"Although they lasted less than two years, Robert Wyatt's post-Soft Machine group left an indelible mark on the British progressive scene. This LP combines material from three 1972 appearances on the BBC, including two for the legendary John Peel, and includes songs from both of their LPs. White vinyl in a clear PVC sleeve with blue lettering pressed in a limited edition of 500 copies."

"Despite being recorded in the same year, the two shows on this LP find the band Free in completely different worlds, one before (Sutherland) and one after (Croydon) 'All Right Now' became a massive hit. Regardless, the band is in fine rocking form on both sides. Clear red vinyl in a clear PVC sleeve with blue lettering pressed in a limited edition of 500 copies."

"Captured live in the spring of 1971, playing tracks from their landmark LP In The Land Of Grey And Pink, this LP find the Canterbury group at their progressive best. Pink vinyl in a clear PVC sleeve with blue lettering pressed in a limited edition of 500 copies."

Yellow vinyl in PVC sleeve. Limited edition 500 copies. "Miles Davis' second great quintet, featuring Wayne Shorter on tenor, Herbie Hancock (age 25) on piano, Ron Carter on bass, and Tony Williams on drums, is the last of Miles' true acoustic jazz bands. Formed in 1964, the legendary quintet can be heard playing at Chicago's Plugged Nickel jazz club on 22 December 1965, one of their earliest recordings. For these performances, Miles played almost no material from their studio albums, focusing instead on Miles' favorite jazz standards. However, it is precisely because he is playing the standards that listeners are able to hear just how groundbreaking this quintet was at the time. The music found here was so pioneering and influential that it still sounds new after over four decades." Last copies

140 gram LP clear vinyl in clear PVC sleeve (ltd. ed. 500 copies). "After her legendary tenure with Fairport Convention came to an end in 1969 (during which time she was voted 'Britain's best singer'), Sandy Denny, along with Trevor Lucas (of Eclection), decided to put together a new band. In early 1970 Fotheringay, named after a FC song (and featuring the talents of Jerry Donahue and Pat Donaldson), was born. Despite rave reviews along with the release of one excellent album for Island that same year, the band quickly fell apart due to personal reasons. These BBC sessions, recorded in April and November of 1970--and featuring amazing versions of songs like 'The Sea' and 'The Ballad of Ned Kelly', from their self-titled studio album, as well as versions of songs like 'Eppie Moray' and 'John The Gun', that were works in progress at the time--are a welcome compendium to their repertoire."

140 gram LP -- clear yellow vinyl in clear PVC sleeve (ltd. ed. 500 copies). "This valuable collection of BBC sessions, finds Kevin Ayers at the height of his career, fronting several different line-ups and playing an interesting and rare mix of material, most of which is not found on any of his studio albums. The first session, recorded in February of 1970, features an interesting version of Soft Machine's 'Why Are We Sleeping?' and the campy 'You Say You Like My Hat', backed by all members of Soft Machine, plus Elton Dean and Lol Coxhill on sax. The next two sessions, from May & June 1970, find Ayers backed by his Whole World band, featuring Mike Oldfield, and playing 'We Did It Again', from his days with Soft Machine, along with the whimsical 'Derby Day' and 'Gemini Child'. The final session features only Ayers and Archie Leggett on bass (who would also appear on Ayers' 1973 Bananamour album) playing Ayers' 1970 'Butterfly Dance' single along with the classic pop song 'Falling in Love Again'."

"Vocalist Damo Suzuki's departure from Can in 1973 had forced the band to re-evaluate their sound. Now with Michael Karoli and Irmin Schmidt sharing vocal duties, the band had also begun drawing on influences from disco and glam. While still remaining staunchly outside the mainstream, they undoubtedly became more accessible to a wider audience, and soon had a huge fan base in the UK. In fact, just a few months after playing the live show found on this double LP (recorded in Lyon in January of 1976), Can was even on Top of the Pops!" Double 140 gram clear vinyl with multicolored labels in a PVC sleeve. Limited edition of 500 copies.

"On 11 January 1980 at Amsterdam's Paradiso Club, Joy Division played a mind-blowing 70-minute-long set to a mere handful of dedicated fans. Maybe it was the cold that kept everyone else home that night, but I bet they are kicking themselves now! Only a few live Joy Division performances remain, and this one is undoubtedly the best." 140 gram clear vinyl in a PVC sleeve. Limited edition of 500 copies.

