Citizen of the Galaxy

In a distant galaxy of colonized planets, the atrocity of slavery is alive and well. Young Thorby was just another bedraggled orphan boy sold at auction, but his new owner, Baslim, is not the disabled beggar he appears to be. Adopting Thorby as his son, Baslim fights relentlessly as an abolitionist spy. When the authorities close in on Baslim, Thorby must find his own way in a hostile galaxy. Joining with the Free Traders, a league of merchant princes, Thorby must find the courage to live by his wits and fight his way up from society's lowest rung.

Job: A Comedy of Justice

After firewalking in Polynesia, fundamentalist minister Alexander Hergensheimer never saw the world the same. Now called Alec Graham, he was in the middle of an affair with his stewardess, Margrethe, and natural disasters kept following them. First, there was an impossible iceberg that wrecked the ship in the tropics; then, after being rescued by a Royal Mexican plane, they were hit by a double earthquake. To Alex, the signs were clear that Armageddon and the Day of Judgment were near.

The Door into Summer

Dan Davis, an electronics engineer, had finally made the invention of a lifetime: a household robot that could do almost anything. Wild success was within reach, but then Dan's life was ruined. In a plot to steal his business, his greedy partner and greedier fiancée tricked him into taking the "long sleep": suspended animation for 30 years.

Tunnel in the Sky

When Rod Walker decides to take the final test for “Deacon” Matson’s interplanetary survival course, he knows he will be facing life-or-death situations on an unsettled planet. What he doesn’t expect is that something will go wrong with the “Tunnel in the Sky” and he and his fellow students will not be able to return to Terra. Stranded on a hostile planet, Rod and his friends are faced wit the challenge of carving a civilization out of the wilderness.

Methuselah's Children

After the fall of the American Ayatollahs as foretold in Stranger in a Strange Land and chronicled in Revolt in 2100, the United States of America at last fulfills the promise inherent in its first Revolution: for the first time in human history there is a nation with Liberty and Justice for All. No one may seize or harm the person or property of another, or invade his privacy, or force him to do his bidding. Americans are fiercely proud of their re-won liberties and the blood it cost them; nothing could make them forswear those truths they hold self-evident. Nothing except the promise of immortality…

Time Enough for Love: The Lives of Lazarus Long

Time Enough for Love is the capstone and crowning achievement of Heinlein's famous Future History series. Lazarus Long is so in love with life that he simply refuses to die. Born in the early 1900s, he lives through multiple centuries, his love for time ultimately causing him to become his own ancestor. Time Enough for Loveis his lovingly detailed account of his journey through a vast and magnificent timescape of centuries and worlds. Using the voice of Lazarus, Heinlein expounds his own philosophies, including his radical ideas on sexual freedom.

Between Planets

Don Harvey is a citizen of the Interplanetary Federation - yet no single planet can claim him as its own. His mother was born on Venus and his father on Earth, and Don himself was born on a spaceship in trajectory between planets. When his parents abruptly summon him away from school on Earth to join them on Mars, he has no idea he's about to be plunged into deadly interplanetary intrigue. But the ship Don is traveling on is unexpectedly diverted to Venus, where the colony has launched a revolution against Earth's control.

Friday

Friday, a secret courier, is thrown into an assignment under the command of her employer, a man she knows only as "Boss." She operates from and over a near-future Earth in North America, a vulgar and chaotic land comprised of dozens of independent states. In America's disunion, Friday keeps her balance nimbly with quick, expeditious solutions as she conquers one calamity and scrape after another.

The Cat Who Walks through Walls

When a stranger attempting to deliver a cryptic message is shot dead at his dinner table, Richard Ames is thrown headfirst into danger, intrigue, and other dimensions where Lazarus Long still thrives, where Jubal Harshaw lives surrounded by beautiful women, and where a daring plot to rescue the sentient computer called Mike can change the direction of all human history.

The Number of the Beast

The wickedest, most wonderful science fiction story ever created in our - or any - time. Anything can begin at a party in California - and everything does in this bold masterwork by a grand master of science fiction. When four supremely sensual and unspeakably cerebral humans - two male, two female - find themselves under attack from aliens who want their awesome quantum breakthrough, they take to the skies - and zoom into the cosmos on a rocket roller-coaster ride of adventure, danger, ecstasy, and peril.

