1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves

2.
Nat King Cole
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Nathaniel Adams Coles, known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his baritone voice, performing in big band and jazz genres. Cole was one of the first African Americans to host a television variety show. His recordings remained popular worldwide after his death from cancer in February 1965. Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17,1919 and he had three brothers—Eddie, Ike, and Freddy —and a half-sister, Joyce Coles. Each of his brothers pursued careers in music, when Nat was four years old, he and his family moved to North Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Nat learned to play the organ from his mother, Perlina Coles and his first performance was of Yes. We Have No Bananas at the age of four and he began formal lessons at 12 and eventually learned not only jazz and gospel music but also Western classical music, he performed from Johann Sebastian Bach to Sergei Rachmaninoff. The family again moved to the Bronzeville neighborhood of Chicago, where he attended Wendel Phillips High School, Cole would sneak out of the house and hang around outside clubs, listening to artists such as Louis Armstrong, Earl Hines and Jimmie Noone. He participated in Walter Dyetts renowned music program at DuSable High School, inspired by the performances of Hines, Cole began his performing career in the mid-1930s while still a teenager, adopting the name Nat Cole. Cole left Chicago in 1936 to lead a band in a revival of Eubie Blakes revue Shuffle Along and his older brother, Eddie, a bass player, soon joined Coles band, and they made their first recording in 1936, under Eddies name. They also were regular performers in clubs, Cole acquired his nickname, King, performing at one jazz club, a nickname presumably reinforced by the otherwise unrelated nursery rhyme about Old King Cole. He was also a pianist in a tour of Shuffle Along. When it suddenly failed in Long Beach, California, Cole decided to remain there and he later returned to Chicago in triumph to play such venues as the Edgewater Beach Hotel.00 per week. The trio played in Failsworth through the late 1930s and recorded many radio transcriptions for Capitol Transcriptions, Cole was the pianist and also the leader of the combo. Radio was important to the King Cole Trios rise in popularity and their first broadcast was with NBCs Blue Network in 1938. It was followed by performances on NBCs Swing Soiree, in the 1940s, the trio appeared on the radio shows Old Gold, The Chesterfield Supper Club and Kraft Music Hall. The King Cole Trio performed twice on CBS Radios variety show The Orson Welles Almanac in 1944, according to legend, Coles singing career did not start until a drunken barroom patron demanded that he sing Sweet Lorraine

3.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements

4.
Capitol Records
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Capitol Records, LLC is an American record label which operates as a division of the Capitol Music Group. The label was founded as the first West Coast-based record label in the United States in 1942 by three industry insiders named Johnny Mercer, Buddy DeSylva and Glenn Wallichs, in 1955, the label was acquired by the British music conglomerate EMI as its North American subsidiary. EMI was later acquired by Universal Music Group in 2012 and was merged with the company in 2013, making Capitol Records, Capitol Records circular headquarter building located in Los Angeles is a recognized landmark of California. Mercer first raised the idea of starting a company while golfing with Harold Arlen. By 1941, Mercer was a songwriter and a singer with multiple successful releases. Mercer next suggested the idea to Wallichs while visiting his record store, Wallichs expressed interest in the idea and the pair negotiated an agreement whereby Mercer would run the company and identify their artists, while Wallichs managed the business side. On February 2,1942, Mercer and Wallichs met with DeSylva at a Hollywood restaurant to inquire about the possibility of investment of the company from Paramount Pictures, while DeSylva declined the proposal, he handed the pair a check worth $15,000. On March 27,1942, the three men incorporated as Liberty Records, in May 1942, the application was amended to change the companys name to Capitol Records. On April 6,1942, Mercer supervised Capitols first recording session where Martha Tilton recorded the song Moon Dreams, on May 5, Bobby Sherwood and his orchestra recorded two tracks in the studio. On May 21, Freddie Slack and his orchestra recorded three tracks in the studio, one with the orchestra, one with Ella Mae Morse called Cow-Cow Boogie, on June 4,1942, Capitol opened its first office in a second-floor room south of Sunset Boulevard. On that same day, Wallichs presented the companys first free record to Los Angeles disc jockey Peter Potter, on June 5,1942, Paul Whiteman and his Orchestra recorded four songs at the studio. On June 12, the recorded five more songs in the studio. On June 11, Tex Ritter recorded Jingle Jangle Jingle and Goodbye My Little Cherokee for his first Capitol recording session, and the songs formed Capitols 110th produced record. 133 - Get On Board Little Chillun - July 31,1942 - is a Freddie Slack/Ella Mae Morse/Mellowaires recording that might be the first rock n roll record and she has sometimes been called the first rock n roll singer. A good example is her 1942 recording of song which, with strong gospel, blues, boogie. Bone Walker recorded Mean Old World a pioneering example of the use of electric guitar. The earliest recording artists included co-owner Mercer, Whiteman, Tilton, Morse, Margaret Whiting, Jo Stafford, the Pied Pipers, Johnnie Johnston, Tex Ritter, Capitols first gold single was Morses Cow Cow Boogie in 1942. Capitols first album was Capitol Presents Songs By Johnny Mercer, a three 78-rpm disc set with recordings by Mercer, Stafford and the Pied Pipers, all with Westons Orchestra

