Mercifully, there’s not a lot of rap-rock. But that’s just a personal prejudice.

We sorted through it all to pick the 20 best songs you’ll hear at Sawyer Point this weekend. We started at the top of the bill with Muse and worked our way down. In order to spread the love, we picked no more than one song per artist.

How do you make a list of the 20 best songs you’ll hear, when there are more than 20 artists? Is this process fair? Of course not. This, as someone might say, is but the tip of the iPod.

And as to the matter of whether all of these songs will actually be played – who knows? This list is not a guarantee. If an artist doesn’t play one of these songs, we suggest taking it up with that person via Twitter.

“Uprising,” Muse. The biggest song by the biggest band at Bunbury. If you think you don’t know it, you will recognize it when you hear it, either immediately from its mid-tempo shuffle rhythm or a couple of bars later when the synth melody appears. (9:45 p.m. Sunday; Nissan Stage)

Wiz Khalifa(Photo: Provided)

“Black and Yellow,” Wiz Khalifa. How will a song ostensibly paying tribute to the professional sports teams in Khalifa’s hometown of Pittsburgh go over in a riverside park neighboring the homes of the Reds and the Bengals? Wave your Terrible Towel in the air, or don’t. (9:45 p.m. Friday; Nissan Stage)

“Me, Myself & I,” G-Easy. Hip-hop artists Wiz Khalifa and G-Easy claim two of the top three slots on this year’s bill, illustrating a direction in which the festival is headed. Like Khalifa, G-Easy has made several appearances on pop radio as either the lead artist or the featured guest. The Oakland rapper is bound to perform this one, his signature hit, though Bebe Rexha’s hook will likely be delivered on tape. (7:45 p.m. Friday; Nissan Stage)

Bassnectar(Photo: Provided/Drew Ressler)

“Speakerbox,” Bassnectar. It’s just about impossible to put on a summer music festival of this scale without throwing a bone to the EDM set. This Lorin Ashton (a.k.a. Bassnectar) cut from 2015 recently resurfaced on the soundtrack for “The Fate of the Furious.” (9:45 p.m. Saturday; Nissan Stage)

“Finally Moving,” Pretty Lights. Maybe it seems like low-hanging fruit, sampling Etta James’ a cappella intro to “Somethings Got a Hold on Me,” a nice, clean vocal track readymade for repurposing. But credit Pretty Lights for his vision to reframe it in a chilled-out musical setting. (8:45 p.m. Saturday; Sawyer Point Stage)

The 1975(Photo: Provided)

“Chocolate,” The 1975. A slice of radio-ready pop music that introduced the English rock band to our shores in 2013. (8:45 p.m. Sunday; Sawyer Point Stage)

“The Kill,” Thirty Seconds to Mars. The most famous name among this year’s performers is this band’s lead singer, Jared Leto, because he’s a rock star and a bigger movie star. His acting skills helped make the video, and in turn the song, one of the band’s biggest. (7:45 p.m. Sunday; Nissan Stage)

“I Will Follow You into the Dark,” Death Cab for Cutie. Ben Gibbard’s 12-year-old existential and often-covered acoustic ballad remains the band’s best-known track. (8:45 p.m. Friday; Sawyer Point Stage)

"New Slang," The Shins: This 2001 cut – delivered to a wider audience a few years later in “Garden State” – will, according to Natalie Portman’s character in the film, change your life. (6:30 p.m. Friday; Sawyer Point Stage)

“Miss Murder,” AFI. Is Bunbury the new Warped Tour? There seems to be a shift from adult-oriented acts to the youth market in the festival’s lineup over the last few years. Booking an increasing number of hip-hop acts is out of the Warped playbook, too. This punk-rock outfit has done many Warped Tours in the past, but they will be coming to the downtown riverfront, not Riverbend, this year. (5:45 p.m. Sunday; Nissan Stage)

“All Time Low,” Jon Bellion. It’s an old trick – singing a sad song but giving it an effervescent accompaniment. This singer-songwriter-rapper-producer pulls it off again in a contemporary musical hip-hop and pop setting. (6:30 p.m. Sunday; Sawyer Point Stage)

“Broccoli,” D.R.A.M. There might not be a more joyful moment at Bunbury than when D.R.A.M. cues up and kicks into his 2016 smash hit. Radio-rap at its most clever and fun. (6:30 p.m. Saturday; Sawyer Point Stage)

“Drunken Lullabies,” Flogging Molly. Mosh-pit alert: Either jump in or back off when this song begins. Or just stand in the back for the whole set. (3:30 p.m. Sunday; Nissan Stage)

“Typical,” Mutemath. A ubiquitous track for the New Orleans rockers, thanks to rock radio and any number of media placements on TV and in movies and video games. (6:45 p.m. Friday; CVG River Stage)

“Whoa Whoa Whoa (All You Can Do),” Watsky. There are lots of funny lines in poetry-slammer-turned-rapper George Watsky’s biggest song. Kudos to him if he can spit them all out on stage without getting tongue-tied. (4:45 p.m. Sunday; CVG River Stage)

Reverend Horton Heat(Photo: Provided)

"Marijuana," Reverend Horton Heat: The Rev has to play this surf-slash-spaghetti-western instrumental for that certain faction doing what it does at an outdoor summer music festival. (6:45 p.m. Sunday; CVG River Stage)

“Belong,” San Fermin. The title track from the brand-new album by the Brooklyn collective, who plays the type of pleasant, textured indie-rock that music-festival talent buyers seem to admire. (4:30 p.m. Saturday; Sawyer Point Stage)

“Push + Pull,” July Talk: A number-one song (that’s the Canadian rock chart, eh) off the latest album from the Toronto rockers. July Talk’s local club appearances have drawn rowdy capacity crowds, lured by the chemistry between singers Peter Dreimanis and Leah Fay – it will be interesting to see if the sparks fly as intensely in an open-air setting. (3 p.m. Friday; Sawyer Point Stage)

"The World's Best American Band," White Reaper: The '70s-glammed-up title track off the cheekily named new album from the Louisville garage-rock outfit. (2 p.m. Sunday; Sawyer Point Stage)

Columbus-based PromoWest Productions organizes the festival, now in its sixth year. It will run from noon-11 p.m. Friday and Saturday and from 1-11 p.m. Sunday.