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I listened to a couple of Harry Partch discs and even read some of his monstrous book, "Genesis of a Music," before ever watching this DVD, but it wasn't until viewing the documentary contained here, "The Dreamer that Remains," along with the full performance of "Delusion of the Fury," that I was able to appreciate Partch's contribution to American music.

As he discusses in the documentary, Partch lived for about 15 years as a hobo, mostly during the Depression. He sustained himself through basic survival skills and simple human trust - building fires and interacting with fellow hobos. The instrument on which he was most proficient in his youth was a viola which he modified and played upright between the knees.

It is clear from this information alone that Partch was ever the individualist - unwilling to compromise to any social or cultural constraints. Not only did he compose all of his pieces in Just Intonation (a system of tuning based on ratios and otherwise abandoned in the West, in which all tones are scientifically in tune with one another), but his unique scale used 43 NOTES TO THE OCTAVE, as opposed to the mere twelve we are familiar with in the Western system of equal-temperament.

In addition to this, Partch invented a slew of his own instruments, all designed according to his 43-note scale, each instrument bearing its own unique timbre and method of resonance. The bonus material contained on this disc features a fantastic segment in which excerpts from Partch's book are read, describing each of the instruments while a picture of the instrument is shown. A sound sample from the instrument is then played, so that the viewer becomes sequentially accustomed to the exotic sound and design of each instrument.

In "The Dreamer That Remains," we become acquainted with Partch, the man, and his idiosyncratic world. We see him in both his home and his workshop, talking and working feverishly on his latest musical contraptions, spouting ideas like a mad scientist at blistering speed. He discusses the idea of "corporeality" in his work, which, to be brief, is basically the idea that all aspects of each piece adhere to the naturalistic essence of humans and the earth, i.e. instruments are made of natural elements, sounds are acoustical in nature, the simplest and most evocative musical system is used (just intonation), which according to Partch, is the ONLY system sufficient for accurately capturing the many nuances inherent in human speech (and song). In addition, the theatrical elements (as witnessed on this DVD in "The Delusion of the Fury") are often very tribal in nature, or reminiscent of the cultural rituals of pre-Industrialist societies, as well as the traditions of other cultures, such as Japanese Noh theater. It becomes apparent when watching this documentary that Partch was not merely a genius, but a wholly brilliant American original in the same league as Mark Twain or Henry Thoreau, but perhaps even more radical than those examples.

Although they might be considered the two greatest giants of 20th Century American music, it is interesting to note the several ways in which Partch and the composer John Cage were polar opposites in their respective approaches. While Cage triumphed the idea of indeterminate music, insistent on making sounds which were not at all intended by the composer, and by any random means necessary, Partch on the other hand, exerted almost complete control over the gestation and performance of his pieces, going so far as building original instruments to perform his through-composed music. Though Cage tended to reject standard forms of composition, Partch's works often borrowed from traditional forms such as Japanese Noh theatre, or some aspects of the Western conception of opera.

Anyone still skeptical of whether Partch's achievement matches or tops that of Cage ought to watch this DVD. I believe it is the definitive entrance into this man's challenging work. My suggestion is to first watch the introduction of the instruments in the bonus materials, then watch "The Dreamer That Remains" documentary, and lastly, "The Delusion of the Fury," to see and hear Partch's many ideas and instruments at play in a large-scale, cohesive work. Be forewarned, however: once you've crossed into Partch's complex sound-world, your conception of music may never be the same.

I am thrilled to see that the publishing world is maintaining the work of Harry Partch, a true musical visionary. His music to this day maintains it's directness and impact and feeling of being so new while clearly being part of an ancient tradition. What more could one want in art?I lament that such an important document was not recorded nor maintained as well as it could have been, but given the singular , iconoclastic nature of Harry Partch's creation, we should rejoice at having such documents of his creations as he produced them.Not to say Danlee Mitchell's curatorship of the Harry Partch musical tradition hasn't been great, but these documents (with Genesis Of A Music: An Account Of A Creative Work, Its Roots, And Its Fulfillments, Second Edition (Da Capo Paperback)) are the core of what Partch left us, and as such are an "Indispensible 20th century art document." I can only hope the continued interest in Partch's work that the Enclosure series evidences leads to both: more reenactments and reconstructions of his work (with better recordings...such as the wonderful Tomato Records recording ofThe American Music Theater Festival Production of Harry Partch's Revelation in the Courthouse Park)AND more composers working with just intonation systems.In other words: all composers and lovers of art music and theater should buy this DVD immediately. It is both important , and great.

This is a strange disc. It includes documentaries on Partch, including an interesting on on the musician/artist near the end of his life, but in mediocre image with sound that does not remotely do justice to his music. The studio recording of "Delusion of the Fury" (available elsewhere on CD) is nicely reproduced in stereo, but not in the promised 5.1 surround, and the accompanying visuals are frankly awful. The best reason to buy this - and it's buried in the extras, described as a slideshow - is Partch's lengthy and pithy description of his wonderful, eccentric instruments. The version that's included in the recent "World of Harry Partch" reissue is cut, but here it's complete, and beautifully illustrated.

This review is only about the "delusions of fury" part of the DVD, and not about the documentary.Since I already own the CD with the music for this DVD,The main reason for me buying this was the 5.1 surround option and the video.The video quality on "delusions" is pretty bad, and frankly, it is very boring, especially compared to the music.My second disapointment came from the soundtrack-I could not get the 5.1 option to work, no matter how hard I tried, I have the feeling that there is indeed no such option at all.If you do not know the music on this DVD, you should buy the excellent and mesmerising "delusions of fury".If you do know the music on this DVD, dont bother buying it- there is no added value- the documentary is interesting, Partch is a genious with a capital G, but its not something I would sit and watch repeatedly.