The film addresses the issue of popular trade, especially the "informal" that creates jobs for many people excluded from the labor market but also creates urban problems related to the appropriation of public space, with its decline and marginalization, which are borne by local authorities displacing the dealers in the streets with measures of trade regulation and management of public space.

In the great American West, two men are lead to reconsider their lives, given new economic opportunities. Thanks to new extraction techniques, namely hydraulic fracking, North Dakota has been undergoing an unprecedented oil boom for the last ten years, which has lead to drastic changes, both individual and social. The local “homesteaders” watch their traditional way of life fade away, whereas newcomers arrive in this blessed area searching for jobs and a better way of life

Tensional and passionate journey through an area surrounded by clouds of smog. Its inhabitants' angers and dreams are accompanied by a nomadic intermittent radio.

An intoxicated city at an unsustainable level. Air, land and water all poisoned by the blasting furnaces of Ilva where coal is burned to produce steel. Ilva is the largest steel plant in Europe, and was built right next to Taranto’s suburbs nearly fifty years ago. The film is a surreal journey punctuated by bursts of hidden beauty and hypnotic sunsets by the waterfront.

This is a newly emerging subject which many people are still unaware of.

Who are these people who suffer from electro-hypersensitivity that the media talk about every now and again?

Having been made aware by a friend who had herself started to suffer from electro-hypersensitivity, the director of this film spent two years investigating and met about 60 people suffering from EHS all over France and even abroad; people who had become electro-hypersensitive to electromagnetic fields.

Twenty years ago this phenomenon did not exist, today it is worldwide..

Filmmaker and concerned father Jeremy Seifert is in search of answers about genetically modified organisms (GMOs) and how they affect our children, the health of our planet, and our freedom of choice. His journey takes him to Haiti, Paris, Norway, and even the front door of agrigiant Monsanto, the largest provider of GMOs in the United States, as he poses perhaps the ultimate question about what we eat: is it still possible to reject our current food system, or have we already lost something we can’t get back? GMO OMG is a timely, informative, entertaining, and ultimately insightful documentary about the question that’s a growing concern to citizens around the world: who controls the future of our food?

Hands-on profiles five women from four continents tackling climate change through policy, protest, education and innovation. The film powerfully demonstrates how women are transferring knowledge and local networks into hands-on strategies.

This 48-minute collaborative documentary offers unique perspectives across cultures and generations; A young woman challenges the expansion of oil rigs in the North Sea while a seasoned community organizer interprets satellite weather reports for fisherman struggling to survive on India’s increasingly volatile coast.

Immersion and friction between two human worlds at work. While a small group revives traditional bread-making in a hamlet in the Pyrenees, significant amounts of wheat are exchanged at international level by traders from the largest union of French agricultural cooperatives at their Paris headquarters. The movie sensitively intertwines these two contemporary French realities, contradictory and linked at the same time

In Quebec’s Kamouraska Valley, Patrice Fortier is putting down roots at his seed company, La Société des plantes. Like a copyist in the Middle Ages, he is meticulously preserving rare and forgotten cultivars with the goal of breeding the “heirlooms of the future.” As Patrice gardens, he daydreams and transforms his harvests into art projects. The seasons come and go, his patience and care express his passion and knowledge, and his seed bank grows. His tiny storehouses of life will eventually sprout in thousands of vegetable gardens around the world. At the centre of this paean to plant biodiversity and agricultural heritage is a unique, genetically motivated seed producer.

The desert extends endlessly – flat, grey, relentless. There is not a tree or blade of grass or rock. But there is one thing in abundance: salt. Salt is everywhere, lying just beneath the cracked, baked surface of the earth. This is the Little Rann of Kutch, 5000 sq kms of saline desert. And for eight months of the year, the salt people live here – laboriously extracting salt from this desolate landscape. They have been doing this for generations.

Year after year, for an endless eight months, thousands of families move to a desert in India to extract salt from the burning earth. Every monsoon their salt fields are washed away, as the desert turns into sea. And still they return, striving to make the whitest salt in the world.

An ecological community in the Bolivian Amazon is revealed: Candelaria Madidi Ecologico. By protecting one of the most biodiverse places in the world, they aim to create an alternative model of a society. Faced with political and ecological problems, they develop visions of amending the system and counteract the destruction of nature. The dream of a life apart from capitalism told by bolivian and indigenous people

In the forested depths of eastern Congo lies Virunga National Park, one of the most bio-diverse places on Earth and home to the planet’s last remaining mountain gorillas. In this wild, but enchanted environment, a small and embattled team of park rangers - including an ex-child soldier turned ranger, a caretaker of orphan gorillas and a dedicated conservationist - protect this UNESCO world heritage site from armed militia, poachers and the dark forces struggling to control Congo's rich natural resources. When the newly formed M23 rebel group declares war, a new conflict threatens the lives and stability of everyone and everything they've worked so hard to protect, with the filmmakers and the film’s participants caught in the crossfire.