Apart from some short trips he never left Stuttgart again. His works now showed the double influence of his admiration for Antonio Canova and his study of the antique. The first was a girl lamenting her dead bird, which pretty light motive was much admired. Afterwards, Sappho, in marble for the Lustschloss, and two offering-bearers for the Jagdschloss; Hector, not in marble; the complaint of Ceres, from Schiller's poem; a statue of Christ; Psyche; kneeling water-nymph; Love, a favourite he had to repeat.[1] In 1804, he did the initial draft of "Ariadne on the Panther", which he finished from 1810 to 1824, generally regarded as his masterpiece and one of the most important sculptures of the 19th century.