Portland’s Mini Libraries

Rachel Hurn
is an intern for The Millions. She was born in Los Angeles and is currently earning her MFA in Creative Nonfiction at The New School. Her work can be found at thenewyorker.com and at her blog, rachelhurn.blogspot.com. Follow Rachel on Twitter @rachelmariehurn.

"Does handwriting matter?" That's the question some researchers are working to answer and that Maria Konnikovatackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important... maybe it helps you think better," which is doubtlessly encouraging to every writer who works on their drafts in longhand.

Stephen J. Gertzshows off some of Bukowski's artwork; Sketches of F. Scott drawn by Zelda Fitzgerald and a portrait of their relationship by Anne Margaret Daniel; An interview with three of the more than 130 artists involved with The Graphic Canon, a series of illustrated literary classics.

“Unlike, say, skimming a page of headlines, reading a book (of any genre) forces your brain to think critically and make connections from one chapter to another, and to the outside world. When you make connections, so does your brain, literally forging new pathways between regions in all four lobes and both hemispheres. Over time, these neural networks can promote quicker thinking and may provide a greater defense against the worst effects of cognitive decay.” Readers Digest compiles the latest research about why you should read (via Book Riot).

It’s funny and fitting that Madame Proust, in a letter now on display at the Morgan Library, implored her son to share persnickety details about what time he got up in the morning. Another thing the exhibition, which celebrates the hundredth anniversary of Swann's Way, reveals: early drafts of the book used “biscottes” in place of “madeleine.”