By Deb Kloeden, Rock At Night Adelaide and Words by Chyrisse Tabone, Rock At Night Tampa

Steve Kilbey of the legendary Australian rock band The Church just released his 21st solo album Sydney Rococo(Golden Robots Records) on November 23rd, which consists of a collection of songs written over the last 5 years. He recently just completed the Australian leg of The Church’s Starfish 30th Anniversary worldwide tour.

Rock At Night interviewed Steve Kilbey about his new album, The Church, and more! Kilbey discusses his yearning for melancholia in music; the painted album cover of Sydney Rococo; the Starfish tour and staying true to the original album; his favorite Church album, Priest=Aura; the Grunge movement; touring in the 90s versus today; and Stuart Coupe’s book Roadies.

The audio interview is presented in its entirety in the link below and on Rock At Night’s iTunes channel, but some of Kilbey’s thoughts and impressions include:

On his new album Sydney Rococo, which he described as being two years in the can…

Many people write about Berlin, New York City, London…I felt it was time Sydney had its own album.

On his music having sad or melancholic undertones…

Melancholy has always been my specialty, really. That is what I explore. Melancholy is a wonderful theme…that sort of feeling of walking on the beach on a winter’s day on your own. There’s sort of a certain deliciousness in that, I think.

A beautifully sad song can make you feel happy. When I started listening to music when I was three or four, taking music in, I was always surprised by the fact that sad songs make you happy. I’m always kind of working that angle in everything I do. The triumph of melancholia (not depression).

In the 80s people tried to say we were a depressing band and we’ve never been depressing. We’ve always had sad songs. There’s a lot of difference between a depressed person and a melancholic person. I don’t certainly promote the virtues of depression but I do promote the virtues of melancholia.

Rock At Night noted the Starfish album finished in November—and The Church has produced 30 albums over the years. Kilbey noted, “Every year is an anniversary of some sort” and he was looking forward to the year 2022 when his “favorite Church album Priest=Aura” would have its 30th year anniversary.

On playing Starfish in its entirety during live performances, he explained the importance of not only staying true to the album but present it with “more bollocks…with more mojo” rather than digress into a “reggae version” of a beloved song.

Rock At Night discussed Stuart Copes book The Roadies—The Secret History of Rock ‘n’ Roll.The conversation touched on roadie Shane Scully, who worked during the halcyon days with The Church. Lots of interesting tidbits and trivia, here, folks!

Video

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>Interview with Steve Kilbey of The Church. Click on the arrow above:

By Deb Kloeden, Rock At Night Adelaide and Words by Chyrisse Tabone, Rock At Night Tampa

Steve Kilbey of the legendary Australian rock band The Church just released his 21st solo album Sydney Rococo(Golden Robots Records) on November 23rd, which consists of a collection of songs written over the last 5 years. He recently just completed the Australian leg of The Church’s Starfish 30th Anniversary worldwide tour.

Rock At Night interviewed Steve Kilbey about his new album, The Church, and more! Kilbey discusses his yearning for melancholia in music; the painted album cover of Sydney Rococo; the Starfish tour and staying true to the original album; his favorite Church album, Priest=Aura; the Grunge movement; touring in the 90s versus today; and Stuart Coupe’s book Roadies.

The audio interview is presented in its entirety in the link below and on Rock At Night’s iTunes channel, but some of Kilbey’s thoughts and impressions include:

On his new album Sydney Rococo, which he described as being two years in the can…

Many people write about Berlin, New York City, London…I felt it was time Sydney had its own album.

On his music having sad or melancholic undertones…

Melancholy has always been my specialty, really. That is what I explore. Melancholy is a wonderful theme…that sort of feeling of walking on the beach on a winter’s day on your own. There’s sort of a certain deliciousness in that, I think.

A beautifully sad song can make you feel happy. When I started listening to music when I was three or four, taking music in, I was always surprised by the fact that sad songs make you happy. I’m always kind of working that angle in everything I do. The triumph of melancholia (not depression).

In the 80s people tried to say we were a depressing band and we’ve never been depressing. We’ve always had sad songs. There’s a lot of difference between a depressed person and a melancholic person. I don’t certainly promote the virtues of depression but I do promote the virtues of melancholia.

Rock At Night noted the Starfish album finished in November—and The Church has produced 30 albums over the years. Kilbey noted, “Every year is an anniversary of some sort” and he was looking forward to the year 2022 when his “favorite Church album Priest=Aura” would have its 30th year anniversary.

On playing Starfish in its entirety during live performances, he explained the importance of not only staying true to the album but present it with “more bollocks…with more mojo” rather than digress into a “reggae version” of a beloved song.

Rock At Night discussed Stuart Copes book The Roadies—The Secret History of Rock ‘n’ Roll.The conversation touched on roadie Shane Scully, who worked during the halcyon days with The Church. Lots of interesting tidbits and trivia, here, folks!

Video

Interview with Steve Kilbey of The Church. Click on the arrow above:

By Deb Kloeden, Rock At Night Adelaide and Words by Chyrisse Tabone, Rock At Night Tampa

Steve Kilbey of the legendary Australian rock band The Church just released his 21st solo album Sydney Rococo(Golden Robots Records) on November 23rd, which consists of a collection of songs written over the last 5 years. He recently just completed the Australian leg of The Church’s Starfish 30th Anniversary worldwide tour.

Rock At Night interviewed Steve Kilbey about his new album, The Church, and more! Kilbey discusses his yearning for melancholia in music; the painted album cover of Sydney Rococo; the Starfish tour and staying true to the original album; his favorite Church album, Priest=Aura; the Grunge movement; touring in the 90s versus today; and Stuart Coupe’s book Roadies.

The audio interview is presented in its entirety in the link below and on Rock At Night’s iTunes channel, but some of Kilbey’s thoughts and impressions include:

On his new album Sydney Rococo, which he described as being two years in the can…

Many people write about Berlin, New York City, London…I felt it was time Sydney had its own album.

On his music having sad or melancholic undertones…

Melancholy has always been my specialty, really. That is what I explore. Melancholy is a wonderful theme…that sort of feeling of walking on the beach on a winter’s day on your own. There’s sort of a certain deliciousness in that, I think.

A beautifully sad song can make you feel happy. When I started listening to music when I was three or four, taking music in, I was always surprised by the fact that sad songs make you happy. I’m always kind of working that angle in everything I do. The triumph of melancholia (not depression).

In the 80s people tried to say we were a depressing band and we’ve never been depressing. We’ve always had sad songs. There’s a lot of difference between a depressed person and a melancholic person. I don’t certainly promote the virtues of depression but I do promote the virtues of melancholia.

Rock At Night noted the Starfish album finished in November—and The Church has produced 30 albums over the years. Kilbey noted, “Every year is an anniversary of some sort” and he was looking forward to the year 2022 when his “favorite Church album Priest=Aura” would have its 30th year anniversary.

On playing Starfish in its entirety during live performances, he explained the importance of not only staying true to the album but present it with “more bollocks…with more mojo” rather than digress into a “reggae version” of a beloved song.

Rock At Night discussed Stuart Copes book The Roadies—The Secret History of Rock ‘n’ Roll.The conversation touched on roadie Shane Scully, who worked during the halcyon days with The Church. Lots of interesting tidbits and trivia, here, folks!

I heard Johnny Mile & the Kilometers were going to be close to me, so of course, I dropped by to see them. This is my fourth time seeing them, and this time I had a chance to talk to them in a (sort of) quiet environment, so I’ll let them speak for themselves – but I also have some visuals to entertain you as you listen!

I heard Johnny Mile & the Kilometers were going to be close to me, so of course, I dropped by to see them. This is my fourth time seeing them, and this time I had a chance to talk to them in a (sort of) quiet environment, so I’ll let them speak for themselves – but I also have some visuals to entertain you as you listen!

I heard Johnny Mile & the Kilometers were going to be close to me, so of course, I dropped by to see them. This is my fourth time seeing them, and this time I had a chance to talk to them in a (sort of) quiet environment, so I’ll let them speak for themselves – but I also have some visuals to entertain you as you listen!

When it comes to Crashing Cairo and their new album, At Speeds That Destroy, lead singer Robert Wax described the album best, cinematic soundscape. The four-piece band from Detroit, Michigan, produce some of the best bone-chilling, and anthemic music I have heard and it’s no surprise their latest album has received national attention across radio stations in the United States, Canada, and across the pond. Each song sounds like a soundtrack to a specific point in life. The songs have an intensity about them building up to a satisfying and powerful climax.

At Speeds That Destroy is a collaboration of great minds coming together for a very successful project both musically and on the technical spectrum. The band consists of members Robert Wax (vocals/keyboards), Joel Cooper (guitars), David West (drums/electronics), and Chris Rosin (bass). Each member has a key role delivering unique qualities that make each song stand out as empowering anthems. At Speeds That Destroy saw Crashing Cairo work with producers Peter Katis (The National, Interpol) and Tim Palmer (David Bowie, Pearl Jam, U2) further proving that the band is a force to be reckoned with and to expect to hear a lot more from these guys in the future. It is without a doubt that Crashing Cairo is a talented band with songs that will make you feel really good. I am glad to be finishing off the year with Crashing Cairo on my playlist as I’m sure I will continue to play them non stop for the next few weeks and well into the new year as I catch up on their discography.

A few days ago, I had the chance to speak with lead vocalist Wax where he gave Rock at Night some details of what’s to come in 2019 for Crashing Cairo, and I can’t wait because it sounds like it’s going to be a great year for them. We also spoke about some of the songs on the album and how the band managed to work with such greats as Peter Katis, and Tim Palmer. We spoke about the band’s favorite gear, favorite concert moment, and who in the band may be listening to Britney Spears. It was a fun interview so make sure to listen to the podcast below.

When it comes to Crashing Cairo and their new album, At Speeds That Destroy, lead singer Robert Wax described the album best, cinematic soundscape. The four-piece band from Detroit, Michigan, produce some of the best bone-chilling, and anthemic music I have heard and it’s no surprise their latest album has received national attention across radio stations in the United States, Canada, and across the pond. Each song sounds like a soundtrack to a specific point in life. The songs have an intensity about them building up to a satisfying and powerful climax.

At Speeds That Destroy is a collaboration of great minds coming together for a very successful project both musically and on the technical spectrum. The band consists of members Robert Wax (vocals/keyboards), Joel Cooper (guitars), David West (drums/electronics), and Chris Rosin (bass). Each member has a key role delivering unique qualities that make each song stand out as empowering anthems. At Speeds That Destroy saw Crashing Cairo work with producers Peter Katis (The National, Interpol) and Tim Palmer (David Bowie, Pearl Jam, U2) further proving that the band is a force to be reckoned with and to expect to hear a lot more from these guys in the future. It is without a doubt that Crashing Cairo is a talented band with songs that will make you feel really good. I am glad to be finishing off the year with Crashing Cairo on my playlist as I’m sure I will continue to play them non stop for the next few weeks and well into the new year as I catch up on their discography.

A few days ago, I had the chance to speak with lead vocalist Wax where he gave Rock at Night some details of what’s to come in 2019 for Crashing Cairo, and I can’t wait because it sounds like it’s going to be a great year for them. We also spoke about some of the songs on the album and how the band managed to work with such greats as Peter Katis, and Tim Palmer. We spoke about the band’s favorite gear, favorite concert moment, and who in the band may be listening to Britney Spears. It was a fun interview so make sure to listen to the podcast below.

When it comes to Crashing Cairo and their new album, At Speeds That Destroy, lead singer Robert Wax described the album best, cinematic soundscape. The four-piece band from Detroit, Michigan, produce some of the best bone-chilling, and anthemic music I have heard and it’s no surprise their latest album has received national attention across radio stations in the United States, Canada, and across the pond. Each song sounds like a soundtrack to a specific point in life. The songs have an intensity about them building up to a satisfying and powerful climax.

At Speeds That Destroy is a collaboration of great minds coming together for a very successful project both musically and on the technical spectrum. The band consists of members Robert Wax (vocals/keyboards), Joel Cooper (guitars), David West (drums/electronics), and Chris Rosin (bass). Each member has a key role delivering unique qualities that make each song stand out as empowering anthems. At Speeds That Destroy saw Crashing Cairo work with producers Peter Katis (The National, Interpol) and Tim Palmer (David Bowie, Pearl Jam, U2) further proving that the band is a force to be reckoned with and to expect to hear a lot more from these guys in the future. It is without a doubt that Crashing Cairo is a talented band with songs that will make you feel really good. I am glad to be finishing off the year with Crashing Cairo on my playlist as I’m sure I will continue to play them non stop for the next few weeks and well into the new year as I catch up on their discography.

A few days ago, I had the chance to speak with lead vocalist Wax where he gave Rock at Night some details of what’s to come in 2019 for Crashing Cairo, and I can’t wait because it sounds like it’s going to be a great year for them. We also spoke about some of the songs on the album and how the band managed to work with such greats as Peter Katis, and Tim Palmer. We spoke about the band’s favorite gear, favorite concert moment, and who in the band may be listening to Britney Spears. It was a fun interview so make sure to listen to the podcast below.

The Penny Serf’s album, Politics in the Time of Heroin, has been released for almost a year with stellar reception from both fans and the world of music. The album is not only a musical, and lyrical masterpiece but also an important part of American music history and its transcending psyche during a political landscape of tumultuous divide. Politics in the Time of Heroin was put together at the time of the election circus right before Donald Trump was elected president. The album is the unheard cynical voice of many “what the fuck” moments going through the minds of Americans during political unrest where it was almost impossible to go three feet without getting into a political argument, not to mention, the in-your-face unfriending social media frenzy-all this while many Americans were hiding behind the mask of an opiate epidemic in order to drown the pains of everyday life. It was a rough time for Americans during the presidential elections seeing the world through a surreal curtain of toxic media and drugs. Let’s face it, it still is a rough time especially while many continue to fight their own demons but one inevitable positive process that never fails to repeat itself during times of socio-political unrest is the creation of incredible and emotional art. Luckily for our generation, Politics in the Time of Heroin, is one of those great pieces of art and it came at the right time where, hey, if politics keep us divided let music bring us together.

The Penny Serfs are veterans in the music industry and are well known for the work they do behind the scenes as music techs touring around the world with acts such as The National, Regina Spektor, Bob Weir (Grateful Dead), The Shins, Sufjan Stevens, and Derek Smalls (Spinal Tap). Mikey Loy is a guitar tech and Kyle Lewis is a drum tech. It is no surprise their albums are flawlessly recorded due to the band’s musical technical prowess. I had the chance to speak with Mikey and Kyle right before Thanksgiving break and they gave some insight on their latest album, Politics In the Time of Heroin. Rounding up the rest of the Serfs are Stu Tenold and Aiden Landman. To listen to our fun and insightful conversation where we talk about everything from politics, the meaning behind the album title and some of the songs on the album, and what the guys were cooking up for the holidays take a listen to the podcast below.

SPOTIFY

Check Out The Penny Serfs:

The Penny Serf’s album, Politics in the Time of Heroin, has been released for almost a year with stellar reception from both fans and the world of music. The album is not only a musical, and lyrical masterpiece but also an important part of American music history and its transcending psyche during a political landscape of tumultuous divide. Politics in the Time of Heroin was put together at the time of the election circus right before Donald Trump was elected president. The album is the unheard cynical voice of many “what the fuck” moments going through the minds of Americans during political unrest where it was almost impossible to go three feet without getting into a political argument, not to mention, the in-your-face unfriending social media frenzy-all this while many Americans were hiding behind the mask of an opiate epidemic in order to drown the pains of everyday life. It was a rough time for Americans during the presidential elections seeing the world through a surreal curtain of toxic media and drugs. Let’s face it, it still is a rough time especially while many continue to fight their own demons but one inevitable positive process that never fails to repeat itself during times of socio-political unrest is the creation of incredible and emotional art. Luckily for our generation, Politics in the Time of Heroin, is one of those great pieces of art and it came at the right time where, hey, if politics keep us divided let music bring us together.

The Penny Serfs are veterans in the music industry and are well known for the work they do behind the scenes as music techs touring around the world with acts such as The National, Regina Spektor, Bob Weir (Grateful Dead), The Shins, Sufjan Stevens, and Derek Smalls (Spinal Tap). Mikey Loy is a guitar tech and Kyle Lewis is a drum tech. It is no surprise their albums are flawlessly recorded due to the band’s musical technical prowess. I had the chance to speak with Mikey and Kyle right before Thanksgiving break and they gave some insight on their latest album, Politics In the Time of Heroin. Rounding up the rest of the Serfs are Stu Tenold and Aiden Landman. To listen to our fun and insightful conversation where we talk about everything from politics, the meaning behind the album title and some of the songs on the album, and what the guys were cooking up for the holidays take a listen to the podcast below.

I’ve been following the band for years and covering their tour dates on both sides of the pond. They decided to do a short tour of the eastern seaboard before hitting Europe this fall. They hit up cities such as Atlanta, GA, Worcester MA, Baltimore, MD and concluded with their last gig at the Attic in Ybor City, Tampa on Friday, August 10th, 2018.

Luis of The Dollyrots

Rock at Night got to sit down with Luis Cabezas for an in depth interview before the show started. He gave us a short history of he and Kelly’s early meeting in Land O’ Lakes High School, then they both went on to New College and the forming of their first band, No Chef. He discussed the catalyst that precipitated he and Kelly had leaving town and heading out to Los Angeles with nothing more than $700 in their pockets and huge dreams and aspirations of making it big. And how they make it all work right now by continuing to make music, tour, produce and parenting two little “dollytots.”

NoMore

The opening act of this gig was a punk pop band from Gainesville called NoMore. Great songs and energy Rock at Night definitely wants to see more of this band. The Dollyrots mentioned that when they play dates in Florida they always ask this band to open for them. Both bands are participating in “The Fest 2018” in downtown Gainesville, Florida with tons of other bands the last week of October. Not an event to miss if you live in Florida and are a music aficionado!

The Dollyrots took the stage and played a high energy set with all of their hits, “Brand New Key,” “Mermaid,” “Twist Me to the Left,” “Satellite,” and “Because I’m Awesome.” Their merch guy, Jon Smith took the stage to play the bass for Kelly for the latter song and he also did his punk rock rendition of the song “Ice Ice Baby” by Vanilla Ice without missing a lyric.

So if you want to know more about everything Dollyrots, hit that play button and listen to the Rock at Night interview with Luis for some very cool band news and upcoming plans! Tour info for Europe this Fall is HERE.

I’ve been following the band for years and covering their tour dates on both sides of the pond. They decided to do a short tour of the eastern seaboard before hitting Europe this fall. They hit up cities such as Atlanta, GA, Worcester MA, Baltimore, MD and concluded with their last gig at the Attic in Ybor City, Tampa on Friday, August 10th, 2018.

I’ve been following the band for years and covering their tour dates on both sides of the pond. They decided to do a short tour of the eastern seaboard before hitting Europe this fall. They hit up cities such as Atlanta, GA, Worcester MA, Baltimore, MD and concluded with their last gig at the Attic in Ybor City, Tampa on Friday, August 10th, 2018.

Recently Rock At Night covered an evening called Hot Lavain Tampa, which was organized by Jim Chambers of Jim Chambers Music Box. My personal new discoveries for the evening were Sick Hot and Johnny Mile and the Kilometers. I frequent the Carrollwood Playhouse and have often seen the sign for The Music Box not knowing what it was. Well, I finally had the opportunity to speak with Jim Chambers, who has a long history of working in the music entertainment industry but after twist and turns of fate, made his way back to Tampa, Florida (he went to high school here) to open up a music school which not only teaches lessons but assists students in forming bands. In three weeks, the studio will be showcasing its new music venue, SHINE BOX, which will serve not only the students but the local community.

You can listen to the 30-minute interview by clicking the arrow or downloading it via iTunes. Jim Chambers discusses the trials and tribulations of working in the music industry (including record labels) during the last 25 years, how he formed the music school in Tampa, what the studio offers the fledgling student (all ages are welcome), and the new music venue SHINE BOX, which is associated with the school.

Working with diverse artists such as Dave Matthews, TOOL, Matthew Sweet, Outkast, Fishbone, TLC, Usher, Art Garfunkel, Loudon Wainwright III , Maroon 5 among many others, Chambers is proud to have won several Grammy® Awards.

Jim Chambers Music Box is a learning facility based in Carrollwood, Tampa, Florida. We teach all instruments—bass, guitar, singing, and band formation. We’ve been here three years in this location. We teach young persons how to form bands, stay together, make records, and do photo shoots. So, our band formation classes are a bit more robust [than other schools out there]. Band formation is an important component of The Box.

Jim Chambers

What is the age range that you deal with?

Oh, gosh, the student body age ranges between 3 and 70. I have a 70-year old drum student. For the bands, we try to keep [the members] all the same age range and same ability levels. One of our bands is 16 and 17….another we have has ages 12, 13 and 14…

It’s interesting about the 70-year old. So you deal with adults as well? Maybe a person (like a retired person) may want to go back and pick up and instrument?

We have students all day long and often have students that are adults who come on their lunch break.

So the purpose of most of the students is to come here and form a band?

Well, sort of…we were voted “Band Incubator” by Creative Loafing last year so

In Tampa, we started with A Long Way From Kansas, who did quite well. They won Battle of the Bands. Sunday’s Secret was an act—we made a record–and it’s on YouTube. Extra Celestial was an all-female band that did quite well. They were featured on the cover of Creative Loafing. Ink Blot—we made a record together—an EP. Sick Hot–a band I’m working with that gigs out. We are going to make a record with Shawn Kyle, who is a local producer in Tampa–in mid-August, which is a big deal for us. Also, I’m working with Favorite Habit, which is a great act….young…and has really come together as a band. Have a couple others which are unnamed, but really explosive students who are ready to just pop!

Stixx the dog

Do you get the band’s gigs and groom them?

When the bands are formed and they are in the guise of the band formation, you get me as a manager. I do all management responsibilities from social media, grooming, sure…repertoire, photo shoots. Immediately we are talking about original material…writing. Look! How you look on stage, how you perform, how you entertain—all these things are covered.

STIXX!

How did you get here to Tampa?

It’s a long story! He was born in New York and moved quite a bit. I went to high school in Tampa. Back then, I was a full-blown music junkie!

In the interview, Jim Chambers discussed how networking led him to working with record store chains, record merchandisers, and record labels in Atlanta back in the 1990s. He was involved with labels like Sky and Sony/BMG but also was involved yearly with the Vans Warped Tour. After working in everything from tour support to advertising, the music industry changed–and Jim’s career in music took yet another direction. All roads led back to Tampa where he eventually did a Kickstarter Campaign and raised $20K to create the facility.

During the interview, Chambers noted he still does consulting for professional bands. He can Skype or do consulting over the phone, so BANDS, keep this in mind if you need some advice from someone in the industry!

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>By Chyrisse Tabone, Rock At Night Tampa

CLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

Jim Chambers

Recently Rock At Night covered an evening called Hot Lavain Tampa, which was organized by Jim Chambers of Jim Chambers Music Box. My personal new discoveries for the evening were Sick Hot and Johnny Mile and the Kilometers. I frequent the Carrollwood Playhouse and have often seen the sign for The Music Box not knowing what it was. Well, I finally had the opportunity to speak with Jim Chambers, who has a long history of working in the music entertainment industry but after twist and turns of fate, made his way back to Tampa, Florida (he went to high school here) to open up a music school which not only teaches lessons but assists students in forming bands. In three weeks, the studio will be showcasing its new music venue, SHINE BOX, which will serve not only the students but the local community.

You can listen to the 30-minute interview by clicking the arrow or downloading it via iTunes. Jim Chambers discusses the trials and tribulations of working in the music industry (including record labels) during the last 25 years, how he formed the music school in Tampa, what the studio offers the fledgling student (all ages are welcome), and the new music venue SHINE BOX, which is associated with the school.

