I finished Tony Judt's Postwar--a book which ends as it begins, with Europe in process--just in time to catch the most recent reported musings of Phil Robertson. Here he is offering Christian marriage counseling to a young man:

I said "Well son, I'm going give you some river rat counseling, here. Make that sure she can cook a meal. You need to eat some meals that she cooks. Check that out. Make sure she carries her Bible. That'll save you some trouble down the road. And if she picks your ducks, now that's a woman."

They got to where they getting hard to find, mainly because these boys are waiting until they get to be about 20 years old before they marry 'em. Look, you wait ‘til they get to be twenty years-old and the only picking that’s going to take place is your pocket. You got to marry these girls when they’re about fifteen or sixteen and they’ll pick your ducks. You need to check with Mom and Dad about that of course.

In many parts of America, this is an argument for statutory rape. More specifically, it is an argument for men seeking to elide the power of grown women, by seeking their sexual partners among teenage girls. This style of svengalism is generally seen as repugnant to our morality. Phil Robertson believes that society should withhold civil rights from consenting gay men, while allowing men like him to push the age of consent to its breaking point. The contradiction here is as predictable as it is ridiculous. The loudest of doomsayers, so often, carry the weightiest of sin.

Postwar ends with a Europe of Hitler's nightmares--darker, older, less Christian. The continent is teetering, its welfare state endangered, its peace, uneasy before the genocide in the Balkans. One get the sense that Judt believes that Europe has accomplished something--relative prosperity, democracy in most of its countries, lengthening life spans, acknowledgment of the Holocaust. But Judt believes in a world of actions, not monuments, and not shibboleths. Democracy is a struggle, not a trophy and not a bragging right. This is not a matter of being polite and sensitive. It is understanding that we live on the edge of the volcano, that the volcano is in us. Judt is keenly aware that late 20th century Europe's accomplishments could be wrecked by the simple actions of men.

When I lived in Paris, this summer, I loved walking across Pont Neuf. There was something to the idea that I was standing on a bridge older (by centuries) than my entire homeland. When the murderous demagogue Slobodan Milošević rallied the Serbs, at Blackbird's Field, he was appealing to a memory older than Columbus. But Pont Neuf could fall next week. And everyone knows what followed Milošević's words.

Vulgar nationalists often point to Europe as evidence of something that all humans, from Phil Robertson on down, strive for--certain civilized ground. And yet the greatest proponents of such certainty, of Utopia, of exceptionalism, of soloutionism, of Stalinism, of Bibles, of Qurans, of great civilization, and complete theories, are so often themselves engineers on the road to barbarism. What Judt wants us to see is the tenuousness of human creations, and thus the tenuousness of the West, itself. Having concluded that Europe (though not its Eastern half) has finally, in fits and starts, come to grapple with the Holocaust, he grows skeptical:

Evil, above all evil on the scale practiced by Nazi Germany, can never be satisfactorily remembered. The very enormity of the crime renders all memorialisation incomplete. Its inherent implausibility—the sheer difficulty of conceiving of it in calm retrospect—opens the door to diminution and even denial. Impossible to remember as it truly was, it is inherently vulnerable to being remembered as it wasn’t. Against this challenge memory itself is helpless

But memory is constantly invoked. When Nicolae Ceauşescu's henchmen begin to turn on him, they condemn him in predictable terms:

Romania is and remains a European country. . . . You have begun to change the geography of the rural areas, but you cannot move Romania into Africa.

But Romania, is, indeed, in Africa--the Africa of European imagination, the Africa which justified slavery, which brims with rape, murder and cannibalism. All of Europe lives in that imagined, projected Africa. In a little over a decade, in the middle of the civilized continent, 14 million people were killed.

From Timothy Snyder's Bloodlands:

No matter which technology was used, the killing was personal. People who starved were observed, often from watchtowers, by those who denied them food. People who were shot were seen through the sights of rifles at very close range, or held by two men while a third placed a pistol at the base of the skull. People who were asphyxiated were rounded up, put on trains, and then rushed into the gas chambers. They lost their possessions and then their clothes and then, if they were women, their hair. Each one of them died a different death, since each one of them had lived a different life.

Snyder quotes the poet Anna Ahkmotova addressing the legions of the dead--"I'd like to call you all by name."

