The boys are back for their last episode of Saturday Night Movie Sleepovers for 2017! J. Blake and Dion Baia are going back once again to that endless well that has been so plentiful for them this year, and tackling one more from 1987! This time around they’re chatting an action classic, one that kick-started an entire franchise. To answer the age-old question: what do you get when you take an unhinged cop who gets partnered up with another whose got retirement on the mind? Well you get the Richard Donner essential, Lethal Weapon, from 1987.

The guys jump right into this Christmas-centric flick by discussing the sub, subgenre of Christmas-related action movies. They chat about what the allure is of having so many of these type of genre films set within the Holiday season. They talk about screenwriter Shane Black and the original script that was even deemed “to dark” by the studio and others involved. Dion and Blake analyze the insane ‘what-if ‘ game for this go-around, looking at how different of a movie this could have been with an alternate cast, had the other actors considered, been chosen. They also look back at the other influences in cinema and within the ‘police genre’ that led Hollywood to Lethal Weapon, and how this benchmark reset the action film for the years to come. So, what 1980’s action flick do the boys think shouldhave been set at Christmas time? Was this actually the first use of a modern cellphone within a movie? And did Dion actually think once upon a time that the film’s title had to be spoken within the movie? Well everyone better make sure their Beretta‘s and Smith & Wesson‘s are cleaned and ready for use, cause the boys are taking you for one last ‘ride along’ on this last, all new 2017 holiday edition of Saturday Night Movie Sleepovers!

Hello and welcome back to another exciting installment of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are ending the 2017 summer season with a bang, or a ‘kick’, as they cover a classic that introduced marital arts and specifically Karate, to an entire new generation of moviegoers. The boys are practicing their waxing, sanding and painting techniques this week as they talk about The Karate Kid, from 1984.Dion and Blake jump right in as they remember their first memories of The Karate Kid and how they were originally introduced to the film. Sharing a similar story and a lot of the same themes as another sports classic of director John G. Avildsen‘s, the 1976 movieRocky, the fellas explore the similitude between both movies. They discuss how amazing the entire cast of this film really was, as well as touch of their own recent interview with actor Martin Kove, who portrays the Cobra Kai dojo sensei John Kreese. They again utilize the novelization to explain some of the story elements that didn’t make the final cut (like Daniel‘s mom was actually sacked and was in fact working as a hostess at that Chinese restaurant they were having lunch at- whaaat?!). Blake and Dion also try and set the table of the era this film was released within, a time when a term like ‘karate‘ became almost as Americanized as ‘pizza‘ was within the cultural lexicon of the 1980s. They also analyze this story and examine why this movie is considered a classic in the annals of sports, beach/summer, and coming-of-age films. And they dissect the disgusting phenomenon of bullying in this film, and the ugly part it sadly plays in so many people’s life’s, both young and old. So how was everyone trained in preparation for this project, and how did that help contribute to each actor’s individual or group performance(s)? Was Chuck Norris really offered the role of Cobra Kai Sensei Kreese? And speaking of Kreese, how great is actor Martin Kove in his role, compared to the relatively short amount of screen time he ultimately has? Well you better do some arm and leg stretches, clean and bleach those Gi’s, and watch out for those notorious Cobra Kaileg-swipes, because here comes another all new exciting edition of Saturday Night Movie Sleepovers!

Hey there and welcome back to another all new edition of Saturday Night Movie Sleepovers! This go around J. Blake and Dion Baia have a nifty ‘cast lined up, covering a movie that was a staple back in the late 80s but also one that might not always be praised for the reasons it should. The boys are exercising their arms this week, because they’re talking the sport ofarm wrestling and the film many think brought it to the masses, Sylvester Stallone‘s classic Over the Top, from 1987.

