The curtain is an idea that I’ve had for a long time. When Andy Warhol went and visited the Shah of Iran, and he came back and in Interview magazine he talked about in the basement in the Shah’s palace were strings of diamonds. I’ve always thought how marvelous that would be, like, “Oh my God, strings of diamonds for curtains.”

A portion of the materials came from a lady’s jewelry collection. Her name was Stormy Parker. A friend of mine had to go clean her house out. He worked for 1 800 GOTJUNK. It was sixty years of her jewelry I got to recycle into this piece.

NARRATOR: Otterson also purchased some of the beads at bead stores. He’s attached old farm tools to the bottom of the curtain, demonstrating its surprising strength. He’s interested in the fact that the jewels and tools are both meant to be handled—though obviously in different ways and by different people.

Nearby, there’s a lace tent that Otterson has described as a “transgender object” due to its surprising combination of materials and function.

JOELOTTERSON: The object, it’s strange, I think it’s about the imagination. It’s about imagining what it might be like to be inside of it, without ever entering inside of it. It is big enough to sleep two people. It’s either a little girl’s tea party, or it’s about making love. What else can you do in that thing, you know?