Monday, 4 October 2010

I was at this club I've been to a couple of times, and I actually never knew the area was Collingwood until Saturday night

Anyway, I'm standing there talking to this guy about him being in the Cech Army, as you do, when this girl whos' sitting on a chair on the table opposite me looks at me and gestures for me to come over.

I think "allllllrrrright!!!" and gingerly go over to her, and lean down to hear her.

She says: "You're a bit of an asshole, aren't you".

Sure, I've been out of the game for a while, but I gotta admit that's the strangest pick up line I've ever heard. However, she was obviously a Collingwood supporter, so you know, could be their mating call.

I say "how do you mean?"

She then dribbles some shit about me talking about her. Somehow, even though until the point where she gestured to me did I even look in her direction, she thought we were talking about her.

I just looked at her. I was dumbfounded.

Then I said "Sorry love, you're mistaken" and wandered off. Of course, after this incident, I proceeded to talk about her, telling my friends of just what happened (they all thought I was going to pick up too)

Wednesday, 11 August 2010

Before you vote Green this election because you don't like Lib/Lab, remember, they are just the same, only smaller.

They want to work within the system, so therefore they are part of the system and therefore part of the problem.

After all, how can such a "progressive party" who are so positive about Climate Change and Internet Filtering and all those nice and feely good things endorse someone like Dr Clive Hamilton, the so-called ethics professor, whose ethical standards are about that of a male bulldog with blue balls in a room full of bitches on heat...

Friday, 6 August 2010

I was recently asked to be a reporter for a games website - justpushstart.com

One of my first stories was going to be on Michael Atkinson and how he, after accusing the Liberals of inventing a person to criticise him in the newspapers, was doing it himself. I had grand dreams of bringing Atkinson to his knees and him resigning in disgrace.

So, for my story I did a bit of research and came up with a lead, and, as I've been properly trained to by the good folks at the University of South Australia, I followed up on that lead with a simple email inquiry.

However, it turns out I was wrong.

The person I thought was an Atkinson plant turned out to be real, and indeed wrote an article which was published. In a sense, you can say I did "an Atkinson".

And although the author of this article holds a difference of opinion to me, I find that perfectly acceptable as I am civil enough to respect peoples difference of opinion.

However, here's where things get a bit crazy.

Although I made a simple inquiry via email, the person I contacted decided rather than reply to my email like a civil, mature, and well adjusted person finding themselves in the same position would, they would visit my website, find out my gamertag, and reply to me via Xbox Live.

This is incredibly creepy.

You may say "but Funky J, you stalked this person yourself!" but you would be wrong.

I had a legitimate reasonable doubt to the authenticity of this publication, and was following a lead for a story I was planning to write. Following leads is what all good journalists do before writing a story.

You see, instead of just accusing people of being fake like Michael Atkinson did, I did my research and found a lead, which I followed. I told that lead up front why I was contacting them, what I was doing, and what my angle would be. That was to be the extent of my contact with them if they so wished it. I was wrong, so I will not pursue that story nor will I contact that individual again over this matter.

However, I feel this person responded in what I consider is the most childish fashion imaginable by stalking me and accusing me of harassment. What makes this worse is this individual holds a valuable position within society and under normal circumstances would be seen as an upstanding citizen.

So I'd just like to take this opportunity to suggest to this individual they should think about how they respond to people in the media in future. Something like this might look bad if, for example, I had good friends in the media or maybe related to their field of employment, or even a good cop friend, and had a mention of this odd behavior in their ear.

But then again I'm just a immature gamer, I couldn't possibly know anyone of any importance... Could I?

Wednesday, 16 June 2010

OK, ok, I know I promised to update this site more often, but it's not happening.

Firstly, I don't like posting from my iphone. I find the app too annoying, and the touch keypad too awkward for long posts.

I'm getting up at 6am, getting home at 6pm, and when I get home from work I just want to catch up on the day I've missed by reading Kotaku, IO9, Gizmodo, The Older Gamers, inthemix, Penny Arcade, my Google Reader links, and Facebook.

And of course, cook and eat dinner, watch the news, and play videogames. Because of the early mornings and 2 hour travelling time a day, by 10pm I'm ready for bed.

So I have very little time to blog.

And besides, I'd just bitch about how much I fucking hate Call Centre work for exposing me to the flotsam and jetsam of this great country we call Australia, which is hardly productive.

Unsurprisingly enough, I'm very good at my job. I came second in the class overall after James, who has worked in a call centre with the program Seibel before.

I also got a 100% Customer Satisfaction Survey in my first week, and hit most of the early targets that have been set for us n00bs.

And the call centre has some of the nicest looking women I have seen in Melbourne to date.

But I can't help but think, when I'm applying myself like this to a shit job that's going to take me nowhere and make me hate most of the obviously underprivileged people of whom I used to call Brothers and Sisters in the fight against "Da Man!" by exposing me to their sheer stupidity and unwillingness to learn (I mean how fucking hard is it to understand a god damn phone bill!? ), what do you think is going to happen when I get a decent job in gaming or music journalism?

Actually I can see my eagerness and amazing talent is probably frightening to perspective employers, and I think that's why I have been unsuccessful in gaining a job in games or music journalism to date...

Sunday, 30 May 2010

Dennis Hopper died today, and Easy Rider is one of my favourite films. I don't own it, and haven't previously copied it from a friend, so it's not in my collection.

I thought I had it on video tape, but I was wrong... I've got Roadside Prophets instead, which is a homage to Easy Rider and has Adam Horovitz (Adrock from the Beastie Boys) in it...

Anyway, it's very cold outside, the video store is ages away up a hill, I'm warm and toasted, and besides, my flatmate has my video store card and she'd in Adelaide at the moment.

So I thought "aha! These movie download services should have it!" So I looked on Xbox, PS3, and bigpond downloads.

Nothing.

Dennis Hopper has died, and they don't have Easy Rider up on their service.*

These systems are meant to be instant and applicable to modern life. Why isn't there a whole heap of Hopper Films in these libraries?

I know if I did go the video store I could get something he's in that I like - Easy Rider, Blue Velvet, Apocalypse Now.

Look at the instantaneous nature of the rest of the web: heaps of people are posting and linking youtube videos to their facebook in tribute to him.

And when I look at the torrents sites, I find it instantly, and with the amount of interest in the film there are thousands of others downloading it, meaning I can grab it within an hour.

This is such a huge wasted opportunity for the Movie Industry as a whole, and also the download services provided by Sony, Microsoft and Bigpond, and if these services want to compete with piracy and traditional retail stores, then they've got to offer something pirates and retail stores do but at a better quality and better price and move to take advantage of the immediacy of the internet.

*EDIT: I did find it in the iPhone Store, but I'm not going to buy it if I can't watch it through my TV. I stream video through my Xbox or PS3 to the TV. I'm not hooked up otherwise, so can't stream Apple bought shows through the house to the TV without first hacking them.

Monday, 24 May 2010

OK, with YouTube now bringing music clips to the masses, I thought I'd start a weekly "If I were to host Rage" post showcasing my favourite songs and more importantly why I like them

I can't remember who introduced me to Cracker, but this song reminds me of being a teenager. I definitely love the lyric "what the world needs now is another folk singer like I need a hole in the head"
Cracker - Teen Angst.

This reminds me of my good mates back in Adelaide. We used to play D&D and Doom together. Once, my friend Kris started singing alternative lyrics to this song when we were driving and we almost had an accident we were laughing so hard. I still giggle when I hear it.
Queen - Bicycle Race

This was one of the first records I owned. I used to scratch it up on my mum's turntable. She busted me once and I got a hiding and didn't touch records for another 10 years.
Herbie Hancock - Rockit

This track reminds me of when I changed my mind about being in love with a certain girl.
Lyrics Born - I Changed My Mind

Pop Will Eat Itself hold a very special place in my heart, because their music led me places I probably wouldn't have ventured if I never heard them. It was them who led me to Electronic and HipHop music.

Lots of people have songs which remind them of other people and other times. This song in particular reminds me of who I am and why I'm still here.
Pop Will Eat Itself - Dance of the Mad Bastards

Wednesday, 19 May 2010

All these opinion pages and blogs and journalists have simply got it wrong.

I can't understand why none of the so-called political pundits can't figure out what the UK poll, what the Tasmanian Poll, the SA Poll, what the closeness of the Obama win, and so on and so on REALLY means.

It doesn't mean Conservative / Right are winning / losing to the Progressive / Left.

It means people are sick of the current political process. They're sick of the two party political system. They're sick of Lib / Lab, Lab / Tory, Dem / Reps. Sick of the corruption and the lies and the spin. Sick of being fucked over by big business with the support of big government.

