I have read most of
Dennis Lehane’s novels, and one of the things that always strikes me as I read
them is how often they sneak up on you – how the start out as little more than
genres stories, but end up at a much deeper, darker place that illuminates some
darkness in humanity. With the exception of Shutter Island (which is perhaps
Lehane’s worst book, but was made into the best adaptation of his work by
Martin Scorsese), this gradual darkening doesn’t come in the form of a twist
ending as much as a slow descent into the darkness of the material that
eventually becomes clear. I haven’t read the short story that The Drop is based
on, but the film version does the same basic thing. It starts out as seemingly
a movie about a bar used as a drop for mob cash, and the men who work there –
who are on the fringes of criminal activity. But
the last few scenes take this seemingly straight forward story into some very
dark, disturbing places.

The
film stars Tom Hardy, in another of his string of remarkable performances, as
Bob – who has worked in Cousin Marv’s bar for years, and tells anyone who asks
that he's just the bartender – nothing else. He's a big man, but is seemingly
gentle and kind – the kind of guy who when he’s walking alone at night and
hears a dog whining, he stops to investigate. He finds a pit-bull puppy in the
garbage can outside of the house of Nadia (Noomi Rapace) – who had no idea the
dog was there. The dog had been badly abused, but Nadia cleans the dog up, and
soon Bob is taking care of the dog – who he falls in love with. Nadia also
loves the dog – and is soon hanging out with both Bob and the dog – who they
name Rocco. The relationship between the two develops slowly. Cousin Marv
(James Gandolfini) used to own that bar, and was a low level gangster and loan
shark, but 10 years ago, he sold out to the Chechens who wanted to move into
the Brooklyn neighborhood, and who Marv decided not to go to war with. It’s a
decision he still regrets. He used to be someone, and now he’s nothing – and
that makes him angrier than anything. Then two things happen that set the plot
of the movie into motion. The first is a robbery at the bar – one that the Chechens
and the Detective Torres (John Ortiz) are suspicious of. The second is the
appearance of Eric Deeds (Matthias Schoenarts) – Nadia’s ex-boyfriend, who
shows up on Bob’s door, and tells him that the dog is his – and Bob doesn’t do
what he says, he’ll take the dog back.

Hardy
has slowly become one of the best, most interesting actors working today.
Already this year, he delivered a stunning performance as a Welsh-man in Locke
– where he spent the entire movie in his car, by himself, talking to various
people on the phone. His accent in that movie is precise and memorable – and
his Brooklyn accent here is just as memorable. Hardy never seems to sound the
same in any two movies – think back to his work in Bronson or Tinker Tailor
Soldier Spy or Lawless – to see what I mean. He plays Bob as a sort of gentle
giant – calm, quiet, at times he almost appears to be a little slow. But from
the beginning we sense something not quite right about him – he doesn’t get
flustered by a rather grisly delivery, and while he goes out of his way to
avoid conflict, we sense you don’t want to get on his bad side. Gandolfini, in
his final screen role, delivers one of his best big screen performances – he is
quiet too, his shoulders hunched from carrying too much weight. He’s more
bitter than anything else – bitter that after everything he’s gone through, he
is still broke, still working at the same bar, and is being pushed around by
people he hates. It’s a brilliant performance by Gandolfini. Schoenarts, who
like Hardy is becoming one of the more interesting actors working today, is
also great as Eric Deeds – a somewhat unhinged, violent man who wants everyone
to know he is unhinged and violent – but for all his talk, we don’t actually
see him do anything. Unfortunately the film basically wastes Rapace – who is
good in the role – but unlike the three men in the movie she isn’t given much
depth to play – there’s not as much going on beneath the surface of her
character – she is precisely who she appears to be.

This is the second
film by director Michael R. Roskam, following the Academy award nominated
Bullhead (for Foreign Language film) also starring Schoenarts. That film and
this one share some things in common in their portrait of wounded masculinity.
But I think The Drop is the better, stronger, deeper film. The film is low on
plot, and moves at a rather leisurely paced right up until its rather shocking
ending. But that’s because the film isn’t really a plot driven movie – but a
darker film about these men and the things they do. It’s not an overly original
film, but with its performance, its dark visual look, and its effective ending,
it’s still a knockout.

About Me

I am an accountant, living in Brantford, ON - and although I am married and have beautiful daughter, I still find time to watch a lot of movies. This blog is mostly reviews of new movies - with other musing thrown in as well.