FEATURED SHOWFriday, September 21, 8 PMPohgoh, Long Arms, Positive No @ The Camel – $7 (order tickets HERE)
The internet has really changed the music world. At one time, any band that wasn’t hugely famous at the time of their breakup disappeared completely and were never heard from again. But today, when albums from any era of recorded music can find new life on streaming services like Spotify, Bandcamp, and even YouTube, can it be any surprise that many once-forgotten bands of prior eras have returned to find a music world that’s significantly more welcoming and appreciative than the one they left? These days, it seems like a lot of bands from the 90s are doing just that, and Pohgoh is the latest — and one of the best — to make a welcome return after two decades away.

Known for their ties to the midwestern emo scene of the late 90s, mainly due to their 1996 split EP with Braid, Pohgoh actually hail from Tampa, Florida, where drummer Keith Ulrey owns an awesome independent record store called Microgroove. After the band broke up in the late 90s, frontwoman Susie Ulrey was diagnosed with multiple sclerosis, and while she gets around with a personal scooter and has to sit down to play music these days, her ability to create great music has by no means been diminished. In fact, Pohgoh’s comeback LP, Secret Club, demonstrates that the group is not only still at the top of their game musically, but willing to tackle serious topics in their lyrics. In multiple songs on the album, Susie Ulrey sings openly about her medical issues and the challenges she and her loved ones have had to face due to her MS. The experiences of disabled people are all too often ignored by our culture, so Ulrey’s voice is an important one that we should all listen to.

Plus, let’s be real — the music’s great. From their unforgettable contribution to Volume One of the Emo Diaries compilation series back in 1997, “Friend X,” to the excellent first single from their new album, “Business Mode,” Pohgoh are an incredible band that brings together that classic emo sound of bands like Braid and Mineral with that of 90s alternative rock heroes like Juliana Hatfield or Belly. It’s safe to say that fans of Speedy Ortiz are going to dig this one. And with outstanding local openers Long Arms and Positive No on board, we can be sure that this show will be a rare and valuable night of outstanding sounds from top to bottom. The ticket link is up top. You know what to do.

Wednesday, September 19, 6 PMSailor Poon, The Chuggernauts @ McCormack’s – $5
I admit it, I’m a sucker for bands like Sailor Poon. By which I mean, I love bands of women who address feminist concerns in a goofy, raunchy manner rather than a didactic one. Don’t get me wrong, it can be fun to angrily rip asshole dudes a new one, but there’s something so gratifying about treating all of the issues about being a woman in the United States today with a refusal to take any of its obnoxiousness seriously. Any band who will name themselves Sailor Poon, call an EP Yeast Pigeon and give songs titles like “White Male Meltdown” and “Butt Gush” have done quite a bit to win my heart even before I hear their music.

Sailor Poon’s actual music does nothing to bring down my mood, either. This garage-rock trio mixes sloppy Farfisa-driven rock n’ roll with slashing postpunk angularity and skronking sax; it’s like a Mummies jam session crashed by the Bush Tetras and X-Ray Spex. They’ve even had tracks produced by garage-psych wildman King Khan, and if that’s not a symbol of quality, I don’t know what is. Sailor Poon are joined on this bill by C-ville rock n’ roll maniacs the Chuggernauts, who are sure to provide appropriate support, and they tell me there might be another band on the bill, though if it’s still “to be announced” at this point, I have to wonder if it’ll turn into anything by tonight. Regardless, these two bands are all you need — Sailor Poon in particular are going to do a great deal to rid you of the midweek blahs. Get stoked!

Thursday, September 20, 7 PMNeck Deep, Trophy Eyes, Stand Atlantic, WSTR @ The National – $23 in advance/$26 at the door (order tickets HERE)
Neck Deep is coming to town, and they’re gonna show us all that you don’t have to be from North America to make awesome super-emotional pop punk. I for one am all about it. This Welsh group’s latest single is a cover of Natalie Imbruglia’s “Torn,” which makes me think of back when all the 90s skate-rock bands were doing covers of 70s light-rock hits. Neck Deep manage to invest some real feeling in this cover, but I’m honestly way more stoked on their originals.

Last year’s The Peace And The Panic has some truly excellent tunes on it, and does the same thing former split EP partners Knuckle Puck did on their most recent album — trades some of the chunkier melodic-hardcore guitars for stronger melodies. Like Knuckle Puck, Neck Deep finds some real gold in poppier singles like “In Bloom,” which should offer the kids in the crowd a chance to bop around and sing along in the midst of all the punky upbeat anthems. I for one am all for it. Neck Deep will be joined on this bill by multiple other emo-pop-punk groups from around the world, including Australians Trophy Eyes and Stand Atlantic, and fellow Great Britain residents WSTR. This one’s gonna be fun.

Friday, September 21, 7 PMScott Burton & Ritual Magick @ Byrd Park Roundhouse – Free!
This one comes completely out of the blue in a manner way too fascinating to ignore. Scott Burton is a local jazz guitarist with his fingers in a variety of pies. He’s played with indie-folk group Luray and jazz-funk ensemble Glows In The Dark, as well as helming a variety of other experimental jazz ensembles, from his duo with noted local percussionist Scott Clark, SCUO, to his Kessel Quartet, a group that features members of CGI Jesus and interprets the music of legendary jazz guitarist Barney Kessel. So yes, it’s safe to say that anything Burton’s involved in is worth your attention.

Ritual Magick is a solo project of Burton’s, which he describes as “an ongoing examination of trance inducing music and the ritual practice.” He and his guitar play off a modular synth, generating improvised melodies and progressions that build up a slowly evolving minimalist melody with a hypnotic allure. And apparently Burton’s going to give his first live performance of this material on Friday evening at the Byrd Park Roundhouse, over by the lake with the paddleboats and the geese. And if you’re thinking, “Is this real? Is this an official event?” believe me, I’m asking the same questions. But if you love intriguing experimental music and minimalist guitar soundscapes, you really can’t go wrong heading down to the Byrd Park Roundhouse on Friday and seeing what’s going on. Maybe Scott Burton will show up with a battery-powered amp and blow your mind. But even if he doesn’t, that’s still a really peaceful spot to sit and take in some nature.

