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By Product Type

The Used

Imaginary Enemy

The Used return with the follow-up to 'Vulnerable' which debuted in the top 10 with over 31,000 albums first week. The band has again partnered with longtime producer John Feldman and have created a unique and striking new vision which will propel the band to new heights.

In Love And Death

In Love and Death continued off the success of The Used's self titled and includes fan favorite tracks including Take It Away and I Caught Fire. Back in print on vinyl for the first time in 10 years!

1. Take It Away2. I Caught Fire3. Let It Bleed4. All That I've Got5. Cut Up Angels6. Listening7. Yesterday's Feelings8. Light With A Sharpened Edge9. Sound Effects And Overdramatics10. Hard To Say11. Lunacy Fringe12. I'm A Fake

The Used

The Used's self titled debut is finally back in print on vinyl! The 2002 album exposed fans to the post-hardcore sounds of the Utah quartet with hit singles Taste of Ink, A Box Full of Sharp Objects, and Buried Myself Alive and has since been certified gold.

Rega Isis CD Player

Have a question about this product? Please email ouraudio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.

Introducing the Rega ISIS flagship CD player

We are very proud to introduce the 7th generation of Rega CD player.

A product manufactured to the highest achievable quality inside and out, Rega's own unique CD technology, genuine black chrome lid and front facia, a custom solid anodised aluminium case weighing in at a notable 19kg! We hope you enjoy this very special CD player; we have spent a very long time creating it, drawing on our many years of experience in specialist Hi-Fi manufacturing.

Technology behind the design of the Isis

One important design goal was to take the current output, with no internal amplification within the D to A converter, and convert this to an analogue voltage, using discrete class A operational amplifiers and filters. This circuit can then be optimised for sonic performance. (With most CD players the use of standard operational integrated circuits locks you into the sound of those particular integrated circuits, thus narrowing the scope for improvement).

The class A current to voltage conversion amplifier evolved out of the development of the first stage of the Rega IOS MC amplifier.

It shares identical demands of low noise, high drive capability and gain bandwidth required of the voltage to current amplifier.

Careful choice has been made for every component in the digital and the analogue signal path to ensure the integrity of the signal.

The analogue and digital sections are bonded together using a substantial ground plane. It was found during the development of the player thatadoption of RF ground plane techniques aided the sonic quality and therefore were included in the final design.

Careful design of the PCB's ensures isolation of not just the digital and analogue sections, but also the motor, display and user interface processor.

All sonically critical electrolytic capacitors have been by-passed with polypropylene or polyester film capacitors. In addition to this, large value electrolytic capacitors have also been by-passed with audio grade electrolytic capacitors.Power supply impedances in the digital to analogue converter are kept very low by the use of solid polymer capacitors.

All power supplies utilise custom Rega K-Power smoothing capacitors, along with fast diodes which have been used throughout in power supply rectification.

The Isis uses enhanced and optimised control code for the control of the CD processor and user display.This speeds up the initialisation process by means of a tighter control interface between the user micro and CD processor.

Analogue section

The analogue section employs two Burr Brown PCM1794 digital to analogue converters, running in a parallel dual mono mode, driving a high performance discrete class A current to voltage amplifier.

This combination generates an exceptionally wide dynamic range, low distortion, and linear signal. This drives an enhanced discrete class A output amplifier. The circuit is fully balanced from the digital to analogue converters to the balanced analogue XLR outputs. The analogue stage has its own dedicated 50VA mains transformer which ensures galvanic isolation between the digital and analogue sections of the player. You will find 10 separate power supply regulators are used in the analogue circuit and each individual amplifier stage has its own dedicated low noise voltage reference.

Digital section

The digital section is blue printed and selected, with major improvements to the mechanism, optical amplifier, DSP core, PLL, master clock & motor power supplies. Another 10 separate power supply regulators are used in the digital circuit. The motor, user interface processor & display also have their own power supply. The digital stage also has its own 50VA transformer again ensuring galvanic isolation. The mechanism is graded and matched to the servo circuits, to ensure the servo and optical amplifiers are working at their optimum point, improving error correction and playability. The headroom of the optical amplifier has been improved by 10% by increasing the voltage in the power supply.

Digital

This revolutionary player has been five years in design. Rega, together with its design partners have pioneered a highly advanced servo controller that uses the latest signal processing techniques to ensure that the raw data that is recovered from the disc is of the very highest quality. Because our fully digital servo can use highly advanced algorithms the laser spot is kept in the optimum position for data recovery in terms of focus, size and tracking.

Extra Error Correction

Previous chip-sets always made compromises on error correction. Formerly it was possible to have good jog resistance or better musical performance. The Rega chip-set allows optimum musical performance and optimised jog /vibration resistance.

Super-stable phase lock loop

The entire IC is clocked via a very special PLL of our own design. This allows better CD data recovery as well as a big improvement in the quality of the data delivered to the DAC.

