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Born Mary Agnes McDonough Coyle in Denver, Colorado in 1906, Chase remained in Denver her entire life. She grew up Irish Catholic and poor in the working class Baker neighborhood of Denver, not far from the railroad tracks.[2] She was greatly influenced by the Irish myths related to her by her mother, Mary Coyle, and her four uncles, Timothy, James, John, and Peter. Charlie Coyle, her older brother, had a strong impact on her sense of comedy, as she imitated his natural gifts at mimicry, one-liners, and comic routines.[3] He went on to become a circus clown. In 1921, she graduated from West High School in Denver and spent two years studying at the University of Colorado at Boulder and the University of Denver without getting a degree.[4]

In 1924, she began her career as a journalist on the Denver Times and Rocky Mountain News, leaving the News (the Denver Times was folded into the News in 1926) in 1931 to write plays, do freelance reporting work, and raise a family. At the News, she started writing on the society pages, but soon became a feature writer, reporting the news from a sob sister, emotional angle, becoming part of the news itself as a comic figure, "our Lil' Mary", or writing funny, flapper era pieces as part of a series of "Charlie & Mary" stories (Charlie Wunder drew the cartoons and Mary wrote the text). In the 1920s, reporters typically worked in The Front Page tradition: putting in long hours, drinking hard, and stopping at nothing to beat the competition to a story. Running around Denver with photographer Harry Rhoads in a Model T Ford, she recalled, "In the course of a day, Harry and I might begin at the Police Court, go to a murder trial at the West Side Court, cover a party in the evening at Mrs. Crawford Hill's mansion, and rush to a shooting at 11pm."[5] She ended her journalistic career writing in the society pages where she had begun, perhaps as punishment for a practical joke that she played upon an unsuspecting editor.[6]

After leaving the News, in the 1930s Mary worked as a freelance correspondent for the United Press and the International News Service.[7] But her true love had always been the theater, so she began to write plays.

In 1936, her first play, Me Third, was produced at the Baker Federal Theater in Denver as a part of the Roosevelt-era Works Progress Administration (WPA). In the spring of 1937, the play opened on Broadway, renamed as Now You’ve Done It but it failed to attract positive reviews and closed down after three weeks.[8] In 1938, Mary wrote Chi House, which was made into a Hollywood film by RKO Radio Pictures called Sorority House (1939), starring Anne Shirley of Anne of Green Gables fame.[9]

In the early 1940s, she had a series of government, volunteer, and union jobs, serving as the Information Director for the National Youth Administration in Denver, doing volunteer work for the Colorado Foundation for the Advancement of Spanish Speaking Peoples, and working as the publicity director for the Denver branch of the Teamsters Union.[10]

During this time, she was working on the play Harvey, a play which was very difficult for her to write and which went through numerous revisions, taking her two years to finish.[11] On November 1, 1944, it opened on Broadway and was a smash hit, running for four and a half years, 1,775 performances, from Nov. 1 1944-Jan. 15, 1949.

In the history of Broadway productions, (which stretches back to 1750), Harvey became the 35th longest-running show (musicals and plays) and, if only plays are counted, the 6th longest-running play on Broadway, after Life With Father, Tobacco Road, Abie's Irish Rose, Deathtrap, and Gemini.[12]Frank Fay and James Stewart were the most famous actors to portray Elwood P. Dowd. Josephine Hull portrayed his increasingly concerned (and socially obsessed) sister on Broadway originally, and won a Best Supporting Actress Oscar in the film. Ruth McDevitt, Marion Lorne, Helen Hayes, and Swoosie Kurtz, among other actresses, also portrayed Veta either onstage or on television. James Stewart was nominated for a Best Actor Oscar for the film version of Harvey but lost out to Jose Ferrer in the 1950 film version of "Cyrano de Bergerac".

In 1945, she won the Pulitzer Prize in Drama for Harvey.[13] She is the only Coloradan to have won the Pulitzer Prize in Drama, and, in a field dominated by men, was the 4th woman to win the award, after Zona Gale (1921), Susan Glaspell (1931), and Zoe Akins (1935). From 1917-2013, only 14 women have won the Pulitzer in Drama.[14] Immediately after Harvey, Mary tried to repeat her success on Broadway with the Next Half Hour, a play based upon an autobiographical novel she had written called The Banshee. It failed after a three-week run.

In 1950, Harvey was made into a Universal Studios film, starring James Stewart, with Mary collaborating with Oscar Brodney in writing the screenplay.[15] In 1952 and 1953, she launched Bernardine and Mrs McThing on Broadway. Both plays were moderately successful. Bernardine was made into a film, starring Pat Boone and Janet Gaynor (in Gaynor's last film role). In 1958 and 1968, she wrote two children’s stories, Loretta Mason Potts and The Wicked, Wicked Ladies in the Haunted House. A 1961 production of her play, Midgie Purvis, starring Tallulah Bankhead, flopped. A 1970 Harvey revival, starring James Stewart and Helen Hayes, was successful and ran for 79 performances while a 1981 musical adaptation of Harvey, entitled Say Hello to Harvey, failed after a six-week run amid negative reviews in Toronto.

In 1928, Mary married Robert L. Chase, a fellow reporter at the Rocky Mountain News.[16] Bob was a seasoned, “hard news” reporter, having worked at the Denver Express since 1922, covering the robbery of the US Mint and fighting against the rise of the Ku Klux Klan in Colorado state and local politics. The Express eventually merged with the Rocky Mountain News and Bob went on to a 47 year newspaper career at the paper, becoming managing editor and then associate editor. He was a founding member in 1936 (and named vice-president) of the Denver chapter of the American Newspaper Guild, a national labor union representing editors and reporters.[17]

In 1932, their first son, Michael, was born, followed by Colin in 1935, and then Barry Jerome (Jerry) in 1937. Michael became the director of public television in New York, Colin was a professor of English Literature at the University of Toronto, and Jerry worked as a college academic counselor in New York City, writing the play, Cinderella Wore Combat Boots.

While working on the musical adaptation, Say Hello to Harvey, in 1981, Mary Coyle Chase suffered a heart attack suddenly at her home in Denver and died at the age of 75.

In August, 2009, Steven Spielberg announced that he was planning on doing a remake of "Harvey", reaching out to Tom Hanks and Will Smith to play Elwood Dowd.[18] By December, he had abandoned the project, the leading reason being the difficulty of finding a star to play the lead role. Tom Hanks was not interested in walking in the shoes of the beloved, iconic star, James Stewart. Robert Downey Jr was in the mix for several months, but he wanted changes done to the script and Spielberg decided to pull the plug, feeling that the two were not on the same creative wavelength. This was not the first attempt at a "Harvey" remake. In 2002, Dimension Films, a division of Miramax, and MGM tried to get a film going with John Travolta playing the lead. This project ended in 2004, with Michael Eisner's expulsion of the Weinstein brothers from Miramax over the release of Fahrenheit 9/11 by Michael Moore.

^Gravestone at Olinger Crown Hill Mortuary in Denver, CO and official Denver County Death Certificate. After her marriage, Mary fudged the date of her birth, declaring it as 1907 when it was actually 1906. This is why there are conflicting birth dates out there. Her NYT obituary makes the same error, along with numerous reference works.