Tyrannies across the world are crushing dissent. In Britain contempt for the political class is growing. Is it possible that democracy is dying? By Max Hastings. Daily Mail, June 21, 2013.When the democratic process isn’t enough. By Rami G. Khouri. The Daily Star (Lebanon), June 26, 2013.Hastings:Few
modern prophets prove themselves wise enough to invite comparison with Moses,
but Francis Fukuyama made more of an ass of himself than most.Twenty
years ago, the American academic wrote a book entitled The End of History. In it, he announced that with the end of the
Cold War and collapse of Communism, liberal democracy had triumphed. It would
become forever the dominant system around the world, “the final form of human
government.”Americans
alternate bouts of flagellation about their country with orgies of
self-congratulation. They loved Fukuyama’s book, which represented them as the
winning side, and bought it in truckloads.For
five minutes, it seemed possible that the author’s thesis could be right. In
the Nineties, even Mother Russia, cradle of tyranny, seemed to be embracing
popular consent and freedom.Communism
was the last of the 20th century’s evil “isms” to suffer defeat, after two
world wars in which the democracies battled against militarism, fascism and
Nazism.. . . .A few
surviving regimes, notably in China, Vietnam and Cuba, still professed
themselves communist.But the
big beasts in Beijing were as greedy and materialistic as Wall Street bankers.
Only a dwindling band of British university lecturers continued to fool
themselves that Karl Marx was right about mankind’s destiny.Yet
today, barely a generation since the publication of The End of History, its thesis echoes hollow.Even if
communism is a dying duck, everywhere brutal dictatorships are flourishing as
if their societies’ flirtations with democracy had never happened.Naive
Europeans hailed the 2010 “Arab Spring” as promising a new era in the Middle
East. Yet it seems more likely that those nations – Tunisia, Egypt and Libya –
will merely be ruled by new autocrats.The
truth is that democracy is ailing – not least here in Britain. Many people
despise and distrust politicians. . . . Modern politics has become meaningless
to most people. It has simply descended into a struggle for power among small
and unrepresentative elites, devoid of convictions or integrity, who ignore or
defy the views of the people who elect them.. . . .China may
increasingly embrace capitalist economics, but President Xi Jinping and his
politburo are implacable in denying their people liberty to do anything save
make money.Russia’s
president Vladimir Putin is an unashamed Stalinist. His country is in the hands
of a gangster elite, committed to suppressing dissent and bent upon personal
enrichment. Putin himself is thought to have accrued billions in his personal
bank accounts.. . . .In the
U.S., sensible people talk and write openly about a democratic crisis. The
bitter divisions between Republicans and Democrats have created gridlock in
both houses of Congress.The old
willingness to cut deals and make compromises to keep government moving has
become a dead letter.A large
chunk of the U.S., and especially its old, white, mid-Western, Western and
southern heartland, feels as disenfranchised as do UKIP supporters in Britain.
It sees a host of things being done, or not done, in Washington, which inspires
bitter hostility on religious, economic or social grounds.The
U.S. came closest to being a single nation in the Forties and Fifties, partly
as a result of World War II. Today, though, it is profoundly divided, and
likely to remain so, not least as a result of the rise of the Latino
population.Different
sections of U.S. society want vastly different things for the country; their
political leaders lack the will or gifts to reconcile them. And so too Britain.

Peter Gabriel’s first solo hit, “Solsbury
Hill” is an evocative and joyful ode to liberation, full of mythic symbolism. The genesis of the
song came out of Gabriel’s decision to leave his gig as lead singer of Genesis and strike off on his own. It
was also inspired by a spiritual experience Gabriel had on Solsbury Hill
(better known as Salisbury) in the countryside near his home in
Somerset, southwestern England. It was the site of a Celtic hill fort in the
third and second centuries BC
and may also have been Mount Badon,where King Arthur, according to legend, led the Britons to
victory against the Saxons around 496 AD. Solsbury takes its name from the Celtic
goddess Sulis, identified by the Romans with Minerva, and worshipped as a life-giving mother goddess at the springs in Bath. So given the hill’s mythic
and historical resonance that goes back to pagan Celtic Britain, Gabriel may
well have had a Druidic vision, a mystic encounter with Sulis. For me “Solsbury Hill” has been the theme song
of the mythopoetic journey in my own life; the quest to follow my bliss in
pursuit intellectual, spiritual, and ecstatic liberation, integration, and love.