Tuesday, March 31, 2009

I've decided to launch this special National Poetry Month Tattoosday feature with the wonderful tattooed feet of Jill Alexander Essbaum, author of several collections of poetry, the most recent being Harlot.

Although this month I will be featuring tattoos on poets, not every tattoo is poetic, in the literal sense. Jill's inked feet are.

Jill met me in the Starbucks at 7 Penn Plaza on a cold day in February, prior to a reading at the KGB Bar later that evening.

She was one of the first poets who signed on to this project, and she allowed me the honor of taking a clearer picture of her tattoos, even though they appeared here, on the Best American Poetry blog, back in May 2008.

Although the concept may be alien to many, students and purveyors of the art of poetry know that a line of poetry can be broken down into metered verse that is identifiable based on the stress and intonation of the syllables.

People may have heard that most of Shakespeare's work is composed, for example, in iambic pentameter. What that means is that each line is comprised of five parts, or "feet," and each foot is made up of an iamb, or two syllables, the first of which is unstressed, followed by the stressed sound.

The name "Marie" is an iamb, for example, as the stress falls on the second syllable. "Mary," on the other hand, has the stress on the first syllable, and is identified as a "trochee".

There are other types of poetic fragments, such as dactylls and anapests, but the iambic and trochaic feet are the most common.

So what does this have to do with Jill's feet? When poets study and scan a line of verse, they mark it up, identifying the stress marks with the accents (or longums), and the unstressed syllables with a symbol known as a brevis.

Jill's feet are literally with the symbols denoting them as trochee (left) and iamb (right). Pure brilliance, in my opinion.

Jill and her friend Jessica came up with this idea last year and gave it significant thought.

As most poets (with notable exceptions, of course) are also teachers, they thought it would be a great visual aid when educating students on scansion.

Jill spent a weekend sketching and drawing the marks, not as easy a task as one would imagine. How to make the marks look like poetic symbols, and not stray ink marks, or even worse, scars, was a part of the process.

She and Jessica mulled the placement on the body: should they go on their wrists? Jill, a professed punster, then had the revelation: iambs and trochees are poetic feet, the tattoos should go on their own feet.

Trochee went on the right side, because it is a progressive, forward-moving beat. Iamb went on the left, as it is a heartbeat.

Each tattoo took only 15 minutes, and Jessica placed her ink on the sides of her feet, as opposed to the tops like Jill.

I want to thank Jill Alexander Essbaum for helping launch this special feature here on Tattoosday. I invite you to head over here to BillyBlog and check out one of Jill's poems, along with links to more of her work.

As noted before, it's the same tattoo, just oriented differently on the feet. Jessica added:

I figured, since it was my idea in the first place, I should be up on this if I can. Too bad we couldn't find a way to get tattoos that symbolize rhyme. I'm more of the meter dork than Jill, which is why I wanted these in the first place. (In all fairness, doing it on our feet was her stroke of genius!)

And, as Jill noted in the comment section, the tattooist is Chris Torres.

I've decided to launch this special National Poetry Month Tattoosday feature with the wonderful tattooed feet of Jill Alexander Essbaum, author of several collections of poetry, the most recent being Harlot.

Although this month I will be featuring tattoos on poets, not every tattoo is poetic, in the literal sense. Jill's inked feet are.

Jill met me in the Starbucks at 7 Penn Plaza on a cold day in February, prior to a reading at the KGB Bar later that evening.

She was one of the first poets who signed on to this project, and she allowed me the honor of taking a clearer picture of her tattoos, even though they appeared here, on the Best American Poetry blog, back in May 2008.

Although the concept may be alien to many, students and purveyors of the art of poetry know that a line of poetry can be broken down into metered verse that is identifiable based on the stress and intonation of the syllables.

People may have heard that most of Shakespeare's work is composed, for example, in iambic pentameter. What that means is that each line is comprised of five parts, or "feet," and each foot is made up of an iamb, or two syllables, the first of which is unstressed, followed by the stressed sound.

