An origin belief, or creation myth, is a supernatural story or explanation that describes the beginnings of humanity, earth, life, and the universe (cosmogony). [1]

Origin beliefs are mytho-religious stories which typically explain the beginnings of the universe as a deliberate act of "creation" by a supreme being.

The term creation myth is sometimes used in a derogatory way to describe stories which are still believed today, as the term myth may suggest something which is absurd or fictional. While these beliefs and stories need not be a literal account of actual events, they may yet express ideas that are perceived by some people and cultures to be truths at a deeper or more symbolic level. Author Daniel Quinn notes that in this sense creation myths need not be religious in nature, and they have secular analogues in modern cultures.

Many accounts of creation share broadly similar themes. Common motifs include the fractionation of the things of the world from a primordial chaos (demiurge); the separation of the mother and father gods; land emerging from an infinite and timeless ocean; or creation ex nihilo (Latin: out of nothing).

Some religious groups assert that their accounts of creation should be considered alongside, supersede, or even replace scientific accounts of the development of life and the cosmos. This assertion has proven highly controversial (for one example, see creation-evolution controversy).

The Ainu people of Hokkaidō recount the demiurge with a cosmology consisting of six heavens and six hells where gods, demons, and animals lived. Demons lived in the lower heavens. Amongst the stars and the clouds lived the lesser gods. In highest heaven lived Kamui, the creator God, and his servants. His realm was surrounded by a mighty metal wall and the only entrance was through a great iron gate.

Kamui made this world as a vast round ocean resting on the backbone of an enormous trout. This fish sucks in the ocean and spits it out again to make the tides; when it moves it causes earthquakes.

One day Kamui looked down on the watery world and decided to make something of it. He sent down a water wagtail to do the work. By fluttering over the waters with its wings and by trampling the sand with its feet and beating it with its tail, the wagtail created patches of dry land. In this way islands were raised to float upon the ocean.

When the animals who lived up in the heavens saw how beautiful the world was, they begged Kamui to let them go and live on it, and he did. But Kamui also made many other creatures especially for the world. The first people, the Ainu, had bodies of earth, hair of chickweed, and spines made from sticks of willow. Kamui sent Aioina, the divine man, down from heaven to teach the Ainu how to hunt and to cook.

According to Hmong tradition, a long time ago the rivers and ocean covered the Earth. A brother and sister were locked in a yellow wooden drum. The Sky People looked out and saw the Earth. Everything was dead. Only a yellow wooden drum was left on the water.

"Punch holes in the Earth so the water will drain away," said the King above the Sky.

The water went down. Finally, the drum bumped against the ground. The brother and sister came out of the drum and looked around. Everything was dead.

"Where are the people?" asked the sister.

But the brother had an idea. "All the people on Earth are gone. Marry me, we can have children."

"I can't marry you, we are brother and sister."

But he asked her again and again and she said, "No."

Finally the brother said, "Let's carry the grindstones up the hill and roll them into the valley. If the stones land on top of each other, then you shall marry me."

The sister rolled her stone and then, as soon as the brother rolled his stone he ran as fast as he could down the hill and stacked the stones on top of each other.

When the sister saw the stones she cried. Finally she said, "I will marry you, because it was meant to be."

A year later the wife gave birth to a baby, but the baby was not a real baby. It had no arms or legs. It was just round like a pumpkin. The husband cut it up and threw the pieces away. One piece fell on the garden and it became the "Vang" clan because "Vang" sounds like the word for "garden" in Hmong. One piece fell on the goat house. Some pieces fell on the leaves and grass and they became the other Hmong clans. The Nhia, Mhoua, Pao, Ho, Xiong, Vue, and so on.

The next morning the village was full of houses. Everyone came to the husband and wife and said, "Mother and father, come have breakfast with us."

The husband said to his wife, "I asked you to marry me because all the people on Earth were dead. Now these people are our family -- our sons and daughters."

There were heavenly ones in the sky domain. JoMulJu created everything in the universe, and the heavenly ones had their own kingdom. The son of the Supreme Being (JoMulju) came to the Earth with ministers (people and animals) who control wind, water, fire, etc, to govern the Earth, as he is in fact a human being as well as some kind of deity. A bear and a tiger wished to become humans. They prayed to the Supreme Being, and he gave them 20 cloves of garlic and a handful of mugwort, and told them to live in a dark cave for 100 days. The bear was patient enough to withstand the hardship of the cave and the starvation, but the tiger failed at the last minute and ran out of the cave. The bear became a girl and wanted to have a child, so the son of the Supreme Being married her. The son was Dangun who established the kingdom of Korea.

