1184 is the third studio album by Windir, released in 2001. Valfar composed this album with the band Ulcus. Departing from the sound Windir is normally known for, it nevertheless kept its folk elements, albeit with inspiration from electronic music. This release provoked divided reactions, with some praising it as a great Windir album which reached new creative heights, while others felt consternation at the departure of the sound for which Windir was recognised and admired in black metal circles. The art used in the album cover is a painting by Norwegian artist Johan Christian Dahl called Winter at the Sognefjord.

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Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves

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Black metal
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Black metal is an extreme subgenre and subculture of heavy metal music. Common traits include fast tempos, a vocal style, heavily distorted guitars played with tremolo picking, raw recording, unconventional song structures. Artists often appear in corpse paint and adopt pseudonyms, during the 1980s, several thrash and death metal bands formed a prototype for black metal. This so-called first wave included bands such as Venom, Bathory, Mercyful Fate, Hellhammer, a second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem, Darkthrone, Burzum, Immortal, Emperor, Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre, norwegian-inspired black metal scenes emerged throughout Europe and North America, although some other scenes developed their own styles independently. Some prominent Swedish bands spawned during this wave, such as Marduk, Nifelheim. Initially a synonym for Satanic metal, black metal is often met with hostility from mainstream culture, due to the actions, many artists express extreme anti-Christian and misanthropic views, advocating various forms of Satanism or ethnic paganism. In the 1990s, members of the scene were responsible for a spate of church burnings, there is also a small neo-Nazi movement within black metal, although it has been shunned by many prominent artists. Generally, black metal strives to remain underground, inaccessible to the mainstream, although contemporary black metal typically refers to the Norwegian style with shrieking vocals and raw production, the term has also been applied to bands with widely differing sounds. Norwegian-inspired black metal guitarists usually favor high-pitched or trebly guitar tones, the guitar is usually played with fast, un-muted tremolo picking. Guitarists often use dissonance—along with specific scales, intervals and chord progressions—to create a sense of dread, the tritone, or flat-fifth, is often used. Guitar solos and low guitar tunings are rare in black metal, the bass guitar is seldom used to play stand-alone melodies. It is not uncommon for the bass to be muted against the guitar, some newer black metal bands began raising their production quality and introducing additional instruments such as synthesizers and even orchestras. The drumming is usually fast and relies on double-bass and blast beats to maintain tempos that can sometimes approach 300 beats per minute and these fast tempos require great skill and physical stamina, typified by black metal drummers Frost and Hellhammer. Even still, authenticity is still prioritized over technique and this professionalism has to go, insists well-respected drummer and metal historian Fenriz of Darkthrone. I want to de-learn playing drums, I want to play primitive and simple, I dont want to play like a drum solo all the time, Black metal songs often stray from conventional song structure and often lack clear verse-chorus sections. Instead, many black metal songs contain lengthy and repetitive instrumental sections, the Greek style—established by Rotting Christ, Necromantia and Varathron—has more traditional heavy metal and death metal traits than Norwegian black metal. Traditional black metal bands tend to favor raspy, high-pitched vocals which include such as shrieking, screaming, and snarling

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Folk metal
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Folk metal is a fusion genre of heavy metal music and traditional folk music that developed in Europe during the 1990s. It is characterised by the use of folk instruments and, to a lesser extent. It also sometimes features soft instrumentation influenced by folk rock, the earliest folk metal bands were Skyclad from England and Cruachan from Ireland. It was not until 1994 and 1995 that other early contributors in the genre began to emerge from different regions of Europe, among these early groups, the German band Subway to Sally spearheaded a different regional variation that over time became known as medieval metal. Despite their contributions, folk metal remained little known with few representatives during the 1990s and it was not until the early 2000s when the genre exploded into prominence, particularly in Finland with the efforts of such groups as Finntroll, Ensiferum, Korpiklaani, Turisas, and Moonsorrow. The music of folk metal is characterised by its diversity with bands known to perform different styles of heavy metal music and folk music. A large variety of instruments are used in the genre with many bands consequently featuring six or more members in their regular line-ups. A few bands are known to rely on keyboards to simulate the sound of folk instruments. Lyrics in the genre deal with fantasy, mythology, paganism, history. The English band Skyclad was formed in 1990 after vocalist Martin Walkyier left his previous band, the song The Widdershins Jig from the debut album has been acclaimed as particularly significant and a certain first in the realms of Metal. Even with the departure of Martin Walkyier in 2001, Skyclad remains a folk metal group today after nearly two decades since their formation. In contrast, the Portuguese band Moonspell had a tenure in the genre. Their first release was the 1994 Under the Moonspell EP with music that featured folk, Cruachan were formed in 1992 in Dublin, Ireland. From the outset their intention was to mix the native Irish folk music of their country with the more extreme side of metal music. Their debut album Tuatha Na Gael was released in 1995 and was a folk metal album from start to finish. In the Italian book “FOLK METAL, Dalle Origini Al Ragnarok” and he acknowledges that Skyclad did have some folk parts in some songs before Cruachan however he goes on to say Cruachan used folk music as much as they used heavy metal music. Cruachan also used arrangements of folk songs and melodies, Skyclad wrote folk sounding parts. Another early contributor to folk metal is the Finnish group Amorphis and they formed in 1990 with their debut album, The Karelian Isthmus, following two years later

