Anthony Burgess – A Clockwork Orange (UK Version)

In Anthony BurgessвЂ™s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readersвЂ™ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout AlexвЂ™s narration, Burgess manages to change the readersвЂ™ allegiance toward a once seemingly evil character.

Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. AlexвЂ™s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse AlexвЂ™s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, вЂњI could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one wasвЂќ. Alex continues to explain his reason for dislike, вЂњhis platties were a disgrace, all creased and untidy and covered in calвЂќ, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter BurgessвЂ™s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time AlexвЂ™s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.

The more the reader learns of Alex, the more and more he is disliked; AlexвЂ™s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for AlexвЂ™s violent nature. In fact, AlexвЂ™s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question AlexвЂ™s motives, Alex gives an answer, вЂњbadness is of the self, the oneвЂ¦is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to doвЂќ. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, вЂњBeing young is like being one of these malenky machinesвЂ¦and so it would itty on to like the end of the worldвЂќ. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.

In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his вЂњdroogsвЂќ. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his вЂњdroogsвЂќ are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.

As the reader continues to pry deeper into AlexвЂ™s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for BurgessвЂ™s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, вЂњlying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it”. His particular interest in Ludwig Van arises during one of his sessions while undergoing LudivicoвЂ™s Technique. Upon hearing what he perceives to be heavenly music Alex cryвЂ™s out about the injustice in the procedure, вЂњI donвЂ™t mind about the ultra-violence and all that cal. I can put up with that. But itвЂ™s not fair on the musicвЂќ. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governmentsвЂ™ machines. Forced to do exactly what they want him to, become their вЂњtrue ChristianвЂќ, Alex poses the question to his doctors, вЂњHow about me? Where do I come into all this? Am I like just some animal or dogвЂ¦am I to be just like a clockwork orange?вЂќ Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.

Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward AlexвЂ™s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readersвЂ™ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the readerвЂ™s allegiances.