11/16/15

We failed our challenge attempt last week, but that's ok. We got quite a bit of good feedback from the attempt, and have been hard at work making sure that everything works nicely. With any luck, our next and final attempt will go much better!

This week, I mostly made a bunch of small boring changes, but I also took out most of my todo list of 'big' items as well. The most interesting thing I did was laying the groundwork for multi-hero maps, something that we've been wanting for a while. You may be surprised to hear this, but the simple inclusion of one or two extra heroes actually increases the game's depth substantially.

When you have a single hero present, the game is fairly straightforward. Make sure that the chests have loot and each room has an enemy or two, and then you're golden. You can go hide in a backstage room and wait for the level to end, if you'd like. When you know that #2's on the way, however, you start to run into an interesting problem. Not only do you need to 'restock' in the wake of the previous hero (Without getting caught), you also need to make sure that the previous hero doesn't start touching the freshly placed items and enemies. On top of that, you know that there's a timer counting down until a second hero shows up, making sneaking around even tougher. My other big addition this week was finishing doors off, so now you also have to tail your hero to catch the door on their way out. Doors can also provide cover, in case you suddenly feel the need to become invisible.

This semester is coming to a close, but we still have about a week's worth of dev time left before the cut, so I have one last addition to make: Frustration. Normally, frustration is something that you should avoid in games, but ours is for heroes only.

Imagine, for a moment, that you are a valiant warrior entering a Completely Ordinary and Totally Legit Dungeon Seriously of Course it's Real Why Would You Even Ask, and you begin to explore. In your travels, you come across a door that's locked up tight. You keep searching, in hopes that a key will turn up somewhere. You search, and search, until you come to a startling conclusion: You've been everywhere except past the door, and there's definitely no key. "That can't be right!", you exclaim, and begin frantically running back and searching all of the old rooms, but there's nothing. Also, there's this weird guy that looks exactly like you and this other dude who keeps darting around corners and giggling. It's complicated.

At this point, I'd be getting pretty ticked off. The above blurb is an embellished description of how I want to see 'stuck' heroes act. When the hero cannot progress at all, they'll start to randomly wander while slowly picking up the pace. A frustration meter will begin filling up, and once it's full their happiness meter will begin to rapidly drain. Once that's over, they'll pack up and head back the way they came, right out of the dungeon.

What happens if you don't let them out? Do they start trashing the place? Who knows. I think that question is best left for another time.

11/9/15

Note: If you somehow managed to get here in a mad search for information on writing EQS Tests in Unreal 4, there's a complete sample towards the bottom of the page.

My last post was a bit of a downer, but worry not! I have yet another dense AI post ready this time around. Today, I'm going to discuss how I'm making the Hero AI more intelligent and interesting to deal with.

The Problem

After a recent round of testing, our team identified a problem: The Hero in our game was predictable to the point of being boring. At the time, the Hero AI would follow a set path to the level exit, only leaving the path to kill enemies and grab loot. No matter where he ended up, and where the player led them, the Hero would always just make a beeline for the end of the level.
Players didn't like this, because it made the Hero feel very robotic. We wanted our Hero to be more interesting, so we decided to try and make the Hero explore levels properly. However, we had a number of smaller issues to work past first:

There is no easy way, to my knowledge, to store and keep track of where an AI actor has been in Unreal. There were lots of little "half solutions" proposed, such as making the Hero spawn zones that affected navigation periodically. None of these ideas really seemed great, though.

As much as we wanted the Hero to be more independent, we also still wanted some level of control over them. The game wouldn't be very fun if the player had no idea where the hero was going, after all!

The Solution

We made several changes to the game to make our idea work. First off, we've decided to move back to a more modular way of building levels. We originally planned to build our levels out of pre-made rooms and corridors, but started moving to building levels out of smaller tile objects. However, if we make the rooms ahead of time then it's easier for us to use them as targets for the Hero.

In addition, I re-purposed the path node objects in our game. These nodes were used to make the hero move to the exit without hugging walls and corners, but I've given them a new function using our new 'Point of Interest' component. This component has 2 main uses: To give the Hero a list of places to explore, and to keep track of where the Hero has been. Path nodes have a trigger volume that marks the point of interest as visited once the Hero enters it. The useful part of this is that even if the hero just passes by the node on the way to another, the hero still 'knows' that it has been there already.

