Statement to A911: One day I came home from work and my wife Melle Belle said you better take a look at this. It was Jim Hoffman’s site WTC7.net. When I saw building 7 collapse I felt just like Charlton Heston at the end of “Planet of the Apes” I knew then and have ever since that 911 was an inside job. I’d like to thank Daniel Sunjata for joining us at Walker Stage this weekend for the INN World Report 911 conference. I’ve been working with Lenny Charles at 56 Walker since 2004 and have seen the INN studios come a long way. See everyone next year, we’ll be bigger and better.

Frustrated and unfulfilled as an elementary school teacher, New York-based cartoonist, Anne Gibbons opted to pursue her lifelong passion for drawing.

Recycled Paper Greetings has published Gibbon’s best-selling greeting cards for over 15 years. JJI International recently launched, Sophisticated Ladies™, a line of coffee mugs, magnets, tote bags and other products featuring her artwork.

Gibbon’s comic strip, Eve ’n Steven, appears in the award-winning newspaper, The Riverdale Press. Since June, 2007 she is part of Six Chix, an innovative comic strip devoted entirely to the work of women cartoonists.

Hearst New Media, IBM, and MasterCard have all used Gibbon’s cartoons. Her humorous illustrations have appeared weekly on Lifetime Television’s web site,

Since their marriage in 1989, Steve Gillette and Cindy Mangsenhave travelled, performed and recorded together. Their second duet album, The Light Of The Day, was named Top Folk Album of 1996 by Rich Warren (WFMT) and Matt Watroba (WDET). Their latest CD is Being There (2006).

A director and long-time participant in The Kerrville Folk Festival, Steve has received ASCAP and BMI performance awards. In 1988 he was a nominee for the World Folk Music Association’s Kate Wolf Award. Having long been active in the anti-nuclear movement and other social causes, Steve has now become an advocate of learning the truth about 9/11.

Statement to AA911Truth: “An open discussion of the evidence is long overdue.”

Born in Saratoga SpringsNew York, Jennifer Glass grew up surrounded by music and the arts. Her mother Nancy, was an accomplished pianist. At age six, Jennifer began taking piano, and violin lessons, before deciding that her true passion was singing.

In high school, she was a member of the select choir, “The Choraliers.” She attended the State University of New York at Cobleskill, where she was the vice-president of the college choir. She earned the female lead in, Carousel.

After college, Glass relocated to central Florida. She performed in several cover bands, and worked as a Madonna impersonator. Inspired by popular music of the late 80’s, her desire was to one day hear her music on Top 40 radio.

In 2003, Glass recorded a 6 song project with Caliber Records, in Orlando, Florida. She wrote the lyrics and melodies. Producers Christian Dio and Daniel Geary created arrangements. Their collaboration produced a hit single.

Dreamin, was popular dance hit with nightclub DJ’s, on FM radio, and on internet stations. It was among the Top Ten Freestyle Tracks of 2004. Glass performed all over Florida, and in New Orleans, where she continues to perform.

Statement to AA911: The time has come for us to unite and stand up for truth!! The real people responsible for 9/11 need to be brought to justice.

Max Glass is an ex drummer for the band, The Meatmen. An American punk band, founded in the 1980s and lead by Tesco Vee, The Meatmen satirized the punk scene. Glass played drums on the album Toilet Slave(1994).

Statement to AA911: I will believe in the natural law’s of physic’s and relativity before I believe that Official fairy tale. Read the 9/11 Omission Report if you want a good laugh at such a tragedy that was self-inflicted. The Cover-up’s alone, and there are many, should warrant at least a raised eyebrow. Building 7 ALONE, should be the smoking gun in this “shell game.”

Born in Toronto, Canada, in 1972, Scott Good received a BMus in composition from the Eastman School of Music in 1995. He earned a Dmus in composition from the University of Toronto in 2005. Dr. Good’s orchestral, chamber, and vocal compositions have been performed in North America, Europe, and Asia; he also conducts and plays the trombone.

Dr. Good has worked in numerous capacities as a performer and a composer. He has served as composer in residence with the Vancouver Symphony Orchestra; interim director of the New Music Ensemble at the Glenn Gould School; and curator for the Esprit Orchestra, where acted as conductor, composer, and solo trombonist for their New Wave Composers Festival. Good has worked with music director Alex Pauk and British composer Phillip Cashian on high school outreach programs. He has served as artistic director for Earshot Concerts and as a conductor for numerous performances and recordings.

