PureSchmaltz

Rendered Fat Content

" … with meaningful insights struggling to be seen, much less appreciated, …"

I was going to write about OverThinking today, but I discovered that I'd already writtenabout that three years ago. I caught myself in one of those rumination loops common to my practice. Prior considering will have only rarely settled anything. I believe that I could infinitely consider any topic and still fail to stumble upon much of a conclusion. Conclusions, I tell myself, seem over-rated, anyway. If I am because I think, as Descartes so proudly proclaimed, thinking might serve as a precondition to my even being here. Should I ever stop, Descartes might predict that I'd simply disappear. Not that my disappearing would necessarily set back civilization even an angry inch. Thinking serves as one of those activities which somehow survives without ever having acquired a cogent definition of itself. In that respect, thinking and I might be fraternal twins. I spend most of every day in my head, thinking, as the presumption goes, but perhaps not OverThinking so much as UnderThinking there.

UnderThinking seems an art, for its purpose couldn't possibly be simple representation.

Bradford and Hillary Keeney speak of Rooms. Should I feel constrained in the present room, I might simply move to a larger room, one capable of properly containing me. Likewise, should a room feel too roomy, I might move to a room more suited to my size. Bradford and Hillary speak metaphorically, of course, but I've been feeling overly unconstrained lately, as if my present room were considerably larger than necessary, than appropriate for my present endeavors. I feel as though I cannot fill the rooms I enter these days, as if each one had been designed to contain a larger person, a much larger personality than I bring to my game, for I hold humbled aspirations now. I no longer aspire to achieve greater things, but lately acknowledge that my accomplished achievements might well mark the high water mark of my career and my life. I understand and accept that our universe continually expands, but I find this a poor excuse to mimic it. I ain't no universe.

"I will have in EarlyMorning warmed up the bed for him to wallow around in …"

The diners and coffee shops seem to fill with geezers first. Later, the driven corporate types trickle in, thinking that they've seized another day, only to find the territory already settled by second-cup sipping self-satisfied retirees, hard-core unemployables, and maybe a writer or two, those for whom EarlyMorning offers their sole refuge. Nobody watches them rise. Nobody's even trying to catch them along their way. They will become increasingly invisible throughout the following day. They have little left to aspire after, having found their eigenvalue, though they find great fulfillment acknowledging that they once again managed to beat that lucky old sun at his own eternal game.

I will never suspect. I might have noticed a creeping lethargy, a budding indifference, a blooming I Just Don't Care attitude, but I will not suspect that I might have contracted a bug of any sort. In my mind, one can only properly declare illness for a) a runny nose, b) runny bowels, c) sore throat, d) fever, and/or e) a broken bone; basically the same list of acceptable excuses for missing a day in elementary school. Dizzy disorientation falls well north of any threshold under which I can legally claim myself to be under any weather, since I consider it a part of what passes for my usual countenance. I get confused sometimes, as a normal part of my continuing inquiries. The Muse notices, investigates, then declares me out of the game. "There's a bug going around," she says, and I crumble into bed.

Gardening demands a certain heartlessness. It ain't all tender nurturing, but also involves a studied brutality: pruning, plucking, trimming, and the curiously-named Deadheading. No, Deadheading has nothing to do with a popular musical group from the sixties, but involves removing spent blossoms and their bud tips to encourage fresh blooming. Deadheading prolongs the purpose of planting the flowers, extending the blooming season beyond what it would otherwise have been. It's picky work, likely to damage the plant should it be clumsily performed. It tries the patience of even the more contemplative gardeners, insisting upon an extended level of focus almost orthogonal to quietly enjoying blossoming flowers.

"My first wife will forever have the flu on our honeymoon and my second will always have a cold."

My first wife had the flu for our honeymoon. My second caught a cold. My third wife caught nothing except me, an infection for which there might not be any effective cure, thank heavens. My first marriage ended after I'd fallen in love and turned into a giddy and somewhat irresponsible seventeen year old at thirty-five, my first and most significant mid-life crisis. My second marriage ended after I told a terrible lie. Accused of carrying on an affair I had not engaged in, I admitted to it after realizing that I could never convince anyone, who's identity so utterly depended upon me being such a cad, that she'd just imagined my infidelity. She despised my kids, anyway, which meant in my mind that she deeply despised me. Neither of these disconnects ever got talked out, for each was beyond words to explain. My first wife insisted that we go see a marriage counsellor, but refused to go back a second time when she discovered that the counsellor wouldn't take sides. I continued seeing her and still speak with her today. She's served as my fair witness and refuses to take pay because she insists that I'm an interesting case. My second wife just asked that I thereafter think of her as dead.

