Author Notes

Michael Harvey is a writer, journalist, and documentary producer. He is the co-creator, writer and executive producer of the Prime Time Emmy-nominated television series Cold Case Files¿ and a former investigative producer for CBS in Chicago.

Harvey's work has won numerous national and international awards, including multiple Emmys and an Academy Award nomination for the Holocaust documentary Eyewitness.

Michael's novels include The Innocence Game, We All Fall Down, The Third Rail, The Fifth Floor, The Chicago Way, and The Governor's Wife.

Booklist Review

Harvey's third Michael Kelly novel finds the tough Chicago PI eyeball deep in a burgeoning reign of terror focused on the transit system, the venerable CTA. Kelly witnesses the first murder on an L platform and sets off in hot but futile pursuit. After the second murder, he receives a taunting phone call from the killer, who alludes to Kelly's knowledge of ancient Greece. As Kelly dredges his memory for a suspect and recalls painful moments from his youth the FBI barges in, citing terrorism; spooky suits from Homeland Security lurk on the periphery; and the body count rises. Hizzoner, the Daleyesque John J. Wilson, summons Kelly to make him an offer he can't refuse. The expert use of Chicago politics that distinguished Harvey's previous novel, The Fifth Floor (2008), is much in evidence here as well. Hizzoner is still practicing realpolitik, Chicago style, and the main plot is based on a real-life CTA accident in the 1970s. But the edginess and noir sensibility that were central to the earlier book's appeal are lessened a bit this time by Kelly's becoming an insider; the mayor seems to admire and trust him. That said, the action is nonstop, Harvey once again captures the unique zeitgeist of the city, and Kelly, tough smart, and a bit rough around the edges, is a true native son.--Gaughan, Thomas Copyright 2009 Booklist

Publisher's Weekly Review

A series of terrifying crimes threatens to paralyze Chicago in Harvey's stellar third novel featuring Chicago PI Michael Kelly (after The Chicago Way and The Fifth Floor). First, a gunman executes two people, apparently at random at different locations, while they ride the T, the city's elevated railway. Next, the sniper shoots at commuters on Lake Shore Drive, killing three people while missing Kelly's girlfriend, judge Rachel Swenson. Kelly suspects the shooter has an accomplice, a theory dismissed by official law enforcement. The hard-boiled investigator, who at age nine survived a horrific subway accident at the site of one of the T murders 30 years earlier, wonders if there could be a link between that past tragedy and the current spree. The author deftly alternates between his hero's first-person perspective, and third-person accounts of the mindsets of the men Kelly seeks. Harvey stakes a persuasive claim as the pre-eminent contemporary voice of Chicago noir. 100,000 first printing; 8-city author tour. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

Imagine the rhythm of commuter traffic shattered by a sniper. A killer opens fire on Chicago commuters on page one, and Michael Kelly, PI and ex-cop, is in pursuit by page three. No coincidence here; the shooter stages his attacks and ensures that Kelly will be involved by taunting him on his cell phone. Is there a second suspect? Both the Chicago PD and the FBI let Kelly work front and center because it's the only way they can decipher the seemingly random pattern. Trotting out all the usual suspects-crooked politicians, bad priests, and terrorists-could have fallen flat, but Harvey drives his third Michael Kelly entry (after The Fifth Floor) like an efficient train. This drama hinges on a decades-old cold case with retribution as the primary goal. VERDICT The mixture of high-speed drama and historical elements showcases the author's journalist roots. It comes off like a juicy true-crime story with abundant twists, ensuring that the reader is left feeling unbalanced most of the time. Harvey shares his passion for Chicago, much like Gabriel Cohen does with his Brooklyn crime novels. [100,000-copy first printing; eight-city tour.]-Teresa L. Jacobsen, Solano Cty. Lib., Fairfield, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Excerpts

