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My little space on the web where I blog about comics and comic books, drawing and illustration, graphic design, writing stories, and a few tips and tutorials from time to time about them. I'll also share bits about movies, theater, music, (maybe even cooking!) and whatever strikes my fancy.

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A) Punch your reader with a strategically-placed potentially iconic moment, that is, 1) a critical part of your story that's 2) not only visually arresting, but also 3) triggers a strong emotional response in your reader that 4) lingers long after your book is put down. It becomes iconic when the reader 5) associates that moment with a real-life event.

B) Make advantages disadvantages, and vice-versa. Add depth to your characters by exploring situations where a character's strength is actually a weakness (because perfection is boring), and where a weakness is actually a strength (because we root for underdogs). And make these developments matter in the course of your story. Strengths and weaknesses can be, but are not limited to, abilities, a personality trait, a status in society, or even a relationship.

C) Apart from dramatic roles, assign thematic roles to characters. Once you've decided on the theme of your …

The critically acclaimed musical adapted by Ryan Cayabyab from Rizal’s most famous work will be restaged, with libretto by National Artist Bienvenido Lumbera and under the direction of theater luminary Audie Gemora. Costume design is by National Artist Salvador Bernal. The artistic panel is now on its final stages in completing the powerhouse cast, including the finalization of the participation of Mark Bautista as Ibarra and Cris Villonco as Maria Clara. The official cast will be announced during the latter part of May.

A series of special events are now in the planning stages as part of the prestigious celebration, such as an exhibit of Bernal’s works – which will be mounted during the entire run of the production. A special auction is also set as renowned jeweler, Hans Brumman, creates pieces inspired by Ri…

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I've had a long and fruitful career in graphic design, article writing, and magazine art direction, and I've dabbled in theatre acting, playwriting, and teaching in university. But Fate led me to making comics, where I've found unexpected and flattering success.