The text analyses how body, party and ludic way appear in the oil painting of the artist Lilia Lobo and how her art translate the Maringá city, Paraná state, cultural memory. Using the iconological method, the purpose of this study is to present a work that reports the culture in this city, mainly the ones that have parties as subject. The data focus the imagnetic materialization of the Maringá culture, remarked in details that express a ludic body in a singular party field. The investigations point to the need to contribute with a diffusion/valorization of artists that become forgotten and that produce important iconographical documents of the city culture.