26 comments:

I myself love Gehry's buldings and count myself very fortunate to work in Clevleand next door to his Peter B. Lewis building (housing Case Western Reserve's Weatherhead School of Business). And I love the new Getty museum in L.A., though I love the old one too that's just recently reopened in Malibu, which is in about as old a style as you can get in contemporary times -- it's a reproduction of a classical Roman villa. But I can understand perfectly well why most Americans prefer much older styles. There are plenty of people around me who hate the Peter B. Lewis building, and it's plain that time tells a lot in the appreciation of the "new."

The link to the favorites isn't working with my firefox. But I'll list my favorites, maybe they're on the list:

FallingWater. Split Rock Lighthouse. Those round apartment buildings on the Chicago River that you could see in the old Bob Newhart show opening. The Carson Pirie Scott Building in Chicago. The Flatiron Building. Milwaukee City Hall.

I have to say, my favorite is still the Wisconsin State Capital. The building is beautiful, the setting is beautiful, and I have fond memories of the place. Do they still do the. . . .Concerts on the Square? I think that's what they called it. It's even beautiful at night.

The Slate story says:"It's tempting to conclude that people just dislike Modernist architecture, but Maya Lin's Vietnam Veterans Memorial (No. 10) and Eero Saarinen's Gateway Arch in St. Louis (No. 14) are resolutely Minimalist, and the Empire State Building, which is No. 1, is Art Deco Modernist."

I'm not an architecture geek, so maybe I just don't understand the terminology, but how do affections for two minimalist buildings and an art deco building rebut the "tempt[ation] to conclude that people just dislike Modernist architecture"? When I think of "modernist architecture," I think of those glass-and-steel monstrosities that now dot far eastern metropoli.

Anthony: Sure, we have Concerts on the Square. They are a huge deal here. The place is packed. There are many other Square things here that are well attended: the farmers market, Taste of Madison, Art Fair, etc. Myself, I avoid them all. Too crowded!

Simon: Funny to call the Vietnam Memorial and the arch "buildings." Maybe people like modern things that aren't buildings

I was surprised that Monticello wasn't first. And I don't see why the Empire State Building should beat out the Chrysler Building... even in the category of NYC skyscrapers.

Ooh. Fun topic! Favorite buildings include the Chrysler Building, the Library of Congress, the Capitol, Oriole Park at Camden Yards, St. Patrick's Cathedral, the National Cathedral. I'm sure I could think of more.

It seems the list is actually called America's Favorite Architecture, so I suppose the bridges and memorials and arches do fit in. Although, I've always considered bridges to be engineering rather than architecture.

I'm surprised how many of those uh...architectures I've actually been to.

It making these picks, many seem to be reacting to the buildings (or the public space, if Maya Lin's Vietman memorial is included) as oversized sculptures, cultural markers or iconic statements rather than architecture. The list would look quite different if people tried to apply traditional architectural standards in making the picks -- how well and appropriately a building's formal elements communicate its function and place in its community, how successfully it services the needs for which it was built, how user-friendly it is for residents or occupants, how it relates to its setting and the rest of the streetscape, etc.

Whenever I look at the ESB, for example, I can picture an old album cover that used its dirigible tower as the symbol for the New World Symphony. But from those who work there, I'm told its not such a great place to spend one's time. Iconic, yes; one of the great building, more doubtful. And despite RLCohen's list of cliched words to be avoided (featured by Ann a few days ago), "iconic" fits here.

Oh, come on, Carnegie Hall 41 and the Auditorium Theater 147? At the very least they should switch places. And the Auditorium Theater should be in the top 10. That Sullivan doesn't even appear until 145 is criminal.

I myself love Gehry's buldings and count myself very fortunate to work in Clevleand next door to his Peter B. Lewis building (housing Case Western Reserve's Weatherhead School of Business).

I'm glad dreary old Cleveland has a conversation piece, but I don't love it myself.

Did they have to stick on Lewis' name in such gigantic letters?

There's a few spots where from a far distance it looks kinda righteous. Don't you think it's crammed away in an odd place?

Does ice still fall on people's heads?

My fave building is Jacob's Field. A finer place to watch The Tribe I cannot imagine. Every time I'm in it I think, "Dammit, Cleveland, you did it up right for once in your friggin' lives!" When i'm driving by I hope the light is red so I can admire it some more. :)

The modern architect who has made the nicest stamp on my city (and many cities) is Cesar Pelli. People seem to love his buildings, rather than scratching their heads.

One token Gehry is more than enough for any city, but I'd like whole blocks designed by Pelli. He's been doing that at The Cleveland Clinic. My fave is the Crile Building, which is on his web site. That one is extra gorgeous in shape and every detail, particularly its rosy shade of granite.

I also admire his skyscrapers. On 9/11 I made note of his buildings around Ground Zero because they reminded me a little of the Key Tower here, which is much nicer than the other skyscrapers people have suck us with in recent decades. And his twin towers in Malaysia are much cooler than New York's were.

There's no grandeur about it, but Lafitte's Blacksmith Shop in the French Quarter gives me great comfort. It was built in 1772, survived two fires in the following two decades that destroyed most of the buildings in the Quarter, and 200 years later, didn't lose so much as a shingle during Katrina. It's dank, dark and small, and it endures.