Tag: Port Arthur massacre was a hoax

I would like to express my deep appreciation to those loyal readers who have repeatedly chosen to visit and remain informed of the latest in real alternative news, and, while the majority are those endeavoring to seek out thought-provoking perspectives on today’s most prominent news events, one also appreciates those who, at the very least, seek to be merely entertained.

In the past, an in-depth analysis of all mass casualty simulations has revealed well-defined and identifiable methods of operation, designed to function on multiple levels.

Analysis of the 1996 Port Arthur mass casualty event, reveals coordinated, synthesizing, and patterned tendencies, coalescing into an operational blueprint for all similar events that followed.

Analysis also reveals, that individual perpetrators, belonging to particular European royal families, who, while also active as both well-known celebrity figures in Hollywood and television personalities in the mainstream media, have been repeatedly utilized to portray major roles, whenever the subsequent promotion of the event was expected to induce – in terms of social and political impact – massive concern and critical attention from the general public.

In the case of the Port Arthur event, the emotional and psychological impact of a heavily promoted crisis simulation, for the purpose of effecting social, political, legal alterations, and public perceptions, can easily be surmised.

But the general public remains largely unaware of the tacit and conspiratorial involvement of not only local law enforcement and high-level government officials, but the participation of actors with connections to both Hollywood, and to European royal families.

In fact, the accused assailant in the case of the alleged Port Arthur “massacre”, had not only starred in a slew of Hollywood and television productions, but starred before, in yet another high-profile psychological operation – the OJ Simpson “murder” case.

Admittedly, as a novelist and creative artist who had once admired the considerable accomplishments of Alfred Hitchcock, one approached the subject of this installment with initial reluctance.

However, one cannot deny the implications of one’s investigations. And, considering what shall be revealed, the implications are indeed, of enormous proportions. One also cannot allow their selfish sense of betrayal, however palpable, to stand as an impenetrable garrison to discovering the truth about the world at large. As the author and his loyal readers are discovering, this world, and everything in it, are filled with deep and willful deceptions.

Alfred Hitchcock has been almost universally lauded among filmmakers as a masterful creator of indelible images, and a maestro of cinematic composition.

While it may seem inconceivable to those who still regard Hitchcock with the highest esteem, and perhaps even consider his reputation to be unimpeachable, no doubt they will loathe and even scorn the idea of the master thrown headlong from the dizzying heights of his lofty pedestal.

Painful as this terrible notion may be, one shall attempt to do just that.