A strange thing has happened, a very strange thing indeed. We got ourselves this new addition to the cast of Real Housewives of Orange County and, well, it turns out she's kind of like a real, sane human being. Even crazier, she seems like a real, sane Christian which, after years and years of being abused by the Testament of Our Lord and Savior Jim Bellino, seems incredibly unlikely. But now it's happening, Our Lady Lydia, patron saint of bird squawking and party crashing, is an actual real sane human being.
Of course we began this episode with a rehash of Tamra throwing Alexis out of her Empty Gym Jamboree. Man, that was quite a moment. And we get a bit of the aftermath with Alexis going out to sit in the limo and wait for Vicki and Lydia to be ready to leave. The crazy thing that happened was, when Lydia followed Alexis – her friend who she was supposedly there to support – she told Alexis she was dead wrong. Yup, that's our Lydia McLaughlin, just a chicken carcass full of surprises.
Yes, Lydia tells Alexis that all the other women were just trying to share their opinion and that they weren't bullying her. Just because they all have a different opinion than Alexis doesn't mean they're ganging up on her and calling her names and inflicting physical pain. Lydia told Alexis that she shouldn't say she's being "bullied" because people kill themselves over being tortured at school by kids bigger, stronger, and more popular than they are. This caused Alexis to snap back, "I had to go on Xanax because of this, Lydia." Yes, in Alexis Bellino's little brain, committing suicide and taking Xanax are the same thing. Yup, they are equal tragedies, and the fact that she even needs little pills to relax is just as bad as a teenager who has been called a "faggot" every day of his life hanging himself in his bedroom. One and the same really.
God, Alexis is just the living worst. The thing is, we all know she's not being bullied. Here is the biggest difference between Alexis' situation and that of every other child in the world who has been bullied: Alexis can leave. At any given moment, Alexis can over-pack her bags (the only way a Housewife knows the travel) and never see the people who are "bullying" her again in her life. It's that easy. She can just be rid of them and everything they have to say about her with the snap of her fingers. For the kids who do commit suicide because of this problem, they can't stop going to school. Well, many of them do and then their grades slip and their parents get upset and the truant officer comes looking for them and they're forced back to class and then they have to be bullied and they're failing and life just gets worse and worse until it seems like there is no escape. They are left completely hopeless. That is why they kill themselves, because they can't leave.
This is not Alexis' situation. Alexis just needs to make one call to Andy Cohen and she can have her life back. She may be getting ganged up on (and, seriously, she is) but she is not being "bullied" because she can just walk away. She can rip up her contract, go back to civilian life, and never have to deal with the dragon fire breath of Tamra Barney and Heather Dubrow and Gretchen Rossi ever again. But she does not because she has a dress line and a trampoline park and a brand of kosher hair extensions to promote. OH, and a paycheck to collect, so as long as that's happening, she's just going to have to suffer through it. Maybe she should just request hazard pay and then shut up about the bullying.
Lydia totally gets this and Tamra Barney (we'll get to her in a minute) eavesdropped this whole conversation about Lydia thinking Alexis hasn't been bullied, and reports it back to the other ladies, so Lydia is already making some allies and she doesn't even know it. Later when Lydia goes to visit Alexis, who is wearing a blinged-out brain bandage from thinking with her pretty widdle head too much. It looks like one of Blossom's hats with the top cut out and she has on bright red lipstick like she's dressed up for one of those Ye Olde Thyme pictures that you take on the boardwalk. Anyway, Lydia says, "I can tell why no one likes her, she can't handle one bit of criticism." Yes, I love this Lydia, I really do. Then she says perhaps the smartest thing a Real Housewife has ever uttered. She tells Alexis to stop worrying about who is right and who is wrong and who said what and who invited whom to what party and when. "If you get caught up in in keeping score you'll end up a loser." Bingo, Lydia! Bingo. She has this whole freaking gig figured out already and this is, what, like her third episode? Let's just hope that, going forward, as the chits on her tally list start to add up that she doesn't become a score keeper herself. And even better, she says, "Jesus asks us to forgive everyone," so if Alexis is really half the Christian Lydia is, she'll be better at forgiving. (PS--I talked to Jesus and he loves Lydia more.)
