While
finding the body of Osiris and resurrecting it—either figuratively
or literally—is central to the prophetic beliefs of Freemasonry,
until Apollo/Osiris return, formal procedures will continue in secret
for installing within America’s national leader the divine right
of Kingship through the raising of Osiris ceremony.

But
it is very important to note how, when this ritual is carried out in the
Temple Room of the Heredom, it unfolds below a vast thirty-six-paneled
skylight
that forms a stylized Magic 666 Square. Around the four sides of the skylight
can be seen the Winged Sun-Disc. This positioning above the altar is in
keeping with historical occultism. Egyptian magicians employed the same
symbolism above the altar for invoking the sun deity. In the St. Martin's
Press book Practical Egyptian Magic it is noted: “Emblematic of
the element of air, this consists of a circle or solar-type disk enclosed
by a pair of wings. In ritual magic it is suspended over the altar in
an easterly direction and used when invoking the protection and co-operation
of the sylphs.” [1] The Renaissance occultist Paracelsus describes
these sylphs as invisible beings of the air, entities that the New Testament
book of Ephesians (2:2) describes as working beneath “the prince
[Lucifer/Satan] of the power of the air, the spirit that now worketh in
the children of disobedience.” In applied magic, the “magic
square of the sun” itself was associated in antiquity with binding
or loosing the sun god Apollo/Osiris and was the most famous of all magical
utilities because the sum of any row, column, or diagonal is equal to
the number 111, while the total of all the numbers in the square from
1 to 36 equals 666. In the magical Hebrew Kabbalah, each planet is associated
with a number, intelligence, and spirit. The intelligence of the Sun is
Nakiel, which equals 111, while the spirit of the Sun is Sorath and equals
666. It makes sense therefore that Freemasons built the Washington Monument
Obelisk to form a magic square at its base and to stand 555 feet above
earth, so that when a line is drawn 111 feet directly below it toward
the underworld of Osiris, it equals the total of 666 (555+111=666)—the
exact values of the binding square of the Sun God Apollo/Osiris installed
in the ceiling above where the Osiris raising ceremony is conducted in
the House of the Temple.

Magic Squares

36-Paneled
Magic Skylight above the Altar in the House of the Temple where the raising
of Osiris is conducted.

Freemason
and occultist Aleister Crowley practiced such Kabbalah and likewise connected
the number 111 with the number 6, which he described as the greatest number
of the Sun or sun god. He employed the magic square in rituals to make
contact with a spirit described in The Book of the Sacred Magic of Abramelin
the Mage, a work from the 1600s or 1700s that involves evocation of demons.
In Book Four of the magic text, a set of magical word-square talismans
provides for the magician’s Holy Guardian Angel who appears and
reveals occult secrets for calling forth and gaining control over the
twelve underworld authorities including Lucifer, Satan, Leviathan, and
Belial. In addition to Crowley, the most influential founding father and
Freemason, Benjamin Franklin, not only used such magic squares, but according
to his own biography and numerous other authoritative sources even created
magic squares and circles for use by himself and his brethren. Yet the
gentle appearance and keen astuteness of America’s most famous bespeckled
Freemason might have hidden an even darker history than the story told
by those magic squares, which his strong, deft hands once held. Award-winning
filmmaker Christian J. Pinto explains:

One
of the most influential founding fathers, and the only one of them to
have signed all of the original founding documents (the Declaration of
Independence, the Treaty of Paris, and the U.S. Constitution) was Benjamin
Franklin. Franklin was…without question, deeply involved in Freemasonry
and in other secret societies. He belonged to secret groups in the three
countries involved in the War of Independence: America, France, and England.
He was master of the Masonic Lodge of Philadelphia; while over in France,
he was master of the Nine Sisters Lodge, from which sprang the French
Revolution. In England, he joined a rakish political group founded by
Sir Francis Dashwood (member of Parliament, advisor to King George III)
called the “Monks of Medmenham Abbey,” otherwise known as
the “Hellfire Club.” This eighteenth-century group is described
as follows.

The
Hellfire Club was an exclusive, English club that met sporadically during
the mid-eighteenth century. Its purpose, at best, was to mock traditional
religion and conduct orgies. At worst, it involved the indulgence of satanic
rites and sacrifices. The club to which Franklin belonged was established
by Francis Dashwood, a member of Parliament and friend of Franklin. The
club, which consisted of “The Superior Order” of twelve members,
allegedly took part in basic forms of satanic worship. In addition to
taking part in the occult, orgies and parties with prostitutes were also
said to be the norm.

