Hollywood

Who’s next? High anxiety in Hollywood amid sexual harassment allegations in the industry

The curtain has been pulled back, and, oh, is it messy.

November 9, 2017

Hollywood has always revelled in scandal. The rumour. The whisper. The unfortunate photograph. The apology and return to grace. But the recent sex abuse stories have turned into a parade of tawdry violations and twisted passions, the stuff of movies acted out in real lives against the unglamorous air of disgrace, endless transgressions that even Ray Donovan, Showtime’s half-shaven mercurial fixer, couldn’t clean up with all his hush money and muscle.

The rape and sexual abuse allegations surrounding Harvey Weinstein, Brett Ratner, James Toback and others have shattered the awards-season aplomb in a town that imagines itself bold and freewheeling but prefers the tempered and scripted. The entertainment industry has slipped into a multi-polar catharsis of emboldened women, nervous men, threatening lawyers, broken deals, spoiled careers and the uncertainty that comes when cracks run like lightning through facades.

May 25, 2011

“I think the industry is forever changed,” said Marcel Pariseau, a publicist whose clients include Scarlett Johansson and Olivia Munn, one of six women who accused Ratner of sexual misconduct in the Los Angeles Times last week. “Every morning we wake up and we don’t know what’s going to be next. You’re almost afraid to get on your gadget to see what the new story is.”

“No one is going to be going to a producer or director’s hotel suite anymore,” he added. “All meetings will be done with somebody else in the room for protection for both sides. It’s a defining moment. It’s vigilance.”

November 19, 2014

Instagram accounts are being scrubbed, Facebook pages edited, publicists consulted and memories jogged about what might have happened where and with whom on that blurry night years ago. The cocktail circuit is jittery; the Oscar buzz feels a bit listless. Talent agencies are dropping clients and scouring their own houses. Studios are pruning relationships, firing executives hours after an allegation is made public. (Source: Toronto Star)

High anxiety in Hollywood amid sexual harassment allegations in the industry

February 25, 2017

The curtain has been pulled back, and, oh, is it messy.

Hollywood has always revelled in scandal. The rumour. The whisper. The unfortunate photograph. The apology and return to grace. But the recent sex abuse stories have turned into a parade of tawdry violations and twisted passions, the stuff of movies acted out in real lives against the unglamorous air of disgrace, endless transgressions that even Ray Donovan, Showtime’s half-shaven mercurial fixer, couldn’t clean up with all his hush money and muscle.

March 1, 2016

The rape and sexual abuse allegations surrounding Harvey Weinstein, Brett Ratner, James Toback and others have shattered the awards-season aplomb in a town that imagines itself bold and freewheeling but prefers the tempered and scripted. The entertainment industry has slipped into a multi-polar catharsis of emboldened women, nervous men, threatening lawyers, broken deals, spoiled careers and the uncertainty that comes when cracks run like lightning through facades.

March 5, 2014

“I think the industry is forever changed,” said Marcel Pariseau, a publicist whose clients include Scarlett Johansson and Olivia Munn, one of six women who accused Ratner of sexual misconduct in the Los Angeles Times last week. “Every morning we wake up and we don’t know what’s going to be next. You’re almost afraid to get on your gadget to see what the new story is.”

“No one is going to be going to a producer or director’s hotel suite anymore,” he added. “All meetings will be done with somebody else in the room for protection for both sides. It’s a defining moment. It’s vigilance.” (Source: Toronto Star)

Disney hack: Ransom demanded for stolen film

Disney CEO Bob Iger told ABC employees about the demand at a town hall meeting on Monday, The Hollywood Reporter said.

He did not name the film, but Deadline reports that it is Pirates of the Caribbean: Dead Men Tell No Tales.

Mr Iger said Disney is refusing to pay, and that the studio is working with federal investigators.

He added that the hackers had demanded the ransom in bitcoin and that they would release the film online in a series of 20-minute chunks unless it was paid.

It is not the first film studio to be threatened with online leaks.

Last month, a group of hackers uploaded the fifth season of Orange is the New Black after Netflix refused to pay a ransom.

Dead Men Tell No Tales is the fifth instalment of the Pirates franchise and will see Johnny Depp’s Captain Jack Sparrow return to the ocean alongside Geoffrey Rush and Orlando Bloom.

It is due to be released in cinemas in the US on 26 May.

Mark James, security specialist at IT security company ESET, said: “Anything that has a value will always be a potential victim of theft, either digital or physical. If someone has it and someone wants it then in theory there’s a market for it.” (Source: BBC)

Clergy victims doubt “Spotlight” Oscar win will bring change

Victims of clergy sexual abuse are reveling in the Oscar won by “Spotlight” — the story of The Boston Globe’s investigation into the scandal — but say they don’t hold out much hope that the elevated status from the film’s Best Picture award will prompt changes at the highest levels of the Roman Catholic church.

“Spotlight,” starring Michael Keaton, Rachel McAdams and Mark Ruffalo, covers the Globe’s work to uncover how dozens of priests in the Archdiocese of Boston had molested and raped children for decades while church higher-ups covered it up and shuffled abusive priests from parish to parish.

February 19, 2016

The film was released in November to accolades from victims who said it gave them a sense of validation after years of struggling in silence. Even Boston Cardinal Sean O’Malley — appointed to replace Cardinal Bernard Law after he resigned in disgrace — called “Spotlight” a “very powerful and important film.”

But victims say they have little hope that the film’s new status as an Oscar winner will lead to some of the things they’ve called for over the years, including complete transparency by the church and the criminal prosecution of church leaders who knew about the abuse but didn’t report the perpetrators to police.

“I don’t think the Vatican or the archdiocese will necessarily do more,” said Robert Costello, 54, who was sexually abused by a Boston priest from the late 1960s through 1976.

“I think what (the film) is going to do is educate the general public as to what their response or lack of response has been,” said Costello, who agreed to a civil settlement with the archdiocese.

The Globe series was followed by revelations of sex abuse in dioceses around the world. The series won the Pulitzer Prize for public service in 2003. (Source: AP)

Hamilton’s film explosion ‘beyond manageable’

The director of Tourism Hamilton says film production in Hamilton has been exploding and the city needs to do a complete review of how the industry is being managed.

Susan Monarch says the combination of a low Canadian dollar and provincial tax incentives to schedule film shoots outside of the Greater Toronto Area has led to a deluge of movie shoots in Hamilton. That has caused all kinds obstructed streets and aggravation to people and businesses.

“In September, there were 18 productions on downtown streets. That is beyond manageable. We need to look at this,” said Monarch.

In 2014, the number of productions filmed in the city shot up to 100 from 75 the year before. So far this year, there have been 84, showing the city is in line to likely surpass last year’s totals.

“It has become a major industry. We need to sit back and look at what are we doing as a community,” Monarch said.

On the table are big hikes in film permit fees, currently only $29, but also increases in parking charges and rental fees for city-owned facilities.

Ward 3 Coun. Matthew Green, the chair of the BIA advisory committee, says: “We have now attracted this incredible industry to the city but the fees don’t reflect the impact it has in the community.”

He believes the city needs to create a graduated scale of fees based on the size of the production. Increasing the revenue stream for the city would go some distance in recouping administrative costs of the city’s film office, which looks after applications from production companies.

As well, Monarch said the film application process needs to be updated with greater oversight to make sure film companies live up to their obligations.

City staff will look into the issue and produce a report for councillors. (Source: Hamilton Spectator)