Edited by Rebecca Herzig and Banu Subramaniam, Feminist Technosciences seeks to publish emerging, intersectional, cutting-edge feminist work in science and technology studies (learn more in the series brochure). We hope to see you at the booth (#202) on Friday, November 17 at 4 p.m. for the series celebration!

Be sure to stop by to learn more about our new and forthcoming titles in women’s and gender studies, and follow the meeting on social media with the #NWSA2017,#ReadUP, and #LookItUP hashtags.

FORTHCOMING SPRING 2018

Unapologetic, troublemaking, agitating, revolutionary, and hot-headed: radical feminism bravely transformed the history of politics, love, sexuality, and science. Firebrand Feminism brings together ten years of dialogue with four founders of the radical feminist movement and provides a timely and historically rich account of these audacious women and the lasting impact of their words and work.

“I am here. You will never be alone. We are dancing for you.” So begins this deeply personal account of the revitalization of the women’s coming-of-age ceremony for the Hoopa Valley Tribe. Using a framework of Native feminisms, Risling Baldy locates this revival within a broad context of decolonizing praxis.

BOOK SIGNING WITH HEIKE RAPHAEL-HERNANDEZ

Migrating the Black Body explores how visual media—from painting to photography, from global independent cinema to Hollywood movies, from posters and broadsides to digital media, from public art to graphic novels—has shaped diasporic imaginings of the individual and collective self.

BOOK SIGNING WITH DAVID J. LEONARD

Whiteness matters in sports culture, both on and off the field. Offering critical analysis of athletic stars such as Johnny Manziel, Marshall Henderson, Jordan Spieth, Lance Armstrong, Josh Hamilton, as well as the predominantly white cultures of NASCAR and extreme sports, David Leonard identifies how whiteness is central to the commodification of athletes and the sports they play.

BOOK SIGNING WITH MARISA DUARTE

Given the significance of information and communication technologies (ICTs) to social and political life, many U.S. tribes and Native organizations have created their own projects, from streaming radio to building networks to telecommunications advocacy. Duarte examines these ICT projects to explore the significance of information flows and information systems to Native sovereignty, and toward self-governance, self-determination, and decolonization.

BOOK SIGNING WITH LAURA KINA AND JAN CHRISTIAN BERNABE

Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances.

Monthly Giveaways

Reviews and Interviews

The Atlantic interviews Pumpkin author Cindy Ott in an article about what counts as a pumpkin. WDEL also interviews the author about the connection between pumpkins and fall.

Tell Me Something I Don’t Know with Stephen J. Dubner features Smell Detectives author Melanie Kiechle in a recent podcast episode all about the senses. High Country News reviews The Tao of Raven by Ernestine Hayes: “As with Blonde Indian, Hayes blurs the boundaries of genre in The Tao of Raven, which braids sharp grandmotherly meditations and gripping personal history into the fictional storyline of another troubled, typical family. . . . Her prose is as insistent as it is lyrical.”—Rob Rich

Inquirer.net USA reviews A Time to Rise edited by Rene Ciria Cruz, Cindy Domingo, and Bruce Occena: “A Time to Rise comes out at an opportune time as another fascist regime emerges in the Philippines. As in the past, former KDP activists have responded to the call to fight back.”—Boying Pimentel

International Examiner also reviews: “This nearly 20-year project is a remarkable documentation of one of the leading revolutionary Asian American Movement organizations. . . . A Time to Rise provides much greater complexity to teaching and learning about both Filipino American and Asian American movement history. . . . More than lessons of the past, A Time to Rise illuminates the way forward to complete unfinished revolutions.”—Tracy Lai

KING 5 Evening features Razor Clams author David Berger in a new series on Wild Food. Langdon Cook (James Beard Award-winning writer and author of books including Upstream and The Mushroom Hunters) reviews the book on his blog: “For the uninitiated, David Berger’s Razor Clams is just the ticket to understanding what all the fuss is about. Berger is a lively guide to Siliqua patula‘s ecology, culinary lore, and historical importance in the region. . . . Readers looking for such nourishment will find much to savor in this account of a beloved bivalve.”

CASSIUS publishes an article by author David J. Leonard about the Las Vegas shooting, white male terrorism, and how race shapes our reaction to gun violence. Playing While White gets a byline mention. The Undefeated also publishes an adaption from the book. The Seattle Times publishes an opinion piece by the author on WSU football coach Mike Leach using his platform to thwart conversation on racial equity rather than advance it, where the book gets a byline mention.