I totally get what Lydia is saying too. There is no more substance to anyone's arguments. They're not arguing about anything. They're just arguing. They're just saying, "You're stupid." "No, you're the one whose stupid." "I can't be stupid." On and on like a bunch of nursery school who are a little woozy from eating too much mint-scented paste. Alexis' big gripe is that all these people gang up on her and that she doesn't know why they don't like her. "I wish I knew!" she exasperates to Lydia. Um, Alexis. They sat you down in Costa Rica, which was supposedly some awful traumatic event for you, and they told you exactly why they don't like you. They think that you are materialistic and argumentative and that you make things up and that you say things to try to impress people and those things aren't true or impressive. That's why they don't like you. How could we make this more clear for you? Make you an illustarted sticker book with activities? Maybe a connect the dots and a word find where you have to circle the name of every label you've ever uttered on this show? Why don't you, maybe, work on yourself and fix the things that annoy them and maybe they will stop being mean to you? Hmm, Alexis? Hmm?
Now, I don't want people to start thinking that just because I hate Alexis it means that I'm Team Tamra or something. No, that is not the case. Well, maybe it is. I enjoy watching Tamra on television because she is clever and attractive and says funny things. However, I would never ever in my whole life what to sit next to Tamra and eat steamed vegetables and grilled fish (which, along with sadness, is the only things that Real Housewives are allowed to survive on) at a dinner party. Tamra is a gila monster with a manicure, don't get me wrong. She is fun TV, but awful at life.
Vicki was right when she pointed out that everyone who has ever crossed paths with Tamra has somehow angered her and she has lashed out with them. She changes partners more than Ron Jeremy at a swinger's convention. There's no loyalty or rationale to who is her bestie at any given moment, it's just whoever Tamra has managed to not piss off (or convince to forgive her) at any given moment. Tamra really has some serious Anger Management issues. By that, I mean that she has the entire first season of Charlie Sheen's sitcom Anger Management recorded on her DVR and its' taking up valuable space. No, seriously, this bitch needs to get it together. Someone needs to teach her to simmer down.
I hate to say that Vicki Gunvalson is right about Tamra, but she is a bit. But let's not forget what started the fight between Vicki and Tamra: Brooks. Yes, he is the cause of all of this. He is currently the cause of all of Vicki's problems. Everyone hates him and thinks that he is trying to take advantage of her and she refuses to listen to anyone. So, yes, Tamra does fight with everyone, but at least this fight between her and Vicki seems to be worth it.
Now we have to talk about Vicki and Brooks because, well, that seems to be all that anyone wants to talk about. Her whole family comes to town (including her dreamy ginger nephew Kyle, who also happens to be a deaf mute) and all they want to do is tell Vicki how she never should have gotten rid of Donn with both of his N's and that Brooks is bad news. Yes, we all know. Everyone knows! Bashing Brooks is about as fun as, I don't know, eating stale jelly beans three months after Easter. It's still pretty good, but it leaves you a total mess, it's out of season, and you just feel kind of sickly afterwards.
As much as I hate Brooks and love Brianna, Vicki's son-in-law Ryan is sort of creeping me out. He has all these cameras set up around the house to enforce his "No Brooks Near My Baby" policy which, well, that just seems crazy. Why, exactly, the cameras? She he can look and make sure Vicki doesn't sneak Brooks in or have him over when they're not around? Does he trust her so little? If that's true, then the problem is between her and Ryan and not with Brooks, and no amount of cameras in the world will fix that. And I don't doubt that Brooks is an awful person that Ryan doesn't want to make jokes about hookers with, I don't doubt that at all, but, man. Craziness.
