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As mentioned in my review of Fool’s Quest, the second part of Robin Hobb’s wonderful Fitz and the Fool trilogy, the number of errors in this book is much lower compared to Book 1, where the lack of editing was quite ridiculous. This time around, there were both far fewer errors and the errors were less severe, less able to rip me out of my immersion while reading through its 739 pages (UK large paperback version – is that what’s called “trade paperback”?).

As for Book 1, I’ll use the same categories “Error”, “Note”, and “Guess”, as well as these abbreviated ones (though not all categories make an appearance here):

“[…] I still knew him in the important ways, the one that went beyond trivial facts […]” – Should be the ones that, since ways is plural.

5

Gr.

“[…] I doubted that either of us had ever truly been children.” – Should be been a child, since either in this case needs to be treated as singular, not plural (proximity rule doesn’t apply here).

9

Gr.

“Whoever he sent to this chamber would be discreet.” – Should be whomever, because he is the subject: He sent whom? (A few lines below that, whom is used correctly: “Alliance with whom?”)

11

Gr.

“[…] evergreen boughs and brightly-coloured pennants.” – Should be brightly coloured, without the hyphen. Yes, compound adjectives are usually hyphenated, but not when the first part is an adverb ending in -ly. (See Rule 3 here.)

43

Gr.

“It seemed so odd that I could recognize who the scream belonged to.” – Should be whom, of course.

143

Gr.

“[…] trying not to wonder as I did so if I would use them if Chade ordered me to. If it came to that, I’d decide then […]” – Great example of whether vs if, especially because of the three ifs in that section. The second and third ones are fine, but the first one is not a condition (“if <condition> then <something>”) but an either/or case, so it should be whether.

168

Sp.

“[…] almost seems to make sense some times.” – Sometimes is one word.

189

Sp.

“[…] perception when they over flew a battle.” – Overfly is one word, hence it should be overflew.

357

Gr.

“[…] when everyone else were as passive as cattle […]” – Everyone is singular (not “everyone are singular”), hence it should be everyone else was.

365

Guess

“[…] fearing what would happen next. The Lord Chade came. He said […]” – I guess it’s not technically incorrect as such, but since I don’t believe the article the was used in front of Lord anywhere else in the book, I’m fairly certain this is a typo and should be then Lord Chade came.

391

Punct.

“They are on ‘a path’ Fitz.” – (Note: I changed the original double quotes to single quotes to be consistent in my, er, quoting.) Apart from the fact that this almost looks like “scare quotes”, there needs to be a comma before Fitz.

470

Punct.

“Bee had very little scent. No this was Shine’s […]” – Again, there is a comma missing: No, this was Shine’s.

508

Gr.

“‘Not much further now,’ Kerf called back […]” – Should be farther, since it relates to physical distance. Watch Finding Forrester, and you won’t ever forget that rule. 😉

510

Cons.

There is a consistency error on this page. First, the order in which Dwalia says they need to go through… something (won’t spoil it)… while holding hands is Dwalia, Vindeliar, Alaria, Bee, Reppin, Kerf, Shun, and finally Soula. So Alaria is supposed to take one of Bee’s hands, Reppin the other. However, in the next paragraph, Bee is between Reppin and Kerf.

541

Error

“The Skill-fountains there, they say, and is hard to navigate.” – Something is wrong or missing here. I can only guess that it should be one of these: “The Skill fountains there” (without the hyphen); “The Skill fountain’s there” (missing apostrophe, i.e. a contraction of fountain and is); “The Skill-river fountains there” (which would make sense because river is mentioned in the previous sentence).

542

Cons.

“[…] that Kitney meet him there, to duel with staffs and fists […]” and two paragraphs below: “When Kitney’s stave broke […]” – As a weapon, the singular is staff and the plural either staffs or staves. So it should be when Kitney’s staff broke. My guess is that someone was told to replace staffs with staves (perhaps as part of converting the US edition to the UK version?) on that page, and ended up replacing the wrong instance.

579

Cons.

“Kettricken had taken Shine to hand. […] Shine blossomed in the light of the queen’s interest.” – At this point in the story, Kettricken is no longer queen.

584

Gr.

“Clerres was distant, further away than […]” and one paragraph below that: “[…] those who had come furthest to Buckkeep’s port […]” – Both cases relate to physical distance, so it should be farther away and come farthest.

585

Sugg.

“[…] I think it was the wise decision.” – Not technically incorrect, but I’d change it to a wise decision. If the intent is to emphasise that this decision was the wise one as opposed to the other decision being less wise, then I’d change it to the wiser decision.

So I’ve spotted only 19 corrections this time (for Book 1 it was a staggering 63, with some of them bad enough to make you scratch your head and wonder how anyone could miss that).

Maybe, if I get an ARC of Book 3, I can help eliminate all the errors (feel free to go meme-crazy in your mind at this point) for that one. 😉

A bit delayed, I know, but here is my review of Robin Hobb’s second book in the Fitz and the Fool trilogy, Fool’s Quest, which came out in August.

First off, if you haven’t read the previous book, Fool’s Assassin (see my review from last year), I would recommend that you: a) stop reading this review, because it will contain some Book 1 spoilers, b) get your hands on a copy of said Book 1 and start reading that, and if you haven’t already, c) go to the beginning and read the first book of the first trilogy in this epic series: Assassin’s Apprentice. (My post on that book lists the order of all the previous books, but if you want to limit yourself to the “Fitz books”, read the Farseer and Tawny Man trilogies before getting to The Fitz and the Fool.) Yes, you can begin with this trilogy, but starting at the beginning will be worth it, trust me.

Still with me? Great, you’re clearly a connoisseur. (Surely you wouldn’t have cheated… right?)

