Cassandra was cursed to speak true prophecies that no one believed. A common version of her story relates how, in an effort to seduce her, Apollo gave her the power of prophecy: when she refused him, he spat into her mouth to inflict a curse that nobody would ever believe her prophecies. Another version has her fall asleep in a temple, where snakes licked (or whispered in) her ears so that she could hear the future.[a]

Cassandra was a princess of Troy, the daughter of King Priam and Queen Hecuba and the fraternal twin sister of Helenus. According to legend, Cassandra had dark brown curly hair and dark brown eyes and was both beautiful and clever, but considered insane.[6]

Cassandra was given the gift of prophecy, but was also cursed by the god Apollo so that her true prophetic statements would not be believed. Many versions of the myth relate that she incurred the god's wrath by refusing him sex, sometime after first promising herself in exchange for the power of prophecy. Hyginus says:[7]

Cassandra, daughter of the king and queen, in the temple of Apollo, exhausted from practicing, is said to have fallen asleep; whom, when Apollo wished to embrace her, she did not afford the opportunity of her body. On account of which thing, when she prophesied true things, she was not believed.

In another version, told by Cassandra in Aeschylus's Agamemnon, Cassandra consented to have sex with Apollo in exchange for the gift of prophecy, and then broke her promise: "Oh, but he struggled to win me, breathing ardent love for me....I consented to Loxias (Apollo) but broke my word....Ever since that fault I could persuade no one of anything."[8]

In some versions of the myth, Apollo curses her by spitting into her mouth during a kiss.

Her cursed gift from Apollo became a source of endless pain and frustration to Cassandra. Cassandra was seen as a liar and a madwoman by her family and by the Trojan people. In some versions of the story, she was often locked up in a pyramidal building on the citadel on her father King Priam’s orders. She was accompanied there by the wardress who cared for her under orders to inform the King of all of his daughter's "prophetic utterances".[10] She was driven truly insane by this in the versions where she was incarcerated.

According to legend, Cassandra had instructed her twin brother Helenus in the power of prophecy so he could be a prophet. Like her, Helenus was always correct whenever he had made his predictions, but unlike his sister, people believed him.

Cassandra made many predictions, with all of her prophecies being disbelieved except for one, when she foresaw who Paris was and proclaimed that he was her abandoned brother. This took place after he had sought refuge in the altar of Zeus from their brothers’ wrath, which resulted in his reunion with their family.[11] Cassandra foresaw that Paris’ abduction of Helen for his wife would bring about the Trojan War and cause the destruction of Troy. She did warn Paris not to go to Sparta along with Helenus who echoed her prophecy, but their warnings ended up being ignored.[11] Cassandra saw Helen coming into Troy at Paris' return home from Sparta. She furiously snatched away Helen's golden veil and tore at her hair, for she had foreseen that Helen's arrival would bring the calamities of the Trojan War and the destruction of Troy. The Trojan people, however, welcomed Helen into their city.[11]

Cassandra foresaw the destruction of Troy. In various accounts of the war, she warned the Trojans about the Greeks hiding inside the Trojan Horse, Agamemnon's death and her own demise at the hands of Aegisthus and Clytemnestra, her mother Hecuba's fate, Odysseus's ten-year wanderings before returning to his home, and the murder of Aegisthus and Clytemnestra by the latter's children Electra and Orestes. Cassandra predicted that her cousin Aeneas would escape during the fall of Troy and found a new nation in Rome.[12] However, she was unable to do anything to forestall these tragedies since no one believed her.[13]

Coroebus and Othronus came to the aid of Troy during the Trojan War out of love for Cassandra in exchange for her hand in marriage. Priam decided to betroth Cassandra to Telephus’s son Eurypylus after Telephus had reinforced the Trojans by sending them an army of Mysians to come to defend Troy for them.[10] Cassandra was also the first to see the body of her brother Hector being brought back to the city.

In The Fall of Troy told by Quintus Smyrnaeus, Cassandra had attempted to warn the Trojan people that she had foreseen the Greek warriors hiding in the Trojan Horse while they were celebrating their victory over the Greeks with feasting. They disbelieved her, calling her names and degrading her with insults.[14] She grabbed an axe in one hand and a burning torch in her other, and ran towards the Trojan Horse, intent on destroying it herself to stop the Greeks from destroying Troy. The Trojan people stopped her before she could do so. The Greeks hiding inside the Trojan Horse were relieved that the Trojans had stopped Cassandra from destroying it, but they were surprised by how well she had known of their plan to defeat Troy.[14]

At the fall of Troy, Cassandra sought shelter in the temple of Athena and there she embraced the wooden statue of Athena in supplication for her protection, where she was abducted and brutally raped by Ajax the Lesser. Cassandra was clinging so tightly to the statue of the goddess that Ajax knocked it over from its stand as he dragged her away.[11] One account claimed that even Athena, who had worked hard to help the Greeks destroy Troy, was not able to restrain her tears and her cheeks burned with anger. In one account, this caused her image to give forth a sound that shook the floor of the temple at the sight of Cassandra's rape before her image turned its eyes away as Cassandra was violated, although others found this account too bold.[11] Ajax's actions were a sacrilege because Cassandra was a supplicant of Athena and supplicants were untouchable in the sanctuary of a god, under the protection of that god. Furthermore, he committed another sacrilege by raping her inside the temple of Athena, despite it being strictly forbidden for people to have sexual intercourse in the temple of a god.[15]

Odysseus insisted to the other Greek leaders that Ajax should be stoned to death for his crimes, which had enraged Athena and the other gods. Ajax avoided their wrath, as none of them dared to punish him after he clung, as a supplicant, to Athena's altar and swore an oath proclaiming his innocence.[11] Athena was furious at the Greeks' failure to punish Ajax for raping Cassandra in her temple, and she gravely punished them with the help of Poseidon and Zeus. Poseidon sent storms and strong winds for her to destroy much of the Greek fleet on their way home from Troy. She punished Ajax herself, by causing him to have a terrible death though the sources of his death differ. The Locrians had to atone for Ajax's great sacrilege against Cassandra in Athena's temple by sending two maidens to Troy every year for a thousand years to serve as slaves in Athena's temple—but if they were caught by the inhabitants before they reached the temple they were executed.[10]

In some versions, Cassandra intentionally left a chest behind in Troy, with a curse on whichever Greek opened it first.[11] Inside the chest was an image of Dionysus, made by Hephaestus and presented to the Trojans by Zeus. It was given to the Greek leader Eurypylus as a part of his share of the victory spoils of Troy. When he opened the chest and saw the image of the god, he went mad.[11]

Cassandra was then taken as a concubine by King Agamemnon of Mycenae. Unbeknownst to Agamemnon, while he was away at war, his wife, Clytemnestra, had begun an affair with Aegisthus. Clytemnestra and Aegisthus then murdered both Agamemnon and Cassandra. Some sources mention that Cassandra and Agamemnon had twin boys, Teledamus and Pelops, both of whom were killed by Aegisthus.

Cassandra was sent to the Elysian Fields after her death, as her soul was judged worthy because of her dedication to the gods and her religious nature during her life.[16]

Cassandra was buried either at Amyclae or Mycenae for the two towns disputed the possession of it.[10] She had been buried most likely in Mycenae. Heinrich Schliemann was certain that he had discovered Cassandra’s tomb when he had excavated Mycenae since he had found the remains of a woman and two infants in one of the circle graves at Mycenae.[10]

The play Agamemnon from Aeschylus's trilogy Oresteia depicts the king treading the scarlet cloth laid down for him, and walking offstage to his death.[17]:ln. 972 After the chorus's ode of foreboding, time is suspended in Cassandra's "mad scene".[18]:p. 11–16 She has been onstage, silent and ignored. Her madness that is unleashed now is not the physical torment of other characters in Greek tragedy, such as in Euripides' Heracles or Sophocles' Ajax.

According to author Seth Schein, two further familiar descriptions of her madness are that of Heracles in The Women of Trachis or Io in Prometheus Bound.[18]:p. 11 She speaks, disconnectedly and transcendent, in the grip of her psychic possession by Apollo,[17]:ln. 1140 witnessing past and future events. Schein says, "She evokes the same awe, horror and pity as do schizophrenics".[18]:p. 12 Cassandra is someone "who often combine deep, true insight with utter helplessness, and who retreat into madness."

Eduard Fraenkel remarked[18]:p. 11, note 6[19] on the powerful contrasts between declaimed and sung dialogue in this scene. The frightened and respectful chorus are unable to comprehend her. She goes to her inevitable offstage murder by Clytemnestra with full knowledge of what is to befall her.[20]:pp. 42–55[full citation needed][21]:pp. 52–58

Cassandra is an enduring archetype. Modern invocations of Cassandra are most frequently an example of a Cassandra complex. To emphasize such a situation, Cassandra's name is frequently used in fiction when prophecy comes up, especially true prophecy that is not believed. This can include the names of people, objects, or places.

Cassandra has been used as metaphor and allegory in psychological and philosophical tracts. For example, Florence Nightingale's book Suggestions for Thought to Searchers after Religious Truth has a section named for Cassandra, using her as a metaphor for the helplessness of women that she attributes to over-feminization. (Further examples are located on the Cassandra complex page.)

^A snake as a source of knowledge is a recurring theme in Greek mythology, though sometimes the snake brings understanding of the language of animals rather than an ability to know the future. Likewise, prophets without honor in their own country reflect a standard narrative trope.

Patacsil, Par. Cassandra. In The Likhaan Book of Plays 1997-2003. Villanueva and Nadera, eds. University of the Philippines Press (2006). ISBN971-542-507-0

Ukrainka, Lesya. "Cassandra". Original Publication: Lesya Ukrainka. Life and work by Constantine Bida. Selected works, translated by Vera Rich. Toronto: Published for the Women's Council of the Ukrainian Canadian Committee by University of Toronto Press (1968). Pp. 181–239 ← Broken link, November 2016.

1.
Evelyn De Morgan
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Evelyn De Morgan was an English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Edward Burne-Jones and her paintings exhibit spirituality, use of mythological, biblical, and literary themes, the role of women, light and darkness as metaphors, life and death, and allegories of war. Evelyn was educated at home and started drawing lessons when she was 15, on the morning of her seventeenth birthday, Evelyn recorded in her diary, Art is eternal, but life is short… I will make up for it now, I have not a moment to lose. She went on to persuade her parents to let her go to art school, at first they discouraged it, but in 1873 she was enrolled at the Slade School of Art. She was granted a scholarship at Slade which entitled her to three years of financial assistance, however, since the scholarship required that she draw nudes using charcoal and she did not care for this technique, she eventually declined it. She was also a pupil of her uncle John Roddam Spencer Stanhope, beginning in 1875, Evelyn often visited him in Florence where he lived. This also enabled her to study the great artists of the Renaissance and this influenced her to move away from the classical subjects favored by the Slade school and to make her own style. She first exhibited in 1877 at the Grosvenor Gallery in London, in August 1883 Evelyn met the ceramicist William De Morgan, and in 5 March 1887, they married. They spent their lives together in London, De Morgan, a pacifist, expressed her horror at the First World War and South African War in over fifteen war paintings including The Red Cross and S. O. S. Two years after his death in 1917, she died on 2 May 1919 in London and was buried in Brookwood Cemetery, near Woking, in August 1875 Evelyn sold her first work Tobias and the Angel. Her first exhibited painting, St Catherine of Alexandria was shown at the Dudley Gallery in 1876, in 1877, Evelyn exhibited two works at Dudley Gallery and is invited to exhibit at the first Grosvenor Gallery exhibition. In October 1991, sixteen canvases were destroyed in a fire at Bourlets warehouse, Tobias and the Angel Cadmus and Harmonia Ariadne at Naxos Aurora Triumphans, Russell-Cotes Museum, Bournemouth. The Garden of Opportunity Life and Thought Emerging from the Tomb, Walker Art Gallery, flora Eos, Columbia Museum of Art, Columbia, South Carolina. The Undiscovered Country, Columbia Museum of Art, Columbia, South Carolina Lux in Tenebris Boreas and Oreithyia Earthbound Angel of Death, the impact of science and spiritualism on the works of Evelyn De Morgan 1870-1919. Women Artists and the Pre-Raphaelite Movement

