...While much of his work explores free improvisation he also draws heavily from his love for melody, the simplicity of minimalist composers, a long love of flamenco.Pitcher has released numerous projects with Digitalis Recordings (USA), Camera Obscura (Australia), Tape Drift (USA), Moonpalace (Spain), Dutch East India (USA), and his own Mudita Records (USA).He has performed and recorded with many artists including Pauline Oliveros, Fred Frith, Ikue Mori, Okkyung Lee, Scott Amendola, Christian Kiefer, J. Matthew Gerken, Denison Witmer, Sarah Weaver, Mark Dresser, Mike Bullock, & many more.In 2008, Pitcher completed an MFA at Rensselaer Polytechnic Institute, where he studied improvisation with Pauline Oliveros.

Tuesday, May 10, 2011

KILLER SPLIT CITY. Almost TOO much awesome running through this tape. High Aura’d, Boston’s “up and coming” guitar droner John Kolodij, who probably got a lot of worshippers when they saw him opening for Barn Owl on tour last year, teams up with André Foisy, one half of the Locrian duo, who somehow manages to singlehandedly retain all the brilliance of Locrian.

Kolodij takes the A side with “Dusk Latitudes,” a 20+ drift through hazey space/time curves. His Americana stylings don’t show up immediately, instead doing some heavy breathing with the strings & pulses, layin the foundation for the resonant steel slides to come. It’s a foreboding piece, the unnerving tones that ring in your head the moments between the challenge to an old fashioned gun slinging duel and the duel itself. And then at about 7:45, the fucking chaos reigns down, blood pounding through your ears and clouding your eyes, heavy scary shit, a wall of reverb that only lasts as long as the gunfight, and the remainder is you lying full of holes in the bloody dust, surrounded by thick layers of warm drones, looking up at the enlightening sky, thinking about the sincere & beautiful. Truly fantastic stuff right here.

Foisy’s untitled piece is an amazingly perfect companion to “Dusk Latitudes,” the blackened psych string drones that saturate the afterlife. Not overly bleak in the beginning, it weaves a grey SotL/KBD type classical, with distant thunder and a deep sobriety, building patiently upon layers of tension, each minute that passes increasing the sense of gorgeous dread, eventually bringing in somber monk-like vocals that are buried in the gloom. The elegance of this is that it escalates to pillars of dense, grandiose, and terrifying noise drone but you don’t notice until it’s toppling over you with tortured screaming, a fury of electronics, and buzzing riffage that pours out of your speakers, black, painful, and loud as fuck.

I definitely didn’t imagine that High Aura’d & André Foisy would make a solid gold split together, but holy fuck this tape is unbelievable. Stunned always does great work but they totally outdid themselves with this one. Just fucking incredible stuff from both of these guys. Now is it too much to ask for a collaboration?