Mildly overdriven guitar tone w/chorus

e Hw+

4

4

7/8

Q e

<12>

<5>.

Probably

x\a"mild"

x\pick

slide

Note: Bracketed "{}" notes below are "harp" harmonics which are
executed by fretting a C chord (see below) in the first position
and plucking the string with the thumb or pick while touching 12 frets
above the fretted note with the tip of the picking hand index finger.
C

e

O

B

O

G0

D

O

A

O

E

Q q Q Q he

{13}

{15}

{13}

{12}

{14}

h e w

2

<5>

15^

<5>

C
Q q q e Q q e e Q Q ss Q e e e ss

8888

888888\

xxxx

xxxx

8888

888888\

xxxx

xxxx

9999

998999\

xxxx

xxxx

1010110

10101010110\

xxxx

xxxx

Heavily overdriven tone w/chorus, it is likely that the guitar was

double, triple or even quadruple tracked to thicken the sound. To
attempt to duplicate this, use a digital or analog delay unit set at
0 ms with the level at 100%.
Bbs2C/GGF
ww Q he w

Flanger off, overdriven w/chorus

e q e q e e q q q e q e q e

2424

555455455554554555

758

57

5785

75

857

e q q q

5555

5785

Note: In the section below, I believe Lifeson played it differently
live compared to the studio. I believe he played everything
in the first position as indicated. The higher notes that
are heard can be attributed to to the Nashville tuned
acoustic guitar.
Grim faced and forbidding...

Heavily overdriven w/chorus

The fo - cus is sharp in the
Bbs4
Q Q q Q Q q Q Q Q

99

99

99

99

1111

1111

1111

1111

44

643

1111

1111

4

99

99

ci - ty
Flanger on
h+

9

9

11

11

11

9

Continue to hold the chord except the note on G string which is
released to the 10th fret to enable the "harp" harmonics which are
sounded (shown in brackets "{}" 12 frets higher). This may also
be from feedback - I'm not 100% sure.
Fade
h h

{22}

{23}

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