womanismhttp://elevatedifference.com/taxonomy/term/2211/all
enAfrican Americans Doing Feminism: Putting Theory into Everyday Practicehttp://elevatedifference.com/review/african-americans-doing-feminism-putting-theory-everyday-practice
<div class="node">
<div class="review-image">
<div class="field field-type-filefield field-field-review-image">
<div class="field-items">
<div class="field-item odd">
<img src="http://elevatedifference.com/sites/default/files/imagecache/review_image_full/review_images/doing_feminism.jpg" alt="" title="" class="imagecache imagecache-review_image_full imagecache-default imagecache-review_image_full_default" width="300" height="452" /> </div>
</div>
</div>
</div>
<div class="meta-terms">
<div class="author">Edited by <a href="/author/aaronette-m-white">Aaronette M. White</a></div><div class="publisher"><a href="/publisher/suny-press">SUNY Press</a></div> </div>
<p>There are many well-meaning people in society who identify as feminists, yet do not know what they can do to put their feminist ideals into action. <em><a href="http://www.amazon.com/gp/product/1438431422?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1438431422">African Americans Doing Feminism</a></em> is an excellent resource for these people. The book is collection of essays written by women and men from a broad spectrum of backgrounds, but the unifying theme among the contributors is that all of them have been impacted by feminism in some way at various stages in their lives.</p>
<p>In her introduction, Aaronette M. White explains that when she put out the call for contributors, she did not want to define “feminist.” As a result, “feminism,” “womanism,” and “Black feminism” are all discussed in varying degrees throughout the book. Some authors use the terms interchangeably—a fact that may not sit well with some readers—while others prefer specific terminology. What is clear, however, is that regardless of their preferred term (or lack thereof), all of the authors interpret feminism in terms of the negative effects created by patriarchy and other systems of oppression.</p>
<p>The book is split into five parts: Family Values; Community Building; Romantic Partnerships; Healing Practices; Career Dilemmas. Some of the most poignant essays came from people who had participated in sexist/oppressive practices in the past. Dorothy M., for example, writes about growing up at the hands of her abusive sister. Dorothy went on to become an advocate and educator on domestic abuse issues, only to find herself as the abuser in her own personal relationship.</p>
<p>In “‘Every Goodbye Ain’t Gone’: Why the Feminist I Loved Left Me,” William Dotson reflects on a tumultuous relationship with a woman who left an indelible effect on his life. He writes, “feminism ‘did’ more to me than I ‘did’ to or with it.” Though Dotson was considered progressive in activist circles, he could not and would not see past his sexism and patriarchal oppressiveness. He was in a relationship with a feminist woman whom he loved deeply, but his attitude cost him their relationship; it was not until years later that he began to regretfully analyze his abusive behaviors.</p>
<p>Other essays serve as a rallying call for change. One of my favorite essays is written by Sister Sojourner Truth, who writes that, “Being an African American feminist nun has never been a contradiction for me,” and goes on to write that she is, “comfortable with the idea that the Catholic Church might have to get rid of terms such as nun, priest, and even pope in order to be open to the creative possibility of a nonhierarchical, nonpatriarchal church.” Talk about radical! Sister Sojourner goes on to discuss the systematic abuses committed by the church; though the sexual abuse of children got worldwide coverage, she points out how other abuses are still kept silent, such as the rapes of nuns by priests. Her form of practicing feminism is to speak out at all times.</p>
<p>Another fascinating essay is, “Gay, Gray, and a Place to Stay: Living It Up and Out in an RV Park,” by Aaronette M. White and Vera C. Martin. The essay mostly takes place in the form of a conversation between White and Marin. It revolves around Martin’s experiences as an African American living in a predominantly white RV park for aging lesbians, and her experiences as an activist for aging lesbians.</p>
<p><em><a href="http://www.amazon.com/gp/product/1438431422?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1438431422">African Americans Doing Feminism</a></em> shows readers that feminist activism can be put into everyday practice through even the smallest actions. Though a lot of the contributors in this book are professional activists and educators, a lot of them are just regular people whose actions can have a large impact. They show that being a man and talking to other men about sexism and violence against women, being a mother who seeks to destigmatize breastfeeding, or simply being a person who is honest about health issues such as depression is a powerful form of feminist activism. Most importantly, the writers realize the different systems of oppression affecting women and people of color, and they have found ways to address some of these issues in their own lives.</p> <div>
