This poster warned of Andy Warhol and the Velvet Undergrounds first appearance in San Francisco. This show offered a striking contrast to the emerging San Francisco music scene for the fans at the Fillmore in May of 1966.

Big Brother and the Holding Company played at Detroit’s Grande Ballroom in this show presented by Russ Gibb, Detroit’s answer to Bill Graham. Gary Grimshaw’s promotional poster featured an early image of Joplin and her band with popular botanical imagery framing the photo and text. The extra arm belonged to Pigpen.

This is the perhaps most enduring image to be born from the Family Dog series, if not of all concert posters. Artists Mouse and Kelly borrowed an early 19th century illustration from the pages of an edition of the Rubaiyat of Omar Khayyam, which they uncovered in the San Francisco public library. That find would eventually come to be one of the most recognized images in rock and roll history.

A photograph of the painting Die Suende by Franz Stuck serves as the central image of this early Avalon poster. This poster promoted a Jefferson Airplane show in July of 1966. Mouse and Kelly used iridescent metallic inks throughout the print run.

This poster is perhaps the most popular and desirable of the Family Dog series. The “Zig Zag man” was an early effort by Mouse and Kelly to incorporate pop culture/counter culture imagery into their poster art.

Several unsubstantiated stories circulate explaining the scarcity of BG 74. Regardless, this is on of the toughest Bill Graham posters to acquire. The Grateful Dead& Jefferson Airplane’s Performance at the O’Keefe Center was an early attempt for Graham staging events outside of Fillmore.

The San Francisco scene met the LA. Scene when the Grateful Dead and Buffalo Springfield played together in Los Angeles in 1967.Amazing Electric Wonders is one most sought after of all the Shrine posters. John Van Hamersveld used techniques he created when developing the cover for the Beatles Magical Mystery Tour album on this hard obtain poster.

Easily one the most difficult to find Carousel Ballroom Posters. The “Acid Drop” By artist Steve Kateran is a must have poster for many serious Grateful Dead collectors.

Translucent

Artist: Bob FriedPerformers: Grateful Dead

This stunning opaque poster by Bob Fried is a very early Grateful Dead promotional/commercial poster. Due to the brittle nature of the acetate on which it is printed, and that many were displayed in sunlight, very few exist in undamaged condition.

As the San Francisco scene music was coming into prominence, the Beatles staged what was to be their final public appearance in August 1966. Created by Wes Wilson, this is the only psychedelic Beatles Concert poster and it is nearly impossible to find in top condition.

This poster for a series of shows in the Pacific Northwest in February 1968 was used to promote an early tour outside of California for the Grateful Dead and Quicksilver Messenger Service. George Hunter’s design mimicked the old west “Wanted” poster.

The Northern California Folk Rock festival was held outdoors at the San Jose fairgrounds in the summer 1968 and featured all of the top rock bands of the day, including Big Brother and the Holding Company, the Doors, and Jefferson Airplane. The Grateful Dead also appeared, though they were not included on the posters.

This classic mod/psychedelic Jimi Hendrix Experience image is imposed over a stunning background pattern. A classic Gary Grimshaw creation, this poster was used to promote one night of Hendrix at the CNE Coliseum Arena in February 1968.

The Who

Date: April 7, 1968Artist: Gary GrimshawVenue: CNE ColliseumBill: The Who

This was one of several events that Russ Gibb promoted outside of the Grande Ballroom across the border in Canada. Created by artist Gary Grimshaw, this poster features a great mod image of the Who.

This poster is thought by many collectors to be the most beautiful poster of all, not just of the Grande poster series, but also of all concert posters. The central image is of a young Vanessa Redgrave, her bare body framed in whirling roller lettering.

This classic early Wes Wilson design told of a late spring Quicksilver show at the Fillmore.

Grateful Dead at Fountain Church

Date: March 24, 1968Venue: Fountain ChurchPerformers: Grateful Dead.

This poster promoted a show that never came to be. Bad weather caused this Grateful Dead show at the Fountain Church on March 24, 1968 to be cancelled. The poster features a winged-depiction of The Grateful Dead’s Pigpen.

Andy Warhol Presents The Plastic Inevitable Show

Date: May 3, 1966Venue: The TripPerformers: Velvet Underground

Andy Warhol and the Velvet Underground made their presence known in LA in early May 1966. “The Plastic Inevitable Show” caused such controversy that the event was ended prematurely. This poster displays a salute to pop art featuring Roy Lichtenstein’s Newsweek cover and the Campbell soup kids.

