Tag s | Book Business

Writers expect good news … any day now. Is it the curse of eternal optimism? There is this hope within each writer that it will be their manuscript that is chosen for publication. And the money will rain on them like a spring shower.

Are these expectations realistic? Of course they are. It is the essence of hope. For without hope there is no reason to continue the pursuit of the craft. You have to believe that you have what it takes.

Are these expectations practical? Of course not. Who said the writing profession was practical? I had one client calculate her per-hour earnings and discovered her wage was less than half of the current minimum wage. It is like nearly every aspect of the arts (music, dance, design, painting, theater and writing); monetary compensation can be elusive.

Anticipation

I prefer the word anticipation instead of expectation. The difference is that if we anticipate good news, we are happy to receive it. But if we expect good news and don’t get it, then the disappointment can be terrible. It is a subtle difference; but one of the keys to surviving the soul-crushing writing profession is to manage your expectations and instead focus on the joy of anticipation.

Encouragement

My encouragement to you is to keep working hard. This industry can be tough, but if you learn to wait (click here) and prepare properly (click here), you will have earned the right to allow for the anticipation of good news coming your way.

Have you checked your copyright lately? I mean, have you actually gone to the US Copyright Office web site and searched for your registration? You might be surprised at what you won’t find. Here is the link to start your search.

Most publishing contracts have a clause that requires the publisher to register the copyright, in the name of the author, with the US Copyright Office. This is supposed to be done as part of the in-house paperwork process.

Every first-time author is confronted by the reality of “Reserves Against Returns” as part of publishing economics. It is usually a shock and elicits a phone call to their agent crying “What happened to my money?”

Did you realize that book publishing is the only “hard goods” industry where the product sold by the supplier to a vendor can be returned? This does not happen with electronics, clothing, shoes, handbags, cars, tires…you name it. If it is a durable good the vendor who buys it, owns it (which is why there are Outlet Malls – to sell the remaining inventory). Except for books. Somewhere along the line the publishers agreed to allow stores to return unsold inventory for credit. In one sense, publishers are selling their books on consignment. Bargain books are actually resold by the publisher (after getting returns or to reduce overprinted inventory) to a new specialty bargain bookseller or division of a chain (which buys the bargain books non-returnable).

To simulate how the book-to-film process really works, I waited five years to write this sequel to my original post on books and films. Experiences with book-to-film connections are a very real box of chocolates for authors ever since the opportunity to connect the two media debuted a hundred years …

I was amused when I recently received a note from an author who had decided I’m a human rather than an infallible goddess. Not sure if I should be glad or disappointed! Since many authors don’t interact with agents, let me dispel a few myths about us: 1) Myth: Authors …

When a published book is successful (sells well), the publisher and author begin pondering how to be successful again with the next book. Often times, the solution to the repeat-success puzzle in non-fiction is having a similar message but aimed at a different audience. You’ve seen it happen many times, …

The publishing world is divided between those who have read the slush pile and those who have not. If you have, then you can understand some of the cynicism and jaded eyes you see behind the glasses of an editor or an agent.

If you have not, then it is difficult to comprehend the unbelievable variety of ideas that can cross our desks.

While literary agents have been part of the publishing eco-system for decades, it wasn’t too many years ago agents in the Christian publishing market were rare. Fast forward to today when most of the larger Christian publishers require an author have an agent before they will consider publishing them. Before …

Two of the many complexities within book publishing are how often the book buyer and the book reader are different people and how books may sell only in limited locations. Some people read only what someone else buys for them. Some books sell primarily in one city at one retail …

“What’s the difference between promotion and self-promotion? How do we promote ourselves/our books so that we honor God, respect others, and use common sense?”

The constant tension between marketing and ministry has plagued the Christian author, speaker, bookseller and publisher forever. Why? Because Jesus threw the money changers out of the temple. Because we are commanded to die to self and to humble ourselves in the sight of the Lord….

And yet, our society…our culture insists, even demands, that we market and promote our message.