Seven years ago, there was a spike in the pop-cultural “cool” factor of enjoying the Batman. With the release of Christopher Nolan’s Batman Begins, those put off by the silliness and absurdity often associated with comic-book narratives were enraptured by the film’s far more grounded take on the Caped Crusader. When the much anticipated follow-up, The Dark Knight, was released in 2008, that “cool” factor increased tenfold, as did the amount of Joker cosplayers. Four years and far too many “Why so serious”es later, has Nolan delivered a fitting conclusion to his beloved series, or does the trilogy crash and burn in the home stretch?