Call Jay Z and Beyonce’s “On the Run” show Friday, July 11 at MetLife Stadium a little slice of Camelot.

After two hours of an outlaw — and admittedly fictional — narrative of the two motel hopping and gun playing on the dusty byways of America, the close of the show featured a film of the married couple and baby Blue Ivy frolicking on a sun-kissed afternoon, a la the Kennedy family Hyannis Port vacation films.

“This is real life,” read the title on the screen.

Perhaps. It does seem this couple, the first family of American song, can accomplish anything. Run a record company. Check. Start a dance sensation. Check. Pal around with the president. Check.

How about put on a dazzling stage show together? We’re going with the affirmative on that one, too. Check.

Jay Z and Beyoncé found that intersection where his hood-correct rap stance merged with her showy pop and dance tableaus. The two would alternate for much of the evening with duets and black and white video segments bringing the elements together. For instance, Jay Z’s rock-ish “99 Problems” was followed by Beyonce on center stage for the ballad “If I Were a Boy,” which was given a harder rhythmic foundation here. It was a good contrast.

For his part, Jay Z would perform his songs by himself with Beyoncé singing the hooks where appropriate. Beyonce would often appear with a team of dancers and readily used props and costume changes.

A live band was not visible except for Beyoncé’s “Why Don’t You Love Me” and “Resentment,” where a few players came forth. It is not clear how much of the music was live and how much was canned. A star of the show was the three dazzling video screens and the stage lighting. The images were crisp and clear and the lighting nicely complemented each song. The strobe-y red and blue stage shading appropriately underscored Jay Z’s tale of American upward mobility on “Public Service Announcement.”

The presentations were so full and delivered that one wished there could be a little more nuance to the pacing, especially during the first half of the show. It was hit after hit from two of today’s biggest stars, with little in the way of personal interaction between the two.

But there were moments when the veneer was broken. When Jay Z helped Beyoncé up the stairs to an audience stage about 20 yards from the main stage, the camera caught a nice surprise on her face.