Pinto
continues this connection between Benjamin Franklin and dark occultism:

On February
11, 1998, the Sunday Times reported that ten bodies were dug up from beneath
Benjamin Franklin’s home at 36 Craven Street in London. The bodies
were of four adults and six children. They were discovered during a costly
renovation of Franklin’s former home. The Times reported: “Initial
estimates are that the bones are about two hundred years old and were
buried at the time Franklin was living in the house, which was his home
from 1757 to 1762 and from 1764 to 1775. Most of the bones show signs
of having been dissected, sawn or cut. One skull has been drilled with
several holes.”

The
original Times article reported that the bones were “deeply buried,
probably to hide them because grave robbing was illegal.” They said,
“There could be more buried, and there probably are.” But
the story doesn’t end there. Later reports from the Benjamin Franklin
House reveal that not only were human remains found, but animal remains
were discovered as well. This is where things get very interesting. From
the published photographs, some of the bones appear to be blackened or
charred, as if by fire… It is well documented that Satanists perform
ritual killings of both humans and animals alike.[2]

While
many students of history are aware of the magic 666 square and its use
by occultists down through time to control the spirit of Apollo/Osiris,
what some will not know is how this magical binding and loosing of supernatural
entities also extends to the testes of Washington’s 6,666 inch-high
phallic Obelisk, dedicated by Freemasons seventy-two years following 1776
(note the magic number 72), where a Bible (that Dan Brown identified as
the “Lost Symbol” in his latest book) is encased within the
cornerstone of its 666-inch-square base. One wonders what type of Bible
this is. If a Masonic version, it is covered with occult symbols of the
Brotherhood and Rosicrucianism and the purpose for having it so encased
might be to energize the Mason’s interpretation of Scripture in
bringing forth the seed of Osiris/Apollo from the testes/cornerstone.
If it is a non-Masonic Bible, the purpose may be to “bind”
its influence inside the 666 square and thus allow the seed of Osiris/Apollo
to prevail. The dedication of the cornerstone during the astrological
alignment with Virgo/Isis as the sun was passing over Sirius indicates
a high degree of magic was indeed intended by those in charge.

The
First American Osiris

Through
Masonic alchemistry, presidential apotheosis—that is, the leader
of the United States (America’s Pharaoh) being transformed into
a god within the Capitol Dome/womb of Isis in sight of the Obelisk of
Osiris (the Washington Monument
to those whom Masons call “profane,” the uninitiated)—actually
began with America’s first and most revered president, Master Freemason
George Washington. In fact, Masons in attendance at Washington’s
funeral in 1799 cast sprigs of acacia “to symbolize both Osiris’
resurrection and Washington’s imminent resurrection in the realm
where Osiris presides.”[3] According to this Masonic enchantment,
Osiris (Horus) was rising within a new president in DC as Washington took
his role as Osiris of the underworld. This is further simulated and symbolized
by the three-story design of the Capitol building. Freemasons point out
how the Great Pyramid of Giza was made up of three main chambers to facilitate
Pharaoh’s transference to Osiris, just as the temple of Solomon
was a three-sectioned tabernacle made up of the ground floor, middle chamber,
and Holy of Holies. The U.S. Capitol building was thus designed with three
stories—Washington’s Tomb, the Crypt, and the Rotunda—capped
by a Dome. Each floor has significant esoteric meaning regarding apotheosis,
and the tomb of Washington is empty. The official narrative is that a
legal issue kept the government from placing Washington’s body there.
However, just as the tomb of Jesus Christ was emptied before His ascension,
Washington is not in his tomb because he has travelled to the home of
Osiris, as depicted high overhead in the womb/Dome of Isis.

When
visitors to Washington DC tour the Capitol, one of the unquestionable
highlights is to visit the womb of Isis—the Capitol Dome—where,
when peering upward from inside Isis’ continuously pregnant belly,
tourists can see hidden in plain sight Brumidi’s 4,664-square-foot
fresco, The Apotheosis of George Washington. The word “apotheosis”
means to “deify” or to “become a god,” and explains
part of the reason U.S. presidents, military commanders, and members of
Congress lay in state in the Capitol Dome. The womb of Isis is where they
go at death to magically reach apotheosis and transform into gods.

