Jefferson Starship was among the most successful arena rock bands of the 1970s and early '80s, an even greater commercial entity than its predecessor, Jefferson Airplane, the band out of which it evolved. Many Jefferson Airplane fans decried the group's new, more mainstream musical direction, especially after Airplane singers Grace Slick and Marty Balin departed in 1978. But with shifting personnel, Jefferson Starship managed to please its new fans and some old ones over a period of a decade before it shifted gears into even more overtly pop territory and changed names again to become simply Starship.

Paul Kantner's debut solo album actually was credited to "Paul Kantner/Jefferson Starship," the first use of the "Starship" billing, predating the formation of the group with that name by four years. Kantner used it, extrapolating on the name of his current band, Jefferson Airplane, to refer to Blows's science fiction concept: A bunch of left-wing hippies closely resembling his San Francisco Bay Area compatriots hijack a government-built starship and head off to re-start the human race on another planet.

Original Jefferson Starship band members Marty Balin, Jack Casady, and Paul Kantner were back with some songs about the millennium, protests, and life in general on 1999's Windows of Heaven. Guest vocalist Grace Slick, who sings on one track, makes the album almost a full-scale reunion. New bandmates Prairie Prince (the Tubes) and T. Lavitz (Dixie Dregs, Jazz Is Dead) add even more spice to the mix, as the offshoot of one of San Francisco's finest '60s psychedelic bands prepared itself for the 21st century.

Red Octopus is a 1975 album by Jefferson Starship. It was the best-selling album by any incarnation of Jefferson Airplane and its spin-off groups, and the single "Miracles" hit #3 on the Billboard chart, being the highest-charting single the band had until that point. The album itself reached #1 on the Billboard 200.

Credited to "Grace Slick/Paul Kantner/Jefferson Starship," Dragon Fly was the transitional album between the various shifting aggregations Slick and Kantner had been recording with as Jefferson Airplane dissolved in the early '70s and the new Jefferson Starship (which essentially was the Airplane with a new guitarist and bassist – Craig Chaquico and Pete Sears). But where such preceding efforts as Sunfighter, Manhole, and Baron Von Tollbooth and the Chrome Nun had suffered from indulgence and a lack of focus, Dragon Fly, from the first note of its rocking leadoff track, "Ride the Tiger" (a chart single), was a unified effort.

Jefferson Starship was among the most successful arena rock bands of the 1970s and early '80s, an even greater commercial entity than its predecessor, Jefferson Airplane, the band out of which it evolved. Many Jefferson Airplane fans decried the group's new, more mainstream musical direction, especially after Airplane singers Grace Slick and Marty Balin departed in 1978. But with shifting personnel, Jefferson Starship managed to please its new fans and some old ones over a period of a decade before it shifted gears into even more overtly pop territory and changed names again to become simply Starship.

Technically speaking, Red Octopus was the first album credited to Jefferson Starship, though practically the same lineup made Dragon Fly, credited to Grace Slick/Paul Kantner/Jefferson Starship. The difference, however, was crucial: Marty Balin was once again a fully integrated bandmember, writing or co-writing five of the ten tracks. And there can be little doubt that it was Balin's irresistible ballad "Miracles," the biggest hit single in the Jefferson Whatever catalog, that propelled Red Octopus to the top of the charts, the only Jefferson album to chart that high and the best-selling album in their collective lives. This must have been sweet vindication for Balin, who founded Jefferson Airplane but then drifted away from the group as it veered away from his musical vision.

Starship is an American rock band established in 1985. Although a continuation of Jefferson Starship, its change in musical direction, loss of key Jefferson Starship personnel, and name change sparked a new identity. Love Among the Cannibals is the third album released in 1989 by rock band Starship. It was the first album after Grace Slick's departure from the band, and their last full-length studio release until Loveless Fascination in 2013. The song "Wild Again" had previously been produced for the soundtrack to Cocktail (1988), and was included as a bonus track for the album's CD release. The album had one top 20 single on the Billboard charts, "It's Not Enough", which peaked at No. 12 in October 1989 and was their final Top-40 hit, but the album itself only climbed to No. 64. The track "I'll Be There" went on to being featured in the end credits of Gross Anatomy (1989)…