Apparently, Popeye owns an “air-conditioned airport”, where he works on some planes. Poopdeck Pappy drops by, begging Popeye to let him fly, which Popeye keeps refusing. When put outside, Pappy finds an idle plane, and the old man takes off immediately, flying recklessly all over the world, and crashing into Popeye’s airport again.

Surprisingly little happens in this ‘Pest Pilot’: we practically only see Pappy begging and flying. Poopdeck Pappy’s flight is mildly amusing, and in fact the short’s best gag is Popeye’s original way of making a propeller.

‘Pest Pilot’ was the last Fleischer cartoon featuring Poopdeck Pappy. Popeye’s old man would turn up in ‘Seein’ Red White ‘n Blue’ (1943), but was revived by Paramount in only eight cartoons. Poopdeck Pappy’s last three Fleischer cartoons were rather weak, but earlier ones had shown that the character certainly had comic potential, so why he was eventually shelved, we’ll never know.

This short opens with Popeye and Poopdeck Pappy playing cards (and the old man cheating a lot).

Unfortunately father and son are disturbed by a weeping Swee’Pea, and both try to nurture the baby. The two men’s methods of nurture are quite different, however, Popeye’s soft approach contrasting heavily with Poopdeck Pappy’s more outlandish methods. As soon as Popeye leaves the room, his father tests Swee’Pea’s nerves by swinging him outside the window, like a Michael Jackson avant la lettre. Next he teaches the infant how to shoot.

Despite the rather risque gags (at least to the modern viewer), ‘Child Psykolojiky’ never becomes very funny. The cartoon is hampered by its large amount of dialogue (it certainly is one of the most talkative cartoons of the era), and its moral, which throws the short back into the 1930s.

‘Quiet! Pleeze’ opens with Poopdeck Pappy lying with a hangover in bed.

When his son comes in to wake him, Poopdeck Pappy pretends to be ill, and Popeye goes at lengths to give his poor old dad peace and quiet, e.g. giving a crying baby across the street a bottle, and stopping workmen from blowing up a huge hill. This part is very fast, and reuses footage from various Popeye shorts, but now in a very different light. Of course, all Popeye’s actions are to no avail, as in the end he finds his dad being the life of a party.

Like ‘Problem Pappy‘, ‘Quiet! Pleeze’ is a fast and gag-rich cartoon, which belongs to Popeye’s best. It’s clear that the character of Poopdeck Pappy brought some new life into the series, giving the otherwise goody-goody Popeye something to work with.

However, it seems that with this cartoon the new formula had reached its limits, for Poopdeck Pappy’s next two cartoons, ‘Child Psykolojiky‘ and ‘Pest Pilot‘ aren’t half as good.

Watch ‘Quiet! Pleeze’ yourself and tell me what you think:

This Popeye film No. 92
To the previous Popeye film: Problem Pappy
To the next Popeye film: Olive’s Sweepstake Ticket

‘Quiet! Pleeze’ is available on the DVD set ‘Popeye the Sailor 1941-1943’

In ‘Problem Pappy’ story man Ted Pierce (of later Warner Bros. fame) reuses part of the story idea from ‘With Poopdeck Pappy‘: Popeye wants to wake his dad, only to find the bed empty.

When Popeye starts looking for his father, he finds his mischievous old dad juggling on a pole on top of a tall building. Popeye’s attempts to retrieve his pop account for some delightful comedy on dizzying heights. T

he film is simply stuffed with great gags and original images, like Popeye using lightning bolts as Tarzan would use lianas. The staging in this cartoon is absolutely wonderful, and the animators make great use of a shot of the staircase of the tall building. In all, ‘Problem Pappy’ is one of the all time best Popeye cartoons, and completely in tune with the faster comedy style of the chase cartoon era.

In this cartoon Poopdeck Pappy behaves as Popeye’s disobedient child: Popeye repeatedly tries to put him to sleep, but he sneaks out time and time again to have some fun in a nightclub downtown.

