Thursday, November 29, 2007

Hey! I kind of disappeared off the face of the earth this past week, mostly due to the crushing blow of Real Life, which made music-blogging feel very alien indeed. That said, I'm re-invigorated about introducing you guys to the music love and have another way of introducing it to you.

Similar to the roulette, the Awesome Playlist is a collection of songs, but instead of being random they're the ones that, for some reason or other, I've been listening to a lot lately. I don't know why, but on different weeks different songs just seem to 'click' with me, and for the time being these are those songs.

The Grand Archives - Sleepdriving (Sendspace link)This group, headlined by former guitarist and vocalist for Carissa's Wierd and former guitarist for Band of Horses Matt Brooke, is pretty damn new. The only available songs are three demos they've recently released while they work on their debut. That said, the demos are excellent, and 'Sleepdriving' is the best of the trilogy. It's the kind of music that might play in the background of a dream, a melancholy, ethereal piece of music that I just love. Download this, as I expect these Archives will be one I raid from muchly in the future.

Andrew Bird - Why? (live) (Sendspace link)You guys should know my intense love of all things Andrew Bird, if only because I've peppered his music through this blog. The only reason I haven't posted a showcase is that I'd need quite a bit of preparation to do him justice. Anyway, this song was originally released by his band, Andrew Bird's Bowl of Fire, but their style sadly irritate me to no end. He later included a solo performance of the song on Fingerlings, the first of his live-only albums. The song itself is a typical Andrew Bird song in its atypical tone and focus: A man who is angered by his partner by his refusing to be riled up and fight, with the chorus including the line: "Damn you for being so easy-going." The idea of a relationship where conflict is promoted is an intriguing one, and it reminds that the real opposite of love isn't hate but indifference.

Scala & Kolacny Brothers - Heartbeats (The Knife) (Sendspace link)Another group begging for a showcase, here's a taste of Scala, the intriguing Belgian youth girls' choir whose repertoire consists mainly of recognisable North American songs, and their conductors the Kolacny brothers. I've never heard the original song, but that doesn't matter much as Scala's version is a beautiful, piano-driven masterpiece. The choral treatment doesn't render it inaccessible; indeed, it makes it more universal, strangely enough.

Sufjan Stevens - Romulus (Sendspace link)Sufjan seems to be the indie king, grabbing accolades and praise everywhere for his deep and heavily-researched albums, two of which are themed around American states. Romulus is from one of these albums (Michigan), and derives its title not from the mythical founder of Rome but from a Michigan city, where the song's protagonist lives. It's a story of shame, about an absent mother who buggers off to make a new family, leaving her other children in care of their grandfather. One of these children, the song's narrator, talks about their contempt of her, and how they would love to just avoid seeing her ever again. It's an interesting tale, one I'm curious whether there are real-life connections for Stevens or not. It seems intensely real.

And the one I cannot find to upload for the life of me, so you'll have to search it out for yourselves...

Brandston - Earthquakes and SharksFormed way back in 1996, Brandston seem to be a different creature than the Grand Archives. Seem, I'd say, because I only have this one song of theirs, and it rocks. A song with a fantastic beat that just dares you to not bounce around to it, it tells the story of a guy who slowly learns that Mexico and California are not the safest places for the uninitiated. The chorus is an amusing listing off of the dangers, while the rest of the song is his specific experiences with a number of these things.

Saturday, November 24, 2007

As I'm still building up the format of this blog, new 'forms' of posts will show up as I go. If they go well, they'll become a regular feature. I debuted showcases to good effect early on, and I'm now ready to debut another type of post: Roulette. This is a mostly-random selection of songs, allowing me to post a variety of songs I'd like to share with you with more variety (and less work). So, here goes!

Friday, November 23, 2007

"But I hope I''m around to see when your cracks start to show, and you finally take your turn choking on the seeds you've sown."

