This week on The CineSnob Podcast, Cody and Jerrod review the spy thriller “Red Sparrow,” talk “I, Tonya” on Blu-ray, break down the 90th annual Academy Awards, and recap their visit to the San Antonio Symphony’s performance of “La La Land” live.

It’s definitely a different type of relationship dynamic from Academy Award-winning director Sam Mendes whose last film was the underappreciated “Revolutionary Road” of last year. In “Away We Go,” Mendes rediscovers his dark comedy pedigree that made him so successful with 1999’s Best Picture winner “American Beauty,” to tell the story of a young, directionless couple trying to find their place in the world.

When the grandparents of their first child decide to move to Belgium, unmarried parents-to-be Burt and Verona (John Krasinski and Maya Rudolph) realize there’s nothing holding them back from packing up and relocating anywhere they’d like to go. Although they “don’t have the basic stuff figured out” in their lives, Burt and Verona see the spontaneous adventure as a way to start on a clean slate.

Making stops in a few cities where they know people (somehow they can afford a cross-country tour by plane but sulk over a cardboard window in their house), Burt and Verona are interested in seeing how well they might fit in places like Phoenix, Arizona, Madison, Wisconsin, and Montreal, Canada. They meet up with a former co-worker (Allison Janney plays a vulgar mother who accuses her pre-teen daughter of being lesbian) and a long-time hippy friend (Maggie Gyllenhaal) who is offended by strollers (“Why would I want to push my baby away from me?”) and believes it is normal to have sex in front of their children.

Needless to say, Burt and Verona have a difficult time connecting to anyone on their trip, especially since first-time screenwriters and real-life couple Dave Eggers and Vendela Vida write the duo like a pair of self-important hipsters who know they’re more intelligent and witty that everyone else on the face of the planet. It’s an interesting characterization because the two are the sanest of the bunch, but there’s always an underlying feeling that if you were to meet the couple socially they’re mellow oddness would wear thin.

That’s what happens in “Away We Go,” but not before a few tender moments and subtle quirkiness. It’s when the eccentricities of the characters become excessively heavy for the screen when Eggers, Vida, and Mendes lose control. The film doesn’t have a lot of unnatural dialogue like “Juno,” which was generally a very likeable movie, but thematically it’s burdened with an overall artificial ambiance that comes off far too cartoonish despite the occasional charm.