Mark my words. By the end of this decade, there will be a land war in Europe and it will be in part because the people were simply fed up with the political processes which result in parties which are too similar, and will vote in an extremist party of some kind who will either a) kill a whole lot of people who they believe don't belong or b) invade another country because of a).

Wednesday, 5 May 2010

So, I just had my friend around, and we worked on getting her resume from PDF into an editable format.

I won't go into details, a google search will help you do it if you ever need it done, but it made me realise that I really like helping people, especially one on one.

I like showing them how to do things, how to solve issues and how to get the best out of what they are working with.

Because even with what I do know about the topic at hand, I'll still discover things I didn't in helping other people out.

My assistant producer role was like this. I helped people do stuff they couldn't, whether it was through lack of knowledge or lack of time. And I learned so much about the process of making games.

Even though they're pitching my new role in the call centre as being very similar, I'm not entirely sure I'm going to be as good in it. I don't know, I just find something disagreeable about it at the moment.

I hope my trainers and I can identify my issues and work on it before it gets too late and I simply hate the job altogether.

Monday, 3 May 2010

It took me over an hour to get there by public transport, and even longer to get home. Thing is, I if I rode a bike, it wouldn't take longer than half an hour I reckon! Must discover a better route, especially if I ever have early starts.

On my first day, it felt a lot like being back in highschool.

That's not a criticism, just a statement. After all, our trainer was a highschool teacher, and we were sat in a class with a whole heap of people we didn't know. It was that kind of nervous and excited feeling.

We did a heap of team building stuff, as well as "get to know you" things. There's a few DJs and musos in my group, so that's pretty cool.

Although... and don't get me wrong, the place seems really cool and laid back... we met the "big boss" and he was pretty damn laid back, and PCI seems to have a culture that's rather casual, fun even, as long as you get your work done. The people who work there look happy, and you can tell on the whole people enjoy their jobs.

Thing is... It's just that finding out so many people were DJs/musos reminded me of Spaced, season 2 episode 3 called "Mettle", where Daisy is working in that horrid kitchen in an excellent take off of One Flew Over The Cuckoo's Nest...

Daisy: I can't do this!Tina (aka the evil nurse): Excuse me?Daisy: I'm a writer. I'm creative. I'm not a "mopper'"Tina: They're all writers Daisy. Daisy: (incredulous) What?Tina: All the staff here are writers.Daisy: Not HarrisTina: Haikus I believe. Charlie there is an actor but he's writing some play...Daisy: Even Billy?Tina: Even Billy.Billy: (stutters) I...I..I was published in '97. It was just a short story... I came here in '98Tina: They're all creative Daisy. Not just you. Now get creative with this (throws mop at her)

The video is available on youtube (sorry, no embedding, and the bit starts at 6:50... However, I recommend watching the whole episode! It's awesome!)

Tuesday, 27 April 2010

Fortunately I've got an interview on Thursday for a job which starts Friday, which is completely divorced from the Games Industry.

Not sure if I can do it to be honest. I've had shit jobs before, and whilst this one won't be as shit as them, it won't be what I want to do.

I want to achieve my goal of being a producer on a big title (essentially I want to be 'the next' Dude Huge) but with so many good people out of work all over the world it is incredibly competitive at the moment.

As I'm older than 35, and I don't have a US, Canadian or UK passport it makes the whole process a hell of a lot harder for me to be competitive.

So, I've been looking outside the Games Industry at stable employment.

I guess if I get it, I'll go with an open mind and try and enjoy a new experience.

Sunday, 25 April 2010

Although I'm pretty much a pacifist (although I think politicians who favour party over people should be hung) I'm someone who appreciates Anzac Day.

I've have a few friends who either are or were in the Forces, and plus my Uncle and Aunts served too, so there's army blood in me.

Also, whilst at times I've argued that the wars the Anzacs fought in didn't make a difference to the overall working of the world - for all Hitler's posturing, he was still a capitalist and capitalism has a way of making sure no matter who thinks they're in charge it's the correct functioning of capitalism which is most important - the fact of the matter is those people who fought, survived and died in those wars believed they could make a difference, and were willing to fight for that.

Because that's what is important - willingness to die for a cause, something intangible and noble.

I'll never fight for Australia, because it's only a freak accident I was born here.

