I’m very concerned about my Southern USA students’ pianos that are subject to warbling unisons, or wavy, beating octaves. A case in point is my Kentucky Online pupil who owns a well-regarded Charles Walter upright that was tuned about 5 … Continue reading →

With dizzying cable wires swimming in all directions, connected to a horizontal mounted overhead web cam, partnered with a side-mounted one, the spotlight is on my vintage Steinway grand. A second piano to its right goes unnoticed. But once a … Continue reading →

I had a delightful exchange with John Peters, RPT, about pianos, restorations, repairs, machine vs. aural tunings, and all that sprung from his wild imagination. For instance, John communicates an intense passion for tuning.. “I get paid to “meditate,” he … Continue reading →

Rina is moving right along. She can spin a legato phrase with finesse after having practiced her detached-note playing for months. Now she’s working on using featherlight thumbs to craft smoother lines. Notice her supple wrist approach to the piano: … Continue reading →

I’m no country bumpkin, but as I departed Bart’s El Cerrito Del Norte station, I felt like one. Last week I ran into a turkey, most likely separated from the pack. And as it daintily climbed up the steps of … Continue reading →

When my Baldwin Hamilton 1929 grand underwent exploratory surgery in the capable hands of Mark Schecter, RPT, I had some pointed questions. Given that the piano had a glassy-sounding upper treble due to worn down hammers, would installing a partial … Continue reading →