Working with diverse artists such as Dave Matthews, TOOL, Matthew Sweet, Outkast, Fishbone, TLC, Usher, Art Garfunkel, Loudon Wainwright III , Maroon 5 among many others, Chambers is proud to have won several Grammy® Awards.

Recently Rock At Night covered an evening called Hot Lavain Tampa, which was organized by Jim Chambers of Jim Chambers Music Box. My personal new discoveries for the evening were Sick Hot and Johnny Mile and the Kilometers. I frequent the Carrollwood Playhouse and have often seen the sign for The Music Box not knowing what it was. Well, I finally had the opportunity to speak with Jim Chambers, who has a long history of working in the music entertainment industry but after twist and turns of fate, made his way back to Tampa, Florida (he went to high school here) to open up a music school which not only teaches lessons but assists students in forming bands. In three weeks, the studio will be showcasing its new music venue, SHINE BOX, which will serve not only the students but the local community.

You can listen to the 30-minute interview by clicking the arrow or downloading it via iTunes. Jim Chambers discusses the trials and tribulations of working in the music industry (including record labels) during the last 25 years, how he formed the music school in Tampa, what the studio offers the fledgling student (all ages are welcome), and the new music venue SHINE BOX, which is associated with the school.

Working with diverse artists such as Dave Matthews, TOOL, Matthew Sweet, Outkast, Fishbone, TLC, Usher, Art Garfunkel, Loudon Wainwright III , Maroon 5 among many others, Chambers is proud to have won several Grammy® Awards.

Caleb Henry is a singer/ songwriter and rock guitarist from Southern California whose vibrant personality and impressive guitar skills caught my attention when one of his music posts began to automatically play on my Instagram feed. I knew I had to listen to more and so I went over to his Instagram page where I found a link to his YouTube channel. I liked what I heard and immediately knew that there was something really special about his music. Finding good music is hard but finding an endearing artist behind the talent is even harder. When you listen and watch Caleb Henry play you know that he is very real, and very down to earth. He plays and writes wherever his heart takes him and masterfully crafts his songs with enough sincerity and the right amount of hard driven chords to keep fans enthralled.

Caleb was a rare humble find in the world of social media. A real unpretentious rising star unlike the endless amounts of pretentious unknown “public figure” and bigger than real life profiles on Instagram, not to mention the bands that follow to Unfollow by the end of the day just so that they can look like rock stars when their talent does not support their grandiose amount of followers. Luckily for me, the dreadful Instagram algorithm for once worked it’s magic when it started to introduce me to Caleb Henry’s posts due to our mutual band follows and likes.

Rock at Night had a chance to catch up with Caleb Henry where he talked about his musical style, influences and how he got started in his musical career. Caleb also gave us a rundown of his music gear and even gave us a beautiful unplugged performance of his song “Summer Gives to Fall”. Besides being a solo artist, Caleb also plays in the California punk band DKA whose members also back Caleb to form Caleb Henry and the Customs. Band members include: Ryan Moline on rhythm guitar, Mason Haynie on violin, guitar and back vocals, Kolten James Knaub on drums, Micah Herman on bass and back vocals, and Caleb Henry on lead vocals and guitar. His latest EP is called ‘Lost in the Particulars’ and his latest official music video “Trouble”, shot by Halle Keeth, can be found on YouTube.

Who doesn’t like to find a great new artist with both talent and looks that will blow the roof off of any venue?! With that said, I am honored to introduce to you Caleb Henry, Rock at Night’s spotlight artist. Make sure to support his music by catching his live performances and by supporting his music through social media outlets.

Caleb Henry is a singer/ songwriter and rock guitarist from Southern California whose vibrant personality and impressive guitar skills caught my attention when one of his music posts began to automatically play on my Instagram feed. I knew I had to listen to more and so I went over to his Instagram page where I found a link to his YouTube channel. I liked what I heard and immediately knew that there was something really special about his music. Finding good music is hard but finding an endearing artist behind the talent is even harder. When you listen and watch Caleb Henry play you know that he is very real, and very down to earth. He plays and writes wherever his heart takes him and masterfully crafts his songs with enough sincerity and the right amount of hard driven chords to keep fans enthralled.

Caleb was a rare humble find in the world of social media. A real unpretentious rising star unlike the endless amounts of pretentious unknown “public figure” and bigger than real life profiles on Instagram, not to mention the bands that follow to Unfollow by the end of the day just so that they can look like rock stars when their talent does not support their grandiose amount of followers. Luckily for me, the dreadful Instagram algorithm for once worked it’s magic when it started to introduce me to Caleb Henry’s posts due to our mutual band follows and likes.

Rock at Night had a chance to catch up with Caleb Henry where he talked about his musical style, influences and how he got started in his musical career. Caleb also gave us a rundown of his music gear and even gave us a beautiful unplugged performance of his song “Summer Gives to Fall”. Besides being a solo artist, Caleb also plays in the California punk band DKA whose members also back Caleb to form Caleb Henry and the Customs. Band members include: Ryan Moline on rhythm guitar, Mason Haynie on violin, guitar and back vocals, Kolten James Knaub on drums, Micah Herman on bass and back vocals, and Caleb Henry on lead vocals and guitar. His latest EP is called ‘Lost in the Particulars’ and his latest official music video “Trouble”, shot by Halle Keeth, can be found on YouTube.

Who doesn’t like to find a great new artist with both talent and looks that will blow the roof off of any venue?! With that said, I am honored to introduce to you Caleb Henry, Rock at Night’s spotlight artist. Make sure to support his music by catching his live performances and by supporting his music through social media outlets.

Rock at Night recently got to chat with Kari Kimmel. You might not know her name, but you have heard her voice singing backup for others and you have heard her songs in over 650 TV shows and major motion pictures. The prolific songwriter and the voice you love to hear is coming out with a new album, “Gold and Glitter” that will drop on May 25th, 2018. We discussed the music industry, the creative process and so much more.

Moving from Florida, spending a short time in Nashville and then on to Los Angeles early on in her career was the best move she ever made. And in doing so, she learned the hard way that to succeed with her career, she needed to do things her way, come up with a working formula and be the one to call the shots. Being in control of the songwriting, production and owning the masters was important to her.

“If I was going to fail, it was going to be because of me, and if I was going to succeed, it was going to be because of me — not because someone said I could or couldn’t do something.“

She is well known in the Los Angeles music scene, but not poisoned by her success and now represents over 200 new artists. What is cool about what she does is she can go incognito and still be a wife and mom to two children and have a normal home life, even though she admits that juggling her music and family is challenging. She is definitely a pop princess but happy to be in the background.

Each one of her albums has a theme and the song “Gold and Glitter” is the theme song of this new album; the genre is electronica and pop. Not to be missed if you love feel good music! Be sure to sign up at her site for a free song.

Rock at Night recently got to chat with Kari Kimmel. You might not know her name, but you have heard her voice singing backup for others and you have heard her songs in over 650 TV shows and major motion pictures. The prolific songwriter and the voice you love to hear is coming out with a new album, “Gold and Glitter” that will drop on May 25th, 2018. We discussed the music industry, the creative process and so much more.

Moving from Florida, spending a short time in Nashville and then on to Los Angeles early on in her career was the best move she ever made. And in doing so, she learned the hard way that to succeed with her career, she needed to do things her way, come up with a working formula and be the one to call the shots. Being in control of the songwriting, production and owning the masters was important to her.

“If I was going to fail, it was going to be because of me, and if I was going to succeed, it was going to be because of me — not because someone said I could or couldn’t do something.“

She is well known in the Los Angeles music scene, but not poisoned by her success and now represents over 200 new artists. What is cool about what she does is she can go incognito and still be a wife and mom to two children and have a normal home life, even though she admits that juggling her music and family is challenging. She is definitely a pop princess but happy to be in the background.

Each one of her albums has a theme and the song “Gold and Glitter” ]]>

By Anita Stewart, Journalist-Rock At Night Tampa

CLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

Kari Kimmel-Glitter & Gold

Rock at Night recently got to chat with Kari Kimmel. You might not know her name, but you have heard her voice singing backup for others and you have heard her songs in over 650 TV shows and major motion pictures. The prolific songwriter and the voice you love to hear is coming out with a new album, “Gold and Glitter” that will drop on May 25th, 2018. We discussed the music industry, the creative process and so much more.

Moving from Florida, spending a short time in Nashville and then on to Los Angeles early on in her career was the best move she ever made. And in doing so, she learned the hard way that to succeed with her career, she needed to do things her way, come up with a working formula and be the one to call the shots. Being in control of the songwriting, production and owning the masters was important to her.

“If I was going to fail, it was going to be because of me, and if I was going to succeed, it was going to be because of me — not because someone said I could or couldn’t do something.“

She is well known in the Los Angeles music scene, but not poisoned by her success and now represents over 200 new artists. What is cool about what she does is she can go incognito and still be a wife and mom to two children and have a normal home life, even though she admits that juggling her music and family is challenging. She is definitely a pop princess but happy to be in the background.

Each one of her albums has a theme and the song “Gold and Glitter” ]]>

cleanNonono24:23Anita StewartChatting with London-based music photographer Kevin Nixonhttps://rockatnight.com/podcast/chatting-with-london-based-music-photographer-kevin-nixon/
Tue, 01 May 2018 01:31:26 +0000Chyrissehttps://rockatnight.com/?post_type=podcast&p=38092"Chyrisse Tabone","Classic Rock Magazine","Do you really want to be a rockstar photographer?","Interview with a Photographer","Interview","Kevin Nixon Photography","Kevin Nixon","London Photographer","Pod-Cast","Prog Rock Magazine","Rock At Night Magazine","Rock Star PHotography","Rockstar Photographer","The Truth About Music Photography",Rock At Night,rockatnight.comCLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

Rock At Night (RAN) likes to provide in-depth interviews with musicians but sometimes it is interesting to look at those working behind the scene in the industry. Many of us at Rock At Night are professional photographers who have seen the industry evolve and change through the years—especially after the onset of digital photography.

I recently had the opportunity to speak with a professional photographer in London, Kevin Nixon, who gave a candid and authentic interview about music photography. His perspective is from the London scene; however, in America there are similarities. You can read excerpts (not quite verbatim) of the interview or kick back and listen to the audio podcast in its entirety at your desk. Either way, enjoy an in-depth look at the music photography industry—warts and all!

KEVIN: My main magazines are for a company called Future Publishing. The main ones are Classic Rock magazine, Metal Hammer magazine, and Prog Rock magazine…and various other magazines, however, these three are the main magazines I am working for at the moment.

RAN:How long have you been working in concert photography?

KEVIN: I’ve been a professional photographer for 28 years now. Concert photography—not the whole time, but possibly 15 years, something like that.

RAN:Was photography a hobby that worked into a profession? How did this all evolve?

KEVIN: I used to be an architect in a previous life- many, many, years ago. I went to live in New York in 1987 and came back to the UK in 1991. I couldn’t get back into architecture because it all had gone digital and card. So I thought, naively, that I would get into photography, so I bought a professional camera. I did the self-taught route. I didn’t study and I didn’t assist anyone. I just made it up and that was 27 years ago. So, I got something right (a lot of things wrong)…but I got something right! So, here I am!

KEVIN: Very little. It was just at the cross-over point when I started (when I crossed over to digital).

Kevin Nixon Photography

Working for Music Magazines

It was pure chance I got to shoot for the music magazines

The Darkness-Kevin Nixon Photography

RAN:How did you get into concert photography?

KEVIN: I was working as a studio photographer and I’ve always done editorial work. The magazines I was working for got bought out by another company that actually owned these music titles. And just by being a full-time employee at the publishing company, it was by pure chance that I got to shoot for the music magazines. I was there when the opportunity came up and I embraced it and I rose.

RAN:Back in those days how did people get into venues? Did one need a photo pass?

KEVIN:The magazines would contact the promoters. They would say “we want to get a photographer in there to do a review piece or do a portrait of the band “so I lucky it was the magazine that had lots and lots of contacts that would contact the band or the band’s management. They would say “we have a photographer named Kevin who is going to shoot portraits of the band”—so I was really fortunate! I subsequently made contacts for other purposes, so I could shoot them for myself. So working with magazines makes it so much easier, because they would make the contact and get you permission to get into the gig.

The Evolution of the Field of Photography

Everybody is a photographer now

Nergal-Kevin Nixon Photography

RAN: Through the years there’s been changes in photography. What are some of the changes you have seen in the field of concert photography—from a professional standpoint?

KEVIN: I think the main change is “everybody is a photographer now”. We’ve all got big cameras in the pit and even Smartphones with appropriate lighting will grab a decent shot. Now everybody wants to make a “go at it” and that’s great, the more competition, the better, because everybody has a decent camera now. It has made it easier, but the downside of that is that everybody wants to do it now. There’s a lot more people chasing a lot less work than what there was 10 or 15 years ago.

The Decline of Paid Work

The new currency is Facebook Likes

The Faces-Kevin Nixon Photography

RAN:So that basically has lowered the pay, hasn’t it?

KEVIN: Most of my responses are based on the London scene (so I’m going to make that point). For example, for the magazines I work for, the rate has not changed in 10 years. Now the downside of this is that everybody is prepared to work for free. Now, I’m not a miserable curmudgeon photographer. Now, if you want to shoot a band, and have a “day job” and can do that in the evening, then go for it. I’d like to think that position is a full-time job and my capacity to earn money at music photography is considerably lessened with advent of everybody shooting who are willing to give their pictures for free.

Like I said, I believe that everybody should have a go at it and have the same status in the pit, however, I would like to emphasis that—but that is how I pay my bills. I have to say that about 85 percent of the photographers in London have day jobs and they in the evening and produce fabulous results, but it’s a hobby. It’s a glorified hobby, Again, which is fine. But at the new currency that has developed in recent years is not Euros or dollars or pounds—it’s “Likes”. That’s why people want now and that’s the new currency. Now, I don’t need any more “Likes”—I need money, I need currency or money to pay my bills. I hear it all the time, that people will give established bands photos from their Instagram accounts or their Facebook account. Well, guess what? It’s got 300 likes. So you gave it away. So, what have they achieved by that? They’d achieved absolutely nothing except they can tell their friends that they got 300 likes. SO, the next effect is that by doing that it is utterly devaluing what the rest of us are doing. I understand why they are doing it, but it devalues what we do to make a living.

A Midlands photographer posted on Facebook his monthly statement from one of the agencies (I don’t know which one). He sold pictures for online use for one penny. He gets half of that (that’s half a pence). I don’t think you even have a coin like that over there. Time and time again, I hear from the photographers who are going to the Getty, Rex, and various agencies—and they don’t cover their transport. But…they enjoy shooting. They have their day jobs so they are getting their 50,000 a year to pay their bills but the rest of us, are trying to make a livelihood doing that, it just becomes more and more difficult doing that. It’s a source of frustration, shall we say?

The Decline of Print Magazines

What people are interested in now is immediacy

Wilko Johnson-Kevin Nixon Photography

KEVIN:What people are interested in now is immediacy because magazines are on the decline. There’s less and less each year goes by—magazines are closing down. It’s all about Facebook. It’s all about social media. It’s all about immediacy. So, the net effect is about the dilution of quality. What we don’t see are the pages in the magazine where we can look at quality. It’s now displayed on your phone or your computer, so it can be a little bit blurry. It can be a little bit soft. We don’t really care. It’s online instantly. Whereas, I am more traditional. I will take mine and select them, I will retouch them, and send them to the magazine because they print it for quality. The magazines that I work for still hold that in high esteem. But generally speaking, there’s been a terrible dilution of quality, because if you are not getting paid for it, why would you care about the quality? If you are getting “Likes” for it and it is getting you into the pit to shoot your favorite band, why not?

RAN:What’s funny is over here if you go to a bookstore, you might see Rolling Stone or Alterative Press, but we don’t really have hard-copy, paper magazines here anymore. Most of the magazines here come from the UK. So, it’s even more competitive over here. And, a lot of our newspapers have gone under. Most are going online….

KEVIN: They are online here too but we have a very, very famous music magazine here New Musical Express (NME). They were established for many, many decades and later became a free hand-out at the Tube station.

So, we have magazines. They are getting thinner. They are commissioning less work and using more press shots.

Living the Dream

Dave Grohl-Kevin Nixon

RAN: I notice on the internet there’s a lot of websites that are trying to sell the dream—essentially, you are living the dream, right, by photographing rock stars. In reality, it can’t really be a career, can it? I mean, how many people can tour with the Rolling Stones?

KEVIN:I think about that, again, related to London, there are a handful of us that make their living from music photography. There’s a lot of professional photographers, including myself now…I have to branch out. Still, music represents most of my income and clients but it’s getting less. It’s a downward spiral…I will do anything from architecture to portraits to PR events—and I’ll do weddings. I think that’s what most of the photographers are doing. And the pros (the music pros) are doing more and more Red Carpet stuff now. And the stuff that does make money…it’s the photo of a [famous] person getting out of a taxi…Trash tabloids. That’s what they are looking for.

So Do People Really Tour With a Band?

It tends to be ‘who you know’

Black Stone Cherry-Kevin Nixon

RAN: Have you ever toured with a band? That seems to be the “dream” that is being sold to concert photographers?

KEVIN:On a small scale….and I was paid a reasonable day rate…There’s a group on Facebook called “Concert Photographers of the World” and I just read about doing exactly that, about touring with bands. And essentially the point he was making was they “do it for free.” Evening touring bands—some bands but not all bands—nepotism rules. It tends to be “who you know”. If you are friends with a drummer or somebody in the band, then you’ll get on the tour. There’s a couple of people in Ireland who have been quite successful with that I think a band taking a photographer on tour with a band for three months, that’s kind of on the way out now. Maybe the super high-end bands will, but the regular bands now, they rely on the good will and charity of their fans. That tends to be the phase now.

The Cost of Camera Equipment in the ‘Day of Free’

Upward to £20,000

Michael Monroe-Kevin Nixon Photography

RAN: To stay competitive now, you have to have good camera equipment. That’s pretty expensive!

KEVIN:Yes, it is. I don’t want to get all nerdy and techie but yeah. I just replaced my camera and it was, in dollars, about 7,500 in dollars. That was just for the camera body. You have to have three or four few prime lenses or prime zoom lenses. In my camera bag that I take to a festival, there has to be upward 20,000 pounds, which is like 27,000 dollars just in my camera bag. Then you have all these studio lights, a computer…So you have to acquire a lot of expensive things.

RAN:So, what’s wrong with this picture. To be a concert photographer you have to have thousands of dollars of equipment, you don’t get paid, they don’t pay for travel, and it’s basically a hobby! It’s turning into a hobby!

KEVIN:It’s very, very wrong! And it is a hobby. Most of the people I know in London have a good paying day jobs, so this is their little hobby. They can go out and afford to take a loss. They can buy their expensive cameras but it’s a hobby so they can get those little “Likes” they desire so much. So, they can put it on Facebook, they can put it on Instagram.

So, it’s turning into a narcissistic thing where “I have 50,000 Likes”, which makes me better than the next person. People are working for social media Likes which is pretty pathetic

With websites, it’s a given…OK…you do a good job and it’s fantastic and you spread the word, which is lovely but there simply isn’t any money in websites. I know there’s lots and lots of websites over here and they do take advantage of people’s good will. They have expenses and websites will not pay. So now a precedent has been established, it’s going to be impossible for any of us to go back…

So Who is Making the Money?

I think bands make their money on merchandise and touring

Andy Biersack-Kevin Nixon

RAN:SO, who is making the money? Is it the label? Is it the band? The manager?

KEVIN:I think touring is the way to go now. Even when you go in you are given a CD…CDs are so cheap to produce. I think bands make their money on merchandise and touring. A band can sell a t-shirt for $40, $45, or $50 that probably cost them $3 or $5 to make in a sweat shop in China. So that’s where the money is. So touring…there’s money to be made in that.

All bands need photography—some bands more than others. Some things got lost along the way with photography having an intrinsic monetary value. Why would you pay me X-100 pounds to shoot a gig when there’s 50 people behind me with good cameras and a good eye…why would they pay me when they can get 50 people for free?

Like I said before….with good lighting…it’s not rocket science what we do. If you have an eye and you know how the camera works—you get the shots. [In the pit] there are about 10, 15, 30 people and we’re all getting the same shots. And in any one gig you might shoot three songs, 50 songs, or you might shoot 500 songs . So in any gig you might come out with several thousand pictures of the band. There’s so many in circulation so how can I say my picture is worth, let’s say, $300, when there’s a 1000 more, that people are going to give away.

RAN:What is even worse is that even mediocre pictures can be made to look better in Lightroom.

With basic knowledge of Lightroom, yeah, you can do that. We get our chance, sometimes two songs, sometimes one [in the dark] and then you have the first two rows in the auditorium, all with iPhones, all with good quality point and shoot cameras, and then the light come up. My job is to make a rock star look like a rock star. It’s not to embarrass them. It’s not to make them look [like] crap. It’s to make them look stunning. Powerful. Energetic. Dynamic. That’s what the magazine wants. They don’t want a picture of Ozzy Osbourne falling over. They want a picture of Ozzy Osbourne [looking good] and that’s what I give them.

My job is to make a rock star look like a rock star

A lot of the rules come from management. This three-song rule—there’s all sorts of stories about where it started. I don’t know. All I know is it’s always been in play since I started doing this. And occasionally, Alice Cooper, God bless his heart, he’ll give us four songs…sometimes the show. And a couple of other artists do work with us. Some artists give us one song from the mixing board area. There’s artists that only give 30 seconds of one song—and then you get thrown out. So we’re the people that make them look good. They don’t understand that.

CONTRACTS, Contracts, contracts….

We all understand the ‘rights grab’

Al Di Meola-Kevin Nixon Photography

RAN:Plus, we sign contracts too!

KEVIN: Absolutely!

RAN: And sometimes we don’t even own our own artistic work.

KEVIN: Same here, same here. We all understand the “rights grab” where essentially, they own our photographs forever and they can do what they choose with them! And, people sign it!

There was a case where Megadeath. They have the most ridiculous contract in place. It was laughable. and I said, “No, let’s not sign this.” And everybody to my face agreed not to sign it. The minute my back was turned, off they were doing it. Sadly to say they shot Megadeath.

I think a lot of pros would say “no, screw that.” It’s basically the “hobbyists”—and I don’t mean to say that in a patronizing way [but they will sign it]. They aren’t professionals. Why would they care whether I can pay my bills? And I understand that. I completely get that. Like you said, if they are there to do their bucket list, they are going to do it.

Equipment Info for All the Geeks in the House

Nikon has the edge over Canon in low light

RAN:What equipment do you favor? Are you a Nikon person or a Canon person?

KEVIN:Do you want me to be a technical geek for 40 seconds?

RAN: Yeah! We talked about the dark side! Let’s talk technical…

I use Nikon. For two reasons—I have always used Nikon (since I was 13 years old) and I still think Nikon has the edge over Canon in low light. That’s it.

Maybe the next variation of the Canon cameras will take over Nikon in low light. I think currently with the D4 and D5, that’s the champion of low lights—and most of the things I do have very little lighting.

Shooting wise, I tend to use three lenses–prime zooms, 12-24mm, 24-70mm, and 70-200 mm. For special effects, a fisheye

Who Are the Nice People in the Industry?

His people stopped the shoot after like 20 seconds

Blackberry Smoke-Kevin Nixon Photography

RAN:I have another question that I don’t know if you can answer? Who were the nicest people and who were the dicks?

KEVIN: It’s a rubbish answer because everybody I have met has been lovely.

I think if you are going to a shoot, you treat them with respect. You treat them courteously. Most musicians have been shot 1000 times. They want to get in and out. I tend to work very quickly. The sooner you can get it they will love you more! The sooner you say, “Alright, that’s it” they are very happy.

