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Sridevi – a superstar till the end

Bollywood superstar Sridevi chose to opt out of the frenetic circuit of movie stars soon after her mother passed on in 1996. The glamorous superstar got married, had two children — one of whom is an actor in her own right now. But then she had the gumption to do what no other actress has been able to do — make a comeback in lead roles, after an absence of 15 years, with two well-received films — English Vinglish and Mom.

She gave up the camera – her first love, for her family

Sridevi was a “wholesome” star in much the same way that Hema Malini is. Both transited from stardom into other interests and nurtured families. Patriarchal India likes its women to be family makers and Sridevi played that role perfectly. The sudden news of her demise late on Saturday was shocking, not least because it happened immediately after an over-the-top, big, fat Punjabi wedding of the Surinder Kapoor clan, in Dubai. Sridevi, at 54, had seemed the picture of elegance, beauty and wellness. To be snatched away so rudely by fate just seemed too unfair.

The suddenness of it all made the reservoirs of goodwill that her fans and the public at large had for Sridevi spill over. Social media was flooded with a sympathy wave for the woman who had it all, till life abruptly left her, without even time to say goodbye. Sridevi drowned in the bathtub of her hotel room in Dubai. Of course, we have all seen the warnings that a human being can drown even in a bucket of water, or in mere inches of standing water, let alone a bathtub. At the Jumeriah Emirates Tower, the hotel where she was staying, the bathtubs look more like small pools.

But such is the vigilante spirit — free of accountability or any sense of responsibility — let loose by private television stations, desperate for TRPs, that around her tragic death, conspiracy theories — some akin to mini-film scripts — were immediately spun, spelling out how and why the accident might have happened. Assisted by social media “warriors”, who have the urge to spread such “news”, as they see it, the digitally enabled sections of our nation became engrossed in a two-day orgy of simulated voyeurism.

Sridevi, the superstar, who struck fans dumb with her charisma and beauty in life and captivated audiences with her spirited acting on the screen, did not fail to enrapture a massive audience, even in death. As befits an actor, Sridevi exited this world with a bang. Thus ended a public life, which began in 1967, when she first acted in a Tamil film, at the age of four.

Unsavory reporting difficult to digest

But this is also the time to introspect whether journalistic restraint would not have better served the occasion. This is not to suggest any muzzling of the media’s (including visual media’s) freedom to report events, as they happen. But surely a red line can be drawn between the casual airing of hurtfully, salacious opinions and the more deliberate sharing of verified, but inconvenient or unpalatable news?

Media can well take the view that it is its duty, to report what is being said or even what is being rumoured. After all, they say, there’s never any smoke without fire! It may even be possible to seek technical refuge behind the argument, that the media only reports what other celebrities say. But surely, some kind of editorial oversight should excise “news” that is no more than conjecture, and which may be hurtful to those, suffering from the trauma of a shock, till facts emerge, which makes full disclosure overwhelmingly compelling. In the Sridevi saga, much of the visual media, and of course social media, failed this smell test.

Efficient Dubai

Luckily, the police, public prosecutor and other authorities in Dubai did their due diligence swiftly. This put paid to the conspiracy theories being spun at home. The Indian consulate in Dubai, as well as the embassy in the UAE, also appears to have played an exceptionally positive role in facilitating the speedy investigation of the case, which was closed without compromising due process.

An actor with pan-India appeal

Sridevi was an actor with a pan-Indian appeal. She had acted in Tamil, Telugu, Malayalam, Kannada, English and Hindi films, and was married into a Punjabi family. Her fans are spread across the world. But, most important, she was also a modern, Indian woman — born in Sivakasi, Tamil Nadu, she achieved superstardom in Mumbai, which became her home. In 2013, the Government of India awarded her the prestigious Padma Shri, recognising thereby, her talent and her achievements as an actor.

Sridevi’s legacy – “An actors work must speak for itself”

It is never easy to pin down the legacy of an actor. Many consider themselves to be nothing more than a lightning rod between the school of life and their audience, faithfully passing through experiences and emotions, as required by the script, that they are playing to.

Here is how Sridevi, the empress of Bollywood during the 1980s and 1990s, described her role: “I had done my bit as an actor.” This was surely the understatement of the century — for someone who acted in 300 films over five decades.

Adapted from the author’s opinion piece in The Asian Age, March 1, 2018 http://www.asianage.com/opinion/oped/010318/sridevi-a-superstar-till-the-end.html

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One thought on “Sridevi – a superstar till the end”

We have all failed her as the biggest star of all times, I’d say for making her mark across different languages. The way social media and mainstream has behaving is appalling in the mudslinging and attempt to soil her soul. Srideviji’s death is the biggest shock that will take time to heal.

Published by Sanjeev Ahluwalia

Sanjeev S. Ahluwalia is currently Advisor, Observer Research Foundation, New Delhi and an independent consultant with core skills in economic regulation, institutional development, decentralization, public sector performance management and governance. He is an Honorary Member of the TERI Advisory Board and a Honorary Member of the CIRC Management Committee. He was a Senior Specialist with the Africa Poverty Reduction and Economic Management network of the World Bank for over seven years, 2005-2013. He has over a decade of experience at the national level in the Ministry of Finance, Government of India as Joint Secretary, Disinvestment from 2002 to 2005 and earlier in the Department of Economic Affairs in commercial debt management and Asian Development Bank financed projects and trade development with East Asia in the Ministry of Commerce. He was also the first Secretary of the Central Electricity Regulatory Commission from 1999 to 2000. He worked in TERI as a Senior Fellow from 1995 to 1998 in the areas of governance and regulation of the electricity sector and institutional development for renewable energy growth. Previously he served the Government of Uttar Pradesh, India in various capacities at the District and State level from 1980 onwards as a member of the Indian Administrative Service. His last job was as Secretary Finance (Expenditure management) Government of UP from 2001 to 2002. He has a Masters in Economic Policy Management from Columbia University, New York; a post graduate Diploma in Financial Management from the Faculty of Management Studies, Delhi University and a Masters in History from St. Stephens College, Delhi.
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