In 2015, it was announced that the Met Office had lost the contract to provide the BBC’s weather for the first time since forecasts started in 1922, with the contract instead going to MeteoGroup. Towards the end of last year, it was announced that MeteoGroup were behind schedule in their work towards providing the BBC’s forecasts, so the contract with the Met Office had to be extended until March.

This week, I discovered that the BBC Weather website looked different in one of my browsers. They must be selecting people at random to try the new MeteoGroup-powered website. Not only is the data provider changing, but it seems the BBC have taken the opportunity to tinker with the layout of their weather pages.

The new BBC Weather website, with forecasts from MeteoGroup

The new page has a wider layout with an updated look and feel. As is now increasingly common in an era when people are switching to tablets, the page is shorter, to avoid the need to scroll on a landscape screen. One thing that is immediately noticeable is the lack of colours indicating the temperatures throughout the day. The BBC tried to remove these in a previous update in 2011, and ended up having to add them back after “user feedback”. In fact, the colours are present in the new layout for the daily average temperatures, but as far less prominent stripes of colour below the daily forecast (or above the currently selected one). The colours are, however, not used at all for the hourly temperatures, a reversal of the previous situation. Another change is that there is no longer an option to switch between “graph” and “table” views, with the graph view forced on everyone. I happen to prefer the view with the temperatures lining up, but this choice has been taken away. Details such as the humidity and pressure were previously only visible on the five-day forecast page in table view, so these are currently missing.

Thankfully, the BBC has retained its classic weather symbols on the new page. The wind speed indicators have switched to a circular outline rather than filled circles. There is also a new symbol and a percentage, showing the probability of rain during that hour.

The old BBC Weather page with data from the Met Office, showing the “Table” view

The new layout looks OK, but they really need to bring back the colours for all the temperature values, and also the option of table mode with all the old data. But how about the quality of the new forecasts from MeteoGroup? Clearly, it’s too early to say how accurate the forecasts will be from the new provider. Having said that, on the day I took the screenshots above, MeteoGroup said the next hour’s weather would feature hail showers. The Met Office’s version predicted sunny spells. Out of the window: nice and sunny. While I realise it’s not exactly a thorough comparison, it’s possibly not the best of first impressions of the MeteoGroup forecast.

Of course, anyone who objects to the Met Office being replaced like this can always go directly to the Met Office website. This should contain exactly the same information as the old BBC forecasts. Unfortunately, it does lack the bold BBC weather symbols, instead having its own cartoon-like versions, and the differing shades of orange are no match for the familiar BBC temperature colours. It does, however, have more details about weather warnings, and includes some additional information, for example giving both the wind speed and maximum gust speed separately (the BBC usually give the former, but switch to showing gusts once they are over 40mph, which is why the wind speeds reported always jump from the 20s to 40s and never show a value in the 30s!)

The same weather forecast on the Met Office site

The Met Office site also carries advertising, despite being a .gov.uk branded site. The BBC, of course, never features advertising, so we have the slightly bizarre situation of being able to view a forecast from the private MeteoGroup free of advertising, or a forecast from the UK Meteorological Office complete with adverts.

I feel some sort of Greasemonkey script or similar is in order to restore the perfect weather page. How about the new BBC page but with colours; or the Met Office page with the BBC’s symbols and colours? The numbers used for the image filenames on the Met Office site are identical to those on the old BBC site, ranging from 0 for a clear sky at night, to 31 for a rather alarming-looking whirlwind symbol, which thankfully we do not usually see in UK forecasts. Hopefully, though, no hacking will be required, and “user feedback” will ensure the best aspects of the old layout will be retained in a way that works with the new data from MeteoGroup. But anyone who tires of spurious warnings of hail showers will know where to look for a second opinion.

The original premise of Airbnb seemed like a good one. If someone had a spare room, they could let it out as a bed and breakfast room to bring in an extra bit of cash. The person staying would be a guest in their host’s home, meet them, probably chat with them in the evening, and share breakfast in the morning. However, Airbnb has turned into something quite different. It is now used by professional landlords to let out entire properties on a day-by-day basis. Unsurprisingly, a landlord can make much more money from such short-term lets than they can from a long-term tenant paying monthly.

