Samsara ~ Sequel to Baraka, filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

Anything by Tarkovsky though that's probably an obvious one. Stalker is like watching a dream and Solyaris like reading a poem.

Jacob's Ladder could be seen as a drone/dark ambient trip. David Lynch's play with time and linearity, even mixing of characters indeed also a good one and darker and of course David Cronenberg's films come to mind with his play on perception.

Ingmar Bergman's work such as Persona.

Nicolas Roeg's Walkabout.

Jim Jarmusch's Dead Man.

Almost anything by Werner Herzog (Aguirre) especially if he talks. Encounters at the end of the World is gorgeous.

Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy’s awakening interest in girls, couples double-dating at the movies, and brothers giving their friend a haircut.