--on the CIA infiltration (and creation) of the 1960s, in a right wing attempt to steer culture toward some rather dark goals and keep rock and roll "from going leftist".

This thread got me spinning some late night webs, to spend some time on a project of snipping the content out of wildly subjective spiels about rock and roll in the 1960s that I saved several months ago. It all relates to the "parapolitical" history of the 1960s. 'Pissedoffcabbie' above has a good quote on this:

<i>The Rockefeller gang really did buy themselves a revolution. They wanted a movement that was much farther left than their own, so as to seem centrist by comparison. They also wanted a leisure class whose politics were just an extension of their own self-righteousness, and they wanted a criminal class raised on hard drugs, and with a strong sense of hopelessness. And, they wanted to get down to the business of cult-building in order to grow cells of willing slaves. I'd say they got all that and more.</i>

You read the below--and try to say the cabbie's not pissed for a good reason!

Sorry it's so long, though RI is the place to see it and tease dangerous facts together. It's bits picked from around seven articles I have found on the web (cited at the end). Some from a very questionable source (John Coleman), where I have removed his unattributable statements; though many other people write about this as well.

I would call it

<b>"It Was Twenty Years Ago Today,"...That Crowley Drugged World Away: The Occult, CIA Drug Trade, and MKULTRA Dimensions of the 1960s as a Mass Psychological Operation</b>

I suppose you could call this how Beatles, the Stones, MKULTRA, military intelligence 'live action social experimental projects', Project Mockingbird (already in place since WWII in the U.S. and only left in place after wartime for ongoing propaganda), Crowley-ism, drug pushing, drug muling, entertainment covers for CIA operations and MKULTRA, all got morphed rather sickly into being so huge it became a "social movement of psyops."

Quotes below only [any comments will be in brackets]:

TABLE OF CONTENTS

PART ONE: CROWLEY: 33RD DEGREE MASON CROWLEY AND THE GNOSTIC CATHOLIC CHURCH (THE OTO).

PART TWO: THE OTO AND THE OCCULT EUROPEAN AND U.S. INTELLIGENCE SERVICES AND MILITARY INDUSTRIAL COMPLEX

PART FOUR: OTO, SEX, AND U.S. ROCKET ENGINEERS WHO CALLED THEMSELVES THE ANTICHRIST

PART FIVE: TAVISTOCK'N'ROLL: MEET THE BEATLES AND THE STONES (SIGNED BY ELECTRICAL AND MECHANICAL INSTRUMENTS (EMI), ONE OF U.K.'S LARGEST PRODUCERS OF MILITARY ELECTRONICS AND POST WWII NAZI LEANING MUSIC RECORDINGS)—FORGET JFK AND KING

PART SIX: MKULTRA SEX, CIA DRUGS, AND SATANIC ROCK AND ROLL

PART SEVEN: PENTAWOOD AND THE FOURTH REICH: VISUAL PROGRAMMING BY THE MILITARY INDUSTRIAL-ENTERTAINMENT COMPLEX

INTRO QUOTE

"Clearly, the Beatles' album was dedicated to Satanist Aleister Crowley. It was released 20 years, nearly to the day, after Crowley's death in 1947, and its title song began with the lyrics, "It was twenty years ago today..." The album's cover featured a picture of Crowley. [Eerie, eh?]

~@~@~@~@~@~@~@~@~@~@~@~@~

PART ONE: CROWLEY

Aleister Crowley is probably the Black Magician who is the most popular foreground figure in Hollywood and the Music Industry today. He is considered being the one who "invented" backward messages on music recordings (used by The Beatles, Led Zeppelin and The Rolling Stones to name a few).

He was also a drug- and sex addict and was addicted both to opium, hashish, cocaine, mescaline, amphetamines and heroin, in order to perceive higher states of beingness (drug abuse is very common to occultists in general). When he discovered mescaline, he developed seven rituals, Rites of Eleusis, and rented Caxton Hall to demonstrate them.

Later, he opened up a Temple of Satan in London, where many high society ladies became his pupils. By that time Crowley had shaved his head and filed his canine teeth so sharp that he could initiate every new woman with a "kiss of the snake", as he gave them a bite either on the wrist or in the throat.

"Do what thou will shall be the whole of the Law" (The work of the OTO ... is geared towards the achievement of a world-spanning empire ... The Law "Do what thou wilt" is the law of this new state - a One World Government) was his motto for the OTO, which was the secret order he himself was the Grandmaster of. [This left out that the OTO is the Gnostic Christian Church as well, a combination of all of the esoteric higher ritual grades and information (if you call it that) from many different Masonic, Misraim, Memphis, Jewish Cabbalistic, and Martinist secret societies. They had pretty much infiltrated the real Roman Catholic Church by the early 1900s, though the last emperor of Austria exercised a long unused veto right he had in papal elections and vetoed the OTO cloaked candidate for next pope--named Cardinal Rampolla, Vatican Secretary of State, second only to the pope in power before his attempt at the papacy, a Mason and a member of the OTO; Rampolla's OTO network in the Roman Catholic Church survived however and "made popes" by the 1930s; the OTO is additionally inbuilt into the intelligence services of Britain and the U.S.A.--as well as the rocketry and avionics groups in California.].

[Crowley was chosen for the OTO headmastership/grandmastership by German Theodor Reuss, who, had Societas Rosicruciana in Anglia contacts across England and Germany. Ruess is known to have been "thanked for loaning us the Illuminati papers, which have been successfully received and will be translated [from German]" according to some personal letters to Reuss, to his English brethren in SRIA, which are printed in the appendix of Edith Starr Miller's posthumous masterwork Occult Theocracy, published in the early 1930s. She only had it printed it posthumously because she feared for her life. She additionally published a copy of Crowley's 33rd degree induction certificate into the Scottish Rite Masonry.

Edith Starr Miller (perhaps from the same family of the Starr that was involved in the founding of the OSS in the next generation) was the second American wife of Lord Queensborough, whose first wife was another American of high family power (likely occult, even Illuminated) hyper-rich Whitneys. Back to Crowley:]

Crowley rejected traditional morality in favor of the life of a drug addict and brutal womanizer ("I rave; and I rape and I rip and I rend" is a line from one of his poems). [This was his favorite poem. I have read he wanted it--and it was--recited as his funeral.] He even enjoyed being called the "wickedest man in the world". [All press is good press, as they say, when you are really out to found a separate religion like Crowley was--the OTO/Gnostic Christian Church.]

He was married twice, and both his wives went insane. Five of his mistresses committed suicide.

Crowley was also the man who came up with putting backwards messages into musical recordings. Beatles, the Rolling Stones and Led Zeppelin used this on some of their albums. Jimmy Page [supposedly] put a backward satanic message on the mega hit "Stairway to Heaven" ("Here's to my sweet Satan").

Page also bought Crowley's mansion in Scotland and was/is a true follower of his teaching, as was the late drummer John Bonham from the same group.

Beatles also used backwards messages and Crowley's head is present on the cover of "Sgt. Pepper's Lonely Hearts Club Band".

Aleister Crowley was born in Warwickshire where he revolted against a strict religious childhood. He left his studies and became initiated into the secret order of the Golden Dawn in 1898.

After some time he came into conflict with its leaders and went to Mexico. From there he traveled a lot, to India and Ceylon, where he studied yoga and Buddhism. Buddhism replaced his occult interests for a while, until he got a strange experience in Cairo, Egypt in 1904.

By curiosity his wife Rose asked him to do an occult ritual. She then went into a state of trance and brought down a message from some strange being. "He's waiting for you", she told Crowley. "Him", she said, was Horus, the God of wars and the son of Osiris in the old Egyptian mythology.

At first, Crowley didn't believe her, so he started asking her a few questions to reveal her as a fraud. But Rose, who didn't know very much about the occult, gave the correct answers. The message that was sent to Crowley, told him to sit down by his desk a certain time three days in a row. He obeyed and in these three days he wrote "The Book of Law" with automatic writing. This means his hand was moving by another force than his own. Crowley's messenger taught that the old Age of Osiris soon would follow by the new Age of Horus. But first Earth must bathe in blood. There should be a World War.

The Book of Law told about a race of Superhuman and condemned the old religions, the pacifism, democracy, compassion and humanity.

"Let my servants be few and secret, they shall reign over the many and the known", the Superhuman continued. The rest of the message goes in the same spirit. The lower races should be humiliated and condemned and even killed. It taught "no mercy". (Long before the Roswell incident, where a flying saucer crashed in the desert and dead aliens were found, Crowley made a drawing of one of his "messengers" called Lam - the drawing is almost identical with the Grey Aliens, who nowadays are so broadly mentioned and used in movies and among abducted).

The messenger also declared that Crowley was the Beast 666 from the "Book of Revelations" (13:18), who had come to destroy Christianity.

He tried to forget the whole thing, but from 1909 and forwards, he started taking the messages seriously. Crowley then left his former occult teacher MacGregor Mathers, who by that time was a broken man.

Long after his death, in 1947, Crowley became a hero for many young people within the flower-power movement.

The irony in all this is that these young people cried for peace and love. Crowley in his turn welcomed the First World War, as necessary to sweep away the old age and start the new one.

Since he revealed his revelations, he became the head of the OTO (Ordo Templi Orientis) in Germany, which gave him a great influence over similar people in Germany. [The Germans balked at having an Englishman--with known British Intelligence connections, over their German esoteric order during WWI].

It's also well known that Hitler was influenced by him and that Crowley himself tried to contact Hitler during the 2nd World War.

In his book "Confessions ...", Crowley claimed that he had been initiated as a 33rd Degree Mason in the Ancient and Accepted Rite of Masonry (A&AR). [Edith Starr Miller published a copy of the certificate in her Occult Theocrasy]. He probably did this in Mexico, where he went after breaking up with the Golden Dawn.

At this time [and a hell of a lot earlier! cite: _Puzzling Neighbors book], (around 1900) there was a lot of Masonic activity in South America. However, there is some confusion regarding this, as you have to be a Master Mason to be initiated on the Higher Grades, and by this time Crowley hadn't gone through the grades required, so either he made it up or was granted the 33 degree without prerequisites necessary. In his own words he received the initiation after he had helped an individual with another mystical order called LIL. No one knows for sure what the real truth is.

It looks though, as if he at one point or another was initiated, as a copy of his recognition still exists. [It was ratified and signed by "John Yarker 33~M.^.P.^.S.^.Gr.^.of Gt. Britain & Ireland", who is a close friend of German Theodor Reuss, who picked Crowley for the OTO grandmastership, and Yarker had Societas Rosicruciana in Anglia connections as well.]