In 1994 Nik, with former White Feather vocalist Penny Little formed The Away Team. Besides performing at political rallies and anti-war events, the Away Team has toured, the most ambitious being the Unconventional Tour 2008, a 7200-mile multimedia tour of the U.S. featuring music, politics and video presentations

Statement to AA911: “Since late 2003, it has been impossible for me to reconcile the official story of 9/11. I could cite, perhaps, several hundred aspects of the attacks which have brought about this viewpoint. Obviously, here is not the place to list them all, but one part of the official story, the way the Twin Towers and Building #7 collapsed, calls for the suspension of three fundamental laws of classical physics.

These laws of nature have been proven and accepted for hundreds of years and form an important part of our knowledge base. The destruction of the WorldTradeCenter is subject to these same physical laws that govern the behavior of all other objects on Earth, and to manipulate people into believing otherwise, in the name of political expediency, represents a wholesale attack on our individual and collective sanity.

I am signing onto this website because I believe passionately that America and the rest of the world must resolve this matter, once and for all, and as soon as possible, via a complete, independent and scientifically rigorous investigation with full subpoena power. Our national security is at stake here, and to let the most heinous crime of current times remain unsolved, uninvestigated and unpunished, with the guilty parties still at large, could well result in even more horrific consequences for both this nation and for the rest of the world.”

World’s record-holder for “longest rap,” Green Arrow was given his stage name by Chuck D of Public Enemy, who called Green “a master at taking artistic expression and presenting it in a way that is new.” In 2009, Green set a new Guinness World Record (TM) for Rap as a way to raise awareness for NYCCAN.org, by rapping for 10 hours (see DJ Green Arrow We Demand Transparency ). He’s presently involved with a project that unites Chuck D with Pete Seeger and the Shuar Tribe in the Amazon.

Statement to AA911Truth: “I am so honored to be requested to join this wonderful organization by David Ray Griffin, whose work has no peers, and to join Ed Asner and any other signatories in demanding that the world see Actors and Artists who demand truth about 9/11 not as ‘exceptions,’ but rather as examples of actors and artists being Exceptional, in demanding that the concept of legality not be forgotten, even only once, especially in the cases of 9/11 Family Members.

“Archimedes said: ‘Give me a long lever and a place to stand, and I can change the world.’ I am a 9/11 family member myself, and I believe, as my good friend Ken Jenkins has said, that 9/11 is the mother of all levers, the mother of all issues. 9/11 Truth ends all wars, 9/11 Truth ends problems with Oil, 9/11 Truth ends religious intolerance of Muslims, 9/11 Truth ends any Orwellian Police-State, 9/11 Truth ends Environmental Problems.

“In other words, the sooner we have 9/11 Truth as mainstream and a real investigation, the sooner we will be able to solve our other problems, including our economic problems. As Naomi Klein has said, the ‘War on Terror’ is an economy, it makes no sense as a War.”

Having become disillusioned with the Danish government after working for its energy department in the 1980s and ’90s, Danish lawyer Maria Grønlykke began her writing career in 2003 with a collection of short stories entitled Fiske tyven (Fish Thief), for which she received the BogForum debutant award. The following year she published another set of short stories under the title En lille sang om Stella (A Little Song about Stella). She then began writing novels, publishing I morgen skinner solen (Tomorrow the Sun will Shine) in 2006, followed by Sølvmanden (Silver Man) in 2008.

Statement to AA911: “A new investigation is the only way to put an end to conspiracy theories.”

One of the former Soviet Union’s most influential directors of the 1970s and ’80s, Gubenko was also known for the projects he helmed at Moscow’s famed Taganka Theater, where he served as artistic director. He was also known for serving as the Minister of Culture during the USSR’s final years (1989-1991).

Podranki/Orphans(1977) stands as one of Gubenko’s most acclaimed films. Like the film’s protagonist, Gubenko was orphaned during World War II and sent to a special home. As a young man, Gubenko was sent to a circus school and afterward performed at the Young Spectator’s Theater in Odessa during 1958. The following year, Gubenko enrolled at Moscow’s VGIK and studied acting under Sergei Gerasimov and Tamara Makarova. Following his graduation in 1964, he acted with the Taganka Theater.

Gubenko made his feature-film debut as an actor in 1964. Then in 1971, he directed his first feature, Prishel Soldat S Fronta/A Soldier Has Returned from the Front. Following the success of Podranki, Gubenko earned more praise and popularity for Iz Zhizni Otdykayushchikh (The Life of the Summer People) (1981), Zhizn, Slezy, Lyubov (Life, Love, Tears) (1984), and Zapretnaya Zona (Forbidden Zone) (1988).

Statement to AA911Truth: “I believe it necessary that the public inquest be continued.”

