Although he was born and raised in Lahore, Pakistan, award-winning novelist Mohsin Hamid spent part of his childhood in California while his father attended grad school at Stanford. Returning to the U.S. to complete his own education, Hamid graduated from Princeton University and Harvard Law School. He worked for a while as a management consultant in New York, then moved to London, where he continues to work and write.

Hamid made his literary debut in 2000 with Moth Smoke, a noir-inflected story about a young banker living on the fringes of Lahore society who plummets into an underworld of drugs and crime when he is fired from his job. Providing a rare glimpse into the complexities of the Pakistani class system, the book was called "a brisk, absorbing novel" (New York Times Book Review), "a hip page-turner" (Los Angeles Times), and "a first novel of remarkable wit, poise, profundity, and strangeness" (Esquire). Moth Smoke received a Betty Trask Award and was named a New York Times Notable Book of the Year.

In 2007, Hamid added luster to his reputation with The Reluctant Fundamentalist. Written as a single, sustained monolog, this "elegant and chilling little novel" (New York Times) is an electrifying psychological thriller that puts a dazzling new spin on culture, success, and loyalty in the post-9/11 world. The book became an international bestseller; it was shortlisted for the Man Booker Prize, the Decibel Award, and the Commonwealth Writers Prize, and went on to win the South Bank Show Award for Literature. 2013 saw the publication of How to Get Filthy Rich in Rising Asia to both public and critical acclaim.

2013 saw the publication of How to Get Filthy Rich in Rising Asia to both public and critical acclaim. The New York Time's Michiko Kakutani called it "deeply moving," writing that How to Get Filthy Rich in Rising Asia "reaffirms [Hamid's] place as one of his generation's most inventive and gifted writers."

There is no question that Hamid's unusual life experience, a cross-cultural stew of influences and perspectives, has informed his fiction. In addition to consulting and writing novels, he remains a much-in-demand freelance journalist, contributing articles and op-ed pieces — often with a Pakistani slant — to publications like Time magazine, The Guardian, New York Times, Independent, and Washington Post. He holds dual citizenship in the U.K. and Pakistan.

ExtrasFrom a 2007 Barnes & Noble interview:

• When I was three years old I spoke no English, but fluent Urdu. We moved from Pakistan to America for a few years. I got lost in the backyard because all the townhouses were identical. I was knocking on the door of the townhouse next to ours by mistake, and some kids gathered around, making fun of me. For a month after that I didn't say a word. When I started speaking again, it was entirely, and fluently, in English.

• I once woke up in Pakistan and found a bullet in the bonnet of my car. Someone had fired it into the air, probably to celebrate a wedding, and it had hit on the way down. That incident set in motion an entire line of the plot of my first novel, Moth Smoke. Without it, the protagonist would not have been an orphan.

• My wife was born four houses from the house in which I had been born in Lahore, Pakistan. But we met for the first time by chance in a bar in London, thirty-two years later. It's a small world.

•When asked what book most influenced his career as a writer, here is his response:

Toni Morrison's Jazz. Not because it is her best book, nor because it is my favorite book, but because it was the first book of hers I read and also the book I was reading when she read me. I wrote the first draft of my first novel, Moth Smoke, for a creative writing class with her in my final semester at Princeton. When she read my words aloud I understood something about writing, about the power of orality, of cadence and rhythm and the spoken word, that unlocked my own potential for finding voices and shaped everything I have written since. This book opened a door that I walked through without ever, in fourteen years, looking back.