Saturday, September 22, 8 PMSupersuckers, Holy Roller, Sick Bags @ The Camel – $15 (order tickets HERE)
Hey hey, the Supersuckers are hitting Richmond once again! I’ve been a longtime fan of this wild, uptempo rock n’ roll group for decades now, and on multiple previous occasions, I have urged the readers of this column to go see them. I don’t want to repeat myself overly much or anything, but I gotta tell ya, if you’re ever gonna see the Supersuckers live, this is the time to do it. The group is celebrating their 30th anniversary this year, and they’re bringing the “Supersuckers Big Show” to town on Saturday.

This means you won’t just be getting one set from the Supersuckers — ohhh no. They’ve got a brand new album called Suck It, which will be out on Friday, and they’ll be bringing us a selection of tunes from this new LP. But they’ll also be doing their first two LPs, The Smoke Of Hell and La Mano Cornuda, in their entirety. At this point, we’re up to at least a solid hour and a half of fast, loud, balls-out rock n’ roll with a definite punk-garage undertone. But there’s still more coming, as the Supersuckers will also celebrate their occasional detours into outlaw country, most famously on 1997’s Must’ve Been High, with a mini-set of shit-kicking country jams as well. Seriously, everything you could ever possibly want from a Supersuckers show will happen at this show. And whether you’re a brand new fan or someone who’s seen them every time they rolled through town for the past three decades, you’d be a fool to miss it.

Sunday, September 23, 9 PMThin Lips, Cheer Up, Talk Me Off @ Bandito’s – Free!
OK listen, this isn’t the first time Thin Lips have come through here recently. In fact, I wrote about a show they played less than a month ago. But I didn’t tell you too much about who Thin Lips are and what they’re about at that time, and they really deserve more attention than I gave them. The Philly group’s latest LP, Chosen Family, was produced by members of Hop Along and brings in a hint of that band’s vaguely twangy approach to post-punk melody. But Thin Lips are very much a pop-punk band, and their lyrical wit and catchy riffing has a hard edge to it that makes their new LP a real rocker that’s guaranteed to stick with you.

Fellow Philadelphians Cheer Up, who are along on this particular jaunt down south, are a bit less overtly punk in their sound, and you couldn’t be blamed if you heard a hint of that whole post-Algernon Cadwallader “twinkle” in their guitar melodies on brand new LP Sleep Debt. However, there’s a contrasting undercurrent of mournful melody mixed in there as well, which is sure to connect with the indie types. Add a local opening set from snotty punk rockers Talk Me Off and the always-wonderful food and beverages provided by Bandito’s, and you’ve got yourself a guaranteed great way to wrap up your weekend. And you certainly can’t argue with the price!

Monday, September 24, 8 PMLydia Lunch Retrovirus, VV, Clang Quartet, Hex Machine @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
The queen of noise returns once again. Lydia Lunch has been a pivotal figure in the New York scene for four decades now, starting with her first band, Teenage Jesus and the Jerks, one of the four bands documented on groundbreaking 1978 compilation No New York. Their harsh, atonal guitar scraping and lurching percussive thump was taken to another level entirely by Lunch’s howling vocals and dark lyrical poetry. She carried this same sort of sound forward into the 80s, as a member of 8-Eyed Spy, Harry Crews, Big Sexy Noise, and more, as well as in collaborations with Sonic Youth’s Thurston Moore, the Birthday Party’s Rowland S. Howard, The Mars Volta’s Omar Rodriguez-Lopez, and a ton of others.

Now, her entire 40-year musical history is being brought to life with the help of a supergroup called Lydia Lunch Retrovirus. The group features guitarist Weasel Walter of noise-core legends the Flying Luttenbachers and prog-metal geniuses Behold the Arctopus, drummer Bob Bert of Pussy Galore and Chrome Cranks, and bassist Tim Dahl of Child Abuse. Backed by this trio of incredible talents in their own right, Lunch runs through material covering the span of her career from Teenage Jesus and the Jerks to Big Sexy Noise, as well as her latest album, 2015’s Urge To Kill, on which she was backed in the studio by Retrovirus. If you’re a fan of Lydia Lunch, you realize what a treat this show’s gonna be. And if you don’t know her music yet, you couldn’t ask for a better crash course. Get your tickets now.

Tuesday, September 25, 8 PMDear Blanca, Numbtongue, Hillwalkers @ Strange Matter – $8 (order tickets HERE)
They’ve been having a rough time of it down in the Carolinas recently, what with the direct hit the hurricane that fortunately missed us dealt to them down there. Fortunately for Dear Blanca, they hail from the inland capital city of South Carolina, Columbia, which mostly missed out on the devastation. And this means they’re able to bring us their intriguing take on guitar-driven rock n’ roll. The group’s 2016 EP, To Tell A Half-Truth, pairs lyrics adapted from the work of deceased poet Scott Crane (Dear Blanca bassist Cameron Powell’s uncle) with some loping, Crazy Horse-style tunes that inject a post-punk sense of unpredictability into their moody, hard-hitting riffs.

Singer-guitarist Dylan Dickerson’s strong yet quavering voice is the most distinctive element of this group’s sound, and he’s recently been showing it off on some solo tracks, but its natural home is in front of the loud electric backing provided by Dear Blanca, so rest assured, you’re gonna get a great show from this trio when they hit town. They’re joined by Numbtongue, another Columbia project led by Bobby Hatfield of The Sea Wolf Mutiny, which has a strange, unique sound incorporating electronic sounds and strangely funky rock grooves. And of course, RVA’s own Hillwalkers will add their particular brand of mellow, jangly bedroom-indie to the proceedings, just to make you feel right at home.

Bonus Hampton Roads Picks:

Friday, September 21, 9 PMShormey, The Slims, Flavoured Water @ Taphouse Grill – $7
We’ve got a fair amount of electronic independent artists making excellent music here in Virginia, and not all of them are based in Richmond. Shormey’s made quite the impression with her minimal yet catchy electro-pop sounds down that way, and everyone up and down the I-64 corridor has reason to be excited about her performance Friday night at Norfolk’s Taphouse Grill. Inspired equally by Babyface and The Beatles, Shormey makes lush pop sounds with a soulful undercurrent that should connect with everyone, regardless of genre.