Chapter 1 Robles had been on the platform for less than twenty seconds. He leaned against the railing and peered through layered curtains of snow, at the stone faces of apartment buildings crowding close to Chicago's elevated tracks. The row of windows across from him was dark. The street below, quiet. Robles turned back toward the crowd waiting for the train. To his left stood a secretary type, keeping Chicago's winter at bay with a heavy brown coat that ran to her knees. Beside her was a guy barely out of law school, toting a briefcase that was barely out of the box. A clock wound down inside Robles' head. Fifteen more seconds and he needed to move. He gripped the gun in his pocket and walked back toward the entrance to the L platform. A dark-eyed woman was putting on lipstick and standing by the stairs. Her bad luck. He moved closer and snuck a look down the stairwell. No one coming up. More bad luck for her. Robles pulled the gun from his pocket and held it straight in front of him. He focused on the blue pulse beating tiny wings inside the woman's left temple. Then he pulled the trigger, and the woman dropped straight down. Like a puppet with the strings cut, she was all here and there, arms, legs, and a smear of lipstick across her lips and down her chin. She gurgled once or twice and might have even gotten a look at him before the darkness dropped across her eyes. Ten seconds later, Robles was back on the street. He didn't run until he got to the corner and, even then, not too fast. He didn't want to attract attention. More important, he didn't want to get too far ahead of the man he hoped would pursue. Chapter 2 I took the stairs two at a time, slid over the turnstile and out of the L station. A kick of wind hit me fat in the face, and snow fell sideways as I shouldered my way down Southport Avenue. A soft frat boy and his softer girlfriend stood stiff at the corner of Southport and Cornelia, wearing Northwestern and Notre Dame sweatshirts, respectively, and pointing their slack jaws and wide eyes east. Even if I weren't a detective, it wasn't hard to figure which way the shooter had run. I pulled my nine millimeter, held it low by my side, and turned down Cornelia. A half block ahead, a slip of dark fabric disappeared into an alley. I followed, past a run of single-family homes, two- and three-flats, a block from Chicago's Brown Line. At the mouth of the alley, I leaned up against a graystone and took a quick look around the corner. The run of pavement was empty, save for a string of Dumpsters and a rat the size of a cat that, thankfully, took off for points unknown. I slowed my breathing and listened. The wind had died and the fall of new snow deadened everything, including the footsteps of the guy who had just shot a woman on the platform of the Southport L. I crept up to the first Dumpster. A scuff of fresh powder told me my guy had turned in to a second alley that snaked off the first, running parallel to Cornelia. I pulled my gun up to shoulder height and crept forward again. More footprints in the second alley, chalked in white and headed east. Whoever he was, he had turned the corner and just kept moving. I slipped my gun back into its holster and took off at a run. I had made it a good ten yards before a body flew up from behind and to my left. I sprawled toward the dusting of snow and hard cement underneath. He kept his body weight balanced and center of gravity low. I tried to shift, but he slipped an arm across the back of my neck and ground my head against the pavement. I relaxed for a second, hoping my guy might as well. Then I felt steel pressed against the base of my skull and stopped moving altogether. A gun will do that to you. "Easy," the man said and backed off the pressure on his forearm a little. The gun stayed where it was. "Turn around." I turned my head just enough. The shooter wore a black overcoat with black buttons. A fine spray of liquid clung to the hem of his coat. Blood splatter from the woman as she fell. I looked up. He had a black stocking hat on. A ski mask covered his face. I took all that in even as my brain processed the final piece of the puzzle, the dark hole of a .40-caliber handgun, sitting six inches from my forehead. "Ready to die, hero?" He said it more like he was curious than anything else. Really, genuinely interested in my comfort level with impending mortality. I figured anything I might say would just kick off the festivities. So I didn't say anything. Just looked at the mask and tried to fathom the face beyond. He lifted the gun a fraction and began to pull back on the trigger. You might think you can't see that kind of delicate pressure on a trigger. Trust me, when you're up that close and personal, you notice. So he squeezed back, a