Considered by many to be the forefather of the much lauded Finnish musical underground. (Fire Museum)

(Keijo) compares the way the way he builds his pieces to Wittgenstein’s conceptual rope, where no one strand is continuous: Instead, all strands overlap to express a whole. His music, then, becomes a negotiation between seemingly opposed elements – the organic and the ‘artificial’, the acoustic and the electronic – the goal being to expose the common roots and mutable nature of all sound.
(Matthew Wuethrich, The Wire)