Pappy + Harriet's Presents

Nikki Lane

Joshua Hedley, Charlie Overbey

Sat, April 28, 2018

Doors: 7:00 pm / Show: 8:00 pm

Pappy & Harriet's

$20.00

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This event is all ages

Sold Out. Thank you!

Tickets are Non Refundable / Standing Room Only / General Admission.

Indoor Show

A ticket to this show does not guarantee a seat. This is a non-seated show. Which means, there will not be chairs on the Dance Floor, just the tables for dinner only. Sometimes we move all the tables out if it is a well sold show.

~Nikki Lane’s critically acclaimed third album, Highway Queen, is out now via New West Records and available digitally, on compact disc, LP, and cassette HERE. Entertainment Weekly premiered a new, “heartwarming” video for the album’s second radio single “Send The Sun” HERE. Highlighted by Vice’s music site Noisey prior to the album’s release in an in-depth feature exclaiming, “[Highway Queen] is her best yet,” “Send The Sun” emerged as a standout track that MTV News praises as “a waltzing love song that could be Lane’s best shot at a mainstream country crossover hit, if that’s even what she wants.” Lane performed an acoustic rendition of the song earlier this year for CBS This Morning Saturday from country legend Loretta Lynn’s historic home in Hurricane Mills, which can be seen HERE. Lane also joined Lynn for a special duet of her own 1966 hit song “Don't Come Home a Drinkin’ (With Lovin’ On Your Mind).” Lane will host High Class Hillbilly presents Where Is The Hideout? tomorrow night in Nashville at American Legion, and she will also perform at Pilgrimage Festival next Saturday, September 23, along with Justin Timberlake, Eddie Vedder, Ryan Adams and more. This Fall, Lane will embark on an extensive U.S. tour with labelmate JD McPherson, followed by a Stagecoach Spotlight tour with Lukas Nelson & Promise of the Real. Please see below for full tour details.

Lane celebrated the release of Highway Queen with a debut performance on Conan of the album’s first single “Jackpot.” Billboard previously premiered the music video for “Jackpot,” which Rolling Stone included in their “Our Favorite Songs Right Now” roundup calling it “a trip to Vegas you won't forget.” Watch the video HERE. Entertainment Weekly also featured an exclusive, full stream of the “boisterous" and "raucous" album; and American Songwriter reviewed, “Highway Queen is her best yet, and should cement her status as the rightful heir to icons like Wanda Jackson and Loretta Lynn.” UNCUT gave the album 8 out of 10 stars, adding, "Clearly not short on confidence, the self-styled 'First Lady Of Outlaw Country' belongs to the same forcible bunch of dissidents as the similarly brash Lydia Loveless or Caitlin Rose, though she also exudes a Southern smokiness that aligns her to Lucinda Williams or vintage Wanda Jackson. She is, in fact, as much bluesy rock'n'roll as she is country..." Rolling Stone Country originally announced the release of Highway Queen by revealing the music video for the title track, which can be seen HERE, commenting, "[Lane's] breed of country is as futuristic as it is Seventies outlaw, probably because she's more intent on invention than emulation."

Following Lane’s Walk of Shame debut and 2014’s Dan Auerbach-produced All or Nothin’, Highway Queen was co-produced by Lane and fellow singer-songwriter Jonathan Tyler and features The Texas Gentlemen as Lane’s band. A Greenville, South Carolina native, Lane is also a fashion entrepreneur as the owner of the popular vintage clothing boutique High Class Hillbilly. She has lived - and been heartbroken in - Los Angeles, New York and Nashville, so it’s no surprise that her music seamlessly crosses musical genres with lyrics steeped in the doomed perseverance only a true dark horse romantic knows. Like a true wanderer, her sound crisscrosses musical genres with ease, while the lonesome romantic in her remains. “Love is the most unavoidable thing in the world,” Lane says. “The person you pick could be half set-up to destroy your life with their own habits -- I’ve certainly experienced that before and taken way too long to get out of that mistake.”

