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Beyonce's Parkwood has cut ties with British retail magnate Philip Green, ending a 50/50 partnership that culminated in the launch of her athleisure clothing brand Ivy Park.

Green has recently been accused of sexual harassment, bullying and racial abuse of staff at his companies. He was named in parliament last month as having taken steps to prevent publication of the allegations. The billionaire owns the Arcadia Group, parent of Topshop, which reportedly owned half of Ivy Park.

"After discussions of almost a year, Parkwood has acquired 100 percent of the Ivy Park brand," Ivy Park said in a statement, adding that Topshop stores will fulfill any existing orders for Ivy Park clothing.

The deal was originally reported by the Financial Times. Financial details were not disclosed.

The Topshop-backed line of fashion-forward bodysuits, leggings, crop tops and other sporty gear made its debut in March 2016, "creating a new kind of performance wear: modern essentials for both on and off the field," the company said at the time.

With the success of Bradley Cooper’s directorial debut, A Star is Born, it’s hard to imagine any other actors portraying the roles of Jack and Ally other than Cooper and Lady Gaga. But at one point in time, Beyonce and Clint Eastwood were the stars of the show.

“There was a moment where that was the best version of the movie and then all of a sudden, Beyonce got pregnant. Do we wait?” Bill Gerber, the film’s producer told The Hollywood Reporter. “She was amazing about all this stuff. She always understood if we were going to take a different direction. And then Clint went off and did another movie.”

Speaking on the first meeting of Beyonce and Eastwood, Gerber explained, “I’m sitting there thinking, ‘I think I’m watching something historic about to happen,’ and then it didn’t. It’s just the movie business.”

"I’m feeling grateful for everyone before me who fought so hard to give us all the right to have a voice. We can’t voice our frustrations and complain about what’s wrong without voting and exercising our power to make it right. We need you. We all need each other, because when we are truly united we are unstoppable. Sending you all love and positivity on this happy voting day!
Every vote counts
Every race matters
Everywhere."

Beyonce shared photos of her Halloween costume on Instagram! This year she dressed as Toni Braxton. She wrote: "Sending love and adoration to one of our talented legends. Thank you for the countless bops. Your tone, your beauty, your range, and your God-given talent is treasured. Loving you always. Have a Happy Halloween my Kings and Queens."

Latest photos

Throwback: Backstage with Destiny's Child in the Summer of 2001

Photographer Gillian Laub revisits some outtakes from an emotional day with Beyoncé, Michelle, Kelly, and the Knowles family.

In the summer of 2001, I was commissioned by The New York Times Magazine to photograph Destiny’s Child for a special women’s issue. The theme was women photographing women. It was one of my earliest commissions, and I was over the moon when I got the call. I spent the day backstage as they prepared for that evening’s concert in Albany, New York. I loved what a family affair this was. Beyoncé Knowles was surrounded by her parents, sister, and her cousins. It felt like Kelly Rowland, Michelle Williams, and Beyoncé were sisters, too. Before the trio went onstage, they said a prayer that felt so earnest and pure, it almost felt intrusive to photograph. But now, I’m so glad I did.

Seventeen years ago, it was clear that Beyoncé had major star power. She was magnetic, and her beauty radiated inside out. And the group certainly seemed like the dream team to me. Sometimes, public personas unfortunately don’t match how we experience people in real life, but Destiny’s Child—and, indeed, their whole team—seemed like the real deal. They were super-serious about their work, but also genuinely seemed to enjoy each other’s company. There was a lot of laughter. That night, however, Michelle exited the stage crying. I’m not sure, but I think she wasn’t happy with her performance. The other girls didn’t leave her side—they huddled around her and comforted her. It was quite touching to witness.

Even back then, Tina was the grande dame. She was running the show: doing all the hair, costumes—she was on top of every detail. It was impressive and fascinating to watch. I kept thinking how lucky they all were, and I was frankly in awe of the whole dynamic. I was excited to give Tina the photos 17 years later, when I shot her for “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity” in Vanity Fair’s September issue. Solange was just a baby in these photos, and it was before Solange became “Solange.” When Tina saw the photo in which she is doing Beyoncé’s hair, she commented on how tired she looked, and said that she was working around the clock and not sleeping much. I now have an even greater appreciation for her as a mother of these two incredibly impressive, talented, and strong women whom she raised and nurtured. Tina is truly the queen, and she’s even more glamorous than ever. And the whole Knowles project still seems like a family act: the dress and shoes Tina is wearing for this month’s shoot came from Beyoncé’s closet, which Tina said she raided the day before the photograph was taken.

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