If you take a look at the songs most streamed over this summer, one thing is blatantly clear: Black rappers were all the rave. While this might seem like a “Mama we made it!” moment, it most definitely is not a cause for celebration. It’s just another example of White consumption of “Black culture” without real appreciation for Black excellence.

This week, HuffingtonPost shared the top 10 streamed songs across different platforms. And while popular news site News One declared this as Black artists “making history”, there are some landmarks that we shouldn’t be totally and blindly proud of. Taking one second to think beyond the melanin content of the top artists’ epidermis, we can see that the success of these songs is not a sign of progress or a more inclusive music industry. It is the all too familiar commoditization of Black culture … to Blacks’ detriment.

Whites tend to be entranced by ratchet anthems like Fetty Wap’s “Trap Queen” and talk of eating booties “like groceries”. To them, that is the totality of Black culture. And they have no problem doing the “Whip” and the “Nae Nae” while denigrating Serena Williams’ body or calling President Obama every racial epithet in the human lexicon. Don’t forget that.

The fact that The Weeknd’s “Can’t Feel My Face” was a top streaming song on Spotify this summer isn’t something I want written down in a book somewhere and shared in the future as a landmark. It isn’t something our kids need to be aware of because, quite simply, it just ain’t that important. We have to think deeper about how Black culture is packaged and sold to the masses. No shade to anyone named on any of these lists – make your money the best way you see fit. My issue is when these “achievements” are marked as “making history.”

This isn’t a moment of reflection. These artists – while representative of their respective home towns, communities, families, etc. – are not revolutionizing musicality right now. This is happening while artists like Tamar Braxton, Tyrese, Tamia, and Luke James struggle to get spins on mainstream music stations. Half the time, they can’t even get play on R&B and Hip Hop stations. Riddle me this: If this is such a landmark moment for Black music, why isn’t all Black music seeing the same trend? Why aren’t all Black artists privy to this celebration?

Let’s also not glaze over the fact that these celebrated artists are predominantly Black men. Are there no Black women worth praising in the Rap (*cough* Nicki Minaj), Hip-Hop (*cough* Janelle Monae) and R&B (*cough* Jill Scott) genres in 2015?

The truth is, White consumption is never something to praise. It is most often exploitative, marginalizing, and limiting, especially for Black entertainers. This moment, while interesting, should be kept in perspective and critically analyzed for what it is not something we wish it could be.

The Top 10 streamed songs on YouTube, Google Play, and Spotify for the summer are listed below.