Quantum Tunneled

In late 2007 we were approached by Ken Gorres,
our representative in the Pro Audio market. Ken had been blown away by a
Quantum Tunneling
demonstration a few weeks back. As part of the demonstration we
listened to our reference system with a pair of interconnects that had
not been Quantum Tunneled. We then removed the cables, performed the
Quantum Tunneling
process, and installed them back into the system. Our reference system
was transformed with a lower noise floor, expanded sound field, and more
extended and transparent frequencies. Ken was incredulous. He wondered
out loud if we had ever Quantum Tunneled guitar strings. I told him we
had not.

A few weeks passed and Ken was back on
the phone. He wanted to bring a couple of his studio musician buddies by
to hear our reference system. They showed up with French Horns in hand
and after listening to the system for a few hours we headed out to our
reverberant factory floor for a live jam session. It was amazing to hear
the difference between a relatively inexpensive Yamaha horn and their
custom hand built masterpieces. Ken then asked, âTed, if you would be
willing, we would like to Quantum Tunnel
the basic Yamaha horn and compare it to the custom horns.â Ted agreed,
but warned them he would not be held responsible if the horn took a turn
for the worse. They agreed and added, âWeâ²re not letting you touch our
babies.â We set the French Horn to be struck by the Tesla Coil and bang!
After five minutes we turned the coil off and returned to the factory
floor for a listen. The difference was startling. Previously the Yamaha
had been noticeably dull by comparison; it now flowed with rich
reverberant over tones. With a twinkle in one eye, and a slight
expression of trepidation in the other, they handed me their babies.
After performing the procedure on their reference horns we returned to
the factory for a third jam session. The difference was amazing. We
later treated their silver mouthpieces and with each successive
treatment, the horns became sweeter with more colorful overtones.

Fast forward to the end of the Acoustic
ART development program. It was not long after we perfected the formula
for each resonator that we got the idea to Quantum Tunnel them. First we
treated a Vibratron, and then the Satellites and Bass Station
resonators. The difference was just as it had been with the French
horns. There was a noticeable increase in air, a larger sound field,
deeper more extended bass, and an overall improvement in transparency.
Weâ²re not sure why hitting a resonator with a million volts should exact
such a change, but we can certainly hear the difference and so will
you.