In our 138th effort, we managed to keep this episode to a reserved sixty four minutes, allowing for discussion of Gregg Araki’s latest take on adolescence, “White Bird in a Blizzard,” Jeremy Renner as a crusading journalist in “Kill the Messenger,” while Cal revealed whether “Chappie” is as bad as the trailer (and most of the reactions to the film) suggests. It’s fair to say that this week’s slate of films leave a lot to be desired, but we try and find the positives as best we can. Elsewhere, the UK’s Eurovision entry fails to get us excited, we discuss the litany of queer roles for the actors of 2005, Neill Blonkamp’s recent fascination with female villains leads to an unexpectedly crude remark about Jodie Foster, and Hugh Jackman’s radical hairstyle rocks the Gauge.

This week we discuss the various Oscar races in the wake of the BAFTA winners, touching upon Alejandro Gonzalez Inarritu’s amusingly reduced moniker at the ceremony, the best of the speeches, and the closeness of the Boyhood vs. Birdman Best Picture tussle. It’s a week of mixed expectations on the podcast, as we review the ethereal Jessica Chastain’s latest passion project “Miss Julie,” helmed by Pete’s favourite actress and female director Liv Ullmann, while buzz was in the gutter for the Wachowski siblings’ “Jupiter Ascending,” which Cal managed to catch this past weekend. Meanwhile, Pete’s decision to venture out for the “Shaun the Sheep Movie” was the talk of the workplace, and we finally get around to digging into the controversies surrounding Ava DuVernay’s “Selma,” starring an Oscar-snubbed David Oyelowo. It’s fair to say that the plot rundown of the week’s sole Science-fiction effort didn’t exactly go smoothly, while Pete underwent a Punjabi plight at one of this week’s screenings, and Ernest Borgnine’s infamous Brokeback bigotry gets dragged up for another airing.