2.
Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek

3.
Priam
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In Greek mythology, Priam was the king of Troy during the Trojan War and youngest son of Laomedon. Modern scholars derive his name from the Luwian name Pariya-muwas, which meant “exceptionally courageous” and was attested as the name of a man from Zazlippa, a similar form is attested transcribed in Greek as Paramoas near Kaisareia in Cappadocia. Notable is also Piyama-Radu, a man whose name figures prominently in the Hittite archives. Priam was originally called Podarces and he kept himself from being killed by Heracles by giving him a golden veil embroidered by his sister, after this, Podarces changed his name to Priam. This is a folk etymology based on πριατός priatos, ransomed from πρίασθαι priasthai, in Iliad Book 3, Priam tells Helen of Troy that he once helped King Mygdon of Phrygia defend against the Amazons. When Hector is killed by Achilles, the Greek warrior treats the body with disrespect, Zeus sends the god Hermes to escort King Priam, Hector’s father and the ruler of Troy, into the Greek camp. Priam tearfully pleads with Achilles to take pity on a father bereft of his son and he invokes the memory of Achilles’ own father, Peleus. Priam begs Achilles to pity him, saying I have endured what no one on earth has ever done before — I put my lips to the hands of the man who killed my son, deeply moved, Achilles relents and returns Hector’s corpse to the Trojans. Both sides agree to a truce, and Achilles gives Priam leave to hold a proper funeral for Hector. He promises that no Greek will engage in combat for nine days, but on the day of peace. Priam is killed during the Sack of Troy by Achilles son Neoptolemus and his death is graphically related in Book II of Virgils Aeneid. In Virgils description, Neoptolemus first kills Priams son Polites in front of his father as he seeks sanctuary on the altar of Zeus, Priam rebukes Neoptolemus, throwing a spear at him, harmlessly hitting his shield. Neoptolemus then drags Priam to the altar and there kills him too and it has been suggested by Hittite sources, specifically the Manapa-Tarhunta letter, that there is historical basis for the archetype of King Priam. The letter describes one Piyama-Radu as a rebel who overthrew a Hittite client king. There is also mention of an Alaksandu, suggested to be Paris Alexander, in Apollodorus Library, Telamon was almost killed during the siege of Troy. Telamon was the first one to break through the Trojan wall, Hercules was about to cut him down with his sword when Telamon began to quickly assemble an altar out of nearby stones in honor of Hercules. Hercules was so pleased, after the sack of Troy he gave Telamon Hesione as a wife, Hesione requested that she be able to bring her brother Podarces with her. Hercules would not allow it unless Hesione bought Podarces as a slave, Hesione paid for her brother with a veil

4.
Hecuba
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Hecuba was a queen in Greek mythology, the wife of King Priam of Troy during the Trojan War, with whom she had 19 children. These children included several characters of Homers Iliad such as the warriors Hector and Paris. Ancient sources vary as to the parentage of Hecuba, according to Homer, Hecuba was the daughter of King Dymas of Phrygia, but Euripides and Virgil write of her as the daughter of the Thracian king Cisseus. According to Suetonius in The Twelve Caesars, the emperor Tiberius pestered scholars with obscure questions about ancient mythology, Hecuba appears six times in the Iliad. In Book 6. 326–96, she meets Hector upon his return to the polis and offers him the cup, instructing him to offer it to Zeus. Taking Hectors advice, she chooses a gown taken from Alexanders treasure to give as an offering to the goddess, in Book 22, she pleads with Hector not to fight Achilles, for fear of never get to mourn you laid out on a bier. In Book 24. 201–16, she is stricken with anxiety upon hearing of Priams plan to retrieve Hectors body from Achilles hut. Further along in the episode, at 24. 287–98, she offers Priam the libation cup. Unlike in the first episode in which Hector refuses her offer of the cup, finally, she laments Hectors death in a well-known speech at 24. 748–59. The Bibliotheca of Pseudo-Apollodorus states that Hecuba had a son named Troilus with the god Apollo, an oracle prophesied that Troy would not be defeated if Troilus reached the age of twenty alive. Hecuba is a character in two plays by Euripides, The Trojan Women and Hecuba. The Trojan Women describes the aftermath of the fall of Troy, Hecuba also takes place just after the fall of Troy. Polydorus, the youngest son of Priam and Hecuba, is sent to King Polymestor for safekeeping, Hecuba learns of this, and when Polymestor comes to the fallen city, Hecuba, by trickery, blinds him and kills his two sons. A third story says that when she was given to Odysseus as a slave, she snarled and cursed at him, so the gods turned her into a dog, in another tradition, Hecuba went mad upon seeing the corpses of her children Polydorus and Polyxena

5.
Troy
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The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period

6.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama

7.
Prophecy
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Prophecy is not limited to any one culture. It is a property to all known ancient societies around the world. Many systems and rules about prophecy have been proposed over several millennia, the related meaning thing spoken or written by a prophet dates from c. 1300, while the verb to prophesy is recorded by 1377, the former closely relates to the definition by Al-Fârâbî who developed the theory of prophecy in Islam. According to Western esotericist Rosemary Guiley, clairvoyance has been used as an adjunct to divination, prophecy, Modern research in prophecy is a pseudoscience. In general, a diviners foretelling or a prophetic prediction of the future does not adhere to the scientific method, from a skeptical point of view, there is a Latin maxim, prophecy written after the fact vaticinium ex eventu. The Jewish Torah already deals with the topic of the false prophet, the Haedong Kosung-jon records that King Beopheung of Silla had desired to promulgate Buddhism as the state religion. However, officials in his court opposed him, in the fourteenth year of his reign, Beopheungs Grand Secretary, Ichadon, devised a strategy to overcome court opposition. Ichadon schemed with the king, convincing him to make a proclamation granting Buddhism official state sanction using the royal seal, Ichadon told the king to deny having made such a proclamation when the opposing officials received it and demanded an explanation. Instead, Ichadon would confess and accept the punishment of execution, Ichadon prophesied to the king that at his execution a wonderful miracle would convince the opposing court faction of Buddhisms power. Ichadons scheme went as planned, and the officials took the bait. The omen was accepted by the court officials as a manifestation of heavens approval. In ancient Chinese, prophetic texts are known as Chen, the most famous Chinese prophecy is the Tui bei tu The New Testament refers to prophecy as one of the spiritual gifts given by the indwelling Holy Spirit. From this, many Christians believe that the gift of prophecy is the ability to receive. The purpose of the message may be to edify, exhort and comfort the members of the Church, in this context, not all prophecies contain predictions about the future. The Apostle Paul teaches in First Corinthians that prophecy is for the benefit of the whole Church, a recognized form of Christian prophecy is the prophetic drama which Frederick Dillistone describes as a metaphorical conjunction between present situations and future events. The gift of prophecy was acknowledged in the Church after the death of the apostles, in his Dialogue with Trypho, Justin Martyr argued that prophets were no longer among Israel but were in the Church. The Shepherd of Hermas, written around the mid-2nd century - John A. T. Robinson dates it before 85 AD, irenaeus confirms the existence of such spiritual gifts in his Against Heresies

8.
Apollo
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Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf

9.
Epic Cycle
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Aside from the Iliad and the Odyssey, the cyclic epics only survive in fragments and summaries from Late Antiquity and the Byzantine period. The epics were composed in dactylic hexameter verse, the epic cycle was the distillation in literary form of an oral tradition that had developed during the Greek Dark Age, which was based in part on localised hero cults. The traditional material from which the epics were drawn treats Mycenaean Bronze Age culture from the perspective of Iron Age. In modern scholarship the study of the historical and literary relationship between the Homeric epics and the rest of the Cycle is called Neoanalysis, modern scholars do not normally include the Theban Cycle when referring to the Epic Cycle. Herodotus knew of the Cypria and the Epigoni when he wrote his History in mid-5th century BCE and he rejected the Homeric authorship for the former, and questioned it for the latter. As a result, only one tragedy is made out of the Iliad and the Odyssey, but from the Cypria many, the Library attributed to Apollodorus and the 2nd century CE Latin Genealogia attributed to Hyginus also drew on them. Furthermore, there is also the Tabula iliaca inscriptions that cover the same myths, most knowledge of the Cyclic epics comes from a broken summary of them which serves as part of the preface to the famous 10th century CE Iliad manuscript known as Venetus A. This preface is damaged, missing the Cypria, and has to be supplemented by other sources, the summary is in turn an excerpt from a longer work, Chrestomathy, written by a Proclus. This is known from evidence provided by the later scholar Photius, Photius provides sufficient information about Proclus Chrestomathy to demonstrate that the Venetus A excerpt is derived from the same work. Little is known about Proclus, except that he is not the philosopher Proclus Diadochus. The non-Homeric epics are usually regarded as later than the Iliad, there is no reliable evidence for this, however, and some Neoanalyst scholars operate on the premise that the Homeric epics were later than the Cyclic epics and drew on them extensively. Other Neoanalysts make the claim that the Homeric epics draw on legendary material which later crystallized into the Epic Cycle. In antiquity the Homeric epics were considered to be the greatest works in the Cycle, how and when the eight epics of the Cycle came to be combined into a single collection and referred to as a cycle is a matter of ongoing debate. More recent scholars have preferred to push the date slightly earlier, the nature of the relationship between the Cyclic epics and Homer is also bound up in this question. As told by Proclus, the plots of the six non-Homeric epics look very much as though they are designed to integrate with Homer and it is probable that at least some editing or stitching was done to edit epics together. For the last line of the Iliad, ὣς οἵ γ᾽ ἀμφίεπον τάφον Ἕκτορος ἱπποδάμοιο, in this way they performed the funeral of Hector, tamer of horses. An alternative reading is preserved which is designed to directly into the Aethiopis, ὣς οἵ γ ἀμφίεπον τάφον Ἕκτορος· ἦλθε δ Ἀμαζών. In this way they performed the funeral of Hector, then the Amazon Penthesileia came, there are contradictions between epics in the Cycle

10.
Greek tragedy
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Greek tragedy is a form of theatre from Ancient Greece and Asia Minor. It reached its most significant form in Athens in the 5th century BC, Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors, the most acclaimed Greek tragedians are Aeschylus, Sophocles and Euripides. The origin of the tragedy has been a matter of discussion from ancient times. The primary source of knowledge on the question is the Poetics of Aristotle, Aristotle was able to gather first-hand documentation from theater performance in Attica, which is inaccessible to scholars today. His work is invaluable for the study of ancient tragedy. According to Aristotle, tragedy evolved from the dithyramb, an Ancient Greek hymn. The term τραγῳδία, derived from goat and ᾠδή song, means song of the goats. Others suggest that the term came into being when the legendary Thespis competed in the first tragic competition for the prize of a goat, there are other suggested etymologies for the word tragedy. The Oxford English Dictionary adds to the reference to goat song. J. DAmico, on the hand, suggests that tragoidía does not mean simply song of the goats. Other hypotheses have included an etymology that would define the tragedy as an ode to beer, jane Ellen Harrison pointed out that Dionysus, god of wine was actually preceded by Dionysus, god of beer. Athenian beer was obtained from the fermentation of barley, which is tragos in Greek, thus, it is likely that the term was originally meant to be odes to spelt, and later on, it was extended to other meanings of the same name. She writes, Tragedy I believe to be not the goat-song, but the harvest-song of the cereal tragos, the origin of Greek tragedy is one of the unsolved problems of classical scholarship. Ruth Scodel notes that, due to lack of evidence and doubtful reliability of sources, still, R. P. Winnington-Ingram points out that we can easily trace various influences from other genres. How these have come to be associated with one another remains a mystery however, speculating on the problem, Scodel writes that, Three innovations must have taken place for tragedy as we know it to exist. First, somebody created a new kind of performance by combining a speaker with a chorus, second, this performance was made part of the City Dionysia at Athens

11.
Proto-Indo-European
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Proto-Indo-European is the linguistic reconstruction of the common ancestor of the Indo-European languages, the most widely spoken language family in the world. Far more work has gone into reconstructing PIE than any other proto-language and these methods supply all of the knowledge concerning PIE, since there is no written record of the language. PIE is estimated to have spoken as a single language around 3500 B. C. E. during the Neolithic Age. According to the prevailing Kurgan hypothesis, the homeland of the Proto-Indo-Europeans may have been in the Pontic–Caspian steppe of Eastern Europe. Work has also gone into reconstructing their culture and religion, PIE had a complex system of morphology that included inflectional suffixes as well as ablaut and accent. PIE nominals and pronouns had a system of declension. The PIE phonology, particles, numerals, and copula are also well-reconstructed, today, the most widely-spoken daughter languages of PIE are Spanish, English, Hindustani, Portuguese, Bengali, Russian, Punjabi, German, French, and Marathi. There is no evidence of PIE. It has been reconstructed from its present-day descendants using the comparative method, the comparative method is based on the Neogrammarian rule that the Indo-European sound laws are applied without exception. The method compares languages and applies the laws to find a common ancestor. For example, compare the pairs of words in Italian and English, piede and foot, padre and father, pesce and fish. Since there is a consistent correspondence of the consonants that is far too frequent to be coincidental. Although his name is associated with this observation, he was not the first to make it. In many ways Jones work was less accurate than his predecessors, as he erroneously included Egyptian, Japanese and Chinese in the Indo-European languages, while omitting Hindi. In 1818, Rasmus Christian Rask elaborated the set of correspondences to include other Indo-European languages, such as Sanskrit and Greek, and the full range of consonants involved. In 1816 Franz Bopp published On the System of Conjugation in Sanskrit in which he investigated a common origin of Sanskrit, Persian, Greek, Latin, and German. In 1833 he began publishing the Comparative Grammar of Sanskrit, Zend, Greek, Latin, Lithuanian, Old Slavic, Gothic, in 1822, Jacob Grimm formulated what is now known as Grimms law as a general rule in his Deutsche Grammatik. Grimm showed correlations between the Germanic and other Indo-European languages, and showed that sound change affects an entire language systematically, august Schleichers A Compendium of the Comparative Grammar of the Indo-European, Sanskrit, Greek and Latin Languages was an early attempt to reconstruct the proto-Indo-European language

