This gear was returned in good working condition with one or more scratches or dents, typical of an instrument that's seen normal wear and tear. It's a great choice if you're looking for performance and value and can overlook cosmetic flaws.

This gear was returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.

This gear was returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.

This gear was returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.

This gear was returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.

For applications requiring up to 12 input channels, the Yamaha MG124CX mixer offers stunning MG Series sound plus an extra margin of signal-routing versatility. The MG124CX features a high-performance digital multi-effect processor built-in, giving you everything you need in one compact, powerful package.

In spite of the fact that it has 12 channels, four buses, and a wealth of advanced features, the MG124CX is small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. This remarkable sound mixer provides significant space savings along with huge performance benefits.

Flexible 12-input ConfigurationThe MG124CX both has a total of 12 input channels - four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB to -16dB range for microphone input, and -34dB to +10dB for line input.

Comprehensive, Easy-access Connector PanelTop-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high- quality Neutrik balanced XLR connectors on all four mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The four mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Six High-Performance Microphone Preamplifiers with Switchable Phantom PowerThe microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All six microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.

Built-in Channel CompressorsBuilt-in channel dynamics is usually only found on high-end (and very expensive) consoles. The MG124CX features Yamaha's innovative one-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-Band Channel EQ and High-pass FilterYamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.

Four Buses (Stereo and Group)In addition to the main stereo bus the MG124CX features a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Illuminated Channel ON SwitchesAll input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has its own ON switch.

Effect/Aux SendsThe MG124CX has pre/post switchable AUX sends on all channels as well as EFFECT send controls that adjust the level of the signal sent to the mixer's internal multi-effect system.

Stereo, Control Room, Monitor, and Headphone OutputsLocated above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.

Bright 12-segment Meters for Visual Level MonitoringAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.

MG124CX Built-in SPX EffectsThe Yamaha MG124CX's includes an astonishing amount of SPX signal processing power. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.

Smooth 60-millimeter FadersChannel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings

Easy OperationAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

I just love the "bang-for-the-buck" you get with the entire MG series mixer line. My only gripe is the external power supplies on the smaller ones (I believe all of them...Read complete review

I just love the "bang-for-the-buck" you get with the entire MG series mixer line. My only gripe is the external power supplies on the smaller ones (I believe all of them except for the 24 and 32 channel models have external power supplies). I suppose that, in the event of a PS failure (easy enough to check with a multimeter), it would be a cinch to order a new one and be back up and running without having the mixer sent to a tech for repair. Since PS failures are a significant percentage of equipment failures in general, this might seem like a "silver lining" in that cloud, but I've never had a single problem with any of the MG Series mixers. I would definitely opt for an internal power supply, but in the scheme of things, that's a relatively small gripe.Everything is there that you could possibly need in a small format mixer for live sound. Sure it would be nice if the EQ section were deeper. but just look at what this thing competes with to appreciate how well spec'd this mixer is.I've had a whole boatload of Yamaha MG Series mixers from the 24/14fx down to the 10 channel. They seem light and there is a lot of plastic, especially on the smaller ones, but everything works all the time, so Yamaha has definitely done their homework.Like I said, just spend a moment comparing any of the MG Series mixers to whatever else is in the same category. The flexibility of the routing options, the channel controls, the reliability are all as good and almost always better than anything else...then look at the price. Value-wise, there really is NO competition.

VS

Most Liked Negative Review

Compression Good, Other Features Bad

I needed more channels for extra musicians who play along with my two piece. I didn't like not being able to have a separate slide for main left and right because I run my...Read complete review

I needed more channels for extra musicians who play along with my two piece. I didn't like not being able to have a separate slide for main left and right because I run my sound mono using left for my monitors and right for my mains. Since we do our mixing onstage I like to hear exactly what is coming out on the mains. I thought I could use the sub for monitors but it doesn't channel the effects into the subs so that won't work. I thought the effects sounded tinny also. The compression was good and improved my guitar. Still a great buy for the price but I still prefer Mackie.

I needed a small mixer for club and school performances. I picked this up on sale. Our local church has used this same mixer (without the effects) for years without any problems. The sound quality and mixing options are great considering the price.

I would agree with other reviews that it is a little flimsy. Perhaps, not a great choice for heavy road use. Also, the manual could have been a little more thorough in explaining how to use the AUX and GROUP functions. If you need the rackmount tabs, buy them now, as I believe they are discontinued and hard to find.

Love this mixer. The sound quality is excellent, the compression works great. Although the reverb is not Lexicon, for the money I'm very happy with it. As a solo singer and keyboardist, I especially like the footswitch jack to turn the reverb on and off, and the reverb channel lights up to let me know when it's on.

I had been using Behringer mixers for live sound, got tired of them not lasting long and decided to buy this Yamaha, I am very gald I did. The mixer is very easy to use, layed out well, and sounds, well, sounds like a mixer should, clean and noise free.

The effects on the Yamaha are clean and more useable than the Behringer's I've used.

Compression on the Mic channels is a great + helps to keep the levels more constant for vocals.

I also am having less feedback with this board, unless a singer sticks the mic in the mains.

MF has the BEST deal on these. The soft-knee compression is a big plus for karaoke hosting. My board works every night of the week and, at this price, I can throw it away when it breaks or when some moron pours a rum and coke in it.

Only had it a short time, but it is easy to use, has much more flexibility than I thought when I ordered it. Will use for studio recording, small venue performances and live outdoors performances.So far, works like a dream.

I needed more channels for extra musicians who play along with my two piece. I didn't like not being able to have a separate slide for main left and right because I run my sound mono using left for my monitors and right for my mains. Since we do our mixing onstage I like to hear exactly what is coming out on the mains. I thought I could use the sub for monitors but it doesn't channel the effects into the subs so that won't work. I thought the effects sounded tinny also. The compression was good and improved my guitar. Still a great buy for the price but I still prefer Mackie.

Despite the fact that it is a little too large in size and plastic, it is the best mixer I've ever had. I have owned Behringer, Peavey and Mackie and none match the sound quality of this mixer. This Yamaha doesn't have a graphic equalizer but trust me, it does not need it. It's very light too... only 9lbs.

I don't use it for recording so I cannot comment in that matter. I sure am looking forward to buy another Yamaha when the need comes.

I just love the "bang-for-the-buck" you get with the entire MG series mixer line. My only gripe is the external power supplies on the smaller ones (I believe all of them except for the 24 and 32 channel models have external power supplies). I suppose that, in the event of a PS failure (easy enough to check with a multimeter), it would be a cinch to order a new one and be back up and running without having the mixer sent to a tech for repair. Since PS failures are a significant percentage of equipment failures in general, this might seem like a "silver lining" in that cloud, but I've never had a single problem with any of the MG Series mixers. I would definitely opt for an internal power supply, but in the scheme of things, that's a relatively small gripe.Everything is there that you could possibly need in a small format mixer for live sound. Sure it would be nice if the EQ section were deeper. but just look at what this thing competes with to appreciate how well spec'd this mixer is.I've had a whole boatload of Yamaha MG Series mixers from the 24/14fx down to the 10 channel. They seem light and there is a lot of plastic, especially on the smaller ones, but everything works all the time, so Yamaha has definitely done their homework.Like I said, just spend a moment comparing any of the MG Series mixers to whatever else is in the same category. The flexibility of the routing options, the channel controls, the reliability are all as good and almost always better than anything else...then look at the price. Value-wise, there really is NO competition.