ABOUT US

GET TO KNOW FORK FILMS

Founded in 2007 by Abigail Disney and Gini Reticker, Fork Films creates and supports media that makes an important societal contribution, with a particular emphasis on projects that bring women’s voices to the forefront. In addition to its original productions Emmy-winning THE ARMOR OF LIGHT, THE TRIALS OF SPRING, PRAY THE DEVIL BACK TO HELL and the five-part PBS special series WOMEN, WAR & PEACE, the company has supported nearly 90 documentaries that promote peace building and social justice including CAMERAPERSON, TRAPPED, STRONG ISLAND, 1971, CITIZEN KOCH, HOT GIRLS WANTED, and the Academy Award®-nominated films THE SQUARE, SUN COME UP and THE INVISIBLE WAR.

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ABIGAIL E. DISNEY

President & CEO

Abigail E. Disney is an Emmy-winning director and producer, philanthropist and the CEO and president of Fork Films. An active supporter of peacebuilding, she is passionate about advancing women's roles in the public sphere. Abigail’s films and series focus on social issues and spotlight extraordinary people who speak truth to power.
Having grown up in a family of filmmakers, Abigail turned to documentaries when inspired to tell the story of a brave group of women who used nonviolent protests and sex strikes to bring an end to Liberia’s long civil war. She and renowned filmmaker Gini Reticker made the widely acclaimed PRAY THE DEVIL BACK TO HELL, which is broadly credited with highlighting the achievements of Leymah Gbowee, who received a Nobel Peace Prize in 2011. Abigail and Gini went on to found Fork Films, which is known for making and funding high profile, critically acclaimed documentaries that are seen on PBS, Netflix, HBO and other major outlets.
In addition to producing original films, Fork Films awards grants to non-fiction films that promote peacebuilding, human rights and social justice with a particular emphasis on projects with women behind or in front of the camera. As of June 2017, Fork Films has awarded over $4 million to 90 documentaries including CAMERAPERSON, TRAPPED, 1971, THE MASK YOU LIVE IN, CITIZEN KOCH, HOT GIRLS WANTED, THE INVISIBLE WAR, and SUN COME UP. Fork Films grantees have premiered at top tier film festivals, won major awards and moved the needle on important social issues.
In 2009, Abigail founded Peace is Loud, a nonprofit that inspires action through media and live events that spotlight women leaders on the frontline of peacebuilding worldwide.
Abigail’s directorial debut, Emmy-winning THE ARMOR OF LIGHT, co-directed by Kathleen Hughes, premiered at the 2015 Tribeca Film Festival. The film follows Reverend Rob Schenck, an Evangelical minister, and Lucy McBath, the mother of a teenage shooting victim, who ask, is it possible to be both pro-gun and pro-life? Peace is Loud led the outreach and engagement campaign for THE ARMOR OF LIGHT to restore a moral, ethical, and theological framework to the conversation about gun violence in America. The campaign has initiated and supported dialogue with faith leaders and communities around the country, reaching out beyond the documentary film community to target dozens of conservative evangelical influencers .
In 2012, along with Pamela Hogan and Gini Reticker, Abigail created and executive produced the first-of-its-kind series for PBS, WOMEN, WAR & PEACE. The five-part series looked at women in modern war as active agents for peace and positive change makers in their communities. It garnered the Overseas Press Club’s Edward R. Murrow Award, a Gracie Award, and a Television Academy Honor. Season II of the series is currently in production.
Abigail also recently executive produced the Fork Films original production THE TRIALS OF SPRING, a major multiplatform project that tells the stories of nine women on the front lines of change in the MENA region.
Abigail is the recipient of numerous awards including an honor by the International Women’s Media Foundation for advancing women’s issues and peace initiatives; IDA's Amicus Award, The International Advocate for Peace Award, presented by Cardozo Law School; and the Epic Award presented by The White House Project.
Disney received her Bachelor's degree from Yale University, her Master's degree from Stanford University and her Doctorate from Columbia University. She is a mother of four.