To Sail Beyond the Sunset: The Life and Loves of Maureen Johnson (Being the Memoirs of a Somewhat Irregular Lady)

Maureen Johnson, the somewhat irregular mother of Lazarus Long, wakes up in bed with a man and a cat. The cat is Pixel, well-known to fans of the New York Times best seller The Cat Who Walks through Walls. The man is a stranger to her, and besides that, he is dead.

Farmer in the Sky

Farmer In The Sky is a 1953 science fiction novel by Robert A. Heinlein about a teenage boy who emigrates with his family to Jupiter's moon Ganymede, which is in the process of being terraformed. A condensed version of the novel was published in serial form in 1950 in Boys' Life magazine (August, September, October, November), under the title "Satellite Scout".

The Puppet Masters

At key points throughout North America, an invasion force is taking over communications, government, industry, and people's bodies. And the nation is helpless to stop it, because the invaders multiply far faster than they can be destroyed, controlling the mind of every unsuspecting person they encounter. Enter Sam Cavanaugh, a can-do intelligence officer for the United States' most secret service. Cavanaugh is the only man who can stop the invaders. But to do that he'll have to be invaded himself.

Sixth Column

The totalitarian East has triumphed in a massive invasion, and the United States has fallen to a dictatorial superpower bent on total domination. That power is consolidating its grip through concentration camps, police state tactics, and a total monopoly upon the very thoughts of the conquered populace. A tiny enclave of scientists and soldiers survives, unbeknownst to America’s new rulers. It’s six against six million - but those six happen to include a scientific genius, a master of subterfuge and disguise who learned his trade as a lawyer-turned-hobo, and a tough-minded commander....

Have Space Suit - Will Travel

First prize in the Skyway Soap slogan contest was an all-expenses-paid trip to the moon. The consolation prize was an authenticspace suit, and when scientifically minded high school senior Kip Russell wonit, he knew for certain he would use it one day to make a sojourn of his own tothe stars. But "one day" comes sooner than he thinks when he tries the suit on in his backyard - and finds himself worlds away, a prisoner aboard a space pirate's ship.

I Will Fear No Evil

As startling and provocative as his famous Stranger in a Strange Land, here is Heinlein’s grand masterpiece about a man supremely talented, immensely old, and obscenely wealthy who discovers that money can buy everything.

Space Cadet

Matt Dodson arrives at Space Academy little prepared for the rigorous program he is about to enter. But that’s the point of the academy: to take young men and steep them in a demanding tradition of honor, courage, and sacrifice until they have earned the right to join the Patrol as guardians of the solar peace. Unfortunately, even the academy’s high power training can’t completely prepare Matt and his friends Tex and Oscar for the harrowing test of both survival and diplomatic skills they will face when a mission goes disastrously wrong.

Assignment in Eternity

Robert A. Heinlein is widely and justly regarded as the greatest practitioner of the art of science fiction who has ever lived. Here are two of his greatest short novels: Gulf, in which the greatest super-spy of them all is revealed as the leader of a league of supermen and women who can’t quite decide what to do with the rest of us. And Lost Legacy, in which it is proved that we are all members of that league - or would be, if we but had eyes to see.

Jim &#34;The Impatient&#34; says:"USING LANGUAGE UNUSUAL TO HER AGE AND SEX"

Waldo & Magic, Inc.

North Power Air is in trouble. Their aircraft are crashing at an alarming rate and no one can figure out the cause. Desperate for an answer, they turn to Waldo, a crippled misanthropic genius who lives in a home in orbit around Earth, where the absence of gravity means that his feeble muscle strength does not confine him helplessly in a wheelchair. But Waldo has little reason to want to help the rest of humanity - until he learns that the solution to Earth’s problems also holds the key to his own.

Revolt in 2100

After the fall of the American Ayatollahs (as foretold in Stranger in a Strange Land) there is a Second American Revolution; for the first time in human history there is a land with Liberty and Justice for All.

Farnham's Freehold

Hugh Farnham is a practical, self-made man, and when he sees the clouds of nuclear war gathering, he builds a bomb shelter under his house, hoping for peace and preparing for war. But when the apocalypse comes, something happens that he did not expect. A thermonuclear blast tears apart the fabric of time and hurls his shelter into a world with no sign of other human beings.

