Original trailer. Cyndi Lauper and Jeff Goldblum play two psychics hired by Peter Falk to find his long lost son in a foreign country. When they get there they discover he's really hired them to help find a hidden temple in the mountains where all the psychic energy in the world comes from. Directed by Ken Kwapis.

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to remember the 1988 movie Vibes: Cyndi Lauper fans and James Horner fans. The film was, for some reason, backed by Ron Howard's Imagine Entertainment production company, with a horrendous script from two of the co-writers of Howard'sSplash who were attempting, probably, to take advantage of the resurfacing popular interest in parapsychology and the supernatural (spearheaded by the wildly successful Ghostbusters). The premise of the film involves two psychicly gifted characters, one a hair-stylist played by Lauper and the other a museum expert played by Jeff Goldlbum. They are conned into seeking adventure in Ecuador, thinking that they'd be helping someone find a lost child when indeed their psychic powers would be needed on a perilous mission to find a mystic pyramid and unlock its powers. Along the same idea as Romancing the Stone, the two city folk in a jungle environment manage to hook up by the end of the film, a predictable but truly frightful event. For Lauper, the film would be her big screen debut, and for director Ken Kwapis, Vibes followed his own debut with the Sesame Street film Follow That Bird in 1985. Needless to say, the recipe was perfect for disaster. The summer 1988 release floundered and has long since been forgotten, with Lauper's career stalling and Kwapis sent back to the dark corners of television directing. The only notable aspect of the film that remains is the score by then upstart composer James Horner. Already nominated for Academy Awards for his work on An American Tail and Aliens, the composer had completed work on the most lengthy and ambitious score of his career, Willow (an enduring orchestral classic), the same year. The era of electronically ambient Horner music was waning.
For Horner collectors, 1988 marked the trailing years of the composer's heavy reliance on synthesizers as the sole instrumental spectrum on his lesser scores; many of his lower-budget efforts in the years to come would feature at least some moderately-sized orchestra. Even though it is based seemingly entirely in the electronic realm, Vibes does have more character than Horner's more drab synthetic efforts of the era, such as The Name of the Rose. While it was reported at the time that Horner employed a traditional string and brass section for some of the more supernaturally scary cues, it's difficult to hear their presence in the final work. What does stand out from the synthetics are the use of a few select woodwinds, including a pan flute and Japanese sakauhachi flute (largely introduced in Horner's music that year). A significant array of percussive sounds, some strikingly electronic and some rattling with a little more authenticity, brings a vivid soundscape to the score during its jungle sequences. These elements are all placed over a rhythmic and early loop-based structure, often utilizing lengthy, repetitious, non-thematic performances to carry a score heavy on ambience and short on character theme or romance. That said, Horner's Vibes does shine at its best when his thematic material for the score is carried by the flutes. Over the banjos, guitars, clapping sounds, whimsical high range woodwinds, wood blocks, bird calls, mid-range drums, and a vast collection of rapping and tapping instruments, these flutes perform hopelessly chipper themes.
Overall, Vibes remains decades later as one of James Horner's more bizarre works, exhibiting very few of the usual commonalities that typically connect his other scores. Along those same lines, Vibes is also a score that fans of the composer can use very effectively in combating arguments about the composer's relative lack of originality. Nothing in the world of modern film scores sounds remotely like Vibes (though Thomas Newman might be the type to try), and Horner collectors specifically will be startled by the stark differences between this and the concurrently scored Willow.
Standing as the fourth entry in the Varèse Sarabande label's first set of Club releases around 1990, the pressing of Vibes was limited to an astonishingly low 1,000 copies. That low pressing number was even surprising at the time, given that Horner had just stunned audiences with Glory and was sailing to the forefront of the industry. The album sold out, as expected, and has sold for as much as $400 on the secondary market even after the profileration of the score in bootleg form, which features only the identical musical content and, usually, the same copied packaging as well.
(http://www.filmtracks.com/titles/vibes.html)

This link has been fully verified by the youtube site developer partner
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Plot

Lauper plays Sylvia Pickel (pronounced with an emphasis on the "kel", as she points out), a trance-medium who has contact with a wisecracking spirit guide named Louise. She first began communicating with Louise after falling from a ladder at the age of twelve and remaining comatose for two weeks. Subsequently, Louise taught her astral projection while Sylvia was placed in special homes for being "different." At a study of physics, she meets fellow psychic Nick Deezy (Goldblum), a psychometrist who can determine the history of events surrounding an object by touching it. Sylvia has a history of bad luck with men, and her overly flirtatious behavior turns off Nick right away.