But I would fight for my beliefs and my rights, because they're something I think I've earned, and more importantly, deserve to keep.

Wednesday, 21 April 2010

This time it was mostly in Brisbane, but about 5 guys in Melbourne were let go too, which makes it near 100 people in the last 3 months, or a third of the company.

How can an industry which makes so much money be laying off so many people?

I mean, I know why, it's just that no one seems to give a shit.

Everyone is jumping on the mobile/facebook bandwagon, and that might make you a quick buck, but it's terrible for long term stability of the industry.

Problem is, if we're not careful there won't be anyone left in Australia to make games any more - not big budget PS3 / Xbox360 / Wii titles any way.

I used to agree with Walshy when he said Australian Games companies didn't need Government support. His argument was that if we had government support, we'd be forced to make silly games that were culturally relevant to Australia, pretty much like film has to. There's no market for that kind of thing outside Australia, and it's devoting resources away from the main income sources for games companies.

I mean, can you imagine Rabbit Proof Fence: The Game?

But it's obvious to me now that was a misguided and somewhat short sighted statement.

Sure, no one could have predicted the Global Financial Crisis, but if we secured tax breaks for Australian Games Studios, Krome and the other studios that have bled staff and even closed down over the last year would have been buffered from it like other industries have been.

And looking at other film funding initiatives - mostly state based - there's hardly any requirement to be culturally relevant.

And so what if there was? Make a silly game for school kids based on Ned Kelly's life for example, then make something decent for wider audience - at least there would be people still employed. It would be no different to the current projects Krome is trying to become involved in (which, due to NDA agreements, I can't go into).

Tuesday, 13 April 2010

Krome Studios Melbourne:
QA on Legend of the Guardians: The Owls of Ga'Hoole on PS3, Xbox360 and Wii
QA on Game Room on Xbox360
Assistant Producer on unannounced and cancelled Wii title
Assistant Producer on Transformers: Rise of the Fallen on Wii/PS2
Lead QA on SceneIt? Box Office Smash on Xbox360
QA on Star Wars: The Force Unleashed on Wii
QA on Hellboy: Science of Evil on Xbox360 & PSP
QA on The Clone Wars: Lightsaber Duels on Wii

Krome Studios Adelaide:
Senior QA on Star Wars: The Force Unleashed on PSP
QA on The Legend of Spyro: The Eternal Night on Wii
QA on The Legend of Spyro: A New Beginning on PS2

Ratbag / Midway Australia
Lead QA for Ratbag Games Tools
QA on Wheelman on PS2 (cancelled)
Lead QA on Speedway Sprintcars (PAL) on PS2
QA on Saturday Night Speedway on PS2 and PC
QA on Dukes of Hazzard:Return of the General Lee on Xbox

15 games and 1 set of tools. Not bad for a 7 year career that includes two layoffs in two different cities

Tuesday, 16 March 2010

For those of you who like old games and want to spend fake but real money on them...

Remember pumping quarters into your favorite video games at the classic arcade or passing the joystick between friends on the couch after school? Nothing could beat the sights and sounds of the arcade, with all the colorfully decorated cabinets, or the endless hours of console competition with friends, trumping the top score and mastering the machine.

This spring, “Game Room” on Xbox LIVE lets you relive the glory days of classic arcade games in their original forms. Your avatar will take part in the original sights, sounds and gameplay that will make these retro games come alive on your Xbox 360 and Windows-based PC in one fast, fun experience.

Game Features

Relive the glory days of the classic arcade. “Game Room” replicates the old-school look, sound and feel of a retro video game arcade. At launch, “Game Room” will bring you a library of 30 original arcade and console classics such as “Centipede®” and “Asteroids Deluxe®” from Atari Inc. and other favorites from Activision Inc., Intellivision, Konami Corp. and more, all shown in their original cabinets. Create a brand-new social environment your avatar can explore, trick out your “game room” by arranging your cabinets, and decorate each room with themes and animated icons from your favorite games. With weekly new title releases, your arcade will soon be retrofitted to perfection.

