Category: Fall Preview

We are nearly one month into my favorite time of the year for movies – the fall film season. Each year from September through December, most of the year’s heaviest hitters start making their way to the big screen in hopes of garnering an abundance of buzz for the Academy Awards – and indeed, Oscars success is generally tied to a fall release. In fact, the last Best Picture winner that wasn’t released theatrically during the fall film season was The Hurt Locker in June 2009. Which films will steal the show this fall? Only time will tell. But in the meantime, here is my list of the films I am most looking forward to seeing over the course of the next few months!

No. 1 – First Man (October 12)

First Man is a biographical drama that follows the story of Apollo 11’s famed mission to the Moon in 1969. I am incredibly excited to see First Man due to the two men behind the direction and screenplay of the film – Damien Chazelle and Josh Singer, respectively. Chazelle’s first two films (Whiplash and La La Land) have been some of the very best made in the past few years (in fact, Whiplash was my favorite film of 2014), and I have been patiently awaiting his next directorial endeavor. This time, instead of penning his own screenplay, which he did for his first two films, Chazelle has employed a script by Singer, who won the Oscar for Best Original Screenplay for Spotlight and was nominated for a Golden Globe last year for The Post. Starring Ryan Gosling in the lead role as Neil Armstrong and The Crown’s Claire Foy as his wife, this film looks set to attract some serious Oscar buzz this fall. Trailer – https://www.youtube.com/watch?v=PSoRx87OO6k&t=20s

No. 2 – If Beale Street Could Talk (December 14)

If Beale Street Could Talk, based on the 1974 novel of the same name, is a drama set in Harlem during the 1970s and follows an African-American family’s enduring spirit of love and humanity as they navigate a racially charged era in American history. This film is Barry Jenkins’s follow-up effort to his Best Picture-winning drama Moonlight, and although the trailer does not give too much away, it is evident that Jenkins looks to passionately pull at the heartstrings of moviegoers everywhere once more – I cannot wait to see what he has in store this time. Trailer – https://www.youtube.com/watch?v=N4m3t3G3Zqc

No. 3 – Bad Times at the El Royale (October 12)

Bad Times at the El Royale is a thriller that follows seven strangers whose lives and dark secrets intersect at a rundown hotel in Lake Tahoe. Bad Times is immediately intriguing due to its ensemble cast, which features the likes of Jeff Bridges, Dakota Johnson, Jon Hamm, and Chris “Thor” Hemsworth. But aside from this stellar group of actors, I am personally looking forward to this film due to its writer/producer/director, Drew Goddard. The 43-year-old filmmaker has previously penned the scripts for Cloverfield, World War Z, and The Martian, but it was his directorial debut in 2012 with The Cabin in the Woods (Goddard also wrote the screenplay) that has me looking forward to Bad Times the most – the trailer reeks of Cabin-like imagery and obscurities (which is definitely a good thing), and I can’t wait to see if Goddard can capture that same rousing energy again. Trailer – https://www.youtube.com/watch?v=y7wzBVARwaU

No. 4 – Hold the Dark (September 28 – Netflix)

Hold the Dark is a thriller set against the backdrop of the Alaskan tundra, and it follows the aftermath of the mysterious death of a young boy by a pack of wolves. From an acting standpoint, this film brings together some of my current favorites in the game – Jeffrey Wright (Westworld), Riley Keough (Mad Max: Fury Road), and Alexander Skarsgård (Big Little Lies). However, the factor that weighs most heavily in terms of my anticipation for the film is its director and writer – Jeremy Saulnier and Macon Blair, respectively. Saulnier wrote and directed two of my favorite films from the past few years (Blue Ruin in 2014 and Green Room in 2016, both of which featured Blair as an actor), and Blair wrote and directed one of my favorite movies from last year, I don’t feel at home in this world anymore. All three of those films were thrilling and unique, and I expect nothing less from Hold the Dark. Trailer – https://www.youtube.com/watch?v=OFAwDO6b5KI

No. 5 – The Favourite (November 23)

The Favourite is a drama (set in England in the early 18th century) that follows the struggle between Sarah Churchill, Duchess of Marlborough (Rachel Weisz) and her cousin Abigail Masham (Emma Stone) as they jockey for the attention and adoration of Queen Anne (Olivia Colman, aka the new QEII in The Crown). The Favourite is the newest film by the inimitable Greek filmmaker Yorgos Lanthimos. If you haven’t seen any of Lanthimos’s films yet, go watch the trailer for The Favourite ­– it will absolutely give you a taste of this man’s distinctive style. Lanthimos broke out among American audiences in 2015 with his film The Lobster – although the first act of that movie had me hooked, he simply couldn’t keep that momentum going for me throughout the entire film. No matter – Lanthimos returned last year with The Killing of a Sacred Deer, which was thrilling, compelling, and darkly hilarious for its entire two-hour runtime. Because of my deep appreciation for that film, I am very much optimistic that his newest endeavor will be a great achievement. Trailer –https://www.youtube.com/watch?v=hqYlnvghV-U

No. 6 – Widows (November 16)

Widows is a thriller that tells the story of a group of women who attempt a heist after their criminal husbands are killed. The uber-talented British filmmaker Steve McQueen is back with his first feature film since 12 Years a Slave, the Best Picture winner that I named my favorite film of 2013. McQueen is such a unique storyteller, and if the critical success of his complete filmography (Hunger, Shame, and 12 Years a Slave) gives us any indication, Widows is sure to be a fantastic piece of cinema. Oscar winner Viola Davis also stars as the lead, which is another reason this film is likely to impress. Trailer – https://www.youtube.com/watch?v=nN2yBBSRC78

No. 7 – A Star Is Born (October 5)

A Star Is Born is a musical drama about a country musician (Bradley Cooper) who discovers and falls in love with a young singer (Lady Gaga). This iteration of A Star Is Born (which marks Cooper’s directorial debut) is the third remake to the original 1937 film (it was remade with Judy Garland and James Mason in 1954 and with Barbara Streisand and Kris Kristofferson in 1976). Truthfully, the trailers for this film that have been playing repeatedly on TV lately have me hooked – I love the sound of the music, I love the apparent chemistry between the two leads, and I love the style in which it is shot. And I am already buying into the hype surrounding Lady Gaga’s performance, simply based on what I can see from the trailer. No one would doubt that Lady Gaga is a standout performer in general, not just as a singer, and I look forward to seeing her acting talents on the big screen in what has already been characterized by many in the industry as an early Best Picture darling. Trailer – https://www.youtube.com/watch?v=nSbzyEJ8X9E

No. 8 – Outlaw King (November 9 – Netflix)

Outlaw King is an epic historical film about Robert the Bruce, one of the most famous Scottish warriors and eventual King of Scotland. David Mackenzie directed this film, which is the very reason that it is on my list. Mackenzie’s previous two films both ranked in the top 4 on my year-end lists (I ranked Starred Up as my No. 4 film in 2014 and Hell or High Water as my No. 2 film in 2016) – based on that track record, I am obviously looking forward to his newest film. I will admit that a couple of weeks ago, this film was trending toward the top of my most anticipated list – however, early critical reviews have not been jaw-dropping, which is why its position has slipped a bit here. Regardless of those early reviews, I am still confident that Mackenzie will bring a quality picture to the big Netflix screen – his cast of Chris Pine (fantastic in Hell or High Water), Aaron Taylor-Johnson (wonderful in everything he touches), and Florence Pugh (a vision in last year’s Lady Macbeth) will surely add some definite firepower. Trailer – https://www.youtube.com/watch?v=Q-G1BME8FKw

No. 9 – Welcome to Marwen (December 21)

Welcome to Marwen is a dramatic film inspired by the true-life story of Mark Hogancamp, a victim of a brutal assault, who undertakes an enormous effort to build a miniature World War II village in his backyard in an effort to cope with the trauma he has endured. Yes, this movie features a great cast, including Steve Carrell as Hogancamp. Yes, the film is directed by Robert Zemeckis, who always seems to turn in quality work, year after year. And yes, the film’s mixture of live-action and animation looks incredibly unique and charming. But for me, my anticipation for this film stems solely from my profound reverence for the 2010 documentary that it is based on, Marwencol. When I first saw Marwencol, I was enthralled by Mark’s story and utterly fascinated by his artistry and imagination. Marwencol is definitely one of my all-time favorites, and I hope that Zemeckis’s film provides a great companion piece to the documentary. Trailer – https://www.youtube.com/watch?v=W6dy7xQ8NeE

No. 10 – The Ballad of Buster Scruggs (November 16 – Netflix)

The Ballad of Buster Scruggs is a western anthology film by the Coen brothers that features six separate chapters, each with its own cast. I won’t lie – I have generally fallen out of love with the Coen brothers. In terms of their directorial efforts, I really haven’t enjoyed many of their films from the past decade, outside of A Serious Man in 2009. However, I continue to hold out hope that these cinematic visionaries can again replicate the success of their past hits (e.g., Raising Arizona, Fargo, The Big Lebowski, No Country for Old Men). The trailer here has me genuinely intrigued by what the Coen brothers can do with the anthology concept, and given their established résumé in the business, I am willing to keep giving them chances. Trailer – https://www.youtube.com/watch?v=_2PyxzSH1HM

HONORABLE MENTIONS

Creed II (November 21) – The sequel to Creed is set to follow Adonis Creed as he prepares for his next big fight – a bout against the son of Ivan Drago, the man that killed Adonis’s father in the ring so many decades ago. I am always down for more from the Rocky universe, and I expect Michael B. Jordan to dominate the screen again in Round 2. Trailer – https://www.youtube.com/watch?v=cPNVNqn4T9I

Fantastic Beasts: The Crimes of Grindelwald (November 16) – The sequel to Fantastic Beasts and Where to Find Them will follow Newt Scamander as he looks to take down Gellert Grindelwald, one of the wizarding world’s most powerful dark wizards. The previews for this film have already revealed a return to Hogwarts, Jude Law as a young Albus Dumbledore, and the origin of Nagini – all of that is plenty to overcome the casting of Johnny Depp as Grindelwald. I am very optimistic about this film, as I will always put my faith in J.K. Rowling and David Yates. Trailer – https://www.youtube.com/watch?v=8bYBOVWLNIs

Mary, Queen of Scots (December 7) – This historical drama tells the story of the “Rising of the North,” an infamous conflict that pitted two half-sisters, Queen Elizabeth I and Mary Stuart, against one another in an epic struggle for power in England. This film has a lot going for it. First, Beau Willimon (creator of the Netflix hit House of Cards) wrote the script. Second, and most importantly, Saoirse Ronan and Margot Robbie star as Mary, Queen of Scots and Queen Elizabeth I, respectively. Trailer – https://www.youtube.com/watch?v=wnqjSgMU36U

Under the Silver Lake (December 7) – This is a neo-noir film that follows Sam (Andrew Garfield) as he searches the seamy depths of Los Angeles to solve the disappearance of Sarah (Riley Keough), a mysterious woman he met at an apartment swimming pool. This movie is director David Robert Mitchell’s follow-up effort to 2014’s It Follows, an incredible film that re-wrote the rules of horror flicks. Based on my love for It Follows, I have a lot of confidence in Under the Silver Lake’s potential. Trailer – https://www.youtube.com/watch?v=mwgUesU1pz4

UPDATE: Sadly, it was announced on November 1 that Under the Silver Lake would be pushed back to an April 18, 2019 release, which does not bode well for the movie’s potential success.

