Pā‘ao (CA 1300,) from Kahiki (Tahiti,) is reported to have introduced (or significantly expanded) a religious and political code in old Hawai‘i, collectively called the kapu system.

This forbid many things and demanded many more, with many infractions being punishable by death.

Anything connected with the gods and their worship was considered sacred, such as idols, heiau and priests. Because chiefs were believed to be descendants of the gods, many kapu related to chiefs and their personal possessions.

Certain objects were also kapu, and to be avoided, either because they were sacred or because they were defiling. Seasons and places could also be declared kapu.

Certain religious kapu were permanent and unchangeable, relating to customary rites, observances, ceremonies and methods of worship, and to the maintenance of the gods and their priests.

They were familiar and understood by all, having been practiced from childhood. Civil kapu were more capricious, erratic and often temporary, depending on the whims of the chiefs and priests.

The Hawaiian kapu can be grouped into three categories. The first evolved from the basic precepts of the Hawaiian religion and affected all individuals, but were considered by foreign observers to be especially oppressive and burdensome to women.

One of the most fundamental of this type of prohibition forbade men and women from eating together and also prohibited women from eating most of the foods offered as ritual sacrifices to the gods (for example, it was kapu for women to eat pork or bananas.)

A second category of kapu were those relating to the inherited rank of the nobility and were binding on all those equal to or below them in status.

This system, a “sanctioned avoidance” behavior conforming to specific rules and prohibitions, prescribed the type of daily interactions among and between the classes, between the people and their gods, and between the people and nature.

By compelling avoidance between persons of extreme rank difference, it reinforced class divisions by protecting mana (spiritual power) from contamination while at the same time preventing the mana from harming others.

These kapu posed enormous difficulties for the high Ali‘i because it restricted their behavior and activities to some degree. Because these kapu prohibited the highest-ranking chiefs from easily walking around during the day, some of them traveled in disguise to protect the people and themselves from the difficulties presented by this custom.

The third category were edicts issued randomly that were binding on all subjects and included such acts as the placing of kapu on certain preferred surfing, fishing or bathing spots for a chief’s exclusive use.

In addition, the chiefs proclaimed certain kapu seasons as conservation measures to regulate land use and safeguard resources.

These had the same force as other kapu, but pertained to the gathering or catching of scarce foodstuffs, such as particular fruits and species of fish; to water usage; and to farming practices. These kapu were designed to protect resources from overuse.

While the social order defined very strict societal rules, exoneration was possible if one could reach a pu‘uhonua (place of refuge) and be cleansed, as well as cleared by a kahuna (priest).

The pu‘uhonua was especially important in times of war as a refuge for women and children, as well as warriors from the defeated side.

This intricate system that supported Hawai‘i’s social and political structure directed every activity of Hawaiian life, from birth through death, until its overthrow by King Kamehameha II (Liholiho).

Shortly after the death of Kamehameha I in 1819, King Kamehameha II (Liholiho) declared an end to the kapu system. In a dramatic and highly symbolic event, Kamehameha II ate and drank with women, thereby breaking the important eating kapu.

This changed the course of the civilization and ended the kapu system), effectively weakened belief in the power of the gods and the inevitability of divine punishment for those who opposed them.

The end of the kapu system by Liholiho (Kamehameha II) happened before the arrival of the missionaries; it made way for the transformation to Christianity and westernization.

Hawai‘i’s whaling era began in 1819 when two New England ships became the first whaling ships to arrive in the Hawaiian Islands.

At that time, whale products were in high demand; whale oil was used for heating, lamps and in industrial machinery; whale bone was used in corsets, skirt hoops, umbrellas and buggy whips.

Rich whaling waters were discovered near Japan and soon hundreds of ships headed for the area.

The central location of the Hawaiian Islands between America and Japan brought many whaling ships to the Islands.

Whalers needed food and the islands supplied this need from its fertile lands.

Whalers’ aversion to the traditional Hawaiian diet of fish and poi spurred new trends in farming and ranching. The sailors wanted fresh vegetables and the native Hawaiians turned the temperate uplands into vast truck farms.

There was a demand for fresh fruit, cattle, white potatoes and sugar. Hawaiians began growing a wider variety of crops to supply the ships.

In Hawaiʻi, several hundred whaling ships might call in season, each with 20 to 30 men aboard and each desiring to resupply with enough food for another tour “on Japan,” “on the Northwest,” or into the Arctic.

The whaling industry was the mainstay of the island economy for about 40 years. For Hawaiian ports, the whaling fleet was the crux of the economy. More than 100 ships stopped in Hawaiian ports in 1824.

The effect on Hawaiʻi’s economy, particularly in areas in reach of Honolulu, Lāhainā and Hilo, the main whaling ports, was dramatic and of considerable importance in the islands’ history.

