The Nikon Creative Lighting System offers a comprehensive selection of revolutionary portable tools to match virtually any need. Whether used for simple on-camera use at a family gathering or in multiple wireless off-camera arrays, Nikon flashes operate in perfect concert with Nikon’s CLS compatible cameras.

Nikon imaging software is as important to imaging excellence as the quality of NIKKOR lenses and the capabilities of Nikon cameras. Powerful, sophisticated Nikon software—a vital link in the chain of creative control of the imaging process.

Whatever your level of experience and with whatever camera brand you shoot, there's a class for you! We will inspire you, help you master new techniques and improve your picture-taking skills by providing clear, direct information on a wide range of technical and creative topics.

Nikon Sport Optics

From casual weekend outings to rainforest excursions to the safari trip of a lifetime, Nikon Sport Optics give you the ability to clearly view every detail in crisp, brilliant color at a respectful distance. Choose from the range of legendary Nikon optics—binoculars, scopes, rangefinders, digiscoping adapters and accessories—for your viewing needs.

Archived Products

As we develop exciting new products, some older products inevitably must be retired, no matter how beloved. Never to be forgotten, we maintain the key information for these products—tech specs, user manuals and more.

DVDs & Books

Nikon Ambassadors are some of the most talented and influential visual artists working in the business today. From workshops to trade show platforms, online learning and social media; Nikon Ambassadors represent the most versatile and ambitious photographers today.

Photography Glossary

Nikon Imaging Apps

Nikon Apps include educational apps such as the Learn & Explore, NIKKOR and ACC and Manual Reader 2 apps, as well as the Nikon Image Space image sharing app and apps for connecting select cameras to a compatible smartphone or tablet via Wi-Fi (WMU and Connect to S810c).

Learn & Explore Tip of the Day

August 2, 2015

Use a polarizing filter to lessen or eliminate reflections from glass. This works really well on windows of stores or cars. But the trade-off is that your exposure will be a bit longer, as the light is cut down by almost two stops.

On photo sharing sites like Flickr you can often view the details of a photograph and take a look at the shutter speed, aperture, ISO and other settings. While this won’t teach you how to create a photo from scratch it will show you what technical choices photographers made to capture their images.

If your COOLPIX camera or NIKKOR lens has image stabilization (Nikon calls it Vibration Reduction), know when to use it and when to turn it off. If you don’t know how your stabilization system works, turn it off when you’re shooting with a tripod. If it doesn’t sense that the camera is solidly mounted, it can add movement while trying to reduce blur.

Always use your lens hood (if you have one) or buy a lens hood (if you don’t). The lens hood isn’t just good for preventing flare. It can keep you from losing the contrast of your images as well as protect your front lens element from raindrops too.

When shooting a portrait of an athlete, use fill flash (or flash turned on even in daylight) to light up the shadow areas under a hat or helmet. This will balance the light from the entire scene and light up the face. On a compact camera, the setting to choose is "Flash On."

Look around you when you’re shooting at sunset. The objects that look boring during the day magically come to life when the rays of the sun hit them. Buildings, cars and anything reflective take on a special quality at sunset.

If your camera can capture images in both RAW and JPEG format, do so even if you don’t work with RAW images now. These RAW files have the highest image quality possible, so you can edit them years from now and be sure you’re getting the best looking image possible.

Shooting a lightning storm can be exciting. Use a tripod and set you camera to record a long exposure. With DSLRs, 15 seconds is a good start, but you may have to use up to 30 seconds, or bulb setting (where the shutter stays open as long as you hold down the shutter button). Because you never know when the lightning will occur, keep shooting for best results. Remember to always keep a safe distance, and don’t forget the tripod to avoid blurry photos!

Take a self-portrait each day for a week or month (or a year). It’s harder than you think to take an attractive photo of yourself, and if you do it for long enough you’ll have an interesting series that shows how you’ve changed over time.

Look on photo sharing sites for inspiration for your next photo shoot. Pick a subject you want to photograph or a location and search for photos of that. You’ll see a wide array of different techniques and styles that will inspire you.

Don’t stop shooting after the action has finished in sports. Get in close on a happy or sad face … a celebration after a goal … or the dejection on the sideline after a loss. The emotion of the game speaks volumes and can really round out a series of pictures.

If you live in a city or near a big photo store, find a photographic rental house and rent a lens that you don’t have. Take a telephoto lens to a ball game or rent a wide-angle lens and take it camping. This will give you a chance to try a new piece of equipment and expand your photographic horizons.

