Advanced search

Advanced search is divided into two main parts, and one or more groups in each of the main parts. The main parts are the "Search for" (including) and the "Remove from search" (excluding) part. (The excluding part might not be visible until you hit "NOT" for the first time.) You can add new groups to both the including and the excluding part by using the buttons "OR" or "NOT" respectively, and you can add more search options to all groups through the drop down menu on the last row (in each group).

For a result to be included in the search result, is it required to fit all added including parameters (in at least one group) and not fit all parameters in one of the excluding groups. This system with the two main parts and their groups makes it possible to combine two (or more) distinct searches into one search result, while being flexible in removing results from the final list.

Limit the search further

Here you can limit your search further, your result list will only contain those who match all of the criteria that you fill out in this part (combined with the advanced search from above)

Abstract [en]

This text is the written part of an artistic master’s project at KMH, Royal College of Music in Stockholm, Sweden. The purpose of this work is to explore perspectives and inputs to promote a composition process of text and tone in creative flow and to make them into some kind of method. The perspectives of reorientation, mimicry, play and risk, generated from Csikszentmihalyi's theories about conditions for the rise of flow state, as well as the improvisation theater's affirmative concept of Yes-and…, are applied to musical composition and artistic interpretation. Another objective of the project is to emphasize the role of the text in the pieces of music through compositional and interpretative methods, and to create conditions for musical improvisation that relate to the theme and drama of the texts reinforcing them. In reflections on the artistic results – the compositions and the performance of those in a concert - conclusions are drawn about how and when the flow state arises and decreases in composition processes, and about which tools can bring creative flow back after ceasing and about what is needed to avoid the risks of the absorbent flow state.