The Star Beast: Heinlein's Juveniles, Book 8

Lummox has been the pet of the Stuart family for generations. With eight legs, a thick hide, and increasingly large size, Lummox is nobody's idea of man's best friend. Nevertheless, John Stuart XI, descendant of the starman who originally brought Lummox back to Earth, loves him. But when Lummox eats a neighbor's car and begins to grow again, the feds decide that enough is enough.

Stranger in a Strange Land

Stranger in a Strange Land tells the story of Valentine Michael Smith, an earthling born and educated on Mars, who arrives on Earth with superhuman powers and a total ignorance of the mores of man. Smith is destined to become a freak, a media commodity, a scam artist, a searcher, and finally, a messiah.

The Moon Is a Harsh Mistress

In what is considered one of Heinlein's most hair-raising, thought-provoking, and outrageous adventures, the master of modern science fiction tells the strange story of an even stranger world. It is 21st-century Luna, a harsh penal colony where a revolt is plotted between a bashful computer and a ragtag collection of maverick humans, a revolt that goes beautifully until the inevitable happens. But that's the problem with the inevitable: it always happens.

Publisher's Summary

E. C. “Scar” Gordon was on the French Riviera recovering from a tour of combat in Southeast Asia, but he hadn’t given up his habit of scanning the personals in the newspaper. One ad in particular leapt out at him: "Are you a coward? This is not for you. We badly need a brave man. He must be 23 to 25 years old, in perfect health, at least six feet tall, weigh about 190 pounds, fluent English with some French, proficient with all weapons, some knowledge of engineering and mathematics essential, willing to travel, no family or emotional ties, indomitably courageous and handsome of face and figure. Permanent employment, very high pay, glorious adventure, great danger. You must apply in person, 17 rue Dante, Nice, 2me étage, apt. D."

How could you not answer an ad like that, especially when it seemed to describe you perfectly? Well, except maybe for the “handsome” part, but that was in the eye of the beholder anyway. So he went to that apartment and was greeted by the most beautiful woman he’d ever met. She seemed to have many names but agreed he could call her Star. A pretty appropriate name, as it turned out, for the empress of twenty universes. And she sends him on the adventure of a lifetime.

Robert A. Heinlein’s one true fantasy novel, Glory Road is as much fun today as when he wrote it after Stranger in a Strange Land. Heinlein proves himself as adept with sword and sorcery as with rockets and slide rules, and the result is exciting, satirical, fast-paced, funny, and tremendously readable - a favorite of all who have read it. Glory Road is a masterpiece of escapist entertainment with a typically Heinleinian sting in its tail.

Robert A. Heinlein (1907–1988) was the dominant science fiction writer of the modern era, a writer whose influence on the field was immense. He won science fiction’s Hugo Award for best novel four times.

This is a great book. I've been wishing for a long time that Audible would get it. I've read it over and over again through the years, and I'm happy to say that now I'll be able to listen to it over and over again because Bronson Pinchot does a wonderful job with the characters' voices.

I'm not sure that this is really a fantasy. It has swords and seems to have sorcery, but the magic gets explained in such a way that it seems to (almost) be advanced science. But it has the feel of fantasy. If Heinlein wrote this book today, the publisher would have insisted on a 20-book series, and I truly think our hero Oscar Gordon could have provided it to us.

Heinlein was born more than a hundred years ago, and attitudes toward male/female relations were different then. But just as we do not hold Shakespeare or Homer to 21st Century societal norms, so we must give Heinlein a pass here as well. He was trying.

I think that any young man who likes science fiction or fantasy will like this adventure story. And I think that women who can release their grip on modern feminism for the space of a few hours will like it as well.

Unlike many Heinlein fans, I have loved "Glory Road" since I read it as a teenager. At that time, I had just read "The Lord of the Rings" and was delighted by what I saw as a beautiful fantasy adventure that wasn't quite so heavy and thoughtful.

WRONG. It's just as topical and political and sneaky about making one think as any of Heinlein's books... but more about that later. Suffice to say that E. C. "Oscar" Gordon (and why anyone would name a little baby boy Evelyn Cyril is beyond this writer; though my given name is also Evelyn I'm at least FEMALE) became a voice in my head as the competent, reluctant -- or not so reluctant -- hero, one I always remembered, and the book a sentimental favorite.