Patrick Park, a talented singer with two albums under his belt, is probably best known for his songs being featured on former trendsetter The O.C. One of these, 'Life is a Song', was even the final song played on the series, where the music was like another castmember. This is important because the music supervisor on The OC, and later Grey's Anatomy, was my hero Alexandra Patsavas, and finds like Park are the reason why I hold this woman in such high esteem.

I myself learned about Park after his song grabbing the coveted final spot in the OC's series finale, but little did I know that it would be just the beginning. A bit of a hunt brought me his other OC-featured song, 'Something Pretty'. Both songs took a while to grow on me, but a month or so later I spent the whole hour-long drive to visit my sister listening to his two CDs, and I'd realised this guy was someone I really, really enjoyed listening to.

His stuff isn't flashy or exciting in the conventional sense, but his strength is in his simplicity. It's mostly him and a guitar, with little more in a way of background to his fantastic vocals and lyrics. I've detected religious undertones in his songs, but unlike many he doesn't use music as a soap box to preach about God, it just feels like another subtle piece of him in his music, just like his anti-war sentiments that I agree more with. He's sitting at a healthy #24 on my LastFM list, and I'm hoping he'll continue to rise as I listen.

Patrick Park - Life's a Song (Sendspace link)This is a song about not taking life for granted, but without fearing death; of living in the now instead of chaining yourself to your past; and refusing to be a hypocrite by preaching a good afterlife and yet fearing death. I myself make no apologies for my atheistic beliefs, but I agree with Park that no matter what, life is a miracle and it should be celebrated, not wasted while we twitch at every possible threat to our well-bring.

Patrick Park - Something Pretty (Sendspace link)His other best-known song, Something Pretty comes from the perspective of a road-weary traveller ready to set down his burden, leave behind his loneliness, and find some sort of beauty in the world. It's a song of epiphany, of personal revelation and, ultimately, moving beyond your flaws to become something better.

Patrick Park - Pawn Song (Sendspace link)Quite possibly my favourite song from Park, this is a rousing anti-war song reminding us of the dehumanising effect of armed combat. It describes an unspecified revolution, where the men march in the streets ready to be mowed down by the stronger enemy without any true thought, the person inside lost to the machine of war. It reminds us ultimately that while 'some fool's still thinking there peace at the end of a gun', the soldiers lose something vital they'll probably never get back.

Patrick Park - Business of Oblivion (Sendspace link)A newer song, though the release from whence it comes is a mystery to me. It's a bit more rough'n tumble and directly political than most of Park's work, sharing some of 'Pawn's anti-war sentiments while condemning the idea of conformity for conformity's sense. It touches on the war, on global warming and environmentalism, but it all comes down to the heartless businessmen running the world's economy, viewing the world as a 'generator', taking what they can and watching the dominoes fall in their wake.

Patrick Park is an outstanding musician, and I'm betting this is only the beginning. His latest album came out this year, which means new material should be rare for a while, but I'll be waiting. While I do, get your hands on his CDs and enjoy.

Thursday, November 22, 2007

Looks like tboS has been around for a whole week, as of today! To commemorate that, I'd like to say a few words about this blog. Though I haven't had it long, having this blog has brightened up my days. I get excited when a new day comes along and I feel like writing a new post, introducing the two of you out there reading (maybe three) to the music I love. This week has been a blast. Now, as I don't wanna make too big a deal of it, I'll end this right here and give you good folks some mp3s. Which ones? Who knows, whatever I feel like.

Sarah Blasko is an Australian singer with a gorgeous voice and a knack for intriguing lyrics. Already being noticed with only a pair of CDs under her belt, her debut CD was nominated for 4 ARIA awards including Album of the Year, and her second debuted at #7 on the ARIA Albums Chart. Sarah Blasko is #25 on my LastFM charts. Her CDs are 'The Overture and the Underscore', and 'What the Sea Wants, the Sea Will Have'.

