Scratching Piece
May/June 2017
Image of a performance art piece in which I scratched and then applied lotion to my entire body in front of 1957-J No.1 (PH-142) by Clyfford Still. Thinking a lot about healing, growth, and self-destructive habits. As

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Hunk Anderson passed away about a year ago. He was a great collector and friend. Several years ago, he had sent me these pictures of his home office walls with six of my drawings-as well as, a mini-drawing on his desk! Hunk with his wife, Moo, and d

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@caroleseborovski @soseboldart 🙏He lived to 95, but I wish he could have lived even longer!✨✨✨

@os.repair_ This is a great. I'm confident that everyone who sees your work would agree 😊. We would be excited to get your repair service seen by thousands of targeted people every day. Do you mind if I pass you a quick email?

Join our friends @anderson.collection.stanford for an evening with Roberta Smith, co-chief art critic of @nytimes , and Jason Andrew, independent curator. On February 6—coinciding with the exhibition Spotlight on Elizabeth Murray currently on view at

@kitchengirl @davidallanwright interesting! I thought all these pieces came straight from the Anderson home, although I imagine some could have been loaded out for other installations.

@davidallanwright @kitchengirl this may be the same one or a version of the same. I almost fell into his installation of stretched silk(?) there - I recall bumping into it and hoping that no one noticed

Italian Summer • Robert Motherwell • March 26, 2016
Favorite piece in the Anderson I love revisiting every few months! + Favorite quote from the artist: “What could be more interesting, or in the end, more ecstatic, than in those rare moments when y

“From Matisse, Diebenkorn learned about layering color,” wrote Ruth E. Fine, “manipulating paint with great subtlety so a hue applied on top of others would reveal nuances below, scumbling, painting wet into wet, rubbing color in and scraping it away

Anderson Collection at Stanford University

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@remymillerstudio Gloriously deep and beautiful. When he reduced the previous layers of line and color with white and the line asserts itself the space is like being in some wonderful cathedral.

Happy birthday to the master Color Field artist, Clyfford Still. He laid the groundwork for the abstract expressionist movement and even introduced Rothko to Peggy Guggenheim.
I first saw one of Still’s paintings at @albrightknox when I was an under

This special online auction offers a diverse selection of Post-War and Contemporary, Impressionist and Modern, American art and Prints and Multiples from the Collection of Harry W. and Mary Margaret Anderson.
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Amazing to see this being installed now at Stanford’s Cantor Art Center. Before the part that says “American” gets compressed so that it’s almost illegible as a qualifying statement of contraction and disappearance of who gets granted rights in this

If it’s one thing I am passionate about, it is the arts
I had to choose a museum to go to for my visual arts class and of course I would choose Stanford Museum. Stanford is my place of peace to go escape the craziness of my everyday life. The peace