Vice (December 25) – This biopic follows the political rise of former Vice President Dick Cheney. This is the only film on this list that still does not have a trailer yet released, but that doesn’t mean I still don’t expect big things from it. Adam McKay – the comedic genius behind Anchorman, Step Brothers, and The Other Guys – directs, but it is his directorial work on The Big Short that has me most pumped for this movie. Christian Bale completely transformed his body (again – seeThe Machinist, American Hustle) to play Cheney, and one of my favorite actresses of all time (Amy Adams) is set to play Lynne Cheney. Trailer – NONE

UPDATE: The trailer for Vice was released less than a week after I posted this article. Needless to say, had it been available prior to this post going live, Vice would have been VERY high on this list!! Check out the trailer here: https://youtu.be/g09a9laLh0k

Time to go up…cause it’s TUESDAY! More importantly, the conclusion to my “Fall Preview 2016” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2016 list. Enjoy!

No. 5 – La La Land

La La Land is a film set in Los Angeles where aspiring actress Mia (Emma Stone) serves lattes to movie stars in between auditions, while dedicated jazz musician Sebastian (Ryan Gosling) plays in dingy bars in order to scrape by. The two meet and fall in love, but, as success mounts, the dreams they worked so hard to maintain threaten to rip them apart.

I have been awaiting the release of La La Land for quite some time because of the man sitting in the director’s chair: Damien Chazelle. In 2014, Chazelle broke out with his critically acclaimed debut Whiplash, one of the best movies I have seen in years (Whiplash ranked No. 1 on my list of Top 15 Films of 2014). Considering Chazelle’s masterful filmmaking in Whiplash, it was impossible for me not to be excited for his sophomore effort. La La Land finds itself in the No. 5 slot on my list on the strength of Chazelle’s previous film, so I truly hope that it does not fall flat due to failing to meet expectations. However, rumors are that La La Land is just as good as Whiplash, garnering an immense amount of Oscar support months in advance of its release. If this thing turns out to be as good as it is being hyped up to be, Damien Chazelle will cement himself as one of the very elite filmmakers in the business today.

Part of Whiplash’s success was due to wonderful performances from its cast: J.K. Simmons delivered an Oscar-winning performance that will forever be one of my all-time favorites, and Miles Teller portrayed a determined, yet wildly intense jazz student with absolute precision. I am optimistic about La La Land’s potential because Chazelle has again assembled a top-notch cast. The aforementioned Simmons is back in a supporting role, but the film’s leads have a history of on-screen chemistry, which gives the film an extra boost. Ryan Gosling and Emma Stone previously starred together in a romantic capacity in Crazy, Stupid, Love and Gangster Squad, and their relationships in these films were incredibly real and believable—I cannot wait to watch them interact again here. La La Land is set for a theatrical release on December 2, 2016.

Passengers follows the spaceship, Starship Avalon, on its 120-year voyage to a distant colony planet known as “Homestead II.” The Starship Avalon, transporting 5,259 people, has a malfunction in two of its sleep chambers. As a result, two hibernation pods open prematurely and the two people (Chris Pratt and Jennifer Lawrence) that awoke are stranded on the spaceship, still 90 years from their destination. The two soon discover that the malfunction that caused them to be awoken prematurely is not the only problem afflicting the huge spaceship.

Passengers is one of those movies that has blockbuster hit written all over it. Jennifer Lawrence and Chris Pratt are arguably two of the most “big time” actors currently in the business, and their collaboration here is sure to drive up ticket sales this Christmas. And rightfully so—Lawrence is a three-time Oscar-nominated actress and Pratt has ascended to mainstream stardom with performances in Guardians of the Galaxy and Jurassic World. Notwithstanding the hype that this duo has and will to continue to garner in the lead up to the film’s release, I truly believe this pairing will make waves via pure acting ability, too. Lawrence is easily one of the top three or four actresses in Hollywood, and here I expect her to combine her proficient dramatic/comedic acting skills (see Silver Linings Playbook and American Hustle) with her knack for adventure (see The Hunger Games). And although he has not garnered any award-worthy praise yet, Chris Pratt is definitely one of the brightest stars in Hollywood. I expect the same sharp wit from Pratt that we have grown accustomed to seeing (see Guardians of the Galaxy), and that is never a bad thing.

As far as the filmmaking, Passengers has plenty going for it. Manning the director’s chair is Morten Tyldum, the filmmaker behind the Norwegian hit Headhunters and the Oscar-nominated The Imitation Game. Headhunters is absolutely incredible and, although I was not a massive fan of The Imitation Game, I simply cannot deny the stunning meticulousness with which Tyldum crafted the film; thus, I feel comfortable with him leading Passengers, a big-budget sci-fi thriller. The fact that Jon Spaihts penned the screenplay only adds to my excitement, as he wrote the screenplay for 2012’s Prometheus, one of my favorite science-fiction films in recent memory. Passengers is set for a theatrical release on December 21, 2016.

Set in the 17th century, Silence tells the story of two Jesuit priests (Andrew Garfield and Adam Driver) who face violence and persecution when they travel to Japan to locate their mentor (Liam Neeson) and propagate Christianity.

Without a doubt, Martin Scorsese is one of the greatest directors of all time. From Taxi Driver to Goodfellas, Gangs of New York to The Wolf of Wall Street, Scorsese has been lighting up the silver screen for decades with remarkable, high-quality films. Clearly, it is not hard to see why Silence finds itself in the top three of my list of most anticipated films this fall. In Silence, we have what can only be described as Scorsese’s true “passion project”—he began developing the film in 1990! Very few people—let alone filmmakers—could retain an interest in something for over 20 years, but that is what sets Martin Scorsese apart. The man is a cinematic visionary, and he has never once let me down with a project—I do not expect him to start now.

Aside from his filmmaking skills in general, Scorsese’s movies work on so many levels because of his ability to always get the most out of his actors. From Robert De Niro to Leonardo DiCaprio, Scorsese has worked with the best actors in the business, and those stars always seem to shine their brightest while working at Scorsese’s direction. With that said, I cannot wait to see what this iconic filmmaker has done with the pieces that he has assembled (i.e., Andrew Garfield, Adam Driver, and Liam Neeson). Garfield and Driver are two of the most polished up-and-comers in Hollywood, and both of their careers have produced a number of outstanding performances—I am hopeful that they both deliver their best ones to date in Silence. What I am most excited for from a casting standpoint, however, is Liam Neeson. The Oscar-nominated actor had a supporting role in Scorsese’s Gangs of New York and knocked his limited time on the screen out of the park—I cannot wait to see the two reunite with Neeson in a starring role. It goes without saying: I expect big things! Silence is set for a theatrical release on December 23, 2016.

The Girl on the Train follows Rachel Watson (Emma Blunt), an alcoholic who divorced her husband Tom (Justin Theroux) after she caught him cheating on her. Rachel takes the train to work daily. She fantasizes about the relationship of her neighbors, Scott and Megan Hipwell (Luke Evans and Haley Bennett), during her commute. That all changes when she witnesses something from the train window and Megan is found to be missing, presumed dead.

Back in 2014, the number one movie on this very list was Gone Girl, the film adaptation of Gillian Flynn’s best-selling novel. Two years later (albeit in the number two spot), here I am writing about The Girl on the Train. Now I know, they are two separate movies with two separate premises. But it is hard not to want to compare them in some form: They are both mystery thrillers with similar themes derived from books that took the world by storm. Gone Girl was one of the best movies I saw in 2014, and it definitely lived up to the hype for me—I sure hope The Girl on the Train does this year, too.

Aside from the attention the film is getting due to its source material’s acclaim, I have been awaiting the release of The Girl on the Train because of Emily Blunt. For those that have read my reviews in the past for Looper, Edge of Tomorrow, and Sicario, what I am about to say is old news: Emily Blunt is one of my top two favorite actresses currently in the movie business, and I have gotten to the point where I will watch anything she makes. This is not (just) because of some love affair with her on a purely shallow basis; rather, I believe she has developed into one of the premier female talents in Hollywood. On the strength of my fandom for Blunt, I am more than ready to plop down in a seat at my local theater this Friday to see what I hope turns out to be a thrilling ride (on a train, of course). The Girl on the Train is set for a theatrical release on October 7, 2016.

Arrival follows an elite team that is put together to investigate when multiple mysterious spacecraft touch down across the globe. Mankind teeters on the verge of global war as everyone scrambles for answers—and to find them, team members Louise Banks (Amy Adams), Ian Donnelly (Jeremy Renner), and US Army Colonel Weber (Forest Whitaker) will take a chance that could threaten their lives, and, quite possibly, humanity.

Science-fiction is nowhere near the top of my list of favorite film genres. Don’t get me wrong, I do like them—but if I had to pick a range of 4-5 types of movies to watch on a Friday night, science-fiction would not be one of them. But Arrival is peak alien sci-fi…so how can it rank so high on this list? The answer is simple: Denis Villeneuve. Although I still have not seen Villeneuve’s Maelstrom (the winner of the International Federation of Film Critics Award at the Berlin Film Festival) or Incendies (the Oscar-nominated foreign language film), I still view the French-Canadian filmmaker to be one of the best in the business—this is because of Prisoners and Sicario. While in Prisoners Villeneuve crafted a film that was emotionally complex and disturbing at times, yet all the while encapsulating, he truly blew me away with last year’s Sicario, a tightly wound drug cartel thriller that put Villeneuve’s brazen filmmaking on full display for the world to see. Needless to say, his involvement with Arrival makes it a no-brainer for me to be so interested!

