The song was used to anchor the 1970 Greatest Hits II LP. The song reached #3 on the US pop charts and #2 on the US R&B charts.[1]Billboard ranked the record as the No. 24 song of 1970.[2] It reached no. 7 in the UK Singles Chart.[3]

Randy Shilts named his award-winning journalistic account of the AIDS epidemic, And the Band Played On, quoting the lyrics of Ball of Confusion. The repeated use of the phrase "and the band played on" (in the song) signaled that no one was paying proper attention to world problems, the same way the AIDS epidemic was initially ignored. [4][5]

Turner's synth-driven interpretation of "Ball of Confusion" opened the album and was also issued as a single and became a Top 5 hit in Norway, which led to Capitol Records signing Turner and Martyn Ware and Ian Craig Marsh recording another 1970s cover with her in late 1983. The track was Al Green's "Let's Stay Together" which became a surprise hit single on both sides of the Atlantic and the starting point of Turner's comeback, with the following album Private Dancer going multi-platinum in 1984.[citation needed]

1.
The Temptations
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The Temptations are an American vocal group known for their success with Motown Records during the 1960s and 1970s. Known for their choreography, distinct harmonies, and flashy wardrobe, having sold tens of millions of albums, the Temptations are one of the most successful groups in music history. As of 2015, the Temptations continue to perform with one member, Otis Williams. Featuring five male vocalists and dancers, the formed in 1960 in Detroit. In 1964, Bryant was replaced by David Ruffin, who was the lead vocalist on a number of the groups biggest hits, including My Girl, Aint Too Proud to Beg, and I Wish It Would Rain. Ruffin was replaced in 1968 by Dennis Edwards, with whom the group continued to record hit records such as Cloud Nine, the groups lineup has changed frequently since the departures of Kendricks and Paul Williams from the act in 1971. Over the course of their career, the Temptations have released four Billboard Hot 100 number-one singles and fourteen R&B number-one singles, and their material has earned them three Grammy Awards. The Temptations were the first Motown recording act to win a Grammy Award - for Cloud Nine in 1969 -, six of the Temptations were inducted into the Rock and Roll Hall of Fame in 1989. Three classic Temptations songs, My Girl, Just My Imagination, the Temptations were also ranked at number 68 on Rolling Stone magazines list of the 100 Greatest Artists of all time. Eddie Kendricks and Paul Williams started singing together in church as children, by their teenage years, they formed a doo-wop quartet in 1955 with Kell Osborne and Wiley Waller, naming themselves the Cavaliers. After Waller left the group in 1957, the trio left Birmingham to break into the music business. The group settled in Detroit where they changed their name to the Primes under the direction of Milton Jenkins, the Primes soon became well known around the Detroit area for their meticulous performances. Jenkins later created a group, The Primettes, later known as the Supremes. Kendricks was already seen as an idol in the Detroit area while Williams was well received for his baritone vocals. Texas teenager Otis Williams moved to Detroit as a youngster to be with his mother, by 1958, Williams was the leader of a vocal group named Otis Williams and the Siberians. The group included Elbridge Al Bryant, James Pee-Wee Crawford, Vernard Plain, the group recorded a song, Pecos Kid for a label run by radio deejay Senator Bristol Bryant. Shortly after its release, the changed its name to The El Domingoes. Following this, Montgomery native Melvin Franklin replaced Arthur Walton as bass vocalist and Franklins cousin, Detroit-born Richard Street, signing with Johnnie Mae Matthews Northern Records, the group had their name changed again to The Distants