Shormey is joined on this bill by The Slims, a strange group that hails from Pittsburgh and brings us a sound that’s tough to pin down. They refer to themselves as “a jazzy rock n’ roll hip hop conglomerate,” and I can see the influence of all of these sounds in their music, but I mostly hear a sort of languid, lo-fi beat-driven moody ballad vibe from the tracks they’ve got uploaded to their website. Mac DeMarco jamming with RVA’s own Antiphons? Something like that… I think. Norfolk’s own Flavoured Water will open up with some spacy ambient sounds over electronic beats. If you like to dance to amazingly unusual music, this is the show for you.

Tuesday, September 25, 8 PMFace To Face, Austin Lucas, Thomas McDonald @ Shaka’s – $25 (order tickets HERE)
Y’all know Face To Face, right? This California pop-punk band started over 25 years ago, killin’ it with fun, catchy tunes to blast while you’re grinding curbs and busting kickflips. The sheer catchiness of their material allowed them to transcend the NOFX-affiliated scene they came from, and they were pretty big for a while there, scoring a soundtrack spot for Tank Girl among other big highlights. They may not be as well known these days, but the group’s flawless technique with pop melodies has not diminished an iota.

They’re proving that right now in dramatic fashion, with a full acoustic tour to accompany the recent release of Hold Fast, an album of Face To Face classics rerecorded acoustically. From classic tracks like “Ordinary” and “Don’t Turn Away” to their signature song, “Disconnected,” the new versions are nothing short of revelatory, and showcase a more heartfelt, sensitive side to a group that always was more focused on beautiful harmonies than most of their contemporaries. Veteran Florida indie-folk troubadour Austin Lucas will accompany the band on this trip through the Hampton Roads area, and local singer-songwriter Thomas McDonald of The Record Collection will open things up. You may not need your earplugs for this one, but you’re sure to get just as much of a thrill.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOW Saturday, May 5, 7 PM Power Trip, Sheer Mag, Fury, Red Death @ The Broadberry – $18 in advance/$20 day of show (order tickets HERE)
Just in time for the weather to really warm up, here comes one of the hottest gigs of the year! I hope you bought a new air conditioner before everybody sold out of ’em — if you come home from this gig on Saturday night covered in sweat, that old freon-deprived thing in your window that just acts like a big noisy fan will do nothing to cool you off. But even that’ll be all right, because you’ll be returning from the kind of evening that’ll fuel you with the energy you need to get through the hot summer months in Richmond… which are apparently already upon us.

Power Trip is a band that’s been coming through and laying serious devastation on the entire metropolitan area on a regular basis for long enough that they shouldn’t need much of any introduction. However, even if you’re intimately familiar with the brutality this Texas thrash outfit delivers, you’ve still got plentiful reason to come out and headbang. In addition to their still-hot 2017 LP Nightmare Logic, these guys will be touring behind the just released non-LP comp Opening Fire: 2008-2014, which celebrates their tenth anniversary as a band by making all their earliest stuff available once again in an easy-to-obtain format. And in case you’re thinking “They’ll never actually play any of those old jams,” Power Trip singer Riley Gale told Revolver recently that they’d be busting at least one out. Get stoked for that!

And hey, get stoked on the amazing dual-headline potential of the fact that Sheer Mag is also playing this show. While their punky garage-pop might seem like an odd fit for a tour with Power Trip, what these two bands have in common is a strong positive energy. As their 2017 LP, Need To Feel Your Love, so strongly demonstrated, Sheer Mag are one of the most vital bands in the music world right now, and they’ll have you dancing with a big grin on your face just as hard as you’ll be headbanging to Power Trip a short time later. California HC heads Fury — who have nothing to do with that long-departed Swiz side project, though they’re in the same league musically — will bring the, um, fury in their opening slot, and DC’s always-reliable Red Death will kick things off with a bang. Bring your sweatbands.

Wednesday, May 2, 7 PM Charly Bliss, Skating Polly @ The Camel – $13 (order tickets HERE)
Sometimes even getting to Wednesday can be so difficult, it starts to make you feel like the weekend will never come. Thankfully for you, this Wednesday night sees Charly Bliss and Skating Polly rolling into town, bringing the fun party vibes you wait all week for right to the middle of the week, where you need it most. Both powerful and #relatable, last year’s debut full-length, Guppy, helped put Charly Bliss on the map in a big way. Bringing the winsome charm of Girlpool to the chunky guitar-pop riffs of bands like Speedy Ortiz, Guppy won a lot of people over, and for good reason.

As for Skating Polly, this youthful Oklahoma band has an irresistible charm all their own. They may have come together when stepsisters Kelli Mayo and Peyton Bighorse were still in junior high, but they’ve come into their own in a big way on The Make It All Show, their brand new LP, which comes out this Friday. The sisters have strengthened their lineup by adding their little brother on drums, and they’ve got a thicker, more self-assured sound that’s still loaded with the kind of pop charm and hooks that helped them win audiences over when they were still younger than they had any right to be. Come out tonight, bug them for a copy of the new album (chances are they’ve got ’em regardless of offical release date), and dance your ass off. Why wait for Friday night?

Thursday, May 3, 6 PM Basement, Citizen, Pronoun, Souvenirs, The Grim Gang @ The Canal Club – $20 (order tickets HERE)
You emo fans are in for a treat this Thursday night — a double bill sure to knock your socks off is coming to The Canal Club, and I hope you’re ready! At the top of the bill is excellent UK band Basement, who had a high-profile departure from the scene after their second album but thankfully have been back on track for a few years now, starting with 2016 album Promise Everything and continuing with a variety of tours including the one now bringing them to our doorstep. Their mix of emotional melody and a harder-edged sound that draws equally from mid-90s post-hardcore and chunky alt-rock is somehow simultaneously reminiscent of Quicksand and Hot Water Music (and I hope I’m not dating myself too much with those references).

It may only be their status as Americans that makes the difference, but Citizen began with a much stronger association to the emo revival that everyone was super-stoked about five years ago. However, as trends moved on, they stayed consistent, demonstrating their talent and songwriting quality once again last year with the release of their third album, As You Please. Citizen’s consistently emotional style tugs at your heartstrings even as they attack their instruments with passion and ferocity. Either one of these two bands is worth the price of admission on their own — both together makes this Thursday night gig such a steal that you’d be totally justified in calling in to work the next morning.

