In Stonehenge Apocalypse, premiering Saturday, June 12th @ 9:00 p.m. EST/PST on The Syfy Channel, the ancient sandstone pillars of Stonehenge suddenly come to life, shifting along the Earth’s power grid and creating devastating natural disasters around the world. Is Stonehenge really an alien terraforming machine, orginally used to create a fertile, life-sustaining planet? And is its accidental re-activation going to destroy the planet? It is up to brilliant and eccentric radio host Jacob (Misha Collins, Supernatural) to prevent this by stopping a crazed cult leader named Leshem (Hill Harper, CSI: NY), eager for Armageddon. Also starring are Torri Higginson (Stargate Atlantis) as Kaycee, Peter Wingfield (Riverworld) as Dr. John Trousbale and Brent Stait (Andromeda) as Major Peatman.

Jacob (Misha Collins) and Kaycee (Torri Higginson) work together to try to stop the end of the world as they know it. Photo by Ed Araquel and copyright of the Syfy Channel

Leshem is obviously pleased at what his Foreman (Nimet Kanji) and her team have uncovered for him. Photo by Ed Araquel and copyright of the Syfy Channel

As noted above, photos by Ed Araquel and copyright of the Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!

Versatile and talented Canadian-born actor David Richmond-Peck. Photo copyright of The Promotion People

CONSUMMATE performer and internationally recognized actor David Richmond-Peck is nominated for two 2010 Leo Awards for his standout performances. The actor is nominated in the Best Guest Performance by a Male in a Dramatic Series category for his role as Georgie Sutton in the hit ABC series V as well as the Best Performance by a Male in a Short Drama category for his role in the short film Instant. In 2006, David was honored with a Leo for Best Supporting Performance in a Feature Length Drama for Behind the Camera: The Unauthorized Story of Mork and Mindy. He was subsequently nominated in 2009 for Best Supporting Actor in a Series for his role as Geoff McAlister in the Canadian-made TV comedy Robson Arms. This year’s Leo Awards ceremony takes place at the Westin Bayshore in Vancouver on Saturday, June 5th, 2010. For more information please check out www.leoawards.com

Known as one of Canada’s most versatile and chameleon-like actors, David Richmond-Peck is flawlessly adept at tackling a variety of big and small screen roles that span all genres. He has used his talents to bridge both feature film and television across North America. As noted above, the actor most recently played resistence leader Georgie Sutton on V, which also stars Elizabeth Mitchell (Lost) and Morena Baccarin (Firefly). The series follows an extraterrestrial race that arrives on Earth with seemingly good intentions and gifts of scientific and medical marvels, only to slowly reveal their true intentions as they work tirelessly as well as in a duplicitous manner to ingratiate themselves to humanity.

Among David’s impressive and distinctive film roles are Agent Dom Dumare in Joe Carnahan’s Smokin’ Aces 2: Assassins’ Ball, which was directed by P.J. Pesce, and the polygraph operator in The Day The Earth Stood Still, starring Keanu Reeves. His memorable scene with Keanu, known as “The Interrogation,” became a YouTube sensation before the movie’s release. The actor also played Academy Award winner Chris Cooper’s son-in-law in Married Life, directed by Ira Sachs. His many other film credits include 2012, Fantastic Four, Beyond Sherwood Forest, 24/7, She’s The Man and The Zero Sum. David’s much talked about performance in Instant has earned him a second Leo nomination this year. The film, almost a one man show, follows a man who, after losing his wife, mends his broken heart by accidentally gluing himself to a kitchen counter while alone in his cabin.

On TV, the actor is recognized for his role of CSI Detective Kassel on this season of Fringe, starring Joshua Jackson, Anna Torv and John Noble, along with guest-spots on such series as Sanctuary, Smallville, The L Word, Battlestar Galactica, Stargate Atlantis and Traveler.

Born and raised in Oakville, Ontario, David now calls Vancouver home. When he isn’t busy working on a project, the actor enjoys spending his free time being active outdoors, and counts sailing and snowboarding among his favorite activities. He also spends time with his fiancée, writer/director Kelly-Ruth Mercier and their two dogs, Henry and Josephine.

As noted above, photo courtesy and copyright of The Promotion People, so please no unauthorized copying or duplicating of any kind. Thanks!

PRODUCTION is wrapping soon on Canada’s SPACE Channel’s newest original series Todd & The Book Of Pure Evil, which was shot over 10 weeks on-location, in Winnipeg. The result will be a 13-episode, half-hour supernatural comedy that brings the age-old phrase “high school is Hell” to life. First developed for television through the National Screen Institute’s Totally Television Program, Todd & The Book Of Pure Evil was developed by SPACE with the assistance of the Canadian Television Fund. David Winning directed two episodes of the series.

Directing film and television for over 20 years, this production marks Winning’s 21st series. He is a veteran of 13 feature films and over 100 episodes for TV including Stargate Atlantis and the vampire-themed series Blood Ties for the Lifetime Network as well as multiple seasons on Andromeda with Kevin Sorbo. Winning also recently directed a trilogy of monster movies for the Syfy Channel, starring such actors as Robert Englund, Bruce Dern and Kevin Sorbo.

Above photo courtesy of and copyright of David Winning, so please no unauthorized copying or duplicating of any kind. Thanks!

Last month, actor Paul McGillion (Stargate Atlantis‘ Dr. Carson Beckett) very kindly agreed to answer questions from the readers of SciFiAndTvTalk. We got through as many as we could, so without further delay, here are Paul’s answers. Enjoy, and thank you to everyone who sent in a question!

