Lantz produced theatrical cartoons longer than most of his contemporaries, and Woody Woodpecker remained a staple of Universal's release schedule until 1972, when Lantz finally closed down his studio. The character has been revived since then only for special productions and occasions, save for one new Saturday morning cartoontelevision series, The New Woody Woodpecker Show, for the Fox Network in the late 1990s/early 2000s.

Woody Woodpecker cartoons were first broadcast on television in 1957 under the title The Woody Woodpecker Show, which featured Lantz cartoons bookended by new footage of Woody and live-action footage of Lantz. Woody has a motion picture star on the Hollywood Walk of Fame on 7000 Hollywood Boulevard. He also made a cameo alongside many other famous cartoon characters in the 1988 film Who Framed Roger Rabbit.

According to Walter Lantz's press agent, the idea for Woody came during the producer's honeymoon with his wife, Gracie, in Lake Sherwood, California. A noisy acorn woodpecker[2] outside their cabin kept the couple awake at night, and when a heavy rain started, they learned that the bird had bored holes in their cabin's roof. As both Walter and Gracie told Dallas attorney Rod Phelps during a visit, Walter wanted to shoot the thing, but Gracie suggested that her husband make a cartoon about the bird, and thus Woody was born.[6] Woody shares many characteristics in common with the pileated woodpecker in terms of both physical appearance as well as his characteristic laugh, which resembles the call of the pileated woodpecker. These similarities are apparently the result of the artistic license of the creators, and have caused much confusion within the birding community amongst those who have attempted to classify Woody's species.[2]

Woody Woodpecker first appeared in the short Knock Knock on November 25, 1940. The cartoon ostensibly stars Andy Panda and his father, Papa Panda, but it is Woody who steals the show. The woodpecker constantly pesters the two pandas, apparently just for the fun of it. Andy, meanwhile, tries to sprinkle salt on Woody's tail in the belief that this will somehow capture the bird. To Woody's surprise, Andy's attempts prevail, and Woody is taken away to the funny farm — but not before his captors prove to be crazier than he is.

The Woody of Knock Knock was designed by animator Alex Lovy. Woody's original voice actor, Mel Blanc, would stop performing the character after the first two cartoons to work exclusively for Leon Schlesinger Productions (Later renamed Warner Bros. Cartoons), producer of Warner Bros.' Looney Tunes and Merrie Melodies. At Schlesinger's, Blanc had already established the voices of two other famous "screwball" characters who preceded Woody, Daffy Duck and Bugs Bunny. Ironically, Blanc's characterization of the Woody Woodpecker laugh had originally been applied to Happy Rabbit, a Bugs Bunny predecessor, in shorts such as the aforementioned Elmer's Candid Camera, and was later transferred to Woody. Blanc's regular speaking voice for Woody was much like the early Daffy Duck, minus the lisp. Once Warner Bros. signed Blanc up to an exclusive contract, Woody's voice-over work was taken over by Ben Hardaway, who would voice the woodpecker for the rest of the decade. During that time, Blanc's "Guess Who" and laugh are archive sound.

Audiences reacted well to Knock Knock, and Lantz realized he had finally hit upon a star to replace the waning Oswald the Lucky Rabbit. Woody would go on to star in a number of films. With his innate chutzpah and brash demeanor, the character was a natural hit during World War II. His image appeared on US aircraft as nose art, and on mess halls, and audiences on the homefront watched Woody cope with familiar problems such as food shortages. The 1943 Woody cartoon The Dizzy Acrobat was nominated for the 1944 Academy Award for Best Short Subject (Cartoons), which it lost to the MGM Tom and Jerry cartoon The Yankee Doodle Mouse. Woody Woodpecker's debut also marked a change in directing style for Walter Lantz studio, since the character was heavily inspired by Tex Avery-created Looney Tunes character Daffy Duck at Warner Bros, and thus Woody's cartoons tended to have a hint of Tex Avery's style and influence in terms of humor, and that's what gave Walter Lantz studio its fame. Curiously enough, Avery himself never directed a Woody Woodpecker short while at the Walter Lantz studio.

