By Kilian Rose Oud

January 10, 2016

Rose, oud, saffron, gaiac wood, cardamom……yes, it’s the typical line-up for your average rose-oud fragrance. I’ll excuse you if you’re not getting too excited – I know I wasn’t. But I find myself haunted by my sample of By Kilian Rose Oud, long after it’s gone, and I’ll tell you why. It’s one of the easiest rose-oud fragrances to wear, as well as the most serenely beautiful. It has none of the exciting harshness of the oud accord used in most other Western oud fragrances, and is all the better for it. Think of the most beautiful supermodel you’ve ever laid eyes on – but one who nonetheless fails to either move you or turn you on – and that’s Rose Oud by Kilian.

The secret to the success of Rose Oud is this: all the major elements (the rose, the oud, the gaiac wood, and the saffron) do not possess a strong character of their own but instead melt together to form a small black velvet pocket into which you find your hand fits perfectly.

So the green, slightly sour wet rose at the start gains a dulcet depth from the subtle oud, growing sweeter, jammier, and fuller as time goes on. The oud provides the dark backdrop without muscling its way into the composition in that bullying way oud tends to have. The saffron casts only a fine patina of sweet gold dust rather than its usual iodine-y leather scream. It’s a very subtle, smooth fragrance – almost ephemeral. When I think the show has ended, eight hours on, I am surprised to find that golden, almost pudding-like saffron emerge on my skin, and a pleasantly sour tinge of oud.

Calice Becker knows her roses. Boy, she knows her roses, and Rose Oud is a rose done right. The eventual jamminess and “wetness” of the rose here mimics the pulpy lushness of the flower at the start of Liaisons Dangereuses (also by Calice Becker), but without that peach shampoo thing that Liaisons Dangereuses slithers into towards the end.

The oud, by the way, is synthetic but has the virtue of not smelling like it, so carefully woven into the fabric of the fragrance has it been. Yet more proof that it is more the skill of the perfumer (and to be fair, the art direction, for which we can thank Kilian Hennessey himself) than the raw materials that matters in terms of the final result.

Rose Oud is a beautiful, delicate piece of work whose subtleties could easily go unnoticed if you weren’t paying attention. It is by far one of my favorite rose-oud fragrances, and despite the cost, I have a feeling that I will own a (refill) bottle of this someday, even if I have to sell off some of my (many) other oud fragrances to afford it. I have finally reached the stage where I am content to do away with five or six inferior bottles of perfume to get my hands on just one bottle of something that satisfies and pleases from every angle.

Rose Oud may not be the most exciting or unusual rose oud on the market – many think it is pretty but mundane – but I think it’s one of the best-smelling rose-ouds around, perhaps only bettered by Tom Ford’s wonderful Noir de Noir or Guerlain’s Rose Nacree du Desert.