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Goosebumps

Birds In The Trap Sing McKnight

In addition to inciting widespread fan fervor, Birds In The Trap Sing McKnight has drawn overwhelming critical and tastemaker support across the board. Pitchfork claimed, "SCOTT's second studio album, Birds In The Trap Sing McKnight, is the Houston rapper's most concise and cohesive project to date," adding, "He has always been a mood-setter and a vocalist, and he is in full command of the vibe, tone, and mood of this entire project more than ever." Houston Press wrote, "SCOTT's playground is chaos; the pure and unbridled variety that some have tried to emulate live but have ultimately settled for second place," while W Magazine fittingly dubbed him, "Your new rap superhero." Billboard described the album as "his own trap opera," and Rolling Stone profiled him extensively.

Over the course of 14 tracks, TRAVIS threads together an engaging, enthralling, and epic patchwork of anesthetized and apocalyptic production, mind-numbing raps, and glorious hooks punctuated by an A-list cast of collaborators. Kendrick Lamar delivers hard-hitting and hypnotic bars in the middle of "Goosebumps" just before a signature chantable chorus. "The Ends" veers between a haunting hum and a verse-for-verse tandem of our protagonist and Andre 3000 of OutKast. "Way Back" drips into a searing guitar solo as "Sweet Sweet" fires off one of his stickiest hooks to date. By the time The Weeknd and TRAVIS serve up a smooth send-off on "Wonderful," you're in the Trap for life, and you won't want to leave

Birds In The Trap Sing McKnight is finally here, and TRAVIS SCOTT's presence can be felt throughout pop culture louder than ever.

Goosebumps: Original Motion Picture Soundtrack

Waxwork Records is excited to announce that we are releasing the Original Motion Picture Soundtrack to GOOSEBUMPS! Composed by the legendary Danny Elfman!

The 180 Gram Double LP has been approved by none other than author, R.L. Stine, and features all new artwork by GOOSEBUMPS artist, Tim Jacobus! We here at Waxwork couldn't think of anyone better than Tim to create the full package artwork for this release. Tim's artwork is synonymous with the GOOSEBUMPS legacy, as he has illustrated all 62 original books!

The Waxwork Records crew grew up reading R.L. Stine's GOOSEBUMPS books feverishly, and we, like so many millions of GOOSEBUMPS fans across the world, became obsessed with the horrific, yet bright, colorful, and welcoming artwork by Tim Jacobus that graced each book cover. Having Tim Jacobus come on board and agree to create all new and original GOOSEBUMPS art for our vinyl soundtrack is a dream come true.

Tim has kept every transparency of his GOOSEBUMPS artwork in an archive over the years, and keeping true to the spirit of those creepy books, every color used to create our new vinyl LP artwork and layout are the same colors that he used to illustrate the original book covers!

With the approval of SCHOLASTIC and R.L. Stine himself, we were allowed to faithfully design our new GOOSEBUMPS vinyl soundtrack to meet every detail of the original books from the 1990's!

Diskomo / Goosebumps EP

Pressed On Limited Translucent Yellow Vinyl

Originally released as a 12 single in 1980 based on The Eskimo, this collectors edition includes 3 bonus tracks. Pressed on translucent yellow vinyl. New 12 45 RPM EP reissue. All sounds heard on Goosebump were originated on toy instruments which were provided by Toys-R-Us, Inc. - Drawing of The Residents by Jad Fair of Half Japanese.

Copland 100/Minnesota Orchestra

Aaron Copland, America's best-known and best-loved composer, would have been 100 years old this centennial year. Reference Recordings is pleased to honor his memory with this memorial LP of three of his most renowned and memorable works. Fanfare For the Common Man has become emblematic of state and major sports occasions. Its majestic strains for brass and percussion inevitably raise goosebumps wherever they are heard.

Appalachian Spring is Copland's most beloved dance score, and is indelibly associated with Martha Graham, who gave it birth. It sings of earlier-Americans whose lives were tied to the land and it features the timeless folksong Simple Gifts. The Third Symphony is considered to be Copland's masterpiece, the finest symphony produced by any 20th-century American. Its finale brings back the Fanfare, scored for full symphony orchestra, to bring the program to a spine-tingling climax.

The Girl On The Train Soundtrack

The Girl on the Train is an American thriller drama film from 2016 directed by Tate Taylor and written by Erin Cressida Wilson, based on Paula Hawkins' New York Times No. 1 bestselling debut novel.

The film is the story of Rachel Watson's life post-divorce. She spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

The Score is composed and conducted by Grammy Award Winner Danny Elfman. One of his most famous compositions is the theme to the animated TV show The Simpsons. He also composed the Original Soundtrack of the recent film Goosebumps and the film classic Big Fish.

Among his honors are four Academy Award nominations, a Grammy for Batman, an Emmy for Desperate Housewives, the 2002 Richard Kirk Award and the Disney Legend Award.

Elfman's scores for Batman and Edward Scissorhands were nominated for AFI's 100 Years of Film Scores.

