Russell T. Davies

With Season 9 of BBC slated to start in a month, season 8 of DOCTOR WHO finally makes its way onto Netflix. I’ve watched more DOCTOR WHO than the vast majority of you reading this. My compulsive personality at work, I’ve seen all of the current reboot, and all of the classic existing series.

And I’ve seen the series go from great to mediocre and back again. One thing the series has suffered from, at times, in both its classic and modern incarnations is its depictions of people not WASPish.

Russell T. Davies was the visionary largely responsible for the rebirth of Dr. Who after an absence of over a decade; bringing a 20th century creation successfully into the 21st century. In terms of effects, and scope of story-lines Davies reboot was a massive win both artistically and commercially. That said one of the few failings of Russell T. Davies tenure, especially early on, was his use of characters of Color.

His Mickey character, played by the Shakespearean trained Noel Clarke (And I hold both creator and actor complicit for such a portrayal) from the first was a neutered, constantly emasculated character of color much in the vein of Step and Fetchit Hollywood, not just an offensive character, but worse a detriment to otherwise watchable story-lines, of which the Russell T. Davies run, had many.

I would rather creators avoid using characters of color, than use them offensively or ignorantly, as nothing more than tokens or stereotypes or outlets for their biases, which I think unfortunately is how Russell t. Davies approached such characters, particularly early in his run.

However by the Tenant years, Davies had a far better grasp on utilizing characters of color, as his Martha Jones character, brilliantly played by Freema Agyeman and her extended family were from the most part brilliantly written.

The post Tenant years, starring the youngest Doctor Matt Smith, and helmed by new Show Runner Steven Moffatt, I felt were pretty uneven, as the character was saddled with companions for most of his run that I found almost as annoying as the Mickey character.

That brings us finally to the new incarnation of the Doctor played by Peter Capaldi in Season 8, which definitely had me intrigued.

However, initially, the introduction of a Black character (love interest for the companion Clara), named Mr. Pink had me groaning audibly. I saw another Mickey in the making. A Black character called Mr, Pink? Really? Why not just call him snowball. But thankfully, the series, six episodes in is smarter, better written, and the character of Mr. Pink, stronger and more compelling and likably written and performed, than initial episodes and the unfortunate name… would imply. As well as other characters of color in far more humanistic and enjoyable and non-stereotypical roles than most stateside shows.

Add to that Peter Capaldi as the new Doctor and Jenna Coleman as Clara are fantastic. Capaldi brings a less manic, measured performance and is a welcome touchstone to the Doctor as teacher and mentor and father. And Jenna Coleman’s Clara an excellent companion.

Episode 6 CARETAKER is my favorite of the season so far and season 8 as a whole my favorite season since the Tenant/Agyeman series. Let’s hope the writing continues to transcend the easy crutches of stereotype that sometime marred earlier seasons, and continues to broaden and enrich the history and mythology of Dr. Who.

Final Word:

On the accusation of Black Faces/White Message we find Season 8 of Doctor Who… NOT GUILTY. It is TV done right, as Showrunner, Stars, and stories combine to make addictive, fun, ethnically diverse, and smart television.

Russell T. Davies the man who nearly single-handedly spearheaded the resurrection of the DOCTOR WHO franchise after its decades long demise, created the boundary pushing spin-off series TORCHWOOD. Revolving around the popular Doctor Who character Capt. Jack Harness, Torchwood allowed Davies to create a show for adults. While American audiences are relatively comfortable with violence, Davies wanted to create a more mature show, laced with sex and sexuality and relationships in this fragile 21st century.

From a rough and awkward first season, every subsequent season of TORCHWOOD became better both in terms of budget, story and scope, until the third season, CHILDREN OF EARTH, which is largely and I think rightly considered some of the best and most ambitious and heartfelt television the BBC has produced.

So it’s in the shadow of that huge popularity and success of season 3, that season 4 of TORCHWOOD, MIRACLE DAY was born. A ten episode series, it met with less than stellar reviews upon its release. Season 4 set in the US, and financed by a US company, possibly fell afoul of an American audience expecting the standard Sci-Fi tropes, an audience possibly unprepared for the depth and level of sophistication and level of sex and sensuality, sometimes transgressively so, showcased in the season.

For the mythological middle America demographic that ratings are supposedly based on, MIRACLE DAY had a lot in it to buck the expected trends, Black guy on White woman, guy on guy, multiple characters of color, characters of color as heroic and smart, non-stereotypical writing. Davies (whose take on characters of color in his early work on Doctor Who bordered on the minstrel and offensive) in all categories is pushing the boundaries of his latest adult scifi epic, and especially in exploring the sexuality of its protagonist.