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GINI RETICKER

Chief Creative Officer

Chief Creative Officer of Fork Films, Gini Reticker is an Academy Award-nominated and Emmy Award-winning director and producer with a distinguished career that spans more than 20 years.
Reticker helmed THE TRIALS OF SPRING, chronicling a young woman’s journey from an Egyptian village to becoming an international human rights activist. Its release was part of a multi-media project which included six short films launching online on The New York Times. Concurrently, she executive produced the 2017 Emmy-nominated THE ARMOR OF LIGHT.
Reticker directed the widely acclaimed PRAY THE DEVIL BACK TO HELL, an inspiring story of Liberian women whose actions helped bring an end to a brutal civil war. She received an Academy Award nomination for producing the short film ASYLUM, recounting one woman’s journey to political asylum in the U.S. The same year she was nominated for an Emmy for A DECADE UNDER THE INFLUENCE, a look at the heyday of 1970s filmmakers, which garnered the National Review Board's Award for Best Documentary. Her first film THE HEART OF THE MATTER, a groundbreaking film about women and AIDS, won the Sundance Film Festival’s Freedom of Expression Award. Reticker also garnered an Emmy for LADIES FIRST, the story of women rebuilding post-genocide Rwanda. She was a creator and executive producer of the PBS series WOMEN, WAR & PEACE, recipient of the Overseas Press Club’s Edward R. Murrow Award as well as The Academy of Television Honors Award. Reticker co-produced THE BETRAYAL (NERAKHOON) - nominated for both an Academy Award and an Independent Spirit Award.
She served as Executive Producer on numerous Fork Films supported projects including the renowned CAMERAPERSON; the Netflix original HOT GIRLS WANTED; 1971; CITIZEN KOCH; ALIAS RUBY BLADE and SHE’S BEAUTIFUL WHEN SHE’S ANGRY.

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AIDEEN KANE

VP of Production

Aideen joined Fork Films in September 2014 and is working closely with executive producers and producers from concept through successful distribution of the company's slate of feature documentaries.
She is a seasoned veteran of documentary production and has successfully overseen numerous projects - from single films to episodic series - through development, production and post production while constantly balancing the non-linear creative process with the business and logistics of production.
Aideen's career began in New York where she worked with Emmy winning and nominated directors, including Michael Moore; THE AWFUL TRUTH, Ellen Weissbrod; FACE TO FACE: THE SCHAPPELL TWINS, Zuzana Justman; VOICE OF THE CHILDREN and RUBY for HBO.
Returning to Ireland, Aideen headed up production at GMarshTv developing its core strengths and increasing its slate of documentaries. She also developed and produced several IFTA award winning documentaries and series for Irish television; RTE, Tg4 and Setanta including The Writing in the Sky, The Irish New Yorkers and The West's Awake.
Aideen recently returned to New York and found the perfect fit at Fork Films.

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ALEXIS PANCRAZI

Development Associate Producer

Alexis joins Fork as Development Associate Producer after spending a year working closely with Gini and Kathy on new project ideas and producing a short radio story. She brings a knowledge of the social justice landscape, nonfiction podcasting, and a passion for documentary film. Prior to joining Fork, she worked in television production management, most recently on the weekly show, Moyers & Company. When she's not at the office, she spends her time plotting trips to all the national parks she wants to visit, and in the meantime happily wiling away hours reading.

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AMEENA DIN

Director of Finance and Accounting

Ameena is the Director of Finance and Accounting at Fork Films. In this role, Ameena works closely with the COO, the Head of Production, and the entire Fork Films team and external business office to oversee the fiscal management of the company and its productions.
Prior to joining Fork Films in October 2014, Ameena worked with several notable media-related companies in New York City and Los Angeles, including Conde Nast Entertainment, CBS, Paramount Pictures, Comedy Central, and ITVS.
Ameena holds a B.S. in Finance from the University of Southern California. She currently resides in New York City with her husband and daughter and travels extensively in her free time.

