Tag Archives: alien gods

“Systematic traditions, ‘hermetically sealed’ within themselves, rose from the Semitic grimoire-styled ceremonial magic, not surprisingly influenced by ‘Egypto-Babylonian’ forms of ritual magic (first the domain of Enki but later passed into the possession of Marduk and his scribe-son Nabu). The priest-magicians of Babylon would not actually have personally used a grimoire-like magic themselves, as this was not their way. At best, they would invoke the powers of the Anunnaki with incantations in the name of Marduk – but this manner of using the ‘secret names’ as properties of Marduk, or any other demigod, was a much more recent addition to the system…”–Joshua Free

[This blog-post appears courtesy of Mardukite Liber-51/52 available within the NEW Deluxe Edition of Sumerian Religion by Joshua Free. These materials are also available in the Year-2 Mardukite Anthology: Gates of the Necronomicon.]

During the era of the first ziggurat temples – the Anunnaki age – all of the magic constituted the ‘spiritual assistance’ that was governed by the state, ruled by priest-kings and temple attendants. The ‘mystics’ of Babylonia were all employed by the temples and scribe-houses, though there were undoubtedly those who confined themselves to their arts in the outlands, beyond the awareness of the societal realm.

The peasant class, however, did not practice much by way of ‘magic’ (as classified by anthropologists) outside of their own personal religious devotions, which in itself was mostly restricted to hymns and prayers learned from the temples. These personal devotions were also completely inclination-based, as there does not appear to be any prescribed devotional method or temple attendance required of a Babylonian citizen, nor even participation in national festivals.

Access to the ‘incantation-prayers’ of the priests were also not generally given to just anyone – and you had to be able to read them, or at the very least memorize them. General collections of these tablets were seldom kept, with the exception of priest-kings who might house their own personal libraries. An example: the Kuyunjik collection, called nis-kati (preserved in the British Museum) which was the private property of the Assyrian king Ashurbanipal.

The Altar of Offering set before the ‘Boat of the Gods’ (imagery also appearing in the Egyptian Tradition – a ‘Boat of the Gods’ carrying seven figures – e.g. the Seven Anunnaki Gods of the Babylonian ‘Younger Generation’) was also located at the official shrines – although personal altars could surely be constructed by a devotee appealing to their god, this would come much later during an era of ‘figurative mysticism’ because originally, these offerings would be physically received by a god in person, or via their ‘priestly secretaries’.

Common religious offerings included food and drink, incense and oil, even lavish jewelry and clothing – which were carried up the ziggurat steps of the ‘ladder to heaven’ to be placed before the feet of the god, or at the very least, at his ‘boat’ to be lifted to them.

When the appearance of the gods, themselves, was not present, it was customary to have an official piece of statuary left in there place. This became more and more figurative with the passage of time, and it is easy to see how many of these originating concepts evolved into later magical and religious practices – which were one and the same at their start.

Gold and lapis lazuli commonly appear as both ‘magical ritual aids’ and prestigious offerings to the ‘gods’ via their temples. Wands, necklaces and bags of loose lapis are often mentioned in esoteric texts (cuneiform tablets) from the Mesopotamians, in addition to golden rings and ‘amulet-plates’ marked with specific seals and cuneiform glyphs. Practical “underground” investigations into this type of work later developed into a modern standard used by the Mardukites who practice a contemporary Babylonian tradition, making use of illustrated sigil-seals and cuneiform signatures of the seven of the “Younger Generation” (as well as the Supernal Trilogy) – making ten sets in total. (See also the Necronomicon Anunnaki Bible and/or Book of Marduk by Nabu.)

Implementation of a practical magical system from the Babylonian ideal is somewhat different than what the contemporary mind, even an ‘esoteric’ one, is fundamentally familiar with. As opposed to the later magicians who appear to have had to connive and fool the hierarchies of spirits into assisting them, threatening them and even in fear of some retroactive revenge – the original magical system used by the priests of Babylonia was rooted in the deep personal relationship – running as deep as blood – that the Sumerian priest-kings and Mardukite NABU priest-scribes maintained with the sources of not only their religious power, but the basis of the entire system of civilization that allowed the progression of the human species into today.