You should format the memory card in your camera on a regular basis. By using the camera’s built-in “Format” function, found in the menus, you lessen the chance of having card problems in the future. Doing so is better than just deleting the images using the camera or the computer.

Take a step back. No, farther back. See what the scene looks like from far away to get perspective. Walk around it, to see it from different angles. There’s a tendency to rush up to something and take a photo, but if you look at it from different angles you’re more likely to find something you would otherwise have missed.

Most cameras with built-in flashes have a red-eye reduction setting that fire several quick pre-flashes before the main burst of light. Turn this off if you’re not photographing people because it drains the battery and doesn’t help light up your scene.

Make a great team picture. Get the team together in front of a nice background—maybe the goal, the net or the team logo on the field or floor. Shoot the ordinary, and then let the kids have some fun, making faces or funny poses. That’s the one they will always remember.

At a wedding, watch what the photographer is doing and pick something different to shoot. If the photographer is shooting the cake cutting, take pictures of the band. If the photographer is shooting the bouquet toss with a wide-angle lens from behind the bride, use a telephoto to capture people trying to catch the flowers. You’ll capture a part of the wedding that wouldn’t have been documented otherwise.

It’s always best to shoot group pictures in a location that tells something about the people. For example, shoot the sports team on the field instead of the parking lot. Try to think about how the background, or setting, adds to the story of who they are.

Do some photography pro bono. Find a charitable organization in your area that can’t afford a photographer and offer your services for free. The group will end up with a precious resource it wouldn’t have had access to; and photos of an event or service the organization provides can help it get funding.

Try to buy the fast and large memory cards. Speed ratings on the cards are important for live action shots, especially when you’re shooting in sports or continuous scene modes, or at the highest frame rate. That will allow the camera to shoot at its fastest frame rate with little worry the camera will have to pause to offload images to the card.

Freeze the sports action. The key is using a high shutter speed. On compact cameras, use the sports scene mode. On a DSLR, pick a high shutter speed of 1/500th of a second or above. This will freeze almost all action. If the light is low, adjust your ISO to a higher sensitivity (800-1600 ISO), which will allow you to select a faster shutter speed.

Place your subjects equally away from the camera when shooting a group. Avoid placing any of your subjects a lot closer to your camera than others. That can lead to some of your family members being out of focus or just looking a little out of the mix.

Babies are great subjects because they’re so darn cute. Focus on the teeny body parts with a macro lens. Pudgy hands, small ears, and teeny elbows—they’re even cuter when they’re the subjects of your photo.

Use a small flashlight to light up a scene. Put one behind or under an object at night to create an interesting glow or use it instead of a flash. Take long-exposure shots using a flash as a light source and you can create interesting glowing sections of your photos.

Photographing at the zoo? Careful composition can hide the fact that your wild animal subjects are behind fences or in pens. Zoom in for tight close-ups so you don’t see man-made objects like fence posts, concrete swimming holes or perches for the animals to play on.

When photographing cars, try getting a different perspective. Use a wide-angle lens to capture the hood ornament with the hood stretched out behind. Get low and shoot up on the car. Grab a ladder and shoot a bird’s eye view. You’ll create a photograph that captures a car as art.

When shooting nighttime landscapes, use a low ISO (400 or below if possible) while working from a tripod. Open your aperture to F/4 or F/5.6. This will allow you to have a shot full of detail and of good quality. Remember that night shots need a subject, just like day shots.

Corporate Profile

Nikon is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance. The unique strength of the Nikon brand attributable to the company’s unwavering commitment to quality, performance, technology and innovation. Nikon Inc. markets and distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights…

Make every moment a masterpiece.

Meet the new flagship of the COOLPIX Advanced Performance collection, the COOLPIX A, a one-of-a-kind Nikon camera that produces high-resolution photos and Full HD 1080p videos in a class of their own. The COOLPIX A is exceptional in every aspect. For exceptional image quality, it employs a Nikon DX-format CMOS sensor, the same type used in our outstanding DX-format D-SLR cameras, but in a compact body. For exceptional clarity and low-light performance, it features one of the most impressive NIKKOR lenses we've ever put on a COOLPIX camera. For exceptional versatility, it's compatible with many Nikon accessories like a Wi-Fi adapter that lets you instantly share your photos. Simply put, the COOLPIX A produces the kind of photos and videos that will leave your dazzled friends and family asking, "What kind of camera do you have?"

