“A collection of profound and epic album reviews and musical articles by former astronaut and brain surgeon, Alasdair Kennedy. Reaching levels of poetry that rival Keats and Blake, the following reviews affirm Alasdair to be a prodigy, a genius and a god whose opinion is always objectively right. He is also without a doubt the most modest man in the universe.” - Alasdair Kennedy

Pages

Sunday, 29 November 2015

Review of 'AQUARIA' by Boots

Boots (not to be confused with Little Boots, Moon Boots or
Puss in Boots) is an American singer and electronic producer. Some of you may
know him as the dude who produced Beyoncé’s ‘Haunted’. Some of you may now him
as the dude who produced that recent FKA Twigs EP. Some of you may know him as
the guest vocalist on that Run the Jewels track ‘Early’. Some of you may not
know him at all, in which case don’t despair, I’m here to fill you in.

Boots

Tired of being a footnote on other people’s albums, Boots
has finally got round to releasing a debut record of his own. It’s a
self-produced r&b album of sorts. Such albums are popular nowadays, but
Boots has his own very unique style – a moody mix of abstract beats, snarky
sing-rapping and Radiohead-like croons.

There’s no faulting the atmosphere and Boot’s beatsmithing
skill’s certainly shine. Percussion takes prominence, Boots experimenting with digital clicks and thuds beyond the usual 808 palette. His real talent is his ability to make these computerised drum patterns sound human, suspensefully building and layering them the way a Brazilian samba outfit might.

Ultimately, tunefulness takes a knock. Whilst there are brief
moments such as the melancholy piano chords on ‘Only’, most of the instrumentals
seem to do away with melody except for the occasional spot of growling bass or distorted synth. This skeletal production gives the vocals less to hide behind, and in Boots case he's hardly an exciting enough singer to compensate. He can adopt a sassy, suspenseful tone at times that is engaging such as the vocal harmonies on the title track ‘Aquaria’, but otherwise his delivery is constantly and monotonously sullen. It adds to the moody vibe, but renders every hook unnoticeable.

I can certainly say I enjoyed the album, but without earworms it feels like the kind of album I'll rarely return to. I need a good riff or chorus to lure me back. A creative percussion pattern is not enough.