The Front Cover

The front cover of my copy of Fool’s Quest

As with the first book, the version that came out in Australia is the same as the UK large paperback version, this time in a silver theme where the first one was in gold (or was that bronze and we’re heading for gold with Book 3?).

The dominating image is that of a crow with black (and some white) feathers carrying a thin band or a ribbon in its beak. The only other image is nestled in the fanciful decoration of the letter Q, and appears to be a small bottle or stoppered vial containing something dark red, shot through with strands of silver. The significance of both will become apparent as you read through the book.

A succinct endorsement from the Guardian, the expected words of the title, author, and series, and we’re almost allowed to begin reading.

The Back Cover

The back cover of my copy of Fool’s Quest

A quick glance at the back cover shows that there’s not much worth noting other than a black-and-white feather, a blurb that vaguely describes the main conflict that drives the plot, but which I personally found a bit misleading, and another endorsement from the Sunday Telegraph.

Let’s get to it!

Book 2

Middle books in trilogies can sometimes be the author’s less-loved step-child, and something readers will endure in order to get to the good bit, i.e. the conclusion in Book 3. Not so with Robin Hobb, in any of her series (I mean, come on, how great was Royal Assassin, where we got to know Nighteyes?), and especially not so in this particular trilogy.

The first book did a great job of setting the mood, catching us up on what Fitz had been up to since we left him at the end of Fool’s Fate, and introducing some new characters – especially Fitz’s wonderful, quirky daughter, Bee – before introducing the core of the trilogy’s plot when (I did warn you about spoilers, didn’t I?) Bee was abducted by sinister forces (the timing of which the blurb gets wrong) and the Fool appeared where you’d least expect him: at the end of Fitz’s knife, revealing in the final chapters a shocking double meaning to the title Fool’s Assassin. Of course we already know that at that time, Fitz didn’t recognise the Fool, dirty and broken as he was, and thought he was protecting Bee from a filthy old beggar. He took him through the memory stone pillars to Buckkeep to try to heal him, leaving his homestead of Withywoods unprotected.

Anyone who knows Fitz can guess that Fitz will blame himself for Bee’s abduction, but of course it will be some time before he actually finds out about it. In the meantime, we the readers are distracted from the carrot dangling in front of us, that is, anticipating that Fitz will go out and rescue Bee, by witnessing Fitz being drawn back into the intrigues and relationships in and around Buckkeep, as well as learning more and more about the Fool’s story. As we do so, we learn about the cruelty of those called the Servants, what they aim to do and what atrocities the Fool has suffered at their hands. Of course we already knew that, despite Fitz’s certainty that the Fool wouldn’t survive, they would find a way to heal him – after all, the trilogy wouldn’t have been named Fitz and the Fool if one of them were to make only a brief appearance and then die… right? Plus, we know about the power of the Skill. And (spoiler-ish hint!) if you know the Rain Wild Chronicles, you may be able to make a connection between events there and the front cover.

Recognition… Finally!

I don’t want to spoil too much of Book 2 for those who haven’t read it yet, but this one thing I just can’t… not say. (Now’s a good time to go away if you don’t want to see Book 2 spoilers at all.)

One of the best things about this book is that Fitz – at long last – gets recognition for all that he’s sacrificed and done behind the scenes for his friends, his king and his country. I won’t go into detail how much recognition that is, or what form it takes, but his reaction to it was just wonderfully written and, I’m not ashamed to say, had me sniffing and sobbing with tears of joy.

The Wit

This book re-introduces the issues surrounding the magic known in the Six Duchies as the Wit, and the topic of Fitz bonding with another animal is brought to the reader’s attention more than in the first book. Again, I’ll stop there so I won’t spoil things with too many details, but as much as I loved Nighteyes, I realised how good it would be for Fitz to find another bond partner.

Tension

Most of the tension in the story comes from the Fool wanting to get back to the town Clerres, where he grew up as a young White – the sooner the better – while Fitz wants to pursue Bee’s captors but is tied down with new obligations as well as a reluctance to act too rashly without knowing more about what he’s up against. (Who would’ve believed Fitz would ever grow wise?)

Just as the reader realised in Book 1 what Bee was long before Fitz gets it through his thick skull in Book 2, we know that Bee’s captors and the people on whom the Fool wants to exact his revenge are one and the same. Of course it can’t be that easy though, and the beginning of the journey is delayed while the reader sinks deeper into the clutches of the intricacies of life at court.

That’s not to say that these delays are annoying, or that these intricacies are boring – I found that for me they created an interesting internal tension, as I couldn’t get enough of all those details and loved meeting old acquaintances from previous books again, while at the same time wanting the two friends to get going already!

Summary

Fool’s Quest does what middle books are meant to do, and so much more. It sets the stage for the conclusion with consummate skill; it leaves the reader drooling for the well-deserved revenge and rescue that must surely come, but also agonising over the cliffhanger ending that must just-as-surely be pointing to unexpected obstacles in the path to that goal.

Along the way, readers are treated to nostalgic walks down memory lane as they encounter once again several much-loved characters from earlier books, but also find out how much some characters have changed.

If there’s anything to criticise, I found myself wishing for more chapters from Bee’s perspective. There were precious few of those, and she is just so refreshingly different that I would’ve loved to learn more about her.

Personally, I can only groan at the idea that I must wait another year to get my hands on Book 3. I don’t even know its title yet! (Amazon lists it as “Robin Hobb Untitled 3″… grrr!) This time, I’ll ask for an ARC.

If you read my review of Book 1 last year, you may remember that I complained about the number of errors the editors let slip through. There were a few in this one as well, but nowhere near as bad as Book 1, and not such glaring ones that ripped me out of the narrative. So kudos to the publishers for the improvement.

Anyone able to tell me what Book 3 will be called, or what’s required to get an ARC, please let me know in the comments.