This stunning Mouse & Kelley design is the original zebra man image. It was borrowed a month later rom Gary Grimshaw for a Grande poster. The boldly colored poster was used to promote a September 1966 show by Quicksilver Messenger Service and the 13th floor elevators.

This striking red, white and blue poster alerted fans to a Daily Flash, Quicksilver Messenger Service show at the Avalon. Mouse and Kelley borrowed from early 20th century style illustration art to create the central image.

This poster is for the Mime Troupe Appeal II. Bill Graham was the business manager of the Mime Troupe and this concert was organized as a benefit to raise funds for legal fees after a member of the Troupe was arrested on obscenity charges. This was Graham’s first poster for a show held at the Fillmore Auditorium!

Dance of Death

Date: October 31, 1966

Venue: California HallPerformers: Grateful Dead

The Dance of Death took place on Halloween night in 1966. Ken Kesey was to host the Acid Test Graduation on that same night but couldn’t pull it off. Kesey’s event was rescheduled, and the Grateful Dead instead played at the Dance of Death at California Hall.

This early poster in the Bill Graham series is a great example of Wes Wilson’s emerging talent. You can clearly see the evolution of the lettering style that would come to define the psychedelic concert poster.

Mouse & Kelley’s “Five men in a boat” promoted a rare Family Dog show at Longshoreman’s Hall. This poster was used to promote Bo Diddley’s performance in August of 1966. This poster is a wonderful example of the split fountain printing technique

The Edwardian Ball was an event hosted by the Associated Students of San Francisco State College. It was one of the handful of non-Bill Graham events that took place at the historic Fillmore. The ball capitalized on the mid-60s countercultural trend to Edwardian dress and featured an early performance by Jefferson Airplane.

The Charlatans jumpstarted the nascent psychedelic folk-rock scene with their residency at The Red Dog Saloon in Virginia City, Nevada, in June of 1965. Commonly referred to as “the Seed,” this poster by the Charlatan’s George Hunter and Michael Ferguson was the spark that started the fire of psychedelic poster art. Two versions of this poster exist due to the delay of the original event.

Performers- Janis Joplin, Big Brother and the Holding Company, The Jeff Beck Group

God Bless Tiny Tim

Artist- Durwood Settle

Date- July 18, 1968

Venue- Merriweather Post Pavilion

Performers- Tiny Tim

The Flatt and Scruggs Show

Artist- Durwood Settles

Date- August 25, 1968

Venue- Chastian Park Amphitheatre

Performers- Flatt and Scruggs, The Foggy Mountains and David Rogers

Vanilla Fudge

Artist- Durwood Settle

Date- November 24, 1968

Venue- Alexandria Roller Rink

Performers- Steve Miller Band

Blood, Sweat and Tears

Artist- Durwood Settles

Date- January 26, 1968

Venue- Alexandria Roller Rink

Performers- Blood, Sweat and Tears, Spirit, Barry Richards

In Person, 2 Big Shows

Artist- Durwood Settles

Date- February 16, March 1, 1968

Venue- Alexandria Roller Rink

Performers- Canneo Heat, B.B. King, the Jeck Beck Group, Jethro Tulll

Jimi Hendrix Experience Joshua Light Show

Artist- Bill Graham

Date- May 10, 1968

Venue- Filmore East

Performers- Jimi Hendrix

Jimi Hendrix Milwaukee Auditorium

Poster – Jimi Hendrix Experience, Milwaukee Auditorium

Bands/Bill – Jimi Hendrix Experience and Oz

Venue – Milwaukee Auditorium

City – Milwaukee, WI

Date – 5/1/70

Dimensions- 18 1/32” x 24 1/32”

Printing- (OP-1)

Artist –Brad Cantwell

Series/ Promoter- Concept nine limited

Paper Type- Thin matte paper

Jimi Hendrix Experience Soft Machine MC5

· Poster – Jimi Hendrix Experience, Masonic Temple

· Bands/Bill-Jimi Hendrix Experience, Soft Machine and MC5

· Venue- Masonic Temple

· City – Detroit, Michigan

· Date – 2/23/68

· Dimensions- 4 25/64” x 7 3/32”

· Printing- OPC-C

· Artist – Gary Grimshaw

· Series/ Promoter- Uncle Russ (Gibb)

· AOR # - 3.139

Grateful Dead, Continental Ballroom

Poster – Grateful Dead, Continental Ballroom

Bands/Bill – Grateful Dead, The Powers of Evil

Venue – Continental Ballroom

City – Santa Clara, California

Date – 10/16/67

Dimensions- 10 25/32” x 13 15/16”

Printing- (OP-1)

Artist – Cannon

Series/ Promoter- Continental Ballroom

Paper Type- Thin Textured Paper

This poster for a 1967 Grateful Dead concert at the Continental Ballroom is a rare treasure that is always on top collectors wish list. This piece was produced on ultra thin tissue type paper that is also textured! This copy, as are the majority of those produced, was folded in half and inserted in a local paper.

