When is THE BRAVE ARCHER movie a "Venoms" film? When it is this, the fourth in a series originally starring international favorite Alexander Fu Sheng as master martial artist Kuo Tsing. But Fu only appears here in a cameo as the son of a character played by Lung Tien-chiang (best known as a spear master in the "Venoms" film THE FLAG OF IRON). Kuo Chue is the new hero (as he is in the "Venoms" films as well) who is out to defeat the mass murderer of his martial arts masters. In fact, this fast-moving, action-packed, Venom-filled film is even choreographed by the three core "Venoms", making it a unique combination of grand "Martial Arts World" mayhem and special Venom-style high flying kung-fu.

Director Chow Sze-loke brings to you one of the most famous stories from the renowned Chinese novel, The Water Margin. The Amorous Lotus Pan tells the story of a poor but beautiful girl, Lotus Pan (the radiant Diana Chang Chung-wen). Cruelly labelled "a delight to all men", Pan is raped by her young master. Stained with a past such that she is unable to be wedded to a rich man, she is then married to a midget who treats her like an animal. Lost and alone, Pan falls for his brother, playboy Wu Song (Paul Chang Chung)... but beautiful women do not have things easy. Pan is also lusted after by the murderous Men Ching (Pai Yun) and unwittingly becomes a pawn in the game of lust, egoistic desires and cruelty as she becomes the unwilling conspirator and ultimately, the victim in a vicious game of macho bravado and murder!

Cantopop king Aaron Kwok shows that he can kick and chop with the best of them. As THE BARE-FOOTED KID, he's an innocent country bumpkin/martial arts whiz in the Ching Dynasty who proves more than equal to the city slickers whose path he crosses. Ably assisted by director Johnnie To and with martial arts choreography by the legendary Liu Chia-liang, Aaron Kwok - generally acknowledged to be the best dancer among the pop idols - proves that he's equally graceful at kung-fu. The ladies in the bare-footed kid's life are impressive as well, with Maggie Cheung Man-yuk an introspective widow and Jacklyn Wu a rambunctious rich girl. Most imposing is Ti Lung, playing a mysterious fugitive, showing that he still possesses the screen presence that first brought him to kung-fu superstardom over twenty years earlier.

Liu Chia-liang is arguably the best martial arts film director of traditional style kung-fu action and was a pioneer in focusing on authentic martial arts techniques and training procedures in his films. This is the why stars in his movies looked more like kung-fu experts rather than actors simply going through the motions. So although David Chiang had starred in over 40 films as a martial arts hero, in Shaolin Mantis, where he plays a man who learns martial arts from a praying mantis then seeks revenge for his wife's death, the movie contains some of Chiang's best fight scenes ever. By casting his brothers Liu Chia-yung and Gordon Liu Chia-hui into the mix, Liu further ensures that the pugilistic mayhem will be even more outstanding.

Huangmei Opera movies like The Pearl Phoenix are unique to 1960s Hong Kong culture, a product of the Swinging Sixties but considerably more in touch with their Chinese roots. This one is completed with a gender-bending tale where the male lead is played by a female posing as a man, plus movie queen Li Ching and the singing voices of Ivy Ling Po and Jing Ting. Sit back and enjoy!

Director Taylor Wong gathers a great cast for this politically charged romantic thriller. Dodo Cheng is a conscience-stricken lawyer defending a rapist. Renowned leading man Alex Man Chi-leung is her cop boyfriend. The glorious Joey Wang Jo-yin, the beautiful star of A Chinese Ghost Story, plays the villain's first victim. It's all capped off by the surprise guest appearance of the majestic Shaw Studio perennial, Ti Lung, as the man brought in to make sure that justice is done. Lawyer Yip Wing-man (Dodo Cheng) and Senior Inspector Fong Wai (Alex Man Chi-leung) are a pair of steady lovers who often clash officially. Good-looking photographer Dick-man Tien (Wilson Lam Chun-yin) appears in Court for raping model Joey Ling (Joey Wang Jo-yin), but is acquitted through the artful defence of lawyer Yip. Knowing Tien is guilty, Fong sympathizes with Joey and rather despises his girlfriend for her lack of justice. Joey's sister Ling Shan-shan (Prudence Liew), a delinquent, has a chance meeting with Tien in a bar. Seized by a mad desire to avenge her sister, she puts LSD into his drink, but ends up being caught and raped by him as well. Tien appears in Court again and Wing-man acts as his defence counsel in spite of Fong's objections. Shan-shan's past misbehaviour coupled with Wing-man's crafty defence puts her in a rather unfavourable position. As the chance of testifying against Tien is getting slim, the Prosecutor seeks the help of his brother John Lung (Ti Lung) to take up the case. The case takes a dramatic twist, as the relationship of the two lovers is put to the test.

The U.S. TV documentary The Art Of Action declared this film as the foundation for a new era in Hong Kong martial arts drama. It created a sensation throughout Southeast Asia due to its unique combination of exciting action scenes and a stellar cast of established stars and new favorites. It also broke box office records and inspired two equally important sequels: The Twin Swords and The Sword And The Lute.

Stephen Fung stars in this Japanese horror piece. Tamotsu (Fung) dies in a skiing accident and his room mate Yoshio marries his wife, as well as "inherits" his entire fortune. At Tamotsu's funeral, Yoshio sees a badly disfigured old man and that is only the beginning of an evil downfall for him. Face To Face has a finale that ends unexpectedly...

Perennial Shaw Brothers hero Ti Lung versus perennial Shaw Brothers villain Lo Lieh. This combination is always enough to make one buckle up for a rousing ride of stylized fun. Based on a story about the famous anti-Ching Hung Hua Society, Chen Chia-lo (Ti Lung) must endure music attacks, great acts of betrayal and loyalty, memorable twists and controlled confusion to capture Ching Emperor, Chien Lung, who turns out to be his brother. Chang Chao-Chung (Lo Lieh) wants Chien Lung back. Besides ultra-extravagant sets, THE EMPEROR AND HIS BROTHER uses cool special effects to embellish Chen's secret "peacock fist" technique. Of particular note, the final action sequence features Jackie Chan's kung-fu buddies, Yuan Te and Yuan Pin, who were both action directors for Sammo Hung's American TV show MARTIAL LAW.

Betty Loh Ti displays an ethereal loveliness that earns her the nickname "Classical Beauty" in this classic tale that combines a very contemporary comic sense with traditional Mandarin opera tunes. Add on a score by celebrated composer Yao Min and a script by future super director King Hu (a.k.a. Hu King-chuan) and you have a perfect showcase for subtle humor and legendary beauty - one of the Hong Kong's most legendary screen personalities. Betty is a perky maid who helps manage the love life of her young mistress (Ting Ning). The task isn't as easy as it sounds, with gender-bender twists such as a young scholar masquerading as a woman (Chiao Chuang), and a bandit's voluptuous sister (Chang Chung-wen) disguised as a man.

In the story, defeated villain Sung Ching-shu (Alex Man Chi-leung) restarts his reign of terror, trapping a beautiful Mongolian Princess and mastering the "yin and yang combination" to become almost invincible. Only two swords held by two great swordsmen can stand in his way!