In the last year, there have been a few stories that presented some bad archaeology and, since this is the last Four Stone Hearth of the year, I thought it might be useful to recap these stories with a summary of each that includes the primary assumptions and faults they rely on. I’ve included some stories that you might expect, such as the Bosnian pyramid and the Jesus tomb, but also at least one you might not have heard about. A bibliography with links for further reading will follow this article

The Bosnian Pyramid

For a brief summary of the Bosnian Pyramid debacle that is still playing out, see my previous post, The Bosnian Pyramid: a Brief Summary. This, therefore, will be a brief, brief summary!

The hoopla actually started in 2006 with Semir Osmanagic’s announcement that he had found the largest and oldest pyramid known to man, which was created by between 8,000 and 12,000 years ago –so large and so old it threatened to change the history of Europe and the World as we know it. And it would have. Had it been genuine.

But such is the nature of pseudo-archaeological claims: they provide much sensation and appeal instantly to the significance-junkies and mystery-mongers who want there to be something mysterious and, perhaps, sacred about the emergence and antiquity of man. This is why we see so many products for sale, particularly in the “alternative” medicine (as if there really are legitimate alternatives to medicine) field, that claim to have been “discovered by” or “known to” the ancients.

Osmangic was the guy that wrote a book which put the ancestry of the Maya as the Atlanteans. And, as if this weren’t kooky enough, he placed the ancestry of the Atlanteans as extra-terrestrial.The media (perhaps being the natural significance-junkies and mystery-mongers that they are) picked up on Osmanagic’s press releases and ran with them, without consulting with any genuine archaeologists. In spite of the press claims, Osmanagic is not an archaeologist. Not even close.

The reason the press was duped (and is still being duped in some cases) by the pyramid-claims is that the hill does vaguely look like a pyramid from certain angles (as do many, many hills around the world) and that there is some very interesting geology in the region that gives the appearance of manmade blocks. But the geology has been very well explained and understood, even before Osmangic and his “team” began bulldozing the hillside in what they refer to as “excavations.”

The main problem with this sort of pseudo-archaeology is that it is destroying a genuine archaeological site that has nothing to do with pyramids.

The Jesus Tomb

The tomb itself was actually discovered in 1980, but “rediscovered” in more recent years by Simcha Jacobovici who co-produced the documentary The Lost Tomb of Jesus with James Cameron.

The assertion is, obviously, that this is the tomb of Jesus Christ, the Christian Messiah who was, according to biblical legend, crucified to death by the Romans only later to “rise from the dead” and ascend to heaven. The implication, therefore, is that Jesus did not ascend at least bodily to heaven and that there were remains left to entomb. Based on the inscriptions found on other ossuaries within the tomb, other implications were that Jesus: was married to Mary Magdeline; had brothers and sisters (some of whom may have been older); had a child; may not have died on the cross; etc.

The producer, Jacobovici, claimed in the documentary that this is proof of the existence of Jesus, making this, too, an implication for those that doubted the historicity of Jesus or for those interested in defending that historicity. However, the documentary doesn’t reconcile a few problems, most namely perhaps, the 600 to 1 claim created by a statistician and used in the documentary. In this claim, statistician Andrey Feuerverger concluded that the odds are at least 600 to 1 that the combination of names appeared in the tomb by chance.

Scan The Lexicon of Jewish Names, which includes names from ossuaries, ancient texts and every other source available, and you will learn that the names unearthed in the so-called Jesus Family Tomb were among the most common of that era. One in every three women listed in the Lexicon was named Mary, for instance, and, at that time, one in every 20 Jewish men was called Yeshua, or Jesus. […]”I did permit the number one in 600 to be used in the film—I’m prepared to stand behind that but on the understanding that these numbers were calculated based on assumptions that I was asked to use,” says Feuerverger. “These assumptions don’t seem unreasonable to me, but I have to remember that I’m not a biblical scholar.”

Indeed, one of the biggest contentions about the alleged “tomb of Jesus” is that the names were common. William Dever who, until recently, was the Professor of Near Eastern Archaeology and Anthropology at the University of Arizona in Tucson, Arizona, stated in the Washington Post article, ‘Lost Tomb of Jesus’ Claim Called a Stunt, the following:

“I’ve known about these ossuaries for many years and so have many other archaeologists, and none of us thought it was much of a story, because these are rather common Jewish names from that period. It’s a publicity stunt, and it will make these guys very rich, and it will upset millions of innocent people because they don’t know enough to separate fact from fiction.”

That article is no longer available online, but there are numerous internet sites that seem to quote it. I’ll include it in the bibliography as I did find it in the Lexis-Nexis database. The quote is accurate.

