archive: Photography

We live in a world of that has become accustomed to instant gratification and yearns for it. The speed of achievement seems to be just as important as the achievement itself, but if we take a step back, we may just discover that the things that require patience can be the most rewarding of all. Taking time to reflect and observe can provide us with insights and opportunities that can come to us no other way, and that is exactly what the choreographers, dancers, and visual artists at Still Inspired(?) aim to do. For the last five years, Still Inspired(?)

"Under the direction of Ashley Deran and Emily Loar, Project Bound is a tri-focal dance collaboration aiming to foster community engagement, dance/technology experimentation, and socially conscious performance."
There's no better proof of their statement than to see the artists of Project Bound Dance in Separate Thoughts, Shared Space. Fostering community engagement? Bound is directly engaging the dance community by splitting the performance with Esoteric Dance Project. Furthermore, the split bill encourages the audiences of each respective company to come together, giving many the opportunity to see artists and works they may not have been exposed to otherwise. Dance/technology experimentation? The evening's program features the culmination of this year's One Hour Project, where Bound brings together dancer, choreographer, and videographer for 60 minutes to create a 60 second dance film. Socially conscious performance? You'll have to read on get the answer to this one, especially since DancerMusic's Kristi Licera got the answer to that question and more when she caught up with Project Bound Co-Artistic Directors Ashley Deran and Emily Loar. Here's what they told us:

They say the best gifts are the ones you make yourself. The time, energy and thoughtfulness put into a handmade item is forever ingrained within it, making it truly unique. Here at DancerMusic, some of the best gift makers we know are the ones that create dance. These choreographers often spend countless hours in the studio creating movement, plus an ample amount of time researching and reflecting to refine what they make. No two creations are ever quite the same, and become more unique when you consider that no two performances of the same piece of choreography are identical. As

Dancers have the unique ability to take a piece of music and really show it to you. You may be thinking, how is that possible? Sound is a wave invisible to the naked eye, and even if you were to see that piece of music performed live, you would see the action that creates the sound, but not the sound itself. Here's where the dancer comes in. If a dancer were to create movement to your favorite song, chances are that dancer would pick up on the nuances in rhythm, accents in instrumentation, the subtle meaning behind the lyrics, and

One of the reasons that Hubbard Street Dance Chicago is known all over the world is because they perform all over the world. Just this summer, audiences in Mexico, Canada, and across the United State have seen them, but when it gets to be the middle of August, if you want to see Hubbard Street perform you have to come to Chicago, and it's been like that for twenty-seven years. Thats how long Hubbard Street Dance Chicago has been performing at Dance for Life -- since the first Dance for Life, and once again this year, they'll be at Dance for Life

As artists, the best way for dancers to express and work through something as close to home as body expectations is, of course, through dance. This is exactly what The Joffrey Ballet will be bringing to the stage at Dance for Life 2018 with Myles Thatcher's Body Of Your Dreams. DancerMusic caught up with choreographer Myles Thatcher to learn more about his work, as well as Joffrey Artists Derrick Agnoletti and Nicole Ciapponi to get perspectives on working with Myles and dancing this highly athletic work. Here's what they told us:

As a current or potential audience member, you may catch a review of the show in the local paper. But one there is one thing about a review that you will never be able to skirt around; those words in that newspaper did not come from the mouth and heart of the artist or creator. That's where DancerMusic comes in. We pride ourselves in giving artists like Reesie Davis, Founder and CEO of Praize Productions, Inc. NFP, the opportunity to share reflections and discoveries of the work that she, her company and school of dancers work so hard to achieve and realize. We recently caught up with Reesie and asked her to share her reflections on PPI's recent production of REVIVAL: The Answer was Healing! Here's what Reesie shared with us in her 4PHOTOS:

If you recall our PRE-View of Hyde Park School of Dance's Amira: A Chicago Cinderella Story, then you may remember HPSD Artistic Director August Tye mention that the Prince's journey to find his princess, Amira, leads him on a search through some iconic neighborhoods on Chicago's south side. The dancers' balletic movement and gestures are the main vein for storytelling, but what completes this scenic journey are the projections and illustrations Tye has created in collaboration with photographer Damien Thompson and illustrator Sara Petrolis. DancerMusic got an exclusive sneak peek at the images to be used in Amira, and asked Damien Thompson to tell us more about the process of creating these powerful images and what role they play in bringing Amira to life. Take a journey through Chicago's south side as you learn what Damien told us:

Ashley Deran founded A. Deran Photography in 2011 with a focus on dance concert events and dance publicity. Since then, she has photographed for companies including Chicago Dance Crash, The Seldoms, Chicago Repertory Ballet, Inaside Chicago Dance, Chicago Dance History Project, Salty Lark Dance Company, The Chicago Fringe Festival, Columbia College, and Western Michigan University. It is also worth mentioning that Ashley is an established dance artist in Chicago and is the Co-Director of Project Bound Dance. Her keen eye both inside the studio and behind the camera lens, as well as the ability to direct a dancer in both circumstances, produce sharp, expressive images that any dancer would love to have. In this 4PHOTOS, Ashley takes us through the four images that every dancer should have in their portfolio, plus the do's and don'ts on how to get them. Here's a pro's advice on how to put your best foot (and face) forward: