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1.
Fairy
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A fairy is a type of mythical being or legendary creature in European folklore, a form of spirit, often described as metaphysical, supernatural, or preternatural. According to Thomas Keightley, the word derives from the Latin fata. Other forms are the Italian fata, and the Provençal fada, in old French romance, fee was a woman skilled in magic, and who knew the power and virtue of words, of stones, and of herbs. Faierie became fairy, but with that now almost exclusively referring to one of the legendary people. The word fairy was used to represent an illusion, or enchantment, to the word faie was added the suffix -erie, used to express either a place where something is found or a trade or typical activity engaged in. In later usage it applied to any kind of quality or activity associated with a particular type of person. In the sense land where fairies dwell, the distinctive and archaic spellings Faery, the latinate fay is not to be confused with the unrelated fey, meaning fated to die. Various folkloristic traditions refer to them euphemistically, by such as wee folk, good folk, people of peace, fair folk. Sometimes the term fairy is used to any magical creature, including goblins or gnomes, at other times. Fairies have their origin in the conflation of Celtic traditions in the Middle French medieval romances. Fairie was in origin used adjectivally, meaning enchanted, but was used as a name for enchanted creatures from as early as the Late Middle English period. In English literature of the Elizabethan era, elves became conflated with the fairies of Romance culture, the Victorian and Edwardian eras saw an increase in interest in fairies. The Celtic Revival viewed them as part of Irelands cultural heritage, carole Silvers and others suggest that the fascination of English antiquarians arose from a reaction to greater industrialization, and loss of folkways. Fairies are generally described as human in appearance and having magical powers, even with these small fairies, however, their small size may be magically assumed rather than constant. Some fairies though normally quite small were able to dilate their figures to imitate humans, on Orkney they were described as short in stature, dressed in dark grey, and sometimes seen in armour. Wings, while common in Victorian and later artwork of fairies, are rare in the folklore, even very small fairies flew with magic. Nowadays, fairies are depicted with ordinary insect wings or butterfly wings. In some folklore, fairies have green eyes, some depictions of fairies either have them wearing some sort of footwear and other depictions of fairies are always barefoot

2.
Fairy ring
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A fairy ring, also known as fairy circle, elf circle, elf ring or pixie ring, is a naturally occurring ring or arc of mushrooms. The rings may grow to over 10 metres in diameter, and they become stable over time as the fungus grows and they are found mainly in forested areas, but also appear in grasslands or rangelands. Fairy rings are detectable by sporocarps in rings or arcs, as well as by a necrotic zone, fungus mycelium is present in the ring or arc underneath. Fairy rings are the subject of folklore and myth worldwide—particularly in Western Europe. While they are seen as hazardous or dangerous places, they can sometimes be linked with good fortune. The mycelium of a growing in the ground absorbs nutrients by secretion of enzymes from the tips of the hyphae. This breaks down molecules in the soil into smaller molecules that are then absorbed through the walls of the hyphae near their growing tips. The mycelium will move outward from the center, and when the nutrients in the center are exhausted, there are two theories regarding the process involved in creating fairy rings. One states that the ring is begun by a spore from the sporocarpus. The underground presence of the fungus can also cause withering or varying colour or growth of the grass above, if they make an arc or a ring, they continuously grow about the centre of this object. One of the manifestations of fairy ring growth is a necrotic zone—an area in which grass or other plant life has withered or died and these zones are caused by the mycelia which, during a very dry year, coat the roots of grasses and other herbs in meadows. After some time they are removed by biotic factors from the ground, patterns other than the basic ring or arc are also possible, circles, doubled arcs, sickle-shaped arcs, and other complicated formations are also formed by this process. Fungi can deplete the soil of readily available such as nitrogen. Some fungi also produce chemicals which act like hormones called gibberellins, long-term observations of fairy rings on Shillingstone Hill in Dorset, England, further suggested that the cycle depended on the continuous presence of rabbits. Chalky soils on higher elevations in the counties of Wiltshire and Dorset in southern England used to support many meadow-type fairy rings, rabbits crop grass very short in open areas and produce nitrogen-rich droppings. Mushrooms need more soil nitrogen than grass does, a ring can start from only a few spores from which the mycelium develops, the fruiting bodies of the mushrooms only appearing later, when sufficient mycelial mass has been generated to support them. Subsequent generations of fungi grow only outwards, because the parent generations have depleted their local nitrogen levels, meanwhile, rabbits keep cropping the grass, but do not eat the fungi, allowing them to grow through their competition to tower, relatively, above the grass. It is unclear whether these were metabolites or pollutants, brominated compounds are unknown as metabolites from terrestrial fungi