With the release of his highly anticipated debut album Mr. Jukebox via Third Man Records, Joshua Hedley will embrace the role he was born to play: this generation’s classic country champion.

An accomplished fiddle player, Hedley felt inexplicably drawn toward the instrument as a child. He got his hands on his own fiddle at age 8, and by 12, he was playing with middle-aged pickers at the VFW. At 19, he moved from his native Florida to Nashville, where he became an in-demand sideman at Robert’s Western World and other bars, and ultimately, a well-respected frontman. Armed with an easy croon and prodigious fiddle playing, he became known as the Mayor of Lower Broad. He hit the road to perform with artists including Jonny Fritz, Justin Townes Earle, and more, while the 2015 documentary Heartworn Highways Revisited featured Hedley prominently.

Hedley didn’t start writing his own songs until he was about 28 years-old. So on the backend of his 20s, he finally started writing, eventually unlocking a flood of clarity and creativity. The heartbreaking, distilled, defiantly classic country that poured out of him became Mr. Jukebox, a salve and beacon for 60s honky-tonk devotees everywhere.

Album opener “Counting All My Tears” carves out the collection’s gloriously tear-jerking territory from the jump. As “oooooohhhs” and “aaaaahhhs” serve as spine-tingling harmonies––a classic-country flourish carried throughout Mr. Jukebox––lonely piano is joined by a familiar cast including steel and of course, fiddle. “Mr. Jukebox” is a swinging nod to those beloved machines––both inanimate and breathing––that dependably play a lot of songs for a little money. It’s impossible to listen to the tune and not smile thinking of Hedley’s years logged in cover bands on Nashville’s Lower Broad. Lush strings kick off the sauntering “Weird Thought Thinker,” which features harmonies that evoke both bass walkdowns and angels. An ace fiddle intro opens “Let Them Talk,” a carefree ode to being in love and not worrying about who knows it. “Let’s Take a Vacation” pleads for one last lovers’ getaway to try to remember what’s been lost. Hedley delivers a masterful recitation over crying steel, soft harmonies, and rich supporting strings. He penned shuffling “These Walls” about FooBar, a beloved East Nashville dive Hedley lived near before it shut down.

“This Time” paints a vivid picture of leaving that’s both proud and blue. Simple and brilliant, “I Never Shed a Tear” sounds like a standard, but just like all but one track on Mr. Jukebox, it’s a Hedley original. “You’re trying to say as much as you can in as few words as possible,” he says. “Trying to convey an emotion to make people feel their own emotions.” Hedley’s ability to capture feelings is on spellbinding display in album standout “Don’t Waste Your Tears,” a soaring, gut-punching vocal performance. The final track is the only cover: a goosebumps-inducing version of “When You Wish Upon a Star.” Hedley picked the song to honor his dad, who passed away about three years ago without seeing the record deal, glowing press, and peer admiration Hedley’s earned. “We spent a lot of Christmases at Disney World,” he says. “When I was searching for a cover song, it dawned on me that my dad didn’t get to see any of this happen, but he always wanted it.”

When asked what he hopes listeners get out of Mr. Jukebox, Hedley doesn’t hesitate. “I just want people to remember they have feelings, and that they’re valid,” he says. “Not everything is Coors Light and tailgates. There are other aspects of life that aren’t so great that people experience. They’re part of life, part of what shapes people. And that’s worth noting.”

Charlie Overbey may be a lifelong Californian, but his songs are steeped in the timeless traditions of the American South. After years of touring the world supporting acts ranging from David Allan Coe and Blackberry Smoke to Social Distortion and Motorhead, Overbey slowly amassed a collection of introspective original songs that transcend the endless rock & roll party, taking a stark, undeniably honest look at some of life’s most gritty moments. The result is Charlie Overbey’'s new LP, Broken Arrow.

A triumphant collection of road-hardened alt-country tunes born of Overbey’s upbringing in what he calls “the school and church of Johnny Cash,” Broken Arrow features guest appearances from The Mastersons (who also play in Steve Earle's band The Dukes), Miranda Lee Richards (who sings on duet single “Slip Away”) and Eddie Spaghetti of the Supersuckers, and was produced by Ted Hutt who recently won a Grammy for his work with Old Crow Medicine Show, and has helmed multiple albums by Lucero, The Gaslight Anthem, Dropkick Murphys and many more.