12.
Incunable
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An incunable, or sometimes incunabulum, is a book, pamphlet, or broadside that was printed—not handwritten—before the year 1501 in Europe. Incunable is the singular form of incunabula, Latin for swaddling clothes or cradle. A former term for incunable is fifteener, referring to the 15th century, but since 2009 we know that this lexical invention should no more be assigned to Mallinckrodt, dated 1569, it has to be credited to the Dutch Physician Hadrianus Junius. The term came to denote the printed books themselves in the late 17th century, post-incunable typically refers to books printed after 1500 up to another arbitrary end date such as 1520 or 1540. As of 2014, there are about 30,000 distinct incunable editions known to be extant, many authors reserve the term incunabula for the typographic ones only. The spread of printing to cities both in the north and in Italy ensured that there was great variety in the chosen for printing. Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles, standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various local vernaculars began to appear. Other printers of incunabula were Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges, the first incunable to have woodcut illustrations was Ulrich Boners Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461. The data in this section were derived from the Incunabula Short-Title Catalogue, printing towns, The number of printing towns and cities stands at 282. These are situated in some 18 countries in terms of present-day boundaries, illustrations, Only about one edition in ten has any illustrations, woodcuts or metalcuts. Survival, The commonest incunable is Schedels Nuremberg Chronicle of 1493, very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a complete incunable may consist of a slip, or up to ten volumes. Formats, In terms of format, the 29, 000-odd editions comprise,2,000 broadsides,9,000 folios,15,000 quartos,3,000 octavos,18 12mos,230 16mos,20 32mos, and 3 64mos. Caxton, ISTC at present cites 528 extant copies of books printed by Caxton, dispersal, Apart from migration to mainly North American and Japanese universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to less than 2,000 copies – i. e. about 97. 75% remain north of the equator. However many incunabula are sold at auction or through the book trade every year. The British Librarys Incunabula Short Title Catalogue now records over 29,000 titles, studies of incunabula began in the 17th century. Hain was expanded in subsequent editions, by Walter A, North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue

13.
Giovanni Boccaccio
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Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote a number of works, including The Decameron. The details of Boccaccios birth are uncertain and he was born in Florence or in a village near Certaldo where his family was from. He was the son of Florentine merchant Boccaccino di Chellino and an unknown woman, Boccaccios stepmother was called Margherita de Mardoli. His father worked for the Compagnia dei Bardi and, in the 1320s, married Margherita dei Mardoli, Boccaccio may have been tutored by Giovanni Mazzuoli and received from him an early introduction to the works of Dante. In 1326, his father was appointed head of a bank, Boccaccio was an apprentice at the bank but disliked the banking profession. He persuaded his father to let him study law at the Studium and he also pursued his interest in scientific and literary studies. His father introduced him to the Neapolitan nobility and the French-influenced court of Robert the Wise in the 1330s, at this time, he fell in love with a married daughter of the king, who is portrayed as Fiammetta in many of Boccaccios prose romances, including Il Filocolo. Acciaioli later became counselor to Queen Joanna I of Naples and, eventually and it seems that Boccaccio enjoyed law no more than banking, but his studies allowed him the opportunity to study widely and make good contacts with fellow scholars. His early influences included Paolo da Perugia, humanists Barbato da Sulmona and Giovanni Barrili, in Naples, Boccaccio began what he considered his true vocation of poetry. Works produced in this period include Il Filostrato and Teseida, The Filocolo, the period featured considerable formal innovation, including possibly the introduction of the Sicilian octave, where it influenced Petrarch. Boccaccio returned to Florence in early 1341, avoiding the plague of 1340 in that city and he had left Naples due to tensions between the Angevin king and Florence. His father had returned to Florence in 1338, where he had gone bankrupt, the pastoral piece Ninfale fiesolano probably dates from this time, also. In 1343, Boccaccios father remarried to Bice del Bostichi and his children by his first marriage had all died, but he had another son named Iacopo in 1344. In Florence, the overthrow of Walter of Brienne brought about the government of popolo minuto and it diminished the influence of the nobility and the wealthier merchant classes and assisted in the relative decline of Florence. The city was further in 1348 by the Black Death. From 1347, Boccaccio spent much time in Ravenna, seeking new patronage and, despite his claims and his stepmother died during the epidemic and his father was closely associated with the government efforts as Minister of Supply in the city. His father died in 1349 and Boccaccio was forced into an active role as head of the family

14.
De mulieribus claris
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De Mulieribus Claris or De Claris Mulieribus is a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, first published in 1374. It is notable as the first collection devoted exclusively to biographies of women in Western literature, at the same time as he was writing On Famous Women, Boccaccio also compiled a collection of biographies of famous men, De Casibus Virorum Illustrium. Boccaccio claimed to have written the 106 biographies for the posterity of the women who were considered renowned and he believed that recounting the deeds of certain women who may have been wicked would be offset by the exhortations to virtue by the deeds of good women. He writes in his presentation of this combination of all types of women that hopefully it would encourage virtue, the author declares in the preface that this collection of 106 short biographies of women is the first example in Western literature devoted solely and exclusively to women. Boccaccio himself even says this work was inspired and modeled on Petrarchs De Viris Illustribus and it also had influence on Geoffrey Chaucers Legend of Good Women and The Canterbury Tales. Boccaccios work has much respect in the history of Western literature and is a fountainhead for European women biography, Boccaccio wrote this work in Certaldo probably between the summer of 1361 and the summer of 1362, although it could have been as late as December 1362. He dedicated his work to Andrea Acciaioli, Countess of Altavilla and she was not his first choice however. He first considered to dedicate his slim volume to Joanna I of Naples and he ultimately decided that his work as a little book was not worthy a person of such great fame. There are over 100 surviving manuscripts which shows that the De Mulieribus Claris was among the most popular works in the last age of the manuscript book. In the last part of the 14th century after Boccaccio died a Donato degli Albanzani had a copy that his friend Boccaccio gave him, in the beginning of the 16th century a Henry Parker translated about half into English and dedicated it to Henry VIII. This was then followed in the 16th century of other Italian translations by Luca Antonio Ridolfi, the invention of the printing press brought the first Latin version done by Johan Zainer in Ulm about 1473. The only complete 16th century printed Latin version to survive is from a Mathias Apiarus done around 1539, from that time it was not until the middle of the 20th century until there was another complete printed version done – some 400 years later. The 106 Famous Women biographies are of mythological and historical women, the brief life stories follow the same general exemplary literature patterns used in various versions of De viris illustribus. This is sometimes interjected with a philosophical or inspirational lesson at the end, the only sources that Boccaccio specifically says he used are Saint Paul, the Bible and Jerome. The wording of the biographies themselves, however, provide hints about where he obtained his information and he clearly had access to works of the classical authors Valerius Maximus, Pliny, Livy, Ovid, Suetonius, Statius, Virgil, Lactantius, Orosius, and Justinus. Ghost of Boccaccio, Writings on Famous Women, Franklin, M

15.
Twin
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Twins are two offspring produced by the same pregnancy. Twins can be either monozygotic, meaning that they develop from one zygote, in fraternal twins, each twin is fertilized by its own sperm cell. In contrast, a fetus that develops alone in the womb is called a singleton, the human twin birth rate in the United States rose 76% from 1980 through 2009, from 18.9 to 33.3 per 1,000 births. In Central Africa there are 18–30 twin sets per 1,000 live births, in Latin America, South Asia, and Southeast Asia, the lowest rates are found, only 6 to 9 twin sets per 1,000 live births. North America and Europe have intermediate rates of 9 to 16 twin sets per 1,000 live births, Multiple pregnancies are much less likely to carry to full term than single births, with twin pregnancies lasting on average 37 weeks, three weeks less than full term. Women who have a history of fraternal twins have a higher chance of producing fraternal twins themselves. There is no genetic link for identical twinning. Other factors that increase the odds of having fraternal twins include maternal age, fertility drugs and other fertility treatments, nutrition, the vast majority of twins are either dizygotic or monozygotic. Less common variants are discussed further down the article, the rates for singletons vary slightly by country. For example, the sex ratio of birth in the US is 1.05 males/female, while it is 1.07 males/female in Italy. However, males are more susceptible than females to die in utero. Zygosity is the degree of identity in the genome of twins, dizygotic or fraternal twins usually occur when two fertilized eggs are implanted in the uterus wall at the same time. When two eggs are fertilized by two different sperm cells, fraternal twins result. The two eggs, or ova, form two zygotes, hence the terms dizygotic and biovular. Fraternal twins are, essentially, two siblings who happen to be born at the same time, since they arise from two separate eggs fertilized by two separate sperm, just like ordinary siblings. This is the most common type of twin, dizygotic twins, like any other siblings, have an extremely small chance of having the same chromosome profile. Even if they happen to have the same profile, they will always have different genetic material on each chromosome. Like any other siblings, dizygotic twins may look similar, particularly given that they are the same age, however, dizygotic twins may also look very different from each other

16.
Aeschylus
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Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy, academics knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them, fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy, at least one of his plays was influenced by the Persians second invasion of Greece. This work, The Persians, is the surviving classical Greek tragedy concerned with contemporary events. Despite this, Aeschylus work – particularly the Oresteia – is generally acclaimed by modern critics and scholars. As soon as he woke from the dream, the young Aeschylus began to write a tragedy, and his first performance took place in 499 BC and he won his first victory at the City Dionysia in 484 BC. In 510 BC, when Aeschylus was 15 years old, Cleomenes I expelled the sons of Peisistratus from Athens, Cleisthenes reforms included a system of registration that emphasized the importance of the deme over family tradition. In the last decade of the 6th century, Aeschylus and his family were living in the deme of Eleusis, the Persian Wars played a large role in the playwrights life and career. In 490 BC, Aeschylus and his brother Cynegeirus fought to defend Athens against the army of Darius I of Persia at the Battle of Marathon. The Athenians emerged triumphant, a victory celebrated across the city-states of Greece, Cynegeirus, however, died in the battle, receiving a mortal wound while trying to prevent a Persian ship retreating from the shore, for which his countrymen extolled him as a hero. In 480, Aeschylus was called into service again, this time against Xerxes Is invading forces at the Battle of Salamis. Ion of Chios was a witness for Aeschyluss war record and his contribution in Salamis, Salamis holds a prominent place in The Persians, his oldest surviving play, which was performed in 472 BC and won first prize at the Dionysia. Aeschylus was one of many Greeks who were initiated into the Eleusinian Mysteries, initiates gained secret knowledge through these rites, likely concerning the afterlife. Firm details of specific rites are sparse, as members were sworn under the penalty of not to reveal anything about the Mysteries to non-initiates. Nevertheless, according to Aristotle, Aeschylus was accused of revealing some of the secrets on stage. Other sources claim that a mob tried to kill Aeschylus on the spot. Heracleides of Pontus asserts that the tried to stone Aeschylus

