This blog is not about religion but its central theme is the divine origin of Creation. How, through harmony and proportion it is possible to recognize those signs in some elements in nature as well as in some works made by man. It is also shown how through materialism, man has lost his link with the original spirit. This work points out where and how the misunderstanding took place and how it is possible to return to the lost way, including elements from other cultures which have been disregarded by traditional History, and which, viewed from a proper angle, allow a different reading of historical development.

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Professor Dan Shechtman was rewarded with the Nobel Prize, providing another dimension in crystallography, such as the formation of aperiodic pentagonal quasicrystals, shaking the board of science.

Let us return for a moment at the beginning, where we said that “the scientific evidence, is based on four overlapping truths exactly alike.” Whereupon in the scientific demonstration, you can spare some reasons and take the last one which is the geometry of Φ and ΦBonacci, the lowest common denominator of the Universe pattern.

It´s enough to see that the diffraction pattern of a quasicrystal is similar to a Girih mosaic of Islam which in turn is identical to the structure of a quasicrystal meteoric of extraterrestrial origin.

All fits and makes up a world of “perfect” geometry with ΦBonacci Φ, the Golden Number and the Golden Triangle and besides all that, everything related to this subject, although it may haven´t been yet discovered.

So the quadruple diffraction fits and creative homologous may run in reverse.

Until then, the rest will be demonstrating the morphogenetic Hypothesis for creating metal from design. Arduous task if any.