Sarah Blasko - Queen of Apology (Sendspace link)Kicking off with a reference to 'The Ancient Mariner', this song discusses being 'bride to the king of blame', the titular queen of apology. Building as the song goes on, Sarah Blasko's beautiful voice gets a great, dark showcase here. Probably my favourite Blasko song, one that I could listen to five times in a row and enjoy it equally every time. Lyrically brilliant, sensually moving.

Sarah Blasko - The Garden's End (Sendspace link)Aother darker song, 'End' gives the impression of a hunt, a chase through the darkness that will scar everyone involved. Chilling, atmospheric and Blasko's lyrics at their best. Still not 100% sure whether this song is a straigh, bizarre fantasy or whether, like 'Queen', it's a metaphor for some deeper, real-life issue Blasko wants to explore.

Sarah Blasko - Don't You Eva (Sendspace link)"You've got a way with words, you've got a way that makes me feel so complicated." Thus starts this song from Blasko's debut album, a song about yearning for the 'one thing you may never know'. Piano strikes in the background periodically as this song pushes onwards, drawing you into the world Blasko's voice creates. quite possibly the best song off 'Underscore'.

Sarah Blasko is a rare treat. Her voice is a night wind, sending chills down your spine you as you walk down a dark forest path and hope you're not being followed. She's a tossing sea at midnight, the creak of the ship's planks under your feet as you watch the swaying full moon. She's an amazing singer, and you'll love her.

Wednesday, November 21, 2007

"These tears I've cried, I've cried a thousand oceans. [...] And I would cry a thousand more if that's what it takes to sail you home."

Tori Amos is, if you don't know this yet, a genius. A musical prodigy from a young age, she was the youngest student to enter the Peabody Conservatory of Music - at age 5. She was kicked out at age 11, not because of any lack of skill, but because she preferred rock and popular music instead of the more traditional styles encouraged at the school.

A piano-driven singer-songwriter, Tori Amos has since released nine studio albums, and over the course of her career has explored numerous topics. Suffering a rape and two miscarriages, this is a woman who knows personal pain and tragedy better than most so-called artists of our day and age, and makes our culture's worshipping of Beyonce and Shakira types even more of a sad parody.

Though I can't possibly do this woman justice in a single post, I can post some of her best work and let you be the judge.

Tori Amos - 1000 Oceans (Sendspace link)This song, a touching story of a woman lamenting the distance between her and her lover, showcases both Amos' skills with a piano and her gorgeous voice. It's truly stirring, as the song's protagonist expresses the desire to cry 1000 oceans 'if that's what it takes to sail you home', and gives us a beautiful image of Tori, floating in a vast ocean of tears, waiting...

Tori Amos - Strange (Sendspace link)Strange examines the idea of leaving everything behind to devote your life to someone, only to discover that, without that love, your world isn't your world after all, but theirs. Once that person is gone, you're stuck in a 'world that I am not a part of, except when I can play it's stranger'. She repeatedly tries to understand why she can't just learn from her mistakes and move on, stop trying to be someone she's not, and finds herself unable to. Possibly my favourite Tori song, as the vocals and instrumentation work together to make a real beautiful song. It ends on a hopeful note, as she decides that all she can do is acknowledge her mistakes and move on to a life she can call her own.

Tori Amos - Me and a Gun (Sendspace link)Tori Amos wrote this song in the aftermath of her rape at the hands of a man who forced her to sing hymns as he did so, and threatened to 'cut her up' and take her to his friends. This experience is clear in this song, as the thoughts that run through her head run from the desperate ("I haven't seen Barbados, so I must get out of this") to terror ("So I'll just change direction, as they'll soon know where I live, and I wanna live"). This song is painful, and ponly moreso when you learn about the actual event that inspired it. The song is performed a cappella, unadorned by piano like other songs, better to show the raw trauma involved.

