Last year, we were privileged to present the first Broadway revival of Christopher Hampton’s Les Liaisons Dangereuses, and I am thrilled to be doing his work once again. That play was a brilliant adaptation that came in the middle of this playwright’s stunning and wide-ranging career. What’s so fantastic about The Philanthropist is that it is one of Hampton’s earlier works (written in 1970 when he was just 24 years old!), and it has both the cheeky edge of that young writer and the incisiveness of the master observer of human behavior we have come to know over the years.

The Philanthropist tells the story of Philip, a member of the insular world of college intellectuals with the distinguishing characteristic of liking absolutely everything and everyone he encounters. While others profess strongly-held opinions or pursue inescapable romantic urges, Philip just can’t work himself up into a lather about anything. As he says himself, he doesn’t even have “the courage of my lack of convictions.”

What’s fascinating about this play is watching the hilarious and telling ways in which people react to Philip’s total neutrality. His seemingly harmless lack of subjectivity leads those around him to project on this blank slate of a man whatever they want – if they want an argument, they assume that he is disagreeing with them; if they want to incite a seduction, they assume that his passivity is acceptance – and that’s where things start to get intriguingly messy.

Essentially, Hampton has created Philip to be an inversion of Alceste, the character from Moliere’s The Misanthrope who hated absolutely everything and everyone he encountered, and who had no trouble in expressing his distaste. Side by side, the two characters make you wonder – is an excess of opinions really worse than an absence of them? Alceste may be insufferable in his constant displeasure, but is a man who is incapable of reacting strongly to even the most outlandish of circumstances any better?

These are the questions that, to me, make this play so remarkable. While turning The Misanthrope on its head, Hampton has also created a witty comedy of manners with an undercurrent of emotional devastation and at least one highly theatrical surprise that will catch even the most astute theatergoer off-guard. Needless to say, I consider that kind of writing to be no easy feat. It’s an unpredictable, thrillingly unique play, and I know that this first Broadway revival is in the best of hands with David Grindley and this amazing cast.

It is my pleasure to announce the complete cast for our upcoming production of The Philanthropist, by Christopher Hampton, directed by David Grindley.

Joining Matthew Broderick as “Philip” are Jonathan Cake as “Braham,” Anna Madeley as “Celia,” Steven Weber as “Don,” Tate Ellington as “John,” Jennifer Mudge as “Araminta” and Samantha Soule as “Liz.” I am excited to welcome so many talented new faces to the Roundabout family. Read bios>>
The design team for The Philanthropist will include Tim Shortall (Sets), Tobin Ost (Costumes), Rick Fisher (Lights) and Gregory Clarke (Sound).
Todd