New Books

Combining urban environmental history and disaster studies, this close study of San Francisco’s calamitous earthquake and aftermath demonstrates how the crisis and subsequent rebuilding reflect the dynamic interplay of natural and human influences that have shaped San Francisco.

A collaborative ethnography of how the Chinook Indian Nation, whose land and heritage are under assault, continues to move forward and remain culturally strong and resilient.Chinook Resilience offers a tribally relevant, forward-looking, and decolonized approach for the cultural resilience and survival of the Chinook Indian Nation, even in the face of federal nonrecognition.

The foundational essays and new writings collected here take a transnational, trans-species, and intersectional approach to this cutting-edge area of inquiry between women’s, gender, and sexuality studies and science and technology studies (STS), anddemonstrate the ingenuity and dynamism of queer feminist scholarship.

What role does sharia play today in Malaysia? Drawing on ethnographic research, this book traces the contested implementation of Islamic family and criminal laws and sharia economics to provide cultural frameworks for understanding sharia among Muslims and non-Muslims in Southeast Asia and beyond.

Through an examination of the life and works of Savant Singh (1697-1764), this remarkable study explores the circulation of ideas and culture in the sixteenth through eighteenth centuries in north India, revealing how the Rajput prince mobilized soldiers but also used myths, songs, and stories about saints in order to cope with his personal and political crisis.

This multilayered historical ethnography of Bodh Gaya—the place of Buddha’s enlightenment in the north Indian state of Bihar—explores the spatial politics surrounding the transformation of the Mahabodhi Temple Complex into a UNESCO World Heritage site in 2002.

Drawing on the most recent scholarship on the history of the book, this beautifully illustrated material history shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own.

Risky Bodies & Techno-Intimacy traverses disparate and uncommon routes to explore how people grapple with the radical uncertainties of their lives. In this edgy, evocative journey through myriad interleaved engagements–including the political economies of cinema; the emergent shapes taken by insurance, debt, and mortgages; gender and sexuality; and domesticity and nationalism–author Geeta Patel demonstrates how science and technology ground our everyday intimacies. The result is a deeply poetic and philosophical exploration of the intricacies of techno-intimacy, revealing a complicated and absorbing narrative that challenges assumptions underlying our daily living.

Geeta Patel: I don’t have a field in any strict sense, although most of my friends now would think of me as a literary ‘type.’ I, however, don’t think of myself that way. I compose in visual metaphors, and the way I look at things askance, as though they were transparent and opaque at the same time, is as a scientist who loves poetry.

I grew up in a family full of women doctors, which along with the push toward science if you grew up in South Asia and had even a vestige of a brain, meant I ended up being saddled with science, specializing in the sciences from when I was eleven years old. But I loved all the sciences, particularly ‘the natural sciences’ with the kind of curiosity of many eighteenth-century scientists. In that period ‘scientific’ curiosity leaked out into more than what we would now call science. It embraced poetry, literary prose, questions of politics, the ways in which money and goods moved, finance, drawings, maps, and instruments. A sort of porous curiosity, rather than directed curiosity along blinkered pathways. Eighteenth-century journals, as well as the South Asian magazines of my childhood, had tidbits on science, poetry, politics, fiction, oddities from the ambit of the political, and off-kilter instruments of measurement. This is what I grew up reading and it is was as though they all belonged in the same place and together made sense.

So when I think of what my ‘field’ consists of, it lives at the cusp of all these things. Where more than one intellectual formation or terrain fades into each other, informs each other, pushes at each other, and inflects each other. And a field formation gets taken up in such a way that it makes an assumption in another field discomfiting. One such place I approach/broach that in Risky Bodies & Techno-Intimacy is the technology of time.

What would you have been if not an academic?

GP: Probably a health practitioner, a healer.

Why did you want to write this book?

GP: I wanted to sit with, ponder, think about, and ruminate on the places, moments, pauses, and sudden jolts where I stopped thinking. Where my capacity to envision something else failed me, felt as though it had faded from my grasp. Many intellectuals imagine this as the horizon towards which one ambles, gallops, or comes up against in some putative future. When I was writing my previous book on the Urdu poet Miraji, I came to see it as he had, and how the philosopher Ludwig Wittgenstein had, as that which is inside what we think, visualize, do. The bedrock of belief lives where we come to a grinding halt, and we find ourselves in a double bind—facing what we must let go of, but can’t. How could we, following on Michel Foucault and Marcel Mauss, understand these as technologies that make us who we are, which are the armature of our very ordinary, everyday habits?

