Wednesday, October 31, 2012

Wildebush lived with Paul Watkins, Brooks Poston and Paul Crockett at Barker Ranch from October of 1968 - June 1969.

“Juanita” (not her actual name) was on a road trip from San Jose, California, to Mexico via Phoenix, Arizona. In Mexico she was going to try to reunite with her fiancé, from whom she was estranged. By her account, she had had a “harrowing afternoon” the day before, because her van had been broken into and her very expensive stereo system, which she had felt the immediate need to replace before the long trip ahead, stolen. Because of that and because of the state of her romantic relationship, she was, as are most people at the point they are inducted into cult organizations, in an emotionally fragile and vulnerable state. South of San Jose, she stopped to pick up a pregnant-looking hitchhiker who turned out to be accompanied by two men. All three were from the Manson Family. The woman was Susan Atkins, later one of the Tate-LaBianca killers.

The essence of Juanita’s story is this: she got into the Manson cult by accident, and she got out, nine months later, not long before the murders, by another stroke of fate, in that case probably a stroke of great luck as well. The interview was conducted circa 1984–85. At that time, Juanita was happily married and a successfully practicing professional.

Win McCormack: So, Susan Atkins was the first Manson Family member you met, when you picked her and two male companions up hitchhiking in Northern California. What was she like?

Juanita: I knew her as Sadie Mae Glutz. Sadie was a kid, a twenty-something-year-old kid. I have lots of real fond memories of her. It destroys me when I think about what happened to her, because she tried real hard to do the right thing. Sort of screwed up all along the line in her choices. Sadie was in the passenger’s seat, and the guys were in the back. I remember her talking about their musical group. That was their story. They were all members of a band, and their band’s name was the Family Jams.

I remember TJ [Thomas Walleman, or “TJ the Terrible”] saying, “Oh yes, we record with Dennis Wilson and the Beach Boys and we use their studios.” Dennis Wilson was very much a part of the “peripheral family.” I remember Sadie telling me very intently what a wonderful group it was and how neat, how much it meant to her, and how it really worked as her family. I talked to her about Mexico and how I was engaged to a guy living there. This was the end of September 1968. I was going to be twenty-four the next month. She talked to me about how wonderful this place was where they lived near Los Angeles. She talked with the fervor of somebody who’d been converted.

WM: Tell me about your first encounter with Charles Manson.

Juanita: My intention had been to drop the three of them off and to drive on to Phoenix on the way to Mexico to hook up with my fiancé. I totally misjudged how long it would take to drive the length of California, and so by the time we drove into Spahn’s Movie Ranch near Los Angeles, I was exhausted. They said, “Why don’t you stay here?” There was a whole sort of facade of Western town buildings and then off to the right was a trailer with its lights on. Everybody said, “Let’s go get Charlie, let’s wake up Charlie,” and everyone went running in. Charlie came out naked. He had been making love to a woman named Gypsy, and she also came out naked. Nobody reacted to that. Nobody thought anything of this. It seemed like the most noticeable thing to me. Everyone was hugging each other, everybody was so happy to see everybody else. They said, “Oh, look what we found, look who we found,” and introduced me to Charlie. And he came over and put his arms around me and said how glad he was. Of course, this was the ’60s, when everybody was hugging, but there really was a lot of love around that trailer. There was real bonding. It’s that same kind of stuff, that same kind of open and unthinking love that you see in the face of a Moonie. Charlie got a guitar out and everybody started singing. It was just wonderful fun, but it was very clear that nobody had any talent. I felt perfectly comfortable with them. That night, Charlie asked if he could spend the night with me in the camper and I told him no. He let me know that I was being selfish and self-centered and that there was a deficit in my character.

Click Below to Read the Rest of the Interview...

WM: You decided to stick around there rather than driving on to Phoenix and then Mexico to meet up with your fiancé as you had planned. Why?

