Published in Mint Lounge, October 28 Edition
Photographs by Abhijit Bhatlekar

The passion for art began at home. Gallerist Priya Jhaveri’s parents were “obsessive collectors” of beautiful things, including modern art and antiquities, textiles, jewellery and ornaments. “They travelled widely, always including us in their visits to artist studios and galleries, and encouraged a study of the humanities,” says Jhaveri.

Since 2010, an apartment on Walkeshwar Road in South Mumbai, designed by Bijoy Jain, has been converted into Jhaveri Contemporary, a gallery showing artists across generations. Priya’s older sister, the London-based Amrita Jhaveri, manages the relationships with the estates they represent as a gallery. In Mumbai, Priya works closely with the gallery’s international artists, producing, promoting, managing exhibitions and negotiating sales, while overseeing daily operations.

The 41-year-old modern history and Spanish major from Oberlin College, US, has worked with an environmental law firm in San Francisco, collaborated with writer and filmmaker Bishakha Datta’s non-profit organization Point of View (POV) in India, co-authored a book,Unzipped: Women And Men In Prostitution Speak Out and worked as editor and project manager on books on Indian art and architecture at India Book House, before joining the art consultancy set up by her sister that evolved into the gallery.

The gallery showcases a wide range of artists, both veteran and avant-garde—currently on show is experimental film-maker Shambhavi Kaul’s work—and it forms a reference for Jhaveri’s individualistic sensibility and aesthetic values.

Priya gravitates towards understated elegance with a touch of quirk. She is dressed in Western attire for the most part. “I adore saris but I can’t tie my own sari!” she says. She has a practical approach to dressing: You are likely to find her in flats and sporting a white Swatch Skin watch. She avoids “high-maintenance clothes” for her work life, and opts for functional ready-to-wear for travel abroad, accounting for the local climate and long days at fairs. But there is always an accessory, like the chunky ivory wedding chudis she wears to add a touch of colour, or jewellery from sister Nandita Jhaveri’s eponymous line.

Shoes by You Khanga.

You might struggle to recognize the brands she wears, for she shops at local boutiques abroad for anything that catches her eye, like the You Khanga closed-toe flats (an Italian brand that works with African prints). A classic blue Acne Studios shirt is a staple and a Stella Jean dress a fun favourite, with basics from Uniqlo and Zara. In India, she tends to pick up items from Bodice, Amba, Vraj:bhoomi (for brogues) and close friend Maithili Ahluwalia’s Bungalow 8. It’s all so subtle, you wouldn’t even realize she is wearing a Chloé dress. You believe her when she quips about her personal style, “I’ve not given it much thought, so perhaps it’s effortless.”

Lounge caught up with her for an interview. Edited excerpts:

How would you describe your personal style?

I do know that style eclipses the best of wardrobes, presupposing a certain authenticity: Find comfort in your own skin, and the rest will follow. I tend to veer towards a more classic look. I’m not hugely adventurous and, depending on my mood, I can pick things that are elegant, androgynous, lazy even: I’d love to leave home in a pretty kaftan and chappals with a silver necklace thrown on.

Are you attracted to a specific palette or cuts?I gravitate towards classic cuts set apart by irregular detailing. I enjoy striking colours—orange, turquoise, sky blue, emerald—and, on occasion, patterns and prints that are graphic, playful or more delicate. I appreciate clothing made using natural dyes and fabrics and the use of traditional weaves reinvented in contemporary design.

Do you believe that a sense of style is important?Not as much as a sense of self. But if we’re thinking of style more broadly, in terms of attitude and comportment, then yes it is.

Is there any weight to the saying: style/dressing is an art form?It can be, absolutely, just like the best of television can, or a piece of writing, music, architecture or dance.

Describe your preferred outfits for work, evening and a casual setting.Lots of dresses with silver jewellery (also jewellery made with materials like coral, stone, glass) and sandals for work. If I’m working at an art fair, I add skirts and jumpsuits, with heels on the first three days and flat shoes on the last two when comfort trumps vanity. In a casual setting, I adore roomy trousers in Khadi by Runaway Bicycle.

Vintage agate and diamond earrings designed by her father Dinesh Jhaveri in the 1970s.

Describe your three best style acquisitions.

A Patola sari for its flawless double-Ikat weave. Brilliantly handcrafted, it resembles a Nintendo game with its graphic pattern sporting animals and hybrid creatures. Earrings designed by my father, Dinesh Jhaveri, in the 1970s, for their inventive use of materials like wood and crystal alongside diamonds and gold. And a classic Boucheron watch with interchangeable leather straps in multiple colours for its timeless design.

When it comes to art and fashion, do you believe in acquiring timeless pieces or the flavour of the moment?The challenge is knowing whether the “flavour of the moment” will be timeless or, equally, whether you need it to be timeless. In collecting art, my judgement sits somewhere between instinct and knowledge. It is important to make informed decisions. Supporting an artist can often be reward enough, as can an impulsive bout of retail therapy.

How important is sensibility and can you define it? Can it be acquired or is it inherent?Sadly, I can’t define it. Its importance, however, is hard to over-exaggerate. Given that sensibility covers everything that not only makes sense but also makes beauty out of the daily rough and tumble of our lives. In a different mode: I don’t think sensibility is a value that is central to art or style anymore. Most artists today respond to literary or political values. Prelapsarian aesthetic pleasures have given way to more theoretical approaches.

