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Monday, August 3, 2015

What do I want to see? Everything. Since we can only pick one person this year, I want options. I want to find that manuscript that's special, that has a great voice, that I would be willing to read over and over again during edits. I want to be forced to make an agonizing decision between great manuscripts. I will be requesting the first three chapters of my top picks again, and possibly the full if I'm faced with that agonizing choice. I hope to provide feedback to my top picks, but I make no promises.

Now that's what I want, but just like I can only pick one of you, you're limited in the number of mentors you can submit to. So you want to make sure that you're picking the mentors who will be the best fit for you. Therefore, while I want to see everything, there are some things I'm not comfortable with: horror, cannibalism, evil zombies, incest, child abuse, animal abuse, pedophilia, necrophilia, or anything that goes beyond taboo and into despicable. I also do best with books that have a happy ending, whether it be happy forever or happy for right now. The book can be full of struggles and angst, so long as I have the comfort of knowing everything will turn out all right by the end.

Moving onto my area of expertise, I am best with romances (big shocker there, huh?) and the majority of my editing clients do fall into that genre. I do read pretty much anything that has a romantic element in there somewhere, regardless of overall genre. However, if you have something that you think isn't my usual fare, but you're sure I'm the perfect fit, submit it to me anyway.

(if you're thinking to yourself, that all seemed very familiar, you get a cookie! The last two paragraphs are a copy and paste from my 2013 wishlist.)

Like I did with the Pride, I will be looking for manuscripts that fit the agents' wishlists or are particularly marketable. So if your manuscript matches something on the list below, please please please submit to me.

Contemporary that features a heroine in a non-traditional career. Like, oh, I don't know, a female mechanic?

Contemporary romance where the main couple are/were contestants on a Voice-type reality show and their relationship starts to develop during filming, or if they were child contestants together twenty years ago and reconnected during a reunion special.

A twisty, heart-stopping, romantic suspense or mystery

Magical Realism Contemporary, something like Eureka, but where it's magic instead of technology.

Something featuring an American Ninja Warrior-type hero

A m/m fiction-y love story that's gorgeously written

In any commercial genre, a book inspired by a gender-swapped fairy-tale. For example, a gender-swapped, sci-fic, Cinderella: He's the lowly grunt on his step-father's ship and she's the highly-decorated captain looking for a second in command. A fantasy-esque Swan Princess: He's cursed by the sorcerer because the Big Bad wants the heroine for himself, but she says F that and sets off on an epic quest to rescue the hero.

Submissions open up on August 17th. I hope you all flood my inbox with submissions. I'm looking for just the right person to add to the Pride. Will it be you?

To officially announce it here, I've once again agreed to mentor in Pitch Wars for New Adult/Adult. There were a few changes this year, as there will only be one mentee, and I'm now competing against 99 other mentors. To say I'm a wee bit intimidated would be understating the matter. To make matters worse, the link to this post is due to Brenda by tomorrow and I have absolutely no idea what to write.

This is one of the reasons being an agent is not for me. I'm not good with the sales pitch. And that is also another reason why I'm happy to stick to freelance editing. Editing for publishing houses these days usually involve covers and marketing and a bunch of other things that are not editing. I just want to edit.

But you're not here for my thoughts on publishing careers, you want to know why you should submit to me in Pitch Wars when submissions open up on August 17th. Well, I think I did pretty good with the Pride last time around. Marie even made me all teary with a lovely acknowledgement in her first book, Across the Distance (formerly Through the Storm). The next book, by the way, is coming out this Tuesday, August 4th: Can't Go Back. It's equally as good! Speaking of Pride books, Annie's Welcome to Forever (formerly Forever Yours) will be released on December 1st, so add it to your TBR list.

I think I digressed a little. So I've moved from the dining room table to the couch in hopes of finding inspiration by staring at the living room rug. The dog is not amused by my game of musical chairs and wants me to finish this so we can play.

Well, okay, this is my bio from the 2013 Pitch Wars. Not a great deal has changed except I've added more TV shows to my season pass (Agent Carter, anyone?). I don't collect vinyls anymore, but my nail polish collection is, well, abundant. I'm certainly still a rabid Whedon fangirl. I could probably update the authors' and movies' sections, but it's not like I've taken an aversion to anything listed there.

Still with me? Good. Look, I'm not sure what else there is to say except that I believe I'm good at what I do and I have experience doing it. I have an unique perspective on the industry and I'm looking for the right person to add to the Pride. You should submit to me if you are completely open to edits (like prepared to cut scenes and characters open) and you want a mentor who's going to treat this like a partnership. I'm not here to be your friend or your cheerleader, I'm here to hopefully get you to the next step, whatever form that may take. I can't promise you that what happened for Marie and Annie will happen for you, but I will help you the best I can.

