Tag Archives: Victoria Library

One of Heaton’s most recognisable buildings and one which contributed to the education and entertainment of generations of Heatonians is 120 years old this autumn. The Victoria Branch Library was opened by Earl Grey on 6 October 1898.

The library was gifted to the city by Alderman William Haswell Stephenson who, two years earlier, had financed a library for the west end of the city in Elswick. When nobody else responded to the council’s appeal for another local benefactor to ensure that the people of the east end also had access to books, Stephenson put his hand in his pocket a second time, stipulating only that the council should undertake the equipment, management and maintenance of the building.

The position chosen for the library was controversial. Many people had concerns which resonate today about the encroachment of buildings, even a library, onto a public green space, Heaton Park:

‘It might seem a small thing to take 450 yards out of a park but they did not quite know where this nibbling process would end’ reported the ‘Daily Journal’.

Local residents also wanted the Corporation to approve both the site and the design of the building rather than all decisions being made by Alderman Stephenson, again a contemporary concern as private enterprise becomes increasingly involved in what have previously been public sector concerns. However, the site on Heaton Park View and the design by Newcastle architect, John William Dyson, were eventually approved.

Inside, on the ground floor there was a large reading room and a newsroom (where people had access to newspapers), a smoking room and a ladies reading room. Upstairs was the library itself, which measured 70 feet by 36 feet and would be able to house around 25,000 books; a committee room and the janitor’s room. External features included a turret on the roof, the dome of which was covered in copper. Carved panels depicted the royal arms, the city arms and Alderman Stephenson’s arms.

Grand Opening

At the opening, over 200 of the great and the good enjoyed breakfast and speeches. Apart from benefactor Alderman Stephenson, guest of honour Earl Grey, and the architect, they included the mayors of Newcastle, Gateshead, Tynemouth and South Shields; the Bishop of Newcastle; the Sheriff of Newcastle; most of the council; industrialists such as shipbuilder, John Wigham Richardson and many many more.

Alderman Stephenson reminded the audience that it was 44 years to the day since the ‘Great Fire of Gateshead’, which he remembered well as a young boy serving his apprenticeship on the Quayside. He regretted the absence of Heaton Councillor James Birkett, a great supporter of the project, who had recently died. And he spoke about the success of the Elswick branch library, including how few books had been lost.

The library was officially opened by the Right Honourable Earl Grey. In his speech, Lord Grey praised Alderman Stephenson’s generosity at a time when ratepayers’ money wasn’t forthcoming and also his modesty in not requiring the library to be named after him (although this may have been because he’d already ensured that the Elswick Library carried his name!), preferring instead to honour the queen. He urged others to follow the alderman’s example perhaps by gifting ‘more pleasure grounds, great and small, bright with flowers; drinking fountains of artistic design; clocks with chimes, for bells are the best music a crowded city could enjoy; nursing homes in every ward; halls in every ward with the best organs money could buy..’

The Bishop of Newcastle gave a vote of thanks, in which he said:

‘Even fiction, if it were rightly chosen, would aid in the development of character and if that aid was found in fiction, it would certainly be found in other books as well.’

Lord Grey was presented with a copy of the library’s initial catalogue of 7,000 volumes. This was a significant document as contemporary newspaper accounts state that the shared catalogue with Elswick Library (To save money, they both carried the same stock) was ‘ the first catalogue published in the Dewey Decimal System in the British Isles’. The newspaper praised Andrew Keogh, Assistant Librarian at the Central Free Library ‘ who had earned the gratitude of all who have need to consult the catalogues’.

We are used to Heaton being at the forefront of developments in the various branches of engineering, science and mathematics and Heatonians excelling in arts, music, literature and sport but should we also be trumpeting our place in the history of librarianship? And does the library and its innovative catalogue partly explain why Heaton was at the forefront of so much. We carried out a little more research.

Catalogue

Amazingly, copies of that first catalogue survive eg in the Lit and Phil and so we can see exactly what was on the shelves of Heaton’s Victoria Library when it opened. There was a broad selection, catering for all interests and some written in foreign languages, as you can see from the first page of the author listing below.

