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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…

Life love and legacy is at the heart of The Unbuilt City, Keith Bunin’s play having its European premiere at the King’s Head Theatre. And a lot of talk about sex with men over a bottle of bourbon. But all told it’s a delicate and contemplative two-hander marked by sensitive and warm performances.Set on a cold afternoon in February. Jonah (Jonathan Chambers) arrives at a townhouse in Brooklyn Heights. His mission is to persuade Claudia (Sandra Dickinson) to sell her secret art collection to a university archive. Particularly her documents relating to an architect and his unrealised plans for New York City. But even if she can’t afford to heat her house and debts are mounting, she won’t part with her collection to anyone. She wants to know why Jonah is acting as a free agent. What are his passions, his regrets and his loves. Over the course of the piece each reveal a little about themselves and what things could have been. Bunin’s piece The Busy World Is Hushed was set against the backd…

The quest for perfection is at the heart of Obsession. Writer performer Kate Marston’s gives us Ivy, a young woman with Obsessive Compulsive Disorder. She switches on and off the lights. She uses an awful lot of hand sanitiser. She won’t do anything other than sit ups and jogging at the gym. And she will never, ever take the garbage out. It’s presented for a few nights this week at the Katzpace Theatre in Southwark.At first things seem to be quirks of her personality. But soon things start to spiral out of control. Ivy’s relationship with her boyfriend Sean (Chris Royle) starts to fall apart as she suspects he wants to leave her. This soon becomes a reality. Alternatively funny and sensitive, the piece explores how mental health issues impact on the normal lives of a group of young people. It’s engaging throughout with its youthful line-up of characters. Rounding out the cast is Chris Udoh as the understanding physical trainer and Sophie Winter-King as the perfect woman to undermine e…