Sylvia comes home to her apartment one night to find Harry Buscafusco (Falk) lounging in her kitchen. He claims to want to hire her for $50,000 if she'll accompany him to Ecuador where his son has allegedly gone missing. Sylvia recruits Nick who is reluctant but also eager to leave his job as a museum curator where his special talents are abused like a circus act.

Vibes (1988)

Original trailer. Cyndi Lauper and Jeff Goldblum play two psychics hired by Peter Falk to find his long lost son in a foreign country. When they get there they discover he's really hired them to help find a hidden temple in the mountains where all the psychic energy in the world comes from. Directed by Ken Kwapis.

Cyndi Lauper about the movie Vibes (1988)

12:00

VIBES (1988) - James Horner - Soundtrack Score Suite

VIBES (1988) - James Horner - Soundtrack Score Suite

VIBES (1988) - James Horner - Soundtrack Score Suite

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to remember the 1988 movie Vibes: Cyndi Lauper fans and James Horner fans. The film was, for some reason, backed by Ron Howard's Imagine Entertainment production company, with a horrendous script from two of the co-writers of Howard'sSplash who were attempting, probably, to take advantage of the resurfacing popular interest in parapsychology and the supernatural (spearheaded by the wildly successful Ghostbusters). The premise of the film involves two psychicly gifted characters, one a hair-stylist played by Lauper and the other a museum expert played by Jeff Goldlbum. They are conned into seeking adventure in Ecuador, thinking that they'd be helping someone find a lost child when indeed their psychic powers would be needed on a perilous mission to find a mystic pyramid and unlock its powers. Along the same idea as Romancing the Stone, the two city folk in a jungle environment manage to hook up by the end of the film, a predictable but truly frightful event. For Lauper, the film would be her big screen debut, and for director Ken Kwapis, Vibes followed his own debut with the Sesame Street film Follow That Bird in 1985. Needless to say, the recipe was perfect for disaster. The summer 1988 release floundered and has long since been forgotten, with Lauper's career stalling and Kwapis sent back to the dark corners of television directing. The only notable aspect of the film that remains is the score by then upstart composer James Horner. Already nominated for Academy Awards for his work on An American Tail and Aliens, the composer had completed work on the most lengthy and ambitious score of his career, Willow (an enduring orchestral classic), the same year. The era of electronically ambient Horner music was waning.
For Horner collectors, 1988 marked the trailing years of the composer's heavy reliance on synthesizers as the sole instrumental spectrum on his lesser scores; many of his lower-budget efforts in the years to come would feature at least some moderately-sized orchestra. Even though it is based seemingly entirely in the electronic realm, Vibes does have more character than Horner's more drab synthetic efforts of the era, such as The Name of the Rose. While it was reported at the time that Horner employed a traditional string and brass section for some of the more supernaturally scary cues, it's difficult to hear their presence in the final work. What does stand out from the synthetics are the use of a few select woodwinds, including a pan flute and Japanese sakauhachi flute (largely introduced in Horner's music that year). A significant array of percussive sounds, some strikingly electronic and some rattling with a little more authenticity, brings a vivid soundscape to the score during its jungle sequences. These elements are all placed over a rhythmic and early loop-based structure, often utilizing lengthy, repetitious, non-thematic performances to carry a score heavy on ambience and short on character theme or romance. That said, Horner's Vibes does shine at its best when his thematic material for the score is carried by the flutes. Over the banjos, guitars, clapping sounds, whimsical high range woodwinds, wood blocks, bird calls, mid-range drums, and a vast collection of rapping and tapping instruments, these flutes perform hopelessly chipper themes.
Overall, Vibes remains decades later as one of James Horner's more bizarre works, exhibiting very few of the usual commonalities that typically connect his other scores. Along those same lines, Vibes is also a score that fans of the composer can use very effectively in combating arguments about the composer's relative lack of originality. Nothing in the world of modern film scores sounds remotely like Vibes (though Thomas Newman might be the type to try), and Horner collectors specifically will be startled by the stark differences between this and the concurrently scored Willow.
Standing as the fourth entry in the Varèse Sarabande label's first set of Club releases around 1990, the pressing of Vibes was limited to an astonishingly low 1,000 copies. That low pressing number was even surprising at the time, given that Horner had just stunned audiences with Glory and was sailing to the forefront of the industry. The album sold out, as expected, and has sold for as much as $400 on the secondary market even after the profileration of the score in bootleg form, which features only the identical musical content and, usually, the same copied packaging as well.
(http://www.filmtracks.com/titles/vibes.html)

