Two Kinds of Truth by Michael Connelly (A Harry Bosch Novel)

All the structural problems you’d expect from jamming two urgent but unrelated cases together: during much of the second half, Connelly (The Late Show, 2017, etc.) seems to be tying up increasingly low-impact loose ends. But a marvelous courtroom sequence will bring you cheering to your feet.
-Kirkus

Synopsis

Harry Bosch searches for the truth in the new thriller from #1 NYT bestselling author Michael ConnellyAn NPR Best Book of 2017A Times Critics' Top Book of 2017 A Barnes & Noble Best Book of 2017A South Florida Sun-Sentinel Best Mystery of 2017An Amazon Book of the Month

Harry Bosch is back as a volunteer working cold cases for the San Fernando Police Department and is called out to a local drug store where a young pharmacist has been murdered. Bosch and the town's 3-person detective squad sift through the clues, which lead into the dangerous, big business world of pill mills and prescription drug abuse.

Meanwhile, an old case from Bosch's LAPD days comes back to haunt him when a long-imprisoned killer claims Harry framed him, and seems to have new evidence to prove it. Bosch left the LAPD on bad terms, so his former colleagues aren't keen to protect his reputation. He must fend for himself in clearing his name and keeping a clever killer in prison.

The two unrelated cases wind around each other like strands of barbed wire. Along the way Bosch discovers that there are two kinds of truth: the kind that sets you free and the kind that leaves you buried in darkness.

Michael Connelly is the author of the recent #1 New York Times bestsellers The Drop, The Fifth Witness, The Reversal, The Scarecrow, The Brass Verdict, and The Lincoln Lawyer, as well as the bestselling Harry Bosch series of novels. He is a former newspaper reporter who has won numerous awards for his journalism and his novels. He spends his time in California and Florida.

Kirkus

on
Sep 19 2017

All the structural problems you’d expect from jamming two urgent but unrelated cases together: during much of the second half, Connelly (The Late Show, 2017, etc.) seems to be tying up increasingly low-impact loose ends. But a marvelous courtroom sequence will bring you cheering to your feet.