In San Jose, California, in the 1990s, teenaged Sara keeps a diary of life as an Iranian American and her discovery that she and her family entered as undocumented immigrants.

Review:

I can’t sing the praises of this book enough. It’s written so that it feels like you’re listening to your friend tell you a story filled with humor and emotion. I learned so much about the immigration process and all of the pitfalls that can happen to families looking for safety and a better life. At this time, it is the perfect book for young and old alike. Let’s start trying to understand one another better. Highly recommended!

This unbiased review is based upon a complimentary copy provided by the publisher.

Before he runs out of time, Irish bon vivant MALACHY MCCOURT shares his views on death - sometimes hilarious and often poignant - and on what will or won't happen after his last breath is drawn. During the course of his life, Malachy McCourt practically invented the single's bar; was a pioneer in talk radio, a soap opera star, a best-selling author; a gold smuggler, a political activist, and a candidate for governor of the state of New York. It seems that the only two things he hasn't done are stick his head into a lion's mouth and die. Since he is allergic to cats, he decided to write about the great hereafter and answer the question on most minds: What's so great about it anyhow? In Death Need Not Be Fatal, McCourt also trains a sober eye on the tragedies that have shaped his life: the deaths of his sister and twin brothers; the real story behind Angela's famous ashes; and a poignant account of the death of the man who left his mother, brothers, and him to nearly die in squalor. McCourt writes with deep emotion of the staggering losses of all three of his brothers, Frank, Mike, and Alphie. In his inimitable way, McCourt takes the grim reaper by the lapels and shakes the truth out of him. As he rides the final blocks on his Rascal scooter, he looks too at the prospect of his own demise with emotional clarity and insight. In this beautifully rendered memoir, McCourt shows us how to live life to its fullest, how to grow old without acting old, and how to die without regret.

Review:

Words cannot even begin to describe how much I adore Malachy McCourt. First introduced to him through my all-time favorite book, “Angela’s Ashes,” it’s been a wonderful journey learning more about him through his own works. This is a bittersweet novel about death that evokes both tears and a lot of laughter. It’s a memory of a life well-lived. He is the last of the McCourt boys and I hope he is with us all for many years to come. No matter what, it is good to know that he is at peace with death and not afraid. I only wish I could be so brave. Highly recommended.

This unbiased review is based upon a complimentary copy provided by the publisher.

In the bestselling tradition of Bill Bryson and Tony Horwitz, Rinker Buck's The Oregon Trail is a major work of participatory history: an epic account of traveling the 2,000-mile length of the Oregon Trail the old-fashioned way, in a covered wagon with a team of mules—which hasn't been done in a century—that also tells the rich history of the trail, the people who made the migration, and its significance to the country. Spanning 2,000 miles and traversing six states from Missouri to the Pacific Ocean, the Oregon Trail is the route that made America. In the fifteen years before the Civil War, when 400,000 pioneers used it to emigrate West—historians still regard this as the largest land migration of all time—the trail united the coasts, doubled the size of the country, and laid the groundwork for the railroads. The trail years also solidified the American character: our plucky determination in the face of adversity, our impetuous cycle of financial bubbles and busts, the fractious clash of ethnic populations competing for the same jobs and space. Today, amazingly, the trail is all but forgotten. Rinker Buck is no stranger to grand adventures. The New Yorker described his first travel narrative,Flight of Passage, as “a funny, cocky gem of a book,” and with The Oregon Trailhe seeks to bring the most important road in American history back to life. At once a majestic American journey, a significant work of history, and a personal saga reminiscent of bestsellers by Bill Bryson and Cheryl Strayed, the book tells the story of Buck's 2,000-mile expedition across the plains with tremendous humor and heart. He was accompanied by three cantankerous mules, his boisterous brother, Nick, and an “incurably filthy” Jack Russell terrier named Olive Oyl. Along the way, Buck dodges thunderstorms in Nebraska, chases his runaway mules across miles of Wyoming plains, scouts more than five hundred miles of nearly vanished trail on foot, crosses the Rockies, makes desperate fifty-mile forced marches for water, and repairs so many broken wheels and axels that he nearly reinvents the art of wagon travel itself. Apart from charting his own geographical and emotional adventure, Buck introduces readers to the evangelists, shysters, natives, trailblazers, and everyday dreamers who were among the first of the pioneers to make the journey west. With a rare narrative power, a refreshing candor about his own weakness and mistakes, and an extremely attractive obsession for history and travel,The Oregon Trail draws readers into the journey of a lifetime.

Review:

I should be upfront and say that this review of “The Oregon Trail: A New American Journey” may be skewed because the author, Rinker Buck, did something in writing it that I have always wanted to do. He took a piece of history, researched it, and then set out to live it. This is basically a historian’s dream.