Create D-SLR quality images

At the heart of the COOLPIX A is a high-performance Nikon DX-format CMOS image sensor, the same size sensor used in Nikon DX-format D-SLRs! Achieve the ultimate COOLPIX image quality—breathtaking crystal-clear photos and Full HD videos with vibrant colors and rich textures—and shoot without a flash in some of the most poorly lit situations.

Expand your capabilities and creativity

A complete camera system adds variety to your photos

The COOLPIX A includes a full-size accessory shoe that’s compatible with many exciting Nikon accessories. Frame your pictures up close by adding an optical viewfinder. Minimize flare caused by direct sunlight and get clearer photos with better contrast using a Lens Hood. An array of accessories helps you do that, plus take control of light, fire the camera remotely, geotag your shots and more! Add accessories to easily customize your camera system and cater to your unique needs.

Share to your compatible smartphone or tablet

Connect the optional WU-1a Wireless Mobile Adapter and wirelessly transfer photos to your compatible smartphone, tablet or any Wi-Fi enabled device±. Use your compatible smartphone or tablet to instantly upload your shots to the web or email them to a friend. Or, remotely control the COOLPIX A—see what the camera sees from your smartphone or tablet and fire off shots!

Record superior videos

1080p Full HD videos with stereo sound for dazzling movies

If you want a compact camera that shoots stunning Full HD videos, the COOLPIX—delivers. 1080p Full HD means exceptional video quality. Record the action, then use an optional HDMI cable to connect to an HDTV and watch your videos come alive. A built-in mic records high-quality audio in stereo. Your videos will look and sound phenomenal.

Take control of your vision

Full manual control and RAW (NEF) capability for additional flexibility

The COOLPIX A takes exceptional images on its own, but when you want to take control, you can. Select from Programmed, Shutter Priority, Aperture Priority or Manual mode and bring your vision to life. For those who want to record the purest, unmodified versions of their photos, the COOLPIX A can record in RAW (NEF) mode.

Superior low-light performance

The COOLPIX A's highly sensitive CMOS image sensor performs so well in low-light situations that in most cases, using the flash is optional. Capture the moment without interrupting it.

± WI-FI COMPATIBILITY

This camera's Wi-Fi® capability using the WU-1a Wireless Mobile Adapter can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Wireless Mobile Utility application must be installed on the device before it can be used with this camera. For compatibility and to download the application, please visit:

Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc. Android and Google Play are trademarks of Google Inc. Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. All Nikon trademarks are trademarks of Nikon Corporation.

**18.5mm (angle of view equivalent to that of 28 mm lens in 35mm [135] format)

Supported Languages

Power

Battery / Batteries

Rechargeable Li-ion Battery EN-EL20

Battery Life (shots per charge)

Still pictures*: Approx. 230 shotsMovies (actual battery life for recording): Approx. 1 hour and 10 minutes*Based on the Camera and Imaging Products Association (CIPA) standards for measuring the endurance of camera batteries. Performance for still pictures measured under the following test conditions: image quality set to JPEG normal, image size set to #Large (4928 × 3264), and flash fired with every other shot.Movie recording time assumes movie settings of o1920 × 1080; 30p or p1920 × 1080; 25p. Performance varies with the condition of the battery, temperature, the interval between shots, and the length of time menus are displayed.

Miscellaneous

Tripod Socket

¼ in.

Approx. Dimensions (Width x Height x Depth)

4.4 in. (111 mm) x 2.6 in. (64.3 mm) x 1.6 in. (40.3 mm)

Approx. Weight

10.6 oz. (299 g)

Operating environment

Humidity: 85% or less (no condensation)Temperature: 0 to 40°C (32 to 104°F)

Aperture Range

19 steps of 1/3 EV

Loading Ratings & Reviews

COOLPIX A
4.6
5
16
16

Impressed and addicted
I have been doing photography for over 35 years and that makes puts me in the generation of photographers who do not believe in "spray and hope" strategy. Instead, every shot is planned, contemplated, and deliberate; and Nikon Coolpix A gives me that control.
My primary equipment is comprised of a Nikon D7100, a D600 (soon to be replaced with a D610), an Olympus XZ-1, and now for about three months a Nikon Coolpix A. With the exception of its name I love everything about this camera. It is a simple yet powerful camera that gives tremendous control and when needed full automation. I love its 28mm (35mm equivalent) focal length. It captures almost everything that is within my peripheral focus and its bright f/2.8 aperture allows for great low light photography without raising the ISO. Overall, image quality is exceptional and noise is nonexistent up to ISO 400. The focus system is 95% right-on and locks in quickly; macro focussing is also very fast and accurate.
I recommend this camera to anyone who uses a Nikon DSLR or is considering a Leica X2 or even a Sony RX100. I have tried both and though I absolutely love Leica's menu system, I found that the overall quality and colors of the images are on the par. Leica is perhaps a bit sharper than the Sony and just an iota better than the Nikon. Check out the samples below.
Cheers!
October 28, 2013

