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This fonds includes a variety of photographic material relating to the Marine Workers Federation. As well this fonds contains a copy of the newspaper "The Nova Scotia Worker" Issued by the Nova Scotia Federation of Labour.

The fonds includes manuscripts of most of his published works—novels, short stories, articles, radio broadcasts and plays, and forewords for other works—from 1929 to 1976; research notes and general historical studies; sound recordings; correspondence covering the years 1914 to 1994 (including letters with other authors and his publishers, among others); diaries (closed at the author's request until 2019); photographs; memorabilia; material related to his father who fought and died in World War I; and several scrapbooks containing reviews of his books, clippings, and other research material.

Fond consists of correspondence between R.M. Hattie and members of the Dalhousie Class of 1897 between 1893-1951, including newspaper clippings relating to classmates' lives and information regarding class reunions between 1897-1947.

Fonds consists of materials regarding Russell B. Zinck's poetry, including poetry manuscripts and newspaper clippings; his notes about politics; and his involvement with the local press. Record types include correspondence, a scrapbook and a notebook containing poem drafts. The fonds also contains a picture by W.M. Schaffuer.

Fonds consists of various personal records, including correspondence, scrapbooks, photographs, slides, negatives, an artifact, and legal and financial records. Some business records from Oland and Son Limited and its affiliated companies are also included.

Fonds contains scrapbooks with diary entries, newspaper clippings, cards and some photos and letters. Contents are frequently out of chronological order. There are also two school notebooks of Richard Lynch, ca. 1930.

This collection consists of records regarding Theatre Arts Guild's management and productions from the establishment of the guild in 1931 to 1999. Materials include administrative documents and some financial records, programs, posters, newsletters, histories of Theatre Arts Guild and information about amateur theatre in Halifax, correspondence, photographs, newspaper clippings, and scrapbooks.

Accession includes the minute book from the founding year of 1942 until 1955, collective agreements between the Oil Chemical and Atomic Workers' International Union and S. Cunard & Co. Ltd, E.S.F. Ltd, and Archibald Fuels Ltd. Also included in this fonds are photographs of picket lines, and floats, as well as local publications issued by the Oil Chemical and Atomic Workers' International Union Local 9-825 to all of its current members. The fonds also includes sample meeting posters for the union meetings, a membership request slip for Local 546, and a document from the Hon. Clarence Llyod Gosse to John Yates regarding his membership to the Provincial Apprenticeship Board.

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Fonds consists of papers created and/or accumulated by Catherine Creighton and her family, including those of her husband Graham and children Edith, Anna, Lois, Frieda, and Howard. While the fonds includes correspondence from Wilfred Creighton to his siblings and parents, Wilfred's papers are not included as a sous-fonds within the fonds.

The bulk of the fonds consists of correspondence from family and friends, but also includes diaries, photographs, financial papers, personal papers, memorabilia, print materials, scrapbooks, articles, and artwork. Records in the fonds provide a well-rounded depiction of the family's daily activities and lives - from their relationships with each other, their extended family, and their community, to their financial status, values, education, and careers.

Fonds consists of records primarily originating from Herbert L. Stewart's work as a philosopher, professor, and political commentator. Records include manuscripts and typescripts, notes, scrapbooks, diaries, offprints, reports, and correspondence. One series comprises Stewart's collection of his father's sermons, notes, and correspondence.