The plan was grand. High concept. Great location. Great actor. But as seems to happen a lot these days things went pear shaped the day before.

Arri were kind enough to let me borrow their wonderful camera the Alexa for a weekend and I had lined up a superb project to shoot it on but as I said above, it was not to be. Well I wasn’t going to waste my first time with the camera so I decided to simply shoot a little entry for my own “End of the world” challenge. Low concept, no actors, just me…but a chance to simply get used to the camera as it was my first time hands on with it. I decided to do some indoor lit scenes (lit with practicals and 1 Litepanel 1×1 bi colour) and some high contrast outdoor scenes.

It’s actually a really beautifully easy to camera to use. Incredibly intuitive with one of the simplest and easily accessible camera menus I have ever seen. It was also a chance to use the 3D mic pro that I am trying out from Mitra. It’s an utterly bizarre looking mic that pics up sound 360 around you and when listening through headphones (which I recommend you do with the piece) is is remarkably effective! It’s not cheap though. Around $1600 or so…I have to admit I was expecting very little from the mic. It’s big, funny looking, has horrible 9V battery connectors. But as soon as I heard it on location with the wind and sound around us I was wowed. The sound is incredibly immersive. Very impressed.

The Alexa is a cinema camera. That is what it is designed for and that is what it excels at. It produces 14 stops of latitude which is just exceptional for a video camera. Most cinema camera simply need a team to operate them. Not the Alexa. I shot most of this on my own. All the stuff inside my house was all just me. All the dolly moves here done programmed on the Kessler Crane Oracle controller and the dolly used was the 3ft Cineslider which can take the weight of a DSLR and a fully loaded Alexa and let me tell you…that Alexa is one HEAVY camera!

How do you get camera movement when you are filming yourself and have no operator? Exactly the same as if you were using a DSLR that’s how! Although due to the camera’s weight the Cineslider was the slider needed, coupled with the Oracle controller and it couldn’t have been easier!

I placed the Cineslider on my kitchen table, mounted the Alexa to the caddy, ideally you would use a high hat but I wanted the camera to be as close to the table as possible, so I mounted the camera plate to the caddy. Plugging in the Oracle I simply peformed a real time slider move using the joystick and got the Oracle to remember it by holding down one of the 3 program buttons, then simply performed the move in real time. Once the move was performed. I simply returned the camera to the start position and pressed the program button and off it went, although at the start of the program I did press the top button of the joystick waited for ten seconds then started the move. This gave me enough time to get in position before it started! I did the same thing on the beach in Dungeness.

The Cineslider can take the weight of your smallest camera to the beast that is the Alexa. I don’t use it as often as my own PB dolly but there is no way that could take the Alexa. The Cineslider is the most versatile slider on the market and coupled with the Oracle I was able to give the illusion that the crew was bigger than just me!

I did a little live USTREAM whilst I was doing it which you can see above. Sorry about the ad and the poor quality.

I shot everything at Pro Res HQ using SxS cards, the same ones I use with my F3 and EX3! I also shot it Log C. A superflat looking image a bit like the Cinestyle on the Canons we are using right now but even more extreme. It looks awful when recording but you can monitor on the EVF and monitor in REC 709 which makes it look much nicer. Above is a shot of Log C and a graded version of the shot. Don’t try and shoot with Log C in your viewfinder. It’s horrible but the information you can pull out of it is simply amazing!

Lenses wise I use the Duclos Tokina 11-16mm, 35, 50 and 85mm Cp.2, and a Red 18-50 T3 lens. I also used an ARRI MMB1 matte box, some Tiffen filters including grads and the excellent Lightcraft workshops 4×4 Fader NDS which work a treat. Put A filter in the back, B filter in the rotating tray and it works just like the screw on ones!

Anyway…enjoy the little film. As I say it’s not much. Just me getting used to the camera. ARRI have been kind enough to let me borrow it again. Next time I won’t let my big plans get screwed up!

The challenge was to create a sense of misery and finality through the images and sound design. If I can’t tell a story through my images then I am not doing my job!

This piece shows you just how bloody easy it is to use an Alexa. My first time with it. No crew apart from down on the beach. All self operated and in it! Remote camera moves thanks to the Cineslider. In the shot of me smoking the cigar, I even pulled focus with my spare hand!