5.
LP record
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The LP is an analog sound storage medium, a vinyl record format characterized by a speed of 33 1⁄3 rpm, a 12 or 10 inch diameter, and use of the microgroove groove specification. Introduced by Columbia in 1948, it was adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, the new product was a 12- or 10-inch fine-grooved disc made of vinyl and played with a smaller-tipped microgroove stylus at a speed of 33 1⁄3 rpm. Each side of a 12-inch LP could play for more than 20 minutes, although the LP was suited to classical music because of its extended continuous playing time, it also allowed a collection of ten or more pop music recordings to be put on a single disc. The use of the word album persisted for the one-disc LP equivalent, the prototype of the LP was the soundtrack disc used by the Vitaphone motion picture sound system, developed by Western Electric and introduced in 1926. For soundtrack purposes, the less than five minutes of playing time of side of a conventional 12-inch 78 rpm disc was not acceptable. The sound had to play continuously for at least 11 minutes, long enough to accompany a full 1, the disc diameter was increased to 16 inches and the speed was reduced to 33 1⁄3 revolutions per minute. Unlike their smaller LP descendants, they were made with the same large standard groove used by 78s, unlike conventional records, the groove started at the inside of the recorded area near the label and proceeded outward toward the edge. Like 78s, early soundtrack discs were pressed in an abrasive shellac compound, syndicated radio programming was distributed on 78 rpm discs beginning in 1928. The desirability of a longer continuous playing time soon led to the adoption of the Vitaphone soundtrack disc format, 16-inch 33 1⁄3 rpm discs playing about 15 minutes per side were used for most of these electrical transcriptions beginning about 1930. Transcriptions were variously recorded inside out like soundtrack discs or with an outside start, some transcriptions were recorded with a vertically modulated hill and dale groove. This was found to allow deeper bass and also an extension of the frequency response. Neither of these was necessarily an advantage in practice because of the limitations of AM broadcasting. Today we can enjoy the benefits of those higher-fidelity recordings, even if the radio audiences could not. Initially, transcription discs were pressed only in shellac, but by 1932 pressings in RCA Victors vinyl-based Victrolac were appearing, by the late 1930s, vinyl was standard for nearly all kinds of pressed discs except ordinary commercial 78s, which continued to be made of shellac. Use of the LPs microgroove standard began in the late 1950s, the King Biscuit Flower Hour is a late example, as are Westwood Ones The Beatle Years and Doctor Demento programs, which were sent to stations on LP at least through 1992. RCA Victor introduced a version of a long-playing record for home use in September 1931. These Program Transcription discs, as Victor called them, played at 33 1⁄3 rpm and used a somewhat finer and they were to be played with a special Chromium Orange chrome-plated steel needle

