Anyway, notice how the audience doesn't start booing at "cannot accept this award" but begin booing at "the treatment of American Indians."

In the documentary, they were saying that the response in the audience was of utter shock. People gasping, their eyes bugging out...No one could believe it. It was a huge coup.]]>
Sat, 01 Mar 2014 11:07:58 +0000http://Forum.BlackHairMedia.com/why-marlon-brando-rejected-his-1973-oscar_topic368874_post10750579.html#10750579http://Forum.BlackHairMedia.com/why-marlon-brando-rejected-his-1973-oscar_topic368874_post10750578.html#10750578
Author: JoliePoufiasseSubject: 368874Posted: Mar 01 2014 at 11:06am

Funny, I just saw the speech on indian tv just 4 days ago. Marlon Brando rocks. The woman who spoke in his place is beautiful imo.

It was in a documentary about the way Indians where portrayed in cinema and they were showing how for the most part, they used white jewish men with a tan and a wig to portray them, ]]>
Sat, 01 Mar 2014 11:06:28 +0000http://Forum.BlackHairMedia.com/why-marlon-brando-rejected-his-1973-oscar_topic368874_post10750578.html#10750578http://Forum.BlackHairMedia.com/why-marlon-brando-rejected-his-1973-oscar_topic368874_post10750428.html#10750428
Author: nekamarie83Subject: 368874Posted: Mar 01 2014 at 8:03am

I was just watching a TCM mini doc on the oscars & their history and they had a protest/political segment that featured this, Jane Fonda and Michael Moore.

I also liked the POC segment, but it reminded me of how (eta: I ) hate that black people dog Hattie McDaniel and other performers of her time due to roles they had to take just to be seen. While it's not the proudest, we had to start somewhere and people like her suffered in their time so we have a chance and some semblance of a choice.

Brando was one of the few actors who put his career on the line to speak out and speak his mind. He put his money where his mouth was. I'll always respect that.]]>
Sat, 01 Mar 2014 06:01:18 +0000http://Forum.BlackHairMedia.com/why-marlon-brando-rejected-his-1973-oscar_topic368874_post10750352.html#10750352http://Forum.BlackHairMedia.com/why-marlon-brando-rejected-his-1973-oscar_topic368874_post10750328.html#10750328
Author: HaitianDiva64Subject: 368874Posted: Mar 01 2014 at 4:37am

The Movie That Brought Brando Back

In the 1960s, Brando's career had slid into decline. His previous two movies — the famously over-budget "One-Eyed Jacks" and "Mutiny on the Bounty" — tanked at the box office. Critics said "Mutiny" marked the end of Hollywood's golden age, and worse still, rumors of Brando's unruly behavior on set turned him into one of the least desirable actors to work with.

Brando's career needed saving. "The Godfather" was his defibrillator.

In the epic portrayal of a 1940s New York Mafia family, Brando played the patriarch, the original Don. Though the film follows his son Michael (played by Al Pacino), Vito Corleone is its spine. A ruthless, violent criminal, he loves and protects the family by any means necessary. It's the warmth of his humanity that makes him indestructible — a paradox shaped by Brando's remarkable performance.

Drama At The Awards Show

On the eve of the 45th Academy Awards, Brando announced that he would boycott the ceremony and send Sacheen Littlefeather in his place. A little-known actress, she was then-president of the National Native American Affirmative Image Committee.

AP

Brando sent Sacheen Littlefeather in his place, to address the American Indian rights movement.

On the evening of March 5, when Liv Ullman and Roger Moore read out the name of the Best Actor award recipient, neither presenter parted their lips in a smile. Their gaze fell on a woman in Apache dress, whose long, dark hair bobbed against her shoulders as she climbed the stairs.

Moore extended the award to Littlefeather, who waved it away with an open palm. She set a letter down on the podium, introduced herself, and said:

"I'm representing Marlon Brando this evening and he has asked me to tell you ... that he very regretfully cannot accept this very generous award. And the reasons for this being are the treatment of American Indians today by the film industry —"

The crowd booed. Littlefeather looked down and said "excuse me." Others in the audience began to clap, cheering her on. She continued only briefly, to "beg" that her appearance was not an intrusion and that they will "meet with love and generosity" in the future.

Watch the scene unfold:

Why He Did It

In 1973, Native Americans had "virtually no representation in the film industry and were primarily used as extras," Native American studies scholar Dina Gilio-Whitaker writes. "Leading roles depicting Indians in several generations of Westerns were almost always given to white actors."

But they weren't just neglected or replaced in film; they were disrespected — a realization that crippled Brando's image of the industry.

Associated Press

Brando was 48 when he became the second person to reject an Academy Award for Best Actor.

The following day, The New York Times printed the entirety of his statement — which Littlefeather was unable to read in full because of "time restraints." Brando expressed support for the American Indian Movement and referenced the ongoing situation at Wounded Knee, where a team of 200 Oglala Lakota activists had occupied a tiny South Dakota town the previous month and was currently under siege by U.S. military forces. He wrote:

"The motion picture community has been as responsible as any for degrading the Indian and making a mockery of his character, describing him as savage, hostile and evil. It's hard enough for children to grow up in this world. When Indian children ... see their race depicted as they are in films, their minds become injured in ways we can never know."

Still, Brando lent the Native American community a once in a lifetime opportunity to raise awareness of their fight in front of 85 million viewers, leveraging an entertainment platform for political justice in unprecedented fashion. His controversial rejection of the award (which no winner has repeated since) remains one of the most powerful moments in Oscar history.