I had a shoot with Gene Simmons and I was probably half an hour with him in the studio. I got my background set up and lights. In walked Gene with his handlers. When it came time for me to shoot, his people stopped the shoot after like 20 seconds. I got about 12 frames in which five were usable. So I got it. That was a tricky one.

I shot Rob Zombie and his people had a stopwatch. This was in a studio. I had 120 seconds. So, there wasn’t time for small talk.

That’s the nature of these people—it’s quick in and out.

People are generally very nice. I never met people who were in ass. I mean, some of the Young Guns….I shot a portrait of them and they were very drunk. Hey! Rock and roll!

A lot of the bands with Prog Rock are grateful just to get coverage. I hate name-dropping, but we’re talking about the subject, but perhaps the nicest chap I have worked with—I did a portrait—was Billy Idol. This was a couple of years ago. He had been doing PR all day…all day….and it was my turn at 4 o’clock. I met him on Kings Road in London…and traffic was busy. And I said, “Billy, you must be so incredibly [upset]” and he said, “The only time I’ll be upset is when they stop asking me to do this.” He was courteous. He was polite. He was top drawer.

RAN:In closing, do you have any thoughts about the future of photography?

KEVIN:I think two to three years’ time there will be a gradual merging of the video and the stills—two disciplines, if you like. I think the quality of cameras is going to be increased to such an extent that you’ll be able to take snippets of video, and you’ll be able to stop it at any point, and get an image. You can do that now [with good enough resolution for web use] but [in the future] you can probably get a still that you can print.

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

Rock At Night (RAN) likes to provide in-depth interviews with musicians but sometimes it is interesting to look at those working behind the scene in the industry. Many of us at Rock At Night are professional photographers who have seen the industry evolve and change through the years—especially after the onset of digital photography.

I recently had the opportunity to speak with a professional photographer in London, Kevin Nixon, who gave a candid and authentic interview about music photography. His perspective is from the London scene; however, in America there are similarities. You can read excerpts (not quite verbatim) of the interview or kick back and listen to the audio podcast in its entirety at your desk. Either way, enjoy an in-depth look at the music photography industry—warts and all!

KEVIN: My main magazines are for a company called Future Publishing. The main ones are Classic Rock magazine, Metal Hammer magazine, and Prog Rock magazine…and various other magazines, however, these three are the main magazines I am working for at the moment.

RAN:How long have you been working in concert photography?

KEVIN: I’ve been a professional photographer for 28 years now. Concert photography—not the whole time,]]>

Rock At Night (RAN) likes to provide in-depth interviews with musicians but sometimes it is interesting to look at those working behind the scene in the industry. Many of us at Rock At Night are professional photographers who have seen the industry evolve and change through the years—especially after the onset of digital photography.

I recently had the opportunity to speak with a professional photographer in London, Kevin Nixon, who gave a candid and authentic interview about music photography. His perspective is from the London scene; however, in America there are similarities. You can read excerpts (not quite verbatim) of the interview or kick back and listen to the audio podcast in its entirety at your desk. Either way, enjoy an in-depth look at the music photography industry—warts and all!

KEVIN: My main magazines are for a company called Future Publishing. The main ones are Classic Rock magazine, Metal Hammer magazine, and Prog Rock magazine…and various other magazines, however, these three are the main magazines I am working for at the moment.

RAN:How long have you been working in concert photography?

KEVIN: I’ve been a professional photographer for 28 years now. Concert photography—not the whole time,]]>

Alex Zayas hails from Barcelona, Spain and tours worldwide and has played with some of the greats. While here on a winter vacation this impromptu gig was planned and a welcomed surprise to his local fans. This writer has seen Alex perform at planned events and the fact that he can play equally as well while on vacation is a testament to his wonderful talent.

Being the “after party for ”Pigz in Zhills,” an annual happening in this small community, some fans arrived early, ready to have a good time; some even chanting, “where’s the band?” People of varying ages trickled in all night as Alex played a total of four sets. He was accompanied by his drummer, Jamie Riekens (aka Dr. Boom) and bassist, Chuck Riley. This was their first time playing together. As evidenced by the cheering, singing and dancing of the crowd, the trio worked their magic and blew everyone away! The sets varied, focusing on Alex’s own unique style, combining classic blues and rock. Listening to Alex took everyone on an amazing journey of upbeat, electric, funk rock all the way to smooth, mellow blues.

Alex Zayas

Alex masterfully navigates through each song and set, leaving the listener excitedly wondering what they will hear next. Will he deliver speedy licks or dial up a fat, mellow tone? We also heard wonderful stories from Alex about the time he opened for the legendary B.B. King. The stories had the crowd roaring with laughter. This writer’s favorite part of the show was when Alex played “The Sky Is Crying” by Elmore James.

Though a native born Floridian, Texas Blues highly resonate with this writer, due in part to the rich history that creates this style. Alex’s outstanding guitar playing, terrific voice and charismatic presence make him a master at playing the Blues for a whole new generation of younger music lovers. Check out his three studio recordings HERE.

Rock at Night got to sit down with Alex Zayas to talk about the music, the scene in Barcelona, touring, some of his favorite venues and what he desires for the future

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>

By Anita Stewart and Lisa Geores/Journalists,- Rock At Night Tampa

Photos by Lisa Geores

CLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

Alex Zayas

Alex Zayas hails from Barcelona, Spain and tours worldwide and has played with some of the greats. While here on a winter vacation this impromptu gig was planned and a welcomed surprise to his local fans. This writer has seen Alex perform at planned events and the fact that he can play equally as well while on vacation is a testament to his wonderful talent.

Being the “after party for ”Pigz in Zhills,” an annual happening in this small community, some fans arrived early, ready to have a good time; some even chanting, “where’s the band?” People of varying ages trickled in all night as Alex played a total of four sets. He was accompanied by his drummer, Jamie Riekens (aka Dr. Boom) and bassist, Chuck Riley. This was their first time playing together. As evidenced by the cheering, singing and dancing of the crowd, the trio worked their magic and blew everyone away! The sets varied, focusing on Alex’s own unique style, combining classic blues and rock. Listening to Alex took everyone on an amazing journey of upbeat, electric, funk rock all the way to smooth, mellow blues.

By Anita Stewart and Lisa Geores/Journalists,- Rock At Night Tampa

Photos by Lisa Geores

CLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

Alex Zayas

Alex Zayas hails from Barcelona, Spain and tours worldwide and has played with some of the greats. While here on a winter vacation this impromptu gig was planned and a welcomed surprise to his local fans. This writer has seen Alex perform at planned events and the fact that he can play equally as well while on vacation is a testament to his wonderful talent.

Being the “after party for ”Pigz in Zhills,” an annual happening in this small community, some fans arrived early, ready to have a good time; some even chanting, “where’s the band?” People of varying ages trickled in all night as Alex played a total of four sets. He was accompanied by his drummer, Jamie Riekens (aka Dr. Boom) and bassist, Chuck Riley. This was their first time playing together. As evidenced by the cheering, singing and dancing of the crowd, the trio worked their magic and blew everyone away! The sets varied, focusing on Alex’s own unique style, combining classic blues and rock. Listening to Alex took everyone on an amazing journey of upbeat, electric, funk rock all the way to smooth, mellow blues.

Rock At Night had the pleasure of speaking with guitarist/vocalist Tom Leighton of rock band Bad Flowers. The trio Bad Flowers is also comprised of bassist, Dale Tonks, and drummer, Karl Selickis. On Friday, February 16, 2017, the band will release its debut studio album Starting Gun, which is a follow-up to their 2016 self-titled EP. Starting Gun was recorded at Vigo Studios, near the band’s hometown of Cannock. The band chose this studio because they wanted to make a record that sounded like their roots and had the chance to work with long-time friend of the band and producer Adam Beddow, who has recently helped produce Diamond Head’s most current work.

The band will play an exclusive album launch show at the Birmingham Asylum 2 on Saturday 17th February2018 – playing all the songs from the new album plus more surprises. To dovetail the release of the debut album, The BadFlowerswill be special guests on Stone Broken’snationwide 12 date UK tour that starts on Thursday 22nd February at The Haunt Brighton. The tour also includes an appearance at Planet Rock’s Winters End Festival.

Tom Leighton

During the interview, Tom Leighton discussed the origin of the band’s name “Bad Flowers”, noting it was from the lyrics of a song that was written in a prior band. He discusses the history of the band, which was formed just outside of Birmingham, UK, four years ago. When asked to describe the genre of music in the band’s recent album, Leighton replied, “We just play what we feel. It’s a harder rock. We kind of experimented with the new album”.

The acoustic ballad “I Hope” was discussed and when asked if the band does any covers, Leighton replied, “We used to cover ‘Voodoo Child'”. Other songs on the albums were discussed, including “Hurricane”, which he says is a “heavier song” and “Rich Man” which has “strong beats” and is “foot-tappin’.” Leighton’s favorite song on the album is “”Let’s Misbehave” and describes a Bad Flowers’ live performance as “classic rock and LOUD!”

Tom Leighton noted his and the band’s influences are Led Zeppelin, Black Sabbath, and the American band Rose Hill Drive. Music is “in my blood”, he said, since his father played music. Leighton also noted he still uses his “prized guitar” to this day. He knew he wanted to be a musician after listening to the cassette Monsters of Rock as a teenager. He thought to himself, “This is what I want to do!” He still owns and listens to vinyl albums and noted the new album will have approximately 250 red vinyl albums released.

Regarding equipment the band uses, he indicated the band favors Orange amps and pretty standard effects pedals like overdrive, Wah, and an octave pedal.

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>CLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

By Chyrisse Tabone, Rock At Night Tampa

Bad Flowers

Rock At Night had the pleasure of speaking with guitarist/vocalist Tom Leighton of rock band Bad Flowers. The trio Bad Flowers is also comprised of bassist, Dale Tonks, and drummer, Karl Selickis. On Friday, February 16, 2017, the band will release its debut studio album Starting Gun, which is a follow-up to their 2016 self-titled EP. Starting Gun was recorded at Vigo Studios, near the band’s hometown of Cannock. The band chose this studio because they wanted to make a record that sounded like their roots and had the chance to work with long-time friend of the band and producer Adam Beddow, who has recently helped produce Diamond Head’s most current work.

The band will play an exclusive album launch show at the Birmingham Asylum 2 on Saturday 17th February2018 – playing all the songs from the new album plus more surprises. To dovetail the release of the debut album, The BadFlowerswill be special guests on Stone Broken’snationwide 12 date UK tour that starts on Thursday 22nd February at

CLICK THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

By Chyrisse Tabone, Rock At Night Tampa

Bad Flowers

Rock At Night had the pleasure of speaking with guitarist/vocalist Tom Leighton of rock band Bad Flowers. The trio Bad Flowers is also comprised of bassist, Dale Tonks, and drummer, Karl Selickis. On Friday, February 16, 2017, the band will release its debut studio album Starting Gun, which is a follow-up to their 2016 self-titled EP. Starting Gun was recorded at Vigo Studios, near the band’s hometown of Cannock. The band chose this studio because they wanted to make a record that sounded like their roots and had the chance to work with long-time friend of the band and producer Adam Beddow, who has recently helped produce Diamond Head’s most current work.

The band will play an exclusive album launch show at the Birmingham Asylum 2 on Saturday 17th February2018 – playing all the songs from the new album plus more surprises. To dovetail the release of the debut album, The BadFlowerswill be special guests on Stone Broken’snationwide 12 date UK tour that starts on Thursday 22nd February at

Rock At Night had the pleasure of speaking with Jet Baker (lead vocals/piano) of the UK ska band Buster Shuffle. Although labeled as a “ska” band they really cannot be pigeon-holed as their 4th album I’ll Take What I Want has eclectic influences. I absolutely love the album which has songs that sound like Madness (“I don’t trust a word you say”) with its thick Cockney accent, honky tonk piano, and vocal harmonies. The song “See You Next Week” has a definite Small Faces tinge (think, “Lazy Sunday”) and “I’ll be in Peckham” creates a wonderful carnival atmosphere with mandolins and accordions into a Parisian feel. Some songs have tubas, others sound reggae, and even like a bouncy polka (“Banana Thief”) but all are fun Fun FUN!! Fans of Gogol Bordello or even ska bands like The Toasters will appreciate the album.

And to Rock At Night readers/listeners in North America, Buster Shuffle will be heading your way in late-Spring! They will be performing at the Punk Rock Bowling Festival in Las Vegas but Baker noted in the interview the band will be heading up and down the East Coast–and even Florida (it’s hard to contain my excitement hearing this).

In the interview, Jet Baker discusses the stories behind various songs in I‘ll Take What I Want, the upcoming North American tour, and the ska genre.

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>To listen to the interview please click the link above

By Chyrisse Tabone, Rock At Night Tampa Correspondent

Rock At Night had the pleasure of speaking with Jet Baker (lead vocals/piano) of the UK ska band Buster Shuffle. Although labeled as a “ska” band they really cannot be pigeon-holed as their 4th album I’ll Take What I Want has eclectic influences. I absolutely love the album which has songs that sound like Madness (“I don’t trust a word you say”) with its thick Cockney accent, honky tonk piano, and vocal harmonies. The song “See You Next Week” has a definite Small Faces tinge (think, “Lazy Sunday”) and “I’ll be in Peckham” creates a wonderful carnival atmosphere with mandolins and accordions into a Parisian feel. Some songs have tubas, others sound reggae, and even like a bouncy polka (“Banana Thief”) but all are fun Fun FUN!! Fans of Gogol Bordello or even ska bands like The Toasters will appreciate the album.

And to Rock At Night readers/listeners in North America, Buster Shuffle will be heading your way in late-Spring! They will be performing at the Punk Rock Bowling Festival in Las Vegas but Baker noted in the interview the band will be heading up and down the East Coast–and even Florida (it’s hard to contain my excitement hearing this).

In the interview, Jet Baker discusses the stories behind various songs in I‘ll Take What I Want, the upcoming North American tour, and the ska genre.

Rock At Night had the pleasure of speaking with Jet Baker (lead vocals/piano) of the UK ska band Buster Shuffle. Although labeled as a “ska” band they really cannot be pigeon-holed as their 4th album I’ll Take What I Want has eclectic influences. I absolutely love the album which has songs that sound like Madness (“I don’t trust a word you say”) with its thick Cockney accent, honky tonk piano, and vocal harmonies. The song “See You Next Week” has a definite Small Faces tinge (think, “Lazy Sunday”) and “I’ll be in Peckham” creates a wonderful carnival atmosphere with mandolins and accordions into a Parisian feel. Some songs have tubas, others sound reggae, and even like a bouncy polka (“Banana Thief”) but all are fun Fun FUN!! Fans of Gogol Bordello or even ska bands like The Toasters will appreciate the album.

And to Rock At Night readers/listeners in North America, Buster Shuffle will be heading your way in late-Spring! They will be performing at the Punk Rock Bowling Festival in Las Vegas but Baker noted in the interview the band will be heading up and down the East Coast–and even Florida (it’s hard to contain my excitement hearing this).

In the interview, Jet Baker discusses the stories behind various songs in I‘ll Take What I Want, the upcoming North American tour, and the ska genre.

Pacific Radio is a band to keep in mind and on the radar of up and coming super bands to have in your music collection of greats. The band which is full of fun and dynamic songs is based out of L.A. California.

They have created impressive momentum throughout the West Coast music scene with their infectious and addictive songs. The band consists of Joe Robinson (vocals), Joe Stiteler (bass), Kyle Biane (guitar), and Hyke Shirinian (drums)

Their first full length debut album called “Pretty, but Killing Me” is due to be released on December 8th just in time to spread holiday riot cheer. I promise, the catchy chorus of their songs will be on rewind over, and over, and over, in your head all day.

“Pretty, but Killing Me” is a well produced album by Grammy nominated producer Eric Weaver. All the songs on the album are tight and full of creative prowess. The songs are anthems of bad love and good love without the cheesiness of love ballads but with the reality that “hey, life goes on lets grab some beers, move on and have some fun”. Pacific Radio is a must have in your music collection and as a music writer, they stole my heart.

In the interview, Joe Robinson talks about their new full length album Pretty, but Killing Me, and the origins of the song “Kitchen Table”. He also spoke about what it was like to be amongst the impressive list of bands at the Bottlerock concert in Napa Valley, California and many more fun facts about what makes this band so talented and unforgettable.

Videos

Pacific Radio is a band to keep in mind and on the radar of up and coming super bands to have in your music collection of greats. The band which is full of fun and dynamic songs is based out of L.A. California.

They have created impressive momentum throughout the West Coast music scene with their infectious and addictive songs. The band consists of Joe Robinson (vocals), Joe Stiteler (bass), Kyle Biane (guitar), and Hyke Shirinian (drums)

Their first full length debut album called “Pretty, but Killing Me” is due to be released on December 8th just in time to spread holiday riot cheer. I promise, the catchy chorus of their songs will be on rewind over, and over, and over, in your head all day.

“Pretty, but Killing Me” is a well produced album by Grammy nominated producer Eric Weaver. All the songs on the album are tight and full of creative prowess. The songs are anthems of bad love and good love without the cheesiness of love ballads but with the reality that “hey, life goes on lets grab some beers, move on and have some fun”. Pacific Radio is a must have in your music collection and as a music writer, they stole my heart.

In the interview, Joe Robinson talks about their new full length album Pretty, but Killing Me, and the origins of the song “Kitchen Table”. He also spoke about what it was like to be amongst the impressive list of bands at the Bottlerock concert in Napa Valley, California and many more fun facts about what makes this band so talented and unforgettable.

Videos

Pacific Radio is a band to keep in mind and on the radar of up and coming super bands to have in your music collection of greats. The band which is full of fun and dynamic songs is based out of L.A. California.

They have created impressive momentum throughout the West Coast music scene with their infectious and addictive songs. The band consists of Joe Robinson (vocals), Joe Stiteler (bass), Kyle Biane (guitar), and Hyke Shirinian (drums)

Their first full length debut album called “Pretty, but Killing Me” is due to be released on December 8th just in time to spread holiday riot cheer. I promise, the catchy chorus of their songs will be on rewind over, and over, and over, in your head all day.

“Pretty, but Killing Me” is a well produced album by Grammy nominated producer Eric Weaver. All the songs on the album are tight and full of creative prowess. The songs are anthems of bad love and good love without the cheesiness of love ballads but with the reality that “hey, life goes on lets grab some beers, move on and have some fun”. Pacific Radio is a must have in your music collection and as a music writer, they stole my heart.

In the interview, Joe Robinson talks about their new full length album Pretty, but Killing Me, and the origins of the song “Kitchen Table”. He also spoke about what it was like to be amongst the impressive list of bands at the Bottlerock concert in Napa Valley, California and many more fun facts about what makes this band so talented and unforgettable.

Madame Mayhem is a Rock At Night favorite whom we have been covering for a couple of years or so. We were able to catch up with May of Madame Mayhem at the O2 Islington, London, prior to the concert as support for Fozzy. They are touring Europe in support of their new release “Ready for Me” which was released on October 20, 2017 in the US under the HeadBall Records label and in the UK under the Metalville label. London correspondent Simon Shoulder covered the London gig and you can read about his experience below:

During the interview with the lovely Madame Mayhem, the sound recorder’s winking red light was desperately trying to tell me something. Something it thought was important….Even as the sound recorder continued in the futile attempts to communicate with it human (me), I was sharing a sweltering hot production office somewhere deep within the concrete bowels of the back stage area of the O2 in Islington with the lovely Madam Mayhem herself. We had a really interesting chat about her musical influences, working with rock legends, and the band’s pre-gig ritual before heading on stage. This, dear reader, is not the interview you’re about to listen to. That’s because the red light on the sound recorder was winking because I’d somehow managed to press “pause” as I put it down and only managed to record a whole 3 seconds of action before the interview began.

Indeed the interview you’re about to listen to only exists because Madame Mayhem is a) happy to share a laugh about my ineptitude ( and embarrassment) and b) is a true professional who’s happy to do a second take despite it getting close to show time. I hope you enjoy the interview as much as I enjoyed Madame Mayhem’s energy-filled set!

Photo Gallery

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

]]>Please click on the arrow above to listen to audio interview

By Simon Shoulders, Rock At Night London Correspondent

Venue: O2 Islington, London-November 2, 2017

Madame Mayhem is a Rock At Night favorite whom we have been covering for a couple of years or so. We were able to catch up with May of Madame Mayhem at the O2 Islington, London, prior to the concert as support for Fozzy. They are touring Europe in support of their new release “Ready for Me” which was released on October 20, 2017 in the US under the HeadBall Records label and in the UK under the Metalville label. London correspondent Simon Shoulder covered the London gig and you can read about his experience below:

During the interview with the lovely Madame Mayhem, the sound recorder’s winking red light was desperately trying to tell me something. Something it thought was important….Even as the sound recorder continued in the futile attempts to communicate with it human (me), I was sharing a sweltering hot production office somewhere deep within the concrete bowels of the back stage area of the O2 in Islington with the lovely Madam Mayhem herself. We had a really interesting chat about her musical influences, working with rock legends, and the band’s pre-gig ritual before heading on stage. This, dear reader, is not the interview you’re about to listen to. That’s because the red light on the sound recorder was winking because I’d somehow managed to press “pause” as I put it down and only managed to record a whole 3 seconds of action before the interview began.

Indeed the interview you’re about to listen to only exists because Madame Mayhem is a) happy to share a laugh about my ineptitude ( and embarrassment) and b) is a true professional who’s happy to do a second take despite it getting close to show time. I hope you enjoy the interview as mu]]>

Please click on the arrow above to listen to audio interview

By Simon Shoulders, Rock At Night London Correspondent

Venue: O2 Islington, London-November 2, 2017

Madame Mayhem is a Rock At Night favorite whom we have been covering for a couple of years or so. We were able to catch up with May of Madame Mayhem at the O2 Islington, London, prior to the concert as support for Fozzy. They are touring Europe in support of their new release “Ready for Me” which was released on October 20, 2017 in the US under the HeadBall Records label and in the UK under the Metalville label. London correspondent Simon Shoulder covered the London gig and you can read about his experience below:

During the interview with the lovely Madame Mayhem, the sound recorder’s winking red light was desperately trying to tell me something. Something it thought was important….Even as the sound recorder continued in the futile attempts to communicate with it human (me), I was sharing a sweltering hot production office somewhere deep within the concrete bowels of the back stage area of the O2 in Islington with the lovely Madam Mayhem herself. We had a really interesting chat about her musical influences, working with rock legends, and the band’s pre-gig ritual before heading on stage. This, dear reader, is not the interview you’re about to listen to. That’s because the red light on the sound recorder was winking because I’d somehow managed to press “pause” as I put it down and only managed to record a whole 3 seconds of action before the interview began.

Indeed the interview you’re about to listen to only exists because Madame Mayhem is a) happy to share a laugh about my ineptitude ( and embarrassment) and b) is a true professional who’s happy to do a second take despite it getting close to show time. I hope you enjoy the interview as mu]]>

Rock At Night had the pleasure of talking with Doug Aldrich of The Dead Daisies. Aldrich is humble and soft spoken, as much of a student of the guitar as he is the teacher. Many influences have shaped and molded his musical journey that began when he was eleven. His axes of choice during his Atlanta gig included a Gibson Les Paul and ESP guitars respectively. The guitar is what speaks for Aldrich and his playing is a masterpiece of rock and roll beauty. Bravo.

Video

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>To listen to the interview please click the link above

By Steven Neff, Rock At Night Orlando Correspondent

Rock At Night had the pleasure of talking with Doug Aldrich of The Dead Daisies. Aldrich is humble and soft spoken, as much of a student of the guitar as he is the teacher. Many influences have shaped and molded his musical journey that began when he was eleven. His axes of choice during his Atlanta gig included a Gibson Les Paul and ESP guitars respectively. The guitar is what speaks for Aldrich and his playing is a masterpiece of rock and roll beauty. Bravo.

