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Reutoff is a prominent post-industrial project from Russia. The trio founded in 1998 has developed its unique style blending elements of dark ambient, hypnotic drumming and heart-felt melodics into sophisticated sound that transcends the limits of so called Schwarze Szene. Reutoff, named after mystic sattelite town of Moscow, gives voices to terrible enlightments, breathtaking suspicions and the truth of Russian landscape with recognizible infernal irony. Project discogrpahy numbers more than a dozen of releases on such labels as Ewers Tonkunst, Hau Ruck!, Drone Records and the quest goes on. Reutoff collaborated in studio and played live with such significant projects of independant muzak as Deutsch Nepal, Troum, Bad Sector, Der Bluthatsch, Aube, Sal Solaris to name but a few. Every Reutoff piece of work is an adventure with unpredictable ending.

Heinali (a moniker of Oleg Shpudeiko) is a composer and sound artist from Kiev, Ukraine. Self-taught. Started composing music in 2003. Heinali’s sound is generally eclectic, though often described as atmospheric and emotional. His music has been released on such labels as Arlen, Paradigms Recordings, Catalogue of Wonders, Dedicated Records, Pronounce. In 2009 he joined the Soloma art group and composed music for media art performances “Traces on the Snow”, premiered at “I Love Kiev” contemporary art festival (Kiev, Ukraine, 2009) and “Aero”, premiered at “Gogol Fest” contemporary art festival (Kiev, Ukraine, 2010). His music was featured in ‘Ni Ogros Ni Princesas’ Provizional Danza choreography directed by Carmen Werner (Madrid, Spain, 2011). Collaborated with Maria Navrotskaya, Aiode, Anton Baibakov, Orchestra Eclettica e Sincretista, Matt Finney. Collaboration with american poet Matt Finney became a separate heavier and darker sounding project. In 2011 they wrote music for the opening of Olya Pischanskaya’s photo exhibition, which took place at Korobchinsky Art Centre (Odessa, Ukraine, 2011).

Bad Sector is an ambient/noise project formed in 1992 in Tuscany, Italy by Massimo Magrini. While working at the Computer Art Lab of ISTI in Pisa, he developed original gesture interfaces that he uses in live performances: 'Aerial Painting Hand', 'UV-Stick', and others.Bad Sector's music is considered a mixture of ambient, noise, industrial music, minimal and experimental music.Magrini himself describes it as "deeply emotional dark ambient noise". Common themes include microbiology, algorithms, physics, and space exploration.

Cisfinitum is a post-industrial noise project from Moscow, Russia. It was started in the late 1990s by composer and musician Eugene Voronovsky and has drawn significant attention as one of the most uncommon and distinctive on the national experimental scene. Cisfinitum has an emotional sound lying within the boundaries of drone ambient and noise.Cisfinitum's leader, Eugene Voronovsky, graduated from the Moscow State Conservatory as a professional violinist. In his music, he uses classical instruments such as the violin, the piano and percussion along with sounds considered "non-musical", such as a coffee grinder or dying man's breath, processed with analog and digital technologies. Cisfinitum can be called the industrial-ambient reading of academic music."Cisfinitum is the sound of eternity. I've always wanted to create the music of Russian cosmos, music capable of expressing information about Russia that is impossible to reveal by means of words. They call this 'drone' overseas, but I prefer to define it 'metaphysical ambient'", claims Eugene.