"A Tale of Love and Darkness"

"For them it was not enough for me to be intelligent, rational, good, sensitive, creative, and thoughtful with the dreamy vision of an artist. In addition, I also had to be a seer and a fortune-teller, a kind of family oracle. After all, everyone knew that children were closer to nature, to the magical bosom of creation, not having been corrupted yet by lies or poisoned by selfish considerations."

The child of Ashkenazi Jews who escaped to Jerusalem just before the outbreak of World War II, Amos Klausner (the author's original name) grew up in a scholarly family which encouraged his precocity. His great uncle Joseph was Chair of Jewish History at Hebrew University of Jerusalem and wrote his magnum opus about Jesus of Nazareth. His father read sixteen or seventeen languages, wrote poetry, and had an enormous library, while his mother spoke four or five languages, could read seven or eight, and told elaborate stories.

Amos grew up a solitary child, encouraged to entertain himself while his parents worked. Always a writer at heart, he believed that "it was not enough for me to be intelligent, rational, good, sensitive, creative." He often felt he was a "one-child show…a non-stop performance," always on display to the relatives, his accomplishments never seeming to be enough.

In this elaborate, non-linear autobiography, Oz and his family are seen as archetypal immigrants to Jerusalem, people who arrived when the land was still under British rule and who helped create a new homeland, arguing ferociously about the direction the country should take and the leaders who should lead it. The history of Jerusalem combines with the author's own genealogical records and his memories about his early family life to create a broad picture of the society in which he grew up and in which his writing talent took root.

Detailed, highly descriptive, and filled with introspection about his unusual life, the book shows the tensions within the society and within his family. After his mother's suicide when he was twelve, he broke with his father, joined a kibbutz, and changed his name at fifteen. His observations about himself in relation to his peers and in relation to the outside world, even at that young age, show his inner turmoil and determination to discover a personal identity.

As the book moves back and forth in time, the author comments about his writing, the people who influenced him, and his "pickpocketing," his "stealing" of the lives of real people in order to invent stories about them. His observations about Israel, its leaders, its never-ending wars with the Arabs, and his experience as a resident of a kibbutz for more than thirty years broaden the scope and provide insight into one man's life in this developing country. Obviously a huge achievement for Oz personally, this is also a huge contribution to the understanding of the growth of a Jewish homeland and to an understanding of how Oz became the writer he is. Much more detailed and leisurely than Oz's novels, this is slow but satisfying reading for those who admire his novels.

About the Author:

Amos Oz was born in 1939 in Jerusalem. Oz was educated at the Hebrew University of Jerusalem and at the University of Oxford. He served in the Israeli army (1957–60, 1967, and 1973) and, in addition to writing, worked as a part-time schoolteacher and labourer.

As one of the leading figures in the Israeli "Peace Now" movement since 1977, his articles, essays and political activities have made him a foremost figure in Israel. He is a full Professor and holds the Agnon Chair of Hebrew Literature at the Ben-Gurion University of the Negev, in Beer-Sheva. In 1991 he was elected a full member of the Academy of the Hebrew Language. Amos was awarded his country’s most prestigious prize: the Israel Prize for Literature in 1998, the fiftieth anniversary year of Israel’s independence.