Moog Minimoog Voyager Electric Blue

The Minimoog Voyager Electric Blue
Edition is an all-analog performance synthesizer that shines on stage or
in the studio. It has an incredible sonic range and power that ONLY a
Minimoog is capable of delivering. From the creamiest modulated leads
to monstrous Moog bass, the Voyager remains the king of analog synths.
And just like the original Minimoog, the Minimoog Voyager was designed
and brought to life by synthesizer pioneer, Bob Moog.

The Minimoog Voyager is the crowning
achievement of synthesizer pioneer, Dr. Robert Moog. Originally released
in 2002, it stands alone as the world's most iconic analog synthesizer.
The latest version of the Electric Blue Voyager has many new features, including
MIDI IN and MIDI OUT implementation, tons of patching capabilities and many new panel features.

One of a kind color
The
Minimoog Voyager Electric Blue Edition is housed in a rugged steel
chassis surrounded by a fractal blue solid ash cabinet. At first it
appears black, but as you draw near, the fractal blue flecks create an
eye-catching display. Combine this with a stunning electric blue backlit
panel, blue pitch/mod wheels, and blue LEDs and you have a massive
monosynth that will not be ignored.

All the classic Moog filters, oscillators and more....

The Electric Blue includes two classic Moog Style lowpass filters and one awesome VCA (Voltage Controlled
Amplifier). Two ADSR (Attack Decay Sustain
Release) envelope generators and one multi-waveform LFO (Low Frequency
Oscillator) give you all the modulation you would expect from Moog. Of course it would not be a Moog Voyager without some amazing three
wide-range, high-stability voltage controlled oscillators, add in one noise
source, and one audio preamplifier for your external audio signals and you know this is all Moog!

VCAs and MIDI I/o for all your needs

Moog knows you need ins and outs galore and here the are, the rear panel will the same as your old school Voyager. MIDI In/Out and Thru, four input and output audio jacks, and two accessory
port connectors for whatever else your synthy brain can imagine! Of course Moog provided for your connections additional in's and outs with the output accessory port which connects the RME's 21 control
and gate outputs to the
Moog VX-351 Voyager Control Voltage Expander
,
while the input accessory port connects the 18 control and gate inputs
to the
Moog VX-352 Voyager Control Voltage Expander

Features include:

100% Analog Signal Path

44 Key Fatar Keybed

Blue Backlit Panel

Blue Backlit Pitch/Mod Wheels

Blue LEDs

3 Ultra-Stable Oscillators

2 Legendary Moog Ladder Filters

2 Four-Stage Analog Envelope Generators

2 Flexible Modulation Busses

Assignable X/Y/A Touch Control Interface

Over 800 Onboard Presets

CV/Gate Expansion Port

Legendary Moog sound in a stunning new case

Blue backlit panel and blue LEDs

Three wide-range, high stability VCOs with continuously-variable waveforms.

Two 'Moog-style' low-pass-resonant filters with choice of two-pole or four-pole response

Five-input mixer for combining the audio sources prior to filteringMIDI In, Thru, and Out Connectors

Standard MIDI connectors for interfacing with other MIDI gear.

Power Input:The Voyager's power input accepts a standard power cable. The Voyager works from 100-250 VAC, 50-60 Hz.

* FREQUENCY controls (2) vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1.* OCTAVE selectors (3) set the frequency ranges of the oscillators in six octave steps.*
WAVE controls (3) provide continuous control over the waveforms of the
oscillators, from triangular, to sawtooth, to square, to narrow
rectangular.* 1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects.* 3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3.* 3 KB CONT switch disconnects Oscillator #3 from control by the keyboard, thereby enabling it to function as a drone.*
3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio
range, thereby enabling it to function as a low frequency audio or
modulating oscillator.

* Input Level controls (5) adjust the relative levels of the oscillator, noise, and external audio input signals.* Input switches (5) enable the player to quickly switch individual audio signals in and out.* External Level LED enables the player to set the correct external audio signal level.

