Senior managers from Finepoint Broadcast (www.finepoint.co.uk) head to London's Olympia exhibition centre on June 11th and 12th for the 2019 Media Production Show. This year's event will be supported by around 150 exhibiting companies and is expected to attract over 5,000 visitors.

Calrec has announced Andy Birkinshaw as International Sales Manager, effective immediately. Birkinshaw joins the global sales team at Calrec headquarters and is managing broadcast sales in the UK, Denmark, Finland, Germany, Ireland, Norway and Sweden. His goal is to help Calrec establish these exciting markets and to grow the overall Calrec business.

Bannister Lake announced today it has entered into a joint sales, marketing, and distribution agreement with Avid®. Avid will serve as a non-exclusive distributor of Bannister Lake's Chameleon data aggregation and management solution. With integration between Chameleon and the Avid Maestro™ Graphics, Avid users will be able to easily aggregate, moderate, and populate data-driven graphics for news, sports, financial, and other productions. Chameleon will be available through Avid's sales channels.

Riedel Communications today announced the appointment of Tobias Kronenwett as Head of Sales for Scandinavia. Reporting to Jens Miedek, Riedel's Director of Sales, Kronenwett brings almost 20 years of sales experience in the audio and broadcast sectors to his new role.

In response to increasing demand for its solutions in the U.K., Riedel Communications today announced the appointment of Nacho Lee as Riedel's U.K. Sales Manager for Theatre and Industry. Lee joins Riedel with 15 years of experience in the pro AV and electronics industries.

Red Giant just announced a 24-hour flash sale for Shooter Suite, a set of purpose-built applications that give cinematographers, videographers and filmmakers the ability to bring footage from set to post. Included within Shooter Suite is PluralEyes 4, the industry’s fastest, most accurate audio/video sync tool available.

Finepoint AV Division (www.finepoint.co.uk) announces the latest addition to its sales portfolio with the award of full reseller certification by Mersive Technologies. This new partnership embraces the full portfolio of Mersive products which are designed to enhance meeting room collaboration by allowing any number of connected users to share unlimited content.

Red Giant just announced a flash sale for Magic Bullet Suite, its widely-used color correction, finishing and film looks tools for filmmakers. For the next 24 hours, from 10am PT (1pm ET) on Tuesday, March 19th to 10am PT (1pm ET) on Wednesday, March 20th, Magic Bullet Suite will be 50% off in the redgiant.com store. Additionally, individual Magic Bullet Suite tools will be 30% off.

The low-latency Dejero CellSat network was launched in Europe in January of 2019, which is excellent news for European broadcasters who can now benefit from the same flexibility CellSat provides North American Dejero customers, such as World Racing Group (WRG).

By now, most people are familiar with the sport of mixed martial arts (MMA) and its leading organization – UFC (Ultimate Fighting Championship). And while the sport and its leading promotion are only 25 years old, a great deal has changed in those 25 years, including the training of UFC athletes.

Twilight Imperium is a board game all about strategy and backstabbing. Known for its length of gameplay, the team behind Shut Up and Sit Down decided to deliver a mammoth 10-hour live broadcast, streamed to Twitch. Matt Lees is here to tell us how it went down.

Across the globe, live events represented over 50 percent of the most watched TV programs last year. However, big budget episodic shows are impacting live TV and the way viewers want to see their content. Viewers are demanding the same quality of production for live event broadcasts as they see in pre-recorded TV series and films. Producers of live content are looking to new, immersive and cinematic mobile camera views to better achieve these results. This presents a challenge to live production teams as these new camera views and angles must match the quality of the rest of the production - the demand for mobility means that the cameras need to be wireless.

BSC Expo returned to the Battersea Evolution on Friday February 1st and Saturday 2nd. It is a busy and friendly event though this year in need of some temperature control: exhibitors around the entrance area were uncomfortably aware of the wintry conditions outside and the main hall was in need of cooling.

It's that time of year again. 06:30 on road bikes on the Las Vegas Strip with a merry bunch of folks who believe they look good in lycra. As we pedal West up the hill towards Red Rock there will be stories of the year just gone and questions about what to look for at the show. I, for one, will be attending the Devoncroft event to check up on who is spending what and where. I will then look forward to the topics that might be buzzing around the halls. I predict there will be many displays of Machine Learning hiding under the banner of Artificial Intelligence. Some of these will show better picture quality, others will show personalisation engines, some will be improved search tools and yet more will be synthesising pictures and motions to replace reality with and Artificial reality that's more compelling for the viewer.

My name is Daniel Jones, and it is no accident that I’m currently studying BSc (Hons) Television and Broadcasting at the University of Portsmouth. Since completing GSCE media studies I have been constantly questioning what I watch with questions such as, “Wow, how was that filmed?” or “That looks amazing, I wonder how long that took?” It should come as no surprise that I made it a big focus of mine to get myself some real work experience to give myself some answers to these production questions.

For my 2nd Kit Plus article I thought I’d try and build on the theme of my first, and that’s one of making sure things are organised at all levels of your post production projects.

Last time I talked about trying as best as you can to stick to the ‘two week rule’, making sure that the names & locations of every asset you import, and every bin & sequence that you create in your project - will make sense to you regardless of how long it is you spend away from it.

The broadcast and media industries are evolving in all areas to adapt to the challenges of competition from OTT, changing user viewing habits, technological advances in image resolution, dynamic range and colour rendition as well as embracing new video over IP infrastructures.

According to the World Meteorological Organisation, there are 10 different types of cloud, each of which can be divided further into sub-types. They range from the cirrus, the thin floaty clouds which generally serve only to make the sky look beautiful to the towering, all-embracing cumulonimbus which can deliver fearful quantities of rain – the biggest cumulonimbus clouds can contain 50 million tonnes of water.

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