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30-12-08

To close up the year 2008 we have to the disappearance of Freddie Hubbard. Well hopefully 2009 will be a better year for musicians, writers, actors etc. You can read here the NYT obit by Peter Keepnews.

I got this email in my inbox this morning. It seems to me that 2008 is a hard year for all musicians, writers, actors haveing left us....

"I was just informed by a reliable source (John Handy) that the legendary flutist/saxophonist Prince Lasha passed away in Oakland, CA last night (Dec. 11). Many people will remember his own recordings (especially with Sonny Simmons) and his associations on records with Eric Dolphy, Elvin Jones and many others and in later years with Odean Pope. Lasha was born William Lawsha in Forth Worth, Texas on Sept. 10, 1929. Lasha (pronounced La-shay) went to school and was a boyhood friend of Ornette Coleman."

13-12-08

Omar Clay, a respected jazz drummer and teacher who recorded with dozens of prominent musicians - among them Sarah Vaughan, Charles Mingus, Horace Silver and Marian McPartland - died Dec. 4 in San Francisco of complications from Lou Gehrig's disease. He was 73.

A valued player on the New York jazz scene in the 1960s and '70s, Mr. Clay was featured in master drummer Max Roach's all-percussion ensemble M'Boom, playing marimba, tympani, timbales and xylophone. He was equally at home working with singer Ernestine Anderson and hard-blowing saxophonists like David "Fathead" Newman, Frank Foster and Gene Ammons. During the day, he taught at New York's High School of Music and Arts.

"Omar was one of the great drummers," said fellow percussionist Eddie Marshall, who praised Mr. Clay's clean playing and steady ride-cymbal beat. "He was really a traditionalist. He was a total team player. He never showed off. He didn't thrash, but he swung."

Pianist Larry Vuckovich, who played and recorded often with Mr. Clay in recent years, put it this way: "Omar was one of the most serious, dedicated drummer-percussionists, possessing a wide range of knowledge, not only of jazz but of classical music, both of which he taught. His jazz drumming roots came from the Kenny Clarke bebop style, but expressed a feeling beyond the bebop era, including a strong affinity for Latin music and other world music forms. On the bandstand, Omar held to a very high standard, and at the same time was very supportive and tuned into the other musicians."

Born in St. Louis, Mr. Clay grew up in Steubenville, Ohio. He had a keen ear for classical music, listening to the Russians Shoshtakovich and Rachmaninoff. He got a scholarship to study music at Xavier University in New Orleans but left after a semester to join the Army. He played drums in an Army jazz band stationed in Germany, then got a bachelor of music degree at the University of Michigan. He played and taught in New York for nearly 20 years, working in jazz clubs and in the Broadway pits orchestras for "Raisin" and "Guys and Dolls."

Mr. Clay moved to California in 1979, first to the Monterey and then San Francisco, where he performed with various groups and got a master's degree in music education at San Francisco State University. He taught around the Bay Area until becoming music director at Tamalpais High School in Mill Valley, where he also coached the golf team for a spell. He retired in 2000 but continued to perform, tour and golf.

Mr. Clay is survived by his longtime companion, Barbara Chew of San Francisco; his mother, Elnora Jackson of Akron, Ohio; and a daughter, Wanda Davis of Hayward.

A memorial is being planned for January.

The family requests donations be made in Mr. Clay's memory to the Forbes Norris ALS Research Center, 2324 Sacramento St., Suite 111, San Francisco, CA 94115; the music department at Tamalpais High School, 700 Miller Ave., Mill Valley, CA 94941; or the VA Medical Center, 4150 Clement St., San Francisco, CA 94121.