So I thought I’d point them out and thank the respective authors for their time reading and reviewing this anthology. I hear from Nicholas that his book went to #1 (so what if it’s in an “obscure subcategory”, as he puts it… details, schmetails 😉 ), so congrats to him on that achievement!

T. J. Hapney

The first one was from T. J. Hapney, who summarises and reviews each of the seven short stories, saying that “each story is designed to make you think outside of the box regarding how we perceive things, which I really enjoy and found it to be a bargain for under $1”. She concludes that “this was a fun read, especially for those who enjoy short stories”, giving it 4 out of 5 stars.

Here’s what she had to say about my contribution, Big Bang:

Big Bang by Amos M. Carpenter was an interesting story along the same line of those that Nicholas Rossis did in this collection. I really enjoyed reading Big Bang. It was definitely a different and witty way to look at how life in the universe may have begun. I found the story interesting and the writing style complemented Mr. Rossis’ so that the story did not seem out-of-place.

Daniel J. Dombrowski

Daniel’s review is also very flattering, likewise summarising his thoughts on each separate short story. From someone who “grew up reading Asimov” and later “fell in love with the voluminous short fiction of Philip K. Dick”, I consider his positive words to be very encouraging.

The Power of Six […] will appeal most to readers who have already read and enjoy short fiction from the masters of days gone by. […] This is a solid collection of stories worthy of your time and money (a scant $.99) regardless of your genre inclinations.

My dilemma for the past couple of weeks has been that I couldn’t decide whether I wanted to blog in support of Sarah Daltry or one… well, warning about her. I’ve been trying to weigh both sides of the story, since I felt it was worth a blog post, but simply couldn’t decide. Supporting either side felt, and still feels, wrong. When I moped about it to my wife, she – wisely, as always – told me that there’s nothing wrong with continuing to sit on the fence if neither side appears palatable.

So, here I sit.

Undecided, but wanting to get my doubts out.

The email

After my passionate rant in her defense (and that of anyone who’s ever been bullied) when I heard that she was withdrawing her written work and her social media presence due to extreme bullying, I didn’t hear about the issue again for months until I received an email from someone who said she was a friend of Sarah’s. She apologised for the delay, saying she’d only found my post recently in a Google search (and that Sarah wouldn’t do such research herself), explained Sarah’s current situation (which was apparently much improved after she was suicidal and required professional help, so improved, in fact, that she was “coming back, with a focus on […] the stories she loves and what the writing means to her”), and thanked me for my supportive words in the open letter I wrote.

Honestly, that felt good. I’d done the right thing, stood up for what I believed was right and smote (well, with words) what I believed was wrong. And I was being thanked for it. I was under no illusions that my words had pulled Sarah back from the brink of darkness or anything that dramatic, but I was sincerely glad to hear she was doing better and writing once again. Someone who’d had that many bad things happen to her (bullying, via bad reviews as well as emails and on social media, rape, poverty, depression, suicide attempts…) surely deserved my help.

My reply

I replied to the email, thanking her for the update and confessing to be a “sucker for happy endings, but enough of a realist to understand that it’s not always like that”. I offered to help if I could:

“If there’s anything I can do to help, please do let me know – however much, however little, I’d be glad to help, whether it’s a new blog post with your words (only with your permission, of course), beta reading, feedback of any kind, or simply taking down the old post if Sarah prefers and never mentioning it again… just let me know.”

Research of my own

We emailed each other another couple of times; she was happy for me to do a blog post, even to post the contents of her first email, and, since Sarah was currently “rewriting her NA series that was originally romance [into] a new series [that was] geared more towards YA”, I could share upcoming promos for that series.

I agreed, saying I’d do a blog post later that week (over two weeks ago). In the meantime, I wanted to do a little bit of research to know more about Sarah’s story; surely, many others had carried the torch as I had, had stood up to bullying in their own ways in support of someone who’d been treated that badly.

The original “Open Letter to Bullies” post, in which Sarah announced that she was giving up, conceding defeat to all the hate, was no longer available, but there’s always the wayback machine for such cases (even if the styling is off, the content is there):

The other side

To my surprise, what I discovered next was quite a different story. Rather than the social media outrage I’d expected at an author being bullied, the first three results of googling “Sarah Daltry” were her author pages on goodreads.com (with quite a favourable rating), her own site, and amazon.com, followed by a blog post by a site that seemed dedicated to stopping bullying on goodreads, except… that one was not supportive of her at all. Instead, just four days after Sarah published her open letter to bullies, it claimed to have sufficient information to take the stance that the whole thing was just a PR stunt to promote her work:

Wait, I thought, aren’t you guys supposed to be trying to stop the bullying rather than adding to it? I read through this post with skepticism sitting heavy on my shoulders, but starting to slip as I found out that she’d reversed her decision to take down her site and her self-published books. Reading through the comments, people seemed to be quite willing to get right back to bashing Sarah (or was it “back”?).

There were a few other sites that were similarly dismissive of her claims, stating that Sarah had made quite a profit out of “crying wolf”, getting many “sympathy buys” after asking publicly for support, etc., and that there was no proof that she’d ever been bullied by bad reviews, with high ratings on both goodreads and amazon.

Who’s right?

Hmm. So either Sarah Daltry was right with her claims and those other websites were just adding to the incredible unfairness she’s experienced, or they (I’ll call them her “decriers”) were right to call BS and Sarah has been abusing the sympathy of a great lot of people, myself included, for her own profit.

Either way, I feel I have a right to be outraged. I think. I’m just really reluctant to direct my outrage at anyone unless I can be sure that, when I get down from my fence, I land on the right side.

Here’s what I emailed back to Sarah’s friend after I’d read up on the issue:

Wow, do I feel stupid. I was about to write up that blog post I mentioned, but, having just done a bit of googling myself, I’m not quite sure what to believe…

The reply was… well, understanding, ending with: “I will respect your choice either way, because in the end the choice is up to you as to what you believe.”