For me that camera is my Aston Martin. I shed a tear when I gave it back earlier. One day…

Big thanks to James Miller and Greg Richters who helped me lug the gear around on Dungeness beach!!

Philip should able to answer this question. I can only say we use the best best components in its category to manufacture 3D Mic Pro. Each and every mic is hand assembled at US. Even the 9V battery snap Philip has mentioned in his blog is the very best available in the market We have designed it for the professional field use and we take pride in our workmanship and offer limited lifetime warranty on our microphone. By the way, the 3D Mic Grey Fox windshield is phenomenal in its wind sound reduction capability. Just check how windy the situation was when Philip shot this film.
Here is a second opinion from Vincent Laforet after his initial shooting with 3D Mic Pro:

Hitting the bottle pretty hard ay LOL. Great shots with the Alexa Arri, dark a little too dark but great ! Just wondering what it was all about ? Don’t have any audio on my computer so I watched it without sound so maybe I’m missing a piece.

Philip,
About that microphone. I discovered something called holophonic sound a long time ago, especially this one recording http://www.youtube.com/watch?v=lrVmr72TqyE It seems to demonstrate the true capabilities of a microphone of that specific design you mentioned above. It’s incredibly immersive, and MUST be listened to with headphones

3D Mic Pro utilizes psychoacoustics in its patent pending design. You can listen to 3D Mic Pro recording through stereo or 5.1/7.1 surround sound speakers and it will still sound great. Like any audio setup, speaker placement plays a big role in immersive experience. For best 3D sound experience use a pair of headphones as it works like the 3D glasses which you need to wear to watch 3D movie. Like 3D glasses, the headphone eliminates the channel crosstalk.

beautiful images–loved slider shot of you walking away towards the boat, and the sound design really gave it an empty and helpless feeling atmosphere.. the rattling of the beach rocks was pretty eerie. I was worried about the fish! haha not sure if the nerve twitching makes me feel better though..
looks like that flat raw image leaves you with a lot of detail!

Just utterly beautiful, Philip. Sure, at first you marvel at the amazing smooth quality of the Arri, but almost immediately I get immersed by the story, look and feel of this little short. Well done. Very well done.

Hi Philip. I love this short film! Especially, since is very hard to film yourself. I tried after you did “Home Cooking” with your mum, to film myself as I am preparing my lunch. It was great fun too, but real hard! Congrats!! All the best!

Philip, this is a really nice piece! The stereo soundscape and music plays a big part too. The Alexa what can i say, excellent. Didnt know you were an actor as well as DP Good expressions for end of the world.
Impressed by the mood created here, doesnt always have to be lightning bolts and mass destruction CGI. Well done mate !

Philip has done a phenomenal job in this video. It is now possible to capture 360 stereo sound with 3D Mic Pro with a single operator setup and does not require complex time consuming surround sound decoding, editing, re-encoding workflow. I just wish I had the background video of this session using 3D Mic Pro

Great looking short Philip! Very thought provoking! Congrats on the step up to cinema cameras! I’m always excited to see your work – they all have so much soul and we can tell you put a lot of effort to every frame you shoot, plus you gotta love cliff’s music!

We were shooting with it a few weeks ago on a tvc and had a team of 5 working with it… so to have just yourself doing everything… well frickin done sir!!

Can you give us an example of the size of the data files shot? how many mb/s? Is it 4:4:4? How much a day does it go out for in the uk?

I tell you what its almost like you’ve promoted the area of dungeness so well & interestingly i want to visit it myself! Ha!

Philip, can you tell us what camera you utilized in the Ustream shot that watched you huffing cigars and splashing liquids down the back of your neck, as well as watching the kessler move back and forth with the Alexa cam…?…more specifically, what was the mic on top of the camera you used to catch all of it?

Nice film! The sound was great and quite 3d. How about the microphone, what do you think..I search for an all purpose (I know there isn’t one, but I mean close) microphone for short films, documentary work and commercials:

I’m a longtime/devote follower of your blog and never posted a comment but after watching this piece I felt compelled to write something! I’m not gonna say anything about the camera and the images it produces since that doesn’t even match to your skills as a cinematographer! What moves me in this film is the amazing sense of composition, light and overall feel of the film… It’s plain genius!
Anytime you’re coming to Lisbon just drop me a line… I’ll be more than happy to show you the place around (amazing locations and beautiful light) and buy you a few beers!