Filters ModuleDual
mode filter module includes dual lowpass and highpass-lowpass
filtering. Dual lowpass mode consists of two Moog lowpass-resonant
filters in parallel, one per output channel. Highpass-lowpass mode
consists of Moog lowpass filter in series with a highpass filter.

* CUTOFF control sweeps the frequencies of both filters throughout the audio range.* SPACING control sets the spacing between the frequencies of the two filters, over a +/-3 octave range.* RESONANCE control adjusts the resonance of both filters, from none (pure lowpass response) to filter oscillation.* KB CONT AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard.* Dual Lowpass/Highpass-Lowpass switch selects between dual lowpass operation or highpass-lowpass operation.

* ATTACK controls (2) determine the attack times of the envelopes.* DECAY controls (2) determine the decay time constants of the envelopes.* SUSTAIN controls (2) determine the sustain levels of the envelopes.* RELEASE controls (2) determine the release time constants of the envelopes.*
AMOUNT TO FILTER control determines how much the filter envelope will
open and close the filter, from full negative (inverted envelope) to
full positive (non-inverted envelope).* ENVELOPE GATE SWITCH selects whether the envelopes will be triggered by the keyboard, on , or by an externally-applied gate.

* RATE control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (fifty times a second).*
SYNC selector selects LFO synchronization source to be from the
keyboard gate, external envelope gate, external gate, or off (no
synchronization).* RATE LED provides visual indication of the LFO rate.

Modulation Busses ModuleSelects the sources, destinations, and shaping signals for the MOD WHEEL bus and the EXT PEDAL/ON bus.

Player Control Interfaces* 44 KEY KEYBOARD produces Pitch, Gate, Velocity, and Pressure control outputs.* WHEELS: Pitch Wheel bends pitch over a range of up to +/-1 octave. Mod wheel controls the gain of the MOD WHEEL bus.* GLIDE and RELEASE switches provide real-time on-off control over the glide and release functions.*
THREE DIMENSIONALTOUCH SURFACE provides three continuously-variable
control signals which are derived from the up-down and left-right
position of the player's finger, and the amount of area with which the
player makes contact to the surface.

Rear Jack PanelListed below:

Pedal/Control InputsThese
ten jacks have red nuts. They accept either expression pedals or
control voltages, and control the following performance parameters:

Accessory PortThe Accessory port deliversthe Control Voltage and gatesignals generated inside the Voyager to a standard DB-25connector. This is designed for use with the VX-351 Voyager CV Expander.

LFO SyncA footswitch or gateapplied to this input will reset the LFO waveform to the beginning of its cycle.

Envelopes GateA footswitch or gate applied to this input will start the envelopes.

Sample and Hold GateA gate signal applied to this jack will trigger a new sample and hold voltage.

Releasefoot
switch plugged into this jack will have the same effect as depressing
the corresponding switch on the left hand controller panel.

Mixer Ext InPlug
any instrument-level or line-level audio signal in this jack to combine
with the oscillator and noise signals prior to filtering.

Mix Out/Filter Audio InThe
output of the audio mixer appears here, before being fed to the filter.
Normally, the Mixer output is bridged directly to the filter input. If
you plug something into this jack, that breaks the normal connection.
Using a standard insert cable (1/4" TRS plug to two 1/4" TS plugs) this
jack can be used as an effects loop for external processing of the Mix
before it goes to the filter.

Left(Mono) and Right Audio OutputsThe
audio outputs are 1/4 " unbalanced outputs. The two output channels are
summed to mono when only the left(mono) output is used.

12V LampThe TNC Lamp Socket provides 12VDC for a gooseneck lamp.

MIDI In, Thru, and Out ConnectorsStandard MIDI connectors for interfacing with other MIDI gear.

Power InputThe Voyager's power input accepts a standard power cable. The Voyager works from 100-250 VAC, 50-60 Hz.