FEATURED SHOWFriday, August 9, 7 PMJerome’s Dream, Vein, Ostraca, Watchdogs @ Gallery 5 – $15 (order tickets HERE)If you have paid any attention to the underground screamo scene over the past decade or so, you’re sure to have heard of Jerome’s Dream. Active in the late 90s and very early 00s, this New England-based trio were crucial in defining the faster, more chaotic end of the genre as it was codified at the dawn of the new millennium. Bassist Jeff Smith’s high-pitched screams and refusal to use a mic during shows set a template for an entire generation of bands, and the band’s frenetic, dynamic songwriting demonstrated the most effective way of making a basement full of kids with dyed-black hair writhe and scream spastically along.

Of course, having broken up in 2001, the height of Jerome’s Dream’s fame and influence came long after their demise. But they returned to action this year with a long-awaited crowdfunded album that constitutes their first release in 18 years. Is it as good as the old stuff? Well, it shouldn’t be a surprise to hear that opinions are sharply divided on that subject! Between Smith’s inability to recreate his trademark wail (he’d already ceased to do so on the band’s final pre-breakup EP, Presents), the significantly more metallic sound of the guitars on the new LP (entitled LP, of course), and the less frantic, more complex song structures, Jerome’s Dream have certainly undergone a noticeable evolution in their 18 years away from the spotlight.

But will the live show still rule now that the members are all pushing 40? Well, there’s only one way to find out, and that’s to show up at Gallery 5 Friday night and see what these guys have to offer. All the stoked young screamo kids in attendance are sure to provide plenty of high-pitched screams of their own, so you may not even miss Smith’s screech. And with youthful screamo apostates Vein — who, on last year’s Errorzone, patterned themselves more after Slipknot and Mudvayne than anything associated with the 7-letter S word (not that that’s a bad thing) — in tow, local vets Ostraca representing Richmond screamo, and mosh-lovers Watchdogs opening things up, this is sure to be a killer show even if Jerome’s Dream just stand still and play their instruments. And let’s be real, even that will still be cool.

Wednesday, August 7, 7 PMDrab Majesty, Hide, Body Of Light @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)The new romantics of the 80s aren’t so far gone, and these three Dais Records bands are coming to The Broadberry tonight to prove that. Drab Majesty are at the top of the bill, and there could be no other place for Deb Demure and Mona D, with their gothic-electro-postpunk beats, melodies, and life. Having just released their third LP, Modern Mirror, they’ll be taking over the Broadberry tonight to get all the eyeliner-bedecked dance floor warriors to move their feet in the dark.

Drab Majesty’s music definitely brings a nighttime ambience to the air, even if you’re listening to it at 11 AM on a sunny day, but there’s a surprising amount of melody built into what they’re doing as well, making for some killer tunes that’ll lock into your brainstem and refuse to let go. In a good way, of course. Chicago’s Hide, who are also on this bill, have not yet released their latest Dais Records LP, Hell Is Here, but the single preview track available is enough to let us all know that they’ll bring a decidedly angrier and more ominous vibe during their portion of the evening. If Drab Majesty will make you dance and sing along, Hide is going to make you stomp and scream. The bill will be rounded out by Body Of Light, whose brand new LP, Time To Kill, splits the difference between the other two bands on this bill with its pounding yet subtly melodic industrial approach. Dress in black for this one.

Thursday, August 8, 7 PMScott Yoder, Nightcreature, Thin Pigeon @ Gallery 5 – $7A veteran of garage-rockers The Pharmacy and indie-folk singer-songwriter Kimya Dawson’s backing band, Seattle’s Scott Yoder has become quite the unique musical auteur over the past several years. His solo work mingles hints of retro psychedelia with the glamour of old Hollywood and the outright glam of Marc Bolan and David Bowie. Right now, he’s in the midst of releasing six different 7 inch singles over the course of this year, and on songs like “Silver Screen Starlet” and “Cloaked In Nite,” he’s brought a unique world to life in his music — a world he’ll bring to the Gallery 5 stage this Thursday night.

You’re not going to want to miss this one, and not just because Scott Yoder is gracing a local stage — he’ll meet his match in glamour and glitz when Richmond’s own Nightcreature take the stage. On their debut EP, On The Loose, released last fall, this powerful ensemble displayed plenty of garage grit and androgynous glam, all of which they’re sure to bring to the Gallery 5 stage on this lovely evening. Postpunk trio Thin Pigeon will open this one up with some elegant and memorable tunes of their own — expect glittering pop genius from one end to the other with this one.

Friday, August 9, 7 PMFuneral Proposals, Marshall Family Values, Twin Films, Faded Home @ The Canal Club – $8 in advance/$10 at the door (order tickets HERE)Ohio’s Funeral Proposals have been together for a few years, so I suppose by this point someone’s already made the “they put the ‘fun’ in funeral” joke. I still want to make it myself, though, because this band’s music is undeniably fun, at least on their latest EP, 2018’s Blue Deluxe. On some tracks they get an upbeat alt-rock groove going, on others they’re more of a bouncy pop group, but the element all of their songs retain in common is a contagious joy — which is only enhanced by the occasional surf-music vibe that comes through.

