'Bingle Jells' is a reaction to the way the ubiquitous mercantile 'spirit' manifests itself during the Holidays. The poor quality of the components of an electroacoustic system transform the well known 'Jingle Bells' ditty. It is their relative drag that reframes the song. The juxtaposition of the electromechanical music boxes, whose mechanical 'guts' of the system are exposed to view, highlights the inherent entropy of real time. It is the variability-inducing friction that produces the 'desynchronisation' within which 'Jingle Bells' dissolves in a quantic cloud over time.

In "Bingle Jells," Santa's elves don Indonesian garb to emulate "gamelans." Within the gallery's washroom, the location of the sonic construct optimizes its potentially laxative effect. The space's intimacy privileges an individual perception of the acoustic phenomenon.