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In autumn he made an acquaintance with August Macke and Wassily Kandinsky, and in winter he joined the editorial team of the almanac Der Blaue Reiter, founded by Franz Marc and Kandinsky.On meeting Kandinsky, Klee recorded, "I came to feel a deep trust in him.

The name of this art exhibition was Schwarz-Weiß, as it only regarded graphic painting.In 1910, he had his first solo exhibition in Bern, which then traveled to three Swiss cities.In January 1911 Alfred Kubin met Klee in Munich and encouraged him to illustrate Voltaire's Candide. His early inclination towards the absurd and the sarcastic was well received by Kubin, who befriended Klee and became one of his first significant collectors.Klee was a natural draftsman who experimented with and eventually got deep into color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance.He and his colleague, the Russian painter Wassily Kandinsky, both taught at the German Bauhaus school of art, design and architecture.