Friday, January 12, 2018

Connie Carroll is an accomplished, dynamic illustrator. She combines humor and social commentary with vibrant color and engaging, energetic lines. This series speaks to the impact of climate change, through her commanding, urgent, and timely aesthetic.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War.

The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.

"Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and pastel drawings of winter scenes of Syracuse and Onondaga County from area artists and photographers. Snowy Splendor 2017-2018 marks the fifth anniversary of this popular exhibit that highlights artwork created by community artists.

The Holiday Group Show emphasizes the important role handmade objects and fine art plays in domestic life, enriching living spaces and adorning the body. The exhibition will feature jewelry, up-cycled jewelry, and ornaments by Betsy Menson Sio; new ceramics by Jen Gandee, Ed Feldman, and Ron Sutterer; repurposed glass pieces by Errol Willett; paintings by Lucie Wellner and Andrea Deschambeault-Porter; photos by Elisabeth Groat and Robert Colley; and earrings by Lily Tsay.

The Everson began collecting ceramics in 1916 with a purchase of 32 porcelains by preeminent Arts and Crafts potter Adelaide Alsop Robineau, which ultimately built the framework for the Museum's focus on works in clay. In 2016, the Museum unveiled a new ceramics gallery and implemented a plan to actively acquire new works for the ceramics collection, which now numbers more than 5000 works dating from antiquity to the present day. This exhibition features a small and diverse selection of works acquired over the last three years through gifts and purchases. Forty-nine ceramics entered the collection during this period, ranging from functional vessels made by the South American Chavin civilization between the ninth and third centuries BCE to sculptural objects created by contemporary artists across America.

"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.

Still the One: Douglas Lloyd Makes Portraits of Women Making Change the Old-Fashioned WayArtRage Gallery

Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse

For this exhibition, ArtRage sought out local elder women activists; all are 80 years or older. "Still the One" addresses urgent questions: what exactly is &quotactivism" and where do we find it? What and who have we lost sight of? What endures? What will get us safely home again? We are seeking the wisdom of these elders in a troubled and urgent moment, going back to the source or back to the well; seeking to recognize those who persisted and endured and made a difference.

A photographer for 25 years, Douglas Lloyd has focused on wet plate processing since 2014. Wet plate collodion photography was invented in 1851 and widely revived in recent years for the detail and loveliness of its images. "Still the One" finds a perfect fit between method and subject; one which values age and history.

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

This 1960s' French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancées, each a beautiful airline hostess with frequent &quotlayovers." He keeps &quotone up, one down, and one pending" until unexpected schedule changes bring all three to Paris, and Bernard's apartment, at the same time.

Saturday, January 13, 2018

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.

The Everson began collecting ceramics in 1916 with a purchase of 32 porcelains by preeminent Arts and Crafts potter Adelaide Alsop Robineau, which ultimately built the framework for the Museum's focus on works in clay. In 2016, the Museum unveiled a new ceramics gallery and implemented a plan to actively acquire new works for the ceramics collection, which now numbers more than 5000 works dating from antiquity to the present day. This exhibition features a small and diverse selection of works acquired over the last three years through gifts and purchases. Forty-nine ceramics entered the collection during this period, ranging from functional vessels made by the South American Chavin civilization between the ninth and third centuries BCE to sculptural objects created by contemporary artists across America.

The Holiday Group Show emphasizes the important role handmade objects and fine art plays in domestic life, enriching living spaces and adorning the body. The exhibition will feature jewelry, up-cycled jewelry, and ornaments by Betsy Menson Sio; new ceramics by Jen Gandee, Ed Feldman, and Ron Sutterer; repurposed glass pieces by Errol Willett; paintings by Lucie Wellner and Andrea Deschambeault-Porter; photos by Elisabeth Groat and Robert Colley; and earrings by Lily Tsay.

"Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and pastel drawings of winter scenes of Syracuse and Onondaga County from area artists and photographers. Snowy Splendor 2017-2018 marks the fifth anniversary of this popular exhibit that highlights artwork created by community artists.

To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War.

The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.

Still the One: Douglas Lloyd Makes Portraits of Women Making Change the Old-Fashioned WayArtRage Gallery

Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse

For this exhibition, ArtRage sought out local elder women activists; all are 80 years or older. "Still the One" addresses urgent questions: what exactly is &quotactivism" and where do we find it? What and who have we lost sight of? What endures? What will get us safely home again? We are seeking the wisdom of these elders in a troubled and urgent moment, going back to the source or back to the well; seeking to recognize those who persisted and endured and made a difference.

