Birdman, Eddie Redmayne, Julianne Moore and Orange Is The New Black were the toast of the 21st annual Screen Actors Guild Awards on Sunday night (25Jan15). Director Alejandro Gonzalez Inarritu and the cast of Birdman were given their biggest boost yet ahead of the Academy Awards after landing the Outstanding Performance by a Cast in a Motion Picture title, while the lead acting accolades were awarded to newlywed Redmayne, who was recognised by his peers for his portrayal of physicist Stephen Hawking in The Theory of Everything, and Moore, who was feted for her role as a mother battling early onset Alzheimer's disease in Still Alice.
Whiplash's J.K. Simmons and Boyhood's Patricia Arquette also continued their awards season winning streak by taking home the top supporting acting film honours.
All four actors are Oscar nominated and are favourites for the biggest night in Hollywood next month (Feb15).
Meanwhile, House of Cards' Kevin Spacey repeated his Golden Globes success by claiming the Outstanding Performance by a Male Actor in a Drama Series and Viola Davis picked up the female equivalent for her new crime drama How to Get Away with Murder.
Hit series Orange Is the New Black was a double winner, while the cast of popular British period drama Downton Abbey earned the accolade for Outstanding Performance by an Ensemble in a Drama Series.
Star Wars actress Carrie Fisher also made an appearance at Los Angeles' Shrine Auditorium ceremony to salute her mother, acting veteran Debbie Reynolds, with the coveted Life Achievement Award.
The full list of winners is:
Outstanding Performance by a Male Actor in a Leading Role - Eddie Redmayne, The Theory of Everything
Outstanding Performance by a Female Actor in a Leading Role - Julianne Moore, Still Alice
Outstanding Performance by a Male Actor in a Supporting Role - J.K. Simmons, Whiplash
Outstanding Performance by a Female Actor in a Supporting Role - Patricia Arquette, Boyhood
Outstanding Performance by a Cast in a Motion Picture - Birdman
Outstanding Performance by a Male Actor in a Miniseries or Television Movie - Mark Ruffalo, The Normal Heart
Outstanding Performance by a Female Actor in a Miniseries or Television Movie - Frances McDormand, Olive Kitteridge
Outstanding Performance by a Male Actor in a Drama Series - Kevin Spacey, House of Cards
Outstanding Performance by a Female Actor in a Drama Series - Viola Davis, How to Get Away with Murder
Outstanding Performance by an Ensemble in a Drama Series - Downton Abbey
Outstanding Performance by a Male Actor in a Comedy Series - William H. Macy, Shameless
Outstanding Performance by a Female Actor in a Comedy Series - Uzo Aduba, Orange Is the New Black
Outstanding Performance by an Ensemble in a Comedy Series - Orange Is the New Black
Outstanding Performance by a Stunt Ensemble in a Motion Picture - Unbroken
Outstanding Performance by a Stunt Ensemble in a Television Series - Game of Thrones
Life Achievement Award - Debbie Reynolds.

Oscar frontrunner Birdman and TV drama Transparent lead the nominations for the 2015 Gay and Lesbian Entertainment Critics Association's Dorian Awards. Michael Keaton's acclaimed movie is up for four of the top awards, including Film Performance of the Year - Actor, Film Director of the Year (Alejandro Gonzalez Inarritu), Visually Striking Film of the Year, and Film of the Year, where it will be up against Boyhood, The Grand Budapest Hotel, The Imitation Game, and Pride.
Fresh off its two wins at the Golden Globes on Sunday (11Jan15), acclaimed transgender-centred series Transparent snagged six nods, including TV Performance of the Year - Actor (Jeffrey Tambor), LGBTQ TV Show of the Year, Unsung TV Show of the Year, and TV Comedy of the Year, where it will compete with The Comeback, Modern Family, Orange Is The New Black, and Veep.
Meanwhile, the freshman series' creator Jill Soloway is also up for TV Director of the Year and Wilde Artist of the Year, a prize which honours a groundbreaking force in the fields of film, theatre and/or television.
Other nominees include Eddie Redmayne, Benedict Cumberbatch, Jake Gyllenhaal, and Steve Carell, who will all go up against Keaton in the lead actor category, while Julianne Moore, Rosamund Pike and Reese Witherspoon are among the women up for Film Performance of the Year - Actress nominees.
In addition, Fargo, The Good Wife, How To Get Away With Murder, Mad Men, and The Normal Heart will vie for TV Drama of the Year, while stars including Matt Bomer, Matthew McConaughey, Mark Ruffalo and Kevin Spacey will compete against Tambor for TV Performance of the Year - Actor, and Viola Davis, Lisa Kudrow, Julianna Margulies, Tatiana Maslany, and Frances McDormand will vie for the respective actress category.
