Tuesday, 18 April 2017

The Handmaiden is on its way into UK cinemas right now. It seems to be getting a great deal of attention and a decent pushing marketing push so hopefully if you're interested in seeing it, you should be able to find it in a cinema near you.

Here's a snippet of my review...

Erotic, emotionally charged and unsurprisingly laced with a splatter of torture, The Handmaiden
is a return to both Chan-wook’s thematic preoccupations and native
Korean language after his English language debut, the wonderfully eerie Stoker.Told in three parts, The Handmaiden
is no step back for the auteur, even if it not only repeats itself in
its own internal structure, but also traverses similar territory to his
previous films. The three parts are central to the twists in the story
as Korean thief Sookee is employed to be the handmaiden of Japanese
heiress Hideko in part one. Sookee is actually in the employ of a fake
Count who is keen to swindle Hideko out of her fortune by seducing and
marrying her and then having the poor woman driven mad and locked up in
an asylum. Sookee’s job is to convince Hideko that she really does love
the Count, and in return Sookee will receive a portion of the fortune.
But when Hideko and Sookee start to feel a growing lust and affection
for each other, allegiances are tested...

A Dark Song seems to be floating around the place recently with a limited release. If you want to see Steve Oram as you've never seen him before, give it a chance.

Here's the gist of it:

Sophia
(Catherine Walker) lost her son three years ago and is now determined
to make contact with him by hiring alcoholic occultist Joseph Solomon
(Steve Oram). When we meet Sophia, she is forking out a large amount of
cash for a secluded old house in the Welsh countryside and asking the
letting agent for privacy. Soon, Mr Solomon (as he is strictly to be
called) arrives and the torturous process of invocation can begin.
Sophia has been prepped for the difficulties that lie ahead, but is
fully committed to submitting to Mr Solomon’s authority and abuse as he
has assured her that she will be able to speak to her son again.