Later Vicki and her raspy-throated brother Billy go to visit her son Michael. Vicki's son will not give his mother his address and instead meets her at a bar. First of all, Michael looks really good. Second of all, he is apparently brilliant. He is sick of the torture and indignity of having Vicki as his mother and intruding on his life all the time and forcing him to put on a clean polo and have a beer with her on camera to prove they're cool. Michael plays along, but he's obviously not having it. He's also not having the Brooks hatred, especially. He says that the guy is always cool with him, but based on how much time he spends with his mother (which is, none) he has probably spent just as much time with Brooks. Consider the source. Also, this is all sad for Vicki.
Billy tells Vicki the truth when she bitches about Ryan and Brianna not wanting Brooks around: she needs to choose. She either needs to tell the two of them that it's her house and she makes the rules, whether or not they pay rent, or she needs to give up Brooks. I mean, that's the long and short of it. This man has caused her nothing but problems and everyone is telling her to choose between him and them, so she has to choose. Having them both is increasingly not an option and as soon as Vicki realizes that, I think she'll be better off. I just don't think she's going to want to deal with the consequences in either direction but just dragging it out is only making it worse for everyone. Life is all about choices. She already chose a reality career over knowing her son, so this should be easy.
But let's go back to the Empty Gym Jamboree just for a second. After Alexis left all the women enjoyed the rest of their dinner, including strange green shakes that tasted of devil weed. Tamra poured some gin in hers and called it a Rosemary's Baby. They drank and talked about laughed and hollered. The clock struck midnight and a big gong sounded through the empty gym.
"It is time," Tamra said, rising to her feet. All the women rushed over to the side and stood in a circle. Gretchen took the salt shaker off the table and twisted the top off and threw it back onto the table, she slowly poured the salt out in a continuous mound as she walked all around the gathered women. Then she stood inside the circle next to them. Then Heather took a piece of chalk from her clutch and crouched down in her heels. She started drawing on the ground, first a big circle inside Gretchen's salt ring, in front of the women's feet. Then she drew a line from one woman to the next until it completed a pentagram, each of the five guests standing at the point of the star.
"Join hands," Tamra said, and she reached out of her bellowed sleeve and they all clasped lightly as the wind picked up outside and there was a rumble in the distance that sounded like a thundercloud or an 18-wheeler being driven off the highway. Tamra started chanting, no, not even. It was just a sound, a gutteral sound that filled up her mouth with a vibration that echoed through all of them. They all made a sound in the same tone and slowly they started to rock back and forth and the wind rushed in through the giant open garage door in swirling eddies, driving all of their garments up into the air and their hair flying into their faces.
Tamra stepped inside the circle and the women on either side of her closed the gap and grabbed hands. She walked to the center of the star and put down three candles. "I welcome you maiden," she said and the first one burst into flame. "I welcome you mother," she said and the second one burst into flame. "I welcome you crone," she said as the final one burst into flame and then stepped inside their triangle. The woman's tone had gotten louder now and they started to mouth strange foreign words that only they seemed to know the meanings to. The wind was howling through the room and moving the furniture, making the glasses on the table start to call out with little twinkles, and it seemed like a tornado would start and whisk them all away to Oz.
Tamra raised her hands up in the air, chanting the name of her dark lord that was unseen. The candles started to glow brighter, the flames reaching almost all the way up to Tamra's hands and the outer ring of the pentagram glowed like there was a rave happening in hell and we were peeking at all the glow sticks. Tamra raised her head up and shouted her incantation to the heavens. Then she lowered her head and stared directly out into the dark night. "Alexis," she said. And as soon as that utterance was complete, the wind suddenly stopped and everything was eerily still. The woman let go of each other's hands. Tamra spun around three times in a circle and the candles extinguished themselves. She picked up a glass from the table nearby and put its' rim in the salt circle that had remained, during the entire ritual, unmolested.
She stood up and held the glass out, addressing the group, "Margarita, anyone?"
