Captain America: The Winter Soldier has topped a new poll to find the most mistake-laden movie of 2014.
Eagle-eyed moviegoers spotted 53 errors in the sequel - that's one every two and a half minutes.
As such, the Marvel blockbuster has beaten out The Hunger Games: Mockingjay - Part 1 on the annual MovieMistakes.com list of shame.
Editor Jon Sandys tells WENN, "Some of the greatest films of all time have some complete howlers in them, but you don't notice them at first because you're enjoying the movie so much!"
The errors spotted in this year's films include a stray crew member, seen hiding behind a wall in Transformers: Age of Extinction. Sandys adds, "Fairly early in Gone Girl, Margo comes to see Nick, who is upstairs in a bedroom. The press is outside clamoring, and Margo locks the deadbolt on the front door. After her talk with Nick, she's in a hurry, rushes downstairs and opens the door... without unlocking the deadbolt."
Other movies making this year's list include Edge of Tomorrow, Guardians of the Galaxy, Fury and Godzilla.

U2's controversial album Songs Of Innocence has topped Rolling Stone magazine's Albums of the Year poll. The Irish rockers sparked controversy in September (14) after making make their new record available for free as an automatic download to half a billion Apple users, but it appears the gamble has paid off.
Rolling Stone editors insist, "There was no bigger album of 2014."
Songs of Innocence beat Bruce Springsteen's High Hopes and The Black Keys' Turn Blue to land the top spot, while St. Vincent's eponymous album and Miranda Lambert's Platinum complete the top five.
Charli XCX's Sucker, Lana Del Rey's Ultraviolence, Run the Jewels 2 by Run the Jewels, Salad Days by Mac DeMarco and Taylor Swift's 1989 make it to the top 10.
Beyonce's Drunk in Love has been named Single of the Year by the magazine, ahead of Turn Down for What by DJ Snake and Lil Jon and U2's Every Breaking Wave.
U2's successes will be a tonic for frontman Bono, who was forced to sit out recent promotional appearances and a World AIDS Day gig in New York's Times Square after injuring himself in a bicycle fall in Central Park last month (Nov14).
Meanwhile, the publication's revered film critic Peter Travers has named Boyhood the Movie of the Year, ahead of Birdman, Foxcatcher, Selma and Gone Girl.

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There's a scene in a recent episode of Mad Men in which Megan Draper (Jessica Paré) has a threesome with her husband Don and her new friend Amy. It would be easy to claim that this scene represents Megan's free spirit, and that she embodies the progressive movement of the 1960s. It would also be false.
In fact, this scene and Megan's detachment in the morning after imply that Megan isn't as progressive as she thinks she is. Born into privilege and dependent on Don's finances, Megan hates the fact that she's old-fashioned, so she dabbles into what she believes will make her appear bohemian. She calls herself an actress, dresses in the latest trendy fashion, and throws hip parties for her guitar playing friends. When no one's watching, however, she asks Don for money and puts up with his philandering.
So much of Mad Men is about the construction of identity, and about trying to be someone you're not--someone you think you ought to be. The female characters, especially, grapple with this, especially as conceptions of womanhood became complicated in the 1960s. Megan is perhaps the most interesting precisely because she can't accept who she truly is. Whereas Betty has at least come to terms with the fact that she's a terrible mother who never wanted children, and Peggy recently acknowledged her loneliness and isolation as a career driven woman with no family, Megan hasn't realized the extent to which her entire public appearance is a facade.
There are some viewers, however, who believe that Megan is a "new woman." They suggest that while she indeed loves and depends on Don, she gives equal attention to her career aspirations, and uproots traditional order with her bohemian lifestyle. These viewers, I think, are missing the point. Unlike Stephanie, Anna Draper's niece who genuinely embodies the counter-culture, Megan is a spoiled rich kid who wants a taste of that life without any of the consequences Joan Didion famously wrote about in Slouching Towards Bethlehem. Megan presents herself as a radical while she lives comfortably out of Don's pocket, which means that she's not radical at all.
What do you think? Am I being too harsh on Megan, or is she as fake as I make her out to be. Cast your vote in the poll below.
