Throne of Glass

The front half of this is spoiler free! I warn you when it isn’t. That would be the moment that I start ranting. Please chat with me in the comments! I’m really just struggling about this book. You know I love me some SJM, but I’ve never been a Chaol fan and then … that ending!

I finished this book the day it came out and … I was broken. In shock. All my emotions were SHATTERED. However, I pulled it together enough to create this review. I always wanted to discuss a bit of the controversy that cropped up around Empire of Storms, and why Sarah did what she did (in my opinion). It’s all spoiler free! Either way, I wish that my shock had kept me knocked out until the next book appeared because I don’t know how I’m going to live until the next one!

Technically this was my Monday video, but I was really busy so I’m posting this late here. Please love me. Anyways, in honor of the release of Kresley Cole’s newest book, Arcana Rising, I wanted to talk about love triangles in YA that I actually didn’t hate. As you know, this is a very hard thing for me to admit, but it turns out that such love triangles DO exist in the world!

Well. Here we are. The last Thesis Thursday post. Last Wednesday, I successfully defended my 84 page behemoth that had 7 pages of work cited, single spaced. The only thing I have left to do is get it bound and submit a copy to the English Department. My panel has already decided that I get English Honors, so there is no stress left. Just the finished project.

Chapter One, which took up all of last semester, was the real, serious English-y investigation. I read five YA female assassin novels and talked about how YA literature is either letting girls be their real, strong selves or … not. Mostly it was not. Sarah J. Maas’s Throne of Glass remained my shining centerpiece, but … well. Graceling by Kristin Cashore actually sort of held up, but Arwen Elys Dayton’s Seeker, Bridget Zinn’s Poison and RL LaFevers’ Grave Mercy did not. All the links I just inserted are to my reviews or re-reviews of those books. Mostly, I ended up talking about how YA tropes end up promising strong female characters and then don’t give us that–and that makes me angry.

Chapter Two y’all saw some of, but that was the hardest chapter to write. I was talking about the commodification of YA book covers, but my original thesis didn’t hold up. I ended up needing a lot more quantitative research than I expected, and I had to redo my entire thesis statement. In the end, what I ended up saying is that the YA book cover industry looks a lot more diverse than it used to, but only for books that can pay for good cover art. Everything else is still blase look-alike kind of stuff. I actually did a video summarizing some of my research!

Chapter Three was the one that made me REALLY angry. I even posted a video about how italmost got me to stop blogging for like 30 seconds. It was all about how the publishing industry uses the free labor of teens to get their marketing data, but how a lot of the really GOOD data is ignored for information about what sells–like love triangles. It was all stuff I knew, really, but seeing it proven was just … wow. It was worse than I thought, I guess.

At my defense, my advisor–who’s been with me through all four years of college–got kind of nostalgic about all that time she’s known me, and now seeing this project come to fruition. She knows better than almost everyone else how much time and energy I put into my study and love of YA, and how much this project really means to me. It isn’t just a research project. It’s the culmination of years of my life spent blogging and reading, and a deep love of YA literature that is coupled with a serious desire for improvement within the genre. I guess, in a way, I hadn’t thought about this as the project I’ve been working on for all those years. This was just, you know, this year. But … she’s right. It never was. This is my heart and soul on these pages.

And now it’s done. Well, the paper anyways. I’m far from done. This project has shown me that this kind of research–in YA, on YA–is what I really want to do. I want to live this kind of work. Yeah, I’m going to Korea for a year, but this is the end goal. I want to go to grad school and do an even better version of this project. I want to say something that someone is going to listen to. This isn’t the end. It’s just the beginning.

Goodreads Description:Katsa has been able to kill a man with her bare hands since she was eight – she’s a Graceling, one of the rare people in her land born with an extreme skill. As niece of the king, she should be able to live a life of privilege, but Graced as she is with killing, she is forced to work as the king’s thug.

When she first meets Prince Po, Graced with combat skills, Katsa has no hint of how her life is about to change.

She never expects to become Po’s friend.

She never expects to learn a new truth about her own Grace – or about a terrible secret that lies hidden far away…

Why it’s worth it: Honestly, I’ve been giving this book so much love lately … I thought I’d already done this. An exhaustive search of my own blog proved this to be untrue, so I KNEW it had to be this week’s pick.

I’ve just recently re-read this book, because I used it for my first thesis chapter. Out of the five books that I read, only this one and Throne of Glass stood up to the test. While it has it’s issues, it was easily leaps and bounds better in every category than any other book than Throne of Glass.

Katsa is not a shirking violet, afraid of herself and her powers. She also isn’t a bloodthirsty killer. She is, somehow, both, in a way that makes her more human than a lot of other stereotyped assassins. The world around her is rich and deep, as Cashore really thinks about her world as a true globe, not just a few places. It’s interesting and engaging, and it all makes me want to live there and be Katsa’s best friend.

