The exhibition and book project Darkside considers photography as an instrument of representation and as an important visual catalyst of sexuality. Photography shows and stylizes lust and passion, fantasy and desire, power and violence, voyeurism and self-presentation in sexuality. Fantasy and desire form a thrilling pact with photography: sexual fantasies demand representation; they seek to be revealed—and photography, with its voyeuristic streak, makes use of the power of (pictorial) eroticism for its own ends, in order to gain power and be seductive.

Darkside presents this photography and discusses it in numerous detailed essays. The exhibition and book are dedicated to photographs of ideal, natural and grotesque bodies, among others. The project conceives of sexuality as part of existence, presenting photographs of sexual practices, desires and phantasms. Sexuality is discussed in surrealism and reflected in its objectivisation and fetishisation; voyeurism is confronted with exhibitionism; sexuality and the body are dealt with within the context of gender debates and, finally, as power and as business.

In the process, it is always about the images that we make of “sexuality,” and about the endless blurring of fantasy and reality in photography that has taken place in the last one hundred years. The room has long been dark and dark is the night that gives the city and desire freedom and strength;“dark” is above all else the metaphor of connecting, flowing, swallowing up—of body, soul and spirit—which has taken place since time immemorial at the centre of life, of events, yet been excluded from society. That is, at least until pornography at the end of the twentieth century began to cast a cool,harsh economic light into the dim and warm areas of the body.