Episodic Poetics

Politics and Literary Form after the Constitution

Matthew Garrett

First literary-historical analysis of the episode, providing a framework for reading the episode within narrative theory and a historical account of its significance to early American literature and culture.

Bridges methodological and theoretical divides between formalist, cultural-studies, and material-texts approaches to literary history.

Reads across genres of writing -- novel, memoir, miscellany, and political essays -- to produce a thorough account of early national literature culture.

Models and articulates a new method of reading through fresh analyses of central texts (such as The Federalist, Franklin's Autobiography) and rich treatments of hitherto understudied or unread works (such as Washington Irving's Salmagundi).

Episodic Poetics

Politics and Literary Form after the Constitution

Matthew Garrett

Description

The early United States was a culture of the episode. In Episodic Poetics, Matthew Garrett merges narrative theory with social and political history to explain the early American fascination with the episodic, piecemeal plot.

Since Aristotle's Poetics, the episode has been a vexed category of literary analysis, troubling any easy view of the subsumption of unwieldy narrative parts into well-plotted wholes. Garrett puts forward a new, dialectical theory of episodic form to recast this peculiar object of literary history, looking to the episode as a narrative unit smaller than the genre in order to give an account of all the period's major prose genres. Garrett shows how, in ways both magisterial and mundane, episodic forms gave variegated shape to the
social, political, and economic conflicts that defined the moment of national formation.

Episodic Poetics proposes a new method of reading and a new way of conceiving of literary history. The book asks how we might understand the cultural role of the episode as a literary micro-unit, one that forces us to read individual narratives in terms of an always partial and fraught development toward plot. Episodic Poetics combines theoretical reflection and historical rigor with careful readings of texts from the early American canon such as The Federalist, Benjamin Franklin's Autobiography, and the novels of Charles Brockden Brown, along with hitherto understudied texts and ephemera such as Washington Irving's Salmagundi, Susanna Rowson's Trials of the Human Heart and the memoirs of
the metalworker and failed entrepreneur John Fitch. Garrett recounts literary history not as the easy victory of grand nationalist ambitions, but rather as a series of social struggles expressed through writers' recurring engagement with incompletely integrated forms.

Episodic Poetics

Politics and Literary Form after the Constitution

Matthew Garrett

Table of Contents

Contents

Introduction: Reading the Episode in the Early RepublicThe Episode between Part and WholeTelemachus's Doubt: Toward a Theory of Episodic PoeticsThe Whole against the Parts: Narrative TheoryFrom Event to Episode: Historical PoeticsThe Hillock and the Mountain

ChaptersChapter One: The Poetics of Constitutional ConsolidationComplexity and Consolidation: Out of Many, OneCommon and Finer: The Legacy of 1787-88The Chain of Reading: Commerce, Episodic Poetics, PoliticsHierarchy and Literary Form 1: Commerce and ContagionHierarchy and Literary Form 2: Governing the Splintered SocietyHierarchy and Literary Form 3: Faction as FormMercantile Time and the Periodical PlotDebt and the Rhythm
of ExchangeUnreadability and Nationalism's Chain of Reading

Chapter Two: The Life in EpisodesStructure and DispersionErratum and Episode: Duration and Narrative BindingCharacter and Competition, Success and FailureSociety, Mischief, and the EpisodeExperience, Selection, and Narrative Unity

Chapter Three: The Fiction of HesitationReading the Episode in the NovelAdventure and DidacticismIncipits and the Incitement to Reading: From Clarissa to ConstantiaAgainst the Episode: Morality and Form in the Literary MarketNothing HappensEndless ProlixityEpisode versus FuturityEpisode and Ideology

Chapter Four: Miscellany and the Structure of StyleCommodity WritingWhim-Whams on the
MarketCriticism and the Work of the WriterSalmagundi: An Arthrology of the Literary MiscellanyThe Rejection of ReferenceVolubility and Formal Compromise

Appendix to Chapter Four: Table of Contents and Collation of Salmagundi

Conclusion

Works Cited

Index

Episodic Poetics

Politics and Literary Form after the Constitution

Matthew Garrett

Author Information

Matthew Garrett is Assistant Professor of English & American Studies at Wesleyan University.

Episodic Poetics

Politics and Literary Form after the Constitution

Matthew Garrett

Reviews and Awards

"How did pluribus become unum in the early United States? Matthew Garrett's Episodic Poetics reveals that the formal problem of integrating and consolidating parts into a whole connected politics with literature in the early republic. Focusing on the serialization of political tracts, the organization of events in autobiography, and the marketing of digressive fictions, Garrett makes a provocative case for the history of literary form as an integral part of political history." --Eric Slauter, author of The State as a Work of Art: The Cultural Origins of the Constitution

"Episodic Poetics is an innovative, learned, challenging account of the politics of form and the form of politics in the early Republic. Garrett makes a persuasive case that narrative plotting is key to understanding both the richness of early national writing and the ideological contradictions of U.S. nation formation." --Edward Cahill, author of Liberty of the Imagination: Aesthetic Theory, Literary Form, and Politics in the Early United States

"A powerful, unexpected new roadmap to the culture of the early republic. In Garrett's hands, literary form becomes the place where theory and history meet to tell a new story about a tired corner of American culture. A maverick and often beautiful book that resets the table for early Americanists." --Trish Loughran, author of The Republic in Print: Print Culture in the Age of U.S. Nation Building, 1770-1870