I adore Audible books, but often the casting is not to my preference. Hazard of the trade, I guess. The wonder is, after a few moments, Bronson Pinchot, an actor I've always liked but wrongly considered something of a lightweight, BECAME the voice of Oscar in my head. Pinchot's command of narrative, dialogue, nuance, and, yes, dialect, made this story come alive for me as never before. I could close my eyes and be THERE; his reading gave it an immediacy that I seldom get from **any** production, audio, video, or otherwise. I wonder if he's a fan?

Reading "Glory Road" time and again over many years, I have come to see the craft that seemed so effortless the first time through. Heinlein was current with not only the time he wrote this classic (1962 or thereabouts) but with the time I read it, in the early 1970s with the war in Southeast Asia still going on in its bloodiest, most nonsensical glory (yeah, folks, get over it, I AM that old). And sadly, he was correct about how "non-veterans" got treated after that war for many years.

I'm off to find more of Mr. Pinchot's audiobooks. I recommend this for fans of Heinlein, sword and sorcery, and just plain good acting and narration of a book. I had a whale of a lot of fun listening to it, and I'll bet you will, too. It's worth the time.

This was published in 1963 and marks the beginning of when RH seems to have one hand on the typewriter and the other. This is nowhere near as bad as what he will write in the future, but you can see it coming. I found this silly and not worth my time.

I am a fan of the Heinlein of the 50's, I wish I would have never read anything after Starship Troopers.

Heinlein’s witty, insightful, and caustic (at times) commentary on the military and the Vietnam War in particular are spot-on. The off Earth adventures are over-the-top, filled with sword fights and monsters. The character development is good, especially the grudging respect that grows between Oscar and Rufo.

I've read just about every Heinlein book that was ever written. I read this MANY years ago. It is Heinlein's only true Fantasy. .

What did you like best about this story?

Well the hero was mature for his age, but not self conscious. You also have to realize the story was supposed to have been taking place around the time of the Vietnam conflict. So the What is considered PC now was not so then. How ever the story if you over look that one small thing again it is Fantasy so it takes you to places that may be more like the way we see things now that we did then.

Which character – as performed by Bronson Pinchot – was your favorite?

Bronson Pinchot is one of the best narrators that Audible has. I've listened to him narrate about 5 different books. Each of them having many characters from women to gruff monsters, Mr Pinchot does it all with class. Also expressing emotion as well.

Was this a book you wanted to listen to all in one sitting?

I was trying to but I fell asleep and had to go back about 9 chapters. If you are a Heinlein fan and never read this book give it a shot. I was so glad I got this because Bronson Pinchot did a 5 star job of narration.

I've had this book in my Amazon wishlist for a long time as I've heard a lot of good things about it and read the great reviews. So I was happy when I saw it was available on Audible and gave it a listen.

I don't know exactly what to say other than I just found the book kind of silly and juvenile for the most part. Very disappointing, because the first chapters of the book about Gordon's life and path to Vietnam were really good. It really lost me almost immediately as soon as the story leaves Earth.

I have a feeling my problem with this book is that it was written in 1964 or whatever and just doesn't hold up as well for a first time reader. Its like being a fan of the original Battlestar Galactica and remembering how great it was when you were a kid. But if you show it to your kid today, they likely wouldn't see it the same way.

I hate to bash the book as it clearly has a lot of fans who love it. My comment is just that if you're like me and you've grown up reading Gibson or Stephenson or more contemporary sci-fi writers, you might find this a little unsophisticated.

