Panavision's Hugh Whittaker commented, "It was a logistically challenging show with a combination of 35mm anamorphic, Super 35mm, Panavision 65mm and a smattering of Red Epics. This at a time when we were servicing Dark Shadows, World War Z, Anna Karenina, Expendables 2 and Great Expectations, amongst others, out of the Panavision offices in London. Greig Fraser used our theatre extensively in the lens selection process. His crew would mount all the lenses on an Epic in the test room while he was able to sit with his AC- Chris Bain- in the theatre and evaluate each and every lens. Greig also spent some considerable time during prep with Dan Sasaki in Woodland Hills making tweaks to individual lenses."