Okay, Houston. The moon is essentially gray, no color; looks like plaster of Paris or sort of a grayish deep sand. We can see quite a bit of detail. The Sea of Fertility doesn't stand out as well here as it does back on earth. There's not as much contrast between that and the surrounding craters. The craters are all rounded off. There's quite a few of them; some of them are newer. Many of them look like—especially the round ones—look like hits by meteorites or projectiles of some sort. Langrenus is quite a huge crater; it's got a central cone to it. The walls of the crater are terraced, about six or seven different terraces on the way down.

And I can see the rays coming out of blaze Pickering. We're coming up now near our P-1 initial site which I'm going to try and see. Be advised the round window, the hatch window, is completely iced over; we can't use it; Bill and I are sharing the rendezvous window.

Okay. Over to my right are the Pyrenees Mountains coming up, and we're just about over Messier and Pickering right now. Our first initial point is easily seen from our altitude. We're getting quite a bit of contrast as we appear—as we approach the terminator. The view appears to be good, no reflection of the sun back to our eyes; it appears that visibility at this particular spot is excellent. It's very easy to pick out our first initial point; and over this mountain chain, we can see the second initial point, the Triangular Mountain.

And we're coming upon the craters Colombo and Gutenberg. Very good detail visible. We can see the long parallel faults or grabens, and they run through the Mare material right into the highland material.

It's very easy to spot. You can see the entire rims of the craters from here with, of course, the white crescent on the far side where the sun is shining on it. The shadows are quite lengthy now. Maskelyne B (Marsh of Sleep) has quite a few shadows off of it, but it can be recognized. Just west of the Maskelyne B, we start going to the terminator. The terminator is actually quite sharp over the Pyrenees, and it's—I can't see anything in earthshine at this present time. Bill says that he can see things out the side window when he's not looking down on the sunshine on the moon.