I carve prints documenting the quiet beauty and analgesic tragedy of the
southwestern, urban landscape. Relief prints and watercolor offer an intimacy
and nuance some may categorize as obscene. At times, it may not be obscene
enough. While mapping the oiled dregs of Texas and red mountains of New Mexico,
I invite the viewer to peer into the silent tableau, where invisible people
may or may not acknowledge their own agency. In the end, there is hope in the
silence and in that very contemplation.
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