Johannes Brecht and Christian Prommer collaborate on a release for Hamburg label Diynamic. "Voix Grave" is an atmospheric classical composition from the pair, featuring echoing drums, plucked violins and an emotive cello. Berlin-based Christian Prommer makes his Diynamic debut with a version that perfectly fits within the label's sound; a fast-paced beat underpins the plucked strings of the original, utilized like synths. Johannes Brecht's version running at a full ten minutes, utilizes this time to build up to waves of climactic moments whilst peeling back layers to reveal the original composition's melodies.

DIY: A simple idea, rooted in the wish to change the predominant principles and to do something in one's own way. For 10 years now, Diynamic - the artist collective surrounding label father Solomun - acts true to this calling. Since 2006, it's all been about releasing, partying, thinking ahead and doing it yourself. Born in the heart of Hamburg's St. Pauli neighborhood, it is now home in virtually every corner of the world. The beginning of the adventure dates back even further, to the year 2003, when the clique around Solomun introduced their DIY party series in Hamburg. 2006 saw the founding of the music label Diynamic, followed by the opening of infamous EGO club in Hamburg's red light district, St. Pauli. in 2009. This was soon succeeded by festivals on multiple continents, worldwide Diynamic showcases and several successful residencies on Ibiza. How do you commemorate such a special anniversary? The year 2016 already saw the novel 10-Years-Diynamic parties in multiple metropolises around the globe - so now it's time for some music. The 10 Years Diynamic compilation is a collection of 13 unreleased original productions by Solomun (feat. Liu Bei), Adriatique, H.O.S.H., Kollektiv Turmstrasse, Stimming, Karmon, NTFO, Thyladomid, Ost & Kjex, Magdalena, Johannes Brecht, Undercatt and Lehar. But it's not just all four-to-the-floor: the styles of the tracks are as diverse as the artists on Diynamic, as diverse as the members of a family. So, no more words - hear it for yourself. Double CD version comes in a six panel digipak.

Triple LP version. White vinyl. Comes with printed inner sleeves and includes a download code. DIY: A simple idea, rooted in the wish to change the predominant principles and to do something in one's own way. For 10 years now, Diynamic - the artist collective surrounding label father Solomun - acts true to this calling. Since 2006, it's all been about releasing, partying, thinking ahead and doing it yourself. Born in the heart of Hamburg's St. Pauli neighborhood, it is now home in virtually every corner of the world. The beginning of the adventure dates back even further, to the year 2003, when the clique around Solomun introduced their DIY party series in Hamburg. 2006 saw the founding of the music label Diynamic, followed by the opening of infamous EGO club in Hamburg's red light district, St. Pauli. in 2009. This was soon succeeded by festivals on multiple continents, worldwide Diynamic showcases and several successful residencies on Ibiza. How do you commemorate such a special anniversary? The year 2016 already saw the novel 10-Years-Diynamic parties in multiple metropolises around the globe - so now it's time for some music. The 10 Years Diynamic compilation is a collection of 13 unreleased original productions by Solomun (feat. Liu Bei), Adriatique, H.O.S.H., Kollektiv Turmstrasse, Stimming, Karmon, NTFO, Thyladomid, Ost & Kjex, Magdalena, Johannes Brecht, Undercatt and Lehar. But it's not just all four-to-the-floor: the styles of the tracks are as diverse as the artists on Diynamicm, as diverse as the members of a family. So, no more words - hear it for yourself.

