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Lecture 32 continues describing Beethoven's mature compositional innovations and artistic beliefs through the example of his Symphony No. 5 in C Minor, Op. 67 (1808). Beethoven's four compositional periods are described and discussed, as are his great compositional innovations. These innovations are all a function of Beethoven's essential artistic tenet that music composition is self-expression above all. We rapidly but vigorously examine his Symphony No. 5, paying special attention to his idiosyncratic use of Classical musical form and his remarkable motivic development.