Albums CategoryBlog entries categorized under Albumshttp://www.dmcworld.net/reviews/categories/listings/albums.html
Mon, 03 Aug 2015 00:27:33 +0000Joomla! 1.5 - Open Source Content Managementen-gbTronik Youth - Youth Is Wasted On The Young - (Nien Records)http://www.dmcworld.net/reviews/entry/albums/tronik-youth-youth-is-wasted-on-the-young-nien-records.html
http://www.dmcworld.net/reviews/entry/albums/tronik-youth-youth-is-wasted-on-the-young-nien-records.htmlTronik Youth presents his debut album ‘Youth Is Wasted On The Young’ featuring eleven original tracks of dark pulsating electronic music. This debut album is a love letter to the music that he has lived, loved and played, a soundtrack of a fanatic’s life, a message from an artist stamping out his blue print of how modern underground electronic music should sound.

Recorded over a year in Tronik Youth’s home studio, the album in parts subconsciously emerges themes of travel and religion, from the throbbing trip of 'Death’s Highway' to the late night drive of 'Dark Passenger'. The pervasiveness of the world’s religions also creeps into 'Splinter of The Mind’s Eye' with its deep spiritual vibe, along with the 'The Healer' crazed preacher’s rantings.

A love of the early seventies european synthesiser music transmutes into the sound of Good Nacht and Memor-Hex. Whilst the tracks Hate-Tease and Malice Of Absence draw inspiration from eighties dance music pioneers Bobby O & Patrick Cowley. 'Losing My Mind' takes on a more post punk and new wave vibe, featuring Factory Floor’s Gabe Gurnsey on drums.

The deep cosmic ride of this album takes you through sensual wobbly synths, down tempo chunky beats, dark pads and warped lead synths lines! A homage to all things great in a world laden with classic synth sounds, yet still mesmerising with a fresh fascinating feel.

5 out of 5

Reviewed by Martin Madigan

]]>madigan@dmcworld.com (Martin Madigan)AlbumsFri, 31 Jul 2015 09:25:47 +0000JD73 - 'Make Your Move' - (Splash Music Productions)http://www.dmcworld.net/reviews/entry/albums/jd73-make-your-move-splash-music-productions.html
http://www.dmcworld.net/reviews/entry/albums/jd73-make-your-move-splash-music-productions.html‘Make You Move’ is the third and fabulous new album from Dan Goldman aka JD73. Loaded with smooth grooves executed to the highest level of production and musicianship, this album beautifully joins the dots between Jazz, Soul, Funk, Disco and Electronica. From the gospel-funk-infused grooves of the opening title track, the sweet Neo-Soul outing ‘Gimme A Chance’ ft. Harriet Soulstress, the feel-good Jazz-Funk fuelled ‘What You Got’ ft. Miss Modest, through to the irresistible soulful tones of Pete Simpson on 'I Don't Wanna Lose This Feeling', the Soul factor is indeed high! Add to the mix 2 sublime instrumentals ‘Tripping Out’ and 'Marimba Dance', plus a whole host of uptempo and downtempo Soulfulness and you've got a class album that is just perfect Summertime grooving!

]]>rathagud@dmcworld.com (Ratha Gud)AlbumsFri, 31 Jul 2015 09:23:04 +0000Pilocka Krach - Best Of - (Monika Enterprise)http://www.dmcworld.net/reviews/entry/albums/pilocka-krach-best-of-monika-enterprise.html
http://www.dmcworld.net/reviews/entry/albums/pilocka-krach-best-of-monika-enterprise.htmlIt is a brave artist indeed that calls their first album ‘Best Of’ – but then why not? Surely you want your first album to be the best you’ve done so far! In the case of Berliner Pilocka Krach there is also an element of compilation here, as she brings together her work from the last five years. On this evidence Krach has plenty of invention and a sense of humour, which is immediately evident in the electronic squiggles and breaks of ‘Oh Yeah Voll Krass’. ‘Discolight’ sounds like someone dancing while playing a computer game – that’s meant as a compliment! – while ‘My Name Is Fame’ adds a brilliant, weighty kick drum to the deadpan spoken word. Elsewhere a slightly ragged approach leads to tracks that sound more human as a result – with ‘This Weekend’ especially bursting out of the speakers and ‘Mr President’ a lo fi bass-led track. Pilocka Krach is on to something here – and don’t expect a straight face while she does it. The album cover for starters should tell you that!

