Tag: 13

Legendary. It is the only word that fits the band Black Sabbath! It is mind-blowing to me that Black Sabbath has been recording metal music off & on for over 40 years now. Their music has stood against the test of time. There have been many imitators, but no band has been able to reproduce the amazing music that Black Sabbath has put out over the years. With that being said, Black Sabbath’s latest album 13, is not what I would call legendary, but it is a great bookend to what could easily be the final chapter in the careers of this amazing metal band.

Before the release of 13, I had not listened to a single song from the album, so I had no idea what to expect. After the first play, the only song that grabbed my attention initially was “God Is Dead”. On the first play, I thought, this could easily be a staple for Sabbath’s live set. It is a very classic sounding Sabbath song and easily one of my favorites on the album. I struggled at first to find another song that really made an impact on me, but I kept listening, and then a funny thing happened, I couldn’t QUIT listening.

13 really started sinking in after the second listen, and I started to enjoy it more. “End of the Beginning” does a great job re-capturing the vibe of the awe-inspiring 1970 debut Black Sabbath. Tony Iommi is absolutely riffdiculous. On 13, he has once again put together a stellar performance, creating a bunch of new riffs from his endless bag of tricks. It is his guitar work that will make you want to give this album endless spins. Geezer Butler deserves a strong mention here as well. His powerful bass is the driving force behind this music. It is awesome to listen to someone who can truly play, and not just remain hidden in the background playing rhythm. His deep and sometimes jangly bass riffs are amazing. Geezer does not always get the credit he deserves. It is my opinion that his playing on 13 is stellar.

As much as I love Ozzy Osbourne, I didn’t think his vocals were as strong or as aggressive as past releases. I get the fact that Ozzy is 64 years old, but I was hoping that producer Rick Rubin would push him a little further than he did. With that being said, Ozzy’s vocals aren’t bad, just not as good as they have been in the past.

As much as I am disappointed that Bill Ward was not involved in the making of this album, I have to give credit to Brad Wilk from Rage Against the Machine. He provided the thunder for this album, and I truly believe he did an outstanding job.

There are three of songs that have really grown on me since I started listening to 13, and those are “Loner”, “Zeitgeist” and “Live Forever”. “Loner” is maybe the most upbeat track on the album, while “Zeitgeist” is the slowest. “Zeitgeist” may just be one of the most different sounding Sabbath tracks of all time. That is the song’s pure brilliance. Iommi nearly treads into Eric Clapton territory with his playing on this one, and Brad Wilk plays the bongos throughout this song. “Zeitgeist” is clever and cool. Metal purists may turn their nose at this one, but I appreciate the creativity, and outstanding musicianship. I love the chorus on “Live Forever”. “Well I don’t want to live forever, but I don’t want to die….”. This lyric has really stuck in my head.

If you buy one version of this album, I highly recommend the bonus version (available at Best Buy) with four bonus tracks.

The bonus track “Methademic” is nearly worth the price of admission all by itself. This is a killer up tempo number that should have been on the main disc. I don’t know why this one got picked over. It is better than some of the songs on the main disc. This is a song that you won’t want to miss. (Check it out below!) “Pariah” is also an outstanding tune that should not be missed.

Overall, 13 is a solid, but not spectacular album. The more I listen to it, the more I have grown to like and appreciate it. It may not be perfect, but it does have good song writing, and outstanding musicianship. Black Sabbath fans should rush to get this, and all other metal fans should give this one a chance.

“Suicidal is back!” So screams Mike Muir on the lead single to Suicidal Tendencies first album in 13 years, 13. Judging from the collection of songs put on this disc, Suicidal is back indeed. Technically, 13 is the band’s first album since 2000’s Free Your Soul And Save My Mind, hence part of the reasoning for the title 13. 13 years is a long time to be out of the spotlight and away from the fans. The big question on everyone’s mind was could Suicidal still deliver exceptional thrash/metal music after such a long hiatus? The short answer to that question is yes.

