The panelists were asked how they became Wagnerian singers, what other repertoire they sang, and the character development of their particular roles in the Ring. The tone was lively and amusing, clearly the cast members were having a lot of fun. Elizabeth Bishop defended Fricka. Gordon Hawkins asked the audience members if they thought Alberich really was the bad guy in the Ring, and even asked us why. Jay Hunter Morris told us he had no idea if he would have a voice left by the end of the Siegfried opening and was "tickled" that he did.

Since Bishop and Hawkins were in the Washington National Opera version of this production, they were asked about the differences from the present incarnation in San Francisco. Bishop mentioned the opening scene had a jungle gym, and Hawkins corrected her, saying it was a sluice. The costumes have evolved, as have the projections.

It was slightly surprising that neither director Francesca Zambello nor conductor Donald Runnicles were present. Zambello was out of town doing one of her many other jobs. Runnicles had gotten married earlier in the day, and was thus understandably unavailable.

The panelists were asked how they became Wagnerian singers, what other repertoire they sang, and the character development of their particular roles in the Ring. The tone was lively and amusing, clearly the cast members were having a lot of fun. Elizabeth Bishop defended Fricka. Gordon Hawkins asked the audience members if they thought Alberich really was the bad guy in the Ring, and even asked us why. Jay Hunter Morris told us he had no idea if he would have a voice left by the end of the Siegfried opening and was "tickled" that he did.

Since Bishop and Hawkins were in the Washington National Opera version of this production, they were asked about the differences from the present incarnation in San Francisco. Bishop mentioned the opening scene had a jungle gym, and Hawkins corrected her, saying it was a sluice. The costumes have evolved, as have the projections.

It was slightly surprising that neither director Francesca Zambello nor conductor Donald Runnicles were present. Zambello was out of town doing one of her many other jobs. Runnicles had gotten married earlier in the day, and was thus understandably unavailable.