Opera History

The beggining of the rich and varied history of opera and musical theater at Southern
Miss

The rich and varied history of opera and musical theatre all began in 1948 by Frank
Earl Marsh with a fully-staged production directed by Lloyd Patten of Smetana's Bartered
Bride, accompanied by full orchestra. Unlike a strictly choral music program, the
opera and musical theatre program helped the music department grow by attracting both
vocal and instrumental talent. Through the years, the high-quality performances have
attracted more and better students who present marvelous productions for the community.

In the 1950s, the university's talented faculty contributed to the new opera and musical
theatre program by composing musicals for and about Southern Miss. Robert Hays wrote
eighteen tunes for the musical Hey Daze about life on campus, produced during the
1955 season. Composer William Presser contributed an original work with his chamber
opera titled The Whistler, which premiered at the Fourth Annual Forum of the Southeastern
Composer's League in 1959 on the university's campus.

A tradition continued through the next decade

The opera program began producing both fall and spring musicals, a tradition which
continued throughout the next decade. A new tradition was born with the guest artist
appearance of world-renowned bass Norman Treigle. The cast of Carlisle Floyd's Susannah
had the opportunity to sing alongside and learn from this major talent as he played
the role of Olin Blitch in 1966. Other major vocal artists who have made guest appearances
with the USM Symphony throughout the years include Thomas Palmer (1972), Roberta Peters
(1977), Denyce Graves (1998), Placido Domingo (2005) and Renee Fleming (2010).

In 1969, Robert Mesrobian began a seven-year tenure as artistic director of the opera
program, and under his leadership productions such as Cosi Fan Tutte, Faust, Il Barbiere
di Siviglia, and Benjamin Britten's A Midsummer Night's Dream were produced. The 1972
production of A Midsummer Night's Dream was a landmark in the musical life of Southern
Miss. This was the first production staged in the new Mannoni Performing Arts Center.
With a dramatic set design, wonderful costuming, and fine musical talent, the opera
was an impressive opening for the new hall. Their desire to share this great work
led the faculty and students to make more than twenty visits to area schools, as well
as perform two matinees on campus for middle-school-aged children, instituting a tradition
of educational outreach performances that continues to this day at USM.

In 1986, David Holley became artistic director of the program and continued the emphasis
on opera rather than musical theatre, presenting audience favorites including Englebert
Humperdinck's Hansel and Gretel, Carlisle Floyd's Susannah, Mozart's Le Nozze di Figaro,
and Otto Nicolai's Die lustigen Weiber von Windsor. Following Holley's departure,
Jay Dean became artistic director of the Opera at USM and began establishing working
relationships with regional opera companies in New Orleans, Mobile, Jackson, and the
Gulf Coast. Dean partnered with Mississippi Opera to offer USM singers an apprentice
program, giving student singers the opportunity to perform beside and learn from professional
singers, work with a professional director, and place professional credits on their
resumes. Operas produced in collaboration with Mississippi Opera include Verdi's La
Traviata, Bizet's Carmen, and Mozart's Le Nozze di Figaro. Other productions by the
Southern Opera and Musical Theatre Company in recent years include Leonard Bernstein's
West Side Story, Stephen Schwartz's Godspell, Frank Loesser's Guys and Dolls, Stephen
Sondheim's Company, a double bill of Leoncavallo's tragic opera I Pagliacci and Puccini's
"divine" comedy Gianni Schicchi, and Puccini's La Boheme.

A commitment to preparing outstanding opera and musical theatre artists for professional
careers in the 21st Century

In the 21st Century, our opera and musical theatre program enjoys strong administrative
support, an excellent student orchestra, professional conductors and stage directors,
and talented singing artists, ensuring Southern Miss's place alongside other major
schools of music with its outstanding Southern Opera and Musical Theatre Company.