The film mixing hall is the most sophisticated area as regards technology where staying does not count in hours or days but in weeks and months. Its central point is the AMS Neve film mixing table with the Encore2 automatics and ability to work with hundreds of channels. The hall has its own machine room and is equipped with JBL speakers, projection is ensured by the 35mm Sondor or HD video Panasonic post-production projector. Our most favorite reverb is the effects processor TC Electronic system 6000 MKII. The mixing hall was designed in compliance with the Dolby Premiere standard.

Green

We are drawing on the philosophy of comfortable working environment where technology is not designed to rein but to serve. Studios coding according to the colours might be a consequence of this. The aim is to make the client feel comfortable and enable him/her to work efficiently and to easily communicate with the sound engineer or the actor in the studio.

Blue

All studios are connected with high-speed networks and have an immediate access to extensive foley and music banks. Thanks to the central logic of data storing data accepting and exporting is very operative. Another advantage of the central connection is a high data security and multiple an automated back-up.

Orange

We use AVID Pro Tools as the main workstation supplemented in each studio with a suitable controller.

Violet

The mixing direction for demanding TV projects with an overlap in music mixes is equipped with three different listening systems and with beautiful analogue toys.

Red

In the mix studio with a projection screen it is easy to prepare film and trailers or cinema commercials.

Yellow

One of the things that are most important for sound engineers, directors and filmmakers is ensuring of the sound quality. For that reason in all our studios we use the Miller&Kreisel systems that are designed specially for the AV post-production.

Pink

A plastic acoustic RPG diffuser can look as a work of art. Former Czech president and playwright Vaclav Havel came here to have a nap on a sofa when working on his film Odcházení (Leaving).

Gray

For audio reception we have available microphone preamplifiers Lafont ADR/Foley processor, Millenia Media and Pendulum and Neumann, Schoeps, Sennheiser and Sanken microphone.

Bordeaux

Great for a focused longer-term work; good for music composing. The table have unique cast legs.

Turquoise

Even smaller workplaces are important.

Brown

Here history breathes on you at each moment. One of the largest foley studios in Europe with an inexhaustible number of props and a large screen. A unique swimming pool to shoot water and underwater effects is worth mentioning.

Red Box

The Soundsquare brain where all orders start and finish. All nerve fibres, optical cables, phone lines or Ethernet converge here.