A trio of local groups join Funeral Proposals at The Canal Club this Friday night to provide various fun sounds of their own. Marshall Family Values sounds like something a politician might talk about, but musically they are quite a bit more pleasant than that might make it seem, mixing wailing guitars and prominent keyboards into a tasty melodic rock sound. Twin Films get more hazy and psychedelic with their indie vibes, and bring quite a bit of gorgeous melody in the process. And Faded Home have a raw, ambient sound that’s sure to evoke some feels. All in all, an excellent way to spend your Friday night.

Saturday, August 10, 7 PMCrucial Rip, Gravebound, Under Broken Skies, Alcindor, Site Of Suffering @ Another Round Bar and Grill – $8There was a point when it felt like Richmond’s home for brutal metal was Shockoe Bottom, but in recent months, it’s started to seem like the RVA metal scene has moved out to Lakeside. Another Round in particular has become a central gathering place for all of this city’s headbangers, and this Saturday night of brutal mosh madness will demonstrate to all the doubters exactly why that’s an entirely positive development. Death metallers Crucial Rip, who’ve been one of the city’s leading lights of metal for years now, will be at the top of this bill, giving you a heaping helping of rumbling low-end power, complete with the kind of sick breakdowns that fans of extremely heavy hardcore will gravitate to just as quickly as the death-heads do.

But they’re not all this evening has to offer — oh, far from it! Gravebound are also RVA-based, but their sound is much more familiar to those who dig bands like Sworn In and Chelsea Grin. It’s metalcore, but it’s extremely heavy metalcore — the type that’s also sure to start at least a few mosh pits over the course of their set. With Fredericksburg brutality merchants Under Broken Skies on the bill, as well as newcomers Alcindor and Site Of Suffering, this show is going to be full of reasons to bang your head. And we could all use more of those.

Sunday, August 11, 7 PMThis Kills Me (photo by Brianna Spause), Turbo Mansion, Matt and the Skeleton Crew, Bad Motivator @ Garden Grove Brewing – Free!Philadelphia’s This Kills Me are coming to Garden Grove this weekend, and that’s going to be a real treat for all of us — whether you know it yet or not. Earlier this year, they released The End, an 8-song project that’s either a mini-LP or a long EP. I’ve never been any good at figuring that sort of thing out, but I do know great melodic songwriting when I hear it. Folks, this is it.

I’m tempted to call This Kills Me a post-hardcore band, but if anything I think it may be more true to say post-pop-punk (which is too many hyphens — believe me, I know); their sound is sure to appeal to fans of classic late-90s bands like Farside and Gameface. Whether those references mean anything to you or not (and if you’re under 30, I’m betting you’re on the latter side of that one), you’ll certainly have a lovely time seeing this band at Garden Grove, especially since the bill features multiple excellent local bands, Turbo Mansion foremost among them. AND, on top of all that, it’s free! Who can argue with that?

Monday, August 12, 8 PMThe Lawrence Arms, Talk Me Off, Bashful @ Bandito’s – Free!One absolute treat of a free show deserves another, right? For those of you out there who love modern pop-punk, the headline of this little blurb is all you really need to hear — I’m guessing you’re already making plans to queue up outside Bandito’s the second you get off work on Monday. But for those who don’t quite know the deal, here it is: The Lawrence Arms is one of the most important bands in the world of melodic, emotional punk rock since the turn of the millennium. Albums like 2003’s The Greatest Story Ever Told have long since proved this to all who’ve encountered them.

They’ve been around for two entire decades at this point, and have been a bit less active over the past ten years or so, but they’re working on a new album scheduled for next year, and they’re coming to RVA because they have a night off their current tour with Bad Religion and felt like sharing their many classic tunes with us all. Bandito’s shows are always free, so it’s strictly first-come first-served for this one. Luckily for us all, tacos are cheap during Bandito’s happy hour, so come early, grab dinner, and be ready for the show to get rolling by 8:45. It’s gonna be a great one.

Tuesday, August 13, 7 PMBeres Hammond, DJ Inferno @ The National – $25 in advance/$30 at the door (order tickets HERE)Not just a Clash song or a Sade album, lovers rock is an entire subgenre of reggae, one that exists in contrast to the heavy-dub sound and Rasta politics of famous Jamaican reggae exports like Bob Marley and Peter Tosh. Lovers rock mixes the classic reggae lilt with soulful vocals and a stronger emphasis on melodies and balladry. Beres Hammond started out as a Jamaican dancehall singer in the 80s, but established himself internationally with his 90s work, which cemented him as a top-tier lovers rock single and led him to work in the early 00s with everyone from Big Youth to Wyclef Jean.

Now it’s 2019, and Hammond is in the midst of an international tour behind Never Ending, his 20th album and first in over five years. Singles like “I’m Alive” and the title track have proved that his talent is as strong as ever, and he’ll be coming to The National this Tuesday night to charm reggae fans all over the metro area with his reggae balladry. Get ready for an evening of dancing with your baby to Beres Hammond’s smooth, sweet lovers rock. It may only be Tuesday night, but this high’s gonna carry you straight through to the weekend.