All of this, according to tradition, resided in the influence of the Anunnaki gods – and the priest-kings and scribes were installed to be sure no one forgot this…

“Putting aside the more ‘conventional’ implements of the magical arts; the garments and regalia, the tools and sigil seals – it is NAMES and WORDS that appear most significant when encountering ‘higher forms’ of the esoteric mysteries…“

Similar to the way in which ‘existence’ becomes more dense and fragmented as the varying lights and veils are perfected until we reach the manifested existence within human perceptual abilities, the Names of God became increasingly ‘mutated’ with time and the myriad of ‘language semantics’ that were later applied to this form of cryptomancy.

Given the emphasis put on ‘words’ and ‘names’ in the Anunnaki tradition – as found evident on Sumerian and Babylonian cuneiform clay tablets – it is not surprising that we should see a mystical lore related to the same carried by the priests and magicians of the later derived system-traditions: the Kabbalah, Egypto-Greek Hermetics and of course native Chaldean and Zoroastrian movements – all of which based on a ‘personal’ relationship with Divinity by means of a ‘secret’ or ‘esoteric’ lore that enabled them to call upon and recognize these ‘forces’.

Priests of the Anunnaki tradition acted as intermediaries between the human population and the beings perceived as “Divine” that often resided in their very cities, occasionally occupying the ‘ziggurat-temples‘ built on the highest mounds of each region. In the proto-Sumerian traditions, the priest-magicians were the only ones who were able to transmit any communication with the Anunnaki “Sky Gods” of their observed pantheon.

This shifts during the post-Sumerian or Babylonian-Mardukite period, as a rise in local or ‘personal’ magic becomes present among the common folk. During this post-Sumerian period, many individual members of the Anunnaki group became patron ‘central’ deities to different areas, an act that furthered the fragmentation of knowledge.

After the magical arts were given to the people, the Hermetic attempts began at ‘unlocking’ the esoteric secrets withheld by the original priests and caretakers of the traditions. Uncovering Divine Names was one of the more ‘paramount’ acts to making the newer systems function – a means of going around the intermediaries socially and politically installed to oversee the religion and spirituality of the people. It is here that we begin to see ‘magic’ as a part of ‘counter-culture’ existing outside of, and in many cases in opposition to, the Realm.

Rather than being a state-religious affair celebrated openly in public view, the practice of magic began to turn ‘inward’ and was pushed further and further underground as the growing populations and varying personalities each had their influence on its character.

Mystical use of the Kabbalah, such as we find with the Enochian system and other methods involved in the late 19th century ‘magical revival’ by members of the Hermetic Order of the Golden Dawn, is heavily dependent on the use of “Divine Names” or other “less-divine” (even “infernal”) names as words of power. Although derived from the same sources, this is generally typical only of post-Babylonian systems, at the Age of Aries (c.2100 BC).

We see evidence of it throughout the Hermetic traditions of the last 3,000 years and in virtually every example of ‘magical grimoire’ or ‘tome of magick’ at our disposal. Clearly, the author-carriers of this type of lore treated the names as ‘sacred formulas’ critical to the success of the ‘transcendental operations.‘

Starting around 2,000 years ago, they started being classified as exactly that: formulas.

COMING SOON!
News & Updates concerning the August 2017 MARDUKITE NEXGENCON SOLAR ECLIPSE SUMMIT MEETING and the construction development of the remote MARDUKITE BABYLON ANCIENT ASTRONOMY RESEARCH CENTER set along the UFO Cosmic Highway in the San Luis Valley.

“Wholeness comes from repairing the ‘fractured cracks’ of our understanding so that we might be ‘view’ and ‘experience’ reality with ‘clear’ and ‘self-honest’ eyes. Judging by the sheer number of literary works, organizations and even less organized members of the community still flock to these methods and practices for a means to ‘ascension’ or ‘enlightenment’ during this lifetime. The truth is… Many people, even among today’s ‘New Agers’ are still lacking in the appropriate knowledge to carry themselves along these paths and have them be ‘realized’ to their truest or fullest extent.”–Joshua Free in Enochian Magic & Kabbalah

For the first time in modern history, the true origins of Judaic Mysticism (the Kabbalah), Christian spiritual beliefs and other derived practices of ceremonial magic (such as the Enochian system, Hermetics and Golden Dawn methods) can now be traced directly to the archetypal ‘Sky-God’ traditions of the prehistoric Mesopotamia: The post-Sumerian Babylonian “Star-Gate” system dedicated to the Anunnaki.

