Notes: The Chance is a random voltage generator and noise source. Its digital architecture allows for a fresh take on what random voltage can be. Four unique algorithms provide classic signals like smooth and discrete, while the wavetable and blend outputs take full advantage of its microcontroller core, utilizing lookup tables, and digital interpolation to create a one-of-a-kind modulation source.

Upon each successive clock pulse, coin toss seeds all outputs with new randomly chosen values. Freeze stops everything in its tracks and holds each output at its current state. After countless hours, the Chance will continue to surprise with new, unbelievable improvisations.

Notes: Contour is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.

It has three modes that are quickly and easily set via a 3 position switch.

Its functionality is deep and multifaceted. The EON can be a full fledged envelope with linear and exponential shapes, a square wave oscillator that tracks 1 volt per octave, or a digital noise source with downsample control.

In addition to the three main functions, the EON also has a triangle wave LFO, random gates, and cycling envelopes.

Packing more features per HP than any other module before, the EON is the best way to fill any empty spot in your case.

Notes: The Rhythm is a 4 channel pattern generator with BPM display. It ships with a multitude of genre-oriented rhythms that can be altered on a per channel basis. With each parameter under voltage control, an unlimited number of permutations are available.

This unique interface removes the intricate patching necessary for crafting complex drum beats, and allows the user to focus on what matters most; composing and performing music.

Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.

Notes: Synapse is a crossfading switch with a signal path that can be rearranged on the fly. Its dynamic routing and mixing functionality make it capable of turning static waveforms into evolving soundscapes.

The core of Synapse is comprised of four crossfade circuits chained to a sequential switch, all under digital control. This enables many intelligent behaviours that aren't possible in the analogue domain. Crossfade positions can be saved in up to eight memory locations for easy recall. These let you create sections within your patch, and travel through them with a single knob - all without repatching. In addition, the switch outputs can be rotated left, right, or randomized, enabling unique spatialization of sounds through effect chains, filters, or other mixers.

Synapse can process CV signals just as well as audio and even generate its own adjustable DC voltage for modulation. A configurable +5V DC offset is normalled to each B input, allowing it to function as a four step sequencer or eight stage stored voltage source without needing any additional modules.

Notes: Tone is a quad, voltage controlled filter with low pass and band pass outputs. Its four channel architecture enables the intuitive patching of shimmering, polyphonic textures. The 24dB slope provides a warm, buttery character. Self oscillation allows each channel to double as a sine wave oscillator with v/oct tracking across four octaves. Cascade OTA topology. A perfect match for the Chord.