Tag Archives: pitch class set

Scale Analysis

Scale Analysis

Scale Analysis is hands down the most comprehensive course on the subject of ear training and how it applies to hearing chord progressions and scales. Furthermore, it will help you to develop the skills you need to hear multiple scales and chords all within a key center. This understanding will revolutionize your ability to improvise and compose and will change your whole approach when working with chords and scales.

The 1st Premise

The overarching idea behind The Scale Analysis course is that you can develop the ability to hear multiple chords all in one key center. By honing these skills you will find improvising over chords to be much simpler and more musical at the same time. Initially, this course present a way to understand how you should hear chords and their associated chord scales. Second, it develops your ear training skills so that you are truly hearing and playing using these concepts. This idea of hearing entire chord progressions within a key center is not new. Take a look at any jazz standard or Pop tune and you will find a melody that is largely diatonic to a key center while multiple chords are present. Unfortunately most educational systems used developed a cookie cutter approach to understanding and playing over chord changes where each chord is its own key center. In other words, the root of each chord is thought of as the new key center. This concept of playing leads to a very vertical conception of “playing over the changes” and makes creating a key based “singing” melody very difficult if not impossible. This vertical approach also goes against how you ultimately hear music and will become apparent as your ear progresses with the “Contextual Ear Training” courses that I’ve created. This course first seeks to speed up your ability to hear scales and chords in a one key center through targeted exercises that involve both an intellectual understanding and strengthening of your aural skills so that you actually hear the correct way.

The 2nd Premise

The second major premise is that when you have multiple chords within a chord progression each successive chord and the scale chosen for that chord will affect which scale you use for the next chord. This is because your ear tends to want to hold on to any sound it hears until it is canceled out by another sound. This canceling sound is usually a chord tone on the next chord. A quick example. If you have a C Dominant 7th chord and you play a C Mixolydian scale over it then you hear an F7 chord the “Eb” in the F7 chord will cancel out the “E” creating a C Dorian scale. So you can see that we are thinking of both chords in the key of C. There will of course be exceptions to this, for example, if you play the C Dominant chord for a couple of measures and then play the F7 chord for eight measure at some point you stand a good chance of modulating to the key of F. This is completely fine! The overall premise is the longer you hear a chord the more chances you have to modulate to the root of that chord. The faster you hear chords the more you stand the chance of hearing all the chords in one key center. In most cases musicians need work on hearing a group of chords and their chord scales in one key center and that is the backbone of this course.

Additional Information Found in This Course

The above video gives you examples of different parts of the book but besides the worksheet where you write out the scales, there are many other parts to the course that give you extremely valuable information about chord scale relationships.:

A list showing you which chords tend to be used with specific scales when you relate them to one key center.

A list showing you the location of the scales and their related chords within all 36 chord progressions so you can see patterns.

A list showing you all possible chord scale relationships for each scale used in the chord progressions.

A list showing you all possible subsets for the scales used in the chord progressions.

A list showing the South Indian “Melakarta” scales and their relationship to the scales used in this course.

A list of all alternate names used for the scales found in this course.

Additional ear training exercises which help you apply the techniques you have learned to popular tunes or your own compositions.

Get Scale Analysis Today!

Scale Analysis

This is an fantastic course that will totally reorganize your understanding of chords and their related scales. A simple concept of hearing all scales in one overall key center has fundamentally changed the way I hearing and think about music. C. Franks

The most enlightening book on music that I've ever read. I now understand how to hear scales within chord progressions. This is awesome! Thanks! W. George

Hearing all scales in one key is an entirely new approach for me. I can see how it will totally revolutionize my playing.A. Rogers

I'll be referencing this book for a long time. Amazing amount of information! Thanks for including the list showing all the subsets of these scales that is super valuable information. F. Nathan

Have a story or a review you want to submit. We would love to hear from you please send us an email.

Tools for Modern Improvisation

Tools for modern improvisation is a collection of methods I've used over the last 25 years. In this course have included an explanation of the techniques, scores from compositions, technical exercises that I've used to gain facility and practical recommendations on how best to approach these techniques. I've employed these techniques in a wide variety of styles and have included 20 different recordings to demonstrate various systems.

I think it's best to demonstrate the techniques found in this book via audio examples so that you can get an idea on whether the sound your hearing is intriguing enough to want to learn more.

23rd Chords

23rd Chords the technique I learned from Charlie Banacos which employs three 7th chords to form a 12 tone aggregate. Below is an excerpt from a composition I wrote with this technique.

Blue Eleven

The score for this composition is included with this course as well as the Twelve 23rd chord combinations.There is also PDFs containing exercises to develop 23rd chord facility. twelve 864 page PDFs for a total of 10,368 pages of exercises. Another 29 page document is also included that shows you other possible three tetrad combinations.

027 pitch class set

Pitch class set improvisation is discussed in depth along with examples of composition

12 Tone Boogie

The score for this composition is included with this course as well as a recommended exercise to help you develop facility. Fingering is included for guitarists.

013 pitch class set

A very in depth section of the book covers the use of the 013 pitch class set in a rock, blues, jazz, classical idioms. Below is two excerpts:

Blues for Arnie

Dakota Gumbo

Scores for these composition and others are included with this course as well as a 24 page recommended exercise to help you develop facility.

014 pitch class set

A very in depth section of the book on covering the use of the 013 pitch class set in a rock, blues, jazz, classical idioms. Below are three excerpts:

Numbers Jazz Version

Numbers Dance Version

Schoenberg's 5 Pieces for Piano 2nd Movement Improvisation with 014's

Scores for both versions of "Numbers" are included with this course as well as a 10 page exercise to help you develop facility.

015 pitch class set

015 pitch class and its application to various styles and Intervallic applications. Below is one excerpt:

Variation One

Score for this composition is included as well as a one 23 page exercises in PDF format and a 42 page étude.

016 pitch class set

Applications of 016 is discussed as well as a nine page étude is included.

Combined pitch class set are discussed.

A very in depth look at 027-016 pitch class set.

A Few Dozen

Transcribed guitar solo is included included plus a 171 page and 10 page PDF exercise.

Combined pitch class set are discussed.

A very in depth look at 027-026 pitch class set.

Blue Lotus

A 5 page exercise in PDF format is included.

