New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000. New Art 2.0 closes Feb. 8, 2015.

Grids, 2003
Monotype, edition 1/1
22 ¼ x 30 inches
$1,460

Joe Feddersen was born in Omak, Washington, on the edge of the Colville Indian Reservation. In his twenty-year career, he has worked in painting, three-dimensional constructions like basketry and glass sculpture, photography, and computer-generated imagery. He is best known, however, as a virtuoso printmaker. Much of his work is influenced by geometric designs derived from traditional Plateau Indian artistry, which itself is inspired by Northwest landscapes, flora, and fauna. In 2001, Feddersen was awarded an Eiteljorg Fellowship for Native American Fine Art.

New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000. New Art 2.0 closes Feb. 8, 2015.Prairie Chicken Dancer. Flashing His Powers Through His Mirror, 2007
Monoprint, edition 1/1
22 ⅛ x 30 inches
SOLD!

George Flett learned much about of his Indian heritage from his mother, including tribal lore and traditional art forms. Graduating from the Institute of American Indian Arts in Santa Fe, New Mexico, in 1966, Flett went on to study at the University of Colorado and served in the U.S. Army from 1968 to 1970. He began working full-time as an artist in 1983, creating work in several media that reflects, among other things, his Native background—including several representations of the colorful Prairie Chicken Dance— and his rodeo experience as a champion bull rider. He lived and worked near Wellpinit, Washington, on the Spokane Indian Reservation.

New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000. New Art 2.0 closes Feb. 8, 2015.Vanitas #1, 2011
Lithograph, edition 1/12
30 x 22 1/4 inches
$860

John Feodorov (Dine') grew up in the suburbs of Southern California and made annual visits to the Navajo Reservation, where his family owns land. There he spent time with his grandparents on their homestead near the Anasazi ruins at Chaco Canyon, New Mexico. That experience continues to inform his work.

Vanitas #2, 2011
Lithograph, edition 1/12
30 x 22 1/4 inches
$860

Feodorov often uses pop culture detritus, sound, and video to create works that question ideas and assumptions about spirituality, identity, and place. His paintings and drawings explore hybrid mythical iconographies that respond to issues of environmental disaster, consumerism, and post-colonial identity. Feodorov is currently an associate professor of art at Fairhaven College of Interdisciplinary Studies at Western Washington University in Bellingham, Washington.

New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000. New Art 2.0 closes Feb. 8, 2015.

Clown Face, 2010
Reductive relief, edition 11/28
29 x 22 1/4 inches

Star Wallowing Bull (Ojibwe-Arapaho, born 1973) was raised in the Twin Cities. He is a member of the White Earth Nation in Minnesota and has lived in the Fargo-Moorhead, Minnesota, area since 2001. Wallowing Bull has received numerous awards, including the 2010 Bush Foundation Artist Fellowship. His work is currently featured in the exhibition Before and After the Horizon: Anishinaabe Artists of the Great Lakes, organized by the Smithsonian National Museum of the American Indian in New York City. His work can be found in the collections of that museum, from which he received the 2001 Native Artist Fellowship, the Tweed Museum of Art, Duluth, the Plains Art Museum, Fargo, The British Museum, London, and the Weisman Art Museum, Minneapolis. His work is in the private collections of Winona LaDuke, James Rosenquist, and Mason Riddle to name a few.

New Art 2.0 is an exhibition of prints, many created by Eiteljorg Fellows and contemporary Native and Non Native artists. It is a blend of “op art,” landscape, political and environmental statements as well as portraiture. Approximately 90 limited edition prints will be on exhibit and available for sale with prices ranging between about $500 - $4000. New Art 2.0 closes Feb. 8, 2015.All That Came Before, Introductions, 2013

Monoprint, edition 1/1
30 ½ x 49 inches
$1,365

An Oregon native, Blair Saxon-Hill completed her studio art thesis in installation art at Reed College in 2002. Prior series of works have focused on hunting and gathering, gravity, and what she terms "embodied inquiries." Saxon-Hill creates site-specific installations, artist books, sculpture, photographs, paintings, and prints. All That Came Before, Introductions, 2013
Monoprint, edition 1/1
30 ⅞ x 30 inches
$940