Romy Silvers is the only surviving crew-member of a spaceship travelling to a new planet, on a mission to establish a second home for humanity amongst the stars. Alone in space, she is the loneliest girl in the universe until she hears about a new ship which has launched from Earth – with a single passenger on board. A boy called J.

Their only communication with each other is via email – and due to the distance between them, their messages take months to transmit across space. And yet Romy finds herself falling in love.

But what does Romy really know about J? And what do the mysterious messages which have started arriving from Earth really mean? Sometimes, there’s something worse than being alone . . .

The Loneliest Girl in the Universe is an intergalactic YA novel about a young girl who is the sole operator on a spaceship headed for a new planet.

Romy was born on the spaceship after it had already left Earth headed for this new planet – she’s never set foot on land. Romy’s parents were a part of a mission to fly on this spaceship for fifty years, land on a new planet, and discover whether it was habitable. There were other astronauts aboard the ship as well, but they were in a stasis sleep and after a few years Romy’s parents were supposed to awaken the next set of astronauts to watch the ship and then Romy’s parents would enter the stasis and wake up decades later on the new planet.

However, Romy’s mother fell pregnant unexpectedly and so they decided to stay awake on the spaceship to raise Romy. And then disaster struck all of the other astronauts asleep on the ship.

We meet Romy when she’s a teenager. Her parents died on the ship when she was 11, though we don’t know what from, and Romy is very lonely. Despite the fact that she gets to spend her days binge watching TV shows and writing fanfiction, she’s not really happy. She has about twenty years left of the journey and she’s all alone.

“Today the computer alerts me that the annual maintenance tasks for the ship are overdue. Dad and I used to do them together. He would make it into a game, asking me to hand him tools as if I was his assistant. We would do the more simple things first, like recalibrating the thermal management system to the correct temperature for the life support.”

She has good days and bad days, and for someone who has been alone for years and will be alone for the next couple of decades, she’s doing surprisingly well (mentally). She’s a little immature at times, but she’s also incredibly smart and resourceful and can handle pretty much anything. And when the new spaceship is launched and she finally has interaction with someone else like her — the boy named J — she suddenly feels like she’s filled a missing piece in her life. She finally has someone to talk to.

Through emails and calls, the two connect and bond with each other. Even after completing the novel, and even after stopping and rereading certain sections, I still couldn’t quite understand how Romy and J were having so many email exchanges when the messages took months to get to each other and they was only a year in the timeline. At times, it seems like they were sending emails to each other even though they hadn’t received the latest email from that person? But the conversation flowed on? I found it all rather confusing. After a while I just shrugged and accepted that it was beyond my comprehension and I ignored the email dates for the rest of the book.

“The new software thinks that something needs replacing in the air-conditioning unit…Even though I know it’s urgent, I don’t want to do it…But the computer tells me that I need to. I wonder if it can wait until J gets here so he can do it for me. He’s not that far away, after all.”

Above all else, Romy is a girl who is still grieving the loss of her parents. When we finally find out what happened to them (no spoilers!) we can understand why she has nightmares and why she avoids certain places on the ship. There are still painful memories about The Infinity and she’s dealing with them all on her own. Lauren James has done a great job of capturing Romy’s grief and emotions, and illustrating them in a realistic and relatable way.

“I wake up gasping for breath. I swear the shadows move. They lunge across the floor every time I look away, casting the shape of their long bodies around the ship’s walls. All I can do is lie in bed under the weight of their stares, their eyes lingering on me in the corner of my vision. The dark, blunted shadows hold me under the duvet where the childlike safe place in my brain says they can’t find me. The shadows dart and swell across the room and all I can do is watch them creep closer.”

The three-dimensional characterisation of Romy was the strongest asset to the book. She really grows over the course of the novel from quite a timid girl who lacks confidence to a strong, independent woman who can trust her gut instinct. She becomes a total badass at the end!

The twist in the book was wonderful, and one that I didn’t foresee. I anticipated that a twist was coming, but what I thought was going to happen was incorrect. I did feel like the pacing of the book wasn’t quite right, and was a hindrance to the reader. Most of the book is incredibly slow-paced and we’re just reading the email exchanges between Romy and J. The story is building towards Romy and J meeting but it’s all quite flirty and fun and romantic (not really what I expected from the novel). And then in the final few chapters, the two characters meet and there’s a big twist and there’s a confrontation and then it’s the end. I would’ve liked that ending to be expanded and perhaps extended beyond where the novel finishes. It would’ve helped deliver a more satisfactory ending for the reader.

“Without J I would be nothing. I’d be less than nothing — I’d be forgotten. J cares about me. J is here for me, now that no one else is. He even put a kiss at the end of his email. A kiss, to me!”

