FEATURED SHOWSunday, August 25, 7 PMRed Death, Enforced, Dead & Dreaming, Loud Night, Mutually Assured Destruction @ The Camel – $10We here at RVA Mag have had quite a bit of discussion, both in this very column and in other places, about Enforced’s brand new LP, At The Walls, so to call it a hotly anticipated local release would certainly be more than fair. Now the official release celebration for the album has finally arrived, and rocking out at this jam-packed hardcore/punk/metal show is sure to be the perfect capper to your weekend.

DC residents and recent Century Media signees Red Death, who share members with Enforced and are preparing to release a new LP of their own, are at the top of the heap here, and while it’s Enforced’s party, these guys stand out as guests of honor on their own behalf. 2017’s Formidable Darkness LP was the first with their current four-piece lineup and finds them leaning hard into the thrashier aspects of their crossover metallic hardcore sound, bringing to mind both 80s legends like Exodus and Dark Angel as well as current rulers like Power Trip and Richmond’s own Iron Reagan. These guys are going to lay waste to the Camel, so get ready.

And you also need to be ready for Enforced, whose dark thrash-core sound is both terrifying and galvanizing, and is sure to get you hella excited for thousands of At The Walls needle-drops to come. But we hope you’re parked close by, because you’re gonna want to get that LP to the safety of your car before the set starts and the pit starts moving. With three other incredible bands on the bill, including the first local show for RVA HC all-stars Mutually Assured Destruction (it’s Ace’s new new band, and his vocals are at a whole new level), you’ll really just want to get there the second they open the doors.

Wednesday, August 21, 8 PMGod Module, Finite Automata, Absynthe Of Faith @ Fallout – $8 in advance/$12 at the door (order tickets HERE)If you’ve paid attention in the goth-industrial music world of the past 20 or so years, you’re sure to recognize that Metropolis Records has brought us a lot of the best work that’s come out of that genre — from Front Line Assembly to VNV Nation, and beyond. God Module may not be one of the first names that comes to mind when you think of that label’s rich history, but they have been one of the more consistent groups on Metropolis over the past 15 years or so, moving from early dancefloor classics like “Spooky” to their recently-released 11th LP, The Unsound.

On The Unsound, Jasyn Bangert and co. continue to work magic with the combination of dark synth moods, pounding electronic beats, and sinister yet somehow inviting vocals, which has situated them right on the borderline between industrial pound and gothic atmosphere throughout their lengthy career. At Fallout tonight, they’ll be bringing the pounding beats to get your shiny black Docs stomping on the floor, even as their downbeat melodies fill your heart with passion. It may be the heart of August, but black attire is definitely recommended for this one no matter how hot and humid it is outside.

Thursday, August 22, 7 PMDeath Valley Girls, Craig Brown Band, Piranha Rama @ Gallery 5 – $12 (order tickets HERE)I’m not sure the cliched stereotype of the “valley girl” has any cultural currency in the year 2019, but back in the early 80s when Frank Zappa (and his daughter Moon Unit) had a novelty hit called “Valley Girl” while Nic Cage starred in a movie of the same name, it definitely meant something. That stereotype of a rambunctious teenage girl who hangs out at the mall (do people even go to malls anymore?) and is always on the phone (OK, this part still rings true) is what Death Valley Girls are subverting, both in their name and in their dark yet catchy psychedelic sound.

Considering they come from LA, they’re sure to have plenty of inspiration for such a subversion. They let it loose on albums like 2018’s Darkness Rains, which channels everything from The Stooges and Jane’s Addiction to Romeo Void in its foreboding tales of West Coast excess. When Death Valley Girls hit the stage at Gallery 5, they’ll bring plenty of lysergic noise, but you’ll still have a ton of catchy pop hooks to dance to underneath it all. With accompaniment from Third Man recording artist Craig Brown, formerly of the Terrible Twos, and his band, plus Piranha Rama acting as an excellent local opener, this one’s sure to knock your socks off. That’s OK — dance barefoot.

Friday, August 23, 8 PMGary Clark Jr, Blackillac, Peterson Brothers @ The National – $44 in advance/$47.50 day of show (order tickets HERE)We’ve known for a while that Gary Clark Jr. is an incredibly talented guitarist who brings a 21st century feel to the classic-rock-radio staple genre of electric blues. However, if you thought (as I did for a while) that genre was too played out for even a talented player to truly breathe new life into it, you really need to give Clark a second look this year. His third album, This Land, is fueled by the juxtaposition of his fiery chops and some real anger about the state of the world today, specifically in Trump’s racist America.

The album’s opening title track is startling in its harsh, confrontational lyrics, and hits all the harder for it. On that track and others, like “When I’m Gone” and “Don’t Wait Til Tomorrow,” Clark fuses modern R&B and hip hop sounds with his always-killer riffing and powerful, soulful vocals. It’s a sound sure to delight a wide spectrum of music lovers, and while there’s no shame in having overlooked him up to now (I did too), the time has come to give Gary Clark Jr. your attention. Do so at the National this Friday night — you won’t regret it.

Saturday, August 24, 7 PMPsychic Graveyard, Hex Machine, Bermuda Triangles @ Capital Ale House Music Hall – $12 in advance/$15 day of show (order tickets HERE)Things are gonna get downright weird over at Capital Ale House’s Richmond Music Hall on Saturday when Psychic Graveyard arrive, and if I tell you that this band features former members of Arab On Radar and Chinese Stars, that might just clue you in on how weird it’s gonna get. Psychic Graveyard maintain the same sort of tenuous connection to postpunk’s experimental fringe that was present in their previous bands, but interjects a greater emphasis on programmed beats and synth-driven sounds — though it’d feel more than a little disingenuous to call their music “danceable” in any conventional sense.

What it is is noisy and bizarre, the same sort of unconventional strangeness that fans of the members’ previous bands loved so much. Therefore it’s no surprise to find them sharing this bill with fellow noise veterans Hex Machine and Bermuda Triangles, both of whom have unique sounds of their own to offer. Hex Machine’s heavy, metallic postpunk sound shines on recently-released LP Cave Painting, their first in nearly six years and a much-desired return to action from this stomping RVA trio. Meanwhile, Bermuda Triangles are carrying on with the same percussion-driven mutant space funk they’ve been dishing out for years now; their presence on this bill certainly warrants bringing your dancing shoes, even if Psychic Graveyard kinda doesn’t.

Sunday, August 25, 7 PMBig Business, A Deer A Horse, Tel @Capital Ale House Music Hall– $12 in advance/$15 day of show (order tickets HERE)Big Business is back once again, and this power duo is now going on 15 years of proving that you don’t need a guitar to be heavy as hell. Bassist Jared Warren and drummer Coady Willis spent several years making up one-half of the Melvins, so their pedigree is certainly not in question, but their sixth LP, The Beast You Are, released earlier this year, shows that they can bowl you over just fine on their own. They’ll do so with aplomb when they hit Capital Ale House this Sunday for their first appearance in Richmond in over a decade (raise your hand if you also saw them last time they were here, when they opened for the Blood Brothers).

Big Business excels at ferocious riffs that continually batter your brain and compel you to furious headbangs, so it’s only appropriate that they share this bill with Brooklyn’s A Deer A Horse, who do much the same on recently-released EP Everything Rots That Is Rotten. From bombastic sludge to foreboding doom, the many moods of A Deer A Horse are all powerful, and all dark. Local sludge-doom powerhouse Tel will kick this one off with a slow-motion rumble that’ll set the whole night off onto a powerful course. Make sure you’re on board this train.

Monday, August 26, 9 PMBask, Manzara, Crimson Heat @ Cary Street Cafe – $10Let’s keep the heaviness rolling straight on into the working week, shall we? With Bask coming to town from their NC mountain home, we certainly will! This metal powerhouse brings epic song structures, killer riffs, and soaring vocal prowess together to create masterful metallic beauty on their 2017 LP, Ramble Beyond, and whether you dig Led Zeppelin, Spirit Caravan, Neurosis, or Queens Of The Stone Age, you’re sure to find something to love from these talented North Carolinians when they take the Cary Street Cafe stage.

They’ll be joined there by a couple of shining examples of Richmond musical excellence. The first is Manzara, whose energetic yet spaced-out postpunk has been making a mark on the local scene for a while. If you’re not up on it, this is your perfect opportunity to get familiar. Plus, you’ll get a performance from a brand new Richmond supergroup, Crimson Heat, which features veterans from past RVA stoner warriors like Sinister Haze, Stone Woman, and Heathens. Get into this one — it’s gonna start your week off right!

Tuesday, August 27, 8 PMSuper Low, Manatree, Gnawing @ The Camel – $7 in advance/$10 day of show (order tickets HERE)It’s a heavy week here in RVA, but not every show has to crush your head, right? If you’re ready to trade in the headbangs for some charming pop melodies that’ll make you smile, The Camel’s got you covered this Tuesday night, as Memphis pop artisans Super Low roll into town with some downright delightful indie pop sounds. They showed off their talents earlier this summer with the release of their self-titled debut LP, and you’ll definitely want to hear all of those excellent tunes in person when they roll through town this Tuesday night.

This show will also feature the latest incarnation of Manatree, now a trio with a stronger focus than ever on electronic textures in addition to their complex, talented indie song structures. They showed off this Radiohead-meets-Four Tet approach on the Rough Designs EP, released last spring, and it will certainly be fascinating to see them recreate these multi-layered, synth-rich tunes in a live environment. We’ll also get a performance from Gnawing, a killer local grunge-rock combo who certainly know how to bring the Dinosaur Jr and Superchunk vibes, if last year’s self-titled debut EP is any indication. And I’d say it probably is.

Elsewhere Around The State:

Friday, August 23, 8 PMCorrosion Of Conformity, Crowbar, Quaker City Night Hawks, Lo-Pan @ Elevation27 – $25 (order tickets HERE)I’m sure there are a lot of old heads out there like me, for whom the name Corrosion Of Conformity summons up memories of the North Carolina band’s early days as progenitors of the crossover hardcore sound of the mid-80s. However, we’d by lying if we pretended that this band weren’t better known in 2019 for the sludgy Southern-fried metal boogie sounds they cranked out throughout the 90s and early 00s. Fans of that COC sound may have been a little bummed when the band spent several years at the beginning of this decade in their original trio lineup, focusing on their early crossover work.

