Many references to ravens exist in world lore and literature. Most depictions allude to the appearance and behaviour of the wide-ranging common raven (Corvus corax). Because of its black plumage, croaking call and diet of carrion, the raven is often associated with loss and ill omen. Yet its symbolism is complex. As a talking bird, the raven also represents prophecy and insight. Ravens in stories often act as psychopomps, connecting the material world with the world of spirits.

French anthropologist Claude Lévi-Strauss proposed a structuralist theory that suggests the raven (like the coyote) obtained mythic status because it was a mediator animal between life and death.[1] As a carrion bird, ravens became associated with the dead and with lost souls. In Swedish folklore, they are the ghosts of murdered people without Christian burials and, in German stories, damned souls.[2]

In Greek mythology, ravens are associated with Apollo, the god of prophecy. They are said to be a symbol of bad luck, and were the god's messengers in the mortal world. According to the mythological narration, Apollo sent a white raven, or crow in some versions to spy on his lover, Coronis. When the raven brought back the news that Coronis had been unfaithful to him, Apollo scorched the raven in his fury, turning the animal's feathers black. That's why all ravens are black today.

According to Livy, the Roman general Marcus Valerius Corvus (c. 370-270 BC) had a raven settle on his helmet during a combat with a gigantic Gaul, which distracted the enemy's attention by flying in his face.[3][a]

The raven (Hebrew: עורב; Koine Greek: κόραξ) is the first species of bird to be mentioned in the Hebrew Bible,[5] and ravens are mentioned on numerous occasions thereafter. In the Book of Genesis, Noah releases a raven from the ark after the great flood to test whether the waters have receded (Gen. 8:6-7). According to the Law of Moses, ravens are forbidden for food (Leviticus 11:15; Deuteronomy 14:14), a fact that may have colored the perception of ravens in later sources. In the Book of Judges, one of Kings of the Midianites defeated by Gideon is called "Orev" (עורב) which means "Raven". In the Book of Kings 17:4-6, God commands the ravens to feed the prophet Elijah. King Solomon is described as having hair as black as a raven in the Song of Songs 5:11. Ravens are an example of God's gracious provision for all his creatures in Psalm 147:9 and Job 38:41. (In the New Testament as well, ravens are used by Jesus as an illustration of God's provision in Luke 12:24.)

Philo of Alexandria (first century AD), who interpreted the Bible allegorically, stated that Noah's raven was a symbol of vice, whereas the dove was a symbol of virtue (Questions and Answers on Genesis 2:38).

In the Talmud, the raven is described as having been only one of three beings on Noah's Ark that copulated during the flood and so was punished.[6] The Rabbis believed that the male raven was forced to ejaculate his seed into the female raven's mouth as a means of reproduction.[7]

Pirke De-Rabbi Eliezer (chapter 25) explains that the reason the raven Noah released from the ark did not return to him was that the raven was feeding on the corpses of those who drowned in the flood.[8]

According to the legend of the fourth-century Iberian Christian martyr Saint Vincent of Saragossa, after St. Vincent was executed, ravens protected his body from being devoured by wild animals, until his followers could recover the body. His body was taken to what is now known as Cape St. Vincent in southern Portugal. A shrine was erected over his grave, which continued to be guarded by flocks of ravens. The Arab geographerAl-Idrisi noted this constant guard by ravens, for which the place was named by him كنيسة الغراب "Kanīsah al-Ghurāb" (Church of the Raven). King Afonso Henriques (1139–1185) had the body of the saint exhumed in 1173 and brought it by ship to Lisbon, still accompanied by the ravens. This transfer of the relics is depicted on the coat of arms of Lisbon.

A raven is also said to have protected Saint Benedict of Nursia by taking away a loaf of bread poisoned by jealous monks after he blessed it.

In the legends about the German Emperor Frederick Barbarossa, depicting him as sleeping along with his knights in a cave in the Kyffhäuser mountain in Thuringia or the Untersberg in Bavaria, it is told that when the ravens cease to fly around the mountain he will awake and restore Germany to its ancient greatness. According to the story, the Emperor's eyes are half closed in sleep, but now and then he raises his hand and sends a boy out to see if the ravens have stopped flying.[9]

The story, as presented in the Quran and further postulated in the hadith, states that Cain, having murdered Abel, was bereft of a means of disposing of his brother's body. While scanning the surroundings for a solution, Cain noticed two ravens, one dead and the other alive. The still living raven began digging the ground with its beak until a hole had been dug up, in which it buried its dead mate. Witnessing this, Cain discovered his solution, as indirectly revealed by God.

