Catch Me If You Can's fictionalized version of Frank W. Abagnale Jr. uses to peel off labels from things. While in certain cases this is part of his check frauds (especially the Pan Am labels), he does this all the time with many everyday objects, like bottles and stuff, and seems to collect them in his wallet (as evidenced by Carl in Frank's hotel room or seen live during Frank's engagement party). So it seems to be more like a kind of tic he has.

But what are the reasons for this behaviour and what does it tell us about his character, if anything? (And as a side question, is there any information if the real Frank Abagnale used to do this, too, or is is this primarily an addition by the movie?)

3 Answers
3

Personally I saw this behavior as a clever way for the filmmakers to convey Frank's state of mind.

In a film that is all about peeling off labels/layers to reveal the truth beneath the con artist's veneer, the use of this habitual obsession serves to provide a metaphor for the overall theme of the film.

This is good analysis. I read several "Frank" articles and online wikis. I couldn't find anything showing Frank having and OCD problem or anything mentioning the label pealing fascination.
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Paulster2Dec 15 '13 at 2:37

Personally I think it's because Frank has a psychological need to have different identities distilled from his father. He steals the labels unconciously to fulfil a new identity (notice he never takes two of the same label).
He keeps them in his wallet as a symbol of his various identities that he has, without one of his own, hence why he leaves his wallet with Carl because he is the first one to see his real identity.
Also the fact that he only rips the main label and always puts it in his wallet (almost like a killers MO) is symbolic of the fact that he keeps his name Frank throughout but changes his surname.
This is my theory anyway.

I saw this rather differently. Frank is portrayed as someone who's always on the lookout for his next scheme. To my mind he was absent-mindedly removing the labels from branded products because he's half-considering changing to passing cheques from coca-cola, settlers, etc.

Obviously there's more than a certain suggestion of obsessive-compulsive behaviour and the out-of-universe connection between the ways in which corporate entities create their own identities through advertising and Frank's lack of identity (especially when you consider that his wallet, where you'd normally expect to find a man's personal documents, is full of these labels) seems to convey why Spielberg may chosen to add this to the film.