Gloria Gypsy is a freelance artist and photographer from Racine, Wisconsin. Although she studied commercial art at MATC (Milwaukee Area Technical College), she is primarily self-taught. Gypsy began creating art as a child. Over the years, her work has evolved organically. She currently works in oil, acrylic, water color, pencil, mixed media, photography and digital art. Gypsy elaborated on the creative process in her artist statement:

“As a visual and imaginative artist, I work purely on impulse – When I set out to do a piece I do not have a plan laid out, I let my intuition, subconscious or higher self take over and just allow the creation to flow. To me Art is an intimate process of projecting myself and my perspective onto the world, and the images that I produce as a result exist as a very personal reflection of myself. My art is a material reflection of my soul. My art represents my eternal processes of finding, understanding and defining myself. As I am ever evolving so too is my art ever evolving. My aim is to provoke the viewer to delve deep within each piece and therefore deeper into their own psyche, perhaps observing or experiencing emotions that are not clearly apparent at first glance. I believe each painting should speak for itself – rather than to force an interpretation on the viewer.”

Gypsy is a certified Reiki Master/Teacher. She received her certification through The Reiki Rays Holistic Institute. She has always been drawn to the creative and healing energies of the universe. As an artist she has incorporated her creative gifts with her abilities as a healer. She also donates her art for causes and projects whose revenue is contributed toward helping others.

Statement to AA911: The time has come for us to unite and stand up for truth!! The real people responsible for 9/11 need to be brought to justice.

Having studied theater arts in college, Woody Harrelson came to national fame playing bartender Woody Boyd on Cheers, a highly rated situation comedy that ran from 1982 to 1993. Harrelson, who joined the show in its fourth season, was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series five times, winning in 1989.

Subsequent films included Welcome to Sarajevo (1997), Wag the Dog (1997), and the highly acclaimed Terrence Malick film, The Thin Red Line (1998). In 2006, Harrelson had a small but notable role in the Academy Award winning film, No Country for Old Men. In 2008, his performance in Transsiberianearned him a Saturn Award nomination for Best Supporting Actor, and his role in The Messenger brought him Best Supporting Actor nominations from the Spirit, Satellite, and National Board of Review awards.

A long-time environmental and peace activist who spoke out against the Iraq war, Harrelson in 2005 wrote about 9/11 on his blog, saying:

“[W]hy were reports stifled and investigations stopped? Investigative journalist, Greg Palast, had this to say: ‘There is no question we had what looked like the biggest failure of the intelligence community since Pearl Harbor but what we are learning now is it wasn’t a failure, it was a directive.’ I am reading a book now called The New Pearl Harbor by David Ray Griffin. I’ve been stuck in the position of ignoring my gut — knowing things don’t stack up. Even though our government obviously took advantage of 9/11 by making it their ‘Reichstag.,’ I told myself, ‘Surely they weren’t involved.’ After reading this book I can’t doubt that our government was at least complicit in allowing 9/11 to happen. Get a copy and pass it to all your friends, the evidence is irrefutable.”

Len Hart – Producer of film and video, short and full-length documentaries. Former news correspondent for ABC, CBS, and UPI and also an on-air personality (“Lee and Len in the AM,” KILT Houston).

Hart’s documentary films include Clash of Titans (1966, dealing with Michelangelo and Leonardo), Criminal Injustice (1974), El Paso Speaks (1974), and The Holocaust (2003, based on interviews with survivors and experts).

His feature film, Portrait of Evil, was shown at the Houston International Film Festival in 2001.

In January 2008, Len Hart wrote: “Even the co-chairs of the 911 commission have disowned it. A white wash at the behest of the White House, the 911 report is propaganda by committee, the mere imprimatur of legitimacy to cover up official lies. It is lipstick on a pig. …

“Watch the trailer: Able Danger. It’s the story of the biggest cover up in American, world history. The obvious question — never asked by the American media — if Bush’s official conspiracy of 911 were, in any way or in any part true, then why has it been necessary to quash all investigations, destroy evidence, in fact, cover up one of the most heinous crimes in world history?”

In November 2008, he wrote: “If 911 had not been an inside job, it would have been investigated! The cover up that followed has only one purpose: the protection of the guilty! It is not only the absurd, alleged conspiracy of 19 Arab hijackers, a cover story for which there is absolutely no convincing or admissible evidence, it is the fact that the events that day were deliberately covered up and access to evidence denied investigators.”

Statement to AA911: “I fully support a thorough – a real – investigation into the crime of mass murder called ‘911.’ I would also support and urge the creation of a Federal Grand jury that might use its power of subpoena to get at the truth and bring indictments against those for whom there is probable cause to indict.”

