WEDNESDAY

What: Opening night of “Girls Only: The Secret Comedy of Women”

As the story goes, friends and veteran stage actors Linda Klein and Barbara Gehring recently rediscovered their childhood diaries and decided to plumb them together. The similarities that connected these natives of Canada and Colorado, respectively, overrode their differences, convincing these naturally funny creatives that there might be a show to be found in the detritus of their youth. The estrogen-fueled “Girls Only” expanded from there, evolving into a multimedia touring production that includes sketch comedy, improvisation, audience participation, videos and songs. Gehring and Klein play all the characters in a tour de force by and for women. It runs through June 25.

THURSDAY

What: Opening night of “The Goldberg Variations”

Inspired by the gorgeous and ubiquitous J.S. Bach aria of the same name, Stuart Meltzer’s play “The Goldberg Variations” imagines a different group of Goldbergs: an eccentric modern family that gathers for an annual birthday celebration of a beloved, long-deceased matriarch. This year’s party will be a momentous one, as secrets unfurl amid an evening itinerary curated by Goldberg scion Caleb, whose narrative “variations” alter the present while serving to extend a difficult emotional evening. Meltzer, the artistic director of Miami’s Zoetic Stage, based “The Goldberg Variations” partly on the relationship with his own father in the latter’s final months, tempering the drama with comedy that’s both relatable and absurdist. Catch this world premiere production through July 16.

FRIDAY

What: Opening night of “Past Life”

Deftly combining the personal, political and historical, this latest feature from veteran Israeli director Avi Nesher is a fact-based odyssey of truth and reconciliation that spans three countries. In 1977, Sephi (Joy Rieger), an aspiring classical composer and choir student, has just performed a concert in West Berlin when she is accosted by an older woman who accuses her father, a gynecologist in Israel, of being a murderer. This prompts Sephi and her more-rebellious sister Nana (Nelly Tagar) to investigate a traumatic past their father would prefer to consign to the history books. The first film in an intended trilogy, “Past Life” is superbly acted and finely crafted, if overly calculated: As history is rummaged and the chips fall, it can feel too much like a movie. But its powerful sweep bristles with ambition and curiosity for parts two and three. You can also see “Past Life” at Living Room Theaters at FAU. Ella Milch-Sheriff, the real-life inspiration for Sephi, will speak at a live Skype Q&A following the noon showtime on June 18 at Living Room.

What: Opening night of “Jeremiah Tower: The Last Magnificent”

Though he never achieved the level of fame of some of his contemporaries, celebrity chef Jeremiah Tower has had a major role in defining, and refining, today’s foodie culture. At least that’s one of the takeaways of “Jeremiah Tower: The Last Magnificent,” a documentary about the toque’s tumultuous culinary legacy. Capturing Tower’s brazenness, prickliness and perfectionism, the Anthony Bourdain-produced doc is filled with important talking heads waxing praise on Tower, whose history includes helping to create California cuisine with Alice Waters, opening the landmark San Francisco eatery Stars, and disappearing from kitchens for more than a decade before his short-lived return to Top Chef status at New York City’s Tavern on the Green. It’s a worthy introduction to a figure the New Yorker recently called “a forgotten father of the American food revolution.”

What: Opening night of “Dear 33020”

Call it a form a slow-motion protest. In the instantly gratified age of Tweets and blogs, South Florida artist Lisa Rockford and Connecticut artist Margaret Roleke have collaborated on a project addressing feminism in President Trump’s first 100 days through a most analog of mediums: postcards. From Jan. 20 through May 1, these relative strangers expressed their shared discontent in a series of witty, playful, socially conscious postcards exchanged through the U.S.P.S. Each time a postcard arrived, it was placed on a gallery wall here in Hollywood and in New Haven, connecting with the other postcards to form a comprehensive image encapsulating the artists’ views of the new president. Their co-inspired vision, “Dear 33020,” opens Friday, along with two other exhibitions, “Charley Friedman: Moist Things” and “David Rohn.” All run through Aug. 20.

What: “I Want My ‘80s Back” with Will to Power

Surely the most prominent musical act named for a Friedrich Nietzsche text, Miami’s Will to Power crested the wave of ‘80s dance pop on the strength of its self-titled 1988 debut. The dance trio (now a duo) imagined fresh, synth-driven takes on Peter Frampton’s “Baby, I Love Your Way” and Skynyrd’s “Freebird,” while achieving Billboard chart success with its original dance singles “Fading Away” and “Say It’s Gonna Rain.” Having signed to Epic Records, Will to Power’s success was limited to two LPs, though the group returned in 2015, after a 15-year absence, with the album “Spirit Warrior.” See founding member Bob Rosenberg and vocalist Carmen Medina explore Will to Power’s nostalgic catalog at this throwback concert, which will be preceded by at least three hours of ‘80s and ‘90s tunes spun by DJ Johnny Quest.

SATURDAY

What: Stonewall Festival

Each June, Wilton Manors’ Stonewall Festival honors the original Stonewall riots of 1969, in which New York City’s gay community staged revolutionary protests against police oppression. These rallies honor that heritage while acknowledging how far the LGBTQ communities have come in nearly 50 years. There will be live entertainment, a vendor marketplace and a 4 p.m. parade down Wilton Drive, with 30,000 individuals and families expected to turn out. This year’s special guest and Stonewall Grand Marshal is Sharon Gless (pictured), the 10-time Emmy nominee for “Cagney & Lacey” and a longtime LGBTQ activist. Visitors can meet Gless for photo ops from 6 to 8 p.m. at the National Stonewall Museum, at 2157 Wilton Drive.

SUNDAY

What: Tig Notaro

In the early 2000s, Notaro toiled as a cult figure on the alternative comedy circuit, earning a dedicated niche of fans on the strength of her unconventional prop jokes and pithy quips. The Mississippi native never pulled much material from her life until life started pulling at her: In the span of a year, in 2012, her mother died in a freak accident, she broke up with her girlfriend, and she was diagnosed with two diseases, including breast cancer. She addressed these topics in a now-legendary standup appearance on August 2012 in Los Angeles; two years later, having undergone a double mastectomy with no reconstructive surgery, she performed a set topless in New York City. These days, she’s a mother of twin girls and an inspiration who continues to pull from her storied life, sprinkling anecdotes amid signature deadpan observations.

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