The world of Kim Chun hwan also started from the over crowded magazines of many bundles passed from friends. Although quite familiar in this area, the artist's attitude begins to allow progress in history and civilization. Kim Chun-hwan starts from the prevalent consumerism of this age. The writer considers advertising prints and magazines to be a baptism and spirituality of consumerism as a mechanism to clearly show the cross section of modern life. Kim Chun-hwan takes the context of the accusation of civil error by tearing or transforming posters on the streets, a tendency of French Nouveau Realism, Affchists, to break down, tear, I cut off the surface as if it were. The colorful prints, the magical sheets of the magazine express as if the consumerism condemns the excessive disturbance committed against the visual perception. The artist finds the elements of power that make the truth intuitive from abandoned, neglected, and poor things, and gives them a refined order to challenge the mainstream order until then.