I sometimes wonder what it’s like growing up as the child of a famous person. Or a rich person. Which is obviously the greatest indication of my background that I can ever give you, because if you ever have to wonder what wealth and fame does to kids, it usually means you had neither when you were a kid.

Anyway, I have it in my head that living with a parent’s wealth and/or fame warps a person and their worldview. When it’s fame it’s living in a world where everybody thinks your parent is great and are lauded with attention. Just having that sort of attention shining around you can be a problem one its face, as everything you do is suddenly noticed. Worse is if you don’t ever do anything to earn the glow yourself and have to deal with it going away. Continue reading →

Originally this was to be a piece about The Trip To Bountiful, based on it being a Best Adapted Screenplay lower. At least, that would have been the ostensible angle into the film, which was just a proxy to assess the performance of Geraldine Page. Why Geraldine Page? Because despite being nominated for eight Oscars – four as a supporting actress, four as a lead – I had only ever seen a single one of her films. This in spite of my own cinephile leanings, and her having worked with some of the biggest names in Hollywood history – John Wayne, Paul Newman, Francis Coppola, Clint Eastwood, and Woody Allen. What had I seen her in? John Schlesinger’s The Day of the Locust. And even then, I have zero memory of her in it. So taking The Trip of Bountiful was meant to open my eyes to her a little bit. Continue reading →

In the early 1950s, two airmen (Brando and Buttons) are pulled out of Korea and reassigned to a base in Japan. One (Brando) would rather not go, because reasons. The other (Buttons) is happier for the change of locale, because he can finally marry his Japanese girlfriend (Umeki), even though this marriage will go against the wishes of the Air Force brass and racist US policies. Unexpectedly, Brando falls in love with a Japanese woman as well (Miiko Taka) and decides to marry her. Tragedy ensues as people stand up to, and buckle, under the racism invited by their decisions. Oh, and they see a fair amount of Japanese theater along the way.