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HOPE CARMICHAEL

Digital Media & Communications Coordinator

Before joining the Fork Films team, Hope worked as a freelancer with various television shows following an internship at THE DAILY SHOW with Jon Stewart. She graduated from the University of Wisconsin, where she majored in Film, English and Gender and Women Studies and worked with several campus publications, both as a writer and a multimedia assistant. In her free time, Hope enjoys creative writing, photography and sketch comedy.

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JULI S. KOBAYASHI

VP of Operations

Juli began her career as a script reader and development intern, and then as production coordinator and occasional editor on industrials at a boutique commercial production company. She then went on to freelance on cable specials, live TV, concerts and reality TV for Bravo, MTV, CBS, A&E and Warner Bros. She had varied jobs such a research assistant, green room PA, director’s assistant, casting coordinator, and cue card PA.
Juli then went on to work with K2 Pictures on productions for VH1, Comedy Central, PBS, Sci-Fi Channel, IFC, Court TV, ESPN, and the Sundance Channel, juggling roles such as production coordinator/ manager, graphics designer, editor, and post production supervisor.
She joined Fork Films in 2008 to oversee distribution of the widely acclaimed documentary PRAY THE DEVIL BACK TO HELL and stayed on full time. She has been instrumental in the company’s overall growth and development over the years. As VP of Operations, Kobayashi oversees much of the day to day operations and collaborates with the management team on legal, financial and HR-related matters.
She holds a degree from NYU's Tisch School of the Arts' Film & TV production program. Outside of Fork Films, Juli is a writer and filmmaker, and wrote, produced, edited and directed a narrative short entitled ONE PAST.

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KAT VECCHIO

Director of Grantmaking

Kat oversees the grant-making and investment arm of Fork Films where she plays a key roll in developing Fork Films grantmaking strategy and review process as well as serving as the primary contact for Fork Films supported filmmakers and grantees.
As a filmmaker her work explores American social and cultural history with a particular interest in gender, popular entertainment, and material culture.
She is currently directing BIG TOP, LITTLE LADY, a feature documentary exploring the lives of female circus performers who thrilled and dazzled the crowds during the height of the American train circuses. Her first film, THIS IS HOW I ROLL, takes a behind the scenes look into the intense subculture that is modern day men’s roller derby. In a sport dominated by women, what happened when the men want to play, too?
She occasionally teaches the course “Launching Your Documentary” at Brooklyn Brainery, a community-driven, crowd sourced educational space.
Prior to joining Fork Films in 2010 her experience included work in theatre, film, television, and commercial production.

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KATHLEEN HUGHES

Director of Creative Content

Kathleen Hughes is an award-winning producer, director and writer, as well as co-founder of the documentary film company, Okapi Productions. Her most recent film, The Armor of Light, which she produced and co-directed with director Abigail Disney, premiered at the 2015 Tribeca Film Festival. Called “powerful” and “provocative” by Vanity Fair, and “thoughtful and moving” by The Hollywood Reporter, the film tracks a conservative evangelical minister struggling with the morality of America’s gun culture. Among Kathleen’s many other notable films is Two American Families, a 21-year-long look at downward mobility in America, which she produced and directed with Tom Casciato and Bill Moyers for the PBS Frontline series. When it premiered in July of 2013, Variety called it “a potent treaty on the U.S.’ middle class [that] demands to be seen and discussed.” From 2008-11, Kathleen served as the executive producer of WNET’s multi-platform series Blueprint America, where she oversaw the creation of reports about America’s crumbling infrastructure for a wide range of public media outlets including PBS NewsHour, National Public Radio, Bill Moyers’ Journal, Now on PBS, and Need To Know. Blueprint also created two documentary film specials, “Road To the Future” and “Beyond the Motor City.” From 2007 to 2008 Kathleen served as a senior producer at NOW on PBS, managing a team nominated for two Emmy Awards. Kathleen’s Emmy Award-winning Moyers special Buying The War, detailing the media’s failure to examine the Bush Administration’s case for the 2003 invasion of Iraq, was called “one of the most gripping and important pieces of broadcast journalism this year” by the Washington Post. Kathleen’s other documentaries have appeared on PBS’s Frontline, NOW, and Wide Angle, and ABC News’ Turning Point, as well as many Bill Moyers specials. Her work has received numerous awards including two national Emmys, a New York Emmy, the duPont-Columbia Gold Baton, the Gracie Award, the Sidney Hillman Prize, the Dateline Club’s Society of Professional Journalists’ First Amendment Award, the Harry Chapin Media Award, the Christopher Award, and honorable mention for the Robert F. Kennedy Journalism Award. Her early television career included stints as an associate producer for 60 Minutes, and as a producer the local New York programs The Eleventh Hour and Currents. She is a graduate of the State University of New York at Binghamton and holds a masters in journalism from Columbia University.