Elsewhere Around The State:

Friday, August 9, 8 PMThe Menzingers, The Sidekicks, Queen Of Jeans @ Peabody’s (Virginia Beach) – $22 in advance/$25 at the door (order tickets HERE)Here’s another one of the most important melodic, emotional punk rock bands to come along since the turn of the millennium. Two in one week? That’s pretty amazing, and if you’re a true fan, driving to Virginia Beach will seem like a small price to pay to catch Scranton pop-punk geniuses The Menzingers on their current tour. It’s been two years since their excellent fifth album, After The Party, and they’re currently preparing a sixth one, Hello Exile, for an October release.

That’s still a bit away, and so far, we’ve only heard one of the songs from it, but “Anna” is a gorgeous, heartrending banger that lets us all know the band who brought us angst-ridden classic “I Don’t Wanna Be An Asshole Anymore” still have all of their chops 100 percent intact. That’s reason enough to drive down for this one, but the fact that Ohio pop-punk/power-pop veterans The Sidekicks, as well as Philly indie/power-pop trio Queen Of Jeans, are also on the bill makes this one a downright can’t-miss event. So don’t miss it, punk!

Saturday, August 10, 8 PMPsychonaut, The Magenta Shift, Walkie Talkie @ Clementine (Harrisonburg) – $7It might be easy for Harrisonburg to slide right by the consciousness of a VA music fan from more populous cities closer to I-95, but paying even a little bit of attention will make it abundantly clear that the scene in the city of Macrock is jumping all year round, not just on that one spring weekend. Psychonaut are a Harrisonburg-based band bringing an excellent psychedelic sound to the city of JMU and beyond, if the rest of the state will only listen.

This show is a celebration of Mind — no, this isn’t some weird new-age workshop, Mind is the name of the new Psychonaut LP, and it’s an album full of dark, moody soundscapes that bring to mind Paisley Underground classics by Rain Parade and The Dream Syndicate, while also harking back to some of the deeper, more subtle bands of the post-Nirvana alt-rock revolution (though I’m gonna guess that neither they nor you, reader, have any memory of California trio Dada — but I promise they were good). The overall result is an album full of intriguing, multi-layered melodies and glittering guitars that pull you in deeper with every listen. To see Psychonaut bring this one to life onstage is sure to be the kind of treat that’s worth driving across the mountain for. Gas up the Jeep.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

FEATURED SHOWSaturday, July 13, 5 PMPunks For Presents: Christmas In July, feat. Operation Icy, …And Out Come The Wools, Snowed Out, Hanging From The Trio, Santa Flag @ Hardywood – Free!Christmas. As the old song goes, it’s the most wonderful time of the year. Such a sentiment is certainly up for debate, but one thing’s for sure — if there’s anything you really love about Christmas, you’re as far away from it now as you could possibly get. Thankfully, the folks at Punks For Presents understand that a year is an awfully long time to wait — so once again this year, they’re bringing us a Christmas In July celebration to tide us over until the temperatures drop and the snow (doesn’t) fall once again.

Punks For Presents have been doing their thing for years now, and it’s always awesome. Not just because of the music, either — they’ve been hooking up the Children’s Hospital of Richmond with cash and toy donations for years now, which is a cause always worth supporting. But the music itself is definitely amazing. Here’s how it works — local musicians form tribute bands to classic punk, hardcore, and metal bands and come up with a killer set of that band’s material. Then they rewrite the lyrics to take on a Christmas-related theme, and away we go!

This time around at Hardywood, this free gig presents five excellent holiday takes on classic bands of the 90s. Operation Icy and …And Out Come The Wools pay tribute to Tim Armstrong’s punk/ska legacy. Snowed Out, a No Doubt tribute band with a very clever name, stretch a point a little, but it’s all in pursuit of some fun, so I can’t get too mad at it. Santa Flag finds the Alex Jonestown Massacre boys putting together a set intended to evoke Anti-Flag’s early-2000s peak, while Hanging From The Trio mash up MxPx, Blink 182, and Alkaline Trio into one great set of 90s pop-punk jammers. The show is free, and the weather is great, so celebrate Christmas In July with Punks For Presents and bring the most wonderful time of the year a little bit closer.

Wednesday, July 10, 7 PMSoccer Mommy, Kevin Krauter, Kate Bollinger @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)Hard not to get stoked about this one. Soccer Mommy were pretty much my favorite new artist of 2018, blowing me away with their debut LP, Clean, and definitely giving me the feels with their raw, cutting lyrics on songs like “Your Dog” and “Last Girl.” Granted, there are a lot of sad indie girls with guitars out there writing songs about their angst; who you are probably has a big effect on your overall tolerance for that kind of music. But if you’re going to make room in your heart for even one of these artists, Soccer Mommy should be the one.

It’s not even just about the lyrics (though if any of my readers are the sort of early 20s indie-boy heartbreakers that seem pretty easy to find in most music scenes, you probably need to hear these songs ASAP), it’s about the fact that Soccer Mommy singer-guitarist Sophie Allison’s ear for a hook is flawless, and her ability to write a memorable chorus you’ll be walking around singing to yourself all day is pretty much unmatched. If you’ve never spent an entire afternoon with “I don’t want to be your fucking dog that you drag around” running through your head, you need to get familiar with the excellent songcraft of Soccer Mommy. Tonight’s the perfect time to do so.

