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It may be too cynical to assume Hybrid Theory changed its name to Linkin Park in order to appear right next to Limp Bizkit in your local record bin. But rock-rap workouts like "One Step Closer" and "Papercut" do make Linkin Park a comfortable fit with Fred Durst and his ilk. Producer Don Gilmore (Pearl Jam, Lit, Eve 6) and twin vocal threats Chester Bennington and Mike Shinoda serve up industrial-strength rap and rock melodicism with equal aplomb on this woulda-been-self-titled debut effort. "Points of Authority" aims to sound like Trent Reznor wanking it up with Lars and company, whereas guit0
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It may be too cynical to assume Hybrid Theory changed its name to Linkin Park in order to appear right next to Limp Bizkit in your local record bin. But rock-rap workouts like "One Step Closer" and "Papercut" do make Linkin Park a comfortable fit with Fred Durst and his ilk. Producer Don Gilmore (Pearl Jam, Lit, Eve 6) and twin vocal threats Chester Bennington and Mike Shinoda serve up industrial-strength rap and rock melodicism with equal aplomb on this woulda-been-self-titled debut effort. "Points of Authority" aims to sound like Trent Reznor wanking it up with Lars and company, whereas guitarist Brad Delson's Edge-y harmonics help "In the End" and "Pushing Me Away" evoke a dark romanticism akin to A Perfect Circle. Curiously, the band gets by with no bass player, while sample-happy DJ Joseph Hahn's step into the spotlight on the instrumental "Cure for the Itch" suggests a potential for eclecticism that could help Linkin Park outlive its seemingly transient genre. --Bill Forman