Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman?s life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.

Review&colon;

For South African writer J.M. Coetzee, winner of two Booker Prizes and the 2003 Nobel Prize for Literature, the world of receiving literary awards and giving speeches must be such a commonplace that he has put the circuit at the center of his book, Elizabeth Costello. As the work opens, in fact, the eponymous Elizabeth, a fictional novelist, is in Williamstown, Pennsylvania, to receive the Stowe Award. For her speech at the Williamstown's Altona College she chooses the tired topic, "What Is Realism?" and quickly loses her audience in her unfocused discussion of Kafka. From there, readers follow her to a cruise ship where she is virtually imprisoned as a celebrity lecturer to the ship's guests. Next, she is off to Appleton College where she delivers the annual Gates Lecture. Later, she will even attend a graduation speech.

Coetzee has made this project difficult for himself. Occasional writing--writing that includes graduation speeches, acceptance speeches, or even academic lectures--is a less than auspicious form around which to build a long work of fiction. A powerful central character engaged in a challenging stage of life might sustain such a work. Yet, at the start, Coetzee declares that Elizabeth is "old and tired," and her best book, The House on Eccles Street is long in her past. Elizabeth Costello lacks a progressive plot and offers little development over the course of each new performance at the lectern. Readers are given Elizabeth fully formed with only brief glimpses of her past sexual dalliances and literary efforts.

In the end, Elizabeth Costello seems undecided about its own direction. When Elizabeth is brought to a final reckoning at the gates of the afterlife, she begins to suspect that she is actually in hell, "or at least purgatory: a purgatory of clichés." Perhaps Coetzee's Elizabeth Costello, which can be read as an extended critique of clichéd writing, is a portrait of this purgatory. While some readers may find Coetzee's philosophical prose sustenance enough on the journey, some will turn back at the gate. --Patrick O'Kelley

From the Inside Flap&colon;

Elizabeth Costello is a humane, moral, and uncompromising creation.

The subject of J.M. Coetzee?s latest work of fiction is an Australian writer of international renown -- fêted, studied and honoured. Famous principally for an early novel that established her reputation and from which, it seems, she will never escape, she has reached the stage, late in life, where her remaining function is to be venerated and applauded.

One of a new breed of intellectual nomads, her life has become a series of engagements in sterile conference rooms throughout the world -- a private consciousness obliged to reveal itself to a curious public: the presentation of a major award at an American college where she is required to deliver a lecture; a sojourn as the writer-in-residence on a cruise liner during which she encounters a fellow guest lecturer, an African poet also employed to divert the passengers. Then there is a disquieting appearance at a writers? conference in Amsterdam where she finds the subject of her talk unexpectedly among the audience. She has made her life?s work the study of other people, yet now it is she who is the object of scrutiny. But, for her, what matters is the continuing search for a means of articulating her vision and the verdict of future generations.

J.M. Coetzee?s latest work of fiction offers us a profound and delicate vision of literary celebrity, artistry and the private life of the mind.

Book Description:Penguin Books. PAPERBACK. Book Condition: New. 0142004812 The life of aging Australian novelist Elizabeth Costello is revealed through a series of eight formal addresses that include an award-acceptance speech at a New England liberal arts college, a lecture on evil in Amsterdam, and a sexually charged reading by poet Robert Duncan. Reprint. Bookseller Inventory # 4229860

Book Description:Penguin Books, United States, 2004. Paperback. Book Condition: New. Reprint. 196 x 127 mm. Language: English Brand New Book. Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman s life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling. Bookseller Inventory # AAC9780142004814

Book Description:Penguin Books, United States, 2004. Paperback. Book Condition: New. Reprint. 196 x 127 mm. Language: English Brand New Book. Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman s life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling. Bookseller Inventory # AAC9780142004814