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Focus Films via Everett Collection
The Coppolas are like the Kennedys of filmmaking. Francis, Sofia, Roman, and now Gia have all put their craftsmanship on display, and each has his or her own distinct appeal. They aren't in competition with each other, but we thought it would be fun to compare their contributions to cinema and conclude, at this point in time, which Coppola makes the better movies.
Francis: The Don
Francis is the safe choice if you don't want to flunk film school. Since I've already passed, however, I'm comfortable with knocking him down a few pegs. There's no denying that The Godfather, The Godfather Part II, The Conversation, and Apocalypse Now are all masterpieces; these four movies are why most people would choose him as the best. Unfortunately, his films since then have been lackluster and pretentious, and despite a few minor successes scattered throughout (Peggy Sue Got Married and Bram Stoker's Dracula are quite good), he really only has four great films to his name.
Sofia: The Daughter
Let's put Sofia's atrocious performance in The Godfather Part III aside and focus solely on her filmmaking. Her debut film The Virgin Suicides is a beautiful, mysterious work of art, and her second feature, Lost in Translation, is one of the best films of the 2000s. Marie Antoinette demonstrates that she is a confident storyteller with a distinct style, and Somewhere pushes this style to glorious, never-before-seen heights. Her latest film The Bling Ring is the least interesting of the bunch, but it isn't a complete train wreck either. Overall, Sofia has made four great films and one passable misfire.
Roman: The Brother
As a director, Roman's two feature films CQ and A Glimpse Inside the Mind of Charles Swan III contain interesting elements but are ultimately disappointing efforts. As a screenwriter, however, Roman's contribution to Wes Anderson's excellent movie Moonrise Kingdom is worth considering, as is his work on The Darjeeling Limited. For the most part, however, Roman's cinematic accomplishments pale in comparison to Francis and Sofia, perhaps because he is more interested in other things.
Gia: The Granddaughter
It's fair to say that Gia wouldn't have been able to make her first film, Palo Alto, without her family connections, but the work stands alone as one of the most beautiful portraits of high school life in America. It certainly trumps any of Roman's directorial efforts, but Sofia's The Virgin Suicides remains a more poignant coming-of-age story. Moreover, with only one film in her oeuvre, it's difficult to determine what the future will be like for Gia. Nevertheless, she is one to watch.
The Verdict
Gia and Roman obviously can't quite compete with Sofia and Francis, but I don't think Francis automatically gets the vote because of The Godfather and Apocalypse Now. In fact, I prefer Sofia's moody, evocative dreamscapes, and I believe that Lost in Translation and Somewhere stand up to even the most powerful moments in The Godfather and Apocalypse Now. Taking this into account, as well as the number of disappointing films Francis has made over the past 30 years, and my vote unequivocally goes to Sofia.
Do you agree? Let us know in the poll below.
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Oscars host Ellen Degeneres and Ncis star Mark Harmon have topped a new list to find America's TV favourites. The comedienne landed at number one in the Harris Poll survey for the second year in a row, while actor Harmon comes in second place.
The Daily Show's Jon Stewart, The Big Bang Theory star Jim Parsons and late-night show host Jay Leno round out the new top five, while comedian Stephen Colbert, Tom Selleck, Oprah Winfrey, Robin Williams and Steve Harvey make the top 10.
Over 2,000 Americans took part in the vote.

Rob Ball/WireImageFollowing in the footsteps of Adele, Ellie Goulding and Haim, British soul singer Sam Smith was this week crowned the winner of the BBC's prestigious Sound of 2014, the industry-voted poll which aims to predict who will achieve the biggest breakthrough over the next twelve months. Here's a brief guide to the 21-year-old.He'd been through six different managers by the time he was 18Something of a child prodigy, Smith's astonishing vocal range was discovered early on, but not one of the six managers he went through by the age of 18 appeared to know the best way to handle his talents, with one in particular attempting to turn him into the next Michael Buble.He's partly responsible for Disclosure's breakthroughThe Lawrence brothers may have built up some impressive buzz on the blogosphere with their classy brand of garage-house. But it was only when they hooked up with Smith on 2012's slinky falsetto-led "Latch" that they first troubled the charts.He already has a UK number one under his beltFurther establishing himself as the number one go-to guest vocalist, Smith then provided the emotive vocal for Naughty Boy's "La La La," a two-step throwback which sold nearly a million copies and topped the UK charts last May.His debut E.P. received rave reviewsProving he is capable of releasing his own material too, Smith then received rave reviews for Nirvana, a self-assured debut E.P. which took in everything from pitch-shifted Timbaland-inspired R&amp;B to The xx-esque melancholic electro-soul.He's worked with Nile RodgersSmith then contributed to one of last year's best superstar collaborations when he hooked up with Chic legend Nile Rodgers and regular cohorts Jimmy Napier and Disclosure for the summery disco-funk of "Together."He's already won a BRIT AwardAs well as topping the Sound of 2014 poll, Smith was also voted this year's BRITs Critics Choice winner, and with "La La La" also receiving a nomination for Best British Single, he could find himself making two acceptance speeches come February 19.His forthcoming debut album is for lonely peopleInspired by both a string of classic soul divas (Whitney, Chaka, Beyonce) and his lack of experience in love, Smith has described his forthcoming debut, In The Lonely Hour, (due for release in May) as "an album for lonely people."
