Aftermath

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Aftermath

Our living room on Christmas morning, after the paper-tearing was done.

Look in the windows, on the left, and you can tell how I shot this. One light is behind the tree pushing light onto the ceiling; another light is on-camera also pushing light into ceiling. This raises the ambient light of the room considerably and it’s pretty easy to have a well-lit scene. Of course, the plentiful distortion comes from shooting with an ultrawide lens — 15 mm (in 35 mm terms)!