Ed Ruscha: 50 Years of Painting in L.A.

‘Unfortunately, people always want things to be explained, whether it’s the state of the US banking system, or a painting.’Ed Ruscha

Now, the retrospective ’50 Years of Painting’ moved from London to Munich’s Haus der Kunst. It provides the possibility to explore Mr. Ruscha’s elaborate oeuvre. However, I don’t think his paintings can ever be explained entirely. That is part of what makes them so exciting.

He sourced his motifs often from the trivial: Gas stations, a falling glass of milk, movie images and billboard letters. He contrasts them with abstract or idealized Californian landscape backgrounds. ‘My work is abstract in the sense, that even recognisable objects become just shapes.’

I find most interesting his use of words in painting. Ed Ruscha often ignores the meaning of the words or sentences and uses them simply as an object in a painting.

He says about sounds, ‘There is a certain sound I’ve always been attracted to. It’s the sound of a package of bacon being slept down on a countertop at a butcher’s shop. If I can achieve that in a picture, that is silent, then I have succeeded.’

He went to art school in the 1950s in Oklahoma City. There everything was about - the mainly New York based - abstract expressionism. Until he saw works by the pop artistJasper Johns: Everything that he learned about painting, was different in his work: It was symmetrical; there were recognisable objects assembled within a piece in a strange – not finally explaining – way. You can see this fascination in his early works, like ‘Noice, Pencil, Broken Pencil, Cheap Western’ of 1963.

Ed Ruscha, 10. Feb 2010 at Haus der Kunst; Photo: Jörg Koopmann

He often put an element of movement into flat and static pictures: Many of his words are painted in a zoom or liquid style. The dynamic of a falling glass of milk or the imaginary fire of the L.A. County Museum contrasts the abstract shape of his motif. A similar approach, you can also find in David Hockney’s famous swimming pool painting ‘A Bigger Splash’ of 1967.