Tori Amos - A Sorta Fairytale (Sendspace link)This song has Tori recalling a particularly good day, one that, 'like a good book', she can't stop reminiscing about, despite the lack of a 'happy ever after'. That day stays in her memory, a bright light no matter how that relationship continued and was lost, and you can feel her need to hold onto that memory once that love is gone.

Other great Tori tunes that I may post at a later date: Jackie's Strength, Girl Disappearing, Sweet the Sting, Gold Dust, I Can't See New York, Happy Phantom

Monday, November 19, 2007

A more obscure artist, even, than last showcase, Dirty Eleganceis rather intriguing and one I can only attempt to explain, or at least describe. Again, first I will let those who know what they're talking about take a crack at it; the following except is taken from his LastFM entry: 'Dark, melancholy and hauntingly epic melodies interwoven with city grit and prowess into the human easel of emotional experience, Dirty Elegance's debut, Finding Beauty In The Wretched, takes its seat at the seminal table, innovatively capturing the depth of the human condition while maintaining a non-genre specific consistency. Passionately expressing a bountiful palette of emotional experience, Dirty Elegance introduces himself to the world with seeds of timelessness and gifts of audible ecstasies... Finding Beauty In The Wretched is not to be overlooked.'

That's a pretty good place to start. These are songs based, not on lyrics, but on sound. The genre is 'trip-hop', and they definitely aren't conventional. The voice is rarely used to sing lyrics, instead used as an instrument along with the other various elements of their songs. The artist often include excerpts of other works in songs that (I believe) work thematically with what he's aiming to achieve. There's a kind of beauty in his mysterious sound, and it resonates.

I'm quickly learning that this album is much deeper than I've given it credit for, and that it will probably go against the artistic intent to post individual mp3's. I honestly think, to get a real feel for it, it should be listened as a whole, not on shuffle. However, I believe that these samples will give you a understanding of what to expect, so you can get it and try to dig into its meaning yourself.

Dirty Elegance - Foreworld (Sendspace link)The CD begins with a reading, one which I was not initially familiar with. Google identifies it as a cut-down version of 'The Perils of Indifference', a speech delivered at Washington DC on April 12, 1999 by Elie Wiesel, best known for Night, his memoir about his experiences at a Nazi concentration camp. The speech centres on the emotional aftermath of the traumas of war, and how they cause a sense of indifference. It's an intriguing opener, and backed with a melancholy, soul-aching tune that really nails home the essence of the reading. This, despite its oddness, is probably my favourite part of the CD, and I'm glad it steered me toward this interesting speech. This is hardly the last reference to this speech, as another track, 'Eternal Infamy', is named after the words he used to describe the particular camp his experiences occurred in, named Buchenwald; and Laurel Marty Scrapings (see below) also has brief excerpts from it.

In finally looking into these excerpts, which I admit I never felt I had reason to until now, I'm beginning to uncover a theme. for example, Jury and Hick and Engloutir both contain excerpts attributed to Charles Manson, though I can't uncover exactly where from. Here's the speech(?) in, I think, its entirety, with portions used in the songs bolded (any flaws kept from source):

"Remorse for what? You people have done everything in the world to me. Doesn't that give me equal right? I can do anything I want to you people, anytime I want to because that's what you've done to me. If you spit in my face and smack me in the mouth and throw me in solitary confinement for nothing, what do you think's gonna happen when I get out of here?

Maybe I haven't done enough; I might be ashamed of that, for not doing enough. For not giving enough, for not being more perceptive, for not being aware enough, for not understanding. For, uh, being stupid. Maybe I should of killed four or five hundred people, then I would of felt better. I would have felt like I really offered society something.

You've got it stuck in your brain that I murdered somebody. What do you wanna call me a murderer for, I've never killed anyone! I don't need to kill anyone! I think it! I have it here!

This street is my world. I don't, uh, I don't pretend to go uptown and be anything fancy. I can, but I find more real in the world that I'm in than I do the tinsel. And the real world is the one I have to deal with everyday, ya know.

