“American Dollar Bill - Keep
Facing Sideways, You're Too Hideous To Look At Face On” demonstrates there is chemistry between Keiji Haino and Sumac that results in dark magic and although the
lack of structure and orchestrated riffage is initially disorientating, once
immersed in the intense atmosphere of this unpredictable ride there is no
turning back.

2).
What have I Done? (I Was Reeling In Something White and I Became Able to do
Anything I Made a Hole Imprisoned Time Within it Created Friction Stopped
Listening to Warnings Ceased Fixing my Errors Made the Impossible Possible?
Turned Sadness Into Joy) Pt. 1

3).
I'm Over 137% A Love Junkie And Still It's Not Enough Pt. 1

4).
I'm Over 137% A Love Junkie And Still It's Not Enough Pt. 2

5).
What have I Done? (I Was Reeling In Something White and I Became Able to do
Anything I Made a Hole Imprisoned Time Within it Created Friction Stopped
Listening to Warnings Ceased Fixing my Errors Made the Impossible Possible?
Turned Sadness Into Joy) Pt.

The Review:

The
jagged opening of “Image Of Control”
from Sumac’s incredible “What One Becomes” LP hinted at an interest in more chaotic realms
of musical expression. It’s no surprise to see they have found a kindred spirit
in Keiji Haino, a veteran of free improvisation
and explorer of the outer limits of noise. “American
Dollar Bill - Keep Facing Sideways, You're Too Hideous To Look At Face On”
documents the results of the meeting of these two sonic heavyweights for a
session of unrehearsed, improvised mayhem in Tokyo.

While
undoubtedly heavy, the five tracks that make up this LP sit more in Haino’s usual domain rather than Sumac’s.
Coming at it as a fan of the latter, the lack of structure and orchestrated
riffage is initially disorientating but once immersed in the intense atmosphere
of this unpredictable ride there is no turning back.

The
title track is a 20 minute rollercoaster of shifting moods where both parties
bring their own distinct essence to the table. Aaron Turner provides guitar
that builds from disembodied ominous chords to pillars of furious noise and
back again while Brian Cook rides the shifting waves with rumbling bass. Nick
Yacyshyn demonstrates his mastery of the kit continues
outside of his usual style, relishing the opportunity to freak out with bursts of
octopus-limbed rolls and providing more subtle accompaniment during ambient
passages. The most striking element in all of this is Haino’s
vocal performance. From intense muttering to impassioned barking, Haino covers a startling range of sound that encompasses
inhuman squeals and howls that are particularly unsettling against the unexpected
calm at the centre of the track.

Parts
1 and 2 of “What have I
Done? (I Was Reeling In Something White and I Became Able to do Anything I Made
a Hole Imprisoned Time Within it Created Friction Stopped Listening to Warnings
Ceased Fixing my Errors Made the Impossible Possible? Turned Sadness Into Joy)” are slabs of full tilt insanity with each player
thrashing their instrument to within an inch of its life. Each one breaks down
into a stuttering groove that threatens to coerce into a riff but collapses
back into noise-ridden uncertainty once more.

Part
1 of “I'm Over 137% A Love Junkie and
Still It's Not Enough Pt. I” is the closest this record comes to a standard
track. Haino and Sumac
create a warped lullaby that sits somewhere between a jazzy shuffle and a
slowcore lament. The bizarre vocals complete the otherworldly feel, as if the
players were providing the music behind the red curtains in the Black Lodge.
Part 2 erupts into a pummelling racket that comes across like broken grindcore
before falling back into the weird ambience of Part 1.

“American Dollar Bill - Keep
Facing Sideways, You're Too Hideous To Look At Face On”
demonstrates there is a strange chemistry between Keiji Haino
and Sumac that results in dark magic. Hopefully
another meeting is on the cards soon to see how far they can push into the
beyond.

Band Submissions

To those bands who have recently issued their first demo or album via bandcamp and would like to be featured on our 666 Pack Review or considered for a full review or stream please contact Aaron via email including your EPK, band bio, album file or download code, including artwork.

To those bands issuing their sophomore record and so on and would like to be considered for a review or stream on the blog. Get in touch using the same address above

We will consider bands from any genre but exclusively stoner, sludge, doom, psych, post-metal, experimental, black-metal etc. (Whilst I would like to respond to every email, this is not always possible.) Thanks