That tweet is a little bit braggadocious and a little bit tongue-in-cheek.
If you know of Detroit, Michigan's own Quelle Chris to this point it's
probably because of his production - working with everybody from
Roc Marciano to
Danny Brown. A few
years back he started dabbling in rapping and released an album called
"Shotgun & Sleek Rifle," and I'd be lying if I said I even remember
it coming out. He reached a higher altitude on my radar when he
linked up with Mello Music Group, who have been dropping free MP3's and
limited edition 7" singles. They've clearly earmarked Chris as one of
their stars of the future, and since MMG is one of the more reliable
independent imprints out there, that alone would be reason to check
"Niggas Is Men" out - his reputation as a producer sealed it though.
I'm always fascinated when somebody known for excellence in one of
the arts of hip-hop switches up and tries another - some can pull it
off and some fall harder than Mark
Henry did on Ryback.

When life hands u lemons u go into hiding & make music about while question the purpose of your existence. I think thats how the saying goes

Let's start with the production of "Niggas Is Men." I almost have to,
because Chris gives up three fourths of the 45 minutes here to guest stars,
meaning his voice doesn't stand out a lot of the time. Anyway the
D-Town in Chris comes across a lot on this album - and by that I mean
a lot of the time his style sounds like J Dilla. That's probably unavoidable if you grew up in a market
where he became a legend - it's the same reason so many producers in
New York wound up sounding like Diamond D or Pete Rock (not
coincidentally two other producers who crossed over to rapping).
The first two words that come to mind listening to "Greene Eyes" are
"quirky" and "etheral." The first two that come to mind listening to "Aura"
are "mellow" and "jazzy." Any song here can combine one or all of
those terms. This is not a bottom heavy, big bass, fast paced or
menacing album. The most rugged Quelle gets is on songs like "Long
Tokes," but the influence there is blunted blues, not bar room brawls.

"In Retrograde" is one of the few songs where he doesn't give up the
spotlight to other emcees, and we get a clear and unfiltered dose of his
lyrical stylings over one of his smoothed out instrumentals:

"Or... I could make a song about a chick
I met last night, exchanged glances with
And though I got her number them digits I'll never hit up
And even if I hit up probably wouldn't even wanna
Or I could make a song 'bout marijuana
Start naming all the weeds and how none of 'em got no seeds
That'd be clever - or maybe make a song about cheddar
Or reminiscing raps about times when things were better
But... whatever"

The song showcases the same sense of humor one gets from his tweets,
but it also makes the Jay Dee comparison that much more apt. His
casual unconcerned flow and even his vocal tone are eerily similar to
Dilla. He sounds a little bit drugged out too, which makes sense when
he flat out admits "shit I'd just rather go to sleep/instead of sitting up
all night writing another verse." It's a shame somebody who rates
himself a good emcee, even if he's doing in tongue-in-cheek, chooses
to hand over that spotlight to others like Denmark, Chay, Bwameeks
and Cavalier (who's on damn near every song). It's not that any of
them are bad artists, but the few moments Quelle stands alone are
the most compelling ones that "Niggas Is Men" has.

It's good to have goals Quelle. I'd also make being the star of your
beats one of them. A little more precision in the diction could also
be beneficial if you're going to work both sides of the mic. Words tend
to run together at times in a mushed mouth sort of way. If it's because
you were high as fuck at the time, try recording your vocals sober.
The weed may calm your anxiety about being the star of your own
show, but it's not doing favors for your flow unless you're on a B-Real
or Ghostface Killah level - with respect I think we both agree you're
not there yet. Maybe someday, maybe not. Keep putting out those
beats though - I'll keep listening.