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Ben Hur theatrical release poster The era of "classical Hollywood cinema" is distinguished by a narrative and visual style which would begin to dominate the medium in America by Relations of systems[ edit ] The aspects of space and time are subordinated to the narrative element. Similarly, actors were mostly contract players. Griffith finally breaking the grip of the Edison Trust to make films independent of the manufacturing monopoly. The majority of shots in a classical film focus on gestures or facial expressions medium-long and medium shots. John Belton, film scholar, Rutgers University [10] The visual-narrative style of classical Hollywood cinema as elaborated by David Bordwell , [11] was heavily influenced by the ideas of the Renaissance and its resurgence of mankind as the focal point.

Since the first narrative films in the s, film-makers sought to capture the power of live theatre on the cinema screen. Utilizing actors, events, causal effects, main points, and secondary points are basic characteristics of this type of narrative. Films worldwide began to noticeably adopt visual and narrative elements which would be found in classical Hollywood cinema. Griffith's epic The Birth of a Nation was groundbreaking for film as a means of storytelling — a masterpiece of literary narrative with numerous innovative visual techniques. The only permissible manipulation of time in this format is the flashback. The action is subtly addressed towards the spectator frontality and set , lighting mostly three-point lighting , especially high-key lighting , and costumes are designed to separate foreground from the background depth. This mode of production, with its reigning star system bankrolled by several key studios, had preceded sound by several years. The characters in Classical Hollywood Cinema have clearly definable traits, are active, and very goal oriented. Lillian Gish , the star of The Mothering Heart, is particularly noted for her influence on screen performance techniques. Cutting was extremely limited, and mostly consisted of close-ups of writing on objects for their legibility. They are causal agents motivated by psychological rather than social concerns. Balancing refers to the visual composition, i. It is distinguished at three general levels: The primary changes in American film-making came from the film industry itself, with the height of the studio system. Griffith finally breaking the grip of the Edison Trust to make films independent of the manufacturing monopoly. The narrative is delivered so effortlessly and efficiently to the audience that it appears to have no source. Style[ edit ] Classical Hollywood cinema possesses a style which is largely invisible and difficult for the average spectator to see. The film initiated so many advances in American cinema that it was rendered obsolete within a few years. Before the visual style which would become known as "classical continuity", scenes were filmed in full shot and used carefully choreographed staging to portray plot and character relationships. By mid, most of the prominent American directors and actors, who had worked independently since the early 10s, would have to become a part of the new studio system to continue to work. It comes magically off the screen. Film historians and critics note that it took about a decade for films to adapt to sound and return to the level of artistic quality of the silents, which it did in the late s. Classical Hollywood cinema in the sound era late s — s [ edit ] The narrative and visual style of classical Hollywood style would further develop after the transition to sound-film production. Cutting techniques in classical continuity editing serve to help establish or maintain continuity, as in the cross cut , which establishes the concurrence of action in different locations. In Sweden and Denmark, this period would be known as a "Golden Age" of film; [4] in America, this artistic change is attributed to film-makers like David W.

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