The antagonism between father and son is wonderful, and leads to lots of silly gags. With this cartoon Popeye certainly entered the chase cartoon era, as also exemplified with his next cartoon, ‘Popeye Presents Eugene, the Jeep‘. Like the Jeep, Poopdeck Pappy has almost magical powers to escape Popeye’s bedroom. More importantly, Poopdeck Pappy defies Popeye’s 1930s morality: in the end, it’s he who wins, leaving Popeye roped in his very own bed.

Throughout the picture, the comedy is well-timed and greatly enhanced by the inspired score, which makes excellent use of ‘Go To Sleep, My Baby’ during the bed scenes – apparently a new favorite song of composer Sammy Timberg, as it also appears in the Hunky & Spunky cartoon ‘Vitamin Hay‘ from three months earlier, and in the next Popeye cartoon, ‘Popeye presents Eugene, the Jeep’.

In ‘My Pop, My Pop’ Popeye builds a boat. Poopdeck Pappy comes along and insists on helping him, but in the end, it’s Popeye who does all the work.

Although Poopdeck Pappy had already been introduced in the Fleischer Popeye series in 1938, in ‘Goonland‘, he was shelved for two years. With ‘My Pop, My Pop’ he reentered the Popeye universe: having his own theme song, a Scottish voice, and being remarkably weak and lazy. These character traits don’t match the character in E.C. Segar’s comic strip or in ‘Goonland’, and were not repeated in his next cartoon, ‘With Poopdeck Pappy‘.

Indeed, they’re not even very funny in this cartoon, with Poopdeck Pappy remaining a rather bland character. Moreover, the whole short is rather slow moving and too rich in unfunny dialogue. The best gags are Popeye’s original ways of boat building.

‘Goonland’ is a pivotal Popeye cartoon, which introduces two characters from E.C. Segar’s famous comic strip to the movie screen: the goons and Poopdeck Pappy.

The short opens with Popeye sailing an unknown sea in search for his father. He lands on a volcanic island, which is clearly doomed, as witnessed by the number of shipwrecks around it. The island turns out to be Goonland, inhabited by ‘Goons’, large, hairy humanoid creatures with superhuman strength. Indeed, even though Popeye doesn’t show any fear, he remains as long in hiding as possible, and only dares to confront the goons when disguised as one.

Goonland indeed turns out to be the home of Popeye’s dad, Poopdeck Pappy, locked in a prison and playing checkers with himself. But Poopdeck Pappy doesn’t want to be rescued, and only comes into action, when Popeye is captured by the goons. In this short Popeye fails to reach his spinach, but his dad succeeds, rescuing his son before a bunch of goons jump at the duo. At this point the film breaks, making all the goons falling off into oblivion. Two hands stitch the film back together, and in the end we watch Poopdeck Pappy carrying his son from the island, the two singing Popeye’s signature song together.

‘Goonland’ is easily one of the all time best Popeye cartoons. Its settings, its characters, its story, Jack Mercer’s improvisation – everything is really great in this cartoon. Goonland is conceived wonderfully, and this part excels in beautiful background images. Jack Mercer is in top form. For example when Popeye disguises himself as a goon, he says ‘here today, goon tomorrow’. Later, when tiny rocks fall on him he mumbles ‘Guess somebody’s trying to rock me to sleep’.

Poopdeck Pappy, who’s also voiced by Mercer, is a strong character and an easy match to Popeye himself. Moreover, the story is truly exciting, as the goons are clearly no small fry for our hero. Indeed, the inventive film break gag, probably the first of its kind, is actually a deus ex machina , appearing when father and son are in undeniable dire straits.

The short also features some beautiful animation, most notably that of Poopdeck Popeye breaking his prison walls. In this scene we can really feel the sheer power of his action. Despite being such a wonderful character, the studio would wait two years before bringing Poopdeck Pappy back to the screen in ‘My Pop, My Pop‘ (1940). Poopdeck Pappy would star some of Popeye’s best cartoons, like ‘With Poopdeck Pappy‘ (1940) and ‘Problem Pappy‘ (1941).