Thursday, December 6, 2012

Robert De Niro Quotes

1. It's important not to indicate. People don't try to show their feelings, they try to hide them.

2. You'll have time to rest when you're dead.

3. One of the things about acting is it allows you to live other people's lives without having to pay the price.

4. There's nothing more ironic or contradictory than life itself.

5. I go to Paris, I go to London, I go to Rome, and I always say: "There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it."

6. I always go back to how people behave. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.

7. Good directors can bring certain things out of you, with their intensity or gentleness or sensitivity or understanding. They can make an actor feel he can do no wrong.

8. I always tell actors when they go in for an audition: Don't be afraid to do what your instincts tell you. You may not get the part, but people will take notice.

9. I didn't have a problem with rejection, because when you go into an audition, you're rejected already. There are hundreds of other actors. You're behind the eight ball when you go in there. At this point in my career, I don't have to deal with audition rejections. So I get my rejection from other things. My children can make me feel rejected. They can humble you pretty quick.

10. I like to visit L.A., but I wouldn't want to live there.

11. I don't like to watch my own movies - I fall asleep in my own movies.

13. I think it's important to have had at least a few years of obscurity, where people treat you like everybody else.

14. I love to find new people. It's not for the sake of their being new; it's because if you find someone who perfectly fits a part, that's such a great thing.

15. I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.

16. I've never been one of those actors who has touted myself as a fascinating human being. I had to decide early on whether I was to be an actor or a personality.

17. If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.

18. If it's the right chair, it doesn't take too long to get comfortable in it.

24. My mother worked for a woman, Maria Ley-Piscator, who with her husband founded the Dramatic Workshop, which was connected to the New School. My mother did proofreading and typing and stuff or her, and as part of her payment, I was able to take acting classes there on Saturdays when I was 10.

25. The hardest thing about being famous is that people are always nice to you. You're in a conversation and everybody's agreeing with what you're saying - even if you say something totally crazy. You need people who can tell you what you don't want to hear.

26. The talent is in the choices.

27. There is a certain combination of anarchy and discipline in the way I work.

28. Time goes on. So whatever you're going to do, do it. Do it now. Don't wait.

29. When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.

30. Some people say that drama is easy, and comedy is hard. Not true. I've been making comedies the last couple of years, and it's nice. When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or, you have to take a bite out of somebody's face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.

31. You learned the two greatest thing in life, never rat on your friends, and always keep your mouth shut.

32. You draw on whatever's relevant to the part you're playing; it makes it more personal.

33. (interview in Chicago Sun Times, 1/8/98) I think Hollywood has a class system. The actors are like the inmates, but the truth is they're running the asylum. You've got to look at the whole studio structure. There's these guys. We call them suits. They have the power to okay a film. They're like your parents, going: "We have the money". But at the same time they say to us actors: "We love you. We can't do without you". You know, I've been around a long time. I've seen the suits run the asylum. I think I can do it as good or even better. Let me try it. That's why I have TriBeCa.

34. (on acting) The whole thing is for younger people who are sexy and youthful.

35. (on the mobster characters he often plays) The characters that I play are real. They are real so they have as much right to be portrayed as any other characters. There are other characters I have played, other than those ones that have been called stereotypes or whatever. So.

36. People treat me with a bit too much reverence. Look at Dustin Hoffman. I always envy the way he can speak and be smart and funny and so on. I just can't do that.

37. (about Al Pacino) Al, over the years we've taken roles from one another. People have tried to compare us to one another, to pit us against one another and to tear us apart personally. I've never seen the comparison frankly. I'm clearly much taller, more the leading-man type. Honestly, you just may be the finest actor of our generation - with the possible exception of me.

40. After my first movies, I gave interviews. Then I thought: "What's so important about where I went to school, and hobbies?…What does any of that have to do with acting, with my own head?"

41. (in 2004) I love Italy and I have a deep tie with my Italian roots. I stand for (John Kerry), I hope he will arrive at the White House. We need a different government to represent America. The change of presidency would be a clear and international sign to say that we are approaching again to the rest of the world. I don't want any prize that can influence this election. I stand for Kerry.

42. (on "Taxi Driver"'s infamous line) You have no idea that, years later, people in cars will recognize you on the street and shout: "You talkin' to me?" I don't remember the original script, but I don't think the line was in it. We improvised. For some reason it touched a nerve. That happens.

43. It's true: I spent lunchtime in a grave during the filming of "Bloody Mama". When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect. You might even be able to achieve more if you take your mind off it, because you're relaxed. That's the key to it all. When you're relaxed and confident, you get good stuff.

44. Movies are hard work. The public doesn't see that. The critics don't see it. But they're a lot of work. A lot of work. When I'm directing a great dramatic scene, part of me is saying: "Thank God I don't have to do that". Because I know how f... hard it is to act. It's the middle of the night. It's freezing. You gotta do this scene. You gotta get it up to get to that point. And yet, as a director, you've got to get the actors to that point. It's hard either way.

