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The effects achieved by the movement and dance of my camera during shooting allows me to work on the motion of light. The energy of this motion is directly captured by the camera and then fixed on the photographic print without involving any other intervention. The sources of light and the play of reflections rendered by the subject provoke a visual experience closely akin to kinetic art and the experiments of Moholy-Nagy, which "use light as a formal primary factor, creating space and movement, and eliminating the central perspective of photography."