This week at the multiplex, we’ve got a wild Vegas weekend (“Think Like a Man Too,” starring Michael Ealy and Kevin Hart), a legendary vocal group (“Jersey Boys,” starring John Lloyd Young and Vincent Piazza), and a deadly road trip Down Under (“The Rover,” starring Robert Pattinson and Guy Pearce). What do the critics have to say? Find out what the critics have to say on Rotten Tomatoes.

“Think Like a Man Too”

“The Hangover” set an absurdly high bar for comedies featuring outrageous pre-nuptial shenanigans in Vegas. Unfortunately, critics say “Think Like a Man Too” pales in comparison; it’s manic and frenzied rather than funny, and it fails to develop the appealing characters introduced in the first film, though Kevin Hart is usually good for a laugh whenever he appears onscreen. This time out, the couples from the first film head to Sin City to stage competing bachelor/bachelorette parties, and naturally, things spiral out of control pretty quickly. “Think Like a Man Too” is currently at 26 percent on Rotten Tomatoes’ Tomatometer; check out some of the reviews here:

Rotten: “It’s the PG-13 version of ‘The Hangover,’ and more than anything, that’s just boring.” — Barbara VanDenburgh, Arizona Republic

Rotten: “A more frantic, less funny reunion pic that proves whatever happens in Vegas will happen in just about every movie set there.” — William Goss, Austin Chronicle

Fresh: “A gathering of a large group of friends can be energetically fun or crazy loud. ‘Think Like a Man Too’ is thankfully more the first of those, though it’s not afraid to be the second one either.” — Joe Neumaier, New York Daily News

“Jersey Boys”

Scan Clint Eastwood’s filmography as a director, and you’ll quickly discover that he’s as comfortable in a smoky club or a recording studio as he is on the mean streets or in the unforgiving west. Eastwood has adapted the smash Broadway musical “Jersey Boys” to the big screen, but critics say it’s less successful than previous efforts like “Honkeytonk Man” and “Bird” — the actors are game and the period look is exquisite, but the narrative is a grab-bag of showbiz clichés.

It’s the story of four guys who escaped a tough neighborhood to craft some unforgettable songs (“Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “December, 1963 [Oh, What a Night]“) before egos, business troubles, and the rigors of the road exacted a toll on the Four Seasons. “Jersey Boys” is currently at 58 percent on the Tomatometer; here are some of the reviews:

Fresh: “Eastwood, as always, has simply done things his own way, and the result is a leisurely old-school entertainment with a bit more edge than you may be expecting.” — Kenneth Turan, Los Angeles Times

Fresh: “‘Jersey Boys’ tells a familiar story, yes — but rarely told this well and with this much heart and soul.” — Lou Lumenick, New York Post

Rotten: “Why so cheerless, bordering on grim? Was Mr. Eastwood, a lover of music and a champion of musicians, so seduced by the bleaker aspects of the back story that he neglected the production’s grace notes?” — Joe Morgenstern, Wall Street Journal

We expect our post-apocalyptic dystopias to be pretty bleak, but critics say “The Rover” is really gritty and grim, though the powerhouse performances by Robert Pattinson and Guy Pearce make it difficult to look away. It’s been 10 years since society has collapsed into lawlessness. When Eric (Pearce) discovers his car has been stolen by a band of thieves, he enlists a wounded member of the gang (Pattinson) to help him retrieve it. “The Rover” is currently at 67 percent on the Tomatometer; here’s what some of the critics say:

Fresh: “It has a desolate beauty all its own, and a career-redefining performance by Robert Pattinson that reveals untold depths of sensitivity and feeling in the erstwhile ‘Twilight’ star.” — Scott Foundas, Variety

Rotten: “There’s a thin line between the iconic and the generic, and ‘The Rover,’ a grim post-apocalyptic drama from down under, wanders back and forth across it in an adrenaline daze.” — Ty Burr, Boston Globe

Rotten: “The movie’s overall cast of gloom — no one here has cracked a smile in years — contributes to a leaden aura.” — Mick LaSalle, San Francisco Chronicle