My wishlist is here. If you have questions, leave me a comment here or tweet me at @lionessbkshelf. I'm also going to try to pop onto the Pitch Wars hashtag once a day. Again, submissions open on August 17th.

Monday, May 4, 2015

It's been a very long time since I posted here and good Lord, a lot's happened since last March.

Mainly, I got a new job. A job where I actually have to work during the day and where the Internet is monitored to the extent that it's filtered. So no more updating social media at work for me. I'm also frequently working overtime, and it's all computer-based, so by the time I get home, I don't want to get anywhere near my laptop. Hence the steep and sudden drop-off in my blog and Goodreads reviews. I am hoping to do better.

But enough about me, let's talk about the lovely ladies of the Pride.

My top pick, Marie Meyer, signed with a fabulous agent and then said fabulous agent sold Through the Storm (now entitled Across the Distance) to Forever Romance for a multi-book deal! Not only is Across the Distance releasing TOMORROW, but the companion book, Can't Go Back, will release on August 4th. You can read Marie's Pitch Wars wrap-up here.

My first alternate, Sarah Blair, is currently working on a sequel to the manuscript she entered in Pitch Wars, as well as another sequel due to arrive in just under four more months (it's a girl!).

My second alternate, Annie Rains, signed with a different fabulous agent and then her fabulous agent soldForever Yours in a three book deal! Her series, Hero's Welcome, will begin releasing in 2016. It was a very busy 2014 for Annie as she also had a baby!

Whee!!! I'm so proud of them all!

Brenda announced on Twitter that I will be again mentoring in this year's Pitch Wars. Submissions open in August, so watch her blog for more details as August draws nearer. If you want to join the Pride, this is your chance. My tastes haven't changed since last time (except that I'm more picky if possible), so feel free to check out my old posts to get an idea of what I'm looking for, and I'll be posting newer entries over the summer.

However, before you do that, don't forget to add Across the Distance to your TBR, because it's coming out TOMORROW at Amazon, Barnes and Noble, Kobo, and many other retailers. Marie will also be doing an event at Main Street Books in St. Charles, MO on May 9th between 12pm-2pm. If you go, tell her Lioness says hi!

Sunday, May 3, 2015

The fact that I haven't written a review yet for Across the Distance when it's been released in TWO DAYS should give you an idea of how crazy my life has been over the last year.

So, back in 2013, I agreed to be a mentor in a contest, called Pitch Wars, that the fabulous Brenda Drake hosts every year. The premise behind Pitch Wars is that authors submit unagented and unpublished works for a chance to work with a mentor who is usually an agented and/or published author or someone connected to the industry. Authors and mentors work together editing the manuscript and then after about two months, the pitch & first 250 words of the manuscript are posted on Brenda's blog for agents to peruse. If they like what they see, they comment and request a sample. I had very specific criteria for my mentees. I wanted something rife with potential and I wanted it to be marketable.

Marie was my top pick.

A lot of editing ensued over the next two months. A LOT. I don't mean like tweaking or rephrasing, I mean like entire chunks of the book were cut or completely rewritten. Did I mention this was November into January? Right over the holiday season? And Marie has two kids? It didn't matter what I threw at her, Marie rolled with it and made it work. She completely revamped and revised her manuscript over two months.

As a native New Yorker, 9/11 is an important part of my history and one of the things that initially appealed to me about Across the Distance was how 9/11 was part of the story without being the focus of the story. Yet I started to question whether it really needed to be 9/11. Wouldn't the book still have weight and purpose if her parents died some other way? Wouldn't Jillian still be dealing with the same issues? I hadn't broached the topic with Marie yet when I received the next set of edits. I read the new chapters and I just started bawling. Marie had written a scene that was so poignant, so heartbreaking, it put all my doubts to rest.

Marie knows her characters to the extent that they're not just words on a page, but people.

After Pitch Wars, Marie got an agent (yay!) who sold the book (obvs!) to Forever Romance (yay!) and a wonderful editor who said this is a great start, let's make it even better (and they did!).

At its core, Across the Distance is a true new adult, a story of what happens when you move from one stage of your life to another. You leave some people behind, you bring some with you, and you meet new ones. It's a story that shows the past, who we were, it will never truly leave us, but that we can control how much impact it has on our future. Going away to college changes Jillian's life, but it doesn't magically make all her problems go away. Only Jillian can do that and over the course of the book, she fights for her future, for a chance to be happy. This is an angst-y book, but underneath it all, there's hope.

So I recommend Across the Distance for many reasons, but the most important one is this: if Jillian can do it, so can you. Fresh starts are possible and help will be there if you ask for it. Don't give up.

