Friday, December 17, 2010

﻿﻿﻿﻿﻿﻿﻿﻿﻿﻿﻿﻿﻿My love of history and art mesh as one when it comes to plein air painting, especially early American plein air painting history as exercised through the Hudson River School. The Hudson River School wasn't a school but an art movement during the mid-19th century embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism. The paintings for which the movement is named depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and the White Mountains; eventually works by the second generation of artists associated with the school expanded to include other locales. Hudson River School paintings reflect three themes of America in the 19th century: discovery, exploration, and settlement. The paintings also depict the American landscape as a pastoral setting, where human beings and nature coexist peacefully. Hudson River School landscapes are characterized by their realistic, detailed, and sometimes idealized portrayal of nature. ﻿

Thomas Cole's Sketch Box
circa 1840

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﻿﻿The artist Thomas Cole is generally acknowledged as the founder of the Hudson River School. Cole took a steamship up the Hudson in the autumn of 1825, the same year the Erie Canal opened, stopping first at West Point, then at Catskill landing where he ventured west high up into the eastern Catskill Mountains of New York State to paint the first landscapes of the area. The first review of his work appeared in the New York Evening Post on November 22, 1825

Cole's close friend, Asher Durand, became a prominent figure in the school as well. With the advent of photography, the need for realistic renderings gave way to the sublime as landscapes took on a more spiritual feel. There was no need to capture what a scene looked like, photography could do that, more emphasis was put on the mood, light, and feeling the artist gained from the scene and being in nature. This was the goal of the second generation Hudson River School painters (my favorites) like Frederic Church,John Kensett, and Sanford Gifford.
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John F. Kensett
in his studio, 1864.

﻿In gathering the visual data for their paintings, these artists would travel to rather extraordinary and extreme environments, the likes of which would not permit the act of painting in some cases. During these expeditions, plein air sketches and memories would be recorded and the paintings would be rendered later, upon the artists' safe return home. They would do their finished works in the studio from their sketches.
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I recently returned from my own painting expedition in the beautiful Blue Ridge Mountains of North Carolina in September. I was accompanied on this journey with two of my artist friends, Mitchell Morton and Stephen Greer. The three of us and several other plein air artists had the pleasure of studying at the Florence Thomas Art School under the master artist, Tony Griffin.

A blog post a mile long could be wrote about Tony concerning his art training, his artwork, and his workshop but I'll save that for another day. Of all the gems I brought home from his workshop the greatest was this... to capture the essence of the scene! With Tony's guidance I learned to simplify... before his workshop, I was putting too much emphasis on getting a finished painting. Tony taught me that plein air painting is a a gathering of color notes, a simplified composition, and a spiritual experience. I can still hear him saying... "Observe, Mix, and Apply" while I work at my easel. Thanks Tony!﻿﻿﻿﻿﻿﻿

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Bernie plein air painting along the New River.

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Taking what I have learned from Tony Griffin and the Hudson River painters I now use my plein air pieces as studies for studio works. I am not so concerned about getting a finished painting in the field anymore.﻿ Below is one of the plein air paintings I did during the workshop. The scene is set along the New River in one of Tony's hidden spots.

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Plein air oil sketch by Bernie Rosage Jr.
Along the New River, Glendale Springs, NC.
September 2010.

﻿﻿Below is the finished studio piece worked from the above sketch with the exercise of a little artistic license.

Wednesday, December 15, 2010

Jean Wenner, founder and former Director of the Council for the Arts passed away December 14, 2010. She truly enriched her community and left a positive legacy in her memory. Her impact on Onslow County concerning the Arts is beyond measure as a pioneer with vision for the arts in our community. She was dedicated to her family and extended family of friends and artists. She opened doors and created many opportunities for countless local artists (myself included) who will forever be grateful for her dedication. She was an accomplished artist whose work crowns many collections throughout the country..Click HERE to see some of her artwork..The community has lost a great artist and art advocate... Tami, Olivia, and I have lost a great friend. I am so glad that she got to see the "Jean Wenner Art Library and Studio" named in her honor for her many, many contributions to the arts and our community. She can never be replaced but she will always be remembered!.Bernie.There is a great tribute to Jean in the Daily News paper... Community mourns the loss of Jean Wenner

Dean and Mitchell couldn't make our bi-monthly paint out this week... Stephen and I were forced to carry the banner (or I should say "brush") in their stead. Stephen was in charge of the still life this week which proved to be a great exercise in painting brass.

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My paintings often evoke feelings of peace, serenity, and nostalgia... my greatest reward is when one of my paintings adds to the personal narrative of the viewer... an extension of his or her own story. My paintings pull at the heartstrings of many and have been collected by patrons throughout the United States, the United Kingdom, Ireland, and Australia.