Though it is beyond doubt that Crowley had connections with Freemasonry, he didn't seem to have a high opinion of their teachings. He used some of their techniques in his own OTO later, but most of his own grades in that order was and is quite different from Freemasonry...Crowley, who had the idea that he stood above everybody else on this planet, chose other ways to accomplish his magical goals. So he took over another secret society, the OTO, and changed its rituals dramatically.

PART TWO: THE OTO AND THE OCCULT EUROPEAN AND U.S. INTELLIGENCE SERVICES AND MILITARY INDUSTRIAL COMPLEX

In the beginning of the 20th century, a manufacturer from Vienna, Dr. Karl Kellner, and a German theosophist, Dr. Franz Hertmann, founded a secret occult lodge which they named "Ordo Templi Orientis" (O.T.O.). [Order of Oriental/Eastern Templars]

Soon after, Theodore Reuss (1855-1923) who had connections with many lodges joined the Order.

It was he who led Rudolf Steiner, the [later] founder of anthroposophy, into such a group. [Steiner broke from the group though continued its frameworks in many ways in anthroposophy, particular in Steiner Educational/Waldorf Schools, organic farming, etc.]

Reuss, whose lodge-name was "Brother Merlin", contacted Aleister Crowley in 1912 and he became a member of this additional lodge receiving the name "Brother Baphomet". Baphomet, the symbol of the satanic goat, usually portrayed as a half-human, half-goat figure, with a goat's head [and one hand up and one hand down, the "as above, so below" archaeo-astronomical motif of astrologers and star cults. The 'star of David' (not a Jewish religious symbol at all) is an occult "as above, so below" rendition using triangles as the pointing tools, overlapped and in unison; appears on many Templar era churches in south of France as well, a real hotbed of Templarism, Albegensianism, and the Jewish princedoms in the Pyrenees areas.] [Baphomet]...is often misinterpreted as a symbol of witchcraft in general.

The origin of the name Baphomet is unclear. [Hardly, it's the ancient Jewish 'Atbash cipher' version of the Greek word "Sophia" (the worshippers of Sophia (Wisdom), i.e., material and spiritual knowledge). Incidentally, this is the same Jewish/Atbash cipher word used by the Templars back in the 1100s-1300s in Europe and the Middle East--likely gained from the booty from their multi-year archeological digs below the Temple Mount (in the years before they were formed officially as a warring monk monastic order that had a lot of social structures similar to a Gnostic graduated induction society which was incredibly secreted within the group). This pre-Templar Templar archaeological treasure hunting, is confirmed by later 1800s British military digs below the Temple Mount, where they found various Templar-era artifacts in tunnels. Many of the tunnels were there already that British didn't dig though stumbled across.]

The O.T.O. developed its sexual rites quickly under Reuss and later broadened them under Crowley. [Male anal penetration is the top rite. Other rituals, as according to the OTO/Gnostic Catholic Church, are male-female sex acts/initiations, worship of the female nude body to chant and submission, in "Catholic Mass" modeled rituals.]

Not long after, Crowley took over the leadership of the lodge. Crowley wrote for example about the traditional "black magickal" practice of child or animal sacrifice (also referred to in AL), and almost certainly performed it occasionally himself, ....

Crowley claimed that, on the 8th of April 1904—in Cairo at 12 noon exactly and for the following two days at the exact same time—he actually heard a voice in his ear, dictating the words of the text (as if through some transmitter in his brain), and that he transcribed them faithfully. It was not "inspired," then, so much as received. The voice itself claimed to be that of Aiwass, or Aiwaz,...

It seems rather as though the book partakes not of the qualities of Crowley, but that, conversely, Crowley himself grew over time to partake of the qualities of the book. And this he did, by his own admission, with boundless reluctance and distaste.

Crowley's involvement in espionage on both sides of the first and second world wars (he worked for both US and British intelligence writing deliberately "absurd," i.e., counter-productive, German propaganda during the first) is well known and presumably well-documented. Nevertheless it is extremely difficult to find any author anywhere who will admit to Crowley's involvement with Hitler, despite the fact that Crowley himself confessed, or more accurately bragged, about it to his associates.

Jim Keith writes extensively on the subject in Casebook on Alternative 3:

As can be seen by the activities of US and British business, statecraft, occult groups, and "aristocracy,' the Nazis were no isolated phenomenon, only one expression of a multi-faceted and murderous world wide game... Shortly after the collapse of the Third Reich... General Reinhard Gehlen, Nazi spymaster and Knight of Malta-to-be, began negotiations with Allan Dulles and the American O.S.S. Using Nazi intelligence networks as a hole card to provide for his own survival and the survival of his huge spy network, Gehlen made a separate peace with Dulles, resulting in the clean grafting of Nazi spy apparatus to the American clandestine services. This was the birth of the C.I.A, and part of a nexus of betrayal that continues to this day.

To read many of his other writings, however, leaves one in little doubt that Crowley, like Nietzsche before him, was a kind of proto-Nazi.

SS—and Nazism as a whole—was established upon an occult basis, and that its inner structures and purposes were not merely political, but also magickal. [SS groups were inducted using audio frequency mind control from high tech speakers--that all ended up at Ampex Corporation in the U.S. after WWII, which is connected with the U.S. military industrial complex--as well as had connections to MKULTRA files, according to Mark Phillips.]

Tavistock brought the Beatles to the United States ... an integral part of "THE CHANGING IMAGES OF MAN," URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report pre-pared by SRI Center for the study of Social Policy, Director, Professor Willis Harmon.

Lysergic acid, "LSD," so conveniently provided for them by the Swiss pharmaceutical company, SANDOZ, following the discovery by one of its chemists, Albert Hoffman, how to make synthetic ergotamine, a powerful mind-altering drug. The project was financed through one of their banks, S. C. Warburg, and the drug was carried to America by the philosopher, Aldous Huxley.

The new "wonder drug" was promptly distributed in "sample" size packages, handed out free of charge on college campuses across the United States and at "rock" concerts, which became the leading vehicle for proliferating the use of drugs.

The question that cries out for an answer is, what was the Drug Enforcement Agency (DEA) doing at the time? There is compelling circumstantial [and real, below] evidence that would appear to indicate that the DEA knew what was going on but was ordered not to take any action.

With very substantial numbers of new British "rock" bands arriving in the U.S., rock concerts began to become a fixture on the social calendar of American youth. In tandem with these "concerts," the use of drugs among the youth rose in proportion. The discordant heavy beat sounds numbed the minds of listeners so that they were easily persuaded to try the new drug on the basis that "everybody is doing it." Peer pressure is a very strong weapon. The "new culture" received maximum coverage from the jackal media, which cost the conspirators not one single thin dime. [The beats popularized were supposedly connected with ancient information about how the cults of Dionysus/ Bacchus (wine/drug cult of later Romans) music was structured.]

...

Ginsberg pushed the use of LSD through advertising which cost him nothing, although under normal circumstances it would have cost millions of dollars in TV advertising revenues. This free advertising for drugs, and LSD in particular, reached a new high in the late 1960's, thanks to the ever-willing cooperation of the [Mockingbird] media. The effect of Ginsberg's mass advertising campaign was devastating; the American public was subjected to one cultural future shock after another in rapid succession.

We became over-exposed and over stimulated and, again, may I remind you that this is Tavistock jargon, lifted from the Tavistock training manual, overwhelmed by its new development and, when we reached that point, our minds began to lapse into apathy; it was just too much to cope with, that is to say, "long range penetration had taken hold of us."

To assist him in his task, Ginsberg cooped the services of Norman Mailer, a writer of sorts who had spent some time in a mental institution. Mailer was a favorite of the leftwing Hollywood crowd and so had no problem with getting maximum television time for Ginsberg. Ginsberg was able to give several nationally televised performances extolling the virtues of LSD and marijuana, under the guise of "new ideas" and "new cultures" developing in the art and music world.

One of Ginsberg's closest friends, Kenny Love, published a Five-page report in the New York Times.

This is in accordance with the methodology used by Tavistock and Stanford Research: If something is to be promoted which the public has not yet been fully brainwashed to accept, then have someone write an article, covering all sides of the subject matter.

The other method is to have live television talk shows in which a panel of experts promotes the product and or idea under the pretext of "discussing", it.

There are point and counter-point, both pro and con participants airing their support or opposition. When it is all over, the subject to be promoted has been dinned into the public mind.

While this was new in the early 1970's, today it is standard practice on which talk shows thrive.

Love's Five-page pro LSD pro Ginsberg article was duly printed by the New York Times. Had Ginsberg tried to buy the same amount of space in an advertisement, it would have cost him at least $50,000. But Ginsberg didn't have to worry; thanks to his Friend Kenny Love, Ginsberg got the massive advertising all for free. With newspapers like the New York Times and the Washington Post [the latter a core 'flagship' to the CIA's Project Mockingbird] under the control...

United Press (UP) picked up Kenny Love's free advertising for Ginsberg and LSD and telexed it to HUNDREDS of newspapers- and magazines around the country under the guise of a "news" story. Even such highly respectable establishment magazines as "Harpers Bazaar" and "TIME" made Mr. Ginsberg respectable. If a nation-wide campaign of this magnitude were presented to Ginsberg and the promoters of LSD by an advertising agency, the price tag would have run into at least $1 million in terms of 1970 dollars. Today the price tag would be nothing less than $15-$16 million dollars.

I suggest that we try to find any media outlet to do an expose on the Federal Reserve Board, which is what I did. I took my article, which was a good expose of the greatest swindle on earth, to every major newspaper, radio and television station, magazine house and several talk-show hosts. A few made promises that sounded good--they would definitely air the article and have me discuss it--give them about a week and they would get back to me. Not one of them ever did, nor did my article ever appear in the pages of their newspapers and journals. It was as if a blanket of silence had been thrown over me and the subject I was endeavoring to promote, and indeed that was precisely what had happened.

Without massive [Mockingbird] media hype, and without almost around the clock coverage, the hippie-beatnik rock, drug cult would never have gotten off the ground.

From its modest beginnings in 1921, Tavistock was ready in 1966 to launch a major irreversible cultural revolution in America.

The proliferation of drug usage was one of the subjects under study at the Science Policy Research Unit (SPRU) at Tavistock's Sussex University facility. It was known as the "future shocks" center, a title given to so-called future oriented psychology designed to manipulate whole population groups to induce "future shocks." It was the first of several such institutions set up by Tavistock.

"Future shocks" is described as a series of events which come so fast that the human brain cannot absorb the information. As I said earlier, science has shown that there are clearly marked limits to the amount of changes and the nature of them that the mind can deal with. After continuous shocks, the large targeted population group discovers that it does not want to make choices any more. Apathy takes over, ...

