So it was all a set up? All of it? Fiona makes her role clear at the dinner party, talking about it as a HR thing when she's assessing Jay and Gal for the job, to get rid of people. But that can only be a part of it, it's not the point of the whole exercise.

Deckard1 wrote:
It felt like getting a blowjob off the most beautiful woman in the world and just as you cum she takes off her mask to reveal its actually Jeremy Beadle. And he's laughing at you. Dancing around you like Rumpelstiltskin, his tiny hand pointing in your face. In fact that's exactly how it felt.

Thats what I took from it, yeah. Either he got popped in kiev or the medicine he is taking is for PTSD or something and is just going a bit radio rental.

There are a few things that indicate it. Like he sees something then sees a horrific version of it later. That and the fact the last few scenes make barely any sense and you kind of have to come to the conclusion that its all in his head to an extent.

Which is a bit shit as im not a fan of films about fantasy rather than fantasy films.

He's not mental, he's being either re-indoctrinated into a murder cult after forgetting he's been in one or he's their new messiah, anti-christ figure.

Rather than going into a breakdown he's coming out of one or reverting to his true nature.

He's driven to murder each person for viable reasons; a priest (contract), a nobody (contract/ what he's seen on the tape), The fellas guarding the lockup (The tape), cultists (self defence), friend (mercy), wife and child (self-defence). But by the end he's killed everything of importance to him and enabling him to become part of the cult.

I'm in the process of re-watching it again and the whole thing of Gloria mentioning she's in Human resources and basically terminates under performers could be relevant to the hit's Jay and Gal are sent on?