Neil Young uses Pearl Jam on Mirror Ball much as he has used his perennial backup band Crazy Horse, looking for feel and spontaneity. At the start of the record, he can be heard instructing them: "No tuning, nothing," …

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic.

By 1976 Neil Young had already created a body of work that most songwriters would cut off both arms and legs to have composed. But Young had merely completed another phase of his career and was ready to start the next. This film tells the story and reviews the music of Neil from the release of his stunning Zuma album at the end of 1975 up to the release of the well received Prairie Wind in 2005 - a 30 year period during which this maverick musician covered just about every style in existence.

Stylistically the album was one of Young's most diverse records, ranging from acoustic love songs to raging rockers. Three of the songs on Freedom ("Don't Cry," "Eldorado" and "On Broadway") had previously been released on the Japan and Australia-only EP Eldorado, and in a way represented Young's reaction to the Grunge movement, featuring heavy waves of thundering distortion and feedback (often strangely juxtaposed with quieter sections). Two songs featured a brass section, an unusual stylistic departure for Young, but one he had embraced fully on his previous album This Note's For You.

This is the first volume of the Neil Young Archives series of box sets, produced by Neil Young himself. This series is the definitive, comprehensive, chronological survey of his entire body of work. Volume I covers the period from his earliest recordings with the Squires in Winnipeg, 1963, through to his classic 1972 album, Harvest and beyond, including studio and live tracks with the legendary Buffalo Springfield, Crosby, Stills, Nash & Young, and Neil Young with Crazy Horse…

Rare 1974 perfomance from New York's Bottom Line Club. Deeply affected by the narcotic-induced deaths of Crazy Horse guitarist Danny Whitten in 1972 and roadie Bruce Berry the following year,Neil Young became somewhat adrift and lost in a haze of drugs and drink following these tragic events.

Hitchhiker is the thirty-eighth studio album by Canadian singer-songwriter Neil Young, due to be released on September 8, 2017 on Reprise Records. Co-produced by Young and David Briggs with post-production from John Hanlon, the album was originally recorded on August 11, 1976 at Indigo Ranch Recording Studio in Malibu, California.