Follow Brian Moylan on Twitter @BrianJMoylan
More: 'Real Housewives of OC' Recap: Everyone Hates Alexis Bellino'Real Housewives of OC' Recap: Meet Lydia McLaughlin'Real Housewives of OC' Recap: There's a Problem With Vicki's Face
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Seth Cohen Returns to TV: The OC’s Adam Brody is heading back to the small screen, but this time he’s not headed to the pretentious-yet-posh O.C. Brody will join the cast of House of Lies for a two-episode arc as Jeanne’s (Kristen Bell) new love-interest. But here’s where it gets good: Brody will play the owner of an adult toy company. Something tells us that Sandy and Kirsten would not approve of the former comic book lover’s new career choice. [The Hollywood Reporter]
Pretty Little Love Interest? How I Met Your Mother is getting a visit from one of ABC Family’s Pretty Little Liars. Ashley Benson has been cast to guest star as an unconventional love interest for one of the MacLaren’s Pub regulars on the comedy’s Jan. 21 episode. Earlier this week CBS Tweeted that Benson would be playing “Barney’s ????” Our money is placed on the little liar playing Barney’s sure-to-be legendary little sister. [TV Line]
The Office Nabs a New Teammate: Julias Erving—aka Dr. J—is set to appear in an upcoming episode of The Office as…himself! Shocking we know. According to EW, Dr. J. “becomes an investor in the sports marketing business that Jim (John Krasinski) is trying to launch in Philadelphia, where Erving scored more than a few baskets as a 76er.” You can catch the basketball star on the NBC comedy January 17. [EW.com]
TLC Gets Morbid: The Network that brought us Honey Boo Boo has another TV gem that they’d like to add to our holiday lineup: Best Funeral Ever. Oh yes we’re serious. The Learning Channel is airing a one-hour special December 26 that goes inside the Dallas-based Golden Gate Funeral Home where a staff is ready to organize the most unique and extravagant funerals ceremonies. According to TLC’s press release, “The Golden Gate staff works with the families to create a central theme for a memorial and then elevates it to an unforgettable party.”
Real World: Hatfields &amp; McCoys: Following the huge success of the miniseries Hatfields &amp; McCoys, The History Channel is developing a reality series featuring the descendents of the two families. Details surrounding the upcoming series are being kept very hush-hush but fingers crossed that these two families have reconciled their differences by now. [Deadline]
More Whitney To Come: NBC has given Whitney an additional three episodes in their second season, bringing their total up to 16. [Deadline]
Follow Leanne on Twitter @LeanneAguilera
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You know those nights where you just fall into a YouTube hole watching video after video in the "related" sidebar until you look up and it's 2 AM and you have nothing but a sore mouse finger and tired eyes? Well, when that happens to me, I'm more often then not watching clips of performances from musicals at the Tony Awards. Since stage shows are so rarely recorded, the Tonys offer us a rare occasion to get some of the greatest production numbers on tape. Since we're talking Broadway, the production is absolutely insane. Flying witches, men riding camels, dancing grannies, and tap dancing sailors. It's enough to make your mind absolutely dizzy (and giddy) with craziness.
Before we see Neil Patrick Harris' sure to be amazing opening number at Sunday's Tony Awards show, here are 10 of my all-time favorite, ridiculously amazing Tony Award performance numbers ranked in order of absolutely insanity. (And, no, I did not include Bret Michaels busting his head open on a set.)
Dreamgirls, "And I'm Telling You": Before Jennifer Hudson made it famous in the movie, this power ballad was belted out by Jennifer Holliday on the Great White Way. The only thing crazy here is how good her voice is.
Ridiculousness Rating: 1
Anything Goes, "Anything Goes": Who doesn't love sailors? Who doesn't love a huge tap number? Who doesn't love sailors in a huge tap number? There's a reason this Cole Porter musical picked up the trophy for Best Revival at least year's ceremony (and the tune is still stuck in my head). Oh, and don't be tempted to click on the Patti LuPone version that will pop up after you watch it. She can't hold a candle to Sutton Foster. (Blasphemy!)
