 Pitiful, to be sure, is what the pragmatic philosophy of the French and English is. ... They are considered to be so well versed in the knowledge of what man is, despite their failure to speculate on what he should be.cited in Lucinde and the Fragments, P. Firchow, trans. (1991), “Athenaeum Fragments” (1798), § 355

 In all spheres of science, art, skill, and handicraft it is never doubted that, in order to master them, a considerable amount of trouble must be spent in learning and in being trained. As regards philosophy, on the contrary, there seems still an assumption prevalent that, though every one with eyes and fingers is not on that account in a position to make shoes if he only has leather and a last, yet everybody understands how to philosophize straight away, and pass judgment on philosophy, simply because he possesses the criterion for doing so in his natural reason.

 And do you agree with me, that the first condition of an artist should be to bear respect towards what is great, and to bow to it and acknowledge it, and not attempt to extinguish great flames for the sake of making his own rushlight burn more brightly?Letter to Wilhelm Taubert, August 27, 1831, cited from Reisebriefe von Felix Mendelssohn Bartholdy: Aus den Jahren 1830 bis 1832 (Leipzig: Hermann Mendelssohn, 1862) p. 256; translation from Emil Naumann (trans. F. Praeger) The History of Music (London: Cassell, 1886) vol. 2, p. 1052-53.

 This context enables us to understand the passionate affection in which the poets of the New Comedy held Euripides; so that we are no longer startled by the desire of Philemon, who wished to be hanged at once so that he might meet Euripides in the underworld, so long as he could be sure that the deceased was still in full possession of his senses.p. 55.