The modern contemporary outlook on the ‘alien’ or ‘extraterrestrial’ and ‘inter-dimensional’ source behind these many experience is what ties it together. So long as people have been forced into a paradigm where the spiritual and mystical encounters of the past are made to look ‘ridiculous’, without basis and a fantasy-legend to tell our children to get them to sleep, no real ‘advancement’ can be made on the understanding and practical incorporation of these mysteries into everyday life. For this reason, the more ‘orthodox’ and ‘static’ systems of religion and spirituality that have dominated the Piscean Age are seeing a decline in membership and true practitioners for the simple fact that we are realizing more and more just how ‘fragmented’ they have actually become. And since we do not see the ‘greater systems’ bending at all to the new realizations available, it is us who must do the changing and usher in a new and authentic ‘paradigm shift’, which is what this whole “New Age” (Aquarian) is supposed to be about in the first place.

In Enochian Magic & Kabbalah, prolific occult writer, Joshua Free, brings together what is known of the ancient “Ladder of Lights”, the BAB.ILI system that constitutes the original “Tree of Life” ‘kabbalah’ found graphically present on ancient renderings and its connections to the later Judeo-Christian traditions and the evolution of human understanding of “Anunnaki”, “Igigi” and other sky-beings into the Hebrew renderings of the “Nephilim”, “Anakim”, “Elohim” and the like.

While new technological advancements bring no shortage to the intellectual Ego of the human mind, the entire purpose of existence, the source of the human species and the knowledge and paths that brought us to where we are now, have all been left behind, swept under a rug or otherwise been ‘concealed’ from the ‘commonplace reality’ of contemporary life. Assuming things were to remain so, the human race would be successful in only destroying themselves and leaving a huge mark on the planet in its wake – change must come, for the alternative is annihilation.

Reexamination of the most ancient tablet renderings of the Anunnaki and the way in which they had initially developed among the local populations (to Mesopotamia) thousands of years ago should help to shed new light on the history of human civilization, the development of its cultural and religious beliefs and the way in which this interaction between people and god has affected their lives.

Today, in spite of the ‘normalcy’ attached to orthodox religions, humans live and act as a godless people, with no fear of someone watching over them in addition to being simply content with operating the program as they have been given it.

As the ‘next generation’ rises into maturity, understanding and power, we believe that these things will change; that new eyes and new vision will bring a New Babylon – a new world – to the planet and new evolutionary potential for the life living upon it!

ENOCHIAN MAGIC & THE KABBALAH illustrates the singular origin of the mystical and spiritual traditions on the planet, all directed toward a human relationship with the “Divine“, however that might be viewed — angels, elementals, fairies, gods or other ‘alien’ beings — and more importantly, the methods by which they have been attracted into one’s life.

Since all of our available traditions today seem linked to these antiquated ‘Divine Encounters’, it seems fitting to make a self-honest exploration of the nature of these origins of belief and how they may affect our abilities to perceive the world and affect reality today.

Dynamics of this series — mainly sexual practices and mating customs of the Anunnaki hierarchy — were catalogued, instructed to and adopted by demigods and Dragon Courts of Kings and Queens. These dynamics are concisely explained by the late Zecharia Sitchin in End of Days.

“The key to unlocking the mystery of the gods’ succession (and marriage) — realizing that these rules also applied to the people chosen by them [Enlil] to serve as their proxies to Mankind. In the biblical tale of the Patriarch Abraham explaining his sister-wife in Genesis: ‘Indeed, she is my sister, the daughter of my father, but not the daughter of my mother, and she became my wife.’ Not only was marrying a half-sister from a different mother permitted, but a son by her — in this case Isaac — became the Legal Heir and dynastic successor, rather than the Firstborn Ishmael, son of the handmaiden Hagar.