Vibes - Second Sight Test (Cyndi Lauper Movie Clip)

Vibes - Silvia saves Nick

Vibes 1988 UP

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--------------------------------------------------------------------------------------------------
★Subscribe HERE and NOW ► [http://mcaf.ee/g65eiw]
WatchStreamingOnlineVibes1988

Vibes (1988)

Original trailer. Cyndi Lauper and Jeff Goldblum play two psychics hired by Peter Falk to find his long lost son in a foreign country. When they get there they discover he's really hired them to help find a hidden temple in the mountains where all the psychic energy in the world comes from. Directed by Ken Kwapis.

Cyndi Lauper about the movie Vibes (1988)

published: 06 Sep 2014

VIBES (1988) - James Horner - Soundtrack Score Suite

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to remember the 1988 movie Vibes: Cyndi Lauper fans and James Horner fans. The film was, for some reason, backed by Ron Howard's Imagine Entertainment production company, with a horrendous script from two of the co-writers of Howard'sSplash who were attempting, probably, to take advantage of the resurfacing popular interest in parapsychology and the supernatural (spearheaded by the wildly successful Ghostbusters). The premise of the film involves two psychicly gifted characters, one a hair-stylist played by Lauper and the other a museum expert played by Jeff Goldlbum. They are conned into seeking adventure in Ecuador, thinking that the...

Vibes - Second Sight Test (Cyndi Lauper Movie Clip)

Vibes - Silvia saves Nick

Vibes 1988 UP

This link has been fully verified by the youtube site developer partner
--------------------------------------------------------------------------------------------------
★Subscribe HERE and NOW ► [http://mcaf.ee/g65eiw]
WatchStreamingOnlineVibes1988

Original trailer. Cyndi Lauper and Jeff Goldblum play two psychics hired by Peter Falk to find his long lost son in a foreign country. When they get there they discover he's really hired them to help find a hidden temple in the mountains where all the psychic energy in the world comes from. Directed by Ken Kwapis.

Original trailer. Cyndi Lauper and Jeff Goldblum play two psychics hired by Peter Falk to find his long lost son in a foreign country. When they get there they discover he's really hired them to help find a hidden temple in the mountains where all the psychic energy in the world comes from. Directed by Ken Kwapis.

VIBES (1988) - James Horner - Soundtrack Score Suite

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to r...

