If you're having trouble with the heat from a 1K Fresnel, think about the 10K units they had to use on Technicolor films for key lights...

Think about one of those for about every 10 square feet of the set for the approximately effective ASA of 3 that three-strip Tech demanded; not to mention the 5 and 10K Mole Richardson "sky pans" they used to light the cycloramas behind the sets or the 5K soft-box Moles for the fill...

Think of 130 to 140 F degrees as a "normal" temperature for a stage floor on a Technicolor set.

You begin to understand that the old gaffer phrase to turn off the stage lights, "save the lights" REALLY meant "hey, let's keep from killing the actors".

Before that, in the Silent Era, the stages were illuminated by Cooper Hewitt Mercury Vapor lights that were rich in UV and would burn the retina because the pupil would dilate wide under the deep purple light and allow the retina to cook during a scene.

Another manufacturer was the Kleig Brothers; ever heard of Kleig eye? That came from the carbon dust that filtered down from the carbon arcs used for back lighting and would cause an inflammation of the eye...