The sculpture shapes are completely informed by the research phase of the project, resulting from an organic, snake–eats–its–tail process that began with small flat paintings, which inspired paper constructions, in turn inspiring both the wooden sculptures and their flat relief versions.

In the wooden sculptures, there is a specific logic for each angle, joint and negative space, a direct result from the experimental paper constructions.

Fig. 1 (left): Pantheon sculpture views. Painted wood, 20x20x20cm.

Fig.2 (right) Paper constructions research that inspired the wooden sculptures.There is a reason for each angle, joint and negative space.