Tag: Legends

NOTE: Today marks the beginning of the 5 day festival of the Vietnamese goddess Bà Chúa Xứ. In her honor I am reprinting my original post about her cult. —Jadi

To see the Mekong Delta on our own by boat proved complicated and required more time than we had. We signed on instead for a tour. We were lucky: only a young couple from Holland had signed up as well.

Travel by boat we did! We took long boats, short boats, boats powered by motors or by human arms. We visited floating markets and stumbled into a tourism promotion festival going on in Chau Doc.

For me the highlight was the festival for Bà Chúa Xứ, the Lady of the Realm on the border to Cambodia. The shrine to Bà Chúa Xứ houses the most important cult in southern Vietnam.

We had the really good luck to visit Bà Chúa Xứ’s temple during the holiest period of the year. Her three-day festival starts at the beginning of the rainy season on the twenty-third day of the fourth lunar month.

The Lady of the Realm protects female entepreneurs (important in a country like Vietnam where women play a major role in small family businesses). Bà Chúa Xứ’s cult has a fascinating belief in both fecundity and the capacity of the goddess to multiply all that she touches — including money.

If you invoke Bà Chúa Xứ’s help, you must make a pilgrimage to thank your benefactress for her assistance. (She is remorseless to those who betray her favor!) Traditionally men need to spend 9 years making an annual pilgrimage, and 7 years are required of women.

In the courtyard before her temple, spirit money is burned in huge vats.

I wanted to make an offering inside the temple and decided to brave the crowds.

I joined the slow moving throngs and we inched our way forward. All around me pilgrims carried tall flowers,

and men bore platters with decorated sacrifices of whole pigs on their shoulders.

People bought baskets filled with offerings of fruit,

and still others carried lit sticks of incense, held high.

The crowds were so thick that I was concerned someone would set my hair on fire!

Once I was inside the temple I managed to make my way up to Bà Chúa Xứ’s altar. Each day in progressive rituals her image is washed and cleaned. On this day, old women were changing her robes. I was unable to get close enough though, and made my offering later out in the (relatively) less-crowded courtyard.

The goddess originally resided on the top of Sam Mountain; her image is popularly thought to have grown from the stones of the landscape.

from the summit of Sam Mountain, with the temple crowds just below

She wished to be worshipped and caused the locals to move her statue down to Vĩnh Tế village, where her temple still stands today.

I was surprised and moved to realize that her image had mass and strength rather than simple beauty. Some reports state that her statue is a female Shiva (Khmer). Other sources equate her with the queen Thien Y A Na (Cham), the goddess Tin Hau (Chinese), and the Lady Buddha (India). Bà Chúa Xứ is also named The Black Lady, and I see a likeness to Christianity’s Black Madonna.

Bà Chúa Xứ is a powerful deity protecting and bestowing prosperity on her people in the Mekong Delta. In such a fertile area it makes sense to believe in a benevolent, generous goddess.

NOTE: The extended festival of Northern Viet Nam’s Perfume Pagoda begins today, the 15th day of the first month of the Chinese lunar calendar. In honor of this sacred Buddhist site and holiday here is my original post. —Jadi

On our first visit to Vietnam we booked a day trip to the Perfume Pagoda. [1] The Perfume Pagoda is a major Buddhist pilgrimage destination. The Huong Mountains contain fertility and agricultural cults, too.

The name Perfume Pagoda really refers to a number of shrines on – and in – the mountaintop. The most important temple is the Perfume Temple found inside Huong Tich Cave. It’s northern Viet Nam’s holiest site and the setting for the country’s most important and longest religious holiday.

The fest starts in the middle of the first lunar month (February 15) and runs from February to April. Hundreds of thousands of worshippers make the trek to present offerings at the mountain’s shrines and temples. At the high point of the festival, peak traffic will back up for as long as 8 hours on the Yen Vi River.

While the entire trip can be made by road, we took the water route. Reaching the site involved a two hour taxi ride to the pier located 70 km southwest of Hanoi in My Duc Town, a boat trip being rowed for two hours on the shallow Yen Vi River to the base of the pilgrimage site, and finally a two-hour hike up into the limestone Huong Mountains.

