It has been brought to my attention that Philip Gips designed the posters that I had previously credited solely to Steve Frankfurt. The pair worked closely together on a number of their projects in which Frankfurt was the lead art director, including Rosemary’s Baby and All That Jazz — and even formed their own New York ad agency, Frankfurt Gips Balkind.

Anyway, let’s give it up for co-creator Mr. Gips and some of his best work…

When I first started looking at Polish movie posters, I’ve gotta be honest: they kinda made me sick. I mean, not physically sick. But more that feeling you get when you walk into a freaky video exhibit at a contemporary art museum and immediately want to dash for the nearest exit.

Well, I’ve gotten more comfy in my own skin since then and couldn’t be happier looking at these Polish takes on our 80’s Hollywood classics…