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From kerrang.com – K!1717: Fifteen years have passed since Evanescence first introduced themselves to the world – and life for Amy Lee is today unrecognisable to the one she knew back then. As the band’s Synthesis tour blazes across the globe, in our world-exclusive interview Kerrang! finds a vocalist reflecting on the past, focusing on the present, and considering a future that remains unwritten…

We’ve also collaborated with the band and artist Paul Brown – the man behind the Synthesis cover – for an exclusive art print!

Elsewhere in the mag, in a super-honest chat, Fall Out Boy’s Pete Wentz looks back over the band’s career, as well as his own personal trials and tribulations. On top of that, emo heroes The Get Up Kids tell us all about their return; we go inside the many sides of Green Day’s Billie Joe Armstrong; Alcest, Deafheaven and Møl explore black metal’s deepest corners; Mat McNerney reveals Grave Pleasures’ heart of darkness; and Neck Deep prove that pop-punk tours really are about pizza, partying and pissing about.

Over in the reviews section, A Perfect Circle return to set the world to rights on their beautifully-crafted third album, Metallica’s classic covers EP gets the reissue treatment, and nostalgia reigns down under as Download Festival makes its Aussie debut.

There’s also a jam-packed poster section, too: stick Panic! At The Disco, Against Me!, THE FEVER 333, The Wonder Years and Architects on your walls.

The new issue of Kerrang! is available anywhere in the world when you order online through Newsstand. But for UK residents, it hits the shops on Wednesday, April 11 from all good newsagents. [Source]

Thank you to everyone that have visited Amy Lee Fans. Our photo gallery has reached over 100,000 views today and we appreciate everyone who has made this possible. To celebrate this milestone take a look at some of the most viewed pictures in the gallery.

A single spotlight shines, filled with fog as it illuminates Amy Lee, talented lead singer of the alternative rock band Evanescence. It’s a cold spring night in London and the Royal Festival Hall crowd is screaming along to every lyric of the five-piece’s new album, Synthesis. The accompanying orchestra, conducted by Susie Seiter, adds a beautiful depth to each piece. Everyone in the audience, from superfans to newcomers, is swept away by the performers’ immense stage presence.

Lee is a powerful vocalist and equally formidable on the piano, and when joined by her contingents, she truly comes alive. Passion is written across her face; the intense emotion that supplements each string of words says as much as the lyrics themselves do. Even with incredible drummer Will Hunt tossing his sticks and crafting outrageous fills, all eyes are on Lee. And whenever the singing isn’t completely understandable, the frontwoman makes up for it with her range: her highest notes are perhaps even more sustained than her natural lower register.

Under deep red and violet lighting, the crowd excitedly joins Evanescence in a lively performance of Bring Me to Life, which starts off soft but ends in a rousing chorus. In Lithium, Lee proves she sings just as well without the synthesised effects that have become one of the band’s hallmarks; Lost in Paradise, showcases the majesty of the orchestra.

Before performing My Immortal, Lee explains that their fans have given a new meaning to the piece. Each member works in harmonious unity throughout the piece, shining as more than a sum of their parts.

The concert is best represented by what the singer says towards the finale of the show, when she proclaims that people who enjoy songs “this emotional … feel a lot but don’t say as much [we] feel. The only way through is what we have together.” As much as the night is about music, it is also about coming together and feeling emotions – whether those be pain, pensive contemplation, or rage – as one. [Source]

On March 4th, 2003 Evanescence released their debut album “Fallen“. Fallen is Evanescence’s most commercially successful album to date, selling more than seven million copies in the United States and over 17 million copies worldwide.

Fifteen years on, while Lee continues with Evanescence, Fallen has aged gracefully. It’s easy to hear why the band was among the class of rock groups that went multiplatinum at the turn of the millennium. Its formidable combination of power and melody was more than enough of a foundation to withstand the trends of its time. [Source]

On the 15th anniversary of the Mar. 4, 2003 release of Fallen, take a look back at the album with this classic track-by-track take.

Craft Recordings will release Evanescence’s“Lost Whispers” on Record Store Day, the annual celebration of the annual celebration of independent record stores, which takes place this year on Saturday, April 21. Presented on blue translucent vinyl and limited to 2,500 copies, this represents the first time that “Lost Whispers” has been available on vinyl as a stand-alone release.

The “Lost Whispers” album gathers Evanescence’s sought-after bonus tracks, B-sides and rarities, including a studio version of the fan-favorite tour intro “Lost Whispers” and an intimate re-recording of one of the band’s earliest songs, “Even In Death (2016)” (originally featured on the 2000 demo album “Origin”).