I don't think there's anything original in the blood of Europe that allows for this kind of human misery. And I don't think there's anything in the blood that allows for Pont Neuf, either. Nations seem to require myth. Romania's governing history is filled with big men, autocrats and despots. But the European super-nation has long needed to believe itself above the world, above native America, above Asia, and particularly above Africa. The truth is more disconcerting: The dark continent has never been South of the Sahara, but South of Minsk and East of Aachen in the jungles of the European soul.

That the enemy is us, is never easy to take. Yesterday, Confederates routinely accused Northerners of attempting to reduce them to slavery. Today, men who convene with Confederate flags at the White House, accuse the president of racism. Yesterday, the civilized man accuses you of barbarism, while practicing sophisticated human sacrifice to the God Of Nations, while reducing his lordly estate to a house of the dead. The homophobe accuses you of sexual immorality and damns you to hell, while preaching a gospel which would make wives of children.

I don't have any gospel of my own. Postwar, and the early pages of Bloodlands, have revealed a truth to me: I am an atheist. (I have recently realized this.) I don't believe the arc of the universe bends towards justice. I don't even believe in an arc. I believe in chaos. I believe powerful people who think they can make Utopia out of chaos should be watched closely. I don't know that it all ends badly. But I think it probably does.

I'm also not a cynic. I think that those of us who reject divinity, who understand that there is no order, there is no arc, that we are night travelers on a great tundra, that stars can't guide us, will understand that the only work that will matter, will be the work done by us. Or perhaps not. Maybe the very myths I decry are necessary for that work. I don't know. But history is a brawny refutation for that religion brings morality. And I now feel myself more historian than journalist.

"History contributes to the disenchantment of the world," writes Judt.

...most of what it has to offer is discomforting, even disruptive—which is why it is not always politically prudent to wield the past as a moral cudgel with which to beat and berate a people for its past sins. But history does need to be learned—and periodically re-learned. In a popular Soviet-era joke, a listener calls up ‘Armenian Radio’ with a question: ‘Is it possible’, he asks, ‘to foretell the future?’ Answer: ‘Yes, no problem. We know exactly what the future will be. Our problem is with the past: that keeps changing’. So it does—and not only in totalitarian societies.

All the same, the rigorous investigation and interrogation of Europe’s competing pasts—and the place occupied by those pasts in Europeans’ collective sense of themselves—has been one of the unsung achievements and sources of European unity in recent decades. It is, however, an achievement that will surely lapse unless ceaselessly renewed. Europe’s barbarous recent history, the dark ‘other’ against which post-war Europe was laboriously constructed, is already beyond recall for young Europeans.

Within a generation the memorials and museums will be gathering dust—visited, like the battlefields of the Western Front today, only by aficionados and relatives. If in years to come we are to remember why it seemed so important to build a certain sort of Europe out of the crematoria of Auschwitz, only history can help us. The new Europe, bound together by the signs and symbols of its terrible past, is a remarkable accomplishment; but it remains forever mortgaged to that past. If Europeans are to maintain this vital link—if Europe’s past is to continue to furnish Europe’s present with admonitory meaning and moral purpose—then it will have to be taught afresh with each passing generation. ‘European Union’ may be a response to history, but it can never be a substitute.

About the Author

Ta-Nehisi Coates is a national correspondent at The Atlantic, where he writes about culture, politics, and social issues. He is the author of The Beautiful Struggle and the forthcoming Between the World and Me.

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Two hundred fifty years of slavery. Ninety years of Jim Crow. Sixty years of separate but equal. Thirty-five years of racist housing policy. Until we reckon with our compounding moral debts, America will never be whole.

And if thy brother, a Hebrew man, or a Hebrew woman, be sold unto thee, and serve thee six years; then in the seventh year thou shalt let him go free from thee. And when thou sendest him out free from thee, thou shalt not let him go away empty: thou shalt furnish him liberally out of thy flock, and out of thy floor, and out of thy winepress: of that wherewith the LORD thy God hath blessed thee thou shalt give unto him. And thou shalt remember that thou wast a bondman in the land of Egypt, and the LORD thy God redeemed thee: therefore I command thee this thing today.