So MIRACLE DAY took its share of hits from those threatened by all the above, as well as the British audience feeling the show had gone American, and to be fair there is a bit in here to make even me uncomfortable. But if Davies comes down a bit heavy on the skin and sexuality, to push his own inclinations, it is his right, and thankfully the excesses never come at the expense of the story, and for the most part are always done artistically; and scifi has always been the perfect place for pushing boundaries and being a little bit dangerous.

And here watching MIRACLE DAY for the first time, courtesy of Amazon Prime and Roku, I have to say ignore the naysayers, Season 4 of TORCHWOOD stands the test of time as some of the best and most epic writing Russell T. Davies has produced, which means this ten part epic is among the best and most satisfying TV produced… period.

It’s not perfect, the first couple of episodes are a slow build, the character of Rex perhaps more annoying than he needs to be, or perhaps it’s the actor Mekhi Phifer who tends to grate and be a little too belligerent and obnoxious for me in all his performances [I think the series would have been better with another actor cast, say Michael Ealy (ALMOST HUMAN) or Taye Diggs (DAY BREAK], and while a strong Season, CHILDREN OF EARTH still edges it out as the high-water mark for Russell T. Davies and Torchwood and arguably BBC. But those stumbles along the way just make MIRACLE DAY sticking its landing all the better, and stick its landing it does, a great end to a great season.

I don’t have cable. I jumped off the band wagon years ago, and really have not been seriously tempted to jump back on. I’m content with waiting for products to hit DVD, and in the interim there are a lot of great shows out there on DVD to try.

I did that with both season 5 and season 6 of Doctor Who. Watching the shows over a few nights rather than the dubious experience of lengthy waits over several months, to invest in a story that may end with a whimper rather than a bang.

Which is how I tended to feel about Moffat’s Dr. Who seasons. While an imaginative and talented writer of “done in one” episodes or two parters, as a season wide story arc writer, his work tends to be swiss-cheese and disappointing.

So the ability to find that out by renting the DVDs over a couple nights, rather than an investment of months of ‘live’ watching, suits the way I like to view seasons.

That said for those of you who do watch TV/cable here are the shows I think you should be watching this fall, ones I’m intrigued in picking up when they hit DVD.

WHAT’S HOT

LAST RESORT on ABC- Why I’m interested? 1/Stars Andre Braugher of HOMICIDE fame. 2/Premise of a naval commander and his sub crew hunted for refusing to commit mass murder, has me incredibly intrigued. 3/One of the few dramas/genre/thrillers on an increasingly whites only TV shows, that has multiple actors of color

TREME- I’ve heard much about this Orlean’s based show. So look forward to catching up with it on DVD.

DOCTOR WHO- While I think Moffat should stick to done and one episodes or 2parters, and give up his attempt to outdo Russell T. Davies with big elaborate universe ending story arcs (Note to Moffat…, you may be a more imaginative writer than Russell, he is the better story arc guy. And your tenure is suffering in an attempt to outdo Davies rather than play to your strengths.

Particularly Moffat’s take leaves a lot to be desired. It gets old, the elaborate universe ending story arcs and over-hyping the Doctor into a God like protagonist. It just reads as bs and failed one-upmanship, and leaving your character no place to go or grow to. It tends to get boring, and while it’s fantasy and some level of inconsistency is inherent, season 5 and 6 have plotholes you can drive a truck through), I am interested in seeing where Season 7 takes the show. If Moffat would play to his strengths, smaller, intimate, done-in-one stories or two parters… the show could be fantastic.

WHAT’S NOT
ELEMENTARY- Sherlock Holmes is a recovering smart-alec drunk, Watson is his Asian female Bodyguard and Watcher, and the setting is New York. Really?!! I’m not a huge fan of the BBC SHERLOCK series, it’s okay, I just don’t think the writing is always up to the strong acting and direction, so my objection to ELEMENTARY has nothing to do with that BBC show. The more great shows the better. My objection is, if you’re going to change everything about it that is Sherlock Holmes, why even call the character Sherlock Holmes? I have no interest in seeing it, the premise just sounds insipid. However I’m willing to be proven wrong. If it makes it a full season and people are raving about it I’ll pick up the DVD, but otherwise this goes in the “What were they thinking’ trash pile.

