A site specific installation, made up of two projections, a sound piece, a carpet and a fragrance. In the dark intriguing atmosphere of the Oratorio, the spectator will see the same projection, one projected within the altarpiece and the other on the opposite wall. The video portrays the naked body of the artist, seen from behind, from the nape to the pelvis, while he moves his arms back and forth: an action continuously repeated, a meditation exercise, a source of energy.

A site specific installation, made up of two projections, a sound piece, a carpet and a fragrance. In the dark intriguing atmosphere of the Oratorio, the spectator will see the same projection, one projected within the altarpiece and the other on the opposite wall. The video portrays the naked body of the artist, seen from behind, from the nape to the pelvis, while he moves his arms back and forth: an action continuously repeated, a meditation exercise, a source of energy.

The background of the video is a geometric black and white pattern, inspired by a Frank Stella lithography, from the series Black, 1967.Between the two projections, that are like two poles of attraction, the audio, the fragrance and the carpet gravitate: the latter printed with the same geometric pattern as in the video, linking the altarpiece with the opposite wall; the audio, on the other hand, produced by wind musical instruments, played with the technique of circular breathing creating a continuous fluxus, without interruptions, just as the body movement in the video projection. To enrich the sensorial experience of the spectator a special fragrance is spread over in the space: it’s the bay leaf (Lauris Nobilis). It fits perfectly with the installation because of its symbolic quality, as a sacred plant for the Greeks and Romans, used to legitimate poets and emperors.