Believe me, if I started murdering people, there'd be none of ya left."

- Charles Manson

Another track, Angelic Remedy, includes the quote from Malcolm X: "We love everybody who loves us. But we don't love anybody who doesn't love us."

I haven't listened to this CD as extensively as I could have, so there are most likely more excerpts of the same fashion which contribute to what I believe will be the album's overall theme. One of these days, I'm going to sit down and really listen to this, as I feel there's a lot I'm at present unaware of in this album, a lot that could be mined from it. That said, those songs with these excerpts aren't my personal choices to include here, so you'll have to uncover these tracks on your own.

Dirty Elegance - Accouchement (Sendspace link)This song, a piano and vocally-driven song, works without the thematic excerpts, giving an interesting listen with a lot of layers. It's quite beautiful, if unusual. Honestly, give it a listen, don't rely on my words because I cannot describe this music to you in a way that could do it justice.

Dirty Elegance - Laurel Marty Scrapings (Sendspace link)More piano with different sound effects somehow making the song instead of ruining it. This also includes brief excerpts from 'The Perils of Indifference'. Again, impossible to describe; just give it a chance.

The movement started with one Dirty Artist whose soul was touched by the Majikal Angelic One. They started down the road to Elegance together and paused long enough to find the Madman Genius from the Core. Together, with the Master Artiste, Dirty Elegance, as it stands today, was bourne.

Dirty Elegance is not music. Dirty Elegance is not art or pictures or clothing, though the emotions which comprise the movement may be reflected through these creative mediums. Dirty Elegance is an idea. An idea that beneath the soot filled superficiality lies a classic greatness. A re-instating of something that once was valued but has since been forgotten. An idea that it is still beautiful, despite is nicks, cracks, and tears. That it may be resurrected if it is truly seen. And truly loved.

"The rose which was nourished by tears, blossomed through love."~ Dirty Elegance

So, my idea of a theme wasn't far off, and it's just as mysterious and intriguing as before. Hm. This guy's use of language gives me the impression of somewhere between a mysticism- or mythology-based artist, a cultist, or a crock. Luckily, his music leads me to believe the former.

Saturday, November 17, 2007

"Illustrious his stories to the end, the people gathered around their effervescent friend."

My Latest Novel are a Scottish five-piece band. According to Wikipedia: "They augment the traditional rock line up of guitars, drums, bass and keyboards, with the use of violins, xylophones and undulating percussion, as well as multi-part vocals. Their musical style is notable for its contrasting melancholic and uplifting moods, the unusual use of the spoken word, and by surprising mid-song changes in tempo and atmosphere." Yep, that pretty much sums them up.

I stumbled upon My Latest Novel via, what else, a music blog some months ago. They hung around on my iPod for a while until I gave 'When We Were Wolves' and 'Pretty in a Panic' listens, and after 2-3 times I started to realise: I goddamn love this band!

I quickly grabbed their CD, 'Wolves', and have yet to find a song I dislike. They tend to grow on you, so that 2-3 months after first listening, you realise you've heard it a few times and you desperately wanna hear more. This has happened with every song on the CD excepting two, 'The Hope Edition' and 'Ghost in the Gutter', and I get the specific feeling that they're close to breaking out as well.

The songs I'm offering up today, hoping that you'll fall in love as I have and give their album a listen:

My Latest Novel - When We Were Wolves (Sendspace link)The striking first song I heard from them, most likely grabbed because wolves are near and dear to my heart, is intriguing on first listen. The song starts with just the phrase 'when we were wolves' being repeated, almost feeling like a howl from human throat. It continues to pound forwards with a couple of phrases, and though the lyrics may seem repetitive, the style and feel of the song make that a strength rather than a weakness.

My Latest Novel - Pretty in a Panic (Sendspace link)There's just something about this song. The music is beautiful, and I must profess I love the lead singer's voice. The lyrics are, as usual, pretty enigmatic, but that makes analysis all the more rewarding. To be honest, though I have trouble describing it, this is the song where I decided MLN was something pretty special.

