Do-it-yourself kit for the 4ms Atoner. It contains all parts, a face plate and the unpopulated circuit board. Although the english manual explains the buildup process quite well you should bring some knowledge in electrotechnics and soldering skills.

A do-it-yourself kit for the Noise Swash Eurorack module by 4ms. All parts as well as the unpopulated PCB and a face plate are supplied.
Although the english manual explains the buildup process quite well but you still should bring some knowledge in electronics and soldering skills.

The Noise Swash is a chaotic random noise-maker and CV generator, generating its own sounds or working as an audio processor. As a stand-alone device it generates unpredictable continuously morphing oscillations on the Audio Output jack, and random CV fluctuations out the dual-direction "Mood CV" jack.

All electronic components as well as the blank PCB and a faceplate are included. Although the english manual explains the buildup process quite well but you still should bring some knowledge in electronics and soldering skills.

All those people willing to DIY can build a breakout module for the4ms Shuffling Clock Multiplier by themselves. All electronic components as well as the blank PCB and a faceplate are included. Although the english manual explains the buildup process quite good you should bring some knowledge in electrotechnics and soldering skills.

DIYers can build a 4ms Shuffling Clock Multiplier with this kit. All electronic components as well as the blank PCB and a faceplate are included. Although the english manual explains the buildup process quite good you should bring some knowledge in electrotechnics and soldering skills.

The AL-22 is a MIDI-to-CopperLan interface, i.e. it allows you to use your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The AL-88 is a MIDI-to-CopperLan interface, i.e. it is used to integrate your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers. Up to 16 MIDI cables can be connected (8x MIDI-In and 8x MIDI-Out)

The AL-88c is a CopperLAN interface with eight MIDI In/Out pairs. You can use it as a 8x8 MIDI patchbay, either very flexible in combination with a computer or directly coupled to other CopperLAN devices (peer to peer).
The unit has the same functionality and features like it's big brother, the AL-88 but at a way lower price for the sake of some reductions.

The AleX from Alyseum is a MIDI-to-CopperLan interface for retrofitting your MIDI devices with a CopperLan connector. It is designed to integrate your MIDI gear into the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The MS-812 by Alyseum is an Eurorack module which creates the gateway between your CopperLan network and your Eurorack modular system.

The high number of CV and digital outputs gives you a very powerful MIDI-to-CV/Gate interface which can also carry clock outputs or can work as a MIDI-to-Sync24 converter. The module can be controlled by several computers in your network simultaneously.

Four-storied wooden cabinet made of finest walnut wood, intended for mounting 3U modules by Analogue Systems. It provides as power supply and a "trink line". Each of the RS8000's four rows offers 84HP space for modules.

The Sorceror is the ideal solution for a keyboard-based medium-sized modular system as its beautiful walnut case houses both a 49-key keyboard as well as a cabinet for modules.
The keyboard in the bottom half features MIDI, CV plus elaborate keyboard and wheel controls, while the upper part is a cabinet with 168HP space for modules. Pretty much like a Demon keyboard with an Apprentice cabinet on top combined in one unit.

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Room simulation in studio quality – EOS features two superbly sounding, flexibly editable reverb algorithms. Plate is perfectly suited for refining drum, percussion and effect sounds as well as the human voice. Superhall delivers subtle and cold to voluminous, softly wafting results. – An excellent choice for giving leads, pads or atmospheres that certain something. Using the freeze function, it is possible to generate huge, endless walls of reverb. In general, EOS can be characterized as a dense sounding effect with high resolution. It is on a par with far more expensive studio processors.

Audio Damage brings you the Neuron a versatile digital drum voice, sounding good and being utterly flexible. The by-name "FM Drum Voice" is a slight understatement because besides FM sounds the module can do pretty much everything from the electro drum kit: filtered noise makes snare drums possible, a wide frequency range allows for kicks, toms and more, FM provides you with anythind metallic, cymbals and effect sounds. A 2-in-1 distortion and a pitch envelope is abord, too.

Odio is a very functional 2-IN 2-OUT USB audio interface that runs at modular audio levels, designed primarily for use with iOS devices but it works also with Windows and Linux.
Easily integrate iPad effects and instruments in to your modular rig. Use a netbook/tablet and a simple host to use VST plug-in effects as inserts in your modular.
The Odio's outputs are DC cupled and can emit CVs.

Unlike 007 in Spectre it won't shoot people when you but it will freeze a frequenc spectrum when you use the trigger. Spectre by Audio Damage is a Fast Fourier Transformation (FFT) based effect module which captures the audio signal and is able to freeze its frequency spectrum. The frozen signal can be pitch shifted, spread in the stereo panorama and mixed with the original to create tuned drones, glitchy spheres, vocal sounds, trippy drums and much more.

