Sales and Inventory Thesis Essay - 1769 Words

2009. Essential Principles of Contract and Sales Law in the Northern Pacific: Federated States of Micronesia, the Republics of Palau and the Marshall Islands, and United States territories and political entities, Reno, Nev, University of Nevada, Reno Thesis (PhD) - University of Nevada, Reno (2009) 558 p. available online at >

7. Summarize, paraphrase, quote, and use MLA-style citations to document course reading and materials found through research in the construction and expression of a point of view.

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To avoid further controversy, Shostakovich withdrew his Fourth Symphony, which was inrehearsal in Leningrad, and retreated into the area of writing scores to films until hisFifth Symphony appeared in November, 1937. With the appearance of the Fifth, in style muchless modernistic than his recent works, he reentered the good graces of the great andpowerful. It was received very well, no doubt partly to express sympathy toward him forthe suffering caused by past criticism. This trend continued with his being awarded theStalin Prize for his Piano Quintet in 1941, along with 100,000 rubles.

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2004. The Internet: Tool of Law, Source of Law or Tool for Sources - Use of the Internet in Legal Practice using Examples from International Sales, 18th BILETA Conference: Controlling Information on the Online Environment (April 2003), Electronic Law Journal - JILT 2004 (3) >

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On the pro side are (at least) the following three facts: First, Shostakovichs styledid indeed change from a rather dissonant, non-tonal, radical modernism in the mid-to-late1920s to a much more traditional, sometimes very traditional style, later in life. Second,at certain key junctures, when major government pronouncements on the arts or criticismsaimed at him took place (especially in 1936 and 1948), the composer withdrew and/orwithheld works, seemingly disappeared from public view for a time, and came out with avery euphonic piece of music, which pleased the authorities. Third, he expressed fear,even mortal fear, as a result of the criticisms aimed at him and at his music.

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On the con side are the following: First, with the exception of certain highly euphonicpieces scattered through his musical career, his music always exhibited signs ofmodernism, in one form or another. His first major work was mildly modern, then came theradical period, then a long, more moderately modern period, becoming more modernistictoward the end. Second, the period of extreme modernism began when he was approximately 20years of age and lasted until he was roughly 26-28, a period in life when many artistsexperiment with radical styles. Third, there is no direct correspondence between the datesof the major artistic decrees/criticisms directed at him and the periods of most rapidstylistic changes seen in Shostakovichs compositions.

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Shostakovich finally joined the Communist Party in 1960, in order to assume theleadership of the Russian Federation Composers Union. He remained, despite occasionalgovernment criticism, a popular and leading figure in Soviet music. His later worksmaintained some of the same mixture of programmatic and non-programmatic, traditional andmodernistic styles that had characterized his output throughout his adult life. When hishealth began to fail, he resigned his post and concentrated upon his composing and hisstudents, squeezing in time to work with one of his assistants on , hismemoirs. This book, which appeared after his death (in 1975) in the West, was his partingshot at those aspects of not only the Soviet system, but the capitalist West, with whichhe disagreed.

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Shostakovich was influenced by this ferment. After the success of his First Symphony,he burned the scores of some previous compositions and concentrated on the new style. Hewas commissioned by the government to do a composition to celebrate the 10th anniversaryof the Russian Revolution. The result was his Second Symphony, a startlingly differentwork from his First. The music, blatantly constructivist like other compositions of thistime, had abandoned the tonality and structures of the past and replaced them withcurtains of sound, moving about in new ways. Shostakovichs other compositions of thisperiod were in the same vein, to greater or lesser degrees.

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“ The music of Dmitri Shostakovich, if examined chronologically, shows very definitetrends. That does not at all mean that all pieces composed at a certain time have acertain type of style, for there is a basic eclecticism in Shostakovichs music whichwont always fit into such neat categories, but the trends are unmistakable. ”

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2015. OHADA Law Countries vs. the 1980 Vienna Sales Convention, Social science research network (April 3, 2015) available online at

The opera is another constructivist piece. It is extremely unmelodicand unharmonic. The vocal parts are more in the style of sprechgesang (speech-song) orsprechstimme (sprechgesang, with less definite pitch) than real singing; the composer madenote that the words were more important than the music. The influences of westernexpressionists such as Hindemith, Krenek, Milhaud and Berg are apparent and helped causecritics to pounce upon it.