2013: Assimilate: A Critical History of Industrial Music, Oxford University Press

2013: Flood, with Philip Sandifer, Continuum / Bloomsbury Academic

Articles and Chapters

2017: “Punking the Bibliography:RE/Search Publications and Subcultural History as Future,” in Ripped and Torn: Punk, Fanzines and Agency from 1976. Matthew Worley, ed., Manchester University Press (accepted)

2017: “’Let’s Make Love Before You Die’: How the Normal Modeled the 1980s in the 1970s,” in 40 Years of Mute Records: through Depeche Mode, Nick Cave, New Order and more. Zuleika Beaven, Marcus O'Dair, Richard Osborne, eds. (accepted)

2015: “Burning Down Freedom’s Road: The Strange Life of ‘Brown Baby,’” in This Is the Sound of Irony. Katherine L. Turner, ed., Ashgate Press

2014: "Post-punk," in Oxford Music Online

2014: Review of Japanoise: Music at the Edge of Circulation, in Journal of Popular Music Studies, vol. 26, no. 2

2011: “In C on its Own Terms: a Statistical and Historical View,” in Perspectives of New Music, vol. 49, no. 1

2008: “Lacan’s Mirror Stage Through Mutual Reference in the Works of Neil Gaiman and Tori Amos,” in ImageTexT, vol. 4, no. 1

2007: Review of Rip It Up and Start Again: Postpunk 1978-1984, in Popular Music and Society, vol. 30, no. 2

Articles Under Review

“What You Hear Is Not a Test: Shininess, the Genre Demo, and Early Hip-Hop”

2016: Guest Editor, Journal of Musicological Research (Special Issue: Music and the Occult)

2012 - present: Peer reviews for Journal for the Study of American Music, Music Theory Online, Consumption Markets & Culture, Arts In Action, ImageTexT, Oxford University Press, Cambridge University Press, Bloomsbury, The Art of Record Production conference