For the taxi ride we traveled with our guide on one of Viet Nam’s first highways. As you can see in Uwe’s photograph, the traffic on this main artery a decade ago was nothing like what we’re used to seeing in America and Europe.

Autobahn trafficBoat launch at Bến Đục

A young woman rowed us upriver. The boatwomen at Bến Đục (Duc Pier) make enough money to support their families, and are chosen by lottery.

We made our slow way past rice paddies and limestone peaks.

Fishermen in impossibly tiny boats balanced, standing, as they shocked the water with weak electricity to stun the fish they collected in the bottoms of their flat vessels.

After disembarking we hiked 4 kilometers straight up.

Beginning the pilgrimage up the steps

Good shoes are needed as the path is steep in places and the stone stairs are slippery if it’s been raining! The landscape is lush, and the spectacular views are worth the strenuous hike.

Taking a break on the hike up the mountain

The Huong Mountains are rich in myths and legends. One story relates how a Buddhist monk came here to meditate in solitude two thousand years ago. Another legend tells the story of the Perfume Pagoda’s Quan Am or Guan Yin. [2] A stone at Phat Tich temple contains her preserved footprint.

It’s believed that the Buddha stopped at the Giai Oan temple to wash. Pilgrims clean their faces and hands in the Long Tuyen Well to wash away past karmas.

But older deities are present. Cua Vong shrine is where believers make offerings to the Goddess of the Mountains. And inside the holiest of holies, the cave’s stalactites are sought out for blessings.

Entrance to Huong Tich grotto

Once we reached the cave, we descended back down 120 wide stone steps to the Huong Tich Grotto, which translates as ‘traces of fragrance’.

We entered the cave, whose opening is a dragon’s mouth. Inside Chua Trong (Inner Temple), our guide positioned himself underneath a stalactite and tried to catch a drop of moisture on his tongue.

Couples wishing for offspring gather under the Boy and Girl Stones; those wanting prosperity seek out drops from the stalactites hanging from the ceiling that grant abundance and wealth. The Perfume Pagoda Festival is considered an auspicious time and place to find a mate, and is the starting point for lots of successful romances.

At the time we visited, the remote northern region had just gotten electricity. And as our boat headed back down the Yen Vi we passed by boats bringing materials to build a new pier even further upriver. [3]

NOTES: [1] This excursion instantly became one of my favorite trips of all time. [2] Guan Yin is the bodhisattva (usually female) associated with the quality of compassion. A bodhisattva is an enlightened being who delays Nirvana, staying behind to assist others in finding enlightenment. The Guan Yin of the Perfume Pagoda is identified with Dieu Thien, the third daughter of Dieu Trang, King of Huong Lam. She refused to marry, wishing to spend her time in prayer instead. [3] An ingenious way to transport the needed materials to the site!

2016 was the Year of the Monkey. Wong Tai Sin Medicine Temple, New Territories, China

I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?

Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.

2017 is the Year of the Rooster! Wong Tai Sin Medicine Temple, New Territories, China

What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.

May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” [1]

I always feel a little strange when I recognize it’s time to mark milestones and I have several to announce.

This is my 99th blog post.

I’ve posted in these virtual pages twice a month since I began way back in September of 2012. It all started with my husband’s suggestion that I establish an Internet presence….

My published books are fiction, and this blog serves as a good place to present excerpts. Potential readers of my books might want a sample of my writing and a glimpse of the human being behind the words. It’s also a place for non-fiction essays. I get to explore ideas and topics that don’t need to be transformed for novels. Posting every other week is great writerly discipline. I’ve never missed a bi-monthly posting date!

…. and this all began simply as a way to introduce my two novels Tsunami Cowboys and Broken In: A Novel in Stories. Both are available at amazon.com in book and eBook form.

It’s been a fun journey these last three years! Thanks to all of you for visiting these pages. I wish everyone the happiest of holidays. I’ll be back in the new year with an announcement. Milestone #2 is on the way!!!

I just spent a few weeks visiting my sister and her family in Hong Kong. I was there in May, ahead of the rainy season. It’s already hot and humid, only a hint of the weather to come….