Grateful Dead, The Bank

· Poster – Grateful Dead, The Bank

· Bands/Bill-Grateful Dead and Magic Sam

· Venue- The Bank

· City – Torrance, California

· Date – 12/13/68

· Dimensions- 5 3/8” x 8 ½”

· Printing- (OP-1)

· Series/ Promoter- The Bank

· AOR # - 3.92

Grateful Dead Fountain in Church

· Poster – Grateful Dead, Fountain Church

· Sub Title - Pigpen with Wings

· Bands/Bill-Grateful Dead

· Venue- FountainStreet Church

· City – Grand Rapids, MI

· Date – 3/24/68

· Dimensions- 3 ¾’ x 7’

· Printing- (OP-1) -

· Artist – Carl Lundgren

· Series/ Promoter- N/A

· AOR # - 3.151

This is a superb copy of a handbill for one of the scarcest, most popular and desirable Grateful Dead concert posters of all time! This Original First Printing bill from this cancelled Dead show grades Mint 97, our highest rating, according to the very strict grading standards of Psychedelic Art Exchange. This Handbill is bright and fresh with very crisp paper.

Grateful Dead, Earl Warren Fairgrounds

Poster – Grateful Dead, Earl Warren Fairgrounds

Subtitle- Jim Salzer #101

Bands/Bill – Grateful Dead, Doors, UFO, Captain Speed

Venue – Earl Warren Fairgrounds

City – Santa Barbara, CA

Date – 4/29/67

Dimensions – 17 1/32”x 22 21/32”

Printing – OP-1, Original Printing

Artist – J. Cushing

Series/Promoter – Jim Salzer

Paper Type – Textured Paper

Printer- Woolever Press

One of the great events from the history of the Grateful Dead was their run of concerts at the wondrous great Pyramids in Giza Egypt in 1978. This really was a family vacation for the band and the shows were notoriously weak. The Dead had a habit of not rising to the occasion for overly hyped and publicized shows, and the Egypt concerts were no exception. However the event did leave behind one of the best poster images in the Bands history. Alton Kelley created on of his finest posters efforts ever for these shows. This poster is a must have for any true Grateful Dead collector.

Grateful Dead, Sound and Light Theater, Giza Egypt

Poster – Grateful Dead, Sound and Light Theater, Giza Egypt

Bands/Bill – Grateful Dead

Venue – Sound and Light Theater

City – Giza, Egypt

Date – 9/14-16/78

Dimensions- 20 1/16” x 29 15/16”

Printing- OP-1

Artist – Alton Kelley

Paper Type- Heavy Glossy stock

One of the great events from the history of the Grateful Dead was their run of concerts at the wondrous great Pyramids in Giza Egypt in 1978. This really was a family vacation for the band and the shows were notoriously weak. The Dead had a habit of not rising to the occasion for overly hyped and publicized shows, and the Egypt concerts were no exception. However the event did leave behind one of the best poster images in the Bands history. Alton Kelley created on of his finest posters efforts ever for these shows. This poster is a must have for any true Grateful Dead collector.

Here we are offering ascarce and beautiful poster for an early Grateful Dead show at Winterland. This poster was created for an event called the First Annual Love Circus . This was the third time the Dead played at this famed San Francisco venue that would be home to more Grateful Dead concerts than any other.

Grateful Dead, Pioneer Ballroom

· Poster – Grateful Dead, Pioneer Ballroom

· Bands/Bill – Grateful Dead, The Experience

· Venue – Pioneer Ballroom

· City – San Francisco, California

· Date – 9/23/66

· Dimensions- 14 5/32” x 19 29/32”

· Printing- (OP-1)

· Series/ Promoter- Pioneer Ballroom

· AOR # - #2.184

· Paper Type- White Index

This is a WHITE PAPER version of the 1966 Grateful Dead Pioneer Ballroom Poster. The white variants were printed on the few pieces of white stock that divided the full ream of yellow into groups of 100. There was usually no more than 10 pieces of different colored dividing papers per ream (typically only 6 per ream

This poster warned of Andy Warhol and the Velvet Undergrounds first appearance in San Francisco. This show offered a striking contrast to the emerging San Francisco music scene for the fans at the Fillmore in May of 1966.