That’s all for now! Feel free to leave your own recommendations, comments!

While picking the companions I disliked was easy. Narrowing down my five favorite companions is a LOT more difficult, because in 30+ years there have been some great companions. On the whole the good companions far outweighing the ones I dislike.

So narrowing down all those great companions to my five favorite, very difficult, and very subjective. But as stated, having recently watched all 30+ seasons of the show, you can call my choices informed subjectivity.

So without further ado:

I have some issues with Russell T. Davies as discussed in my worst companions posting, but one thing you can’t fault him with is in building up the dynamic/relationship between the Doctor and his female Companion, and doing a great job of casting that companion role… well, and writing it… well.

I think one of the common complaints many actresses who played a companion to the Doctor had, was in the writing of their roles. Davies with the characters of Rose and Martha created companions who had it all, beauty, brains, guts, and adventuresome spirit, and a personality, an aura… magnetic. And roles that complemented the Doctor.

So while I really love a lot of the companions that have been in and out of the ship of time, the two I come back to the most, which is a way of saying the two who are great characters, brought to life by great actresses, and they have great stories under their belt, and a great complement to the doctor… in other words they have it all…

Martha Jones played by the stunning Freema Agyeman and Rose Tyler played by the effervescent Billie Piper. They get the one, two spot.

Sarah Jane- I don’t think any list of best companions would be complete without Sarah Jane, played by the fantastic Elisabeth Sladen, who brought such a caring, and humanity, and belief to her role, and whose tenure bridged both Jon Pertwee and Tom Baker.

Liz Shaw, played by Caroline John, acted opposite Jon Pertwee’s Doctor. And she brought beauty, brains, wit, sophistication to the role, and at the time they thought that was too much. She was too capable, and she was replaced in a single season, with a dumbed down companion Jo Grant(that’s not a kick against Kathy Manning, who played Jo Grant, she quite made that role her own, and made that dynamic work, and became a great, woman of action companion for the bulk of Pertwee’s run). However, it was still an unfortunate replacement because she was a fantastic companion. And you look back at the handful of stories she did and they all stand out as fantastic Doctor Who episodes.

The last spot is a tie between Leela and Ace.

Leela- I really liked the character of Leela, playing opposite Tom Baker’s Dr. Who. Played wonderfully by the beautiful Louise Jameson, I thought she was a very interesting character, but her relationship with Tom Baker’s Doctor, and seemingly Tom Baker himself, was seemingly frictious and dismissive. Possibly because she was such a strong and striking character, and a strong and striking actress, and Tom Baker at the time wanted no competition for the spotlight. But despite the less than stellar dynamic between them, they still were in 2 or 3 of the best story-lines in the history of the series.

And tying her for fifth place was Ace played by Sophie Aldred. Ace was just a fantastic companion, and had a great relationship/chemistry with Sylvester McCoy’s Doctor. And they were in some amazing stories together. Their REMEMBRANCE OF THE DALEKS being easily in the top ten of any list of best Doctor Who stories.

Honorable mentions are:

Ian Chesterton – played by William Russell from 1963 to 1965 with William Hartnell
Barbara Wright – played by Jacqueline Hill from 1963 to 1965 with William Hartnell
Susan – played by Carole Ann Ford from 1963 to 1964 with William Hartnell
The first companions, if they had failed, if their chemistry had failed, we wouldn’t still be talking about the show.

Jamie – played by Frazer Hines from 1966 to 1969 with Patrick Troughton
His chemistry with Patrick Troughton, was a great, almost vaudevillian dynamic.

Brigadier Lethbridge-Stewart – played by Nicholas Courtney from 1968 to 1989 with all the “old” Doctors apart from Colin Baker.
While not a companion, Nicholas Courtney’s reoccurring role as Brigadier Stewart, head of the UNIT, was a great addition to the Who mythology, particularly during the earthbound Pertwee era. He’s just a fantastic straight man for the Doctor’s craziness.

Jo Grant – played by Katy Manning from 1971 to 1973 with Jon Pertwee. She took the ditzy role she was given, and made it into a courageous character who would risk anything for the Doctor.

Peri – played by Nicola Bryant from 1984 to 1986 with Peter Davison and Colin Baker.

Let’s be honest, Nicola Bryant was brought in, by hit-and-miss producer Nathan Turner, for T&A… to sex up the show in hopes of salvaging the lackluster Peter Davison years. She was brought in for her huge breasts, and they were paraded prominently.