J: The wooing began almost immediately. Somebody came along and brought me breakfast, then Charlie came along and brought me coffee. From dawn on I had somebody around to tell me how wonderful it was there and I don’t think I ever spent another five minutes alone until several weeks later. At the time, this was a group of people who lived my philosophy—make love, not war—all of those things. At least, to all appearances that’s what they did! Life on the ranch then was just one great big make-believe time. There was a real spring back in the woods. You’d take a shower under a waterfall. You could run through the woods naked. There were horses to ride. It was a magical kind of place.

WM: You became one of Charlie’s lovers very quickly, I believe. How did that happen?

J: I didn’t know then how to say no to anybody. And then I was real needy too. And here were all these girls, women, falling all over him. And it was my door he was knocking on.

We went off to Malibu in my camper just a few days after I had gotten there. A man called Chuck, and Sadie and Charlie and I. My camper was one of those pop-up ones with a bunk at the top and a bunk at the bottom. And we had gone over there and dropped some acid. We spent the night there on the beach, and in the morning, when dawn was breaking, as it were, Charlie and I started making love, and Charlie told Chuck and Sadie to come down into the same bunk we were in. And I tolerated that, although we did not have group sex. I tolerated that, and that seemed to be significant to Charlie. And I remember after that Chuck and I went for a walk on the beach, and I said, “What’s this guy all about?” And Chuck said he was this really powerful, wonderful person. He was a good lover. Probably the most phenomenal lover I’ve ever had. But once I was hooked, he didn’t have much to do with me.

WM: What made Charlie such a good lover?

J: What makes anyone a good lover? He was very tender.

WM: Charles Manson was tender?

J: Very. I never saw that man do anything that was hurtful. I really didn’t. There is a very incongruous aspect to all this for me.

WM: Tell me more about Charlie.

J: He was not particularly big—probably five-two. Really wiry, real agile. Almost leprechaunish in some ways, with a quick wit. There was a real playful quality about him, an endearing quality about him. He could be very much the little boy, and he showed a vulnerable side that really got you engaged in taking care of him.

WM: How did he show his vulnerable side?

J: I remember one time—this was at Spahn’s, and it was even very possibly that same night I gave him all my money. There were kittens all over the place. The mother cat had stopped cleaning up after them. They had messed in the kitchen. And Charlie got down on his hands and knees and cleaned the kitchen floor. He cleaned up after the kittens. He picked them up and put them inside his shirt and went and sat by the fire and warmed the kittens and played mother cat. I remember him looking up and saying, “I now understand the pain of too much tenderness, because it hurts not to hug them. But if I were to hug them I would hurt them.” It was those kinds of things. He showed himself or acted like a very, very gentle man that would never hurt anything.

WM: Would he cry?

J: I did see him cry one time. There was one night, again at Spahn’s, where everybody took megadoses of acid and probably some mescaline or something else mixed in with it. Things got really out of hand. I mean really royally. The hallucination that I had that night was one of being in a tent in Arabia where horses were jumping through the tents and all this wild pandemonium was going on. People were hitting each other. The place was literally destroyed. I remember Little Paul Watkins hit me that night. There was pandemonium. Everybody was on their own trip. And Charlie came in to get a pair of shoes and he said to me, “I can’t stay here, because there’s no love here anymore.” He said, “Tomorrow you have to tell them that they drove me away.” And the tears were just flowing down his face. I asked him to stay, and he said no, he couldn’t stay. He said that the animal had come out in them and that love had fled.

WM: You say you gave him all your money?

J: It was amazing how quickly Charlie read me. He seemed to know all the right buttons to push. Within a month I’d signed over my camper and something like a sixteen-thousand-dollar trust fund, which in 1968 wasn’t small potatoes.

WM: How did he get you to do that?