Excellent
My camera was repaired and returned quickly, thank you for the great service. I was very happily surprised!
October 25, 2013

Coolpix A - The future is here.
This is the best camera that can fit in a shirt pocket. Anything better does not fit. The DX sensor is perfectly matched with the approximately 28 mm 35 mm equivalent lens which is the real gem. It is obvious that Nikon focused on the professional photographer or enthusiast that wants something that is portable, yet still shoots like a DSLR. While not as flexible as Nikon's entry level DSLR, you would be hard pressed to match the image quality.
I am looking forward to the Coolpix B - 50 and Coolpix B - 85 to supplement this Coolpix A - 28. It would be nice to choose the focal length - I would probably buy two or three.
September 26, 2013

a connection to the future
My Nikon Coolpix A is a very welcome new friend. My Nikon P770 will still will be an old friend. The prime lens and clean exterior of the "A" makes this a great street camera. I used Leica M4s in NYC for two years and in Juarez Mexico for two years. I was a Leica technician in New Jersey and worked on Alfred Eisenstadt's 1,000,001 M3. For 25 years my Hasselblad on the tripod with an extensive home darkroom
produced prints now in two museums. I though I knew everything about photography yet Nikon's website
has given me so much inspiration and knowledge. My films camera connected me to the past and Nikon digital will connect me to the future.
September 2, 2013

The best compact digital camera I have ever used
This is the best compact digital camera I have ever used, and I'm using it for both professional and personal use. I removed the neck strap because It's small and fits in my back pocket. This way it's always with me every time I leave the house. The fact that it's small means that it draws less attention, which is valuable if you wish to be a "fly on the wall" when shooting people. The camera starts up with almost no delay, just the time needed to open and extend the lens. Image quality is amazing, very sharp, excellent color rendition, and the file size is more than enough for reproduction double-page in a magazine. Auto focus is very fast and there is hardly a delay in the time between squeezing the shutter button and making the exposure. For no delay whatsoever, I often use manual focus, preset to about 3 meters, then with the lens stopped down to f8 or smaller, everything is in focus until infinity. I love the fact that the camera can capture in RAW format, or jpeg if you prefer. There's a lot of in-camera editing and color correction functions that I've played with a bit, but need to learn more about that at some point. The Coolpix A feels solid and robust because it's mostly metal, not plastic. I'm also using the optional viewfinder attached on top. I would definitely recommend this camera.
August 6, 2013

Excellent IQ
I am a recent owner of the Coolpix A having used the Ricoh GR for most of year. I believe the Coolpix A provides better image quality (at least in my experience). On the subject of interface I prefer the simple Nikon approach when compared to the Ricoh GR - there are those who argue that the GR is far more configurable and that is true - but the GR is almost overwhelming. The Ricoh snap focus is an excellent feature and I believe this is an area where Nikon could learn from Ricoh.
Some areas I would like Nikon to address in a firmware update (if possible)..Addressing a few of these issues would make the Coolpix A GR killer
1. Easy availability to lock multi-selected wheel so it can't be accidentally moved while shooting.
2. Exposure Compensation available in Manual Exposure like every other Nikon camera.
3. On the Manual focus scale a depth of field indicator (depending on F Stop)
4. In manual focus mode the user set distance stays as set when the camera power cycles,
5. Ability to turn off image review - I can't understand why this was not included.
6. Flash commander mode - the Coolpix A should have it considering it's cost - even my lowly P7700 has it.
7. Ability to turn off LCD good for shooting with the Nikon optical viewfinder.
i would zero hesitation recommending this camera to anyone who is familiar with the Nikon products and is able to shoot with a single focal length and achieve good results.
May 23, 2014

Amazing quality in a compact body!
DSLR like controls and quality in a compact package.
It feels nice in your hands and easy to carry around. With a small body it's less invasive when you shoot. I would recommend anyone who was considering this model to quickly go to your local camera shop and try it out.
28mm wide angle with a F2.8 lens makes it easy to use in many situation. High iso looks smooth and if you want to bump it up even more just shoot it in B&W.
Only downside to this camera is that it carries the Coolpix name. For what it's worth the Coolpix A should be in it's own category.
August 14, 2013

