All the stages of a flower are always surprising: the button is always the unexpected promise of a smile, the opening of a plenitude that, however announced it may have been, is miraculous, and the decay, although gradual and expected, invariably sudden. Presence and absence are always splendid, extraordinary. Why is it so difficult for us to accept that everything is temporary, that everything will disappear? The message of each flower that is born and wilts is incessantly of the fugitive permanence. The flowers that we see here were from a funeral and collected in a trunk that has been opening every anniversary, to add new flowers, to close it again; When we look into this room delimited to the center of the room, we peer into that same movement in the history perfumed by successive blinks. The drying flowers as a whole have dictated the color palette in the blasting of the paintings, and the graphic imprint of their passage through time in the other monochromatic. To understand the visual, acoustic and olfactory rhythm between absence and presence is that now we come to find ourselves among the flowers, with the half-lost look among the multitude of petals that have left their persistent imprint through the years as a memory that is updated in each opening and closing of the eye, suspended which corresponds to the temporality of the absences, guided by the voice because only the song knows how to speak the flourishing language of those who have left because the voice fades as soon as it moves us, a instrumentation by Tahanny of all the senses of the body to give shape to the statute of death as the common good in which we face, we recognize and learn to love each other.-Erick Vazquez.

Throughout history, the importance of the artwork's physicality has been defied time and time again. The group show "Thin Air", stems from the concept of the invisibility of an artwork, creating emphasis on the idea, the process, and the context behind the piece itself rather than the materiality of it. The artists that participate in the show are: Yóllotl Alvarado, Javier Barrios, Emilio Chapela, Virginia Colwell, Jorge de la Garza, Manuela García, Cristóbal Gracia, Joshua Job, Ulrik López, Anuar Maauad, Federico Martínez Montoya, Chantal Peñalosa, Armando Rosales and Joaquín Segura

Emma Molina gallery is proud to present Miguel Soler´s The Ruin of Memory. Soler-Roig's photography series documents the artist's home in Barcelona from his childhood, now uninhabited for thirty years.

Emma Molina Gallery has the pleasure of presenting Nekyia by artist Claudia Baez. Baez's paintings are animated by reverence for the history of Western art, rendered in a contemporary expressionistic vocabulary.

Emma Molina Gallery is pleased to present Alex Hank once again with his latest show, Alabama Jim, curated byAna Sokoloff. This time around, Hank uses images in a way totally different than he did in Looking for Bobby, which took place at the GEM in 2001.

Biochromatic comes from the combination of animals and living organisms with an incidental mixture of intense and colourful explosions. Colors intervened and used by natural agents as their own micro biosphere.

You are cordially invited to be a part of the conversation with Anuar Maauad, founder and director of the artist residency based in Mexico City, Casa Maauad. We will be showing Portfolio '14, a compilation of pieces by different artists that have been in the residency program.