The Æverb Mk2 is a digital reverb processor with extremely dense sound. Its results are rather unrealistic, yet very atmospheric. The user can choose between two reverb algorithms. All effect parameters feature CV inputs. Two audio inputs and outputs make the Æverb Mk2 a true stereo processor.

The CED module on one hand is used as an oscillator tuner with two different modes of operation and a LED chain for visualsation, on the other hand it can be a sub octave generator with adjustable octave. That's two modules in two HP only!

Voltage controlled multi mode filter of state variable topology. Not only being small in size but also sounding very tasty and unique. The slopes are rather flat with -12 and -6dB, providing for a rather smooth sound, unless you actvate the switches for the special parameters for resonance character and overdrive, as it will get wild, gnarly and dirty.

Really odd and unconventional module combining and intertwining an envelope follower, a rectifier, a comparator and a voltage controllable switch. You may ask: What for? Well, for extracting gates from an audio signal. For generating a compressor curve CV which turns any better VCA into a flexible compressor. Or for creating a "fake" Thru-Zero modulation! The individual sections can be used separately of course.

Grampa, grampa, will you please play me a story from my granular sample player? All 35 which are on the microSD? The grandPA module offers 12Bit, sample rate up to 44.1kHz, direct playback of two samples, distortion, then adjustable start- and end-points, gran size and more. All that fun on 5HP only and for small money.

Jimi Hendrikson would have had a lot of fun which this module, processing his guitar with a modular system or connecting his stomp boxes. The module is versatile; it can be either a pre-amplifier for guitars and other instruments or a interface for external effects with voltage control of the dry/wet mix. You might as well realize a voltage controllable feedback loop with external effects.

Versatile six-track trigger/gate sequencer which offers up to 256 steps per pattern, yet remaining the fast and easy-to-use workflow of a classic 16-step sequencer. The solution is a smart partition into pattern, bar, step and sub-step as well as very useful functions like clear, copy/paste and undo. What else: mute per voice, clock generator, step repetition, saving everything on microSD card, record function.

Bastl call it to the point a "trigger toolie", to be exact this module is a multi-channel processor for clocks, triggers and gates. It has two sections which can be coupled or used individually. In total there are five outputs processing input signals in a different way: by clock delay, clock division or clock multiplication, trigger repetition but also in form of a euclidian sequencer, a probability based groove generator and finally a clock oscillator.

The popular MicroGranny2 is a monophonic standalone granular sampler/sample player in miniature format. It records and can read WAV files from microsD card and processes it via granular algorithms. Adjustable parameters are start and end point of the sample as well its sample rate and bit crushing - for modulation an attack-decay envelope generator is available. Via MIDI you can control all parameters, transpose the sample or play different grains by individual notes. The unit has an Arduino chip which can be hacked.

The name is a nice pun referring to the capabilities of the module: "noise²" alias "squared noise" points to the two types of noise generators in the module: analog and digital. "Square" by itself refers to the square wave generation the module is capable of. All these signals are especially but not exclusively suitable as base for drum sounds.

An unusual, because non-linear sequencer concept. The eight steps can be addressed in a number of ways: by several trigger signals which go one or more steps forward or backward, by using control voltages or even with three binary gates. A control voltage input is included as well, either transponsing the pitch quantized / non-quantized or or even to change the quantiser's scale from major to minor.

In this module four linear VCAs are combined in a smart way by using internal routings, inversions and mix outputs to form an easy-to-use voltage controlled mixer/panner module. Each channel might as well be used as a individual VCA or even as a voltage inverter.

Not another clone of a far-east TR bass drum, as one might think, but something entirely different: an electronic hobbyist's true vintage Eastern Bloc design from the times of the communist Chechoslovakia. It has voltage controllable tuning, adjustable resonance and click as well as a number of parallel audio outputs for a number of drum sounds. Pretty interesting and versatile drum voice with a wide frequency range which can be used as a weird oscillator as well.

Tromso contains three separately useable circuits: a voltage controlled triangle wave oscillator, a comparator and finally a sample & hold which can be used as a track & hold alternatively.
So far it is a handy small tool but normalizations between the individual sections make it even more interesting because in this case the module is great for analog downsampling of audio signals i.e. as a sample rate reducer.

