Ricci Martin, son of the world-famous singer Dean, was just like most any other teenager in the early months of 1964. Ricci was totally crazy about and obsessed with the Beatles.

Ever since the Beatles arrival in America a few months previously, they had captivated teenagers far and wide and taken the entire country by storm. They were making appearances on TV, their new film A Hard Day's Night was a smash hit, and their songs were blasting out of every radio on the continent. The records: “She Loves You,” “I Want to Hold your Hand,” “Please Please Me,” etc. were inevitably turning up on the record charts- in the number one spot.

And now it was August of 1964 and the theme song to their brilliant first film A Hard Day's Night was sitting brightly atop the charts. And so it was, a few months previous, that Ricci Martin was raving on and on about "the Beatles this" and "the Beatles that" and “Beatles Beatles Beatles.”

Dean Martin, star of stage, screen, television, Las Vegas, and the record world, got fed up one day and, with a bravado that would have put Muhammad Ali to shame, confidently took Ricci to the side and breezily told him, “I’m gonna knock your pallies off the charts.”

Ricci smirked and barely held back from rolling his eyes right to his father's face. Sure, his dad was the great Dean Martin, but Dino hadn't had a hit record in six years. And come on man, these guys were the Beatles!

In 1962, Dean Martin had signed a recording contract with Reprise records, a company owned by his close friend and comrade-in-arms Frank Sinatra. In 1963, Reprise signed a man named Jimmy Bowden to their A&R department. Jimmy Bowden very much wanted to record an album with Dean Martin.

Dean, always an easy-going guy, agreed to work with Bowden, but Dean, a man who did not like change, wanted to record an album of soft, moody, Las Vegas-type songs. It was to be a typical Dean Martin album- slow ballads and love songs sung by the droopy-eyed crooner. It was to an album called Dream with Dean.

Bowden wanted to record Dean and tried to set an atmosphere that was pleasing to his artist. The recording studio was set up in a moody light to create the proper atmosphere.

He got together a small band and Dino quickly and smoothly recorded the first 11 songs for the album. The 12th he just hated. It was an old song that had been around called “Everybody Loves Somebody.” Dean had to be coaxed into recording the number, but after some pushing, he finally agreed.

Interestingly, the tune had already been recorded by several other artists. i.e. Frank Sinatra, Peggy Lee and Dinah Washington. The song had never gone anywhere and seemed destined to be a small, trivial number in recording history.

“Everybody Loves Somebody" had been written around 15 years previously by Dean's close friend and piano player, Ken Lane. This factor, I’m sure, had a lot to do with Dean recording a song he couldn't stand. Dean was a very nice, easy-going guy and he probably just wanted to help a pal get some royalties.

When Dean's album came out, the song was given little notice and raised no stir. But then, early in 1964, Dean recorded the song again as a single. It was given a new arrangement, Dean sped up the tempo a bit, and added a more contemporary sound to it.

At first, the song went nowhere and Reprise decided to stop promoting it. But radio stations in New Orleans and Worchester, Massachusetts started playing it. It soon spread to other stations and gained popularity.

Lo and behold- on August 15, 1964, just as he had boasted to his skeptical son, “Everybody Loves Somebody" actually knocked the Beatles out of the #1 spot on the Billboard Hot 100 record charts.

“See, I told you I was gonna knock your pallies off,” said Dean casually to his awestruck son.

Ricci Martin said he looked on at his father with pride, wonder and amazement. And thus, Dean Martin, in all probability, became the one and only person to correctly predict that he was going to knock the Beatles out of the number one spot on the charts and actually do it!

Dean Martin and Frank Sinatra were huge with the baby boomers. As one, I can attest it was common to see Grateful Dead, Beatle and Airplane albums along with Sinatra, Martin andeven the Smothers Brothers. These guys were extremely talented and could tell a storythrough their music better than anyone at that time. Very good story!!

Great piece Eddie. I actually heard it different. I heard they needed one more song to fill the album and that Lane told Dean he had just written this song but didn't think it was good enough. Dean heard it, loved it and the rest is history. Either way, he did live up to his statement. I wonder if I could buy the album on eBay and pay for it through "Pay Pallie"