The work of Michael Bevilacqua, James Busby and Ridley Howard
illustrates the AftermodernisM concept of fractured, asymmetric
artistic concerns, furthering the range of this newly developed
asymmetric vocabulary and running the gamut from the non
objective to sharp focus realism, never relinquishing the
importance of the abstract. James Busby deals with a totally new
dimension in the evolution of minimal art. This idea is followed
by the hybrid of fusion of minimal abstraction with cool
figuration created by Ridley Howard. Michael Bevilacqua’s
unbelievable breadth ranges from intensely colored figuration to
an atmospheric Rothko-like abstraction which avoids the
modernist concepts of a signature style.

This broad range of AftermoderisM styles span non-objective
abstraction through sharp focused realism. Some works are a
synthesis of abstraction and figuration expressed in new and
innovative ways. When these three artists become completely
abstract they bring the AftermodernisM aesthetic into a new form
of minimal art.