The British Invasion Tour courtesy of Allison Johnelle Boron

Last
fall, the British Invasion Tour began as a commemoration of 50 years since
some of the most beloved and well-known artists from across the pond conquered
America with their style, wit, and, most of all, their music. After the initial
run of successful, cross-country dates, the superstar caravan reassembled for
(at least) one more go-round. Undeterred by the snow and ice bearing down on the
East Coast, the tour played to packed houses and enthusiastic audiences from
Boston to Chicago, from New Jersey to Seattle, and beyond.Once
again featuring heavy-hitters Denny Laine, Chad & Jeremy, Billy J. Kramer, Mike
Pender, and Terry Sylvester, the troupe was joined full-time by Peter Asher
(who deserves a gold star for flying right in from his CBE commendation to join
the group in Rahway, NJ). For those who'd caught the shows on the tour's
previous run, this time was a chance to revisit those smash hits, but also enjoy
a few deeper cuts. Thankfully, the lineup and set lists weren't completely
revamped, but tweaked gently to present an exhilarating package and incorporated
a multimedia component that only enhanced the visual experience (the musicians
took care of the aural one, of course).

Once
again backed by a stellar group of musicians (Jeff Alan Ross, Brian Pothier,
Erik Paparozzi, and Liberty DeVitto), the who's who of British Invasion stars
treated crowds to nearly three hours of high-energy showmanship, making it hard
to believe that it's really been over 50 years since their faces first appeared
on our shores. Kicking
off the festivities was a man that emcee Peter Asher described as a "bon vivant”
and "raconteur,” Terry Sylvester. Best known for his stints in the Hollies and
Swinging Blue Jeans, Sylvester once again warmed up the crowd with his mix of
music and witticisms, telling the requisite jokes about gray hair and doctor
visits. Although he was originally brought in to fill the gigantic shoes of
Gerry Marsden (who fell ill before the tour launched in 2014), this time,
Sylvester showed ease and command of the stage. An obvious fan favorite, his
short run of tunes was comprised not only of hits like "Bus Stop,” "I Can't Let
Go,” and "Hippy Hippy Shake,” but also cuts like the "You're No Good,” later
made famous by Linda Ronstadt (whose version was produced by none other than
Peter Asher).

Up
to the challenge of following Sylvester was another Liverpool-born keystone of
the British Invasion: the Searchers' Mike Pender. Busting through a string of
smashes including "Sweets For My Sweet,” "Sugar and Spice,” and, of course, the
band's two biggest hits here in America, "Needles and Pins” and "Love Potion No.
9,” Pender's exuberant energy belied his age and inspired the crowd to jump out
of their seats. And though catalog tracks like P.F. Sloan's "Take Me For What
I'm Worth” were certainly welcome, this writer is still waiting to hear the Searchers' Sire Records
single "Hearts In Her Eyes” (which found its way to the stage in one of the
tour's California shows last fall). Although, settling for "Don't Throw Your
Love Away” and the Jackie DeShannon-penned "When You Walk In the Room” isn't
such a bad deal.

As
Peter Asher pointed out in his introduction of Chad & Jeremy, the duo has
the distinction of being a real rarity in this day and age — an intact group
with all of its original members. As much compelling storytellers as they still
are polished and lively musicians, the pair traded banter both between
themselves and with the audience, dipping into their well of recorded gems like
the ethereal "You Are She” (done "Acapulco,” according to Chad Stuart), "Willow
Weep For Me,” and "Distant Shores,” which was preceded by an animated retelling
of C&J's
appearance on Batman,
which, just for effect, was shown on the screen beside the stage.Jeremy Clyde also
slipped in "For a While There,” a cut from his first-ever solo record, The
Bottom Drawer Sessions, No. 1, while Stuart spoke impassionedly about his
quest to stop the abuse of wild horses; all of the profits of his latest solo
project go to support humane treatment of the animals. Later rejoined by the
band, Chad & Jeremy ended their set with the country-tinged "Yesterday's
Gone,” and "A Summer Song,” receiving a well-earned standing ovation from the
audience as they closed out the first half of the night.

