Wednesday, June 4, 2014

Mix CD, "The Best of Paul Weller: The Solo Years-Volume 2"

Paul Weller, looking dapper as usual.

Paul Weller crushing it on stage.

I compiled a “Best of Paul Weller: The Solo Years” mix CD back in January, and Weller has so many great songs from his solo albums that I
had to make it a two-disc set. The songs on this CD are still very good; they
just didn’t quite make the cut for the first disc. Since Paul Weller just
issued “More Modern Classics,” a new greatest hits compilation that covers the
years 1999 to the present, I thought now would be a good time to post my own
compilation.

Here are the tracks that I put on “The Best of Paul Weller: The
Solo Years, Volume 2.”

1. Clues

2. Sunflower

3. Foot of the Mountain

4. Stanley Road

5. Time Passes

6. Pink on White Walls

7. A Year Late

8. Going Places

9. Who Brings Joy

10. Now the Night Is Here

11. One X One

12. Illumination

13. Push Button, Automatic

14. Paper Smile

15. Wishing on a Star

16. One Bright Star

17. Have You Made Up Your Mind

18. Black River

19. Moonshine

20. No Tears to Cry

21. The Piper

Here are some comments about the songs:

“Clues,” from “Paul Weller,” 1992: A jazzy song from Weller’s
first solo album, featuring a flute solo. The song starts with Weller crooning,
“I’ll meet you on a bus at dawn/an open-topped one if it’s warm.”

“Sunflower,” from “Wild Wood,” 1993: A funky song, with some
great guitar work. I love the sound of the drums on this song.

“Foot of the Mountain,” from “Wild Wood,” 1993: A lovely
acoustic song, performed by Paul solo with guitar.

“Stanley Road,” from “Stanley Road,” 1995: The driving title
track from one of Weller’s best albums, with pounding piano, the lyrics deal
with Weller’s childhood memories of the neighborhood he grew up in.

“Time Passes,” from “Stanley Road,” 1995: A beautiful
ballad. It’s a tender song about meeting an ex-girlfriend on the street. One of
my favorite Weller ballads.

“A Year Late,” bonus track on “Stanley Road,” 1995: This
song has a hypnotic melody and strings backing Weller’s guitar. It’s a song
about unrequited love, as Weller sings, “Is it true, what I feel for you/wish I
could help it through/so you could feel it too.” “A Year Late” really should
have been on the “Stanley Road” album.

“Going Places,” from “Illumination,” 2002: The kind of bright, summery
song that Weller can seemingly turn out at will.

“Who Brings Joy,” from “Illumination,” 2002: A gentle song
that shares a lyrical theme with the Nat King Cole song “Nature Boy.” Weller
sings, “And all you ask/in return/is to be loved/and love you I must,” which
echoes “The greatest thing/you will ever learn/is just to love/and be loved in
return” from “Nature Boy.”

“Now the Night is Here,” from “Illumination,” 2002: Another
excellent Weller tune about falling in love, as he sings, “Let’s you and I blow
gently on/the embers of today/now the night is here to tell us/to be in love.”
I’m betting that this song worked it’s magic on females Weller sang it to.

“One X One,” from “Illumination,” 2002: Very catchy song, I
love the lyrics “Like electric lights in a ballroom scene/going on one times
one.”

“Illumination,” from “Illumination,” 2002: Yes, another song
from “Illumination,” Weller’s excellent 2002 album. But the guy just keeps
writings catchy songs with great melodies and good lyrics! A great guitar
pattern gives this song it’s hook. I love the way Weller lightly sings “cha” as
the guitar riff plays-it just sounds so perfect.

“Push Button, Automatic,” bonus track on “Illumination,”
2002: Weller enters Kinks territory here, as he channels Ray Davies in writing
a song about a guy who starts spending all of his time online. Weller sings, “Just
a push button, automatic kind of guy/looking at the liquid crystal night after
night/chat room hard core looking to find/my wrists are aching on screen I’m
faking.” It’s a very funny song, and one that’s even more relevant now in 2014
than it was in 2002.

“Paper Smile,” from “As Is Now,”
2005: “What’s in a life/if you don’t live it?” Weller asks in this rocker, from
his superb album “As Is Now.”

“Wishing on a Star,” from the
live album “Catch-Flame!” 2006: This is the only cover I included on the 2
discs. It’s a gorgeous cover of a 1978 song from the R&B group Rose Royce. Weller
gives the song a soulful reading, and it’s a good fit for his style. Features
excellent guitar work from Steve Cradock.

“One Bright Star,” from “22
Dreams,” 2008: Continuing the “star” theme, this is a Spanish-tinged song from “22
Dreams.”

“Have You Made Up Your Mind,”
from “22 Dreams,” 2008: A catchy, funky tune that finds Weller pining after a
girl. “There’s a love light breaking through the dawn/but where will I be when
morning comes?”

“Black River,” from “22 Dreams,”
2008: Tuneful song with nice lyrics, as Weller sings, “The story’s still
unfolding and like the river rolling/it’s always moving like the tide/seemingly
unchanging/but of course nothing stays the same you’ll see.”

“Moonshine,” from “Wake Up the
Nation,” 2010: A rollicking song from Weller’s aggressive album “Wake Up the
Nation.” A pounding piano accompanies Weller as he spews out lyrics about being
“A bag of nerves/I seem to suppress.”

“No Tears to Cry,” from “Wake Up
the Nation,” 2010: I like “Wake Up the Nation” a lot, but I feel that it’s
songs go very well together, so it’s difficult for me to pick songs off the
album for a compilation. This is a soul-influenced tune with a nice groove.

“The Piper,” bonus track on “Sonik
Kicks,” 2012: This is a throwback to 1960’s soul, with a very funky bass line. The
lyrics are very 60’s too, as Weller sings, “On the promise of tomorrow I was
swept along.” It’s a lovely song, and a very nice way to finish off the CD.

3 comments:

*shock!*horror!* No Kosmos? No Strange Museum? Gadzooks, must have been oversights, I reckon.

Kidding aside, fantastic list. The man is so prolific, and so damn consistent, that any list you make was going to come under attack, but I cannot fault you for what's here and on the first. Wonderful choices, all!

Haha, those are good tunes as well! I felt like I picked more than enough songs from his first solo album. And I don't listen to Kosmos that much because it has that hidden track appended to it, which doesn't make for easy listening on iTunes.

Yeah, Paul Weller has been pretty darn solid throughout his career. Thanks E!