A photographer for 25 years, Douglas Lloyd has focused on wet plate processing since 2014. Wet plate collodion photography was invented in 1851 and widely revived in recent years for the detail and loveliness of its images. "Still the One" finds a perfect fit between method and subject; one which values age and history.

This 1960s' French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancées, each a beautiful airline hostess with frequent &quotlayovers." He keeps &quotone up, one down, and one pending" until unexpected schedule changes bring all three to Paris, and Bernard's apartment, at the same time.

Sunday, January 14, 2018

The Holiday Group Show emphasizes the important role handmade objects and fine art plays in domestic life, enriching living spaces and adorning the body. The exhibition will feature jewelry, up-cycled jewelry, and ornaments by Betsy Menson Sio; new ceramics by Jen Gandee, Ed Feldman, and Ron Sutterer; repurposed glass pieces by Errol Willett; paintings by Lucie Wellner and Andrea Deschambeault-Porter; photos by Elisabeth Groat and Robert Colley; and earrings by Lily Tsay.

"Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and pastel drawings of winter scenes of Syracuse and Onondaga County from area artists and photographers. Snowy Splendor 2017-2018 marks the fifth anniversary of this popular exhibit that highlights artwork created by community artists.

To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War.

The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.

The Everson began collecting ceramics in 1916 with a purchase of 32 porcelains by preeminent Arts and Crafts potter Adelaide Alsop Robineau, which ultimately built the framework for the Museum's focus on works in clay. In 2016, the Museum unveiled a new ceramics gallery and implemented a plan to actively acquire new works for the ceramics collection, which now numbers more than 5000 works dating from antiquity to the present day. This exhibition features a small and diverse selection of works acquired over the last three years through gifts and purchases. Forty-nine ceramics entered the collection during this period, ranging from functional vessels made by the South American Chavin civilization between the ninth and third centuries BCE to sculptural objects created by contemporary artists across America.

"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.

This 1960s' French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancées, each a beautiful airline hostess with frequent &quotlayovers." He keeps &quotone up, one down, and one pending" until unexpected schedule changes bring all three to Paris, and Bernard's apartment, at the same time.

Monday, January 15, 2018

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

Tuesday, January 16, 2018

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

Connie Carroll is an accomplished, dynamic illustrator. She combines humor and social commentary with vibrant color and engaging, energetic lines. This series speaks to the impact of climate change, through her commanding, urgent, and timely aesthetic.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

"Land of Epic Battles" will feature Justyna Badach's new series of large, hand-made dichromate prints, made using film stills from ISIS training videos. For a year she experimented with darkroom techniques before discovering a 19th-century process that would allow her to use gun powder as a toner. The resulting incendiary prints initially look like antiquated documentation of Middle Eastern sites and landscapes. The texture of the heavy-weight watercolor paper needed for this process adds a layer of abstraction more akin to the language of drawing and painting than photography. Rather than using images of carnage and gore, for which ISIS videos are infamous, Badach's edit reveals a vast, enduring, and majestic landscape that dwarfs the players in the conflict and exposes the futility of war.

Light Work is pleased to announce the 2018 Transmedia Photography Annual exhibition, featuring photographs by seniors from the Art Photography program in the Department of Transmedia within College of Visual and Performing Arts at Syracuse University.

Wednesday, January 17, 2018

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

Connie Carroll is an accomplished, dynamic illustrator. She combines humor and social commentary with vibrant color and engaging, energetic lines. This series speaks to the impact of climate change, through her commanding, urgent, and timely aesthetic.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

Light Work is pleased to announce the 2018 Transmedia Photography Annual exhibition, featuring photographs by seniors from the Art Photography program in the Department of Transmedia within College of Visual and Performing Arts at Syracuse University.

"Land of Epic Battles" will feature Justyna Badach's new series of large, hand-made dichromate prints, made using film stills from ISIS training videos. For a year she experimented with darkroom techniques before discovering a 19th-century process that would allow her to use gun powder as a toner. The resulting incendiary prints initially look like antiquated documentation of Middle Eastern sites and landscapes. The texture of the heavy-weight watercolor paper needed for this process adds a layer of abstraction more akin to the language of drawing and painting than photography. Rather than using images of carnage and gore, for which ISIS videos are infamous, Badach's edit reveals a vast, enduring, and majestic landscape that dwarfs the players in the conflict and exposes the futility of war.

