"Dream Up: Invent, Concoct"

The Cuban Revolution at Dream Up 2016

Step aside Castro, there’s a new revolution brewing, and it’s happening at TNC’s Dream Up Festival. “Alpha 66” by Robby Ramos is a new drama that explores the ways a Cuban family is thrown into disarray in the wake of the communist revolution in the 1960s.

Cuba is now, as it has always been, a hot topic in the American sphere. From the beginning of the nation’s history, when Cuba was a colony of Spain, America displayed ambitions to annex, or at least gain de facto control over the island. After Spain’s defeat in the Spanish-American War, the US declared Cuba a protectorate, installing a government whose initial pro-American attitude dissolved into bitter dislike. As a result, it’s little secret to the average passerby that the US and Cuba share a bit of an abusive relationship. Cuba had a rough breakup with America in the 1950s after Dictator Batista’s regime was overthrown by Fidel Castro’s revolutionary movement. Tensions would continue to build between the nations culminating in the Missile Crisis of October 1962- a thirteen day showdown between the United States and the Soviet Union concerning the placement of nuclear missiles in Cuba. And things have been shaky between the two ever since. It wasn’t until the later years of the Obama presidency that a reestablishing of relations between America and Cuba has occurred.

Papo’s choice between nation and family.

Hence, “Alpha 66” comes at a time when there is a resurgence of interest in Cuba and Cuban goods in the mainland United States, after nearly fifty years of embargoes and travel bans. Tourism in Cuba is expected to increase sharply over the coming years, and famous imports such as Cuban rum and cigars are expected to begin filtering into American markets.

The narrative of the play follows a single family of common people during the apex of the Cuban Missile Crisis. As the American radio host Bill Kenny sends anti-Castro broadcasts into the island nation, the cruel warden of a prison, Madre, has the soldier Papo interrogate his own brother, Rafa, an illustrator who stands accused of distributing a propaganda poster of Che Guevara in drag. As the two brothers confront one another, their younger sister Ava is brought in for interrogation by Madre. As the play progresses, the family’s association with the terrorist group “Alpha 66” becomes evident, and Papo must choose between nation and kinship.

The parallel of the nation and the family is constant throughout the play, and the line between them is often blurred despite it never being crossed. The government in the play focuses on “control through nourishing,” said Aminta de Lara, artistic director of the Sinteatro-Intimus Company and the actor playing Madre, “dictatorships make and effort to turn people into children.” Hence, the play sees the government taking on stern, almost motherly, qualities while Papo’s family begins to resemble politics, focusing on issues of freedom of speech and thought.

The play is also concerned with democracy and freedom and the fragility with which they exist. “We’re hoping very much that we can make them think about such important values about freedom…how important democracy is, and how quickly it can go away,” de Lara said, “People take it for granted.”

From L to R : Katia Martin as Ava, Txai Frota as Rafa, and Robby Ramos as Papo. Photo by Remy.

The title of the play is derived from Alpha 66, an anti-Castro paramilitary group formed in 1961. Largely based in Miami, Florida, and active during the 1960s and 1970s, Alpha 66 planned several assassinations of Cuban dictator Fidel Castro. Though none of these attempts materialized, and hopes of an invasion to free Cuba from communist rule dissipated with the failure of the United States’ Bay of Pigs Invasion in 1961, the group is officially still active today.

“Alpha 66” is written by Robby Ramos of Sinteatro-Intimus, whose family migrated to the United States from Cuba. Sinteatro-Intimus is dedicated to preserving and rediscovering the most basic essence and elements of theatre. “Theatre is about taking photographs of the human soul,” Aminta de Lara said. “Alpha 66” is the first original play the company has produced that is not written by de Lara, and the first play directed by company member Marion Elaine.

“Alpha 66” will premiere at TNC on September 9 at 9:00 PM in the Community Theater. For a full performances schedule, ticket prices, and more info about the play or the festival, please visit www.dreamupfestival.org. For more information about “Alpha 66” please visit http://www.sinteatrointimus.org/.