After four years in the U.S. Coast Guard, Josh Harvey studied engineering at universities in Wisconsin and Illinois. He then formed Snowshoe Documentary Films with his parents, becoming the technical director. Based in Sheboygan, Wisconsin, he has also focused on documenting GI resistance, including the IVAW Winter Soldier events.

Statement to AA911: “One’s world-analysis is flawed and actions are inconsequential or worse if 9/11 is not understood as a false flag operation, the most egregious act of treachery by our purported ‘leaders’ to date.”

Karen Engstrom Harvey began her photography career in Iowa City in 1967, taking anti-war protest photos for Middle Earth, an ‘underground’ weekly at the University of Iowa. She attended a half-dozen universities including the Sorbonne, along with her perennial student-husband, Roy (yoryevrah). Karen worked in Alaska as a UPI photo stringer, a part-time staff photographer for the Seattle Times, a staff photographer for the Portland Oregonian, and finally, she spent 20 years as a news photographer and photo editor at the Chicago Tribune, retiring in 1999. She formed Snowshoe Documentary Films in 2000 with son Josh and husband Roy.

Statement to AA911: “Steve Biko’s observation, ‘the most powerful weapon in the hands of the oppressor is the mind of the oppressed,’ is illustrated in the manipulation of the North American ‘group mind’ about who was responsible for the crimes of 9/11. Our motto was drawn from Sister Rosalie Bertell (Grey Nuns of the Sacred Heart): “Make Visible What’s Happening“. That is what we hope our films do.”

Roy Harvey earned a BA from the University of Washington and an MFA from the University of Iowa. He co-authored (with Don Barnett) a book entitled The Revolution in Angola (1972). He worked as a TV cameraman in Alaska and as a radio reporter and news director in Seattle. He also worked for (and was sometimes fired from) various magazines and newspapers in Portland, Chicago and other U.S. cities. He worked for 10 years as an investigator with the Cook County State’s Attorney’s Office and another near-decade as a TV producer for the City of Chicago. In 2000, he formed Snowshoe Documentary Films with wife Karen and son Josh.

Statement to AA911: “Snowshoefilms focused on 9/11 since 2003; for a while, we tried to bridge a gap: encourage the ‘peace movement’ and ‘the left’ and military resistance (IVAW, e.g.) to reconsider their acceptance of the official lies about 9/11. Without their various Gatekeepers, each of these groups could become 9/11 savvy and thus break the mindlock (the induced collective cognitive imperative, as per Julian Jaynes).”

Deb Haugen began drawing and painting at an early age. Upon graduating from high school, she entered Art Center to receive formal art training. Ultimately, Haugen felt better suited to the liberal creative atmosphere at Otis Art Institute.

A free-spirited child of the 60’s, Haugen left for Europe. She hitchhiked across the Swiss Alps, spent time in the GreekIslands, and worked at hotels in Athens and Amsterdam. Her adventures abroad fuelled a lifelong passion for travel.

Haugen returned to Los Angeles and resumed her life as an artist. She studied airbrush realism with her mentor, Jack Reilly. Eventually, she took over Reilly’s studio, where she taught special effects painters, model makers, and fabric designers.

Haugen often paints in her driveway surrounded by 50 foot trees. Walking the creek beds and horse trails behind her home in Malibu, California inspired her ”Organic Art” series. She came to be known as ”The Organic Artist.”

“I’m infatuated by the forms, colors, and textures of hidden worlds. My “organic series” are reflections of the often strikingly familiar abstractions we see in nature, and their relationship with time and layering. I convey the softly yielding, yet erratic natural contortions I see, with the serene, conscious, and reactive response nature provides us. Macro worlds tucked just below the surface, interplay when multi-layered to create an amazing environmental dance. Nature provides us a visual history with sensuous forms, decay, and birth in a constant evolution of imagery tangled with time. I am inspired by a momentary glimpse of our evolving earth.”

Haynie made the following statement in support of the petition of Architects and Engineers for 9/11 Truth: “I’ve watched the entire ‘show’ of 9/11 since that fateful morning, and I’ve not believed the official version for one minute! I watched the obvious controlled demolition of WTC 1, 2, and 7, and immediately knew what was up. Later, I saw that everything was being ‘sanitized,’ that is, covered up. Everything was kept as ‘evidence’and therefore made secret!? No evidence of anything has been made public. We’re supposed to believe that the ‘government’ has our best interest at heart and had nothing to do with the cause. It is quite obvious to me that our extremely sly government wants the truth kept secret. It is all lies. A heinous crime has been committed by the Bush administration against the American people” (http://www.ae911truth.org).

