Could you please tell me EVERY SINGLE THING about this guitar? It makes me dizzy: Nashville tele w p90 in neck, Jaguar controls and a rosewood neck? Or am I dreaming?

And what is that colour called?

EVERY SINGLE THING PLEEEEEZE

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Thank you, that's really kind of you to say.

Warmoth Jazzcaster in candy turquoise (transparent turquoise over silver, I think). They routed it tele-P90-P90, and I routed the jaguar rhythm circuit and pickup selector later. Turned the whole dark traditional rhythm circuit into a version of the jaguar 'strangle', so it cuts the bass off instead of the treble (passive bass control borrowed from G&L). 1M pots and the P90 alone, so it's like a small boost compared to any of the other pickup combinations. Ordinary tele 250K-A volume and tone in the normal circuit. The middle pickup is a jaguar instead of a strat to keep with the theme, but I'm happy with how much of the Nashville tele I was able to incorporate. Strat/tele scale rosewood neck w/ no finish. Drinking a lot of Warmoth forums koolaide back when I put it together, but I remain really pleased w/ it, warts and all. Cheers

Warmoth Jazzcaster in candy turquoise (transparent turquoise over silver, I think). They routed it tele-P90-P90, and I routed the jaguar rhythm circuit and pickup selector later. Turned the whole dark traditional rhythm circuit into a version of the jaguar 'strangle', so it cuts the bass off instead of the treble (passive bass control borrowed from G&L). 1M pots and the P90 alone, so it's like a small boost compared to any of the other pickup combinations. Ordinary tele 250K-A volume and tone in the normal circuit. The middle pickup is a jaguar instead of a strat to keep with the theme, but I'm happy with how much of the Nashville tele I was able to incorporate. Strat/tele scale rosewood neck w/ no finish. Drinking a lot of Warmoth forums koolaide back when I put it together, but I remain really pleased w/ it, warts and all. Cheers

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I take my hat off to you, sir: you really imagined something there

I hope it plays as good as it looks. Every part of everything intrigues me

Well, this will be a bit of a departure from the rest of the thread...Squier Bullet Special (one HB, hardtail, currently my favorite guitar), Zoom B-2 (bought used as a cheap bass preamp, then I discovered I could get good guitar and lap steel tones out of some of its models too), Peavey M-3000 power amp ($40 plus a road trip; a church was updating its sound system), AudioKinesis Birdhaus 48 bass cab (small, easy to carry, front + side speakers allow great sound dispersal for bass, mids and highs included, without a crossover or tweeter; (4) 8" FaitalPRO neo-magnet drivers can slam the bass and are detailed and efficient enough to do guitar and lap steel justice too, without extreme EQ to compensate).

My more normal-looking amps are getting dusty while I evaluate whether this will do it for me all the time. So far, it seems to.

I don't currently have a pic handy because I'm in bed and it's 5 in the morning, but I played a casino gig out in Queens last night and played my LP Standard into my Mustang III. It got a little dark when I rolled back the volume, but when I opened it up it was pretty glorious.

Well, this will be a bit of a departure from the rest of the thread...Squier Bullet Special (one HB, hardtail, currently my favorite guitar), Zoom B-2 (bought used as a cheap bass preamp, then I discovered I could get good guitar and lap steel tones out of some of its models too), Peavey M-3000 power amp ($40 plus a road trip; a church was updating its sound system), AudioKinesis Birdhaus 48 bass cab (small, easy to carry, front + side speakers allow great sound dispersal for bass, mids and highs included, without a crossover or tweeter; (4) 8" FaitalPRO neo-magnet drivers can slam the bass and are detailed and efficient enough to do guitar and lap steel justice too, without extreme EQ to compensate).

My more normal-looking amps are getting dusty while I evaluate whether this will do it for me all the time. So far, it seems to.