Operas in German

A Dictionary, Volumes 1 and 2, Revised Edition

Margaret Ross Griffel

With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016.

Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment.« lessmore »

Margaret Ross Griffel earned a doctorate in historical musicology from Columbia University and iscurrently the senior editor at Columbia Creative. She is the author of the award-winning revised edition of Operas in English: A Dictionary (2012).

A Brief History of Operas in GermanOperas in German, A–ZAppendix A: ComposersAppendix B: LibrettistsAppendix C: Authors and SourcesAppendix D: ChronologySelective BibliographyIndex of CharactersIndex of Names

Griffel (Columbia Creative, New York City) has created a considerably expanded reworking of Operas in German, which has been a valuable information source since the first edition appeared in 1990 (CH, Apr'91, 28-4264). Not only does Griffel deal with a quantity of operas almost three times greater than that in the earlier edition (more than 4,500, as opposed to about 1,630), but her arrangement is better. In the first edition, she provided extended discussion of 380 major works in the main text, while consigning basic information about the remainder to an appendix. In this new edition, she facilitates reader use by including all operas in her main text. She not only discusses recently composed operas but also makes more extensive comments concerning earlier works. In addition she provides many more bibliographic citations and references to scores and recordings, revised and updated appendixes (including lists of composers, librettists, authors, and sources), an augmented chronology, an updated general bibliography, and expanded indexes of characters and participants in premieres. This revised edition replaces the first.

This new edition presents a major expansion over the original work. An informative brief history of German opera opens the work, and with the operatic titles and indexes, presents a specialist’s overview and synthesis not found elsewhere.— Elizabeth A. Davis, head, Music & Arts Library, Columbia University

In a world where one can find virtually anything about opera online, the need for accurate, factual and artfully-crafted reference works in print will become more important than ever. Margaret Ross Griffel’s Operas in German fulfills that need, and in a masterful way.— Fred Fehleisen, professor, The Juilliard School

The revised edition of Operas in German provides unsurpassed coverage of German-language stage works. With more than 2,900 new entries supplemented by detailed appendices and an index of characters, Griffel’s book is the most self-contained reference tool for operas composed to a German-language text. It is an essential resource for all library collections.— Jane Gottlieb, vice president, Library and Information Resources, The Juilliard School

Operas in German

A Dictionary, Volumes 1 and 2, Revised Edition

Hardback

eBook

Summary

Summary

With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016.

Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment.

Margaret Ross Griffel earned a doctorate in historical musicology from Columbia University and iscurrently the senior editor at Columbia Creative. She is the author of the award-winning revised edition of Operas in English: A Dictionary (2012).

Table of Contents

Table of Contents

A Brief History of Operas in GermanOperas in German, A–ZAppendix A: ComposersAppendix B: LibrettistsAppendix C: Authors and SourcesAppendix D: ChronologySelective BibliographyIndex of CharactersIndex of Names

Reviews

Reviews

Griffel (Columbia Creative, New York City) has created a considerably expanded reworking of Operas in German, which has been a valuable information source since the first edition appeared in 1990 (CH, Apr'91, 28-4264). Not only does Griffel deal with a quantity of operas almost three times greater than that in the earlier edition (more than 4,500, as opposed to about 1,630), but her arrangement is better. In the first edition, she provided extended discussion of 380 major works in the main text, while consigning basic information about the remainder to an appendix. In this new edition, she facilitates reader use by including all operas in her main text. She not only discusses recently composed operas but also makes more extensive comments concerning earlier works. In addition she provides many more bibliographic citations and references to scores and recordings, revised and updated appendixes (including lists of composers, librettists, authors, and sources), an augmented chronology, an updated general bibliography, and expanded indexes of characters and participants in premieres. This revised edition replaces the first.

This new edition presents a major expansion over the original work. An informative brief history of German opera opens the work, and with the operatic titles and indexes, presents a specialist’s overview and synthesis not found elsewhere.— Elizabeth A. Davis, head, Music & Arts Library, Columbia University

In a world where one can find virtually anything about opera online, the need for accurate, factual and artfully-crafted reference works in print will become more important than ever. Margaret Ross Griffel’s Operas in German fulfills that need, and in a masterful way.— Fred Fehleisen, professor, The Juilliard School

The revised edition of Operas in German provides unsurpassed coverage of German-language stage works. With more than 2,900 new entries supplemented by detailed appendices and an index of characters, Griffel’s book is the most self-contained reference tool for operas composed to a German-language text. It is an essential resource for all library collections.— Jane Gottlieb, vice president, Library and Information Resources, The Juilliard School