025 pitch class set

A very in depth look at 025 pitch class set and its application to the Rock, Metal, Jazz and Blues idioms. Below are three examples:

Vanishing Point

Stand It Up

Asher

A 10 page exercise in PDF format and an étude applying 025 to the jazz standard "Giant Steps" is included.

026 pitch class set

A discussion of the application of 026.

Messiaen's Quartet for the end of time 2nd movement improvisation

An 11 page exercise in PDF format is included.

Other highlights:

Charts showing how to apply the pitch class sets 013, 014, 015, 016, 025, 026 and 027 to chords in all keys.

Solo guitar arrangements for "Stella by Starlight" and the "Child is Born."

Exactly the type of book I hope Bruce would put out. This not only explains the concepts that he uses when improvisating and composing but also gives you exercises so that you can develop these techniques. Highly recommend! V. Chudinov

I find the sounds created by these different techniques to be quite compelling. Not sure I have the time to develop these ideas in my playing but it sure is nice to know what is going on when I hear these types of musical statements. W. Mandel

Discover new ideas for compositions and improvisation with this great course!

Trichord Ear Training All 3 Note Combination Singing Exercises

Get the Bundle and save over 60%.

Trichord Ear Training All 3 Note Combination Singing Exercises

"Trichord Ear Training All 3 Note Combination Singing Exercises" is a comprehensive course with singing exercises that cover all three note melodic combinations within one octave in all keys. "Trichord" just means a 3 note arpeggio that may or may not be built in 3rds. This course covers all 3 note melodic combinations in all keys so it is an excellent course for finding those melodic combinations that cause you problems as well as developing your ability to hear contemporary melodies that are constructed using any interval combination. Each group of notes uses a different combination of instruments so it's is also good to get your ear use to different instrumental colors. This course is also an excellent companion course for the "Ultimate Arpeggio" or the "Fanatics Guide to Ear Training and Sight Singing Volume One." 13,607 MP3s are included in this course which first play you a drone to create a key center, and then require you to sing a three note melodic combination from a list of 18 possibilities. These exercises are repeated in all keys and at three different tempos to help to ingrain these three note combinations. The challenge presented by the three different tempos makes this study excellent for a beginner to an advanced student because they are given a limited amount of time to sing the three pitches before the notes are played. A student is quizzed on 21 unique combinations of notes thus covering all melodic possibilities. With each of the 21 groups a different sound is used for the drone and for the playing of the answer. Having a different drone sounds will help those students who have problems with instrumental timbre. The fact that some instruments sustain well while others don't, makes the comprehension of the key center less or more difficult.

A Comprehensive Approach to Singing and Hearing Within a Key Center.

The ability to sing all the three note melodic combinations in this book is crucial to using these combinations in either melodic or chordal situations. The time factor presented by the different tempos of the exercises also helps a student to progress in the speed of their response. This is particularly important for improvising musicians or singers and other instrumentalists who need to deal with intonation. It is assumed that you understand the "Contextual Ear Training" concept before working on these exercises. When you are singing the three notes you are not trying to hear the distance between those melodic notes; you are trying to memorize what these notes sound like in a key center. This is the reason why you hear the drone before you sing each exercise. It is recommended that you are getting at least 60% correct answers with the "One Note Ear Training" exercise before working with this course.

All 21 3 Note Combinations are Covered

The following exercises are included with Trichord Ear Training All 3 Note Combination Singing Exercises in the form of MP3s. These exercises are played at 3 different tempos so that a beginning to advanced student will find an appropriate level. Please see drop down menu below for a complete list of:

Trichord Pitch Class Sets Études in all keys:

01_012_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

02_013_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

03_013_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

04_014_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

05_014_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

06_015_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

07_015_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

08_016_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

09_024_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

10_024_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

11_025_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

12_025_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

13_026_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

14_026_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

15_027_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

16_027_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

17_036_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

18_037_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

19_037_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

20_037_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

21_048_Trichord_Ear_Training Exercises in all Keys with 648 MP3s.

By including all melodic combinations in all key centers this course is a complete study of 3 note combinations. Below is some example MP3s that you can use to test your ability. Each MP3 plays a drone to establish a key center then you are given a limited amount of time to sing the correct pitches. Each exercise has 3 levels of difficulty making it appropriate for a student at any level.

Level 1: In the Key of G sing the following pitch degrees: 5,b5,4

Level 2: In the Key of G sing the following pitch degrees: 5,b5,4

Level 3: In the Key of G sing the following pitch degrees: 5,b5,4

Level 1: In the Key of C sing the following pitch degrees: 1,b2,b3

Level 2: In the Key of C sing the following pitch degrees: 1,b2,b3

Level 3: In the Key of C sing the following pitch degrees: 1,b2,b3

Level 1: In the Key of F sing the following pitch degrees: 7,5,b6

Level 2: In the Key of F sing the following pitch degrees: 7,5,b6

Level 3: In the Key of F sing the following pitch degrees: 7,5,b6

Level 1: In the Key of B sing the following pitch degrees: 2, down to b5, up to b2

Level 2: In the Key of B sing the following pitch degrees: 2, down to b5, up to b2

Level 3: In the Key of B sing the following pitch degrees: 2, down to b5, up to b2

Level 1: In the Key of Eb sing the following pitch degrees: 6,b6,b3

Level 2: In the Key of Eb sing the following pitch degrees: 6,b6,b3

Level 3: In the Key of Eb sing the following pitch degrees: 6,b6,b3

Level 1: In the Key of Ab sing the following pitch degrees: b5,3, down to b6

Level 2: In the Key of Ab sing the following pitch degrees: b5,3, down to b6

Level 3: In the Key of Ab sing the following pitch degrees: b5,3, down to b6

Level 1: In the Key of Db sing the following pitch degrees: 6,7 down to b5

Level 2: In the Key of Db sing the following pitch degrees: 6,7 down to b5

Level 3: In the Key of Db sing the following pitch degrees: 6,7 down to b5

Level 1: In the Key of Gb sing the following pitch degrees: b5 down to 1 down to b6

Level 2: In the Key of Gb sing the following pitch degrees: b5 down to 1 down to b6

Level 3: In the Key of Gb sing the following pitch degrees: b5 down to 1 down to b6

