I said then that “my personal experience so far is that only about 20% of the programs meet my criteria” and went on and on about my one positive experience in the college TV writing arena, when I taught TV and film writing at The College of Santa Fe twenty – yikes! – years ago.

So now it’s time to talk about my four other experiences. For everyone who comes to this site, especially (because s/he asked) the visitor who signed her/his post “Bewildered College Teacher Who Really Wants to Know:”

Having enjoyed myself at The College of Santa Fe and becoming increasingly bored with my latest attempt at retirement in the early 2000s, I followed up a suggestion from a writer friend of mine who thought I’d be a great teaching fit at a Big 10 university where she taught part-time.

Big 10 was looking for someone to teach TV writing specifically, and when, aided and abetted my my friend, I e-mailed the Department Head about my interest, he jumped on it immediately and flew me out to talk further.

I got the campus tour from a student who was moving to L.A., hoping to get into the biz because, she said, “I’ve used up everybody at this place.”

Then I sat down with the Department Head, who said he was thrilled that a writer with my experience and reputation wanted to work there but couldn’t for the life of him understand why I would.

He also let me know that if I did need it I’d have to be ready to move to campus in, literally, “one week. We need you to commit now and come immediately.”

I said, “That’s impossible. I have a wife. And dogs and cats and horses and chickens. It’ll take months to work everything out.” Gwen the Beautiful, my wife, used to work in HR at UCLA. She knows how places like that recruit and hire. Which means I know it too. I stared at the D.H. “Don’t you guys usually hire people at least a semester or so in advance?”

“Yeah, we’re late on this thing. So you can’t do it, right?”

And, as he said that, I realized what was going on. They already had what businesses call their “preferred candidate.” But HR was on them to make it look, on paper, as though they were conducting a genuine search.

And, sure enough, a couple of weeks later my friend the part-time teacher told me that’s exactly what’d happened. They’d brought in a friend of the D.H.’s who had written and sold less than half a dozen TV scripts.

I’d written and sold hundreds. And produced ten times more.

A few years later, another friend, who taught on the East Coast, sounded me out about replacing a retiring professor at his illustrious institution. That sounded pretty cool, so I said yes, and they too flew me out.

And asked me to audition by teaching a mock class.

No big deal. I love teaching/talking to bright, eager, young people who love the same things I love – TV, films, and writing. I gave ’em my best hour and had a great time. I was pretty sure the students did too.

Afterward, I met with the Dean. “Wow,” he said. “That was something. You’re inspirational as hell.”

I started to thank him. He cut me off. “But we don’t need to inspire our students. They’re already so jazzed up that we can’t keep up with them. We get application from so many already inspired students that we’re turning them away.”

I flew back home shrugging. A couple of weeks later my friend there told me that they’d decided not to hire anybody, and instead retire the chair for awhile.

Fast forward another couple of years. A friend teaching at a Southern university calls and asks if I’d like to teach there because they’re adding a new TV writing track.

The Program Head is all excited when I say yes, and we exchange a series of e-mails and phone calls, all very casual and friendly and, “There are a number of ways we can set this up. We want to make sure everything works just right for you.”

Sounded pretty good.

Finally, since we’re such good buds, the Program Head says she doesn’t want to inconvenience me by flying me out and they do what I now know is the pro forma interview as a conference call. Four faculty members and me.

As soon as we’re all on the phone, I relay a message from another friend of mine who I’ve just learned is the President of the University Alumni Association. A simple, “Alumni Honcho says hi.”

Silence. Then, in a voice that would freeze the Human Torch, the Program says, “I didn’t know that you knew Honcho.”

And doesn’t speak again for the rest of the call except for a curt goodbye when the other three teachers are finished shooting the shit with me.

The next day I get an official HR e-mail saying the University is talking to lots of applicants and will get back to me as soon as a decision has been made…and that may not be for quite awhile.

I never hear from my no-longer buddy the Program Head or the University again.

Let’s move on to the last time I expressed interest in teaching in a college TV and/or film program. This one worked out a little differently. A retired, non-writing, non-teaching friend who for reasons known only to the retired spent a lot of time checking job listings online e-mailed me with something he thought I’d be perfect for: A TV writing gig at a Major Southwestern State University.

I went through their online process without any “in,” got the e-mail that said I was among those being considered, and then, months later, got another e-mail telling me I hadn’t been chosen.

But that wasn’t the end. A few days afterward I got a call from a young woman who said she’d just been hired for that very same gig and “Would you consider taking me on as a coaching client and teaching me all about writing for TV?”

“You don’t know about television writing? You’ve never done it?”

“Oh no. I just graduated from Major Southwestern State University. All my teachers there thought I’d be a great addition to the faculty, so they arranged a new job just for me. I read your Television Writing from the Inside Out book in one of my classes, so I knew you were the best one to help me do the job.”

Which brings us to what we in TV call the Tag. Contrary to the impression I may have given, I don’t hate college television writing programs.

But considering how the schools I’m familiar with hire those who teach these programs, and who they do hire, I sure as hell am not impressed.

I absolutely guarantee that any new TV writer will learn more in one hour as a gofer on TV series…or, what the hell, as a food server in a restaurant close to a TV/film studio or TV network office building than in an entire post-graduate course of study.

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Author: LB

A legendary figure in the television writing and production world with a career going back to the late ’60s, Larry Brody has written and produced hundreds of hours of American and worldwide television and is a consultant to production companies and networks in the U.S. and abroad .
Shows written or produced by Brody have won several awards including - yes, it's true - Emmys, Writers Guild Awards, and the Humanitas Award.
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