"A rhythm box from the Stone Age, as thin as a rake, pops up all of a sudden. A sequencer spits its throbbing loops while a blurred voice whispers a bitter-sweet serenade. Crooner without a shield, Mulan Serrico's got the blues under his skin, but his melancholic tendencies, deeply linked to the great outdoors, may reach the point of autistic withdrawal. Looking straight and standing tall, he possesses the presence of a king conquering the nothingness. An inhabitant of Grenoble, Mulan Serrico - which is the anagram of his full name, Nicolas Murer - is an artist who’s got nothing to sell and nothing to lose. He used to be Ton Ami (2005-2008), but has plenty of other projects under his Stochastic Releases belt, such as Macon, Murer or Spor Tranquil, depending on his mood. When anger takes over, he might as well break loose with his mighty Gueule Ouverte duet, which performs stone-broke punk-rock anthems. Last but not least, he’s behind a long-lasting collaboration with the contemporary French artist Lili Reynaud-Dewar, including an intimate opera that was performed at the Venice Biennale in 2015.

Well, this record is pretty much a summary of everything mentioned above. His low-fi electro songs are rooted in a landslide, Paul Celan’s burden hanging at the withers of Chris & Cosey. Invasive agoraphobia, electronic stagnation. Solitary lament, Proustian isolationism. A music born from cryptic thoughts and shameful whispers, in order to blurt out "truths full of alcohol". Horizon of the absence, Acid House for padded cells. Labour still, love never. Anesthesia of the feelings to the power steering system. New Beat for hypochondriacs, techno carved in granite. An acid wash which dilutes the sufferings in the euphoria of the moment. The haggard gaze and the blank expression of a monomaniac who borders on the self-belittlement, the hilarity without laughter of the most desperate cases. Emaciated poetry on a decimated dancefloor, Mulan Serrico’s prose persists in thwarting apathy while waiting for a brighter future."

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