Bug Live at 9:30 Club: In the Hands of the Fans

Through an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.

This concert was filmed at London’s Brixton Academy in September 2010 at the culmination of the world tour in support of their “Battle For The Sun” album released the previous year. The tour had been an unqualified success with the band playing to over 2.5 million fans in all parts of the world. The concert film is a visual feast enhancing the live footage with skillful editing and selective digital effects to create a stunning film that really captures the essence of a Placebo live performance.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two hometown concerts at Cat's Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement of this extraordinary band.

With over ten million albums sold worldwide, including one multi-platinum album (Stunt) and two platinum albums (Maroon and Rock Spectacle) in the U.S., Barenaked Ladies are one of Canada's greatest musical exports. Now, they cross the border once again for their first-ever live DVD Talk to the Hand: Live in Michigan. With a blend of classics including "One Week," "Pinch Me" and "If I Had $1000000," and hits from the recent releases Barenaked Ladies Are Me and Barenaked Ladies Are Men, this concertshows not only why Barenaked Ladies remain loved by their many fans, but also why they are one of the world's greatest touring bands.

Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

Outside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.

One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.

Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.

The German duet is back and better than ever! Milky Chance is the success story of two school friends, Clemens Rehbein and Philipp Dausch. After a long break, 2017 marks the release of a second, long-waited, album "Blossom". And, for the public, finally the occasion to discover live these new compositions, mixing rock, folk and electro pop. With reggae vibrations that can rub shoulders with house elements, Milky Chance has one of the most singular sounds. With the presence of musicians on stage, and if we believe the listening of the new record, we can expect more electric concerts, more electronic and even more energetic than in the past!

Come Hell or High Water, recorded in Birmingham in 1993, features Deep Purple's famed Mk. II lineup celebrating their 25th anniversary with a hard-hitting show featuring "Highway Star," "The Battle Rages On," "Smoke on the Water" and many more.

On the 19th of August, Placebo performed a unique one-off show for MTV Unplugged at the London Studios in the UK. Here we present the results of this incredible show.The band were encased in spectacular LED box during the performance, from where they belted out some of their most well-loved tracks such as 'The Bitter End' and 'Every You Every Me.' Some new gems were dropped in for good measure, alongside surprise guests Joan As Police Woman and Majke Voss Romme (Broken Twin). No Placebo show would be complete without some signature cover versions and this set did not disappoint, from the breath-taking opener to the show- Sinead O'Connors 'Jackie' to a melancholy version of Pixies 'Where Is My Mind'

Primal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.

As you can imagine the soundtrack is heavy on the metal and it sounds great, really filling the room, mainly from the front soundstage. The surrounds get a look in for ambience, and some amusing spot effects, and the bass is nice and low.

In December last year, U2’s groundbreaking iNNOCENCE + eXPERIENCE Tour returned to the French capital for two very special shows. This concert film captures all the energy and excitement of the band’s critically acclaimed live show - “U2 reinvent the arena show” (Rolling Stone). Filmed on 31 cameras, in front of an audience of 18,000 fans, U2 – iNNOCENCE + eXPERIENCE – Live in Paris puts viewers inside the Paris arena with Bono, Adam Clayton, The Edge and Larry Mullen Jr, and features a guest performance from Eagles of Death Metal. Staged in the round, the tour features multiple performance areas plus a state of the art 100 foot LED screen suspended above a 118 foot walkway running the length of the arena floor, as well as an innovative suspended sound system serving every corner of the arena. U2 – iNNOCENCE + eXPERIENCE - Live In Paris sees the band perform fan favourites from latest album ‘Songs of Innocence’, with highlights featuring Cedarwood Road, Song For Someone and an acoustic version of Every Breaking Wave, as well as career- spanning staples including I Will Follow, Pride (In the Name of Love), Vertigo, Sunday Bloody Sunday, Until The End of the World, Beautiful Day, Where The Streets Have No Name and many more. Warning: This work contains flashing lights & images that may affect those with photo-sensitive epilepsy.

Recorded live at the Metro in Chicago in conjunction with the popular alternative metal outfit's tenth anniversary, Any Last Words features 14 high-energy tracks, including the hit singles "Send the Pain Below," "Jars," "Vitamin R (Leading Us Along)," and "Letter from a Thief." The performances are crisply produced and tightly played before an audience of obvious fans. The remainder of the set is evenly balanced between the group's four major-label studio albums that followed their Steve Albini-produced 1999 debut, Point #1.

Oftentimes at live shows, musicians of the indie-rock variety get so caught up in all the strut and swagger that goes along with rock music that they forget to be fun. Deerhunter are not that, as evidenced by their performance here at McCarren Park Pool. On the contrary, front man Bradford Cox is a pretty damn funny guy. And while he may look like a young Thurston Moore without the flowing hair, Deerhunter opt out of your typical art-rock arrogance and instead go for a sonically sound show complete with a driving rhythm section and extra catchy guitar riffs. There's even a nutty vocal spot from Cole Alexander of The Black Lips. Top it off with some psychedelic effects and a pretty rhythm guitarist in cheerleader garb, and you've got yourself a Deerhunter performance that's way too fun to miss out on.

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