“I’ve never worked with anybody like Ted,” Overbey says, reflecting on the sessions. “This is the first time I’ve ever let go and trusted somebody else as a partner in my songs. He really pulled some stuff out of me that I had not planned on delivering. Honestly, these songs can be hard for me to sing—they come from a deep, real and sometimes dark place.”

Self-aware and introspective without relying on played-out tropes of love and loss, Overbey’s songwriting is genuine, fearless and visceral. Authentic, reverb-drenched ‘70s-channeling album opener “Slip Away” gets right at the heart of life’s darkness, chronicling the heart-wrenching suicide of a young girl. Accompanied by wailing pedal steel and the haunting harmonies of Miranda Lee Richards, the song sets a tone of somber acceptance in the face of mortality.

“The Ballad of Eddie Spaghetti”—featuring a guest appearance from its namesake—also addresses mortality, though from a different perspective, confronting Spaghetti’s recent struggles with cancer. While the refrain, “If I die at 47, if I die before my time / Will they drag me up to heaven or deliver me to Hell in my prime” might read as a last will & testament, the soaring vocals and upbeat tempo elevate it to an awe-inspiring, fist-pumping battle cry. As Overbey sees it, “You gotta step up and kick life’s ass sometimes.”

Born and raised in Los Angeles, Overbey was exposed to country music early and often. It wasn’t something he sought out on his own—his father owned a 1947 Gibson J-45 acoustic guitar, and almost every time it was played, out spilled a Johnny Cash song. Overbey recalls these times fondly and admits they shaped his musical growth, though it took years of punk-rock rebellion before he’d come to appreciate the genre’s influence on him. “When you’re raised, and it’s all around you,” he says, “it’s the last thing you want to be a part of.”

Overbey’s first success in the music industry came when his cowpunk outfit Custom Made Scare landed a deal with Side One Dummy Records in 1998. But before the band’s debut album dropped, Overbey went on the run from the law for months, finally turning himself in and spending a year in prison. The very same week he was released, the band hit the road immediately, and toured heavily into the new millennium alongside seminal punk acts such as Suicidal Tendencies, Social Distortion, Agent Orange, Zeke and REO Speedealer.

A side project of Overbey’s called Charlie & The Valentine Killers also toured in the late 2000s with David Allan Coe and Lemmy's side outfit The Headcat. “It was still days of angst,” Overbey says, but the country-leaning project’s sound served as an important precursor to his current solo work backed by the Broken Arrows.

Looking ahead to the March 2018 release of Broken Arrow, Overbey is gearing up to hit the road with a vengeance for the first time in years. He and the band are already working on songs for a follow-up record that will draw from the same rich vein as Broken Arrow. Overbey isn’t one for idle hands—when he isn’t playing or writing, Charlie has become a well-known name in the fashion world with his one-of-a-kind, hand-shaped Lone Hawk Hats, for devotees in the Americana scene, including the camps of Blackberry Smoke, Miranda Lambert, Lucero, the Foo Fighters, Dwight Yoakam, Cage The Elephant, Kaleo, and Miley Cyrus. Lone Hawk Hats were even the focus point in a recent Stella McCartney campaign.

It’s a craft Overbey taught himself by trial and error, ultimately carrying with it the same authenticity and attention to detail you’ll find in his songwriting. They are available at several high-end locations, including he and his lady's brick-and-mortar shop Honeywood Vintage / Lone Hawk Hats on ultra hip York Blvd in Highland Park, Los Angeles.

As the album title suggests, an existential darkness permeates Broken Arrow. It is the work of a road-savvy rock & roll veteran who sees the world as it is, fully grasping the jagged pain of life. But this darkness isn’t a dead end—Overbey’s songs are shot through with enough hard-fought resilience, determination and optimism to remind listeners the only way out is forward, and that the wild ride of life is a mysterious and beautiful gift.