This module is a small revolution as it integrates a modular idea from recording gear into Eurorck. It makes it possible to use up to three interchangeable saturation Colour circuit boards from the "Colour 500-Series Palette", an API 500 form factor device, into Eurorack. With voltage control of level, and with the prospective ColourCV boards even with voltage control of parameters!
Well, it's a module with a modular idea behind it, interchangeable timbres like saturation of transformers, behaviour of vintage audio gear to effect simulation.

The bundle contains one ColourPalette module and the two ColorCVs Woof and Tweet.

This module is a small revolution as it integrates a modular idea from recording gear into Eurorack. It makes it possible to use up to three interchangeable saturation Colour circuit boards from the "Colour 500-Series Palette", an API 500 form factor device, into Eurorack. With voltage control of level, and with the prospective ColourCV boards even with voltage control of parameters! Well, it's a module with a modular idea behind it, interchangeable timbres like saturation of transformers, behaviour of vintage audio gear to effect simultaion.

Analog oscillator with a very own approach and that is two independent frequency control circuits beetween which the VCO can switch autonomously. This alters both the sound and frequency ratios, created glitches and new wave forms. An AM input is used, depending on a pot's setting, as a extra audio input or a the modulation signal for the awesome ringmodulator.
Difficult to describe but very unique and interesting!

Very authentic emulation of the voltage controlled low-/bandpass filter from the russian Formanta Polivoks synthesizer. Although the circuitry was adapted to modern modular systems and the low-end's behaviour was enhanced, the module's heart still are the original intedrated circuits K140UD12 responsible for the filter's special sound with it's wicked resonance.

Versatile clone of the russian Polyvoks synthesizer's filter with some fancy extras. The resonance is voltage controllable, both the filter slope of the lowpass respective the bandpass width is adjustable with a potentiometer as is the resonance behaviour. With these functions the D-Tech filter can produce both smooth, ballsy sound but also Polyvoks resonant screams, so typical for the Polivoks. Have it your way. And the module is really adequate for creating very wonderful, wooden drum sounds by "pinging" the filter.

Precise duophonic MIDI/CV interface with 16Bit converters, directly adjustable Glide, a tune potentiometer and two FM/transpose inputs. The special feature is aparaphonic mode which exactly simulates the behaviour of an ARP Odyssey or a Formanta Polivoks exactly - it's a duophonic mode where a single gate is produced no matter which of the two keys is pressed.

This is not the first tube ring modulator in Eurorack form factor but probably one of the smallest. It uses a 6ZP1 pentode tube which reacts quickly to CVs and clearly has a tubish sound without being too extreme. Use the module as a ring mod, as a VCA or just for adding some tube flavour to your audio.

Small 6V AC power supply which must be installed if you want to use Erica Fusion V1tube modules. Advantage is that the tubes won't draw energy from your main Eurorack power supply when heating up.
One Fusion V1 power supply can provide enough energy for the heaters of up to seven Fusion V1 tube modules.

This module contains two three-channel tube mixers which have been designed specially for direct mixing of VCO waveforms. Because of the tube sound and it' saturation behaviour this module can be used as a fine waveshaper, which can sounds pretty brutal when 3 VCOs are mixed at high levels. Especially living waveforms with constantly changing harmonic content like PWM will be heavily processed by the tube.

Erica's Sequential Switch module together with it's control interface is unique and it's features set it apart from others. Each of the eight channels can be turned on and off individually or be skipped, can output a gate and be merged with the adjacent channel to generate tied gates.
The module makes it possible to create sound and clock sequences, to switch signals or to send one audio source to eight different destinations sequentially.

Arpeggiator module containing two arpeggiator channels for bass and melody. Each arpeggiator´s pitch and clock (or gate) are available at individual outputs. The first four notes of the melody arpeggio (ARP) are output as chord at four dedicated CV outputs 1-4. With the miniature keyboard notes can be entered directly as cords or scales, The included expansion module X-2013 allows you to output the arpeggios via MIDI, to sync the module to MIDI clock and gives 8 clock outputs for sequencer tracks.

A new, touch-free, 3D controller working with precise and fluid cutting-edge sensor technology. At the same time it's a multi-track sequencer with loopable gesture record function, overdub, gesture control of playback, quantization and much more.
The module has been developed with the idea of a centerpiece for a whole modular system in mind, with opertaion modes ranging from simple to very deep but still remaining intuitive.

About us

SchneidersLaden is a place of electronic music. We carry hardware synthesizers, effects and sound processors, sequencers, almost everything for contemporary modular systems, interfaces and other devices for creative use with sound and music.

This website is intended to make devices available online, pass on our knowledge about manufacturers and their products and to answer questions.

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