"Side A recorded for the John Peel show on 2 April 1968, with Lee Underwood on guitars and vocals and Carter Collins on bongos. Side B, tracks one and two recorded for the Old Grey Whistle Test on 21 May 1974, with Charlie Whitney on guitar, Tim Hinkley on bass, and Ian Wallace on drums. Side B, track three recorded live in Copenhagen on 10 December 1968, with Lee Friedman on vibes." Clear yellow vinyl in PVC sleeve with black lettering. Limited edition 500 copies.

"Formed in Cologne in 1968, the year of the student riots that rocked Europe, Can was the band that rose from the ashes. Three ex-students of avant-garde composer Karlheinz Stockhausen (Holger Czukay, Irmin Schmidt and Michael Karoli), well-known German jazz drummer, Jacki Liebezeit and American singer, Malcolm Mooney took rock music and turned it on its head. Although the band was still playing traditional instruments, their 'spontaneous compositions' had little to do with the rehearsed conventions of rock. Tracks like 'Father Cannot Yell' and the 20-minute 'Yoo Doo Right' from their debut LP Monster Movie, and recorded live in Cologne in July 1969, were the first steps into the beyond, setting the tone for a whole new genre of German music that the world would soon be calling 'krautrock.'" 140 gram LP. Red vinyl with red label in PVC sleeve with black lettering. Limited edition 500 copies. [By the way, "recorded live" is kind of a mis-leading statement, this is from the same rehearsal sessions that the actual Monster Movie album was culled from; same 4 tracks in the sequence, only a few seconds difference in track times. Is it the exact same recording as the original album? It's very similar...possibly an alternate mix?]

"In 1972 Guru Guru played the Wiesbaden Concert Hall where Neumeier, guitarist Ax Genrich and bassist Bruno Schaab (who had recently replaced Uli Trepte) let loose on one of their most classic tracks, the a 37-minute freakout 'Ooga Booga.' In 1973 the discerning folks of Wiesbaden again invited Guru Guru to play, and this time the band - now featuring the formidable Hans Hartmann (arguably Guru Guru's best in a long line of bass players) - regaled fans with tracks from their recently released LP Don't Call Us (We Call You), 'Round Dance' and 'Das Zwickmaschinchen.' Here, also, Neumeier's superlative drumming is given center stage and one can hear why Mani has consistently earned such high praise." 140 gram LP. Clear red vinyl with white label in PVC sleeve with black lettering. Limited edition 500 copies.

November 29, 1989. 140 gram LP. Clear yellow vinyl with blue label in PVC sleeve with blue lettering. Limited edition 500 copies. "Recorded live on November 29, 1989 in Denver while Stevie Ray Vaughan and Double Trouble were on tour for their new album, In Step. However, that night Stevie Ray, along with guest guitarist Jeff Beck, did not focus strictly on playing songs from the album, but had fun rocking out on versions of Stevie Wonder's 'Superstition' and Hendrix's 'Voodoo Child'. During their performance of 'Life Without You', one of Vaughan's earlier songs, the newly reformed guitar hero took the time to speak out on substance abuse and plead with his audience not to go down that same slippery slope. Unfortunately, it seemed that the grim reaper really had it out for him... and if he couldn't get him through drugs, he'd get him some other way, and less than a year later one of the greatest guitar players the world has ever known was dead (at age 35) in a helicopter crash."

Technically "proto-Soft Machine", recorded live in London in the early sixties. "The very earliest known recordings by the men who would unwittingly go on to found the influential Canterbury scene and its premiere band, Soft Machine! Culled mostly from sax player Brian Hopper's personal vault of early rehearsal tapes and live performances circa 1962-63 - over 3 years prior to Soft Machine's official formation. In 1962, Brian's younger brother Hugh was still attending the Simon Langton Grammar School For Boys near Canterbury, as was classmate, Robert Wyatt. Mike Ratledge, had been a classmate of Brian's and Daevid Allen was just a freewheeling Australian music lover who was renting a room at Wyatt's parent's house. The Hopper brothers, Wyatt and Ratledge were drawn in by Allen (who was older) with his Sun Ra records, beat poetry, and tales of the bohemian life in Paris, all of which soon led to talk of starting a band together... as these things often do. The very earliest line-up was Wyatt on drums, Allen on guitar, and Hugh on bass. They called themselves the Daevid Allen Trio. 'Dear Olde Benny Green Is A-Turning In His Grave' is a tune that comes from one of their first live performances at London's Marquee club in 1963." 140 gram LP. Clear vinyl in PVC sleeve with blue lettering and red label. Limited edition 500 copies.

