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Wavetable synthesis - Wikipedia, the free encyclopedia

Below are just a few of the soft synths available that use Wavetable Synthesis to some degree. Prices range from $59 to $479 depending on feature set, interface design and multi-functionality.

Wolfgang Palm (founder of German-based PPG or Palm Products Gmbh) is known as the originator of wavetable synthesis in the late 70’s. Read more and .

It uses smart wavetable synthesis mixed with virtual-analouge synthesis to get the best results.

SoloString 1.0 | Physical modeled acoustic guitar synthesizer.

Invader 1.1 | FX Synthesizer

Wavetable Synthesis | The Synthesizer Academy

The German synthesizer designer Wolfgang Palm began experimenting with wavetable synthesis in the late 1970s, with his research realized in PPG's line of synthesizers such as the Wavecomputer, Waveterm, and Wave. Palm's implementation of wavetable synthesis employed an array containing 64 pointers to individual (symmetrical) single-cycle waves stored within the instrument. Usually, only a few pointers to these waves were actually used, spread throughout the breadth of the wavetable. The distinguishing feature of the PPG Wave series was that it would interpolate the remaining waves in between the defined pointers, so that changing the position within the table would result in a smooth, unique "morphing" effect between the waves. It should be stressed that Palm's wavetable scheme's strength was in its generation of harsh digital sounds and bell-like timbres, not the emulation of acoustic instruments. It was possible to sample a complex sound into a wavetable by way of the Waveterm device, but the results were invariably artificial, and usually not as interesting as the powerful and bizarre sounds resulting from competent exploitation of the synthesizer's capabilities.

UVI WaveRunner - The Wavetable Synthesis …

The description of wavetable synthesis in previous sections is the most original definition of the term and (as shown in the reference below) wavetable synthesis is equivalent to additive synthesis in the case that all partials or overtones are harmonic (that is all overtones are at frequencies that are an integer multiple of a fundamental frequency of the tone).

Building A Wavetable Synth | Hackaday

Wavetable Synthesis “in its simplest form consists of playing a table that contains a single cycle complex waveform with an oscillator.” In more sophisticated manifestations, a table-based based technique sometimes referred to as Table-lookup Synthesis, “involves dynamically modifying a complex waveform in realtime by evolving multiple wavetables (in a manner similar to vector synthesis)”. (Cipriani, 2016, p. 228)

Wavetable synthesis in Reason | Rack Extension | Reason

There can be dozens or hundreds of wave shapes in an indexed table. As a note or sound is triggered, sweeps can occur that move from one wave shape to the next with digital interpolation occurring between shapes. This process can be modulated by an , that relates to the ADSR stages of a MIDI event or even manual sweeps by means of a continuous controller. Control voltage (CV) can also be used to modulate parameters in hardware wavetable synths like the .

Wavetable synthesis | Article about wavetable synthesis …

This method differs from simple sample playback in that the output waveform is always generated in real time as the CPU processes the sequence of wavetables, and the data in each table normally represent one period or cycle of the waveform. The name "wavetable" as applied to soundcards and sample-playback synthesizers is a misnomer; see below for an in-depth discussion.

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The Basics of Wavetable Synthesis — The Pro Audio Files

After the demise of the PPG company, Waldorf Music adapted Palm's wavetable oscillator design into their wildly successful Microwave synthesizer module (1988). This design was extrapolated into the Waldorf Wave in the early 1990s, a very large and expensive instrument offering facilities for resynthesis and user-friendly wave and wavetable construction. An all-digital revision of the Microwave soon followed, with a complete line of wavetable synthesizers remaining in production until 2003. Aside from a few improvements designed to eliminate audible aliasing and quantization (signal processing) errors, this wavetable oscillator scheme had not significantly changed since the first days of the PPG wave series.

Teensy Wavetable Synthesis: Wavetable-Synthesis

Palm's systems used wavetable to mean the list of waveforms being processed as part of a patch or program; in more general technical use, however wavetable has also been used to mean the sample data used to generate a sound. This was noticed in the early 1990s by several makers of PC soundcards; starting around 1993, with the introduction of Creative Labs' Sound Blaster AWE-32 and Gravis's Ultrasound cards, the term "wavetable" started to be applied to any card that had a better General MIDI subsystem than the then-common OPL2 and OPL3 FM synthesizers. These subsystems were generally based on low-end sampler ICs, often with no support for per-voice modulation controls or custom patches, limiting their usefulness for music composition greatly. This usage of the term has been downplayed in recent years with the drop in popularity of General MIDI-based music in games, in favor of custom sound engines (which typically call for a more modern DSP-based sound card) and pre-recorded music.

Wavetable Synthesis - McGill Schulich Faculty of Music

The AWE32 and the Ultrasound are somewhat more powerful than their specification sheets say; the AWE32 in particular was based on the chip powering the E-mu Emulator III and had uploadable samples (with up to 28 MiB of sample memory), per-voice LFOs and resonant filters, and it also exposed the current sample memory address for each DCO, making it possible to force the DCO to another address on demand. All of these can be used to generate wavetable-style effects, though it should be stressed that the AWE32 is not a wavetable system in the classical sense. The AWE32 also has an OPL3 FM synthesizer that can be used alongside the sampler.

Reviews

“ Some later variations on the technique are Roland's "Linear Arithmetic" synthesizers such as Roland D-50 and Roland MT-32/LAPC-I, which combined complex sampled attack phases with less complex sustain/decay phases (basically a wavetable synthesizer with a 2-entry wave sequence table), and vector synthesis, used in the Sequential Circuits Prophet-VS and Korg Wavestation, which can move through wavetables and sequences arranged on a 2-dimensional grid. ”

Bandlimited Wavetable Synthesis – HackMe

Talk:Wavetable synthesis - Wikipedia

Gallery Wavetable Synthesis Archives | Beat Lab

About "wavetable synthesis" as described in …

Wavetable synthesis is a technique used in certain digital music synthesizers to produce natural tone-like sounds

Wavetable synthesis is both simple and straightforward in implementation and sophisticated and subtle in optimization. For the case of quasi-periodic musical tones, wavetable synthesis can be as compact in data storage requirements and as general as additive synthesis but requires much less real-time computation. This paper shows this equivalence, explores some suboptimal methods of extracting wavetable data from a recorded tone, and proposes a perceptually relevant error metric and constraint when attempting to reduce the amount of stored wavetable data.