(Welcome to 21st Century Spielberg, an ongoing column that examines the challenging, sometimes misunderstood 21st century filmography of one of our greatest living filmmakers, Steven Spielberg. First up: A.I. and Minority Report.)

“What if Peter Pan grew up?” pondered the tagline of Steven Spielberg’s 1991 fantasy Hook. It was an intriguing premise: what would happen if the perpetual child – the boy who refused to get older – embraced the cold, stark, finite nature of adulthood? Of course, the compelling concept of this tagline is all but forgotten in the runtime of Hook, where the adult Peter Pan quickly reverts to childhood in order to save the day. Still, what a notion!

Sometimes, life imitates art. In the 21st century, Steven Spielberg, the perpetual child – the pop culture impresario who found a way to turn childhood and nostalgia into a lucrative, highly entertaining art form – did something remarkable.

Kevin Smith‘s latest film, Tusk, premieres at the Toronto International Film Festival this weekend. That means we’ll finally get word of exactly how far Smith pushed the envelope in his new horror film, which stars Michael Parks as a man trying to turn another (Justin Long) into a walrus. Haley Joel Osment, Genesis Rodriguez and maybe even Johnny Depp co-star as people looking for Long’s character.

We’ve seen a disturbing teaser trailer from the film and now, five new stills have been released. Everyone above (minus Depp) is represented and yes, they’re very creepy. Check out the new Tusk photos below. Read More »