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KELLY BACHMAN

Office Production Coordinator

Before joining Fork Films, Kelly Bachman worked freelance in New York as a production coordinator, associate producer, researcher and crowdfunding/marketing coordinator for three years. Kelly contributed to feature films such as GETTING NAKED: A BURLESQUE STORY (James Lester), WILDLIKE (Frank Hall Green), REMITTANCE (Joel Fendelman, Patrick Daly) and LYLE (Stewart Thorndike). Kelly also writes, produces, directs and edits her own independent films and sketches. Her debut short film premiered at LA Shorts International Film Festival in 2017. Additionally, Kelly is a founder of two film organizations, "Women Independent Producers", a network of women producers, and "Curve Filmmakers," a collective of budding filmmakers. When Kelly is not making films, she can usually be found producing and performing live comedy in New York.

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MOLLY O'BRIEN

Chief Business Development Officer

Molly O’Brien is the CBDO of Fork Films, where she provides strategic leadership and oversight to new initiatives, development, mission based revenue generation, sustainability, and special projects. O’Brien brings with her over two decades of experience producing non-fiction television series, documentary features, shorts, and branded content. Her work as a producer has been featured on Netflix, FoxTV, PBS, Univision, PIVOT, TLC, ABC Family, LinkTV, Oxygen Network and Sundance Channel, and has premiered at the Sundance Film Festival, IDfA, and Full Frame Film Festival among others.
O’Brien was the founding producer of Sundance Institute’s Catalyst Initiative, an innovative annual convening between art and commerce, connecting creative investors to the most highly anticipated independent films in the country.
In 2000, O’Brien won a Primetime Emmy Award for Producing Outstanding Non-Fiction Program (American High, FOX), was nominated for the Primetime Emmy in 2001 (American High) and made a 2010 Sundance Institute Creative Producing Fellow (Cesar's Last Fast, PIVOT/Univision/Netflix). Additionally, she was the Supervising Producer for the branded short #Selfie, which won a Clio Image Award in 2014. O’Brien’s first documentary film, A Pig With Hair, was shortlisted for the Academy Awards in 1998. She lives in Brooklyn, NY.

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SARAH FEUQUAY

Director of Operations

Sarah Feuquay came to Fork Films with a dual background in Production and Film Festival work. She has over 10 years of Production experience working across a diversity of projects, from indie narrative features to prime-time ABC News Specials, functioning in multiple roles including production coordinating, logistics, research, licensing, post-production, development and grant writing.
In addition, Sarah has worked both front and back of house positions at film festivals including the Tribeca Film Festival, Rooftop Films and DOC NYC. She holds a Masters Degree in Film Studies from Emory University and a BA in Film Production from Hunter College.

Privacy Policy

Effective Date: March 22, 2017.

Introduction and Overview. This Privacy Policy describes how Fork Films LLC (“Fork Films,” “we,” “our,” or “us”) collects, uses, and shares information about you and applies to your use of any online service location that posts a link to this Privacy Policy and all features, content, and other services that we own, control and make available through such online service location (collectively, the “Service”). This Privacy Policy does not apply to our information collection activities outside of the Service (unless otherwise stated below or at the time of collection).By using the Service, you agree to our Terms of Use and consent to our collection, use and disclosure practices, and other activities as described in this Privacy Policy. If you do not agree and consent, discontinue use of the Service.