Thursday, July 11, 7 PMLittle Hustle, HotSpit, Missangelbird, Liza & The Heart-Takers @ Gallery 5 – $7 Get your weekend started a day early this Thursday night, and break out of the work-week doldrums with a bunch of rad bands at Gallery 5. Little Hustle are coming down from New York to rock us all, and their killer sound, as demonstrated on brand new album Notepasser, finds them indulging in Asobi Seksu-style delicate shoegaze moments at times, then blasting off into hard-charging Sleater-Kinney style choruses that will have you dancing around the room before you even realize what’s going on. As rad as they sound on record, they’re sure to be a tremendous experience live.

Plus, you also get the tour kickoff show for two excellent local indie groups, HotSpit and Missangelbird. Missangelbird was born out of the solo songwriting adventures of Erica Lashley, who has since recruited a rhythm section and begun dishing out quietly hard-hitting versions of her precisely-constructed indie tunes. She’s also a member of HotSpit, a louder, more ensemble-style indie quartet with some anthems of their own to regale the entire East Coast with over the next couple weeks. But first, they’ll be rocking Gallery 5 on the way out of town, and you really shouldn’t miss this chance to catch ’em before they go.

Friday, July 12, 8 PMFranks & Deans, Glitterally Can’t Even @ Wonderland – $10This one’s gonna be kind of nutty — but in a good way, I promise! Here’s the deal with Franks & Deans: in the tradition of Me First & The Gimme Gimmes, they focus on punk rock versions of classic tunes. Franks & Deans dips further into the past than Me First, though, bypassing the 70s AM Gold era for a deep dive into the tunes and styles of the Rat Pack. That’s right, this band does punk rock versions of songs by Frank Sinatra, Dean Martin, and their legendary associates — and sometimes they mash them up with actual classic punk tunes. For example, Bobby Darin’s “Splish Splash” to the tune of Rancid’s “Roots, Radicals,” or Sinatra’s “Luck Be A Lady” sung overtop “Ghost Town” by The Specials.

See? I told you it’d be nutty. But I think we’d all be lying if we said our interest wasn’t at least a little piqued. The fact that this four-piece punk group tours with their very own dancer, Miss Nicole Muse, only furthers the Vegas-decadence vibe. You’re sure to cut loose once these guys start rocking Wonderland this Friday night, and you’ll be put into the perfect mood for such hijinks and tomfoolery by an opening set from local Kesha tribute act Glitterally Can’t Even, who do classics like “Tik Tok” and “Animal” in a ska-punk style. It’s Friday night, y’all — let’s head down to Shockoe Bottom and get weird.

Saturday, July 13, 9 PMJocko, WatchDogs, Cement Shoes, Old Gods Defied @ Champion RVA – Free!Here’s a really interesting hardcore group that doesn’t just sound like everyone else on the scene these days: Jocko, from Omaha Nebraska. The tagline on this band is “mixing hardcore with hip hop,” but the experienced HC fans among us may then expect them to sound like Cold World. However, instead of going for the Biohazard-ish intersection of metallic breakdowns and banging beats, Jocko goes a different route, mixing a more old-school, less metallic USHC sensibility that draws from both coasts with a braggodocious vocal approach that switches back and forth from angry shouts to rhythmic rhymes.

On Jocko’s debut LP, Expressions, this midwestern group pulls from all sorts of different regional hardcore traditions — New York’s Madball, Boston’s Negative Approach, Central Cali’s Trash Talk, and LA’s Rage Against The Machine are all obvious influences on this group. But what really makes their music hit so hard is their strong, energetic attack, which is sure to get the pit stirred up at Champion RVA this Saturday night. They’re accompanied on this gig by a triple-threat of local groups; WatchDogs’ chugging low-end brutality, Cement Shoes’ speedy energetic punk, and Old Gods Defied’s aggressive mosh-metal thrill will get you hyped from the moment you walk in the door.

Sunday, July 14, 6 PMPhantom Limb, VE, Grem Smiley @ Garden Grove Brewing – Free!When you hear a band described as “postpunk,” there’s probably a certain image that comes into your head — one that involves laser lights piercing the gloom of a dark hazy club as a band dressed in all black does its level best to sound like Joy Division. Phantom Limb can easily be called postpunk, but they are definitely not that kind of band. Instead, on their 2017 LP Townies, they tap into a wild rock n’ roll energy that lands somewhere between the spooky garage punk of bands like Ex-Cult and the synth-punk madness of Lost Sounds, all while keeping an atmosphere of intriguing mystery floating around.

When Phantom Limb hit the stage at Garden Grove Brewing this Sunday night, they’re gonna cap your weekend off with a bang — one that’ll thrill you whether you’re wearing thick black eyeliner or not. You will also get to enjoy the unique stylings of VE, who at least at one time were named Various Eggs and may still be. Their music is strange, and not too much like anything else you’re going to hear anywhere, but “postpunk” would also be a fair categorization of it. And “very good” would be too. The show will begin with some rad rock n’ roll from local newcomers Grem Smiley. This one’s gonna be fun.

