Kevin MacDonald: Whenever Lasha Darkmoon sends me something to post I get a bit of an anxiety attack. On one hand, I know that her articles draw huge interest from readers. Her articles on Jewish influence on art struck a real chord, leading to dozens of emails to her and two later articles that summarized some of the comments — many from artists grateful that someone had finally put a finger on the problem.

On the other hand, she seeks to have impact an an emotional level that is at times unsettling and may be seen by many as “over the top.” Her latest articles (see here and here) definitely push the envelope — beginning with the illustrations from Dees that appear at the top of each article. I cringed at both, especially the one that graces the top of the second article and only left it in after special pleading from Lasha. It’s not my style, certainly. But then I said to myself: Is it really wrong or inaccurate? Comparisons between Israel and Nazism are common these days, and this website has many examples (particularly by Edmund Connelly and me) where the future is depicted as a brutal dystopia in which Whites are victimized by the emerging non-White coalition. Dees, who is a graphic genius, is simply depicting it in a very powerful way.

So as I went through the article, I tried to make sure that what she writes is accurate but to allow her to present her emotional appeal, toning it down and eliminating quite a bit of material that I thought was needlessly offensive.

One example that got the editorial ax: The famous quote from T.S. Eliot: The rats are underneath the piles./The Jew is underneath the lot. Maybe I should have left it in, but that’s the kind of anti-Jewish comment that I find unhelpful, even if it is comes from a great poet. In the absence of a real analysis, it just lends itself to being rejected out of hand as merely an expression of prejudice — as, of course, it has: Here’s a review of a recent book on Eliot titled: “‘Underneath the lot’: An incredible mind, for sure, though touched by blatant prejudice.”

But I left in the section where she depicts the horrific crimes against Channon Christian and Christopher Newsom — even though she thought I would remove them. Probably most TOO readers have heard this crime discussed, but Darkmoon’s treatment hits home emotionally in a way that I have never seen.

Will readers be upset? Perhaps. But the mainstream media does exactly the same thing in sensationalizing crimes by Whites against non-Whites — and particularly the crimes against Jews committed in WWII. And if one really has an image of this crime in your mind, the result will be a righteous anger that will motivate people to challenge what’s going on. This, of course, is exactly why such crimes against Whites are completely ignored by the media.

Darkmoon also did a photo essay interspersed with poetry that is a tribute to Rachel Corrie, martyr for the Palestinians (“She Died for Palestine”). Again, there was a huge positive response. I think that because the fate of the Palestinians has become a moral touchstone in the contemporary world to many across the entire political spectrum, the response was uniformly positive. (We don’t have many pro-Zionist readers.)

So I said to myself, why is this any different? TOO has posted numerous articles primarily directed at the left side of the brain — the facts and analysis that are entirely on our side. But facts and analysis only go so far in motivating people. The fact is that we have to start screaming about what is happening, not only in Israel but in the West generally. We should have a righteous anger not only about the crimes of Israel, but about the crimes of Freud and the Frankfurt School. We have to have clear, emotionally compelling images in our memories — memories that motivate action. And Lasha Darkmoon is screaming.