In the following essay, Olsen focuses on the narrative frustration commented upon by many critics of García Márquez's work, noting that the uncertainty and nebulous nature of the writer's work is intentional, and very much in line with many other works of postmodern fantasy which resist the idea of closure or completeness.

These are not the times to go around thinking about weddings.

García Márquez (One Hundred Years, 98)

Gabriel García Márquez' projects approach the conventionally improbable and impossible as though they were mimetic, as though they were just “everyday” happenings, so that José Arcadio commits suicide and a trickle of blood from his wounds winds its way across town, down steps and over curbs...