You want to know about Dana Hunter, then, do you? I'm a science blogger, SF writer, compleat geology addict, Gnu Atheist, and owner of a - excuse me, owned by a homicidal felid. I loves me some Doctor Who and Roger Clyne and the Peacemakers. Sums me up. I'm a Midwest-born Southwesterner transplanted to the Pacific Northwest, which should explain some personality quirks, the tendency to sprinkle Spanish around, and why I'll subject you to some real jawbreakers in the place names department. My cobloggers, Karen Locke, Jacob and Steamforged, and I are delighted to be your cantineras y cantinero. Join us for una tequila. And feel free to follow @dhunterauthor on Twitter. Salud!

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EVENTS

“Into the Valley of Death Rode the” 600th Post

I’ll take “Excuses to Yammer about Tennyson” for $1000, Alex.

Alfred, Lord Tennyson was one of my favorite poets growing up. I got introduced to him, no shit, by Laura Ingalls Wilder. Pioneers on the American prairie read England’s Poet Laureate. How awesome is that? Until I branched out and really got addicted to ancient and Eastern poets, he was Teh Master as far as I was concerned. Well, at times, Robert Burns edged him out, but only just.

I didn’t know how to read poetry back then, so I always read “The Charge of the Light Brigade” in a sort of nostalgic, lilting, mournful tone. I remember being annoyed at the high school English teacher who taught me how it was actually supposed to be read: with a martial, heroic tone, like a thunderous charge. “Into the valley of Death / Rodethe six hundred.”

Well, shit. There went my emo interpretation.

I was always amused by the “Oops” factor of this poem. If some absolute idiot hadn’t botched orders, and some other absolute idiot not blindly followed them, there would’ve been no heroic but doomed charge, and no poem. It was one of my first introductions to the importance of questioning authority. My future liberal and rationalist tendencies might have been predicted by the fact that I never could figure out why a grand and stirring poem was written in praise of a bunch of goobers who damned well should have reasoned why, and further, should have presaged Shaggy by saying, “Great plan, Lord Raglan. There’s just one problem – we ain’t doing it.”

Still. No one can deny that out of a total debacle came one of the greatest poems in the English language. And so, I use the excuse of my 600th post to present it for your reading pleasure.

Half a league, half a league, Half a league onward,All in the valley of Death Rode the six hundred.“Forward, the Light Brigade!Charge for the guns!” he said:Into the valley of Death Rode the six hundred.

“Forward, the Light Brigade!”Was there a man dismay’d?Not tho’ the soldier knew Some one had blunder’d:Theirs not to make reply,Theirs not to reason why,Theirs but to do and die:Into the valley of Death Rode the six hundred.

Cannon to right of them,Cannon to left of them,Cannon in front of them Volley’d and thunder’d;Storm’d at with shot and shell,Boldly they rode and well,Into the jaws of Death,Into the mouth of Hell Rode the six hundred.

Flash’d all their sabres bare,Flash’d as they turn’d in airSabring the gunners there,Charging an army, while All the world wonder’d:Plunged in the battery-smokeRight thro’ the line they broke;Cossack and RussianReel’d from the sabre-stroke Shatter’d and sunder’d.Then they rode back, but not Not the six hundred.

Cannon to right of them,Cannon to left of them,Cannon behind them Volley’d and thunder’d;Storm’d at with shot and shell,While horse and hero fell,They that had fought so wellCame thro’ the jaws of Death,Back from the mouth of Hell,All that was left of them, Left of six hundred.

When can their glory fade?O the wild charge they made! All the world wonder’d.Honor the charge they made!Honor the Light Brigade, Noble six hundred