The printer gets a second glance in the new retrospective at the LeRoy Neiman Gallery. “Chronographic 1998-2013,” which opened Wednesday, features a rich dialogue on 15 years of fine art prints, showcasing various artists who have worked at the LeRoy Neiman Center for Print Studies.

I came to Spectator’s open house on a whim during my sophomore year. I didn’t really care about the paper itself, but just tagged along with my roommate of now four years. I’d had enough of writing from class, so I decided to join the photo department as a novice photographer.

When I crossed the threshold of 2875 Broadway for the first time, I had my entire life planned out. I was going to be a reporter, damnit—a feisty cross between Nellie Bly and Christiane Amanpour, specifically—exposing social injustice and political scandal at every turn.