<span class="reviewer-names"><strong>Written by:</strong> <a href="/reviewer/melissa-arjona">Melissa Arjona</a></span>, September 16th 2010 </div>
<div class="tag-list">Tags: <a href="/tag/womanism">womanism</a>, <a href="/tag/lesbian">lesbian</a>, <a href="/tag/feminism">feminism</a>, <a href="/tag/community">community</a>, <a href="/tag/black-feminism">Black feminism</a>, <a href="/tag/african-american">African American</a></div> </div>
http://elevatedifference.com/review/african-americans-doing-feminism-putting-theory-everyday-practice#commentsBooksAaronette M. WhiteSUNY PressMelissa ArjonaAfrican AmericanBlack feminismcommunityfeminismlesbianwomanismThu, 16 Sep 2010 18:00:00 +0000brittany4154 at http://elevatedifference.comCreating Ourselves: African Americans and Hispanic Americans in Popular Culture and Religious Expressionhttp://elevatedifference.com/review/creating-ourselves-african-americans-and-hispanic-americans-popular-culture-and-religious-exp
<div class="node">
<div class="review-image">
<div class="field field-type-filefield field-field-review-image">
<div class="field-items">
<div class="field-item odd">
<img src="http://elevatedifference.com/sites/default/files/imagecache/review_image_full/review_images/7108047043031956766.jpg" alt="" title="" class="imagecache imagecache-review_image_full imagecache-default imagecache-review_image_full_default" width="214" height="320" /> </div>
</div>
</div>
</div>
<div class="meta-terms">
<div class="author">Edited by <a href="/author/anthony-b-pinn">Anthony B. Pinn</a>, <a href="/author/benjamin-valentin">Benjamin Valentin</a></div><div class="publisher"><a href="/publisher/duke-university-press">Duke University Press</a></div> </div>
<p>The topic of cross-cultural communication has fascinated me for a number of years, partly because of my own experiences in Latin America, and partly from observing the interaction between the Latino/a and African American communities. Watching these two groups interact has taught me a great deal about differences in the ways of communication, how what may be "appropriate" in one culture may not be in the other, and the need for discussion to avoid potential misunderstandings.</p>
<p>Therefore, it was with great interest that I read <em><a href="http://www.amazon.com/gp/product/0822345668?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0822345668">Creating Ourselves</a></em>, a study on cross-cultural communication and collaboration between religious scholars of the two largest minority groups in the United States. The timing of the publication of this book is of great importance, as both groups have, to a certain extent, been viewed as "foreign elements" that might threaten the national identity of Americans, especially in the current economic climate. Scholars from both communities engage in a dialogue, an exchange of opinions, perspectives, and hopes, as their history and identity is linked through the cultural production via representations in popular culture.</p>
<p>I found the structure of the work innovative and very much needed in scholarly circles. The book consists of seven sections with two essays in each of them, one from each group. Every article is followed by a response written by a corresponding essayist from the opposite group, each contributor using their own personal experiences to further engage readers.</p>
<p>Teresa Delgado analyses the novel <em><a href="http://www.amazon.com/gp/product/0060928263?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0060928263">América’s Dream</a></em> by Esmeralda Santiago, which delves into the life of América González, a single mother who takes a job as a maid in a hotel in New York after suffering abuse by her daughter's father in Puerto Rico. Although América finds freedom in New York, she remains isolated and silent, as she has not broken the dependency of oppression. Cheryl Kirk-Duggan, in response, reflects on the "womanist theory" that calls for revolution in the ways of seeing, living, and being. The term "womanist," coined by Alice Walker, refers to women who are in charge, who champion freedom and who transform the oppressive forms affected by race, gender, and class domination. Kirk-Duggan uses hip-hop artist Lauryn Hill as an example of just one of these extraordinary women.</p>
<p>In "Television and Religion," Jonathan Walton analyses the dramatised faith in megachurch movements; the colossal buildings that house sanctuaries, gyms, daycare, bookstores, and more are especially attractive to African American communities, with their charismatic pastors who even hold worship through an electronic church. Another form of melodrama is found in the Latin <em>telenovelas</em> (soap operas) that have become extremely popular for millions around the world; <em>Kassandra</em>, a Venezuelan soap opera attracts people as far away as Serbia, while <em>The Rich Also Cry</em> is popular even in Moscow.</p>
<p>Overall, I enjoyed reading <em><a href="http://www.amazon.com/gp/product/0822345668?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0822345668">Creating Ourselves</a></em> as the subject of creativity in all different forms, styles, colours, and shadows is part of our daily life.</p> <div>
