4. Minimal post-processing applied to the images. Only exposure compensation (brightness/contrast) and cropping performed for better consistency and overall presentation. Apart from that, the images were as good as straight out of camera (color and sharpness)

This blog entry is Part 3 of the Olympus M.Zuiko 12-50mm F3.5-6.3 lens user experience review. If you have not read the previous review write ups, please do so at the following links:

In Part 1 of the reviews, I have emphasized on the capability of the lens in performing macro (or more appropriately put, close up shooting), while in Part 2 I have tested the 12mm wide angle end of the lens to shoot scenery.

For this Part 3 which is the final installation of my reviews for this M.Zuiko 12-50mm lens, I have brought the lens out for my usual shutter therapy session, which is street shooting. The location chosen for the street hunting was Masjid Jamek, Jalan Masjid India and Chow Kit, all in the heart of Kuala Lumpur, Malaysia.

User-experience based review

As a reminder, and a note to first time visitors, this review will be written from a photography-enthusiast’s point of view. This will be a user experience based review, sharing on what I think and feel using the Olympus M.Zuiko 12-50mm F3.5-6.3 mounted on PEN E-P3 in real life shooting situations. Therefore, this is not a technical review as there will not be elaborative technical explanations, such as explanation of corner softness, optimum aperture range, chromatic aberration and so forth. In addition to that, I will not be doing direct side by side image and performance comparisons with other lenses. What I am presenting in this entry is merely what I can do with the Olympus 12-50mm lens for my usual shutter therapy session.

Why Street Photography?

Street photography is a demanding photography genre, to both the photographer, as well as his equipments (camera and lens). Different lenses will provide you with different perspective and results. Many photographers have strongly recommended the use of prime lenses (single focal length lenses) with various reasons on why that would yield better outcome for street photography. The desired outcome and even the core definitions of street photography have never stayed consistent, and were subject to endless debates over the decades. Similarly can be applied to the implementation and how street photography should be taken. I do agree that using the right tool will get the results that you have envisioned. Nonetheless, setting out all the variables and personal preferences when it comes to shooting aside, for street photography the performance of the lens will be put to test. Will the focusing be fast enough to capture dynamic subjects? Is the lens versatile enough to cover the shooting needs (lens reach, wide angle, etc)? Is the lens sharp enough to deliver enough details to reveal texture and depth of the environment?

50mm, 1/3200s, F6.3, ISO400

50mm, 1/200s, F6.3, ISO500

12mm, 1/320s, F8.0, ISO200

13mm, 1/1000s, F3.6, ISO500

41mm, 1/60s, F5.9, ISO200

50mm, 1/80s, F6.3, ISO500

100% crop from previous image.

Focusing at all focal lengths

I do not shoot with zone-focusing for my usual street photography, and I rely heavily on the ability of the lens to focus quickly, and accurately at the same time. Using the micro 4/3 newer lenses from Olympus, particularly the M.Zuiko 12mm F2 and 45mm F1.8 have raised the standards on how fast and pin-point accurate focusing should have been. I was told by the Olympus representative that the focusing of this new 12-50mm lens is actually faster than the 12mm F2 lens by a margin of 20%. I cannot testify to this fact whether the 12-50mm is actually faster than the 12mm F2 lens, but I can confidently say that the 12-50mm lens is extremely fast in Autofocus, and I have no issue at all shooting at all focal lengths from 12mm wide angle to the 50mm tele end. Focusing never struggled, even when the subject was not static (but do take note that I did not encounter very fast moving objects, mostly just people walking around and having natural movements). I believe this is the new benchmark of focusing speed/reliability that Olympus will adhere to from now onwards for their Micro 4/3 system, which is a very good thing. I want to put more concentration on hunting down my subjects on the street and composing them, rather than worrying of the camera would fail to focus, or wonder if I have missed focus in that last shot I have taken.

General lens characteristics

I have read from other initial user-reviews on the internet that the lens suffer from strong barrel distortion at the 12mm wide end of the lens. I do not deny that any wide angle lens will have certain degree of barrel distortion. From my own photographs shot at 12mm wide, I did notice traces of barrel distortion but it was still acceptable and reasonably controlled. I converted the files which were all originally shot in RAW to JPEG through Olympus’ original software Olympus Viewer 2 (latest update) and I believe that the distortion has been corrected within the software during the conversion process. While some people may think that this is a cheap trick to mask the flaws of the lens, it does not matter much to me, because what I care about most is the end result. I care about the final output of my photographs, and if the original software can deliver the necessary and satisfactory correction, I have no issues with that.

