"The Lord blew our minds in so many ways with how He used our album Love Come To Life," explains frontman Mike Weaver. "The song ‘Redeemed' became a particularly special anthem. Being redeemed by what He's done, we step into the identity that Jesus purchased for us. The bridge from that moment to now is the journey that we've been on to our new album Beautiful Offerings. In learning how to agree with what He says about us, the Lord shows us more of who we are in Him. The words ‘in Christ we can do all things' introduce a brand new season of life. This album is about our learning how to move ahead in the knowledge that He has redeemed us to be Beautiful Offerings."

As the name implies, its a higher-BPM style of dance music that was very popular in the 1980s. It evolved from disco, but where disco had four beats of bass, Hi NRG had a more rock-music style drum line (whump-snare-whump-snare. In addition to the main beat, there was usually an accompanying second, syncopated shuffle rhythm, often made with a tambourine or similar high-pitched snare sound or, more often, an electronic variant thereof. Generally, Italo-Disco consists of English pop vocals over mid-tempo, heavily synthetic disco or hybrid disco-electro rhythms, with emphasized lead synths. It was mostly produced by Italians in the mid-1980s. Thus, the term is sometimes used more broadly to describe dance music from outside of Italy and from different eras and in more diverse styles. Back To 80s Party Disco Vol.7 (2016)Hi NRG, Italo-Disco, Euro-Disco, Synth-Pop | Self Released320 kbps | MP3 | unmixed | 2016 | 05:30:12 | 760 Mb , .com, .net

Bela Fleck has completely transcended any and all expectations we have for the banjo. Having spent the better part of five previous years exploring a variety of formal and improvised designs with his virtuoso ensemble, Bela Fleck & The Flecktones, this banjo innovator chose to celebrate a variety of musical friends and influences on this homey, elegant, immaculately recorded aural novella--one that clearly links him to such progressive jazz/fusion forebears as Return to Forever and Oregon (not to mention Bill Monroe & His Bluegrass Boys). While a manic hoe-down like "Cheeseballs in Cowtown" illustrates his command of post-modern bluegrass, his freeform duet "Bicyclops" (with mentor Chick Corea) is indicative of this great musician's astonishing technical and emotional range. Elsewhere tunes such as "Up and Running," "The Great Circle Route," and "System Seven" seem to reconcile his complex rhythmic inclinations with stately folkish themes, mixing traditional bluegrass instrumentation with the likes of electric bass, drums, piano, and oboe. And on extended forms such as "Circus of Regrets" and "Jayme Lynn," Fleck showcases his ever-expanding breadth and range as a modern composer. -- Chip Stern

Bela Fleck - Tales From The Acoustic Planet (1995)

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Anvil is Anvil! A self-confident statement. A band philosophy. And what s more: a life motto. Anvil is Anvil, that s the title of their latest album. And the name says it all: an unambiguous, uncompromising recording, typical of this band. At the same time it s fresh, occasionally surprising and generally exciting through and through. A stalwart metal manifesto by a band who stand for authenticity and credibility like few others in this fast-lived business. We re sometimes criticized for never changing, guitarist and vocalist Lips explains. But why should we change something we re renowned for? Isn t it much more important to stay faithful to yourself? To do what you do best? The idea behind our latest album is: we are what we are, and that s how it s going to stay! For all Anvil fans, this is the best news of the year. And the all-important date for 2016 has already been scheduled: Anvil is Anvil will be released by Steamhammer/SPV on 26 February 2016. So be sure to mark the day in your diary!Because Anvil is Anvil presents Lips, drummer Robb Reiner and their new bassist Chris Robertson in a thoroughly magic metal moment. Lips: Time will tell whether this album is the absolute pinnacle of our career. But I would already refer to it as ´gaining the momentum`. The year 2013 was a perfect new start for Anvil. We were touring, went on to write the new material, toured again and returned to compose some more. During that time, the new line-up gelled into a real unit. The arrival of Chris was just as significant for us as the film back in 2008. He helped me enormously with my vocal lines, which is why my voice sounds better than ever on stage and also in the studio. The same could be said of the new material. Anvil is Anvil sounds all of one piece and presents the band s amazing diversity, combined with their conscious loyalty to the compositional DNA of their own classics. ´Die For A Lie` for example sounds like a contemporary version of ´Jackhammer` and the stomping ´Runaway Train` features the same directives as ´Smoking Green`, only based on Kudlow s present-day maturity. I practically graduated from the Bob Marlette University, the Anvil frontman praises the American producer with whom the band recorded their 2011 release, Juggernaut Of Justice and Hope In Hell (2013). Bob showed me how to write songs which really mean something. So when I started to compose this time around, I was perfectly groomed. Talking of which: Anvil is Anvil was produced by Martin ´Mattes` Pfeiffer (U.D.O.) at the Redhead 4 Studios in Pulheim near Cologne, Germany. For Lips, whose family is Jewish, as is drummer Robb Reiner s, it was a special moment to work with a German producer in a German studio. There s a song on Anvil is Anvil that s called ´Forgive Don´t Forget`, which says everything about our attitude. Nobody is guilty of anything that happened before their time, especially since Germany has critically examined and come to terms with its own past. Anvil have always been welcome in Germany, even during difficult phases. When we think of Germany, we think of friends, not war criminals. Lips calls himself an idealist who takes a clear political stance with songs such as ´Gun Control` and ´Die For A Lie` and also denounces the ambiguous role of the church. He says: Religion is frequently used to involve people in military conflict. Hate in the name of God that s just wrong!