Level 1: In the Key of Bb sing the following pitch degrees: 2,3,6

Level 2: In the Key of Bb sing the following pitch degrees: 2,3,6

Level 3: In the Key of Bb sing the following pitch degrees: 2,3,6

Level 1: In the Key of E sing the following pitch degrees: 2, down to b6 up to 7

Level 2: In the Key of E sing the following pitch degrees: 2, down to b6 up to 7

Level 3: In the Key of E sing the following pitch degrees: 2, down to b6 up to 7

Level 1: In the Key of A sing the following pitch degrees: b6, up to 1 up to b3

Level 2: In the Key of A sing the following pitch degrees: b6, up to 1 up to b3

Level 3: In the Key of A sing the following pitch degrees: b6, up to 1 up to b3

Level 1: In the Key of D sing the following pitch degrees: b5, up to 2 down to b7

Level 2: In the Key of D sing the following pitch degrees: b5, up to 2 down to b7

Level 3: In the Key of D sing the following pitch degrees: b5, up to 2 down to b7

Recommended way to proceed with the course

When practicing with each level of this book it is recommended that you keep a list of the examples that cause you problems. Placing those problem exercises into a separate playlist will help you to zero in on them, and allow you to be more productive with your practice time. If you get stuck on an example that you are unable to sing correctly you can skip over that exercise and come back to it later rather than creating the frustration of getting stuck on a certain point in the course.

You can also use these melodic combination with other Muse Eek Products!

The 18 melodic combinations for each of the 21 different note combinations is included in this book, along with those chords these melodic combinations can theoretically be used over. As a second level for the course you can take the chord vamps found in the "Fanatics Guide to Ear Training and Sight Singing Volume 2" to sing the appropriate melodic and chordal combinations. This is a great way to test your ability within more complicated and difficult key centers rather than a single note drone.

Additional Information:

Digital IBSN: 978-1-59489-521-0

28 page PDF with 13,607 MP3s

What people are saying:

I've been studying privately with Mr. Arnold because of my interest in applying Pitch Class Set Theory to modern rock. This course is excellent for helping me get the sound of these combinations into my musical palette. It is a no nonsense approach to developing strong skills using any 3 note melodic figure. I highly recommend this study! W. Leauning

What I like about this course is the list of chords that each 3 note combination can be superimposed. This allows me to see a whole new world of application of each 3 note combination I practice. I use jam tracks to also sing these combinations of different chord types which is really making a strong difference in my ear training skills.F. Andersen.

"The definitive breakdown of musical categorization was delivered in 1962 by Duke Ellington: “There are simply two kinds of music, good music and the other kind.” File this album in the Good Music section."

–Steve Holtje, Manager, ESP-Disk

“This is some Beautiful Cosmic Music created by two of the most inventive musicians on the scene today.”

–Joe Lovano, 2016

"Brilliant. Love it; almost a Kraftwerk twist to it."

–Rob Taylor nmblive.com, 2017

Listen To This

The intuitive understanding between musicians is called “chemistry” and Listen To This, with Judi Silvano and Bruce Arnold has chemistry in abundance. The duets on this recording, some improvised, some composed, show a duo who are intensely tuned into every nuance as they follow the sonic twists and turns of these 12 striking songs. This is some deep listening.

While Judi Silvano may be best known for her extensive jazz catalogue, her passions extend well beyond, to embrace classical and free improv music. Her background in modern dance also adds an underlying spatial physicality. It is this spatial element that is particularly present on Listen To This, and a likely reason that working with Bruce Arnold proved to be so rewarding.

Hailing from Sioux Falls South Dakota, Bruce Arnold has been exploring the potentials of his beloved electric guitar for years, using the program SuperCollider to summon up atmospheric soundscapes. His added fascination with 12 tone and pitch class theory as applied to improvisation lends his playing a distinctive harmonic and melodic voice. To find out more about what equipment was used on this recording please see bottom of page.

When the two artists decided to see where a duet situation would lead them, both were surprised at the ease with which they created engrossing, evocative music. “I couldn’t believe how comfortable Judi was with pedals and effects she had never used before.” says Arnold. “And what she did with them was so cool, it was great to improvise with; it felt very free to create along with her.” As for Silvano, she says “Bruce has exactly what I look for in a musician- he is literate, sensitive, and incredibly open in his approach.”

The Tracks

Listen To This opens with “Remembrances” a bluesy rumination that is made sinister by the use of a half step combined with a major 3rd. A free improv that become a story of life's complexity.

The other tracks on "Listen to This" are:

Space Lullaby: The welcoming release of majestic arpeggiated guitar chords ring out like church bells to Judi’s soaring melodies.

My Neighborhood: Judi wrote this song as an homage to life’s beauties, but it acquired some ironically dark overtones with the addition of processing. Judi and Bruce do some impressive back and forth in the “break.”

Cats Are Watching: This track provides some whimsy —ever wondered what the brain patterns of a cat might sound like?

Get "Listen To This"...today!

FREE SHIPPING WHEN ORDER TOTAL IS OVER 200.00 USD.

Michal Shapiro created a video using one of the compositions on this CD entitled "My Neighborhood." This video was honored by the Photoworks Organization Of Glen Echo Park, Maryland, USA and included in one of their video shows. If you order the CD download of "Listen To This" a copy of this video will be included.

Ultimate 3 Note Chord Lexicon

Ultimate 3 Note Chord Lexicon covers 3 note chords. Typically chord books cover chords build in 3rds. For the first time available anywhere the Ultimate 3 Note Chord Lexicon books explore the other 11 ways that chords can be built revealing a whole new world of sound! Each of the 12 volumes gives you a in-depth explanation of each 3 note chord in addition to études to help you hear how these structures sound over various harmonic situations which can also be used to help you memorize and apply each 3 note group.

Bruce Arnold states that the "Ultimate 3 Note Chord Lexicon" also gives you a crucial information on how you can understand and apply each 3 note chord. It is interesting to note that as you build chords with smaller structures there are more places that these chords can be used as substitutions. This makes these chords especially useful because they can be used in so many more situations that larger chord voicings. A chart is included in each book showing you all the practical ways that each 3 note structure can be used as well as examples in the études.

A money saving Bundle or 12 separate volumes can be purchased.

Here is a breakdown: Click on a title to go directly to the book.