J: That’s a question I’ve asked myself many times. Some of it was drug-induced, I’m sure. I can remember the night that I told him he could have the money. That day, we started early dropping acid and doing all those kinds of wonderful things. He had been telling me that the thing that stood between me and total peace of mind and heart was Daddy’s money—I was not going to be free of Daddy until I got free of Daddy’s money. Charlie started [saying] that I was my father’s ego. And I remember thinking, That doesn’t make any sense to me. Then later I convinced myself that it probably was [right], because Charlie was always right. Charlie never openly said that he was the reincarnation of Jesus Christ, but if he didn’t say it, he sure to hell implied it. He would say things about having flashbacks about having the nails driven in through his wrists. He said, “The nails weren’t put in my palms, they were put into my wrists.” And, “They always lie to us. Everything’s 180 degrees from the way they told you it was. And there is no difference between Jesus and the devil. So your daddy would say I’m the devil, but of course I am, because if they told you that good was right, then obviously evil is right. So then I must be the devil, because I’m right.”

One of the things we did with my money, which I still feel real good about, was [take care of] the sweet old man who owned that ranch, George Spahn. All of us lived there for free and ran the place for him, because George was blind and eighty-six years old. We cooked for him, and we washed his clothes, and we gave him back rubs and we told him how wonderful he was. George was in danger of losing the ranch to back taxes. He hadn’t paid taxes and it was coming down to the wire—pay up or lose it. I signed over the money to Charlie and we paid six years’ worth of taxes on it. [Editor’s note: Bugliosi says in Helter Skelter that one of the ways the Family kept Spahn happy was by having Squeaky Fromme—the family member who subsequently tried to assassinate President Ford—and other Manson girls minister to him sexually “night after night.”]

WM: Did you get to know Leslie Van Houten?

J: Leslie was just a really sweet, personable girl. She had short dark hair and this bubbly way about her. Her father had been or still was a big muckety-muck architect or something in Los Angeles. And my parents were very conservative and very pro-establishment, so she and I used to talk about how no matter what we did, we couldn’t be good enough to please these outrageous parents of ours. I remember the last time I saw her we were all out in the desert and we were sitting around the kitchen in the ranch, and Leslie was talking about how we really were her family now, and how she had never felt so close to any of her blood relatives. I just remember how close to her I felt. I really liked her. I think a lot of us always were in awe of each other. [Editor’s note: Leslie Van Houten participated in the killing of Rosemary LaBianca—albeit apparently somewhat reluctantly, at first. As described in The Family: “Leslie was not participating. Tex [Watson] wanted Leslie to stab. So did Katie [Patricia Krenwinkel]. Leslie was very hesitant but they kept suggesting it. She made a stab to the buttocks. Then she kept stabbing, sixteen times. Later the nineteen-year-old girl from Cedar Falls, Iowa, would write poems about it.”]

WM: Did you know Tex Watson well?

J: Tex was the mildest-mannered, most polite human being you’ve ever seen. He was one of those people that called you “ma’am” all the time, called everybody ma’am. He was from Texas. Real handsome but sort of baby-faced handsome. He wanted to go back to school or do something, and Charlie kept telling him not to bother, that it was a waste of time. I remember talking about him wanting to go back to school. I remember, when I heard that he was involved in the murders, being very surprised because he was just this really sweet guy. [Editor’s note: By the accounts of Sanders and Bugliosi, Tex Watson was not only the leader but also the most savage and bloodthirsty member of the Tate and LaBianca death squads. At the Polański/Tate property he shot Steven Parent four times in the head; shot Jay Sebring in the armpit and then drop-kicked him in the nose before stabbing him four times; sliced Abigail Folger’s neck, smashed her head with the butt of his pistol, and stabbed her in various parts of her chest and abdomen; shot Wojciech Frykowski below the left axilla and then finished him off by stabbing him in the left side of his body; and was one of those involved in stabbing Sharon Tate sixteen times. He personally killed Leno LaBianca by slashing him four times in the throat. When he had first come upon Frykowski and Frykowski asked him who he was, he replied, “I am the devil and I am here to do the devil’s work.”]

WM: Getting back to Charlie, in addition to his expressing kinship or identification with the devil, did he ever talk about Hitler? A number of leaders of destructive cults over the years have expressed admiration for Hitler, and particularly of his treatment of Jews.

