Tag Archives: food

Hello there readers, sorry I’ve been a bit tardy with posts but I’ve gotten somewhat bogged with a post on the history of vegetarianism that currently looks to be about four posts long! I’m ignoring the writers’ block by writing this little easy post instead…

I was having a sort out of the kitchen cupboards and happened upon the bag of pea flour I had bought to write a post on peasebread a while ago. Researching for the post, I found that in the very north of Scotland, people ate a lot of peasemeal until recently, because very little in the way of cereals could be grown up there. These Scottish islanders would make pease pancakes amongst other things, so I thought I might have a go at them myself. Having no recipe, I just adapted my own recipe for American pancakes. They turned out pretty good – much better than the peasebread – and were delicious with some fried mushrooms and black pudding. They had a distinctive fresh pea and roast peanut flavour to them, and were slightly rubbery, but not in an unpleasant way.

Makes 10 to 12 pancakes:

½ cup pea flour

½ cup self-raising flour

1 tsp baking powder

½ teaspoon salt

2 tbs sunflower oil or 25 g melted butter

1 beaten egg

¾ cup milk, or half-milk half-water

sunflower oil for frying

Mix the dry ingredients in a bowl, make a well in the centre and add the oil or butter, egg and around half of the milk. Beat in with a wire whisk until the thick batter is lump-free, then carefully mix in the rest of the liquid.

Put a griddlepan or non-stick pan on a medium heat and allow it to get hot. Add a little oil and spoon in small ladles into the pan. You should be able to fit 3 or 4 pancakes in each pan.

Allow to fry for a couple of minutes before checking that they are golden brown. Once they are, flip and fry the other side.

Pile up and keep warm in a very cool oven. Add a little more oil to the pan if needed and continue to fry in batches.

A Simnel cake is a type of fruit cake that contains plenty of marzipan and is eaten at Easter, although it used to be specifically associated with Mothering Sunday. When folk were fasting during Lent, Mothering Sunday, appearing in the middle of the fast, offered a respite from 40 days of religious austerity.

Mothering Sunday occurs on the fourth Sunday of Lent; a special day when people visited their mother church or cathedral. Don’t confuse Mothering Sunday with Mothers’ Day; it is only in the last century that this day is associated with showing enforced appreciation to our mums (though I assume that you met up with your mother on return to your original diocese).

Like most British food eaten during winter and early spring, the Simnel cake contains lots of dried fruit, but it is much lighter than boozy Christmas cake and contains a layer or marzipan both on top and within, and is decorated with eleven marzipan balls, each symbolising Jesus’s disciples (minus the treacherous Judas of course).

To trace the origin of Simnel cake, you need to go right back to mediaeval times where it began life as a yeast-leavened bread, which may or may not have been enriched. This doesn’t sound that much like a special bread, you may think, but what made it special is that it made out of the highest quality flour possible; simnel derives from the Latin simila – the whitest and finest of flours.

Fast forward to the 17th and 18th centuries, and the bread mixture had been swapped for a pudding batter, not dissimilar to spotted dick, enriched with dried fruit, spices and almonds. It would be boiled like a pudding. When cooked, it was wrapped in pastry, glazed with egg and baked until a good hard crust formed. It would be like the Scottish black bun, a traditional Christmas food north of the border.

It is only when you get to the tail end of the 19th century that it starts to look like something we would recognise as a cake, though surprisingly it is not until the 20th century that the familiar marzipan layers and decorative disciples appear.

Simnel cakes themselves seem to be disappearing from our Easter tables altogether and are getting more and more difficult to find in British bakeries. Below is the recipe I use – I can’t claim it as my own, but I don’t know where I got it from, so if you recognise it let me know, you know I always like to credit my sources!

This is a very straight-forward cake mixture made using the all-in-one method; it is very important that you use very soft butter so that the cake batter creams quickly without developing the gluten too much. If you don’t want to make your own marzipan, you can buy some ready-made, but I do urge you to make your own, it really is worth the (really quite little) effort required. The marzipan recipe below is different to my previously published one and I think much better. I shall try to remember to update the other post.

