It's likely that the draw for many will be the woman who gets top billing, and rightly so, but she's blessed with a fascinating role to play, and a hell of a story to tell.&dash; Consequence of Sound - EDIT

The performances, like the film, are rich, layered things of tremendous feeling and complexity. The characters, like the film, are imperfect but well worthy of cherishing.&dash; Consequence of Sound - EDIT

The whole film would sink like a stone if Stiller weren't so adept at playing exactly this type of man, a lonely guy who has let resentment sour nearly everything in his life.&dash; Consequence of Sound - EDIT

We're here for Guy Ritchie's King Arthur, but what we really get is a film made of utter nonsense that's even less interested in its characters than it is in telling a story.&dash; Consequence of Sound - EDIT

The film is dominated by the energetic and often moving performances of its three leads, and bolstered by the quieter but still excellent work of the supporting players.&dash; Consequence of Sound - EDIT

There are no shortage of stories about the Kennedy assassination, but this may be the first to show us the event through the eyes of the woman in the pink suit and hat. It's beautiful, and ugly, and long overdue.&dash; Consequence of Sound - EDIT

If we were to treat the making of The Girl on the Train, the seriously disappointing adaptation of Paula Hawkins's blockbuster novel, as a whodunnit, there'd be plenty of places where one might lay the blame.&dash; Consequence of Sound - EDIT

It's just an empty fun house -no corners to turn, no surprises to uncover, nothing lurking in the corners or waiting to leap down from above. It's just smoke, mirrors, and 3D glasses. Sit back, relax, and feel nothing about the show.&dash; Consequence of Sound - EDIT

It's hard to ignore the disparity between what works and what doesn't. Spielberg still knows how to make something magical. He's just best at it when he's not trying so damn hard.&dash; Consequence of Sound - EDIT