45. When I was a teenager, I went to the Dramatic Workshop at the New School. The school had a lot of actors under the GI Bill - "Rod Steiger", Harry Belafonte, the generation ahead of me. I went in there and the director said to me: "Vy do you vant to be an acteh?" I didn't know how to answer, so I didn't say anything. And he said: "To express yourself!" And I said: "Yeah, yeah, that's it. That's right."

46. (on witnessing the terrorist attack on New York on 9/11/2001) I left a meeting right after they hit the World Trade Center. I went to my apartment, which looks south, and I watched it out my window. I could see the line of fire across the North Tower. I had my binoculars and a video camera - though I didn't want to video it. I saw a few people jump. Then I saw the South Tower go. It was so unreal, I had to confirm it by immediately looking at the television screen. CNN was on. That was the only way to make it real. Like my son said: "It was like watching the moon fall".

47. I only go to Los Angeles when I am paid for it.

48. Nobody has moved me from my seat yet. But, just in case, I've bought my own restaurants.

49. (on "What Just Happened") This is as close as it gets to what it can be like to be in the middle of this stuff. The fear factor is always there - everything from losing tens of millions of dollars on a film that doesn't work to not being able to get a good table in a top restaurant because your last movie flopped.

50. It is good to have a few other interests (restaurants, hotels, the TriBeca Film Festival). But my main interest has always been movies - making them, directing them, being involved. I have never lost the passion for that.

51. I like New York because I can still walk the streets and sit down in a bar or restaurant and observe people. If you can't properly observe, as an actor, you're finished. The impression sometimes given is that I can't leave my own home without being recognized or bothered in the street. That's just not true. I can go out, at leisure, meet people for lunch or take my kids to the park. I don't think I am glamorous enough for Hollywood.

52. I have lived in Los Angeles, working in Hollywood, countless times, doing movies. I am not against the place. I was not a young actor kicking around, living by the seat of my pants, desperate for work. I went by invitation, and my experiences have been good ones. But I have never chosen to live there full-time.

53. I've always done comedies. There were comic elements in "Mean Streets" and even "Taxi Driver". And I did "The King of Comedy". I've always had what I consider to be a good sense of humor. There is this image that has been built up - invented, more like - and there's me, living the life. I do not consider myself some sort of acting legend, just an actor doing his best with the material that is there at the time.

54. You can look into my background all you like, but I have never had problems with authority on film sets. Even if I disagree with a director, I work through it. I am also not one for regrets. I don't regret any film I've made, because there was a reason for making it at the time. If it hasn't worked out, then don't spend time worrying about why and how. Just move on to the next project.

55. Difficult? Me? I don't think I am difficult compared to other people. It is hard to make a movie at the best of times, so you don't want to give people a hard time. People all have their own agendas. But it is not worth acting out something from your own history to make a point on a film set. If you have a problem with, say, your father or some other father figure, why give the director a tough time?

56. (on Martin Scorsese) I wish I had that knowledge of movies that he has. He's like an encyclopedia. I could call him up and ask him about a certain movie, and he would know about it. He's seen everything, it's great.

57. (on the lengths he will go to disappear into a part) You don't just play a part. You've got to earn the right to play them.

58. (on Martin Scorsese) I really hope I get to do another movie with him again.

59. She is My Dream Co-star and I love to Work With Her. It depends on the project (who would be) at the top of my list…wonderful actresses.

60. I always wanted to direct. Directing is a lot more of a commitment though, a lot more time. I like directors who do very few takes, they know what they want. As for me, I know when I have a shot, but I might want back up, and one other take. You never know. If it's about capturing a moment, you're never going to be able to go back and repeat it, you go with it. It's a tricky thing. I go through all the footage, and look at everything.

61. Some things you learn from just being in movies, so I see what's getting done, how it's getting done. I know what making a film is going to take, how much time. I almost don't even think about it. If I'm in a movie, I can sense if something is not quite right, if the rhythm is off.

62. I know it's important to give everybody as much freedom as you can so that they don't feel there are any limitations. With any mistake they could make, everything is fine. And then they're not afraid to try things or trust you when you say: "Look, let's try and go in this direction." That's very important with actors - and all other creative elements.

63. (on being cast in "The Deer Hunter") I talked with the millworkers, drank and ate with them, played pool. I tried to become as close to being a steelworker as possible, and I would have worked a shift at the mill but they wouldn't let me.

64. I just can't fake acting. I know movies are an illusion, and maybe the first rule is to fake it, but not for me. I'm too curious. I want to deal with all the facts of the character, thin or fat.What do you think of Robert De Niro's quotes?Feel free to comment and share this blog post if you find it interesting!

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