Box labeled "Classical M to Z", but actual card cover O to Z by composer's last name. Each card lists one composer and their
works, sometimes with performer. Each recording is followed by one of four symbols: M, S, T, or CT.

Originals and copies of documents and correspondence related to the sale of real estate near Burnt Mountain house, including
hand-drawn and printed maps; application materials for constructing a radio station in Joshua Tree in the name of Edmund B.
Moore; and a few other items.

List of book titles with price and name of individual [receiving] the book and his or her address.

Box 112, Folder 9

Warranty registration for piano.n.d..

Physical Description: 1 leaf; size: 5 x 5.5 "

Scope and Content Note

Filled out by Bobbe Perlberg

Box 112, Folder 10

Blank note cards.n.d..

Physical Description: 23 cards; size: 4 x 6 "

Scope and Content Note

Monographed "Mr. and Mrs. James Van Heusen"

Box 112, Folder 11

Inventory of items stored in garage.n.d. [after 1966].

Physical Description: 3 leaves; size: letter

Scope and Content Note

Typed inventory: "Material that is in the garage"

Box 112, Folder 15

List of sound recordings.n.d..

Physical Description: 1 leaf; size: legal

Scope and Content Note

Handwritten list of sound disc records by title

Box 112, Folder 16

Correspondence and documents related the Cashy-Price controversy.1961 to 1969.

Physical Description: 53 leaves; size: mostly legal

Scope and Content Note

Folder of materials related to the investigation of Jimmy Van Heusen's personal business manager (Milton L. Cashy) and secretary
(Peggy Price) in which both are accused of altering Van Heusen's will, naming themselves as executors. Most documents appear
in multiple copies: Notes for Bobbe Babcock (by Van Heusen), which inventories Heusen's account of the controversy; letter
to Erwin Sprengel (from Van Heusen), which mentions Eva Welch, Arthwell Hayton, Earl Johnson, and Wilber (Van Heusen's brother);
letter to Van Heusen (from Rhea Eckel of Cazenovia College), which mentions Jim Tatman; two confidential reports from Harvey
G. Wolfe of Counter-Espionage Investigations describing surveillance devices found in Van Heusen's Yucca Valley and North
Hollywood homes; photocopy of a postcard from Jack Shannon; Nomination of Guardian of Person and Estate (the document under
question; a version of this document with handwritten alterations by Van Heusen; letter to Van Heusen (from Erwin Sprengel);
Last Will and Testament of Edward Chester Babcock (as revised by Van Heusen); handwritten version of same document; and document
revoking previous nomination for guardian of estate.

Includes pamphlets, magazines, books, catalogs, manuals, and other published items from Jimmy and Bobbe Van Heusen's collection.
Most material is not about Van Heusen, but provides biographical information by virtue of its possession.

Brochures and instructions for several items, including a walk-in freezer, a ceiling fixture, a purse collection, and a pet
kennel.
ca. mid 1960s.

Physical Description: 4 items; size: 8.5 x 14 "

Legal and Financial Documents. Series 9.
1933-1994.

Physical Description:
55.0 boxes

Scope and Content Note

Includes original and photocopied documents related to Jimmy Van Heusen's music career and publishing companies, particularly
Burke &amp; Van Heusen, Inc. and Van Heusen Music Corporation. Documents include songwriters contracts, licensing records
and other agreements, copyright records, publishing records, royalty statements, production records, correspondence, receipts,
inventories, and other materials. Business correspondence and related records are also located in Series 5 (Correspondence).
Although the subseries divide material by contracts, copyright, production records, and business affairs, material from each
category (especially copyright) is found readily in any subseries category.

Song Contracts and Agreements. Subseries 1.
1934-1994.

Physical Description:
18.0 boxes

Arrangement note

Arrangement reflects original filing order in most cases. Song files are alphabetical by title. Boxes identified by publishing
company in origination field derive from that company and typically follow original file order.

Scope and Content Note

Files include original materials and copies (thermofax, photocopy, and other means) regarding songwriters contracts, publishing
records, copyright records, agreements, licensing, and royalty statements, often contextualized by correspondence. Some files
include manuscript music and published song sheets.

Box 102, Folder 1

Absent Minded Moon.1971.

Physical Description: 21 leaves; size: mostly letter

Scope and Content Note

On original folder: "1/2 Van H. Music".

Box 102, Folder 2

All That I Am.1964, 1973.

Physical Description: 11 leaves; size: mostly letter

Box 102, Folder 3

And Your Mother Said.1965.

Physical Description: 6 leaves; 12.5 x 9.5 "

Scope and Content Note

Sheet music only

Box 102, Folder 4

Anthem of the Clams.1960.

Physical Description: 75 leaves; size: mixed

Scope and Content Note

Lyrics by Bing Crosby. Includes original cover art for sheet music, 17 copies of commercial sheet music, and original music
manuscripts.

Copyright and publication records, agreements, correspondence, and 4 ozalid copies of music manuscript

Box 103, Folder 26

I want the South to win the war for Christmas.1959 to 1972.

Physical Description: 16 leaves; size: letter and larger

Scope and Content Note

Copyright and publication records, song contract, agreements, correspondence, and ozalid copy of music manuscript

Box 104, Folder 1

I wish I were a Gypsy.1962.

Physical Description: 13 leaves; size: 9.5 x 12.5 " and smaller.

Scope and Content Note

Includes five copies of published song sheet, a manuscript sketch, and manuscript draft. Words and music by Jack Arant.

Box 104, Folder 2

I wouldn't dream of it.1971.

Physical Description: 18 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, song contract, and manuscript music.

Box 104, Folder 3

Joanne.1959 to 1965.

Physical Description: 30 leaves; size: 9.5 x 12.5 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, manuscript music, published song sheet (5 copies), and song sheet
proof.

Box 104, Folder 4

Joey (Title theme of Joey Bishop Show).1962.

Physical Description: 33 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes copyright and publication records, manuscript music, and 6 copies of printed song sheet.

Box 104, Folder 5

Just what I wanted for Christmas!.1959 to 1973.

Physical Description: 23 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, and manuscript music.

Box 104, Folder 6

Kate the great.1963.

Physical Description: 8 leaves; size: 9.5 x 12.5 " and smaller

Scope and Content Note

Includes copyright and publication records, and manuscript music.

Box 104, Folder 7

The laughing eyes of San Marino.1969.

Physical Description: 35 leaves; size: 9.5 x 12.5 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, song contract, and manuscript music.

Box 104, Folder 8

Legs.1963.

Physical Description: 16 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes copyright and publication records, and manuscript music.

Box 104, Folder 9

Les poupees de Paris.n.d.

Physical Description: None

Scope and Content Note

Empty folder

Box 104, Folder 10

Let's be frank Mr. Frankenstein.1964.

Physical Description: 19 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes copyright and publication records, and manuscript music.

Box 104, Folder 11

Let's go see the Jets!.1964.

Physical Description: 21 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, and manuscript music.

Box 104, Folder 12

Lizette.1968 to 1972.

Physical Description: 26 leaves; size: 9.5 x 12.5 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, song contract, and manuscript music.

Box 104, Folder 13

Looking for yesterday.1940 to 1968.

Physical Description: 36 leaves; size: legal and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, and 3 copies of published song sheet.

Box 104, Folder 14

Love being what it is.1978.

Physical Description: 6 leaves; size: 9.5 x 13 " and letter

Scope and Content Note

Includes correspondence and manuscript music.

Box 104, Folder 15

Love in the air.1937 to 1968.

Physical Description: 50 leaves; size: legal and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, song contract, and copy of published sheet music.

Box 104, Folder 16

Love is a bore.1964 to 1976.

Physical Description: 72 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, 5 copies of published song sheet, and manuscript music.

Box 104, Folder 17

Lost in a sigh.1962, 1972.

Physical Description: 30 leaves; size: letter

Scope and Content Note

Correspondence and lyric sheet

Box 104, Folder 18

Love's a riddle.1966 to 1968.

Physical Description: 3 leaves; size: letter

Scope and Content Note

Includes correspondence and copyright and publication records

Box 104, Folder 19

Love will find a way, they say.1965 to 1972.

Physical Description: 13 leaves; size: 9.5 x 12.5 " and smaller.

Scope and Content Note

Includes correspondence and manuscript music.

Box 104, Folder 20

Lovin' is livin'.1964, 1965.

Physical Description: 57 leaves; size: 9.5 x 13 " and smaller

Scope and Content Note

Includes correspondence, copyright and publication records, printing proofs, 5 copies of published song sheet, and manuscript
music.

Box 112, Folder 2

Blank songwriters contracts.1950.

Physical Description: 12 leaves; size: 8.5 x 33 "

Scope and Content Note

Uniform Popular Songwriters Renewal Contract; all blank

Box 123, Folder 15

Correspondence and records regarding various agreements.1959 to 1971.

Physical Description: 17 leaves; size: mostly letter; 2 envelopes

Scope and Content Note

Agreements include Wolper Productions, Inc. (regarding rights to music for program "The story of a songwriter") February 2,
1963; Letter from Paramount Pictures to Jimmy Van Heusen, regarding "My Six Loves", May 23, 1963; Correspondence between L.J.
Silverling (Famous Music Corp.) and Jimmy Van Heusen, regarding agreement with Jay Gee record company, 1959; Correspondence
regarding income tax reports and employer identification number applications; and employer identification number documents
concerning Brock Enterprises, Inc. and Chassah Music Corp., 1971.

Box 124, Folder 1

Van Heusen Music Corp.: Three contracts.1962, 1964.

Physical Description: 13 leaves; size: legal and larger

Scope and Content Note

Songwriters contract (photocopy), between Van Heusen Music Corp. and Jack and Mable Arant, concerning "I wish I were a gypsy",
6/20/1962. Songwriters contract (photocopy), between Van Heusen Music Corp. and Sammy Cahn and James Van Heusen, concerning
"Every stand up act is sitting down today-a step that'll stop the show we're getting too old for this jazz", Jan. 10, 1964.
Songwriters contract (photocopy), between Van Heusen Music Corp. and Sammy Cahn and James Van Heusen, concerning ten songs
from "Les poupees de Paris".

Box 124, Folder 2

List of filed song contracts, etc..ca. 1960s.

Physical Description: 6 leaves; size: legal and smaller.

Scope and Content Note

Listing of locations of original song contracts (typed sheet and photocopy), filed under "The circus, the circus", "The dodgers",
and "Every stand up act is sitting down today". Printing invoice for Burke & Van Heusen Music, Inc; 1/1/1968. Photocopy of
three-page song sheet of "The 86th! The 86th!" by Sammy Cahn and Jimmy Van Heusen; 1955.

Box 124, Folder 3

Agreements with motion picture studios.1954 to 1964.

Physical Description: 154 leaves; size: letter

Scope and Content Note

Film contract letter agreements, between Jimmy Van Heusen and Paramount Pictures, concerning the films "The joker is wild",
"Papa's delicate condition", "Where men are men", and "Where has love gone"; 1954 to 1957. Film contract composer's agreement,
between Sammy Cahn, Van Heusen and Bing Crosby Productions, concerning the film "Road to Hong Kong", 11/16/1960. Film contract
agreements, between Van Heusen and Metro-Goldwyn Mayer, concerning the film "His and his", later renamed "Honeymoon Hotel",
June/December, 1963. Film contract agreements, between Van Heusen and 20th Century-Fox, concerning the films "The pleasure
seekers", "Journey to the center of the earth", and "Holiday for lovers", 1959 and 1964.

Mostly related to Burke & Van Heusen, Inc.; a few relate to collaborations with Sammy Cahn. Includes originals and photocopies.
Correspondence includes George Simon (Simon House), Edward Traubner, and EMCEE Music Company. Productions include "Star!",
"The adventures of Robin Hood", "The great bank robbery", "Psychological moment", "Mystery in music", "Best wishes", "Command
performance", The Perry Como show, "Nellie Bly", "Mr. Music", "The 86th! The 86th!", and a jingle for Minute Maid.