(Oh come’on don’t get offended, we’re all adults here, and that’s absolutely the truth. They were real, and they were fabulous.🙂. Oh, I’m joking! )

With the exception of Davison’s last episode, the only thing that was watchable about his tenure, was Nicola Bryant. But surprisingly enough, she was more than just a pretty face and a stunning body, she was a solid actress, and she was exceptionally likable, and this became very obvious during the Colin Baker Doctor years.

Colin Baker off-putting pompous portrayal of the Doctor, only made somewhat palatable because of Nicola Bryant’s Peri. I quite liked her, and unfortunately she was saddled with questionable characterization by the writers of her and her Doctors. But despite that she does manage to be part of 2 or 3 stories that transcended those issues, to be quite entertaining.

So that’s it for this installment. Five favorite companions and the honorable mentions! Feel free to mention your favorite companions.

Okay waiting for my trusty photographer to send me the pictures from Wizard World Philly, and then the 2nd and final part of that convention coverage will go up. Part II of the Pulp article, and the Charles Saunders MONARCH OF MAYHEM are both being worked on.

And working on WEDNESDAYS WORDS for tomorrow, Have not missed a Wednesday yet! (Knock on pixels)

So in the interim of all that heavy lifting I’m doing, here’s an easy, breezy post…

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THE BEST AND WORST DOCTOR WHO COMPANIONS

This year I made it through watching all 30+ seasons of Doctor Who, counting the old (with the exception of lost episodes) and the new.

I first ran across Doctor Who as a kid watching the Tom Baker episodes on PBS. Incredibly low budget even by my childish standards of the time, it was okay. Quirky, not something I really made a point of following, but would watch if nothing else was on.

Re-watching the entire 30+ year series in a matter of months, I have a far better appreciation and understanding of the series as an adult.

There were some really smartly written and exciting and imaginative episodes in the show’s 30+ year history, and we’ll get into those. But in this post I wanted to discuss the barometer for what is best and worst in Doctor Who… namely the companions.

If you dislike the companion, or find them annoying, or their dynamic with the Doctor just doesn’t work, the show seldom rises above your assessment of them. ie bad Companions translating to bad and annoying episodes. This is very subjective of course, but informed by the context of watching 30+ seasons of Dr. Who. So informed subjectivity if you will.🙂

So without further ado the five best and worst Dr. Who companions:

We’ll start with the negative in this post, and do the best next time at bat.

WORST

Adric – played by Matthew Waterhouse from 1980 to 1982 with Tom Baker and Peter Davison – The character of Adric was an annoying whining and joy eroding albatross stuck on the end of Tom Baker’s tenure and throughout Peter Davison’s tenure by the long running and both creative and stifling producer, John Nathan Turner. John Nathan Turner was a hit and miss producer, responsible for an equal share of Doctor Who successes as he was missteps and failures. His choice of companions being one of his most obvious. Adric being the worst of Nathan Turner’s lot of disagreeable companions. “Wow we are getting to travel in space and time, so instead of being thankful or awed let’s just bitch and be upset all the time, and wear the same stinking clothes for no apparent reason”. The reason for wearing the same clothes, was another Nathan Turner misstep, wanting the companions to wear a consistent uniform, which just came off as stupid, and eschewed the fun brilliance of the first companions who every episode carried over pieces of clothing and garb from their adventures through time and space. Quite a fun idea if you think about it. So the character of Adric, was the most egregious of Nathan Turner’s bad decisions, but not, unfortunately, the only flawed bit of casting and character.

Turlough – played by Mark Strickson from 1983 to 1984 with Peter Davison, along with the characters of Nyssa and Tegan and Adric, he was part of Nathan Turner’s whiny, unlikeable companions. Which is a dig against the producer and writers rather than the actors. Despite Tegan being written unnecessarily combative and whining, and the character of Nyssa being completely underwritten, I didn’t find them too grating, or ‘turn off the show to avoid’ bad. However I did feel that way to a great degree by the character of Adric, and to a lesser, but still unsatisfying, degree, Turlough. So hence him making my worst list.

Mel – played by Bonnie Langford from 1986 to 1987 with Colin Baker and Sylvester McCoy- In her defense she’s bubbly. But beyond that she just seems an odd choice that never quite works for me. She is not as bad as the others listed, I don’t dislike the character, I just don’t care for the character.

Amy Pond & Rory- I found her from the first incredibly annoying and uninteresting. Her whole pouty thing, and the Rory/Amy show… not remotely interested. Stopped watching after the first season with them.

