Now, a week before it opens to the public, the show is already proving problematic.

Intending to show how artists captured the violent change and bestial tumult of the two decades charted by the show—set in motion by the shattered hopes and bloodshed of Tiananmen Square and capped by the controversial Beijing Olympics, which announced both the undeniable ascent of China as a world power and its retreat from international humanitarian norms—the curators included several works that involved animals menacing or even killing one another.

And read the article following, discussing the withdrawal of three artworks central to the exhibition, including the namesake of the exhibition, “Theatre of the World“.