"When talking to the director Ariel Vromen we came to the realization that we should experiment with creating a primarily analog synth score," said Tyler. "We wanted this score to reflect two radically contrasting aspects of the film: grittiness and emotion. We utilized analog outboard synths to create a raw soundscape that could fulfill the entire range of music from grinding raw electronic score to melancholy heartbreak. The style of the score harkened to classic electronic scores of the past."