Originals and photocopies. Correspondence includes Ben Starr, Mike Maitland, Howard Richmond, and others. Related songs/productions
include "It's the dreamer in me", "All I remember is you", "Swingin' the dream", and other songs related to Edgar (Eddie)
De Lange.

Correspondence, between Miriam Stern and Sammy Cahn, concerning two contracts for "Someone to tell it to", April 7, 1960.
Contract, between Dolores Fuller/Sammy Cahn/Van Heusen and Summit Music Corp, concerning "Someone to tell it to", August 31,
1959.

Notice, of Burke & Van Heusen, Inc., to George Simon, concerning termination of agreement, November 28, 1955. Contract and
correspondence, between Burke & Van Heusen and George Simon, concerning termination of agreement, December 31, 1952. Correspondence,
between Burke & Van Heusen and George Simon, concerning royalty payment for "Wild horses", January 8, 1953. Telegram, from
Burke & Van Heusen, Inc., to George Simon, concerning termination of agreement, November 29, 1955. Correspondence, from Carol
Bridgman to Cahn Music Corporation and Van Heusen Music Corp., concerning "Too neat to be a beatnik, too round to be a square",
January 6, 1960. Correspondence, from Carol Bridgman to Cahn Music Corporation and Van Heusen Music Corp., concerning "You're
starting to get to me", July 19, 1960. Original file folder.

Box 125, Folder 3

Materials related to copyright lawsuit over "It's us again"..1961 to 1962.

Copyright and publication records, correspondence, agreements, and song contract.

Box 127, Folder 111

Just plain lonesome.1942 to 1969.

Physical Description: 35 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, license agreements, correspondence, and song contract

Box 127, Folder 112

Keep a prayer in your heart.1945 to 1968.

Physical Description: 10 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, agreements, correspondence, and song contract

Box 127, Folder 113

Kind'a peculiar Brown.1970.

Physical Description: 3 leaves; size: letter

Scope and Content Note

Copyright renewal

Box 127, Folder 114

The kiss in your eyes.1947 to 1969.

Physical Description: 68 leaves; size: letter

Scope and Content Note

Copyright and publication records, agreements, correspondence, and song contract

Box 127, Folder 115

Laughing Tony.1970.

Physical Description: 1 leaf; size: letter

Scope and Content Note

Copyright renewal

Box 127, Folder 116

Less than eighty days.1945, 1946.

Physical Description: 7 leaves; size: letter

Scope and Content Note

Copyright and publication records

Box 127, Folder 117

Let's all meet at my house.1942 to 1958.

Physical Description: 9 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, and agreement

Box 127, Folder 118

Like someone in love.1944 to 1968.

Physical Description: 156 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, agreements, and correspondence

Box 127, Folder 119

Regarding George A. Little.1954.

Physical Description: 13 leaves; size: letter and legal

Scope and Content Note

Regarding Mr. Little and copyright renewals

Box 127, Folder 120

Lock, stock and barrel.1950.

Physical Description: 9 leaves; size: letter and legal

Scope and Content Note

Publication records, agreement, and song contract

Box 127, Folder 121

Little boy lost.1953, 1960.

Physical Description: 8 leaves; size: letter

Scope and Content Note

Copyright records and agreements

Box 127, Folder 122

Make with the kisses.1939 to 1945.

Physical Description: 40 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, agreements, correspondence, and song contract

Box 127, Folder 123

May the best man win.1945 to 1959.

Physical Description: 10 leaves; size: letter and larger

Scope and Content Note

Copyright and publication records

Box 127, Folder 124

Minute Maid.1950.

Physical Description: 3 leaves; size: letter

Scope and Content Note

Publication and copyright records

Box 127, Folder 125

Mississippi moon.1958.

Physical Description: 2 leaves; size: letter

Scope and Content Note

Copyright renewal

Box 127, Folder 126

Miss Jemina walks by.1943 to 1971.

Physical Description: 18 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, cue sheets, and correspondence

Box 127, Folder 127

The moon came up with a great idea.1952.

Physical Description: 8 leaves; size: letter and larger

Scope and Content Note

Copyright and publication records, agreements, and song contract

Box 127, Folder 128

Moonlight becomes you.1969.

Physical Description: 5 leaves; size: letter

Scope and Content Note

Copyright renewal

Box 127, Folder 129

My English into French dictionary.1953, 1958.

Physical Description: 4 leaves; size: letter

Scope and Content Note

Copyright and publication records, correspondence, and agreement

Box 127, Folder 130

My heart goes crazy.1945 to 1953.

Physical Description: 47 leaves; size: letter and larger

Scope and Content Note

Copyright and publication records, song contract, correspondence, and agreements

Box 127, Folder 130

My heart is a hobo.1946 to 1956.

Physical Description: 25 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, song contract, correspondence, and agreements

Box 127, Folder 132

Nellie Bly.1946 to 1959.

Physical Description: 8 leaves; size: letter

Scope and Content Note

Copyright and publication records

Box 127, Folder 133

A nickle's worth of sunshine.1945, 1968.

Physical Description: 9 leaves; size: mostly letter

Scope and Content Note

Copyright and publication records, and song contract

Box 127, Folder 134

No news today.1945, 1958.

Physical Description: 9 leaves; size: mostly letter

Scope and Content Note

Publication and copyright records, and song contract

Box 127, Folder 135

No sooner said than done.1958.

Physical Description: 4 leaves; size: larger

Scope and Content Note

Song contract

Box 127, Folder 136

Now that I'm in love.1952, 1953.

Physical Description: 27 leaves; size: letter and larger

Scope and Content Note

Copyright and publication records, song contract, correspondence, and agreements

Box 127, Folder 137

Now we're getting somewhere.1958.

Physical Description: 3 leaves; size: letter

Scope and Content Note

Copyright and publication records

Box 127, Folder 138

Once and for always.1947 to 1957.

Physical Description: 24 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, correspondence, and agreements

Box 127, Folder 139

Only for men.1945, 1946.

Physical Description: 8 leaves; size: letter

Scope and Content Note

Copyright and publication records, and song contract

Box 127, Folder 140

Out with the old.1950.

Physical Description: 5 leaves; size: letter and larger

Scope and Content Note

Registry of title and song contract

Box 127, Folder 141

Pakistan.1953 to 1956.

Physical Description: 20 leaves; size: letter and larger

Scope and Content Note

Copyright and publication records, song contract, correspondence, and agreements

Box 127, Folder 142

Personality.1945 to 1968.

Physical Description: 69 leaves; size: letter and legal

Scope and Content Note

Copyright and publication records, song contract, correspondence, and agreements

Box 128, Folder

Song Contract Files.Bulk 1960 to 1972.

Physical Description: 147 folders; size: legal

Scope and Content Note

Song files by title in original folders. Contents of each folder vary, but most contain copyright and publication records,
song contracts, some correspondence, and in some cases copies of manuscript music or the published song sheet. Paper sizes
include letter, legal, and larger and most documents are photocopies. Folders average five to ten leaves. Folders at the rear
of the box include photocopies of songwriters contracts alphabetized by first letter of the title. Contents:Van Heusen Music
Corp.; A cigarette and a silhouette; All I remember is you; A man and his music; All this and heaven too; Anthem of the clams;
An old fashioned Christmas; Any man who loves his mother; A policeman's whistle; Argentina skies; A step that will stop the
show; Blue rain; Call me irresponsible; Can I help it; Carry me back to Laramie; Come waltz with me; Darn that dream; Deep
in a dream; Don't talk...just sing; Don't say Paris, say Paree; Ever so lightly; Every stand up act is sitting down today;
For the sake of the children; Four for Texas; Give me a trio every time; Good for nothing but love; Have the time of your
life; Heaven can wait; He is very close to wonderful; Helpless; Hobson's choice; How are ya fixed for love; How do you talk
to a girl; I am Mrs. Stanhope Van Hepworth and...; I can't wait to take you home to mother; I don't think I'm in love; If
anything happened to you; If I be your best chance; If I look like I feel; If me no if – but me no but; I'll make a man of
the man; I'll never waltz again without you; Immaturity; In more ways than one; I saw the light of day last night; I sure
hate love; I thought about you; It gets lonely early; It's a living; It's been nice; I've got charm; Joanne; Joey (Theme for
Joey Bishop Show); Just what I wanted for Christmas; Kate the Great; Legs; Les poupees de Paris; Let's go see the Jets; Let's
be Frank, Mr. Frankenstein; Lizette; Looking for yesterday; Love in the air; Love is a bore; Love's a riddle; Lovin' is livin';
Love will find a way, they say; make with the kisses; Marriage on the rocks; Moonland; My baby loves to swing; My kind of
town; Miscellaneous; Oh! You crazy moon; One starry moment; On the wings of romance; Peace, brother; Playing politics; Razzle
dazzle; Robin and the 7 hoods; Rose loved roses; Sadie Fats; Sands Hotel song; Say something sentimental; Shadow sweetheart;
Shake down the stars; Skyscraper; So help me if I don't love you; Spring song; Stiffen up that upper lip; Stuck for an answer;
Summertime promises; Speaking of heaven; Sympathy; Television, USA; That man!; The circus, the circus; The coke! The Cat!
The Coook!; The public is always right; There's gotta be a weddin'; There's love and there's love and there's love; There's
gold in them thar hills; The September of my years; They ought to write a book about you; This is a song; This is madness
to love like this; Tomboy; Turn it into a musical; Unforgettable; Walking happy (Hobson's choice); We like working with each
other; We're getting too old for this jazz; We're l-losing our little girl; What makes it happen; When a prince of a fella
meets Cinderella; When no one cares; Where else (But the USA); Where was I?; Multiple titles (photocopies of songwriters contracts);
Song contracts A; Song contracts B; Song contracts C; Song contracts D; Song contracts E; Song contracts F; Song contracts
H; Song contracts I; Song contracts J; Song contracts K; Song contracts L; Song contracts M; Song contracts N; Song contracts
O; Song contracts R; Song contracts S; Song contracts T; Song contracts W; Song contracts Y.

Agreement, between Loew's Incorporated of Metro-Goldwyn-Mayer Pictures and Van Heusen and Sammy Cahn, concerning "The tender
trap", July 16, 1955. Letter/agreement, from Loew's Incorporated of Metro-Goldwyn-Mayer Pictures to Barton Music Corp., Van
Heusen and Sammy Cahn, confirming aspects of agreement, July 16, 1955.

Box 130, Folder 4

"I love you in Technicolor" and "Anytime at all".1961 to 1966.

Physical Description: 22 leaves; size: letter and legal

Scope and Content Note

Letter, from B. Starr to Carol Bridgman of ASCAP and Al Berman c/o Harry Fox, concerning "At any time at all", August 24,
1966. Index card, concerning "Any time at all". Letter, from Shapiro, Bernstein & Co., Inc., to Ben Starr, concerning "At
any time at all", August 23, 1966. Certificate of Registration of a Claim to Renewal Copyright (photocopy), for Van Heusen,
concerning "Any time at all", June 16, 1965. Assignment (photocopy), from Van Heusen and Julie Dorsey Hilton to St. James
Music Corporation, concerning "Any time at all" and "I love you in Technicolor", October 26, 1965. Seal of Office (photocopy),
by Copyright Office of the Library of Congress, (concerning "Any time at all" and/or "I love you in Technicolor"), Oct 29,
1965. (Note: this is copied on same paper as previous item.) Letter, from B. Starr to Al Berman c/o Harry Fox, concerning
"I love you in Technicolor" and "Anytime at all", June 16, 1966. Letter, from St. James Music Corp. to Register of Copyrights,
concerning assignment on "I love you in Technicolor" and "Anytime at all", October 27, 1965. (Original assignment included.)
Notice, from Register of Copyrights to St. James Music Corporation, concerning fee and recording of "enclosed document", December
1, 1965. Agreement (original and mimeograph), between Van Heusen, the owners of the renewal rights of the late Jimmy Dorsey,
and St. James Music Corp., concerning "I love you in Technicolor" and "Anytime at all", January 15, 1961. Letter, from Mildred
O'Rourke of the Copyright Dept. of American Guild of Authors and Composers to Van Heusen, concerning "Any time at all", August
17, 1965. Agreement (mimeograph), between Jimmy Dorsey and Van Heusen and Shapiro, Bernstein & Co. Inc., concerning "Any time
at all", May 4, 1938. Copyright Renewal Notice, from Mildred O'Rourke of the Copyright Dept. of American Guild of Authors
and Composers, concerning "Any time at all", April 30, 1965. Manuscript (mimeograph), of "Any time at all", 3 pages.

