Critical Perspectives on Art, Politics and Culture

MAY 2010

Fiction

Fiction

Rounding the side of the car, a body, the familiar angle of the windshield, the slope of the dashboard, the seat fabrics divisions, the shiny haunches over the wheels, the saggy loop of the seat belt, the parts and the shape of this body so known it becomes nondescript, not there, nothing, a backdrop, a stage.

Fiction

Just as indisputably as there can be both straightforward and elaboratein other words sumptuousprose pieces, it would appear to me that possibilities may exist for there being no dearth of both comely and unattractive individuals, that is to say, women.