New Font: Alexandrine

I keep trying to come up with the perfect title font and while I’m not sure I’ll ever accomplish it, the process produces a lot of interesting fonts. The latest of these is Alexandrine. It was inspired to some degree by our recent Madding font, and also by the character forms in Illuminata. The idea was to take the general look of Illuminata, tone it down and make it less extreme and more usable for titles and even some text uses. In doing this I borrowed some ideas from Madding, but moved away from the Art Deco look of that font towards the cleaner look of Illuminata. The result works well. It’s attractive, readable and very modern.

You can download and try the demo version of Cascade in TrueType format for Mac or PC. The full version of the font is available if you want to BUY IT NOW.

New Font: San Lorenzo

Featured Font: Schoolhand

New Font: Holly Initials

Classic Font: Goodfellow

New Font: Vyones

New Font: Big Show

Classic Font: Gjallarhorn

New Font: Hadrianus Swash

Classic Font: Black Cow

New Font: Plymouth

Classic Font: Hadrianus

Classic Font: St. Nicholas

New Font: Caelian

Classic Font: Buccaneer

New Font: Vambrace

Classic Font: Scurlock Updated

New Font: Montgisard

Classic Font: Orlock

New Font: BigBlok

A great many years ago when working in game publishing I had a real fascination with doing titles in a strong, super-bold font called Bolt Bold. The truth is I rather overused it. In doing some research I find it on more than a dozen different game books I wrote in the early 80s, all quite collectable and out of print today.

Classic Font: Albemarle

New Font: Letterpress Gothic

Classic Font: Linthicum

New Font: Bergling

Classic Font: Stonecross

New Font: Ormandine

Classic Font: Rheingold

New Font: Aylward

Classic Font: Stuttgart Gothic

New Font: Andrano

Classic Font: Gaiseric

New Font: Antrobus

Classic Font: Brandywine

New Font: Airship

New Font: Borealis

New Font: Alexandrine

New Font: Madding

Classic Font: Moravia

Font Revision: Pontifica New

New Font: Changeling

Classic Font: Delaguerra

New Font: Krasny Mir

Classic Font: Joyeuse

New Font: Rockne

Classic Font: Structura

New Font: Rasael

Classic Font: Tuscarora

New Font: Foundry Ornament

Classic Font: Melusine

New Font: Agravain

Classic Font: Evadare Enhanced

New Font: Pencraft Initials

Classic Font: Windlass Enhanced

New Font: Amphitryon

Classic Font: Boswell

New Font: Walter Crane

St. Patrick’s Day Font Special: Spiral Initials

New Font: Art Deco Stencil

Classic Font: Acadian

New Font: Burd Ellen

Classic Font: Brigidis

New Font: Atkinson Boomtown

Classic Font: Jugendstil Kunsthand

New Font: Verne

New Font: Goldwork

New Font – Crane Gothic

Classic Font: Valdemar

New Font – Waldeck

Classic Font – Orpheus

New Font – Stampwork

New Font – Woburn Initials

New Font – Malvern

New Font: Valentin

Orford Font

New Font: Broadley

New Font: Posada

Tangle Font

New Font: Aventine

New Font: Groningen

Berenicia Font

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Cosmic Dude was designed as one of the special original fonts developed for our Modern Poster Fonts package. The character forms are based on samples of hand lettering from a late 1970s rock show poster. The character set includes numbers, punctuation, uppercase letter[...]

It has taken a lot of hours of development, but we finally have our promised Walter Crane Initials font. Or should I say FOUR fonts, because in the process of developing the font it turned out that we ended up with more than we bargained for. One reason that there are four fonts is that there was so[...]

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Sanhedrin is a decorative futuristic font, which features two distinct sets of different characters and a number of additional special characters. It draws some characters from the Greek alphabet and also has some unusual art nouveau character forms and a strange biblic[...]

Butterfield is based on letting from a poster for the Paul Butterfield Blues Band. It can be found as part of Psychedelic Fonts Collection package. It has a unique look particularly characteristic of the 60s and especially suited to use on posters. It has a full set of numbers and punctuation, plus custom small [...]

