One of the great ‘last man alive’ films that checks a lot of boxes: man’s hubris, inexplicable science, slow descent into madness montages and most importantly of all, conversations with shop dummies →

Fantastic creature effects aside, this all feels like a rough first draft for the longer, deeper and more complicated fantasy horror series we’d never see. David Cronenberg as a knife-wielding serial killer is a nice touch though →

Objectively it’s pretty weak but you can tell everybody involved is doing their best and that counts for a lot. The soundtrack does a lot of heavy lifting and an animatronic Goro makes it all worthwhile →

Soderbergh’s crime comedy may be light on complicated heist hijinks and heavy on Clooney and Lopez’s perpetual eye-fucking each other, but it’s so intensely romantic and sweetly performed, I won’t complain →

I’m a little torn because the cast is excellent and the first 45 minutes or so is an exhilarating character drama, but the film circles aimlessly after a while and eventually goes off in explicable directions →

Objectively dreadful but Dennis Hopper and Charles Dance are both so clearly enjoying themselves against their better judgement it’s hard not to like. A bright, chunky, colourful aesthetic also helps a lot →

A disposable prequel that doesn’t tell us anything we needed to know, but it’s generally fun with some solid action and well-drawn heroes and villains. You don’t need to see it, but it wouldn’t hurt if you did →