The hotel is hip and stylish, a bundle of textures and patterns resulting in a sophisticated and enjoyable atmosphere.

The Das Stue Hotel in Berlin:

“Das Stue is housed in the former Royal Danish Embassy, which was built in the 1930s. The neo-classical constructing was developed by architect Johann Emil Schaudt (1871-1957), who immortalized his architectural approach to Berlin’s cityscape with the Kaufhaus des Westens (KaDeWe) department store and the subway station at Rathaus Schöneberg. The elegance of his work, visible at Das Stue, is distinguished by a convex façade, following the arc of the road. 4 unpretentious pairs of columns support the sublime balcony of the Bel Etage, where the Ambassador himself resided in days gone by.

Obtaining been only slightly broken in World War II, the building served as a consulate and the place of diplomatic representation for the Danish military in Germany till 1978. Amongst 1978 and 1987 the magnificent constructing was vacant, and subsequently employed by the Deutsche Post, and later the Deutsche Telekom as an “executive academy”.

These days, the hyperlink between the structures’ historic existence and contemporary architecture is distinct proper from the begin. A glass porch in front of the 24-hour primary reception, makes it possible for a glimpse into the inner workings of the Design Hotel. The eye wanders previous the dual grand staircases, more than the design and style of the modern bar, and lastly rests on the vast panoramic façade overlooking the expanse of the Berlin Zoo.

The extension behind the grand primary constructing the addition, created by the Potsdam architect Annette Axthelm, completes the impressive fusion among old and new. The extension in the rear courtyard is made with an innovative photo concrete surface covered with a historic flower pattern, offering an elegant counterpoint to the rough stone façade of the major structure.

“When I very first visited Das Stue, I noticed the ostriches in the zoo and found this atmosphere to be exceptional. I had a vision of a luxurious house in thoughts, a single that combines high quality, heritage and contemporary architecture with one another,” says Patricia Urquiola of her initial impression of Das Stue. The result of her work is the formal evolution of this moment.

As the art director and designer of the public spaces, such as the restaurant and bar, it was her objective to share an intimate atmosphere with guests.

Patricia Urquiola plays with parquet floor patterns and organic supplies, like wood and copper, combining these with a subtle retro style and colourful mood-enhancing carpets. She pampers guests with a collection of chairs, couches and cushions placed so as to generate a cozy atmosphere, thereby enticing guests to keep a bit longer.

In the split fine dining area of the restaurant, she makes use of higher good quality components that resonate with a demure luxury in th epart facing the Berlin Zoo. In the region connected to the open “show kitchen”, guests can sit below a light sculpture produced of copper pots. She says: “This extraordinary place provides guests the feeling of sitting in a sophisticated pantry.” In contrast to this is the casual all-day dining region featuring massive skylights that flood the space with organic daylight, radiant colours and eye-catching style.

For the creation of the regions in the historic portion of Das Stue Patricia Urquiola proceeded with respect for the 1939 architecture of Emil Schaudt. “I wanted my perform to reflect the voice and the austerity of the building.” Hence, the designer preserved the character of the grand staircase at the entrance and as a counterpoint designed a tiny library with a warm, leisurely atmosphere.

LVG Arquitectura used the view more than the Berlin Zoo – observed by way of the panoramic windows – as a central design and style element. In the interior spaces, the Spanish design and style office followed the design idea and artistic direction of Studio Urquiola. Here, celebrated furnishings classics meet modern design – muted organic tones and materials are paired with sleek white surfaces, and dark oak flooring meets sweeping glass windows – interior harmonizes with exterior.”