Comedians

Yesterday evening brought Roisin Conaty’s pilot episode of the show she wrote and stars in, GameFace to 4OD.I absolutely adore Roisin so knew it would be brilliant. Her role as Jo in Man Down (featuring Greg Davies) was utterly hilarious and it’s one of my favourite sitcoms of the past few months.

The pilot followed Marcella: a young, under-achieving party lover who is attempting to put her life back on track by starting driving lessons and attending therapy to enable her to have a ‘fresh start’ on her birthday. She describes herself as a ‘Lone Wolf’ but this is misinterpreted as ‘Lonely Wolf’ by her therapist (if that’s what I should call him), and I think this is something that could be followed up if and when a series progresses from the pilot because obviously the audience will eventually develop emotional attachments to the main characters.

Many familiar faces popped up throughout the episode including Joel Dommett (Conaty’s Impractical Jokers Pal) as the pizza boy, in one of my favourite scenes of the episode, and Mike Wozniak who played the part of Brian in Man Down. There were also lots of people I didn’t recognise which is always good as I’m always up for broadening my horizons.

As well as the pilot being very very funny, Roisin made me feel like a normal human by saying something along the lines of:

“Breakfast isn’t that important. If you’re hungry you’re hungry, if not just get on with your day.”

I’m SO glad someone else said it as this is the one thing in my life that makes me feel most like an outcast (ha).

I really can’t wait for a series to be made of GameFace as I love Rosin Conaty, the scripting was excellent and there were many unique aspects to the programme that I liked such as the parts where Marcella is sat in her therapist’s office and there are flashbacks to the events of her previous week. There is definitely space for the storyline to develop and I can’t see how I’d ever get bored of this wonderful new show!

Yesterday, I visited my best friend, Phoebe, and we watched the final two episodes of the gorgeous show that is Doll & Em. I knew I would love this show because I had seen a pilot clip of Dolly & Laura (a very simliar concept with Dolly Wells and Laura Patch) before from quite a few years ago, which features Noel Fielding (my absolute favourite), and I definitely wasn’t disappointed. Doll & Em follows two best friends, both aged fourty-something. They are Dolly, a clumsy, almost naive but entirely loveable lady who has just broken up with her longterm boyfriend, and Emily, the successful Hollywood actress with a load of famous phone contacts. At the start of the first episode, Em decides to hire Dolly as her personal assistant as an excuse for the two of them to spend more time together while the actress films for her latest movie project in LA.

Phoebe (left) and I (right)

The show is endearing, hilarious and extremely uncomfortable in places because Dolly often manages to say or do the wrong thing that leads to her either looking an idiot to the Hollywood stars or completely showing up Emily. The funniest moment for me happened pretty early on, where Dolly goes for a swim in the pool outside Emily’s apartment and ends up getting locked out there all day. Both Doll’s clumsiness and charm really come out in this scene and it had me and my friend laughing until we were in tears. The fact this show appeals to both of our senses of humour is great and I definitely feel that Phoebe and I have a similar relationship to that of Doll and Em (though we have never had an argument and neither of us are good at acting). This might be why I like it so much, it’s almost a sneak-peek into the future of our own friendship in a weird way.

What really makes the programme work is the fact that Doll and Em, much like Phoebe and I, have been best friends since they were little girls in real life and it really shines through beautifully. Their personalities are entirely different yet they bounce off each other brilliantly and have such a close relationship that it borders on dysfunctional. Also, I have loved Dolly for a long time due to her role in Noel Fielding’s Luxury Comedy but had never come across Emily Mortimer before… until it was pointed out by a hilariously slow customer at the restaurant where Dolly works that it was her in Shutter Island. I love that film, and almost feel like I have achieved something from learning this information: I feel like I already know Emily in the way I already knew Dolly.

Doll (left) and Em (right)

The absolute cherry on the cake was the appearance of Noel towards the end of the final episode. Although he is acting so has toned his fashion sense down ever so slightly (he still wears a poncho, of course), when the camera pans out you can see the glimmer of his silver chelsea boots which I thought was fantastic. The final few scenes of the series featured Noel, which is always a positive, but the performances of both ladies were flawless: I could feel the love they have for each other radiating through the screen.

