Posted
by
BeauHDon Friday December 09, 2016 @06:20PM
from the two-thumbs-way-up dept.

Google has confirmed to Search Engine Land that it is testing a feature allowing users to rate movies or TV shows directly in the search results interface. "We're currently experimenting with the feature but have nothing to announce at this time," a Google spokesperson said. TechCrunch reports: Unlike other movie and TV rating platforms, Google's feature is not on a scale from one to five but instead offers a binary choice: like or dislike. Information about weather, ticket purchasing options and more used to be available on unique, individual websites. Today, however, Google has incorporated this information and functionality into the search results layer of its own service. Within the movie ratings feature, users will also be able to see the Rotten Tomatoes and IMDb ratings for the title, as they always have. You can view a screenshot of the rating system here.

None of such deals have materialized yet, of course, and also it needs to be pointed out that several movie companies have discarded these ideas before because they know that by offering you new titles so early they are going to lose on all the overpriced cold drinks, and snacks they sell you at the theatre. There's also piracy concerns. If a movie is available early, regardless of the DRM tech these companies deploy, good-enough footage of the movies will crop up on file-sharing websites almost immediately.

But leaving all those aspects aside, would you be interested in getting new titles just hours or a week or two after they hit the cinemas? Would you want to end the decades-long practice of going to a theater?

Posted
by
BeauHDon Wednesday December 07, 2016 @08:25PM
from the comfort-of-your-home dept.

Apple is talking with Hollywood studios to try and get iTunes rentals of movies that are still playing on the big screen. According to a report from Bloomberg, "some studio executives have been pushing to allow home rentals as early as two weeks after theatrical debuts and are considering a deal with iTunes as one option." Bloomberg reports: The most recent talks are part of longer-running efforts by Cupertino, California-based Apple to get new movies sooner, two of the people said. Such an arrangement could help iTunes stand out in a crowded online market for movies, TV shows and music. While the iTunes store helped Apple build a dominant role in music retailing, the company hasn't carved out a similar role in music and video streaming. Hollywood studios typically give theaters exclusive rights to new movies for 90 days or more before issuing them on DVD or making them available for online purchase. One of the concerns about iTunes is whether it will be a secure platform for delivering movies that are still in theaters, the people said. While Apple encrypts iTunes video files so they can't easily be duplicated, it's possible to use a camera to record a movie playing on a TV screen. A leak of picture that's still in theaters would jeopardize returns for the studios and cinema owners.

Posted
by
msmash
on Wednesday December 07, 2016 @01:00PM
from the tit-for-tat dept.

An Oregon District Court has sided with a wrongfully accused man who was sued for allegedly downloading a pirated copy of the Adam Sandler movie "The Cobbler." According to the court's recommendations, reports TorrentFreak, the man is entitled to more than $17,000 in compensation as the result of the filmmakers "overaggressive" and "unreasonable" tactics. From the article: The defendant in question, Thomas Gonzales, operates an adult foster care home where several people had access to the Internet. The filmmakers were aware of this and during a hearing their counsel admitted that any guest could have downloaded the film. [...] "The Court finds that once Plaintiff learned that the alleged infringement was taking place at an adult group care home at which Gonzales did not reside, Plaintiff's continued pursuit of Gonzales for copyright infringement was objectively unreasonable," Judge Beckerman ruled. "The Court shares Gonzales' concern that Plaintiff is motivated, at least in large part, by extracting large settlements from individual consumers prior to any meaningful litigation. "On balance, the Court has concerns about the motivation behind Plaintiff's overaggressive litigation of this case and other cases, and that factor weighs in favor of fee shifting."

Posted
by
BeauHDon Tuesday December 06, 2016 @08:55PM
from the making-your-life-easier dept.

Apple has launched Single Sign-on, a service designed to make logging into TV apps much less annoying. It "allows cable subscribers to sign in once with their cable credentials to gain access to all cable-restricted content in iOS and tvOS apps," writes Juli Clover via MacRumors: Single Sign-on is limited to the United States, and according to a support document, is available for the following providers: CenturyLink Prism, DirecTV, Dish, GVTC, GTA, Hawaiian Telecom, Hotwire, MetroCast, and Sling. While Single Sign-on was introduced and tested in the tvOS 10.1 and iOS 10.2 betas, the feature was remotely released today to all iOS 10 and tvOS 10 devices. Using Single Sign-on does not require one of the betas, and is instead immediately available to all iPhone and Apple TV users running iOS 10 or tvOS 10. With Single Sign-on, customers with a supported provider will use the Settings options in iOS or tvOS to sign in with their cable credentials. From then on, when accessing a supported app that requires a cable subscription, the app will ask to use the saved sign-on credentials. Most cable channels and content providers offer individual apps on the Apple TV and iOS devices, but still require cable authentication before users can access content. Prior to Single Sign-on, customers were required to enter their credentials in each individual app, a frustrating and time-consuming process.