Prove you’re the arcade master. Think you have what it takes? Challenge friends to beat your high score by sending custom challenges and taunts across platforms, earn Achievements, unlock levels and climb your way to the top of universal leader boards. Compete in ranked mode, in which you play against other Xbox LIVE members on the world leader board, or challenge mode, in which you take turns playing a game. “Game Room” also offers local Couch Play mode for up to two players — how will you duke it out for arcade supremacy? Enjoy a seamless experience across Xbox 360 and Windows-based PCs as you share games, track your progress and jump back into the game, no matter which of the two platforms you’re on. You can even invite friends into your custom arcade to check out your collection or visit their “game room” to demo games and scope out additions to your collection.

Buy “Game Room” titles once and play on both your Xbox 360 and Windows-based PC. Enjoy the freedom of buying games for “Game Room” once and playing on both Xbox 360 and a Windows-based PC for about the same price as a DVD rental. Those who prefer to play on a single platform can purchase individual games for either Xbox 360 or a Windows-based PC at a lower price point, or even pay to play a single game just like in the old arcades. See how long you can last on a single token!

How Do I Play?

An Xbox 360 console or Windows-based PC and an Internet connection are all you need* to access “Game Room.” “Game Room” and associated games can be found on your Xbox 360 in the Xbox LIVE Games Marketplace or in the Games for Windows — LIVE client on your Windows-based PC.

How Much Does It Cost?

It is free to download “Game Room,” which you can then populate with classic arcade games available for individual purchase. Buy games once and play on both an Xbox 360 system and a Windows-based PC for 400 Microsoft Points. Or, to purchase a game for only one platform, each individual Xbox 360 or Windows-based PC title is 240 Microsoft Points. You also have the option to pay to play a single game, just like dropping two quarters in the slot in the old arcades, for 40 Microsoft Points. Visit your friends’ “game rooms” and try their games free before you buy.

Oh, and I've left off Australian DJs because, although I think most of them are fantastic and easily some of the best in the world, there are just too many of them and I don't want to offend someone by leaving them off :)

Tenenbaum told me everybody’s highAtlas spinnin’ not savin’ my mindAdam is fast, Adam is coolFontain say don’t be a foolAnd you don’t stop, SuchongRyan is makin’ you do wrong

And you get in your sphere and you trip real farAnd you dive all night and you’ll see no lightAnd it fills with water and sinks to the groundAnd out comes a man from aboveAnd you try to run but he’s got a gunAnd he shoots your head and freezes you deadAnd then you’re in the main foyerDancing with an ex-lawyerYou kill many slicersto make the place nicerAnd you don’t stop, you keep on killing starsAnd you just get more scarsYou go out at night and into the deserted streetsRace to face, fight cheek to cheekOne to many and man on manFighting toe to toeDon’t move too slow, ’cause the Big DadIs through with slicers and he’s very madwall to wall, Through door and door, up hall to hallHe’s gonna get ‘em allRapture, be pureTake a tour, through the sewerYou’ll strain your brain, go insaneYou’ll be singin’ la la in the rainI said don’t stop, drop a block

Well now you see what you wanna beMake your choice on the VT‘Cause the man upstairs he won’t careAnd now he’s gone back down to hellNone of this bodes too wellAnd you flip flop, but you don’t stopJust blast em with a sure shot‘Cause the man over there is killing and screamingAnd now he smokes cigars, level up!

Monday, 15 February 2010

But AC/DC remind me of my youth. I remember sitting up all night listening to AC/DC with Philly D as we played computer games.

So why deny my bogan heritage any longer? Sure, during the 90s I essentially shunned AC/DC, and I fucking hated growing up in Elizabeth, but then I just lost the hate. The people I grew up, many of whom I'm still proud to call friends, shaped me into the person I am today, and the music we listened to was a massive part of that.

And Back in Black is one of the world's greatest albums, especially considering the time it was made, and It's A Long Way To The Top is one on the world's greatest songs.

So, when they announced the tour, I wasn't going to miss out. I camped by the internet and hit refresh until I snagged a ticket to the Melbourne Saturday night concert. Sure, it's not as exciting and romantic as camping out for days under blankets sharing the camaraderie that line waiting brings, but it's a fuckload easier.

After losing my job last November, I was a little worried I wouldn't be able to make it. Job offers from interstate and overseas never eventuated, so the worry was misplaced.

Getting to Etihad Stadium was easy - the train stops just outside, although I had to find a internet cafe to print my ticket out. Thank the universe for the internet!

I got in just as Calling All Cars finished. I downed a few scotches and then found a nice spot mid centre of the stadium. It was pretty packed even at 7:30pm, and although I could have pushed my way further to the front, I knew there would be cameras and screens, so I just didn't feel the need to.