However, they’re bound to be stoked that COC has reunited with vocalist Pepper Keenan to crank out another heaping helping of that powerful metal roar on 2018’s No Cross No Crown. COC will be firing on all cylinders when they bring the classic Deliverance/America’s Volume Dealer lineup to Norfolk this Friday night. They’ll be accompanied by their longtime compatriots in New Orleans’ own swamp-sludge metal heroes Crowbar, who remain at peak form after nearly 30 years as a band, as shown on 2016 LP The Serpent Only Lies. This hellacious bill is rounded out by Texas rock n’ roll groovers Quaker City Night Hawks and Norfolk’s own Lo-Pan, this is gonna be a night to remember — one full of headbangs.

Saturday, August 24, 8 PMBRAINxTOILET, Needle, Neck Breather, Ixias, Ancient Torture Techniques, Redundant Protoplasm, Kept In Line, Cybernetic Warkrab @ RiffHouse Pub – $8Hey speed demon — are you feeling unfulfilled by the excess of sludgy heaviness on this week’s docket? Well then you better break all speed records heading down 64 East this Saturday night, because you’ve got a show full of absolute grindcore madness waiting for you at RiffHouse Pub. I’m talking about this show, which features several different maniacal grind ensembles from around the Mid-Atlantic region, as well as quite a few homegrown VA talents to keep your head spinning with hyperspeed blastbeat mayhem.

North Carolina’s BRAINxTOILET are at the top of the bill, and their ferocious power has the same sort of grotty rage built into it that we saw from past NC grind maniacs Dead In The Dirt. DC’s Needle have a cleaner b but no less maniacal approach to their grind blitzkrieg, recalling DC-area grind legends of the past like Daybreak and early Pig Destroyer. Where locals are concerned, Tidewater grind legends Ancient Torture Techniques appear to have gone from broken up to doing occasional reunions back to full-time action, so that’s always a cause for celebration. Meanwhile, Chesapeake’s Kept In Line has brought us my favorite demo of 2019 so far, in any genre, so you definitely don’t want to miss them. Pissed-off straight edge grindcore, I love it! There are four more bands I haven’t even talked about on this bill, but I’m sure I’m pushing the limits of the attention span for all you grind freaks, so I’ll just wrap it up by saying: get thee to RiffHouse Saturday night, where all your blastbeat cravings will be satisfied.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

FEATURED SHOWThursday, April 4, 5 PMSports Bar (photo by Samuel Dixon Photography), Tommy And The Commies, Les Lullies, Nightcreature @ Hardywood – Free!I’ve teased Sports Bar within this column in the past for being slackers. If you’ve been reading for a while, you surely know about it; I’ve even gotten emails from the band themselves about it (no worries, they thought it was funny). But I think I just might have to take it all back, because Sports Bar have been quite productive over the last six months or so. First they released their debut full-length LP, Stranger In My Head, last October. Now, only half a year later, they’re holding a release party for the follow-up EP, Something Good. Have Sports Bar outgrown their slack persona?

Well, let’s not be hasty — only time will really tell on that score. But considering that Stranger In My Head only further proved what savvy Richmonders have known for years — that this band’s mix of catchy melodies and garage-punk irreverence makes them a flawless creator of perfect power-pop gems — chances are they could take this whole thing a lot farther if they stay this active. More importantly for the purposes of this column, Richmonders will get more chances to see them play live! Here’s your first one — and it’s free, so you definitely don’t want to miss it.

They’ll be joined on this bill by two hot power-pop groups from outside the US, both of which are just as unmissable as Sports Bar themselves. Tommy And The Commies hail from Ontario, and not only have a pretty awesome name but also prove on 2018’s Here Come… that they know how to bring back the toe-tapping rage of late-70s British punk with maximum aplomb and panache. Meanwhile, Slovenly Recordings labelmates Les Lullies, who hail from France, have a grungier, snottier take on late-70s dawn-of-punk riffage, expertly evoking the Real Kids and Radio Birdman on last year’s self-titled LP. Both of these bands are going to tear it up at Hardywood tomorrow night, and with Nightcreature kicking things off, you’ll be hearing excellent sounds from moment one. Don’t miss this, y’all — you never know when Sports Bar will take another year off.

Wednesday, April 3, 7 PMAnd The Kids, Bat House, Cardinal @ The Camel – $10 in advance/$12 day of show (order tickets HERE)And The Kids aren’t exactly punks, but they’ve definitely got some of that rebellious spirit within them. It isn’t just identified by them beginning their band name with a preposition, either. You can hear the spunk and spirit they bring to their melodic, energetic indie rock on their latest album, When This Life Is Over, which came out back in February. Recording for the group is always a bit of a complicated proposition, with one member having been deported to Canada in 2014 while the duo who formed the group make their home in Massachusetts. But by mixing together everything from bedroom demos to complicated multi-track layers, they pulled together a really great record.

How will they recreate such a thing live — and how will the fact that one of the band’s members was deported to Canada affect all that? I imagine the US doesn’t just let you back in with no complaints when it’s time to tour, so for all I know, we’ll be getting a slightly rearranged lineup of And The Kids at The Camel tonight. But the tunes will still be in one piece, and founders Hannah Mohan and Rebecca Lasaponaro’s excellent vocal harmonies are sure to shine brightly. So no matter who else is backing them up, you should really be there to see what magic they create. They’ll arrive in the company of talented Boston math-rockers Bat House, and get a guaranteed-splendid opening set from up-and-coming local indie geniuses Cardinal. All this, all for you. Isn’t it wonderful?

Thursday, April 4, 9 PMUlthar, Left Cross, Disintegration @ Wonderland – $10Ulthar are coming through, and you better batten the hatches — especially if you see any cats around. This California trio brings together former members of harsh metal ragers like Mutilation Rites and Vastum to kick out some dirty blackened thrash in tribute to pioneering horror author HP Lovecraft — something they do an expert job of on their debut album, Cosmovore.

From the guttural vocals, blasting drums, and speedy riffage (all of which Lovecraft himself, an avowed despiser of music, would surely detest) to the lyrics referencing a variety of concepts from the old man of Providence’s classic works, Ulthar carry on a glorious tradition of Lovecraft-influenced metal, and we are all the beneficiaries as they prepare to cast a dank miasma over Shockoe Bottom with their eldritch terror. They’ll be joined by Richmond’s raw thrashers Left Cross and local grinders Disintegration for a blasphemous night full of maximum brutality.

Friday, April 5, 10 PMThe Marcus Tenney Trio @ The Savory Grain – Free!It seems other people around town are finally starting to notice just how much top-quality free jazz (in the it-doesn’t-cost-anything sense rather than the Ornette Coleman sense) is available around Richmond, and I for one am glad — excellent jazz sounds have been bubbling just under the surface of the Richmond music scene for years now, and it’s high time it got wider recognition. But just because other people are catching on doesn’t mean we’ll stop talking about it over here, and so I’m here to tell you that the jazz show most worth talking about this week is happening Friday night at The Savory Grain.

Specifically, The Marcus Tenney Trio will be playing for your musical enjoyment. Tenney should need no introduction by now — from his work in Butcher Brown, No BS! Brass Band, and multiple other combos around town to his many excursions as bandleader and even his hip hop career under the name Tennishu, Tenney keeps busy with cranking out the excellent music for RVA fans’ enjoyment… and you know this, so I don’t know why I’m repeating it now. But this night finds him backed by a couple of local jazz stars who may not be as well known around town. Drummer Corey Fonville has anchored Butcher Brown’s rhythm section for years now, as well as doing a ton of session work and generally being amazing, while Matthew Hall spent several years as an expat, bringing his bass skills to the jazz scene in Istanbul, Turkey for quite a while. He’s returned to Richmond and will give locals a chance to catch up or get familiar as an integral part of Marcus Tenney’s trio this Friday night. Drop in and dig the sound.

Saturday, April 6, 7 PMYOB, Voivod, Amenra @ The Broadberry – $25 (order tickets HERE)OK, I can’t be the only metalhead in town who saw this lineup and immediately whispered, “Oh my god…” to themselves, right? I mean, this is a double dose of the heaviest, hardest-hitting music out there. There’s just no other way to put it. YOB have been going for over two decades now, and this slow, sludgy, and heavy-as-fuck trio go so far beyond the typical doom metal template that they’re in a class by themselves. To give you an idea, their latest album, last year’s Our Raw Heart, was written by frontman Mike Scheidt while he was in the hospital recovering from a health scare. It is both sludgy as fuck and ominously psychedelic in the manner of the best Neurosis albums. Getting it thrown at you at top volume when these guys take the stage at The Broadberry is sure to be a treat, assuming you enjoy being buffeted by waves of pure sonic gloom.

And also assuming you aren’t completely spent after a set from YOB’s equally powerful tourmates, Voivod. Doing YOB one better, Voivod have been around for over three decades now, and just released their 18th album, The Wake, last year. Over their 35 years of existence, Voivod have done everything from speedy thrash to strange, mathematical prog-metal, and The Wake finds the group exploring all facets of their wide-ranging sound, and then some, in order to talk further focus on their long-running themes: the dehumanizing nature of technology, the chaos of our modern world, and our murderous culture of war and violence. Look, maybe this won’t be the most uplifting show that’s ever happened in Richmond, but do you come to metal seeking your daily affirmation? Or are you, like most of us, just looking for some great riffs to headbang to? YOB and Voivod have you covered on that one. You know what to do.

Sunday, April 7, 7 :30 PMThe Telescopes (Photo by Solange Magnin), Cult Of Lip, Keep @ Capital Ale House Music Hall – $13 in advance/$15 day of show (order tickets HERE)Here’s a pretty incredible thing: psychedelic shoegaze pioneers The Telescopes are making their way to Richmond this Sunday night. The English group got their start in the late 80s, grabbing attention as a member of the formidable Creation Records stable in the early 90s and bringing a hazy, ethereal sensibility to their tunes full of loud guitars and beautiful vocal harmonies. After disappearing for a decade or so, the group returned in the mid-00s, and numerous lineup changes have taken place since, but always with founder and chief songwriter Stephen Lawrie in the frontman position.