I’ve never seen a programme quite like Doll& Em and I can really tell it is a product of love, both for the show and for each other. I will be over the moon if this beauty is commissioned for a second series and I can imagine there being a wonderful film adaptation of Doll & Em one day.

The Alternative Comedy Experience is important because it aims to show what intimate comedy gigs are actually like so for people who don’t see a lot of live comedy, or only have experience of big arenas, it really shows a whole new world. The show consists of a whole load of individual stand up sets that have been chopped up into small sections and made into thirty minute episodes with as many as four or five comedians featuring in each one. The premise of the show was thought up by the genius that is Stewart Lee and features snippets of interviews conducted by Lee with each comic. The general criteria for the comedians is ‘alternative’ with some being more commonly known than others and I was drawn to the show because many of my favourites feature such as Paul Foot, Tony Law, Henning Wehn and of course, Stewart Lee.

Programmes like this are great because they introduce a whole range of new comics to the viewers. For example, I fell in love with David Kay’s down beat tone which had everyone laughing in the breaks between talking, which is a talent. I had only ever seen Josie Long on panel shows before but I adored her brilliant political views that were hilarious and not too heavy. I think it’s important for comics to discuss politics in their material because young people especially need to be more familiar with things that directly effect them. And Britain’s politicians are laughable in themselves, lest us forget.

I only own series one of The Alternative Comedy Experience and know a second series was released early this year so need to get myself a copy of that. From what I did see though, I definitely wish there could have been more of Paul Foot in particular as I know he is a genius but he didn’t seem to get much stage-time. There were others who I would like to have seen more of also, including Bridget Christie, Robin Ince and David O’Doherty (I have many of his weird songs on my iPod- he’s fantastic, like the love child of Tim Minchin and a child? a chimp? I don’t know).

Tony Law got quite a lot of time which was brilliant because as you know, he’s one of my all time favourites. I worship that guy, seriously- his material is quick, insane and SO surreal which is everything I could want. Henning Wehn was also on top form as usual (he is rapidly becoming one of my favourites) and I can’t wait to watch the DVD I have of his latest stand up tour: No Surrender.

I am looking forward to series two of this show but in the meantime, I will be looking out for names like David Kay, Alun Cochrane and Bridget Christie in particular as these new names stood out for me. Also, I have an important query- HOW ON EARTH IS BRIDGET CHRISTIE 42?! She must be a time traveller or something, she looks wonderful.

I don’t really know anyone who watches this show, so let me know if you do and restore my faith in humanity thanks!

I’ve known who James is for quite a while but only seen him on the odd panel show here and there so this month I made a conscious effort to check out some of his work. I decided to do this after seeing his recent appearance on 8 Out of 10 Cats where he was absolutely hilarious- a complete weirdo, but a brilliant one. He really stood out during this episode as he seems to carry a strange kind of energy with him that is really refreshing to a panel show as they can get tedious very easily if the panel isn’t rotated regularly enough.

I think I like James because he reminds me of Paul Foot, one of my all time favourite comedians, though of course he has his own quirks that make him so original. They both have brilliant confidence that is hidden behind an apparent shyness, so it is surprising when they come out with something either quite profound or very shocking. His presence on panel shows is a powerful one: he just needs to give a certain look and everyone will be laughing and I think that must be a really hard skill to master.

James is young-looking, wide-eyed and innocent but also incredibly quick-witted and wise for his age. I thought his material about the apple in the orchard, featured in the clip below, was very clever yet didn’t feel self-indulgent in any way. With complicated material, many comics get caught up in the selfish side of it: of appearing clever or superior, but James doesn’t do this at all. He remains charmingly simple but we can see he has a sharp mind.

I definitely recommend you check James Acaster out as he is gaining more and more fans with every passing week. His twitter is here so follow him if you’re into that twitter malarky.

For more information, visit James Acaster’s website and follow him on Twitter.