Each book includes a 131 Page PDF, MP3s and Midifiles plus bass clef part for each exercise. Click on individual instrument if you prefer a single download.

Ultimate 3 Note Chord Lexicon Bundle

Ultimate 3 Note Chord Lexicon Bundle is the most cost effective way to study!

The Bundle contains all 12 books in this series. It will give a student a life time of new ideas for playing chords and developing highly original styles of playing within any idiom.

Expand your concept on how to choose which chords you play for each song you learn.

These books allow you to be much for compositional in your choice of chords to use for any song. If the melody of a song mostly contains whole steps and 4ths then why not choose a chord structure that is based on those intervals? 025 or 027 would be great choices in this previously circumstance!

Who should use the Ultimate 3 Note Chord Lexicon?

These books can be used by composers and instrumentalist to create new interesting sounding chords. All inversions are included so a composer or pianist has a readily available list. Guitarist will find chords specifically voiced for their instrument with chord diagrams to help them quickly find the chords. Composers writing for guitar will find exact voicings that they know will be playable on the guitar.

MP3s include bass and drum grooves as well as chords.

Bass and drums are included with all MP3s making them fun and helps a student see exactly what these chords will sound like in a musical situation. Tracks are also included without the chords so that a student can improvise over each track.

Save money with the Ultimate 3 Note Chord Lexicon Bundle.

The bundle is a great way to save money. If you buy all the Ultimate 3 Note Chord Lexicon separately it will cost you 239.88. Get them now for the low price seen below.

Get Ear Training Ultimate 3 Note Chord Lexicon Bundle download as a preorder for special price. Books added as published

Status: Volumes 1-3 are Currently Available 4-12 are NOT CURRENTLY PUBLISHED!, Digital book is available for preorder!

Ultimate 3 Note Chord Lexicon Individual Courses

If you prefer to order single books in this series you will find information on each below:

Ultimate 3 Note Chord Lexicon Volume One "012"

Example of the études found in Volume One

Each group of études found in this book applies an “012” chord to different styles of music or uses “012” is different ways. All études include 3 different tempos to help a student slowly master each exercise. You will find that the faster you play “012s” the more musical they sound so expect a period of development before this combination is fluent.

Most of the études include addition rhythm section MP3 which can be used to create you own improvisation or used with the
"Ultimate Arpeggio" book to play the études found in that study. Overall the best idea to practice the use of “012s” is to:

Learn the chord voicings for either piano or guitar by playing them cycle 5.

If you are a composer write short études uses the “012.”

Learn how to play the études by first starting slow and then increasing the tempo each day.

Just listen to the études to get the sound of the 3 note grouping into your ear.

Sight sing through the études by arpeggiating the chord voicings or singing the bass lines. Many times students may need to use the MetroDrone to help them maintain the key center.

Click on triangle to see the "012" étude with chords on beats 1 and 3:

The page below shows you an an étude where "012" voicings are substituted over a common chord progression. In this case it is a I7 to bIII7 to II7 to bII7. There is a two measure count off which gives you the key center in half notes. For any dominant chord there are 6 possible "012s" that can used as a substitute. You can find out more about this in the book.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course. Bass charts are also included for all exercises except this example.

Click on triangle to see the "012" étude in a Funk style:

This étude is over a static dominant 7th chord in the key of F. The bass lines are also derived from the "012s" that are available on a dominant 7th chord. Charts for the bass line are included.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off on beats 1 and 3 which also creates the key center.

Level 1 for example above with 2 measure count-off on beats 1 and 3 which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see an étude in a Swing style:

This étude is over a static dominant 7th chord in the key of Bb. The bass lines are also derived from the "012s" that are available on a dominant 7th chord. Charts for the bass line are included.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see an étude in a Shuffle style:

This étude is over a static dominant 7th chord in the key of Eb. The bass lines are also derived from the "012s" that are available on a dominant 7th chord. Charts for the bass line are included.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level Two MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Get Ultimate 3 Note Chord Lexicon Volume One "012" download today!

Status: In stock, Digital book is available for immediate access.

Ultimate 3 Note Chord Lexicon Volume Two "013"

Volume Two in this series is a MUST OWN course.

"013s" are some of the most beautiful and useful sounds in music. It is also the most versatile chord of the 12 different chord types. Recent research proves that "013" was used extensively by John Coltrane in his late recordings. Proving once again that "013" is a must learn pitch class set because of the great diversity in its application. Below is a quick list of some benefits:

"013" can be used as a replacement for any chord type.

"013" is an easy chord to play on both the guitar and the piano.

"013" can create both a consonant or dissonant sound depending on how it is voiced.

There is a large quantity of songs and compositions that have a preponderance of "013s" in their melody

Scales such as the Modes of Major, Melodic Minor Ascending, Harmonic Minor and Diminished all have two discreet "013s" in their scale so it can easily be substituted for these sounds.

Example of the études found in Volume Two

There are seven sets of études in this course and each applies an “013” chord to different type of musical situation. All études include 3 different tempos to help a student slowly master each exercise. "013s" are beautiful sounding at any tempo so the learning curve is not as steep and you can start using them in your playing quickly. "013s" are excellent for replacing the tired chords you play. They are also create a great sound when used in a modal situation.

Most of the études include addition rhythm section MP3 which can be used to create you own improvisation or used with the
"Ultimate Arpeggio" book to play the études found in that study. Overall the best idea to practice the use of “013s” is to:

Learn the chord voicings for either piano or guitar by playing them cycle 5.

If you are a composer write short études uses the “013.”

Learn how to play the études by first starting slow and then increasing the tempo each day.

Just listen to the études to get the sound of the 3 note grouping into your ear.

Sight sing through the études by arpeggiating the chord voicings or singing the bass lines. Many times students may need to use the MetroDrone to help them maintain the key center.

Click on triangle to see the "013" étude over the turnaround I, vi, ii, V:

The "013s" replacements for the typical I, vi, ii, V really give this tired old progression new life. Charts for the bass line are included as well as a piano part transposed down an octave.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off on beats 1 and 3 which also creates the key center.