17.
Oresteia
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This trilogy also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC, many consider the Oresteia to be Aeschylus finest work. The principal themes of the include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. Orestia originally included a satyr play Proteus following the tragic trilogy, Agamemnon is the first of the three plays within the Oresteia trilogy. It details the homecoming of Agamemnon, King of Mycene, from the Trojan War, after ten years of warfare, Troy had fallen and all of Greece could lay claim to victory. Waiting at home for Agamemnon is his wife, Queen Clytemnestra, who has been planning his murder. The play opens to a watchman looking down and over the sea, reporting that he has been lying restless like a dog for a year and he laments the fortunes of the house, but promises to keep silent, A huge ox has stepped onto my tongue. The watchman sees a far off in the distance and is overjoyed at the victory. Clytaemnestra is introduced to the audience and she declares that there will be celebrations and sacrifices throughout the city as Agamemnon, upon the return of Agamemnon, his wife laments in full view of Argos how horrible the wait for her husband, and King, has been. After her soliloquy, Clytaemnestra pleads, and later convinces Agamemnon to walk on the laid out for him. This is a very ominous moment in the play as loyalties and motives are questioned, the Kings new concubine, Cassandra, is now introduced and this immediately spawns hatred from the queen, Clytaemnestra. Cassandra is ordered out of her chariot and to the altar where, once she is alone, is crying out insane prophecies to Apollo about the death of Agamemnon. Inside the house a cry is heard, Agamemnon had been stabbed in the bathtub. The chorus separate from one another and ramble to themselves proving their cowardice when another final cry is heard, when the doors are finally opened, Clytaemnestra is seen standing over the dead bodies of Agamemnon and Cassandra. Clytaemnestra describes the murder in detail to the chorus, showing no sign of remorse or regret, suddenly the exiled lover of Clytaemnestra, Aegisthus, bursts into the palace to take his place next to her. Aegisthus proudly states that he devised the plan to murder Agamemnon, Clytaemnestra claims that she and Aegisthus now have all the power and they re-enter the palace with the doors closing behind them. Upon arriving, Orestes reunites with his sister Electra at Agamemnons grave, shortly after the reunion, both Orestes and Electra, influenced by the Chorus, come up with a plan to kill both Clytaemnestra and Aegisthus. Orestes then heads to the door where he is unexpectedly greeted by Clytaemnestra

18.
Ajax the Lesser
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Ajax was a Greek mythological hero, son of Oileus, the king of Locris. He was called the lesser or Locrian Ajax, to him from Ajax the Great. He was the leader of the Locrian contingent during the Trojan War and he is a significant figure in Homers Iliad and is also mentioned in the Odyssey, in Virgils Aeneid and in Euripides The Trojan Women. In Etruscan legend, he was known as Aivas Vilates, according to Strabo, he was born in Naryx in Locris, where Ovid calls him Narycius Heroes. According to the Iliad, he led his Locrians in forty ships against Troy and he is described as one of the great heroes among the Greeks. In battle, he wore a cuirass, was brave and intrepid, especially skilled in throwing the spear and, next to Achilles. On his return from Troy, his vessel was wrecked on the Whirling Rocks and he would have been saved in spite of Athena, but he said that he would escape the dangers of the sea in defiance of the immortals. In punishment for this presumption, Poseidon split the rock with his trident, in later traditions, this Ajax is called a son of Oileus and the nymph Rhene and is also mentioned among the suitors of Helen. After the taking of Troy, he rushed into the temple of Athena, where Cassandra had taken refuge, Ajax violently dragged her away to the other captives. According to some writers, he raped Cassandra inside the temple, odysseus, accused him of this crime and Ajax was to be stoned to death, but saved himself by establishing his innocence with an oath to Athena, clutching her statue in supplication. Since Ajax dragged a supplicant from her temple, Athena had cause to be indignant, despite this, Ajax managed to hide in the altar of a deity where the Greeks, fearing divine retribution should they kill him and destroy the altar, allowed him to live. When the Greeks left without killing Ajax, despite their sacrifices, when Ajax finally left Troy during the Returns from Troy, Athena hit his ship with a thunderbolt, but Ajax still survived with some of his men, managing to cling onto a rock. He boasted that even the gods could not kill him and Poseidon, upon hearing this, split the rock with his trident, thetis buried him when the corpse washed up on Myconos. Other versions depict a different death for Ajax, showing him dying when on his voyage home, after his death, his spirit dwelt in the island of Leuce. The story of Ajax was frequently made use of by ancient poets and artists, and the hero who appears on some Locrian coins with the helmet, shield, other accounts of his death are offered by Philostratus and the scholiast on Lycophron. The abduction of Cassandra by Ajax was frequently represented in Greek works of art, such as the chest of Cypselus described by Pausanias and this article incorporates text from a publication now in the public domain, Smith, William, ed. article name needed. Dictionary of Greek and Roman Biography and Mythology and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Ajax

19.
Palladium (classical antiquity)
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See also Palladium for post-classical usages. The Roman story is related in Virgils Aeneid and other works, such beliefs first become prominent in the Eastern church in the period after the reign of the Byzantine Emperor Justinian I, and later spread to the Western church. Palladia were carried in procession around the walls of besieged cities and sometimes carried into battle, the Trojan Palladium was said to be a wooden image of Pallas and to have fallen from heaven in answer to the prayer of Ilus, the founder of Troy. In Ilion, King Ilus was blinded for touching the image to preserve it from a burning temple, during the Trojan War, the importance of the Palladium to Troy was said to have been revealed to the Greeks by Helenus, the prophetic son of Priam. After Paris death, Helenus left the city but was captured by Odysseus, the Greeks somehow managed to persuade the warrior seer to reveal the weakness of Troy. The Greeks learned from Helenus, that Troy would not fall while the Palladium, image or statue of Athena, the difficult task of stealing this sacred statue again fell upon the shoulders of Odysseus and Diomedes. Since Troy could not be captured while it safeguarded this image, in this way the Greeks were then able to enter Troy and lay it waste using the deceit of the Trojan Horse. Odysseus, according to The Epic Cycle, in the chrestomathy summarizing the Little Iliad, went by night to Troy in disguise, there he was recognized by Helen, who told him where the Palladium was. After killing some of the Trojans, he returned to the ships and he and Diomedes then re-entered the city and stole the Palladium. Diomedes is sometimes regarded as the person who removed the Palladium. There are several statues and many ancient drawings of him with the Palladium, in the Narratives of the Augustan period mythographer Conon, summarised by Photius, on the way to the ships, Odysseus plotted to kill Diomedes and claim the Palladium for himself. He raised his sword to stab Diomedes in the back, Diomedes was alerted to the danger by glimpsing the gleam of the sword in the moonlight. He disarmed Odysseus, tied his hands, and drove him along in front, from this action was said to have arisen the Greek proverbial expression Diomedes necessity, applied to those who act under compulsion. Because Odysseus was essential for the destruction of Troy, Diomedes refrained from punishing him, Diomedes took the Palladium with him when he left Troy. According to some stories, he brought it to Italy, some say that it was stolen from him on the way. According to various versions of this legend the Trojan Palladium found its way to Athens, or Argos, or Sparta, to this last city it was either brought by Aeneas the exiled Trojan or surrendered by Diomedes himself. It was kept there in the Temple of Vesta in the Roman Forum for centuries and it was regarded as one of the pignora imperii, sacred tokens or pledges of Roman rule. Pliny the Elder said that Lucius Caecilius Metellus had been blinded by fire when he rescued the Palladium from the Temple of Vesta in 241 BC, an episode alluded to in Ovid and Valerius Maximus

20.
Pompeii
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Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osci or Oscans. It came under the domination of Rome in the 4th century BC, by the time of its destruction,160 years later, its population was estimated at 11,000 people, and the city had a complex water system, an amphitheatre, gymnasium, and a port. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash, the site was lost for about 1,500 years until its initial rediscovery in 1599 and broader rediscovery almost 150 years later by Spanish engineer Rocque Joaquin de Alcubierre in 1748. The objects that lay beneath the city have been preserved for centuries because of the lack of air and these artefacts provide an extraordinarily detailed insight into the life of a city during the Pax Romana. During the excavation, plaster was used to fill in the voids in the ash layers that once held human bodies and this allowed archaeologists to see the exact position the person was in when he or she died. Pompeii has been a tourist destination for over 250 years, today it has UNESCO World Heritage Site status and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors every year. Pompeii in Latin is a second declension plural, the ruins of Pompeii are located near the modern suburban town of Pompei. It stands on a formed by a lava flow to the north of the mouth of the Sarno River. Today it is some distance inland, but in ancient times was nearer to the coast, Pompeii is about 8 km away from Mount Vesuvius. It covered a total of 64 to 67 hectares and was home to approximately 11,000 to 11,500 people on the basis of household counts and it was a major city in the region of Campania. Three sheets of sediment have been found on top of the lava that lies below the city and, mixed in with the sediment, archaeologists have found bits of bone, pottery shards. Carbon dating has placed the oldest of these layers from the 8th–6th centuries BC, the other two strata are separated either by well-developed soil layers or Roman pavement, and were laid in the 4th century BC and 2nd century BC. It is theorized that the layers of the sediment were created by large landslides. The town was founded around the 7th-6th century BC by the Osci or Oscans and it had already been used as a safe port by Greek and Phoenician sailors. According to Strabo, Pompeii was also captured by the Etruscans, and in recent excavations have shown the presence of Etruscan inscriptions. Pompeii was captured for the first time by the Greek colony of Cumae, allied with Syracuse, in the 5th century BC, the Samnites conquered it, the new rulers imposed their architecture and enlarged the town

21.
Paris (mythology)
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Paris, also known as Alexander, the son of King Priam and Queen Hecuba of Troy, appears in a number of Greek legends. Probably the best-known was his elopement with Helen, queen of Sparta, later in the war, he fatally wounds Achilles in the heel with an arrow as foretold by Achilles’s mother Thetis. The name Paris is probably Luwian and comparable to Pari-zitis attested as a Hittite scribes name, Paris was a child of Priam and Hecuba. Just before his birth, his mother dreamed that she gave birth to a flaming torch and this dream was interpreted by the seer Aesacus as a foretelling of the downfall of Troy, and he declared that the child would be the ruin of his homeland. Though Paris was indeed born before nightfall, he was spared by Priam, Hecuba, too, was unable to kill the child, despite the urging of the priestess of Apollo, one Herophile. Instead, Pariss father prevailed upon his chief herdsman, Agelaus, to remove the child, the herdsman, unable to use a weapon against the infant, left him exposed on Mount Ida, hoping he would perish there, he was, however, suckled by a she-bear. Returning after nine days, Agelaus was astonished to find the still alive. He returned to Priam bearing a dogs tongue as evidence of the deeds completion and it was at this time that Oenone became Pariss first lover. She was a nymph from Mount Ida in Phrygia and her father was Cebren, a river-god. She was skilled in the arts of prophecy and medicine, which she had been taught by Rhea and Apollo respectively. When Paris later left her for Helen she told him if he ever was wounded, he should come to her for she could heal any injury. Pariss chief distraction at this time was to pit Agelauss bulls against one another, one bull began to win these bouts consistently, and Paris began to set it against rival herdsmens own prize bulls, it defeated them all. Finally Paris offered a crown to any bull that could defeat his champion. Ares responded to this challenge by transforming himself into a bull, in celebration of the marriage of Peleus and Thetis, Lord Zeus, father of the Greek pantheon, hosted a banquet on Mount Olympus. Every deity and demi-god had been invited, except Eris, the goddess of strife, the goddesses thought to be the most beautiful were Hera, Athena, and Aphrodite, and each one claimed the apple. They started a quarrel so they asked Zeus to choose one of them, knowing that choosing any of them would bring him the hatred of the other two, Zeus did not want to take part in the decision. He thus appointed Paris to select the most beautiful, escorted by Hermes, the three goddesses bathed in the spring of Mount Ida and approached Paris as he herded his cattle. Having been given permission by Zeus to set any conditions he saw fit, Paris chose Aphrodite— and, therefore, Helen

22.
Johann Heinrich Wilhelm Tischbein
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Johann Heinrich Wilhelm Tischbein, known as the Goethe Tischbein, was a German painter from the Tischbein family of artists. His father, Johann Conrad, was the carpenter for the convent in Haina and he began his artistic studies with his uncle, Johann Jacob Tischbein in Hamburg. From 1772 to 1773, he travelled in Holland, studying the Old Masters, after 1777, he established himself as a portrait painter in Berlin and became a member of the Masonic Lodge. He was able to visit Rome in 1779 and continue his studies, during this time, his style progressed from Rococo to Classicism. When he ran out of money in 1781, he settled in Zurich. In 1783, he was able to return to Rome with a grant from Duke Ernest II, obtained upon the recommendation of Johann Wolfgang von Goethe and he remained in Italy until 1799 and became friends with Goethe, travelling with him to Naples in 1787. During his last ten years there, he was director of the Accademia di Belle Arti di Napoli and he left following the French occupation, when the anti-royalist Parthenopean Republic was established. After 1808, he worked for Grand Duke Peter I, from then until his death, he was a resident of Eutin. He spent several years after 1810 writing his autobiography, Aus meinem Leben and it was not published until 1861 and has not been reissued since. His son, Peter Friedrich Ludwig Tischbein, was a noted forester, complete text of Aus meinem Leben @ Google Books Media related to Johann Heinrich Wilhelm Tischbein at Wikimedia Commons