For the cake:

225 g softened butter

225 g caster sugar

4 eggs

225 g plain flour

2 tsp ground cinnamon

zest of 2 oranges

zest of 2 lemons

325 g mixed fruit (currants, sultanas, currants)

125 g glacé cherries, quartered or left whole

500 g orange marzipan (see below)

icing sugar for dusting

apricot jam

1 beaten egg

Begin by greasing and lining an 8-inch cake tin and preheating your oven to 150°C.

In a large bowl, beat together the softened butter, caster sugar, eggs, flour, cinnamon and zests. Using a hand mixer, beat together until smooth. Now fold in the mixed fruit and cherries with a spatula or wooden spoon.

Spoon half of the mixture into your tin and level it off. Take a third of your marzipan and roll it out into a circle the same size as the tin, trimming away any untidy bits. Use a little icing sugar to roll the marzipan out, just like you would use flour to roll out pastry.

Lay the marzipan in the tin and then spoon and scrape the remainder of the cake batter on top of that. Level off with your spatula and make an indentation in the centre, so that the cake doesn’t rise with too much of a peak.

Bake for 2 ¼ to 2 ½ hours. Use a skewer to check it is done. Cool on a rack for about 30 minutes before removing the tin and greaseproof paper.

When cold, roll out half of the marzipan in a circle slightly larger than the cake – the best way to do this is to use the outside edge of the tin it was baked in as a template.

Brush the top of the cake with some apricot jam (if it is very thick, you may want to warm some with a little water in a pan) and lay the marzipan on top, then brush the marzipan with the beaten egg. Divide the remaining marzipan and trimmings into 11 equally-sized balls and arrange them in a circle. Brush those with egg too and glaze the top using a chef’s flame torch (or a very hot grill).

For the marzipan:

90 g caster sugar

140 g icing sugar

220 g ground almonds

grated zest of an orange

1 beaten egg

Mix all of the ingredients except for the egg in a bowl. Make a well in the centre and pour in the egg. Using a mixer or your hand, form a dough. Knead in the bowl until smooth, wrap in cling film and refrigerate for at least 2 hours.

About five years ago, a reader asked if I could write about savouries, that now forgotten course served up towards the end of a Victorian or Edwardian meal. Well I’ve finally pulled my finger out and written one, so here we go:

The savoury course used to be extremely popular; a delicious morsel, which was salty, creamy and spicy, serving as a digestive after a rich meal, either as a final course, or before a sweet. What often happened was that the gentlemen ate their savouries and went off to drink whiskey and play bar billiards, and the ladies had their sweets and swished off to the withdrawing room for cards, chats and sherry; there were no non-binary genders allowed here, let me tell you.

I’m a big fan of the savoury course and I often include one in my supper clubs and pop-ups. They had gone out of fashion by the mid-twentieth century, the only real survivor being the cheeseboard.

Potted chicken livers

Savouries have of course lived on as first courses, canapés, teatime snacks and light lunches, and you will have eaten some of them, and many have already appeared on the blog. Delicious morsels like devilled kidneys, Welsh rarebit, potted chicken livers, potted cheese, Patum peperium, rillettes, angels & devils on horseback and sardines on toast have all been served up by Yours Truly at some point. Two of my favourites are Scotch woodcock – a spiced anchovy butter served on toast covered with a creamy, savoury custard – and Locket’s savoury, a slice of toast topped with ripe sliced pears, wilted watercress, and a thick blue cheese sauce which is then grilled, rather like Welsh rarebit. Delicious! It was nice to see Nigella Lawson championing the devilled egg recently; a woman after my own heart.

Angels & devils on horseback

Savouries are often served on toast, fried bread or some kind of biscuit or cracker. In Eliza Action’s 1845 book Modern Cookery for Private Families, there is just one recipe for savouries which appears to be a proto-croque monsieur, with a small footnote. She doesn’t seem to approve. In the twentieth century, however, you get entire books of the subject, the best being Good Savouries by Ambrose Heath (1934).

What makes a good savoury?

Size matters: it must be one or two mouthfuls, so the best vehicles are toast, fried bread or crackers. However, boiled eggs work well as do oysters in the shell. As long as you can eat it without cutlery, you’re doing good.

