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The CineFlo
line of fluorescent fixtures from Cinelight Equipment is one of the
most common fluorescent light type used on big productions studios, in still
photography and movie pictures. The whole CineFlo line is designed to
make your life easier, to make you work faster and more accurate, and
take some of the guest work out of it.

The CineFlo fluorescent fixture provides soft, cool, flicker-free light
like a bounce-source, and has also the features to control the
intensity and spread of the light emitted, by using the built-in
barndoors and included louver or other accessories available from third
parties.

The fixture is designed so that, if the whole fixture is too bulky for
a particular application, the tubes, wiring harness, and reflector can
be quickly stripped out of the fixture and employed in any number of
configurations as needed. The fixtures are lightweight enough to tape
to a wall. The housing is made from polycarbonate and has reinforced
ends, making it resistant to the every day abuse on the set.

The lamps, being the most important component of this fixture, give
several color temperatures, primarily the daylight and tungsten. It is
very portable, and the lamps take almost no power so it is a very low
power consumption. When you’re on a location the beauty of using these
lights is that you can walk into a situation when you got a lot of daylight in
the room and you can lamp them daylight or you can get into a situation
when you’re working in a studio for the day so you can lamp them
tungsten.

The barndoors close for transport or for shipping and they protect the instrument; they open up and act as barndoors.

The louver will help you to control the spill. Because the light is so
soft and diffused, the light spreads out to vary wide beam. The louver
is attached using Velcro and can be pulled off completely.

The detachable lamp harness has 4 different individual cables, one to
each lamp and they’re shorten to the length and color labeled so that
each one only goes to one lamp. This way you won’t have any confusion
of what goes where.

The mounting system for the 2ft 4bank is an omni-mount (MTP-K41) and
it’s called the universal mount because it is for the single, double
and 4 bank systems and that would be up to a 4ft size. The omni-mount
has four capture points and a secure lock pin. This mount is designed
to work on a grip head allowing you to position the fixture in
virtually any position. With the optional baby-receiver mount (MTP-B41)
you can get the grip head off and mount it directly on the top of the
stand.

The ballast is manufactured from high quality components with
performance and durability same as higher cost competitors. The
ballast is designed to operate the lamps at 24'000 Hz, 400 times faster
than traditional ballasts. The reason for that is that it is a very
high frequency and it keeps out of range of a normal 60 Hz pattern
which creates flicker, very critical when you’re shooting
films. Flicker free at any shutter speed.
The ballast has 4 separate switches to control each lamp individually
so you can adjust the light output without color shifting the lamps
color temperature (K). CineFlo
Bank Select ballasts (four-bank and double-bank) feature an additional
high-output/standard-output toggle switch. Use the high-output setting
for 4-ft (75W) lamps and the standard setting for 2-ft (40W) lamps so
you can use the same ballast on 4FT fixtures and 2FT fixtures. Includes an easy to change power fuse that protects the ballast against electrical shocks.

These instruments are truly the workhorses of the industry, for all
blue/green screen work all over the world, regardless if it is a motion
picture, commercial or any other field.

Components and accessories are fully compatible with Kino Flo brand.

CineFlo line offers the same light quality as higher priced competitors at a fraction of cost!

CineFlo 2FT 4Bank - select[LRX-CINEFLO2F4B]LRX-CINEFLO2F4B

789€

Review by Fabio Gallo

I have this light for more than a year now and had no problems with it. Does the job effectively and didn't cost a fortune. Having been working a while now with different brands, this light actually exceeded my expectations!

Review by STEFAN JENSEN

Thank you cinelight, I liked being able to track the delivery from the beginning and that it was shipped in the same day as I ordered. Best quality price ratio for this kind of equipments. The fixture looks and runs ok and the soft light from the fluorescent lamps does a very good job in the studio. Like the original design the lamps can be removed from the plastic body only with the wires and placed where needed. Good delivery , Job well done cinelight! *****

Displaying 1 to 2 (of 2 reviews)

The CineFlo
line of fluorescent fixtures from Cinelight Equipment is one of the
most common fluorescent light type used on big productions studios, in still
photography and movie pictures. The whole CineFlo line is designed to
make your life easier, to make you work faster and more accurate, and
take some of the guest work out of it.

The CineFlo fluorescent fixture provides soft, cool, flicker-free light
like a bounce-source, and has also the features to control the
intensity and spread of the light emitted, by using the built-in
barndoors and included louver or other accessories available from third
parties.

The fixture is designed so that, if the whole fixture is too bulky for
a particular application, the tubes, wiring harness, and reflector can
be quickly stripped out of the fixture and employed in any number of
configurations as needed. The fixtures are lightweight enough to tape
to a wall. The housing is made from polycarbonate and has reinforced
ends, making it resistant to the every day abuse on the set.

The lamps, being the most important component of this fixture, give
several color temperatures, primarily the daylight and tungsten. It is
very portable, and the lamps take almost no power so it is a very low
power consumption. When you’re on a location the beauty of using these
lights is that you can walk into a situation when you got a lot of daylight in
the room and you can lamp them daylight or you can get into a situation
when you’re working in a studio for the day so you can lamp them
tungsten.

The barndoors close for transport or for shipping and they protect the instrument; they open up and act as barndoors.

The louver will help you to control the spill. Because the light is so
soft and diffused, the light spreads out to vary wide beam. The louver
is attached using Velcro and can be pulled off completely.

The detachable lamp harness has 4 different individual cables, one to
each lamp and they’re shorten to the length and color labeled so that
each one only goes to one lamp. This way you won’t have any confusion
of what goes where.

The mounting system for the 2ft 4bank is an omni-mount (MTP-K41) and
it’s called the universal mount because it is for the single, double
and 4 bank systems and that would be up to a 4ft size. The omni-mount
has four capture points and a secure lock pin. This mount is designed
to work on a grip head allowing you to position the fixture in
virtually any position. With the optional baby-receiver mount (MTP-B41)
you can get the grip head off and mount it directly on the top of the
stand.

The ballast is manufactured from high quality components with
performance and durability same as higher cost competitors. The
ballast is designed to operate the lamps at 24'000 Hz, 400 times faster
than traditional ballasts. The reason for that is that it is a very
high frequency and it keeps out of range of a normal 60 Hz pattern
which creates flicker, very critical when you’re shooting
films. Flicker free at any shutter speed.
The ballast has 4 separate switches to control each lamp individually
so you can adjust the light output without color shifting the lamps
color temperature (K). CineFlo
Bank Select ballasts (four-bank and double-bank) feature an additional
high-output/standard-output toggle switch. Use the high-output setting
for 4-ft (75W) lamps and the standard setting for 2-ft (40W) lamps so
you can use the same ballast on 4FT fixtures and 2FT fixtures. Includes an easy to change power fuse that protects the ballast against electrical shocks.

These instruments are truly the workhorses of the industry, for all
blue/green screen work all over the world, regardless if it is a motion
picture, commercial or any other field.

Components and accessories are fully compatible with Kino Flo brand.

CineFlo line offers the same light quality as higher priced competitors at a fraction of cost!