It is enough to look slightly at the study of the figure of Felip Pedrell to realize the great complexity of trying to encompass the analysis of only one of its facets. In the present work we define Pedrell 's musical historiographic model, and determine what are the backbone of Pedrell' s musical thought through the analysis of Por nuestra música, exposing the process of change and development of these ideas. We also present a brief biographical chronology, in order to establish a context that clarifies the circumstances surrounding his creative processes, and a catalog of his writings and publications. Finally, from a contextualizing point of view, we made an approach to the diffusion of the musical thought of Felip Pedrell through his personal epistolary, focused on his relationship with some of his editors, the diffusion of Por nuestra música, and his controversies in the Herealdo de Madrid.
Advisors/Committee Members: [email protected] (authoremail), true (authoremailshow), Gregori i Cifré, Josep M. (director), true (authorsendemail).