I recommend this to readers of young adult fiction, particularly those who love fantasy or science fiction. There’s a fair bit of romance in there and teenage emotion, so it’s definitely suited towards a younger audience.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Loneliest Girl in the universe
Lauren James
September 2017
Walker Books Australia

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Kept by a ruthless gang, three children manage to escape from slavery. But freedom isn’t just waiting on the outside.

Separated, scared and looking after a small child, Esra will do whatever she can to reunite with her friend Miran, who was captured by the police – the police who she mustn’t trust.

Hiding in the shadows of the forest, Esra is found by a local boy, a boy with his own story. Together they will create a man out of mud. A man who will come to life and lead them through a dark labyrinth of tunnels until they finally have the courage the step above ground. Until they finally have the courage to speak their story. Until they finally have the courage to be free.

The Ones that Disappeared is the latest YA novel by the Carnegie-shortlisted author Zana Fraillon. It’s a powerful tale about three trafficked Syrian children searching for freedom and hope. Across the world, millions of children are the victims of human trafficking. Zana takes an issue that people no doubt think is ‘far away’ and brings it into our hands. The book is set in Australia.

‘Be careful girl,’ he said, his voice growling like Orlando’s dogs. ‘Most people won’t tolerate a mouth like that. Better hope I don’t tell Orlando he needs to shape you up. Better hope I don’t tell Orlando he should sell you on. I know people who would pay a good price for a girl like you.’ Then he jammed my face into the bricks and held it there, watching.

This book follows three trafficked children: Esra, Miran and Isa. They have done different types of jobs since leaving their families and their home, and they’ve often suffered beatings if their work was not deemed to be of an acceptable standard.

Their job is to take care of opium plans, but then something goes wrong — a fire starts and the police turn up and Miran gets captured. Esra and Isa run away along the river, taking shelter in a cave.

“I move back to the wall and pull Isa over me, my arms wrapping him tight. I look at Skeet again, his face burning into my brain. His toad opens an eye and stares straight back. I won’t tell him, this boy, this Skeet, that when he talked of his circus, filled with toads, it made me remember.”

Zana’s writing is poetic and lyrical, with flowing sentences and brief but realistic dialogue. It’s a short read, despite the topic that the book explores. There’s a bit of magical realism in the book. Esra and Isa meet a young boy – Skeet – who is ignored by his alcoholic mother, and the three of them craft out a Riverman from things they find along the bank. And then the next day, that Riverman is real and he leads them down into the tunnels of the town in an effort to save Miran from their captors.

This is a book about survival and bravery, but also about hope and courage. Esra and Isa are desperate for freedom and Zana shows us that it’s worth fighting for what you want, even if what you’re fighting for is something that is a basic human right. And Skeet is searching for something more. At times, it feels like he’s searching for family. And at other times you feel like all he wants is love and someone looking out for him.

This book is daring because young audiences may struggle to grasp the scope of these experiences in the world, however, Zana has done a wonderful job of taking the issue of child slavery and presenting it to readers in an accessible way. There are some fantasy/magic realism elements to this book, particularly with the Riverman who comes to life. But the book is also very literary and poetic. This book gives voice to the often forgotten victims of child slavery here in Australia.

I stand up, my hand on Isa’s shoulder and look down at the voice. He’s old. A white beard, knotted and dirty, and a jacket wrapped tight protecting him from the rain. He’s standing with his hands on his hips, staring at us with hard in his eyes.

The Ones That Disappeared does drag a little bit in the middle, with slow pacing and some stagnant conversation that allows the reader’s attention to slow. But Zana is not glamourising anything and her intention is to shine a light on trafficking and how scary and dangerous it is for these children.

Thank you to the publisher for sending me a review copy in exchange for an honest review.

The Ones That Disappeared
Zana Fraillon
June 2017
Hachette Book Publishers

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Authors Brian Conaghan and Sarah Crossan have joined forces to tell the story of Nicu and Jess, two troubled teens whose paths cross in the unlikeliest of places.

Nicu has emigrated from Romania and is struggling to find his place in his new home. Meanwhile, Jess’s home life is overshadowed by violence. When Nicu and Jess meet, what starts out as friendship grows into romance as the two bond over their painful pasts and hopeful futures. But will they be able to save each other, let alone themselves?

We Come Apart is a YA novel written in verse form, telling the story of two teenagers whose lives may be very different but both teenagers are feeling lost and alone.

Jess’ step dad abuses her mother and her brother skips out on them to live with his girlfriend. Nicu is a Romanian immigrant who is new to London and his family are lining up a wife for him. It’s his culture, he explains to Jess. But Nicu doesn’t want to marry a stranger and he doesn’t know what to do about that.

I am fifteen
and man now,
so my working in lorry van
make much sense.