My Latest Novel - The Reputation of Ross Francis (Sendspace link)My latest one to 'click', this song, about a slick lawyer-type wheedling his way into heaven via elaborate lies, is a very enjoyable experience. His pleading in the chorus, the bouncing on the song, the choral feeling of the singing, makes it so. And when you reach the climax, you can't help but grin.

These are only a small sample of their amazing CD, and their follow-up could be my most-anticipated release of a near future that should include Imogen Heap, The Postal Service, Alanis Morissette and Snow Patrol.

Friday, November 16, 2007

If you read the opening post and downloaded the Intro package, you should have a pretty good grasp of my most-listened to music. Now, I have another passion: cover songs. Not only are they a great way to uncover new musicians, but they give a delicious new view of a song you've heard a thousand times or even only once. Whether it disgraces the original or surpasses it, it's an interesting experiment that can yield true gems.

So, 6 of my favourite covers off the top of my head:

Tori Amos - She's Leaving Home (The Beatles cover) (Sendspace link)I must admit something: though I once loved them, I cannot stand listening to the Beatles nowadays. Maybe it was too much in my youth, but there's something about them I can no longer stand. That said, their songs are often fantastic, and this is no different. Dropping the overly bouncy tone and dozy chorus of the original, Tori makes this song work to her style - her version is a beautiful, piano-driven tale. Live cover.

Dragonette - The Boys (Calvin Harris cover) (link)The original, 'The Girls', is an amusing but forgettable ode to the straight male's sexuality. Dragonette, the queen of fun, sexually-charged songs, takes the same song, but doesn't merely switch the pronouns. This version has an additional section in the middle and adds a bit to the chorus, vital edits that help make it a song that dares you not to dance, or at least bop in your seat. It sounds joyful without falling into 'The Girls' trap of sounding vaguely lecherous, which is a victory in my book.

Ben Folds and Rufus Wainwright - Careless Whisper (George Michael cover) (link)I've never heard the original, but this live rendition of a strangely popular, cover-wise, song is probably the best I've heard. These two interpret the song into a heartbreaking plea for impossible forgiveness, and their voices work surprisingly well. The piano works well as well, as I think it's only behind possibly the violin in perfect atmosphere for sad songs.

Bettie Serveert - Love I Don't Have to Love (Bright Eyes cover) (link)A song about ignoring pain through mindless, anonymous sex, it works perfectly with an intense sound behind BS lead singer Carol van Dijk's tragic version of an already-bleak song. It's loud, it's dark and its painful in a good way. I spent a couple days after discovering it just playing it almost constantly, because it's that good.

Westlife - Total Eclipse of the Heart (Bonnie Tyler cover) (link)Looking at the ever-popular song through a male perspective, this song is sometimes hilarious, which is a sobering reminder of gender roles and how, if this weren't a cover, the singers would be decried as 'gay whiners'. That said, it's an extremely well-done cover, with appropriate piano and two guys filling in for Bonnie Tyler alone.

Vienna Teng - Cannonball (Damien Rice cover) (link)The original, while gorgeous, began to grate after a number of listens. This version is a fresh and equally gorgeous take on the song. Vienna Teng's voice here is on top form, soaring, an arctic wing blowing through your heart and covering your skin in chills. Breathtakingly beautiful.

Now, there are far from the only covers I love. I have a collection of dozens, so you'll be pleased to know they'll probably pop up quite a bit on this blog.

Thursday, November 15, 2007

Hey, I'm Alden, a Canadian soon-to-be-highschool-graduate and consummate music lover. For months I've been practically living on music blogs, loving that people were so easily capable of sharing their favourite music and loving the chance to receive it. I'm constantly overflowing with music to share, and nobody to share it with. So, as a tribute to those I've visited and still do visit, and to satisfy my need to share, this is the official opening of my very first music blog!