Statement to AA911: “I watched the destruction on 9/11/01, and the official story doesn’t account for what I saw. What I saw was the controlled demolition of three huge buildings. I also saw the government gather up and destroy all evidence of what happened and cover up the rest of the story, not allowing objective forensic study of the facts, claiming that secrecy must be maintained for ‘national security’ reasons. Now nobody can see whatever evidence they gathered and kept from the citizenry. It’s a disgrace and probably much more than that.”

A native of Sweden, Martin Hedin displayed a precocious passion for music. At two years old, he sat listening for hours while his father played classical records. At four, he could play most popular children’s songs on a toy marimba. His parents gave him a piano, which he played every day throughout his childhood.

At age eleven, his parents bought him a drum set. At twelve, a guitar. Martin recorded his first rock songs on a double cassette deck, making overdubs on overdubs, playing all the instruments himself. This crude home recording system was ultimately replaced by a keyboard and a computer. In high school, Hedin formed the band Illusion, which featured his original songs.

Hedin eventually joined a band called Flow, featuring Thomas Lejon on drums. An innovative progressive rock band, Flow never made it beyond the studio. As a student at the Academy of Music in Malmö, Hedin met singer David Fremberg. By 1999/2000, the two would be among the founding members of the highly popular and critically-acclaimed Swedish progressive metal band, Andromeda.

Andromeda originated in 1999, when Hedin, Lejon, guitarist Johan Reinholdz and bassist Gert Daun began rehearsing. After an extended search for a lead vocalist, David Fremberg finally joined the band, in 2000. Fabian Gustavsson played bass from 2005 to 2011. Andomeda’s current lineup includes all of the original members, along with bassist Gustavsson “Linus” Abrahamson.

“Manifest Tyranny is a reference to the 19th century expression “manifest destiny”, the belief that the U.S was destined to expand and to spread democracy and new technology. The only thing that has changed is that you don’t hear them call it “manifest destiny” anymore. Check out a painting by John Gast called American Progress – it expresses the concept very well.”

Preemptive Strike and Play Dead are about the current U.S wars. Lies ‘R’ Usis about excessive consumption. Stay Unaware is about the corrupt banking system. Survival of the Richest is about the aftermath of the 2004 tsunami. False Flag is about 9/11, 7/7 and other false flag operations. Chosen by God is about the arrogance of the ruling elite. Asylum is about feeling like an outsider. Go Back to Sleep is about waking up to a world where nothing is what you thought it was. Antidote is about the swine flu vaccination scam.”

“I write about the things that bother me deeply with the ways of the western world. It’s an angry outcry against the injustices that has become so common, most people don’t even notice them anymore. I’d like to think that this record could be a wake up call, the red pill of the Matrix.”

Statement to 9/11: From the lyric of False Flag: Well we’ve come to the show Burning towers crumble into dust Acting like we don’t know When deep inside every thinking human must Jetliners vaporize Passports, bandanas and bodies still intact No fighters patrol the skies For two full hours – undeniable fact … Can you smell the Reichtag fire in the air The Mainila, the Mukden, the Gleiwitz of today Serving casus belli – poisoned delicacy Pearl Harbour, JFK, RFK Admitting to Gulf of Tonkin and Operation Northwoods In another 40 years: 7/7 and Madrid Through media playing mind games All built on FEAR False – Events – Appearing – Real False – Events – Appearing – Real

Michelle Hendricks is the daughter of singer and lyricist, Jon Hendricks. She grew up around jazz, singing from the time she was 8. She would often travel with her father on tour and sometimes she sang with him on stage.

After studying dance and drama at London’s GradisonCollege, Michele joined Jon Hendricks & Family. She performed with her father’s Evolution of the Bluesshow. Michele also sang as a part of Jon Hendricks & Company, in the 1980s.

The multidisciplinary works of Gilah Hirsch, who earned an MFA from UCLA, include art, anthropology, architecture, theology, philosophy, psychology, psychoneuroimmunology, and world culture.

Her paintings have been exhibited internationally in over fifty solo and nearly two hundred group exhibitions, have been acquired by major public and private collections, and have appeared in dozens of journals, magazines, and books.

Her film Cosmography: The Writing of the Universe, an investigation into the relation between origin of alphabet, pattern in nature, and the neurology of perception and cognition, has received wide interdisciplinary notice.

In addition to being named Distinguished Artist in the State University System of California, she has received grants from the National Endowment Senior Visual Arts, the California State University Foundation, the CLASS Foundation, Panavision, and the Mountain Conservation Recreation Authority.

Hirsch has served as artist-in-residence in institutions as diverse as Tamarind Institute of Lithography, St. Martin’s School of Art (London), SyracuseUniversity, and the Rim Institute in Arizona. She has led workshops in creativity at the Hollyhock Institute (British Columbia), and Esalen Institute (California), as well as in her own studio.

