In a true blue story of hardship, Australian egg farmers are facing bleak times with the invention of man-made egg replacements. A charity concert fundraiser seems like the best solution until it sparks an uncontrollable urge to give, which threatens conceptions of good and fairness. Taking it back to Hume, We Are the (End of the) World takes on charitable giving as a measure of altruism motivated by self-importance and a twisted promotion of individual sacrifice.

The team behind Little Triangle are at it again, bringing forgotten musical theatre gems back to the stage for a new audience. This time, instead of a single show, there are a lot of little bits plucked from their narrative context and woven into A Little Cabaret.