J: I remember Charlie talk[ing] about Hitler having been right—that the world needed a big purging every once in a while. And I remember saying to Charlie, “If Hitler were here now I’d be dead.” And he just laughed and said, “No, you missed the point. It’s got nothing to do with whether or not you’ve got Jewish blood. It has to do with purging the world, and having only people who can survive—the only thing that was wrong with those people is that they weren’t smart enough to figure out how to escape it.”

WM: Manson also talked a lot about race wars, didn’t he? Wasn’t that the foundation for his “Helter Skelter” ideology and ultimately what led the Family to murder?

J: What was going to happen in this backward world to make it right was that the black man, who had been oppressed for years, was going to become the superior race, and the blacks would rule the world. “Helter Skelter” was Charlie’s plan for and name for their uprising and also, it turned out, apparently, for the murders which he hoped would provoke that. [Editor’s note: Manson hoped that the murders would be thought to have been committed by blacks, bringing even further oppression down on them, in turn provoking them to rise up.] The reason we had to find a place in the desert was we had to have a place to run and hide, because as whites we were going to be killed or enslaved unless we were smart enough to find a place to live until—until it all balanced out. Eventually, the black man would ask Charlie and the Family to take over, because he wouldn’t be able to rule on his own.

We didn’t call it “Helter Skelter” until the Beatles record came down, and then it was, “Aha, look at that—our prophets.” It’s only in the last two years that I’ve even been able to tolerate listening to The White Album.

WM: Was that really going on, what Helter Skelter describes as the mental preparation and buildup for the murders—playing the songs “Helter Skelter,” “Piggies,” “Revolution 9,” and “Blackbird” from that album over and over? The line in “Blackbird” that goes, “All your life, you have only waited for this moment to arise,” which supposedly referred to the rising up of the blacks?

J: All of that was going on.

WM: When did you first go to the desert, or, more specifically, to the Barker Ranch in Death Valley?

J: Sometime in October. Halloween weekend of 1968, I think, was when we first went to the desert. Then, in February of ’69, everyone went back to Spahn Ranch except for me and Brooks Poston, who had been one of the stable-hands at Spahn’s, who always wanted to join the Family, but Charlie had never truly accepted him.

So Brooks and I stayed at Barker. They were supposed to get us in ten days, but nobody had ever come back from Spahn’s. We were there alone when Paul Crockett and [his partner] showed up. They came on March 10 or 11. They had pulled up to the farmhouse and it was difficult for us to either invite them in or send them away. We couldn’t do either. And Paul said that was his first clue [that we were under the influence of mind control]. We didn’t know how to think for ourselves or make decisions for ourselves at all. We came out and told them that the place was taken. But Paul just said, Well, it’s night, code of the desert, and all that sort of stuff. He and [his partner] had food, and we had very little. [Editor’s note: Juanita later married Paul Crockett’s partner, whose name is being withheld here for purposes of anonymity.]

WM: What were they doing up in the desert?

J: Prospecting for gold. Paul Crockett had studied with one of the early, early people who were of Ron Hubbard’s ilk—one of the first five people that L. Ron Hubbard, later the founder of Scientology, had studied with himself. This man had known Ron Hubbard when he used to say things like, “Well, you know how to really make it in this world is to start your own religion. Nobody can touch you, and you can really do it. Maybe I ought to take this stuff and can it.” And that man had told Paul the reason he wasn’t a Scientologist was that he didn’t like the amount of control that was happening in that organization.

WM: In other words, Paul Crockett knew a thing or two about cults and brainwashing. And also deprogramming?

J: Paul essentially deprogrammed Brooks and me, and later Paul Watkins, Charlie’s sometime right-hand man. One of the things that he talked about was the way Charlie got control over everybody by getting people to agree that he was something spectacular, and agree to his other self-serving ideas. He said that agreements are much more powerful than people realize they are, and that implied agreements are more powerful than overt agreements. It was those implied agreements that were making it very difficult for us to break away from him. Paul and Brooks and I used to stay up until one, two, three o’clock in the morning just talking. Doing what were early Scientology experiments. I don’t know whether they’re still done. I don’t know anything about Scientology now at all, other than the fact that Paul has warned me not to get involved with them, because they are as hard to get away from as Charlie was. [Editor’s note: According to Bugliosi, Manson went through Scientology training while in prison in the late ’50s and early ’60s, and claimed to have achieved Scientology’s highest level, “Theta Clear.” Bugliosi also claims that Manson often used the phrase “cease to exist,” a Scientology exhortation.]