Information Collection.

A. Information You Provide.
We and our Service Providers (defined below) may collect information you provide directly via the Service. For example, we collect information when you sign-up for our mailing lists, purchase or view our content, or otherwise communicate or transact with us through the Service.The information we collect may include Personal Information. “Personal Information” is information that identifies you personally (whether alone or in combination), such as your first and last name, e-mail address, and postal address. You may choose to voluntarily submit certain other information to us through the Service, including Personal Information, but you are solely responsible for your own Personal Information in instances where we have not requested that you submit such information to us.Where you purchase content through the Service, we use a Third Party Service (defined below) to process your payment information, including credit card information. We do not have access to or store your credit card information.Personal Information once “de-identified” is not subject to this Privacy Policy and we and our Service Providers may treat it as non-Personal Information and use it without obligation to you except as prohibited by applicable law.
B. Information Collected Automatically.
We and our Service Providers may automatically collect certain information about you when you access or use the Service (“Usage Information”). Usage Information may include IP address, device identifier, browser type, operating system, data regarding network connected hardware, and information about your use of the Service. To the extent that we combine Usage Information with your Personal Information, we will treat the combined information as Personal Information under this Privacy Policy.
The methods that may be used on the Service to collect Usage Information include:

Log Information: Log information is data about your use of the Service, such as IP address, browser type, internet service provider, referring/exit pages, operating system, date/time stamps, and related data, which is stored in log files.

Information Collected by Tracking Technologies: Cookies, web beacons (also known as “tracking pixels”), embedded scripts, and other tracking technologies now and hereafter developed (“Tracking Technologies”) may be used to collect information about your interactions with the Service or e-mails, including information about your browsing and activity behavior.

Cookies
A cookie is a small text file that is stored on a user’s device, which may be a session ID cookie or tracking cookie. Session cookies make it easier for you to navigate the Service and expire when you close your browser. Tracking cookies help in understanding how you use the Service, and remain longer. The Service may associate some or all of these types of cookies with your devices. Cookies may remain on your device for extended periods of time.

Web Beacons (“Tracking Pixels”)
Web beacons are small graphic images, also known as “internet tags” or “clear gifs” embedded in web pages and e-mail messages. Web beacons may be used to count the number of visitors to the Service, to monitor how users navigate the Service, and to count content views.

Embedded Scripts
An embedded script is programming code designed to collect information about your interactions with the Service. It is temporarily downloaded onto your device from our web server or a third party with whom we work, is active only while you are connected to the Service, and deleted or deactivated thereafter.

For further information on Tracking Technologies and your choices regarding them, please see “Third Party Services, Social and Video Features, and Analytics” and “Your Choices” below.
C. Information from Other Sources.
We may obtain information about you from other sources, including Service Providers and Third Party Services, and combine such information with information we have collected about you. To the extent we combine such third party sourced information with Personal Information we have collected about you on the Service, we will treat the combined information as Personal Information under this Privacy Policy. We are not responsible for the accuracy of any information provided by third parties or third party policies or practices.

Use of Information. We may use information about you, including your Personal Information, for any purposes consistent with our statements under this Privacy Policy or as permitted by applicable law, including to:

Prevent and address fraud, breach of policies or terms, and threats or harm;

Monitor and analyse trends, usage, and activities;

Conduct research, including focus groups and surveys;

Improve the Service or other Fork Films websites, applications, marketing efforts, products and services;

Send you advertisements and communicate with you regarding our and third party products, services, offers, promotions, rewards and events we think you may be interested in (for information about how to manage these communications and marketing efforts, please see “Your Choices” below); and

Fulfill any other purpose disclosed at the time you provide Personal Information.

