A-side completely composed by Louis Clark; it’s technically sound, happy, bright, and totally ’80s pop/rock, in line with the bright cover with a can of Coca-Cola. “Good Company” is a surprising shot of synthed-out disco (it wasn’t dead in 1980, as some might have thought/wished). “Maison Rouge” is more subtle than it sounds. B-side is the real winner here, with a diverse offering from three different composers; Zoë Kronberger’s fun, fast paced disco number “Sparkle” sets it off, but the mellow “Stylistic” is the real surprise. Pete Kelly follows with some exquisite rock numbers; the “Floyd” being referenced in “A Touch Of Floyd” should be very apparent. Paul Hart’s lone contribution, “Jay Walking” is classic, airy, sometimes jazzy Bruton.