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Cvetko came to the United States as an expatriate of the former Yugoslavia in the late 1980s to pursue a career in filmmaking. Originally a still photographer, Cvetko was inspired by the prolific work of Agnès Godard to become an established female cinematographer. This inspiration led her to move to the San Francisco Bay Area.[1] While attending classes at the University of California-Berkeley extension program, Cvetko met film professor Larry Clark.[1][2] Clark became Cvetko's mentor and gave her access to her first production set.

Cvetko began her career with No War, a documentary film about the conflict in Bosnia.[1][3] Directed and shot by Cvetko, No War was well received, shown in over 15 festivals around the world and winning the Grand Prix du Public in Films de Femmes in 2001.[3][4]

Cvetko is versed in both film and digital cinematography utilizing digital most recently on the film The Architect with the use of the ARRI Alexas camera.[2] Her cinematographic skill using film can be seen in On a Tuesday, shot on Super 35mm with a Kodak Vision2 5205 250D.[1] Cvetko and director David Scott Smith created a panoramic, wide-screen 3.18 aspect ratio to shoot in the historic San Francisco City Hall. Discovered by accident while scouting locations in San Francisco City Hall, Cvetko said "It was breathtaking. The space was just asking to be seen that way."[1] This exceptional work in cinematography was also featured in In Camera magazine.[citation needed]

Cvetko's cinematography has been praised. The New York Times called her work "clean wide-screen cinematography [that] provides an aesthetic polish," and Pete Hammond of Deadline Hollywood stated that her sharp cinematography was "perfect".[5]