Checking newer posts on Sarah’s site like this one, she replies to comments by Nicholas (whose post first alerted me to the whole issue and who I think is a genuinely nice guy) that, yes, she’s read positive things as well as negative things posted about her.

What doesn’t add up for me

Here’s why I’m not willing to leave my perch on the fence just yet, some things still don’t quite make sense….

Assuming Sarah Daltry’s claims and reasons for withdrawing from “public life” were legitimate:

Why did she claim that she’d be removing her books but then did no such thing?

Why are her reviews so high on goodreads and amazon if there was such extreme bullying?

Why does she claim that she reads positive and negative things about herself when her friend says she’d never do that (only two days earlier)?

Why wasn’t her friend more, I don’t know, outraged when I said I wasn’t sure what to believe? If your friend gets treated really badly and someone says they think she might be lying about it, wouldn’t you get upset?

Would a site that’s supposed to be about protecting those who were bullied call BS on someone claiming to have been bullied, unless they had pretty good evidence?

Assuming it was all a farce and those who say she cried wolf to engender false sympathy are right:

Couldn’t the lack of evidence of bullying and the positive reviews just be because the abusive reviews and comments were removed from the sites in question? (I honestly don’t know what their policies are.)

Is Sarah’s “friend” who emailed me actually just another one of the multiple personas her decriers claim she maintains?

Why does the “stopthegrbullies” site not post the “evidence” that proves who Sarah Daltry is? Is it really because of a promise to those who gave them that information, to protect them from Sarah using her other personas (“socks”) to write bad reviews about them? Even if she abused sympathy to sell her books, making Sarah sound like an evil kingpin with that much power doesn’t quite gel.

Why did the “stopthegrbullies” site remove commenters’ last names and links to their websites? Because of “trolls stalking their blog” to protect the commenters, really? Sorry, but that seems far-fetched to me. By the same token as their argument about Sarah’s “socks”, some of those commenters who were “convinced” could then well have been the site owners themselves.

And, either way: Would people really do that?!? Wow, maybe I’m just too naïve.

So… was I duped?

What do you think? Or know? Have I missed any major information? Am I being silly in not being able to reach a conclusion, one way or the other? Should I just “let it go” and stop fretting?

Please let me know in the comments below, or feel free to email me (amos at amosmcarpenter dot com) if you’d rather not make it public.

As mentioned in my review of Fool’s Assassin a bit over a week ago, I thoroughly enjoyed the book, but it was quite full of errors, including little typos, grammatical mistakes, spelling mistakes, repetitions and factual errors. If you’re following my posts, you’ll know that I have a hard time reading past those, so for this book, I took it upon myself to write down all those things that nagged me. Still a great book, mind you… but I think many of these could have and in fact should have been caught by editors and proofreaders.

Some are things I’d have suggested if I were Robin Hobb’s editor or beta reader, others are plain errors. Both are things I’d like my beta readers (when I get to that stage… haven’t forgotten your offer, Suzanne!) to point out to me, because often, as the one doing the writing, you’re too close to the forest to see the trees, or too close to the blackboard to see the context, or… you get the picture.

So, below is my list of corrections of Robin Hobb’s latest book, Fool’s Assassin, in order in which they appear in the book, listing the page number in my copy (the UK large paperback version; see the review for cover photos) and using the categories “Error”, “Note”, and “Guess”, as well as these abbreviated ones:

“[…] do wonder, sometimes, if […]” – The if should be whether to avoid ambiguity.

5

Note

Example of correct usage of whom: “On whom else […]”; also on p. 201 – I’m glad the author isn’t one of those who believes whom to be dead! Having said that, see errors below.

7

Conv.

“I AM an old man.” – CAPS should be replaced by italics. There are several occurrences of this throughout; I’m guessing this was meant to be italicised later?

10

Guess

“[…] guard contingent […] to rival the Queen’s Own.” – I don’t recall that the Fitz books had a “Queen’s Own” guard contingent (used as a proper noun), but could be wrong, or it could be the introduction of a new term, or accidental capitalisation of Own.

19

Rep.

“Of course not!” – Patience says “of course” three times within six lines.

20

Rep.

“[…] presence of all life, of course, […]” – In the paragraph directly following Patience’s above, Web says “of course” twice within two lines.

23

Gr.

“Who do they hunt?” – Should be whom, as they is the subject: They hunt whom?

25

Cons.

Fitz says that it’s been “almost ten years since I’d killed anyone”, then, on page 31, he says it was “over a decade” since he’d even thought of killing anyone. No significant amount of time passes between the two occasions.

41

Gr.

“[…] it was what I smelled made me […]” – Is there a that missing, or is that intended to be colloquialism (which would be very unusual for Fitz)?

47

Rep.

The word “market” is used three times in the same sentence. The first one could be dropped without losing any meaning.

66

Gr.

“[…] needled my Skilled at him.” – Perhaps due to an edit; should be Skill.

86

Gr.

“Who would you write your memoir for?” – Should be whom.

86

Rep.

Two paragraphs begin with “<Something> shocked me”.

92

Rep.

Two now occurrences in quick succession: “[…] was guttering now. […] Morning was not far away now.”

103

Cons.

“Autumn went out […] as ever it was in fall.” – Not 100%, but I don’t believe the two can be used interchangeably, “fall” being US English and “autumn” being UK/AUS English.

109

Error

“She […] wiped vainly at her seventeen.” Huh? Copy/paste error?

112

Cons.

“When I had visited the Fool’s old home, I had thought only to look at it for a time and touch the stone that once I had had a friend…” Not sure, but the “stone” seems out of place; the mountain homes weren’t made of stone and there was no other significant stone there as far as I know.