Animator Emery Hawkins and layout artist Art Heinemann streamlined Woody's appearance for the 1944 film The Barber of Seville, directed by Shamus Culhane. The bird became rounder, cuter, and less demented. He also sported a simplified color scheme and a brighter smile, making him much more like his counterparts at Warner Bros. and MGM. Nevertheless, Culhane continued to use Woody as an aggressive lunatic, not a domesticated straight man or defensive homebody, as many other studios' characters had become. The follow-up to The Barber of Seville, The Beach Nut, introduced Woody's original chief nemesis, Wally Walrus.

Woody's wild days were numbered, however. In 1946, Lantz hired Disney veteran Dick Lundy to direct Woody's cartoons. Lundy rejected Culhane's take on the series and made Woody more defensive; no longer did the bird go insane without a legitimate reason. Lundy also paid more attention to the animation, making Woody's new films more Disney-esque in their design, style, animation, and timing. Lundy's last film for Disney was the Donald Duck short Flying Jalopy. This cartoon is played much like a Woody Woodpecker short, down to the laugh in the end. It also features a bad guy named "Ben Buzzard" who bears a strong resemblance to Buzz Buzzard, a Lantz character introduced in Wet Blanket Policy (1948), who would eventually succeed Wally Walrus as Woody's primary antagonist.

In 1947, contract renewal negotiations between Lantz and Universal (now Universal-International) fell through, and Lantz began distributing his cartoons through United Artists.[7]:161 The UA-distributed Lantz cartoons featured higher-quality animation, the influence of Dick Lundy (the films' budgets remained the same).[7]:172–175 Former Disney animators such as Fred Moore and Ed Love began working at Lantz, and assisted Lundy in adding touches of the Disney style to Woody's cartoons. Despite the Disney style added for the later cartoons, Woody's cartoons still try to maintain a good dose of slapstick and madcap humor from the pre-Lundy cartoons.

In 1947, Woody got his own theme song when musicians George Tibbles and Ramey Idriss wrote "The Woody Woodpecker Song", making ample use of the character's famous laugh. Kay Kyser's 1948 recording of the song, with Harry Babbitt's laugh interrupting vocalist Gloria Wood, became one of the biggest hit singles of 1948.[citation needed] Other artists did covers, including Woody's original voice actor, Mel Blanc. Lantz first used "The Woody Woodpecker Song" in Wet Blanket Policy (1948), and it became the first and only song from an animated short subject to be nominated for the Academy Award for Best Song.[8] Lantz soon adopted the song as Woody's theme music, and due to the song's popularity, Woody Woodpecker fan clubs sprang up, theaters held "Woody" matinées, and boys got the "Woody Woodpecker" haircut.[citation needed]

"The Woody Woodpecker Song" and the Woody Woodpecker cartoons made extensive use of Woody's famous laugh, upsetting the man who created it, Mel Blanc. (He first used the laugh, in a different recording, for the seminal pre-Bugs Bunny character in Porky's Hare Hunt [1938].) Although Blanc had only recorded three shorts as the voice of Woody, his laugh had been recorded as a stock sound effect and used in every subsequent Woody Woodpecker short up until this point. Blanc sued Lantz and lost, but Lantz settled out of court when Blanc filed an appeal. While Lantz would stop using Blanc's Woody Woodpecker laugh as a stock effect in the early 1950s, Blanc's voice would be heard saying "Guess who?" at the beginning of every cartoon for the duration of the Woody Woodpecker series.

Financial problems at United Artists during the aftermath of the Paramount case affected Lantz. By the end of 1948, Lantz had shut down his studio;[7] he reopened it in 1950 with a downsized staff.