Real reason we come to
England
is because I am
older,
and cannot be without
working
wealth,
or
wife.
-NICU

When the two of them meet doing community service, they become friends. They seem to bond over their broken homes and their troubled consciences, and Jess starts to separate from her friends at school. She’s popular, but they all treat Nicu terribly and she doesn’t want to stand around and watch. The boys make threats to Nicu, and they scare him in the change rooms.

I’ve been stealing stuff for ages,
Can’t remember the first time any more,
but it was way before
I started secondary school.

Small stuff back then —
other kids’ rulers,
fags from Mum’s bag.
-JESS

The style of writing in the book makes this a really quick read. You can flick through the book in one sitting. Because this is poetry and not prose, there is a lot more left unsaid than said, but I’m sure that this was the intention. The placement of each word is almost as important as the words themselves, conveying meaning in their positioning and drawing focus to emphasis.

Nicu’s story seems timely, no matter where in the world you live. In most schools, there are always going to be children who have arrived from another part of the world. Perhaps their English isn’t that great, or their religious or cultural practices are a little different from the other kids. We Come Apart highlights the bullying and racism that can go on in high school when an international student arrives.

At school I am
The boy worse than death.
Me,
the boy people won’t waste breath on.
-NICU

Both the characters are wonderful. Jess is snappy, bossy and withdrawn, and Nicu is approachable, friendly, and overly trusting. They seem like unlikely friends, but the hardships in their lives allows them to bond and forge a friendship and then a relationship.

Their relationship is not the main focus of the story, but pivots around many other elements of the book.

Shadows moving behind the front door.
A leg.
A head.
and I hear it too.
A thud.
A Scream.
And when I go in
Mum’s lying in the hallway,
blood seeping into the rug,
Terry standing over her,
his phone on the hall table.
-JESS

Don’t let the verse format of the book scare you off reading it. I’d recommend this to young adult readers, but also to people who are readers of poetry.

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She’s a soldier.
Noemi Vidal is seventeen years old and sworn to protect her planet, Genesis. She’s willing to risk anything—including her own life. To their enemies on Earth, she’s a rebel.
He’s a machine.

Abandoned in space for years, utterly alone, Abel has advanced programming that’s begun to evolve. He wants only to protect his creator, and to be free. To the people of Genesis, he’s an abomination.
Noemi and Abel are enemies in an interstellar war, forced by chance to work together as they embark on a daring journey through the stars. Their efforts would end the fighting for good, but they’re not without sacrifice. The stakes are even higher than either of them first realized, and the more time they spend together, the more they’re forced to question everything they’d been taught was true.

Defy the Stars is the first novel in a new fantasy/science fiction duology by Claudia Gray. It’s an action-packed, galaxy-hopping story about a teenage girl Noemi and a robot/machine boy Abel travelling from planet to planet so that Noemi can save her home planet of Genesis.

“In three weeks, Noemi Vidal will die — here, in this very place…Every single one of them volunteered, but none of them is truly ready to die…And the Masada Run will be their greatest sacrifice. It’s a suicide mission — though no one uses the word suicide. Seventy-five ships will strike at once, all running at the same target. Seventy-five ships will blow themselves up. Noemi will be flying one of them.”

At first, the world and setting is a little hard to wrap your head around. Noemi is a fighter pilot on planet Genesis and has been trained to killed even the most skilled of mechs (robots). During Noemi’s practice for the Masada Run, she discovers an Earth spaceship that was abandoned during the last war. Aboard that abandoned ship is Abel, an advanced mech who has been trapped for 30 years alone.

She raises one dark eyebrow, trying to joke despite her obvious tension. “Shouldn’t you watch your feet instead of mine?”
“The grid’s pattern is static and stored in my memory. I could walk through the store blindfolded.”
“Of course you can.”

The book alternates point of view between Abel and Noemi, and Abel is my favourite character of the book. He’s witty, hilarious, quick, and provides great comic relief from the plot. He is programmed to recognise Noemi as his superior, so he’s forced to help her travel through the universe in an effort to save her planet from destruction.

He does so, then rises from his station. “Before we receive final landing clearance, I should change clothes.”
“Why? You look, um, nice.”
“I dressed to suit what I assumed would be our cover story, that of wealthy travellers arriving at a Kismet resort. Our new cover is that we are baldly in need of work. Therefore, we should look impoverished, or at least unfashionable.” Abel pauses at the door to study Noemi again. “What you’re wearing is fine.”

There are some religious underpinnings in the book that at times seem unnecessary and confusing, but they don’t do too much to detract from the overall plot.