Friday, May 4, 8 PM The Sword, The Shelter People @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
These days, I’m sure it’s only the old heads who are aware of The Sword’s RVA connection (well, old heads and those who have been reading my column for a while, because I’m sure I’ve mentioned it before). Evolving out of a stonerific RVA ensemble known as the Ultimate Dragons, The Sword first decamped for Texas and then went through a variety of lineup changes, making frontman JD Cronise their only still-extant connection to our hometown. Even if no one here knew any of them, though, we’d all have good reason to catch their latest jaunt as it touches down in Shockoe Bottom. The band just released their sixth album, Used Future, and it’s every bit as killer as their previous outings.

Some may write The Sword off as Fu Manchu-ish stoner boogie, but their musical evolution over the years has proven that they have a lot more to offer than your typical Camaro-rattling Cali bong-rock ensemble. Used Future takes their sound ever further in a progressive direction, with some of the songs blasting off into outer space fueled by the killer guitar pyrotechnics generated by dueling axemen Cronise and Kyle Shutt. Get ready to have your head expanded. Openers The Shelter People are much more conventionally rooted in late 60s proto-metal stoner fundamentals, but that does nothing to minimize the wallop their 50-foot-thick riffage will lay on you. Pull back the curtains of smoke and enjoy this one in your most laid-back frame of mind.

Saturday, May 5, 7 PM Pedals On Our Pirate Ships, New Junk City, Washers @ Champion RVA – Free!
Killer melodic punk never goes out of style, and if there’s one thing that’s made that fact clear, it’s been the recent (welcome) return of Pedals On Our Pirate Ships. A longtime project of guitar-slinging local punk troubadour Matt Seymour, this project has undergone quite a bit of revamping since their last LP in 2012 — which might explain why they’ve started going by just plain “Pedals” more and more often. With only two members remaining from their last incarnation, they’ve filled the lineup back out with members from Sundials and gone fully electric for a strong sound that’ll give a real kick to their always-catchy tuneage.

On this bill, their pairing with Atlanta’s New Junk City seems incredibly appropriate, as this band brings their own dose of melodic punk with a powerful electric kick. Their contributions to a recent split EP with UK band Hot Mass make that eminently clear, bringing to mind a few incredible dirty-yet-heartfelt legends of pop-punk’s past, including Dear Landlord and Bent Out Of Shape, among others. The evening kicks off with a set from Washers, a band uniting members of Sports Bar and Worn In Red under the banner of old-school catchy punk. Think The Dictators, or Fear, but without the shady shady politics (god knows we don’t need any more of those). This one is gonna get you dancing.

Sunday, May 6, 7 PM Hop Along, Saintseneca @ The Broadberry – $15 in advance/$18 at the door (order tickets HERE)
There’s something both amazing and terrifying about a band releasing an absolutely incredible album. It’s amazing just because the album exists at all; what’s terrifying is the prospect of a follow-up. Will it take forever? Will it be disappointing? Will the band implode under pressure? Will they just repeat themselves to diminishing returns for the next decade-plus? Hop Along assuaged a lot of fears when they released Bark Your Head Off, Dog, the follow-up to 2015’s outstanding Painted Shut, earlier this year. While Bark Your Head Off is every bit as excellent as this band’s previous release, it’s by no means a carbon copy of what Painted Shut had to offer.

Of course, frontwoman Frances Quinlan’s songwriting skills remain intact, so you can expect great tunes both old and new to greet your ears when Hop Along takes the Broadberry stage this Sunday. But you might also be pleasantly surprised by the risks the band takes with their sound, integrating quiet electronic textures alongside their traditional folk-tinged melodies and alt-rock guitar scrapes. And of course, there’s Quinlan’s incredible voice on top of it all, which manages to turn a breathy twang into a heartfelt grasp for emotional connection in the most powerful of fashions. She and her band are sure to hit close to home for all of us on this night; you owe it to yourself to show up and have a real emotional experience — especially since most of us spend our lives fleeing from such things.

Monday, May 7, 8 PM Worriers, Positive No, Sea Of Storms, Bad Magic @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
Lauren Denitzio just continues to amaze. This excellent songwriter first showed their chops as the less-heard, more-anticipated songwriter in The Measure (SA). They carried that talent over in a big way to the Worriers, who despite perennial lineup instability have become a consistent force for incredible music in the underground punk rock scene. Their third LP, Survival Pop, came out last year and carried on this tradition with songs that both bravely attacked important issues too often swept under the rug in our society (“Gaslighter,” “What We’re Up Against”), and displayed real emotion and vulnerability in a manner that can offer comfort to even the most repressed among us.

The Worriers have come through Richmond with a variety of lineups over the years; Denitzio is often backed by a variety of fellow punk luminaries from bands like The Ergs, Bridge And Tunnel, and more. But really, who’s backing them isn’t that important; what matters here are the songs, and the strength of their delivery. As long as it’s Denitzio up front, you’re guaranteed to get those. And on this incredible bill, you’re going to get a triple-shot of killer local tuneage in the bargain, from Positive No’s politically-driven melodic alt-rock and Sea Of Storms’ hard-hitting post-hardcore emotion to Bad Magic’s always-on-time indie-rock crunch. Don’t miss a single minute.

Tuesday, May 8, 8 PM Patty Smyth and Scandal @ The Tin Pan – $47.50 in advance/$52.50 at the door (order tickets HERE)
Look, I’ll admit it — the price for this one is high. And you’ve gotta be pretty old to remember Patty Smyth’s heyday with hits like “Goodbye To You” and “The Warrior” (I’m in my 40s and these songs all predate my teen years). That said, while Smyth may not have quite as much indie cool cred as her Y-to-I doppelganger Patti Smith, she and her longtime band Scandal still rock like crazy, and anyone with the means would be foolish to miss out on this surefire great time on a Tuesday night.

