Contents

Tom Petty sent me this amazing 12-string Rickenbacker, and "Not for You" was the first time I used it. It was like a Christmas present. One day it just showed up at my door. I called him up and thanked him. But it's a cool song—an Eddie song.[1]

I believe...that there is something sacred about youth, and the song is about how youth is being sold and exploited. I think I felt like I had become part of that too. Maybe that's why sometimes I have a hard time with the TV end of music and much of the media and the magazines. When I pick up a magazine, I just count how many pages of ads before the first article starts. You go one, two...up to fifteen to twenty or more. And then in the back you have phone sex ads. So I've pretty much had it. I don't want to be the traveling medicine show where we go out and do the song and dance and someone else drops the back of the wagon and starts selling crap. I don't want our music to sell anything—or anyone else use it. There are a lot of middlemen, somewhere between the band and the audience. I know you need some people to help facilitate things for the live show, and I'm not saying that I don't appreciate these people but...In the last ten or fifteen years, there have been a lot of changes in music, and somehow the percentages being charged [by the concert industry] got out of hand. We also don't want to be part of all the marketing tools or whatever, but believe me, we have been. [That happened] on the first album and that's probably why we are where we are now, but it was hell and I feel awful about it and I'm not going to do it anymore.[2]

In another interview, Vedder stated:

These attitudes out there...that it's the industry's music... And it's not. It's mine. And it's yours. Whoever's listening to it. It's mine and it's yours. And everybody in between, they're the distributors. I think that something like a music channel can be very powerful. Sometimes they think they're the ones who decide what's heard. I think that's a dangerous situation. And, I think, what's more dangerous is that they think it belongs to them. That's probably what "Not for You" is about.[3]