Salt: savouries are almost always highly seasoned with salt. This is apparently the digestive part, but it also functioned to give people a good thirst ready for a boozy evening ahead. Salt itself was rarely used, it’s much better to use more interesting ingredients such as anchovies, cured meat and fish, cheese and relishes such as mushroom ketchup, Worcestershire sauce, etc.

Heat & spice: quite a lot of the ingredients served more that one purpose, so most of those listed above fit into this category too, but there was also good old black pepper, English mustard, Cayenne pepper, curry powder and Tabasco sauce.

Strong flavours: other strong flavoured things were used, such as blue Stilton, kidney, liver, game and smoked meats and fish like ham, bloaters and even red herrings.

Creaminess: all that salt, spice, richness and heat was often tempered with something bland and creamy and a variety of things were used for this purpose, such as cream (obviously), egg yolks, savoury custards, béchamel sauces, soft cheeses, brains, sweetbreads, lambs’ fries, fish roes, oysters and left-over poultry meat.

Devilled Chicken Livers

Probably the most infamous savoury is the devilled kidney, but you can devil lots of things. I pride myself on my devil sauce, and at The Buttery devilled chicken livers on toast became a rather unlikely signature dish. This recipe can be easily adapted if livers aren’t your thing: fish roes, kidney, brain, lambs’ fries, left over roasted poultry, mushrooms and even tofu can all be devilled with great success. My favourite is chicken liver because it has all of the qualities listed above in abundance. It’s a good idea to make extra devil sauce as it keeps in the fridge for a good ten days or so, and I can guarantee, you’ll be wanting to devil everything you eat from now on! Here’s how to make it.

Serves 2 as a light lunch or snack, or three as a first course, or six as a savoury course.

For the devil sauce:

2 tbs English mustard

2 tbs Worcestershire sauce or mushroom ketchup, or a mixture of the two

1 tbs vinegar

good pinch of Cayenne pepper

dash of Tabasco sauce

freshly ground black pepper

Simply beat all the ingredients together – taste and add more Tabasco and pepper if you like. There’s no need to add salt.

For the livers:

6 chicken livers

a decent knob of salted butter

the devil sauce

3 or 4 tbs double cream

1 slice of crisp toast per person

chopped parsley

First of all, check the livers for any bitter green gall sacks, which are often accidentally left on. If you sport one, snip it off with scissors.

Get a frying really good and hot and melt the butter. As soon is stops foaming, add your livers. Try not to disturb them. After 2 minutes, turn them over and cook for one more minute. Next, add most of the devil sauce and fry a further minute, making sure the livers get coated in it. Add the cream and let form a lovely rich sauce, turning the livers over in it. Have your toast ready on plates so you can top it with the livers and then the sauce. Scatter over some parsley and serve immediately.

A couple weeks ago I was invited by the iconic British condiment company, Sarson’s, to have a look around their factory and see the process of vinegar-making. They contacted me as they had noticed my little blog and thought I might be interested in seeing what they do because they make vinegar in the traditional way; and we’re all about tradition here at British Food: A History.

The word vinegar comes from the French words vin meaning wine of course, and aigre meaning sour or sharp, so when we talk about British malt vinegar, it’s actually a bit of a misnomer. What is in your bottle of Sarson’s used to be called alegar: sour ale! I think the word should be brought back (I’ll pop a note through to Mr and Mr Sarson).

Vinegar – aka ethanoic or acetic acid – is produced when specialist bacteria called acetobacteria metabolise normally deadly alcohol (ethanol) and harness energy from it. It takes a real specialist to use this killer chemical as a food source. Vinegar is, of course, an excellent preservative itself.

It is thought that vinegar and alcohol fermentation were discovered and refined in tandem, and the earliest example of vinegar-making goes right back to the ancient Babylonians who were brewing it from their beer and wine in 4000 BC! The ancient Romans refined methods somewhat, using wooden barrels to age and develop flavour.