Beginning with the 1950 feature film Destination Moon, which featured a segment of Woody explaining rocket propulsion, Woody's voice was assumed by Lantz's wife, Grace Stafford. According to the Lantzes, Stafford slipped a recording of herself into a stack of audition tapes, and her husband chose her without knowing her identity.[7]:185–186 Lantz also began having Stafford supply Woody's laugh, possibly due to the court case with Mel Blanc. Stafford was not credited at her own request until Misguided Missile (1958), as she felt audiences might reject a woman performing Woody's voice. Stafford also did her best to tone down the character through her voice work, to appease Universal's complaints about Woody's raucousness.

Lantz signed again with Universal (now Universal-International) in 1950, and began production on two entries that director Dick Lundy and storymen Ben Hardaway and Heck Allen had begun before the 1948 layoff. These shorts have no director's credit, as Lantz claimed to have directed them himself. Puny Express (1951) was the first to be released, followed by Sleep Happy. These shorts marked a departure from past dialogue-driven shorts. Though Stafford now voiced Woody, her job was limited, as Woody (and other characters) rarely spoke in the first dozen or so shorts. It was because of these entries that Woody became popular outside the English-speaking world, thanks to the lack of a language barrier. (The Pink Panther shorts of the 1960s and 1970s also enjoyed worldwide popularity due to this pantomime luxury.)

Nine more Lantz-directed Woody cartoons followed, before Don Patterson became Woody's new director in 1953. The bird was redesigned again, this time by animatorLaVerne Harding. Harding made Woody smaller, cuter, and moved his crest forward from its original backwards position. (The small Lantz Studios logo seen at the start of every cartoon — Woody as an armored knight on horseback carrying a lance — continued for a while to display Woody with his former topknot.) For 1955's The Tree Medic, one last makeover was given to the woodpecker, making Woody's eye a simple black dot and taking away the green/hazel iris he'd had since his beginnings. However, Woody's eyes were not changed in the cartoon's intros, and they remained green for the rest of the shorts' production run. During this time, the intro was changed as well. Instead of having Woody's name on screen and Woody pecking a hole in the screen to introduce himself, Woody would peck his way onto the screen, say "Guess who?", peck his name on either a brown or gray wood background, and flip and flop around the screen, singing and laughing.

By 1955, Paul J. Smith had taken over as primary director of Woody's shorts, with periodic fill-in shorts directed by Alex Lovy and Jack Hannah, among others. With Smith on board, the shorts maintained a healthy dose of frenetic energy, while the animation itself was simplified, due to budget constraints.

In addition to Lantz's wife Grace Stafford providing Woody's voice, which returned the cartoon to being more dialogue-driven again, voice talents during this period were generally split between Dal McKennon and Daws Butler. This era would also introduce several of Woody's recurring costars, most notably Gabby Gator (voiced by Daws Butler in an Ozarks voice, a slightly different southern dialect than he used for Huckleberry Hound). Gabby first appeared in Everglade Raid (as "Al I. Gator"). Other films paired Woody with a girlfriend, Winnie Woodpecker (voiced by Grace Stafford), and a niece and nephew, Splinter and Knothead (both voiced by June Foray). Other antagonists that Woody has dealt with were Ms. Meany (voiced by Grace Stafford) and Dapper Denver Dooley (voiced by Dallas McKennon).

As Lantz was struggling financially, Woody's longevity was secured when he made the jump to television in The Woody Woodpecker Show on ABC. The half-hour program consisted of three theatrical Woody shorts followed by a brief look at cartoon creation hosted by Lantz. It ran from 1957 to 1958 then entered syndication until 1966. NBC revived the show in 1970 and 1976. In addition, the woodpecker was no longer dishing out abuse to his foils, but was instead on the receiving end. The first notable short to feature Woody as a serious, put-upon character was 1961's Franken-Stymied. Woody's popularity had been based on his manic craziness, but by 1961, this had all but been eliminated in favor of a more serious Woody, a straight man trying to do good. This was due in part to Woody's large presence on television, which meant Lantz had to meet the stringent rules against violence for children's television. Though production continued until 1972, the cartoons were a definite notch lower than in the 1940s and 1950s.

