Tag: poetry

All fours is on the shortlist for the Wales Book of the Year 2018 in the Poetry in English category!

The poems in All fours were recently described as ‘ludic, perplexing and roaming’ in a review in the TLS by Leaf Arbuthnot. ‘Profane, charismatic and at times infuriating, Nia Davies’s poetry glitters above all thanks to its energy’ she writes.

All fours is available from the Bloodaxe website. Wales Book of the Year will be announced on the 26th of June.

A hybrid poetry experiment in the world of Instagram, ‘Instant Triangle’, is included in the very first edition of MAI Feminism journal. This writing and collage explores the triangular gaze of desire on social media.

New media and digital forms offer poets and artists many original ways to answer the question: what is poetry? Over on the Literature Across Frontiers website I report from a festival that explores this enquiry into contemporary poetry and art – Oslo Poesifilm Festival 2016.

Çekoslovakyalılaştıramadıklarımızdanmısınız or Long Words by Nia Davies is out now from Hafan Press’s Boiled String Chapbook series.

To get a copy for £9.50 (and free postage!) visit this page to use PayPal. Or send your terrestrial address to t.cheesman@swansea.ac.uk AND £9.50 by cheque to SWANSEA BAY ASSG.

Inspired by the Turkish tongue-twister Çekoslovakyalılaştıramadıklarımızdanmısınız (Are you one of those we tried to make to be originating from Czechoslovakia?), the poems in this chapbook take their titles from the English translations of long words in various languages. These are words that can (barely) be translated as: ‘For those who were repeatedly unable to pick enough of small wood-sorrels in the past’, ‘To the least able to be making less understandable’, ‘For your [plural] continued behaviour as if you could not be desecrated’.

In the gaps between what we say and what we mean, between one language and another, Nia Davies finds such figures and motifs as contemptible palaeontologists, collective farms, the murdered women in Bolaño’s 2666, the never-ending suffix, dusty chickens, Estonian palindromes, ‘splitters gurning on white cream’, lies, drunkenness and the tortured question ‘what is poetry?’:

communication is not the aim of poetry
poetry is not the aim of communication
it gets in the way though somehow doesn’t it?

These are poems written in the shadow of the untranslatable/unconscious ‘fossil inside’.

My new sequence of poems Çekoslovakyalılaştıramadıklarımızdanmısınız or Long Words features poems with titles taken from the English translations of long words in various languages. Extracts have been published so far in the following online magazines:

– for your [plural] continued behaviour as if you could not be desecrated (Hungarian)
– also for those who have turned like counterrevolutionaries (Georgian)
– for those who were repeatedly unable to pick enough of small wood-sorrels in the past (Lithuanian)
– to the least able to be making less understandable (Czech)

– a dusty place where chickens usually groom themselves (Tagalog)
– [two] people trying to scatter pretended lies with each other (Tagalog)
– when our resentments will have (Hebrew)
– are you one of those people whom we couldn’t make to be originating from Czechoslovakia? (Turkish)

My hands, I mean my head,
Curlessness, the sandal of the lady,
I coat my shoulder
Sleeve is taken away!
I prefer physical exercise in the garden of loneliness
Doctor narrated as a story the mountains of criss cross.
Don’t ask me if this is my poetry.
Are you the rower who is going to rob my life from me?
You are more lethal than cane.
Who do this sprouting?
I climbed death,
I more than a wound you can wind me.
My loneliness glasses have been shattered!
I wanted to be made available.
I am not like other autumn scissors.

This poem is brought to you by the interpreters of the Niniti International Literature Festival. I took part in the festival and the Reel Iraq translation workshop in Shaqlawa and Erbil in Kurdistan, Iraq last month. My blog about how understanding, misunderstanding and communication figure in the art of poetry translation is up on the Reel Festivals website. I am incredibly grateful to Reel and to all the people who made this encounter happen. You can read the blog here.

Found in translation at the Niniti International Literature Festival, Erbil, Iraq

Today I travel to Erbil in Kurdistan in Iraq to take part in a translation workshop and the Niniti Literature Festival. The trip is organised by the remarkable Reel Festivals in collaboration with Art Role and the British Council.

You can read more about the trip here including who’s taking part on the Reel website. Look out for blogs from the participants, including myself.

Some things I have been reading/watching in translation in order to learn something about the region:

– The Iraqi Christ – short stories (stories of stories) by Hassan Blasim, translated into English by Jonathan Wright

– Poems from the last Reel Iraq festival workshop by several Iraqi poets translated into English by a group Scottish poets and performed at the festival in London last year. Plus blogs from the participating poets.

Command Plus is the inaugural show of the & / project. It brings together art, text, poetry and design by a web of collaborators, Molly Morin, Nia Davies, Nora O’ Murchú and Alice Poulalion, creating a cycle of interactive work and response that confounds the distinction between text and image. This mingling becomes especially potent in this online space, where images and text must first be transformed into code in order to populate a virtual, visual space. Visit the exhibition http://andorproject.com

The &/ Project

&/ (And Or) is a digital space reimagining the relationship between art, interpretation, exhibition, and theory. &/ are a collective of three: artist, art writer and art historian. Instead of being guests in each other’s domains, they have generated a collaborative space. &/ is both an online exhibition project and itself an investigatory work, inviting collaborators and commissioned contributors to critically experiment with the internet and reconsider the interaction between printed matter and the work of art. The &/ project launched its online exhibition space in February 2014. They present two to three shows per year in collaboration with artists, art writers and web designers. &/ is curated by Isabella Streffen, Sarah Archino and Siofra McSherry.