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From the maker of Saw II, III and IV, MOTHER’S DAY is a graphic remake of the Troma horror classic, Mother’s Day. After a bank robbery gone wrong, three brothers go home to hideout…only to discover that their Mother (Rebecca De Mornay) lost their house in a foreclosure. The new owners and their party guests become the depraved brothers’ unwitting hostages. Their sadistic Mother soon arrives and brilliantly takes control of the situation, ratcheting up the terror. As the hostages struggle desperately to survive the harrowing torture, they realize that there is nothing a Mother won’t do to protect her children. Based on “Mother’s Day” written by Charles Kaufman and Warren Leight, screenstory and screenplay by Scott Milam and Directed by Darren Lynn Bousman, MOTHER’S DAY also stars Jaime King, Briana Evigan, Patrick Flueger, Deborah Ann Woll, Matt O’ Leary, Jessie Rusu, Frank Grillo, Warren Kole, and Shawn Ashmore.

In “Tokyo!”, three visionary directors (Michel Gondry, Leos Carax and Bong Joon-ho) come together for an omnibus triptych examining the nature of one unforgettable city as it’s shaped by the disparate people who live, work (and run amok) inside an enormous, constantly evolving, densely populated Japanese megalopolis — the enchanting and inimitable Tokyo.

“Interior Design” (Michel Gondry): A young couple tries to set themselves up in Tokyo. The young man’s ambition is clear — to become a film director. His girlfriend, far more indecisive, cannot escape the vague feeling that she’s losing control of her life. Directionless, both are beginning to go under in this vast city until the young woman, utterly alone, becomes the object of a bizarre transformation…

“Merde” (Leos Carax): A mysterious creature spreads panic in the streets of Tokyo by means of his provocative and destructive behavior. This man, dubbed “The Creature of the Sewers” by the media, arouses both passion and repulsion…until the moment he is captured…

“Shaking Tokyo” (Bong Joon-Ho): For more than 10 years, he’s been a hikikomori. He lives shut up in his apartment, strictly limiting all contact with the outside world to an absolute minimum. When a pizza delivery girl faints in his home during an earthquake, the unthinkable happens — he falls in love. Shortly after, he learns that the girl has in turn become a hikikomori. Will he dare cross the threshold that separates his apartment from the rest of the world?

When Bong Joon-ho first opened Jean-Marc Rochette’s comic ‘Snowpiercer’ in a Seoul bookshop, he supposedly devoured all three volumes on the spot. Eight years later, the French comic has been made into the most lavish Korean film of all time, a parable on the final days of humankind. Seolguk-yeolcha describes an impending ice age caused by human hand, whose last survivors are left circling the earth in a nonstop express train. The rich are in the front carriages and the poor – from whose perspective the story is told – at the back.
If you walk along a moving train from back to front, you end up travelling faster than the train itself relative to the Earth. This is the dynamic force upon which Bong’s film thrives: there’s only one direction in which this revolt can go and it’ll be doomed to failure if its speed doesn’t exceed the reaction. With its impressive cast, breath-taking artificial landscapes, fantastic make-up, over-the-top décor, fresh, witty dialogue and a healthy portion of humour, Bong Joon-ho gives back to cinema what the Lumière brothers themselves already used to impress their audiences: the sheer force of the machine. [Synopsis courtesy of Berlinale]

1986 Gyunggi Province. The body of a young woman is found brutally raped and murdered. Two months later, a series of rapes and murders commences under similar circumstances. And in a country that had never known such crimes, the dark whispers about a serial murderer grow louder. A special task force is set up in the area, with two local detectives Park Doo-Man and Jo Young-Goo joined by a detective from Seoul who requested to be assigned to the case. Based on a true story that occurred in Hwaseong, Gyeonggi Province over the course of six years (1986 – 1991). 10 women were raped and murdered in a 2km radius ranging from a 71 year-old grandmother to a 13 year old schoolgirl. Over 3,000 suspects were interrogated and at least 300,000 police took part in the massive investigation. Not a single person was indicted for the crimes.