To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War.

The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.

"Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and pastel drawings of winter scenes of Syracuse and Onondaga County from area artists and photographers. Snowy Splendor 2017-2018 marks the fifth anniversary of this popular exhibit that highlights artwork created by community artists.

"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.

The Everson began collecting ceramics in 1916 with a purchase of 32 porcelains by preeminent Arts and Crafts potter Adelaide Alsop Robineau, which ultimately built the framework for the Museum's focus on works in clay. In 2016, the Museum unveiled a new ceramics gallery and implemented a plan to actively acquire new works for the ceramics collection, which now numbers more than 5000 works dating from antiquity to the present day. This exhibition features a small and diverse selection of works acquired over the last three years through gifts and purchases. Forty-nine ceramics entered the collection during this period, ranging from functional vessels made by the South American Chavin civilization between the ninth and third centuries BCE to sculptural objects created by contemporary artists across America.

A number of social, political, and technological changes have had a profound impact on the development of modern bra design. Various changes in the role of women in society with origins in the two world wars, an increasingly fast-changing and innovative fashion scene, and changes in feminist attitudes brought about substantial changes in attitudes toward both the bra and female identity. Thus, the bra often took center stage in reflecting some of these momentous changes.

About the Artist: Kristina Shin, Ph.D., graduated from Chung Nam National University, Korea, with a B.A. in clothing and textiles, an M.A. in fashion merchandising from California State University Los Angeles, and a Ph.D. in fashion design from the University of Northumbria, U.K. She has more than 10 years' experience in both the outerwear and underwear industries as a fashion designer and patternmaker. Prior to joining the Hong Kong Polytechnic University, Shin worked for Triumph International Overseas Ltd., one of the world's leading lingerie brands, as a designer.

Shin is the author of Patternmaking for Underwear Design (2nd edition), a textbook that is a comprehensive patternmaking guide aimed at students, educators, and industry. This publication presents innovative bra cup manipulation methods which she developed using a flat patternmaking concept.

Still the One: Douglas Lloyd Makes Portraits of Women Making Change the Old-Fashioned WayArtRage Gallery

Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse

For this exhibition, ArtRage sought out local elder women activists; all are 80 years or older. "Still the One" addresses urgent questions: what exactly is &quotactivism" and where do we find it? What and who have we lost sight of? What endures? What will get us safely home again? We are seeking the wisdom of these elders in a troubled and urgent moment, going back to the source or back to the well; seeking to recognize those who persisted and endured and made a difference.

A photographer for 25 years, Douglas Lloyd has focused on wet plate processing since 2014. Wet plate collodion photography was invented in 1851 and widely revived in recent years for the detail and loveliness of its images. "Still the One" finds a perfect fit between method and subject; one which values age and history.

Although cut tragically short, the life of Frances &quotFanny" Adeline Seward (1844—1866) was remarkable. The youngest of five children born to William Seward and his wife Frances, Fanny bore direct witness to her father's rise as a premier statesman.

She stood by her father's side as he joined the Lincoln administration, and she pleaded for his life when an assassin came for him the same night that the country lost Lincoln. Closer to home in Auburn, she watched as her mother transformed their house into a stop on the Underground Railroad, defying federal law as the nation faced its &quotirrepressible conflict."

Based on the diaries kept by Fanny during the Civil War era, The Innocence of Experience reveals an American girl living through an extraordinary time. Her unique perspective brings the audience into the Lincoln White House and the highest reaches of power in the Union government, yet it also chronicles the familiar everyday experiences of a teenager growing up and encountering the world.

Thursday, January 18, 2018

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

Connie Carroll is an accomplished, dynamic illustrator. She combines humor and social commentary with vibrant color and engaging, energetic lines. This series speaks to the impact of climate change, through her commanding, urgent, and timely aesthetic.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

Light Work is pleased to announce the 2018 Transmedia Photography Annual exhibition, featuring photographs by seniors from the Art Photography program in the Department of Transmedia within College of Visual and Performing Arts at Syracuse University.

"Land of Epic Battles" will feature Justyna Badach's new series of large, hand-made dichromate prints, made using film stills from ISIS training videos. For a year she experimented with darkroom techniques before discovering a 19th-century process that would allow her to use gun powder as a toner. The resulting incendiary prints initially look like antiquated documentation of Middle Eastern sites and landscapes. The texture of the heavy-weight watercolor paper needed for this process adds a layer of abstraction more akin to the language of drawing and painting than photography. Rather than using images of carnage and gore, for which ISIS videos are infamous, Badach's edit reveals a vast, enduring, and majestic landscape that dwarfs the players in the conflict and exposes the futility of war.

"Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and pastel drawings of winter scenes of Syracuse and Onondaga County from area artists and photographers. Snowy Splendor 2017-2018 marks the fifth anniversary of this popular exhibit that highlights artwork created by community artists.

To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War.

The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.

The Holiday Group Show emphasizes the important role handmade objects and fine art plays in domestic life, enriching living spaces and adorning the body. The exhibition will feature jewelry, up-cycled jewelry, and ornaments by Betsy Menson Sio; new ceramics by Jen Gandee, Ed Feldman, and Ron Sutterer; repurposed glass pieces by Errol Willett; paintings by Lucie Wellner and Andrea Deschambeault-Porter; photos by Elisabeth Groat and Robert Colley; and earrings by Lily Tsay.

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.

The Everson began collecting ceramics in 1916 with a purchase of 32 porcelains by preeminent Arts and Crafts potter Adelaide Alsop Robineau, which ultimately built the framework for the Museum's focus on works in clay. In 2016, the Museum unveiled a new ceramics gallery and implemented a plan to actively acquire new works for the ceramics collection, which now numbers more than 5000 works dating from antiquity to the present day. This exhibition features a small and diverse selection of works acquired over the last three years through gifts and purchases. Forty-nine ceramics entered the collection during this period, ranging from functional vessels made by the South American Chavin civilization between the ninth and third centuries BCE to sculptural objects created by contemporary artists across America.

"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.

Still the One: Douglas Lloyd Makes Portraits of Women Making Change the Old-Fashioned WayArtRage Gallery

Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse

For this exhibition, ArtRage sought out local elder women activists; all are 80 years or older. "Still the One" addresses urgent questions: what exactly is &quotactivism" and where do we find it? What and who have we lost sight of? What endures? What will get us safely home again? We are seeking the wisdom of these elders in a troubled and urgent moment, going back to the source or back to the well; seeking to recognize those who persisted and endured and made a difference.

A photographer for 25 years, Douglas Lloyd has focused on wet plate processing since 2014. Wet plate collodion photography was invented in 1851 and widely revived in recent years for the detail and loveliness of its images. "Still the One" finds a perfect fit between method and subject; one which values age and history.

Artist and activist Roberto Lugo uses the power of pottery as a platform for change. His work addresses issues such as race, poverty, and social inequality, exploring the dynamics of identity and personal narrative as sources of inspiration.

Presented in conjunction with Syracuse University Department of Art and the CAC Foundation.

You and the rest of the Bangalone Gang are in deep trouble. Big Louie's been beaned by a bocci ball and now he ain't thinking so good. The gang's got to figure out what to do before arch rival gang leader "Muscles" Marinara has you rubbed out. You better move fast. Word on the street is that ruthless hitman Jake "The Weasel" is on the way.

This 1960s' French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancées, each a beautiful airline hostess with frequent &quotlayovers." He keeps &quotone up, one down, and one pending" until unexpected schedule changes bring all three to Paris, and Bernard's apartment, at the same time.

Friday, January 19, 2018

Laura Bettina is a multi-disciplinary artist interested in epigenetics, ?architecture and visual storytelling. Synchronicity: Here, Then & Now is a solo exhibition that creatively depicts the interconnectedness of human physiology and how trauma causes the brain to disorganize neural circuits. Her work serves to educate and empower healing the body and mind with nutrients rather than drugs. Through transforming research into drawing, the artist finds a way to connect and communicate strength, hope and optimism, while also showing us how fallibly human we are.

Connie Carroll is an accomplished, dynamic illustrator. She combines humor and social commentary with vibrant color and engaging, energetic lines. This series speaks to the impact of climate change, through her commanding, urgent, and timely aesthetic.

Human interaction with nature is a subject that Bob Ripley finds fascinating, and his current exhibit reflects this interest beautifully. Ripley has always been intrigued by wildlife and natural forms. As a boy, he painted on white cardboard shirt boxes using paintings from Outdoor Life and Field & Stream magazines as a reference. Today he finds his subject matter himself, taking photographs and making field notes to help guide him when he renders paintings in his studio at home. Long ago, he made the transition to transparent watercolor techniques on high quality papers. Those who are acquainted with the work of Winslow Homer and Andrew Wyeth will readily understand why Ripley cites these artists as inspirational.