4 out of 5

Reviewed by Ben Hogwood

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 23 Jul 2015 15:40:06 +0000Hauntologists - Hauntologists - (Honest Jon's)http://www.dmcworld.net/reviews/entry/albums/hauntologists-hauntologists-honest-jons.html
http://www.dmcworld.net/reviews/entry/albums/hauntologists-hauntologists-honest-jons.htmlHauntologists are from Berlin and comprise Jay Ahern and Stefan Schneider. It’s a great name for an act, one that suits their music too – as they say, it is ‘an invocation of ghosts from the past; ancient rhythms reimagined as future shock’. Their music is minimal in construction but uses its elements really well, making danceable music pretty much all the time. ‘Sustain’ is an especially good example, with its hypnotic lines and full bodied bass, but tracks like ‘Point’ are just as effective with their direct approach – dominated by kick drum and basic bass line, but subtly changing and evolving as they move onwards. On their Bandcamp site the duo explain how they are driven by the same spirit as African street music, and their music reflects that unstaring intensity as it moves firmly forward. Recommended.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 23 Jul 2015 15:39:32 +0000Flying Saucer Attack - Instrumentals 2015 - (Domino)http://www.dmcworld.net/reviews/entry/albums/flying-saucer-attack-instrumentals-2015-domino-.html
http://www.dmcworld.net/reviews/entry/albums/flying-saucer-attack-instrumentals-2015-domino-.htmlBristol outfit Flying Saucer Attack haven’t released anything in 15 years – but now here they are, back with a new record of instrumentals recorded at home by the group mainstay David Pearce. They may be lo-fi but there is a lot of depth to this music, conceived by Pearce as a structure whose emotional arc can only be appreciated by listening to the whole album in one go. Try it on a hazy morning and you will see just how effective this can be, the effect like being suspended in space as changing shapes pass by. The subtle, ever changing soundscapes move in and out of focus, distorted and yet rather profound. Something different for the pile marked ‘ambient’.

4 out of 5

Reviewed by Ben Hogwood

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 23 Jul 2015 15:38:57 +0000Lane 8 - Rise - (Anjunadeep)http://www.dmcworld.net/reviews/entry/albums/lane-8-rise-anjunadeep.html
http://www.dmcworld.net/reviews/entry/albums/lane-8-rise-anjunadeep.htmlIt’s rare to find a collection of songs as good as this for a dance music debut album. Yet that is what we’re looking at from Daniel Goldstein, who records as Lane 8 for Anjunadeep – and who on this evidence has a really promising future. The chosen vocal guests – Lulu James and Solomon Grey especially – bring plenty to their songs, while the distinctive smoky tones of Matthew Dear lend themselves perfectly to Undercover. James’s big vocal to the softer trance of Loving You brings to mind Paloma Faith, while in the slower track Cosi the music gets more experimental and moves closer to vintage M83 in its approach. Goldstein has crafted a strong structure of vocal and instrumental tracks here, occasionally verging on deep trance but keeping his outlook relatively minimal. It proves to be an effective ploy, the resultant set of songs earning a strong recommendation for outdoor listening.

