Wednesday, July 27, 2011

This article sez that in the 1700s: "...in Russia a unique and bizarre custom of wind playing developed. Sometimes truth is stranger than fiction, and this would certainly seem to be so in this case. Prince Kirilovich Narishkin, the Master of the Hunt to the Empress Elizabeth, had become frustrated with the sound coming from the horns used to signal the progress of the hunt. The coppersmith on Narishkin's estate made the horns in question, and apparently no attempt towards consistency of pitch had been made. So in 1751 the prince had sixteen new instruments made which were tuned to play a D major chord. The technique of overblowing was not taught on these simple instruments, so standard practice called for a single note to be played on each horn."It's called 'Russian horn capella' music, and, yep, as with hand-bells, only one note can be played on these giant instruments (hence the need for big groups), but you'd never guess to listen to this lovely album - it's played with such expert precision that one could be fooled into thinking it's just a couple/few musicians playing, not a large ensemble flawlessly passing notes back and forth.

Friday, July 22, 2011

Frank Pahl is one of the most criminally underrated composers/mad scientists at work today.And while I still maintain that "We Who Live On Land," the album he recorded with The Scavenger Quartet that I wrote about a couple years ago, is one of the best albums of the '00s, I do thoroughly enjoy a more recent album of his, "Elementary," with the trio Little Bang Theory.

"Elementary" is performed entirely on toy instruments. It's all instrumental, and wanders over a fairly wide emotional range - no cute kiddie stuff here (not that I mind cuteness). The song writing ispretty ambitious, with some fairly lengthy "suites", tho with toy instruments you inevitably have a built-in nostalgic sweetness that keeps pretensions at bay. Utterly wonderful stuff, but it's in print, available from his site and elsewhere, so not gonna post it, but I did included a couple songs off it as BONUS! tracks, included with this other excellent Frank Pahl album that doesn't seem to be for sale anywhere.

Frank Pahl and Klimperei "Music For Desserts" Pahl sez about this 2001 release: "What can I say? This is my favorite. All tracks began with home made automatic instruments. [French group] Klimperei laid down their sympathetic magic and I mixed."

Friday, July 15, 2011

Continuing our survey of Spike Jones-like comedic music from the 78rpm era (we've already checked out Irving Aaronson and Borrah Minevitch & His Harmonica Rascals) comes this album surveying the long, prolific career of one of the greatest novelty/oddball groups of the era, the Korn Kobblers (no relation to that Korn). During their 1940's heyday, they were a constant presence on the radio and concert circuit.

Apart from the lyrical nonsense of songs like "Horses Don't Bet On People" ("horses don't have no remource-es...") and "I'm My Own Grandpa" (a song that really does my head in trying to follow it), their musical attack was a mad riot of frantic Dixieland horns, barrelhouse piano, furious drumming and, well, look at that tricked -out washboard, festooned with "electric auto horns, siren, klaxon, doorbell, whistle, woodblock, and twenty-one auto and bicycle horns." Song styles range from hillbilly to cosmopolitan swing, from children's music to Irish dialect humor. Essential.

Wednesday, July 13, 2011

To celebrate the legacy of the recently deceased Sherwood Schwartz, creator of a favorite childhood TV show of mine, "Gilligan's Island," here's another one of my childhood faves, the ingenious proto-mashup by a San Fran band, Little Roger and the Goosebumps:

Tuesday, July 12, 2011

The Everyday Film has a new, er, "song" - for lack of a better word - up on iTunes called "Emotional Margin Call." Go buy it! After all, he (she? they? it?) gave me permission to post his first four releases here.

Music doesn't usually scare me. But as I wrote when I reviewed the first two albums:

"The Everyday Film's album "The House I Used To Turn Into" was, on first listen, one of the most disturbing things I've ever heard (and maybe on second and third listens as well.) Much of it isn't what most people would even think of as music: a vocoder-ized voice pitched way down loooooow mutters cryptic non-sequiturs, interrupted by brief shards of industrial music-like sounds. "Song" titles include: "The Boy In The Wall," "We Don't Exist Yet," "Budgeted Out The Perverted," and "A New Class of Paranoia." The final track on the short album (27 tracks in 15 minutes) is the sound of some poor soul begging for his life while Mr Vocoder Voice mumbles banalities like "relax in the sun...take a vacation...take a 'me' day..." over unsettling electronic drones. That's entertainment!Not to scare you all off, but it can be a fascinating, sometimes funny headphone experience, and a wicked beat even turns up...A 12 minute follow up CD...seems slightly less creepy, and the song titles aren't as twisted. It'll still be dismissed as sick shit by 99.9% of the population, tho."The Everyday Film - First 4 Albums

The Everyday Film mails CDs to my PO box from time to time, and I get the occasional email from him, but I still don't have a shred of biographical info on him , or pictures, and the return addresses have been from different states each time. I used to call him "the Jandek of electronica," but, as one of you commented, he seems to be far more reclusive than even that notoriously shy outsider. There's no longer even a website for the band, so, for now, this is the only place to get these releases. Thanks very much to The Everyday Film for letting me post these here.

Friday, July 08, 2011

As I wrote in PART ONE, "During the upheaval of the late '70s/early '80s punk days, there was a real changing-of-the-guard feeling that led many groups of the time to cover classic oldies from the sacred rock 'n' roll canon in an irreverent (if not downright disrespectful) fashion. One of my recent obsessions is to to collect as many of these as I can find..." And why not? It's fun, weekend/summer barbeque music for maniacs. There's even a surf music section.

Tuesday, July 05, 2011

Good mooooooorning, maniacs! Mr Fab with ya. Got the traffic report comin' right up, but FIRST, two albums by American morning radio personalities we're GIVING away to the FIRST THREE CALLERS right here on the Music For Maniacs Morning Zoo!!!! *hooting, hollering, and cowbell noises*

First up, an album from 1989 by Johhny B, big fave outta Chicago. He does it all - slick '80s pop, blues, and wild rock! He's a rebel - you won't see HIM on MTV! Gotta love that "Moo Moo" song about a guy whobroke into the zoo to do it with a cow! I mean what's crazier, a perv with the hots for a bovine, or a zoo that has boring animals like cows? I can see them for free if I drive thru the country! What else they got, cats and dogs?!

2. You Won't See Me On MTV 3. How, How, How (The White Boy Blues) 4. Nothin' In My Mind 5. Breakin' Up Isn't Hard To Do (With Someone Like You) 6. The Moo-Moo Song 7. Country Music Star 8. Good Sturdy Woman 9. How'm I Gonna Be A Dad? 10. Makin' Love In The Aid-Ees 11. Sweet Home Chicago 12. Just Havin' Fun 13. We're All Crazy In Chicago 14. JB Reprise

Here's a more recent album courtesy of Reno, Nevada's home for country music, K-Bull. Country music song parodies, weee doggies! My fave's "Time Marches On," a pretty scathing satire of them country folk. All in good fun, folks! And that's "no bull!"