Their simultaneous connections to the early days of shoegaze and the psychedelic, spaced-out UK guitar groups like Loop and Spacemen 3 shows through in the beautiful music they make, most recently on the brand-new Exploding Head Syndrome, the group’s 11th album. They’ll roll into town with plenty of fuzz and some powerful amps in tow, all set to blow you away and wipe your mind clean — so be prepared. They’ll have Minneapolis’s Cult Of Lip in tow, all set to bowl you over with a set of early-JAMC guitar clatter, and the whole night will be kicked off by local shoegaze torchbearers Keep. Get ready for some serious pedal-hopping, y’all.

Monday, April 8, 8 PMAllegra, FINE., Hot Spit, Warrington @ The Camel – $5 in advance/$7 day of show (order tickets HERE)Citrus City really manages to keep their finger on the pulse. Not only do they scoop up a ton of gorgeous emo pop bands around Richmond, they range far afield to sign the best bands playing this style around the country and world. Witness their latest collaboration with Philadelphia’s Allegra, who are coming to town this Monday night having just released their latest EP, Yet Not Enough, through Citrus City Records. Full of excellent tunes, this understated release from Allegra shows off the band’s “queer twinkly emo” sensibilities without overwhelming the listener with million-note lead guitar runs or brain-scrambling time-signature tricks.

Instead, we find singer-guitarist Allegra Eidinger’s softly beautiful melodies and ringing guitar strums anchoring a collection that’s sure to win your heart. And we’ll undoubtedly see the same thing onstage when the quartet pulls into town to liven up your Monday night — which is always appreciated. They’re accompanied by Providence duo FINE. (yes, written just like that), whose buzzing riffs and strangely Stevie Nicks-ish vocals have a harsher take on some subtly strong melodies. With local brilliance from Warrington and Hot Spit kicking this one off, we’re guaranteed to have a good time with this one.

Tuesday, April 9, 8 PMSinmara, Suffering Hour, Voarm @ Wonderland – $10Is Wonderland the new Strange Matter? I ask because, for a long time, Strange Matter was the go-to for early-weeknight sets from touring bands that were either just starting to make their names or long-running legends you’d never expect to see in Richmond. For a while, no one was filling that gap, and our Mondays and Tuesdays were worse for it. But just in the past couple of weeks, I’ve started noticing shows like that popping up more and more often at Wonderland. And let me just say, if they’re going to become the new early-weeknight go-to for excellent live bands we otherwise might not see in town, I for one am stoked about it.

This show is particularly fascinating, being the sort of metal show that would have happened in Strange Matter but is now taking place in Shockoe Bottom. One wonders if it could even gather both the downtown metalheads with the Bottom-dwelling headbangers and bring true unity to Richmond’s metal scene once more. That’s a heavy responsibility for killer Icelandic black-metal trio Sinmara to undertake, but as long as they lay us flat with more of the windswept metal brutality they dish out on their latest killer full-length slab, Hvisl Stjarnanna, which just dropped last month… well, I don’t think anyone is going to complain. Prepare for a musical onslaught of epic proportions… and keep your eye on Wonderland. They might have more like this in the near future. Wouldn’t that be great?

Bonus Hampton Roads Picks:

Friday, April 5, 8 PMInferior Brain Power, Tornado Bait, Brian Mann @ Taphouse Grill – $5Hah, OK. Well, I can’t say I know that much about Inferior Brain Power — in fact, the first time I heard of this duo, which hails from somewhere in the DC/NoVA area, was when I found the event invite for this show on Facebook. But I couldn’t help looking into any band who is holding an 8-track release show, and now here we are. You young whippersnappers might wonder what an 8-track even is, but let me tell you, unlike a lot of other dead formats that have experienced minor revivals in recent years, this one is not worth looking into. If Inferior Brain Power is sincerely attempting to kickstart an 8-track revival with their new EP (and I have my doubts), it’s doomed to fail.

That said, I admire their chutzpah, and a listen to the album they’ll be releasing on 8-track, We Read Books, leads me to do so even more. Originally released last fall on standard cassettes, I’m glad to know this album is available in a more conventionally playable format, especially since it’s such a hard thing to describe. Pere Ubu jamming with They Might Be Giants? A Dead Milkmen album produced by Tim And Eric? It’s not your typical indie record, and that makes sense, because Inferior Brain Power aren’t your typical indie band, by any means. If you are one of the fourteen or so hoarders left on the planet with a working 8-track player, you should definitely go to this show and pick up a copy of We Read Books. The rest of you should just go enjoy the show. It’s certainly not going to be anything like anything else you’ve seen in this column lately, and if you ask me, that’s reason enough.

Monday, April 8, 7 PMEyehategod (Photo by Albert Licano), The Obsessed, Antiseen, Slaghead, Night Hag @ RiffHouse Pub – $20 in advance/$25 at the door (order tickets HERE)Wow, this one is big. A triple-headliner bill featuring three of the most legendary collections of repropbates to ever play loud, heavy, anti-social music in America, all on one stage. People are gonna come out of the woodwork for this one, so if you want to be part of it, you better score your tickets now. You’re gonna want ’em, and not just because Eyehategod is at the top of this bill. The pioneers of NOLA sludge-blues swamp metal, these guys have been laying down pulverizing grooves full of sketchy spookiness for 30-plus years now, and neither drug busts nor liver transplants nor even death has put a stop to them.

But the Eyehategod train is not the only one that miraculously keeps rolling after many decades — The Obsessed can make a similar claim, even if their history isn’t quite as checkered as fellow DC doom-metal pioneers Pentagram. Forming at the dawn of the 80s, they’ve repeatedly broken up and reunited, currently on their third overall incarnation. Don’t let that intimidate you, though — doom-metal living legend Scott “Wino” Weinrich is still fronting the trio, and their 2017 album, Sacred, shows that they can still bring that Black Sabbath/Blue Cheer sludge groove like no one else. Last but certainly not least, we’ve got Antiseen, a punk rock group unlike any other, who hail from North Carolina and have at times made even Poison Idea look like upright citizens. Their latest release, Dying Breed, features a ton of covers including one of White Cross’s “Jump Up,” for you old-school VA hardcore heads. But it’s Antiseen’s classic originals, which somehow bring a Southern-rock feel to raging 80s punk sounds, that you’ll really be down for, assuming you enjoy some seriously antisocial sounds. And honestly, if you don’t, you might want to skip this one. Because I can promise one thing — it’s gonna get crazy. You’ve been warned.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

FEATURED SHOWWednesday, March 13, 7 PMMark Morton, Light The Torch, Moon Tooth @ The Broadberry – $25 (order tickets HERE)Interesting things are afoot in the world of Richmond metal. You might have heard recently about one thing a member of Lamb Of God got up to in his spare time — specifically, Randy Blythe organizing a crew of kazoo players to chase away the Westboro Baptist Church when they came to town — but it seems that guitarist Mark Morton’s solo album has slipped a little more under the radar.

Well, the time for such a lack of attention has ended — Morton’s solo debut, Anesthetic, was released a couple of weeks ago, and he’s about to go on tour supporting it. He’ll start the whole shebang at the Broadberry tonight. Yes, tonight, so you better get a jump on those tickets! On the album, Morton brings in a variety of celebrity guests to contribute vocals, from metal legends like Testament’s Chuck Billy to alt-rock superstars like Mark Lanegan (Screaming Trees/QOTSA) and the late Chester Bennington (Linkin Park). However, the touring band will feature only one vocalist, Mark Morales, who is also in the sludgy alt-rock/grunge group Sons Of Texas and happens to be the only singer who contributed more than one lead vocal to Anesthetic.

With a lineup rounded out by other members of Sons Of Texas, Bad Wolves, and Prong, Morton’s solo band is sure to do justice to the tunes on his new album. You’ll get a chance to hear the Lamb Of God axeman stretch out, indulging in side trips into blues, grunge, and Southern rock that wouldn’t show up in his main group, even as he and his band still totally rock your face off. With touring heaviness from Light The Torch and Moon Tooth also on the bill, this one is sure to rock you through and through. So don’t miss out — there’s things going on you don’t know.

Wednesday, March 13, 10 PMPrabir Trio, Ben Butterworth & Friends @ Cary Street Cafe – Free!Tonight at Cary Street Cafe, this town’s love affair with Fan institution Bamboo Cafe gets taken to a totally new level. Prabir Mehta’s latest musical ensemble, the Prabir Trio, will be releasing a new cassette featuring a musical tribute to Bamboo, and they’ll be holding a release party to celebrate. It’s happening at Cary Street Cafe — according to Prabir, because it’s the closest Richmond venue to Bamboo — and I’m sure there’ll be an after-party at Bamboo later.

The Prabir Trio, which brings singer-guitarist-songwriter Prabir Mehta together with Richmond mainstays Russell Lacy on bass and Kelli Strawbridge on drums, has a Beatles-via-Strokes rock n’ roll urgency that simultaneously evokes past Prabir projects like Goldrush and the Substitutes while also taking the most stripped-down, direct approach Mr. Mehta has yet taken to his music. The result is some great singalong tunes that will rock and roll you all night long. Don’t miss the party tonight, don’t miss the new tape, and don’t miss Ben Butterworth & Friends, who will offer a more laid-back, folky approach with their singer-songwriter sound. This night is definitely worth your time, especially since it’s free! See you there.

Thursday, March 14, 7 PMAdrian Belew, Saul Zonana @ The Broadberry – $25 in advance/$30 at the door (order tickets HERE)Adrian Belew is a legend in the worlds of prog-rock and postpunk. Early in his career, he played on classic albums by David Bowie, Frank Zappa, and the Talking Heads, before joining King Crimson and remaining in the constantly-evolving ensemble for around 30 years. He has also had a thriving solo career throughout that time, releasing nearly 20 solo albums over the course of four decades.

Belew’s just about to release his 16th solo album and first in ten years, Pop Sided, and it’s the tour for that album that brings him here to Richmond. While his unorthodox approach to guitar playing has definitely led him to some pretty wild extremes over the course of his career, the material he’s currently playing focuses on his unerring sense of off-kilter pop hooks, and based on live recordings that have made the internet thus far (because the album isn’t out yet, womp womp), it seems he’s got some of the catchiest tunes of his career for us when he hits the Broadberry stage tomorrow night. So get stoked, all you prog-heads — a true guitar hero is about to dazzle us all.

