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Don't FLASH me, Bro!

SONY Wireless Flash Solutions ... beyond the norm.

One of the unfortunate side effects of using a SONY HVL “wireless flash” solution is that the remote flash has to see the built-in (pop-up) flash on the camera. If you do not extend the pop-up flash or are using an α900 … you don’t get a flash.

Now, with the recent advent of the HVL-F20AMCompact Flash (April 2009), the α900 now can offer control through its “wireless” option, but again, the remote flash has to “see” the pre-flash from the camera to operate properly. In other words, it is all optically controlled (so they have to see one another) and that can be tricky when positioning your flash or when outdoors.

Question: What is another good solution to this “wireless” issue?

SONY offers a “Sync Terminal Adaptor” for the camera’s hot shoe.

This part offers a “pc-sync” port to cameras that do not have one (α100, α200, α230, α300, α330, α350 & α380) so that you can add generic external flash control to the camera. This is an expensive part, if you consult the SONY Style store for it. An alternative is purchasing a third party “FS1100” (<- Click on this) Hot shoe adapter (The α700 & α900already have the "pc-sync" port built into them, so there is no need for this part, unless you desire to mount the "standard" PocketWizardPLUS II's foot to the hot shoe. That eliminates the need for the PC1 pc-sync cable, too, although I would still get one for detached operation.)

FS1100

This is one-tenth (1/10) the cost of the SONY part and, personally, it is the way to go … that is, unless you have nothing better to do with your cash.

Now, wireless flash control can be offered through a number of devices, but my personal favorite is the “PocketWizard PLUS II” which is an “RF” solution and does not need any kind of optical or infrared pre-flash. Yes, it costs a little more, but what you get in return is true flexibility and RELIABILITY, which is the mainstay of most photography. You want flash NOW … not when it decides it wants to work.

You will require two units, one connected to the camera and the other to the flash. The camera connection requires the PC1 Cable (pc-sync) to attach the camera's port to the PocketWizard.

The HVL-series of flashes do not support the “pc-sync” port, which would be necessary for the PocketWizard to be connected to the flash. The solution is another small third-party adapter, the “FS1200” (<- Click on this), which attaches to the flashes’ hot shoe and immediately provides a “pc-sync” port to the flash unit.

Also, the “PocketWizard” can be use to trigger a “studio strobe” without having to drape a pc-sync cord a dozen or so feet away and take the chance of a ‘subject’, grip or even yourself tripping over it and taking down your expensive lamp. The main difference is that you will probably need a MM1 cable, instead of the PC1 cable (used in the above SONY HVL-connection)

So, in effect, you have a wireless link between your camera and the flash (studio or electronic) that is reliable and channelized, so you can set off different units at different times, if you so wish. You would require additional “PocketWizards” for such ideas.

Last edited by DonSchap; 07-24-2009 at 12:42 AM.

Don Schap - BFA, Digital Photography A Photographer Is ForeverLook, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.flickr® & Sdi

What's in your pocket?

i didnt know you had pocketwizards Don. you really DO have every gadget !!! lol
there are also numerous other wireless radio solutions aswell of course.

I bought these back when I was shooting with the Canon EOS 20D ... and simply migrated them to the SONY system. There were not that many alternatives, at the time, so this was what I went with.

I had used them back and forth, with the Canon EOS 20D, because there is a pig-tail cable (CM-N3-P) that you can use to trigger the shutter release from the PocketWizard, eliminating that troublesome 16-foot cable. Unfortunately, SONY will not authorize their own version of this useful cable, so that aspect of utility is missed on the PWs.

The α700 & α900 do have a wireless shutter release remote, but it requires that you be almost directly in front and in line with the lens view to use it. If you are off to the side or behind, it does not work. Again, sunshine can also mess with it. So, an "RF" solution would be good.

Originally Posted by dr4gon

lol I didn't know he had PW too! lol

Guys, it is okay to peruse my GEAR LIST, there is no shame in taking a peek. I went to the trouble of trying to make it informative and complete. Ignorance, in this case, is ... no excuse.

Last edited by DonSchap; 07-24-2009 at 08:41 AM.

Don Schap - BFA, Digital Photography A Photographer Is ForeverLook, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.flickr® & Sdi

But, only with non-SONY flashes, Elisha, from what I am reading. Look at the listing of compatible flashes ... NO SONY HVLs are listed! Those hot shoes on the receivers are only for "standard" hot shoe flashes. You would apparently need an additional FS1200 adapter for each receiver ... so you can tack on another (3x) $16, or $48 to that solution.

The transmitter portion is just fine, but that is just half the story. The receivers need to be SONY Hot Shoe compatible, too.

There is also the standard optical slave for the HVL-type flashes. This can be handy for mixed flash solutions.

Don Schap - BFA, Digital Photography A Photographer Is ForeverLook, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.flickr® & Sdi

yepp smaller and TTL compatible, (although not sure if that extends to sony ttl). but they are also getting panned for their lack of relaibility at the moment. radiopopper seems to have taken over the mantle for the preferred sysetmn of choice if you want TTL.

More refined STUDIO STROBES -> wireless built in

Calumet Photographic just released (back in March) a set of studio strobes that have the "wireless" receiver built into them. It's three years later, but that's cool.

EDIT: To be more clear, the units are the CalumetTravelite375R and 750R which have built in slots to accept the optional LiteLink and PocketWizard radio receiver cards, which allow you up to 300' around corners and through walls. They are multi-channeled, just like the PLUS IIs. (Click on the red links for more info)

Last edited by DonSchap; 07-25-2009 at 11:42 AM.

Don Schap - BFA, Digital Photography A Photographer Is ForeverLook, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.flickr® & Sdi