“Lost Whispers” track listing:

A1: Lost Whispers
A2: Even In Death (2016)
A3: Missing
A4: Farther Away
A5: Breathe No More
A6: If You Don’t Mind
B1: Together Again
B2: The Last Song I’m Wasting On You
B3: A New Way To Bleed
B4: Say You Will
B5: Disappear
B6: Secret Door

Evanescence and acclaimed electronic violinist Lindsey Stirling will embark on a co-headlining 2018 summer amphitheater tour across North America. The trek, produced by Live Nation, will kick off July 6 in Kansas City, Missouri at the Starlight Theatre and will make stops in 31 North American cities. The tour will wrap September 8 in Ridgefield, Washington at the Sunlight Supply Amphitheater.

Both artists’ shows will be accompanied by a full orchestra, highlighting both acts musicality and their incredible performance abilities that continue to blow fans away. The orchestrated performances will also perfectly accent the astounding amphitheater venues across the U.S. and Canada that the two will be performing in, making for a magical summer evening.

The two artists recently collaborated on the song “Hi-Lo” from the latest Evanescence’s album, “Synthesis”, which features a virtuosic violin solo by Lindsey Stirling.

“Synthesis” was released in November. The disc sees many of Evanescence’s songs reworked in new ways, incorporating orchestral and electronic elements into the original compositions.

The “Synthesis Live” tour launched in October and like the album, it features a full orchestra and electronics. [Source]

Fan-filmed video footage of Evanescence’s entire March 12 performance at Crocus City Hall in Moscow, Russia can be seen below.

Evanescence and acclaimed electronic violinist Lindsey Stirling will embark on a co-headlining 2018 summer amphitheater tour across North America. The trek, produced by Live Nation, will kick off July 6 in Kansas City, Missouri at the Starlight Theatre and will make stops in 31 North American cities. The tour will wrap September 8 in Ridgefield, Washington at the Sunlight Supply Amphitheater.

Both artists’ shows will be accompanied by a full orchestra, highlighting both acts musicality and their incredible performance abilities that continue to blow fans away. The orchestrated performances will also perfectly accent the astounding amphitheater venues across the U.S. and Canada that the two will be performing in, making for a magical summer evening.

The two artists recently collaborated on the song “Hi-Lo” from the latest Evanescence album, “Synthesis”, which features a virtuosic violin solo by Lindsey Stirling.

“Synthesis” was released in November. The disc sees many of Evanescence’s songs reworked in new ways, incorporating orchestral and electronic elements into the original compositions.

The “Synthesis Live” tour launched in October and like the album, it features a full orchestra and electronics.

Evanescence and violin virtuoso Lindsey Stirling are teaming up for what will surely be the summer’s more drama-filled tour.

The goth rockers and former YouTube sensation are hitting the road with a full orchestra for a 31-date co-headlining North American amphitheater outing that is slated to kick off on July 6 at the Starlight Theatre in Kansas City, Missouri, and will run through a Sept. 8 date at the Sunlight Supply Amphitheatre in Ridgefield, Washington.

The acts recently collaborated on the song “Hi-Lo,” from Evanescence’s 2017 comeback album, Synthesis, and Stirling is touring in support of her fourth album, last year’s Warmer in the Winter. The 31-year-old violinist didn’t hold back in her excitement about the tour, tweeting, “In case you missed it, my dreams are coming true this summer and @evanescence and I are going on tour together!” In another tweet, Stirling promised to bring an “epic & unforgettable performance” to your town.

Tickets for most of the announced dates will be available on March 9 at 10 a.m. local time, with both acts hosting their own pre-sales for fans and offering limited-edition VIP packages starting Wednesday (March 7). For more information check out Stirling and Evanescence‘s websites.

The plan is for us to work on a new album next. We don’t have a timeline going on right now — we’ve been focused on [the Synthesis] tour and this whole crazy massive thing we’ve been doing. But, yeah, that’s totally the plan. You will hear from us. - Amy Lee via Detroit's WRIF 101.1 FM

Evanescence return this fall with Synthesis, their fourth studio album, slated for a Fall 2017 release. The group today, August 14, announced the “Synthesis Live” tour will launch this fall beginning October 14 on the west coast. Like the album, “Synthesis Live” will feature a re-imagining of some of Evanescence’s best-loved songs with the spotlight on full orchestra, electronics combined with the band and Amy Lee’s virtuoso piano and voice.

The track is the lead single and one of the new songs from album ‘Synthesis’ – a reworking of some of the band’s best-loved tracks performed with a full orchestra and electronic elements. ‘Imperfection’, is an emotional moment dealing with suicide and depression.

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