Amazon.com Guide to Marie-Antoinette

Maxime de la Rocheterie on Marie-Antoinette

"She was not a guilty woman, neither was she a saint; she was an upright, charming woman, a little frivolous, somewhat impulsive, but always pure; she was a queen, at times ardent in her fancies for her favourites and thoughtless in her policy, but proud and full of energy; a thorough woman in her winsome ways and tenderness of heart, until she became a martyr."

John Wilson Croker on Marie-Antoinette

"We have followed the history of Marie Antoinette with the greatest diligence and scrupulosity. We have lived in those times. We have talked with some of her friends and some of her enemies; we have read, certainly not all, but hundreds of the libels written against her; and we have, in short, examined her life with– if we may be allowed to say so of ourselves– something of the accuracy of contemporaries, the diligence of inquirers, and the impartiality of historians, all combined; and we feel it our duty to declare, in as a solemn a manner as literature admits of, our well-matured opinion that every reproach against the morals of the queen was a gross calumny– that she was, as we have said, one of the purest of human beings."

Edmund Burke on Marie-Antoinette

"It is now sixteen or seventeen years since I saw the queen of France, then dauphiness, at Versailles; and surely there never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she had just begun to move in, glittering like a morning star full of life and splendor and joy. Oh, what a revolution....Little did I dream that I should have lived to see such disasters fall upon her, in a nation of gallant men, in a nation of men of honor and of cavaliers! I thought ten thousand swords must have leaped from their scabbards, to avenge even a look which threatened her with insult. But the age of chivalry is gone; that of sophisters, economists, and calculators has succeeded...."

~Edmund Burke, October 1790

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Apart from royal and aristocratic portraiture, the imagery in most Spanish painting and sculpture during the Counter Reformation is religious. It is therefore not 'art’ in the modern sense because it was made neither for visual delight or aesthetic contemplation but as an aid to devotion.

Stimulated by the 'Spiritual Exercises’ of St Ignatius Loyola, the faithful sought in prayer to form mental images of Christ, the Virgin and Saints. The painter or sculptor’s aim was to make the figure so realistic that it is as though the person to whom the prayer is addressed is standing there before our very eyes.

4 comments:

There is also a great exhibition of sacred art in Indianapolis--works from churches and museums in Spain. The exhibit closes before Lent next year so the works can be in place in their churches before the penitential season begins. The catalog and dvd for the London exhibit also look great! Wish I could be there now!

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