Tag: Impact Producer

With all the trauma of this past week, I at least had the good fortune of spending it at the IFP Filmmaker Lab in NYC. We all showed up Wednesday morning stunned/tired from watching returns all night/depressed. Some stayed home but by the middle of the morning nearly all the filmmaking teams had turned up. I say that I was fortunate because one of the things that I love about the labs is that we become a community of support for each other. Even though my morning presentation was on something as banal (for last week) as budgeting and timing a release – we were all reminded about how important stories and art can be to inspire, motivate, create community and express our humanity. (Though, helping artists get their work out to an audience will never stop being relevant – especially now.)

For the second session the documentary filmmakers were scheduled to have a panel about “Impact” while the narrative filmmakers were to go to a session about agents and managers. Not surprisingly most of the narrative filmmakers stayed to discuss impact.

Joining me was my dear friend Jennifer MacArthur from Borderline Media and Emma Alpert from Just Vision. Jennifer is one of the most profound thought leaders in this field. Emma and Just Vision do incredible work focused on the Israeli/Palestinian conflict.

Here are ten key points for films seeking to have impact on the world that came out of that session.

1. Films seeking to have impact need to have a strong story that moves people and should not just be a PowerPoints of facts.

Think about how are you going to connect beyond the core audience – through story. Everyone making a film for impact wants to get beyond the choir (although now it is also important to charge up the choir). What many filmmakers forget is that this takes an emotionally engaging story that can keep an audience involved for ninety minutes. Often filmmakers get so caught up in the message of the film that they lose site of the fact is that people respond to emotions. We unfortunately keep relearning this in politics as well.

1B: Don’t underestimate the power of humor in your film to help connect with audiences.

2. Do test screenings with your film with people you want to reach outside of your choir. What are their feelings about the film? Is it moving them? Consider focus groups of specific target audiences.

3. Since many (if not most) times documentaries are made in the editing room – it might be best to wait to start engaging outreach until you have a rough cut so that you know what your film actually is going to be and what audiences it will appeal to. Sometimes though, you may want to engage with stakeholders earlier if you want to interview their principals, which might increase their motivation to help the film’s release.

4. Research what you are trying to change in the world. Is that possible for your film? Will it have that affect?

4A: Brainstorm what is the big idea that you are trying to accomplish – and then create a specific action item that will work toward that larger goal.

5.Identify stakeholders in your space. Determine their reach. But more importantly understand how your film can help them! Convey this to them. It needs to be a win win relationship

6. Don’t overstate what impact can you make to funders and stakeholders. What can you do and measure realistically?

7. It is a conventional wisdom to go after stakeholders that have the greatest reach. Makes sense. But perhaps consider trying a specific goal or action plan with that stakeholder – and if the relationship works – great – if not consider pivoting to another perhaps smaller stakeholder.

8.Embrace modeling. Try one tactic or goal first and see how that is working – if it isn’t working, pivot to another.

9.Because of the political earthquake last week, it will be nearly impossible to effect legislative change on the national level in the United States for the next few years. Think locally. The US Council on Mayors is a much more liberal group and one where you can meet politicians who are excited about change and want to engage in programs for their communities.

10. Funding for outreach had been difficult to come by before last Tuesday – and probably now will be more difficult to obtain. However there are people of means who support social causes – but will that money now go into grassroots community building or into media? How might those two work hand in hand? Are feature films the best platform for impact – or are there other forms of media (shorter/serialized) that might have more success?

I would love your thoughts on this. Agree – disagree? What would you add? How can film and story affect change as we approach the age of Trump?

I’m excited to be heading to the IDFA festival and market in Amsterdam today! I’ll be attending BritDocs Global Impact Producers Assembly on Saturday – then doing three presentations over the next 5 days:

First on Sunday November 22nd 10am – 11:45 I will be doing a Distribution Crash Course for the newly launched Impact Academy in the Netherlands. I’ll be covering event theatrical, educational, broadcast and VOD and how to make those releases work in relationship with each other. Location Meetberlage (Oudebrugsteeg 9, 1012 JN Amsterdam).

Next same day Sunday at 13:00-15:00 I will be doing a Distribution and Marketing Masterclass for the IDFA Academy about creating an overall strategy for a film’s release in a hybrid model focusing on goals, audience engagement, and working within resources with a little taste of event theatrical and VOD. From the IDFA Academy program: “During the workshop, you will learn how to set goals for your release, the essentials of audience engagement, how to release your films digitally and timing factors in a release. In addition, you are encouraged to consider how your work fits into your entire career so that you can keep your audiences with you in the future.” (Kloveniersburgwal 50, 1012 CX Amsterdam)

Lastly with all the excitement about Impact Producers at this IDFA, on Wednesday November 25th at 11:30am I will be doing a presentation at the Industry Office about the Producer of Marketing and Distribution what that role is, how is it similar and different from an impact producer, what the responsibilities are, and how to pay one. (Vijzelstraat 4, 1017 HD Amsterdam)