Mickey Smith- Ugghhh. A Shakespearean trained actor and you have him doing a bitchy step&fetchit neutered character. Just annoying from the first episode of the revived Doctor Who series. I disliked the character so much, that it would not be until many years later, when given the chance to view the whole series cheap, that I would go back to Doctor Who. A character that defines the negative connotations of the term ‘Black faces, White messages’. Russell T. Davies who is to be applauded for reviving Doctor Who and making it a world-wide phenomenon had some very negative uses of male characters of color in his first few seasons, and Mickey Smith was that dynamic at its worst. Ironically with the character of Martha Jones, he would introduce a fantastic female companion, and a fantastic character of color; Davies issues relegated seemingly only to the male. Whatever the reason Mickey Smith was an awful character, redeemed only marginally in his last few appearances.

Those are the five worst companions in no specific order, though I think you can tell by my descriptions, my personal ranking of them. See my rating for the five best companions here!

Review of DOCTOR WHO Season 5 (that’s New Series numbering, it’s actually Season 31 overall).

I re-watched this season, the first with Matt Smith as the eponymous Doctor and Steven Moffat as show runner to see if my opinion of it changed any.

And I have to say it didn’t.

Overall, outside of the quite compelling scoring, I still find the season dreadfully flawed, for two main reasons. The first is the companions.

Doctor Who is only as good as the companions/writing, and just as Ecleston’s years were hurt by the character of Mickey, and the Baker and Davidson years hurt by the character of Adric, the Matt Baker Doctor is hurt by the Dawson’s Creek/Smallville annoying soap opera antics of the companions Amy Pond and Rory.

I know some people are found of the Amy Pond character, but having watched all of season 5, she is, to me, like fingernails on a chalk board.

Largely it’s a combination of the pouty, annoying way she is written and the pouty annoying way she plays the character. More the latter than the former. As even in scenes where she is saying nothing, just supposed to be looking meaningfully, I find her among the most annoying things I’ve ever seen. Give me back Martha Jones or Rose Tyler any-day.

That said there were moments where she didn’t annoy me in season 5 (or more precisely, gave a performance that did something other than annoy me), most notably the 2nd episode of the season ,THE BEAST BELOW, where the Amy character saves the day in a way. A nice bit of storytelling, and cutting down on the annoying poutiness Karen Gillan tends to do, rather than act.

But largely I found her annoying, and add the Cory character, played by Arthur Darvill, to that already uninteresting dynamic, and the show becomes exponentially annoying.

Which leads me to the 2nd flaw of the season. Steven Moffat’s writing. Steven Moffat is a great writer when on his game, episodes like BLINK and THE GIRL IN THE FIREPLACE showing the writing chops that got him the job of Show Runner, replacing Doctor Who Resurrectionist Russell T. Davies. However this season he gets away from what are his strengths, and tries to beat Russell T. Davies at his game; of large universe ending threats.

Which tends to get old, after a while. Russell T. Davies himself playing that card one time too many, till by his last story, THE END OF TIME , it just came off as tired, and forced, and a chore.

So Moffat trying for that epic overarching universe ending scope in season 5, just did not work for me.

The small intimate stories in season 5 were fine, but those were few and far between, and most of the season was given over to this crack of time Storyline, that I thought was largely rubbish through most of season 5.

Exceptions being:

BEAST BELOW Grade B+

THE TIME OF ANGELS Grade B. A really strong first half, with a great cliffhanger. But the 2nd part is a letdown, exhibiting the diminishing returns of more is less. One weeping angel in the Season 3 episode BLINK, brilliantly directed by Hettie MacDonald, was scary, but here an army of Weeping Angels are just… boring and a disappointment. And the director fails to use the conventions that Hettie MacDonald devised to make this conceit… scary. It shows Directors are not interchangeable, and when you get a great one like Hettie MacDonald you should keep using her. Particularly on as iconic and fragile an idea as Weeping Angels.

VINCENT AND THE DOCTOR- Grade B. An intimate, standalone episode.

THE LODGER- Grade B-.

Those 4, standalones primarily, are the highlights of season 5. The remaining episodes I would chuck with the bath water. Your mileage may vary.

Moffat when on his game is great at small intimate tales, that have less to do with saving worlds then saving one person. His stories more fable than scifi, tales as much of sleeping beauties and spells and ogres and handsome knights, as anything to do with space faring threats.

