Name

Year

Credit

credited As

Warning: Invalid argument supplied for foreach() in /media/www/hollywood/Web/releases/20150325105258/vendor/doctrine/common/lib/Doctrine/Common/Annotations/FileCacheReader.php on line 202
Warning: Invalid argument supplied for foreach() in /media/www/hollywood/Web/releases/20150325105258/vendor/doctrine/common/lib/Doctrine/Common/Annotations/FileCacheReader.php on line 202
Warning: Invalid argument supplied for foreach() in /media/www/hollywood/Web/releases/20150325105258/vendor/doctrine/common/lib/Doctrine/Common/Annotations/FileCacheReader.php on line 202
Thor Review

By:
Daniel Hubschman
May 04, 2011

The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.

Perennial single guy Jerry Seinfeld finally threw in the towel Christmas Day, wedding public-relations executive Jessica Sklar in a small, hush-hush ceremony in New York City.
It is the first marriage for Seinfeld, 45; the second (in 18 months) for Sklar, 28. The bride's initial husband-and-wife teamup (with theater scion Eric Nederlander) ended when she started dating Seinfeld weeks after she returned from her 1998 honeymoon.
Seinfeld is, of course, best known for his long-running self-titled TV sitcom, "Seinfeld." Sklar is best known for dating Seinfeld.
According to the New York Post, some 40 guests watched the couple exchange their vows at a traditional Jewish service. Not among those 40 guests: the groom's ex-"Seinfeld" cohorts Jason Alexander, Julia Louis-Dreyfus and Michael Richards.
Comedian George Wallace served as best man. In the New York Daily News, Wallace described his toast to the newlyweds as "very dark and burnt."
No word on honeymoon plans.
OBITUARY: Curtis Mayfield, who composed the seminal score for the 1972 blaxploitation classic, "Superfly," died today at an Atlanta hospital. He was 57.
Mayfield had been paralyzed since 1990, when he was struck on stage by a lighting rig. In declining health, the songwriter/performer was considered too ill to attend his induction this past January in the Rock and Roll Hall of Fame.
In addition to his work for "Superfly," Mayfield's catalog of hits included: "What's Going On" (recorded by Marvin Gaye) and "Say It Loud--I'm Black and I'm Proud" (made famous by James Brown).
MORE TROUBLE: Sometime-actor/always-in-trouble Dennis Rodman ("Double Team") was arrested Dec. 22 in Southern California on suspicion of drunken driving.
The ex-basketball star remains free on $2,500 bail. He was booked in Costa Mesa, Calif., after being stopped by police for allegedly not wearing a seat belt. Rodman's problems mounted when, according to authorities, he failed a field sobriety test. Cops were said have been tipped off to Rodman's reputedly tipsy behavior by security officials at a local restaurant/bar.
This is Rodman's third arrest in four months. Charges in the previous three cases--including a Miami Beach catfight with ex-wife Carmen Electra--were either dropped or not pursued.
Rodman was last seen on a basketball court in April with the Los Angeles Lakers. He will next be seen on the movie (or straight-to-video) screen in "Cutaway," with Tom Berenger.