In the series of Leave Home, I tried to explore myself and my living space by photography. As a photographer, I align the camera lens on others and unfamiliar places all the time. But in this series, the caramel lens would always be aligned on me. In the process of taking photos, I used foot stool to set up the camera and utilized self-timer to compose it. In the meanwhile, I took a camera in front of the lens to imitate the feeling of facing lens. The images included the space of I lived in ...

This series described the strange relationship (romantic, intimate but also cold and detached in the same time) between me and my love which is composed by photography. Meanwhile, I also probed into the power relation between photographers and those who were photographed by them. In my opinion, as a photographer, the photos shot by oneself would reflect one’s own. Even though I am the one who always take pictures for my lover; in the meanwhile, I might fulfill my voyeurism of toward the image ...

This photograph series is taken from the swimmers of disabled. Through these images and descriptions, they are to let the audiences ponder upon the question of survival with people's differences: "How we see and treat ourself and others?" Aside portraits I asked them to write down the stories of their bodies, and with the self-described self to make people think about the surviving status of themselves with others.

In the year I was drafted, there's a drastic change in me. The original me was substituted by another self. Different from the old one, the new self realized he is just a transitional existence. To retain this change I decided to make record of them. The memories faded after my discharge. And I reorganize those records to ponder the monstrous impact happened in myself. I arranged these records into a book with a gray-black tone and there is no white color in it. It symbolizes the nights watch ...