I also wanted to mess with what had come to be conventional ways of bringing intellectual fields together. I wanted to make that broaching or bridging awkward—and this is what I practice in Risky Bodies & Techno-Intimacy. What would chemistry do to transgender possibilities in South Asia? What would it mean to transmute the aesthetics of linear time to lay out the gatherings that took on the resistance to a film on sexuality? How would the historical congruencies between these events and the fights over insurance in the Indian parliament give us insights? Allow us to delve into the modes through which financing loss became the conduit to grapple with the political desires that undergird nationalism? In the process how would science emerge in writing about events that might, in some simple way, not be said to be scientific (in the ways we now see science)?

GP: I have many ongoing projects. One is a book on Ismat Chughtai, in particular on two of her short stories. That book interrogates the lineages of historical realism in South Asia. It brings quantum and relativity as conduits through which I can grapple with the desires that readers ferry along with them as they read fiction and mine it for information. One is a book on 1950s and ‘60s billboards in Mumbai, and I look at what they reveal about advertising, fiscal fantasies, national sentiment, and nationalist aesthetics in post-colonial states. Another is about the long history of pensions and insurance in South Asia. One of the first of its chapters rethinks the eighteenth-century history of capitalism through colonial pensions.

Geeta Patel is associate professor of both Middle Eastern and South Asian languages and cultures and of women, gender, and sexuality at the University of Virginia. She is author of Lyrical Movements, Historical Hauntings: Gender, Colonialism, and Desire in Miraji’s Urdu Poetry.

News

Next Thursday evening, Seattle Theatre Group will present a screening of the film Promised Land, a documentary about the Duwamish and Chinook fight for treaty recognition influenced by several UW Press books. The Neptune Theatre screening is free and open to the public and will include preshow songs and drumming with the Chinook Indian Nation and Duwamish Tribe, and a postshow discussion with representatives from the tribes and the filmmakers. There’s still time to RSVP, and we hope you can join us!

The Scholarly Kitchen features the Mellon University Press Diversity Fellowship program and interviews editor in chief Larin McLaughlin: “The [Mellon] University Press Diversity Fellowship program is not a lament at how the pipeline is limited but rather a recognition that university presses can take responsibility for expanding their own recruiting pool directly.”—Roger C. Schonfeld

UW Today features a May 2017 Perspectives newsletter article about UW art professor Zhi Lin and his eponymous exhibit. The Zhi LIN exhibit is view at Tacoma Art Museum (TAM) from June 27, 2017 – February 18, 2018, and we will distribute the accompanying book, Zhi Lin, for TAM.

The Rumpus reviews Vagrants & Accidentals by Kevin Craft: “A pleasure to hold and behold. . . . Through the conflation of music, birds, personal lives, and a shaky natural world, Craft troubles the reader with the impossible question: How are we to live when loss—personal, environmental, and political—is heaped upon loss?”—Cate Hodorowicz

artnet News features Queering Contemporary Asian American Art and coeditors Laura Kina and Jan Christian Bernabe: “Via its challenging and diverse reflections, Queering Contemporary Asian American Art shows how the specific questions of Asian American art history make the stakes of resisting a homonormative queer community (i.e. one that models itself after standards of success defined by white privilege and capitalism) even more vivid.”—Terence Trouillot

In conjunction with the book’s release and Pride month, the Center for Art and Thought is hosting a virtual exhibition called “Queer Horizons,” featuring artists showcased in the book, and curated by the coeditors.

Inquirer.net mentions A Time to Rise edited by Rene Ciria Cruz, Cindy Domingo, and Bruce Occena (forthcoming October 2017) in an article about the retirement of community organizer-leader Lillian Galedo.

Library Journal Xpress Reviews includes a short review of The Hope of Another Spring by Barbara Johns: “Highly recommended for anyone with an interest in Asian American studies, art, art history, and U.S. history; in particular, those wanting to read more about Japanese American history.”—Tina Chan

Bronxnet features video from a lecture by City of Virtues author Chuck Wooldridge, taped at Lehman College’s Leonard Leif Library this past April.

New Books

What did nineteenth-century cities smell like? And how did odors matter in the formation of a modern environmental consciousness? Smell Detectives follows the nineteenth-century Americans who used their noses to make sense of the sanitary challenges caused by rapid urban and industrial growth. Melanie Kiechle examines nuisance complaints, medical writings, domestic advice, and myriad discussions of what constituted fresh air, and argues that nineteenth-century city dwellers, anxious about the air they breathed, attempted to create healthier cities by detecting and then mitigating the most menacing odors.