Monday, July 15, 7 PMKevin Seconds, Josh Small, Sammy Kay @ Gallery 5 – $15 (order tickets HERE)You’ve really gotta love this. Hardcore pioneer Kevin Seconds, who began his legendary, long-running group 7 Seconds at the very dawn of the 80s and went on to influence multiple generations of punks with his patented blend of unflinching socio-political commentary, hardcore energy, and unforgettable melodic hooks, has been performing solo acoustic shows off and on since the late 80s. These days, with 7 Seconds having finally ended in 2018 after nearly 40 years, catching him solo is certainly your best bet — and with his solo tunes, most recently brought into the world on his 2016 album Band-Aid On A Bullet Wound, carrying every bit the high quality 7 Seconds’ music always had, it’s a guarantee of a fun musical evening.

What might be the most fun about this particular gig is that Kevin Seconds is wearing his reason for this particular East Coast tour on his sleeve. As the poster says: he’s come for Avail. Kev will hit the Gallery 5 stage four days before Avail begins its run of reunion gigs over at The National, and it’s delightful to see an absolute pioneer of punk rock still so excited about music 40 years into his career that he’d book an entire tour around that opportunity. It’s to all our benefit, too, as it offers us all a chance to see Kevin Seconds play Richmond for the first time in quite a while. Come out and see what sort of tunes he has to offer — we can guarantee you’ll enjoy them.

Tuesday, July 16, 7 PMTomb Mold, Superstition, Left Cross, Under Attack @Gallery 5 – $12 (order tickets HERE)Look, sometimes we’ve just gotta get down with some serious brutality. When you’re as stoked about metal as I am, it’s hard to get through even one week without it. But even if total headbanging action isn’t your preferred version of musical enjoyment, even you have got to recognize that sometimes you’ve just gotta thrash. Tomb Mold is coming through town this Tuesday night, and they’ll be offering you the perfect opportunity for such a thing. Brutal riffage in a classic old-school death metal style to bring smiles to the faces of all the Autopsy, Obituary, and Incantation fans out there — that’s what they’ve got to offer. You should really take them up on it.

They’ll be joined in their trek through RVA by Superstition, a Santa Fe, NM ensemble with a similarly old-school approach to death metal madness. If you dug those old Earache cassettes your uncle used to blast in his car, these groups are really gonna make you happy. They’re joined on this bill by RVA’s own dirty thrashin’ death-metallic hardcore powerhouse, Left Cross, as well as brand new Richmond hardcore supergroup Under Attack, which features members of Limp Wrist, Suppression, Municipal Waste, and Red 40 (not the one from Tennessee a long time ago, the one from Richmond an even longer time ago — yeah, I remember). This whole show is definitely gonna be worth your time, so mark your calendars.

Elsewhere Around The State:

Thursday, July 11, 6 PMBelle And Sebastian, Ex Hex @ Sprint Pavilion – $36-$50 (order tickets HERE)It’s hard to believe that indie darlings Belle And Sebastian have become popular enough to play the 3500-seat Sprint Pavilion in Charlottesville. But if anything, it shows the buying power of grown-ups who were indie kids in their college days. So this one is for everybody who booked a sitter months in advance so they can enjoy a lovely evening with their partner smiling to classic tunes like “Dylan In The Movies” and “Piazza, New York Catcher.” But that doesn’t mean the rest of us can’t go too, and enjoy the many wonderful highlights of Stuart Murdoch and co.’s consistent career of outstanding tunes.

Belle And Sebastian have decidedly not become just a 90s nostalgia act, either. They’re preparing to release their 11th album, a soundtrack for English film Days Of The Bagnold Summer (the directorial debut of Inbetweeners star Simon Bird), later this year. First single “Sister Buddha” shows that this seven-person Scottish ensemble have still got what it takes to create indie-pop classics every bit the equal of the ones they were dishing out with regularity over 20 years ago. This certainly bodes well for an evening of excellent music. Plus, you’ll get an opening set from Ex Hex, the dynamic Mary Timony-led rock n’ roll trio whose recently released It’s Real makes clear that their awesome, swaggering debut, Rips, was no fluke. Even if you can only afford the cheap seats, this one’s essential.

Saturday, July 13, 8 PMDigger, Fun Size, Invaluable, Single-Use Plastic @ Taphouse Grill – $13 in advance/$15 day of show (order tickets HERE)OK so here’s another 90s throwback for all the music fans among us, though this one will certainly be more intimate, taking place at Norfolk’s Taphouse Grill. It finds two 90s pop-punk legends coming together once again. Digger are the first ones we must discuss — this Pennsylvania band cranked out some outstanding albums on Hopeless Records in the late 90s and early 2000s, the best being the prescient Promise Of An Uncertain Future. Today, when we’re all living in that very uncertain future, Digger have returned to action and hit the road once again, regaling all us 90s kids who miss the innocent days of our teenage angst, when getting a ride to the show at Twisters on Friday night was our biggest concern.

