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A long-awaited new translation of Giorgio Vasari’s “Life of Leonardo da Vinci,” illustrated for the first time, that preserves Vasari’s compelling narrative and respects his meaning with a new precision.

Giorgio Vasari’s Lives of the Most Excellent Painters, Sculptors, and Architects (1550 and 1568) is a classic of cultural history. In his monumental assembly of artists’ lives, no life is more vivid than that of Leonardo da Vinci, a near-contemporary of Vasari. Illustrated with the works of art discussed by Vasari, and including a selection of Da Vinci’s studies of science and technology, The Life of Leonardo da Vinci paints an intriguing picture of the progress of art in the hands of the master. Succinct notes also provide new insights in light of modern knowledge of Da Vinci’s career.

This beautiful gift edition offers a literary translation by eminent scholar Martin Kemp that respects the sixteenth-century Italian, transposing Vasari’s vocabulary into its modern equivalent. Translated in partnership with Lucy Russell, the text will be the first to integrate the 1550 edition and the expanded version of 1568. This fascinating and accessible read coincides with the five hundredth anniversary of Da Vinci’s death.

Marcus Aurelius Antoninus (a.d. 121–180) succeeded his adoptive father as emperor of Rome in a.d. 161—and Meditations remains one of the greatest works of spiritual and ethical reflection ever written. With a profound understanding of human behavior, Marcus provides insights, wisdom, and practical guidance on everything from living in the world to coping with adversity to interacting with others. Consequently, the Meditations have become required reading for statesmen and philosophers alike, while generations of ordinary readers have responded to the straightforward intimacy of his style. In Gregory Hays’s new translation—the first in a generation—Marcus’s thoughts speak with a new immediacy: never before have they been so directly and powerfully presented.

An engaging and unabashedly opinionated examination of what translation is and isn't.

For some, translation is the poor cousin of literature, a necessary evil if not an outright travesty―summed up by the old Italian play on words, traduttore, traditore (translator, traitor). For others, translation is the royal road to cross-cultural understanding and literary enrichment. In this nuanced and provocative study, Mark Polizzotti attempts to reframe the debate along more fruitful lines. Eschewing both these easy polarities and the increasingly abstract discourse of translation theory, he brings the main questions into clearer focus: What is the ultimate goal of a translation? What does it mean to label a rendering “faithful”? (Faithful to what?) Is something inevitably lost in translation, and can something also be gained? Does translation matter, and if so, why? Unashamedly opinionated, both a manual and a manifesto, his book invites usto sympathize with the translator not as a “traitor” but as the author's creative partner.

Polizzotti, himself a translator of authors from Patrick Modiano to Gustave Flaubert, explores what translation is and what it isn't, and how it does or doesn't work. Translation, he writes, “skirts the boundaries between art and craft, originality and replication, altruism and commerce, genius and hack work.” In Sympathy for the Traitor, he shows us how to read not only translations but also the act of translation itself, treating it not as a problem to be solved but as an achievement to be celebrated―something, as Goethe put it, “impossible, necessary, and important.”

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Comics are a pervasive art form and an intrinsic part of the cultural fabric of most countries. And yet, relatively little has been written on the translation of comics. Comics in Translation attempts to address this gap in the literature and to offer the first and most comprehensive account of various aspects of a diverse range of social practices subsumed under the label 'comics'.

Focusing on the role played by translation in shaping graphic narratives that appear in various formats, different contributors examine various aspects of this popular phenomenon. Topics covered include the impact of globalization and localization processes on the ways in which translated comics are embedded in cultures; the import of editorial and publishing practices; textual strategies adopted in translating comics, including the translation of culture- and language-specific features; and the interplay between visual and verbal messages. Comics in translation examines comics that originate in different cultures, belong to quite different genres, and are aimed at readers of different age groups and cultural backgrounds, from Disney comics to Art Spiegelman's Maus, from Katsuhiro Ōtomo's Akira to Goscinny and Uderzo's Astérix. The contributions are based on first-hand research and exemplify a wide range of approaches. Languages covered include English, Italian, Spanish, Arabic, French, German, Japanese and Inuit.

The volume features illustrations from the works discussed and an extensive annotated bibliography.