While both relations became beyond words as they moved into their ex- states, conversations continued in my head.

If you weren't there, you're unlikely to believe a word I say describing that time. TheSummerOf1969 seems in the future now, an idyllic upcoming state those of us who were there briefly glimpsed as we sped by. No, I'm not suggesting that everything was rosy then. I lived under the clear and always-present threat that I would be drafted to fight in a meaningless war half way around the globe. My hometown remained securely in the clutches of an entrenched plutocracy. But I'd somehow survived the gulag that was my high school and I really felt as though I was at least ninety percent upside. I had nothing to regret yet. I had not yet fallen hopelessly in love. I had close friends in high places, and while I didn't share their obsession with getting high, I found their presence nonetheless elevating. We fancied ourselves radical and were frantically growing our hair to prove it. Our future was finally now!

"The curtain hardly falls before another fist cloud boils up into the last of any day's sunlight."

The drenching rain comes in the third act, once the set-up drama just about ends. Some small overlap seems necessary for a smooth transition, but the drenching foreshadows the end. The credits will roll over driveways and ditches draining away the final residue and the standing water starting to seep into soil hardly thirsty by then. I might not even stay up for the final acts, since I prefer the dramatic lead-up much more than the down falling denouement. I appreciate the moisture, but worship the thunder and the lightning.

I saw what first appeared to be tall sails slipping above low clouds already in sunset's shadow.

My birth family seemed obsessed with visiting each other. We never once went on a vacation that wasn't primarily focused upon visiting family. We'd arrive and the Brownies would come out and the photographing commenced, lining up the cousins in stair step order, the sisters in mirror proximity, the in-laws as if they were genuine brothers. We also rarely stayed in motels, for there was always some family we could drop in on for at least one night when we were in transit. I suspect that we sometimes came as somewhat of a shock when, near sundown, we'd happen to be near Chico and call ahead to my mom's uncle to announce that the seven of us would be there around suppertime, but we were never once turned away, because we were Fambly.

A velvet curtain covered the windows overnight, so thin and permeable that the light breeze could squeeze right through its intricate weave. Morning light slipped through, too, as if the curtain's velvet has expanded to texturize the entire atmosphere. The sunrise screamed through the muffling haze that this would become one of the hotter days, but then, before the paper came, before I could rouse my upside-down American flag on it's stand, the land reclined in perfect ambience. Yesterday's extremes seemed at that early hour a bad dream, though even those extremes hardly blunted my seasonal enthusiasm. We wait through nine or ten months of disparagement for mornings just like this one, mornings which seem to last forever before seeming simply fleeting.

The flower garden's finally as fine as it's going to get, with experiment and old reliable doing their best to please.

"I understand that I'm only marginally worthy of the fruits of their efforts."

I try to keep up, honest I do. I scan the morning news. I do avoid broadcast news, though. Trump's election broke my decades-long addiction to NPR. (Interns seem to have overthrown genuine journalists on NPR. I can tell because they elevate the end of every statement into a question, an annoying affectation.) The fact that it's on the tube chased me away from most televised news, though The Muse and I will sometimes watch the PBS Newshour on a Friday evening just to finish off the week; besides there's nothing else on at that hour. The various nightly newscasts, thoughtfully aired in late afternoon when we're still nose to grindstone, seem as over-produced as any campy Broadway musical. The cable alternatives have priced themselves out of our reach. We unprogrammed our remote's access to our local Faux station, but they never very convincingly pretended to be very interested in broadcasting news. They're a shameless, transparent propaganda distributor. I wonder how they keep their FCC license, or would wonder if I didn't know who was running the FCC these days.

As near as I can determine, anything our President touts as fake news is the God's honest truth news and whatever he touts as honest news is absolutely fake.

" … a snake chasing his own tail, still deeply uncertain what he might do should he ever finally catch up to it."