125

Gr.

“Who do I have who understands who we are…?” – Should be whom.

127

Gr.

“This were the sort of puzzle that I dreaded […]” – Should be was.

132

Gr.

“She was too young to ask her permission.” She and her refer to the same person (Bee); since she’s not asking for her own permission, it should be something like “She was too young for me to ask her permission” or “She was too young to be asked for her permission”.

140

Gr./Rep.

“[…] wondrous […] wondered […] wondered” within three lines. Also, “as I wondered if” should be whether (it’s not a condition, it’s an either/or case).

151

Conv.

“It IS foolish.” – CAPS should be replaced by italics.

189

Gr.

“There was no scatter of spoiled pens, no open containers of ink.” – Nitpicky, I know, but to get subject-verb agreement, it should be “There was […], there were no open containers of ink.”

195

Punct.

“But now that Bee is here..,” – I’m guessing the comma should be the third dot in the ellipsis?

201

Error

“[…] carried away from me a five or six times a year.” – The first a should be deleted, my guess is, “few” was replaced by “five or six” at some point.

204

Rep.

“Yet […] Yet […] yet […] yet […]” – Not sure whether this is an intentional juxtaposition, but it seems a little excessive.

219

Gr.

“In the middle of briar patch […]” – There’s an article missing; the or a briar patch.

220

Punct.

“[…] Cook Nutmeg and our grave steward ?” – The space in front of the question mark should be deleted.

249

Sp.

“[…] her differences as short comings.” – Shortcomings is one word.

249

Gr.

“I had refused to consider if […]” – Should be whether.

282

Gr.

“I recalled that my father said […]” – Should be had said.

286

Sugg.

“I longed to be able to better hear” – Without another phrase to follow, I’d rearrange to hear better.

295

Error

“Her lips lip curled in a cat smile.” – Looks like a last-minute replacement gone wrong, either lips or lip should be deleted.

307

Sugg.

“You’d be putting yourself beyond the pale.” Nitpicky, but this phrase wouldn’t make sense in a world without Ireland or Russia, nor would the modern interpretation of “unacceptable behaviour” (http://en.wikipedia.org/wiki/Beyond_the_Pale).

309

Punct.

“‘You aren’t.’ Chade cut in decisively.” – I believe Chade cutting in refers to his words, “You aren’t”, hence they should be followed by a comma, not a full stop.

312

Rep.

Near the middle of the page, Fitz says that he’d known Riddle for years, and that he’d once left him for “worse than dead”, and that Riddle had forgiven him for it. He’s already said pretty much the same thing previously in the middle of page 292. One instance should be edited.

327

Sp.

“He was busy, I knew, and he put Withywoods into an uproar with his business.” Since he’s not running a business, it should be busyness (the state of being busy).

350

Sugg.

“After you tell Amos, then you must […]” – Redundant then, unless the purpose is to emphasise the order (which doesn’t seem to be the case here). And no, I’m not Shaky Amos 😉

370

Cons.

“Would she read the scrolls in the library?” – Unless there’s a room that hasn’t been mentioned previously and isn’t on the map, Bee is probably referring to the room that has always been referred to as Fitz’s study.

391

Sugg.

“[…] I realized I had been walked toward […]” – Does Fitz mean that Bee walked him there, or should it be had been walking?

396

Punct.

“‘[…] told me that he would hide in th . . .’” – I’ve never seen, in formal writing, an ellipsis cutting off speech in the middle of a word. Conventionally, shouldn’t that be an em-dash? I.e.: ‘[…] told me that he would hide in th—’ The same occurs on pages 474 (“would dare t…”), 484 (“Unles…” – really, one s gets cut off…?), 489 (“If it would please you, sir” is interrupted but has no end punctuation apart from the single quote), 567 (“Skill-linked. S…”), and 624 (“If they see u…”).

406

Error

“I paid it no more mind to this than […]” – Another late edit? Should be I paid it no more mind or I paid no more mind to this.

412

Sugg.

“I refused to […] puzzle any more on her message.” – I don’t think puzzle should be followed by on… “puzzle over her message” perhaps?

“Did she used to stutter then?” – The word did already indicates the past tense, hence used to should be changed to use to (otherwise it’s like saying did she went…).

426

Sugg.

As on page 434, I think the word bonefire (“had made our bonefire”) should be changed to bonfire (even though that word originates from bonefire and bones were, in fact, on the fire).

432 – 433

Rep.

“She […] was adept at avoiding me.” Then, a page and a half on, “I sensed that Bee was avoiding me […].”

444

Sugg.

“[…] and finger combed his hair” – Since finger isn’t used as a noun, shouldn’t it be hyphenated, i.e. finger-combed? Not sure, but couldn’t find either version in the dictionary.

463

Gr.

“[…] taking a short cut through the gardens.” – I’m pretty sure shortcut is one word, though it could possibly be hyphenated; but it’s not a cut which is short.

469

Error

“I opened his eyes […]” – Bee shuts her eyes tightly a few lines earlier, so it should probably be opened my eyes.

472 – 473

Sugg.

The tenses in the paragraph beginning “I took her to […]” are a little confusing, mainly because it switches back and forth between the past tense and the pluperfect tense. Do “that evening” and “that night” refer to the same night, before the time Fitz is describing? Should it be “that evening, when I had returned”, and “that night, I had slept”?

491

Cons.

Bee plans to be first to the dining table, but “Shun had preceded me”; her tutor “was behind” her. The order is described very carefully, yet when the tutor arrives, he apologizes to Fitz. When did he get there?

504

Error

“I wondered if they thought he already knew all about me or if, as I did, knew it indicated he already disapproved of me.” – Apart from the if that should be whether, something is missing there; leaving out the subordinate clause “as I did” leaves “[…] or if knew it indicated […]”, which doesn’t make sense.

