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sabato 22 novembre 2014

GOSSIP - Lilly-Put! L'indimenticata interprete di Kate in "Lost" scrive libri per bambini, si veste con orripilante gonna-tovaglia pronta al pic-nic e finisce sulla cover di "Fashion" (sicuramente diretta da miopi allo sbando)!Evangeline Lilly goes for quite a bold look while arriving to sign copies of her new book “The Squickerwonkers” at the Barnes & Noble Tribeca on Monday (November 17) in New York City.
The 35-year-old The Hobbitactress put on a farm inspired look to promote her children’s book, which hits shelves tomorrow. Be sure to purchase your copy!Evangeline is also on the cover of the Winter 2014 issue of Fashionmagazine and chatted about plastic surgery in Hollywood.
“I think women in Hollywood who don’t do Botox and plastic surgery
are revered, I revere them…My plan is to never go there. I’m too vain to
get plastic surgery because I don’t like how it looks, and I want to
look my best,” Evangeline said.

In Patient Zero, an unprecedented global pandemic of a super
strain of rabies has resulted in the evolution of a new species driven
by violence. An inexplicably immune human survivor with the ability to
communicate with this new species must spearhead a hunt for Patient Zero
in order to find a cure to save his infected wife and humanity.
Best known for starring in the BBC series Doctor Who, Smith has stepped it up on the feature front. He stars in Screen Gems’ production Pride And Prejudice And Zombies, as well as Paramount and Skydance’s Terminator: Genisys. Smith most recently played a key supporting role in Ryan Gosling’s directorial debut Lost River opposite Christina Hendricks, Saoirse Ronan and Eva Mendes.
Dormer has been building feature credits that include The Hunger Games: Mockingjay Parts 1 & 2, Rush and Captain America: The First Avenger. She is best known for playing Margaery Tyrell, as queen on HBO’sGame Of Thrones.

giovedì 20 novembre 2014

Even as
Netflix
Inc.
and other streaming-video providers have expanded to reach 40% of
American homes, they have largely remained black boxes. They have
refused to share data on how many viewers watch TV shows on their
services, and there has been little independent data.
Next month,
that will change, when Nielsen begins measuring viewership of TV on
subscription online video services for the first time, according to
Nielsen client documents reviewed by The Wall Street Journal.
The new measurement capability, which Nielsen meters can deliver without the assent of services like Netflix and
Amazon.com
’s Prime Instant Video, will analyze the audio components of the
program to identify which shows are being streamed. (Nielsen is still
working on a way to measure subscription-video viewing on mobile
devices, where such technology won’t work.)
The effort is
designed to help content owners learn more about the impact of licensing
their programs to these streaming players. Big media companies have
been generating revenue growth by selling Netflix and Amazon streaming
rights to their TV shows, but some are worried that in the long run they
could hurt their viewership on traditional, ad-supported television,
where they still make the vast majority of their money.“Our
clients will be able to look at their programs and understand: Is
putting content on Netflix impacting the viewership on linear and
traditional VOD [video on demand]?” said
Brian Fuhrer,
a a senior vice president at Nielsen.
Netflix and Amazon declined to comment.
The data could
ripple through Hollywood, changing the power dynamics in the
negotiations between streaming sites and TV studios that license them
content.
Currently, the streaming sites have outsize leverage
when deals come up for renewal, since only they know how much a show was
viewed. The information also will likely help talent in their
negotiations with studios.
The Nielsen documents also contain
some of the strongest data to date suggesting that time spent on these
streaming services is meaningfully eating into traditional television
viewing. Television viewing is down 7%
for the month ended Oct. 27 from a year earlier among adults 18 to 49, a
demographic that advertisers pay a premium to reach.
Meanwhile,
subscribership to streaming video services has jumped to 40% of
households in September, up from 34% in January, Nielsen found. That is a
rate of growth that advertising agency executives who saw the Nielsen
document said they found shocking. Netflix accounts for the vast
majority of the viewership.
After people sign up for streaming
video services, they watch less TV than they used to, Nielsen found: 20%
less, in the 18-34 demographic, and 19% less in 25-54.
The
report also found that people who are video subscribers, on the whole,
watch less TV than nonsubscribers: 20% less, among 18 to 49-year-olds.“There
is a certain indication that as you acquire (subscription online
video), your television use, in terms of traditional television use, is
going down,” said Dounia Turrill, Nielsen’s senior vice president,
client insights. But she said that overall video usage is increasing and
that more data are needed to draw definitive conclusions.
As
television viewership dropped 8% in the 18-49 demographic in the third
quarter, media executives stuck to their regular script—largely playing
down the notion that Netflix and other streaming services are sucking
away viewers.
The media executives say they aren’t getting full
credit from Nielsen for consumption of their content on digital
platforms. And they say Nielsen’s decision to count broadband-only homes
in its measurement sample accounts for part of the decline in ratings.
Philippe Dauman
,
chief executive of
Viacom
Inc.,
which owns Comedy Central and MTV, last week said existing
measurement services had “not caught up to the marketplace.” Viacom has
experienced double-digit ratings declines at its major networks, including Nickelodeon.
Mr.
Dauman cited industry data from comScore, Diffusion Group and Nielsen,
showing that the number of minutes of TV shows consumed on subscription
video platforms represented just 2% to 3% of the total number of minutes
consumed on traditional TV channels.
Todd Juenger,
an analyst at Sanford Bernstein, believes that increased
streaming video consumption is the greatest driver of television’s
audience declines—and that those viewers aren’t coming back. He says
media companies are injuring themselves when they license their content
to companies like Netflix, pocketing the profits in the short term, but
feeding a beast that will devour them in the long term.

