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started writing this in my head: waldo is a clear representation of what we, as a basic human, impulsive wish for

Well, I open my eyes and I see things. I've seen spirits moving through the walls. I've seen a vortex coming through the wall. I've seen amorphous little balls of light bouncing all around in the front yard through the window. I've seen giant bugs on the floor. I was in a hotel room in Amarillo, Texas, and all I remember is standing on the bed and seeing the whole wall in front of me filled with lights that were [makes popping sound] popping like popcorn out of the wall. Then I'll wake up and I go "Wow, I was standing on my bed and staring at this wall."

Well, I open my eyes and I see things. I've seen spirits moving through the walls. I've seen a vortex coming through the wall. I've seen amorphous little balls of light bouncing all around in the front yard through the window. I've seen giant bugs on the floor. I was in a hotel room in Amarillo, Texas, and all I remember is standing on the bed and seeing the whole wall in front of me filled with lights that were [makes popping sound] popping like popcorn out of the wall. Then I'll wake up and I go "Wow, I was standing on my bed and staring at this wall."

Waldo is the inextricable fruit of life that we want to be in every scene to connect us with our personal realities and hopes. We want meaningless Kafkaesque public events to have some connections with our personal goals: but they don't, and Waldo, elusive as he is, allows us to face up to that. Waldo is in the bottom of our hearts.

One of my favourite Community episodes was that episode when that guy writes a thesis on the sitcom "Who's the boss?", trying to identify "But who, exactly, is the boss?" One of the only episodes that ever really touched on the academic community and how stupid they are