Posted
by
BeauHDon Tuesday December 06, 2016 @06:20PM
from the air-exposure dept.

Last month, Apple announced a repair program for a "small number" of iPhone 6s phones that suffer from faulty batteries. The phones that were affected by this fault were manufactured between September and October 2015. Two weeks later, Apple now says the fault was caused by overexposure to "controlled ambient air." Ars Technica reports: The same press release -- issued only in China so far, but available in English if you scroll down -- says that some owners of later iPhone 6S models are also reporting problems with unexpected shutdowns. Apple isn't replacing those batteries just yet, but the company says that an iOS update "available next week" will add "additional diagnostic capability" that will allow Apple to better track down and diagnose the causes of these shutdowns. It "may potentially help [Apple] improve the algorithms used to manage battery performance and shutdown," as well. Those improvements will be included in future iOS updates. Apple says that the battery problem "is not a safety issue," an important thing to note given the way the Galaxy Note 7 blew up in Samsung's face. The software update that Apple mentions in the release is almost certainly iOS 10.2, which is currently in its sixth beta build. The update will be the first major bug-fix release since October's iOS 10.1, and it also includes a handful of other changes like new and redesigned emoji, the TV app that Apple demoed at its last product event, and other features.

Posted
by
msmash
on Tuesday December 06, 2016 @09:40AM
from the in-reality dept.

Two of the most common issues people have with Netflix is: the movie catalog is shrinking, and the quality of the movies aren't that great anymore. Netflix says it is aware of those issues, and it thinks, in reality, those factors don't really matter much as people end up watching the same amount of movies as they always have. From a report:According to the Netflix exec, subscribers spend about the same time watching movies on the service regardless of the depth or perceived quality of the movie library. "No matter what, we end up with about one-third of our watching being movies," he told the audience. Mr Sarandos cited two contrasting examples of the United States and Canada as proof of such behavior. In Canada, Netflix has five major deals with movie studios to use their content while in the US the company basically has none, with the exception of the recently signed Disney deal. Despite US subscribers having far less access to movies from big studios, both countries spend roughly the same proportion of their time on the service watching movies. Netflix believes that by the time many blockbuster movies make it onto the platform -- many months after being released in the cinema -- a majority of fans have already seen them. "If you were passionate (about a movie), you've already seen it," he said.

Posted
by
BeauHDon Monday December 05, 2016 @05:40PM
from the high-dynamic-range dept.

OLED panels have always been known to have higher contrast ratios than LCD panels, but that may be about to change with Panasonic's recently announced LCD IPS display. The display boasts a 1,000,000:1 contrast ratio, which is up to 600 times more contrast than some of the company's conventional LCD panels that tend to offer around 1800:1 ratios, and rivals OLED specifications. Android Authority reports: Panasonic has accomplished this through the use of its new light modulating cell technology, which allows the company to switch off individual pixels in the display using a secondary control layer. Typically, LCD backlights mean that either the entire or only large parts of the display can be dimmed at any one time. OLED panels switch off lights entirely for a black pixel to offer very high contrast ratios, and this new LCD technology works on a very similar principle. This is particularly important for reproducing HDR video content, which is becoming increasingly popular. Furthermore, this new light modulating cell technology allows Panasonic to increase the peak brightness and stability of the display, which can reach 1,000 cd/m2 while also providing HDR colors. Many other HDR TV panels top out in the range of 700 to 800 cd/m2, so colors, highlights, and shadows should appear vivid and realistic. Panasonic plans to ship the new display starting in January 2017 with sizes ranging from 55 to 12 inches.

Posted
by
msmash
on Monday December 05, 2016 @01:40PM
from the weird-habits dept.

