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7/15/14

Translate Émile Zola: An Open Letter to Publishers

Artists, coal miners, prostitutes, politicians: you’ll find all of these characters and more in the works of Émile Zola.

I read my first Zola novel in college, during a lull in my final
exams at the end of sophomore year. The college bookstore happened to
have a copy of Le ventre de Paris (The Belly Of Paris) in its little “general literature” section, and from the moment I read the first page I was HOOKED.

Setting out to write about every
aspect of French society under the Second Empire, Zola (1840-1902)
crafted twenty exquisitely detailed novels over the course of two
decades at the end of the 19th century. His formulation of literary
Naturalism, where the writer attempts to objectively study and analyze
human society through the lives of his/her characters, was so
influential that it drove Stephen Crane, Frank Norris, and Theodore
Dreiser, among others, to craft their own versions of American
Naturalism.Zola
believed that the novel should dive below the surface of everyday life,
revealing the dirt, gossip, waste, greed, hostility, and bitterness
that other writers refused to acknowledge. Inspired by the discussions
of human evolution and natural selection raging around the western world
at the time, Zola wanted to use literature to expose and acknowledge
the animal in all of us, the most basic instincts that still drive us no
matter how “civilized” we attempt to be. He saw himself as a student of
human behavior, and subsequently left a remarkable chronicle of one
nation on the cusp of enormous change.

His magnum opus, The Rougon-Macquart: the Natural and Social History of a Family under the Second Empire
(1871-93), follows the offspring of two families over a period of
twenty years (1851-1870), enabling Zola to explore the lives of such
people in French society as coal miners, department store managers,
painters, politicians, priests, slum-dwellers, and prostitutes.

And now a few reasons for why I wrote this post. My search for a standardized, modern, English-language edition of LesRougon-Macquart turned up no such thing. However, I did find a few helpful websites devoted to the works of Zola, particularly the Rougon-Macquart series (all in various stages of development): Reading Zola (ongoing and also the most comprehensive), The R-M Novels of Emile Zola, and The R-M by Emile Zola). Here you’ll find plot summaries, analysis, relevant chronology, historical and political contexts, and other Zola-y things.

All of these sites also note that you can find most of the R-M novels
in English translation at Project Gutenberg. Now, as you all know, I’m
not a print-snob, and I’m not saying that a digitized Zola is less
wonderful than a print Zola. What I am saying here is that I do
mostly read print books and my house is groaning with over 700 of them
(so far- hee hee!). And I’m one of those people who drools over “The
Collected Works of…” kinds of things. I luuuuuuurve symmetry,
consistency, standardized stuff- you get the idea. So all I’m asking is
this one teeny-tiny-itsy-bitsy thing:

Somebody, ANYBODY, translate the entire Rougon-Macquart series into English and sell it as a set with beautiful impressionist paintings on the covers please and thank you.

Now, I do know that Oxford University Press has been
bringing out many R-M novels with new translations over the past decade,
but I am greedy and want it ALL. So, if OUP is actually planning to do
the whole shebang, that’s awesome, but until then…

I hear you, publishers of translated fiction: you’re saying that this
is easier said than done, and I completely understand. This project
would take years and many dollars and many dedicated people. I’m just
trying to get the ball rolling.

To that end, I’ve done some front-end work for you! Below is a list of all 20 of the Rougon-Macquart books in order of publication along with a relevant painting by Edouard Manet. Manet is perfect for so many reasons,
including the fact that he, like Zola, depicted men and women from all
classes and walks of life, and Manet was at his most experimental just
as Zola was cranking out the R-M novels. Oh, and Manet painted Zola’s portrait this one time (see below).

Anyway, if you’re still reading, you’re in for a treat: 20 fan-freakin-gorgeous Manet paintings and one-sentence summaries of each R-M novel.
And remember to tell us in the comments which Zola novels you’ve read!

The Balcony, 1868-9La fortune des Rougon (1871)
Introduces the reader to many of the characters in the series and
sets them against the backdrop of political upheaval following the coup
d’état of Louis-Napoleon in December 1851.

Cafe-Concert, c. 1879La curée (The Kill, 1871-2)
A scathing portrait of the middle-class that brings into relief its lust for money and pleasure in an age of decadence.

Still Life with Fish, 1864Le ventre de Paris (The Belly of Paris, 1873)
Features Les Halles, a vast, roofed meat and produce market, and a
man whose struggle against the coup d’état acts as a constant rebuke to
the reforms of the Second Empire.

Music in the Tuileries Gardens, 1862La conquête de Plassans (The Conquest of Plassans, 1874)
This is the story of a politically-minded priest, a woman’s psychological collapse, and apparently one heck of a shocking ending.

