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In addition to classical music, I also enjoy a wide range of other types of instrumental music. I have long been a fan of good film music, for instance. In light of this, I was wondering, what are some of your favorite film scores? The following are some of my favorite film scores or composers in general:Lawrence of Arabia--In my opinion, Maurice Jarre's powerful score perfectly evokes the mood of the film.Schindler's List--John William's hauntingly sad violin piece (performed by Itzhak Pearlman)is simply incredible and is a favorite of mine.Some of the older epic sscores by composers such as Miklos Roza also figure in the top film scores, I would say. As far as more modern film composers go, I would have to say that John Williams music always strikes me as incredible. He is, of course, best known for composing the famous music of films like Jaws and Star Wars (besides the famous opening and the "Imperial March", this film also has lots of other lesser known but incredible pieces in it). But his lesser known works, which include scores such as the one from the movie Amistad, are still good. And, of course, he also composed the theme to the Olympics and the theme to NBC's Nightly News. The music from those old heroic war movies are also a favorite. The Great Escape is a good example. And of course Ennio Morricone is another composer that has created some incredible scores. There is a lot more scores I enjoy, of course. But lets move onward. So, what are your favorite scores and/or composers.

Some of the instrumental tracks from Titanic's soundtrack are pretty good... like Leaving Port and Hymn To The Sea... great music that also accompanies the movie scenes well...

plus there was a lot of classical music in the movie itself, usually played by that string ensemble that played till the very end... I remember hearing things like Blue Danube Waltz and an arrangement of Tchaikovsky's Chant sans paroles Op. 2/3...

I, too, like John Williams' work. His most recent (soundtrack from Harry Potter) is wonderful as well.

But if I were to choose a soundtrack which would qualify as my "Desert Island Disc," it would have to be the soundtrack from "Majjo no Takkyubin" (Kiki's Delivery Service) as I think the music really fits the scenes and I particularly like the beginning and ending songs (the original Japanese ones, not the ones Sydney Forest did for the English dubbed version put out by Disney).

Danny Elfman also writes beautiful film music scores. I especially like his music for Edward Scissorhands and The nightmare before Christmas. And the Beetlejuice theme really rocks.I wish this music was sold as piano sheetmusic.Regards, Thea

I didn't care for the music to Harry Potter. I saw it with some friends of mine who are rock musicians, and I was surprised by their complaint about how loud it was !? For my own part, I thought it too heavy-handed and obtrusive.

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"The Shining", directed by Stanley Kubrick. There were two pieces of classical music used, one of which was Bartok's "Music for Strings, Persucussion and Celeste". (I can't remember the other one.) The Bartok makes me look around for the murderer standing behind me, even when I listen to the music without the movie on CD. I also really like the way that silence was used in this movie. It created as much tension and suspense as the music itself. Nicely done, but not overdone, as so many scores are these days.

I can disagree (politely) with the music from "The Piano" but my opinion could be biased because I didn't like the movie. The music for "To Kill a Mockingbird" was original (in a modern kind of way) but also very lyrical and affective.

I'm with you on the Taxi Driver soundtrack; Bernard Herrmann was great...and Schindler's List is massive and grave.

A lot of my favorite soundtracks are from horror movies. They really exploit tension & release, dynamics and color to the fullest. Off the top of my head...

-The song at the end of The Ring is wickedly good. I don't care for that movie, but Hans Zimmer did the soundtrack and he knows what he's doing. Very gruff, low bass viols, rhythmic and jagged like Bartok or Herrmann.

-The Changeling. This one is a little obscure. George C. Scott plays a composer living in a haunted house and there's lots of nifty solo piano, some original and some by Brahms and Mozart (neat A Minor Rondo I'd never heard).

-The Children of the Corn soundtrack is kind of cheap but effective. Same with the theme from Nightmare on Elm Street.