Ridiculousness Rating: 2
Evita, "A New Argentina": Speaking of Ms. LuPone, check out her completely insane hairdo when she played the original Eva Peron back in the '80s. My favorite moment (thanks to Broadway legend Seth Rudetsky who pointed it out) is at the end when Patti goes to link arms with her husband but he's a step too far away and she totally whiffs. It's just a millisecond — but now that you know about it, you will always see it.
Ridiculousness Rating: 3
Sunset Boulevard, "As If We Never Said Goodbye": Now we're getting into serious camp territory with Glenn Close performing the big number from Andrew Lloyd Webber's doomed '90s musical. What I love is that there is this huge set filled with extras and props, but the only person moving or singing is Close. She is ready for her Close up, and no one better interfere.
Ridiculousness Rating: 4
Wicked, "Defying Gravity": Wow, this is our second Joel Grey introduction on the list, but by far the crazier production. I mean, one of the women is painted green and she's riding on a broomstick. This video was definitely an influence on Glee's Kurt Hummel in his formative years which explains a lot of his wardrobe choices. As insane as this is, try not to melt like a witch in water when Idina Menzel sours up in the air for her big finale.
Ridiculousness Rating: 5
The Producers, "Little Old Lady Land": Every wonder what The Rockettes will look like when they have walkers? No, I'm sure you haven't — but this musical does. We get Nathan Lane, Matthew Broderick, and a kick line full of knickers. There's nothing else like it.
Ridiculousness Rating: 6
Hairspray, "You Can't Stop the Beat": Who ever thought a movie by "Pope of sleaze" John Waters would be a crowd-pleasing, family friendly musical? Thankfully, they kept the crazy wigs, wacky costumes, and a drag queen hiding in a huge can of hairspray. There's nothing better than a song with a good tune and a better message... except maybe a drag queen.
Ridiculousness Rating: 7
Grey Gardens, "Revolutionary Costume for Today": This musical — based on a documentary about an eccentric (and possibly mentally ill) mother and daughter related to the Kennedy clan and living in squalor — wasn't a box office hit, but it did win Christine Ebersole a well-deserved trophy for her staunch performance bonkers recluse "Little Edie" Bouvier Beale. (Oh, and if you haven't seen Grey Gardens the documentary or the movie with Jessica Lange and Drew Barrymore, get yourself to Netflix, stat).
Ridiculousness Rating: 8
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Into the Woods, "Children Will Listen": Into the Woods is probably Stephen Sondheim's strangest musical, and considering he wrote a show about a cannibalistic barber, that is some feat. This medley starts with the show's opening where a bunch of fairy tale characters (including a plastic cow) head into the woods and ends with Claire Huxtable, turning from a witch into a princess who sings the ballad "Children Will Listen." It's a tonal shift that you can't find anywhere else. And Jessica Fletcher introduces the song. I'm surprised someone in the audience didn't turn up murdered.
Ridiculousness Rating: 9
The Boy From Oz, "Not the Boy Next Door": OK, first we have Hugh Jackman in a leopard print shirt and bulgetastic tight gold lamé pants, riding a camel. To repeat: Hugh Jackman, leopard, bulge, gold pants, camel. Then he makes a penis joke. Then he gyrates all over the stage. Then he ambushes Sarah Jessica Parker (seated next to a pre-gray hair Andy Cohen) and drags her up on stage to do some gyrating of her own. I mean, this is Tony zaniness legend, right here.
Ridiculousness Rating: 10
Oh, because I couldn't leave this one out:
Cats, "Memory": It is a woman dressed up as a singing cat!
