Sunday, March 25, 2012

Up in the Air: Awesome Examples of Aerial Photography

This week's intended series of posts have been condensed into this one mega-post, but that doesn't take away any of the awesomeness of the subject. It's all up in the air for today, literally speaking as all of these photographs here were taken from a higher than usual altitude. Featured here are the works of Yann Arthus-Bertrand, Vincent Laforet, Bryan Solarski and Alex Maclean. All of these talented photographers and artists are at the top when it comes to examples of awesome aerial photography.

The first of today's featured aerial photography masters is Yann Arthus-Bertrand. Veteran blog readers may already be familiar with his name as he's already been presented on this blog before for his portraiture work with prize-winning farm animals. Arthus-Bertrand's name is also well known because of his 2009 film, Home, which focused on the environmental impact of rapid industrialization and urbanization of all countries.

Arthus-Bertrand's aerial photography (the four example images above) has a strong emphasis on patterns, both man-made and natural. He has visited over 100 countries in order to document them from above, and the best part is that many of his images are available for free on his website.

The preceding four pictures were taken by our next featured photographer, Vincent Laforet. Laforet's work has been featured in dozens of publications, including National Geographic, Time and Vanity Fair. Aside from his aerial photographs, he is well-known among video enthusiasts for his cinematography work using modern DSLRs.

Laforet uses both traditional and tilt-shift lenses for his aerial work (although only his straightforward pictures are presented here).

The third of today's photographers is Bryan Solarski. His photography stands out from the rest in that he uses tilt-shift lenses to achieve his desired effect. In tilt-shift photography, the lens is, as the name suggests, tilted and shifted relative to the camera's sensor or film to produce the blurred, miniature effect. To illustrate this point using traditional photography, the image passes through the lens which is parallel to the sensor, thereby ensuring that the each portion of the scene has an equal chance of being in focus in the final image. In tilt-shift photography, the lens is maneuvered in such a way that only one portion of the image is in focus relative to the sensor.

If the explanation is a bit mind-boggling, don't worry about it and just enjoy Solarski's images.

The last of the featured aerial photography masters is Alex Maclean. His images (including the cover photo at the top) show complete mastery of the field. As wuth Arthus-Bertrand, his images show strong contrasts and lines, as if the structures and landscapes in his images were meant to be seen from above. This may come from his training in architecture. It's interesting to see how he selects certain parts of the scene below him to frame; through his lens they become little landscapes of their own and exist in a reality that can only be seen from above.

I really like the aerial photos of the people and the people on the beach. The other photos are good but they look so much like the view from Google Maps that it's tough for me to think of them as fine art.

Wow, I love this post! That beach one would be so fun to own and have framed and aerial views are so unique. One of my favorite parts about flying is just staring down at the different landscapes and cities looking at all of the buildings and sights. Thanks so much for sharing these~Dale