Fun Size is the other pop-punk legend on this bill, and chances are they were also on the bill of that show we were all trying to get a ride to 25 years ago. Having released a couple of outstanding albums back then, these guys returned to action at the dawn of this decade with a long awaited third LP, Since We Last Spoke. That album proved that they were still every bit the world-class talents they’d always been, and seven years later, they’re still proving it. Seeing these guys on a bill with Digger is sure to take you back to your teenage days, even if you don’t quite fit into those tiny t-shirts you used to wear back then. That’s OK — I’m sure the bands would be glad to sell you new ones after the gig. Get there and rock out like there’s still a Clinton in the White House.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

FEATURED SHOWFriday, December 7, 9:30 PMClaudio Simonetti’s Goblin performs Suspiria @ The Byrd Theatre – $35 (order tickets HERE)
This is pretty much a once-in-a-lifetime event, and you pretty much need to be there if you have any interest at all in horror movies, spooky European prog rock of the 70s, or both. Here’s the deal: the Italian prog group Goblin did quite a few soundtracks for horror movies back in the 70s and 80s, including several for legendary Italian horror director Dario Argento. In 1977, they did what is probably their most famous work in the score for Argento’s most famous film, Suspiria. Now, in a weird tie-in to the 2018 remake of the film, Claudio Simonetti’s Goblin are on tour performing the Suspiria score live along with the film. This Friday night, they’ll be doing so at The Byrd Theatre. How cool is that?

Goblin has been made up of many people over the years, and at this point in history, there are several active or dormant projects that have used variations on the name in the past decade or so. Claudio Simonetti, the group’s longtime keyboardist, is currently leading a trio featuring the members of his late-90s/early-00s metal band, Daemonia, and that’s the version of Goblin that will be coming to the Byrd. Anyone who’s seen Suspiria or soundtracked an awesome Halloween party with the soundtrack album will recognize the essential role Simonetti’s keyboards play in the film’s music; basically, if there were to be one original member of Goblin involved in this performance, you’d want it to be Claudio Simonetti.

Basically, this is the closest any of us will get to seeing the original Goblin play this music. And better yet, the group will follow its performance along with the film by another set of music drawing from the highlights of Simonetti’s lengthy career, which has included film scores for dozens of classic horror flicks (Deep Red, Dawn Of the Dead, Demons, Nightmare Beach, The House of Witchcraft… so many more). And if that tantalizes you, here’s the best part of all: you’ll get to see Argento’s original Suspiria on the big screen. Who can pass that up? Not you, if you’re smart.

Wednesday, December 5, 7:30 PMGeneration Axe Tour, feat. Steve Vai, Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt, Tosin Abasi @ The National – $39.50 in advance/$43 at the door (order tickets HERE)
The 90s have been the nostalgia decade of choice for a while now, and somehow we got there as a culture without ever dealing with that late 80s era of leather pants, hairspray, and wild shreddy guitars that everyone remembers now as “hair metal.” There was a lot to that era, y’all, and a lot of it was great. From 80s power metal that got wrongly lumped in (Iron Maiden, anyone?) to the true classics of the glam generation (Shout At The Devil is one of the best metal albums of that decade — yeah, I said it), we’ve chosen to leave a lot of great things out of the cultural narrative. I guess this is what people mean when they say “guilty pleasures,” huh?

Generation Axe comes to The National to let us all know that it’s time to stop feeling guilty about all the shred-heavy guitarists with feathered hair and lightning-speed arpeggios whose tablatures we all studied obsessively in the back pages of Guitar World while we were supposed to be finishing our algebra homework. The king of the shred, Steve Vai, who is known not only for his epic instrumental solo albums (and “solo” is indeed the word) but his time in Whitesnake, David Lee Roth’s solo band, and many more, got this whole project together, recruiting fellow instrumental shred king Yngwie Malmsteen (it’s pronounced “ING-vay,” and in the time it took you to read this parenthetical aside he’s played at least 800 notes), Ozzy/Black Label Society legend Zakk Wylde, former Extreme guitarist Nuno Bettencourt, and Animals As Leaders, um, leader Tosin Abasi to form a five-guitar monster of razor-sharp licks and tour the world. At the National, you’ll see everything from spotlight sets by each of these five guitarists to duets and collaborations between three or even all five string-benders to wow you with hours and hours of shred-thrash fireworks. It’s going to be so goddamn amazing you’ll surely want to dig through mom’s attic over Christmas until you dig out your dusty old Ibanez and books of guitar tabs. Get fired up.

Thursday, December 6, 7 PMThe Ar-Kaics, Christi, Piranha Rama, Weird Tears @ Strange Matter – $10 (order tickets HERE)
Strange Matter’s long goodbye continues this week, and we’ll be sending you there quite a bit before we wrap up this column. This is because, even in their final throes, this best of all Richmond venues continues to pack the place each night with brilliance. This particular garage-psych focused bill is centered around 60s revivalists The Ar-Kaics, who’ve spent the last several years wowing us with the charm of their many 45 RPM singles, recapturing the fuzzed-out glory of the Nuggets era. After a couple years away from the spotlight, they’ve returned in a big way with In This Time, their second full-length. On it, they mix the primitive charm of their garage-rock roots with some increased melodic elements that make these tunes catchier than ever.

Rejoicing at the return of the Ar-Kaics is a big reason to come to this show; however, it’s not the only one, as local power-pop legends Christi are returning to live performance after a year and a half away from the stage. I would say this makes sense, since longtime Ar-Kaics drummer Patty Conway was also in Christi, but by the time Christi broke up she wasn’t in that band anymore — and at this point, it seems like she might have left the Ar-Kaics as well. So this could all be a big coincidence. Either way, the double-dose of old-school rock n’ roll with some killer vocal harmonies overtop is coming for you, and it’s going to rule, so you really should just be at this show no matter what. Local up-and-coming garage-pop group Piranha Rama and the ever-mysterious Weird Tears will get this show rolling in fine fashion.

Friday, December 7, 8 PMSleep, Weather Warlock @ The National – $21.50 in advance/$25 at the door (order tickets HERE)
Where doom metal, or “stoner metal,” or whatever you want to call it, is concerned, Sleep are pretty much the north star. Having evolved out of apocalyptic crust band Asbestos Death at the dawn of the 90s, Sleep went on to define the stoner-doom genre with their 1992 classic, Sleep’s Holy Mountain, before either attaining doom godhead or flying too close to the sun (depending on your point of view) with the long-delayed legend of an album, Dopesmoker (which consisted of one 74-minute song. I know, right?). However, while record companies were less than stoked at the idea of marketing a one-song double LP, leading the group to disband, their legend grew in their absence — fueled by the biker-metal heroics of guitarist Matt Pike’s post-Sleep project, High On Fire, and the epic drone of bassist/vocalist Al Cisneros’s Om, which has incorporated elements from Tibetan Buddhist chants into their moody darkness.

After receiving rapturous responses to a series of reunion tours, Sleep became a fully functioning band again about five years ago, recruiting Neurosis’s Jason Roeder to replace retired original drummer Chris Hakius. This year, they followed up two excellent post-reunion singles with their first full-length album in over 20 years, The Sciences. What is obvious from the first listen is that this group hasn’t lost a single step over the intervening years, mixing the biker-doom headbanging of High On Fire into Om’s droning low-end hum to create newborn classics like the Egyptian pyramid-Black Sabbath pun reference in “Giza Butler,” or the 21st century stoner anthem “Marijuananaut’s Theme.” They’ll bring all of this to us at mind-shearing volume and with soul-pulverizing power when they take the stage at The National, and all of you stoner warriors of the astral plane are going to want to touch down and experience it firsthand.

Saturday, December 8, 12 noonDry Spell, Mensroom, Cloak/Dagger, Nosebleed, Haircut, Sinister Purpose, Butt, Deviant @ Strange Matter – $12 (order tickets HERE)
These days, it seems, hardcore bands never really die — they just go dormant for longer and longer periods, only returning to play a show on occasions momentous enough to resurrect them from their suspended animation. Strange Matter’s closing is definitely a momentous occasion, and one way you can tell is that this noontime Saturday show is headed up by not one, not two, but THREE mostly-dormant hardcore bands that have returned to action for the first time in at least a year (OK yes, Cloak/Dagger played a few shows nine months ago. Point stands).

Dry Spell’s big period of activity is about a decade in the rearview now, and their midtempo rockin’-hardcore rage sounds fresher than ever when you revisit it in 2018, so this set bringing together members from up and down the East Coast to perform together once again should be a real blast. Mensroom disappeared from the Richmond musical landscape about three years ago now, so the new jacks may not remember them, but any young punks who love the psychedelic-sludge take on hardcore that Slump has been dishing out for the past couple years are definitely gonna want to catch their set (being billed as a “reunion/last show”), as these guys were doing that sort of thing before Slump ever got going. As for Cloak/Dagger, these rip-roaring maniacs have made some killer sounds by finding the line between garage-punk and hardcore and staking out a position just to the “hardcore” side of that line. Get ready for some raw rock n’ roll power when these guys take the stage. And be sure to set your alarm, because if you’re not there right at noon, you’re sure to miss some of the many excellent openers — and that would be a very bad move.

Sunday, December 9, 7 PMCloud Nothings, The Courtneys, Russ Waterhouse @ Strange Matter – $15 in advance/$18 day of show (order tickets HERE)
Cloud Nothings may not be coming to Richmond specifically to celebrate the life and legacy of Strange Matter, but that’s no reason to skip this show — it’s gonna be every bit as good as everything else that has become a part of the Strange Matter Closing Series. Cloud Nothings are an incredible band from Cleveland, who have built themselves quite a reputation by simply putting their heads down and continuing to crank out excellent no-frills tuneage that both rocks hard as hell and has the ability to stick firmly into your head all day.

Where a lot of other rock bands have fallen into the pattern of taking three years or more between records, Cloud Nothings have stayed prolific, releasing five full-length albums and one collaborative album with Wavves since 2011. Their two most recent albums, Life Without Sound and Last Burning Building, both came out within the last year and a half, and both bring us excellently written songs with fire and passion, landing somewhere between prime mid-period Replacements and the best work of legendary UK punk rockers Leatherface. If anything, Cloud Nothings just seem to get better as they go on, and that’s reason enough to catch them whenever they come through town. Rest assured, they’ll blow you away. Excellent support from Canada’s The Courtneys, who bring us their shambling indie-pop brilliance under the auspices of legendary New Zealand record label Flying Nun, only sweetens the pot — as does a solo set from Blues Control’s Russ Waterhouse to kick it all off. Get with this one.

