THE Nf:W YORKER were certainly following was one who was completely charming. One whom some were certainly following was one who was charming. One whom SOlne were following was one who was cOInpletely charmIng. One WhOIll . . ." and so on. "The final test is always the por- trd.it," she wrote, having in mind, per- haps, as had Henry James, that In the midst of disintegrated traditions beauty is secondary to grasping the identitJ of things. Cubism is no doubt the most enigmatIc mode of painting in our age of enigmas, and intrinsic to it is its con- version of objects into signs of them- selves, as in Gertrude Stein's face chdnged in to a mask. Discovering the \,\Tho was the ruling axiom of her aes- thetic, both as wrIter and as collector of art. She became interested in Picabia, T oklas reports, "because he at least knows that if you do not solve your painting probleln in painting human beings you do not solve it at all." To Gertrude Stein, Picasso was essentially a portrait painter; whatever he did in still-life .:lnd Llndscape she considered to be prehn1inary to his painting of faces. \Vhat he saw in her she also saw in hÎ1n-an individual engaged in bringing himself into being-and she worried constantly about his losing his true self. For the European, a self came ready-made. For the Spaniard and the American in Paris, it had to be formed by actions, and culture meant detecting the emergent form. Gertrude proclaimed the historic role of the Steins in P clrÏS by presenting her own card of identity "America is my country," she announced, "and Paris is my home town" The French had not reïlized that their capital had been an- nexed-that the building on the Rue de Fleurus where Gertrude and Leo assen1blLd their cultural contrahand was the headquarters of an international force of occupation over which Bevv the banner of the twentieth century. Col- lecting Matisses and Picassos, the SteIns brought into play the American cult of novelty, which Gertrude provided with the theoretical foundation drawn f from the most extreme insights of the Pari vanguard. U nti] the First \V orld vVar, It was rarely suspected that "School of Paris" meant the opposite of French art. Since that catastrophe, which, Eke all wars, brought to 1ight changes that had all-cad} taken place, art has abandoned its "holne town" and has becon1e world art-and the pick- ings of the Steins, in an ironic defeat of Leo's judgInents based on al t history, have becolne treasures of the world museum. -HAROLD ROSENBERG BOB LEE'S TRIPLEX™ CONVERTIBLE CARRY-ON PUTS TWO SUITS UNDER YOUR SEAT! _oO 75 ;; J .. , .- #' --..: /?- ",: , " , : 2':' . ,"'=. >f...:" '; ' Ù' 't: ,^ " " r <. iiI ,;, ?J :' . <: ÿ ,' 1/ f i to f ^" ':ø ,:,' , < . f \ ,, :.j :-:. ATTACHE- OVERNIGHTER 3 3 /4" x 21" x 13" WEEKENDER 6 1 /2" x 21" x 13" TWO-SUITER 9"x21"x13" *U.S. and foreign patents applied for. The . . OISSlere ;Martini. Superior Vermouth The select few who've discovered BOlsslere (Bwa-see-air) know just how good a dry vermouth can be- and what It can do for a martini. ' ' J > ' " . :--: " :w 4 t , J' g ß ''t ; 1&N,,' , r:>'# ROLLS ROYCE USES THE SAME GRADE OF LEATHER SELECTED FOR OUR TRIPLEX ONLY 40 PEOPLE PER MONTH..... IN THE WHOLE WIDE WORLD... CAN OWN THE NEW STATUS CARRY-ON. It. :::, : W Weighs only 5 Lbs Hand-made in England...... production limited to 40 per month. Bob Lee's ingenious design allows our TRIPLEX to convert INSTANTLY from Attaché-Overnighter to Weekender or Two- Suiter. Unique gussets keep the side panels telescoped completely into the frame when you're traveling light; allow INSTANT EXPANSION as you need it. Inside separator lets you pack each side individually. Solid Brass combination locks. Fits under your airline seat even when fully expanded. Avoid baggage-handling delays... carry-on our TRIPLEX and join the world's most exclusive carry-on club! "Your wife will borrow yours if you don't get her one of her own!' z $195 add $5 on Mail Orders. N.Y. Res. Add Tax V1 o Detachable Shoulder Strap $15 extra. @ SEND $1 (Credited to First Purchase) FOR ,\\ G COLOR-FILLED 88-PAGE CATALOG .. Open Mon. thru Sat. 10-6 \ , ) HUNTING WORLD z.wo " DEPT. NY 16 East 53rd Street, New York, N.Y. 10022 ,. .:;. '. ':' .j' ,Æ >,}\ \,j, ,,. , ...... 4",*...;:x. .. i < 'oO ) ;'":"-" ^ RO -::: : . ,,' '\ ^.. N _ " : \ \ D '" s,'I(o ;,f "\ ,;::,'t ,. ,' "t^ . ...E C .,'t - f(' '#rl If< J ' I' ' A ', ..N>' ___ ,w.-, 4 \' "t' .,:., "',..< ' ' <o^,.,. n '\ 'ßi > tx .<< ..,; ÂM. :-. "'" <- <- -':.;'.. . .... \. :. ;"'S < ",.;;,/; t.,' ;. Æth ,. "> ,: , ... ,, > , , ", > .',.... '*"::: =::. :: . ...:..;. :.: : << >:'.. *'J$ , ø' .io ". ":"''W ;,,', .- .:.: " l. ! .:c:- : , '" Sole Distributor U. S. A.: Munson Shaw Co., New York