Tag Archives: St Davids Hall

“I’m puttin’ on my top hat, Tyin’ up my white tie, Brushin’ off my tails” to welcome the fabulous Strictly Come Dancing duo Anton Du Beke and Erin Boag. On Sunday 19th February a packed crowd at the St David’s Hall was treated to an afternoon of high class ballroom dancing from two of Strictly Come Dancing’s most famous dancers.

I must say I was extremely excited before watching this show as I am a big fan of Strictly Come Dancing and really love ballroom dancing so for me this show was a dream. The brilliant dancing duo was accompanied by a whole host of other dancers who were just as brilliant. The three male dancers easily kept up with the style of Du Beke and they were Scott Coldwell, Luke Field-Wright and Adam Lyons. The ladies dancing within the show were equally as brilliant and gave the same grace as Erin Boag. The brilliant ladies dancing were Hayley Ainsley, Victoria Hinde and Francesca Moffat.

Alongside the brilliant dancers within the show there was also a fabulous orchestra namely that of the London Concert Orchestra. Anton Du Beke himself joked about how he would have had the Welsh Concert Orchestra only they were too expensive. The London Concert orchestra was conducted by renowned conductor Richard Balcombe. The orchestra accompanied a very special guest singer for the show Lance Ellington who is one of the singers on the show Strictly Come Dancing. His voice was brilliant and worked very well with the music chosen for the show. He even joined in with some of the dances and certainly showed how massively talented all of the performers are on Strictly Come Dancing.

All of the brilliant dances were choreographed and directed by Nikki Woollaston who has worked on productions such as 42nd Street at the Theatre du Chatelet and many other tours with Anton Du Beke.

All in all Anton and Erin put on a fabulous show that really is a joy to behold. With such magical dance numbers and brilliant performances it really is a show not to be missed. So if you have chance to watch this amazing duo performing grasp it and just “face the music and dance”.

This weekend Cardiff has had the luck of the Irish as Michael Flatley’s worldwide phenomenon ‘Lord of the Dance: Dangerous Games’ has played in St David’s Hall. The tour is one of the biggest the UK has ever had and has currently been seen by 60 million people in 60 different countries on every continent. All of the stops are pulled out in this Irish Dancing Extravaganza with dancing that is simply mesmerising.

I have been looking forward to watching this show for a long time and being a tap dancer myself can appreciate the hard work and effort that goes into this form of dancing. I knew from the opening sequence alone we would be in for a good night. As the first half of the show begins the audience are greeted with a projected Michael Flatley and a giant clock alluding to the opening of the show.

The cast are very well cast and all of the characters within the show work well as a dance unit. The perfectly balanced ensemble of male and female dancers help to give depth to the story and in the dance sequences when they are all in a line and coordinated it really is something to admire. Their collective talent is unbelievable and there are moments where your jaw is in your lap watching their feet move almost as too fast to comprehend. The main lead Lord of the Dance was played by James Keegan and the Dark Lord was played by Zoltan Papp.

The show seemed to have a variety show feel to it with all of the acts being very diverse. They all managed to hold attention of the audience due to their frequent costume changes and the cleaver projections that portrayed Ireland as an Idyllic place filled with Unicorns and rainbows. The plot follows a little Spirit with a magic flute who battles against evil to save Ireland from being taken over by evil cyborgs. Along the way the Spirit meets different dancers as well as a Black Swan like love triangle that threatens to turn the head of Ireland’s saviour, the Lord of the Dance himself. The show culminates with a big fight for the title of Lord of the Dance.

You can’t help but have a big smile on your face when the full ensemble cast fill the width of the stage at St David’s Hall and with their legs kicking and tapping in perfect sync. The show’s best section and what will always be their most iconic is the ‘Lord of the Dance’, and the skill of the cast is amazing in which they gave four Encores at the end of the show of that very dance which was met with a standing ovation from the whole audience at St David’s Hall.

If you’re a fan of this type of dancing and the Irish music and culture this show is without a doubt the show for you to attend next. It provides a 5-star evening of entertainment with lots of ups and downs within the story. In my opinion this show is something everyone should experience once in their lifetime as it will enthral you.