An illustration from an 18th-century Icelandic manuscript depicting Huginn and Muninn sitting on the shoulders of Odin.

To the Germanic peoples, Odin was often associated with ravens. Examples include depictions of figures often identified as Odin appear flanked with two birds on a 6th-century bracteate and on a 7th-century helmet plate from Vendel, Sweden. In later Norse mythology, Odin is depicted as having two ravens Huginn and Muninn serving as his eyes and ears – huginn meaning "thought" and muninn meaning "memory". Each day the ravens fly out from Hliðskjálf and bring Odin news from Midgard.

The Old English word for a raven was hræfn; in Old Norse it was hrafn; the word was frequently used in combinations as a kenning for bloodshed and battle.

The raven was a common device used by the Vikings. Ragnar Lothbrok had a raven banner called Reafan, embroidered with the device of a raven. It was said that if this banner fluttered, Lothbrok would carry the day, but if it hung lifeless the battle would be lost. King Harald Hardrada also had a raven banner, called Landeythan (land-waster). The bird also appears in the folklore of the Isle of Man, a former Viking colony, and it is used as a symbol on their coat of arms.

The earliest known reference to a Tower raven is a picture in the newspaper The Pictorial World in 1883[16] as well as a poem and illustration published the same year in the children's book London Town.[17] This and scattered subsequent references, both literary and visual, which appear in the late nineteenth to early twentieth century, place them near the monument commemorating those beheaded at the tower, popularly known as the "scaffold." This strongly suggests that the ravens, which are notorious for gathering at gallows, were originally used to dramatize tales of imprisonment and execution at the tower told to tourists by the Yeomen Warders.[18] There is evidence that the original ravens were donated to the tower by the Earls of Dunraven,[19] perhaps because of their association with the Celtic raven-god Bran.[20] However wild ravens, which were once abundant in London and often seen around meat markets (such as nearby Eastcheap) foraging for scraps, could have roosted at the Tower in earlier times.[21]

During the Second World War, most of the Tower's ravens perished through shock during bombing raids, leaving only a mated pair named "Mabel" and "Grip." Shortly before the Tower reopened to the public, Mabel flew away, leaving Grip despondent. A couple of weeks later, Grip also flew away, probably in search of his mate. The incident was reported in several newspapers, and some of the stories contained the first references in print to the legend that the British Empire would fall if the ravens left the tower.[22] Since the Empire was dismantled shortly afterward, those who are superstitious might interpret events as a confirmation of the legend. Before the tower reopened to the public on 1 January 1946, care was taken to ensure that a new set of ravens was in place.[19]

Ravens appear as stock characters in several traditional Serbian epic poems. Like in many other cultures, the raven is associated with death - more specifically with an aftermath of a bloody or significant battle. Ravens often appear in pairs and play the role of harbingers of tragic news, usually announcing death of a hero or a group of heroes. They tend to appear in combination with female characters as receivers of the news. Usually, a mother or a wife of a hero will be notified about the hero's death by a visit from a pair of ravens. Sometimes, these are treated as supernatural creatures capable of communicating with humans that report about events directly. Alternatively, these are ordinary birds bringing along scavenged body parts, such as a hand or a finger with a ring, by which the fate of the hero will be recognised. The most notable examples of this pattern are found in the songs "Car Lazar i Carica Milica" (Tsar Lazar and Tsarina Militsa) and "Boj na Mišaru" (Battle of Mishar).

The Hindu deity Shani is often represented as being mounted on a giant black raven or crow.[25] The crow (sometimes a raven or vulture) is Shani's Vahana. As protector of property, Shani is able to repress the thieving tendencies of these birds.

The raven is the national bird of Bhutan, and it adorns the royal hat, representing the deity Gonpo Jarodonchen (Mahakala) with a Raven's head; one of the important guardian deities.