Big Brother and the Holding Company played at Detroit’s Grande Ballroom in this show presented by Russ Gibb, Detroit’s answer to Bill Graham. Gary Grimshaw’s promotional poster featured an early image of Joplin and her band with popular botanical imagery framing the photo and text. The extra arm belonged to Pigpen.

This is the perhaps most enduring image to be born from the Family Dog series, if not of all concert posters. Artists Mouse and Kelly borrowed an early 19th century illustration from the pages of an edition of the Rubaiyat of Omar Khayyam, which they uncovered in the San Francisco public library. That find would eventually come to be one of the most recognized images in rock and roll history.

A photograph of the painting Die Suende by Franz Stuck serves as the central image of this early Avalon poster. This poster promoted a Jefferson Airplane show in July of 1966. Mouse and Kelly used iridescent metallic inks throughout the print run.

This poster is perhaps the most popular and desirable of the Family Dog series. The “Zig Zag man” was an early effort by Mouse and Kelly to incorporate pop culture/counter culture imagery into their poster art.

Several unsubstantiated stories circulate explaining the scarcity of BG 74. Regardless, this is on of the toughest Bill Graham posters to acquire. The Grateful Dead& Jefferson Airplane’s Performance at the O’Keefe Center was an early attempt for Graham staging events outside of Fillmore.

The San Francisco scene met the LA. Scene when the Grateful Dead and Buffalo Springfield played together in Los Angeles in 1967.Amazing Electric Wonders is one most sought after of all the Shrine posters. John Van Hamersveld used techniques he created when developing the cover for the Beatles Magical Mystery Tour album on this hard obtain poster.

Easily one the most difficult to find Carousel Ballroom Posters. The “Acid Drop” By artist Steve Kateran is a must have poster for many serious Grateful Dead collectors.

Translucent

Artist: Bob FriedPerformers: Grateful Dead

This stunning opaque poster by Bob Fried is a very early Grateful Dead promotional/commercial poster. Due to the brittle nature of the acetate on which it is printed, and that many were displayed in sunlight, very few exist in undamaged condition.

As the San Francisco scene music was coming into prominence, the Beatles staged what was to be their final public appearance in August 1966. Created by Wes Wilson, this is the only psychedelic Beatles Concert poster and it is nearly impossible to find in top condition.

This poster for a series of shows in the Pacific Northwest in February 1968 was used to promote an early tour outside of California for the Grateful Dead and Quicksilver Messenger Service. George Hunter’s design mimicked the old west “Wanted” poster.

The Northern California Folk Rock festival was held outdoors at the San Jose fairgrounds in the summer 1968 and featured all of the top rock bands of the day, including Big Brother and the Holding Company, the Doors, and Jefferson Airplane. The Grateful Dead also appeared, though they were not included on the posters.

This classic mod/psychedelic Jimi Hendrix Experience image is imposed over a stunning background pattern. A classic Gary Grimshaw creation, this poster was used to promote one night of Hendrix at the CNE Coliseum Arena in February 1968.

The Who

Date: April 7, 1968Artist: Gary GrimshawVenue: CNE ColliseumBill: The Who

This was one of several events that Russ Gibb promoted outside of the Grande Ballroom across the border in Canada. Created by artist Gary Grimshaw, this poster features a great mod image of the Who.

This poster is thought by many collectors to be the most beautiful poster of all, not just of the Grande poster series, but also of all concert posters. The central image is of a young Vanessa Redgrave, her bare body framed in whirling roller lettering.

This classic early Wes Wilson design told of a late spring Quicksilver show at the Fillmore.

Grateful Dead at Fountain Church

Date: March 24, 1968Venue: Fountain ChurchPerformers: Grateful Dead.

This poster promoted a show that never came to be. Bad weather caused this Grateful Dead show at the Fountain Church on March 24, 1968 to be cancelled. The poster features a winged-depiction of The Grateful Dead’s Pigpen.

Andy Warhol Presents The Plastic Inevitable Show

Date: May 3, 1966Venue: The TripPerformers: Velvet Underground

Andy Warhol and the Velvet Underground made their presence known in LA in early May 1966. “The Plastic Inevitable Show” caused such controversy that the event was ended prematurely. This poster displays a salute to pop art featuring Roy Lichtenstein’s Newsweek cover and the Campbell soup kids.