With a setup like this, the level only needs nodes near 'things', such as intersections, rooms, and other important objects, rather than having nodes lying around everywhere. As an additional safeguard, the Hero has a case to path directly to the level exit if it runs out of valid nodes.

The basic level geometry and pathing nodes of our test level.

Handling Distractions

So now we have a method of making the Hero wander around our level without doubling back too much. With this alone, though, the Hero won't do anything but walk around. We want to keep the Hero's current method of dealing with interesting things (that is, walking to them and dealing with them in a context-sensitive manner), but we also want to avoid the main problem: If the Hero picks a new target to walk to, it'll overwrite and erase the old one. To get around this, I broke the blackboard entry controlling the Hero's movement in two: a short-term target for 'distractions' like above, and a long-term target based on the Hero's goal of exploration. As long as the Hero's short-term target is set, the Hero will deal with that first. Needless to say, this all took a while to set up nicely. Here's a screenshot of the Hero's new behaviour tree:

The scary thing is that this will be growing soon...

Coolness

At this point, we have a much smarter Hero than we started with. The only problem is that now that is so much more independent, we have no goods way to influence its decisions.
That's where the new coolness system comes in. Every Point of Interest on the map has a custom 'coolness' value that our designer can set. This value influences the POI's final score in our EQS test, which probably sounds like a huge load of gobbledygook if you've never done AI in Unreal before. Simply put, it's a heuristic that affects which targets the Hero is likely to select first when exploring.
To actually make this work, we needed to write a custom EQS test to use our coolness values. However, it turns out that there's a small problem with that:

To my knowledge, no one has made any resources on how to actually do it.

Ultimately, I ended up referring to the Unreal Engine source code to make our custom test, and that worked out alright. Still, to save any future coders who might find this the hassle, here is the entirety of our coolness EQS test (This test targets Unreal Engine 4.9.2, so keep that in mind if you're using an older/newer version):

What's Next?

This is a great start, but there's still plenty to be done before Our Beloved Hero becomes smart enough to be a really fun and challenging opponent. My first goal, which I've begun, is making the Hero smart enough to solve basic puzzle-like challenges. I'm working on getting it to grab keys to open doors, which will probably evolve into switch puzzles and the like later.
My other main issue with the Hero's new AI is that it still can't be guided by the player. You can put down a breadcrumb trail of items and enemies, and the Hero will follow it, but then it'll just turn around and go back to what it was doing. You can't lead it into a certain branch of the dungeon, then double back while it's distracted to fill out the rest, which I think would add a lot of fun to the game and help combat the problem of not knowing where it's headed.

11/1/15

I have not discussed it on this blog, but I have been responsible for the vast majority of this game's art and art direction. So far, I've produced all of the art documentation for both Sports Game and Dungeon Restocker, including the artist statements and art bible, the the latter of which contains all of the guidelines and details of the art style the game will be taking. Because our team had no artist, I've stepped up to fulfill all of the project's art needs.

It is for this very reason that I feel a little bummed out right now. In what feels like just overnight, I have been rather casually swatted out of my position as artist in favor of my designer. I don't blame anyone for this, nor do I think this was particularly intentional. However, I still can't help but feel a bit used, after defining the game's art style. It's a weird situation all around.

I should stress again that I'm not placing blame or trying to stir up any issues. I know full well why this happened, and it makes sense. Now that Mike has gone and finished the major design work for the moment, he sees an opportunity to keep being useful while also increasing the amount of work being done to implement his design. In that sense, it's a perfectly logical move. It's also not the first time this has happened. I made a similar switch last year as well. The reason I felt better then, though, is that the designer in question was a talented artist with a charming and distinct style, whereas my designer honestly doesn't seem much better or worse than I am.

What am I going to do about it?

Absolutely nothing.
I'm going to go back to programming, and work more on implementing the game's core systems. I have other projects that I can do art for, and I have no intention of creating any unnecessary drama over a move like this. Whoever does our art now is probably getting replaced if/when we go forward to next semester anyway, so I'd be out soon either way.