Make no mistake, Patty Smyth does have some indie cool points. After all, her first husband was legendary first-wave punk Richard Hell, and one of her biggest hits as a solo artist back in the 80s was a cover of Tom Waits’ “Downtown Train.” If you ask me though, it’s her time fronting Scandal that produced her best work; the catchy kiss-off “Goodbye To You” and the feminist power anthem “The Warrior” are deathless rock n’ roll classics. Patty’s been back together with Scandal since that early-2000s VH1 show Bands Reunited made them the subject of an episode, and you can expect the eternally-youthful Smyth to bring the fire when she and Scandal hit the Tin Pan stage Tuesday night. Trust me on this one.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Originally printed in RVA #31 WINTER 2017, you can check out the issue HERE or pick it up around Richmond now.

Tim BarryHigh On 95(Chunksaah)

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Punk rock is the kind of scene that wears a person out. This might sound ridiculous to the kids singing along to “Young Til I Die” covers at the all-ages show, but by the time you’re 29 with two full sleeves of tattoos, sitting at the end of the bar because you don’t have the energy for the pit anymore, you learn the truth. Perhaps it’s not too surprising that Tim Barry, who once led 90s punk heroes Avail, is a decade deep into a solo career as a folk-country artist and shows no signs of looking back. High On 95 is his sixth solo album, and it shows him settling ever more comfortably into the acoustic troubadour role. He only sang in Avail, but his proficiency on acoustic guitar here sees him creating some excellent melodies on songs like “Gumshoe Andy” and “O & DP.” The minimal instrumental backing (slide guitar, violin, the occasional percussion) gives these tunes a rootsy feel and allows you to crank up the volume without bugging the neighbors. The DIY veterans will see the appeal immediately. The kids might not get it yet, but rest assured, their time will come soon enough. (MN)

Collections of old songs re-recorded can be a risky move–it may do little more than spotlight the fact that the now-middle-aged members have lost a step. That said, Ann Beretta is lucky enough to retain a vitality that makes the past 20 years seem like the blink of an eye. This one’s worth it even if you have the old records. (MN)

Fine by AntiphonsFine zooms in and out in an incredible way. The EP’s lyrics focus on super-specific circumstances — burning your tongue, going into anaphylactic shock because of a nut allergy — yet the music gradually opens up via savvy guitar work and countermelody, resulting in big, inviting moments. In that way, Fine manages to be personal and universal at the same time. (DJ)

With seven tracks giving us a good sample of what’s to come, Virginia Beach native Ashanti Bragg makes her debut almost two years after dropping the video for opener “My Love.” Featuring a variety of songs showing her musical versatility, the confidence that oozes through her music makes for a fun and energetic experience that leaves the listener wanting more. (KMP)

GET OVER YOURSELF by BIG NOPresenting itself as an ambitious and experimental project, Get Over Yourself is vast. One second, the structured sound is airy and poppy, and then the next, it begins to wax into blues. Big No has made it obvious that their strongest musical asset is their instrumentation; Heather Jerabeck owns that piano. (CM)

Two words: Unfiltered. Observation. Black Liquid’s obstinate attitude and sharp public commentary on ANTi challenge local perception and opinion through a conversational approach. His poignant flow found on the title track “ANTi” is relentless, barraging the listener with anecdotes that highlight the MC’s natural inclination for hip-hop as an art form. (CM)

Make room, Donny Hathaway–this is one for the ages. Live at Vagabond captures the energy of the crowd and the virtuosity of individual instrumentalists with remarkable clarity, giving listeners a taste of Devonne Harris’ compositional gifts, adventurous approach to keys, and the ensemble’s knack for seizing the moment. This is the Butcher Brown sound at its most cohesive and dominant. (DJ)

What happens when a ragtag group of metal veterans wants to rock? They form a thrash band. Buzzard Dust’s eponymous debut is a 24-minute adrenaline burst of wicked dive bombs, breakneck blast beats, and guttural profanities that recalls the feeling of a dark, sweaty mosh pit. I dare you to not headbang during “Have You Seen Me.” (CM)

Doll Baby blesses listeners with yet another phenomenal demonstration of their artistic prowess. Hell Block is a mere five songs, but holds the sustainability of a traditional full-length album. The four-piece’s jam tracks scratch a deeper itch, bringing everyone to their feet. Singer Julie Storey has the most pleasingly unique punk vocals you’ll ever hear. (CM)

More hardcore, boom-bap hip hop from the Southside’s own Fly Anakin & Koncept Jack$on, this time with fellow Mutant Academy brethren Tuamie handling the production. Hearing the duo spitting over one producer’s sound gives this project a different, more cohesive feel from their last full length, but if you’re expecting a drop off in quality, you won’t find that here. (EH)

God Goldin & DuceUniversal Benefits(Control Ent)

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Bouncing back and forth over each track, Goldin & Duce have a great chemistry, with Duce’s laid-back flow paired on “Lolo” along with Gold’s more hype flow. The songs feel like these two have been a working partnership for years already. If you need a quick musical boost in your workday, give this a spin. (EH)

Gritter isn’t necessarily reinventing the (steel) wheel on their fourth album, but then again, if it ain’t broke, why fix it? Their brand of harsh, caustic metal has some clear NOLA influences but gives it their own muddy James River flavor. This music will give you strength to face life’s frustrations. Don’t leave home without it. (MN)

Fully-formed narrative writing, steady-handed production, and killer performances from top-notch players provide many reasons to disbelieve that Odessa is a debut release. It plays like an expertly crafted survey of styles from the last 60 years, from Stones riffs and heartland rock to country waltzing and soul not unlike Matthew E. White’s. Well-worn and world-class, right out of the gate. (DJ)

With this monster of a debut full-length, the duo Keep has etched its name among the city’s growing list of musicians on the rise. The group’s sound is diverse and evocative, being deeply rooted in their appreciation of grunge and industrial predecessors. For Your Joy embellishes an introspective atmosphere that lets one track roll right into the next. (CM)

Long Arms began as James Menefee’s alt-country project, but with their latest album, they’ve left those touches behind in favor of the punk-influenced heartland rock that feels like Menefee’s natural mode. It suits him; skipping genre tropes in favor of excellent heartfelt tunes with a heavy Replacements influence makes Young Life is a career highlight. (MN)

An intense, heartfelt slab of pure emotion delivered with power and melody, Goodbye And Other Lies is a worthy contribution to the field of melodic punk rock from a group of veterans who’ve paid plenty of dues. This is music for remembering past struggles and appreciating where you are. With this EP, Mistaker carves out a distinctive niche for themselves. (MN)