The traditional account of creation by the Mansi people of Siberia involved two loons which dove to the bottom of primeval waters to retrieve a piece of the bottom and placed it on top of the water. From there the Earth grew. After a time, at the behest of his daughter, the spirit of the sky ordered his brother, the spirit of the lower world to create humanity. His brother made seven earthy, clay figures and which were quickened by the gods' sister, Mother Earth.

There is no singular Mongol account of the creation and the beginning of the world, but from a variety of accounts from Mongol tribes of Central Asia, a general outline can be made. The creation of the world is attributed to a lama named Udan who is sometimes also conflated with God or Buddha Sakyamuni by the tribes influenced by Tibetan Buddhism. The primordial world is usually described as being covered in darkness with no separation between earth and sky. The construction of the cosmos proceeds in a variety of fashions. One account describes ninety-nine golden columns holding apart the sky and earth. In this description the world has three stories, the upper one being heaven where gods and goddesses live, the middle one being earth where man dwells, and the lower one being the place where man goes after death; heaven (sky) is the father and earth is the mother of man, animals, etc. Another narrative recounts that when the creator divided the heaven and earth he created a nine-story heaven, a nine-story earth, and nine rivers. In some accounts, the world first was a vast ocean, but dust and sand rose to cover the ocean surface and become earth. In another account, the land is placed on the back of a golden frog who was pierced with arrows causing fire and water to spew from him at various places

After the creation of the Earth itself, the first male and female couple were created out of clay. They would become the progenitors of all humanity. The various tribes and peoples were placed there with different characteristics. In the north, the men were paired with ewes as sexual mates and this was the spawn of the Mongol ethnicity while the Han Chinese were the spawn of hens while the Dorbed and the Buryat recount that they are the descendants of a coupling between hunters and Swan Maidens.

Another account tells that in the beginning, seven suns rose in the sky so that the rivers and vegetation on earth dried up, so the people asked the archer Erkei-Mergen to shoot the suns out of the sky. The archer shot down six, but while he was taking aim at the seventh a martin flew in front of the sun and was shot in the tail. From then on, the martin had a forked tail and there was a single sun remaining in the sky. The archer was so distressed that he fled to the steppe, cut off his thumbs in shame, and became the ancestor of the marmot.

The Oroks traditionally interpret the presence of sundogs such as this to be evidence that three distinct suns used to reside in the sky. The remaining present-day sun is located outside of the picture to the right.

OROK

The traditional creation narrative of the Orok people of Sakhalin begins with three suns shining in the sky. The earth was completely liquid, but the liquid was slowly diminishing and the earth was hardening. Under the heat, cliffs and stones boiled. At that time, on earth there were no living creatures except the family of a man named Hadau. When the earth hardened, Hadau shot arrows at two suns first killing the older sister sun with one arrow, and then the younger sister sun with another leaving only the middle sun. Sundogs are said to be the visible shadows of the two earlier suns, as if imprints of one on each side. After this, Hadau created a family of eagles and a family of ravens. Therefore upon seeing an eagle on a hunt, the Oroks call him their elder (grandfather). The flight of these birds allowed people to be dispersed across the Earth.

The god Izanagi and goddess Izanami churned the ocean with a spear to make a small island of curdled salt. Two deities went down to the island, mixed there, and bore main islands, deities, and forefathers of Japan.

Tao is the nameless void, the mother of the Ten Thousand Things. Tao is considered by Laozi to be that which eternally gives without being depleted, and eternally receives without being filled. That which does not exist for its own sake is able to endure.[2]

Taoist philosophy appears relatively late in Chinese history. In it, Tao is described as the ultimate force behind the creation. With tao, nothingness gave rise to existence, existence gave rise to yin and yang, and yin and yang gave rise to everything. Due to the ambiguous nature of this myth, it could be compatible with the first myth (and therefore say nothing). But it could, like its antithesis, be explained in a way to better fit the modern scientific view of the creation of universe.

Another view is the relatively late myth of Pangu. This was an explanation offered by Taoist monks hundreds of years after Laozi; probably around 200 CE. In this story, the universe begins as a cosmic egg. A god named Pangu, born inside the egg, broke it into two halves: The upper half became the sky, the lower half became the earth. As the god grew taller, the sky and the earth grew thicker and were separated further. Finally the god died and his body parts became different parts of the earth.

ZEN

Everything and nothing are all interconnected, inseparable, a whole. Zen denies that the person is the

first cause. If it speaks of origins at all, it says that the ground of being is the real first cause.

