This setting is based on the hymn tune Helmsley usually sung to Lo, he comes with clouds descending. It began when preparing for a small group where there would not be much time to rehearse. The readings suggested using Lo, he comes and I thought why not adapt as an...

This setting is based on the plainchant Mass I which is marked to be sung in the Easter Season. I have taken the chant and simplified it so that the English text can be sung to it. – but I hope that it retains some of the essence of the chant. Lux et origo is...

This setting is based on a Christmas hymn by Johann Georg Ebeling (1637–1676) (cf. All this my heart rejoices in Carols for Choirs 2). It can be sung just by Cantor and keyboard with the Congregation repeating the final phrase, by SATB choir. The repeat of the last...

This setting makes reference to O come, O come Emmanuel and Rorate caeli. It can be sung a number of ways: Cantor with the Congregation repeating the final phrase of each line; Cantor and then Choir coming in on ‘you take’ and Congregation repeating the...

The Mass setting began as a set of Eucharistic Acclamations. They were designed to be introduced responsorially but then sung straight through. Later at the request of an American parish a Penitential Rite, Gloria and Lamb of God were added. The whole setting was...

A simple Lamb of God which a companion to the Nores Acclamations. The setting has been approved for publication by the Department for Christian Life and Worship. Nores Lamb of God for congregation, choir, guitar, keyboard and flute. Nores Lamb of God –...