510

Sugg.

“[…] with earnest mockery.” – Shouldn’t that be “with mocking seriousness” or similar? It seems the author is trying to express that he’s mocking, but pretending to be serious; “earnest mockery” sounds as though he’s seriously mocking someone.

521

Error

“[…] several of your wish yourselves elsewhere.” – Should be of you.

529

Sugg.

“[…] charms carved from antler” – Not sure, but shouldn’t it be from antlers, or from an antler?

541

Error

“[…] and it become even rarer once one has a child.” – Should be becomes.

552

Error

“He twisted away to me to reply to [someone else]” – Should be away from me.

555

Gr.

“[…] how much further he could see from his height.” – Should be farther, since it relates to physical distance.

556

Error

“[…] the thirsty garden that only been waiting” – Should be that has only been waiting.

560

Gr.

“Row of scars lined his face” – Should be rows of scars.

568

Error

“How could I call for you to save me from when I had not rescued you […]” – There appears to be a word missing after from.

625

Error

“[…] and when back for Priss” – I think when should be went.

I thought I’d post this since I haven’t had a reply from either HarperCollins Australia nor from Robin Hobb’s facebook page. Maybe they’re already aware of these issues; if not, I hope someone somewhere comes across them and finds them useful to improve future editions of this great book.

Having finished reading Robin Hobb’s latest work, the recently published Fool’s Assassin, Book 1 of the Fitz and the Fool trilogy, and having freed up some time on the weekend, I’m finally ready to write the review I mentioned in my previous post.

I’ll keep this post relatively spoiler-free for those who haven’t read it; of course, I won’t be able to restrain myself from writing another spoiler-laden post later on….

The Front Cover

The front cover of my copy of Fool’s Assassin

This version of the front cover (the UK large paperback version) has been kept relatively simple in design, but done lovingly with embossed fonts and a gilded look that seem to want to let you know you’re holding a masterpiece in your hands, even before you read the endorsement from George R. R. Martin.

At first glance, the daggers make sense for something bearing the word “Assassin”, but the significance of the bee near the top won’t – at least not until you’re about a fifth of the way through the book’s 630 pages. The snow-covered scene around the first letter of the title is a simplified drawing of the location where most of the story takes place: Withywoods.

The Back Cover

The back cover of my copy of Fool’s Assassin

Turning the book over, you’ll see the blurb, another bee at the top, and a butterfly wing at the bottom, the significance of which will be made clear later.

Re-reading the blurb again now that I’ve read the book, I find the last sentence to be a little misleading, but I’ll get to that.

The Backstory

While Robin Hobb does try to cater for first-time visitors to her Realm of the Elderlings (the name given to the world in which most of Robin’s stories take place) by gradually mentioning (some of) the most important parts of what has happened previously, I would probably not recommend this book as an introduction to her writing.

Those not familiar with Fitz’s tendency to overthink everything and his failure to understand why some people care about him without having ulterior motives may well consider him an unrealistically masochistic drama queen who loves to feel sorry for himself. However, if you are among that group, I would heartily recommend introducing yourself to what has to be one of the best fantasy series ever written (you can probably tell that I’m completely objective) by beginning with Assassin’s Apprentice (see the list of books there), Book 1 of The Farseer Trilogy, and working your way through that trilogy as well as The Tawny Man Trilogy, at a minimum. Ideally, read The Liveship Traders Trilogy and The Rain Wilds Chronicles as well in order to get a full understanding of the story. It’s worth it.

Those who do know Fitz, on the other hand, have suffered with him through all the heartache and pain Robin has wreaked upon him, and know of his unique combination of talents as well as the sacrifices he has made for his kingdom, will most certainly appreciate that the author takes it easy on our favourite unsung hero… at first. And they will love the story Fitz has to tell.

To give you a quick summary of the backstory… ok, I’ve made several attempts at writing this and gave up. There’s no way of doing the story justice and keeping it relatively short at the same time, so, once again, I’ll refer anyone not familiar with the backstory to the previous trilogies. And, if you like, to my Fitz and the Fool post from a few months ago, where I wrote about their wonderful friendship.

The Plot

Fool’s Assassin begins slowly. (In fact, I said the same thing in my Assassin’s Apprentice post, but it’s even more so in this case.) Fitz, who, as previously, tells the story from a first-person perspective, lives and, somewhat surprisingly, enjoys a quiet life in the backwaters of the duchy in which he grew up. Known as Tom Badgerlock, for it is safer if no one knows that FitzChivalry Farseer is still alive, he and his wife Molly look after the Withywoods estate, where once his father Chivalry lived (and later died from his “accident”) after abdicating the throne over the revelation that he had fathered a bastard.

Fitz has many regrets, mostly about losing Burrich, the man who raised him, and about the fact that the Fool seems to have moved on without as much as a word (“doesn’t call, doesn’t write…”) after taking his leave at the end of Fool’s Fate. He deals with his melancholy by writing each night, presumably the story of The Tawny Man, his current musings, and sometimes doing translations of Skill-related writings for his old mentor Chade, the assassin-turned-royal-advisor to King Dutiful with whom he occasionally keeps in touch. He also keeps in touch with Nettle, his daughter with Molly, who is now a grown woman and Skillmistress in Buckkeep, where the royal family lives. However, Fitz wants nothing to do with the goings-on at court.

Except for Molly, no one around him knows of his abilities with the “royal” magic, the Skill, nor of his Wit, the baser magic that allows him to sense almost all forms of life and to communicate with animals. Not to mention that he is a trained assassin. Since his wolf-partner, Nighteyes, died many years ago, he has never wanted to bond with another animal.