For more information about the tour of the Lord of the Dance please visit the official website to see where the tour will be heading next. http://www.lordofthedance.com/

On Sunday 2nd October 2016 BAFTA Cymru celebrated once again the best of Welsh film and television talent. From documentary makers, to actors, directors and make up and special effects, the spectrum of filmmaking talent in Wales and around the world was celebrated. Thanks to alterations in the eligibility criteria, works by Welsh artists outside of Wales are now eligible, which means from Downton Abbey to Hinterland and everything in between the awards honoured the talented work from and in Wales.

On the red carpet for this year’s awards Host Huw Stevens stopped by to discuss the awards before heading inside to prepare. After a brief chat about the earlier excitement of Cardiff’s Half Marathon (he watched at home in his pants) he was keen to share his excitement for the awards. Emphasising how important it was to showcase Welsh talent in the capitol city, and just how much talent Wales had to show, Stevens also noted that he got ‘the best deal’ because he got to read out a lot of the nominations.

As Stevens headed inside to get ready for the show, other guest and nominees began to arrive. The Get the Chance Team got to chat to a lot of the arrivals, and find out just who they were excited to see nominated (and possibly win). Early to arrive were BBC Newsreader husband and wife team Lucy and Rhodri Owen, who talked about the range of real quality drama that they enjoy from Wales including the ever popular Hinterland/Y Gwyll. We also chatted to Torchwood stars Gareth David Lloyd and Eve Myles, there to present awards. Later a fantastic arose opportunity to talk to Yu-Fai Suen, the managing director of Pinewood Studios, who talked enthusiastically about all the talent available in Wales, both in front and behind the camera-and hinted of some big opportunities for the future of filmmaking in Wales!

There was also chance to catch up with nominees on the Red Carpet, with best actor nominees Aneurin Barnard and Richard Harrington, both talking about the great opportunity to celebrate work done in Wales presented. A longer, more personal chat with Tim Rhys Evans-best known as musical director of Only Men Aloud- talked about the more powerful side of the awards, in raising awareness for issues within the drama and documentaries produced. Rhys-Evans was part of a brave documentary that followed his struggles with mental health, and he talked passionately about both the film’s power as a talking point and opportunity for people to begin to end the stigma around mental illness. He noted in particular, that the chance to talk to press once again about the film having been nominated, was another opportunity to continue talking about mental health, and hope that having used the film to talk about his own experience others would do the same and get help when they need it. And as much as this night was about celebrating the talent of those involved in film, Tim Rhys-Evans’ brave documentary is a reminder that there is also often a broader impact to the work made.

In watching the awards ceremony, itself, it is clear there is powerful drama and documentary made in Wales, alongside wonderfully entertaining work. Tim Rhys Evans – All in the Mind went on to win two awards, one for Madoc Roberts for editing, and one to the production team for Best Single Documentary. Roberts thanked Tim Rhys Evans and said ‘What a thing to do to help others’ while Rhys Evans in accepting the award with the team commented it seemed odd to receive an award for ‘a particularly shitty time in my life’ but went on to say that as statistically a quarter of the audience tonight would be affected by mental illness, that we should continue to keep talking and end the stigma.

Elsewhere in the factual categories Wales’ musical side was reflected in the factual categories with Les Miserables Y Daith i’r Llwyfanin the Entertainment Programme category and Côr Cymru – y Rownd Derfynolin the Live Outside Broadcast category. And Factual Series was won by Music for Misfits: The Story of Indie given to Siobhan Logue, which she dedicated to ‘All the misfits out there’.

In drama the directing award-a competitive category spanning drama made inside and outside Wales, and featuring an episode of ITV powerhouse Downton Abbey- was picked up by Lee Haven Jones for 35 Diwrnod – Apollo. Deservedly for a masterful piece of drama, and a career that is going from strength to strength, Haven Jones lamented that his Mother was going to kill him for not bringing her for the second time, and dedicated the award to his partner Adam who he ‘Moans with a lot, but also dreams with’ Elsewhere in Drama, best actor winner Mark Lewis Adams for Stanley in Yr Ymadawiad thanked both his co-stars and the hair and makeup team for helping him to create and inhabit his character every day, and dedicated the award to his wife. Meanwhile best actress winner Mali Harris for DI Mared Rhys in Y Gwyll/Hinterland thanked the show for the opportunity to ‘Play cops and bad guys’ for ten months of the year.

