The real-life father-son duo has no trouble generating screen chemistry, here, being already rather relaxed with each other, quite naturally. Expect to laugh as much as you cry during this touching tearjerker.

What ultimately makes We Are Marshall special is that the satisfaction which it delivers doesn’t emanate from a cliché victory scene, but rather from an assortment of touching tableaus all along the way of the town and gown’s painful healing process.

Deliberately-paced, and blessed with some of the most calming,
humbling, and breathtaking panoramas, the film is a Lassie-like
adventure but one stripped of any pretense, transparent plot
points or a syrupy send-off.

Wordplay, a surprisingly entertaining documentary, actually
manages to take this supposedly solitary and cerebral endeavor
and present it as a spectator sport every bit as engaging
as the national pastime.

Horrifying, vulgar and exploitative, yet somehow simultaneously inspired, brilliant and convulsively hilarious, Borat is a Jackass-meets-60 Minutes masterpiece you’ll be ashamed to admit you loved every second of.

Death of a President must be dubbed a technical masterpiece,
as it
seamlessly weaves reams of real footage in with staged events to create
a not too distant future where this scenario could actually be played
out.

Regrettably, in spite of several inspired moments where it exhibits some genuine promise, this desperate attempt to be all things to all people ends up sabotaging any potential project had to make a memorable to the annals of cinema..

Not only is ?Superman Returns? the best of the series, but it serves as a companion to Superman II. Filled with emotion, fantasy and adventure, Singer incorporates the right flavor that will appeal to all ages.

Laced with plenty of funny moments, Only Human is a rare, optimistic ray of hope about the prospects of Jewish-Muslim relations.A rare, optimistic ray of hope about the prospects of Jewish-Muslim relations.

Lower City is as visually-captivating as "City of God", but this flick is actually a more engaging film, given its alternately steamy and sophisticated storyline, combined with the palpable chemistry generated among its three lead characters.

Every great franchise inevitably takes a step back, but to
portray “X-Men: The Last Stand” as anything less
than disappointing is mincing words. It is a shell of
its predecessors, a technical exercise that is utterly devoid
of substance.

Though the plot is a bit convoluted and Hoffman doesn’t
do much as the villain, there’s plenty of action and suspense
that will satisfy all those that want to see Cruise in high
gear and run like crazy

Preaching to the Choir features the same Prodigal Son plotline.
Yet, this hastily-mounted, sloppily-edited production is so poorly
executed that it fails to measure up to the original in terms
of quality.

Zucker relies on the services of an expanded principal cast
plus a boatload of celebrity cameos to keep his clever combination
of slapstick, sight gags, and bodily-function humor unfolding
at a rapid fire pace.

This damning documentary interweaves file footage with running
commentaries by a “Who’s Who” list of both
liberal and conservative luminaries like Senator John McCain,
Gore Vidal, Richard Perle and Bill Kristol.

This transparent romantic comedy unfolds fairly predictably,
relying on lots of simplistically-drawn stereotypes at
every turn, such as its portrayal of the Irish as hot-headed
drunkards and blacks as superficial simpletons.

The only flaw of this flick, which is admittedly amusing
in spots, lies in its aforementioned poor quality cinematography
which intermittently interferes with one’s ability
to concentrate on an otherwise engaging story.

The stripped-down production looks more like a play than a
movie, but all the actors do a decent job with a script which
turns increasingly preposterous at every turn. Yet, because it
held my interest from start to finish.

Relying on a daring script as executed by A-list actors, it
offers a potentially transformational experience for any inclined
to contemplate an introspective, gut-wrenching meditation on the
intractability of the legacy of slavery.