Box 130, Folder 6

"I love you in Technicolor" and "Anytime at all".1961, 1965.

Physical Description: 4 leaves; size: letter

Scope and Content Note

Agreement (photocopy), between Van Heusen, the owners of the renewal rights of the late Jimmy Dorsey, and St. James Music
Corp., concerning "I love you in Technicolor" and "Anytime at all", January 15, 1961. Notice, from Register of Copyrights
to St. James Music Corporation, concerning fee and recording of "enclosed document", December 1, 1965.

Authorization to grant licenses (2 letter and 2 legal), given to The Harry Fox Agency, Inc. by Burke & Van Heusen, Inc. (ASCAP),
concerning all compositions of which B & VH, Inc. is copyright proprietor, May 1, 1970. Authorization to grant licenses (1
letter and 2 legal), given to The Harry Fox Agency, Inc. by Van Heusen Music Corp. (ASCAP), concerning all compositions of
which VHM Corp. is copyright proprietor, May 1, 1970. Authorization to grant licenses (2 letter and 1 legal), given to The
Harry Fox Agency, Inc. by St. James Music Corp. (ASCAP), concerning all compositions of which SJM Corp. is copyright proprietor,
May 1, 1970. Authorization to grant licenses, given to The Harry Fox Agency, Inc. by Burke & Van Heusen, Inc. (ASCAP), concerning
all compositions of which B & VH, Inc. is copyright proprietor, May 1, 1970.

Box 131, Folder 4

Burke & Van Heusen, Inc., various correspondence.1953 to 1960.

Physical Description: 5 leaves; size: letter

Scope and Content Note

Letter (photocopy), from Paramount Pictures Corp. to Burke and Van Heusen, concerning return of "My English into French dictionary",
September 14, 1953. Memo (photocopy), from Gertrude Rosenstein to Nelle, concerning "file" (see last item), January 18, 1960.
Letter (photocopy), from Gertrude Rosenstein to Van Heusen, concerning return of "file" (see below), January 25, 1960. Letter
(photocopy), from ASCAP to Burke & Van Heusen, Inc., concerning letter from Famous Music Corporation, July 31, 1959.

Agreement, between the Burkes, the Van Heusens, and Burke & Van Heusen, Inc., concerning "Oh you crazy moon", "When I get
time", and "Absent minded moon", June 15, 1964. Agreement, between the Burkes, the Van Heusens, and Burke & Van Heusen, Inc.,
concerning "Imagination", "Polka dots and moonbeams", and "They ought to write a book about you", (not dated).

Agreements and correspondence related to "Aren't You Glad You're You?".1945 to 1969.

Physical Description: 67 leaves; size: letter; 6 leaves; size: legal

Scope and Content Note

Mostly photocopies

General note

Removed from folder titled "Aren't You Glad You're You (Bells of St. Mary) BVH

Copyright Records. Subseries 2.
1933-1982.

Physical Description:
15.0 boxes

Arrangement note

Arrangement reflects original filing order in most cases. Song files are alphabetical by title. Boxes identified by publishing
company in origination field derive from that company and typically follow original file order.

Scope and Content Note

Files include original materials and copies (thermofax, photocopy, and other means) primarily regarding copyright records,
applications, and renewals, but may also include song contracts and other associated materials. Documents are in song files
or contextualized by correspondence.

Box 81, Folder 16

Correspondence and records.1959, 1962, 1965, 1970.

Physical Description: 6 leaves; size: letter

Scope and Content Note

Related to multiple song titles; also includes photocopy of Van Heusen Music Corp. stock certificate in the name of Harry
Smith.

Seal of Office (photocopy), from the Library of Congress Copyright Office, May 19, 1945. Assignment of copyright (photocopy),
from Mayfair Music Corp. to Burke & Van Heusen, Inc., concerning "She's from Missouri", "Miss Jemima walks by", "Sunday, Monday,
or always", and "A horse that knows the way (back home)", April 3, 1945. Seal of Office (photocopy), from the Library of Congress
Copyright Office, July 10, 1944. Assignment of copyright (photocopy), from Paramount Music Corp. to Burke & Van Heusen, Inc.,
concerning "Going my way", "Swinging on a star", and "The day after forever", March 15, 1944.

Box 126, Folder 3

"All I remember is you".1966, 1967.

Physical Description: 17 leaves; size: letter and legal

Scope and Content Note

Correspondence, between American Society of Composers, Authors and Publishers and Remick Music Corp. and Van Heusen Music
Corp., concerning "All I remember is you", November 14, 1967. Certificate of Registration of a Claim to Renewal Copyright
(photocopy), by Van Heusen, concerning "All I remember is you", May 17, 1966. Certificate of Registration of a Claim to Renewal
Copyright (photocopy), by Van Heusen, concerning "All I remember is you" (revised edition), June 16, 1966. Transfer of rights
to renewal copyright (original and photocopy), from Van Heusen to Van Heusen Music Corp., concerning "All I remember is you"
(revised edition), August 12, 1966. Seal of Office (photocopy), by the Library of Congress Copyright Office for Van Heusen,
(concerning "All I remember is you" (revised edition)), August 19, 1966. (Note: this is copied on same paper as previous item.)
Transfer of rights to renewal copyright (original and photocopy), from Van Heusen to Van Heusen Music Corp., concerning "All
I remember is you", June 27, 1966. Seal of Office (photocopy), by the Library of Congress Copyright Office for Van Heusen,
(concerning "All I remember is you"), June 30, 1966. (Note: this is copied on same paper as previous item.) Index card, concerning
copyright renewal of "All I remember is you". Correspondence, between Register of Copyrights and Benjamin Starr, concerning
fee for copyright renewal of "All I remember is you", 1966. 4 Notices, from Benjamin Starr to American Society of Composers,
Authors and Publishers and to Al Berman, concerning both versions of "All I remember is you", June/August, 1966.

Box 126, Folder 4

Who'll buy my dream.1967.

Physical Description: 3 leaves; size: letter

Box 126, Folder 5

You can read me like a book.1965, 1966.

Physical Description: 21 leaves; size: letter

Scope and Content Note

Correspondence, records, and royalty contract

Box 126, Folder 6

You can't make it anywhere.1964.

Physical Description: 3 leaves; size: letter

Box 126, Folder 7

You danced with dynamite.1967.

Physical Description: 11 leaves; size: letter

Scope and Content Note

Photocopies of records, transfers, etc.

Box 126, Folder 10

You're right, you're right.11/27/1964.

Physical Description: 2 leaves; size: letter

Scope and Content Note

Certificate for Registration of a Claim to Copyright

Box 126, Folder 11

You're starting to get to me.1959, 1962.

Physical Description: 4 leaves; size: letter and legal

Box 126, Folder 12

"You think of everything", "Eleanor, I love you", "When the spirit moves me", and "There's a new gang on the way".1967.

Physical Description: 6 leaves; size: letter

Scope and Content Note

Copyright assignments to Van Heusen Music Corp.

Box 126, Folder 13

Return to the Land of Oz.1963 to 1967.

Physical Description: 16 leaves; size: mostly letter

Scope and Content Note

Copyright records of songs from this production, later called "Journey back to Oz".

Box 126, Folder 14

A tiny bit of faith.1966.

Physical Description: 8 leaves; size: mostly letter

Scope and Content Note

Copyright records for this and other songs from "Jack and the beanstalk". Also includes music manuscript (published version,
ozalid) of song title above.

Box 126, Folder 15

Charlotte couldn't Charleston.1964.

Physical Description: 5 leaves; size: letter

Scope and Content Note

Copyright certificate and printed song sheet

Box 126, Folder 16

All for one and one for all.1964.

Physical Description: 10 leaves; size: letter

Scope and Content Note

Correspondence regarding composition of above title with Minnie Garren, copyright records, and a printed song sheet.

Index card, concerning copyright of "A man and his music", November 16, 1965. Letter, from Irving Weiss of Sergeant Music
Co. to Carol Bridgeman of ASCAP, concerning "A man and his music", November 12, 1965. Certificate of Registration of a Claim
to Copyright (onion skin copy), for Sergeant Music Co., Laursteed, Inc., and Van Heusen Music Corp., concerning "A man and
his music", November 19, 1965.

Box 134, Folder 5

Concerning songs from "Skyscraper".1979.

Physical Description: 15 leaves; size: letter

Scope and Content Note

2 Letters (plus one copy of June letter), from ASCAP to Van Heusen Music Corp, concerning "Everybody has the right to be wrong"
and/or "More than one way", June/April, 1979. Assignment Notification (in French and English), by Societa' Italiana degli
Autori ed Editori (S.I.A.E.), concerning "Ev'rybody has the right to be wrong! (at least once)", May 3, 1979. Letter (copy),
from ASCAP to Van Heusen Music Corp., concerning "Fancy meeting you here" and "I'll only miss her when I think of her", June
27, 1979. Seal of Office (of Copyright Office of Library of Congress) and Assignment of Copyright, from Van Heusen to Van
Heusen Music Corp, concerning "If that doesn't do it" and "A love song to Ruth", April 3, 1979. Correspondence, between Miriam
Stern and Nancy Rosenthal of ASCAP, concerning "If that doesn't do it", May, 1979. 2 Certificate of Renewal Registration forms,
for Van Heusen, concerning "If that doesn't do it", (one is an altered version of the other), January 4, 1979.

Record of Van Heusen Music Co.'s Gross Earnings (photocopy), for 1967 and 1968. Publisher Performance Records (photocopies),
by ASCAP for Van Heusen Music Corp., concerning performances from October 1, 1968 to September 30, 1969. Check (photocopy),
from ASCAP to Van Heusen, for $1, 860.01, April 29, 1970. 2 Letters, from Sky Harbor Ranchos and Estates to Van Heusen, concerning
real estate, November 13, 1961. Legal description of 25.511 acre parcel, to be deeded from Sky Harbor Ranchos and Estates
to Van Heusen, September 24, 1963. Letter (photocopy), from Title Insurance and Trust Company to Van Heusen, concerning accounts
held in Trust RS-31546, December 8, 1969. Letter (photocopy), from Lipkowitz, Plaut, Salberg & Harris to Mickael W. Ring,
concerning Van Heusen's real estate matters, February 24, 1970. Letter (original and 3 photocopies), from Bregman, Vocco and
Conn, Inc. to Van Heusen, authorizing use of artwork and piano parts from "Swingin' the dream", September 27, 1968. 2 Letters,
from Ben Starr to Van Heusen, concerning "Darn that dream" and "Shake down the stars", July, 1968. Letter (2 copies), from
Van Heusen to Dick Ables, concerning "Looking for yesterday" and "The shrine of Saint Cecilia", November 12, 1968. Correspondence,
between Ben Starr, Ben Kendall of 20th Century Music Corp., and Van Heusen, concerning "Blue rain", "Darn that dream", "Shake
down the stars", etc., August, 1968. Alphabetical listings of songs (written and photocopies), from "A Cigarette and a silhouette"
to "You're just as pretty in person". List of songs to be sold by Herb Reis. List of songs delivered to Wise Bros., Dorsey
Bros., June 5, 1968. Sheet music, "Shake down the stars".

Copyright renewal certificate (photocopy), by Jimmy Van Heusen, for "Imagination" , Dec. 16, 1939. Blank notice of use and
copyright forms. One blank leaf with Burke and Van Heusen Incorporated/ Van Heusen Music Corporation/ St. James Inc., From
desk of James Van Heusen letterhead.