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Electronic music
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In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them

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Johan Christian Dahl
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Johan Christian Claussen Dahl, often known as J. C. Dahl or I. C. Dahl, was a Norwegian artist who is considered the first great romantic painter in Norway, the founder of the age of Norwegian painting. He was also the first acquire genuine fame and cultural renown abroad, as one critic has put it, J. C. Dahl occupies a central position in Norwegian artistic life of the first half of the 19th century. Dahl came from a simple background – his father was a modest fisherman in Bergen, Norway –. From 1803 to 1809 Dahl studied with the painter Johan Georg Müller, still, Dahl looked back on his teacher as having kept him in ignorance in order to exploit him, putting him to work painting theatrical sets, portraits, and views of Bergen and its surroundings. Another mentor, Lyder Sagen, showed the aspiring artist books about art and awakened his interest in historical and it was also Sagen who took up a collection that made it possible for Dahl to go to Copenhagen in 1811 to complete his education at the academy there. As important as Dahls studies at the academy in Copenhagen were his experiences in the surrounding countryside, the mood was often idyllic, often melancholy. When he added snow to a landscape he painted in the summer, it was not to show the light and colors of snow, it was to use snow as a symbol of death. ”Thanks to Sagens recommendations and to his own personal charm, Dahl soon gained access to the leading social circles in Copenhagen. Dahl took part in art exhibitions in Copenhagen beginning in 1812, but his real breakthrough came in 1815. In 1816 C. W. Eckersberg returned from abroad with his paintings of Roman settings, Dahl was impressed at once, Dahls 1817 painting “Den Store Kro i Fredensborg” marked the real beginning of his lifelong production of oil paintings depicting natural subjects. After his success in Copenhagen, Dahl realized that he wanted to live as an independent, one challenge facing him was that the academic preference of the day was for historical paintings with moral messages. Landscapes were considered the lowest kind of art, and perhaps not as art at all. The only landscapes that could be considered art, according to the academy, were ideal, in accordance with this reigning taste, Dahl attempted to give his Danish themes a certain atmospheric character in order to lift them up above what was considered a merely commercial level. But at the time it was his deepest wish to provide a more faithful picture of Norwegian nature than were offered by the old-fashioned, dry paintings of Haas. This desire was partly motivated by homesickness and patriotism, but it was suited to the public taste of the day for “picturesque” works. Dahl traveled to Dresden in September 1818 and he arrived with introductions to the citys leading citizens and to major artists such as Caspar David Friedrich, who helped him establish himself there and became his close friend. Greifswald in Moonlight depicts the artists birthplace in Pomerania, on the Baltic coast, bathed in an even, gauzy moonlight, the ancient university town assumes an almost ethereal appearance. ”Together with Friedrich and Carl Gustav Carus, Dahl would become one of the Dresden painters of the period who exerted a decisive influence on German Romantic painting. In Dresden, as in Copenhagen, Dahl traveled around the area to draw subjects that could be of use to him in works that would be painted later in his atelier

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Copyright
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Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights for its use and distribution. This is usually only for a limited time, the exclusive rights are not absolute but limited by limitations and exceptions to copyright law, including fair use. A major limitation on copyright is that copyright protects only the expression of ideas. Copyright is a form of property, applicable to certain forms of creative work. Some, but not all jurisdictions require fixing copyrighted works in a tangible form and it is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, copyrights are considered territorial rights, which means that they do not extend beyond the territory of a specific jurisdiction. While many aspects of copyright laws have been standardized through international copyright agreements. Typically, the duration of a copyright spans the authors life plus 50 to 100 years, some countries require certain copyright formalities to establishing copyright, but most recognize copyright in any completed work, without formal registration. Generally, copyright is enforced as a matter, though some jurisdictions do apply criminal sanctions. Most jurisdictions recognize copyright limitations, allowing fair exceptions to the exclusivity of copyright. Copyright came about with the invention of the press and with wider literacy. As a legal concept, its origins in Britain were from a reaction to printers monopolies at the beginning of the 18th century, Copyright laws allow products of creative human activities, such as literary and artistic production, to be preferentially exploited and thus incentivized. Different cultural attitudes, social organizations, economic models and legal frameworks are seen to account for why copyright emerged in Europe and not, for example, however, with copyright laws, intellectual production comes to be seen as a product of an individual, with attendant rights. The most significant point is that patent and copyright laws support the expansion of the range of human activities that can be commodified. This parallels the ways in which led to the commodification of many aspects of social life that earlier had no monetary or economic value per se. Often seen as the first real copyright law, the 1709 British Statute of Anne gave the rights for a fixed period. The act also alluded to individual rights of the artist and it began, Whereas Printers, Booksellers, and other Persons, have of late frequently taken the Liberty of Printing. Books, and other Writings, without the Consent of the Authors. to their very great Detriment, and too often to the Ruin of them and their Families