Such a group becomes easy to control and will docilely follow orders without rebelling, which is the object of the exercise. "Future shocks," says SPRU, "is defined as physical and psychological distress arising from the excess load on the decision-making mechanism of the human mind." That is Tavistock jargon lifted straight from Tavistock manuals--which they don't know I have.

[Tavistock started out post WWI, attempting to treat "shell shocked" U.K. veterans, and took knowledge from mental de-programming, calming, breaking point dynamics, and pre-programming to heart--as applied medicine according to some.]

Just as an overloaded electrical circuit will activate a trip switch, so do humans "trip out," which is a syndrome that medical science is only now beginning to understand, although John Rawlings Reese conducted experiments in this field as far back as the 1920's.

The drug trade is controlled by the Committee of 300 from the Top down. The drug trade started with the British East India Company and was closely followed by the Dutch East India Company. Both were controlled by a "Council of 300." The list of names of members and stockholders of the BEIC read like something out of Debretts Peerage. BEIC established the "China Inland Mission," whose job it was to get Chinese peasants, or coolies, as they were called, addicted to opium. This created the market for opium which the BEIC then filled.

PART FOUR: OTO, SEX, AND U.S. ROCKET ENGINEERS WHO CALLED THEMSELVES THE ANTICHRIST

Ozzy Osbourne (the Black Sabbath frontman who went solo, then rejoined Black Sabbath after sobering up) has a song called "Mr. Crowley," which refers to none other than Aleister Crowley. Jimmy Page owns Crowley's old mansion, as well as a grandiose collection of all things Crowley. [And George Bush has publicly during his Presidency hung out with the Oz.]

Another connection to Aleister Crowley is one of his disciples - a self-taught chemist named John Whiteside Parsons (a.k.a. "Jack"). Werner von Braun called Jack Parsons the "true" father of American rocketry. Parsons was one of the original scientists involved in early rocket technology, specifically the chemical formulations for solid rocket fuel. He also did a great deal of work with jet assisted takeoffs, thereby allowing aircraft to take off from shorter runways. The group he worked with at the California Institute of Technology eventually morphed into the Jet Propulsion Laboratory (JPL). It is curious, then, why Parsons' story is so foggy, to say the least.

It is widely known that Parsons was a follower of Aleister Crowley. Crowley was an English poet, magician, Satan follower, and a member (later the leader) of the Ordo Templi Orientis (O.T.O.),....

Although he wasn't a musician and probably didn't play his music backwards, Parsons was involved with two rather famous writers - L. Ron Hubbard (Dianetics, Scientology, Battlefield Earth) and Robert Heinlein. Hubbard and Heinlein were both friends of Parsons and they shared his occult interests in magic, as well as inspirations from Crowley and "Thelema." Parsons and his group attempted to create an incarnation of the goddess Babalon. The purpose of the Babalon Working, according to Parsons, was to create this entity, thus ushering in the Aeon of Horus. Some argue that this being manifested in the form of an Grey alien being, possibly in Roswell, New Mexico. Heinlein's involvement is further supported through Stranger in a Strange Land, where the concept of Thelema is illustrated, but cleverly coded in the text. [Hubbard spent around 8 years of his life hiding out from the law, living in international waters on several boats strung together, in his "Sea Organization" replete with navy-like uniforms in the Mediterranean.]

In 1950, the FBI investigated Parsons for having classified documents from his work with the Guggenheim Aeronautical Laboratory at the California Institute of Technology at Pasadena (GALCIT). This explains why but a trace of information available from "official" sources, like the Web sites of NASA and the JPL, regarding the contributions of Parsons. For a man who was considered so significant in rocketry (and thus, to the space program and national defense), who has a statue at JPL, and a crater on the dark side of the moon in his name....

This also leads to the UFO connection. Some UFO researchers believe that the first flying saucer and Grey alien incidents, particularly Roswell, stemmed from the creation of the entity envisioned by Crowley and later, by Parsons. A sketch of an Enochian entity (from Crowley) looks strikingly similar to the quintessential Greys - the iconic extraterrestrial beings. Parsons had some kind of contact in a New Mexico desert, too, at this time, with a being from Venus. The timing of this also lends to the mystery because it all happened in 1946, just prior to the Roswell incident of 1947. This same man found spiritual fulfillment through Crowley's Law of Thelema, conducted magickal operations with L. Ron Hubbard, and signed an oath asserting himself to be the Antichrist--clearly Parsons wasn't a boring guy in a white coat.

PART FIVE: TAVISTOCK'N'ROLL: MEET THE BEATLES AND THE STONES (SIGNED BY ELECTRICAL AND MECHANICAL INSTRUMENTS (EMI), ONE OF U.K.'S LARGEST PRODUCERS OF MILITARY ELECTRONICS AND NAZI LEANING MUSIC RECORDINGS)—FORGET JFK AND KING

[Back to the Beatles, or rather right before the Beatles...]

For the past thirty years, Western society has been under the gun of a deliberate plan of cultural warfare, with the purpose of eliminating Judeo-Christian civilization as we know it [toward OTO-esque mental landscapes and identities around the Gnostic Christian Church of Crowley/OTO].

These plans must not succeed. So that the reader can better combat this evil, we'll go back nearly thirty years, when those four innocent lads from Liverpool, England, the Beatles, were just starting out.

Today, at almost any "heavy-metal'' rock concert one can hear the audience being exhorted to rape and murder in the name of Satan. Lyrics such as the following are typical:

"We come bursting through your bodies
Rape your helpless soul
Transform you into a creature
Merciless and cold
We force you to kill your brother
Eat his blood and brain
Shredding flesh and sucking bone
Till everyone's insane
We are pestilent and contaminate
The world Demonic legions prevail"

Little do most people suspect that it was with those innocent-looking Beatles, that most of the trouble started.

Ed Sullivan was sent to England to become acquainted with the first Tavistock Institute "rock group" to hit the shores of the United States. Sullivan then returned to the United States to draft the strategy for the electronic media on how to package and sell the group.

Rolling Stones were created from the same source and with the same purpose. Beatles were supposed to be the "good guys" while the Rolling Stones were the "bad guys". Also, Rolling Stones were experts in creating repeating "riffs", meaning a musical phrase that's looping over and over again (like in "Satisfaction", "Jumping Jack Flash" etc.). These repeating riffs trigger the mind and make one receptive to whatever sub-message...

Modern electronic-rock music, inaugurated in the early 1960s, is, and always has been, a joint enterprise of British military intelligence.

The money of the 1960s rock groups, which in some cases mounted to hundreds of millions of dollars, was also totally under the control of mob-connected promoters. From 1963 to 1970, the Rolling Stones made over $200 million, yet the group's members were all nearly bankrupt. None of them had any idea of where their money went.

Their public image, as well as their music, is fabricated from behind the scenes by controllers. For example, when the Beatles first arrived in the United States in 1964, they were mobbed at the airport by hundreds of screaming teenage girls. The national [Mockingbird] press immediately announced that "Beatlemania" had besieged the U.S.A.

But the girls had all been transported from a girl's school in the Bronx, and paid for their screaming performance by the Beatles' promoters.

Between 1963 and 1964 the Beatles and the Rolling Stones laid siege to Western European and American culture. This two-pronged invasion from England was well-planned and well-timed. America had just suffered the shock of the assassination of President John Kennedy, while in the streets the mass-based civil rights movement had just held a Washington, D.C. rally, led by Martin Luther King, of 500,000 people.

The rock counterculture would [partially in its Mockingbird hyped forms] be used as a weapon to destroy such political movements... [and it would be a mechanism to 'harness' (or mouth gag) Black American connected blues/jazz hipsters, Guthrie style folk music, or U.S. rock'n'roll, to a goal of "Tavistock'n'roll"--diversion, drugs, money making, and "future shock" apathy--instead of letting it join progressive, leftist movements or popularize drugs as spiritual resources.]

Later in 1968 and 1969, years which saw a mass strike of students and workers in the United States and Europe, huge, open-air rock concerts were [suddenly invented by CIA drug wielding proxies, see below, and] used to head off the growing discontent of the population. The rock concerts were devised as a means for mass recruitment to [a different statist control movement strategy toward a]... drug-saturated, free-sex counterculture. For the millions who came to these concerts, thousands of tablets of the hallucinogenic drug, LSD, were made freely available [through CIA links, described below.]

Creating the Beatles

The Beatles first began performing in the late 1950s in jazz clubs in England and West Germany. These clubs, always located in the seediest part of the cities, served as a marketplace for prostitution and the circulation of drugs. Beatle biographer Philip Norman writes: "Their only regular engagement was a strip club. The club owner paid them ten shillings each to strum their guitars while a stripper named Janice grimly shed her clothes before an audience of sailors, guilty businessmen and habitués with raincoat- covered laps."

The Beatles got their first big break in Germany, in August 1960, when they obtained a booking at a jazz club in [the Warburg banking family hometown for 500 years,] Hamburg's notorious Reeperbahn district. Describing the area Norman writes it had, "red-lit windows containing whores in every type of fancy dress, all ages from nymphet to granny...Everything was free. Everything was easy. The sex was easy... Here it came after you."

Far from the picture of innocence, the Beatles, even in their first performances, were always high on a drug called Preludin, "John (Lennon), would be foaming at the mouth, he'd have so many pills inside him...John, began to go berserk on stage, prancing and groveling...The fact that the audience could not understand a word he said, provoked John into cries of `Sieg Heil!' and `Fucking Nazis' to which the audience invariably responded by laughing and clapping."

Off the stage, the Beatles were just as evil. Norman continues, "while in Hamburg, John, each Sunday would stand on the balcony, taunting the churchgoers as they walked to St. Joseph's. He attached a water-filled contraceptive to an effigy of Jesus and hung it out for the churchgoers to see. Once he urinated on the heads of three nuns."

While in Hamburg, in June of 1962 the Beatles received a telegram from their manager, a homosexual named Brian Epstein, who was back in England. "Congratulations," Epstein's message read. "EMI requests a recording session." EMI was one of Europe's largest record producers, and their role in promoting the Beatles would be key in the future.

Under the strict guidance of EMI's recording director George Martin, and Brian Epstein, the Beatles were scrubbed, washed, and their hair styled into the Beatles cut. EMI's Martin created the Beatles in his recording studio.

Martin was a trained classical musician, and had studied the oboe and piano at the London School of Music. The Beatles could neither read music nor play any instrument other than guitar. For Martin, the Beatles musicianship was a bad joke. On their first hit record, "Love Me Do," Martin replaced Ringo on the drums with a studio musician. Martin said Ringo, "couldn't do a [drum] roll to save his life."

Lockwood and EMI

EMI, led by aristocrat Sir Joseph Lockwood, stands for Electrical and Mechanical Instruments, and is one of Britain's largest producers of military electronics.