Star Trek alum and gay rights advocate George Takei will be honoured with the Timeless Star accolade, which is given to "an actor or performer whose exemplary career is marked by character, wisdom and wit."
The Dorian Awards will be announced on 20 January (15), with a formal ceremony to be held in Hollywood on 1 March (15).

Birdman looks set to win big at the 2015 Screen Actors Guild (SAG) Awards after scooping four nominations. The drama has been shortlisted for Outstanding Performance by a Cast in a Motion Picture, while actors Michael Keaton, Edward Norton and Emma Stone have each landed a nod for their roles.
The Imitation Game, The Theory of Everything and Boyhood closely follow with three nominations each, including the Outstanding Performance by a Cast in a Motion Picture category, which is rounded out by The Grand Budapest Hotel.
Benedict Cumberbatch will compete against Steve Carell (Foxcatcher), Jake Gyllenhaal (Nightcrawler), Eddie Redmayne (The Theory of Everything) and Keaton (Birdman) for Outstanding Performance by a Male Actor in a Leading Role.
Jennifer Aniston has landed a leading actress nomination for her turn in Cake, and she will be up against Felicity Jones (The Theory of Everything), Julianne Moore (Still Alice), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild).
Nominees for Outstanding Performance by a Male Actor in a Supporting Role including Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), Mark Ruffalo (Foxcatcher), and J.K. Simmons (Whiplash).
Keira Knightley is up for a supporting actress prize for her turn as codebreaker Joan Clarke and will compete against Boyhood's Patricia Arquette. Other nominees include Meryl Streep (Into the Woods), Emma Stone (Birdman) and Naomi Watts (St. Vincent).
In TV, Modern Family is the one to beat with four nominations across the comedy categories, while House of Cards scooped three nods in the drama categories.
The Outstanding Performance by a Female Actor in a Drama Series category was expanded to six nominations due to a tie, and competitors include Dame Maggie Smith (Downton Abbey), Claire Danes (Homeland), Tatiana Maslany (Orphan Black), Viola Davis (How to Get Away with Murder), Julianna Margulies (The Good Wife), and Robin Wright (House of Cards).
Cumberbatch and Ruffalo are both up for two awards at the ceremony. In addition their movie prizes, they will compete for Outstanding Performance by a Male Actor in a Television Movie or Miniseries - Cumberbatch for his role in Sherlock: His Last Vow and Ruffalo for The Normal Heart.
The winners will be announced live on 25 January (15).

The head of the New York Film Critics Circle has apologised to 12 Years A Slave director Steve Mcqueen after one of its members heckled him while he accepted an award on Monday night (06Jan14). The British filmmaker was presented with the Best Director honour at the organisation's annual prizegiving for his acclaimed new movie about a free black man kidnapped and sold into slavery.
As he fought back tears upon being handed the prize by civil rights icon Harry Belafonte, McQueen was heckled by Armond White, the editor of New York arts publication CityArts.
The controversial reviewer, a three-time chair of the Critics Circle, shouted out, "You're an embarrassing doorman and garbage man. F**k you. Kiss my a**."
Now the organisation's current chair Joshua Rothkopf has reached out to McQueen to apologise for the outburst and insist the board is considering disciplinary action.
The statement reads, "On behalf of the New York Film Critics Circle, I apologise sincerely for the crass bit of heckling Mr. McQueen encountered. I'm mortified to learn that this was from one of our own members. We are taking disciplinary action."
White has since responded to the heckling reports, telling Indiewire.com, "I was not in a position or vicinity to yell at McQueen. It was talk among my tablemates."
It is not the first time White has caused a commotion at the industry bash - he has had run-ins with Black Swan director Darren Aronofsky and filmmaker Michael Moore, and has previously heckled stars including Michelle Williams, Annette Bening, Robert De Niro and Viola Davis during their acceptance speeches.

It's a movie about movies — how meta. In the trailer (via Indie Wire) for director Chuck Workman's new documentary/visual essay What is Cinema?, the filmmaker attempts to take a closer look at the mastery of cinematic form through the compilation of over 100 film clips and interviews.
