Re: Just saw "The Cage" on TOSR- Help me out here...the Keeper's voice

Well, I found this comment in Solow's and Justman's book Inside Star Trek: The Real Story:

"Later, while dubbing various episodes, we took reality one step beyond. We rented a special machine that was used to change the pitch of people's voices without affecting the speed of the sound track, thereby keeping the dialogue 'in sync' with the picture. Although the device was large, clumsy to handle, and expensive, it helped make alien humanoids sound as alien as they looked."

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice--and, off the top of my head, probably Cloud Williams' in "The Omega Glory" and Lt. Mira Romaine's in "The Lights of Zetar."

Spock had been injured (presumably) recently on Rigel VII. ("Three people killed--including Pike's yeoman, and seven injured.") Other notable injuries include Jose Tyler (who has his hand bandaged) and the unnamed geologist (who has a bandage on his neck).

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I must go back and rewatch, again.

I don't remember the hand bandage appearing until after they direct the ships power against the elevator in the hill.

Spock had been injured (presumably) recently on Rigel VII. ("Three people killed--including Pike's yeoman, and seven injured.") Other notable injuries include Jose Tyler (who has his hand bandaged) and the unnamed geologist (who has a bandage on his neck).

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I must go back and rewatch, again.

I don't remember the hand bandage appearing until after they direct the ships power against the elevator in the hill.

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You can see Jose Tyler's bandaged hand starting with the very first shot he appears in on the bridge. But here's a shot as the landing party is beaming down for the first time (certainly well before the laser cannon is used on the rocky knoll). You can see Tyler (way over at screen left) has his right hand wrapped with a flesh-colored ACE bandage, and the Geologist way over at screen right has a white bandage on the left side of his neck.

You can see Jose Tyler's bandaged hand starting with the very first shot he appears in on the bridge. But here's a shot as the landing party is beaming down for the first time (certainly well before the laser cannon is used on the rocky knoll). You can see Tyler (way over at screen left) has his right hand wrapped with a flesh-colored ACE bandage, and the Geologist way over at screen right has a white bandage on the left side of his neck.

Well, I found this comment in Solow's and Justman's book Inside Star Trek: The Real Story:

"Later, while dubbing various episodes, we took reality one step beyond. We rented a special machine that was used to change the pitch of people's voices without affecting the speed of the sound track, thereby keeping the dialogue 'in sync' with the picture. Although the device was large, clumsy to handle, and expensive, it helped make alien humanoids sound as alien as they looked."

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice--and, off the top of my head, probably Cloud Williams' in "The Omega Glory" and Lt. Mira Romaine's in "The Lights of Zetar."

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Cool. I figured if it was some kind of black box, it would be some kind of clumsy thing.

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice--and, off the top of my head, probably Cloud Williams' in "The Omega Glory" and Lt. Mira Romaine's in "The Lights of Zetar."

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice--and, off the top of my head, probably Cloud Williams' in "The Omega Glory" and Lt. Mira Romaine's in "The Lights of Zetar."

The other major example of pitch changing in TOS would be Professor Crater in "The Man Trap," whose dialogue was slowed or pitched down for a few moments after he was phaser-stunned.

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In "The Omega Glory," in scene 155, Cloud William says "The fight is done when one is dead." This same scene appears in the "scenes from next week" trailer. But when this dialog is heard in the scenes from next week, the dialog is noticably higher in pitch than in the actual episode. We notice a pitch change on Professor Crater, of course, because we have two different pitches to compare. We don't really notice it on Cloud WIlliam/Roy Jenson, because we don't have two different pitches to compare--except that, thanks to the preview trailer, we actually do. I think Roy Jenson's dialog was deepened throughout the entire episode--but not in the preview trailer.

Re: Just saw "The Cage" on TOSR- Help me out here...the Keeper's voice

^What I mean is, I know what an artificially pitch-changed voice sounds like, the changes in echo duration and attack and decay and such that have been discussed above, and I've never noticed any such artificial-sounding qualities in Cloud William's voice. As far as I can recall, it sounds like a normal voice that happens to be deep.

Is it possible that the preview trailer simply used a different take where Jenson was using a higher voice for some reason? Are you sure the line has the same cadence and delivery?

Re: Just saw "The Cage" on TOSR- Help me out here...the Keeper's voice

I'm reasonably certain that I've ruled out all other possible explantions (e.g. a different take) for vocal pitch differences between the "scenes from next week" trailer and the actual episode--other than some intentional post-production pitch manipulation. But I welcome other sets of eyes on the preview trailer to see if it really is the same take, simply unmanipulated.