The special awards for this 25th anniversary were particularly poignant. The Sian Phillips award being given, for the first time to a makeup artist, Sian Grigg. And was awarded by the namesake herself, Sian Phillips, who declared the award ‘from one Sian to another’. The special presentation was accompanied by video messages from Ioan Gruffoad and Leonardo DiCaprio, who both worked closely with Grigg over the years. Girgg dedicated her award to her Mother, also a makeup artist, for being her inspiration.

The Outstanding Contribution to Film and Television award was given to Terry Jones. This celebration was, it’s fair to say, tinged a little by sadness with the news that Jones has been diagnosed with a form of dementia, and is suffering its effects, including a loss of communication skills. Accompanied to the ceremony by friend and fellow Monty Python star Michael Palin-who led the tribute to him-and his son, Terry was still able to come on stage and accept his award. And in true Terry Jones style, despite not being able to communicate through speech, he still conveyed his feelings perfectly, waving down the standing ovation and putting the BAFTA to his face to wear like a mask.

Clearly happy to be there, and supported by a dear friend and family it was still an opportunity to celebrate his achievements. Despite this, when his son made a short speech, and struggled to hold back his emotions, it was a difficult and touching moment for everyone. But to see Terry Jones, clearly thrilled to be honoured in his home nation, for all his achievements over the years, was a truly fitting end to the 25th Anniversary BAFTA Cymru celebrations.

On Friday the 2nd September Cardiff was treated to a one off concert from the amazing vocal group ‘The Overtones’. Much anticipation built in St David’s Hall as we awaited ‘The Overtones’ appearing on stage but before that there were two very talented warm up acts. The first performer was a band called ‘WHO’S MOLLY?’ in the form of one band member Luke who performed many of their songs with a little help from the audience. The second warm up act was a real crowd-pleaser as it was X Factor’s Jay James. Famous for his appearance on the well-known talent show he delighted the audience with many songs new and old.

X Factor singer Jay James.

After a short interval it was time for the main attraction and the arrival of ‘The Overtones’. To a rapturous applause the five members of the group walked on stage and took their places at the microphone stands. As the music began we could tell we were in for a real treat. Due to the nature of the concert opposed to them doing new songs from their current album they were performing a wide range of songs from their very first album to the latest. Some of the many songs performed were ‘Gambling Man’, ‘Sh-Boom’, ‘Reet Petite’, ‘Runaway’ and ‘Why Do Fool’s Fall in Love.’

With such a wide range of music and styles being performed there really was something for everyone in the concert and I have to say the show soon turned into a party opposed to a show and you were hard pushed to find someone who was not standing and singing with them. The Overtones were utterly astonishing and I had previously only listened to them on their CD’s and so to hear them live was amazing. Their voices were so powerful and the music was just as spectacular. With some inclusion of Acapella songs it really meant the audience could hear just how could their voices are which was a real treat.

A real highlight of the evening was when ‘The Overtones’ came down off the stage and sang amongst the audience. Certain lucky female members of the audience were invited up to the stage to be serenaded by the boys.

All of the group members were dressed very smartly with tuxedo and black tie on with the main singer Timmy Matley wearing a velvet tuxedo. All of the group members were full of energy and their dancing was something to be admired with all five members keeping in sync and filling the stage.

The Overtones. From the left Mark, Darren, Timmy, Mike and Lachie.

The final song performed by ‘The Overtones’ was ‘Goodnight Sweetheart Goodnight’ which was a lovely way to end their magnificent show. However, it turned out that it was not their final song and like a gift that keeps on giving they performed a further two encore songs which were just as amazing. I am sure I speak for all of the audience at the show when I say we didn’t want the show to end. I urge everyone to see ‘The Overtones if you get the chance because they are utterly amazing and you are sure of an amazing night spent singing and partying with them.

Following a simply wonderful week packed full with all types of music, the Welsh Proms 2016 drew to a stunning close on Saturday evening. The Last Night of the Welsh Proms, at St David’s Hall, Cardiff, is a celebration of what it means to be Welsh and how important music is for Welsh people. The celebrations began before the audience entered the auditorium, with a band playing outside the hall enticing passer-by’s into the concert hall.

As the show began the audience welcomed The Royal Philharmonic Orchestra from London and the resident Last Night Of The Welsh Proms conductor Owain Arwel Hughes CBE. With a marvellous programme of songs set for the evening the audience knew there would be a great evening in store.

As well as the upbeat recognisable pieces played by the Royal Philharmonic Orchestra the Last Night is also about some serious music, and this year’ concert featured three world premiere performances of brand new orchestral pieces.

