Adam Sandler’s dramatic career hasn’t been as successful as he probably would have liked, because after earning rave reviews for his work in Paul Thomas Anderson’s “Punch-Drunk Love,” he’s failed to replicate that potential in other roles, from “Spanglish” to “Funny People.” So when it was announced that the actor would be teaming up with writer/director Thomas McCarthy for his new film, “The Cobbler,” the stage seemed set for Sandler to prove that it wasn’t just a one-off. Unfortunately, the movie is pretty awful, and though he doesn’t quite reach the same heights that he did with “Punch-Drunk Love,” Sandler isn’t the problem. Instead, it’s the tone deaf script and, to a lesser degree, McCarthy’s muddled direction, which is even more surprising coming from the co-writer of “Up” and the filmmaker behind indie gems like “The Station Agent” and “Win Win.”

Max Simkin (Sandler) is a fourth-generation cobbler who’s taken over his family’s shoe repair store in Manhattan after his father (Dustin Hoffman) abandoned Max and his mother with no explanation. When his equipment breaks one night while fixing the soles on a pair of shoes, Max heads down to the basement to use an antique stitching machine that, unbeknownst to him, has magical powers that transform him into a doppelganger of the shoes’ owner when he puts them on. (As long as that person is a size 10 ½ like Max, of course). Excited by the numerous possibilities that it offers, Max takes advantage of his newfound ability by getting revenge on a particularly rude customer (Method Man), only to get mixed up in a criminal scheme to redevelop the Lower East Side by a corrupt real estate mogul (Ellen Barkin).

In a nutshell, “The Incredible Burt Wonderstone” is “Talladega Nights: The Ballad of Ricky Bobby” with magicians, but whatever your feelings may be about “Talladega Nights” (this writer, for one, was not impressed), keep in mind that that description serves solely as a comparison to the story structure. Each features an underdog becoming wildly successful at his craft, only to turn ridiculously spoiled and contemptuous, and then losing everything he ever held dear. The big difference is that the jokes in “Talladega Nights” are born from abuse, while “Burt Wonderstone” takes the high road. Well, for the most part.

Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) have been doing magic tricks together since they were kids, and 30 years after they first met, they have become a premiere act in Las Vegas. Unfortunately, they can’t stand each other anymore, and their box office is starting to wane due to both their lack of chemistry on stage and the fact that they haven’t changed their act (or clothes) in 10 years. The duo is also feeling the heat from Steve Gray (Jim Carrey), a self-mutilating street magician who’s attracting the younger audience that Burt and Anton’s employer Doug Munny (James Gandolfini) desperately covets. After an attempt at an image makeover goes horribly wrong, Burt and Anton split up. Doug then shuts down their show, after which Burt quickly finds himself on skid row, but he finds redemption in the form of the person who inspired him to choose his path in the first place.

Last night’s season 2 finale of “Boardwalk Empire” has generated some strong reactions from fans, as Jimmy Darmody (Michael Pitt) was killed at the end of the episode by Nucky Thompson (Steve Buscemi). The plot twist rivaled the death of Ned Stark in HBO’s “Game of Thrones” as one of the bigger TV surprises of 2011, though in this case the twist seemed forced and out of place.

Many fans are upset, as Jimmy was a popular character. He was a tortured soul who was an integral part of the storyline through the first two seasons. That said, I’m not bothered that the writers decided to kill him off, but I wasn’t very impressed with the way they got to this point.

Season 2 revolved around the many troubles faced by Nucky Thompson. Nothing was going right for him, and Jimmy joined forces with his father with the encouragement of his bizarre mother (Gretchen Mol) to try to take back control of Atlantic City from Nucky. From the beginning it was clear that Jimmy wasn’t cut out to be a boss. He was indecisive and didn’t have much business sense. Next to characters like Al Capone (brilliantly played by Stephen Graham) and Lucky Luciano (Vincent Piazza), Jimmy looked like a naive kid as he bumbled his way through a bunch of failed deals. When it came time to kill off Nucky, Jimmy didn’t have the stomach for it, though he reluctantly went along with the plan when pressed by the real gangsters and Nucky’s brother Eli.

Yet Jimmy and fellow war vet Richard Harrow (Jack Huston) never hesitated to use violence violence against others, like scalping a foul-mouthed rich guy who ridiculed Jimmy and struck him in the face with his cane as his business ventures went south. Jimmy was an enforcer, not a leader.

But there was something deeper going on, as Jimmy was fighting all sorts of demons, from his troubled childhood to his relationship with his mother to his experiences in the war. The writers tried to convey this throughout the season, and frankly it wasn’t very fun to watch. You wanted to root for Jimmy, but the wild swings in his behavior made little sense.

All of this strange behavior became easier to understand in one of the final episodes when we had a long flashback to Jimmy’s time at Princeton. The episode seemed like a waste of time until we saw the scene where Jimmy’s mother has sex with him at the end of a drunken night for both of them. Gretchen Mol’s character was always a little creepy and this took the bizarre relationship to another level. Jimmy then quits Princeton and joins the army, and the war experience finished him off on an emotional level.