Friday, March 15, 6 PMHe Is Legend, DENS, Dead Friends, Followship, Thirst For The Sea, Genosha @ The Canal Club – $15 (order tickets HERE)If you’ve heard anything about He Is Legend this week, it’s probably been related to Demi Lovato posting an Instagram story in which she sang along with their classic first LP, I Am Hollywood. But this doesn’t seem to me to be particularly noteworthy news — partly because we’ve known for over a decade that Demi Lovato’s just a metalcore kid who somehow got famous as a pop singer, and partly because it shouldn’t surprise anyone when someone is stoked about He Is Legend’s excellent tunes.

The North Carolina quartet did indeed make their name on that classic debut, but they’ve released four more LPs since then, and despite their evolution to incorporate both more Southern-fried metal licks and clean-vocal melodies, they’re still kicking out the jams as hard as ever, especially if their latest single, “White Bat,” is an accurate indication. It’s safe to assume so, and to roll out to this show ready to headbang. There’s a ton of local and regional talent on the bill to support this one and keep you rocking all night, but if we’re honest, He Is Legend is what it’s all about. That’s right… I said it.

Saturday, March 16, 9 PMPost-Rock The Block, feat. Kristeva, Colin Phils, Desert Altar, Righter @ The Camel – $7 in advance/$10 day of show (order tickets HERE)If we’re honest, we’ll all admit that Shamrock The Block is always a bit of a mess. A Saint Patrick’s Day party in the middle of the street with green beer everywhere? What could go wrong? But seriously, whether you attend with glee or avoid that entire part of town all day, we can all agree that it’ll be nice to have a relaxing come-down party at The Camel that night. The fact that Kristeva and Colin Phils will be headlining an evening of post-rock to soothe your nerves, calm your troubled brain, and help you regain your equilibrium.

Kristeva are a post-rock group in the classic sense, complete with lengthy, dynamic instrumentals and plentiful integration of everything from violins to delay pedals. They’ll be celebrating the release of their new cassette, Goliad, which features some downright beautiful melodies as well as some moments of dramatic volume. Goliad is an evocative, enjoyable listen, and Kristeva’s live set is sure to be all that and more/louder. They’re joined by Colin Phils, who’ve done an excellent job of making their name as a math-rock powerhouse since arriving in Richmond from Korea a few years ago. We can expect another helping of their magical excellence once they hit the stage this Saturday night too. And with Desert Altar bringing some stoner doom jams and Righter kicking off the night in proper indie fashion, this whole thing is sure to be a much-needed boost.

Sunday, March 17, 9 PMLounge Lizzard, Pissing Contest, The Skin @ Bandito’s – Free!This one promises to be fun, even beyond the usual fun quotient to be had from a nacho-loaded free show at Bandito’s. Lounge Lizzard, a quartet that up until now has had very little music available, are releasing their new tape at this show. Based on what I’ve previously heard from this project featuring members from Toxic Moxie, Pissing Contest, Cremains, and more, it’s landed pretty squarely on the sort of snarling yet subtly melodic punk sound that was invented in California at the dawn of punk by legends like The Avengers (who had nothing to do with the Marvel Cinematic Universe) and The Dils.

Of course, there’s a good bit of 21st-century metallic crunch in there, as well as Sera Stavroula’s always-incredible vocal prowess, which all of us Toxic Moxie fans are intimately familiar with by now. Meanwhile, if you don’t already know Pissing Contest, you’re in luck, because this local snotty punk group is playing this show as well. They literally start a song by yelling “One-two-fuck-you!” so you know what you’re in for. Expect bondage pants and spray-painted leather jackets. Enjoyably strange noise-rock group The Skin will open this one up, marking their first live performance in quite a while and a welcome return indeed. The punks will dig this one, for sure — as will anyone who enjoys some good clean irreverent fun. For your sake, I hope that category includes you.

Monday, March 18, 7 PMLucifer, Spell, The Astral Void @ The Camel – $15 (order tickets HERE)The classic days of the Satanic panic and me having to hide my Slayer tapes from my mom didn’t happen until the 80s, but in hindsight, it seems like metal’s prime days of pagan witchery and dark hints of the occult began back in the early 70s with first-wave metal bands like Black Widow, Coven, and Pentagram. Lucifer have only been around for half a decade themselves, but this Swedish group manages to perfectly hark back to that classic spooky time in metal on their latest album, Lucifer II.

Now they’re bringing that sound to Richmond, with a performance at The Camel on Monday night. Don’t expect the typical “retro-doom” thing from this band — vocalist Johanna Sadonis’s dulcet tones bring strong melodies into the mix, and the addition in 2017 of legendary Swedish metal musician Nicke Andersson (Entombed, Hellacopters) to Lucifer has added a definite taste of psychedelic astral-plane soaring to the overall mix. Basically, if you’re looking for the kind of music that would be right at home on the soundtrack to a sun-baked film about pagan bikers carving a trail of death and destruction across California in 1970, this group will bring it to life for you, right here onstage at The Camel. Hell of a way to spend your Monday night, am I right? You won’t get another chance like this, so don’t blow it.

Tuesday, March 19, 7:30 PMBear Bones, Castle Black, Strawberry Moon, Turbo Mansion, Leach @ Champion RVA – Free!It’s been really nice to see shows happening more often at Champion as we’ve headed into 2019. Every venue willing to pick up the slack after the staggering loss of Strange Matter is a positive thing for the health of our live music scene. And Champion’s got a proven track record of putting on some pretty great shows, too, so this free Tuesday night show at Champion stands in good company.

This one finds our city playing host to two touring bands from various points around the country, as well as some rad local mainstays. Bear Bones are a duo from Detroit with a heavy sound that’s in no way hampered by their lack of a bass player. Meanwhile, New York’s Castle Black have more of a driving rock sound, one that can go in more of a heavy direction or a darkly melodic one — both are demonstrated capably on their 2018 EP, The Gods That Adored You. Both of these bands will rock you hard at Champion Tuesday night, and of course, local openers Strawberry Moon, Turbo Mansion, and Leach all have sounds of their own that are well worth hearing if you haven’t been acquainted with them yet. And if you have, why not check ’em out again? This one is worth the trip out on a Tuesday night, so go ahead and make it.

Bonus Hampton Roads Picks:

Friday, March 15, 8 PMAntenora, Gutted Christ, Serpentshrine @ RiffHouse Pub – $5Heavy music always has a home in the Tidewater area, and that’s never a bad thing. Over at RiffHouse this Friday night, you metalheads will get to experience a treat, as North Carolina shredders Antenora join up with Hampton Roads locals Gutted Christ for a show full of chunky riffs, shrieking vocals, and blasting drums. Antenora have a bit more of a black metal-derived thing going on, although that whole At The Gates-ish Gothenburg sound shows through quite a bit as well on their album Horrors, released last fall. These guys are sure to get heads banging at the RiffHouse.

The same can certainly be said of VA Beach’s Gutted Christ, though they take more of a low-end path to get there. Where Antenora pulls more from Northern European thrash, Gutted Christ show some strong Southern death metal influences, with guttural vocals and double bass aplenty. 2016 LP The Sower Ov Discord shows a definite Florida/Morrisound influence that’s sure to please the Morbid Angel fans out there. The evening will begin with a set from Norfolk’s Serpentshrine, who split the difference between the other two bands on this bill by harking back to the early days of both black metal and death metal. Their latest EP, Occultum Exordium, is sure to please fans of Bathory and of Autopsy equally, just as this show will get all flavors of metalheads stomping around with hair flying.

Tuesday, March 19, 7 PMNo Convictions, Knife Spitter, Yet To Fall, Dissention, MJ Le’vay, Spasyt Out @ RiffHouse Pub– $8That whole Shattered Realm school of ridiculously heavy hardcore hasn’t died out, y’all, and if you need proof, look no further than this show from Florida’s No Convictions at RiffHouse. Deep, deep vocals, blasting fast parts, borderline-sludgy breakdowns, and to top all that off, they actually do mosh calls on their 2018 self-titled EP, just to get you even more hyped to do spinkicks in front of your bedroom mirror.

Imagine how much harder all that’s gonna hit when it happens live onstage, and you’re well on your way to imagining just how crazy this Tuesday night show promises to be. Be prepared to call in to work the next morning, because if you don’t mosh yourself into oblivion during No Convictions’ set, you can rest assured that Maryland’s Knife Spitter will take you the rest of the way there. These guys are more about the brutal breakdowns than the low-end sludge, but once you’re in the pit, who’s splitting hairs? This is looking like a guaranteed head-walking good time (even if the opening acts, as is somewhat standard for Hampton Roads these days, are … kinda random), so start doing your leg stretches now.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOWFriday, February 22, 6 PMNew Lions, Large Margin, Basmati, Grandma @ Hardywood – Free!It snowed this morning. It’s supposed to be 60 degrees tomorrow. Who knows what the weather will be like this weekend. But while Richmond’s topsy-turvy weather spends the rest of winter (and probably longer than that) pulling itself together, we can at least be assured that, in this town full of outstanding music, it’ll always be pleasant inside.

That will definitely be true at Hardywood this Friday night, when this jam-packed lineup of top-tier local musicians hits the stage. Topping the bill is New Lions, and this sextet is what we get when Clair Morgan stops pussyfooting around about whether or not he’s a solo artist and just forms a band already. Not that that’s any big new thing — New Lions is basically the same ensemble Morgan was leading when he made his last record, 2016’s New Lions And The Not-Good Night (ah, see, you’re starting to get what’s happening here), and the group’s pleasing mix of indie melodies and intense, math-y emo remains intact. Plus, they’re almost done with their new EP, so you’ll probably hear at least a song or two from it aired out live.

Large Margin are the other big story of the night, and while this band may have been ultra low-key with their rollout, one listen to last year’s self-titled full-length was enough to blow your hair back for sure. This quartet of local post-hardcore luminaries is kicking up some serious dust with their Fugazi-inspired take on angry, energetic noise-core, and on a personal note, it’s pure catnip for me — I love it. This show marks the physical release of the aforementioned self-titled full-length, and you’d all be fools not to grab it on cassette while the getting’s good. You’d also be fools not to arrive on time and catch powerful sets from long-running indie-math vets Basmati and the looping pop genius of Grandma. This show doesn’t even cost anything to get in, so you officially have no excuse.