If Stargate Atlantis were to return, would you be in the series? (from Mischa Mipa)

PAUL McGILLION – Yes, but because Jason Momoa is now Conan the Barbarian, they’ve asked me to play Ronon. Seriously, I’d love to be part of Atlantis if they decide to come back, but it would be all up to the producers, though, and, of course, the fans.

When you look back on Stargate Atlantis, what moments/memories will always stay with you about your experiences on this wonderful show? (from Deb)

P McG – Tons of moments; the pilot, especially. Just stepping onto the Atlantis stage on the first day of filming had a real special feeling to it. One of the first people I ran into was Robert Patrick (Colonel Marshall Sumner), and I thought, “This is going to be really cool.” I was excited and I think everyone had that same sense of enthusiasm about the show and the possibility of it running for a long time, which it did.

So that was a great memory, and then just all my friends that I met through the show, David Hewlett (Dr. Rodney McKay), Joe Flanigan (Colonel John Sheppard), Jason Momoa (Ronon Dex), Torri Higginson (Dr. Elizabeth Weir) and Rachel Luttrell (Teyla), was great. We had so many laughs, it was really fun. And then there are moments that you can’t erase from your memory, one being a scene in the episode Duet where David Hewlett kissed me. I would consider that more of a nightmare than a memory – a recurring nightmare.

Honestly, there are just so many different things that we had the opportunity to do on the show. I always equate it to playing cowboys and Indians in space, and with each new script, the cast felt, “OK, what are we doing this week? Oh, I’m wearing a hazmat suit. Oh, this character is drinking a potion that makes everyone fall in love with him,’ etc. Atlantis is just a fun show that’s full of escapism and I think that’s why fans like Stargate; it gives them an hour to escape into another world and I just think it’s fantastic.

Is there a chance you will work on other projects with some of your co-stars from Stargate Atlantis? (from Deb)

P McG – I certainly hope so. I’ve had the pleasure of working with David Hewlett on A Dog’s Breakfast, which was great. Again, I think they’re all really fine actors and hopefully our paths will cross again, if not on the Atlantis movie, maybe another TV series or film. It’s a pretty small world so I’m sure that will happen at some point in time and I look forward to it.

What is your favorite episode of Stargate Atlantis? (from Steven)

P McG – That’s a tough one. I would have to say that for me, personally, it’s the first season’s Poisoning the Well just because I think it’s the episode that kind of solidified Beckett as a regular in the series. It was a very meaty Carson story and almost a test of sorts for the character to see if he could handle that much, and thankfully it worked out really well and I was very happy with that episode. It was quite touching and it showed a lot of humanity as well as a great deal of the humor with Beckett as far as him initially going through the wormhole and walking through the tunnels on the planet and all the dialogue that went along with that. A lot of the comedic aspects of Beckett came out. And then you see the humanity of the character, especially later on when Perna (Allison Hossack) dies in his arms. So I think it was a really beautiful episode.

First of all, thank you so much for your work on Stargate Atlantis. Your character was what made it the most worthwhile to watch. I hope you will have the chance to play Beckett at least one more time in an Atlantis movie if/when it is green-lit. My question for you is, has playing Dr. Beckett affected your own personality/views as an individual? (from Rebecca S.)

P McG – Hi, Rebecca. Well, I was fortunate enough in that I was born in Scotland, so that really helped when I decided to come in and do a Scottish accent for Beckett. So I think when they chose me to play the part, they chose me with a Scottish accent, whereas a lot of other actors came in with different types of accents. But I just stuck to my guns and wanted to play him Scottish.

As an actor, you put a little piece of yourself in every role, and I think there are aspects of Beckett that I carry in my own life as well. He’s a very interesting character and I think the show’s writers gave him a number of opportunities to reveal a lot of different layers. So like I said, every character has a little bit of you in it. I’d like to hope so, anyway.

What was the most difficult Atlantis episode you did? (from Rebecca S.)

P McG – Duet, for obvious reasons, including those I previously mentioned.

Will you be doing any more Stargate Atlantis audio books? Those are just fantastic and keep the show alive for me. (from Wraithfodder)

P McG – Somebody actually mentioned the possibility of another one coming through and I’m certainly open to it. So if they were to ask me I’d be willing to do another one; they’re a lot of fun to record.

I’ve enjoyed your guest-starring role on Sanctuary; do you think it will be an ongoing thing? (from Qzee)

P McG – Well, Qzee, I appear in the first two episodes of Sanctuary‘s third season, which I just finished shooting a couple of weeks ago (mid-April), so we’ll see where it goes from there.

What is the weirdest Sci-Fi prop you’ve had to work with? (from Michelle)

P McG – The oddest Sci-Fi prop would be the Ancients drone chair in the first couple of seasons of Atlantis. The place you put your hands is made of a material similar to silicone and when you touch the silicone it reminds you of (…). All the crew would come by and put their hands on it all the time and squeeze it, and then all of a sudden in the last couple of seasons it was (changed to) hard plastic. I don’t know why they took it away, though, cheeky buggers!

You were great in A Dog’s Breakfast. Now that that’s out of the way, what was your favorite Carson Beckett moment on SGA, and your favorite scene to shoot? (from RodneyisGodney)

P McG – Thanks Rodney Is Godney for your comments about A Dog’s Breakfast. As far as favorite Carson Beckett moments, that’s another tough one because there are so many of them. It would probably have to be a McKay/Beckett moment. For example, in The Outsiders, David and I had a lot of fun trying to get into the cockpit of the Wraith dart, and McKay is telling Beckett that they both can’t squeeze into it. That was pretty funny and we were all laughing about that.

