Saturday, June 03, 2017

Review: ONE-EYED JACK

If there's one lesson to be learned from the long history of British comics it's that they've had to evolve to survive. As with the human condition, change is necessary to cope with the traumas of life, and comics have had to experiment and change to adapt to new environments and situations too. By the early to mid-1970s, IPC comics were struggling to appeal to their audience. New comics such as Thunder and Jet were so rooted in the style of the past they failed after 22 weeks, and even the long-running Lion met its demise in 1974. The generation of comic-buyers of the Seventies were used to a tougher tone of entertainment in TV, books and films but the comics were not reflecting that. Then along came D.C. Thomson's Warlord, a grittier, more dynamic comic, spurring IPC into action with an even tougher rival, Battle Picture Weekly. The new, no-nonsense storytelling style of Battle was a big success with readers, and so IPC tried the same technique by revamping one of its oldest titles, Valiant. The experiment came too late to keep Valiant afloat for long, but that final year of the comic gave us One-Eyed Jack, the hard-as-nails New York cop created by John Wagner and John Cooper.

All of those One-Eyed Jack strips from Valiant have now been collected in the first book in Rebellion's new Treasury of British Comics line. One-Eyed Jack is a marvellous 156 page volume of tightly written crime thrillers that make a refreshing change to the slow "deconstructed" writing style of many modern comics. There's no fat on these stories, and each episode only runs to three pages, so the reader is plunged straight into the action. The scripts by John Wagner are a masterclass of short-story writing; a technique that seems rare these days. John Cooper's artwork is perfect for such a fast paced action strip. There's definitely a Frank Bellamy influence to Cooper's art, but he adopts it so well and makes it his own.

One-Eyed Jack swiftly became the most popular strip in Valiant, and although it didn't halt Valiant's demise, it laid the groundwork for a new breed of tougher heroes such as Judge Dredd. It's therefore the ideal choice to kick off the Treasury of British Comics volumes.

There are also bonus features in the book, with a full colour One-Eyed Jack story from Valiant Annual 1978 and a colour gallery of all the Valiant covers that featured the character. Although paperback, the book features 'French folds' that make the covers feel sturdier. See the flattened out version below to show you what I mean...

Any comments on the repro, Lew? Rebellion seem to be preparing to churn these out at quite a rate, and given that they're almost certainly working from scans of the comics in most cases it would be interesting to know how they're handling reproduction. Getting good results from scanned comics is tough but doable, and while some of the stuff that has popped up in the Dredd Mega Collections has been iffy their in-house reprints have generally been very good, so it would be good to know if that quality carries over to the Treasury line.

I'm afraid I only have access to Rebellion's PDFs so I won't know what the repro quality is like until I see the actual book at the same time as everyone else. It looks good in these files so here's hoping!

Thanks! That's good to hear, and hopefully it carries over to the print editions - I've found that scanned linework that looks OK on screen is far better in print, so if it already looks good in the PDF preview that's a promising sign!

Next event, ICE2017, on September 9th...

About this blog:

Established in 2006, BLIMEY! is a blog that looks back at classic British comics and promotes current and upcoming titles. Images are copyright their respective publishers and are only used here for review purposes.

The images of comics on my blog are ones I've spent time scanning from my own personal comics collection or, in the case of some current issues, are promotional images sent to me by the publishers. On the rare occasion when I might use an image from another site I always credit the source. If you take images I've scanned to use on your own blog/site it's good manners to show the same courtesy.

No links to sites that indulge in wholesale piracy of comics are tolerated here. If you're a genuine comics fan, support the industry by buying the comics.

About Me

I work as a professional humour comics artist and writer and have been freelancing full time since 1984, creating many characters such as TOM THUG, PETE AND HIS PIMPLE, COMBAT COLIN, BRICKMAN, ROBO-CAPERS, DEREK THE TROLL, SUBURBAN SATANISTS and others.
I've freelanced for IPC, Marvel Comics, Egmont, Panini,D.C. Thomson, and many others, covering the comics field from originated characters to licensed properties, pre-school to adult on comics such as BUSTER, OINK!, BEANO, DANDY, TRANSFORMERS, SONIC THE COMIC, TOXIC, VIZ, CiTV TELLYTOTS, LEGO ADVENTURES, HERMAN HEDNING, SWEET FA, ACTION FORCE, SPECTACULAR SPIDER-MAN, RAMPAGE, LUCKY BAG COMIC, SWIFTSURE, WARLOCK, WHITE DWARF, ACES WEEKLY, THE DAREDEVILS, THE MIGHTY WORLD OF MARVEL, and many more.
My recent comics work has included:'Team Toxic' for Egmont's TOXIC magazine'Postman Prat', 'Kid Cops' and 'The Dark Newt' for THE DANDY'Rasher', 'Pup Parade', 'Lord Snooty' and 'Ivy the Terrible' for THE BEANO.
'The Daft Dimension' for DOCTOR WHO MAGAZINE.