A sophisticated portrait of the Czech custom of “tramping” as seen through a personal lens, the film reconstructs and deconstructs the myth of the Czech dream of freedom. The metaphor of “America” serves as a space for personal projection for the main heroes, as well as a symbol of a lost paradise, whose lack of a time and space anchor gives a skewed impression of an indefinite feeling of absence. Lazily moving between a road movie, a pure romance movie, and an observational musical, questions begin to form: Is it a game? Is this serious? The unclear answer perfectly fits with the utopian world of tramping, where words like “fiction” and “reality” really have no place.