Review: Red Cliff Hong Kong auteur John Woo hit commercial and artistic pay dirt in the US with Face/Off , his loopy Nicolas Cage/John Travolta neo-noir, but once he’d directed Tom Cruise in Mission: Impossible II , was there anywhere left to go?

Review: The Strip In lieu of Steve Carell’s hopelessly inept and earnest manager, we have his creepier duplicate, Glenn. Instead of the boorish brown-noser played by Rainn Wilson, there’s the more obnoxious Rick.

Review: A Single Man Christopher Isherwood published his novel about a middle-aged homosexual grieving for a lost lover, the frank depiction of gay desire scandalized some readers.

Review: Red Cliff Hong Kong auteur John Woo hit commercial and artistic pay dirt in the US with Face/Off , his loopy Nicolas Cage/John Travolta neo-noir, but once he’d directed Tom Cruise in Mission: Impossible II , was there anywhere left to go?

Review: The Strip In lieu of Steve Carell’s hopelessly inept and earnest manager, we have his creepier duplicate, Glenn. Instead of the boorish brown-noser played by Rainn Wilson, there’s the more obnoxious Rick.

Review: A Single Man Christopher Isherwood published his novel about a middle-aged homosexual grieving for a lost lover, the frank depiction of gay desire scandalized some readers.

Review: A Matter Of Size Director duo Sharon Maymon and Erez Tadmor have fashioned a look at a group of blue-collar Israeli men and how they came to accept who they are.

Fall Film Preview: Seasonal movie disorder Vacations end, the days shorten, the weather turns cold, the world darkens with intimations of decline and death — and yet people still love the fall. Cinephiles do, at any rate.

Review: I'm Still Here Only someone who’s unfamiliar with psychedelic treats and chemically induced psychosis could think I’m Still Here is anything but real.

Review: Alpha and Omega If Lionsgate wants to take a bite out of the animated film market dominated by Pixar and Disney, it’ll have to do better than this toothless stray.

Review: Henri-Georges Clouzot's Inferno This autopsy of an unfinished 1964 film by the great French director Henri-Georges Clouzot ( The Wages of Fear ) holds fascinations — and frustrations — for the avid franco-cinephile.