In Prisoners, Villeneuve truly directed his balls off in getting the most from his actors (Hugh Jackman, Jake Gyllenhaal, Paul Dano, and Terrence Howard absolutely killed it), and in Sicario, the very same was true (Emily Blunt and Benicio Del Toro delivered unbelievably outstanding performances). Here, I am anxious to see what Villeneuve does with another stellar cast. Amy Adams is one of my favorite actresses (and by far one of the best in the business), Jeremy Renner always does a great job, and Forest Whitaker is a veteran in the game who still treats every performance as if it is his last. The talent is there from both an acting and directorial standpoint—I am confident that the two will intersect beautifully and Arrival will meet all of its undeniably high expectations. Arrival is set for a theatrical release on November 11, 2016.

Happy Sunday! Today I am revealing films No. 10 through No. 6 on the list of my Top 10 most anticipated movies coming out during the fall season. This batch includes a wide range of films, including a likely heavy hitter at the box office, and if you are looking for a great movie to go see in theaters in the next few months, this post will give you some top-notch options among the films that look most poised for success.

No. 10 – The Founder

The Founder details the true story of McDonald’s and its rise to fast-food domination. The film follows Illinois salesman Ray Kroc (Michael Keaton) as he meets brothers Mac and Dick McDonald (John Carroll Lynch and Nick Offerman), who operate a hamburger restaurant in California. Controversially, Kroc tactically maneuvers himself into a position to take control of the McDonald’s brand, which grows into one of the world’s best-known brands after Kroc buys the chain for $2.7 million in 1961.

The source of my interest in The Founder is one man: Michael Keaton. Beginning with Birdman in 2014 (for which Keaton won the Oscar for Best Actor) and Spotlight in 2015 (which won the Oscar for Best Picture), Michael Keaton has undergone a true film renaissance. The resurgence of Keaton as an acting powerhouse is undeniable, and from the looks of the trailer for this film, I can only believe that he is set to kill it once more. The role seems to include elements of comedy, drama, malice, and deceit—a veteran like Keaton is sure to embrace this challenge and deliver a balanced performance.

One of the film’s keys is also one of the film’s (potential) downsides: director John Lee Hancock. Hancock’s directorial history consists of The Rookie, The Alamo, The Blind Side, and Saving Mr. Banks. The positive here is that Hancock clearly knows how to take a true-life story and mold it into a solid movie. The drawback, though, is that each of these films—while well-crafted—got a bit cheesy and cliché at times. As is evident from the trailer, The Founder takes on a seriously controversial subject matter, and I am hoping that this factor takes the film into the category of “drama,” rather than “melodrama”—I want the Big Mac, not the Big Sap. The Founder is set for a theatrical release on December 16, 2016.

Loving follows the courtship and marriage of Mildred Jeter, a black woman, and Richard Loving, a white man. The two are arrested and sentenced to prison in Virginia in 1958 because their interracial marriage violates the state’s anti-miscegenation laws. The couple eventually sues the state of Virginia in a series of proceedings leading to the United States Supreme Court’s unanimous decision in Loving v. Virginia, which holds that laws prohibiting interracial marriage are unconstitutional.

Before I even knew much about this film, I was interested. As most of you probably know, in May I graduated from Oklahoma City University School of Law. During my time in law school, I examined the case of Loving v. Virginia in my constitutional law course. It is a case that stands as a pillar of change during a truly despicable time in American history, and I am more than happy to see the Loving’s story played out on the silver screen. Like I have felt with most films coming out this fall, however, the story appears quite susceptible to an overload of sap. But Richard Lawson, a critic for Vanity Fair, claimed the film’s lack of schmaltziness (for lack of a better word) take away the film’s “heft.” For me, I would always err on the side of avoiding anything that makes a story mawkish, so Lawson’s criticism does not bother me whatsoever.

I first heard about Loving this past spring when it competed for the Palme d’Or at the 2016 Cannes Film Festival. Although it did not win the coveted award, the film still ultimately won—it received a standing ovation following its screening and many critics considered the film a surefire Oscar contender. Most of this success can be attributed to Loving’s director (Jeff Nichols) and stars (Joel Edgerton and Ruth Negga). Nichols is a filmmaker that continues to, movie by movie, build up a critically acclaimed filmography. The beautifully crafted Mud served as my introduction to Nichols as a writer/director, and I look for him to bring that same poise and dexterity to Loving. As far as acting, I haven’t seen much of Ruth Negga, but I can definitely vouch for Joel Edgerton’s abilities—he has proven to be an underrated master of his craft, and all signs point to the same level of sharp performance that I have grown accustomed to seeing from Edgerton. Loving is set for a theatrical release on November 4, 2016.

Nocturnal Animals follows Susan (Amy Adams), a successful LA art-gallery owner, whose idyllic life is marred by the constant traveling of her handsome second husband. While he is away, Susan is shaken by the arrival of a manuscript written by her first husband, who she has not seen in years. The manuscript tells the story of a teacher who finds a trip with his family turning into a nightmare. As Susan reads the book, it forces her to examine her past and confront some dark truths.

Tom Ford. Tom Ford. No, I am not quoting lyrics from Jay-Z’s 2013 song “Tom Ford”; I am talking about the director of Nocturnal Animals. While Tom Ford is universally known as one of the world’s greatest fashion designers, he is also an acclaimed filmmaker. In 2009, Ford wrote, directed, and produced A Single Man, an award-winning film starring Colin Firth. I was a huge fan of Ford’s debut effort, and when I found out he was returning this year with Nocturnal Animals, I was on board. Aside from Tom Ford at the wheel, my interest in this film further derives from its acting stars: Amy Adams and Jake Gyllenhaal. Adams definitely ranks in the top five of my favorite actresses currently working, and I cannot wait to see her take on this thrilling role. With Gyllenhaal, we all know what we are going to get—a charismatic yet enigmatic performance; it is a recipe for success and Gyllenhaal rarely lets the audience down. Nocturnal Animals is set for a theatrical release on November 18, 2016.

Rogue One: A Star Wars Story is the first of three stand-alone spin-off films set in the Star Wars universe and takes place (temporally) sometime between the conclusion of Episode III and the beginning of Episode IV in the Star Wars franchise. The film is set 18 years after the formation of the Galactic Empire and follows the Rebel Alliance as it recruits Jyn Erso (Felicity Jones) to work with Cassian Andor (Diego Luna) and a team to steal the Death Star plans.

To be completely honest, I did not watch a single Star Wars movie until last fall when I binge-watched the entire series in anticipation of the release of Episode VII: The Force Awakens. Although the franchise had always been a cinematic blind spot for me, I got caught up in a short span of time and was not disappointed. With the exception of Episodes I and II, I found all of Star Wars films to be highly entertaining and well-crafted pieces of cinema. Because of this, I have an enormous interest in the newest addition to the Star Wars universe.

As was probably the case for most Star Wars fans, the trailer for Rogue One had me hooked. Aside from a journey back to a galaxy far, far away, Rogue One also grabbed my attention with its out-of-this-world (see what I did there) cast. Leading the way is Felicity Jones, a fetching actress who more than impressed me with her Oscar-nominated performance in 2014’s The Theory of Everything. Joining Jones are actors Diego Luna, Ben Mendelsohn, Mads Mikkelsen, Riz Ahmed, and Forest Whitaker, a group with varying degrees of experience but unwavering levels of precision. Led by Gareth Edwards (the director of Monsters and Godzilla), this cast has everything going for it to make the newest Star Wars film a success. Let’s hope Rogue One delivers. Rogue One: A Star Wars Story is set for a theatrical release on December 16, 2016.

Moonlight tells the story of a young black man balancing his dysfunctional home life and coming of age in the “War on Drugs” era. The story of his struggle to find himself is told across three distinct chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love while grappling with his own sexuality.

Moonlight is one of those films that looks to have everything necessary to strive as a sleeper hit this fall. After debuting at this year’s Telluride Film Festival, Moonlight was met with universal acclaim—David Rooney of The Hollywood Reporter stated the film was “fluid and seductive, deceptively mellow, and shot with shearing compassion,” while Time Out New York’s Joshua Rothkopf hailed the film as “without a doubt, the reason we go to the movies: to understand, to come closer, to ache, hopefully with another.” For me, these early reviews triggered an immense interest in the film, and I cannot wait to see where Moonlight goes from here.

The film does have some question marks though: director Barry Jenkins and lead actor Trevante Rhodes (who plays Chiron) epitomize the term “unknown.” Although I have never heard of Jenkins, the critics at Telluride collectively praised his abilities. Justin Chang from the LA Times suppressed any apprehension I had about Jenkins, stating that he “made a film that urges the viewer to look past Chiron’s outward appearance and his superficial signifiers of identity, climbing inside familiar stereotypes in order to quietly dismantle them from within . . . . [Moonlight] doesn’t say much. It says everything.” Moonlight is set for a theatrical release on October 21, 2016.

Director: Barry Jenkins (Medicine for Melancholy, My Josephine)

Starring: Trevante Rhodes (The Night Is Young, Weightless), André Holland (The Knick, Selma), Naomie Harris (Our Kind of Traitor, Spectre), and Mahershala Ali (Free State of Jones, House of Cards)

Welcome back, everyone. Usually I release my Fall Preview each year at the end of August to encompass all theatrical releases between September and December; however, due to being a bit busier than usual this—and the fact that September is always the weakest month of the fall in terms of film releases anyways—I have delayed the release of my list until now. With the 89th Academy Awards just 148 days away, the bulk of my research and preparation for the release of a decent chunk of potential Oscar-worthy movies begins now!

Okay, let’s get the fall movie season started. For the fourth consecutive year, I have created a list of my most anticipated movies of the season. My list consists of ten films (plus five honorable mentions) that, on their face, look like they could be very good. I take into account a range of criteria when considering films for this list, including, but not limited to, the cast, director, producers, media hype, trailer, and pure conjecture. Below is the schedule for my three Fall Preview posts, so make sure to be on the lookout this weekend:

Today: Honorable Mentions

Sunday: No. 10 – No. 6

Tuesday: No. 5 – No. 1

Kicking off this year’s Fall Preview are the five films that just missed out on making my list of the Top 10 movies I am most looking forward to seeing (in alphabetical order). Enjoy!

The Accountant

The Accountant is a film about Christian Wolff (Ben Affleck), a mathematics savant with little to no social skills. Although it appears Christian is a small-town CPA, he makes his living as a forensic accountant for dangerous criminal organizations. With the government on his heels, Christian takes on a state-of-the-art robotics company as a legitimate client. As he gets closer to the truth about a discrepancy that involves millions of dollars, the body count starts to rise.

