Tag: KWXY

Robert Hammond welcomed acclaimed lyricist Sir Tim Rice to Stage Notes to discuss the North Americain premiere of his musical, From Here to Eternity, on stage at the Merry-Go-Round Playhouse through July 20. He also talked about working with Elton John, Andrew Llyod Webber, and Alan Menken.

During LGBT Pride Month, I was pleased to welcome Rochester native Nicolette Hart to Stage Notes. She’s a Broadway superstar, a backup vocalist for Bette Midler, and one of the most talented triple threats I know. My full interview with her, including songs, is available below.

Lin-Manuel Miranda won the award for Best Score for Hamilton, and in lieu of a traditional speech, he delivered a poem about love for his wife and the need for love in the wake of tragedy, no doubt responding to the horrific mass shooting in Orlando. By the end, he was in tears, and the crowd was cheering. Following is the transcript:

“My wife’s the reason anything gets done. She nudges me towards promise by degrees. She is a perfect symphony of one. Our son is her most beautiful reprise. We chase the melodies that seem to find us. Until they’re finished songs and start to play. When senseless acts of tragedy remind us. That nothing here is promised, not one day This show is proof that history remembers. We live through times when hate and fear seem stronger. We rise and fall, and light from dying embers. Remembrances that hope and love last longer. And love is love is love is love is love is love is love is love; Cannot be killed or swept aside. I sing Vanessa’s symphony; Eliza tells her story. Now fill the world with music, love, and pride.”

Described by Frank Rich of The New York Times as “Now the greatest and perhaps best-known artist in the American musical theater,” Stephen Sondheim turned 86 on March 22. Stage Notes host Robert Hammond paid tribute to the musical genius. Full program now available on demand.

Some of his best-known works as composer and lyricist include A Funny Thing Happened on the Way to the Forum, Follies, A Little Night Music, Sweeney Todd: The Demon Barber of Fleet Street, Sunday in the Park with George, andInto the Woods. He wrote the lyrics for West Side Story and Gypsy.

Join Host Robert Hammond (full program below) as he examines how religion influences musical theatre. The Book of Mormon is one of Broadway’s biggest box-office hits – recently there have been revivals of Christian-themed musicals — Godspell and Jesus Christ Superstar. The revival of the revival of the revival (well, you get the picture!) of Les Miserables is still open on the Great White Way! The current revival closes in September. Among others, Fiddler on the Roof and Spring Awakening are steeped with religious undertones. It’s probably fair to say that the theater has seen the way of the Lord. Has someone been putting sacrament in the water? Or have playwrights just gotten in touch with their devout or devoutly satirical sides?

Today’s Stage Notes was prerecorded. If you read this and then go to the second and final performance of Broadway Rocks, the first Pops concert music director Ward Stare has conducted in Rochester, you’ll think I was a bit hyperbolic. Don’t get me wrong, the Rochester Philharmonic Orchestra was fantastic, especially the rhythm section, which is vitally important to a concert like Broadway Rocks, but overall the concert fell flat. I had higher expectations.

The main problem could have been the sound, particularly during the first act – it was muffled. From the Loge, I could barely hear the guest soloists and the choir from Roberts Wesleyan College.

The repertoire was outstanding—some of the biggest Broadway hits, including songs from Wicked, Hairspray, Jersey Boys, and The Phantom of the Opera were performed.

Before the concert, I knew little about Capathia Jenkins. She is all that and more! She brought down the house with her renditions of “And I’m Telling You I’m not Going” from Dreamgirls and “I will Survive.” She and the RPO are what make this concert worth attending.

Another guest vocalist, Rob Evan, could have survived without amplification. His highlights were Dennis DeYoung’s (lead singer from Styx) song “Come Sail Away” and “The Music of the Night,” from The Phantom of The Opera. His voice is strong; however, he could use a stylist.

I’ve seen guest vocalist Christiane Noll on Broadway and at Eastman. In general, I’ve been impressed. This concert is not suited for her. She seemed uncomfortable on stage. That’s not dancing, Sally! (Seinfeld reference.) She decimated a song that should have elevated the concert, “Defying Gravity.” Although the choir would have drowned her vocals out, I’m not sure why they weren’t included at the songs conclusion to proclaim “no one mourns the wicked.” Noll’s voice is pretty, as proved during the Theme from The Phantom of The Opera, but she’s no rocker.

Ward Stare’s forte is Classical conducting – last night he proved he’s a Pops pro, too. Rochester is lucky to have him. Please let me know when he conducts the RPO and the Capathia Jenkins show. I’ll be there.

Broadway Rocks is on stage in Kodak Hall at Eastman Theatre tonight at 8 PM. Tickets and information at RPO.org.

Maestro Wards Stare, Rochester Philharmonic Orchestra’s music director, joined host Robert Hammond in studio at WXXI to talk about the RPO’s upcoming concerts, Broadway Rocks. Stage Notes did indeed rock out with songs from Wicked, Rent, The Phantom of the Opera,Hairspray, and more. Full program available on demand below.

Stare is likable and knowledgeable. You’ll enjoy the lightness of the conversation, especially the life stories he shares. His story about the famous Styx song “Come Sail Away” is a highlight. Sit back and listen to a special rockin’ edition of Stage Notes. Remember to follow Stage notes on Twitter @stagenotes, and like our page on Facebook.