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Sunday, 13 May 2007

Not Is the New Blog

I'm a little burned out. And so are many of you, I'm guessing, at least if the general reluctance to post in the comments here is any indication.

I'm burned out on blogging in general. (I don't read most of the blogs I used to; apparently a day job will do that to you.)

I'm burned out on blogging about y'all in particular. (Not that you're not intensely interesting.)

I'm even a tiny bit burned out on theater -- or at least burned out on thinking about it 24/7 -- so I'm going to focus the energy and enthusiasm I do have on the reviews. As long as the City Paper keeps printing them, anyway.

This may turn out to be only a hiatus -- who knows? If you're really curious, sign up for the e-mail version. That way you'll get anything I post in the future, without having to remember to check back here.

In the short run, if you're desperately in need of a Theaterboy fix, you can join him for a panel discussion he'll be moderating on May 23rd. It's about Hamlet, god help us, but the Shakespeare Theatre's Michael Kahn and Synetic's Paata Tsikurishvili and Studio's Joy Zinoman are supposed to be participating, so maybe it won't be a complete snooze. I think it's gonna be at the Portrait Gallery, though that may still be in flux.

Meanwhile: Thanks, all of you. It's been fun. Fun when you got engaged, fun when you got enraged, fun when you confessed in the lobby of the Zinoplex how much you enjoyed Theaterboy and his less-than-reverent approach to Washington theater.

I've been proud of Theaterboy, mischief or no: I was proud when thousands of people from all across the U.S. clicked through from Jim Romenesko's Poynter.org blog to read about L'Affaire Olszewski, and proud when Tboy was the first to confirm first-hand that the Source was in danger of becoming a pool hall. I was proud when I was able to get Wendy Goldberg on the phone on a weekend to talk about the O'Neill scandal that wasn't, quite, and proud when Dramatists Guild president John Weidman called Tboy back in a hurry to parse his evolving reaction to the changing story of Hedy Weiss and that Chicago new-works showcase.

But I was never prouder than when one actor who'd been out of circulation for a while (and who drew a nice notice in the Washington Post when he returned to the D.C. stage recently) wrote that Theaterboy and the fun we've had here was one small part of why he decided to get back in the game. Because behind the snark, behind the teasing, Theaterboy has always been about loving theater -- and I'm guessing that came through for the actor in question.

So again, to all of you, thanks: Thanks for participating, for disagreeing, for ranting and rallying and remembering.

On that note, it seems to me appropriate to sign off by drawing your attention to a message Melinda Whiteman left in the comments this past Friday. I'm moved, and honored, that she'd come back here to share what she's feeling now, and I wouldn't want those feelings to go unremarked:

Dear Friends and Thespians,

It's been a little over a year since my husband, Bart Whiteman, passed on. Passed on is an ambiguous expression, isn't it? I will say that most days, I feel Bart is so much a part of my life. The days go by, during what has been a most difficult year, and like cream rising to the top, my feelings and memory of Bart are like gold. I loved him very much, for a very long time. I miss him. I miss his humour, his advice, his intelligence...hard to find these days, and his heart.

I miss our mutual love of theatre. In fact, I have many boxes of Source works that one your might be interested in archiving for The Source. Please let me know. You can reach me at: mindiwhiteman@aol.com

I truly hope The Source is well and strong in its continued innovations, reincarnations, and dedication to quality theatre in Washington, D.C. I wish all well. The excitement of theater and it's importance as a tool for understanding and expression should never be underestimated.

Sometimes, driving in my car, I'll be thinking of Bart, and feeling that he is not here with me; he is at the Source, with a notebook & pencil. In my mind, Bart was a beautiful man; he worked harder than most. Arrogant and stubborn, with a heart of gold, a keen intellect, and great giver to anyone in need. Enigmatic, complex, loving. Funny.

Thank you to theatreboy, for letting me check in once in a while with my thoughts...I really miss Bart.

As the "actor in question" mentioned above (I hope I am, otherwise I am about to make a complete ass of myself...) I think that I have received no nicer shock recently than to be mentioned in such a lovely way.

My "return" in Opus was a wonderful, terrifying, instructive experience. The Washington Stage Guild was so supportive and encouraging while also taking a chance on someone who had been off the boards for far too many years. Management, director, cast and crew put up with a scared actor who still longs for those nights and afternoons again. I will never forget our time together.
That fear is gone.

And so, this time, publicly, I would like to thank you Trey for starting Theaterboy and allowing me to be a very small part of the fun and thought that was a consistent source for theater news and yes... I am back in the game in no small part because of Tboy. If I may offer some humble advice to actors considering a long sabbatical, either desired or not... don't make it too long. It maybe like riding a bike or a horse, but the training wheels were almost needed and my "legs" were so sore some nights after rehearsals and early performances
that "walking" was a delicious struggle.
Love of theater did and does indeed come through!!! Merci mil. Until later...All the best!

Hi Kryztov....so glad your enormous talent has found its way back on the boards....hope this is just the beginning...meanwhile, I have a gift for you from Equus...please email your address so I can send it on up: mindiwhiteman@aol.com
Best Regards, Melinda