From the Boing Boing Shop

Follow Us

HGTV and glossy magazines have sparked a boomlet of interest in tiny homes, but they've also made them look fun, cute and easy. The realities of a tiny lifestyle can be more daunting. Municipalities often don't know what to make of tiny houses, and living in one legally is, in many places, challenging. There's a lack of infrastructure for people who want to build them. And although they're in many ways an imaginative solution to some of the most vexing urban housing issues, they don't yet have a high profile in cities. Is there a place for tiny homes in Los Angeles? One woman thinks so, and has founded a collective of like-minded people to make it happen.

This is the fourth episode of Season 5. You can catch up on the whole series at the iTunes Store. While you're there, please take a second to leave the show a rating and review. And you can subscribe right here:

"The best historians in L.A. are storytellers. They're gangsters in east L.A., they're ex-cons, they're guys who worked in their garage their whole life, they're guys who've worked at one business for forty years, people who've lived on one street for forty years... "

“All Night Menu” started with a question: What is a well-known photograph of William Faulkner not telling us about his time in Hollywood? Since then writer Sam Sweet has spent four years prowling LA for its most closely-held stories. The result is a lovingly-produced, meticulously-researched and gorgeously-written three volumes of the city’s secret history.

This is the third episode of Season 5. You can catch up on the whole series at the iTunes Store. While you're there, please take a second to leave the show a rating and review. And you can subscribe right here:

The original Forest Lawn Memorial Park, in the hills above Glendale, may be best known outside California for inspiring the sledgehammer satire of the 1965 cult comedy "The Loved One." For tourists and curiosity-seekers, it's the gonzo life's work of Hubert Eaton, who memorialized himself as The Builder in the park's every corner. For the families of the people interred there, though, it's something more, and harder to joke away: A place of their own, green and quiet, and eternity-adjacent.

This is the second episode of Season 5. You can catch up on the whole series at the iTunes Store. While you're there, please take a second to leave the show a rating and review. And you can subscribe right here:

How will we live in 20 years? Or 50? Or 100? A one-of-a-kind, only-in-LA plot at the very end of Mulholland Highway inspired some of the world's best designers to think hard about the home of the future, in Los Angeles and beyond.

This is the first episode of Season 5. You can catch up on the whole series at the iTunes Store... and while you're there, if you get a minute to leave the show a rating and review that'd be much appreciated. It's a small thing that makes a big difference in spreading the word.

Here's a brief audio update on the immediate future of HOME: Stories From L.A. The TL;DR version is, I'm slowing down the production schedule to make the project more sustainable over the long term. Give a listen for a little more background on the hows and whys of it all. The show returns this spring for Season 5, and in the meantime, the archive is a great way to load up your podcatcher. (Oh, also: I'm looking for a social media/publicity ninja; if that's you, drop me a line.)

Who were we? How did we live, and what did it look like? The vast archive of castoff slides captures, in vivid colors, images of the American family at midcentury. But the stories that go with the pictures are most often lost, and we’re left to create our own, and reflect on millions of conscious decisions to untie the knot of memory.

Color slides were once the state of the art in family photography -- vibrant, immersive, ubiquitous. So ubiquitous, in fact, that millions, maybe billions of them survive. A conversation with midcentury pop culture expert Charles Phoenix: What can we learn from the vast shadow world of abandoned slides about the way we used to live in our homes?

Some stories don't end when you think they do. Some stories just pause. And then they sneak back around and whap you across the back of your unsuspecting head. So here's one I didn't expect to revisit, although maybe I should have: Part 2 of Episode 7, "Unmaking A Home."

What happens to a utopia that never got off the ground? Bits and pieces of one, an experiment in postwar living for the masses, are hiding in plain sight in the hills above Sunset Boulevard. Architect and author Cory Buckner talks about Crestwood Hills, a Modernist vision for a cooperative future that never quite arrived.

A note from the producer: If you'd like to help HOME get off to a good seasonal start, drop by the iTunes Store and subscribe. And if you have a minute to leave a rating and/or review, that helps stir the algorithmic stew that gets shows noticed. Thanks for listening.

HOME looks at home in the broadest sense -- as a place, a feeling, an aspiration, a dream. Do you have a story about home that takes place in Southern California? If so, I'd love to hear from you. Drop me a note. Tell me a story. And maybe you can have a hand in helping me figure out: What do we mean when we talk about home? Read the rest

What happens when you bring a kid from the other side of the world into your home forever? How does it change what home means to her? And to you? This week it's the story of one mom, the daughter she chose, and the way they keep Ethiopia alive in the home that's now theirs.

A roving. shifting company of dance and performance artists is nudging its audiences to think about home differently -- by bringing one-off, site-specific performances to houses, live-work spaces and tiny apartments all over the Los Angeles area. Meet homeLA.

When TV producer Phil Savenick started collecting vintage TVs and TV memorabilia, he didn’t anticipate that he’d end up with what he now calls a “dreamland of televisions” in the living room of his West Los Angeles home — or that he’d end up helping the family of the man who invented TV heal some old wounds.

This week on HOME: Stories From L.A.: The process by which one place stops being home and another starts -- it's a mysterious thing. It happens, most often, when we're not paying attention. And sometimes, as it did for comedy writer and transplanted East Coaster Janis Hirsch, it happens in stages. First she started to feel at home in Los Angeles; but it was only later, after a series of addresses and a run-in or two with Bette Davis, that she landed in the exact place that would be, finally, her home.

NEW: The HOME mailing list is live. Sign up now for instant-ish notifications of new episodes, behind-the-scenes information about the show and bonus content. It's free and ad-free, and we promise we'll never ever ever sell your address or otherwise use your information to annoy you. Read the rest

How do you encourage a dead woman to leave your house? It helps if you have a hammer, balloons and confetti.

This week on HOME: Stories From L.A., the story of actress/writer/artist Rose Portillo, and of the Los Angeles house she was born into. It was the scene of her family's ascent, assimilation and culture clash, and of the long process, spanning life and death, of Rose coming to terms with the contentious spirit of her grandmother.

Not a hotel, not a dorm, not quite a hostel, open by design and communitarian in spirit — Los Angeles-based PodShare is something else. And, potentially, something bigger: An affordable way to foster community in a city that’s increasingly stratified by class. This week, to start Season 3 of HOME: Stories From L.A., it’s the story of one young entrepreneur and her unstoppable enthusiasm for her big idea.

It looks like a Hopper painting plunked incongruously down on a busy commercial street in West Los Angeles — The Apple Pan, home to freshly-baked pies and what hamburger aficionado George Motz says may be the best burger in America. But the affection Angelenos have for The Apple Pan only starts with the food. It’s an oasis, a rock, a spot out of time, essentially unchanged since the day it opened in 1947. It may not be the kind of place where everybody knows your name, but if you’ve been going there for a long time, as it seems like most of its customers have, it is the kind of place where the countermen most likely know your order. Warmth, familiarity, stability in a rapidly-changing landscape… aren’t these some of the things that make a place a home?

With this episode HOME wraps up its second season. We'll be back in June with an all-new season; subscribe now and you won't miss a thing.