Their stage antics were sassy, aggressive, almost raunchy. Their vocal styles featured distinctly unladylike growls, hiccups and moans. Their lyrics spoke of parties and hot rods, teen love and teen angst. They played everywhere from country fairs to honky-tonks to rock shows. They boldly strutted their stuff and were billed as Little Miss Dynamite, The Nation s Number One Party Girl and The Female Elvis. In the eye-opening film WELCOME TO THE CLUB - The Women of Rockabilly, we meet four of the most influential rockabilly women - Wanda Jackson, Brenda Lee, Janis Martin, and Lorrie Collins.
Uniquely American artists, yet loved by enclaves of dedicated fans the world over, Wanda, Brenda, Janis and Lorrie were the queens of rockabilly - rock and roll s country cousin that had its short but influential heyday in the mid-1950s. For a few brief moments, they burst onto a predominantly male scene with an unprecedented musical message of female power and assertiveness. They not only bucked the staid notion of what was appropriate to sing as a country star, but also rejected the models of post-war femininity that were being marketed in the wider culture - models of suburban wedded bliss and a return to traditional motherhood. The women of rockabilly were anything but demure, decking themselves out in leather, denim or vampy, skin-tight sheath dresses.
The music known as rockabilly was an amalgam of swing, country, and rhythm and blues that first flourished in the southern and western United States in the mid- 50s and 60s. Elvis Presley, Jerry Lee Lewis and Carl Perkins were best known for it, daring to take the forbidden race music, black rhythm and blues, to a white listening public. Rockabilly defied the social order and was gender-bending material. Women challenged the status quo with sassy manners and musical aggression, while men adopted slithering wiggles, grew their hair longer and put an emotional cry in their voice.

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