There’s another scene where Joe Flanigan punches my character in the arm and says “Buck up, Carson.” That was a really funny Carson moment, I thought. And then there’s the one where David Hewlett and I are standing outside on one of the Atlantis balconies at the end of Sunday and McKay is saying goodbye to Beckett. That was one of the saddest Carson moments.

What’s your favorite brand/flavor of chocolate? (from scaperfan)

P McG – Cadbury’s Dairy Milk.

If we had seen the inside of Carson’s room, what kind of decorations would he have had? (from scaperfan)

P McG – At one point we did see a glimpse of his quarters, but if it were up to me I’d have had a disco ball, a round bed with lots of silk sheets for the ladies, and a Martini bar. Hmm…I wish I had that life.

What action sequence would you have liked to have seen Carson in? (from scaperfan)

P McG – Our stunt coordinator, James “Bam Bam” Bamford, and I had always talked about trying to get Carson to give somebody a headbutt, or a “Glaswegian kiss” as they call it, but we never were able to fit that in. That would have been fun to do on the show. Bam Bam tried a couple of times, but the producers didn’t go for it.

Who’s your favorite superhero? (from zoewillsavetheworld)

P McG – I liked the Mighty Thor when I was a kid, and I’ve always had a thing for Wonder Woman, too!

Looking back at the SGA episodes, I noticed that you and Rachel Luttrell have great onscreen chemistry. Do you think the writers should have written in a little Beckett/Teyla romance? It definitely would have made for some deeply emotional and beautiful scenes (from Alexandria)

P McG – Thank you, Alexandria. Rachel Luttrell is just a sweetheart and a great actress and it would have been terrific to have more with Teyla and Beckett. Let’s face it, Carson needed some more lovin’.

You were awesome in A Dog’s Breakfast. The movie was absolutely hilarious. Any chance you’ll be working again with David Hewlett in the future? (from Alexandria)

P McG – David always has projects going on, so if he would like me to partake, that would be wonderful. I had a blast doing A Dog’s Breakfast and he mentioned a sequel at one point in time, and if that were to happen, it would be fun.

Last but not least, what’s your favorite movie of all time? You’re absolutely brilliant and incredibly amazing. I hope you come back to Australia sometime soon; I missed you the last time. (from Alexandria)

P McG – Thank you again, Alexandria. That’s really sweet of you and I would love to come back to Australia any time. I always have a great time there. Favorite movie of all-time, that’s tough. I’ll give you three – I love The King of Comedy, which is a dark comedy with Robert DeNiro, Jerry Lewis and Sandra Bernhard. I love The Indian Runner, which Sean Penn wrote and directed, with Viggo Mortensen, David Morse, Dennis Hopper and Patricia Arquette. And comedy-wise I love Stripes.

If you had the chance to play any movie or TV character, which would it be? (from Alena)

P McG – Bond…Pauly Bond.

You were named after Paul McCartney, so could you list five of your favorite Beatles tracks. I’m a huge fan of theirs, and yours, of course, so I would love to hear your answer to this one. (from Julia)

How did you feel when you found out that there would be no sixth season of Stargate Atlantis? (from Michael)

P McG – For me, having been killed off in the show and then brought back in the fifth season on a recurring basis, I was surprised to be honest. I thought the show would have gone a sixth year. I think a lot of people did and I think many of them were disappointed. But at the same time I thought, you know, in this day and age, to do 100 episodes of a television series is a huge achievement, so I think everyone should be proud of what they accomplished with the program. It was great to be a part of; it would have been nice to have seen another season, but at the same time everything happens for a reason.

First off, I wanted to tell you that I adore Carson Beckett; thank you for your wonderful performances and giving him so much heart. I also love your work in the very funny A Dog’s Breakfast, and I’m proud to be a member of your Thunk Thread on Gateworld. I’ve tried to acquire See Grace Fly as I’m very keen to see it, but the contact at the distribution company on the website said that they’re not sure they’ll be making any more copies. Do you have any say or influence in getting more DVDs made? (from dolfyn)

P McG – Thank you my lovely thunker from Down Under. I appreciate your nice comments about Carson and my characters in A Dog’s Breakfast. As far as See Grace Fly goes, it’s interesting that you mention this because right now we’re re-working the cut of the movie, so I would hopefully think within the next six months we should have a much higher-quality version available on DVD. We weren’t happy with the way the transfer-to-DVD happened, so we’re now in the process of redoing it and will be coming out with a new, modified version. Once we figure that out and the DVD is available, I’ll post the information on my website.

Will you be coming back to Australia (specifically Melbourne) for a convention any time soon? (from dolfyn)

P McG – I would love to. I had a great time in Melbourne; I adored the people and the city. It was just fantastic. So hopefully that will happen sooner than later, and rumor has it that it might.

Have you learned to embrace technology yet? (from dolfyn)

P McG – Ask Steve Eramo that because he’s the one who’s transcribing these answers for you guys (blushes Steve).

Having played a doctor and filmed operating scenes, can you handle seeing real medical procedures on TV, or do you get squeamish? (from dolfyn)

P McG – Definitely squeamish – I turn the channel immediately.

I’m the biggest fan of both Dr. Beckett and Mr. McGillion. I could never get enough of your concerned yet caring look, spiced with the charming Scottish accent. I sincerely wished for Beckett to somehow come back to his rightful post after “Sunday.” I have one simple question – why was Dr. Beckett written out of the series? (from Michael)

P McG – Thank you kindly for your great compliments, Michael. That, my friend, is a question for the producers, but the great part is Beckett came back, and for me as an actor it was great to reprise the role.