“Though those succession rules appear complex, they were based on ‘Bloodlines‘ — what we now recognize as sophisticated DNA genealogies that also distinguished between general DNA inherited from the parents as well as the mitochondrial DNA (mtDNA) that is inherited by females only from their mother. Dynastic lines continue through the male line; the Firstborn son is next in succession; a half-sister could be taken as wife if she had a different mother; and if a son by such a half-sister is later born, that son — though not the Firstborn — becomes the Legal Heir and the dynastic successor.

“The rivalry between the two half-brothers Ea/Enki (Firstborn of Anu, but not be his official spouse, Antu) and Enlil in matters of the throne was complicated by personal rivalry in matters of the heart. They both coveted their half-sister Ninmah, whose mother was yet another concubine of Anu. She was Ea/Enki‘s true love, but he was not permitted to marry her. Enlil had a son by her — Ninurta. Though born without wedlock, the succession rules made Ninurta uncontested heir of Enlil, being both a Firstborn son and one born by a royal half-sister…”

—Zecharia Sitchin

The “Descent cycle” of Inanna-Ishtar shows her connection to the “Underworld”, and thereby the “Other”, but it does so for the explicit reasons described in the Tablet-C “Crossings” series, involving her relationship with the Queen of the Underworld, Ereshkigal, her own sister, as well as Ereshkigal‘s surface world Anunnaki consort, Nergal.

Nergal [ne-uru-gal] is the “lord of the great dwelling” and his wife, Ereshkigal [eres-ki-gal] isa perfect counterpart, being the ‘lady of the great earth’. The cult-center for their tradition worship was the city of Cuth (or Kutha), making the “Man-of-Cuth” literally “Kutu-lu”, CTHULHU, a name which makes frequent appearances in more Necronomical flavored lore related to the Underworld.

LIBER-C, Tablet-U, “The Courtship of Ishtar and Dumuzi”

The brother spoke to his younger sister.
The Sun God, SHAMMASH (UTU), spoke to INANNA-ISHTAR, saying:
“Lady, the flax in its fullness is lovely.
Ishtar, the grain is glistening in the furrow.
I will work the ground for you it for you.
I will bring the grain to you.
But a piece of linen-cloth, big or small, is always needed.
Ishtar, I will bring it to you.”

INANNA-ISHTAR said:
“Brother, after you’ve brought me the flax, Who will comb it for me?”

SHAMMASH (UTU) replied:
“Sister, I will bring it to you combed.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me combed, Who will spin it for me?”

And SHAMMASH (UTU) responded:
“Inanna-Ishtar, I will bring it to you spun?”

INANNA-ISHTAR said:
“Brother, after you’ve brought the flax to be spun, Who will braid it for me?”
And SHAMMASH (UTU) responded:
“Sister, I will bring it to you braided.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me braided,
Who will weave it for me?”

And SHAMMASH (UTU) replied:
“Sister, I will bring it to you woven.”

INANNA-ISHTAR said:
“Utu, after you’ve brought it to me woven,
Who will bleach it for me?”

And SHAMMASH (UTU) responds:
“Inanna-Ishtar, I will bring it to you bleached.”

Angered now, INANNA-ISHTAR demanded:
“Brother, after you’ve brought my bridal sheet to me,
Who will go to bed with me!?
Who, Utu, who will sleep with me!?”

SHAMMASH (UTU) calmly replied:
“Sister, your bridegroom will go to bed with you.
He who was born from a fertile womb,
He who was conceived on the scared marriage throne,
Dumuzi, the shepherd! He will go to bed with you.”

INANNA-ISHTAR spoke:
“No, brother!
I want the farmer!
He is the man of my heart!
He gathers the grain into great heaps.
He brings the grain regularly into my storehouses.”

SHAMMASH (UTU) said:
“Sister, you should marry the shepherd.
Why are you unwilling?
His cream is good; his milk is good.
Whatever he touches shines brightly.
Inanna-Ishtar, marry Dumuzi.
You who adorn yourself with the agate necklace of fertility alone,
Why are you unwilling?
Dumuzi will share his rich cream with you.
You who are meant to be the kings protector,
Why are you unwilling?”

Still angry, INANNA-ISHTAR the spoke:
“The shepherd?!
I will not marry the shepherd!
His clothes are course; his wool is rough.
I will marry the farmer.
The farmer grows flax for my clothes,
The farmer grows barley for my table.”

