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"My shop provides historically based finished instruments, performs restorations, repairs and instrument completions. I specialize in quilling with celcon for a dramatic increase in performance, sound and reliability. I have completed many unfinished instruments for clients who have not chosen to do so themselves for whatever reason. Repair and restoration work is performed with the intention of rendering instruments "concert" ready.

My clients here in the arid Western United States including the Aspen Music Festival and Institute, Denver School of the Arts and the University of Northern Colorado have the advantage of purchasing an instrument made from wood that has acclimated to a drier climate. All case and soundboard parts have air dried for at least seven years. Swiss pine soundboards may be as old as thirty years. After reaching my workshop these materials season for a further period of at least one month before construction begins. This insures stability of tuning and lessens the need for frequent and costly adjustments to the action. Instruments brought here from the wetter coastal areas invariably develop numerous splits and cracks in the soundboard and case. Conversely however, when I send an instrument from here to a moister environment, the wood merely expands a bit but does not break. You won't need to create a climate controlled music room for your harpsichord.

Over the past twenty-two years I have built forty+ early keyboard instruments. You may choose from several instruments including the painted French double harpsichord, Flemish single and double harpsichords, Italian harpsichord, a single manual harpsichord in hand oiled American cherry and a large or small clavichord. " See website for more information. (ed.)