The rear of the original London factory (Southwark Local Studies Library)

There are there are many types of vinegar, but malt vinegar, which is made from barley, is uniquely British, although these days it does travel a bit. Barley was a very important crop in Britain as it was grown to eat, but also to make ale. The average person in mediaeval England would drink around a litre of ale a day and it was the main source of calories for many (and much safer to drink than the water). Our love of ale meant there was plenty spare knocking about to transform into alegar. Sarson’s are the only company still making it in the traditional way and they have been producing it since 1794.

Before I had even arrived, I was greeted a delicious sweet and sour malt smell, and when the taxi pulled up outside the Manchester factory I was greeted again by the lovely folk who run the place. I donned my lab coat, safety glasses, hard hat and beard snood, and looking altogether pretty damn sexy I headed over the see the initial steps in the process.

I had always assumed that when malt vinegar was made, ale would be bought in and then fermented, but this is not the case! Sarson’s do the whole process from start to finish, including making the ale itself. It is truly made from scratch.

Barley grains

The first step is to lightly mill the barley so that the grains can crack open. It is then soaked in spring water and heated up in mash tuns: huge metal vats that constantly stir the barley and the water is collected. This process of mashing extracts the sugars.

Swishing away the sweetwort

I was allowed a little taste of the sugary liquid – or sweetwort – and couldn’t believe how sweet and delicious it was (when I got home, I looked in a few old books and found that home-made barley water was produced in essentially the same way).

The cooled sweetwort now enters the first round of fermentation: yeast is added so it can get to work anaerobically turning sugar into alcohol. This six-day process produces a barley ale that is a whopping 9.5% alcohol.

Now the alcohol can be converted into vinegar in the second round of fermentation. It was this part of the process that I found to be truly amazing: I assumed that to make a product and attain perfect consistency between batches, Sarson’s would have to seed the ale with a mother (or mother-of-vinegar to give her full title, a of plug acetobacteria) that had been carefully selected over years or even decades, to produce a unique strain (wine and beer makers do this with their yeasts). What Sarson’s actually do is simply add the shavings of the bark from the larch tree, which naturally harbours a community of acetobacteria species. This all happens in wooden tubs called acetifiers and it takes seven days for the larch bacteria to do their magic.

The huge physics-defying oak barrels!

For the last stage, the vinegar is stored in huge 40 000 litre barrels – some 100 years old – to be standardised to the correct strength (5% ethanoic acid).

Standardising the final product

The vinegar is heated up to kill the bacteria and it is piped through to the very noisy and exciting bottling room. I loved watching the bottles rattling around on the conveyor belts. It was as though I had literally stepped through the arch window on Playschool!

Then, to top it all off, they handed me my very own personalised bottle of malt vinegar!

Many thanks to Sarson’s for asking me to come to their place and let me be a nosey parker for an afternoon – I will certainly be paying the malt vinegar I put on my fish and chips in even higher regard from now on!

Next post, I’ll write a little bit about how we use – and used vinegar in the home.

Last post I told you all about the overlooked fruit the medlar (or openarse). It’s a tricky one as it can’t just be picked and eaten like most dessert fruits. The way to get the most of any medlars you do get your hands on is to make a jelly, a beautiful deep vermillion preserve which makes an excellent accompaniment to game, roast or cured meats and cheese.

I thought it would also be a good opportunity to go through the process of making a jelly preserve; something I have been threatening to do for a while. This recipe works well with the close relations of the medlar: the quince and the crab apple.

Choosing the fruit:

There is a bit of disagreement as to how ripe your medlars should be; some say only unripe medlars should be used, others that ¼ to ½ of them should be bletted (soft and brown). I have only ever used unripe ones – these produce a clear, bright jelly with an astringency comparable to strong tea. Next time, I’ll be patient and wait for a good proportion of them to blet.

Medlars are high in pectin, a chemical glue that sticks plant cells together. As fruit ripens, the pectin is broken down by enzymes making the fruit soft. When making a jelly, one needs to release the pectin by boiling the fruit until pulpy so that it can set the jelly. If using a lot of ripe fruit, I would suggest adding some crab apples or tart eating apples such as Cox’s orange pippins or russets. Alternatively, a proportion of the sugar can be replaced with jam sugar, ensuring a decent set.

Quince and crab apples do not have this problem and you should be okay.

