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The Magic of the Musicals DVD starring Marti Webb and Mark Rattray brings together a selection of the finest and best-loved songs from the most successful West End musicals of all time including Les Miserables Blood Brothers Chess A Chorus Line Five Guys Named Moe Follies La Cage Aux Folles A Little Night Music Miss Saigon Buddy West Side Story and many more. The enchanting melodies of some of our best-loved songwriters are brought together in one spectacular show in celebration of the special quality that is The Magic of the Musicals. Marti Webb has established herself as one of Britain's most popular stars. She has appeared in numerous popular West End musicals throughout her professional career including Evita Stop the World I Want to Get Off The Card Oliver Godspell The Good Companions and The Seven Deadly Sins. Marti also starred in the musical Tell Me on a Sunday which was written especially for her by Andrew Lloyd Webber and Don Black. Mark Rattray's singing career burst onto the live musical stage following his win on the BBC TV Opportunity Knocks programme. After embarking on a North American and European tour with the Magic of the Musicals he has appeared in numerous productions and shows across the country earning him a reputation of one of the UK's most versatile male stage vocalists. The Magic Of The Musicals DVD is a stunning musical experience. So sit back turn down the lights and enjoy a night of musical splendour. Tracklist: 1. One Night Only 2. Something's Coming 3. Tonight 4. Losing My Mind 5. Not While I'm Around 6. Send In The Clowns 7. Do You Hear The People Sing 8. Empty Chairs At Empty Tables 9. I Dreamed A Dream 10. The Heat Is On In Saigon 11. The Last Night Of The World 12. Bui-Doi 13. They're Playing Our Song 14. I Hope I Get It 15. Our Singular Sensation 16. Mama 17. In One Of My Weaker Moments 18. Anthem 19. You And I 20. The Time Warp 21. That'll Be The Day 22. Great Balls Of Fire 23. Tell Me It's Not True 24. Leaning On A Lamp Post 25. Once You Lose Your Heart 26. Five Guys Named Moe 27. Early In The Morning 28. Is You Is Or Is You Ain't My Baby 29. I Am What I Am

Judged entirely on its own merits, Jaws 2 isn't a bad film. It even has some passably scary moments (Brody discovering a charred body in the waves; the swimming boy racing the shark back to his dinghy). But it's absolutely impossible to judge this movie on its own merits. Despite being given a great big Panavision camera to play with director Jeannot Szwarc can't hide his TV-movie origins, nor can the script, both of which spend far too long landlocked with the bickering inhabitants of Amity Island. Where the original film boldly set out to sea with Robert Shaw's Ahab-like Quint, in a misplaced desire to attract a teenage audience this movie dwells at interminable length on the courting rituals of the local youth; where Spielberg's original is a masterpiece of pacing and carefully timed tension-building, Jaws 2 sags terribly whenever the plastic shark swims out of sight. Roy Scheider comes off best, reprising his role as Chief Brody, while Lorraine Gary's role as his wife is expanded (she must be a glutton for punishment: she also starred in Jaws 4: The Revenge). Taken as a sequel Jaws 2 is inferior in every way; taken as an unassuming TV movie it's a respectable, workmanlike effort; but looking forward at what was to follow, it begins to look like a minor masterpiece. --Mark Walker

Made barely a year after Claude Chabrol's debut Le Beau Serge, Les Cousins featured the earlier film's same starring pair of Jean-Claude Brialy and Grard Blain, here reversing the good-guy/bad-guy roles of the previous picture. The result is a simmering, venomous study in human temperament that not only won the Golden Bear at the 1959 Berlin Film Festival, but also drew audiences in droves, and effectively launched Chabrol's incredible fifty-year-long career. A gripping and urbane examination of city and country, ambition and ease, Les Cousins continues to captivate and shock audiences with its brilliant scenario, the performances of Brialy and Blain, and the assuredness of Chabrol's precocious directorial hand. The Masters of Cinema Series is proud to present Claude Chabrol's breakthrough film in a beautiful new Gaumont restoration on Blu-ray and DVD for the first time in the UK. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p on the Blu-ray New and improved English subtitles Original theatrical trailer A 47-minute documentary about the making of the film L'Homme qui vendit la Tour Eiffel [The Man Who Sold the Eiffel Tower], Chabrol's 1964 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; a new and exclusive translation of a rare text about actress Franoise Vatel provided for this release by its author, the filmmaker and critic Luc Moullet; excerpts of interviews and writing by Chabrol; and more

Gentlemen Prefer Blondes, Anita Loos' old story from the 1920s about a pair of single women in search of husbands, gets a makeover in Howard Hawks' 1953 musical. The remake stars Jane Russell and Marilyn Monroe as two friends who go to Paris looking for mates. The film is charged by Hawks's stylish snap, a famous set piece or two (Monroe descending that staircase while singing "Diamonds are a Girl's Best Friend"), Russell's wit and songs by Leo Robin and Jule Styne. The film may largely be a fluff project best remembered as a showcase for its leading actresses, but then Monroe and Russell rarely got such extended opportunities to prove that they were more than cinematic icons.--Tom Keogh, Amazon.com

Welcome to Delos, the high-tech Disneyland for adults that Michael Crichton created for Westworld, a nifty science fiction thriller from 1973 that also marked the popular novelist's feature-film directorial debut. The movie is so named because the vacationing buddies who travel to Delos (James Brolin, Richard Benjamin) choose Westworld as their destination (the other choices being Roman World and Medieval World), where they are free to indulge their movie-inspired fantasies of the Wild West). The place is populated by perfectly humanlike robots programmed and monitored to cater to every guest's fancy, from brothel beauties to black-hatted gunslingers (such as the villain played by Yul Brynner). But fun turns into abject horror when the robots--particularly Brynner's villain--begin to malfunction and Delos turns into an amusement park that's anything but amusing. Westworld has moments of camp and the look of a low-budget back-lot production, but two decades before Crichton revamped his idea to create Jurassic Park, this movie made the most of its interesting and exciting premise. --Jeff Shannon, Amazon.com

An enchanting version of the most loved fairy tale Cinderella set to a Rodgers and Hammerstein score. Starring Academy Award nominated Lesley Ann Warren and Broadway star Stuart Damon &ndash; it is a magical, musical reimagining of the classic story.