Along with answering your questions, Paul also took some time out to talk about some of the recent and upcoming projects he has been busy working on.

P McG – I just finished filming Fruition, the second to last episode of V‘s first season. I play a character named Dr. Lawrence Parker, a telemetry expert who gets himself into a sticky situation so to speak. So we’ll see where it goes from there. Most of my scenes were with Elizabeth Mitchell (Erica Evans), who is fantastic. It was a great set to work on with a terrific crew as well as cast. Prior to that, I returned to Sanctuary, and my character of Terrence Wexford comes back and opens up the first two episodes of the third season. He’s especially prevalent in the second episode, and some very dramatic stuff happens onboard the ship. The lizard is back and in full force and he’s got a lot of attitude. Terrence isn’t a very nice man and he’s got his problems. I think the word is “power-hungry.”

So it was great to be back and working with Amanda Tapping (Dr. Helen Magnus) and (executive producer) Martin Wood, who directed the episode. A lot of familiar faces from Stargate work on the show, too, so it was a real blast to be back and reprise my Wexford character. Again, we’ll see where it goes from there.

Prior to that I had a guest-starring role in a new Canadian series with Callum Keith Rennie (Battlestar Galactica) called Shattered and I played a really quirky and interesting character named Victor Hugo. About the only thing I can say is he turns out to be a very bad man. I also just finished a short film called A Fine Young Man that we’re going to submit to the Toronto Film Festival. It’s directed by an up-and-coming director named Kevin Funk and co-starring a very good friend of mine, Wes Salter (Supernatural), along with Ali Liebert (Harper’s Island) and Cole Humphries. It’s a period piece circa 1962 and a bit of a political thriller.

I did an independent film as well called Hit and Strum that we’re hoping to get into the festival circuit, too. I’m a co-star in that alongside Kurt Cowat and Michelle Harrison. And I also shot another movie, a thriller called Confined in which I co-starred with Emma Caulfield (Buffy the Vampire Slayer), Michael Hogan (Battlestar Galactica) and David James Elliot (JAG), and that will be coming out shortly. So it’s been a busy few months for me, which I’m really happy about. And as always, just a note to everyone who reads this blog, from my lips to you guys, Steve Eramo is the man.

Thank you again, Paul! Make sure to tune in to ABC on Tuesday, May 11th @ 10:00 p.m. EST/PST for V’s “Fruition.”

As noted above, photo copyright of the Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!

Jewel Staite and Connor Fox team up to fight a legendary monster with an axe to grind in Mothman. Photo copyright of the Syfy Channel

JEWEL Staite (Firefly, Stargate Atlantis) and Connor Fox star in Mothman, premiering April 24th @ 9:00 p.m. EST/PST on the Syfy Channel. In the movie, the legendary West Virginia monster returns to exact revenge on five childhood friends who covered up an accidental killing. Produced by Brad Krevoy and Reuben Liber. Directed by Sheldon Wilson. Written by Sonny Lee and Patrick Walsh.

Events take a terrifying turn for our two heroes. Photo copyright of the Syfy Channel

Amanda Tapping and the rest of the Sanctuary cast return for season three! Photo by Jeff Weddell and copyright of Sanctuary 2 Productions

THE Syfy Channel’s groundbreaking hit original series Sanctuary, commenced production on its third season in Vancouver on March 15th. The one-hour drama’s 20-episode season is slated to return to Syfy this fall.

Sanctuary is one of television’s most groundbreaking series, shooting almost entirely on green screen. The series was the first in North America to use the RED camera exclusively, and its stunning visual effects were nominated for a 2008 Emmy Award. Season three picks up from the adrenaline-fueled action of season two, which raised the stakes for the brilliant scientist Dr. Helen Magnus (Amanda Tapping) and her team, who use their unique combination of instinct, medicine and cutting-edge science and technology to find and aid a clandestine population of beings that the world refuses to believe exist. Sanctuary also stars Robin Dunne as forensic psychiatrist Dr. Will Zimmerman, Agam Darshi as the quick-witted Kate Freelander, Ryan Robbins and tech wiz Henry Foss and Christopher Heyerdahl as the sinister John Druitt.

Created by Damian Kinder (Stargate SG-1, Stargate Atlantis), Sanctuary is produced in association with Syfy and is distributed by Tricon Films and Television. Season three of the series will be executive produced by Damian Kindler, Amanda Tapping, Martin Wood, Keith Beedie and Tricon Films.

As noted above, photo by Jeff Weddell and copyright of Sanctuary 2 Productions, so please no unauthorized copying or duplciating of any kind. Thanks!

FELICIA Day, star of web videos The Guild and Joss Whedon’s Dr. Horrible’s Sing-a-long Blog, who also played Vi in the final season of Buffy the Vampire Slayer, will portray a werewolf-hunting descendant of Little Red Riding Hood in the new Syfy Saturday Original Movie, Red.

Scheduled to premiere in 2011, Red is Syfy’s latest re-imagining of classic fairy tales, legends and pop culture characters. The new line of films launched with Beauty and the Beasts: A Dark Tale, which starred Estella Warren, on February 27th.

Syfy, one of television’s most prolific producers of original movies, is also developing films around the stories of Aladdin, Sinbad the Sailor and Hansel & Gretel, among other projects.

In the action-packed Red, Red (Day) brings her fiance home, where he meets the family and learns about their business – hunting werewolves. He’s skeptical, until bitten by a werewolf. When her family insists he must be killed, Red tries saving him. Red also stars Kavan Smith (Stargate Atlantis) and Stephen McHattie (Watchmen). Red is produced by Angela Mancuso and Vesuvius Productions in association with Chesler Perlmutter Productions.

