Welcome to the online presence of the Butler Children's Literature Center, housed in Dominican's SOIS and generously supported by the Butler Family Foundation. Here, we run Butler Book Banter (B3), a book discussion group; host an annual lecture; and invite anyone interested in books for youth to visit us during our open hours (Spring 2018 hours: Monday, Tuesday, Thursday 1-6p.m.).

Category Archives: 7-8

Told in three separate yet connected stories, Refugee is a novel of perseverance and commitment to who you are in the face of persecution.

Josef is fleeing from 1930s Nazi Germany and the threat of concentration camps with his parents and sister. Isabel, her parents, and her neighbors use a makeshift raft to escape Cuba in 1994, during the unrest of Castro’s regime. Mahmoud, along with his parents and younger siblings, leave the violence of war in Syria in 2015, traveling through Europe as they search for a safer place to live. Though the details of their stories are unique, Josef, Isabel, and Mahmoud share more similarities than just their situations.

The attention given to creating characters with heart and conviction is engaging, while the conflicts each protagonist faces ensure none of their individual stories get stuck in the emotion of the book as a whole. Refugee tells an important story, and does so without preaching or sensationalizing the experiences of refugees past and present. Maps and an author’s note highlight the reality of Josef, Isabel, and Mahmoud’s stories and show the readers how they can help with relief efforts.

Just in time for the changing season and upcoming Halloween celebrations comes Lindsay Currie’s first book for middle grades.

Tessa Woodward is less than thrilled about her family’s move from Florida to Chicago, and their house doesn’t seem to be too pleased either, based on the moving items, flickering lights, and eerie drawings appearing in Tessa’s sketchbook. When Tessa reveals to her classmates that her house is haunted on her first day at her new school, she is afraid her social life is over, but a group of unlikely friends decides to help Tessa solve the mystery of who used to live in her house – and who is making it difficult for the Woodwards to live there now.

Lindsay Currie’s in-depth research on the haunted settings and ghost stories featured in The Peculiar Incident on Shady Street shows in the details of this mystery, and makes for a satisfying read. Tessa is a smart, sensitive, and curious protagonist, and her relationship with her parents and younger brother is genuine. Readers will want to cheer her on as she works to solve her own problems, with the help of her peers, who are proud to explore their interests. The pacing adds to the spook-factor without being too dramatic and makes you want to keep reading (preferably with the lights on!).

This is one of the most remarkably affecting books I have ever read. When a baby is born, he or she doesn’t know s/he is deaf, autistic, or any different from anyone else; it is positively heartbreaking to read about this one’s introduction to a world that was almost unfailingly cruel.

Born in in 1899 in rural Idaho, James Castle was deaf, unable to speak, and autistic. Through straightforward narration, his nephew attempts to show the world through baby James’ eyes: “James opened his eyes to the world and saw things that moved and things that were still. Anything that moved seemed to scare him. He cried as his parents bobbed around him with darting eyes and flapping mouths. But James couldn’t hear himself shrieking. For him the world would always be silent.” It is truly the stuff of nightmares, interpreted hauntingly by Say’s mixed-media art, some in smudgy grayscale and some in color. Images of young James engaged by various scraps of paper, charcoal, and other “found” art materials are almost peaceful; they are juxtaposed by harrowing scenes of him holding his arms around his ears while other children scream taunts at him.

James’ own parents were no doubt as terrified and perplexed by their son as he was by the world; unfortunately, they were ill-equipped, or unable or unwilling, to figure out how best to rear him. At first, they gave him old paper or other throwaway items, since those things seemed to keep him entertained or at least occupied. They sent him to a school where he appears to have found some level of engagement: looking books and printed materials in the library, although he could not read; watching teachers sew books together; and doing “well in shoe repair class.” But the school considered him a failure because he could not learn to speak. There is no judgement made explicit in the text on the principal who advised James’ parents “…not to give James and drawing materials at home. He said James should learn to read and write and not waste time on drawings.” Readers will come to their own conclusions about the humanity, or lack thereof, in this approach.

