Two years ago the MPAA and RIAA teamed up with five major Internet providers to put together a voluntary (for ISPs, not their customers) "six strikes" anti-piracy plan. The interested parties founded the Center for Copyright Information (CCI), incorporated as a non-profit company in Delaware. While the goals of the CCI have been pretty transparent, its finances have been mostly shrouded in secret. At the time of its founding, ISPs joining the scheme and copyright owners agreed to evenly share the cost of the organization and the scheme.

The Center for Copyright Information, an organization that was created to oversee a new anti-piracy regime negotiated by content providers and internet service providers last summer, has begun to take shape and some of its key leaders are surprising. The organization announced on Monday that the names of its executive director and several members of its advisory board. At face value, the choices to serve as the architects of the "Copyright Alert" system could strike a balance between the interests of rights holders and the rights of users.

As a court case in the District of Columbia court against 14,000 "john doe" defendants filed by the US Copyright Group over file sharing movies continues, increasingly defendants and ISPs are saying that the court has no jurisdiction over them.

One John Doe defendant in the D.C. case sent a letter to the court saying that he has never traded files, nor lived, used an ISP, or worked in the D.C area and that adding him as a defendant is improper because he has nothing in common with the "co-defendants." Here's what he wrote to the court:

The Copyright Alliance has penned a letter to President Obama and Vice President Biden asking the Administration to “pursue policies of the rights of artists.”

The dispatch has been posted to the group’s website and is presented as a call to action, allowing artists and creators to sign the letter. At the time of this post, over 7,700 copies of the letter had been personalized.

The letter notes the following about those who affixed their signatures:

An appeal at the end of the communication implores Obama and Biden to:

Please pursue policies supportive of the rights of artists and the encouragement of our creative efforts. Without the proper respect for our rights and works today, it will become even more difficult for us to create in the future.

The campaign was drafted in response to The President naming Victoria Espinel as Intellectual Property Enforcement Coordinator, a move the Alliance called “a strong sign,” and one they will be “watching with optimism.” The Alliance intends to deliver the letter this fall.

Influential Sen. Orrin Hatch (R-UT) referred to a Swedish court's recent conviction of the operators of file-sharing site The Pirate Bay as "important" and a "victory." He also reiterated Congressional claims that Canada is a leading copyright violator and pointed with pride to the controversial Digital Millenium Copyright Act, which he helped pass more than a decade ago.

Hatch, who has served in the Senate for 32 years, made the remarks while addressing the World Copyright Summit on Tuesday in Washington, D.C. The Utah Senator co-chairs the Congressional International Anti-Piracy Caucus (IAPC):

For years, countries like China and Russia have been viewed as providing the least hospitable environments for the protection of intellectual property. But this year, it was particularly disappointing to see that Canada, one of America’s closest trading partners, was listed on the Watch List. This is another sobering reminder of how pervasive and how close to our borders copyright piracy has become in the global IP community...

Appallingly, many believe that if they find it on the Internet then it must be free. I have heard some estimates cite no less than 80 percent of all Internet traffic comprises copyright-infringing files on peer-to-peer networks.

That is why the Pirate Bay case is so important. While the decision does not solve the problem of piracy and unauthorized file sharing, it certainly is a legal victory and one that sends a strong message that such behavior will not be tolerated. We can and must do more...

When we passed the Digital Millennium Copyright Act in 1998, one of my goals was to address the problems caused when copyrighted works are disseminated through the Internet and other electronic transmissions without the authority of the copyright owner.

By establishing clear rules of the road, the Digital Millennium Copyright Act served as the catalyst that has allowed electronic commerce to flourish. I believe the DMCA, while not perfect, has nonetheless played a key role in moving our nation’s copyright law into the digital age...

Orrin Hatch (R-UT) once again was charming, informed, thoughtful and inspiring in his speech. Once again he was a passionate supporter of creators and copyright owners, and told the 500 or so international delegates here that he has been, and always would be, their champion...

Hatch, who last won re-election to the Senate in 2006, has been a regular recipient of campaign donations from the IP industry. A quick check of donations by political action committees shows that Hatch received $7,000 from the RIAA (music industry) between 2004-2006 and $12,640 from the MPAA (movie business) between 1998-2006.

A couple of weeks back GamePolitics reported that the Copyright Alliance had developed a K-12 curriculum designed to drill the IP lobbying group's message into school children.

By contrast, the more consumer-friendly Electronic Frontier Foundation has launched Teaching Copyright, a curriculum of its own. As one might expect, the EFF takes a much different approach than the Copyright Alliance.

While I'm not sure that either side in the copyright debate should be permitted to chew up precious educational time, the EFF points out that California law requires such curriculum:

In 2006, California passed a law requiring schools that accept technology funding to educate students about copyright, plagiarism, and the basics of Internet safety. Other states have since considered similar laws...

When we surveyed existing digital education resources related to copyright, we were dismayed to find that... the materials focused on drilling students on the prohibitions of copyright... we could not stand by and let this educational opportunity become an excuse to scare young people away from making full and fair use of the digital technologies that will continue to affect virtually every aspect of their lives.