Turning a home into a de facto hotel is quite unfair on the neighbours, who have to put up with different people arriving each day or week, and with guests’ behaviour, which may not be of the same high standard as when they are at home. Councils are starting to take action, with London banning property owners from letting them out short-term for more than 90 days per year, and there are plans to introduce a similar restriction in other cities such as Edinburgh and Liverpool.

The craze for turning homes into hotel rooms has been around longer than Airbnb, however. In 2007, the Rotunda, an iconic, cylindrical office building in Birmingham, was extensively refurbished and converted into apartments. Due to its location and being a famous building, these flats sold for a hefty premium. A significant number, however, were bought by a company trading as Staying Cool, for use as “serviced apartments”. I thought at the time that this was simply a euphemism for turning them into hotel rooms. It seemed rather unfair on people who had bought their apartments to live in, for them to discover they were sharing the building with a hotel, despite no planning permission existing for such a use. Today, some of these rooms are available for £300 or more per night.

It seems a grey area exists where “serviced apartments”, including Airbnb-style lets, are concerned. English planning law defines various use classes. Class C1 is for hotels, and class C3 for “dwellinghouses”. Most homes will only have planning permission for C3, and indeed the Rotunda was granted change of use to class C3. Why, therefore, are people allowed effectively to run hotels from their properties? The idea of planning law is that local councils can decide whether a certain site is appropriate for use as a hotel, particularly regarding nuisance caused to neighbours. It’s unlikely a few flats in a building would be given such permission unless certain facilities were provided, maybe even a separate entrance and lifts.

The solution to the problem of Airbnb could be to tighten up the planning rules. If someone wants to let out a single room, as was the original idea of Airbnb, of course that should be allowed, as long as it only involves letting out part of the property, and the host actually lives there too. If, however, it’s a case of letting out whole apartments as hotel suites, change of use to C1 should be required, and then it would be up to the authorities to decide whether such use is appropriate. Landlords should not be able to profit hugely from turning their properties into hotels at the expense of people who are looking for somewhere to live, and people who have the enjoyment of their homes ruined by holidaymakers or party-goers.

At the end of this month, some people will have the opportunity to see a moon that is both a red moon and a blue moon. Of course, it will be a figurative blue moon but a literal red moon, the latter caused by a total lunar eclipse.

Neither lunar eclipses nor blue moons are actually that rare. This month’s will be the eighth total lunar eclipse since 2010 (although unfortunately not visible from most of Europe this time) and indeed there will be another one in July. As for “once a blue moon”, that is usually taken to mean not for a very long time. However, these days, a blue moon is usually defined as the second full moon in a month, and that isn’t actually so rare either. In fact, there will be another blue moon in March!

There is some uncertainty as to the exact definition of a blue moon. Some sources say it occurs where there are four full moons in a quarter of a year (in which case, “blue moon” refers to the third one). Using this definition, there have only been three blue moons since 2010, and the next isn’t due until 2019.

This month’s event also coincides with a so-called “super moon” where the moon is closer to the Earth, so appears bigger. A super blood-red blue moon.

Lunar eclipses and blue moons both necessarily occur when there is a full moon. Both occurring together is far more unusual, though. The last time there was a total lunar eclipse coinciding with a blue moon was on 31 March 1866! Perhaps the expression should be “Once in a red and blue moon”. However, for those of us unable to see this rare phenomenon this January, there’s no need to wait 150 years. There is another one due in December 2028!

Classic FM is shortly going to release a new album, Pop Goes Classical. They have already played tracks from it on the station. It features the Royal Liverpool Philharmonic Orchestra playing versions of famous pop songs.

The track that they keep playing on the station is a version of the 1991 song (Everything I Do) I Do It for You. (Now, why is it always written with the first three words in brackets?) This was originally sung by Bryan Adams, and famously accompanied the film Robin Hood: Prince of Thieves, spending a record 16 weeks at the top of the UK singles chart.

Credit for writing the song is usually given to Bryan Adams, Michael Kamen, and Robert Lange. Michael Kamen wrote the score for the movie, but I seem to remember reading that he didn’t think there should be a song to go with the film. Adams and Lange therefore took Kamen’s music and turned it into the song. Classic FM have been crediting the track as being “by” Bryan Adams. I thought this was rather inaccurate as neither his lyrics nor his singing is included. The tune was clearly by Michael Kamen. I therefore dropped a quick note to presenter Bill Turnbull, who had played the track. Earlier this week, I heard him play it for a third time, and to my surprise, this time he credited it to Michael Kamen. I’d like to think that’s because I, and perhaps others, pointed out the omission.