In the beginning , the heavens and earth were still one and all was chaos. The universe was like a big black egg, carrying Pan Gu inside itself. After 18 thousand years Pan Gu woke from a long sleep. He felt suffocated, so he took up a broadax and wielded it with all his might to crack open the egg. The light, clear part of it floated up and formed the heavens, the cold, turbid matter stayed below to form earth. Pan Gu stood in the middle, his head touching the sky, his feet planted on the earth. The heavens and the earth began to grow at a rate of ten feet per day, and Pan Gu grew along with them. After another 18 thousand years, the sky was higher, the earth thicker, and Pan Gu stood between them like a pillar 9 million li in height so that they would never join again.

When Pan Gu died, his breath became the wind and clouds, his voice the rolling thunder. One eye became the sun and on the moon. His body and limbs turned to five big mountains and his blood formed the roaring water. His veins became far-stretching roads and his muscles fertile land. The innumerable stars in the sky came from his hair and beard, and flowers and trees from his skin and the fine hairs on his body. His marrow turned to jade and pearls. His sweat flowed like the good rain and sweet dew that nurtured all things on earth. According to some versions of the Pan Gu legend, his tears flowed to make rivers and radiance of his eyes turned into thunder and lighting. When he was happy the sun shone, but when he was angry black clouds gathered in the sky. One version of the legend has it that the fleas and lice on his body became the ancestors of mankind.

The Pan Gu story has become firmly fixed in Chinese tradition. There is even an idiom relating to it: "Since Pan Gu created earth and the heavens," meaning "for a very long time." Nevertheless, it is rather a latecomer to the catalog of Chinese legends. First mention of it is in a book on Chinese myths written by Xu Zheng in the Three Kingdoms period (CE 220-265). Some opinions hold that it originated in south China or southeast Asia.

There are several versions of the Pan Gu story.

Among the Miao, Yao, Li and other nationalities of south China, a legend concerns Pan Gu the ancestor of all mankind, with a man's body and a dog's head. It runs like this: Up in Heaven the God in charge of the earth, King Gao Xin, owned a beautiful spotted dog. He reared him on a plate (pan in Chinese ) inside a gourd (hu, which is close to the sound gu ), so the dog was known as Pan Gu . Among the Gods there was great enmity between King Gao Xin and his rival King Fang. "Whoever can bring me the head of King Fang may marry my daughter, " he proclaimed, but nobody was willing to try because they were afraid of King Fang's strong soldiers and sturdy horses.

The dog Pan Gu overheard what was said, and when Gao Xin was sleeping, slipped out of the palace and ran to King Fang. The latter was glad to see him standing there wagging his tail. "You see, King Gao Xin is near his end. Even his dog has left him," Fang said, and held a banquet for the occasion with the dog at his side.

At midnight when all was quiet and Fang was overcome with drink, Pan Gu jumped onto the king's bed, bit off his head and ran back to his master with it . King Gao Xin was overjoyed to see the head of his rival, and gave orders to bring Pan Gu some fresh meat. But Pan Gu left the meat untouched and curled himself up in a corner to sleep. For three days he ate nothing and did not stir.

The king was puzzled and asked, "Why don't you eat? Is it because I failed to keep my promise of marrying a dog?" To his surprise Pan Gu began to speak. "Don't worry, my King. Just cover me with your golden bell and in seven days and seven nights I'll become a man." The King did as he said, but on the sixth day, fearing he would starve to death, out of solicitude the princess peeped under the bell. Pan Gu's body had already changed into that of a man, but his head was still that of a dog. However, once the bell was raised, the magic change stopped, and he had to remain a man with a dog's head.

He married the princess, but she didn't want to be seen with such a man so they moved to the earth and settled in the remote mountains of south China. There they lived happily and had four children, three boys and a girl, who became the ancestors of mankind.

The Bakuba account of demiurge is as follows. Originally, the Earth was nothing but water and darkness. Mbombo, the white giant ruled over this chaos. One day, he felt a terrible pain in his stomach, and vomited the sun, the moon, and the stars. The sun shone fiercely and water steamed up in clouds. Gradually, the dry hills appeared. Mbombo vomited again, this time the trees came out of his stomach, and animals, and people , and many other things: the first woman, the leopard, the eagle, the anvil, monkey Fumu, the first man, the firmament, medicine, and lighting. Nchienge, the woman of the waters, lived in the East. She had a son, Woto, and a daughter, Labama. Woto was the first king of the Bakuba.

There were at least three separate cosmogenies in Egyptian mythology, corresponding to at least three separate groups of worshippers.

The Ennead, in which Atum arose from the primordial waters (Neith), and masturbated to relieve his loneliness. His semen and breath became Tefnut (moisture) and Shu (dryness), respectively. From Shu and Tefnut, were born Geb (earth), and Nut (sky), who were born in a state of permanent copulation. Shu separated them, and their children were Ausare (Osiris; death), Set (desert), Aset (Isis; life), and Nebet Het (Nephthys; fertile land). Osiris and Isis were a couple, as were Nepthys and Set.

