This lithographic print is a literary essay by Nūr al-Dīn ‘Abd al-Rahmān Jāmī (1414–92), a great Persian poet, scholar, and mystic, who lived most of his life in Herat (present-day Afghanistan). The work is exceptional for being written in prose at a time when most fine Persian writing was in poetic form. Extensive commentary and critical notes are printed in the margins. There are also some handwritten notes in the margins, but most of these were lost when the work was rebound. Lithographic printing was invented in Europe in ...

This Persian manuscript dated 1025 AH (1616) contains two works on prosody by Nūr al-Dīn ‘Abd al-Rahmān Jāmī (1414–92), as well as an incomplete, anonymous work on astronomy. Jāmī was a great poet, scholar, and mystic who lived most of his life in Herat, present-day Afghanistan. The 69 leaves of the manuscript are on a variety of papers: thin, pink-colored laid paper (folios 1a−31b); cream-colored laid paper (folios 32a−35b); pink-colored laid paper (folios 36a−37b); cream-color laid paper (folios 38a−40b); light-green-colored laid paper (folios 41a−45b ...

Diwan-e Silsilat al-Zahab (literally, The collection book of the chain of gold) is a work of Persian literature in verse. It forms volume one of a seven-volume literary collection of Mowlana Noor al-Din Abd al-Rahman Jami (1414−92), the famous Persian scholar, poet, and Sufi. The entire collection is known as Haft awrang (The seven thrones) and was one of Jami’s first major works. Volume one is the longest volume, composed sometime between 1468 and 1486. This manuscript copy seems incomplete, as the final narrative of verses on scholars ...

This calligraphic fragment includes verses composed by the Persian poet Jami (died 1492 [897 AH]), whose full name, Mawlana 'Abd al-Rahman Jami, is noted in the topmost panel. In larger script appears a ghazal (lyric poem) in which a lover sighs about the lack of news from his beloved. The central text frames are bordered on the right and left by illuminated panels and contain a ruba'i (iambic pentameter quatrain) written in smaller script. The quatrain encourages true and eternal love of God rather than passing infatuations: "Every beautiful ...

This work dating from the 16th century is an illuminated and illustrated copy of the first collection of poetry (called Dīvān-i avval or Fātihat al-shabāb) by Nūr al-Dīn ‘Abd al-Rahmān Jāmī (1414–92), a great Persian poet, scholar, and mystic, who lived most of his life in Herat, in present-day Afghanistan. According to the colophon (folio 306a), the manuscript was copied by the illustrious Safavid calligrapher Shāh Mahmūd Nīshāpūrī, who died in the mid-1560s. The codex opens with a double-page illustrated frontispiece followed by a double-page illuminated incipit. There are ...

This is an illuminated and illustrated manuscript of a small collection of short love poems of the type called tarjī`band by Nūr al-Dīn ‘Abd al-Raḥmān Jāmī (d. 898 AH / 1492 CE). It was copied in black nasta‘līq script by the calligrapher Muḥammad Zamān al-Tabrīzī in 998 AH / 1589-90 CE in Safavid Iran. The text is written on orange-tinted paper, and the bluish-green borders are illuminated throughout. The manuscript opens with an incipit page with illuminated headpiece (fol. 1b), and there are two illustrations (fols. 3a and 6a). The ...