“You are
taking viewers out of the ad-supported universe and putting them into
the non-ad-supported universe,” he said. “I don’t see how that’s good
for the economic health of the content industry.”
At the moment,
Hulu—which has a free, ad-supported version—is the only one of the three
biggest streaming video players that works with Nielsen to have its
audience measured, and only on desktop computers, according to a person
familiar with the matter.The new measurement service starting
next month will cover Netflix and Amazon, even though they aren’t
actively participating. Netflix has said in the past that it doesn’t
need to release its viewership data since it doesn’t sell advertising.
In
the beginning, companies will be able to view program ratings only for
their own content. But as the tool ramps up, clients will likely be able
to subscribe to syndicated viewership data to see ratings of their
competitors, just as they do now with traditional TV ratings, Mr. Fuhrer
said.

mercoledì 19 novembre 2014

Janice Dickinson has made some shocking claims against Bill Cosby and says that the comedian drugged her and sexually assaulted her back in 1982. The 59-year-old model and reality star says that she was summoned to Lake Tahoe by Bill
to talk about her professional future and she remembers being given a
pill and some red wine in her hotel room before blacking out and being
raped. “The next morning I woke up, and I wasn’t wearing my pajamas, and I
remember before I passed out that I had been sexually assaulted by this
man,” Janice said in an interview with Entertainment Tonight. “Before I woke up in the morning, the last thing I remember was Bill Cosby in a patchwork robe, dropping his robe and getting on top of me.”
“I’m doing this because it’s the right thing to do, and it happened to me, and this is the true story,” she added.Janice‘s allegations come just days after Mr. Cosby was accused of rape by several women.

News tratta da "Entertainment Weekly"
What, can’t a basic cable drama have nearly three-minute long graphic
sex montage showing nearly every major member of its cast engaged in
all sorts of lusty hardcore acts?

Apparently not without angering a certain parents group.
The Parents Television Council is unloading on FX’s Sons of Anarchy,
which opened last Tuesday’s episode with a series of sex scenes. The
sequence rather effectively illustrated the widely varying range
emotional states and romantic relationships of the main characters—while
also serving up a hearty eyeful of Charlie Hunnam’s bare butt.
The scene featured six couples indulging in various acts (and one
character giving herself solo pleasure) and was dubbed “the f–ktage” by
show insiders.

“It’s official: In order to watch cable news, ESPN, Disney or the
History Channel, every family in America must now also pay for
pornography on FX,” said PTC president Tim Winter. “Last week’s episode
of Sons of Anarchy opened with the most sexually explicit
content we’ve ever seen on basic cable, content normally found on
premium subscription networks like HBO or Showtime … If FX wants to be
like HBO and air this kind of explicit content, then they should become a
premium network … Families should not be forced to underwrite
pornography. Cable Choice is a solution whose time has come, and there
could hardly be a better example of it than this.”
FX declined to comment and show creator Kurt Sutter had no immediate
comment. It’s worth noting that the series airs at 10 p.m. and FX runs a
TV-MA advisory warning before the show and after every commercial
break.
The PTC has decried a wide range of TV subjects, from the decidedly silly (protesting Adult Swim for making cartoons for adults, and MTV for what Nicki Minaj might do at the VMAs) to the arguably valid (inaccurate content ratings; ABC segueing from a Charlie Brown special into a Scandalsex scene).
The organization previously targeted SOA last year, when the show had a sequence involving a school shooting. At the time, Sutter responded:
“The PTC—I would imagine these are not evil people, but they’re just
not very intelligent or intuitive people. … The fact that these people
want to be monitoring what my children watch is terrifying … whenever
that stuff crosses the line into censorship, it’s just scary, not just
on a creative level but on a personal level.”

domenica 16 novembre 2014

GOSSIP - Claire Danes su "Glamour" UK a tutto photoshop con t-shirt dei Def Leppard: "mio marito Hugh Dancy degno di 'Downton Abbey"!Claire Danes flashes her beautiful smile on the cover of Glamour UK‘s December 2014 issue.
Here is what the 35-year-old Homelandactress had to share with the mag:On her infamous cry face on Homeland: “I’ve never been terribly preoccupied with how I look performing. Certainly Carrie is not defined by her attractiveness.”On her husbandHugh Dancy: “He is a gentleman. Downton Abbey-esque?
I guess. He was raised well, went to great schools, he’s a clever guy
and he makes me giggle… I scored. I lucked out, big-time! But when
you’re truly intimate with somebody, they tend to lose their physical
shape, you see through them. Occasionally I’ll wake up and notice his…
form. And I’ll be, ‘Oh, wow. Dude. Is a looker.’ Then I get shy, all
over again. It’s not why I love him, but it’s a very nice bonus. On not working withDamian Lewis anymore:
“I miss acting with Damian, first and foremost. He is an
extraordinarily gifted performer. I also miss his friendship, he’s a
very bright, funny chap, who adores his wife and kids. It’s rare to find
someone equally as talented as he is kind and sane.”
For more from Claire, visit GlamourMagazine.co.uk!