I have been blessedly out of touch for the most part the past couple of weeks as I recently attended the Knitting & Stitching show in London. I had the best time! I attended the show for three days, saw incredible exhibits, talked to artists, watched them in action, and met up with old friends.

Cas Holmes proudly displaying her new book in front of her mixed-media stitched piece “Medway Gap.”

To say this was a total punch to the gut is an understatement and I am sick and heartbroken about it. I am saddened for consumers who are passionate about these publications and just feel awful for the staff who lost their jobs.

I have thought so much about the publishing industry of late, watching magazines shutter, including legacy pubs we’ve counted on for years (think Quilter’s Newsletter Magazine). It is never fun to watch something we cherish that has been a part of our lives go out of print. We all know the digital age—as great as it’s been in its ease to access free content—is the dagger that’s killing print.

But to me there is nothing like laying down on my sofa, dogs at my feet, and tuning out social media to tune into what reading about I love: stitching, quilting, and making. Especially in this political climate, it’s how I keep my sanity and find goodness in the world.

So I am curious and have a question…what do you pay money for these days for print publications?

I’ll start. I subscribe to Curated Quilts, UPPERCASE, and Quilt Folk. I also grab Simply Moderne as well as Flow when I can. I am a frequent newsstand goer and also nab others that appeal like Modern Dog (too cute!) and sometimes soup magazines (what can I say…soup is my thing).

As the publisher, it was a pleasure to work with these two talented artists so this book could at long last see the light of day.

The book is chock-full of techniques, color recipes, and step-by-step instructions for printing your own fabrics using thickened dyes and low-tech, easily accessible tools.

I get asked all the time, why thickened dyes vs. fabric paint? I actually like to print with both. Paint sits on top of the fabric, and when dry, it can have a bit of a stiff hand to it (depending upon the brand and type)–sometimes this is wanted as it adds wonderful texture. I use fabric paints most especially in my art quilts and fabric collages. However, when you use thickened dyes (dyes with print paste added), the dyes act like paint–you can stamp, screenprint, monoprint, etc., but when you wash the dyes out, you are left with a fabric that has a very soft hand, and plays really well with commercial fabrics for quilts and projects.

My Latest Print Session and a Hack for Batching

The other day I plucked some lemons from my Meyer lemon tree for stamping. I like to layer color on my prints; I often first monoprint a background color with thickened dyes, let that layer dry, and then apply a Thermofax screen, stamp, or stencil, letting each layer of thickened dye dry before applying another layer of print work.

Once I think a piece of fabric is finished with layers of printing, and the fabric is completely dry, it’s time to “batch” the fabrics so that the dyes permanently soak into the fibers. (If you skip this step, most of the dyes will completely wash out when rinsing.) Batching takes time and a moist environment, and traditionally you batch fabrics overnight by rolling the printed fabrics in plastic and placing in a dark bathroom or closet.

This means waiting to use the fabrics…and I do not like to wait.

However, Carol and Melly taught me the best hack ever: creating your own steam system where the fabric dyes set in just 20 minutes.

Meet what I like to call Cousin Itt:

See the resemblance?

The directions for assembling this steam system are in the book, and for me, one of my biggest take-aways. This easy-to-assemble steam system means I can walk into my studio in the morning, and just a few hours later, come away with stacks and stacks of printed fabrics that I can then quilt with immediately. All you need is a a rice cooker with a steam basket, metal duct, wire mesh, cheesecloth, newsprint, foil, and a towel, among a few other tools for assembly. Below I am showing some local quilting friends how this steam system works.

To the left in this photo, you can see that the metal duct is sitting in the rice cooker with a steam basket (with some water on the bottom). I am holding the inner tube (rolled wire mesh with cheesecloth stitched around it) where you wrap your fabrics with layers of newsprint. Once you’ve rolled your layered fabrics and newsprint around the inner tube and secured with masking tape, set this inner tube inside the metal duct. Place a towel on top, then wrap both the top and the bottom with foil to keep the steam from leaking out. Set your timer for 20 minutes, and when done steaming, the fabrics are ready to be rinsed and stitched.

I have so many plans for quilt making with my prints, and I am really looking forward to experimenting with the numerous techniques and dye recipes in this book.

So to close out this blog, I want to ask the following question. Leave your answer in the comments area, and I will randomly select a winner to get a free copy of the book.

Question: If you could create your own fabrics, what motifs would you feature? And if you have printed your own fabrics and they are viewable online, please share the link so we can see!

To see the other blogs in this blog hop (many with techniques and demos) click the following:

As mentioned in my previous post, we are going to press in a matter of days for Playful Fabric Printing, a co-authored book by Melanie Testa and Carol Soderlund.

Melly Testa (left) Carol Soderlund (right)

As someone who loves surface design, printing, and quilting, I am incredibly honored to be publishing this book, and would love your help choosing a cover. If you make a choice, please leave a comment in the blog comments section, and when the book is available in January, I will randomly select 5 names and send a copy to each!

A bit more information about the book:

Printing your own fabric opens up an entire new world of design, especially for quilters, sewists, and other textile artists. Until now, the process of printing with dyes could seem difficult to learn and even harder to implement. But Carol Soderlund and Melanie Testa have taken all the stumbling blocks out of the way of would-be fabric dyers and printers.

With step-by-step advice, instruction, and photographs, this book is a master class in using dyes and low-tech equipment to print your own fabric, and it begins at the beginning. If you’ve never handled dyes before, never designed your own print motifs, aren’t even sure what supplies or space you might need, everything you want to know is here. More advanced students will value the in-depth presentation of techniques, tools, and insights into approaching fabric printing as an art and taking your work to the next level.

The opportunities for fun creative expression and producing your most original and exciting fabric work ever are unlimited with Carol and Melanie’s friendly help. It’s time to try playful fabric printing!