Sharing of Information. Our agents, vendors, consultants, and other service providers (collectively “Service Providers”) may receive, or be given access to your information, including Personal Information and Usage Information, in connection with their work on our behalf. These Service Providers are prohibited from using your Personal Information for any purpose other than to provide this assistance, although we may permit them to use aggregate information which does not identify you or de-identified data for other purposes.We may also share information about you with third parties for any purposes consistent with our statements under this Privacy Policy or as permitted by applicable law, including as follows:

To comply with the law or other legal process, and where required, in response to lawful requests by public authorities, including to meet national security or law enforcement requirements;

To protect the rights, property, life, health, security and safety of us, the Service, the individuals involved in our films, or any third party;

In connection with, or during negotiations of, any proposed or actual merger, purchase, sale or any other type of acquisition or business combination of all or any portion of our assets, or transfer of all or a portion of our business to another company;

With our affiliates for internal business purposes;

With our affiliates, business partners, and other third parties for their own business purposes, including direct marketing purposes (California residents have certain rights set forth in “Your California Privacy Rights” below);

For purposes disclosed at the time you provide Personal Information; and

With your consent or at your direction.

Without limiting the foregoing, in our sole discretion, we may share aggregated information which does not identify you or de-identified information about you with third parties or affiliates for any purpose.

Sweepstakes, Contests, Promotions. We may offer sweepstakes, contests, surveys, and other promotions (each, a “Promotion”) jointly sponsored or offered by third parties that may require submitting Personal Information. If you voluntarily choose to enter a Promotion, your Personal Information may be disclosed to third parties for administrative purposes and as required by law (e.g., on a winners list). By entering, you agree to the official rules that govern that Promotion, and may, except where prohibited by applicable law, allow the sponsor and/or other parties to use your name, voice and/or likeness in advertising or marketing materials.

Third Party Services, Social Features, and Analytics. Our Service includes hyperlinks to websites, locations, platforms, or services operated by third parties (“Third Party Service(s)“). For example, we may link to third party video services, such as iTunes or Netflix, in order to view our films. These Third Party Services may use Tracking Technologies to independently collect information about you and may solicit Personal Information from you.Certain functionalities on the Service permit interactions that you initiate between the Service and certain Third Party Services, such as third party social networks and video services (“Social and Video Features”). Examples of Social and Video Features include “liking” or “sharing” our content, watching embedded videos using third party video service technology, and otherwise connecting our Service to a Third Party Service. If you use Social and Video Features, and potentially other Third Party Services, information you post or provide access to may be publicly displayed on our Service or by the Third Party Service that you use.Similarly, if you post information on a Third Party Service that references our Service (e.g., by using a hashtag associated with Fork Films in a tweet or status update), your post may be used on or in connection with our Service. Also, both Fork Films and the third party may have access to certain information about you and your use of our Service and the Third Party Service.We may use Google Analytics and other Service Providers for analytics services. These analytics services may use Tracking Technologies to help Fork Films analyze Service users and how they use the Service. Information generated by these services (e.g., your IP address and other Usage Information) may be transmitted to and stored by these Service Providers on servers in the U.S. (or elsewhere) and these Service Providers may use this information for purposes such as evaluating your use of the Service, compiling statistic reports on the Service’s activity, and providing other services relating to Service activity and other internet usage.To the extent we combine information from Third Party Services with Personal Information we collect directly from you on the Service, we will treat the combined information as Personal Information under this Privacy Policy. Otherwise, the information collected and stored by third parties remains subject to their policies and practices, including whether they continue to share information with us, the types of information shared, and your choices on what is visible to others on Third Party Services. We are not responsible for and make no representations regarding the policies or business practices of any third parties or Third Party Services and encourage you to familiarize yourself with and consult their privacy policies and terms of use.For further information on Tracking Technologies and your choices regarding them, please see “Information Collected Automatically” above and “Your Choices” below.

Your Choices.

