The
Art of Improvisation
Leroy Jenkins' Driftwood
This glorious new of release by Leroy Jenkins' Driftwood was recorded on October
8, 2004 at a Association for the Advancement of Creative Musicians (AACM) concert
and features Jenkins (violin), Min Xiao-Fen (pipa), Denman Maroney (piano), and
Rich O'Donnell (percussion).

This project is the product of over thirty years of musical collaboration and
personal friendships.

17521

5 Saxophone Solos
Earl Howard"Earl Howard
has made some kind of connection here  a new set of soliloquies. dialogues.
in one case almost polylogues. his own voice somewhat delicate and innocent. forged
from old hard rules. letters of the law not broken just reinterpreted. reinvented
with an almost reverential melancholic solace. ballads well mixed, served to the
brim & sipped gently." -Steve Dalachinsky NYC 1/05

"My introduction
to performing contemporary music was through free improvisation, back in 1965.
An early influence was the Art Ensemble of Chicago whom I first heard in 1968.
My solo piece is part of that lifelong preoccupation with solo improvisation."
- TB

Game | No Game
George Marsh, W. A. MathieuViola Spolin characterized
the original theater games she introduced as " a timeless moment when
all are mutually engaged in experience. You don't know what's going to happen,
and that's where the joy is, the everlasting spiral."

George Marsh -
percussion, W. A. Mathieu - piano

17517

Suitable for Framing
David Rosenboom, J.B.
Floyd & Trichy
SankaranForms of freedom
for two pianos and mrdangam

Hyperrealism
Noah CreshevskyHyperrealism is
an electroacoustic musical language constructed from sounds that are found in
our shared environment ("realism"), handled in ways that are somehow
exaggerated or excessive ("hyper").

"it's
a joy and a revelation to finally hear this album." - John Litweiler (from
liner notes)

Long awaited reissue of .the Revolutionary Ensemble's1975 album. The Psyche.

17513

Guitar Music of Villa-Lobos
Joseph Bacon, guitaristRecorded at Montgomery
Chapel, San Francisco Theological Seminary, San Anselmo, California. This recording
was produced in M-S stereo using a Neumann SM-69 microphone and was recorded
using Dolby process. Recording
engineer: Bob Shumaker

Lp was originally released as1750 Arch Records S-1771

17512

Transporting Transmittance
Music of JB Floyd

A Transporting
Transmittance for Transverse Flute and Disklavier, From - A Hundred Little 3-D
Pitctures, Improvisations on Robert Ashley's "el/Aficionado" for Disklavier,
Solos and Sequences II.