The project aims to recreate some of the earliest models of the stethoscope and do a variety of trials to find out what length and wood type would have been ‘optimal’ for the purpose of the stethoscope (listening to the heart and lungs).

Much of my work relies on synergies and dialogues within the sonic
landscape, that of impermanence, transience, and location and materiality as
a methodology and process. By doing so a dialog is created which allows the
materials to have their own voice. I work with field recordings to create acousmatic and electroacoutsic compositions. Projections, combined with mixed media / paintings, and artificial/ natural light are manipulated to create visual phenomenon analogous to my installation work.

Artist Dave Lynch & Neuroscientist Dr. Christophe de Bezenac will create a spinning vortex which audiences will be able to control in real-time using the power of their mind. Can we create a reflexive space where more the more relaxed you are the calmer the vortex?