Since 1973, Hirsch has given over two hundred presentations on her work at institutes and conferences internationally, and since 1982 has been a frequent presenter at the Council Grove Conferences of the Menninger Foundation.

She has also built a unique home/studio in Venice, California, which is often toured by art and architecture groups.

She is included in Who’s Who in America, Who’s Who in American Art, Women Artists in America, Who’s Who in the West, The World Who’s Who of American Women, the Millennium Edition of Strathmore’s Who’s Who, 2000 Outstanding Intellectuals of the 21st Century, 2000 Outstanding Artists and Designers of the 20th Century, America’s Registry of Outstanding Professionals, and Who’s Who in the 21st Century.

Bill Homans, professionally known as ‘”Watermelon Slim,” is an American blues musician. He began playing guitar and harmonica professionally in the 1970s.

Homans was also named BB King International Artist of the Year at the 2008 Maple Awards in Canada. His 2007 release, The Wheelman, was named Best Album 2007 by the Blues Foundation. His band, the Workers, was also named Best Blues Band for 2007 by the Blues Foundation.

He earned a record-tying six 2007 Blues Music Award nominations for Artist, Band, Album, Entertainer, Song, and Traditional Album of the Year. His 2006 release, Watermelon Slim and the Workers, was ranked #1 in MOJO Magazine’s 2006 Top Blues CDs, won the 2006 Independent Music Award for Blues Album of the Year, and the Blues Critic Award for 2006 Album of the Year.

Statement to AA911: “For starters, I don’t believe that Building 7, which was not hit by an airplane, could have come down in the way it did without having been imploded. Unfortunately, because of the quick removal of all evidence on what might have been a crime scene, we are likely never to know what happened within the buildings that WERE hit by planes.

“The fact that no luggage, and no wing parts, were found at the Pentagon make the official account of that impact unreliable. Besides that, those parties who made millions from short-sales of airline stock immediately previous to the 9/11/01 events remain undisclosed because of FTC business-privacy regulations. In sum, too many people, disclosed and undisclosed, have too much to lose, and/or had too much to gain, for any complete and impartial investigation to proceed in this case.

“I am proceeding with my own investigation of the Murrah Federal Building bombing in Oklahoma City. Please call 405-744-5678, the Oklahoma State University History Department, to obtain a copy of my work, titled North American Fascism: Transmission of the Virus.”

Having turned professional in 1974 with a group called Cahoots, Bill Horn has performed for audiences from New York to Texas to Hawaii, including an appearance with Kim Carnes on the Tonight Show.

In 1997, Horn was named “Lead Guitar Player of the Year” by the California Country Music Association. In 1998, his band, Fort Worth West, released their debut CD, Fort Worth West. In 1999, this group was named Band of the Year by the European Country Music Association.

Statement to AA911: “I have come to believe that there is no greater issue of our time. Unquestionable proof has never been presented by this administration as promised by Condi Rice shortly after the event. All I’ve ever asked for is proof similar to the photos in Cuba that JFK presented to THE WORLD as proof of Soviet Missiles in our hemisphere. But all we’ve gotten is… “we know who did it.. trust us.” Our beloved country has never been at such terrible risks from both outside and within. I pray for the survival of our Constitution and all our good people as I believe the future of our Country… and our world is at stake.”

The Ibán, whose birth name was Iván Pablo Sánchez, works as a free-lance photographer and photo journalist in Madrid. His photography has been influenced by several master photographers of Spain with whom he has worked, including Luis Baylón, Javier Esteban, Antonio Parra, and especially Alberto Garcia Alix. As a photo journalist, the Ibán has published in several of Spain’s leading newspapers, including El País and El Mundo.

In 2007, the Ibán became aware – through encounters he had while documenting the work of a truth activist, whom he at first considered “a little crazy” – that the official story about the destruction of the WorldTradeCenter could not possibly be true. Since then, he has given special attention to documenting the activities of the 9/11 truth movement in Madrid (see http://www.tiffotos.com/asociacion-verdad11s).

Statement to AA911: “Without the truth the opinion is undocumented, so democracy is perverted.”

Anthony Jacobus is a self-taught photographer and native of Fort Worth, Texas. His 35mm black & white photography is shot entirely in natural or available light.

Since 2000, he has exhibited at festivals and galleries in Dallas and Fort Worth. His work has been featured at Barnes and Noble, Starbucks, Borders Books and Music, Deck the Walls and Shadow Creations and Framing.

Eva James was born in the deep south in the early 60s to a family of singers and professionals, and grew up surrounded by country and folk music in the heart of Tennessee.