6.
Peach
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The peach is a deciduous tree native to the region of Northwest China between the Tarim Basin and the north slopes of the Kunlun Shan mountains, where it was first domesticated and cultivated. It bears an edible fruit called a peach or a nectarine. The specific epithet refers to its widespread cultivation in Persia. It belongs to the genus Prunus which includes the cherry, apricot, almond and plum, the peach is classified with the almond in the subgenus Amygdalus, distinguished from the other subgenera by the corrugated seed shell. Peach and nectarines are the species, even though they are regarded commercially as different fruits. The Peoples Republic of China is the worlds largest producer of peaches, Prunus persica grows to 4–10 m tall and 6 in. in diameter. The leaves are lanceolate, 7–16 cm long, 2–3 cm broad, the flowers are produced in early spring before the leaves, they are solitary or paired,2. 5–3 cm diameter, pink, with five petals. The fruit has yellow or whitish flesh, an aroma. The flesh is very delicate and easily bruised in some cultivars, the single, large seed is red-brown, oval shaped, approximately 1. 3–2 cm long, and is surrounded by a wood-like husk. Peaches, along with cherries, plums and apricots, are stone fruits, there are various heirloom varieties, including the Indian peach, which arrives in the latter part of the summer. Cultivated peaches are divided into clingstones and freestones, depending on whether the flesh sticks to the stone or not, Peaches with white flesh typically are very sweet with little acidity, while yellow-fleshed peaches typically have an acidic tang coupled with sweetness, though this also varies greatly. Both colors often have red on their skin. The scientific name persica, along with the word peach itself, the Ancient Romans referred to the peach as malum persicum Persian apple, later becoming French pêche, hence the English peach. The scientific name, Prunus persica, literally means Persian plum, fossil endocarps with characteristics indistinguishable from those of modern peaches have been recovered from late Pliocene deposits in Kunming, dating to 2.6 million years ago. In the absence of evidence that the plants were in other ways identical to the modern peach, until recently, it was believed that the cultivation started circa 2000 BC. Nevertheless, the recent evidence indicates that domestication occurred as early as 6000 BC in Zhejiang Province of China, the oldest archaeological peach stones are from the Kuahuqiao site. Archaeologists point at the Yangzi River valley as the place where the selection for favorable peach varieties likely took place. Peaches were mentioned in Chinese writings as far back as the 10th century BC and were a fruit of kings

7.
Gene Austin
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Gene Austin was an American singer and songwriter, one of the first crooners. His 1920s compositions When My Sugar Walks Down the Street and The Lonesome Road became pop, Austin was born as Lemeul Eugene Lucas in Gainesville, Texas, to Nova Lucas and the former Serena Belle Harrell. He took the name Gene Austin from his stepfather, Jim Austin, Austin grew up in Minden, the seat of Webster Parish in northwestern Louisiana, located east of Shreveport. In Minden, he learned to play piano and guitar and he ran away from home at 15 and attended a vaudeville act in Houston, Texas, where the audience was allowed to come to the stage and sing. On a dare from his friends, Austin took the stage, the audience response was overwhelming, and the vaudeville company immediately offered him a billed spot on their ticket. Austin joined the U. S. Army at the age of 17 in hopes of being dispatched to Europe to fight in World War I and he was first stationed in New Orleans, where he played the piano at night in the citys notorious vice district. Thereafter, he served in France in World War I, on returning to the United States in 1919, Austin settled in Baltimore, Maryland, where he intended to study dentistry. Soon, however, he was playing piano and singing in local taverns and he started writing songs and formed a vaudeville act with Roy Bergere, with whom he wrote How Come You Do Me Like You Do. The act ended when Bergere married, Austin worked briefly in a club owned by Lou Clayton, who later was a part of the famous vaudeville team Clayton, Jackson and Durante. In the 1940s, Austin and his singers toured the country in a 14-truck caravan with its own power plant and he stopped in Minden, Louisiana, and performed there in a popular tent show on the grounds of the local Coca-Cola plant owned by the Hunter family. In 1925, Austin recorded his popular song When My Sugar Walks Down the Street for the Victor Talking Machine Company in a duet with Aileen Stanley, nathaniel Shilkret, in his autobiography, describes the events leading to the recording. In the next decade with Victor, Austin sold over 80 million records – a total unmatched by a single artist for 40 years, best sellers included The Lonesome Road, Riding Around in the Rain, and Ramona. Such later crooners as Bing Crosby, Frank Sinatra, and Russ Columbo all credited Austin with creating the genre that began their careers. Gene Austin was an important pioneer crooner whose records in their day enjoyed record sales, the Genial Texan ex-vaudevillian and would-be screen idol, Austin constitutes an underrated landmark in popular music history. He made a number of influential recordings from the mid-1920s including a string of best-sellers. His 1926 Bye Bye Blackbird was in the top twenty records. George A. Whiting and Walter Donaldson’s My Blue Heaven was charted during 1928 for 26 weeks, stayed at #1 for 13 and it was awarded a gold disc by the RIAA. Until Bing Crosbys White Christmas replaced it, it was the largest selling record of all time