Video

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>To listen to the interview please click the link above

By Steven Neff, Rock At Night Orlando Correspondent

Rock At Night had the pleasure of talking with Doug Aldrich of The Dead Daisies. Aldrich is humble and soft spoken, as much of a student of the guitar as he is the teacher. Many influences have shaped and molded his musical journey that began when he was eleven. His axes of choice during his Atlanta gig included a Gibson Les Paul and ESP guitars respectively. The guitar is what speaks for Aldrich and his playing is a masterpiece of rock and roll beauty. Bravo.

In 2008, a young talented singer by the name of Danny Noriega made his television debut on the 7th season of American Idol. Today, this prolific performer has transformed into a well versed entertainer who now goes by the drag name of Adore Delano. Adore, who was also a finalist on the 6th season of Drag Race hosted by infamous drag queen RuPaul, now has a brand new heavy metal album called Whatever which is scheduled to be released on August 21st. This is Delano’s third studio album and the new single “Negative Nancy” is very infectious.

Adore Delano took the time to talk to Rock at Night to promote her brand new metal album. Adore spoke about her musical influences and how 90’s metal and punk music were her first musical interests. Adore also spoke about her plans to tour in support her new project and having no fear on how the new metal album will be received by the metal community. Most importantly she gave young fans inspiring advice on how to handle today’s tumultuous political landscape.

Adore Delano’s crazy fun and “I don’t care what you think” personality is definitely contagious and no doubt she is a good role model when it comes to being comfortable in one’s own skin. Her persona brings forth a positive light in today’s state of American current affairs.

Adore’s single for “Negative Nancy” is out now and her album, “Whatever”, releases on August 21.

Socials:

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>To listen to the interview please click the link above

By Andrea Ramirez-Maciolek, Rock At Night Philadelphia Correspondent

In 2008, a young talented singer by the name of Danny Noriega made his television debut on the 7th season of American Idol. Today, this prolific performer has transformed into a well versed entertainer who now goes by the drag name of Adore Delano. Adore, who was also a finalist on the 6th season of Drag Race hosted by infamous drag queen RuPaul, now has a brand new heavy metal album called Whatever which is scheduled to be released on August 21st. This is Delano’s third studio album and the new single “Negative Nancy” is very infectious.

Adore Delano took the time to talk to Rock at Night to promote her brand new metal album. Adore spoke about her musical influences and how 90’s metal and punk music were her first musical interests. Adore also spoke about her plans to tour in support her new project and having no fear on how the new metal album will be received by the metal community. Most importantly she gave young fans inspiring advice on how to handle today’s tumultuous political landscape.

Adore Delano’s crazy fun and “I don’t care what you think” personality is definitely contagious and no doubt she is a good role model when it comes to being comfortable in one’s own skin. Her persona brings forth a positive light in today’s state of American current affairs.

Adore’s single for “Negative Nancy” is out now and her album, “Whatever”, releases on August 21.

Socials:]]>

To listen to the interview please click the link above

By Andrea Ramirez-Maciolek, Rock At Night Philadelphia Correspondent

In 2008, a young talented singer by the name of Danny Noriega made his television debut on the 7th season of American Idol. Today, this prolific performer has transformed into a well versed entertainer who now goes by the drag name of Adore Delano. Adore, who was also a finalist on the 6th season of Drag Race hosted by infamous drag queen RuPaul, now has a brand new heavy metal album called Whatever which is scheduled to be released on August 21st. This is Delano’s third studio album and the new single “Negative Nancy” is very infectious.

Adore Delano took the time to talk to Rock at Night to promote her brand new metal album. Adore spoke about her musical influences and how 90’s metal and punk music were her first musical interests. Adore also spoke about her plans to tour in support her new project and having no fear on how the new metal album will be received by the metal community. Most importantly she gave young fans inspiring advice on how to handle today’s tumultuous political landscape.

Adore Delano’s crazy fun and “I don’t care what you think” personality is definitely contagious and no doubt she is a good role model when it comes to being comfortable in one’s own skin. Her persona brings forth a positive light in today’s state of American current affairs.

Adore’s single for “Negative Nancy” is out now and her album, “Whatever”, releases on August 21.

Rock At Night is always on the prowl for new bands and the latest to cross our desk is Killset, an indie band out of California. The music genre cannot be pigeon-holed but the best description is hip-hop influenced metal and alternative rock. The band likes to call their music “chaotic melodic”, based on their high-energy lives shows and variety of musical influences. Their second CD STFU was released on July 7, 2017 and Rock At Night highly recommends giving it a listen. Killset is one of those bands that has a lot of potential and I’d love to see them in next year’s Warped Tour line-up. You can read an excerpt of Rock At Night’s interview with lead singer Chris Luca as well as listen to the audio of the entire interview in this article and on Rock At Night’s iTunes podcast Channel.

Video

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>CLICK ON THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

By Chyrisse Tabone, Rock At Night Tampa Correspondent

Rock At Night is always on the prowl for new bands and the latest to cross our desk is Killset, an indie band out of California. The music genre cannot be pigeon-holed but the best description is hip-hop influenced metal and alternative rock. The band likes to call their music “chaotic melodic”, based on their high-energy lives shows and variety of musical influences. Their second CD STFU was released on July 7, 2017 and Rock At Night highly recommends giving it a listen. Killset is one of those bands that has a lot of potential and I’d love to see them in next year’s Warped Tour line-up. You can read an excerpt of Rock At Night’s interview with lead singer Chris Luca as well as listen to the audio of the entire interview in this article and on Rock At Night’s iTunes podcast Channel.

Video

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>CLICK ON THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

By Chyrisse Tabone, Rock At Night Tampa Correspondent

Rock At Night is always on the prowl for new bands and the latest to cross our desk is Killset, an indie band out of California. The music genre cannot be pigeon-holed but the best description is hip-hop influenced metal and alternative rock. The band likes to call their music “chaotic melodic”, based on their high-energy lives shows and variety of musical influences. Their second CD STFU was released on July 7, 2017 and Rock At Night highly recommends giving it a listen. Killset is one of those bands that has a lot of potential and I’d love to see them in next year’s Warped Tour line-up. You can read an excerpt of Rock At Night’s interview with lead singer Chris Luca as well as listen to the audio of the entire interview in this article and on Rock At Night’s iTunes podcast Channel.

Rock At Night had the pleasure of speaking with Isis Queen and Pyn Doll of Barb Wire Dolls, one rocking PUNK band from Crete, Greece.

In the interview, Barb Wire Dolls discuss how they started the band; their experience on the Vans Warped Tour; their favorite charity MusiCares; Lemmy Kilmister and Motorhead Music; surfing and skating; and advice to young musicians starting out.

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>CLICK ON THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

By Aaron Bellamy, Journalist- Rock At Night Tampa Correspondent

Venue: The Vinoy, St. Petersburg, Florida–Warped Tour 2017-Anti-Flag

Rock At Night had the pleasure of speaking with Isis Queen and Pyn Doll of Barb Wire Dolls, one rocking PUNK band from Crete, Greece.

In the interview, Barb Wire Dolls discuss how they started the band; their experience on the Vans Warped Tour; their favorite charity MusiCares; Lemmy Kilmister and Motorhead Music; surfing and skating; and advice to young musicians starting out.

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>CLICK ON THE ARROW ABOVE TO LISTEN TO THE AUDIO INTERVIEW

By Aaron Bellamy, Journalist- Rock At Night Tampa Correspondent

Venue: The Vinoy, St. Petersburg, Florida–Warped Tour 2017-Anti-Flag

Rock At Night had the pleasure of speaking with Isis Queen and Pyn Doll of Barb Wire Dolls, one rocking PUNK band from Crete, Greece.

In the interview, Barb Wire Dolls discuss how they started the band; their experience on the Vans Warped Tour; their favorite charity MusiCares; Lemmy Kilmister and Motorhead Music; surfing and skating; and advice to young musicians starting out.

Rock At Night had the pleasure of speaking with Pat Thetic of veteran American punk rock group Anti-flag. Anti-flag put on one heck’ of a show during their set at The Vinoy and was definitely a crowd favorite!

In the interview, Pat Thetic of Anti-flag discusses the band’s upcoming album; the current political climate; punk rock’s evolution through the years; the band’s favorite charity, Amnesty International, and gives advice to young up & coming musicians.

Photo Gallery

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

Rock At Night had the pleasure of speaking with Pat Thetic of veteran American punk rock group Anti-flag. Anti-flag put on one heck’ of a show during their set at The Vinoy and was definitely a crowd favorite!

In the interview, Pat Thetic of Anti-flag discusses the band’s upcoming album; the current political climate; punk rock’s evolution through the years; the band’s favorite charity, Amnesty International, and gives advice to young up & coming musicians.

Rock At Night had the pleasure of speaking with self-described “New New Wave” band The Fantastic Plastics, which is comprised of Miranda Plastic and Tyson Plastic. The dynamite duo uses electro elements (Moog synth, Theremin), electric guitar, and vocals to create a unique brand of Sci-Fi inspired music with a punch.

In the interview, The Fantastic Plastics spoke about their musical influences (Devo, B52s), experience at Vans Warped Festival, non-profit causes, and give advice to young musicians starting out in the business.

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

Rock At Night had the pleasure of speaking with self-described “New New Wave” band The Fantastic Plastics, which is comprised of Miranda Plastic and Tyson Plastic. The dynamite duo uses electro elements (Moog synth, Theremin), electric guitar, and vocals to create a unique brand of Sci-Fi inspired music with a punch.

In the interview, The Fantastic Plastics spoke about their musical influences (Devo, B52s), experience at Vans Warped Festival, non-profit causes, and give advice to young musicians starting out in the business.

Rock At Night had the pleasure of speaking with dynamic French Art Rockers The Dukes, which was formed in 2010 by Lead Vocalist/Guitarist Francois “Shanka” Maigret – who has been a part of notable French Rockers No One Is Innocent. He is partnered with Drummer/Programmer/Vocalist Greg Jacks from the multi-platinum pop rock band Superbus, which won an MTV award, and 2 French Grammy nominations (winning in 2007 for Best Rock Album).

The band has 2 previous releases: 2010’s “Resilient Lovers” EP and 2011’s “Victory” LP (both recorded by Magnus Lindberg from Cult of Luna). Their first American full length album is “Smoke Against The Beat” (produced by Jamie Candiloro – REM, Ryan Adams) which will be released by Concrete Entertainment on July 28th, 2017. The LP defines the band’s sleazy, sexy, driving sound and has established them as a successful touring act in Europe, both as headliners and as an opening act for international bands on arena tours.

The band recently signed a worldwide management agreement with Bob Chiappardi and Erik Baker of Concrete Entertainment, the sister company of legendary Concrete Marketing. They are currently recording more new material to follow up “Smoke Against The Best” with #1 rock producer Kato Khandwala (Papa Roach, Paramore, The Pretty Reckless) who coined their style as “future rock”. The new material is being recorded at the legendary Sphere Studios in Los Angeles. A Pledge music campaign to finance the new recordings and upcoming tour is set to launch in Mid-June 2017.

Rock At Night had the pleasure of speaking with dynamic French Art Rockers The Dukes, which was formed in 2010 by Lead Vocalist/Guitarist Francois “Shanka” Maigret – who has been a part of notable French Rockers No One Is Innocent. He is partnered with Drummer/Programmer/Vocalist Greg Jacks from the multi-platinum pop rock band Superbus, which won an MTV award, and 2 French Grammy nominations (winning in 2007 for Best Rock Album).

The band has 2 previous releases: 2010’s “Resilient Lovers” EP and 2011’s “Victory” LP (both recorded by Magnus Lindberg from Cult of Luna). Their first American full length album is “Smoke Against The Beat” (produced by Jamie Candiloro – REM, Ryan Adams) which will be released by Concrete Entertainment on July 28th, 2017. The LP defines the band’s sleazy, sexy, driving sound and has established them as a successful touring act in Europe, both as headliners and as an opening act for international bands on arena tours.

The band recently signed a worldwide management agreement with Bob Chiappardi and Erik Baker of Concrete Entertainment, the sister company of legendary Concrete Marketing. They are currently recording more new material to follow up “Smoke Against The Best” with #1 rock producer Kato Khandwala (Papa Roach, Paramore, The Pretty Reckless) who coined their style as “future rock”. The new material is being recorded at the legendary Sphere Studios in Los Angeles. A Pledge music campaign to finance the new recordings and upcoming tour is set to launch in Mid-June 2017.

Rock At Night had the pleasure of speaking with dynamic French Art Rockers The Dukes, which was formed in 2010 by Lead Vocalist/Guitarist Francois “Shanka” Maigret – who has been a part of notable French Rockers No One Is Innocent. He is partnered with Drummer/Programmer/Vocalist Greg Jacks from the multi-platinum pop rock band Superbus, which won an MTV award, and 2 French Grammy nominations (winning in 2007 for Best Rock Album).

The band has 2 previous releases: 2010’s “Resilient Lovers” EP and 2011’s “Victory” LP (both recorded by Magnus Lindberg from Cult of Luna). Their first American full length album is “Smoke Against The Beat” (produced by Jamie Candiloro – REM, Ryan Adams) which will be released by Concrete Entertainment on July 28th, 2017. The LP defines the band’s sleazy, sexy, driving sound and has established them as a successful touring act in Europe, both as headliners and as an opening act for international bands on arena tours.

The band recently signed a worldwide management agreement with Bob Chiappardi and Erik Baker of Concrete Entertainment, the sister company of legendary Concrete Marketing. They are currently recording more new material to follow up “Smoke Against The Best” with #1 rock producer Kato Khandwala (Papa Roach, Paramore, The Pretty Reckless) who coined their style as “future rock”. The new material is being recorded at the legendary Sphere Studios in Los Angeles. A Pledge music campaign to finance the new recordings and upcoming tour is set to launch in Mid-June 2017.

Introvertigo has been out for a little while and Dan’s been on the road rather a lot recently supporting greats such as 15-time Grammy Award nominee, Joe Satriani, and being a special guest on award winning blues-rock band, King King’s UK tour, but with the single “Sonova Faith” released on April 10th, he’s now on his own headline tour including five dates in the UK during May. Rock at Night met Dan at the end of a marathon press-day promoting his tour and were his 24th and final interview of the day! We talked about the concept behind the album’s striking cover art which unearthed Dan’s deep love for the “slow blues” of Pink Floyd. Then went on from there to discuss the broad palette of musical influences evident in Dan’s genre-straddling brand of blues-rock, and amongst other things, what it’s like to tour with Everlast.

Celebrated South African guitarist and vocalist DanPatlansky released his highly anticipated new single “Sonnova Faith” on Monday 10th April which coincided with his upcoming April / May UK tour with special guest Lincolnshire-based singer-songwriter Ash Wilson.

The first time was in 2014 with his previous studio album Dear Silence Thieves which featured the rock radio singles Backbite and Fetch Your Spade. This marks Dan’s first UK tour since he supported King King in 2016, and Joe Satriani’s 2015 Shockwave UK/European tour.

Introvertigo has been out for a little while and Dan’s been on the road rather a lot recently supporting greats such as 15-time Grammy Award nominee, Joe Satriani, and being a special guest on award winning blues-rock band, King King’s UK tour, but with the single “Sonova Faith” released on April 10th, he’s now on his own headline tour including five dates in the UK during May. Rock at Night met Dan at the end of a marathon press-day promoting his tour and were his 24th and final interview of the day! We talked about the concept behind the album’s striking cover art which unearthed Dan’s deep love for the “slow blues” of Pink Floyd. Then went on from there to discuss the broad palette of musical influences evident in Dan’s genre-straddling brand of blues-rock, and amongst other things, what it’s like to tour with Everlast.

Celebrated South African guitarist and vocalist DanPatlansky released his highly anticipated new single “Sonnova Faith” on Monday 10th April which coincided with his upcoming April / May UK tour with special guest Lincolnshire-based singer-songwriter Ash Wilson.

The first time was in 2014 with his previous studio album Dear Silence Thieves which featured the rock radio singles Backbite and Fetch Your Spade. This marks Dan’s first UK tour since he supported King King in 2016, and Joe Satriani’s 2015 Shockwave UK/European tour.

Please click on the arrow above to listen to audio interview

By Simon Shoulders, Rock At Night London Correspondent

Introvertigo has been out for a little while and Dan’s been on the road rather a lot recently supporting greats such as 15-time Grammy Award nominee, Joe Satriani, and being a special guest on award winning blues-rock band, King King’s UK tour, but with the single “Sonova Faith” released on April 10th, he’s now on his own headline tour including five dates in the UK during May. Rock at Night met Dan at the end of a marathon press-day promoting his tour and were his 24th and final interview of the day! We talked about the concept behind the album’s striking cover art which unearthed Dan’s deep love for the “slow blues” of Pink Floyd. Then went on from there to discuss the broad palette of musical influences evident in Dan’s genre-straddling brand of blues-rock, and amongst other things, what it’s like to tour with Everlast.

Celebrated South African guitarist and vocalist DanPatlansky released his highly anticipated new single “Sonnova Faith” on Monday 10th April which coincided with his upcoming April / May UK tour with special guest Lincolnshire-based singer-songwriter Ash Wilson.

The first time was in 2014 with his previous studio album Dear Silence Thieves which featured the rock radio singles Backbite and Fetch Your Spade. This marks Dan’s first UK tour since he supported King King in 2016, and Joe Satriani’s 2015 Shockwave UK/European tour.

cleanNonono19:33Simon Shoulders

Chatting with Pegi Young About Life, Love and “Raw,” her latest albumhttps://rockatnight.com/podcast/chatting-with-pegi-young-about-life-love-and-raw-her-latest-album/
Sat, 08 Apr 2017 01:10:23 +0000Anita Stewarthttps://rockatnight.com/?post_type=podcast&p=25804"Anita Stewart","Blues","Interview","Pegi Young","Raw",rock,Rock At Night,rockatnight.comPlease click on the arrow above to listen to audio interview

By Anita Stewart, Tampa Correspondent for Rock at Night and Yes She Rocks

After 36 years of marriage with Neil Young and a very public divorce, Pegi Young’s experiences of love lost and then a resurrection of her own life is a perfect example of triumph in the face of adversity. Her latest album “Raw” tells her story.

Pegi Young spoke with Rock at Night and we chatted at length about this latest album, her fifth one. On this album, she bares her soul. Her and her band co-wrote some of the songs and then threw some covers into the mix; great break-up tunes with sing along hooks that are familiar to most music aficionados of a certain age. For example, the last two songs are two of this writer’s favorites: “These Boots are Made for Walkin’” by Nancy Sinatra and “The Heart of the Matter” by Don Henley (Eagles). Stand out tunes on the album are “Trying to Live My Life Without You” and “Too Little too Late.”

Pegi stated that the songs on “Raw” follow a natural progression and that they tell a story from beginning to end. She has lived the rock and roll stories and tells us the tales through her music. From singing backup with Neil’s band, her involvement with Farm Aid, creating her own music, taking care of her children (and now a new grandchild) and her philanthropic work, Pegi is one of those women that never quits and is driven to give back to her community.

Seeing a lack of adequate and thorough education for differently-abled children when they went in search of alternative education for their own handicapped son, Neil and Pegi founded the Bridge School in 1986. The Bridge School focuses on children with severe physical and speech impairments. Neil and Pegi have dedicated themselves to this cause and the Bridge School Benefit Concert is a huge annual event that they organize and other renowned artists are eager to take part in.

A true renaissance woman and one we can all aspire to, Rock at Night is waiting for even more music from this artist!

Video

SoundCloud

By Anita Stewart, Tampa Correspondent for Rock at Night and Yes She Rocks

After 36 years of marriage with Neil Young and a very public divorce, Pegi Young’s experiences of love lost and then a resurrection of her own life is a perfect example of triumph in the face of adversity. Her latest album “Raw” tells her story.

Pegi Young spoke with Rock at Night and we chatted at length about this latest album, her fifth one. On this album, she bares her soul. Her and her band co-wrote some of the songs and then threw some covers into the mix; great break-up tunes with sing along hooks that are familiar to most music aficionados of a certain age. For example, the last two songs are two of this writer’s favorites: “These Boots are Made for Walkin’” by Nancy Sinatra and “The Heart of the Matter” by Don Henley (Eagles). Stand out tunes on the album are “Trying to Live My Life Without You” and “Too Little too Late.”

Pegi stated that the songs on “Raw” follow a natural progression and that they tell a story from beginning to end. She has lived the rock and roll stories and tells us the tales through her music. From singing backup with Neil’s band, her involvement with Farm Aid, creating her own music, taking care of her children (and now a new grandchild) and her philanthropic work, Pegi is one of those women that never quits and is driven to give back to her community.

Seeing a lack of adequate and thorough education for differently-abled children when they went in search of alternative education for their own handicapped son, Neil and Pegi founded the Bridge School in 1986. The Bridge School focuses on children with severe physical and speech impairments. Neil and Pegi have dedicated the]]>

Please click on the arrow above to listen to audio interview

By Anita Stewart, Tampa Correspondent for Rock at Night and Yes She Rocks

After 36 years of marriage with Neil Young and a very public divorce, Pegi Young’s experiences of love lost and then a resurrection of her own life is a perfect example of triumph in the face of adversity. Her latest album “Raw” tells her story.

Pegi Young spoke with Rock at Night and we chatted at length about this latest album, her fifth one. On this album, she bares her soul. Her and her band co-wrote some of the songs and then threw some covers into the mix; great break-up tunes with sing along hooks that are familiar to most music aficionados of a certain age. For example, the last two songs are two of this writer’s favorites: “These Boots are Made for Walkin’” by Nancy Sinatra and “The Heart of the Matter” by Don Henley (Eagles). Stand out tunes on the album are “Trying to Live My Life Without You” and “Too Little too Late.”

Pegi stated that the songs on “Raw” follow a natural progression and that they tell a story from beginning to end. She has lived the rock and roll stories and tells us the tales through her music. From singing backup with Neil’s band, her involvement with Farm Aid, creating her own music, taking care of her children (and now a new grandchild) and her philanthropic work, Pegi is one of those women that never quits and is driven to give back to her community.

Seeing a lack of adequate and thorough education for differently-abled children when they went in search of alternative education for their own handicapped son, Neil and Pegi founded the Bridge School in 1986. The Bridge School focuses on children with severe physical and speech impairments. Neil and Pegi have dedicated the]]>

cleanNonono34:38Anita StewartChatting with Missy Gilbert of Ginger and the Ghosthttps://rockatnight.com/podcast/chatting-with-missy-gilbert-of-ginger-and-the-ghost/
Wed, 29 Mar 2017 02:31:23 +0000Deb Kloedenhttps://rockatnight.com/?post_type=podcast&p=25605"Australia","Deb Kloeden","Ginger and the Ghost","Glow","Interview","podcast","Tasmania",Rock At Night,rockatnight.comClick the link above to listen to the audio interview

By Deb Kloeden, Rock At Night Adelaide, Australia Correspondent

Missy Gilbert and Daniel Bourne are Sydney’s Avant-garde band, Ginger And The Ghost. Their new single ‘Glow’ has just been released along with a very dramatic, captivating video, which was co-directed by the band and noted director Polly Snowden (Mamakin, Tinpan Orange).

Ginger And The Ghost created quite an impact when they toured in North America in 2013. They are now set to hit the EU circuit in June, including Turkey. They will be performing at The Nest Creative Space, Sydney, on Friday 21st April, 2017.

Missy Gilbert and Daniel Bourne are Sydney’s Avant-garde band, Ginger And The Ghost. Their new single ‘Glow’ has just been released along with a very dramatic, captivating video, which was co-directed by the band and noted director Polly Snowden (Mamakin, Tinpan Orange).

