Scientists theorize that the particle collisions withing the LHC might tear a small hole into four dimensional space-time, creating a tiny worm hole. In order to manufacture a large traversable wormhole, one would start at the particle level and stretch it up to navigable size. Even so, a new study proposes that all spiral galaxies (like our Milky Way) already feature wormholes and may even feature a “galactic transport system“.

In Bible prophecy, such a portal is opened to the bottomless pit releasing genetic monstrosities led by an immortal supernatural being.

“They have as king over them the angel of the bottomless pit. His name in Hebrew is Abaddon, and in Greek he is called Apollyon.” (Revelation 9:11)

Many passages speak of otherworldly “gates” (Gen 28:17; Mat 16:18 ) and God often speaks “out of the whirlwind,” (Job 38:1) making models of a traversable wormhole (which would seem like a whirlwind or vortex) an intriguing explanation.

Earlier today, Sharon Gilbert asked me to type IPETGOATII into google maps in order to observe the result. The result was CERN. I also tried it with Google Earth and my top two results were CERN and the Dome of the Rock! So why are these addresses associated with the film?

Why is google directing this term to CERN? Are we implying by our search associations that CERN beckons the apocalypse? Is Google having some fun? If you are not yet familiar please watch the short film I Pet Goat II and check out the website at http://www.heliofant.com/.

The film gets its title from elementary school reader My Pet Goat the children were reading from when George Busch Jr. was in the classroom on 9/11. The film proposes that the events of 9/11 were orchestrated as a mass exposure occult ritual. Even the classroom itself is part of the spell! I found this to be especially creepy, check out the vocabulary the teacher pulls out while Bush looks on.

Kite, Plane, Must, Hit, Steel

Seriously, it seems like more than coincidence! Was this all orchestrated (including the kid’s lesson) as an elaborate public yet occult ritual?

The film presents an apocalyptic scenario in which all world religions merge under a central universal messiah that looks like Jesus (yet features the all seeing eye on his forehead). The film is dark as Drako the sorcerer controls the world through finance, an idea also concordant with prophecy, “so that no one can buy or sell unless he has the mark, that is, the name of the beast or the number of its name.(Re 13:17) However, the New Age looking Jesus traveling down the river Styx of the Egyptian underworld at the close of the film leaves me disappointed and pondering the producer’s worldview…

The film seems to be missing the blessed hope of the return of Christ. Because of that, I wonder if the film makers are more or less secular members of the truth movement? Perhaps viewing all religion as tool of the elite and not accounting for the triune God and His church leads them to uncertainty. Even so, it all fits within biblical prophecy — as many are now recognizing. The argument from prophecy is winning many truthers to Christianity.

If the occult and supernatural are real, then consider that Bible prophecy speaks to these power elites who are conducting the rituals:

“Why do the nations rage and the peoples plot in vain? The kings of the earth set themselves, and the rulers take counsel together, against the Lord and against his Anointed, saying, “Let us burst their bonds apart and cast away their cords from us.”(Psalm 2:1–3)

“and the light of a lamp will shine in you no more, and the voice of bridegroom and bride will be heard in you no more, for your merchants were the great ones of the earth, and all nations were deceived by your sorcery.”(Revelation 18:23)

John the Revelator was the original globalist conspiracy author… God has revealed himself. I found this analysis helpful:

Pop star Ke$ha, whose audience consists of pre-teen girls, says her vagina is haunted and had to be exorcised because she had sex with a ghost.

This is who a whole generation of young children and teenagers look up to as their idol.

Whereas Ke$ha thinks her vagina needs to be exorcised, in reality popular culture and society in general needs to be exorcised of talentless, satanic, occult-promoting pop stars like her, who are brainwashing kids with a poisonous message of amoral, vacuous, nihilistic depravity.

A video blogger claims that there are hidden messages in the new $100 dollar bill which warn of future nuclear devastation in the United States.

Back in 2002, it emerged that when a $20 dollar bill was folded in a certain way it revealed images that resembled the 9/11 attacks, a story that caused quite a stir at the time since the notes were issued three years beforehand in 1998.