As for my tastes, according to my eldest sister Kara I'm an indie b*tch. However, despite that I'd say I have a pretty varied tastes. I love pretty much anything where I can feel the character or the emotion behind it and get really into the song. My favourite subgenres are piano rock, indie rock, and indie pop. My 'type' is female indie rock- or pop-artists, but I also have loads of songs that fall under Electronic, Folk, Gothic and Gothic Rock, Grunge, Instrumental, Trip-Hop, and even some Disco/Dance type music. Really, the only things I'll downright refuse to listen to are rap and hip hop, as the entire style of those genres irks me. Other than that, though, it all depends on how I like it, not genre.

However, before I can get to the actual music sharing, I gotta disclaim that any music offered herein is for preview purposes and, if you want to support these artists, I urge you to purchase their CDs and give them the success they so deserve. Also, if you are a copyright owner and wish for me to take down any songs, feel free to email me. I don't want to hurt any of these artists; indeed, I wish them all the success that increased exposure can offer them, even if my readership ends up just being me and my varying family members.

Also, before you check me out, I just wanna give a shout out to the following blogs:

Zeon's Music BlogWe share similar tastes, Zeon and I. His blog has introduced me to many, many artists I now adore, and I doubt my little blog will ever surpass his. Heck, some of the songs I post here may hold Zeon as an origin, though we don't always agree on what's great or not.

The Music SlutWhile these guys post the occasional mp3, I mostly rely on them for their great coverage of random music-related news. Concert notices, album info, and my favourite: Their 'The world of B-Sides and Rarities' posts, where more rare tracks can be uncovered.

Silly Pipe DreamsSonny, an up-and-coming TV writer himself, is a very funny guy who has no qualms seeking out and posting songs from his favourite shows' weekly episodes so those who want to know more can download them and check them out. However, though you may come for the songs, you might keep coming merely to see how he's doing, because he's a pretty cool guy. And, duh, music!

Kara's Sketchy Blog ThingLess a music blog than a journal/outlet for my dear sister, this is nonetheless a hilarious look into the life of the Kara. She does, occasionally, post music as well. Her blog is more inclined to crazy art and stories, like her recent accidental boiling of a tomato and her adventures as a young adult in Toronto.

ClamBuzzMy musically-inclined cousin Marelly has a blog that I'm finding gets better and better. Random concert reviews in the Toronto-ish area and plenty of music to enjoy. She's also damn cool.

So, that having been dealt with, here's the real introduction, the one that matters:

1. The Fray - ViennaThough not even close to my favourite song, Vienna has been my most-played song for weeks, maybe even months, according to iTunes. I do love it, and find it very easy to listen to, so perhaps it's merely because it is a mild, less intense love that never burns out. The song itself is piano rock, a song that I believe is about escaping one's troubles. I love this band's vocals, and there's something mysterious about quite a few of their lyrics, which I like. This is the band, by the way, that brought you the (apparently overplayed) "How to Save a Life", popularised by its use in Grey's Anatomy promotions.

2. Imogen Heap - Glittering CloudsAh, Imogen Heap. I absolutely love her voice, and this song, a rare track from a compliation CD based around the theme of the Plagues, is a good example of it. It's a dark and beautiful song, based on the Plague of Locusts. It gives the feeling of urgency, using sound effects like wind and buzzing sounds (representing the locusts) to give atmosphere to the song, and you can feel it creeping down your spine. The mysterious story has the protagonist prone to fits of blacking out and awaking to find she's committed some horrible crime. It would make the song interesting even if the recording itself weren't as arresting as it is.

3. Andrew Bird - A Nervous Tic Motion of the Head to the LeftI can't even express how much I love this dark, brooding, mysterious song. The layers of instrumentation, and Bird's amazing whistling (yes, this man can make whistling a beautiful, haunting instrument), just make me want to close my eyes and listen. It's just a work of beauty. I can't say anything more than that.

