The artwork consists of four panels each turned on point. A grid ladder pattern turned in various directions appears in each panel. The colors are warm reddish browns and light blues. Other rectangular and triangular outlined shapes appear scattered across the panels.

The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels.

The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes.

Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.

Photograph of the Odeion of Herodes Atticus in the Acropolis of Athens, Greece. The photograph was taken on the hillside above the odeion. A stone pathway is visible in the foreground above the odeion. A street and the city of Athens are visible behind the odeion in the background.

The born digital photograph orange textured color in the lower area while the uppermost is mostly a white textured area with many colors creating the texture. Between the orange and white areas is a blue section. The surface of the work is highly textured and swirls with movement.

Photograph of the bay in Acapulco de Juárez, Mexico. Palm trees and other vegetation fill the bottom foreground. The bay is visible in the middle ground. Numerous boats are visible in the water. The opposing shore lined with high rise buildings is visible in the background.

Photograph of a street in Acapulco de Juárez, Mexico. The street is visible in the right foreground. There is a building visible on the left side of the street. The building walls have been painted with a bright blue bottom border. Trees are visible in the background.

Photograph of a street in Acapulco de Juárez, Mexico. The street is lined with apartment buildings on both sides. Cars line the left side of the street. More buildings are visible in the background ascending the hillside.

Photograph of the Arcopolis in Athens, Greece. Trees and shrubs fill the foreground leading up to a stone hill. Numerous columned structures are visible on the hillside. A hill is visible in the far right background.

Photograph of an adjunct temple in the Yakushiji Temple Complex of Nara, Japan. In the foreground, two stone lanterns (ishidoros) are visible. The temple is visible behind the lanterns. Trees are visible in the right background.

Photograph of an adjunct temple in the Yakushiji Temple Complex of Nara, Japan. The side of the temple is visible in the foreground. A low stone wall and post are visible in front of the temple entrance. The temple has a thatched roof with tile edges.

Afternoon dress of dark green silk satin, crepe and chiffon. The tunic-style dress of dark green silk satin is street-length, with a drop waist. It has a slight standing collar at back which extends out in front to become long ties with a backing of dark maroon. Below the bow formed by the ties is V-shaped neckline. The full-length sleeves are dark green silk satin from shoulders to elbows and are translucent green crepe from elbows to cuffs. The main part of the gauze sections are embroidered with floral motifs in red, pink, and green/gold. The sleeves have two snaps at each cuff, which are trimmed with bands of pink crepe, maroon crepe, and dark green satin. On the front of the skirt are three wide, slightly overlapping tiers of fabric, split at center front, which start below the hips and end slightly above the hem. The dress is unlined, and there are no tags or labels.

Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes.

Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas.

The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead.

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