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Tracy Zeman, Empire [Winner of the New Measure Poetry Prize]

Tracy Zeman's first full-length collection, Empire, examines the European settlement and ecological devastation of the North American prairie. Her ecology-based serial poems employ collage, borrowed text and fractured narrative to probe the connections of humans to the natural world through the lens of culture, history and personal experience. Zeman uses image, juxtaposition and fragment to tell the story of a savage and intricate landscape, once conquered and now imperiled by forces such as climate change, invasive species and contemporary agricultural and land practices. Empire is a journey through an endangered world where beauty is enshrined and the lost, human and animal, is elegized.

Parlor Press's poetry series, Free Verse Editions, is pleased to announce the tenth annual New Measure Poetry Prize, which will carry a cash award of $1,000 and publication of an original, unpublished manuscript of poems. Up to four other manuscripts may be accepted for publication by Free Verse Editions editors. Submit a manuscript of at least 54 pages with a $28 entry fee between March 1 and June 30, 2019. The window for the 2019 competition will open on 1 March 2019. The judge for this year's competition is Peter Gizzi.

The Writing and Working for Change series began during the 100th anniversary celebrations of NCTE. It was designed to recognize the collective work of teachers of English, Writing, Composition, and Rhetoric to work within and across diverse identities to ensure the field recognize and respect language, educational, political, and social rights of all students, teachers, and community members. While initially solely focused on the work of NCTE/CCCC Special Interest Groups and Caucuses, the series now includes texts written by individuals in partnership with other communities struggling for social recognition and justice.

Ana Cristina César, At Your Feet, edited by Brenda Hillman and Katrina Dodson. Translated by Brenda Hillman, Helen Hillman, Sebastião Edson Macedo, and Katrina Dodson
Ana Cristina César (1952-1983) has posthumously become one of Brazil’s best known avant-garde poets. After her suicide in 1983, her innovative, mythic, and dreamlike poetry has greatly influenced subsequent generations of writers. At Your Feet was originally published as a poetic sequence and later became part of a longer hybrid work— sometimes prose, sometimes verse—documenting the life and mind of a forcefully active literary woman. César, who also worked internationally as a journalist and translator, often found inspiration in the writings of other poets, among them Emily Dickinson, Armando Freitas Filho, and Gertrude Stein. Her innovative writing has been featured in Green Integer's Nothing the Sun Could Not Explain—20 Contemporary Brazilian Poets (2000). Poet Brenda Hillman and her mother Helen Hillman (a native speaker of Portuguese) worked with Brazilian poet Sebastião Edson Macedo and translator/editor Katrina Dodson to render as faithfully as possible the intricately layered poems of this legendary writer.

The WPA Outcomes Statement—A Decade Later, edited by Nicholas N. Behm, Gregory R. Glau, Deborah H. Holdstein, Duane Roen, and Edward M. White, received the Best Book Award from the Council of Writing Program Administrators at its annual conference on July 17, 2015 in Boise, Idaho. The annual award honors the book that addresses issues of long-term interest to WPAs, makes a significant contribution to the scholarship of writing program administration, and serves as a strong representative of the best work in the field. This year's award recognized books published in 2013. In making its announcement, the award committee had this to say:

The WPA Outcomes Statement is a living document, and this edited collection reflects how the Outcomes Statement is adapted in different environments in response to different challenges. This edited collection explores several ways in which the WPA Outcomes have been used to develop curriculum and enact change at many levels. Because of the breadth and depth of the contributions, this book will be a useful resource for years to come. It's not only a retrospective, but a forward-looking work that provides ideas for institutions at all levels.

Series Editors
Jan Rune Holmevik and Cynthia Haynes
Clemson University

The Electracy and Transmedia Studies Series publishes research that examines the mixed realities that emerge through electracy, play, rhetorical knowledge, game design, community, code, and transmedia artifacts. This book series aims to augment traditional artistic and literate forms with examinations of electrate and literate play in the age of transmedia. Writing about play should, in other words, be grounded in playing with writing. The distinction between play and reflection, as Stuart Moulthrop argues, is a false dichotomy. Cultural transmedia artifacts that are interactive, that move, that are situated in real time, call for inventive/electrate means of creating new scholarly traction in transdisciplinary fields. The series publishes research that produces such traction through innovative processes that move research forward across its own limiting surfaces (surfaces that create static friction). The series exemplifies extreme points of contact where increased electrate traction might occur. The series also aims to broaden how scholarly treatments of electracy and transmedia can include both academic and general audiences in an effort to create points of contact between a wide range of readers. The Electracy and Transmedia Series follows what Gregory Ulmer calls an image logic based upon a wide scope—“an aesthetic embodiment of one’s attunement with the world."