The Bletchley Circle: When Codebreakers Take to Crime Solving

TV Review: The Bletchley Circle (2012-2014)

What happens to brilliant women – codebreakers during WWII – when the guns cease and the men return home and life is supposedly once again back to normal? That is the central question of ITV’s (unfortunately) short-lived, mystery drama miniseries The Bletchley Circle. The series had a brief two-season run, comprised of only seven episodes in total. Three mysteries were solved.

Bletchley Park was the central compound for British codebreakers during WWII, and all four – later five – of the show’s fictional heroines were employed there during the war – that is the back story. They were integral components in breaking the Germans’ codes, thus substantially shortening the war. And when the war was over, they were all sworn to secrecy, having signed the Official Secrets Act, which barred them from ever revealing their wartime work, even to those closest to them.

So, now it’s the early 1950s, and what do former codebreakers get up to? Why they start gumshoeing of course.

The Frustrated Housewife

It’s 1952. Susan (Anna Maxwell Martin) is living in apparent domestic bliss: married, two children, stay-at-home housewife, and bored beyond belief. She begins following rather closely a series of murders that are terrifying London. Susan is a former data analyst, a woman who can find patterns, see linkages, and apply deductive logic to problems. And she finds a pattern to these serial killings of young women and obstinately convinces her husband to pull some strings so she can get an appointment with the head investigator. Susan gets the appointment, while her accompanying husband is falling over himself, apologizing for the silly inconvenience, and belittling her from the get-go. She is duly dismissed by a testosterone-driven police force.

But she can’t let it go. She sees the pattern. So, she seeks out some of her former Bletchley Park friends and colleagues and asks for their help. They, too, are all living rather lackluster lives. Millie (Rachael Stirling), a brilliant mathematician, is waiting tables. Lucy (Sophie Rundle), who has a photographic memory and is something of a human databank, is a cowering housewife to a bully of a man. And Jean (Julie Graham), their former supervisor at Bletchley Park with an innate knack for data collection and networking, is a nondescript librarian.

And so, it starts, Susan, Millie, Lucy, and Jean – the Bletchley Circle – start tracking a serial murderer. But unlike Bletchley Park, they find themselves thrust out of the office and into the uncontrollable and dangerous field. A serial killer turns his sights on Susan. Frustrations are mounting on the home front, as the secretive Susan is living a double life. And still, the body count rises. By season two, Susan is a jumpy mess, when the group becomes embroiled in an attempt to find the evidence to free a friend from prison. And Millie gets kidnapped by human smugglers in what, unfortunately, ends up being the final case.

Collaborative Sleuthing by a Stellar Cast

The Bletchley Circle has a stellar cast of female leads and ultimately focuses on the nature of female friendships and the fruitfulness of collaborations. In season two, Hattie Morahan joins the cast, throwing yet another talented British actress into the mix. Feminism in practice, this series follows women fighting to be seen and heard and taken seriously. Too many times, they have to dumb it down, shut up and smile pretty. Thus pooh-poohed by the authorities in general and many of the men in their lives, they take matters into their own hands. They investigate, they break and enter, they go undercover, they help other women. It’s empoweringly good stuff that gets rather intensely thrilling at times.

And it’s cinematically good stuff, as well. The series is beautifully shot. The women are wearing fantastic period costumes. It is just such a darn shame that it was never renewed for more episodes. I would have been watching.

Sure, some of it is a wee bit ridiculous and improbable at times, but that is the nature of the cozy crime genre. You suspend your disbelief and enjoy the ride. So, for lovers of cozy crime with strong female leads à la Miss Marple, Miss Fisher’s Murder Mysteries or Agent Carter, as well as lovers of deductive reasoning like Sherlock, The Bletchley Circle might just be a good fit.

Content Note: Suitable for over 15 years. The series can be rather intense at times and deals with some disturbing subject matters, including spousal abuse, necrophilia, psychological warfare, human trafficking, prostitution, etc. There are bodies and blood, but the graphic gore is kept to a minimum. There is little skin or swearing. Smoking and drinking are present, though.

Where to Watch: DVD, Netflix, Amazon Video.

Photo Credit: ITV.

OVERALL RATING

“You had me at hello.”

ARE YOU A ROMANTIC REBEL LIKE US? FOLLOW THE SILVER PETTICOAT REVIEW:

The Silver Petticoat Review is a Romance themed entertainment site. Discussing Books, Film, TV, Theater, and Romantic Living with reviews, news, articles, and more, we’re the go-to place for fans of old-fashioned romance and Romanticism in stories. We’re twin sisters, Amber and Autumn, who hope to help spread the popularity of Romance in Entertainment as well as inspire kindred spirits to live more imaginative, Romantic lives so together we can all create a more beautiful world! We’re damsels not in distress fighting for the all-new optimistic Romantic Revolution! Join us as fellow Romantic Rebels and subscribe. For more information, see our About, Old-Fashioned Romance 101, and Modern Romanticism 101. Also, make sure to meet our awesome Team.

Want to help us spread the popularity of Romance in Entertainment? Share this article with your friends!

About The Author

A lover of words, stories and storytellers since her youth and just plain curious by nature, Jessica embarked on a very long academic journey that took her across a continent (from Canada's west coast to its east) and even to the other side of the globe, where she currently lives an expat existence in Denmark. She now trails many fancy initials behind her name, if she ever cares to use them, and continues to be ever so curious. She's a folklorist, a mother, a wife, a middle child, a small town girl, a beekeeper, an occasional quilter, a jam-maker. She curates museum exhibits, gets involved in many cultural projects for this and that, collects oral histories when she can find the time and continues to love stories in all their many and varied forms. The local librarians all know her by name.