Community of Hungerford Theatre Company - Blitz!

Blast from the past

Wartime musical was a great team effort by Hungerford's community theatre company

The Community of Hungerford Theatre Company: Blitz!, at John O' Gaunt School, Hungerford, from Wednesday, February 20 to Saturday, February 23

"Twice as loud and twice as long as the real thing," said Noel Coward,
rather humorously, of Lionel Bart's original 1962 production of Blitz!
Not true of TCHTC's lively and entertaining presentation, although the
explosions and sound effects certainly had us jumping in our seats.

Simply, it was a chirpy story of the good old-fashioned British
indomitable spirit during the Second World War bombings in London. It
focused on two families, the Jewish Blitzteins and the cockney Lockes. Mrs
Blitztein and Alfred Locke are forever at each other's throats, underpinning
that were serious issues of racism, prejudice, desertion and the terrible
tragedies of war.

From the atmospheric opening number, Our Hotel, sung in the
underground station, Blitz! moved onto stirring and humorous pastiche
wartime music and ballads in the 1960s musical vernacular.

Director David Clayton had a huge cast to work with and each played an
important part in the success of the show.

It was an ambitious choice, but with imaginative use of the stage and
auditorium, and super performances from the children, chorus and good
principals, it was a great team effort.

Paul Hyde, as Alfred Locke, gave a strong and completely convincing
performance and Charlotte Shanahan, as Carol Blitztein, handled her role
well, gaining our sympathy as it turned to tragedy.

There were spirited performances from James Olney (Harry Blitztein) and
Kristian Lopez (Georgie Locke), the two sons of the squabbling parents,
and among a host of good character roles, notable was Karen Ashby as Elsie.

But Blitz! was a vehicle for Mrs Blitztein who had several
stirring numbers and was the mainstay of the show. Hungerford were blessed
with the very talented Helen Bonner, every bit the Jewish momma, who
delivered her numbers with strength and style.

The choreography, by Tara Burden, was creative, well-pitched and
executed, and the costumes were terrific, perfectly evoking the wartime
period. The admirable lighting and sound effects made a vital contribution
and the set worked well. The orchestra, if a little hesitant in places on
the first night, delivered good accompaniment.

There were many highs and a few lows, but this show was a fantastic
choice for the company, giving great scope to use a vast array of ages and
talents together.