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Reviews have been around since anyone who has had an opinion feels the need to express it. If social media has taught us anything, it’s that people don’t mind expressing their opinion. When it comes to reviews of entertainment, including movies, TV show and video games, they can be invaluable to some people. You don’t want to rush out and see a movie everyone thinks is bad or pay $60 for a game that isn’t worth your hard-earned cash. However, this kind of raises an issue that bugs me a little. Do reviews have to matter so much?

What I mean by that is, do we as individuals with are own opinions have to put so much stock in what others think? Yes, some review entertainment as a profession and one would assume they have a professional advantage over how to convey why they like or dislike something. However, reviewers are the same as us: people with opinions. I am in no way trying to knock anyone who writes or records their opinion in the entertainment industry. I’m just trying to say we as people with our own opinions need to trust enough in ourselves to form our own

I fully admit that one of my favorite animated films is Tom and Jerry: The Movie, which hold an 18% on Rotten Tomatoes, and you know what, that’s cool. I still like the movie and its okay it doesn’t have the best reviews. I wish more people were open to this, but that’s not the world we live in.

When Batman V. Superman: Dawn of Justice finally debuted in theatres last March, it was met with scathing reviews. It currently holds a 27% rating on Rotten Tomatoes despite still taking in a lot of money at the box office. On my social media channel, I saw a lot of people echoing these reviews in the face of their followers, more or less relishing that the movie was poorly received, whether they saw it or not. However, I also saw a few people who liked the movies or thought it wasn’t so bad. It was interesting to see, in the face of such poor critical reception that some people were willing to voice their opinion.

This is something I find particularly interesting given the reception of last year’s Fantastic Four reboot. Not only did the film have terrible reviews, which were also echoed through social media, but it did very poorly at the box office. It shows that super hero films, regardless of the genre’s current popularity does not make any film immune to a box office bomb. It can be argued that Batman and Superman’s popularity superseded any review that said the movie was bad, but it’s certainly not guaranteed.

It’s not just about reviews influencing our opinion, however, but what the purpose of a review itself. Gamers is well-known for holding reviews to an extremely high regard. This can lead to some unfortunate events. The recently released Uncharted 4: A Thief’s End is one of the highest rated games of the year so far, but despite this, gamers were furious over a single review from the Washington Post. The review scored it four out of ten, which also knocked its Metacritic rating from 94 to 93. Fans were outraged, and there is even a petition online asking for Metacritic to remove the review. Keep in mind that this is in the face of dozens of perfect scores and more that glowing reviews.

This is a phenomena known as “hate out of ten.” The idea is gaming scores are so commonly high in general that anything eight or below is considered bad instead of good or averages. The higher profile the game, the more likely a low score will be controversial. Having a high score is seen as a status simple or easy justification on buying into a game’s hype, and nothing can take the wind out of your sails faster than a seemingly low score.

It’s also important to note is that critical acclaim does not equate to sales success, similar to how poor reviews don’t lead to failure. An example of this the game Okami on PS2, which holds a score of 93 on Metacritic did not sell well and in part led to the closure of its developer Clover Studios.

The point is, reviews are not a beacon of success or a shroud of failure. They are not meant to justify our entertainment decisions or allow us to troll others online for having the “superior” view. Reviews are the opinion of individuals, nothing more, nothing less. They are not represent fact and logic. We all have a voice, and it is completely alright to express our opinions, but we should not hold others to accept or relay our opinions. There is a vast world of entertainment out there, and not everything will be for everyone. We all have different opinions, and that is perfectly okay.

One thing I love about comics is the ability to tell stories with different types of genres, characters, settings, and art styles to create something unique, interesting, and hopefully entertaining. I can wholeheartedly say this about Power Up, a book that has a delightfully animated art style, along with a great cast and unique premise that makes it really entertaining. As far first issues go, this book hits it out of the park and makes me psyched for more.

Power Up stars Amie, a young woman with a normal job, a pet porcupine, and an easygoing lifestyle. While her job my be boring and her boss a little high-strung, she is perfectly content, friendly, and pretty dang lovable. Things get a little strange however when a flash blinding light and a mysterious intruder brings about a major change in her everyday routine.

One thing that stands out in Power Up, besides the awesome artwork of Matt Cummings, is the characters. This book has one of the most diverse cast of characters I’ve seen in a while. Not just racial and gender diversity, but characters with different body types as well; Amie herself is plus-sized. I believe that diversity and representation are never a bad thing; this may be a non-issue for some, but I certainly appreciate it.

