Come now, be content.
I will come back to you, I swear I will;
And you will know me still.
I shall be only a little taller
Than when I went.~Edna St. Vincent Millay

Thursday, August 14, 2008

Bullet Points, August 08

Ok, wow. When I said I wasn’t going to be blogging much this summer, I had no idea that I would go weeks without even a peep! I’ve had a couple of blog-related dreams this week, so maybe it’s time to check in. Rather than try to put the past month in any kind of order, it’s time for... you guessed it: bullet points! Maybe I’ll follow up with a Picture Pages post...

* It’s been a summer for blasts from the past. In Cleveland for my Symphony gig, I was reconnected with FD, with whom I first worked three years ago in Atlanta. Also in Cleveland, I recognized one of the flute players from my days at Tanglewood. It’s so cool to work with these top orchestras and discover colleagues who have won those fiercely competitive jobs. Congrats, SSC! Another blast (in more ways than one) has been working with TS here at Wolf Trap. I first met him in Santa Fe in 2006 where he directed my scene on the Apprentice program, my first encounter with Lucia... He’s been our director for Ariadne here, and his creativity and enthusiasm have been contagious. See below for more.

* The next blast from the past came a few weeks ago, in an email entitled “10 years ago.” GH, a fellow student at the University of Georgia, is now the director of a top choir in Texas. He was also one of the first people to encourage me to switch from education to performance, saying “I think you might just have something there.” We will catch each other up on the events of 1998-2008 when I sing with his group in December. How cool is that?

* Ariadne rehearsals are over; we open tomorrow night. You can see a bunch of pictures on Kim’s blog. You will see that my costume for the first act (The Prologue) is, well, a bit on the skimpy side at times. It has been my first experience with semi-nudity onstage, something I knew I’d face sooner or later, so I’ve been really happy to do it here, at a very supportive company with a great professional (read: mature) cast and a director I admire and trust. I was free at any time to draw the line, but this always felt like the “right” thing for the scene/character/world we’d all created onstage. But, in any case, I’m kind of glad my folks aren’t at this one... Wait until I’m naked in Germany and come make a vacation out of it!

* One more plug for TS: it was pretty wonderful to look out at the director’s table during rehearsals and see him smiling and laughing or intently focused on the drama. It felt great to have a director who was excited every day to make some magic! Before we started one of our final days of initial staging, he started rehearsal by saying, "I couldn't sleep last night 'cuz I was so excited to come stage this!" That, my friends, is what you want to meet when you come to work! It’s been a pleasure, TS; can’t wait to do it again.

* The biggest thing I’ve learned during this show, however, is that Zerbinetta is not in my cards. I’ve been trying on and off for an hour to try and sum up why, but I don’t think it’s a bullet point topic. I’ll try to get some thoughts down about our parting soon, but for now, it was a very amicable separation.

Some non-singing bullet points:* New tunes I’ve been digging this summer: Chromeo, St. Vincent, She & Him (fantastic album), Fleet Foxes, Jason Mraz, Regina Spektor. (Many thanks to Maury for that last one; I, too, was late on the bandwagon...)

* The Olympics are awesome and all-consuming. But this is not news.

* I’m way behind on updating the blogroll, but for now, check out Sestissimo at Trying to Remain Opera-tional. She’s a great writer, and she’s about to travel to South America to sing Musetta in Boheme. Expect some great stories!