Sharpness

While the lens fares acceptably well in terms of sharpness when shooting macro (as I have reviewed elaborately in Part 1), and still reasonably good when used at 12mm for wide angle shooting, I must say that at 50mm focal length, the lens does appear to be softer than my expectations. I admit my judgment may be clouded after using similar focal length lenses but with much greater sharpness, such as the original DSLR Zuiko 50mm F2 macro or the M.Zuiko 45mm F1.8 lenses. The images shot from the 50mm end of the 12-50mm lens at first glance still appears good with good contrast and overall sharpness. Once zoomed in to 100% view, it is very evident that there is lack of fine details (eye lashes, pores and wrinkles on the face). Do take note that the maximum aperture opening was F6.3 on the lens, which would have mitigated any miss-focusing (accidental slight front of back focusing) problems.

50mm, 1/1250s, F6.3, ISO400

12mm, 1/200s, F5.6, ISO500

50mm, 1/100s, F6.3, ISO1000

50mm, 1/400s, F6.3, ISO500

26mm, 1/50s, F5.2, ISO500

12mm, 1/4000s, F3.5, ISO200

12mm, 1/1600s, F7.1, ISO200

50mm, 1/80s, F6.3, ISO200

Street Shooting with 12-50mm lens

I find the lens to be quite useful when I was on the streets. It reminded me of the time I was using the Olympus E-5, reviewing it for the first time (click here) with the Zuiko 12-60mm F2.8-4.0 lens. I treasure the ability to zoom, giving me flexibility in terms of shooting with different perspectives and coverage of a single subject. I would say 12mm wide end to 50mm tele end is a generous range, giving you extra wide coverage, and a little bit of the tele end. On the street, one would rarely need anything beyond 50mm I would say, unless you intend to shoot stealthily from far, but a dedicated telephoto zoom lens would have been the better choice for this shooting requirement. For most general shooting on the streets, this one lens is sufficient to cover almost all your needs.

My Conclusion on this lens

The Olympus M.Zuiko 12-50mm F3.5-6.3 lens is an all rounder performer, trying very hard to do many things. It is very heavily packed with features.

What I like:

1) Useful macro mode: enabling very good close up capabilities

2) 12mm extra wide end to allow creative composition

3) Well-balanced in size and weight, used with Olympus PEN E-P3.

4) Very Fast Autofocus, and reliably accurate all the time.

5) Weather sealing, which negates my worries when I was shooting at the river (in Part 2)

What I wish the lens could have been:

1) Wider aperture. I agree with the online crowd, F6.3 on the 50mm end is a too slow for many practical shooting conditions. I do not expect it to be constant F2.8, but a slightly brighter F3.5-4.5 from 12mm to 50mm would have made a whole world of difference.

2) Manual focus/Autofocus switch. Now that the lens has two dedicated buttons (one for macro and one for focus lock), it would have been very useful to have a quick switch AF/MF button on the lens itself.

3) Lens sharpness. While I agree that the lens performs well in close up/macro shooting, delivering good sharpness and resolution, but the overall details captured in most shooting conditions is nothing to write home about. To be fair the 12-50mm lens is noticeably sharper than the previous iterations of 14-42mm kit lenses, but it is still not nearly as sharp as the older DSLR lenses such as Zuiko 14-54mm or 12-60mm, both have been legendary.

50mm, 1/80s, F6.3, ISO400

12mm, 1/400s, F8, ISO200

12mm, 1/2000s, F3.5, ISO200

50mm, 1/800s, F8, ISO200

100% Crop from previous image

27mm, 1/200s, F5.2, ISO1000

On the whole, I do think that the Olympus M.Zuiko 12-50mm F3.5-6.3 is a good lens. It does not outperform any other lenses in any specific area, but it does considerably well on its own. If you already have a dedicated macro lens, a wide angle lens and a general zoom lens, you may not find this lens to be appealing (unless you need the weather sealing or shooting movie). However, if you are thinking of upgrading from the 14-42mm kit lens with limited budget, this lens can open up a whole world of possibilities for you. You can do a lot with this lens, which makes it a great general multi-purpose lens.

There is a rumor leading to the release of an Olympus Micro 4/3 new camera (with weather-sealing too) soon, and it seems very likely that this 12-50mm lens would be bundled together with that new camera as a kit lens. It certainly does not make any sense to have a weather-sealed lens without a weather-sealed camera body, if you shoot in harsh weather conditions. I believe that Olympus purposely released this lens early as a strong hint to us that, “hey, look, a new camera is coming, and its no joke, it will be weather sealed”. Lets all hope that this new rumored camera will kick ass.

