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Friday, 22 February 2013

THIS DRAWING I made for the current issue of the marvellous Land Magazine ~written by and for people who believe that the roots of justice, freedom, social security and democracy lie not so much in access to money, or to the ballot box, as in access to land and its resources

I think the drawing probably doesn't need very much explaining, but it was designed to fit in with Issue 13's theme of Land Grabs, whereby global corporations and wealthy nations buy up huge swathes of land in "less developed" countries to make money from biofuels, agribusiness, industry, and other ecocidal delights, thereby ousting those human, animal and plant communities living on that land.

Land is such a fundamental thing to all of us. It would take a certain kind of unimaginable stupidity, short-sighted greed or off-the-scale insanity to believe that destroying the land upon which you stand, your only home, is somehow sustainable. Access to land is the thing which keeps us alive, rooted, fed, watered, and sane, which is why uprooting these communities is such a terrible thing. Not so very different from what happened in this country in earlier centuries.

My drawing in Issue 13 of The Land Magazine - somewhat cropped, for some reason

Demands to “make poverty history”, and the responses from those in power, revolve around money: less debt, freer and fairer trade, more aid. Rarely will you hear someone with access to a microphone mouth the word “land”.

That is because economists define wealth and justice in terms of access to the market. Politicians echo the economists because the more dependent that people become upon the market, the more securely they can be roped into the fiscal and political hierarchy. Access to land is not simply a threat to landowning élites — it is a threat to the religion of unlimited economic growth and the power structure that depends upon it.

The market (however attractive it may appear) is built on promises: the only source of wealth is the earth. Anyone who has land has access to energy, water, nourishment, shelter, healing, wisdom, ancestors and a grave. Ivan Illich spoke of "a society of convivial tools that allows men to achieve purposes with energy fully under their control". The ultimate convivial tool, the mother of all the others, is the earth.

The timeline of civilisation has mapped a continuous robbery of land from the poor, the indigenous, the non-human, to bring us to the point where those holding the power own or control a vastly disproportionate area of land to their numbers; for example: Queen Elizabeth II, current monarch of this tiny green-grey island in the North Sea, "owns" 6,600 million acres of land, one sixth of the earth’s non ocean surface.

So, in the face of this sickenly unfair system, what choice do we have but to grab the land back? As Gill Barron points out in her excellent article on land-reclaiming - There is an honourable tradition worldwide, and strongly so in Britain, of small-scale land acquisition by stealth. These historic precedents suggest that even more of us should be actively following in the noble (if a bit scruffy) footsteps of our cotter & squatter forebears. [The Land - Issue 13]

Alongside the many admirable land-reclaimers, guerilla gardeners and squatters mentioned in Gill's article, a group of folks off the western shoulder of London's sprawl decided last year to occupy some disused land on the Runnymede Campus of Brunel University, which has lain disused since 2007 when Brunel University sold the land to a private property developer to turn into luxury homes, to much local concern. The property owner stalled, however, and so in between the apocalyptic gusts of tumble-weed blowing through the empty overgrown university buildings, watched over only by the sinister eyes of CCTV, the Diggers2012 walked in, planted vegetables, put up tents and shelters, begun building a cob longhouse, and lived. The site is significant, being so close to the Magna Carta Monument, heralded as the "birthplace of modern democracy", where the Magna Carta was signed 800 years ago, introducing, alongside democracy, ideas such as freedom through law and limitations on authority. The Diggers2012 take their name from the original seventeenth century Diggers who planted crops on St George's Hill in Surrey in order to make the land a "common treasury for all". You'll all know the folksong telling their tale:

I visited the Diggers2012 camp last autumn, following a path through the woods and a wheelbarrow track through the dewy grass to a hole in the chicken wire fence.

And found there a friendly and diverse group of people sat around a fire in the main cob longhouse, talking unhurriedly about the day's plans, and cooking breakfast.

There were escapees from London, who had found no way to live the expensive life the city demands, nor been able to afford housing. There were activists and foragers and visiting families with children and dogs. Fifteen people were living there permanently, and as we sat and drank our fire-cooked coffee, they referred, with despairing seriousness, to the sprawling city which we could see in the distance from our hill as Mordor.

As well as growing vegetables and running workshops, they had set up a rudimentary water system from a spring higher up in the forest, which carried the water down through a long blue pipe via a home-made filter suspended between the trees.

