Magic Mike: Yes, This GeekMom Went to See It!

Channing Tatum’s dancing skills are worth seeing, because you won’t be going to this movie for the high-quality plot. Image: Warner Bros.

Allow me to put away my GeekMom hat and replace it with my “I’m just a girl” hat.

I had several invitations to go with girlfriends to see Magic Mike since its opening day here in my little slice of America. At first I wasn’t going to join any of them, but I received an invitation to honor a fellow Air Force wife who is leaving our community next week, I didn’t want to turn it down.

I hadn’t absolutely written off seeing the movie, and with my mom visiting, I figured it would be a fun night out for the two of us*.

*What? You don’t go to male-stripper movies with Mom?

Even one week after the movie opened, about a dozen of us girls were still unable to find seats together in a packed theater in Fort Walton Beach, Florida. We were glad we bought our tickets on Fandango ahead of time!

The theater was full of mostly women of all ages, but my mom and I were seated next to a male-female couple. It was clear the male of the couple didn’t want to be there…he was being a very good husband/boyfriend/male companion! After some chick-flick reviews capped with a couple of no-we-didn’t-analyze-our-audience reviews (The Watch? Really?), our theater leaped straight into the movie with the late 70s/early 80s-era Warner Brothers logo. (My husband later said, “Hey, I remember that from the end of The Dukes of Hazzard!”) This had me wondering if the film was to be set in the 70s and I briefly thought that we had some sort of Boogie Nights fan-film on our hands.

I have always enjoyed Matthew McConaughey in movies, so his role was the one to which I was most looking forward. I knew about Channing Tatum’s dancing skills thanks to the You Tube viral video of his former stripping work. But I was very surprised at the plot. Here’s a layout of the main characters:

Dallas (McConaughey) owns the Xquisite male-revue club that features about a half-dozen dancers. Dallas plays the emcee to the weekend shows and does very little actually stripping. His role seems very similar to Cher’s role as Tess in 2010’s Burlesque, with both of them worrying about the finances and the strategic visions for their respective clubs.

Mike (Tatum) is a 30-year-old stripper, seen as the leader/caretaker of the active dancers. Mike claims that he’s just dancing — along with several other odd jobs — to save up enough money to start his own custom furniture design business.

Adam (played by Alex Pettyfer) is a 19-year-old young man who’s trying to get on his own two feet; having just left college he’s trying to find work that pays the bills, but doesn’t cramp his “style”. Adam gets thrust into the male revue limelight after one of the other dancers is unable to perform and ends up having a knack for the trade.

Brooke (Cody Horn, daughter of current Walt Disney Studios chairman and former Warner Brothers COO Alan Horn) is Adam’s older sister. She has a flirtation with Mike throughout the movie, but is frustrated with Mike’s lifestyle and tends to blame him for leading Adam to his new dancing career. I wasn’t a big fan of Cody Horn’s role or her acting. I think she was supposed to play an uptight nervous wreck, but it was tough to know if that was because of her lack of acting experience or not.

The other dancers include a fun variety of characters, from Ken (who has a fun Mattel Ken doll routine in the stripper show and is played by the charming Matt Bomer, star of White Collar) to Big [*cough*] Richie (True Blood star Joe Manganiello) to Tarzan (WWE star Kevin Nash, whose role was very unusual indeed: he has the body to be a stripper, but his dancing was very very poor, I wouldn’t have put a single dollar bill in his thong if I were in the club).

The film will take you through three short months in the lives of these characters, and you will see the advent of young Adam in the trade, and the conflicts that Mike faces as he tries to “grow up” once and for all.

The movie starts with Mike waking up with a couple of women, and then heading out to his day job on a construction site. He meets Adam who is on his first day at the site…but Adam doesn’t last long in construction. Later that evening, after the day job, Mike and Adam cross paths again in Ybor City — a club district in Tampa. This is the scene where Mike recruits Adam to help at the male revue…in a props-assistant type of job. The setting moves to Dallas’s club and the viewers get their first glimpse of the dancers of the Xquisite male revue. The moves during the first song, The Weather Girls’ “It’s Raining Men”, are full of innuendo as the dancers play with long umbrellas on stage. It’s quite a show indeed!

Mike is the front-man for the group dancing, and his dance skills are very much worth watching. Yes, there’s a lot of bumping and grinding, but there are also parts of the routines that showcase a little more dance skill, and I enjoyed the pure dancing. Once Adam is almost unwillingly thrown into the world of dancing, there are more scenes that show the dance troupe’s rehearsals and how they get ideas for new routines. The eyes and ears get a lovely montage of about twenty different routines for the next 15-20 minutes. It’s fun, it’s exciting, and the ladies in the theater were absolutely loving things!

Things then start to turn a little dark as the dancers reel in their successes and the group attempts to take the show to the next levels. Mike and Adam encounter conflicts in their personal and professional lives and Adam’s sister, Brooke, keeps getting pulled into the drama. The second half of the movie is definitely less visually exciting as the story turns to more dialogue and disappointing events for the main characters.

But all hope was not lost. One of the closing scenes is Dallas (McConaughey) performing a solo dance act. WOW! That was pretty wild to watch.

And that’s all I have to say about that.

One of the movie’s saving graces was having the directorial talent of Academy Award-winner Steven Soderbergh, of Erin Brokovich, Ocean’s Eleven/Twelve/Thirteen and Traffic fame. His documentary-like film style, which I loved in Traffic, shines through very similarly in Magic Mike. Also like Traffic, he has filmed different scenes with assorted light and color filters. You can easily tell whether you’re at Brooke’s apartment, at the Xquisite club or on the streets of Tampa based on the imagery presented before you.

Another thing that got my attention was the lack of supporting musical score. In other words, there isn’t music accompanying scenes except for things playing in the background in the setting: by the Xquisite club DJ Tobias, from Mike’s bedroom stereo, or at a local Tampa bar. If there is no background music in the setting, you’ll hear the cars, the birds, or the wind blowing (such as in a hurricane scene). This was clear with scenes in Brooke’s apartment. More than once, Mike would flirt with Brooke and she would stare at him incredulously. Complete silence for 5 seconds or more. I think scenes like that speak volumes — I’m sure many of you can relate to such awkward silence. Not everybody seems comfortable with this film style, but I liked it.

In summary, while the incredible hype behind Magic Mike is a bit unusual to me, I don’t think I wasted my $10 admission. Your eyes will be well-rewarded with fun and (yes, I’m going to say it) sensual dance scenes and well-crafted cinematography, but the film’s weak plot might leave your brain disappointed as you’re coming out of the theater.

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Patricia Vollmer is the proud mother of two emerging geek sons, ages 13 & 15. She is a meteorologist with the Air Force Reserve and is currently assigned to the U.S. Air Force Academy. Patricia blogs about her family's nomadic military life at Ground Control to Major Mom. Home is always where the Air Force sends her family, which is currently in Colorado Springs, Colorado. Hobbies include running, despite no one chasing her, sharing her love for Disney and Star Wars, and exploring the world with her boys. Ask her why the sky is blue at your own risk.

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