"The age of independent travel is drawing to an end," said E.M. Forster back in 1920, when it had been increasingly clear for deca...des that the mass production inevitable in the late industrial age had generated its own travel-spawn, tourism, which is to travel as plastic is to wood. If travel is mysterious, even miraculous, and often lonely and frightening, tourism is commonsensical, utilitarian, safe, and social, "that gregarious passion," the traveler Patrick Leigh Fermor calls it, "which destroys the object of its love." Not self-directed but externally enticed, as a tourist you go not where your own curiosity beckons but where the industry decrees you shall go. Tourism soothes, shielding you from the shocks of novelty and menace, confirming your prior view of the world rather than shaking it up. It obliges you not just to behold conventional things but to behold them in the approved conventional way.LESSATTRIBUTION DETAIL »

I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unl...ike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.LESSATTRIBUTION DETAIL »

A writer is in danger of allowing his talent to dull who lets more than a year go past without finding himself in his rightful pla...ce of composition, the small single unluxurious "retreat" of the twentieth century, the hotel bedroom.LESSATTRIBUTION DETAIL »