In Southern California in the 1980s, KROQ had this weird un-DJ-like guy named (seriously) Rodney Bingenheimer, who came on late at night on Sundays and played punk records and new bands like Blondie, The Ramones, X, Joan Jett, Devo and Cheap Trick. Did this weirdo really have some influence? A 90-minute 2004 documentary now on YouTube, Mayor of the Sunset Strip (Part 1) tells his story, and it's weirder than you may have imagined. [more inside]
posted by planetkyoto
on Nov 14, 2011 -
24 comments

The most vivid figure in Michael Gramaglia and Jim Fields'sEnd of the Centurywas the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. - Robert Christgau
posted by Trurl
on Nov 9, 2011 -
17 comments

Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film[8 MB PDF]at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards.(previously)
posted by Trurl
on Oct 31, 2011 -
92 comments

"The right man for the job will be aged between 18 and 21 and will presumably need to demonstrate an abundance of energy and the ability to withstand repeated showers of saliva, the traditional punk rock crowd's sign of respect for performers."

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