Wednesday, February 20, 7 PMDoc Rotten, Love Roses, The Chuggernauts @ McCormack’s – $7Punk never sleeps, at least not before the sun’s coming up. And punk doesn’t care what day of the week it is, or what sort of job you have to get to at some point tomorrow. Punk thinks you should probably just quit your job. What has it ever done for you? It’s an especially incisive critique when you consider all the great things punk bands like Doc Rotten have given you over the years: snotty singalong choruses, catchy melodic leads, angry yet upbeat riffs you can raise your fist and yell along to.

These are the really important things in life, right? And you might worry about how you’re going to pay rent if you don’t once again forgo sleep and stagger in to work at 8 AM tomorrow regardless of how late you were out tonight. But none of that matters tonight, when Jersey punk crew Doc Rotten will have you singing along with an upraised fist (possibly clutching a beer). Last summer’s Illusion To Choose LP is full of bouncy bass lines, crunchy guitars, and deathless anthems that speak to the struggles we all go through, and when they crank out those tunes in Shockoe Bottom, you’ll be feeling good for sure. Local ragers Love Roses and The Chuggernauts are along to keep you smiling all night. Don’t miss it — no matter what time your alarm is set for.

Thursday, February 21, 10 PMTypesetter, Late Bloomer, Washers @ Bandito’s – Free!The classic midwestern emo sound may have quite a bit of history behind it these days, but it is by no means dead. Two great bands are coming through town this Thursday night to prove it to you, and while both of them are from out of town, they do have Richmond connections in that both of them have released albums on our city’s own 6131 Records. The first is Typesetter, who keep the midwestern tradition alive from their hometown of Chicago. Their latest album, Nothing Blues, finds the group mixing gorgeously wistful vocal harmonies with driving riffage and a solid grasp of the dynamics that make for a perfect full-length listen. Their set at Bandito’s is sure to deliver on the album’s promise.

And then there’s Late Bloomer, who hail from one state south of here and, like Typesetter, released a full-length on 6131 last year. Waiting finds this band rocking a little bit harder than their labelmates, catching a bit of that post-Nirvana 90s alt-rock feel in their net along with a generous helping of pastoral emo resonances. If you dig one of these bands, you’re sure to dig ’em both. Local openers Washers should appeal to you as well. This driving melodic punk band lands somewhere between local luminaries Teen Death and Sports Bar, and considering they share members (and a label) with the latter group, there are a lot of local heads who should already be in their corner. If not, show up at Bandito’s and get familiar already, y’all.

Friday, February 22, 7:30 PMChris Corsano/Bill Nace, Crazy Doberman @ Shockoe Denim – $10Let’s get experimental this Friday night, shall we? This bill of experimental music with equal footing in jazz, punk, and improvisation is the sort of thing we might have expected to show up at Black Iris a year or so ago, but this time it’s happening in a completely random spot — Shockoe Denim, where you’d normally expect to hear nothing stranger than the phrase “selvedge denim.” This Friday night, though, it’s getting downright unusual in the fancy jeans store, as New England noisemakers Chris Corsano and Bill Nace perform a collaborative set.

You may recognize guitarist Bill Nace’s name, at least if you’ve followed what the members of Sonic Youth have been up to since their band dissolved. Nace is part of a duo called Body/Head, in which he collaborates with Kim Gordon. He’s done a ton of other stuff in the experimental music world too, as has Chris Corsano, a drummer of no small repute who has worked with everyone from Jim O’Rourke to Jandek at one time or another. These two have joined together previously under the name Vampire Belt to create glorious volcanoes of wild free-jazz cacophony. How will this performance differ? All we can do is show up and see. One thing’s for sure — it’ll be a wild ride. Especially with Richmond’s own pack of wild improv-experimental noise dogs, Crazy Doberman, opening up. The jeans store just might get a little unruly.

Saturday, February 23, 8 PMBuzzherd, Musket Hawk, MSD, Cruelsifix @ Champion RVA – Free!Local punk luminaries Tired and Pissed Records are bringing another devastating showcase to their hometown, this time over at Champion Brewing’s RVA location. And while those who pay attention to this sort of thing might have come to expect straight-up punk with a bit of a metal edge from the T&P crew, this time around finds them veering into the land of outright metal — which fits the environment, a brewer that those of us who don’t partake in the intoxicating stuff have come to associate with music that induces major headbangs.

This event finds two touring bands from north of our city heading into town; Buzzherd hail from Bethlehem, PA, a rust belt city mostly known for completely overdoing the whole Christmas thing. You can imagine what sort of angst this could induce in young metalheads, and you’ll hear all that angst and more when Buzzherd take the stage and wallop you with their chunky, violent take on metallic hardcore… or hardcore-damaged metal, as the case may be. Baltimore’s Musket Hawk take things in a more low-end direction, as they rumble and grind their way toward the perfect fusion of death metal and punk. Again, perfect music for their rather unstable home environs — and perfect music for you to spend your Saturday night headbanging to. Local powerhouses MSD and Cruelsifix only add to the reasons to wear your denim vest and get crazy at this one.

Sunday, February 24, 9:30 PMDropping Ugly, W I S H, Collider @ Bandito’s – Free!We’re back at Bandito’s for the second time this week, for the fourth free show of the column this week, and if you don’t think this is a great time to be alive regardless of the weather, well, I don’t know what to tell you. Maybe to spend the money you’re saving on a huge plate of nachos at one or both of these Bandito’s shows and find out how great life truly can be. Then, feeling stuffed and happy, you can wander into the music room, check out a few great bands for zero dollars, and have a further realization of how truly #blessed you are.

This show features a performance by Dropping Ugly, which is the sort of band name one might understandably associate with thuggish hardcore stomping. One would therefore be surprised to discover that this Richmond duo is much closer to shoegaze/dreampop-influenced indie sounds, with a strong emphasis on beauty and melody. They’re dropping ugly, all right — there’s nothing not-gorgeous about this group’s sound. Sunday night provides you with the perfect opportunity to discover that, and while you’re at it, to take in the heavier shoegaze-oriented approach of W I S H, who will give you serious gaze-heads flashbacks to the days of the Swirlies and the Lilys. It’s glorious. DC’s Collider round out the evening with some killer sounds that make me want to reference bands no one reading this has ever heard, like Monsterland and Drop Nineteens. That’s an endorsement, in case it’s not clear. Want to know more? Go to this show. Like many of the shows in this week’s column, it’s free — so don’t say I never gave you anything.

Monday, February 25, 10 PMSMUG, THRE3, 7th Grade Girl Fight @ Cary Street Cafe – Free!I’ve recently heard the word “smug” used to describe that wave of annoying, pretentious right-wing YouTube jerks we all hear way too much about these days. It’s fitting; it’s a word that makes you think of a smarmy jerk with a superior smile on his face after having said something he thinks is brilliant and you know is ridiculous. Thankfully, the band SMUG doesn’t seem to consist of guys like that. Instead, they’re a trio hailing from Buffalo, NY (home of the Goo Goo Dolls, who rule. Yeah, I said it) and dishing out some powerful melodic punk on their brand-new album, Gorgeous.

So yeah, it’ll be fun to see these guys rock out at Cary Street Cafe, as long as you don’t think too hard about the meaning of their name. They’ll be joined by a duo of Virginia-based melodic rock bands with numbers in their names. THRE3 is a band who must have been frustrated when they realized that both 3 and Three had been taken. They used that frustration to fuel their creativity, and produced some pretty killer punk-adjacent sounds with strong Ted Leo resonances on their 2018 album, Do Or Die. Meanwhile, 7th Grade Girl Fight bring us some fun indie sounds with obvious debts to the world of power-pop and garage rock. The whole evening’s gonna be pretty swell.

Tuesday, February 26, 9 PMRed Sea, MRC, Shormey, Lobby Boy @ The Camel – $8 (order tickets HERE)Here’s a show brought to you by Underground Orchard, a recent booking and promotion endeavor spinning off from the Citrus City Records empire here in Richmond. And considering how reliable the Citrus City name has become in terms of delivering quality 21st-century indie music, especially with an electro-pop flair, it’s no surprise to find Underground Orchard carrying on that legacy by bringing us a performance from Atlanta’s Red Sea.

If you tuned in to this band three years ago, you surely heard a different sort of sound — one more guitar-based and indie-math driven. These days, though, they’ve moved into the realm of electronic synth-pop, and recent singles are simultaneously reminiscent of Duran Duran, Vampire Weekend, and early-90s techno-house. It’s not easy to pin down, and it’s certainly not predictable, but it’s a whole lot of fun, as you’ll find out when you’re shaking your booty on the dance floor at The Camel Tuesday night. Be sure to check out the Tidewater-based dance entertainments of True Body side project MRC and Citrus City’s own Shormey, as well as similarly-driven Harrisonbury project Lobby Boy. This one will keep your feet moving.

Bonus Hampton Roads Picks:

Saturday, February 23, 8 PMSummer Heart, Brothertiger, Karacell @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)There’s a lot of great electronic pop music that comes out of Sweden — and no, I’m not (just) talking about Swedish House Mafia. All sorts of people with strong electro-pop bona fides hail from this Scandinavian country, from Robyn to Avicii to Max Martin. Therefore, can it be any surprise that there’s also a fertile electro-pop underground in the country? It’s that underground that has produced Summer Heart, the solo project of Swedish production genius David Alexander. And it’s Summer Heart who will be bringing the gorgeous sound of sunshine to Norfolk in the wintertime. Bless.

Summer Heart spent 2018 releasing a project called 12 Songs Of Summer, one song at a time. The songs, doled out once a month throughout the past year, are being released as a compilation for this tour, and you’d be wise to pick it up and finally be in a position to let the jams play for a while. They’ll bring a big smile to your face, whether you’re playing them at home or dancing to the tunes in person at Charlie’s American Cafe Saturday night. But to be clear, we definitely recommend the latter course of action. This has been a cold, gross winter, and it’s not over yet. We all need a little bit of summer in our hearts.

Monday, February 25, 8 PM156/Silence (Photo by Ale Gibson-Photography), No Good Deed, Beyond The Grave, Yung Mutt, Lil Broken Heart @ Riffhouse Pub – $5Y’all had to know this moment was coming — the moment in every column where I do my level best to convince every single one of you to get stoked about a metalcore band that’s coming to our area. You made it through the whole column, you thought you might get away without it this time — but it was not to be, as I will now fervently implore you to gas up your auto and head to Norfolk’s RiffHouse Pub this Monday night to see Pittsburgh, PA’s 156/Silence.