There are actually two parts to the book: the journey itself and the history of the Oregon Trail. I’ll begin with the journey. The time and effort Mr. Buck took in researching and developing his plans for the trip are astounding. Quite a bit of time went into planning the journey to avoid modern civilization as much as possible, and even the wagon was purchased in Missouri and authentic. The author has a true way with words. The descriptions of the scenery along the way are breathtaking, and the stories of what happens along the way make you feel as if you are riding along shotgun. Conversations with his brother add a very real familial element to it all. The only downside is it can drag a bit at times, but then again, I’m sure the journey did as well.

The second part of the book is the history of the original Oregon Trail, and as I said above, it is thoroughly researched. This part could have stood on its own and still been a fascinating read. None of it is dry, as some history books tend to be, so it is actually perfectly suited for someone who wants to sneak in a little actual American History with a good story. Sort of the way you can trick kids into eating peas by pureeing them and dumping them into something better. (Not that I myself have an aversion to peas or history.)

“The Oregon Trail: A New American Journey” is an excellent book from both a historical and an autobiographical standpoint, but it’s more than that. It’s a good and entertaining story for high schoolers and up. Even those who don’t like nonfiction or history will like this one.

This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.

This big-hearted, laugh-until-you-can’t-breathe collection of personal essays, stories, and riffs on finding love and intimacy in New York City announces the arrival of a “a monstrous new talent” (New York magazine) in the vein of David Sedaris, Augusten Burroughs, and Tina Fey.

In this uproariously funny debut collection, award-winning writer and performer Isaac Oliver serves up a comedic cornucopia of sketches, vignettes, lists, and diaries from his life as a young, fanciful, and extremely single gay man in New York City. Whether he’s hooking up with a man who dresses as a dolphin, suffering on airplanes and buses next to people with Food From Home, or hovering around an impenetrable circle of attractive people at a cocktail party, Oliver captures the messy, moving, and absurd moments of urban life as we live it today.

Since moving to New York a decade ago, Oliver has pined for countless strangers on the subway, slept with half the people in his Washington Heights neighborhood, and observed the best and worst of humanity from behind the glass of a Times Square theater box office. He also rode the subway during Breastfeeding Awareness Week and lived to tell the tale. Culled from years of heartbreak, hook-ups, and more awkwardness than a virgin at prom and a whore in church (and he should know because he’s been both), Intimacy Idiot chronicles Oliver’s encounters with love, infatuation, resilience, and self-acceptance that echo our universal desire for intimacy of all kinds.

Review:

The star rating for “Intimacy Idiot” is probably a bit misleading here, as I rated based on the average of all of the pieces. When it is good, it is very, very good. I was laughing so hard it hurts at some points. The problem is, when it is not good it falls completely flat. The writing is on point in all of them, but sometimes I simply felt disinterested.

Isaac Oliver seems like someone I would love to hang out with. He’s funny, intelligent, talented, and self-deprecating without coming across as though he wears a hair shirt and flogs himself every night before bed. Twice on Sundays. The stories manage to both give a peek into the world of gay dating, which is an unknown territory for some of us, while being relatable on so many levels to every single person reading it. The ratio of familiar to foreign is absolutely perfect.

As I said above, it unfortunately fell flat in many chapters, but I would much rather focus on the enjoyable parts, of which there were many. The book is at its heart a work of comedy, but it also evokes quite a sense of loneliness and longing. It changes tone swiftly and seamlessly, always keeping the reader on their toes. There is a natural talent for storytelling that shows in the writing, and I am anticipating reading more of Oliver’s works in the future.

I recommend “Intimacy Idiot” to anyone looking for a laugh and a well-written memoir. The chapters range in format from stories to lists to poetry, so what fell flat for me may strike a chord with someone else. The enjoyable parts make it well worth reading, no matter the issues you may have with other chapters. If you in any way do not enjoy reading about casual sex, though, I would give the book a wide berth.

This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.

This collection of short, action-filled stories of the Old West s most egregiously badly behaved female outlaws, gamblers, soiled doves, and other wicked women by award-winning Western history author Chris Enss offers a glimpse into Western Women s experience that's less sunbonnets and more six-shooters. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it will include famous names like Belle Starr and Big Nose Kate, as well as lesser known characters."

Review:

“Wicked Women” is a fun read that also includes a wealth of little-known history. It’s obviously well-researched and written from a point of love of the wild west. The stories feature a wide variety of women whose stories will have you laughing and horrified, sometimes both at the same time.

I definitely recommend “Wicked Women” for anyone with an interest in women’s history, the wild west, or even history in general. It’s an easy read that can appeal to anyone.

This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.