23.
Agamemnon
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Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, was taken to Troy by Paris, upon Agamemnons return from Troy, he was murdered by Aegisthus, the lover of his wife, Clytemnestra. In some later versions Clytemnestra herself does the killing, or they act together as accomplices, Atreus, Agamemnons father, murdered the children of his twin brother Thyestes and fed them to Thyestes after discovering Thyestes adultery with his wife Aerope. Thyestes fathered Aegisthus with his own daughter, Pelopia, and this son vowed gruesome revenge on Atreus children, Aegisthus successfully murdered Atreus and restored his father to the throne. Aegisthus took possession of the throne of Mycenae and jointly ruled with Thyestes, during this period Agamemnon and his brother, Menelaus, took refuge with Tyndareus, King of Sparta. There they respectively married Tyndareus daughters Clytemnestra and Helen, Agamemnon and Clytemnestra had four children, one son, Orestes, and three daughters, Iphigenia, Electra and Chrysothemis. Menelaus succeeded Tyndareus in Sparta, while Agamemnon, with his brothers assistance, drove out Aegisthus and he extended his dominion by conquest and became the most powerful prince in Greece. Thus misfortune hounded successive generations of the House of Atreus, until atoned by Orestes in a court of justice held jointly by humans, Agamemnon gathered the reluctant Greek forces to sail for Troy. Preparing to depart from Aulis, which was a port in Boeotia, misfortunes, including a plague and a lack of wind, prevented the army from sailing. Finally, the prophet Calchas announced that the wrath of the goddess could only be propitiated by the sacrifice of Agamemnons daughter Iphigenia and her death appeased Artemis, and the Greek army set out for Troy. Several alternatives to the human sacrifice have been presented in Greek mythology, hesiod said she became the goddess Hecate. Agamemnon was the commander-in-chief of the Greeks during the Trojan War, during the fighting, Agamemnon killed Antiphus and fifteen other Trojan soldiers. The Iliad tells the story about the quarrel between Agamemnon and Achilles in the year of the war. Following one of the Achaean Armys raids, Chryseis, daughter of Chryses, Chryses pleaded with Agamemnon to free his daughter but was met with little success. Chryses then prayed to Apollo for the return of his daughter. After learning from the Prophet Calchas that the plague could be dispelled by returning Chryseis to her father, Agamemnon reluctantly agreed, however, as compensation for his lost prize, Agamemnon demanded a new prize. As a result, Agamemnon stole an attractive slave called Briseis, one of the spoils of war, Achilles, the greatest warrior of the age, withdrew from battle in response to Agamemnons supposedly evil deed and allegedly put the Greek armies at risk of losing the war. Although not the equal of Achilles in bravery, Agamemnon was a representative of kingly authority, as commander-in-chief, he summoned the princes to the council and led the army in battle

24.
Aegisthus
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Aegisthus is a figure in Greek mythology. He was the son of Thyestes and his daughter, Pelopia, the product of an incestuous union motivated by his fathers rivalry with the house of Atreus for the throne of Mycenae, Aegisthus murdered Atreus to restore his father to power. Later, he lost the throne to Atreuss son Agamemnon, while Agamemnon was at the Trojan war, Aegisthus became the lover of the kings estranged wife Clytemnestra. The couple killed Agamemnon on his return and he became king of Mycenae for seven years before he was killed in his turn by Agamemnons son Orestes. Thyestes felt he had deprived of the Mycenean throne unfairly by his brother. The two battled back and forth several times, in addition, Thyestes had an affair with Atreus wife, Aerope. In revenge, Atreus killed Thyestes sons and served them to him unknowingly, after eating his own sons corpses, Thyestes asked an oracle how best to gain revenge. The advice was to father a son with his own daughter, Pelopia, Thyestes raped Pelopia after she performed a sacrifice, hiding his identity from her. When Aegisthus was born, his mother abandoned him, ashamed of his origin, Atreus, not knowing the babys origin, took Aegisthus in and raised him as his own son. In the night in which Pelopia had been raped by her father, when she discovered that the sword belonged to her own father, she realised that her son was the product of incestuous intercourse. Aegisthus and his father now took possession of their inheritance from which they had been expelled by Atreus. Agamemnon and Clytemnestra had four children, one son, Orestes, after the death of Tyndareus, Meneleaus became king of Sparta. He used the Spartan army to drive out Aegisthus and Thyestes from Mycenae, Agamemnon extended his dominion by conquest and became the most powerful prince in Greece. However, when Agamemnon sacrificed his own daughter Iphigenia to appease the gods before the war with Troy, while Agamemnon was away at the Trojan War, Aegisthus became Clyemnestras lover. He helped Clytemnestra kill her husband upon his return from Troy, in the older versions of the story, such as Homer, Aegisthus himself kills Agamemnon. In later accounts Clytemnestra stabs him when he is naked and vulnerable after a bath, after this event Aegisthus reigned seven years longer over Mycenae. He and Clytemnestra had a son Aletes, and two daughters, Erigone and Helen, in the eighth year of his reign Orestes, the son of Agamemnon, returned home and avenged the death of his father by killing Aegisthus and Clytemnestra. The impiety of matricide was such that Orestes was forced to flee from Mycenae, Aletes became king until Orestes returned several years later and killed him

25.
Clytemnestra
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Clytemnestra was the wife of Agamemnon and queen of Mycenae in ancient Greek legend. Her Greek name Klytaimnḗstra is also sometimes latinized as Clytaemnestra and it is commonly glossed as famed for her suitors. However, this form is a later misreading motivated by an erroneous etymological connection to the verb mnáomai, the original name form is believed to have been Klytaimḗstra without the -n-. The present form of the name does not appear before the middle Byzantine period, Aeschylus, in certain wordplays on her name, appears to assume an etymological link with the verb mḗdomai. Clytemnestra was the daughter of Tyndareus and Leda, the King, according to the myth, Zeus appeared to Leda in the form of a swan, seducing and impregnating her. Leda produced four offspring from two eggs, Castor and Clytemnestra from one egg, and Helen and Polydeuces from the other, therefore, Castor and Clytemnestra were fathered by Tyndareus, whereas Helen and Polydeuces were fathered by Zeus. Agamemnon and his brother Menelaus were in exile at the home of Tyndareus, in due time Agamemnon married Clytemnestra and Menelaus married Helen. In a late variation, Euripidess Iphigenia at Aulis, Clytemnestras first husband was Tantalus, King of Pisa, Agamemnon kills him and his infant son, in another version, her first husband was King of Lydia. The kings of Lydia, according to Plutarchs The Greek Questions,45, having succeeded Omphale who had received from Herakles Hippolytes axe, after Helen went from Sparta to Troy, her husband, Menelaus, asked his brother Agamemnon for help. However, consistently weak winds prevented the fleet from sailing, through a subplot involving the gods and omens, the priest Calchas said the winds would be favorable if Agamemnon sacrificed his daughter Iphigenia to the goddess Artemis. Agamemnon persuaded Clytemnestra to send Iphigenia to him, telling her he was going to marry her to Achilles, when Iphigenia arrived at Aulis, she was sacrificed, the winds turned, and the troops set sail for Troy. The Trojan War lasted ten years, during this period of Agamemnons long absence, Clytemnestra began a love affair with Aegisthus, her husbands cousin. Whether Clytemnestra was seduced into the affair or entered into it independently differs according to the author of the myth. Nevertheless, Clytemnestra and Aegisthus began plotting Agamemnons demise, Clytemnestra was enraged by Iphigenias murder. Aegisthus saw his father Thyestes betrayed by Agamemnons father Atreus, in old versions of the story, on returning from Troy, Agamemnon is murdered by Aegisthus, the lover of his wife, Clytemnestra. In some later versions Clytemnestra helps him or does the killing herself in his own home, Clytemnestra waited until he was in the bath, and then entangled him in a cloth net and stabbed him. Trapped in the web, Agamemnon could neither escape nor resist his murderer, meanwhile, Cassandra saw a vision of herself and Agamemnon being murdered. Her attempts to elicit help failed and she realized she was fated to die, and resolutely walked into the palace to receive her death

26.
Odysseus
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Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility and he is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War. The name has several variants, in Greek the character was called Olysseus, Oulixeus, Oulixes, hence, there may originally have been two separate figures, one called something like Odysseus, the other something like Ulixes, who were combined into one complex personality. The etymology of the name is unknown, ancient authors linked the name to the Greek verbs odussomai to be wroth against, to hate, or to oduromai to lament, bewail. Homer in references and puns, relates it to various forms of this verb and it has also been suggested that the name is of non-Greek origin, probably not even Indo-European, with an unknown etymology, R. S. P. Beekes has suggested a Pre-Greek origin. In Book 19 of the Odyssey, where Odysseuss early childhood is recounted, Euryclea tries to guide him to naming the boy Polyaretos, for he has much been prayed for. Autolycus apparently in a sardonic mood, decided to give the child a name that would commemorate his own experience in life. Because I got odium upon myself before coming here, let the childs name be Odysseus to signify this. The pun was prophetic as well as commemorative, Odysseus often receives the patronymic epithet Laertiades, son of Laërtes. In the Iliad and Odyssey there are several epithets used to describe Odysseus and his name and stories were adopted into Etruscan religion under the name Uthuze. Hence, Odysseus was the great-grandson of the Olympian god Hermes, according to the Iliad and Odyssey, his father is Laertes and his mother Anticlea, although there was a non-Homeric tradition that Sisyphus was his true father. The rumor went that Laertes bought Odysseus from the conniving king, Odysseus is said to have a younger sister, Ctimene, who went to Same to be married and is mentioned by the swineherd Eumaeus, whom she grew up alongside, in Book 15 of the Odyssey. Homers Iliad and Odyssey portray Odysseus as a hero, but the Romans. In Virgils Aeneid, written between 29 and 19 BC, he is referred to as cruel Odysseus or deceitful Odysseus. Turnus, in Aeneid ix, reproaches the Trojan Ascanius with images of rugged, forthright Latin virtues, declaring, You shall not find the sons of Atreus here, nor need the frauds of sly Ulysses fear. While the Greeks admired his cunning and deceit, these qualities did not recommend themselves to the Romans, who possessed a rigid sense of honour. His attempts to avoid his sacred oath to defend Menelaus and Helen offended Roman notions of duty, the majority of sources for Odysseus pre-war exploits—principally the mythographers Pseudo-Apollodorus and Hyginus—postdate Homer by many centuries

27.
Electra
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In Greek mythology, Elektra was the daughter of King Agamemnon and Queen Clytemnestra, and thus princess of Argos. She and her brother Orestes plotted revenge against their mother Clytemnestra and stepfather Aegisthus for the murder of their father, Electra is one of the most popular mythological characters in tragedies. She is the character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal. In psychology, the Electra complex is named after her, electras parents were King Agamemnon and Queen Clytemnestra. Her sisters were Iphigeneia and Chrysothemis, and her brother was Orestes, in the Iliad, Homer is understood to be referring to Electra in mentioning Laodice as a daughter of Agamemnon. Electra was absent from Mycenae when her father, King Agamemnon, returned from the Trojan War to be murdered, either by Clytemnestras lover Aegisthus, by Clytemnestra herself, or by both. Clytemnestra had held a grudge against her husband Agamemnon for agreeing to sacrifice their eldest daughter, Iphigenia, when he came back, he brought with him his war prize, Cassandra, who had already borne his twin sons. Aegisthus and/or Clytemnestra killed Agamemnon upon his arrival, and they killed Cassandra as well, eight years later, Electra was brought from Athens with her brother, Orestes. According to Pindar, Orestes was saved by his old nurse or by Electra, and was taken to Phanote on Mount Parnassus, when Orestes was 20, the Oracle of Delphi ordered him to return home and avenge his fathers death. Orestes and his friend Pylades, son of King Strophius of Phocis and Anaxibia, killed Clytemnestra, before her death, Clytemnestra cursed Orestes. The Erinyes or Furies, whose duty it is to punish any violation of the ties of family piety and they pursue Orestes, urging him to end his life. Electra was not hounded by the Erinyes, in Iphigeneia in Tauris, Euripides tells the tale somewhat differently. In his version, Orestes was led by the Furies to Tauris on the Black Sea, the two met when Orestes and Pylades were brought to Iphigeneia to be prepared for sacrifice to Artemis. Iphigeneia, Orestes, and Pylades escaped from Tauris, the Furies, appeased by the reunion of the family, abated their persecution. This poem forms part of the cycle referred to as the New Oresteia. Electra is the narrator of her story in the book Electra by Henry Treece. In the Marvel Comics universe, the character Elektra Natchios is partly based on Electra, media related to Electra at Wikimedia Commons Electra public domain audiobook at LibriVox