Level 1 for example above with 2 measure count-off on beats 1 and 3 which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see an étude where the "013s" replacement the typical I, vi, ii, V but the V7 chord uses Symmetrical Diminished based harmony. Charts for the bass line are included as well as a piano part transposed down an octave:

This étude again shows how nicely "013" voicings breath new life into old chord progressions.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see an étude using the Diatonic Chords of a Major Scale:

This étude demonstrates how nice the diatonic chords sound when built in "013s." There are also études for a Dorian and Mixolydian scales. The bass lines are also derived from the "013s" that are available on a dominant 7th chord. Charts for the bass line are included.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level Two MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see the "013" étude playing diatonic Symmetrical Diminished chords over a dominant 7th:

The page below shows you an an étude where "013" voicings are substituted dominant chord using "013" diatonic Symmetrical Diminished chords. There is a two measure count off which gives you the key center in half notes. For any dominant chord there are 6 possible "013s" that can used as a substitute. You can find out more about this in the book.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course. Bass charts are also included for all exercises except this example.

Status: In Stock, Digital book is available for immediate download.

Ultimate 3 Note Chord Lexicon Volume Three "014"

Volume Three covers 014 chords which are distinctively evocative.

"014s" are mostly used as a substitute for a dominant 7th chord but can also be used as °7 or -Major7 chords. 014's pair up as a hexatonic scale in many ways and this book covers them all. Below is a quick list of other benefits:

"014" gives a sound reminiscent of Thelonious Monk!

"014" is an easy chord to play on both the guitar and the piano.

"014" creates a mostly dissonant sound so it is very useful when this type of sound is called for i.e. Jazz, Heavy Metal etc...

There is a large quantity of songs and compositions that have a preponderance of "014s" in their melody. Most of the work Anton Webern employes an "014" pitch class set. Some other notable compositions are Mr. Arnold's "Numbers" or Judi Silvano and Bruce Arnold's haunting blues "Remembrances."

Scales such as the the highly used Symmetrical Diminished (1/2 step, whole step) have many discreet "014s" in its scale so it can easily be substituted for these sounds.

Example of the études found in Volume Three

There are five sets of études in this course and each applies an “014” chord to different types of musical situations. All études include 3 different tempos to help a student slowly master each exercise. "014s" are beautiful sounding at any tempo so the learning curve is not as steep and you can start using them in your playing quickly. "014s" are especially useful for replacing the tired dominant chord vocings that you play.

Most of the études include addition rhythm section MP3s which can be used to create you own improvisation or used with the
"Ultimate Arpeggio" book to play the études found in that study. Overall the best idea to practice the use of “014s” is to:

Learn the chord voicings for either piano or guitar by playing them cycle 5.

If you are a composer write short études uses the “014.”

Learn how to play the études by first starting slow and then increasing the tempo each day.

Just listen to the études to get the sound of the 3 note grouping into your ear.

Sight sing through the études by arpeggiating the chord voicings or singing the bass lines. Many times students may need to use the MetroDrone to help them maintain the key center.

Click on triangle to see the "014" étude over the turnaround I7, VI7, II7, V7:

The "014s" replacements for the typical I7, VI7, II7, V7 really give this tired old progression new life. Charts for the bass line are included as well as a piano part transposed down an octave.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off on beats 1 and 3 which also creates the key center.

Level 1 for example above with 2 measure count-off on beats 1 and 3 which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see an étude where the "014s" replacement the chords for a Blues progression. Charts for the bass line are included as well as a piano part transposed down an octave:

This étude again shows how nicely "014" voicings breath new life into a Blues progression.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see an étude where "014" replaces either a Diminished 7th or Minor Major 7th Chord:

This étude demonstrates how you can replace a Diminished 7th or Minor Major 7th Chord with "014s." Charts for the bass line are included.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level Two MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see the "014" étude playing "014" voicings derived from a Symmetrical Diminished scale over a dominant 7th:

The page below shows you an an étude where "014" voicings derived from a Symmetrical Diminished scale over a dominant 7th. There is a two measure count off which gives you the key center in half notes. For any dominant chord there are many possible "014s" that can used as a substitute. You can find out more about this in the book.

There are 3 MP3s for each étude each gets progressively faster. Since these études make more musical sense when play at a faster tempo the MP3s below start with the fastest MP3 and then get slower. Keep in mind that there are also midifiles for each example so you can play any exercise at any tempo.

Level 2 MP3 for example above with 2 measure count-off which also creates the key center.

Level 1 for example above with 2 measure count-off which also creates the key center.

You can use these études for ear training, sight reading, transcription or just to listen to ingrain the sound of the note in the key center. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course. Bass charts are also included for all exercises except this example.

Ultimate 3 Note Chord Lexicon Volume Twelve "048"

Get Ultimate 3 Note Chord Lexicon Volume Six "024" as preorder!

Status: NOT CURRENTLY PUBLISHED!, Digital book is available for preorder.

Reviews

What people are saying:

I've been waiting for this series for a long time. I own Sonic Resource Guide, Ultimate Arpeggio and Tools for Modern Improvisation and find them fascinating. Glad I can now see a path to developing my own style with these chords. M. Anders

I have the "012" book and find these structures very useful in free improvisation. Very dissonant structures excite me and as a guitarist seeing Mr. Arnold's handpicked voicings saves me a lot of time.J. Nader

I'm a jazz bassist and find the bass parts in these books to be a fantastic place to find new and interesting ways to compose bass lines. It is also great sight reading material!! H. Bain

These books have brought me into a world that I didn't even know existed. I love all the new sounds that these structure create. They are very easy to learn and because each chord can be used in so many ways its really expanding my playing ability quickly D. Kettler

Have a story or a review you want to submit. We would love to hear from you please send us an email.

Ultimate Arpeggio 3 Note Combinations

"Ultimate Arpeggio 3 Note Combinations" explores the common 3 note arpeggios, i.e. Major, Minor, Diminished and Augmented but more importantly it includes the long overlooked 3 note arpeggios that are not built in 3rds.

There are 12 basic 3 note groupings when boiled down to their basic interval content. This book explores these relationships with a host of exercises that help you develop unique applications of these structures. Études are included that help you hear new melodic and rhythmic ideas for these 3 note combinations. The études can be used to develop your sight reading skills, transcription ability, as well as ear training exercises or just to listen to and take in the unique new sounds.

This course has many related books and courses that will allow you to expand your ability with these 3 note groupings even further. You can see some of these recommended courses below.

