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Patrick Hamilton

Yes, Patrick Hamilton, that guy you’ve never heard of, him again, the play-write and novelist. Not to be confused with Hamilton the play… Anyway…

He achieved success at a very young age and was only 25 when his hit play, Rope made him famous and rich (as plays did back then). The Midnight Bell (novel) followed and then Gaslight (from where the term gaslighting originates) and by then he was much better known than any of his still famous contemporaries… such as Graham Greene.

That’s right, at 27 he was more famous that Graham Greene – Our Man in Havana, The Quiet American etc –And yet, you’ve still never heard of him… so why on Earth is that? Some people like to think it’s because of his weird lifestyle and existence. (He came from wealth, fell in love with prostitutes, regularly, and got hit by a car that took his nose with it). Even after that he carried on writing hits, war-time dramas, comparable to For Whom The Bells Toll (1940) but with more tension, more drama, more guts.

Perhaps the reason we don’t treasure Hamilton in the present day is because he didn’t treasure himself. Take for example, Gaslight. He actually “borrowed” the idea of a flickering gaslight from a failed book of his brother Bruce’s, To Be Hanged (1938),

It was a massive success as we’ve already said. In New York, it had the longest run of a foreign play in Broadway history and by 1944 it had already been adapted for film, not just once but twice. However, Hamilton wrote it as a pastiche, and didn’t love it. And the name, Gaslight kind of suggests that.

It reminds me of a friend asking me (a longtime ago) What’s gaslighting? She knew the term but couldn’t guess the meaning. That’s a lot like how you have no idea what his books are about from the titles.

Martin Amis wrote once that book titles shouldn’t be too clever. That a title such as Hangover Square (referring the famous Hanover Square in west London, which was (is) a drinking haunt) and excessive drinking, was a guaranteed way to make people put your book down before they had read it. And he may have a point, Rope? What happens, no idea? There’s a dead body in a box…okay? The Slaves of Solitude, well that sounds both impersonal and depressing, nothing like the funny, weird, knowing book of the same name.

With that in mind, I have some suggestions for the next time Penguin re-releases some of Hamilton stuff… Maybe they should rename the books and Photoshop a smile on that face too.

If you read anything online these days, you’ll be familiar with the term ‘gaslighting’. It refers to the manipulation of one person by another, in a way that makes them doubt their sanity. It’s also been used to describe Trump’s campaign winning tactics, twisting and playing with our understanding of ‘facts’ until nothing seems quite concrete.

However, the term gaslighting comes from a play which you never read in school, and of which you probably never saw the movie either. It was the first play of a talented writer who failed to make it into our shared cultural history, and his name is Patrick Hamilton.

The play is set in 1880 in the upper middle class London home of Jack Manningham and his wife Bella. In the 1942 Broadway production Vincent Price played Manningham. You’ve heard of him, right? Manningham is a man who has purposely married Bella in order to be able to purchase a flat below the one where he murdered a rich heiress years before. He was searching for her rubies when the police arrived and fled and now, every evening he sneaks back in to resume his search. He refuses to tell Bella where he’s going (obvs) and promotes the notion that she’s mentally unstable so that, as she starts to get wind of the truth, she doubts herself. Bella begins to believe she is losing her grip on reality, because whenever he leaves, she thinks the gaslight is waning. The single truth is, the gaslight is waning, because Jack is upstairs with it on full blast as he searches for the jewels.

However, in this concept – the one single truth manages to support the untruth – that she is insane.

It takes Detective Rough’s intervention to work out the connection and uncover Jack’s actions.

So there you have it. It’s much more complicated than just Trump waving his hands around and saying the same few words over and over again. Gaslighting as a concept explains how truth can support fiction when we allow ourselves to doubt our perceptions or ignore physical reason.