Produced, directed, written, scored by, and starring Melvin Van Peebles, this landmark "blaxploitation" film was as controversial as it was popular for its then X-rated story of one African-American man's triumph over the Man.… MoreProduced, directed, written, scored by, and starring Melvin Van Peebles, this landmark "blaxploitation" film was as controversial as it was popular for its then X-rated story of one African-American man's triumph over the Man. After beating a couple of white cops he witnessed brutalizing a local black revolutionary, sex show performer Sweetback (Van Peebles) has to go on the run. As he flees through decrepit South Central Los Angeles, Sweetback demonstrates his formidable potency through sex as well as violence, evading the police manhunt by any means necessary. As Sweetback runs off into the sunset, however, Van Peebles warns that the story, like the 1960s racial strife, isn't over. ~ Lucia Bozzola, Rovi

The first black director to break into commercial cinema, Van Peebles obviously feels deeply about black oppression. But he has chosen, paradoxically, to make the kinds of unrealistic films for which blacks have justly criticized white film-makers.

Totally uncompromising and grindingly repetitive, the film nevertheless accumulates a kind of hallucinatory groove, with unexpected shafts of bizarre humour and vigorous, experimental new wave direction.

Let's see: is this a good movie? Well, it's definitely an important film. As far as being "good" though, well...yeah, but it's really… MoreLet's see: is this a good movie? Well, it's definitely an important film. As far as being "good" though, well...yeah, but it's really rough around the edges, and overall, it's a big mess. But I do applaud the effort, this film's impact, it's influence, and I do find it entertaining.
When I say it's a mess though, I'm not kidding. Some of this is hard to watch, and at times, I had no idea what the hell was going on. I appreciate the techniques being used though, as they add to the tension and the experience of being chased, but I think that they could have done a better job of editing, and toned down the experimental stuff.
This is a landmark film, and for a lot of reasons. It is often cited as the first Blaxploitation film, and, along with Shaft, and Super Fly, remains one of the highlights of that genre. It's also an important film for African American in general (and African American films and filmaking specifically), and is also a fine example of super low-budget independent guerrilla filmmaking. It's not without it's controversies (and for good reasons), but it's an important film that needs to be seen regardless, especially for those interested in film history and blaxploitation films.
This is a wild, rough, and crazy mess, but it's also very interesting, entertaining, and just something where it's better to see it than to be talked to about.

Daniel Hetteix

On one hand, a vibrant but muddled fugitive-on-the-run story... on the other, a remarkable cultural milestone. Independent, amazingly low-budget and… MoreOn one hand, a vibrant but muddled fugitive-on-the-run story... on the other, a remarkable cultural milestone. Independent, amazingly low-budget and experimental, Van Peebles work influenced the way in which African-Americans would break the color-barrier in film by directly spawning the Blaxploitation genre.
That said, this movie is NOT Blaxploitation, instead having all the earmarks of an independent experimental film... Blaxploitation was merely Hollywood's response to this movies groundbreaking thematic content. To look at this movie without context, only looking at its technical execution, loses much of what made it powerful. While later films would also have low-budgets and deal with similar militant themes, they nowhere near reached the raw content and reality of this film: Peebles' actually contracted Gonorrhea from the sex-scenes in the film, for god sakes. There are some movies which would be impossible to ever duplicate, and Sweet Sweetback's Baadasssss Song proudly stands as one of them.

Anthony Valletta

After hearing all the hype, I was a bit let down.

Daniel J DeMersseman

A necessary film; not quite necessary viewing. That is, unless you're a blaxploitation film buff, in which case you should look no further. Perhaps more… MoreA necessary film; not quite necessary viewing. That is, unless you're a blaxploitation film buff, in which case you should look no further. Perhaps more interesting is the story that surrounds it, both in its making and in its reception.
For instance, he performed all his own stunts so, for one scene, he jumped off a bridge a total of 9 times. He also performed numerous sex scenes himself, contracting gonorrhea, applying for worker's comp, and using the money to help him complete the funding of the film.
This was one of the most important films that inspired the later films of the blaxploitation era. Incredibly innovative and creative for its time. It has some of the obvious drawbacks of a film made on a half a million dollar budget but much less than you'd expect for such low-budget film.
All the more so, considering Melvin van Peebles himself wrote, scored, directed, edited, and starred in the film.

Lesley N

Wow, I'm not sure what I was expecting, but I don't think it was this. A landmark of cinema, this film doesn't pull any punches, from the first… MoreWow, I'm not sure what I was expecting, but I don't think it was this. A landmark of cinema, this film doesn't pull any punches, from the first memorable scene where young Sweetback gets his name, via a bunch of violence, sex and racism, through to the second half which mostly involves running a lot. An Earth Wind and Fire soundtrack, but you won't be hearing any of their hits. One of a kind. .

Cassandra Maples

This is a landmark film for many reasons, and although it is rough around the edges, I urge everyone to at least watch it once, and then watch the story of the… MoreThis is a landmark film for many reasons, and although it is rough around the edges, I urge everyone to at least watch it once, and then watch the story of the making of this film, Baadasssss! (A.K.A. How to Get the Man's Foot Outta Your Ass), made by the directors son, Mario Van Peebles.
It is very easy for a modern audience to perhaps overlook this film as one of the slew of 'Blaxpliotation' films produced in the 70s, however this stands out firstly as virtually the originator of that mode of films, and as a crusade for a young, talented black artist and director to make a film that is both honest and challenging about the representation of black people in cinema.
If nothing else you must respect Melvin Van Peebles for the Guerrilla film making techniques that created this movie.
This film is a great argument for the importance to minority groups within any society to gain access to and control of media production in order to challenge dominant ideologies and representations put forward in mainstream media.
It is also virtually impossible to view Baadasssss! without a tear coming to your eyes, so difficult and harrowing was Melvin Van Peebles journey to get this film made.

Tobias Ximénez

A truly independent vision and the cornerstone of blaxploitation cinema.