02:33 - VIGJust sayin' I remember nikarg's Sodom review on the front page, that album was like 30 years old

02:27 - ScreamingSteelUSTechnically, Che's Manunkind review was too old to be featured on the front page. That was a special exception; usually, we prefer to keep our reviews within three-to-four months, with six months as an absolute cutoff.

02:14 - VIG@Radu Of course! I don't think it's too old to be featured on the front page. Look at Che's Manunkind review

00:09 - RaduPPublished a review for an album that's a bit too old to be featured on the front page, but you guys will read it, right? [link]

With the original lineup or rather the most visual part of the original lineup consisting of Chris Holmes and Blackie Lawless reunited, glam's premier shock act set out to reclaim the vacant (or otherwise occupied) throne of shock rock. Like Mötley Crüe, Alice Cooper and a host of other veteran acts, W.A.S.P. opted to operate in industrial metal, the chosen medium of the decade's most notorious act Marilyn Manson. Despite the new sound, the band's sonic fingerprint remains but make no mistake, Kill, Fuck, Die puts W.A.S.P.'s heavy metal into the industrial format, not the other way around. This is also the reason why K.F.D. could succeed in the first place, for if such a major change were not followed through to the end, a band would not only face the familiar accusation of selling out but also of creative cowardice.