* For a recap & review of the previous episode, “The Day After That” – click here
* For a recap & review of the next episode, “The One I’d Be Waiting For” – click hereSidney (Brent Spiner) is taking care of his burned, young friend, who asks about if what Reverend Anderson (Philip Glenister) says of him is true. And the mysterious man says that the rev’s book calls him a “dragon” and he’s been called many other things by humans of flesh and blood. He has big plans for the kid, that’s why he saved him from the fire.
Evelyn Bailey (Claire Bronson) shows up, always helping, along with Peter, who’s eager to be part of their nastiness. Only Sidney’s got no time for that shit, so he dispatches him. No more prying eyes. And the devilish man doesn’t have time for lingering attachment between humans, he doesn’t understand it; one of the most interesting traits of his character in the series, he’s dumbfounded by human beings and their emotion for one another. Exactly how you’d expect the devil to be were he personified in a body.Dealing with the consequences of her husband’s death, Megan (Wrenn Schmidt) has reached the lowest depths of herself. She’s dragged from the water by Rev. Anderson. He makes clear he wouldn’t judge her; not in the places he’s been himself. Even quotes a bit of Dr. Seuss. Meanwhile, Kyle (Patrick Fugit) takes Amber to go see her mother, Allison (Kate Lyn Sheil), at the hospital. Things aren’t well between the estranged husband and wife. While Amber waits for her parents to chat, a man approaches her in a creepy manner, though a hospital attendant shows up. However, there’s something odd about her. She and the man corner Amber, and the little girl uses her own powers to fend them off; she’s just like her papa.
While she’s out on the town, Patricia (Melinda McGraw) is abducted suddenly by a man (M.C. Gainey) and taken away, to who knows where.
Anderson meets Kyle on the road to tell her Megan took off, after her near suicide attempt. She also took her daughter Holly. They’ve gone back home, apparently. Mom wants to make the house a nice place again, to live like before. Only her daughter’s sure that dad dying wasn’t “an accident” like she’s being told. I’m betting Megan is headed towards taking responsibility, in some way, which could change things irreparably for her, and maybe others, too.
And back with Sidney, Patricia’s son Aaron is being given the opportunity to “fuck this world and all the pathetic creatures in it” – first, by having to cut up a body with a pocket knife. He can’t do it, though. Yet. And Patricia, she’s not getting any answers from Chief Giles (Reg E. Cathey), threatening to make waves in town if nothing more’s done, especially with Anderson let out after confessing to what he thought he’d done.

Poor little Holly, she can’t get over the trauma of her father dying. Worst of all, back in that bathroom where she stands, her mother comes in and starts having fragmentary flashbacks of when she killed her husband. Also, Holly’s got a bit of a premonition skill; is she experiencing any effects of possession? Kyle ends up finding Megan, trying to figure out her state of mind. She’s starting to believe in the demons. Not just that: she’s pregnant. Whoa.
At the hospital, Allison is befriended by Kirby, the man who approached her daughter. He talks and talks to her, as patients are making crafts. It’s clear there are more possessed inside the walls of the mental health ward. A terrifying consequence of people being seen as insane, rather than for their demonic sickness; they’re all being piled into these places. Kyle and Anderson are trying to figure out what Sidney’s plan is, and it doesn’t prove easy.
In the meantime, out on his own, the man who abducted Patricia looks to be digging a grave. Ohh, shit. And he seems crazy as hell, too.
Megan’s having more and more trouble. It isn’t a great idea that she’s back in that house, where the demon took hold of her and killed her husband. It’s bringing up darkness. Maybe more than she can handle. She finds her husband’s gun, then before she can do anything crazy with it she runs outside to try getting rid of it. Where a woman’s waiting to give her a flyer for the Beacon.

Anderson and Kyle go back to the Austin place. Great inverted shot as they walk in, as if the world is literally turning upside down and they’re entering some foul, hellish place; superb cinematography, and this lines up with the opening titles where the camera flips around and we see the upside down world in front of us. When the pair are inside, they find Joshua’s mother in distress, talking about the man from the junkyard; the one who took Patricia.
So the two track the man to the junkyard. They find Giles there, too. The man, Bob, is helping out with things. They’re trying to stop the demons by putting them into the ground, burying the problem. Now that’s a solution, I guess. They’re not all on the same page about it. Kyle finds out later that Bob and his mother were in league together, and that his “old man” was part of the trouble years ago; he isn’t the first to try stopping the demons.
Sidney goes to see someone, for help. Looks like young Joshua, though could be someone else, who pours more of that black essence into him, as the devilish dude breathes in deep.What a great episode! This series gets exponentially better, as well as the fact it has a great score and soundtrack alike. Lots of things to look forward to, particularly “The One I’d Be Waiting For” next week. More demons, more Sidney, more mystery.

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, I've also spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. On top of that, I'm using that thesis as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day).
My Master's program involves a Creative Thesis, which will become my debut full-length novel. I most recently got to work with Newfoundland author Lisa Moore; she's now supervising my thesis.
I am also a writer and a freelance editor. My short stories have been printed in Canada and the U.S. I've edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into production during late 2017 and post-production in early 2018. I was part of a pilot episode for "The Ship" on CBC, when I told a non-fiction story of mine live for an audience with nine other storytellers.
Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17.
Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore.
Cheers!