Box 139, Folder 2

Various copyright renewal records.1940 to 1968.

Physical Description: 34 leaves; Size: letter

Scope and Content Note

Copyright renewal certificate (photocopy) by Jimmy Van Heusen for "Just plain lonesome", Feb. 26, 1942. Copyright renewal
certificate (photocopy) by Jimmy Van Heusen for "Got the moon in my pocket", Feb. 26, 1942. Letter (photocopy), from Benjamin
Starr to James Van Heusen, regarding copyright renewal rights of "Do you know why", Nov.9, 1967. Letter (photocopy), from
Mildred O'Rourke of the Copyright Dept. of the American Guild of Authors and Composers to Jimmy Van Heusen, concerning the
application for renewal copyright in the compositions "Dearest, darest I", and "Isn't that just like love", Nov. 16, 1967.
Copyright certification (photocopy) by Johnny Burke & Jimmy Van Heusen for "Do you know why", Dec. 29, 1958. Documentation
(photocopy) for the State of California, County of Los Angeles that Evelyn Winters was a witness to a Notary Public in which
Johnny Burke and James V. Monaco personally appeared, Aug. 21, 1940. Copyright contract (photocopy), between Paramount Pictures
Inc., and Johnny Burke and Jimmy Van Heusen for "Do you know why", Aug. 21, 1940. Letter (photocopy) from Mildred O'Rourke
of the Copyright Department of the American Guild of Authors and Composers to Jimmy Van Heusen, regarding the application
for renewal copyright in the composition "Do you know why", Nov. 3, 1967. Letter (photocopy), from Benjamin Starr to James
Van Heusen, regarding the cue sheet of "Love thy neighbor" and a paper signed by Van Heusen in which he admitted that "Do
you know why" was written by Johnny Burke and Jimmy Van Heusen "as employees of Paramount Pictures Inc.", Nov. 10, 1967. Letter
(photocopy), from Mildred O'Rourke of the Copyright Dept. of the American Guild of Authors and Composers to Jimmy Van Heusen,
regarding whether or not he claims "Do you know why", "Isn't that just like love", and "Dearest, darest I" as a work for hire.
July 18, 1968. Letter (photocopy), from Jimmy Van Heusen to Mrs. O'Rourke, regarding Van Heusen's claim of being the author
for hire of "Do you know why." Letter (photocopy), from Mildred O'Rourke to Jimmy Van Heusen, regarding whether or not he
further desrires Copyright Renewal, Feb. 5, 1968. Letter (photocopy), from Mildred O'Rourke to Jimmy Van Heusen, regarding
his application for renewal of compositions entitled: "Dearest, darest I" and "Isn't that just like love." Copyright renewal
certificate (photo copy) by Jimmy Van Heusen for "Birds of a feather", Feb. 21, 1941. Copyright renewal notice (photocopy)
between Jimmy Van Heusen and Mildred O'Rourke, for "African Etude", Feb. 29, 1968. Copyright renewal notice (photocopy) between
Jimmy Van Heusen and Mildred O'Rourke, for "You're dangerous", Jan. 31, 1968. Copyright renewal notice (photocopy) between
Jimmy Van Heusen and Mildred O'Rourke, for "You lucky people you", Jan. 31, 1968. Copyright renewal notice (photocopy) between
Jimmy Van Heusen and Mildred O'Rourke, for "It's always you", Jan. 2, 1968. Copyright renewal notice (photocopy) between Jimmy
Van Heusen and Mildred O'Rourke, for "Birds of a feather", Jan. 2, 1968. Letter (photocopy), from James Van Heusen to Mildred
O'Rourke, regarding his application for renewal of compositions entitled "Isn't that just like love", and "Dearest, darest
I." Letter (photocopy), from Mildred O'Rourke to Jimmy Van Heusen concerning the application for renewal copyright in the
compositions "You're dangerous" and "You lucky people you", Apr. 8, 1968. Copyright renewal notice (photocopy) between Mildred
O'Rourke and Jimmy Van Heusen, for "Dearest, darest I", Aug. 31, 1967. Copyright renewal notice (photocopy) between Mildred
O'Rourke and Jimmy Van Heusen, for "Do you know why", Aug. 31, 1967. Balance in deposit account before and after fee for renewal
of "It's always you" was deducted, between the American Guild Of Authors and Composers and Jimmy Van Heusen, March 28, 1968.
Copyright renewal certificate (photocopy) by Jimmy Van Heusen for "It's Always you", Feb. 21, 1941. A list of musical compositions,
by Jimmy Van Heusen and various other songwriters, for the photoplay entitled "Love thy neighbor", December 12, 1940.

Box 139, Folder 3

Correspondence regarding copyright.1963.

Physical Description: 4 leaves; Size: legal

Scope and Content Note

One blank leaf with Burke & Van Heusen Inc. letterhead. Letter from Peggy Price, Secretary and the Library of Congress regarding
forms to be sent, May 1, 1963. Blank songwriters contract with annotations in pen. Blank record contract.

Box 139, Folder 4

"Looking for yesterday".1940, 1967, 1968.

Physical Description: 30 leaves; Size: legal

Scope and Content Note

Copyright certification certificate, Sept. 19, 1967. Letter from Dick to Ben, regarding the copyright notice for "Looking
for yesterday" , Nov. 15, 1968. Copyright renewal of "Looking for yesterday" , signed by James Van Heusen, Sept. 12, 1967.
Letter from Arthur Buocher to B. Starr, concerning the renewal rights of Jimmy Van Heusen in "Looking for yesterday", Nov.
9, 1967. Copyright renewal certificate by Jimmy Van Heusen, for "Looking for yesterday", Aug. 14, 1967. Copyright renewal
certificate by Jimmy Van Heusen, for "Looking for yesterday", Oct. 26, 1967. Annotation in pencil. Letter from Mildred O'Rourke
to Jimmy Van Heusen, regarding his requested applications for copyright renewal certificates for "You danced with dynamite"
and "Looking for yesterday", Jan. 31, 1968. Registration card by Jimmy Van Heusen for "Looking for yesterday", Aug. 14, 1967.
Letter from B. Starr to the American Society of Composers, Authors and Publishers, regarding James Van Heusen having assigned
to Van Heusen Music Corp. all of his right, title and interest in and to "Looking for yesterday", Sept. 12, 1967. Letter from
B. Starr to Al Berman, regarding James Van Heusen having assigned to Van Heusen Music Corporation all of his right, title
and interest in "Looking for yesterday", Sept. 12, 1967. Letter from B. Starr to the Register of Copyrights Library of Congress,
regarding an enclosed sum to be recorded from James Van Heusen to Van Heusen Music Corp. of the musical composition "Looking
for yesterday", and then returned, Sept. 12, 1967. Copyright renewal of "Looking for yesterday", signed by James Van Heusen,
Sept. 12, 1967. Letter from Benjamin Starr to Peggy Price, regarding renewal rights of "Looking for yesterday". Annotation
in pen by B. Starr, Sept 12, 1967. Letter from Peggy Price to Ben Starr, regarding an enclosed copy of the renewal copyright
on the published version of "Looking for yesterday", Sept. 6, 1967. Songwriters contract (photocopy) between Eddie DeLange
& Jimmy Van Heusen and IRVING BERLIN INC. for "Looking for yesterday", May 21, 1940. Letter from B. Starr to Carol Bridgeman,
regarding confirmation that Bourne Co. makes no claim to the James Van Heusen interest in "Looking for yesterday" for the
renewal term of copyright, Nov. 9, 1967. Letter from Carol Bridgman to Benjamin Starr, regarding the Bourne Co. making no
claim to the James Van Heusen and Eddie De Lange interests in "Looking for yesterday", Nov. 8, 1967. Copyright certification
certificate, Aug 21, 1967, attached to the copyright renewal of "Looking for yesterday", Aug. 16, 1967, signed by James Van
Heusen. Copyright renewal notice between Mildred O'Rourke and Jimmy Van Heusen, for "Looking for yesterday", Aug. 31, 1967.
Letter from Peggy Price to B. Starr, regarding renewal rights of "Looking for yesterday", Aug. 16, 1967. Letter from Peggy
Price to Ben Starr, regarding an enclosed copy of the renewal certificate on "Looking for yesterday" along with a copy of
a letter from Adele Sandler and his letter to Bonnie Bourne, Aug. 11, 1967. Copyright renewal certificate by Jimmy Van Heusen
for "Looking for yesterday", May 23, 1967. Registration card by Jimmy Van Heusen for "Looking for yesterday", May 23, 1967.
Copyright renewal of "Looking for yesterday", signed by James Van heusen, Aug. 16, 1967. Letter from B. Starr to the register
of Copyrights Library of Congress, regarding an enclosed sum to be recorded from James Van Heusen to Van Heusen Music Corp.
of the musical composition "Looking for yesterday", and returned, Aug. 16, 1967. Letter from B. Starr to the American Society
of Composers, Authors and Publishers, regarding James Van Heusen having assigned to Van Heusen Music corp. all of his right,
title and interest in and to "Looking for yesterday", Aug. 16, 1967. Letter fron B. Starr to Al Berman, regarding James Van
Heusen having assigned to Van Heusen Music Corporation all of his right, title and interest in the renewal copyright of "Lookig
for yesterday", Aug. 16, 1967. Copyright renewal notice between Mildred O'Rourke and Jimmy Van Heusen, for "Looking for yesterday",
March 31, 1967. Songwriters contract between IRVING BERLIN INC., and Eddie DeLange & Jimmy Van Heusen, for "Looking for yesterday",
May 21, 1940.

Box 139, Folder 5

"It's the dreamer in me".1938 to 1966.

Physical Description: 21 leaves; Size: legal

Scope and Content Note

Memo from the desk of Peggy O'Brien Price, regarding the renewal of "It's the dreamer in me". Publishers agreement between
Jimmy Van Heusen and LEO FEIST, Inc., for "It's the dreamer in me", December 6, 1938. Annotation in pencil. Letter (copy)
from Miriam Stern, the Executive Director of the American Guild of Authors and Composers to Benjamin Starr, regarding problems
relative to "It's the dreamer in me" due to the Basic Agreement of 1939, Dec. 14, 1966. Letter from B. Starr to Julian T.
Abeles, regarding Starr's belief that the agreement between Leo Feist, Inc. and SPA over "It's the dreamer in me", effectively
vests in Jimmy Van Heusen's share of the renewal rights and copyright, November 23, 1966. Letter from B. Starr to Mariam Stern,
regarding the rights to copyright renewal of "It's the dreamer in me", Nov. 23, 1966. Letter (mimeograph) from Julian Abeles
to Benjamin Starr, regarding the rights to copyright renewal of "It's the dreamer in me", Nov. 14, 1966. Copyright certification
certificate and copyright renewal (mimeograph) of "Love in the air", "If I look like I feel", "Say something sentimental",
"A cigarette and a silhouette", "If anything happened to you", "This is madness", "I saw the light of day last night", "Shadow
sweetheart", "It's the dreamer in me", "The pleasure was mine", "You can read me like a book", and "In more ways than one",
June 22, 1966. Registration card (photocopy) by Jimmy Van Heusen, for "It's the dreamer in me", April 2, 1965. Letter (mimeograph)
from B. Starr to the American Society of Composers, Authors and Publishers, regarding James Van Heusen having assigned to
Van Heusen Music Corp. all of his right, title and interest in and to "Love in the air", "If I look like I feel", "Say something
sentimental", "A cigarette and a silhouette", "If anything happened to you", "This is madness", "I saw the light of day last
night", "Shadow sweetheart", "It's the dreamer in me", "The pleasure was mine", "You can read me like a book", "In more ways
than one", June 16, 1966. Letter (mimeograph) from B. Starr to Al Berman, regarding James Van Heusen having assigned to Van
Heusen Music Corp. all of his right, title and interest in and to "Love in the air", "If I look like I feel", "Say something
sentimental", "A cigarette and a silhouette", "If anything happened to you", "This is madness", "I saw the light of day last
night", "Shadow sweetheart", "It's the dreamer in me", " The pleasure was mine", "You can read me like a book", and "In more
ways than one", June 16, 1966. Letter (mimeograph) from B. Starr to the Register of Copyrights Library of Congress, regarding
an enclosed sum to be recorded from James Van Heusen to Van Heusen Music Corp. of twelve music compositions including "It's
the dreamer in me", June 16, 1966. Copyright renewal (mimeograph) by James Van Heusen, for twelve music compositions including
"It's the dreamer in me", June 16, 1966. Copyright certification certificate and copyright renewal (mimeograph) for "You can
read me like a book", "It's the dreamer in me", "When a prince of a fella meets a Cinderella", and "This is madness". Oct.
25, 1965. Letter (mimeograph) from Mildred O'Rourke to Jimmy Van Heusen, regarding enclosed Certificates of renewal of copyright
for "I saw the light of day last night" and "It's the dreamer in me", April 19, 1965. Copyright renewal notice between Mildred
O'Rourke and Jimmy Van Heusen, regarding "It's the dreamer in me", Feb. 26, 1965. Letter (mimeograph) from Mildred O'Rourke
to Jimmy Van Heusen, regarding enclosed Certificates of Renewal of Copyright for "It's the dreamer in me", "Argentina skies",
and "You can read me a little book", March 5, 1965. Letter from Leon Kellman to Benjamin Starr, regarding the rights to copyright
renewal of "It's the dreamer in me", March 11, 1967. Letter from B. Starr to Warner Strupp, regarding the rights to copyright
renewal of "It's the dreamer in me", Oct. 4, 1966. Letter from B. Starr to Miriam Stern, regarding the rights to the copyright
renewal of "It's the dreamer in me", Oct, 20, 1966.