This VA-based metalcore crew draws a lot of influence from angst-ridden early 00’s nu-metallers like Slipknot and Mudvayne, interjecting melodic choruses and moody breaks into a stew of pounding downtuned riffage and brutal breakdowns. The result is an invigorating, gleefully profane blast that brings me back to my youth. If this is what today’s kids are into, sign me up. (MN)

This RVA quartet definitely brought the fire this time, cranking up the energy to deliver a louder, more distorted follow-up to debut LP Glossa. The 90s alternative and indie-rock influences that fundamentally inform Positive No’s sound are still dominant, but their punk past is much closer to the surface here–and that’s definitely a good thing. (MN)

Some fun, speedy punk with a tendency toward retro stylings. The first song has a borderline-hardcore intensity, but the others get more melodic in a manner reminiscent of early 80s SoCal punk–Agent Orange, first-LP Bad Religion, that kind of thing. The furious anti-white-nationalism lyrics on “Inglorious Bastards” are a particularly nice touch. (MN)

Can music be simultaneously comforting and unsettling? Deep. Honey. makes a pretty strong case in the affirmative. Warm synth sounds and layered guitars lay down pillowy sonic padding, yet Danny Bozella’s singing is manipulated throughout, coming across as uncanny. “I put effects around my voice to hide what I write,” he sings on “Charms,” ringing with a beautifully ironic honesty. (DJ)

It’s been two years since Positive No released their debut full-length album, Glossa, and this Friday the alt-pop group will release Partners in the Wild, an album that tells a story of aging, coping and reveals the louder side of the band.

“We take our time making records…,” lead singer Tracy Wilson said. “So I think this represents a body of work that mirrors our life in a lot of ways and I guess our records have always been that way.”

The two pillars of Positive No, Wilson along with guitarist Kenneth Close, have been working on this album since 2015 and have seen a significant change in the band.

While Glossa was work of rhythmic personal storytelling, Partners in the Wild is an anthology of reflections and a showing of hope in times of distress. The 12-track album turns up the volume and the intensity with louder guitar and punkier drums. The shift in their sound reflects the change in our world as music became an outlet for writers Wilson and Close to express their frustrations.

“We had written some delicate music to date, in terms of some of the vocabulary and lyrical content,” Close said. “When we entered into what would be Partners in the Wild, it became a little angrier and a little louder and a lot of things have happened between now and then politically that just drove us in a different direction.”

The album was recorded at Audio Verte by Pedro Aida and the band has recently dropped the single “Y.A.A.Y.Y.” ahead of the album release. Songs written after November 2016, such as “Fault Line,” “Debate Team Captain,” and “Energy Crisis,” reveal Wilson and Close’s struggle to make sense of politics and the seemingly daily crisis seen on the news.

“Whether it’s world news, the potential doom and gloom of a third world war, or a presidential person using Twitter as his microphone, who also thinks it’s ok to grab pussy; all these things that I never fathomed would be on my radar 24/7 are happening,” said Wilson. “I think we began as a melodic pop band and now I just can’t shake it.”

In the midst of all the chaos though, Positive No finds comfort and security in each other and the album is a culmination of five musicians who have known each other for years.

Drummer Keith Renna( Dune Buggy) rounds out the band, whose fast-paced, punk style, brings a thunderous intensity to the album. The role of bass player is shared between Matt Klimas from Snowy Owls and Jon Procopio, from Dahlia Seed. Procopio is the band’s current bass player.

“It’s so easy and natural to get in a room and intuitively play with each other,” said Wilson. “I think this record is really special because you have a bunch of people who connect musically and go really far back.”

The change in band members has also affected Positive No’s sound, but this deviation has been a welcomed one.

“Any time you have a membership shift like that things are going to change, but it’s kind of pushed us in a different way that feels very natural though and was probably where our heads were at,” Close said.

Along with politics and frustration, the album also covers topics of aging in today’s society, finding identity after a major brain injury, and tributes to the musicians, actors, and philosophers who have inspired them. Partners in the Wild is a representation of how Wilson and Close have changed and grown over the past two years. Musically, the album reflects a group of people who in the midst of uncertainty have found a source of expression amongst longtime friends.

“I think when you hear it, you probably won’t feel the dark undertone. Tracy’s lyrics are never overtly in your face, I think her word choices are more subtle, thoughtful and thought-provoking, which I think is why it works for us,” Close said.

While Wilson and Close are unsure of what, if anything, will follow Partners in the Wild, this album will certainly be one the band is remembered for.

“I think for all of us this is new territory. It was a romantic sentiment between the two of us, but it became a metaphor for a much bigger picture of everyone we know.”

The full album will be released on Friday, Oct. 20 and Positive No will hit the road with Beach Slang and Pet Symmetry Oct. 20 through Oct. 24. You can catch the band this Saturday with Ann Beretta, Beach Slang, and Pet Symmetry. Doors 7pm. Show: 8pm. Tickets $17-20.

FEATURED SHOW Saturday, October 21, 7 PM Beach Slang, Ann Beretta, Pet Symmetry, Positive No @ The Broadberry – $17 in advance/$20 at the door (order tickets HERE)
Beach Slang is back, and it’s hard to feel anything but awesome about that. This band burst onto the scene several years ago by electrifying younger and older punks alike with their heart-on-sleeve sincerity and killer tunes. Leader James Alex Snyder started out playing punk rock guitar in Weston back in the 90s when he was still a very young man. Later in his career, he sought to recapture the yearning, do-or-die energy that had made his younger days feel so vital, to reignite his life instead of giving up and fading quietly into middle age. He formed Beach Slang to accomplish this goal, and what do you know, he pulled it off with flying colors! They’ve released several EPs and two full-length albums, simultaneously capturing the hearts of today’s punk kids and galvanizing an older generation who suddenly realized they were fading quietly into middle age themselves, and didn’t like the realization.

