Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.

Scenic Designer Tammy Honesty and her scenic painter Ely Mattson describe how they successfully used Rosco CrystalGel to prime some powder coated corrugated steel so they could paint it for a production of Andrew Lippa’s “Wild Party.”

Scenic artist Donna Wymore ‘inherited’ a large (20’H x 46’W), carnation pink backdrop. However, the drop, which was painted on linen, was splotchy and inconsistent. “The backdrop had areas of linen that were solid paint and other parts that were not. This was especially apparent once the drop was lit – it was a big,…

Styrofoam has become one of the go-to substrates for creating scenic elements on stage, in themed environments and even in museum installations because it is light-weight, inexpensive and readily available. However, there are three major downsides to using foam: it’s fragile, it’s not flame retardant and it soaks up paint like a sponge. Rosco created…

As 2012 comes to an end, we decided to take a look at our top five Spectrum posts of the year. Our results might not be as humourously tongue-in-cheek as David Letterman’s, but they were interesting and diverse enough that we thought it was worth sharing. #5 Rosco myColor: Prepare to Get Your Color On!…