2.
Tina Turner
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Tina Turner, is an American-born Swiss recording artist, dancer, actress, and author, whose career has spanned more than half a century, earning her widespread recognition and numerous awards. Born and raised in the Southeastern United States, Turner obtained Swiss citizenship in 2013 and she began her musical career in the mid-1950s as a featured singer with Ike Turners Kings of Rhythm, first recording in 1958 under the name Little Ann. Her introduction to the public as Tina Turner began in 1960 as a member of the Ike & Tina Turner Revue. Success followed with a string of notable hits credited to the duo, including A Fool in Love, River Deep – Mountain High, Proud Mary, and Nutbush City Limits, a song which she herself wrote. In her autobiography, I, Tina, she revealed several instances of domestic abuse against her by Ike Turner prior to their 1976 split. After her divorce from Ike Turner, she rebuilt her career through live performances, Whats Love Got to Do with It, the lead single won three Grammy Awards including Record of the Year. Whats Love Got to Do with It was later used as the title of a loosely based biographical film adapted from her autobiography, One of the worlds best-selling artists of all time, she has also been referred to as The Queen of Rock n Roll. Turner has been termed the most successful female Rock n Roll artist, receiving eleven Grammy Awards, including eight competitive awards, Turner has also sold more concert tickets than any other solo performer in history. Her combined album and single sales total approximately 180 million copies worldwide and she is noted for her energetic stage presence, powerful vocals, and career longevity. In 2008, Turner returned from semi-retirement to embark on her Tina, Turners tour became one of the highest selling ticketed shows of 2008–09. Rolling Stone Magazine ranked Turner no.63 on their list of 100 greatest artists of all time, in 1991, Turner was inducted into the Rock and Roll Hall of Fame. Turner announced in December 2016 that she has been working on Tina, Turner was born Anna Mae Bullock on November 26,1939, in Nutbush, an unincorporated area in Haywood County, Tennessee. Her parents were Zelma Priscilla and Floyd Richard Bullock, Anna Mae was born at Poindexter Farm on Highway 180, where her father worked as an overseer of the sharecroppers. She is of African-American descent, with approximately 33% European and 1% Native American ancestry, Anna Mae had an older sister, Ruby Aillene. As young children, Anna Mae and Aillene were separated when their parents relocated to Knoxville, Tennessee, after the war, the sisters reunited with their parents and moved with them to Knoxville. Two years later, the returned to Nutbush to live in the Flagg Grove community. In 1889, her uncle had sold the land on which the school was built to the school trustees. As a youngster, Anna Mae sang in the choir at Nutbushs Spring Hill Baptist Church

3.
New wave music
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New wave is a genre of rock music popular from the late 1970s to the mid-1980s with ties to 1970s punk rock. New wave moved away from smooth blues and rock and roll sounds to create pop music that incorporated electronic and experimental music, mod, initially new wave was similar to punk rock, before becoming a distinct genre. It subsequently engendered subgenres and fusions, including synth-pop, college rock, common characteristics of new wave music include the use of synthesizers and electronic productions, the importance of styling and the arts, as well as diversity. In the mid-1980s, differences between new wave and other genres began to blur. New wave has enjoyed resurgences since the 1990s, after a rising nostalgia for several new wave-influenced artists, subsequently, the genre influenced other genres. During the 2000s, a number of acts explored new wave and post-punk influences, such as the Strokes, Interpol, Franz Ferdinand and these acts were sometimes labeled new wave of new wave. The catch-all nature of new music has been a source of much confusion. The 1985 discography Whos New Wave in Music listed artists in over 130 separate categories, the New Rolling Stone Encyclopedia of Rock calls the term virtually meaningless, while AllMusic mentions stylistic diversity. New wave first emerged as a genre in the early 1970s, used by critics including Nick Kent and Dave Marsh to classify such New York-based groups as the Velvet Underground. It gained currency beginning in 1976 when it appeared in UK punk fanzines such as Sniffin Glue and newsagent music weeklies such as Melody Maker and New Musical Express. In November 1976 Caroline Coon used Malcolm McLarens term new wave to designate music by bands not exactly punk, the term was also used in that sense by music journalist Charles Shaar Murray in his comments about the Boomtown Rats. For a period of time in 1976 and 1977, the new wave. By the end of 1977, new wave had replaced punk as the definition for new music in the UK. As radio consultants in the United States had advised their clients that punk rock was a fad, like the filmmakers of the French new wave movement, its new artists were anti-corporate and experimental. At first, most U. S. writers exclusively used the new wave for British punk acts. Music historian Vernon Joynson claimed that new wave emerged in the UK in late 1976, in the U. S. the first new wavers were the not-so-punk acts associated with the New York club CBGB. CBGB owner Hilly Kristal, referring to the first show of the band Television at his club in March 1974, said, furthermore, many artists who would have originally been classified as punk were also termed new wave. A1977 Phonogram Records compilation album of the same name features US artists including the Dead Boys, Ramones, Talking Heads, New wave is much more closely tied to punk and came and went more quickly in the United Kingdom than in the United States