When it comes to style, who or what inspires you?Artist Amrita Sher-Gil, irreverence, The Sopranos, the novels of Philip Roth, the people I love and the laughter of old friends.

Published in Mint Lounge July 8, 2017
(Text edited from original). Photograph by Abhijit Bhatlekar

Her brand-new cat interjects his way playfully into many parts of our conversation, and artist-turned-designer Payal Khandwala deals with the situation with the same composure that she would any other area of her life. Khandwala draws from her vivacious artist’s palette for the eponymous clothing line she first showcased in March 2012, 10 years after she moved back from New York to Mumbai.

Khandwala went to New York to study fine arts at the Parsons School of Design in 1995 and then worked with menswear designer Sandy Dalal in the US.

Unable to find clothes that she liked, and sensing the potential market for a prêt line, she decided to move from canvas to fabric. The line has taken on a life of its own: She started by retailing at Good Earth and now has two stores in Mumbai, and is stocked in multiple stores in four metros.

Khandwala, 43, has repeatedly made it to best-dressed lists for her individual sense of style, which is bold-hued, sleek and non-fussy. Her eyes are always made up dramatically, her petite frame is enveloped in colourful drapes, trousers and antique silver accessories. But what she wears best is her grounded attitude to life and style. After all, she is the one who popularized lehngas with pockets for women.

Colour-coordinated brocade saris.

The saris in her wardrobe are grouped and hung in order of colour shades and sometimes, she says, she will just “undo it to avoid becoming a slave to that kind of discipline”. Edited excerpts from an interview:

Should we be surprised that your living spaces are minimalist and muted?I am very practical; I don’t like fuss and clutter. Not only is it the way I design, it’s also the way I live. While I like accents of colour, I want the environment to be neutral. Besides, I can’t wear and be around colour simultaneously!

How different is your look now from your New York avatar?As a student I didn’t have any money, but New York is full of flea markets and vintage stores. I was more bohemian: pairing jeans with a top, shawl or kaftan. I became more minimalistic when I began making clothes for myself, and with age, perhaps. I don’t want too much of either sophistication or free-spiritedness.

Distressed jeans from Hong Kong.

You’ve struggled to find lowers that worked for you, how did you figure them out?I love jeans because they stand the test of time (she’s “obsessed” with a pale pair from a mall in Hong Kong that is loose-fitting, distressed and bootleg). I always found everything else more formal, while high-street options are largely trend-based. So now if I want to wear a particular kind of pant (she counts the palazzo as a staple), I just make it.

Anything from “back then” that makes you cringe?You won’t see me wearing colourful patent leather wedges or fluorescent colours. I disliked the 1980s and 1990s. It was the worst time for fashion. I did it then and it was a disaster. I have learnt my lesson.

Didn’t you have a love affair with saris?I took two Abraham & Thakore cotton saris with me to New York, but it became a lot easier when I moved back to Mumbai, because of the weather. Being a part of the art circle, or maybe as a reaction to having been away so long, I began wearing saris more frequently, pairing them with tank tops or jackets that I procured from Vietnam, Cambodia or Istanbul. I easily have more than 80 saris (none of which are from my mother), including 50- to 70-year-old vintage brocade saris, and lehngas woven with pure gold thread, and an early Sabyasachi.

Silver necklace from Istanbul.

Tell us about your eclectic jewellery collection.I have a lot of silver jewellery: I wore it with saris for my wedding. I’ve not bought anything in ages, because there is very little of the genuine kind in circulation—they just make pieces that look antique. I’ve picked up stuff from Rajasthan (Jaipur and Udaipur), Istanbul and, earlier, from Amrapali. I am also fond of necklaces that are like thin discs made out of coconut or vinyl put together and tribal, Maasai-style pieces. I’m currently in love with flower-shaped leather rings that I picked out in multiple shades from a little Spanish store, Tierra (now shut down), in New York.

A pair of indigo brogues from Miz Mooz, New York

Do you believe in a “look”?If you have a distinct sense of style, it will automatically come with a “look”. Any decision you make—if it comes from a place that is not external or trend-driven—is based on your personality. For instance, I’m an informal person. I will go to a restaurant and cross my legs and sit; so you will very rarely see me wearing anything that is short and tight.

Which is more important, fashion or style?Style, of course! And that makes you question the male gaze. In much the way that Coco Chanel was trying to do by questioning the need for women to wear corsets—because there were men designing for women, with their idea of what a girl should look like. I feel now there is finally some conversation about this.

Reversible handwoven jacket from Payal Khandwala.

What do you believe is key to making, wearing and choosing clothes?It is simply a matter of taste that will connect all three. And while I know colour is what everyone responds to, the bedrock of a good outfit (for anybody of any size and shape) is proportion. It’s like assuming that a long skinny rectangle can be equal to a square. As you “cover up” with clothes, you are cheating: Perhaps three people in the world have a body that looks perfectly proportionate. The rest of us are stuck with bits and bobs and the lines we’ve earned and stretch marks we have fought for.

Payal’s colour wheelKhandwala gives us her markers for special occasions

Romantic date: Pick a colour that is an extension of your personality. This is probably the best time to be at your most comfortable. If you’re bold, I would recommend crimson; free spirits can try chartreuse; if you lean towards shyness, then powder blue, silver, or blush rose.

When in doubt: Neutrals like charcoal, black, navy, indigo and white work in most situations, so when unsure, turn to one of these shades. Whichever colour you pick, the key is to wear it with confidence.