A new survey by Thuurz Sports, a company that works with TV providers to increase the size of sports viewing audiences, finds that 84.1 percent of DVR owners record live sports, many of them as a "backup" for when they might miss the end (or the beginning) or the game, and a majority (58 percent) to skip the ads. From a report on CNET: "Over the past decade, DVR viewing has undermined certain elements of the TV business. Reacting to this threat, sports TV executives have rightly focused on the genre's relative strength, calling sports programming 'DVR-proof'," says Brian Ring, the consultant who created the survey for Thuuz, in the press release. "Sports are best viewed live, but this survey highlights the fact that most fans with DVRs regularly use. Most TV shows and movies these days are available on-demand from various sources, but live events, particularly sports, are considered among the most "DVR-proof" since there's more value in seeing the result live.

Posted
by
BeauHDon Friday December 02, 2016 @09:05PM
from the alternative-energy dept.

An anonymous reader quotes a report from ValueWalk: Nikola Motor Company just unveiled a huge class 8 truck which will run on hydrogen fuel cells. Nikola claimed that the truck's operational range will be as much as 1,200 miles (1,900 km), and it will be released in 2020. Nikola designed the Nikola One for long-haul transport across a large landmass. The truck will deliver over 1,000 horsepower and 2,000 foot-pounds of torque. Provided these claims are true, the vehicle will provide nearly double the power of the current-gen diesel-powered semis/articulated lorries, notes Ars Technica. The leasing cost of the trucks will include the fuel price, servicing costs and warranty, but exactly how the lease will work is not known now, notes Ars Technica. The company says it has already accepted nearly $3 billion in future orders. A fully-electric drivetrain which gets power from high-density lithium batteries runs the vehicle, and a hydrogen fuel cell charges the batteries on the go. Its reach is presently limited, as hydrogen fueling stations currently exist in only small numbers. This made Nikola decide to construct a network of 364 hydrogen fueling stations across the U.S. and Canada, just like Tesla with its network of Superchargers. Milton claims it will come with a smart dashboard which has the capability of picking the most cost-efficient route for drivers. Also one or two full-size beds will be included inside the vehicle's enormous cab. It will have other luxuries and necessities as well, such as Wi-Fi, a refrigerator, 4G LTE connectivity, freezer, a 40-inch curved 4K TV with Apple TV and a microwave.

Posted
by
msmash
on Friday December 02, 2016 @03:40PM
from the taking-a-stand dept.

U.S. regulators are calling out AT&T and Verizon for exempting their own video apps from data caps on customers' smartphones. The FCC has sent letters to the country's biggest wireless carriers saying the way they handle the practice, known as "zero rating," can hurt competition and consumers. From a report on ZDNet: AT&T launched DirecTV Now earlier this week. AT&T Mobility customers can stream video data over LTE without impacting their data allowance. Verizon offers something similar with its go90 service. AT&T and Verizon don't see any wrongdoing. In a statement Friday, AT&T said exempting services like DirecTV Now from data caps saves customers money. Verizon said its practices are good for consumers and comply with regulations. "We will provide the FCC with additional information on why the government should not take away a service that saves consumers money," AT&T wrote in a statement Friday. The FCC hasn't released any official ruling on "zero rating," just guidance. It said on Thursday a similar letter was sent to AT&T in November, but the FCC didn't like AT&T's original response.

Posted
by
msmash
on Friday December 02, 2016 @01:40PM
from the shape-of-things dept.

New research from Carnegie Mellon University shows that online piracy is not the only worry for TV distributors. Based on Downton Abbey streaming and sales data provided by PBS, as reported by TorrentFreak, the researchers find that free legal streams can significantly reduce download sales. However, that doesn't necessarily mean that free streaming options should be banned. From the report: The researchers were able to estimate the impact in a natural experiment, since PBS was required to pull the free streams for all episodes at the same time. This means that some were streamable for more than a month, while others only for a week, or two. In addition, they had sales data for several seasons, allowing them to make an alternative comparison between years, where the streaming windows varied. In both cases, they show that free streaming cannibalizes download sales. "Our analysis in our primary specification indicates that availability in the free streaming window reduces EST sales by 8.4%. Using an alternative specification we find that free availability reduces EST sales by 9.9%," they write. The negative effect is not unexpected. However, it doesn't mean that it is wrong to offer free streaming in the long run, as there are several positive side-effects. That's where the puzzle starts to get complicated.

Posted
by
msmash
on Friday December 02, 2016 @11:40AM
from the they-know-what-you-did-last-summer,-too dept.