Perhaps it’s only a coincidence that Beach Slang’s co-headliner on this gig is Ann Beretta, a Richmond melodic punk band that was most active in the late 90s and early 00s, returning to action a few years ago after a decade off. They’ve got a couple of new albums coming out in the next year or so, one of which is rerecorded old songs (the old “we don’t have the rights to the original albums anymore” move), and one of which is entirely new material! A 7 inch single on Say-10 Records earlier this year gave a preview of both, with a rerecording of their beloved classic “Forever Family,” and a brand new tune called “Kill The Lights,” which has as much punk fire and melodic sweetness as ever. This show will see the release of the album of rerecorded old songs, so whether you missed them the first time around or you just wanna hear a new twist on some beloved tunes of your youth, you’ll definitely wanna grab a copy–and of course, catch the set from Ann Beretta, who still have a lot to offer even lo these many years later.

Opening up the evening will be a double whammy of awesome bands that are just as worth your attention as the headliners. Chicago’s Pet Symmetry brings us Into It. Over It. mastermind Evan Thomas Weiss in the role of pop-punk bandleader, dishing out some killer bouncy melodic choruses that still manage to bring that same emotional flavor that we’ve all come to love from his main project. Meanwhile, RVA’s own Positive No will join Ann Beretta in celebrating a brand new album at this show, as they’ll release their second LP, Partners In The Wild, the day before. Pre-release singles have seen the group continuing to emphasize their indie-shoegaze melodic chops while simultaneously cranking up the energy and taking more overt political stances, which is always refreshing. So basically in other words this is a stacked lineup from top to bottom and you’d be a fool to miss it.

Wednesday, October 18, 7 PM Aura Noir, Mutilation Rites, Battlemaster, Bewitcher @ Strange Matter – $20 (order tickets HERE)
Aura Noir are a Norwegian trio whose members go by the notable sobriquets of Apollyon, Aggressor, and Blasphemer. At this point I feel like I’m sorta being redundant to tell you that they’re a thrashy old-school black metal band, but it’s never a bad idea to emphasize this sort of information when you’re dealing with a band like this one. Because Aura Noir are one of the thrashiest black metal bands ever. You might expect some modulation in the fury, some sort of atmospheric invocation or melodic break or something, but if so, you’d be disappointed. However, if it’s one-thousand percent nonstop metal fury you’re looking for, you’re in luck, because this band just does not stop. It’s been a few years since their fifth album, Out To Die, was released, but these guys haven’t slowed down one iota.

They’re joined on this gig by Brooklyn’s Mutilation Rites, who may not have the same level of black metal cred–New York isn’t as grim and frostbitten as Norway–but make up for it with a filthier, sharper attack that proves new school bands can be just as furious and unstoppable as the old-school originators. These guys also haven’t had a new LP out in a few years, but chances are they’ve got a whole new batch of ripping metal noise with which to slice your head off. In the best possible way, of course. Veteran RVA rippers Battlemaster will hold down one of the opening slots, so you know you’ll get some top-quality riffage early on. And the evening will kick off with a set from Bewitcher, a Portland band with a thrashy sound perfectly in line with the other bands on this bill. Nonstop headbangs–that’s what you can expect from Strange Matter tonight. Start lining up now.

Thursday, October 19, 8 PMNatural Velvet, Toxic Moxie, Orange Drink @ Strange Matter – $10 (order tickets HERE)
Looking at the picture of Natural Velvet above, you might think that they’re gonna be one of those 90s-style lounge revival groups, like The Coctails or something (no one under 35 has any idea what I’m talking about right now). However, the truth is far different–and far more appealing, if you ask me, because I could never get into all that silly retro crap (one of my long-ago exes is scandalized). In fact, Natural Velvet being paired with Toxic Moxie makes a ton more sense once you check out their great new album, Mirror To Make You, which came out last June.

There’s less of a dance-funk edge to what Natural Velvet do than there is to Toxic Moxie’s sound, but that spooky, energetic vibe, which draws equally from the Fugazi-influenced post-hardcore of the mid-90s and the UK postpunk scene that birthed Siouxsie And The Banshees and Bauhaus, is all over the place. And it really makes this band cook–their new LP has an intensity to it that is sure to come across in spades live. You don’t want to miss this band any more than you want to miss one of Toxic Moxie’s rare but always-unforgettable performances. And what do you know, you’ll get both on this night, so you’re twice as blessed! Milwaukee-based, RVA-bred solo act Orange Drink will kick the evening off with some unpredictable yet always danceable tuneage. Get stoked!

Friday, October 20, 8 PM Tower, Desert Altar, Grim Sleeper @ Wonderland – $7
When I see names like these on a bill, I always figure I’m in for some 70s-retro doom metal. Often, that’s exactly the case, and I find myself less than enthused. However, this gig at the always-excellent Shockoe Bottom dive bar Wonderland has plenty to offer to get me excited. First and foremost, there’s headliners Tower, who hail from New York and know how to keep the tempo high and the vocal crescendos higher–though it doesn’t hurt that they have a female vocalist shooting for those Dickinsonian wails. This band is clearly deriving quite a bit of influence from metal hall of famers like Iron Maiden and Judas Priest, and have absorbed from their idols the ability to dish out pedal-to-the-metal riffs perfect for triumphant high-speed burnouts on back country roads and late night highways.

They’re joined on this bill by locals Desert Altar and Grim Sleeper, and while my previous disinterest in retro doom (sorry, y’all, but it’s getting played out) might make you think I’m not down with these bands. Nothing could be further from the truth. It is true to say that Desert Altar are bringing those sorts of 70s proto-metal thud influences to bear, but they have a plentiful dosage of desert legends Kyuss in the mix, and that makes up for a lot. Meanwhile, Grim Sleeper bypass that whole doom thing and head straight for the filthy depths of sludge, drawing far more from that whole post-My War Eyehategod/Noothgrush/Cavity axis than anything that happened in the 70s. If you ask me, this is always the right move. So yes, come out to Wonderland for this show, and stick around for the whole thing. True classic metal is in the house this night.

Saturday, October 21, 8 PM Grails, Brutal Measures @ Strange Matter – $13 in advance/$15 day of show (order tickets HERE)
You can expect a psychedelic journey through inner space from this night. Grails have been known for quite a while as leading purveyors of instrumental experimentation, tapping into everything from German cosmische sounds to Middle Eastern folk music, recontextualizing and redelivering it all through a unique worldview and a lineup full of incredible musicians with an extensive pedigree (OM, Steve Von Till, M. Ward, etc). The group’s latest album is called Chalice Hymnal and was released by Temporary Residence earlier this year. It synthesizes a variety of sounds Grails have explored in the past and proceeds to move through them all with an energy that is both intense and hypnotic. Like I said, a psychedelic journey.