In addition to Buffy the Vampire Slayer, Felicia is most widely known for her work in web video. She co-starred in Joss Whedon’s Internet musical Dr. Horrible’s Sing-a-long Blog, which was voted the Best Web TV of 2008 by Time magazine, Entertainment Weekly and People magazine. Currently, she stars in the web series The Guild, which Day also created and writes for. TheGuild was the winner of YouTube, Yahoo and SXSW Best Web Series Awards for 2008. The series has generated more than 50 million views web-wide. The actress also has a hugely popular Twitter following, reaching more than 1.7 million fans.

FANS of Firefly and the feature film Serenity as well as Stargate Atlantis can look forward to seeing Jewel Staite in an upcoming season two episode of the Syfy Channel’s hit series Warehouse 13. In a Twitter post earlier this week, the actress, who played Kaylee Frye on Firefly/Serenity and Dr. Jennifer Keller on Atlantis, revealed, “Got offered a lovely role on Warehouse 13. Wish I could tell you more. All I can say is, you Browncoats are gonna freak.”

In a related “tweet,” Staite also announced that her husband, Matthew Kevin Anderson, has booked a role in an upcoming Syfy Channel movie currently shooting in Bulgaria and being directed by the actress’s former Atlantis co-star David Hewlett (Dr. Rodney McKay). The actress said, “Matty’s going to Bulgaria to work on a movie directed by some guy named David Hewlett. Hope there’s good craft service, or God help them all.”

As noted above, photo copyright of the Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!

When Stargate Atlantis‘ TV run was brought to an end after five years, series writer/producer Alan McCullough, who had previously served as a writer/story editor on Stargate SG-1, relocated from the Pegasus Galaxy to take on a new creative challenge. He joined Sanctuary as a writer as well as co-executive producer and penned four scripts for the show’s second season. In his first one, Hero, Chris Gauthier, best known as Walter in Eureka, plays an ordinary man who is transformed into an unlikely costumed crusader against crime in the show’s fictional New City.

“Hero was a really fun script to write,” says McCullough. “It’s a fast-paced and humorous episode, which I never really had the opportunity to do on Stargate. There was always humor embedded in the dialogue in Stargate, but it was rare that I got to write a comedic script. There were people who were sort of the go-to guys for that; Martin Gero and Brad Wright, in particular, and Rob Cooper also wrote a couple of great comedy scripts and Carl Binder wrote one, too. So when I came on Sanctuary there was a chance for me to do the same.

“In Hero, our people are on a mission to track down an Abnormal when all of a sudden they’re thwarted by a guy in a neoprene suit. He drops out of the sky, grabs the person we’re chasing and flies off, so we’re left wondering where the hell this guy came from and how he can fly. He’s apparently human and appears to be wearing a homemade outfit, but nevertheless seems to possess miraculous powers. Chris Gauthier played the part to a tee. He was hilarious in it and brought so much to the role.

“The actual shooting of this episode was difficult because there were a lot of stunts. We actually brought in a flying rig which, I believe, is one of the most advanced ones you can get. I’m not well-versed in the technology of it, but you sit in front of a giant computer screen and program in all the moves you want to do and draw all the vectors on the screen. The operator then turns the rig on and it flies you around in the exact way that it was programmed to. So they did a full day of shooting just with that rig and came away with some fantastic stuff, including a scene where, at one point, our superhero has to fight a monster.

“Again, it was a fun episode and Chris has a blast and we had a blast working with him. It was a nice break, too, in the season. We had just come off shooting the two-part End of Nights, which is an energetic and tension-filled story where we’re fighting for the survival of the Sanctuary, and if you saw the episodes you know that something big happens to one of our characters at the end of part two. Then in the following story, Eulogy, we’re dealing with the death of a character. It’s a very poignant episode, so it was good to then come in with episode four, which was lighter in tone and a total breath of fresh air. Personally, I think Hero is one of the best scripts I’ve ever written and one that I’m really proud of.”

There was a very specific idea in mind for McCullough’s next Sanctuary script, Veritas, but, as is often the case in the world of TV, it eventually evolved into something quite different. “We started out with marching orders to come up with a background story for Bigfoot [Christopher Heyerdahl],” explains the writer. “We pitched story after story to the Syfy Channel but there was always one thing they didn’t like, so we would go back and try to retool the script. However, by pulling out that one thing, the whole story collapsed.

“So we’d start fresh, and ultimately we came up with a story that the network loved but that had nothing to do with Bigfoot’s back story whatsoever,” chuckles McCullough. “It does, however, involve Bigfoot in a very major and pivotal way. At the very beginning of the episode, Will [Robin Dunne] arrives back from a trip and he’s frantic; he’s been told that Bigfoot has been killed. Will goes to the morgue where he finds Bigfoot lying there with two bullet holes in his chest, and we further learn that Magnus [Amanda Tapping] is the prime suspect.

“From there, it becomes a bit of a murder mystery that takes place within the context of the Sanctuary. They have specific charter rules for how they deal with situations such as this, including summoning what’s called The Triad, which is a group of telepaths that arrive on the scene and start questioning people. Within the Sanctuary network we have individuals with these incredible abilities, so why not use them to solve crimes. Will, of course, sets out to prove that Magnus had nothing to do with this, but the deeper he digs, the more evidence seems to mount that she actually did shoot Bigfoot.