Eva’s mother, a member of the Anita Kerr Trio in the 1940s, appeared on WSM and performed on various other live radio shows in the Nashville area. She worked mostly as a jazz/big-band singer, performing with various artists, including Pat Boone, Nashville personalities such as Minnie Pearl and Buck Owens, and actors, including Ed Ames.

With mom in the music business, Eva was practically required to sing publicly, when too young to have much choice. Later in life, she found it nearly impossible to ignore the passion and escape of music, especially during times of crisis and turmoil.

After working as a professional vocalist for over 20 years in the Atlanta, Georgia, area as well as in Los Angeles, Europe, and Scandinavia, James finally began using music as a “voice” for political activism. Over time, she evolved as a vocalist, a musician, and a songwriter. Eva plays both piano and guitar.

James’ Love & War CD, first released in the 1990s, featured songs like Slave, Balcony, Brother, Good Life, Weapon, and Start All Over Again, which foreshadowed troubled times to come. As her songwriting evolved, her themes grew increasingly political, chronicling events of the new millennium in ways that mainstream American society strives to ridicule and suppress. New World Chaos (2006) featured the overtly political song Judgement Day.

Statement to AA911: The Architects and Engineers for 911 Truth have convinced me that the official story of 9/11 is impossible, in its entirety. And if that’s the case, it can only be a cover up.

I believe 9/11 was a false-flag attack designed to trick Americans into supporting an endless, violent takeover of the worlds’ resources, one country at a time, for the sole benefit of the western corporate elite.

These are times when we have a moral obligation to use our talents, skills, hearts, minds, and whatever means necessary to provide the social commentary needed to inspire awakening.

Nathan Janes, a graduate of the ColumbusCollege of Art & Design, has been inspired by cartoons, politics, and a love for animals. His acrylic-on-canvas Pop ARF paintings combine elements of both modern art and pop art. He uses dogs as artistic vehicles to express humor and heighten social awareness. Rejecting the still widespread view that fine art can only deal with certain subjects or be in only certain styles, he says: “I am striving to push my work so that the family pet is used as an artistic tool to depict deeper questions and messages about our society. . . . The dogs serve as a bridge for individuals to journey into topics and questions that they may have never explored before but certainly affect their lives nonetheless.”

Statement to AA911: “Once people wake up to the reality that was given to them from their televisions, they find they need to learn what really happened on 9/11 (the Truth). It’s amazing how much information is out there that has never been reported by the major media. Television has created an illusion when it comes to September 11th. The public has been duped into putting their trust into select major media outlets for obtaining truthful information. We artists need to break the current corporate enslavement and take back the ability to create art that speaks for the people and not corporate interests.”

Jansen is an internationally renowned painter whose works can be found in numerous museum collections, including the Moscow Museum of Modern Art, the Smithsonian Institution, and the Taiwan Museum of Fine Art. A former U.S. Army Sergeant and a Gulf War veteran, Jansen was commissioned by Ford Motor Company as their Centennial artist in 2003. He has exhibited with acclaimed painters such as Robert Rauschenberg. He was named “New Artist of the Year” by the Alliance for the Arts in 2005.

Jansen is credited as the originator of Urban Expressionism. “What used to be the fields for Van Gogh, is for my generation the urban environment,” observed Jansen.In his foreword to Modern Urban-Expressionism: The Art of Marcus Antonius Jansen, noted museum director Jerome Allan Donson writes, “I told [Jansen] that I believed he was the originator of a new movement which I called ‘Urban Expressionism’ and that I believed there would be many followers in this new style. But there will be only one Marcus Jansen.” He is known in Paris as the American “Pope” of Urban Expressionism. The Jansen Gallery is located in Paris in the Famous “Le Marais” ArtDistrict.

Statement in support of the petition of Architects and Engineers for 9/11 Truth (http://www.ae911truth.org): “The evident demolition of WTC 7 on September 11th 2001, is the sore spot of one horrific day that strongly suggests that all three individual attacks on the United States need to be re-investigated. It is almost a treasonous act not to ask why WTC 7 is not included in the so called ‘official’ 911 Commission Report. It is like entering a crime scene and leaving the murder weapon with all finger prints out of the official report.”

Statement to AA911: “More than any other event in modern history, there is an urgency for those who are aware of what happened on September 11th., to bring truth to not just America, but humanity on a whole. It is this generation that has been called on to do so now and perhaps for the first time in this way, we all have the tools to do so.”

A videographer who has produced dozens of DVDs, Ken Jenkins has worked extensively with David Ray Griffin, turning several of his lectures into high-quality DVDs. Jenkins has also been instrumental in creating, producing and distributing many other 9/11 truth DVDs, including: Perspective on 9-11 DVD.

