A landmark of American independent cinema, John Cassavetes’ bracing directorial debut has been heralded for its live-wire style, gritty evocation of Beat-era Manhattan, and moody Charles Mingus score. Less discussed is the subject matter, which focuses on three black siblings, one of whom is portrayed by a white actress, an oft-overlooked fact that complicates the film’s legacy as a jolt of raw realism.

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