A. Accessing Your Information.
You may access, update, or remove certain information that you voluntarily submitted to us when you made a purchase through the Service by sending an e-mail to us here. We may require additional information from you to allow us to confirm your identity. Please note that we will retain and use your information as necessary to comply with our legal obligations, resolve disputes, and enforce our agreements.B. Tracking Technologies Generally. Regular cookies may generally be disabled or removed by tools available as part of most commercial browsers, and in some instances blocked in the future by selecting certain settings. Browsers offer different functionalities and options so you may need to set them separately.Please be aware that if you disable or remove Tracking Technologies some parts of the Service may not work and that when you revisit the Service your ability to limit browser-based Tracking Technologies is subject to your browser settings and limitations.
Your browser settings may allow you to automatically transmit a “Do Not Track” signal to online services you visit. Note, however, there is no industry consensus as to what site and app operators should do with regard to these signals. Accordingly, we do not monitor or take action with respect to “Do Not Track” signals or other mechanisms. For more information on “Do Not Track,” visit http://www.allaboutdnt.com.
C. Analytics Tracking Technologies
You may exercise choices regarding the use of cookies from Google Analytics by going to https://tools.google.com/dlpage/gaoptout or downloading the Google Analytics Opt-out Browser Add-on. Fork Films is not responsible for effectiveness of, or compliance with, any third-parties’ opt out options or programs or the accuracy of their statements regarding their programs.
D. Communications
You can opt out of receiving certain promotional e-mails from us at any time by following the instructions as provided in e-mails to click on the unsubscribe link or by sending an e-mail to us here with the word UNSUBSCRIBE in the subject field of the e-mail. Please note that your opt out is limited to the e-mail address used and will not affect subsequent subscriptions or non-promotional communications, such as those about your account, transactions, servicing, or Fork Films’s ongoing business relations.

Your California Privacy Rights. California’s “Shine the Light” law permits customers in California to request certain details about how certain types of their information are shared with third parties and, in some cases, affiliates, for those third parties’ and affiliates’ own direct marketing purposes. Under the law, a business should either provide California customers certain information upon request or permit California customers to opt in to, or opt out of, this type of sharing.Fork Films may share personal information as defined by California’s “Shine the Light” law with third parties and/or affiliates for such third parties’ and affiliates’ own direct marketing purposes. If you are a California resident and wish to obtain information about our compliance with this law, please e-mail us here or send us a letter to Fork Films LLC, 25 East 21st Street, 7th Floor, New York, NY 10010 (Attention: Legal). Requests must include “California Privacy Rights Request” in the first line of the description and include your name, street address, city, state, and ZIP code. Please note that Fork Films is not required to respond to requests made by means other than through the provided e-mail address or mail address.

Children. The Service is intended for a general audience and not directed to children under thirteen (13) years of age. Fork Films does not intend to collect personal information as defined by the U.S. Children’s Privacy Protection Act (“COPPA”) in a manner that is not permitted by COPPA. If you are a parent or guardian and believe Fork Films has collected such information in a manner not permitted by COPPA, please e-mail us here or send us a letter to Fork Films LLC, 25 East 21st Street, 7th Floor, New York, NY 10010 (Attention: Legal), and we will remove such data to the extent required by COPPA.

Data Security. We take reasonable measures to help protect information about you from loss, theft, misuse and unauthorized access, disclosure, alteration and destruction. Nevertheless, transmission via the internet is not completely secure and we cannot guarantee the security of your information collected through our Service.

International Transfer. We are based in the U.S. and the information we and our Service Providers collect is governed by U.S. law. If you are accessing the Service from outside of the U.S., please be aware that information collected through the Service may be transferred to, processed, stored and used in the U.S. Data protection laws in the U.S. may be different from those of your country of residence. Your use of the Service or provision of any information therefore constitutes your consent to the transfer to and from, processing, usage, sharing and storage of your information, including Personal Information, in the U.S. as set forth in this Privacy Policy.

Changes to this Privacy Policy. We reserve the right to revise and reissue this Privacy Policy at any time. Any changes will be effective immediately upon posting of the revised Privacy Policy. Your continued use of our Service indicates your consent to the Privacy Policy then posted. If the changes are material, we may provide you additional notice, to your e-mail address.

Contact Us. If you have any questions or comments about this policy, please e-mail us here or send us a letter to Fork Films LLC, 25 East 21st Street, 7th Floor, New York, NY 10010 (Attention: Legal).