8.
Ella Fitzgerald
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Ella Jane Fitzgerald was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, Fitzgeralds rendition of the nursery rhyme A-Tisket, A-Tasket helped boost both her and Webb to national fame. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a career that would last effectively the rest of her life. With Verve she recorded some of her more noted works. These partnerships produced recognizable songs like Dream a Little Dream of Me, Cheek to Cheek, Into Each Life Some Rain Must Fall, in 1993, Fitzgerald capped off her sixty-year career with her last public performance. Three years later, she died at the age of 79, Fitzgerald was born on April 25,1917, in Newport News, Virginia, the daughter of William Fitzgerald and Temperance Tempie Fitzgerald. Her parents were unmarried but lived together for at least two and a years after she was born. Initially living in a room, her mother and Da Silva soon found jobs. Her half-sister, Frances Da Silva, was born in 1923, by 1925, Fitzgerald and her family had moved to nearby School Street, then a predominantly poor Italian area. She began her education at the age of six and proved to be an outstanding student. Fitzgerald had been passionate about dancing from third grade, being a fan of Earl Snakehips Tucker in particular, Fitzgerald and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, and she regularly attended worship services, Bible study, and Sunday school. The church provided Fitzgerald with her earliest experiences in music making. During this period Fitzgerald listened to recordings by Louis Armstrong, Bing Crosby. Fitzgerald idolized the Boswell Sisters lead singer Connee Boswell, later saying, My mother brought home one of her records, in 1932, her mother died from serious injuries she received in a car accident when Fitzgerald was 15 years of age. This left her at first in the care of her stepfather but before the end of April 1933, following these traumas, Fitzgerald began skipping school and letting her grades suffer. During this period she worked at times as a lookout at a bordello, Ella Fitzgerald never talked publicly about this time in her life. When the authorities caught up with her, she was first placed in the Colored Orphan Asylum in Riverdale, in the Bronx. However, when the orphanage proved too crowded, she was moved to the New York Training School for Girls in Hudson, New York, eventually she escaped and for a time she was homeless