Then DUMUZI arrived and said:
“Why do you speak about the farmer?
Why do you speak about him?
If he gives you black flour’
I will give you black wool.
If he gives you white flour,
I will give you white wool.
If he gives you beer,
I will give you sweet milk.
If he gives you bread,
I will give you honey cheese.
I will give the farmer my leftover cream.
I will give the farmer my leftover milk.
Why do you speak about the farmer?
What does he have more than I do?”

DUMUZI interrupted:
“Inanna, do not start a quarrel with me.
My father, Enki, is as good as your father, Nanna.
My mother, Sirtur, is as good as your mother, Ningal.
My sister, Geshtinanna, is as good as yours, Ereshkigal…
So, Queen of the palace,
let us talk it over, shall we?”

The words they had spoken between them were words of passion and desire.
From the starting of the heated quarrel came the lovers desire for each other.
DUMUZI, The Shepherd, went to the royal house with cream.
He went to the royal house with milk.
Before the door, he called out:
“Open the house, My Lady, open the house!”

INANNA-ISHTAR ran to the arms of NINGAL, her mother.

NINGAL counseled her daughter, saying:
“My child, this young man will be your father.
My daughter, this young man will be your mother.
He will treat you like a father.
He will care for you like a mother. “

Still DUMUZI called:
“Open the house, My Lady, open the house!”

INANNA-ISHTAR, at her mothers command,
Bathed and anointed herself with scented oil.
She covered her body with the royal white robe.
She readied her dowry.
She arranged her precious lapis lazuli beads around her neck.
She took her seal in her hand.

DUMUZI waited expectantly.
INANNA-ISHTAR opened the door for him.
Inside the house she shined before him.
Like the light of the moon.
DUMUZI looked at her joyously.
He pressed his neck close against hers.
He kissed her.

INANNA-ISHTAR then said:
“What I tell you
Let the singer weave into song.
What I tell you,
Let it flow from ear to mouth,
Let it pass from old to young:
My vulva, the horn,
Is The Boat of Heaven,
Is full of eagerness like the new moon.
Who will plow my vulva?
Who will plow my high field?
Who will plow my wet ground?
I am a young beautiful woman;
Who will plow my vulva!?
Who will station the ox there!?
Who will plow my vulva!?”

DUMUZI smiled and said:
“Great Lady, the king will plow your vulva!
I, Dumuzi the King, will plow your vulva.”

When after the king’s lap stood the rising cedar.
Plants grew high by their side.
Grains grew high by their side.
Gardens flourished luxuriantly.

INANNA-ISHTAR sang in delight:
“He has sprouted;
He is fertile growth planted by the water.
He is the one my womb loves best.
My well-stocked garden in the plains,
My barley growing high in its furrow,
My apple tree which bears fruit up to its crown,
He is fertile growth planted by the water.
My honey-man, my honey-man sweetens me always.
My lord, the honey-man of the gods,
He is the one my womb loves best.
His hand is honey, his foot is honey,
He sweetens me always.
My eager man who caresses my navel,
My man who caresses my soft thighs,
He is the one my womb loves best.
O, how I love him!
He is my fertile growth planted by the water.”

And DUMUZI sang:
“O Great Lady, your breast is your field.
Inanna-Ishtar, your breast is your field.
Your broad field pours out the plants.
Your broad field pours out grain.
Water flows from on high for your servant.
Bread flows from on high for your servant.
Pour it out for me, Inanna-Ishtar.
I will drink all you offer.”

INANNA-ISHTAR said passionately:
“Make your milk sweet and thick for me, my bridegroom.
My shepherd, I will drink your fresh milk.
My wild bull, Dumuzi, make your milk sweet and thick.
I will drink your fresh milk.
Let the milk of the goat flow in my sheepfold.
Fill my holy churn with honey cheese.
Lord Dumuzi, I will drink your fresh milk.
My husband, I will guard my sheepfold for you.
I will watch over your house of life, the storehouse,
The shining quivering place which delights;
The house which decides the fates of the land,
The house which gives the breath of life to the people.
I, the queen of the palace, will watch over your house.”

DUMUZI spoke:
“My sister, I would go with you to my garden.
Inanna, I would go with you to my garden.
I would go with you to my orchard.
I would go with you to my apple tree.
There I would plant the sweet, honey-covered seed.”

