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Moon Taxi

Let The Record Play

We can come together, we won't give up on the fight, sings Nashville's Moon Taxi on their smash single Two High, a song that catapulted them to the top of the streaming charts and the forefront of the national stage. Filled with emotive vocals, a percussive beat and some unexpected, infectious horns, it's a track that shows the band - which has been together for over a decade - venturing into more adventuresome territory than ever. Fearlessly melding rock with pop hooks, clever synths and roots touchstones gleaned from their home in Music City, Moon Taxi's forthcoming fifth record and first for RCA will find the five-piece doing what they do best: coming together and fighting for music that triumphs above all.

Two High, the band's newest single, has been taking Moon Taxi - Trevor Terndrup (vocals, guitarist), Spencer Thomson (lead guitarist and producer), Wes Bailey (keyboardist), Tommy Putnam (bassist) and Tyler Ritter (drummer) - to new heights, topping over 60 million streams on Spotify and making heavy rotation on SiriusXM. Written in response to the push for peace, but not reacting to the politics, of the Women's March this past January, it's a song that encourages listeners to keep looking for a positive way forward - from their own internal battles, to the ones suffered by the world at large.

It's perhaps due to Moon Taxi's inspired, inclusive worldview when it comes to their music that they've been able to have songs featured as the soundtrack to multiple commercial and TV placements - from BMW, Nashville, MLB, NFL to HBO Sports - but it's their infectious live performances that keep fans coming back night after night. Touring for the better part of the decade, they're the kind of band that inspires a loyal following willing to drive miles and miles (or fly many more) to catch them again and again.

1. Let the Record Play 2. Not Too Late3. Good as Gold4. Two High5. No More Worry6. Moving to the City7. Nothing Can Keep Us Apart8. Keep Me Coming9. Trouble10. The Way

Mountains Beaches Cities

Nashville rock favorites, Moon Taxi, have really hit the ground running in 2013. February saw the release of their second studio album, Cabaret; a keyboard laden, indie-prog rock venture. The band has hit the festival circuit hard over the summer playing the Hangout Music Festival, Wakarusa and Forecastle just to name a few. Now Moon Taxi is ready to release their third studio and second album of 2013, Mountains Beaches Cities.

Mountains Beaches Cities comes as a continuation of Cabaret. The songwriting style and recording process discovered while making their second studio album fuels the songs on Moon Taxi's newest effort. Mixed by Vance Powel of Third Man Records, the album features enormous drum sounds, multiple layers of keyboards and guitars and are driven by steady grooving bass lines.

Moon Taxi has released two singles from the new album to wet audiences appetites. The first release, 'Running Wild', is an indie pop number that uses signature Moon Taxi guitar riffs backed by keyboard synth layers. The lyrics speak of taking in the moment and making the most of life while there's still time.

Their second single, 'The New Black', is a hypnotic, head bobbing tune that plays off of one progression over and over. The dynamics rise and fall with the addition and subtraction of subtle layers that support the southern rock/blues guitar riff that drives the song.

Logan (Original Motion Picture Soundtrack)

Lakeshore Records will release the LOGAN- Original Motion Picture Soundtrack. The album contains original music by Marco Beltrami (BEN-HUR, THE HURT LOCKER) who previously scored two films for director James Mangold, 3:10 TO YUMA, for which Beltrami earned an Academy Award® nomination, and THE WOLVERINE.

When I first watched LOGAN I was really impressed with its originality, Beltrami stated. Although it's a Marvel superhero movie, it is also many other movies as well, all tied up into a delicate balance of brazenness and subtlety. Jim is a master at moving fluently between genres and subverting them to present a new emotional landscape, and it was in trying to define this landscape in musical terms that I found my puzzle.

In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.

LOGAN was an extremely demanding but very inspiring film score to work on. Jim distilled the innovation of an indie within the framework of a tentpole, Beltrami explained. He played me scores he liked and which inspired the tone of the film for him-Taxi Driver, Paper Moon (the film itself), The Gauntlet. He liked the directness and rough edges, the unpolished tone, the energy. Somehow I had to capture this while simultaneously creating a modern score. It did not need grandiose thematic music and verbose melodic statements. It was all about vibe.

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