This film is either going to be really good or really bad. But I cannot help myself from being intrigued by the casting of Ben Affleck in such an atypical role. Whether he is the good guy or the bad guy, Affleck historically portrays characters with copious amounts of charisma—that clearly is not the case here, as Christian Wolff embodies the exact opposite of term “social butterfly.” With the addition to the cast of the firecracker Anna Kendrick, the Oscar-winner J.K. Simmons, and the ever-brooding Jon Bernthal, The Accountant has the dominant “acting” factor on its side.

I am also interested to see what director Gavin O’Connor will bring to the table here. I have not seen his 2011 film Warrior, which featured performances from Tom Hardy and Joel Edgerton, but the praise it received is undeniable nonetheless. Further, he impressed me in 2008 with Pride and Glory, so my hope is that he continues to find his groove, building upon the success of these two particular films. The Accountant is set for a theatrical release on October 14, 2016.

Billy Lynn’s Long Halftime Walk is a war drama based on the 2012 award-winning novel of the same name. The film follows Billy Lynn (Joe Alwyn), a 19-year-old Army specialist fighting in Iraq. Following an intense battle where Billy and his comrades barely survive, they are brought back home to the US and celebrated as heroes. Once they are back, they embark on a promotional tour across the country, which ends in a halftime show at the annual Thanksgiving Day football game. There, the film follows Lynn as he recounts the tragic memories of the war and losing his sergeant in a firefight.

When I first watched this trailer, I had two distinct thoughts: (1) Wow, this story looks like it is going to be an intense, tear-jerking ride; and (2) Damn, part of this looks like Ang Lee went full-blown Disney. If the latter turns out to be the case (i.e., cheesy melodrama…blahhhhh), I know I will not enjoy the film. Therefore, I am hopeful that Ang Lee is relentless in making this feel-good film all the while intense and dramatic. The veteran director rarely makes mistakes as a filmmaker, which is why I am putting a fair amount of faith in Billy Lynn’s potential to be a sleeper hit this fall.

Despite having Ang Lee at the helm, the film could epically fall flat as a result of its cast. With Chris Tucker, Garrett Hedlund, and Steve Martin on board, the film has hope; however, I still have reservations about Vin Diesel, Kristen Stewart, and the movie’s lead, Joe Alwyn. As far as Diesel goes, I will be frank—other than his motion-capture and voice work as “Groot” in Guardians of the Galaxy, I have little reason to believe he is a worthwhile actor at all, as his filmography epitomizes the term “weak sauce.” Throw Kristen Stewart into the picture, and I become far more concerned—Bella is a complete and utter drag to stomach on the screen. Lastly, the trailer seems to show Alwyn giving a fantastic performance; however, it is his debut performance. Because of that, it only makes sense to exercise caution. How can I have such worrisome thoughts while still having hope for the film? It all comes down to Ang Lee for me. Billy Lynn’s Long Halftime Walk is set for a theatrical release on November 11, 2016.

The Birth of a Nation tells the true-life story of the slave rebellion led by Nat Turner (Nate Parker), a literate slave and preacher. The film follows Turner as his financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat’s preaching to subdue unruly slaves. As Turner witnesses countless atrocities—against himself and his fellow slaves—he orchestrates an uprising in the hopes of leading his people to freedom.

Back to the film. My interest in the film dates back to the conclusion of the 2016 Sundance Film Festival. After taking home the festival’s most prestigious award­­—the Grand Jury Prize: Dramatic—filmmaker Nate Parker inked the largest film-rights deal in Sundance history: Fox Searchlight Pictures bought the worldwide rights for $17.5 million (Parker also took home the Audience Award: Dramatic, as well). Mix in some serious critical acclaim, and I was hooked. I was also drawn to Parker’s desire to bring about systemic change via the silver screen with his film; in 2015 he stated, “There’s so many things that are happening right now in 2015—100 years after the original ‘Birth of a Nation’ film, here we are. I’d say that is what I hope sets my film apart, is that it’s relevant now—that people will talk about this film with the specific intention of change.” Despite Parker’s personal controversy, I am looking forward to his film’s underlying message of social change in a time where our nation desperately needs it. The Birth of a Nation is set for a theatrical release on October 7, 2016.

Fantastic Beasts and Where to Find Them is a fantasy film inspired by J.K. Rowling’s book of the same name, which itself was the supposed textbook in the “Harry Potter” universe authored by fictitious Newt Scamander. The film follows Newt Scamander (Eddie Redmayne) as he arrives in New York City in 1926 to meet with an official from the Magical Congress of the United States of America. At this meeting is a magically expanded briefcase, which houses a number of dangerous creatures and their habitats. When the creatures escape from the briefcase, it sends the American wizarding authorities after Newt.

For anyone that knows me well, it is obvious that this film would always be on my radar this fall—I am a devoted fan of the entire “Harry Potter” universe developed by genius author J.K. Rowling. It has been five years since the last Harry Potter film was released, so for me, to come back into Rowling’s magical universe is a dream come true. The film’s director and screenwriter only add to my eagerness: David Yates and J.K. Rowling, respectively. I have extremely high hopes for the film with Yates behind the scenes, as he directed the final four Harry Potter films—those films definitely took the series to a new level, and with Yates’s deep knowledge of Rowling’s universe, he will surely deliver a gem. Speaking of Rowling, the “Harry Potter” mastermind penned her first screenplay with Fantastic Beasts. On paper, Rowling has never let me down—I have the same hope for her debut script. Fantastic Beasts and Where to Find Them is set for a theatrical release on November 18, 2016.

Director: David Yates (The Legend of Tarzan, Harry Potter and the Deathly Hallows)

Manchester by the Sea, set and filmed in Manchester-by-the-Sea, Massachusetts, tells the story of Lee Chandler (Casey Affleck). Following the sudden and unexpected death of Lee’s older brother Joe (Kyle Chandler), Lee becomes the legal guardian of Patrick, Joe’s son. The story then follows Lee back to his hometown of Manchester-by-the-Sea, Massachusetts, as he must deal with his new role while balancing issues with his separated wife (Michelle Williams) and the North Shore community.

If you have not heard much about this film—which I imagine most haven’t—it is high time to get familiar. I wish I could vouch for Kenneth Lonergan as a film director, but I simply cannot—I have never once seen one of his films (to my credit, he basically hasn’t done anything as a director). However, what will probably pique your interest is a major writing credit on his résumé: Gangs of New York. That film is one of my all-time favorites, and Lonergan’s script was dramatic, intense, and as witty as they come—I sure hope he is able to emulate that dexterity here in Manchester by the Sea (Lonergan also penned this script).

As far as acting, this film has a variety of talented actors that will surely put on fantastic performances. But the one person that makes me want to rush out to see this the moment it hits theaters is Casey Affleck. In my opinion, Casey is a far superior actor to his older brother Ben (you know, Batman). He has continually impressed me with well-crafted, nuanced performances in films like The Assassination of Jesse James by the Coward Robert Ford and Gone Baby Gone (the latter of which was directed by Batman Affleck himself), and after watching the Manchester by the Sea trailer, all signs point to another gifted performance. Manchester by the Sea is set for a wide theatrical release on November 18, 2016.

Director: Kenneth Lonergan (Margaret)

Starring: Casey Affleck (Triple 9, The Finest Hours), Michelle Williams (Oz the Great and Powerful, Take This Waltz), and Kyle Chandler (Carol, The Wolf of Wall Street)

Happy Monday, film fans! The conclusion to my “Fall Preview 2015” is finally here. Over the past few days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2015 list. Enjoy!

No. 5 – Black Mass

Black Mass tells the true story of Whitey Bulger (Johnny Depp), a notorious mobster and infamous leader of the Winter Hill Gang, an Irish-American mob in South Boston. If you have not seen this trailer, quit reading this now and click the link to it below (no, seriously…it’s worth it). Johnny Depp stars as the villainous Bulger, and by the looks of the aforementioned trailer, he knocks this performance out of the park! I will be the first to admit that Depp is by far one of the weirdest tools in the Hollywood shed. In today’s world, his filmography is marred by oddball performances in films like Charlie and the Chocolate Factory, Alice in Wonderland, The Lone Ranger, and Mortdecai. But most forget how truly talented Depp is as an artist, providing iconic performances in Donnie Brasco, Blow, Pirates of the Caribbean, and Public Enemies. I am hopeful that his portrayal of Bulger falls perfectly in line with his more acclaimed displays of acting dexterity—the trailer truly does give me hope!

Other than seeing Johnny Depp own the role of a crazed, harebrained mobster, I am looking forward to Black Mass because I am hopeful that it redeems the deeply complex story of Whitey Bulger’s life that the 2014 documentary Whitey: United States of America v. James J. Bulger so drastically mucked up. I was expecting big things from that documentary, but it merely provided a bore-fest that too blatantly revealed the filmmakers’ lack of access. Beneath the surface, an incredibly captivating story bubbles with deceit, violence, lunacy, and corruption, and I am confident that director Scott Cooper and Depp will bring that to fruition. Black Mass is set for a theatrical release on September 18, 2015.

Director: Scott Cooper (Out of the Furnace, Crazy Heart)

Starring: Johnny Depp (Mortdecai, Into the Woods), Joel Edgerton (The Gift, Life), Benedict Cumberbatch (The Hobbit: The Battle of the Five Armies, The Imitation Game), Dakota Johnson (Fifty Shades of Grey, Need for Speed), and Kevin Bacon (Cop Car, R.I.P.D.)

According to Entertainment Weekly, The Revenant “is inspired by the trust story of Hugh Glass (Leonardo DiCaprio), a 19th-century hunter and fur trapper who was attacked by a bear and left for dead by his comrades (Tom Hardy and Domhnall Gleeson), only to will himself across hundreds of miles of winter terrain to safety—and redemption.” This movie has SO much going for it in my eyes: the cast, the crew, and the director. For starters, it stars Leo DiCaprio, Tom Hardy, and Domhnall Gleeson. Leo is my all-time favorite actor. Hardy is the greatest currently in the business. And with films like About Time and Ex Machina in his relatively small filmography, D-Glee is becoming one of my faves in the industry. Combine the talents of all three of these practiced artists and, in my humble opinion, you have a concoction of star power with unfathomable potential—this alone makes The Revenant a massive draw for me!

Notwithstanding a wealth of talent within its cast, The Revenant piques my interest because of its director and cinematographer: Alejandro G. Iñárritu and Emmanuel Lubezki. Iñárritu is an absolute genius filmmaker, as evidenced by his critically acclaimed 2014 film Birdman, winner of four Oscars (including Best Picture and Best Director for Iñárritu). He is obviously coming off an amazing year in film, and the fact that he is following up Birdman with an epic adventure that took over seven months to shoot in one of the most frigid locations in the world, Iñárritu is sure not letting off the gas pedal. Additionally, his Birdman cinematographer (Lubezki) is back for The Revenant, and that is reason alone to be excited—Lubezki has won the Oscar for Best Cinematography at each of the last two Academy Awards (Gravity and Birdman). The Revenant is set for a theatrical release on December 25, 2015.