WM: So how did you finally extricate yourself from the Family?

J: Well, one day Paul Watkins showed up from Spahn with a woman named Barbara. They were very interested in Brooks and me and what had happened to us, because it was very clear to them that we were alive again. It was also very clear to us that they weren’t alive. Barbara—Bo—was somebody that always fought Charlie. She just wouldn’t give up, she just wouldn’t give in. And he worked on her and worked on her and worked on her. One time she was stoned and we were all sitting with the fire going and sort of chanting and I remember her really freaking out and saying, “You’re all evil, this is hell,” and Charlie saying, “Well, of course it’s hell. Remember everything that Mommy ever taught you is wrong. Where you want to be is hell. And we’re all devils.” I remember Barbara standing there and screaming at him, “I’m not going to do it. I’m not going to give myself away to you.” Yet she stayed.

The word was that they had been sent up to get us and to bring us home, to bring us back down. And we told them we weren’t going. And they stayed for several days, ostensibly to talk us into going. But it was very, very clear that they really wanted to find out what had happened. And Bo in particular just kept saying, “You’re really staying here, and you’re happy?” And I kept saying, “Yeah, I am.” Paul Crocket gave them just enough to make them interested in breaking away and getting some sense of individuality again. But Paul Watkins said, “No, I’ve got to go back and see Charlie. We’re not looking forward to telling him that Brooks and Juanita aren’t coming back.”

WM: How did you leave it with Charlie?

J: Brooks and I asked Paul [Watkins] to do something very specific. We asked him to wait until the whole Family was together at night, when everybody was there, and to say that we wanted Charlie to release us from any agreements we had made with him, and that we in turn would release him from any agreements he had made with us. We asked him to do it in front of everybody because Charlie couldn’t turn down requests in front of everybody, because he was the servant and not the leader, according to his teaching. He said, “Of course. They’re released. Nobody has any agreements to us, to me.” He said, “I don’t have any holds on anybody.” And so Watkins said, “Well, then, do you release me from any agreements with you?” And Charlie said, “Of course.” And Barbara said, “And me?” And Charlie said, “Yeah.” And Paul looked around the room at the rest of the Family members—this is the way he told the story—and said, “And what about them?” And Charlie said, “Enough of this shit about agreements,” and wouldn’t release anybody else.

Paul came back up in June, escaped, and never went back to Manson. I never saw or heard of Bo again. It was at Barker Ranch, by the way, that Charlie was arrested.

WM: You and your future husband left Barker Ranch in June of 1969 and the sensational murders took place that August. When did you hear about them and what was your reaction?

J: My future husband and I went off to some place out near Baker, California, to look for turquoise, and then to Kingman, Arizona, where his brother lived, to stay for a while and work. And that’s where we were the August weekend that the murders happened. I’m watching the TV and the news broadcaster is saying how bizarre the murders were, and that there was a place on this door where the word pig had been written. And I looked at that and said, “It doesn’t say ‘pig,’ it says ‘die.’” [Editor’s note: It did in fact say “pig.” The word was written in Sharon Tate’s blood.] I just somehow knew it was them. It had been at least since February since I had seen any of them, other than Paul and Barbara, or had any contact with any of them, except for one phone call. It was intuitive, because it didn’t make sense. It was totally incongruous to what they said and how they lived when I was there. But at the same time, I looked at that. I was sure it didn’t say “pig,” that it said “die.” And that was a big part of it—there was this whole thing of you had to die and be reborn. Until you could let your old ego die and be reborn, you couldn’t be free. There was this whole thing of dropping acid and experiencing death. And I remember these people writhing on the floor, and Charlie saying, “Die, let yourself go. Die.” Standing there and looking at them: “Die, die.”