Low noise digital design

In the design of our CPU IC we went to great lengths to ensure that the data and address bus noise was kept to an absolute minimum. This ensures the ground and signal connections to the DAC are as 'clean' as is possible.

USB Input

Allowing direct connection to a laptop or PC via a USB A-B lead to stream internet radio Mp3 or WMA files directly from your computer via the high quality ISIS internal DAC.

The USB input uses an isolated double-clocked USB interface, which permits the digital to analogue stage to be used with a computer USB interface and it's own regulated power supply.

The USB benefits once again from galvanic isolation from the main circuitry of the ISIS player which eliminates the flow of earth currents between the CD and host computer, and eliminate computer power supply noise.

Disc Analysis

The ISIS will analyse each disc on an individual basis. During the initialising period (rather like the engine management system on a modern car which optimises the engine settings to temperature, fuel quality etc.) the ISIS will adjust itself to each disc in order to give optimal trouble free reading. For this reason the ISIS will often play discs with marks or scratches that other players cannot read.

All these features amalgamate to create the supreme level of performance found in the Isis and provide a perfect partner for the Rega Osiris amplifier.

Use Your Illusion II

Guns N' Roses' Use Your Illusion II is even more serious and ambitious than part I. Featuring no less than four songs that run over six minutes, II is heavy on epics, whether it's the charging funk metal of Locomotive, the antiwar Civil War, or the multi-part Estranged.

You Can't Use My Name

Audio Completely Mixed And Re-mastered Under The Direction Of Jimi's Long Time Sound Engineer, Eddie Kramer

Includes The Previously Unreleased 1966 Recording, "Station Break"

This special compilation presents Jimi Hendrix's 1965-1967 sessions with Curtis Knight & The Squires prior to hisinternational fame leading the Jimi Hendrix Experience.

While Jimi Hendrix's intermittent tenure as a guitarist forCurtis Knight & The Squires in 1965 and 1966 was relativelybrief, more than 100 albums have been crafted fromapproximately forty studio recordings and consumer gradestage recordings by the group. Most featured low fidelityvariations, remixes, edited versions, and instrumentals ofthe same material-often with their song titles changed.These albums were poorly annotated and all too oftenfeatured cover art that depicted the guitarist at the peakof his Jimi Hendrix Experience fame (and not as 'JimmyHendrix,' a sideman to Curtis Knight) and thus snaredunwitting fans throughout the world that were starved fornew Hendrix music for decades.

Jimi Hendrix was hamstrung throughout his career bylitigation over these recordings in the US and UK and thesefights continued until his family ultimately prevailed inlitigation. You Can't Use My Name stands as their firstattempt to present this music in its original context.

You Can't Use My Name is newly mixed and preparedfor release by Eddie Kramer and includes the previouslyunreleased 1966 recording "Station Break," the full lengthversions of "Knock Yourself Out [Flying On Instruments],""No Such Animal," and the 1967 recording of "GloomyMonday" that includes dialogue between Hendrix andproducer Ed Chalpin (featuring the guitarist's request thatthe producer not use his name on this session because ofthe ongoing litigation between them).

1. How Would You Feel 2. Gotta Have a New Dress 3. Don't Accuse Me 4. Fool for You Baby5. No Such Animal 6. You Don't Want Me7. Welcome Home 8. Knock Yourself Out (Flying on Instruments) 9. Strange Things 10. Station Break11. Gloomy Monday

The Use of Ashes

The fourth album from this psychedelic folk group (second for Warner/Reprise) was released in 1970 and features songs written by Tom Rapp while living in Holland. Recorded in Nashville with the towns top session musicians including Charlie McCoy, Kenny Buttrey and Neil Young producer David Briggs. A subversive, tender, moving, goofy, maddening, and profound record.

1. The Jeweler 2. From The Movie Of The Same Name 3. Rocket Man 4. God Save The Child 5. Song About A Rose 6. Tell Me Why 7. Margery 8. The Old Man 9. Riegal 10. When The War Began

Get Used To It Remixes (On Sale)

Remixes from the album Get Used To It

LP11. Let's Do It Again (Kenny Dope Remix) 2. Let's Do It Again (Kenny Dope Remix)3. Let's Do It Again (Kenny Dope Remix)4. Let's Do It Again (Jan vs. Players Please Remix)5. All Fired Up (A Tom Moulton Mix)6. Let's Do It Again (Jan vs. Players Please Remix Inst.)

LP21. We've Got (A Tom Moulton Mix)2. We've Got (A Tom Moulton Mix Inst.)3. Right On (A Tom Moulton Mix Inst.)4. Get Used To It (Album Dub Version)5. Get Used To It (Bass Over Babylon Groove Remix)6. Get Used To It (Bass Over Babylon Reggae Remix)

Brand New Heavies

$9.99$7.89Save $2.10 (21%)

12 Vinyl LP - 2 LPs SealedHurry, only 1 left! Usually ships within one business day!Buy Now

This is a great group of top LA musicians backing superlative performances by a great new singer!!!