Sicario, Spanish for “hitman,” follows Kate Macer (Emily Blunt), an FBI agent who is recruited onto a joint task force assigned to hunting down a drug-cartel overlord. Blunt is joined by Benicio del Toro (who plays a Mexican national) and Josh Brolin (who plays a government official). To put it simply: I absolutely cannot wait for Sicario.

Earning rave reviews from critics at this year’s Cannes Film Festival, Sicario is most fascinating due to Emily Blunt being cast as the lead protagonist. I have always somewhat enjoyed her work, but ever since her badass performance in last year’s Edge of Tomorrow, I am officially on Team Blunt for life. She has just as much charisma as any other leading lady, but it is her penchant for action that now truly sets her apart. Speaking to EW, director Denis Villeneuve said, “I didn’t want a woman who would act like a man. I wanted a woman who would find her strength in a masculine world.” I believe Blunt is up to the task, and that is one of the biggest reasons I am so stoked for this movie’s release.

The supporting cast is also a major draw. Benicio del Toro is a veteran in the game, and with performances in films like Traffic and 21 Grams, he knows how to most effectively evoke mystery, thrill, and suspense. Josh Brolin is another experienced actor that is sure to bring his trademark demeanor to the picture in order to add to the film’s drama. Lastly, I greatly enjoyed 2013’s Prisoners, directed by Villeneuve. He provided an unprecedented level of tension for that film’s entire duration, and I look for him to do the exact same thing in Sicario, hopefully expanding the scope of this apprehensive style of filmmaking. Sicario is set for a limited theatrical release on September 18, 2015 and a wide theatrical release on September 25, 2015.

Spectre is the 24th Eon-produced 007 film, and it picks up where its predecessor, Skyfall, ended: following the fatal attack by Raoul Silva that claimed the life of M (Judy Dench), James Bond (Daniel Craig) must move on to thwart impending threats (by the criminal organization SPECTRE) at the direction of the new M, Gareth Mallory (Ralph Fiennes). I am an avid fan of the James Bond series, and although my loyalties were always to Sean Connery as the preeminent Bond, Daniel Craig has definitely won me over; I now hold Craig out to be the best 007 of all time! Skyfall set a new bar for Bond films, surpassing (almost) every single one that came before it—Goldfinger is still the, pardon the pun, “gold” standard for 007 flicks! With Bond and his cohorts back in action for a fourth installment in the Daniel Craig era, I am hard-pressed to find any reason why this film should not be regarded as one of the biggest, baddest, and most anticipated films of the fall film season!

What is the one thing that could possibly propel Spectre past Skyfall for the second greatest 007 movie of all time? Two words: Christoph Waltz! The two-time Oscar winner is set to play Oberhauser, the apparent mastermind of SPECTRE, who claims some sort of personal connection to Bond. Bringing into the Bond fold one of the premier actors in the film industry is simply the best news for the franchise, and with Waltz in the mix, director Sam Mendes may find a cinematic classic at his fingertips. Spectre is set for a wide theatrical release on November 6, 2015.

The Hateful Eight follows John “The Hangman” Ruth (Kurt Russell) as he escorts Daisy “The Prisoner” Domergue to Red Rock to face justice for murder. Along the way, the two come across six very unique characters: The Bounty Hunter (Samuel L. Jackson), The Sherriff (Walter Goggins), The Mexican (Demián Bichir), The Little Man (Tim Roth), The Cow Puncher (Michael Madsen), and The Confederate (Bruce Dern).

Where do I start? I have been looking forward to The Hateful Eight since late 2013 when writer/director Quentin Tarantino said that he was working on his next movie. I have long been a fan of Tarantino, and considering (1) Inglourious Basterds is my all-time favorite movie, and (2) I own every single film Tarantino has ever made, it is no surprise that The Hateful Eight finds itself at the No. 1 spot of my Fall Preview. I am stunned this movie ever got made to be honest. In 2014, after his initial script was illegally leaked, Tarantino said that he was abandoning the project. However, he later changed his mind, rewrote the script, and voilà—we get a Christmas-day release in 70 mm of The Hateful Eight!

One thing Tarantino has always been known for is his recurring collaborations with actors—The Hateful Eight is no exception. Other than Jennifer Jason Leigh and Demián Bichir, Tarantino has previously worked with each of his stars. The Hateful Eight will be his second collaboration with Kurt Russell, Walter Goggins, and Bruce Dern, his third with Michael Madsen, his fourth with Tim Roth, and an astounding sixth with the legendary F-bomb king Samuel L. Jackson. Tarantino’s professional rapport with these actors can only benefit the movie, and I am so eager to see what this mad scientist has cooked up next! The Hateful Eight is set for a 70 mm film release on December 25, 2015 and a digital film release on January 8, 2016.

In this post, I reveal films No. 10 through No. 6 on the list of my Top 10 most anticipated movies coming out during the fall season. This batch includes some potential heavy hitters, and if you are looking for a great movie to go see in theaters in the next few months, this post will give you some top-notch options among the films that look most poised for success.

No. 10 – Steve Jobs

According to Entertainment Weekly, Steve Jobs follows its titular character, one of the most revolutionary tech giants of all time, behind the scenes of three iconic product launches: “The Macintosh, Jobs’ failed NeXT computer, and the first iMac.” In 2013, Ashton Kutcher played the Apple founder in the blatantly average Jobs. That boring biographical piece is by far the cause for my unconditional anticipation of Steve Jobs. This is due to the fact that the 2013 film proved that there is an amazing story waiting to be unearthed about the visionary behind the iPod, but it simply needs the film industry’s best and brightest to do the tale justice. In 2015, that is exactly what we get!

Sitting in the director’s chair is Danny Boyle, the genius behind Trainspotting, 28 Days Later, Slumdog Millionaire, and 127 Hours. Leading the cast in the role of Jobs is the rapidly up-and-coming cinematic great Michael Fassbender. And penning the screenplay is one of my favorite writers in the game, Aaron Sorkin (the writer behind A Few Good Men, Charlie Wilson’s War, The Social Network, and Moneyball). With this incredible team pulling the strings in the newest incarnation of Steve Jobs’s life story, it is destined for Oscar nominations. Steve Jobs is set for a theatrical release on October 9, 2015.

Beasts of No Nation tells the vexing story of Agu (Abraham Attah), a young boy in West Africa who watches as his family is ripped apart from him by terrorizing militants. After, Agu himself is recruited by the leader (Idris Elba) of an army of rebels, comprised of mostly child soldiers. This movie appears to tell a gripping story of a tense and controversial subject matter, and it seemingly has all of the parts to make it a masterpiece: Cary Joji Fukunaga wrote and directed, and Golden Globe-winning actor Idris Elba plays the devilish commander. For all of you True Detective fans out there (I have only seen a few episodes of season 1, but from what I gathered, it was amazing), Fukunaga directed season 1. Take his direction and mix it with Elba, one of my favorite actors in the business, and I think Beasts has what it takes to succeed.

One of the most interesting facts about this movie is that it is Netflix’s very first original feature film. With Netflix already becoming known for its critically claimed original programming (House of Cards, Orange Is the New Black, and Unbreakable Kimmy Schmidt), I am incredibly pumped for its journey into original film production—Beasts debuts on Netflix’s streaming service on the same day as its theatrical release. Speaking to Entertainment Weekly, Fukunaga stated: “It’s really hard to deny the power of 66 million subscribers. If the audience can have an emotional experience with my movie, then that’s everything I want.” Beasts of No Nation is set for a theatrical and Netflix Instant Stream release on October 16, 2015.

To keep it simple, Joy is about the inventor of the Miracle Mop, Joy Mangano (Jennifer Lawrence). Treating cinematic visionary David O. Russell’s story to a more in-depth and honest description, it is an epic story about a 30-year span in a woman’s life, charting her ups and downs, successes and struggles. Russell again collaborates in Joy with the trio of superstars (Lawrence, Robert De Niro, and Bradley Cooper) he has featured in each of his last two films (American Hustle and Silver Linings Playbook). Take these established relationships and throw in the fact that Russell’s last three films have all been nominated for the Academy Award for Best Picture, and movie fans worldwide surely have a cocktail for genius.

Speaking of David O. Russell’s professional relationships with his recurring stars, my interest in this film is most evidenced by Jennifer Lawrence in the leading role. Silver Linings Playbook did feature her as one of the two main co-stars, but the film was mostly about Cooper’s character. Subsequently, American Hustle featured a hilarious supporting performance by J-Law, but it was Amy Adams, Christian Bale, and Cooper taking up the film’s bulk. Therefore, I am beyond stoked to see one of my favorite actresses own the screen time. Lawrence knows her relationship with Russell is special, telling Entertainment Weekly, “Working on his sets is like the Olympics of acting. Everything moves so fast. It’s like watching someone do a giant abstract painting or sculpture and you go, ‘Where is this going?’ And then all of a sudden you’re like, ‘Oh, it’s a Pegasus. It’s beautiful!” Joy is set for a theatrical release on December 25, 2015.

The Martian follows astronaut Mark Watney (Matt Damon), as his crew mistakenly takes him for dead during a storm on Mars. Stranded on the red planet alone without enough resources to last him more than a few weeks, Watney must defy the odds to ever make it back to Earth alive. Ridley Scott directs this sci-fi thriller, and that is all I need to know to get on board. Scott is the creative innovator behind Alien, Blade Runner, Gladiator, and Prometheus, and with an interstellar (pun intended) cast at his disposal, his every cinematic desire will surely play out masterfully on the screen. Although I really did like Christopher Nolan’s Interstellar last year, it was a bit too Inception-esque with its utterly complex structure. From the looks of Scott’s The Martian in its trailer, this film looks to still provide the stunning visual prowess akin to that in Interstellar, while connecting more with the audience.

Scott’s ensemble cast in The Martian is most definitely one of its most impressive features. Matt Damon is obviously an award-winning star, but I am most looking forward to seeing Jessica Chastain. Those familiar with my blog and opinions on film in general know that I have long contended that Chastain is the most skilled actress in the industry. Just like her role in the aforementioned Interstellar, I expect big things from such a Hollywood heavyweight. I am also intrigued by the star power of this film’s supporting cast: the forever fearful of trains Kate Mara (House of Cards anyone?), the always hilarious, but I imagine soon-to-be dramatic Kristen Wiig, and the Oscar-nominated Chiwetel Ejiofor. A cast this strong is likely to command every last second of the film. The Martian is set for a wide theatrical release on October 2, 2015.

