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I remember growing up in the country and hanging out at a friend’s house in the middle of nowhere. When there were no parents around, he would play with some weapons in the house—act like we were soldiers/warriors or something like that. Other friends would often be there and get involved too. Nothing bad ever happened and we felt we were being careful. But when I saw Kevin Phillips’ “Super Dark Times” at this year’s annual Fantastic Cinema & Craft Beer Festival, it made me look back on those memories and consider myself (and my old friends) lucky that we didn’t get hurt doing some really stupid things.

“Super Dark Times” is a coming-of-age psychological drama about the aftermath of a deadly incident between a few high-school teens. It’s a film that reminded me a lot of “Mean Creek,” an independent film from 13 years ago about how actions & consequences can have a lasting impact on young people. Both films are effective in reminding their audiences how dangerous and scary teenage life can be.

Set in the mid-1990s, “Super Dark Times” centers on best friends Zach (Owen Campbell) and Josh (Charlie Tahan); ordinary teens who engage in typical teen conversation, perform gross-out dares, and hang out with others who aren’t exactly their “buddies” but need other people to pass the time with. Two of them are a younger boy, Charlie (Sawyer Barth), and an obnoxious peer, Daryl (Max Talisman). The four find Josh’s older brother’s samurai sword and take it out to the woods to slice some milk cartons. But when Daryl’s harsh attitude leads to a confrontation, an accidental result of panic becomes fatal. Panicked even further, Zach, Josh, and Charlie feel they have no choice but to hide Daryl’s body and cover everything up.

Covering up the accident is easier said than done. While Charlie is relatively quiet about everything, Zach and Josh act differently from then on. Josh is having strange urges, mouthing off in class, and taking more risks such as stealing his brother’s weed and sharing it with peers. Zach gets much of the film’s attention as he attempts to make sure everything is OK, when it becomes clear that nothing about this is quite alright with him, as the guilt is starting to overtake him. Phillips does a very good job showing just how much this plight is affecting Zach, as he becomes more worried and paranoid, and even presenting a couple dream sequences for a more uncomfortable, nightmarish setting.

Things get even darker when it comes to how Josh is handling the aftereffects of what he’s done. And the less I say about that, the better…

The most heartbreaking scene in the film for me was when Zach’s secret crash, a classmate named Alison (Elizabeth Cappucino), is suddenly in Zach’s bedroom and makes a seductive advance towards him. This should be a happy moment, as Zach is realizing his feelings toward her are mutual and she’s IN HIS ROOM, but he can’t help but cry on her shoulder about the tragedy that unfolded. It’s a confusing time for him (a “super dark time,” if you will) and he feels nothing can be normal for him anymore. And he can’t tell anyone about what he’s feeling—not Alison, not his unsuspecting mother (Amy Hargreaves), not Charlie (who’d rather not talk about the incident), not even Josh (who copes with it his own way, alienating Zach). It’s a powerful moment.

“Super Dark Times” is more effective when it explores the theme of “loss of innocence” than when it delves deep into horror in the final act, as Josh’s mental state goes from questionable to dangerous. This is an unfortunate move on the part of writers Ben Collins and Luke Piotrowski, but thankfully, by that point, the central characterizations are strong enough (and the actors are solid too) that it doesn’t really damage the film. It’s a gripping film with a “super dark” viewpoint.