4. Explosions in the Sky - Remember Me As a Time of DayThis song, almost-singlehandedly, turned me onto instrumental music. Before I ever watched Friday Night Lights, I uncovered this song over at Silly Pipe Dreams (see above), and it slowly grew on me. Just listen to it, and hopefully you'll enjoy it as much as I did.

5. Angie Aparo - HushLittle-known singer, Angie Aparo is pretty rocking. This song is pretty cool, and I enjoy his sometimes-indecipherable lyrics. However, there's something about this song - maybe it's the vocals, maybe is the almost epic sound of it, but I just really enjoy it. Get a couple of Aparo's songs and you'll realise that it's worth it to seek out his CDs or mp3s to buy, as they are virtually impossible to find otherwise.

6. Rachael Yamagata - Worn Me DownThe lyrics of this song, about a woman whose boyfriend is clearly in love with another woman, is heartbreaking. When combined with Yamagata's deeper, smoky vocals, you get exactly how desperate she is to escape this nightmare. Knowing you've done everything you can and you still make no difference hurts, and this song shows it.

7. Sia - Breathe MeThis is an intensely beautiful song. The building piano combined with Sia's ghostly magnificent vocals makes a song that, paradoxically, makes it hard to breathe while listening to. Popularised by capping off the series finale to "Six Feet Under" and, since, been used for many commercials and shows by music supervisors who recognise the beauty in it.

8. Hello Saferide - Valentine's DayHello Saferide is articulate, warm, hilarious and, most of all, real. Her songs just feel like they are coming from a real person somewhere, with genuine flaws and idiosyncrasies. This song, while not highlighting those particular strengths, is a quiet tale of a woman who, downtrodden in a loveless marriage, finally decides to leave her husband on Valentine's Day.

9. Tegan and Sara - This is EverythingThis song, from Canadian wonder twins Tegan and Sara Quin, captures the stirring feeling of love and being overwhelmed by it in a song. There's a moment where it kicks in, about halfway in the song, that you feel an intense determination that, yes, love is big and love is scary, but you refuse to back down. I can't claim to understand the rest of the lyrics ("I'm a frosted lemon carrot"? I should look them up sometime), but I definitely enjoy listening to it.

10. Travis - Re-OffenderTravis has long been a band I've liked, but not loved, except for a scant few songs. This one, off their mush-maligned '12 Memories' album, has to be my definite favourite. Drawn from lead singer Fran Healy's own experiences as a child of an abusive marriage, it's a story of a woman (or man, possibly) who is trapped in a similar marriage. The lyrics just ring so true, and it's so obvious that the protagonist is just falling apart despite the strength of the song.

Disclaimer

NOTE: All music provided is purely for preview purposes, and we urge you to download responsibly and buy albums from the artists you like. This project is purely our way of helping spread the word about our favourite artists and, in our small way, help them out the best we can. Hurting their business is the exact opposite of our intentions here.

If an artist has concerns about anything being made available on this blog, feel free to contact us at thebringerofsong@hotmail.com and we'll be happy to take it down.

Contributors

About Us

This blog showcases the musical tastes of...

Alden (The Alden): A 17-year-old Canadian male who initiated the blog, Alden loves music. A lot. Many of his favourite singers and bands use instruments like the piano and violin over the common guitar-based band template, and values vocals and lyrics over instrumentation. Practically worships Andrew Bird.

Marelly (Wendy77): Alden's cousin, who keeps him in line and polices his tastes to make sure he doesn't embarrass himself in the indie hipster scene. Will have her own blurb soon, she promises.

PAST BLOGGERS

Jordan (CitizenofBalance): Joined Alden at tBoS in early January 2008, Jordan's interests cover a very different spectrum to his blogging partner. Prefers to listen to such genres as heavy and progressive metal, doom, psychedelic and underground Hip-Hop. Was last seen on a quest into the heart of psytrance. Exited February 2008.