Blue Exorcist, Vol. 3 | By Kazue Kato | Viz Media – In the third volume of Blue Exorcist, Kazue Kato proves beyond a doubt that she’s in control of the material. She uses these chapters to properly introduce two worthy antagonists for Rin: Mephisto’s younger brother Amaimon (a dead ringer for Green Day’s Billie Joe Armstrong) and Father Fujimoto’s former protege Shura Kirigakure. But Kato also takes the time to flesh out her established cast. Rin has an opportunity to solve a crisis with reason instead of magic, while flashbacks allow us greater insight into Father Fujimoto’s relationship with Rin. Smart-looking character designs, brisk pacing, and crisp dialogue keep the story afloat, even when Kato is going through the standard shonen motions (e.g. busty big-sis types, school field trips involving camping and group chores). A worthy addition to the Shonen Jump catalog. -Katherine Dacey

Entangled Circumstances | By Kikuko Kikuya | Digital Manga Publishing - Everyone’s heard the adage “never judge a book by its cover,” but more often than not, doing so has led me to something interesting, especially where BL is concerned. Not so with Entangled Circumstances, alas. Oh, it’s okay, being the story of a handsome, popular guy (now the project manager for a magazine) and the stubborn, uptight guy (now in the magazine’s sales department) he’s been chasing for six years, but it’s not as quirky as its eye-catching cover—quite different from common BL motifs—would suggest. Pretty much the entire plot is “uptight guy refuses to admit that he loves the other guy until suddenly he does acknowledge his feelings and then they have lots of sex although he worries the popular guy will tire of him now that he’s caught him.” Yawn. Nothing new to see here. - Michelle Smith

Eyeshield 21, Vol. 37 | By Riichiro Inagaki and Yusuke Murata | Viz Media - We are finally at the end of Eyeshield 21, which is second only to Prince of Tennis for longest sports manga out in North America, I believe. And if, as I believe, it should have ended at the Christmas Bowl 3 volumes ago, I can’t really begrudge it this victory lap. We finish up the game against America, and as expected the Japanese team slowly begins to inch its way back. The highlights of the volume are probably a) the revelation of the bandaged player, who isn’t the person everyone thought; and b) seeing Agon finally give in and play like a real teammate. Much as I hate to see anything good happen to him after being a jerk for *so* long, it wouldn’t be very Shonen Jump-ey, and this is nice to see. As the series ends and we see the cast split into various colleges all playing against each other, we get a satisfying sense of closure (unless you were one of the few readers wanting romance – no hope there) and a sense that the future is bright for all of them.-Sean Gaffney

March Story, Vol. 3 | By Kim Hyung-Min and Yang Kyung-Il | Viz Media - From the beginning, March Story has had a compelling protagonist, a dark, intriguing tone, and beautiful, beautiful artwork, while other aspects of the series have waxed and waned. Things even out in volume three, as author Kim Hyung-Min finally hits his stride and then some. Though this volume conforms to the series’ episodic format almost to a fault, this seems to be a good thing, even in the eyes of an epic-loving critic like me. March’s surreally-designed mother figure, Jake, is featured in this volume, which is much more of a treat than I might have imagined. Other highlights include a story about an Ill trying to protect her human son, and an Ill who spends years devoted to a human woman. There isn’t a lot of Ill-hunting going on in these stories, but you won’t hear me complaining. This series is at its best when bittersweet. It’s nice to be able to finally recommend March Story without reservation. Hopefully this is a permanent trend. - Melinda Beasi

Pretty Guardian Sailor Moon, Vol. 1 | By Naoko Takeuchi | Kodansha Comics -I end up enjoying a lot of teen-demographic manga in spite of the fact that I don’t really care for the protagonist. If the supporting cast is large and interesting enough, I can ignore the lead’s shortcomings. Sailor Moon is shaping up in that direction, as I find our titular heroine to be too much of a drippy dingbat to actively like. While her solar-system sister is having a ball over in Codename: Sailor V, Usagi is behaving in some of the most predictable ways imaginable: lazy, shallow, and easily distracted. Fortunately, she’s surrounded by people with enough verve to drag her along, and Takeuchi has barely begun assembling her array of allies. I’m particularly taken with tough, elegant, slightly spooky Sailor Mars and dreamy, sarcastic Tuxedo mask, in spite of his contractual obligation to express fascination with our heroine. And whose life wouldn’t improve under the mentorship of a talking cat? - David Welsh

