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Imagine Beverly Hill’s Cop mixed with a bit of “It was acceptable in the 80s” and this is what you get. Unashamedly bold drums joined by rhythmic synth stabs and bass, then for me it really comes into it’s own around one minute in, when you realise that with the introduction of electric guitar that we are actually pretty funky up in here. Elements of fast cut establishing sequences, 80s montage scenes, dance scenes, retro stuff, and some sort of comedy scene where everyone is running around a big house without everyone knowing.

Bouncy electronic track. Duo of arpeggiated synth lines, the punchy beat drops, groovy synth line, joined by high-hat drums. Melodic break of 90s-style percussive synth, a beat break, before an outro straight out of a French house track: warm, anticipatory major synth chords and a mellow bassline. Suspenseful at first, excited, upbeat, groovy and fun with a slight element of danger. suitable for a serious action film scene that gains a sense of humour as the action progresses. Or a chase scene or advert of varying moods, with an ever-changing backdrop throughout.

Round bouncy synth in an arpeggiated monotone start, joined by organ and cheerful high synth. Building lightly with tiny cymbal strikes, then breaks down into a small organ section. Final section builds to a full beat but still has that gentle laid back feeling to it. Warm, gentle and reassuring.