The Ogdoad, in which Ra arose, either in an egg, or a blue lotus, as a result of the creative interaction between the primordial forces of Nu/Naunet (water), Amun/Amunet (air), Kuk/Kauket (darkness), and Huh/Hauhet (eternity). Ra then created Hathor, his wife, with whom they had a son, Hor (Horus; in the form known as Horus the Elder), who was married to Isis. This cosmogeny also includes Anupu (Anubis) as lord of the dead, amongst others.

The third group, for whom Ptah was eternal and everlasting, and he spake the world and all the gods into existence, in a similar manner to Judao-Christian belief about their concept of God. Over time, the rival groups gradually merged, Ra and Atum were identified as the same god, making Atum's mysterious creation actually due to the Ogdoad, and Ra having the children Shu and Tefnut, etc. In consequence, Anubis was identified as a son of Osiris, as was Horus. Amun's role was later thought much greater, and for a time, he became chief god, although he eventually became considered a manifestation of Ra.

For a time, Ra and Horus were identified as one another, and when the Aten monotheism was unsuccessfully introduced, it was Ra-Horus who was thought of as the Aten, and the consequent cosmogony this inspired. Later, Osiris' cult became more popular, and he became the main god, being identified as a form of Ptah. Eventually, all the gods were thought of as aspects of Osiris, Isis, Horus, or Set (who was by now a villain), indeed, Horus and Osiris had started to become thought of as the same god. Ptah eventually was identified as Osiris.

A late version of the narrative has it that the Supreme Being (God) was Atum-Raa and he uttered the words of creation to create the Primordial water of Nu (The celestial Ocean) Naunet. Naunet contained everything in embrionic form. From this, Atum-Raa uttered the words of creation to bring life into the world. This life took the form of an egg. From this egg came Raa, the light of God who caused all life to come into existence. Raa was represented by the Egyptian solar disk (also symbolised in Nordic, Germanic, Greek & Vedic tradition by a Sun chariot as well as referenced by biblical texts Elijah (prophet)). Raa, the light of God in nature, later became manifest on earth through the disc of the sun (eten) & appeared in the form of Dosher - the sunrise at the beginning of life on earth.

The Maasai of Kenya in their creation narrative recount the origin of humanity to be fashioned by the Creator deity from a single tree or leg which split into three pieces. To the first father of the Maasai, he gave a stick. To the first father of the Kikuyu, he gave a hoe. To the first father of the Kamba, he gave a bow and arrow. Each son survived in the wild. The first father of the Maasai used his stick to herd animals. The first father of the Kikuyu used his hoe to cultivate the ground. The first father of the Kamba used his bow and arrow to hunt.

The traditional creation narrative of the Mandinka people of southern Mali begins with Mangala, a singular, powerful being who is perceived to be a round, energetic presence. Within Mangala existed four divisions, which were symbolic of, among many things, the four days of the week (time), the four elements (matter), and the four directions (space). Mangala also contained two sets of dual gendered twins. Mangala was tired of keeping all of this matter inside, so the god removed it and compiled it into a seed. The seed was his creation of the world. The seed however did not hold together well and blew up. Mangala was disappointed with this and destroyed the world he created.

Mangala did not lose hope; the creator began again, this time with two sets of twin seeds. Mangala planted the seeds in an egg shaped womb where they gestated. Mangala continued to put more sets of twin seeds in the womb until he had 8 sets of seeds. In the womb, the gestating seeds transformed themselves into fish. The fish is considered a symbol of fertility in the Mande world. This time, Mangala's creation was successful. This is important, because it illustrates the idea of dual gendered twinship, an idea that permeates Mande culture.

Mangala tried to maintain this perfect creation, but chaos crept in; one of the male twins became ambitious and tried to escape from the egg. This chaotic character is called Pemba. He is a trickster figure whose first trick was to steal a piece of the womb's placenta and throw it down. This action made the earth. Pemba then tried to refertilize what was left of the womb, committing incest against his mother, the womb.

Mangala decided to sacrifice Pemba's brother Farro to save what was left of his creation. He castrated him and then killed him in order to raise him from the dead. Mangala took what was left of the placenta and transformed it into the sun, thus associating Pemba with darkness and the night. Farro was transformed into a human being and was taught the language of creation by Mangala. Farro's knowledge of words is very powerful and the tool he used to defeat Pemba's mischief. Farro and his newly created twins came to Earth and got married (not to each other). This is the basis for the foundation of exogamy in Mande.

Next, a being named Sourakata arrived from the sky with the first sacred drum, hammer, and the sacrificed skull of Farro. Sourakata began to play on the drum and sang for the first rain to come. Sourakata is a magical being who can control nature, and he taught Farro and his followers.