Tonight’s Take-Out Night | By Akira Minazuki | Digital Manga Publishing - The title story in this collection depicts a whirlwind romance between the manager of a burger joint and a guy from the corporate office. There’s not much emotional resonance to this tale, but that’s made up for by the next set of stories about an icy inhuman being (Kirin) whose killing streak comes to an end when he meets a kind physician (Shinnosuke). Their story brings all the drama one could ever want, including Kirin becoming human through his love for Shinnosuke (and angsting that he’s just a replacement for Shinnosuke’s late wife) and Shinnosuke eventually having second thoughts about this because Kirin will now eventually die. The last pair of stories are devoted to Makimura and Fujimori, an art student and his younger mentor who feel each other up first for sculpture-making purposes and then just for fun. All in all, it’s a diverse and enjoyable collection. - Michelle Smith

X 3-in-1, Vol. 1 | By CLAMP | Viz Media - Psychic powers! Family secrets! Mysterious destinies that threaten the entire world! Good-looking boys, and girls with yards of hair! X is pretty much dead center in the Venn diagram of “things I expect from a comic by CLAMP,” which is problematic only in that I like their work best when it surprises me. Siblings Kotori and Fuma find their high-school world turned upside-down by the return of their childhood friend, Kamui. He’s changed from the gentle, outgoing boy they knew, but you would too if you were constantly being attacked by nattily dressed, willowy psychics. On one hand, the whole “earth-threatening destiny” thing is as muddy and hard to navigate as a swamp; on the other, there’s an unapologetic level of violence here that compensates for the nonsensical quality of the plot it serves. The characters may be a little drab, and the story is a head-scratcher, but the fact that there’s this much bone-crushing, body-count action in a shôjo series is undeniably awesome. – David Welsh

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Comments

The voilnce in X (in the anime at least) for me was stomach churning I’m just not a huge fan of ogre or death it’s Clamp so I might read it but than again I sufferd through Rg Veda becuese of that line of logic.

The gore in the X anime (the TV series, the movie is another creature all-together) was way way toned down in comparison to the comic which was unforgivingly gory and violent. But CLAMP makes the gore “beautiful” of all things so while still effective it didn’t turn you off the series quite as much. Wait until it comes to a bookstore near you and browse it to see if it’s your thing.

I will definitely get X as soon as it hits the stores here. I already gave away the single volumes to get the omnibus. By the way, does it have the VIZBIG Edition quality or is it like the usual 3-in-1 VIZ releases?

Looking at the price ($19.99) it seems to be around the Vizbig’s price point rather than the regular 3-in-1 which is $14.99. They also say this is supposed to be a “deluxe” edition with color pages so let’s hope for the first?

The new edition looks like a million bucks—VIZ has included over a dozen full-color glossy images, and they’re gorgeous! The larger trim size is well-suited to the artwork. Blowing up Tokyo never looked so good!

I already have my copy of Sailor Moon and Blue Exorcist, but I’m most excited about X/1999 since I was too young to buy the volumes when they came out, and now they’re out of print (I totally borrowed them from the library at the time though, since this was back when “all comics are for kids” and librarians didn’t bother to check the age ratings.)

The startling thing I noticed way back then, and still notice now, is that CLAMP makes their gore pretty. In horrifing ways. I think that might be common in shoujo horror titles. Manga that was really poppular in back in my middle school (aside from Fruits Basket, Hana Kimi, and The Wallflower) were titles like Dragon Knights, Pet Shop of Horrors, Fushigi Yuugi, and Angel Sanctuary which are full of horrifiying images drawn really beautifully. We would keep volumes in our lockers and trade them during recess (and Spanish class), and our library was good about getting new volumes we continually checked out. But the most popular ones were always either really traditionally girly or dark angsty bishounen fests with lots of fantasy, battles, and gore.

With Viz publishing so much high school romance in the last 4 years or so I’m glad to be able to read so more of the latter even if it’s just a reprint of a popular comic.