These courses really allow you to see the full potential of the Ultimate Arpeggio Course.

Arpeggios not built in 3rds?

"Ultimate Arpeggio 3 Note Combinations" is meant as a guide to help you explore 3 note combinations both familiar and new. Most students have worked with arpeggios that are built in thirds which are included in this study but you also get many other less discussed 3 note groupings that give very intriguing sounds. Since many of the sounds found in this book will be new to students it is recommended that you divide your time between technical exercises that will develop your physical ability on your instrument and ear training studies to help you get the sounds of these combinations into your memory so that you can express them freely.

What's are these other 3 note arpeggios that aren't built in 3rds?

There are many books that discuss the use of arpeggios in music. Unfortunately most of these only discuss chords that are built in thirds. While chords built in thirds are very common in music there are also other arpeggios that are not built in thirds that are commonly used and they can be a great resource for finding new melodic and chordal ideas to play over various musical situations. You can approach the use of these non-tertial (a chord or melody not built in thirds) combinations in a couple of ways: think of the non-tertial group of notes as a replacement for a tertial (a chord or melody built in thirds) arpeggio. For instance, if you had the notes C, E, G you could replace those with C, D, G in most musical situations. In many cases this will give you a more modern sound while still representing the initial triadic sound of C, E, G. You can also extend this idea when you start composing music in which you are only using these non-triadic combinations. This creates a very intriguing sound both melodically and harmonically. Depending on the three note combination you pick it can result in many different types of sounds from beautiful consonant music to highly dissonant. These non-triadic combinations can be used in any style of music from rock to jazz to classical. They all work well but keep in mind that the combination you pick will radically affect the type of sound you are trying to create. To see some examples of using these non-tertial combinations check out the book “Tools for Modern Improvisation” which will give you scores and MP3s in various musical styles, in which you can hear some music using these different non-triadic combinations.

Here is a list of exactly what is contained in the course:

Course rundown: Click triangle to right but first take a deep breath :)

Substituting Various 3 Note Combinations

Using 3 Note Combinations

Chord Progressions for Études

Replacing the Normal Sounding Arpeggios and Chords

Playing a Composition with Special Pitch Class Sets

012 Pitch Class Set and 18 Melodic Combinations

013 Pitch Class Set and 18 Melodic Combinations

013 Pitch Class Set and 18 Melodic Combinations

014 Pitch Class Set and 18 Melodic Combinations

014 Pitch Class Set and 18 Melodic Combinations

015 Pitch Class Set and 18 Melodic Combinations

015 Pitch Class Set and 18 Melodic Combinations

016 Pitch Class Set and 18 Melodic Combinations

016 Pitch Class Set and 18 Melodic Combinations

024 Pitch Class Set and 18 Melodic Combinations

024 Pitch Class Set and 18 Melodic Combinations

025 Pitch Class Set and 18 Melodic Combinations

025 Pitch Class Set and 18 Melodic Combinations

026 Pitch Class Set and 18 Melodic Combinations

026 Pitch Class Set and 18 Melodic Combinations

027 Pitch Class Set and 18 Melodic Combinations

027 Pitch Class Set and 18 Melodic Combinations

036 Pitch Class Set and 18 Melodic Combinations

037 Pitch Class Set and 18 Melodic Combinations

037 Pitch Class Set and 18 Melodic Combinations

048 Pitch Class Set and 18 Melodic Combinations

Three Note Pitch Class Set Études with MP3s and Midfiles

012 Pitch Class Set Études

013 Pitch Class Set Études

014 Pitch Class Set Études

015 Pitch Class Set Études

016 Pitch Class Set Études

024 Pitch Class Set Études

025 Pitch Class Set Études

026 Pitch Class Set Études

027 Pitch Class Set Études

036 Pitch Class Set Études

037 Pitch Class Set Études

048 Pitch Class Set Études

Two Bar Turnarounds examples to use as alternatives for Pitch Class Set Études

Exercises for Applying Pitch Class Sets

012 Recommended Exercises

013 Recommended Exercises

014 Recommended Exercises

015 Recommended Exercises

016 Recommended Exercises

024 Recommended Exercises

025 Recommended Exercises

026 Recommended Exercises

027 Recommended Exercises

036 Recommended Exercises

037 Recommended Exercises

048 Recommended Exercises

Appendix 1: Chord and Scale Relationships to help you understand what notes are available on what chords.

So this is a far reaching course that gives you information on:

All types of 3 note groupings

18 melodic combinations for each 3 note grouping

Études in all 12 keys with MP3s and Midifiles so you can hear the sounds of each 3 note combination.

How to use these new sounds to replace the arpeggios and chords you currently use.

A complete run down of every 3 note grouping and what chords it can be played over.

Two Bar Turnarounds examples to use as alternatives for Pitch Class Set Études

Recommended chop building exercises for each 3 note combination.

An Appendix that shows you the Chord and Scale Relationships to help you understand what notes are available on every 3 note grouping.

Below are some examples from the Ultimate Arpeggio Course.

Click on triangle to see 3 note combination C, Db, Eb example:

The page below shows you how each 3 note group in represented. This example gives you information for the 3 note combination C, Db, Eb or also known as "013." Notice that to the left you have a list of all the chords that you could play C, Db and Eb over both harmonically and melodically. You also have a list of the 18 melodic possibilities at the bottom of the page. In addition you have a few comments on how this 3 note combination might be useful. You get a page like this for every 3 note combination.

Click on triangle to see some ways to practice the C, Db, Eb 3 note combination:

This page gives you 4 examples of how to practice the C, Db, Eb 3 note combination as well as the chords that these 3 notes will work over. If you ordered the bundle that was available when the book was first released you have all of these exercises in all keys and all permutations.

Click on triangle to see étude example.

You can use this example to test your ear training, sight reading, sight singing skills or to hear a different way to play over the common chord progression I7, bIII7, II7, bII7 in C. By also referencing the possible turnaround section of the book you can also you 100s of other chord progressions with this étude. This étude is using any available "013" or half step and minor 3rd combination that is available on each chord. Each set of études is completely different sounding because the type of 3 note grouping that is applied to this chord progression. Some VERY exciting sounds!!

