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Portrait painting tips Norman Brodeur
Norman Brodeur is an oil painter vastly influenced by the Spanish arts. His love and specialty is the portraits, a genre in painting where the artist illustrate a person or an animal subject. Most portraitists presently create the portraits by commission, and it can be ordered for public consumption or private individuals, also can be done just by inspiration or affection for the subject. Historically, portraits are often remembrances for a family record, and have primarily memorialized the rich and powerful, especially in the times of kings and queens. Today, the portrait paintings are still generally made for the rich and powerful, as governments, corporations, groups and clubs, but are more and more being ordered by middle class individuals as a form of record and entering other areas of art, like tattoos.
Before, a well-executed portrait was supposed to demonstrate the inner essence of the subject in question, from the artist’s point of Norman brodeur. A flattering representation was expected, so artists looked for almost photographic realism. Nowadays, portraits can relate to caricatures, where the character of a person or animal represented is shown through the exaggeration of physical features.
Norman Brodeur, with all his years of experience in portrait paintings, brings us many tips of how to make the perfect portrait.How To Achieve Goals_ The Key To Success
Norman J Brodeur says that painting arts is pre-eminent among the arts for the order and clarity, the sharply defined character, of its elements. Music moves us, sometimes too overpowering emotion. It does so through well-defined structures, through an order of tones and rhythms. It is not the mere sound of drums but their rhythmic beating that stirs us. Here we come upon the central paradox of music, the paradox that defines music as a worthy object of sustained intellectual wonder: Music is the union of the rational and irrational, of order and feeling.

Norman Brodeur makes it more clearly by giving ancient examples: we turn to the ancient Greeks, for whom music, far from being morally neutral, played a decisive role in moral education. Aristotle’s Politics ends with an extensive discussion of the proper moral and political uses of music and the effect of music on the souls of citizens. In the Republic, Plato draws our attention to the power music has over the young. Norman J. brodeur places special emphasis on the danger of music. The severity of his critique underscores what we, in our effort to excuse or defend music, often fail to acknowledge: that music is a great power and, like any great power, can be used for great good or great evil.

Norman J Brodeur argues why is music so emotionally powerful, far more powerful than the visual arts?