This stunning Mouse & Kelley design is the original zebra man image. It was borrowed a month later rom Gary Grimshaw for a Grande poster. The boldly colored poster was used to promote a September 1966 show by Quicksilver Messenger Service and the 13th floor elevators.

This striking red, white and blue poster alerted fans to a Daily Flash, Quicksilver Messenger Service show at the Avalon. Mouse and Kelley borrowed from early 20th century style illustration art to create the central image.

This poster is for the Mime Troupe Appeal II. Bill Graham was the business manager of the Mime Troupe and this concert was organized as a benefit to raise funds for legal fees after a member of the Troupe was arrested on obscenity charges. This was Graham’s first poster for a show held at the Fillmore Auditorium!

Dance of Death

Date: October 31, 1966

Venue: California HallPerformers: Grateful Dead

The Dance of Death took place on Halloween night in 1966. Ken Kesey was to host the Acid Test Graduation on that same night but couldn’t pull it off. Kesey’s event was rescheduled, and the Grateful Dead instead played at the Dance of Death at California Hall.

This early poster in the Bill Graham series is a great example of Wes Wilson’s emerging talent. You can clearly see the evolution of the lettering style that would come to define the psychedelic concert poster.

Mouse & Kelley’s “Five men in a boat” promoted a rare Family Dog show at Longshoreman’s Hall. This poster was used to promote Bo Diddley’s performance in August of 1966. This poster is a wonderful example of the split fountain printing technique

The Edwardian Ball was an event hosted by the Associated Students of San Francisco State College. It was one of the handful of non-Bill Graham events that took place at the historic Fillmore. The ball capitalized on the mid-60s countercultural trend to Edwardian dress and featured an early performance by Jefferson Airplane.

The Charlatans jumpstarted the nascent psychedelic folk-rock scene with their residency at The Red Dog Saloon in Virginia City, Nevada, in June of 1965. Commonly referred to as “the Seed,” this poster by the Charlatan’s George Hunter and Michael Ferguson was the spark that started the fire of psychedelic poster art. Two versions of this poster exist due to the delay of the original event.

Performers- Janis Joplin, Big Brother and the Holding Company, The Jeff Beck Group

God Bless Tiny Tim

Artist- Durwood Settle

Date- July 18, 1968

Venue- Merriweather Post Pavilion

Performers- Tiny Tim

The Flatt and Scruggs Show

Artist- Durwood Settles

Date- August 25, 1968

Venue- Chastian Park Amphitheatre

Performers- Flatt and Scruggs, The Foggy Mountains and David Rogers

Vanilla Fudge

Artist- Durwood Settle

Date- November 24, 1968

Venue- Alexandria Roller Rink

Performers- Steve Miller Band

Blood, Sweat and Tears

Artist- Durwood Settles

Date- January 26, 1968

Venue- Alexandria Roller Rink

Performers- Blood, Sweat and Tears, Spirit, Barry Richards

In Person, 2 Big Shows

Artist- Durwood Settles

Date- February 16, March 1, 1968

Venue- Alexandria Roller Rink

Performers- Canneo Heat, B.B. King, the Jeck Beck Group, Jethro Tulll

Jimi Hendrix Experience Joshua Light Show

Artist- Bill Graham

Date- May 10, 1968

Venue- Filmore East

Performers- Jimi Hendrix

Jimi Hendrix Milwaukee Auditorium

Poster – Jimi Hendrix Experience, Milwaukee Auditorium

Bands/Bill – Jimi Hendrix Experience and Oz

Venue – Milwaukee Auditorium

City – Milwaukee, WI

Date – 5/1/70

Dimensions- 18 1/32” x 24 1/32”

Printing- (OP-1)

Artist –Brad Cantwell

Series/ Promoter- Concept nine limited

Paper Type- Thin matte paper

Jimi Hendrix Experience Soft Machine MC5

· Poster – Jimi Hendrix Experience, Masonic Temple

· Bands/Bill-Jimi Hendrix Experience, Soft Machine and MC5

· Venue- Masonic Temple

· City – Detroit, Michigan

· Date – 2/23/68

· Dimensions- 4 25/64” x 7 3/32”

· Printing- OPC-C

· Artist – Gary Grimshaw

· Series/ Promoter- Uncle Russ (Gibb)

· AOR # - 3.139

Grateful Dead, Continental Ballroom

Poster – Grateful Dead, Continental Ballroom

Bands/Bill – Grateful Dead, The Powers of Evil

Venue – Continental Ballroom

City – Santa Clara, California

Date – 10/16/67

Dimensions- 10 25/32” x 13 15/16”

Printing- (OP-1)

Artist – Cannon

Series/ Promoter- Continental Ballroom

Paper Type- Thin Textured Paper

This poster for a 1967 Grateful Dead concert at the Continental Ballroom is a rare treasure that is always on top collectors wish list. This piece was produced on ultra thin tissue type paper that is also textured! This copy, as are the majority of those produced, was folded in half and inserted in a local paper.