<span class="reviewer-names"><strong>Written by:</strong> <a href="/reviewer/anna-hamling">Anna Hamling</a></span>, April 30th 2010 </div>
<div class="tag-list">Tags: <a href="/tag/african-american">African American</a>, <a href="/tag/identity">identity</a>, <a href="/tag/latinos">Latinos</a>, <a href="/tag/mass-media">mass media</a>, <a href="/tag/media">media</a>, <a href="/tag/pop-culture">Pop Culture</a>, <a href="/tag/race">race</a>, <a href="/tag/religion">religion</a>, <a href="/tag/womanism">womanism</a></div> </div>
http://elevatedifference.com/review/creating-ourselves-african-americans-and-hispanic-americans-popular-culture-and-religious-exp#commentsBooksAnthony B. PinnBenjamin ValentinDuke University PressAnna HamlingAfrican AmericanidentityLatinosmass mediamediaPop CultureracereligionwomanismFri, 30 Apr 2010 16:01:00 +0000admin3078 at http://elevatedifference.comThe Revolution Will Not Be Funded: Beyond the Non-Profit Industrial Complexhttp://elevatedifference.com/review/revolution-will-not-be-funded-beyond-non-profit-industrial-complex
<div class="node">
<div class="review-image">
<div class="field field-type-filefield field-field-review-image">
<div class="field-items">
<div class="field-item odd">
<img src="http://elevatedifference.com/sites/default/files/imagecache/review_image_full/review_images/7847937176206699968.jpg" alt="" title="" class="imagecache imagecache-review_image_full imagecache-default imagecache-review_image_full_default" width="221" height="320" /> </div>
</div>
</div>
</div>
<div class="meta-terms">
<div class="author">Edited by <a href="/author/incite-women-color-against-violence">INCITE! Women of Color Against Violence</a></div><div class="publisher"><a href="/publisher/south-end-press">South End Press</a></div> </div>
<p><em>The Color of Violence: The INCITE! Anthology</em> was the first publication that documented some of the concerns and challenges addressed at the Color of Violence Conference, which began at University of California-Santa Cruz in 2000. Since then, there have been two more conferences, organizing campaigns and the SISTERFIRE tour of radical women artists. Now, this collective of women activists and their allies has released <em><a href="http://www.amazon.com/gp/product/0896087662?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0896087662">The Revolution Will Not Be Funded</a></em> as their second anthology. This second collection of critical analysis and reflections offers a probing focus on the Non-Profit Industrial Complex (NPIC) and the foundations that determine the agendas of many organizations and movements today.</p>
<p>The book begins by talking about the history of foundations, how foundations often act as tax shelters for wealthy founders and do not necessarily spend a significant amount of their budgets on funding organizations and how the money offered always comes with constraints. These constraints include adhering to a corporate model that starts not only to shift the political agenda of organizations away from research, education and self-empowerment, but these same constraints displace people who are working within these movements because they have not specialized in getting credentials or getting to know people in dominant power structures.</p>
<p>Non-profit organizations—also referred to as non-government organizations (NGOs) here—rely on more and more people who act as liaisons and trained organizers whose motives can be questionable. In spite of all the problems that foundation funding entails, there is a variety of perspectives here that explain what it means to limit accepted funding, to find alternatives to foundation funding and break away from the increasingly professionalized model of activism that relies more heavily on public relations, jargon and social services than addressing the roots of dilemmas rising out of a specific community.</p>
<p>The contributors are thorough in documenting their own experiences with non-profits. Some of them depart from the NPIC structure entirely. Some notable essays include the return to a volunteer staff by Sista ii Sista and how the young women in the organization determined the needs of the group, Madonna Thunder Hawk’s essay on organizing with AIM (American Indian Movement) during the Red Movement and Paul Kivel’s thought-provoking questions in “Social Service or Social Change?” Far from being anti-academic, <em><a href="http://www.amazon.com/gp/product/0896087662?ie=UTF8&amp;tag=feminrevie-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0896087662">The Revolution Will Not Be Funded</a></em> is a well-thought out approach to finding alternatives to a funding system that, in many ways, reinforces the dominant paradigms of class, race, sexism, homophobia and international exploitation. Community activists should read this and ask themselves hard questions and rethink strategic planning.</p> <div>
<span class="reviewer-names"><strong>Written by:</strong> <a href="/reviewer/tara-betts">Tara Betts</a></span>, June 19th 2007 </div>