The legend begins... Released to coincide with the film's 50th anniversary - the original unexpurgated uncut and subtitles version of the film has rarely seen by British audiences. After American nuclear testing in the Pacific Ocean several ships are sunk in mysterious circumstances. The Japanese authorities close in on the neaby Odo island where natives relate tales of a devastating monster whom they call 'Gojira'. An expedition to the island by Professor Kyohei Yamane (Shi

James Stewart stars with Farley Granger and John Dall in a highly-charged thriller inspired by the real-life Leopold-Loeb murder case. Granger and Dall give riveting performances as two friends who strangle a classmate for intellectual thrills then proceed to throw a party for the victim&#39;s family and friends - with the body stuffed inside the trunk they use for a buffet table. As the killers turn the conversation to committing the &#39;perfect murder&#39; their former teacher (Stewart) becomes increasingly suspicious. Before the night is over the professor will discover how brutally his students have turned his academic theories into chilling reality in Hitchcock&#39;s spellbinding excursion into the macabre. Special Features: Rope Unleashed Production Photographs Theatrical Trailer

Two years after 20th Century Fox released its melodramatic disaster film Titanic in 1953, Walter Lord's meticulously researched book A Night to Remember surprised its publishers by becoming a phenomenal bestseller. Lord had an intuition that readers craved the reality of the Titanic disaster and not the romantically mythologised translations (like Fox's film, starring Barbara Stanwyck), which relied on fictional characters to "enhance" the world's worst maritime disaster. Lord's book proved that the truth was far more compelling than fiction, outlining the many "if onlys" (if only the iceberg had been spotted a few minutes earlier, etc.) that lent sombre irony to the loss of 1,500 Titanic passengers. Three years after Lord's book appeared, it was brought to the screen with the kind of riveting authenticity that Lord had insisted upon in his own research. The 1958 British production of A Night to Remember remains a definitive dramatization of the disaster, adhering to the known facts of the time and achieving a documentary-like immediacy that matches (and in some ways surpasses) the James Cameron epic released 39 years later. The film erroneously perpetuates the once-common belief that the Titanic sunk in one piece (instead of breaking in half as its bow began to plunge), but many other misconceptions are accurately corrected, and the intelligent screenplay by thriller master Eric Ambler is a model of factual suspense. By making Titanic the star of the film, director Roy Baker emphasises the excessive confidence of the booming industrial age and creates an intense you-are-there realism that pays tribute to Walter Lord's tenacious quest for truth. --Jeff Shannon

The Blue Max is highly unusual among Hollywood films, not just for being a large-scale drama set during the generally cinematically overlooked Great War, but in concentrating upon air combat as seen entirely from the German point of view. The story focuses on a lower-class officer, Bruno Stachel (George Peppard), and his obsessive quest to win a Blue Max, a medal awarded for shooting down 20 enemy aircraft. Around this are built subplots concerning a propaganda campaign by James Mason's pragmatic general, rivalry with a fellow officer (Jeremy Kemp), and a love affair with a decadent countess (Ursula Andress) As directed by John Guillermin (best known for 1974's The Towering Inferno), the film's main assets are epic production values, great flying scenes and stunning dogfights. The weak point is the sometimes ponderous character drama, not helped by Peppard who is too lightweight an actor to convince as the driven anti-hero. Clearly influenced by Kubrick's Paths of Glory (1958), The Blue Max is a cold, cynical drama offering a visually breathtaking portrait of a stultified society tearing itself apart during the final months of the Great War. On the DVD: The Blue Max DVD's only extra is a very grainy original trailer presented at 1.77:1. However, for the first time the film itself is complete to buy: the reel which was missing from the widescreen video release being restored here. Also included is the original intermission music. The film is presented anamorphically enhanced at a ratio approximating the original 2.35:1 CinemaScope, though some shots clearly have details cropped at the sides of the frame. Picture quality is good with an acceptable level of grain, which increases significantly during the brief back projection shots. There is a little print damage, but nothing too distracting and the aerial photography itself looks wonderful. The four-channel Dolby Prologic sound is excellent for a film of this age, with Jerry Goldsmith's superb score having richness and clarity and providing almost all the emotional impact. --Gary S Dalkin

Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the centre of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colourless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasance is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvellous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply, and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who had previously turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturised humans breathe full-sized air molecules?) seem moot. --Sean Axmaker

A London subway excavation abruptly halts when construction workers unearth a cluster of prehistoric skulls and skeletons. Anthropologist Dr. Roney his assistant Barbara Judd and space expert Professor Quatermass are driven by curiosity and dig deeper to discover a strange 'missile' that is not of this earth...

The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley

Askey stars as a man trying to save his flagging escort agency. A new partner suggests getting some new girls in just in time for the soldiers' leave. The film also features the English singing favourite of the forties Anne Shelton.

A cast of favorites in the Charming...Romantic...Tuneful Love Story of the Early 1900s ! The wonderful Judy Garland stars in this charming musical as Esther Smith whose father comes home and announces he is going to uproot his whole family to New York on the very eve of the 1903 St. Louis World Fair. Brilliantly directed by Vincente Minnelli and full of wonderful songs - 'Trolley Song' 'Have yourself A Merry Little Christmas'.