Writer Kate Leth does a great job of making these characters seem real and easy to relate to. There’s a scene in the middle of the book where Amie explains her bus situation to her boss Karen. I really related to this, since I also commute to work and know how much of a pain it can be. The way characters address one another doesn’t feel stilted and there is a nice flow to the dialogue. It’s also nice that none of the characters feel one-dimensional. Amie’s boss Karen for instance my seem like a bit strict, but she’s not mean or uncaring. I love how a character like this can feel so layered in only a single issue of a comic.

Moving on to the artwork, to put it simply, it’s awesome! It has a very animated look to it with bright colors, simply drawn characters, and nice scenery. It really looks like it could be an animated series. This book looks really nice overall, especially on the tablet screen I read it on. The book is also really well-paced. A lot of this issue is setup the adventure likely to take place over the course of the series, but it never felt boring and I enjoyed pretty much every page of this issue.

I took a random shot at this book because I follow the writer on Twitter and the premise, while sounding a little silly, at least seemed interesting. I’m really happy I checked this out, because this is one of my favorite first issues in a long time. The characters are really likable, the artwork is fantastic, and the story is just really fun. I really can’t wait to read the next issue. I’d say give this book a try if you’re look for a fun, all ages friendly comic with really nice, animated artwork.

Hi everyone. It sure has been a while. I’m sorry I have not updated this or any of my personal blogs in quite some time. One of the reasons I started writing on WordPress is that I wanted to give my thoughts on subjects I really enjoyed. I really enjoyed Power Up, so I wanted to give my thoughts on it. I hope you enjoyed this review and hopefully I’ll be back again soon. I mean seriously, those My Little Pony comic reviews aren’t going to write themselves! Until then, take care!

Comic Written by Heather Nuhfer, Drawn by Amy Mebberson, Colored by Heather Breckel, Lettered by Neil Uyetake, and Edited by Bobby Curnow

Review by Andrew Mathieu

After being kidnapped and having her greatest fears consume her, Rarity has become the new Nightmare Moon. After having overcome the obstacles put before them in the last issue, Twilight, Princess Luna, Spike, and their pony friends must now try to save their lost friend from the clutches of darkness. However, with a legion of corrupted denizens at her disposal, Nightmare Rarity may not be so easy to overcome.

This issue, at its core, focused a small number of characters, and despite most of the ponies being in play, along with some nice cameos, they are mostly left by the wayside. The first half of the issue helps us get aquinted with the new Nightmare Moon as her friends must fight of both her and the various shadow creatures at her beck and call. Later the issue focus on Spike, as he tries his best to free Rarity, the pony he loves.

The dialogue from the ponies is spot on and true to each character, from Pinkie Pie’s attempt to free Rarity by telling an embarrassing story about her, to Fluttershy finding the beauty in one of the more grotesque creatures of the moon. The scenes in Ponyville where Princess Celestia attempts to prepare the town’s citizens for an impending attack help illustrate the threat of Nightmare Moon nicely. My main problem with this issue is the fact that Rarity as Nightmare Moon feels less groundbreaking to the ponies than I would have thought. The pacing of the story doesn’t allow for much reflection on the pony’s part, nor does it allow them to question how their friend could have possibly fallen to the evil specter from their past. The scenes featuring Spike are nice, showing just how much she cares for Rarity, as well as how resourceful the little dragon can be. It does run a little long, though, and doesn’t leave anymore room for Twilight and her friends before the issue comes to an end.

The artwork from Amy Mebberson, with the colors of the Heather Breckel, continue the colorful symphony of fun I continue to adore from this series. The characters look very animated and expressive, while the backgrounds are more mute and less important to the characters filling them. Nightmare Rarity is also very well designed, with the stylish hair and uptight demeanor making a nice contrast to her predecessor. The moon is a dark and dank place with its citizens matching the environments well, but the addition of the ponies (and dragon) help them dominate each panel. It’s a nice mixture that really drives home the ponies are not from this world, which is an impressive feat. Andy Price may be unbelievable meticulous in the minute details, but Mebberson and Breckel bring their own synergy to make the comic familiar to fans of the show, yet unique in their own colorful style.

My Little Pony: Friendship is Magic #8 is a nice continuation of a decent story. The setup has a ton of potential, but the end result is a lot less ambitious. Not a bad way for the story to go by any means, but nothing that really blows me away. The story is well told, the artwork continues to impressive, and the ending helps build anticipation for the grand finale. A good, just short of great, pony adventure.

Comic Written by Heather Nuhfer, Drawn by Amy Mebberson, Colored by Heather Breckel, Lettered by Neil Uyetake, and Edited by Bobby Curnow

Last issue saw the abduction of Rarity to the moon, as well as the surprise arrival of Princess Celesia and Princess Luna. With the help of a magic-infused lasso, Twilight, Spike, Pinkie, Dash, AJ, Fluttershy, and Princess Luna embark on a lunar adventure to rescue their friend. However, dark forces are at work and they’ll stop on nothing to hold the ponies progress to achieve their terrifying goal.