28.
Orestes
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In Greek mythology, Orestes was the son of Clytemnestra and Agamemnon. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, in the Homeric telling of the story, Orestes is a member of the doomed house of Atreus which is descended from Tantalus and Niobe. Seven years later, Orestes returns from Athens and avenges his fathers death by slaying both Aegisthus and his own mother Clytemnestra, in the Odyssey, Orestes is held up as a favorable example to Telemachus, whose mother Penelope is plagued by suitors. According to Pindar, the young Orestes was saved by his nurse Arsinoe or his sister Electra, in the familiar theme of the heros early eclipse and exile, he escaped to Phanote on Mount Parnassus, where King Strophius took charge of him. In his twentieth year, he was urged by Electra to return home and he returned home along with his friend Pylades, Strophiuss son. The same myth is told differently by Sophocles and Euripides in their Electra plays, graves asserts that the sacrilege for which the Erinyes pursued Orestes was actually the killing of his mother, who represented matriarchy. The story of Orestes was the subject of the Oresteia of Aeschylus, of the Electra of Sophocles, in Aeschyluss Eumenides, Orestes goes mad after the deed and is pursued by the Erinyes, whose duty it is to punish any violation of the ties of family piety. He takes refuge in the temple at Delphi, but, even though Apollo had ordered him to do the deed, at last Athena receives him on the acropolis of Athens and arranges a formal trial of the case before twelve judges, including herself. The Erinyes demand their victim, he pleads the orders of Apollo, Athena votes last announcing that she is for acquittal, then the votes are counted and the result is a tie, resulting in an acquittal according to the rules previously stipulated by Athena. The Erinyes are propitiated by a new ritual, in which they are worshipped as Semnai Theai, Venerable Ones and he went to Tauris with Pylades, and the pair were at once imprisoned by the people, among whom the custom was to sacrifice all Greek strangers to Artemis. The priestess of Artemis, whose duty it was to perform the sacrifice, was Orestes sister Iphigenia. She offered to him if he would carry home a letter from her to Greece, he refused to go. After his return to Greece, Orestes took possession of his fathers kingdom of Mycenae to which were added Argos and he was said to have died of a snakebite in Arcadia. His body was conveyed to Sparta for burial or, according to a Roman legend, to Aricia, before the Trojan War, Orestes was to marry his cousin Hermione, daughter of Menelaus and Helen. Things soon changed after Orestes committed matricide, Menelaus then gave his daughter to Neoptolemus, son of Achilles, according to Euripides play Andromache, Orestes slew Neoptolemus just outside a temple and took off with Hermione. He seized Argos and Arcadia after their thrones had become vacant and his son by Hermione, Tisamenus, became ruler after him but was eventually killed by the Heracleidae. There is extant a Latin epic poem, consisting of about 1000 hexameters, called Orestes Tragoedia, Orestes appears also to be a dramatic prototype for all persons whose crime is mitigated by extenuating circumstances. In one version of the story of Telephus, the infant Orestes was kidnapped by King Telephus, according to some sources, Orestes fathered Penthilus by his half-sister, Erigone

29.
Aeneas
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In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus. His father was a first cousin of King Priam of Troy and he is a character in Greek mythology and is mentioned in Homers Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgils Aeneid and he became the first true hero of Rome. Snorri Sturluson identifies him with the Norse Æsir Vidarr, Aeneas is the Latin spelling of Greek Αἰνείας. In the Homeric Hymn to Aphrodite, Aeneas is first introduced with Aphrodite naming him Αἰνείας for the αὶνóν ἄχος he caused her and it is a popular etymology for the name, apparently exploited by Homer in the Iliad. Later in the Medieval period there were writers who held that, as such, in the natural order, the meaning of Aeneas name combines Greek ennos and demas, which becomes ennaios, meaning in-dweller. However, there is no certainty regarding the origin of his name, in imitation of the Iliad, Virgil borrows epithets of Homer, including, Anchisiades, magnanimum, magnus, heros, and bonus. Though he borrows many, Virgil gives Aeneas two epithets of his own in the Aeneid, pater and pius. The epithets applied by Virgil are an example of a different from that of Homer, for whilst Odysseus is poikilios, Aeneas is described as pius. Likewise, Aeneas is called pater when acting in the interest of his men, the story of the birth of Aeneas is told in the Hymn to Aphrodite, one of the major Homeric Hymns. Aphrodite has caused the other gods Zeus, to fall in love with mortal women, in retaliation, Zeus puts desire in her heart for Anchises, who is tending his cattle among the hills near Mount Ida. When Aphrodite sees him she is smitten and she adorns herself as if for a wedding among the gods and appears before him. He is overcome by her beauty, believing that she is a goddess, after they make love, Aphrodite reveals her true identity to him and Anchises fears what might happen to him as a result of their liaison. Aphrodite assures him that he will be protected, and tells him that she bear him a son to be called Aeneas. However, she warns him that he must never tell anyone that he has lain with a goddess, when Aeneas is born, Aphrodite takes him to the nymphs of Mount Ida. She directs them to raise the child to age five, then take him to Anchises, according to other sources, Anchises later brags about his encounter with Aphrodite, and as a result is struck in the foot with a thunderbolt by Zeus. Thereafter he is lame in that foot, so that Aeneas has to carry him from the flames of Troy. Aeneas is a character in the Iliad, where he is twice saved from death by the gods as if for an as-yet-unknown destiny

30.
Eurypylus
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In Greek mythology, Eurypylus /jᵿˈrɪpᵻləs/ was the name of several different people. Of them the best known are two participants in the Trojan War, one on the side of the Achaeans, and the other on the side of the Trojans, Eurypylus was a Thessalian king, son of Euaemon and Ops. Another source gives his mothers name as either Deipyle or Deityche, alternate genealogies made him a son of Hyperochus and father of Ormenus. Eurypylus led the Thessalians during the Trojan War being a former suitor of Helen and he led one of the larger contingents of ships,40. He fought valiantly and is listed amongst the first rank of Greek heroes such as Idomeneus, Diomedes, Ajax. In the Iliad he was one of several to accept Hectors challenge to single combat and this happened in the same book that all the other major Achaean warriors were wounded and put out of action. When he withdrew from battle, his wounds were tended by Patroclus and he was also one of the Greeks to enter the Trojan Horse. Eurypylus survived the Trojan War, his destiny as described by Pausanias was as follows. After the war, Eurypylus got a chest as part of his victory spoils, the chest was abandoned by Aeneas when he fled from Troy, or was intentionally left behind by Cassandra who placed a curse on it to whichever Greek would open the chest. Inside the chest was an image of Dionysus, made by Hephaestus, when Eurypylus opened the chest he went mad. During a period of sanity he went to Delphi to seek a cure for his malady, the priestess told him to find a people making an unusual sacrifice and settle there. Eventually he came to Aroe, where he found people sacrificing a youth and a maiden to Artemis, to propitiate the goddess for the crime of Comaetho and Melanippus, who had polluted her shrine. The people of the town recognised him as a leader an oracle had said would come to them and bring about an image and cult of a foreign deity, after this Eurypylus regained his sanity and the people of Patrae no longer needed to make human sacrifices. His tomb was in the city, and after the events the people of the area sacrificed to him as a hero at the festival of Dionysus, Eurypylus was son of Telephus and Astyoche. Some write of Astyoche as his rather than mother. At the request of Priam, Astyoche bribed him with a vine to fight on the side of the Trojans during the end of the Trojan War in command of a group of Mysians and Ceteians. Priam himself was encouraging Eurypylus to assist Troy in the war by sending him various precious gifts, Eurypylus was noted both for being one of the most handsome men ever and for fighting valiantly. He killed a number of opponents, including Machaon and Nireus and was killed by Neoptolemus

31.
Telephus
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This article is about Telephus the son of Heracles. The name also refers to the father of Cyparissus, in Greek mythology, Telephus was the son of Heracles and Auge, daughter of king Aleus of Tegea, and the father of Eurypylus. He was intended to be king of Tegea, but instead became the king of Mysia in Asia Minor and he was wounded by the Achaeans when they were coming to sack Troy and bring back Helen to Sparta. Aleus, king in Tegea and father of Auge, had been told by an oracle that he would be overthrown by his grandson. So, according to varying myths, he forced Auge to become a priestess of Athena Alea. Although the infant Telephus was hidden in the temple, his cries revealed his presence and Aleus ordered the child exposed on Mt. Parthenion, the child was suckled by a deer through the agency of Heracles, although the Pergamon Altar depicts Telephus being suckled by a lion. Alternatively, Aleus put Auge and the baby in a crate that was set adrift on the sea, alternatively, Aleus exposed Telephus and sold Auge into slavery, she was thereby given as a gift to King Teuthras. In either case, Telephus was adopted, either by King Corycus or by King Creon, Telephus companion Parthenopaeus was destined to die at the gates of Thebes, but Telephus was destined to rule foreign lands and fight his fellow Greeks before they reached Troy. The two companions went off to Asia Minor to look for land to make their kingdom and they eventually came to Mysia, where they aided King Teuthras in a war and defeated the enemy. For this the King gave Telephus the hand of his adopted daughter Auge. Auge, who was consecrated to the memory of Heracles, privately refused her fathers decision. Telephus succeeded Teuthras as king of the Mysians, when the Greeks first assembled at Aulis and left for the Trojan War, they accidentally found themselves in Mysia, where they were opposed by some fellow Achaeans. Paris and Helen had stopped in Mysia on their way to Troy, in another version of the myth, as depicted on the interior frieze of the Pergamon Altar, Telephus was married to the Amazon Hiera. She brought a force of Amazons to aid in the fighting, in the battle Achilles wounded Telephus, who killed Thersander the King of Thebes. This explains why in the Iliad there is no Theban King, the wound would not heal and Telephus consulted the oracle of Delphi about it. The oracle responded in a way that he that wounded shall heal. Telephus convinced Achilles to heal his wound in return for showing the Achaeans the way to Troy, thus resolving the conflict. According to reports about Euripides lost play Telephus, he went to Aulis pretending to be a beggar, there he asked Clytemnaestra, the wife of Agamemnon, what he should do to be healed

32.
Hector
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In Greek mythology and Roman Mythology, Hector was a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, who was a descendant of Dardanus and Tros, the founder of Troy, he was a prince of the royal house and he was married to Andromache, with whom he had an infant son, Scamandrius. He acted as leader of the Trojans and their allies in the defense of Troy, during the European Middle Ages, Hector figures as one of the Nine Worthies noted by Jacques de Longuyon, known not only for his courage but also for his noble and courtly nature. Indeed, Homer places Hector as peace-loving, thoughtful as well as bold, a son, husband and father. James Redfield writes of Hector as a martyr to loyalties, a witness to the things of this world, in Greek, Héktōr is a derivative of the verb ἔχειν ékhein, archaic form *ἕχειν hékhein, to have or to hold from Proto-Indo-European *seǵh- to hold. Héktōr, or Éktōr as found in Aeolic poetry, is also an epithet of Zeus in his capacity as he who holds, Hectors name could thus be taken to mean holding fast. According to the Iliad, Hector does not approve of war between the Greeks and the Trojans, for ten years, the Achaeans besieged Troy and their allies in the east. Hector commanded the Trojan army, with a number of subordinates including Polydamas, and his brothers Deiphobus, Helenus, and Paris. By all accounts, Hector was the best warrior the Trojans and all their allies could field, diomedes and Odysseus, when faced with his attack, described him as what Robert Fagles translated as an incredible dynamite, and a maniac. In the Iliad, Hectors exploits in the war prior to the events of the book are recapitulated and he had fought the Greek champion Protesilaus in single combat at the start of the war and killed him. A prophecy had stated that the first Greek to land on Trojan soil would die, thus, Protesilaus, Ajax, and Odysseus would not land. Finally, Odysseus threw his shield out and landed on that, in the ensuing fight, Hector killed him, fulfilling the prophecy. The Argives were initially reluctant to accept the challenge, however, after Nestors chiding, nine Greek heroes stepped up to the challenge and drew by lot to see who was to face Hector. Ajax wins and fights Hector to a stalemate for the entire day, with neither able to achieve victory, they express admiration for each others courage, skill, and strength. Hector gave Ajax his sword, which Ajax later uses to kill himself, Ajax gives Hector his girdle, which later was used to attach Hectors corpse to Achilles chariot by which he is dragged around the walls of Troy. The Greek and the Trojans make a truce to bury the dead, in the early dawn the next day the Greeks take advantage of it to build a wall and ditch around the ships. Zeus is watching in a distance, another mention of Hectors exploits in the early years of war was given in the Iliad book 9. During the embassy to Achilles, Odysseus, Phoenix and Ajax all try to persuade Achilles to rejoin the fight and he then claims, There he stood up to me alone one day, and he barely escaped my onslaught