I felt a great deal of purpose in the people I met there. They had had several evictions served against them but were fighting on, with a great openness to engage with the local and wider community, and challenge the deeply embedded idea of land ownership. The day I was there they were leading a foraging walk, and visitors gradually arrived to join us on the hunt for wild foods and medicines growing on this patch of "disused" land.

We returned to the camp to make tea, and I had to leave before getting the chance to share in the meal of foraged foods.

But I did learn a new plant - this is water pepper - which has amazing spicy-tasting seeds!

It seems to me that we have been so disconnected from the land beneath our feet by so many tools of modern civilisation, that we no longer are able to tend it and speak to it, live with it and love it and know deeply that we cannot live without it. And because we have had our earthen umbilical cords which tie us to our ancestral place cut so brutally, for so long, we cannot stand up for our land when it is threatened, either. As Derrick Jensen says: "It's no wonder we don't defend the land where we live. We don't live here. We live in television programs and movies and books and with celebrities and in heaven and by rules and laws and abstractions created by people far away and we live anywhere and everywhere except in our particular bodies on this particular land and this particular moment in these particular circumstances."

Activists take to the trees to stop the Keystone XL pipeline in Texas and Oklahoma
as part of the Tar Sands Blockade

There are those still fighting for their land, though, like the Combe Haven Defenders, who have been standing in the way of the UK government's new road building program, by protecting the trees and hedgerows of the soon-to-be-annihilated tranquil and beautiful Combe Haven Valley in Sussex. Or the Unis'tot'en Action Camp in unceded occupied Wet'suwet'en territory of "British Columbia", where the land's indigenous people are standing in the way of massive pipelines for transporting tar sands oil and shale gas from fracking being built through their territory. In France right now Europe's biggest post-capitalist land occupation La ZAD (Zone À Défendre) is fighting a new airport in the most inspiring ways, which I really recommend you read about here: part 1 & part 2. There are countless other warrior projects across the world taking place right now where people have decided that enough is enough, and that they are prepared to fight to the death for the only thing that gives them life: their sacred and beloved land. To all those stopping in their flight from the enormous pustulent grabbing hand of progress, and turning back to face it and say: no more! I offer this fantastic rousing song by the Oysterband ~ We'll Be There! The last impassioned lines Leave this land alone always make me cry.

I've walked this hill a hundred times
To hear the river talking
A murmuring, a secret sound
Never found
And times I've leaned into the wind
To smell this earth I'm walking
With the song of the wind my heart is wound
All around
It's holy ground

CHORUS:You can bring your JCBsYou can bring your drills and your 'driversYou've got the mightBut you've got no rightWe'll be there, we'll be there, we'll be there

We've wandered under winter stars
To trace them in their courses
Summer nights at standing stones
We stood alone
We took the water in our hand
We rode the chalk-white horses
We dreamt one day they'd understand
We share this land
This holy ground

CHORUS

Leave this, leave this land alone
Leave this, leave this land alone
Leave this, leave this land alone
Leave this, leave this land alone
Leave this, leave this land alone
I said leave this, leave this land alone
Leave this, leave this land alone
Leave this, leave this land alone

Sunday, 3 February 2013

Young Rima and family in my first wheeled house - a Bedford CA, en route to Europe

Young Rima in living-van window seat with toy arrangement!

WHEELS have turned in my life since before I can remember. The characters in my paintings are wheeled, their houses are wheeled; my stories are wheeled. Handcarts and wagons and caravans have always drawn my eyes, in that urgent, beautiful way a well-loved colour or a certain kind of face stands out in a crowd. Wheels call to me even louder if they have a door, a window or a chimney atop them. Something about the combination of vehicle and house sets my blood thrilling.

Travelling, I have gradually realised over the years — and more specifically, living in a house that moves — is a fundamental part of the person I am; it’s what makes my heart sing the highest, and my feet feel the rightest.