— Deuteronomy 15: 12–15

Besides the crime which consists in violating the law, and varying from the right rule of reason, whereby a man so far becomes degenerate, and declares himself to quit the principles of human nature, and to be a noxious creature, there is commonly injury done to some person or other, and some other man receives damage by his transgression: in which case he who hath received any damage, has, besides the right of punishment common to him with other men, a particular right to seek reparation.

Writing used to be a solitary profession. How did it become so interminably social?

Whether we’re behind the podium or awaiting our turn, numbing our bottoms on the chill of metal foldout chairs or trying to work some life into our terror-stricken tongues, we introverts feel the pain of the public performance. This is because there are requirements to being a writer. Other than being a writer, I mean. Firstly, there’s the need to become part of the writing “community”, which compels every writer who craves self respect and success to attend community events, help to organize them, buzz over them, and—despite blitzed nerves and staggering bowels—present and perform at them. We get through it. We bully ourselves into it. We dose ourselves with beta blockers. We drink. We become our own worst enemies for a night of validation and participation.

Even when a dentist kills an adored lion, and everyone is furious, there’s loftier righteousness to be had.

Now is the point in the story of Cecil the lion—amid non-stop news coverage and passionate social-media advocacy—when people get tired of hearing about Cecil the lion. Even if they hesitate to say it.

But Cecil fatigue is only going to get worse. On Friday morning, Zimbabwe’s environment minister, Oppah Muchinguri, called for the extradition of the man who killed him, the Minnesota dentist Walter Palmer. Muchinguri would like Palmer to be “held accountable for his illegal action”—paying a reported $50,000 to kill Cecil with an arrow after luring him away from protected land. And she’s far from alone in demanding accountability. This week, the Internet has served as a bastion of judgment and vigilante justice—just like usual, except that this was a perfect storm directed at a single person. It might be called an outrage singularity.

Most of the big names in futurism are men. What does that mean for the direction we’re all headed?

In the future, everyone’s going to have a robot assistant. That’s the story, at least. And as part of that long-running narrative, Facebook just launched its virtual assistant. They’re calling it Moneypenny—the secretary from the James Bond Films. Which means the symbol of our march forward, once again, ends up being a nod back. In this case, Moneypenny is a send-up to an age when Bond’s womanizing was a symbol of manliness and many women were, no matter what they wanted to be doing, secretaries.

Why can’t people imagine a future without falling into the sexist past? Why does the road ahead keep leading us back to a place that looks like the Tomorrowland of the 1950s? Well, when it comes to Moneypenny, here’s a relevant datapoint: More than two thirds of Facebook employees are men. That’s a ratio reflected among another key group: futurists.

Forget credit hours—in a quest to cut costs, universities are simply asking students to prove their mastery of a subject.

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Instead, Kippnick makes her way through different subject matters on the way to a bachelor’s in accounting. When she feels she’s mastered a certain subject, she takes a test at home, where a proctor watches her from afar by monitoring her computer and watching her over a video feed. If she proves she’s competent—by getting the equivalent of a B—she passes and moves on to the next subject.

During the multi-country press tour for Mission Impossible: Rogue Nation, not even Jon Stewart has dared ask Tom Cruise about Scientology.

During the media blitz for Mission Impossible: Rogue Nation over the past two weeks, Tom Cruise has seemingly been everywhere. In London, he participated in a live interview at the British Film Institute with the presenter Alex Zane, the movie’s director, Christopher McQuarrie, and a handful of his fellow cast members. In New York, he faced off with Jimmy Fallon in a lip-sync battle on The Tonight Show and attended the Monday night premiere in Times Square. And, on Tuesday afternoon, the actor recorded an appearance on The Daily Show With Jon Stewart, where he discussed his exercise regimen, the importance of a healthy diet, and how he still has all his own hair at 53.

Stewart, who during his career has won two Peabody Awards for public service and the Orwell Award for “distinguished contribution to honesty and clarity in public language,” represented the most challenging interviewer Cruise has faced on the tour, during a challenging year for the actor. In April, HBO broadcast Alex Gibney’s documentary Going Clear, a film based on the book of the same title by Lawrence Wright exploring the Church of Scientology, of which Cruise is a high-profile member. The movie alleges, among other things, that the actor personally profited from slave labor (church members who were paid 40 cents an hour to outfit the star’s airplane hangar and motorcycle), and that his former girlfriend, the actress Nazanin Boniadi, was punished by the Church by being forced to do menial work after telling a friend about her relationship troubles with Cruise. For Cruise “not to address the allegations of abuse,” Gibney said in January, “seems to me palpably irresponsible.” But in The Daily Show interview, as with all of Cruise’s other appearances, Scientology wasn’t mentioned.

