Willy

“Willy” is one of Smith’s important early large-scale works and masterfully combines abstract geometric forms with human characteristics. “Willy” involves complex polyhedral shapes. The flat black planes of steel twist into each other, suggesting an anthropomorphic (or human) form. The title comes from a Samuel Beckett play “Happy Days” (1961), in which the character “Willie” crawls submissively around his wife, who is buried waist deep in mud.