He has written: “9/11 is a very emotionally charged issue. The source of the denial and resistance is FEAR. The implications of 9/11 Truth are very scary for most people to take in. . . . 9/11 Truth suggests a very uncomfortable and disturbing worldview, especially to those new to such concepts. The intensity of fear brought up by these vast implications causes defense mechanisms to take over our rational thought processes. Such denial most often overrides rationality” (The Truth is Not Enough: How to Overcome Emotional Barriers to 9/11 Truth).

Statement to AA911: “As a founding pioneer of the 9/11 truth movement, I have dedicated a majority of my time the last 8 years to helping expose the inescapable conclusion that the official story of 9/11 CAN’T be true. Thus a real investigation needs to take place. See some of my 9/11 truth DVDs at www.911TV.org.”

Perez Jimenez performed as herself in the controversial documentary, Dear Fidel. The provocative film recounts Marita Lorenz affair with Cuban Dictator Fidel Castro, and her alleged involvements with the C.I.A., the F.B.I., Lee Harvey Oswald, Jack Ruby and other controversial people and events.

A native New Yorker, Perez Jimenez was a 9/11 witness, who watched the WTCTwinTowers collapse from Ground Zero.

Statement to AA911: I watched from the BQE (Brooklyn-Queens Expressway), as the Towers were taken down and I SAW AND HEARD EXPLOSIVES. I also, as a child, sat with my mother Marita Lorenz as she testified for House investigations on the JFK assassination. I have been privy to how the government tries to silence witnesses as my grandmother was. We must accept the dark side of the people who run this country and stop looking the other way. For our children we need to be brave.

Jones has signed the petition at Architects and Engineers for 9/11 Truth (http://www.ae911truth.org/joinus.php), which says, “the undersigned Architects and Engineers for 9/11 Truth and affiliates hereby petition for, and demand, a truly independent investigation with subpoena power in order to uncover the full truth surrounding the events of 9/11/01 – specifically the collapse of the World Trade Center Towers and Building 7. We believe that there is sufficient doubt about the official story and therefore that the 9/11 investigation must be re-opened and must include a full inquiry into the possible use of explosives that may have been the actual cause behind the destruction of the World Trade Center Towers and WTC Building 7.”

Jones composes and produces music videos for a Toronto-based media group. His production company, SO OUT THERE, provides an eclectic array of music, video and media production to a wide spectrum of the entertainment business. Productions range from mainstream electro-pop, featuring UK artist Spencer, to controversial underground “hits,” including New World Order, 9/11 Building 7(with UK songwriter and activist Martin Noakes), and The Free Bees – 911’s a Lie.

Statement to AA911: “I am the producer and composer of SO OUT THERE and have personally dedicated many years to the Truth Movement producing 9/11-related music and video in an effort to increase public awareness and demand truth. We believe in a new truly independent investigation with subpoena powers.

“The WTCTwinTowers and Building 7 appear to have been brought down by a controlled demolition with explosives. Our latest song 9/11 Building 7 focuses on the collapse of the third tower, Building 7 of the World Trade Center, a 47-story steel-frame skyscraper that underwent a systematic, straight-down collapse in a matter of seconds. The collapse of Building 7 was the third largest structural failure in world history, so why does it remain virtually unknown to the American and World public?

“Governments capitalize on (and PLAN) false flag terror events. Our New World Ordertrack provides a humorous, yet deeply disturbing, look at how the New World Order has been systematically planned over generations and some of the players involved. The video shows Council on Foreign Relations member Gary Hart announcing that the tragedy of 9/11 could be used to bring in a New World Order . . . illegal wars, lies and mistruths leading to the recent announcements at the G20 meeting of a Global Government – or “New World Order”.

“We encourage all creative artists, actors and producers to support a new investigation of 9/11 and use their high profile and public exposure to bring some of the many issues and questions into the light. The world and their systems are changing and we are proud to be part of that creative shift. Be a leader. Please sign the petition for Actors and Artists for 9/11 Truth – and spread the word!”

While resembling Impressionist paintings in style and detail, Jorgensen’s innovative mosaics – of figures, portraits, and landscapes – are created entirely from precisely cut shards of glass. They are placed in private collections and various US museums and galleries.

In December 2005, Jorgensen was named Artist of the Month by Rancho Magazine, which wrote: “One of a kind certainly describes artist Victor Jorgensen. His glass mosaics personify original style and he is a master of technique and design. Painting with glass is incredibly complex, but Jorgensen’s mosaics are so skillfully assembled they belie any evidence of the work involved. His mosaics are beautiful examples of a talented artist who knows exactly how paintings work within the context of a difficult medium.” (Read More).