Four-LP box version. Includes download code. Melodic house pioneer and Diynamic figurehead Solomun presents Selected Remixes 2009 - 2015, a compilation of some of his best-loved remixes from 2009 to 2015. Solomun's Selected Remixes 2009 - 2015 is a great overview of the multiple facets of his unique yet ever evolving production style. Hailing from Hamburg, he founded Diynamic in his hometown back in 2006. His unique style as a producer and DJ means he is widely revered by critics and fans alike, remaining in the top 26 and above in the coveted Resident Advisor top 100 DJs poll for the past five years, as well as hitting #4 in the site's most charted producers of 2011. Comprised of twenty-four tracks. Comes with customizable cover artwork and a pack of crayons, reflecting the "remix" concept. The first half displays Solomun's skill for crafting intelligent yet cross-over-ready reworks of both well-known and underground songs. Amongst these are some of the producer's most iconic tracks to date; the Solomun Vox Mix of Noir & Haze's "Around" , as well as his remix of "Let's Go Back feat. Romanthony" by Kraak & Smaak. His remix of Foals "Late Night" from 2013 also features, which, alongside "Around", has racked up over 30 million views on Youtube. Other offerings range from atmospheric takes on the likes of Lana Del Rey and Roisin Murphy, to the more deep and downbeat remix of Whilk & Misky's "Clap Your Hands". The largely vocal-less remixes on the second half allow Solomun's unique production style to shine through. The dark beats of his remix of Stimming's "Una Pena feat. Paulo Olarte" makes for an attention-grabbing start to the disc, whereas his dub mix of "A Love Bizarre" by So Phat! and Claude VonStroke's "The Clapping Track" shows his funkier side. Older remixes like that of "Magnetic North" by Palm Skin Productions and Marbert Rocel's "Cornflake Boy" prove Solomun's credentials with a traditional jacking house groove, underlined by those same distinctive lush basslines and melodic elements. Tiga & Audion's famous "Let's Go Dancing" draws the compilation to a close, demonstrating Solomun's skill for bringing an entirely new dimension to an already very well-known track. Also features remixes of songs by: Broken Bells, Ron Carroll & Superfunk, Tiefschwarz feat. Mama, Editors, Paul Kalkbrenner, Liu Bei, Luca C & Brigante, Josef Salvat, Edu Imbernon & Los Suruba, Kollektiv Turmstrasse, Elekfantz, Tiger Stripes and Gunnar Stiller.

Melodic house pioneer and Diynamic figurehead Solomun presents Selected Remixes 2009 - 2015, a compilation of some of his best-loved remixes from 2009 to 2015. Solomun's Selected Remixes 2009 - 2015 is a great overview of the multiple facets of his unique yet ever evolving production style. Hailing from Hamburg, he founded Diynamic in his hometown back in 2006. His unique style as a producer and DJ means he is widely revered by critics and fans alike, remaining in the top 26 and above in the coveted Resident Advisor top 100 DJs poll for the past five years, as well as hitting #4 in the site's most charted producers of 2011. Comprised of twenty-four tracks. Comes with customizable cover artwork and a pack of crayons, reflecting the "remix" concept. The first half displays Solomun's skill for crafting intelligent yet cross-over-ready reworks of both well-known and underground songs. Amongst these are some of the producer's most iconic tracks to date; the Solomun Vox Mix of Noir & Haze's "Around" , as well as his remix of "Let's Go Back feat. Romanthony" by Kraak & Smaak. His remix of Foals "Late Night" from 2013 also features, which, alongside "Around", has racked up over 30 million views on Youtube. Other offerings range from atmospheric takes on the likes of Lana Del Rey and Roisin Murphy, to the more deep and downbeat remix of Whilk & Misky's "Clap Your Hands". The largely vocal-less remixes on the second half allow Solomun's unique production style to shine through. The dark beats of his remix of Stimming's "Una Pena feat. Paulo Olarte" makes for an attention-grabbing start to the disc, whereas his dub mix of "A Love Bizarre" by So Phat! and Claude VonStroke's "The Clapping Track" shows his funkier side. Older remixes like that of "Magnetic North" by Palm Skin Productions and Marbert Rocel's "Cornflake Boy" prove Solomun's credentials with a traditional jacking house groove, underlined by those same distinctive lush basslines and melodic elements. Tiga & Audion's famous "Let's Go Dancing" draws the compilation to a close, demonstrating Solomun's skill for bringing an entirely new dimension to an already very well-known track. Also features remixes of songs by: Broken Bells, Ron Carroll & Superfunk, Tiefschwarz feat. Mama, Editors, Paul Kalkbrenner, Liu Bei, Luca C & Brigante, Josef Salvat, Edu Imbernon & Los Suruba, Kollektiv Turmstrasse, Elekfantz, Tiger Stripes and Gunnar Stiller.

