Alabama

Classic C.O.C. lineup rolls into Zydeco

Corrosion of Conformity (C.O.C.) from North Carolina
is definitely a band with an interesting history. Though the group formed 30
years ago as part of the hardcore-punk scene, they have developed and evolved their
sound (or sounds) while playing almost every type of metal under the sun. From
crossover thrash to blues-based stoner rock, the band has traveled down many
different paths during their long and storied career.

For 2012, one of the band's earliest lineups has
reformed, and it appears that the evolution finally has come full circle. The
group's new self-titled album features the trio formation of the band best
known for their challenging yet classic 1985 "Animosity" release. This lineup
of C.O.C. will headline the show at Zydeco
with destructive openers A Storm of Light and Zoroaster on March 18.
The show begins at 9 p.m., and tickets are available online for $15 in advance and
$18 day of show.

Phillip
Lawless for Birmingham Box Set: I know the new self-titled
album just came out. I wanted to ask how the recording sessions went for the album.

Woody
Weatherman: Basically, it was definitely one of the
easiest trips to the studio that we've ever done. I mean we pretty much had our
[stuff] together. So we, you know, kind of been playing the songs live for a
while ... well, most of them, not all of them. Working out the kinks and all that
stuff. And by the time we got in the studio, man, it just rolled right on. The
way we do it in the studio is like Mike and I just kind of get in the room with
Reed, get the drums all miced up, have some amps off in another room, slap the
headsets on, and we just kind of play like we're playing live. Let Reed do his
thing, man. And that's basically how we get the drum tracks going. Then we just
start stacking stuff up. This time around, man, it really went smooth. No worries.

BBS:
You
said you were playing some of the new songs live. How did these songs come
together? Did different members bring them in, or did you guys jam and write
together?

WW:
A
lot of both. Probably 80 percent of it, everybody just showed up and had three
or four songs in their head that they wanted to contribute. Some of them were
sort of partial songs. Here's a for instance. I showed up, I had a tune that I
wanted to do, but it only had a couple parts. And so I played the parts for
Mike, you know, five minutes later he had some other stuff and we just threw it
together and started making songs that way, you know. If you can't come up with
the whole thing, you just kind of get together and ... we've all worked together
for so long that we can make stuff like that happen pretty easy.

BBS:
C.O.C.'s
new era is kind of the old era, I guess. What led to you guys getting back
together as a three piece and moving on without (former vocalist and guitarist)
Pepper Keenan?

WW:
A
kind of funny part of the story is Pepper was kind of the catalyst for getting
us all back together because he had been out on the road with Down for a while
and sort of noticed that there was some interest in having Corrosion come over
and do some festivals in Europe. And so he sort of hit us all up, because Mike
and Reed and I live pretty close to each other. We started jamming in anticipation
of that, and that really never materialized, you know, due to a few factors.
But we just kept on jamming, and the next thing you know we were writing music
and playing shows and having a good time. And we just kept on rolling with the
ball.

BBS:
Correct
me if I'm wrong, but you're the only member that's been on every C.O.C. album.

WW:
That's
what they tell me.

BBS:
Was
there a secret to that, or was it just carrying on to carry on?

WW:
I
guess I just was the only one that kept on hanging around, you know. I mean,
with that being said, man, it's just awesome to have Reed (drummer) back in the
fold. Especially, you know, after him being gone for like really a whole
decade, man, he wasn't in the band. And that's really been the catalyst for
making all this stuff work, having him back and it just makes the stuff flow so
easy, you know, having the three original guys. It's been a lot of fun.

BBS:
You
guys were revisiting the second album, "Animosity," and a little bit of the
first on a previous tour. Is there anything you remember about recording those
early albums?

WW:
Those
things, especially like, yeah you're talking going all the way back to like "Eye
for an Eye" or something like that, I mean we had no idea what going to the
studio was. We didn't, you know, we had no clue. We just were writing these
punk-rock songs having a good time and wound up, you know, with microphones in
front of our amps and trying to capture it. But, you know, we would record that
whole damn album like in a day. We'd just set up and just start burning through
songs, you know. We had really no clue on what it took to capture stuff on tape
and, you know, that you're supposed to take a little bit of time or whatever.
But, you know, you live and learn. Of course by the time we got around to doing
"Animosity," we did half, side two of that record in Raleigh, N.C. We rode out
to Los Angeles to do side one. And that was kind of our first foray into a real
studio and whatnot. I guess the learning process started then. You know man, it
was all good times, you can't complain.

BBS:
As
young kids, were you guys on any kind of crazy punk tours? Were there any older
bands you played with that were noteworthy or interesting?