In the true-life biopic Legend, set in London during the 1960s, Tom Hardy plays both twin brothers Reggie and Ron Kray, two of the most renowned gangsters in the world. Tom Hardy + Tom Hardy = double the Tom Hardy. Boom! I am in! Just like my devoted contention that Jessica Chastain is the most talented actress in the game, I likewise believe Hardy is the single greatest actor in all of world cinema. He has proven his worth as the titular character in the brutally violent Bronson, the demented supervillain Bane in The Dark Knight Rises, the emotionally torn Ivan in last year’s Locke, and the legendary master of madness in this year’s Mad Max: Fury Road. He is the ultimate craftsman, and Legend director Brian Helgeland immediately took notice of Hardy’s seriousness behind the scenes, telling Entertainment Weekly, “he takes it to a point I’ve never seen—just the commitment and the focus. There’s no gag reel.”

Aside from the actual casting of Hardy in Legend, I am fascinated by the fact that he plays both of the Kray twins. Yes, Armie Hammer did a wonderful job as both Cameron and Tyler Winklevoss in 2010’s The Social Network, but Legend is pitched as a badass action adventure, which implicates a completely unprecedented challenge for an actor to take on two roles. While Helgeland initially wanted Hardy to portray only Reggie, the character with the emotional love story at his core, Hardy was smitten with the challenge of playing Ron, the gay and much more outgoing of the twins. Helgeland told EW that “from the time Tom sat down, all he was talking about was Ron. At the end, Tom said, ‘I’ll give you Reggie if you give me Ron.’” The rest was history, and I cannot wait to see the result. Legend is set for a theatrical release on October 2, 2015.

“Pain is temporary, film is forever.” – John Milius, co-writer of Apocalypse Now. Welcome back, everyone. This year has already been an incredible journey playing out on the silver screen, and I am ecstatic to be back to blogging about the greatest medium in the world: FILM! As of today, we are 184 days away from the 88th Academy Awards. Per usual, the bulk of my research and preparation for the release of a decent chunk of potential Oscar-worthy movies begins now!

With that, it is time to get the Fall Movie Season started. For the third consecutive year, I have compiled a list of my most anticipated movies of the season. Below is the schedule for my three Fall Preview posts, so make sure to be on the lookout this week:

Today: Honorable Mentions

Saturday: No. 10 – No. 6

Monday: No. 5 – No. 1

Kicking off this year’s Fall Preview are the five films that just missed out on making my list of the Top 10 movies I am most looking forward to seeing (in alphabetical order). Enjoy!

Bridge of Spies

Bridge of Spies, set during the Cold War, tells the true story of James Donovan (Tom Hanks), an American attorney tasked with negotiating the release of Francis Gary Powers (Alan Alda), an imprisoned U-2 pilot, in exchange for Rudolf Abel (Mark Rylance), a Soviet spy. With Steven Spielberg directing and Tom Hanks playing the lead, my interest is obviously piqued. Bridge of Spies is the 29th feature film for Spiely as a director, and it is also he and Hanks’s fourth collaboration (Saving Private Ryan, Catch Me If You Can, The Terminal). Although I truly have not enjoyed a Spielberg-directed film since 2002’s Catch Me If You Can, I am holding out hope that the visionary behind the likes of Jaws, E.T., and Jurassic Park, can get back to making award-worthy films. In an interview with Entertainment Weekly, supporting actress Amy Ryan gives me that hope: “Watching [Spielberg] create a shot, he looks like the young boy who discovered film for the first time.”

The trailer is incredibly tense, and it showcases Tom Hanks in what appears to be another memorable performance by the 2-time Oscar winner. Despite the fact that the film features supporting performances by seasoned veterans Rylance, Alda, and Ryan, film fans will likely flock to the theaters in droves simply because of Hanks. Bridge of Spies is set for a theatrical release on October 16, 2015.

Carol, set in 1950s New York City, follows Therese (Rooney Mara), a twentysomething shop-girl who falls in love with the titular character Carol (Cate Blanchett), a much older, married woman. Carol debuted at Cannes this year, receiving critical acclaim from all in attendance. Ever since I first heard the buzz about the film, I was instantly drawn in. Cate Blanchett is squarely within my top five favorite actresses in the business, and Rooney Mara has continued to grow on me with her innate acting adroitness.

What struck me most about this film was director Todd Haynes’s artistic and genuinely humanistic approach to taking on this taboo subject matter. He told Entertainment Weekly, “[o]f course, it’s a story about a lesbian relationship. But it’s really about how love itself makes you feel at a loss for language, and every gesture is weighted with anticipation and meaning.” Further, Blanchett told the publication that “[i]rrespective of sexual preference, [the film] is honest about the feeling of falling in love.” That is something everyone can get on board with, and I look forward to seeing this love story evolve on the screen.

Back to Blanchett and Mara: wow, what a duo! Blanchett is a two-time Oscar winner, and Mara took home a co-Best Actress award at Cannes for her portrayal in this film. These two hard-hitting, deftly impressive actresses seem sure to give women a powerful presence this fall film season, and I am definitely up to see it all in action. Carol is set for a theatrical release on November 20, 2015.

Director: Todd Haynes (I’m Not There, Far from Heaven)

Starring: Cate Blanchett (Cinderella, The Hobbit: The Battle of the Five Armies), Rooney Mara (Her, Side Effects), Sarah Paulson (The Runner, 12 Years a Slave), and Kyle Chandler (The Wolf of Wall Street, The Spectacular Now)

Creed is a spin-off/continuation of the famed Rocky franchise, and it follows Adonis Creed (Michael B. Jordan), the son of the late, great Apollo Creed (portrayed by Carl Weathers in the Rocky series). Rocky himself (Sylvester Stallone) appears in the film, and as the trailer depicts, he will come into the picture just in time to train Adonis. In, in, in—I am in! Of course I love the Rocky franchise (not including Rocky V—BLAH), but I was wary of another addition to the storied series following the not-so-revolutionary Rocky Balboa. However, when I found out Ryan Coogler was directing, I was immediately sold. Coogler, making only his second feature film as a director, debuted on the scene in 2013 with one of the best films of that year, Fruitvale Station. It was a harrowing depiction of a horrible shooting, and it was crafted carefully and executed without blemish—his directorship alone gets me pumped to be back in the “Rocky” ring again.

Additionally, the casting of Michael B. Jordan in the lead role is the icing on top of the sundae. Jordan continues to grow as an actor, but it was his heartfelt, dramatic depiction of the lead character in Coogler’s Fruitvale Station that made me sit back and think, “Wow…this guy is good!” Even though they only have the single film collaboration, Coogler’s casting of Jordan in his sophomore effort leads me to believe that these guys get along great and make a fantastic team behind the scenes. For all fans of the Rocky series, this dynamic relationship between Coogler and Jordan is sure to make life enjoyable for us in this much-anticipated film. Creed is set for a theatrical release on November 25, 2015.

The story behind The Good Dinosaur is incredibly simple and yet so intriguing: what would have happened if the asteroid that (reportedly) killed the dinosaurs missed Earth? That question will be answered this fall in a story that follows Arlo (Raymond Ochoa), an apatsosaurus, and his relationship with a feral child, Spot (Jack Bright). An animated movie? On my list of films I am most anticipating this fall? Seriously? Absolutely!

Although I generally have enjoyed all of the Pixar movies that I have seen, I have never been too enthusiastic about animated films that have been made subsequent to my childhood. However, that all changed this year when I saw Pixar’s 15th feature, Inside Out. It is one of my favorite movies of 2015, and it brought out the kid in me again. With that said, ever since I saw the trailer for The Good Dinosaur, I was smitten with its story. It is a story about an innocent youth (stricken with tragedy—his father dies early on) and his relationship with a newfound companion. Usually the human is the one taking on a companion (usually in the form of another kid or a dog), but this simple twist in the classic storyline seems to be a good-natured treat for movies fans of all ages. I look for Pixar to knock it out of the (Jurassic) park again! The Good Dinosaur is set for a wide theatrical release on November 25, 2015.

The Walk chronicles the true-life story of Philippe Petit (Joseph Gordon-Levitt), a French high-wire artist, who strung a tightrope across the Twin Towers in New York City in 1974 and spectacularly (and dangerously) performed a high-wire routine for 45 minutes, whilst a quarter-mile above the ground. If you know this story, then you know how incredibly amazing it truly is. If you are unfamiliar with it, then boy, are you in for a treat!

My main interest in this film has nearly nothing to do with either Jo-Go playing Petit or legendary director Robert Zemeckis at the helm; instead, I am dying to see this movie because of the 2008 Oscar-winning documentary Man on Wire, directed by The Theory of Everything-director James Marsh. That documentary is by far one of my favorites of all time, and before ever seeing The Walk, I suggest you go check out Man on Wire first—you will not regret it (and it is currently streaming on Netflix). It allows you to get inside the head of this polarizing high-wire artist, and it delves deep into his life-long desires to pull off the NYC stunt. On the strength of Petit’s story, as delineated in Man on Wire, I anticipate The Walk being a memorable experience in theaters.

Notwithstanding my Man on Wire fandom, I am still excited to see JGL take on the role of such a captivating figure, and I know that Zemeckis will bring the same dramatic vigor and breathtaking trepidation to the actual high-wire scene that he did in Flight’s opening plane-crash scene in 2012. The Walk is set for a theatrical release on September 30, 2015.

Happy Friday, film fans! The conclusion to my “Fall Preview 2014” is finally here. Over the past couple of days, I have shared with you my five Honorable Mentions and No. 10 – No. 6 on the list of my most anticipated fall film releases. But now it is on to the big reveal. So, without further ado, I give you films No. 5 – No. 1 on my Fall Preview 2014 list.

No. 5 – A Walk Among the Tombstones

A Walk Among the Tombstones (based on the 1992 novel of the same name) follows Matthew Scudder, an ex-cop turned private investigator that is hired to find the people that abducted and murdered a high-end drug dealer’s wife.

Although the plot and the beginning of the trailer initially make it seem like the film is vastly similar to Neeson’s acclaimed Taken, director Scott Frank wants fans to know that it will not be the same movie. In an interview with Entertainment Weekly, Frank stated, “It’s not Taken. It’s not an action movie—it’s a very different sort of thing.” And when you watch the trailer in its entirety, it is more than evident that Frank is absolutely on point—this movie is way more of a thriller noir than Neeson’s modern action flicks.

