Zach Condon quickly realized that he wasn’t always going to be able to wander through the subway carriages with his brass band. That even his hardcore fans would eventually grow tired of him and stop handing him their spare change... On his 2015 album No No No, the brain behind Beirut beautifully transformed his experience in the Balkan folk/Mexican scene into brilliant high-flying pop tracks. He sculpted a more artisanal sound and renewed himself while keeping the dreamy, magical singularity of his universe that’s dominated by brass and percussion.

Condon is a true citizen of the world: he was born in Albuquerque, lives in Berlin and writes in New York as well as in Puglia, Italy. It is there that one finds Gallipoli, a coastal city that lends its name to this fifth album. Condon has a voice that’s characterised by a wistful lyricism, giving his songs an undeniably melancholic feel. Sat behind his Farfisa organ or his Korg synthesizer, and surrounded by Nick Petree on drums, Paul Collins on bass, Ben Lanz on trombone and Kyle Resnick on trumpet, Condon builds his songs like Russian dolls. There’s a playful side which is largely amplified by the Farfisa. And through his world music and lo-fi melodies, Gallipoli covers the entire range of everything that Beirut has generated in just over ten years.