The highlights of the book are the pacing and the characters. Defy the Stars moves really quickly, with the characters moving between planets and working quickly to save Genesis. Granted, there were a few times in the book where I’d lost track of why they were where they were. It felt like a James Bond movie – how did he know where to go and what was he doing there again? But I think this is the kind of story where you just kind of have to roll with it.

Whilst Abel outshines Noemi for most of the novel (she’s a bit bland at times), they compliment each other really well. They’re likeable, relatable and they’re incredibly independent characters that readers will really enjoy reading about.

“It’s a good story, one that holds up to repetition. This is fortunate for Abel, who has now been trapped in the Daedalus for almost thirty years…Burton Mansfield is a genius, the creator of all twenty-six models of mech that currently serve humankind.”

If you get confused at all whilst reading the book, go back and reread chapter one. You may not know it at the time, but Claudia Gray explains pretty much everything you need to know in those nine pages. I found it super helpful to re-educate myself about the Masada Run and the relations between Earth and Genesis and the role that Noemi plays in the history of the galaxy.

Claudia Gray brings the story together really well, using action to propel the story forward and bring it to a satisfying yet intriguing end. She sets up the sequel really well, and I’m looking forward to finding out what happens next. I recommend this to younger readers who are looking for something fun and exciting.

The nation of Panem, formed from a post-apocalyptic North America, is a country that consists of a wealthy Capitol region surrounded by 12 poorer districts. Early in its history, a rebellion led by a 13th district against the Capitol resulted in its destruction and the creation of an annual televised event known as the Hunger Games. In punishment, and as a reminder of the power and grace of the Capitol, each district must yield one boy and one girl between the ages of 12 and 18 through a lottery system to participate in the games. The ‘tributes’ are chosen during the annual Reaping and are forced to fight to the death, leaving only one survivor to claim victory.

When 16-year-old Katniss’s young sister, Prim, is selected as District 12’s female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. , she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.

Ah, The Hunger Games! A cult classic and a Hollywood movie franchise. How have I not reviewed this on the blog before? I recently reread the entire series and have found myself swept back up in the Panem world, fighting for Katniss and feeling empowered by the development of the series (even though I know everything that happens).

The Hunger Games is a post-apocalyptic YA series set in futuristic North America. At the centre of the series we have Katniss Everdeen — she is strong, resilient, smart and a fighter. She must use her wits to survive in the games, where the last person standing wins. You either win or you die, and Katniss is determined to live. She hates the Capitol more than anyone.

When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble.

The Hunger Games is rather violent for a YA book series, but I think that’s one of the reasons readers love it so much. After all, you can’t have the main character entering a fight-to-the-death tournament and not have gruesome fights featured in the book.

The high action plot is what I really loved about this book. I was desperate to keep reading to find out how Katniss was going to survive, but also how our other favourites were going to do in the games. Suzanne Collins was able to build most of the book around what happens in those games, drawing out power play and alliances but also showing us how the Capitol manipulates the games to make it entertaining for those in the Districts who are watching.

To confuse my enemies, I start a fire with plenty of green wood. Even if they think it’s a ruse, I hope they’ll decide I’m hidden somewhere near it. While in reality, I’ll be tracking Peeta.

One of the strengths of this book are the friendships and the side characters. Haymitch and Effie bring hilarity to an otherwise solemn and melancholic plot line. Katniss’ friendship with Rue in the games allows us to see an endearing side to Katniss, who at times can come across a little plain. And of course, Katniss’ friendship with Peeta is one of the things driving the book. Their budding friendship is the focal point of the second half of the book and we learn so much about their characters through their actions when they’re in the games.

“Where is Haymitch, anyway? Isn’t he supposed to protect us from this sort of thing?” says Peeta.
“With all that alcohol in him, it’s probably not advisable to have him around an open flame,” I say.
And suddenly we’re both laughing.

There’s a lot of hints about what’s the come in the series, particularly with the surprise ending. Collins does well to explain the world to us as we need to know things, so we don’t feel like there’s an info dump and we also don’t feel like there’s too much information we’re not privy to.

The Hunger Games heavily relies on its first person narration, with Katniss being extremely honest with the reader and providing as much backstory as possible but also divulging her feelings and her doubts to the reader. At times, she can be a little overwhelming for the reader. I often found myself skimming paragraphs that were really just her reflective thoughts. I was mostly there for the plot and yet the book felt so heavy on character development that I felt myself getting a little tired by Katniss towards the end. Don’t get me wrong, she’s a fantastic protagonist. She’s just a little much in this first book.

If you haven’t yet read The Hunger Games, this book is really for everyone. The characters are fantastic and the plot is addictive. And I also encourage people to read this if all they’ve seen are the movies. Suzanne Collins provides so much information and backstory that needed to be cut from the films so there’s a lot you can pick up from the books if you haven’t yet read them.