Yet this entire setup leads to a moment where Jimmy lets Nucky kill him without a fight as explained by showrunner Terence Winter in a recent interview:

Greetings, all, and welcome back to Prohibition-era Atlantic City. Since the Season 1 DVD set of “Boardwalk Empire” has yet to emerge, I have to admit that my memory on what went on when last we saw Nucky Thompson and the rest of the gang isn’t as fresh as it perhaps ought to be, so I’m hoping that your recollections are similarly imprecise. If not, then lord knows I’ll hear about it, but I’ll keep my fingers crossed and just dive right in, shall I?

The first sight we see this season is a bunch of kids running through the surf, picking up…a bottle? I think it was a bottle. Maybe it’s just because I was watching the episode as an advance screener, but it was so damned dark that I honestly couldn’t tell exactly what they were picking it up. But, hey, it’s a show about running bootleg liquor during Prohibition, so a bottle makes about as much sense as anything else, and I’m going to take a similar stab in the dark and presume that what they’re moving onto trucks in the next shot is crates of the same stuff. Basically, the whole segment is intended to give us a quick look at what all of the usual suspects are doing nowadays, and it looks for the most part that they’re still doing about the same thing they were when we left them. Nucky’s still enjoying the 24-hour party while Margaret remains at home, Jimmy’s busy handling the transport of product to Chalky White, Eli’s recovering from his wounds, Agent Van Alden’s with his wife, and…hey, wow, look how much more energy the Commodore’s got! Amazing how reinvigorated one can be when they stop ingesting poison, huh? Unfortunately, it isn’t long before all of the joviality is replaced by tragedy, with Chalky’s operation being abruptly machine-gunned into oblivion by a bunch of KKK members. Pretty horrifying stuff, and although Chalky manages to make it out alive, he’s rightfully pissed about what’s gone down. (At least he manages to take one of his attackers down before they drive away.)

Nucky and Margaret may be making this relationship work, but it’s clearly having a toll on the kids. After pulling an all-nighter, Nucky arrives to find Teddy ensconced under the dining room table, refusing to go to school because he’s been so traumatized by the nuns, but Nucky talks him out by sharing his own past educational experiences, leaving the adults to enjoy a bit of tense conversation amongst themselves. It might’ve shifted into a little bit of loving, but thanks to the nattering of the children, Nucky bails out, leaving Margaret understandable frustrated. Uh-oh, Teddy, you’re in trouble…

Looking in on Angela and Jimmy, it’s clear that Angela’s still an emotional wreck after losing out on the lesbian love of her life at the tail end of last season. She might be trying to put on the façade of family happiness, but there’s misery dripping from every word out of her mouth, and she obviously has no tolerance for Jimmy’s mother, Gillian. Speaking of which, how incredibly creepy was it when, apropos of nothing, she announced that she used to kiss Jimmy’s wee winkie once upon a time. Talk about your awkward revelations. Meanwhile, in Chicago, Capone’s still got a chip on his shoulder when it comes to people perceiving him as Johnny Torrio’s lackey, as evidenced by his reaction to George Remus, whose ridiculous tendency to refer to himself in the third person completely confuses Capone. Remus submits a plan to help Torrio do an end-run around Nucky Thompson, which Torrio accepts, quickly passing the buck to Capone on the matter of informing Nucky that his services will no longer be required.

If the strong critical support, the record-setting ratings, and HBO’s decision to renew the show for a second season the morning after its premiere is any indication, then yes, I’d say it has a pretty good chance. But first, it’s going to have to do a lot more than deliver a captivating pilot episode – one that was directed by Martin Scorsese, the man behind some of the best mob films of the last 20 years – if it ever hopes to reach the same level as “The Sopranos.”

One good episode doesn’t exactly make a great series, but you can definitely tell that the pieces are all there to create something really special. And to help make sense of all the corruption, backstabbing, and every sordid piece of back-alley business in between, Will Harris will be blogging “Boardwalk Empire” throughout the season. Here’s a brief taste from his post about the premiere:

“I don’t know about you guys, but I was sucked into the show almost instantly, in no small part because of Steve Buscemi. I mean, it’s not like I haven’t been a fan of his work for years, but it’s great to see him in the lead role for a change. He’s perfect for it, too: Nucky’s a guy who’s got a lot of power but isn’t necessarily the most intimidating fish in the pond.”

In addition, Bullz-Eye is currently running a “Boardwalk Empire” contest asking our Facebook friends to tell us about their favorite cinematic mobsters. The contest runs through next Wednesday, September 29th, and one lucky winner will walk away with a branded flask, a “Boardwalk Empire” book about the real-life characters, and a keychain flash drive preloaded with exclusive content. Head over to the official contest page to find out how to enter and then be sure to visit our “Boardwalk Empire” blog every Sunday night for a recap of all the latest action.