Things will be much freakier during the performance from Brutal Measures, the name given to a duo combining the talents of Lydia Lunch and Weasel Walter. Lunch has been a caustic singer and poet fronting harsh postpunk bands since her youthful debut in the atonal, terrifying Teenage Jesus And The Jerks. Weasel Walter has done a million things, mostly in the milieu of experimental punk-damaged jazz–see his best-known and longest-running project, the Flying Luttenbachers. Of course, the fact that he’s also been in bands like Lair Of The Minotaur and Behold The Arctopus should tell you that he’s got some strong metal tendencies as well. So what happens when these two come together to take the stage? Simply put, Lunch reads harsh poetry while Walter bashes on a variety of instruments and creates a disturbing sound bed for Lunch’s equally disturbing words. The noise freaks will eat this up like candy–as will anyone who likes it when performers challenge their expectations and deliver something wholly unique.

Sunday, October 22, 8 PM TV Girl, Brothertiger, Keep @ Strange Matter – $10 (order tickets HERE)
Here’s something you don’t encounter every week. TV Girl is an LA band with some serious LA vibes–their lush retro melodies combine with hip hop-style samples and programmed beats to create an impossibly hip blend of French pop, Spector-esque girl-group sounds, and the drugged-out post-party introspection of The Weeknd. Recent LP Who Really Cares features a caption on Bandcamp reading, “An album about Sex, or lack thereof, and its consequences, or lack thereof.” Songs like “Cigarettes Out The Window” and “(Do The) Act Like You Never Met Me” perfectly capture the sort of ennui-laced mid-20s melodrama that makes growing up so hard to do–especially when you still kinda wanna party all the time.

One good hip-town project deserves another, and therefore it’s apt that Brooklyn’s Brothertiger will also appear on this bill. A hazy synth-pop project with some 80s UK vibes (think Pet Shop Boys or New Order), Brothertiger also manage to do a little bit of chillwave evocation in their music, and channel some straight-up 1986 Top 40 sounds for their unforgettable choruses. They’ll get you swaying and smiling in the club, especially if you’re the sort of person who is still wearing sunglasses on the dance floor at 11 PM. Local up-and-comers Keep split the difference between the more synth-driven melodic sounds of the bands they’re sharing this bill with and the more 80s UK guitar-driven postpunk sound of bands like The Sound and The Chameleons. Either way, they’re awesome, and they fit right in on this bill, putting this evening’s hipness quotient right off the charts. Wear something pastel to blend in.

Monday, October 23, 7 PM Ted Leo & The Pharmacists, Ian Sweet, DJ Adam Against @ Strange Matter – $15 (order tickets HERE)
Big news, y’all! Ted Leo is back. One of the great punk rock troubadours of the Dubya era, who kept the faith with killer albums like Hearts Of Oak and Shake The Sheets, took a long break after 2010’s The Brutalist Bricks, needing some time to regroup after professional difficulties and personal tragedies assailed him in rapid succession. Since that album, he’s made one album in collaboration with veteran singer-songwriter Aimee Mann under the name The Both, but this summer’s The Hanged Man is the first new music we’ve heard from Ted in seven years. It’s a darker, more introspective album than any of his previous work, and while first single “Can’t Go Back” sees him returning to the sort of uptempo power-pop sounds that he made his name on, a lot of this record is slower, quieter, and moodier than anything we’ve previously heard from Leo.

Does that mean he’ll have a different live show than when you saw him back in 2008 or so? There’s only one way to find out for sure. However, considering he’s back with his longtime backing band, The Pharmacists (who were for the most part not involved with the new album), it’d make sense to have some expectation for revival of our favorite uptempo moments from Leo eras past–though ultimately, who knows? Dude’s been through a lot. He will help lift our spirits regardless of what songs he chooses for his set list, though, just because it’s always nice to see Mr. Leo onstage in Richmond again. Tourmates Ian Sweet are pretty much the leading lights of the modern Brooklyn shoegaze-pop sound, so they’ll certainly satisfy you with their killer set, while legendary Young Pioneers frontman Adam Nathanson will put everyone in the mood with some time behind the turntables as DJ Adam Against. You won’t want to miss a moment.

Tuesday, October 24, 6 PM Soulfly Does Nailbomb, Cannabis Corpse, Noisem, Lody Kong @ The Broadberry – $25 (order tickets HERE)
Nailbomb, a band who once proclaimed themselves “Proud To Commit Commercial Suicide,” existed for about a year in the mid-90s, during which they recorded one studio album, Point Blank, and played one live show before breaking up. The group’s main creative forces were Sepultura/Soulfly frontman Max Cavalera and Fudge Tunnel guitarist Alex Newport, both of whom played guitar and traded off on lead vocals. Their sound was an exploration into both Newport’s industrial-tinged leanings and Cavalera’s interest in hardcore punk. The band ceased to be a going concern after that one show, and has never come remotely close to reuniting.

However, in this era of 90s nostalgia, one can’t be but so surprised to see Cavalera’s current project dusting off those old Nailbomb songs and taking them out for a spin once again. Sadly, Alex Newport is not involved in this current project, meaning that it won’t quite be the same. Nonetheless, Soulfly is a pretty killer metal band in their own right, and Nailbomb fans who weren’t lucky enough to make it to Dynamo Open Air in 1995 can’t be blamed if they wanna finally get a chance to mosh it up to these (admittedly incredible) metal tunes. The tour features a variety of killer modern openers to sweeten the pot, too, and while Harm’s Way won’t make it to RVA, Soulfly/Nailbomb will be joined here by our own Cannabis Corpse, as well as Baltimoreans Noisem and Arizona sludgers Lody Kong. This last group shares a member with Soulfly in that Max Cavalera’s son Zyon plays drums in both; his other son Igor sings and plays guitar in Lody Kong as well. This is turning out to be quite the family affair. All the more reason to mosh it up.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [the rvamag address isn’t working for some reason, I haven’t had time to look into it! Bear with me]