This book takes as its starting point Lethem's characteristic collisions and mutations of genres – detective fiction and science fiction; road narrative and science fiction; coming-of-age stories on ...
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This book takes as its starting point Lethem's characteristic collisions and mutations of genres – detective fiction and science fiction; road narrative and science fiction; coming-of-age stories on extraterrestrial frontiers. It proceeds chronologically and takes as its main focus Lethem's novels, with reference to related short stories. The chronological approach is appropriate because it shows how the bold, rather ostentatious genre clashes in early novels make way for more subtle genre mergings later on. It also indicates the shifts in tone and emphasis as Lethem moves from LA, where the early novels were written, to Brooklyn, his childhood home, and back again. The book analyses the specific purposes of Lethem's genre experiments. Despite claiming in interview that he has never really grown up, and that he writes the way he does partly to make himself laugh, it is argued that he uses genre frameworks to question the organising principles through which individuals confront or avoid the complexities of their lives, principles which may require a reduction in freedom or individual self-expression. As such his subversion of genre is not simply postmodern game-playing, but in its own way politically motivated.Less

Jonathan Lethem

James Peacock

Published in print: 2012-03-01

This book takes as its starting point Lethem's characteristic collisions and mutations of genres – detective fiction and science fiction; road narrative and science fiction; coming-of-age stories on extraterrestrial frontiers. It proceeds chronologically and takes as its main focus Lethem's novels, with reference to related short stories. The chronological approach is appropriate because it shows how the bold, rather ostentatious genre clashes in early novels make way for more subtle genre mergings later on. It also indicates the shifts in tone and emphasis as Lethem moves from LA, where the early novels were written, to Brooklyn, his childhood home, and back again. The book analyses the specific purposes of Lethem's genre experiments. Despite claiming in interview that he has never really grown up, and that he writes the way he does partly to make himself laugh, it is argued that he uses genre frameworks to question the organising principles through which individuals confront or avoid the complexities of their lives, principles which may require a reduction in freedom or individual self-expression. As such his subversion of genre is not simply postmodern game-playing, but in its own way politically motivated.

Making Home explores the orphan child as a trope in contemporary US fiction, arguing that in times of perceived national crisis concerns about American identity, family, and literary history are ...
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Making Home explores the orphan child as a trope in contemporary US fiction, arguing that in times of perceived national crisis concerns about American identity, family, and literary history are articulated around this literary figure. The book focuses on orphan figures in a broad, multi-ethnic range of contemporary fiction by Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michael Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez, and Toni Morrison. It also investigates genres as carriers of cultural memory, looking particularly at the captivity narrative, historical fiction, speculative fiction, the sentimental novel, and the bildungsroman. From a decisively literary perspective, Making Home engages socio-political concerns such as mixed-race families, child welfare, multiculturalism, and racial and national identity, as well as shifting definitions of familial, national, and literary home. By analyzing how contemporary novels both incorporate and resist gendered and raced literary conventions, how they elaborate on symbolic and factual meanings of orphanhood, and how they explore kinship beyond the nuclear and/or adoptive family, this book offers something distinctly new in American literary studies. It is a crucial study for students and scholars interested in the links between literature and identity, questions of inclusion and exclusion in national ideology, and definitions of family and childhood.Less

Making home : Orphanhood, kinship and cultural memory in contemporary American novels

Maria Holmgren TroyElizabeth KellaHelena Wahlström

Published in print: 2014-08-31

Making Home explores the orphan child as a trope in contemporary US fiction, arguing that in times of perceived national crisis concerns about American identity, family, and literary history are articulated around this literary figure. The book focuses on orphan figures in a broad, multi-ethnic range of contemporary fiction by Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michael Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez, and Toni Morrison. It also investigates genres as carriers of cultural memory, looking particularly at the captivity narrative, historical fiction, speculative fiction, the sentimental novel, and the bildungsroman. From a decisively literary perspective, Making Home engages socio-political concerns such as mixed-race families, child welfare, multiculturalism, and racial and national identity, as well as shifting definitions of familial, national, and literary home. By analyzing how contemporary novels both incorporate and resist gendered and raced literary conventions, how they elaborate on symbolic and factual meanings of orphanhood, and how they explore kinship beyond the nuclear and/or adoptive family, this book offers something distinctly new in American literary studies. It is a crucial study for students and scholars interested in the links between literature and identity, questions of inclusion and exclusion in national ideology, and definitions of family and childhood.

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