"John Banks is one of the UK's most prolific audiobook narrators, working for the likes of Big Finish, Audible, Random House and Games Workshop.

He is a true multi-voice, creating everything from monsters to marauding aliens.

He is also an accomplished stage and TV actor."

audible.co.uk 2018

Soul Wars

Hello...

...I'm John Banks - welcome to my website. The majority of my working life has been spent in the theatre with companies including York Theatre Royal, Cheltenham Everyman, Sheffield Crucible, Bristol Old Vic, Manchester Royal Exchange and the National Theatre in London.

Television work includes Emmerdale, Coronation Street, and 'Allo, Allo!'. I have also worked on a number of radio drama and comedy productions with the BBC.Since March 2009, I have enjoyed playing a huge variety of characters in more than 250* audio-drama stories with Big Finish Productions, together with The Black Library/Games Workshop, details of which can be found in the postings below.

There are also details listed here of the 165* audio books I've recorded since March 2013, including the unabridged New Revised Standard Version of The Bible, for companies including audible.co.uk, Hachette, HarperCollins, RNIB, W.F. Howes, Little Brown Group, Penguin Random House, Games Workshop, Orion, Fantom Films & Ladbroke Audio.

(*figures at April 2019)

I hope you find something of interest here and come back soon for further updates.

For all posts, reviews and audio samples, please scroll down...

Blood of The Old World

Games Workshop

The Moggotkin of Nurgle

Released June 2019...

Released January 2019...

Released January 2019...

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Saturday, 24 November 2012

The last couple of weeks have been quite busy and so I thought a quick update would be timely on this wet and windy Saturday afternoon.

I've just completed work on a hugely enjoyable Big Finish story with a fabulous company of actors; we really did have great fun and our time together flashed by all too quickly. Over the next two weeks, I'm looking forward to being back in the recording studio to work on other stories, each quite different from the other and offering unique challenges. For the time being, all must remain teasingly secret but of course, I'll be posting updates just as soon as details are made available.

In addition to having a very festive time in the recording studio, this last week has also been deeply pleasing because of some other work which has come my way. On Monday, I auditioned for a production of Port, a play written by Simon Stephens and directed by Marianne Elliott. Having convinced myself that I hadn't got it, to my great surprise, the job was offered on Thursday and the read-through is on Monday. The play opens at the Lyttleton Theatre (image below) in late January and runs until late March with the possibility of a short extension into April.

It's amazing how quickly things can happen sometimes. In this instance, from audition to read-through in eight days! Equally amazing is
that rehearsals and prior BF commitments fit together perfectly. Anyway, the National Theatre have published the following details:

Port

Stockport, 1988. It’s midnight. Rachel, eleven, and Billy, six, wait in the car in agitated excitement. Their mother is at her wits’ end with all their chatter and fighting and dreams of Disneyland. She is about to leave them for good. Their father, drunk in the flat above, has locked the door. It’s a pivotal moment, the beginning of a thirteen-year odyssey for two kids, largely abandoned and growing up in the deprived suburban shadows of Manchester, a city that felt itself to be the most exciting in the world.

I see you in the morning, on the first morning I stayed over at your house. Waking up. Watching you lying asleep next to me. You looked, you looked. It was like. I think about that more than you probably think I do.

A richly colourful portrait of a town with the everyday writ large, Simon Stephens’ Port is a celebration of the human spirit as Rachel, through sheer courage and despite an economic and political climate that pushes her into the very margins, looks to the future and opts for love and life and for something better.

He don’t do drugs. Nowt like that. He just. He really tries. I hope… This is a very big chance for him. I hope he doesn’t fuck things up this time. I hope he’ll be alright.

There are some long anticipated audio releases next month and much more to come...

Ultramarines

Psychic Awakening

Warcry: Death or Glory

Warhammer 40,000

Flight. Redefined.

Reviews & comments:

The Malazan Empire

Over the course of this 8 book series, the amazing John Banks has had to create and voice 648 distinct characters!

Neil Gardner - producer

The Door In The Wall & War of The Worlds

Not often I buy another version of an audiobook I own, but after hearing John Banks' narration of The Door in the Wall by Ladbroke Audio, I had to buy their version of The War of the Worlds. Banks has a great reading voice.

Andy Frankham-Allen - writer

The Books of Babel: Senlin Ascends, Arm of The Sphinx & The Hod King

Mr. Banks does superb work, and I recommend the audiobooks wholeheartedly!

Josiah Bancroft - writer

Mervyn Stone: The Axeman Cometh

John Banks is a voice genius...

Nev Fountain - writer

Mervyn Stone... played by the note-perfect John Banks.

Matt Hills - Reviews in Time and Space

Dr. Who: The Sleeping City

I also must draw attention to John Banks who is an exceptional voice artist and in this one story performs more characters that I can count. ... it is listening to episodes like this one that really do let his talents shine through.

Tony Jones - Red Rocket Rising

Highlander:

...playing several parts, was the brilliant Big Finish regular John Banks - it was as if there were about 40 different actors in the other booth.

James Moran - writer

I went for the best of the best and brought in voice artiste extraordinaire John Banks.

Paul Spragg - producerVienna:

...also features the mind - bogglingly versatile and reliable John Banks

Jonathan Morris - writer

Dead Funny:

The acting is first rate… wonderfully played by John Banks as Richard – his impersonation of Eric Morecambe is worth the admission money alone.

Beverly Greenberg: Bolton Evening NewsMr. Happiness:

This early and unfamiliar play by David Mamet is a character study of a 1930s radio counsellor, dispensing suave advice to his devoted listeners. John Banks brings out the wry comedy of this – comedy quite unappreciated by the character – with a clever range of gesture and vocal tone.

Jeremy Kingston: The Times

All My Sons:

This is a beautifully crafted piece ...and it affords a wonderful opportunity for John Readman* to do his All-American Boy act as Chris Keller. This most polished and well observed performance as the blighted son of a blighted father must rank as one of his finest accomplishments yet. ( * see Profile)The Stage

The Ordeals of Sherlock Holmes

Kudos should also go to John Banks.Lestrade can be a thankless part, but Banks rose to the challenge, playing a pivotal role in this decades long arc.

Raissa Devereux - SciFiPulseThe Judgement of Sherlock HolmesJohn Banks is multi-tasking, both as the superb Lestrade and also the villainous and no doubt moustache twirling Sebastian Moran. They sound completely different and I bow to his talent.Sue Davies - SFcrowsnest

Further reviews and comments are included with specific postings throughout the site.