Sunday, March 2, 2014

I spent most of December and January in an editing fog. Between Pitch Wars and Agent-Boss's clients, I was editing every day for almost two months. By the time I finished everything I was working on, it felt weird not to be editing. Like when you're on a boat for a long time and you get back to dry land, but you still feel like you're rocking on the water? That was me. I kept thinking, 'Oh, crap, I should be edit-wait, wait, no, I'm done. Pitch Wars is over.' I took a solid week off before I was ready to touch the Red Pen of Doom again.

I had a blast doing Pitch Wars. My team, The Pride, consisted of Marie Meyer (NA Contemporary Romance Through the Storm), Sarah L. Blair (Adult Urban Fantasy/Paranormal Romance The Shifting Darkness), and Anna Rains (Adult Contemporary Romance Forever Yours). Since I'd done Pitch Wars from the agent side and had previous experience with the editing process, I mapped out a schedule beforehand and set deadlines for myself & The Pride. I have to say, I don't think it would've been possible to pull everything off if I wasn't off from work during the last two weeks in December.

I did full manuscript critiques for each Pride member. In addition, I gave them extra optional assignments because it was important to me that they understand that a) this business is highly subjective and b) it is a business. The Pride was fantastic about rising to whatever challenge I set for them and I feel they all grew as writers during the time we worked together. Sarah came away with a fantastic pitch that highlights the core of her manuscript beautifully. Anna not only did extensive revisions, but we worked together to plot out a potential series and she was able to subtly weave in the groundwork for the next two books into Forever Yours. Marie had the longest edit letter and she exceeded all my expectations. She ended up cutting, I think, about 12k. A major character got the cut and several scenes were ripped out. I was brutally honest with her and she thanked me for it. Through the Storm is amazing and I don't think there's anything like it out right now.

I honestly don't know if I'd do Pitch Wars again. I had such a great experience with The Pride, my expectations for the next group would be probably be impossible to meet. I also don't know if I'd be eligible to do it next year or if I'd have the time to devote like I did this year. In any case, I hope The Pride felt they got their time's worth out of me and for my part, this solidified my desire to be an editor.

As of this moment, none of The Pride have made any agent announcements, but I'm confident they'll come. These ladies have proven they're willing to do whatever it takes to have a career as an author and it was an honor to help them on their journey to meeting that goal.

I realized I never talked about the Pitch Wars submission process. If you'd be interested in reading my take on that, please leave a comment.

Wednesday, January 22, 2014

Today
I’m hosting some of the wonderful writers who participated in a six week boot
camp where published/agented authors and industry interns mentored a team of
writers to help them polish their manuscripts for agents. The mentors picked
one to go into the agent round on Brenda Drake’s blog (http://www.brenda-drake.com/) and two
alternates in case their top pick dropped out of the competition.

The
alternates were amazing, so we wanted to do a showcase of their talent to
reward them for their hard work. Following this post you’ll find the pitches
for the writers I’m hosting.

This
is not exclusive to the agents signed up for Pitch wars. All agents are welcomed to make requests in the comments of the posts!

This
is not open for critiques. So if
you’re not an agent, you may comment only if you want to show some love to the
writers. Again, please do not critique
in the comments.

PITCH: In
1667, an orphan, a baker, and a farmer’s daughter answer Louis XIV’s call for
“mail-order” brides to marry settlers in the Canadian colonies; upon their
arrival, the women must rely upon one another, and their unusual friendship, to
find the strength to survive--and blossom--on the frontier.

Rose
Barré scoured the floor on her hands and knees, her once fine hands now raw and
bleeding, as she tried to rid the small room of the stench. The battle was
futile. One clean cell would not mask the stink of filth and disease that
permeated the dozens of others surrounding it.

This was
one of Rose’s bad days where, no matter what she did, she could not stop
scrubbing, even though her officière had forbidden the endless scouring.
No matter how Rose reasoned with herself, she could never get the room clean
enough to sate the urge. She wiped her matted black curls from her forehead
with the back of her hand and moved the brush three inches to the right.

Officially,
the Salpêtrière was a charity hospital for women. It served the poor, the
homeless, the deranged, and—as in Rose's case--the orphaned and dispossessed.
In reality, the Salpêtrière was a prison whose inmates served life sentences. A
well-connected family member need only write a letter, and a daughter, niece,
wife, or sister could find herself imprisoned in the Salpêtrière for life.

Rose was
no exception. Her mother died in childbirth, and when her beloved father was
shot over a hand of vingt-et-un, twelve year-old Rose was sent to live on
her aunt and uncle’s estate outside of Paris, a place of crystal chandeliers,
gilded furniture, and gardenßs manicured to the point they no longer resembled
nature.