Read Kink Magicby Taylor Ellwood Lupa Online

Kink Magic: Sex Magic Beyond Vanilla explores the realm of sex magic from the kinkier side. Authors Taylor Ellwood and Lupa take the intense altered states of consciousness inherent in BDSM and other fetish play and use them to create practical and metamorphic techniques. Detailed explanation of theory gives a solid foundation, while personal stories of their own spiritualKink Magic: Sex Magic Beyond Vanilla explores the realm of sex magic from the kinkier side. Authors Taylor Ellwood and Lupa take the intense altered states of consciousness inherent in BDSM and other fetish play and use them to create practical and metamorphic techniques. Detailed explanation of theory gives a solid foundation, while personal stories of their own spiritual adventures illustrate the effectiveness of kink magic. This book presents techniques for everything from casting sigils, to confronting--and banishing--your inner demons, to taking your sexy roleplay and turning it into powerful invocation rituals. Rather than dogmatically elaborating on the "right" way to do it, Taylor and Lupa give you ideas to apply to your own kink and magical practices, regardless of your sexual orientation or relationship status. Whether you're top or bottom, dominant or submissive, or even the most flexible switch, you'll find plenty here to take your practice deeper and farther than ever before....

Title

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Kink Magic

Author

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Taylor Ellwood Lupa

Rating

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ISBN

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9781905713110

Format Type

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Paperback

Number of Pages

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232 Pages

Status

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Available For Download

Last checked

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21 Minutes ago!

Kink Magic Reviews

S. Div.2019-01-27 23:53

In a fairly humorous yet wickedly thorough examination of both magick and kink, here the two beatifically intersect. If you've read the authors' other works (which are highly recommended), some of the magickal information will not be new, though applying it within the context of sex may be. If you’re looking for naughty literoticism, you won’t find it here. The purpose of this book is to teach, albeit with a bit of bite. This book gives detailed and honest explanations of kink, as well as defines magickal terms. It covers the gamut of choosing partners, negotiation, tools, boundaries, triggers, scenes as sacred space for rituals, altered states of consciousness for setting intentions and thought manifestation, role playing... Hitting several philosophical notes, it covers the precautions and indulgences of kink, as well as debunks myths and stereotypes, diving straight into cultural fears of female power, vagina dentata, notwithstanding. However the reader approaches kink, this book is without judgement, though is careful to espouse healthy distinction between sexual behaviours and interactions that foster connection and compassion, forsaking those that may be considered flat out harmful. That said, it approaches magick with the same compassionate respect and use. Embracing the power of the feminine allows gender polarity to be rendered neutral in the presentation of the material, creating comfortable readers of transgendered folk and those of diverse sexual orientations. All told, this book isn't beginner material for magicians or kink enthusiasts, but it could be required reading for both.Besides, any book with the phrase, "ponyboy in a peartree" is worth turning the pages.

Lynne2019-02-16 04:20

I'm still reading, but I'm learning that everyone's definition of kink and magic are different, and yet these two seem to see many things in a way similar to my own.

NormaCenva2019-01-30 00:57

This book is out of print, but if you can get your hands on it... it is very much worth your time!

Taylor Ellwood2019-02-10 03:07

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About the author

Taylor Ellwood Lupa - I’ve always been fascinated by magic. When I was a kid I eagerly devoured the Dragonlance books and my favorite characters was always Raistlin. I was in awe of not only his magical powers, but also his tenacity, and complexity as a character. When I was 16, I was introduced to magic, when a fellow student sat down with me and told me about his experiences on the astral plane and about magic. I asked him where I could learn more and the next day he brought books in. I started reading and then doing the exercise and with that I was hooked!I first started practicing an eclectic mix of neoshamanism and elemental Hermeticism, and gradually found my way to Golden Dawn Ceremonial magic. I practiced that for a while, before moving on to Ceremonial magical practices that fell outside the usual practices most magicians know about. I focused on the ceremonial work of William Gray and Franz Bardon, as well as other writers not as well known as A. Crowley, but infinitely more interesting than what the aforementioned beast wrote. I eventually graduated into chaos magic, and from there started developing my own systems of magic, which I’m continuing to do to this day.I have also studied and practiced Taoist, Tibetan, and Buddhist meditation and internal alchemy techniques. I was introduced to these techniques in the early 2000′s and I recognized that they filled in a fundamental gap that was missing in Western magic, namely a rigorous system of internal work and meditation. I feel that internal work is an absolute must for any magician to fully realize his/her potential.I am the Managing Non-Fiction Editor of Megalithica Books, an imprint of Immanion Press. I first started working with Immanion press in 2004, when they published my first solo book Pop Culture Magick. As the managing non-fiction editor for Immanion Press, my vision for the non-fiction line is that Immanion Press publishes edgy, experimental, and controversial books about magic and the occult subculture. I don’t want to publish lots of 101 books. I want to publish books that present more nuanced and sophisticated work for practitioners who want to take their magical work to the next level. I’m author of a number of books on magic, and each of my books reflects this vision, and drive to produce work that is for the experienced magician.My focus as a magician is to innovate and experiment with what can be done magically. Instead of settling for what others have done, I prefer to walk my own path. While I’ll always acknowledge the influences that inform my practice, I don’t believe in blindly doing what others have done, and only sticking with what others have done. Critical inquiry, a desire to learn and experience, and also a willingness to raise the bar for magical practice is ultimately what informs my practice.

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