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Synthesizer
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A synthesizer is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate instruments like piano, Hammond organ, flute, vocals, natural sounds like ocean waves, etc. or generate new electronic timbres. Synthesizers without built-in controllers are called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device. Synthesizers use various methods to generate electronic signals, synthesizers were first used in pop music in the 1960s. In the 1970s, synths were used in disco, especially in the late 1970s, in the 1980s, the invention of the relatively inexpensive, mass market Yamaha DX7 synth made synthesizers widely available. 1980s pop and dance music often made use of synthesizers. In the 2010s, synthesizers are used in genres of pop, rock. Contemporary classical music composers from the 20th and 21st century write compositions for synthesizer, the beginnings of the synthesizer are difficult to trace, as it is difficult to draw a distinction between synthesizers and some early electric or electronic musical instruments. One of the earliest electric musical instruments, the telegraph, was invented in 1876 by American electrical engineer Elisha Gray. He accidentally discovered the sound generation from a self-vibrating electromechanical circuit and this musical telegraph used steel reeds with oscillations created by electromagnets transmitted over a telegraph line. Gray also built a simple loudspeaker device into later models, consisting of a diaphragm in a magnetic field. This instrument was a remote electromechanical musical instrument that used telegraphy, though it lacked an arbitrary sound-synthesis function, some have erroneously called it the first synthesizer. In 1897, Thaddeus Cahill invented the Teleharmonium, which used dynamos, and was capable of additive synthesis like the Hammond organ, however, Cahills business was unsuccessful for various reasons, and similar but more compact instruments were subsequently developed, such as electronic and tonewheel organs. In 1906, American engineer, Lee De Forest ushered in the electronics age and he invented the first amplifying vacuum tube, called the Audion tube. This led to new entertainment technologies, including radio and sound films, ondes Martenot and Trautonium were continuously developed for several decades, finally developing qualities similar to later synthesizers. In the 1920s, Arseny Avraamov developed various systems of graphic sonic art, in 1938, USSR engineer Yevgeny Murzin designed a compositional tool called ANS, one of the earliest real-time additive synthesizers using optoelectronics. The earliest polyphonic synthesizers were developed in Germany and the United States, during the three years that Hammond manufactured this model,1,069 units were shipped, but production was discontinued at the start of World War II. Both instruments were the forerunners of the electronic organs and polyphonic synthesizers

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Bass guitar
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The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance

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Drum kit
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A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing

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Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu

11.
Terje Bakken
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Terje Valfar Bakken was the lead singer and founder of the Norwegian black metal band Windir. Windir was started as a project, but it was expanded into a full band with the release of their third album,1184. Valfar originally sang his lyrics in Sognamål, a dialect of Norwegian, terje was born and grew up in Sogndal which he was very proud of and one can clearly see the importance of Sogndal in his lyrics. Terje decided to form Windir into a band while he was at college. Valfar released two demos, Sogneriket and Det Gamle Riket and his second studio album, Arntor, was the last Windir album recorded by a line-up consisting solely of Valfar. Despite his vocal style, Valfar did not relate his music to black metal and he instead dubbed Windirs musical style as Sognametal. Other bands that have a Sognametal sound are Cor Scorpii, Vreid, Feigd, Mistur and he read a lot about Sogndal history that his poems stemmed from it. On January 14,2004, Valfar went for a walk towards his familys cabin at Fagereggi, three days later, authorities found his body at Reppastølen in the Sogndal Valley. Valfar had been caught in a storm and died from hypothermia. He was buried at Stedje Church in Sogndal on January 27,2004, Sogneriket Det Gamle Riket Sóknardalr Arntor 1184 Likferd Valfar, ein Windir Windir homepage

Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, …

Image: Gorgoroth I

A common black metal convention is the use of corpse paint, black-and-white make-up intended to make the wearer look inhuman, corpse-like, or demonic. Shown here: Taalroth of French Pagan black metal band Hindvir.