Before man ruled the world, Earth was a land of giants. Count down the biggest beasts of their kind to ever roam the planet in this eye-opening special, and uncover the secret lives of these supersized species. Birds with plane-length wingspans, dinosaurs rivalling a Boeing 737; this stunning CGI special goes in search of the truth behind these monsters, counting down the ten largest and most extraordinary finds. From handling the recently unearthed bones of a dinosaur far larger than previously known, to analysing the flight technique of a giant seven-metre bird uncover the unique adaptations that allowed each animal to thrive.

Recorded over the same four day period in 1961 as Dexter Gordon's Blue Note debut Doin' Allright, this session features a different lineup of musicians with Gordon the only horn player. The band, lavishly praised by critics, features pianist Kenny Drew, bassist Paul Chambers and drummer Philly Joe Jones. Like all his early '60s Blue Note recordings, this is Gordon at his absolute best.

The leap from 1970's „Benefit“ to the following year's „Aqualung“ is one of the most astonishing progressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual lyrical constructs. While the leap to full-blown prog-rock wouldn't be taken until a year later on „Thick As A Brick“, the degree to which Tull upped the ante here is remarkable. The lyrical concept–the hypocrisy of Christianity in England–is stronger than on most other '70s conceptual efforts, but it is ultimately the music that makes the album.

While never as high-minded or technically facile as the likes of Yes or ELP, Tull began incorporating complex time changes, sophisticated harmonic structures and highly developed lyrical themes on „Thick As A Brick“, the realization of the artistic growth begun on „Aqualung“. It's here that Tull finally bursts into full-blown prog-rock mode. While „Aqualung“ was a group of discrete compositions united by a theme, „Thick As A Brick“ consists of one extended piece that occupies the length of the album.

Slowhand at 70: Live at the Royal Albert Hall is a concert film released by the British pop-rock musician Eric Clapton. It features a selection of songs, Clapton performed on May 21, 2015 while he played during his "70th Birthday Celebration" tour at London's iconic Royal Albert Hall. While on tour in London, Clapton broke the 200th concert mark, making him the act, who has most performed at the British venue. The film was released from September 14, 2015 onwards via cinema broadcasting in various territories. The cinema release also featured an in-depth report about Clapton's history at the Royal Albert Hall. A DVD, Blu-ray, compact disc and grammophone record release of the performance was released on November 13, 2015.

Is bitcoin the blueprint for a bankless currency, or the biggest pyramid scheme ever? What if we could create money ourselves, without the need for banks? Money that can't be forged, that will appreciate rather than depreciate, and that can be used worldwide without transaction costs. It exists, and some people consider it to be the digital version of gold: bitcoin.

The soundtrack album for the drama "Woman In Gold" features the film's original music composed by Martin Phipps (Brighton Rock,Harry Brown) and Hans Zimmer (The Dark Knight, The Lion King, Inception, Gladiator, Interstellar). The film is directed by Simon Curtis and stars Helen Mirren, Ryan Reynolds, Daniel Bruhl, Katie Holmes, Charles Dance, Elizabeth McGovern and Frances Fisher…