Prose comes in many forms: dialogue, monologue, diatribe, lecture, and scold, to name but a scant few of the more frequently encountered types. Fiction and non-fiction hardly stand as distinctive designations, each more dependent upon the author's intention than any pervasively factual foundation. Historical fiction can and does sometimes seem to better represent a period than does scrupulously fact-based history. Commentary takes many forms, and so might be accurately described as a meta-form, one not beholding to any standard classification. Much prose follows subtle rules that if they were ever written down, I haven't found the source document delineating them yet. To speak of these underlying forms seems to require violating those underlying forms, to go meta or mina to them, for speaking of a form seems to require sidestepping the form itself, which might subtly prohibit self-reference as a premise for employing it. My personal ethic to avoid telling people what to do cannot be conveyed by telling people not to tell people what to do, and this highlights the paradoxical territory speaking of underlying forms traverses.

People have been after me to classify my own writing, which I've always found to be a challenge. I can more easily declare what it's not than what it might be.

I earlier this morning finished copyediting a manuscript I "finished" ten months ago. Copyediting and writing seem antithetical to each other, like shining the brass has almost nothing in common with building a ship from scratch, but the overall effort's uncompleted until somebody polishes that brass. I find this work to be, well, real work, unlike writing, which doesn't usually feel very much like work to me anymore. Furthermore, it feels like picky work, the sort that demands close attention without really paying for it. I'd read each piece before, even scrupulously copyediting them, though I'd never read through the whole work as if I were reading a whole work, which provided a unique experience for me to read something I'd written as if I was a scrupulous reader rather than the proud and slightly defensive author.

I am not a man given to emotional outbursts. I hail from a placid valley where a summer day might passive-aggressively scorch but only rarely degrade into fearful vengeance. Colorado's Front Range experiences a different midsummer normal. Here, a July day's temperature routinely ranges forty degrees or more between sunrise and sunset, heating quickly as morning progresses before monsoonal moisture erupts. The fabled hiss of summer lawns by mid afternoon might routinely transform into brisk then fierce wind followed by first distant thunder, then terrifyingly close lightning, then drenching rain. Colorado's summer weather has serious mood lability issues, and one can reasonably expect it to turn unreasonable with little warning.

"I expect to continue ComingOfAge until my accumulated age catches up to me, not until I finally catch up with my age. "

I'm supposed to attend my fiftieth high school reunion in a few weeks, and this event has me ruminating. I was ComingOfAge when I graduated, not yet eighteen and emotionally unprepared to accept that I'd grown up. In fact I had not then completed growing up and cannot yet admit to having finished that labor, for ComingOfAge seems an asymptotic activity, one which never fully completes its mission. I seem to have been chasing the chimera of maturity for as long as I can remember, always pursuing a mythical stable next state which seems to have always been replaced with yet another looming ascension as I grew nearer to it. I remember never having quite grown up into feeling like a fully-qualified high school student when graduation came along, just like I never quite satisfied my aspiration to feel as though I fit into my Junior High School class before graduating from there. Ditto with my grade school and preschool experiences, and ditto to every role I've attempted to assume so far.

'They' say that the size of my personal carbon footprint depends upon the tradeoffs I resolve, a series of this or that choices. Many of the choices come cloaked, relying upon me to be alert and aware and present enough to realize in a narrow moment that I'm supposed to be making a choice there. Like most everyone, I live much more automatically than this prescription relies upon me living. I only rarely think twice and even less often ruminate much on whatever choice I've already made, each completed action a sunk cost more than a lesson truly learned. Most of my carbon emissions result from me flipping a bloodless switch. Even so,I know myself to be a serial carbon emitter of the first order in spite (and sometimes because) of my deeply held concern about our precious climate. I'm good as far as that goes, but I'm fairly certain that it's not nearly good enough to matter.

Look, I'd take public transportation if it was available, but it's not.

The Muse and I become more insistent than actually obsessive come Saturday morning. We both know what we'll do. Beyond the age when we're obligated to attend any juvenile soccer games, we understand that Saturday morning's reserved far in advance for restocking the larder. This routine repeats itself without becoming ever the same each time, for as the seasons progress, different necessities emerge. In January, our go-to family-run produce stand's closed for the season, so we're relegated to picking through the less discerning supermarket's variety. In high July, though, that stand's finally wide-open, past the Saturdays when they offered the choice between onions and potatoes or both.

Asparagus was finished last week, other than that pencil dick, past season stuff that could be credibly hollowed out and fitted with a graphite core and used for scribbling.

"Those boundary conditions and the rhythm they encourage make my work possible."

