Alex Buono, DP for SNL, discusses how his team uses the Adobe Creative Cloud toolset to meet the considerable demands of producing the shorts for Saturday Night Live. Switching from Final Cut Pro to Premiere Pro has helped save valuable time thanks to Dynamic Link and broad native camera format support.

Join Premiere Pro product manager Al Mooney for a sneak peek to see the new features coming soon to Premiere Pro. With Live Text templates, users can modify text in After Effects compositions without leaving Premiere Pro. Powerful new Masking and Tracking in Premiere Pro make it easy to add feathered masks that follow a subject through a shot. That makes it a breeze to add an effect to a moving object, or to blur out faces or logos for the duration of a shot. Both features include support for Dynamic Link so clips with Live Text templates or Masking and Tracking data can be opened in After Effects for additional fine-tuning or additional animation. With the new Master Clip effect feature, changes that are applied to a Master Clip ripple down to every part of that clip in a sequence—so there’s no need to copy and paste effects to each clip individually. The Premiere Pro update also offers a faster editing workflow with improved handling of large projects and accelerated sorting and searching in the Project panel, as well as enhanced graphics performance, with support for a wider range of GPUs, including GPU debayering for RED media.

In this episode, Colin will dig deep into all aspects of working with audio in Premiere Pro including the best way to import audio and choose the right track format. You’ll also learn to setup sequences that take advantage of the powerful features in Premiere Pro like Adaptive audio tracks. So if your workflow is all Premiere Pro, or if you’re coming from Final Cut Pro, and if you need multichannel QuickTime or OMF compatibility, then Colin has you covered.

Learn why Julian Semilian, School of Filmmaking Faculty member at University of North Carolina's School of Arts, believes future career film editors should use Adobe Premiere Pro and why he recommended his core editing class switch to Adobe Premiere Pro.

Product Version: CC

Views:
1,381

Added:
Jan 18, 2014

Runtime: 00:15:02

Tags:
Premiere Pro, Adobe Premiere Pro, Julian Semilian, School of Filmmaking, University of North Carolina

See how Adam Pertofsky, award-winning editor and partner at Rock Paper Scissors, cut national and Super Bowl TV spots under tight timelines using high performance Adobe post-production tools. This presentation will cover Adam's switch from Final Cut Pro to Adobe Premiere Pro and his workflows using After Effects and Photoshop to create the high-quality national ads.

Methods of sharing footage between Adobe Premiere Pro and After Effects. Automatically create Pre-Comps from clips in Premiere Pro timeline as well as package the After Effects project in order to work on another machine.
This is an exempt from the course After Effects for Video Editors Sign up for updates
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Get the most out of the instantly-updating Dynamic Link relationship between Premiere Pro and After Effects. With great ease, you can work on video files in both applications simultaneously, seeing updates immediately in either application, and vastly expanding your special effects and compositing toolset. This lesson shows you how easy it is to connect these two powerful applications.

Learn how easy it is to send audio clips straight from the Premiere Pro Timeline to Audition for superb audio clean up and multi-track mixing. Once in Audition, you can use powerful noise reduction and sound removing effects to improve the quality of your soundtrack. Then bring the audio back to Premiere with one click.

In this detailed tour of the multicamera workflow in Premiere Pro, trainer Maxim Jago takes you step by step from ingest to output of a four-camera sequence. Along the way, you'll learn to auto-sync multiple angles or takes, apply filters or grades to one or more angles as you work, and much more.

With the addition of Direct Link, it's easier than ever to color grade your Premiere Pro projects natively in Speedgrade and then bring them back into Premiere Pro. Learn how to put the non-linear back into grading.

Adobe Premiere Pro CC has evolved over the past few months since its original release in June, 2013. See new features that streamline editing tasks, support 4K footage, and help you color correct better with SpeedGrade CC.

Premiere Pro has come to be known as the industry leading NLE for native file format support. Adobe Premiere Pro is now pioneering 4K workflows and giving video editors the ability to work on virtually any type of media.

Easily trim and adjust your clips on the Timeline in Premiere Pro. Maxim Jago explains how to use the Timeline's source and track indicators to control your edit, and shows why Timeline trimming is one of the most powerful and popular editing techniques. Learn more at Adobe Premiere Pro CC: Learn by Video

Learn to stay organized as you edit by using subclips in Premiere Pro. Author Maxim Jago shows how this technique is especially useful when editing lengthy sections of media. See the full course at Adobe Premiere Pro CC: Learn by Video

Sequence nesting is a powerful but simple technique used in editing and special effects workflows. In a nutshell, you put one sequence inside another – but there is so much more to it than that, as Maxim Jago demonstrates. See the full course at Adobe Premiere Pro CC: Learn by Video

Explore the wealth of keyboard shortcuts in Premiere Pro CC. Maxim Jago shares the most time-saving shortcuts and shows how to create custom shortcuts for your own workflows. Learn more at Adobe Premiere Pro CC: Learn by Video

EditShare Founder and CEO Andy Liebman discusses EditShare’s shared storage and asset management workflow with Adobe Premiere Pro. Adobe and EditShare are collaborating to produce a Panel within Premiere Pro that will allow editors to manage their projects and media files more efficiently.

Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.

In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

Get precise control of your sound with the Audio Clip Mixer in Adobe Premiere Pro CC. Adjust each clip independently for a perfect mix. Improved multicam editing makes working with multiple video angles easier. Sync entire bins of footage all at once using audio waveforms.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Roundtrip your video sequences from Premiere to Speedgrade for color grading, and back to Premiere. Infinite Skills author Jeff Sengstack shows how Premiere Pro sequences can be exported to SpeedGrade either as DPX still image sequences or edit decision lists (EDLs). After completing color grading in SpeedGrade, those projects can be exported as stand-alone video files back into Premiere Pro for more editing.

Discover Premiere Pro, the industry-leading video editing software at the center of Adobe's video post-production workflow. Justin Seeley shows how professionals edit, manipulate, and export video projects for film, telelvision, and the web. Learn more from the full courses at Lynda.com.

In this latest instalment of the Create Now online event series, we take you through the latest exciting developments in our video technologies. With video guru Jon Barrie, we take some sneak peeks at the new technologies within Adobe® Premiere® Pro and get a masterclass in creating amazing video content with Adobe Creative Cloud™ tools.

Adobe Premiere Pro is a powerful NLE connecting all of your media as it flows in and out of post-production. Join Jason Levine to learn how to move your media and your creative decisions between Adobe Premiere Pro, After Effects, Photoshop, Audition and more.

Join Jason Levine as he introduces you to the new, more efficient editing features added to Adobe Premiere Pro Next including a redesigned timeline, improved media management, and streamlined color grading.

See how Adobe Premiere Pro CS6 integrates with the new metadata-rich e-SHUTTLE system from MOG. See how within the Adobe Premiere Pro CS6 application you can control e-SHUTLLE recording functions such as starting and stopping the recording and batch capture.

Learn how the Octopus Newsroom plug-in module integrates Adobe Premiere Pro CS6 into the OCTOPUS workflow. See how you can access OCTOPUS stories and scripts and simultaneous edit text and video with Octopus Newsroom and Adobe Premiere Pro CS6.

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

VPMS is arvato Systems’s MAM system that serves as a cross-funcitonal control unit for broadcasting processes with the infrastructure of video server, editing and graphics. See how VPMS now integrates with Adobe Premiere Pro for an effective and simplified workflow.

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

The IPVLive plug-in enables growing, frame-accurate proxies to be streamed directly into Adobe Premiere Pro CS6 in a multi-user environment across a standard IT network. The IPVLive panel enables the user to stay within the Adobe Premiere Pro CS6 interface and quickly produce highlight packages and promos.

LiveCut integrates with Adobe Premiere Pro to combine ingest, metadata handling and post-production into a single, streamlined easy-to-use interface. LiveCut records all edits as an Edit Decision List (EDL), which is converted into a multicam timeline for immediate and fast post-production.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

The Viz Media Engine integrates with Adobe Premiere Pro to enable media production and distribution on many platforms. Now through a custom panel within Premiere Pro, users can access and publish assets to the Viz Media Engine, and overlay graphic elements to the timeline.

Users can through the custom panel for MXF Server in Adobe Premiere Pro CS6 utilize the features of MXF Server such as quota management, growing files, rights management, project locking and much more. This video shows how all these features are accessible right within the Adobe Premiere Pro CS6 User interface.

The Matrox Mojito 4K is a quad 3G-SDI, 4K video monitoring card used with Adobe Premiere Pro on Windows platforms. Learn about realtime monitoring and output at resolutions up to 4096 x 2160 and frame rates up to 60 fps.

One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.

Product Manager Al Mooney shows how to use the Warp Stabilizer effect in Adobe Premiere Pro CS6 to not just smooth the motion footage but to remove motion artifacts that would otherwise remain after stabilization.

Product Manager Al Mooney shows how to take advantage of the new editing features that make you more efficient which includes more than 50 of the top user-requested improvements in Adobe Premiere Pro CS6.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

Extend your Premiere Pro transitions library by using BorisRED. Choose between dozens of templates or design your own. In this tutorial I'll show you a fast and easy way to apply those templates and share some valuable tips on using the Library Browser.

Master the art of post-production from planning to playback with the amazing features within CS6 Production Premium. We give you an in-depth view of the new Premiere Pro covering performance and editing enhancements, plus industry-leading integration with both Adobe and third party tools.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

In this episode you'll learn how Premiere Pro supports faster performance and fluid editing, even from a laptop, as well as increased support for multiple formats. Presented by Adobe expert Jason Levine and featuring the amazing Mercury Playback Engine.

Create a real time Compositing experience in Premiere Pro using the Ultra Key and Track Matte Key effects. Overcome the limitations of the Track Matte effect using special advanced tricks. Watch the final movie here (Hebrew version only).

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Learn how the Mercury Playback Engine in Adobe Premiere Pro CS5.5 takes performance to the next level, so that you get even faster playback of mixed-format timelines and more GPU-accelerated effects and transitions.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.