3.
Fairy tale
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Fairy tales may be distinguished from other folk narratives such as legends and explicitly moral tales, including beast fables. The term is used for stories with origins in European tradition and, at least in recent centuries. In less technical contexts, the term is used to describe something blessed with unusual happiness. Colloquially, a tale or fairy story can also mean any far-fetched story or tall tale, it is used especially of any story that not only is not true. Legends are perceived as real, fairy tales may merge into legends, Fairy tales are found in oral and in literary form, the name fairy tale was first ascribed to them by Madame dAulnoy in the late 17th century. Many of todays fairy tales have evolved from stories that have appeared, with variations. The history of the tale is particularly difficult to trace because only the literary forms can survive. Still, according to researchers at universities in Durham and Lisbon, such stories may date back thousands of years, Fairy tales, and works derived from fairy tales, are still written today. Folklorists have classified fairy tales in various ways, the Aarne-Thompson classification system and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the significance, but no school has been definitively established for the meaning of the tales. It moves in a world without definite locality or definite creatures and is filled with the marvelous. In this never-never land, humble heroes kill adversaries, succeed to kingdoms, a fairy tale with a tragic rather than a happy end is called an anti-fairy tale. Although the fairy tale is a genre within the larger category of folktale. The term itself comes from the translation of Madame DAulnoys conte de fées, Vladimir Propp, in his Morphology of the Folktale, criticized the common distinction between fairy tales and animal tales on the grounds that many tales contained both fantastic elements and animals. Were I asked, what is a fairytale, I should reply, Read Undine, that is a fairytale. of all fairytales I know, I think Undine the most beautiful. As Stith Thompson points out, talking animals and the presence of magic seem to be common to the fairy tale than fairies themselves. However, the presence of animals that talk does not make a tale a fairy tale, especially when the animal is clearly a mask on a human face. Steven Swann Jones identified the presence of magic as the feature by which fairy tales can be distinguished from other sorts of folktales, davidson and Chaudri identify transformation as the key feature of the genre

4.
The Faerie Queene
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The Faerie Queene is an incomplete English epic poem by Edmund Spenser. Books I to III were first published in 1590, and then republished in 1596 together with books IV to VI. The Faerie Queene is notable for its form, it is one of the longest poems in the English language and the origin of a verse form that came to be known as Spenserian stanza. The Faerie Queene found such favor with Elizabeth I that Spenser was granted a pension for life amounting to £50 a year and this royal patronage helped the poem to such a level of success that it became Spensers defining work. Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight and he and his lady Una travel together as he fights the dragon Errour, then separate as the wizard Archimago tricks the Redcrosse Knight in a dream to think that Una is unchaste. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him, Duessa leads the Redcrosse Knight to captivity by the giant Orgoglio. Meanwhile, Una overcomes peril, meets Arthur, and finally finds and rescues the Redcrosse Knight from his capture, from Duessa, Una and Arthur help the Redcrosse Knight recover in the House of Holiness, there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents castle, rescues them from a dragon, Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archimago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia, Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, finally, they come to Acrasias Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart and they separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegal because she is destined to marry him, the Redcrosse Knight defends Artegal and they meet Merlin, who explains more carefully Britomarts destiny to found the English monarchy. Britomart leaves and fights Sir Marinell, Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates from them and meets Sir Scudamore, looking for his captured lady Amoret, Britomart alone is able to rescue Amoret from the wizard Busirane and reunite the lovers. Book IV is centred on the virtue of Friendship as embodied in Sir Cambell, Book V is centred on the virtue of Justice as embodied in Sir Artegal. Book VI is centred on the virtue of Courtesy as embodied in Sir Calidore, Spenser names Aristotle as his source for these virtues, though the influences of Thomas Aquinas and the traditions of medieval allegory can be observed as well. The unfinished seventh book appears to have represented the virtue of constancy, the Faerie Queene was written during the Reformation, a time of religious and political controversy