Wolfmother opened for them, and were really good. They kicked off with Dimension, then played a couple of new songs, then got the crowd singing with Woman. During the slow bit of White Unicorn, you know, the bit that sounds like Riders on the Storm, they actually started playing Riders of the Storm. Stockdale's voice is perfect for a Doors cover, and I'm surprised they don't do more of them. They closed with Joker & Thief.

I thought they were a brilliant selection for AC/DC's opening band. They're liked well enough by a wide range of people that people would be singing along, rocky enough to fit in with the overall vibe of the gig, yet not good enough to overpower AC/DC (if that was indeed possible).

After a short wait, the screens lit up and showed a short video of the band on a train. Full of childish innuendo and sexually suggestive images, the "train" then smashed onto the stage as the band played Rock and Roll train. Right from this very first moment I knew we were in for a rocking show!

They played another off their new album, something I'm not overly familiar with, and then got into the older tunes. Dirty Deeds, Shot down in Flames, and Thunderstruck. All the while the whole audience is singing and screaming and having a great old time.

But things really got wild when Brian started singing She's Got The Jack. The screen started showing all the girls on the guys shoulders, and up came the shirts. Brian even said "get your eyes off those titties" at one point, and then Angus started his strip. Much like Devo, these old rockers still know how to entertain.

The classics came thick and fast. The bell lowered for Hells Bells, with Brian swinging from the bottom of it. Shoot to thrill and War machine - a track I do know off Black Ice - had cool visuals with the live action on stage, but nothing was as cool as High Voltage, done as a tribute to Bon Scott with his grinning face looking down at the thousands singing along with his lyrics.

More classics - You Shook Me All Night Long, TNT and Whole Lotta Rosie, which featured a massive fat lady riding the train. Let there be Rock was where Angus got loose, and showed that even at 60 he can still play that guitar well. The encore of Highway to Hell and For those about to Rock was absolutely brilliant.

I would have liked to hear more of my favourite songs - If You Want Blood and Who Made Who would have been nice, but overall I couldn't have been happier with the set. This was what a rock concert should be like! Entertaining and fun, no matter what was played.

I felt the same after AC/DC as I did after Madness, Devo, Primal Scream and The Specials last year. Sometimes I admit I caught up in too much negativity and cynicism, and it takes old farts like these to remind me life is all about having fun. If they can do it at 60, then I should be doing it now, and keep doing it until I'm 60, too.

Friday, 5 February 2010

I wrote this as a response to a Crikey commentator. It's essentially what I wrote in Uni about journalism in one of my essays, and it's something I've been meaning to post for a while...

The only role ACA / TT play in society is to sell advertising to those too lazy to switch the channel after the news.

If you think it’s anything else, then you’re an idiot. Simple as that.

However, before you have a go at me for being “puffed up with moral superiority” I also think this of MOST journalism. Including Crikey.

Journalism has never been about the “Truth”. It’s never been about “Facts”. It’s never been about “Democracy”. It’s never been about “Reality”.

Journalism’s first and continued motivation is profit for the owners.

The very first broadsheets were advertising forums for shipping services, designed to profit those who advertised. These morphed into the first newspapers and they too were all about profit.

The very first photo published in a magazine was a montage - two images spliced together. Never mind the fact that this was the first photo published in a magazine - that wasn’t sensational enough - so they had to fake the truth of that photo.

And this sensationalism and profiteering has always existed in the media. The fact that some of it does some good in the world doesn’t excuse or counter this very basic fact about media.

If I make a good product, you’ll buy it. Likewise with media - it’s simply a product. If someone makes good media - and the definition of “good” changes with the individual - people will consume it.

When ACA expose a charlatan, don’t think for a minute they’re doing it for “the good of the people” - they want people to view the adverts and to make a profit out of that.

Likewise, Crikey’s exposure of the tactics ACA use is fantastic, but don’t think for a minute this was published for any other reason than making people want to subscribe to Crikey.

I want to expand on it later too. I think some may view this as extremely cynical, but I don't, and will explain why in a later post.

Tuesday, 19 January 2010

I thought it was a terribly poor and completely transparent, over preachy morality play, with a sappy, predictable and tedious story, barely saved by the admittedly impressive special effects and creature/vehicle design.

