Dur Untaš (Choga Zanbil)

The ziggurat
of Choga Zanbil is one of the most
impressive
monuments of modern Khuzestan, and must have been one of the most
impressive monuments of ancient Elam. Built by king
Untaš-Napiriša (1275-1240) and named after him (Dur Untaš,
"city
of Untaš-Napiriša"), it measures 105x105
meters
and was probably 52 meters high. It was to be the center of a new town,
which was to become the king's residence, but was never quite finished.
Still, the town survived its builder with more than two centuries, and
there must have been people living in Dur Untaš
well after 1000, because the Assyrian
king Aššurbanipal
was to claim in 646 BCE that he had destroyed the town, which
suggests that there must have been
something to destroy.

Refinery: first basin.

The town measured about one square kilometer and was surrounded by a
four kilometer wall. A satellite photo can be found here.

It was built on high ground, more than fifty meter
above the nearby river Eulaeus
(Dez), which made it difficult to bring water to the city. The solution
Untaš-Napiriša found, betrays his ambitions: he
ordered
his people to build a canal to Susa, where fresh water was diverted
from the Choaspes
river (Karkheh). It passed along Haft
Tepe, was diverted into nine branches, and finally reached
the town.

Refinery: second basin.

Unfortunately, the water of the Karkheh is full of mud and, because it
was downstream from Susa, not very healthy. So
it
was necessary to clean it before it could be used in Dur
Untaš.
Therefore, refineries were built in which the water was conducted
through
several basins. Even by today's standards, this is a remarkable piece
of engineering. The refinery that has been excavated, is the
is oldest
one known monument of this type in the world.

The Outer Wall and the Eastern Gate, near the Royal Palace

In the eastern part of the city, close to the city wall, was a palace,
which seems to have consisted of three large houses, a spacious court,
and a big gate. The palace was, therefore, of the normal Near Eastern
type: many rooms surrounding big courts, built inside a city, against
the wal. A temple, dedicated to the Babylonian
god Nusku, completed this section of the city.

As was customary in the Near East, the tombs of the kings were
underneath the palace. Although one skeleton was found, most people had
been cremated; so far, this is the only place in Elam where the dead
bodies were burnt.

Renains of the Royal Palace. The courtyard is to the left, the ziggurat
is on the horizon.

It comes as no surprise that the palace and the tombs were of the Near
Eastern type, because culturally, the ancient Elamites were very close
to the Babylonians.
The monument for which Choga Zanbil is famous, its temple tower (or
ziggurat),
is not an Iranian architectural form either: it was
developed
in southern Mesopotamia. The most famous ziggurat was in the city of Babylon
itself, and was called Etemenanki.
It was dedicated to the god Marduk and its builders, king Nabopolassar
and king Nebuchadnezzar,
claimed that it reached into heaven. This boast is repeated in the
famous
Biblical story of the "tower of Babel", which is simply the story of a
ziggurat. And that is exactly what the monument in Choga Zanbil was: a
stairway to heaven.

The Royal Tomb

The ziggurat was built within a sacred precinct, which was, again,
surrounded by a wall ("the outer temenos wall"), almost rectangular in
shape of 400 x 500 meter, its corners facing the north, east, south,
and west. The eastern corner was occupied by several minor sanctuaries.

In the center of this rectangular zone was a second wall ("the
inner temenos wall") of irregular shape. It was very close to the
ziggurat: in the winter, the temple tower's shadow must have covered
it. This court-within-a-court can also been found in other sanctuaries
in the Semitic world: the most famous example is, of course, the temple
in Jerusalem, which was surrounded by a Court of the Gentiles and a
Court of the Women. In the northwestern part of the inner court were
temples, but everything was eclipsed by the ziggurat itself.