About Me

Matthew Freeman is a Brooklyn based playwright with a BFA from Emerson College. His plays include THE DEATH OF KING ARTHUR, REASONS FOR MOVING, THE GREAT ESCAPE, THE AMERICANS, THE WHITE SWALLOW, AN INTERVIEW WITH THE AUTHOR, THE MOST WONDERFUL LOVE, WHEN IS A CLOCK, GLEE CLUB, THAT OLD SOFT SHOE and BRANDYWINE DISTILLERY FIRE. He served as Assistant Producer and Senior Writer for the live webcast from Times Square on New Year's Eve 2010-2012. As a freelance writer, he has contributed to Gamespy, Premiere, Complex Magazine, Maxim Online, and MTV Magazine. His plays have been published by Playscripts, Inc., New York Theatre Experience, and Samuel French.

1 comment:

So hard to take it seriously when he calls the man J. Johan Jameson, rave aside. That just makes us geeks look silly. Ignoring the other typos, there's also the plain factual errors, like suggesting the music has been rewritten constantly (didn't Bono just see the show for the first time a few days ago?) or that the script is under heavy revisions -- as far as I know, these most recent previews have been tech and safety related.

I'm also fascinated by the way this writer is convinced that this is necessary viewing because Spiderman lands in the aisle near him. If you want actors swarming you, go see some off-off-Broadway stuff, or if you want it to be on Broadway, you couldn't get any closer than when they were putting audiences on stage (Inherit the Wind, Xanadu, Spring Awakening).