I remember that experience. I’m a very quick study. That’s how he got my money so fast. But I remember being back at Spahn’s Ranch, way back, the first couple of weeks I was there—when Charlie was telling me to die. And he said, “All you have to do is just go with me and I’ll take you, because I’ve already died. I’m not afraid.” He just stared at me. And I just stared at him. The intensity of that man’s eyes. I had literally given myself away to him by then.

WM: You never saw a sadistic or brutal or psychopathic side to Manson?

J: No. It’s one of the things that’s scariest of all. The person that I saw was, for all outward appearances, everything he said he was. He’d give you the shirt off his back, literally. He got down on his hands and knees and cleaned up cat shit. I never saw this other side of him.

WM: The whole thing must be haunting for you.

J: Have you ever read anything about the Vietnam vet survivor-guilt business? I have survivor guilt. Real survivor guilt. Leslie and Sadie are in prison and I’m living a relatively nice lifestyle. I mean, why me? How did I get out? Why did I get out? Why did they get caught? I don’t know that either.

WM: Did you ever see Charlie again, on television?

J: I saw him during the trial, on television. And it was real scary for me. He was angry and intense. Very different than I had seen him. If anybody had said to me in July of that year that these murders would happen, I would have told them that they were full of it. I would have told them that it was impossible.

WM: What if you’d been there? What if you hadn’t been deprogrammed? Do you think that you would have been involved in the murders?

J: My fear is that if I were there I’d be in jail now too. Because I pretty well did whatever he told me to do. I mean, for me to walk forty miles, as I did one time—I had blisters on the soles of my feet that were two and a half inches in diameter . . . because Charlie wanted me to go somewhere and I didn’t have a car, so I walked. The basic programming was that you had to die to be freed anyway, so death was not something to be afraid of. That we were all members of one greater consciousness. But the other thing was that if Charlie said, “Jump,” my only question would be: “How high?”

67 comments:

Juanita's interview is more honest and revealing than Brian Davis' interview with Stephanie Schram.

How in God's name Juanita stayed up in those desolate, barron desert mountains with the brainless Brooks Poston is beyond my comprehention. They were like sheep grazing in a pasture rather than humans.

Sometime in July 69 Charlie must have had a nervous breakdown and gone into a complete schizophrenic collapse so when he went off the cliff his followers fell with him into the abyss of madness.

I do not believe that Juanita said HS was the motive, she was saying that the elements, as we understand them, were discussed in detail over time. That once the White Album came out, a label was put on the the concept, and that concept was Helter Skelter.

I am of the opinion, as are many, that HS was a motive for some, but was only a tool used by the Wooly Hophead for those who truly bought into his spiel. I believe that Juanita would have bought into it, but others followed different spiels that they bought into. the Wooly Hophead was adept enough to understand who believed in what, and he dosed each of them accordingly.

Well, some things are apparently incorrect such as saying that Tex "smashed her (Abigail's) head with the butt of his pistol." I've never heard that said before. Jay wasn't stabbed 4 times, he was stabbed 7 times. Of course, it's been said that Katie also stabbed him so maybe that's why it was said that Tex stabbed him 4 times.

All in all, it was quite interesting to read a story from someone who was there and got out and appreciates the fact that she was able to leave.

there is an inconguency though, is there not, in talking about how gentle and nice everyone was and then relating incidents like writhing on the floor tripped out while Manson screams die die die.And you gotta wonder how her by-then husband felt about her referring to Charlie as the most phenomonal lover she ever had.

I take it the Barbara or Bo she was referring to was Hoyt, right? I had never read anywhere that Babs stood up to Charlie so strongly. Kind of puts her in a different light in my book. But again, you have the incongruency of her screaming "this is hell" but sticking around anyways.But then incongruency is pretty much the theme of the Manson saga.

I was under the impression she was referring to Hoyt as "Bo" as well. I think I read in Sanders book about a penis biting incident involving a Manson family member called "Bo". I haven't been able to determine exactly who "Bo" is.

