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WASHINGTON – The Dramatists Guild of America has come out in strong support of a controversial Israeli play to be performed at Washingto,n DC’s Theatre J, which is partially funded by the Jewish Federation of Greater Washington.

Theatre J originally planned to stage a full production of “The Admission” by Motti Lerner, but has since scaled it back to be part of a workshop to be used as a platform for discussion on how difficult subjects are treated.

“The Admission” is a fictionalized account of a controversy over whether Israeli troops carried out a massacre in Tantura, a small coastal village, during the 1948-1949 Israeli War for Independence.

The downscaling came, in part, following protests by the small but vocal group COPMA – Citizens Opposed to Propaganda Masquerading as Art. That group has taken out ads in several newspapers stating their objections to Federation funding of the play.

In a two-page letter sent last week to Liza Levy, president of the Jewish Federation of Greater Washington, and Carole Zawatsky, CEO of the DC Jewish Community Center, the Dramatists Guild stated its support for staging the play.

“The reason we dramatists feel so strongly about this is that COPMA’s actions strike at the very heart of the function of art and culture. While the arts may sometimes inspire us to support our social institutions, they may unsettle and challenge us and makes us question our values and assumptions. It must never be dangerous to encourage people to think,” the Guild’s letter said.

COPMA has said that it is against federation money being used to produce the play and would not protest if an independent group staged it.

The letter cited Israeli Public Security Minister Yitzhak Aharonovitch as saying in 2012 in the Knesset: “In the past, some plays by Motti Lerner have created stormed discourse…This discourse is taking place in the public sphere and that is where it should be. The State of Israel is proud of the freedom of expression in the arts and especially the freedom of expression in the theatre.”

The workshop is set to run March 20-April 6. The play in its full form was to have had 35 showings. The scaled-back version will be presented 16 times.

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