Saturday, November 21, 2009

I've been thinking a lot about parenting this week. I've been helping to devise a new course on parenting for the School of Life, and that's involved reading lots of the research on how different parenting styles and practices are associated with different developmental outcomes. One impression that has been confirmed for me is that there is very little solid scientific evidence in this area. There are far more people out there willing to offer advice on parenting than there are people willing to test these ideas scientifically.

So I was pleased to rediscover a website called Parenting Science, which promises information on the science of parenting with full scientific back-up. The website is run by an anthropologist, Gwen Dewar, who cares about making sure that ideas about parenting are founded in properly referenced scientific findings. I'm sure that Gwen and I would disagree on a few things, but her site is a welcome antidote to the opinion dressed as science that parents are constantly being fed. Tear up your parenting books and get yourselves over there.

Friday, November 13, 2009

In case you missed this post on my Psychology Today blog, I was writing about my experiences of playing Lego Star Wars with Isaac on the Wii, and some recent research on how young children learn to collaborate. You can read the post in full here. Part II is coming soon... watch the skies.

Saturday, November 7, 2009

BBC News ran a story yesterday on babies' ability to pick up certain aspects of their parents' accents in the womb. Before we get carried away by the image of neonates springing out into the world speaking broad Geordie or Brummie, we should look at the study (in press in the journal Current Biology) in a little more detail. The German researchers recorded and analysed the cries of some very young babies—between 2 and 5 days old—born into two language groups, French and German. There were 30 babies in each group. The analysis of the recordings involved examination of the cries' 'melody contours', which makes use of the fact that the cry of a baby follows a distinctive pattern: first rising in pitch, and then falling, in a single arc.

The results of the analyses showed clear differences between the language groups. The French babies' cries spent longer on the rising part of the arc, and the German cries were skewed towards the falling part. These patterns match up to the particular prosodic patterns of the French and German languages, as demonstrated in other studies (and fully evident to listeners to those spoken languages).

There's nothing particularly new about a finding that foetuses can pick up and learn about auditory information in the womb. In my book, I describe an experiment conducted by Peter Hepper two decades ago, in which babies who had been exposed to the theme tune of the soap Neighbours showed a preference for that tune after they had been born. Plenty of other convincing evidence for foetal learning has been published since the time of Hepper's study. What is striking about this new study is that babies aren't just learning patterns in the womb, but they are also showing an ability to mimic them—which must call for some very sophisticated control over the articulatory system (the system of muscles that allows us to produce speech). Previous findings had shown vocal imitation at 12 weeks, but no earlier. Rather than just making a noise that is constrained by the respiratory (breathing) cycle, newborn babies are actually shaping the sound they make, and doing it in response to sounds they have already heard in the womb. This is particularly true of the French babies, with their 'rising' intonation—not the sort of cry you would hear if babies were simply vocalising their breaths.

In her comments to BBC News, study author Kathleen Wermke speculates that 'crying with an accent' may play a part in attracting the mother's attention and thus forging a bond with her. I was also interested in the comment by Debbie Mills of Bangor University, who questions whether this neonatal capacity for imitation might fall away shortly after birth only to return later in a different form. This 'inverse-U' trajectory of development is commonly observed in the first few months of life, with newborns showing capacities that they then lose, only to recover them again a few months later as different neural systems take responsibility for them.

Buy A Box Of Birds

Buy Pieces of Light (UK)

A Box of Birds: Reviews

'Arrestingly good prose… A thought-provoking novel that wrestles with the fundamentals of human nature.' Financial Times

'The plot, which flies past at genuine ‘page turner’ pace, involves a race to map the (fictional) Lorenzo Circuit, ‘the deep root-system of the self… the basis of memory, emotion and consciousness in the human brain’… I’m grateful for the siren warnings from the storytelling machine that is Charles Fernyhough.' The Psychologist

'A pleasantly sardonic narrator… There is… a certain edgy propulsion to the story, and the reveal of what is really going on in the bowels of Sansom’s research centre is deliciously horrible and deftly understated.' Guardian

'Part love story, part race against time to beat the baddies, Fernyhough can certainly write.' Daily Mail

'It’s rare these days to read a writer who cares about ideas in the way that the great nineteenth-century novelists did... This is both a serious novel and a great read.' Sara Maitland

'Exhilarating, thought-provoking and well worth the wait.' Andrew Crumey

Pieces of Light: Reviews

'Pieces of Light is utterly fascinating and superbly written. I learned more about memory from this book than any other. There are few science books around of this class.' Guardian