The name "Marie" is an iamb, for example, as the stress falls on the second syllable. "Mary," on the other hand, has the stress on the first syllable, and is identified as a "trochee".

There are other types of poetic fragments, such as dactylls and anapests, but the iambic and trochaic feet are the most common.

So what does this have to do with Jill's feet? When poets study and scan a line of verse, they mark it up, identifying the stress marks with the accents (or longums), and the unstressed syllables with a symbol known as a brevis.

Jill's feet are literally with the symbols denoting them as trochee (left) and iamb (right). Pure brilliance, in my opinion.

Jill and her friend Jessica came up with this idea last year and gave it significant thought.

As most poets (with notable exceptions, of course) are also teachers, they thought it would be a great visual aid when educating students on scansion.

Jill spent a weekend sketching and drawing the marks, not as easy a task as one would imagine. How to make the marks look like poetic symbols, and not stray ink marks, or even worse, scars, was a part of the process.

She and Jessica mulled the placement on the body: should they go on their wrists? Jill, a professed punster, then had the revelation: iambs and trochees are poetic feet, the tattoos should go on their own feet.

Trochee went on the right side, because it is a progressive, forward-moving beat. Iamb went on the left, as it is a heartbeat.

Each tattoo took only 15 minutes, and Jessica placed her ink on the sides of her feet, as opposed to the tops like Jill.

I want to thank Jill Alexander Essbaum for helping launch this special feature here on Tattoosday. I invite you to head over here to BillyBlog and check out one of Jill's poems, along with links to more of her work.

As noted before, it's the same tattoo, just oriented differently on the feet. Jessica added:

I figured, since it was my idea in the first place, I should be up on this if I can. Too bad we couldn't find a way to get tattoos that symbolize rhyme. I'm more of the meter dork than Jill, which is why I wanted these in the first place. (In all fairness, doing it on our feet was her stroke of genius!)

And, as Jill noted in the comment section, the tattooist is Chris Torres.

For those of you visiting Tattoosday for the first time, I refer to posts based on reader submissions as Tattoorism. That is, tattoos from out of town visiting us here in the blogosphere.

There was a pleasant surprise in my in box this morning:

Skeptics may say, "What's the big deal? It's just a fleur-de-lis!" But we here at Tattoosday don't think that way. Tattoos aren't just designs inked into the flesh, they generally carry significance that transcend the skin and touch the soul.

And I'm always interested when someone I've never met takes the time and energy to send me a photo and elaborate on their tattoo. Christina's tattoo, above, is a case in point.

My husband works for the show and knows Tom, so he was able to get an appointment in two weeks instead of the one-year waiting list that he normally has. So we had that going for us, which is good.

People ask me all the time if the 4-inch fleur de lys between my shoulders means that I really really love the [New Orleans] Saints, or the Boy Scouts... Nope. The fleur has been popping up in my life for years. I wore a ring with a fleur on it, identical to a ring that my best friend in high school wore, which we got on my first road trip. That relationship was instrumental in breaking me out of my shell in school. I wore the fleur on a necklace through college. Then, I spent a year living in Florence, Italy. The symbol of the city is the Florentine "gigli," or lily, the Italian version of the fleur de lys.

One of my housemates said something that stuck with me. "Florence doesn't change you, it only makes you more like you are."

For me, my tattoo is a symbol of my journey toward becoming who I am supposed to be, doing what I am supposed to do, living how I am supposed to live. I got it two months after I married the love of my life, my best friend since I was 12."

The Fleur-de-lis (also spelled fleur-de-lys) has appeared on Tattoosday previously here. I'd like to thank Christina for her continued readership and contribution to the blog!

I cannot guarantee that I'll publish every tattoo e-mailed my way, so I don't openly solicit contributions. However, every once in a while, it's a nice change of pace, both for us here at Tattoosday and, I believe, the readers. Thanks again, Christina!

For those of you visiting Tattoosday for the first time, I refer to posts based on reader submissions as Tattoorism. That is, tattoos from out of town visiting us here in the blogosphere.