It can’t be a coincidence that this time of year is also the birthday of Tin Hau. [1, 2]

She’s the Goddess of the Seas, patron saint of sailors and fishermen throughout China and Southeast Asia. Her festival is always held on the twenty-third day of the third lunar month of the lunar calendar. This year her birthday fell on May 11th. My friend Weiyu flew over from Beijing, and we had the good luck to see a dragon parade. [3]

Lin Moniang (don’t forget that Chinese put the family name first) was born during the Song Dynasty on Meizhou Island in Fujian, China. Her dates are 23 March 960 – 4 October 987. She was the seventh daughter, an excellent swimmer, and wore a red dress. No matter how bad the weather was, Lin Moniang stood on the shore in that red dress in order to guide the fishing boats back home.

Wikipedia’s description of her legend is so good that I’ll repeat it verbatim here: “Lin Moniang’s father and brothers were fishermen. One day, a terrible typhoon arose while they were out at sea, and the rest of her family feared that those at sea had perished. In the midst of this storm, depending on the version of the legend, she fell into a trance while praying for the lives of her father and brothers or dreamed of her father and brothers while she was sleeping or sitting at a loom weaving. In both versions of the story, her father and brother were drowning but Moniang’s mother discovered her sleeping and tried to wake her. This diverted Moniang’s attention and caused her to drop her brother who drowned as a result. Consequently, Moniang’s father returned alive and told the other villagers that a miracle had happened.” [4]

She was deified shortly after her death. There are many reports of miraculous sightings of Tin Hau by sailors in distress. Chinese who immigrated often built temples once they arrived overseas to thank her for the safe journey. Each year a major festival is held on her birthday.

One of the most spectacular is in Yuen Long in the New Territories. Weiyu and I headed out early to reach the town (an easy trip on the MTR, the wonderful regional transportation system). We left the metro station and immediately saw bright colors and a crowd of people. As we got closer, firecrackers began to go off! We’d arrived right on time!

The firecrackers exploded and confetti fell out and rained down!

This village had just begun to parade their dragon. They circled the lot a few times accompanied by a loud drum and cymbals. There was another loud bang, more firecrackers popped, and everyone followed the dragon as it headed into town.

We arrived at another square where more dragons waited.

They took turns weaving up and down the main street, curling and snaking, rising and falling in an intricate dance. Sometimes two dragons danced at the same time.

People’s shirts indicated which village and dragon they were with. There were groups of old women waving fans, and children in costume, and lions.

I recognized those instantly from the worship of Bà Chúa Xứ in southern Viet Nam. It can’t be a coincidence that her festival starts at the beginning of the rainy season on the twenty-third day of a lunar month too…

NOTES: [1] Tianhou (天后) literally means “Empress of Heaven”. [2] She’s also known as Mazu, Tian Fei or A-Ma. The Buddhists conflated her into a reincarnation of Guan Yin, Goddess of Compassion. [3] She has over 90 temples in Hong Kong alone. [4] http://en.wikipedia.org/wiki/Mazu

This is Part 2 to my post about our brief trip to Luxor, Egypt. As I look through Uwe’s photographs from that week I’m struck by his images of the Nile.

There is something sensuous about this river… One of my very favorite Shakespeare plays is Antony and Cleopatra. Here is the description of Cleopatra floating down the Nile:

Enobarbus: The barge she sat in, like a burnished throne,
Burned on the water; the poop was beaten gold,
Purple the sails, and so perfumed, that
The winds were love-sick with them, the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes.

…From the barge A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her, and Antony,
Enthroned i’ the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too
And made a gap in nature.

Agrippa: Rare Egyptian! (Act II, Scene 2)

The Nile is iconic. It’s the longest river in the world, around 4,160 miles or 6,670 kilometers The Nile originates at Lake Victoria and Lake Tana, and ends at the Mediterranean. It flows northward through Tanzania, Rwanda, Kenya, Uganda, Burundi, Ethiopia, Democratic Republic of the Congo, Sudan, South Sudan, and Egypt.

It is the largest oasis on the planet. When we visited in May 2013 tourism had declined so far that there were no longer any direct flights to Luxor. Instead, we flew to Hurghada on the Red Sea and a van met us. We drove for four hours across the barest desert landscape imaginable. No nomads, no towns, no vegetation or animal life to be seen. When we reached the Nile, visible signs of life appeared again.