5 out of 5

Reviewed by Ben Hogwood

{https://soundcloud.com/lane8music/loving-you}

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 23 Jul 2015 15:37:14 +0000The Analog Roland Orchestra - Dinsync - (Pressure Suit)http://www.dmcworld.net/reviews/entry/albums/the-analog-roland-orchestra-dinsync-pressure-suit.html
http://www.dmcworld.net/reviews/entry/albums/the-analog-roland-orchestra-dinsync-pressure-suit.htmlMichal Matlak, man behind The Analog Roland Orchestra, is not your average synthesizer geek. So great is his love for the firm that he has recently co-authored a book, ‘R is for Roland’, that looks at key instruments from the manufacturer. It is to his credit, then, that ‘Dinsync’ does not sound like a heavily processed album – it lives and breathes, using the potential of its equipment to make some striking music. There are some heavy, murky textures used here that present a darker outlook of the world, and these bring a slight menace to ‘202 Heroes’, with its “destroy” vocal sample, and even more to ‘Safe!’, which reeks of LFO and turns really creepy in the central breakdown 4 minutes in. The heavy, doom laden beats of ‘Burned Earth’ show just how these instruments could do grace and aggression with a flick of the switch – and it is to Matlak’s credit that this album shows not just how amazing Rolands are, but how strong his own sense of musical occasion has become.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 16 Jul 2015 12:23:11 +0000Conforce - Presentism - (Delsin Records)http://www.dmcworld.net/reviews/entry/albums/conforce-presentism-delsin-records.html
http://www.dmcworld.net/reviews/entry/albums/conforce-presentism-delsin-records.htmlBoris Bunnik – the man behind Conforce – makes music that enables the listener to escape the daily grind, and this particular listener found ‘Presentism’ the ideal soundtrack to the morning commute. It has a spacious quality that allows the mind to zone out, but at the same time Bunnik does a really good job of keeping the rhythms tight and interesting. ‘Blue Note’ is perhaps the best example of this, with rolling drums and a lovely, wide open riff that rises through the texture. ‘Realtime’ shows that Bunnik can also do dark and deep really well, and the mysterious far off noises of ‘Time Space Continuum’ give pure ambience on headphones and widescreen alike. That’s two very fine down tempo albums in a month from Delsin, after John Beltran’s ‘Espais’ – but both are living proof of the variety and invention still at work in the ambient sphere.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 16 Jul 2015 12:22:34 +0000Hannah Peel - Rebox 2 - (My Own Pleasure)http://www.dmcworld.net/reviews/entry/albums/hannah-peel-rebox-2-my-own-pleasure.html
http://www.dmcworld.net/reviews/entry/albums/hannah-peel-rebox-2-my-own-pleasure.htmlHannah Peel is an incredibly versatile musician – and when she isn’t playing piano, violin or music box, she can be found singing her own stuff – of which 2011’s album ‘The Broken Wave’ was especially lovely. This, though, presents a different side to her personality, a second mini-album of covers. Whereas the first found her covering songs by New Order and Soft Cell, ‘Rebox 2’ feels more up to date with the inclusion of songs by John Grant (‘Pale Green Ghosts’), Perfume Genius (‘Queen’) and Wild Beasts (‘Palace’). It’s definitely new territory for Peel to be singing “no family is safe when I sashay” on ‘Queen’, which sounds cold as ice – while the fragile cover of ‘Palace’ adds a hint of Kate Bush. The electronic accompaniment elevates this to a superior covers album, especially with the inclusion of three delicate but substantial instrumentals. Her next full album is keenly awaited, but in the meantime this fills the gap just fine.

4 out of 5

Reviewed by Ben Hogwood

{http://soundcloud.com/hannahpeel/sets/rebox-2-preview-album}

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 16 Jul 2015 12:21:50 +0000Satoshi Tomiie - New Day - (Abstract Architecture)http://www.dmcworld.net/reviews/entry/albums/satoshi-tomiie-new-day-abstract-architecture.html
http://www.dmcworld.net/reviews/entry/albums/satoshi-tomiie-new-day-abstract-architecture.htmlIt is a very long time indeed since Satoshi Tomiie’s last and only album ‘Full Lick’ was released in 1999 – and it’s fair to say that wasn’t completely representative of the sound and style that has made him such a mainstay of house music. It’s good to report, then, that ‘New Day’ is much closer to the mark, and it manages to retain the early house warmth that made ‘Tears’ such a good record with Frankie Knuckles. Tomiie enjoys looking back in tracks like ‘Thursday, 2am’, which brings Mr Fingers’ ‘Can You Feel It’ to a newer dancefloor. Tomiie doesn’t spend all his time looking back though, and in the softly shaded techno of ‘Landscape’, the warm bleeps of the jazzy ‘Odyssey’ and the carefully crafted ‘Momento Magico’ there is a lasting touch of class. ‘Calm Me Up’, meanwhile, takes a tougher approach with more acidic sounds. This is a subtle album, not necessarily ground breaking on first listen but staying the course with quality productions. It’s great to have him back in the long playing fold.