Excellent images, but still falls short
You cannot argue with the great picture quality of the camera. It's the lens that makes all the difference. And the operation is fast. But once you get past these basics, you make a lot of trade-offs.
The camera desperately needs an optical viewfinder. A camera like this should of had one. You can get an optional viewfinder, buts it's another $450 more. Image stabilization...there isn't any. Again, when you think of the uses of this camera, low light especially, this is another missing piece.
The LCD is not very bright and hard to use in sunlight outdoors. Cannot adjust it. Indoors it works fine.
The minimum f-stop is 2.8. Again, given what it is used for, f2 would have been a lot better. And it's what Nikon's competitors offer. Even the iPhone 5 is faster.
The camera has many metal pieces, but it still feels like a regular point and shoot.
I'm trying to walk the fence here because the operation and images of the camera are quite good. It just seems like you are paying a serious premium for quality and size, and it might just be worth the wait for the Coolpix a2 to fix some of these issues.
Peter W
August 13, 2013

Excellent, but only in parts.
I really liked the idea of the Coolpix A - a large DX sensor in a very tiny body with no OLPF on the sensor promises go any where ability with DSLR image quality, even in low light.
So how did it go? Well, only partially successful. The camera has stunning image quality in good light, with tons of detail; and it is very obvious that the lens is super sharp. Perfect for some serious enlargements. In these conditions, the AF is generally fast and the camera works very well. It is also obvious that the build quality is exceptional for a compact camera, like it's machined out of a solid block of metal, similar to how an an old Leica feels. Mine had taken a fall, surviving without issue, so it is obviously a very durable camera.
However things drop off significantly in low light. At ISO3200, which we use a lot for shooting indoors, image quality is not that great, and often the shots aren't usable above and beyond basic family snaps. It is better than most compacts in this regards though not that much ahead of my mother in law's Coolpix P330, and it certainly isn't better than our older D90. Compared to the D600, its way behind.
The above would be usable if the fill in flash worked well, but its an utter disaster. It always over exposes people and always looks awful, especially on any mode other than full auto. On full auto its OK, but no better than a $99 cheap digital camera. The Fuji X100 is much better here.
The other issue, which is common with many other Nikon cameras, is that the auto white balance doesn't handle incandescent light well. You need to manually set it, and even then you need to set a manual setting on the PRE function under heavy yellow light.
Overall, this camera has so much potential, but falls short in a couple key areas. This Coolpix A could have been great, but as it stands, its just reasonably good.
November 23, 2013

Not worth the money!
I am a pro photographer. Really was hoping for a decent point and shoot to carry around with out the need for a heavy pro cam. This camera has trouble catching proper focus on people. There is no dedicated video record button. You have to go through the menu process to switch it on and off which is slow and clumsy. Just overall not worth the price tag!
December 16, 2013

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Answers

+1point

1out of1found this answer helpful.

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I merely placed my email and a copyright 2014 in the comment section. I know Photoshop can be set to have actions dependent on the serial number. I will try this next. I use Photoshop CS and plan to edit in RAW, my use of the import function is limited but I isolate each camera into its own folder and then name actions can be used.

Mar 15, 2014 by

by

Charles L

San Antonio, Texas

Location :

San Antonio, Texas

Age: Over 65

Favorite Subject: Travel

Nikon Family: 21+ years

Experience: Less than a month

Role: Semi-professional photographer

+4points

4out of4found this answer helpful.

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You answered that the D7100 allowed custom file naming and copyright information, but my question was about the Coolpix A.

Mar 18, 2013 by

by

D.C.R.

Richmond, VA, USA

Location :

Richmond, VA, USA

Age: 45-54

Favorite Subject: Family & Friends

Nikon Family: 2-5 years

Experience: Less than a month

Role: Semi-professional photographer

+2points

2out of2found this answer helpful.

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Answers

-2points

0out of2found this answer helpful.

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I have used small speed lights set to reduced power to trigger both studio and pole mounted flash units. I have worked within all cameras limitations since 1965, any Nikon except the D400 has an AA mode opening up the use of old outdated non digital flash units. And with the movement to continuous LED lights, for both stills and movies what is the problem. My real use is to avoid carrying the D7100 and a 18-200 lens for shooting cars for Web Pages. This camera is perfect for that. I what high quality raw files in a camera that fits in my pocket.

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Is there a "warm up" time before the shutter will fire or is it almost instantaneous like the DSLRs?

