The focus of this paper is two-fold. First, similarities generated from six semantic models were compared to human ratings of paragraph similarity on two datasets—23 World Entertainment News Network paragraphs and 50 ABC newswire paragraphs. Contrary to findings on smaller textual units such as word associations (Griffiths, Tenenbaum, & Steyvers, 2007), our results suggest that when single paragraphs are compared, simple nonreductive models (word overlap and vector space) can provide better similarity estimates than more complex models (LSA, Topic Model, SpNMF, (...) and CSM). Second, various methods of corpus creation were explored to facilitate the semantic models’ similarity estimates. Removing numeric and single characters, and also truncating document length improved performance. Automated construction of smaller Wikipedia-based corpora proved to be very effective, even improving upon the performance of corpora that had been chosen for the domain. Model performance was further improved by augmenting corpora with dataset paragraphs. (shrink)

Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.

Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...) a politics. Moreover, the link between fashion and utopianism allows for the development of a critique of the utopian dimension of Benjamin’s thought. The basis of that critique is the inherent politics of time in his own writings. (shrink)

This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.

Presenting twelve breakthrough practices for bringing creativity into all human endeavors, The Art of Possibility is the dynamic product of an extraordinary partnership. The Art of Possibility combines Benjamin Zander's experience as conductor of the Boston Philharmonic and his talent as a teacher and communicator with psychotherapist Rosamund Stone Zander's genius for designing innovative paradigms for personal and professional fulfillment. The authors' harmoniously interwoven perspectives provide a deep sense of the powerful role that the notion of possibility can (...) play in every aspect of life. Through uplifting stories, parables, and personal anecdotes, the Zanders invite us to become passionate communicators, leaders, and performers whose lives radiate possibility into the world. (shrink)

Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...) is offered in this essay. (shrink)

In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...) can be detected in western perceptions linking natural and built environments, commencing with Plato’s Atlantis and his Myth of Er, and later as a likely import of the Chinese yin-yang mythology. Culminating with the Age of Discovery, alongside advances in experiential awareness of the Earth’s sphericity, respective feminine and masculine earmarks can be detected in early modern perspicacity of the Earth’s southern and northern hemispheres. Our conceptions of natural and built environments inherently continue to contain gender traits. Yet urban voids, as the feminine face of city-form, have been severely understated in the built environment. Through design and configuration of urban voids, allegories of femininity in city-form ought to be celebrated, not discarded. (shrink)

The article analyses relationships between profane and religious illumination, materialism and theology, politics and religion, Marxism and Messianism. For Walter Benjamin, every second is “the small gateway in time through which the Messiah might enter”. This is the starting point in the reading of Benjamin’s works, where we confront various liaisons and couplings of radical politics and messianic events. Through the reading of Benjamin and through the analysis of his conceptions of history and time, the article addresses (...) the question what is possible in the world. (shrink)

Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...) concerned with the Kantian quid juris). It shows that Rickert develops a speculative but practical theory of value recognition, which nevertheless leaves the status of value itself undetermined. Contra Rickert, Benjamin returns to the ignored quid facti, or origin of value, and shows that a metacritical, postmetaphysical approach such as Rickert's ultimately limits possible experience rather than grounding it. This basic insight, it is argued, is the cornerstone of Benjamin's concept of critique. (shrink)

Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...) have proven invaluable for scholars in diplomatic, military, and economic history, those writing about the history of ideas often seem less concerned with chains of events and contingency than some of their colleagues are—or they attend to contingency in a selective fashion. Thus this essay attends to the ambivalence about the category of contingency that runs through much work in intellectual history. Returning to the case of Walter Benjamin, this essay explores his own tendency to pose “what if?” questions, and then concludes with an attempt to ask a serious counterfactual question about his story. The effort to ask this question reveals one methodological advantage of counterfactual inquiry: the effort to ask such questions often serves as an excellent guide to the prejudices and interests of the historian asking them. By engaging in counterfactual thought experiments, intellectual historians could restore an awareness of sheer contingency to the stories we tell about the major texts and debates of intellectual history. (shrink)

We present two discrete dualities for double Stone algebras. Each of these dualities involves a different class of frames and a different definition of a complex algebra. We discuss relationships between these classes of frames and show that one of them is a weakening of the other. We propose a logic based on double Stone algebras.

