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Angus And Julia Stone

Snow

Pressed On 2x 180 Gram 45 RPM White Vinyl

The Sydney-born siblings produced and largely engineered Snow themselves, in Angus's cottage studio, Belafonte, in the Byron Bay hinterland. It was quite magical because Angus and I have never spent that much time together, just the two of us, says Julia. The last phase of writing and recording was just eight weeks of him and me and the quiet of the land. It was a beautiful time. Since they began in 2006, Angus & Julia Stone have amassed multi-platinum sales and numerous ARIA awards at home, and won a fanbase of millions over tours of the UK, Europe & North America.

Angus & Julia Stone

Australian duo Angus & Julia Stone release their self-titled studio album. Produced by legendary producer Rick Rubin, it's a record steeped in feeling and filled with a newfound freedom and confidence that's palpable throughout.

This album is extraordinary; Angus and Julia are truly unique musicians. They are authentic and pure people who do things from the heart. I've never worked with anyone like them before. - RICK RUBIN

The album is pure Angus & Julia, but there's a brand new potency here, a richness you can't ignore. It takes the inherent strengths of the duo and adds news colours - blended harmonies, a new depth and strength to their rhythm section and more experimental guitar textures. Recorded at Rubin's Shangri-La Studios in Malibu through late 2013 Angus & Julia Stone also marks the start of a new relationship with Rubin's American Recordings label.

The Edge of Seventeen is a new coming-of-age movie in the vein of Sixteen Candles and The Breakfast Club - an honest, candid, often hilarious look at what it's like to grow up as a young woman in today's modern world.

Everyone knows that growing up is hard, and life is no easier for high school junior Nadine (Hailee Steinfeld), who is already at peak awkwardness when her all-star older brother Darian starts dating her best friend Krista. All at once, Nadine feels more alone than ever, until the unexpected friendship of a thoughtful boy gives her a glimmer of hope that things just might not be so terrible after all.

The Edge of Seventeen marks the feature directorial debut of writer-director Kelly Fremon Craig, and is produced by Academy Award® winner James L. Brooks - the filmmaker behind big-screen, character-driven classics such as Terms of Endearment, Broadcast News, Big, Say Anything, The Simpsons, Jerry Maguire and As Good as It Gets.

The film is getting plenty of comparisons to the John Hughes' The Breakfast Club, but it's mostly modern soundtrack helps set it apart from those 80s classics: Santigold's new rollicking Who I Thought You Were, a standout off this year's 99¢, opens the movie and a pivotal party scene is filled with tracks by festival favorites like Two Door Cinema Club and Anderson .Paak.

Furthermore the soundtrack of the film features a hearty and exciting mix of talents as diverse as Aimee Mann, Phantogram, Birdy, Handsome Poets, Miike Snow and others.

Australian brother/sister duo, Angus & Julia Stone's sophomore album Down The Way was released to critical acclaim, charted at #1 in Australia, and features the stand-out track "Big Jet Plane."

Originally available on vinyl only in limited quantities in North America, the 2-LP Gatefold package featuring 3additional tracks is being reissued timed with the duo's 2014 album release and October tour.

Down The Way highlights the endless talents of this brother and sister as musicians, songwriters and producers. The self-produced album was recorded between England, New York and Australia--from an old sawmill on the riverbanks of Fowey, Cornwall to a studio in Brooklyn, to a water tank in Coolangatta to the streets of London and back to Queens. Down The Way is comprised of tracks that sail across the different realms of musical themes, from folksy charm to epic orchestral grandeur, all the while emphasizing the pair's beautifully subtle harmonies

The Way Is Read

Nonesuch Records releases The Way Is Read, a twelve-song album by the English trio The Staves-Emily, Jessica, and Camilla Staveley-Taylor (all vocals)-and New York City-based ensemble yMusic. After being commissioned in 2016 by Justin Vernon's Eaux Claires Festival to collaborate on a live performance piece, The Staves delved deep into yMusic's catalogue of contemporary classical compositions to find pieces suited to their lyrics and vocals. While the Festival is known for bringing musicians together for one-off performances, this is the first time one of those partnerships has made the leap into a studio album. The LP was produced by Rob Moose and Jessica Staveley-Taylor and mixed and engineered by Brian Joseph at his studio, Hive, in Eau Claire, Wisconsin.

The two groups will come together live again at a series of special shows at the Walker Art Center in Minneapolis on December 1 and 2, and they also will perform on public radio's A Prairie Home Companion on December 16. The Way Is Read is available to pre-order now from iTunes and the Nonesuch Store, along with an instant download of the album track Trouble on My Mind, which can be heard on Spotify. You can watch a video for that song, directed by yMusic flautist Alex Sopp, here:

Emily Staveley-Taylor says of the collaboration, Our aim from the outset was to truly collaborate with yMusic. We wanted to feel like instruments and join in with some of yMusic's existing work, using our voices in ways we hadn't previously explored. We chopped up compositions and put them together again in new ways. We took old folk songs and made them abstract. The idea of forming an orchestra with these incredible musicians was fascinating. What we have ended up with is everything we'd hoped, more than we dreamed, and hopefully the tip of the iceberg.

Rob Moose of yMusic adds, When Justin raised the possibility of our groups collaborating, we immediately upped the stakes by focusing on a combination of new Staves songs and transformations of yMusic's composed works. It was as much a thrill to hear songs emerge organically over sections of intricate chamber music as it was satisfying to strip songs of the instrument that created them, whether guitar or piano, in order to craft new connective tissue. This project was born of voice memos sent back and forth across the seas, two frenetic days in a Manhattan rehearsal space, a festival set, and a single day of recording in the woods outside of Eau Claire.

The Staves, also known as Jessica, Camilla and Emily Staveley-Taylor, moved to Minneapolis from London in the summer of 2016, where they lived for a year in order to be closer to Eau Claire, Wisconsin, friend and collaborator Justin Vernon's hometown, which has become a creative hub and second home to them. The sisters have worked with Stones and Who producer Glyn Johns, as well as Laura Marling and Ryan Adams producer Ethan Johns. In addition to their three albums and several EPs, The Staves have headlined tours across North America and Europe and performed on tours with Bon Iver, Florence and the Machine, Angus and Julia Stone, and The Civil Wars. The New York Times said of their 2015 Vernon-produced Nonesuch debut, If I Was, the songs are illuminated from within, and Magnet said, The perfection just goes on and on until you start to wonder: Are they human?

Hailed by Performance Today's Fred Child as one of the groups that has really helped to shape the future of classical music, yMusic comprises six New York City instrumentalists-violinist Rob Moose, violist Nadia Sirota, cellist Gabriel Cabezas, clarinettist Hideki Aomori, flutist Alex Sopp, and trumpeter CJ Camerieri-flourishing in the overlap between the pop and classical worlds. Their virtuosic execution and unique configuration has attracted the attention of high profile collaborators-from Paul Simon to Ben Folds to JosÉ González-and inspired an expanding repertoire of original works by some of today's foremost composers, including Nico Muhly and Andrew Norman.

1. Hopeless 2. Take Me Home

3. Trouble on My Mind 4. Bladed Stance 5. All My Life 6. Silent Side 7. Year of the Dog

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