By the mid-sixties EMI, now called Thorn EMI, created a music division which had grown to 74,321 employees and had annual sales of $3.19 billion. [74,321 employees.]

EMI was also a key member of Britain's military intelligence establishment.

After the war, in 1945, EMI's European production head Walter Legge virtually took over control of classical music recordings, signing up dozens of starving German classical musicians and singers to EMI contracts.

Musicians who sought to preserve the performance tradition of Beethoven and Brahms, were relegated to obscurity while "ex-Nazi" Party members were promoted. Legge signed and recorded Nazi member, the late Herbert Von Karajan, promoting him to superstar status, while great conductors such as Wilhelm Furtwangler were ignored.

From the beginning, EMI created the myth of the Beatles' great popularity. In August of 1963, at their first major television appearance at the London Palladium, thousands of their fans supposedly rioted. The next day every mass-circulation newspaper in Great Britain carried a front page picture and story stating, "Police fought to hold back 1,000 squealing teenagers." Yet, the picture displayed in each newspaper was cropped so closely that only three or four of the "squealing teenagers" could be seen. The story was a fraud. According to a photographer on the scene, "There were no riots. I was there. We saw eight girls, even less than eight."

In February 1964, the Beatles myth hit the United States, complete with the orchestrated riots at Kennedy Airport, previously mentioned. To launch their first tour, the media created one of the largest mass audiences in history. For an unprecedented two Sundays in a row, on the Ed Sullivan Show, over 75 million Americans watched the Beatles....

On returning to England, the Beatles were rewarded by the British aristocracy they served so well. In October 1965, the four were inducted into the Order of Chivalry, and were personally awarded the accolade of Member of the British Empire by Queen Elizabeth at Buckingham palace.

Up from the Dregs: The Rolling Stones

The credit for the origination of today's blatantly Satanic "heavy metal rock," goes to the English group, the Rolling Stones. Their rise to fame was closely connected with that of the Beatles.

The Stones, as they were called, were widely characterized as the counterparts to the Beatles. "The Stones" were "mean,'' "dirty" and "rebellious," whereas the Beatles were the well-groomed "Fab Four." Though seemingly competitors, they were merely two sides of the same operation.

The Stones' first hit record was actually written by the Beatles, and it was Beatle member George Harrison who set up the arrangements for their first recording contract.

Following the same game plan as the Beatles, in the spring of 1963 the Rolling Stones appeared on one of England's most popular family television shows, Thank Your Lucky Stars. Only this time, the reaction by the middle-aged viewers was quite different from that to the Beatles. Hundreds of angry letters were sent, with a typical letter stating "It is disgraceful that long-haired louts such as these should be allowed to appear on television. Their appearance was absolutely disgusting."

The program, however, had exactly the planned effect.

Rolling Stones' manager Andrew Oldham was elated at the response. He told the group, "We're going to make you exactly opposite to those nice, clean, tidy Beatles. And the more the parents hate you, the more the kids will love you. Just wait and see."

In 1964, the Rolling Stones appeared on the Ed Sullivan Show, as the Beatles had done earlier.

This time though, the coast-to-coast audience beheld the spectacle of the television studio being ripped to shreds by Stones fans. Sullivan said on the air afterward, "I promise you, they will never be back on our show." The publicity, however, was exactly what was wanted. Within a few months, the group's records were selling millions of copies.

Enter Satan

In his book, The Ultimate Evil, investigator-author Maury Terry writes that between 1966 and 1967, the Satanic cult, the Process Church, "sought to recruit the Rolling Stones and the Beatles."

[interesting, since Process church was connected to the MKULTRA mil-medico-industry groups, as mentioned in McGowan's _Programmed to Kill, which is a history of the social effects and assassin and drug trade organized crime consolidation cover ups of 'live action tests' of MKULTRA out in American society. The Process Church had its connections to the U.S. military mind control programs.]

During this period, Terry reports that a photo of Rolling Stones leader Mick Jagger's longtime girlfriend, Marianne Faithfull, appeared in an issue of The Process Magazine. The picture shows her supine, as if dead, clutching a rose. Terry's book goes on to implicate the Process Church cult in the Charles Manson and Son of Sam multiple murders.

It was the former lawyer for the Process Church, John Markham, who recently ran the frame-up trial against Lyndon LaRouche [who really annoyed the Bush family with his fingering of them with drug running in a very documented way, so much, that days after Bush Senior became President, LaRouche is thrown into jail.]

A key link between the Rolling Stones and the Process Church is Kenneth Anger, a follower of the "founding father" of modern Satanism, Aleister Crowley.

Anger, born in 1930, and a child Hollywood movie star, became a devoted disciple of Crowley.

Anger was seventeen years old when Crowley died. In that same year, 1947, Anger was already producing and directing films which, even by today's standards, reek of pure evil.

During 1966-1967, when the [CIA MKULTRA connected 'live action test'] Process Church is reported to be recruiting in London, Anger was also on the scene. Author Tony Sanchez describes that Rolling Stones' Mick Jagger and Keith Richard, and their girlfriends Marianne Faithfull and Anita Pallenburg, "listened spellbound as Anger turned them on to Crowley's powers and ideas."

While in England, Anger worked on a film dedicated to Aleister Crowley, called Lucifer Rising. The film brought together the [MKULTRA 'live action set'] Process Church, the Manson Family cult [another 'live action set'], and the Rolling Stones.

The music for the film was composed by Mick Jagger.

Process Church follower Marianne Faithfull went all the way to Egypt to participate in the film's depiction of a Black Mass. The part of Lucifer was played by a guitarist of a California rock group, Bobby Beausoleil. Beausoleil was a member of the Manson Family, and Anger's homosexual lover.

A few months after filming under Anger's direction in England, Beausoleil returned to California to commit the first of the Manson family's series of gruesome murders. Beausoleil was later arrested and is now serving a life sentence in prison along with Manson. [actually see the McGowan book for more on this issue that is quite different than appearances.] Having lost his star performer, Anger then asked Mick Jagger to play Lucifer. He finally settled upon Anton La Vey, author of The Satanic Bible and head of the First Church of Satan, to play the part. The film was released in 1969 with the title Invocation To My Demon Brother.

In London, Anger had succeeded in recruiting to Satanism the girlfriend of one of the Rolling Stones, Anita Pallenberg. Pallenberg had met the Rolling Stones in 1965.

She immediately began sexual relations with three out of the five members of the group.

One of the group's friends, Tony Sanchez, writes of Pallenberg in his book, Up and Down with the Rolling Stones, "She was obsessed with black magic and began to carry a string of garlic with her everywhere--even to bed--to ward off vampires. She also had a strange mysterious old shaker for holy water which she used for some of her rituals. Her ceremonies became increasingly secret, and she warned me never to interrupt her when she was working on a spell."

He continues, "In her bedroom she kept a huge, ornate carved chest, which she guarded so jealously that I assumed it was her drug stash. The house was empty one day, and I decided to take a peep inside. The drawers were filled with scraps of bone, wrinkled skin and fur from some strange animals."

In 1980, the seventeen-year-old caretaker of Keith Richard's New England estate was found shot to death in Anita Pallenberg's bed.

The death, ruled a suicide, was with Pallenberg's gun. Richard's house was located near the East Coast headquarters of... ... the Process Church. [this may have been MKULTRA 'test' related, see McGowan.]

According to an article in the English newspaper Midnite, a Connecticut police officer, Michael Passaro, who had responded to the "suicide'' reported "strange singing" from the woods a quarter mile [at the Process Church? Or a ritual/programming in the woods?] from the Richard's mansion.

The newspaper continues, "There have been several bizarre satanic rituals in the area over the past five years. A local reporter attributed the outbreak of occultism to 'rich people taking Acid.'"

In 1967, reflecting their ongoing association with Anger and the Process Church, the Rolling Stones released their first rock album openly celebrating the Devil, titled, Their Satanic Majesties Request. A few months earlier, the Beatles had released their first album dedicated to the promotion of psychedelic drugs, Sergeant Pepper's Lonely Hearts Club Band. The album contained a fantasized version of an LSD trip, called "Lucy in the Sky with Diamonds", or L.S.D. for short. It became a top seller.

Clearly, the Beatles' album was dedicated to Satanist Aleister Crowley.

It was released 20 years, nearly to the day, after Crowley's death in 1947, and its title song began with the lyrics, "It was twenty years ago today..." The album's cover featured a picture of Crowley.

[Eerie, eh?]

One month after the album's release, the Beatles shocked the world by announcing, publicly [i.e., being allowed to announce publicly via Mockingbird], that they were regularly taking LSD. Beatle member Paul McCartney, in an interview [courtesy of Mockingbird] with Life magazine said, "LSD opened my eyes. We only use one-tenth of our brain." They also publicly called for the legalization of marijuana.

Creating the Counterculture Op—forget JFK and KING

The year 1967 [the year of the second Kennedy Assassination—which happened almost immediately after Robert Kennedy, who vowed to get to the bottom of his brothers assassination in 1963, won the large Electoral College block for California which basically would have given him the Presidency in 1968, with the California Democratic nomination, then, MKULTRA Sirhan Sirhan (and others! Some right in the small of his back!) shoot RFK dead. The CIA linked groups wanted of course to run Nixon and did their best to sabotage the Democratic party from killing RFK to later staging the riot/mayhem at the Chicago Democratic Convention, courtesy of the CIA, which turned off America—and Nixon was almost cinched in.

"In the evening, I went up to the U. to check out a strategy meeting. A kid was giving a report on the SDS [Students for a Democratic Society] convention. He said that at the convention, men from Business International Round Tables, the meeting sponsored by Business International for their client groups and heads of government, tried to buy up a few radicals. These men are the world's leading industrialists and they convene to decide how our lives are going to go. These are the guys who wrote the Alliance for Progress. They are the left wing of the ruling class. They offered to finance our demonstrations in Chicago. We were also offered ESSO (Rockefeller) money. They want us to make a lot of radical commotion so they can look more in the center as they move to the left."
---- James Kunen, The Strawberry Statement: Notes of a College Revolutionary, pg. 116

moreover, the "Chicago 7" were a CIA agent provocateur front, attempting to destabilize the "residual Democratic" party run of Humphrey, after RFK was murdered, which was successful:

This information below comes from a Skolnick article from 1972, and it is a part of their series on the Anti-War Movement at the time of the Viet Nam War. (Studying this may help to scrutinize any possible fakers foisted on us as supposed "leaders" and "activists" of the Anti-Iraq War Movement.) The "Committee" referred to is the independent-minded investigative group, Citizen's Committee to Clean Up the Courts, the Founder/Chairman of which has been [the recent late] Sherman H. Skolnick, since 1963. It is here quoted VERBATIM as it was then circulated. It is about the fakers selected, installed, and funded by the American CIA, and promoted by the liars and whores of the Press as the supposed main activists and "leaders" of the Anti-Viet Nam War activities, known then as the "Peace Movement".