"Land of Epic Battles" will feature Justyna Badach's new series of large, hand-made dichromate prints, made using film stills from ISIS training videos. For a year she experimented with darkroom techniques before discovering a 19th-century process that would allow her to use gun powder as a toner. The resulting incendiary prints initially look like antiquated documentation of Middle Eastern sites and landscapes. The texture of the heavy-weight watercolor paper needed for this process adds a layer of abstraction more akin to the language of drawing and painting than photography. Rather than using images of carnage and gore, for which ISIS videos are infamous, Badach's edit reveals a vast, enduring, and majestic landscape that dwarfs the players in the conflict and exposes the futility of war.

Light Work is pleased to announce the 2018 Transmedia Photography Annual exhibition, featuring photographs by seniors from the Art Photography program in the Department of Transmedia within College of Visual and Performing Arts at Syracuse University.

To commemorate the 100th anniversary of the United States' entry into World War I, Onondaga Historical Association will present an exhibit on Onondaga County's role in the Great War.

The exhibit will feature photographs, posters, uniforms, gas masks, helmets and other military accoutrements, war souvenirs, home-front conservation items, letters, diaries, and other archival material and objects. These items will illustrate the impact World War I had on Onondaga County and the world at large. The exhibit will focus on the people, places, and events at home and abroad including military personnel and units, the nurse corps, Camp Syracuse, food conservation, the Split Rock munitions explosion, and the Spanish Influenza epidemic.

"Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and pastel drawings of winter scenes of Syracuse and Onondaga County from area artists and photographers. Snowy Splendor 2017-2018 marks the fifth anniversary of this popular exhibit that highlights artwork created by community artists.

The Holiday Group Show emphasizes the important role handmade objects and fine art plays in domestic life, enriching living spaces and adorning the body. The exhibition will feature jewelry, up-cycled jewelry, and ornaments by Betsy Menson Sio; new ceramics by Jen Gandee, Ed Feldman, and Ron Sutterer; repurposed glass pieces by Errol Willett; paintings by Lucie Wellner and Andrea Deschambeault-Porter; photos by Elisabeth Groat and Robert Colley; and earrings by Lily Tsay.

"Americans in Venice: Late 19th and Early 20th Century Prints," curated by SUArt Galleries director Domenic Iacono, presents six prints by James McNeill Whistler from this period, placing them alongside the work of other Americans who were practicing in Italy in the late 19th and early 20th centuries. The juxtaposition of these works allows the viewer to appreciate Whistler's innovations and his effect on the artists who followed him. Artists such as Mortimer Menpes, Frank Duveneck, Otto Bacher, and Joseph Pennell owe much to Whistler's innovative style and approach and, in turn, their work had an impact on the artists who made prints of Venice during the 20th century.

"In Gratitude: The Museum Project," on display in the Photography Study Gallery, examines the Museum Project, an artist collective formed by over a dozen preeminent American artists seeking a way to express their gratitude for the institutional support of, and commitment to, photography as an art form. This exhibition, curated by exhibition and collection manager Emily Dittman, features a multitude of contemporary perspectives and a rich diversity of styles, concepts, and photographic materials as it explores the recent donation of artwork to the SU Art Collection.

This exhibition of 50 images visualizes Berenice Abbott's summer journey in 1954 along the length of U.S. Route 1. Beginning in New York City, she and two companions traveled south to Key West. From there, she turned around and drove north to the highway's terminus in Fort Kent, Maine, arriving in September. During the trip Abbott made more than 400 8" x 10" photographs, and more than 2,000 smaller images using her Rollieflex camera. These represent her largest portfolio of photographs devoted to a single subject and have gone largely unrecognized. Abbott captured the road, its towns, and inhabitants at their best and their worst. From Florida motels made from buses to Maine potato farmers, Abbott finds distinguishing characteristics of the area she is photographing.

"Lake Effect Editions" celebrates 10 years of printmaking with a selection of work created by a long list of young artists who have worked at the Syracuse University printmaking studio. Lake Effect Editions is a press entity at Syracuse University that publishes works by visiting artists invited by the Printmaking professors to work with undergraduate and graduate students each semester. These visiting artists will typically give a public lecture, give critiques to the students they work with, and create an edition of prints with the students, faculty and staff. Through this engagement with a working artist, Lake Effect and its guiding professors, Dusty Herbig and Holly Greenberg, hope to give students the opportunity to work directly with master print artists from both the academic and professional print worlds, to create fine, hand-pulled editions of works on paper. Students work side by side with the visiting artists who share their knowledge of printmaking and the tricks and techniques not taught as part of the regular curriculum in the printmaking intensive, a part of the studio arts programs in the School of Art.