This issue features some nice characterization. The addition of Spike and Princess Luna, both of whom were largely absent from the previous story arc adds a some nice moments in the story. There’s an early moment between Spike and Twilight that perfectly captures their big sister/little brother vibe that’s a constant throughout the series. Luna, on the other hand, is an interesting character in general. Given her dark past and lack of social skills, she’s a polar opposite of her older sister, despite the fact they share the same kingdom. In this issue she’s seems surprisingly vulnerable despite her familiarity of her surroundings. It’s nice to see the ponies help Luna overcome her lack of confidence, and likewise see Luna guide the ponies as best she can on this dangerous adventure.

The artwork is the same colorful and lively look that has become a staple of this series for me. Even on the dark and dreary moon the ponies are able to make any environment lively with the varied color palettes. While Amy Mebberson’s artwork isn’t as meticulous as Andy Price before her, she makes up for it with a lot of character detail and a look that is, while similar in design of the animated series, has a nice tone and feel all its own. The colors from the amazing Heather Breckal help lend this world an amazing level of visual depth and clarity.

While the characterization is fantastic, the actual story in this issue is somewhat bland. Without spoiling too much, this issue goes into further detail of a sequence from last issue. While not outright bad, it does feel somewhat unnecessary and it feels like some moments were over before they started. Nevertheless it’s an interesting look at these characters and doesn’t ruin the issue as a whole, nor does it impact the shocking cliffhanger.

My Little Pony: Friendship is Magic #6 continues the series streak of great characters, blissfully colorful visuals, and self-contained entertainment. The story may not be as interesting as the characters in it, but the strength of the writing and artwork carry it to a finish.

Comic Written by Greg Pak, Art by Jae Lee and Ben Oliver, Colored by June Chung and Daniel Brown, Lettered by Rob Leigh, Edited by Rickey Purdin and Eddie Beaganza

Batman and Superman are two of DC’s greatest and most recognizable super heroes. Both have conquered various media outlets and are no stranger to each other. However, in this new series by Greg Pak, who makes his DC Comics debut, the heroes actually are strangers to each other. In the New 52, the heroes of the DC Universe are about five years into the world of super heroes, but in Batman/Superman #1, we are close to the beginning of that five years. Batman and Superman, as well as Bruce Wayne and Clark Kent, are complete strangers to each other. While these two individuals are heroes fighting on the side of justice, their idea of justice could not be more different. However, when events occur that effect both heroes, these two meet for the first time, and the results are both surprising and hightly entertaining.

Greg Pak absolutely nails the voices of these two heroes. Narration is provided from both characters point of view, and when they are together, it provides a clever back and forth giving us some real insight into how both characters think and react to a particular situation. It’s not just the polarity on display between the two characters, but the subtle similarities as well. Pak does a great job not only of informing us on who these characters, but enduring them to us as well. His voices for Superman and Batman are some of the best I can recall in any comic I’ve read either of them in. I have read Pak’s work before, but this is probably the best work of his I have ever read.

The artwork is phenomenal! I wasn’t familiar with Jae Lee before reading this, but he has gained a fan in me. The art is very cool and dynamic, with cool shadows effects and action that is easy to follow and really visceral. I like how neither Batman nor Superman are super buff and have more eloquent statures; It makes sense since they are younger. I also love the older costumes that they wear; this is my first time reading a comic with the denim jeans Superman and it’s a nice look. Ben Oliver, who I know from his early Batwing art, does the last few pages, and it’s pretty good as well. It’s a little jarring with a few close-ups that look a little awkward, but it meshes well enough with Lee’s work.

Batman/Superman #1 is one of the best first issues I’ve read for a New 52 comic in a very long time. Pak, Lee, Oliver, and company provide a fresh look for two timeless heroes that’s both enjoyable in its own right and provides a great addition to the world of the New 52. Having recently read both first issues of Batman: The Zero Year and Superman: Unchained, I can honestly say this is the one of best Batman or Superman comic issues I’ve read in a really long time. While I’ve had no real problem with either hero, I’ve never felt compelled to follow their solo adventures for one reason or another. This time, I’ve got no excuse. Pak has sold me on these characters like few other writers have, and I’m ready to dig in!

A new creative team and a new adventure for everyone’s favorite ponies!

Reviewed by Andrew Mathieu

Comic Written by Heather Nuhfer, Drawn by Amy Mebberson, Colored by Heather Breckel, Lettered by Neil Uyetake, and Edited by Bobby Curnow

After a wonderful first arc featuring great character work, amazing art, and the delightfully sinister villain in Queen Chrysalis, this ongoing series receives a changing of the guard with a brand new writer Heather Nuhfer, and artwork by series cover artist Amy Mebberson. The story begins with Twilight Sparkle being plagued with nightmares. After finding out her best friends, save for Spike, have also been plagued with similar nightmares, they all decide to have a sleepover at Pinkie Pie’s. However, evil forces are at work, one of the ponies is in major danger, and a visit from Equestria royalty ushers in a new adventure.