In the film, Academy Award-winning Workman (Superstar: The Life and Times of Andy Warhol) not only asks the titular question, but aims to chronicle "the best of filmmaking today and proposes where cinema will go, and should go, in the future," according to the film's synopsis. Workman's interview subjects include the likes of Mike Leigh, Jonas Mekas, Yvonne Rainer, David Lynch, video artist Bill Viola, Kelly Reichardt, Costa-Gavras, Ken Jacobs, and Michael Moore. He also includes special archival interviews with Robert Bresson, Alfred Hitchock, Chantal Akerman, Akira Kurosawa, and others.
TIFF
The trailer forces us to take a step back from the copious amount of films that are produced each year and really think about what a film truly is. In one of the many interviews, esteemed director David Lynch answers the question best when he poetically says: "It's so beautiful, cinema. It comes in a spark and you see it and you feel it and you hear it. It's so delicate, but if you get into that world, it can be like a dream." We have a feeling that this whole documentary will be a walk through hundreds of awesome dreams.
What is Cinema? premiered at the Toronto International Film Festival in September and will next appear at DOC NYC on Nov. 19th.
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Each year, the Screen Actor's Guild, the biggest acting union in Hollywood, throws its two cents into the awards ring and bestows upon actors in both film and television with the coveted statues for excellence in performance. It's a top honor that's also a major predictor for the Academy Awards — in the past three years, the SAG Awards replicated the winners of the Oscars Best Actor categories in all but one category (in 2011, when Viola Davis in The Help bested Meryl Streep in The Iron Lady before losing to her come Oscar time). The SAG Awards are award to the year's biggest win.
This Tuesday, SAG announced their nominations for the 19th year of their awards ceremony. Once again, every actor and film looks primed for the Academy Awards. Lincoln and Les Misérables lead the pack thanks to buzzy performances by Daniel Day-Lewis and Anne Hathaway, while Breaking Bad and Mad Men once again earn nods on the TV side.
Check out the full list of nominations. The awards are set to air on Jan. 27, 2013 on TBS:
Outstanding Performance by a Cast
Argo
The Best Exotic Marigold Hotel
Les Misérables
Lincoln
Silver Linings Playbook
Outstanding Performance by a Female Actor in a Leading Role
Jessica Chastain, Zero Dark Thirty
Marion Cotillard, Rust and Bone
Jennifer Lawrence, Silver Linings Playbook
Helen Mirren, Hitchcock
Naomi Watts, The Impossible
Outstanding Performance by a Male Actor in a Leading Role
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis,Lincoln
John Hawkes, The Sessions
Hugh Jackman, Les Misérables
Denzel Washington, Flight
Outstanding Performance by a Female Actor in a Supporting Role
Sally Field, Lincoln
Anne Hathaway, Les Misérables
Helen Hunt, The Sessions
Nicole Kidman, The Paperboy
Maggie Smith, The Best Exotic Marigold Hotel
Outstanding Performance by a Male Actor in a Supporting Role
Alan Arkin, Argo
Javier Bardem Skyfall
Robert De Niro Silver Linings Playbook
Philip Seymour Hoffman The Master
Tommy Lee Jones, Lincoln
Outstanding Performance by a Stunt Ensemble
Amazing Spider Man
Bourne Legacy
The Dark Knight Rises
Les Miserables
Skyfall
Outstanding Performance by an Ensemble in a Drama Series
Boardwalk Empire
Breaking Bad
Downton Abbey
Homeland
Mad Men
Outstanding Performance by a Female Actor in a Drama Series
Claire Danes, Homeland
Michelle Dockery, Downton Abbey
Jessica Lange, American Horror Story: Asylum
Julianna Marguiles, The Good Wife
Maggie Smith, Downton Abbey
Outstanding Performance by a Male Actor in a Drama Series
Steve Buscemi, Boardwalk Empire
Bryan Cranston, Breaking Bad
Jeff Daniels, The Newsroom
Jon Hamm, Mad Men
Damien Lewis, Homeland
Outstanding Performance by an Ensemble in a Comedy Series
30 Rock
Big Bang Theory
Glee
Modern Family
Nurse Jackie
The Office
Outstanding Performance by a Female Actor in a Comedy Series
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock30 Rock
Amy Poehler, Parks and Recreation
Sofia Vergara, Modern Family
Betty White, Hot in Cleveland
Outstanding Performance by a Male Actor in a Comedy Series
Alec Baldwin, 30 Rock
Ty Burrell, Modern Family
Louis CK, Louie
Jim Parsons, Big Bang Theory
Eric Stonestreet, Modern Family
Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Nicole Kidman, Hemingway &amp; Gellhorn
Julianne Moore, Game Change
Charlotte Rambling, Restless
Sigourney Weaver, Political Animals
Alfie Woodard, Steel Magnolias
Outstanding Performance by a Male Actor in a Television Movie or Miniseries
Kevin Costner, Hatfields and McCoys
Woody Harrelson, Game Change
Ed Harris, Game Change