I thought I’d share with you my favourite ever comedy podcast, made by a really nice guy, and something that I think every comedy lover should know about. The Comedian’s Comedian Podcast was created by stand up comedian, Stuart Goldsmith and began in 2012 (though I only started listening in the past year or so). It is my favourite for a number of reasons:

Firstly, the guests are all absolutely brilliant comedians. Although I haven’t listened to all of the episodes as of yet, the ones I have picked out and listened to have been hilarious but interesting as well. Brendon Burns, Tony Law and Gary Delaney’s episodes proved particularly engaging because as well as being obviously funny people, they actually offered details into how they workand what their comedy means to them which is something other podcasts don’t offer.

Stuart Goldsmith himself is very funny and extremely knowledgable which I think is very important as you can see he is passionate about what he does. I always love seeing people get excited about the work they do and this was particularly clear when Stuart interviewed Tony Law (and who can blame him). Tony is one of my all time favourite comedians, I met him last year and he is just as lovely as he is hilarious.

Listening to this podcast has taught me a lot about comedy but it never feels as though I am being lectured: it’s an entertaining kind of learning. My all time favourite episode was Sara Pascoe’s because I learnt so much about her but also about the kind of person it takes to be a successful comedian. She described the general personality type that ends up in an art form such as comedy and also explained how she works; how she forms her shows. Sara is another of my favourite comedians/actors because she has a unique comic style and is also just a really nice person, which is always good.

Basically, you should definitely check out this podcast, even if podcasts aren’t really your thing (I don’t listen to them all that often). As I’m doing my GCSEs very soon and Art is one of my best subjects, I spend a whole lot of time sat on my own painting or drawing or whatever but listening to Stuart Goldsmith’s shows really help to pass the hours!

This is a brand new feature on MoodyComedy and I am creating it with the intention of passing on new names to as many people as possible. Each month I will choose my favourite comic discovery of the past four weeks and write a short piece on why I liked them, where they can be found and why you might be interested in their work. So here it goes…

I first became aware of the Norwegian comic, Daniel Simonsen in the middle of January when the first episode of Vic & Bob’s new show: House of Fools but the series ran throughout February and this is where I feel Simonsen really came into his own. I said in a post a couple of weeks back that House of Foolsis an absolutely incredible programme and though I may be biased because I have adored everything Vic Reeves and Bob Mortimer have produced in the past, I still stand by my judgement.

Daniel is an absolute gem here because he brings a youth-like feel to a show otherwise dominated with more ‘mature’ actors and comedians. I think Bob Mortimer has a very good eye when it comes to finding new comic talents (such as Angelos Epithemiou, or Dan Skinner, who featured on Shooting Stars and as Bosh in House of Fools) and though I can’t be certain if he is also the one who spotted Simonsen, it was definitely a wise decision. He plays Bob’s son, Erik, who is witty, hateful and possibly very evil. He provides many of the biggest laugh throughout the series, especially in my house.

After watching and loving the whole series of House of Fools multiple times, I looked up Daniel Simonsen as I just knew that if he did stand up, I would find it brilliant. He does and I do. I watched this clip from Russell Howard’s Good News Extra in 2012 and fell in love with Daniel a little bit more. He is interesting; foreign: an outsider. I find that so refreshing as I always feel that an accent that isn’t typically British adds something special to a performance and I like the idea of people from other countries looking in on our comedy scene and joining it, yet also passing comment that wouldn’t usually be made (such as Henning Wehn’s material).

Simonsen’s style is brilliant as he seems so young yet has such in-depth and critical opinions on things like your basic observational comedians. One of my favourite lines from him is his thoughts on when a person asks him why he isn’t talking at a social event and he replies with: ‘oh, I forgot’ and his simple statement of ‘it’s really difficult to be a human being’.

Yesterday, on March the 5th, I went to the first comedy night at the Custard Factory in Digbeth and it was a really unique experience as there were only 100 seats so the crowd was really nice. The night was hosted by Karen Bayley and featured sets from Freddie Farrell, Jon Pearson and of course Joe Lycett.

