At present, there is a 19-minute long set of six songs recorded on a 4-track, as well as an eight-song set recorded between 2009 and 2011 at Frusciante's main studio titled Renoise Tracks. Additionally, he's shared an extended version of Trickfinger piece "Sect in Sgt" and a slew of other single tracks.

In a statement on his website, the musician expanded on his decision to step out of the realm of commercial music:

When someone releases music on a label, they are selling it, not giving it. Art is a matter of giving. If I sing my friend a song, it goes from me to her, at no cost. That's giving. If I sell you an object, we do not say that I gave you that object. Recording artists have been "giving" the public music by selling it to them for so long that we now think of sell-outs as dedicated musicians who love their audience so much that they aggressively sell them products, and sell themselves as an image and personality to this audience on a regular basis just as aggressively. Sell-outs is an antiquated term which, when I was a kid, referred to artists who love making money more than they love making music. The word indicated a lack of artistic integrity. Sell-outs suck, in my opinion. It's a shame its become so normal, expected, and acceptable to be one.

The full statement includes details about the making of the just-released content, and offers a lengthy clarification about his previous claim that, "At this point I have no audience."

"Reduced to a single sentence, it would have been accurate to say that, at this point, I have no particular audience in mind while I am making music," he wrote. "Thinking this way gives me a certain freedom and stimulates growth and change. It is a state of mind that has been extremely useful to me from time to time throughout these last 27 years of being a professional musician."

Read the full statement here, then hear the full musical offerings over at the aforementioned SoundCloud and Bandcamp pages. You'll find Renoise Tracks 2009-2011 below.