Adelaide “artist” sells Afghan camel jockeys as ‘Aussies’….

Which means in his queer and twisted worldview regular Australians are to be ignored and third world savages elevated to “Aussie” status.

Who pays this ignorant punk (Peter Drew) for his rubbish?

The cameleers where hired hands on 3-year contracts. They were never meant to settle here, and those few who were allowed to remain caused nothing but trouble. Two of them waged jihad against the people of Australia, 102 years ago in Broken Hill. They shot up the New Years picnic train. You might be surprised to learn that the enraged Broken Hill people of the day then turned against the German community rather than going after the Mohammedans. We’re seeing similar misguided and misdirected attacks today against patriotic Aussies.

There are 1500 of these posters being plastered around the country. They feature the faces of Australians from different generations and of different origins with the word “AUSSIE”.

The artist, 32-year-old Adelaide man Peter Drew, has form when it comes to challenging Australia’s views on immigration.

He was behind the hugely-successful Real Australians Say Welcome campaign that included a 1000-strong poster drop in 2015 and was shared on social media in huge numbers.

Mr Drew told news.com.au his new project is simple: He’s targeting what he calls the “people in the middle” who belong neither to the right or the left of the political debate.

“There are people that are primed to really like this stuff and people that are primed to hate it,” he said.

One of Peter’s posters at the beach.Source:Supplied

“I think the audience that I’m after are people right in the middle that just need a bit of a reminder about Australia’s real identity. These people are not bigots, they’re just people who have forgotten our strength.”

Mr Drew wasn’t always so political. He says he started thinking more critically when he was living in Glasgow during the last election.

“The phrase ‘Stop the Boats’ struck me as bizarre coming from a nation of immigrants,” he said.

“Before then my street art was apolitical. Since then, it’s all political.”

Australia’s treatment of refugees and asylum seekers continues to make headlines. Earlier this week, Immigration Minister Peter Dutton said refugees entering Australia will “steal jobs”. He labelled them “illiterate”.

Peter has been targeting what he calls the “people in the middle”.Source:Supplied

Mr Drew says the minister’s rhetoric ignores the truth that Australia has been built on contributions from refugees for 150 years and that Australia’s “strength” is in how welcoming its people are.

The main face of his new campaign is Monga Khan, a man who left India for a life selling goods between towns in Australia. He said the image is the perfect representation of what he’s trying to achieve.

“I was in Perth the other day putting up that poster and a guy said to me, ‘That’s the least looking Aussie I’ve ever seen’.

Peter Drew.Source:News Corp Australia

The posters are being spotted around the country.Source:Supplied

“I told him that was the point and he saw that. There wasn’t a big discussion, it was just a reminder of who we really are.”

The artist is returning to Adelaide to print more posters this week. He’s being supported on his tour around Australia by everyday Australians. Some raised money for his flight costs, others are offering him lifts to and from prominent locations.

“Last time I did it nobody knew who I was,” he told news.com.au.

“There are people in every city offering to drive me around. I’ve met so many people from various migrant communities who have taken a liking to Monga Khan.”

His advice for Mr Dutton?

“I don’t think Peter Dutton understands how statements like (refugees are illiterate) corrode Australia’s identity. I think ending offshore detention is an opportunity to restore Australia’s identity. We need to see welcoming asylum seekers as a strength. So many Australians are waiting for that shift in the debate.”

Mr Drew is making his contribution to the debate, one poster at a time.