The original version of "Alpe Lusia" is the only track on the album without a real groove, which is why Stimming chose precisely this track to be remixed -- to see what the others would do about that. The remixing protagonists here are none other than Robag Wruhme and the long time collaborators Acid Pauli & NU.

Hamburg-based electronic musician Stimming presents his fourth album, Alpe Lusia. The work takes its name from a remote little hut in the Italian Alps, in which Stimming secluded himself to work on the album for a full month, all by himself. "When I reduce the outer impulses, I create a sort of artificial understimulation which in turn makes all my gear and equipment appear incredibly attractive again (in the way it actually deserves to be)," explains the artist. Alpe Lusia begins with the rippling noise of a little creek, and in a way, the album itself is precisely that -- a river, which in its course ingests further streams and gains force, while still remaining the same. At times it's as powerful as a rapid, and at others calm as a river bend, but it always originates from the same spring. "I wanted to create something of my own, a journey that (apart from the basic House formula) orientates itself as little as possible on contemporary influences," says Stimming. If you want to rely on his many colleagues' feedback, it seems he has mastered that -- e.g. DJ Koze, who says: "I am amazed. Incredibly warm, stripped down, deep, playful and most of all personal! Almost as if someone sat in front of his gear while cruising on a cutter boat over the ocean all by himself (and on Ritalin)." And the cutter boat is indeed part of the story -- after finishing the production of Alpe Lusia in the lonesome lodge, Stimming went (not without taking a short break among people) onto a container vessel by himself for seven days, sailing through the wintery North and Baltic Seas from Bremerhaven over northern Sweden and back via Rotterdam to the starting point. Stimming used this time to single-mindedly work on his live set for the 2016 worldwide album release tour. Would Stimming recommend this excursion to fellow producers? Not without preparing sufficient material and ideas: "I think starting with a blank piece of paper would be way too tough."

Double LP version. Includes CD. Hamburg-based electronic musician Stimming presents his fourth album, Alpe Lusia. The work takes its name from a remote little hut in the Italian Alps, in which Stimming secluded himself to work on the album for a full month, all by himself. "When I reduce the outer impulses, I create a sort of artificial understimulation which in turn makes all my gear and equipment appear incredibly attractive again (in the way it actually deserves to be)," explains the artist. Alpe Lusia begins with the rippling noise of a little creek, and in a way, the album itself is precisely that -- a river, which in its course ingests further streams and gains force, while still remaining the same. At times it's as powerful as a rapid, and at others calm as a river bend, but it always originates from the same spring. "I wanted to create something of my own, a journey that (apart from the basic House formula) orientates itself as little as possible on contemporary influences," says Stimming. If you want to rely on his many colleagues' feedback, it seems he has mastered that -- e.g. DJ Koze, who says: "I am amazed. Incredibly warm, stripped down, deep, playful and most of all personal! Almost as if someone sat in front of his gear while cruising on a cutter boat over the ocean all by himself (and on Ritalin)." And the cutter boat is indeed part of the story -- after finishing the production of Alpe Lusia in the lonesome lodge, Stimming went (not without taking a short break among people) onto a container vessel by himself for seven days, sailing through the wintery North and Baltic Seas from Bremerhaven over northern Sweden and back via Rotterdam to the starting point. Stimming used this time to single-mindedly work on his live set for the 2016 worldwide album release tour. Would Stimming recommend this excursion to fellow producers? Not without preparing sufficient material and ideas: "I think starting with a blank piece of paper would be way too tough."