To mention just a few, artist John Wallace will have watched the library being built at the end of his street, Kingsley Place, and was surely delighted with the selection of books on painting and other arts as, a little later, would Alfred Kingsley Lawrence of Heaton Road. And suffragist and social campaigner Florence Nightingale Harrison Bell, who married in 1896 and went to live on nearby Hotspur Street, suddenly had access to a wide range of books on politics and sociology including Engels’ ‘Condition of the Working Class in England’ as well as a surprising number of books on the emancipation of women and ‘The Woman’s Manual of Parliamentary Law’. Gerald Stoney of Meldon Terrace then Roxburgh Place, who had helped Sir Charles Parsons develop the record breaking Turbinia the previous year, had many books on engineering and physics from which to choose.

There were plenty of books for ‘juveniles’ too, marked with a J in the main catalogue, as well as having their own separate listing. The musical Beers children, living on Kingsley Place just yards from the library when it opened, had access to a vast array of fiction, including many classics still enjoyed today, but also books on music – and photography, a hobby which led to their wrongful arrest years later.

The library was an incredible resource for the people of Heaton, even if the books weren’t on open access. As was normal practice at the time, you made a choice from the catalogue and asked the librarian to bring you the book if it wasn’t on loan. A bit like Argos today. This made the catalogue extra important.

And the catalogue of the Victoria Library in Heaton was groundbreaking. Although the Dewey system had been copyrighted in the USA over 20 years earlier by Melvil Dewey, in the eighteen nineties almost all British libraries, if they were classified at all, used very broad classes, such as ‘Theology and Philosophy’ or ‘ Arts, Sciences, Law, Politics, Commerce’. Readers would have to peruse lists of accessions arranged chronologically under each heading. No further breakdown was considered necessary in Victorian public libraries, although by 1908, the absence of a detailed classification system was described as a weakness by the Library Association. Yet, ten years ahead of his time, the year in which our library opened, an Andrew Keogh (whose name you might remember from the newspaper report mentioned earlier) had written in ‘Library World’ that it was highly desirable that a uniform, detailed classification system be adopted across the country.

Assistant Librarian

Andrew Keogh was born on 14 November 1869 the son of recent Irish immigrants, Bridget and James Keogh, a shoemaker. In 1871, aged 11, Andrew was living with his parents, older sister, May and younger siblings, Bridget, Elizabeth and Edward at ’14 Trafalgar Street (or, as the census form gives as an alternative, 8 1/2 Back Trafalgar Street, All Saints, off New Bridge Street). Did this young man of such humble origins really produce the first published Dewey catalogue in Britain? Luckily we have enough further sources of information to draw on in order to flesh out Andrew’s career and confirm his pioneering work for the people of Elswick and Heaton.

His biography would grace any library shelf.

While Andrew was a student, Newcastle’s first public library opened at the end of his street. It is said that he was never away. The staff got to know this ‘modest, serious, polite young boy’ and, if a staff member was ill or away, they called on him. Two years into his college course, the library offered him a full time job.

His parents were divided and he too was unsure about giving up his education but he accepted the post. He clearly took his work very seriously and researched developments which he could bring to Newcastle.

Keogh became an advocate for Melvil Dewey’s Decimal Classification System and was allowed to try it out on the stock for Stephenson’s new branch libraries. So the people of Heaton were able to easily see in detail what books they could take home on ornithology, plumbing, physics, horticulture, world religions, baking, poetry or whatever else interested them when most of those few libraries in Britain that already used Dewey used it only in their reference libraries. It seems that, at this time, not only was it a first for Britain but no library in Europe had published a catalogue arranged and indexed by Dewey.

What Next?

In July 1897, when Keogh was 27 years old, a big international librarians’ conference was held in London. It was attended by 641 librarians and influencers from all over the world – from Australia, Canada, Ceylon, India, Jamaica, Japan, New Zealand and South Africa, as well as from right across Europe and the United Kingdom. Newcastle Public Library’s head librarian, Basil Anderton; Councillor Robert Flowers, Vice Chairman of the Books Committee of Newcastle Public Library; Councillor Henry Newton, Chairman of Newcastle Public Library Committee and Robert Peddie of the Lit and Phil were among the many British delegates. But by far the largest foreign delegation was from the United States, including Melvil Dewey himself, who delivered a paper on the relation of the state to the public library.

