— From Altmann (letter): Schuster asks me to send the copy1 quickly – in any event, the agreement of the publisher is
essential. He – Altmann – is supposed to have recommended Vrieslander as the author of the accompanying
text.
— At 10:00 Weisse appears, with the sheets from Hammer, (of which he Hammer makes a present to us[(letter= OJ 11/36,
[23])]), and shows
[us] the portrait of his wife Hertha. I transmit to Weisse
my reply= JOB 94-3, [15]= OJ 5/15a,
[15] to
Hammer, in which I {2875} seek a directive with respect to Die
Musik.
— After lunch we go to Fritz: we order 100 bread rolls to be brought to us
(25 shillings).
— Lottery tickets: 24 shillings.
— Dr. Brünauer
orders an artist’s proof [of the Hammer
portrait].
— Telegram from Cube: he will turn up tomorrow.

— From Altmann (letter): Schuster asks me to send the copy1 quickly – in any event, the agreement of the publisher is
essential. He – Altmann – is supposed to have recommended Vrieslander as the author of the accompanying
text.
— At 10:00 Weisse appears, with the sheets from Hammer, (of which he Hammer makes a present to us[(letter= OJ 11/36,
[23])]), and shows
[us] the portrait of his wife Hertha. I transmit to Weisse
my reply= JOB 94-3, [15]= OJ 5/15a,
[15] to
Hammer, in which I {2875} seek a directive with respect to Die
Musik.
— After lunch we go to Fritz: we order 100 bread rolls to be brought to us
(25 shillings).
— Lottery tickets: 24 shillings.
— Dr. Brünauer
orders an artist’s proof [of the Hammer
portrait].
— Telegram from Cube: he will turn up tomorrow.

Footnotes

1 Vorlage: the copy of Hammer’s
mezzotint portrait of Schenker that was used as the basis of a reproduction that
appeared (with an essay on Schenker, by Otto Vrieslander) in Die Musik, xix/1
(October 1926), pp. 33–38.