5.
Avalon
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Avalon is a legendary island featured in the Arthurian legend. Avalon was associated from a date with mystical practices and people such as Morgan le Fay. Geoffrey of Monmouth referred to it in Latin as Insula Avallonis in the Historia, in the later Vita Merlini he called it Insula Pomorum the isle of fruit trees. The name is considered to be of Welsh origin, derived from Old Welsh, Old Cornish, or Old Breton aball or avallen, apple tree. Welsh, Cornish and Breton tradition claimed that Arthur had never really died, the Historia also states that Avalon is where his sword Excalibur was forged. Geoffrey dealt with Avalon in more detail in Vita Merlini, in which he describes for the first time in Arthurian legend the enchantress Morgan le Fay as the chief of nine sisters who live on Avalon. Geoffreys description of the island indicates a sea voyage was needed to get there, of its own accord it produces grain and grapes, and apple trees grow in its woods from the close-clipped grass. The ground of its own accord produces everything instead of merely grass, there nine sisters rule by a pleasing set of laws those who come to them from our country. Hence the mistake of pagans and the poems by worldly poets and they are situated in the Ocean, against the left side of Mauretania, closest to where the sun sets, and they are separated from each other by the intervening sea. In medieval geographies, Isidores Fortunate Islands were identified with the Canaries, around 1190, Avalon became associated with Glastonbury, when monks at Glastonbury Abbey claimed to have discovered the bones of Arthur and his queen. The works of Gerald of Wales make the first known connection, What is now known as Glastonbury was, in ancient times and it is virtually an island, for it is completely surrounded by marshlands. In Welsh it is called Ynys Afallach, which means the Island of Apples, years ago the district had also been called Ynys Gutrin in Welsh, that is the Island of Glass, and from these words the invading Saxons later coined the place-name Glastingebury. Though no longer an island in the century, the high conical bulk of Glastonbury Tor had been surrounded by marsh before the surrounding fenland in the Somerset Levels was drained. In ancient times, Ponters Ball Dyke would have guarded the entrance to the island. The Romans eventually built another road to the island, Gerald wrote that Glastonburys earliest name in Welsh was Ineswitrin, the Isle of glass, a name noted by earlier historians which suggests that the location was at one point seen as an island. At a depth of 5 m the monks were said to have discovered a massive treetrunk coffin, accounts of the exact inscription vary, with five different versions existing. The earliest is by Gerald in Liber de Principis instructione c,1193, who wrote that he viewed the cross in person and traced the lettering. His transcript reads, Here lies buried the famous King Arthur with Guinevere his second wife in the isle of Avalon, inside the coffin were two bodies, who Giraldus refers to as Arthur and his queen, the bones of the male body were described as being gigantic