This collaborative project by a scientist and artist asks the reader to consider the aesthetics of human disease, both within and beyond the context of our preconceived social systems. Disease is a dynamically powerful force of nature that acts without regard to race, religion or culture. These forces create visually stunning patterns with a remarkable ability to evoke human emotion in isolation that differs when viewed in the context of the disease that produced the image. We see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, the appreciation of the imagery produced by disease is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an appreciation of visual beauty inherent within the medical sciences.

"Kiki Smith and Paper: The Body, the Muse, and the Spirit" will present a selection of the artist's drawings and prints, accented with sculpture from various periods. Heralded as one of the most distinctive voices of her generation, Smith has been preoccupied with considering the female figure from every possible perspective – physically, culturally, historically, and personally. This exhibition highlights Smith's passion for paper as she has explored aspects of femininity.

This exhibition was organized by the Oklahoma State University Museum of Art and guest curated by Wendy Weitman.

The Everson began collecting ceramics in 1916 with a purchase of 32 porcelains by preeminent Arts and Crafts potter Adelaide Alsop Robineau, which ultimately built the framework for the Museum's focus on works in clay. In 2016, the Museum unveiled a new ceramics gallery and implemented a plan to actively acquire new works for the ceramics collection, which now numbers more than 5000 works dating from antiquity to the present day. This exhibition features a small and diverse selection of works acquired over the last three years through gifts and purchases. Forty-nine ceramics entered the collection during this period, ranging from functional vessels made by the South American Chavin civilization between the ninth and third centuries BCE to sculptural objects created by contemporary artists across America.

"From Funk to Punk: Left Coast Ceramics" highlights the rich continuing history of California, Oregon, and Washington artists working in a wide variety of aesthetics, scale, and conceptual styles. The exhibition surveys iconic works from the Museum's collection beginning in the 1950s, to works created in today's dynamic cultural and artistic landscape, capturing the spirit and innovations synonymous with West Coast art over the last six decades.

A number of social, political, and technological changes have had a profound impact on the development of modern bra design. Various changes in the role of women in society with origins in the two world wars, an increasingly fast-changing and innovative fashion scene, and changes in feminist attitudes brought about substantial changes in attitudes toward both the bra and female identity. Thus, the bra often took center stage in reflecting some of these momentous changes.

About the Artist: Kristina Shin, Ph.D., graduated from Chung Nam National University, Korea, with a B.A. in clothing and textiles, an M.A. in fashion merchandising from California State University Los Angeles, and a Ph.D. in fashion design from the University of Northumbria, U.K. She has more than 10 years' experience in both the outerwear and underwear industries as a fashion designer and patternmaker. Prior to joining the Hong Kong Polytechnic University, Shin worked for Triumph International Overseas Ltd., one of the world's leading lingerie brands, as a designer.

Shin is the author of Patternmaking for Underwear Design (2nd edition), a textbook that is a comprehensive patternmaking guide aimed at students, educators, and industry. This publication presents innovative bra cup manipulation methods which she developed using a flat patternmaking concept.

Still the One: Douglas Lloyd Makes Portraits of Women Making Change the Old-Fashioned WayArtRage Gallery

Price: Free ArtRage Gallery
505 Hawley Ave.,
Syracuse

For this exhibition, ArtRage sought out local elder women activists; all are 80 years or older. "Still the One" addresses urgent questions: what exactly is &quotactivism" and where do we find it? What and who have we lost sight of? What endures? What will get us safely home again? We are seeking the wisdom of these elders in a troubled and urgent moment, going back to the source or back to the well; seeking to recognize those who persisted and endured and made a difference.

A photographer for 25 years, Douglas Lloyd has focused on wet plate processing since 2014. Wet plate collodion photography was invented in 1851 and widely revived in recent years for the detail and loveliness of its images. "Still the One" finds a perfect fit between method and subject; one which values age and history.

RUNA has been enchanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco, and blues, they offer a thrilling and redefining take on traditional music.

This 1960s' French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancées, each a beautiful airline hostess with frequent &quotlayovers." He keeps &quotone up, one down, and one pending" until unexpected schedule changes bring all three to Paris, and Bernard's apartment, at the same time.