Adam’s Bridge

Also known as Rama’s Bridge (or Rama Sethu in Sanskrit) via the Ramayana written between 500 – 100 BCE, this tombolo connects India to Sri Lanka and Vedic legend says that it was built by Rama as a means to rescue his consort who had been abducted and taken to Sri Lanka by Ravana. The tombolo itself stretches approximately 30 miles and separates the Gulf of Mannar from the Palk Strait. Believers in Vedic mythology think the tombolo is a manmade bridge (the name “Adam’s Bridge” is the Western name found on early British maps), but science reveals something quite different of course.

The reason this shows up as a topic of psueud-archaeology is because the highest court of the state of Tamil Nadu, where the bridge resides, states that the “bridge” is manmade. This is in response to the Sethusamundram Ship Canal Project (SSCP), which is a goal to link the Palk Bay and the Gulf of Mannar between India and Sri Lanka, a project that, upon completion, would cut about 400 km of shipping normally used in the voyage around Sri Lanka. But governmentofficials deem the tombolo as a “divine” feature and one that is religious in significance, preventing progress in their region.

This is a topic that is linked very strongly to the Vedic Creationism of Michael Cremo, the author of Forbidden Archaeology, and I think I remember seeing it mentioned in this “text” if I’m not mistaken, but I no longer own a copy of it to verify. Regardless, Cremo argues elsewhere that man is millions of years old, and as Homo sapiens who possessed “high technology” or “high civilization.”

Adam’s Bridge is a geologic feature and not a constructed one, and it has been studied at length and satisfactorily described by geologists (Nityananda & Jayakumar, 1981). There’s no mystery to the Palk Straits. Tombolos are common in the world and the geologic morphology is ideal for one in the Palk Straits. Moreover, 1 million years ago the dominant hominid species was Homo erectus, who relied on Acheulean tools, hardly the technology capable of constructing a “bridge” across the Palk Straits. Various dating of the tombolo itself has been placed between 3,500 to 6,000 years ago, which puts the formation at a very recent age, geologically.

In a recent issue of Atlantis Rising, the ragazine that appeals to the significance-junkie, the mystery-monger, and skeptics like me who are fascinated with the first two, Michael Cremo’s latest column “Forbidden Archaeology” highlights a figurine of dubious origin. The article in question is “the mystery of the Nampa image,” Atlantis Rising, no. 64, July/August 2007.

According to Cremo, the figurine (dubbed the Nampa Image) was recovered by workers who were drilling a water-well in Nampa, Idaho in 1889. The figurine, about an inch and a half long and made of baked clay was reported to have been recovered by the sand pump from a depth of 300+ feet. Cremo’s account of the “artifact’s” discovery is both credulous and inconsistent. Cremo is critical of Michael Brass, who wrote in his book, The Antiquity of Man: Artifactual, Fossil and Gene Records Explored, that it would have been destroyed by the drilling equipment upon retrieval as it was brought up to the surface. Cremo’s response to Brass is that a tube was used after drilling through the lava layer to pump out the sand but, previously, he mentions that the figurine was brought up with a “core sample.”
This is a small quibble to be sure, but it is relevant since if it were brought up in a core sample, the figurine would be stable and not bumped about. In the tube of sand pump, it would be subject to the laws of physics and knocked around at least enough to pulverize the fragile clay figurine. At the very least, the abrasive effect of the sand in the pump would have rounded it to the point of being unrecognizable to even the most gullible.

The crux of Cremo’s claim with the figurine is that since it was found in a geologic stratum that was of the Plio-Pleistocene, at a depth of 300 feet, the culture that created it must have been in the region about 2 million years ago. As usual, Cremo is credulous to the point of ignoring any parsimonious or realistic explanation, which makes him the utter laughing stock of real archaeology. Unfortunately, the lay-public, eager for stories of mystery and intrigue, get only a portion of the story when they read his perspective. Cremo says in the article, “scientists will go to great lengths to make up some story in order to explain it away,” and is critical of more parsimonious and possible explanations as “powers of the imagination!” and as “speculative tales.” The irony is deep.

What Cremo misses in his account of the “Nampa image,” the little, fragile clay figurine common to the local Native Americans of the late 19th and early 20th centuries, is the voices of reason with regard to the find. More likely, he was aware of them, but cherry-picked which criticisms he would be willing to be counter-critical of. He does make short work of one suggestion that the figurine may have found its way at the stratum naturally through a rock fissure or natural geological process. I agree, the explanation is far from realistic, not to mention the same problem of fragility is encountered as the clay figure makes its way to a depth of 300 feet through a rock crevice or fissure as yet undiscovered or exemplified elsewhere in the Glenn’s Ferry formation.