2 years, 3 months ago by

by

tomcat

Garner

Location :

Garner

Age: 55-65

Favorite Subject: Family & Friends

Nikon Family: 21+ years

Experience: Less than a month

Role: Professional photographer

2 Answers

Answers

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The shutter lag time is not part of the published specifications for the COOLPIX A. However, the COOLPIX A utilizes an EXPEED 2 image-processing engine and handles image data with extraordinary speed and accuracy, while efficiently managing to avoid generating excess heat. Additionally, the COOLPIX A's Mechanical and CMOS electronic shutter is highly responsive and can continuously shoot up to 4 frames per second*.

*Up to 26 shots when image size is set to L and image quality is set to NORMAL.

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The manual alludes to an aperture range of f/2.8 to f/22 (page 55).In the specs, page 246, it says it has an aperture adjustment range of 19 steps of 1/3 EV which is a weird way of stating the aperture range. Anyway, that probably means it has a range of f/2.8 to f/22. Depending on how you interpret "steps", it could be f/2.8 to f/25.

Jun 11, 2013 by

by

qmc

tx

+1point

2out of3found this answer helpful.

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Okay, I just purchased the Viewfinder and the Hood and Filter adapter for my Coolpix A.I know that it says 46 mm filters required. What filters, brand of filters, type of filters might be best for this camera for a variety of shooting circumstances in accordance with the camera's capabilities.

2 years, 3 months ago by

by

Alloveramp

Scituate, Ri, USA

Location :

Scituate, Ri, USA

Age: 55-65

Nikon Family: 2-5 years

Experience: Less than a month

Role: Serious passion, hobbyist

2 Answers

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+1point

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I own the Coolpix A plus the viewfinder and the hood/filter accessories. I carry a UV (Multi-Coated), set of ND filters, and a circular polarizer.

Oct 14, 2013 by

by

Omer

Seattle, WA, USA

Location :

Seattle, WA, USA

Experience: 3-6 months

+2points

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Nikon does not currently produce any 46mm filters for the COOLPIX A but there are many third party filters of this size available on the market. While we cannot offer advice or support on third party products, you may want to refer to this have this article Nikonusa.com that discusses the effects of various types of filters:https://support.nikonusa.com/app/an...

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is there a minimum version for Capture NX2 in order to read the raw files from Coolpix A? a version of capture nx2 prior to the fabrication of Coolpix A should read its nef ?

1 year, 7 months ago

by

Anonymous

2 Answers

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0points

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a work around for old versions of CNX is to change the header of the nef file, where the camera model is mentioned. For instance, one can use exiftool to change the header model into D300, D700, etc, and the capture nx will read it.

Dec 18, 2013 by

by

Anonymous

0points

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Can any of the wide angle converters be made to work with the Coolpix A?

Products related to my question

WC-E76 Wide-Angle Converter

UR-E24/HN-CP18 set (Black)

1 year, 4 months ago

by

Anonymous

2 Answers

Answers

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The WC-E68 was originally made for the Nikon Cooplix 5000. It can be found on the used market. The UR-E24 is threaded to mount the WC-E68 wide converter. I have tried this combination and it does work successfully to give you a super-wide view. There is some curvature distortion, though you can correct that in some post processing software. This is not an official Nikon approved combination, but if you want a fun super-wide solution, this combination will work. Autofocus works properly with the wide converter in place too.

May 22, 2014 by

by

GermanPro

United States

Location :

United States

Favorite Subject: Travel

Nikon Family: 11-20 years

Experience: Less than a month

Role: Professional photographer

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There are no wide angle converters for the COOLPIX A. UR-E24/HN-CP18 set is two items, The UR-E24 is a filter adapter and the HN-CP18 is a lens hood. They come in a set, are made from aluminum and are black in color. Minimize flare caused by direct sunlight and get clearer photos with better contrast using a Lens Hood.

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+5points

5out of5found this answer helpful.

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Please post top/side/front photos with this option and the hood installed on the camera. (Black and Silver both if possible.)

2 years, 4 months ago by

by

thegraduate

New Hampshire, USA

Location :

New Hampshire, USA

Age: 45-54

Favorite Subject: Family & Friends

Nikon Family: 21+ years

Role: Serious passion, hobbyist

1 answer

Answers

+2points

3out of4found this answer helpful.

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At the present time we do not have an official image showing the COOLPIX A with the HP-C18 Lens Hood and UR-E24 adapter attached. However, detailed information on the COOLPIX A, its features and accessories can be found here:http://imaging.nikon.com/lineup/coo...