Author Elliot Stevens

Already in rude health, Glaswegian juggernaut Craigie Knowes steamrolled through the early stages of 2018 with assistance from Textasy and Voiron. Staying on course, No Moon follows the hardcore, acid and techn...

The first release for Public Possession in 2018 is startling – it comes from Wolfram, making a neat segue away from DFA to turn out some unapologetic, anthemic Italo, which particularly remembers ‘Take a Chance...

The second release on Musica Altra swerves from the earnest beatsy pining of the debut into the hyper-energetic “psychedelic Italian Cumbia” of Indianizer, concealing a choice weirdo cut from Don’t DJ. Borne ou...

Slack flexin’ in downtown Detroit. Self-assured dips from a modified man, the fuck you strut which knows the stunt; Fit hammers the track into a mechanised 808 grid, washing away any traces of cracked jazz and ...

Yawning harmonics and languid chimes, a soft tape hiss and life is stirred into a warm, edgeless existence. Dislocated rhythms, pliable and fluid, a well met marriage of the soft, perfumed keys of a grand piano...

Swedish pianist and composer Matti Bye is a name perhaps not often circulated over here; his work (predominantly scoring contemporary and silent film) is blue, grey and violet, similar to the forests which ador...