All of the great ancient cities we visited are on the river’s banks. Karnak, Luxor/Thebes. Dendera, Edfu. From our hotel balcony we gazed directly across the river to the Valley of the Kings. The Valleys of the Kings, the Queens and the Nobles are on the west bank of the Nile River as you must be buried on that side in order to enter the afterlife.

We sailed downriver to Dendera, enjoying the scenery that flowed slowly past.

The fertile Nile was the original source of Egypt’s wealth and today 40 million Egyptians (50% of the population) live near its banks. There was life on the shores and in the water everywhere we looked.

Antony: The higher Nilus swells, The more it promises; as it ebbs, the seedsman Upon the slime and ooze scatters his grain, And shortly comes to harvest. (Act II, Scene 7)

The Egyptian calendar was based on the Nile’s three flood cycles. According to Wikipedia, “[t]hese seasons, each consisting of four months of thirty days each, were called Akhet, Peret, and Shemu. Akhet, which means inundation, was the time of the year when the Nile flooded, leaving several layers of fertile soil behind, aiding in agricultural growth. Peret was the growing season, and Shemu, the last season, was the harvest season when there were no rains.” [1]

As I looked out at the river and thought about my mother, I sensed the rhythms of life and death more clearly than ever before.

To the ancients, the Nile was the River Ar meaning “black” because of the rich, fertile sediment left on the banks from the Nile’s flooding. When the Aswan Dam was built in 1970, the annual flooding ended. But by the time we left I knew why Shakespeare’s hero confessed,

When we talk about salt, we talk most often of sodium chloride. This is NaCl, consisting of the elements sodium and chlorine.

There is a charming tradition in Germany of bringing a loaf of bread and salt to friends when they move into a new home. The saying is that if you have those two items in your house you’ll always survive. Bread and salt are still ceremoniously served to guests in parts of northern and eastern Europe.

Mark Kurlansky writes, “Loyalty and friendship are sealed with salt because its essence does not change. In both Islam and Judaism, salt seals a bargain because it is immutable… In Christianity, salt is associated not only with longevity and permanence but, by extension, wth truth and wisdom. The Catholic Church dispenses not only holy water but holy salt, Sal Sapientia, the salt of wisdom.” [1]

Seeing the hard way salt is won from pits changed forever the way I think about this simple condiment.

We were staying for only a few days in Vientiane, the capitol of Laos, and spent a day with a guide and a driver to see a bit of the area. One of the spots we toured was a traditional salt harvesting town. A little settlement lives at and from the pits (and has burned down numerous times). Each time, they rebuild right next to the pits.

Salty waters are brought up from deep underground

and then boiled in open metal pans. Their burning fires glowed and sent off intense heat. The briny steam that rose felt like being in some strange circle of Dante’s Purgatory.

Once the water has boiled away the salt is gathered in baskets, weighed, and stored in a barn.

Workers then bag and tag the salt, preparing it for market.

Salt is a serious business. The salt from this mine is sent to the north where people still suffer endemic goiters.

I thought of the pits of hell, of work so demanding and hot that it left scars. Just being tied to a spot like this must bake you and make you hard. Or so I thought. Instead, I met workers doing their jobs in neatly ironed clothing. The women all had on jewelry. A group of little children trailed us everywhere, laughing and mugging as children do.

Since that day salt has tasted both sweeter and bitterer, or herber as the Germans say. And in that small word I hear the echo of the coming season, Herbst, Autumn. The summer is burning away and fall is coming. May your harvest tables everywhere include bread and salt.

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Jadi Campbell

Jadi Campbell lives in Germany and spent a decade writing as European Correspondent. She received a B.A. in English Literature from the Honors College of the University of Oregon. Jadi has traveled across 4 continents with her husband and begun exploring their 5th. Travel and life abroad provide the perfect inspiration for her tales. Her novels are Broken In: A Novel in Stories, Tsunami Cowboys, and Grounded. They are available on Amazon. You can go to her author page to read reviews by readers and learn more about Jadi.