Are the hidden images in the new $100 bill a chilling prophecy of future events, or just another example of how people are obsessed with doomsday fantasies that require a huge leap in imagination and logic to believe?

“I, Pet Goat II” is a computer animated video that is loaded with silent messages and esoteric symbolism. While the movie has no dialogue, each symbol tells a piece of a story that covers the fields of history, politics, occult conspiracies and spirituality. We’ll look at the esoteric meaning behind the viral sensation “I, Pet Goat II”.

WATCH FIRST:

Produced by the Canadian production crew Heliofant, I, Pet Goat II is a short animated movie that quickly went viral across the internet. Praised for its visual feats and its interesting imagery, the video however left many puzzled about the meaning of its symbolism. Politics, conspiracies and false flag operations are mixed with esoteric spirituality and occult symbolism in one big mesmerizing mind bender.

After watching the video, many might say something like “What the hell did I just watch?”. The story is somewhat non-linear and there are many cryptic and enigmatic elements in the movie. I won’t claim to fully decode every single symbol-filled frame of the video, but many of the messages are easily understandable due to rather heavy-handed symbolism.

In general, the movie appears to be about the political and social climate of the past decade – complete with puppet Presidents, false flag terror and mind-controlling sorcerers. Then, through the following of a Christ figure, we leave all the sadness behind to enter a new, sunny era. In short, the story is about the triumph of spiritual enlightenment against the forces of darkness. Let’s look at the movie and at some of its many details.

I, Pet Goat II

The video begins with an interesting scene: A goat inside a box in what appears to be some sort of detention (FEMA) camp. The goat has a bar-code on its head with the numbers 6 6 6 underneath it. If I, Pet Goat is about liberation from the forces of darkness, this first scene seems to depict the exact opposite. Does this goat represent those who have been “boxed in”, bar-coded and brainwashed by the corrupt system? The usage of the pronoun “I” in the title implies that the goat might be, in fact, the viewer himself.

The Puppet Show that is Politics

In the first part of the video, a hidden puppet master controls George “Dubya” Bush inside a classroom. When the planes struck the Word Trade Center in September 2001, Bush was inside a classroom reading the book My Pet Goat to children. The Masonic checkerboard floor of the classroom might signify that this whole charade had a ritualistic component to it.

Above Bush is an interesting graphic depicting the evolution of mankind from fish, to monkey, to man holding a weapon. What is the final stage of evolution? The illuminated man, represented by a sunburst around its head.

Bush wears a dunce cap, this conical hat that was given to “slower” students to humiliate them. When Bush is done making a fool out of himself, he turns into Obama, a charming and distinguished man wearing a graduation cap. He starts off nice and lovable, but he ultimately begins to laugh at the audience. While he appeared to be the perfect response to the idiocy of Bush’s era, the fact remains: He is simply another puppet controlled by the same puppet master.

While most of the audience is totally oblivious to what is happening, one girl is not buying it.

While the masses appear to be deaf, dumb and blind (and restrained by barb wire), this little girl realizes that “this apple is not hers and drops it”. Obama is concerned by the awakening of this girl.

We are then taken to the cold and snowy outside world around the school. On a wall, there’s a graffiti with an important message behind it.

The Biblical verse that is referred to by the graffiti appears to foretell the journey viewers are about to embark on.

The Lord is my shepherd, I lack nothing. He makes me lie down in green pastures, he leads me beside quiet waters, he refreshes my soul. He guides me along the right paths for his name’s sake. Even though I walk through the valley of the shadow of death I will fear no evil, for you are with me; your rod and your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my head with oil; my cup overflows. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever.

– Psalm 23, NIV

A World in Decay

The outside world is dark, cold and literally in decay. It is sad, corrupt and everything is shaking and crumbling down.

At one point, two towers – reminiscent of the WTC – fall down. We then learn that it was an inside job.

Bin Laden is wearing a CIA badge, hinting to the fact that he was a tool used by the American government to advance its agenda. The moon crescent, a symbol associated with Islam, is reversed, which is may be a way of saying that all this Al-Qaeda stuff is a perversion and an exploitation of Islam.

