***This wouldn't really sound out of place on In The Lonely Hour and I wouldn't think twice if it were just credited to Sam Smith which makes me think that whoever or whatever Disclosure is has little to offer. Nothing special or worthy to be found here, move along.

****"Magnets" has over-shadowed this big-time in the last few weeks, and while I definitely prefer that, I did in fact enjoy this for a few weeks before that was released and I decided that I would call myself a fan.

I'm still a fan of this song though, and hopefully we can hear some more Disclosure and Sam Smith collaborations in the future.

****For as much as I really enjoy shading Sam Smith, at some point I'll probably have to come to accept that I like far more of his songs than I don't, and that if this really is the worst (for me) that pop has to offer 2014-present, then we've got things pretty dang good!

Incidentally, this song was on the 'not-quite-shit-but-relative-to-things-I'd-rather-listen-to' pile, but really I think I was just more disappointed in Disclosure, or maybe the music buying public. Because it's hard not to see this as a case of accepting that Disclosure are never going to crack the pop charts unless they get one of their famous friends on board, and it's quite apparent that Disclosure know this too. So I was initially probably a bit harsh on this track.

That wasn't really fair of me though. All things considered, this is just as vibrantly produced (perhaps moreso) as some of my favourite "Caracal" cuts, and Sam doesn't do a bad job at all. The hook is a bit so-so, but the chorus prior to that really hits the spot. 3.9

*****Very slick production. The higher notes (mostly in the chorus) make the right impact. Continues an improved recent run of good tracks from Sam. Well done NZ for giving this the more solid chart run it deserved.For the record, better than 'Latch' and surpasses the sometimes tiresome 'Magnets'.