The glossy color is evident, running over large surfaces, surprising
supports made of canvas and perpex, ignoring the space boundary to continue
on other surfaces, very often different for shape and dimensions. Dripping
technique is used in all Lanaro’s masterpieces. The difference between
him and the Thirties’ and Forties’ most important artists
in its use is that for them it embodies the most extreme and the very
last synthesis process, instead for Lanaro in this technique it is the
central part of the masterpiece. Nothing is random, nothing is out of
control. The arstist’s creative fantasy materializes into real energetic
paths, as “Vie
dei Canti” (Ways of the Hymns). Interior paths of the artist are
converted into chromatic streams, in some case repetitive and molecular,
in some other absolutly calculated in time and space terms. Expression
freedom transpires from his forniture pieces, as armchairs, sofas and
much more. A fully complete artist that, due to his various exhibitions,
the public opinion appreciates more and more for his versatility but especially
because overwhelmed by the unbelievable energy spread by Lanaro’s
artworks. This catalogue underlines the newest “paths” of
the artist. Personal spaces are underlined. They are also indicated the
last year’s exhibition locations.