In examining the next few satanic
scriptures, I want us to focus on not only the philosophy they express, but
the end results of believing that philosophy. You know life can sometimes be
confusing, with all the different opinions and religious views that vie for
our attention. It can be hard to know what is good and what is bad. As in the
scripture we saw earlier, if Satan can disguise himself as an angel of light
(2 Corinthians 11:14), how can we tell whether something is of God or of the
Devil.

Well, one way is to do what we have
been doing to compare it to the Scriptures, the Word of God. And by this
standard of judgment it's obvious that something has gone very wrong with much
of contemporary rock.

Another very effective method, however, is to
examine its fruit, the actions and attitudes it ultimately generates. Now
Jesus said that we can discern false prophets and teachings from the good by
the fruit they produce. (Matthew 7: 15-20) By way of an analogy, He spoke of
trees sound ones bear good fruit and bad ones produce evil fruit.

Now sometimes when trees or plants are growing
it's difficult to tell them apart. For example, on my right is a blueberry
plant and on my left is something called "lantana". Right now there's not much
to set one apart from the other. But when they mature, the fruit of one will
be pleasant tasting and nourishing and the other poisonous. Their fruit will
definitely set them apart.

In Christ's parable He said that the ultimate lot
of this plant is to be cut down and burned. In an earlier verse, He mentioned
both the source of this plant's problem as well as where the axe will fall
when it is cast into the fire. "Even now the axe is laid to the root. Every
tree that does not produce good fruit will be cut down and burned". (Matthew
3: 10)

If you stop and think about it, the root is
invisible to us. It exists, in a sense, in another realm from our above-ground
world, but it is this invisible root that determines what kind of tree and
fruit will be produced.

This parable, of course, points to life and, more
importantly, eternity and the judgment awaiting each of us. Scripture tells us
that the fruits produced by the invisible root of God's Spirit are things like
love, joy, peace, goodness and self-control. (Galatians 5: 22) Against these,
the fruit produced by the root of Satan and man's fallen nature tend to the
opposite anger and fear instead of love, anxiety instead of peace, lust
instead of self-control. (Galatians 5: 19) Let's begin by examining rock for
one of the most basic fruits of satanic religion. In John 10:10, Jesus said
that among Satan's primary goals in the affairs of man is "to steal, kill, and
destroy".

The intrinsic selfishness of man's heart coupled
with the seeds of satanic philosophy will inevitably result in violence and
death. "Are we not all predatory animals by instinct? If humans ceased wholly
from preying upon each other, could they continue to exist? (The Book of
Satan, 3:4)

Preying upon one another is a major theme running
through the music album artwork stage shows videos and the lives associated
with the rock music industry.

While the intent in most instances is to shock,
grab one's attention, and increase album sales; evidence continues to mount
that there are powers beyond the industry's control for whom this obsession
with death is not a joke.

Many rock artists have found this out the hard
way. From asphyxiating in their vomit, to dying of heart failure in the
bathroom, their premature and often vulgar deaths point not only to the Prince
of Death, but to the perverse way he treats his subjects.

And it's not just the artists who are being
affected by this spirit of violence and death. The rock 'n' roll era has seen
violent crime increase among young people by over 10,000%. Concert violence
has become epidemic, culminating in a "Who" concert in Cincinnati where 11
people were trampled to death as crowds rushed the doors. Even the way many
listeners relate to the music, shouting with fists punching the air, or
crashing into one another in that paroxysm of aggression called "slam
dancing", bear witness to the spirit of this world operating beneath the
surface.

However, it is in the incredible arena of bizarre
murders, ritualistic violence, and self-mutilation that the reality of satanic
influence can be most clearly discerned. The last few decades have seen the
appearance of some of the most twisted and violent acts imaginable. The
primary things that link these senseless acts together is an obsession with
rock music and a similarity to ancient satanic ritual.

Beginning with the most benign, the punk music
revolution made self-mutilation a pop phenomenon. It became quite common to
see young people stick safety pins through various parts of their body, or
carve slogans into themselves with razor blades. Superficial bloodletting at
concerts became a badge of the vacuousness, anarchy, and existential madness
that was the clarion call of the movement. It was not uncommon to see artists
like Sid Vicious or proto-punk Iggy Pop drag broken beer bottles or razor
blades across their chests while on stage. Even heavy metal rocker Alice
Cooper, in his typical Hollywood fashion, has gotten into the act.