'Thoughtful… a deft guide to discoveries that have led memory researchers to stress the centrality of storytelling.' Booklist

'As absorbing as it is thought-provoking.' Sunday Business Post

'Remarkable storytelling skills... Seamlessly intersperses the personal aspects of [his] journey with descriptions of cutting-edge research into spatial naviation and memory manipulation, as well as new ideas about how memory works.' Moheb Costandi, Scientific American MIND

'With elegance and clinical sympathy, Fernyhough tells the stories of patients with various forms of brain damage that result in amnesia... a good, accessible read for anyone interested in their own recollections.' Professor Steven Rose, BBC Focus Magazine

'An absorbing guidebook to the mysterious terrain of human memory... In the tradition of Oliver Sacks’ casually shrewd scientific writing, the book blends dispatches from the frontiers of science with compassionate human anecdotes. Fernyhough’s enthralling narrative delivers gripping insight on the way memories shape our lives.'Editors’ Choice for w/c 19 March, iBookstore

'Weaving scientific research from psychology, neuroscience and evolutionary biology, Fernyhough explains that our brains don’t record experiences as cameras do; rather, we store key elements, then reconstruct the experiences when we need them, imbuing them with present-day feelings and the benefit of hindsight.' Washington Post(read more)

'In its stunning blend of the literary with the scientific, Pieces of Light illuminates ordinary and extraordinary stories to remind us that who we are now has everything to do with who we were once, and that identity itself is intricately rooted in transporting moments of remembrance. We are what we remember.' André Aciman, author of Out of Egypt and Harvard Square

'His examination [is] welcoming and accessible to lay readers. His analysis is wide-ranging... He also covers a wide swath of literary and historical ground... A refreshingly social take on an intensely personal experience.' Publishers Weekly (read more)

'A multidisciplinary approach to explaining memory... Will be intriguing for readers interested in the borderlands where memoir, fiction and science overlap.' Kirkus Reviews (read more)

'In this lyrical exploration of our powers of recall, psychologist and novelist Charles Fernyhough argues that our memories are worth cherishing - even though some of what we think we remember is, in fact, fiction.' New Scientist Books of the Year (read more)

'In Pieces of Light, Charles Fernyhough has had the arresting idea of writing a book about memory that is also a memoir. As a psychologist clearly well up on the latest research, he shows how memory itself relies on language and storytelling. Investigating his own memories with a writerly eye, he brings to vibrant life scenes from a childhood refreshingly free of misery.' Sunday Times Books of the Year (read more)

'In his hybrid of autobiography, journalism and pop psychology, Fernyhough lets the stories speak for themselves to highlight memory’s personal, subjective and fragile qualities. Fernyhough takes us on a captivating journey into the mind. And he does so with great style.' Telegraph (read more)

'Outstanding… Fernyhough’s skills as a writer are evident both in the beautiful prose and in the way he uses literature to illustrate his argument… He draws on both science and art to marvellous effect.' Observer (read more)

'Restrained and lyrical... an immense pleasure.' New Scientist (read more)

'A sophisticated blend of findings from science, ideas from literature and examples from personal narratives… refreshing, well judged and at times moving. This is an unusual book but a very rewarding one.' Times Higher Education (read more)

'Fernyhough deftly guides us through memory's many facets... Often using himself as a test case, he adds context with research and snippets from a raft of great writers. A thoughtful study of how we make sense of ourselves.' Nature (read more)

'Absorbing... In offering us a meditation on memory, Fernyhough has something important to say about one of the forces that is central to our lives.' The Lady (read more)

'Fernyhough is a gifted writer who can turn any experience into lively prose... The stories in Pieces of Light... will entertain anyone who reads them.' Financial Times (read more)

'Many popular science writers try to blend the autobiographical and the anecdotal into their work; few do it as seamlessly and successfully as Charles Fernyhough.' Blackwell's Book Podcasts (read more)

'Fernyhough argues that we don’t simply possess a memory; we reconstruct it anew every time we need to remember… Through his own experiences and those of others, from the very young to the very old, he explores the mystery of remembering and the ambiguity of forgetting.' Saga Magazine

'An enthralling investigation of that ‘thing’ we call memory… manages to write about complex things in a clear and understandable way.' Ian McMillan, The Verb

'Pieces of Light will both linger in your memory and change the way you think about it.’ Daniel L. Schacter