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Pre- and post-restoration views of Isabella de’ Cosimo I de Medici (circa 1570–74), attributed to Allesandro Allori. Courtesy of Carnegie Museum of Art. Pittsburgh’s Carnegie Museum of Art was convinced that a supposed 16th century Bronzino painting was a modern fake. Conservators discovered that the work was authentic, but had received a dramatic makeover during the 19th century. Image on right is the original.

Thought to be Maria de Medici, painted by Alessandro Allori, 1555-57, Florence (Moda a Firenze). Eleonora di Toledo is painted quite often with high-necked partlets, and there are numerous paintings of this period with ladies wearing high necked partlets with and without overgowns.

Italian (?) Working dress. Great detail of the partlet this interests me verry much I want to find more images of women in that style of dress and bodice

Art restoration in Italy: a photographic reportage in L’Aquila after the earthquake - Placing the Bedeschini’s painting “Il miracolo della vera croce” in a new room of the labs.