Ginger And The Ghost created quite an impact when they toured in North America in 2013. They are now set to hit the EU circuit in June, including Turkey. They will be performing at The Nest Creative Space, Sydney, on Friday 21st April, 2017.

Missy Gilbert and Daniel Bourne are Sydney’s Avant-garde band, Ginger And The Ghost. Their new single ‘Glow’ has just been released along with a very dramatic, captivating video, which was co-directed by the band and noted director Polly Snowden (Mamakin, Tinpan Orange).

Ginger And The Ghost created quite an impact when they toured in North America in 2013. They are now set to hit the EU circuit in June, including Turkey. They will be performing at The Nest Creative Space, Sydney, on Friday 21st April, 2017.

Sharing some time with the guitarist, singer, and songwriter Ladell McLin near Colmar at Woodstock Guitars February 4th.

I had the chance to meet LADELL McLIN, this amazing blues guitar player but above all a born blues lover. His style is a mixture between Stevie Ray Vaughan, Buddy Guy, Jimi Hendrix and Lenny Kravitz. The interview took place in the great Woodstock Guitars shop and Ladell McLin even took a Martin guitar and played something for me.

It’s on the South Side of Chicago, where he was born that he first began to play drums with his brother. His father and brother were already accompanying legends like Muddy Waters, Willie Dixon and later Buddy Guy and Junior Wells. LADELL McLIN began to play with a guitar left at home and this is how he discovered his own way to express the blues. He learned a lot on stage playing with Koko Taylor band, Johnny Guitar Watson band or even Buddy Guy himself. He appeared on many recordings before releasing his own albums. When he moved to New York, he toured the world as the James Blood Ulmer guitarist. He began his solo career in 2005 with the release of his first album Stand Out, acclaimed by many international publications. Since then, he delighted the European public but he also performed in Canada or Africa. In 2009, the French film director Michel Viotte asked Ladell Mclin to be the focus of a documentary on the influence of the blues in American culture “Sur la route du blues” (on the Road to the Blues). He also participated to the Montreux Jazz Festival in 2011 where he played with big blues names such as BB KING, Robert Randolph, John McLauglin, Santana, Susan Tedeschi, Dereck Trucks. If you didn’t hear about Ladell McLin until today, you will discover a wonderful musician but also a great human being.

Sharing some time with the guitarist, singer, and songwriter Ladell McLin near Colmar at Woodstock Guitars February 4th.

I had the chance to meet LADELL McLIN, this amazing blues guitar player but above all a born blues lover. His style is a mixture between Stevie Ray Vaughan, Buddy Guy, Jimi Hendrix and Lenny Kravitz. The interview took place in the great Woodstock Guitars shop and Ladell McLin even took a Martin guitar and played something for me.

It’s on the South Side of Chicago, where he was born that he first began to play drums with his brother. His father and brother were already accompanying legends like Muddy Waters, Willie Dixon and later Buddy Guy and Junior Wells. LADELL McLIN began to play with a guitar left at home and this is how he discovered his own way to express the blues. He learned a lot on stage playing with Koko Taylor band, Johnny Guitar Watson band or even Buddy Guy himself. He appeared on many recordings before releasing his own albums. When he moved to New York, he toured the world as the James Blood Ulmer guitarist. He began his solo career in 2005 with the release of his first album Stand Out, acclaimed by many international publications. Since then, he delighted the European public but he also performed in Canada or Africa. In 2009, the French film director Michel Viotte asked Ladell Mclin to be the focus of a documentary on the influence of the blues in American culture “Sur la route du blues” (on the Road to the Blues). He also participated to the Montreux Jazz Festival in 2011 where he played with big blues names such as BB KING, Robert Randolph, John McLauglin, Santana, Susan Tedeschi, Dereck Trucks. If you didn’t hear about Ladell McLin until today, you will discover a wonderful musician but also a great human being.

Sharing some time with the guitarist, singer, and songwriter Ladell McLin near Colmar at Woodstock Guitars February 4th.

I had the chance to meet LADELL McLIN, this amazing blues guitar player but above all a born blues lover. His style is a mixture between Stevie Ray Vaughan, Buddy Guy, Jimi Hendrix and Lenny Kravitz. The interview took place in the great Woodstock Guitars shop and Ladell McLin even took a Martin guitar and played something for me.

It’s on the South Side of Chicago, where he was born that he first began to play drums with his brother. His father and brother were already accompanying legends like Muddy Waters, Willie Dixon and later Buddy Guy and Junior Wells. LADELL McLIN began to play with a guitar left at home and this is how he discovered his own way to express the blues. He learned a lot on stage playing with Koko Taylor band, Johnny Guitar Watson band or even Buddy Guy himself. He appeared on many recordings before releasing his own albums. When he moved to New York, he toured the world as the James Blood Ulmer guitarist. He began his solo career in 2005 with the release of his first album Stand Out, acclaimed by many international publications. Since then, he delighted the European public but he also performed in Canada or Africa. In 2009, the French film director Michel Viotte asked Ladell Mclin to be the focus of a documentary on the influence of the blues in American culture “Sur la route du blues” (on the Road to the Blues). He also participated to the Montreux Jazz Festival in 2011 where he played with big blues names such as BB KING, Robert Randolph, John McLauglin, Santana, Susan Tedeschi, Dereck Trucks. If you didn’t hear about Ladell McLin until today, you will discover a wonderful musician but also a great human being.

Rock at Night had the honor of interviewing girl power band the Glam Skanks. Currently on tour supporting Adam Ant’s Kings Of The Wild Frontier Tour, their journey began this week in Washington, DC as they opened for Ant on the first night of his North American tour. The lovely ladies from California are Ali Cat on vocals, Veronica on guitar, Millie on bass, and the newest member of the band Cassie on drums whose addition solidifies the Glam Skanks as an all-girl band.

Like a bottle of champagne with a big pop of personality followed by sparkling awesomeness, the Glam Skanks spoke to Rock at night about their kick off tour with Adam Ant and their time in Washington DC during what perhaps is the biggest and most historical women’s march of our generation. What better band to have such an experience in DC then the Glam Skanks who are all for female empowerment. Do not let their glitter infused, girly girl looks fool you, these ladies are ready to kick some rock and roll ass and show the world that women can rock twice as hard as men, and trust me they do. The Glam Skanks discuss their awesome fashion sense, where and when they purchase their stage outfits and makeup, their musical backgrounds, and what bands influenced them the most. Myself being a girl from Jersey, I had to find out how they became part of Kevin Smith’s movie Yoga Hosers, which by the way, the ladies gave two thumbs up each, which translates in Glam Skanks language to 99% on the sparkly, glitter tomato rating.

Their latest album, Glitter City, is raucous and in your face gleaming with attitude and power. The Glam Skanks evoke the greatness of 70’s era glam bands and they do it with sinful poetic justice, just listen to their lyrics. If you love Joan Jett and the New York Dolls, the Glam Skanks will steal your heart away and add glitter to your soul.

**The interview was taped on January 24, 2017 prior to the tragic passing of Tom Edwards, guitarist and musical director of Adam Ant’s band. Subsequent gigs in Philadelphia and New York City were canceled.

Glam Skanks, Credit:Suzanne Allison

Tour

Remaining

Tuesday, February 7, San Francisco, CA, The Fillmore, SOLD OUT

Thursday, February 9, Los Angeles, CA, The Fonda Theatre, SOLD OUT

Friday, February 10, Las Vegas, NV, Brooklyn Bowl

Saturday, February 11, Tucson, AZ, The Rialto Theatre

Tuesday, February 14, Dallas, TX, The Majestic Theatre

Wednesday, February 15, San Antonio, TX, The Empire Theatre, SOLD OUT

Friday, February 17, Santa Ana, CA, The Observatory, SOLD OUT

Saturday, February 18, San Diego, CA, The Observatory North Park, SOLD OUT

Rock at Night had the honor of interviewing girl power band the Glam Skanks. Currently on tour supporting Adam Ant’s Kings Of The Wild Frontier Tour, their journey began this week in Washington, DC as they opened for Ant on the first night of his North American tour. The lovely ladies from California are Ali Cat on vocals, Veronica on guitar, Millie on bass, and the newest member of the band Cassie on drums whose addition solidifies the Glam Skanks as an all-girl band.

Like a bottle of champagne with a big pop of personality followed by sparkling awesomeness, the Glam Skanks spoke to Rock at night about their kick off tour with Adam Ant and their time in Washington DC during what perhaps is the biggest and most historical women’s march of our generation. What better band to have such an experience in DC then the Glam Skanks who are all for female empowerment. Do not let their glitter infused, girly girl looks fool you, these ladies are ready to kick some rock and roll ass and show the world that women can rock twice as hard as men, and trust me they do. The Glam Skanks discuss their awesome fashion sense, where and when they purchase their stage outfits and makeup, their musical backgrounds, and what bands influenced them the most. Myself being a girl from Jersey, I had to find out how they became part of Kevin Smith’s movie Yoga Hosers, which by the way, the ladies gave two thumbs up each, which translates in Glam Skanks language to 99% on the sparkly, glitter tomato rating.

Their latest album, Glitter City, is raucous and in your face gleaming with attitude and power. The Glam Skanks evoke the greatness of 70’s era glam bands and they do it with sinful poetic justice, just listen to their lyrics. If you love Joan Jett and the New York Dolls, the Glam Skanks will steal your heart away and add glitter to your soul.

Rock at Night had the honor of interviewing girl power band the Glam Skanks. Currently on tour supporting Adam Ant’s Kings Of The Wild Frontier Tour, their journey began this week in Washington, DC as they opened for Ant on the first night of his North American tour. The lovely ladies from California are Ali Cat on vocals, Veronica on guitar, Millie on bass, and the newest member of the band Cassie on drums whose addition solidifies the Glam Skanks as an all-girl band.

Like a bottle of champagne with a big pop of personality followed by sparkling awesomeness, the Glam Skanks spoke to Rock at night about their kick off tour with Adam Ant and their time in Washington DC during what perhaps is the biggest and most historical women’s march of our generation. What better band to have such an experience in DC then the Glam Skanks who are all for female empowerment. Do not let their glitter infused, girly girl looks fool you, these ladies are ready to kick some rock and roll ass and show the world that women can rock twice as hard as men, and trust me they do. The Glam Skanks discuss their awesome fashion sense, where and when they purchase their stage outfits and makeup, their musical backgrounds, and what bands influenced them the most. Myself being a girl from Jersey, I had to find out how they became part of Kevin Smith’s movie Yoga Hosers, which by the way, the ladies gave two thumbs up each, which translates in Glam Skanks language to 99% on the sparkly, glitter tomato rating.

Their latest album, Glitter City, is raucous and in your face gleaming with attitude and power. The Glam Skanks evoke the greatness of 70’s era glam bands and they do it with sinful poetic justice, just listen to their lyrics. If you love Joan Jett and the New York Dolls, the Glam Skanks will steal your heart away and add glitter to your soul.

Videos

Special thanks go to Publicist extraordinaire Dustin Hardman and Tour Manager Sami Hauri for making our Leaves’ Eyes concert coverage a memorable one. Thank you gentlemen for being those rock stars in the shadows.

Thanks also go to Leaves’ Eyes for not only bringing a great concert experience to Orlando, but enabling us to take it to your fans through the medium that is Rock At Night Magazine.

Rock At Night had the pleasure of talking with Leaves’ Eyes mastermind and metal warrior Alexander Krull before he took the stage at the House Of Blues Orlando last Friday night. Alexander talked to us about the band’s new life with frontwoman Elina Siirala, the new EP Fires in the North, next year’s North American tour with Sabaton, and an upcoming new album.

Alexander’s stage presence is formidable, particularly during his death growl vocals which back frontwoman Elina Siirala. However, in our conversation with Krull, his demeanor and personality was laid back and warm. He enjoys what he does and that comes out in our interview with him.

I’ve wanted to cover this band for a while and the combination of the interview with Alexander Krull and the epic concert provided by Leaves’ Eyes had me walking away a bigger fan than when I first came.

Our special thanks go to Alexander Krull for taking time out to speak with us. We look forward to your next metal conquest in North America.

Videos

Special thanks go to Publicist extraordinaire Dustin Hardman and Tour Manager Sami Hauri for making our Leaves’ Eyes concert coverage a memorable one. Thank you gentlemen for being those rock stars in the shadows.

Thanks also go to Leaves’ Eyes for not only bringing a great concert experience to Orlando, but enabling us to take it to your fans through the medium t]]>

To listen to the interview please click the link above

By Steven Neff, Rock At Night Orlando Correspondent

Rock At Night had the pleasure of talking with Leaves’ Eyes mastermind and metal warrior Alexander Krull before he took the stage at the House Of Blues Orlando last Friday night. Alexander talked to us about the band’s new life with frontwoman Elina Siirala, the new EP Fires in the North, next year’s North American tour with Sabaton, and an upcoming new album.

Alexander’s stage presence is formidable, particularly during his death growl vocals which back frontwoman Elina Siirala. However, in our conversation with Krull, his demeanor and personality was laid back and warm. He enjoys what he does and that comes out in our interview with him.

I’ve wanted to cover this band for a while and the combination of the interview with Alexander Krull and the epic concert provided by Leaves’ Eyes had me walking away a bigger fan than when I first came.

Our special thanks go to Alexander Krull for taking time out to speak with us. We look forward to your next metal conquest in North America.

Videos

Special thanks go to Publicist extraordinaire Dustin Hardman and Tour Manager Sami Hauri for making our Leaves’ Eyes concert coverage a memorable one. Thank you gentlemen for being those rock stars in the shadows.

Thanks also go to Leaves’ Eyes for not only bringing a great concert experience to Orlando, but enabling us to take it to your fans through the medium t]]>

Greek melodic Power metal masters FIREWIND have announced the release of their long awaited new album Immortals next January 20th, 2017 via the band’s longtime label partner Century Media Records in Europe & AFM Records in North America. The first band recording in four years, the band works for the first time ever with co-producer Dennis Ward and brings Henning Basse to the fold as the new singer.

Rock at Night had the pleasure of speaking with Firewind’s mastermind Gus G about the lyrical theme behind “Immortals”, how the experience of working with Dennis and Henning influenced the recording, what the band’s fanbase could expect from the new album, what is in store in terms of future touring in the United States, what music impacts Gus not only as a guitar player but as a musicians overall, what are the chances for him to record a purely instrumental album and what is going on with the heavy metal scene in Greek.

Greek melodic Power metal masters FIREWIND have announced the release of their long awaited new album Immortals next January 20th, 2017 via the band’s longtime label partner Century Media Records in Europe & AFM Records in North America. The first band recording in four years, the band works for the first time ever with co-producer Dennis Ward and brings Henning Basse to the fold as the new singer.

Rock at Night had the pleasure of speaking with Firewind’s mastermind Gus G about the lyrical theme behind “Immortals”, how the experience of working with Dennis and Henning influenced the recording, what the band’s fanbase could expect from the new album, what is in store in terms of future touring in the United States, what music impacts Gus not only as a guitar player but as a musicians overall, what are the chances for him to record a purely instrumental album and what is going on with the heavy metal scene in Greek.

Greek melodic Power metal masters FIREWIND have announced the release of their long awaited new album Immortals next January 20th, 2017 via the band’s longtime label partner Century Media Records in Europe & AFM Records in North America. The first band recording in four years, the band works for the first time ever with co-producer Dennis Ward and brings Henning Basse to the fold as the new singer.

Rock at Night had the pleasure of speaking with Firewind’s mastermind Gus G about the lyrical theme behind “Immortals”, how the experience of working with Dennis and Henning influenced the recording, what the band’s fanbase could expect from the new album, what is in store in terms of future touring in the United States, what music impacts Gus not only as a guitar player but as a musicians overall, what are the chances for him to record a purely instrumental album and what is going on with the heavy metal scene in Greek.

Symphonic metal goddess Simone Simons has been Epica’s frontwoman since their debut to the world in 2003. Her stunning vocal range is well known and her ability as a lyricist runs deep, which continues in the new Epica studio effort entitled The Holographic Principle.

Simone took time to talk with Rock At Night just prior to her meet and greet with fans at the historic State Theater in St. Petersburg, Florida. Simone discussed the concept of the new album, the expansion of her pipes, and the impressive guitar work contained within the new album. This metal songstress was articulate and just genuinely a kind human being. Not only did she give us a memorable interview, but she was kind enough to give us an “on the spot” photo shoot.

Thank you Simone for what was to be a Memorable Monday for this writer.

Symphonic metal goddess Simone Simons has been Epica’s frontwoman since their debut to the world in 2003. Her stunning vocal range is well known and her ability as a lyricist runs deep, which continues in the new Epica studio effort entitled The Holographic Principle.

Simone took time to talk with Rock At Night just prior to her meet and greet with fans at the historic State Theater in St. Petersburg, Florida. Simone discussed the concept of the new album, the expansion of her pipes, and the impressive guitar work contained within the new album. This metal songstress was articulate and just genuinely a kind human being. Not only did she give us a memorable interview, but she was kind enough to give us an “on the spot” photo shoot.

Thank you Simone for what was to be a Memorable Monday for this writer.

Bad Touch’s new forthcoming album “Truth Be Told” – will be released by Bad Touch Records on Friday, December 2nd. Rock At Night was fortunate to land a pre-release copy for review and you can read about it HERE. Really , the CD or album will appeal to all that love the classic Southern rock sound. The sound engineering is top notch, and no wonder, the engineer/co-producer is Chris Kimsey (Sticky Fingers, Some Girls, Steel Wheels, Emotional Rescue).

Rock At Night recently spoke with Stevie Westwood, songwriter and vocals, about the five-piece band Bad Touch and their new album Truth Be Told. The band, which was formed in 2009, is definitely influenced by Lynyrd Skynyrd, Black Crowes, and the Kentucky Headhunters, whom Westwood said “we got to know them quite well and they have influenced us.”

Westwood noted, “We released our first album last year…..We like to go out and play before we spent money for recording an album. We ‘re real excited about this one. It feels more mature.”

Bad Touch’s sound evolved organically as the members jammed and brought other influences to the table, like Led Zeppelin. The Led Zeppelin sound is really prevalent in the song on the album “Waiting For This”, which features Jimmy Page power chords and what I like to call a “good and nasty” sound.

Another song that intrigued me is “The Mountain” since it has an environmentalist message. Westwood said, “I wanted to show something that is not just rock, drinking, and women.” About the new single “99%”, which is really rocking with a cute message, he noted “It is feel good rock. I’m not a brooding, moody person. I am a happy-go-lucky chap.“

Rock At Night mentioned the songs on the new album deal with the theme of relationships, and “One More Night” (one of my favorites on the album) exemplifies this. Westwood described the meaning of the song saying, “It’s about being thankful for a time….looking back. Trying to maintain optimism and think about the good times… It’s about questioning….”

When asked what his favorite songs are on the album, Westwood noted, “ I really like ‘Take Your Time’ and ‘One More Night’…I do love them, I am really chuffed with all of them.”

During the interview, Westwood described his dedication to the band and all the sacrifices one makes to “make it big.” Like a lot of musicians nowadays, he has a day job, but describes the feeling of being on stage, “I have had 100 people singing the songs I wrote and you can’t trade that for the world….”

You can listen to this fascinating interview (really a conversation) by clicking the link above or below on iTunes.

]]>Click the link above to listen to an audio segment of the conversation

By Chyrisse Tabone, Rock At Night Tampa Correspondent

Bad Touch’s new forthcoming album “Truth Be Told” – will be released by Bad Touch Records on Friday, December 2nd. Rock At Night was fortunate to land a pre-release copy for review and you can read about it HERE. Really , the CD or album will appeal to all that love the classic Southern rock sound. The sound engineering is top notch, and no wonder, the engineer/co-producer is Chris Kimsey (Sticky Fingers, Some Girls, Steel Wheels, Emotional Rescue).

Rock At Night recently spoke with Stevie Westwood, songwriter and vocals, about the five-piece band Bad Touch and their new album Truth Be Told. The band, which was formed in 2009, is definitely influenced by Lynyrd Skynyrd, Black Crowes, and the Kentucky Headhunters, whom Westwood said “we got to know them quite well and they have influenced us.”

Westwood noted, “We released our first album last year…..We like to go out and play before we spent money for recording an album. We ‘re real excited about this one. It feels more mature.”

Bad Touch’s sound evolved organically as the members jammed and brought other influences to the table, like Led Zeppelin. The Led Zeppelin sound is really prevalent in the song on the album “Waiting For This”, which features Jimmy Page power chords and what I like to call a “good and nasty” sound.

Another song that intrigued me is “The Mountain” since it has an environmentalist message. Westwood said, “I wanted to show something that is not just rock, drinking, and women.” About the new single “99%”, which is really rocking with a cute message, he noted “It is feel good rock. I’m not a brooding, moody person. I am a happy-go-lucky chap.“

Rock At Night mentioned the songs on the new album deal with the theme of relationships, and “One More Night” (one of my favorites on the album) exemplifies this. Westwood described the meaning of the song saying, “It’s about being thankful for a time….looking back. Trying to maintain optimism and think about the good times… It’s about questioning….”

When asked what his favorite songs are on the album, Westwood noted, “ I really like ‘Take Your Time’ and ‘One More Night’…I do love them, I am really chuffed with all of them.”

During the interview, Westwood described his dedication to the band and all the sacrifices one makes to “make it big.” Like a lot of musicians nowadays, he has a day job, but describes the feeling of being on stage, “I have had 100 people singing the songs I wrote and you can’t trade that for the world….”

You can listen to this fascinating interview (really a conversation) by clicking the link above or below on iTunes.

Click the link above to listen to an audio segment of the conversation

By Chyrisse Tabone, Rock At Night Tampa Correspondent

Bad Touch’s new forthcoming album “Truth Be Told” – will be released by Bad Touch Records on Friday, December 2nd. Rock At Night was fortunate to land a pre-release copy for review and you can read about it HERE. Really , the CD or album will appeal to all that love the classic Southern rock sound. The sound engineering is top notch, and no wonder, the engineer/co-producer is Chris Kimsey (Sticky Fingers, Some Girls, Steel Wheels, Emotional Rescue).

Rock At Night recently spoke with Stevie Westwood, songwriter and vocals, about the five-piece band Bad Touch and their new album Truth Be Told. The band, which was formed in 2009, is definitely influenced by Lynyrd Skynyrd, Black Crowes, and the Kentucky Headhunters, whom Westwood said “we got to know them quite well and they have influenced us.”

Westwood noted, “We released our first album last year…..We like to go out and play before we spent money for recording an album. We ‘re real excited about this one. It feels more mature.”

Bad Touch’s sound evolved organically as the members jammed and brought other influences to the table, like Led Zeppelin. The Led Zeppelin sound is really prevalent in the song on the album “Waiting For This”, which features Jimmy Page power chords and what I like to call a “good and nasty” sound.

Another song that intrigued me is “The Mountain” since it has an environmentalist message. Westwood said, “I wanted to show something that is not just rock, drinking, and women.” About the new single “99%”, which is really rocking with a cute message, he noted “It is feel good rock. I’m not a brooding, moody person. I am a happy-go-lucky chap.“

Rock At Night mentioned the songs on the new album deal with the theme of relationships, and “One More Night” (one of my favorites on the album) exemplifies this. Westwood described the meaning of the song saying, “It’s about being thankful for a time….looking back. Trying to maintain optimism and think about the good times… It’s about questioning….”

When asked what his favorite songs are on the album, Westwood noted, “ I really like ‘Take Your Time’ and ‘One More Night’…I do love them, I am really chuffed with all of them.”

During the interview, Westwood described his dedication to the band and all the sacrifices one makes to “make it big.” Like a lot of musicians nowadays, he has a day job, but describes the feeling of being on stage, “I have had 100 people singing the songs I wrote and you can’t trade that for the world….”