Called "The Chicago 7", that was Rennie, Davis, Abbie Hoffman, Jerry Rubin, Tom Hayden, and others.

The purpose was to sidestep the specifics of the Aristocracy and the war-mongers who are the stooges and scapegoats for them. And, to wind down the disastrous Viet Nam War before it would expose how the Establishment profits from instigating wars and depressions to further enrich the Ultra-Rich.

Sound familiar?

A further purpose was to discredit the [residual] 1968 Democrat Party candidate for President Hubert Humphrey, to install Richard M. Nixon for the GOP, as the Fascist-inclined occupant and resident of the Oval Office. [George H. W. Bush attempts to put himself in as VP for Nixon, and fails. According to most, George H. W. Bush was the CIA operational nexus ("his people") who were involved in the John F. Kennedy assassination.]

Earlier parts told how the trial judge was manipulated. Now we learn about the jurors hearing the Anti-Riot Act federal criminal prosecution of the "7", starting in 1969.

"CHICAGO 7" ARE THEY FOR REAL?

7. [Gov't] Efforts to overturn the contempt ruling and the guilty verdict against 5 of the "7".

[and] Manipulation of judges to gain worldwide travel permission for the "7". In respect to key rulings on worldwide travel permission for some of the "7", the important rulings were made by two judges of the U.S. Court of Appeals in Chicago: (a) Federal Circuit Judge Otto Kerner, Jr., and (b) Chief Judge Luther M. Swygert.

Members of Skolnick's Committee have been instrumental in focusing a certain federal probe onto Judge Otto Kerner, Jr., resulting in Kerner's indictment in December, 1971. In the course of that work, the Committee became aware of the fact that Judge Kerner was being pressured and manipulated to grant almost an unlimited. worldwide travel permission to some of the "Chicago 7".

A key ruling of Judge Kerner came on July 15, 1969, prior to the Conspiracy trial. Kerner, at the drop of a hat, almost instantly upon application, ordered that Rennie Davis be authorized to travel to Paris, France, and to Hanoi, North Viet Nam, commencing that same day. (U.S. vs. Rennard C. Davis, No. 17761, U.S. Court of Appeals, 7th Circuit, Chicago). It is apparent from the application for travel permission that Rennie, an alleged "radical revolutionary", was going on U.S. State Department business. See: previous mention of P.O.W., Navy Lt. Robert F. Frishman.

In May, 1971, Abbie Hoffman and Rennie Davis were indicted as a result of certain purported disorders as part of the "May Day Tribe" in Washington, D.C. By May, 1971, it was also evident, or becoming evident, that Judge Kerner himself faced indictment. To appease a certain faction in the Justice Department, Judge Kerner entered a court order revoking Abbie and Rennie's travel permission and severely restricted them to their home districts.

Oddly, there was a contrary court order entered by Judge Swygert.

(Judges in the same court have equal power; they cannot over-rule one another.)

By May, 1971, it was becoming evident that Judge Swygert, like Kerner, was the target of a federal probe. The particulars of an apparent series of frauds participated in by Swygert were put into the Congressional Record by Congressman H.R. Gross, of Iowa. Cong.Rec., May 17, 1971, p. E4482.

Congressman Gross and others demanded an investigation of the plundering of a multi-million dollar real estate company by Judge Swygert and associates of his, including his former law partner.

On June 11, 1971, members of the Committee discovered in the file of case No.s 18294, 18295 (the "7" appeals), the above described court order by Judge Kerner revoking court travel permission. Committee members went to the Chief Clerk of the U.S. Court of Appeals, requesting a certified copy of the same. Whereupon, in the presence of two Committee members, the Chief Clerk tore up and discarded the court order, and said "This is none of your business".

Back to 1967. Thus from 1967,... the year]... marked a significant escalation in open cultural warfare against the youth [and the war against a plurality of political opinion in the U.S., vaguely encapsulated in competing political parties, one of which was connected with a strong unionism in] the United States. The year saw the beginning of mass, open-air rock concerts [and the assassination and escalation of right-wing reactionary policies against the Democratic Party by a clique of WWII Nazis sympathizers in the intelligence services or their sons. In WWII, Nixon was involved (with Kissinger) in scrubbing the Nazi records for Project Paperclip, that brought over thousands of German Nazi scientists to continue Third Reich human and mass psychological experimentation. This time, post 1963, it was the Americans instead of the Germans. Bush's father was an unpunished Nazi war banker criminal as well, Prescott Bush—who went on to be a Senator (after the "terrible sad death" that led to his appointment to the Senate position of the dead man, which was later premise for Bush's successful run for the Senate). Prescott Bush and later his son George H. W. Bush were and are closely connected with eugenics driven Planned Parenthood. JFK's VP, Johnson, assuredly in on the assassination in his cover up using the Warren Commission's omissions and misleading (written up by McCloy—who freed top Nazis from West Germany after their sentencing, when he was appointed over the occupation government of the Americans; McCloy then left for a job in Chase Bank, owned by the Rockefellers.) Johnson was reportedly shocked that his whole advisor team, all CFR, rejected his ideas for running him as the Republican candidate for President in 1968. They wanted Nixon, who had been living for free in Rockefeller properties 'on ice' waiting for his next chance). ]

In the two years which followed 1967 [the assassinations of RFK and Martin Luther King], over 4 million young people attended a series of nearly a dozen of these "festivals," becoming the victims of [CIA German inspired drug induced programming in a] planned, wide-scale drug experimentation.

Mind destroying hallucinogenic drugs such as PCP, STP, and the Beatles-promoted LSD, were freely distributed at these concerts.

These millions of attendees would afterward return to their homes to become the messengers and promoters of the new drug culture, or what came to be called the "New Age."

The first rock festival, "The First Annual Monterey International Pop Festival," was attended by over 100,000 youngsters. The real purpose of Monterey Pop was the widespread distribution of a new type of drugs, classified as psychedelics or hallucinogens, such as LSD.

At Monterey, thousands of younger teen-agers were introduced to the new hallucinogenic drugs.

The first experimentation with LSD was begun in the early sixties, in the Haight-Ashbury section of San Francisco. The project was run by a joint CIA-British intelligence task force under the code-name MK-Ultra.

Part of the project called for the free distribution of 5,000 tablets of LSD through a commune known as Ken Kesey's Merry Pranksters. LSD's after-effects were then closely studied.

The organizer of the Monterey festival was John Phillips, a member of the rock group the Mommas and the Papas. Phillips, as we shall see, was a drug pusher and closely tied in with the network of [the CIA's MKULTRA] Satanists around Charles Manson and director Roman Polanski.

The concert, including the staging and the huge innovative outdoor amplification, was run by Phillips.

It was the first time that an American audience was exposed to such British groups as The Who, and Jimi Hendrix. [both of which have likely MKULTRA programming connections, see far below.]

At the conclusion of their act, The Who, in a drug-crazed frenzy, destroyed all their guitars, amplifiers, and drums. Hendrix simulated masturbation with his guitar, on stage, while performing at ear-splitting volume levels.

There was massive, open use of drugs. Author Robert Santelli, in his book, Aquarius Rising, writes "LSD was in abundance at Monterey.

Tabs of `Monterey Purple' were literally given to anyone wishing to experiment a little."

The police made no arrests, setting another precedent for future outdoor concerts.

There was a larger scheme in operation. The scheme was tied into MK-Ultra and it involved using Satanists around Phillips, along with agents such as Ken Kesey and [CIA LSD "Mockingbird-esque" promoter] Timothy Leary. The plan was to turn nearby San Francisco into a Satanist gaming preserve, mass recruiting and perverting young run-away teenagers. [McGowan writes that many of the MKULTRA projects or "Satan cults" (MKULTRA 'live action tests') that appear out of nowhere, interestingly enough do indeed source from or have links to San Francisco during the 1960s.]

Phillips had earlier written the music to a song called "San Francisco" which sold over 5 million copies. The song called for youth throughout the country to come to San Francisco "with flowers in their hair." The song was a rallying cry to tens of thousands who came flooding into San Francisco in the summer of 1968 to join the new "hippie" movement, the Summer of Love. Some who came became the prey for the likes of Charles Manson, who recruited his cult-"family" exclusively from runaway youth.

Manson's MKULTRA Harem

Charles Manson has been portrayed as a lone psychotic who had hypnotic power over his "Family". In reality, Manson was well-known to a whole network of Hollywood actors, actresses, promoters, partners and rock stars, and was providing sex and drugs to many of them.[and Manson had a military MKULTRA connection, cite McGowan].

In his autobiography, Papa John, Phillips tells of an invitation he received to join Terry Melcher and Beach Boy member Dennis Wilson, at Wilson's mansion. Wilson said, "This guy Charlie's here with all these great-looking chicks. He plays guitar and he's a real wild guy. He has all these chicks hanging out like servants. You can come over and just screw any of them you want. It's a great party." [MKULTRA sex slaves was a continuation of the Third Reich "Marionette" project programming, in the United States.]

Manson's entire "Family" moved into the Beach Boys' mansion for nearly a year.

The Beach Boys...are the top recording group of EMI's subsidiary, Capitol Records.

On Sunday, August 10, 1969, Manson "sent" four members of his cult for their last visit to Melcher's house. This time Melcher wasn't there, but the actress Sharon Tate, wife of movie director Roman Polanski, and three others, were. When the group left, Tate and the others had been savagely mutilated and murdered.

As for Phillips, in June 1980, he was arrested for running a large-scale drug wholesaling operation.

Woodstock as a CIA experiment

The largest concert after Monterey Pop, the "Woodstock Music and Art Fair," would be what [Mockingbird driven] Time magazine celebrated as an "Aquarian Festival"' and "history's largest happening."

At Woodstock, a small town in upstate New York, nearly half a million youth gathered to be drugged and brainwashed on a farm [by the CIA]. The victims were isolated, immersed in filth, pumped with psychedelic drugs, and kept awake continuously for three straight days, and all with the full complicity of the FBI and government officials. Security for the concert was provided by a hippie commune [specially flown in from New Mexico, and their isolated "Hog Farm", on a privately charted Boeing 727 for $17,000 dollars. They were trained in the mass distribution of LSD and connected to the CIA].

Once again, it would be the networks of British military intelligence which would be the initiators. Woodstock was the brain child of Artie Kornfeld, the director of EMI's Capitol Record's, Contemporary Projects Division.

The original funding was provided by the heir of a large Pennsylvania-based pharmaceutical company, John Roberts, and two other partners.

