This blog will present news items about the motion picture business, with emphasis on lower budget, independent film in most cases. Some reviews or commentaries on specific films, with emphasis on significance (artistic or political) or comparison, are presented. Note: No one pays me for these reviews; they are not "endorsements"!

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About Me

Since the 1990s I have been very involved with fighting the military "don't ask don't tell" policy for gays in the military, and with First Amendment issues. Best contact is 571-334-6107 (legitimate calls; messages can be left; if not picked up retry; I don't answer when driving) Three other url's: doaskdotell.com, billboushka.com johnwboushka.com Links to my URLs are provided for legitimate content and user navigation purposes only.
My legal name is "John William Boushka" or "John W. Boushka"; my parents gave me the nickname of "Bill" based on my middle name, and this is how I am generally greeted. This is also the name for my book authorship. On the Web, you can find me as both "Bill Boushka" and "John W. Boushka"; this has been the case since the late 1990s. Sometimes I can be located as "John Boushka" without the "W." That's the identity my parents dealt me in 1943!

Sunday, October 02, 2016

"The Prisoner of Zenda" (1952) was the first movie I saw

What was the very first movie I ever went to?

To the best of my recollection, it’s the 1952 technicolor “The Prisoner of Zenda”, based on an 1894 novel http://www.gutenberg.org/files/95/95-h/95-h.htm by Anthony Hope (English – book report stuff), directed by Richard Thorpe, starring Stewart Granger, Deborah Kerr, Robert Douglas, and James Mason, same screenplay as the 1937 BW verison of John Cromwell. I went with my parents to the old Glebe Theater near Lee Highway in Arlington. The same music by Alfred Newman was used.

The swashbuckling plot would seem artificial to today’s movie goers. It involves a future king (in a fictitious Balkan country) with a distant relative who looks like him, and a rival for the throne of a fictitious country, who has to marry correctly to challenge the would be king. After the relative subs for him, the king is kidnapped.

I doubt I would have followed the plot very well at nine years old. But the film demonstrates the old fashioned idea of escapist entertainment, where writers have to go way outside of themselves.

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