Filippo Calendario (before 1315-1355)

A notable figure in Venetian Gothic
sculpture and Gothic
Architecture, the artist and architect Filippo Calendario was an influential
designer in 14th century Italy, although only part of one building, the
Doges Palace, Venice, can be attributed to him. First errected
in the 9th-century, the Palace was rebuilt many times thereafter, and
it was with the design and construction of the Sala del Maggior Consiglio
in 1340 that the present building really took shape. Work on the building's
Gothic art and design continued
until 1420, largely under the guidance of Filippo Calendario. A well respected
Government advisor, on many public building projects, he became embroiled
in the attempt by Marino Faliero - Venice's 55th Doge - to take supreme
power, and was sentenced to death in 1355 by the Venetian authorities.

In 1292, the Venetian government decided
to rebuild the hall of the Doges's Palace towards the Rio di Palazzo,
and during the first decade of the trecento
the Sala dello Scrutino (destroyed by the fire in 1577) was constructed.
Filippo Calendario was named as the chief architect and director of sculpture
when the Sala del Maggior Consiglio was being planned three decades later.

Born sometime before 1315 in Murano, Calendario
may have started his career as a shipbuilder. According to records he
was appointed Capomaestro (master architect) of the Doges' Palace in Venice,
sometime in mid-career. The Palace was the seat of government for Venice
for many centuries, and also housed the judiciary and administrative offices
of bureaucracy. The first phase of the Palace construction began in the
800s, and was rebuilt and added to many times thereafter. In about 1340
Sala del Maggior Consiglio carried out major constructional works, and
this was continued until about 1420. It is supposed that Calendario made
the capitals of the facade of the palace, under the guidance of Andrea
da Pisa. However, it is clear that the palace was constructed in two distinct
stages in later years - the windows on the eastern section of the southern
waterfront facade are on a different level to those on the western section.

The architectural style of the Doge's Palace
is unique. It adapts a northern Gothic
style architecture with Venetian Gothic characteristics. The tall
arches, steeples and towers of northern Gothic architecture were prone
to subsidence, so Venetians chose to build low squat structures, but still
incorporating many typical and often exaggerated Gothic features.

As traitors were blackened from history,
and all reference to their lives and works were to be annihilated, very
few references to Calendario or his work exist today. The only building
we know he definitely worked on, the Doge's Palace, was in a sad irony,
to be the place of his execution. He was hung from a column of the palace.