Elizabeth Raybee’s work has been exhibited at the San Francisco Crafts Museum, the National Jewish Museum, San Francisco’s Yerba Buena Gardens and Museo Italiano, Museum of Man in San Diego, Chicago’s Navy Pier and Ukiah’s Grace Hudson Museum. Her commissions include the San Francisco Arts Commission, Laguna Honda Hospital, Eden Housing Inc., The San Geronimo Valley Cultural Center, Willits Skate Park, Orr Hot Springs and numerous private homes.
Her work has appeared in Bay Area newspapers, on the cover of Artweek Magazine, in television spots and in several contemporary mosaic books. Raybee continues to create residential works for people locally and out of the area.

Creekwood Studios is a fine art and art travel business. As a recently retired professor of art, Bob continues to produce and show original art. For nearly 20 years, he and his wife have arranged and led small, upscale, art and culture trips abroad.
Content, context and craft, the {“three C’s”} developed over decades of teaching is the technique Bob uses to help others understand and appreciate art and architecture. Bob makes both classical and contemporary work accessible to all. His vast knowledge of art processes is a unique approach to appreciating and understanding both art and culture
As a skilled teacher, lecturer, scholar and storyteller, Bob will enable you to advance whether you are a beginner or an advanced artist. His instruction will push you to higher levels of accomplishment. On past trips we have created paintings from ochres gathered from the ancient quarries of Roussillion. We have strolled the streets of Florence where the rivalries between the Medici and the Strozzi families shaped the Renaissance. We have shared an afternoon glass of wine before a classical concert at St. Nicolas Cathedral in Prague, and joined in a local party for dancing after a home cooked meal in our villa in Tuscany. These are but a few of the experiences Creekwood Studios has created with new experiences waiting to be made.

Why make art? For many of us it is a way to mediate reality, to integrate and make sense of the world and then put it “out there” for others to experience. My aim is to create a narrative with enough space for the viewer to enter and find their own story.
Working figuratively or with abstraction, I’ve always been a colorist, primarily concerned with creating space and movement through the use of masses of color. Cézanne, Hans Hoffman, and Clifford Still have been important influences on how to manipulate space on a flat surface.
I enjoy working in series, some of which may be completed within weeks while others encompass years of intermittent work. Most projects end up being meditations on time, whether it’s capturing the play of light on moving water, the distortion of time created by illness or isolation, the passage of the sun and the seasons across an oak-studded hill, or the temporality of the human life span.
While I work loosely from reference photos, the finished piece could be very different. Each one has its own unifying rhythm and interior logical space that has to be explored through improvisation. I lose my way, painting intuitively and without stepping away from the canvas for long intervals. This process, given time and openness, lets the painting manifest itself; all that’s left is to watch it closely, pay attention to it, and then polish the details.