It was another pharmaceutical company, the Swiss-based Sandoz Laboratories, which had first synthesized LSD. Roberts would later be accused of using his company for the mass drugging of the attendees.

Little adequate preparations were made for the nearly half a million people who came. Joel Rosenman, one of the three partners [with John Roberts], writes, as the concert neared, "Food and water were clearly going to be in short supply, sanitary facilities overtaxed, tempers short, drugs overabundant. Worst of all, there was no way for anyone who wanted to, to leave."

A hippie commune called the Hog Farm, had a special role at Woodstock. The Hog Farm was led by a man nicknamed Wavy Graver,... .who was a former member of Ken Kesey's MK-Ultra operation, the Merry Pranksters.

Communes like the Hog Farm were commonly found in the remote parts of California and served as the breeding grounds for Satanic cults [and MKULTRA programming], as well as terrorist groups. Members of these communes continually interchanged with other communes and were the recruiting grounds for the Process Church and Manson. [For instance,] Hog Farm member Diane Lake was a member of Charles Manson's Family, at the time of the massacre of Sharon Tate and her guests.

On August 14, one day before the scheduled opening, the entire festival security force, comprised of 350 off-duty New York City cops, pulled out. A spokesman for the New York police claimed that no official arrangement was ever made with the city, a claim the promoters vehemently denied. In an August 15, 1969 New York Times article, the head of Woodstock's security said, "Now I don't have any security at all. I've been struck. We're having the biggest collection of kids there's ever been in this country without any police protection." Not surprisingly, the [CIA MKULTRA linked] Hog Farm was put in charge of security.

Woodstock funder and director John Roberts, openly admitted that he was well aware of the Hog Farm's connection to drug distribution. He writes, "their fee was [zero, and] simply transportation to and from the festival... a peace-keeping force that looked, talked, and smelled like the crowd would be both highly credible and highly effective...

The Hog Farm at the time was living in New Mexico's mountains. Roberts [the heir of a large Pennsylvania-based pharmaceutical company], chartered a Boeing 727, at a cost of $17,000, and flew 100 of them to New York.

To clear the final path for the planned drugging of half a million youngsters [to see what happens], the district attorney for the area agreed privately that there would be no arrests or prosecutions for violations of drug laws.

[The heir of a large Pennsylvania-based pharmaceutical company], John Roberts writes, "The District Attorney...recognized early on that many of our customers would be using illegal drugs...

Roberts also writes that he was meeting continuously with the FBI up to and including one day before the start of the concert, and had their full cooperation.

The Experiment Begins

Two days before the scheduled start of the concert, 50,000 kids had already arrived in Woodstock. Drugs immediately began to circulate [from the Hog Farm CIA groups]. Many people brought their babies and, as Roberts says, even they were drugged. Roberts writes that at a nearby lake, "the tots swam naked, smoked grass, and got into the music."

A poll conducted at the festival by the New York Times showed that 99 percent of those attending were using marijuana. Local sheriff deputies, totally overwhelmed, reported that no arrests were being made for drug use. The New York Times of August 17 quoted one deputy," If we did (make arrests), there isn't enough space in Sullivan or the next three counties to put them in."

Following the design of the original MK-Ultra project, the mass distribution of LSD came next, much of it in LSD-laced Coca Cola, as Kesey's [Merry CIA] Pranksters had done five years earlier [in San Francisco—and the Hog Farm had links to Kesey of course].

For the next three days, the nearly half a million young people that arrived were subjected to continual drugs and rock music. Because of torrential rains, they were forced to wallow in knee-deep mud. There were no shelters, and no way to get out. Cars were [intentionally kept distant and] parked over eight miles away. Rosenman writes that the key to the "Woodstock experiment"' was "keeping our performers performing around the clock...to keep the kids transfixed..."

Within the first 24 hours, over 300 kids reported to medical authorities, violently ill. The diagnosis: they were having "bad" LSD trips. Thousands more would follow. On August 17, the New York Times reported: "Tonight, a festival announcer warned from the stage, that 'badly manufactured acid' (a term for LSD) was being circulated. He said: 'You aren't taking poison acid. The acid's not poison. It's just badly manufactured acid. You are not going to die.... So if you think you've taken poison, you haven't. But if you're worried, just take half a tablet.'"

The advice, to nearly 500,000 people, "just take half a tablet" was given by none other than MK-Ultra agent Wavy Gravy.

With a growing medical emergency on hand, a call went out to New York City for emergency medical personnel. Over 50 doctors and nurses were flown in.

By the end of Woodstock, a total of 5,000 medical cases were reported.

Altamont: the Rolling Stones Script a Live Snuff Film

The last major rock "festival" of the 1960s was held at Altamont racetrack, outside San Francisco [once more--so close to Bohemian Grovers.]

The featured performers were the Rolling Stones, who now reigned supreme in the rock world, since the Beatles had broken up.

The suggestion for the concert came from [guess who once more] MK-Ultra agent Ken Kesey.

This time, the audience was whipped into a frenzy, in open praise of the Devil. The result was a literal Satanic orgy. At its conclusion, four people were dead and dozens beaten and injured. Mick Jagger, the lead singer of the Rolling Stones, played the part of Lucifer. The performance marked the beginning of the "heavy-metal" concerts of today.
Over 400,000 people attended the Altamont concert with far less preparation than even Woodstock. Food, and even water, were nearly unavailable. But plenty of drugs were to be found. Like Woodstock, the [Altamont CIA] concert would become the vehicle for the mass experimentation [crisis and observation] of drugs, especially LSD.

The Rolling Stones had hired, for a reported $500 worth of free beer, the motorcycle gang Hell's Angels to act as security guards for the concert. Their real payment, however, was in drug sales.

The Hell's Angels, an outlaw gang made up of robbers, rapists and murderers, were the known controllers and sellers of drugs on the entire West Coast.

When the festival did open, the crowd of nearly half a million people waited for more than one and a half hours for the Stones to appear. It was only when nightfall arrived, allowing for the use of special lighting effects, that the group finally came on stage. Mick Jagger, the lead singer, was dressed in a satin cape, which glowed red under the lights. Jagger was imitating Lucifer.

Author Sanchez next describes what he calls a preplanned "Satanic ritual." As the group began playing, "strangely several of the kids were stripping off their clothes and crawling to the stage as if it were a high altar, there to offer themselves as victims for the boots and cues of the Angels. The more they were beaten and bloodied, the more they were impelled, as if by some supernatural force, to offer themselves as human sacrifices to these agents of Satan."

Standing in the crowd in front of the stage, with his girlfriend, was a black man by the name of Meredith Hunter. Hunter would soon be singled out for human sacrifice.
The Stones had just released a new song entitled, "Sympathy for the Devil." It had quickly become the number one record in the country. The song begins with Mick Jagger introducing himself as Lucifer. As soon as he began to sing it at Altamont, the entire audience rose up and began dancing in a wild frenzy.

Sanchez describes what happened next, "A great six foot four grizzly bear of a Hell's Angel had [intentionally, with the start of that song] stalked across to Meredith (Hunter) to pull his hair hard in an effort to provoke a fight ...A fight broke out, five more Angels came crashing to the aid of their buddy, while Meredith tried to run off through the packed crowd. An Angel caught him by the arm and brought down a sheath knife hard in the black man's back. The knife failed to penetrate deeply, but Meredith knew then that he was fighting for his life. He ripped a gun out of his pocket and pointed it straight at the Angel's chest... And then the Angels were upon him like a pack of wolves. One tore the gun from his hand, another stabbed him in the face and still another stabbed him repeatedly, insanely, in the back until his knees buckled.

When the Angels finished with Hunter, several people tried to come to his aid, but an Angel stood guard over the motionless body. `Don't touch him,' he said menacingly. `He's going to die anyway, so just let him die.'" [ritual death during the particular song to Satan]

It was never proven that Meredith actually had a gun. Later, arrests were made. No one was ever indicted because no one person would step forward as a witness out of fear of retaliation by the Angels.
Throughout the bloody killing the Rolling Stones continued to play "Sympathy for the Devil." The entire group watched from the stage as Meredith Hunter was killed right before them. In addition, incredibly, the entire murder was professionally filmed by a film crew hired to film the concert. Shortly thereafter the film was released throughout the country with the title of a Rolling Stone's song, "Gimme Shelter."

Was the murder preplanned by Satanists? In his book, The Ultimate Evil, author Maury Terry tells how Satanic cults circulate among themselves films of their human sacrifices. These films are called "snuff films." Terry relates that one of the seven [MKULTRA] Son of Sam murders in New York City was actually filmed from a nearby parked van. The film was then purchased by a rich Satanist.

PART SIX: MKULTRA SEX, CIA DRUGS, AND SATANIC ROCK AND ROLL

Anton LeVey, CIA, Behind "Heavy-Metal" Rock?

The same year as Altamont, 1969, marked the beginning of the evil career of Ozzie Osbourne. [who is a personal friend of George W. Bush and has been to the White House. Bush of course is one of the homophile Skull and Bones secret society, class of 1968. ] Osbourne formed the band Black Sabbath. The group modeled itself on the Rolling Stones.

In 1985, New Solidarity newspaper, which has since been forcibly shut down by the federal government, conducted an interview with Hezekiah Ben Aaron, then the third-ranking member of the Church of Satan [additionally used as 'MKULTRA live experiment zone', cite McGowan].

Ben Aaron is now a Christian. In the interview, Aaron revealed that it was his Church of Satan then that started such "heavy-metal" rock groups as Black Sabbath, The Blue Oyster Cult, The Who, Ozzy Osbourne, and many others.

The Church of Satan was then led by its high priest, Anton LaVey. Many report, however, that LaVey, a former circus lion tamer, was just a front man for the real high priest, Kenneth Anger, the [serious Crowleyite] who earlier recruited the Rolling Stones to the occult. [Bonesman Kerry and Anton LeVey famous picture could be here as well; and we know of Kerry's gratuitous killing of wounded unarmed Vietnamese people seemingly just for fun when he was there.]

The following is an excerpt from that interview: "I was working for the [LeVey headed] Church of Satan...the Church of Satan had other people who were middlemen for other companies. There were middlemen for Apple Records [set up by the Beatles], Warner Brothers, and other record companies.

Someone would come to me [as a member of the Church of Satan] and say, `I have a tape recording, and I'd like for you to check it out. I'd like to see if you would be interested in sponsoring a Rock group.'

I'd say `All right, I'll check it out.' A few days later Ben Aaron would call back and set up another meeting.

