Jyocho “A Prayer in Vain”

Two years after Uchu Conbini broke up, the composer and guitarist Daijiro Nakagawa started this new project called JYOCHO with two friends from Kyoto and Tokyo-based singer Daijiro he had found… on Twitter.

Influenced by math rock bands like Battles and Tera Melos, this imaginative four-piece offer shiny progressive version of J-Pop on their inspiring first album, “A Prayer in Vain”.

Kedama “Shiawaseno Maho”

If Sufjan Stevens played the Beach Boys’ “Pet Sounds”, he might sound just like the new album from Japanese quartet Kedama (毛玉).

The Tokyo based post-rock group invited a flute player and sax players for their 2nd album, “Shiawaseno Maho” (しあわせの魔法). Tricky but dreamy, it’s radical but at the same time includes plenty of good melodies.

The band’s music is so friendly, it makes you feel good with its texture like a fur ball – in Japanese: Kedama.

The Natsuyasumi Band “Phantasia”

Chamber pop quartet The Natsuyasumi Band (ザ・なつやすみバンド) started in the Tokyo indie scene, but these days they’re visiting Japan’s major live scenes, making miracle music which throws kids into world of love and hope with phantasic keyboard and steelpan sounds.

As their name suggests – “nasuyasumi” means “summer holidays” – they promise us eternal vacation while we listen to their colourful music.

Kinoko Teikoku “Aino Yukue”

Fourth album from the rock quartet Kinoko Teikoku (きのこ帝国) contains not only shoegaze explosions but also classical R&B flavor and reggae rhythms, co-produced by zAk, who is famous as recording engineer of Fishmans – no. 7 in our best Japanese albums list.

The title of the new full-length effort, “Aino Yukue” (愛のゆくえ), is a loose translation of Marvin Gaye “What’s Going On”. As the name suggests, they sing about love and loss throughout the album in a simple but emotional way.

Kataomoi “QUIERO V.I.P.”

Stemming from the Tokyo indie scene, the chamber pop octet Kataomoi (片想い) seems to be well-suited band for a wedding party or New Year’s Eve with their funky groove and theatrical performance.

In fact, Kataomoi (One-Way Love) attempt to express various, sometimes contradictory feelings, a bit like jazz funerals or brass band parades in New Orleans.

Kataomoi is made of different personalities. As they said in the interview with Music Magazine, “Our band is interesting because we are like a miniature of society, where different people have different ideas”. Quite like beehype.

Sunny Day Service “Dance To You”

With their breezy folky rock sound, the Tokyo-based trio Sunny Day Service has been a special soundtrack for such young guys in Japan. Formed in 1992, they’ve had an eight-year break, and then came back in 2008.

This year’s 10th album is about love between friends and family. On this album, bassist Takashi Tanaka of course played all of the bass guitar, but singer and guitarist Keiichi Sokabe also played drums except two songs – because drummer Harusige Maruyama has been ill and temporarily left the band in February.

It makes Keiichi sing, “You are here because you are not here,” in the song called “Sakura Super Love”. He said in the Natalie magazine, “I feel that Harusige makes us run even if he didn’t play drums”.

Saho Terao “Watashi no Sukina Warabeuta”

In addition to her original songs, Tokyo based singer-songwriter Saho Tetao (寺尾紗穂) has been singing modern version of Japanese nursery songs from various places she once visited. This year she released a compilation of them.

“Children’s songs have been changing because someone add following melody and lyrics at each era. These songs have no rule,” Saho said in an interview with Mikiki. Therefore, she arranged them freely according to atmosphere of our age. It might be natural way of succession of songs.

YeYe “Hito”

Kyoto-based singer-songwriter YeYe makes eclectic pop music. In quite the same way as Sufjan Stevens: she can play almost all instruments by herself. But she called band members to record her third album, “Hito”, or “Human”.

In an interview with beehype, she said: “Attractive music is, if anything, dangerous and makes your heart beating. I’m not good in hiding my emotions. So I better give listeners all my emotions as they are, and that’s my way. This is one of the reason why I named my new album ‘Hito'”.

Ogre You Asshole “Everythingsomethingnothing”

Influenced by psychedelic rock and AOR like Ariel Pink or Timmy Thomas, Nagano based indie rock quartet Ogre You Asshole recently released their 7th LP, which has a mellow but suppressed mood throughout the album.

They seem to play popular old songs or jazz standards. Sometimes, they prefer krautrock rhythms or blue-eyed soul. As if they tried to add every music element they can find across the world. But at the same time, something has been getting lost in their songs.

Eventually, no emotions seem to be left. But the music still moves us deeply.

Shintaro Sakamoto “Love If Possible”

After the release of his band Yura Yura Teikoku’s last album on DFA label, Shintaro Sakamoto (坂本慎太郎) started a solo project and released two LPs on Other Music. After two years waiting, his third album arrived.

On the title song “Love If Possible”, where he plays the steel guitar, Shintaro sings: “I have massive scars. Give me love if possible.” I think he just describes what state the world is these days.

Shugo Tokumaru “TOSS”

You might think that Van Dyke Parks helped Shugo Tokumaru (トクマルシューゴ). But actually, he has made this masterpiece for post-rock and post-social media era by himself and with his local friends.

This Japanese singer-songwriter and multi-instrumentalist based in Tokyo has been famous for his love for rhythm, beautiful themes and playing any device he can bring to the studio. But on his new effort, he invited his friends to join him during the recording.

Later on, he assembled sounds from different sessions into completely new songs. He even asked his fans to send along pieces of sound, and he combined all of them to a song named “Bricolage Music“.

It is surprising that the results are the most natural and organic songs Shugo Tokumaru has ever made.