While oil leaks from everywhere, a six pointed star appears under the Statue of Liberty, renamed by the makers of the movie “Lady of Helotry” (“helotry” means serfdom or slavery).

Is the six-pointed star (also know as the Star of David) appearing under the Lady of Helotry a way of saying that the US is highly influenced by Israel?

While the world is crumbling down, many ancient institutions disappear or get destroyed.

This Latino worker is sinking, along with his hammer and sickle – representing the disappearance of Marxism in third world countries. On Heliofant’s official site it is said: “After years of economic exploitation and the environmental degradation, Juan “Pepito” has a decidedly sinking feeling.”

Controlling the Masses

The world is under the spell of an evil sorcerer named Drako. According to the makers of the movie, Drako is:

“The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of bureaucratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.”

Does this sound like what we call the Illuminati? Yes, yes it does.

The same way the Illuminati seeks to brainwash children since birth, Drako preys on this unborn child named Ludovic.

In esoteric tradition, the symbol of the serpent-entwined egg is known as the Orphic Egg. In short, it represents the latent seed of life and the infinite potential of creation. In other words, while this child appears to be hopeless, he still has the power to reach his full potential.

When the egg is hatched and the child is born, Drako literally takes control of his mind in a creepy, parasitic way.

Drako has the pyramid and all-seeing eye found on the US dollar bill on his chin. Not only does it represent the fact that he controls currency, it also represents the Illuminati. Underneath Drako’s eyes is the saying “Ordo Ab Chao” – meaning Order Out of Chaos, the occult elite’s favorite slogan. Also, the dude has only one eye open. Could he, like, more represent the Illuminati?

The Liberator

Amid all this chaos, a figure emerges with the power to make everything right.

Navigating on an Egyptian ceremonial boat, Jesus Christ appears to be in trance.

The Christ-like figure has a third eye painted right on the pineal gland, which refers to the concept of spiritual illumination. The triangle above the eye represents divinity and that illumination leads to the contact with one’s own divine nature. The symbols on the Christ’s forehead are in complete opposition to pyramid on Drako’s chin. While both figures bear similar symbols on their faces, Christ has them “right” and Drako has them in reverse/inverted, meaning that he (and the Illuminati) have corrupted these ancient symbols.

Named by the makers of the video “The Fire of Truth”, the Christ figure is not meant to be Jesus Christ himself, but a representation of the concept of Inner Christ as defined by Gnosticism. According to this esoteric current of Christianity, the Inner Christ is the potential found in everyone to reach godhood through spiritual illumination. On Heliofant’s website, The Fire of Truth is described as:

“That’s YOU!!! when you stand in the awareness of your sonship with the Divine and the brotherhood of mankind!!! “

When the Christ figure breathes the Fire of Truth on the world, some oppressed or distressed characters come back to life, like Ludovic, the child inside the egg. Also, Aali, a little Muslim boy that appeared battered and dead rises back to life.

The boy is executing the ancient art of Sufi whirling, which is practiced by the Sufi Dervishes of the Mevlevi order. The Dervishes are an ancient esoteric current of Islam.

“The mysteries of the Islamic faith are now in the keeping of the dervishes – men who, renouncing worldliness, have withstood the test of a thousand and one days of temptation. Jelal-ud-din, the great Persian Sufic poet and philosopher, is accredited with having founded the Order of Mevlevi, or the “dancing dervishes,” whose movements exoterically signify the motions of the celestial bodies and esoterically result in the establishment of a rhythm which stimulates the centers of spiritual consciousness within the dancer’s body.”
– Manly P. Hall, The Secret Teachings of All Ages

The rebirth of the Muslim boy as a Whirling Dervish signals that there is a link between him and the Inner Christ: Both represent initiation into esoteric schools, which all have a common goal – the contact with divinity through spiritual illumination. Other religions with esoteric undercurrents such as Hinduism (represented by a dancing Shiva), are also represented in the movie. Is the Christ figure maybe the Anti-Christ deceiving all religions into following him? Perhaps.

When the Christ figure exits the Cathedral, the building (which was guarded by an evil-looking gargoyle) crumbles behind him.