Facebook is gathering information about the shows Roku and Apple TV owners are streaming. The company then uses the Facebook profile linked to the same IP addresses to tailor the commercials that are shown to individual users. From a report on Bloomberg: For the past few weeks, the social network says, it's been targeting ads to people streaming certain shows on their Roku or Apple TV set-top boxes. It customizes commercials based on the Facebook profiles tied to the IP addresses doing the streaming, according to a company spokesman. He says Facebook is trying out this approach with the A&E network (The Killing, Duck Dynasty) and streaming startup Tubi TV, selecting free test ads for nonprofits or its own products along with a handful of name brands. This push is part of a broader effort by social media companies to build their revenue with ads on video. Twitter is placing much of its ad-sales hopes on streaming partnerships with sports leagues and other content providers. In October, CFO Anthony Noto told analysts on an earnings call that the ads played during Twitter's NFL Thursday Night Football streaming exclusives had been especially successful, with many people watching them in their entirety with the sound turned on. The participants in these partnerships don't yet have a default answer to questions such as who should be responsible for selling the ads or who should get which slice of revenue.

Posted
by
msmash
on Thursday December 01, 2016 @11:05AM
from the good-things dept.

Plex and Kodi, two popular home theater apps, can get both of them together. Plex has announced its new Kodi add-on so you can include your Plex library in Kodi (provided you're a Pass user). From a report on Engadget: The new plugin includes most of the features you'd come to expect from Plex, which means it'll play back nearly any video or music format and cleverly categorize your media library. It simply lets you run the two media centers simultaneously without losing any of your customizations. It's currently only available to Plex Pass subscribers (it will be released publicly soon) and it doesn't yet work with Plex Companion remote control, but it does sport a brand new user interface (UI) that Plex says helps to "showcase some of our new thinking."

Posted
by
BeauHDon Wednesday November 30, 2016 @08:40PM
from the quick-before-it's-too-late dept.

An anonymous reader quotes a report from BBC: Thousands of British TV programs are to be digitized before they are lost forever, the British Film Institute says. Anarchic children's show Tiswas and The Basil Brush Show are among the programs in line for preservation. The initiative was announced as part of the BFI's five-year strategy for 2017-2022. "Material from the 70s and early 80s is at risk," said Heather Stewart, the BFI's creative director. "It has a five or six-year shelf life and if we don't do something about it will just go, no matter how great the environment is we keep it in. "Our job is make sure that things are there in 200 years' time." The BFI has budgeted $14.3 million of Lottery funding towards its goal of making the UK's entire screen heritage digitally accessible. This includes an estimated 100,000 of the "most at-risk" British TV episodes and clips held on obsolete video formats. The list includes "early children's programming, little-seen dramas, regional programs and the beginnings of breakfast television." The issue for the BFI, Ms Stewart added, was also to do with freeing up storage space. "We have a whole vault which is wall-to-wall video. If we digitized it, it would be in a robot about the size of a wardrobe," she said.

Posted
by
msmash
on Wednesday November 30, 2016 @11:45AM
from the inside-look dept.

Reader Joe_NoOne writes: Like TV, social media now increasingly entertains us, and even more so than television it amplifies our existing beliefs and habits. It makes us feel more than think, and it comforts more than challenges. The result is a deeply fragmented society, driven by emotions, and radicalized by lack of contact and challenge from outside. This is why Oxford Dictionaries designated "post-truth" as the word of 2016: an adjective "relating to circumstances in which objective facts are less influential in shaping public opinion than emotional appeals." Traditional television still entails some degree of surprise. What you see on television news is still picked by human curators, and even though it must be entertaining to qualify as worthy of expensive production, it is still likely to challenge some of our opinions (emotions, that is). Social media, in contrast, uses algorithms to encourage comfort and complaisance, since its entire business model is built upon maximizing the time users spend inside of it. Who would like to hang around in a place where everyone seems to be negative, mean, and disapproving? The outcome is a proliferation of emotions, a radicalization of those emotions, and a fragmented society. This is way more dangerous for the idea of democracy founded on the notion of informed participation. Now what can be done? Certainly the explanation for Trump's rise cannot be reduced to a technology- or media-centered argument. The phenomenon is rooted in more than that; media or technology cannot create; they can merely twist, divert, or disrupt. Without the growing inequality, shrinking middle class, jobs threatened by globalization, etc. there would be no Trump or Berlusconi or Brexit. But we need to stop thinking that any evolution of technology is natural and inevitable and therefore good. For one thing, we need more text than videos in order to remain rational animals. Typography, as Postman describes, is in essence much more capable of communicating complex messages that provoke thinking. This means we should write and read more, link more often, and watch less television and fewer videos -- and spend less time on Facebook, Instagram, and YouTube.

