Keith Carter: Seek & Find
September 13 – November 16, 2019

Opening Reception Thursday, September 12, 6:00 – 7:30pm

“A nationally-recognized artist and teacher with an extraordinary roster of achievements, Carter embarked on this project while in North Carolina on a Cassilhaus Residency in 2018. The Duke University collection provided him access to the most intimate materials from the celebrated American writer’s life, including a well-preserved lock of the author’s hair. From Whitman’s personal correspondence with his mother to drafts of his magnum opus Leaves of Grass, Carter’s photographs explore the many sides of Whitman’s complex character. The exhibition and its public programs enrich the legacy of Whitman at the bicentennial of his birth as well as critically examine his ideas in light of current events.”

Stephen Wilkes: Day to Night
September 1 – December 31, 2019

“Wilkes’ series masterfully captures the time lapse in cityscapes and landscapes. These images are captured in a 30 hour time period, and then carefully selected to blend into a single image – a process that takes months to complete. ”

DOUG FOGELSON: ANTHEM
SEPTEMBER 5 – OCTOBER 11, 2019

Opening Reception: September 5, 6:00–8:00pm

“Anthem is the most recent installment of Fogelson’s extensive Chemical Alterations series, in which the artist perceptively combines the subject of nature, with the (de)construction of the photograph, to comment upon the human impact on the environment. ”

Mandy O’Neill: Quiet at the Back
September 13th – October 27th

Opening 6pm Thursday 12th September

“For over a decade, award-winning photographer Mandy O’Neill has engaged with children and young people in formal education contexts in primary and post-primary schools in central Dublin. O’Neill’s photographs have emerged through mix of formal residencies supported by the Arts Council of Ireland and more local arrangements in keeping with the dynamics of school life from year to year.”

8 selected projects without thematic imposed.
A qualified jury, chaired by Magdalena Herrera, Photo Director at GEO France magazine, selects 8 photo essays already produced, little or not shown to the public. No theme is predefined in the selection of these 8 topics.

2 residences in Bay of Saint-Brieuc.
To complete the selection, the Artistic Director, Ferit DUZYOL, and the President of the jury, Magdalena HERRERA, chose to select 2 photographers who will be in residence for two to three weeks in the Bay of Saint-Brieuc and propose the subject of their choice .

“Atwood’s two long-term immersive projects explore cis- and trans- gendered communities among prostitutes in Paris. The legal precariousness and social intimacy of these groups’ activities lie in contrast with their public presence and display. For Atwood, the camera became a tool to articulate her fascination with this duality and to engage with it as a witness: “I wanted to look but I didn’t want to stare”. The exhibition’s intimately scaled vintage prints offer a peek into a world rarely visible to outsiders.”

Lagrange’s Streets
September 5 – November 17

“The photographer’s overwhelming desire to observe the world, his attention towards people, and the amazing sense of the spirit of the era have provided us with an extensive archive. Lagrange’s works became a recognized classic of Soviet art, while remaining in consonance with what was happening with photography in the world— the rise of the humanistic movement, the work of the young photographic agency Magnum.”

Geert Broertjes: One Year
7 September – 1 December, 2019

Opening 7 September, 5 – 7 p.m.

“In a very short space of time, Geert Broertjes lost the most important women in his life. His aunt, grandmother and mother passed away. He shared his grief with his girlfriend, who became a recurring theme in this series. But even this relationship ended, a couple of months after his mother passed. Broertjes photographed the process instinctively. It was only afterwards that he noticed the coherence of his work. It became a poetic story about love, loss and grief. The beautiful photographs, all shot analogue in raw black and white, reveal the dark feelings he experienced during this intense period in his life.”