The three solos contained within Sussy Strut will introduce several vital reoccurring concepts that will be present throughout Blues Soloing such as melodic voice leading, playing with space and the importance of half-step bends. Above all, there will be a focus on playing chord tones with an emphasis on playing MAJOR 3rds over dom7 chords as opposed to the biting (but not always cool) b3rd/#9th. Don't get me wrong, that approach sounds killin' and has served many blues soloists very well. It just seems that many players have missed the boat on major 3rds and that's a huge component when trying to get your lines to sound more happenin'. You'll see...