There’s an immediacy, a personalization to Moffat’s writing that comes through in places, However the season finale fails to be one of those places. The finale stumbles over its own, “let me outdo the last universe ending threat” pattern.

And did I mention I really can’t stand the companions?

So the whole season hinges on you caring for Amy Pond, and accepting the “tell don’t show” greatness of the Doctor, that he does nothing this season to earn.

Matt Smith is an okay Doctor, Moffat has written some great dialog for him, but as stated he’s encumbered by the writing of the companions. I’d like to see a season with him, with non-annoying companions ( I overall like River Song– though the ‘spoilers’ mantra, gets a bit old), and more intimate, less hyperbole ridden universe saving episodes.

Overall a season worth viewing free or if you can rent it cheap, but not one I would suggest buying. Here’s hoping Season 6 when finally available in box set rental, is an improvement. Final grade for DOCTOR WHO: SEASON 5 is C-.

Well it looks like the research is in and here’s the list of the favorite New Generation Doctor Who Episodes. Working on a proper article but till that’s ready below is a sneak-peak. The first name is the writer, the second the director. Amazing that this show was able to keep such consistent quality while rarely using the same director. But I guess the consistency in look/feel between episodes is due to the music, cinematography, and editing that was consistent, used the same team, for large chunks of the show. Those stalwart camera/editing/music teams listed at the bottom of this article:

SILENCE IN THE LIBRARY/FOREST OF THE DEAD- Season 4- by Stephen Moffat ends up on a lot of people’s best of list. But not mine, I like it, but don’t love it. Instead I would recommend the claustrophobic Russell T. Davies MIDNIGHT where the Doctor is in a LIFEBOAT type situation. Pretty intense. Followed by TURN LEFT, also by RTD, which I initially wanted to dismiss as rubbish, but grew on me. Both solid B+.

Season 4, Episode 12: The Stolen Earth
Original Air Date—28 June 2008- Balls That’s what RTD has, huge, humongous balls. He thinks bigger than anybody else, no one but him would write a story this big. You have to admire him for that. Just for the sheer audacity of this episode, despite it perhaps not really achieving the grandeur it’s aping (feeling a bit contrived, which is a problem with most of RTDs’s big stories, for the last couple of seasons) it gets an A- for being crazy enough to make the attempt. Pt 1 of 2.

Season 4, Episode 13: Journey’s End- This episode is not a favorite but it is part 2 of the above, so it’s a package deal and needs to be mentioned. There are some spoilers so beware. Okay, there are a lot of great big ideas in this season finale, I mean making a reality destroying gun out of planets, that’s genius. But ultimately it is perhaps too many ideas, there is a fine line between blowing minds, and blowing the own fantastic rules of your fantastic fiction. The whole defeat of the Daleks, rang more than a bit hollow and anti-climatic, and add to that the whole towing of the planet, and it is “check please” time. But those are just symptoms, the real problem is it all just comes out forced and contrived. I like the places the characters are in by show’s end, it’s just the process of getting them there was… flawed. Contrived and forced, there is no better way to say it. So glad I saw it, but definitely some problematic writing. B. I think it was definitely a good time for RTD to step down as lead writer.

HUMAN NATURE/THE FAMILY OF BLOOD- Season 3- Grade:B+ Paul Cornell Charles Palmer
There is a line at the end of this two parter, about the doctor hiding in the skin of humanity to avoid a family of blood, that is possibly the best line that I’ve come across dealing with the doctor (a character that, let’s be honest started out as a bit of nonsensical kids tv/scifi fluff), and that is saying a lot, as a lot of good writing has gone into this character.

It completely encapsulates, what it really means to be the last Time Lord. The horror of that, and the majesty, and the contradiction of that. This seemingly innocuous and affable temporal vagabond and pacifist, who beneath his trappings of humanity, has that within, to make even stars… dim. Wonderful work by director Charles Palmer as well as writer Paul Cornell.

THE SONTARAN STRATAGEM/THE POISION SKY- Season 4- Grade:A- Helen Raynor Douglas Mackinnon
This 2 part episode does not typically get mentioned, but it is one of my favorite two-parters.
The Return of the ravishing Freema Agyeman as Martha Jones (“God, she’s well fit” as the Brits would say :)). Bill Gates 2.0. An Insidious Alien invasion, and cars as weapons. What’s not to love? This episode just worked for me, one of my favorite ones since BLINK. Well written and excellently directed. Great cliffhanger. And the second half is just as great.

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