The issue as a whole is well written. Heather Nuhfer has a nice handle on all the ponies, especially Rainbow Dash. Dash gets a large amount of dialogue, making me believe the multicolored pony has a fan in Nuhfer. She’s mostly true to Dash’s character, but I don’t think Rainbow should be this talkative and random to the level of Pinkie Pie, something Pinkie amusingly comments on.

(Spoiler Alert: Skip following paragraph if you’d like to experience the story for yourself)

Another character Nuhfer writes well is the criminally underused Princess Luna. In the animated series, she has not gotten that much screen time, so it’s nice to have this comic arc utilize her to such a degree. Nuhfer’s Luna is somewhat subdued and somewhat reclusive, yet intelligent and authoritative. Her design definitely represents her nature with her dark color palette that is in stark contrast to the other ponies. I look forward to having her play a role in this story arc, and I think Nuhfer does a good job of fleshing her out.

On the artistic side, things are looking good. While Amy Mebberson’s art isn’t as detailed and intricate as Andy Price before her, it’s full of personality and a nice storybook quality. With less on the page, she’s able to give the characters some details in expression and movement. There is this one scene in the issue that looks into each pony’s personal nightmare, and some are absolutely heart wrenching, despite most only taking up a single panel on the page. Her style is very attractive, and the colors from Heather Breckel continue to make this one of the most pleasant-looking comics I read.

All in all, this story is off to a good start. Only time will tell if this arc can live up to the extremely high standards of the previous one, but I have high hopes. This wasn’t the best issue I’ve read, but it was still really good.

Katie Cook and Andy Price\ have completely delighted me with this ongoing comic book series. They’ve done more than just channel the fun and good will of the animated series through this serial; they’ve taken established stories and characters and have spun a very enjoyable story to a new format. For fans of the animated series or comic book readers looking for an all ages title that goes above and beyond the call, My Little Pony: Friendship of Magic is well worth a look.

As the fourth and final part of “The Return of Queen Chrysalis,” Twilight and her band of merry ponies march into the castle of the Queen to save the Cutie Mark Crusaders from the clutches of the changeling kingdom. Meanwhile, the magic enhancing Secretariat Comet is fast approaching, Queen Chrysalis springs her final trap, and a battle building since part two of “A Canterlot Wedding” finally comes to fruition.

Katie Cook has proven since issue one that she just gets these characters. Everypony sounds true to their animated counterparts, and Cook has done especially well with Queen Chrysalis and the Cutie Mark Crusaders. The Queen just exudes a charisma and personality that’s just too good to resist. The way she toys with Twilight and company is just funny to watch and read, making her one of the best elements of this whole arc. Meanwhile Apple Bloom, Sweetie Bell and Scootaloo are all handled remarkably well. Their constant banter has been pretty funny, and the fact that they can drive even Queen Chrysalis to near insanity is a testament to their enduring nature.

Once again, Andy Price and colorist Heather Breckel completely knock it out of the park in what is undoubtably the best looking issue so far. This issue is much darker than previous issues, but the colors are still vibrant. While the animated look is still intact, it’s the more striking and serious moments that stand out with excellent lighting, an insane amount of detail, and nice little visual touches that help make each panel feel like scenes rather than snapshots. One particular scene features a flash of lightning, causing Rainbow Dash, Applejack, and Rarity to protect Scootaloo, Apple Bloom and Sweetie Belle, respectively. The scene is memorable to me because each pony protects their filly in a different way: Dash flies Scootaloo to safety, AJ covers Apple Bloom using her whole body, and Rarity engulfs Sweetie Bell in her arms. Visual scenes like this are sprinkled throughout the whole issue, and it just gives the comic so much weight and charm. It’s easy to find something new if you read it again.

The highlight of the book is the visually spectacular battle between Twilight and Chrysalis, which just blew me away. It’s probably the most intense battle in Friendship is Magic, and that’s counting the cartoon. If there is one flaw with this issue, it’s that the battle feels is a little uneven. Without giving anything away, it’s a great one on one fight, but one that feels a little too short.

This issue closes out an amazing first arc to a great new comic book series. It also marks the (hopefully temporary) departure of writer and artist as a new duo will helm the next story arc. Even so, this was a great way to open a comic book based on such a beloved property. It introduces everyone’s favorite ponies to a whole new audience and entertainment format. This comic has been a lot of fun, and I can’t wait to read more!