Wow, amazing luggage label from Belgian airlines Sabena. This label is promoting travel to Africa. Look at those colors! I love how the illustrator portrays the faceted shades of the girl’s face in bold “Fauvist” hues.

[pictobrowser 10159078@N03 72157604770297324]Richard Erdoes – Policemen around the world c1967

Richard Erdoes was an author and illustrator. He was born in Vienna, Austria in 1912 and later immigrated to the United States. The book above is one of a 3 part “around the world” series. The other two books were Musicians of the world and Peddlers and Vendors of the world. Both of which, were produced around the same time in the late 1960s.

It looks like Erdoes’ used a combination of Pen/ Ink and gouache to achieve the finished look found in the images above. This reminds me of the work of Miroslav Sasek who I believe used gouache as well.

Thanks to everyone who submitted their reason for wanting the Herbert Bayer Olivetti poster! After a week of voting, we closed the polls last friday. We’re proud to announce that Simon P. from the Sichuan Province of China reeled in the most votes. He won with his submission, “I live in china, my walls are bare, inspiration comes via a slow broadband connection.” Simon has a shiny new poster coming his way.

Marcus Walters, a designer and illustrator from the UK, loves washing machines. A lot of his work is similar to the above image — which reminds me of putting felt onto a feltboard as a kid. They have that very flat, semi-dimensional quality to them which I love.

Marcus is also a part of New Future Graphic, which is more graphic design-oriented (posters, ad’s, books, etc).

Jon (Insect54) posted this amazing set of matchbooks on flickr last night. I’ve never seen these before. I’m digging the pixelated flower in the lower left corner and the orange and yellow pattern on the 3rd down, 3rd to right is really nice. Saul designed the logo for Hunt-Wesson in 1964 so I’m guessing this work was produced right around the same time.

Happy Wednesday! It’s been a while since I’ve posted any type specimens, so I figured it was time to post this gem from Lettergieterij ‘Amsterdam’ (Amsterdam Type Foundry) which was founded by Nicolaas Tetterode. The specimen is a tri-fold that opens to reveal an 11 X 17 sheet. I’d love to know more about Tetterode, ATF, and this typeface. Can any of the typographers out there fill in the blanks? Has Vette Annonce been digitized? I believe “Vette Annonce” translates to “fat advertisement”. With that in mind, is “Vette Annonce” even the name of the typeface?

I’ve been meaning to post this for a while. I first came across Tyler Lang a few months ago when his Universal Demand poster for Ringling School of Art and Design was making the rounds on select blogs. His portfolio is filled with great work, I just wish I could see more. I especially like his logo system for the Sarasota Design Summit and the Ford piece seen above.

Its time to Vote! Round of thanks to everyone that submitted their reason of why they must have the Herbert Bayer Olivetti poster. We selected our 5 favorite entries last night. You can vote for your favorite and watch the results in the polls section in the far right column. Polls close at 11:30 AM next friday (25th of april). The person with the most votes wins!

Wayne Pate runs GoodShapeDesign, a Brooklyn, NY based design shop and all around fun place. I’m really into his “Flock” series — if you’re a fan of our feathered friends, now you can have 18 on a single poster!

Also check out his artwork section for some really inspiring collages.

I’m just in awe of Canadian comic book creator and illustrator Pascal Blanchet’s work. It was tough to decide what image to post, everything is so good.
(Many thanks to Julia at Book by its cover for passing this along)

[pictobrowser 10159078@N03 72157604562347640]Concepts – Promotional book for US Steel c1961

Industrial designer / illustrator Syd Mead is well known for his vehicle designs and backgrounds for classic science fiction films like Blade Runner and Aliens during the 1980s. Long before these projects, he produced a series of conceptual illustrations and paintings for US Steel. The futuristic automobiles, diagrams and environments were published in several promotional books during the early 1960s.

These books are intense to look at. The full page spreads are over 2 feet wide and heavily detailed. Keep in mind when viewing the images above, that this work is very early on in his career, as he had recently finished his studies at Art Center in Pasadena.

I had a chance to check out a few films from the No Borders, No Limits: 1960s Nikkatsu Action Cinema series this weekend. These super stylized films produced by the Nikkatsu film studio were heavily influenced by Hollywood and the French New Wave. The Seijun Suzuki films re-released by Criterion are part of the Nikkatsu catalog. If you’ve seen any of Suzuki’s films, it will give you an idea of the films featured in the No Borders, No Limits series.

The series focused on some of the more obscure films to come out of the Nikkatsu studio. All 3 films I saw were great. I just wish I could of seen the other 3. You can find out more about these films at Outcast Cinema.

Mike Krol designs for musical bands, sandwiches, accordions, gorillas, light bulbs, and maple syrup, among many other things. He has a very good sense of humor, wit, and typography. I love finding work where the designer’s personality shines through. Especially if that includes heavy metal and Eskimos.

[pictobrowser 10159078@N03 72157604453540681]Issues of Icographic magazine 1971-1978 produced by ICOGRADA

Icographic (The review of International Visual Communication Design) was founded by John Halas in 1971. It was designed / edited by Patrick Wallis Burke and released quarterly, well atleast for the first year. The journal addressed the broader areas of visual communication such as semiotics, communication theory, ergonomics of visual communication and the psychology of perception. Of the four issues I have, two deal with Pictorgrams, Isotypes and symbols. I’m fascinated by the work of Otto Neurath and Otl Aicher (both of which are featured within the Journal) so it was a real pleasure to stumble unto these issues. In addition to Neurath and Aicher, there are sections on signing systems designed by Yugoslav architect Radomir Vukovoc and Pictograms by Ian McLaren and Claude Braunstein.

The layout and content remind me of another design journal produced during the same general time period titled Dot Zero. I will be covering Dot Zero in a future post but, for now enjoy the Icographic slideshow above.

Design Studio/ gallery Wonderful Union have an upcoming exhibition of work from brothers Don and Ryan Clark (better known as Invisible Creature).

The Exhibition is entitled Haven: An Exploration of Domestic Life and opens on Saturday, April 12th, 2008. The art work highlights the tension between modernismâ€™s smiley-faced rejection of things past and their own coming of age domesticity from an autodidactic, punk ethos point of view.

I picked up these two books over the weekend. They are part of an instructional jazz book series produced in the 1970s for Studio publications and recordings. I’m not sure who responsible for the cover design but, I like how he limited it to a few simple shapes and the type. Both books are written by Dan Haerle, but there are others in the series by Rufus Reid and Ramon Ricker.

Frank Chimero is having a great time, apparently. His portfolio is full of super fun, exciting work. As a design student, it’s always thrilling to see work that is equal parts vision, humor, inspiration, and a snappy idea.

Frank Chimero is having a great time, apparently. His portfolio is full of super fun, exciting work. As a design student, it’s always thrilling to see work that is equal parts vision, humor, inspiration, and a snappy idea.