In this comedy from India, Aamir Khan is Amar and Salman Khan is Prem, two guys with no money and few prospects, but big dreams. Amar and Prem vie for the affections of a wealthy man's daughter, but along the way they run afoul of a local gangster (played by Paresh Rawal) and his henchmen.

P. K. is a comedy of ideas about a stranger in the city, who asks questions that no one has asked before. They are innocent, child-like questions, but they bring about catastrophic answers. People who are set in their ways for generations, are forced to reappraise their world when they see it from PK's innocent eyes. In the process PK makes loyal friends and powerful foes. Mends broken lives and angers the establishment. P. K.'s childlike curiosity transforms into a spiritual odyssey for him and millions of others. The film is an ambitious and uniquely original exploration of complex philosophies. It is also a simple and humane tale of love, laughter and letting-go. Finally, it is a moving saga about a friendship between strangers from worlds apart.

Three young men Akash, Sameer, and Siddharth are close friends, but their tastes and characters are completely incompatible. So when Siddharth falls in love with a much older woman, Tara, a woman who has been unsuccessful in keeping her marriage intact as well as alcohol-dependent, widens the rift between the trio, forcing them to part company. Years later, the trio will be re-united, they will be much mature and understanding, but will they still accept Siddharth love for Tara, especially when they themselves have fallen in love with women around their respective ages.

After his father committed suicide because he was not able to pay the loan to the Western Bank of Chicago, Sahir Khan, a circus owner, must take revenge by robbing the same branch several times. To take him down, Jai Dixit and Ali Akbar are sent from India.

Talaash follows inspector Surjan Singh Shekhawat (Aamir Khan), who is tackling the accidental death of a film star Armaan Kapoor (Vivan Bhatena). As Shekhawat unfolds the strange case, he gets entangled in a drama that has more to it than meets the eye. Meanwhile, his personal life suffers as he reels under the repercussions of an almost-broken marriage with Roshni (Rani Mukerji), and comes face-to-face with his suppressed grief of losing his only child. While trying to investigate the case, Shekhawat meets a sex worker Rosie (Kareena Kapoor), who helps him fight his inner demons and also helps him with his enquiry about the accident. How Shekhawat solves the case and revives his relationship with his wife forms the crux of the story.

Sanjay Singhania (Aamir Khan) is a rich tycoon suffering from short term memory loss due to being hit by a metal pole when trying to intervene on his girlfriend's murder. Because of the severe injury on his head, his memory can only last for fifteen minutes and he doesn't remember events or incidents that have happened before in his life. He can now only live a comprehendible life by tattooing notes on himself and taking pictures of things with a Polaroid camera to remind himself of the incidents that have happened. His story in unraveled by a police officer (Riyaz Khan) who is hunting him due to several murders he has committed while trying to find his girlfriend's murderer through his diary. His story has also piqued the interest of a medical college student, Chitra (Jiah Khan) who is searching for a patient with an "interesting" record for her college project. Chitra comes to know about Sanjay's love with Kalpana (Asin Thottumkal) a model cum activist. When her activist work for children comes in the way of child racketeers, she is killed by Ghajini when she intervened with his plan of kidnapping 25 young girls to Goa. So, with the help of Chitra, Sanjay sets out on a revenge spree, searching for the murderer of the one love of his life…

To choose between right or wrong is simple, but what defines one's life is the decision between the greater of two goods or the lesser of two evils. This is the advice that Zooni Ali Beg (Kajol) receives from her father just as she is about to venture out into the world on her own for the very first time. Little does she know that these very words will shape her life. Zooni, a blind Kashmiri girl meets Rehan Qadri (Aamir Khan), a local tour guide and an incorrigible flirt who goes from city to city exploring their architecture as also the women. Her friends warn her against this good-for-nothing roadside-romeo, but she chooses to ignore them. She is not one to be protected. It is now her time to discover life, and love. Is this really the right choice? Rehan is fascinated by Zooni. He truly wants her to see life as it should be seen, in its many colours, and as he promises her, the time spent with him will be the most precious in all her life. Zooni sees Delhi, life and love like she never has before, because of Rehan. What Zooni doesn't know is that Rehan has another side of his life that he has kept from her, something that can not only change her life but can also destroy it…

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate; colours, fish, dogs and kites are just not important in the world of adults, who are much more interested in things like homework, marks and neatness. And Ishaan just cannot seem to get anything right in class. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to 'be disciplined'. Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family. One day a new art teacher bursts onto the scene, Ram Shankar Nikumbh, who infects the students with joy and optimism. He breaks all the rules of 'how things are done' by asking them to think, dream and imagine, and all the children respond with enthusiasm, all except Ishaan.

Dhobi Ghat (Mumbai Diaries) is the story of four people from very different backgrounds, whose worlds intersect and leave them forever altered. As they find themselves drawn into compelling relationships, the city finds its way into the crevices of their lives, separating them even as it brings them closer Fragments of their experience – seen through a naive video diary, black and white photographic images and painting – form a portrait of Mumbai and its people, bound together as they journey through longing, loneliness, loss and love.