Clay Glendenning of G-Men Media and David Whelan of Massive Film Company, Director of Savageland describe their use of Adobe Anywhere and Adobe Creative Cloud enabled them to shoot and edit a film on their own terms not bound by geographical locations or technology.

James Vasquez of USC Annenberg describes the concept of Annenberg’s 21st Century Digital Literacy Initiative and the transformation they are undertaking with respect to technology, software and use of Adobe Creative Cloud.

Join Jason Levine, principal worldwide evangelist for Creative Cloud as takes the audience at NAB 2014 though some of the key capabilities of Adobe Audition CC. The presentation covers audio restoration for video sound, and how to use side-chaining to automate soundtrack volume changes alongside a speaking track. Jason also looks at new features coming to Audition CC, including custom channelization, export to Dolby Digital formats, and enhanced multitrack tools for mixing and mastering, as well as Spectral display editing using intuitive Photoshop style tools.

James Vasquez, Associate Dean, Operations USC Annenberg for Communications & Journalism describes the school's 21st Century Digital Literacy Initiative and the role of Adobe Creative Cloud in that initiative.

Colin takes us through the new HP ZBook while working in SpeedGrade including setting up the color accurate DreamColor display and taking advantage of the new Thunderbolt connectivity. With up to 32GBs of RAM and 2.8 TBs on internal drive space, this mobile workstation is in a class of its own

See how the Tangent Element panels have been integrated into SpeedGrade and how having physical controls at your fingertips enhances productivity. Also take a first look at the Tangent Element Virtual Surface for iPad.

Matching the look of clips can be a tedious task. Shot Matcher lets you work faster by automatically correcting for subtle differences in footage to achieve a consistent feel between clips, within scenes, and across your entire project.

Deliver balanced color and distinctive, visually vibrant looks. Shot Matcher lets you work faster by automatically correcting for subtle differences in footage to achieve a consistent feel between clips, within scenes, and across your entire project.

Redesigned Adobe SpeedGrade offers powerful tools for precise color correction and creative look design for colorists, editors, and visual effects artists. In this presentation, Karl Soule, Adobe Business Development Manager, will introduce the new face of SpeedGrade, including the new Shot Matcher, Look manager, and film stock emulations, and demonstrate color grading workflows with Adobe Premiere Pro.