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German font god Erik Spiekermann doesn't plan to retire anytime soon. In fact, the 70-year-old doesn't plan on retiring at all. Consider the following the rules according to Spiekermann, a primer on design, entrepreneurship, business, culture, and aging gracefully, as told through his stories.

Technological innovations will continue to wow and delight, but they’ll also come and go. In the creative world there is no replacement for the human touch, as Australian calligrapher Gemma O’Brien shows us.

How do you build a successful career and strong marriage when your business cofounder is also your spouse? Stefanie Weigler and David Heasty, the duo behind Triboro Design, weigh in on the art of collaboration.

Bloomberg Businessweek Creative Director Rob Vargas, on what goes into making the magazine’s provocative covers, how he handles sensational and sensitive subject matter, and why acknowledging that he was always going to come up with terrible ideas opened up his way of thinking.

For 20 years, Mira Nakashima singularly focused on mastering the craft of woodworking alongside her father, her perfectionist teacher. After finally taking over the family’s studio, she looks back and answers the question: Was the sacrifice worth it?

For years creative agencies have sold design advice only. But now studios are rethinking this approach to boost their defenses against roller coaster economies and the fickle whims of clients. Ustwo co-owner Jules Ehrhardt explains how they have transformed their studio into a triple threat that generates revenue on multiple fronts.