On display

Harem wall painting fragments

These fragments of wall-paintings from the
harem baths at Jawsaq al-Khaqani provide a glimpse of important
early examples of figurative art in the Islamic world.

These fragments of wall-paintings from the harem baths at Jawsaq
al-Khaqani provide a glimpse of important early examples of
figurative art in the Islamic world.

The two figures, displayed on these wall painting fragments, are
probably slave girls from the harem of Caliph al-Muasim in Samarra,
where the walls of the palaces were painted with large scenes of
hunters, dancers, and drinkers. The palaces were also decorated
with carved wooden panels and stucco (plaster).

The women of the palace were not just wives and concubines but
were also poets and musicians. Harem girls were often highly
trained in singing, music and literature and it was potentially an
attractive career for a woman of humble origins.

Samarra was built in AD 836 as the new capital of the Islamic
Empire. At the time it was one of the largest cities in the world,
sprawling some 25 miles along the banks of the river Tigris.

Samarra’s name comes from the Arabic for 'Happy he who sees it'
and it was created to house the court of Caliph al-Muasim (reigned
AD 833-42) and army of Turkish slavesoldiers, after they
increasingly came into conflict with the inhabitants of
Baghdad.

The site includes palaces and mosques, built on an unprecedented
scale, and also a large race-course. Many of the palaces are built
right on the waterside, with steps leading down to an artificial
water basin.

In AD 861 Samarra was abandoned. The city's decline mirrors that
of the Islamic Empire, which became increasingly fragmented from AD
800 onwards.

Islamic Middle East

The Islamic lands have encompassed at different
times Spain to the west and as far as the Malay world and China to
the east.