Contents

The New Theatre was established in 1969,[3] and was originally housed in the Archaeology and Classics building of the University of Nottingham. In 2001 an extended foyer was added to the building, following a donation from an alumnus of the University.[4]

The summer of 2012 saw an extensive redevelopment of the building housing the New Theatre. The former Archaeology and Classics building was demolished from the site; leaving the New Theatre as a freestanding building. Parts of the old building were retained and repurposed as new rehearsal rooms, and a studio space; as well as a significant remodeling of the dressing room, and extending the foyer.[4]

All aspects of the theatre are run by the 17 members of the New Theatre committee, although the producer and director of individual shows are given a large degree of autonomy with regards to their productions.

The theatre's productions are open to the public and any student at the University of Nottingham can become a member. Members receive discounts on theatre tickets and can get involved in running the theatre. Each semester a 'proposals meeting' is held by the committee at which members can suggest a play that they wish to direct. Once the upcoming season's plays are chosen by the committee, auditions are held by the production team of each play. As soon as the plays have been cast at the 'casting meeting', production teams are given a budget by the theatre treasurer and allowed a certain amount of autonomy, with the support of the Productions Co-ordinator on hand if they need it.

Each play is expected to break even but many make a profit that is then channeled back into improving the theatre's facilities and offering.

Each year, the New Theatre takes one or more 'official' shows to the Edinburgh Festival Fringe and supports any number of shows being performed and produced at the fringe by its members. In 2007, these shows included an adaptation of 'Alice Through the Looking Glass'(New Theatre[5]), 'Dearly Deported' by Charles Brafman (Ankle Productions)[6] and 'Slippery Soapbox: Spotbanded Skat' (ShutYOface Productions).

In 2008, the New Theatre took two shows; an ensemble devised piece ('Crossing The Rubicon', C Soco Chambers Street 12pm), and a piece of new writing by Anthony Lau ('Cross-Stitching', C Soco Chambers Street 1pm) officially. Also performing were Ribcaged Productions Ltd ('The Bear Who Paints'), Ankle Productions ('The Third Condiment'), Chimera Theatre Group ('Vivien') and Cicero Productions ('Written Off'), their casts and crew being New Theatre members and alumni.

In 2009, the New Theatre took Warehouse 364, written and directed by Andy McNamee, who stepped into a role for one performance when a cast member was unable to perform.

In 2010, the New Theatre took two shows; Only One Wing, written by Lizzie Bourne and directed by Andy McNamee, and The Retreat, written by Jenni Herzberg and directed by Becky Caitlin.

In 2011, the New Theatre took another two shows: Beef written by Rose Williams and directed by Liz Stevenson, Chasing Dragons written by Adam H. Wells and directed by Dan Rae-Scott (both performed at C SoCo).

In 2010 and 2011, Paulden Productions (co-founded by former New Theatre president Matt Leventhall) took FRESHER: The Musical to the fringe, where it won several accolades, including Musical Theatre Matters award for "Best New Musical".[7]

In 2012, the New Theatre continued taking two productions with; The Hand-Me-Down People written and directed by Adam H. Wells (performed at C Nova) and Porphyria written by Craig Wilmann, and co-directed by Matt Wilks and Tom Barnes (performed at Zoo Southside).

In 2016, the New Theatre enjoyed one of its most successful Fringe residencies, with its production of The Great Gatsby by F. Scott Fitzgerald and Tyrannosaurus Sketch receiving 4-star reviews and enjoying sell out runs. Two independent productions also came to Edinburgh in association with the New Theatre: The Toyland Murders by the Kite Tail Theatre Company and Strangers: A Magic Play by Strickland Productions. Both enjoyed critical and commercial success.

In 2007 and 2008, New Theatre entered a number of shows into the National Student Drama Festival competition. In both years two productions were selected by the NSDF judges as finalists and were performed at the Festival in Scarborough. In 2008 the theatre's shows 'Disco Pigs' and 'Proof' won 6 awards between them, with the theatre also receiving the 'Judges’ Award for Promoting Student Theatre'.[8]

In 2011, four separate shows from New Theatre were selected by NSDF, from a total of 13 shows nationally.[9] These included: After the End, Orphans, Bluebird and This Wide Night. The company went on to win four awards at NSDF 2011: three Judges' awards for acting, one to Douggie McMeekin (Orphans), and two to Meg Salter and Lucy Bromilow (both for This Wide Night) respectively, and Best Design for After the End.[10]

In 2013, three shows were selected from the Nottingham New Theatre by NSDF, from a total of 11 shows nationally.[11] These included: Memory of Water by Shelagh Stephenson, Mercury Fur by Philip Ridley and Jerusalem by Jez Butterworth.

In 2015, the production of The Ritual Slaughter of Gorge Mastromas by Dennis Kelly was selected by NSDF. It won The Festgoers Award, voted for by all the participants of the festival.

The following year, the Nottingham New Theatre had two shows selected by NSDF. These included, West by Steven Berkoff and The Toyland Murders, a student-written puppet show by Ben Hollands.The company won three acting awards for Shannon Smith (West), Becca Jones (West) and James Roscow (The Toyland Murders and West).