Flute Methods

Composed by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941), 17 Grands Exercices Journaliers de Mécanisme should be performed daily to maintain and strengthen your technique and tone.
In this progressive method, the importance of the purity of the sound is highlighted and the flautist should work their techniques keeping this idea constantly in mind.
A calendar appears at the beginning of the method to ensure progress is made and advice is given in four languages.

Rae adds to his earlier 40 Modern Studies with a new set of varied pieces, ranging from easy to advanced, and from modern classical to jazz and rock. These 42 new pieces encourage practice in technique and performance. For intermediate to advanced flutists.

Katherine Hoover’s collection of etudes for flute ascribe to the belief that they should be challenging yet enjoyable and musically apt. These eleven etudes address breath control, trills, and overall musicality.
Errata:
Metronome marking for No. 1 should be c. 80, not 90.
Metronome marking for No. 2 should be c. 72.
In No. 3, bar 29, the fourth note should be C#, not B#.

An overview of the most popular contest and recital pieces written for flute. The material has been carefully selected to match the technical capabilities of the younger advancing player. Levels 1 & 2 are available for each instrument (flute, oboe, clarinet, alto saxophone, F horn, trumpet, trombone, tuba, drum), both with supplementary piano accompaniment volumes. Correlated to the First Division Band Course.

The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

A new approach! We tend to take up music study, because we enjoy playing our instrument. Working on scales and arepeggi often seem like drudgery, so Dickbauer puts them "in context" to make them as enjoyable as playing for fun. The new Groove Connection is published for various instruments, but all are designed to work together in duo, trio, and larger ensemble enjoyment. The included CD is useful for classroom and individual study. Get connected!

Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve Your Sight-Reading! Flute, Grades 6--8 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece, first through rhythmic, melodic, and technical exercises, then by studying prepared pieces, and finally going solo with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve Your Sight-Reading! series contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria.

More Graded Studies for Flute, Book One highlight study repertoire from established flute composers alongside exciting new material not seen before, plus specially composed studies by Sally Adams, Paul Harris, and others. Each study lists its key ingredients and invites players at grades 1 to 4 to consider additional key elements as well. This enables teachers and students to link the studies to their current repertoire and technical work in a truly simultaneous learning way.

More Graded Studies for Flute, Book Two highlight study repertoire from established flute composers alongside exciting new material not seen before, plus specially composed studies by Sally Adams, Paul Harris, and others. Each study lists its key ingredients and invites players at grades 1 to 4 to consider additional key elements as well. This enables teachers and students to link the studies to their current repertoire and technical work in a truly simultaneous learning way.

These highly anticipated volumes from the studio of legendary flutist Robert Cavally represent a wealth of pedagogy from a beloved teacher and performer of the flute. Published in three volumes (Tone Studies, Velocity Studies and Scale Studies) at four levels, the Developmental and Progressive Studies for Flute join Cavally's famous Melodious and Progressive Studies as some of the most important repertoire available to student and professional flutists. Use all three books in a level for the maximum development.

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a a complete pedagogy:.

An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a a complete pedagogy: