XiXiDu’s projectPolytopiaThe human species is rapidly and indisputably moving towards the technological singularity. The cadence of the flow of information and innovation in...Now playingSpaceCollectiveWhere forward thinking terrestrials share ideas and information about the state of the species, their planet and the universe, living the lives of science fiction.IntroductionFeaturing Powers of Ten by Charles and Ray Eames, based on an idea by Kees Boeke.

You use a metaphor to describe some concept. The metaphor isn’t the thing you describe - it’s just a tool that you use. But someone takes the metaphor, and runs with it, making arguments that are built entirely on metaphor, but which bear no relation to the real underlying concept. And they believe that whatever conclusions they draw from the metaphor must, therefore, apply to the original concept.
— Metaphorical Crankery: a bad metaphor is like a steaming pile of …

While both, the metaphor and the analogy are tools of abstraction used to paraphrase the essential of a given concept by conveying similarity through comparison, the former being more isomorphic in its symbolism than the latter, neither are equivalent to the concept as they are not synonymous nor literal definitions but allegorical in their exposition of original meaning.

The introduction of suitable abstractions is our only mental aid to organize and master complexity.
— Edsger W. Dijkstra

To define the process of making an analogy in reference to reductionism is prone to fail as an analogy is a vessel of meaning and the perception of every, ultimately projected, meaning resides on a certain level. Both, reductionism and the analogy are mental aids used to master complexity by reducing the information content of a concept. Nevertheless, while the former is reducing a matter to its constituents the latter is reducing it to its quintessence.

That is, one might induce meaning from the constituents that give rise to it, or one might deduce its particular origin from the general that is the flash point of meaning, but one cannot transfer meaning from one particular to another particular by reducing the level of conception to one that is devoid of it. This makes the analogy reciprocal in its nature and handling of meaning. Naturally void of, it is imprinted with meaning to likewise convey the same through reinforcement.

In all this the use of analogy is closely related to the very process of cognition. The analogy is the resonant system to store and transfer meaning. All meaning is in the mind, yet it cannot arise and persist without that on which it is projected. In fact, it is at the core of cognition as we can only understand reality by analogy. The most fundamental level of comprehension is forever out of reach for that it means to be, to become, not to contemplate but to experience. For that reason all cognition is by analogy. All meaning is communicated in reference to other words.

Further explanation of analogy can just be a demonstration of practicability and consistency. That is, an explanation can make a given analogy obvious by showing how it works and deepen its perceived consistency over more than a self-evident level. Yet any explanation is doomed to be a Language-game. We merely learn to accept by repetition. And as an analogy becomes a intuitively fixed model we incorporate it into our conceptual framework.

Here we are able to come closest to the true nature of analogy, what it IS. That is to state a recursive definition, the analogy defined in terms of itself. An analogy is a function that maps certain meaning comprised in an analogy to another analogy.

Therefore the analogy is not empirical as it is used not to gain but to transfer information. An analogy is the procedure and result of mapping the essential meaning of a concept to another as a means of communication and contemplation by transformation and exposure of the former.

syncopathThu, Feb 3, 2011Permanent linkAllegory is constituted on the principle that, there can be no direct presentation, or transposition, of the perceptual ; therefore, perception itself must become a sign, and the sign must become a text that must be read, deciphered.
The secret is constituted on the condition that no direct discourse is possible, and so communication must take place in a relation to a certain 'absence of a Third'.

The visible has its own way of being read (like the newspaper for Mallarme)
and the legible has its own kind of theater (its theater of reading).

It is precisely the sense of a crypt placed in perception, which is not as much an enclosure of the thing, but rather a process which turns perception itself into an allegory.

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SpaceCollective is a joint initiative of filmmaker Rene Daalder and designer Folkert Gorter. Daalder is the project's main author and creator of The Future of Everything. Gorter is the site's interaction designer and the curator of the Gallery. System architecture and technology created by Josh Pangell. The Future of Everything episodes are edited by Aaron Ohlmann and produced by American Scenes Inc; executive producer: Joseph Kaufman.