Matt from Liz's got an email recently from Robert Hendrickson where Mr. Hendrickson posed his belief that Posten and Watkins knew allot more about Family misdeeds than they let on. It is of course unwise of me to question an assertion by an expert such as R.H., but the trouble with "conspiracy assertions" like that is it presupposes that folk like Posten and Watkins never let their hair down and shared with anyone. If Posten and Juanita were out there in the desert for months on end, "grazing like sheep" as Mr P put it, you would figure there would be some conversation and sharing. And the freed Juanita seems like someone who would pass that info on. Yet again, she "knew" that Cielo was a Manson doing the day after and never made the phone call. It is interesting to think how many of the Family could have saved Leno and Rosemary's life if they had only made a call in the afternoon of 8/10/69.

I'd be curious what Hendrickson thinks that Watkins and Poston knew about "misdeeds". They were up in the desert mountains so what could they know really? Most people claim that Watkins knew much less than he claimed.

Somehow Juanita saw film of the Cielo front door with PIG written on it. She somehow perceived that word as DIE, which was Charlie's pet word. I didn't know the media was allowed to film the scene on that weekend.

This was a great article. Had not seen this before...even if it was posted long ago on another blog...who has time go back and find the article? I just finished reading No More Tomorrows by Alice LaBianca. It was a great read- a lot of insigh into Leno's early life. Recommend it if you have not read it.

you know Katie, there is a lot about this article that doesn't make sense - like a married woman (interview in "85) calling Charlie Manson the most pheomonal lover she ever had.I hate to sound like a conspiracy kook but I did find myself wondering if the interview was bogus. It wouldn't be the first time. Something about the cadence just seemed off too. I guess I should google the writer.

the pic that Cielo Drive posted that really hits me is the one of the hallway that Abrigail Folger ran down trying to escape the killers. the terror she must have felt as she headed out towards the pool.

The pic archive at Cielo Drive calls Watson's pistol a "buntline" in the caption of a couple of pix. It's a personal peeve of mine, but to the best of my knowledge, Hi-Standard never manufactured anything they called a "buntline".

I'm guessing they copied the LOOK of a Colt "Buntline Special" to capitalize on the popularity of that model.

I think the caption in one of the pix says Watson used the gun as a bludgeon after it "jammed". That would be VERY unusual. My dad had a Hi-Standard, chrome plated, Longhorn, "double-nine" 9 shot, .22 caliber revolver, with a 6 inch barrel. I fired thousands of rounds through that pistol, not one single time do I ever remember it "jamming". What I think is more likely is Watson simply ran out of bullets. While the cylinder holds 9 rounds, I'm guessing Watson started out the evening with either some empty chambers, or chambers with spent casings. I know from experience it's very easy to do.

Also, there is a pic showing the interior of Steven Parent's car. The horn button seems to be missing from the center of the steering wheel. Under the dash is what appears to be a white button with wires coming out. Actually, that brought back memories for me as I bought a car once with a round white plastic button, the same size, shape and color, located in almost exactly the same position, with wires coming out. I'm guessing the horn quit in Parent's car, they couldn't find the right parts, so they bought an aftermarket horn switch and mounted it under the dash.

Finally, @JohnnySeattle, I think there is a vid on YouTube from when some rock band people owned the house years after the murders. The cameraman re-traces Folger's steps through the house and onto the lawn. It's very creepy.

Sunset, thanks as usual for all your good info. It's very possible that Tex ran out of bullets. He may have just thought it jammed. I never heard about the horn in Parent's car not working either. Interesting stuff.

Johnny, thanks for the heads up on the pics at Cielodrive.com. I'll check those out.

Mr. P., thanks for the info on the Power Wagon.

Prices are slightly higher than the $1,627 list price of the 1946 original, starting at $119,950 and running up to $249,000 for a Woodie wagon...

The Buntline didn't jam on Charlie. It just didn't go off. I think the second or third time he pulled the trigger it went off.

22 ammo is usually cheap, target ammo with 5 or 6 duds out of every 50 to 100 rounds. Sometimes you can back the cylinder up and try refing the bullet. If it doesn't fire the second time most people just throw that round away.

