FEDERMAN'S BLOG [the laugh that laughs at the laugh...]

Laugh: yes because when some guy weeps somewhere in the world there is always some other guy who laughs somewhere else: happy balance! Never fails its normal equilibrium: laugh or cry it all comes out the same in the end!

November 15, 2006

RETURN TO MANURE REVIEWED IN PUBLISHERS WEEKLY . . .

From Publishers Weekly: Wry, cantankerous and darkly hilarious aren't the adjectives one expects to use in describing the story of a young boy orphaned by the Holocaust, but veteran experimental writer Federman (Aunt Rachel's Fur), who lost his own family to the Nazis, eschews overt horror and sadness in favor of a lively exploration of the way memory both stimulates and frustrates the storytelling urge. The novel recounts the attempts of the narrator-whose name, biography and bibliography are nearly identical to Federman's--to locate the French farm where he hid from authorities during World War II. It becomes clear early on that the reader is being led on a "double journey...a journey in search of the farm...And the journey in search of the book." As in the best experimental fiction, form and content compliment one another, and the narrator's fragmented memories unfold in a series of engaging anecdotes involving a misanthropic old farmer, a lonely farm wife, a soon-to-be castrated bull and a mysterious woman in a nearby castle. As the title suggests, there are plenty of mordant musings, à la Beckett, on the nature of life, death and excrement. There's also plenty of pathos: the narrator's memories of his father, "the dreamer, l'artiste manqué, the tubercular romantic," are both merciless and deeply moving. A self-conscious and soulful novel, Federman's latest will be relished by his fans and new readers alike.

“Federman pursues his work of memory and imagination with a gravity always kept at a distance, and a touch of nostalgia constantly undercut by a saving humor.”—Le Monde

“In this kind of road movie that oscillates between derision, humor, grinding of teeth, stuttering of memory, pure and simple inventions, and even lies, the old story-teller Federman is not afraid to drivel on. A prodigious masterpiece.”—L’Humanité

“In the tragicomic mode, one cannot do better.”—Télérana

Book Description

In 1942, after hiding to escape the Nazis, our narrator (named, simply, Federman) finds his way to Vichy France. Unwanted by his relatives, he is forced to spend the remainder of the war as an unpaid laborer. For three wordless years on the farm, this thirteen-year-old is assailed by suffering, death, sex, and the back-breaking labor of shoveling manure.

Sixty years later, in the United States, Federma--the author? the narrator? both?--wrestles with nostalgia and bitterness. He finally returns to the farm with his wife, but once the journey is complete he no longer knows why he has made it, nor what he expected to find. Through the merger of fact and fiction, storytelling and reality, memoir and imagination, Return to Manure extends and enhances Raymond Federman’s brilliant ability to side-step narration’s limits and impossibilities.

2002 THE TWILIGHT OF THE BUMS (Microfiction, with George Chambers). Altx Press [Boulder, Colorado] Also available as an E- book from Altx.com. German translation (Suhrkamp Verlag), 1998, under the title Penner-Rap. Radio play adaptation under the title The Dialogues of the Bums, Bayerischer Rundfunk, 1997.

2001 LOOSE SHOES: A life Story of Sorts (Fiction in English & French). Weidler Buchverlag (Berlin). German translation under the title Offene Schuhe [same publisher]. Loose Shoes -- Musical composition by Michael Riessler performed in Munich, Ulm, Frankfurt, Cologne, May 2000.

1999 THE PRECIPICE AND OTHER CATASTROPHES (Collected Plays, bilingual edition, English/German). Poetry Salzburg (Austria). Radio play adaptation by Deutschland Radio (Berlin) 1998.

1998 FEDERMAN : FROM A to X-X-X-X [A Recyclopedic Narrative, Edited by Larry McCaffery, Douglas Rice, Thomas Hartl, in collaboration with the author]. San Diego State University Press. Limited edition.

1996 THE LINE (Fiction, chapbook, special limited edition). The Club of Odd Volumes (Amherst, New York). Limited edition. Translated into French.

It was his generosity which initially impressed me, the continuity and inclusion in his storytelling. In fact, being in the same room with Federman is a lot like reading one of his books--sprinkled with double-dashes, at times conspicuously free of punctuation. At other times, he rewrites the story while you watch, and in his transparency, in his willingness to show you the form, you forget there is a writer at all...

CLICK HERE TO READ THE INNER-VIEW IN THE FALL 2006 ONLINE EDITION OF RAIN TAXI...

Starcherone Books, Inc., has set up a memorial fund in Raymond's memory. Books published by Starcherone Books subsidized with money from the fund will bear the inscription, "This publication was made possible with funds from the Raymond Federman Memorial Fund for Innovative Fiction."

Starcherone Books is a 501(c)(3) non-profit and all contributions are tax deductible. Designate this fund and make checks payable to: