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David Lynch may be busy putting the finishing touches on the “Twin Peaks” revival, but he’s had enough time to collaborate with singer Chrysta Bell on the upcoming Ep “Somewhere in the Nowhere.” Back in August the duo released the first track of the Lynch-produced album, and have now shared the music video for the song “Night Ride.”

The dark and sensual clip stars Bell and the video’s director, Joseph Skorman. The video follows the singer as she leaves the city, drives to the middle of nowhere, unburies a lover (Skorman) and then devours him, only to return him back to his buried location. The visual for “Night Ride” was inspired by B-horror movies, and you can take a look at it below, via Pitchfork.

Despite having not released a film since “Inland Empire” in 2006, director David Lynch has kept remarkably busy. Apart from directing the occasional Nine Inch Nails music video and reviving his acclaimed TV series “Twin Peaks,” Lynch has collaborated with singer Chrysta Bell on a new Ep called “Somewhere in the Nowhere,” which Lynch has written and produced. The project will be released on October 7th. Stream the song “Beat the Beat” from the release below.

This will not be the first time Lynch and Bell have worked together. Bell was featured on the “Inland Empire” soundtrack in 2007. Lynch later wrote and produced her debut album “This Train,” and just last year, Bell performed at the David Lynch Foundation concert in Los Angeles. Bell is also a part of the cast for the “Twin Peaks” revival.

The one-night only concert/fundraiser for the David Lynch Foundation featured a variety of musicians tackling songs from and inspired by Lynch's projects. The filmmaker's longtime composer, Angelo Badalamenti, even recreated "Laura Palmer's Theme" and "Dance of the Dream Man" from Twin Peaks, which will open the album's first and second LPs,

Originally hailing from New Zealand, Pandie Suicide, known for her part as one of the models in the beloved Suicide Girls website, not only has the beauty to turn heads, but a Bachelor’s Degree in Media Studies, as well as being an avid journalist in her down time. If those accomplishments weren’t already impressive enough, then Pandie is ready to do the trick with building quite the impressive resume in filmmaking as well, both in front of and behind the camera. Roles in films such as Joe Dante’s Burying The Ex, All Together Now and TV’s Community, Pandie has zero intentions of slow down, with upcoming roles in everything from the Ama Lea-directed Sweethearts to Massacre, a film that she not only wrote and is starring in, but also features musical legends Billy Morrison and London May.

The first teaser trailer from Deathaus Films’ bloody horror short Massacre, has just been released via the film’s Youtube account today. The film features rockstar cameos galore, with the two male leads being played by London May (Samhain) , and Billy Morrison (Billy Idol,The Cult). But if two rockstars wasn’t enough, the film also features a brief guest appearance by Jeordie White (Marilyn Manson) as a Street Detective, Rob Patterson (ex-Korn, Filter, Otep) as a police officer and Jeff Hilliard (‘The Good life’) as a criminal. The music for the film was also

The first photos from the horror flick Massacre have released. The film features members of Billy Idol, Samhain, Marilyn Manson and more. Check out the details and some behind the scenes images below.

From The Press Release:

Massacre, a bloody horror short from Deathaus Films recently completed shooting this past December. The film features rockstar cameos galore, with the two male leads being played by London May (Samhain) , and Billy Morrison (Billy Idol,The Cult). But if two rockstars wasn’t enough, the film also features a brief guest appearance by Jeordie White (Marilyn Manson) as a Street Detective, Rob Patterson (Korn, Filter, Otep) as a police officer and Jeff Hilliard (‘The Good life’) as a criminal.

Here’s a change of pace for David Lynch: a video in which he’s silent. Apparently coveting the type of foot traffic drawn by MoMA’s Tim Burton retrospective in 2010, which (at least at the time) drew the third-largest attendance numbers in the museum’s history, the Pennsylvania Academy of Fine Arts is hosting the first big Us retro of its alumnus’ artwork. Here, Lynch strides through the museum, looking at the fruits of his work to the strains of his own “The Night Bell With Lightning” from 2011′s album Crazy Clown Time. If you want a quick walk through this part of the art-school […]

Here’s a change of pace for David Lynch: a video in which he’s silent. Apparently coveting the type of foot traffic drawn by MoMA’s Tim Burton retrospective in 2010, which (at least at the time) drew the third-largest attendance numbers in the museum’s history, the Pennsylvania Academy of Fine Arts is hosting the first big Us retro of its alumnus’ artwork. Here, Lynch strides through the museum, looking at the fruits of his work to the strains of his own “The Night Bell With Lightning” from 2011′s album Crazy Clown Time. If you want a quick walk through this part of the art-school […]

David Lynch and Kanye West share an affinity for the surreal and shocking – and the two nearly combined their talents on a music video for "Blood on the Leaves," the eerie epic from West's latest LP, Yeezus. "We almost worked together, but I never got the ideas," Lynch told The Daily Beast in a recent interview. "I feel I let him down a little bit. I was going to do the music video...but it never happened. I didn't come up with any ideas that I thought he would like.

We return with the Indie Spotlight, highlighting recent independent horror news sent our way. Today’s feature includes a new trailer for Repentance and Rockabilly Zombie Weekend, details on the Sundance Next Fest Lineup, Eat Men Like Air, Mindless, and much more:

FirstRockabilly Zombie Weekend Trailer: “When Becky and Grant arrive at their rockabilly-themed wedding, despite warnings of a West Nile Virus outbreak, things go horribly wrong as the mosquito-spread virus spawns zombies, who begin feeding on the wedding guests as well as the other locals. The two newlyweds have to escape along with their family and friends if they ever want to live to see their honeymoon!