“It’s a real mindbender of an episode where, quite honestly, all is not revealed until the very end. We designed it so that at every single turn you think, ‘Oh, they’re going to tell us who really did it,’ but you get no satisfaction until the story is nearly over. This was another fun episode for me to write and, coming off Hero, much more of a subdued, emotional type of potboiler. We had a great guest-cast, too, including Erica Cerra [Deputy Jo Lupo in Eureka], who did a fantastic job playing one of the telepaths. And Amanda Tapping did an incredible job directing the episode.”

The writer’s third Sanctuary script, Penance, reunites Helen Magnus with an old friend, Jimmy, played by Tapping’s former SG-1 costar Michael Shanks (Dr. Daniel Jackson). Although it would have been tempting to pair them up on the screen, Shanks actually shared the majority of his scenes with the show’s newest castmember, Agam Darshi, who plays Kate Freelander. Writing-wise, this one was a bit of a whirlwind for McCullough.

“We received notes on the outline last Friday night from Syfy,” he recalls, “so I started writing the script on Saturday and Sunday and, hopefully, I’ll finish it up today [Monday, June 1st, 2009]. It’s certainly the fastest that I’ve ever had to turn around a script. This one starts out with a really action-packed teaser where our characters are in Old City to meet an Abnormal who’s a ‘mule.’ By that I mean he has a pocket in his body that can transport hazardous or very sensitive material, and in this case he’s carrying a container for us in his belly.

“So we get there, but, of course, the bad guys are on our tail and all hell breaks loose. Our people get separated and Kate and Jimmy end up trapped in a derelict hotel room. Kate has been shot and the two of them spend a considerable amount of time together getting to know one another. In the process, Kate opens up to Jimmy and we discover a great deal about her past, including how her father was killed. With Kate being a new character this season, we felt this was a good opportunity for audiences to learn more about her. Meanwhile, Magnus and everyone else are out there looking for Kate and Jimmy, and it’s a bit of a chess match to see who’s going to arrive first and save the day.

“The neat thing about this episode is that we’re going to be doing some location shooting. We do almost all our filming downstairs in the studio, much of which is using a green screen, and we also shoot outside on the studio lot or in the nearby streets. We usually don’t have trucks to go out on-location with, but for episode eight [Next Tuesday], we’re packing up all our equipment to go film at a pool. Thanks to some scheduling magic, we have the truck for the rest of the week, so we’re taking advantage of that and going to shoot for two, possibly three days on the old Watchmen set. At least that’s the plan. We went out to look at the set, which is on Marine Way, and we’re going to use that as Old City. It’s perfect because the story has a lot of skulking around as well as gunplay and a bit of a car chase, so I’m really excited about that.”

Despite being a freshman with Sanctuary, it has not taken McCullough long to find the voices of the new characters he is writing for. “Obviously I’d worked with Amanda before, and although this is Helen Magnus and not Sam Carter, I still hear Amanda’s voice in my head, so it’s just a matter of finding the right words,” says the writer. “Ryan Robbins, who plays Henry, has a very distinctive voice, so I seem to be able to hear his voice quite easily, too.

“The character I struggled with the most was Will. I’ve since found his voice a lot more, but with my first script, Hero, I really struggled. Ultimately, I don’t think anyone picked up on that. The episode moves so quickly and there’s so much going on that I don’t think you would have the time to sit there and think, ‘Hmm, that didn’t quite sound like something Will would say.’ I noticed it, though, and when I’d write a line I’d think, ‘That doesn’t sound right,’ so I’d delete it and write another one. So it took me a while to get Will’s dialogue to sound right, but episode seven is wall-to-wall Will and I think I found his voice a little better for that one.

“It helps, too, that Damian Kindler [series creator/executive producer] is always around, and we go through the scripts with a fine-tooth comb. We’ll look at each line and if there’s one that bothers any of us, we’ll find another way to say what it is we’re trying to say.”

The writer’s fourth and final contribution to Sanctuary‘s second season is part one of the show’s two-part season ender, Kali. The germ of the idea for this episode came from a prior one, while the setting was the result of a previously discussed story that never came to be. Catching up again recently with McCullough, he was happy to talk about Kali‘s development.

“Earlier in the season we were breaking a story called Justice,” recalls the writer. “It was set in a small town, which is tough to do on our show as we don’t have suitable sets and didn’t want to go out on-location. So Martin Wood [executive producer/director] proposed setting Justice in a Mumbai slum, as that would be relatively easy to re-create. We loved that idea so much that we decided to save it for the [season] finale. Unfortunately, Justice never got produced, which is too bad because it was a great story.

“The idea for Kali came partly from Veritas, where we introduce an Abnormal called Big Bertha, who is capable of creating earthquakes. I’m pretty sure it was me who suggested that we use Big Bertha in the season finale as well. I proposed that Magnus had lied to the heads of the Sanctuary network about destroying the creature and secretly kept her alive in an enclosure at the bottom of the Indian Ocean. And then later on in the writers’ room, we came up with the idea for the Makri, the small spider that telepathically links to Big Bertha.

“We went back and forth for weeks with this story,” continues the writer. “It’s probably the toughest one I’ve ever had to break. We knew we were on to something and felt like it could be big, but we just could not find the story for the life of us. Eventually, and after numerous rewrites, we shaped the story into Kali, parts one and two. Later in the process I was reviewing part two, which Damian wrote, and went to him with a logic problem. Basically, something Will was doing made no sense. And I distinctly remember what followed next; Damian sat back in his chair, thought about it for a long time, and then said, ‘I think I know what to do – Will has to dance a Bollywood number.’

