I’ve had a bunch of Loudon Wainwright III vinyl for about 10 years. Maybe listened to one album one time. I’m a big fan of the rest of the family – Rufus, his famous son, Rufus’ sister, Martha, and the McGarrigle Sisters, one of whom is Loudon’s ex-wife and Rufus’ mother. I’ve always heard how great he is. I loved him on M*A*S*H when I was a teenager – he made occasional cameos as a folk singin’ doctor who stayed with Hawkeye and B.J. in “the swamp.” On those episodes, scenes would be framed with the funny-sad songs he wrote for the show. But later in life, I just never quite got over the hump with him. He is an artist I respect and admire, but really dont’ want to listen to – like Lou Reed after Transformer.

I know his song “Motel Blues” from hearing Alex Chilton do it on one of those mid-90’s Big Star rereleased live and rarity albums, of which, there were too many. And I love Big Star, but I digress. I liked the song fine, but I didn’t “get it.” I recently found a version of Loudon doing it while looking for Rufus Wainwright stuff, and was truly moved. Chilton missed the self-loathing and desperation in his version. The audience thinks it’s supposed to funny, and then has no idea what to think. And that’s what they call “Art.”

It was a heady week for Rush fans everywhere. They made their first American television appearance in some 30 years on, of all places, The Colbert Report. This matters not one bit to most, but I was staying up all night listening to A Farewell to Kings with a death grip on the lyric sleeve when you were still shitting yourself. Joking aside, I have a permanent soft spot for those Canadian lads no matter how cool I think I get. Also, I’m glad I’m not alone in sucking at Rockband. Enjoy.

I keep reading how Wilco is becoming the band to see, thought at times I find them a bit overhyped and overrated. This, however, is an amazing, desperate, and dynamic performance of one of my favorite Wilco songs. Maybe I need to catch up.

This is supposed to be about getting married, going to France, moving to a new town, etc., but I lack the time and patience to explore that at this juncture. Instead, here’s my usual (though sometimes useful and entertaining) bullshit about music I like.

Exploring YouTube today, I found two things I wasn’t looking for, which is always the best way to find anything.

The first is a J Masic song that I, against all logic and credibility, prefer to most of the classic Dinosaur Jr. canon. I love the slow-loose-Crazy Horse feel. There’s some quiet backing vocals by Robert Pollard, not to mention an inspired video.

The second is a song by Bettie Serveert that I’d forgotten how much I liked. Carol Van Dyk has a lot of Chrissie Hynde in her, and that’s a good thing.

I picked up Willy Vlautin’s 2006 debut novel, The Motel Life, on a whim in a cool little bookstore in, I think, Northhampton, Mass., for no other reason than I liked the cover. It made me feel something, a mixture of curiousity and sadness. I read it in hotels in strange cold beds, and in stolen moments in cars, which is probably how a book of its kind should be read.

It follows the tragic arc of two hard-luck brothers from Reno, Nevada as they run both from a tragic accident and themselves. There’s not a simile, metaphor, or compound sentence to be found anywhere. The language reflects the desolation of the desert landscapes and the lives of the characters. There’s no artifice whatsoever for the truth to hide behind.

If you like Bukowski, Denis Johnson, Jim Thompson, the films of the Coen Brothers, or the songs of Tom Waits, you will find poetry in the work of Willy Vlautin.

Vlautin is also the songwriter and vocalist for the respected Portland, OR country band Richmond Fontaine.

Here’s a reading, with beautiful video, from his new novel, Northline, which I should say I have not read. Yet. The latter is a video from Richmond Fontaine.

This is something of a companion piece to a prior post called “Roth Reconsidered.” My friend and world’s best unknown drummer, Phil N., sent me these youtube discoveries. These are isolated vocal tracks of Freddie Mercury from various Queen classics. And they are muthafuckin strong. Ready, Freddie!

I’m something of a newcomer to Gillian Welch and David Rawlings. My friend Phil burnt Time(The Revelator) for me three or four months ago. I was aware of her and her reputation, but I had no idea what I was missing.

A coworker of mine asked me if I’d heard their cover of Radiohead’s “Black Star” from The Bends. I hadn’t. It’s truly spellbinding. David Rawlings is some sort of strange, tasteful guitar hero in waiting.

I found the Yngwie Malmsteen video while watching and searching for live Kansas videos. There. Are you fucking satisfied? Now you know. I had forgotten how much I loved the singer. That dude is something. He’s like a forgotten fourth or fifth .38 Special guitarist.

I woke up today knowing I’d had some kind of fucked up ridiculous dream, but it took most of the day to piece it together. Here’s what I can remember:

My lady, Barbara, and I are sitting on the couch with our friends, Phil and Sara (which actually happened on Saturday night.) We are watching television and I have the remote. I’m just randomly going through the channels trying to find something watchable when I stumble upon that culture-destroying monstrosity that is Bret Micheal’s Rock of Love, the VH1 reality show. I’ve seen maybe five or ten minutes of it before, and it made no impression other than illiciting a groan. In the dream, however, I was really into it because Bret was “going down” on all of the female constestants. One by one. All of them.

Sara was disgusted and cried out, “That’s so gross! Turn it! Turn it now!” but I wouldn’t or perhaps couldn’t. Phil just giggled. Barbara was physically trying to wrestle the remote from my grasp, but I fought her. After several minutes of this, Sara pulled Phil up and they left in a huff. Barbara told me to find somewhere else to sleep . As I remember it, that’s the end.