Bugfix: - In the render page somehow the filename gets an extra underscore character at the end if I modify some other parameters (the file is still going to be created under the original name)- Visible waveform for mp3 files (as in some cases they are not visible) - Fixed in Beta5 aka RC1 - When creating subclips on the media page I wish when I drag a selection from a long clip into my pool, leave the original media/playhead in the same position, don't jump to next media ,so I can continue to continue where I was and select another part from it. Currently I need to seek the position where I was before which is waste of time.

Feature/enhancements: - Seamless Resolve update install (more transparent) and not the old fashion way we have now in 16 beta (which is a good step ahead)- More user friendly Fusion macro creation/installation without copying to specified directories/etc. Option in the UI for adding Fusion macros/templates would be nice. - Preview icons/thumbnails would be nice in the Fusion effect browser

Last edited by ChipKng on Thu Jul 04, 2019 8:57 am, edited 1 time in total.

deanphillips1991 wrote:1. Track foward selection tool (I know about the shortcode but an actual tool would be better like premiere pro has)

I disagree. I think the current tool set and methods of operation are both better than what PP offers.

Really? So you think track forward not being a tool at all is better than having it as a tool? I agree that the rest of how DR handles things is better but having to use a shortcode to do this isn't great (and a few others have suggested this too, so I'm assuming I'm not the only one who thinks it)

When playing back a timeline, the view doesn't scroll ahead until the playhead gets to the end of the screen, call that 100% to the right. It'd be helpful if it scrolled before that, say around 80%. And instead of scrolling to put the playhead back in the middle at 50%, it should go back left to about 20%.

Jim Simon wrote:When playing back a timeline, the view doesn't scroll ahead until the playhead gets to the end of the screen, call that 100% to the right. It'd be helpful if it scrolled before that, say around 80%. And instead of scrolling to put the playhead back in the middle at 50%, it should go back left to about 20%.

+1, or instead to move the played, leave it in the middle and move the timeline.

Jim Simon wrote:When playing back a timeline, the view doesn't scroll ahead until the playhead gets to the end of the screen, call that 100% to the right. It'd be helpful if it scrolled before that, say around 80%. And instead of scrolling to put the playhead back in the middle at 50%, it should go back left to about 20%.

+1, or instead to move the played, leave it in the middle and move the timeline.

Preferably this would be the default behaviour of the "Keep Playing" and "Keep Recording" functionality.

Setting up cues is nice but when working with a voice-over clients, they mostly like to keep record running over more than one cue at a time which means the next cues, text and counts do not appear on the screen until I select them which i can't as it will stop the play-head and jumps ahead to the next cue.

Most of the time if I leave the session running this can be fine for the artist as they may have rehearsed before hand but for the engineer it is off putting having to keep looking back to a paper script and take our eyes off the screen as there is no visual guidance anymore.

Because of this I can not use Fairlight for this kind of work and have to revert back to recording on my DAW instead. This makes the prep time slower as I need to add the cue text and my own counts to a video track and rendering out of Davinci for the DAW session.

I love the fact that with R3D media, I can place 8K media on an HD timeline and get essentially perfect 1080p resolution when I zoom in from 1x-4x. What I don't love is that when I encapsulate 8K media into a compound clip, the compound clip inherits the timeline resolution, pre-decimating the quality of my 8K media down to 1080p. If I then attempt to zoom in 4x on the compound clip, I see pixelation.

A groovy feature for Resolve 17 would be either

(A) An option to manually set the pixel format of a compound clip (inheriting the scaling options that apply to media)

(B) Automatically scaling the format of the compound clip by the minimum of (1) the maximum zoom ratio applied to the compound clip and (2) the minimum ratio of the format sizes of the compound clip's elements to the format size of the timeline.

In the case of (A) it would be good to have some visual highlight that the clip has or needs a > 1x scale factor. In the case of (B) the feature could be enabled or disabled, with some visual cue if the compound clip has been scaled up.

The work-around is to do everything in a 8K SUHD timeline and then scale down on output, which slows everything down in edit. The feature would only slow things down as much as necessary when we're really using extra resolution in a compound clip that's actually visible.

Project frame numbers displayed in the timecode and in the data burn in.Project frame number dialog box, type in to jump to that frame.Even better can you make the time code box(s) editable so you can jump to that time code ... or Frame number.

When performing a Ripple Delete (Extract), I'd love for the playhead to remain on the same frame, shifting down with the clips. Or if the playhead was on a frame that was removed, position the playhead on the edit point that was just created between the remaining clips.

I am working on a project now and trying to do a simple page turn, something I could have done easily in Premiere. Is there a "page turn" transition, I could not find one. If its not there that is one of my requests. The other is to be able to easily adjust left or right audio channels independently in a stereo track. Again I could have done that easily in Premiere in the effects control. For example I recorded a mic input in one channel and a room sound in the other on my Pocket 4k. Now if I wanted to boost the room tone a little I have to go to Fairlight, copy the track and paste it to another track and then change the channels around, 1 to 2, and 2 to 1, and then adjust the track I wanted to boost.

click a clip - and the playhead jumps to that point in the timeline. seems odd that I need to drag the playhead all the time. Annoying to have these few pixels to click in order to move the playhead to a certain point. FCP X does it well, it follows the mouse whereever you position it. At least have the optio to select.

[quote="Anton Meleshkevich"][list][*]Possibility to clear project cache and delete optimized media from project manager without opening a project.[*]Possibility to see project cache and optimized media size from project manager.)]

plus one for this - even being able see how much space each project's cached data is taking up would be very useful

- Fonts that installed with FontBase or NexusFont can be able to usable in Resolve too (Both Text and Fusion/Text+)

- DaVinci Resolve can be able to detect recently added fonts (Both system fonts and fonts that added via 3rd party software) without requiring to close and reopen it again.

- Clips that have an optimized media that attached to them don't have any indicators (as far as I can see). Having an icon on clip's thumbnail or info section in clips details would be really appreciated.

- I don't know, these could be AMC features that are being protected by patents and stuff but these things would be great if we have them in Edit Page;

a) Dynamic Trim Mode is great however when we are using it if we can see A clip on source monitor and B clip on record monitor would be great instead of seeing both of them in record monitor. This is a huge waste of space

b) Again when we are in Dynamic Trim Mode it would be great if we will have shortcut options to jump to next or previous edit points (I'm not sure about this one, it could be in Resolve already but I couldn't find it)

c) And finally, when we are using source/timeline workflow (I mean one timeline with all clips as source and one timeline for edit as record) unfortunately resolve inserts (or overwrites) compound clips instead of source clips. I know there is a simple solution for that, I can choose them and select decompose in place but I think the first option would be much efficient.

There could be solutions (but not workarounds) for everything that I address on the top and I might be unaware of them. So, if that is the case any help about them would be appreciated.