Afterwards many of the American delegates took a tour of important English libraries, including on Friday 6 August, those in Newcastle. We haven’t been able to discover whether Dewey was among them.

Andrew Keogh was put in charge of their reception and arranged an evening river trip, followed by dinner at the Grand Assembly Rooms and ‘conversazioni’ at the Lit and Phil. One of the delegates was Jessica Sherman Van Vliet, a librarian from the Armour Institute in Chicago. Keogh immediately fell in love and it is said ‘took her home that evening’. He saw her and the rest of the delegates off the following day and the pair started to correspond. His letters often contained poetry, ‘some original, some quoted, always meticulously referenced’. Soon he proposed by letter and, his proposal having been accepted, Keogh set about finding a job in the USA.

Eventually he secured a post in a Chicago bookshop which was looking for someone who knew the Dewey system (the manager no doubt impressed by Keogh’s pioneering catalogue for the Elswick and Heaton libraries) and in January 1899, he sailed for America, reaching Chicago in February. But with his aim a position in a library, Keogh soon made the arduous 720 mile journey to the next annual meeting of the American Library Association in Atlanta, where he reacquainted himself with some of the delegates he had met in Newcastle. He was offered posts in several public libraries but, with his heart set on an academic position, turned them down, a brave move for a foreigner of humble origins and no university education. Eventually though, his persistence paid off with the offer of a post in Yale University library. He began work on 1 August 1900 and on 6th, he married Jessica Sherman Van Vliet.

By 1902, Keogh was teaching bibliography at Yale and he quickly progressed up his chosen career ladder, also becoming a lecturer and professor of bibliography. In 1909, he successfully applied for an American passport, from which we have a description of him as 5 feet 8 inches tall with an oval face, hazel eyes, dark brown hair and a moustache.

On 1 July 1916, despite ‘certain limitations of a middle class Englishman which he will probably never overcome’, he was appointed Librarian of the University of Yale.

Keogh wrote many papers and books and one of his many career highlights was a term as President of the American Library Association in 1929-30.

On his retirement in 1938, Andrew Keogh was named Librarian Emeritus of Yale University. He and Jessica were together for over 50 years until her death in 1952 aged 84. Andrew died a few months later on 13 February 1953 at the same age. Not a bad shelf life for the working class Geordie who cut his teeth cataloguing the collections of Elswick and Heaton branch libraries and whose life was shaped by love at first sight – and an equally strong passion for books.

Heaton’s Victoria Library, loved and appreciated by generations, closed in 2000. The nearest public libraries are now in High Heaton and Byker.

Can You Help?

If you have memories or photos of Heaton Library or know more about Andrew Keogh, we’d love to hear from you. Please either leave a reply on this website by clicking on the link immediately below the article title or email chris.jackson@heatonhistorygroup.org

Acknowledgements

Researched and written by Chris Jackson, Heaton History Group.

Sources

Andrew Keogh: his contribution to Yale / James T Babb; The Yale University Gazette Vol 29 No 2, October 1954

Classification in British Public Libraries: a historical perspective / J H Bowman; Library History Vol 21, November 2005

This evocative detail of ‘Newcastle upon Tyne from the South West’ is available on a greetings card, sold by Tyne and Wear Museums.

From John Wallace’s painting ‘Newcastle upon Tyne from the South West’

The original painting hangs in the Laing Art Gallery. It is the work of John Wallace who, for more than 20 years, lived at 28 Kingsley Place in Heaton.

Journeyman joiner

John Wallace was born in Ryton, Co Durham in 1841, the son of Henry, a cartwright, and his wife, Mary. On leaving school, young John joined his father’s firm as an apprentice and progressed to become a journeyman joiner. In his late twenties, he branched out into building and property developmentin Ryton and, by 1871, aged 27, was a successful businessman, married with a family. On census night, in addition to his one year old daughter, Jane, there were two ‘nephews’, Henry and William, in the household. The family was by now living in the west end of Newcastle.

Eventually though, during a period of recession affecting the building trade, John abandoned his livelihood to devote himself to art. According to a contemporary profile, it was only now that he took up painting, initially taking lessons from a local teacher. He progressed quickly, however, and, in 1880 and 1881, he exhibited works at the Arts Associationin Newcastle.

