Wednesday, 9 August 2017

Situation Vacant

(This post was originally posted by GraemeN on the Coronation Street Blog in July 2017, reposted to this blog with permission.)

Many
characters in Coronation Street are instantly recognisable because of
the jobs they do. Rita for instance is and forever will be linked to
that Kabin counter and the endless proffering of aniseed balls and
pineapple cubes to the toothless residents of Weatherfield. Audrey has,
since the days she gave Hilda Ogden a dodgy rinse in Alf's front
parlour, been synonymous with standing behind various be-wigged
characters, somehow miraculously cutting their barnets with scissors
about a mile away from their heads. And Roy's Rolls wouldn't be Roy's
Rolls without...Roy!

The
issue of employment pops up frequently in Corrie. Not in the same major
plot device way it was used back in the 1970s. In those days an entire
week of episodes could be given over to Betty walking out of the Rovers
after Annie Walker accused her of nicking Newton and Ridley pint
pots (Oh no, hang on, that was only in the imagination of Phil
Collinson). Recently, we've seen several characters have their jobs
thrust into storylines, with varying degrees of success. First up is the
super new Special, Craig Tinker. Craig is shaping up to be the best
thing to happen to TV police dramas since Cagney found Lacey. I have
loved his involvement in the Bethany story and it has been great to see
one of the Street's youth forge ahead with bettering themselves with a
noticeable effect.

Craig Tinker they are not!

Less
positive is Brian Packham (or BPack as he is apparently known to
raven-haired kebab scraper Cathy "Catherine Wheel" Matthews). Personally
I preferred "Cathy Come Home" although maybe "Cathy Go Home" would be
even better. Brian is very much the 21st Century attempt at a Derek
Wilton and while he's not as weak and feeble as Gail's most recent
husband (Gail got over that bereavement pretty swiftly), Brian is a bit
wet to say the least. I nearly went for mo*st but that takes the blog in
a whole different direction.

BPack's
over-bearing, interfering, pedantic council work is supposed to be
light relief in amongst the more serious fare Corrie have been feeding
us of late. I'm all for a bit of light and shade but I draw the line at
BPack brandishing his little litter pincher across Roy's counter display
of cream horns and fancies. Hygiene completely out the window and
running down the road faster than Phelan's new daughter.

Catherine Wheel

Liz
has also had a change of job recently, being dragged out from behind
the Rovers bar by her jaggedy necklace. I can't quite come to terms with
the idea of no more Landlady Liz. Liz McDonald was a natural fit for
the Rovers, standing proudly behind her gleaming pumps...Anyway
Elizabeth is now standing slightly less proudly behind the reception of
the rarely seen Rosamund Street Medical Centre. She has a rather
officious and spiky new boss in Moira (where has she been hiding?).
Moira has already had to kick Liz into touch for breaching patient
confidentiality for referring to 85 year old Rita's feet giving her
bother. I think Moira needs to get a grip, or maybe she hasn't heard of
Gail McIntyre who during her time in that role witnessed her deranged
husband break in with a sledgehammer to steal drugs before Gail herself
was sacked for revealing private medical details of a patient to her
son. After all that lot, Rita's corns are a drop in the Zambezi (Club,
not River).It
strikes me that there are certain rules that always seem to apply to
Coronation Street characters where the world of work is concerned. And
here they are:1.
Everyone must work within at least spitting distance of their own front
door. Nobody waits on at Delphine's or The Clock anymore. Jobs only
ever materialise at the Bistro. Nobody ever ventures to the Trafford
Centre for a job, they just add themselves to the payroll in the
Underworld Packing Department.

Liz hopes Moira will like her new look

2.
Characters without a fixed role in life never seem to last long in
Weatherfield. Everybody needs a purpose and a place to be and be seen.
Without that you're pretty much toast. That's probably why Sean Tully
has wangled himself seventy-two jobs and yet still no major storylines
to speak of. So be careful out there Yasmeen Nazir and your random
Community Centre leaflet brandisher/ Roy's Rolls filler in whenever
David Neilson has a day off! Seriously though, Yasmeen is an
intelligent, thoughtful, eloquent lady - give her something interesting
to do which exploits those attributes. And that's not tonging eclairs
into a box for Fiz and the faktry girls.3.
Characters move between jobs and take on new jobs with alarming speed.
Last Wednesday Liz was all moist-eyed in the back room, bemoaning the
end of her days in the hot pot kingdom and then with the briefest
flourish of a pair of specs she was off to the Medical Centre to grapple
with the appointments system. Gina Seddon got a job in packing with
Kirk while the ink was still drying on the script which saw Sally find
that heart in a box. And Queen of the Job Swaps is Michelle, although to
be fair, she did sleep her way to the top of Victoria Court first.

Michelle settles in behind the Bistro bar

4.
People will strangely come into large sums of previously unheard of
cash just as an exciting new business opportunity to invest in the
Rovers/Bistro/Faktry/Cab Office comes along. Someone we've never seen
before will drop dead and leave a major character a pile of notes.
Either that or a timely divorce settlement will come through or if you
are of the Barlow persuasion, you'll blackmail or wheedle it out of some
poor, unsuspecting simpleton.5.
Characters will always make bizarre, not even in the world of soap is
this acceptable, career choices. Look at Toyah Battersby, the
beiged-down version. I get that she loves Peter Barlow, well I don't get
it but I can see she's smitten. Despite this, she had a successful
career as a therapist in Liverpool although once making the move back to
Weatherfield, does she pick this up again, no she settles for the odd
shift slopping out half pints to Norris in the Rovers. Back to Michelle
again. Why does she persist in taking on customer-facing roles when she
has the people skills of Rosa Klebb (she of the knife/shoe combo in
James Bond) and the temperament of Mrs Meers in Thoroughly Modern
Millie. And as for Dev, would you ever set foot in that Corner Shop
knowing he'd be lurking behind the product placement cash machine and
before you can reach for the gin? Maggie Clegg he is not!

Dev's Service at its finest

Weatherfield
is obviously in its own little micro-economy. Kevin Webster's garage is
about to go under one minute and after a bit of a cash injection from
David/Anna, all is forgotten. He must make a mint from that poor sucker
whose Fiat Punto has been up on the ramp since Mike Baldwin owned the
joint.

I
will finish with some of the Corrie employment pairings which have
really made my heart sing. I still pine for the days when Gail and Alma
worked together behind the counter of the dirty old caff. I still long
for the delicious foursome of Annie, Fred, Bet and Betty at the Rovers,
with Hilda popping up in her tabard when you least expected it. Mike
Baldwin will always be King of the Faktry, Alf Roberts' spirit is always
in that grocer's white coat at the Corner Shop and Rita and Mavis were
the Kabin Queens. I still take pleasure in seeing Norris mither away
over his liquorice torpedoes; from seeing Gemma in her Eurovision-esque
Kebab shop outfit and of course from seeing Roy dither gently in his
cardigan as he feeds the faces of folk.

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CBC Schedule for Corrie

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