Yes, but this is a complicated answer. Judging and reviewing "Glory Road" today is an interesting, and somewhat difficult, task. Written in 1964, the height of Heinlein's literary success, it becomes apparent very quickly that this story, and its characters, are from a different time, when gender roles were viewed differently, but also when politics and foreign military action were viewed and received differently. Just consider the themes: E.C is drafted and serves in a "foreign military policing action", as the west reacts to the "red scare" that former French colonial territory Indochina, afterwards known as Vietnam, would transition fully into a communist state and shift the balance of the post-WWII, cold war era world. Believe it or not, I considered most of this when I set out to read this book - and unlike some people, whom were insulted or offended by the overtly sexist bits, or Heinlein's more conservative views towards government and the military, I found them fascinating, as if not only looking back onto this masterfully crafted story, but also the time period and sociopolitical undercurrents that shaped it.<br/><br/>I didn't find E.C "Scar" as likable as most of Heinlein's protagonists, and yet, he wasn't entirely unlikable either. His confidence-sometimes bordering on arrogant demeanor made him less relatable for me. But then again, I must also make concessions. This is a young man taken from his home, shipped overseas, and thrust into a conflict people couldn't understand, or support. When considering this, his attitude starts making more sense. A person who looses control of their destiny, or more realistically, their short-term future (draftees) might come back and seek to not only retain some semblance of control over their lives, but also struggle reintegrating into a culture that they are either ill equipped for, or were never allowed to acclimate to before joining military service. This is a concept broached by many authors - and it is something that young men struggle with this very day.<br/><br/>Scar's relationships with Star and Rufo are interesting, and definitely drive the plot, especially when you mix in later twists. Scar's attitude towards women is a mix, as at times he comes off as a misogynist, threatening Star with spankings (not only the hand variety, but with her own sword), but also with how they interact. At other times, Scar slides towards the other end of the spectrum, noting his distaste for the idea of young Vietnamese women (or little sisters as he refers to them) who offer themselves to men at a price. This theme is confronted again while the trio is questing, as Scar is offered a small group of female bed mates by a local lord, as hospitality. Heinlein briefly confronts these issues of sexuality, even confronting legalized prostitution - noting that our earth is the only one in an expansive system of inhabited planets to engage in the barbaric tradition. For the most part, Scar functions as the "A" typical man, exerting control, and thus dominance, on the others in his party. The interesting question that continued to pop into my head is this: Is E.C this way, because that was the male gender role of the time - the strong, dominant, head-of-the-household type that makes women sub servant, or, is this the post military, combat veteran reestablishing himself in a world void of strict military discipline, rank, and chain of command? Was he trying to retake control of his life? Or was this ingrained or learned misogyny.<br/><br/>Story wise, Heinlein mixes equal parts fantasy and science fiction, which work very well together. The plot moves at a crisp pace - and I love that he didn't end the story at the cliched moment "quest complete/item retrieved, hero and heroine return to kingdom and live happily ever after." Yes, some people will fault the ending as weak, but I found it intriguing. It speaks to Scar's character, the relationships he builds with Star and Rufo along the way, as well as a natural, intrinsic wanderlust suffered by people whose lives have been altered by war or dramatic change. The Glory Road, much like the soldier's path tears down much, if not all, of what a person's knows or expects. It changes their views, their ideals, but mostly, what they will come to expect and demand out of the world, and the people around them. You don't simply live through something like that and expect to go unchanged - no, you will be a different person. I believe that is one of the central themes Heinlein was trying to confront in this book. How the conflict of the road for glory changes us, and thus, how and where we fit into society afterwards.<br/><br/>In the end, I found Glory Road a fun, engaging read well-worth my time

What about Bronson Pinchot’s performance did you like?

Pinchot's performance is very good, and his accent work is top notch. Although, I found his voice for Star to be more than a bit distracting. Her husky, almost perpetual whisper, with a slight French accent doesn't carry the sensuality I believe Pinchot is trying to convey, instead, it sounds more like a man trying to sound alluring and feminine. I can forgive this as the other characters are fabulously done, especially Rufo.

Definitely not - I love the book, I'd better re-read it again. It is fortunate that I already knew the book, otherwise I would have dropped it. Bronson Pinchot is a very good narrator - just not for female voices and not for Heinlein.

Who was your favorite character and why?

All of them as it is a very well told story that maintains an ideal balance of characters, plot, humor and sheer joy of life.

What about Bronson Pinchot’s performance did you like?

Actually I did not particularly like it. His Oscar is very good. But others... Why use a funny accent for Rufo? - after the hero learned the languages, there is no reason to assume that Rufo talks with some ridiculous kind of accent (and those irritating hissing "sheeeeee"s are horrible). The gorgeous proud, smart and funny empress comes across more often than not as a simpering sniveling little maiden in distress - nothing could be farther from Heinlein's heroine.Heinlein himself practically never used funny accents or dialects - his heroes usually speak clear concise English and his humor is dry.

Was there a moment in the book that particularly moved you?

I love the duel with Cyrano de Bergerac in the Dark Tower.

Any additional comments?

I do hope not to hear a narrator to imitate crying in a book again ))) LOL that was so over the top I nearly switched it off for good.