"Recorded live between October 1968 and May 1969, these tracks were chosen, produced and mastered by Frank Zappa himself at Artisan Sound in Hollywood, CA in mid-1969. FZ At Artisan includes rare live versions of tracks recorded during the Mothers' first European tour (Autumn 1968) and at various locations around the USA (mostly in 1969, the year Zappa broke up the band for the first time). Several of these songs were eventually released on the LPs Weasels Ripped My Flesh and Burnt Weeny Sandwich." 140 gram vinyl. Clear vinyl in transparent PVC sleeve with purple lettering. Limited edition 500 copies.

"At The Bunkhouse Coffeehouse was English-born folk singer David Wiffen's first solo album, recorded live in 1965 at the Bunkhouse Coffeehouse in Vancouver, Canada. Throughout the 1960s Wiffen played in numerous bands on the Canadian folk scene, but in 1971 tasted mainstream fame when his self-titled studio debut, David Wiffen, was released. The album included two hits, 'More Often Than Not' (which went to the top of the charts) and 'Driving Wheel', famously covered by Tom Rush, the Byrds, Cowboy Junkies, etc. For his next album, 1973's Coast To Coast Fever, Wiffen famously collaborated with Bruce Cockburn, who both produced and played on the album." 140 gram vinyl. Clear yellow vinyl in transparent PVC sleeve with blue lettering. Limited edition 500 copies.

"First ever vinyl reissue of this incredibly rare early '70s Japanese LP recorded live at the 2nd All Japan Folk Jamboree on August, 7 1971. Formed in 1970 by ex-Blues Creation singer Fumio Nunoya, this live album featured a mix of self-penned guitar-heavy psych rock with anguished Japanese vocals along with a few standard blues covers." 140 gram LP, clear green vinyl in transparent PVC sleeve with blue lettering. Limited edition 500 copies.

Restocked. "1972 was a busy year for Japan's favorite experimental rock band. After several months spent touring Europe, group leader Takehisa Kosugi (currently music director for the Merce Cunningham dance company in the USA) decided to make good on the band's name and embark on a monumental voyage across Europe and Asia, driving a VW bus from Rotterdam all the way to the Taj Mahal in India. Amazingly, the band got as far as Pakistan before having to fly the rest of the way to the Taj Mahal due to border restrictions. By July of 1972, the band was back home in Japan, and still playing nonstop. The three tracks on side A were recorded live during this historic tour, while side B was recorded a year later at the famous Oz Club in Tokyo, during a five day music festival celebrating the venue's final days." Clear blue vinyl in clear plastic sleeve with black lettering (limited edition 500 copies)."

"After six years spent away from the public eye (1975-1981) due to a long period of illness and addiction, Miles Davis finally returned to music with 1981's The Man With the Horn. And just to prove that he was fully out of retirement, Davis embarked on a tour of Europe in the spring of 1982. It was his first European tour since 1971 and fans came out in droves to see the Prince Of Darkness. By April 26 April 1982 Davis and an all-star band (featuring Bill Evans on sax, Marcus Miller on bass, Mike Stern on guitar, Al Foster on drums and French musician Minu Cinelu on percussions) had made their way down to Rome where they played two sold out sets. The first set, was a forty-six minute medley featuring Davis' own 'Back Seat Betty', Gershwin's 'My Man's Gone Now' from Porgy & Bess, and in a nod to his Italian fans, Giuseppe Verdi's 'Aida.'" Yellow vinyl in clear plastic sleeve with black lettering (limited edition 500 copies).

"Originally released on CBS Japan in 1975, this solo album by the godfather of Japanese avant-garde music was called one of the top ten 'Japrock' albums of all time in Julian Cope's Japrock Sampler." Red vinyl LP in clear plastic sleeve with black lettering. Limited edition 500 copies.

"After returning from a year-long tour of Europe and Asia, the group returned home to Tokyo for this concert. Originally released on CBS Japan in 1972, the concert remained out of print for decades and has never before been reissued on vinyl. The line up features Takehisa Kosugi on electronic violin, vocals and radio oscillators, Ryo Koike on electronic contrabass, suntool, sheet iron, and harmonica, Yukio Tsuchiya on vibraphone, Michihiro Kimura on electronic guitar & percussion, Seiji Nagai on electronic trumpet, harmonica, castanets, and Tokio Hasegawa on vocals." Orange vinyl in clear plastic sleeve with black lettering. Limited edition of 500 copies.