Over the next two decades, the Pacific whaling fleet nearly quadrupled in size and in the record year of 1846, 736-whaling ships arrived in Hawai‘i.

Then, whaling came swiftly to an end.

In 1859, an oil well was discovered and developed in Titusville, Pennsylvania; within a few years this new type of oil replaced whale oil for lamps and many other uses – spelling the end of the whaling industry.

Although Hawai‘i’s commercial whaling is gone today, the humpback whales continue to visit the islands.

In the summer, humpbacks are found in high latitude feeding grounds in Gulf of Alaska in the Pacific where they spend the majority of the time feeding and building up blubber that they live off of in the winter.

From December to late-May, the humpback whales migrate to calving grounds in Hawaiian waters.

Humpback whales are the favorite of whale watchers, as they frequently perform aerial displays, such as breaching (jumping out of the water), or slap the surface with their pectoral fins, tails or heads.

The humpback whale is on the endangered species list, but efforts to protect them have increased their overall population.

In 1992, Congress created the Hawaiian Islands Humpback Whale National Marine Sanctuary to protect humpback whales and their habitat in Hawai‘i. The sanctuary constitutes one of the world’s most important humpback whale habitats.

The image is a portion of an Engraving at Lahainaluna image(Courtesy of Hawaiian Mission Houses Historic Site and Archives,) overlooking Lāhainā from Lahainaluna in 1838. Note the many ships at anchor outside of Lāhainā – a center for the whaling industry in Hawaiʻi.

In addition, I have posted other images related to whaling in Hawaiʻi in a folder of like name in the images section of my Facebook page. (I tried to pick images that illustrate the whaling ships in ports – for some, if you look closely, you’ll see the masts of ships at anchor at the various ports.)

Princess Victoria Kawekiu i Lunalilo Kalaninuiahilapalapa Kaʻiulani Cleghorn (commonly referred to as Princess Kaʻiulani) was born in Honolulu on October 16, 1875.

Princess Kaʻiulani’s mother was Princess Miriam Kapili Kekauluohi Likelike (sister of King Kalākaua and Queen Liliʻuokalani) and her father was Scottish businessman and horticulturist Archibald Scott Cleghorn, who later became Governor of Oʻahu.

Princess Kaʻiulani was the only child born to the Kalākaua dynasty; as such, she was the only direct heir to the throne of the Kingdom of Hawaiʻi.

Kaʻiulani inherited 10-acres of land in Waikīkī from her godmother, Princess Ruth Keʻelikōlani. Originally called Auaukai, Princess Likelike (Kaʻiulani’s mother) named it ʻĀinahau; Princess Kaʻiulani spent most of her life there.

The stream that flowed through ʻĀinahau and emptied into the ocean between the Moana and Royal Hawaiian Hotels (where the present Outrigger Hotel is located,) was called ʻApuakehau (the middle of three rivers that used to run through Waikīkī.)

The family built a two-story home on the estate. At first the home was used only as a country estate, but Princess Kaʻiulani’s family loved it so much, it soon became their full time residence.

The home was furnished with two grand pianos, elaborate brocade chairs, gold and glass cabinets and fixtures. Also, there were various art collections displayed on the walls and rooms.

The Scottish writer Robert Louis Stevenson was a frequent guest and used to read passages of poetry to the young Princess under the banyan tree. He even composed a poem for her where he described her as his “island rose, light of heart and bright of face.”

Archibald Cleghorn had an avid interest in horticulture. He imported plants and flowers from all over the world and planted them at ʻĀinahau.

Reportedly, the first banyan tree in Hawaii was planted on the grounds of ʻĀinahau. As many as fifty peacocks, favorites of the young Princess, were allowed to roam freely on the grounds.

While attending a wedding at Parker Ranch at Waimea on the Big Island, Kaʻiulani got caught in a cold Waimea rain while riding on horseback, she became ill; she and her family returned to O‘ahu.

After a two-month illness, Kaʻiulani died at ʻĀinahau on March 6, 1899, at age 23. It is said that the night she died, her peacocks screamed so loud that people could hear them miles away and knew that she had died.

In the late-1920s, the dredging of the Ala Wai Canal dried up the streams and ponds on the ʻĀinahau estate. The home was torn down in 1955 to make room for the Princess Kaʻiulani Hotel and other real estate properties.

Today the Princess Kaʻiulani Hotel sits at the former driveway entrance to the ʻĀinahau Estate, across the street from Waikiki’s historic Moana Hotel, which opened in 1901.

In 1999, a statue of Princess Kaʻiulani was erected in a small triangle park (at the corner of Kūhiō Avenue and Kaʻiulani Avenue,) which also includes a bus stop, halau mound for performances, landscaping and walkway.