Box 139, Folder 6

"Isn't that just like love" renewal notice.8/31/1967.

Physical Description: 1 leaf; Size: legal

Scope and Content Note

Copyright renewal notice between Mildred O'Rourke and Jimmy Van Heusen, regarding "Isn't that just like love".

Box 139, Folder 7

"In more ways than one".1964 to 1966.

Physical Description: 13 leaves; Size: legal

Scope and Content Note

Registration card (photocopy) by Jimmy Van Heusen, for "In more ways than one", Sept. 17, 1964. Letter (photocopy) from B.
Starr to the American Society of Composers, Authors and Publishers, regarding James Van Heusen having assigned to Van Heusen
Music Corp. all of his right, title and interest in and to "Love in the air", "If I look like I feel", "Say something sentimental",
"A cigarette and a silhouette", "If anything happened to you", "This is madness", "I saw the light of day last night", "Shadow
sweetheart", "It's the dreamer in me", " The pleasure was mine", "You can read me like a book", and "In more ways than one",
June 16, 1966. Copyright certification certificate and copyright renewal (photocopy) of "Love in the air", "If I look like
I feel", "Say something sentimental", "A cigarette and a silhouette", "If anything happened to you", "This is madness", "I
saw the light of day last night", "Shadow sweetheart", "It's the dreamer in me", "The pleasure was mine", "You can read me
like a book" and "In more ways than one", June 16, 1966. Letter (mimeograph) from B. Starr to Al Berman, regarding James Van
Heusen having assigned to Van Heusen Music Corp. all of his right, title and interest in and to twelve songs including "In
more ways than one", June 16, 1966. Letter (mimeograph) from B. Starr to the Register of Copyrights Library of Congress, regarding
an enclosed sum to be recorded from James Van Heusen to Van Heusen Music Corp. of twelve music compositions including "In
more ways than one", June 16, 1966. Copyright renewal (mimeograph) by James Van Heusen, for twelve music compositions including
"In more ways than one", June 16, 1966. Copyright certification certificate and copyright renewal (mimeograph) by Jimmy Van
Heusen, for "The pleasure was mine", "In more ways than one" and "I saw the light of day last night", Oct. 25, 1965. Copyright
renewal certificate by Jimmy Van Heusen for "In more ways than one", Sept. 17, 1964. Letter from Milldred O'Rourke to Peggy
Price, regarding filing an application for Copyright Renewal Certificate for "In more ways than one", Aug. 17, 1964. Annotation
in pen. Letter from Mildred O'Rourke to Jimmy Van Heusen, regarding enclosed Certificates of Renewal of Copyright for "In
more ways than one", Oct. 6, 1964. Annotation in pen. Copyright renewal notice between Mildred O'Rourke and Jimmy Van Heusen,
regarding "In more ways than one", July 31, 1964. Letter from Peggy Price to Mildred O'Rourke, regarding an enclosed copy
of the Copyright Renewal Notice for "In more ways than one", an enclosed check to cover the renewal cost, and a copy request,
Aug 10, 1964.

Box 139, Folder 8

"If I look like I feel".1964 to 1966.

Physical Description: 13 leaves; Size: legal

Scope and Content Note

Registration card (photocopy) by Jimmy Van Heusen for "If I look like I feel", Feb. 23, 1965. Copyright renewal certificate
by Jimmy Van Heusen for "If I look like I feel", Feb. 23, 1965. Copyright certification certificate and copyright renewal
(mimeograph) by James Van Heusen, for twelve listed music compositions including "If I look like I feel", June 16, 1966. Letter
(mimeogaph) from B. Starr to the Americam Society of Composers, Authors and Publishers, regarding James Van Heusen having
assigned to Van Heusen Music Corp. all of his right, title and interest in and to twelve listed music compositions including
"If I look like I feel", June 16, 1966. Letter (mimeograph) from B. Starr to Al Berman, regarding James Van Heusen having
assigned to Van Heusen Music Corp. all of his right, title and interest in and to twelve listed music compositions including
"If I look like I feel", June 16, 1966. Letter (mimeograph) from B. Starr to the Register of Copyrights Library of Congress,
regarding an enclosed sum to be recorded from James Van Heusen to Van Heusen Music Corp. of twelve listed musical compositions
including If I look like I feel", June 16, 1966. Copyright renewal (mimeograph) by James Van Heusen, for twelve listed musical
compositions including "If I look like I feel", June 16, 1966. Copyright certification certificate and copyright renewal (mimeograph)
by Jimmy Van Heusen, for "Love in the air", "If I look like I feel", "Say something sentmental", "Shadow sweetheart", "A cigarette
and a silhouette" and "If anything happened to you", Oct. 25, 1965. Annotation in pen. Letter (photocopy) from Mildred O'Rourke
to Jimmy Van Heusen, regarding enclosed Certificates of Renewal of Copyright for "If I look like I feel" and "If you're ever
in my arms again", March 31, 1965. Copyright renewal notice between Mildred O'Rourke and Jimmy Van Heusen, regarding "If I
look like I feel", Oct. 30, 1964. Songwriters contract between Joe Davis, Inc. and Benny Mercoff - Jimmy Van Heusen for "If
I look like I feel", Nov. 11, 1937.

Box 139, Folder 9

"Love in the air".1964 to 1966.

Physical Description: 13 leaves; Size legal

Scope and Content Note

Songwriters contract between SOUTHERN MUSIC PUBLISHING CO., Inc., and Jimmy Van Heusen for "Love in the air", Oct. 10, 1936.
Copyright certification certificate and Copyright renewal (mimeograph) by James Van Heusen for twelve listed musical compositions
including "Love in the air", June 16, 1966. Registration card (photocopy) by Jimmy Van Heusen for "Love in the air", Feb.
23, 1965. Copyright renewal certificate (mimeograph) by Jimmy Van Heusen for "Love in the air", Feb. 23, 1965. Copyright renewal
certificate by Jimmy Van Heusen for "Love in the air", Feb 23, 1965. Letter (mimeograph) from B. Starr to the American Society
of Composers, Authors and Publishers, regarding James Van Heusen having assigned to Van Heusen Music Corp. all of his right,
title and interest in and to twelve listed musical compositions including "Love in the air", June 16, 1966. Letter (photocopy)
from B. Starr to Al Berman, regarding James Van Heusen having assigned to Van Heusen Music Corp. all of his right, title and
interest in and to twelve listed musical compositions including "Love in the air", June 16, 1966. Letter (photocopy) from
B. Starr to the Register of Copyrights Library of Congress, regarding an enclosed sum to be recorded from James Van Heusen
to Van Heusen Music Corp. of twelve listed musical compositions including "Love in the air", June 16, 1966. Copyright renewal
(photocopy) by James Van Heusen for twelve listed musical compositions including "Love in the air", June 16, 1966. Copyright
renewal certificate (mimeograph) by Jimmy Van Heusen for "Love in the air", Feb. 23, 1965. Copyright certification certificate
and copyright renewal (mimeograph) by James Van Heusen, for "Love in the air", "If I look like I feel", "Say something sentimental",
"Shadow sweetheart", "A cigarette and a silhouette", and "If anything happened to you", Oct. 25, 1965. Letter from Peggy Price
to Par Nolan, regarding an enclosed renewal certificate on "Love in the air" and a therofax copy having been made and put
in the Van Heusen Music files, April 5, 1965. Sheet music for "love in the air" is also enclosed. Copyright renewal notice
between Margaret Thiele and Jimmy Van Heusen, regarding "Love in the air" Jan 31, 1964. Annotation in pencil. Letter from
Mildred O'Rourke to Jimmy Van Heusen, regarding enclosed Certificates of Renewal of Copyright for "Love in the air", March
30, 1965. Sheet music for "Love in the air"

Box 139, Folder 10

Various copyright records and correspondence.1933 to 1968.

