In the right corner, by way of Fort Collins, CO, weighing at 7.5% and 42 IBUs, known to many as the “Mile High Juice Bomb”… @newbelgium Voodoo Ranger Juicy Haze!
Lot’s of bright citrus and tropical aromas and flavors in this one, but will they come up victorious in their Batch 140 battle with a Southern California hometown favorite?

A grey suit is a wardrobe essential. Grey suits make a great change to your typical black suit, which can feel monotonous if you wear it on a regular basis. A grey suit is extremely versatile, and can be worn for pretty much any occasion - whether that's a meeting, a wedding, a day at the office, or a graduation. While grey is often considered more summery than black, it can also be worn during the winter months, so take your gray suit out of the closet and let's go 👌🏻

“You know why I stopped playing ballads? Because I love playing ballads so much.” - Miles Davis was as much genius as he was a Rebel. In 1972, he was injured in an auto accident, curtailing his activities. Then retired from 1975 through 1980. When he returned to public notice with The Man with the Horn (1981), critics felt that Davis’s erratic playing showed the effects of his five-year layoff, but he steadily regained his powers during the next few years. He dabbled in a variety of musical styles throughout the 1980s, concentrating mostly on jazz-rock dance music, but there were also notable experiments in other styles, such as a return to his blues roots (Star People, 1982) and a set of Gil Evans-influenced orchestral numbers (Music from Siesta, 1987). Davis won several Grammy Awards during this period for such albums as We Want Miles (1982), Tutu (1986), and Aura (1989). One of the most memorable events of Davis’s later years occurred at the Montreux Jazz Festival in 1991 when he joined with an orchestra conducted by Quincy Jones to perform some of the classic Gil Evans arrangements of the late 1950s. Davis died less than three months later. His final album, Doo-Bop (1992), was released posthumously.
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📷: Miles Davis at the Fillmore East, June 1970, playing a four night stand opening for Laura Nyro, by Amalie R. Rothschild.
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