Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

The name already indicates it: the Analog Four by Elekron continas four independent monophonic synthesizers in one unit. Besides the entirely analog voice circuitry with two oscillators and two filters per synth and plenty of modulation possibilities the Analog Four has FX and also a step sequencer that can output CV/gate signals as well.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Expansion module for the E350 Morphing terrarium by Synthesis Technology. It adds two functions that otherwise are only accessible via jupers on the backside of the E350 and has an attenuator in addition.

This module is a so-called OR-combiner i.e. a circuitry that mixes trigger and gate signals. The mutinator contains four, partially normalized channels with each two inputs that can be manually routed or muted. It works great in combination with drum modules and several trigger sources like sequencers etc.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

Give your beats a human, unquantized feel and use your fingers to tap on the Tir-Ger's three fat arcade buttons to record and to loop gate patterns with a length of maximum 33 seconds. Apply drum rolls to the recording, overdub it, punch in and out or mute individual tracks.
A clock is being generated by the module as well and it depends on the recording length and the tempo control's position. The clock can be divided and adjusted by the tempo control.

A very wicked virtual instrument based on the NI Kontakt Player, including multi-samples of 14 different units that were modified by the use of circuit bending. Instruments, drum machines and child´s educational toys with speech output like Roland TR-505, Korg DDD5, Casio SK-1, TexasInstruments Speakand Spell were circuit bent. The result ranges from very wild digital sounds with lots of artifacts over chaotic lo-fi sounds to brute digital distortion.

Sidsonic Libraries´ second product, the piercing and wicked sample library TUBES! is based just as it´s brother Circus Circuit on the NI Kontakt Player and offers you 134 multi samples of vacuum tube machines. To be precise Metasonix products have been sampled for this library; on the one hand the tube synthesizer s-1000 Wretchmachine and on the other the out-of-production distortions/destroyers KV-10 Assblaster and the great TM-7 Scrotum Smasher.

Those who can´t afford the Wretchmachine or have no chance ot get the other units but absolutely want to use their tube sound should definitely have a look on this sample library.

As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

This passive bus board's main feature are the noise filtering capacitors located at three locations of the board. They reduce noise and bleedthru between modules and provide for clean signals. 17 connectors for modules are more than competitors' busboards offer.

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