Listen to the interesting sound that these "013" 3 note grouping make over this chord progression. Click triangle above to see dropdown score. It is recommended that you listen to the Level 3 example first because the faster these types of melodies are played the more our ear makes sense of them. Count off is two measures of half notes playing a C to establish the key center.

Level Two MP3 for example above

Level 3 for example above

You can use these études for ear training, sight reading, transcription or just to listen to the unique sound these various 3 note combinations create. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Click on triangle to see étude example.

You can use this example to test your ear training, sight reading, sight singing skills or to hear a different way to play over the common chord progression I7, bIII7, II7, bII7 in Db. By also referencing the possible turnaround section of the book you can also you 100s of other chord progressions with this étude. This étude is using any available "027" or whole step and 5th combination that is available on each chord. Each set of études is completely different sounding because the type of 3 note grouping that is applied to this chord progression. Some VERY exciting sounds!!

Listen to the interesting sound that these "027" 3 note grouping make over this chord progression. Click triangle above to see dropdown score. It is recommended that you listen to the Level 3 example first because the faster these types of melodies are played the more our ear makes sense of them. Count off is two measures of half notes playing a Db to establish the key center.

Level Two MP3 for example above

Level 3 for example above

You can use these études for ear training, sight reading, transcription or just to listen to the unique sound these various 3 note combinations create. Remember you can play these examples at any tempo... Super slow or extremely fast with the midifiles that accompany this course.

Recommended way to proceed with the course

How to explore this course!

The heart of the book shows each 3 note combination starting with 3 half steps in a row, which we will call 012, all the way to an augmented triad called 048. It is recommended that you start with just one three note group to explore. Although you could start with the 027 combinations because they are the most useful and easy to hear, and then move on to combinations like 013 because they can be applied to any chord type, keep in mind that any grouping you pick to explore will take some time before it bears fruit.

Spend time with the études either playing them or just listing to the MP3s. This will help you to hear the possibilities of various three note groups and will also help you to decide which 3 note groups you like the most. You will find that these études will help you to develop musical ideas to use in your composition and improvisation.

There are quite a few recommended exercises for developing these different 3 note combinations but you will also find more and/or expanded ideas in the Chopsbuster section of the muse-eek.com website. The "Atomic Scales" course is a very good set of exercises to improve your technical skills with these 3 note combinations, particularly when they are combined into two 3 note groupings i.e. a hexatonic scale.

You will find many exercises that combine 2 three note note arpeggios to create a hexatonic scale. This is a sound that is very useful in creating contemporary sound in your playing. This specific course concentrates on symmetrical combinations. In other words it combines two 3 note combinations that are from the same family like three half steps in a row combined with another group of 3 half steps in a row at some other pitch degree. It should be mentioned that you can create very interesting sounds and melodies by combining two different three note groups which is not covered in this course. Most of the combinations that are explored in this book work over a dominant 7th sound. But other chords possibilities are listed when appropriate. Certain three and six note groups work better over certain types of chords. This is discussed to help you understand which combinations are best used with specifics chord types.

The three note combinations in this book can be used to replace the chords you already use or, they can inspire your compositions and improvisations with fresh ideas.

When you begin to practice the concepts in this book start slowly and develop speed overtime. Many of these combinations can be very difficult especially on stringed instruments so be careful that you don't hurt yourself by over practicing or trying to gain speed too quickly.

Just listening can really change your perceptions!

It can't be stressed enough that just listening to the études in this course can really effect your perception, expand your musical palette and influence your overall musicianship.

Additional Information:

Digital IBSN: 978-1-59489-520-3

214 page PDF with 928 études with 2844 MP3s.

What people are saying:

For many years I've wondered how advanced soloist created these very modern sounds. Found my answer in the course. Bruce also gives examples of how you can apply this to jazz standards which really blew my mind. Playing "Stella by Starlight" where all melodies are half steps and minor 3rd as well as all the chords. This is really looking at standards in a highly compositional way as sound completely unique. I thought it all had already been done but this has totally transformed my concept of what can be done to usher in a new era of sounds over any type of style. A totally eye opening course! W. Franks.

A Tour de force of 3 note sounds. Completely turning my head around so many great new sounds and ways to think about 3 notes. E. Shepherd

A book for a lifetime of study and so well laid out. The études are great for hearing the direct application of these ideas so you can really hear how awesome they can be! H. Palmer.

Get Ultimate Arpeggio 3 Note Combinations today and explore some exciting new sounds?

New perspectives on ProgRock with Vanishing Point

If there was any question that Bruce Arnold has the chops and style to handle heavy duty Progressive Rock, this CD answers the question with a very very loud YES. “Vanishing Point” finds Bruce Arnold exploring the Heavy Rock style and reveling in it. Compositions range from in-your-face screamers to arena rock ballads with soaring guitar solos. But true to his art, each song contains the compositional elements that are his signature: a rigorous theoretical structure, surprising angular melodies and chord patterns, tricky rhythms and underneath all, an emotional core. Each track has an array of tasty guitar sounds generated through Fractal and ProTools for your listening pleasure. Solid bass and drum work from Kirk Driscoll and Jerry DeVore round out the sweeping sound, while tons of cool programmed sounds add to the fun. And in case those of you who follow Arnold’s work are wondering, all songs and solos on “Vanishing Point” ARE based on the pitch class set 025.

The Tracks

The opening title track “Vanishing Point” starts with a riff that seems to have a regular metric feel until the band crashes in, giving it a menacing thrust. As the track progresses, rhythmically shifting power chords keep the ensemble on its toes, as Arnold keeps the hurricane force solos happening.

The other tracks on Vanishing Point are:

“Seven Days” named for its 7/4 meter is a showcase for overdubbed guitar sounds, as Arnold alternates searing wawa solos with up to four guitar layers playing the melody. The track builds to a textural climax reminiscent of bagpipes.

“Big Bout Ya” a funky 7/4 rock reggae track. The title is a Jamaican expression of high regard and support. “I really enjoyed taking these two-note melody riffs that you hear in reggae and using a whammy bar on them” says Arnold. “It’s just a fun thing.”

“Aftermath” is a plain out nasty tune that alternates between 4/4 and 7/4 time giving it a ‘slow-fast” feel. It’s also a showcase for distorted guitar and a chance for Bruce to get off some speedy sweeps.