More than forty years after Deep Throat arrived on the cultural scene and inspired a sexual revolution, questions about the ethics of pornography and its impact on society are still being asked today and remain as controversial as ever. Kristin Battista-Frazee was only four years old in 1974 when her father, Anthony Battista, was indicted by the federal government for distributing the now famous porn film Deep Throat. As her father unexpectedly became an early pioneer in the emerging porn industry and transformed himself from Philadelphia stockbroker to porn broker, this indictment threatened his family’s stability. The stress drove Kristin’s mother, Frances Battista, to worry endlessly if her husband would be put in jail. She became so depressed that she attempted suicide. Kristin survived this family trauma to live a surprisingly normal life. But instead of leaving the past behind her, she developed a burning curiosity to understand her family’s history. Why did the federal government so vehemently prosecute this case? And why did her father get involved in distributing this notorious porn film in the first place? Did the influence of pornography in fact make Kristin a better person? Answering these questions and reconciling her dramatic family history with her life as a wife and mother became her mission. The Pornographer’s Daughter is an insider’s glimpse into the events that made Deep Throat and pornography so popular, as well as what it was like to come of age against the backdrop of the pornography business.

Review:

Every single person who wants to write a funny, readable, and memorable memoir needs to read “The Pornographer’s Daughter” before they write a single word. It is everything anyone could ask of a book, whether it be fiction or non-fiction.

As the title suggests, Kristin Battista-Frazee’s father worked as a distributor of porn, specifically the ever-famous “Deep Throat” starring Linda Lovelace. The entire story of “Deep Throat” is a fascinating one in and of itself. Add in the mob, the feds, the morality wars of the times, an extended Italian family, and a cast of characters that includes at least seven variations of “Anthony” and “Tony”, and you have a story that is beyond improbable. Yet, it is.

Along with all of the above, “The Pornographer’s Daughter” is a beautiful homage to the author’s unusual family and childhood. None of it is sugar-coated: she puts it all out there, flaws and all. The love is obvious, even in the context of such a unconventional childhood.

In short, I laughed, I cried from laughing, I cried from beautiful passages, and then I wished I knew most of the eccentric characters in my own life. I am extremely excited to see the television show that is being developed!

This review is based upon a copy from the Goodreads First Reads program given in exchange for an honest review.

Content Warning:

Do I really need to put one here? Pornographer is in the title, along with the iconic porn “Deep Throat”.

Laura Ingalls Wilder's unedited, and unpublished, draft of her autobiography that was written for an adult audience and eventually served as the foundation for her popular Little House on the Prairie series includes not-safe-for-children tales that feature stark scenes of domestic abuse, love triangles gone awry and a man who lit himself on fire while drunk off whiskey.

Review:

As with many readers, much of my early reading involved the Little House on the Prairie books by Laura Ingalls Wilder. Of course, that world was also brought into our homes through the television series of the same name. It is not a stretch to say it has been a beloved staple of childhood for generations, including my own. Therefore, I was thrilled to get an advanced copy “Pioneer Girl: The Annotated Biography” through the Goodreads First Reads program in exchange for an honest review.

Here comes the honesty: this edition of “Pioneer Girl” is an absolute must have for all Laura Ingalls Wilder fans, fans of either form of Little House on the Prairie, as well as anyone interested in the history of the great plains. It is everything I hoped it would be and more.

The annotations are thorough and include little known facts about Mrs. Wilder herself, but also about the daily living of her time. Photos give a wonderful glimpse into the real people behind the stories and include such additions of schoolyard play in small towns. Her life comes alive in the minds of readers thanks to the photography and annotations.

Perhaps the biggest draw of “Pioneer Girl” is it was written as more of a diary of memories, skipping back and forth as her mind saw fit, and it was not changed as the Little House on the Prairie books were to add that little zing of which publishers are so fond. This is her story, stark, detailed, and wonderful, as she meant it to be.

I give “Pioneer Girl: The Annotated Autobiography” a hundred stars, but the rating system will only allow me to put five of them here. And don’t forget, this would make an excellent gift for the fans of Little House in the prairie in your life!

"Amy Jo Burns grew up in Mercury, PA--a small, conservative Rust Belt town fallen sleepy a decade after the steel industry's collapse. But the year Amy turned ten, everyone in Mercury woke up. That was the year Howard Lotte, Mercury's beloved piano teacher, was accused of committing indiscretions during his lessons. Among the girls questioned, only seven dared to tell the truth that would ostracize them from the community. Amy Jo Burns was one of the girls who lied. Her memoir, CINDERLAND, navigates the impact that lie had on her adolescent years to follow--tracing all the boys she ran from and toward, the girls she betrayed, and the endless performances she put on to please a town that never trusted girls in the first place. CINDERLAND is literary memoir of the highest caliber. A slim, searing feat of narrative beauty, it is full of psychologically nuanced grappling, imagery of fire and steel, and eerily universal shadows of adolescence"--

Review:

It is difficult to write a review of a memoir, due in part to it being someone’s life story that was partially laid out for them by circumstances of birth, as well as the fact that the author is an inherently flawed narrator by only having their own thoughts to base it upon. In fiction, even if written in first-person, at least the author has an idea of what is going on in the other characters. “Cinderland: A Memoir” is particularly difficult due to the subject of molestation. Anyone being able to write about it deserves credit for that alone.