The raven also has a prominent role in the mythologies of the Indigenous peoples of the Pacific Northwest Coast, including the Tsimishians, Haidas, Heiltsuks, Tlingits, Kwakwaka'wakw, Coast Salish, Koyukons, and Inuit. The raven in these indigenous peoples' mythology is the Creator of the world, but it is also considered a trickster god.[citation needed] For instance, in Tlingit culture, there are two different raven characters which can be identified, although they are not always clearly differentiated. One is the creator raven, responsible for bringing the world into being and who is sometimes considered to be the individual who brought light to the darkness. The other is the childish raven, always selfish, sly, conniving, and hungry. When the Great Spirit created all things he kept them separate and stored in cedar boxes. The Great Spirit gifted these boxes to the animals who existed before humans. When the animals opened the boxes all the things that comprise the world came into being. The boxes held such things as mountains, fire, water, wind and seeds for all the plants. One such box, which was given to Seagull, contained all the light of the world. Seagull coveted his box and refused to open it, clutching it under his wing. All the people asked Raven to persuade Seagull to open it and release the light. Despite begging, demanding, flattering and trying to trick him into opening the box, Seagull still refused. Finally Raven became angry and frustrated, and stuck a thorn in Seagull's foot. Raven pushed the thorn in deeper until the pain caused Seagull to drop the box. Then out of the box came the sun, moon and stars that brought light to the world and allowed the first day to begin.

Bill Reid created the sculpture of The Raven and The First Men depicting a scene from a Haida myth that unifies the Raven as both the trickster and the creator. According to this myth, the raven who was both bored and well fed, found and freed some creatures trapped in a clam. These scared and timid beings were the first men of the world, and they were coaxed out of the clam shell by the raven. Soon the raven was bored with these creatures and planned to return them to their shell. Instead, the raven decided to search for the female counterparts of these male beings. The raven found some female humans trapped in a chiton, freed them, and was entertained as the two sexes met and began to interact. The raven, always known as a trickster, was responsible for the pairing of humans and felt very protective of them. With the Raven perceived as the creator, many Haida myths and legends often suggest the raven as a provider to mankind.

Another raven story from the Puget Sound region describes the "Raven" as having originally lived in the land of spirits (literally bird land) that existed before the world of humans. One day the Raven became so bored with bird land that he flew away, carrying a stone in his beak. When the Raven became tired of carrying the stone and dropped it, the stone fell into the ocean and expanded until it formed the firmament on which humans now live.

One ancient story told on Haida Gwaii tells about how Raven helped to bring the Sun, Moon, Stars, Fresh Water, and Fire to the world:[26]

Long ago, near the beginning of the world, Gray Eagle was the guardian of the Sun, Moon and Stars, of fresh water, and of fire. Gray Eagle hated people so much that he kept these things hidden. People lived in darkness, without fire and without fresh water.

Gray Eagle had a beautiful daughter, and Raven fell in love with her. In the beginning, Raven was a snow-white bird, and as a such, he pleased Gray Eagle's daughter. She invited him to her father's longhouse.

When Raven saw the Sun, Moon and stars, and fresh water hanging on the sides of Eagle's lodge, he knew what he should do. He watched for his chance to seize them when no one was looking. He stole all of them, and a brand of fire also, and flew out of the longhouse through the smoke hole. As soon as Raven got outside he hung the Sun up in the sky. It made so much light that he was able to fly far out to an island in the middle of the ocean. When the Sun set, he fastened the Moon up in the sky and hung the stars around in different places. By this new light he kept on flying, carrying with him the fresh water and the brand of fire he had stolen.

He flew back over the land. When he had reached the right place, he dropped all the water he had stolen. It fell to the ground and there became the source of all the fresh-water streams and lakes in the world. Then Raven flew on, holding the brand of fire in his bill. The smoke from the fire blew back over his white feathers and made them black. When his bill began to burn, he had to drop the firebrand. It struck rocks and hid itself within them. That is why, if you strike two stones together, sparks of fire will drop out.

Raven's feathers never became white again after they were blackened by the smoke from the firebrand. That is why Raven is now a black bird.

Other notable stories tell of the Raven stealing and releasing the sun, and of the Raven tempting the first humans out of a clam shell. Another story of the Kwakiutl or Kwakwaka'wakw of British Columbia who exposed boys' placentas to ravens to encourage future prophetic visions, thereby associating the raven with prophecy, similar to the traditions of Scandinavia.

In one legend Raven transformed himself into a pine needle which is swallowed by the unmarried daughter of the owner of the box of daylight, who then becomes pregnant and gives birth to Raven in disguise.[27]

Two ravens or crows, flying over the warrior's head in battle, symbolised in Yakut mythology the Ilbis Kyyha and Ohol Uola, two evil spirits of war and violence. Some other gods or spirits in yakut shamanism, including Uluu Suorun Toyon and Uluutuar Uluu Toyon, are described as "great raven of cloudy sky".

