Justin Timberlake's official music video for 'Mirrors'. Click to listen to Justin Timberlake on Spotify: http://smarturl.it/JTSpot?IQid=JTMirrors
As featured on 20/20 Experience. Click to buy the track or album via iTunes: http://smarturl.it/JT20EXPITunes?IQid...
Google:http://smarturl.it/JTMirrorsPlay?IQid...
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More from Justin Timberlake
TKO: https://youtu.be/FyXtoTLLcDk
Suit & Tie. Ft Jay Z: https://youtu.be/IsUsVbTj2AY
Take Back The Night: https://youtu.be/DEzREJbln-o
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More great Ultimate 00's videos here: http://smarturl.it/Ultimate00?IQid=JT...
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Lyrics:
Cause I don't wanna lose you now
I'm lookin' right at the other half of me
The vacancy that sat in my heart
Is a space that now you hold
Show me how to fight for now
And I'll tell you, baby, it was easy
Comin' back into you once I figured it out
You were right here all along
It's like you're my mirror
My mirror staring back at me
I couldn't get any bigger
With anyone else beside of me
And now it's clear as this promise
That we're making two reflections into one
'Cause it's like you're my mirror
My mirror staring back at me, staring back at me
"
#JustinTimberlake #Mirrors #Vevo #Pop #OfficialMusicVideo

Every Time I Die live from the High Noon Saloon in Madison, WI.
Shot on iPhone. Edited in iMovie for iPhone.
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Along the way, Twain forged a singular artistic path. The 1990s saw uncommon prosperity and changing points of view among women in country music – while the “Victim Queen” persona of Reba McEntire reigned in the early part of the decade, Twain later foregrounded a woman’s agency in hit singles like Any Man of Mine and Man! I Feel Like a Woman! Backed by her then husband Mutt Lange’s arena-rock production, Twain’s aesthetic and her perspective were unlike anything that had come before. In Heartaches by the Number, the writer Bill Friskics-Warren likened the opening of Any Man of Mine to the detonation of a bomb. and described Twain’s sound as “at once more pop and more country than the Nashville norm” – something no other artist since has been able to replicate with the same verve.
But Twain’s journey has taken her far from the recording studio. Her last proper studio album, Up!, is nearly 15 years old, and she’s released only a handful of individual tracks – singles like 2011’s Today Is Your Day and a lovely cover of Coat of Many Colors from a 2003 tribute album to Dolly Parton – in the interim. As she prepares for this week’s release of Now, it’s unclear how the artist who has sold more albums than any woman in country music history will fit back into a genre she reshaped a generation ago.
Twain’s last top 10 hit on country radio was a full 13 years ago, when Party for Two, a duet with a then unknown Billy Currington, peaked at No 7. The last of her No 1 hits, Honey, I’m Home, came all the way back in 1998. Even at the time of Twain’s biggest radio hits, it was rare for a woman over the age of 40 to land singles in the top 10 with any consistency.
While Twain far outsold all of her contemporaries at the time, country radio’s biases against women have only become more entrenched in the two years since Keith Hill launched the #SaladGate controversy by referring to women as the “tomatoes” in the salad of country radio. This week’s country radio chart includes only four women in the top 40 (Carly Pearce, Maren Morris, Miranda Lambert and Kelsea Ballerini, in descending chart position). Of those women, Lambert is the oldest, at 33.