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We wanted another go at shooting Robyn in the controlled atmosphere of the studio now that we’ve got these fancy new cameras, and we think this clip takes what she (and we!) did in ‘seizure’ a great step further. She interacts with herself so deeply that we can see that interplay in even the slightest change in her facial expression.

She’s very good, and thorough. Ashlea is so very raw and honest in her first IFM appearance, and you can just see the sensuality spilling out of her completely unchecked. When all boundaries between the internal experience and the external visual are obliterated, you’ve truly captured sex.

‘Where’s the romance these days?’ you may sometimes find yourself asking, and the answer is that Perpetua stole it all and hoarded it up for this clip. This wistful scene, a tiny hutch of warmth and privacy in a cold, isolating rainstorm, is in the upper echelon of IFM artistry.

When used well, red can accentuate movement or tip the sensual right over into the sexual. Kara D’s red fingernails, though they are a minor detail, draw our attention to the movement of her fingers, captivating our attention and moving us right along with them, ever so slowly.

The tone of this clip is intense and intentional, and it’s an extraordinary way to explore our fascination with the beautifully explicit. There is a very particular combination of light and flesh that gives way to such a human image, displaying the ways in which we are absolutely and simply creatures.

The impossibly beautiful Alexia LaRo debuts on IFM today, and her idea of ‘playground’ has quite a few meanings. The sort of meandering pace of this clip creates a simple romance that is further developed by the sense of warmth and atmospheric sound created by place.

Yet another leaves-you-speechless sort of session. Jette exercises a superhuman amount of strength and motion in the name of the O, and as someone who can’t pat her head and rub her tummy, I am baffled as to how she keeps it in such perfect rhythm.

One of our riskiest cinematic endeavours took place several years ago, and we are still marvelling at how we pulled that one off. And, more importantly, how Sherie managed it herself. But I guess you go to great lengths (and heights) to make your art, and now we need to think about how we can get even higher.

Miss gets well into what she’s doing, which is part of what makes her such a great contributor. She’s got so many different ways of pleasing herself and her response to each one is even more intense than the last. But it’s the weight of steel that finally does the trick.

Hayden is quick, but that doesn’t mean she’s done. In fact, she’s only gotten started. There is no such thing as ‘just one’ for her once she gets herself stuck in the orgasm loop, and we certainly aren’t rushing her off camera.

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