Speaking of the trailer, it is incredible. My future sister-in-law turned me onto this film a few months ago by pointing me to its trailer, and ever since, I have considered this to be one of the movies that I absolutely cannot miss out on. The trailer is dark, chilling, thrilling, vengeful, and violent—and with Neeson on the screen, this superfluity of cinematic emotions will surely be presented with veteran fluidity and seasoned passion. Although average film fans may only accredit Neeson’s modern relevancy in film to action movies like Taken, Taken 2, and Non-Stop, I truly believe that he is an actor with noteworthy range (given his major award-nominated performances in Schindler’s List, Michael Collins, and Kinsey); this performance appears likely to cement Neeson as an acclaimed dramatic actor in this modern era, as opposed to a mere action star. A Walk Among the Tombstones is set for a theatrical release on September 19, 2014.

Interstellar is set in the not-so-distant future on an Earth that has ceased to produce enough food for the population to survive. On a mission to save humanity, widowed engineer Cooper (Matthew McConaughey) leaves his family and joins a group of scientists to travel to planets past our own solar system in hopes of finding a solution or even a new place for humans to call home.

This film is this high on the list for one reason: Christopher Nolan. The 44-year-old genius director has a limited but illustrious history as a filmmaker, and every movie fan has been waiting on pins and needles for his newest project. Nolan has incredible range as a director, creating a neo-noir psychological thriller (Memento), a superhero trilogy of innovative proportions (The Dark Knight trilogy), and a heist taking place in a sequence of interconnected dreams (Inception); but in Interstellar, he dives into his first full-blown science-fiction space narrative. His films are interesting, captivating, thrilling, and cinematically brilliant, and I am more than looking forward to this renowned director’s bright new adventure.

Matthew McConaughey (aka “I’m in everything lately, and I’m absolutely killing it”) leads this ensemble in what looks like an emotionally dedicated role, and once again, he will probably be the substance of many Oscar conversations this fall. He is joined by a posse of critically acclaimed performers, namely Jessica Chastain, Anne Hathaway, John Lithgow, Casey Affleck, Michael Caine (he’s now been in each of Nolan’s last six films), and Ellen Burstyn. The director is inimitable. The trailer is entrancing. And the cast is extraordinary—Oscar buzz will most assuredly be following the Interstellar ship no matter how many light-years away it is, and I sure hope it lives up to the expectations that have been set for it. Interstellar is set for a theatrical release on November 7, 2014.

Fury is a war film set during the final month of World War II. The film follows a five-man crew of American soldiers that command a M4A3E8 Sherman tank named “Fury.” The leader of the crew is an Army sergeant called “Wardaddy” (Brad Pitt), and in the face of the Nazis, he and his outnumbered crew are forced to overcome improbable odds in order to survive.

If Brad Pitt is in a movie, I am already sold. Yes, Brad and Angelina (newly married now—Mazeltov) are an odd pair of humans, wearing an unparalleled pop-culture crown, but at the heart of one of the most popular men in the world is an actor with an unbridled commitment to continually perfecting his art—for this, I am grateful. I was hooked on this film from the very moment I first watched its trailer. It looks dark and dreary. It looks cold and exhausted. But a narrative such as this about a group of men at the point of no return is just the kind of story that reeks of power and persistence. The tank itself appears to play a major role in the film, and with Pitt leading his men into the depths of hell in this monstrous machine of mayhem, filmgoers everywhere will most likely be well-rewarded for the experience.

I am also looking forward to seeing Pitt’s supporting cast alongside him in the battlefield. Logan Lerman is a budding young star with immense potential. Shia LaBeouf, although weird as $&*#, is still determined and focused on growing as an actor. Jon Bernthal impressed in The Wolf of Wall Street, and it will be great to see him branch out into this role. And lastly, Michael Peña is continually one of the better supporting actors on the Hollywood circuit, and the film will greatly benefit from his veteran presence. Fury is set for a theatrical release on November 14, 2014.

Director: David Ayer (End of Watch, Sabotage).

Starring: Brad Pitt (World War Z, 12 Years a Slave), Logan Lerman (The Perks of Being a Wallflower, Noah), Shia LaBeouf (Lawless, Nymphomaniac), Jon Bernthal (Snitch, The Wolf of Wall Street), and Michael Peña (End of Watch, American Hustle).

Foxcatcher takes a look into the real-life events surrounding the 1996 shooting of Olympic gold-medal wrestler David Schultz (Mark Ruffalo). The film follows the relationship of eccentric millionaire John du Pont (Steve Carell) with Olympic brothers David and Mark Schultz (Channing Tatum) in anticipation for the 1988 Summer Games in Seoul. John’s desire to attain the respect of his disapproving mother leads him into a dark spiral of obsession and compulsion, and his rage casts a wide net of derivative effects on Mark and his career. Furthermore, John’s disturbing pathology seems to steer the film in one direction, and that direction is tragedy.

This movie looks menacing. Absolutely, unequivocally, frightening. And obviously I do not mean it the sense of a horror film; rather, I refer to it in the mold of a film that you already know the ending to but refuse to look away, hypnotized by the mystery and thrill. I am drawn to this film because both Steve Carell and Channing Tatum almost unrecognizable in their respective roles—that is what makes this work. Carell is always the 40-Year-Old-Virgin funny guy, while Tatum is the ripped ladies’ man. Director Bennett Miller (of Capote and Moneyball fame) has shredded those stereotypes and created a haunting level of eccentricity and enigma—one that earned him the Best Director award at the 2014 Cannes Film Festival.

I love sports, I love drama, and I love film. Mix these three ingredients, and all of a sudden I have a pleasant cocktail to consume. But this is no ordinary drink. This is top-shelf. This is the kind of film that surpasses all others of its kind to reach a pinnacle of critical success. I have high Oscar hopes for this film, its director, and the cast he assembled, and I cannot wait to see it for myself very soon. Foxcatcher is set for a theatrical release on November 14, 2014.

In Gone Girl (based on the best-selling novel of the same name), Nick Dunne (Ben Affleck) reports his wife missing on their fifth wedding anniversary. An intense police investigation and a modern day media frenzy ensues, and quickly, the marriage of Nick and his missing wife Amy (Rosamund Pike) begins to crumble under the nose of the nation. As more and more of Nick’s lies and deceit become readily apparent, the world begins to wonder if Nick himself is at fault for Amy’s disappearance.

If you have been following the writing in my Fall Preview closely, you probably think that I believe every movie in my Top 10 could be No. 1; if so, you are almost correct. I definitely do think my Top 10 consists of commendable films with untapped potential, but I saved Gone Girl for my No. 1 spot for a reason—it is clearly the film to watch out for this fall season!

Like Inherent Vice and Interstellar before it, Gone Girl has received an immense amount of hype due to its director; here, that visionary filmmaker is the legendary David Fincher. Fincher has such a unique style of filmmaking, and his innate capability to create mystery and thrill is evident by renowned films like Se7en, Fight Club, Panic Room, and The Girl with the Dragon Tattoo (all of which I own personally). And in recent years, he has mastered the art of drama, too, with successful ventures in The Curious Case of Benjamin Button and The Social Network (both of which I also own). I list Fincher’s eminent résumé to make the point that he is clearly one of the most talented and thriving filmmakers around today. Everyone who loves film is always anxiously awaiting the next picture from Fincher, and even though that wait is always carried out with a particular degree of impatience, it is always well worth it.

David Fincher’s film can only succeed with a carefully crafted cast, and in Gone Girl, he has assembled a diverse group of heavy hitters, bubbling stars, and relatively unknowns. From the early reports, it appears this interesting dynamic works exceptionally well, and I cannot wait to see those interactions play out on the big screen. Ben Affleck leads the film as the mysterious Nick Dunne, and his missing bride is played by Rosamund Pike, an experienced actress that finally gets the chance to make a huge impact on the screen. Affleck and Pike are joined by the traditionally comedic Neil Patrick Harris, the usually-in-a-female-outfit Tyler Perry, the former SNL cast member Casey Wilson, and the oft-topless “Blurred Lines” music-video star Emily Ratajkowski. It is a fascinating choice for an assemblage of characters in such a serious, dramatic film, but I believe it will pay off tenfold in the end. Gone Girl is set for a theatrical release on October 3, 2014.

Director: David Fincher (The Social Network, The Girl with the Dragon Tattoo).

Starring: Ben Affleck (The Town, Argo), Rosamund Pike (Jack Reacher, The World’s End), and Neil Patrick Harris (The Smurfs 2, A Million Ways to Die in the West).

I hope everyone found the Honorable Mentions post yesterday enjoyable. It is always a fun post as it truly gets this vital film season rolling. Today’s post reveals films No. 10 through No. 6 on my list of Top 10 most anticipated movies coming out during the fall season. This batch includes some potential heavy hitters, and if you are looking for a great movie to go see in theaters in the next few months, this post will give you some top-notch options among the films that look most poised for success.

No. 10 – Inherent Vice

Inherent Vice is a crime noir set in the psychedelic period of the 1970s, which follows Private Investigator Larry “Doc” Sportello (Joaquin Phoenix) and, according to Entertainment Weekly, chronicles his search for answers in the “disappearance of his ex-girlfriend’s wealthy boyfriend.”

At first glance, this film does not appear to have much to offer in terms of high-levels of anticipation—and that is because the plot currently known to the public is entirely vague, and a trailer still does not exist. Notwithstanding this mystery, the movie is regarded as one of the most likely films to receive critical success because of numerous factors, namely its director: Paul Thomas Anderson. PTA is one of my favorite filmmakers around, and furthermore, I believe he is one of the best at what he does (most film nerds share this sentiment). His filmography is impeccable, and the fact that he is back behind the camera is enough of a reason for me to salivate with eagerness.

In addition to P.T. Anderson, the cast is as accomplished as it gets. The film features the likes of Phoenix, Josh Brolin, Owen Wilson, Reese Witherspoon, and Benicio del Toro. It is sure to be a genius film, and the film’s spot at No. 10 on this list is ONLY because very few details have been released. Inherent Vice is set for a theatrical release on December 12, 2014.

In The Judge, big-shot attorney Hank Palmer (Robert Downey Jr.) returns to his small hometown to attend his mother’s funeral. The trip is notably momentous for Palmer because for decades, he has been estranged from his father, a well-respected local judge. As if the awkward reuniting between father and son is not arduous enough, Palmer learns that his father is being accused of a fatal hit-and-run accident.

As a second-year law student and life-long aspiring attorney, it is not the least bit surprising that legal films like this have always tickled my fancy. However, I have always strayed away from the law movies that lack any heartfelt drama outside of the courtroom—The Judge does not appear to be one of those.