As an adult, James became extremely isolated, essentially living in a barn where he had his “studio” and a mattress on the floor. Continually tormented by kids stealing his artwork, and called names such as “Dummy” and “Crazy Jimmy,” he nonetheless persisted in doing the only thing that seemed to give him any pleasure: using whatever he could find (soot with spit, charred sticks, and the like) to create art. Say’s portrayal of the type of illustrations James was creating at this time show eerie pictures of people with boxes or blank circles where faces should be, as well as quotidian images of small wooden houses and little puppets of dolls, farm animals and birds. We’ll never really know, but it’s possible James was expressing his wishes, desires, and silent dreams for home and companionship in the only way he knew how.

There is some redemption to James’ story with an art show organized by his nephew’s teacher in art school, and an eventual trailer in which he could live that was a big step up from the shacks he’d inhabited for most of his life. Nowadays, “found” or “naïve” art is a recognized genre, and James Castle is a respected contributor to it. Say’s closing portrait shows James as an adult, standing in front of his “Dream House,” with what might be a hint of a smile. The text reads “I think he was happy.”

An author’s note, bibliography, and photos of some of the found materials Say used to create the art round out this haunting picture book biography for older readers.

These days, it’s more important than ever for us to share stories about immigration with the young readers we serve; both for the sake of immigrant kids in our communities, and to encourage understanding among others of these kids’ experiences.

Join us on April 5, 2017 in the Butler Center from 5:30-7:00 (books & snacks out at 5:30; discussion from 6-7) to discuss the following list of recently published books with an immigration theme, from picture books to children’s fiction to teen fiction. We’re focusing on fiction this time; we know there are lots of excellent informational books too. You may remember the Butler Center’s “Big Read” bibliography from last year; this month’s list complements the selections recommended there.

It’s nearly October again, and it’s time to announce our discussion titles for our upcoming Butler Book Banter on Wednesday, 10/26/16 “Spooky YA (and Tween).” We listened to you and added some tween titles to the YA roster this time! Be prepared to be scared:

I met Mal Peet when his gorgeous, expansive novel Life: An Exploded Diagram won a Boston Globe Horn Book Honor the year I served on the jury. I sat beside him at dinner after the Awards ceremony, and reveled in his gruff, take-no-prisoners affability. He somehow managed to be warm and exacting, all at once. It’s that quality that I love so much about his work. His observations are searing and precise, yet grounded in an unmistakable affection.

And boy, howdy, could he spin a sentence.

He got a late start in the author business–his first novel was published when he was 56–but he leaves behind a wonderful body of work defined by its ambition and uniform quality.

Mal Peet died Monday at the age of 67. I’m going to revisit some of his writing today. You should, too.

This funny, gritty, tender story follows three young men growing up in Bed-Stuy, navigating the pressures and tensions that would pull them up or drag them under as they make their way to manhood. There’s Ali, bright, respectful and curious; Noodles, tight, irascible, and full of bravado; and his brother Needles, sweet, fragile, and genius. Needles struggles with Tourette’s, a syndrome his neighborhood doesn’t really understand, and finds solace in knitting (Ali’s mother’s very good idea), something else not everybody gets. Ali and Noodles have his back, until one night, at a house party, all hell breaks loose, and everything breaks apart.

There is so much to love here. The crisp writing crackles with wit and rings with authenticity. The exploration of maleness, and the ways in which young men are called to define themselves, is bare and nuanced. Every single character lives and breathes in three dimensions. But for our playing card purposes, it is these boys’ inextricable relationship that beats at this marvelous novel’s heart. Theirs is a special bond, and no matter what comes at them, they belong to one another.

For those looking for an especially immersive and gratifying experience, I recommend Random House Audio’s extraordinary audiobook recording, narrated by J.B. Adkins.