In this new era of spiritual enlightenment, elaborate man-made buildings become unnecessary and outdated. They therefore crumble and disappear.

As night turns into day, the Christ figure opens his fiery eyes and navigates towards the sunlight. Lotus flowers, symbols of spiritual enlightenment in Eastern philosophy, appear behind him, confirming to the viewers that the path to freedom is indeed a spiritual one.

In Conclusion

I, Pet Goat II has received widespread acclaim for its technical prowess and its original storytelling. Although there is no narration or dialogue, an elaborate story is delivered using the most ancient and universal language in History: Symbolism. Through symbols, the movie manages to deliver an acerbic critique of today’s Western Civilization, to describe its numerous evils and even to predict its inevitable downfall. More importantly, a thorough decoding of the movie’s symbolism reveals a powerful message of spiritual enlightenment based on ancient Mysteries. While this esoteric aspect of the movie might not be understood by many, it is at the core of the movie and is presented as the ultimate solution to the evils and corruption of today’s world. The movie’s conclusion is therefore a very personal one: Either YOU become a pet goat with a 666 bar-code on your forehead or YOU become a Christ figure with a third eye on your forehead. This notion of personal enlightenment is definitively a Gnostic one and is common to most esoteric schools of thoughts in all civilizations.

Agreeing or disagreeing with the movie’s spiritual conclusion is a question of personal beliefs, but it is nevertheless obvious that those behind I, Pet Goat II are “in the know” about all things occult, esoteric and even conspiratorial. Each scene has a profound underlying story behind it – whether it be historical, political or spiritual – that would take pages and pages of words to thoroughly explain. Therein lie the power of symbols: They can simply be admired for their aesthetic beauty or they can, when fully understood, reveal a profound story about humanity, God and everything in between.

When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.

A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:

“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”

It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.

Vogue or Entrance of the Priestess

Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess.

Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna’s glorious entrance is a reflection of her status in the entertainment world.

Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess.

The decor of Madonna’s first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar.

Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna’s horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna’s “carriage”.

Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star – a name also attributed to Lucifer in occult schools.

So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month).

Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk.

The song ends with the displaying of a Winged Sun-Disk.

Egyptian mystics used the winged sun for ritualistic magic and invocations:

“‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.”
–Hope, Murry, “Practical Egyptian Magic”

The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians.

“The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.”
-Swinburne, Clymer, “The Rosicrucians, Their Teachings”

The symbol of the winged-sun inside a Masonic lodge.

The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.

Give Me All Your Luvin’ or Madonna’s Sex Kittens

Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way: Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming.

In the video for Give me Your Luvin’, Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming.

Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza.

Like a Prayer or the Final Sermon

Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses.

As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance.

Madonna’s halftime show ends in a dramatic yet very significant matter:

At the end of her performance, the floor opens underneath Madonna’s feet and she falls into oblivion.

As Madonna is swept in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction.

The show ends with a message no one can disagree with.

The words “World Peace” appear on the stage, a PR-friendly slogan used by those pushing for a New World Order lead by a one world government.

In Conclusion

When taken individually, the symbols described above can be simply considered as “cool-looking” and most Superbowl viewers did not give them much attention. The packing all of these signs and symbols in one comprehensive 13 minute performance cannot however be dismissed as “random images”. Quite to the contrary, the combination of all of these symbols form a whole and define with great depth the underlying philosophy and Agenda of those in power – the Illuminati. Madonna’s embrace of the Illuminati symbolism discussed on this site coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her halftime show performance can therefore be considered as the “launching” of her three-album (and 40 million dollars) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon and that she pioneered most of the themes modern pop stars still exploit, she still needs to fit the mold and to embrace the same symbolism rookie pop stars.

Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.

He once claimed he’s the Son of God and the world is run by alien lizards, but the story of David Icke’s marriage breakdown is almost as weird

The audience at the theatre in Times Square, New York, sat in reverential silence as David Icke took the stage and made his great revelation.

Our planet, he declared, is secretly ruled by a race of reptile-like aliens.

