Will Smith, arguably the most bankable Hollywood star in the business, returns from a near 4-year absence with Men in Black 3. For the life of me I can’t figure out why. This franchise began 15 years ago to huge success, but the last time we saw the duo of Agents J and K was back in Summer 2002… ten years ago. And it was a very disappointing outing at that. With Smith needing an established franchise to return to, the filmmakers attempt to breathe fresh air into a musty framework. In many respects Men in Black 3 actually delivers some old school action-comedy hijinks, but generally speaking the film fails to match the energy and wit of the first installment.

Smith again plays Agent J ridding the Earth of violent extra terrestrials alongside his aging partner K (Tommy Lee Jones). K is even more dry, stoic, and blunt than usual. Something seems to be eating away at him and he harnesses his internal fear from J, until one morning K disappears from existence. J can’t find him at MIB headquarters and no one seems to have any recollection that he’s been alive during the last 40 years.

Perplexed by K’s literal erasing, J discovers the malevolent plot of a one-armed alien bug named Boris (Jemaine Clement) that was captured and locked up on a lunar prison by K. Somehow, Boris managed to escape prison, make his way to Earth, and then travel back in time to 1969 and murder K before Boris could be incarcerated. Not only that, but this altering of time also prevents K from ever having launched an alien shielding force field around the globe that prevents otherworldly invasions.

As the bug clans enter Earth’s atmosphere for a full-scale assault to annihilate the planet, J must travel back in time to 1969 to stop Boris from altering the future and preventing K’s murder. J teams up with the 27-year-old Agent K played by Josh Brolin, sporting a spot-on impersonation of Jones, and livening up an otherwise forgettable sequel.

Although the plot wreaks of ‘Back to the Future Part II‘ syndrome, Men in Black 3 has matured in comparison to Men in Black II. Smith mounts the film on his shoulders and treks through some messy writing to find occasional inspired moments of humor—which for the most part surprised me. After reading of the numerous production issues on this project, I expected nothing from this third outing. However, I have to say this return to old school cheesy action and plotting was a bit refreshing. Will Smith returns to a genre that suits him well and it is a great deal of fun to have him back steering a blockbuster film.

It is Brolin, however, that steals the show and makes the mediocrity of the film worth enduring. Where Jones seems to be phoning in his 15 minutes of screen time, just as he phoned in the last installment, Brolin actually gives 110 percent and provides the audience a window into Agent K’s heart that has been sealed shut since Jones reprised his role ten years ago. Men in Black 3 also has a ball poking fun at the 1960s and Will Smith’s character in that time period. Does it go for broke? No. But Men in Black 3 is a marginally enjoyable diversion for brisk silly escapist entertainment. You won’t love it, you won’t hate it. And you’ll probably forget it before you can even find your neuralizer.

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