Reviews: The Diabolical

Halloween is next month and the horror screeners are rolling in. Check out this review of The Diabolical starring Ali Larter.

"Damn! This hoody is swwweeeet!"

Alistair Legrand’s The Diabolical is, at its most
extreme, Resident Evil-esque nightmare with Sixth Sense-type
elemental layers, but describing it as such would almost be like calling it a
wolf in sheep's clothing. It conspires its own suspense in a slow albeit
building plot style that is admirably parallel to any Game of Thrones
episode – where it builds without any instant gratification, only to explode
moments before it ends. Single mother Madison (played by Ali Larter, Heroes)
is struggling to keep it together in front of her kids while saving face to the
rest of the world in the wake of her late husband’s death.

Diabolical wastes no time in efforts to scare the
bejeezus out of the viewers, almost at an insulting snail’s pace that quickly
becomes a paranormal waking dream. Madison’s family (two kids, Chloe Perrin,
Max Rose) are haunted almost incessantly by a paranormal entity that comes from
within the house. The film does a mediocre job of building the primary story
line by tossing in important details one right after the other and later
following with a sort of combined conclusion, answering some questions along
the way. It spears the idea of combining inherently cheesy '90s slasher films
along with an augmenting metaphysical trope to create a massively well-rounded
attempt at a modern horror movie.

Nearly all
of the performances were perfect additions to the already thriving film, with
special exceptions of the two children, Perrin and Rose, both who played
primitive roles in bringing this story to life. Children are sometimes used as
minor, irrelevant roles in many horror movies. Legrand seems have no trouble
finding his niche and gives the viewers what a true horror movie should be -
fervent suspense and minimal downtime to question the suspense.

"Yeah, dude I know. The first season of Heroes wasthe best."

There isn't much contrast between adverse curiosity and
flatly laid-out storyline, but Diabolical gets to work fast creating a
metaphorical Ferris wheel of twists and turns - making quick efforts to reach
the viewer on a middle school-age drama level. Unfortunately though, it seems The
Diabolical just doesn’t have enough time to delve into all of the necessary
plot junctions that it deserves, and that could be the one and only glaring
complaint about the film. The sporadic details are given with minimal backstory
or explanation on why they are of such utter importance, and with those tiny
details could make all the difference in making this film go from an
impressively stellar 8 out of 10 to a hefty 9.