Hmmmm… I don’t think the fish was dead, it was dying. That was why its gills were still moving, the same way a person’s chest still moves when they’re dying, but doesn’t when they’re dead. The nervous system of a dead fish won’t produce gill movement.

At the end of the day it’s a living creature that simply shouldn’t be taken for granted or dismissed as inferior, as should no other creature, including humans.

I’m only commenting as I believe the mistreatment of any living creature, however insignificant it may seem, is unnecessary. If the fish was caught by a fisherman then it is unlikely he needed to eat it to survive, therefore making its suffering and death unnecessary.

To take it from its own natural environment and then leave it to slowly die is totally unacceptable, as far as I am concerned.

I work as a cameraman but, due to my beliefs, could never stand by and watch an animal suffer, never-mind take advantage of its suffering for the use of illustrating a point on screen.

My comments are only an expression of my beliefs about life and everything associated with it – they are not meant to offend or to be inflammatory. My apologies if it seems that way.

Having you own beliefs are fine but honestly the points you raise I simply don’t agree with, to a degree, because you have your beliefs and I have mine. Fisherman can catch fish if they want. This fisherman catches fish and sells them. He makes money from it. The fish he caught I filmed on the beach where it lay. No exploitation simply filming what was already there. I would never have caught a fish for myself to film it die for the purpose of my film.

Phil isn’t the Alexa great? Working at a camera shop for a few months I got to play with it a lot. It really is what you’d want in a camera. So simple to use and as you mentioned- doesn’t require a huge crew. My only gripe is the battery consumption. I’ve found it chews through even the largest Hy-tron AB bricks in like 20 minutes. Did you have similar experiences?

Yeah, regardless man love the short. I can tell you really pushed the camera in some low light situations. The cool thing is- the grain looks so organic and the highlights rolloff so smoothly. This is truly the closet camera to 35 out right now IMO

this about the show of 3d mic, what the different between record with 2 rode boom mic with 180 degree like 3d mic. Or direct from tascam/zoom h4 microphone it self with 180 degree for sure.

form the spec of 3d mic, this microphone is ideal for capture human voice. their spec is roll of start from 500hz-down and 10khz-up.. the spec also doesn’t mention how much degre of polar captured, but i think from their function, this microphone can capture more wider than spec on boom mic to getting 3d effect.

maybe this help.
If you don’t have an extra money to reach this good stuff. i think you may have 2 condenser mic that have wide polar degree and good in mid area 500hz-10khz to remove wind and sharp of treble.. Or maybe Zoom H4n and Tascam DR100 are good opponent to this micropone..

Amazing! i’m very interested in the movement of the cineslider, by your experience can you use it with a cooke varotal 18-100 or it is too heavy? only the lens without alexa is about 15 KGs.. I would like to attach it to the cartoni c40s head. Let me know if it is possible!

I hope you do not mind me asking but I wondered if you could let me know how sharp you find the Red 18-50 lens. I mostly shoot documentaries including some work for the beeb. I have heard some reports that they tend to be quite soft. So far I have been using some Nikon zooms and I just wondered whether the Red would constitute a definite step up in terms of optical quality alone. Obviously mechanically I realise that they are different altogether but I am purely intrigued about the optical quality.

Finally a shoulder cam ready to film with an beautiful picture, not like the red concept , where you need to buy all sort of stabilizers and accessories to work with.
40 000€ is a price …
ARRI above all, i want one !!!
The 3d sound mic is a gadget, i’m not convinced at all for stereo output. A simple MS one would have done equal.

How much planning do you put into your short films like this one that was unexpected? Do you storyboard this? Or do you go out with a basic concept the go out and shoot whatever might suit that concept? Please give some insight on your planning? Thanks

I’ve been checking your blog for a few years now, but this camera seems to suit you the best! Great short film. Hopefully you get some more time to work on your acting side of things.
Thanks always for the inspiration.