Test Pressings of the album were demo-ed extensively at the Munich High End Show as well as at THE Show in Newport Beach and reaction has been overwhelmingly positive.

There are many records and labels who declare themselves to be of audiophile quality. Groove Note records all of their albums at the best studios in Hollywood (Oceanway, Record One, Cello, Sunset Sound) using a top Grammy nominated recording engineer, Michael C. Ross. All of our albums are recorded 100% analogue and the production masters are also mixed by 100% analogue by MC Ross. All albums are cut by one of the greatest mastering engineers in the world, Bernie Grundman, on an all analogue tube cutting system using all upgraded and modified vintage Sculley cutting lathes. All LPs plated and pressed by RTI on 180g audiophile vinyl.

LP11. I Just Wanna Be With You2. Be Thankful For What You Got3. Distant Lover4. Hard Times5. That Loving Feeling6. Simply Beautiful

LP21. Use Me2. I Love You More Than You'll Ever Know3. Cool Cat4. Here But I'm Gone5. Be Thankful For What You Got (Alternate Mix)

I Used to Spend So Much Time Alone

I Used to Spend So Much Time Alone is Chastity Belt's third and finest full-length to date. Recorded live in July of 2016, at Jackpot! in Portland, Oregon, it's a dark and uncommonly beautiful set of mood-driven rock that's also unabashedly introspective. More personal and more direct than 2015's marvelous Time to Go Home, this one aims for the heart-from the shimmering insights of "Different Now" to the stunning clarity of "This Time of Night," this is a serious record but not a serious departure, a tangle of mixed emotions and haunting melody, a brave step forward.

1. Different Now2. Caught in a Lie3. This Time of Night4. Stuck5. Complain6. It's Obvious7. What the Hell8. Something Else9. Used to Spend10. 5am

Why Should I Get Used To It (Discontinued) (On Sale)

JOE LALLY played bass in FUGAZI from the bands inception in 1987 until their hiatus in 2003. When the members of Fugazi decided to take an indefinite break from recording and performing Joe began working on solo material and has continued to write and perform new material in collaboration with a wide variety of musicians and friends. Joe has released two albums on Dischord Records, There to Here in 2006 and Nothing is Underrated in 2007, and has toured extensively in the USA, Europe, Brazil, Japan and beyond. Joes albums and his tours have until recently featured a large cast of collaborators including his Fugazi mates, members of Capillary Action, Zu, Melvins, and others. On Joes newest album, Why Should I Get Used to It, he has settled on a more permanent line-up featuring his current touring mates, guitarist ELISA ABELA and drummer EMANUELE TOMASI. The album was recorded in Rome, where Joe has lived for the last several years, and is being released on Dischord in conjunction with Joes imprint, Tolotta Records. Joe and his band will continue to tour in 2011, with dates in Europe and Brazil already booked, and many more dates and territories to follow.

1. What Makes You

2. Nothing To Lose3. Revealed In Fever4. Fort Campbell, KY5. Philosophy For Insects6. Ken-Gar7. Why Shoul I Get Used To It8. Coral And Starfish9. Let It Burn10. Ministry Of The Interior11. Last Of The Civilized

Joe Lally

$14.99$11.84Save $3.15 (21%)

Vinyl LP - SealedDiscontinued, Get one of the last 1 available!Buy Now

Use Your Illusion I

Part one of Guns N' Roses' ambitious third album stays closer to the band's bluesy hard-rock roots and it is largely considered the better of the two part release. Use Your Illusion I scored three Top 40 hits with the Wings cover Live and Let Die, the piano-driven, Elton John-flavored epic November Rain and the hard-edged ballad Don't Cry. Celebrity cameos include a then unknown Shannon Hoon, Hanoi Rocks' Mike Monroe and Alice Cooper, who makes a particularly sinister contribution to The Garden.

Use Your Illusion I

Import

Part one of Guns N' Roses' ambitious third album stays closer to the band's bluesy hard-rock roots and it is largely considered the better of the two part release. Use Your Illusion I scored three Top 40 hits with the Wings cover Live and Let Die, the piano-driven, Elton John-flavored epic November Rain and the hard-edged ballad Don't Cry. Celebrity cameos include a then unknown Shannon Hoon, Hanoi Rocks' Mike Monroe and Alice Cooper, who makes a particularly sinister contribution to The Garden.

Use Your Illusion II

Import

Guns N' Roses' Use Your Illusion II is even more serious and ambitious than part I. Featuring no less than four songs that run over six minutes, II is heavy on epics, whether it's the charging funk metal of Locomotive, the antiwar Civil War, or the multi-part Estranged.

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