Even strange events one Winterfest, when a messenger appears, asking to speak to him but disappears before he even has the chance to meet her, aren’t enough to make him realise what is going on. As before, he still possesses an extremely bright mind, but continues to wield it with all the finesse of a blacksmith doing fine embroidery. Web, the Wit-expert, is visiting and tells him that the strange “performers” who turned up unexpectedly shortly after the messenger seem invisible to his Wit-sense. This should ring a bell for anyone familiar with the previous books, but Fitz simply finds he’s enjoying himself while hunting for clues as to what happened to make the messenger disappear without delivering her message, leaving nothing but some blood stains. When the trail goes cold, he dismisses it as odd but not worth pursuing.

Contrary to what the blurb suggests, his life does not erupt into any further violence at this point. Rather, it continues peacefully for many years.

The Skill-healing performed on him by his “coterie” in the previous books has the lingering effect of keeping him healed and looking young, while Molly, ever pragmatic, refuses similar treatment. Thus Fitz gets to watch her age and regret that she cannot bear him any more children. (After Nettle, Molly had several other children with Burrich, who married her when everyone thought Fitz dead.) And then, well into menopause, Molly claims that she is finally pregnant. The reader’s heart, once again, breaks ever so slowly as Fitz struggles with the realisation that Molly is becoming senile, insisting she is right about her pregnancy as the seasons pass.

As mentioned above, I do not wish to spoil the story if you haven’t already read it. Suffice it to say, then, that there is more heartbreak in store for Fitz, as people he holds dear pass away, but there is also a wonderful new friendship that takes up the bulk of the book, a fateful reunion with the Fool (I won’t count that as a spoiler – given the book’s title, you’d expect the Fool to make an appearance, even though you wouldn’t expect it the way it happens, which will make you ponder several possible interpretations of said title), and even a few chapters from a new point of view.

The end of the book arrives suddenly. Having lulled you into a deeply intricate world of magics known and unknown, having built for you a spectrum of friends and enemies, the selfless and the selfish, and everything in-between, Robin Hobb springs the Fool on you from an unexpected angle, revealing that he has been seeking to contact Fitz for a long time and is attempting to find someone referred to only as “the unexpected son”. The story lives up to its title long before the reader realises it.

(Some of) The Details

Like in Fitz’s previous writings, each chapter begins with a few sentences or paragraphs of other writing – something Fitz found in historical scrolls, missives he has received, intercepted, or written but never sent, publications on various subjects, and so on. Typically, Robin uses these to give you a glimpse of the theme ahead, or some insight that will help you understand the greater story, although the connection between this “appetiser glimpse” and the chapter that follows is not always immediately obvious.

Isolated though Fitz is from the rest of the Six Duchies, the greater story around him continues, too. The land is in the process of adding a seventh duchy after the death of Eyod, Kettricken’s father and ruler of the Mountain Kingdom. Kettricken is no longer queen, having given the reins to her son, King Dutiful (who makes a couple of very small appearances; it seems Fitz is still successfully repressing the fact that he is actually Dutiful’s biological father). Nettle has managed to build a new coterie with several Skill-users for the King. The Witted, once hunted and killed, are now more accepted into society thanks to Web and the events of the previous books.

Once again, the realism present in a work of fantasy fiction is something to which all fantasy writers should aspire. The characters are finely-wrought and act believably in accordance with their own well thought-out backstory and the setting of the detailed tapestry that forms their world.

Robin does not buy into the “don’t ever use adverbs!” BS that some editors and writers seem to preach; she uses them, but not overly so to the point that it becomes a crutch. She manages, as ever, to use language that gives her writing that “authentic olden days feeling” without it sounding artificial or too try-hard, and without sending the average reader to the dictionary.

One thing that really bugged me, though – being a writer myself who is a bit of a grammar Nazi – was the number of errors in the book. Many were relatively minor and would be overlooked by most, but some are glaringly obvious. I’m wondering whether the publishers’ proofreaders (surely they have those?) and editors were on vacation to let that many errors slip through. I’ve contacted the publishers and will be emailing them a lengthy list of these errors in the hopes of stamping them out for future editions, at least. (Update: email sent!) I may also write them up as a blog post.

One for the Fans

Robin Hobb is an author who does not need to establish her credibility in a world of readers clamouring for high-paced, hard-hitting action. Rather, she is able to take her time, re-introducing the readers to characters directly and indirectly as though mentioning long-lost friends to her fans, who will be thrilled.

If you want hard-hitting non-stop action, this book will not be what you expect. If you enjoy letting yourself be drawn into a very rich and well-crafted world, however, where attention to detail is required to understand the finer details of the plot, you will love Robin Hobb’s latest book.

The author once said that Fitz’s story was done, and that she would not write any more stories involving him. That was before The Tawny Man. I am glad that Fitz once more managed to rattle around Robin’s brain and made her realise that there is more to his story that is worth telling.

Personally, I can’t wait until Book 2. And then Book 3. And, oh, I hope it doesn’t stop there.

After being away from home (and from blogging) for a while, I’m back again, and really looking forward to reading Fool’s Assassin by Robin Hobb, Book One of the new Fitz and the Fool trilogy. I couldn’t buy the book while overseas (at least not in English), so I bought it from Target back here in Perth for just under $20 (which is a decent price since the RRP is nearly $30).

I’ve got a bit of time this week to read it, but I’m a rather slow reader. (Plus, I’m still jet-lagged, so I’ve only read about 30 or so pages of it before becoming too tired to read last night.) So it’ll take me a few days to get through it – as much as I’m dying to devour the whole book in one sitting, I prefer to soak up every word and imagine every scene like a private movie in my head. Call me crazy, but it’s how I read.