Double LP version. Includes download code. Norwegian duo Ost & Kjex have come a long way from their 2004 debut album Some, but not all cheese, comes from the Moon, with their acclaimed 2010 follow-up, Cajun Lunch, and many collaborations with such high-flyers as Solomun, Jamie Jones, and H.O.S.H.; they have grown to become one of the few acts that perfectly bridges the gap between underground electronic music and indie pop music. Five years after their 2010 second album, following lots of touring and working on their signature sound, the duo decided it was time for another album. Freedom Wig is laced with contributions from their contemporaries. Anne Lise Frøkedal, Hanne Kolstø, Jens Carelius, and Jaw (of dOP fame) donate their wonderful and distinct voices to the album, jazz legend Bugge Wesseltoft adds keys, and modern composer Ole-Henrik Moe contributes string arrangements, along with the Traces Gospel choir, Nasra Ali Omar (marimba), Tore Brevik (percussion), and Arild Hammerø (guitars). They all add their flavor to an album that is rich in tradition but still distinctly modern. From the jazzy intro of "Honky Tonk," through the must-dance bassline of "ChaChaCha" and the tropical wooden xylophone sound of "Down River," to the almost spiritual hums of "Easy," this album brings such rich detail that it demands multiple listens to discover all facets of its composition. Versatility is the predominant feature of this album, which mixes Ost & Kjex's soulful vocals with an upbeat electronica sound. On their continuously evolving path, Ost & Kjex have made quite a few stops at places that might sound familiar, such as fabric (London), Panorama Bar (Berlin), Watergate (Berlin), Kater Holzig (Berlin), The Villa (Oslo), Rex Club (Paris), Badaboum (Paris), Culture Box (Copenhagen), The Cat & the Dog (Tel Aviv), Destino (Ibiza), Beachouse (Ibiza), Indigo (Istanbul), and many more. In a scene that is ever so grim, it is quite refreshing to see someone with a wink and a smile on their face, and this is what Ost & Kjex have always been about -- bridging the gap between ecstatic live performances in sweaty nightclubs and the grandeur of not taking oneself too seriously.

Norwegian duo Ost & Kjex have come a long way from their 2004 debut album Some, but not all cheese, comes from the Moon, with their acclaimed 2010 follow-up, Cajun Lunch, and many collaborations with such high-flyers as Solomun, Jamie Jones, and H.O.S.H.; they have grown to become one of the few acts that perfectly bridges the gap between underground electronic music and indie pop music. Five years after their 2010 second album, following lots of touring and working on their signature sound, the duo decided it was time for another album. Freedom Wig is laced with contributions from their contemporaries. Anne Lise Frøkedal, Hanne Kolstø, Jens Carelius, and Jaw (of dOP fame) donate their wonderful and distinct voices to the album, jazz legend Bugge Wesseltoft adds keys, and modern composer Ole-Henrik Moe contributes string arrangements, along with the Traces Gospel choir, Nasra Ali Omar (marimba), Tore Brevik (percussion), and Arild Hammerø (guitars). They all add their flavor to an album that is rich in tradition but still distinctly modern. From the jazzy intro of "Honky Tonk," through the must-dance bassline of "ChaChaCha" and the tropical wooden xylophone sound of "Down River," to the almost spiritual hums of "Easy," this album brings such rich detail that it demands multiple listens to discover all facets of its composition. Versatility is the predominant feature of this album, which mixes Ost & Kjex's soulful vocals with an upbeat electronica sound. On their continuously evolving path, Ost & Kjex have made quite a few stops at places that might sound familiar, such as fabric (London), Panorama Bar (Berlin), Watergate (Berlin), Kater Holzig (Berlin), The Villa (Oslo), Rex Club (Paris), Badaboum (Paris), Culture Box (Copenhagen), The Cat & the Dog (Tel Aviv), Destino (Ibiza), Beachouse (Ibiza), Indigo (Istanbul), and many more. In a scene that is ever so grim, it is quite refreshing to see someone with a wink and a smile on their face, and this is what Ost & Kjex have always been about -- bridging the gap between ecstatic live performances in sweaty nightclubs and the grandeur of not taking oneself too seriously.

