate other forms of art).

Great so far, and this is something I can subscribe to.

Now we have digital trying to be like photography. Here is where I would say the digital photographers should craft a manifesto of their own. Their work should stand on its own, taking best advantage of what the technology offers.

The new group should reject the work of photographers who, in an echo of the pictorialists before, try to make digital prints that "look like" Platinum, Toned Silver Gelatin or other analog photographic media.

The new group should strive to be all that digital photography can be, standing on its own, without trying to look like traditional photography. They should be breaking new ground.

Now I turn to my own work. I try to make black and white prints that look as good as I can make them with the tools I have chosen, and what I have at hand. I'm not going to go out and buy a Red Dot Artar believing it will make me better fit the original manifesto. And this had me worried, that by accepting less than perfection, I may be somehow missing the point.

Now I believe by doing my best, I am actually in-tune with Group f/64, except for the fuzzy stuff.

Maybe the new group could call themselves Group 64G, and strive to make the highest quality HDR images that they can. Digital photographers should do the best they can to get the most they can of the new media. And they don't have to reject the analog photographers. We didn't reject the painters. But they could reject the cell-phone gang.

I think that the system of art movements today is broken. I haven't really heard of any movements. Nor I have I heard of any groups writing manifestos. It seems that those things are of a bygone era. Not sure why.

However, you statement is valid. It would be nice of digital photographers to stop trying to make they images look like analog. Though this is happening. Extreme HDR, as much as I dislike it, is digital and does not attempt to look like film.

Bachelor of Fine Arts and Bachelor of Arts: Journalism - University of Arkansas 2014

They'd have to get rid of photoshop since it's right chock-a-block fulla analog things, like curves, masks, layers, guides, dodge/burn, separations, tints. Instagram would have to go because of vulgar emulation of analog errors. I don't think digital is like photography; it is photography.

I'd wager that pictorialism's ties to the old art were not photography/image related, but rather more so subject/theme related. It had more than it's fair share of hokey and cliche classical/traditional themes while making stunning fresh images.

The new group should strive to be all that digital photography can be, standing on its own, without trying to look like traditional photography. They should be breaking new ground.

Bill, you raised a lot of good points. It will take me a while to think through all of them. With this one, I couldn't agree more. I feel that the need to apply grain to perfect, digital photos, or the trend for adding fake film, or handcoated paper borders, simulation of classic lens aberrations (having just corrected for the new ones) just for the sake of looking antique, polaroid-like framing, toy-shop over-saturation, or even a heavy hand with the all-present vignette—they are all distractions on the way to finding a new expression, that I am sure digital can offer. Those techniques can work in digital, and have a purpose, but I rarely see either.

Most of the time, I feel that those analogue metaphors serve just the purpose of making digital feel more acceptable, warmer to the soul that respects that to err is human. I am concerned, that unadulterated digital might be too cold, and rather brutal with its truth, and for most people, that may be hard to accept. The best of the newest genre, that I see, is very good, but not likable. If film were like that, I am sure we would have tried to soften it more often, but perhaps we just got lucky.

Why in the world would an artist of any stripe, who is simply trying to express an idea, artificially limit their options?

Well for f64 they wanted to differentiate themselves, and IMO it they started a marketing program, and a very successful one at that. That's not an insult. The movement helped photography in general and it helped democratize the craft.

Digital doesn't need that to succeed.

Mark Barendt, Beaverton, OR

"We do not see things the way they are. We see things the way we are." Anaïs Nin

I always thought both traditional and digital would have been better served if the word "photography" was reserved for film and something else, like the original "imaging" was used for digital. That's not saying one or the other is better, but it is to acknowledge that they are inherently different art forms. They are alike in that an image is formed by a lens on a surface, but from the type of surface on to how the image is viewed or printed if it's printed, they differ. Sure, they can be combined, like enlarged digital negatives (made from analog or digital originals) for traditional contact speed printing processes, or scanning of film for inkjet output or monitor viewing. But the fact that two different things can be combined does not change the fact that they are different.

What Group f/64 would have to say

Originally Posted by Darkroom317

I think that the system of art movements today is broken. I haven't really heard of any movements. Nor I have I heard of any groups writing manifestos. It seems that those things are of a bygone era. Not sure why.

However, you statement is valid. It would be nice of digital photographers to stop trying to make they images look like analog. Though this is happening. Extreme HDR, as much as I dislike it, is digital and does not attempt to look like film.

I think, perhaps the lack of art movements is a symptom of today's society in general. We have come to the era where acceptable is good enough.

We want one of everything, rather than one wonderful thing.

When I was a child, we joined clubs. My children got together with friends to play video games. My grand children play in isolation via the Internet.

Rather than form groups to perfect something, the vast majority googles or utubes a short instruction and settles for "good enough".

I find beautiful monotone B&W work to strike a chord within my soul. My niece finds anything in B&W boring. Light, tone, and texture are nothing to her without vibrant color.

i know what you are saying. digital photographers should exploit and use the digital medium to the fullest.
i think a lot of them are because digital work is often times merged with illustration seamlessly creating beautiful results.
like with masterful photographs, there is a huge learning curve and some are just happy just
wandering down the road with the rest. as for me, i am sure they the f64 people would have rejected me a while ago, at least my personal work,
its funny, i don't even have a lens that has a f64 aperture ...

I would also say that photography has not be as prone to having movements. I can really only think of the Pictorialists and Group f/64. Surrealist photographers and Dada photographers were part of a larger artistic movements that stretched across all media.

Bachelor of Fine Arts and Bachelor of Arts: Journalism - University of Arkansas 2014

I use both form of technology. Film and Digital. I really don't see them to be much different from each other. I am a photographer, not a film photographer or a digital photographer. My goal is to put down my thoughts onto a paper by whatever means using photographic equipment and techniques.

As I go to museums, galleries, etc, no one makes really big distinctions between images made via film or digital. It's perhaps just us, who's making it far more difficult and distinct than they really need to be. A great photograph, a great art, is just that, in my opinion.