It’s November 1959 - and sat at Desk 861 in the towering New
York City Central Office of Consolidated Life (the 5th biggest
insurance company in the USA) – sits lowly worker C.C. Baxter. Clifford Charles
(nicknamed Bud) is up on the 19th floor every day at 08:50 a.m. precisely
- monotonously tapping away on his Priden calculating machine like all the other
31,259 employees sat in long lines of square desks behind him. But Bud has a
more pressing 'problem' than working out in his brain how far eight million New
Yorkers will stretch if laid out side-by-side – access to his Manhattan apartment
situated a short distance away from Central Park and near the office…

You see Apartment 2A in 51 West 67th Street has
become rumpy-pumpy central for a group of managerial types at Consolidated Life.
There’s Mr. Eichelberger from Mortgage and Loans booked in on Friday, Mr.
Kirkeby from Accounts going at it on Thursday and Mr. Vanderhoff from Public
Relations having an extra-martial swing on Wednesday. Bluntly there’s barely enough
room for Mr. Dobisch from Admin come the weekend - nor even space for Switchboard
Sylvia partnered with the cheap but suavely dressed Mr. Lieberman on Tuesday.

You wouldn’t mind if they were gentlemen about it either. “You
mean you bring other dames up here! Certainly not! I’m a happily married man!” Lieberman
complains as Sylvia asks for cab fare back to the Bronx. Bud has to wait
outside his apartment in the cold night air for the two lovebirds to clear off.
They said they’d be out by eight – but it’s already quarter before nine. “These
things don’t run to a clock!” he explains to Bud when he has to go back to get Sylvia’s
galoshes. It’s a wonder Bud finds time for a TV dinner, a classic movie on his
black and white TV that never seems to arrive because of craftily placed advert
breaks (“A word from our sponsors…a word from our alternate sponsors!”) or to clear
away the Vermouth bottles and empty Cheese Cracker packets.

Worse – on hearing the noises emanating from his bachelor
pad - his impressionable Jewish neighbours Dr. and Mrs. Dreyfuss think Bud’s a
massive playboy - “Mildred! He’s at it again!” the Doctor cries. So why does Bud
put up with it all? Because he’s really hoping that all those corporate
promises made by randy execs back in the office will help him climb the promotion
ladder to maybe 2nd Administrative Assistant. But when he gets
locked out of 2A until 4 a.m. one night and develops a fever from sleeping on a
Central Park bench – he slowly twigs that his ‘loyal, resourceful and
co-operative’ nature as described in their internal reports is being taken
advantage of (dialogue above) - and for a wage of $95 a week – it’s all starting to
become a bit much.

The only other human joy Bud gets is from his daily close-proximity
meets with the pretty Fran Kubelik (Shirley MacLaine) – a nice respectable girl
who operates one of the 16 elevators in the office skyscraper. Bud takes off
his hat for her (the only one who does - which she likes) – and on occasion
exchanges schmuck talk with her. Fran seems smart and wears a flower in the lapel
of her immaculate uniform while fending off the roving hands of managers
patting her buttocks as they exit on Floor 27. Then one night Bud musters up
the courage to ask Fran out – but she has other plans - a date with Jeff
Sheldrake from Personnel (Fred McMurray) – whom his secretary Miss Olsen (Evie
Adams) knows is a notorious womanizer and is very, very good at it.

And on it goes to a hopeful Christmas party, a disastrous
date with two tickets for the comedy show “The Music Man” where she doesn’t
show and an unintentional personality reveal on her part with a broken vanity
mirror that he recognizes to his horror. Will the hapless couple see the error
of their ways – will they end up playing gin rummy together in ‘their’
apartment – in love – and free from manipulation and takers…

Much like “Pillow Talk” from the year previous – “The
Apartment” was a staggeringly grown-up movie for 1960. It offered up probing
dialogue, genuine wit on the battle of the sexes and awkward truths on
relationships in the workplace. It also featured believable yet likeable characters
- five womanizing schmucks, a gullible but worthy leading lady and one bungling
but sincere klutz who learns the hard way how to be a stand-up guy.

The script came to Director Billy Wilder via two places – a
viewing of Britain’s “Brief Encounter” in the Forties where a married couple
use someone else’s home in London for an affair – and a notorious Hollywood
scandal where it transpired that the mogul charged had been using the apartment
of an employee. Wilder then brought in the genius of I.A.L. Diamond to give the
harsh script a warmer touch (legend has it that IAL stands for Interscholastic
Algebra League which Izzy Diamond won in 1937).

They began by toning down everything – the apartment isn’t Central
Park West lushness colourful with money – it’s dowdy and filled with used records,
curling art prints on the wall, a lone lamp, an old gas oven and the everyman
of Jack Lemmon. Shot in Widescreen Black and White – the tones made the November
evenings feel chillier and the massive long office floor look like a monochrome
factory where life is not lived but wasted away on paperwork. Even the famous
suicide scene where Fran (Shirley MacLaine) tries to off herself with sleeping
pills sees the doctor next door (a fantastic Jack Kruschen) violently slap her
face, make her walk and force cups of coffee down her throat to stop the stupor
from killing her. And the four Office Managers are all ordinary-looking
middle-aged men who really should know better – they’re not sexy – they’re just
high on power and kicks. It’s not pretty and quite dark in its undertones in
places. So - how do you get affection and redemption out of this saucy stew?

