Typing Your Way to Creativity

A few weeks ago I acquired, courtesy of some lovely eBay seller, a vintage 1960s Royal Safari manual typewriter. The original reddish color has faded to an almost spot-on Caffeinated Press orange. Apart from one scrape along the top, the typewriter and its original hard-sized carrying case are in mint condition. Just to be safe, I also grabbed a few replacement ribbons through Amazon. The Safari joins my Royal KMM (a 1940s-era behemoth) as my manual typewriters of choice.

But here’s the thing.

Once upon a time, writers typed their manuscripts. They may have planned their stuff in sundry notebooks, or wrote longhand and transcribed later, but the final product consisted of one sheet of paper being fed into one iron-and-ribbon device at a time. If you wanted multiple copies, you could always use carbon paper — or hire a professional typist to make additional copies.

Despite having been born in the Ford Administration and growing up with computers (I was programming in PET Basic on my Commodore 64C as a middle-schooler in the ’80s), my high-school teachers taught us how to develop term papers using typewriters. As in: Use notecards, outline first, then type the paper. And if you need to revise, grab your scissors to cut out paragraphs. When you’re done, retype the final product.

Nowadays, writers have recourse to word processors and laser printers. Many rounds of revisions may be safely conducted through electronic bits and bytes stored on local drives and The Cloud. Writing is easier. And writers are more prolific. And being prolific doesn’t necessarily translate to being better. It just means there’s more of it.

As a creative-writing exercise, I wrote a flash story the old-fashioned way. I fetched an old Moleskine notebook, planned out the story paragraph-by-paragraph, then fed paper into the KMM and let-r-rip.

Funny thing: Not having an effective backspace or CTRL+A/DELETE capability means you really, really, really need to think about what you’re writing. There’s no word-processor screen to serve as a whiteboard. You must type — efficiently, accurately. And get it right in one pass, or maybe two. Not 27.

I recommend that all writers try the typewriter method at least once in their careers. These devices are fairly cheap on eBay or Amazon. And for the Millennials out there, writing on something that’s not a smartphone soft keyboard might prove to be a good range-of-motion activity for your fingers.

Most importantly, the typewriter method makes you think. It makes you plan. It makes you realize that writing only sometimes features rapid-fire composing then revising, but it always requires getting the story right in your heart so that it fills your head and then flows from your fingers toward the paper — even if it’s through one type hammer at a time.

One thought on “Typing Your Way to Creativity”

I started writing on a typewriter and it was quite a plunky and loud process. I don’t miss the strips of white out or the key misfires. One letter stuck at random and that was the final straw that led me to going electronic.
Part of that process stuck with me though, and to this day, rewrites always begin with a fresh page (electronic as it might be) and my old version set before me with each word rethought and retyped as I go.