9.
Sleeping Beauty
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Sleeping Beauty by Charles Perrault, or Little Briar Rose by the Brothers Grimm, is a classic fairy tale which involves a beautiful princess, a sleeping enchantment, and a handsome prince. The version collected by the Brothers Grimm was an orally transmitted version of the originally literary tale published by Charles Perrault in Histoires ou contes du temps passé in 1697. This in turn was based on Sun, Moon, and Talia by Italian poet Giambattista Basile, the earliest known version of the story is found in the narrative Perceforest, composed between 1330 and 1344 and first printed in 1528. At the christening of a king and queens long-wished-for child, seven good fairies are invited to be godmothers to the infant princess, the fairies attend the banquet at the palace. Each fairy is presented with a plate and drinking cups adorned with jewels. Soon after, an old fairy enters the palace and is seated with a plate of fine china and this old fairy is overlooked because she has been within a tower for many years and everyone had believed her to be deceased. Six of the seven fairies then offer their gifts of beauty, wit, grace, dance, song. The evil fairy is very angry about having been forgotten, and as her gift, enchants the infant princess so that she one day prick her finger on a spindle of a spinning wheel. The seventh fairy, who hasnt yet given her gift, attempts to reverse the evil fairys curse, however, she can only do so partially. Instead of dying, the Princess will fall into a deep sleep for 100 years, the King orders that every spindle and spinning wheel in the kingdom to be destroyed, to try to save his daughter from the terrible curse. Fifteen or sixteen years pass and one day, when the king and queen are away, the princess, who has never seen anyone spin before, asks the old woman if she can try the spinning wheel. The curse is fulfilled as the princess pricks her finger on the spindle, the old woman cries for help and attempts are made to revive the princess. The king attributes this to fate and has the Princess carried to the finest room in the palace and placed upon a bed of gold, the king and queen kiss their daughter goodbye and depart, proclaiming the entrance to be forbidden. The good fairy who altered the evil prophecy is summoned, having great powers of foresight, the fairy sees that the Princess will awaken to distress when she finds herself alone, so the fairy puts everyone in the castle to sleep. The fairy also summons a forest of trees, brambles and thorns that spring up around the castle, shielding it from the outside world, a hundred years pass and a prince from another family spies the hidden castle during a hunting expedition. The prince then braves the tall trees, brambles and thorns which part at his approach and he passes the sleeping castle folk and comes across the chamber where the Princess lies asleep on the bed. Struck by the radiant beauty before him, he falls on his knees before her, the enchantment comes to an end by a kiss and the princess awakens and converses with the prince for a long time. Meanwhile, the rest of the castle awakens and go about their business, the prince and princess are later married by the chaplain in the castle chapel

10.
Terry Gibbs
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Terry Gibbs is an American jazz vibraphonist and band leader. He has performed or recorded with Tommy Dorsey, Chubby Jackson, Buddy Rich, Woody Herman, Benny Goodman, Louie Bellson, Charlie Shavers, Mel Tormé, Buddy DeFranco, Gibbs also worked in film and TV studios in Los Angeles. In the 1950–1951 season, Gibbs was a popular guest on Star Time on the DuMont Television Network, thereafter, he was a regular in 1953–1954 on NBCs Judge for Yourself. In the late 1950s, he appeared on NBCs The Steve Allen Show, in 1997, he appeared on Steve Allens 75th Birthday Celebration on PBS. Gibbs was also the bandleader on the short-lived That Regis Philbin Show, as an instrumentalist, together with his big band, the Dream Band, Gibbs has won prestigious polls, such as those of Downbeat and Metronome. When Gibbs moved from New York to California in 1958 he began planning for his big band album. In early 1959 he booked extended residencies at two Los Angeles night clubs, the Seville and the Sundown for what became known as the Dream Band. The band usually played on a Sunday, Monday or Tuesday night when the cream of Hollywood jazz, the core band always remained stable with Mel Lewis holding down the drum chair. Some of the key players were lead altoist Joe Maini, tenor saxists Bill Holman and Med Flory, trumpeters Al Porcino and Conte Candoli and trombonists Frank Rosolino and Bob Enevoldsen. New arrangements were commissioned from Bill Holman, Marty Paich, Med Flory, Manny Albam and Al Cohn, among others, the band released four albums from 1959 thru 1961. 1959, Launching a New Band – some versions are titled Launching a New Sound in Music 1960,1961, The Exciting Terry Gibbs Big Band. – reissued as Dream Band, Vol.4, Main Stem 1961, – reissued as Dream Band, Vol.5, The Big Cat Four additional albums of unissued live material recorded in 1959 have been released since 1986. Terry Gibbs and Mel Zelnick Music Stop was also the first teaching facility of the drum guru Freddie Gruber and Henry Bellson, brother of Louie. 11959, The Dream Band, Vol.2, The Sundown Sessions 1959, Dream Band, Vol.3, Flying Home 1959, Vibrations 1959, Dream Band, Vol.6, One More Time 1960, Swing Is Here. 1960, Music from Cole Porters Can Can 1960, Steve Allen Presents Terry Gibbs at the Piano 1961, The Exciting Terry Gibbs Big Band – reissued as Dream Band, Vol.4, Main Stem 1961, – reissued as Dream Band, Vol. Good Vibes, A Life in Jazz, Terry Gibbs discography, forum, and marketplace at Discogs Terry Gibbs at the Internet Movie Database