6.
Brasil (mythical island)
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Brasil, also known as Hy-Brasil or several other variants, is a phantom island said to lie in the Atlantic Ocean west of Ireland. Irish myths described it as cloaked in mist except for one day seven years. The etymology of the names Brasil and Hy-Brasil is unknown, but in Irish tradition it is thought to come from the Irish Uí Breasail, cf. Old Irish, Í, island, bres, beauty, worth, great, mighty. Despite the similarity, the name of the country Brazil has no connection to the mythical islands, the South American country was at first named Ilha de Vera Cruz and later Terra de Santa Cruz by the Portuguese navigators who discovered the land. After some decades, it started to be called Brazil due to the exploitation of native Brazilwood, in Portuguese, brazilwood is called pau-brasil, with the word brasil commonly given the etymology red like an ember, formed from Latin brasa and the suffix -il. Nautical charts identified an island called Bracile west of Ireland in the Atlantic Ocean as far back as 1325, later it appeared as Insula de Brasil in the Venetian map of Andrea Bianco, attached to one of the larger islands of a group of islands in the Atlantic. This was identified for a time with the island of Terceira in the Azores. A Catalan chart of about 1480 labels two islands Illa de brasil, one to the south west of Ireland and one south of Illa verde or Greenland, on maps the island was shown as being circular, often with a central strait or river running east-west across its diameter. Despite the failure of attempts to find it, this appeared regularly on maps lying south west of Galway Bay until 1865, Hy-Brasil has also been identified with Porcupine Bank, a shoal in the Atlantic Ocean about 200 kilometres west of Ireland and discovered in 1862. As early as 1870 a paper was read to the Geological Society of Ireland suggesting this identification, frederick Delius wrote a song titled I-Brasil, with words attributed to Fiona McLeod, pseudonym of the Celtic revival writer William Sharp. Hy-Brasil was featured in the 1989 British comedy-fantasy film Erik the Viking starring Tim Robbins, peter Bishop mysteriously travels to Hy-Brasil in the Beyond the Fringe comic book, a tie-in for the Fringe television series. Hy-Brasil is featured on signs affixed on the façade of the Embassy of Brazil to Bridgetown, Barbados, something which may reference when Barbados was claimed, a land called Hy Brasil featured in Alan Moores comic Promethea. Margaret Elphinstones 2002 novel has Hy-Brazil as its title and setting, mary Burkes short story Hy-Brasil in The Faber Book of Best New Irish Short Stories, 2004-5. Irish mythology in popular culture Inisheer Tech Duinn a mythological island to the west of Ireland were souls go after death, great Ireland a similarly west-of-Ireland place, Irish myths of which, are believed to have influenced the Vikings. Hy Brasil, the metamorphosis of an island, from cartographic error to Celtic Elysium, preliminary Sketches for the Reappearance of HyBrazil

7.
Tory Island
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Tory Island, or simply Tory, is an island 14.5 kilometres off the north-west coast of County Donegal in Ireland. It is also known in Irish as Oileán Thoraí or, historically, the main spoken language on the island is Irish, although English is spoken to communicate with visitors. Tory is part of the Donegal Gaeltacht and Ulster Irish is the main Irish dialect in use, the island is approximately 5 kilometres long and 1 kilometre wide. The 2002 census recorded a population of 133, the population is divided among four towns – An Baile Thoir, An Baile Thiar, An Lár and Úrbaile. In August 2010, the King of Tory confirmed that there were 96 people living on the island, petrol and diesel are available from Tory Oil at prices significantly higher than on the mainland. Tory has no airport, but has regular connections from mainland County Donegal. The ferry travels daily from April to October and five times a week for the rest of the year, the ferry does not take cars, but holds up to 70 passengers. During the winter months, sea crossings may not be due to rough seas – but from November to March. The later Fomorian king Balor of the eye also lived here. Balor would imprison Ethlinn in a tower built atop Tor Mór, Tor Mór is the islands highest point. A monastery was founded on Tory in the 6th century by Colmcille, the monastery dominated life on the island until 1595, when it was plundered and destroyed by English troops, waging a war of suppression against local chieftains. The monasterys bell tower is the largest structure to survive and was built in the 6th or 7th century, the Battle of Tory Island, the last action in the Irish Rebellion of 1798, took place at sea nearby. The loss was kept a secret in Britain until 14 November 1918. The sinking was witnessed and photographed by passengers on RMS Olympic sister ship of RMS Titanic, since the 1950s, the island has been home to a small community of artists, and has its own art gallery. The English artist Derek Hill was associated with the Tory artist community, reflecting a long-standing tradition, a king is chosen by consensus of the islanders. The current Rí Thoraí is painter Patsy Dan Rodgers, the king has no formal powers, though duties include being a spokesperson for the island community and welcoming people to the island. Power is generated on the island today from three diesel electricity generators and these have a total capacity of 4 MW and burn through approximately 500 litres of fuel every day. Public attention was focused on the island in 2009 when a resident was awarded a payout following a court case after his house was demolished