5 out of 5

Reviewed by Ben Hogwood

{http://soundcloud.com/satoshitomiie/aa001-snip-2}

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 16 Jul 2015 12:21:08 +0000José Padilla - So Many Colours - (International Feel)http://www.dmcworld.net/reviews/entry/albums/jose-padilla-so-many-colours-international-feel.html
http://www.dmcworld.net/reviews/entry/albums/jose-padilla-so-many-colours-international-feel.htmlIf there’s one man who knows the ins and outs of a good chill out record, it’s José Padilla, so it’s good to report this increasingly fine summer is bolstered by a really good album from the Spaniard. His unexpected reappearance is down to Mark Barrott, label manager of International Feel, who coordinated parts of the album along with Jan Schulte, Tornado Wallace and Jan Schulte. It hangs together strongly, from the immediate blast of sultry heat through the quality deep house of ‘Day One’. ‘Maybe The Sunset’ has the album’s standout vocal, from Lydmor, while ‘Solito’ is lush sunset music, the more beat driven ‘Afrikosa’ uses a good bass vocal and ‘Blitz Magic’ is nicely layered, heat soaked house. All very pleasant – but with a reassuring depth of quality too.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 09 Jul 2015 13:16:58 +0000LA Priest - Inji - (Domino)http://www.dmcworld.net/reviews/entry/albums/la-priest-inji-domino.html
http://www.dmcworld.net/reviews/entry/albums/la-priest-inji-domino.html‘Inji’ is the first solo record by Sam Dust, once of indie darlings Late of the Pier but now going it alone after five years travelling the world. He has made an album that refuses to be pinned down to a single style, and it moves between soft hearted soulful rock, a more progressive house, disco and loose-limbed funk – somehow managing not to lose its focus in that time! Dust is something of a modern day Sly Stone in his approach to musical form, and the production leaves plenty of room to manoeuvre too, so the music doesn’t sound too processed. Highlights include the ridiculously catchy ‘Oino’, which is a good blueprint for the album’s quirkiness and the loose-limbed ‘Ladys In Trouble With The Law’, and the disco-inflected ‘Party Zute / Learning To Love’. Dust clearly has a sense of romance – some of his songs literally melt in the middle – but it’s clear he is here for a good time, and that feeling gets passed onto the listener. Definitely worth getting if you want something a bit different!

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 09 Jul 2015 13:16:14 +0000The Orb - Moonbuilding 2073 AD - (Kompakt)http://www.dmcworld.net/reviews/entry/albums/the-orb-moonbuilding-2073-ad-kompakt.html
http://www.dmcworld.net/reviews/entry/albums/the-orb-moonbuilding-2073-ad-kompakt.htmlThe Orb are nothing if not consistent, and their latest creative chapter at Kompakt seems to be doing them a lot of good. ‘Moonbuilding’ has a typically cosmic concept behind it, with the band lynchpin Dr Alex Paterson describing how mankind discovers its root element in the ancient rocks on solar moons, which are based on musical harmonies – that are set to the same tempo as the Orb. When you listen to the music it makes sense, and unfolds instinctively but with that wonderful tendency the Orb have to throw in all kinds of sonic wonders. ‘God’s Mirrorball’ gives the album a stately start, from where it progresses to the sort of loping beat the band do so well – Moon Scapes getting a really nice momentum going. And only the Orb could make a track called ‘Lunar Caves’ actually sound like the picture it creates, for this is a lovely, spacious piece of writing. From there it is left to the title track to see us out, a bit of space dub that opens out nicely. As a bonus on the deluxe vinyl version there is a bonus tribute to J Dilla, ‘Dilla’s Moon Quake’ – which puts the seal on another successful return.