Physical Description: 97 leaves; Size: legal

Scope and Content Note

Unsigned copyright assignment regarding "Nancy, with the laughing face", along with an unsigned Notary Public. Royalty agreement
between James Van Heusen and Nancy Sinatra, Aug. 12, 1968. Royalty agreement (photocopy) between James Van Heusen and Nancy
Sinatra, Aug. 12, 1968. Royalty agreement (photocopy) between James Van Heusen and Nancy Sinatra, Aug. 12, 1968. Letter from
Ben Starr to Peggy Price, regarding enclosed copies of songwriter's contract, the Assignment, and the Agreement signed by
Nancy Sinatra, dated Aug. 12, 1968, on the song "Nancy with the laughing face", Aug. 13, 1968. Letter from James Van Heusen
to Stan Stanley, regarding his request to print up and send out 1000 Folios of his important songs to recording companies,
agencies, radio and television stations and other important people in the industry. He also requested permission to print
"Teamwork", Aug. 28, 1965. Letter from James Van Heusen to Ed Slattery, regarding his request to print up and send out 1000
Folios of his important songs to recording companies, agencies, radio and television stations, and other important people
in the industry. He also requested permission to print "The secret of Christmas", "You can't love 'em all" and "The second
time around", Aug. 28, 1965. Letter from Jimmy Van Heusen to Milton Cashy, regarding an oversight in preparing the contracts
which gave one-half the assets of Burke & Van Heusen Inc. to Dorsey Bros. Music Corp. in exchange for 50% stock interest in
Burke & Van Heusen Inc., Aug. 15, 1968. Letter (photocopy) from Edward Traubner to Walt Disney Music Co., Re: Sammy Cahn,
regarding a letter sent on July 2 which was not responded to, Aug. 19, 1965. Letter (photocopy) from Edward Traubner to the
Walt Disney Music Co., Re: Sammy Cahn, regarding 1000 Folios that Sammy Cahn would like to print up and send to recording
companies, agencies, radio and televison stations, and other important people in the industry. He also requested permission
to print "Go to sleep! Go to sleep!", "You're mother and mine", "Second star to the right", and "You can fly, you can fly",
July 2, 1965. Letter (photocopy) from Edward Traubner to Lou Levy, regarding a letter sent on July 2, which was not responded
to, Aug. 19, 1965. Letter (photocopy) from Edward Traubner to Lou Levy, regarding Sammy Cahn wanting to print up and send
out 1000 Folios of his important songs to recording companies, agencies, radio and television stations, and other important
people in the industry. He also requested permission to print "This is no laughing matter", July 2, 1965. Letter (photocopy)
from Edward Traubner to Richard Volter, regarding Sammy Cahn wanting to print up and send out 1000 Folios of his important
songs to recording companies, agencies, radio and television stations, and other important people in the industry. He also
requested permission to print "I'm glad I waited for you", July 2, 1965. Letter (photocopy) from Edward Traubner to Howard
Richmond, regarding Sammy Cahn wanting to print up and send out 1000 Folios of his important songs to recording companies,
agencies, radio and television stations, and other important people in the industry. He also requested permission to print
"Autumn in Rome", July 2, 1965. Letter (photocopy) from Edward Traubner to the Embassy Music Corporation, regarding Sammy
Cahn wanting to print up and send out 1000 Folios of his important songs to recording companies, agencies, radio and television
stations, and other important people in the industry. He also requested permission to print "I should care", July 2, 1965.
Letter (photocopy) from Edward Traubner to Irving Weiss, regarding Sammy Cahn wanting to print up and send out 1000 Folios
of his important songs to recording companies, agencies, radio and television stations, and other important people in the
industry. He also requested permission to print "My kind of town", July 2, 1965. Letter (photocopy) from Edward Traubner to
Stan Stanley, regarding a letter sent on July 2, which was not responded to, Aug. 19. 1965. Letter (photocopy) from Edward
Traubner to Stan Stanley, regarding Sammy Cahn wanting to print up and send out 1000 Folios of his important songs to recording
companies, agencies, radio and television stations and other important people in the industry. He also requested permission
to print "As long as there's music", "Come out! Wherever you are", "I guess I'll hang my tears out to dry", "Some other time"
and "Victory polka", July 2, 1965. Letter (photocopy) from Edward Traubner to Victor Blau, regarding a letter sent July 2,
which was not responded to, Aug. 19, 1965. Letter (photocopy) from Edward Traubner to Victor Blau, regarding Sammy Cahn wanting
to print up and send out 1000 Folios of his important songs to recording companies, agencies, radio and television stations,
and other important people in the industry. He also requested permission to print "Bel mir bist due schon!", "Face to face",
"It's magic!", "It's you or no one", "Please be kind", "Put 'em in a box! Tie 'em with a ribbon! and throw 'em in the deep
blue sea!!!" and "That makes Paris, Paree!!!", July 2, 1965. Letter from James Van heusen to Jack Gale, regarding printing
up and sending out 1000 Folios of his important songs to recording companies, agencies, radio and television stations, and
other important people in the industry. He also requested permission to print "I could have told you", Aug. 28, 1965. Letter
from Bertha Schwartz to Jimmy Van Heusen, regarding approval of Jimmy's request for permission to reprint "The secret of Christmas",
"You can't love 'em all" , and "The second time around", Sept. 20, 1965. Letter from B. Starr to Sol Parker, regarding James
Van Heusen assigning his renewal rights to Van Heusen Music Corp. to the composition "Nancy with the laughing face", Dec.
11, 1968. Letter between B. Starr to Mary Lyle, regarding the recordation of four musical compositions, Oct. 17, 1967. Annotations
in pen. Affidavit relating to "You think of ev'rything", "Eleanor I adore you", "When the spirit moves me" and "There's a
new gang on the way", signed by Billy Rose, Jan. 5, 1965. Letter from B. Starr to Jimmy Van Heusen, regarding Billy Rose's
and his successor's possible copyright renewal rights to four songs, Jan 21, 1965. Affidavit (mimeograph) relating to "You
think of ev'rything", "Eleanor I adore you", "When the spirit moves me", and "There's a new gang on the way", Jan. 5, 1965.
Letter from B. Starr to the Register of Copyrights, regarding the recordation of an enclosed affidavit signed by Billy Rose,
on January 5, 1965 under which he acknowledges that he is not a writer of "You think of ev'rything", "Eleanor I adore you",
"When the spirit moves me", and "There's a new gang on the way", Jan. 21, 1965. Letter (mimeograph) from Billy Rose to Benjamin
Starr, regarding Billy Rose being willing to sign the necessary papers to make the renewal copyrights the exclusive property
of Jimmy and the Joseph McCarthy estate, Dec. 14, 1964. Letter from B. Starr to Billy Rose, requesting cooperation in connection
with the renewal copyrights of "You think of ev'rything", "Eleanor I adore you", "When the spirit moves me" and "There's a
new gang on the way", in which he was not a writer of, Dec. 11, 1964. Annotation in pencil. Letter from B. Starr to James
Van Heusen, regarding Billy Rose having signed before a notary public, the papers prepared by him, Jan. 7, 1965. Letter from
B. Starr to Jimmy Van Heusen, regarding an attached photostatic copy of a letter from Billy Rose, and an enclosed copy of
the letter and affadavit sent to him, Dec. 16, 1964. Letter (photostatic copy) from Billy Rose to Benjamin Starr, regarding
Billy Rose being willing to sign the necessary papers which will make the renewal copyrights the exclusive property of Jimmy
and the Joseph McCarthy estate, Dec. 14, 1964. Stapled to previous entry. Letter from B. Starr to Billy Rose, regarding three
enclosed copies of an affidavit to be signed by Rose in connection with the renewal rights of the four compositions, Dec.
16, 1964. Blank affidavit addressed to Billy Rose relating to "You think of ev'rything", "Eleanor I adore you", "When the
spirit moves me" and "There's a new gang on the way". Publisher's agreement between Billy Rose's Expositions Spectacles, Inc.,
Jimmy Van Heusen, Joseph McCarthy, Billy Rose, and Robbins Music Corporation, regarding Billy Rose's Aquacade. Letter from
Jimmy Van Heusen to Joe McCarthy Jr., regarding a request for photostated copies of Joe McCarthy Jr's father's contracts to
"You think of ev'rything", "Eleanor I adore you", "When the spirit moves me" and "There's a new gang on the way", May 4, 1964.
Letter from Jimmy to Joseph McCarthy, regarding enclosed carbon copies of letters that Jimmy's attourney had been sending
to various people, concerning Billy Rose, Jan. 29, 1965. Letter (handwritten) from Joe McCarthy Jr. to Jimmy Van Heusen, regarding
the requested original contracts being unfound, June 29, 1964. Newspaper clippings (photocopy) regarding Cut-In Writers, June
10, 1964. Publisher's agreement (photocopy) between Billy Rose's Expositions spectacles, Inc., Jimmy Van Heusen, Joseph McCarthy,
Billy Rose, and Robbins Music Corporation, relating to Billy Rose's Aquacade. Newspaper clippings (photocopy) regarding Cut-In
Writers, June 10, 1964. Letter from Jimmy Van Heusen to Ben Starr, regarding authorization to write to Billy Rose concerning
the removal of his name from the songs written by Jimmy Van Heusen and Joseph McCarthy for the Aquacade show, Dec. 3, 1964.
2 pages. Newspaper clippings (photocopy) regarding Cut-In Writers, June 10, 1964. Publisher's agreement between Billy Rose's
Expositions Spectacles, Inc., Jimmy Van Heusen, Joseph McCarthy, Billy Rose, and Robbins Music Corporations, relating to Billy
Rose's Aquacade. Publisher's agreement (photocopy) between James Van Heusen and Music Publishers Holding Corporation, Jan.
1939. Blank royalty agreement (photocopy). Newspaper clipping entitled, "BVC wins key renewal rights case re Donaldson tunes
cleffed 'for hire", Nov. 3, 1965. Letter from B. Starr to Leon Kellman, regarding Jimmy Van Heusen's SPA membership status
at the time of certain agreements, March 14, 1967. List of songs to be renewed - "Looking for yesterday", "Sympathy", "They
ought to write a book about you", "Tom-boy", "You danced with dynamite", "Imagination", and "Polka dots and moonbeams". Letter
from Leon Kellman to Bernard Fischman, referring to the awaited reply of his June 1st letter, regarding the relationship of
the renewal situation under the 1939 Basic Agreement, Aug. 18, 1967. Letter from Leon Kellman to Bernard Fischman, referring
to the awaited reply to his Jan 17th letter, concerning certain songs of J.C. Johnson and Jimmy Van Heusen, March 11, 1967.
Address of Julie Dorsey Hilton given to JVH by Sam Weiss, 11-23-64. Letter from B. Starr to William Krasilovsky, regarding
withdrawal of claims to the Jimmy Van Heusen shares of the renewal copyrights of "All this and heaven too", "So help me if
I don't love you", "This is madness", "When a prince of a fella meets a cinderella" , "I love you in technicolor", "Deep in
a dream", "Good for nothin' "and "Oh! You crazy moon", Oct. 3, 1966. Letter from B. Starr to Carol Bridgman and Arthur Boucher,
regarding "So help me if I don't love you", and "When a prince of a fella meets a cinderella", June 27, 1966. Release pursuant
to Paragraph Nine of Agreement between S.P.A. and Publisher (photocopy), by Eddie DeLange-Jimmy Van Heusen for "So help me
if I don't love you", Jan 5, 1940. Letter from the Secretary of James Van Heusen to Miriam Stern, regarding copies of song
contracts of "Blue rain", "Make with the kisses" and "I thought about you", Sept. 6, 1966. Leaf with the annotation "antiques".
Royalty contract by Jerry Arlen and James Van Heusen, for "You hi-de-hi-ing me", Oct. 17, 1933. Annotations in pencil. Royalty
contract by Jerry Arlen and James Van Heusen, for "I'm feeling fine", Oct. 17, 1933. Royalty contract by Jerry Arlen and James
Van Heusen, for "It's smart this season (to be in love)", Oct. 17, 1933. Letter from Exclusive Publications, Inc., to whom
it may concern, regarding "It ain't right (but you can't go wrong)" being released by Exclusive Publications, Inc., to James
Van Heusen and Jerry Arlen, Aug. 2, 1934. Songwriters contract by Jimmy Van Heusen, for "Lamento Gitano" (Gypsy lament) English
lyrics, Oct. 10, 1936. Agreement by James Van Heusen, Morris Levy, Henry Glover, Jack Pearl, Arthur E. Babcock, Ida May Babcock
and Wilbur A. Babcock, July 23, 1963. Agreement by Ada Kurtz, a/k/a Kurt Adams, regarding James Van Heusen being the author
of "Somewhere along the way", July 23, 1963. Schedule "A" - a list of musical compositions - "My dream sonata", "Somewhere
along the way", "I could have told you", "Funny thing" and "How can I replace you", July 23, 1963. Letter from James Van Heusen
to the United Music Corporation, regarding payment to Morris Levy, Henry Glover and Jack Pearl, and their respective heirs,
executors, administrators, successors and assigns, the first $12,500.00 of his mechanical royalties from "My dream sonata",
"I could have told you", "Funny thing", and "How can I replace you". Agreement by Bank of America, regarding the renewal copyright
rights in musical compositions written by James Van Heusen assigned to Messrs. Levy, Glover and Pearl, or their respective
heirs, executors, administrators, successors and assigns. Agreement by Milton L. Cashy, executor of the estate of James Van
Heusen, a/k/a Edward C. Babcock, regarding the renewal copyright rights in musical compositions written by James Van Heusen
assigned to Messrs: Levy, Glover and Pearl, or their respective heirs, executors, administrators, successors and assigns,
Aug 20, 1963. Letter from Smitty of Burke & Van Heusen inc. Music Publishers to Jimmy Van Heusen, regarding copyright renewal
procedure of "Keep it under your hat" and "Afraid to say hello since you said goodbye", Aug. 27, 1957. Letter from Lawrence
J. Greene to Herb Reis, regarding three enclosed copies of undated contracts signed by James Van Heusen and Julie Dorsey Hilton
dealing with renewal copyrights of the musical compositions entitled "Any time at all" and "I love you in technicolor", Oct.
25, 1963. Letter from Jimmy Van Heusen to Harry Smith, regarding copyright renewals on two songs, "Keep it under your heart"
and "Afraid to say hello", Aug. 18, 1957. Letter from Irving Mills to Jerry Arlen & James Van Heusen, regarding royalty contracts,
March 27, 1933. Writen agreement (photocopy) by James Van Heusen to assign one half interest in the song, "What's happened
to me?" to Benjamin A. Greene, May 8, 1936. List of Jimmy Van Heusen's renewals - "The pleasure was mine", "Unforgettable",
"What's happened to me", "If you're ever in my arms again", "Any time at all", "Cigarette and a silhouette","Deep in a dream",
"Do you wanna jump, children", "I love you in technicolor", "I saw the light of day last night", "If I look like I feel",
"It's the dreamer in me", "Say something sentimental", "Shadow sweetheart", "This is madness to love like this", "When a prince
of a fella meets a cinderella","You can read me like a book", "All this and heaven too",and "Help me (if I don't love you)."
Available renewals of songs with SPA contracts - "Swinging the dream", "There's gotta be a wedding", "Peace, brother", "Swinging
a dream", "Darn that dream", "Moonland", "Love's a riddle", "Spring song", "Can I help it", "All this and heaven too", "Shake
down the stars", "Looking for yesterday", "Sympathy" and "A cigarette and a silhouette". Mention of songs without SPA contracts.
Letter from Smitty to Jimmy Van Heusen, regarding the exact dates of the first copyright entry of "Love in the air", "If you're
ever in my arms again", "Harlem hospitality", "If I look like I feel", "You can read me like a book", "Argentina skies", "It's
the dreamer in me", "Say something sentimental", "Shadow sweetheart", "Any time at all", "So help me", "this is madness" and
"When a prince of a fella", Sept. 19, 1956. List of James Van Heusen renewals - "The pleasure was mine", "Unforgettable",
"What's happened to me", "If you're ever in my arms again", "Any time at all", "Cigarette and a silhouette", "Deep in a dream",
"Do you wanna jump, children", "I love you in technicolor", "I saw the light of day last night", "If I look like I feel",
"It's the dreamer in me", "Say something sentimental", "Shadow sweetheart", "So help me if I don't love you", "This is madness
to love like this", "When a prince of a fella meets a cinderella", "You can read me a little book", "All this and heaven too",
Annotation in pencil. List of renewal copyright certificates received - "Any time at all", "If I look like I feel", "If you're
ever in my arms again", "I love you in technicolor", "In more ways than one", "I saw the light of day last night", "It's the
dreamer in me", "Love in the air", "Shadow sweetheart", "You can read me like a book", "There's a house in Harlem for sale
(Harlem hospitality)", "Argentina Skies", "Unforgettable", "So help me", "Cigarette and a silhouette", Annotations in pen.
Addresses of Curley Mahr and Carl. Written agreement by James Van Heusen to assign one half interest in the song, "What's
happened to me?" to Benjamin Greene, May 8, 1936. Available renewals with SPA contracts - "Swinging the dream", "There's gotta
be a wedding", "Peace, brother", "Swinging a dream", "Darn that dream", "Moonland", "Love's a riddle", "Spring song", "Can
I help it", "All this and heaven too", "Shake down the stars", "Looking for yesterday", "Sympathy", "A cigarette and a silhouette".
Mention of songs without SPA contracts. Available renewals with SPA contracts - "Swinging the dream", "There's gotta be a
wedding", "Peace, brother", "Swinging a dream", "Moonland", "Love's a riddle", "Spring song", "Can I help it", "All this and
heaven too", "Shake down the stars", "looking for yesterday","Sympathy", "A cigarette and a silhouette". Mention of songs
without SPA contracts. Annotations in pencil. List of Edwin H. Morris & Company, Inc. Copyrights - "Straight down the middle",
"Closer than a kiss", "You can always judge a gal", "Fancy meeting you here", "Love won't let you get away", "Here comes another
song about Texas", "Love is a four letter word", "Life is for livin' ", "Indiscreet", "Paris holiday", "Nothing in common",
"Another human being of the opposite sex". Letter (mimeograph) from Smitty to Jimmy Van Heusen, regarding Jimmy's employment
- for - hire contract with MPHC, concerning "All I remember is you", "All this and heaven too", "Can I help it" and "Oh you
crazy moon", Dec. 10, 1958. Letter from Smitty to Jimmy Van Heusen, regarding Jimmy's employment - for - hire contract with
MPHC, concerning "All I remember is you", "All this and heaven too", "Can I help it" and "Oh you crazy moon", Dec. 10, 1958.
Letter (mimeograph) from Smitty to Jimmy Van Heusen, regarding copyright renewal procedure for "Keep it under your hat" and
"Afraid to say hello since you said goodbye", Aug. 27, 1957. Letter from Ada to Jimmy Van Heusen, regarding the names on the
song, "Afraid to say hello" and the names of the children of the people with names on the song. The letter also concerns Mitch
Miller, Jackie and Frank. This letter is ripped in half and stapled together, Sept. 9, 1957. List of Delange copyrights -
"So help me (if I don't love you)", "This is madness (to love like this)", "Deep in a dream", "Good for nothin' (but love)",
"Heaven can wait", "All I remember is you", "Can I help it", "All this and heaven too", "There's gotta be a wedding", "Peace,
brother", "Swingin' a dream", "Darn that dream", "Moonland", "Love's a riddle", "Spring song", "Shade down the stars", "Looking
for yesterday", "Sympathy". Professional copy of "Keep it under your heart".