4.
Heaven 17
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Heaven 17 are an English new wave and synth-pop band that formed in Sheffield in 1980. The band were a trio for most of their career, composed of Martyn Ware, Ian Craig Marsh, although most of the bands music was recorded in the 1980s, they have occasionally reformed to record and perform, playing their first ever live concerts in 1997. Marsh left the band in 2007 and Ware and Gregory continued to perform as Heaven 17, when personal and creative tensions within the group reached a breaking point in late 1980, Marsh and Ware left the band, ceding the Human League name to Oakey. Taking their new name from a pop band mentioned in Anthony Burgesss dystopian novel, A Clockwork Orange, they became Heaven 17. B. E. F. s first recordings were an album called Music For Stowaways and an LP called Music For Listening To. Shortly after, they completed their line-up when they recruited their friend, photographer Glenn Gregory, like The Human League, Heaven 17 heavily used synthesisers and drum machines. Session musicians were used for guitar and guitar and grand piano. Whereas the bands former colleagues the Human League had gone on to chart success in 1981. Their debut single Fascist Groove Thang attracted some attention and, due to its overtly left-wing political lyrics, was banned by BBC Radio 1 DJ Mike Read. Neither this nor any other of the four singles taken from the debut album Penthouse. The album itself proved to be a success, peaking at Number 14 on the UK Albums Chart, around this time, Ware and Marsh produced two further albums as B. E. F. The first being Music of Quality & Distinction Volume One featuring Glenn Gregory, Tina Turner, Paula Yates, Billy Mackenzie, Hank Marvin, Paul Jones, Bernie Nolan, the tracks were cover versions of songs that Ware, Marsh and Gregory had grown up listening to. The album peaked at number 25, the second album was Geisha Boys and Temple Girls for the dance troupe Hot Gossip, which used songs formerly recorded by the Human League and Heaven 17, and a track each from Sting and Talking Heads. B. E. F. took over production duties when Richard James Burgess of the band Landscape was unable to complete the album, in October 1982, Heaven 17 released their new single Let Me Go, which disappointingly charted just outside the UK Top 40. However, in 1983 the bands fortunes changed and their next single, Temptation, reached number 2 on the UK Singles Chart in spring 1983 and became their biggest hit. The song was taken from their album, The Luxury Gap. The album itself charted at number 4 on the UK Albums Chart, their highest ever position, and was certified platinum by the BPI in 1984. In the United States, their self-titled Heaven 17 album was a re-working of Penthouse, towards the end of 1983, the band helped relaunch Tina Turners career, producing, and providing backing vocals on her hit Lets Stay Together, a cover of the Al Green song

5.
Paul Jones (singer)
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Paul Jones is an English singer, actor, harmonica player, radio personality and television presenter. Paul Jones was born as Paul Pond in Portsmouth, Hampshire, Jones he performed duets with Elmo Lewis at the Ealing Club, home of Alexis Korners Blues Incorporated, whose singers included Long John Baldry and Mick Jagger. He was asked by Keith Richards and Brian Jones to be the singer of a group they were forming. He went on to be the vocalist and harmonica player of the successful 1960s group Manfred Mann, Paul Jones had several Top Ten hits with Manfred Mann before going solo in July 1966. He remained with His Masters Voice, while his solo career in the UK was mildly successful, he sold few records in the US. He had enough hits in Sweden to have a greatest hits album released there on EMI and his subsequent single releases in Britain in the late 1960s were on Columbia Records. His performance opposite model Jean Shrimpton in the 1967 film Privilege, directed by Peter Watkins, did not bring him stardom, although the film later became a cult classic. Jones was cast as a pop singer in the film, and sang the songs Ive Been a Bad, Bad Boy and Set Me Free, which Patti Smith covered in the 1970s. In 1971 Jones recorded Crucifix in a Horseshoe with White Cloud, in 1975 he guest-starred in a TV episode of The Sweeney as Tommy Garret, a boxer-turned-gangster. Jones had previously worked with Covington in the BBCs 1975 Christmas production Great Big Groovy Horse and it was later repeated on BBC1 in 1977. His gold albums include one for Evita, in 1978 he released a single on the RSO label, consisting of orchestrated versions of the Sex Pistols Pretty Vacant and the Ramones Sheena Is a Punk Rocker, both produced by Rice. Four years later he appeared as one of the guest vocalists on the British Electric Foundations Music of Quality and Distinction, on a new version of Theres a Ghost in My House. He founded The Blues Band and is a member of the Manfreds, a group reuniting several original members of Manfred Mann, in 2009 he issued Starting All Over Again on Continental Record Services in Europe and Collectors Choice in the US. On 4 May 2009 Jones and his featured in a song during a concert by Joe Bonamassa at the Royal Albert Hall in London. That same month Jones featured, playing harmonica, on the release of Im Your Kingpin by Nick Vernier Band, in 2010 he featured on two versions of You’re Wrong from Nick Vernier Bands Sessions album. Jones was first married to novelist and reviewer Sheila MacLeod, there were two sons from the marriage, Matthew and Jacob. He is currently married to the actress, and latterly Christian speaker. He converted to Christianity in the mid-1980s as the result of being invited by Cliff Richard to a Luis Palau evangelistic event, Jones had appeared opposite Richard in the 1960s, on a television debate show where he had, at the time, opposed Richards viewpoint