The Muse is off galavanting this week. Part of her job involves galavanting, traveling off to conduct business somewhere else. She's done enough of this over the past decade that this week she was named Grand PooBah for Life by the Marriott Hotel Chain. This guarantees that she receives special service, a steep discount, room upgrades, and free high speed internet for life at every Marriott-owned property in the world. She almost always travels alone, leaving me to tend fort while she forays off into hostile territory. Our little fort hardly needs tending, save for watering the plants, so my schedule opens waaaaay up during these absences. Her away schedule allows for two brief check-in periods each day, one while she wends her way to her first morning meeting and another as she wends her way back to her upgraded room and high speed internet service at the end of another over-long day.

The hard luck farmers and harder luck miners who originally founded Denver were probably pretty much ready to head back to from wherever they'd come after that first hard winter and disappointing spring, until a couple of scant weeks into summer and SweetGrassSeason kicked in. Up until then, the region had meted out one humiliation after another. False springs had taunted their cabin fever. Heavy snow had isolated and humbled them. The foreshortened fall before had surrendered too quickly into an early blizzard. I imagine them forlorn with a nagging spouse questioning again just what had seemed so promising about here. But then SweetGrassSeason arrived.

The sky had been cranky, mustering up quick tempestuous thunder carrying torrential rain and hail every damned afternoon.

When I was about eight years old, I enjoyed no higher privilege than one I created for myself. I'd head for bed at the prescribed hour, feign almost immediate sleep until the bed check passed, then pull my bread-loaf sized radio under the covers with me and listen in to a live broadcast from The Big Y, a turnaround point on the long Main Street drag frequented by high school kids out dragging the gut. The program featured popular music punctuated with news alerts. One unforgettable night, the DJ announced the escape of a kinkajou from a traveling circus. Several nights, someone had escaped from the state penitentiary up on the hill at the far end of thirteenth street. I laid there, warmed by the radio's etherial glow, feeling as though I was situated near the center of the universe. I fell asleep satisfied sometime in the uncountable early morning hours.

A few years later, I took an early morning paper route and over the following several years, transferred that StayingUp reflex into a GettingUp one, finding them both equally satisfying, for both provided that bounded solitude I seemed to crave.

I've put this puzzle back together scores of times. Each time, the age-worn pieces fit together a little differently. My memory holds an impressionistic representation of what the finished picture should be, mostly composed of reanimated routines snugging within old familiars, but it never seems to end up just as I remembered it being before. Each completion an off iteration of whatever had come before. Leaving crumbles the puzzle into constituent pieces, throwing them haphazardly into a box half Scotch® taped together, cover photo faded and worn. Returning pulls that box back out of the game cupboard to lay out those pieces for reassembly, tedious but necessary effort. One cannot stay away for ever and one can never return to find the SigJawPuzzle already completed.

I confided to The Muse that I probably should not be out. We both felt delicate, me having risen at 3am in the guest bed, having no recollection of how I had gotten myself there. The Muse, a reliable last riser, was already up. The laundry was done by seven. We'd gone out shopping at five thirty, aware that we'd left the larder bare when we'd departed for Europe two weeks before. When we arrived at the supermarket, neither of us could think of anything we needed to buy. We returned with a gallon of milk, a quart of yogurt, and a dozen eggs, all of which would remain untouched by the end of that day.

"Where are you going?" The Muse asked as I blew past the exit I had intended to take.

The flight paths into and out of Denver International Airport have not yet been paved, as evidenced by the routine insistence by every pilot of every arriving and departing flight that cabin service be either suspended three quarters of an hour before landing or delayed for a similar period after takeoff. These departures and arrivals prove to be white knuckle affairs for everyone except the flight crew, and even they give their seat belts an extra snugging tug. I find myself anxiously anticipating every departure and every return before finally submitting to the necessity of experiencing this ordeal, though I don't like or appreciate a minute of these adventures.