The EFF's curriculum includes:

What is legal online?

How is creativity being enabled by new technologies?

What digital rights and responsibilities exist already, and what roles do we play as users of digital technology?

However, Nate Anderson of Ars Technica expressed some concerns about the EFF's educational prorgam:

The EFF's curriculum rightly says that P2P isn't just for copyright infringement... But the material glosses quickly over the absolutely epic levels of infringement taking place on P2P networks...

The [EFF] curriculum seems to presuppose, in fact, that students have already been bombarded with rightsholder concerns to the point that these can almost be left out of the discussion.

Its mission as of now is K-12 schools, and... we are already working with many schools across the country... The focus of our curricula is student empowerment; communicating how the U.S. Constitution gives each and every one of us rights and ownership over our creations.

Taking classroom time away from the 3R's is not a new idea for those in the IP protection business, however. As GamePoliticsreported in 2007, the ESA's top enforcement exec, Ric Hirsch, told attendees at an anti-piracy conference:

In the 15- to 24-year-old (range), reaching that demographic with morality-based messages is an impossible proposition... which is why we have really focused our efforts on elementary school children. At those ages, children are open to receiving messages, guidelines, rules of the road, if you will, with respect to intellectual property.

If comments by the head of the Copyright Alliance are any indication of things to come, it's going to be difficult, indeed, for video game consumers to have an intelligent and productive dialogue on IP issues with the video game industry. The ESA, which represents U.S. video game publishers, is a member of the copyright lobbying group.

A portion of a recent blog entry by Copyright Alliance executive director Patrick Ross seeks to marginalize those who would question or criticize the current state of IP law. Ross displays a discouraging mentality reminiscent of the Bush administration's efforts to paint Iraq War critics as soft on national defense.

Copyright truly is a consensus issue, with people and policymakers of all stripes recognizing its value. A few vocal blogs and a few sympathetic media outlets tend to create this notion of a war between creative industries and, well, I suppose consumers, but such a war doesn’t really exist.

The Copyright Alliance head implies that if one does not get behind IP protection as the content industry sees it, then one is either on the fringe, supportive of piracy, or both. In other words, If you're not with us, you're against us.

That's nonsense.

Honest people don't support piracy. But neither do honest people wish - or deserve - to live in an IP police state where tech-challenged elected officials accept IP industry campaign donations and proceed to pass laws that are heavily, if not completely, slanted toward big business.

Infophile: @Matt: Apparently Dan Aykroyd actually is involved. We don't know how yet, though, but he's apparently going to be in the movie in some way.08/02/2015 - 4:17am

Mattsworkname: I still hold that not having the origonal cast invovled in any way hurts this movie, and unless the 4 actresses in the lead roles can some how measure up to the comic timing of the origonal cast, i just don't see it being a success08/02/2015 - 12:46am

Mattsworkname: Mecha: regardless of what you think of it, GB 2 was a finanical success and for it time did well with audiances ,even if it wasnt as popular as the first08/02/2015 - 12:45am

MechaTama31: I think they're better off trying to do something different, than trying to be exactly the same and having every little difference held up as a shortcoming. Uncanny valley.08/01/2015 - 11:57pm

MechaTama31: Having the original cast didn't do much for... that pink-slimed atrocity which we must never speak of.08/01/2015 - 11:56pm

Mattsworkname: Andrew: If the new ghostbusters bombs, I cant help but feel it'll be cause it removed the origonal cast and changed the formula to much08/01/2015 - 8:31pm

Andrew Eisen: Not the best look but that appears to be a PKE meter hanging from McCarthy's belt.08/01/2015 - 7:34pm

Mattsworkname: You know what game is a lot of fun? rocket league. It' s a soccer game thats actually fun to play cause your A Freaking CAR!08/01/2015 - 7:02pm

Mattsworkname: Nomad colossus did a little video about it, showing the world and what can be explored in it's current form. It's worth a look, and he uses text for commentary as not to break the immerison08/01/2015 - 5:49pm

Mattsworkname: I feel some more mobility would have made it more interesting and I feel that a larger more diverse landscape with better graphiscs would help, but as a concept, it interests me08/01/2015 - 5:48pm

Andrew Eisen: Huh. I guess I'll have to check out a Let's Play to get a sense of the game.08/01/2015 - 5:47pm

Mattsworkname: It did, I found the idea of exploring a world at it's end, exploring the abandoned city of a disappeared alien race and the planets various knooks and crannies intriqued me.08/01/2015 - 5:46pm

Andrew Eisen: Did it appeal to you? If so, what did you find appealing?08/01/2015 - 5:43pm

Mattsworkname: Its an interesting concept, but it's not gonna appeal to everyone thats for sure,08/01/2015 - 5:40pm

Andrew Eisen: That sounds horrifically boring. Doesn't sound like an interesting use of its time dilation premise either. 08/01/2015 - 5:36pm