Search results for 'Fender mustang'

Here's a 2016 PRS CE24 in a custom color - Charcoal Metallic with Black neck. It's in amazing condition. Near mint. It has scarcely been played, but should be because it plays amazingly. The 85/15 pickups are tone machines that can play any type of music from jazz, blues, classic rock, all the way to metal. With the push/pull you can get a nice Fender style single coil tone out of the neck or bridge pickups. Another great feature that benefits the tone is the brass contact points where the strings go around on the locking tuners. Paul Reed Smith himself has stated that it leads to better tone and sustain. With 24 frets the CE24 has endless capabilities and is a great addition to any guitar collection! Comes with original papers and gig bag.

Immortality, that's what humans have longed for since the beginning of time. Y. Sandoval has achieved immortality in a weird way. Who is this person? Well, we don't know much, but he or she worked for Fender in 1969, 1970, and perhaps longer. This person took pride in their work because the 1970 Fender Telecaster we have has a rubber stamp ink marker, "Wired By Y. Sandoval" stamped under pickguard. How cool is that? I've seen a 69 tele that has the same stamp. I love that. Here you are working a job, it's a paycheck, then almost 50 years later somebody calls you and says, "You did an excellent job wiring the Fender Telecaster I just got." That would have to make to you feel great. Here we have a 1970 Fender Telecaster. It's all original with a maple fingerboard. The pickguard is original with the pearloid pattern on one side. The pots are dated 1966 which is correct. There is some cosmetic wear: a scrape down to the wood on one side, various nicks and dings. Overall, it's clean, especially considering the age. The frets are fine. It plays great, and sounds fantastic. Thanks to the excellent wiring job by Y. Sandoval, the electronics work perfectly. This is a great Telecaster and comes with original hard case. With any luck you might hook up with Y. Sandoval and have a drink, and talk about your guitar.

I love the way a double bound Tele looks. When Fender introduced the Custom Telecaster in 1959, with a bound body and rosewood fingerboard, it took the model to another level of good looks. This USA made G&L ASAT Classic Bluesboy 90 is in 100% mint condition. Collector owned, we've looked it over very carefully and can't find any signs of wear. Frets are perfect. The neck is straight and true. Action is low and without buzz. The plastic protective coating is still on the pickguard. It has a number of very cool upgraded options - Double Bound Body, Schaller Locking Tuners, Vintage Tint Gloss finished neck, Quartersawn Maple neck. It plays and sounds fantastic. Comes with original G&G hardshell case, hang tags, certificate, and all paperwork. The G&L ASAT Classic Bluesboy 90 solves the age-old problem of this iconic design: How to get more body and attack out to the neck pickup without losing the warm tone. G&L has designed a great P-90 pickup that perfectly compliments the the twangy punch of their excellent MFD bridge pickup. With great balance and flexibility, this may be the ultimate Bluesboy.

There's something about a black Fender Telecaster. They look so cool. We just got a good one in, a 1989 made in the USA Fender Telecaster. It has a maple neck, Alder body, original black finish, and original three ply pickguard. This guitar has had some money put into it and has been well maintained. The bridge pickup was upgraded with a Seymour Duncan APTL-1 Alnico Pro II (a $69 pickup) that sounds fantastic. The frets were professionally leveled and polished (a $120 job). The guitar has had a pro set up. It plays perfectly and sounds awesome. It's good to go right out of the box. There is some cosmetic wear and some chips around the edge of the body, nothing major and what you'd expect from a 29 year old guitar that's been played. Telecasters from this time period aren't that common. It does everything a Telecaster is supposed to do. Comes with molded Fender hard case.