Those
who believe the United States was founded on Christianity and visit the
Capitol for the first time will be surprised by the stark contrast to
historic Christian artwork of the ascension of Jesus Christ compared to
the “heaven” George Washington rises into from within the
energized Capitol Dome/womb of Isis. It is not occupied by angels, but
with devils and pagan deities important to Masonic belief. These include
Hermes, Neptune, Venus (Isis), Ceres, Minerva, and Vulcan (Satan), of
course, the son of Jupiter and Juno to which human sacrifices are made
and about whom Manly Hall said brings “the seething energies of
Lucifer” into the Mason’s hands.[4]

Beside
those pagan gods which accompany Washington inside the Capitol Dome, the
scene is rich with symbols analogous with ancient and modern magic, including
the powerful trident—considered of the utmost importance for sorcery
and indispensable to the efficacy of infernal rites—and the caduceus,
tied to Apollo and Freemasonic Gnosticism in which Jesus was a myth based
on Apollo’s son, Asclepius, the god of medicine and healing whose
snake-entwined staff remains a symbol of medicine today. Occult numerology
associated with the legend of Isis and Osiris is also encoded throughout
the painting,
such as the thirteen maidens, the six scenes of pagan gods around the
perimeter forming a hexagram, and the entire scene bounded by the powerful
Pythagorian/Freemasonic “binding” utility—seventy-two
five-pointed stars within circles.

Much
has been written by historians within and without Masonry as to the relevance
of the number seventy-two (72) and the alchemy related to it. In the Kabbalah,
Freemasonry, and Jewish apocalyptic writings, the number equals the total
of wings Enoch received when transformed into Metatron (3 Enoch 9:2).
This plays an important role for the Brotherhood, as Metatron or “the
angel in the whirlwind” was enabled as the guiding spirit over America
during George W. Bush’s administration for the purpose of directing
the future and fate of the United States (as also prayed by Congressman
Major R. Owens of New York before the House of Representatives on Wednesday,
February 28, 2001).

But
in the context of the Capitol Dome and the seventy-two stars that circle
Washington’s apotheosis in the womb of Isis, the significance of
this symbolism is far more important. In sacred literature, including
the Bible, stars are symbolic of angels, and within Masonic Gnosticism,
seventy-two is the number of fallen angels or “kosmokrators”
(reflected in the seventy-two conspirators that controlled Osiris’
life in Egyptian myth) that currently administer the affairs of earth.
Experts in the study of the Divine Council believe that, beginning at
the Tower of Babel, the world and its inhabitants were disinherited by
the sovereign God of Israel and placed under the authority of seventy-two
angels (the earliest records had the number of angels at seventy, but
this was later changed to seventy-two) which became corrupt and disloyal
to God in their administration of those nations (Psalm 82). These beings
quickly became worshipped on earth as gods following Babel, led by Osiris/Apollo.
Consistent with this tradition, the designers of the Capitol Dome, the
Great Seal of the United States, and the Obelisk Washington Monument circled
the Apotheosis of Washington with seventy-two pentagram stars, dedicated
the Obelisk seventy-two years after the signing of the Declaration of
Independence, and placed seventy-two stones on the Great Seal’s
uncapped pyramid, above which the eye of Horus/Osiris/Apollo stares. These
three sets of seventy-two (72), combined with the imagery and occult numerology
of the Osiris/Obelisk, the Isis/Dome, and the oracular Great Seal, are
richly symbolic of the influence of Satan and his angels over the world
(see Luke 4:5–6, 2 Corinthians 4:4, and Ephesians 6:12) with a prophecy
toward Satan’s final earthly empire—the coming novus ordo
seclorum, or new golden pagan age.

In order
for the “inevitable” worship of Osiris to be “reestablished”
on earth, the seventy-two demons that govern the nations must be controlled,
thus they are set in magical constraints on the Great Seal, the Washington
Obelisk, and the pentagram circles around the Apotheosis of Washington
to bind and force the desired effect.

