About the Prints

Our Print Technology

We sell genuine, premium quality photographic prints, produced using only the finest techniques and materials.

The prints begin life as a sheet of Fuji Crystal Archive DP II paper. This top-of-the-range photo paper is known for its vibrant colours and absolute clarity,
and is guaranteed to be colour-fast for at least 75 years.

The image is transferred onto the paper using a Durst Lambda laser exposure system, which ensures incredible edge-to-edge sharpness and no pixelation.
After exposure, the photo is developed using a traditional photochemical process. This combination of modern technology and old-fashioned development turns
each image into a unique gallery print, with a quality and luminosity that can only be found in authentic photography.

Print Only

Buying a print only is a good option if you want to have complete control over your method of presentation. All prints come with a matt finish and include a
white border to facilitate framing. Simply take your print to a reputable framing company in your area and select a frame or mounting technique of your choice.
To protect the print, we recommend using PH-neutral, archival quality materials throughout the framing process.

Non-framed prints take around two weeks to deliver, and are shipped loosely rolled in a sturdy cardboard tube. Once you have received your print, remove it from
the tube and store it flat to prevent any long-term furling of the image.

Framed Prints

These prints arrive finished in an archival-quality frame, ready to hang on the wall.

We begin by mounting the print within a brilliant white, white-core mat, with a surround of 3-4" depending on the size of the print.
The white core means the bevel edge will not discolour over time, while the PH-neutral construction ensures chemicals won't leak into the photo.
We offer two simple frame styles - either 20mm light oak, or 20mm black oak - both of which accentuate the print without detracting attention
from it. Each frame is hand-built to specification, passing through several quality assurance tests to ensure a flawless finish.

The process is completed with a sheet of acrylic glass, which has all the clarity of real glass but will not break during shipping. Acrylic glass can be
lightly dusted with a soft cloth, and gently cleaned with pure water. Never use chemical glass-cleaning products
or rub hard at the surface.

Canvas Wraps

The characteristic texture of canvas gives these photos a tactile, fibrous finish, imbuing them with an almost painterly quality. Often hung without frames,
canvas wraps look warm, simple and modern on the wall.

The production process begins with a 360gsm Berger canvas. The image is set using an Epson Ultra Chrome print system, and 8-colour,
K3 pigment inks. The pigments are encapsulated in resin, producing colours with remarkable richness that remain brilliant for decades.
The canvas also becomes water-resistant after printing, so small spots can be gently wiped off with warm water without damaging the photo.

Canvas prints come with a matt finish, and are wrapped on a solid wood stretcher frame 40mm deep. The frame is ultra stable, thanks to corners that are
triple-reinforced with metal braces. Depending on the image, the print comes with a grey or mirrored edge to the canvas.

Please allow up to three weeks for production and delivery of canvas prints.

About the Workshops

Arrival

Preparation for the workshop begins before you arrive, with a questionnaire designed to help Gareth understand your ability as a photographer.
You will also have the opportunity to highlight any issues you'd like to address during your time together, and to send him a selection of your previous
images for critique during the course. Most photography workshops then begin with an indoor welcome session, when you'll discuss the trip itinerary and the key
photographic points you will consider during the course. There will also be an opportunity to address any initial technical issues with camera operation before you head out.

Field Trips

The remainder of the photography workshop will be split between outdoor field trips and indoor instruction sessions. The exact location of
the field trips will be dictated by conditions on the day, and the itineraries have been designed to encompass a range of
interesting environments that provide photo opportunities in all weather conditions. In Ireland, likely locations include dramatic
coastlines, mountain landscapes, scenic heritage sites and natural woodlands. Optional night-time and sunrise and sunset trips - designed to
take maximum advantage of 'magic hour' light - will be included whenever conditions permit.

Indoor Seminars

Indoor sessions generally take place in a communal room within your accommodation. There will be discussions of the theory behind
landscape photography, including composition, lighting considerations, and planning tips to help you optimise your results.
Hands-on instruction seminars include technical tutorials and image analysis. There will also be demonstrations of post-production
editing techniques, including the use of Photoshop, Adobe Camera Raw and Lightroom. The aim throughout is to pass on the skills
and knowledge to help you produce more striking and dramatic photos.

