A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.

In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, high-tech architecture is, of course, no different in spirit -- if totally different in form -- from all the romantic architecture of the past.