Concealer, highlighter, and (in an unusual turn) eyeliner were the keys to perfect skin. McGrath skipped foundation altogether, applying a solid, light-coverage concealer to the nose, chin, and cheeks instead. Next, she added shimmery nude highlighter to the temples and tops of the cheekbones, and a soft rose flush to the cheeks, using Dolce & Gabbana The Blush Luminous Cheek Color in Delight. To mimic Getty's girlish freckles, she drew tiny dots of brown eyeliner across the bridge of the nose.

McGrath kept the eye shadow simple—dusting a matte taupe shade on just the crease and along the lower lash line—and drew attention to the brows and lashes instead. She groomed the eyebrows and, inspired by Getty's "wonderful top and bottom lashes," piled on several coats of Dolce & Gabbana The Mascara Volumized Lashes until the lashes appeared thick and lush.

In a nod to the '60s, McGrath painted a pale nude lip using Dolce & Gabbana The Lipstick in Nude. "The lipstick has a little bit of beige and brown to it," she explained. "The brown-beige erases the natural pink of the lips."

Hairstylist Guido described his bouncy blowouts: "It's that gorgeous hair that make you think, Why can't my hair be like that?" Fortunately, he also explained how your hair can look like that—and it's not as hard as you might think.