Any Heinlein fan would find this novel enjoyable. While his only fantasy, most of the technology in this book was explained as science and not magic. The character creation and word play is vintage Heinlein.

Any additional comments?

The only complaint I have on the reader is that the volume on the primary female character, Star, drops off considerably from the other characters. When you're listening in a convertible, it means cranking up the volume.<br/><br/>Heinlein first published this book 50 years ago this year and it's been 40 since I first read it. While some people feel that the interplay between the sexes has changed so much in the intervening decades, I note them and enjoy seeing how much has changed. Surprisingly, these distracters never criticize Dickens, Wells, Dumas, or Bronte for their writing in their own milieus.<br/><br/>Heinlein is known for his strong feminine characters (based loosely on his wife Victoria). The hero in this novel, like many of Heinlein's, could not succeed without the assistant of the primary female character.<br/>

I first read “Glory Road” in 1963 when it was serialized in “The Magazine of Fantasy & Science Fiction”. I subsequently bought the book in paperback and, carrying it with me around the world, reread it several times. I think “Glory Road” is one of the few Heinlein books that doesn’t suffer quite so much from the author’s penchant for taking a story so far and then not knowing what to do with it while his sometimes obstreperous libertarianism is not quite so grating here. “Glory Road” consists of two distinct parts: the first is a thoroughly fabulous, swashbuckling “Quest”; the second is a rather insightful examination of the mundane, “real-world” consequences of having undertaken and completed The Quest. It spoke directly to me both before and after becoming an expat.

I know the book very well in other words (I have parts of it memorized) and it was with some trepidation that I bought the audiobook version. I was not disappointed. Bronson Pinchot is an accomplished voice actor. (How many people know/remember that he played “Balki Bartokomous” in the mid-80s/early-90s US sitcom “Perfect Strangers”?). His characterizations (especially of the supporting roles) are a joy to listen to. Admittedly his “Star” is not what I imagined her (he makes her sound like a sultry Doris Day) and his Rufo wanders sometimes disconcertingly between Peter Lorre and Pepe Le Pew. Nevertheless his voice acting makes a huge contribution to the enjoyment of this production, which is much more satisfying that any straightforward reading could have been.

Highly recommended as an enjoyable reading of what may be Heinlein’s best book.

3 of 3 people found this review helpful

Jim McLean

8/15/17

Overall

Performance

Story

"Not quite what I remember!"

I loved this book as a teenager and decided to add it to my Audible library 40 years later. It is a bit of a pubescent fantasy and in my view is now unfortunately dated beyond my recognition. My enjoyment was further hampered by what I thought of as a very strange narration. The interpretation of Star, one of the key characters made me uncomfortable and the stereotyped French accent given to Rufo was painful. If I hear "sheeee" or "herrrrrrrrrr" in that accent again I may give up completely.

0 of 0 people found this review helpful

Richard Irwin

Wiltshire, England

5/11/17

Overall

Performance

Story

"Good start, bad middle, could not face the end"

Definitely a story of its time which would not be so sexist if the voice of the heroine was not so quiet and simpering. She is meant to be an multi-universe empress, but sounds like a mid-western housewife who wouldn't say boo to a goose. The way the story is rendered loses all the humour that the words imply. Eventually I found I could listen no longer, my mind just switched off and had no interest in the outcome of a story which had a good and original start. Shame, I used to like Heinlein's work a lot.

0 of 0 people found this review helpful

Phil

3/15/17

Overall

Performance

Story

"Real Old School Sc-Fi"

One of Heinlein's best stories but now so out of it's time it quite difficult to listen to without flinching at some of the attitudes expressed.I always found this story difficult to put down because the universe described is so alluring it was almost a culture shock to come back to reality.Sadly, (or fortunately) this narrator cured me of that problem - the most irritating French accent I've ever had to suffer. Strange and poor choice for this performance.Try reading the book yourself first perhaps.

0 of 0 people found this review helpful

martin g cummins

7/29/16

Overall

Performance

Story

"Classic Playboy Era Sci-fi"

I read this for the first time back in the seventies and it seemed the height of sophistication to the spotty adolescent I was then. Now it seems a bit chauvinistic and the end unnecessarily drawn - out. Despite this it remains a sexy adventurous romp, far superior to most of the modern day sword and sorcery stuff and is undoubtedly one of Heinlein's best.

0 of 0 people found this review helpful

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