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Getty/Andy SheppardHaving recently topped the U.K. charts and entered the U.S. Top 10 with their debut album Days Are Gone, Los Angeles siblings Haim certainly appear to have justified the hype that was showered upon their sun-soaked soft-rock sound at the beginning of the year. But in case you've been living under a rock over the past twelve months, here's a quick everything you need to know guide to Este, Danielle and Alaina.They've Always Kept It in the FamilyProof that the trio have always kept it in the family, the girls began their music career in a band named Rockinhaim with their father Mordechai on drums and their mother Donna on guitar.They Were Once Valli GirlsDanielle &amp; Este also cut their teeth as part of The Valli Girls, an all girl-group inspired by the likes of Blondie and The Pretenders who appeared on the soundtracks to both The Sisterhood Of The Travelling Pants and the 2005 Nickelodeon Kids Choice Awards.Julian Casablancas was Their Unofficial MentorAfter inviting Danielle to perform percussion and guitar on his solo tour, The Strokes frontman Julian Casablancas then became the band's unofficial mentor, advising them to take a break from playing live and instead concentrate on their songwriting.Este is a Musical ProdigyRenowned for her incredible bass-face performances, Este is also something of a musical prodigy having completed her five-year degree in Ethnomusicology at UCLA in just two years.They Won the BBC's Sound of 2013Pipping the likes of AlunaGeorge, Angel Haze and Laura Mvula to the post, Haim were crowned the winners of the BBC's prestigious industry poll earlier this year to join such illustrious company as Adele, Florence + The Machine and Ellie Goulding.They Like CollaboratingAs well as hooking up with Jessie Ware on their own record, various members have also popped up on tracks this year by Major Lazer ("You're No Good"), Kid Cudi ("Red Eye") and Portugal. The Man ("Purple Yellow Red &amp; Blue")Este Almost Died at GlastonburyDiabetic Este claimed that she feared she was going to die in front of a live audience after she was forced to abandon their first set at this year's Glastonbury when her blood sugar levels ran dangerously low.David Cameron is a FanDavid Cameron tweeted how he was looking forward to listening to their album after the trio dedicated a performance of "The Wire" to the Prime Minister when they both appeared on the BBC's The Andrew Marr Show.
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Fans of Lily Collins have been warned - the actress has been named the most dangerous celebrity to search for online. The British star, daughter of veteran rocker Phil Collins, has topped a new poll by officials at computer anti-virus firm McAfee, who found that searching for information about the Mirror Mirror beauty posed the biggest risk of landing a user on a malicious website.
Singer Avril Lavigne took second place, while Oscar winner Sandra Bullock came in third.
Others mentioned in the top 10 include comedienne Kathy Griffin and actress Zoe Saldana, while Mad Men's Jon Hamm was the only male to make the countdown.
Harry Potter star Emma Watson was voted number one on the McAfee list last year (12).

WENN
While the likes of Katy Perry's Prism, Miley Cyrus' Bangerz and Justin Timberlake's The 20/20 Experience, Vol. 2 will soon be vying for the number one spot on the Billboard 200, many of this fall's most exciting releases will arrive courtesy of several less established artists. Here's a look at five of the most hotly-anticipated debut albums scheduled to hit shelves over the next couple of months.
