When Arthur Miller’s “Death of A Salesman” first opened on Broadway, in 1949, Brooks Atkinson, The New York Times’ chief theater critic, could not have been more enthusiastic—“masterly,” he called, “heroic” and “superb.” It is safe to say that the same adjectives can be used to describe the current Broadway revival that opened this week. Philip Seymour Hoffman, in the lead role of Willy Loman, brings renewed complexity to a classic American character who