The first of these was ‘Cambrian Serenade’, by Arwel Hughes, the father of our conductor for the evening. The piece featured heavily on Classical FM where they held a competition for the listeners to name the song and the winner would get to see the music performed on The Last Night Of The Welsh Proms. The second of the world premiere pieces was ‘Aberfan’, by Christopher Wood, the emotional piece which was very moving was written to commemorate the 50th Anniversary of the Aberfan disaster. The Aberfan disaster was a catastrophic landslide of a colliery coal tip in the Welsh village of Aberfan, near Merthyr Tydfil, on 21 October 1966, which engulfed a Primary school and killed 116 children and 28 adults.

The third piece making its World Premiere was ‘Mr Dahl’, by Bernard kane Jnr, which was a beautiful piece written to commemorate 100 years from the birth of the great Welsh writer Roald Dahl.

Some of the first half highlights included Coates ‘Dambusters March’, Tchaikovsky’s ‘Swan Lake’ and Mendelssohn’s well known and loved ‘Wedding March’. The real showstopper that ended the first half was the soundtrack to Star Wars which took your breath away. Nothing can really prepare you for when you hear the opening few bars of the theme played by the brass section. It is almost like you are expecting Darth Vader or Yoda to appear on stage and greet the audience.

As with the tradition of the Last Night Of The Welsh Proms, it was really after the interval that the fun really began with an influx of flag and banners being brought into the auditorium in preparation for waving along with the music.

The second half opened with a personal favourite of mine Elgar’s Pomp and Circumstance No.1 and it wasn’t long until conductor Owain Arwel Hughes soon had everyone on their feet and singing ‘Land Of Hope And Glory’ enthusiastically to the music. Strauss Radetsky March proved popular with the prom goers as we all clapped along when told by the conductor.

The final songs of the evening came in the form of ‘Fantasy On Welsh Songs’ arranged by Gareth Wood. This part of the concert involved a great deal of singing with the orchestra as some of Wales’ most famous songs were played. With songs such as Cwm Rhondda, Men Of Harlech, Ar Hyd Y Nos, We’ll Keep A Welcome, Myfanwy, and I Bob Un Sydd Ffyddlon there was plenty of choice. One song played Bugeilio’r Gwenith Gwyn had a great deal of meaning for my Mum who I attended the concert with as it was the song she performed for the Queen when she visited Wales in 1977 for her Silver Jubilee celebrations.

The national anthem Mae Hen Wlad Fy Nhadau provided a fitting encore to end a wonderful evening of music. Conductor Owain Arwel Hughes promised the proms would return bigger and better next year, which is definitely something to look forward to. I urge everyone if you have the chance to attend the Last Night Of The Welsh Proms be sure to go because you are sure to have a magical evening of music and culture.

Returning after their sell-out Spring 2015 tour the Grumpy Old Women are back to share their Grumpy tales and tips with the nation. Award-winning comedian and original star of Grumpy Old Women Jenny Éclair is accompanied by fellow recruits Susie Blake (star of Mrs Brown’s Boys) and Kate Robbins (Singer and star of Casualty). Before I go on with the review, however, I must mention I cannot go into too much detail as to the tales told with my review because as Jenny Éclair said “What goes on in Grumpy club stays in Grumpy club”.

Landing at St David’s Hall in their shed from outer space the grumpy old women, spacewalk onto the stage complete with space helmets and uniforms to a momentous applause from the audience, unsurprisingly the audience was mainly made up of women, with just a few men dotted about the auditorium. Given that I was possibly one of the youngest in the audience and being male I still felt as though I was able to relate to the topics they discussed – mind you having a Mum the same age as the Grumpy Old Women did help!

The Grumpy Old Women talked about a wide range of subjects that any person was able to relate to including a guide to nagging, how to get a roof rack put on a car without your husband moaning, dancing at weddings and pole dancing. Props littered the garden set and were used to brilliant effect during the show and even included a gigantic pair of pants and a BBQ.

The show is very clever in that it can be talking about a topic and then the lighting will change and you are plunged into a mini sketch. The sketches highlight the brilliant acting skills of all the Grumpy Old Women. The amazingly funny script really worked well for the stars and left the audience in stitches and in my case tears streaming down my face. I really like the fact that all of the comedy was good clean fun with very little use of bad language. When the language was used however it was delivered with fantastic comic timing.

