The ESP Timeline (one of the site's most popular features) has been
completely updated to allow the user to select (using the timeline controls
above each column) different topics for
the left and right sides of the display.

Painting by Rembrandt: The Anatomy Lesson of Dr. Nicolaes Tulp shows Dr. Tulp explaining the musculature of the arm to medical professionals. Some of the spectators are various doctors who paid commissions to be included in the painting. The painting is signed in the top-left hand corner Rembrandt. f[ecit] 1632. This may be the first instance of Rembrandt signing a painting with his forename (in its original form) as opposed to the monogramme RHL (Rembrandt Harmenszoon of Leiden), and is thus a sign of his growing artistic confidence.

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1633

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1634

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1635

Painting by Adriaen Brouwer: Tavern Scene. Brouwer left a small body of work amounting to about 60 works. Just a few of his works are signed, while none is dated. As Brouwer was widely copied, imitated and followed in his time, attributions of work to Brouwer are sometimes uncertain or contested. For instance, the The smoker (Louvre) showing a man exhaling smoke while holding a bottle of liquor was attributed for a long time to Brouwer, but is now given to Brouwer's follower and, possibly, pupil Joos van Craesbeeck. The principal subject matter of Brouwer are genre scenes with peasants, soldiers and other 'lower class' individuals engaging in drinking, smoking, card or dice playing, fights etc. often set in taverns or rural settings. Brouwer also contributed to the development of the genre of tronies, i.e. head or facial studies, which investigate varieties of expression.

Painting by Diego Velázquez: The Surrender of Breda was inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese general who conquered Breda on June 5, 1625. It is considered one of Velázquez's best works. Jan Morris has called it "one of the most Spanish of all pictures".

Painting by Frans Hals: Lucas de Clercq, a Dutch cloth merchant known today for his and his wife's pendant marriage portraits painted by Frans Hals.

Painting by Justus Sustermans: Portrait of Galileo Galilei. Justus Sustermans was a Flemish painter working in the Baroque style. He was born in Antwerp and died in Florence. Sustermans is chiefly notable for his portraits of members of the Medici family as he was their court painter. His work can be found in both the Palatina Gallery and the Uffizi Gallery in Florence, and in many other galleries around the globe. During his lifetime he was fêted as the finest portrait painter in Italy.

Painting by Peter Paul Rubens: A View of Het Steen in the Early Morning is a landscape painting now in the National Gallery in London. A rare example of a work painted for the artist's own pleasure rather than for a commission, it shows a view of the Het Steen estate near Brussels, which he had acquired in 1635, set in an early-morning autumn landscape. He had initially intended a much smaller painting focussing on the house, using three small oak planks, probably spares from his studio  as the concept developed, seventeen more panels were added. It has influenced artists including John Constable, during his period working for Sir George Beaumont, who then owned the painting and later donated it to the National Gallery in 1823. The painting features the first convincing depiction of a mackerel sky.

Painting by Rembrandt: The Blinding of Samson is now in the Städel. The painting is the first of its kind in pictorial tradition. No other artist at the time had painted this specific narrative moment. This painting was a gift to the House of Orange, Rembrandt's current patron of a few commissioned paintings.

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1637

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1638

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1639

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ESP Quick Facts

ESP Origins

In the early 1990's,
Robert Robbins
was a faculty member at Johns
Hopkins, where he directed the informatics core of GDB
— the human gene-mapping database of the international human
genome project. To share papers with colleagues around the world, he
set up a small paper-sharing section on his personal web page. This
small project evolved into The Electronic Scholarly
Publishing Project.

ESP Support

In 1995, Robbins became the VP/IT of the Fred Hutchinson Cancer Research
Center in Seattle, WA. Soon after arriving in Seattle, Robbins secured
funding, through the ELSI component of the US Human Genome Project, to
create the original ESP.ORG web site, with the formal goal of
providing free, world-wide access to the literature of classical genetics.

ESP Rationale

Although the methods of molecular biology can seem almost
magical to the uninitiated, the original
techniques of classical genetics are readily appreciated by one and
all: cross individuals that differ in some inherited trait, collect
all of the progeny, score their attributes, and propose mechanisms
to explain the patterns of inheritance observed.

ESP Goal

In reading the early works of classical genetics, one is drawn, almost
inexorably, into ever more complex models, until molecular explanations
begin to seem both necessary and natural. At that point, the tools
for understanding genome research are at hand. Assisting readers reach
this point was the original goal of The Electronic Scholarly Publishing
Project.

ESP Usage

Usage of the site grew rapidly and has remained high. Faculty began
to use the site for their assigned readings. Other on-line
publishers, ranging from The New York Times to Nature
referenced ESP materials in their own publications. Nobel laureates
(e.g., Joshua Lederberg) regularly used the
site and even wrote to suggest changes and improvements.

ESP Content

When the site began, no journals
were making their early content available in
digital format. As a result, ESP was obliged to digitize classic
literature before it could be made available. For many important
papers — such as
Mendel's original paper
or the
first genetic map
— ESP had to produce entirely new typeset versions of the works,
if they were to be available in a high-quality format.

ESP Help

Early support from the DOE component of the Human Genome Project was
critically important for getting the ESP project on a firm foundation.
Since that funding ended (nearly 20 years ago), the project has been
operated as a purely volunteer effort.
Anyone wishing to assist in these efforts should send an
email to Robbins.