If I am to be totally forthright with you in my advocacy, I must admit that I have no idea what their seemingly random name means. However, it matters little; their 2018 LP on Innerstrength Records, Undercover Scumbag, contains all I need to understand about this band — a powerful collection of driving metallic sludge. filled with angst and fury, plus plenty of noisy guitar chaos, thundering drums, and intense throat-shredding screams. This band is sure to delight fans of everything from Sworn In to The Chariot to All Else Failed, and as I am all three of those fans, I am fair and squarely stoked. You will be too if you make it to RiffHouse Monday night; when have I ever steered you wrong?

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOWSunday, January 27, 6:30 PMStreet Muse Kenya Screening, feat. Gull (Photo by Joey Wharton), Lobo Marino, Mighty Joshua @ Gallery 5 – Free!
Being the only person in your band means never having to worry about breaking up. This is probably a big part of why Nathaniel Rappole, who started Gull over a decade ago, has kept on going strong over a career full of metamorphoses and setbacks that could have destroyed a band that had the ability to go their separate ways. But Gull has persevered. The group has grown from its origins as a one-man noise unit playing chaotic, speedy punk rock by playing guitar with one hand, drums with the other (and both feet), and screaming into a miked-up mask, into its current incarnation, in which Rappole is liable to depart from his guitar, or his drum kit, or his mask, or all three at any given time, in order to generate a sound that has matured into borderline-uncategorizability.

Over the years in which this evolution occurred, Rappole — who’d done his fair share of busking on the street in Richmond neighborhoods like Carytown — got bit by the travel bug in a major way. This culminated in his 2012 trip to Kenya with a camera crew. The result of this crowdfunded trip was a documentary film, Street Muse Kenya, which was completed two years ago and will be shown in full at Gallery 5 on Sunday night.

In 2017, Gull used time in which Rappole was laid up with a broken leg to create an album, Lurcher, that was constructed mainly on analog synthesizers and sequencers — a far cry from his hardcore-punk origins. Now that he’s up and around once again, he’s itching to get back onto the road, so at this event, Rappole and his crew will elaborate on the next step in the Street Muse project: a trip to Southeast Asia, for which they are raising funds right now. Then, once they’ve given you all the pitch, Gull will perform a full set, to let you know where his head’s at these days. The musical portion of the evening will also feature a set from equally peripatetic and uncategorizable duo Lobo Marino, and will be MC’d by local reggae musician Mighty Joshua. There’s a lot going on at this one, and some of it is sure to catch you by surprise. But one thing we do know for sure — you won’t see a show like this anywhere else in town this week. You know what to do.

Wednesday, January 23, 7:30 PMGamelan Raga Kusuma, Richmond Symphony Orchestra @ Modlin Center for the Arts – $36 (order tickets HERE)
It wouldn’t surprise me if you weren’t familiar with gamelan. This Indonesian music, which originates on the islands of Bali and Java in Southeast Asia, is traditionally played by orchestras consisting mainly of percussive instruments, which sometimes perform accompanied by dancers, or shadow puppet performances. These orchestras work together in complicated arrangements with rapidly changing tempos, and create ringing melodies with an entrancing beauty that is unique in the many musical forms of the world. Here in Richmond, Gamelan Raga Kusuma is a local ensemble that works under the auspices of the University of Richmond, dedicated to bringing the sound of Balinese gamelan to the central Virginia community in a variety of unique ways.

At the Modlin Center tonight, they’ll be doing so in collaboration with the Richmond Symphony, bringing to life a reconstruction, assembled by Javanese gamelan musician and scholar Sumarsam, of the gamelan music heard by influential French composer Claude Debussy at the Paris Universal Exposition in 1889. Gamelan had a profound influence on Debussy, who in turn influenced the vast majority of the 20th century’s best-known classical composers. For that reason, it’s of interest to both Gamelan Raga Kusuma and the Richmond Symphony Orchestra to follow that thread back to the very source. That’s what they’ll be doing at the Modlin Center tonight, and the trip promises to be fascinating for all you musical omnivores out there. The event will feature a variety of other performances, including a performance by a Balinese shadow puppet master of a new play, set to music by Debussy. It’ll all come full circle tonight, and if you love music, there’s nowhere else you should be.

Thursday, January 24, 7 PMGrails, Helen Money, Serqet @ Gallery 5 – $15 (order tickets HERE)
It’s easy to say that Grails is a fascinating band, but describing exactly what sort of music they’re making is much more difficult. The term “post-rock” seems tailor-made for a band like this one, which is formed around the sort of core instrumental lineup (two guitars, bass, drums, keyboards) that often shows up in the world of rock music, but is here being used to decidedly different purposes. However, I wouldn’t want any use of that term to make you think Grails sound like Explosions In The Sky or Mogwai — what they do is more complex, less likely to rely on the quiet-loud transitions and gestures toward epic grandeur that bands like the ones most people think of when you say “post-rock.”

So if that term doesn’t work to describe Grails, what does? Well, let’s ditch any attempt at genre classification right here, and instead say that their instrumental music moves all over the place, doing all sorts of things in all kinds of unpredictable ways. It’s certainly heavy, at least at times, and it’s certainly mysterious — at times — and at moments it gets downright beautiful. But the main thing we can say about Grails is that their music, besides being intriguing and challenging, is always an enjoyable experience. You’re sure to get a lot out of their performance at Gallery 5 tomorrow night, and the fact that Chicago-based avant-metal cellist Helen Money and local goth-crust anarcho-punks Serqet are on the bill only makes this whole evening that much better. Don’t miss it.

Friday, January 25, 9 PMOccultist, Enforced, Slump, Essex Muro @ Bandito’s – Free!
It has been extremely refreshing to see Occultist return to action in recent months after such a long period in which this incredible Richmond-based blackened-thrash quintet kept a very low profile. They’ve been promising a new record coming sometime in 2019, which will mark their first new release featuring original material in over five years, and if you’re not hyped, I suggest you check your pulse. This show is your first chance to see Occultist in 2019, and it sweetens the deal considerably, not only by being free and at Bandito’s (whose nachos are always an essential treat), but also by featuring several other great heavy-as-heck bands from around the region. What a deal!

This show is being held in solidarity with Black Flags Over Brooklyn, a two-day fest happening in New York on the same weekend, which exists to put out a strong anti-fascist, anti-racist message in the metal community — something any cool person should back, and sadly something we need now more than ever, in this age of Trump and the alt-right. To make this show as awesome as possible, Occultist have joined up with local ragers Enforced, who straddle the line between rough n’ tough hardcore and outright metallic thrash, and have landed on quite the musical sweet spot in the process. Whether you like to headbang or mosh it up, you’ll find yourself loving Enforced. The bill is rounded out by RVA’s fave psychedelic hardcore weirdos, Slump, and Raleigh noise-punk chaos ensemble Essex Muro. You can’t go wrong with this one.

Saturday, January 26, 9 PMVomit Stain, Murder Method, Murdersome @ Wonderland – $5
Unless you’ve been around this town for quite a while, even the diehard metalheads among you might not know the extent of Richmond’s history with brutal death metal. However, one of the leading lights of our current twisted brutal metal underground, Vomit Stain, seem to have a surprising amount of awareness, if their choice of record label is any indication. This raging quartet just released their latest album, Piles Of Human Debris, on Sevared Records, the long-running death metal label owned by onetime Richmond resident Barrett Amiss II.

Back at the turn of the millennium, you could find Barrett manning the drum kit for local death-crust outfit Rasp, and around that time, Sevared released the lone full-length by Richmond’s Disinterment, who gained little notice at the time but contained future members of Darkest Hour, Deathcrown, Iron Reagan, and many more. Amiss returned to his native New York some time ago, but clearly Sevared’s relationship with Richmond metal isn’t a thing of the past. At Wonderland this Saturday night, Vomit Stain will make clear exactly why they’re perfectly suited to carry on the underground tradition of Richmond death metal, dishing out the growling gore, thrash-tastic riffs, and headcrushing double-bass pummeling we all love so much. They’ll be joined by up-and-coming Richmond ragers Murdersome, who feature some talented local metal vets themselves, and will also be celebrating the release of their newest EP. Pennsylvania quintet Murder Method will round out the bill with some old-school Florida-style death for all you headbanging maniacs. Hit the pit.

Sunday, January 27, 7 PMDaniel Romano, T. Hardy Morris, Deli Kings @ The Camel – $15 (order tickets HERE)
It’s easy for Americans to trick ourselves into believing that Canada is just like America. After all, our neighbors to the north speak English with mostly the same accent we do (er, well, if you’re west of Quebec they do), and their culture looks pretty similar to ours from the outside (except that they have Tim Horton’s and Pizza Pizza where we have Dunkin Donuts and Little Caesar’s). But if you start checking into Canadian music, that whole understanding falls apart. Daniel Romano’s a great example of what I’m talking about; like the Tragically Hip and Sloan, among many others, he’s a Canadian artist acclaimed enough to receive multiple nominations for Canadian music awards like the Polaris and the Juno. Meanwhile, here in America, he’s a relatively obscure folkish alt-country singer-songwriter who is probably best known for having been part of melodic punk group Attack In Black a decade or so ago.

Hopefully that will change at least within the borders of our fair city, though, as Romano has been proving for close to a decade now that his work deserves to be just as well-regarded in the good ol’ USA as it is in his home country up north. Last year (almost wrote “this year” — January always takes some adjustment), he simultaneously released two albums, Human Touch and Nerveless (the fact that he didn’t name the latter Lucky Town seems like a huge missed opportunity, but maybe he’s not as much of a Springsteen fan as I am). Between the two, they show off the full breadth of his enormous talent, ranging between skeletal folk tunes with the feel of old-time murder ballads, and incredibly catchy power-pop that simultaneously evokes modern indie and lush 70s AM radio pop tunes. All of it makes clear why Daniel Romano has won the hearts of so many of his countrymen. Catch on to the best parts of what our neighbors to the north have to offer at The Camel this weekend; it’s likely that before too long, that decision will give you major bragging rights.

