Srđan Srdić (born 3 November 1977) is a Serbian novelist, short-story writer, essayist, editor, publisher and creative reading/writing teacher. He has published three novels, two short story collections and a book of essays, and has contributed as a writer and/or editor to several short story collections and literary magazines.

In 2007, while still working as a high school literature teacher, Srdić won the first prize at the Ulaznica short story competition, and in 2009 he received the Laza Lazarević story award. The following year, he was awarded the Borislav Pekić grant (Pekić coincidentally being an important literary influence[2]) for a short story collection project.[4]
From 2008 to 2011 he served as the editor/program manager of the international short story festival Kikinda Short. He returned to this position in September 2015.[5]
In December 2015, he established a publishing house named Partizanska knjiga.[6]

In 2010 Srdić published his first novel, the road horror[7]Dead Field (Mrtvo polje), receiving several positive reviews,[8] and ending up short-listed for several national literary prizes in Serbia (NIN, Vital, Borisav Stanković) and for the international Meša Selimović prize.[4] The novel was praised particularly for its language, i.e. for finding the stylistic and formal devices needed to deal with the subject matter, the use of both modernist (along with the comparisons to Ulysses) and postmodernist techniques, and the frequent shifts of perspective and register.[8]

Set in 1993 wartime Serbia, it follows several converging story lines, Pablo and Paolo traveling from Belgrade to Kikinda dodging the military draft, one due to his idiosyncratic appropriation of the violent ideologies around, the other following him aimlessly, Stela making the same trip in the opposite direction, and a quasi-psychopathic military captain showing Cormac McCarthy's influence.[9] According to the author, the novel is a tragedy, something which is evident in the plot's denouement of inevitable death and incest, the tragedy being "in the context, not the characters."[9]

Espirando: Songs Unto Death (Pesme na smrt) consists of nine short stories, all dealing in some way with death (the lead-up to, process and/or aftermath of death). Published in 2011, it received the Biljana Jovanović award and the international Edo Budiša award,[11] as well as several highly positive reviews[12][13] noting its elliptical and formally diverse approach to language, with the narrative voices ranging from the conventional first-person to the wildly polyphonic, and the linguistic representation of the characters' limit-states of mourning, violence, illness, sexual longing, suicide, "frightening banality".[14]

All the stories had previously been published in literary magazines in Serbia and Croatia. The Ukrainian translation of the collection was published in 2013.[15] The story Grey, Gloomy Something was published in English in The Ofi Press Magazine, and Mosquitoes was translated into Albanian and published in the short story anthology From Belgrade, with love (Nga Beogradi, me dashuri ). Srdić's stories have also been translated into Romanian, Hungarian and Polish.[4]

Srdić's second novel, Satori, was published in 2013 by the KrR (Rašić Literary Workshop) publishing house.[11] The sole narrator, referring to himself as the Driver, walks out of the city and his social roles, reminiscing and encountering people on the fringes of society, offering thus a digressive, disjointed narrative, with a sense of solipsistic horror exposed through the characters' language.[16] "Not a novel that isn’t about anything, but one that is about nothing",[17] it also deals with banality and anxiety of/and freedom, with a focus on the narrator’s contacts with the military, even obliquely addressing the repercussions of war crimes (“the existence of PTSD even in those who weren’t directly involved in the war”[18]).

Satori was praised for showing a further improvement in Srdić’s work, particularly present in an ironic distance previously somewhat missing, and for offering, through the quoted texts, new ways of reading Satori and those texts themselves. The same reviewer places it in a post-world, invoking the opening quotations of the post-structuralists Roland Barthes and Jean-François Lyotard, and of the post-rock band Mogwai.[18] A more ambiguous review, while noting Srdić’s writerly virtues and significance, showed some reservations about the purposeful randomness and lack of meaning.[19]

The novel Satori was published in Ukraine in 2015 in Alla Tatarenko's translation.[20] It was published in Macedonia in 2016.[21]

Combustions, Srdić's second short story collection, was published in May 2014. This book was also published by the KrR publishing house (Rašić Literary Workshop).[11] It contains nine stories which treat the problem of identity in various narrative ways. For the synopsis of Combustions Srdić was awarded the Borislav Pekić grant.[22]

The literary critic Vladimir Arsenić, including Srdić among the most important post-Yugoslav writers, emphasises his linguistic meticulousness, as well as new reaches of Srdić's procedure, evident in the story About the Door, which he considers a masterpiece.[23] Mirnes Sokolović has a critical stance towards the book, not questioning Srdić's relevance. In his opinion certain stories are unconvincing, whereas the story Summertime is his favourite.[24] Srđan Vidrić describes Combustions as a radical and uncompromising book intended for more competent readers, which "contributes significantly to the Serbian art of story-telling".[25]

Five stories from Combustions have been published in American and Scottish[26] literary magazines in Nataša Miljković's translation.

Srdić's first collection of essays entitled Notes from Reading was published in 2014.[27] In the afterword to this book, Srdić's editor Ivan Radosavljević states that the seven collected essays "will, on one hand, attract those readers who are interested in the topics Srdić deals with here and, on the other hand, it will attract those readers who are interested in this author as a story-teller and novelist, given that this book offers particular insights into his intellectual and artistic habitus."[28]

Notes from Reading has had excellent reception.[29] In an extremely positive review of the book, Dragan Babić states that Srdić is "more than a admirer" of the authors he writes about, and that he is their "excellent interpreter".[30]

The cover photo for Notes from Reading was kindly provided by the American avant-garde musician Alan Dubin, whose lyrics Srdić cited in Combustions and The Dead Field.

In 2017, Srdić published his third novel titled Srebrna magla pada (Silver fog is falling).[31] This was his first book released thru his own publishing house, Partizanska knjiga from Kikinda. In January 2018, the novel was selected among the five finalists for the NIN award for the novel of the year 2017, but did not win.[32]