What's interesting, as well as critically
important to note here, is that these mindless acts of violence are not unique
to this era. The scriptures recall a time when God's prophet, Elijah,
challenged Satan's prophets to a contest in the supernatural. I Kings 18
relates what the devil worshippers did in order to get Satan to move on their
behalf, "And so they leapt about and cried aloud and cut themselves according
to their custom with swords and lances until the blood poured out upon them."
(1 Kings 18: 28)

Now it's true these warlocks were consciously
engaging in a demonic ritual while most, if not all, of modern punkers have no
idea their behavior is virtually identical to this ancient form of Satanism.
But remember what we learned in Part I the spiritual realm is the higher
reality. We are all profoundly affected by the Lord of whichever kingdom we
are a part of, whether we are aware of it or not.

Moving on to even more serious acts of violence,
self-mutilation has graduated in the last decade to murder and human
sacrifice. Here are a few examples of a growing phenomenon that many law
enforcement officials believe might already be
epidemic:

*On April 12, 1985, a 14-year-old metal-head
killed three people. An Iron Maiden freak whose involvement with the occult
led him to carve 666 into his chest, the boy claimed to have been under the
influence of Eddie, Iron Maiden's mascot, when he committed the murders. (The
Toronto Sun, November 1, 1985)

*The now infamous California mass murderer,
Richard Ramirez, the "Night Stalker", was reportedly led into his obsession
with the occult and ritual murder through groups like AC/DC. A school mate
reported that it was their song "Night Prowler" that particularly seemed to
affect Ramirez. On the record cover for Highway to Hell, the album in which
"Night Prowler" appears, the singer of the song wears a pentagram around his
neck. The most common of satanic symbols, it became Ramirez' calling card,
appearing on the walls of his victim's homes and sometimes on the victim
himself.

*1987 saw the capture of the serial murderer,
occultist, and apparent cannibal Gary Heidnik. Time magazine noted that from
his house in Philadelphia where the crimes were committed, heavy metal music
blared day and night. (Time, April 6, 1987, p. 34)

The Doors. Voice of Jim
Morrison. Background song.. ‘Theres a Killer on the road’.
I don’t know how to tell you, but, uh, I killed somebody. No! It’s no big deal
you know. I don’t think anybody will find out about it. Just....uh...I don't
know. This guy gave me a ride, started giving me a lot of trouble and I
couldn’t take it man. I wasted him.”

Most people familiar with the case agreed no one
of Tommy's age and background could have committed this perverted and violent
of a crime without something to help him; yet neither alcohol nor drugs played
a part. What then could it have been? The only real clues were found in
Tommy's room and notebook. During the previous year he had become involved in
the occult. And the vehicle for his satanic initiation heavy metal rock 'n'
roll.

Again, this is, in the opinion of
respected law enforcement officials, the tip of the iceberg. Satanic crime,
both spontaneous and independent acts like Tommy's and deliberate and cult
related violence like Heidnik's is on the increase. And invariably it marches
to the beat of heavy metal rock 'n' roll, a genre, by the way, that is
presently enjoying its greatest popularity in an almost 20 year history.

Now, I'm not saying that if you listen to heavy
metal music the devil will make you kill your mom. These individuals all had
other problems besides their addiction to rock 'n' roll. Remember though, that
as an eternal spirit Satan's focus is on eternity. His primary goal is to take
you to Hell with him. If Satan can get you to kill for him, great that's icing
on the cake. The cake though is to keep you away from the one who can save you
from Hell to make you think that following Jesus is stupid, wimpy, or
irrelevant that real life is found in fun and doing whatever feels good. And
what other art form is preaching this message with greater urgency and power
than much of rock 'n' roll?

Some would say, "So what, it's all just in fun,
nobody is supposed to take the message seriously." Well that sentiment
completely ignores both the nature of man and the power of music. As Ken
Wooden, investigative journalist and reporter with ABC's 20/20 has said, "Why
do we spend billions on advertising? Because people answer the ads. This type
of music is a form of advertising. And I've seen kids who have responded to
the ads. I've seen them dead on marble slabs." (Richmond Times-Dispatch, June

Suicide

Another way people are answering the ads in rock
music is through suicide. Now the second biggest killer of young people in the
west, surveys have found that as many as one in seven teenagers have tried to
kill themselves. Again, there are other factors contributing to this tragedy,
but clearly rock 'n' roll has played a major part. (Music Metallica's "Fade to
Black")

“Life it seems will fade away.
Drifting further every day.
Getting lost withing myself
Nothing matters, no one else.
I have lost the will to live
Simply nothing more to give
There is nothing more for me
Need the end to set me free.”

