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One of the most frustrating things about living in Hong Kong for any length of time is the absolute paucity of good live music. I’m not talking about Hong Kong’s burgeoning local indie and rock scene – um, wherever that is – but world class bands and DJs.

Enter Clockenflap 2012, a music and arts festival held on a scrap of disused land in West Kowloon. It is quite simply the only thing going on here, bar the odd club night and an occasional flying visit from a DJ with every ‘s’ in his moniker replaced by ‘z’. It started off life in 2008 in Cyberport – unfortunately not as cool as it sounds – with a mission to bring decent music to HK and provide a platform for local talent.

This year was the first to charge for entry and by all accounts was the busiest yet (Hong Kong-ers prefer the idea of paying for stuff). Even if the quality early doors left a bit to be desired, there were six stages, a film tent and several after-parties…which in my book is not a bad set-up at all.

Klaxons killed it on Sunday, De La Soul were surprise hit of the weekend and Primal Scream just about made it to the end without collapsing or forgetting where they were. And Black Bart DJs – bedecked in neon-coloured Native American headwear – were as understated as ever.

With a backdrop like Hong Kong’s Victoria Harbour, there’s not much that can go wrong. Cheap-ish beer, decent food and some heroically skimpy festival attire (female) ensured the weekend passed by in a blur of alcohol, terrible dancing and bumping into things. The bankers-on-their-day-off vibe (you wouldn’t see expensive red wine being glugged at T in the Park), the massive queue for the bogs, and the unfathomably risk averse security staff who took offense to any shoulder-climbing, just added to the charm.

Can’t wait to flap our clocks in 2013. I’ll see you down the front, yeah?