Although Neave Parker (1910-1961) had artistic ambitions from an early age, he was dissuaded from pursuing them by his father and was not allowed to attend art school. Instead, he took up employment in a bank but after just one disasterous week, he was firmly but kindly advised to seek another profession.

After working as a surveyor for a short while he then went on to serve in the Royal Air Force during World War II, working in the Photographic Unit. It was not until Parker was discharged that he finally was able to pursue art as a career. After making the acquaintance of Maurice Burton (1898-1992), a Scientific Associate at the Natural History Museum, London and also Honorary Science Editor at the Illustrated London News, he began a collaboration with Burton to produce animal illustrations for a non-technical audience. The first of his drawings of prehistoric animals appeared in the Illustrated London News on 30 September, 1950.

Burton then introduced him to Dr William Elgin Swinton (1900-1994), a palaeontologist at the Museum, and it was through this collaboration that Parker completed numerous dinosaur illustrations. These featured in a range of publications including The Dinosaurs (1970) and Dinosaurs: their discovery and their world (1961). He was also commissioned by the Museum to produce a series of reconstructions which were sold as postcards.

Parker pioneered the art of restoring entire palaeo-environments of dinosaurs and was highly regarded by his scientific associates at the Museum. His drawings in monochrome gouache and wash drawings became trademarks of his distinctive style, which vividly represented the formerly held opinions of how such creatures appeared.

Parker's other passions in life was food, beer, pistol shooting (he was a British Open Champion), photography and films. It was in a cinema that he suffered a fatal heart attack in 1961.