INANNA sang:
“He brought me into his garden.
My brother, Dumuzi, brought me into his garden.
I strolled with him among the standing trees,
I stood with him among the fallen trees,
By the apple tree I knelt as is proper.
Before my brother coming in song,
Who rose to me out of poplar leaves,
Who came to me in the midday heat,
before my lord, Dumuzi,
I poured out plants from my womb.
I placed plants before him,
I poured out plants before him.
I placed grain before him,
I poured out grain before him,
I poured out grain before my womb.”

She sang louder:
“Last night as I, the Queen, was shining bright,
Last night as I, the Queen of Heaven, was shining bright,
As I was shining bright and dancing,
Singing praises at the coming of the night;
He met me! He met me!
My lord Dumuzi met me!
He pushed his hand to my hand.
He pressed his neck close against mine.
My high priest is ready for the holy loins.
My lord Dumuzi is ready for the holy loins.
The plants and herbs in his field are ripe.
O Dumuzi! You fullness is my delight!”

She called for it, she called for it, she called for the bed!
She called for the bed that rejoices the heart.
She called for the bed that sweetens the loins.
She called for the bed of kingship.
She called for the bed of queenship.

INANNA-ISHTAR called for the bed:
“Let the bed that rejoices the heart be prepared!
Let the bed that sweetens the lions be prepared!
Let the bed of kingship be prepared!
Let the bed of queenship be prepared!
Let the royal bed be prepared!”

She spread the bridal sheet across the bed.
She called to the king:
“The bed is ready!”
She called to her bridegroom:
“The bed is waiting!”
He put his hand in her hand.
He put his hand to her heart.
Sweet is the sleep of the hand-to-hand.
Sweeter still is the sleep of heart-to-heart.

INANNA-ISHTAR said:
“I bathed for the wild bull,
I bathed for the shepherd Dumuzi,
I perfumed my sides with ointment,
I coated my mouth with sweet-smelling amber,
I painted my eyes with coal.
He shaped my loins with his fair hands.
The Shepherd, Dumuzi filled my lap with cream and milk,
He stroked my pubic hair,
He watered my womb.
He laid his hands on my holy vulva,
He smoothed my black boat with cream,
He quickened my narrow boat with milk,
He creased me on the bed.
Now I will caress my high priest on the bed,
I will caress the faithful shepherd Dumuzi,
I will caress his loins, the shepherdship of the land,
I will decree a sweet fate for him.”

BELTANE 2016 — On May’s Eve, “When the Great Bear hangs from its tail in the sky,” Mardukite Research & Development presents a CyberVamps Publication in conjunction with the Mardukite Truth Seeker Press — sure to become an underground esoteric classic representative of the World Order of the Next Generation…

CYBERNOMICON — True Necromancy for the Cyber Generation: The Future of Dark Arts & Forbidden Sciences in the 21st Century by Joshua Free
Now available in HARDCOVER and PAPERBACK

Since the dawn of modern human history in Babylon & Egypt, magical tradition appeared as innate and indigenous forms of cultural and religious expression to give “order” to the human psyche…

Was ancient mysticism, esoteric wisdom and dramatic magical operations intended to be taken “literally” once committed to written records?

Are they actually indicators of something else beneath the surface of the way they have been understood for centuries? …even millenniums?

“We are here to become great men and women, and with that purpose in view, we must eliminate everything in our religion and philosophy that tends to make the human mind a dependent weakling. If you would serve God and be truly religious, do not kneel before God, but learn to walk with God, and do something tangible every day to increase the happiness of mankind. This is religion that is worth while, and it is such religion alone that can please the Infinite.”
–Christian D. Larson

The Ancient Mystery School from which all occult lodges are founded is Necromancy. Deep rooted magical organizations all demonstrate active participation with “The Other,” bridging a communication between what is Visible and Invisible. Inner Circles maintain Dead Names and Knowledge from the Past. These are the Teachings of the Ages, Secret Wisdom of the Past… and a recovery of what is Dead.

Humans have been trying to crack the code on “Death” since the invention of religion. In Egypt, especially, the funerary process was central to the whole tradition-meaning the relationship (and promise) made between the “sky gods” and the people of Earth. Most of the oldest cuneiform writings in Mesopotamia are either an effort to preserve posthumous legacies of gods and kings, or investigations into the landscape of the Underworld and nature of the Abyss.