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Startling Stories was a pulp-era science fiction magazine known for its lurid covers by Earle K. Bergey and its eye-catching title designs. It was a companion to Thrilling Wonder Stories and Fantastic Stories. The magazine was very successful in the immediate pos[...]

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Escargot is based on lettering from the cover of an early pulp novel I came across a couple of months ago. It's a strong example of a distinctive style of sign and poster lettering from the 1930, characterized by super high contrast between the weighting on the le[...]

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Tantalus is a display font for titles with a basic Roman design and elaborately embellished characters. It features the more decorative versions of the characters in the upper case positions and a plain caps set in the lower case positions.
It's a neat whimsical font and if you ne[...]

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Quicksilver was designed as one of the original featured fonts included in our Psychedelic Fonts Package. It was developed into a full font from a sample of lettering from Quicksilver Messenger Service's live album Summer of '68 and posters for shows associated with it [...]

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Yancey is a new font based on a hand-lettered design by Samuel Welo in the late 1920s. It is very much in the tradition of Art Deco designs of that period and designed for decorative titles of poster design uses.
Yancey includes two versions of the character set,[...]

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Power tie is based on a design for hand lettering from the 1930s. It was originally done as a conceptual design for signage in a men's haberdashery. It is a handsome, muscular font in the Art Deco tradition.
It includes a full character set with numbers and punctuation, and a se[...]

Vasilisa is based on Russian folk art lettering from the pre-revolutionary period. It is included in our original Russian Fonts and Art package. It is very readable in English but also includes elements of Cyrillic lettering. It is evocative of rural Russian life and fits well with the hand crafted peasant wood[...]

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Back in 1995 I designed a card game called Quest for the Grail and formed a publishing partnership to produce it called Stone Ring Games. I did a bunch of design work for the game, including designing a unique title font called Marmyadose. Marmyadose was a unique font, but it was too fancy to[...]

Too many years ago to count, I was lucky enough to attend St. Albans School in Washington, DC. It's a great school with a rich history and an association with the National Cathedral and the rich cultural heritage of the Episcopal Church and many of the traditions of the English public schools. It's a school with a lo[...]

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Edifice is a decorative titling font based on samples of lettering by J. M. Bergling. It has an architectural, constructed look to it. Very well suited to sign and poster design. It's stylish but still readable and clear.
Edifice includes a full uppercase charac[...]

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Highball is a bold font in every sense of the word. Yes, its weight is heavy and pronounced in the traditional meaning of bold, but it is also of an extreme height which could be considered bold, and of a boldly progressive style.
Highball features a full character s[...]

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Magdelena is one of our earliest and most successful calligraphic fonts. Based on samples of very late medieval lettering, it shows some characteristics of humanistic script styles as well as some unique peculiarities.
This new version has a slightly heavier weighting than the original vers[more]

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True Golden is a classic font based on a design by legendary arts and crafts designer and author William Morris. It is a special rendering of Morris' Golden type, based on printed samples rather than digitized steel type, preserving a more accurate representation of the look in print.
True[more]

The Pre-Raphaelite movement emerged in the mid-1800s as an attempt to return art to its traditional styles and themes. While the Pre-Raphaelites did draw stylistically on Renaissance models, the movement soon developed its own unique style and philosophy, producing art which was traditional, yet uniquely new. An artist[more]

Byam Shaw was a great English illustrator of the Victorian period. Stylistically he inherited many of the characteristics of the Pre-Raphaelite and Arts and Crafts artists of the earlier 19th century, putting him in the same category with other late-Victorian artists like Eleanor Fortescue Brickdale and William Russell[more]

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Barataria is an elegant text and titling font with some unique features that really stand out for designing decorative logos with an elegant vintage look. It has a bit of a piratical look, a sort of more refined alternative to our Windlass font. This revised version features smoother outline[more]

As we did last year, we have compiled figures on font sales through all of our outlets and here are the results for our best selling fonts for the year. Three fonts from last year made it in - Scurlock, Captain Kidd and last year's top seller Albemarle.
If you have confidence in the judgment of others, then you sho[more]

W. Heath Robinson was an artist of the first half of the 20th century who started his career as a book illustrator and produced many fantasy and fairytale illustrations, including illustrating Charles Kingsley's The Water Babies. Later in his career he became a cartoonist producing humorous cartoons of fanciful weapons[more]