A few months ago, for the heck of it, I innocently started a ‘Go Fund Me’ campaign https://www.gofundme.com/trump-lives to get my Trump/They Live artwork on billboards across Washington. My wide-eyed sales pitch went as such […]

Yes, I don’t think much of Donald Trump, but I soft-selled this as much as humanly possible when making the pitch to anyone I could find, but it was a no-go TO EVERY SINGLE BILLBOARD COMPANY IN THE UNITED STATES! I thought that was the end of it. But then, cue music, the brave folks across the border, the upstanding heroic citizens of Mexico that Trump based his campaign on objectifying as rapists and criminals, had the cojones to give Trump the FU.
God Bless Mexico, the only country left that has the freedom to display the The Trump/They Live Billboard!

Over 150 songs from more than 100 artists representing 40 years of hip hop all crammed into 4 minutes. It’s not a chronological history of hip hop. It’s rappers from different eras finishing each other’s rhymes over intersecting beats, all woven together to make one song.

This year marks two important pop-culture milestones: The 40th anniversary of Star Wars on May 25, and the 50th anniversary of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band a week later, June 1. Our new album merges both into one full-length concept album titled Princess Leia’s Stolen Death Star Plans. It’s the entire Beatles album as accurately as we could record it, only now it tells the story of Star Wars: A New Hope — in order. We sweat the details on both sides in an effort to do both cultural milestones justice. Writing hyper-specific lyrics that match the original songs’ cadences; reverse-engineering everything the Beatles recorded, from distorted saxophone riffs to Indian tabla rhythms; recording everything from scratch and learning as we went — well, that’s what takes five years.