Tore Brunborg is Tord Gustavsen's gifted sax disciple, while Kirsti Huke is an unhurried, flawlessly controlled, multi-genre vocalist who sketches graceful shapes somewhat in the manner of Susanna Wallumrod. They sound made for each other on this mix of Huke's own tranquil songs, and poems by Robert Frost and Emily Dickinson. Frost's words fuel the opening Breeze, which builds to a tenor sax-and-vocals swell underpinned by guitarist Petter Vagan and a subtle fusion rhythm section. Huke's forthright love song Oceans is intimate and funky at the same time, while Emily Dickinson's Necklaces is a sighing vignette embraced by ghostly guitar sounds. Trondervise is stealthy jazz-funk for Brunborg to blow Garbarek-like smoke through, and the unexpectedly strutting Go Charm! allows the band to wind itself to a feverish, full-on thrash. The closing title track is love-and-loss anthem in which Huke's wordless weaving, Vagan's guitar hook and Brunborg's patient ruminations blend. It has been said that Kirsti Huke's approach has more in common with Joni Mitchell's recordings with jazz musicians than with a jazz album in the usual sense, but that's definitely no bad place at all to be.