The Monk at Prayer, 1865La faute de l’Abbé Mouret (Father Mouret’s Transgression, 1875)
A surrealistic novel set near Plassans that focuses on a priest who,
worn down by illness and intense devotion, falls under the care of an
Eve-like figure.

Le Bon Bock, 1873Son Excellence Eugéne Rougon (1876)
In which the eponymous character, once a powerful government
minister, plans his return to power with the help of an Italian
adventuress.

Plum Brandy, c. 1877L’assomoir (The Dram Shop, 1877)
The depressing and gritty story of a working-class laundress who,
despite wanting to improve her circumstances, ultimately destroys
herself with the help of her husband, her ex-husband, and large
quantities of alcohol.

Interior at Arcachon, 1871Une page d’amour (A Love Story, 1878)
A lonely woman dealing with her daughter’s neurological problems, a
doctor who tries to help, and the love that blossoms between them (but
this is Naturalism so don’t get your hopes up).

Nana, 1877Nana (1880)
Having escaped a life of brutality and neglect (see L’assommoir),
Nana becomes a popular Parisian courtesan, bleeding dry her many rich
conquests and basically taking Paris by storm, that is, until she
destroys herself through excess.

Portrait of Zacharie Astruc, 1866Pot-Bouille (Pot-luck, 1882)
A massive tragi-farce, Pot-Bouille details the rise of
Octave Mouret to become the head of “Au bonheur des dames,” making it
the largest department store in Paris and enriching himself through
affairs and some wheeling-and-dealing.

Portrait of Mlle Isabelle Lemonnier, c.1879Au bonheur des dames (The Ladies’ Paradise, 1883)
A detailed, complex exploration of the rise of the modern department
store and how it sucked the life out of smaller retail shops, set
against an improbable love story.

Lady with Fans, Portrait of Nina de Callais, 1873-4La joie de vivre (The Joys of Living, 1884)
A bleak story of an orphaned girl whose guardians spend her inheritance and blame her for their problems.

Old Musician, 1862Germinal (1885)
A powerful tale of coal miners who strike in order to change the terrible conditions under which they must work.

Self Portrait With A Palette, 1878-9L’oeuvre (The Masterpiece, 1886)
Based partly on the experiences of Cezanne, L’oeuvre
chronicles the life of a brilliant but emotionally-overwrought painter
who helps usher in a new era of art but ultimately cannot complete his
work or settle down into a stable family life.

The Swallows, 1873La terre (The Earth, 1887)
Described as both a positive portrayal of peasant life and a searing criticism of the same, La Terre delves into land-rights issues and their political ramifications.

Le Repose (Portrait of Berthe Morisot): 1870-1Le rêve (The Dream, 1888)
Focuses on an orphaned girl (again) who falls in love with a
nobleman, and all the strongly-held religious beliefs and traditions
that conspire (through the nobleman’s father) to keep them apart.

Bull-Fighting Scene, 1866La bête humaine (The Human Beast, 1890)
A violent story of sex and murder, this particular novel delves deep
into the psyche of a young man abandoned by his mother in the
countryside and his ultimate rage against women and loss of control.

The Bar at the Folies Bergere, 1882L’argent (Money, 1891)
A satire of the Crédit Mobilier scandal of the 1870s, L’argent portrays the financial machinations of a man who is blind to everything but the acquisition of wealth.

The Execution of the Emperor Maximilian, 1867Le débâcle (The Debacle, 1892)
A scathing but objective look at France’s defeat in the
Franco-Prussian War through the story of two soldiers who bond in the
field and then during the bloody days of the Paris Commune.

Portrait of Emile Zola, 1868Le docteur Pascal (1893)
The novel that brings the entire cycle home, in which Zola depicts
himself as “Doctor Pascal,” a member of the Rougon-Macquart family whose
genealogical research has shown him the patchwork of greed, violence,
and cruelty of his forebears, even as it ends on a note of hope for
future generations.

2 comments:

This is a very enjoyable post, Rachel. I like your choice for 'Belly of Paris' but I'm curious of your choice for 'La bête humaine'; why not a train picture?

Your choice for 'La faute de l’Abbé Mouret' would be great as a book cover as well. There was a pre-Raphaelite painting that was inspired by this book called The Death of Albine by John Collier, which I really like.

Let's hope the publishers listen to your request. I'd like a modern translation of the 'Three Cities' trilogy as well, but maybe I'm being too greedy!

Thanks for your comment, Jonathan! I thought the bullfighting scene went well with Zola's title, but a train would be great too.I do so love Manet, and I too hope someone WILL finally give us ALL THE ZOLA in English :-)