8.
Rathcroghan
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Rathcroghan is a complex of archaeological sites near Tulsk in County Roscommon, Ireland. It is identified as the site of Cruachan, the capital of the Connachta. The Rathcroghan Complex is an archaeological landscape with many references found in early Irish medieval manuscripts. Located on the plains of Connacht, Rathcroghan is one of the six Royal Sites of Ireland and this landscape which extends over six square kilometres, consists of 240 plus archaeological sites, sixty of which are protected national monuments. These monuments range from the Neolithic, through the Bronze and Iron Age, to the medieval period. These monuments include burial mounds, ringforts and medieval field boundaries amongst others, the most fascinating of these are the multi period Rathcroghan Mound, the mysterious cave of Oweynagat, the Mucklaghs - a spectacular set of linear earthworks, as well as the Carns medieval complex. There are many interesting historic references to Rathcroghan recorded in medieval manuscripts. Rathcroghan is recorded as the location of one of the fairs of Ireland. It is also the location for the beginning and end of an epic tale – an Táin Bó Cuailnge. Uniquely, Rathcroghan possesses an entrance to the Otherworld, described in the period as Irelands Gate to Hell. The cave has associations with the festival of Samhain, Halloween, as well as being described as the fit abode of Morrigan. According to a Dindshenchas poem, Cruachan was named after Crochen, the handmaid of Étaín, Crochen is so impressed by this síd that she asks Midir if this is his palace. Because of her loyalty to Étaín and her respect to this dwelling, Midir gives it to her, at the end of the poem Crochen is mentioned as the mother of Medb. The same poem mentions Cruachan as a cemetery, Listen. With its barrow for every noble couple, Cruachan features heavily in the Ulster Cycle as it was the home of one of its chief characters Queen Medb. She had been given the kingdom of Connacht by her High-King father Eochaid Feidlech who had de-throned the previous king Tindi Mac Conra over an act of treachery and it is unclear if Tindi had actually ruled the province from Cruachan or if had been built by/for Medb. Another story states that Cruachan had been ruled by the sister, Clothru. Vivid descriptions of the Western capital are given in Fled Bricrenn, there were sixteen windows in the house, and a frame of brass, to each of them, a tie of brass across the roof-light

9.
Cottingley Fairies
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The Cottingley Fairies appear in a series of five photographs taken by Elsie Wright and Frances Griffiths, two young cousins who lived in Cottingley, near Bradford in England. In 1917, when the first two photographs were taken, Elsie was 16 years old and Frances was 9, Doyle, as a spiritualist, was enthusiastic about the photographs, and interpreted them as clear and visible evidence of psychic phenomena. Public reaction was mixed, some accepted the images as genuine, interest in the Cottingley Fairies gradually declined after 1921. Both girls married and lived abroad for a time after they grew up, in 1966 a reporter from the Daily Express newspaper traced Elsie, who had by then returned to the UK. Elsie left open the possibility that she believed she had photographed her thoughts, the photographs and two of the cameras used are on display in the National Media Museum in Bradford, England. The two girls often played together beside the beck at the bottom of the garden, much to their mothers annoyance, because they came back with wet feet. Frances and Elsie said they went to the beck to see the fairies, and to prove it, Elsie borrowed her fathers camera. The girls returned about 30 minutes later, triumphant, Elsies father, Arthur, was a keen amateur photographer, and had set up his own darkroom. The picture on the plate he developed showed Frances behind a bush in the foreground. Knowing his daughters artistic ability, and that she had spent some time working in a photographers studio, two months later the girls borrowed his camera again, and this time returned with a photograph of Elsie sitting on the lawn holding out her hand to a 1-foot-tall gnome. Exasperated by what he believed to be nothing but a prank and his wife Polly, however, believed the photographs to be authentic. On the back she wrote It is funny, I never used to see them in Africa and it must be too hot for them there. The photographs became public in mid-1919, after Elsies mother attended a meeting of the Theosophical Society in Bradford. The lecture that evening was on life, and at the end of the meeting Polly Wright showed the two fairy photographs taken by her daughter and niece to the speaker. As a result, the photographs were displayed at the annual conference in Harrogate. There they came to the attention of a member of the society. Gardner sent the prints along with the original negatives to Harold Snelling. Snellings opinion was that the two negatives are entirely genuine, unfaked photographs, no trace whatsoever of studio work involving card or paper models

A fairy (also fata, fay, fey, fae, fair folk; from faery, faerie, "realm of the fays") is a type of mythical being or …

A portrait of a fairy, by Sophie Gengembre Anderson (1869). The title of the painting is Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things – purportedly from a poem by Charles Ede.