He continues, `I'd [in my capacity as a member of the Church of Satan] hand you $100,000, and you wouldn't sign anything. What you wouldn't know is that a mirror on the back of the wall [in the Church of Satan] is a one-way mirror and we're tape recording and photographing, or video taping everything that goes on. [very CIA/MKULTRA ish]

The payback, if you fail to make the group work, is really bad. Sometimes it's up to 60% on the dollar."

Aaron's interview continued: "we [Church of Satan] send you to a store, we provide you with uniforms and we provide you with amplifiers. It's all paid through the money we gave you. We set you up with a road tour. We set you up with engagements. We book you."

Aaron then explained that if the group did not make it he was given orders to collect the money or make other "arrangements." These "other arrangements," perhaps, are the key to the dozens of reported rock star "suicides."

On this point, the CIA from the 1960s obviously is really protective about keeping "its" purposes of rock and roll intact as a psyop operation, and attempting to short circuit or kill off those attempting to link up rock and roll with leftist and progressive movements-- instead of their preferred Satanic and murdering right wing memes).

Two other books on this point are

Rethinking John Lennon's Assassination: The FBI's War on Rock Stars
By Salvador Astucia, April 2004

Or

The Covert War Against Rock : What You Don't Know About the Deaths of Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix, Phil Ochs, ... Tosh, John Lennon, and The Notorious B.I.G. -- by Alex Constantine

Or the flippant Janet Jackson comments about her Multiple Personalities in her highly abused musically regimented cult family, where their father used to pimp out young Michael Jackson... I'm sure the whole Jackson family could tell similar stories as this:

Janet Jackson Reveals To the Press That She Is A Multiple Personality
- Original Article From The Register Guard, June 5, 2004 -
- by Wes Penre, June 5, 2004 -

On June 5, in the Oregonian Newspaper "The Register Guard", an article was posted where Janet Jackson confessed to the Media that she is a Multiple Personality with different programmed alters, all in Monarch Mind Control fashion. There is no doubt what she is talking about. Here you can read the article in full ...

Janet Jackson Says She Had Sexually Active Mind Young

Long before she exposed her right breast to the world during the Super Bowl halftime show, Janet Jackson says she had thoughts about sex.

"As I've gotten older, I've come to realize that I had a very active sexual mind at a very young age. I hope that doesn't sound bad," Jackson tells Blender magazine for its June-July issue.

"My first crush was on Barry Manilow. He performed on television, and I remember taping it. When no one was around, I used to kiss the screen."

Jackson also recalls having a "major crush" on Teddy Pendergrass when she was 12.

"I thought he was singing to me," says the singer, now 38.

"When you're a kid, you have little fantasies, but I saw myself being with him as an adult, not as a kid."

Now, Jackson says she expresses more grown-up urges through one of her alter egos, named Strawberry: "She's the most sexual of them all, the wildest."

The other character living inside her is Damita Jo, which is her middle name and the title of her latest album.

Damita Jo, she says, is "a lot harsher, and quick to put you in your place."

Mind Control in the Field of Art
- by Wes Penre, June 15, 2000 -

In the book by Fritz Springmeier and Cisco Wheeler, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave, they mention that the music industry (and the Country music in special) is loaded with artists who work as mind control programmers, and many of them are mind control slaves with split personalities. They mention among others Kris Kristofferson, Jerry Lee Lewis and Willie Nelson as being programmers, working for the Illuminati. And many artists are themselves programmed to be able to act in a way the Illuminati wants, to "spread the message". The Country Music Industry is nothing but a front for secret drug smuggling, according to Springmeier and other researchers, too.

The rock industry programming started with Elvis Presley, who very likely was a programmed slave and whose programmer was his manager, Col. Tom Parker. The below excerpt is from the above book by Springmeier/Wheeler, chapter 12:

"Many of the movies and shows use Monarch slaves as actors & performers: such as Rosanne Barr, Bette Mittler [sic], Marilyn Monroe, Loretta Lynn, Crystal Gayle and possibly Wayne Newton (a child singing protégé, who never wrote a check for himself in his life). They also use lots of slave handlers such as Frank Sinatra, Peter Lawford, & Bob Hope. And occasionally they use programmers such as Anton LaVey, Jerry Lee Lewis. Cisco, the co-author of this book, while in the Illuminati, was given repeated reason to believe that Elvis Presley was also a Multiple programmed by the Illuminati. We know that at times he went by code names, one which is publicly known was John Burrows. His group, called the Memphis Mafia, have talked about his ability to go into altered states of consciousness, even seem dead.

Recently, another Illuminati slave, also stated that Elvis was an Illuminati slave. Cisco points out that Elvis' twin brother was dead at his birth, and that Elvis knew that this gave him double spiritual power (according to Illuminati beliefs).

The Illuminati will often kill a twin, so that the other will get the power of two souls. From what we understand, Elvis Presley's handler/programmer was a Col. Tom Parker. Elvis belonged to a team of 4 Illuminati men. Elvis is publicly known to have studied yoga, numerology, drugs, and received some new age spiritual training in an academy overlooking Pasadena, CA. He was an active member in the Theosophical Society. After Elvis Presley supposedly died, the Sun International Corp. came out with an Elvis Presley album called Orion, with the winged-sun-disk on its cover. The winged-sun-disk is an important Egyptian magical symbol used by the OTO, Theosophical Society etc.

Mae Boren Axton, known as the Grand Dame of Nashville [perhaps a double entendre—Grande Dame same title as Illuminati 'high witch grade' title], played a pivotal role in Elvis Presley's life. Elvis & the Beatles were chosen by the Illuminati to introduce rock music to the United States. There is no doubt about Elvis'· and the Beatles' musical talent. Elvis' close friend Wayne Newton is highly suspected as also being a slave. Elvis worked with Burt Reynolds and Jerry Lee Lewis who also connect in with the Illuminati's mind-control operations. The authors are puzzled why Elvis'· grave, which had millions of dollars spent on its security, has his name misspelled? We are also puzzled why Elvis, who repeatedly stated he wanted to be buried beside his mother, is buried beside his father, who he privately stated wasn't even his real father. Why has no one ever tried to collect insurance on Elvis' death? Once again, it seems, the front stories that the public hears are full of inconsistencies. We believe that some people in the Illuminati know the true story about Elvis Presley. For sure Elvis' mysterious mind-control programmer/handler Col. Tom Parker would know."

Mirrors, Marilyn, and MKULTRA

In Monarch Programming the use of mirrors is a basic, important tool to make split multiple personalities.

The mental mirrors, which are programmed into the victim, create thousands of alters (artificial personalities), which then can be programmed in whatever way the Illuminati programmer wants.

Here are some more excerpts from the same book with regards to mirrors:

"The child must learn to match identical items very early--even before they can speak. This is so they will be able to build mirror images into their mind. All the senses are trained for building the mirror images; for instance such as silks and cottons can be used for the sense of touch" Chapter 1 page 12.

"The elements that make up who a person is--i.e. personality elements such as memories, are fractured. These fragments have in turn often been built up into full-blown personalities with all the elements of full-blown personalities. There is no "real" person, just as if you smash a mirror into a thousand pieces, there is no single piece that is the "real" original mirror but rather simply fragments that can in turn operate as mirrors. However, there is still a primal self. Early splits are led to believe they are the core" Chapter 1 page 28.

"Children are set in front of circus mirrors that make them taller or smaller for programming. They are set in front of mirrors which duplicate their image." Chapter 4 page 64. "

pg. 90 Book 3 Ozma of Oz, "Princess Langwidere's sitting-room was paneled with great mirrors, which reached from the ceiling to the floor; also the ceiling was composed of mirrors, and the floor was of polished silver that reflected every object upon it. So when Langwidere sat in her easy chair and played soft melodies upon her mandolin, her form was mirrored hundreds of times, in walls, and ceilings and floor, and whichever way..."

This is the mirror programming that has been done to so many victims!

Chapter 5 page 112. "Mirrors, and lots of them, are important in occult programming because they make images. They create so many internal images one doesn't know which way to go " [Chapter 10].

[What about Brian Eno and Robert Fripp in the mirrored room on the 1975 album cover No Pussyfootin'?]

The following words in italic [dropped out here] are direct quotes from Lena Pepitone's book which is entitled _Marilyn Monroe Confidential An Intimate Personal Account_ (NY: Simon & Schuster, 1979. Â· p.16-)

"Floor-to-ceiling mirrors were everywhere [in Marilyn's house]. Even the dining alcove at the rear of the living room had a table with a mirrored top. All these mirrors didn't cheer things up."

In programming Monarch slaves, mirrors are used a great deal. Within the Monarch slave's mind, countless mirror images are made. The slave sees thousands of mirrors everywhere in their mind. Because Marilyn was so stripped of any personal identity, she decorated her house as her mind looked on the inside--full of mirrors. Although other Monarchs may have some desires to decorate with mirrors, Marilyn is the most extreme case I know of filling one's house full of mirrors" [Chapter 12].

[Marilyn was supposedly the first "Presidential Model" MKULTRA sex slave, used by both John F. Kennedy as well as Robert F. Kennedy, for 'high level sex without the blackmail.' (or, indeed, with photographic memories of it for blackmail--is closer to the truth).]

In reference to this, it's interesting to read the lyrics of Jimi Hendrix, especially from the song called "Room full of mirrors". The lyrics go:

"I USED TO LIVE IN A ROOM FULL OF MIRRORS
ALL I COULD SEE WAS ME
WELL I TOOK MY SPIRIT AND I CRASHED MY MIRRORS
NOW THE WHOLE WORLD IS HERE FOR ME TO SEE
I'VE GOT A WHOLE WORLD THAT'S HERE FOR ME TO SEE
NOW I'M SEARCHING FOR MY LOVE TO BE

BROKEN GLASS WAS FALLING IN MY BRAIN
CUTTIN' AND SCREAMIN' AND CRYING IN MY HEAD
BROKEN GLASS WAS FALLING IN MY BRAIN
IT USED TO FALL ON MY DREAMS AND CUT ME IN MY BED
IT USED TO FALL ON MY DREAMS AND CUT ME IN MY BED
I SAID MAKING LOVE WAS STRANGE IN MY BED"

Another artist singing about project Monarch is Joan Baez, the famous folksinger. In one of her songs, she clearly expresses how a person (herself or someone else?), who has gone through this unbelievable Satanic trauma, feels:

"YOU DON'T HAVE TO PLAY ME BACKWARDS,
TO GET THE MEANING OF MY VERSE,
YOU DON'T HAVE TO DIE AND GO TO HELL
TO FEEL THE DEVIL'S CURSE

WELL I THOUGHT MY LIFE WAS A PHOTOGRAPH,
ON THE FAMILY CHRISTMAS CARD.
KIDS ALL DRESSED IN BUTTONS AND BOWS
AND LINED UP IN THE YARD.
WERE THE GOLDEN DAYS OF CHILDHOOD
SO LYRICAL AND WARM?
OR DID THE PICTURE START TO FADE ON THE DAY
THAT I WAS BORN?

