Welcome to Billie Piper Online, your number one resource dedicated to bringing you all the latest on the talented British actress since 2005. Probably most known for her role as Rose Tyler in Doctor Who or Hannah Baxter in Secret Diary of a Call Girl, you can now see her in crime mini-series Collateral & upcoming projects include gothic fairytale Beast and Two For Joy! We are here to offer you a daily dose of everything Miss Piper, including news, interviews, photos & more!

Welcome

Welcome to Billie Piper Online, your number one resource dedicated to bringing you all the latest on the talented British actress since 2005. Probably most known for her role as Rose Tyler in Doctor Who or Hannah Baxter in Secret Diary of a Call Girl, you can now see her in crime mini-series Collateral & upcoming projects include gothic fairytale Beast and Two For Joy! We are here to offer you a daily dose of everything Miss Piper, including news, interviews, photos & more!

Set over the course of four days, the four-part drama explores the spiraling repercussions surrounding the fatal shooting of a pizza delivery man. Refusing to accept this is a random act of senseless violence, tough and single-minded Detective Inspector Kip Glaspie is determined to discover if there is a darker truth.

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Billie Piper Online is an unofficial fansite and has no affiliation with Billie, her management, family or friends in anyway. All trademarks and copyrighted materials on this site are the property of their respective owners. The intent of this site is not to infringe copyrights, but rather to serve as a resource for fans of Billie Piper.

LONDON — Each night, after performing “Yerma,” Billie Piper would face the emotional wreckage she’d caused, playing a woman driven insane by her inability to conceive a child.

“People would come over, in various states of trauma, depending on how it had affected them personally,” she said, recalling the two sold-out runs of the play, a modern version of Federico García Lorca’s 1934 tragedy adapted by Simon Stone. “Some people didn’t even really say anything, they just wanted to be close to us — they wanted to somehow physically connect.”

I certainly had a hard time leaving the Young Vic the night I saw the play, my way blocked by women in tears. And if all this sounds melodramatic, it was echoed in the visceral language British critics used to discuss Ms. Piper’s performance: “shatteringly powerful,” “earth-quaking,” “heart-rending.”