AuthorTopic: The Rolling Stones (Read 40775 times)

I'm not sure I know what you mean about their music being more relevant at that time. As in how?

Late sixties had Kent State, Paris riots, anti-Vietnam protests - the summer of love was getting a bit darker, and as BM said the Stones seemed to have tuned into the mood more - they caught the feeling of the time. They had an aura of danger, risk and a hint of violence that was in the air at the time.I think they were "a bit more hip."

I get what you mean. The Stone's music is not as original though. They're blues/rock or whatever is such a traditional form of music. They borrowed so much and it's apparent always. I think the Beatles were on a different level. I think their music was probably ahead of its time in some way. Some of it anyway. Even the late stuff. Songs like Get Back, Come Together, Something, Don't Let Me Down, I Want You (She's So Heavy), Because, Let It Be, etc. don't sound dated to me at all even in 2007.

Personally I'm not sure if I'd call Let It Be, Don't Let Me Down, Get Back or Something as cutting edge. The Beatles had big debts as well.Agree the Stones had very deep roots - but they did it so damn well.And The Stones in 68/69 onwards took blues rock, threw in some pop, added a dash of darkness and produced a great original sound.

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BlueMeanie

I get what you mean. The Stone's music is not as original though. They're blues/rock or whatever is such a traditional form of music. They borrowed so much and it's apparent always. I think the Beatles were on a different level. I think their music was probably ahead of its time in some way. Some of it anyway. Even the late stuff. Songs like Get Back, Come Together, Something, Don't Let Me Down, I Want You (She's So Heavy), Because, Let It Be, etc. don't sound dated to me at all even in 2007.

They don't actually sound dated to me now either. But set against what other musicians were doing at the time, they may have back then.

I think Abbey Road as an album was a look at the future - at least until 76 when punk blew prog rock and AOR out the window.I think the Stones sound of the time is probably more enduring. To me modern rock albums sound more like Exile On Main street than Abbey Road.(I might need to think about that a bit more, but it's my immediarte feeling)

Personally I'm not sure if I'd call Let It Be, Don't Let Me Down, Get Back or Something as cutting edge. The Beatles had big debts as well.Agree the Stones had very deep roots - but they did it so damn well.And The Stones in 68/69 onwards took blues rock, threw in some pop, added a dash of darkness and produced a great original sound.

I meant those songs don't sound dated to me. I don't find them to be cutting edge. They had other stuff and did other things which we all know about that was innovative and all. They did have their influences too, but they took it and did something completely original. Beatles songs don't really sound like anybody else where I think the Stone's fit more in a box. I mean, I love the Rolling Stones and they are the best at what they do. They write amazing hooks and riffs or whatever. Again, I think they are probably the second greatest band of all time. Music wise. They weren't great innovators or anything, but not every band has to be to be great.

I think Abbey Road as an album was a look at the future - at least until 76 when punk blew prog rock and AOR out the window.I think the Stones sound of the time is probably more enduring. To me modern rock albums sound more like Exile On Main street than Abbey Road.(I might need to think about that a bit more, but it's my immediarte feeling)

Yeah, for a while they were out, but nowadays bands steal from them constantly. Or borrow or are inspired by and so on. I read one article where a musician played Tomorrow Never Knows for his friends who didn't know much about the Beatles and they thought it was a new band because it sounded so original and like something bands are trying to do now. So that was pretty ahead of it's time that song. Among others. Happiness is a Warm Gun I'd say is still pretty original.

I think Jimmy Miller deserves alot of credit for the classic Stones sound. He knew how to mike drums and he and Keith got a great guitar sound (Keith played a Gibson ES 335, Les Paul custom, and sometimes a Telecaster to get those fat choppy chords--in the open tuning he'd learned from Ry Cooder).

Every rock-and-roll band since then has been trying to reproduce that sound--that's why it sounds so "current." Les Paul's sold alot of guitars.

By comparison the Beatles never became locked in a sound the way the Stones did--Mick Taylor tried to broaden their musical horizons but got sick of getting stiffed on writer credits so they hired Keith imitator Ron Wood to play riffy simpler stuff.

I think the Beatles sound lives on in a lot of bands from Oasis to Smashing Pumpkins that experimented with sounds rather than having one defining "sound." The idea of each record sounding "different" is a legacy of the Beatles--that many serious artists are still copying.

I think the two-guitars rock band the Stones created is deader than dead--at least in terms of creativity, there's no end to the supply of imitators.

Okay. One last YouTube video. Mairi you have to look at this one and tell me what you think. I'm dying to know your opinion. It's from their 1978 Saturday Night Live performance. I've seen that episode, but amazingly enough I don't remember this moment. You'd think that this image would have been burned into my brain or something, but no. The Shattered performance where he rips up his shirt left a greater impact. Strange what sticks in your head and what doesn't.

1978??? I can't believe they got away with that. Amazing... thanks for posting that, I'll be replaying it several times over gain, I'm sure...

One of my students is going to the Paul Green School of Rock Music and he's in a Rolling Stone's cover band. It's so funny. His band is playing the Roxy next weekend! It's so cute. He's Mick Jagger. I'm excited. I love the school's motto: Saving Rock and Roll One Kid at a Time! If I had a kid I'd so send him or her to this school!

1978??? I can't believe they got away with that. Amazing... thanks for posting that, I'll be replaying it several times over gain, I'm sure...

Mick's all about the tongue. I had to block out Ron Wood's face though. There's absolutely nothing appealing about that man. I didn't understand Mick's motivation. It's just so random. I think people got away with way more in the seventies because political correctness had yet to disease people's minds and hedonism was the call of the day.

And like anybody should even give Madonna and Britney two seconds of their time. They're so not worth the effort. They could full on make out and I couldn't care less. Like this thing with Paris. Anyone who watched her on Larry King the other night should just be taken out back to have some sense beaten into them. He bumped f***ing Michael Moore for her!! Moore had to wait a day to talk about an actual issue that plagues this f***ing country so we could get an update on f***ing Paris Hilton's bullsh*t enlightenment. f***ing media whores. Excuse the language. I'm in a bad mood.

Anyway, back to the Stones. Here's John talking about them. Mainly Mick and what a joke he thought he was. This was during John's bitter phase. Obviously:

John gives a brilliant quote about Mick also. I forget which interview it's in, but one of those on YouTube. John's in his mid-thirties.

Anyway, John is asked how long he'll keep doing this rock 'n' roll thing, and he gives what is (to me, as an old lady ) a funny answer, about how he doesn't expect to be out there singing when he's old and asthmatic and fifty!! And then he's asked about Mick, and John says with perfect composure and sincerity, "Oh, he'll be out there jumping around and doing the exact same thing when he's 60" and my jaw just dropped. You called it, Johnny baby! Brilliant comment, that.

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All you've got to do is choose love. That's how I live it now. I learned a long time ago, I can feed the birds in my garden. I can't feed them all. -- Ringo Starr, Rolling Stone magazine, May 2007<br />