On May 20 and 21, 1932, Amelia Earhart flew a Lockheed Vega 5B from Harbour Grace, Newfoundland, to Culmore in Northern Ireland, becoming the first woman to fly solo across the Atlantic Ocean. On January 11 and 12, 1935, she became the first aviator to fly solo from Honolulu, Hawaii, to Oakland, California. And on July 2, 1937, Earhart and her navigator Fred Noonan were reported missing over the Central Pacific Ocean during their attempt to fly around the globe.

Newly rediscovered image of what may be Noonan and Earhart on a dock in the Marshall Islands (National Archives photo)

However, a photographic image—recently rediscovered in the National Archives—may dispute that long-held belief. According to Amelia Earhart: The Lost Evidence, produced by HISTORY, this image may prove that Earhart and Noonan actually survived. The program airs this Sunday, July 9; to watch a preview and read more, click here.

A little more than a month after Earhart’s January 1935 solo flight, she was in Chicago and presented a lecture on February 15 at Orchestra Hall entitled, “My Pacific Flight.”

Headline from the February 16, 1935, Herald & Examiner

“Women fliers have a definite place in the air transport service as pilots, Amelia Earhart, America’s first lady of the air, declared yesterday as she arrived in Chicago, her old home town,” William Westlake reported in the Herald & Examiner. “The arrival of the smiling modishly-attired former Hyde Park High School girl, who has twice flown the Atlantic and made a solo flight from Honolulu to Oakland, was without fanfare. . . . Tonight she speaks again at the South Shore Country Club, tomorrow night she talks at the LaGrange Sunday Evening Club, and then she is off to Kansas City and Omaha.”

In the Chicago Tribune, Wayne Thomis reported that the Orchestra Hall audience, comprised largely of women, heard Earhart speak, “deprecatingly of her flight’s value as an advancement for aviation. . . . Although Miss Earhart spoke appreciatively of a few grim moments when she took off with a heavy load of gasoline downwind from a muddy field on her Pacific flight, it was the lighter side of ‘my pleasant evening in the air’ that she stressed. There was a bit of pride, too, in her reference to the fact that she had flown exactly on her course throughout the 2,038-mile voyage although she made the flight by dead reckoning. Soon after leaving the islands behind, the commercial program broadcast from a Honolulu radio station on which she was tuned was interrupted, she said. ‘I was listening to the music and then the announcer said: “Miss Earhart has taken off on her flight to San Francisco.” And as I sat up there at 8,000 feet with the motor just in front of me, I thought: “How impertinent of that radio man to be telling me.” ’ ”

The Chicago Symphony Orchestra family notes with sorrow the passing of Fred Spector, a member of the violin section from 1956 until 2003. He died earlier today, June 3, 2017, at his home in Chicago’s Lincoln Park. He was 92.

Fred Spector (J.B. Spector photo)

Solomon E. (Fred) Spector was born on March 11, 1925, on Chicago’s West Side and began violin lessons at the age of five with his uncle J.B. Mazur, concertmaster of the Czar’s Imperial Orchestra in Saint Petersburg. He attended Hyde Park High School and Chicago Musical College, and his teachers included CSO concertmaster John Weicher, Leon Sametini, and Paul Stassevitch for violin, and Henry Sopkin (who founded the Atlanta Symphony Orchestra in 1945) for conducting.

Spector flew as a U.S. Army bombardier and navigator in Japan during World War II and became the first American violinist to concertize there after the war ended. He returned to Chicago and became concertmaster of the Civic Orchestra, studied conducting with Rudolph Ganz, and later was a member of the Lyric Opera of Chicago Orchestra.

Speaking to the Chicago Tribune in 1994, Spector said that he “was actually hired into the CSO twice. The first time was in 1948 when a music director by the name of Artur Rodzinski heard me play some solos and gave me a job. The audition process was different back then, too. But Rodzinski was fired right after that, and the CSO didn’t honor any of his contracts—including mine. So I was hired and fired within a few weeks. Eight years later, the CSO asked me to audition again. I was conducting Broadway shows then—at that time it was Top Banana with Phil Silvers.”

Fred Spector in the early 1970s (Terry’s photo)

Music director Fritz Reiner hired Spector in 1956 and he served the Chicago Symphony Orchestra until his retirement in 2003. A chamber music enthusiast, he also performed with numerous ensembles in the Chicago area and was a member of the Chicago Strings, the Chicago Symphony Quartet, and the Chicago Arts Quartet for many years. Spector also was assistant conductor of the Highland Park Music Theatre.

Among numerous collectibles reflecting his varied interests, Spector was the proud owner of an extensive library of books on violin and bow history. His collection of mutes for string instruments (one of the world’s largest) included some that he found during the Orchestra’s national and international tours. Spector was the proud owner of a Carlo Bergonzi violin that dated from 1733.

Also in 1994 for the Tribune, Spector added: “playing with the CSO—which is one of the best orchestras in the world—is really something. It’s extraordinary. Even after all these years, we play concerts that still excite me. Concerts that leave me saying, ‘That was special. Everything was marvelous.’ ”