Woody appeared in new theatrical shorts until 1972, when Lantz closed his studio due to rising production costs. His cartoons returned to syndication in the late 1970s. Lantz sold his library of Woody shorts to MCA/Universal in 1985. Universal repackaged the cartoons for another syndicated Woody Woodpecker Show in 1987. A year later, Woody cameoed in Who Framed Roger Rabbit, voiced by Cherry Davis, near the end of the film. In 1995, Woody appeared in a Pepsi commercial with NBA star Shaquille O'Neal.

Woody Woodpecker reappeared in the Fox Kids series The New Woody Woodpecker Show, which ran on Saturday mornings from 1999 to 2002, voiced by Billy West. For this series, Woody was redesigned more like his mid-1940s look, pushing back his crest and making his eyes green again. Winnie Woodpecker, who had debuted in Real Gone Woody (1954), became a semi-regular character as Woody's primary love interest. Like Woody, Winnie was redesigned to look almost exactly like Woody did from 1947 until 1972, the obvious differences being that she was a female woodpecker and had blue eyes. Woody's primary antagonist was Wally Walrus, who became Woody's neighbor (Woody lived in a tree house in Mrs. Meany's front yard, and Mrs. Meany's house was next door). Buzz Buzzard often appeared, as did Mrs. Meany and several other older characters.

Walter Lantz and movie pioneer George Pal were good friends. Woody Woodpecker cameos in nearly every film that Pal produced or directed—for example, during the 1966 sequence in The Time Machine (1960), a little girl drops her Woody Woodpecker doll as she goes into an air raid shelter. In Doc Savage: The Man of Bronze (1975), Grace Stafford cameos, carrying a Woody Woodpecker doll.

A handful of non-comprehensive Woody Woodpecker VHS tapes were issued by Universal in the 1980s and 1990s, usually including Andy Panda and Chilly Willy cartoons as bonuses. A few were widely released on VHS in the mid-1980s by Kid Pics Video, an American company of dubious legality, which packaged the Woody cartoons with bootlegged Disney cartoons. In the early 2000s, a series of mail-order Woody Woodpecker Show VHS tapes and DVDs were made available by mail order through Columbia House.

In 2007, Universal Studios Home Entertainment released The Woody Woodpecker and Friends Classic Cartoon Collection, a three-disc DVD boxed set compilation of Walter Lantz "Cartunes". The first forty-five Woody Woodpecker shorts—from Knock Knock to The Great Who-Dood-It—were presented on the box set in chronological order of release, with various Chilly Willy, Andy Panda, Swing Symphonies, and other Lantz shorts also included.[10]The Woody Woodpecker and Friends Classic Cartoon Collection: Volume 2, including the next forty-five Woody cartoons—Termites from Mars through Jittery Jester—was released in 2008. A plain-vanilla best-of release, titled Woody Woodpecker Favorites, was released in 2009, which contained no new-to-DVD material.[11] Plans for further releases, as well as a region-1 DVD release of The New Woody Woodpecker Show, are currently on hold for unknown reasons, although the 1999 series has received VHS and DVD releases outside of North America and is available for viewing on Hulu.

Apart from authorized releases, the Woody Woodpecker cartoon most widely available on legal home video is the public domainPantry Panic.

Blanc originated the voice, in a characterization similar to his Daffy Duck, minus the lisp, with the recording slightly sped up to give a higher-pitched tone to the voice. He stated that the laugh originated from a type of laugh he used to do at school and he just added the pecking sounds to the laugh.[12] That practice would continue with other voice artists.[citation needed]

^Debruge, Peter (July 17, 2013). "Illumination Chief Chris Meledandri Lines Up Originals for Universal". Variety. Retrieved July 18, 2013. At the same time, Illumination has scrapped a number of planned movie ideas. “Waldo” and a Tim Burton-helmed, stop-motion “The Addams Family” are dead. The company abandoned a Woody Woodpecker pic, and couldn’t crack “Clifford the Big Red Dog.”