However, there were many criticisms of the object itself, which was heralded by one George Fredrick Wright, an amateur geologist that began as a Christian Darwinist then later turned to active fundamentalist (and was even an author of some of the essays called The Fundamentals, which started and defined this now obnoxious movement of Christianity). There’s an added irony that Cremo, an ancient-Earth Vedic creationist is using a young-Earth Christian creationist to make his point of an exaggerated antiquity of man. Cremo cites Wright’s book, Origin and Antiquity of Man, but makes no mention of Wrights contemporaries who were critical and nearly unanimously dismissive of his work. Indeed, actual geologists and anthropologists of the period remarked that Wright was pseudoscientific:

Dr. Wright’s last example is the feeblest of all-the Nampa image, a “beautifully formed clay image of a female,” said to have been brought up from a depth of 320 feet (!) in the holing of an artesian well, at Nampa, Idaho. It is sad to destroy illusions; but when this same image with its story was laid before a well known government geologist, and he at once recognized it as a clay toy manufactured by the neighboring Pocatello Indians, the person displaying it replied with engaging frankness, “Well, now, don’t give me away!” (Brinton 1892).

And that “well known government geologist?” This was J. W. Powell, who wrote in Popular Science Monthly (1893):

In the fall of 1889 the writer visited Boise City, in Idaho. While stopping at a hotel some gentlemen called on him to show him a figurine which they said they had found in sinking an artesian well in the neighborhood at a depth, if I remember rightly, of more than three hundred feet. The figurine is a little image of a man or woman done in clay and baked. It is not more than an inch and a half in length, and is slender and delicate, more delicate than an ordinary clay pipestem, and altogether exceedingly fragile.

Hold the figurine at the height of your eye and let it fall on the hearth at your feet, and it would be shivered into fragments. It was claimed that this figurine had been brought up from the bottom of an artesian well while the men were working, or about the time that they were working at the well, and that as it came out it was discovered.

When this story was told the writer [Powell], he simply jested with those who claimed to have found it. He had known the Indians that live in the neighborhood, had seen their children play with just such figurines, and had no doubt that the little image had lately belonged to some Indian child, and said the same. While stopping at the hotel different persons spoke about it, and it was always passed off as a jest; and various comments were made about it by various people, some of them claiming that it had given them much sport, and that a good many ” tenderfeet” had looked at it and believed it to be genuine; and they seemed rather pleased that I had detected the hoax. When I returned to Washington I related the jest at a dinner table, and afterward it passed out of my mind. In reading Prof. Wright’s second book I had many surprises, but none of them greater than when I discovered that this figurine had fallen into his hands, and that he had actually published it as evidence of the great antiquity of man in the valley of the Snake River.

Consider the circumstances. A fragile toy is buried in the sands and gravels and boulders of a torrential stream. Three hundred feet of materials are accumulated over it from the floods of thousands of years. Then volcanoes burst forth and pour floods of lava over all; and under more than three hundred feet of sands, gravels, clays, and volcanic rocks the fragile figurine remains for centuries, under such magical conditions that the very color of the burning is preserved. Then well-diggers, with a pump drill, hammer and abrade the rocks, and bore a six-inch hole down to this figurine without destroying it, and with a sand-pump bring it to the surface, to be caught by the well-digger; and Prof. Wright believes the story of the figurine, and places it on record in his book!

And Michael Cremo places it on record in his book! It’s a lengthy quote, but the full context of the account is important. Cremo also cited F.F. Jewett (1890) who described having done “experiments” on the clay that led him to the conclusions that it “must be of considerable age.” What experiments, specifically, aren’t mentioned. But he goes on to declare that “the accumulation of iron upon the grains of sand” can’t be accounted for “except by supposing to have been the result of slow decomposition of substances containing iron.” Perhaps this was the prevailing scientific assessment of the 19th century, but what, precisely, is Cremo’s excuse for failing to recognize that iron oxidation occurs on clay when intentionally fired this way. A process well-known to archaeology and should be understood even for a pseudo-archaeologist.

The “Nampa image” is a hoax. Pure and simple. It was presented at a time in which hoaxes were popular and people liked the notoriety. A contemporary of this little figurine is the Cardiff Giant, which was just being exposed for its fraudulent nature at around the time the worker in Nampa, ID claimed to find a modern clay doll in the sediments of a time when people simply didn’t live in North America, much less make fired clay dolls.