To offer you even more information about the museum and Vincent van Gogh, and serve you better, we use cookies.By clicking ‘Accept’, you are giving us permission to use these cookies. Cookies help us to ensure that the website works properly. We also analyse how the website is used, so that we can make any necessary improvements. Advertisements can also be displayed tailored to your interests. And finally, we use cookies to display forms, Google Maps and other embedded content.Find out more about our cookies.

REVIGO

The innovative REVIGO project (REassessing VIncent van GOgh) is dedicated to researching the colours Van Gogh used and how they have changed over time.

Colour degradation

‘Paintings fade like flowers’, Vincent van Gogh once wrote, and it is true that the appearance of many of his paintings and drawings has altered significantly due to colour degradation. The innovative REVIGO project (REassessing VIncent van GOgh) is dedicated to researching the colours Van Gogh used and how they have changed over time. REVIGO is also working on techniques to help us better understand the discolouration process.

Simulation

We use both traditional and modern analysis methods in our research, including advanced image analysis and machine-learning techniques drawn from the field of information technology and artificial intelligence. The goal is to simulate the original colours of art works and the process of discolouration.

New way of looking

We expect the results of this work to offer a new way of looking at Van Gogh’s use of colour. They will also provide an important point of reference in the conservation and presentation of his works. Although the focus is obviously on Vincent van Gogh’s paintings and drawings, the findings will also be useful for other late nineteenth-century works of art created using the same materials.

Interdisciplinary collaboration

REVIGO is a collaborative project between researchers from the Van Gogh Museum, Tilburg University, Delft University of Technology, the Cultural Heritage Agency of the Netherlands and the Rochester Institute for Technology in New York. Additionally, researchers from AkzoNobel share their knowledge on color and discolouration. The project will run for four years and is funded by the Netherlands Organization for Scientific Research (NWO) as part of the Science4arts programme.

Conclusions

In 2017 REVIGO is finished. The results are remarkable. Analysis revealed that Van Gogh’s pen and ink drawings originally displayed greater colour and contrast.