Next time you make the world's most expensive movie James, I think you need to spend more money on the actual story...

Friday, 15 January 2010

On Thursday we did the toursity thing. We took Luke to Circular Quay, the Opera House, the Rocks and Darling Harbour. Found a great pub in the Rocks called the Lord Nelson Brewery Hotel which had some fine micro brews on tap.

On Friday we headed over to Manly, spent the day at the beach swimming and perving. Friday night the guys went out drinking and I went to my friend Lisa and Simon's for dinner. I tried to meet up with them after, but the bouncer at Goldfish wouldn't let me in, claiming I was too drunk. All I had was two beers! The guy was just a fuckhead.

Saturday we went to Bondi. I've been there before, but never swam there. The water was really clear, which surprised me. After swimming we went to the Bavarian Bier Cafe and had Mango Beer and pretzels.

We got to the Moore Park Entertainment Complex around 12:30, had another Mango Beer, and went in. The venue was small, and there wasn't much seating really, but those were my only complaints.

The Bamboos rocked it at 1:30pm, and must have been hot in those suits! Amp Fiddler was amazing - nice soulful music. We caught the last song of The Swiss which was good, but that stage was running late so we missed Cassette Kids.

Dilated Peoples were great too, but we left early to see Cat Power, who whilst enjoyable was a little too mellow and bluesy for this kind of festival. We missed Ugly Duckling as we couldn't get in to that area again.

Caught Neon Indian instead, who were pretty cool. Roots Manuva was awesome as ever, with Ricky Rankin and a new guy adding greatly to the sound.

We made our way into the "dance" area and caught the end of Joker... all I'll say about that is dubstep sucks even more when you put rnb vocals in it. Bukem and Conrad rocked up late and the sound was horrendous, so I left and saw Nextmen.

Interestingly, Nextmen had a bigger crowd than Bukem, and I loved it, that is until they started playing dubstep *sigh* They even played a riverside dubstep remix *double sigh*

Returned to Bukem via Pivot (I think) where the drummer was thumping like a mad cunt! Conrad's microphone was still too loud, but the sound was much better overall. I guess the sound guy had stopped chatting up the girl he was talking to and actually did his job...

Then Marky and Stamina jumped up and sounded great, with the crowd going nuts to Marky's scratching. Left to see Redman and Method man for about 15 minutes, but the dnb was better, so returned just to see Marky start playing some old house and cheesy hiphop, which was awesome too.

It was a rather small party, but the vibe reminded me of the first BDO in Adelaide - just lots of happy people there who were music lovers, not party goers.

No short shorts on men, no steroid juice heads (although there were a few drunk topless guys... but it was Sydney after all), no women dressed like they should be on a catwalk... just an awesome crowd listening to awesome music.

Would definitely go again next year, depending on the line up.

On Monday we hired a car and headed to the Blue Mountains. A day of dancing followed by a day of hiking nearly killed me. I think my new years resolution is to get a little fitter.

Damo's got most of the photos on his camera, although I took my camera to the Blue Mountains, and will put them online soon.

We had a great time over there, although I am a little sad "the band" has broken up as Damo has headed off to South America for 4 months.

Softography

Producer on My Little Pony:Friendship is Magic on iOSProducer on Playful Minds Math on iOSAssistant Producer on Silent Ops on iOS

Krome Studios Melbourne:

QA on Legend of the Guardians: The Owls of Ga'Hoole on PS3, Xbox360 and WiiQA on Game Room on Xbox360Assistant Producer on unannounced and cancelled Wii titleAssistant Producer on Transformers: Rise of the Fallen on Wii/PS2Lead QA on SceneIt? Box Office Smash on Xbox360QA on Star Wars: The Force Unleashed on WiiQA on Hellboy: Science of Evil on Xbox360 & PSPQA on The Clone Wars: Lightsaber Duels on Wii

Krome Studios Adelaide:

Senior QA on Star Wars: The Force Unleashed on PSPQA on The Legend of Spyro: The Eternal Night on WiiQA on The Legend of Spyro: A New Beginning on PS2

Ratbag / Midway Australia

Lead QA for Ratbag Games ToolsQA on Wheelman on PS2 (cancelled)Lead QA on Speedway Sprintcars (PAL) on PS2QA on Saturday Night Speedway on PS2 and PCQA on Dukes of Hazzard:Return of the General Lee on Xbox