32 : . '" 1ö.'" "'''tF :.... " .._ '<, u.... d,'_ '- '"' "''''' <'.,<.. "', ....,,, :J' . ':$ (í ffi ij, äø :;::.:: '( "':;' .. ::: f@'! > {". ti t I t f î I j t t .-' :>:' =. ...ø:( t ::. 'j, ',:::/,::=?!:' v ': . . . ::.:::. ; t . . ..... i . ....., L :0=' ...(.,..........:......"'..:::......:-:-. ..:.-:- .:. II : , ; , ':; :::;"::<<: -::::.:::: ::::. . fW: ,1# . % ::(, ::';' :.:.::.:.... >,' \: r;tJ . :, ' :: : '.' '," );'(.i :' "''''''''': v"W<:::- :<' Mt, :J1mW:W:"<' :,:, : .. J , í. : .. k > "> ::. .: " :; )(:::': ..:.:': :.," ::::::: /f :::: tr :;:::.::...:':: =;{. t:- : l "I{ };.;': I -: :.;: ;-::=@::: .:.}i\;,,::, i:-f,{\J' t ;, : ': '" ,, I i0 'i ,;> ; >, , % ':::: " . ':':;" Jj; ::$;: ;;:r:::-:., ;;: r (::'.?: ,/:;í;; [G ;1Y\> ::'...(It." ...;.-;::::::. ::..H:. "),. . SHERRY- . NETtlERJAN D ..,)l\. . :, ".;:.: yl'" ':"'f ..:-:. ......::.: + ' """%?"i THE SATISFACTIONS Of the private-home without its responsibilities . . . in luxuriously appointed sky-tower apartments. Sherry-trained staffi Arrangements by the day, month or year. FIFTH AVENUE AT 59TH STREET. NEW YORK N. ) ;:?:/:.:.:...... .-::::. "-:::...: MARCH l.f, 19:3 1 Christopher Robins, each about eleven years of age, both forced, poor kids, to go quaintsy-waintsy in doings about knights and squires and beauteous maid- ens. (I should have known when the program listed their rôles as "Nite" and "Squier" that the Charles Hopkins Theatre was no place for me, nor ever would be.) These are part of the cabinet minister's dream, and in to it comes a Buteus (sic) Maiden in the person of a lady of, say, ten years, with all the poise of the Sphinx though but little of her mystery. F or a few min- utes, everything is so cute that the mind reels. Then the cabinet minister him- self gets in to the dream- I do not pre- tend to follow the argument-and meets up with his boyhood sweetheart, who wears, and becomingly, the dress of her day. And then, believe it or not, things get worse. The cabinet minister talks sofd y and embarrassingly to Sally-"Ah, Selly, Selly, Selly"-but that is not enough. He must tap out to her, on the garden wall, his message, though she is right beside him. First he taps, and at the length it would take, the letter "I." Then he goes on into" 1," and, though surely everyone in the audience has caught the idea, he carries through to " "" Oh h ' . ." " o. , e s not gOIng on Into v, I told myselL "Even Milne wouldn't do that to you." But he did. He tapped on through "v," and then did an "e." "If he does 'y'," I thought, "I'm through." And he did. So I shot myself. I T was, unhappily, a nothing-oh, a mere scratch-and I was able to s:t up and watch that dream go on through all the expected stages. All the Cavendish Square characters of the first act march in, headed by the cabinet minister's wife in court dress (Miss Gladys Hanson really must brush up on that curtsy). They force the min- ister to don a chancellor's robe, and line themselves up between him and his little new-found love. Sadly she van- ishes, leaving him wildly shrieking her name, or his approximation of it. It is all as subtle as a grocer's calendar. In the next scene, our hero appears with his coat on-to get it over to the audience, one presumes, that he is no longer in bed and asleep-and meets, after all the years, the Sell y of his youth, sitting on the steps of the garden wall, just as she used to sit. She is married, for she had had to make something of her life when ambition called him away from her; but she is not, it seems, heppy, either. They will fly together, but the