Suicide is perhaps the ultimate satanic deception
because it must effectively short circuit a primary human instinct
self-preservation. To accomplish this some basic truths have to be destroyed
and replaced with lies.

The most foundational truth is that life has a
transcendent purpose to know and experience God. We've already seen how rock
has either ignored or ridiculed this truth. In place of it, the satanic lie is
that life is fundamentally pointless, that at best our existence is given
meaning by the pleasures we enjoy. One would be hard-pressed to find a secular
rock artist who does not at least tip their hat to this demonic philosophy;
most bow their knee and worship. (MTV's "Hedonism Weekend" with Bon Jovi)

“Do anything, no matter how
excessive”

It's worth noting here how the scriptures
characterize the generation caught in the throes of end-time apostasy, "In the
last days, men will be lovers of self, lovers of pleasure rather than lovers
of God." (1 Tim. 3:2-4)

The next step in getting people to kill
themselves is to remove human suffering from the context of transcendent
meaning. The truth needing to be destroyed here is that suffering is either
symptomatic of spiritual disease, thereby leading one to God, or is a
temporary trial permitted by God in order to perfect one's character. The fact
is, life is full of trials for everybody maturity and greatness come from
triumphing over them. Against this, Satan's deception is that if life is found
in pleasure then the absence of pleasure is to be avoided at all costs. If the
pain becomes too great, killing oneself can be the logical way out.

Significantly, the soul of this present
generation has been so bankrupt that the pain triggering much of the current
epidemic of suicide is ultimately trivial: poor grades, a broken love affair,
a disdain for reality. As Dr. Mark Rosenberg noted in his address to the
American Society of Suicidology in 1988, "It was thought that the way to
prevent suicide among teens was to treat depression. It's not the case with
these kids. Rather than being clinically depressed, these young suicide
victims are impulsive, acting out fantasies." (Rising to the Challenge, Vision
Video, 1988 P.M.R.C.)

And where are the fantasies coming from? Enter
again rock 'n' roll."

The Healing Faith “I’ll put a bullet in the chamber
Put the barrel in my mouth
Six to one I’m going to make it
One in six I’ll snuff it out.”

Ozzy Osbourne in ‘Suicide
Solution’“Where to hide? Suicide is the only way out
Don’t you know what it’s really about?”

Is it just a coincidence that in many suicides
around the country the victims have been obsessed with rock? And that often
these very songs about death and suicide were the last thing they listened to
before they took their lives? As the coroner's report read in the death of one
John McCollum, "Decedent committed suicide by shooting self in head with
.22-caliber pistol while listening to devil music." (Reader's Digest, July,
1988, p. 103)

Drugs

Another self-destructive and occult related
activity that has been popularized by rock music is drug abuse. It is stating
the obvious to say that drugs are everywhere in rock from the ravaged bodies
of the stars to the lyrics of their songs. The Beastie Boys best selling album
"Licensed to Ill", for example, contains over 90 references to drugs and
alcohol abuse. (Rising to the Challenge, Vision Video, 1988 P.M.R.C., research
by Robert DeMoss, Jr.)

What is not as well known, however, is drugs
connection to the spiritual realm. Psychotropic or mind-altering substances
are viewed by sorcerers and others involved in he occult as a gateway, or
guide, into the spirit world. The Greek word in the scriptures for "sorcery"
in fact, is "pharmakia", from whence we get our words "pharmacy" or
"pharmaceuticals" in other words, drugs.

The reason God hates the misuse of drugs and
connects it with the judgment of Hell is because their use if a form of
sorcery. The high that is drugs primary attraction is unquestionably a
spiritual experience, one that opens the user up to the spirit world.

This trend-setting song by the Beatles was
originally entitled "The Void." Its purpose was to proclaim the gospel of
enlightenment through drugs while simulating the sensory effects of LSD. The
first line of the song was taken directly from the bible of the acid cult, Tim
Leary's "The Psychedelic Experience."

“Turn off your mind, relax and
float downstream
It is not dying, it is not dying
Lay down all thought, Surrender to the void
It is shining, it is shining”

The problem is the Holy Spirit will not respond
on this level. Like the chaste woman of Proverbs who personifies wisdom and
the revelation or divine truth, God will only appear to the one who seeks Him
in righteousness. It is the harlot Satan who spreads himself before the
individual who is high on drugs. And you can be sure that much of the
proliferation of occultism within rock 'n' roll finds its genesis in precisely
this way.

