How women are collaborating to tell stories that break through the noise on Syria

Between the news coverage, reportage and statistics around the ongoing Syrian civil war and the battle against Islamic State the firsthand experiences of ordinary civilians on the frontlines are difficult to source and expose. Yet these are often the very stories that can often provide crucial wartime evidence, chronicle social and historic shifts, or unearth true narratives that can counter official ones. And these stories are increasingly found on our bookshelves rather than on the newsstands.

From testimonies to short stories, graphic novels to memoirs, female writers, journalists and survivors are currently fronting the literatures of war, conflict and exile. The past two years have seen a surge of books and memoirs authored by women that capture the far-reaching human consequences of the Syrian civil war. Amid the fatigued reportage on its increasingly more complex escalations – and the cynical moves of other nations vested in opposing outcomes – these are compelling testaments to what befalls ordinary people as a consequence of fanaticism and powerful interests.

A remarkable example is Farida Khalaf’s 2016 memoir The Girl Who Beat ISIS. Khalaf and her family are Yazidis, members of a Kurdish-speaking minority who follow an ancient, pre-Islamic faith. The book recounts how Islamic State crossed the border into their mountainside village in northern Iraq, killing the men, recruiting the boys, and taking women and girls to slave markets in Raqqa.

Through testimonies of those such as Khalaf, the genocide against the Yazidis was officially recognised by the UN. Khalaf, in collaboration with German journalist Andrea C. Hoffmann, shaped their series of detailed interviews into a first-person narrative. Despite the indiscriminate violence visited on whole communities and towns, her memoir reminds that what women have suffered at the hands of IS, and what they continue to endure in refugee camps, is further devastating still.