Tag Archives: Detroit

For a show that’s not set in wartime or a musical it’s odd to find myself writing about the wonderful special effects in Woolly Mammoth‘s production of Lisa D’Amour’s Detroit. However I’d be remiss to not point out the notable use of grills that appear as if they are sizzling burgers, blood that looks real enough to cause concern, vomit that looks real enough to disgust, and a fire that’s climatic enough to make Michael Bay spin in circles. The pizzazz factor in this production of the Pulitzer Prize finalist (it lost out in 2011 to Clybourne Park, another show Woolly produced) is certainly noteworthy.

But the show is more than just a spectacle of stagecraft details. It is a smart, dark comedy that’s well written and well directed (John Vreeke, of The Elaborate Entrance of Chad Deity fame). D’Amour explores the downfall of the idyllic neighborhoods of the 50s, closely knit communities that declined alongside the manufacturing industries that supported them. Through her prose, D’Amour skims the surface of changing suburbia but does so with a fresh story that is truly entertaining and endearing.

Dale Earnhardt Jr. Jr. is a talented duo from Detroit. Blending electronic elements with traditional rock instruments and vocal harmonies reminiscent of the Beach Boys and Paul Simon, they have crafted a unique and catchy sound. Their live shows demonstrate their flair for the dramatic- with hand-crafted marquees flashing their moniker “Jr. Jr.”, bubble machines, and fans-onstage dance parties. Riding on the high of playing Lollapalooza 2011 this summer they are touring the US, spreading good times and harmony as they go.

Co-founder Daniel Zott took some time out of his busy tour schedule to chat with WLDC’s Alexia Kauffman about the band, their roots, and living your dreams.