Longstanding Diynamic family member H.O.S.H. follows his well-received Forever Young EP series (DIYNAMIC 066-A/B/C/D, 2013-'14) with his first release of 2015. "Cilantro" is a deep, bubbly tech house number with scurrying drums and hi-hats, surging synths, and wavy chords. "Camino" gets more late-night and tripped-out, with rich harmonies and melodies raining down on a hip-swinging kick-clap combo. It's a colorful, neon tune that bristles with great detail and is sure to make for magical moments on the dancefloor. The epic "Cambia" evokes a cosmic, jungle-like atmosphere with sweeping synths and cooing bird sounds married to rubbery beats and rattling percussive patterns.

Stimming and Johannes Brecht each serve up one solo track, with a collaborative track in between. Brecht's stirring "Breathe!" is full of glistening melody and richly musical chords, with plenty of bass and slick percussion. Stimming's uniquely freaky "Quecksilber" is an atypical, intricate affair full of great sound design and unusual textures, with bendy tones, deep drums, woody hits, and hiccupping grooves. Their collaborative "Stekker" (based on elements of the pair's improvised live set at the 2014 Studio Stekker Festival) is a spine-tingling affair that marries jangling chords with distant trumpets, little funky hand claps, finger clicks, and more.

"Not knowing when the Dawn will come, / I open every Door" --Emily Dickinson. Diynamic label boss Solomun kicks off Zora with the title-track, a deliciously deep and sensuously slow-burning track with trademark melodies, colorful synths, and a huge, sweeping bassline that will really get floors moving."Fantazija" features big, rubbery kick drums, jittery percussive patterns, skewed bass, and trippy synths that all work to hypnotize listeners as they ride up and down the scale. "Nada" features a gritty guitar riff riding above rolling drums as tender synth motifs dance around the edges of the track, adding a real sense of emotion.

Thyladomid is a DJ and producer based in Germany with English roots. In 2010, his single "The Voice" held the pole position on Beatport's Deep House charts for six consecutive weeks and eventually got him a "Beatport Music Award" in the category "Top Deep House Track of the Year." Since then he has released frequently on Diynamic and its imprint 2DIY4 and released highly-acclaimed collaborations with Adriatique. His debut album Interstellar Destiny, rather than deliver his usual club sound, is a deeply personal work mirroring his thoughtful and fragile nature. "Many things inspired me," he says, "but first and foremost it was movie scores. So when I was working on a track, I was actually imagining a movie scene that I would be doing the score for. The title Interstellar Destiny means something in the way of 'universal meaning' or 'human purpose.' Every track describes a process or a situation of our lives here on planet Earth, a beautiful or not so beautiful facet of our existence. The album is very melancholic and describes my musical nature in regard to my perception of my surroundings. I hope I can illustrate that to the listeners." He sure can, because the album is absorbing right from the outset, thanks to the somber bass and serene strings of opener "Intergalactic Spring." From there, the moodiness continues to build through "Generation Y," with its whispered, intimate vocals and slo-mo beats. The colorful, charming "Brotherhood" then gets a little more sun-kissed and laid-back; "Inner Space" shows how well Thyladomid does deep house; and elsewhere cuts like "Daddy Rainbow" marry rich, rounded bass with sensitive synths and vulnerable chords. A special mention goes to two tracks that instantly stick: the heartfelt "Mavericks," with its sultry singing and catchy melody to sweep listeners away, and the feel-good anthem "The Real Thing," which many will remember as one of 2014's Ibiza favorites. It was released as an album teaser EP in 2014 (DIYNAMIC 071EP), with remixes by Stimming and Adriatique, and is still as passionate as it was then. Interstellar Destiny is a remarkable example of outstanding forward-thinking electronic (dance) music, something that will catch attention on the dancefloor, but especially a great (loud) home-listening piece of music. The album proves Thyladomid's huge talent and impressively demonstrates that he is much more than just a regular producer of club tracks. Features Mâhfoud on four tracks.