Anvil - Anvil Is Anvil (2016)

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A collaboration of some of New York's behind-the-scene's musical heavyweights, Ultrablue offers up R&B-tinged smooth jazz with Big Apple attitude. The primary creative force behind their unique sound is pianist/producer John Smatla, a well-seasoned musician with hefty experience in both the pop and jazz worlds, and Dave Stryker, an acclaimed jazz guitarist and reputable sideman, with more than a few A-listers on his track record. Smatla, having cut his teeth with pop groups like Quiet Riot and Debbie Gibson before shifting focus to the smooth jazz world, brings a valuable pop sensibility to the table. Stryker has an impressive history, holding the guitar slot with Stanley Turrentine for nine years, and playing and recording with headliners Eliane Elias and Kevin Mahogany. Ultrablue's lineup is filled out with a number of recognizable names, like Latin jazzer John Benitez, vocalist/percussionist Phillip Hamilton, and saxophonist David Mann. This is their second release as Ultrablue, and features some very notable guests: flautist Nestor Torres and Randy Brecker lend their considerable talents and name recognition to the pool. With interesting harmonies and effective, memorable, melodic hooks, not to mention the production, which has been buffed to a high gloss, Ultrablue's sound is both catchy and sophisticated. A surefire win with smooth jazz crowds. -- Evan C. Gutierrez

Ultrablue - Ultrablue - High Speed Download

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Artist: The WhoTitle: TD Garden, Boston, MALabel: Brunswick, Reaction, PolydorStyle: Rock, Hard Rock, Power PopRelease Date: 07.03.2016Format: CD, CompilationQuality: 320 Kbps/Joint Stereo/44100HzTracks: 29 Tracks Size: 283 Mb / 02:03:03 MinTracklist:01. The Who - Who Are You 06:3802. The Who - Talk 01 00:5103. The Who - The Seeker 03:3904. The Who - Talk 02 01:2805. The Who - The Kids Are Alright 03:1106. The Who - Talk 03 00:4907. The Who - I Can See For Miles 04:4208. The Who - Talk 04 01:0409. The Who - My Generation 04:3210. The Who - Talk 05 00:4311. The Who - The Real Me 03:5812. The Who - Talk 06 01:1113. The Who - Pictures Of Lily 02:5914. The Who - Talk 07 00:4315. The Who - Behind Blue Eyes 03:5316. The Who - Talk 08 01:2317. The Who - Bargain 06:0018. The Who - Join Together 05:3719. The Who - You Better You Bet 05:4020. The Who - Talk 09 00:5421. The Who - I'm One 03:2122. The Who - Talk 10 00:4923. The Who - The Rock _ Love Reign O'er Me 14:5124. The Who - Eminence Front 06:0525. The Who - Amazing Journey _ Sparks 09:4026. The Who - Pinball Wizard _ See Me, Feel Me 07:2627. The Who - Baba O'riley 05:5128. The Who - Won't Get Fooled Again 09:0229. The Who - Outro 05:47

"Basar" is the new album from Berlin based duo Africaine 808, and it pushes their divine blend of West African bass and rhythms, disco, island-funk and house to newer heights. Their deep and timeless debut is about "Freedom and Freedom only" and is an album that reaches for the party Arthur Russell was talking about when he said "I wanna see all my friends at once." Africaine 808 are musician and producer Dirk Leyers, formerly one half of the project Closer Musik, and Berlin DJ and established artist Nomad. The pair met in Berlin at the city's annual summer techno demonstration Fuckparade in 2000, where they caught the infamous "Techno Viking" scene live as it unfolded. Nomad got his first drum aged 6 years old, from a church collective yard sale. Now an avid collector of African influenced musical styles, from South African Shangaan to Westafrican Funk, his rhythmic quest has lead him to study and explore African and world music for almost 3 decades. Nowadays Nomad's legendary Vulkandance parties are a melting pot of African, Latin, and Caribbean club music. The title "Basar" comes from the ancient term for "oriental marketplace", a place to experience a multitude of impressions with your senses. Like an exotic marketplace, "Basar" is filled with different sights and sounds around every corner. From the deep and mystical "NGONI" which takes West African music to the rave with wobbling bass and hints of 90s ethno-dub to the killer squirmer of a bassline on "Language of the Bass ft. Alex Voices" which keeps things heavy but nimble whilst recapturing UK bass histrionics. The smokey, soulful tones of OFRIN on "Ready For Something New" offers a mystical downbeat gem. Whereas "Balla Balla" takes it back to the dancefloor for a sweaty rhythmic number that bounces off the walls with it's tribal funk groove. Recent 12" single "Rhythm Is All You Can Dance" also makes an appearance; wedding funk, earthy rhythms and frenzied African grooves to the gurgle of an 808. The duo made their debut back in 2013 with "Tummy Tummy"; which featured on Will Speculators W.T. Recordings compilation "DJ MUSCLE." The following year Golf Channel put out "Lagos New York." Pairing New York flecked disco with West African bass and rhythms, "Lagos New York" made for one of 2014's most essential electronic releases. Having found the right home with one of the best labels (and parties) in New York City, the Berliners debut album "Basar" has the feeling of an essential album all over - a big, brooding, emotional and uplifting record that you can dance, laugh and cry to.

Africaine 808 - Basar (2016) FLAC

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