Different people have different "rules" regarding signings. Generally the shop would like you to buy at least a new copy of the book, but I'm very happy to sign older editions if people bring them along. For the sake of the people waiting in line, I'll gladly sign three items at a time, but if you have more - and the line is still behind you - it might be an idea to go around more than once. I'll have to shoot off fairly promptly at 7.00, unfortunately, but while I'm in the shop I'm more than happy to chat, so don't hesitate to come along and ask me stuff.

There hasn't been much advance press on Poseidon's Wake, so I'll keep my power dry for now, but here is the book description as it should have appeared on the inside cover flap:

Two hundred years after the fall of Mechanism, human society has achieved a kind of stability. There are colonies beneath the oceans, throughout the solar system, and beyond: on the worlds of extrasolar systems. Vast hemirelativistic ships connect these colonies, travelling at half the speed of light. Or rather they would, if the ominous presence of the alien Watchkeepers had not led to an enforced moratorium on interstellar travel.

But when a seemingly impossible radio signal reaches the colony Crucible, everything changes:

Send NdegeIt’s origin is unpopulated, unexplored space. No one could be there – at least, not if they travelled using human technology – so who could have sent it? How did they get there? And what use do they have for the disgraced scientist Ndege Akinya?

Finding the answers will require one of the greatest expeditions humankind has ever launched, a journey further than ever attempted before, conducted under the implacable scrutiny of the Watchkeepers.

But as a mission is prepared on Crucible, it turns out they weren’t the only ones to see the message – or its potential . . .

Actually, due to one of those inevitable snafus, the wrong version of the flap text ended up on the final copies, mispelling Ndegi's name and mentioning such things as faster than light travel which never had any place in the intended text. These things happen, and the correct text will be substituted at the first opportunity. For my own part, I also managed to make an error in transcribing the epigraph, which will also be amended in future editions, although I don't think that error will be at all obvious to anyone not familiar with the original Edward Thomas poem.

Moving on...

Slow Bullets, my other book this year, will appear in June, but advanced word is already out and I've been blessed with some very kind comments from my peers.

“Alastair Reynolds’ new novella Slow Bullets has the scope of a much longer work (Edward Gibbon’s The Rise and Fall of the Roman Empires, say),
the literary speed of the most rapidly hurtling bullet, and so many
provocative scientific and / or philosophical ideas that even Steven
Hawking’s head might well spin with them. Moreover, Reynolds artfully
compresses all these disparate elements into a portable trade paperback
or a weightless e-file, the better to accommodate our busy reading
habits and the more fully to entertain us.
“Let me also note that Slow Bullets posits a far-future
situation akin to the one that we confront on planet Earth today, but
leavens his fictional crisis with a hard-won grasp of human psychology
and a down-to-the-ground optimism that bestows on its readers reasons
for supposing our ‘dammed human race’ nimble enough to overcome our
demanding real-world crisis du jour. A fine example of the true science
fictionist’s art . . . ‘with a bullet,’ as the editors at Billboard Magazine used to say.”
—Michael Bishop, author of A Funeral for the Eyes of Fire, And
Strange at Ecbatan
the Trees, and Transfigurations

“Alastair Reynolds is the world’s best writer of space opera. If you have any doubts, then read Slow Bullets.”
—Allen Steele, author of Coyote and Spindrift

“The writing is tight, the characters are well developed, and the story itself moves along at a cracking pace.”
—Science Fiction & Fantasy Book Corner

“Slow Bullets is classic science fiction, a space
opera, a puzzle story, a character study, visionary science fiction,
and a prayer for peace. I see no reason why you should not love it.”
—Michael Swanwick, author of Tales of Old Earth and Dancing with Bears

“Alastair Reynolds weaves a tapestry of dark, dystopian societies in a tense, colorful narrative.”
—New York Journal of Books

I read On the Steel Breeze not too long ago and had almost settled in for the long wait until the next book - imagine my delight when I logged in to add Slow Bullets to my Want-to-Read and discovered they're BOTH out soon!

It's a drastic change in cover art for a hardcover I've noticed. Looks OK, but will be out of place next to the previous two. I've always loved the big sprawling Space Opera depictions on your novels and I must say, from an artistic pov, this disappoints.But, enough with gripes! I'm still looking forward to it, and Slow Bullets and I wish you all the best with them!Cheers.

Looks like I have to wait a bit for these two in US. Hope they will both appear for kindle. Just wanted to say that I am very much enjoying your Dr Who Harvest of Time to tide me over until then! Will it appear as a episode? I can only see David Tenant as the Doctor in my head now tho. Much like I can only see Mr. Cumberbatch as Sherlock Holmes now.

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About Me

I'm Alastair Reynolds, a science fiction writer based in Wales. I used to work for the European Space Agency, before turning to full-time writing. I have written fifteen novels and well over sixty short stories. I have been nominated for some awards and won one or two. I used to be on Twitter but now I'm not.
This is my working blog; you can also find a bit more about me and my writing by going to my author website at www.alastairreynolds.com
You can call me Al.