Freddie Farrell is local to the area and reminded me of some Brummies I know. I really liked his often sarcastic and down-beat tone because it is reminiscent of Jack Dee. His material about his girlfriend and kids received big laughs, his impressions of his children with their Birmingham accents especially. Jon Pearson was next and I also really liked him as he was kind of a hybrid of lots of comedians I’ve seen. He has a skill for building a story and while constantly flitting back to things he mentioned at the very beginning in a similar way to that of Rhod Gilbert (though he didn’t have enough time to build it to Rhod’s intensity).

Then it was finally time for Joe Lycett, one of my favourite comedians ever and just a really nice guy. The set was hilarious and heavily featured the two Mexican students sat in front of me who were adorable. At one point, Joe had climbed over the front row and was sat flirting with Diego and Ivan. Joe showed us some of the material for his new series Junk that is about to be recorded, and I am really excited for. The junk he had was pretty disturbing to be honest- it featured a frog doll with a baby’s head, holding a wasp- incredible. I would have liked his set to be longer as I thoroughly enjoyed what I saw of the set and will definitely be seeing him again soon!

Also, if you live in or around Birmingham, do look into the Comedy Hut in Stourbridge and Digbeth as they show lesser-known acts and could do with support from people like us.

January marked a much awaited time for Vic and Bob fans: the arrival of the brand new surreal sitcom, House Of Fools. The programme follows the troubles faced by Bob [Mortimer] and his group of unreliable and slightly insane ‘friends’ (plus his Norwegian son, Erik) who all insist on lodging in his house whilst continually mocking poor Bob as he manages to fail in all aspects of his life.

The casting of the programme is near on perfection, featuring Matt Berry as Beef, Dan Skinner as Bosh, Morgana Robinson as Julie and of course Vic and Bob themselves. I was pleased to see a new face on the programme: stand up comedian Daniel Simonsen as Erik, whose role in the show is refreshing, maybe because the exaggerated Norwegian accent is hilarious in itself.

Reeves and Mortimer have said in interviews that the aim of the show was to take the conventional idea of what should be in a sitcom and completely turn it on its head by recreating typical situations but in a new way. For example, when a neighbour tells the protagonist that they need them to look after something very important, the audience are immediately aware of the inevitability that something will soon go drastically wrong. The double act recognised this and made it the plot line of episode two, The Pork Pie Affair, in which Julie asks the group to look after an oversized pork pie that is to be given to Bruce Willis that evening.

The programme is broken up with songs of nonsense, that Bob describes as a “shortcut to telling a plot, so we set everything up via the gift of song.” The words are constantly going round my head on a daily basis and I can’t seem to get them out so beware!

Today the BBC announced they were to make sure every episode of shows like QI and Mock the Week are to have at least one female guest. My first reaction was along the lines of: ‘sure, this is coming from a good place, women should be greater represented in comedy. The idea behind this is a sound one.’ However, I don’t think this is the correct way to go about it in the slightest. Speaking as a young female, I felt embarrassed to hear that women would get such special treatment. From now on, even if it is untrue, every comedienne that is asked to appear on such shows will feel that they are just there to fit the BBC’s new criteria. They are being completely undermined.

Females comics don’t get half the recognition they deserve and some of the funniest people in the industry I know of are women. For example Katherine Ryan, Sara Pascoe, Dolly Wells, Morgana Robinson, Roisin Conaty, Sarah Millican and Aisling Bea, are amongst some of my favourites. I think women add a valuable new dimension to such panel shows. They make it interesting. So seeing my favourite comediennes on television is always a highlight for me as like most people, they have earned their place on the panel. Years of hard work goes in before people come anywhere near to performing on programmes like Mock the Week.

It makes me sad to think that the women mentioned above may feel undervalued in the future when invited to appear on BBC panel shows because they deserve to be commended for their hard work. In many cases, they deserve additional recognition purely for the way they have surfaced above the hundreds of male comics in the UK while facing constant discrimination along the way. How many times have you heard the phrase: ‘she’s funny for a female comic’ or ‘no female comics are ever funny’. These make my blood boil- do they have no idea that humour is not purely in your genetic information? Have they not stopped to consider that intelligence, wit and life experiences might have some influence?