The Drifters are a long-lasting American doo-wop and R&B/soul vocal group. They were originally formed to serve as a backing group for Clyde McPhatter (of Billy Ward and his Dominoes) in 1953.

According to Rolling Stone magazine, the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters name. There have been 60 vocalists in the history of the Treadwell Drifters line, including several splinter groups by former Drifters members (not under Treadwell's management). These groups are usually identified with a possessive credit such as "Bill Pinkney's Original Drifters", "Charlie Thomas' Drifters", etc.

There were three Golden eras of the Drifters; the early 1950s, the 1960s, and the early 1970s (post-Atlantic period). From these, the first Drifters, formed by Clyde McPhatter, was inducted into the Vocal Group Hall of Fame as "The Drifters". The second Drifters, featuring Ben E. King, was separately inducted into the Vocal Group Hall of Fame as "Ben E. King and the Drifters". In their induction, the Rock and Roll Hall of Fame selected four members from the first Drifters, two from the second Drifters, and one from the post-Atlantic Drifters.

According to the Vocal Group Hall of Fame: "Through turmoil and changes, the (original) Drifters managed to set musical trends and give the public 13 chart hits, most of which are legendary recordings today." Matching that feat, subsequent formations of the Drifters recorded 13 Billboard Hot 100 top 30 chart hits. A 1970s revival in Britain, with both old and new material, was not matched in the United States, although it saw their biggest successes on the UK pop charts, peaking with the #2 hit "Kissin' in the Back Row of the Movies".

"Up on the Roof" is a song written by Gerry Goffin and Carole King and recorded in 1962 by The Drifters: released late that year, the disc became a major hit in early 1963, reaching number 5 on the U.S. pop singles chart and number 4 on the U.S. R&B singles chart. In the UK it was a top ten success for singer Kenny Lynch, whose version was also released in 1962.

Saturday Night at the Movies is a song written by Barry Mann and Cynthia Weil, and recorded by The Drifters from the United States with Johnny Moore as vocalist, released as a 1964 single, peaking at #18th position at the Billboard Hot 100.

The song first charted in the UK as a double A-side with "At The Club" in April 1965, peaking at #35 at the UK Singles Chart. A March 1972 re-issue of the same double A-side peaked at #3 in the UK.

"On Broadway" is a song written by Barry Mann and Cynthia Weil in collaboration with the team of Jerry Leiber and Mike Stoller.

Weil and Mann were based at Aldon Music, located at 1650 Broadway, New York City, and the song as written by Mann/Weil was originally recorded by the Cookies (although the Crystals' version beat them to release) and featured an upbeat lyric in which the protagonist is still on her way to Broadway and sings "I got to get there soon, or I'll just die". The song was played as a shuffle.

When Leiber/Stoller let it be known that the Drifters had booked studio time for the following day and were a song short, Mann/Weil forwarded "On Broadway". Leiber and Stoller liked the song but felt that it was not quite right and the four held an overnight brainstorming session which culminated in the better-known version of the song, now with a rock oriented groove and with a more bluesy feel which matched the new lyric in which the singer was now actually on Broadway and having a hard time. A young Phil Spector played the distinctive lead guitar solo on The Drifters' recording.[1] The personnel for the Drifters recording were Joe Newman, Ernie Royal - trumpets; Billy Butler, Bill Suyker, Everette Barksdale - guitars; Russ Savakus - bass; Gary Chester - drums; and Phil Kraus, Nick Rodriguez, Martin Grupp - percussion. The instrumental arrangement was written by noted arranger Gary Sherman.

"Save the Last Dance for Me" is the title of a popular song written by Doc Pomus and Mort Shuman, first recorded in 1960 by The Drifters, with Ben E. King on lead vocals.

In a 1990 interview, songwriter Doc Pomus tells the story of the song being recorded by the Drifters and originally designated as the B-side of the record. He credits Dick Clark with turning the record over and realizing "Save The Last Dance" was the stronger song. The Drifters' version of the song, released a few months after Ben E. King left the group, would go on to spend three non-consecutive weeks at #1 on the U.S. pop chart, in addition to logging one week atop the U.S. R&B chart.

In the UK The Drifters' recording reached #2 in December 1960. This single was produced by Jerry Leiber and Mike Stoller, two noted American music producers who at the time had an apprentice relationship with a then-unknown Phil Spector. Although he was working with Leiber and Stoller at the time, it is unknown whether Spector assisted with the production of this record; however, many Spector fans have noticed similarities between this record and other music he would eventually produce on his own. Damita Jo had a hit with one of the answer songs of this era called "I'll Save The Last Dance For You". On September 9, 1965, the group performed the song live at the Cinnamon Cinder with Charlie Thomas lip-syncing the lyrics of Ben E. King vocals, along with fellow Drifters Johnny Moore and Eugene Pearson on backing vocals.

In the song, the narrator tells his lover she is free to mingle and socialize throughout the evening, but to make sure to save him the dance at the end of the night. During an interview on Elvis Costello's show Spectacle, Lou Reed, who worked with Pomus, said the song was written on the day of Pomus' wedding while the wheelchair-bound groom watched his bride dancing with their guests. Pomus had polio and at times used crutches to get around. His wife, Willi Burke, however, was a Broadway actress and dancer. The song gives his perspective of telling his wife to have fun dancing, but reminds her who will be taking her home and "in whose arms you're gonna be."