The boys ease into the podcast by discussing the complexities of Metal Earth model kits, then get right down to business and all things arm wrestling, first by examining the wide-ranging breadth of the sports genre, before getting into the nuts and bolts of Over the Top.Dion and Blake go through the incredible backstory and genius of Cannon films, who in 1986, actually created a year-long circuit and series of event ‘qualifiers’ in cities all over the world, so that they could then have a final eighteen hour-long tournament in Las Vegas that they could film for the 1987 movie. Blake and Dion show their true colors as they gush over this picture and readily admit while other podcasts and forums might immediately disparage Over the Top, the lads pull no punches when showing this movie (in their opinion) some deserved love. They go through the film’s storyline, the father/son dynamic, and discuss the custody battle between Sly and his father-in-law, the legendary Robert Loggia, and also praise Stallone for some real subtle, nuanced acting that seems to channel a bit of Rocky in this performance. They also chat about the great 80’s soundtrack and the other stroke of brillance upon Cannon‘s part, the merchandising: the Lewco Toyline that had all the children in 1987 arm wrestling, and the money they pumped into local circuits to get people interested in the sport, so the public would be hyped when the movie premiered in 1987. So Over the Top has often been critized because of the heavy emphasis on product placement, *but* was it actually genius on Cannon‘s part? How important was the soundtrack to the film? What did Sylvester Stallone say he’d change had he directed? What insider knowledge do the boys have on the world of trucking and particularly the rig used in this film? And what’s Dion‘s Sylvester Stallone story? Well put on all those baseball caps and make sure they’re turned to the back, because here come’s another explosive and exciting episode of Saturday Night Movie Sleepovers!

Here are EXCLUSIVE PICTURES of the 1967 Autocar A64, Stallone’s truck in Over the Top, as it looks today: HERE, HERE, HERE, HERE, and in this last picture, you can still see the device setup on the cab’s roof for Stallone to work his arm while in the truck, HERE.

Good Journey to you, and welcome back to another exciting and enthralling episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are revisiting a cult classic film that is tied to a legendary property that was one of the biggest franchises of the 1980s. So what do you get when you take a toy maker named Mattel® and have them shack up with the 80s action B-movie giant Cannon Films? You get the topic of this week’s podcast, Masters of the Universe, from 1987.

The boys set up the movie on hand by reminiscing about their memories of where and when they first watched this epic. They then attempt to navigate through the steeped history of the He-Man character, explaining his basic origins and his initial backstory that was set up by Mattel when they first launched the toyline, before DC Comics it picked up and developed the vast story. Dion and Blake also try and sum up the status of Cannon in the 80s and that company’s influence in cinema, and even to moviegoers of that decade and how these two unlikely bedfellows wanted to make the “Star Wars of the 1980s” (to quote the Cannon hype). And they also spell out how and why, Masters ended up being one of the building blocks that caused everything to come crashing down- ultimately junking a toyline as well as being part of completely tanking a film company. So how vast was the He-Manfranchise in it’s heyday? What problems ended up plaguing the film production from day one? What other comic book and cartoon character’s film was actually in preproduction but ultimately ended up getting halted because of the financial problems of the imploding Cannon? And what was the planned sequel to Masters of the Universe that was actually in preproduction and also had to be scrapped, AND what did that script get retooled and eventually released as? Well get your battle swords, cosmic keys, and gather your fellow Eterians, because here comes another mind-blowing installment of Saturday Night Movie Sleepovers!

(*CORRECTION- Within the podcast the 1989 film The Punisher is commonly referred as being a Cannon film, when it was in fact a New World production. Our apologies. Thanks)

Welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week the boys are kicking the Summer Season off with a ‘bang’, taking on an epic action extravaganza, one that has become an out-and-out classic in cinema history and for some, the complete embodiment of the 1980s action genre on a whole. Dion Baia and J. Blake are going all in with absolutely no regards as they cover the Arnold Schwarzenegger exemplum, Commando, from 1985.

