Floyd Phillips Gibbons (July 16, 1887 – September 23, 1939) was the war correspondent for the Chicago Tribune during World War I. One of radio's first news reporters and commentators, he was famous for a fast-talking delivery style. Floyd Gibbons lived a life of danger of which he often wrote and spoke.

Gibbons was born in Washington, D.C., the first of five children of Edward Thomas Gibbons and Emma Theresa Phillips. He started with the Tribune in 1907. He became well known for covering the Pancho Villa Expedition in 1916, and for reporting on the 1917 torpedoing of the British ship RMS Laconia, on which he was a passenger.

As a World War I correspondent at the Battle of Belleau Wood, France, Gibbons lost an eye after being hit by German gunfire while attempting to rescue an American soldier.

In August 1918, Gibbons was given France's greatest honor, the Croix de Guerre with Palm, for his valor on the field of battle. On June 21, 1941, Marine Corps League State Commandant Roland L. Young posthumously awarded Gibbons a gold medal, making him an honorary member of the Marine Corps. It was the first such civilian honor ever made in the history of the Marine Corps League.

In the 1920s and 1930s, Gibbons was widely known as a radio commentator and narrator of newsreels, for which he received a star on the Hollywood Walk of Fame. He also narrated Vitaphone's "Your True Adventures" series of short films [1], which began as a radio program in which Gibbons paid twenty-five dollars for the best story submitted by a listener.[2] In 1927 he wrote a biography of the Red Baron called The Red Knight of Germany. He also wrote the speculative fiction novel The Red Napoleon in 1929. Gibbons was the narrator for the documentary filmWith Byrd at the South Pole (1930). In 1929, he had his own half-hour radio program heard Wednesday nights on the NBC Red Network at 10:30. Competition from Paul Whiteman's show on CBS Radio, however, brought Gibbons' show to an end by March 1930.

These were all produced by Warner Brothers, filmed at the Vitaphone studio in New York with Joseph Henabery directing. Each recreates a “heart stopping” event with actors and often presenting the real person behind the story in the final scene, introduced by Gibbons himself.