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Ariel Anderssen in various venues, going beyond her huge spanking library and exploring BDSM, quite naughty and graphic in some instances.

These are probably RESTRAINEDELEGANCE performances, distributed by CHIMERABONDAGE.com and others. Certainly a departure from Ms. Phillips’ other work and a tribute to her theatrical courage.

‘Bondage Caning’ (f; 5 minutes) Amelia Jane Rutherford/Ariel Anderssen is strung up by handcuffs to ceiling pipes. She is being caned on her bare bottom by a caning machine. An effective crude work-room like setting. In this short film the cane does not leave any noticeable marks.

‘bondage mat’ (f; time: 6 minutes) A nod to some traditional and early BDSM, bondage struggling on a carpet. Ariel is bound and gagged hogtied Japanese style and she will writhe for 6 minutes on a mat on the floor, no dialogue. The difference here is that she is stark naked and will show everything; in fact, she makes a bit of an effort to do so.

In earlier days of BDSM porn, a girl would struggle on a carpet in an empty room in similar fashion, but she would have panties on.

‘Chimera Bondage’ (f; time: 7 minutes) An odd and attractive little film, Ariel is stark naked, in a concrete block dungeon like space. She will do some self-bondage. First, she oils herself, your money back on the film right here. She fastens cuffs her ankles then settles in place straddling a pointed wedge on a saw horse. She then attaches ropes to her cuffs, which are fastened to weights by pulleys. She frees the weights so that the ropes tighten and effectively pull her ankles off the ground, so that her weight is shifted to her crotch on the pointed wedge. The mechanics are not perfect, but we enjoyed her theatrical struggle. And some revealing shots of this sophisticated actress.

‘Spanking Machine’ (f; time:21 minutes) A weird one. Again, Ms. Anderssen self-flagellates. She narrates and will demonstrate a spanking machine. She explains the controls of the typical machine we are familiar with, which has a big Spencer paddle attached this time. She wears a silly and cumbersome bdsm outfit of sorts. First, she attaches a rattling ankle spreader-bar herself, then manages to put on wrist cuffs and get her arms behind her back, cuffs hooked to a rope to the ceiling. With a remote, she hauls the rope up, forcing herself into the strappado position. She then positions herself for the paddle and activates the machine. She must wiggle her bottom around to maximize the paddle strike. Cute, but a bit implausible if in fact the paddle is hitting hard.

We’re not critical of this brief, imaginative, and entertaining exercise, but it would have been erotic if a masked man stepped into the scene just to fasten the apparatus and position her bottom. There surely were volunteers in the wings.

‘spanking machine – more’ (Chimera; f; time: 17 minutes) Ariel, stark naked and as glorious as ever. She will try various things with the aforementioned machine, this time with a riding crop affixed. She narrates. She adjusts the machine and takes sets of ten on her boobs. There are three cameras at least. We will see some of the scenes repeated from three vantage points. Very well done.

Ms. Anderseen is using a wired remote control to position the device. Next, she is whipped on her back, then her stomach, which includes long frontals, rare for her. “Now that really hurt. Who knew?”

And of course we have been waiting and hoping. “I’ll move it down. I know my bottom can take it.” Lovely snaps, vintage stuff, she positions her buttocks in various ways–kneeling on a chair, bending over. The best.

More slashes on her boobs, and then a first for us with her–she takes the machine on her pussy and seems to like it. This has been one of those films where every freckle of her being could be charted. Again we say, how many models could market such scrutiny?

‘Tortured and pumped’ (f; time: 26 minutes) “Ariel Anderssen’ made a number of BDSM films under various auspices. This one is sufficiently graphic and pioneering for her that we do not need to investigate too many more in this genre of her work. ‘Ariel sits in a simple suit, narrating for the camera to an off-screen ‘master.’ At her feet is a pile of BDSM paraphernalia. She is going to self-administer some torture and torment, an odd format, but she is an eyeful. First, she strips naked, pausing at bra and panties, frequently the best part of any film she makes, going all the way back to GIRLSBOARDINGSCHOOL over 30 years ago.

Naked, Ariel stands on a board in just heels and ties her ankles to rings. Her bend-over is of ballet quality. Next, wrist cuffs. Then Ms. Anderssen moves into territory, with regard to her, we have not seen before. She attaches clamps to her labia, which are pulled taut by spring-assisted cables, for action soon to be seen. A heavy dog collar next. And breast suction cups. She fastens her cuffed wrists to hooks at the ceiling, so that she is now effectively strung up and immobile.

Someone turns on the machinery, or maybe Ariel did. The breast pumps seem to be functioning, and those labia clamp cables are attached to a little motor which tugs and relaxes them rhythmically. Who invents this stuff? Ariel seems red in the face. I guess you could sit in front of her and have quite a time watching her struggle.