Ex-Beatle George Harrison explains the origins of
his Krishna consciousness, "When I was younger, with the after-effects of the
LSD that opened something up inside of me in 1966, a flood of other thoughts
came into my head which led me to the yogis." (Rolling Stone, November 5,
1987)

Likewise, a rock magazine described the Cure's
Robert Smith's creative process as follows: "He often comes up with his most
macabre ideas for songs in the nightmares he experiences while sleeping off
alcoholic binges. The entire album "The Head on the Door" was written under
those conditions." (Starhits, October, 1988)

Over the years, the Grateful Dead have become
almost synonymous with marijuana and LSD use. A national newspaper described
the uncanny fascination they inspire in their devoted fans, "For many of the
camp followers, the Dead are a religion and their lyrics a Bible. It is
generally accepted that the Dead are tapped into some profound LSD inspired
truth. Not surprisingly, some hallucinating Deadheads have weaved weird and
elaborate theories about God and the Universe from strands of Grateful Dead
lyrics." (The Washington Times, Concert 1986, Souvenir Edition)

It's not surprising because the Dead themselves
have acknowledged this drug-induced transcendence. As Captain Trip's, Jerry
Garcia, said in their biography "Playing in the Band", "I can't deny that
there is a moment when I'm transformed, when all of a sudden God is speaking
through my strings." (Playing in the Band, David Gans and Peter Simon)

As
many rock artists like Garcia have entered middle age, they've had to break
their addictions to drugs in order to survive. A few have recorded
testimonials for RAD, Rock Against Drugs. A classic case of too little, too
late, for most their warning cries sound hollow.

How can you be against something that your
philosophy and lifestyle give rise to. For example, Bon Jovi has done a spot
for RAD while maintaining their hedonistic message. And their powerful hit
video "Wanted Dead or Alive" contains a not-so-subtle endorsement for the most
abused drug of all, alcohol.

Ultimately, comedian and rock devotee Sam
Kennison's criticism of Rock Against Drugs says it all, "It's like Christians
against Christ, rock created drugs."

Sex

Perhaps the most inevitable and far reaching
by-product, or fruit, of satanic philosophy is an obsession with sex. "Is not
lust and carnal desire a more truthful term to describe love." (The Book of
Satan, 3:5)

“Sex related fantasy is all my
mind can see” (Prince)

Prince's philosophy is by no means unique.
Sex-related fantasies seems to be all anyone can see when surveying the music,
artwork, and lifestyles of the rock music industry.

Popular
music video director Marty Callner, whose pornography style landed him in the
LA Times' "Hall of Shame", defended his use of erotic imagery by noting the
nature of his subject matter "Sex is what rock 'n' roll is all about." (L.A.
Times, January 24, 1988)

From the hip shaking of Elvis the Pelvis in the
60's to the perversity of the 80's, truly sex is what rock 'n' roll is about.
Even the term rock 'n' roll, coined by Cleveland disk jockey Alan Freed, is a
euphemism for sex in the back seat of a car. And the sex heralded by the rock
industry is not the mature and unselfish kind mandated by God, but the satanic
alternative impulsive, carnal, and ultimately destructive. As Dr. Alan Bloom
said in The Closing of the American Mind, "Rock music has one appeal, a
barbaric appeal, to sexual desire not love, but sexual desire undeveloped and
untutored. It acknowledges the first emanations of children's emerging
sensuality and addresses them seriously, eliciting them and legitimizing
them,..." (The Closing of the American Mind, p. 73)

Dr. Bloom makes an important point here. Moral
sanity is not anti-sex, but anti-exploitation. Contrary to popular opinion,
God is not against sex it was His idea in the first place and he designed our
bodies with the capacity to enjoy it. Scripture describes the act of making
love as being central to the beginning of the marriage relationship. (Genesis
2:24, Matthew 19:5) Husbands and wives are further encouraged in the Bible to
view their own bodies as belonging to their marriage partner in order that
they might both give and receive comfort and pleasure. (1 Cor. 7:4) Sex is a
vehicle for man's participation in one of life's greatest miracles, the
creation of another human being. (Genesis 1:28) In short, sex is an enormously
important, powerful, and beautiful act.