6.
Capitol Records
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Capitol Records, LLC is an American record label which operates as a division of the Capitol Music Group. The label was founded as the first West Coast-based record label in the United States in 1942 by three industry insiders named Johnny Mercer, Buddy DeSylva and Glenn Wallichs, in 1955, the label was acquired by the British music conglomerate EMI as its North American subsidiary. EMI was later acquired by Universal Music Group in 2012 and was merged with the company in 2013, making Capitol Records, Capitol Records circular headquarter building located in Los Angeles is a recognized landmark of California. Mercer first raised the idea of starting a company while golfing with Harold Arlen. By 1941, Mercer was a songwriter and a singer with multiple successful releases. Mercer next suggested the idea to Wallichs while visiting his record store, Wallichs expressed interest in the idea and the pair negotiated an agreement whereby Mercer would run the company and identify their artists, while Wallichs managed the business side. On February 2,1942, Mercer and Wallichs met with DeSylva at a Hollywood restaurant to inquire about the possibility of investment of the company from Paramount Pictures, while DeSylva declined the proposal, he handed the pair a check worth $15,000. On March 27,1942, the three men incorporated as Liberty Records, in May 1942, the application was amended to change the companys name to Capitol Records. On April 6,1942, Mercer supervised Capitols first recording session where Martha Tilton recorded the song Moon Dreams, on May 5, Bobby Sherwood and his orchestra recorded two tracks in the studio. On May 21, Freddie Slack and his orchestra recorded three tracks in the studio, one with the orchestra, one with Ella Mae Morse called Cow-Cow Boogie, on June 4,1942, Capitol opened its first office in a second-floor room south of Sunset Boulevard. On that same day, Wallichs presented the companys first free record to Los Angeles disc jockey Peter Potter, on June 5,1942, Paul Whiteman and his Orchestra recorded four songs at the studio. On June 12, the recorded five more songs in the studio. On June 11, Tex Ritter recorded Jingle Jangle Jingle and Goodbye My Little Cherokee for his first Capitol recording session, and the songs formed Capitols 110th produced record. 133 - Get On Board Little Chillun - July 31,1942 - is a Freddie Slack/Ella Mae Morse/Mellowaires recording that might be the first rock n roll record and she has sometimes been called the first rock n roll singer. A good example is her 1942 recording of song which, with strong gospel, blues, boogie. Bone Walker recorded Mean Old World a pioneering example of the use of electric guitar. The earliest recording artists included co-owner Mercer, Whiteman, Tilton, Morse, Margaret Whiting, Jo Stafford, the Pied Pipers, Johnnie Johnston, Tex Ritter, Capitols first gold single was Morses Cow Cow Boogie in 1942. Capitols first album was Capitol Presents Songs By Johnny Mercer, a three 78-rpm disc set with recordings by Mercer, Stafford and the Pied Pipers, all with Westons Orchestra

7.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu

8.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s

9.
Psychedelic soul
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It came to prominence in the late 1960s and continued into the 1970s, playing a major role in the development of funk and disco. Pioneering acts included Sly and the Family Stone, Jimi Hendrix, mainstream acts that developed a psychedelic sound included the Supremes and Stevie Wonder. Acts that achieved notability with the sound included the Chambers Brothers, the 5th Dimension, Edwin Starr, and George Clintons Funkadelic and Parliament ensembles. Following the lead of Jimi Hendrix in psychedelic rock, in the late 1960s psychedelia began to have a impact on African American musicians. Influenced by the civil movement, it had a darker. Other Motown acts soon followed into psychedelic territory, including established performers like the Supremes with Reflections, Love Child, psychedelic influences could also be heard in the work of Stevie Wonder and in Marvin Gayes socially conscious work from Whats Going On. George Clintons interdependent Funkadelic and Parliament ensembles and their various spin-offs, took the genre to its most extreme lengths, making funk almost a religion in the 1970s. And Your Ass Will Follow, and Maggot Brain, and Parliament album Osmium, producing over forty singles, including three in the US top ten, and three platinum albums. Acts like Earth, Wind & Fire, Kool & the Gang, and Ohio Players, who began as psychedelic soul artists, incorporated its sounds into funk music and eventually the disco which partly replaced it

