Artists are associated with a profile level. During their career, an artist may remain on one level or bounce back and forth between two. Many factors may determine the level of an artist, such as their design, their personal story, or how extensively they have been exhibited.

Artists are associated with a profile level. During their career, an artist may remain on one level or bounce back and forth between two. Many factors may determine the level of an artist, such as their design, their personal story, or how extensively they have been exhibited.

“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.”- Professor A.P. Elkin, Professor of Anthology, 1920’s-1930’s.

“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.”- Professor A.P. Elkin, Professor of Anthology, 1920’s-1930’s.

Alpar Seed Story by Karen Bird Ngale

Designs in this painting predominately represent elements of the Alpar Dreaming Story whereby the dry seeds of alpar play a significant role. In the olden days, the aboriginal women of Ilkawerne country would collect these seeds, sometimes soak them in water until swollen or cooked in hot coals, and then grind them into a powder that was used for making damper (bread). This practice is not as habitual now due to readymade bread, however the story is continually taught to the younger ones and ceremonies are carried out to ensure its productivity.

The scented leaves of alpar were also collected, soaked in water and used as a medicinal wash. Alternatively they would be ground into a powder and mixed with animal fats for use as an ointment, making this plant a very important food and medicinal source.