Fascinating Things : Issue 65

It’s usually quite quiet in June, not this year, with a raft of new things worthy of your aural consideration.

To kick off a few things from the north of England which caught my ear:

Self described as “blues-laden menacing psych” the sample below leaps out at you as an unctuous mix of Arthur Brown and Tex-Mex imbibing something mind expanding in an opium den in a Bill Burroughs tract . Moody, brooding, and sensuous the band comprises Stewart Kinloch – Vocals, Mark Stainton – Guitar, Dave Royston – Guitar, and, Mike Smith- Drums, They are from Leeds and are called Mesmer Disciples and we will no doubt be hearing a lot more from them.

tAngerinecAt are Eugene Purpurovsky and Paul Chilton. Their music is unique and compelling. Paul provides a selection of electronica and rhythms with occasional penny whistle and Eugene creates a fascinating sound with the traditional instrument the hurdy-gurdy. They have been blazing a unique trail across the music venues of the north and beyond with their fascinating sound and overtly political/polemical music. Someone needs to snap them up quick and get them out to a wider audience. They are based in Manchester.

Also from Leeds The Masses sound like something from the mid 80s – the tracks below is a sort of amalgamation of Dinosaur Jr, The Smiths and The Wedding Present. They describe themselves as “jangly indie pop” but I think they are a little more than that They are Nik Klimanski – Guitar, Vocals, Jack Hunt – Bass, Backing Vocals, and Roan Jenner – Drums

Completing the Leeds trio of bands are Deathtripper who manage to tick any number of my Aural Pleasure boxes with ease. There’s some post-punk, some Krautrock and some other bits which make me smile. I can’t find much more about them sadly as their Facebook age is bereft of info.

Scatter Factory, is the solo project of Will Foster. After many years of working with (as either a recording or touring artist) numerous notable artists, including The Fratellis, Martina Topley-Bird, Heather Nova, and Suede’s Brett Anderson and Bernard Butler he releases his debut album on July 22nd. Here is the single from the album which marries classic electronica with more modern proponents.

Off World, who are Sandro Perri, Drew Brown, Susumu Mukai, and Jesse Zubot release their debut album on Constellation in the Autumn. On the basis of the teaser track below I am looking forward to it. Go here for more detail.

New album “A Boat Upon Its Blood” is from Montréal-based improviser, composer and reedist Jason Sharp; a fixture of Montreal’s avant-garde and improv music communities, and an alumnus of Sam Shalabi’s Land of Kush orchestra and Matana Roberts’ Coin Coin Chapter One ensemble. With this debut recording issued under his own name, Sharp presents contemporary electro-acoustic music that reveals the shape and scope of his vision as a composer and bandleader in his own right. More info here.

In Black Crack Mark Tilton (guitarist, singer and founder member of The Membranes) fronts his five-piece band which is a vibrant mix of garage rock, post punk and half spoken half sung intensity. It’s a take no prisoners blast of sound with its in your face attack. Good stuff!

Dark wave goth in abundance comes with the new video and final single from Bradford (UK) based They Called Him Zone‘s ‘Miami‘ EP. Spooky psychdelic and somewhat trippy.

The excellenr Dutch insrumentalists Radar Men From The Moon recently released “Subversive II: Splendor of the Wicked”, a heady mix of space and stoner rock with an almost industrial edge to it and is well worth a listen – it’s a pay what you want offer so I suggest you dive into the psychedelic wonderment as soon as possible,

Latvian band Tesa tour with Neurosis in the Autumn and their previous Bandcamp release “Ghost” is now coming out on My Proud Mountain. Heavy wall of sound instrumental rock which should blow your socks off.

And last but not least that troubadour of the obscure Moff Skellington is back with a new album – his 30th – called “Sherbert is the Culture of the Void”. It seems somewhat odd that Moff Skellington is not a national institution by now. As an artist who combines the unique other-worldliness of Ivor Cutler, the singular English whimsy of Viv Stanshall, and word mangling obtuseness of Lewis Carroll, together with a musical pot-pourri combining elements of Tom Waits, Pere Ubu, The Residents, The Fall, and the folk band from your local pub, after several doses of mind-expanding substances, he certainly challenges conventions. I would have thought that this convention defying approach to music would have caught the ear of those in search of something new. However he has not broken the glass ceiling of fame as yet.

Maybe this time?

“Sherbert Is The Culture Of The Void” comprises 14 tracks and lasts just over 41 minutes. More experimental than his recent work this album explores familiar and unfamiliar themes in Moff’s world of Eddodi. Busy, alien sounding, instrumentals coupled with songs with fascinating titles, spoken word in broad Abstercot, and mind curving subject matter ranging from obesity, via Orthopaedic Chairs, to the sobriety of witches this is Moff at his most challenging.

Moff is currently working a new joint venture with Iron Mouse & Loop-Aznavour entitled The Mouse Engine which will be released later in the year. He also a couple of new albums in the pipeline.