plays

Playwriting

As a playwright, my work has been produced across the country, from Boston to Hollywood. Below, you will find scripts, as well as production history, for some of my personal favorites. The scripts are all available to read online, but please feel free contact me if you are interested in producing any of them. I am also available for work-for-hire, commissions, and collaborations.

How To Build A Universe That Doesn't Fall Apart Two Days Later — Jason is a successful hedge fund manager. But his boss puts him on leave after his obsession with 9/11 conspiracies causes him to lose a major client. With nowhere else to go, Jason seeks help in an addiction support group for conspiracy theorists of all kinds. As Jason as forced to grapple with other peoples' unhealthy perceptions of reality, he uncovers a labyrinthine conspiracy within the conspiracy support group itself. (Full-length; 3 men, 2 women, + optional ensemble)

Four Wall Prism: An Extraordinary Rendition of Historical Events — Marcus had planned to dash after an online-date-turned-one-night-stand. Instead, he woke up with a dead cellphone and a city on lockdown after a terrorist attack. With no way to get in touch with his job — or the fiancé he's been lying about — Marcus is stuck in an apartment with his date, Cori, who definitely stole his identity before their date but is definitely not on the pill, and her mentally ill roommate Jayme, who just wants to finish her goddamn master's thesis. As the three of them grapple with issues of race, privilege, privacy, and more, they realize that the greatest threat is not the warzone outside but within the four walls of the apartment. (Full-length; 2 white men, 1 black woman, 1 non-black woman)

An Encounter — Set in Ireland in the early 1900s, a pair of boys skip school for the day, and soon come upon a strange man on a hill... (screenplay)

I do fiction, plays, comics, songs, articles, Upworthy, Wirecutter, and more. (also some copywriting stuff but that sounds way less cool). I enjoy mythophysics, robots & whiskey, and Oxford Commas, and I firmly believe that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. Rep'd by the Kepner Agency.