“I nearly fell off my chair. He was exactly right, of course, but I thought we’d be marched right out of the TV business for good if we tried to do a full-scale Bollywood number in a Sci-Fi show. Luckily, Mark Stern [Syfy’s Executive Vice President for Original Content ] bought into the idea and off we went.

“Also late in the game, Damian, Martin, Amanda and Robin were invited to Tokyo by Syfy Asia and decided to take advantage of the exotic locale to shoot a scene for the show. We brainstormed and felt it belonged in my episode, and it turned out to be a great way to start things off. Shooting the Mumbai sequences took place on our [studio] backlot, which is where we built a massive labyrinthine Mumbai slum, and it looked photo real. To top it off, it was over 40 degrees Celsius, or 104 Farenheit, pretty much the whole week we were filming. Everyone was dying from the heat, but it helped with the authenticity. I’m not sure how we’re going to replicate that in part three, which will likely be shot this coming February or March.”

Having thoroughly enjoyed his first year with Sanctuary, McCullough is eagerly awaiting the start of work on season three. “I’m definitely looking forward to the challenge of us doing 20 episodes and really pushing the boundary with our season [story] arcs,” he says. “And also somehow getting ourselves out of the conundrum we created at the end of Kali, Part 2.”

Steve Eramo

As noted above, photo is by Jeff Weddell and copyright of Sanctuary 2 Productions, so please no unauthorized copying or duplicating of any kind. Thanks!

Stargate Atlantis‘ swan song fifth season proved to be one heck of a ride for the show’s resident genius, Dr. Rodney McKay. Having been buried alive together with some of his colleagues at the end of season four, he and his teammates were eventually found alive in Search and Rescue. Soon after in The Shrine, McKay contracted a deadly virus that temporarily robbed him of his intellect as well as memories and almost killed him, while in Tracker, the scientist wound up off-world with Ronon and trying to track down a Runner who was hellbent on eluding them. By mid-season, McKay was playing host to Stargate SG-1‘s Dr. Daniel Jackson, who visited Atlantis in the two-part First Contact and The Lost Tribe. McKay was not exactly thrilled with Jackson’s arrival, as his alter ego, actor David Hewlett, explains.

“The dynamic between Daniel [Michael Shanks] and McKay is not a particularly friendly one,” says Hewlett. “He shows up on Atlantis to do some more research, and my character is not happy because McKay then gets stuck taking him around the city while dismissing Daniel’s theories about various things and then ending being horribly wrong on many occasions. The two of them eventually get pulled off to another planet where they meet an armor-clad race, and then get to become a bit of an armor-clad race themselves.

“It was terrific to have Shanks on the show,” continues the actor, ‘and fun, too, as I got to sort of pick his brain because he did this [Stargate] for so long. As for our scenes together, well, we both talk incredibly fast, and I’m not used to lines being picked up so quickly and thrown back at me in such a way, because Michael adds in these cool little character-related things. The guy is amazing. I don’t know how he does it, and not only that, but he gets younger every time I see him. Actually, the whole SG-1 cast is on some kind of reverse aging process, whereas I’m on an advanced aging process. By the time we finish this conversation I’ll have aged 10 years,” he jokes.

Not doing too good in "Search and Rescue." Photo copyright of The Syfy Channel

“As I mentioned, Michael and I ended up in those armor-clad suits for a period of time. All I can say is, I now have a new respect for those people at Comic-Con who dress up as Storm Troopers [from Star Wars]; I don’t know how they stand it because you sweat buckets in an outfit like that. That’s what happened to me in that spacesuit. Of course, Michael glowed and was in a really good mood,” teases Hewlett. “Again, we had a ball. There’s some fantastic back and forth banter when Daniel and McKay get together, if I do say so myself. You’ve got that great sense of McKay being up against someone who’s as smart as he is and knows as much as he does, so there’s a lot of attitude being exchanged.”

At the start of Atlantis‘ fourth year, Rodney McKay thought for sure he was next in line to take over command of Atlantis after the loss of Dr. Elizabeth Weir (Torri Higginson) to the Replicators. His ego took quite a beating when, in fact, Colonel Samantha Carter (Amanda Tapping) got the job. In the fifth season, he and the rest of the base personnel had to get used to yet another change in leadership when International Oversight Authority (IOA) member Richard Woolsey (Robert Picardo) replaced Carter. In Hewlett’s eyes, his character saw a number of similarities between himself and Woolsey.

“Woolsey is a bureaucrat in the same way that McKay took a professional type of approach to the entire Stargate program,” says the actor. “Woolsey’s background is government, diplomacy, the IOA, etc., whereas McKay’s is very much academic. So in a way, Woolsey has had similar growing pains to those that my character initially had. First of all, he’s learning to like these people on Atlantis, which he never expected. Woolsey is also getting his nose out of books and regulations and into the real world. So it’s neat to watch him go through that, and, again, because McKay has been through it as well, he’s more disdainful of it than, perhaps, others are. I think you tend to jump on people for making the same mistakes as you and having the same weaknesses as you. McKay is like, ‘My God, doesn’t Woolsey realize that you can’t live your life with your nose in books.’ Of course, it’s taken my character five years to figure that out, which is rather amusing.