pound or two of pressure. Then he stopped, lifted the gun another inch or so, and brought it down, fast, heavy, and hard. After that, it was the rush of Chicago asphalt toward my face and darkness. Chapter 3 Robles was two miles and thirty minutes removed from the Southport L stop. He'd changed into an oversize sweatshirt with a Nike logo on the front and black slashes down the sleeves. He had the hood pulled low over his eyes and stared out a window as the number 136 bus pulled onto Lake Shore Drive for its journey downtown. The snow had stopped as quickly as it started, and the winter sun poured cold light over the city. A woman in a Honda Civic cruised close. She had a cell phone cradled at one ear and fussed in the rearview mirror with the corners of her mouth. Robles watched as her front wheel wandered to the edge of her lane and past, brushing close to the side of the bus. His driver laid on the horn. The woman took her eyes off herself, pulled her car straight, and flipped a middle finger toward anyone and everyone who ever rode the CTA. Then she snapped the cell shut and went back to her face. Robles felt the anger, hot and uncomfortable inside, but tamped it down. He pulled out a street map of Chicago and took a look at the Loop. He knew the block and traced the route with his finger for what seemed like the hundredth time. He liked to run things through his mind. That way, when it came time to act, there'd be no thinking. Just hit the button, play the tape, and follow along. Robles stood as the bus turned onto Wacker, walked to the back door, and reached for the grab bar overhead. An old lady sat nearby, tapping her foot and cursing softly under her breath. At first, Robles thought the "motherfucker"s were for him; then he realized she was just another nut job riding the CTA. Robles smiled at the old lady and pictured himself cutting her throat. She looked up, tapped her foot again, and called him a cocksucker. At the front of the bus a radio crackled. The driver picked up his two-way and listened, then asked a question Robles couldn't quite make out. Didn't matter. He had a feeling he knew exactly what all the chatter was about and pulled the cord to request a stop. The bus angled to the curb at Wacker, on the edge of Chicago's Loop. Robles got off and walked south on Wabash to the corner of Lake. The building was about four or five stories high, cut rough from blocks of Indiana limestone and black with soot from the big city's breath. He pulled on a pair of gloves and stepped inside the front door. There was no one in the vestibule, just a line of metal mailboxes and a set of wooden stairs, sinking to the right and winding up. Robles took the stairs, two at a time, until he got to the top floor, turned a corner, and walked to the end of a hall that was long, narrow, and smelled like old diapers. There was a small window at the end, letting in a sad trickle of light onto a wooden door with a silver doorknob. The key was taped under a corner of the synthetic orange carpet, just to the left of the door. Robles turned the lock and walked in. It was a one-room apartment with a single light in the middle of the room and a second door that probably led to a bathroom. Directly in front of him was a set of three more windows. Larger than the one in the hall, they looked south, out over a landscape of smoke and steel. In the foreground was a curve of green girders and the Loop's elevated tracks, wrapping around the corner at Lake and Wabash. Robles opened one of the windows and leaned into a cold draft circling up from the street. A pigeon hopped onto a ledge below him and stared. Robles ducked his head back inside and drew a shade across each of the windows. Then he walked over to a white sheet, spread out on the floor in the middle of the room. Under the sheet was a gray gun case. Inside the case, a Remington 700 rifle with a Leupold scope and a box of .308 Winchester ammo. Robles took out the weapon and broke it down. A train rumbled by, rattling the windows in their frames and vibrating the boards under his feet. Robles smiled. They hadn't stopped the downtown runs. Even after the thing at Southport. He didn't think they would. No need. Not yet, anyway. Twenty minutes later, Robles had reassembled the rifle and loaded a five-round magazine. He spread out a floor pad by the windows, cracked the middle shade to half-mast, and opened the window itself six inches. Four trains had passed since he'd entered the apartment, about one every five minutes. On the sill in front of him was a CTA train schedule. There'd be another in a minute and a half. Robles slipped the barrel out the window and looked through the scope. It was blurry, so he adjusted, using a billboard asking Chicago to support their