These reptiles, malevolent in nature, sometimes ‘shape-shift’ into human form. The Queen, for example, is a reptilian, President Barack Obama another.

Bonkers, yes. But Icke’s show in November, with tickets costing $50 (£32) a head, was a sell-out, as have been most of the other dates on his world tour, which ends in Britain later this year.

One of the reasons Pamela Leigh Richards split up with David Icke, according to her, is that he became suspicious that she is a shape-shifting alien

Wherever he goes, thousands flock to see him. Twenty years after the famous TV interview on Wogan, when the once-respected sports commentator became a national laughing stock for saying he was the Son of God, Icke’s brand of loopiness has proved more resilient and lucrative than anyone could have guessed.

But there is one thing Icke has not yet talked about on his tour — and he does go on rather, sometimes for eight hours at a time — and that is the increasingly bitter divorce battle he is embroiled in with his second wife, Pamela Leigh Richards.

Or that one of the reasons they split up, according to Pamela, is that he became suspicious that she is a shape-shifting alien.

‘He can’t figure me out — he thinks I might be a reptilian,’ says Pamela.

‘Of course, I’m not. David and I had a deep connection, we were meant to be together, but he turned against me. I’ve been through utter bewilderment, pain, sorrow and heartbreak.’

So presumably Pamela thinks her husband is crazy, a fraud or is enjoying a great joke at the expense of gullible conspiracy theorists? Well, actually no.

Pamela — in all other respects an intelligent and articulate woman — also believes sinister forces lurk in dark corners.

So much so, that during the 11 years they spent together, she devotedly accompanied Icke on his travels, spreading the word.

‘David and I had a deep connection, we were meant to be together, but he turned against me,’ said Pamela

Every marriage is unique, but surely there is none to match the barminess of the union between David Icke and Pamela Leigh Richards.

Pamela, 52, and the mother of a 24-year-old daughter from a previous marriage, met Icke in Jamaica in August 1997. It was six years after the interview on Wogan and Icke was still a national joke in Britain.

Pamela, the daughter of an American fighter pilot, worked in financial services and was attending a conference on the island. Icke was giving one of his talks at the same hotel and Pamela was intrigued enough to attend — and was mesmerised by what she heard.

‘You could have heard a pin drop when David spoke. I came away with the knowledge that the world is not what I thought it was and I learned about its reptilian aspect.

‘I went up to David afterwards to thank him, but at that time I was not romantically attracted to him.’

Three months later, they met on the Caribbean island of Aruba, where Icke was giving another talk at a conference and Pamela was on another business trip.

This encounter was, apparently, even more auspicious. Before his trip, Icke had visited a psychic who told him he was going to meet a lady from America who would ask him out to dinner and with whom he would be joined at the hip. She would be wearing a mauve gown.

Destined to be together (initially): soon after they met, Pamela and David were joint at the hip

Pamela says she was that person (and never mind that the dress she was wearing was yellow).

‘The day before the talk, we passed each other by the pool of the hotel where he was speaking and we were both staying. He stopped and said hello,’ says Pamela.

‘We talked for a while and I could feel a strong connection beginning.

‘Later, when we got together, he told me he stopped because he thought: “Oh My God, this could be The One.”

‘The following day I saw him again and invited him to dinner with a few friends. Afterwards we walked along the pier and sat at the end of the walkway. ‘It was there that being joined at the hip and inseparable became as real as it gets.’

Icke had once predicted that the world would end in 1997, and was no doubt mightily relieved that his prediction did not come true, allowing him to pursue Pamela.

It was not imminent Armageddon but his own unusual domestic arrangements that provided the backdrop to his new romance.

For Icke was still married and living with his first wife, Linda, and their three children at the family home in Ryde on the Isle of Wight.

To make matters trickier, another woman, Deborah Shaw, had moved into the marital home in 1990.

It was reported that David, Linda and Deborah had a menage a trois for a while, but that Linda kicked out Deborah when she became pregnant with a daughter, Rebecca, by Icke.

Yet none of this seemingly troubled his new American girlfriend.

‘David told me all about Linda and said that though he still lived at the family home, it was all over between them.’

