It’s no secret that I love perforated surfaces (particularly when light pours through the tiny holes in rather dreamy ways). In her photography series Daré alla Lucé, Canadian artist Amy Friend allows new light to pass through found vintage images by altering the surface with tiny pinholes. I am in love with the ethereal results and how a real sense of magic seems to infuse these images of years gone by…

Last year, I posted about designer Konstantin Datz’s gorgeous braille rubik’s cube and it remains one of my favourite pieces of thought-provoking design. I came across Konstantin’s folded paper typeface this morning and fell in love with the sharp angles. Featured on the cover of Web Designer magazine, there is a real modern paper craft meets origami feel…

My love for modern, typography-focused neon grows daily it seems. This once-of-a-kind neon sign by Adam Garcia is a perfect example of why. Oy, how I would love to put this wise and handsome gem on a studio wall…

Oh, how I love sport photography (especially when it is downright artful). This shot by Peter Svoboda of cross-country skiers in the Austrian Alps is a sublime example. Beautiful geometry/angles and crispy textured tracks…

I saw Swedish designer Pernilla Jansson’s ‘A New Proposal’ for the first time yesterday and have completely fallen in love with it. Building on a desire to “disturb the established order”, Pernilla lets the standard office fluorescent light become a playful installation of beautiful neon. Simple and so very beautiful. I would love to see an office embrace this idea. One hanging over a reception desk or main studio table would certainly showcase a culture of breaking through the standard way of doing things…

This lightbulb typography sculpture by Brighton-based designer Kyle Bean stopped me in my tracks this morning. The piece was created for a Time Magazine ’10 Ideas’ feature and manages to be both industrial and delicate. It is a great play on the “light goes off” element of idea creation and makes me want to see an entire installation playing with light bulb typography…

Paper chains are timelessly awesome. That might be why this typography by Madrid-based studio IS Creative Studio makes me so happy. The designers created the paper chain alphabet and logo for the the Getxophoto Photography Festival identity. I love how they photographed the shadow-filled typography in pure white but also threw colour behind it for elements like the eye-catching neon poster. Perhaps a paper chain symbolizes a connected festival of like-minded people? The name of each photographer, featured in the final official Getxophoto book, were also cut out and used as chapter titles. Long live the paper chain…

I have a soft spot for hotels that find beautiful branding opportunities. Technology perks are great but something tangible and old-school often has distinct magic. Case in point: this sublime star-studded black stationery and silver pencil by L’and Vineyards in Portugal. Perfect for crafting one exquisite letter home (or notes of a memorable trip)…

French artist Suzy Lelièvre manages to take everyday objects and make them thought-provoking and playful. I especially love her pieces Gravity Dice and Dominos Gravitation. Why shouldn’t dice dots fall to the bottom of the cubes? Why wouldn’t domino spots all hail the mighty ‘one spot’ leader? I might refuse to play any games that aren’t as handsomely designed as these pieces…

While I do have a blog focused to colour, I still love white for its power, purity and ability to make colour look dazzling. I have been particularly enamoured with the recent trends devoted to exploring white in both classic and modern ways. White on White, Embellished, Textured, Dips of Metallics, Pops of Colour, Perforated – there has been no shortage of stunning new techniques and ideas devoted to white. I wrote a post on Rena Tom’s site on this topic so please take a look here if you are interested.

As you may know, I am more than a little in love with bits of art in unexpected places. I find this piece of street art in Bergen, Norway to be simply magical. A dainty, elegant stencil on a rough, industrial surface…

I recently came across the headquarters of Ziba Design, a design consultancy in Portland. The lobby features an installation of employee names laser-cut from wafers of Styrofoam and hung vertically according to date hired. As a vital prototyping material used by industrial designers and one that happens to be cheap and light, the use of Styrofoam is brilliant. Even better? The cluster of names is positioned across from large windows with a view of Portland’s waterfront. As weather and light changes, the wall will showcase different patterns of colours and shadows dancing across the typography. The piece will also constantly evolve as new Ziba employees are added to the piece (really highlighting people as the soul of any company). I love this installation not only for its beauty but as a example of fantastic material selection and, more than anything, how design need not be expensive to be stunning.