Kenan, the film's protagonist, on his emotional downward spiral. Nothing like a pretty girl and a nice car to obsess over.

Intern Andreas Streuli puts his academic pursuits of film and philosophy to work: an interpretation of Global Lens 2012 film TOLL BOOTH, (dir. Tolga Karaçelik, Turkey) tracing the emotional development of the protagonist, to look at the meaning of the film as a whole.

Despite being produced halfway around the world, we are confronted with a film with many parallels to our own lives— it is proof that cinema can be universally understood and appreciated.