Thursday, April 12, 2007

Hemant asked me to scribble something like a blog for the forthcoming issue ofAbhidhanantar and I was wondering what to write. Actually, my poetry has come in for adverse criticism from various quarters and usual complaints are that I have no moral consciousness(ah-hem) ,I am actually a `romantic poet' and that my modernity is superficial, and that I have no social consciousness.That I resemble a `Pandit Poet' of the Pandit era of Marathi poetry. And I am irritated.

I feel that I should not have entered Marathi poetry scenario at all. I am taken aback at the crudity and superficiality of the conception of poetry today in Marathi. Poetry,according to many of those who supposedly take poetry seriously, ought to reflect social problems realistically and directly or ought to be a documentary criticism of society. For those who do not take poetry seriously it is hardly anything more than cliched and sentimental phrasing that they learnt at school. In short, the understanding of poetry in Marathi is shallow and crude. Do you hope to be appreciated Mr. Ketkar? Do you expect a sensible critique of your works? Forget it and write good poems and hope that some time in the far away future after your death, someone sensible and intelligent will come across your works and respond to it in more mature way.

Dr. Johnson described marriage as a victory of hope over experience. Writing poetry in Marathi is no different. You hope for a sensible and intelligent reader, even if you havent come across any.

Monday, April 9, 2007

After a hectic, depressing, sickening and stressful month, my life is slowly returning to normal. At least apparently. Asthma is more or less under control, thanks to regular intake of Montelukast. Assessment work for internal test is more or less over. Supervision etc is underway and the assessment for the university exams will begin soon. I am coming out of the Slough of Despond and the Giant Despair is loosening his grip over me. May be I am catching a glimpse of faint light at the other end of the tunnel of this Dark Night of the Soul.

Love is a healing agent. The cupid kindly pays a visit to me and instead of shooting me he holds out his helping hand. Optimism? I am not famous for that. Was reading about the Generation X, the generation born in the sixties and seventies and discovered that cynicism and disillusionment is trade mark of my generation. Well thats true at least in my case.Wow, it is almost a year after I changed the job and came to Baroda. I have remained extremely busy with extra-curricular activities through out the year. But the activities are better, related to literature and culture at least.

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Sachin C. Ketkar (b. 1972) is a bilingual writer,
translator, editor, blogger and researcher based in Baroda, Gujarat. His recent
publication is a collection of Marathi critical articles on contemporary
Marathi Poetry, globalization and translation studies titled Changlya Kavitevarchi Statutory Warning:
Samkaleen Marathi Kavita, Jagatikikarn ani Bhashantar (2016). His Marathi
collections of poems are Jarasandhachya
Blogvarche Kahi Ansh (2010) and Bhintishivaicya Khidkitun Dokavtana, (2004). His poetry in English
include Skin, Spam and Other Fake
Encounters: Selected Marathi Poems in translation, (2011), and A Dirge for the Dead Dog and Other
Incantations (2003). Several of his writings on translation are published
as (Trans) Migrating Words: Refractions
on Indian Translation Studies (2010).

He has extensively translated from Marathi and
Gujarati.Most of his translations of
contemporary Marathi poetry are collected in the anthology Live Update: An Anthology of Recent Marathi Poetry (2005) edited by
him. Along with numerous recent Gujarati writers, he has rendered the fifteenth
century Gujarati poet Narsinh Mehta into English for his doctoral research. He
has also translated the work of the well-known contemporary Gujarati writers
like Manilal Desai, Gulammohammed Sheikh, Bhupen Khakkar, Jayant Khatri, Mangal
Rathod, Jaydev Shukla, Rajesh Pandya, Rajendra Patel, Nazir Mansuri, Ajay
Sarvaiya and Mona Patrawala. He has also translated poems of Ted Hughes and
fiction by Jorge Luis Borges and Adam Thopre’s into Marathi. He won ‘Indian
Literature Poetry Translation Prize’, awarded by Indian Literature Journal,
Sahitya Akademi, New Delhi in 2000.

He holds a doctorate from VN South Gujarat
University, Surat and works as Professor in English, Faculty of Arts, The
Maharaja Sayajirao University of Baroda, Vadodara. He is also Coordinator of
the department research project under UGC SAP DRS II on “Representing the
Region: Literary Discourses, Social Movements and Cultural Forms in Western
India, 1960-2000.