There are a few of my artworks available through Streetart.nl. You can check them by clicking on each picture to see all details.

StreetArt.nl is a project of the dutch company ‘Webguru’ located in Nieuw-Vennep nearby Amsterdam in the Netherlands. Johra Kornegoor, Cornelis Parlevliet and Tom Boom are the creators of this unique concept.

Back in June I have been working in St. Petersburg for two weeks to participate in the exhibition Casus Pacis, a parallel event of Manifesta10.

I was working there with my palestinian friend Bilal, he helped me a lot and we had a great time there sharing with other artists and organizers. The exhibit was dedicated to a tragic anniversary, 100 years since the start of World War I, and to the revolution in Ukraine, inching towards a civil war. It is very sad to think that so long after the war drums still ringing in our ears. Nothing has changed. And in Ukraine, Syria, Gaza and many other places, war crimes are committed against civilians with impunity.

It was an emotional moment to see so many Russian and Ukrainian artists working together.

Thanks to all the people in the organization: Polina, Luba, Mikhail, Anna, Timur etc. Especially Bilal for his help and friendship.

In May I had the pleasure of participating in Onedayfestival in Roeselare, Belgium. A shared exhibition with my dear friend Jaune. Thank you very much to everyone who has helped me, especially Bjorn and Katherine, Jeanine, Yourie, Peter … a great experience.

Last May I was invited to participate in Artscape 2014, in Malmo, Sweden. I had a great time there. I want to thank everyone who has helped me in the project, especially Daniel and Tor, all the volunteers, Cyrcle and Emil Malmborg.

With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expands the imagination of pedestrians finding his sculptures on the street. Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. With the master touch of a stage director, the figures are placed in locations that quickly open doors to other worlds. The scenes zoom in the routine tasks of the contemporary human being.

Men and women are suspended and isolated in a motion or pose that can take on multiple meanings. The sympathetic figures are easy to relate to and to laugh with. They present fragments in which the nature, still present, maintains encouraging symptoms of survival. The precariousness of these anonymous statuettes, at the height of the sole of the passers, represents the nomadic remainders of an imperfect construction of our society. These small sculptures contemplate the demolition and reconstruction of everything around us. They catch the attention of the absurdity of our existence. Read More