Copyright renewal notice (photocopy) from Mildred O'Rourke to Jimmy Van Heusen, for "Eleanor, I adore you", Mar. 31, 1967.
Copyright renewal notice (photocopy) from Mildred O'Rourke to Jimmy Van Heusen, for "Eleanor, I adore you", Mar. 31, 1967.
Copyright renewal certificate (photocopy) by Jimmy Van Heusen for "Eleanor, I adore you". Transfer of copyright (photocopy)
from James Van Heusen to Van Heusen Music Corp., for the renewal copyrights of "There's a new gang on the way", "When the
spirit moves me", "Eleanor, I adore you", "You think of everything", "You think of ev'rything", June 16, 1967. Transfer of
copyright (photocopy) from James Van Heusen to Van Heusen Music Corp. for the renewal copyrights of "There's a new gang on
the way", "When the spirit moves me", "Eleanor, I adore you", "You think of everything" and "You think of ev'rything", June
16, 1967. Copyright certification certificate (photocopy).

Box 139, Folder 14

"Any time at all".1938 to 1966.

Physical Description: 29 leaves; Size: legal

Scope and Content Note

Registration card (photocopy) by Jimmy Van Heusen and Jimmy Dorsey for "Any time at all", June 16, 1965. Publishers agreement
between Shapiro, Bernstein & Co., Music Publishers and Jimmy Van Heusen and Jimmy Dorsey for "Any time at all", May 4, 1938.
Letter (photocopy) from St. James Music Corp. to thr Register of copyrights, regarding recordation of an enclosed assignment
for "Any time at all" and "I love you in technicolor", Oct. 27, 1965. Transfer copyright (photocopy) from James Van Heusen
and Julie Dorsey Hilton to St. James Music Corporation, for "Any time at all" and "I love you in technicolor", Oct. 26, 1965.
Copyright certification certificate, Oct. 29, 1965. Blank transfer of copyright from James Van Heusen and Julie Dorsey to
St. James Music Corporation for "Any time at all" and "I love you in technicolor", Oct. 26, 1965. Letter (photocopy) from
Mildred O'Rourke to Jimmy Van Heusen, regarding requested applications for Copyright Renewal Certificates, Aug. 17, 1965.
Letter (photocopy) from B. Starr to Al Berman, regarding the transfer of copyright from Jimmy Van Heusen and Julie Dorsey
Hilton, to St. James Music Corp., for "I love you in technicolor" and "Anytime at all", June 16, 1966. Invoice (photocopy)
by Jimmy Van Heusen and Jimmy Dorsey for "Any time at all", April 30, 1965. Copyright renewal notice (photocopy) from Mildred
O'Rourke to Jimmy Van Heusen for "Any time at all", April 30, 1965. Copyright renewal notice (photocopy) from Mildred O'Rourke
to Jimmy Van Heusen for "Any time at all", May 28, 1965. Copyright renewal certificate (photocopy) by Jimmy Van Heusen for"Any
time at all". Blank transfer of copyright (photocopy) from James Van Heusen and Julie Dorsey Hilton to St. James Music Corporation
for "Any time at all" and "I love you in technicolor", Oct. 26, 1965. Letter (photocopy) from St. James Music Corp. to the
Register of Copyright, regarding recordation of an assignment from James Van Heusen and Julie Dorsey Hilton concerning "Any
time at all" and "I love you in technicolor", Oct. 27, 1965. Letter (photocopy) from B. Starr to Al Berman, regarding transfer
of copyright from Jimmy Van Heusen and Julie Dorsey, to St. James Music Corp. for "I love you in technicolor" and "Anytime
at all", June 16, 1966. Transfer of copyright (photocopy) from James Van Heusen and Julie Dorsey Hilton to St. James Music
Corporation for "Any time at all" and "I love you in technicolor", Oct. 26, 1965. Copyright certification certificate, Oct.
29, 1965. Copyright renewal certificate (photocopy) by Jimmy Van Heusen for "Any time at all", Jun. 16, 1965. Letter (photocopy)
from Shapiro, Bernstein & Co., Inc., regarding an apology for a false claim on "Any time at all", Aug. 23, 1966. Song information
(photocopy) for "Any time at all". Letter (photocopy) from Ben Starr to Carol Bridgman and Al Berman, regarding the claim
for renewal copyright of "Any time at all" made by Shapiro, Bernstein & Co., Inc, Aug. 24. Copyright renewal notice (photocopy)
from Mildred O'Rourke to Jimmy Van Heusen, for "Any time at all", April 30, 1965. Publishers agreement (photocopy) between
Shapiro, Bernstein & Co., Inc., Music Publishers and Jimmy Van Heusen and Jimmy Dorsey for "Any time at all", May 4, 1938.
Song information (photocopy) for "Any time at all". Letter (photocopy) from Mildred O'Rourke to Jimmy Van Heusen, regarding
requested applications for Copyright Renewal Certificates, Aug. 17, 1965.

Box 139, Folder 15

"I love you in technicolor".1961 to 1965.

Physical Description: 7 leaves; Size: legal

Scope and Content Note

Song information index card for "I love you in technicolor". Copyright renewal certificate (photocopy) by Jimmy Van Heusen
for "I love you in technicolor", May 3, 1965. Transfer of copyright (photocopy) from James Van Heusen and Julie Dorsey Hilton,
to St. James Music Corporation for "Any time at all" and "I love you in technicolor", Oct 26, 1965. Copyright certification
certificate (photocopy) Oct. 29, 1965. Transfer of copyright agreement (photocopy) between James Van Heusen, Julie Dorsey
Hilton and St. James Music Corp., Jan. 15, 1961. Royalty agreement (photocopy) between Mat Burton, Jack Milford, Jimmy Van
Heusen, Jimmy Dorsey and Harms Inc., April 18.

Transfer of copyright (photocopy) from Van Heusen to Van Heusen Music Corp. for "If that doesn't to it", (sic) and "A love
song to Ruth", April 3, 1979. Copyright certification certificate (photocopy), Nov. 23, 1981. Certificate of renewal registration
(photocopy) by Van Heusen for "A love song to Ruth", Jan. 4, 1979. Annotations in pen.

Box 139, Folder 19

Various copyright records and correspondence.1979 to 1981.

