The Walt Disney Family Museum has announced its newest special exhibition, ‘Between Frames: The Magic Behind Stop Motion Animation,’ on view from September 27, 2012 to April 28, 2013 in the Museum’s Theater Gallery. Curated by WDFM Registrar and Curatorial Assistant Anel Muller, the exhibition explores the evolution of stop motion animation in the United States — especially in special effects, television, and film — while examining some of the key milestones and innovators including Willis O’ Brien (King Kong), Tim Burton (The Nightmare Before Christmas), Art Clokey (‘Gumby’), Ray Harryhausen (It Came From Beneath the Sea), Henry Selick (Coraline and James and the Giant Peach), Phil Tippett (Star Wars and Jurassic Park) and more.

‘Between Frames’ tells the story of a 100-year-old art form that has been used in special effects, television and film and launched Walt Disney’s career in animation. The exhibition includes behind-the-scenes photographs from films such as The Lost World (1925) and Jason and the Argonauts (1963), replicas of the original armatures from King Kong (1933) and Mighty Joe Young (1949), along with a Digital Input Device (DID) created just for Jurassic Park (1993). Puppets from the ‘Robot Chicken’ (2005) opening sequence and a puppet mold from Gumby, as well as original armatures from The Nightmare Before Christmas (1993), Coraline (2009) and original storyboards from James and the Giant Peach (1996) will also be on view.

Visitors will be invited to manipulate and touch armatures at a special interactive station. A film loop of great moments in stop motion animation will also be running in the gallery.

Special Effects The origins of stop motion animation are rooted in special effects. Discovered accidentally, stop motion was the key for filmmakers to open the door to fantastical realities. Stop motion animation enabled films like The Lost World (1925), King Kong (1933), It Came From Beneath the Sea (1955) and the original Star Wars (1977) trilogy to transport the audience into worlds where anything was possible and the unexpected was certain.

Feature Films Before The Nightmare Before Christmas, stop motion animated features were a huge gamble for movie studios. Hansel and Gretel: An Opera Fantasy, released in 1949 and distributed by RKO, was the first American stop motion feature film, and had only modest success at the box office. After Hansel and Gretel, the lackluster success of stop motion features continued in the United States for many years. The success of The Nightmare Before Christmas sparked a renaissance in stop motion features with productions, in the last 20 years, such as James and the Giant Peach (1996) and Coraline as well as the creation of stop motion studios like Laika and Cinderbiter.

Short Films Shorts were and still are the laboratories for most stop motion animators to test out new tools and techniques to improve the art form. Not only has this format launched the careers of many filmmakers like Tim Burton but it is has been the only format of stop motion animation to be awarded an Academy Award® for Closed Mondays (1974).

Television Commercials and television series have both made use of stop motion animation. Commercials from cigarettes to band-aids and even memorable characters like the California Raisins (1986) were all brought to life with stop motion. Stop motion animated television series in the United States are limited in comparison to Europe and Asia; it remains a great platform for the art form with characters like Gumby, which appeared in over 234 episodes over four decades beginning in the 1950s. While more recently, ‘Robot Chicken’ (2005) has revived interest in stop motion animated series while sparking the imaginations of a new television generation.

‘Between Frames: The Magic Behind Stop Motion Animation’ was organized by The Walt Disney Family Museum.

Special Programs In conjunction with ;Between Frames: The Magic Behind Stop Motion Animation,’ the Museum is hosting a suite of special programs, screenings, and events:

Visual effects legend Ray Harryhausen inspired a generation of visual effects artists with his pioneering work in stop motion animation. Four of Harryhausen’s “kids,”—Dennis Muren, Phil Tippett, Tom St. Amand, and Jon Berg—all masters of this technique, will gather to discuss stop motion animation and its use in creating characters and creatures for movies. Join moderator Hal Hickel in a discussion of their work with stop motion, its history as a visual effects technique, and the transition into computer-generated animation.

Muren, Tippett, St. Amand, and Berg have created visual effects using stop motion in some of the most famous films of the last three decades. The holographic chess pieces in the original Star Wars, the Hoth snow battle in The Empire Strikes Back, the dragon Vermithrax in Dragonslayer, the mine car chase in Indiana Jones and the Temple of Doom, the flying rocket man in Rocketeer, and the deadly ED 209 robot in Robocop are just a few examples of their amazing craft.

Join us as we celebrate the opening of ‘Between Frames: The Magic Behind Stop Motion Animation,’ which reveals the magic behind movie creatures such as King Kong, the Jurassic Park Velociraptors, and the revered Star Wars AT-AT! Experience the galleries in a whole new light and illuminate your imagination with music, performance, film screenings, and hands-on art activities. Complimentary bites, a cash bar featuring a thematic signature cocktail, and much, much more.

Experience the galleries in a whole new light and illuminate your imagination with music, performance, film screenings, and hands-on art activities. Complimentary bites, a cash bar featuring a thematic signature cocktail, and much, much more.