The answer is the acting talent of Lemmon and MacLaine and a
multi-layered script imbibed with pathos and humour to soften the underbelly of
seediness. Coming off “Some Like It Hot” – Jack Lemmon showed what he could do
– but ‘The Apartment” let him shine - doing comedy, romance and drama – all in
the one movie. The leading actress needed to be sexy, ballsy, vulnerable and
likeable enough to not be perceived as a sappy victim – and Shirley MacLaine
delivered on every front. Their slow dance towards each other is beautifully
and realistically handled - while Fred McMurray goes completely against nice-guy
type by being a cruel man dressed up in groomed civility – doling out smiling
condolences from the other end of a phone where he doesn’t haven’t to get his
actual hands dirty.

The picture quality is excellent – and on occasion –
gorgeous. The Aspect Ratio is 2.35:1 Widescreen so there are bars top and
bottom – but even stretched to Full Screen – it looks great. From the moment
the opening credits appear – it’s obvious too there’s been extensive cleaning
and restoration. There is however a very fine shimmer of natural grain
throughout that rarely disappears. But when it does – the picture suddenly
becomes exceptional – almost noir in its lighting and shades. The scene between
McMurray and MacLaine in the Chinese restaurant The Rickshaw where he once
again promises to leave his wife for a woman is one such moment – a side profile
shot as they talk – and it’s just beautiful to look at.

The Extras are pleasingly deep. A discussion on the film
that includes Nineties interviews with Evie Adams, Shirley MacLaine, Jack
Lemmon’s son Paul and film experts on Wilder and Diamond. There’s also a
fabulous commentary by BRUCE BLOCK for the duration of the movie where he gives
real details on the actors, the sets and even quotes from Wilder’s screenplay
to show the accuracy of how scenes were depicted (his description of “The
Apartment” itself is filled with exact items he wanted). It’s exemplary stuff. Audio is English 5.1
TS-HD Master Audio, Spanish Mono and French Mono. Subtitles are English for the
Hearing Impaired, Spanish and French.

“I love you…so completely…” Jack Lemmon says to Shirley
MacLaine. Finally contented that she’s picked the right guy this time – Shirley
smiles affectionately at Jack – and with that old confidence back in her voice
says - “Shut up and deal…”

A great film rather than a good one - book a night in for a
game of emotional Gin Rummy with "The Apartment" real soon.

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About Me

To date I've over 3500 posts/reviews and 80+ Listmania Lists on Amazon UK - most are for quality music CD REMASTERS and FILMS on BLU RAY.

I'm a Top 15 Reviewer on Amazon UK and have been a 'Hall Of Fame' Reviewer for some years now...

They feature recommendations from years of trawling through digipaks and flicks. I tend to highlight reissues and remasters that have slipped through the net and movies on DVD and BLU RAY that deserve your attention/reappraisal.

My music reviews are in-depth - focusing on decent remasters - interesting imports - rarities - info that helps a purchase decision etc. And I often provide a Discography for Box Sets and multiples and detailed track lists for reissues.

Loved the awesome re-issues of Steve McQueen by PREFAB SPROUT and Strangers Almanac by WHISKEYTOWN [with Ryan Adams]. The three definitive Bear Family Series - Street Corner Symphonies (1934 to 1958 Vocal Groups), Blowing The Fuse (1945 to 1960 R'n'B - most reviewed) and Sweet Soul Music (1961 to 1975 - all 15 reviewed).

Check out the beautiful Scottish Folk of Black Water by KRIS DREVER (2006) and the Sahara rocking beat of TINARIWEN'S Aman Iman - Water Is Life. 2011 saw Jethro Tull's Aqualung receive a stunning makeover by Steve Wilson of Porcupine Tree and 2012 has Just As I Am by Bill Withers be given a top remaster by Big Break Records of the UK. Loving the 2013 Japanese SHM-CD reissues of J.J. Cale and the 2012 to 2015 Japan-Only Atlantic 1000: Best R&B Collection (see Joe Turner reviews). Small Faces Here Come The Nice and The Blue Nile's Hats & Peace At Last Deluxe Editions for 2014. Digging Edsel's 4CD Box Sets For The Beat and The Sound - superb. Edsel's Wilson Pickett and Percy Sledge CD Reissues from late 2016 are also superb.

Films - The Help, Lincoln, The Bands Visit, Man On A Ledge, The Grey, Mr. Nobody, Third Star, Caramel, Easy-A, Crash, United 93, The Insider, Death To Smoochy, Babel, Kinsey, Bright Star, Stranger Than Fiction, Imagine Me & You, The Namesake, After The Wedding, Seraphim Falls, Michael Clayton, Frankie Go Boom, Infamous, Gran Torino, The Blind Side, Invictus, Crazy Heart, Ondine, Amelie, Four Lions, Young Victoria, Untouchable, Jo Nesbo's Headhunters and The Secret In Their Eyes are what's most impressed in the last while. The Shawshank Redemption is for me the greatest film ever made, Cinema Paradiso the most beautiful and Nil By Mouth the most powerful.

I've also raved about gorgeous new restorations of The Italian Job, Goldfinger, African Queen, Back To The Future, O Brother Where Art Thou?, North By Northwest, To Catch A Thief, To Kill A Mockingbird and The Sting on Blu Ray - can't recommend these enough.

I'm Irish (originally from Dublin) and married with 3 grown-up kids - one of which has autism (The Beautiful Dean).

I was a vinyl rarities buyer and put-upon expert in Reckless Records (Soho, London) for over 20 years and have contributed to many of the Record Collector Rare Record Price Guides.

Currently freelance writer/reviewer. Have written four screenplays - "The Cloths Of Heaven", "Silas", "An English Lady - The Eglantyne Jebb Story" and "Full Of Grace" which I'll discuss with Film Industry Insiders.