However, while Bosch’s work strove to warn late-mediaeval Christians about the wages of “sin,” David LaChapelle mistakenly interprets the Garden as “Bosch’s utopia of a diverse society.”

It’s a nice thought, and the posters (below), are beautiful — if not suitable for every workplace. Titled “I’m Adam, I’m Eve, I’m Me,” they feature Ms. Carrera — who has breasts and a penis — in both “tucked” and “untucked” nudes. They remind me more of sensual Roman portrayals of Hermaphroditus than Bosch’s guilt and horror.

Or as the artist states, “the body is more than something to be looked at as an object of sexual gratification. The body is a beautiful housing for the soul that we are celebrating in this picture.”