B is For Bob 2009 B is for Bob is a collection of original Bob Marley songs re-imagined for kids and fans of all ages!! The international musical legend's eldest son, four-time Grammy winner Ziggy Marley, executive produced the album, which bridges the gap between the timeless Bob Marley and a new generation of kids. Bob Marley's music touches people of all ages. With children in mind, Ziggy has transformed 8 of his father's songs while leaving 4 of Bob Marley's other masterpieces untouched.

Africa Unite 2005 Twenty-track compilation shares eleven songs with Legend, dropping "Stir It Up," "Redemption Song" and "Satisfy My Soul" in favor of tracks recorded before Marley was signed to Island, like "Soul Rebel" and "Trenchtown Rock." It also includes the previously unreleased "Slogans," thought to have been recorded by Marley in a Miami bedroom in 1979, with overdubbed guitar noodling by Eric Clapton.

One Love 2001 This 20-track collection contains the great bulk of that classic compilation, but where that album has its own internal logic -- one of the reasons it is undeniably a classic compilation -- this devotes itself to a chronological spin through Marley's catalog, containing almost every song on that record.

Songs of Freedom 1992 SONGS OF FREEDOM is exhaustive and beautifully packaged. It is loaded with previously unreleased material, songs from the Ska years, the late-60's Lee Perry productions, and all of the highlights of the Island years. There are extended versions of famous singles like "Exodus" and "Jammin'" so that we can hear dub aspects of the music that only Jamaicans and hardcore fans were previously aware of.

Talkin' Blues 1991 The seven tracks taken from the Wailers' legendary October 1973 radio broadcast on KSAN, in San Francisco, are sufficient cause to celebrate. These vintage, deliciously raw performances, which feature Tosh and noted Jamaican vocalist Joe Higgs (subbing for Bunny Wailer, who had just quit the band), are as vital as those on the epochal 1975 album Live! and capture Marley's riddim rebellion at a critical juncture, just as he began to take Babylon by storm. Rebel Music 1986 REBEL MUSIC is a collection of Marley's songs that simultaneously speaks of the oppressed masses and calls for justice. All this was accomplished with the help of a select group of crack musicians including the I-Threes (whose harmonies are prominent in the title track) and the Barrett Brothers rhythm section, who soldiered on after the departures of Peter Tosh and Bunny Wailer. Along with the surprisingly upbeat title track, REBEL MUSIC is made complete with a live version of "Get Up, Stand Up," the quintessential protest song.

1984 The greatest hits collection of Bob Marley and the Wailers. After its release, it became the best selling reggae album of all time with sales of more than 20 million copies. Confrontation 1983 A posthumous collection produced by Rita Marley, based on work left behind by Bob upon his death. Some of his best post-Wailers work is here, with songs like "Buffalo Soldier," "Chant Down Babylon," and "Blackman Redemption." Given that he wasn't alive to do the production that he usually helped in, this album seems remarkably true to the general vision of Bob Marley's albums. Uprising 1980 Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cogent that this would be their final outing. The album's blend of religious and secular themes likewise creates a very powerful and singular quest for spirituality in a material world. Survival 1979 Containing what is considered Marley's most defiant and politically charged statement to date, Survival concerns itself with the expressed solidarity of not only Africa, but of humanity at large. The album was controversial right down to the jacket, which contains a crude schematic of the stowage compartment of a typical transatlantic slave ship. Survival is intended as a wake-up call for everyman to resist and fight oppression in all of its insidious forms. Kaya 1978 Kaya continues what has become an unspoken tradition in the evolution of Bob Marley & the Wailers discography - blending western sounds and motifs with the icons and traditions from the very core of Jamaican society. Likewise, the album Kaya could be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted.

Babylon By Bus 1978 Arguably the most influential live reggae album ever, Babylon by Bus captures Bob Marley and the Wailers during the European leg of their Kaya tour in the spring of 1978. The success of this set was not entirely unexpected, however. If the universal and widespread acclaim of LIVE! - their first concert recording - was an indicator, all involved knew that a Bob Marley & the Wailers performance contained unique energies and a vibe all of its own.

Exodus 1977 Recorded in London following an attempt on his life, Exodus shows Bob Marley mellowing a bit. Despite some powerful political tracks, Marley adopts a less fiery, more reflective approach than his previous outings. Still, it's hard to find reggae as good as this.

Rastaman Vibration 1976 Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber.

Bob Marley and The Wailers Live! 1975 As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the Natty Dread tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era.

African Herbsman 1973 To Bob Marley's emotionally charged music and lyrics, add the tight riddims and harmonies of the Wailers and then put all of that talent into the ceaselessly creative hands of production wizard Lee "Scratch" Perry.

Catch a Fire 1973 Catch a Fire was the major label debut for Bob Marley and the Wailers, and it was an international success upon its release in 1973. Although Bob Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. All the songs were originals, and the instrumentation was minimalistic in order to bring out the passionate, often politically charged lyrics.