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After the US presidential election last fall, a conversation circulated among my writing colleagues about the kinds of stories we ought to be writing and reading in the face of that terrible moment in history. The conversation wore a number of faces. "Writing as activism" was an important one, where artists were encouraged to make art that reflected their perspectives on world events. Another pointed to the recent spate of post-apocalyptic novels, which were no longer so far-fetched. Still another presented a more practical question: What do readers want to read now, and what do writers want to write?