Physical Description: 11 leaves; Size: letter

Scope and Content Note

Letter from Miriam Stern to Marianne Conlin, regarding a request to renew the copyright on "The old love" and "There you are",
written by Van Heusen's pseudonym, Arthur Williams, May 13, 1981. Copyright renewal notice (photocopy) from Marianne Conlin
to Van Heusen, regarding "The old love", "Pakistan", "Something great is gonna happen" and "There you are", Apr. 21, 1981.
Letter to Van Heusen regarding the copyright renewal notice of April 30, 1979. Copyright renewal notice (photocopy) from Marianne
Conlin to Van Heusen, regarding "Somewhere along the way", "I wish I were somebody else", "Imagination" and "What does it
take?", April 30, 1979. Letter from Miriam Stern to Bob Alexander, regarding renewal of "What does it take" and "( I ) wish
I were somebody else", May 7, 1979. Letter from Miriam Stern to Marianne Conlin, regarding renewal of "The moon came up with
a great idea", Sept. 21, 1979. Letter from Miriam Stern to Robert Alexander, concerning "The moon came up with a great idea"
not being renewed next year, Sept. 21, 1979. Copyright renewal notice from Marianne conlin to Van Heusen, regarding "The moon
came up with a great idea", "Chicago style", "The road to Bali", "Hoot mon", "The merry-go-runaround", "Moonflowers", "To
see you", Sept. 8, 1979.

Box 140, Folder 1

"Love in the air".1965.

Physical Description: 8 leaves; Size: legal

Scope and Content Note

Registration card by Van Heusen for "Love in the air", Feb. 23, 1965. Letter from B. Starr to Van Heusen, regarding forms
to be used in connection with each composition registered to Van Heusen, Oct. 22, 1965. These forms are labeled A-F and are
given the fictitious title: Music anonymous.

Blank songwriters renewal contract of 1950. Example of a songwriters renewal contract of 1950. Letter from B. Starr to Jimmy
Van Heusen explaining the enclosed forms to be used with each composition from this time on, Oct. 22, 1965. Forms labelled
A - E which are examples of the forms to be used with each composition from this time on. Letter from Van Heusen to Ben Starr,
regarding enclosed photostats of letters pertaining to "Sympathy" and "Looking for yesterday", Dec. 12, 1966. Available renewals
- Songs with SPA contracts - "Swinging the dream", "There's gotta be a wedding", "Peace, brother", "Swinging a dream", "Darn
that dream", "Moonland", "Love's a riddle", "Spring song", "Can I help it", "All this and heaven too", "Shake down the stars",
"Looking for yesterday", "Sympathy", "A cigarette and a silhouette". Also, those without SPA contracts - "Billy Rose's new
aquacade","You think of everything", "When the spirit moves me", "There's a new gang on the way", "Eleanor, I love you". List
of addresses of radio stations in Louisianna, Alabama, New York and Philadelphia. Letter from James Van Heusen to Ben Starr,
regarding enclosed photostats of three letters pertaining to "Sympathy" and "Looking for yesterday", Dec. 12, 1966. Letter
from Mrs. S. H. Bourne to Benjamin Starr, regarding correspondence between Mrs Sandler, Oct. 3, 1966. Letter from Adele Z.
Sandler to Benjamin Starr, regarding enclosed copies of the agreement and the assignment, Sept. 12, 1966. Letter from B. Starr
to Adele Z. Sandler, requesting a fully signed copy of a renewal agreement and an assignment, Sept. 7, 1966. Transfer of copyright
by Van Heusen to the Bourne Co., for "Sympathy" and "Looking for yesterday", March 15, 1963. Letter from Van Heusen to Bourne
Co., regarding the transfer of copyright of "Sympathy" and "Looking for yesterday", Mar. 1, 1963. Letter from B. Starr to
Adele Z. Sandler, regarding the agreement with Van Heusen on his shares of the renewal rights of "Sympathy" and "Looking for
yesterday", Sept. 14, 1966. Letter (photocopy) from Adele Z. Sandler to Van Heusen, regarding an enclosed copyright renewal
agreement and assignment for "Sympathy" and "Looking for yesterday", Mar. 4, 1963. Letters (photocopies) from between Van
Heusen and Bourne Co. regarding "Sympathy" and "Looking for yesterday", 4 pages, Feb. 5, - March 14, 1963. Publishers agreement
(photocopy) by Bregman Vocco and Conn Inc. Release (photocopy) of an agreement between S.P.A. and Bregman, Vocco & Conn Inc.,
for "Spring song", Jan. 20, 1940. Release (photocopy) of an agreement between S.P.A. and Bregman, Vocco & Conn Inc., for "Shake
down the stars", Jan. 20, 1940. Letter from Van Heusen to Herb Reis, regarding renewal agreements of DeLange - Van Heusen
copyrights and two copies of a list of DeLange - Van Heusen songs, July 7, 1961. Letter from B. Starr to Bonnie Bourne, regarding
renewal agreements for "Sympathy" and "Looking for yesterday", Sept. 29, 1966. Explanation of SPA contracts for "Swingin'
a dream", "I love ya, ya mug", "Can I help it" and "All this and heaven too". List (photocopy) of songs handled by the Music
Publishers Holding Corp. and their contract dates. Correspondence between Jack Bregman and Van Heusen, regarding an enclosed
copy of the contract for "Shake down the stars" and the renewal rights for "Swingin' a dream", Feb. 14, 1967, Feb. 27, 1967.
List (photocopy) of Delange - Van Heusen copyrights published by Bergman, Vocco & Conn, Inc., Irving Berlin, Inc. (Bourne),
and The Big Three (Robbins, Feist, Miller) and their contract dates. Explanation (photocopy) of SPA contracts for "Swingin'
a dream", "I love ya, ya mug", "Can I help it" and "All this and heaven too". List of songs with and without renewal copyright
certificates. Records for Van Heusen songs including: Pub. or un-pub., Orig. copyright date, Type of cont., Orig. publisher,
Renew. cert. rec'd date, Publ. of renew. or status, Assign. of copyright or status, ASCAP notified, and notes, 5 pages. Notes
for "Harlem hospitality", "Unforgettable", "If you're ever in my arms again", "Argentina skies", "Say something sentimental",
"Any time at all", "I love you in technicolor", "Do you wanna jump, children", "Oh, you crazy moon", "There's gotta be a wedding",
"Polka dots and moonbeams", "Imagination", "They ought to write a book about you", "I love ya, ya mug, I love ya", "Absent
- minded moon", "When I get time" and "There's a house in Harlem for sale". Records and notes (photocopy) for Van Heusen songs
with annotations, 14 pages. Letter from Ben to Van Heusen, regarding "Darn that dream" and other songs from that production
not being credited to Van Heusen Music Corp., May 6, 1968. Letter from B. Starr to Carol Bridgeman, regarding the recognization
and registration of renewal rights of "A cigarette and a silhouette", "All I remember is you", "All this and heaven too",
"Argentina skies", "Blue rain", "Can I help it", "Deep in a dream", "Eleanor, I love you", "Good for nothin but love", "Heaven
can wait", "I saw the light of day last night", "I thought about you", "If I look how I feel", "In more ways than one", "It's
the dreamer in me", "Looking for yesterday", "Love in the air", "Make with the kisses", "Oh you crazy moon", "Say something
sentimental", "Sha, sha", "Shadow sweetheart", "So help me", "Speaking of heaven", "Spring song", "Sympathy", "The pleasure
was mine", "There's a new gang on the way", "This is madness", "Tomboy", "Unforgettable", "When a prince of a fella", "When
the spirit moves me", "Who'll buy my dream", "You can read me like a book" and "You think of everything", June 19, 1968. Records
(handwritten) for Van Heusen songs, 3 pages. List of songs with and without renewal copyright certificates. List (photocopy)
of Burke and Van Heusen songs, 9 pages. Records of renewal shares claimed by Van Heusen Music Corp., 3 pages. Records for
Van Heusen songs, 5 pages. Records and notes (photocopiess) for Van Heusen songs with annotations, 24 pages. Publishers agreement
between Eddie De Lange and the Music Publishers Holding Corporation, Jan, 1939. Royalty agreement, Exhibit A, unsigned.

Corresopndence to or from Van Heusen, regarding "To love and be loved", Feb. 12, 1958 - Feb. 22, 1958. Letter (photocopy)
from Miriam Stern to the AGAC, regarding the reassignment of "California", "Christmas is for children", "Close to Christmas",
"Come sing with me", "Come summer", "Come waltz with me", "Plum pudding", "My fav'rite Christmas card", "An old fashioned
Christmas", "Deck the hall", "I'm a Texas boy", "My home", "My N.Y.". "The twelve days of Christmas" and "We wish you a Merry
Christmas", JUn. 9, 1970. Letters from publisher to writer, assigning all rights previously acquired under an SPA contract,
by Cahn and Van Heusen, for "The twelve days of Christmas", Nov. 14, 1962. Letter (photocopy) from Lou Wilson of the UNited
Entertainment Corp., to Edward Traubner, regarding the William Morris office's interest in Cahn and Van Heusen for the musical
version of "Bell, book & candle", Sept. 9, 1966.

Arrangement reflects original filing order in some cases; follows physical order of container.

Scope and Content Note

Files organized by film, television, or stage production, including original and copied materials regarding contracts, agreements,
and other legal or financial matters, often contextualized by correspondence.

Box 120, Folder 3

The Padre/Going my way, Dixie, and Playmates.1940s.

Physical Description: 132 leaves; size: letter and legal

Scope and Content Note

Photocopies of articles concerning Jimmy Van Heusen and Johnny Burke publishing score of "Playmates" by non-ASCAP publishing
firm- Peer International, October 1941. Photocopy of employment agreement for "The Padre", June 1, 1943. Photocopy of agreement,
regarding publication of songs for "Going My Way", March 15, 1944. Photocopy of agreement for "Dixie". Photocopy of agreement
for "Playmates".

Box 130, Folder 5

Robin and the seven hoods.1963 to 1965.

Physical Description: 26 leaves; size: letter and legal

Scope and Content Note

Letter, from Sergeant Music Company to Carol Bridgeman of the Index Department of ASCAP, concerning the songs from "Robin
and the 7 Hoods", April 23, 1964. Letter (mimeograph), from Sergeant Music Company to Arthur Boucher c/o Harry Fox, concerning
the songs from "Robin and the 7 Hoods" and the ABC Paramount recording of "Any man who loves his mother", August 11, 1964.
Correspondence (mimeograph) (3 letters), between Irving Weiss of Sergeant Music Co., Harry Fox, and Cameo Parkway Records,
Inc., concerning "My kind of town", 1965. Sample licence agreement (mimeograph), unused. License (photocopy), between Sergeant
Music Co. and Warner Bros. Records, Inc., concerning "Style", "Don't be a do-badder", "Charlotte couldn't Charleston", "Bang!
Bang!", "Baby I love ya up to here", "Mister Booze", "My kind of town", "All for one and one for all", "Any man who loves
his mother", and "I like to lead when I dance", December 20, 1963. List of master numbers for songs listed above plus "(Overture)
Robin and the 7 Hoods" and "Give praise! Give praise! Give praise!". Letter, from Van Heusen to Irving Weiss of Sergeant Music
Company, requesting 100 professional copies of "My kind of town", March 11, 1965. License, from Sergeant Music Co., Laursteed,
Inc. & Van Heusen Music Corp. to Stereotape Records, concerning "I like to lead when I dance", Aug. 11, 1965. Letter, from
(?) to Carol Bridgeman of the Index Dept. of ASCAP, concerning songs from "Robin and the 7 Hoods", August 6, 1964. 2 Acknowledgement
of Receipt of a Notice of Use (mimeographs), for Sergeant Music Co., Glorste, Inc. and Van Heusen Music Corporation, both
concerning songs from "Robin and the 7 Hoods", c. June 12, 1964. 2 Mechanical Copyright Protection claim forms (mimeograph),
for Sergeant Music Co., Glorste, Inc. and Van Heusen Music Corporation, one concerning "My kind of town", the other concerning
"I like to lead when I dance", June 15, 1964. Mechanical Reproduction Licence, for Sergeant Music Co., Glorste, Inc. and Van
Heusen Music Corporation, concerning "I like to lead when I dance", April 27, 1964. 10 Index clearance cards (mimeograph),
(5 per page, 2 pages, 1 copy of each page), concerning songs from "Robin and the 7 Hoods".