Friday, November 22, 2013

I love the color and texture that the rusted fabric offers.
I've made several wall pieces that began their life as bits and pieces of different rusted fabrics and fibers. It's a great base to build wonderfully textured art on.

This formula also works for felted backgrounds.

After working on the last two projects (Kindle cover here, here and needle case here) that had felted bases, I decided to use the same approach for a collage that I have in mind.
I wanted to create a palette of rust fabric on which to hand and machine stitch.

I am approaching this project much as I do most of my projects - with an open mind and a vague plan.
My vague plan is to felt the base, hand stitch on top of this, then add a machine stitched image over that.
I must admit I'm a little nervous about risking the hand stitched base when I add the machine stitching.
But my "fly by the seat of my pants" attitude is that I can always redo the base...just make another one, right?

So far I've felted two small pieces and managed to get some hand stitching done on each one.

I've also machine stitched a copyright free image (that I re-drew) on one of them.

I haven't done any free motion machine stitching (or would this be free motion embroidery?) in a long time.
As soon as I began stitching this small motif, I remembered how much I loved doing it!
So I definitely will be doing more of this.

I have one other section almost completed and I'll show more next time.

I hope that you all are creating every day.
You gotta flex those creative muscles if you want to keep them!

Friday, November 15, 2013

I recently just finished a class in abstraction with a focus
on bricolage. I didn’t really know what the class was about when I signed up
but I knew I wanted to learn from Karen Khoury. I love Karen’s art which is difficult to describe.
Karen works with paint but not in any traditional format. She creates art that
is both sculptural and 2D at the same time from paint sheets that are rolled and folded much like fabric.

I learned that bricolage is a characteristic of much postmodern
art...also learned a lot about what exactly postmodern art is. Bricolage simply means working with materials readily at hand. Altering them to
meet your needs or using them as they are. The DIY and indy-craft movement are also examples of bricolage. It was a great class that gave me permission to follow my instincts and stretch my creative boundaries.

As an artist who works a great deal in collage, I realized
that as my art has improved I have been working up to the more honest and authentic style of bricolage. When I started
creating stories in fabric and paper I would spend quite a bit of time shopping
for the right elements, fabrics and images to tell the story. Over the years I have learned to
simply create with what I have on hand. There is still the temptation to just go shop for something rather than make it myself or use what I have but I have learned that having less control often results in a better piece of art.

This piece about my grandmother is a great example even
though I didn’t realize at the time I was working in Bricolage as well as
collage. The rather loud and not quite matching background fabric is from one
of her evening skirts. My grandmother owned her own advertising and printing
business and every evening when she got home from work she would change into
her evening wear. She had quite the collection of long skirts and was quite
fond of both Hawaiian prints and velvet. I used this orange and yellow skirt with the
curving velvet trim because it spoke of her essence and quite honestly, it was available.

Quite a few times I considered a shopping trip to find a better fabric but that
would have taken a lot of time that I didn’t have…and quite frankly I
really have enough fabric! I stitched the orange flower embellishments with silk roving and thread I had on hand, pulled shell bits from my collection and mixed up beads I already had. I even used a bit of orange kitchen lace (aka plastic mesh from fruit and veggie bags) because I had it and it was the right color.

A wonderful example of bricolage is the work of El Anatsui a
sculptor from Ghana and Nigeria. I have spent a lot of time examining his huge
piece that hangs at the Denver Art Museum. Using the metal wrappers that are
found on the necks of bottles tied together with copper wire he has created a
fabric based on the Kente cloth from his homeland of Ghana. His huge sculptures
are breathtaking. You can see more of his amazing work here.

The piece I started in the class isn't quite finished but I promise to show it as soon as it is. It is quite the departure for me and I am very excited about it.