The second half of the show sees them return to the James Bond theme which sparked a debate into why there has not yet been a female Bond. With the current news of Daniel Craig’s decision not to carry on playing Bond there is no better time than now to consider the possibilities of a female actress playing Bond and the three Grumpy women are obviously showcasing their talents to play Jane Bond.

For me there were two stand out moments in the show that were utterly hilarious, the first of these was when team Grumpy took part in ‘Grumpy Come Dancing’ based on the hit BBC show which had the audience in hysterics especially with Susie Blake’s pole dancing performance. The second stand out moment for me was the posh version of The Jeremy Kyle show, the writing was amazing and Kate Robbins impersonation of Jeremy Kyle was brilliant and even mimicked the way he lies on the step and goes up close to the faces of the people on the show. The content of the Jeremy Kyle sketch is also fantastically funny due to it being based around a mother complaining ‘My son will not practice the cello’.

At the end of the evening the audience gave a well-deserved standing ovation. Anyone who watches this show is guaranteed to have a fabulous night and will most definitely be leaving with an aching jaw from laughing so much. This really is a must see show that should not be missed and is most definitely the best night out I have had in a long while.

Return of The Grumpy Old Women- Fifty Shades Of Beige is currently on a UK wide tour and all of the dates are available via this link- http://www.grumpyoldwomenlive.com/

I must admit I knew very little about Richard Herring so didn’t know what to expect when attending his stand up show at St David’s Hall in Cardiff. Richard Herring is a 48 year old father and husband.

Herring begins his routine talking of the night his daughter was born and the hours afterwards seeing his wife in pain and giving birth. Herring does say that he doesn’t want to be one of the comedians that has just become a father and solely talks about that topic, however, this does form much of the material for the first half of the show. He does briefly talk about life pre marriage and the birth of his daughter which was funny and which was more relevant to my age group but on times was a little too explicit. However, the older members of the audience found it very funny especially on the topic of a possible affair with a life-like robot similar to that of Gemma Chan from ‘Humans’ at some point in the distant future.

In the second half of his show Herring moves away from family stories as he begins to think about the grammatical correctness of his mother in law’s door mat which welcomes people to their house with ‘Grand Children Spoilt Here’. His deconstructing of the lyrics of Five Little Monkeys Jumping on the Bed was very well received with the audience. One feeling you really get from the show is that Richard Herring is extremely proud of his family and this is very much part of his act.

He confesses multiple times that his life has been totally focused on his career and since having a wife and child his priorities have changed and questions how we as adults can reach pure happiness like that felt by a child and whether it is even achievable at all. He also talks about how at the time of the moment of pure happiness we are too busy thinking about what could go wrong rather than really thinking about how important this moment is. Herring tells a story of how a three year old child walking on a beach in a hot country eating a Cornetto is as good as it can get for them at that moment and yet within a matter of hours they will forget the experience and may never feel that happiness again. All very philosophical!

When considering Herring’s performance and routine one can easily describe him as delivering comedy that makes his audience laugh out loud as well as ponder life’s big questions. Herring also talks about how he may not be as famous such as his friend Steve Coogan but seems very happy with his lot. It does encourage you to reflect no matter who we are or how successful we become there is always going to be someone doing that bit better than you and it is also important to remember that there may well be others looking up at you.

This show is not going to leave you with an aching stomach from laughing but will leave you with a smile on your face and a greater sense of appreciation for the smaller things in life that you may well have taken for granted before.

At first I must admit I was a little apprehensive about going to see this show because many of the musical numbers being performed on the night I had seen before on stage in venues such as the Wales Millennium Centre and the West End. I was a little skeptical that they would not meet the standard of those performed on the West End and I must admit some of the numbers in the first half did seem to lack some strength, however having said that, you have to remember that they do not have a full ensemble to support them.

The standard of singing was very good and very much appreciated by the St David’s Hall audience and it is because of the quality of the singing and variety of West End songs that the audience stayed captivated for the two and a half hour performance. Beyond the Barricade consists of four musical marvels – David Fawcett, who performs as well as introduces each section of songs, Andy Reiss, who puts the show together and plays keyboard with the band, Rebecca Vere and Katie Leeming who not only have impeccable voices but have all played principal parts and the stage production of Les Miserables but also sang with the ensemble of the film version too.

