Catherynne M. Valente

Fiction and Excerpts [19]

Science Fiction || Mankind will not get to fight for its destiny—they must sing, in Catherynne M. Valente's Eurovision-inspired science fiction spectacle Space Opera, available April 3 from Saga Press.

Superheroes || A series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “fridged”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.

A century ago, the Sentience Wars tore the galaxy apart and nearly ended the entire concept of intelligent space-faring life. In the aftermath, a curious tradition was invented—something to cheer up everyone who was left and bring the shattered worlds together in the spirit of peace, unity, and understanding.

Once every cycle, the civilizations gather for the Metagalactic Grand Prix—part gladiatorial contest, part beauty pageant, part concert extravaganza, and part continuation of the wars of the past. Instead of competing in orbital combat, the powerful species that survived face off in a competition of song, dance, or whatever can be physically performed in an intergalactic talent show. The stakes are high for this new game, and everyone is forced to compete.

This year, though, humankind has discovered the enormous universe. And while they expected to discover a grand drama of diplomacy, gunships, wormholes, and stoic councils of aliens, they have instead found glitter, lipstick, and electric guitars. Mankind will not get to fight for its destiny—they must sing, in Catherynne M. Valente’s Eurovision-inspired science fiction spectacle Space Opera, available April 10 from Saga Press.

A band of human musicians, dancers, and roadies have been chosen to represent Earth on the greatest stage in the galaxy. And the fate of their species lies in their ability to rock.

From the New York Times bestselling author Catherynne Valente comes a series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “fridged”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.

In an entirely new and original superhero universe, Valente subversively explores these ideas and themes in the superhero genre, treating them with the same love, gravity, and humor as her fairy tales. After all, superheroes are our new fairy tales and these six women have their own stories to share.

On International Women’s Day, several of the best writers in SF/F today reveal new stories inspired by the phrase “Nevertheless, she persisted”, raising their voice in response to a phrase originally meant to silence.

Severin Unck’s father is a famous director of Gothic romances in an alternate 1986 in which talking movies are still a daring innovation due to the patent-hoarding Edison family. Rebelling against her father’s films of passion, intrigue, and spirits from beyond, Severin starts making documentaries, traveling through space and investigating the levitator cults of Neptune and the lawless saloons of Mars. For this is not our solar system, but one drawn from classic science fiction in which all the planets are inhabited and we travel through space on beautiful rockets. Severin is a realist in a fantastic universe.

But her latest film, which investigates the disappearance of a diving colony on a watery Venus populated by island-sized alien creatures, will be her last. Though her crew limps home to earth and her story is preserved by the colony’s last survivor, Severin will never return.

Told using techniques from reality TV, classic film, gossip magazines, and meta-fictional narrative, Catherynne M. Valente’s Radiance is a solar system-spanning story of love, exploration, family, loss, quantum physics, and silent film—available October 20th from Tor Books. Below, read an excerpt from the fictional diary of aspiring actress Mary Pellam, or head back to the start of Radiancehere.

Severin Unck’s father is a famous director of Gothic romances in an alternate 1986 in which talking movies are still a daring innovation due to the patent-hoarding Edison family. Rebelling against her father’s films of passion, intrigue, and spirits from beyond, Severin starts making documentaries, traveling through space and investigating the levitator cults of Neptune and the lawless saloons of Mars. For this is not our solar system, but one drawn from classic science fiction in which all the planets are inhabited and we travel through space on beautiful rockets. Severin is a realist in a fantastic universe.

But her latest film, which investigates the disappearance of a diving colony on a watery Venus populated by island-sized alien creatures, will be her last. Though her crew limps home to earth and her story is preserved by the colony’s last survivor, Severin will never return.

September misses Fairyland and her friends Ell, the Wyverary, and the boy Saturday. She longs to leave the routines of home and embark on a new adventure. Little does she know that this time, she will be spirited away to the moon, reunited with her friends, and find herself faced with saving Fairyland from a moon-Yeti with great and mysterious powers.

Check out this excerpt of Catherynne M. Valente’s Six-Gun Snow White, out on February 28 from Subterranean Press:

Valente’s adaptation of the fairy tale to the Old West provides a witty read with complex reverberations from the real world. Snow White is the daughter of a Crow woman abducted and forced into marriage by an unloving white magnate called only Mr. H. She gets her name in mockery, as white is “the one thing I was not and could never be.” When her father remarries, Snow White’s glimpse into the second Mrs. H’s mirror suggests they share the yoke of female subservience, but the two are inevitably at odds—so the young woman dons a man’s clothes and, like Huck Finn, chooses the “Indian Territory” that so frightens Mr. H’s world. Enter a pursuing Pinkerton’s detective, a pony named Charming, seven kick-ass outlaw ladies, and a variety of showdowns as Snow White searches for meaning, love, and a semblance of belonging. Any attempt to derive a simple message from this work would be an injustice to the originality of the atmosphere, the complexity of the interplay of its elements, and the simple pleasure of savoring Valente’s exuberant writing.

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling, first Fairyland book will revel in the lush setting, characters, and language of September’s journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem. . . .

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling, first Fairyland book will revel in the lush setting, characters, and language of September’s journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem. . . .

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling, first Fairyland book will revel in the lush setting, characters, and language of September’s journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem. . . .

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling, first Fairyland book will revel in the lush setting, characters, and language of September’s journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem. . . .

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling, first Fairyland book will revel in the lush setting, characters, and language of September’s journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem. . . .

It is hard to explain how a book begins. Writers have their own vocabularies to make sense of it, sets of metaphors that come close to describing what happens in the authorial brain when a book starts to take shape. When it lights off on a long journey from vague, unconnected ideas to something almost terrifyingly complex, real, and tangible. For some, a book is a child growing within, straining toward birth, for others it is a building painstakingly engineered, for others it is a seed that puts out strange and unpredictable shoots. And for many of us, it is all of those things and none of them, but when an interviewer asks, we have to come up with some image to describe a process that is part puzzle. part translation, and part highwire act, involving not a little bit of sympathetic magic.