2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-10-14UTC07:58:17+00:002014-10-12Bass-baritone Luca Pisaroni, in splendid voice and with great eloquence, traces the development of the Lied from Mozart to Schubert at the Muziekgebouw aan ‘t IJ in Amsterdam.Evolution of the Lied: Luca Pisaroni’s impressive recital at the Muziekgebouw aan ’t IJen_GBtruehttps://bachtrack.com/review-pisaroni-rieger-amsterdam-october-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJenny Camillerihttps://bachtrack.com/22/270/list-published/15978https://bachtrack.com/22/270/list-published/15978https://bachtrack.com/files/40591-jennycamilleri-head.jpgAfter completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.https://bachtrack.com/files/6895-luca_pisaroni_borggreve2.jpg320480Marco Borggreve2014-Oct-10, Muziekgebouw aan’t IJ: Main Hall: Luca Pisaroni & Wolfram Riegerhttps://bachtrack.com/concert-listing/muziekgebouw-aant-ij-main-hall/luca-pisaroni-wolfram-rieger/10-october-2014/20-152014-10-102014-10-10Muziekgebouw aan’t IJ: Main HallAmsterdamNorth HollandNetherlands1019 BRPiet Heinkade 152.3782452032234.9134153127674

Twentysomething Philippe Sly wields an impressive voice. Like the mythical John Henry’s hammer, it rings like silver in the upper register, the middle shines like gold, and his bass is firm as iron. From the second line of Henri Duparc’s “Chanson Triste” Sly interested with his way of rolling out phrases, englobing lines in cavernous spaces.