It’s worth mentioning that if you only have a few medlars, quinces or crab apples, you can supplement with some regular apples and the resulting jelly will be still be great. I’ve made quince jelly with 50% apples before and it was delicious!

Ingredients and equipment:

Aside from the fruit, all you need is water, granulated sugar and some optional cider vinegar. I think a little vinegar cuts through the sweetness very well, but you can leave it out if you prefer.

I don’t add herbs and spices to medlar or quince jelly, but crab apple jelly can benefit from some subtle flavouring: things like rosemary and thyme work well as do cinnamon, cloves and black pepper.

Specialist equipment is easy to get hold of and inexpensive: you’ll need a good-sized sheet of muslin or a jelly bag (though a tea towel or pillowcase will also do the job), a sugar thermometer or temperature probe, and some jars with lids.

Method:

Day One

Scrub the fruit(s), chop roughly – there’s no need to peel or core the fruit – and place in a large pot along with any herbs and spices if using. Just cover the fruit with water and bring to a good simmer and add some cider vinegar, around 50 ml per litre of water.

Turn on the heat, cover and simmer until very soft. Very hard fruit can take an hour, though I do give things a helping hand by squishing the fruit against the side of the pan with a wooden spoon.

When the fruit is ready, scald your muslin or jelly bag iwith hot water. If using a jelly bag, place it on its stand with a bowl beneath it, if using muslin, use it to line a bowl. Carefully, ladle the fruit and cooking liquor into the bag/lined bowl – be careful.

The jelly bag can be left to do its thing, but if just using muslin, a little extra work is required: collect up the edges and tie them well with string. You now need to hang this hot haversack of pulp over the bowl to drip overnight. I hook it over a cupboard handle and then in the fridge to keep the fruit flies off. However you do it, make sure things are securely tied – those bags can be pretty weighty.

Day Two

By now, the liquor should have stopped dripping, but give it a squeeze just to see if you can get any more out. Don’t worry of the juice has gone cloudy, this is common with medlars.

Measure the volume of juice and pour into a heavy based stockpot. To this, add your granulated sugar in the ratio of 500g sugar for every 600ml of juice. Turn the heat on and stir until the sugar has fully dissolved. At this point, clip on your sugar thermometer, if using. Turn up the heat so that the syrupy mixture can boil hard. As you wait for this to happen, pop a saucer into your freezer. Skim away any scum that is thrown up.

Let the syrup boil for at least twenty minutes and check the temperature – pectin sets at 105°C. Sometimes jellies don’t always set, so it’s best to double-check with the wrinkle test. Remember that sauce in the fridge? Take it out and drop some of the jelly onto it. Let it cool for a couple of minutes. If it wrinkles when you push it with your finger, all is well and the jelly is ready to be potted into sterilised jars.

(Sterilising jars is easy: place on a baking tray and pop into an oven preheated to 125°C for at least 25 minutes. I usually put mine in as the jelly is coming to a boil. Any rubber seals can be scalded in boiling water closer to the time.)

Use a jug to pour the jelly into jars, don’t overfill here, a gap of one centimetre below the rim is good. Some jars have a helpful maximum fill line on them. Seal with the lids as soon as you can. Be very careful here!

The next day, the jelly should be set, but sometimes it takes a few days, especially if vinegar was used.

The jelly will keep for 6 months unopened, once open keep in the fridge.

Whether a large-scale affair, or a small but formal meal, mediaeval dining followed a strict regime, and class and rank were very important. Everyone ate together, but people could not sit anywhere and eat exactly want they wanted and food was not shared equally.

Before dinner was served, the dining area had to be prepared. Most of this work was done by some of lowest-ranking lads who worked hard fetching and carrying. They cut the thick sliced of rough bread to make trencher plates. They would wash, clean and polish cutlery and other tableware ready for the main meal of the day. Those that worked well may have gone on to become servers, carvers, or even butlers. Important men such as knights and other ‘henchmen’ were looked after and fed by the Court Commissariat.

Trestle tables were laid out (we still say we are laying the table day) and covered with a tablecloth and dressed with cutlery and other tableware. When William I dined, he would sit at his chair so the table could be laid over him and then dressed. He obviously liked it snug.