The fellas are unabashed about their love for this film, and as some attribute this movie a classic only because of it’s supposedly ‘camp’ valve or consider it a ‘guilty pleasure’, Blake and Dion instead firmly put their feet down and gush about their love for this Schwarzenegger classic. There’s so much to talk about here that they carefully break the film down, scene by scene, so not to miss any fan cherished moments, performances, or legendary dialogue. They explain the background behind the making of the film, realizing very quickly that this vehicle could be called the originalversion of the Liam Neeson fan-favorite, Taken. They methodically and painstakingly analyze the pacing, structure, and winding journey, leading to it’s eventual climax. So… how does this film hold up after 30+ years? Is it really ‘the gold standard‘ for action films of the time, and can it actually represent that genre perfectly on a whole? And is it the apex of that trend of 80s action-hero movies? Aside from Arnold, how are the other performances? And what the heck does the legendary silent film comedic star Harold Lloyd have to do with all of this? Well, grab your favorite Kalashnikov, RPG, combat vest and some burnt cork, because the boys are taking no prisoners in this brand edition of Saturday Night Movie Sleepovers!

Tis the Season! The boys are back with an all new episode of Saturday Night Movie Sleepovers! Dion and Blake are ushering in the holidays with a classic, Invasion USA, starring the great Chuck Norris and directed by the supremely underrated Joseph Zito.

Blake and Dion discuss the burning holiday questions, like does Santa shave his beard on December 26th, or has he had to up his game because of all the high-tech toys kids have nowadays? Then they get to the film: The year is 1985 and along with movies like Commando, Rambo: First Blood Part II and Missing in Action 2: The Beginning, a low-budget Studio named Cannon releases this gem, a great example of pure, unabashed 80’s Action Escapism. Chuck is Ex CIA agent Matt Hunter and is after a terrorist who plans to destroy America, at Christmas time no less! But why has this film fallen through the cracks of time and other Christmas-themed Action movies only bring Die Hardor say Lethal Weapon to mind? Does this deserve to be up there with those classics? Is this the film that helped solidify Chuck as the ultimate bad-ass? And what did Chuck really mean to say when he signed Dion’s poster?

All those questions (hopefully) will be answered in this all new holiday edition Saturday Night Movie Sleepovers!

(Dion mistakenly said Lebanon when he met Iran when speaking about he 1979-80 American hostage situation)

Welcome to another edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia delve way into the video racks and bring out a long-forgotten classic from the early 1990’s back when long, wet mullets were in style, and we didn’t question when villains were able to acquire scores of loyal and nameless henchmen with automatic weapons. Of course we’re talking the 1993 Jean-Claude Van Damme film Hard Target, which also debuted badass Action director John Woo to the Western Hemisphere.

The “Muscles From Brussels” puts in a Grade A performance in this entry into the sub-subgenre of hunting-men-for-sport films. The boys get into the career of JCVD, and talk about his highs and lows (the controversy of his off-screen beefs with other actors and the debate about his actual martial art ability, and the fascination he has for having twins in many of his films), and the age-old burning question of everyone’s minds: it is a slyly disguised mullet or just slicked-back long hair here? Hmmm… And how awesome are Lance Henriksen and Wilfred Brimley in this movie? And what’s a Zanenabe? We got a lot going on in another exciting and highly informative episode of Saturday Night Movie Sleepovers!

In the 2nd episode of the smash hit Saturday Night Movie Sleepovers, J. Blake and Dion Baia tackle a film near and dear to their hearts from a filmmaker they absolutely adore, John Carpenter and his 1986 feature, Big Trouble in Little China.

The boys discuss the cult status the iconic film has achieved and the history behind getting it onto the silver screen. Is Big Trouble still just as good as we all remember? Is this just a dressed-up, 1940’s Cary Grant/romantic-comedy meets Edgar Rice Burroughs/serial B-movie pulp in disguise? And is the ‘Russ really channeling who we think he is? Well, come on down and listen to this exciting, informative, action-packed edition of Saturday Night Movie Sleepovers!