On Lost Friends, Hannah Joy, Harry Day and Tim Fitz bring back their knack for haunting hooks, lyrical poignancy and irresistible indie rock appeal that critics praised in their self-titled first EP, released in March 2016.

Over their almost decade-and-a-half career, multi-faceted rock minimalists The Kills have released four records, each one a restless, reckless enigmatic art statement that bristled with tension, anxiety, sex, unstudied cool and winking ennui. Yet not one of them sounded like the previous one. “In an effort to not repeat ourselves, the path of least resistance has never been ours. Change is uneasy. Art should be uneasy”, says Alison Mosshart, sitting at a long wooden table in her rented house above Los Angeles’ Griffith Park, where she’s been residing for a month, right next door to her musical partner Jamie...