protecting cultural heritage

For custodians of the ancient heritage of the Middle East and North Africa, the recent rise of Islamist extremist groups has posed a dire challenge. Since its seizure of the historic Iraqi city of Mosul in early 2014, Islamic State has pillaged and demolished mosques, shrines, churches and other sacred sites across the region. The group continues to launch “cultural cleansing” operations from Tikrit to Tripoli.

In this grim procession, there have been occasional victories for culture over extremism, like the recapture last month of the ancient Syrian city of Palmyra, which may now be restored to something of its previous glory. A less familiar case of cultural rescue features an unlikely hero: a 51-year-old book collector and librarian named Abdel Kader Haidarain the fabled city of Timbuktu, in the West African country of Mali.

The story begins in April 2012, when Mr. Haidara returned home from a business trip to learn that the weak Malian army had collapsed and that nearly 1,000 Islamist fighters from one of al Qaeda’s African affiliates, al Qaeda in the Islamic Maghreb, had occupied his city. He encountered looters, gunfire and black flags flying from government buildings, and he feared that the city’s dozens of libraries and repositories—home to hundreds of thousands of rare Arabic manuscripts—would be pillaged.

The prizes in Mr. Haidara’s own private collection, housed in his Mamma Haidara Commemorative Library, include a tiny, irregularly shaped Quran from the 12th century, written on parchment made from the dried skin of a fish and glittering with illuminated blue Arabic letters and droplets of gold. His collection also boasts many secular volumes: manuscripts about astronomy, poetry, mathematics, occult sciences and medicine, such as a 254-page volume on surgery and elixirs derived from birds, lizards and plants, written in Timbuktu in 1684. “Many of the manuscripts show that Islam is a religion of tolerance,” he told me.

Mr. Haidara knew that many of the works in the city’s repositories were ancient examples of the reasoned discourse and intellectual inquiry that the jihadists, with their intolerance and rigid views of Islam, wanted to destroy. The manuscripts, he thought, would inevitably become a target.

❤ Follow Me ❤

Social Media

Call for Artists or Historians

If you have a piece of art, exhibition, or event you would like featured in this blog, send me an email with the details. I'm very interested in helping artists and historical institutions attract visitors to their cultural work!