4 out of 5

Reviewed by Ben Hogwood

{http://soundcloud.com/kompakt/sets/the-orb-moonbuilding-2703-ad}

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 09 Jul 2015 13:15:41 +0000Ashworth - Grain - (Needwant)http://www.dmcworld.net/reviews/entry/albums/ashworth-grain-needwant.html
http://www.dmcworld.net/reviews/entry/albums/ashworth-grain-needwant.htmlJoe Ashworth was originally signed to NeedWant to deliver an EP, but it soon became clear to the label that he was capable of bigger, more ambitious projects. That leads us to ‘Grain’, a first album that proves rich in its variety of dance music, and has confidence and ambition in equal measure. Not many producers can criss-cross through different speeds and styles to such good effect, but Ashworth manages it – from the Balearic flavoured deep house of ‘Cork’ right through to the classy, slightly slower ‘Ventricle’, whose instrumental techno turns over hypnotically. On the way we also hear a title track that does the basics of filtered twisted disco house very well indeed and an intriguing shorter track called ‘Descent’, which uses bells and field recordings. Consistently interesting and rewarding, ‘Grain’ is a hot weather album that delivers whether it’s experienced up close or at a distance. Definitely a name to watch.

5 out of 5

Reviewed by Ben Hogwood

{http://soundcloud.com/seanneedwant/sets/ashworth-grain}

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 09 Jul 2015 13:15:06 +0000Banco De Gaia - Last Train To Lhasa (20th Anniversary Edition) - (Disco Gecko)http://www.dmcworld.net/reviews/entry/albums/banco-de-gaia-last-train-to-lhasa-20th-anniversary-edition-disco-gecko.html
http://www.dmcworld.net/reviews/entry/albums/banco-de-gaia-last-train-to-lhasa-20th-anniversary-edition-disco-gecko.htmlSome of dance music’s favourite albums are reaching milestones that tell if they’ve stood the test of time or not. Among these is Banco de Gaia’s ‘Last Train To Lhasa’, released in 1995 to rapturous reviews as it set a new bar for ambient music and its ability to incorporate other cultures. Grooves like the loping beat of the title track, the spatial effects of ‘Kincajou’ and the fusion of beats and chant on ‘Kuos’ still sound really effective, and the majestic ‘White Paint’ still stands out towards the end of the album. There is a lot more to enjoy here though, as this handsome package takes the original album, remasters it, and adds no fewer than three discs. Discs two and three are extended mixes of the album tracks, with a particular treat in the inclusion of Kincajou in its Duck! Asteroid! version – three quarters of an hour of listening pleasure! The fourth disc offers the original material out for remixes, where Andrew Heath’s wide open version of ‘China’ and alucidnation’s gorgeous take on ‘White Paint’ are two successes to note. Often these deluxe reissues bring out a load of material that doesn’t complement or enhance the original work. In this case, anyone owning the original album is strongly urged to go and get it again – because Banco de Gaia’s music is proved to be of timeless ambience.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 02 Jul 2015 11:55:38 +0000Funkstörung - Funkstörung - (Monkeytown)http://www.dmcworld.net/reviews/entry/albums/funkstoerung-funkstoerung-monkeytown.html
http://www.dmcworld.net/reviews/entry/albums/funkstoerung-funkstoerung-monkeytown.htmlTen years have passed since the last album from the duo of Mikael Fakesch and Chris de Luca – so it’s probably a sign of wanting to exert the Funkstörung identity that they’ve returned with a self-titled fourth record under the guise. This time they have a clutch of vocal guests in tow, but are careful not to let this disrupt the album’s continuity. We begin with the confidential late night electronica of ‘Fall Into You’, with Audego, before the beats are pumped up more for the first of four contributions from Anothr – who caps his appearances with the simmering ‘Drown In Time’. Jamie Lidell adds a typically expressive and silky vocal to ‘So Simple’, while the duo dress their songs with spatial interludes, which in the case of ‘CHNNL’ work like a warm sonic bath. There is a lasting intimacy to this album that makes it perfect for closed-in, late night listening - while on occasion meaning it doesn’t project as far as it might. That said, though, it’s a very strong return.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 02 Jul 2015 11:55:00 +0000John Beltran - Espais - (Delsin Records)http://www.dmcworld.net/reviews/entry/albums/john-beltran-espais-delsin-records.html
http://www.dmcworld.net/reviews/entry/albums/john-beltran-espais-delsin-records.htmlGiven that his music is so relaxing, it’s quite difficult to think of John Beltran working hard! But ‘Espais’ is further proof of his creative zeal, being a sizeable ambient album that casts a subtle spell. Beltran is at his most effective when he brings up the bass range and introduces a darker shade to the music, and this happens in both ‘Raume’ and ‘Muse’ to strong effect. More blissful are the title track and ‘Descorazonador’, where Beltran shows how a little thought on the piano can go a very long way. And before you say how easy it is to write good ambient music, try it – it definitely isn’t! Beltran is one of the masters of this particular game though, and anybody familiar with previous work will not want to hesitate. That’s because ‘Espais’ is incredibly soothing music for the morning after or the evening before.