Monday, January 28, 7 PMAmen Dunes, Arthur @ The Broadberry – $15 in advance/$17 day of show (order tickets HERE)
What’s going on with Amen Dunes? The answer depends upon the year. Band mastermind Damon McMahon doesn’t really focus on any particular sound or style in his music, instead following his creativity wherever it may take him — which, from album to album, can lead to very different results. He got his best results yet on Freedom, the project’s fifth album, released last year to widespread acclaim. The spiritually-driven mission of Amen Dunes is brought into the sharpest focus on Freedom, resulting in an album that takes a number of different sonic detours but always features a uniting vision grounded in urban-folk melodies and psychedelic haze.

Expect Amen Dunes to create a palpable mood when they take the stage at the Broadberry, one that will only be enhanced by the opening set from tourmate Arthur. Arthur, which is also a de-facto solo project, also dabbles in psychedelia — but it’s a very different sort than that trafficked by Amen Dunes. On Woof Woof, the latest full-length the project has released, Arthur explores bizarre corners of the psychedelic pop world, using heavy vocal effects and unexpected switches between acoustic and electronic sounds to brew up a melange of sounds that could remind you of everyone from The Beatles to Ariel Pink to the Flaming Lips and a whole lot more. This show will be a full-on headtrip from beginning to end, so be prepared to take a trip. One thing’s for sure — it’ll brighten up your Monday night.

Tuesday, January 29, 8 PMGeorge Clanton, Surfing, Satin Sheets + Esprit, Aaron Shadrow @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Strangely hypnotic electronic-based music has really come into vogue over the past few years, especially around Richmond. If you’ve been paying attention to its bizarre rise here in the river city for several years now, you’re bound to know the name George Clanton — or at least, to remember his early work under the name Mirror Kisses. His synth-based sounds were much darker at that time than they are today, as Clanton takes a trip down from his current home of Brooklyn to blast us all with waves of digital bliss.

His latest LP, Slide, is full of danceable pop gems that both retain a hefty dose of the strange atmospheres his music has always created and hooks right into the deepest impulses of your lizard brain to perfectly satisfy your craving for unforgettable melodies and singalong choruses. The result should appeal to fans of Duran Duran’s mid-80s prime just as well as it connects with fans of modern trailblazers like Elite Gymnastics. And what’s even greater for all you weirdo-electronica fans is the fact that Clanton will hit town with a coterie of fellow electronic travelers who record for his 100% electronica label, including a collaborative set between Clanton’s own alter ego, Esprit, and New Zealand’s Satin Sheets. Australians Surfing and frequent Clanton collaborator Aaron Shadrow will also be on the bill, so this show is sure to be a treat for all you fans of bizarre synth delectability. And I know in Richmond, there are a lot of you.

Bonus Hampton Roads Picks:

Friday, January 25, 7 PMArcane Haven, The Earth Laid Bare, Wait For The Day, Vain/Void, Bo Scurvy And the Hounds, Detachment @ RiffHouse Pub – $10
I love metal in all its forms, and if you’re even close to being on that same page, you’ll definitely be interested in this stacked six-band bill coming to RiffHouse Pub in Norfolk on Friday. RiffHouse — the very name says “this is a metal club,” and as far as this show goes, they certainly aren’t belying that name by having Arcane Haven headlining. This Pennsylvania band released their self-titled debut full-length last summer, and it finds them dealing in everything from absolute brutal mosh madness to emotionally-powerful melodies with a heavy undercurrent. This quintet definitely has a sensitive side, and they’ll show it to you, but don’t get too comfortable, because before you know it, they’ll be charging full-tilt back into headbang territory.

They’re joined on this tour by Kentucky’s The Earth Laid Bare and Ohio’s Wait For The Day, who have a significant share of metal rage to offer in their own right. The Earth Laid Bare’s latest album, Flow, shows the group dabbling in the same sort of industrial-influenced low-end that has marked recent releases from Sworn In and Harm’s Way, even as their death-metal roots show through in the best possible way. Meanwhile, Wait For The Day traffics in more complex, almost proggy flourishes, but at heart focuses on the same sort of emo-metalcore hybrid sound fans of Underoath and Poison The Well have come to love. All three of these bands have a lot to offer, and the three excellent local openers only make this show an even better deal. Do you like to headbang as much as I do? You do? Good. Go to this show.

Saturday, January 26, 8 PMMirador, Spitty, Single-Use Plastic @ Pourhouse of Norfolk – Free!
I’ve been covering the music scene in the Tidewater/Hampton Roads area for a while now, and I’m starting to learn that it has quite a bit more breadth than I initially thought. And in my quest to look beyond the hardcore, metal, and dance music, Mirador is one of the more impressive lesser-known examples I’ve located. This quartet dabbles in indie melody, math-rock guitar sounds, and alt-rock vibes on their Become The River EP. The result is incredibly catchy and fun, and it was released when all the members were still in high school, so that’s even more impressive.

Do we have the Norfolk version of Manatree on our hands here? Time will tell, but one thing that’s already certain as of right this minute — these guys are definitely worth heading over to the Pourhouse on Saturday night in order to see. The fact that this show is free makes it even more worthwhile, and best of all, two other local groups — alt-rockers Spitty (great name) and skate-punkers Single Use Plastic (pretty rad name as well) — will be tearing it up before Mirador’s set. So you get great tunes, you get to keep all your money, and you get to engage in a firsthand exploration of the musical variety Norfolk has to offer. Sounds like a win-win all around!

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

FEATURED SHOWSaturday, December 15, noonWhite Laces, Night Idea, Fat Spirit, Manzara, Grem Smiley, Don Fredrick, Nightcreature, Billy Neptune, Deli Kings, Ghoul Trouble @ Strange Matter – $12 (order tickets HERE)Saturday, December 15, 9 PMPunks For Presents 2018 Night Two, feat. Good Cretins, London Caroling, Snow Control, Christmas Jerks, X-Mas @ Strange Matter – $10
The time has come. It’s the last hurrah. This Saturday marks the final time that Strange Matter will host any live music. I know a lot of us have been feeling some ways about this, and I’m definitely feeling those feels too. Not just because Strange Matter has been, hands down, the best and most reliable live music venue in Richmond for the past decade, but also because… y’all, I’ve got a column to write every week. I’ve been writing this column for four years, and I can count the weekly installments that went by without featuring at least one Strange Matter show on one finger. When most of the venues around town weren’t even open most random weeknights, Strange Matter could always be counted on to be hosting not just a show, but more often than not, a real banger that I’d put into my column even if it was happening on a Saturday night when every place was hosting something.

Where am I gonna send you now on a random Tuesday night now? We’re gonna find that answer together in 2019, for better or worse. But while Strange Matter still exists, you better believe I’m gonna send you there this weekend. After all, this Saturday, their final day in operation, is going to be a major blowout, featuring not one but two epic shows that will start off around the time you’re paying your tab at brunch and end at last call in the wee hours. What better way could there be for you to celebrate Strange Matter’s truly top-quality decade of operation than to spend about 14 hours within its darkened confines, enjoying over a dozen excellent bands from right here in RVA?

You know the answer as well as I do, so let’s all just mark our calendars now. There’s plenty to get stoked for — a reunion set by White Laces tops off the first epic show of the day, and since it’s always wonderful to see Landis, Jimmy, Jay, and the rest of the gang take the stage together, this will be a can’t-miss moment for any Richmond music fan. The coterie of excellent local faves supporting them on this bill — math-rock kingpins Night Idea, angst-ridden grunge punks Fat Spirit, spaced-out noise-rockers Manzara, so many more — is only matched by the outstanding slate of holiday-themed tribute acts being brought to us on the late show’s jam-packed lineup courtesy of Punks For Presents. Have you ever wanted to hear Clash songs rewritten to feature lyrics about Santa Claus? Or a set of Bad Religion tunes played by people who’ve seen snow on their front lawn at some point in their lives? You’ll get these and many more excellent musical treats at this fun-filled extravaganza. Don’t miss it — if you let your last chance to enjoy Strange Matter while it’s here slip away, you’ll regret it for the rest of your life. Guaranteed.

Wednesday, December 12, 6 PMThe Milkstains, Sports Bar, Sammi Lanzetta, The Trillions, Cold Beaches, Dumb Waiter, Toward Space, Neat Sweep @ Strange Matter – $12 (order tickets HERE)
Let’s continue to talk about the outstanding fare Strange Matter will be bringing us throughout their final few days of operation, shall we? The many epic local showcases that have filled their stage over the past few weeks have tended to find a focus in one local scene or another, and this one is no exception, bringing us a smorgasbord of the best alternative rock n’ roll this city has to offer. The fact that I took til the third sentence of this writeup to tell you that the Milkstains will be headlining this show with their first local performance since LAST Christmas might just constitute burying the lede, but I write these columns really goddamn fast, so I hope no one will hate on me too much for letting my journalistic principles slip just a bit.

Anyway, based on the advance promo for this show, it seems likely that this performance by the Milkstains may just constitute their last-ever performance as a band, and considering how much sweat, beer, and surf-grunge wildness this band has dished out to this city over the past decade-plus (they’ve been a thing even longer than Strange Matter has), that’s a real loss to all of us. Celebrate the life and the rock n’ roll power of the Milkstains once again/one last time(?) at Smatter tonight — but don’t just waltz in as they’re hitting the stage, because if you do, you’ll miss out on a plethora of fine musical performers, from the heartstopping alt-rock balladry of singer-songwriter extraordinaire Sammi Lanzetta to the garage-pop brilliance of Sports Bar to the jazz-metal madness of Dumb Waiter. And so much more! Dude… it’s gonna be epic.

Thursday, December 13, 8 PMOld Faith, Colin Phils, Colder Planets, Kenneka Cook @ Capital Ale House Music Hall – $7 in advance/$10 day of show (order tickets HERE)
I could keep on talking about Strange Matter for every single remaining day of their brief existence, and rest assured, on both this night and the next, there are excellent shows spotlighting indie-rock and grindcore at Strange Matter on these nights. If you were to go, I fully would not blame you. But I would be remiss in my duty as Richmond’s chief chronicler of live local music (I mean, really, who else is there?) if I didn’t tell you about a couple of amazing shows happening at other venues during this final half-week of Strange Matter’s extended wake. Let’s begin with this one, which features an appearance by Greensboro instrumental quartet Old Faith.

