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Lukas Nelson: We’ve got 35 recorded, we’re almost completed with a new album. We’ve got basically the next three records recorded already and have narrowed it down to about 13-14 songs. I’m telling you, this is the masterpiece. This is truly the best songwriting I’ve ever been able to put out and the best sounds we’ve put out. We’ve been working with a guy named John Alagía, who worked with John Mayer, and a bunch of folks at the Village Studios in West L.A. Beautiful sound, the way they’ve got the vocals out front. I’ve matured as a singer, too. The music keeps getting better. These songs are really going to make an impact.

How has your songwriting grown lyrically and thematically?

Well, I’m just introducing broader themes, even more personal themes. I think there’s that, but also there’s also the ability to say so much with a simple turn of phrase. That’s really important, and all of these songs sort of have that quality. It’s sort of like, I mean I’m really proud of the way these songs turned out. I almost can’t explain it; you just have to hear them. I just love them, and I’m really excited. We’re also reintroducing recordings of a couple older songs that spoke to people, like “Set Me Down on a Cloud.” This recording is just a mind-blowingly involved version of it. We’ve got the band Lucius: They’re two incredible singers and songwriters, and right now they’re on tour with Roger Waters. We met them when we did Desert Trip with Neil. They sound just angelic; they sound like angels. The production is just — it’s the best production I’ve ever been a part of. John Alagía and Jeff Greenberg at the Village are to be credited for that. It’s an amazing place they’ve got there, some really great music there. We’re also officially releasing a song called “Find Yourself,” which people have really loved. There’s a recording of it on YouTube that we did with Jam in the Van. There’s some really special guests on the record who are mega talented. I am really looking forward to showing people.

That must feel great, to feel like you are just now hitting your full powers as a band …

Oh yeah, oh hell, I feel like we’re aging like wine. It’s just getting better, you know? We’ve been together as Promise of the Real now for about 10 years. We’re still recording with Neil, and we’ve learned so much from Neil about each other, about our musicianship, and we’ve grown so much playing those shows with him. Hopefully we’ll be able to continue that forever. His inspiration has just exploded the lurking genius in all of the musicians of this band. I kind of liken it in a way to — our career has followed a similar path to the Band, which is a huge influence. The Band were a great band already. Then when they went and joined Bob Dylan, he just kind of lifted them up. That’s what Neil’s done for us. He’s given the public a chance to hear what we’re doing and a chance to see how our songs also relate to the world. I can’t say enough how excited I am honestly; it’s great.

Since touring with Neil, does it feel like the band has changed?

Yes, I feel like, we kind of all got little musical downloads, so to speak. It just feels like we really have grown, and Neil brought us closer together as a band. We were — I wouldn’t say we were floundering, but we — a lot of us — were wondering how long it was going to last. We weren’t making hardly any money, and I mean, I would have kept going always, you know? But it’s just the way we are. I think that Neil saw how good we were as a group — he could have asked for just me or Micah to come and record with him and come out on road with him. He saw how good the band was, and he lifted them up, too. I really feel grateful for him for. This band is something special. I got really lucky when I met this band, so I’m really excited. I feel like all of their talents are really showcased in this record even as opposed to Something Real. I loved it, but it was a little bit removed. It was kind of this rock ‘n’ roll thing, whereas this record is more intimate. There’s a lot more acoustic, a lot more just melodic lifts and lyrical melodies; even with the percussion and the drums and the bass, the way it all fits together is a lot more lyrical. I think it’s accessible to a larger audience, as well. The record speaks to my roots, where I came from, the Southern side you know? It’s more a country soul record. With this record, we’ve moved away from the “cowboy hippie surf rock,” so to speak; we’ve gone into, like, a country soul vibe. I feel like I’m going into where I really came from and bringing what I love about Southern culture into my music. There’s a lot of that happening, a lot of my Southern pride.

Any crazy tour stories from last year?

Oh, you know, one of my favorite parts of being on the road out there was going to this old meteor crater way up in Sweden that they turned into a limestone quarry and then a music venue. It’s called Dalhalla, and it’s the most incredible venue I’ve ever played. It’s so beautiful. It’s like Red Rocks times 1,000.

Man, rough comments. I hope Neil teaches them well because what are we to do when he is gone? There was nothing wrong with their musicianship from the get go. They need songwriting help. But I feel they will be around the business still in 20 years.

@Hounds That Howell - Yes, should be an interesting band dynamic to keep it all REAL.

@ Bob E - oh really!? Everyone is entitled to their opinion here. But how many times have you seen POTR live in concert? With and without Neil, please? We need some context for that ill conceived comment.

It is tough starting off as a musician. Travel expenses are not cheap. No guarantee on take home pay. These boys have an advantage being Willie's kin and Neil's protégés. Will they make it on their own? Hope so but hey let's be real and not futz over the obvious.

"When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call "white" is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion." ~ Diane Ackerman

Lurking genius? Lurking so deeply it has yet to be discovered. A sad indication of Neil's desperate attempt to recapture his youth by surrounding himself with nondescript average musicians BUT they are younger that he is (like DH).