NOTE: This scanning is for a base, unedited scan of your film. These films are dust magnets. We do not attempt to fix any dust on your images, after scanning. This is our minimal service

Please note that we do not develop your large or medium format 120 or 620 film for you. We will transfer your developed film negatives or positives to digital images and put them on a CD or DVD data disk. Our charge for scanning medium format film up to 120 or 620 film is $2.00 per 6(cm) x 6(cm) or 2.25" x 2.25" frame. They are scanned at 1200 ppi at $2 per film. (Some people refer to these slides as 55mm.)

If your medium format film has been rolled up and has a tight curl to it, it is going to be hard for us to get a good scan for you. Please don't send us film in this condition unless you are willing to accept whatever we can get for you.

Medium Format Film Rolled Up

This Is What You Get When You Store Your
Film Rolled Up.

120, 620 Medium Format Film:
A Brief History:

The Medium format film was created
specifically for the Kodak Brownie cameras back
in 1900-1901. It was a very simple camera that
was basically, fixed focus and "point and
shoot." It had a single shutter speed. The
"Brownie" camera took its name from cartoon
characters that were popular at the time
depicting mischievous but good hearted elves.

Medium format means 120 and 220 size roll film.
The film is on a spool rather than in a
cassette.

Just about every emulsion from the major film
companies was available in 120 film. Most were
available in 220 as well. The difference between
120 and 220 film was that 220 was twice as long
and therefore holds twice as many images as 120.
The spool sizes were the same. What differs is
that 120 film has a paper backing that runs the
full length of the film. 220 film only has a
paper leader. Thus more film can be wound in the
same space with 220.

Medium Formats

Essentially, 35mm film is a fixed size
format: 24X36mm while 120
and 220 roll film can be used for several
different frame widths and thus formats. The
film is fixed at 6cm width so what varies is the
length. The most common formats are, in
Centimeters, — 645, 6X6, 6X7. The camera
determines what "format" is shot onto the 120 or
220 roll of film. Some cameras had/have
interchangeable backs which can change the size
of the picture.

Although bigger in size, a 6X6 camera is usually
convenient because it makes it unnecessary to
rotate the camera between horizontal and
vertical pictures. A 6x6 would get 12 shots to
one roll of 120 film.

2 1/4" x 2 1/4" is the equivalent of a 6cm x 6cm
film. This also works out to being about 56mm x
56mm.

Another size you will see expressed in imperial
units is 2x3 (actually 2 1/4 x 3 1/4) commonly
known as 6x9cm.

6cm × 7cm enlarges exactly to 8" × 10" paper,
which accounts for its users calling it the
ideal format.

The term "645 format" is sometimes used when
referring to an ordinary 120 or 220 film used in
the 6 × 4.5 cm picture format. 645 format
cameras will get 16 pictures per roll of 120.

If bigger is better, why doesn't everyone use
6x7 cameras? The question here is quality vs.
portability. 6x7 format cameras are heavy. They
are basically made for studio use, whereas a 645
camera will give you the same portability as a
high-end 35mm SLR camera. It's almost impossible
to take 6x7 pictures without a tripod.

Kodak
introduced the Six-20 camera in 1931 and along
with it the 620 film. About this same time Kodak
stopped manufacturing the cameras that take the
120 film. In the United Kingdom, Kodak Ltd.
manufactured a few models in the 1950's and
'60's. The Six-20 was classified as a "pinhole"
camera, the view finder is on top.

620 film continued to be popular until the
1960's, when the introduction of the
cartridge-loading Instamatics simplified the
loading of film into cameras. The Brownie Reflex
20 was probably the last 620-film camera to be
made by Kodak.

Kodak stopped manufacturing the 620 film in the
1990s but 120 film can be used in a 620 camera
because it is the same size film. The difference
is that the 120 spool is larger in diameter than
the 620 spool. The film is identical, so all
that needs to be done is the 120 film can be
wound onto a 620 spool. This is a two step
process since the film has a start and an
ending. First you would have to wind the film
off onto a spare 620 spool and then wind it back
onto another 620 spool. Naturally, you would
have to do this in a dark room.