5 out of 5

Reviewed by Ben Hogwood

{http://soundcloud.com/john-beltran/espais-officlal-preview}

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 02 Jul 2015 11:54:22 +0000Roland Klinkenberg - Construct - (Green)http://www.dmcworld.net/reviews/entry/albums/roland-klinkenberg-construct-green.html
http://www.dmcworld.net/reviews/entry/albums/roland-klinkenberg-construct-green.htmlMore recently, Roland Klinkenberg has developed an interest in dub. ‘Construct’ reveals the fruits of that interest, as he looks to integrate elements of dub and techno into his carefully sculpted approach to making music. Here he pulls it off, making music that is incredibly spacious but which also has a lot of layers that the more attentive listener can focus in on if they choose. In some cases it sounds like he’s operating at two speeds, with ‘Rise’ a great example of how faster energy and a slow pulse can mix, while on other occasions he lets the music run faster, ‘Neversleeps’ being a good example. ‘Construct’ is heard in its best environment either on headphones or on surround sound, where Klinkenberg’s delicate shades of colour and urgent percussion mix to best effect. The subtle experimentation going on here is really effective.

]]>ben@dmcworld.com (Ben Hogwood)AlbumsThu, 02 Jul 2015 11:53:47 +0000The Steve McQueens - Seamonster - (Splash Blue)http://www.dmcworld.net/reviews/entry/albums/the-steve-mcqueens-seamonster-splash-blue.html
http://www.dmcworld.net/reviews/entry/albums/the-steve-mcqueens-seamonster-splash-blue.htmlThe Steve McQueens are fresh young band from Singapore, discovered and produced by Incognito's Bluey. Their debut album 'Seamonster' is an absolutely stunning 10 track gem full of fresh soulful and jazzy vibes, executed to the highest standard of musicianship and drizzled with Ginny's captivating vocals. It's quite clear from the first beat of opening title track that his band have a serious amount of talent and charisma, there is something for everyone to enjoy here from the contemporary freestyle Jazz to delicious laid back love songs. The album also hails the very first release for Bluey's brand new joint record label project. Do check them out!

4 out of 5

Reviewed by Ratha Gud

]]>rathagud@dmcworld.com (Ratha Gud)AlbumsThu, 25 Jun 2015 19:14:31 +0000Pete Dafeet - The Root, The Soul - (Lost My Dog)http://www.dmcworld.net/reviews/entry/albums/pete-dafeet-the-root-the-soul-lost-my-dog.html
http://www.dmcworld.net/reviews/entry/albums/pete-dafeet-the-root-the-soul-lost-my-dog.htmlNot before time, Deep House don and label co-owner, Pete Dafeet delivers his brilliant debut album, which sadly marks the end of Lost My Dog Records after 10 years of quality goodness! Going out with a bang, 'The Root The Soul' is clever, profound and sentimental. It carries a fusion of profound Deep House-scapes, soulful melodies brushed with colourful intricate Tech, underpinned by lush, bumping grooves that are ripe for both dance-floors and sofas alike! Highlights include Pete’s affectionate piano House smash ‘Wife’, the laid back album title track, the old skool acid fused dreamscape ‘Baltimore’ complete with lush Charles Webster remixes, and the bumping ‘My Love Is Raw’ with remixes from Manuel Tur too. Top drawer deepness from a camp that is going to be sorely missed – good luck fellas!!