But like all things that contain intrinsic power,
it has the potential to be destructive as well. And that's why God has so
rigorously commanded that this very special act be reserved for a very special
relationship, a life-long commitment between a man and a woman something we
call marriage and family. (1 Cor. 6:13 - 7:9) Old fashioned? Maybe, but the
more things change, the more they remain the same. No matter what the crowd
says, purity and loyalty are still the bottom line, anything else leads to
death.

George Michael: “I want
your sex
I’ve waited so long baby
now that we’re friends
a man’s got his patience
And here’s where mine ends”

Michael makes three contentions here about sex:
1. Morality is irrelevant, 2. Physical well-being is the primary consideration
and 3. His song and video are not about casual sex.

Only one of the statements is true. With over 20
varieties of venereal disease lurking in the loins of some 30 million
Americans, sex has become a hazardous undertaking, one that can be a matter of
biological life or death. (Center for Disease Control, Atlanta) But to say it
is no longer a matter of morality couldn't be more wrong. Moral principles are
as real and as unchangeable as scientific ones, in fact, even more so. In the
same way that gravity works regardless of public opinion, so God's standards
of righteousness remain in place despite man's declarations to the contrary.
No matter how much we hate and try to deny the idea, Jesus stated that there
is a choice set before each of us. "He who falls on Me will be broken, but
those on whom I fall will be utterly destroyed." (Luke 20:18) We can choose
now to fall on Christ and let Him break our pride and arrogance, to trust Him
instead of ourselves or someone else for our direction and purpose or we can
continue along our own way and face the inevitable judgment that awaits all
who reject the Messiah. And this eternal destruction is infinitely more tragic
than the biological destruction that await somebody infected with AIDS, as
horrible as that is. As Jesus said, "My friends, do not be afraid of those who
kill the body, fear the one who has the authority to cast you into Hell."
(Matthew 10:28, Luke 12:5)

The other lie is that this song is not about
casual sex.

There is no love or life-long commitment here,
just a "friendship" that is too shallow to extend beyond his own sexual
impatience. With songs like this topping the charts, is it any wonder that we
have a generation of young people who know little or nothing of true love and
the virtues of self-control.

It scarcely needs mentioning that George Michael
and songs like "I Want Your Sex" are just the tip of the iceberg. From
19-year-old chart topper Bobby Brown, who was arrested in February, 1989 in
Georgia for simulating sex on stage with a member of the audience, to the
brazenly pornographic style of mega-star Madonna, the vast majority of rock
artists have become the moral equivalent of prostitutes in the temple of rock
'n' roll.

Some are subtle, using innuendo and sexual
metaphor to appeal to the listener's carnal nature. Cindy Lauper's hit
"She-Bop", for example, is nothing but a thinly veiled celebration of
masturbation.

“They say I’d better stop or
I’ll go blind... Hey, She-Bop She-Bop”

More and more, however, veiled illusions have
given place to an explicitness that is almost unbelievable. Decency prevents
us from playing some of the worst examples. As a sample, however, consider
just one of several songs off this best-selling album by Van Halen.

“Slip and slide, push it in
Bitch sure got the rhythm
I’m holding back, Yeah, I got control
Hooked into her system”

Satanic sex is never content with what we might
call "everyday perversions" things like masturbation and sexual activity
between two unmarried people with some form of long term relationship. These
are excellent first steps, gradually getting the participant used to being
degraded and enslaved to lust. Once they are introduced to the fleeting
pleasures of sin, an important spiritual law kicks in. "The deceptiveness of
sin hardens our hearts." (Hebrews 3:13 paraphrase)

As our hearts become hard three things begin to
happen, both individually and collectively: 1. We begin to justify our sin, 2.
We become more blind and resistant to God's truth and salvation concerning our
sin, and 3. We become more susceptible to the next stage of sin. This is
perhaps Satan's most useful ploy, not only for the power it gives him over
individual lives and the toll it takes on society, but for the demonic
poignancy of it. How satisfying it must be for him to see the pinnacle of
creation, people made in the image of God, performing acts not worthy of
animals.

"Satanism condones any type of sexual activity.
The prevalence of deviant behavior in our society would stagger the
imagination of the sexually naive." (The Satanic Bible, (Avon Books, 1969),
Anton LaVey, p. 67)

One doesn't have to be sexually naive to be
staggered by the increasingly perverse love affair between rock and sex. Time
and taste prevent an exhaustive expose, but briefly consider two primary
symptoms of moral insanity sex married to its opposite violence and pain, and
sex as religion.