The title of Ry Cooder's Chicken Skin Music - Hawaiian slang for goosebumps - serves as a direct, simple description of the album's emotional appeal. But it barely scratches the surface of a 1976 effort that triggered an interest in world music a decade before the term became commonplace and a genre into and of itself. Part of a series of inimitable mid-1970s records on which Cooder ignored traditional boundaries and instigated lasting cross-cultural communication, Chicken Skin Music blends gospel, Hawaiian, folk, blues, and Tex-Mex styles into a brilliant roots stew distinguished with virtuosic playing and inspired contextual surprises.

Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelity's 180g vinyl LP of Chicken Skin Music brings the brilliant instrumental textures and lively tonalities to the fore like no prior analog edition. Graced with silent, black backgrounds and generous soundstages, this reissue particularly underscores the depth of Flaco Jimenez's accordion contributions. You'll hear the air flowing through the reeds, pressure resonating from the bellows, and the wide-spanning timbres emanating from the register stops.

Equally transfixing are the lifelike manners in which the rich assortment of guitars come alive, with each note occupying its own space and portraying a character unique to the individual instrument, be it a slack-key, steel, or acoustic guitar. The result is a multi-detailed, organic-sounding musical tapestry that dazzles by way of beautiful interplay, unexpected dialogue, and connective eclecticism that proves music is indeed a common language when executed with a collaborative mindset, innovative exploration, and respectful authenticity - no easy feats, but achievements fully on display on Chicken Skin Music.

Jimenez, now a legend that's performed with everyone from the Rolling Stones to Dr. John, remains one of the keys to Cooder being able to successfully carry out what the latter deemed a mutuality in music vision. Cooder first heard conjunto accordion fare on a Mexican radio station in his car and proceeded to teach himself the instrument while committing himself to embracing the then-local, regionalized style for the set that became Chicken Skin Music. Jimenez graces three tracks, including a ravishing interpretation of Ben E. King's Stand by Me transformed into a spiritual grounded by a norteno structure and a romantic take on Jim Reeves' He'll Have to Go recast with a bolero rhythm and saxophone-accordion duet.

Chicken Skin Music isn't limited to South of the Border geography and tradition. Steel-guitarist and vocalist Gabby Pahinui and slack-key guitar great Atta Isaacs represent the 50th state on stripped-down renditions of Hank Snow's smash Yellow Roses and the wordless Chloe. Elsewhere, gospel singers team with Cooder on the Appalachian-tinted Always Lift Them Up, the midsection of which features the Hawaiian standard Kanaka Wai Wai.

Cooder bookends everything with a pair of Leadbelly numbers - The Bourgeois Blues and Goodnight Irene - chosen after the headliner witnessed Jimenez and his band perform at a local dance. Given their ordering on the album, techniques they employ, and themes, the songs also further tighten the thematic connection the headliner makes with the standout guests. In many ways, Chicken Skin Music is the equivalent of Buena Vista Social Club more than 20 years before the latter emerged. Experience it the way Cooder and company meant it to be heard - in unparalleled fidelity.

Worship Music

Worship Music is the long-awaited new studio album from Anthrax, one of the four original architects of speed and thrash-metal. Not only is Worship Music Anthraxs first studio release in eight years, but the album marks the return of vocalist Joey Belladonna, whose last studio work with the band was 1990s Persistence of Time. Belladonna is now firmly back in the Anthrax line up with drummer Charlie Benante, guitarists Scott Ian and Rob Caggiano, and bassist Frank Bello.

Getting Joey back in as our full-time, permanent singer solidified us as a unit like we hadnt been in years, said Ian. All of us were on the same page creatively, working together, writing together, and becoming a band again.

I get goosebumps listening to the new music, Benante admitted. Scott and Robs guitars are absolutely on fire, Frankie kicks butt on bass, and hearing Joey sing, well, the band sounds like Anthrax, Joeys back and its great.

The 11-track Worship Music was produced by Anthrax, Rob Caggiano and Jay Ruston and recorded over a four-year period at studios in New York, Los Angeles and Chicago. Belladonnas return to the band prompted some of the songs originally recorded to be re-crafted with fresh lyrics or tweaked to better suit his overall vibe and energy. Some of the songs were completely replaced with brand-new songs and, of course, all have Belladonnas inimitable vocal stamp on them.

Im very happy with the record, it sounds like Anthrax, said Belladonna. There are some interesting twists and turns on it, and plenty of tunes for fans to get their fingers on. I felt very comfortable working with Jay Ruston, and I think everyone brought to the table what they needed to. Now its time for the fans to listen and get what theyve been waiting for. Ill tell you, Im really excited.

Stand!

Stand!, the fourth album from Sly & the Family Stone, could have almost pulled double-duty as a greatest hits package for the band. Laced with sure-fire winners, this 1969 LP put Sly and Co. firmly on the road to super-stardom. Four of the album's seven songs, including the Hall of Fame tracks Everyday People and I Want To Take You Higher, shot straight into the national charts. This visionary work also introduced far-sighted FM radio stations to the goosebump-inducing sounds of Don't Call Me Nigger, Whitey, a song that accurately portrayed racial tensions in America in a manner that no one could have seen coming. On a musical level, the band was now tight as a cork in a bottle of vintage wine.

1. Stand!2. Don't Call Me Ni**er, Whitey3. I Want To Take You Higher4. Somebody's Watching You5. Sing A Simple Song6. Everyday People7. Sex Machine8. You Can Make It If You Try

Sly & The Family Stone

$28.99

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