Pierre Henry MALEFICES Vinyl Record

$41.49

$34.49

Pierre Henry MALEFICES Vinyl Record

Was $41.49

Now just $34.49

For a limited time only

2013 release. Cacophonic presents Malefices, an outstanding film score by Pierre Henry, often overlooked in lists of the composer's work. The score is a dream record for fans of early electronics, female vocal manipulation, and horror soundtracks. Widely recognized as one of the original sonic architects of the movement known as musique concrete (having joined Pierre Schaeffer's initiative as early as 1949), Pierre Henry was arguably the first musician to entertain the notion of this defiant musical revolution coexisting with traditional and popular music. Initially using the media of modern dance and spoken word as a platform to contextualize his tape-music mutations (notably in unison with Maurice Bejart), Henry's fusion of academic with thematic ideas led to the birth of electronic sound design for film and theatre, exemplified most prevalently in the macabre. His score for Henri Decoin's 1962 film Mal+-fices (Where the Truth Lies) (starring Juliette Gr+-co) is the missing link between his earliest avant-garde recordings and his later celebrated pop experiments with Michel Colombier and Spooky Tooth. It rivals such cinematic sound as Daphne Oram's work for Jack Clayton's 1961 horror film the Innocents, and features Henry at what is perhaps his most melodic, fragile, and enchanting (especially for this unforgiving, formative era in his career). Layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind, and brooding, industrial treated piano textures, Henry magnifies the film's intoxicated, hallucinatory narrative. This concise set of complete themes is presented here, fully remastered for the first time, alongside rare excerpts from two of the composer's very earliest and least obtainable forays into theatrical sound design: instrumental parts of Henry's first stereo reconstruction of Maurice Bejart's 1961 ballet Orph+-e, and his seldom-heard concrete interludes from Darius Milhaud and Max Gerard's opera Mariage de la Feuille et du Cliche (1958).

Protection
Each record is protected within its record sleeve by a white vellum anti-dust sleeve.

Packaging
All items are shipped brand-new and unopened in original packaging. Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands.

2013 release. Cacophonic presents Malefices, an outstanding film score by Pierre Henry, often overlooked in lists of the composer's work. The score is a dream record for fans of early electronics, female vocal manipulation, and horror soundtracks. Widely recognized as one of the original sonic architects of the movement known as musique concrete (having joined Pierre Schaeffer's initiative as early as 1949), Pierre Henry was arguably the first musician to entertain the notion of this defiant musical revolution coexisting with traditional and popular music. Initially using the media of modern dance and spoken word as a platform to contextualize his tape-music mutations (notably in unison with Maurice Bejart), Henry's fusion of academic with thematic ideas led to the birth of electronic sound design for film and theatre, exemplified most prevalently in the macabre. His score for Henri Decoin's 1962 film Mal+-fices (Where the Truth Lies) (starring Juliette Gr+-co) is the missing link between his earliest avant-garde recordings and his later celebrated pop experiments with Michel Colombier and Spooky Tooth. It rivals such cinematic sound as Daphne Oram's work for Jack Clayton's 1961 horror film the Innocents, and features Henry at what is perhaps his most melodic, fragile, and enchanting (especially for this unforgiving, formative era in his career). Layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind, and brooding, industrial treated piano textures, Henry magnifies the film's intoxicated, hallucinatory narrative. This concise set of complete themes is presented here, fully remastered for the first time, alongside rare excerpts from two of the composer's very earliest and least obtainable forays into theatrical sound design: instrumental parts of Henry's first stereo reconstruction of Maurice Bejart's 1961 ballet Orph+-e, and his seldom-heard concrete interludes from Darius Milhaud and Max Gerard's opera Mariage de la Feuille et du Cliche (1958).

Protection
Each record is protected within its record sleeve by a white vellum anti-dust sleeve.

Packaging
All items are shipped brand-new and unopened in original packaging. Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands.

Learn More

Most orders ship the next business day after an order is placed and on average are received 3.8 business days after shipment. Please note that some orders may take up to 10 business days to arrive - especially during peak shipping times, inclement weather or when shipping to remote locations within the United States.

We want you to be completely satisfied with everything you purchase from Merchbar. In nearly every instance, as long as your item is in like-new condition we will gladly accept your return and either provide you with a refund or a new item.

Unless otherwise noted, all shirts, hoodies and other apparel are traditional men's sizes, fit true to size and are 100% cotton. Women's, Children's, Youth and infant sizes as well as alternate materials are noted as such.

Merchbar is an official merchandise partner of top artists and merchandise companies world wide. Millions of fans shop and discover new, authentic merchandise from our selection of 100,000 officially licensed shirts, hats, posters, hoodies, vinyl and other unique items from over 12,000 artists.

Merchbar has been featured in The Wall Street Journal, Fortune, Variety & Forbes among others. Merchbar for iPhone has been featured by Apple more than 23 times.