At right, Victoria Selbach’s Mary 4 is a dark study of the titular woman, solemn and nude, introverted and fading into shadows. In contrast, Pam Hawke’s metal-based Cocoon glows as its meditative, redheaded subject stands with eyes closed, adorned with a scarf surrounding her like armor.

Here is a show strictly curated to raise awareness of an underrepresented and deserving focus, and yet at the same time serving to undermine such simple categorization.