Limited Collector’s Edition of 1,150 copies (No. 451-1,600), all numbered and signed by the band members of the Rolling Stones.
Produced in collaboration with the band, this SUMO sized book charts the Stones’ remarkable history and outrageously cool lifestyle. With one-of-a-kind archival access, it features over 500 pages of incredible images, illustrations, and a foreword written by President Bill Clinton.

Mario Testino selects his finest male portraiture from the past thirty years. As costume, gender play, photojournalism, tradition, and fashion collide, this Eden of male allure is testimony both to Testino's unfailing eye for immediacy and elegance, and to the evolution of male self-expression.

Limited edition of 1,000 numbered copies, each signed by Mario Testino, bound in Japanese cloth, and delivered in a metal slipcase.

In celebration of SNL's 40th anniversary, TASCHEN presents the ultimate tribute to the show that since 1975 that has challenged the censors, celebrated offbeat writer-performers, and defined TV comedy. Made with full access to the SNL archives, this encyclopedia meets behind-the-scenes tour features over 2,300 images, a seasons reference guide with complete cast, host, and musical guest lists, and an exclusive interview with founder and executive producer Lorne Michaels.

Coinciding with a major travelling exhibition at the Kunsthistorisches Museum, Vienna and Grand Palais, Paris, this catalogue raisonné of Velázquez's complete works features brand new photography of recently restored paintings. In extra-large format and with numerous details, and a fold-out, the book celebrates the painter's insight, humanity, and brilliant technique.

A groundbreaking volume offering the most comprehensive overview of GDR visual culture. From fashion photography to secret police surveillance equipment, this unrivalled catalog features more than 2500 artifacts, design pieces, and everyday objects, gathered from the collections of the Wende Museum, Los Angeles.

Over 260 images from Darren Almond's moonlit landscape series. From the Yosemite National Park to Japanese seashores and English meadows, this is a breathtakingly beautiful, nocturnal journey around the globe, echoing with ideas of time, nature, and fragility. With an introduction by Sheena Wagstaff and an essay by Brian Dillon.

“With long exposures, you can never see what you are shooting. But you are giving the landscape longer to express itself.” —Darren Almond

In New York, it’s all about who you know: and now you’re connected. With this updated version of our city guide in hand, the Big Apple is yours for the biting. Cut-out tabs make it easy to flip through, and a pocket-sized map of Manhattan lists all the recommendations for hotels, shops, restaurants, cafes, and bars.

“Get it booked – shop, sleep and eat like a native New Yorker.”
— Stylist, London

lllustrator Robert Nippoldt and film critic Daniel Kothenschulte team up to pay homage to the golden era of Tinseltown, when silent films became talking pictures, stars got even more glamorous, directors more megalomaniac, and politicians and the mob hankered after just one piece of the dazzling action.

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News

The Rolling Stones Closing Party: “This will be the last time..”

Saturday, February 28 marked the closing of TASCHEN’s inaugural show at its new TASCHEN Gallery in Los Angeles: It’s Just A Shot Away: The Rolling Stones in Photographs. Over 1000 guests including legendary photographer Guy Webster who shot the Stones in 1966, attended the closing event to celebrate this momentous exhibition.Read more...

After the global success of YES IS MORE, Bjarke Ingels Group (BIG) presents HOT TO COLD, an odyssey of architectural adaptation. The book coincides with the HOT TO COLD exhibition at the National Building Museum in Washington DC (January 24 - August 30, 2015) and presents 60 case studies in harsh climate conditions in order to examine where and how we live on our planet.

My Favorite TASCHEN Book Is...

“My two favorites at the moment are Cosmic Communist Constructions with its post-sputnik megalomania, while hidden within the architecture’s DNA, almost unconsciously, is a remnant of Socialist purpose—glorious, excessive, and tragic—and Caravaggio, for some of the same reasons.“