Mediaeval mealtimes as depicted on the Bayeux Tapestry

One task was to remove the cups and other drinking vessels from their lidded storage box. The lid was removed and the cleaned cups were arranged on it, the lid was then placed back on top of the box so they could easily be distributed. This was known as the cup board.

When the room was ready, diners would first wash their hands and then seat themselves appropriately. Typically there were three types of table. The lord and lady would sit with the most important people at the top table, then middle ranking tables for the middle class, and then the lowest junior tables for remainder of the people. Once seated, Grace would be heard and the food would be brought in, but no one could eat until the lord took a pinch of salt from his ceremonial salt cellar.

The first course contained the most substantial dishes such as meat and pies, and following that in the second course, there would be sweet tarts, comfits, small songbirds and other delicate dishes. We kept this tradition in general, except for the birds (though if the fancy takes you, see this snipe post).

Large banquets would have had impressive roasts, but day-to-day this did not happen. For example the mother of Edward IV, Princess Cecill generally served up rather austere boiled beef with the odd roast here and there. On Saturdays, she had fresh and salt fish and butter.

Everyone got some of the first course, but it was not a free-for-all. The top table got a choice of around six, the middle rankers four and the juniors two, and less of it; the lord may have got a whole chicken to himself, but the middle-rankers may just have a quarter to share between several. The lads that were still working hard got some bread and cheese as respite.

Once the meal got going, one might imagine a boisterous scene, but folk were expected to be polite, chatting in a restrained manner with no shouting, burping or farting. All quite sedate, except for the big feasts such as Christmas where tables were set up everywhere to accommodate the extra guests, even in sheds. Those lucky enough to be away from the prying eyes in the main hall could get very merry indeed.

Lovely picture of some Mediaeval dining, showing intricate use of the knife (if anyone knows where this picture is from, please let me know!)

It’s worth mentioning that the types of foods people were eating in England in 1400 didn’t really change that much up right until Tudor times. Many dishes stayed the same, as did the ingredients, although many were easier to get hold of by then. There are some dishes recognisable to us today, at least in name, such as blancer mange and gingerbread.

Setting the Table

Some Mediaeval cutlery (from All About History)

As mentioned above, folk sat at a trestle table covered with a tablecloth that was changed between courses. In front of you there would be a large rectangular piece of very hard bread used a plate called a trencher. There would also be a wooden bowl, used for the more sloppy and messy foods. However you did have to share this bowl between four.

By way of cutlery, only a spoon and knife were available. You usually brought your own personal cutlery. Forks, by the way, were work of the devil. Knives could be used to stab large pieces of meat so it could be torn by the incisors. This tearing of food meant that top incisors wore away so that the they met perfectly in middle, unlike we modern Westerners who all have overbites because most of our food is cut up!

If you got into a bit of a mess with all this wrenching of food with your gnashers, you would have to wipe your mouth on the tablecloth because napkins were not invented until the late fourteenth century! When they were introduced, they were large folded pieces of cloth laid over one shoulder.

At the end of the meal, the bowls, trenchers and other unwanted foods were redistributed to the poor by the almoner.

The Mediaeval Period is a vast expanse, lasting around one thousand years from the fifth century to the fifteenth, and so encompasses a substantial slice of history. It is flanked on one side by the Classical Period, the end of Roman occupation ended that one; at the other, the start of the Modern Age marked by the fall of the Plantagenet dynasty, the rise of the Tudors and the Age of Discovery. Being bookended like this, the Mediaeval Period is also sometimes called the Middle Ages.

A 13th Century farming scene: Le Régime des princes, 1279.

During this period, technology and agriculture advanced greatly, but everyone was at the mercy of the elements and entire harvests were often lost creating famine. The knowledge and skill required of the mediaeval farmer was therefore ‘vital and important’; a close eye had to be kept on the seasons, weather and general climate. Planning and forethought were essential, especially when things did not go to plan, for nothing could be grown in the winter months, so the community (which may just have been a single household) depended upon the stores built up over the summer and autumn. They were slaves to the calendar.

