This three-day exhibition opened with an evening event featuring a panel discussion on the links between 1960s psychedelic music and culture, and the persistent fascination of Carroll’s work. The limited size of the venue meant that only 90 tickets were available and these sold out weeks ahead of the show. This was a clear indication of the demand for events of this type. In Britain there are numerous scientific and social events related to psychedelics, but there is obviously a thirst for engaging, intellectual commentary and reflection on psychedelic arts and culture. We’ve taken note and…