Thursday, December 23, 2010

Lately I’ve been preparing selected linocuts from the Moth Masks and Enchanted Hair Ornaments series for Metropolis Gallery in Geelong - a pleasant, relatively relaxing task to undertake as the old year draws to a close.

It’s been a busy year, but with many highlights. Despite the untimely closure of Gallery 101, where I was booked for a solo exhibition in September, I was able to find a superb alternative venue in Chrysalis Gallery. The show, which ran throughout October, was a singularly happy experience.

I was one of the selected artists for the 2010 Print Council of AustraliaMember Print Commission. The entire edition of Red Lacewinged Woman, 2010, linocut, hand coloured) has now sold out.

Moth Woman Vigilante #9, 2010, linocut, 15 x15 cm

Participating in Rona Green’s projects is always hugely rewarding. Her 2010 print exchange portfolio Fair and Square, which will be exhibited at Charles Sturt University in Wagga Wagga in April 2011, was no exception. When a project such as this one comes along, it can present artists with a priceless opportunity to push imagery and ideas just that much further. Moth WomanVigilante #9, made especially for Fairand Square, introduced a new direction for the Moth Masks imagery, which will be developed into a suite and possibly an artist’s book in 2011.

Moth Woman Vigilantes (blocks) 15 x 15 cm

Similarly, The Exquisite Palette at St. Luke Artist Colourmenalso encourages experimentation and play. As usual, the participating artists rose to the challenge. This year saw the introduction of the Exquisite Palette Award. With so many outstanding entries, it was a privilege to have my palette Behind the Mask judged Most Exquisite.

In the coming year I’m particularly looking forward to participating in Freak of Nature, alsocurated by Rona Green, a print exchangefolio and exhibition project involving artists from Australia, New Zealand, the United Kingdom and the United States of America. During September the collectedworks will be exhibited at Switchback Gallery, Monash University, Gippsland, in conjunction with IMPACT 7, the international printmaking conference at Monash University. The prints will also be exhibited at the King Family Exhibition Space, University of Colorado, Boulder, USA in January 2012.

Metropolis Gallery has invited me for the second year running to exhibit in Contemporary and Collectable, which will open on 9 July 2011.

Two solo shows are scheduled for next year. The first will coincide with my second stint as Artist in Residence at The Art Vault in Mildura throughout June. The second, in September at Woodbine Art in Malmsbury, Victoria, is also one of the Month of Print events connected to IMPACT 7.

Exterior view of my studio building in Melbourne

(my room is on the top floor, far right)

Much as I look forward to these projects, I’m aiming for a less hectic year than this one has been, with some travel plans and a bit more time out for coffees with friends, balanced, of course, with much quality time in the studio.

Wishing everyone a very Merry Christmas and a safe and Happy New Year.

Thursday, December 16, 2010

This was snapped on Saturday, December 11, the final day of the Lord Mayor’s Exhibition at Maroondah Art Gallery. Because of work commitments, it was the earliest I could make it there. Printmakers Jazmina Cininas and Marco Luccio won acquisition awards. The Lord Mayor’s Exhibition ran from 11 November - 11 December.

Above, left to right:

Campylotes desgodsini, Moth Mask, 2007, oil pastel, 112 x 76 cm and

Anthela OressarchaMoth Mask, 2007, oil pastel, 76 x 57 cm

ARTISTS' PARTY AT THE AUSTRALIAN PRINT WORKSHOP

On the evening of the same day the Australian Print Workshop threw an Artist’s Party to thank the artists who had donated work to IMPRESSIONS2010, the fundraising exhibition that opened on December 3.

The response at the opening the week before had been overwhelming, beginning with a long queue that started forming over 2 hours before the APW’s doors opened. I was amazed to see that my entire print edition had sold out within the first hour.

A highlight of the party was the one and only appearance of a disparate (and prodigiously talented) band of musicians comprising printmakers and APW staff.

