Sources of Enlightenment thought

In a cosmopolitanculture it was the preeminence of the French language that enabled Frenchmen of the 17th century to lay the foundations of cultural ascendancy and encouraged the philosophes to act as the tutors of 18th-century Europe. The notion of a realm of philosophy superior to sectarian or national concerns facilitated the transmission of ideas. “I flatter myself,” wrote Denis Diderot to the Scottish philosopher David Hume, “that I am, like you, citizen of the great city of the world.” “A philosopher,” wrote Edward Gibbon, “may consider Europe as a great republic, whose various inhabitants have attained almost the same level of politeness and cultivation.” This magisterial pronouncement by the author of The Decline and Fall of the Roman Empire (1776–88) recalls the common source: the knowledge of Classical literature.

The scholars of the Enlightenment recognized a joint inheritance, Christian as well as Classical. In rejecting, or at least reinterpreting, the one and plundering the other, they had the confidence of those who believed they were masters of their destiny. They felt an affinity with the Classical world and saluted the achievement of the Greeks, who discovered a regularity in nature and its governing principle, the reasoning mind, as well as that of the Romans, who adopted Hellenic culture while contributing a new order and style: on their law was founded much of church and civil law. Steeped in the ideas and language of the classics but unsettled in beliefs, some Enlightenment thinkers found an alternative to Christian faith in the form of a neo-paganism. The morality was based on reason; the literature, art, and architecture were already supplying rules and standards for educated taste.

The first chapter of Voltaire’s Siècle de Louis XIV specified the “four happy ages”: the centuries of Pericles and Plato, of Cicero and Caesar, of the Medicean Renaissance, and, appositely, of Louis XIV. The contrast is with “the ages of belief,” which were wretched and backward. Whether denouncing Gothic taste or clerical fanaticism, writers of the Enlightenment constantly resort to images of relapse and revival. Typically, Jean d’Alembert wrote in the Preliminary Discourse to the Encyclopédie of a revival of letters, regeneration of ideas, and return to reason and good taste. The philosophes knew enough to be sure that they were entering a new golden age through rediscovery of the old but not enough to have misgivings about a reading of history which, being grounded in a culture that had self-evident value, provided ammunition for the secular crusade.