There was Rockey 24, The Oxford Hotel and the Chelsea.
It was a time when Yeoville, Rosebank and Hillbrow were different places
than what they are today. It was a time when jolling was
dangerous ,where police teargassed clubs and rightwingers slashed tyres
at Rhythm Against Detention gigs. It was a time when musicians were jailed
for singing pro-Mandela songs. Hell, it was a time when South Africans
didn't even know what he looked like.

Maybe it was the paranoia or perhaps that everyone
came from somewhere else and could hang around in 24 hour coffee shops
like Café de Paris in Hillbrow, but a creative burst surged through
rock in South Africa, unequalled to this day.

Jonathan Selby was crawling around on the stage,
mic chord snaked around him. Girls with puffball skirts were jiving to
Via Afrika and eVoid, Tribe After Tribe was a South African U2 easily
moving from odes to Soweto to songs about beauty queens. In stepped Ella
Mental. Where the Windrich brothers were looking at Africa, Selby at Byron,
Ella Mental was looking at theatre. They combined strong melody and punchy
guitar riffs with theatrical elements. like creative lighting, mime and
costumes.

Watching Heather Mac was unlike watching any other
lead vocalist of the time. Poised dramatically under strong lights that
isolated her from the rest of the band, strong arm movements reminiscent
of pre-war Berlin performance art, it was only her voice that kept on
reminding you that you were actually listening to a rock band.

Tim Parr first spotted Heather Mac doing a cover
of No Woman No Cry at a folk club called Mangles in Braamfontein in 1981.
Tim had already tasted the rock star life with Baxtop, but that was now
a thing of the past and he was looking at doing something else. Tim wanted
to know if Heather was interested in singing a few songs he wrote. A month
later, with Heather still doing mainly backing vocals, they tried out
a few musicians like Robbie Whitelaw and Larry Friedberg but eventually
settled on Punka and Gary Khoza from National Wake .Gary was committed,
but Punka liked reggae more than EllaMental as he was replaced by Herman
Eugster. Say hallo to the first incarnation of Ella Mental, surely the
first South African rock group ever to be named after a D.H.Lawrence poem.

It wasn't long before Roddy Quinn of EMI heard
about them. He signed them because at the time "they were the most
innovative and progressive group of people this country had ever seen."

The good luck didn't last long though. Gary fell
ill and was replaced by George Vardis during the recording of Pressure.
Gary came back but had yet another run in with the boys in blue. He had
been arrested and beaten up by the police one time too many and when he
was offered a ticket to skip the country, he did so on one week's notice.
New bassist, Adrian Levi had four days for rehearsal before his debut
at the Oxford Hotel, Rosebank.

Ella Mental's first single was 12 inches big and
contained four songs: The bands first studio produced song: Pressure and
a live recording of Small Towns, Point of View and Once Awake done at
the legendary Chelsea. For those who hadn't heard them before, it was
time to sit up and take notice. It was 1984. Ella Mental was going places.
It was time for Concert In The Park, a collective career highlight for
the whole band. Again disaster struck when backing vocalist, Jenny Gordon
died in a car accident on her way to the gig.

After the release of the single See Yourself (Clowns)
in 1985, it was time for the first album. Titled Uncomplicated Dreams
it would signify the recorded career highlight of the group. The band
toured extensively, bringing an entourage of stalwarts with them, lugging
PAs, props and lighting rigs on a shoestring budget. The fans were out
there and Ella Mental was committed to making it to their towns; from
Bloem to Upington, from Cape Town to Plett, from Margate to Verwoedburg.
The band produced 3 more singles: Jenny, (dedicated to their friend) 30
Million Lonely People, Madmen however South Africa had become too small.
Madmen was banned because it wagged a finger at Die Groot Krokodil, better
known as P.W. Botha , a man not known for his tolerance of any form of
criticism. At this stage Adrian Levi was playing a 'duck' from the Military
Police who wanted to secure his services for the protection of the country
against Die Swart Gevaar. London looked a lot more inviting. Tim had dreams
of Ireland and there was some international interest. It was time to say
goodbye.

EllaMental's farewell concert has achieved legendary
status and has been hailed by some as the best South African rock show
ever. It was at the (now seriously dodgy stripclub, but then very highly
regarded) Summit Club. He who could fill The Summit was the king. Together
with Robbie Robb of Tribe After Tribe, Tim came up with the idea of the
two bands playing together. Two drummers, two bassists, two guitarists.
The place was packed hours before the show started, hundreds were turned
away. If you wanted to go to the toilet you had to crowd surf to the back.
Smoke filled the place, the helicopter lights started twirling. Suburb
in the South was the first song, the crowd went apeshit. People had never
seen anything like it before. That was it, it never got any better.

Ireland was a challenge, new places, new faces,
and the relief of complete anononimity. They set up a home and starting
rehearsing for the big break. This was to take some time, too much time.
After a year overseas Adrian decided to return to SA and Herman returned
to his home in Switzerland. Tim and Heather were not giving up that quickly,
Ireland was full of incredibly talented musicians and the creative juices
were flowing. The big break came when Warner Bros. spotted Ella Mental.
(Now duly reconstituted with a bunch of Irish musos) at the Marquee Club
in Soho. A 6 month trip to LA followed where the eponymous Ella Mental
Album was produced and released in 1989 by Warner Brothers. It was released
in USA, Australia, England and Europe where it received lukewarm responses.
The album would never be released in SA. In 1992 Ella Mental finally disbanded.

There are no fan sites on the web dedicated to
them, there are no gushing tributes and there should be as they were one
of the greatest groups ever in this country. The various members of the
band are still involved in music today: Heather Mac is a senior marketing
executive for a music retail chain and continues to perform live as a
soloist: Tim Parr has his own studio in Cape Town and also writes TV and
film soundtracks, like Heather he ventures live from time to time; Adrian
Levi runs a studio in Jo'burg, producing and engineering artists like
Johnny Clegg and Max Normal; drummer Herman Eugster lives in Zurich,Switzerland
where he is a sales and marketing executive in a major consultancy firm
and has just completed recording with ex Rag Dolls compatriot Rudi Froeling
for a new 12 Drummers album.

The Retro reissue of "Uncomplicated Dreams"
is the first time that the album has been released on CD although "Clowns"
has appeared on several compilations. The release is boosted by the inclusion
of the 12" e.p tracks plus the 1985 live "Concert in the Park"
version of "Clowns" as well as two previously unreleased new
songs.