Grateful Dead, The Bank

· Poster – Grateful Dead, The Bank

· Bands/Bill-Grateful Dead and Magic Sam

· Venue- The Bank

· City – Torrance, California

· Date – 12/13/68

· Dimensions- 5 3/8” x 8 ½”

· Printing- (OP-1)

· Series/ Promoter- The Bank

· AOR # - 3.92

Grateful Dead Fountain in Church

· Poster – Grateful Dead, Fountain Church

· Sub Title - Pigpen with Wings

· Bands/Bill-Grateful Dead

· Venue- FountainStreet Church

· City – Grand Rapids, MI

· Date – 3/24/68

· Dimensions- 3 ¾’ x 7’

· Printing- (OP-1) -

· Artist – Carl Lundgren

· Series/ Promoter- N/A

· AOR # - 3.151

This is a superb copy of a handbill for one of the scarcest, most popular and desirable Grateful Dead concert posters of all time! This Original First Printing bill from this cancelled Dead show grades Mint 97, our highest rating, according to the very strict grading standards of Psychedelic Art Exchange. This Handbill is bright and fresh with very crisp paper.

Grateful Dead, Earl Warren Fairgrounds

Poster – Grateful Dead, Earl Warren Fairgrounds

Subtitle- Jim Salzer #101

Bands/Bill – Grateful Dead, Doors, UFO, Captain Speed

Venue – Earl Warren Fairgrounds

City – Santa Barbara, CA

Date – 4/29/67

Dimensions – 17 1/32”x 22 21/32”

Printing – OP-1, Original Printing

Artist – J. Cushing

Series/Promoter – Jim Salzer

Paper Type – Textured Paper

Printer- Woolever Press

One of the great events from the history of the Grateful Dead was their run of concerts at the wondrous great Pyramids in Giza Egypt in 1978. This really was a family vacation for the band and the shows were notoriously weak. The Dead had a habit of not rising to the occasion for overly hyped and publicized shows, and the Egypt concerts were no exception. However the event did leave behind one of the best poster images in the Bands history. Alton Kelley created on of his finest posters efforts ever for these shows. This poster is a must have for any true Grateful Dead collector.

Grateful Dead, Sound and Light Theater, Giza Egypt

Poster – Grateful Dead, Sound and Light Theater, Giza Egypt

Bands/Bill – Grateful Dead

Venue – Sound and Light Theater

City – Giza, Egypt

Date – 9/14-16/78

Dimensions- 20 1/16” x 29 15/16”

Printing- OP-1

Artist – Alton Kelley

Paper Type- Heavy Glossy stock

One of the great events from the history of the Grateful Dead was their run of concerts at the wondrous great Pyramids in Giza Egypt in 1978. This really was a family vacation for the band and the shows were notoriously weak. The Dead had a habit of not rising to the occasion for overly hyped and publicized shows, and the Egypt concerts were no exception. However the event did leave behind one of the best poster images in the Bands history. Alton Kelley created on of his finest posters efforts ever for these shows. This poster is a must have for any true Grateful Dead collector.

Here we are offering ascarce and beautiful poster for an early Grateful Dead show at Winterland. This poster was created for an event called the First Annual Love Circus . This was the third time the Dead played at this famed San Francisco venue that would be home to more Grateful Dead concerts than any other.

Grateful Dead, Pioneer Ballroom

· Poster – Grateful Dead, Pioneer Ballroom

· Bands/Bill – Grateful Dead, The Experience

· Venue – Pioneer Ballroom

· City – San Francisco, California

· Date – 9/23/66

· Dimensions- 14 5/32” x 19 29/32”

· Printing- (OP-1)

· Series/ Promoter- Pioneer Ballroom

· AOR # - #2.184

· Paper Type- White Index

This is a WHITE PAPER version of the 1966 Grateful Dead Pioneer Ballroom Poster. The white variants were printed on the few pieces of white stock that divided the full ream of yellow into groups of 100. There was usually no more than 10 pieces of different colored dividing papers per ream (typically only 6 per ream