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Wednesday, 15 April 2015

It is
thirty-years since two rock musicians, Bob Geldof of the Boomtown Rats, and
Midge Ure of Ultravox, put on the greatest concert in history, Live Aid.

The media
called it the day Rock ‘n’ Roll changed the world. So how did the unforgettable day in the
summer of 1985 come about?

Do They Know It’s Christmas

In
1984, Bob Geldof saw Michael Buerk’s news report on the famine in Africa and
was so moved by it that he decided to do something to help. Geldof and and Midge Ure, both singer-songwriters, wrote
‘Do They Know It’s Christmas’ with ‘Feed The World’ on the B-side. They enlisted their rock musician friends to
record the song under the name of Band Aid, released it on December 7, 1984, and
by Christmas it was the UK’s biggest selling single of all time, raising £8 million.

Geldof in Ethiopia

Geldof went
to Ethiopia to oversee the distribution of aid and realised that if The Band
Aid Organisation owned its own lorries, they could not only transport supplies directly
to where they were most needed, they could do it more quickly. This would cost money, and a lot of it. It was then that he had the idea for the Live
Aid concert.

As Geldof and Ure had done when they recruited musician
friends for the Band Aid single, they sat on the telephone (no mobiles or
emails in those days) and telephoned everyone they knew.

Geldof’s request
was more like an order: Be at Wembley
Stadium in London, or JFK Stadium in Philadelphia, on July 10. The response was huge and in just 10 weeks,
the greatest live show on earth was put together.

Rock stars
took time out from recoding records, from their own concerts and tours. Some came to London for the weekend, some the
day, others could only stay for the duration of the concert. David Bowie, Wham and Dire Straits were flown
into Wembley Stadium by helicopter, while Phil Collins, after preforming two
songs of his own and a duet with Sting, was flown out of the stadium by
helicopter. Crossing the Atlantic in
Concorde, Collins arrived in Philadelphia in time to perform in the JFK stadium
later that day.

The Global
Jukebox

The Global Jukebox Poster

Billed as
‘The Global Jukebox’ Live Aid was the biggest live rock event of the twentieth
century. In bright sunshine, the greatest
show on earth began at midday with a fanfare for Prince Charles and Princess
Diana, followed by Status Quo who opened the concert with ‘Rocking All Over The
World.’

Princess Diana and Prince Charles
with Bob Geldof

Sixteen
hours of live music was transmitted to 1.5 billion people in 160 countries in
what was the biggest broadcast ever known.
As well as donation boxes in every high street bank and shop, call
centres were set up to take donations by credit card. The total amount of money raised, including a
£1 million donation from the ruling family in Dubai that Bob Geldof personally took
over the telephone, was over £110 million.

The
legendary day

Bands that had
not played together for years like, The Who, Led Zeppelin, Crosby Stills and
Nash, and Black Sabbath reunited for the day.
American R&B singer, Teddy Pendergrass, who had been paralysed for
three years after a motorcar accident was determined to make it to Live Aid,
and he did.

The amazing
line-up of rock stars and bands was introduced by equally famous comedians,
actors and presenters including, Billy Connolly, Jools Holland, Lenny Henry ,
John Hurt, Bette Midler and Jack Nicholson, to name but a few. Bob Geldof did a seventeen-minute set with
his band, The Boomtown Rats, after which he appeared at regular intervals
calling for people to donate saying, “Don’t go down the pub tonight, donate your
money to Live Aid instead.” As the
evening went on, his language became less polite.

For an event
as big as Live Aid to work, there needed to be armies of back stage staff; producers,
electrical and lighting technicians, designers, stage managers, assistants,
costume designers, dressers and caterers.
Without them, and many more people working behind the scenes, there
would not have been a Live Aid concert.

My Live Aid Experience

I was lucky enough to be one of the 72,000 people packed into Wembley Stadium on that amazing day.My ticket cost £25 (£20 was donation) and the programme £5.

My programme and ticket.

It was scorching
on the field in the mid-day sun, getting hotter as the afternoon wore on, and
only cooling when night fell. My friends
and I had a great view of the stage. We stood
in front, but to the right, of the portable sound and recording stand, benefitting
from a regular hosing of cold water as lads sprayed the crowd to cool them
down. Close-ups of the musicians, the
artists introducing them and those asking for donations, film footage showing
the plight of the Ethiopian famine victims and later the concert in Philadelphia,
were shown on giant screens on either side of the stage.