Posted
by
msmash
on Wednesday November 30, 2016 @09:45AM
from the offline-playback dept.

For years, people asked Netflix to give them the ability to download movies and TV episodes. Though this might not seem like that big of a deal in many regions where internet connectivity is cheap and omnipresent, same is not the case everywhere, especially in developing regions. Netflix is finally addressing this need: the on-demand media streaming service said Wednesday that people can now download shows on their Android and iOS devices . From the company's blog post: Just click the download button on the details page for a film or TV series and you can watch it later without an internet connection. Many of your favorite streaming series and movies are already available for download, with more on the way, so there is plenty of content available for those times when you are offline.It's worth pointing out that the offline playback -- or the ability to download videos isn't available on desktop platforms. Also, it appears that a heck lot of shows currently don't have this feature -- as of today.

Posted
by
BeauHDon Monday November 28, 2016 @05:40PM
from the appification-of-TV dept.

ATT has officially unveiled its DirecTV Now internet TV streaming service, which launches Wednesday, November 30th, in the U.S. on iPhone, Android, Amazon Fire TV, Chromecast, and PC/Mac, starting at $35 per month. The Verge reports: Like its over-the-top rivals, DirecTV Now will let customers stream live programming on smartphones, tablets, and PCs -- no cable box necessary -- and requires no long-term contracts or commitments. For a limited time, ATT will offer the "Go Big" channel tier with 100 channels for $35 per month. If you sign up in time, the offer will remain valid each month until you cancel. But that $35 rate is not the long-term pricing for 100+ channels. DirecTV Now offers step-up subscriptions that include other channels and content for a higher monthly cost. ATT has signed programming agreements with nearly all major networks with the exception of CBS and Showtime; negotiations with those companies remain ongoing. DirecTV Now allows customers to watch up to two streams simultaneously. HBO and Cinemax can be added to any of these packages for just $5 extra (each) per month. DirecTV Now is "zero rated" for the company's wireless customers, so regardless of how much time they spend streaming, that activity will have no impact on data usage for their monthly bill. Importantly, while these are the subscription rates as of today, the company is being straightforward about the possibility of increases in the future. ATT also plans to air original shows including a Taylor Swift series.

Posted
by
EditorDavid
on Sunday November 27, 2016 @09:58PM
from the how-you-get-there-is-the-worthier-part dept.

Slashdot reader tiqui tells us that Emmy-nominated actor Ron Glass has died.
The actor was 71 and the family has not released more details of his death, but Firefly/Serenity fans can follow this link to the Hollywood Reporter for more information.Firefly creator Joss Whedon posted on Twitter that Glass "got there with grace, humor and enormous heart. He was, among so many other things, my Shepherd. Raise, appropriately, a glass. Rest, Ron." And Nathan Fillion, who played Captain Reynolds on Firefly, posted an appropriate quote on Instagram. ("Shepard, don't move." "Won't go far...")

The actor's Emmy nomination for Best Supporting Actor came in 1982, for his role on the long-running TV series Barney Miller. Interestingly, one of Glass's co-stars on that show was Abe Vigoda, who also died earlier this year at age 94 -- a full 34 years after his death was mistakenly reported by People magazine.

Posted
by
EditorDavid
on Sunday November 27, 2016 @09:34AM
from the hope-they-don't-catch-on-fire dept.

Quantum-dot televisions promise "better picture quality and are also cheaper to manufacture than organic light-emitting diode sets," ZDNet reports. And now Samsung has confirmed their acquisition of Massachusetts-based QD Vision for $70 million, according to this article shared by Dthief:
QD Vision, previously known as Color IQ, is a specialist in quantum dot display technology. Developed for displays including PC monitors and television sets, quantum-dot technology uses semiconductor nanoparticles to change the properties of quantum dots, improving color definition and sharpness... QD Vision will become part of Samsung's research and development unit in the hope of creating quantum-dot LED displays suitable for the consumer market which could, in turn, become a strong competitor against OLED displays... The agreement follows Samsung's pledge earlier this year to launch a total of 14 SUHD television models this year, all of which use quantum dot technology.

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