In a now viral video, passengers on an Allegiant Air flight from Phoenix to Las Vegas this past Sunday took matters into their own hands after allegedly being delayed on and off the tarmac for several hours – often with no air conditioning in the hot Nevada weather. Their solution to the high temperatures and tempers? Playing and singing along with R. Kelly’s hit song, “I Believe I Can Fly.”

User qtip83posted the original link to Reddit, stating that he was flying back from a bachelor party with 15 of his friends when their flight was stuck for several hours due to mechanical problems.

This incident is raising concerns about passenger safety and the overall length of time people can be kept on the tarmac with mechanical problems.The original poster alleges that the delay was around five hours, but not spent consecutively on a plane. “We changed planes after 2 hours,” he wrote, stating that they then “[s]pent one hour in the airport, and then 2 more hours on the second plane that broke down. So technically it was not more than 3 hours consecutively on the tarmac.

According to the above poster, the DOT did not violate aviation rules that prevent planes from sitting on the tarmac for more than three hours.

DOT rules prohibit most U.S. airlines from allowing a domestic flight to remain on the tarmac for more than three hours unless: the pilot determines that there is a safety or security reason why the aircraft cannot taxi to the gate and deplane its passengers, or Air traffic control advises the pilot that taxiing to the gate (or to another location where passengers can be deplaned) would significantly disrupt airport operations.

U.S. airlines operating international flights to or from most U.S.airports must each establish and comply with their own limit on the length of tarmac delays on those flights. On both domestic and international flights, U.S. airlines must provide passengers with food and water no later than two hours after the tarmac delay begins. While the aircraft remains on the tarmac lavatories must remain operable and medical attention must be available if needed.

What do you think, readers? Was the mid-delay escapade funny or just plain annoying? Should the airline have been better prepared to handle the delay?

The Internet has brought us many ways to research and book hotels at prices much lower than the hotels’ published rate. Aggregate sites like Kayak and Orbitz give you the best available rate (BAR) without pre-payment on a specific hotel, while “opaque” sites like Priceline and Hotwire allow you to bid for a room below BAR but the actual property remains hidden until after you book and the purchase is non-refundable. Now a new booking site offers you hotel deals well below BAR while ensuring consumers flexibility and a standard of quality.

Guestmob differs from other hotel booking sites by combining high-tech algorithmic pricing and expertly curated properties hand-picked for their high user ratings. The site works by grouping hotels into collections of four to eight properties in a given category and neighborhood. You enter your travel dates and can immediately see a room rate of up to 50% below BAR for each hotel collection. The Thursday before you check in, the exact hotel is revealed but you are guaranteed one of the specific hotels in the collection. Best of all, unlike other opaque booking sites, you can cancel your reservation up to three days before check-in.Previously, some savvy travelers have tried to “game the system” with sites like Bidding for Travel, a forum that tries to guess winning bids and participating hotels on opaque sites by sharing successful bookings. Guestmob removes the need for this research by specifying hotels in each collection and immediately offering a deeply discounted price. While room upgrades, frequent guest points and other requests are still at the discretion of the hotel upon check-in, it’s still a great option for travelers with flexibility.

A Guestmob search for a hotel in Chicago on a weekend in mid-May yielded a price of $164 for a 3.5 star hotel on Magnificent Mile (such as a Courtyard or Embassy Suites), or $203 to bump up to a 4 star in the same area such as a W or Westin Hotel. The same properties ranged from $221 to $279 on other sites. Most Guestmob hotels are part of well-known chains such as Marriott or Starwood, or smaller chains like Kimpton and JDV.

The Phoenix Art Museum is one of the city’s best art spaces. With more than 18,000 objects in its permanent collection, it brings everything from Picasso to medieval Japanese silk to central Arizona. Their Asian collection is especially good.

Now the museum has started the new year with a major new exhibition. Sacred Word and Image: Five World Religions covers the written word and painted image as expressed in Buddhism, Hinduism, Islam, Judaism, and Christianity. By showing the art and writings of these different religions side by side, visitors can see how people each faith use them to express their beliefs.

The exhibit includes a wide variety of objects, including Christian icons, Muslim prayer mats, religious texts, sculptures, and much more. One interesting item is a 7th century Japanese printed prayer, one of the oldest printed texts in the world. When Japan converted to Buddhism in the 7th century, the emperor had one million small wooden pagodas built. Each included a printed prayer inside.

Sacred Word and Image: Five World Religions runs until March 25, 2012.

The Musical Instrument Museum in Phoenix, Arizona offers a look at the history of musical instruments from over 200 countries around the world. The interactive collection of instruments tells a story of musicians, instrument makers, recording studios, and musical traditions significant to our shared past, present, and future.

In 2012, the museum has a special focus on American Music. Specifically: music tagged to Arizona. A new exhibit includes artifacts, photographs, and audiovisual content designed to bring the subjects to life and ignite interest in the global, binding nature of music.

Some noteworthy objects in the I Am AZ Music exhibition include the gold dress worn by singer Jordin Sparks during the American Idol finale, instruments played by the Gin Blossoms and a double-neck guitar played by Duane Eddy on Dick Clark’s “American Bandstand” in 1960.

Typical of the past/present/future focus of the exhibit is an exact replica of a stage suit worn by rocker Alice Cooper in the 1970s, then also worn during the filming of Dark Shadows, a film slated to be released this year.

Also part of I Am AZ Music is an exhibit on Canyon Records, founded more than 60 years ago by Phoenix media pioneers Ray and Mary Boley, that highlights the production and distribution of Native American music. Another exhibit is dedicated to Floyd Ramsey, whose music studio hosted sessions in the 1950s by Duane Eddy, Waylon Jennings, Wayne Newton, and Alice Cooper.”Country fans will enjoy our tributes to Buck Owens and Waylon Jennings, while jazz enthusiasts are sure to love the exhibit centered on Russell ‘Big Chief’ Moore, a member of the Gila River Indian Community who played trombone with Louis Armstrong” said MIM curator Cullen Strawn.
Musical instrument manufacturers of today that make Arizona their home are also featured, such as the Roberto-Venn School of Luthiery, Navajo-Ute flute maker Aaron White, Yaqui drum and rattle maker Alex Maldonado, White Mountain Banjo Works, Phoenix Guitar Company, classical guitar maker Brian Dunn, and Apache fiddle maker Anthony Belvado.

To make the exhibit interactive, visitors are given wireless headsets to wear throughout the museum. Approaching each display, they can hear the instruments being played, either solo or as an ensemble. Audio and video clips familiarize guests with the unique sounds of each musical culture, allowing them to “share a common experience”, very much the global theme of the Musical Instrument Museum, brought down to local, street level.

“Somewhere, out there, on the farthest rim of the earth, a sound wails into the night” begins this short video from the museum proposing that “from our first breath music is the instrument of the soul”.

The museum is also opening an African Piano exhibit in February that will examine the sanza and its musical tradition among Central and East African story tellers, historians and ceremonial or ritual experts.

HipHost, a new “peer-to-peer marketplace for socially-hosted local tours“, not only gives travelers a way to experience new cities from a local’s point of view, but also gives people an opportunity to make extra cash.

Anyone who wants to share their local knowledge can be a HipHost and design a tour based on anything they find interesting. Some tour topics include art, culture, fitness, architecture, history, hiking, markets, music, and more. It’s free to sign-up and guests pay for tours in advance, so hosts don’t have to worry about losing money to no-shows.

Moreover, anyone interested in learning about a topic can search for affordable tours and see a region from a local perspective without paying big tour company prices. Afraid you won’t enjoy your tour? HipHost guarantees a full refund if customers are not satisfied.