The first design plays with elements of modernism - the triangle, the circle, a grid. The design seeks to take a humouristic and slightly self-reflecting stance to the history of the Kieler Woche posters, questioning it's "ideals" and maybe slightly normative principles.

The second design plays in a humouristic way with symbols and pictograms connected to sailing — ranging from specialist sea-weather symbols to icons from the art field relating to Marcel Broodthaers, René Magritte or Nessie of Loch Ness.