This view of the "Upper Hudson" by Stephen Parrish measures 9 5/8 x 17 inches, plate signed, 1881, cat: Schneider-50. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of rugged landscapes and coastlines.

Etching, 16X21 5/8 inches, created in 1882, S.P. 74, this atmospheric view of Gloucester Harbor was created after the painting by W.M. Hunt who's initials are in the plate, lower left. This etching is pencil signed by Parrish, lower right border, printed on a heavy wove type paper.

An atmospheric winter scene by Stephen Parrish, etching, image size 6 x 8 inches, plate size 8 1/2 x 10 inches, 1887, state I/II, cat: Schneider-125, plate signed and pencil signed, with the remarque in the lower margin. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.

A very fine original etching by American artist Stephen Parrish, this image is one of three images Parrish created of Chester, a small walled town near Liverpool, England. The image size is 9 1/4 x 7 3/8 inches, 1884, state I/II, before the remarque in the lower margin, cat: Schneider- 107, pencil signed.

This is a very fine etching by Stephen Parrish after a painting by Henry Ward Ranger. The image size is 18 x 23 3/4 inches, published by Klackner in 1887, cat: Schneider-124, with a remarque in the lower center margin, pencil signed by both Parrish and Ranger. In her description of this etching, Schneider writes that "there is a good match between the sensibilities of the painter, Henry Ward Ranger (1858-1916), and the printmaker, Parrish, so the result is a masterful etching."

A beautiful original etching of Gloucester Harbor, this image measures 13 1/2 x 21 3/4 inches, 1887, published by Radke, Lauckner & Co, New York, cat: Schneider- 131, pencil signed. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching of fishing boats in Gloucester Harbor features a richly inked impression on parchment with a remarque of a fisherman's shack in the lower margin.

This is a an atmospheric original etching, image size 4 3/4 x 8 3/4 inches, 1880, cat: Schneider-40, plate signed. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Etching, sight size 8 1/5 x 15 1/2 inches, 1880, second state, plate signed and dated l.r. "S.Parrish, 1880", cat: Schneider-19, first time Parrish etches the date into the plate, becomes one of Parrish's most popular prints in his Adirondack series.