About Me

Born in the late 60's, Chesy hails from a Welsh mining village with a long name and was pretty glad when he got the Hell out of there. He got into Rock/Metal in about 1980, thanks to a TISWAS related incident (Rainbow video for All Night Long) and thankfully has never looked back.
Chesy often sang solo in the school choir, but thanks to a puberty related incident his voice is now completely bolloxed, although in his own head Paul thinks he sounds like a blend of Coverdale and Dio (R.I.P).
He was brought up on the classics - Deep Purple, Rainbow, Thin Lizzy, Rush, Whitesnake and loved melodic rock and the Hair Bands of the 80's. (Nowadays, he has progressed a little and prefers a more technical and/or progressive metal - Dream Theater, Rush, Symphony X, Porcupine Tree, Pain Of Salvation, Spock's Beard. He hates Black and Death Metal (can't stand the grunting) but for some unknown reason loves the magnificent Opeth! He wont stop this blog until his beloved FM finally play the likes of the NEC as a headlining act!!!

Wednesday, 9 August 2017

Tilt - 'Hinterland' Album review

Tilt – Hinterland

Well….if you are going to hit 300 reviews,
no. 300 might as well be worthy of a milestone, and this one is an absolute
belter from last year, but it passed me by and its such a good album I wanted to review it still.

One of the absolute highlights for me as a
blogger was back in 2009 when I was sent a cd of a band I’d never heard of
called Tilt. It was a 4 track EP that completely blew me away. I’ve pestered
band leader Steve Vantsis (Bass) a couple of times over the years asking when
an album was in the mix. A random tweet I found a few weeks in my feed informed
me of a new Tilt album called Hinterland, released in April 2016. Bugger.

A hasty purchase was made of the vinyl. If you’re
a vinyl fanatic, this version is one of the most sumptuous versions I have in
my collection. Heavyweight vinyl to be played at 45 speed for ultimate sound,
gatefold sleeve with some mighty fine inner sleeves and lyric postcards.
Basically before I even listened – it’s a thing of beauty. Its the real reason
vinyl was made for. Enough of the gushing, back to the review.

There’s been a personnel change from
Million Dollar Wound. Its still Steve Vantsis (Bass), Dave Stewart (Drums),
Robin Boult (Guitars), and Paul Dourley (Vocals), now graduated from ‘featured’
vocalist to the main man. In comes Paul
Humphreys (guitars), with guest
appearances from John Beck (It Bites) and guitarist John Mitchell (It Bites,
Lonely Robot, Kino, Frost*). Steve, Dave and Robin have
been associated with Fish (the human) on his solo albums and tours for
twenty-plus years. Mitchell is also responsible for the final mix.

Well as per the EP, not a lot has changed
(in a great way!). The music on offer rises and falls like the tide, one minute
subtle and mellow, the next a crescendo of riffs, and textures that just hit
you full on.

‘Hinterland’ is an area lying beyond what
is visible or known. If you can’t see it, you can certainly hear this
Hinterland. Opener ‘_Assembly’ is straight up in the same vein as the EP a few
years back. It has a bit of an electronica and somber opening, before Dourley’s
vocals drag you in to its latter intensity. Its a song (and album) that could
easily be played as background music, or full on ‘open the windows mode’ for
all your neighbours!! Right out of the box, ‘Hinterland’ is a song that just hits
you straight between the ears with its metal-prog riff and up-tempo vibe, and
carries you right along for the ride. ‘Against The Rain’ is a song that you
could easily hear on a Scandi drama, drawing you into the action with its
atmospheric sound, mournful even. It’s the polar opposite of ‘Hinterland’, its a
prog ballad in essence, but it is equally fantastic. It’s fairly minimal in its
approach, with Dourley’s haunting vocals moving the listener.

‘No Superman’ is the sole survivor from MDW
to be worthy of its place on the album (I wish some of the others had made it
across). Its rock all the way with this one and Dourley’s vocals when hitting
the higher notes have a tone of Chris Cornell to them. Its not grunge, far from
it, as this has more textures than Edinburgh Woolen Mill, and is still a fave
of mine a further 8 yrs down the line. ‘Growing Colder’ is just beautiful,
right from the delicate piano opening, through to the instantly memorable
sing-a-long chorus to the gorgeous orchestral string ending. ‘Strontium
Burning’ is in the realms of arena rock. I can just imagine this one being
belted out at full pelt at Wembley. ‘Bloodline’s’ opening section is similar in
stature to OSI (look ‘em up), a gentle opening feeding into a pulsating bass
line and chorus, and a crackin’ guitar solo from Mitchell, before reaching its
chilled and relaxed finale. ‘_Disassembly’ bookends Hinterland with ‘_Assembly’
as a companion piece – it has an atmospheric opening, centred around Dourley’s delicate and moving vocals before
the song slips away via its long fade-out. Fantastic!

Think of a film that you get more out of it
the more you watch it. Hinterland is exactly the same; it deserves multiple
listens before you can really comment – just like a Rush album in the 70s/early
80s. Whilst most of the site and mags that review this I expect to be prog
specialists, but to me, its an album for all tastes, covering electronic, pop,
metal, rock and more. It truly is one of my fave albums of recent times. I cant
single out any individual, as all of Tilt has worked their arses off to make such
a superb album.

This is not a typical album by any stretch
of the imagination. My brain has already been conditioned to Tilt for some
years, so it’s been like shaking hands with an old friend. It may take
non-believers a couple of listens, but once you’re ‘in’, I guarantee you, there’s
no way out!

Hinterland has been picked up by Classic
Rock ‘PROG’ mag for its awards ceremony. Stealing a line from that M&S
woman, ‘this isn’t any old Prog rock, this is Tilt prog rock’ and long may they
continue.