Ravens are common charges in world heraldry. Within British heraldry, the raven is believed to derive from Norman symbolism. The Corbet family, which can trace unbroken male descent to the Norman conquest of England, traditionally uses a raven sable upon a field or as its symbol, only varying it by adding bordures or additional birds. Other corvids, such as the crow and the rook, are not typically distinguished from ravens.[31]

In Susanna Clarke's novel Jonathan Strange & Mr Norrell (2004), the common title of the long vanished magician king of northern England, John Uskglass, is the Raven King. He often summoned flocks of ravens for dramatic effect during military campaigns, or when he magically appeared somewhere. Throughout the novel, ravens appear as signs of his impending return or particular acts of magic.

In Neil Gaiman's novel American Gods, the ravens Huginn and Muginn play an important role.

In the well-known ballad "The Three Ravens" (published in 1611), a slain knight is depicted from the point of view of ravens who seek to eat him but are prevented by his loyal hawks, hounds and leman (lover).

Raven was a blues/rock band formed in 1967 in Buffalo, New York, and active until 1970.

British rock band The Stranglers named their 1979 album after the bird which also appeared on the album artwork and was the title track of the record.

Diablo appears in the film Maleficent (2014), where he is renamed Diaval and is transformed frequently into a human (played by Sam Riley), a dog, a horse, and a dragon as she feels is necessary. He is rescued by Maleficent from a hunter and his dog, when she first shapeshifts him into a human. The act seems to leave him indebted to her and, while frequently sarcastic and disapproving of her actions, he supports and aids her.

In Disney's Snow White and the Seven Dwarfs (1937), the Evil Queen Grimhilde has a pet raven as her familiar. Grimhilde's raven is completely silent and unnamed; his fate remains uncertain. He is frightened of the Queen in her Witch Form and is only seen when the Queen is in her Laboratory underneath the castle.

Today considered controversial, Jim Crow, Fats, Deacon, Dopey, and Specks are crows in the animated Disney film, Dumbo (1941); they speak in stereotypical "jive" of the period.

In HBO's television series Six Feet Under, a raven is always seen on the opening credits flying across a cemetery, and perching on a tombstone, symbolizing the various thematic subjects of life and death tacked in every episode.

In HBO's television series Game of Thrones, as in George R. R. Martin's A Song of Ice and Fire fantasy novel series on which it is based, uses the Raven as a messenger bird. Additionally, the Three-eyed raven appears in Bran Stark's dreams to guide him on a quest. In addition, the members of the Night's Watch are nicknamed "Crows" due to them only wearing black.

In Sui Ishida's dark fantasy mangaTokyo Ghoul, a ghoul named Renji Yomo is nicknamed "Raven" (カラス karasu) by humans. Like ravens, Yomo is a scavenger, and he procures suicide victims for consumption for ghouls who are too weak or do not wish to hunt for prey. His kagune (main predatory organ), is in an ukaku configuration, meaning its placement is above the shoulder blades, resembling the wings of a bird. They are also the only kagune revealed in the series to be pitch black, identical to a raven. Lastly, as with all ghouls, Yomo wears a mask to hide his identity. His mask resembles that of a raven's beak, and is colored black.

In the On the Fastrackcomic strip, the Goth woman, Dethany Dendrobia, has a pet raven named "Lenore" in reference to the Edgar Allan Poe poem. Lenore is a recurring character and appears quite frequently, interacting with Dethany and other characters in the strip.

In Darksiders 2, an action-RPG developed by Vigil Games, the player character is guided through the game by a Raven called Dust, which points out objectives.

In Heroes of the Storm, the Raven Lord is one of the oldest and most powerful beings within the Nexus, and the ruler of Raven Court, a realm where the battleground Cursed Hollow is set.[34] A playable hero, called Medivh, can transform into the raven. While transformed, Medivh can see and fly over all terrain and is immune to all effects.[35]

In the fictional Warhammer 40,000 universe, the Raven Guard are an original founding legion of the Space Marines which take inspiration from the family Corvidae such as their beak like helmets, black power armour and the name of their founding Primarch, Corvus Corax.

The first name "Bram" is derived from a convergence of two separate etymological sources, one being an abbreviation of "Abraham", but the other being the Gaelic word "bran", meaning "raven". The name Bran signifying a raven was used in medieval Ireland.