You can listen to this fascinating interview (really a conversation) by clicking the link above or below on iTunes.

cleanNonono11:08ChyrisseChatting with James Hunt of alt/electro dance band RÜFÜShttps://rockatnight.com/podcast/chatting-with-james-hunt-of-altelectro-dance-band-rufus/
Thu, 10 Nov 2016 05:02:51 +0000Deb Kloedenhttps://rockatnight.com/?post_type=podcast&p=22392"ARIA Awards","Australia","Deb Kloeden","debkloedenphotography","Interview","podcast","Sydney","The Full Bloom Tour",#bloom,#rufus,Rock At Night,rockatnight.comClick the link above to listen to the audio interview

By Deb Kloeden, Rock At Night Adelaide, Australia Correspondent

RÜFÜS are a three-piece, Sydney based, alternative/electronic dance group. They are currently touring the US, but are returning to Australia for a regional tour, The Full Bloom Tour, in January and February. This marks the one-year anniversary of their #1 gold accredited album Bloom, and will be the last chance for Australian audiences to see the band live before they take time off the touring circuit to start work on their next album.

RÜFÜS are a three-piece, Sydney based, alternative/electronic dance group. They are currently touring the US, but are returning to Australia for a regional tour, The Full Bloom Tour, in January and February. This marks the one-year anniversary of their #1 gold accredited album Bloom, and will be the last chance for Australian audiences to see the band live before they take time off the touring circuit to start work on their next album.

RÜFÜS Du Sol -North American Tour

Click the link above to listen to the audio interview

By Deb Kloeden, Rock At Night Adelaide, Australia Correspondent

RÜFÜS are a three-piece, Sydney based, alternative/electronic dance group. They are currently touring the US, but are returning to Australia for a regional tour, The Full Bloom Tour, in January and February. This marks the one-year anniversary of their #1 gold accredited album Bloom, and will be the last chance for Australian audiences to see the band live before they take time off the touring circuit to start work on their next album.

Vernon Neilly is no stranger to the music businesss. He has had a unique career both a musician, actor, and founder of Boosweet Records, an independent label based in Los Angeles, California. Neilly began his career in radio (WEDR-99 Jamz) in South Florida at the tender age of 19. Surrounded by musicians during his youth, it seemed natural that he would forge his way into the industry. Boosweet Records has been successfully releasing independent music since 1999 and was a pioneer in the distribution of music through the use of digital files.

The politically-charged first single “They Don’t Care” was on the USA Billboard “Hot Singles” Chart for 9 weeks, 7 weeks in the Top 10 climbing as high as #6 and the song is in high rotation on British stations like London FM, Europe Radio One, Pop Shop FM, Britannia FM 106, Radio Britain FM, Fm Stations here in the USA, and Kiss FM 102.1 in Brazil.

Rock At Night chatted with Vernon Neilly about his Latin-influenced hip-hop brand of music (he was born in Bahamas and reared in South Florida) ; taking classic Stevie Wonder or Jimi Hendrix tunes and putting his own spin on them; collaborating with talented musicians like Greg Howe; the changes he has observed in music industry in the Millennium; the mutual love and devotion to fans in South America, like Brazil and Argentina; and the South American culture versus American regarding music.

You can listen to this fascinating interview by clicking the link above or below on iTunes.

Vernon Neilly is no stranger to the music businesss. He has had a unique career both a musician, actor, and founder of Boosweet Records, an independent label based in Los Angeles, California. Neilly began his career in radio (WEDR-99 Jamz) in South Florida at the tender age of 19. Surrounded by musicians during his youth, it seemed natural that he would forge his way into the industry. Boosweet Records has been successfully releasing independent music since 1999 and was a pioneer in the distribution of music through the use of digital files.

Vernon Neilly is no stranger to the music businesss. He has had a unique career both a musician, actor, and founder of Boosweet Records, an independent label based in Los Angeles, California. Neilly began his career in radio (WEDR-99 Jamz) in South Florida at the tender age of 19. Surrounded by musicians during his youth, it seemed natural that he would forge his way into the industry. Boosweet Records has been successfully releasing independent music since 1999 and was a pioneer in the distribution of music through the use of digital files.

Wrapping up a tour with Cage the Elephant, Silversun Pickups, and Foals, the guys from Bear Hands hit the road again with Foals on another highly anticipated tour. After their last successful album Distraction in 2014, Bear Hands released another dynamic and well received album in April called You’ll Pay For This.

The band which has been together for 10 years consists of members Dylan Rau (vocals), Val Loper (bass), Ted Feldman (guitar), and TJ Orcher (Drums). The success behind Bear Hands lies in the unique approach to their musical style. It’s almost impossible to categorize their music into a specific genre because their songs are musically layered with styles that run the gamut of punk, folk, electronica, and rock. Make sure to check out Bear Hands on tour this Fall.

Wrapping up a tour with Cage the Elephant, Silversun Pickups, and Foals, the guys from Bear Hands hit the road again with Foals on another highly anticipated tour. After their last successful album Distraction in 2014, Bear Hands released another dynamic and well received album in April called You’ll Pay For This.

The band which has been together for 10 years consists of members Dylan Rau (vocals), Val Loper (bass), Ted Feldman (guitar), and TJ Orcher (Drums). The success behind Bear Hands lies in the unique approach to their musical style. It’s almost impossible to categorize their music into a specific genre because their songs are musically layered with styles that run the gamut of punk, folk, electronica, and rock. Make sure to check out Bear Hands on tour this Fall.

By Anita Stewart, Tampa Correspondent for Rock at Night and Yes She Rocks

Rock at Night spoke with Angela McCluskey, songwriter extraordinaire with an unmistakable voice that one hears everywhere. You might have heard her voice in TV commercials for Chico’s, Schick Quattro TrimStyle razor, US Mitsubishi, or in the popular show Grey’s Anatomy and wondered “Who is that? What a great song!” With a background in other creative arts, she fell into music and songwriting quite naturally. We spoke about her creative process, travel, drama, art, her music, her work with other bands such as Telepopmusik, the Wild Colonials and so much more.

From retro Jazz with a Billie Holiday or Nina Simone feel to trance and dance Electronica, Retro, Reggae and danceable Pop, Angela McCluskey has traveled the world doing genre-bending vocals with many familiar names in music. Her latest album, The Roxy Sessions is available now on iTunes and will be released everywhere on September 9, 2016.

Angela’s vocal styling is impossible to define, but instantly recognizable and reminiscent of songstresses like Corinne Bailey Rae, Billie Holiday, Nina Simone, Valerie June just to name a few. However, Angela has a presence all her own.

Angela’s background is a very creative one. She started out in drama, moved to the US from Scotland, and worked as a publicist with companies as notable as EMI and even had a “one woman” show! She has collaborated with many other acts, Cyndi Lauper, Elvis Costello, Red Hot Chili Peppers, Telepopmusik, the Wild Colonials, the latter being the Los Angeles band she still fronts. Her songwriting is organic, prolific and the lyrics and melodies come to her together. In her spare time, she works in other mediums and loves photography and painting.

This new album is very personal and features songs from various genres. I heard 40’s torch, 70’s type James Bondish-type movie soundtrack songs, Bossa Nova, Brazilian Jazz, Psychedelia, and Electronica–all backed with layers of rich instrumentation. Not to be missed! The ladies of Rock at Night love Angela’s music and are waiting for more! Stay tuned for Rock at Night’s review of The Roxy Sessions by Rock At Night columnist Gail Reynolds.

Video

By Anita Stewart, Tampa Correspondent for Rock at Night and Yes She Rocks

Rock at Night spoke with Angela McCluskey, songwriter extraordinaire with an unmistakable voice that one hears everywhere. You might have heard her voice in TV commercials for Chico’s, Schick Quattro TrimStyle razor, US Mitsubishi, or in the popular show Grey’s Anatomy and wondered “Who is that? What a great song!” With a background in other creative arts, she fell into music and songwriting quite naturally. We spoke about her creative process, travel, drama, art, her music, her work with other bands such as Telepopmusik, the Wild Colonials and so much more.

From retro Jazz with a Billie Holiday or Nina Simone feel to trance and dance Electronica, Retro, Reggae and danceable Pop, Angela McCluskey has traveled the world doing genre-bending vocals with many familiar names in music. Her latest album, The Roxy Sessions is available now on iTunes and will be released everywhere on September 9, 2016.

Angela’s vocal styling is impossible to define, but instantly recognizable and reminiscent of songstresses like Corinne Bailey Rae, Billie Holiday, Nina Simone, Valerie June just to name a few. However, Angela has a presence all her own.

Angela’s background is a very creative one. She started out in drama, moved to the US from Scotland, and worked as a publicist with companies as notable as EMI and even had a “one woman” show! She has collaborated with many other acts, Cyndi Lauper, Elvis Costello, Red Hot Chili Peppers, Telepopmusik, the Wild Colonials, the latter being the Los Angeles band she still fronts. Her songwriting is organic, prolific and the lyrics and melodies come to her together. In her spare time, she works in other mediums and loves ph]]>
Please click on the arrow above to listen to audio interview

By Anita Stewart, Tampa Correspondent for Rock at Night and Yes She Rocks

Rock at Night spoke with Angela McCluskey, songwriter extraordinaire with an unmistakable voice that one hears everywhere. You might have heard her voice in TV commercials for Chico’s, Schick Quattro TrimStyle razor, US Mitsubishi, or in the popular show Grey’s Anatomy and wondered “Who is that? What a great song!” With a background in other creative arts, she fell into music and songwriting quite naturally. We spoke about her creative process, travel, drama, art, her music, her work with other bands such as Telepopmusik, the Wild Colonials and so much more.

From retro Jazz with a Billie Holiday or Nina Simone feel to trance and dance Electronica, Retro, Reggae and danceable Pop, Angela McCluskey has traveled the world doing genre-bending vocals with many familiar names in music. Her latest album, The Roxy Sessions is available now on iTunes and will be released everywhere on September 9, 2016.

Angela’s vocal styling is impossible to define, but instantly recognizable and reminiscent of songstresses like Corinne Bailey Rae, Billie Holiday, Nina Simone, Valerie June just to name a few. However, Angela has a presence all her own.

Angela’s background is a very creative one. She started out in drama, moved to the US from Scotland, and worked as a publicist with companies as notable as EMI and even had a “one woman” show! She has collaborated with many other acts, Cyndi Lauper, Elvis Costello, Red Hot Chili Peppers, Telepopmusik, the Wild Colonials, the latter being the Los Angeles band she still fronts. Her songwriting is organic, prolific and the lyrics and melodies come to her together. In her spare time, she works in other mediums and loves ph]]>
cleanNonono35:03Anita StewartChatting with alt-metal band The Maensionhttps://rockatnight.com/podcast/chatting-with-alt-metal-band-the-maension/
Tue, 23 Aug 2016 16:00:47 +0000Andrea Ramirez Maciolekhttps://rockatnight.com/?post_type=podcast&p=20172"Andrea Ramirez","Interview","Mark Maension","Metal","Philadelphia","podcast","Review","Revolution","Skye Maension","The Maension","Tour",Rock At Night,rockatnight.comClick on the link above to hear the audio interview

By Andrea Ramirez, Rock At Night Philadephia Correspondent

Venue: Alma Mater, Philadelphia- RÆVOLUTIONworldTOUR‬-The Maension

Andrea and The Maension in the tour bus

It has been a year since Rock At Night has caught up with Hollywood-based alt-metal band The Maension. In fact, when Rock At Night began producing podcast “hybrid” articles which are featured on the website as well as Rock At Night’s iTunes Channel, The Maension was the FIRST interview. So, yes, this August is our anniversary of what we hope will be a tradition as we catch up with them around the world!

In this short interview which took place in The Maension’s tour bus, The Maension discussed their recent trek from L.A. , up the West Coast, through Canada to New England, and now down to Philadelphia. If we are lucky, we will be able to catch them again in Florida or perhaps in Europe or even Australia within the next year.

The Maension just finished their third album RÆVOLUTION, which has not be released yet. Other news from the band is they are on their Second World Tour and hope to play in 15 countries on four continents. One can expect to see a huge visual show (as Mark Maension notes “a light show…pretty intense energy”).

Check out the interview and also see the highlights of their show in Philadelphia.

Photo Gallery

Video

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

]]>
Click on the link above to hear the audio interview

By Andrea Ramirez, Rock At Night Philadephia Correspondent

Venue: Alma Mater, Philadelphia- RÆVOLUTIONworldTOUR‬-The Maension

Andrea and The Maension in the tour bus

It has been a year since Rock At Night has caught up with Hollywood-based alt-metal band The Maension. In fact, when Rock At Night began producing podcast “hybrid” articles which are featured on the website as well as Rock At Night’s iTunes Channel, The Maension was the FIRST interview. So, yes, this August is our anniversary of what we hope will be a tradition as we catch up with them around the world!

In this short interview which took place in The Maension’s tour bus, The Maension discussed their recent trek from L.A. , up the West Coast, through Canada to New England, and now down to Philadelphia. If we are lucky, we will be able to catch them again in Florida or perhaps in Europe or even Australia within the next year.

The Maension just finished their third album RÆVOLUTION, which has not be released yet. Other news from the band is they are on their Second World Tour and hope to play in 15 countries on four continents. One can expect to see a huge visual show (as Mark Maension notes “a light show…pretty intense energy”).]]>

Click on the link above to hear the audio interview

By Andrea Ramirez, Rock At Night Philadephia Correspondent

Venue: Alma Mater, Philadelphia- RÆVOLUTIONworldTOUR‬-The Maension

Andrea and The Maension in the tour bus

It has been a year since Rock At Night has caught up with Hollywood-based alt-metal band The Maension. In fact, when Rock At Night began producing podcast “hybrid” articles which are featured on the website as well as Rock At Night’s iTunes Channel, The Maension was the FIRST interview. So, yes, this August is our anniversary of what we hope will be a tradition as we catch up with them around the world!

In this short interview which took place in The Maension’s tour bus, The Maension discussed their recent trek from L.A. , up the West Coast, through Canada to New England, and now down to Philadelphia. If we are lucky, we will be able to catch them again in Florida or perhaps in Europe or even Australia within the next year.

The Maension just finished their third album RÆVOLUTION, which has not be released yet. Other news from the band is they are on their Second World Tour and hope to play in 15 countries on four continents. One can expect to see a huge visual show (as Mark Maension notes “a light show…pretty intense energy”).]]>

Jocelyn and Chris Arndt joined Rock at Night for a fun interview in between traveling to their next gig and juggling their studies at Harvard in Cambridge, Massachusetts. Originally hailing from a small central New York town, this brother and sister duo looked for fun in all the right places, starting with their parents’ music collection and then went on to mastering musical instruments. After that, there was no looking back! Jocelyn and Chris started gigging everywhere while gaining notoriety along the way.

Smoking vocals and keys by Jocelyn and wild-ass guitar by Chris, amazing bass lines by Kate Sgroi and drums by David Bourgeois round out their very retro rock and roll sound. Their latest album is titled Edges and was released earlier this year. It features guests Danny Louis of Gov’t Mule and G Love. Soft ballads and belting rock and roll make this recording a treat to listen to. Now touring everywhere, be sure to check their site and socials to see when they are coming to your town!

These two young people who are definitely old souls sounded wise beyond their years! We talked about retro music, the music industry, Grace Potter, creative inspiration, how they balance their studies at Harvard with touring and writing music, knitting, snow and so much more!

Jocelyn and Chris Arndt joined Rock at Night for a fun interview in between traveling to their next gig and juggling their studies at Harvard in Cambridge, Massachusetts. Originally hailing from a small central New York town, this brother and sister duo looked for fun in all the right places, starting with their parents’ music collection and then went on to mastering musical instruments. After that, there was no looking back! Jocelyn and Chris started gigging everywhere while gaining notoriety along the way.

Smoking vocals and keys by Jocelyn and wild-ass guitar by Chris, amazing bass lines by Kate Sgroi and drums by David Bourgeois round out their very retro rock and roll sound. Their latest album is titled Edges and was released earlier this year. It features guests Danny Louis of Gov’t Mule and G Love. Soft ballads and belting rock and roll make this recording a treat to listen to. Now touring everywhere, be sure to check their site and socials to see when they are coming to your town!

These two young people who are definitely old souls sounded wise beyond their years! We talked about retro music, the music industry, Grace Potter, creative inspiration, how they balance their studies at Harvard with touring and writing music, knitting, snow and so much more!

Videos

Jocelyn and Chris Arndt joined Rock at Night for a fun interview in between traveling to their next gig and juggling their studies at Harvard in Cambridge, Massachusetts. Originally hailing from a small central New York town, this brother and sister duo looked for fun in all the right places, starting with their parents’ music collection and then went on to mastering musical instruments. After that, there was no looking back! Jocelyn and Chris started gigging everywhere while gaining notoriety along the way.

Smoking vocals and keys by Jocelyn and wild-ass guitar by Chris, amazing bass lines by Kate Sgroi and drums by David Bourgeois round out their very retro rock and roll sound. Their latest album is titled Edges and was released earlier this year. It features guests Danny Louis of Gov’t Mule and G Love. Soft ballads and belting rock and roll make this recording a treat to listen to. Now touring everywhere, be sure to check their site and socials to see when they are coming to your town!

These two young people who are definitely old souls sounded wise beyond their years! We talked about retro music, the music industry, Grace Potter, creative inspiration, how they balance their studies at Harvard with touring and writing music, knitting, snow and so much more!

Recently I received a copy of a soon-to-be-released EP, Last of the Acid Cowboys by New York City-based band Evolfo and I decided to give it a whirl after seeing a video for the song “Wild Man”. The funk-driven groove and fantastic award-winning animation video further enticed me to listen to the EP. So, I burned a copy of it and took it on a three-hour trek across the state of Florida–and probably hit “repeat” about six times. The five-song EP consists of a mix of songs averaging three-minutes in length and can be described as a mix of retro genres: 60’s R&B (e.g., the soundtrack of “The Commitments”), 60’s psych/garage rock (e.g., The 13th Floor Elevators), 80’s New-Wave (e.g, B-52s), 60’s British Mod, guitar-twangy alt-rock music (e.g., The Toadies), and the Black Keys (which are retro-revival garage rock anyway). The EP of danceable music has a party vibe, a nice kick due to cool organ riffs and chord progressions, and finally a punchy horn section, which consists of a sax, trombone, and trumpet. Listening to the EP made me pine for a full album, which I hope will transpire in the near future.

So, of course, this EP had the makings of “let’s interview this band” all over it. Rock At Night interviewed Rafferty Swink, the man behind the cool retro organ/synth playing. First off, I wondered what the name Evolfo actually meant and thought perhaps it was a derivation of “evolution.” I was so wrong. It actually is “of love” spelled backwards and Evolfo is actually a second generation band which actually was conceived by Matthew Gibbs (vocals/guitar) back in high school. The band was later reformed during his college days at Berklee in Boston, where he met fellow members approximately five years ago. According to Swink the band played more “groove-based funk music” at the time. Now, the music has finally come into its own, which he describes as “psych-rock that we all love” with a 60s soul core and more “traditional rock and rock” rooted in a Memphis or New Orleans sound. Think Stax Records. Swink continues, “The sound is more genuinely us” and he further explained how Last of the Acid Cowboys was recorded using an 8-track tape machine and vintage analog equipment.

During the interview, Rafferty Swink and Rock At Night discussed the upcoming West Coast tour to Oregon and California; analysis of the songs from the new EP Last of the Acid Cowboys; and how Evolfo achieves their vintage sound of genre-bending music.

Last of the Acid Cowboys will be released September 16 and will be available in digital format and even cassette tape (yes, they are serious about vintage) on the record label, King Pizza Records. According to Swink, it will not be pressed in vinyl yet—but there is always wishful thinking on my part.

Recently I received a copy of a soon-to-be-released EP, Last of the Acid Cowboys by New York City-based band Evolfo and I decided to give it a whirl after seeing a video for the song “Wild Man”. The funk-driven groove and fantastic award-winning animation video further enticed me to listen to the EP. So, I burned a copy of it and took it on a three-hour trek across the state of Florida–and probably hit “repeat” about six times. The five-song EP consists of a mix of songs averaging three-minutes in length and can be described as a mix of retro genres: 60’s R&B (e.g., the soundtrack of “The Commitments”), 60’s psych/garage rock (e.g., The 13th Floor Elevators), 80’s New-Wave (e.g, B-52s), 60’s British Mod, guitar-twangy alt-rock music (e.g., The Toadies), and the Black Keys (which are retro-revival garage rock anyway). The EP of danceable music has a party vibe, a nice kick due to cool organ riffs and chord progressions, and finally a punchy horn section, which consists of a sax, trombone, and trumpet. Listening to the EP made me pine for a full album, which I hope will transpire in the near future.

So, of course, this EP had the makings of “let’s interview this band” all over it. Rock At Night interviewed Rafferty Swink, the man behind the cool retro organ/synth playing. First off, I wondered what the name Evolfo actually meant and thought perhaps it was a derivation of “evolution.” I was so wrong. It actually is “of love” spelled backwards and Evolfo is actually a second generation band which actually was conceived by Matthew Gibbs (vocals/guitar) back in h]]>

Recently I received a copy of a soon-to-be-released EP, Last of the Acid Cowboys by New York City-based band Evolfo and I decided to give it a whirl after seeing a video for the song “Wild Man”. The funk-driven groove and fantastic award-winning animation video further enticed me to listen to the EP. So, I burned a copy of it and took it on a three-hour trek across the state of Florida–and probably hit “repeat” about six times. The five-song EP consists of a mix of songs averaging three-minutes in length and can be described as a mix of retro genres: 60’s R&B (e.g., the soundtrack of “The Commitments”), 60’s psych/garage rock (e.g., The 13th Floor Elevators), 80’s New-Wave (e.g, B-52s), 60’s British Mod, guitar-twangy alt-rock music (e.g., The Toadies), and the Black Keys (which are retro-revival garage rock anyway). The EP of danceable music has a party vibe, a nice kick due to cool organ riffs and chord progressions, and finally a punchy horn section, which consists of a sax, trombone, and trumpet. Listening to the EP made me pine for a full album, which I hope will transpire in the near future.

So, of course, this EP had the makings of “let’s interview this band” all over it. Rock At Night interviewed Rafferty Swink, the man behind the cool retro organ/synth playing. First off, I wondered what the name Evolfo actually meant and thought perhaps it was a derivation of “evolution.” I was so wrong. It actually is “of love” spelled backwards and Evolfo is actually a second generation band which actually was conceived by Matthew Gibbs (vocals/guitar) back in h]]>

cleanNonono27:27ChyrisseChatting with John Corabi of The Dead Daisieshttps://rockatnight.com/podcast/chatting-with-john-corabi-of-the-dead-daisies/
Wed, 27 Jul 2016 19:51:04 +0000Chyrissehttps://rockatnight.com/?post_type=podcast&p=19336'John Corabi","Chyrisse Tabone","Chyrisse","Interview","Make Some Noise","Marco Mendoza","Revolucion","The Dead Daisies",Rock At Night,rockatnight.comTO LISTEN TO THE AUDIO INTERVIEW CLICK ON THE ARROW ABOVE

Rock At Night keeps up with bands around the world and yes, each of us has favorite genres. Last Spring we were following bands heavily who were playing in the Detroit area and John Corabi played a solo gig, which was really well-received by fans. I dug a little further and saw he was going to join “super group” the The Dead Daisies on tour. Hmm…Dead Daisies? I needed to look up this band so I gave their new video “Mexico” a whirl, and boy, I was blown away by their hard classic rock sound which was familiar yet fresh. Since the Millennium began it seems synth-driven pop songs with fake harmonies have been a mainstay on FM radio (the main reason I switched to Sirius XM) so the song “Mexico” gave me hope.