Rockabilly Zombie Weekend is a new feature length horror thriller with a rocking twist on the modern zombie film. It’s currently being released on DVD on July 1st, 2014 through Green Apple Entertainment. The film (as well as other merchandise) can

David Lynch made a rare public appearance last night at the Brooklyn Academy of Music (Bam) for an hour and a half discussion with New York Public Library's director of public programs Paul Holdengräber. Read More: David Lynch Talks 'Crazy Clown Time' and Why Singing is "So Embarrassing" Though Lynch was resistant for most of the evening to Holdengräber's line of questioning (when Holdengräber's presented Lynch with a still from "Blue Velvet" asking "Why this grass? Why this ear?," Lynch responded, "You would have to see the film"), Holdengräber did manage to suss out some fascinating reveals from the filmmaker/artist/musician. Below are the ten things we learned about Lynch at the event. Lynch started digging under the surface of things as a child. Asked when he started to become interested in the "insanity and absurdity of things underneath the surface," Lynch said, "as a child," and

We’re back with another edition of the Indie Spotlight, highlighting recent independent horror news sent our way. Today’s feature includes photos from Chainsaw Sally: The Animated Series, the first two chapters from the novel SurvivorMax, the uncensored trailer for Smothered with Bill Moseley and Kane Hodder, Camp Dread DVD release details, and much more:

First Two Chapters of SurvivorMax: “Meet Max, an 11-year old boy who was stuck in another boring day at school when the lock down alarm went off. They were under quarantine. He escaped and made it home, only to discover he’d have to find a way to survive this plague alone. Little did he know his father, his only parent, was among the infected. Slow-moving and non-thinking, the “lamebrains” swarmed his apartment complex, hunting survivors to feed their insatiable hunger for living flesh. Now he must apply his Porcupine

David Lynch knows exactly when he started transcendental meditation: "On July 1st, 1973, at about 11 am." Although Lynch is most famous as a director of delightfully twisted movies from Eraserhead to Inland Empire, he is also a painter, an actor (most recently on Louie), a coffee seller, and the founder of the David Lynch Foundation for Consciousness-Based Education and World Peace. The foundation is dedicated to spreading transcendental meditation (the practice developed by the Maharishi Mahesh Yogi, who famously taught it to the Beatles)—particularly to groups at risk, such as the homeless,

As I mentioned in my overview of 2013's best horror-friendly albums, it's been a bountiful year for terror tunes... and I wouldn't want to neglect the amazing visuals that accompanied so many of those sinister sounds. As there were legions of worthy candidates to chose from, and some genres tend to lean more heavily toward horror content than others, I decided my favorite vids from across the spectrum of musical categories – pop, Edm, alt-rock, metal, industrial, hip-hop, experimental and so on. I also went with alphabetical order by artist, to avoid the whole apples-to-oranges thing between musical styles. Many of these vids have been featured on our pages in 2013, while several made their world premieres right here. A few of these clips are totally unsafe for work viewing, but assuming you've got an age-appropriate viewing audience gathered around the monitor, it's time to shake your blood with a visual cornucopia of rock and shock.

Indiewire has exclusively learned that filmmaker and painter Austin Lynch, son to David, has launched a Kickstarter campaign to finance his latest project "Gray House," a hybrid drama that interweaves both documentary and narrative footage to frame a "conversation about nature, identity, consumerism and progress" (per the release). Lynch is looking for $25,000 to help fund his feature. Lynch worked with his father and filmmaker Jason S. on the Webby Award-winning series "Interview Project," and has also directed a 10-part documentary chronicling the production of Terrence Malick's "The New World," and "Making 'There Will Be Blood,'" a film about the making of Paul Thomas Anderson's Oscar-winning epic. Read More: David Lynch Talks 'Crazy Clown Time' and Why Singing is "So Embarrassing" In "Gray House," Lynch investigates five politically and socially charged locations where he either conducts a series of interviews with the local residents or stages scripted scenes in the.

Our most recent encounter with David Lynch – that renaissance man of all things dark, bizarre and dreamy – was his surreal, confusing and lightly scary music video for Nine Inch Nails' single “Came Back Haunted,” which brought together some of Lynch's earliest creative themes (high-contrast photography, alien textures and horrific, distorted faces) and his more recent obsessions with digital animation. It's no surprise then that Lynch's own musical career, which includes collaborations with a wide assortment of artists, also brings together sounds and themes spanning his entire creative canon. His work with composer Angelo Badalamenti on films like Blue Velvet and Mulholland Drive is the stuff of legend, and he previously worked with Nine Inch Nails' Trent Reznor on one of his most disturbing films, Lost Highway (my personal favorite, haters be damned). Over the past decade or so, he's devoted considerably more time to music, setting up his

As befits the auteur who created Blue Velvet and Mulholland Drive, this second solo album by David Lynch is a charming tour through the swinging hits of the 1970s. Only joking, it's actually a little dark. A fusion of blues and early rock'n'roll styles with electronic production techniques, you are dragged into an American wilderness where the land is parched, the sky crackles with electricity, and there's a pair of glowing red eyes watching you from a distance. Across this scene drifts Lynch's singing voice, high-pitched, largely distorted and croaking like a wizened fairground barker. Believe it or not, this is a step towards the mainstream for Lynch, whose first album, 2009's Crazy Clown Time, set the vocals to "deranged helium fiend". Indeed, this whole album feels less of an art stunt and more of a well-executed idea. The style does pall eventually, but a cover of Dylan's

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