What is the movie about? :: A nameless man (Jayaram) is a mystery to many, as he owns pets ranging from cats, dogs and parrots to camels, horses, donkeys and elephants. He speaks and acts in strange ways, leading to most people of his neighbourhood belonging to upper middle class family not liking his presence in a plot right between their homes. Most of his collection of birds and animals are leftovers of a circus which had recently ceased to exist. He takes special care of his animals and birds, and sells them only to those people whom he finds fit to give them the best lives. Along with living with these creatures, he also has small real estate business and other small part-time jobs. Even though he might seem tough for people who never knew him, he is more than that, with no hesitation in helping others in need, having special love for children, as he is an orphan who never knew his father and mother.

So, what happens with the events to follow? :: Meanwhile, Kalesh (Kunchacko Boban) is the MLA of the place, who was elected earlier because his father, the former MLA had died, leaving a wave of sympathy among the common people. Despite his father being a man loved by many people, Kalesh couldn’t do much for those who elected him, and is living in a mansion of his friend, Nazir (Joju George) with his wife Chitra (Anusree) and a complaining mother (Mallika Sukumaran), who blames him being not anywhere close to his father as a politician or a social worker. With his father’s former aid Udayan (Ashokan), Kalesh hopes to claim all the glory in style with a win in the upcoming elections. His opponent for this election is Jimmy (Salim Kumar), who hopes to reclaim the consituency for his party after a long time, in one way or the other.

And what is follow with the events? :: The journeys of the two, the unnamed man and Kalesh meets when the people of the neighbourhood tries to have the animal and bird lover evicted. Kalesh is the person whom they see to accomplish that aim. But not everyone thinks about him in the same way, as the the local police officer KO Rangan (Prem Kumar) himself finds the animals and birds interesting. Things get further complicated when Kalesh is forced to give the man some space in his home because of certain twist of events. With all creatures following him, Kalesh and his family might have taken in more than what they could have. Now, questions remain about the future of the animals and birds, as well as the political career of Kalesh. Can things get better in their lives, or is this strange combination going to ruin everything?

The defence of Panchavarnathatha :: There is some good comedy followed by a fine emotional end in this flick, which is never short of being interesting for the family audience. Along with the same, there is a good message being provided here, about doing good for the others, not just to humans, but also to the animals and birds. With its everyman characters, we feel the need to attach ourselves to it, rather than some random fan movie which has fan-centered life which is not applicable to the common man who think about their families and society rather than any random superstar. The songs are just okay. Ramesh Pisharody’s first attempt at direction surely feels better and closer to heart than those movies celebrated in the name of common man like Amar Akbar Anthony and Kattappanayile Rithwick Roshan. There is enough in Panchavarnathatha for most people, and the others are having problems which are surely not visible on the big screen. Some incidents in real life are also reflected here.

The claws of flaw :: There is one person whom we miss on the screen, and it is Ramesh Pisharody himself who has directed the movie, but never appears as an actor. Some of the comedy also misses out, and we feel that this kind of an idea could have had even better treatment, maybe closer to daily life’s incidents, or in a way that it goes beyond the self-inflicted restrictions – you feel the strength of the idea within this one, and the need to have more. It could have been a complete social satire, but that choice is not made even though there is politics with the ugly sides, and people within a society that has its own stranger sides. The movie is also a little too long as it deals with its content, which had to be dealt with better to go for such a long run. Also, these many animals were not needed, as it doesn’t help to take things seriously. There could have been a fine background story for the main character too.

The performers of the soul :: Jayaram is here with a different avatar, and after this year’s disaster of a movie Daivame Kaithozham K Kumar Akanam which competed with Queen to become the worst movie of 2018, he has redeemed up to an extent with this role. There is the absence of those big dialogues with this one, and the character serves with the divergence that was needed. Kunchacko Boban has this character under full control, and Anusree seems to be rightly suited for this role, as she goes natural with the performance. Mallika Sukumaran also contributes well on the usual lines. Dharmajan Bolgatty arrives later, but contributes well to the fun; before that there was Salim Kumar doing the same. Prem Kumar also brings some good contribution for the comic side, and Ashokan is there for the whole length of the movie. Joju George then brings a little more later.

How it finishes :: Panchavarnathatha is the one underrated movie of this Vishu – it seems to have managed less attention than Jayaram’s earlier lesser movies including Daivame Kaithozham K Kumar Akanam and Kunchacko Boban’s Kuttanadan Marpappa, which is rather strange. This one is surely better than Mohanlal which released with Panchavarnathatha gaining more attention, as the comedy is cent percent better working, and has characters that will appeal to us rather than some random fan girl who never really deserved to be taken seriously, as she went on to become a curse for everyone around here. We all need everyman characters, and Panchavarnathatha has something that touches the emotions along with the comic side, rather than becoming a pretender like many other movies; any kind of different uprising is always required among similar movies.