The Wall Street Journal’s eyebrow-raising story of how the presidential candidate and her husband accepted cash from UBS without any regard for the appearance of impropriety that it created.

The Swiss bank UBS is one of the biggest, most powerful financial institutions in the world. As secretary of state, Hillary Clinton intervened to help it out with the IRS. And after that, the Swiss bank paid Bill Clinton $1.5 million for speaking gigs. TheWall Street Journal reported all that and more Thursday in an article that highlights huge conflicts of interest that the Clintons have created in the recent past.

The piece begins by detailing how Clinton helped the global bank.

“A few weeks after Hillary Clinton was sworn in as secretary of state in early 2009, she was summoned to Geneva by her Swiss counterpart to discuss an urgent matter. The Internal Revenue Service was suing UBS AG to get the identities of Americans with secret accounts,” the newspaper reports. “If the case proceeded, Switzerland’s largest bank would face an impossible choice: Violate Swiss secrecy laws by handing over the names, or refuse and face criminal charges in U.S. federal court. Within months, Mrs. Clinton announced a tentative legal settlement—an unusual intervention by the top U.S. diplomat. UBS ultimately turned over information on 4,450 accounts, a fraction of the 52,000 sought by the IRS.”

An attack on an American-funded military group epitomizes the Obama Administration’s logistical and strategic failures in the war-torn country.

Last week, the U.S. finally received some good news in Syria:.After months of prevarication, Turkey announced that the American military could launch airstrikes against Islamic State positions in Syria from its base in Incirlik. The development signaled that Turkey, a regional power, had at last agreed to join the fight against ISIS.

The announcement provided a dose of optimism in a conflict that has, in the last four years, killed over 200,000 and displaced millions more. Days later, however, the positive momentum screeched to a halt. Earlier this week, fighters from the al-Nusra Front, an Islamist group aligned with al-Qaeda, reportedly captured the commander of Division 30, a Syrian militia that receives U.S. funding and logistical support, in the countryside north of Aleppo. On Friday, the offensive escalated: Al-Nusra fighters attacked Division 30 headquarters, killing five and capturing others. According to Agence France Presse, the purpose of the attack was to obtain sophisticated weapons provided by the Americans.

Members of Colombia's younger generation say they “will not torture for tradition.”

MEDELLÍN, Colombia—On a scorching Saturday in February, hundreds of young men and women in Medellín stripped down to their swimsuit bottoms, slathered themselves in black and red paint, and sprawled out on the hot cement in Los Deseos Park in the north of the city. From my vantage point on the roof of a nearby building, the crowd of seminude protesters formed the shape of a bleeding bull—a vivid statement against the centuries-old culture of bullfighting in Colombia.

It wasn’t long ago that Colombia was among the world’s most important countries for bullfighting, due to the quality of its bulls and its large number of matadors. In his 1989 book Colombia: Tierra de Toros (“Colombia: Land of Bulls”), Alberto Lopera chronicled the maturation of the sport that Spanish conquistadors had introduced to South America in the 16th century, from its days as an unorganized brouhaha of bulls and booze in colonial plazas to a more traditional Spanish-style spectacle whose fans filled bullfighting rings across the country.

Some say the so-called sharing economy has gotten away from its central premise—sharing.

This past March, in an up-and-coming neighborhood of Portland, Maine, a group of residents rented a warehouse and opened a tool-lending library. The idea was to give locals access to everyday but expensive garage, kitchen, and landscaping tools—such as chainsaws, lawnmowers, wheelbarrows, a giant cider press, and soap molds—to save unnecessary expense as well as clutter in closets and tool sheds.

The residents had been inspired by similar tool-lending libraries across the country—in Columbus, Ohio; in Seattle, Washington; in Portland, Oregon. The ethos made sense to the Mainers. “We all have day jobs working to make a more sustainable world,” says Hazel Onsrud, one of the Maine Tool Library’s founders, who works in renewable energy. “I do not want to buy all of that stuff.”