Foreground left: The epitome of cool, artist and APW Band member Graeme Drendel leans nonchalantly on the bar. Far right: artists Brian Pieper and Ruth Johnstone

Centre: artists Michael Fitzgerald and the versatile Adrian Kellett, who was also the APW Band's drummer. Right hand side: Artist Wayne Viney with Roger Butler, Senior Curator of Australian Prints and Drawings at the National Gallery of Australia, who officially launched the evening’s festivities.

Following his opening address APW Director Anne Virgo announced that a complete set of the exhibiting artists’ APW Artists Proofs (APW A/P 2) has been gifted to the National Gallery of Australia.

The exhibition runs until February 12, 2011.

For full details of IMPRESSIONS 2010, including participating artists and opening hours, scroll down to Blog Post Saturday, November 20.

Thursday, December 9, 2010

Recently I received a wonderful surprise in my email inbox. Kate Murray, who teaches Art and Visual Communication at Lauriston Girls' School in Armadale, wrote to tell me that she had taken her Year 8 students to see my exhibition Natural Histories at Chrysalis Gallery . Back at their school the students were invited to create their own interpretations of the Winged Women paintings.

Three of her students’ drawings were attached to Kate’s email. I loved them, and was delighted when Kate offered to send some more examples. These arrived yesterday, and all are now reproduced above.

Tuesday, November 30, 2010

This newly completed painting is a commission that came out of my recent exhibition at Chrysalis Gallery - I'm just about to deliver it, and hope their client will like it.

The Wattle Blue is a South Australian butterfly, so called because of its favourite habitat, the glorious Australian Wattle Tree. For me its personal significance is twofold. I have just returned from a short trip to Quorn and Adelaide in SA, reuniting with family members, and wattle is one of my favourite flowers. The butterfly was sourced from an excellent textbook on South Australian butterflies purchased from theSouth Australian Museum.

So ends my last project for 2010, as the countdown to Christmas, already well under way, continues….

Saturday, November 20, 2010

Stages in the development of Unmasked, 2010, hand coloured linocut, 20 x 15 cm, edition 10. It was created for the Australian Print Workshop exhibition IMPRESSIONS 2010 limited edition prints by contemporary artists

Images from top:

Work in progress

Completed block

Proofing finished work

Participating artists

(Click on images to enlarge)

The exhibition will be launched on Friday 3 December from 6-8 pm and continues until 12 February 2011

Australian Print Workshop Gallery

210 Gertrude Street

Fitzroy Vic 3065

Phone: 03 9419 5466

Gallery Hours: Tuesday-Saturday 10 am - 5pm

Gallery closed for Christmas and New Year 25 December 2010 - 10 January 2011

Monday, November 15, 2010

Castlemaine Art Gallery and Historical Museum have just done an extensive rehang. We called into the gallery yesterday and enjoyed revisiting some of the collection's many highlights.

In conjunction with this, their latest exhibition (which opened on Saturday) focuses on artists from the Castlemaine region whose works are held in the gallery's permanent collection.

My own work, Femme Fatale, 1996, linocut with chine colle, is currently on view in the Benefactor's Gallery. It was acquired at the conclusion of the touring survey exhibition Deborah Klein - Out of the Past 1995-2007, which was guest curated by Diane Soumilas. The work originates from the Film Noir series (1995-1997.)

Tuesday, October 19, 2010

Here are a few shots, taken mostly during the early stages of the opening night. My partner Shane Jones was delegated photographer and took all but one of them. Thanks to Deborah Bradbury for the last photograph (directly above) of Shane and I with artist Hannah Bertram. Later it became too crowded and we got too distracted by the countless conversations that occur at a busy opening. It was fantastic to see so many people, including friends and fellow artists. Thank you to everyone who came and made it such a memorable evening for me.

Special thanks to Delwyn Freestone, Director of Chrysalis Gallery, who has taken so much care with every aspect of the exhibition. Warm thanks also to Andrew Gunnell of Chrysalis Gallery.

About me

I am a visual artist who makes paintings, drawings, prints and book art. In 2009 I founded Moth Woman Press, through which I publish my zines and limited edition books, beginning with ‘There was once… The collected fairy tales’, a small anthology of thirteen original stories illustrated with my prints, paintings and drawings. Currently I divide my time between Melbourne and Ballarat in South Western Victoria.