I have come to the end of my user-based review for the Olympus M.Zuiko 12-50mm F3.5-6.3 lens. I hope many of you find my sharing and photography samples from the lens useful. I also hope you have enjoyed reading and viewing the photographs. I welcome all feedback and criticism, but please do so in polite and civilized manner, and I would appreciate it if you would at least leave a name and email address.

If you have any questions or feedback, kindly leave a comment below, or email me directly at hamish7ian@gmail.com

129 comments:

I had been enjoying reading your review since part 1 of this lenses! if i have the budget to spend on the new lenses, i think i would invest in 45mm F1.8 lenses to get the better sharpness and bokeh ... thanks for your review !

Your review gave us a good insight on how the new 12-50mm lens from Olympus performs. It may not be as bright as its big brother from the 4/3 version still it does have its advantages. Out of curiosity how come you did not test this lens at night or in low light situation?

Anyways thank you very much for sharing your experience with new lens. Can't wait for the new weather-sealed camera this lens is gonna be bundled with. Hopefully I can this new camera being reviewed in your website again. Exciting times indeed. Excellent job!

Kudos!Eric from Edmonton Alberta CanadaPS. Having some issues posting comments.

Hello Eric,Thanks again for your kind comments !I initially wanted to shoot with the lens under low light but I did not have the time to do so. I was given limited time with the lens and in between I have been rather busy with work and many things.

Thanks Robin for your "real world" review which I think is superior than charts and such. After seeing your posts about your E-PL1 I finally bought one myself and am not disapointed for what I use it for...personal shooting/family/vacation, etc. and would probably not be interested in this lens for myself. However, your images for the most part look great. You selected good subjects to showcase the lens abilities. I perhaps might be interested in this lens if it were available in a less expensive, non-weather sealed version since my E-PL1 is as you stated not weather sealed. Great job man, always look forward to your posts.

Thanks so much for the kind comments Carl. I have always believed that photography is about being practical, and shooting is more important than analyzing data and graphs. Glad that you have got yourself an E-PL1 !! I am sure you will enjoy using it and get many wonderful photographs with it.

Thanks for another good review.I just want to point out one area that I don't agreed with your observation.That is about the M.Zuiko 14-42. The early version of 14-42 lens from E-P1 to E-PL1 is no match comparing with the 12-50.What I don't agreed with is you said the 12-50 is better than all the 14-42. I wonder if you had seriously use the new 14-42? The 14-42 II and the 14-42 II R the current version of this lens is a fantastic little lens but hardly got praise from anyone. So somebody got to do this is a dirty job you know ;-p but I am going to stick my neck out and fight for justice for the 14-42 hahaha. My eye told me the 14-42 is sharper when I look at the part 2 of you review. To back myself up I went to OLY site and compare the MTF Chart. I can tell you base on what I see and what the MTF chart at OLy website said the 14-42 is as good as this lens if not better. Maybe you should borrow one from Oly and try it out and see for yourself.

Hello Cha,I have the 14-42mm mk1 version on my E-PL1, and it is NOT better than the 12-50mm. The 14-42mm Mk2 version is actually worse optically in comparison to the older mk1 version. So yeah, I still stand firm on my observation.

I am supprise that you had a totally different experienced. If you review the MTF chart on Olympus website or check out SLRgear you will see my point.

Don't forget that there are good copies and bad copies of lens from the same series. One guy from Online-photographer had experiend with two copies of totally crappy 12mm f/2.

As for the 12-50 this lens is not the lens I will buy as a additional lens. The corner solfness and the CA seem from your samples in part 2 clearly earmark this as a kit lens. It only make sense to own this lens if it is bundle with a weather seal camera.

Cha, if there are good copies and bad copies of a lens from the same series, then ALL of the testing is meaningless anyway. Right? Think about it. So what is your point? we should find out where the good copies are and only test the good copies. That Robin doesn't have a good copy? How do you know? And if the lens that Robin tests is brilliant, how do you know the copy YOU will buy will be equally as good?I think Robin tested the lens he was given and from what I can see it does just fine. My copy does pretty much the same. Good to very good image quality. Is it softer in the corners. yes( if you look at the photos with a loupe ), but so are my eyes probably..You wouldn't buy this lens? What would you buy? The lens which isn't a kit lens like the 12mm which one guy had two crappy copies of?What is your logic?Anyway, I have this lens. Nothing sub par about it. In fact it's as good or better than any zoom i've used according to my eyes and it retains the color signature of the other zuiko lenses.

thx for yet another great hands on review. Although this lens will probably never make it into my gear bag, it is very helpful to see how it performs when in the hands of a good photographer.

