Nocturnal Animals (2016)

It is hard to adequately describe the opening scenes of the psychological thriller Nocturnal Animals (2016) but you will not forget them quickly. Picture, if you will, images of completely naked and generously sized women writhing rhythmically to a heavy beat with various body parts moving simultaneously in different directions. They slowly progress in size, with lighting and makeup that makes them resemble what could be described as artistically grotesque burlesque, all with the opening credits still rolling in the background.

If you are still watching, you are being prepared for a film that explores a twilight world of sexual transgression. It may help to know beforehand that there are three criss-crossing plotlines and you can easily lose your sense of what is happening. Gallery director Susan (Amy Adams) is an insomniac with a crumbling marriage and a disinterested career. Spoilt by wealth, she can indulge her sense of emptiness and her regrets over having cruelly dumped her first husband whose modest career as a writer was never going to meet her aspirations. Having once labelled him a loser, out of the blue he sends her a manuscript for a book she cannot stop reading.

The dramatization of the book is a gripping stand-alone thriller. Formulaic but brilliantly acted and filmed, it is about a family driving on a deserted road at night who encounter a carload of crazed thugs. The driver is helpless as his wife and daughter endure horrific crimes, and the story becomes the quest for revenge or justice depending on your moral viewpoint. As Susan reads the book it triggers flashbacks about her previous marriage for which a flame still burns, and she begins to sense that the story is a vengeful metaphor for her own emotional and moral weakness. While these twin narrative layers twist and turn, Susan also struggles with her shallow life in the pretentious present tense of the Los Angeles art world.

The narrative framework of this film can feel like a tangled mess but it is not. It shifts from one layer to another without warning to create a fine balance between logic and confusion while creating a powerful montage of haunting scenes. The converging motifs of sleeplessness and night trawlers equate Susan’s moral culpability with those of murderous road stalkers and hint darkly that while some wrongs are beyond the law they are never beyond primal vengeance. The story of Nocturnal Animals is told through Susan’s eyes and with a top-quality support ensemble. With striking cinematography, many scenes could be framed as artworks in Susan’s gallery. This is a challenging and engaging film that says be careful what you wish for.

I’m looking forward to seeing this tomorrow or Friday 😀 Can’t wait. And it is actually playing at my local cinema!!

Which is very weird, we usually only get garbage, cos I live in a garbage area of Adelaide. They treat people down here as if they are dumber, and honestly most of them are unfortunately, lack of education etc.. so the films shown here are almost always the blockbusters. This one and Arrival, both playing near me… big shock. I imagine after the poor turnout they get those two won’t last longer than two weeks. Most people don’t like to think during a movie, especially down here.

Sorry for that off-topic rant. Just pisses me off that not only do we often get films later than the east coast, but the cinema around the corner from me only plays crap. This Thursday will be a nice change!!!