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Jaime Hernandez grew up in Oxnard, California.[1] He is the youngest of his family, with four older brothers and one sister.[2] His family embraced comics: their mother read them frequently and old issues were kept in large quantities in the house, to be read and re-read by all over the years.[2] "We grew up with comics," Hernandez said. "I wanted to draw comics my whole life."[3]

They read all types of comics and enjoyed those that gave a fairly realistic depiction of family life as well as the standard superhero adventures. Hernandez was particularly influenced by Hank Ketcham's Dennis the Menace and Dan DeCarlo's Archie' comics. The children in his otherwise rather realistic stories are often drawn to resemble Ketcham's, and Jaime's characters often strike very "DeCarlo-esque" poses. The work of Alex Toth, Charles Schulz, Jesse Marsh and Jack Kirby were also hugely influential.[2]

Hernandez has a lifelong fascination with pro wrestling, especially women's wrestling, and it has been a regular part of his work. Hernandez has also been a lifelong punk rock fan. In addition to playing in bands himself it has been a constant element of his work. His heroine Maggie and her friends are almost all punk fans; he also has done a series of stories about the career of another main character (Hopey) as a bass player for a luckless punk band.

Jaime's main contribution to Love and Rockets is the ongoing serial narrative Locas which follows the tangled lives of a group of primarily Latina characters, from their teenage years in the early days of the Californiapunk scene to the present day. The two central characters of Jaime's cast are Margarita Luisa "Maggie" Chascarrillo and Esperanza Leticia "Hopey" Glass, whose on-again, off-again, open romance is a focus for many Locas storylines. Early on, the stories switched back and forth between Maggie's sci-fi adventures journeying around the world and working as a "prosolar" mechanic repairing rocketships, and much more realistic stories of Maggie and her friends in a grungy, mostly Latin California neighborhood known as "Hoppers". Eventually Hernandez dropped almost all of the sci-fi elements, although he does still occasionally include references to the earlier stories and he still does very occasional short stories about superheroines, robots and other sci-fi genre elements.

The Hernandez brothers announced they were ending Love and Rockets with issue 50, and that they would be doing solo books from then on. For the next few years, both brothers released many solo books, with Jaime doing several books featuring his Locas characters (including Whoa Nellie, Penny Century, and Maggie and Hopey Color Fun) and Maggie generally occupying a supporting role. Eventually they resumed doing Love and Rockets and Maggie again took center stage, but instead of the large, magazine-style format of the original issues, the book was now released in a more traditional comic book format.

The entire Locas storyline to date was collected into one 700 page graphic novel in 2004.

Hernandez has been praised for the physical beauty of his female characters as well as their complex personalities,[citation needed] and for years he struggled to create comparably nuanced male characters.[citation needed] Hernandez has often said that Maggie and Ray Dominguez both represent different aspects of his own personality.[citation needed]

In an interview with The Comics Journal, Hernandez admitted he'd had difficulty aging his characters, because while he'd known girls like Maggie and Hopey when he was young, he'd never known them long enough to find out what they did in adulthood.[citation needed]

In addition to his Locas stories, Henandez has also done occasional work for DC Comics and The New Yorker, and he has done many album covers for such artists as Michelle Shocked. Earlier in his career Hernandez also did album covers for some "Nardcore" punk bands, such as Ill Repute and Dr. Know, the latter of whom featured his younger brother Ismael on bass. In September 2006, Hernandez also created the artwork for the critically acclaimed Los Lobos album The Town and the City. In 1984-85 Gilbert, Mario and Jaime collaborated on Mister X, a sci-fi comic book series from Vortex Press, with Jaime handling the art and Gilbert and Mario plotting. The book's noirish look has been cited as an influence by the creators of Batman: The Animated Series among other retro-futuristic works.[citation needed] The Hernandez brothers themselves hold little affection for it, however, with Gilbert once describing it being "like a bad zit... it just sort of happened." The Hernandez brothers left the book when Vortex failed to pay them in full.[4] Responding to the non-payment accusations, publisher Bill Marks said "I don't dispute that one bit. And they'll be paid every nickel of it, or every quarter of it."[5] The Hernandez brothers were indeed ultimately paid for their work on Mister X in 1988.[6]

In 2006, Publishers Weekly ranked Hernandez' work Ghost of Hoppers second on its critics' poll of the best comic books of 2006.[7]