The show celebrates a wide range of musicals and the first half ranges from the traditional musicals such as Miss Saigon, Phantom of the Opera, West Side Story, Carousel and Jesus Christ Superstar finishing with a medley of songs from We Will Rock You, Jersey Boys and Mamma Mia. The highlight of the first half for me was the rendition of You’ll Never Walk Alone from the classic musical Carousel which really did make the hairs on the back of your neck stand on end.

The second half started with The Lion King followed in my personal opinion with one of the best songs of the night ‘Always Look on the Bright side of Life’ from the Monty Python Musical Spamalot. It was a brilliant song that was performed perfectly with added comic timing that left the audience laughing and joining in.

However, the cherry on top of the cake was definitely the musical numbers from Les Miserables, with performances of ‘At the end of the Day, I Dreamed a Dream, On my Own, Bring Him Home, Master of the House and One Day More’. Considering the numbers of cast usually included on the West End production of Les Miserables, the four singers from Beyond The Barricade stepped up to the plate and delivered a powerful and emotional performance which was simply an astonishing and spectacular performance to witness.

Let’s hope that Beyond the Barricade and all its singers are able to continue for many years more and delight us further with their wonderful musical talent and voices.

Beyond The Barricade is currently on a nationwide tour of the UK appearing at a number of different venues. You can view the tour dates via this link to their website: http://www.beyondthebarricade.com/tour

This year has been packed full of the best movie releases to date with the latest James Bond movie Spectre, Jurassic World and the new Star Wars film Episode VII: The Force Awakens. There is no surprise that the Cardiff Philharmonic Orchestra have chosen to do ‘A Night at the Movies’ for their Christmas show. With a crammed program of famous and well-loved movie themes the film buffs and music lovers were well and truly out in force at Saint David’s Hall in the centre of Cardiff.

In a concert celebrating the vast amount of film music that has been composed we also had another edition to the concert in which the Cardiff Philharmonic Orchestra had teamed up with George Thomas Hospice Care and part of the money taken from tickets and sales at the show were going to be donated. It is collaborations like this that raise vital money for the amazing work that is done in delivering the best possible palliative care for people who are seriously ill. It was because of this underlying motive for holding the concert that the pieces seemed to have far more meaning to them than they already have.

The first act of the programme consisted of a wide range of movie music with an overture medley to begin the show with numbers such as the ‘Phantom of the Opera’ and ‘There’s no Business like Show Business’ included. Next up was music from the hit animated Disney movie ‘Frozen’ accompanied by audience members singing along with many of the well-known songs from the film, the orchestra were able to bring the movie to life much to the excitement of the younger people of the audience. Music from the twenty-third instalment of the James Bond franchise ‘Skyfall’ followed. Adele’s music was beautifully orchestrated and left the audience wanting more music from the Bond movies. A popular favourite among families was the Lion King medley that followed Skyfall. With songs like Circle of Life and I Just Can’t Wait to be King, the audience were given a musical treat with catchy rhythms and African instruments included in the songs. The first act was concluded with a ‘My Fair Lady’ medley. The musical includes many well- known songs such ‘As I Could Have Danced All Night and ‘I’m Getting Married in the Morning.’

Following the Interval sci-fi fans were treated to a whole second act dedicated to the Star Wars saga. With music from Episode IV: A New Hope, Episode V: The Empire Strikes Back and Episode VI: Return of the Jedi there was plenty of Star Wars music to be heard. A personal favourite of mine was the opening song for the second act, taken from Episode IV: A New Hope, the 20th Century Fox theme filled the room with movie magic before the moment we had all been waiting for the main theme from Star Wars began.

https://youtu.be/J67TjuO93AI

The iconic first note played out around the room and left many people with jaws on the floor in awe of the fantastic music. As the music played out you could almost see Darth Vader walking into the room and the Millennium Falcon flying through an asteroid field. The concert was finished with an encore piece called Throne room and end title of Episode IV: A New Hope. The soundtrack hit the audience like a brick wall, once the end titles music began there was nothing but pure joy on the audience faces. With the new release of Star Wars Episode VII: The Force Awakens being released on the 17th of December this music seemed to resonate far more with the audience and felt far more special than it usually would.

Without a doubt this is defiantly an orchestra you need to see! Their next concert is called ‘Vote Overture!’ in which they are asking you the audience to vote for your favourite piece. To vote for your favourite piece visit www.stdavidshallcardiff.co.uk where you will find lots of information and further details about up and coming shows.