Wednesday, 5 November 2014

The cork has been popped and the latest attempt to engage
the wider UK music public with a form of country music is out to show that it’s
more vibrant fizz than flat drizzle. In a shadow of collaborative US tours, the
two acts spearheading this industry driven manoeuvre opened an assault on matching
their media persona with live audience engagement. The Shires and Ward Thomas
have been presented with a golden opportunity to drive a 'country' wedge into the
mainstream with the next phase being a co-headline cleverly curated 'Homegrown Tour' which opened in Birmingham tonight.

In a mirror image to the stateside trend, those seeking mainstream
approval see the ditching of banjo, fiddle and steel as a prerequisite to
success although quite rightly they still retain the power of song. So the Glee
Club stage was filled with guitars, keyboard and drums along with a near
sell-out crowd the envy of many a UK artist ploughing the country, roots and
Americana path. Prior to the two rotating main acts, Dexeter opened the evening
although appearing as a duo instead of their trademark ever expanding band. In a
developing theme of the evening, an abundance of well-constructed songs flowed
from the stage sung with no mean vigour and impressive range. You got the
impression that Dexeter may be at their best with their band and rave reviews
have backed that concept. One little piece of advice is not to apologise for
singing too many sad songs. This is the country music way.

The Shires momentum is being guided by one of Nashville’s 'biggies' in Decca Records and the clock is ticking towards that all important
debut album release in January. Making a first appearance with their band, the
songs previously confined to the acoustic domain live took on a new lease of
life with a fuller sound. The vocals of Crissie are entirely suited to the power
ballad style which follow a Nashville blueprint and make a successful
transition from studio to stage. A load more full band gigs will help further cement
the onstage chemistry between Chrissie and Ben who are still relatively in
their infancy as a performing duo. Both come across as accomplished performers
keen to bring their own songs to the table and inject a home grown slant to the
themes conducive with modern country outage. ‘On a Friday’, ‘Tonight’ and ‘Stateline’ were three songs to benefit from a renewed live rendition.

Ward Thomas have laid their cards on the table with a debut
album packed full of toe tapping melodies and a sense of how to bridge the
ideals of country music. The songs are rich in influence, sincere in sentiment
and provide a cutting personal insight on their surroundings. The twins,
Catherine and Lizzy, are more advanced with the use of a band and were graced
by a lead guitarist quite easily the outstanding musician on the evening. This was
in parallel with the evening’s stand out song and a rather raucous rockin’
version of ‘Town Called Ugely’. Many
present obviously were initially exposed to the band via the Radio 2 playlist
numbers ‘Push the Stride’, ‘Way Back When’ and the lively opener ‘The Good and the Right’. However from a
personal angle they are equally as competent with their folk inspired material
including ‘Wasted Words’ and the
excellently covered Dougie McLean standard ‘Caledonia’.

It would be difficult to argue against the evening’s prime moment as the twins opened their headline set with a spine-tingling a
Capella version of Loretta Lynn’s classic ‘You
Ain’t Woman Enough To Be My Man’. However just like in the US, there is
going to be vigorous and healthy debate about the direction of country music
especially when profiles are raised by media and label presence. On the other
hand, a ready-made audience may just want to accept the bands on their own
merit and undeniable talent.

Three Chords and the Truth UK

Take the cliche as your starting point before branching out where the music matters. A blog using the medium of 100% original writing to convey some personal thoughts on live and recorded music through the prism of the time honoured review.

About Me

This blog had its inception in January 2012 and is designed to share personal thoughts on music that appeals. These are through highly filtered album and gig reviews which distinctly reflect personal preference. All reviewed recordings are from submitted material thus only reflect a portion of current taste, albeit generally representative. Live reviews tend to be the bulk of those attended. These do include some guest list spots for performers and events that appeal. Time constraints and ethos will always dictate a positive tone that is well served by the offline filter system. Fundamentally these are the sole thoughts of one individual and in essence a 'personal vanity project'.