In The
Secret Destiny of America, Hall noted as well that the seventy-two stones
of the pyramid on the Great Seal correspond to the seventy-two arrangements
of the Tetragrammaton, or the four-lettered name of God in Hebrew. “These
four letters can be combined in seventy-two combinations, resulting in
what is called the Shemhamforesh, which represents, in turn, the laws,
powers, and energies of Nature.”[5] The idea that the mystical name
of God could be invoked to bind or loose those supernatural agents (powers
and energies of nature, as Hall called them) is meaningful creed within
many occult tenets, including Kabbalah and Freemasonry. This is why the
seventy-two stars are pentagram-shaped around the deified Freemason, George
Washington. Medieval books of magic, or grimoires such as the Key of Solomon
and the Lesser Key of Solomon not only identify the star systems Orion
(Osiris) and Pleiades (Apollo) as the “home” of these powers,
but applies great importance to the pentagram shape of the stars for binding
and loosing their influence. Adept Rosicrucians and Freemasons have long
used these magical texts—the Key of Solomon and the Lesser Key of
Solomon—to do just that. Peter Goodgame makes an important observation
about this in “The Giza Discovery”:

One
of the co-founders of the occult society known as the Golden Dawn[6] was
a Rosicrucian Freemason named S. L. MacGregor Mathers, who was the first
to print and publish the Key of Solomon (in 1889) making it readily available
to the public. Mathers describes it as a primary occult text: “The
fountainhead and storehouse of Qabalistic Magic, and the origin of much
of the Ceremonial Magic of mediaeval times, the ‘Key’ has
been ever valued by occult writers as a work of the highest authority.”
Of the 519 esoteric titles included in the catalogue of the Golden Dawn
library, the Key was listed as number one. As far as contents are concerned,
the Key included instructions on how to prepare for the summoning of spirits
including…demons.… One of the most well-known members of the
Golden Dawn was the magician [and 33rd-degree freemason] Aleister Crowley.
In 1904 Crowley published the first part of the five-part Lesser Key of
Solomon known as the Ars Goetia,[7] which is Latin for “art of sorcery.”
The Goetia is a grimoire for summoning seventy-two different demons that
were allegedly summoned, restrained, and put to work by King Solomon [according
to Masonic mysticism] during the construction of the Temple of YHWH.[8]

Unlike
other grimoires including the sixteenth-century Pseudomonarchia Daemonum
and the seventeenth-century Lemegeton, the Key of Solomon does
not contain the “Diabolical Signature” of the devil or demons,
which the Ars Goetia describes as numbering seventy-two and who were,
according to legend, constrained to assist King Solomon after he bound
them in a bronze vessel sealed by magic symbols. Such books routinely
contain invocations and curses for summoning, binding, and loosing these
demons in order to force them to do the conjurers will. Even members of
the Church of Satan sign letters using the Shemhamforash, from the Hebrew
name of God or Tetragrammaton, producing a blasphemous reinterpretation
of the seventy-two entities. And then there is Michelangelo, who painted
what we have called the “Sign of the Sixth Knuckle” inside
the Sistine Chapel (diagramed in our upcoming book Petrus Romanus: The
Final Pope Is Here) that tied the prophecy on the Great Seal of the United
States from the Cumaean Sibyl to the return of the Nephilim Apollo. But
incredibly, Michelangelo also produced the Shemhamforash on the Vatican’s
famous ceiling, as his fresco has “an architectural design of 24
columns. On each of these columns are two cherubs, which are mirror imaged
on the adjoining column totaling 48 cherubs figures. Then on the 12 triangular
spandrels flanking the ceiling borders are an additional 24 nude figures
(two bronze nude figures per triangular spandrel) also mirror imaging
each other. This totals to 72 cherub figures or the 72 angels of God or
names of God [or conversely, the 72 angels that fell and are now the demons
or kosmokrators over the nations of the earth].”[9]

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Once
one understands the importance that these mystical keys hold in Kabbalah,
Rosicrucianism, Freemasonic mysticism, and other mystery traditions, there
can be (and is) but one reasonable interpretation for the connection in
the Vatican and the seventy-two pentagrams at the base of the Apotheosis
of Washington. These are there to bind and control the demons over the
nations to honor the dedication made by early American Freemasons and
certain Roman devotees for a New Atlantis and New World Order under the
reign of the False Prophet (Petrus Romanus) and his antichrist master,
Osiris/Apollo.

In the
next entry we go from Seventy-Two Demons to Feathered Serpents: What You
Do—and Do Not—Learn in School about American History

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One
of the co-founders of the occult society known as the Golden Dawn was
a Rosicrucian Freemason named S. L. MacGregor Mathers, who was the first
to print and publish the Key of Solomon (in 1889) making it readily available
to the public.