A
few times during the evening, the name Brian Epstein popped up. Not that it's
totally shocking; Epstein's fingerprints were all over the British Invasion and
are still as unmarred today as they were 50 years ago. Asher, who inducted
Epstein into the Rock and Roll Hall of Fame just this past year, recounted the
tale of watching Jimi Hendrix with Epstein in the royal box at the Saville
Theatre in London. (They also may or may not have smoked hash in "the royal loo”
that same night.) Overall,
bringing Brian Epstein into the mix only underscored the importance of the
impresario's role in orchestrating a movement. After all, he not only represented the Beatles, but a slew of other
well-known British acts, including Billy J. Kramer, who tributed his former
manager in "To Liverpool With Love,” a rousing anthem devoted to his hometown.
Kramer's association with the Beatles runs deep, as they not only shared
Epstein, but because Kramer has John Lennon and Paul McCartney to thank for a
slew of his hits, namely the timeless "Bad to Me.” Kramer's extended set also
featured the titular track of his latest album, I
Won the Fight, Bacharach & David's "Trains, Boats, and Planes,” "I'll
Keep You Satisfied,” "From a Window,” and, of course, his non-Lennon/McCartney
hit, "Little Children.” Indulging the audience's clamor for just one more
number, Kramer conjured up his thundering voice for a cover of the Walker
Brothers' "The Sun Ain't Gonna Shine (Anymore),” a show-stopper for sure.The
show, however, must always go on.

The
inclusion of Denny Laine on the tour was something of a pot-sweetening deal;
though he was a prominent, original member of the Moody Blues and fronted his
own group in the mid-'60s, Laine is best known as a figurehead of Paul
McCartney's post-Beatles outfit Wings (and, as we all know, that was a bit past
the British Invasion). Even though Laine's set was once again the shortest of
the bunch, he kept it tight and exciting, launching straight into James Brown's
"I'll Go Crazy” as soon as he took the stage. Of course, there was no way he was
getting out of belting out the Moodies' "Go Now!” (on which he sang lead in
1964); he also kicked in the bouncy "Say You Don't Mind,” which, five years
after he released it himself, became a hit for Zombies' lead singer Colin
Blunstone.Last
but certainly not least was Peter Asher, introduced most nights with a
pre-recorded bit from his pal Eric Idle. Asher is truly a man who needs no
introduction, however, because his storied career spreads far beyond his early
days as half of Peter & Gordon; to say he's music royalty would be both
accurate and literally accurate since, as I mentioned earlier, his
name now features a CBE tacked onto the end.

Now
relieved of his emcee duties, Asher plowed through his mountain of hits,
beginning with Del Shannon's "I Go to Pieces,” which he took pride in admitting
that he and Gordon Waller nicked after Mike Pender and the Searchers turned it
down. Padding out his set with songs like "Nobody I Know,” "I Don't Want to See
You Again,” and "Lady Godiva,” the highlight of Asher's time onstage was Buddy
Holly's "True Love Ways” — a duet with his deceased partner Gordon Waller via a
video and audio feed. Perhaps the most telling element of the tune was Waller's
ability to still earn standing ovations from beyond the grave, which he did
every night.

Asher
polished off his set with another Lennon/McCartney composition and Peter &
Gordon's biggest hit, "A World Without Love.” He explained the genesis of the
song simply, adding that Paul McCartney was living with his family at the time
it was written and conveniently leaving out the part about McCartney's long-term
romance with his sister, Jane.Nevertheless,
Asher left the stage with big-time cheers from mesmerized audience members, who
didn't stop applauding until Denny Laine retook the stage for an all-star
encore. Continuing the tradition started last fall, Laine ripped into "Band on
the Run,” causing a wave of gleeful shrieks to ripple throughout the house.
Gradually joined by all of the night's artists, the final number was a fitting
culmination of an electrifying evening.

For
many who didn't get a chance to catch the show on its first outing, particularly
fans in the Midwest, the 2015 leg of the British Invasion Tour was a
once-in-a-lifetime opportunity to see the actual hitmakers performing their actual hits.
Whether you were a first-generation fan holding a '60s ticket stub from an
original package tour or a fresh-faced teenager experiencing this material for
the very first time, the importance of what took place onstage wasn't lost.
Let's keep perpetuating the legacy of this important musical movement, and, in
the meantime, keep our fingers crossed for a British Invasion Tour 2016.