Sacred knowledge from ancient civilizations, including their technology, is understood only by looking beyond the contemporary knowledge we are educated with. Society claims to prize “individuality” and “innovation” yet requires its citizens to fall in step to learn and repeat — copy and paste — the same methodology held by previous generations. Mystics and Magicians demonstrate an upper hand in life by manifesting their will and finding themselves in synchronistic circumstances that seem magical. Understanding energy fields, their interactions and its affect on perceived reality is what makes this possible.

NEW!CYBERNOMICON (Hardcover)True Necromancy for the Cyber Generation: The Future of Dark Arts & Forbidden Sciences in the 21st Century
by Joshua Free
Mystics and Magicians demonstrate an upper hand in life by manifesting their will and finding themselves in synchronistic circumstances that seem magical. Understanding energy fields, their interactions and its affect on perceived reality is what makes this possible.Also Available:CYBERNOMICON (Paperback)

ERESHKIGAL – [“Mistress of the Great Below”] The Queen of the Great Lands in the Sumerian tradition, sister of INANNA-ISHTAR, granddaughter of ENLIL and spouse to NERGAL.

GANZIR — The gatekeeper to the underworld ‘Kingdom of Shadows.’ The ‘Gate of Ganzir’ is often confused with the ‘Gate to the Abyss’ or the ‘Gate to the Outside’, but instead it is a portal into the Anunnaki-controlled Underworld, the ‘Shadowlands’ or twilight world within the domain of ERESHKIGAL, who rules this ‘land of the dead’. Quoting a modern grimoire of Babylonian occultism, the “necromantic art, by which is it desirous to speak with the phantom of someone dead, and perhaps dwelling in the ABSU [Abyss], and thereby a servant of ERESHKIGAL… it is no less than the opening of the Gate of Ganzir.”

GIBIL [“He Who Has Fire”] — The companion of the flame, a descendent of ENKI who uses fire to conduct alchemy and other feats of “fire power.”

GIRRA — The “servant”, “power” or “fire” of the ‘great god’; the Sumerian fire-god or essence or force of a fire-god named GIBIL.

INANNA {15} [“Lady of Heaven”] — The Sumerian goddess of “passion”, both ‘love’ and ‘war’, and patron of URUK, begot by NANNA and NINGAL; originally betrothed to MARDUK, she then changes her consort choice to DUMUZI. Her prowess and determination secured her a place in all ancient pantheons; being the “Goddess of One-Thousand Names,” titled ISHTAR in Babylon. INANNA (ISHTAR) is the spirit of Venus, whose day is Friday and with an essence found in copper. Her colors are green and white, significant to her domain of fertility and growth. She offers her magicians the skills in love and visions of beauty.

NECRONOMICON – THE ANUNNAKI BIBLE (Sixth Edition)

MARDUK {10/(50)} [“Son of God”] The supreme champion of the IGIGI during pre-Sumerian times of the Anunnaki; heir-son of ENKI, he becomes the patron of Babylon and the ‘Mardukite‘ tradition reigning for the Age of Aries in Mesopotamia. All tablet cycles making reference to MARDUK are purely Babylonian or from a direct later source – as he does not appear in any significant pre-Babylonian cuneiform tablet cycles yet unearthed. When mentioned briefly as the son of ENKI, working in Eridu, he is named ASARLUHI, becoming the patron Anunnaki “deity” of magic or ‘Master of Magicians’ after having inherited the craft from his father. The blatant industrious and expansive power represented by MARDUK in his ascent up the pantheon (as observed in Babylon) is typified by the planet Jupiter (ENLIL, by Sumerian standards). His color is purple.