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...And so begins an article I've written about my love for the travelling life, published this month in the beautiful EarthLines Magazine. I'll not write more reflections here on my travelling-vagabonding urge, because I've mused at length in this illustrated article - Wayfaring — A Wheeled & Painted Life, and I'd love for you all to go and buy a copy of the magazine, or better still subscribe to it. Produced from a croft on the Isle of Lewis, this quarterly dedicated to the culture of nature is a wonderful thing, and comes very highly recommended.This issue, apart from being exquisitely put together, is filled with wild, thoughtful, diverse and intelligent writing on all manner of land-based subjects, and I'm delighted to be amongst such company as Robert McFarlane, Guy McPherson, Charlotte DuCann, Melanie Challenger, Sharon Blackie, Hugh Warwick, Susan Richardson and many others. (A PDF of the contents page is availablehere)

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Last year my Bedford TK Horsebox house was featured in the newest book from Shelter Publications - Tiny Homes. It's a beautiful book, chock-full of handbuilt, unique and unusual homes from the burgeoning Tiny House movement, where dwellings are counted as tiny when they're less than 500 square feet. Unfortunately the first printing of the book misspelled my name, but I'm told that the book has proved hugely popular and so has run into its second, correctly spelt, print run! It even came with a tiny version of Tiny Homes, small enough to fit in my hand. I was mightily honoured to be included in this book. Lloyd Kahn's books have been an incredible inspiration to alternative self-builders all over the world since the publication of Shelter back in the 1970s. There are homes on wheels, on water, in trees, in desert, mountain and city. There are even some Tiny House-dwelling friends whom I know from the internet amongst its pages, like Nikki of Click Clack Gorilla in her Bauwagen in Germany, and Keith Levy of The Flying Tortoise in New Zealand, as well as the now widely-recognised 'Hobbit House' built by Simon Dale in Wales. Here are some pages from Tiny Homes, photographed back when the sun used to shine through the windows...

This is one of those books to pore over again and again, full of pictures to make your heart sing. Here's Lloyd Kahn talking about its creation:

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Longtime followers of this blog will have accompanied me during my travelling days and watched the green lands pass by my windows. Since moving back into a house three years ago, I have felt a profound sense of loss for the half-indoor, half-outdoor life on wheels that I loved so much, which I've not really been able to write about here since. Suffice to say, that the desire to live this life has never left me, and the waysides still call to me, loud and nettling...

Rejoice with me as I look excitedly out of our cottage windows at what is parked in yonder field:

A beautiful 1960s Bedford RL ex auxiliary fire-service vehicle, with the smileyest face you've ever seen on a truck!

These vehicles, along with the Green Goddess fire engines which share the same chassis, were bought up in their thousands by the government during the cold war in case of nuclear disaster, and then never used. So years later they gradually got sold off to private collectors and consequently have done hardly any miles! Ours has just 7000 on the clock!

It's four wheel drive, converted to run on LPG (and not exactly easy on the petrol!); the back is solid oak with not an iota of rot in it, topped with military canvas. The interior of the cab is an unnamable shade of tawny orange, and there are boxes and compartments and hooks and ropes all over the place. The split windscreen opens, and the truck does a maximum of 45 mph! The journey home from collecting it was an adventure and a half. It's incredibly loud and slow and big. Its previous owner described it as the water buffalo of the vehicle world. It draws waves and comments from all who see it passing by, and we were exhausted and elated when we pulled into the field at last.

Now we go out with our cups of tea and sit out on the tail gate, almost as high as the trees, dripping in their winter bareness around us. And we grin to each other, dreaming of the tangible travelling days, now within our grasp. We have much building to do. Tom and I are ridiculously excited, planning and dreaming of the right spot for the woodburner, and the windows, and the kitchen, and of the wonderful days which await us on the wayfaring goosegrassed byways of our coming happy years.

About Me

Rima Staines is an artist using paint, wood, word, music, animation, clock-making, puppetry & story to attempt to build a gate through the hedge that grows along the boundary between this world & that. Her gate-building has been a lifelong pursuit, & she hopes to have perhaps propped aside even one spiked loop of bramble (leaving a chink just big enough for a mud-kneeling, trusting eye to glimpse the beauty there beyond), before she goes through herself.

Always stubborn about living the things that make her heart sing, Rima lives with her partner Tom and their young son in Hedgespoken - an offgrid home and travelling theatre built on a vintage Bedford RL truck.

Rima’s inspirations include the world & language of folktale; faces of people who pass her on the street; folk music & art of Old Europe & beyond; peasant & nomadic living; magics of every feather; wilderness & plant-lore; the margins of thought, experience, community & spirituality; & the beauty in otherness.

Crumbs fall from Rima’s threadbare coat pockets as she travels, & can be found collected here, where you may join the caravan.