There was a pleasant surprise in my in box this morning:

Skeptics may say, "What's the big deal? It's just a fleur-de-lis!" But we here at Tattoosday don't think that way. Tattoos aren't just designs inked into the flesh, they generally carry significance that transcend the skin and touch the soul.

And I'm always interested when someone I've never met takes the time and energy to send me a photo and elaborate on their tattoo. Christina's tattoo, above, is a case in point.

My husband works for the show and knows Tom, so he was able to get an appointment in two weeks instead of the one-year waiting list that he normally has. So we had that going for us, which is good.

People ask me all the time if the 4-inch fleur de lys between my shoulders means that I really really love the [New Orleans] Saints, or the Boy Scouts... Nope. The fleur has been popping up in my life for years. I wore a ring with a fleur on it, identical to a ring that my best friend in high school wore, which we got on my first road trip. That relationship was instrumental in breaking me out of my shell in school. I wore the fleur on a necklace through college. Then, I spent a year living in Florence, Italy. The symbol of the city is the Florentine "gigli," or lily, the Italian version of the fleur de lys.

One of my housemates said something that stuck with me. "Florence doesn't change you, it only makes you more like you are."

For me, my tattoo is a symbol of my journey toward becoming who I am supposed to be, doing what I am supposed to do, living how I am supposed to live. I got it two months after I married the love of my life, my best friend since I was 12."

The Fleur-de-lis (also spelled fleur-de-lys) has appeared on Tattoosday previously here. I'd like to thank Christina for her continued readership and contribution to the blog!

I cannot guarantee that I'll publish every tattoo e-mailed my way, so I don't openly solicit contributions. However, every once in a while, it's a nice change of pace, both for us here at Tattoosday and, I believe, the readers. Thanks again, Christina!

Friday, March 27, 2009

Last May, I spent a few minutes on the N train talking to a woman named Patricia who had a cool tattoo on the back of her neck (see the post here). She disembarked before I was able to get all the facts on the piece, but I still posted the blurry photo.

No, I didn't run into her again. But I did meet Jorge, who had a similar piece on his inner left forearm based on the fertility goddess Atabey, or Attabeira, the goddess of fertility in the Taíno culture of Puerto Rico and other parts of the Caribbean:

The piece runs the length of his inner arm, and took 2 sittings and 6 hours to complete.

Last May, I spent a few minutes on the N train talking to a woman named Patricia who had a cool tattoo on the back of her neck (see the post here). She disembarked before I was able to get all the facts on the piece, but I still posted the blurry photo.

No, I didn't run into her again. But I did meet Jorge, who had a similar piece on his inner left forearm based on the fertility goddess Atabey, or Attabeira, the goddess of fertility in the Taíno culture of Puerto Rico and other parts of the Caribbean:

The piece runs the length of his inner arm, and took 2 sittings and 6 hours to complete.

Thursday, March 26, 2009

I ran into Anthony after work while passing through the Amtrak section of Penn Station.

He was in town to perform in Brooklyn and was waiting for his ride. He performs under the name "Xrin Arms," which he pronounced as "Your-in-arms". He's a techno punk musician currently on tour. Here's the flier for the gig he was playing that night:

He had an unusual series of tattoos which he allowed me to photograph, after he explained them to me.

The tattoos cover a significant part of his upper right arm, as well as one side of his forearm.

and he produced one to show me, holding it up to the piece to show me that it was tattooed to scale.

The next element of his inked arm is a legion of sperm directed at his elbow. Some of the sperm are traveling from the pen, representing the knowledge that flows from the written word.

At the center of the elbow is a moth in a circle. He said that it represents a "moth in a beehive". When I questioned that image, he acknowledged that that was how he feels a lot of the time.

If you picture a moth in a beehive, you envision many things: solitude and violence. Of beauty and alienation. The sperm heading toward this image reinforce that the creative experience is a birthing process fraught with danger.

