Wilson's commitment to landscape made soon after his arrival in Rome in late 1751 initiated a sustained burst of activity as a draughtsman which was to gain momentum over the next few years. One major piece of evidence for the seriousness with which he took his new career is provided by the pages of this surviving sketchbook from 1752. Although it contains a number of rapid sketches from nature and the antique, most of its leaves are filled with imaginary essays in landscape design, usually incorporating classical themes such as antique ruins but presented in a rococo manner, and, as noted by Solkin, 'using lazy curving forms and often capricious combinations of architectural motifs in a way that still recalls the works of Zuccarelli.' Increasingly, however, Wilson came to adopt a more naturalistic style.

Previous Cat/Ref Nos

Bibliography

Solkin 1982, pp. 152, 157

Link to WG Constable Archive Record

Location featured in work

More Information

Only two sketchbooks by Wilson have survived - the present one (D53-D53/81) and D280-D280/33 Italian Sketchbook - Drawings, 1754, Yale Center for British Art, Paul Mellon Collection

Condition/Conservation

Illustrations of the Work

Updated by Compiler

Work of Art

Exhibitions

Biographies

Documents

This drawing is part of the "Italian Sketchbook Victoria & Albert Museum 1752" sketchbook