Tag: Jurassic Park

This month’s What’s the Difference from Cinefix compares the book sequel written because the movie adaptation was successful and the director wanted more source material to ignore. Jurassic Park: The Lost World.

Honestly, I can never keep it straight in my head which parts of the novels ended up in which movie. As mentioned in the video, the opening scene of The Lost World was actually from the first book. There are other examples, like the “birdcage” scene in one of the other movies was in the first book… I think.

One thing is for certain: Spielberg knows how to make a film. He knows how to build tension, he knows how to establish sights, sounds, and characters so that sequences hang together, and he knows not to have a talking dinosaur in an aeroplane.

Yes, this is an actual scene from Jurrasic Park 3. Take a moment.

But The Lost World is an example of one the worst reasons you write or film a sequel: because the first one was successful. I don’t know exactly what Spielberg’s motivations were for the sequel – maybe he was under contract, maybe he needed a new wing on his house – but the film was dull. It was trying to recapture the lightning bottled in the first film. The same can be said of the book. Crichton didn’t originally want to write a sequel and was only convinced by Spielberg saying he’d give him lots of money that he would be keen to direct a movie adaptation of the sequel if one were written.

My mother bought me The Great Zoo of China for Christmas, which makes her the best mother in the world. Well, unless your mother bought you a copy as well, in which case the title of best mother in the world would have to be shared.

CJ is a herpetologist specialising in large animals like crocodiles, and being a Matthew Reilly novel, she also specialises in avoiding dying every page or two. She is recruited by National Geographic to take a press junket trip to a new zoo in China. The Chinese government have developed an amazing new zoo that is set to wow the world, assuming their main attractions don’t try to escape and eat everyone. What could go wrong during the promotion junket for a zoo filled with dragons?

Yep. Dinosaurs, sorry, Dragons.

I’ve seen some reviews that suggest Matt’s novel is just a rip off of Michael Crichton’s Jurassic Park. I agree completely. I also like to ignore that Jurassic Park is a rip off of Sir Arthur Conan Doyle’s The Lost World, which is in turn a rip off of Jules Verne’s Journey to the Centre of the Earth, or possibly Off On A Comet – if you want to count dragons as dinosaurs. Because every idea is 100% original and comments complaining about rip-offs don’t primarily show the complainer’s ignorance.

Ignoring that point – because who cares? – Matt’s latest novel is all of the elements we’ve come to love from him. The story is fast paced, life and death, adventurous fun. I really enjoyed The Great Zoo of China: enough said.

This is the second Crichton thriller I have read and the second time I have come away noticing his anti-science rants and preachy tone. This time the anti-science diatribe was delivered by the character of Malcolm, who only seems to be in the book for his chapter long anti-science rant. I’ve heard Crichton is even worse with this novel State of Fear.

The book itself is a decent techno-thriller. It was enjoyable and moved along swiftly. One thing I did notice, though, was a tendency to weigh the story down with details. I didn’t really need to know what lines of computer code came up on the screen unless it was relevant – it wasn’t. I didn’t really need to see the DNA sequence typed out.

So you can see that I was less than impressed with Crichton again. The book was entertaining, but from this scientist’s point of view, Crichton should have spent more time writing and less time preaching.

Also, before anyone comments, yes, I am aware that this is fiction. The perils of scientific meddling have always been the cornerstone of sci-fi and techno-thrillers. There is a difference between the “what if” fictional supposition and the “look at my reference list and opinions spouted as facts” tact Crichton uses. Fiction is meant to be fun, not didactic.

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