I placed copies of eyes in the form of stickers and photo copies in public spaces. They came from cropped paintings of news photographs and I put them back into the public domain that the photographs came from. The eyes taught me about the fine line between visible and invisible. Some people didnt see them at all but many took them. They were continually replenished and thus developed a cycle of eyes appearing and disappearing and a sense of the impermanence and arbitrariness of exchange.