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Virtually all studies of Hittite festivals have focused on philological issues and the cultural and religious background of the festivals (Hattic, Hittite, Luwian, Hurrian, or Mesopotamian). Studies of the roles of the participants, the political ramifications of festivals, the sensorial experience of participants, and other aspects of Hittite festivals remain unexamined. Taking the festival celebrations and sacred landscape of the Hittite capital of Hattusa as its points of departure, this talk examines the sociopolitical aspects of Hittite festivals and how spectacle was used to display and contest power in the Hittite court.