Bickerton is the most underestimated and overlooked artist of his generation, and this two-gallery overview last spring made the case for his full reinstatement on the art world's radar screen - and the urgent need for a full museum retrospective. His most recent works - painting/sculpture tableaux depicting les tristes tropiques and a series of self-exploitative portraits made in Bali - are as wonderfully toxic as the now classic-looking '80s icons, his faux-high-tech contraptions and his "abstract" logo paintings. Like his unconventional career choices, Bickerton's anthropological art forces us down an angry, politically incorrect path.