Where the previous Radiant Husk output has taken the form of loose diagrams, sketches and notebooks, Matt Erickson's (Sudden Oak, Bezoar Formations label) 'Optics' finds the project moving into a somewhat different territory. If pencil-on-paper was an earlier metaphor, light-through-lens is the prime motivator for these new recordings. Fragments are still the mode of choice, but they are now double-exposed, painted over, cross-faded with flashes of shadow and reeling forward in gradual movement. Saxophone, tapes, fx, keyboards, wave machine. Recorded fall/winter 2010 in San Francisco.