Well, I found this comment in Solow's and Justman's book Inside Star Trek: The Real Story:

"Later, while dubbing various episodes, we took reality one step beyond. We rented a special machine that was used to change the pitch of people's voices without affecting the speed of the sound track, thereby keeping the dialogue 'in sync' with the picture. Although the device was large, clumsy to handle, and expensive, it helped make alien humanoids sound as alien as they looked."

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice--and, off the top of my head, probably Cloud Williams' in "The Omega Glory" and Lt. Mira Romaine's in "The Lights of Zetar."

Well, I found this comment in Solow's and Justman's book Inside Star Trek: The Real Story:

"Later, while dubbing various episodes, we took reality one step beyond. We rented a special machine that was used to change the pitch of people's voices without affecting the speed of the sound track, thereby keeping the dialogue 'in sync' with the picture. Although the device was large, clumsy to handle, and expensive, it helped make alien humanoids sound as alien as they looked."

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice--and, off the top of my head, probably Cloud Williams' in "The Omega Glory" and Lt. Mira Romaine's in "The Lights of Zetar."

HOW did they get recordings of the Keeper's voice from lines that were never recorded for the flashbacks?

Think they re-dubbed any lines that hadn't been redubbed back in the 60s, maybe using a sound-alike voice artist, or even a computerized voice imitation?

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The voice of the keeper was done by actor Malachi Throne.
[LEFT]When footage of The Cage was used for the two part episode The Menagerie additional dialog for the Keeper needed to be recorded because the character addresses Captain Kirk by name. Throne was called in to reprise his voiceover and was also cast as Commodore Mendez (most likely a cost saving measure–two birds with one stone, so to speak). During post production it became obvious with repeated listening's of the audio track that the Keeper and the Mendez character's voice were done by the same actor. To solve this problem the recording of Throne's Keeper voice had its pitch changed. [/LEFT]
[LEFT]Long before digital pitch shifters, there was the Eltro Information Rate Changer, a 1/4" tape machine with four play heads mounted on a rotating drum.[/LEFT]

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[LEFT]
[/LEFT]

[LEFT]This not only solved the problem but had the serendipitous affect of making the voice of the Keeper sound more alien.[/LEFT]
[LEFT]Click on Throne on the left to hear his unaltered voice. To the right of him click on the Keeper to hear how he voiced the character for The Cage. Next is how the Keeper's voice was altered for The Menagerie.[/LEFT]

Well, if you've ever watched Kubrick's classic SF film, "2001 -- A Space Odyssey", you've heard the Eltro in action(!)
...here's how it happened...
In the film the role was voiced by Canadian actor, Douglas Rain, who was able to give a cool, detached -- yet feelingful duality to the character.

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During the scene in which Dave (Keir Dullea) "lobotomizes" HAL, you'll easily hear how the tempo of Rain's voice becomes slowly expanded and pitch-shifted gradually downwards. Actually, his entire performance as HAL has a mild amount of time stretching (no alteration of pitch) going on, as Stanley confided to me. I told him I hadn't noticed it before, and he smiled: "it was about 10-20%, rather subtle." But that was enough to enhance Rain's performance with a slightly more measured quality. It's in the final HAL scene that the Eltro effect is cranked way up. "We did that in two passes", Kubrick quietly explained. One pass gradually dropped HALs pitch down to almost zero, remaining at a constant speed. The other pass gradually stretched it out in time, but not as extreme, as HAL sang "Daisy, Daisy" (Bicycle Built For Two by Harry Dacre). And indeed, you couldn't do this simply by slowing down a regular tape recording, as many pundits have since wrongly guessed (to reach the final low pitch, the tempo would crawl to a near-stop).

So, I still don't get how this 1966 "black box" worked, but I take Bob Justman at his word that there was indeed some large, clumsy, expensive tehcnology available to have changed the pitch of Malachi Throne's voice

If I have my facts correct, the Frankenstein version of "The Cage" was shown on television for the first time

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No, the b/w & color compile was a direct-to-video release. Then the lost color negatives were found. Then the all-color restored version was aired on TV, as part of "From One Saga To the Next", to kick off Season 2 of TNG, and then was released on VHS.

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I think, after reading this thread, they had all of them all along. They just suckered all of you into buying all of them over the years and took that $$$ and bought themselves cool new gadgets and things..

Re: Just saw "The Cage" on TOSR- Help me out here...the Keeper's voice

This was a pretty interesting thread. Thanks, guys, for all the info - and for debating it politely!

Speaking of voice pitch, what was up with Reger's voice in some scenes in "Return of the Archons"? It's way too high in the scene where 's escorting the landing party out of his rooming house and to a safe place. "They're in the body, it's Landru" and so on. Was that a bad dub or a different vocal actor altogether?