10.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions

11.
Love and Rockets (band)
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Love and Rockets were an English alternative rock band formed in 1985 by former Bauhaus members Daniel Ash, David J and Kevin Haskins after that group split in 1983. Ash and Haskins had recorded and performed in another band, Tones on Tail, Love and Rockets fusion of underground rock music with elements of pop music provided an early catalyst for alternative rock. They released seven albums before breaking up in 1999 and reformed briefly in 2007 for a few live shows. They are perhaps best known for their 1989 hit single So Alive, the bands name was taken from the comic book series Love and Rockets by the Hernandez brothers. Gilbert Hernandez later referred to the confusion caused by this in his book Love and Rockets X, as there were several different bands named Love and Rockets for a period. Their first studio album, 1985s Seventh Dream of Teenage Heaven, was an example of alternative rock, combined with post-punk. Their second album, 1986s Express, continued in the same vein and it included the dance hit Yin and Yang. The 1987 follow-up, Earth, Sun, Moon, had an acoustic sound. The following year, they released the single The Bubblemen Are Coming under the alias The Bubblemen, in 1989 the band released their self-titled album, which presented a more AOR sound. After a grueling schedule in support of their big hit, Love. The result was a move to a sound that had more in common with The Orb than their rock or goth roots. Their label, RCA Records, dropped them and they signed with Rick Rubins American Recordings to release Hot Trip to Heaven in 1994, followed in 1996 by Sweet F. A. In April 1995, during the recording of Sweet F. A. a fire out in the house owned by American Recordings. All of the members were uninjured, but their visiting friend Genesis P. Orridge of Psychic TV was injured whilst escaping the fire, the band lost their gear and months of work on the album. There was a legal battle between the band, their label and the labels insurance company. Love and Rockets was found not responsible for the fire, but was left with a legal bill. Lift came out in 1998 on Red Ant Records, and the disbanded in 1999. They covered The Clashs Should I Stay or Should I Go, playing the song twice and they performed on 27 April 2008 at the Coachella Valley Music and Arts Festival, and also at Lollapalooza on 3 August 2008 in Chicago

12.
Al Green
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Inducted to the Rock and Roll Hall of Fame in 1995, Green was referred to on the museums site as being one of the most gifted purveyors of soul music. He has also referred to as The Last of the Great Soul Singers. Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, Al Green was born Albert Leornes Greene on April 13,1946, in Forrest City, Arkansas. The sixth of ten born to Cora Lee and Robert G. Greene, Jr. a sharecropper. The Greene family relocated to Grand Rapids, Michigan, in the late 1950s, Al was kicked out of the family home while in his teens, after his religiously devout father caught him listening to Jackie Wilson. I also listened to Mahalia Jackson, all the great gospel singers, but the most important music to me was those hip-shakin’ boys, Wilson Pickett and Elvis Presley. Whatever he got, I went out and bought, in high school, Al formed a vocal group called Al Greene & the Creations. Two of the members, Curtis Rodgers and Palmer James. In 1968, having changed their name to Al Greene & the Soul Mates, they recorded the song Back Up Train, the song was a hit on the R&B charts. However, the groups subsequent follow-ups failed to chart, as did their debut album, while performing with the Soul Mates, Green came into contact with Memphis record producer Willie Mitchell, who hired him in 1969 to be a vocalist for a Texas show with Mitchells band. Following the performance, Mitchell asked Green to sign with his Hi Records label, having noted that Green had been trying to sing like Jackie Wilson, Sam Cooke, Wilson Pickett and James Brown, Mitchell became his vocal mentor, coaching him into finding his own voice. Before releasing his first album with Hi, Green removed the final e from his name, subsequently, he released Green Is Blues, which was a moderate success. His follow-up album, Al Green Gets Next to You, featured the hit R&B cover of the Temptations I Cant Get Next to You, Greens next album, Lets Stay Together, solidified his place in soul music. The title track was his biggest hit to date, reaching number one on both the Billboard Hot 100 and R&B charts, the album became his first to be certified gold. His follow-up, Im Still in Love with You went platinum with the help of the singles Look What You Done for Me and the title track, both of which went to the top ten on the Hot 100. His next album, Call Me, released in 1973, produced three top ten singles, You Ought to Be with Me, Call Me and Here I Am. Greens album Livin for You, released at the end of 1973, was his last album to be certified gold, Green continued to record successful R&B hits in the next several years including Livin for You, Lets Get Married, Sha-La-La, L-O-V-E and Full of Fire. His last Hi Records album, Truth n Time, was released in 1978, two years later, he left Hi for Myrrh Records and recorded only gospel music for the next decade and a half