Mertvyj Piven', Victor Morozov. Afrodyziyaki.

And I will say again with great pleasure that an alive concert is usually quite different from a studio recording, especially in the case when we are talking about such queer musicians as Victor Morozov and "Mertvyi Piven". If you have not heard them before, you will regret that, especially if you start your acquaintance with them with this disc. And when medical aphrodisiacs help to love physically, these "aphrodisiacs" assure people with a certain turn of mind that it is necessary just to love their life which is so transient, so nervous but still so exquisite, as real things always exists behind the words but not in them, between lines but not in rhymes.

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HYCZ Orchestra are intelligent hooligans who manage to implement sometimes non-obvious musical ideas in an elegant and obviously quite simple way. But this simplicity is a consequence of technical skills, creative freedom, tact and taste, so fragrant surprises can be found in almost every song of "Whole" album, the potency of it is okay.

..For all of us sometimes need simple things, in which one can see a clear reflection of this complex world. However, Serhiy Shyshkin's songs are not that simple – but there is no posing to trick one's eyes, so everything looks crisp and clear. Ironic, sad, hard, just smiley – everything is here...

...the album again suggests the idea that the war for independence of Ukraine that started dozens of years ago – lasts till now. And now even more than ever before it is opposition of identities – because external, political and geographic independence is worth nothing unless it is founded on internal freedom. To quote the song – "...to be oneself and to be proud".

Yuri Gnatkovsky does something quite different, not in line with the general massive of Ukrainian pop and rock music. But – yes, it is light, and bright, and beautiful, and with a taste of jazz. The taste is, actually, not weak – because half of compositions of the album are based on old, known, classic jazz plays.

"Light and confession" – this is aspiration for renewal of feedback between me and my Father, between present generation and the generation of 1970-s", Taras Chubaj exposes the sacral content of the album.