Rob Matthews is painting again. An artist who once convinced himself that if work is fun, then it’s not work appears to have found himself in a work-related situation that is, in fact, fun. Unveiled back in April at David Lusk Gallery with the show Dawn-Watchers Watch for the Dawn, his new style I would argue is not altogether unrelated in process and aesthetics, but a fraternal twin, so to speak, to his once-signature painstakingly intricate graphite-on-paper drawings. Born from the same imagination yet inherently divergent, they cannot exist independently.