Wet, cold weather in spring and summer could spell disaster later in the year if food, especially grain, was not rationed and stored properly; what was grown was grown, and when autumn hit no plants could be cultivated from seed. Fighting off damp and vermin was important too; not just because it was food for the people, but for livestock too. Whole stores have been destroyed by mould. The best way to take down a village or town was to destroy the grain stores.

A modern reproduction of a mediaeval grain store (Village de l’An Mil)

Efficiency was also key: corn and other cereal crops (such as oats in more northern climes) were collected and stored, poultry such geese would eat fallen grains difficult for people to pick, and would hopefully fatten. These birds – and other livestock – would all be slaughtered, the offal being eaten immediately with most of the meat preserved in salt and smoked in chimneys. Only the animals required for breeding the next year would be kept, but in poor years even these beasts had to be killed. This had huge repercussions; not only would there be no breeding stock next spring, but also no oxen to plough the fields to plant the corn. With few crops, people were essentially reduced to a hunter-gatherer lifestyle, trapping wild animals and foraging for pignuts, berries and leaves. Famine and its associated diseases followed, especially when one throws in the Black Death in the latter centuries of this period.

Life for most was relentlessly gruelling and cruel, especially in the first Anglo-Saxon half of the period and no one was exempt; of course, it was peasants and slaves who would be the first to feel the effects of this, those ranked higher were better protected, but as a town generally ate the food it produced itself, effects quickly trickled down.

Things did improve in England when William the Conqueror/Bastard hopped over the channel with his Norman mates; an unprecedented amount of food and wine was imported from Normandy, France and other countries. Of course, only the Norman high-rankers benefitted. A major blow to the common man was the Conqueror’s implementation of strict hunting laws. Only the king, nobles, and those given special permission could hunt in the forests, anyone caug were punished severely, even in very lean times (for more information on this topic see this previous post).

Mediaeval Feast

A noble mediaeval feast, notice the dogs have free reign!

In times of plenty great feasts were held, especially by the kings and nobles of the age; one had to show ones wealth, and the best way to do this was by displaying how productive your land was with huge amounts of meat, poultry, game and fish. In this period it was all about quantity and quality.

In the twelfth century, the first crusades opened up a whole new world of excitement and opulence for the rich, as exotic fruits and spices were brought back from the Holy Land along the newly-formed spice routes, adding a whole new dimension to high-class feasting.

In the early Anglo-Saxon period, and in smaller towns and for Christian feasts and celebrations, feasts tended to be a community-wide affair, with everyone eating together in a great hall. There was a strict system where one sat, however, the top table being reserved for the special guests.

Most feasts followed the same basic pattern; several courses each made up of several dishes, with everyone collecting food from the tables at which they were sat. Large flat squares of hardened bread called trenchers were used as plates, which were then given to the poor to eat afterwards (it was also much cheaper to make disposable bread plates than to buy or produce earthenware ones.)

The first course started with the archetypal roast boar’s head, it was often extravagantly decorated with brightly coloured pastry pieces as well as silver and gold leaf. It was symbolic of a time gone past – the head of the beast killed for the night’s feast, and was not generally eaten. Served alongside the head was brawn, a kind of terrine made from a pig’s head, and mustard. I have made brawn myself and it is very delicious; it’s amazing how much meat there is on a pig’s head!

Immediately after the boar’s head and brawn, the large roasted animals were brought in: pigs, mutton, kid, swan, venison and ‘noble’ game such as hare.

The second course was made up of the smaller and lesser animals: chickens, rabbits, songbirds and bitterns for example, and meat broths.

The third course was essentially the same as the third, but included fish and and more dainty dishes, like eggs in jelly, custard tarts, marzipan and comfits.

There would also be many pies, some small and some huge, and some that were there just for show; the most famous being the ‘four-and-twenty blackbirds baked in a pie’. It was common to put live animals in huge pastry cases so that when it was cut open, they would fly (or crawl) out much to the guests’ amusement. Such solettes, or subtleties, were part of many feasts. Great feasts had a whole course made up of dishes that were simply there to be looked at!

The planning and manpower required to carry off these huge events, the food served would be dependent upon season. My next few posts are going to about mediaeval food – hope you enjoy!