London Grammar – If You Wait
Initially hailed as a younger version of The xx, London Grammar have since gone onto develop an equally stunning and heartbreakingly melancholic sound of their own. Taking in everything from 90s trip-hop to lush string-soaked noir-pop, expect If You Wait to become the new dinner party soundtrack of choice.
Avicii – True
Having appeared on Forbes' annual DJ Rich List before he’d even released an album, Swedish house maestro Avicii will no doubt add to his $20m fortune with True. A far more intriguing prospect than most of his superstar DJ peers, the 23-year-old has roped in everyone from Chic legend Nile Rodgers to American Idol runner-up Adam Lambert for his long-awaited debut.
Icona Pop – This Is… Icona Pop
With the turbo-charged EDM of "I Love It" having only just left the US Hot 100 following a 27-week stint, the hedonistic Swedish duo will finally get the chance to shake off their potential one-hit wonder tag when they drop their international debut almost a full year after their inital Scandinavian splash.
CHVRCHES – The Bones Of What You Believe
Combining a widescreen '80s-tinged synth-pop production with the thick Scottish tones of Lauren Mayberry, a Rachel Leigh Cook lookalike who makes Mrs Doubtfire sound like a member of the Royal Family, CHVRCHES are undoubtedly one of the most distinctive electro acts to emerge this year.
Haim – Days Are Gone
Winners of the BBC's Sound of 2013 poll, Haim have already justified some of the hype by producing one of the singles of 2013 in "Falling." Hopes are high, therefore, for the sisterly trio to take their Fleetwood Mac-esque soft rock sound to new heights on their first full-length studio effort.
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I love Nelly. Country Grammar was a staple of my middle school existence and I still know all the words to "Ride With Me." But it would take a pretty sound argument to convince me that his early-21st century brand of club- and radio-friendly hip-hop is objectively "good music." And in no universe should his music, specifically "Hot in Herre," be classified as "better" than that created by Radiohead. But in the world of Grantland's "Battle for the Best Song of the Millennium" bracket, that is precisely what is happening.
For their extensive bracket competition, Grantland staffers picked what they deemed to be the best songs released as singles between 2000 and 2013, without, in their own words, "overly technical about what 'best' meant." These songs were then divided into four time periods — 2000-03, 2004-07, 2008-10, and 2011-13 — seeded, paired in head-to-head battles, and then sent off to the Internet for voting. And that's where things got weird. (You can read Grantland's whole mission statement for the bracket competition here.)
As I made my own picks and looked at the results of fellow voters, a trend emerged rather quickly. Top 40 hip-hop was kicking some serious ass. Nelly's "Hot in Herre" (at the time of writing) was besting Radiohead's "Idioteque" 65% to 35%. 50 Cent's "In da Club" had an approximate 40% lead over Wilco's "I Am Trying to Break Your Heart," and Jay Z's "99 Problems" was wiping the floor with 30% over "Last Nite" by The Strokes. (And it continues: Lil Jon &amp; Ludacris over LCD Soundsystem, Lil Wayne over Animal Collective, Kanye West over Frank Ocean...)
I know there are a lot of hip-hop fans in this here Internet-reading world and that most everyone (myself included) goes nuts when one of the aforementioned winning artists comes into rotation at a dance party. But are those songs really better than the ones by our indie rock bands? I venture to guess that the voting public is relying more on nostalgia to make their picks than an unbiased appraisal of the songs themselves. Why do we love "Hot in Herre"? Because we danced to it with the hot delegate from Denmark at the closing party of the Model UN conference in 10th grade (oh, was that just me?). Does that make it "better" than "Idioteque"? Eh...
Perhaps unsurprisingly, the rock groups who have managed to triumph over hip-hop opponents — The White Stripes, Franz Ferdinand, and The Killers — saw the same sort of blockbuster success during my age group's formidable years as Nelly and the rest of them. And as such, you come to realize that you really can't divorce songs from the personal associations and sense memories they elicit. And, maybe more importantly for Grantland's poll, that children of the late '80s/early '90s (and their obsession with nostalgia for the recent past) rule the web.
More:All the People Lady Gaga Imitated in Her Video for 'Applause' Justin Timberlake Doesn't Dance Enough in 'Take Back the Night' Miley Cyrus' 'We Can't Stop' By the Numbers
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