Fusion Of Performance Art And Social Dance

The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference.

— Elie Wiesel

May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you're wonderful, and don't forget to make some art -- write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.

— Neil Gaiman

Friendship is unnecessary, like philosophy, like art.... It has no survival value; rather it is one of those things which give value to survival.

— C.S. Lewis

Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.

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11 Amazing Tips To Beat The Choreographer’s Block

Your performance is just a n-days away and you’re still struggling with your steps, choreography and music. Have you ever found yourself in this predicament?

Don’t worry. You’re not alone. Even the best choreographers and high-profile dancemakers experience the same situation – they call it the “choreographer’s block.” And this unwanted block does happen to almost anyone in the creative field – writers, moviemakers, visual artists.

The next time you’re in this state, keep calm and follow these tips to help you get back on track.

Take time off. You might be overdoing your brain and body with prolonged practice or choreography brainstorming sessions. Take a break by getting a cold soda, reading a book, or just stay in a relaxed space away from music and all.

Try other music. Listening to the same kind of music can be tiring for the ear. It also limits your creativity. Explore new music and beat. Better yet, you can make your own beat. But for that you have to learn how to play beginner drum sets as those you can see here at http://barkingdrum.com/best-beginner-drum-set-review-2015/.

Know your dancers. It’s not unusual to have a level of disconnect between the dancers and the choreographer. It’s best to talk to your group and to at least get to know them.

Move ahead – for now. If you’re stuck on certain parts, put them on hold and get back later on to fix it. A notepad comes handy when making revisions.

Find your optimum time. Everyone has his or her own golden time. Some are “morning” people others are not. Know your schedule and habits, and try working on your most prolific time.

Get an assistant choreographer. Well, you don’t really need to hire one. Perhaps, pick your best dancer and consult with him or her. You’ll be surprised at the creativity of these young dancers.

Avoid pre-choreographing. When you think of steps and dance moves even before you’re in the studio, you’ll end up over-thinking. Many choreographer fall to this trap and end up confused at what to do once they arrive at the studio.

Focus on the dance’s story. Always start your dance piece with a central theme, storyline or idea in mind. When your mind is blocked, always go back to the story of your dance. It’s not enough to just play music and think of dance steps, there should always be a connection between the dance and the music.

Don’t stray from your style. While it’s great to try and explore other dance styles, you might find yourself having difficulty choreographing with completely unfamiliar styles. It’s best to stick with your style while adding twists and creativity.

Delegate tasks. Since you are the lone choreographer, it doesn’t mean that you have to do all the tasks. Try dividing the tasks on hand and delegate it to others. For instance, you can ask someone to do the research for music effects or set up of audio. If you are adding drumbeats into the music, you can have another one look for a good drum set as those here at BarkingDrum.com. By lightening up your workload, you can avoid facing the dreaded choreographer’s block.

Believe in yourself. When you attempt to be perfect, you are prone to the choreographer’s block. The best way to avoid the urge to perfectionism is to believe in your own creativity. Trust your instincts and it will fuel through the last beat.