“The analogue de- and reconstruction of often surreal positioned frames is accompanied by a soundtrack with skillfully accentuated rhythms produced by the artist herself.
Parts of the source material – daily life of a Japanese housewife, organic pulsating of underwater plants and recordings from a diving tour – overlap and superimpose each
other and are subject to the dictate of the music.“
(Silvia Höller, Manager of RLB Kunstbrücke, Innsbruck, May 2010)