Tag Archives: Stephen King

“You know, you talk a lot about writing for someone who doesn’t know much about it.”

That thought comes to me at least once a year; sometimes more, and here in the New Year the thought came early, and why not? It’s always true. Yes, I talk about it a lot. No, I don’t know much about it. You’d think perhaps I would by now, but no. I don’t know if it’s simple Zen as in “It’s always the first time” or an even more simple inability to learn. Maybe some of both. But then, I wasn’t the first to notice that “No one knows how to write a novel. They only know how to write the last one.” Well, maybe Stephen King. Isaac Asimov probably did, and Andre Norton is likely. There have to be exceptions. I’m definitely not one of them. In general, you learn to write the one you’re doing—if you’re lucky—and hope for the same on the next one.

There. Everything I know about writing a novel. Not much, is it? Short stories are about the same, just shorter and there are usually more of them. Which explains why I have so many false starts and almosts and not quites littering my hard disk. Some stories I haven’t yet learned how to write. Some I likely won’t live long enough to finish, and that’s just the way it is.

Sorry about the introspection; I get that way sometimes, and in the turning of the year doubly so. I think this was triggered by an incident at the last Flash Writer’s meeting, where someone, feeling a little less than confident, referred to a few of us present as “natural writers.” I have to beg to differ. For a start, I’m not a “natural” anything. I’ve only been writing thirty years in order to pass for one, and a polished story says nothing about how it got there, or that in order to complete a 500 word assignment I had to write 750 words and then cut out the ones that didn’t fit. Sort of like growing the birch tree before you attempt a canoe.

On that “natural” thing, I will admit to one exception: I can recognize a plot when I see one. Not as in “The Gunpowder” plot, but a narrative plot. At about age ten or so I had my grandmother convinced that I was psychic, all because I could watch a television show I’d never seen before and tell her what was going to happen before it did. It wasn’t paranormal, I just recognized the story plot, and most of the ones used on TV at the time weren’t that complicated. I was surprised that everyone couldn’t do it. Which does not mean I can necessarily plot well or easily, only that, after the fact, I’m reasonably sure that a piece has one.

So, on the first day of 2018, here’s me explaining, mostly to myself, what little I understand of the process. Clearly, I have a lot to learn. I hope to learn some of it in this New Year. I hope your New Year’s wishes fare better than mine are likely to do.

Note and Disclaimer: This review originally appeared in SF AGE back around 1998, and I’m not changing a word of it. I think of these as much as time capsules as reviews. Speculations that panned out or didn’t, hopes dashed, whatever, are par for the course of time.

In LEGENDS, Robert Silverberg has brought together eleven of
the most currently famous and best-selling authors in sf&f, each
telling a new story set in their own chosen milieu. It’s a great
idea in theory, and couldn’t have been easy to manage, yet manage
he has. Let’s see if the fox was worth the chase.
Stephen King leads with a new tale of Roland of Gilead and
his quest for the Dark Tower. In “Little Sisters of Eluria,”
Roland arrives at a dead town on a dying horse. Eluria is empty,
save for one dead body and an oddly marked dog. Or rather,
seemingly empty. After an attack my mutant monsters, Roland
awakens to find himself in the tender care of the Little Sisters
of Eluria, an order of hospitalers. Such care as would soon make
the tender mercies of the monsters look good by comparison.
King can always work the horror element, that’s a given, but
sometimes I don’t think he gets enough credit for the range he
shows, with more or less mainstream work like The Body or his
idiosyncratic take on a fantasy world with The Dark Tower
stories. Those tired of generic fantasy, who sometimes think
that’s all fantasy is, or can be, should really give this
series a try. Continue reading →