Monday, December 10, 6 PMCult Leader, Primitive Weapons, God Mother, Asylum, Shark Eyes @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I read a novel from 30 years ago this past week, and at one point, a character referenced “heavy metal.” The term, once ubiquitous in my own musical vocabulary, struck me as archaic to an almost amusing extent. When I pondered why it felt that way these days, I realized that it’s mostly because, while we still use both words separately to talk about certain types of music, we pretty much never use them together. There’s metal music, there’s heavy music, but instead of combining to become “heavy metal,” they really seem like two completely separate genres today.

I bring all this up to point out that Cult Leader, who released their second album, A Patient Man, less than a month ago, are definitely on the “heavy” side of that divide. A Patient Man is a crushing listen, full of volcanic riffs that feel less like discrete breakdowns than a continual overpowering onslaught of low-end rumble and harsh, roaring noise. The fact that this quartet hails from Salt Lake City, Utah, makes their sheer brutality a bit more understandable — it’s got to be hard to grow up in such a repressive social environment. All that repressed tension’s gotta come out somewhere. The way it comes out might not be metal, exactly, but it’s certainly heavy. The same is definitely true of tourmates Primitive Weapons, who hail from Brooklyn, and God Mother, who come to us from Sweden. Apparently heaviness can emanate from anywhere. Let’s all go soak it up.

RVA’s hip hop world often looks like at least half a dozen parallel worlds, many of which don’t intersect frequently by any means. However, if there’s one thing Black Liquid has always tried to do with his Face Melt Fridays, it’s to bring the entire scene together under one roof, so everyone can appreciate each other’s talent. The same thing is true of this show, which pulls together everyone from local legend Nickelus F and hot up-and-coming talents Mutant Academy to local veterans like Dr. Millionaire and Chance Fischer and Face Melt Friday mainstays like Goad Gatsby. Plus, there’s a lot of lesser-known talent lurking around the lower reaches of this bill — bizarre names like Dogfuck and 1NF1N1T8 come with solid track records. And of course, with Black Liquid presiding over it all, the vibe is gonna be like the Face Melt Friday to end all Face Melt Fridays… regardless of the fact that it’s actually happening on a Tuesday. So hey, don’t sleep on this one. There won’t be another.

Bonus Hampton Roads Picks:

Friday, December 7, 7 PMBoxford, Invaluable, Accident Prone, Scotty And the Steiners, Eric & Aviana, I Fight Vampires @ Charlie’s American Cafe – $5
I love pop-punk. I’ve never hidden that, never tried to play it down… I don’t feel the least bit guilty about it. It makes me smile and it rules and more people should try to understand its charms. But I’ll tell the truth — I’m very aware of how navel-gazing the whole genre can be, and how male-dominated… to the point where some otherwise-great bands are self-centered enough to take a downright douchey approach to some otherwise incredible hooks. It’s a bummer.

Thank god for bands like Virginia Beach’s Boxford, who actually seem to care about the world outside their own rooms. This show is a release party for their latest EP, Facade, a three-song collection that focuses on the sort of mental health struggles that too many pop-punk fans can relate to (yes, including me. No shame). And for their record release show, they’re doing more than just singing about it, turning the entire show into a collaborative fundraiser with the American Foundation for Suicide Prevention, who will be on hand to talk to attendees between bands about ways we can all lend a hand to the struggle within our communities for greater mental health. This is important stuff, and I don’t want to trivialize it by saying that it comes with a legitimately great soundtrack. But it must be mentioned that Boxford’s Facade is an excellent record, and openers like Invaluable and Accident Prone have quite a bit to offer as well. This will be a fun show with a very serious purpose. And that’s just about perfect.

Saturday, December 8, 6 PMBlind Justice, Paper Trail, Red Vision, Watchdogs, Combust, Flatline, Semtex @ 37th And Zen – $12
An alert for Central Virginia’s hardcore kids: if you can find a fast enough ride, you can fill your entire Saturday this week with incredible hardcore sounds. Not only do we have an excellent slate of hardcore bands here in RVA with a noon kickoff time, the excellent Jersey-shore hardcore band Blind Justice will be headlining a killer bill featuring multiple Richmond bands at Norfolk’s 37th and Zen that night. Travel time between the two is just 90 minutes if you’ve got a lead foot… and if the tunnel doesn’t screw you over. It’s worth a shot, right?

This is especially true in light of Blind Justice’s latest LP, No Matter The Cost, which dropped this summer and knocked everyone out. The energetic approach this band takes to their music, and particularly vocalist Mike Botti’s ridiculously intense vocals, are a recipe for bowling you over in a live environment. These guys are sure to get the pit moving with a vengeance when they hit the stage at 37th and Zen. Richmond bands Red Vision and Watchdogs are also on the bill, and both bands are celebrating their brand new releases. Red Vision brings us their hard-as-hell new full-length, Stake Your Claim, while Watchdogs give us a dark, metallic new EP called Sanguinary. They both rule, and I’m sure these sets will be ones to watch. A whole bunch of other bands, including Virginia Beach mainstays Paper Trail, are on hand to sweeten the pot on this killer. Gas up your tank before the Strange Matter show, because you’re gonna want to catch this one too, and you’ll have no time to waste.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]