Double LP version. Thyladomid is a DJ and producer based in Germany with English roots. In 2010, his single "The Voice" held the pole position on Beatport's Deep House charts for six consecutive weeks and eventually got him a "Beatport Music Award" in the category "Top Deep House Track of the Year." Since then he has released frequently on Diynamic and its imprint 2DIY4 and released highly-acclaimed collaborations with Adriatique. His debut album Interstellar Destiny, rather than deliver his usual club sound, is a deeply personal work mirroring his thoughtful and fragile nature. "Many things inspired me," he says, "but first and foremost it was movie scores. So when I was working on a track, I was actually imagining a movie scene that I would be doing the score for. The title Interstellar Destiny means something in the way of 'universal meaning' or 'human purpose.' Every track describes a process or a situation of our lives here on planet Earth, a beautiful or not so beautiful facet of our existence. The album is very melancholic and describes my musical nature in regard to my perception of my surroundings. I hope I can illustrate that to the listeners." He sure can, because the album is absorbing right from the outset, thanks to the somber bass and serene strings of opener "Intergalactic Spring." From there, the moodiness continues to build through "Generation Y," with its whispered, intimate vocals and slo-mo beats. The colorful, charming "Brotherhood" then gets a little more sun-kissed and laid-back; "Inner Space" shows how well Thyladomid does deep house; and elsewhere cuts like "Daddy Rainbow" marry rich, rounded bass with sensitive synths and vulnerable chords. A special mention goes to two tracks that instantly stick: the heartfelt "Mavericks," with its sultry singing and catchy melody to sweep listeners away, and the feel-good anthem "The Real Thing," which many will remember as one of 2014's Ibiza favorites. It was released as an album teaser EP in 2014 (DIYNAMIC 071EP), with remixes by Stimming and Adriatique, and is still as passionate as it was then. Interstellar Destiny is a remarkable example of outstanding forward-thinking electronic (dance) music, something that will catch attention on the dancefloor, but especially a great (loud) home-listening piece of music. The album proves Thyladomid's huge talent and impressively demonstrates that he is much more than just a regular producer of club tracks. Features Mâhfoud on four tracks.

Diynamic concludes the Four to the Floor series of four EPs with four tracks each, focused on the dancefloor and featuring many artists' first appearances on Diynamic. This fourth EP includes Malandra Jr.'s lush "Infinity," a journey to the end of the universe with lots of moody melodies and haunting chords; Handshake's excellent "Gravity," a slow romp through big, expansive bass notes, radiant chords, glassy melodies, and ghoulish voices; Zaki's "Heart Never Lies," a crisp and twitchy bit of house with studiously crafted, rich bass notes; and Martin Kremser's physical, bumpy "Curious," with emotional keys, lovely synths, and groaning bass.

Diynamic has come up with another great idea for a new series of EPs. Under the title Diynamic Revisited, it sees one artist remixing two older tracks from the label's excellent back-catalog. First up is David August, who has elected to revision tracks by Kollektiv Turmstrasse and Stimming. Kollektiv Turmstrasse's "Last Day" was first released back in 2009 and was a tropical bit of metallic tech-house. David August's revision of "Last Day" transforms it into a much deeper, slower-burning and spiritual track with heavenly chords and buried, deep bass lines. "Der Schmelz" is reworked into a moody, spaced-out track with slowly undulating grooves and haunting synths.

Hamburg house staple Diynamic unleashes a new series called Four to the Floor -- four EPs with four tracks each, focused on the dancefloor and featuring many artists making their first appearance on Diynamic. This third EP includes D33P, Jos & Eli, whose subtle and supple "Galactica" features feathery-light synth patterns and spacey vibes; Israeli duo Audio Junkies (Daniel Rave and Yoav Rave) with "Bansky," a magical, feel-good bit of deep house with hypnotic melodies; Hobo, offering up "Mirage," a peak-time techno pumper with mad melodies and a fantastic vocal sample; and Jobb & Corco's big, percussive "African Balad."