Essentially The Dead Daisies, which has a rotating line-up of members from well-known 70s and 80s bands such as Motley Crue, Whitesnake, Guns N’ Roses, Rob Zombie—has been touring since 2013 with the likes of ZZ Top, Kiss, Lynyrd Skynyrd, and Bad Company, just to name a few. Last summer, Rock At Night interviewed bassist extraordaire Marco Mendoza (Thin Lizzy/Whitesnake) and also had the pleasure of seeing The Dead Daisies with Whitesnake in Clearwater, Florida. The band was promoting their new album Revolucion, (which I proudly purchased that night) before heading out to tour—again–with Def Leppard and Kiss.

The Dead Daisies has continued to tour around the world in 2015—Europe, Australia, Russia, Macedonia, Israel—you name the country, they’ve been there. The band is currently in the UK before heading over to Germany (Rock At Night will see them there) right around the time of the release of their latest 12-song release entitled Make Some Noise. Look for a review of this bad boy soon!

Last week Rock At Night spoke with lead singer John Corabi on the eve of the Ramblin’ Man Fair. He called via Skype (although the wifi in rural UK was intermittent) and we chatted about everything—the Cuban trip which inspired the title Revolucion, the new album and how they actually cut it between January and February of this year while in Nashville; the meaning behind the song “Long Way to Go”; how I really loved the ballad “Sleep” from Revolucion; the classic rock sound of the band and how they achieve it; his health routine for maintaining stamina and his voice; and the emotional concert in Paris, barely two weeks after the massacre at the Bataclan.

Listen to the audio of the interview or read some of the highlights below:

Cuba

Dead Daisies traveled to the island that time forgot, Cuba, early in 2015. There is a short documentary of The Dead Daisies trip on YouTube which shows the band playing a concert as well as mingling with local musicians during a “culture exchange”. Having lived in Venezuela and of course Florida, I’ve always been fascinated with Cuba.

John Corabi described the trip saying, “The entire trip was a highlight…the weather was beautiful, the people were amazing…They were SO happy to see us! The fans there….I don’t think they’ve had many rock bands there at all? It’s funny because the fans showed up with Led Zeppelin shirts and Motorhead shirts and Guns N’ Roses shirts. It was amazing! The whole thing was amazing….the food, the music….The music culture that is there is off the charts. Like I said, the bands were just so grateful that we came! Our manager was just saying ‘I’d love to have you guys go back there again’.”

I commented, “I saw a video online that showed you playing with a bunch of local musicians. I bet they really enjoyed that experience.”

John said emphatically, “Well, we did too! The talent that is there is amazing! Because most of America…they’ll never know.

“We went to a school and the school that we were at was ridiculous. It was like an institute where they teach kids to read music. We saw these kids on cellos play an arrangement of a Metallica song that was absolutely brilliant.

“Marco our bass player who is pretty much an encyclopedia of music the guy can literally play anthing…He sat in with some of these kids…They did this incredible impromptu…funk…jazz, R&B…salsa…it was truly incredible.

“I’m really hoping to some degree the American economy can get in their and bolster them a bit but I’m hoping it doesn’t change too much, you know what I mean.”

I asked, “Become commercial?”

He said, “Yeah, like the Starbucks and McDonalds.”

Later we discussed the band’s experience with the Cuban people. John described, “They don’t make the kind of money that we make but they don’t need to. Like for the locals…all kinds of things are free for them…their medical, their food, schools….

“It’s a Third World Country but they have one of the strongest healthcare systems on Earth. It’s mind boggling. It’s not like I’m waving the Communist flag or anything like that…It’s was just really an awesome, awesome trip that kind of made you think about lots of things and priorities.”

With the name of the album Revolucion, I figured the music was inspired by the Cuban trip. Actually, as I found out, it was not so much the music but the graffiti on walls around the island.

John explained, “The artwork. Well, we actually did a couple of tracks while we were down there. We did ‘Midnight Moses’ and ‘Evil’ when we were down there. We did have a couple of musicians play with us on those tracks but it was just weird how they still have all these things painted on the walls…It’s been there for like 50 years, you know what I mean? We saw the word ‘Viva la revolucion’.”

The new album Make Some Noise

Typically interviews are lined up with a schedule and our calls kept dropping due to the Skype. I noticed we were running out of time and still wanted to ask about the new album Make Some Noise which I have listened to and know this is going to be a big hit. Rock At Night will publish the full review soon but there are solid lyrics and the great 70s and 80s rock sound I crave. If you love Aerosmith, Faces, or even Bon Jovi, you’ll love this album.

I wondered about the new line-up for this album and tour. John noted that last year when I saw the band Dizzy Reed (keyboards) and Richard Fortus (guitars) were in the band. They are now touring with Guns N Roses so “there are no keys” in the new album which now has a “more aggressive edge”. The current line-up also features guitarist Doug Aldrich (Whitesnake, Dio), bassist Marco Mendoza (Thin Lizzy/Whitesnake), drummer Brian Tichy (Ozzy Osbourne/Billy Idol), and guitarist David Lowy (Red Phoenix/Mink).

Two really welcome songs in the new album pays tribute to the band’s heroes—The Who and John Fogerty. I noted, “ I was so happy that you did ‘Join Together’. That’s one of my all time favorite Who songs.”

John said, “That’s my all-time favorite as well.”

I remarked, “You’ve got the harp going on and the voice box.”

He explained, “We didn’t do anything crazy but we’ve actually been playing it in our set for over a year….and it really goes over great!”

I reiterated how nice it is to hear “Fortunate Son” since it is such a timeless piece—relevant even today’s current political climate.

John said, “You know with everything going on today, in the news…Last year we were kind of playing it as an encore song . We literally did it all through Europe, Russia, Israel…and we were going, ‘You know what’s weird. They know every fucking word to this!”

John explained how they are playing homage to their heroes they grew up with and it kind of shows that “we aren’t just what some people would call a ‘supergroup’ or ‘rock stars’, or whatever term you want to use for us. At the end of the day we are just music fans as well. It’s the tip of the hat.”

I noted, “What I like about your music is that you have captured the classic rock feel. It could have been written in the day. I don’t know how you do it? Is it because you guys grew up during that period? You were influenced by the bands?”

John noted, “Yeah, at the end of the day we are fortunately or unfortunately….well, we’ve all been doing this for 25 or 30 years.” He explained that the band members are constantly checking out old YouTube videos on their phones and seeking out “little gems” they didn’t know were out there.

The new album Make Some Noise was produced by Marti Frederiksen in Nashville who has worked with notables such as Aerosmith, Def Leppard, Motley Crue, and Buckcherry. John explained how Marti’s style is comfortable and easy-going saying, “he was like a laid back hippy dude…like Shaggy of Scooby Doo. He helped him fine-tune some of the lyrics…”

I asked if he had a favorite song on the album and he listed the following: “We All Fall Down”, “Last Time I Saw the Sun”, “Long Way to Go”, and “Main Line”.

The new single “Long Way To Go”is really a hard driving, almost 80s style number with a message about hate, discrimination, and more. Some of the lyrics say, “One step forward, two steps back, stuck in the middle and way off track….we’ve got a long way to go!”

Regarding the lyrics, John said, “You can’t help [but notice] the fact we are being bombarded by the news everyday…..David came up with the title.”

We discussed the cool 70s sound and the wonderful harmonies that he and Marco do on songs like my favorite “Last Time I Saw the Sun.” The song has almost a Faces sound with the harmonies and blues-rock, vibe. I even confessed that I loved the ballad “Sleep” from Revolucion and was surprised to hear that “it fell flat” when the band played it during some acoustic sets. I suggest that people re-listen to the song….really listen!

Health on the road

I wondered with all the traveling and singing (no belting) songs every night would wreack havoc on John’s health. He apparently tries to get plenty of sleep and does not favor drinking much, other than some tea during the day. He says he smokes, drinks diet sodas, and does not really adhere to any kind of special regime for the vocal cords, contrarily to a lot of folks. He said the most difficult thing to do is to get up early and be in form for a set. I remember he was on the morning TV station in Sarasota while in Florida, so being bright and perky can be jolting.

Paris and a bit of politics

The Dead Daisies played an emotional concert in Paris on November 27, 2015, just shy of two weeks after the massacre at the Bataclan. A lot of bands canceled engagements but apparently many of the fans (and even survivors) were happy that The Dead Daisies played, which became an important factor in the healing of the city. Without giving away the story, listen to what John had to say about emails he received after the concert.

We closed out the interview with a little discussion of politics and again how the song “Long Way to Go” is truly relevant to today’s current atmosphere, not only in the US, but in the world. Rock At Night covers a lot of events in Orlando so the Pulse massacre really hit home.

So, if you aren’t familiar with The Dead Daisies, I suggest cueing up a couple of videos and check out the new release on August 5th when it comes out. Retro fans will be glad to hear it is being pressed in vinyl too! Woohoo!

Rock At Night keeps up with bands around the world and yes, each of us has favorite genres. Last Spring we were following bands heavily who were playing in the Detroit area and John Corabi played a solo gig, which was really well-received by fans. I dug a little further and saw he was going to join “super group” the The Dead Daisies on tour. Hmm…Dead Daisies? I needed to look up this band so I gave their new video “Mexico” a whirl, and boy, I was blown away by their hard classic rock sound which was familiar yet fresh. Since the Millennium began it seems synth-driven pop songs with fake harmonies have been a mainstay on FM radio (the main reason I switched to Sirius XM) so the song “Mexico” gave me hope.

Essentially The Dead Daisies, which has a rotating line-up of members from well-known 70s and 80s bands such as Motley Crue, Whitesnake, Guns N’ Roses, Rob Zombie—has been touring since 2013 with the likes of ZZ Top, Kiss, Lynyrd Skynyrd, and Bad Company, just to name a few. Last summer, Rock At Night interviewed bassist extraordaire Marco Mendoza (Thin Lizzy/Whitesnake) and also had the pleasure of seeing TO LISTEN TO THE AUDIO INTERVIEW CLICK ON THE ARROW ABOVE

Rock At Night keeps up with bands around the world and yes, each of us has favorite genres. Last Spring we were following bands heavily who were playing in the Detroit area and John Corabi played a solo gig, which was really well-received by fans. I dug a little further and saw he was going to join “super group” the The Dead Daisies on tour. Hmm…Dead Daisies? I needed to look up this band so I gave their new video “Mexico” a whirl, and boy, I was blown away by their hard classic rock sound which was familiar yet fresh. Since the Millennium began it seems synth-driven pop songs with fake harmonies have been a mainstay on FM radio (the main reason I switched to Sirius XM) so the song “Mexico” gave me hope.

Essentially The Dead Daisies, which has a rotating line-up of members from well-known 70s and 80s bands such as Motley Crue, Whitesnake, Guns N’ Roses, Rob Zombie—has been touring since 2013 with the likes of ZZ Top, Kiss, Lynyrd Skynyrd, and Bad Company, just to name a few. Last summer, Rock At Night interviewed bassist extraordaire Marco Mendoza (Thin Lizzy/Whitesnake) and also had the pleasure of seeing yesYesnono40:14Chyrisse

Progressive metal has been an evolving sub- type of metal since the eighties and Fates Warning is widely revered as the true creators of the genre. On the scene for more than 3 decades now, the band has built a massive international following as well as released 12 full length records over that period. Last July 1st their last discographic effort entitled Theories of Flight saw the light of day, and it’s been garnering rave reviews from critics and fans alike, many calling the album the best in the band’s catalog.

We recently published a review I wrote about the record (You can read it here) and now I talked on the phone for a half hour with Fates Warning’s bass player Joey Vera, discussing several topics like what he would do if taken back in time to the moment he was asked to join the band, how stoked they are about the reception Theories of Flight have received, how he manages to separate his musical duties in two so different bands like Fates Warning and Armored Saint; what is going on with the other musical projects he’s involved with, what drives bands like Fates to keep moving forward despite the shortcomings in the music industry nowadays, and how the album was conceived with the band members working bi-coastal.

Progressive metal has been an evolving sub- type of metal since the eighties and Fates Warning is widely revered as the true creators of the genre. On the scene for more than 3 decades now, the band has built a massive international following as well as released 12 full length records over that period. Last July 1st their last discographic effort entitled Theories of Flight saw the light of day, and it’s been garnering rave reviews from critics and fans alike, many calling the album the best in the band’s catalog.

We recently published a review I wrote about the record (You can read it here) and now I talked on the phone for a half hour with Fates Warning’s bass player Joey Vera, discussing several topics like what he would do if taken back in time to the moment he was asked to join the band, how stoked they are about the reception Theories of Flight have received, how he manages to separate his musical duties in two so different bands like Fates Warning and Armored Saint; what is going on with the other musical projects he’s involved with, what drives bands like Fates to keep moving forward despite the shortcomings in the music industry nowadays, and how the album was conceived with the band members working bi-coastal.

Progressive metal has been an evolving sub- type of metal since the eighties and Fates Warning is widely revered as the true creators of the genre. On the scene for more than 3 decades now, the band has built a massive international following as well as released 12 full length records over that period. Last July 1st their last discographic effort entitled Theories of Flight saw the light of day, and it’s been garnering rave reviews from critics and fans alike, many calling the album the best in the band’s catalog.

We recently published a review I wrote about the record (You can read it here) and now I talked on the phone for a half hour with Fates Warning’s bass player Joey Vera, discussing several topics like what he would do if taken back in time to the moment he was asked to join the band, how stoked they are about the reception Theories of Flight have received, how he manages to separate his musical duties in two so different bands like Fates Warning and Armored Saint; what is going on with the other musical projects he’s involved with, what drives bands like Fates to keep moving forward despite the shortcomings in the music industry nowadays, and how the album was conceived with the band members working bi-coastal.

Rock At Night had the pleasure of speaking with Bert Poncet (vocals) of pop-punk/metal band Chunk! No Captain Chunk! AKA C!NCC during the Warp Tour 2016’s stop in St. Petersburg, Florida. During the interview, Burt discussed the band’s unique genre (pop-punk with metal), the Warped Tour, the positive message of the band, and offers advice for musicians starting out in the business.

Rock At Night had the pleasure of speaking with Bert Poncet (vocals) of pop-punk/metal band Chunk! No Captain Chunk! AKA C!NCC during the Warp Tour 2016’s stop in St. Petersburg, Florida. During the interview, Burt discussed the band’s unique genre (pop-punk with metal), the Warped Tour, the positive message of the band, and offers advice for musicians starting out in the business.

Rock At Night had the pleasure of speaking with Bert Poncet (vocals) of pop-punk/metal band Chunk! No Captain Chunk! AKA C!NCC during the Warp Tour 2016’s stop in St. Petersburg, Florida. During the interview, Burt discussed the band’s unique genre (pop-punk with metal), the Warped Tour, the positive message of the band, and offers advice for musicians starting out in the business.

Rock At Night had the pleasure of speaking with all of the members of BAD SEED RISING during their stop with the Warped Tour in St. Petersburg, Florida. During the interview, the band discussed the band’s origin and genre; their Warped Experience thus far; their favorite charities and/or non-profits; their new full-length album coming out at the end of the summer; and advice for young musicians starting out.

Rock At Night had the pleasure of speaking with all of the members of BAD SEED RISING during their stop with the Warped Tour in St. Petersburg, Florida. During the interview, the band discussed the band’s origin and genre; their Warped Experience thus far; their favorite charities and/or non-profits; their new full-length album coming out at the end of the summer; and advice for young musicians starting out.

Rock At Night had the pleasure of speaking with all of the members of BAD SEED RISING during their stop with the Warped Tour in St. Petersburg, Florida. During the interview, the band discussed the band’s origin and genre; their Warped Experience thus far; their favorite charities and/or non-profits; their new full-length album coming out at the end of the summer; and advice for young musicians starting out.

Rock At Night had the pleasure of speaking with Aaron Barrett (vocals, guitar) and Matt Appleton (saxophone) of the ska band REEL BIG FISH during their stop with the Warped Tour in St. Petersburg, Florida. The guys describe their music as a “ska band influenced by other stuff”. They are unabashedly proud of being labeled as a “ska band”, saying “it’s fun like roller blading.” The band was started by high school friends in 1991 and has been going strong, touring year round, ever since! When asked how many Warped Tours they have participated in, they noted “maybe 7 or 8”. They really enjoy the Warped tour and get to “hang out with friends like Less Than Jake and Ballyhoo!”

During the interview, Aaron Barrett and Matt Appleton discussed the band’s evolution, the Warped Tour, their upcoming holiday ska vinyl album Happy Skalidays, charities they favor, and advice for bands starting out in music business.

Photo Gallery

VIDEOS

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

Rock At Night had the pleasure of speaking with Aaron Barrett (vocals, guitar) and Matt Appleton (saxophone) of the ska band REEL BIG FISH during their stop with the Warped Tour in St. Petersburg, Florida. The guys describe their music as a “ska band influenced by other stuff”. They are unabashedly proud of being labeled as a “ska band”, saying “it’s fun like roller blading.” The band was started by high school friends in 1991 and has been going strong, touring year round, ever since! When asked how many Warped Tours they have participated in, they noted “maybe 7 or 8”. They really enjoy the Warped tour and get to “hang out with friends like Less Than Jake and Ballyhoo!”

During the interview, Aaron Barrett and Matt Appleton discussed the band’s evolution, the Warped Tour, their upcoming holiday ska vinyl album Happy Skalidays, charities they favor, and advice for bands starting out in music business.

Rock At Night was excited to have the opportunity to speak with Taylor Perkins of Canadian rock band BLEEKER. I recently listened to BLEEKER’s self-titled EP and really, really liked their retro rock, almost Led Zeppelinesque sound. Look in RAN for a full review of the EP soon!

BLEEKER is currently on a 23 city US Tour with Sublime with Rome, The Dirty Heads, and Tribal Seeds, which initiated in Atlanta on June 30th and will terminate in Corpus Christi, Texas on August 3rd. They are going to be zig-zagging their way to the North, Mid-West, West, and will probably see more states than I have in my entire life.

BLEEKER is comprised of two brothers, Taylor and Cole, as well as two pals who all share the same love for the blues-retro-rock sound. This tour, believe it or not, is their second to the States (the first was earlier in the year with The Struts) so they are not novices. In fact, during the interview Taylor said “the band” (although it has undergone name changes and line-ups) has been around for 13 years! These cats must have started out at a wee age.

At any rate I caught up with BLEEKER at the Mid-Florida Credit Union Amphitheatre, Tampa, Florida for their five song set. Since I was already familiar with their music it was even more enjoyable. The guys came out on stage like gangbusters (no subtle intro) and jumped into the song feet first. It was sweltering hot on Sunday evening, but this didn’t stop Taylor from dancing with the microphone or Cole from firing off guitar riffs. Mike swayed and attacked the bass strings and Chris totally immersed in the drums. It is difficult being a support band but their energy revved up the crowd that was entering the venue. I saw people head bobbing and dancing.

Taylor and I later met inside the nice and air conditioned lounge area for a little chat about the origin of the band and its name; the band’s experience during the current tour, including the difference between Canada and America; the unbearable sun and heat in Florida; the band’s songwriting process and classic rock influences; analysis of certain songs from the new EP; and the story behind the ballad “I’m Not Laughing Now” (hint** it involves a bathtub and a cereal box). Very funny and interesting stuff!

Rock At Night was excited to have the opportunity to speak with Taylor Perkins of Canadian rock band BLEEKER. I recently listened to BLEEKER’s self-titled EP and really, really liked their retro rock, almost Led Zeppelinesque sound. Look in RAN for a full review of the EP soon!

BLEEKER is currently on a 23 city US Tour with Sublime with Rome, The Dirty Heads, and Tribal Seeds, which initiated in Atlanta on June 30th and will terminate in Corpus Christi, Texas on August 3rd. They are going to be zig-zagging their way to the North, Mid-West, West, and will probably see more states than I have in my entire life.

BLEEKER is comprised of two brothers, Taylor and Cole, as well as two pals who all share the same love for the blues-retro-rock sound. This tour, believe it or not, is their second to the States (the first was earlier in the year with The Struts) so they are not novices. In fact, during the interview Taylor said “the band” (although it has undergone name changes and line-ups) has been around for 13 years! These cats must have started out at a wee age.

At any rate I caught up with BLEEKER at the Mid-Florida Credit Union Amphitheatre, Tampa, Florida for their five song set. Since I was already familiar with their music it was even more enjoyable. The guys came out on stage like gangbusters (no subtle intro) and jumped into the song feet first. It was sweltering hot on Sunday evening, but this didn’t stop Taylor from dancing with the microphone or Cole from firing off guitar riffs. Mike swayed and attacked the bass strings and Chris totally immersed in the drums. It is difficult being a support band but their energy revved up the crowd that was entering the venue. I saw people hea]]>

Rock At Night was excited to have the opportunity to speak with Taylor Perkins of Canadian rock band BLEEKER. I recently listened to BLEEKER’s self-titled EP and really, really liked their retro rock, almost Led Zeppelinesque sound. Look in RAN for a full review of the EP soon!

BLEEKER is currently on a 23 city US Tour with Sublime with Rome, The Dirty Heads, and Tribal Seeds, which initiated in Atlanta on June 30th and will terminate in Corpus Christi, Texas on August 3rd. They are going to be zig-zagging their way to the North, Mid-West, West, and will probably see more states than I have in my entire life.

BLEEKER is comprised of two brothers, Taylor and Cole, as well as two pals who all share the same love for the blues-retro-rock sound. This tour, believe it or not, is their second to the States (the first was earlier in the year with The Struts) so they are not novices. In fact, during the interview Taylor said “the band” (although it has undergone name changes and line-ups) has been around for 13 years! These cats must have started out at a wee age.

At any rate I caught up with BLEEKER at the Mid-Florida Credit Union Amphitheatre, Tampa, Florida for their five song set. Since I was already familiar with their music it was even more enjoyable. The guys came out on stage like gangbusters (no subtle intro) and jumped into the song feet first. It was sweltering hot on Sunday evening, but this didn’t stop Taylor from dancing with the microphone or Cole from firing off guitar riffs. Mike swayed and attacked the bass strings and Chris totally immersed in the drums. It is difficult being a support band but their energy revved up the crowd that was entering the venue. I saw people hea]]>

Rock At Night had the pleasure of speaking with John Taylor (guitar) and Simon Mitchell (bass) of the UK rock band Young Guns during their stop with the Warped Tour in St. Petersburg, Florida. The guys describe their music as “straight up rock with choruses and riffs” or “melodic rock” with influences drawn from all their rock heroes. This is Young Gun’s first Warped Tour but they are no stranger to America, having toured here before. Chyrisse had the pleasure of seeing them in Tampa in 2015 during the 98Rockfest at the Amelie Arena in Tampa, Florida.

During the interview, John Taylor and Simon Mitchell of Young Guns discussed their experience of touring in America, their new album Echoes, which will be released in September, their favorite charities, including their love of rescue dogs, and advice for bands starting out in music. Listen to find out all the details!

Photo Gallery

Videos

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

Rock At Night had the pleasure of speaking with John Taylor (guitar) and Simon Mitchell (bass) of the UK rock band Young Guns during their stop with the Warped Tour in St. Petersburg, Florida. The guys describe their music as “straight up rock with choruses and riffs” or “melodic rock” with influences drawn from all their rock heroes. This is Young Gun’s first Warped Tour but they are no stranger to America, having toured here before. Chyrisse had the pleasure of seeing them in Tampa in 2015 during the 98Rockfest at the Amelie Arena in Tampa, Florida.

During the interview, John Taylor and Simon Mitchell of Young Guns discussed their experience of touring in America, their new album Echoes, which will be released in September, their favorite charities, including their love of rescue dogs, and advice for bands starting out in music. Listen to find out all the details!

