Science & technology commentary

Daily Archives: May 2, 2011

This was spurred by a thread on Aimee Salter’s, Seeking The Write Life, I read a day ago at this link. Go ahead, read it and then come back. Okay. Now my two bits. Oh and if you read the comments, you have seen this already, just skip ahead to the Postscript (the P.S.) at the bottom. For those of you who were less dutiful, please continue.

“Laura Croft/Buffy Summers” Syndrome is a condition I have noticed in almost all female protagonists in the last twenty years in all forms of media not just in YA literature. LC/BS Syndrome has infiltrated movies and television as well, likely as a response to the previous hundreds of years of literature where women have been needing to be rescued to be viable in any kind of tale.

I do not have a problem with LC/BS Syndrome in and of itself. Women can be physically nearly as strong like men, fight as well as men and be as viable as main protagonists as any man. Yes, I said nearly as strong physically because pound for pound they are not. Not withstanding, women have lots of other capabilities that men are often less capable of developing and as such I consider them to be abilities that compensate for the minor difference in raw physical strength.

The problem lies in the way they have become these super-beings. They have done it by “becoming” men; solving problems the way men have done in literature. Women have different skills, different ways of thinking and solve problems in ways that men rarely do. I am saddened to see how things have turned out for women and finding this transition into “male archetypes” to be a lessening of the innate (and in my opinion, superior) capabilities of women’s considerable intuitive intellect.

I have seen this show up in the real world where women wear men’s suits trying to compete with men in the workplace only to find out men resent women trying to become men because, well, they aren’t men. Writers need to let female protagonist utilize ALL of the skills available to them, particularly those skills that are more suited to the female mindset. Women do not need to be men to be excellent protagonists. Women need to solve problems to be protagonists. Let them be the best women they can be, not second-class men.

And don’t get it twisted. I enjoyed Buffy, Serenity, Farscape, Battlestar Galactica, all with amazing women doing awesome stuff only men used to get to do. But almost all of these characters fell out of their true potential as female characters.

To point at a character who has maintained some level of “female-ness” I show the character of Olivia Dunham (Anna Torv) from the TV show Fringe. She is a strong FBI Agent who takes no prisoners, fights well, shoots well, and is not to be taken lightly with any physical confrontation. But she does not win them all. And I respect writers who recognize she shouldn’t. Especially against much bigger physical opponents. But where Olivia shines is her very human, very female intuition which she uses to solve problems and arrive at solutions that the male characters may also arrive at using very linear-male problem-solving techniques. They do not underestimate her, they do not relegate her to a secondary position and often it is her intuitive, nurturing nature that brings a very different point of view to the Fringe Universe.

What we need are writers who are able to appreciate men and women as distinct and interesting beings who can develop skills from both sides of the physical and mental spectrum. This takes some skill to develop and often my personal belief is that protagonists who are strongly one way or the other reflect their author’s personal idiosyncracises more than any other single element of the character’s development.

Just my two bits. Your mileage may vary.

Thaddeus
@ebonstorm

P. S. There are plenty of female characters who also reflect my idea of the ideal female characters, who do not become caricatures. Strangely enough, three of the four I am thinking of are FBI Agents. Clarice Starling (Jodi Foster) of Silence of the Lambs, Dana Sculley (Gillian Anderson) of the X-files, and the last is from a much lamented (from my point of view) Farscape, in which two of the female characters, Aeryn Sun (Claudia Black) and Zhaan (Virginia Hey) were physically awesome, mentally superior and yet still manged to be wonderful women with all that entails. Emotionally sensitive, sensual and aware of their power over men, and occasionally needed to be rescued with they got in over their heads, just the same way the male leads who showed comraderie, nurturing, love and supporting roles during the course of the show without being characterized as weak or feminine. Perhaps it is just the double standard rearing its ugly head again.

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Whisperer of impossible secrets, traveler to the underpinnings of crippled realities; a twisted mentat conscripted by dark non-Euclidean gods to create new universes for their entertainment!

Thaddeus Howze is a California-based technologist and author who has worked with computers since the 1980's doing graphic design, teaching computer science, network administration and IT leadership.

His non-fiction work has appeared in: Black Enterprise, the Good Men Project, Examiner.com, and Astronaut.com. He maintains a diverse collection of non-fiction at his blog, A Matter of Scale. He is a contributor at The Enemy, a nonfiction literary publication out of Los Angeles.

He is now a moderator and contributor to the Scifi.Stackexchange.com with over a thousand articles in a three year period. He is now an author and contributor at Scifiideas.com. His science fiction and fantasy has appeared in Medium.com, the Magill Review, ScifiIdeas.com, and the Au Courant Press Journal. He has a wide array of his work on his website, Hub City Blues. His recently published works can be found here. He also maintains a wide collection of his writing and editing work on Medium.com.

His speculative fiction has appeared in numerous anthologies: Awesome Allshorts: Last Days and Lost Ways (Australia, 2014), The Future is Short I and II (2014/2015), Visions of Leaving Earth (2014), Mothership: Tales of Afrofuturism (2014), Genesis Science Fiction (2013), Scraps(2012), and Possibilities(2012).