Small, Friendly Groups

All our photography workshops are restricted to small groups. This allows all participants to receive lots of individual attention from Gareth,
and means it doesn't take long to get to know each other. Learning is more effective in a fun, relaxed environment, and we aim to
develop an overall mood of enjoyment within every workshop. We all learn by sharing experiences with others, and the friendly dynamic
means everybody can progress at their own pace within an atmosphere of mutual support.

Learn from a Professional

TThe small group size means you can spend maximum time talking to Gareth and learning from his experience.
During almost two decades as a full-time, professional landscape photographer, Gareth has got himself into - and out of - a wide
range of photographic situations. Whether it's tips for stopping your batteries freezing at 4000m, websites to help you chase the
northern lights, or advice on publishing your photos for the first time, the odds are Gareth can pass on a few tricks of the trade
to help.

What to Bring

Bring all your camera equipment, including any lenses, tripods and filters. Remember cables for downloading images,
and if you use a laptop for processing, bring that too. Some off-road walking may be required, so we
recommend that you pack your equipment in a small rucksack, and bring good footwear and warm, waterproof clothing to protect
yourself in all weather conditions. Where meals are not included in the workshop, we make stops in cafés and restaurants
to purchase food and snacks along the way.

About the Workshops

Arrival

Preparation for the workshop begins before you arrive, with a questionnaire designed to help Gareth understand your ability as a photographer.
You will also have the opportunity to highlight any issues you'd like to address during your time together, and to send him a selection of your previous
images for critique during the course. Most photography workshops then begin with an indoor welcome session, when you'll discuss the trip itinerary and the key
photographic points you will consider during the course. There will also be an opportunity to address any initial technical issues with camera operation before you head out.

Field Trips

The remainder of the photography workshop will be split between outdoor field trips and indoor instruction sessions. The exact location of
the field trips will be dictated by conditions on the day, and the itineraries have been designed to encompass a range of
interesting environments that provide photo opportunities in all weather conditions. In Ireland, likely locations include dramatic
coastlines, mountain landscapes, scenic heritage sites and natural woodlands. Optional night-time and sunrise and sunset trips - designed to
take maximum advantage of 'magic hour' light - will be included whenever conditions permit.

Indoor Seminars

Indoor sessions generally take place in a communal room within your accommodation. There will be discussions of the theory behind
landscape photography, including composition, lighting considerations, and planning tips to help you optimise your results.
Hands-on instruction seminars include technical tutorials and image analysis. There will also be demonstrations of post-production
editing techniques, including the use of Photoshop, Adobe Camera Raw and Lightroom. The aim throughout is to pass on the skills
and knowledge to help you produce more striking and dramatic photos.

Small, Friendly Groups

All our photography workshops are restricted to small groups. This allows all participants to receive lots of individual attention from Gareth,
and means it doesn't take long to get to know each other. Learning is more effective in a fun, relaxed environment, and we aim to
develop an overall mood of enjoyment within every workshop. We all learn by sharing experiences with others, and the friendly dynamic
means everybody can progress at their own pace within an atmosphere of mutual support.

Learn from a Professional

TThe small group size means you can spend maximum time talking to Gareth and learning from his experience.
During almost two decades as a full-time, professional landscape photographer, Gareth has got himself into - and out of - a wide
range of photographic situations. Whether it's tips for stopping your batteries freezing at 4000m, websites to help you chase the
northern lights, or advice on publishing your photos for the first time, the odds are Gareth can pass on a few tricks of the trade
to help.

What to Bring

Bring all your camera equipment, including any lenses, tripods and filters. Remember cables for downloading images,
and if you use a laptop for processing, bring that too. Some off-road walking may be required, so we
recommend that you pack your equipment in a small rucksack, and bring good footwear and warm, waterproof clothing to protect
yourself in all weather conditions. Where meals are not included in the workshop, we make stops in cafés and restaurants
to purchase food and snacks along the way.