Once those few days are up and I’ve read it (I’m hoping to finish on the weekend, but might not get there until next week), I will most definitely blog about my take on the book (yes, there will be spoilers!). It will, I surmise, most likely be a very positive review; after all, Robin Hobb is my favourite author for a reason (as George R. R. Martin says on the cover, it’s “Fantasy as it ought to be written”). Having said that, I’ve built up quite some excitement for this book, so it’s possible the book might not live up to my high expectations. (Possible… but doubtful. Despite the errors I’ve already found in the first 30 pages. Maybe I’ll blog about those, too.)

Also on my “TODO” list for the near future is finally catching up on reading some of my favourite blogs (yes, there will be comments on older posts I think, it’s been quite a while) and blogging about how to merge two versions of the same document (with LibreOffice Writer, in my case) that started out the same but have had different edits made, since I’m going to have to do that with my manuscript soon anyway. I’ve done it before and it’s quite easy, actually.

Anyway, there you go – my “I’m back for more” post. 🙂

In case you’re interested in previous Robin Hobb-related posts, here they are, 3 from the A-Z Challenge in April and two from a couple of months ago when she visited Perth:

J is for Jo Spurrier. Jo has written an epic fantasy trilogy called Children of the Black Sun published by HarperVoyager, both as a paperback and on Kindle. Book 1 (published 2012) is called Winter Be My Shield, Book 2 (published 2013) is Black Sun Light My Way, and Book 3, North Star Guide Me Home, is due out later this month, on 22 April 2014 (at least the Kindle edition is, not sure about the paperback version – Amazon pages seem to be contradicting each other a bit there).

Cover of Jo Spurrier’s “Winter Be My Shield”, Book One of “Children of the Black Sun”

One of the main reasons I started to read it was that it was fantasy by an Australian author, and there aren’t that many well-known fantasy authors from down under. The endorsement from my favourite author, Robin Hobb, helped, of course. Jo had some unique ideas that I thought sounded very interesting. Here’s the blurb that sold it for me:

Original, dramatic and unputdownable,Winter Be My Shield is the first in an epic fantasytrilogy from brilliant new Australian talent Jo Spurrier.

Sierra has a despised and forbidden gift – she raises
power from the suffering of others. Enslaved by the
king’s torturer, Sierra escapes, barely keeping ahead
of Rasten, the man sent to hunt her down. Then she
falls in with dangerous company: the fugitive Prince
Cammarian and his crippled foster-brother, Isidro.

But Rasten is not the only enemy hunting them in
the frozen north and as Sierra’s new allies struggle
to identify friend from foe, Rasten approaches her
with a plan to kill the master they both abhor.
Sierra is forced to decide what price she is willing
to pay for her freedom and her life …

I found that the quality of the writing was excellent, the ideas as interesting as expected, the characters well-crafted with realistic flaws and ambitions, the dialogue felt natural, and the world in which the story takes place seems consistent, with its own set of laws making sense in the context of that world (although sometimes I found it a bit confusing to figure out where on the included map the action was taking place).

A few of the action scenes seemed a teeny bit stilted to me, but that didn’t detract from a good story. I’ve read the first two books and am looking forward to the third which should be out soon. If anyone is looking for a new fantasy series to sink their teeth into, I can definitely recommend this one.

A is for Assassin’s Apprentice. During my first A to Z challenge post, I might as well reveal that “Amos M. Carpenter” is the third pen name of the author also publishing as “Megan Lindholm” and “Robin Hobb“. So, it should come as no surprise that I’ll shamelessly plug the first book I published as Robin Hobb back in 1995: Assassin’s Apprentice, Book 1 of the Farseer Trilogy.

Assassin’s Apprentice, Book 1 of Robin Hobb’s Farseer Trilogy

Before you go running off to tell anyone about this revealed identity, may I kindly (and with my tongue firmly in my cheek) point you at today’s date. April Fool’s! (Sorry, couldn’t resist – of course I’m not really Robin Hobb/Megan Lindholm. I wish….)

Assassin’s Apprentice begins slowly. Robin Hobb manages to draw the reader into the well-crafted world with rare skill, setting the scene and developing unique characters. The initially nameless character, dubbed “Fitz” because he is a royal bastard, tells his story in the first person from when he was a bright six-year-old until he is a young man by the end of Book One. Along the way, he discovers that his affinity for animals, which he always thought normal, is due to a magic called “the Wit”, despised and misunderstood by most. He also tries to learn the “royal” magic called “the Skill”, but his illegitimacy causes some to consider him to be dangerous to the throne (or to those who aspire to sit on it) and that he should be eliminated, while others believe that he is a tool that should be trained and used for the good of the crown. Thus, he learns to read and write, courtly manners, and, secretly, the fine art of assassination.

I wish I had more time to delve into the intricate details of the plot, the depth of each and every character, whose ideas and ambitions are incredibly believable within the context of the world, but I’m afraid I’ll have to keep this post relatively short. Let me just say, though, that Assassin’s Apprentice is not only an awesome book (whether you’re a fan of fantasy fiction or not, I’m sure you’ll love it), it is also the introduction to Robin Hobb’s “Realm of the Elderlings”, in which three partially interconnected trilogies are set, plus another tetralogy, plus the next series fans are eagerly anticipating:

The Farseer Trilogy

Assassin’s Apprentice

Royal Assassin

Assassin’s Quest

The Liveship Traders Trilogy

Ship of Magic

The Mad Ship

Ship of Destiny

The Tawny Man Trilogy

Fool’s Errand

The Golden Fool

Fool’s Fate

The Rain Wilds Chronicles

Dragon Keeper

Dragon Haven

City of Dragons

Blood of Dragons

The Fitz and the Fool Trilogy (yet to be released)

The Fool’s Assassin (due August 2014)

Warning: do NOT begin reading Assassin’s Apprentice if you do not have much time to spare. You will want to pick up Book Two, and Book Three afterwards, and although they will not leave you wanting, they will leave you wanting more.