Lastly, on the back of the bicep, is an owl with its wings outstretched.

The owl represents to him that he is noctural, and stays up all night.

He has 2 other tattoos but we stuck with these because they played off one another.

I ran into Anthony after work while passing through the Amtrak section of Penn Station.

He was in town to perform in Brooklyn and was waiting for his ride. He performs under the name "Xrin Arms," which he pronounced as "Your-in-arms". He's a techno punk musician currently on tour. Here's the flier for the gig he was playing that night:

He had an unusual series of tattoos which he allowed me to photograph, after he explained them to me.

The tattoos cover a significant part of his upper right arm, as well as one side of his forearm.

and he produced one to show me, holding it up to the piece to show me that it was tattooed to scale.

The next element of his inked arm is a legion of sperm directed at his elbow. Some of the sperm are traveling from the pen, representing the knowledge that flows from the written word.

At the center of the elbow is a moth in a circle. He said that it represents a "moth in a beehive". When I questioned that image, he acknowledged that that was how he feels a lot of the time.

If you picture a moth in a beehive, you envision many things: solitude and violence. Of beauty and alienation. The sperm heading toward this image reinforce that the creative experience is a birthing process fraught with danger.

Lastly, on the back of the bicep, is an owl with its wings outstretched.

The owl represents to him that he is noctural, and stays up all night.

He has 2 other tattoos but we stuck with these because they played off one another.

Tuesday, March 24, 2009

Sometimes the hand of Fate guides the Tattoosday blogger as he journeys through the streets of New York. At lunch, a change in traffic signals prompted me to veer East, sending me into a bank vestibule that I rarely, if ever, frequent.

I could have ventured into a dozen branches or drug stores to do my business but this is where I ended up on a day that started frigid, but was still in the blustery high 30's at noon.

I finished my ATM transaction and exited, not even glancing at the two people to my left, jacketed and weighed down with large backpacks.

I hit the sidewalk, peering into a side window bordering the vestibule. I did a quick about-face and headed back into the bank. Despite the coats, hats, and long pants, I could tell the two men I had been next to had significant ink.

And, once back inside, I was delighted to find them both willing to talk tattoos.

Both men were visiting tourists from England. The first one I spoke to was Jethro "Jeff" Wood, a tattoo artist who works out of The SkynYard in Southend-on-Sea (in Essex County, 40 miles East of central London). I spoke to Jeff first, while his friend Sam worked the ATM machine.

Jeff estimates that his body is 30% covered in ink. He offered up this neck piece:

I apologize for the angle, but one can see that it's a pretty nice grim reaper tattoo. You also get a view of the small skull and crossbones behind Jeff's left ear.

Sam also showed me some work on his right leg, also credited to Charlie, featuring a mythical creature, "The Rare Horned Dolfin," stuffed and mounted by a taxidermist:

Granted, it's a funny tattoo, but I believe there was an element I was missing (perhaps a key facet of an inside joke). Sam and Jeff laughed heartily while showing me the piece, along with another gag tattoo on Sam's right calf, a D.L.T. sandwich:

In a DLT sandwich, the bacon is replaced by, you guessed it, tiny smiling dolphins!

I also get a kick out of the "I love frogs" scribbled above the D.L.T. Note the S is reversed. Sam indicated that Charlie had done some of these, but he had also inked a few himself, on an experimental basis.

Sometimes the hand of Fate guides the Tattoosday blogger as he journeys through the streets of New York. At lunch, a change in traffic signals prompted me to veer East, sending me into a bank vestibule that I rarely, if ever, frequent.

I could have ventured into a dozen branches or drug stores to do my business but this is where I ended up on a day that started frigid, but was still in the blustery high 30's at noon.

I finished my ATM transaction and exited, not even glancing at the two people to my left, jacketed and weighed down with large backpacks.

I hit the sidewalk, peering into a side window bordering the vestibule. I did a quick about-face and headed back into the bank. Despite the coats, hats, and long pants, I could tell the two men I had been next to had significant ink.

