Maryam, the young daughter of an Iranian general, wants a different life than the one envisioned for her by her father. A man of influence, her father begins arranging a marriage for his beautiful sixteen-year-old daughter while Maryam longs for a life of adventure and to be a nurse. Her strong will and dreams cause her to be unsettled with her life and longing for freedome.

As violence erupts in her hometown, Maryam is left behind in the family compound and in her desperation she leaves safety to seek shelter with her father’s assistant Ali, for whom she secretly harbours feelings. Her return to the family home is noted by a family servant and – her secret out – she is summarily banished while Ali is brutally punished.

In present-day London, the arrival of Saeed, Maryam’s young nephew, sets off a chain of events whose roots extend back forty years. Maryam flees to her past in Iran leaving her daughter Sara behind to piece together long hidden secrets while caring for Saeed and her father.

Yasmin Crowther’s The Saffron Kitchen is set during the U.S.-backed 1953 coup that toppled Iran’s prime minister, Mossadegh. As the daughter of one of the Shah’s generals, Maryam’s willful behaviour causes shame for her father, an act which he is unable to forgive. His retribution is swift and fierce, setting off a deadly chain of consequences.

Maryam’s story is one of repression and a struggle for identity. Seeking a life different from that offered by her culture, she seeks a chance to be heard in a culture where her only value is as a bride and mother. “I thought of Zohreh, the deaf and dumb girl in Ehzat’s story and wondered whether I would ever be permitted to use the voice with which I had been born.”

Her punishment and subsequent banishment effectively silenced Maryam for decades. Even though she constructed a life in England and lived within a family, the violence in her history caused her to be cold and distant – a woman without country or identity.

Despite her history, Maryam’s belief that punishment made her strong and able to survive leads her to lash out at the weakness she perceives in Saeed. This act of aggression perpetuates the cycle of family violence and is the catalyst for change.

The Saffron Kitchen is told in the alternating voices of Sara and Maryam, moving through time to piece together Maryam’s fragmented story. The reader shares Sara’s quest to understand her mother and shares her anger at the wake of destruction which follows Maryam’s path.

Readers will feel horror at what Maryam lived through; however, Crowther makes the difficult choice to allow readers to feel outrage and anger toward her protagonist. Through this, Crowther forces readers to confront their own stereotypes and assess how individual choices affect family and friends, and eventually, to understand and accept Maryam’s decisions.

Yasmin Crowther shows exceptional promise with The Saffron Kitchen. It is difficult to fathom that such a strong voice is portrayed in a first novel. Where her inexperience shows is in balancing Maryam and Sara’s voices. Sara, unfortunately, is not an equal player and functions as a mechanism to move her mother’s story forward.