WW:
Oh
man, yeah dozens. You know, we were kids ourselves when we first hit the road.
I mean, we were playing dives, we were just trading off gigs with, you know,
punk-rock bands in other towns. It would be like, "Man, well you put us up and
let us play your town and we'll do the same for you if you come our way." And
that was how we kind of traded out and got to tour back then. Because there was
like this whole network, and even if you were an unknown band just starting
out, I mean you could travel around this sort of hardcore, you know, punk rock
network. And that's the way we did it, man. And just from a very early stage,
like whenever we did that "Eye for an Eye" record back in '84 or whatever, we
pretty much hit the road right off the bat. I think we did a couple runs that
summer, went out west. Yeah, that was just the way that we sort made a name for
ourselves was just hitting the road.

BBS:
You
guys were playing a different style, and then you came back and performed the
whole "Animosity" album. Did you have to work on your speed metal chops again
or was it like riding a bike?

WW:
It
was kind of like riding a bike. But I tell you, some of those tunes, like the
stuff on "Technocracy," they're pretty challenging. I mean there's a ... they're
fast and there's some crazy changes and lots of parts, you know, stuffed in
there. I tell you, it was definitely fun relearning some of them. There were a
few that we had played live through the years, thrown in sets at different
times, but doing the whole, it's kind of challenging. Because, yeah, they're a
little faster than some of the stuff we've been playing, you know, on the last
few records. But man, they're ... that stuff is a blast to play live. We're
having a great time doing it. I mean this upcoming tour we're keeping a lot of
that stuff in the set, and doing a lot of, of course a lot of the new record.
And even some, you know we've got a couple things off like "Deliverance," you
know, stuff like that we're tossing in there for fun. So we've got a pretty wide
variety happening on this tour coming up.

BBS:
Are
you guys still doing a song off "Blind"? It seems like I heard you were playing
"Vote with a Bullet."

WW:
Yeah,
sometimes we do a little taster of that, you know, just for fun.

BBS:
Was
the "Blind" lineup revamp in 1991 the band's decision, or did the record label
have something to do with taking the band in that direction?

WW:
Nah,
no record label stuff. I mean that was just us, you know, doing our thing.
There were things at the time and the place, and that was what felt right at
the time, you know, throwing that lineup together. And we had a ... we made a
good record and had fun on the road. It kind of fell apart, that particular
lineup, whenever it came time to start working on the "Deliverance" album. It
didn't really work out that way. But we made the changes and made it happen
like we always do.

BBS:
Now,
30 years later, being on the road, how has it changed for you guys? Is it a
different routine, or does it have a lot in common with the early days?

WW:
Hey,
we're still in a van, playing some of the same venues as a matter of fact.
There's still a few venues that are still hanging there, you know, year after
year. But, I mean, it's kind of the same thing, you know. Obviously we used to
do crazier stuff when we were younger. We would do, I mean, crazy drives. We
would just kind of kill ourselves and not really know it just cause we didn't
care. You know, kids just get out there, "Ah, it's only 15 hours to the next
show. We'll leave after we play and we'll get there in time to play." We used to do a lot of that kind of stuff.
You know, we try to take it a little easier on ourselves, driving distances and
all that kind of stuff these days. Other than that, man, you know we're still out
there doing it, having fun. So it's kind of the same thing.

BBS:
You're
touring with a good number of up-and-coming younger bands. Have any of those
bands that have caught your eye? Is there anybody that you're impressed with?

WW:
Ah
man, there always is. Well, this tour coming up I'm really excited about. We've
got the Torche guys; Valient Thorr who are another Carolina act, so we're real
stoked about that; and A Storm of Light, who I'm really excited to see live. I
mean we always try to ... if it's our tour, we try to throw something together
that's, you know, pretty cohesive, but not exactly the same thing. Like we
don't want to go out where every band is the same thing over and over. You
know, we try to get a little diversity in there, a little variety without it going
too far off the deep end. And I think this tour is going to be fun. We've got a
bunch of other dates that we haven't announced yet. We're going to be heading
out west and, you know, up into Canada and stuff. So we've had a lot of people
going, "Man, you never come to Canada anymore!" So we're getting ready to.

BBS:
No
offense, but the vocals with this lineup have improved tremendously. Was that
something you all worked on, or have you all just had more time to mature as
vocalists?

WW: Well, you know, Mike of course really brought
his A-game to the album. And he did a great job. And Reed sings three songs on
the record too, you know. Thankfully, I didn't sing much. They don't want me to
sing. I just stick to the six strings they allow me to twang on. But yeah man,
Mike really stepped up to the plate. He did a great job, and so did Reed. I
mean those guys, you know they worked on their stuff and worked on their lyrics
and, you know, spent some time on it.