Hamburg house staple Diynamic unleashes a new series called Four to the Floor -- four EPs with four tracks each, focused on the dancefloor and featuring many artists making their first appearance on Diynamic. This first EP includes Swiss producer Night Talk with "Mind Games," a rich and colorful tech offering; the Dutch duo of Roberto Calzetta & Twin Soul, whose magically melodic track "Bliss" is a lush, mid-tempo deep house piece; French producer Rafael Cerato with "Constellation," a deep space affair with melancholic synth lines; and Dutch producer esteble with the rich and somber "Marlborough Sounds (feat. BeatuniQue)."

Hamburg house staple Diynamic unleashes a new series called Four to the Floor -- four EPs with four tracks each, focused on the dancefloor and featuring many artists making their first appearance on Diynamic. This second EP includes Italian duo Undercatt, contributing "Golden Area," a punchy, meaty house track cut with alien synths; Denite & The Liquid Mirror, who deliver "Together," a lively, up-tempo tech house affair with celestial pads; French producer Anton Dhouran with "Mirage," a make-you-reminisce house track with big, bold drums; and India's BLOT!, whose heartbreaking "Empire Waste (feat. Lifafa)" is a well-constructed song with proper lyrics.

DJ and production duo Adrian Schweizer and Adrian Shala aka Adriatique are back with more on home label Diynamic. The title-track is a tough, tense bit of tech with dark voices, sinewy synths and groaning bass lines. "Numb" is a deep and shadowy house track with smart synths, lots of filters and spooky melodies -- an intergalactic delight that takes you to another world. "Ion" is a morelively but just as deep track that comes from another galaxy. Sci-fi effects, smooth drums and somber, Vangelis-like synths all make this a perfectly future-sounding track that will create lots of drama on the dancefloor.

With "Dancer" and "Disc Jockey" on Part 3 of his "Forever Young" series, H.O.S.H. shows us even more colors and variations of his unique production style. Consisting of four releases with all together eight tracks in a limited edition of 500 copies of 10" vinyl, each of the tracks presents the fulfillment of a childhood dream. All four covers in the series make up a puzzle to form together one big picture.

Thyladomid is back with another big-hitting track, "The Real Thing," featuring Mâhfoud, plus remixes from label mates Stimming and Adriatique. The track in its original form is a truly somber bit of deep house. Its main feature is a melancholic piano line that lazily rolls over warm, rubbery kicks as Mâhfoud's pained and sad vocals add another layer of emotion. Stimming's rework the track into a much more sharp and urgent affair with his usual intricate details making it hugely energetic. Finally, Adriatique offer up a lazy, spaced-out and fairly slow house remix that is all about making dancers sink into their inviting groove.

The long-awaited collaboration of H.O.S.H. & Andhim -- the grand finale in H.O.S.H.'s "Forever Young" series. Up first is the mighty "Captain" -- a suitable title considering H.O.S.H.'s DJ adventures on the high seas in Ibiza. It's a deep track driven along by rich drums and warm bass notes as rough metal percussion lashes about in the foreground. "Writer" is another lush bit of artistic and musical house music with woody percussive sounds, somber downbeat chords and more ethereal pads.

Diynamic boss Solomun is back with a fantastic new two-track EP, Samson. "Medea" is a deep, trippy, peak-time monster with a twist of house and techno. A bittersweet melody is dirty and tumultuous and comes in stabs and skewed slurs. "Samson" is a slower and deeper cut layered up with plenty of serene and widescreen pads. The epic breakdown is what really stands this track apart, though. A teary-eyed and super-emotive strings-only version complete with choral singing is also included and rounds out what is sure to be one of Solomun's biggest releases yet.