Twenty performances followed a cart
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp among hard rocks, bowlines,
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp lost ties,
when you first heard the music, heart felt.

Could not upgrade the memory, re generation.
Connect the whole, consonants, different articulation,
solo voices, words, to effect, from somewhere in text.

Come in.
Partitura.

Concerto in la minor,
per fagotto, archi e cembalo.

Solo cadenza,
six canon sonatas.
Two bassoons,
disrupt facility.

Download progress.You might have to restart.

A tribute, great piece, uniquely,
as the French say, "idea of a lament."

Why, before that, wonderfully simple,
period instruments, small choir.

Lakey Comess, born U S A in 1948, has lived in Israel, South Africa and the Orkney Islands in Scotland and now lives in Lanarkshire. She has contributed to Versal, Big Bridge, Gulf Stream, Milk, Hutt, Otoliths, Hamilton Stone Review, Mad Hatters' Review blog, On Barcelona blog and other publications, also as Lakey Teasdale.