…But Film is My Mistress is an attempt to capture Ingmar Bergman’s extraordinary filmmaker persona based on behind-the-scenes footage from eight movies, from Persona in 1965 to Saraband in 2003. The behind-the-scenes footage is part of the collection donated by Ingmar Bergman in 2002. The Ingmar Bergman Foundation Archives was inscribed on UNESCO’s Memory of the World Register in 2007.Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence – such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with – both actors and colleagues behind the camera.

Quotes from the film…but Film Is My Mistress aims to give a comprehensive yet unexpected portrayal of Ingmar Bergman the filmmaker. Its an attempt to paint a vivid picture of an artist at work, that of the committed craftsman driven by curiosity who approached each new project as a challenge – for himself and for the people he worked with.(Stig Björkman)

There are certain people you think of that make up the fabric of the art world, of culture, of show business. And they’re just there all the time, you know. Picasso was always there, for a hundred years, an actual hundred years. And so with no Bergman, and no Truffaut, and no Fellini, no Buñuel, and no Kurosawa, you know, they are the ones that really define celluloid, the cameras and the light and all that. They are the ones who defined it as art. All that gift goes, and it’s terrible.(Woody Allen)

If you were alive in the 50s and the 60s and of a certain age, a teenager on your way to becoming an adult, and you wanted to make movies, I don’t see how you couldn’t be influenced by Bergman.(Martin Scorsese)

When people feel on their guard against Bergman films, saying: “His films are for adults for the upper class.” Never… Never! It scares children. Great! It’s primitive, like the films that were made in 1910, in 1920. You can see he’s been faithful to the silent movie all his life. Later, in the talkies, characters said great things, yes. But the action is pure silent movie stuff, to me, as I watch them.(Arnaud Desplechin)

Released in conjunction with The Andy Warhol Museum, 13 Most Beautiful...Songs for Andy Warhol's Screen Tests features 13 of Warhol's classic silent film portraits. Subjects include Nico, Lou Reed, Edie Sedgwick, Dennis Hopper, and more. Shot between 1964 and 1966 at Warhol's Factory studio in New York City, the Screen Tests are presented with newly commissioned soundtracks performed by Dean Wareham and Britta Phillips. This is the first ever authorized DVD release of films by Andy Warhol.

Between 1964 and 1966, Andy Warhol shot nearly 500 Screen Tests, beautiful and revealing portraits of hundreds of different individuals, from the famous to the anonymous, all visitors to his studio, the Factory. Subjects were captured in stark relief by a strong keylight, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film. The resulting two-and-a-half-minute film reels were then screened in slow motion, resulting in a fascinating collection of four-minute masterpieces that startle and entrance, mesmerizing in the purest sense of the word.

In commemoration of the centennial of 3-D motion pictures, we present 3-D RARITIES. It has taken over 30 years for the 3-D Film Archive to assemble and restore the material in this eye-popping collection of ultra-rare and long-lost movies. Presented in high-quality digital 3-D, all films have been stunningly restored and mastered direct from archival materials. Meticulously aligned shot by shot for precise registration of the original left/right elements, these historic 3-D motion pictures have never before looked this good.

High-definition digital transfer of a new restoration of Fellini: A Director’s Notebook, a 52-minute film by Federico FelliniNino Rota: Between Cinema and Concert, a compelling 48-minute documentary about Fellini’s longtime composer