Welcome to Miss Jennifer Lawrence, your ultimate online resource for American actress Jennifer Lawrence who is best known for her roles in the X-Men & Hunger Games movies. We aim to provide you with all the latest news, images & other Jennifer related media.

Chain letters usually get a bad rap, but Dior is about to change that narrative. Launching today on Instagram, The Dior Love Chain is new, sure-to-be viral campaign, that asks the deep question ‘And you? What would you do for love?” Faces of the brand―including Natalie Portman, Robert Pattinson, Camile Rowe, and Jennifer Lawrence―kick of the chain and want you to participate.

Film your answer to the question, post it with the hashtag #diorlovechain, then tap others to continue the Dior Love Chain by posting the answers to the question on their own feed. For every Dior Love Chain post, one dollar will be donated to WE Charity, a charity that leads global initiatives that aim to break the poverty cycle.

We can’t promise you’ll have good luck if you send this chain letter, but you’ll definitely have good karma.

Darren Aronofsky tends to labor for years on his screenplays. But with mother!things went a little differently. “I was always jealous of singer-songwriters who can pop out a song in a couple of days or a few hours,” Aronofsky says. “I had this idea, and I felt it rise up in my head. I took a long weekend and got into this fever dream and just pumped it out. [Laughs] We’ll see what the results are. It’s been an interesting way to approach it — trying to capture a single emotion and trying to tell that two hour story out of that emotion.”

The idea is one he still struggles to talk about — “I’m still figuring it out!” — but we do know it centers on a married couple (Jennifer Lawrence and Javier Bardem) whose relationship is tested when another couple (Michelle Pfeiffer and Ed Harris) visits. “It has home-invasion elements and is definitely a thriller,” Aronofsky allows. “It is closer to Black Swan in spirit than anything I have done in a while.”

Shooting (in 16mm) took place last year in Montreal — “As soon as you get Jennifer Lawrence, you have a movie,” Aronofsky says with a laugh — after a long rehearsal period in Brooklyn. (“It’s rare and a luxury,” says the director.) Bardem had been following Aronofsky’s career closely since his 1998 debut, Pi. “I remember so well seeing that movie,” says Bardem. “It blew me away. And Requiem for a Dream was the same. I was so impressed by the filmmaking, by the quality of the images but mostly by their performances and that strange line between fiction and reality. I love that.” The young woman playing his wife onscreen is one he also has a history with—they were once seated together at a film festival when Lawrence was a then unknown promoting Winter’s Bone. “I just remember she was so young and she was so funny! She was making jokes about the show, about everything, we all were laughing a lot. I hadn’t seen Winter’s Bone yet but then I did, after that night, and I was really impressed by the quality and the depth. All of this is to say when I heard Jennifer Lawrence was in the cast, I was very happy to be working with her. She is one of a kind and I truly admire her.” Did he ever think he’d one day be playing her on-screen husband? Bardem bursts out laughing. “No! Obviously no. Not even when I was shooting could I really imagine it.”

In the scene above, the couple hosts a large gathering at their house. “You can see the tension in their relationship as it’s pulled by all these forces,” Aronofsky says. “Jen and Javier are experiencing things in different ways.” The trailer, released last week, certainly capitalizes on that tension. (And, ushering in the age of a Pfeiffer-sance, a good look at the mysterious character Michelle Pfeiffer plays. “She’s exceptional,” says Aronofsky. “It’s a very brave and bold performance. She brought her A-game.”)

But what is, you know, actually happening? “The best thing about this film will be the surprise of it,” Aronofsky insists. “It’s an intense journey and it’s definitely the biggest roller coaster in the park. Only get on it if you really want to do the loop-the-loop.” Bardem agrees with the vow of silence. “We all know every f—ing thing all the time,” he says. “That’s good for some things and bad for others. We have to keep this mystery going if we can.” Mystery accomplished.

It’s a warm evening in Los Angeles, and Lawrence and I are alongside a fire pit in the backyard of a Mediterranean-style home high in the hills, where the air smells of flowers, money, and the negligible carbon burned thoughtfully by electric cars. The chaos of Hollywood feels a zillion miles away.

This is not Lawrence’s actual home. It’s a rental. Lawrence’s real home “broke” while she was away—a madcap story involving crystals and . . . well, let Lawrence tell it: “When I first moved in, the house was crystalled out—crystals everywhere, and geodes,” she explains. “And I was like, ‘Please get rid of these; I don’t want people to come over here and think I’m a crystal person.’ Not that there’s anything wrong with that! But everyone told me, ‘You can’t do that. You can’t move them. You have to have the crystal lady who put them in move them… You know where this is going. Lawrence did not get the crystal lady. “I just had all the crystals yanked out. Sold them. And then my fucking house flooded.”

“I hate crystals,” Lawrence says. There are no crystals in the rental. There’s not much evidence Lawrence is living here, other than an oil painting of her dog, Pippi, over the fireplace. I’ve brought bourbon: a bottle of Old Grand-Dad, a nod to Lawrence’s Kentucky roots. It’s after 5:00 p.m. and we’re having one, because . . . wouldn’t you?

“This is delicious,” Lawrence says, pulling a blanket over her sweater and wide-leg Zimmermann pants. And this booze cost only $19.99, I tell her. “Wow,” she says, deadpan. “I shouldn’t be wasting this on you. I’m going to save it for company.”
A few days prior, Lawrence had visited with the acclaimed American painter John Currin for the work that appears opposite. “Pretty unbelievable,” she says. “He took photos, and posed me like one of those French girls. I think Pippi might actually be in some of them.”

Is she going to get the finished Currin? “How do I broach that?” she asks. “Who else would want it?”

2014 MISS JENNIFER LAWRENCE Designed by Gratrix Designs / Hosted by Freefansitehosting.com
Miss Jennifer Lawrence is in no way affiliated with Jennifer Lawrence. We are not authorized by Jennifer or her representatives. This site is an unofficial fan site and does not gain any profit. Please do not attempt to contact Jennifer through us as we are not in direct contact. All images found on this website are owned by their original creators. The images and content on this fansite are used under the fair copyright law 107.