FRANKIE BANALI Says He Came Up With Opening Drum Pattern In OZZY OSBOURNE's 'Over The Mountain' Song

In a brand new interview with Greg Prato of Songfacts, QUIET RIOT drummer Frankie Banali confirmed that he was the one that came up with the opening drum pattern — later performed by Lee Kerslake, but credited to Tommy Aldridge — on the OZZY OSBOURNE song "Over The Mountain".

"How that came about was really interesting," Frankie said. "I had an apartment in West Hollywood — this small, one-bedroom apartment — and I was having to hustle as many gigs as I could and as many sessions as I could just to meet my monthly rent while all my other friends were still couch-surfing. I get a call one morning... from Randy Rhoads.

"Randy had a really low voice. Everybody thinks he had a high voice because he was a tiny little guy, but he had a really low voice. He goes, 'Frankie, do you want to play with Ozzy?' And I said, 'The guy from BLACK SABBATH?' He says, 'Yeah.' I go, Okay! I have my drums, but I don't have a car.' So he borrowed a car that was big enough. He came and picked me up and we went down to rehearsals. And when I say, 'pick me up,' he picked me up with my 1969 green Ludwig sparkle set with a 26-inch bass drum. I brought a gong — the whole thing. We went to this rehearsal studio called Mars — on Melrose and Western — and we rehearsed for about a week. It was interesting. It was great to play with Randy, and the bass player, oddly enough, was Dana Strum, who eventually became the bass player in the VINNIE VINCENT INVASION and then SLAUGHTER. Essentially, that was the band."

Banali continued: "Ozzy was interesting — he was nothing like what I expected. He was quiet and he sat down on a piano bench with a little ghetto blaster, and he was recording essentially everything we were doing. That ended up becoming 'Over The Mountain', which, at that time, wasn't really fleshed out. A lot of those parts were guitar parts that Randy brought in from older QUIET RIOT songs from the '75-'79 period, and that triplet thing is something that I was doing at every session because I figured, 'If it ever comes out, I'm finally going to get it on a record,' because I really enjoyed it. It's derivative of the 'John Bonham triplet.' John Bonham is one of my favorite drummers, so that's how that came about.

"Now, originally, they were going to record the record in L.A., but Jet Records had spent so much money flying Ozzy between London, L.A. and New York looking for musicians and they were really unsure what Ozzy's future was going to be. Ultimately, they decided to just record it in England, because it would be less expensive, and they would only pay to fly one guy over. And obviously, 'the guy' was Randy Rhoads. That was my brush with Ozzy-ness, so to speak.

"The interesting thing about that one is, I read — I think it was in Bob Daisley's book ['For Facts Sake'] — that it's nonsense and that I didn't come up with that drum part, that he was there when Lee Kerslake — who is a friend that I really love, from URIAH HEEP — came up with the drum part. It is fascinating that Bob Daisley would say something like this, because this happened a year before he was involved with the band, and he wasn't in Hollywood. So, how could he pass judgment like that? I know what I played.

"In '87, Kevin [DuBrow, QUIET RIOT singer] and I were doing press for the 'QR III' record, and Ozzy was doing press. It was at a Mexican restaurant on Melrose in Hollywood. Ozzy pointed to me, and he goes — I'm paraphrasing, but something to the effect of — 'That's the bloke that came up with the drum part that Lee recorded, that Tommy Aldridge got all the credit for!'"

QUIET RIOT's new album, "Road Rage", will be released on August 4 via Frontiers Music Srl.

Joining Banali in the band's current lineup are bassist Chuck Wright (who has been in and out of the group since 1982), guitarist Alex Grossi (who has been in the band since 2004), and new vocalist James Durbin.

COMMENTS

To comment on a
BLABBERMOUTH.NET
story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of
BLABBERMOUTH.NET
and
BLABBERMOUTH.NET
does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details.
BLABBERMOUTH.NET
reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).