The works of Alexandra Crouwers continuously oscillate between various media, sets of ideas, landscape and architecture, silence and sound, materiality and immateriality, technology and a broad sense of art history.

Crouwers works mainly with digital media. Her videoworks and prints can be seen as collages, constructed with 3D software and post-production. To her, the ‘virtual atelier’ behind the computer screen is similar to a physical studio, only without the burdens of gravity, storage, or logistics. The digital realm has its own challenges, though.

Throughout the years, certain themes reoccur regularly: science fiction, eschatology and apocalyptic imagery, architectural structures, deserted landscapes, references to quantum mechanics and astronomy, time and decay, animals, and a sense of suspense.

Some works touch on the subject of ecology, or ecological collapse. Others suggest portals to other worlds; windows to possible futures or parallel universes.

Crouwers is interested in the exhibition space as a whole, not only in individual works of art. Many of her works are presented in modular clusters, and often mix media.