The valet, returning to the cottage, informed the count that
Moscow was burning. The count donned his dressing gown and went out to
look. Sonya and Madame Schoss, who had not yet undressed, went out
with him. Only Natasha and the countess remained in the room. Petya
was no longer with the family, he had gone on with his regiment
which was making for Troitsa.

The countess, on hearing that Moscow was on fire, began to cry.
Natasha, pale, with a fixed look, was sitting on the bench under the
icons just where she had sat down on arriving and paid no attention to
her father's words. She was listening to the ceaseless moaning of
the adjutant, three houses off.

"Oh, how terrible," said Sonya returning from the yard chilled and
frightened. "I believe the whole of Moscow will burn, there's an awful
glow! Natasha, do look! You can see it from the window," she said to
her cousin, evidently wishing to distract her mind.

But Natasha looked at her as if not understanding what was said to
her and again fixed her eyes on the corner of the stove. She had
been in this condition of stupor since the morning, when Sonya, to the
surprise and annoyance of the countess, had for some unaccountable
reason found it necessary to tell Natasha of Prince Andrew's wound and
of his being with their party. The countess had seldom been so angry
with anyone as she was with Sonya. Sonya had cried and begged to be
forgiven and now, as if trying to atone for her fault, paid
unceasing attention to her cousin.

And as if in order not to offend Sonya and to get rid of her, she
turned her face to the window, looked out in such a way that it was
evident that she could not see anything, and again settled down in her
former attitude.

"Yes, really I did," Natasha replied in a voice that pleaded to be
left in peace.

Both the countess and Sonya understood that, naturally, neither
Moscow nor the burning of Moscow nor anything else could seem of
importance to Natasha.

The count returned and lay down behind the partition. The countess
went up to her daughter and touched her head with the back of her hand
as she was wont to do when Natasha was ill, then touched her
forehead with her lips as if to feel whether she was feverish, and
finally kissed her.

"You are cold. You are trembling all over. You'd better lie down,"
said the countess.

When Natasha had been told that morning that Prince Andrew was
seriously wounded and was traveling with their party, she had at first
asked many questions: Where was he going? How was he wounded? Was it
serious? And could she see him? But after she had been told that she
could not see him, that he was seriously wounded but that his life was
not in danger, she ceased to ask questions or to speak at all,
evidently disbelieving what they told her, and convinced that say what
she might she would still be told the same. All the way she had sat
motionless in a corner of the coach with wide open eyes, and the
expression in them which the countess knew so well and feared so much,
and now she sat in the same way on the bench where she had seated
herself on arriving. She was planning something and either deciding or
had already decided something in her mind. The countess knew this, but
what it might be she did not know, and this alarmed and tormented her.

A bed had been made on a bedstead for the countess only. Madame
Schoss and the two girls were to sleep on some hay on the floor.

"No, Mamma, I will lie down here on the floor," Natasha replied
irritably and she went to the window and opened it. Through the open
window the moans of the adjutant could be heard more distinctly. She
put her head out into the damp night air, and the countess saw her
slim neck shaking with sobs and throbbing against the window frame.
Natasha knew it was not Prince Andrew who was moaning. She knew Prince
Andrew was in the same yard as themselves and in a part of the hut
across the passage; but this dreadful incessant moaning made her
sob. The countess exchanged a look with Sonya.

"Oh, yes... I'll lie down at once," said Natasha, and began
hurriedly undressing, tugging at the tapes of her petticoat.

When she had thrown off her dress and put on a dressing jacket,
she sat down with her foot under her on the bed that had been made
up on the floor, jerked her thin and rather short plait of hair to the
front, and began replaiting it. Her long, thin, practiced fingers
rapidly unplaited, replaited, and tied up her plait. Her head moved
from side to side from habit, but her eyes, feverishly wide, looked
fixedly before her. When her toilet for the night was finished she
sank gently onto the sheet spread over the hay on the side nearest the
door.

The countess, Madame Schoss, and Sonya undressed hastily and lay
down. The small lamp in front of the icons was the only light left
in the room. But in the yard there was a light from the fire at Little
Mytishchi a mile and a half away, and through the night came the noise
of people shouting at a tavern Mamonov's Cossacks had set up across
the street, and the adjutant's unceasing moans could still be heard.

For a long time Natasha listened attentively to the sounds that
reached her from inside and outside the room and did not move. First
she heard her mother praying and sighing and the creaking of her bed
under her, then Madame Schoss' familiar whistling snore and Sonya's
gentle breathing. Then the countess called to Natasha. Natasha did not
answer.

After short silence the countess spoke again but this time no one
replied.

Soon after that Natasha heard her mother's even breathing. Natasha
did not move, though her little bare foot, thrust out from under the
quilt, was growing cold on the bare floor.

As if to celebrate a victory over everybody, a cricket chirped in
a crack in the wall. A cock crowed far off and another replied near
by. The shouting in the tavern had died down; only the moaning of
the adjutant was heard. Natasha sat up.

No one replied. Natasha rose slowly and carefully, crossed
herself, and stepped cautiously on the cold and dirty floor with her
slim, supple, bare feet. The boards of the floor creaked. Stepping
cautiously from one foot to the other she ran like a kitten the few
steps to the door and grasped the cold door handle.

It seemed to her that something heavy was beating rhythmically
against all the walls of the room: it was her own heart, sinking
with alarm and terror and overflowing with love.

She opened the door and stepped across the threshold and onto the
cold, damp earthen floor of the passage. The cold she felt refreshed
her. With her bare feet she touched a sleeping man, stepped over
him, and opened the door into the part of the hut where Prince
Andrew lay. It was dark in there. In the farthest corner, on a bench
beside a bed on which something was lying, stood a tallow candle
with a long, thick, and smoldering wick.

From the moment she had been told that of Prince Andrew's wound
and his presence there, Natasha had resolved to see him. She did not
know why she had to, she knew the meeting would be painful, but felt
the more convinced that it was necessary.

All day she had lived only in hope of seeing him that night. But now
that the moment had come she was filled with dread of what she might
see. How was he maimed? What was left of him? Was he like that
incessant moaning of the adjutant's? Yes, he was altogether like that.
In her imagination he was that terrible moaning personified. When
she saw an indistinct shape in the corner, and mistook his knees
raised under the quilt for his shoulders, she imagined a horrible body
there, and stood still in terror. But an irresistible impulse drew her
forward. She cautiously took one step and then another, and found
herself in the middle of a small room containing baggage. Another man-
Timokhin- was lying in a corner on the benches beneath the icons,
and two others- the doctor and a valet- lay on the floor.

The valet sat up and whispered something. Timokhin, kept awake by
the pain in his wounded leg, gazed with wide-open eyes at this strange
apparition of a girl in a white chemise, dressing jacket, and
nightcap. The valet's sleepy, frightened exclamation, "What do you
want? What's the matter?" made Natasha approach more swiftly to what
was lying in the corner. Horribly unlike a man as that body looked,
she must see him. She passed the valet, the snuff fell from the candle
wick, and she saw Prince Andrew clearly with his arms outside the
quilt, and such as she had always seen him.

He was the same as ever, but the feverish color of his face, his
glittering eyes rapturously turned toward her, and especially his
neck, delicate as a child's, revealed by the turn-down collar of his
shirt, gave him a peculiarly innocent, childlike look, such as she had
never seen on him before. She went up to him and with a swift,
flexible, youthful movement dropped on her knees.