Andrey Vrady
has stepped out into the digital unknown by borrowing a relatively simple idea
found in centuries of Islamic art: begin with a straightforward geometric form
and multiply it out into a kaleidoscope of complex ornamental patterns. Instead
of using delicate hand painted flowers or lattices of carved lines as his raw
material, Vrady uses snapshots of everyday scenes, employing mirroring and
refraction to create complicated arabesques.