Regarding your statements ... since i can second everything you wrote in your previous reviews because i own those cams/lenses, your reviews are probably the most reliable ones to read when looking for new equipment.Keep up the good work and if Oly hopefully decides to give you a EP3 and lens for free, you more than deserved it.

Thanks for the excellent and balanced user review. The closeup/macro performance is impressive for a zoom. The shortcomings at wide and max tele are not unusual with such zooms, and it does seem some better then most kit lenses. To compare it against lenses costing much more is not practical. I would have to think long about the 12-60 but as an all around lens for the times when you can't switch between primes it still looks good.

Thank you a lot for this user review. It did comfort me that this lense, for it's price, offers surely a very good value.With the OM-D EM5 it's only 200$ more, I find it a fair price for extra wide shooting and macro shooting. Plus it's weather sealed, and that's really great.

I also agree about the 6,3 value not being enough, and I'm sad about it but hey, it's still a cheap lense no?The 4/3 12-60mm (eq 18-90mm)is... 1000$ ! ! !The micro 4/3 12-50mm (eq 24-100mm) is... 500$ HALF the price and smaller! :D

All I may wish would be Olympus releasing the 4/3 12-60 for micro at a more affordable price or, with even better apperture!

Hi Robin: Thanks for your work and for posting the images. It makes me eager to get my pre-ordered E-M5 with this lens. The over-all weather sealing, along with the great macro performance more than makes this worth the money for me. I've used the new 14-42mm for general shooting and found it quite acceptable; if this is better, I imagine I'll be quite happy. I use the Panny 20mm f1.7 and the Olympus 45mm f1.8 for most of my micro 4/3 shooting, but a decent zoom is nice to have along -- especially when it will offer a 24mm equivalent. Thanks again.

Hi Robin: Thanks for your work and for posting the images. It makes me eager to get my pre-ordered E-M5 with this lens. The over-all weather sealing, along with the great macro performance more than makes this worth the money for me. I've used the new 14-42mm for general shooting and found it quite acceptable; if this is better, I imagine I'll be quite happy. I use the Panny 20mm f1.7 and the Olympus 45mm f1.8 for most of my micro 4/3 shooting, but a decent zoom is nice to have along -- especially when it will offer a 24mm equivalent. Thanks again.

Hi Robin! Thanks for your reviews and photographs. Your work truly inspires. I'm somewhat new to photography and am seriously considering the E-M5. The only question is which lens to go with. From your experience, it seems as if the 12-50 F3.5-6.3 is a no-brainer first lens since it is somewhat versatile and with excellent resolution. I was also looking at the M.Zuiko 14-150mm f4.0-5.6. True, it's not quite as fast, but what you lose in aperture, you gain in zoom capability. And the MFT charts look respectable. If you were to go with one do-it-all lens, which would you choose? Keep in mind I truly want to use this lens for everything from macro to indoor work to landscapes to sports. At least until I can build up my lens collection! For my next lens, I may go with the M.Zuiko 45mmf1.8 to complement, so that may be a factor in my decision. Thanks again for your wonderful blog!

Great review! Thank you! I've been looking at the EM-5, going to read your review about it after this comment, and I'm glad to hear that this lens is quite nice! After all, if I purchase the EM-5 I have no money for any of those prime lenses and thus I would have to do with this 12-50 for a while! :]

Have you bought any Prime Lenses since your blog on the 3rd. I too only have the kit lens but now in the market to buy some primes! But I don't know which ones, any advice would be appreciated. I want to travel, so 3 lens will be enough to carry around. It's a big decision. The 12-50mm does really good wide shots already so, not sure that a 17mm will be better - but I guess it will be better with a f1.8.Let me know what you think - hoping to hear from you.

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Love reading your reviews and as it should they are accompanied by good photography! So many review sites focus on testcharts and awful photos to show off lens performance, but you actually add good photos to your reviews. Keep 'em coming!

Would you recommend to use the old Zuiko 12-60mm on the new Olympus E-M10? I currently have the 14-42 kit-lens but am thinking about to replace it with the 12-50 (cheap but slow) or the 12-40 2.8 (expensive). Now reading your feedback about the "legendary" 12-60mm I`m wondering whether it is worth to purchase it as the price is around €500.- which is half of a 12-40 lens.

I have EM1 and 4 primes 14mm..25 1.4..45mm and 60mm. Got my wife OMD10 AND THIS 12..50mm zoom both like new different sellers on Amazon.com for $500 + $199. Lens came with Oly uV filter and lens hood. My wife wanted a zoom + macro. The macro takes very ice photos. Very happy with combo for $700. And can use the r primes too. Got this zoom after looking g at photos in this review.Bob for Cathy