I have been taking photos since I was 14 years old hanging out in local skate parks. For the first 10 years I’ve been shooting with manual film cameras only and I got my first digital camera back in 2004. Since then user interface of a digital camera didn’t really change. We are all used to see black screen with white pixel typeface scrolling through endless lists of unclear settings and acronyms. Using camera almost on a daily basis inspired me think of some features or improvements in user experience that I decided to illustrate in this project. Please note, that the features presented here might not fit everyone, this is solely the way I would like to use digital camera.

Two years ago I started shooting with digital Leica M. A brand and a camera that I really like and that stays true to manual mode. For this particular concept I selected Leica T—a more modern consumer camera with back touch display, but the one that doesn’t scare professional photographers. I do realize that a lot of tasks can still be done by switching knobs on the top right part of the camera, but just for the purpose of the concept I wanted to look into how everything can be done only by using the touch display. Please note, that this is a self initiated concept and I was not hired by Leica to work on it. All the metering numbers are only to show the proof of concept.

Free Manual Mode

Most of the time I use manual mode when taking photographs. For some reason pretty much no camera allows you to make default metering and then start adjusting from there freely (similar to a “P” mode). The idea here is that after the first metering you have complete freedom in adjusting your exposure. Aperture and Shutter Speed are clearly positioned on left and right sides of the screen, allowing you to control each with tapping or swiping using left or right thumbs at the same time (not in two completely different places how most cameras handle it). Default metering sets your Exposure Compensation to 0 (unless set otherwise) and by adjusting Aperture and Shutter Speed in Manual mode it is clear whether you are going to under- or over-expose your photograph.

No Separate AV & Tv Modes

Another thing that bothers me in most cameras is a separation between Aperture (Av) or Shutter Speed (Tv) priorities (as well as Manual Mode). Usually there’s a switch between these three modes. In my ideal scenario it is just one mode where I can quickly “lock” Aperture to set my camera to Aperture priority. After that I can keep adjusting Aperture to my liking, but it will now affect Shutter Speed. At the same time I can quickly adjust Exposure Compensation if I want. Note exposure compensation treatment is illustrated on the grid from -3 to +3 which makes it visually easier to understand whether you are in the minus or plus and how off are you. At the same time only relevant part of the grid is highlighted and not the entire range.

Quick Settings

Some of the cameras (including Leica T) offer quick access to the most important settings that you might need to change quickly before taking a shot. One thing that I lack the most is quick access to Color Temperature. Most of the time I shoot JPGs so I can quickly post image somewhere. When conditions are unclear I start shooting RAW just because I know camera will get color balance wrong (especially when it’s dark, indoor with artificial light or during the sunrise/sunset). For some reason most cameras offer quite unclear icons such as “daylight”, “cloud” or “shade” which is essentially (5000K, 6500K and 9000K accordingly). With photo retouch software and RAW converters nowadays it is actually easier to think in K (Kelvins) instead of pictograms. Switching to 3000K I know I am going to get cold light that might be good if I am shooting at night time, going over 5000K I know I am going to get more warm (red) colors.

Image Details

Concept for image details/gallery view. Upon swiping image down (same as tapping trash icon) UI will prompt you to confirm deleting image by continuing swiping it down. Swiping image up (same as tapping image icon on bottom left) UI will expose all necessary information about captured photograph—exposure settings and ISO, date, temperature (something that usually gets overseen on other cameras) and levels information.

Camera Settings

Most cameras display settings as a list with titles and what type of mode is turned on/active. Usually user has to use controller to go through the list, enter the desired setting, change it to something else, confirm it and then go back to the main menu. Ideal settings view should display (if applicable) options right in the list mode. This way user can see what is currently being selected as well as tap other option if needed.

Camera Size

Just to reiterate that presented features might not be ideal for other photographers depending on their habits and style of shooting. This is solely the way I would love to use the camera. But maybe someone will get some necessary inspiration from this. This behavior is also not applicable to all the cameras out there. One should consider the ergonomics of the actual device as well. Below is an illustration of Leica T in women’s hands, showing the relative size of the camera will allow to use back display as illustrated above.

As I am going to teach now in February of 2017 in Barcelona, I am going through a lot of my old work I did in the past in search of some examples. Just came across this project I designed in 2014 for Balenciaga. It was my last project I worked on at Fi before leaving and starting Anton & Irene. Back then Alexander Wang took over Balenciaga as it's creative director and we had a chance to work directly with him and his amazing team in Paris.

Unfortunately by now Alexander Wang left and as Demna Gvasalia took over the brand, the site has already changed dramatically. There's just a small resemblance left of what we did, but it's totally different now.

Compositions out of jello. Sadly when I was looking for jello at grocery stores, all of them come in different hues of red. No green, yellow, blue or green ones :(

When I was a kid, about 10 years old, jello was my main dessert. I didn't had much access to chocolate or candy, so it was my favorite thing. When I visited my grandmother in St Petersburg, she always used to make a lot of jello for me, the layered type, with multiple colors in one bowl. Later I learned how to make it myself. It wasn't a powder that you just mix with water as it is today. I had to buy separate gelatin and different flavors and mix them later. If proportions were wrong, it's wasn't good at all. I think I never "made" jello, since that time up until now.

Last month I had a chance to speak at an amazing event organized by AIGA Minnesota called AIGA Design Camp that took place at Madden's On Gull Lake 2 hours North of Minneapolis. It was freezing cold but I walked around the lake to capture some shots.

Few weeks ago I borrowed a macro lens from a friend Tamron SP 90mm F/2.8 1:1 Macro and needed some ideas to test it. I had some acrylic paint left overs from previous experiments, so ended up taking photos of paint drops.

Below are some quick compositions I ended up with, one for each season:

One of the main challenge with macro lenses, if you want to close your aperture down to f/32 is that you need A LOT of light. I used my usual setup with two Canon Speedlight flashes and Canon Transmitter pointing directly at paint firing at full power.