Remember the bad old days of the music business of yore? When sleazy cigar chomping gangsters would give an old bluesman $20 for a song? Later when that song became a hit, the old bluesman discovered that he had signed away all his rights to that song for 20 bucks. And the gangsters kept all that cash that rolled in.

Well the new guys are much worse. These cigar chomping Vladmirs don’t even bother giving the bluesman the 20 bucks. They take the old bluesman’s songs without permission, slather them in ads, and charge for faster downloads. If the artists complain about this, they are shouted down by Vladmir’s useful idiots at foundations like the EFF or glassy-eyed digital utopians from Berkeley* and Harvard. “Censorship” and “Freedom” they shout. Nevermind that many of the websites they are protecting are based in countries like Belarus and Russia. Not exactly paragons of democracy and freedom.

And what about the brands that advertise on these sites and the ad networks that put the ads there, and the payment processors who process the money for them? These guys are no different than the bankers and money launderers that enable the cartels.

This is bullshit right? Cause every single one of these companies advertising here, their advertising agencies and the ad networks have either “corporate responsibility” initiatives or grandiose statements of best and ethical practices. And here they are making a mockery of all that right here for all the world to see.

(According to Google, the websites in this screenshot — filestube, 4shared,Kat.ph and Dilandau — are the #1, #6, #11, and #8 top copyright infringing sites in the world.)

(*Berkeley runs the aptly named http://www.chillingeffects.org that is dedicated to posting the names of everyone that files DMCA “takedown” notices of copyright infringing links. You read that right, the birthplace of the free speech movement runs a site that basically punishes, er, publishes the name and address of the little guy that attempts to protect his/her freedom of expression. Intimidation pure and simple. You can write the Chancellor of Berkeley here: chancellor<AT>Berkeley.edu)

In this round we find advertisers exploiting Jared Leto‘s band 30 Seconds To Mars by Volkswagon, Go Pro cameras, LG electronics and appliances, Emirates Airlines, Adobe software, Ford and Target. It’s also interesting to note that in this series of screen shots the infringing links appear to be hosted on Rapidshare. This is the same Rapidshare that has been offended by being put on a piracy watch list. It seems to us that if Rapidshare wants to champion best practices for cyberlockers, they would do well to clean up their own business first.

The hits just keep on coming… How much money do we have to follow before there is some accountability on behalf of the brands and advertising networks? Let us be clear about this. Piracy is being financed by advertising dollars, originating with major brands, trusted to advertising agencies and then ultimately distributed to questionable online advertising networks and then to the pirate sites themselves.

This is not about free speech. This is not about censorship. It’s about money. It’s about a lot of money. It’s about a lot of money being made by advertising networks and pirate sites and not paying artists a penny. This is the exploitation economy where anyone and everyone can profit from a creators work, except the creator themselves.

FilesTube points to Rapidshare as a host of infringing uploads of artists work. Also not the Adobe advertising. Wouldn’t be ironic if users searched FilesTube and RapidShare for Adobe software products?

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