Rock At Night had the pleasure of speaking with John Taylor (guitar) and Simon Mitchell (bass) of the UK rock band Young Guns during their stop with the Warped Tour in St. Petersburg, Florida. The guys describe their music as “straight up rock with choruses and riffs” or “melodic rock” with influences drawn from all their rock heroes. This is Young Gun’s first Warped Tour but they are no stranger to America, having toured here before. Chyrisse had the pleasure of seeing them in Tampa in 2015 during the 98Rockfest at the Amelie Arena in Tampa, Florida.

During the interview, John Taylor and Simon Mitchell of Young Guns discussed their experience of touring in America, their new album Echoes, which will be released in September, their favorite charities, including their love of rescue dogs, and advice for bands starting out in music. Listen to find out all the details!

Rock At Night loves to cover blues and rock artists so it was our pleasure to speak with guitarist extraordinaire Gary Hoey about his upcoming 20th album (yes, 20th ) called Dust & Bones. The album will be released on July 29th and even features a beautiful duet with the fabulous Lita Ford. Recently, I listened to the album which Hoey pays homage to his heroes like Steve Ray Vaughan (“Dust and Bones”), Robin Trower (“This Time Tomorrow”), Johnny Winter (“Steamroller”) and Led Zeppelin (“Boxcar Blues”). There are even songs written in the vein of ZZ Top (“Born to Love You”), Brian Setzer (“Who’s Your Daddy”) and Dick Dale (“Soul Surfer”)—something for everybody, without deviating from the blues-rock theme. Look for a full review in Rock At Night before the release date!

Gary Hoey came to fame in the 1980s when he started doing covers of instrumentals like “Hocus Pocus” by Dutch rock band Focus. Anybody who grew up in the mid-70s knows this song and probably used to sing along with its nonsensical lyrics before going into a dance frenzy. If you look on YouTube, you will see a ton of Hoey’s extremely cool metal versions of class retro songs like “Linus and Lucy” and “Misirlou”. As Hoey said during RAN’s interview, “I like to take old songs and rock them out.” He enjoys “twisting the classics” and putting his own imprint on quirky tunes like “Frankenstein”.

Some of you may have stumbled across Gary Hoey’s Ho! Ho! Hoey! series of Christmas music. If you have not listened, please do because his renditions of the songs, as I told him, may be the “only Christmas music I can tolerate.” Honestly, the music is brilliant and will be a new tradition in my household—as it should be in yours.

Gary Hoey is also a renowned guitar instructor so it only seemed appropriate to ask him a few questions for our burgeoning rock musician readers and iTunes listeners. Here, Hoey gives a lot of tips for what equipment to purchase and how “rock Gods in the making” can hone in their skills.

In summary, Gary Hoey discussed guitar playing tips for the novice; his career and love for twisting the classics into metal versions; and analysis of each song on the upcoming album Dust and Bones, which includes a duet with Lita Ford. This interview is a must listen for all blues-rock fans!

Dust & Bones

Rock At Night’s theme song is “Get On Down If You Feel Up To It” by Texan blues musician Billy “Bass” Alford

]]>TO LISTEN TO THE AUDIO INTERVIEW CLICK ON THE ARROW ABOVE

By Chyrisse Tabone, Rock At Night Tampa Correspondent

Rock At Night loves to cover blues and rock artists so it was our pleasure to speak with guitarist extraordinaire Gary Hoey about his upcoming 20th album (yes, 20th ) called Dust & Bones. The album will be released on July 29th and even features a beautiful duet with the fabulous Lita Ford. Recently, I listened to the album which Hoey pays homage to his heroes like Steve Ray Vaughan (“Dust and Bones”), Robin Trower (“This Time Tomorrow”), Johnny Winter (“Steamroller”) and Led Zeppelin (“Boxcar Blues”). There are even songs written in the vein of ZZ Top (“Born to Love You”), Brian Setzer (“Who’s Your Daddy”) and Dick Dale (“Soul Surfer”)—something for everybody, without deviating from the blues-rock theme. Look for a full review in Rock At Night before the release date!

Gary Hoey came to fame in the 1980s when he started doing covers of instrumentals like “Hocus Pocus” by Dutch rock band Focus. Anybody who grew up in the mid-70s knows this song and probably used to sing along with its nonsensical lyrics before going into a dance frenzy. If you look on YouTube, you will see a ton of Hoey’s extremely cool metal versions of class retro songs like “Linus and Lucy” and “Misirlou”. As Hoey said during RAN’s interview, “I like to take old songs and rock them out.” He enjoys “twisting the classics” and putting his own imprint on quirky tunes like “Frankenstein”.

Some of you may have stumbled across Gary Hoey’s Ho! Ho! Hoey! series of Christmas music. If you have not listened, please do because his renditions of the songs, as I told him, may be the “only Christmas music I can tolerate.” Honestly, the music is brilliant and will be a new tradition in my household—as it should be in yours.

Gary Hoey is also a renowned guitar instructor so it only seemed appropriate to ask him a few questions for our burgeoning rock musician readers and iTunes listeners. Here, Hoey gives a lot of tips for what equipment to purchase and how “rock Gods in the making” can hone in their skills.

In summary, Gary Hoey discussed guitar playing tips for the novice; his career and love for twisting the classics into metal versions; and analysis of each song on the upcoming album Dust and Bones, which includes a duet with Lita Ford. This interview is a must listen for all blues-rock fans!

Rock At Night loves to cover blues and rock artists so it was our pleasure to speak with guitarist extraordinaire Gary Hoey about his upcoming 20th album (yes, 20th ) called Dust & Bones. The album will be released on July 29th and even features a beautiful duet with the fabulous Lita Ford. Recently, I listened to the album which Hoey pays homage to his heroes like Steve Ray Vaughan (“Dust and Bones”), Robin Trower (“This Time Tomorrow”), Johnny Winter (“Steamroller”) and Led Zeppelin (“Boxcar Blues”). There are even songs written in the vein of ZZ Top (“Born to Love You”), Brian Setzer (“Who’s Your Daddy”) and Dick Dale (“Soul Surfer”)—something for everybody, without deviating from the blues-rock theme. Look for a full review in Rock At Night before the release date!

Gary Hoey came to fame in the 1980s when he started doing covers of instrumentals like “Hocus Pocus” by Dutch rock band Focus. Anybody who grew up in the mid-70s knows this song and probably used to sing along with its nonsensical lyrics before going into a dance frenzy. If you look on YouTube, you will see a ton of Hoey’s extremely cool metal versions of class retro songs like “Linus and Lucy” and “Misirlou”. As Hoey said during RAN’s interview, “I like to take old songs and rock them out.” He enjoys “twisting the classics” and putting his own imprint on quirky tunes like “Frankenstein”.

Some of you may have stumbled across Gary Hoey’s Ho! Ho! Hoey! series of Christmas music. If you have not listened, please do because his renditions of the songs, as I told him, may be the “only Christmas music I can tolerate.” Honestly, the music is brilliant and will be a new tradition in my household—as it should be in yours.

Gary Hoey is also a renowned guitar instructor so it only seemed appropriate to ask him a few questions for our burgeoning rock musician readers and iTunes listeners. Here, Hoey gives a lot of tips for what equipment to purchase and how “rock Gods in the making” can hone in their skills.

In summary, Gary Hoey discussed guitar playing tips for the novice; his career and love for twisting the classics into metal versions; and analysis of each song on the upcoming album Dust and Bones, which includes a duet with Lita Ford. This interview is a must listen for all blues-rock fans!

“My, my, my, I’m once bitten, twice shy, baby!” With a revitalized ambition and a never ending dedication to their fans Great White today is a band that has endured for almost 40 years, and is still doing what we’ve always set out to do, by writing songs and performing songs for people, and making them happy. Other bands of their generation have come and gone, but Great White’s music has stood the test of time. Mark Kendall (guitar), Michael Lardie (guitar, keyboards), Audie Desbrow (drums), Scott Snyder (bass), and Terry Ilous (vocals) are delivering that Great White sound we’ve all come to crave.

Emerging from the Hollywood club scene, they had their commercial breakthrough with 1987’s Once Bitten album, then scored their biggest hit with their 1989 version of the Ian Hunter song “Once Bitten, Twice Shy.” Thirty years ago, Great White were playing with Whitesnake in arenas filled with 16,000 or 17,000 people. It was an exciting time for the band and the classic rock genre. The band has since changed its venues to festivals, casinos, bike rallies and the likes. The new shows are still big, but in a different way.

Founding member and lead guitarist Mark Kendall and I spent a half hour on the phone discussing the bands successful career, memories of his first ever guitar, how he has evolved as a musician through time, which album was his all-time favorite, the band’s plans for the immediate future, and the life on the road these days.

**Fun fact–Great White have played with a lot of legends. Who do you think they would love to play with but have not? Listen to find out!

“My, my, my, I’m once bitten, twice shy, baby!” With a revitalized ambition and a never ending dedication to their fans Great White today is a band that has endured for almost 40 years, and is still doing what we’ve always set out to do, by writing songs and performing songs for people, and making them happy. Other bands of their generation have come and gone, but Great White’s music has stood the test of time. Mark Kendall (guitar), Michael Lardie (guitar, keyboards), Audie Desbrow (drums), Scott Snyder (bass), and Terry Ilous (vocals) are delivering that Great White sound we’ve all come to crave.

Emerging from the Hollywood club scene, they had their commercial breakthrough with 1987’s Once Bitten album, then scored their biggest hit with their 1989 version of the Ian Hunter song “Once Bitten, Twice Shy.” Thirty years ago, Great White were playing with Whitesnake in arenas filled with 16,000 or 17,000 people. It was an exciting time for the band and the classic rock genre. The band has since changed its venues to festivals, casinos, bike rallies and the likes. The new shows are still big, but in a different way.

Founding member and lead guitarist Mark Kendall and I spent a half hour on the phone discussing the bands successful career, memories of his first ever guitar, how he has evolved as a musician through time, which album was his all-time favorite, the band’s plans for the immediate future, and the life on the road these days.

**Fun fact–Great White have played with a lot of legends. Who do you think they would love to play with but have not? Listen to find out!

“My, my, my, I’m once bitten, twice shy, baby!” With a revitalized ambition and a never ending dedication to their fans Great White today is a band that has endured for almost 40 years, and is still doing what we’ve always set out to do, by writing songs and performing songs for people, and making them happy. Other bands of their generation have come and gone, but Great White’s music has stood the test of time. Mark Kendall (guitar), Michael Lardie (guitar, keyboards), Audie Desbrow (drums), Scott Snyder (bass), and Terry Ilous (vocals) are delivering that Great White sound we’ve all come to crave.

Emerging from the Hollywood club scene, they had their commercial breakthrough with 1987’s Once Bitten album, then scored their biggest hit with their 1989 version of the Ian Hunter song “Once Bitten, Twice Shy.” Thirty years ago, Great White were playing with Whitesnake in arenas filled with 16,000 or 17,000 people. It was an exciting time for the band and the classic rock genre. The band has since changed its venues to festivals, casinos, bike rallies and the likes. The new shows are still big, but in a different way.

Founding member and lead guitarist Mark Kendall and I spent a half hour on the phone discussing the bands successful career, memories of his first ever guitar, how he has evolved as a musician through time, which album was his all-time favorite, the band’s plans for the immediate future, and the life on the road these days.

**Fun fact–Great White have played with a lot of legends. Who do you think they would love to play with but have not? Listen to find out!

Rock At Night receives a lot of album solicitations so when we notice a band, they have to be pretty special. Montreal-based band, A Devil’s Din, fits the bill. As soon as I listened to the single “Skylight,” which is featured in the band’s second album, also titled Skylight, I was totally hooked. The song “Skylight” has a totally psychedelic rock sound with its floating, trance-like vocals, cool intertwined guitar and bass riffs, and keyboard accompaniment. I have had an earworm for the song ever since! Actually, the whole album is a wonderful prog rock stew in the vein of Pink Floyd or Yes, but also has flavors of The Beatles Sergeant Pepper with Lennonesque vocals. There are hints of 90s grunge with vocals reminiscent of Alice in Chains and even vocals, which to me, sound similar to ELO (although singer David Lines says no vocoding was used at all). Nevertheless, fans of 60s psych rock, early-70s prog rock, or even the Millennial band melodic metal band Ghost, will enjoy Skylight.

Rock At Night had the pleasure of interviewing David Lines (vocals, keys, guitar) of A Devil’s Din prior to the album’s release date of June 17, 2016. During the interview Lines discussed the “new” psychedelic rock music genre; the band’s history and line-up; analysis of each song on the CD Skylight; and the Fall tour in the UK. This interview is a must listen for all psych rock, stoner rock, and prog rock fans!

Rock At Night receives a lot of album solicitations so when we notice a band, they have to be pretty special. Montreal-based band, A Devil’s Din, fits the bill. As soon as I listened to the single “Skylight,” which is featured in the band’s second album, also titled Skylight, I was totally hooked. The song “Skylight” has a totally psychedelic rock sound with its floating, trance-like vocals, cool intertwined guitar and bass riffs, and keyboard accompaniment. I have had an earworm for the song ever since! Actually, the whole album is a wonderful prog rock stew in the vein of Pink Floyd or Yes, but also has flavors of The Beatles Sergeant Pepper with Lennonesque vocals. There are hints of 90s grunge with vocals reminiscent of Alice in Chains and even vocals, which to me, sound similar to ELO (although singer David Lines says no vocoding was used at all). Nevertheless, fans of 60s psych rock, early-70s prog rock, or even the Millennial band melodic metal band Ghost, will enjoy Skylight.

Rock At Night had the pleasure of interviewing David Lines (vocals, keys, guitar) of A Devil’s Din prior to the album’s release date of June 17, 2016. During the interview Lines discussed the “new” psychedelic rock music genre; the band’s history and line-up; analysis of each song on the CD Skylight; and the Fall tour in the UK. This interview is a must listen for all psych rock, stoner rock, and prog rock fans!

Rock At Night receives a lot of album solicitations so when we notice a band, they have to be pretty special. Montreal-based band, A Devil’s Din, fits the bill. As soon as I listened to the single “Skylight,” which is featured in the band’s second album, also titled Skylight, I was totally hooked. The song “Skylight” has a totally psychedelic rock sound with its floating, trance-like vocals, cool intertwined guitar and bass riffs, and keyboard accompaniment. I have had an earworm for the song ever since! Actually, the whole album is a wonderful prog rock stew in the vein of Pink Floyd or Yes, but also has flavors of The Beatles Sergeant Pepper with Lennonesque vocals. There are hints of 90s grunge with vocals reminiscent of Alice in Chains and even vocals, which to me, sound similar to ELO (although singer David Lines says no vocoding was used at all). Nevertheless, fans of 60s psych rock, early-70s prog rock, or even the Millennial band melodic metal band Ghost, will enjoy Skylight.

Rock At Night had the pleasure of interviewing David Lines (vocals, keys, guitar) of A Devil’s Din prior to the album’s release date of June 17, 2016. During the interview Lines discussed the “new” psychedelic rock music genre; the band’s history and line-up; analysis of each song on the CD Skylight; and the Fall tour in the UK. This interview is a must listen for all psych rock, stoner rock, and prog rock fans!

cleanNonono38:16ChyrisseChatting with Australian band The Rubenshttps://rockatnight.com/podcast/chatting-with-australian-band-the-rubens/
Tue, 07 Jun 2016 04:06:01 +0000Chris Patmorehttps://rockatnight.com/?post_type=podcast&p=16802"Alternative","Australia","Blues-Rock","Chris Patmore","Hoops","Interview","iTunes","London","podcast","The Rubens","Tour","UK",Rock At Night,rockatnight.comClick the link above to listen to the audio interview

By Chris Patmore, Rock At Night London Correspondent

Rock At Night had the pleasure of interviewing Australian rock band The Rubens before their gig at The Dome, London. The band was very excited since the performance was sold out and this was their first headline experience in London. They toured in the UK two years go with the American band Walk the Moon.

The Rubens discussed their experience growing up in a small town (population 500) just outside of Sydney; how the band got together; the experience of having brothers in a band; some of the famous Australian bands who made it big and the distorted view of Australian music; electronic dance music in today’s world; and their future plans, which they hope will be another trip to the UK in the Fall.

PHOTO GALLERY

Videos

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

]]>Click the link above to listen to the audio interview

By Chris Patmore, Rock At Night London Correspondent

Rock At Night had the pleasure of interviewing Australian rock band The Rubens before their gig at The Dome, London. The band was very excited since the performance was sold out and this was their first headline experience in London. They toured in the UK two years go with the American band Walk the Moon.

The Rubens discussed their experience growing up in a small town (population 500) just outside of Sydney; how the band got together; the experience of having brothers in a band; some of the famous Australian bands who made it big and the distorted view of Australian music; electronic dance music in today’s world; and their future plans, which they hope will be another trip to the UK in the Fall.

PHOTO GALLERY

Chatting with Australian alt-country musician Sam Brittainhttps://rockatnight.com/podcast/chatting-with-australian-alt-country-musician-sam-brittain/
Sat, 21 May 2016 18:31:57 +0000Deb Kloedenhttps://rockatnight.com/?post_type=podcast&p=15912"Adelaide","Australia","Country","Interview","iTunes","podcast",#debkloeden,#Sambrittain,#Signallights,#Stabinthedark,rockatnightClick the link above to listen to the audio interview

By Deb Kloeden, Rock At Night Adelaide, Australia Correspondent

Rock At Night recently interviewed Australian alt-country musician Sam Brittain, who will be launching the Signal Lights Tour in Australia, Europe, and finally America (Nashville) this Summer. Signal Lights will be released on June 3, 2016.

Sam Brittain discusses the inspiration for writing his new album Signal Lights, life on the road, his rock roots, the Tram Sessions, and the new single “Stab in the Dark“. Check out our little chat!

Rock At Night recently interviewed Australian alt-country musician Sam Brittain, who will be launching the Signal Lights Tour in Australia, Europe, and finally America (Nashville) this Summer. Signal Lights will be released on June 3, 2016.

Sam Brittain discusses the inspiration for writing his new album Signal Lights, life on the road, his rock roots, the Tram Sessions, and the new single “Stab in the Dark“. Check out our little chat!

Tour

Click the link above to listen to the audio interview

By Deb Kloeden, Rock At Night Adelaide, Australia Correspondent

Rock At Night recently interviewed Australian alt-country musician Sam Brittain, who will be launching the Signal Lights Tour in Australia, Europe, and finally America (Nashville) this Summer. Signal Lights will be released on June 3, 2016.

Sam Brittain discusses the inspiration for writing his new album Signal Lights, life on the road, his rock roots, the Tram Sessions, and the new single “Stab in the Dark“. Check out our little chat!

Tour

cleanNonono12:22Deb Kloeden

Chatting with American rock band Kickin Valentina in The Netherlandshttps://rockatnight.com/podcast/chatting-with-american-rock-band-kickin-valentina-in-the-netherlands/
Tue, 17 May 2016 16:19:30 +0000Petra Leusmannhttps://rockatnight.com/?post_type=podcast&p=15845"European Tour","Germany","Metal","Petra Leusmann","podcast","The Netherlands","Tilburg",Kickin Valentina,Rock At Night,rockatnight.comClick the link above to listen to the audio interview

By Petra Leusmann, Rock At Night Cologne, Germany Correspondent

Rock At Night has been keeping up with Atlanta-based rock band Kickin Valentina for some time! We caught up with them recently in Münster, Germany and then again in Tilburg, The Netherlands. Check out our little chat with the band while in The Netherlands.

Video of the Interview

Photo Gallery

The images may not be reproduced, copied, transmitted or manipulated without the written permission to Rock At Night and the photographer. Use of any image is a violation of the United States and International Copyright laws.

]]>Click the link above to listen to the audio interview

By Petra Leusmann, Rock At Night Cologne, Germany Correspondent

Rock At Night has been keeping up with Atlanta-based rock band Kickin Valentina for some time! We caught up with them recently in Münster, Germany and then again in Tilburg, The Netherlands. Check out our little chat with the band while in The Netherlands.

Video of the Interview

Photo Gallery

Click the link above to listen to the audio interview

By Petra Leusmann, Rock At Night Cologne, Germany Correspondent

Rock At Night has been keeping up with Atlanta-based rock band Kickin Valentina for some time! We caught up with them recently in Münster, Germany and then again in Tilburg, The Netherlands. Check out our little chat with the band while in The Netherlands.

Rock at Night spoke to Sara Hartman while on the US leg of her tour. We touched on the other artists that inspire her, why she chose Berlin as her home base, her Swedish Fish addiction, and much more! Her songs are superbly crafted and even though she is young, her lyrics reveal an “old soul” deep within. Her rich alto singing voice and her music evoke a rich, multi-layered, “unplugged” feel.

We caught up with her a few days after Mother’s Day and right before her last several US shows–she is in Portland, Maine tonight and Washington DC and New York over the next several days. Afterwards she will take an extended stay on Long Island to visit her family. Then, she flies back to Berlin and will continue the tour through Germany, France, Switzerland and beyond in support of her album Satellite that was just released on April 22nd.

A far cry from the young teenager of humble beginnings who played covers in the coffeehouses, bars and restaurants of Long Island; she learned very young what it was like to pay her dues. Sara happened to be in just the right place to get the perfect and fateful connection to continue pursuing her dreams. Because of that connection, she met up with her current producer, Tobias Kuhn in Berlin and eventually moved there. Sara just recently toured as the supporting act for Ellie Goulding and is making a name for herself as a stand out musician on her own! Check her out!

Rock at Night spoke to Sara Hartman while on the US leg of her tour. We touched on the other artists that inspire her, why she chose Berlin as her home base, her Swedish Fish addiction, and much more! Her songs are superbly crafted and even though she is young, her lyrics reveal an “old soul” deep within. Her rich alto singing voice and her music evoke a rich, multi-layered, “unplugged” feel.

We caught up with her a few days after Mother’s Day and right before her last several US shows–she is in Portland, Maine tonight and Washington DC and New York over the next several days. Afterwards she will take an extended stay on Long Island to visit her family. Then, she flies back to Berlin and will continue the tour through Germany, France, Switzerland and beyond in support of her album Satellite that was just released on April 22nd.

A far cry from the young teenager of humble beginnings who played covers in the coffeehouses, bars and restaurants of Long Island; she learned very young what it was like to pay her dues. Sara happened to be in just the right place to get the perfect and fateful connection to continue pursuing her dreams. Because of that connection, she met up with her current producer, Tobias Kuhn in Berlin and eventually moved there. Sara just recently toured as the supporting act for Ellie Goulding and is making a name for herself as a stand out musician on her own! Check her out!

Rock at Night spoke to Sara Hartman while on the US leg of her tour. We touched on the other artists that inspire her, why she chose Berlin as her home base, her Swedish Fish addiction, and much more! Her songs are superbly crafted and even though she is young, her lyrics reveal an “old soul” deep within. Her rich alto singing voice and her music evoke a rich, multi-layered, “unplugged” feel.

We caught up with her a few days after Mother’s Day and right before her last several US shows–she is in Portland, Maine tonight and Washington DC and New York over the next several days. Afterwards she will take an extended stay on Long Island to visit her family. Then, she flies back to Berlin and will continue the tour through Germany, France, Switzerland and beyond in support of her album Satellite that was just released on April 22nd.

A far cry from the young teenager of humble beginnings who played covers in the coffeehouses, bars and restaurants of Long Island; she learned very young what it was like to pay her dues. Sara happened to be in just the right place to get the perfect and fateful connection to continue pursuing her dreams. Because of that connection, she met up with her current producer, Tobias Kuhn in Berlin and eventually moved there. Sara just recently toured as the supporting act for Ellie Goulding and is making a name for herself as a stand out musician on her own! Check her out!