Interembrace re-envisions FOA's Yokohama Port Terminal to manifest the gesture of welcoming. It can be understood as two halves, which start from opposite ends of the pier and move towards one another, intertwining at the center and separating again. These two halves each represent dual aspects of the Osanbashi pier, and the city of Yokohama: local and international, village and cosmopolitan, garden and field. Where the form turns, different vantage points are created, so that users can appreciate multiple views of the city, the sea, and the pier. These drawings depict the welcome gesture as a series of embraces, from the ship docking to the visitor reaching the city, at urban and personal scales. with Lulwah Alzaid, Matthew Messner & Evgeniya Plotnikova. Honorable Mention, ThinkSpace International Competition 2012