Wednesday, February 10, 2010

Washington Post Article about 'Full Moon on K Street'

The following is an excerpt from the Washington Post article about Full Moon on K Street, the recent anthology published by Beltway Poetry Quarterly editor Kim Roberts. For the full article, click here.

Photo Credit: Dan Zak, Washington Post

Washington has seen its small-press and self-publication movements, its spoken-word renaissance, its uniting of activist poets in the Split This Rock Poetry Festival, and the anchoring of reliable venues like Busboys and Poets and Beltway Poetry Quarterly -- these separate communities, the old and young, the living and the dead, the scholarly and the streetwise, have a place in the anthology.

"We're living in a historical place in historical times in a city that monumentalizes itself," says District writer-editor Dan Vera, 44, as the reception wanes and poets wrap themselves in scarves. "Sometimes you feel trapped in amber, but you try to catch the normal in poetry."

As she ties up small talk with guests, Roberts has other projects on her mind, like putting down a literary history of Washington in book form in a couple years. But first, 1,500 copies of "Full Moon on K Street" will go out, perhaps answering for some people the question "Washington has . . . what, exactly?"

Subscribe To (RSS)

Blog This Rock

The blog of Split This Rock, the national network of socially engaged poets. Programs include a biennial national festival, readings, workshops, contests, the Freedom Plow Award for Poetry & Activism, e-publishing, youth programs, and campaigns that integrate poetry into movements for social change.

About Me

Blog This Rock is a community forum sponsored by Split This Rock, an organization that calls poets to the center of public life and celebrates and promotes socially engaged poetry.
You are invited to our nation’s capital for our next poetry festival in March 2016.
Split This Rock Poetry Festival will feature readings, workshops, panel discussions on poetry and social change, youth programming, films, parties, and activism—a unique opportunity to hone our activist skills while we assess and debate the public role of the poet and the poem in times of crisis.