But with Tex the gun jammed. Meaning he was unable to get the trigger to move.

Tex didn't run out of bullets, but he thought he did.I know his testimony is full of tons of bologna, but here are some quotes from page 4 http://www.charliemanson.com/documents/testimony-watson-4.htmHere he is talking about SebringA: "I emptied the gun on this man."Q: "You say emptied the gun on this man?"A: "Yes."Q: "How many times did you shoot him, if you know?"A: "I don't know. I just shot, you know. I don't know how many times I shot him."Later in the questioning...Q: "...do you remember how many people you shot in the house?"A: "One person."Q: "Oh, you shot one in the car, is that correct, outside of the house?"A: "That's correct."Q: "And one in the house?"A: "That's what I did."Q: "Do you have any recollection of shooting any other person in the house?"A: "No, I have not, no."Q: "Did you know that the gun still had live bullets in it?"A: "No, I did not."

Probably he pulled the trigger and the gun didn't go off so he thought he was out of bullets. Then he started using the gun as a hammer.

How does a double action revolver "jam"? I packed my Hi-Standard Longhorn through mud, sticks, woods and rivers for about 15 years, it never jammed a single time.

Also, the portion of Watson's gun that is bent is not the spent shell casing ejector, it's the "cylinder release mechanism". There is a tab underneath the barrel you slide forward while pushing against the cylinder with your other hand and the cylinder swivels out to the left. The shell casing ejector is the pin in the center of the cylinder, you push that back towards the hammer and the spent casings fall out on the ground.

How does a double action revolver "jam"? I packed my Hi-Standard Longhorn through mud, sticks, woods and rivers for about 15 years, it never jammed a single time(end quote)

Poirot replies:

Sunset if I read you correctly the Buntline is a Single Action revolver not a Double action. That bent part under the barrel has an eject rod on a spring that pushes out each spent casing manually one at a time.The short rod/pin sticking out is the axel rod that the cylinder rotates on. If you pull it forward it comes out completely and the cylinder comes loose from the pistol. You then have the cylinder in your hand. The cylinder does not swivel out like a Double Action does. In a Single Action it comes completely out the gun without the cylinder rod to hold it in place. On Tex's gun you can swap cylinders between 22LR and 22Magnum.

If the last two rounds were duds there would be a clearly visable firing pin indentation. There wasn't. The gun jammed after he clobbered Frykowski with it.-------------------------------------I read somewhere that gun had a history misfiring. When CM shot Bernard Crowe he had to pull the trigger more than once to get off one shot.

Doc Sierra said...I read somewhere that gun had a history misfiring. When CM shot Bernard Crowe he had to pull the trigger more than once to get off one shot(end quote)

Poirot rteplies:

A misfire is not the same as a jam.

Misfire is when the trigger is pulled and the hammer falls but doesnt ignite the gunpowder in the 22 casing. Better known as a dud.

Jam is a mechanical malfunction where either the trigger is frozen or the cylinder is frozen or the hammer wont fall when the trigger is pulled. It's broken anotherwords.

The Buntline had a history of misfring at the Ranch due to cheap and/or old ammo. There was not a mechanical problem with the Buntline.

Tex hit Frykowski so hard that it broke the gun in some way that caused a jam. Anotherwords when Tex pulled the trigger nothing happened. The hammer never fell and the cylinder didnt turn. The ammo was perfectly good but the gun got broken after the 7th round was fired. The gun jammed not misfired.

My apolohies, you were correct. The Manson gun is a double action and the cylinder does hinge out to load. It is not a single action as I said. November 6, 2012 2:59 AM --------------------------------Are you sure? I thought it was a single action revolver.

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"Charlie Manson is a five foot seven schizophrenic, who if it weren't for the murder of Sharon Tate, would never be known or discussed. And I'm not saying he isn't funny and entertaining. I'm saying he's a dime a dozen criminal-class punk, who had the good fortune of running into some middle class pseudo-revolutionary white girls." -- Tom G

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