Ridiculousness Rating: 11
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Tony Awards
Follow Brian Moylan on Twitter @BrianJMoylan
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Neil Patrick Harris' Tony Awards Promos: Part Broadway, Part Barney
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Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
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Have you ever wanted to own all of the Friday The 13th films? Even Jason Takes Manhattan? Well, good news: the Friday The 13th Ultimate Collection is coming to DVD. The 31st anniversary collection includes deluxe editions of the first eight Friday films, including a 3D edition of Friday The 13th: Part 3. This limited edition includes a collector’s booklet, hours of deleted scenes, and a replica hockey mask, perfect for scaring the crap out of your friends/playing hockey. The DVD set will be released on October 4, in time for Halloween. (Unfortunately, the 13th in October is only a Thursday)
DVD Features include:
The FRIDAY THE 13th-Uncut Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround and English, French and Spanish Mono along with English, French and Spanish subtitles. Bonus material includes:
Commentary by director Sean S. Cunningham with cast and crew
Fresh Cuts: New Tales from Friday the 13th
The Man Behind the Legacy: Sean S. Cunningham
Friday the 13th Reunion
Lost Tales From Camp Blood – Part 1
Theatrical Trailer
The FRIDAY THE 13th Part 2 Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround and English, French and Spanish Mono along with English, French, Spanish and Portuguese subtitles. Bonus material includes:
Inside “Crystal Lake Memories”
Friday’s Legacy: Horror Conventions
Lost Tales from Camp Blood – Part 2
Jason Forever
Theatrical Trailer
The FRIDAY THE 13th Part 3-3D Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround and English, French and Spanish Mono along with English, French, Spanish and Portuguese subtitles. Disc contents are as follows:
3D Version of the film (includes 3D glasses)
Theatrical Trailer
The FRIDAY THE 13th THE FINAL CHAPTER Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround and English, French and Spanish Mono along with English, French, Spanish and Portuguese subtitles. Bonus material includes:
Commentary by director Joe Zito, screenwriter Barney Cohen and editor Joel Goodman
Fan commentary by Adam Green and Joe Lynch
Lost Tales from Camp Blood – Part 4
Slashed Scenes
Jason’s Unlucky Day: 25 Years After Friday the 13th The Final Chapter
The Lost Ending
The Crystal Lake Massacres Revisited Part I
Jimmy’s Dead Dance Moves
Theatrical Trailer
The FRIDAY THE 13th PART V: A NEW BEGINNING Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround and English, French and Spanish Mono along with English, French, Spanish and Portuguese subtitles. Bonus material includes:
Commentary by director/co-screenwriter Danny Steinmann with cast and crew
Lost Tales from Camp Blood – Part 5
The Crystal Lake Massacres Revisited Part II
New Beginnings: The Making of Friday the 13th Part V: A New Beginning
Theatrical Trailer
The FRIDAY THE 13th PART VI: JASON LIVES Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround, English 2.0 Surround and French and Spanish Mono along with English, French, Spanish and Portuguese subtitles. Bonus material includes:
Commentary by director Tom McLoughlin with cast and crew
Lost Tales from Camp Blood – Part 6
The Crystal Lake Massacres Revisited Part III
Jason Lives: The Making of Friday the 13th Part VI: Jason Lives
Meeting Mr. Voorhees
Slashed Scenes
Theatrical Trailer
The FRIDAY THE 13th PART VII: THE NEW BLOOD Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround, English 2.0 Surround, French Mono and Spanish Mono along with English, French, Spanish and Portuguese subtitles. Bonus material includes:
Killer Commentary by director John Carl Buechler and actors Lar Park Lincoln and Kane Hodder
Jason’s Destroyer: The Making of Friday the 13th Part VII: The New Blood
Mind Over Matter: The Truth About Telekinesis
Makeover by Maddy: Need a Little Touch-Up Work, My Ass
Slashed Scenes Intro
Slashed Scenes
The FRIDAY THE 13th PART VIII: JASON TAKES MANHATTAN Deluxe Edition DVD is presented in widescreen enhanced for 16:9 televisions with Dolby Digital English 5.1 Surround, English 2.0 Surround, French 2.0 Surround and Spanish 2.0 Surround along with English, French, Spanish and Portuguese subtitles. Bonus material includes:
Killer Commentary by actors Scott Reeves, Jensen Daggett and Kane Hodder
New York Has a New Problem: The Making of Friday the 13th Part VIII: Jason Takes Manhattan
Gag Reel
Slashed Scenes