Time Period

Story

A gem cut we do not often see is that of the buff top. It typically has a smoothly domed or cabbed crown and a faceted pavilion. The top can be slightly convex and the back faceted. This style of cut is used to bring out the color in a colored stone such as the aquamarine featured in this circa 1930 ring. With a smooth and curved top, the natural aquamarine of an estimated 2.2 carts is well suited to the 14k white gold setting. Set east and west, the pastel hue displays an underlying glow against the iciness of the white gold mount. Pierced open work and foliate designs on the setting lets in additional light to enable the gemstone to truly “light up” on the hand.

SHIPPING

TESTING

Gemologist on staff

Full gemological laboratory on site

All gemstones and diamonds are thoroughly tested

All precious metals are tested

THE FINE PRINT

Due to the nature of antique & vintage jewelry, many diamond and gemstone weights are calculated by measurements, not removed. Actual weights are noted in the item's description. Grading of diamonds and gemstones may vary slightly when removed.

HONESTY

Being as honest as possible about the items we represent for sale is our ultimate goal! Our pricing is industry recognized as fair and equitable with value as the byword.

Measurements: 3/8 of an inch (1.0 cm) in length north to south on the hand and rises 1/4 of an inch (0.8 cm) in height off the finger. Weight of 1.9 grams (1.2 dwt).

Note: Gemstone was not removed to preserve the integrity of the setting. Weight is approximated by measurement and formula and may vary from actual weight. All metals are acid tested.

Story

A gem cut we do not often see is that of the buff top. It typically has a smoothly domed or cabbed crown and a faceted pavilion. The top can be slightly convex and the back faceted. This style of cut is used to bring out the color in a colored stone such as the aquamarine featured in this circa 1930 ring. With a smooth and curved top, the natural aquamarine of an estimated 2.2 carts is well suited to the 14k white gold setting. Set east and west, the pastel hue displays an underlying glow against the iciness of the white gold mount. Pierced open work and foliate designs on the setting lets in additional light to enable the gemstone to truly “light up” on the hand.