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Sunday, April 13, 2014

Examples of My Workflow with Actor Headshots

Headshot shoot for an actor in Taipei

Headshot sessions can be done in the studio or on location.
Personally, I prefer location shoots for corporate headshots to give them an
environmental portrait look. But I prefer studio shoots for actor headshots so
the focus is 100% on the face, without any distracting background
elements.

I emphasize that headshots should be fun! We are trying to capture a range of images that show your personality. There is no need for modesty, at the shoot you are the center of attention. You can relax,
emote, play, goof off, and be free to step out of your comfort zone.

Setting up for the headshot session

I always set up the lighting and test exposures with a gray
card before the actor arrives. Having people wait to be photographed while you
set up lights sometimes makes the subject nervous, impatient, or fidgety; none
of these are good for the shoot.

For actor headshots I keep the light soft and even. Dramatic
lighting is great for portraits but casting directors want to see faces not
lighting. I position the key light in a brolly box or shoot through umbrella slightly
off center to the actor's head to keep the lighting even but still retain
definition. I use a white or silver reflector as a fill; usually just below
chest height. I keep both of these light sources as close as possible to the
actor's face for soft flattering light.

There are two strobes with modifiers lighting the white
background with black V-flats stopping direct light from these hitting the
subject and white V-flats on each side of the actor to keep the lighting even
around the face.

For headshots, I use a Canon 70-200 f2.8 L telephoto lens
which compresses the distance to the subject and is more flattering to facial
features.

Posing for head shot in photoshoot

The headshot shoot

Getting a good headshot goes beyond technical ability. The
most important element to me is understanding my subject, the roles and
characters they play, and their expectations of the picture. So before the
session, I'll discuss the goals of the headshot with the talent to get an idea
of the style required.

JJ is a Belgian-Chinese actor, animator, and martial artist.
He has acted in several short films in Taiwan. He tends to play the
villain role, so we went for more ominous-looking headshots to show off his bad
ass side. I usually suggest sticking to head and shoulder shots for actor's
portfolios as this is what casting directors want to see. In JJ's case, he also
wanted to show his martial artist side, so we included a few shots to show
these poses along with the appropriate clothing. JJ also wanted to have shots
with and without facial hair, so we shot the first half with facial hair, then
he shaved and we took more shots of his clean-shaven look.

Adding in some drama to show acting talent

Brandon
is an American actor, comedian, and singer with a big warm personality. To me, Brandon looks like a
young Mickey Rourke. His experience on stage showed as he was automatically at
ease in front of the camera. This comfort, confidence, and relaxed attitude translates
well on camera and greatly improves the quality of the headshots.

Brandon
mostly wanted to show his potential as a comedian. We went with suits for
clothing to give a polished professional look, but kept most of the poses fun
and whimsical to show off his comedic expressiveness.

Brandon, an actor in Taiwan in headshot session

Proofing Gallery for the Headshots

The headshot shoot is the fun part of having new headshots
taken. The difficult (and most difficult part) is choosing the right images
from the online proofing gallery. It's important to choose the ones that
represent you as an actor. I suggest asking advice from friends and family when
picking these to get an idea of how others see the "real" you. Below
is an example of a proofing gallery from JJ's shoot.

Proofing gallery for headshots

Retouching Headshots

Headshots for actors are meant to represent what you look
like in person. So I do not do high-end fashion style retouching. I first
remove temporary imperfections, such as redness in the eyes, blemishes, stray
hairs, etc. Then I soften dark shadows, complexions, and wrinkles and bring out
features like the eyes, but I do not remove permanent facial features like
moles and scars.