Before to be a musician, in his works Kalma seems always to reveal itself as a philosopher, a solitary explorer of higher and deeper consciousness. Determined in its relationship with Indian classical music, he transfigures the acoustic-ecstatic dimension typical of the raga-tampura by modulating synths and horns. This work, which appeared on two different cassettes in 1981 and 1982, is ideally one unique project. Into first Musique Pour Le Reve Et L'Amour Kalma infinitely expands the reverberations of the flute multiplying the nuances with the phasing and loops of organs that recall the beginnings of Terry Riley. The second Music For Dream And Love is structured like a oceanic carpet of aquatic and airy reflected sounds, an unlimited shore from which seem to be emerging voices of celestial entities. That of Kalma it's always a fine electronic meditation perfumed by warm atmospheres.