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Whenever we have featured Mega Emotion in the past, we have always been taken aback by the sheer ferocity of their sound. Huge, cacophonous electronics have battered us into submission, and we have graciously bent the knee in servitude to their frenetic chaos-pop. Today though, they have taken pity on us and provided a moment of delightfully light and airy pop respite.

With a hint of the Human League about it, “Laura” is a glorious late autumn sunset of a track. Balmy and tender, the synths drift effortlessly as Lisa and Jan’s vocals entwine and then harmonise with Iain’s. Even the machine gun beats are more gentle, pulsing rather than clattering as they have done in the past. It’s a moment of serenity, three minutes of blissful euphoria and contentment, full to bursting with love when everything comes good, before the inevitable tumultuous crash that follows.

Mind you, Mega Emotion are pretty damn good at soundtracking that crash as well, and we look forward to more of that in the future. They have promised to get more experimental soon, but for now we are getting lost in the dreamy, soft-focus sounds of “Laura”.

After spending the last week or so looking ahead in excitement at our top 15 artists to Listen Out For in 2014 (21 artists if you include the honourable mentions as well), it is now time to take a look back at some of the brilliant music we’ve enjoyed in the last 12 months. As is now the norm at Alphabet Bands, we will be looking at our favourite tracks, EPs and Albums of the year. This week will be Tracks (starting right now) and EPs, next week we’ll do albums.

So, we start our countdown of our 25 favourite tracks right here and now with numbers 25 – 21, but what exactly do we mean by a track, does it have to be a single? Well no, no it doesn’t. That may seem a bit of a cheat, but there’s a reason behind it. We have purposefully used quite a loose definition of ‘tracks’. We are not looking at singles only but tracks that were released in one capacity or another over the last 12 months. Though we should note, if a track was released online this year but will become a single next, then it won’t be included (“Anomaly” by Paper Crows fell foul of this rule for example). The only other arbitrary rule we have implemented is, one song per artist.

These then are the tracks that really stood out and stayed with us across the year, and we mean the whole year, many of these tracks have been out a number of months and we keep coming back to them time and time again, that’s how good they are.

We hope you like them and hopefully even find some you hadn’t heard before.

#25 All We Are – “Utmost Good”

We don’t know where Liverpool’s All We Are had been hanging out before making “Utmost Good”, but we figure it involved time travelling to a disco-funk club in the seventies where the lights are as low as the ceilings and a slightly-sweet smelling smoky haze sits motionless above the patrons. It grooves like the coolest hepcat in the coolest part of the city, with not a care in the world. It’s a white-suited John Travolta walking down the street at half-speed with a bassline that exudes cool and a beat that nudges your shoulders from side to side while the trio sing lovely falsetto shapes. The whole thing makes for quite a superb piece of dreamy psychedelic laid back funk that’ll make you want to break out the lava lamps, joss sticks and giant yin yang tapestries.

#24 A Weekend At The Feelies – “Lowly Buzzard”

We’ve been big fans of Jordan Campbell’s musical alter ego, A Weekend At The Feelies, since the moment we heard the level of depth and consideration within his debut single, “Lowly Buzzard”. It’s gloriously languid in style and almost shoegazy, dreamy and intangible, smoke like almost. Smooth vocals dissipate into its eerie chasm of sonic wistfulness. There are gentle depths and rises, twists, turns and dark corners of sound hidden away, waiting to be discovered. It’s a bit like looking into the mouth of a cave; dare to go in and the song will reward you with the echoey beauty of fragile synth highs and caressing bass lows, like aural ancient stalagmites meeting mystical stalactites.

#23 Marika Hackman – “Bath Is Black”

We did say, when reviewing Marika Hackman’s recent collaboration with Sivu, that while we’d never blogged about her, we are fans and thoroughly enjoyed her That Iron Taste EP and especially the wonderfully quirky and enchanting “Bath Is Black”. Showcasing Marika’s delightful way with words with playful yet heartfelt lyrics, “Bath Is Black” is a catchy and upbeat gem, and incidentally at times, vocally, she even sounds like Jem (remember her? Not of the holograms). It’s a fantastically visual track, more like a novel or short story layered over a sumptuously intricate musical arrangement. It’s gorgeous and one of those rare tracks you find that you just don’t skip and always listen to all the way through.

#22 Horse Party – “Back To Mono”

The first song ever played at an Alphabet Bands presents… gig, we’d already heard and loved the catchiness of Horse Party’s debut track, “Back To Mono”, and found it stuck in our heads for an eternity afterwards. It’s the simplicity of the beat and the opening riff, the repetition that just gets under your skin and won’t come out. Also, it kinda rocks. The pound of the drum, the crash of cymbal, the grind of guitar and the slight element of challenge in the vocal, a smidge of attitude that is almost defiant. Perfectly, it conjures up images of three people rocking out on stage, nothing fancy, just three people having a great time playing their tunes, which is exactly what Horse Party are doing. It’s not the most complicated song you’ll ever hear but frankly, when it is this good and this enjoyable, who the fuck cares?

#21 TV Girl – “Laura”

Taken from TV Girl’s excellent Lonely Women EP, “Laura” is a fantastically vibrant piece of throwback pop music, infectious and melodious throughout. Often mistaken for a song about a current or ex-girlfriend, it was actually written for and about late singer Laura Nyro, whose track “Lonely Women” also provided the name of the EP. It’s an upbeat and summery affair and ridiculously catchy with a danceable hip-hop style beat entwined with cascading piano melodies and twinkling xylophonic sounds. On an EP of fantastic tunes, “Laura” stands out, and that is saying something.