Opus 426, “Love – II”

The gathering of forms is here presented in an overlapping, amorphous composition that uses a collage effect formed by the glistening layers of acrylic paints and skins in vibrant greens, blues, and yellows. The warm background has interesting earth-tones patterns, so as not to dominate the overall scheme. The “Love” character is done in “see-through” black outlines. All these aspects help to expose the work’s technical make-up.