A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help her find love. His clever ploys, however, lead to an unexpected result.

Post-Truth Rhetoric and Composition is a timely exploration of the increasingly widespread and disturbing effect of “post-truth” on public discourse in the United States. Bruce McComiskey analyzes the instances of bullshit, fake news, feigned ethos, hyperbole, and other forms of post-truth rhetoric employed in recent political discourse.

The Wood Brothers' sixth outing, One Drop of Truth, dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing Nashville-based trio treat each song as if it were its own short film. Fittingly titled, the latest entry in The Wood Brothers evolution finds three musicians being true to themselves. In chaotic times when honesty is in short supply and ulterior motives seem to always be at play, The Wood Brothers put faith in themselves and ultimately their audience by writing and recording a collection of songs that is honest and pure.

By the middle of January many people struggle to keep up their resolutions to be more active. The result is that the UK wastes nearly £600 million a year on unused gym memberships. But new science has the answers. Medical journalist Michael Mosley teams up with scientists whose latest research is turning common knowledge about fitness on its head. They reveal why 10,000 steps is just a marketing ploy and that two minutes of exercise is all a person needs each week.

Former Olympic skater Harding opens up about her troubled relationships with her mother and ex-husband, and the 1994 attack against Nancy Kerrigan. Rare footage, and interviews with her mother, coach, and others tell the real story behind I, Tonya.

Now, the complete truth can be told…Devo, the seminal New Wave audio-visual concept band made a career out of setting to music video their Dada-gone-camp theory of de-evolution and its riotous rebuke of corporate culture. Punk/New Wave mad scientists Devo …

Blues rocker Tinsley Ellis knows where his bread is buttered and bakes up a loaf of it on his first album of original material since 2004's The Hard Way. Best known for fiery shows as evidenced by 2006's terrific Live! Highwayman, Ellis' explosive combination of R&B, blues and rock clicks on this rugged set. He roars through the riff-driven "Somebody" and the double entendres of "Bringin' Home the Bacon" like the pro he is, whipping off muscular solos that never overstay their welcome. "Get to the Bottom" and "Too Much of Everything" tackle the unfortunate results of living life in the fast lane, something he likely knows plenty about after spending a few decades on tour. Ellis works in a Stones styled mid-tempo rocker on "Tell the Truth" (not the Derek & the Dominos song), a tightly written gem aided immensely by fellow Atlanta musician Michelle Malone on backing vocals. The guitarist obviously loves his wah-wah pedal, which brings a Cream-like psychedelic swamp edge to tracks such as "Too Much of Everything".