During the Jubilee, someone -- probably Banksy -- posted a graffiti mural on the side of a Poundland discount shop depicting a child working in a sweatshop sewing bunting with the Union flag on it. The mural attracted great attention in Wood Green, the district of London where it appeared, and local councillors took steps to ensure that it was not removed or painted over by overzealous city workers.

Then, one day, it disappeared. And reappeared in the catalog of Fine Art Auctions in Miami, with an asking price of $500,000. The auction house (which hasn't returned any press calls on the work) claims that it got the Banksy (or "Banksy") from a collector who assured them that it had been acquired through legal means. The Poundland shop says it had nothing to do with flogging the piece, and no one can get the building's owner on the phone.

Meanwhile, a piece of freely given art that decries capitalism and exploitation has been removed from the neighbourhood that was so proud of it, and is up for sale for half a million dollars in America.

Poundland, the store from which the artwork was removed, has tweeted that it is “NOT responsible for either selling or removing the Banksy mural,” adding that it does not own the building in question and has been unable to contact the owner so far to find out more, while local politician Alan Strickland has already launched a campaign for the artwork to be returned.

Talking to reporters, Strickland explained that “Banksy gave this art for free to our community, so we’re all angry that it’s been removed and put on sale for $500,000 in the U.S. We’re trying to track down who is responsible. We’re not certain who removed it, but we’re absolutely certain we want it back!”

Carlos Miller, an accredited photojournalist covering the Occupy Miami eviction, was arrested by Miami-Dade police, who deleted several videos from his camera before they returned it to him. Miller recovered some of the deleted files and has posted them to YouTube. They support his version of the events of that night, in which he was subject to arbitrary arrest. The deletion of a journalist's arrest-video seems a move calculated to obscure guilt on the part of the police.

So now the next step is taking my camera to a professional recovery service with a forensics specialists who will not only retrieve the entire deleted footage without interruptions, but would also determine the exact time the footage was deleted

That will determined that the footage was deleted while I was in custody and the camera was in their possession, leaving them no defense for blatantly violating my Constitutional rights.

I also plan on obtaining the footage recorded by the Miami police officer as well as the footage recorded by the television news cameraman.

And, of course, I plan on filing an internal affairs complaint against Perez as well as a complaint with the U.S. Department of Justice for deleting my footage.