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“Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn’t carry a book around for those inevitable dead spots in life.”

My Kickstarter campaign to raise initial publishing and promotional funds for my horror novel Maledicus: Investigative Paranormal Society Book I is moving along well. I have raised $815 so far out of a goal of $1000. Please consider helping with the final push. I have 20 days left in the campaign. Thank you!

Happy birthday to Stephen King, one of the great writers of our time. His work encompasses horror to literary fiction, and I am convinced he will be remembered in the future as one of the very best writers of the 20th and 21st centuries.

I always look forward to reading his next work, and he has given me many years of reading pleasure. Mr. King, happy birthday to you!

I would like to welcome author Kate M. Colby to my blog. In this post, she discusses the issue of themes in a series of novels. Kate is an excellent writer, one I am proud to know. I respect her abilities and writing, and I have used her previous novel The Cogsmith’s Daughter (Desertera #1) in two of my college English literature classes. So, welcome Kate please as she discusses Themes in a Series:

What makes a good book series? Most readers would say a captivating world, strong characters, and an overarching mission or journey. I absolutely agree … but I think there’s something missing there. Theme.

While books can (and should) offer escape and entertainment, they have the ability to do so much more than that. Fiction allows authors the opportunity to explore topics that matter to them on neutral ground, to expose and evaluate unsavory aspects of society, to celebrate all that makes up this wonderful and crazy human experience. As someone who blended sociology and English in university, this is exactly what I try to do in my fiction.

The world of my Desertera series is a steampunk wasteland. It’s about as far from reality as I could run. But the themes within the world really hit home with me, and have with several of my readers, too. My first novel, The Cogsmith’s Daughter, is a revenge tale. When Aya, my protagonist, was a young girl, the king had her father executed for treason. Therefore, at first opportunity, Aya joins a plot to avenge her father’s death and trap the king into a crime, thus bringing about his execution.

If I’ve done my job as a writer, the readers should be on Aya’s side. They should seethe with anger and root for her to succeed in orchestrating the king’s execution. They should identify with Aya’s quest for self-redemption, love, and the reclaiming of her sexuality. They should be appalled at the social injustices in the world, the stratification of class and wealth, and the hypocritical palace politics – all things that can be found in reality.

When I set out to write the sequel, The Courtesan’s Avenger, I wanted to tackle a lot of these same themes. Class struggle remains a central issue, along with love and sexuality, friendship, and self-discovery. However, I knew I had a responsibility to address the other side of revenge: justice.

I had to face the ugly truth of the morality I had exalted. As much as I respect Aya and her mission, revenge isn’t healthy. Even if it is “justified,” it can turn a good person evil, blind them to their own wrongdoings, and pose troubling moral questions for a society. After all, if Aya can (essentially) murder and (definitely) commit crimes to avenge her father, what’s to stop the other citizens from doing the same to address their own grievances?

Enter Dellwyn and The Courtesan’s Avenger. When one of Dellwyn’s fellow courtesans is murdered, she doesn’t desire revenge or any sort of payback. She wants justice. Her whole goal in finding the killer is to submit them to the authorities and the judgment of law. She doesn’t take justice into her own hands, doesn’t commit any crimes, and even condemns Aya’s actions from the first novel. Dellwyn has seen how Aya’s quest for revenge created rifts in their world, and she refuses to do the same.

This is all a longwinded way of saying that theme, just as much as characters and setting and plot, is a central part of writing a book series. As an author, you have the opportunity to highlight the wrongs and praise the good you see in society. You can help readers gain empathy for the corrupt, question their sense of right and wrong, or just consider an issue they’d never thought about before.

Readers, you have the greatest blessing of all. You get to pick and choose what to take with you. Every book, no matter how thematically driven, leaves a piece of itself with us. Pride and Prejudice encourages us not to judge others too harshly and be open to love, The Girl on the Train reminds us to take responsibility for our actions, and The Picture of Dorian Gray condemns vanity, self-indulgence, and moral duplicity. At least, that’s what I get from those three – your interpretations could be entirely different! You can take the author’s message at face value, mine for deeper meaning, discover something the author didn’t know was there, or ignore it all completely. That’s the beauty of theme.

So, fellow writers, have the courage to experiment and make theme a central part of your series. It’s not just for stand-alone literary fiction novels. And, fellow readers, examine everything the author presents and take whatever it is you need. Every possible meaning lurks between those pages, and you can have whichever one you like.

Happy reading!

Author bio:

Kate M. Colby is an author of science fiction, fantasy, and nonfiction. Her first series, Desertera, consists of steampunk fantasy novels with themes of socio-economic disparity, self-empowerment, romance, and revenge. She lives in the United States with her husband and furry children.