Monthly Archives: May 2015

I have an opinion that might be unpopular around here: I don’t like music about science. My love of science and scientific knowledge cannot be impugned — my Ph.D. is all the evidence I need to make my case. I never would have made it through my 14 years of biology education if I didn’t love science. I even love boring science lecture — both hearing them and giving them. Music is also very important to me. I have been a casual musician for most of my life, and listening to music and making music are deeply fulfilling for me. There is a bunch of music out there that is about science, and it would be reasonable to guess that I would love this music. But I don’t. There is a time for music, and there is a time for a boring science lecture, but when I’m listening to music, what I want is not a boring science lecture.

Exhibit A:

Symphony of science is pretty popular. But let’s face it — this is literally just a boring science lecture that has been auto-tuned. The words of Carl Sagan, for example, are inspiring in their own right. I don’t think making them musical adds anything to them. If anything, I think his words are cheapened slightly by the gimmick.

Exhibit B:

I have a lot of love for Baba Brinkman, so I feel a little bit bad for listing him here. He is brilliant, great with words, and a good performer. I respect him a lot for using his medium to explain science. I particularly like the way he used this anti-evolution rally song as a base for this song about the science of political values and religion.

I got to see him perform once at an evolutionary psychology conference, and I really have nothing but love for him. For the times that I actually do want to listen to a boring science lecture set to music, I go straight to Baba Brinkman. But this doesn’t change the fact that his work is still essentially a boring science lecture, albeit spoken very rhythmically.

Exhibit C:

Hank Green’s “I Fucking Love Science” is cute. There are some clever lines, but it’s not what I want out of music. It is literal and a little bit lecture-ey at times. What I mean should be clear in a minute.

Please don’t misunderstand me — there is no judgement here. Musicians should write about whatever they want to write about, and people should listen to whatever they want to listen to. My feelings about the music I mention are just my own feelings. I also don’t mean to disparage any of these artists. I’ve tried writing music myself, and I can’t go around calling the kettle black.

This is not about what music I think people should or shouldn’t be writing and listening to, it’s just about what I want out of music. What do I want out of music? Some poetry. Some metaphor. The language of emotion. And would a drum solo kill you?

When I listen to music, I want to be able to identify with the emotions that are conveyed through the medium.

Take this song:

This song is reportedly about Kurt Cobain’s relationship with Tobi Vail, the drummer for Bikini Kill. You may not like this song as much as I do, but you will agree that at no point does this song, which is about a human relationship, sound like an anthropologist talking about the mating behavior of gorillas. The song is about the emotions, not the details. No boring lectures anywhere.

Kurt Cobain talks about his experience in this song without making the context perfectly clear. But it is deeply expressive and poetic, and it is exactly what I want out of a song.

Take another song about a relationship that ended:

Kris Kristofferson’s take on this topic has much more of a narrative style than Kurt Cobain’s. There is no question about what Me and Bobby McGee is about. But there is still poetry. He could have said, “Now she’s gone and I really miss her.” That would have communicated his point effectively, but there is no poetry to it. Instead, he chose to say, “and I’d trade all my tomorrows for one single yesterday.” Give me a minute to catch my breath.

I think the mistake that people make when writing music about science is talking like scientists instead of lyricists. There is a reason why we have scientists write our science, and musicians write our music. It has famously been said that, “Writing about music is like dancing about architecture.” Each of these media have their style, and limits to their application.

Here is what I would like to see: music about the experience of science, rather than the outcome of science. We have beautiful, poetic music about the experience of love, death, happiness, sex, jealousy, war, fatherhood, dissatisfaction, and basically every other human experience one could have. But very little beautiful, poetic music about science.

Consider, for a moment, Leonardo DaVinci. He was both a great scientist and a great artist. Remember that this was the guy who painted the Last Supper, the Mona Lisa, and the Vitruvian Man. If he was going to write a song about science, what would it have sounded like? “If the air passing over the top of a wing is moving faster than the air moving under the wing, it will reduce the pressure above the wing and create lift. La dee dee, la dee dah.” No, probably not.

Through my pursuit of science, I have experienced a wide range of emotions. Scientific discovery can be wonderful, beautiful, painful, emotional, and, at times, even exciting. Where is the music inspired by science that conveys these feelings?

You may disagree, or maybe I just haven’t heard the right music. What’s your favorite song about science?

Have a topic you want me to cover? Let me know in the comments or on twitter @cgeppig