Produces a complete picture in frame in less than a minute. Does this
marketing slogan sound familiar? Maybe more so than you think. A little over
forty years before Edwin Land's landmark announcement of a camera that made
"A Finished Picture in 60 Seconds," a new style of camera-the tintype street
camera-was rapidly changing how people viewed and accepted photography.

For a new breed of itinerant photographers, gallery quality images were not the
desired goal. Instead, the objective was to make money by making pictures.
The allure and excitement of being handed an image mere moments after the
picture was taken, regardless of the image quality, kept people coming back for
more.

A secret to the rapid acceptance and success of tintype street photography
was the adaptation of "dry" plate technology for tintypes. Unlike the earlier
"wet" tintype process, "dry" photography did not require photographers to carry
a darkroom. The "dry" process also gave builders the freedom to design smaller
cameras that made it easier for photographers get closer to prospective
customers.

The rarely seen Quta Photo Machine is a fascinating example of one of the
more unusual tintype street camera designs - actually "bizarre" is a better word
to describe this ruggedly built little camera that made 2 x 2½-inch images.

The earliest reference for the camera is a 1902 U.S. patent (#697,624) filed by Herbert E. Hickox of Great Yarmouth, England. The patent illustrates a
two-part body design, similar to the pictured camera, but a simpler one-piece body was also offered. It is also believed that the "Popular" Automatic
Ferrotype Camera (one-piece body) appearing in Jonathon Fallowfield (England) catalogues was a Quta camera.

Although the actual production run is unknown, advertisements and pamphlets issued by the Quta Camera and Plate Company (New York) date from
1904 to 1907. These references indicate that the camera was primarily marketed and sold as a means to make money. A 1904-05 Gennert catalogue
listing states that, "The Quta Photo machine or instantaneous tin-type camera is a thoroughly practical and economical machine for seaside and picnic
work. It is extremely simple to operate, and as the finished photos can be delivered as fast as the sittings are made, it is naturally a cash proposition
and a money-maker." The reference also mentions that finished images could "readily be sold for 15 to 25 cents each."

Quta Model A, c.1906
French polished Spanish mahogany body

Quta Photo Machine, c.1904-11Quta Camera & Plate Company, NY

Speed, portability and simplicity were common advertising themes.If there is one desire more than another which everybody has nowadays, it
is the wish to go faster. Railways are increasing the speed of their trains, the steamboat lines are trying to hasten their steamers, and the same
tendency is manifest in all other directions. The world is on the rush today. In photography, the "QUTA" is speed's top note. - 1906 Quta pamphlet

Prospective Quta owners were also enticed by learning that the camera's portable size was ideal "for use at the seaside and other places of public
resort, such as Fairs, Summer Resorts, Excursions, Lawn Parties, Exhibitions, Bazaars, etc." As far as operational simplicity; "A child can learn to
operate it in two lessons, no previous knowledge whatever of photography being required."

It's unknown if the Quta Photo Machine lived up to the advertising hype. But regardless of its success or failure, this camera and others like it evoked
feelings of excitement and anticipation while waiting to see a picture in less than 60 seconds; the same feelings we get today when using a Polaroid or
digital camera.

In one smooth action, a fresh tintype was pushed into a recess
in the wood panel and positioned behind the lens. The plate was
then dropped into a developing bath located in the lower part of
the camera by pulling open a metal trap door.

The German Silver tank has two chambers; one
for developing and a second for fixing the image.

Quta opened (tilted) for
landscape format images.

Essentially, the two-piece design had a camera in the upper portion the body and storage for a developing bath and
spare magazine of plates in the lower part. Unhooking the upper half of the body (camera) allowed it to be rotated to
an upright position for "landscape" images.

To operate, a pre-loaded magazine with 36 tintype plates was placed inside a chamber located to one side of the lens.
After composing a picture on the amber colored ground glass, a wood panel (with the ground glass)
at the rear of the camera was slid sideways.