Schooling & Culture (2017), initially a collaboration during the 70s and 80s between a group of radical left educationalists and young working class school students produced at The Cockpit Theatre. This journal is a first result of a working group towards the production of a new issue. The Showroom. London, U.K.

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Schooling & Culture (2017), initially a collaboration during the 70s and 80s between a group of radical left educationalists and young working class school students produced at The Cockpit Theatre. This journal is a first result of a working group towards the production of a new issue. The Showroom. London, U.K.

Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: 10 Minute Photography Course.

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: 10 Minute Photography Course.

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: The Library

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: Workshop with Justice 4 Domestic Workers

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: The Library

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: A-Z Handbook of Hardcore Discount Food Shopping.

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: YWC — Young Worker's Camera, a series of workshops and installation as a part of Motion, Machinery & Labour. TENT, Rotterdam, The Netherlands

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: YWC — Young Worker's Camera, a series of workshops and installation as a part of Motion, Machinery & Labour. TENT, Rotterdam, The Netherlands

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: YWC — Young Worker's Camera, a series of workshops and installation as a part of Motion, Machinery & Labour. TENT, Rotterdam, The Netherlands

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Werker 10 — Community Darkroom (2014 – ongoing), developed in collaboration with The Showroom in London / CA2M in Mostolés, Madrid. View: YWC — Young Worker's Camera, a series of workshops and installation as a part of Motion, Machinery & Labour. TENT, Rotterdam, The Netherlands

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In Some Place of Avoiding an Animal (2015), in collaboration with Dorine van Meel as part of her residency at South London Gallery, London, U.K.

Studio Rogier Delfos

Bio

Rogier Delfos is based in Amsterdam, The Netherlands. He studied a BA Graphic Design at the Gerrit Rietveld Academie, an MA Critical Studies at the Sandberg Institute and is currently teaching at the Gerrit Rietveld Academie. In his artistic and design practice he works with publishing as a communication technology that creates a multitude of social behavior. He experiments with an array of techniques of publishing to express his desires and micro-politics and spreads alternative views on labour, gender, the city, education and queer sexualities. His definition of ‘publishing’ has a wide and foremost artistic understanding; he is using various forms of printed matter, film, online platforms, installations, workshops and — as a more recent involvement — by way of writing and performative lecture.

Studio Rogier Delfos

About

Since 2009 Rogier Delfos is involved in the Werker Collective together with Marc Roig Blesa, which is an editorial project about photography and labour that inquires into the possibility of formulating a contemporary representation of work. In which forms does work appear in our Post-Fordist society? How can we activate a critical and collective practice of self-representation as a form of resistance to the dominant media? Werker takes its name from the Worker Photography movement, a group of associations of amateur photographers that appeared in germany in the 1920s, following in the steps of the first socialist photography experiences in the USSR which extended into the rest of Europe, the USA, and Japan. Far from having a rhetorical approach to Worker Photography, Werker Magazine is interested in their radical practice of photography based on self-representation, self-publishing and image critique.