The fact remains that there was already an orchestral version of the song, and it pre-dates the song itself. Anyone who wants to hear Michael Kamen’s own version of it should listen to the track Maid Marian from the soundtrack album. It does seem slightly bizarre to orchestrate a song that started life as an orchestral piece, particularly when, it has to be said, the original was far superior.

This is not the first time Classic FM have released such an album. In 2008, they released Songs Without Words, a very similar CD played by the City of Prague Philharmonic Orchestra. As I write, this is still available from Amazon for the princely sum of £16.04, or for 15p second-hand. This CD features that other famous movie song, My Heart Will Go On, from Titanic. As with Everything I Do, James Horner’s orchestral score for Titanic already includes many versions of the same tune, including one for Irish bagpipes. The song is credited to Horner and lyricist Will Jennings (and it was sung by another Canadian singer, Celine Dion). But the version on Songs Without Words is turned into a slightly jaunty waltz. That’s clearly from the special edition of the film where the ship doesn’t sink.

Orchestral versions of pop songs are a nice idea, but is it just a coincidence that the most popular are pieces that started out as orchestral works in the first place? Perhaps we should just listen to the originals, rather than arrangements of pop songs derived from them – the latter simply not being as good!

At last a piece of good news. Mayor of London Sadiq Khan has finally withdrawn support for the proposed Garden Bridge across the River Thames, effectively killing the project. After a report by a committee of MPs earlier this month said the bridge should be scrapped, any other decision on the part of the mayor would have been just the latest in a series of scandalous decisions wasting yet more public money on this vanity project.

I have been among those opposed to the bridge from early on. Anyone who knows the South Bank will know that it is already usually packed with people, given that it is home to many attractions such as the Royal Festival Hall, the National Theatre, the Hayward Gallery, the London Eye and the Aquarium, not to mention numerous restaurants. The last thing this area needs is another tourist attraction, and tourist attraction is exactly what this so-called bridge was. It wasn’t to be built in an area that needed a new bridge: there are two bridges nearby, and the northern end would land at Temple which is a quiet area where law firms are based, not so popular with visitors. The bridge would be privately owned, cycling would not be permitted, it would be closed at night, and could be closed in the daytime for private functions. Many people were also upset that it would block views across the river to St Paul’s Cathedral.

Trees with blue and white lights on the South Bank. Photo by Marco Marini on Flickr, CC BY-NC-SA 2.0 licence

My main objection was to the damage it would do to the South Bank. If you walk east from the Royal Festival Hall, you soon come to an area where the riverside walk widens out. This is a welcome breather from where it is rammed full of tourists closer to the London Eye, and offers an opportunity to enjoy strolling along the river for a short distance with slightly more space. This part of the path is lined on both sides by mature trees which are strung with blue and white lights, making it equally appealing at night. This is just the area where the southern end of the bridge would have “landed”. Indeed, the so-called Garden Bridge would have resulted in the felling of many mature trees, and in their place would have been a concrete building housing 350 square metres of commercial space.

The bridge would have spoilt one of the most pleasant stretches of the South Bank. I’m glad it will no longer go ahead. What needs to happen now is that the people who have allowed £40 million of public money to be spent on this project before any construction had even started need to be investigated, starting with former mayor Boris Johnson.

It’s not that a garden bridge is a bad idea in itself. This was simply the wrong place, and the way the design was chosen was verging on the corrupt. (Anyone who just knows Thomas Heatherwick for his work on the 2012 Olympic cauldron might do well to consider his contribution to the 2002 Commonwealth Games.) Why not construct a garden bridge somewhere that actually needs a bridge, and could do with the extra footfall a new attraction will bring?

Happily, it was the Garden Bridge that fell and not the South Bank’s trees. Hopefully a few egos will fall with it.

Twitter @rawlejon

Sad to head of the loss of Jóhann Jóhannsson today. I first came across him in 2006 when he released "IBM 1401, A User's Manual" featuring a computer's sounds recorded by his father in 1971. bit.ly/2Em3Y36~1 month agoReplyRetweetFavourite