New in Paperback

“Readers will gain a valuable new understanding of what the Black Panther Party meant to a city far away from the San Francisco Bay Area and New York City, and activists will get priceless lessons in the dos and don’ts of local organizing.”—H. Bruce Franklin, author of Vietnam and America

“Bargreen offers compelling personal insights into her subjects’ lives as performers and residents of our region. No other book provides such a well-informed and well-written perspective focusing exclusively on Seattle’s classical community.”—Dave Beck, KING FM

“Spagna’s enthusiasm for their dedication and causes is irresistible. Such struggles are the real deal, after all, and what reader wouldn’t cheer on these tenacious underdogs trying to remedy past damage? We’re blessed with opportunities to make a difference, the writing shows. . . . The lessons of her journeys. . . are ‘Do what you can. Hope without hope. Expect the unexpected.”—Irene Wanner, Seattle Times

“Bike Battles is masterly in its treatment of public policy toward the ‘roads as commons,’ and has given new depth to our understanding of cycling in America. I envy the light and easy style of the author.“—Glen Norcliffe, author of Ride to Modernity

“Bowcutt examines the history of the tanoak tree, bringing to life a rich story about how humans are connected to this beautiful yet unassuming tree. . . . [T]his valuable book will be important for a broad audience.“—Choice

Queering Contemporary Asian American Art takes Asian American differences as its point of departure for bringing together artists and scholars pushing back against normative assumptions, expectations, critiques, and practices within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.

We were very fortunate to have listened to a lecture on “doing” Asian American art history by the late Karin Higa. In her lecture, she described those of us invested in the field as “the termites of art history.” It was a call to critique and nibble away at what we call in the book “the white hegemonic pillars of art practice, history, and criticism.”

We wanted to heed Higa’s call to find innovative and timely ways to work on Asian American art history and thus formed a group at the seminar called “Que(e)rying Asian American Art,” for which the title of our book is named. We saw intense interest by the members of the group to think about the ways in which queer theory could inform Asian American art criticism.

In many ways, the discussions we had during the seminar and at many conferences after the seminar had ended informed the creation of our book. We like to think that our book is a product of our termite activities.

What was it like writing and putting together this kind of volume?

LK & JCB: The process of writing the book was extremely intense but exhilarating! We invited seven authors to write critical essays for the anthology and in total we interviewed 17 artists, from emerging to established in their careers. We started the process of interviewing during the summer of 2014 with genderqueer and transgender artists in Chicago: Kiam Marcelo Junio and Greyson Hong, respectively.

We worked together virtually and in coffee shops throughout Chicago in the two years of the book’s production, and we made a point of organizing panel discussions at academic conferences with the various artists and scholars involved in the book as. There was a lot of transcription of interviews involved as well as selecting artwork to be in the book. Our last interview was in spring 2016 with Tina Takemoto, a San Francisco based artist who self-describes as a “queer, gender queer, gender nonconforming, Asian American dyke.”

What do you hope is the book’s most important contribution?

LK & JCB: We hope our book builds on a queer of color critique and advances the field of Asian American art and contemporary art. The book is a call to build queer coalitions of resistance, to push back against the dominant “model minority” paradigm in Asian America of assimilationist “good” behavior—of not making waves and being silent and complicit in the face of anti-blackness, Islamophobia, homophobia, transphobia, and so forth that pervades US culture.

What is your next project?

LK & JCB: We are currently curating a virtual exhibition inspired by our book for the Center for Art and Thought called “Queer Horizons.” In this current moment of political and cultural transformations, especially affecting people of color and LGBTQ communities, the show seeks to envision what a queer futurity looks like. This idea of a queer horizon, borrowed from the late Jose Muñoz, proposes what he calls “a greater openness to the world.”

What do you hope readers will take away from this book?

LK & JCB: The artwork is the most important thing. On a basic level, we just want to introduce the important work of the artists and scholars in this book to a wider audience. On a broader level, we want to inspire readers to form their own queer coalitional politics; we are writing to bring together feminists and queer of color artists and scholars to take up our “termite activities” and keep on nibbling at the hegemonic foundations of art history.

News

Reviews and Interviews

The New Yorker’s Page-Turner blog features No-No Boy by John Okada: “Reading No-No Boy, this week, it no longer seemed bound to its past; it felt like a prophecy, a cosmic tragedy, a message in a bottle that arrives a half century later.”—Hua Hsu

A collaborative piece with PRI’s Global Nation Education and Densho mentions Miné Okubo’s Citizen 13660 in an article about activists working to keep the story of Executive Order 9066 alive today. Bustle also features the book in a round-up of “10 Graphic Novels Written by Activists That You Need to Read Now More Than Ever”: “Heartbreaking, candid. . . . Okubo recounts her experience with poignancy and a surprising amount of humor.”—Charlotte Ahlin