8 May: first performance of Bodas de Sangre in Madrid by Josefina Diaz’s theatre company.

May: Signs a petition condemning Hitler.

May: Gets to know Rafael Rodríguez Rapún, who works as secretary for La Barraca.

31 May: Bodas de sangre opens in Barcelona.

La Barraca puts on Fuenteovejuna by Lope de Vega in Valencia. (Lorca’s version omits the final scene with the favourable arbitration of the Catholic Monarchs in favour of the village people).

June: fragments of El público appear in los cuatro vientos.

July: Bodas de sangreperformed by Lola Membrives in Buenos Aires is tremendously successful.

15 August: Oda a Walt Whitman published in Mexico.

29 September: Embarks in Barcelona for Buenos Aires, Argentina.

29 September-13 October: On his way to Argentina works on Yerma and a new talk called Juego y teoría del duende.

13 October - April 1934: In Buenos Aires.

Performances of Bodas de Sangre, a new version of La Zapatera Prodigiosa, Mariana Pineda, and Lope De Vega’s La Dama Boba under Lorca’s direction, and the first performance of Retablillo de don Cristóbal y doña Rosita.