How ropes are made in Villa Progreso, Querétaro

Sadly, I haven’t had the chance to return to Villa Progreso since then, but things appear to have changed considerably. Newspaper accounts such as “Artesanos dan nuevo aire al ixtle” (“Artisans give new life to Ixtle”), which appeared in the national daily El Universal in 2008, suggest that the residents of Villa Progreso are now emerging from some very hard times.

This account of the rope-making industry in the small village of Villa Progreso in the state of Querétaro, is based on information collected during numerous student interviews conducted in the village in the 1980s.

How have things changed since the 1980s?

The price of natural fiber ropes could not compete with cheaper plastic alternatives and the rope-making industry went into near-terminal decline. Many of the able-bodied young men left to look for work north of the border. A small number (mainly the older inhabitants) remained home and continued to make ropes by hand for the limited market that remained for their products.

Now, though, a new industry has arisen based on the henequen fibers (usually known simply as ixtle). Enterprising villagers have turned their hands to fashioning nativity scenes and decorative items out of ixtle. Isaías Mendoza Guzmán is described in the article as making pieces that are more than two meters tall and take three months to complete, clearly indicating a high level of sophistication in the final product.

Villa Progreso now holds an Ixtle and Nopal Fair (Feria del Ixtle y el Nopal) towards the end of April each year in the La Canoa “ecotourism park”.

Villa Progreso is by no means the only place in Mexico where rope-making is an important activity. Similar rope-making methods are used elsewhere in Mexico. For example, John Pint describes in “Mexican artisans of Lake Cajititlán” how rodeo-quality lariats are made in the village of San Miguel Cuyutlán, near Guadalajara. Demand for these high-end products apparently remains strong.