“One of the things I really like about Atlantis and Stargate as a whole is that sense of humor. Sci-Fi can be incredibly dry and dark, and what we have here, which really helps, is that underlying sense of humor. There’s almost, not a winking at the camera, but a realistic humorous response to certain situations. I think there was a lot of that on our show, and Robert Picardo was the ideal person to bring that out. For example, our conference room scenes became hilarious because there was so much going on. I mean, Joe Flanigan [Colonel John Sheppard] had his sense of humor, I had my uptight McKay stuff, and Robert added a whole other level to it. As a result, the directors had to occasionally rein us in a bit so that it didn’t turn into an all-out comedy, like Scrubs in Space,” laughs Hewlett. “So it was definitely a pleasure to have Robert around, and he enjoyed himself, too. As new people came onto the show you got a new lease on your performance because you got caught up in their own excitement about the work.”

After the disastrous end to his budding relationship with Katie Brown (Brenda James) in season four’s Quarantine, Dr. McKay was decidedly cautious when it came to further romantic entanglements. Lucky for him, he chose to take another chance at love and, in the fifth season, became involved with Dr. Jennifer Keller (Jewel Staite). They go on their first official date in the season five episode Brain Storm, but, naturally, things do not go quite as planned.

“Prior to this, McKay and Jennifer had had a beer together, but this is the first time they go somewhere as a couple,” says Hewlett. “My character has to attend a presentation with all these famous astrophysicists who are basically his peers and did their doctorates at the same time as he did. Not surprisingly, McKay gets as prickly as he gets. Meanwhile, poor Keller has shown up for some champagne and a couple of little sandwiches, and all hell breaks loose. The experiment that is being shown goes horribly wrong and my character has to save the day. I think it’s a great payoff to a number of things that had already been established on the series, and to top it off, Jewel and I got to do some actual romantic stuff, which was fun.

Trying to put on a brave face. Photo copyright of the Syfy Channel

“We had a great guest-cast in Brain Storm, which included Neil deGrasse Tyson, who was an advisor to God knows how many presidents. Not only is he a genius, but he’s hilarious, too. He and Bill Nye, the Science Guy, who’s in this episode as well, are friends and Bill is just as funny. Their banter was amazing. Nye is an improv master, except you actually learn something when he speaks. so it was like a dream come true for a nerd like me. We also had Dave Foley [Malcolm Tunney], who’s a super-nerd himself. He’s a Sci-Fi fan and knows a lot about this sort of stuff. So it was this amazing combination of some of the world’s smartest people all in the same room. As a result, I didn’t say much. I tended to keep pretty quiet and retiring in-between scenes.”

Besides The Shrine and Brain Storm, another season five Atlantis story that the actor especially enjoyed shooting is Remnants, in which McKay and Dr. Zelenka (David Nykl) discover an alien device that uses an unusual method to communicate with select members of the Atlantis team.

“This is kind of a creepy episode and one that really throws people off,” says Hewlett. “David Nykl and I had a number of scenes together, and it was neat because we were playing a very different type of dynamic between Zelenka and McKay. My big joke was that Robert Picardo’s character got to see this beautiful Australian woman as his vision, while McKay got Zelenka. I was like, ‘Can he [David Nykl] at least wear some nice lip gloss or something else to sexy his character up a bit?'” says the actor with a laugh.

McKay senses something is not quite right here. Photo copyright of the Syfy Channel

“We had fun messing with the usual dynamic of McKay’s and Zelenka’s relationship, and, of course, there was lots of bantering back and forth with the two of them. When in doubt, McKay just talks, as does Hewlett in a lot of cases. It’s that horrible mix between the two, otherwise known as McKaylett.”

While filming season five of Atlantis, the cast and crew were told that the show would, unfortunately, not be returning for a sixth year. In the show’s finale, Enemy at the Gate, our heroes fly the entire city of Atlantis to Earth to help defend the planet against an attack by a rogue Wraith hive ship. While this was the last episode to air, it was not, in fact, the last one to be shot. That distinction goes to Vegas, an alternate universe story involving a series of Wraith killings in the city that never sleeps.

“I’m generally not a fan of alternate reality stories because they can easily feel like a cop-out, but I really wanted Vegas to be our final episode,” notes Hewlett. “We knew that Atlantis was cancelled and I thought it would be a daring and original way to end the series. Of course, they [the producers/writers] would have had to figure out how to get Teyla [Rachel Luttrell] and Ronon [Jason Momoa] into the story. They could have had the role that I wanted – exotic dancer at a casino. That was my first suggestion for McKay, partly just so I could actually go to Las Vegas, but also to showcase my pole dancing talents,” chuckles the actor.

Things were not looking too good for poor Rodney in "The Shrine." Photo copyright of the Syfy Channel

It was way back in season five of Stargate SG-1 that Dr. Rodney McKay first arrived on the scene in the episode 48 Hours. Little did anyone, let alone Hewlett, know that he along with the fans would become better acquainted with the character over the next eight years.

“That was a lot of hair ago on SG-1. I don’t know if I actually lost the hair or if I’ve just expanded so that it looks like I’ve got less hair,” jokes the actor. “It’s weird because McKay seems like a different guy now. I think what happened in Atlantis is that we began to see the cracks in the character’s armor. He came into SG-1, I feel, fully protected. McKay had sort of inch-thick armor around him, which made him incredibly prickly from the very beginning. And it’s not so much that he warmed on Atlantis, but rather he cracked a bit.

“I’ve always said that the neat thing about McKay is that he’s unlike the other characters. You’re learning about them as you go along, whereas with my character it’s as if you’re deconstructing him. We already knew what McKay was like, and later on we got figure out why he’s like that. After five seasons, we’d deconstructed him enough to roughly know what his deep dark secrets are, but I have a sneaking suspicion that there are a few more,” laughs Hewlett. “So as a character he did evolve. McKay’s own personality finally began to shine though, which was a real joy for me to play.”

Steve Eramo

As noted above, all photos copyright of The Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!