Katsa, however, doesn’t have many friends, and that’s what makes Prince Po special. Yeah, you can tell from just the blurb that there is going to be a romance there, but GUESS WHAT! It is actually a friendship first. A real one, not a pretend friendship that was always a romance but tried to trick you into something otherwise. When the romance comes, it comes naturally. Even better, Katsa debates even taking their relationship in that way, because she doesn’t want to sacrifice who she is or what she wants to be the girlfriend of a prince. Po and Katsa meet in the middle to create a romance that is real and fantastic.

The plot itself is not the most shocking thing, but it is entertaining and you’re invested because you love all the characters. It is lots of action and adventure and struggle that is supported by the romantic story line, not smothered by it.

All in all, what’s clear is that Cashore REALLY thought about Katsa as a strong female character, and it works. I have a longer review for more, but … do you need it? READ THIS.

Thesis Thursdays is a weekly(ish) feature where I rant, love and talk about young adult books I’m reading because I’m conning my college into thinking this is all for academia! Find out more here!

After getting out of my thesis meeting today, it turns out that I have too many thoughts about YA book covers. I want to say too much about them, in too many angles, in too many ways. I could write a million papers about YA book covers.

So, while that is not productive to me, I’m going to talk about a few things that came up for me and see if you guys think I’m crazy or if you’ve noticed this too. I’m going to make a serious effort to stay quick and to the point–and not get my professorial lecturing on–so many of these ideas will stay surface level. Tell me what you find interesting!

Book cover trends in general – like, literally, what is going on with this? Books that are all different genres–dystopian, fantasy, paranormal, realistic–they all look the same. Each one of them was just as likely to have a “girl in dress” or “half girl face” cover as the next. That doesn’t help you figure out what the book is supposed to be about? Sure, those were some pretty dresses, but do we care? I’d rather see actual content related covers, if you don’t mind. Of particular concern to me:

Book covers that partition the female body – Why do we need book covers that focus just on female torsos? Why not give them heads or full bodies? Fragmentation of the female body has been long studied in advertising as a way to help objectify it. Which is doubly weird, since most YA books are marketed towards female readers.

Girls in dresses – Okay, on some overs this is fine. Like, for instance, Kiera Cass’s Selection series. That makes sense. But on books where we’re supposed to get a strong female character, why are they shown in inactive poses in dresses that will not be very helpful in a fight? Or, at the very least, they never wear in the actual book?

Book cover changes mid-series publication – Am I
insane, or did this never used to happen? I never used to have to flip out because I bought one book in hardcover,

The original ToG cover.

but by the time the next book came out, the covers had completely changed. Now, oftentimes this change IS for the better (I’m looking at you, Throne of Glass), but … it’s annoying if you want your covers to all look the same. But seriously, help me out here. This is a rather new phenomenon, isn’t it?

Book series repackaging through the years – This is more of a pet peeve with a related example. I will never forget standing in a Barnes and Noble with Tamora Pierce as she lamented about the new “Twilight covers” of her Alanna series where it looked like her characters were wearing clothes “from the Gap.” I understand that the Alanna series is older now, but packaging it to look like Twilight doesn’t seem to be the best marketing strategy. It’s a very different book series. Have you seen other books that have be repackaged in weird ways?

Book cover white washing – this is very much a last but certainly not least moment. I know that this is a long and storied tradition of publishing, but it really hit home with me when Julie Kagawa’s Blood of Eden series came out. Why would you use the half face of a white girl on the cover of a book about an Asian-American character? Okay, I know the annoying answer to that question, but seriously. Then, after the uproar, the books got new covers–but not of an actual Asian-American half faced girl. No, the books went the route of the symbol covers instead. Yes, that’s a new fad, but I’m also going to add an eyebrow raise to that movement. What are some other whitewashed covers that have annoyed you guys?

I think I want to say something along the lines of how YA book covers have become really frustrating, because they–like the inside flaps of the books they contain–are starting to all look the same. Don’t get me wrong, there is some FABULOUS cover art out there, but there are also books that just seem so … samesie. I’m really not a fan of the new symbol art thing. It seems like too many books are trying to be The Hunger Games. At the very least, it seems the symbols are leading back around to more artsy designs than the half-girl faces used to give us.

Can you see how my ideas are flip flopping all over the place? I understand that books can’t all be fabulous pieces of art like the Throne of Glass redo covers or literally anything written by Jay Kristoff, but …sigh. There is SO MUCH IMPORTANT INFORMATION tucked into these covers. I want to talk about it all with my scholar cap on, but I can’t cover all this stuff with the breadth it deserves in the same paper.