Finley just isn't the right match for this material. His morbid fascination with privilege is here as is his caustic sense of humor, but both of them feel so held back by the context.&dash; The Spool - EDIT

Run Sweetheart Run tries to be a feminist horror movie while focusing on a wholly uninteresting protagonist whose most defining traits are, yes, her maternity and her menstrual cycle.&dash; The Film Stage - EDIT

The pace is too zippy at its darkest moments, and when it tries to have capital-D drama, it ends up contrived at best and risible at worst. It's not a bad movie. It's an empty one.&dash; The Film Stage - EDIT

[T]he movie isn't unjustly cynical. It can be pessimistic in the philosophical sense, sure, but it also acknowledges how citizens can rebound while avoiding too tidy of a conclusion.&dash; The Spool - EDIT

Thorne's script packs in flashbacks to fill in the gaps, forcing the picture to strafe between human drama and minimalist adventure. Sometimes it works. Sometimes it's sclerotic.&dash; The Spool - EDIT