That all being said, this review took me days to finish, and I finally decided to review as I would any other story, fictional or not. It is based upon a complimentary copy provided through the Goodreads First Reads program in exchange for an honest review.

The positive of “Cinderland” is that it does an excellent job of exploring the feelings that stay with abuse victims throughout their lives. It takes an emotional and developmental toll. It was also extremely honest in terms of the guilt the author felt over not having spoken out about the abuse she suffered, leaving the fallout to the other girls who did speak out. As uncomfortable as it is to read, I feel that it’s very important to expose the way people blame victims, even if it is unintentional.

Unfortunately, the author comes across as someone who feels like those around her are beneath her in some way, especially those who have no goals to get out of the town. While she admits to loving to the town, it is implied that those who are content there have no ambition and are trapped. It is as though she never begins to think that they may love living there and want that life. In keeping with this trend, while she writes that the need for the spotlight was to hide what she was truly feeling, it is very obvious she was smart and popular. That is not a bad thing, but again, there was a feeling of dismissal of those who were content to be in the background of things.

In spite of this, the positives would have led me to give “Cinderland” four stars. That is, until the part that dealt more with Aaron. For someone who meant so much to her, his deepest scars were revealed with very little empathy and absolutely no follow-up. I could understand if it was a protection of privacy, but if that was the case, his secrets should have been left out entirely. The broken-hearted boy who was obviously being taken advantage in a relationship by someone in a position of power, physically abused, and had stood by her throughout her life with not much acknowledgement until the end of high school, was in my opinion the most sympathetic character in the book. As it was written he was used by and disposable to the author. Of all people, she should have understood his hurt, but all that was written was what he did for her. Unlike what the author wrote, leaving a town does not mean having to make a clean break from those you love.

I am not afraid to admit that I searched the thank you notes hoping that “Aaron” would have been mentioned. He helped her through, but apparently did not even warrant that.

The disregard for those around her are what makes me absolutely not recommend this book. It reads like a self-congratulatory slap on the back and is, quite frankly, grating.

Content Warning:

As this is an adult book, the only warning I will included is that there is frank discussion of child molestation, so please keep that in mind if it may trigger you.

The Scarlett Letters is a collection of letters written by Margaret Mitchell, author of the classic American novel, Gone With the Wind, about the making of the 1939 motion picture version of her novel. It features more than 300 letters she wrote to fans and members of the film s cast and crew about the making of the movie, its premiere, and its worldwide success. Her ability to weave a story makes for delightful reading in her correspondence with a who s who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland, and Hattie McDaniel."

Review:

In “The Scarlett Letters”, author John Wiley Jr. has given fans the most comprehensive history of the behind-the-scenes making of the movie. There is a wealth of information contained within the pages, and I cannot fathom the amount of research such a book required, but thank Mr. Wiley from the bottom of my Scarlett and Rhett loving heart.

The letters from Margaret Mitchell range from to the largest players in bringing her beloved novel to screen to some of the smallest. It is easy to see that the movie would not have been the same were it not for her extensive involvement and somewhat iron hand. Even more endearing is the humor she expressed at every turn, and the way she handled gossip and scandal was delightfully surprising. There is almost as much to learn about the customs of the time as there is about the movie itself.

I cannot think of a better way to see history than through the direct correspondence of those involved. Mr. Wiley has set the bar high for others who come after him, and all of us fans owe him a great debt of gratitude.

You may think you know “Gone With the Wind”, but you don’t know the half of it until you read “The Scarlett Letters”.

This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.

The untold story of ten critical, formative years in the great producer's life

Review:

This review is of a complimentary copy provided through Netgalley in exchange for an honest review.

“Walt Before Mickey” by Timothy S. Susanin is one of the, if not the, most exhaustive accounts of Disney’s early years that can be found. The research is thorough, and it shows.

I have mixed feelings on “Walt Before Mickey”. As a historian, and a huge Disney nerd, the facts presented are a treasure trove. Almost all of the information is rare, the sources are solid and well-documented, and it brings a feeling of closeness to Disney himself.

On the other hand, there is almost too much information. Every single person he met has a painstaking account of their looks and history. Not that those things are not important, but it slows it down and takes away from what is important. More than once I found my mind wandering during these descriptions, and it really is a shame that it mars what is otherwise an exceptional account of a great man.

I can highly recommend “Walt Before Mickey” to historians or those with an intense interest in Disney himself, but would recommend those with a casual interest to give this one a pass.