WINNER OF THE 2018 PEN TRANSLATION PRIZE - BY THE AUTHOR OF THE DOOR, ONE OF THE NEW YORK TIMES BOOK REVIEW'S TEN BEST BOOKS OF 2015

In prewar Budapest three families live side by side on gracious Katalin Street, their lives closely intertwined. A game is played by the four children in which Bálint, the promising son of the Major, invariably chooses Irén Elekes, the headmaster's dutiful elder daughter, over her younger sister, the scatterbrained Blanka, and little Henriette Held, the daughter of the Jewish dentist.

Their lives are torn apart in 1944 by the German occupation, which only the Elekes family survives intact. The postwar regime relocates them to a cramped Soviet-style apartment and they struggle to come to terms with social and political change, personal loss, and unstated feelings of guilt over the deportation of the Held parents and the death of little Henriette, who had been left in their protection. But the girl survives in a miasmal afterlife, and reappears at key moments as a mute witness to the inescapable power of past events.

As in The Door and Iza's Ballad, Magda Szabó conducts a clear-eyed investigation into the ways in which we inflict suffering on those we love. Katalin Street, which won the 2007 Prix Cévennes for Best European novel, is a poignant, sombre, at times harrowing book, but beautifully conceived and truly unforgettable.

An artistic collection of more than 50 drawings featuring unique, funny, and poignant foreign words that have no direct translation into English.

Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest? Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee.

In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.

The New Testament from the accurate and highly readable Good News Bible in a compact and economical format, ideal for personal reading or for giving away to new readers of the Bible.

The full text of the Good News Bible New Testament, along with some helpful notes and guidelines as to where to start reading, makes this an ideal book for anyone new to Bible reading or just for personal reading.

Completely reworked layout and presentation, this new edition gives additional force to the clarity and approachability of the Good News Bible text and is an ideal giveaway for evangelistic events or for class use in schools.

In medieval Britain, the works of Homer were practically unknown. In his absence, the half-remembered story of the Trojan War took on a distinctly Arthurian flavour, with the heroes Achilles and Hector reimagined as armoured knights on horseback, duelling with broadsword and lance.

In 1412 the Prince of Wales commissioned John Lydgate, monk of Bury St. Edmunds Abbey and literary heir of Chaucer, to write him an English epic to rival those in the French and Latin. The result was Troy Book: 30,000 lines of decasyllabic rhyming couplets, completed in 1420 and dedicated to its patron—now King Henry V. Lydgate’s primary source was the Latin prose Historia Destructionis Troiae of Guido delle Colonne, with supplementary material provided by Ovid, Chaucer’s Troilus and Criseyde, as well as a variety of obscure Late Latin texts, such as Isidore of Seville’s Etymologiae, and the Mythologiae of Fulgentius.

With this edition Troy Book receives its first translation into Modern English, allowing a new generation of readers to view the Trojan War through the eyes of a fifteenth-century Briton. D. M. Smith includes a detailed introduction tracing the development of the Troy myth from the Cyclic Poets to Lydgate and beyond, along with extensive notes on Lydgate’s sources, and the narrative’s relationship with the established Graeco-Roman mythology. Long dismissed as a medieval curiosity, Troy Book is at last restored to its proper context in the literary evolution of the Ancient Greek Epic Cycle.

A new translation of the Tibetan master Longchenpa's famous work that systematically presents the path of yogic conduct according to the Dzogchen tradition.

Longchenpa's Finding Rest in Illusion, the third and final volume of the Trilogy of Rest, is a classic fourteenth-century Buddhist text that describes in detail the proper conduct of those who have stabilized their recognition of the nature of the mind. This work follows the first volume of Longchenpa's trilogy, Finding Rest in the Nature of the Mind, which focuses on establishing the view, and the second volume, Finding Rest in Meditation, which focuses on practicing the path of meditation. This volume is a culmination of the teachings by outlining a practitioner's yogic conduct according to the Dzogchen tradition.

The Padmakara Translation Group has provided us with a clear and fluid new translation of Finding Rest in Illusion, which will serve as a genuine aid to study and meditation. This is an invaluable manual for anyone who wishes to find true rest while engaging in the illusory appearances of day-to-day life through applying the Buddhist view and practice.