And, once back inside, I was delighted to find them both willing to talk tattoos.

Both men were visiting tourists from England. The first one I spoke to was Jethro "Jeff" Wood, a tattoo artist who works out of The SkynYard in Southend-on-Sea (in Essex County, 40 miles East of central London). I spoke to Jeff first, while his friend Sam worked the ATM machine.

Jeff estimates that his body is 30% covered in ink. He offered up this neck piece:

I apologize for the angle, but one can see that it's a pretty nice grim reaper tattoo. You also get a view of the small skull and crossbones behind Jeff's left ear.

Sam also showed me some work on his right leg, also credited to Charlie, featuring a mythical creature, "The Rare Horned Dolfin," stuffed and mounted by a taxidermist:

Granted, it's a funny tattoo, but I believe there was an element I was missing (perhaps a key facet of an inside joke). Sam and Jeff laughed heartily while showing me the piece, along with another gag tattoo on Sam's right calf, a D.L.T. sandwich:

In a DLT sandwich, the bacon is replaced by, you guessed it, tiny smiling dolphins!

I also get a kick out of the "I love frogs" scribbled above the D.L.T. Note the S is reversed. Sam indicated that Charlie had done some of these, but he had also inked a few himself, on an experimental basis.

Thursday, March 19, 2009

A nice surprise last night when, out of the blue, a previous Tattoosday subject, John, sent me his latest tattoo.

I met John initially at the 3rd Avenue Festival in Bay Ridge, back in the earlier days of the blog, where he displayed a leg piece in progress here.

He later had the piece finished and we featured it, in all its glory, here. In addition, he sent me photos of his other three tattoos here.

But here is something new from John, who I haven't seen in a while. He explained this new tattoo via e-mail:

[It] says "Solo Dio Puo Giudicarmi" ... which means [in Italian] "Only God Can Judge Me"... I got the tattoo for religious reasons and for another one ... nowadays people give a shit too much about what other people think and try to conform to be like everyone else just to blend in. [The tattoo] is a reminder to me and to all that read it, regardless of belief: just be who you are. Because, in the end, it does not matter what anyone else think of you, but you.

Thanks again to John for sending this my way! We always appreciate return visits from previous Tattoosday subjects!

A nice surprise last night when, out of the blue, a previous Tattoosday subject, John, sent me his latest tattoo.

I met John initially at the 3rd Avenue Festival in Bay Ridge, back in the earlier days of the blog, where he displayed a leg piece in progress here.

He later had the piece finished and we featured it, in all its glory, here. In addition, he sent me photos of his other three tattoos here.

But here is something new from John, who I haven't seen in a while. He explained this new tattoo via e-mail:

[It] says "Solo Dio Puo Giudicarmi" ... which means [in Italian] "Only God Can Judge Me"... I got the tattoo for religious reasons and for another one ... nowadays people give a shit too much about what other people think and try to conform to be like everyone else just to blend in. [The tattoo] is a reminder to me and to all that read it, regardless of belief: just be who you are. Because, in the end, it does not matter what anyone else think of you, but you.

Thanks again to John for sending this my way! We always appreciate return visits from previous Tattoosday subjects!

Wednesday, March 18, 2009

To give Joe DiMaggio his proper due, we have this leg piece above, sent to us by Craig, who explains:

"[Had] this tattoo done last February. I am a big Yankee fan .... [I] like watching all the old timers on TV anytime I can. Wanted something different.....something that stood for what baseball was, back in the day. Had it done by a local shop, Hard Core Ink in Catasauqua, PA. Jon was the artist. The guy does not know how good he really is! I have the next one lined up .... going to have [Mickey] Mantle kneeling in the on deck circle at The Stadium put on my right leg."

Craig's piece is a great replica of this famous photo:

As baseball season approaches, we here at Tattoosday thank Craig for sending us his awesome tattoo of "The Yankee Clipper," and look forward to seeing what Jon at Hard Core Ink can do with Mickey Mantle.