<div class="tag-list">Tags: <a href="/tag/art">art</a>, <a href="/tag/black-feminism">Black feminism</a>, <a href="/tag/feminist">feminist</a>, <a href="/tag/foundations">foundations</a>, <a href="/tag/funding">funding</a>, <a href="/tag/nonprofit">nonprofit</a>, <a href="/tag/violence">violence</a>, <a href="/tag/womanism">womanism</a>, <a href="/tag/women-color">women of color</a></div> </div>
http://elevatedifference.com/review/revolution-will-not-be-funded-beyond-non-profit-industrial-complex#commentsBooksINCITE! Women of Color Against ViolenceSouth End PressTara BettsartBlack feminismfeministfoundationsfundingnonprofitviolencewomanismwomen of colorTue, 19 Jun 2007 14:15:00 +0000admin3440 at http://elevatedifference.comBlack Women’s Intellectual Traditions: Speaking their Mindshttp://elevatedifference.com/review/black-women%E2%80%99s-intellectual-traditions-speaking-their-minds
<div class="node">
<div class="review-image">
<div class="field field-type-filefield field-field-review-image">
<div class="field-items">
<div class="field-item odd">
<img src="http://elevatedifference.com/sites/default/files/imagecache/review_image_full/review_images/1289745268845654947.jpg" alt="" title="" class="imagecache imagecache-review_image_full imagecache-default imagecache-review_image_full_default" width="213" height="320" /> </div>
</div>
</div>
</div>
<div class="meta-terms">
<div class="author">Edited by <a href="/author/kristin-waters">Kristin Waters</a>, <a href="/author/carol-b-conaway">Carol B. Conaway</a></div><div class="publisher"><a href="/publisher/university-vermont-press">University of Vermont Press</a></div> </div>
<p>While reading <a href="http://www.amazon.com/Black-Womens-Intellectual-Traditions-Speaking/dp/1584656344/ref=sr_1_1/104-2141492-3034335?ie=UTF8&amp;s=books&amp;qid=1181908893&amp;sr=1-1">this collection</a>, I recalled when I was in a debate with a male writer about where were the intellectuals and poets from the Black Arts Movement. I named Mari Evans and was dismissed. Never mind that Cheryl Clarke, June Jordan and Audre Lorde could have also been a part of that list. Conversations like those compel me to search for the narratives, the histories and the primary sources that preserve, document and celebrate the creative and intellectual legacies of women of color. <em><a href="http://www.amazon.com/Black-Womens-Intellectual-Traditions-Speaking/dp/1584656344/ref=sr_1_1/104-2141492-3034335?ie=UTF8&amp;s=books&amp;qid=1181908893&amp;sr=1-1">Black Women’s Intellectual Traditions</a></em> is one of many books working to fill an earlier gap than the Black Arts Movement to reveal a continuum of Black literary, critical and analytical thought. In nineteen essays and excerpts from larger texts, the book offers background and delves into the lives and work nineteenth and early twentieth century activists and speakers - like radical essayist Maria W. Stewart, Sojourner Truth, slave narrative author Harriet Jacob/Linda Brent, novelist and poet Frances E.W. Harper, scholar and educator Anna Julia Cooper and journalist Ida B. Wells.</p>
<p>Waters addresses each of the women chronologically and then concludes with a survey of issues addressed and organizing and rhetorical strategies used by women then and today to articulate their feminism/womanism on their own terms - rather than according to the irrelevant social constructs of the True Womanhood movement, which pertained more to notions of pure white femininity than the dual struggles of being black and woman. There is also some talk of the “Lift As We Climb” movement based in the Colored Women’s Club Movement and the tenets of hard work, upright living and service to one’s community. My suggestion for two books with excellent timelines to support this book’s claims and analysis would include <em>When and Where I Enter</em> by Paula Giddings and <em>Too Heavy A Load</em> by Dorothy Gray White. These books and many other scholars as well are cited in this thorough analysis.</p>
<p>Many of the essays hinge upon the critical work by Patricia Hill Collins, particularly her text <em>Black Feminist Thought</em>. Since there is a range of contributors (work by a number of other scholars such as Beverly Guy-Sheftall, Angela Y. Davis, bell hooks, Gerda Lerner, Akasha Hull and Barbara Smith are cited), I found myself wondering how using ideas by these women might have changed the overall direction of the book. Readers may want to start with Hill Collins’ chapter to get a better grasp of the book’s overall intent.</p> <div>
<span class="reviewer-names"><strong>Written by:</strong> <a href="/reviewer/tara-betts">Tara Betts</a></span>, June 15th 2007 </div>
<div class="tag-list">Tags: <a href="/tag/art">art</a>, <a href="/tag/black-feminism">Black feminism</a>, <a href="/tag/feminism">feminism</a>, <a href="/tag/feminist">feminist</a>, <a href="/tag/literature">literature</a>, <a href="/tag/womanism">womanism</a></div> </div>
http://elevatedifference.com/review/black-women%E2%80%99s-intellectual-traditions-speaking-their-minds#commentsBooksCarol B. ConawayKristin WatersUniversity of Vermont PressTara BettsartBlack feminismfeminismfeministliteraturewomanismFri, 15 Jun 2007 23:58:00 +0000admin167 at http://elevatedifference.com