33.
Athena
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Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes and is the patron goddess of heroic endeavour. She is the patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her city, Athens. Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes, in her role as a protector of the city, many people throughout the Greek world worshipped Athena as Athena Polias. While the city of Athens and the goddess Athena essentially bear the same name, Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, at Thebes she was called Thebe, and the city again a plural, Thebae. Similarly, at Athens she was called Athena, and the city Athenae, Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree, the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, therefore, Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, a-ta-no-dju-wa-ja is also found in Linear A Minoan, the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja. Divine Athena also was a weaver and the deity of crafts, whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A. Perhaps, however, the name Theonoe may mean she who knows divine things better than others. Thus for Plato her name was to be derived from Greek Ἀθεονόα, Plato also noted that the citizens of Sais in Egypt worshipped a goddess whose Egyptian name was Neith, and which was identified with Athena. Neith was the war goddess and huntress deity of the Egyptians since the ancient Pre-Dynastic period, in addition, ancient Greek myths reported that Athena had visited many mythological places such as Libyas Triton River in North Africa and the Phlegraean plain

34.
Poseidon
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Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water

35.
Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek

36.
Locrians
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The Locrians were an ancient Greek tribe that inhabited the region of Locris in Central Greece, around Parnassus. They spoke the Locrian dialect, a Doric-Northwest dialect, and were related to their neighbouring tribes, the Phocians. In Greek mythology, the Locrians were the descendants of Locrus, great-grandson of Deucalion and Pyrrha, according to some traditions, Deucalion was a native of the Locrian city of Opus, thus the Locrians are said to have been the first tribe to be called Hellenes. The Locrians are said to have arrived in southern Greece in the late 2nd millennium BC from their homeland on Pindus, in historical times, the Locrians were divided into two distinct tribes, differing from each other in customs, habits and civilization. It is likely that Locrian territory once extended from sea to sea, the most famous colony of the Locrian tribe was the city of Epizephyrian Locri, founded in the 7th century BC in Magna Græcia, which exists until today as Locri. According to Strabo the founders were the Ozolian Locrians, from the region of Amphissa, in the 6th century BC, the Locrians had a series of conflicts with the neighbouring tribes. Only the Opuntian Locrians are mentioned by Homer, they were the more ancient and the more civilized. The Ozolian Locrians, who are said to have been a colony of the former, are not mentioned in history until the time of the Peloponnesian War, and are even then represented as a semi-barbarous people. That was the last mention of the Ozolian Locrians, as they suffered the defeat from Corinth later, the Locrians around Thermopylae were the first to have been called Hellenes. Later the name expanded to include the other Greek tribes through the Amphictionia of Delphi, to which they belonged, and their religion. The most famous of their heroes were Ajax the Locrian, best known as Ajax the Lesser, son of Oileus, in the Greek mythology, the Locrians are closely related to the Phocians and Eleans. Although the Locrians hardly viewed men and women as equals, women held special religious rights, Locrian women became the vehicles for the transmission of status, and marriage maintained the social order of a traditional oligarchy. The national hero of the Locrians was Ajax the Locrian, who led the 40 Locrian ships to Troy, Locrians respected him so much, that after his death they kept a place for him in their phalanx, thinking that he will always fight with them. On the other side, Ajaxs actions resulted in his death according to Greek mythology, after the fall of Troy, he raped Cassandra in the temple of Athena, where she had taken refuge as a supplicant. For this crime, Poseidon wrecked the ship of Ajax on the coast of Euboea and Ajax was killed by a lightning bolt. After their death, they would not be given a decent burial, while for each maiden who died, another one must be sent into the temple by night, and she would be stoned to death if seen. The goddess is referred to as Athena Ilias, a not necessarily derived from Ilion, but maybe from the family deity Oileus, the father of Ajax. According to Apollodorus, after the command of the Delphic oracle, after their death, they were replaced, while the tribute ended after a thousand years with the end of the Phocian War, which destroyed Naryca, the town that supplied the maidens

37.
Dionysus
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Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. Wine played an important role in Greek culture, and the cult of Dionysus was the religious focus for its unrestrained consumption. He may have been worshipped as early as c, 1500–1100 BC by Mycenean Greeks, traces of Dionysian-type cult have also been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms, some are described by ancient sources as Thracian, in some cults, he arrives from the east, as an Asiatic foreigner, in others, from Ethiopia in the South. He is a god of epiphany, the god that comes and his festivals were the driving force behind the development of Greek theatre. The earliest cult images of Dionysus show a male, bearded and robed. He holds a staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth, in its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession is made up of female followers and bearded satyrs with erect penises, some are armed with the thyrsus. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers and this procession is presumed to be the cult model for the followers of his Dionysian Mysteries. He is also known as Bacchus, the adopted by the Romans. His thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios, his wine, music and ecstatic dance free his followers from self-conscious fear and care and those who partake of his mysteries are possessed and empowered by the god himself. The cult of Dionysus is also a cult of the souls, his maenads feed the dead through blood-offerings and he is sometimes categorised as a dying-and-rising god. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity, Dionysus had a strange birth that evokes the difficulty in fitting him into the Olympian pantheon. His mother was a woman, Semele, the daughter of king Cadmus of Thebes, and his father was Zeus. Zeus wife, Hera, discovered the affair while Semele was pregnant, appearing as an old crone, Hera befriended Semele, who confided in her that Zeus was the actual father of the baby in her womb. Hera pretended not to believe her, and planted seeds of doubt in Semeles mind, curious, Semele demanded of Zeus that he reveal himself in all his glory as proof of his godhood

38.
Hephaestus
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Hephaestus is the Greek god of blacksmiths, craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes. In Greek mythology, Hephaestus was the son of Zeus and Hera, in another version, he was Heras parthenogenous child, rejected by his mother because of his deformity and thrown off Mount Olympus and down to earth. As a smithing god, Hephaestus made all the weapons of the gods in Olympus and he served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centers of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos, Hephaestus symbols are a smiths hammer, anvil, and a pair of tongs. The name of the god in Greek has a root which can be observed in names of places of Pre-Greek origin, Hephaestus had his own palace on Olympus, containing his workshop with anvil and twenty bellows that worked at his bidding. Hephaestus crafted much of the magnificent equipment of the gods, in later accounts, Hephaestus worked with the help of the chthonic Cyclopes—among them his assistants in the forge, Brontes, Steropes and Pyracmon. Hephaestus built automatons of metal to work for him and this included tripods that walked to and from Mount Olympus. He gave to the blinded Orion his apprentice Cedalion as a guide, in some versions of the myth, Prometheus stole the fire that he gave to man from Hephaestuss forge. Hephaestus also created the gift that the gods gave to man, being a skilled blacksmith, Hephaestus created all the thrones in the Palace of Olympus. The Greek myths and the Homeric poems sanctified in stories that Hephaestus had a power to produce motion. He made the golden and silver lions and dogs at the entrance of the palace of Alkinoos in such a way that they could bite the invaders, the Greeks maintained in their civilization an animistic idea that statues are in some sense alive. This kind of art and the animistic belief goes back to the Minoan period, when Daedalus, a statue of the god was somehow the god himself, and the image on a mans tomb indicated somehow his presence. Homers Odyssey and Iliad have Hephaestus being born of the union of Zeus, in another tradition, attested by Hesiod, Hera bore Hephaestus alone. In Hesiods Zeus-centered cosmology, Hera gave birth to Hephaestus as revenge for Zeus giving birth to Athena without her, several later texts follow Hesiods account, including Bibliotheke, Hyginus, and the preface to Fabulae. In the account of Attic vase painters, Hephaestus was present at the birth of Athena, in the latter account, Hephaestus is there represented as older than Athena, so the mythology of Hephaestus is inconsistent in this respect. In one branch of Greek mythology, Hera ejected Hephaestus from the heavens because he was shrivelled of foot and he fell into the ocean and was raised by Thetis and the Oceanid Eurynome. In another account, Hephaestus, attempting to rescue his mother from Zeus advances, was flung down from the heavens by Zeus. He fell for a day and landed on the island of Lemnos

39.
Concubine
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The woman in such a relationship is referred to as a concubine. The prevalence of concubinage and the status of rights and expectations of a concubine have varied between cultures as well as the rights of children of a concubine. Whatever the status and rights of the concubine, they were inferior to those of the wife. Historically, concubinage was frequently entered into voluntarily as it provided a measure of security for the woman involved. Involuntary or servile concubinage sometimes involved sexual slavery of one member of the relationship, nevertheless, sexual relations outside marriage were not uncommon, especially among royalty and nobility, and the woman in such relationships was commonly described as a mistress. However, the children of such relationships were counted as illegitimate and were barred from inheriting the title or estates. While various forms of sexual relationships and co-habitation short of marriage have become increasingly common in the Western world. The terms concubinage and concubine are used primarily when referring to non-marital partnerships of earlier eras. In modern usage, a domestic relationship is commonly referred to as co-habitation. Concubinage was highly popular before early 20th century all over Asia, the main function of concubinage was producing additional heirs, as well as bring males pleasure. Children of concubines had lower rights in account to inheritance, which was regulated by Dishu system, after that, even concubinage has been legally banned, the relationship between mistresses and their men are highly affected by it. In China, successful men often had concubines until the practice was outlawed after the Communist Party of China came to power in 1949, the standard Chinese term translated as concubine was qiè 妾, a term used since ancient times, which means female slave. Concubines resembled wives in that they were recognized sexual partners of a family member and were expected to bear children from him. Unofficial concubines, are of lower status, and children of her are considered illegitimate, in English the term concubine is also used for what the Chinese refer to as pínfēi consorts of emperors, some of very high rank. In premodern China, it was illegal and socially disreputable for a man to have more than one wife at a time, but he could have concubines. At first a man could have as many concubines as he could afford, however, from the Eastern Han onward, the higher ranking and the more noble an identity a man possessed, the more concubines he was permitted to have. A concubines treatment and situation were highly variable and were influenced by the status of the male to whom she was engaged. In the Book of Rites chapter on “The Pattern of the Family” it says, “If there were betrothal rites, she became a wife, and if she went without these, Concubines could be taken without any of the ceremonies used in marriages

Evelyn De Morgan
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Evelyn De Morgan was an English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Edward Burne-Jones and her paintings exhibit spirituality, use of mythological, biblical, and literary themes, the role of women, light and darkness as metaphors, life and death, and allegories of war

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Evelyn De Morgan

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Evelyn and William De Morgan

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Night and Sleep - Evelyn de Morgan (1878)

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Queen Eleanor & Fair Rosamund

Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a hi

1.
Inscription about the construction of the statue of Athena Parthenos in the Parthenon, 440/439 BC

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Ostracon bearing the name of Cimon, Stoa of Attalos

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The words ΜΟΛΩΝ ΛΑΒΕ as they are inscribed on the marble of the 1955 Leonidas Monument at Thermopylae

Priam
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In Greek mythology, Priam was the king of Troy during the Trojan War and youngest son of Laomedon. Modern scholars derive his name from the Luwian name Pariya-muwas, which meant “exceptionally courageous” and was attested as the name of a man from Zazlippa, a similar form is attested transcribed in Greek as Paramoas near Kaisareia in Cappadocia. No

Hecuba
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Hecuba was a queen in Greek mythology, the wife of King Priam of Troy during the Trojan War, with whom she had 19 children. These children included several characters of Homers Iliad such as the warriors Hector and Paris. Ancient sources vary as to the parentage of Hecuba, according to Homer, Hecuba was the daughter of King Dymas of Phrygia, but Eu

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Hecuba from the " Promptuarii Iconum Insigniorum "

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The death of Hector on a Roman sarcophagus, c. 200 AD

Troy
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The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and thes

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The walls of the acropolis belong to Troy VII, which is identified as the site of the Trojan War (c. 1200 BC).

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Silver tetradrachm from Troy with head of Athena, c. 165–150 BC

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The odeon dates to the Roman Troy IX and was renovated by Hadrian in 124 AD.

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The view from Hisarlık across the plain of Ilium to the Aegean Sea.

Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are k

3.
Prometheus (1868 by Gustave Moreau). The myth of Prometheus first was attested by Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of Prometheus Bound, Prometheus Unbound, and Prometheus Pyrphoros.

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The Roman poet Virgil, here depicted in the fifth-century manuscript, the Vergilius Romanus, preserved details of Greek mythology in many of his writings.