Each band performed
for seventeen minutes. It wouldn’t be
fair to say one was better than another, although Queen and the magnificent
Freddie Mercury were my favourites. The
last artist to perform, before the entire ensemble gathered, was Paul McCartney
at around eleven o’clock. The audience
were exhausted and emotional by then, so when McCartney’s microphone broke at
the beginning of ‘Let it Be’ we, the audience, sang it for him until a
replacement mic was found.

Meeting Bob
Geldof

I had
promised my cousin’s children Live Aid T-shirts. So, during film footage that I had seen
before, I pushed my way through the crowds to the nearest exit, ran up the steps
of the seated area, through the archway at the top and down into what they
called the tunnel; a covered walkway that ran round the inside the
stadium. Having come out of bright sunshine,
I stopped to let my eyes adjust to the darkness. At the same time, a door opened and to my astonishment,
Bob Geldof walked out of it. He smiled
at me and I almost fainted. I said what
a brilliant day it was, and thanked him for what he and Midge Ure were doing
for the victims of the famine in Africa and he modestly shook his head and asked
me if I was having a good time, if I was enjoying the concert? I had just said, yes, when all hell broke loose. Dozens of girls were running towards us. Well, not us, but to Bob Geldof. Several bodyguards, built like barn doors, intercepted
the girls and a couple of other guards hurried Geldof away. In the madness, I remember touching his arm
and him smiling. I was so excited I
forgot all about the T-shirts and I made my way back to the field to tell my
friends. I had been back ten minutes
when one friend asked where the T-shirts were.
I stood open mouthed. I was so overwhelmed,
so excited, that I had spoken to Bob Geldof that I completely forgot to tell my
friends that I’d seen him. Madness or
what?

Above, Bob Geldof and Midge Ure in
1985 holding Ivor Novello Awards given to them for writing ‘Do They Know It’s
Christmas.’ Below, 30 years after the
original Band Aid song, during a press conference before the launch of, BANDAID30,
in 2014.

Bob Geldof
and Midge Ure have since raised money for HIV and Aids, with Live Aid 8, and in
2014, with lyric changes, performed by younger, as well as original artists, ‘Do
They Know It’s Christmas’ was released again, raising £1 million in the first
five minutes of its launch, for victims of the Ebola crisis.

The Band Aid
Organisation is still raising money, and still helping people in crisis all
over the world. Recently, after bootleg
copies of the Live Aid concert were sold on the Internet, Bob Geldof released an
official DVD of the concert, with all proceeds going to the Band Aid Trust.

The official DVD

Live Aid
still holds the record for the most watched television event in history. The main concerts were held in London and
Philadelphia, but there were also shows in Austria, Germany, Denmark,
Yugoslavia, Russia, Japan and Australia.
In every respect, Live Aid was the most amazing concert in the world –
and Bob Geldof and Midge Ure two of the most amazing people.

Welcome to my non-fiction writing blog, or, Articles Blog.

As usual I rushed into blogging without thinking and called this blog my 'Writing Blog.' I should have called it my 'Articles' or 'Non-fiction Blog,' because that's what it is. My other blog is called a, Fiction Blog. Thank you for logging on, Maddie x

About Me

Madalyn
Morgan has been an actress for over thirty years, performing on television, in repertory theatre and
in London's West End. She is a radio journalist, and has written many articles for
newspapers and magazines.

After living in London for 35 years, Madalyn sold up and moved to the country, swapping two window boxes and a mortgage, for a house with a garden and the freedom to write. Her fourth novel, The 9:45 To Bletchley will be available from Amazon - Kindle and paperback - as well as several independent bookshops from June 1, 2016.

Already published on Amazon are the first three novels in the Dudley Sisters Saga, Foxden Acres, Applause, and China Blue - the loves and lives of Bess, Margot and Claire Dudley, during World War Two.

Madalyn is currently writing the fifth and final novel about the Dudley sisters. The Foxden Hotel begins ten years after Foxden Acres on the eve of 1949 and will be published in June 2017. The next phase in Madalyn's writing career will kick off with a modern love story - working title, Forty into Twenty-Eight Won't Go!