Rhapsody In Blue, Themes From 2-3 Octaves by George Gershwin (1898-1937). Edited by Gwyn Michel. Arranged by Douglas E. Wagner. Handbell. For handbell (2 or 3 octaves). Handbell Music; Masterworks. Handbell. Level 3. Standards and 20th Century. Single piece. 8 pages. Published by Alfred Music Publishing (AP.WBHB9708).
Yes! Doug Wagner has also taken Gershwin's most popular work and made it accessible to those ensembles not able to perform the 5-octave version. The recognizable themes from Gershwin's 1924 masterwork are interwoven into a phenomenal medley that is a guaranteed crowd-pleaser. Don't miss this one.

Canon of Praise by Johann Pachelbel (1653-1706). Arranged by Hal H. Hopson. For SAB choir or 3-part mixed choir, handbells & organ (2-part). Classics. Sacred, Children, General Worship, Praise, Classics. Choral octavo. Published by Hope Publishing Company (HP.C5004).
Hal Hopson's choral setting of Johann Pachelbel's Kanon, skillfully combined with a lovely text adapted from Psalm 103, is one of the all-time "classics" in the Hope catalog. Newly arranged for Two-Part voices and keyboard, this new edition retains the beauty of the original and is accessible to all choirs.

Largo from Winter Op 8 No 4 - HB Quartet by Antonio Vivaldi (1678-1741). Arranged by Michael R. Keller. For handbells (4 octaves). Sheet Music. Published by American Guild of English Handbell Ringers (LO.AGSE08).
The parts for four ringers are clearly indicated, with two ringers playing the melodic line, another playing the arpeggiated accompaniment w/mallets, and the fourth ringer playing the bass line. This quality setting is adapted from the orchestral work "The Seasons. ".

A Jubilant Song by Allen Pote. For SAB choir or 3-part mixed choir with optional handbells & brass or orchestra (2-part/SSA). Sacred, General Worship, God's Attributes/Character, Joy, Praise. Choral octavo. 12 pages. Published by Hope Publishing Company (HP.C5249).
Allen Pote's best-selling, joyful song of praise is now available in a new SAB voicing. Also new is the orchestral accompaniment and track by Mark Kellner. The accompaniment for both voicings can either be the new orchestration, or keyboard plus optional brass and handbells.