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I don't suppose you'd care to house-sit for a while...' Hetty Longden's mother thinks that looking after Great Uncle Samuel's crumbling stately home will be just the thing for Hetty's broken heart. Hetty doesn't mind; at least she can be miserable in private. But 'private' is a relative term in a village which revolves around the big house. Particularly when you are expected to thwart Great Uncle Samuel's awful heir, and his nefarious plans for his inheritance. Pitchforked into the community's fight to save the manor, Hetty has no time to wallow. And once she has shared her troubles with one neighbour (Caroline: a very understanding shoulder, despite her glamorous appearance and impossibly long legs), and cast an appreciative eye over another (Peter: equally long-legged, but offering rather more practical help), she wonders if her heart is irretrievably broken after all...

Life Skills

A combination of overwork and jet-leg propels Julia Fairfax into becoming engaged to a golf-playing wine buff called Oscar. But when she realises that she has fonder feelings for his adorable Labrador than for Oscar himself, she is forced to confront the fact that there is something drastically wrong. Ditching her fianc and jacking in her job, she decides to revolutionise her life. Her new career as a cook on a pair of hotel boats is certainly a departure, and teaches her more about life than how to get a couple of narrow boats through a lock. But even afloat, Julia's past catches up with her. Not only must she contend with the persistent Oscar (not to mention his frightful mother and her own mother's determined matchmaking), but also the arrival of her childhood enemy, the enigmatic Fergus Grindley...

THYME OUT

In the 10 years since the collapse of her tempestuous marriage, Perdita Dylan has become beautiful, confident and determinedly celibate. Now the owner of a thriving salad nursery, she has patched her life back together and has almost completely forgotten how much she loved, and then hated, her ex-husband. So when she finds out that he has taken over the kitchen belonging to one of her most important clients, she is understandably wary. Add to this the fact that she is going to have to play at being polite to him during the filming of a new TV celebrity chef programme at her run-down cottage and it seems inevitable that her world is about to fall apart.

Artistic Licence

Thea, the heroine of Katie Fforde's Artistic Licence, is a disorganised 35-year-old whose life is going nowhere. Or that is how it appears to her student lodgers--whom she unwittingly mothers--and to her older friend Molly, a lady of leisure with a missed vocation as a chief executive. When Thea jets off to Ireland on a whim to stay with the devastatingly good-looking artist Rory, all her friends from her new hometown of Cheltenham are appalled. Equally, when Thea, on seeing Rory's heart-wrenchingly beautiful landscape paintings, decides to set up an art gallery in provincial west of England, her friends cannot believe what they are hearing.

Practically Perfect

Anna, a newly qualified interior designer, has decided it's time to put her money and her expertise where her mouth is. She's risked everything on buying a tiny but adorable cottage so she can renovate it, sell it on, and prove to her family that she can earn her own living. Outside, the chocolate-box cottage is perfect, but inside all is chaos: with a ladder for a staircase, no downstairs flooring, candles the only form of lighting and a sleeping bag and camping mat for a bed, Anna's soon wondering whether she's bitten off more than she can chew.

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