So Mexico morphed into MOFO… and now it’s late January 2015. Anyways. Here is some documentation for what happened in Hobart, the Mexican samples will have to wait a little longer. I was in Hobart to do triple-Screen Video Projections … Continue reading →

Coming soon to WIDE OPEN SPACES, MAY 2-4, ALICE SPRINGS, 2014. A series of short live cinema interludes – (5-10 minutes each & performed during band changes, twice per night on Friday, Saturday and Sun.) Each live cinema piece will explore … Continue reading →

Let There be Light.. Winter in Tasmania isn’t an obvious time and place for a festival, but MONA isn’t your average museum / gallery. And so began in 2013, MONA’s DARK MOFO (Jun 13-23), an annual festival that riffs on the idea of winter … Continue reading →

HELLO INTERNET. The slow fade out of Melbourne’s summer = an opportune time to re-spark the skynoise engines. It’s also likely I just miss writing things longer than 140 characters. Especially since I’m just about to finish reading a 3000 page … Continue reading →

4 days later, and am still buzzing from the Elefant Traks vs Dr Seuss show at the Sydney Opera House. Developed and performed for the Graphic Festival – it was an audacious project – inside a tiny time frame, create 18 songs and … Continue reading →

Aphex Twin played in Melbourne recently, which also meant a chance to catch the pixel mutations of his regular tour VJ, Weirdcore. After a summer of stage screens saturated with glossy, void-of-personality motion graphics templates, it was refreshing to catch live tour visuals … Continue reading →

Riding a bicycle downhill to the studio today – with blues skies all around – really felt like spring arriving. Winter seems to take longer to leave Melbourne than anywhere else in Australia, which is maybe why there’s so many … Continue reading →

Things you may already know about the Sydney Opera House: – It is slowly sinking. – The Danish architect behind it, Jorn Utzon, was forced from the project, and never returned to Australia. – Anti-war activists climbed it to paint ‘No … Continue reading →

Above, Pattern Machine, the fruits of a recent fourway collaboration in a weeklong residency on Cockatoo Island ( a former prison and shipbuilding yard in Sydney Harbour), during the 2011 Underbelly Arts Festival. By the end of the week, after much tech … Continue reading →

Wassup, winter-villain? Now that I’ve finished marking all of the respective assignments from classes at RMIT and Swinburne, am looking forward to biting properly into a few long neglected creative projects / overloaded bookshelves / learning curves etc. And that … Continue reading →

June 5th, 2011. Due to a weird Sydney Opera House ticket mix up – I ended up at YO GABBA GABBA live this weekend – instead of the planned pilgrimage to Chris Cunningham’s triple screen live cinema assault. Priceless. Etc etc … Continue reading →

Let it be said now – June 5th, 2011 would be as good a day as any, for an audiovisualist to be in three places at once. In Sydney Chris Cunningham brings his triple screen live audiovisual performance to Sydney … Continue reading →