Jean-Jacques Birgé

This responsive (or “reactive” work as described in Megan Sapnar’s essay “Reactive Media Meets E-Poetry”) is a great example of a work that reacts to user input, though I’m not sure there’s enough of a language base to connect it to poetic tradition. Translated as “In the lion’s mouth” (though I feel “In the wolf’s mouth” is more accurate) this feels more like a visual art piece than a poem and I suspect Clauss would agree, since he describes his works in Flying Puppet as “tableaux interactifs” (interactive tableau).