If Ryu Murakami had written War and Peace As the introduction to this book will tell you, the books by Gromov, obscure and long forgotten propaganda author of the Soviet era, have such an effect on their readers that they suddenly enjoy supernatural powers. Understandably, their readers need to keep accessing these books at all cost and gather into groups around book-bearers, or, as they're called, librarians. Alexei, until now a loser, comes to collect an uncle's inheritance and unexpectedly becomes a librarian. He tells his extraordinary, unbelievable story.

Rescued from the clutches of a lascivious prince, Princess Aisha Peshwah quickly realizes she's jumped out of the frying pan and headfirst into the fire. Her rescuer is Zoltan Al Farouk bin Shamal—an unashamed barbarian!—who must marry Aisha himself to ensure he is crowned king. Commanding, stern and brutally attractive, Zoltan is as untamed as the desert he will be master of. Aisha wants to resist, but is drawn to this enigmatic man, and soon her innocent body begins to unravel beneath his powerful possession.…

Forty-five-year-old English professor Nathan Qells is very good at making people feel important. What he’s not very good at is sticking around afterward. He’s a nice guy; he just doesn’t feel things the way other people do. So even after all the time he’s spent taking care of Michael, the kid across the hall, he doesn’t realize that Michael’s mob muscle uncle and guardian, Andreo Fiore, has slowly been falling in love with him. Dreo has bigger problems than getting Nate to see him as a potential partner. He’s raising his nephew, trying to leave his unsavory job, and starting his own business, a process made infinitely more difficult when a series of hits takes out some key underworld players. Still, Dreo is determined to build a life he can be proud of—a life with Nate as a cornerstone. A life that is starting to look like exactly what Nate has been seeking. Unfortunately for Dreo—and for Nate—the last hits were just part of a major reorganization, and Dreo’s obvious love for Nate has made him a target too.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

In World War II in Andreï Makine’s Historiographic Metafiction Helena Duffy probes the tension between the Franco-Russian novelist’s commitment to postmodern aesthetics and philosophy of history, and his narrative of Soviet involvement in the struggle against Hitler.

The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, the author develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Bunuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker's book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography."

From subway to Broadway to happily ever after. Modern love in all its thrill, hilarity, and uncertainty has never been so compulsively readable as in New York Times bestselling author Christina Lauren’s romantic novel. Marriages of convenience are so...inconvenient. For months Holland Bakker has invented excuses to descend into the subway station near her apartment, drawn to the captivating music performed by her street musician crush. Lacking the nerve to actually talk to the gorgeous stranger, fate steps in one night in the form of a drunken attacker. Calvin Mcloughlin rescues her, but quickly disappears when the police start asking questions. Using the only resource she has to pay the brilliant musician back, Holland gets Calvin an audition with her uncle, Broadway’s hottest musical director. When the tryout goes better than even Holland could have imagined, Calvin is set for a great entry into Broadway—until his reason for disappearing earlier becomes clear: he’s in the country illegally, his student visa having expired years ago. Seeing that her uncle needs Calvin as much as Calvin needs him, a wild idea takes hold of her. Impulsively, she marries the Irishman, her infatuation a secret only to him. As their relationship evolves and Calvin becomes the darling of Broadway—in the middle of the theatrics and the acting-not-acting—will Holland and Calvin to realize that they both stopped pretending a long time ago?

In public, Oliver Grey is a devoted father, prominent public figure, humanitarian, and respected businessman. But in private, there's a much darker side to Oliver Grey; a side so dark that someone is driven to kill him... Though the Greys appear to be an enviable upper class family, they are not without problems. Ian, the older son, is a womanizer and compulsive gambler; Clive, the younger son, is an odd man barely five feet tall with no life outside his work as an accountant; and Amanda, Oliver's niece, whom he raised after her parents died in a plane crash, has been twice divorced and has had a difficult life. Dan, Amanda's brother, is the only Grey who appears to have no problems—except with his six-year-old daughter Caroline, whose behavior reminds him more and more of his troubled sister Amanda. The trouble had started with Oliver Grey's decision to divide his nationally known business, Grey's Food, among Ian, Clive, and Dan. Amanda, bitter about being left out of the business, arrives from California to straighten out her financial holdings in the company. On a visit to Ellen, Dan's wife, Amanda sees a silver carousel much like the one Oliver gave her when she was a child. Ellen says the carousel was a gift to Caroline from Oliver. Amanda breaks down and tells Ellen that Oliver had given her the carousel to keep her from telling the truth about the unspeakable things he had done to her. Ellen, horrified by this revelation, finally understands why her daughter has been acting so strangely and why a therapist had raised the possibility that Caroline may have been sexually abused. Ellen goes to Oliver Grey's home that evening to confront him. And when she leaves he is dead. Belva Plain breaks new ground in this stunning new novel. A family drama with a strong strain of mystery, The Carousel confirms her standing as one of today's most compelling and popular writers. From the Paperback edition.