Prophecy
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Prophecy is not limited to any one culture. It is a property to all known ancient societies around the world. Many systems and rules about prophecy have been proposed over several millennia, the related meaning thing spoken or written by a prophet dates from c. 1300, while the verb to prophesy is recorded by 1377, the former closely relates to the

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King Saul

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Key concepts

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Revelations

Apollo
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Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known

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Apollo Belvedere, ca. 120–140 CE

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Partial view of the temple of Apollo Epikurios (healer) at Bassae in southern Greece

Epic Cycle
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Aside from the Iliad and the Odyssey, the cyclic epics only survive in fragments and summaries from Late Antiquity and the Byzantine period. The epics were composed in dactylic hexameter verse, the epic cycle was the distillation in literary form of an oral tradition that had developed during the Greek Dark Age, which was based in part on localised

Greek tragedy
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Greek tragedy is a form of theatre from Ancient Greece and Asia Minor. It reached its most significant form in Athens in the 5th century BC, Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most ofte

1.
Mask of Dionysus stored at the Louvre.

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Maenads dancing, bringing a sacrificial lamb or kid

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Dionysus surrounded by satyrs

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votive relief that probably celebrates the triumph of the Bacchae

Proto-Indo-European
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Proto-Indo-European is the linguistic reconstruction of the common ancestor of the Indo-European languages, the most widely spoken language family in the world. Far more work has gone into reconstructing PIE than any other proto-language and these methods supply all of the knowledge concerning PIE, since there is no written record of the language.

Incunable
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An incunable, or sometimes incunabulum, is a book, pamphlet, or broadside that was printed—not handwritten—before the year 1501 in Europe. Incunable is the singular form of incunabula, Latin for swaddling clothes or cradle. A former term for incunable is fifteener, referring to the 15th century, but since 2009 we know that this lexical invention sh

Giovanni Boccaccio
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Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote a number of works, including The Decameron. The details of Boccaccios birth are uncertain and he was born in Florence or in a village near Certaldo where his family was from. He was the son of Florentine merchant Boccacc

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Giovanni Boccaccio

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Boccaccio's statue in Uffizi

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Giovanni Boccaccio and Florentines who have fled from the plague

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Circes: illustration of one of the women featured the 1374 biographies of 106 famous women, De Claris Mulieribus, by Boccaccio – from a German translation of 1541

De mulieribus claris
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De Mulieribus Claris or De Claris Mulieribus is a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, first published in 1374. It is notable as the first collection devoted exclusively to biographies of women in Western literature, at the same time as he was writing On Famous Women, Boccaccio

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De claris mulieribus Boccaccio

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Opis, wife of Saturn

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Penthesilea, illustration from the manuscript De mulieribus claris in conservation at the Bibliothèque nationale de France in Paris.

4.
Isis of Egypt

Twin
–
Twins are two offspring produced by the same pregnancy. Twins can be either monozygotic, meaning that they develop from one zygote, in fraternal twins, each twin is fertilized by its own sperm cell. In contrast, a fetus that develops alone in the womb is called a singleton, the human twin birth rate in the United States rose 76% from 1980 through 2

3.
Abdominal ultrasonography of monoamniotic twins at a gestational age of 15 weeks. There is no sign of any membrane between the fetuses. A coronal plane is shown of the twin at left, and a sagittal plane of parts of the upper thorax and head is shown of the twin at right.

4.
A pair of female ere ibeji twin figures (early 20th-century) in the permanent collection of The Children's Museum of Indianapolis. Yoruba people have the highest twinning rate in the world.

Aeschylus
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Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy, academics knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them, fragmen

1.
Bust of Aeschylus from the Capitoline Museums, Rome

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Bust of Aeschylus at North Carolina Museum of Art

3.
Modern picture of the Theatre of Dionysus in Athens, where many of Aeschylus's plays were performed

4.
Mosaic of Orestes, main character in Aeschylus's only surviving trilogy, The Oresteia

Oresteia
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This trilogy also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC, many consider the Oresteia to be Aeschylus finest work. The principal themes of the

1.
Agamemnon walks on the carpet of sacred peplos garments.

2.
The murder of Agamemnon, from an 1879 illustration from Stories from the Greek Tragedians by Alfred Church

3.
Orestes, Electra and Hermes in front of Agamemnon's tomb by Choephoroi Painter

Ajax the Lesser
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Ajax was a Greek mythological hero, son of Oileus, the king of Locris. He was called the lesser or Locrian Ajax, to him from Ajax the Great. He was the leader of the Locrian contingent during the Trojan War and he is a significant figure in Homers Iliad and is also mentioned in the Odyssey, in Virgils Aeneid and in Euripides The Trojan Women. In Et

1.
Ajax the Lesser raping Cassandra

2.
Ajax and Cassandra by Solomon J. Solomon (1886). In the collection of the Art Gallery of Ballarat in Victoria, Australia

Palladium (classical antiquity)
–
See also Palladium for post-classical usages. The Roman story is related in Virgils Aeneid and other works, such beliefs first become prominent in the Eastern church in the period after the reign of the Byzantine Emperor Justinian I, and later spread to the Western church. Palladia were carried in procession around the walls of besieged cities and

1.
Nike (Victory) offers an egg to a snake entwined around a column surmounted by the Trojan Palladium. (Marble bas relief, Roman copy of the late 1st century AD. After a neo-Attic original of the Hellenistic era.)

2.
Ajax the Lesser drags Cassandra from the Palladium. Detail from a Roman fresco in the atrium of the Casa del Menandro (I 10, 4) in Pompeii.

Pompeii
–
Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osc

4.
Illustrated reconstruction, from a CyArk / University of Ferrara research partnership, of how the Temple of Apollo may have looked before Mt. Vesuvius erupted

Paris (mythology)
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Paris, also known as Alexander, the son of King Priam and Queen Hecuba of Troy, appears in a number of Greek legends. Probably the best-known was his elopement with Helen, queen of Sparta, later in the war, he fatally wounds Achilles in the heel with an arrow as foretold by Achilles’s mother Thetis. The name Paris is probably Luwian and comparable

3.
El Juicio de Paris by Enrique Simonet, ca. 1904. Paris is studying Aphrodite, who is standing before him naked. The other two goddesses watch nearby.

4.
Abduction of Helen, ceiling fresco, Venetian, mid-18th century

Johann Heinrich Wilhelm Tischbein
–
Johann Heinrich Wilhelm Tischbein, known as the Goethe Tischbein, was a German painter from the Tischbein family of artists. His father, Johann Conrad, was the carpenter for the convent in Haina and he began his artistic studies with his uncle, Johann Jacob Tischbein in Hamburg. From 1772 to 1773, he travelled in Holland, studying the Old Masters,

1.
Tischbein's portrait by Johann Heinrich Lips (1758–1817)

2.
Tischbein's most famous painting: Goethe in the Roman Campagna, 1787

3.
Lady Charlotte Campbell

4.
Ducess Saltykowa

Agamemnon
–
Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, was taken to Troy by Paris, upon Agamemnons return from Troy, he was murdered by Aegisthus, the lover of his wife, Clytemnestra. In some later versions Clytemnestra herself does the killing, or they act together

1.
The Mask of Agamemnon which was discovered by Heinrich Schliemann in 1876 at Mycenae, now believed to pre-date the legendary Trojan War.

2.
Orestes slaying Clytemnestra

Aegisthus
–
Aegisthus is a figure in Greek mythology. He was the son of Thyestes and his daughter, Pelopia, the product of an incestuous union motivated by his fathers rivalry with the house of Atreus for the throne of Mycenae, Aegisthus murdered Atreus to restore his father to power. Later, he lost the throne to Atreuss son Agamemnon, while Agamemnon was at t

Clytemnestra
–
Clytemnestra was the wife of Agamemnon and queen of Mycenae in ancient Greek legend. Her Greek name Klytaimnḗstra is also sometimes latinized as Clytaemnestra and it is commonly glossed as famed for her suitors. However, this form is a later misreading motivated by an erroneous etymological connection to the verb mnáomai, the original name form is

1.
Clytemnestra trying to awake the Erinyes while her son is being purified by Apollo, Apulian red-figure krater, 480–470 BC, Louvre (Cp 710)

2.
After the murder (1882), by John Collier, Guildhall Art Gallery (London)

3.
Murder of Agamemnon, painting by Pierre-Narcisse Guérin.

4.
Orestes Pursued by the Furies by William-Adolphe Bouguereau. Clytemnestra was killed by Orestes and the Furies torment him for this killing

Odysseus
–
Odysseus, also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homers epic poem the Odyssey. Odysseus also plays a key role in Homers Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and ver

1.
Head of Odysseus from a Roman period Hellenistic marble group representing Odysseus blinding Polyphemus, found at the villa of Tiberius at Sperlonga

2.
Head of Odysseus wearing pileus depicted on a 3rd-century BC coin from Ithaca

3.
Greek Mythology

4.
This is a painting of Odysseus's boat passing between the six-headed monster Scylla and the whirlpool Charybdis. Scylla has plucked six of Odysseus's men from the boat. The painting is an Italian fresco dating to 1560 C.E.

Electra
–
In Greek mythology, Elektra was the daughter of King Agamemnon and Queen Clytemnestra, and thus princess of Argos. She and her brother Orestes plotted revenge against their mother Clytemnestra and stepfather Aegisthus for the murder of their father, Electra is one of the most popular mythological characters in tragedies. She is the character in two

Orestes
–
In Greek mythology, Orestes was the son of Clytemnestra and Agamemnon. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, in the Homeric telling of the story, Orestes is a member of the doomed house of Atreus which is descended from Tantalus and Niobe. Seven years later, Orestes return

1.
Orestes at Delphi flanked by Athena and Pylades among the Erinyes and priestesses of the oracle, perhaps including Pythia behind the tripod - Paestan red-figured bell-krater, c. 330 BC

Aeneas
–
In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus. His father was a first cousin of King Priam of Troy and he is a character in Greek mythology and is mentioned in Homers Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgils Aeneid and he became the first true he

Eurypylus
–
In Greek mythology, Eurypylus /jᵿˈrɪpᵻləs/ was the name of several different people. Of them the best known are two participants in the Trojan War, one on the side of the Achaeans, and the other on the side of the Trojans, Eurypylus was a Thessalian king, son of Euaemon and Ops. Another source gives his mothers name as either Deipyle or Deityche, a

Telephus
–
This article is about Telephus the son of Heracles. The name also refers to the father of Cyparissus, in Greek mythology, Telephus was the son of Heracles and Auge, daughter of king Aleus of Tegea, and the father of Eurypylus. He was intended to be king of Tegea, but instead became the king of Mysia in Asia Minor and he was wounded by the Achaeans

Hector
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In Greek mythology and Roman Mythology, Hector was a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, who was a descendant of Dardanus and Tros, the founder of Troy, he was a prince of the royal house and he was married to Andromache, with whom he had an infant son, Scamandrius

1.
Hector brought back to Troy. From a Roman sarcophagus of ca. 180–200 AD.

Athena
–
Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes an

1.
Mattei Athena at Louvre. Roman copy from the 1st century BC/AD after a Greek original of the 4th century BC, attributed to Cephisodotos or Euphranor.

2.
Athenian tetradrachm representing the goddess Athena.

3.
A new peplos was woven for Athena and ceremonially brought to dress her cult image (British Museum).

Poseidon
–
Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea

Zeus
–
Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is

1.
The Jupiter de Smyrne, discovered in Smyrna in 1680

2.
The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church.

3.
Zeus, at the Getty Villa, A.D. 1 - 100 by unknown.

4.
" Cave of Zeus ", Mount Ida (Crete).

Locrians
–
The Locrians were an ancient Greek tribe that inhabited the region of Locris in Central Greece, around Parnassus. They spoke the Locrian dialect, a Doric-Northwest dialect, and were related to their neighbouring tribes, the Phocians. In Greek mythology, the Locrians were the descendants of Locrus, great-grandson of Deucalion and Pyrrha, according t

1.
Ajax raping Cassandra from the Palladium. Side A of an Attic black-figure amphora, ca. 540 BC. From Vulci.

Dionysus
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Dionysus is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. Wine played an important role in Greek culture, and the cult of Dionysus was the religious focus for its unrestrained consumption. He may have been worshipped as early as c, 1500–1100 BC by M

2.
Marble sarcophagus with the Triumph of Dionysos and the Seasons. Roman ca. AD 260–270

3.
Birth of Dionysus, on a small sarcophagus that may have been made for a child (Walters Art Museum)

4.
Hermes and the Infant Dionysus by Praxiteles, (Archaeological Museum of Olympia).

Hephaestus
–
Hephaestus is the Greek god of blacksmiths, craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes. In Greek mythology, Hephaestus was the son of Zeus and Hera, in another version, he was Heras parthenogenous child, rejected by his mother because of his deformity and thrown off Mount Olympus and down to earth. As a smithing god, Hep

3.
The western face of the Doric temple of Hephaestus, Agora of Athens.

Concubine
–
The woman in such a relationship is referred to as a concubine. The prevalence of concubinage and the status of rights and expectations of a concubine have varied between cultures as well as the rights of children of a concubine. Whatever the status and rights of the concubine, they were inferior to those of the wife. Historically, concubinage was

1.
Consorts and children of the Qianlong Emperor, Qing dynasty, 18th century

2.
Illustration from the Morgan Bible of the Benjaminites taking women of Shiloh as concubines.