Posts Tagged ‘Uwe Tellkamp’

Looking back on 2016, I’m struck by how little reading I’ve actually done this year – only 51 books finished, the lowest total since 2001. There are a couple of ‘started and paused, probably given up’ (Celine’s Voyage au Bout de la Nuit, and Uwe Tellkamp’s The Tower, if you really want to know). And I’ve managed to reduce my acquisitions for the year to 38, which is a reasonable achievement in my judgement; it would have been considerably lower but for a spree in November… And I’ve continued with the culling of the library too, although I’m not sure it really shows.

My blog – this one, which you are currently visiting – has been a bit more popular this year, in terms of visits and people signing up for regular access, although I can’t say I’ve made the big time. I have been a little surprised by what have been my most popular posts: both of the following have pretty much the same number of reads. There’s Theodore Kroeger’s The Forgotten Village – I’m not sure why so many have wanted to read about this obscure volume; it’s recently been republished in France, which is where my copy came from, but the visitors haven’t been from there. And then there was Derek Guiton’s A Man That Looks on Glass, an even more obscure book on the future of the Religious Society of Friends (Quakers); I suppose many of those visitors may well be Quakers who have heard about the book. And I get visitors to the blog from so many different countries, though not unsurprisingly the UK and USA head the list.

Awards for 2016

Best new book: definitely Second-hand Time by Svetlana Alexievich, which I’m currently devouring and will review later, when I get to the end. I could have given the award to her book Chernobyl Prayer (see below)

Weirdest: probably Vassili Peskov’s Ermites dans le Taiga, a true tale of a family totally isolated and surviving in the depths of Siberia for almost forty years without any other human contact.

Best non-fiction: Chernobyl Prayer by Svetlana Alexievich. You haven’t read anything about the Chernobyl accident until you read this book. The first chapter will break your heart.

Most disappointing: Voyage Au Bout De La Nuit, by Celine, which I’ve felt guilty about for years for not reading, and started this year, but put down for something more interesting. It wasn’t that the book was boring or unreadable, just not gripping enough to keep me interested; I’ve kept thinking that I’d go back to it but so much time has now elapsed that I’d probably have to begin again, which I can’t see myself doing.

Resolutions for 2017: repeat last year’s to buy fewer books, read more, and diminish the pile of unread books sitting in piles everywhere. I’m also, slowly, contemplating the possibility of a re-design of this blog, so that it looks a little less austere, and is perhaps a little easier to find your way around. Would that be a good idea, or do you prefer it as it is?

Have you ever started a book which you were really looking forward to reading, expecting it to be really good, and gradually been let down, realising that actually you weren’t enjoying it very much? Optimistic, you continue, hoping it will pick up… sometimes it does, a bit, but it never actually matches your original expectations. And perhaps, like me, for various reasons you’re reluctant to just give up.

It’s happening to me a little more frequently nowadays, and has got me thinking. I’m always quite sceptical of reviews, especially those that rave about how brilliant a particular book is. Perversely, perhaps, the more fashionable, trendy or popular a book seems, the more suspicious I am of it.

Disappointment is often linked to the length of a novel. I’m not put off by the proverbial door-stopper, expecting to find depth and detail more satisfying, and some lengthy tomes are worth the effort – War and Peace, Life and Fate, the Arbat Trilogy – but others have deceived. When I came to re-read Lawrence Norfolk’s The Pope’s Rhinoceros, I wished I hadn’t bothered; the last Thomas Pynchon, Against the Day, sustained me during a lengthy illness, but I can’t imagine myself reaching for it again, and Don De Lillo’s Underworld, which so many raved about, was a masterpiece of tedium to me: I really couldn’t see the point. I’ve been disappointed by some of my favourite authors: Umberto Eco’s Foucault’s Pendulum was a great let-down after The Name of the Rose; The Island of the Day Before was a little better, but not a lot. But then he gave us Baudolino…

When I consider what’s happened, I’m often struck by the thinness of the plot – too drawn-out and self-indulgent, even: a story that takes too long to get not very far, and after having really enjoyed a previous novel, I’ve thought, ‘well, I’ll try this, it should be good’, and it’s not. Are writers doing a Dickens, and writing by the yard because they need the money?

My current disappointment – I’ll write a proper review when I get to the end – and what’s prompted this post is The Tower, by Uwe Tellkamp. It’s a novel about the complications and frustrations of life in the former DDR (German Democratic Republic), set in Dresden among a relatively privileged group of families. So far, in 400 of 1400 pages (!) there have been some interesting glimpses of daily life, a sense of menace from the ever-present Stasi, and a lot of tedium reading about a group of people for whom I do not really care. I shall persevere, though I currently feel victim of my enthusiasm for books that do not seem likely to get translated into English. This one will be no great loss, on current showing.

It strikes me that I’ve become harder to please as I’ve grown older, and perhaps a little more conservative in my tastes. I used to read a good deal of experimental literature, including some quite weird stuff, and really enjoyed it. But then, I have recently enjoyed Ben Marcus and Laszlo Krasznahorkai, and they are hardly run-of-the-mill writers. Maybe one has less patience as one ages?