In a nameless city deluged by a continuous rain ...
... we attempt to craft beauty from inarticulacy, experimentation and improvisation, articulated through a contorted web of drones and swelling dynamics ...
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"pick[ing] up the discarded flag of the ethereal movement, which peaked in the early nineties and is best epitomized by the work of the C’est la Mort and Hyperium labels"
(Richard Allen, A Closer Listen)