LET THE NIGHT BEGIN, THERE'S A POP OF SKIN
AND THE SUDDEN RUSH OF SCARLET,
THERE'S A LITTLE BOY RIDING ON A GOAT'S HEAD,
AND A LITTLE GIRL PLAYING THE HARLOT.
THERE'S A SACRIFICE IN AN EMPTY CHURCH,
OH, SWEET LI'L BABY ROSE,
AND A MAN IN A MASK FROM MEXICO,
IS PEELING OFF MY CLOTHES.
I'VE SEEN THEM LIGHT THE CANDLES,
I'VE HEARD THEM BEAT THE DRUM,
AND I'VE CRIED MAMA, MAMA, I'M COLD AS ICE
AND I'VE GOT NO PLACE TO RUN

SO PAYING FOR PROTECTION
SMOKING OUT THE TRUTH,
CHASING RECOLLECTIONS,
NAILING DOWN THE PROOF.

I'LL STAND BEFORE YOUR ALTAR,
AND TELL EVERYTHING I KNOW,
I'VE COME TO CLAIM MY CHILDHOOD,
AT THE CHAPEL OF BABY ROSE"

The Doors: To What?

The story goes that Jim Morrison was involved in Project Monarch as well, due to Fritz Springmeier.

I once read a biography on Jimi Hendrix, where it said that he didn't want to take drugs, but was forced to do so by his manager. He soon became addicted. Drugs are heavily used in mind control. Seems like a common denominator that the artists are controlled and maybe programmed by their managers to create a certain effect on society. When Hendrix and Joplin were dead, Jim Morrison's manager told him that he, Jim, probably was the next in line ... He was right!

Then Jim Morrison left the Doors and moved to France - maybe trying to escape from the insanity around him. But most likely, the Illuminati followed him and eliminated him. Could it have been a ritual murder? Was Jim more valuable to the Illuminati dead than alive? It seems like Jim had withdrawn from his band on the top of his career, probably to the dislike of those in control. Was he ritually murdered so he could live on as a myth? His girlfriend at the time was very confused after Jim's death (she was a heroin addict as well) and some researchers suspect that she killed him. Was she programmed to do so? Her reactions after Jim's death, till her own death a few years later, is suspiciously similar to this of a Monarch slave. Her death may not have been "natural". Did she start remembering?

Jim Morrison's father was a high Military Officer, and said to be one of those who planned the Korean War. Jim was more or less brought up on a military base.

Was Jim manipulated with and mind controlled already as a child by his father or other military people with the purpose to spread the occult image into society? Jim's lyrics were splurging in occult images.

It is possible that those musicians became dangerous to the Illuminati and therefore were killed, as they started remembering their past. If they don't serve the purpose, they are useless to the Elite, and potentially dangerous, as they may reveal the secrets when they start remembering.

Bob Dylan, one of our most admired song composers and poets, is tightly connected to Kris Kristofferson, who is a programmer, according to Cisco Wheeler and Fritz Springmeier. In the 80's Dylan also, after had become a Christian, was closely related to Billy Graham, who is a programmer as well as a 33rd degree Freemason. Dylan's friends and associates have often witnessed how he shifts from one personality to another, though I haven't seen any evidence that he is a victim of mind control. If you as a reader have more data on Bob Dylan, please e-mail me at wes@illuminati-news.com.
One clue is from one of his websites: www.bobdylanstore.com. It shows his logo, which is no less than The All-Seeing Eye of Horus, which is the main Illuminati symbol, also present on the back of the One Dollar bill ...

It's also known, thanks to former Illuminati programmed slaves who have succeeded to escape, that the Illuminati can pick a child, check for his/her talents, use that part for programming and create geniuses. This is the way NASA works. Their computer programs are so extremely advanced and difficult to learn, that the computer programmers and users must have a photographic memory to be able to remember the programs and programming. This is done by scarring the brain stem of the victim, an action which is known to create photographic memory. If the operation is successful, otherwise the victim may die. Those people, who have had their brain stem scarred, are then taught by NASA how to control the computers.

PART SEVEN: PENTAWOOD AND THE FOURTH REICH: VISUAL PROGRAMMING BY THE MILITARY INDUSTRIAL-ENTERTAINMENT COMPLEX

Pentagon Runs Hollywood
Ben Gunn, March 30th 1999

This is a translated article from the Swedish Newspaper "Hallandsposten", on March 26th 1999:

Military movies are popular right now, but it's not critical movies they are making in Hollywood. On the contrary, the American Military Headquarter Pentagon is often allowed to decide upon big parts of the manuscripts. This is revealed in the media magazine "Brills Content".

US Military has officers who's job is to discuss film projects with Hollywood. The military is allowed to read the manuscript in advance and often come up with suggestions on changes, especially when it comes to parts that give a negative picture of the military.

An example: In the script to the movie "Asteroid" an American space-shuttle is sent into space with nuclear weapons onboard for to burst the asteroid which threatens the world, into pieces. But Pentagon didn't like the idea, as USA had signed a treaty against nuclear weapons in space.

The military think they get so good promotion in the Hollywood films they choose to participate in, that they lend equipment and personnel for free. The only thing the film companies need to pay is extra costs like air fuel.

The air force gets about 100 film scripts into their hands every year, and in one single year they participate in around 30 projects. A liaison officer in Los Angeles is working actively to sell in the air force in Hollywood. Producers and directors are invited for demonstrations of new weapon systems.

Before the big movie "Armageddon" intensive negotiations were held between the air force, who wanted Bruce Willis to mould a retired air force technician, and the director Jerry Bruckheimer, who wanted him to be a former marine. As a compromise a new character was created, who was from the air force.

Sometimes the military offer their participation if they don't like the script. In "Broken Arrow" a nuclear weapon is stolen. The military saw this as intolerable, and Pentagon said no to give "full assistance" to the film team. Nevertheless the air force gave a limited help with information about uniforms etc.

The reason the producers agree to give the military such a big influence over the movies is that real military hardware is very valuable for the filmmakers. Nothing is better than a real fighter aircraft or a real hangar. The producers save lots of money if Pentagon lends them important properties for free. The alternative would be to rent expensive helicopters and other vehicles and re-paint them.

Before the big movie "Air Force one" the US air force lent six F-158 planes almost for free.

Israel as a Military Soundstage

The alternative would have been to move the production to Israel [figures!], where the military lends such air planes for around $ 25,000 an hour.

Karl Rove and the Pentawood Brass Meetings

And, Variety Magazine after September 11 reported that German heritage Karl Rove, the latter day Goebbels himself, met with top "Pentawood brass" [Hollywood CEOs] in the movie industry for scheduling a series of pro-military films after 9-11, which dutifully came out by December 2001 and onward.

The Third Reich was very much a film driven political and mass entertainment and indoctrination movement as well. The Nazis were interested in two forms of mind control: individual mind control as well as mass psychological mind control.

For the latter, Goebbels said himself that entertainment is the best form of propaganda because the viewer's guard is down. In late 1945, even as the Soviets and the Americans were closing in on Berlin's environs where he was filming, Goebbels was still making a film, requisitioning and taking equipment directly from the "real world" defense of Berlin, to make an exorbitant even megalomaniac German historical docudrama about a triumphant Reich of the distant past—fending off the barbarians.

It is unknown what the context of this quote is, though it is from the CIA's Kesey, in a quote from the book "Storming Heaven":

"Standing by the speaker's platform, listening to the yammer of the crowd and the booming oratory of the speakers, Kesey was reminded of his Cow Palace epiphany. When his turn came at the microphone, he bounded onto the stage flanked by a bevy of Day-Glo, guitar-wielding Pranksters. Whipping out a harmonica, he began honking his way through "Home on the Range." "You're playing their game," he drawled into the microphone. "We've all heard all this and seen all this before, but we keep doing it ... I went to see the Beatles last month ... And I heard twenty thousand girls screaming together at the Beatles ... and I couldn't hear what they were screaming either ... But you don't have to ... They're screaming Me! Me! Me! Me! ... I'm Me! ... That's the cry of the ego, and that's the cry of this rally! ... Me! Me! Me! And that's why wars get fought ... ego ... because enough people want to scream Pay attention to Me ... Yep, you're playing their game."[11] http://tinyurl.com/lh3x8

Today's celebrities - prominent in these war movies - openly support cult groups that take inspiration from Crowley, Hubbard and other ego-maniacs of the dark arts. Society will always have confidence tricksters and those vulnerable to them, and politics can best be deconstructed as yet another 'cult' with a requirement for members to believe absolute falsehoods, with the inner circle privy to knowing this to be the case.
Voters, politicians and even the celebrities are not going to denounce politics all by themselves - it is a cult thing where the belief fundamentals are not going to be looked at. There is a greater chance of Isaac Hayes lightening up a bit than the republicat voter deprogramming themselves of a) underlying cold war 'two tribes' ideology, b) the idea that WW2 was a 'noble' venture by the allies, c) the doctrine of pre-emptive warfare, as per the War Against Terrorism in Afghanistan, and d) that the supposed enemy in 'The War Against Terrorism' is 'al-qaaeda' - it isn't, and that is problemo numero uno for the true practitioners of the dark arts - the politicians with all their lies.

PHOENIX - Nearly two decades after Cree singer and songwriter Buffy Sainte-Marie's song ''Universal Soldier'' was released and shipments of her records mysteriously disappeared, the truth of the censorship and suppression by the U.S. government became public.

Now, in federal court, Charles August Schlund III stated he is a covert operative and supports Sainte-Marie's assertions that the United States took action to suppress rock music because of its role in rallying opposition to the Vietnam War.

Sainte-Marie says she was blacklisted and, along with other American Indians in the Red Power movements, was put out of business in the 1970s.

''I found out 10 years later, in the 1980s, that [President] Lyndon Johnson had been writing letters on White House stationary praising radio stations for suppressing my music,'' Sainte-Marie said in a 1999 interview with Indian Country Today at Dine' College.

''In the 1970s, not only was the protest movement put out of business, but the Native American movement was attacked,'' Sainte-Marie said.

It is both surprising and mildly gratifying to find this fascinating article largely in accord with several Christian books about the devil in music, and with what Lyndon LaRouche ("Theory of the Satanist Personality") and Michael A. Hoffmann ("Psychodrama and symbolism disguised as current events: the mass induction of the double-mind and the alchemical processing of humanity") write, as well as numerous opinions expressed by members of the John Birch Society. What a convergence!

And I myself have signed in on the real story behind the John Lennon assassination:

"The counterculture was not produced spontaneously by a youth stratum!"