One of the first cantilevered chair designs to be produced, Ludwig Mies van der Rohe's Brno Tubular Chair (1930) is the most elegant of its kind. The mirror-finish chromed tubular steel frame is fluidly bent into a sinuous single-piece form, which gracefully supports the sitter while seemingly defying gravity. A lengthy triple-plate chroming process ensures a resilient, rust-resistant mirror-quality finish. The padded seat is upholstered in supple full grain Spinneybeck leather for long-enduring appearance retention and ease of maintenance-two especially important features for offices and waiting areas. The manageable weight of the design also allows for use around dining and conference tables. The Brno Chair is a registered trademark of Knoll, Inc. Made in Italy.

Each piece is stamped with the KnollStudio logo and the designer's signature. The Brno Chair is a registered trademark of Knoll, Inc., manufactured by Knoll according to the original and exacting specifications of the designer.

One of the first cantilevered chair designs to be produced, Ludwig Mies van der Rohe's Brno Tubular Chair (1930) is the most elegant of its kind. The mirror-finish chromed tubular steel frame is fluidly bent into a sinuous single-piece form, which gracefully supports the sitter while seemingly defying gravity. A lengthy triple-plate chroming process ensures a resilient, rust-resistant mirror-quality finish. The padded seat is upholstered in supple full grain Spinneybeck leather for long-enduring appearance retention and ease of maintenance-two especially important features for offices and waiting areas. The manageable weight of the design also allows for use around dining and conference tables. The Brno Chair is a registered trademark of Knoll, Inc. Made in Italy.

Each piece is stamped with the KnollStudio logo and the designer's signature. The Brno Chair is a registered trademark of Knoll, Inc., manufactured by Knoll according to the original and exacting specifications of the designer.

The modern city, with its towers of glass and steel, can be at least in part attributed to the influence of architect Ludwig Mies van der Rohe. Equally significant, if smaller in scale, is Mies' daring design of furniture, pieces that exhibit an unerring sense of proportion, as well as minimalist forms and exquisitely refined details. In fact, his chairs have been called architecture in miniature exercises in structure and materials that achieve an extraordinary visual harmony as autonomous pieces and in relation to the interiors for which they were designed.

Mies van der Rohe began his career in architecture in Berlin, working as an architect first in the studio of Bruno Paul and then, like Le Corbusier and Walter Gropius, for Peter Behrens. In 1927, a housing project called Weissenhof Siedlung in Stuttgart, Germany, would bring these names together again. Widely believed to be one of the most notable projects in the history of modern architecture, it includes buildings by Gropius, Corbu, Behrens, Mies and others. Read more >