"We expect ourselves to behave like the fully functioning adults we know ourselves to be …"

The Muse and I have traveled plenty. We're not genuine World-class travelers, but we've managed to make our way anyway. Our relationship began during a period of rather intense business travel, which we always managed, in the spirit of any fresh relationship, to make into net pleasurable excursions. A week in Winston-Salem rivaled a week in Rome, for we were younger then and so deeply in love. We learned our ropes, our RulesOfTheRoad under perhaps the most positive conditions. We learned not to take much of anything that happens very personally, for grudgy effects could sour an otherwise delightful experience. Stuff happens, inconveniences conspire, it's nothing more than their nature, but we never agreed to become pawns to their conniving games and always managed to have a vote in every outcome. We noticed early on that some people seem to travel for the pure aggravation it provides in their lives. Listening to their travel stories seemed like listening to a particularly vengeful prosecutor talking himself into filing a viscous bill of particulars. Flights arrived late. Hotel reservations lost. Dinners uneatable. Of course these minor distractions happen to everyone who deigns to move beyond the secure confines of home, but none of them amount to the stuff anyone should aspire to make into a Federal case. We early on decided that these amounted to nothing much more than plot twists and need not ever very deeply influence the quality of any outcome. So we arrived hours later than planned? We call this sort of occurrence a So What?.

We do have a few rather hard and fast rules which we intend to help ensure domestic tranquility.

"I expect my shadow to continue to surprise me whenever I chance to see it."

"They" say that travel broadens one. If it does, it accomplishes this end by successively narrowing perspective. From the row twenty-two aisle seat on the transatlantic flight to the semi-private compartment on a Central European train through Slovakia, remarkably tiny spaces contain most of traveling. The broadening, more a smearing, actually, must come from switching out these spaces over relatively short periods of time. Travel from Budapest to Prague involves witnessing a few foreshortened hours of quickly shifting vistas through farmland, picturesque villages about the size of a photograph of them, and through tiny train stations before finally slow-crawling into the massive train yard in Prague. Likewise, walking those old cobbled Prague streets provides no more than the narrowest perspective on the place at any one time. A walk might take one through a half-dozen remarkably narrow passages where one can't see more than a few meters ahead or behind them self. Even the view from the Prague Castle parapet provides less perspective than I might catch from our deck back home. Yet, near the end of an excursion, ten or twelve days in, I feel as though I can see much more broadly than I could from my deck back home.

We spent a few days in a genuinely tiny apartment in Budapest which featured a view clear across a narrow street.

Berlin feels more like an extended suburb than a world capitol. It stretches from horizon to horizon to horizon to horizon, hardly rising from the horizontal plane. It clearly ain't no New York, Paris, London, Prague, Vienna, or Rome. It's looks like more of a Gary, Indiana sort of place with a few canals and a small river thrown in. It once, like many other capital cities, aspired to become the capital of the world, though by aspect alone, it hardly could have ever realistically consummated that romance. It fell, hard, dividing itself instead, a cautionary tale for any place defensively lusting after becoming some place more special than they were. It holds few treasures and more cold memories than any similarly-sized space on earth.

The more affluent neighborhoods have populated their sidewalks, making them appear no different from any other yuppie enclave anywhere in the world.

"We can always choose to get bad and lost without really choosing anything."

Neither The Muse nor I seem to be immune from getting lost. Even assisted by GPS and the almost always available GoogleMaps app, we still get lost. We can't credibly blame these occurrences on the mapping software because it's just software and therefore eminently fallible. We can't always blame ourselves, either, and not only because blaming never found anything. In order for blaming to find anything, it would have to reverse the ineffable forward flow of time, which would be an unrealistically heavy lift for anybody. Blaming suggests just going back for a do-over, but there's never any going back and therefore no do-over possible. Getting lost seems an inescapable element of living and probably not that much of a problem, anyway, though it certainly seems like the problem it isn't.

I figure that getting lost serves as a force leveler, protecting me from getting what my mother would call "too big of a head."

"We will have no opportunity to remake that first impression with another GrandEntrance."

The Romans perfected this schtick. Following some victory in Gaul or equally far-flung place, a triumphant general would ride ahead of his legions into Rome with much heraldry and trumpet-blowing. Employing the photographic technology of the time, the celebration would then be painstakingly carved into a bas relief and cemented into a city wall. An arch might be constructed over the following century or two, ensuring that this victory would live long in the citizens' memory. Today, some nerd schlumps off a long train ride to insist that he doesn't need a cab or a tram or even a subway ride. He and his lovely wife will instead drag their roller-bags through the middle of town during the height of the evening strolling hour. A lasting impression will remain, but mostly in the minds of those pulling those bags over dispassionate cobblestone. Finally arriving sweaty and breathless at their hotel, they receive the dispassionate attention of a distracted night clerk before proceeding without trumpetry to their room where they will leave a temporary bas relief of their exhaustion in the bedcovers when they rise the next morning.

The Muse and I have produced a considerable history of making GrandEntrances such as the latter.