From the box-office success of the Iron Man franchise, I say this with full confidence that I am in the majority: I buy into Downey’s charisma on the screen. He has his own style and always impresses in his performances, and for this, I am definitely looking forward to this film. I am also excited to see him beside Robert Duvall, an elder statesman in Hollywood with a storied career. I am hopeful that these two silver-screen heavyweights will carry the film with esteem, and if the trailer is of any worth, it appears they have. The Judge is set for a theatrical release on October 10, 2014.

The Equalizer (adapted from the 1980s TV show of the same name) follows Robert McCall (Denzel Washington), a man with a mysterious past and a wealth of combat skills who wishes now to lead a quiet life. However, when he befriends a young prostitute named Teri (Chloë Grace Moretz) who is nearly killed by a mob of Russian gangsters, his thirst for justice reemerges in hopes of rescuing her.

This movie looks good. Really good. And if the Taken-like trailer does not do enough for you, I am sure this will: Antoine Fuqua and Denzel Washington. The last time the two collaborated was in 2001, when Washington played the Oscar-winning role of Detective Alonzo Harris in Fuqua’s masterful directorial effort Training Day. That film was one of my favorites of all time, and even though Fuqua has not had similar commercial or critical success since, I am highly optimistic about the potential for The Equalizer to lift the 48-year-old director back into Hollywood relevance.

I am also eager to see Moretz playing the supporting character in this movie. Ever since I saw her completely own her scenes in (500) Days of Summer as a 12-year-old, I knew she had a special career ahead of her. So far she has not disappointed, and now she has the chance to take command of a complex role in what is sure to be a fall blockbuster. The Equalizer is set for a theatrical release on September 26, 2014.

In The Interview, two famous journalists are hired by the CIA to conduct an exclusive interview with Kim Jong-un, North Korea’s tyrannous leader. But the trip is not about the interview at all—the two are specifically tasked with carrying out an assassination on the crazed despot.

With the rioting success of every single one of Evan Goldberg and Seth Rogen’s past collaborations, it goes without saying that this movie will most unquestionably live up to the hype in terms of comedic quality. It is also reunites Rogen and James Franco, an on-screen duo that has been making the world laugh for the past few years in blockbuster comedies like Pineapple Express and This Is the End. There it is—the scene is set for another hilarious installment in the young, but storied comedic careers of these three gentlemen. So what else is there to get excited about?

The answer is this specific plot and the controversy that has followed. With the exception of masterminds Trey Parker and Matt Stone (South Park, Team America: World Police), no one else would dare insult such a trigger-happy autocrat on a worldwide scale—but Goldberg, Rogen, and Franco have done just that. But in this film, the funnymen take their gag one step further by attempting to assassinate the real-life dictator. Naturally, the North Korean leader and his posse (those left that have not been executed already, that is) are not happy about the film’s release, even though Kim Jong-un will reportedly watch it. I find the entire ploy an act of a group of men with some serious cojones. Moreover, I cannot wait to watch it myself! The Interview is set for a theatrical release on December 25, 2014.

Director: Evan Goldberg and Seth Rogen (This Is the End).

Starring: James Franco (Pineapple Express, This Is the End), Seth Rogen (Pineapple Express, This Is the End), Lizzy Caplan (Mean Girls, Masters of Sex), and Randall Park (The Five-Year Engagement, Sex Tape).

The Drop tells the story of a Brooklyn bartender named Bob (Tom Hardy). The bar Bob works at serves as a location for mob-related “money drops”—a means of illegally funneling cash. According to Fox Searchlight, “under the heavy hand of his employer and cousin Marv (James Gandolfini),” Bob soon finds himself at the heart of a robbery-gone-wrong, and a subsequent investigation threatens to dig up the past secrets of his community.

Like most films on these Fall Preview lists, The Drop appears to be one of the better movies slated for a release this fall for multiple reasons. First, the fact that Tom Hardy is in the leading role feverishly adds to my interest in this film. Hardy is quickly becoming my favorite actor in modern cinema, and it is because with every single movie, he takes on his characters with a distinctive fervor and unparalleled commitment. From his inimitable performances in Bronson and Locke and everything in between, his passion for his art is admirable, and I grow to appreciate his talent even more with every new role he explores.

Also, I am highly anticipating this film because it is the late Sopranos-legend James Gandolfini’s last appearance on the silver screen. He has had an immense career filled with memorable performances and deserved acclaim, and this particular role seems to fit his style perfectly.

Lastly, author Dennis Lehane wrote the screenplay. A couple of my favorite movies of all time, Mystic River and Gone, Baby, Gone, were films that were adapted from Lehane’s novels. It will be a pleasure to finally see a film that is written directly from the pen of the accomplished wordsmith. The Drop is set for a theatrical release on September 12, 2014.

Movie fans—ASSEMBLE! Welcome back, everyone. As of today, we are exactly 180 days away from the 87th Academy Awards. As usual, my preparation for the release of a large portion of this year’s Oscar-worthy films begins now! So far throughout this calendar year, there has been a decent amount of good films that have been released and a couple that are downright superb.

And now it’s time to get this Fall Movie Season started. I have again compiled a list of my most anticipated movies of the season. Below is the schedule for my three Fall Preview posts, so make sure to be on the lookout this week:

Today: Honorable Mentions

Wednesday: No. 10 – No. 6

Friday: No. 5 – No. 1

Kicking off this year’s Fall Preview are the five films that just missed out on making the Top 10 list (in alphabetical order). Enjoy!

Birdman

Birdman follows Riggan Thomson (Michael Keaton), a former star actor known for his role as a superhero named Birdman, and his desire to return to his A-list status. Riggan hopes to retain his past glory through a Broadway play that he has created, but in anticipation of opening night, he battles a breakdown. Director Alejandro González Iñárritu is not known for making comedies (he has directed critically-acclaimed dramas, such as 21 Grams and Babel), but with this film, he brings to the table an entire new experience.

The trailer is rather mysterious, not lending itself to many comedic overtones (other than Mike Keaton parading through the streets of NYC in his tightie-whities), but with a cast that includes Keaton, Edward Norton, Naomi Watts, Emma Stone, and Zach Galifianakis, it is sure to be enjoyable—in a weird kind of way. Birdman is set for a theatrical release on October 17, 2014.

Horrible Bosses 2 reunites fans with three friends who attempted to kill their respective bosses in the previous installment in the series: Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day). This time around, the guys have started their own business, but a smooth-talking investor (Christoph Waltz) threatens to bring them down. In order to get the business back, the three hapless friends forge a plan to kidnap the investor’s son (Chris Pine) for ransom. “That obviously goes sideways pretty quickly,” Bateman told Entertainment Weekly.

Horrible Bosses is by far one of my favorite comedies of all time, and I am definitely looking forward to seeing this comedy trio back in action. The trailer reveals cameos from three of the last film’s funniest characters: David Harken (Kevin Spacey), Dr. Julia Harris (Jennifer Aniston), and Dean Motherf*$%#^ Jones (Jamie Foxx). I am hopeful that this film will become a classic sequel, as it definitely looks way better than Anchorman 2 and the new Dumb and Dumber sequel. Horrible Bosses 2 is set for a theatrical release on November 26, 2014.

Jimi: All Is by My Side is the true-life story of musical legend Jimi Hendrix (André Benjamin). The film follows the rockstar’s journey to his breakthrough performance at the Monterrey Pop Festival in the late 1960s, as opposed to tracking Hendrix from birth to death, and director John Ridley did this intentionally for creative purposes. “The excitement was in avoiding what was expected,” Ridley told Entertainment Weekly.

Unlike most, I am not particularly privy to Jimi Hendrix’s musical career, but this film piques my interest for multiple reasons. For starters, Ridley is directing, and last year he won the Oscar for Best Adapted Screenplay for Best Picture-winner, 12 Years a Slave. It was my favorite film of last year, and I anticipate Ridley’s impeccable writing skills translating well to the director’s chair. I am further intrigued by André Benjamin’s casting in the lead role of Hendrix. In the few movies I have seen him in, “Three Stacks” (Outkast fans, where ya at?) always did a tremendous job on the screen. The trailer reveals a performance that is committed and authentic, and I am excited to see his portrayal of Hendrix on the silver screen. Jimi: All Is by My Side is set for a theatrical release on September 26, 2014.

Kill the Messenger tells the true-life tale of award-winning journalist Barry Webb (Jeremy Renner) and the dangerous story he happens upon. The film chronicles America’s crack epidemic and the government’s implicit knowledge of the drug trade. As Webb’s investigation soldiers on, a range of CIA officials and high-ranking drug lords warn him to stop; however, Webb keeps digging for answers, and this journey becomes grueling as his life is incessantly put into grave danger.

Aside from Renner and cameos from Hollywood heavy hitters Ray Liotta, Andy Garcia, and Michael Sheen, this film’s cast is made up of predominantly second-string character actors. In spite of this revelation, it has a mass amount of potential because of two-time Oscar nominee Jeremy Renner at the helm. Ever since his performance in The Hurt Locker in 2008, Renner has developed into one of the best talents in the business, and it is hard to imagine a world where he does not succeed in this movie. The trailer gives me high hopes for the film, and I am excited to see this conspiracy thriller in action. Kill the Messenger is set for a wide theatrical release on October 24, 2014.

According to Entertainment Weekly, Mr. Turner profiles the “last 25 years of the prolific early-19th-century British seascape painter J.M.W. Turner (Timothy Spall).” The biopic conveys his vast impact on the early days of impressionism, and in the trailer, a woman utters, “You’re a man of great vision, Mr. Turner.” That seems to be the enlightening theme behind this untold story. Although this film is probably enormously unknown to the average moviegoer in the United States, it is one that is highly anticipated in Great Britain. Director Mike Leigh is a well-known filmmaker, and this is his sixth collaboration with Spall, fourth with Marion Bailey, and third with Dorothy Atkinson—obviously this continuity and chemistry behind the scenes will help the film along in a refined manner.

I became interested in the film due to the critical acclaim it received at this year’s Cannes Film Festival in France. Early reviews have been wholly positive and complimentary, and most of the praise has been directed at Spall. In fact, Spall won the Best Actor award at Cannes, and it is this specific accolade that gives me faith in the biographical drama. I am also a sucker for great cinematography, and at Cannes, Mr. Turner cinematographer Dick Pope took home the award in that category. All of the pieces are in place for a successful run this winter, and I hope to continue broadening my cinematic horizons by taking in this film. Mr. Turner is set for a theatrical release on December 19, 2014.