Hear that sound -- a nearly inaudible rumbling coming over the horizon? Everyday it is getting louder and louder. Soon, the stampede that is the return of scripted series back from the depths of the WGA strike will overrun our televisions and computer screens, bringing overwhelming joy to our lives.

Okay, that statement may be a little flowery, but the sentiment is still there. After a very long dry period a good many of our favorite comedies and dramas are returning to the television landscape. We've had a taste of it these last few weeks with the return of shows like The Big Bang Theory, How I Met Your Mother, Dirt, The Richesand Smallville. That was just a preview of what is to come. Over the next few weeks we will see the return of The Office, Scrubs, Ugly Betty, all of the CSIs, Battlestar Galactica, and Lost, among others.

It was big news when As the World Turns, CBS and Procter & Gamble's 52-year-old daytime drama, presented a gay love story between two men. When Luke Snyder (Van Hansis) admitted to Noah Mayer (Jake Silbermann) that he loved him, it was a major step forward for the soap opera genre. However, fans of the show are upset. No, they're okay with them being gay. They just want them to be more affectionate. They're protesting!

In an AP story about the As the World Turns protest, Roger Newcomb, a die-hard fan, said, "We totally support this show and applaud the show for doing this story line. We just don't understand why they [Luke and Noah] have to be censored or treated differently."

There's a new guy running the show for ABC's drama Dirty Sexy Money and his name is Daniel Cerone. Cerone replaces Josh Reims. As executive producer, Cerone will be working with creator Craig Wright (Lost), as well as Greg Berlanti (Brothers & Sisters), Matthew Gross and Bryan Singer (House) -- so the show's got lots of first-class pedigree. Now they have to put it all together for the show.

This was an immensely likable episode. If you have read my reviews from Season One in particular, you know that I tend to distinguish the episodes I like from the episodes I *really* like based on who wrote them. This episode was co-written by Cliff Olin, son of Patricia Wettig (Holly) and Ken Olin (David Caplan). Cliff has been writing for the show since its inception, and he is a young writer, barely in his mid-twenties. I have noticed an unevenness in his writings in past episodes, but I think he is finally starting to hit his stride.

This episode was, at its heart, about trust: How do you figure out whether or not you can trust people? And once you have broken someone's trust, how do you (and should you) get it back? Lena has been at the heart of broken trust issues for awhile now, and she has sort of become the symbol of betrayal on the show. But Rebecca, Justin, and Sarah have all had their issues with trust as well--and everyone (except Sarah, really) has certainly been guilty of giving (betrayal) just as good as they get.

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Oh, Brothers and Sisters, how I've missed your hijinx! I was under the impression from some of the news I'd read about the WGA strike that filming had ceased on the show, so I was very happy to have a new episode (albeit, feeling a little guilty, because I support the writers...). Mostly, I was happy to see everyone again.

With award shows upon us, even canceled ones, it behooves us to take a few minutes to recognize the extraordinary performances of the talented actresses in television dramas. This year, all of the nominees had their starts in film, including Academy Award winners Holly Hunter and Sally Field, and nominee Glenn Close. Field has won multiple Academy Awards, and last year won an Emmy for her performance on ABC's drama Brothers and Sisters. This is not a group of beginners, and there isn't a sloppy or undeserving nominee in the bunch. The nominees are:

Awhile ago TV Guide's Michael Ausiello reported that ABC would be firing a major executive from a popular television series because of relentless backstage fighting and tensions. After Elton is now reporting that Ausiello was probably talking about Jon Robin Baitz, the openly gay creator of Brothers & Sisters. Such a departure has After Elton asking what this would mean for the show's treatment of gay subject matter or the role of gay brother Kevin Walker in the over-arching plot.

(S02E09) "We could wake up tomorrow, and it could all go to hell."-- Robert McAllister

I have to admit: I would have owed Tommy $100. But not for the same reasons as Kevin and Justin. I will get to that in a bit though. Was it just me, or did this episode have some editing glitches? One minute Kitty is telling Robert that it's bad luck to sleep with the groom on the night before the wedding and Justin and Lena seem to be talking about the wedding being that day, and then Kitty is in the Walker kitchen working on her vows and the wedding is still a day away. Anyway, it wasn't a big deal-- it just seemed a little incongruous for a bit.

(S02E08) "Well, I'm a democrat, and I lost my virginity to "She's Got Legs."-- Sarah Walker

Did everybody lose their virginity to a song? I don't remember whether I did or not, but if you want to share yours, feel free. I loved it when Robert walked in and Nora asked him what song was playing when he lost his. And then when she revealed that her first time wasn't with their father. And that is all very well and good, but I personally have never found Chevy Chase (Stan Harris) to be particularly attractive. However, I am willing to put that aside and say that I thought he did a wonderfully understated turn as Kitty's Nora's (thanks, Jamie) first love, Stan Harris.

(S02E07) "Well, who'd chain you the radiator and poke you with a stick?" Sarah, knitting.

Meh. This episode was fine. It wasn't special. It was just kind of... filler. And I don't mean to cast aspersions on the show at all: That is what shows do leading up to November sweeps. They can't have anything really important happen right now. I hesitate to say anything negative about the writing these days because I fully support the WGA strike. But this episode felt forced. They totally set it up a few weeks ago when Justin started taking pain killers again, and they gave themselves a convenient family "crisis" to deal with now.

I am starting to regret every time I have criticized the show for being too prone to hijinks and slapstick, because after the past two episodes, I would love to have Robert's crazy family show up again so they can all jump into the pool. The best way to describe this episode is maudlin. No wonder Justin is taking more pain meds. This is some pretty depressing stuff, and it doesn't look like it's going to get happier anytime soon. Is this the writers' way of dealing with the impending strike? A little doom and gloom for everyone? And is Tommy growing a mustache, and could someone please call his agent and tell him to shave it?

Oooh, this was a painful episode to watch. In a good way. The writing was absolutely spot on for this episode, and it was just beautifully played. Some things happened that I expected and some things that I didn't, which I will get into after the jump. It was the obligatory Halloween episode, but nicely downplayed also. I loved the fact that the minute Nora's back was turned, Justin and Rebecca dove into the candy bowl like a couple of little kids. It was a good juxtaposition to pair Robert's debate with Halloween instead of focusing on the Walkers engaging in a big costume party, as might have happened with this crazy bunch.