Tag: extrinsic story

I meant to write up GameCamp 5 the week after we went, but what with work and writing and venue hunting for Zombie one thing drives out another, as Barliman Butterbur would tell you.

It was different this time. For one thing, last time we felt fairly out of place as live game designers rather than video game designers; it wasn’t unpleasant, but there was a definite sense that we were in the minority. This time round lots of people were talking live experiences, and mixed sessions didn’t carry the same assumptions about the group. That’s a little fascinating – does it reflect a wider uptake in live gaming generally? Certainly seems so to me – there are lots of folks starting to do pervasive games and interesting live experiences, a burgeoning scene that seems to be moving towards LARP from other disciplines and landing somewhere in the middle. Critical vocabulary is missing here; lots of people (like us) are drawing on all sorts of theory and work in other fields and applying it to making games in the real world. That’s exciting.

The other big change was in the way people at GameCamp talked about stories in games. Last time around, Grant and I ran a session about emergent story, discussing the concept of procedurally and structurally generated narratives that emerge through player interaction with the game, but aren’t “told” by the game. This time I think every story-related session I went to invoked the difference between extrinsic and intrinsic stories, usually with an understanding of emergence. Again vocabulary is missing here; I heard the same (or similar) dichotomy expressed as extrinsic/intrinsic, imparted/created, creator/player, and even cutscene/gameplay. Perhaps that’s a reflection of the greater proportion of live gamers there – the split is much clearer when you’re playing with stories in that space, and it becomes impossible to ignore that the story you’re telling is not the same as the one players are experiencing. But I’m hopeful that it reflects a shift in thinking by video game creators too. Not every writer needs to engage with debates like the location of meaning and the nature of narrative – but if none do, the medium will stay shallow. GameCamp made my literary brain happy and my game brain excited.

Oh, and we made some games, too. Hostage was the most fun. I’ll try to write up the rules soon, assuming one thing doesn’t drive out another, again.