I have a Toxic Holocaust test press of the first album which I am considering selling. I would prefer not to, but it depends on what other things I could sell instead. (I have a large bill that I want to pay for with records.)

If your familiar with his progression, this is one of the finest of his later recordings. It is less overtly dynamic, in that it lacks the quicker edits and feedback stabs of his early tape work. This recording is more focused on the universe of textures in a very narrow range of low frequencies. A refined deconstruction of one aspect of the "harsh noise object", as Sam would put it.

(and I should mention that a recording of this nature is very treacherous when applied to the vinyl format but this release was very well mastered, taking multiple attempts to ensure clarity, continuity, and a dynamic cut.)