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EDITORS’ NOTES

Having found himself back with the Eagles, guitarist Joe Walsh hasn't had as much time to pursue the louder end of his musical spectrum. Produced by Jeff Lynne, Analog Man features the dense harmonies and tight arrangements you'd expect from an encounter with the man who gave Electric Light Orchestra, Tom Petty's Full Moon Fever and The Traveling Wilburys their sound, but the guitars are also plenty loud and even in a tightly compressed and quick track like "Wrecking Ball," Walsh finds the space necessary to crank out a few riffs. "Lucky That Way," co-written by Tommy Lee James, sounds like the follow-up to Walsh's classic 1978 hit "Life's Been Good." "Funk 50" is an update of Walsh's James Gang's "Funk 49," tidied up like it's 1993 and Walsh's last solo album Songs For A Dying Planet has a timely follow-up. "Band Played On" adds a sitar. "Spanish Guitar" works through country, flamenco and pop. "Family" throws in David Crosby and Graham Nash for harmony. "India" allows Walsh to try out the very-digital sounding equipment. Could this merry prankster be kidding us with all this talk of being an Analog Man?

EDITORS’ NOTES

Having found himself back with the Eagles, guitarist Joe Walsh hasn't had as much time to pursue the louder end of his musical spectrum. Produced by Jeff Lynne, Analog Man features the dense harmonies and tight arrangements you'd expect from an encounter with the man who gave Electric Light Orchestra, Tom Petty's Full Moon Fever and The Traveling Wilburys their sound, but the guitars are also plenty loud and even in a tightly compressed and quick track like "Wrecking Ball," Walsh finds the space necessary to crank out a few riffs. "Lucky That Way," co-written by Tommy Lee James, sounds like the follow-up to Walsh's classic 1978 hit "Life's Been Good." "Funk 50" is an update of Walsh's James Gang's "Funk 49," tidied up like it's 1993 and Walsh's last solo album Songs For A Dying Planet has a timely follow-up. "Band Played On" adds a sitar. "Spanish Guitar" works through country, flamenco and pop. "Family" throws in David Crosby and Graham Nash for harmony. "India" allows Walsh to try out the very-digital sounding equipment. Could this merry prankster be kidding us with all this talk of being an Analog Man?

About Joe Walsh

From his early hits with the James Gang through to his tenure with the Eagles -- as well as a successful solo career -- Joe Walsh remained one of the most colorful characters in rock & roll, lending his distinctively reedy vocals, off-the-wall lyrics, and expansive guitar leads to a series of AOR staples including "Funk #49," "Rocky Mountain Way," and "Life's Been Good." Born November 20, 1947 in Wichita, Kansas, Walsh initially studied the oboe and clarinet, later playing bass in local bands the G-Clefs and the Nomads; while attending Kent State University, he finally picked up the guitar, fronting the collegiate combo the Measles from 1965 to 1969. He then joined the Cleveland-based hard rock trio the James Gang, appearing on their debut LP Yer' Album. The trio's 1970 album, The James Gang Rides Again, proved the group's commercial breakthrough, launching the FM radio favorite "Funk #49" and achieving gold status. While the follow-up, Thirds, was another success, yielding the classic "Walk Away," Walsh found the James Gang's power trio format too confining and left the group soon after.

After relocating to Colorado, Walsh formed a new group, Barnstorm, recording a self-titled 1972 LP before making his proper solo debut the following year with The Smoker You Drink, the Player You Get. The record cracked the Top Ten on the strength of the pop hit "Rocky Mountain Way" and was followed in 1974 by So What. In the wake of 1976's You Can't Argue with a Sick Mind, Walsh replaced guitarist Bernie Leadon in the hugely popular West Coast rock quintet the Eagles, making his debut on their best-selling Hotel California album. He also continued his solo career, issuing But Seriously, Folks... in 1978; the record's highlight, the hilarious "Life's Been Good" -- a dead-on portrait of rock star debauchery -- became his biggest pop hit, nearly reaching the Top Ten. In 1979, Walsh announced his campaign for President of the United States, promising "free gas for everyone" if he won (he didn't). The Eagles' final studio album, the chart-topping The Long Run, appeared that same year.

The soundtrack to the film Urban Cowboy generated Walsh's next solo smash, "All Night Long," which cracked the Top 20 in the summer of 1980; although 1981's There Goes the Neighborhood featured his final Top 40 entry, "A Life of Illusion," he continued recording steadily, resurfacing in 1983 with You Bought It: You Name It and issuing The Confessor two years later. In between, Walsh ran for the vice presidency, again unsuccessfully. Following 1987's Got Any Gum?, he toured with Ringo Starr & His All Starr Band, returning to his solo career for 1991's Ordinary Average Guy. In 1994 he joined the reunited Eagles for their blockbuster Hell Freezes Over tour and remained on the road as a solo act for years to come. In 2012, after years touring with the Eagles and writing new material, Walsh recorded his first solo album with producer extraordinaire Jeff Lynne (of Electric Light Orchestra) and Beatles drummer Starr. A comeback of sorts, the album title Analog Man pertained to Walsh's difficulties catching up to the new standard of digital recording as a 64-year-old, and trying to adjust to technological advances in society. ~ Jason Ankeny