Helloooooo! Its awfully dark in here, well it would be, being a darkroom!

OK, so I'm probably the only "wet print" worker around so I'll just keep lurking here in case anybody wants to chat about chemicals and stuff like that.

Its been a while since I did any darkroom stuff, but I haven't forgotten how. Just a bit more civilised sitting in front of my PC these days. But not quite the same effect as the "old days" when you'd emerge, blinking into the daylight, stinking of dev and fix, clutching a paw full of freshly dried prints!

I've used the darkroom on occasion as it's a requirement of the photography course that I'm doing here in the UK - I can't say I enjoy it that much though! One small mistake ruins all that hard work...

I've recently bought a complete darkroom setup. We're covering b&w on my City & Guilds course next term so I'm hoping to learn quite a bit there, but knowing there's people here that can help is great!

I have a feeling I'm gonna have to ask a few questions. Our course has (IMHO) too many people and the tutor can't devote enough time to answer the awkward questions.

we have a darkroom at school (im feeling kinda young here!) For my last project i used it alot, and really really enjoyed it. I was dodging in parts of one negative over another one to create a series of self-portraits where i was only party visible. it was kinda tricky, but i still find darkroom developing so much more rewarding than any other kind. it has unique charm to it, and its just so satisfying when it comes out really good......

glad to see there are a few people into darkroom stuff. ive resently been fully convered back to the darkroom fold after a short spell with digital last year at college, theres nothin more satisfying than watching a print appear or stumbling around in the pitch black of a colour darkroom for 4 hours and producing a print ur very happy with. also my student house next year has a cellar with blocked windows, very dark, i think i can heard a home darkroom calling me.

The leeway and forgiveness of a negative is so much more than digital. If you have a shot that is underexposed by 4 or 5 stops, or is too gray and a tad dark, the enlarger will forgive you and let you print with beautiful contrast and exposure.

You try doing that in Photoshop and see how it screws up your image!

However, my favorite workflow is developing black and white film by myself (I don't trust film stores for some reason), and using the negative scanner. Allows for easier sharing and distribution online.

Special requests and prints get a few hours with my music and I, and my beautiful Ilford Pearl 8x10 paper.