By 1881, he was still living in Elswick with his expanding family: Henry (17) and William (15)were now described as ‘sons’ and were an architect and draughtsman respectively and there were three school-age daughters, Jane (11), Mary (7) and Alice (2). John now considered himself to be a professional painter and was described on the census form as‘artist – painting’.

Wallace was a prominent and early, maybe even founding, member of the Bewick Club, which was established by local artists in 1884. It is from one of its catalogues, held by Newcastle City Library, that this portrait was taken. The club’s primary function was to promote the needs of professional artists and to encourage not only the patronage of rich individuals but also that of the less wealthy. The club’s headquarters were in Lovaine Hall, St. Mary’s Place, where Northumbria University is now. Wallace remained a memberuntil his death. We know that some of his exhibits at the club were bought by collectors and patrons such as Dr Charles Mitchell and Lady Armstrong. Soon though, John’s horizons began to extend beyond Newcastle. In 1890, heexhibited at the Scottish Academy in Edinburgh.

Kingsley Place

The following year, John, now a successful artist, and Mary, his wife, had moved with their three daughters to a newly built house in Kingsley Place, a quiet, pedestrianised street in a prime location overlooking the recently opened and picturesque Heaton Park. Soon a fine public library would open at the end of the street.

Their next door neighbours at 30 Kingsley Place were the musical Beers family from Holland, who we have written about on this site previously. Conveniently, a couple of doors the other way lived an Italian picture framer.Another soon to be well known painter and illustrator, John Gilroy, grew up across the road at number 25. He was a young child at the turn of the 20th century as John Wallace approached the end of his life. And, at the same time, a photographer, William Thomas, and more musicians, including Mary W Parkinson, who described herself as a ‘music teacher and vocalist’moved into the street. It’s intriguing to imagine that the man in the photograph below could have been John Wallace and the little boy on the right a young John Gilroy.

Kingsley Place looking towards the Victoria Library from the collection of Hilary Bray (nee Bates)

Little wonder that, like their brothers, Henry and William, the Wallace girls also were drawn towards creative occupations: Jane and Mary were both dressmakers and, perhaps more unusually for the time, youngest daughter, Alice, was a photographer. Could she have even taken the above photograph?

You won’t be surprised to hear that John Wallace stayed in Kingsley Place for the rest of his life and that he thrived as an artist here.

Wallace painted many scenes around North East England especially in the Tyne valley. But he also travelled apparently and, for example, painted locations around Stratford upon Avon, including Anne Hathaway’s cottage, to increasing acclaim. So far though we know of only one painting of the area immediately around his home, even though Jesmond Dene, in particular, would seem to provide the perfect subject matter for him.

Royal Academy

In 1892, Wallace’s painting ‘Butter Washing’ was selected for inclusion at London’s Royal Academy annual exhibition. Wallace exhibited at the Royal Academy on two further occasions, with ‘A Northumberland Dairy’ selected in 1896 and ‘Derwent Vale’ in 1902.

In 1901, 59 year old John was described on the census form as ‘a landscape painter in oils’. He also produced black and white drawings for use in printed publications.

A number of Wallace’s works were selected for the newly opened Laing Art Gallery’s first ever ‘Artistsof the Northern Counties’ exhibition in 1905. They included the one familiar local scene we know of, ‘Jesmond Falls’ , dated 1901.He died on 4 November 1905.

You can see John Wallace paintings at the Laing and Shipley Art Galleries and at George Stephenson’s birthplace in Wylam. They are reproduced here. His works also appear regularly at auction. ‘ Waterfall – Jesmond Dene’ was sold in 2013. You can see it here.

And perhaps you have a John Wallace on a wall at home? It would be lovely to discover more John Wallace works, perhaps even more local scenes. We are sure he must have painted many more. Do let us know.

Acknowledgements

Researched and written by Chris Jackson of Heaton History Group. Sources included: ‘The Artists of Northumbria ‘by Marshall Hall, 1973.

Can you help?

If you know more about John Wallace or his work, please either leave a comment by clicking on the link immediately below the title of this article or email chris.jackson@heatonhistorygroup.org