It's a rare occurrence to come across a vintage guitar with provenance. Many guitars have stories, but few can be proved. The story behind this guitar is amazing, and is well documented. This prototype G&L ASAT Classic was built for Dale L. Hyatt who was a close friend and partner of Leo Fender in the G&L guitar company. Mr. Hyatt worked closely with George Fullerton and Leo Fender on designs. Mr. Hyatt kept prototype guitars in his office to get feedback from dealers and players, with the thought of using their input in future designs. This guitar is a prototype, made for Mr Hyatt in 1991. It has two features that are unique and non-standard. First is the intensely figured Birdseye Maple neck that is drop dead gorgeous. Hyatt had been working with Gulag Gidwani, the owner of an exotic wood supply company that specialized in providing high end woods to instrument manufactures. The wood on the neck was purchased specifically for this instrument from Gulag's inventory. The second unique feature is the special two-tone, black/chrome Schaller tuning machines. These tuners were out of a prototype batch of tuners made by Helmut Schaller and were custom made for Mr. Hyatt. It was Mr. Hyatt who convinced Leo Fender to name this model "ASAT Classic" because he felt it was classic in the same vein as the ASAT, featuring more traditional specs. The guitar was kept by Mr. Hyatt after his retirement and later on passed to his son. It is mint, not tampered with, and unplayed. It is the only one on the planet. Comes with original G&L advertisement pages from the time, G&L brochure, a copy of the G&L handwritten production sheet from 1991 showing this guitar, documentation from Kenneth L. Hyatt, Dale's son, who still works for G&L, a photo of Mr Hyatt with the guitar, and original hard case.

Hey, how about the nicest, original, vintage Fender Paisley Telecaster on the planet? That would be pretty cool, right? Step right inside ladies and gentlemen, that's what we are offering today. As a veteran of 40 years attending guitar shows, being intimately involved in the vintage guitar world, I don't use phrases like the "nicest one" lightly. This guitar may have six months actual playing time, it is amazingly clean. There is no checking or finish discoloration that is usually found on these models. It is super clean. The only cosmetic flaws of note are two small chip on the edge of the back of the body. This a fine collectors grade instrument. It is 100% original, down to the last screw. It is uncirculated and hasn't been taken apart a million times. The maple neck is nicely flamed, it's really pretty. It is just so cool. The paisley finish is bright and vibrant. It has the original ashtray pickup cover, the neck feels fantastic. Last but not least, it sounds great. This is the best one I've seen, and I've seen a few. Comes with original case.

Here we have a 2010 Fender Custom Shop Stratocaster NOS 1960 Reissue. This is a good one: the back of the maple neck is flamed out the wazoo, and it looks spectacular. It has a slab Indian rosewood fingerboard, three tone sunburst finish, and mint green pickguard. The bridge has been upgraded with a Wilkinson block, and the lead pickup is wired to the neck pickup's tone knob. I think it's a cool mod, but can be switched back easily if you wanted to. It shows some minor cosmetic wear. It has nicks and dings, nothing major, just enough to make it look cool (more like a Closet Classic). The frets are in near-perfect condition, showing only the slightest hints of being played. The neck is straight and true, with a 1-11/16" nut width and 10" radius...it feels great. This is a great playing and sounding guitar with a serious, vintage vibe. Comes with strap, certificate, and original brown tolex case.

Ask a bunch of pro guitarists, "What's the world's best guitar amp?" You'll get a lot of answers to that question, but I guarantee you on most people's list there will a Fender Deluxe. They are such great amps. Here we have a 1965 Fender Deluxe. It is non-reverb Blackface model and in excellent condition. Many prefer this non-reverb version as it has more headroom (just ask Mike Campbell). The speaker has been changed to a Celestion Vintage 30. It has just been completely gone through and is in tip top condition. Here's what was done: Internals completely cleaned. Wires cleaned. New F&T capacitors and Vishay power resistors of the correct value installed in filter circuit. Excess wire shortened and neatened. Chassis grounds done properly. Remaining electrolytic caps (bias and cathode bypass caps) replaced with new F&T and Vishay capacitors. The output transformer has been replaced. It is an original Fender Schumacker transformer and is dated 1968. It is the same transformer as would have come in the amp in 1965, with the only difference being the "1" and "8" on the end-cap of the label. Old solder removed, cleaned, and redone properly. Plate resistor replaced with 1/2W 220K carbon composite resistor. Replaced LFP caps with 1KV ceramics that won't fail. New three-pronged grounded power cable installed. AC wiring redone per safetly code. Old "death cap" removed from Ground Polarity circuit. So this amp is good to go. This is an awesome amp, perfect for small gigs or recording.