Clive Owen, Hemingway &amp; Gellhorn
Bill Paxton, Hatfields and McCoys
Outstanding Performance by a Stunt Ensemble in a Television Series
Boardwalk Empire
Breaking Bad
Game of Thrones
Sons of Anarcy
The Walking Dead
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[Photo Credit: Walt Disney Pictures]
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‘Lincoln’, ‘Les Misérables’ Lead 18th Annual Critics Choice Movie Awards Nominations
'Zero Dark Thirty' Picks Up Best Picture, Actress for Chastain from National Board of Review
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David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
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Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
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The 18th Annual Screen Actors Guild Awards aired last night, honoring some of Hollywood's greatest talent. It was a particularly special night for Viola Davis and Octavia Spencer, who took home Best Actress and Best Supporting Actress awards for their roles in The Help -- beating out the likes of Meryl Streep, Glenn Close, and Melissa McCarthy. Other winners included Jean Dujardin for Best Actor in The Artist and Christopher Plummer for Best Supporting Actor in Beginners. Additionally, Mary Tyler Moore received the Lifetime Achievement Award, which was presented by her TV husband, Dick Van Dyke. Overall, it was a big night to celebrate. Congratulations to all the winners! - SAG
Michelle Williams certainly seems to be raking in the award nominations this year, but it looks like the star may be taking a break from acting sometime in the near future in order to spend more time with her daughter, Matilda. On the red carpet at Sunday night's SAG Awards, the actress told E! (via Zap2it), "I just want to go back to being a mom for a while," also adding that she has no films lined up at the moment. And while we'll sure miss seeing her on the big screen, it's nice to see a mother making her child her first priority. - Zap2it
Brad Pitt and Angelina Jolie are well aware of the constant rumors and scrutiny that surround their relationship, and they go to extreme lengths to make sure their children don't hear any part of it. In fact, Pitt told Germany's Bild magazine that, "On all the kids' computers we had our names blocked. They can't Google their mom and dad. I don't want to make myself dependent on what other people think." Probably a wise move... - People

Viola Davis and Octavia Spencer, who played maids in the period drama, picked up the night's Best Actress and Best Supporting Actress accolades, respectively, while they were also among the stars who triumphed with the Outstanding Performance by a Cast in a Motion Picture category.
The Artist's Jean Dujardin beat George Clooney to the Best Actor award, while Christopher Plummer was named Best Supporting Actor for his role as a dying gay father in Beginners.
Meanwhile, Modern Family and Boardwalk Empire were the big TV winners, claiming the night's Outstanding Performance by an Ensemble in a Comedy Series and Drama Series, respectively.
Individual TV awards also went to Kate Winslet, Alec Baldwin, Betty White, Paul Giamatti and Steve Buscemi, and Dick Van Dyke presented Mary Tyler Moore with the Screen Actors Guild’s highest honour - the 48th annual Life Achievement Award.
The complete list of recipients of the 18th Annual Screen Actors Guild Awards is:
Outstanding Performance by a Male Actor in a Leading Role - Jean Dujardin (The Artist)
Outstanding Performance by a Female Actor in a Leading Role - Viola Davis (The Help)
Outstanding Performance by a Male Actor in a Supporting Role - Christopher Plummer (Beginners)
Outstanding Performance by a Female Actor in a Supporting Role - Octavia Spencer ( The Help)
Outstanding Performance by a Cast in a Motion Picture - The Help
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture - Harry Potter &amp; The Deathly Hallows: Part 2
Outstanding Performance by a Male Actor in a Television Movie or Miniseries - Paul Giamatti (Too Big To Fail)
Outstanding Performance by a Female Actor in a Television Movie or Miniseries - Kate Winslet (Mildred Pierce)
Outstanding Performance by a Male Actor in a Drama Series - Steve Buscemi (Boardwalk Empire)
Outstanding Performance by a Female Actor in a Drama Series - Jessica Lange (American Horror Story)
Outstanding Performance by a Male Actor in a Comedy Series - Alec Baldwin (30 Rock)
Outstanding Performance by a Female Actor in a Comedy Series - Betty White (Hot in Cleveland)
Outstanding Performance by an Ensemble in a Drama Series - Boardwalk Empire
Outstanding Performance by an Ensemble in a Comedy Series - Modern Family
Outstanding Action Performance by a Stunt Ensemble in a Television Series - Game of Thrones
Life Achievement Award - Mary Tyler Moore