NABU {12} [“Prophet”] — The official post-Sumerian secretary of the Anunnaki, part-divine earth born heir-son of MARDUK and messenger-herald and spokesperson of the ‘Mardukite’ tradition, the national cult of Babylon devised by NABU who assisted his father in the redevelopment of the Anunnaki paradigm (as seen in the ‘Mardukite‘ religion of Babylon replacing the previously observed ‘Enlilite’ world order of the Sumerians). Creating the concept of ‘history’ and ‘propaganda’, NABU gives the ‘stylus’ to humanity (and launches a group of scribe-priests (specially taught writing and rhetoric) to catalog the natures, identities, history and decrees (decisions) of the Anunnaki Assembly (gods) and their relationship with each other and the human (“mortal”) world, thereby creating not only the first public ‘religion’, but the first ‘mythology’ (a religion rooted in literary and oral legacies of human relationships and encounters with the divine) and the systems that were able to later result (most of which are still functioning as part of ‘normal’ everyday life in contemporary society). NABU is the archetypal ‘High Priest’ (ENSAG) of the first religion (dedicated to MARDUK) and practiced by priests who preserve the craft of ENKI in Eridu with science and ‘magic’ of the gods to power and sustain the prosperous longevity of Babylon.

ADAD {10} The youngest son of ENLIL that becomes the national patron deity to the Hittites (called HADAD or TESHUB); possibly also recognized as BAAL HADAD in an Hittite version of the Supernal Trinity that is elevated to a chief god position in the same manner that MARDUK is raised in Babylon. As a storm god in the Anunnaki pantheon, ADAD is represented by thunder, lightning and torrents. According to the Hittite succession, hierarchical kingship passes from ALALU to ANU to KUMARBI (ENLIL) and the BA’AL HADAD (TESHUB). In the Enki’ite (Mardukite) Babylonian system he is named ISHKUR and granted the position of “Inspector of the Cosmos” by ENKI.

ALALU [“Father of the Gods”] — The figure maintaining ‘kingship’ in the ‘heavens’ prior to ANU. An ancient Hittite (Hurrian) tablet cycle titled ALALU & ANU or “Kingship in Heaven” describes the conflict between the two for the seat of ‘kingship’ in the ‘heavens’. According to the Tablet-K series in Liber N, reprinted in the Necronomicon Anunnaki Bible or Necronomicon Anunnaki Legacy (Silver Edition) explains: Formerly in the Ancient of Days, ALULU was reigning in heaven; and for nine sars did he rule the skies, but not well did he reign. Then in the ninth sar of his reign, ANU defeated ALULU. ALULU descended from heaven and ruled the dark-hued earth. ANU gave fight and defeated ALULU and kingship was lowered from heaven to earth by decree of ANU.

ANTU {55} [“Life of Heaven”] — The official half-sister (by a different mother) and spouse (consort) of ANU. ANTU and ANU beget ENLIL. In archaic pre-Sumerian lore, ANTU is espoused to the archaic AN.

ANU {60} [“Heavenly One”] — In the Sumerian Anunnaki pantheon, ANU is the supreme “All-Father” of the pantheon; father to ENLIL by official spouse ANTU, and the father of ENKI & NINHURSAG (by other wives). Called AN in pre-Babylonian times and ANU by the Babylonians, a being whose family resides on, or emerged from the ‘place of crossings’ (Nibiru). Few of the incantation tablets (or ‘prayers’) invoke the powers of ANU directly, since the “heavenly force” was perceived as too vast to be channeled in its raw state – and to degrade it to anything more accessible would be to compromise the nature of what is being represented by this figure.

ANZU [“Knower of Heaven”] — An obscure bird-like beast/monster of an unclear nature. The ANZU or ZU usually refers to a “heavenly bird” or thunderbird that appears in an archaic tablet cycle stealing the ‘Tablets of Destiny” from ENLIL, disrupting the DUR-AN-KI (‘Bond-Heaven-Earth’) “stargate.” It is possible that this half-man, half-bird, sometimes called AZAG, was a genetically engineered storm-god or artificially intelligent messenger being of ENLIL that turned “evil.”

ARURU — The sister of ENLIL, alias NINTU, who is the Babylonian title for the ‘mother-goddess’ known in Sumerian as NINMAH or NINHURSAG. In the Babylonian ethnocentric epics, she assists MARDUK in creating the human race (or ‘Race of Marduk’), however, in the Enuma Elis, it is the “blood” of KINGU that is used. Other Sumerian versions say the “blood” or “essence” of some other ‘slain’ god is used for this.

AYA [“Dawn”] — The official spouse (consort) of SAMAS in Akkadian; named SHERIDA in Sumerian.