Bulls as a marker. Derrick Rose's face popped up in the sight. Another adjustment, and Chicago's savior sharpened into focus. Robles heard a rumble as a train approached the curve of track. His train. Right on time. Robles slipped his finger onto the trigger and leaned into the rifle stock. Then he pulled his head back and listened. The scratching at the door was soft, but close and very much there. He waited, hoped whoever it was might go away. The knocking, however, persisted, grew louder, and Robles knew it was fated to be so. He placed the gun back in its case and covered it over with the sheet. Then he closed the shade, slipped off his gloves, and opened the door just as the train rushed by. On the other side was an old face, hammered down between two shoulders and pinched with anger at a life that had somehow wound up here. Robles cared not a bit for any of that. The face was in the way. The face needed to go away. "Sorry," Robles said. "I was in the can. You need something?" "Name's Jim Halter. I manage the place." Halter's smile revealed a row of large teeth that looked like unwashed elbows. His eyes were black and busy, slipping over the threshold and into the room, hungry for whatever there was to be had: a young girl, a stash of drugs, maybe a whiff of cash. Robles angled his body to give the building's manager a better look. "Nice to meet you, Jim. You want to come in for a second?" Halter raised a long, veined hand to his face. The nails were calcified, the skin, spotted. "No, no," Halter said as he stepped across the threshold. "I just wanted to check in. Make sure you got settled okay." "Sure." Robles swung the door shut. Halter took a quick look behind him and might have been a little spooked. Then he noticed the white sheet in the middle of the room. The slippery eyes widened a bit more and a tongue moistened lips the color of liver. "The e-mail said you'd be in today," Halter said. "I was a little leery of leaving a key. But I guess it worked out all right." Robles showed him the key. "Worked out fine. Thanks." Halter nodded and took a second step into the room. Robles crowded close behind. The manager's Adam's apple rolled in its pocket of flesh, and Robles slid the room key back into his pocket. "What sort of business you in, sir? If you don't mind me asking, that is?" Halter created space as he spoke, fluttering, like an old and desiccated moth, to whatever sliver of flame lay underneath that magic sheet. Robles let him drift, fitting a six-inch hunting knife to his hand and feeling a familiar hole at the back of his throat. Wet work, Nelson called it. Robles took a calming breath. Wet work it would be. "Reason I ask," Halter said, "I have a lot of expertise. Connections in the area." "You do?" "Sure." The manager began to turn back toward Robles, eager to strike his bargain. Eager to discover what lay hidden. Eager for his piece. The manager made it, maybe, halfway. Robles grabbed him under the chin and stretched his neck. The cut was clean. Halter collapsed in a rush of air, the wound making a sucking sound like he was trying to breathe through his throat. Robles stepped back. The manager slipped the rest of the way to the floor and lay there, wet, red, and shivering. A soft moan followed and a roll of eyes across the room. "Shit." Robles took another step back. Halter was bleeding hard, the body in spasm, but well on its way to dead. Robles used the sheet to cover him over. Within a minute or so, the shivering had stopped and the white cotton ran crimson. Robles wiped his blade clean on the sheet and took a quick inventory. He had a smear of blood on his pants and some on his shoes. He cleaned them as best he could. Then he wiped down the doorknob and door. It would have to do. Robles checked his watch. The whole thing had taken less than five minutes. Not a problem. He slipped his gloves back on, picked up the rifle, and headed back to the windows. He arranged the floor pad again and sat, rifle cradled in his lap. Then he closed his eyes and waited for his pulse to slow. After a minute or so, he opened his eyes, took a deep breath and long exhale. He felt good again, back in the moment. Robles raised the middle shade and reseated the rifle so the barrel was sticking three inches outside the window. He'd been half expecting something like Halter and was glad it was over. Now he fixed his eye again to the scope, scanned the tracks, and waited. From the Hardcover edition. Excerpted from The Third Rail by Michael Harvey All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

SD_ILS:1796725

9781410428486

Books

Select a list

Make this your default list.

The following items were successfully added.

There was an error while adding the following items. Please try again.