There have been quite a few groups that have trod similar musical ground as these North Carolinians now cover, but their ability to evoke perspective, meaning, and emotion through the stunning evolutions of their dual-guitar instrumental epics, as demonstrated on their recently released self-titled LP, puts them in the top tier of the genre, alongside famous names like Explosions In The Sky and Mogwai. When the sounds of their amplifiers grow to fill and surround Capital Ale House’s Downtown Music Hall, the music is sure to take you on an emotional journey. RVA-via-Korea band Colin Phils will also be on hand to bring you their pleasing take on the note-twisting melodic tangles of math-rock, while Colder Planets’s gorgeous alt-rock sounds will put a smile on your face for sure. And of course, there’s Kenneka Cook, the excellent soul singer and amazingly talented electronic-music composer, who’ll bring us an always-delightful set of her amazing tunes. This one’s going to be a delight.

Friday, December 14, 8 PMHackedepicciotto, Eric Hubel @ Capital Ale House Music Hall – $15 (order tickets HERE)
Assuming you’re not hitting Strange Matter, it’s back to Capital Ale House’s Downtown Music Hall on this fine Friday night for one of the weirdest and most intriguing musical experiences you’re going to have anytime in the near future. Hackedepicciotto are coming to town, and while this particular name may not be all that familiar to you, you’re sure to be impressed by their musical pedigree. Alexander Hacke is bassist and co-founder of German industrial godfathers Einsturzende Neubauten; his partner in life and music, Danielle de Picciotto, sang with German postpunk band Die Haut and helped establish long-running Berlin music festival Love Parade.

When they create together, Hacke and de Picciotto make music focused on their interest in yoga and other forms of meditation. Their most recent release is JOY, the second of their albums composed specifically to be soundtracks for meditation, and for that album they worked with New York postpunk guitarist Eric Hubel, formerly of Glenn Branca’s band and a yoga master himself. Now all three come to Richmond to create ambient soundtracks that might have some meditative qualities but also have an intense character that sometimes carries a dark undercurrent and always has the potential to shake your spiritual foundations. It’s hard to say what we’ll see and hear at Capital Ale House Friday night, but one thing’s for sure — it’ll move you.

Saturday, December 15, 7 PMGenosha, 3:33, Vulcanite, Lounge Lizzard, Treble Lifter, The Mostly Dead, Torino Death Ride @ Sound Of Music Studios – $5
As Strange Matter breathes its last this Saturday night, new life is being born into the Virginia hardcore scene. Metallic hardcore group Genosha will be releasing their latest CD, Our Conspiracy, and while I haven’t yet heard any of the tuneage from it, the two excellent bangers they released earlier this year on a split EP with fellow Commonwealth denizens Treble Lifter (also playing this show; more about them in a minute) give all the reason in the world to expect a powerful slab of dark, brutal moshcore out of this quintet. Being there to see the new Genosha LP being birthed into the world is certainly a fine use of your weekend night, especially if you’re ready for some serious headbangs.

There are quite a few other excellent bands from all around the VA area on this bill as well, and that’s sure to sweeten the pot for the initiated as well as the merely intrigued. Lounge Lizzard in particular are one to watch; this Richmond-based newcomer features members from all kinds of other excellent local bands — Toxic Moxie, Cremains, The Donalds, Skumboyz, and more. Plus, their snarky, catchy old-school punk sound is particularly designed to appeal to fans of The Avengers, which is never a bad thing. The aforementioned Treble Lifter have more of a driving post-hardcore sound, but don’t get me wrong — these guys are plenty pissed off, so you punks are still gonna love it. There are a lot more notable bands on this bill, but I’m running out of space, so I challenge you — learn about them for yourself. Come to Sound Of Music this Saturday night, and find out what’s going on with the new generation.

Sunday, December 16, 7:30 PMSilent Music Revival, feat. Toxic Moxie @ Gallery 5 – Donations accepted
This should be an intriguing installment of the always-fascinating Silent Music Revival, a long-running series of local shows in which Richmond-area musicians of note create improvised soundtracks for silent films they’ve never seen before. This time around, it’ll be Toxic Moxie who’ve accepted the challenge, and it’ll be fun to see how they incorporate their disco-punk hybrid sound into the world of film score. They’ll have a pretty great candidate for scoring too, as the film on display this week is Jean Renoir’s 1928 picture The Little Match Girl.

Renoir, who shares a surname with Impressionist master Pierre-Auguste Renoir because he was his son, was a pioneering French film director who got his start in the silent era before going on to demonstrate what could be achieved in the film medium with classics like La Grand Illusion and The Rules Of The Game. Starring his first wife and based on that totally bleak Hans Christian Andersen story we all heard as kids, The Little Match Girl was one of Renoir’s more notable early efforts, one that he financed by selling off his dad’s paintings. Now it’s being paired with the music of Toxic Moxie, on a Sunday evening at Gallery 5. What a time to be alive.

Monday, December 17, 7 PMAlright, Smoke Break, Ghouli @ Gallery 5 – $5 in advance/$6 day of show (order tickets HERE)
Never mind the fact that I always, without fail, write it as two words (“all right”); I’m still stoked to see Alright coming to town. These North Carolinians feature Sarah Blumenthal, formerly of the excellent Charlotte, NC band Faye, on guitar and vocals, and while Alright are clearly dipping a little further into the melodic/emotional end of the musical pond than Faye were, this group carries on the crunching guitars and exuberant bounce that Faye did so well.

Their just-released new EP, On The Outs, is the sort of record that will appeal equally to fans of melodic pop-punk groups like the Candy Hearts and garage-rock roustabouts like Sheer Mag. Live, these tunes are sure to get everybody bouncing around with smiles on their faces. It makes them a good pairing with Smoke Break, the melodic, energetic RVA trio featuring members of Sundials, Hold Tight, and Springtime who also grace this bill. We don’t get too many chances to see these guys, and as their 2016 LP Everything Is Wrong proved, they’ve got a lot to offer. So be sure not to miss out on this one — and show up on time, because local newcomers Ghouli have some caustic, frenetic punk to bowl you over with, and you’ll feel real stupid if you hear their last song from outside when you’re walking up. Don’t be that guy.

Tuesday, December 18, 7 PMMatt Lisk, Justin Golden, Graham Stone, Mackenzie Roark, Pat O’Keefe @ The Camel – Free!
I don’t think this night is part of the official “singer-songwriter showcase” series The Camel’s been doing off-and-on over the past couple years, but it’s set up in much the same way: several local musicians known for excellently-crafted solo material will all get together and play sets one after the other, and you’ll be able to see it all for free. That’s always a good deal, especially since the Camel has burgers and tacos on the menu that become way more affordable when you didn’t have to pay to get in. So show up a little early, get your grub on, and then settle in to enjoy a night of excellent solo sounds that come to you courtesy of folks like Matt Lisk, whose contemplative acoustic offerings are a great soundtrack for an introspective evening.

By contrast, Justin Golden will bring us some rootsy acoustic blues with a soulful feel that take his work beyond the traditional sound of legends like Robert Johnson and Son House, even as it keeps their spirits alive. Mackenzie Roark, who worked with a former member of Hootie And The Blowfish on her last album, has some classic country sounds to offer that are sure to please fans of Patsy Cline and Wanda Jackson. And of course, Graham Stone has become a fixture on the local singer-songwriter scene, with his folk feel and deep-blue voice always making an impression. The evening is rounded out by Dalton Dash frontman Pat O’Keefe taking a solo turn that we can imagine will maintain a similar old-time mix of folk, country, and bluegrass sounds that we’ve all come to know and love in his band. All of this for no dollars at the door? You can’t beat that with a bat.

Bonus Hampton Roads Picks:

Friday, December 14, 7 PMThe Do-Nothings, Stray Fossa, Party Wave, Plastic Nancy @ Toast – $7 in advance/$10 day of show (order tickets HERE)
Something unusual is going on here. The Do-Nothings are holding this show at Toast as an “album release party,” but until recently, there was no evidence of a forthcoming album to be found. Then on Monday, a post went up on their Facebook page that read, “This is not a test. Our album release show set will be recorded live and released as the album we are having the release show to release. Get it? Your participation is very important to us.” And if that isn’t enough to pique your interest, you’re a less curious person than I am.

Research has revealed that The Do-Nothings, who appear to be based in Richmond even though they’re having this bizarre “release party” in Norfolk, are a project led by singer/guitarist Andrew Altman, who, along with an energetic rhythm section, makes wild, effects-laden psychedelic blues-punk tunes that rarely fail to get weird. Their work reminds me in some ways of the early Black Keys, back when their records were way too grotty to ever get within shouting distance of radio, and in others of the totally bizarre early material by New York freaks Royal Trux. How’s that all gonna translate when they both make and release their next album onstage at Toast this weekend? One thing’s for sure — it won’t be boring. Gas up the Hyundai and go see what these weirdos have up their sleeve.

Sunday, December 16, 7 PMGod Of Nothing, One Less Life, Black Lotus, Heft, Stolen Goodz @ Riffhouse Pub – $5
Northern Virginia deathcore brutality merchants God Of Nothing apparently galled a few people by referring to themselves on the internet a few years ago as “the heaviest band on earth,” but we ain’t mad at ’em. Honestly, new single “1075” is pretty crushing, especially with its incorporation of ambient noise and a ridiculous final breakdown that features several totally silent pauses that trick you into thinking the song’s over before blindsiding you with another monstrous riff. These guys are clearly continuing to build on the legacy of downtuned mosh madness they’ve built up over the last several years, and what they’re showing us lately more than makes them worth going to see — even if they aren’t the heaviest band on any earth that also contains Sunn o))).

New Jersey’s Black Lotus are also on this bill, and while they’re more focused on complex, chaotic masses of progressive metalcore (they call themselves a “djent” band, but I’ve never been able to establish a coherent definition for that particular subgenre) than the sheer low-end crunch of God Of Nothing, they should certainly appeal to fans of the headliner, if their excellent Wilted LP from earlier this year is any indication. There’s a lot going on on this album, for sure, but never fear — a brutal breakdown is always just around the corner. One thing’s for sure: the pit at this show’s gonna be a risky proposition. I’ll be protecting my middle-aged bones, but if you love to mosh hard, this one’s gonna put a smile on your face for sure.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]