One of the last sign posts on Hell's downward
journey to sexual bondage and depravity is to mix violence with sex. Not only
is sex removed from the sacred context of marriage and commitment, but it is
further perverted by substituting pain for pleasure and death for life.
Incredibly, this satanic theme has become increasingly common and popular in
rock music.

Depeche Mode in ‘Strange
Love’“I give in to sin
because I like to practice what I preach
Pain, will you return it?
I’ll say it again.. Pain”

In giving this song a positive review, People
magazine called Strange Love: "a celebration of masochism.... Listen to this
twice and you'll have a deeper understanding of masochists. Listen to it three
times and you'll be one." (People, September 28, 1987).

One of the hottest groups of 1988
was Guns 'n' Roses. Their best-selling debut album features sexual violence on
both the cover and in the music.

“Tied up, tied down up against
the wall
Be my rubbermaid baby, an’ we can do it all” (Anything Goes)

The platinum album "Shout at the Devil" by Motley
Crue, featured this twisted lyric buried in their song "Too Young to Fall in
Love".

“Not a woman, but a whore
I can taste the hate
Well now, I’m killing you
Watch your face turning blue”

Unfortunately, these are not isolated examples,
as dozens of other groups sing about the pleasures of rape, pain and
degradation. Is it any wonder that a recent poll found that a majority of
6-9th grade students felt that date rape was justifiable (re. Rhode Island
Rape Crisis Center as noted in the "Rising to the Challenge" video), or that
sexual crime among the young is on the increase? Even secular journals are
beginning to connect these once unheard of events to the influence of rock 'n'
roll. As scripture warned almost 2000 years ago, "Don't be deceived; God is
not mocked, whatever you sow you will reap. If you sow to your carnal flesh,
from that flesh you'll reap decay and destruction, but if you sow to the
spirit, from the spirit you'll reap eternal life." (Galatians 6:7-8)

Scripture further encourages us to, "Set our
thoughts on heaven instead of on the earth, putting to death earthly things
like premarital sex, impurity, and lustful desires." (Col. 3:2&5)

Not content to simply degrade and pervert
mankind, Hell seeks to substitute sex and lust for the things of heaven. And
rock 'n' roll, possibly more than any other contemporary phenomenon, has
helped realize the satanic ambition.

Bananarama's remake of the hit "Venus" and its
attendant music video brought out some of the spiritual implications that were
probably missed by most listeners when the song was first heard in 1969.

This theme is amplified by The Cramps on this
album. Pornographic from beginning to end, the words to "Womaneed" are too
obscene to repeat here, but clearly marry biblical imagery concerning
salvation to gutter sexuality.

Continuing with a song we looked at earlier

This theme is further developed in "Father
Figure"

“I will be your father figure
Put your tiny hand in mine
I will be your preacher teacher
anything you have in mind”

Michael's world-view gives no place to either
scripture or the church. Sex and his worldly brand of relationship are all
that is needed to find meaning in life.

Taking this theme even further is the homosexual
group, The Frogs. Their album cover features a very young boy wearing a pink
triangle, a symbol within the militant homosexual movement, and includes songs
like "Gather Around for Saviour #2".The singer envisions a new world
where children leave the church behind to follow a new Messiah him. The song
ends with..

This blasphemy finds its axiomatic expression
inside this album cover for another openly homosexual group, Frankie Goes to
Hollywood. Pleasure is called the "Unique", the one thing that transcends
everything else. Their artwork further develops this concept of sex as
religion in this hideously perverted but sadly telling caricature of the
biblical story of Noah and the flood. Do you see the animals walking two by
two as in the days of Noah? Look at what they are crawling into. The ark, or
the means of salvation for mankind, is a male sex organ.

How ironic this is given Jesus' admonition to the
world concerning His coming in judgment on an unbelieving and perverted world.
"My coming will be just like the days of Noah, when people were so caught up
in physical pleasure that they had become blind to their sin and the
destruction that was to be soon visited upon them." (Matthew 24: 37-39)

Against this, the Bible both warns and encourages
us, "Do not be deceived, neither the immoral nor the sexually perverted will
inherit the kingdom of God. Flee from sexual sin. Your body was not meant for
immorality, but for service to the Lord." (1 Corinthians 6:9, 18, 13)

"Warning, the music of Marilyn
Manson contains messages that will KILL GOD In your impressionable
teenage mind, as a result you could be convinced to KILL YOUR MOM & DAD,
And eventually in an act of hopeless Rock and Roll behavior you will KILL
YOURSELF. Please burn your records while there is still hope".