Kampung Boy

There’s something about books set in a foreign culture that just enthralls me. It’s a chance to live in someone else’s shoes and experience through their eyes what a location halfway around the world (that I’d never otherwise see) is really like. When First Second Books announced they were publishing the first of Malaysian comics giant Lat’s Kampung Boy books, my attention was suitably grabbed. Here was a chance to travel not only to a different country, but with the story set in the 1950s it would be a different time as well. But once one gets past the initial thrill of a different culture, the question still remains: is the book actually any good?

Mat was born in a kampung, or village, within the Kinta Valley of Malaysia. Growing up in a good Muslim household, Mat learned how to make sheets of latex from the rubber trees, regularly ate fried bananas and kueh bengkang cakes, and went to school. As Mat grows up, though, would he find his new friends and the allure of fishing and stealing from the tin dredge in the river more important than the chance to go off to boarding school?

It’s interesting, because it wasn’t until I was almost finished reading Kampung Boy that it suddenly hit me that there’s not a strict, driving “plot” to be found in the book. Normally when one encounters a book that exists solely as memoir it’s obvious from the very beginning, but there’s something about Kampung Boy and Lat’s autobiographical stories (with his name altered only slightly for the main character) that makes you temporarily forget that you’re reading a book. Lat’s stories set you at ease, told in a conversational style that simultaneously explains what it’s like to live in a kampung as well as pulls you into Lat’s confidence as if you’re the first person he’s ever revealed this to. Maybe that’s part of why it’s so enthralling, because he’s telling you very personal stories that clearly matter to him. If you stop and look at them on a clinical level, it’s a fair point to ask yourself, “Why would I care about a young boy going to school and stealing a boat to go fishing?” With Lat’s skills as a writer (and to be fair, the translator as well) it doesn’t really matter because you just want to know more; he’s got that undeniable talent that is able to hook readers.

It’s once you recognize this about Lat’s writing that it also adds in an extra piece to the puzzle for Lat’s success as a creator. Kampung Boy outside of Malaysia has an extra hook for the reader in that you learn what it’s like to live in a rural part of a far-away country. Learning about how to illegally pan for tin from the dredge’s refuse, or the weddings where the bride doesn’t have to be present is something very different and intriguing for non-native audiences. We’re getting to see something that’s not even close to our own lives, even as so many of the basic value systems and familiar bonds that we’ve grown up are still present as a gateway towards our understanding of this society. It’s similar yet different all wrapped up into one, and that’s the hook to pull the reader past those initial pages until Lat’s excellent storytelling has captured yet another victim. For people in Malaysia, though, it’s not anything even remotely strange or different. It’s simply part of their society, extremely ordinary. The fact that Kampung Boy was a huge success in Malaysia as well, then, speaks volumes to the strength of Lat as a creator.

Kampung Boy isn’t told in a strict panels-and-word-balloons format. Each page is a single drawing, with narration written out alongside the art. Don’t confuse that for a lack of sequential art, though. Lat thought through the format of Kampung Boy very carefully, using facing pages to often carry the narrative across the two-page spread. It’s a smart technique, allowing him to both use his full-page drawings to have each one be its own isolated moment in time, or to have them flow together and carry motion across the pages. Lat’s drawing style in general is attractive, a strange mix of caricature and careful, fine detail. His creation of life in the kampung brings it to life by letting you really see and feel what it all looks like, even as it’s populated by people with exaggerated grins and eyes as they mug towards the audience with their expressions. It’s a good combination, bringing the glee and joy of childhood in the kampung even as you get an understanding for its social and physical setting.

The sign of a good book is how much I want to read more by the author by the time I’m done. After reading Kampung Boy I not only started looking for word of another book by Lat being published by First Second Books, but even did enough research on the internet to find out about Lat’s other books (and was overjoyed to know that the next book in this series is titled Town Boy). If there’s any sort of justice in the book world, Kampung Boy will be enough of a success in English that translating and publishing more of Lat’s works will be a given. For people who want to know more about Malaysia, or just want a good personal story with no trace of pretension at all, this is the book for you. Kampung Boy is just an absolute joy to read, pure and simple. It doesn’t get much better than that.

12 comments to Kampung Boy

Actually, almost all of of Lat’s books were indeed written in English. Lat was a journalist for the News Straits Time before getting into cartooning full-time.

An excellent review. The book truly is a window to another world, even for us Malaysians. I think the biggest reason why it’s so popular here in Malaysia is that it takes us back to a simpler time where games and the simple pleasures of life were all we need to get by the day.

Fair Review
Welcome American Readers to The World Of Lat.
Fascinating unpretensious drawing that would draw you deeper and deeper into his world…be forewarned and grateful for that.
Much adulated and accoladed in Malaysia ,this Godsend decent human being had done many things for our multiculture society to respect and love each even with each other ethnocentricity.
Congratulation to Lat

The Kampung boy is really good, I enjoyed the drawings as well as the story. I am happy to be introduced into the traditon of Malaysian Muslim culture – very interesting. It’s a good read, haven’t read a good comic like this one for a long time. I recommand this to everyone who wants to take a break from reading the eyes spinning and confusing full of action comics drawn inside boxes that spreads out over pages. Lat’s style is clean, straightforward and just nice.

hey there.. i love kampungboy cartoon very much.. since that, i create n design a wap portal using name kampungboy.. hope kampungboy will be long lasting cartoon eva… come n visit my site at kampungboy.ruralex.net using ur hp.. tq

[…] The cover of the Malay version of Kampung Boy, the original version. Anyways, FYI, his original cartoon book is written in English. Thumbs up! Also, the information about Lat’s achievement, is from the NST Newspaper, a little. Pictures, courtesy of Google Image Search. And for extra information about Lat, feel free to click here. […]

[…] And of course, I loved Calvin & Hobbes for their adult humour encased in a toy tiger and boy wonder. When I want some Malaysian funnies, Lat’s comics are the best of the best. They still make me laugh like mad because he presents a simpler way of life back then when all we worried about was how to ride an adult’s bicycle. (I thought only Malaysians get Lat. It seems Caucasians do too. Here’s a Mat Salleh’s review of Lat’s Kampung Boy.) […]