Complicated relationship from the start: When Pamela met David he was already living with two other women

So for two years, Pamela ‘commuted’ from her home in Phoenix, Arizona, to the Isle of Wight to be with Icke before moving permanently to the island.

You might imagine Icke’s wife might have harboured some, er, ‘negative thought patterns’ towards the attractive new blonde in her husband’s life, but Pamela says that was not the case. At least, not initially.

‘She was very kind to me at the beginning and even helped David and I find a flat.’

When Linda and David finally divorced, it wasn’t long before a new Mrs Icke had filled the vacancy.

On September 20, 2001, nine days after 9/11 — the lizards blew up the Twin Towers, according to Icke — Pamela and Icke were married in a simple ceremony at Newport county court on the Isle of Wight.

The wedding was attended by Icke’s three children from his marriage to Linda — his daughter Kerry and sons Jaymie and Gareth — and the wedding reception was in a local pub.

The pair settled happily enough into married life in Ryde, with Pamela remaining ever supportive of Icke’s increasingly bizarre theories — among them that Princess Diana was assassinated by a New World Order and that the Moon was constructed by aliens.

Yet when Icke wasn’t working on his conspiracy theories, he and Pamela led rather a conventional life, weirdly at odds with his dramatic pronouncements.

Often, they would stay in and watch TV — her husband’s favourite programmes were The Vicar of Dibley and Only Fools And Horses.

Icke’s other great passion, apart from saving mankind, is steam trains, and together the couple visited steam railways across Britain. Oh, and they also went hiking with his first wife, who remained his business manager.

Wherever Mr Icke goes, thousands flock to see him. His brand of loopiness has proved more resilient and lucrative than anyone could have guessed

‘The three of us got along very well,’ says Pamela.

‘David has a connection with Linda through his children. He is great company and has a really good sense of humour. I used to tell him he should become a stand-up comedian.’

Things started to go wrong in 2006 when Icke decided to restructure his expanding business ventures.

‘I had set up David’s website and got the whole thing going, but it was agreed I’d transfer my duties to his daughter Kerry,’ says Pamela.

‘We had a meeting with Linda and we agreed how money made from the business would be split.

‘I could tell Linda was getting upset about what was being discussed. The thing was, she had always been responsible for the business side of things and I don’t think she liked the new set-up.’

Tensions increased, she says, when a psychic whom Icke had consulted for advice began influencing him against Pamela.

‘She was crucial to what has happened. She told David I was out to take his business and separate him from his children. Everyone was against me — I was the target.’

To make matters worse, Pamela says Icke became suspicious that she was showing reptilian tendencies.

‘He’d say accusingly: “Your face has changed, you look different.” ’

Pamela says the fact that her father was a fighter pilot and she had grown up on air bases — Icke suspects the military to be under the control of reptilian forces — will have fuelled her husband’s fears.

Yet despite their deteriorating relationship, Pamela says she was still shocked when she learned, in typically unconventional style, that Icke wanted her out of his life.

Mr Icke has rejected the allegations made against him by Pamela

‘We were on tour — in Vancouver, I think — when the driver said to me out of the blue: “David wants you to go.” I was so shocked I felt as though I was having heart palpitations. There was no reason for it.

‘When we got to our hotel, my bag was chucked into the car — David had thrown my clothes into the bag.

‘The driver took me to the airport and I flew to Phoenix, where I stayed in the apartment I’d kept on, until David came some days later to get me. It happened several times — David just could not make up his mind.’

With the marriage under increasing strain, Pamela took off to Egypt for six months in 2007.

‘I was being hit by what I would call aggressive and attacking “thought forms,”’ she says.

‘There was fear all around. My heart and energy field was being crushed.’

When she returned to Icke in Ryde, they hoped they could work things out, but the rows became worse.

After a final argument in February 2008, she fled the marital home and moved back to Arizona.

‘Before I left, I was on my knees, crying, so exhausted from it all I couldn’t move. I said: “It’s over, I’ve got to go.”

‘When I walked out of the door I turned round and he was at the window, watching me.

‘He didn’t want me to go. Even then, he thought it could work between us. How could something so powerful end?’