Gareth McCormack is an Irish photographer and filmmaker specialising in landscape and adventure imagery. His images are used by many of the world's most
prominent publishers and corporations, including National Geographic....
Learn More

Delivery Costs

Printing Time

We endeavour to fulfil all print orders as quickly as possible. All images are custom-printed to your specification, and it generally takes between 3 days and 2 weeks for orders to reach delivery stage.
Images ordered as print only are usually ready for dispatch within a few days. Canvas wraps take 7 to 10 working days to produce, while framed images may take up to two weeks.
If your order has not been shipped within 30 days you may cancel the order and receive a full refund.

Shipping Time

Shipping times vary according to the destination. From the time of dispatch, please allow 3 to 5 working days for delivery within the European Union, and 7 working days for delivery to most
other parts of the world. If your delivery seems to be taking longer than this, please contact us and we will endeavour to trace your parcel. Unfortunately however we can accept no responsibility
for inconvenience or damage incurred due to the late receipt of goods.

VAT & Import Taxes

All print prices quoted on our website are inclusive of Republic of Ireland VAT (sales tax). Any applicable local duties and import taxes for goods shipped outside the European Union remain the
responsibility of the customer.

Refunds

If you are not satisfied with your print for any reason, you must inform us in writing within 7 days of receipt. The goods must then be returned to us securely packaged, at your own expense,
within 14 days of receipt. A refund will be issued, minus the original shipping costs, provided the goods are returned to us in their original condition. We strongly recommend that you use
an insured and traceable method of delivery as we cannot be held liable for any returns lost or damaged in transit.

Damaged Prints

If your print arrives in a damaged condition you must inform us in writing within 7 days of receipt. We will then arrange the collection of the goods, and either replace the order or refund the
full amount paid, including shipping costs. If we are not informed within 7 days we bear no liability for damage sustained.

Licensing FAQs

What is Rights Managed image licensing?

Image licensing controls the use of high quality images in advertising, publishing and the media. For the user, the main advantage of a Rights Managed image
is that it has a traceable history of use. This helps to avoid problems associated with uncontrolled Royalty Free images, where embarrassment and commercial
damage can occur when companies unknowingly use images that have previously been used by competitors.

Under Rights Managed image licensing, the photographer sells agreed publication rights that control the use of each image. The licence includes provisions
governing: who the image may be used by; the purpose for which it may be used; the length of time it may be used for; how many times it may be used; the
countries or territories it may be used in; and whether exclusivity is included.

How much will I pay?

The price of an image licence depends entirely on the use for which it is required. As a general rule educational publishing is cheaper than advertising,
a 10,000 copy print run is cheaper than 20,000, a licence for one country only is cheaper than world rights, and non-exclusive use is cheaper than exclusivity.

It is important when making a picture request to give as much information as possible about the licence you require, to avoid paying more than you need to.
It can be extremely expensive to purchase all rights, whereas in most situations buyers only need to use the image for a specific project and for a limited
period of time. Proper image licensing often allows buyers to save money in comparison to uncontrolled, Royalty Free images, providing they specify the
limits of their use.

Please bear in mind that a licence is not conferred until the payment has been received.

Can I use one of your images without licensing it?

No. Gareth's photos, like all works of art, are protected under international copyright laws. Copyright protection ensures that the creator has exclusive
rights over the copying, publishing, adapting, distributing, electronic transmission, broadcasting, renting, lending, and public performance of the work.
Reproducing Gareth's images in any of these ways is illegal, unless you have explicitly agreed an image licence authorising the use of the image. By licensing
an image properly through our website, you can ensure that you do not infringe Gareth's copyright entitlements.

We take copyright infringement seriously because it undermines our licensing system and damages our commercial interests. For this reason, we actively pursue all unauthorised
image use. Although copyright infringement is normally a matter for civil courts, deliberate infringement can be a criminal offence.

The laws that govern copyright can be found within the Berne Convention for the Protection of Literary and Artistic Works and the Universal Copyright Convention
(UCC). In the Republic of Ireland, images are also protected under the Copyright and Related Rights Act 2000.

Refunds

If you are not satisfied with the image file for any reason, please contact us immediately. We will refund the licence fee in full providing written notice is given
prior to commencement of the licence term.