Search Google Appliance

Natural Resources

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.

Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.

Using this extremely fine wood model as part of its technical proposal, the Swiss firm Faesch & Piccard won the contract to design the original turbines for the Niagara Falls power station. The actual turbines were built by the I. P. Morris Company of Philadelphia and were installed in 1895, the year the Adams Station went on line. The hydroelectric power generation facility at Niagara Falls gained international acclaim for its ability to efficiently convert a portion of the Falls' awe-inspiring natural energy into electricity. This was the world's first large-scale central electric power station, demonstrating how falling water (or other power sources) could be used successfully to supply electricity over an extended geographical area.

The skipjack is the last in a long line of sailing craft designed for work in the Chesapeake Bay oyster industry. First built in the late 1800s, this sloop-rigged, single masted vessel was easy to maneuver even in light winds, and its V-shaped hull allowed oystermen to work in shallow waters. This model represents the Gertrude Wands, a skipjack built by John Branford on the Eastern Shore of Maryland in 1899. It is named after a little girl who lived in the community of Inverness.

Like bugeyes, skipjacks were built for oyster dredging under sail. But unlike the round-bottomed bugeye, the skipjack had a V-shaped hull, which was easier to build and did not require the huge logs of the traditional bugeye. Skipjacks were also smaller than bugeyes, ranging in size from 25 to 50 feet.

By the early 20th century, skipjacks had replaced bugeyes and were the main dredging craft on the bay. An 1865 Maryland law restricting dredging to sail-powered vessels ensured the continued use of sailing craft for oystering. Only in 1967 was the law amended to allow the use of a gasoline-powered push boat on Mondays and Tuesdays of each week. A push boat is shown on davits at the stern (back) of this model.

Maryland’s skipjacks are the last commercial fishing boats operating under sail in North America. In 1985, the skipjack was named Maryland’s official state boat. With the steep decline of the oyster population in the Chesapeake Bay, most skipjacks have become floating classrooms for public education programs about the bay. Several have been donated to museums for preservation. Still, many people who live in the Chesapeake region harbor a sense of longing and nostalgia for the days when the large white sails of skipjacks filled the horizon.

The steam whaler Orca was built at San Francisco in 1882 specifically for the Pacific and Arctic whale fisheries. By the late 19th century, the Atlantic whale was too scarce due to overhunting, and whaling had moved almost completely to distant western waters to exploit the remaining whales.

Measuring 177 feet in length and 628 tons, Orca had a 280-HP steam engine for propulsion. It also had a full suit of auxiliary sails for backup and fuel conservation. When built, Orca was the largest auxiliary steam whaler in the United States.

The bark-rigged vessel was heavily built and braced, with a strongly raked bow to work in the Arctic ice pack. The heavy timbers and bow shape allowed it to be driven up onto the ice, where its weight helped to break through. Orca’s propeller had two blades so it could be aligned vertically with the stern timbers when not in use in order to protect it from the ice.

Information collected by Mystic Seaport Museum in Mystic, Conn. indicates that Orca, along with many other Pacific whalers, resorted to shanghaiing, or acquiring crewmen from agents ashore who forced potential crewmen onto their ships in various ways. With around two dozen whaleships clearing San Francisco each year for the Pacific whaling grounds, the need for crewmen was great.

This model represents a vessel powered by both steam and sail power. An auxiliary schooner, the Royal was one of several built after 1890 for use in the Alaska salmon fishery. Tenders like the Royal transported workers and supplies, and carried fish packed at remote canneries. The model shows a deckhouse with a pilothouse forward, a fish hatch, and a slide companionway to the forecastle.

The Royal was built in 1891 by Matthew Turner at Benicia, California. Turner, born in Ohio in 1825, grew up on the shores of Lake Erie, where he learned about fishing and the ship-building trades. In 1850 he joined the throngs of fortune-seekers heading to the California gold rush. After some success in the gold fields, he returned east but was soon back on the West Coast, where he organized a trading company that shipped lumber and other cargoes. He also began building ships, and in 1882 he moved his operations to Benicia, on Suisun Bay, northeast of San Francisco. A prolific builder, Turner launched some 228 sailing vessels in his career. The site of Turner’s Benicia shipyard was registered as a California Historical Landmark in 1987.

This model represents the fishing schooner Dauntless, built at Essex, Mass., about 1855. Its hull is of the “sharpshooter” type, meaning the bottom has a sharp V-shape, as distinct from the rounded hulls of most fishing craft built in New England. The model shows the typical deck arrangement for a schooner sailing to or from the offshore fishing grounds, with the dory boats nested together and lashed bottom-up on the deck. All of the sails are set, including the jib and flying jib on the vessel’s long bowsprit.

Fishing on the shallow banks stretching from Georges Bank east of Massachusetts to the Grand Bank off the coast of Newfoundland was a dangerous enterprise. Thousands of lives were lost in the race to catch more fish and deliver them to market before the competition. The demand for fast schooners led to designs that favored speed over safety. The Dauntless is an example of a mid-century schooner with a fast hull and a great deal of sail. The sailing rig would have required crewmen to venture out on the bowsprit to furl the jib, a dangerous proposition, especially in rough weather.

Details of what happened to the Dauntless and its crew in September 1870 are unknown. But the schooner was lost at sea with all hands aboard, while making a passage to the Bay of St. Lawrence from Gloucester. Those lost included Jas. G. Craig, master, John La Pierre, Martin Costello, John Todd Jr., George Todd, Daniel Herrick, Edward Smith, James Smith, James Welch, George Goodwin, and two others, whose names are unknown.