In this sixth video in our audio-for-video series, AB gives us a simple introduction to post-production, highlighting the different steps of treating your audio once you’re finished shooting your video. From naming your files correctly to thinking about your final output levels, this video will give you a general sense of the common practices used to get your audio sounding just right. Check it out! If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.

In this fifth video in the Audio for Video series, AB discusses tips and techniques for how to best capture audio with lavalier and boom mics. From ways to conceal lavs on talent to proper operation of a boompole, you’ll see real-world examples of some of the methods that are used to enable great audio capture, regardless of environment or application. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.

In this video, AB demonstrates Arturia’s latest offering, the MicroFreak keyboard, a powerful little addition to any musician’s inventory. Shot on location at Brooklyn’s Brown Note, a live-performance space with a Tsunami Bass System capable of reproducing bass down to 5 Hz, AB explores the functions, controls, and features of the MicroFreak, offering a general overview of the oscillator section, filter manipulation, onboard sequencer, and arpeggiator. He also demonstrates the way in which the touch-plate keyboard offers unique playability, creating highly interactive performances. Check it out! And click here for more videos for helpful audio tips and pro gear reviews.

In Part 4 of our multi-part Audio for Video series, AB walks you through the pros and cons of recording audio to your camera versus using an external audio recorder. Learn about when direct-to-camera recording may be ideal, and when you’ll need to start thinking about additional devices, such as mixer adapters and external multi-track recorders. As usual, AB breaks down many important considerations and helpful tips that you need to know for high-quality audio capture in the field. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.

In the following Quick Listen demo, we check out the sounds of the Yamaha Reface CP and how it might fit into any musician’s arsenal. The demo focuses on the six different presets, each based on an original classic. The keyboard features a variety of sound presets including two Rhodes presets, a Wurlitzers, a Clavinet, a Toy Piano, and CP, which is based on the Yamaha CP80 digital grand piano. The demo also showcases the onboard effects, including the dedicated Drive and Reverb, as well as Tremolo/Wah, Chorus/Phase, and Digital/Analog Delay. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com

In Part 3 of our Audio for Video series, AB dives deeper into the process of properly setting recording levels. Follow along as he breaks down everything you need to know about recording levels, from the differences between Mic and Line level recording to the the different types of tools that can assist in the recording process. Along the way, AB also dishes out plenty of crucial tips to help you get the best possible audio out of your recordings. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.

In this second video in the Audio for Video series, AB discusses ways to choose the best mic for the type of content you’re recording. He discusses pickup patterns, lavalier and shotgun mics, mic placement, and more. If you want to know how to use the right mic to capture audio for different video applications effectively, this is a great resource. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.

Welcome to the first video in our multi-part Audio for Video series. In this introductory episode, AB kicks things off with a quick overview of topics that will be covered in this series. After that, he dives into the basics of audio for video, covering everything from environment prep to situational mic use. If you’re looking for a solid intro to audio for video gear, tips, and techniques, this is a great place to start. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.

In the following Quick Listen Demo, Andrew Eisele demonstrates some of the sounds and programming capabilities of the Novation Circuit Mono Station. The audio demo explores the synthesizers two oscillator and the monophonic and paraphonic modes. You will hear the 12/24 dB multimode filter with high pass, low pass, and band pass selections. Listen to bass lines, leads, areggiators, pads, noise loops, drum loops, and soundscapes. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com

In the following video, Andrew Eisele demonstrates the Behringer Neutron, a semi-modular analog synthesizer. The opening demo song was created using only the Neutron to create kick, snare, high hats, synth lines, and effects. Listen to the two oscillators with and without sync, as well as the Neutron’s paraphonic (two notes) mode. The multi-mode filter explores the LP, BP, HP selections with the dedicated envelope. Andrew also demonstrates the integrated BBD analog delay and overdrive circuits. Marvel at the 32-input / 24 output patchbay with the ability to cross-modulate multiple sources or interface with additional gear such as the Behringer Model D or other Eurorack modules. For more exciting audio information, check out the videos we offer at B&H.com.