Opening with the hard hitting “Shake It Out,” 13 delivers an immediate impact that both long time fans and newcomers alike are bound to enjoy and praise. The opening guitar riff and drum beat scream out this is a hardcore, thrash album that needs to be played loud. A self-celebrating praise of their return, “Shake It Out” is a reminder of how much fun Suicidal Tendencies can be. This is a hard hitting opener that makes me want to listen over and over again.

“God Only Knows…Who I Am” features a solo by Dean Pleasants that is jaw dropping. The song opens slower than most on the album, but it builds in intensity and anticipation as it develops. By the time the chorus arrives, ears are hooked and fists are pumping into the air. This is an immensely pleasing, amazing song. The build up to the chorus is a great set up for the explosion in the middle. The eruption is pure ear candy and “God Only Knows…Who I Am” could be one of the best Suicidal Tendencies song ever recorded.

“Show Some Love…Tear It Down,” highlights guitarists Dean Pleasants’ and Mike Clark’s exceptional abilities and how they are able to weave so well together. The guitars are heavy, the groove is tight, and the song is flat out fun. This is yet another song that will find fans singing along after just one or two listens. I had a grin planted on my face after just one listen. This is a perfect song for moshing or head banging (depending on your preference). And while it slows down in the middle, it just gives the listener a reason to catch their breath before the song takes off in a fit of rage once again.

Overall, 13 is a fantastic album. If you are a fan of How Will I Laugh Tomorrow… or Lights, Camera, Revolution, then you are going to love 13. Layered with multiple infectious grooves, powerful hooks, heavy guitars, and lots of funk and fun, 13 is a powerful album that takes the listener on a journey of musical styles with thrash metal always remaining as the main focus. Suicidal Tendencies did a phenomenal job with this record. There is not a bad song on the album and it is near perfect. When it comes to voting for album of the year, 13 is definitely going to get heavy consideration.

The album artwork and track listing for 13–the first new studio album in 35 years from the original BLACK SABBATH–have now been revealed.In classic SABBATH fashion, the CD, due out June 11, comes in at nearly sixty minutes in just eight songs.

For the recording of 13, BLACK SABBATH–OZZY OSBOURNE, TONY IOMMI and GEEZER BUTLER–were joined at the sessions by drummer Brad Wilk (Rage Against The Machine). Produced by Rick Rubin (seven-time Grammy winner, two of those as Producer of the Year), the album will be released on Vertigo (worldwide) and Vertigo/Republic in the U.S.

Rock legends BLACK SABBATH are seen at work on their new album, 13, which will be released this June (exact date TBA). The original BLACK SABBATH—OZZY OSBOURNE (vocals), TONY IOMMI (guitar) and GEEZER BUTLER (bass)–recorded the album primarily in Los Angeles and were joined at the sessions by drummer Brad Wilk (Rage Against The Machine). Produced by Rick Rubin (seven-time Grammy winner, two of those as Producer of the Year), the album will be released on Vertigo (worldwide)and Vertigo/Republic in the U.S.

Rock legends BLACK SABBATH have announced the title of their new album, 13, which will be released this June (exact date TBA). The original BLACK SABBATH—OZZY OSBOURNE (vocals), TONY IOMMI (guitar) and GEEZER BUTLER (bass)–have recorded the album primarily in Los Angeles and were joined at the sessions by drummer Brad Wilk (Rage Against The Machine). Produced by Rick Rubin (seven-time Grammy winner, two of those as Producer of the Year), the album will be released on Vertigo (worldwide)and Vertigo/Republic in the U.S. 13 marks the Grammy-winning,Rock and Roll Hall of Fame inductees’ return to Vertigo,the band’s original label; it’s the group’s first studio album together since 1978’s Never Say Die! They have sold over 70 million albums together.

In advance of the album’s release, BLACK SABBATH will head to New Zealand, Australia and Japan for live performances (see below for tour dates). Additional tour plans will be revealed in the coming months.