Next, the ballad “Once” re-establishes Bruce’s ability to compose beautiful, eloquent melodies. The two parts of the song are stated, bassist Jerry DeVore takes a solo while Bruce lays down a sensitive sonic bed. His solo then switches to Allman brothers territory with blues, slide licks galore and layered lines.

The melodic effects that hover over the drum track that open “Twice” are a tuned resonance derived by processing the drum sounds. Despite the delicate beginning, the track is another bone crusher this time in 5/4. Distorted guitar wawa solos shimmy in and out of slide guitar layerings and sonic artifacts.

In South Dakota where Bruce Arnold grew up, the teenagers had a dangerous game to break the boredom: jumping from one speeding van into another. The song “Crystal” was written for one teenager of his acquaintance who made the jump, but missed the van. The track evokes the wide spaces of the plains, with a wistful melody floating over it. Arnold takes the song to more dynamic territory with Jeff Beck-like solos, but returns to the stuff of memory to end.

Creating a denouement, Arnold closes the album with “Into the Wind” a song that seems to express a stoicism and perseverance in the face of adversity. It is also a study in multiple guitar parts, and a recap of the contrapuntal elements that run through the entire recording. Each guitar strand has its own life, but weaves into an elegant amalgam of sound.

Jam Tracks Volume Two

Jam Tracks Volume Two

A crucial ingredient in creating a real musical environment for learning music.

Bring scales, arpeggios and other musical techniques that you are learning to life! Apply them in any key, in popular musical styles – and engrain your musical knowledge in a practical and permanent way…

This is what Jam Tracks Volume Two can do for you …

Jam Tracks are a great tool for your musical improvement, and using a variety of Jam Tracks will add more depth to your playing. Musical concepts, theory and techniques – such as scales, arpeggios, approach notes, pitch class sets – these are all like rough, unpolished gems until you apply them.

Playing along with a jam track is the fun side of learning music while also developing your ability to apply your ideas to real music. In other words, Jam Tracks are the bridge between the printed page and the real world of music.

That's why Jam Tracks Volume Two are a must own for anyone studying music …

With “Jam Tracks Volume Two”, you get 10 progressions in all keys … these Jam Tracks lean heavily on the rock and funk side of things. There are many unique things about these jam tracks that you don't usually find in other jam tracks.

Each track has been built in a way that allows you to put different kinds of scales over each track. This makes each track more useful because you can use it more than one way. There is a Scale Choice Playlist Guide PDF included to help you see the possibilities of each track …

4/4 and 5/4 Jam Tracks are included to help you master odd time signature playing …

Each 5 minute jam track develops over time --it's not just a boring loop-- so you really feel like you're playing with a band …

10 Chord Progressions... All Keys... 120 tracks in total!

With Jam Tracks Volume Two you get 10 progressions in all keys … these Jam Tracks lean heavily on the rock and funk side of things. There are many unique things about these jam tracks that you don't usually find in other jam tracks.

And finally, all tracks are made from the pitch class set 025 so if you are into advanced improvisation these tracks give you a great palette for this particular sound.

Here are some excerpts from the 10 tracks:

Track One

Track Two

Track Three

Track Four

Track Five

Track Six

Track Seven

Track Eight

Track Nine

Track Ten

Develop your musical ideas and apply your knowledge!

No matter what you are working on, you can use these Jam Tracks to apply your knowledge in any key through some of the most popular styles of music. So whether you are focusing on Scales, Arpeggios, Approach Notes or anything else, working with these Jam Tracks will get all these concepts engrained in a practical and permanent way.

Wondering how to use the tracks? We're sure you'll think of countless ways, but here are just a few possibilities:

The Jam Tracks are a natural combination with the scale study books in our catalog. New York Guitar Method Volume One for Guitarist and Essential Scales for any instrumentalist would be excellent choices. Since these books work with applying the scales in all keys and give you both modal sequences and chord voicings, combining that information with playing against the tracks will really solidify your musicianship in these areas.

Jam Tracks are an essential tool when learning about Approach Notes as found in New York Guitar Method Volume Two. There is an extreme learning curve when applying Approach Note figures to specific beats within a measure. The Jam Tracks are uniquely suited to getting you through this hurdle.

Working with the Rhythm Series and the Jam Tracks can be a good way to understand the relationship of a printed rhythm to the real music situation presented in a Jam Track. Since the rhythm series covers 4 rhythm levels within all the books available this is an excellent chance to develop an understanding of various rhythms within each Jam Track's musical environment. Rhythm Primer and Rhythms Volume One would be the logical starting place.

Additional Information:

Digital Edition IBSN:978-1-59489-692-7

120 MP3s no book

What people are saying:

I own all three of the currently available Jam Tracks Volumes. Using these MP3s is my favorite part of practicing each day. I was way to far into just playing exercise after exercise and although I felt I had more chops I didn't feel like I had much to say when I improvised. Bruce recommended that I take everything I learn and apply it to real music and what better way than these jam tracks. Highly Recommended! S. Rommel

Jam Tracks Volume Two is much more rock'n than the 1st volume. I recognize some of the tracks from Bruce's music so they must be excerpts? I really enjoy how they change throughout the track. It's not just a static 4 or 8 bars repeating but a track that breathes and changes. Some of the tracks took me a minute to understand. The 5/4 tracks are really subtle in the way they outline that time signature. I'm enjoying soloing over them but it's also been an education to understand their underlying structure. Very cool stuff. G. Townshend

Bruce recommended these tracks for studying pitch class set improvisation. All these tracks are based on an 025 pitch class set. First that is very cool how they are all built on a simple 3 note grouping. Second they are kick ass rock grooves with subtle undertones of fusion. Third they have really shown me that pitch class sets isn't something for just classical composers it's a living breathing way to write new music in any idiom. Kudos!. J. Appleton

Very cool grooves on these jam tracks but also very cool guitar riffs. I'm stealing some of these for my rock band. Not only am I enjoying playing over these jams but I'm also learning a lot about creating guitar parts for various rock grooves. Very useful stuff. K. Hawthorne.

These are a definite must own for anyone looking to expand their rock jams. I'm especially enjoying the 5/4 cuts. Eric Clapton's "White Room" comes to mind. These jams seem like a cross between Jeff Beck and Joe Satriani. Awesome! H. Franks.