The image shows Princess Kaʻiulani with friends at ʻĀinahau; in addition, I have included other images of the property in a folder of like name in the Photos section on my Facebook page.

Join the Hawaiian Mission Houses Historic Site and Archives tomorrow, May 30, at 5:30 pm to celebrate the launching of “Engraved at Lahainaluna”!

Lahainaluna Seminary (now Lahainaluna High School) was founded on September 5th 1831 by the American Board of Commissioners of Foreign Missions “to instruct young men of piety and promising talents”.

In December, 1833, a printing press was delivered to Lahainaluna from Honolulu. It was housed in a temporary office building and in January, 1834, the first book printed off the press was Worcester’s Scripture Geography.

Besides the publication of newspapers, pamphlets and books, another important facet of activity off the press was engraving.

A checklist made in 1927 records thirty-three maps and fifty-seven sketches of houses and landscapes, only one of which is of a non-Hawaiian subject.

That brings us to a newly printed book “Engraved at Lahainaluna,” offered through the Hawaiian Mission Houses Historic Site and Archives.

It’s here and being processed for sales – if you like things of Hawai‘i, this is something you will want to add to your collection.

Hawaiian Mission Houses Historic Site and Archives invites the public to celebrate the launching of Engraved at Lahainaluna, on Wednesday, May 30, at 5:30 p.m. at Hawaiian Mission Houses.

For more information on the book launch, or to purchase Engraved at Lahainaluna, please call 447-3923 or visit www.missionhouses.org.

Construction of Aloha Tower began in 1924. It was completed in a year and a half and became the landmark of Honolulu.

At 10 stories and 184 feet of height topped with 40 feet of flag mast, for four decades the Aloha Tower was the tallest structure in Hawaii. It was built in the Hawaiian Gothic architectural style.

The 4 clocks, each face 12 feet in diameter (by far the biggest clock in the Territory of Hawai‘i and one of the largest in the United States at the time) and facing different directions, were made of bronze and weighed 7 tons each.

If a ship or person was too far away to read the clock, two other means of time synchronization were provided. A time ball was lowered to the bottom of the forty-foot mast atop the tower each day at noon, and the blast of a siren was sounded at 7 am, noon and 4 pm.

Aloha Tower was built as a control tower for the Honolulu harbormaster and a lighthouse as part of a modern freight and passenger terminal at piers 8, 9 and 10.

In addition, it provided offices for the harbor master, pilots and customs officials. The eleventh floor of the tower served as a lookout for the harbor pilots, with balconies on all four sides.

In the day (pre-1959 trans-Pacific jetliner service,) the method of travel to Hawai‘i was by ship. Aloha Tower welcomed cruise passengers/visitors to the islands.

When the attack on Pearl Harbor came on December 7, 1941, Coast Guardsmen took up defensive positions around Aloha Tower and protected it from being occupied.

The Aloha Tower received little damage during the bombing of Pearl Harbor, but shortly thereafter, it was camouflaged with brown and green paint, and its light was extinguished for the remainder of the war.

Pre- and during WW II, the tower had been secretly a control facility for military convoy shipping for the Pacific Theater of Operations. The military took control of the facility and painted it camouflage to minimize detection.

In 1947, the green camouflage paint was sandblasted from the tower and the brilliant white paint replaced.

By the late 1960s, tall buildings were crowding the tower, and the Coast Guard decided to discontinue the beacon atop the Aloha Tower and install one on a 220-foot television tower.

This navigational aid served until 1975, when the present Honolulu Harbor Light was established on a metal pole at the end of Pier 2.

Owned by the State of Hawai’i, the Aloha Tower was renovated in 1994, at no cost to taxpayers, by the developer of the adjacent Aloha Tower Marketplace.

It was designed by Arthur Reynolds in Art Deco style. It is listed on the State and National Registers because of its association with the development of Hawaii as a tourist destination for travelers from the mainland and for its role as a harbor-control tower during WWII. It is as an example of 1920s Art Deco architecture in Honolulu.

The image is a 1935 postcard of Honolulu Harbor, Downtown Honolulu and Aloha Tower.

Images of Old Hawaiʻi

People, places, and events in Hawaiʻi’s past come alive through text and media in “Images of Old Hawaiʻi.” These posts are informal historic summaries presented for personal, non-commercial, and educational purposes.

Hoʻokuleana LLC

Hoʻokuleana LLC is a Planning and Consulting firm assisting property owners with Land Use Planning efforts, including Environmental Review, Entitlement Process, Permitting, Community Outreach, etc. We are uniquely positioned to assist you in a variety of needs.