We investigate the class of those algebras in which is a de Morgan algebra, is a quasi-Stone algebra, and the operations \ and \ are linked by the identity x**º = x*º*. We show that such an algebra is subdirectly irreducible if and only if its congruence lattice is either a 2-element chain or a 3-element chain. In particular, there are precisely eight non-isomorphic subdirectly irreducible Stone de Morgan algebras.

In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from (...) 1927 up until his death in 1940 . The two periods of Benjamin’s writing share a conception of the image as a potent sensuous force able to provide a frame of existential meaning. In the earlier period this function attracts Benjamin’s critical attention, whereas in the later he mobilises it for revolutionary outcomes. The book gives a critical treatment of the shifting assumptions in Benjamin’s writing about the image that warrant this altered view. It draws on hermeneutic studies of meaning, scholarship in the history of religions and key texts from the modern history of aesthetics to track the reversals and contradictions in the meaning functions that Benjamin attaches to the image in the different periods of his thinking. Above all, it shows the relevance of a critical consideration of Benjamin’s writing on the image for scholarship in visual culture, critical theory, aesthetics and philosophy more broadly. (shrink)

Religious naturalism is distinct from supernatural religion largely because of metaphysical minimalism. Certain varieties of religious naturalism are more minimalist than others, however, and some even eschew metaphysics altogether. But is anything lost in that process? To determine metaphysics’ degree of relevance to religious function, I compare the soteriology of the “ontologically reticent” Minimalist Vision of Jerome Stone to that of the ontologically rich Religion of Nature of Donald Crosby. I demonstrate that for these varieties of religious naturalism: (1) (...) metaphysics influences soteriology; (2) metaphysical minimalism limits soteriological potential; and (3) metaphysics enhances soteriological potential. These conclusions lead me to assert the relevance of metaphysics to religious function, specifically for these varieties of religious naturalism, as well as to urge investigation into religious experience and quality as they may relate to metaphysics. (shrink)

This article highlights the dialect of failure and hope you can find in the oppressed, which every utopical thought should take into consideration. To justify it, we start from Walter Benjamin’s ideas on History, and in particular, we consider the perspective of the oppressed in Kafka’s literature, although he considered hope as a weak hint among catastrophe. And finally, we show this dialect as a specific and explicit place of the Liberation Theology.

A Violence which Presupposes Itself: The question of Violence from Benjamin to Deleuze and Guattari This text examines some parallels between Walter Benjamin’s “critique of violence” and the theory of violence proposed by Gilles Deleuze and Félix Guattari. Whatever the differences between these two approaches, they both share an important common feature, defining the violence of state and law in terms of a “violence which presupposes itself”. This circular structure of the concept of violence renders utterly problematic the (...) attempts to envisage a wholly other, revolutionary form of violence, which could be opposed to that of the state or its law. Benjamin’s hypothesis of a divine violence which breaks the circle of the mythical one, as well as the Deleuzo-Guattarian concept of the war machine, have been devised in order to come to terms with this situation. However, these concepts are not intended to serve as a basis for the legitimation of possible acts of counter-violence. What they assert is rather the fundamental and irreducible unavailability of the event in the sphere of social struggles, where our actions can neither be calculated in advance as to their results nor be ultimately justified. (shrink)

The purpose of this paper is to define and investigate the new class of quasi-Stone algebras . Among other things we characterize the class of simple QSA's and the class of subdirectly irreducible QSA's. It follows from this characterization that the subdirectly irreducible QSA's form an elementary class and that the variety of QSA's is locally finite. Furthermore we prove that the lattice of subvarieties of QSA's is an -chain. MSC: 03G25, 06D16, 06E15.

In this paper we shall introduce the variety WQS of weak-quasi-Stone algebras as a generalization of the variety QS of quasi-Stone algebras introduced in [9]. We shall apply the Priestley duality developed in [4] for the variety N of ¬-lattices to give a duality for WQS. We prove that a weak-quasi-Stone algebra is characterized by a property of the set of its regular elements, as well by mean of some principal lattice congruences. We will also determine the (...) simple and subdirectly irreducible algebras. (shrink)