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to remember the 1988 movie Vibes: Cyndi Lauper fans and James Horner fans. The film was, for some reason, backed by Ron Howard's Imagine Entertainment production company, with a horrendous script from two of the co-writers of Howard'sSplash who were attempting, probably, to take advantage of the resurfacing popular interest in parapsychology and the supernatural (spearheaded by the wildly successful Ghostbusters). The premise of the film involves two psychicly gifted characters, one a hair-stylist played by Lauper and the other a museum expert played by Jeff Goldlbum. They are conned into seeking adventure in Ecuador, thinking that they'd be helping someone find a lost child when indeed their psychic powers would be needed on a perilous mission to find a mystic pyramid and unlock its powers. Along the same idea as Romancing the Stone, the two city folk in a jungle environment manage to hook up by the end of the film, a predictable but truly frightful event. For Lauper, the film would be her big screen debut, and for director Ken Kwapis, Vibes followed his own debut with the Sesame Street film Follow That Bird in 1985. Needless to say, the recipe was perfect for disaster. The summer 1988 release floundered and has long since been forgotten, with Lauper's career stalling and Kwapis sent back to the dark corners of television directing. The only notable aspect of the film that remains is the score by then upstart composer James Horner. Already nominated for Academy Awards for his work on An American Tail and Aliens, the composer had completed work on the most lengthy and ambitious score of his career, Willow (an enduring orchestral classic), the same year. The era of electronically ambient Horner music was waning.
For Horner collectors, 1988 marked the trailing years of the composer's heavy reliance on synthesizers as the sole instrumental spectrum on his lesser scores; many of his lower-budget efforts in the years to come would feature at least some moderately-sized orchestra. Even though it is based seemingly entirely in the electronic realm, Vibes does have more character than Horner's more drab synthetic efforts of the era, such as The Name of the Rose. While it was reported at the time that Horner employed a traditional string and brass section for some of the more supernaturally scary cues, it's difficult to hear their presence in the final work. What does stand out from the synthetics are the use of a few select woodwinds, including a pan flute and Japanese sakauhachi flute (largely introduced in Horner's music that year). A significant array of percussive sounds, some strikingly electronic and some rattling with a little more authenticity, brings a vivid soundscape to the score during its jungle sequences. These elements are all placed over a rhythmic and early loop-based structure, often utilizing lengthy, repetitious, non-thematic performances to carry a score heavy on ambience and short on character theme or romance. That said, Horner's Vibes does shine at its best when his thematic material for the score is carried by the flutes. Over the banjos, guitars, clapping sounds, whimsical high range woodwinds, wood blocks, bird calls, mid-range drums, and a vast collection of rapping and tapping instruments, these flutes perform hopelessly chipper themes.
Overall, Vibes remains decades later as one of James Horner's more bizarre works, exhibiting very few of the usual commonalities that typically connect his other scores. Along those same lines, Vibes is also a score that fans of the composer can use very effectively in combating arguments about the composer's relative lack of originality. Nothing in the world of modern film scores sounds remotely like Vibes (though Thomas Newman might be the type to try), and Horner collectors specifically will be startled by the stark differences between this and the concurrently scored Willow.
Standing as the fourth entry in the Varèse Sarabande label's first set of Club releases around 1990, the pressing of Vibes was limited to an astonishingly low 1,000 copies. That low pressing number was even surprising at the time, given that Horner had just stunned audiences with Glory and was sailing to the forefront of the industry. The album sold out, as expected, and has sold for as much as $400 on the secondary market even after the profileration of the score in bootleg form, which features only the identical musical content and, usually, the same copied packaging as well.
(http://www.filmtracks.com/titles/vibes.html)

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to remember the 1988 movie Vibes: Cyndi Lauper fans and James Horner fans. The film was, for some reason, backed by Ron Howard's Imagine Entertainment production company, with a horrendous script from two of the co-writers of Howard'sSplash who were attempting, probably, to take advantage of the resurfacing popular interest in parapsychology and the supernatural (spearheaded by the wildly successful Ghostbusters). The premise of the film involves two psychicly gifted characters, one a hair-stylist played by Lauper and the other a museum expert played by Jeff Goldlbum. They are conned into seeking adventure in Ecuador, thinking that they'd be helping someone find a lost child when indeed their psychic powers would be needed on a perilous mission to find a mystic pyramid and unlock its powers. Along the same idea as Romancing the Stone, the two city folk in a jungle environment manage to hook up by the end of the film, a predictable but truly frightful event. For Lauper, the film would be her big screen debut, and for director Ken Kwapis, Vibes followed his own debut with the Sesame Street film Follow That Bird in 1985. Needless to say, the recipe was perfect for disaster. The summer 1988 release floundered and has long since been forgotten, with Lauper's career stalling and Kwapis sent back to the dark corners of television directing. The only notable aspect of the film that remains is the score by then upstart composer James Horner. Already nominated for Academy Awards for his work on An American Tail and Aliens, the composer had completed work on the most lengthy and ambitious score of his career, Willow (an enduring orchestral classic), the same year. The era of electronically ambient Horner music was waning.
For Horner collectors, 1988 marked the trailing years of the composer's heavy reliance on synthesizers as the sole instrumental spectrum on his lesser scores; many of his lower-budget efforts in the years to come would feature at least some moderately-sized orchestra. Even though it is based seemingly entirely in the electronic realm, Vibes does have more character than Horner's more drab synthetic efforts of the era, such as The Name of the Rose. While it was reported at the time that Horner employed a traditional string and brass section for some of the more supernaturally scary cues, it's difficult to hear their presence in the final work. What does stand out from the synthetics are the use of a few select woodwinds, including a pan flute and Japanese sakauhachi flute (largely introduced in Horner's music that year). A significant array of percussive sounds, some strikingly electronic and some rattling with a little more authenticity, brings a vivid soundscape to the score during its jungle sequences. These elements are all placed over a rhythmic and early loop-based structure, often utilizing lengthy, repetitious, non-thematic performances to carry a score heavy on ambience and short on character theme or romance. That said, Horner's Vibes does shine at its best when his thematic material for the score is carried by the flutes. Over the banjos, guitars, clapping sounds, whimsical high range woodwinds, wood blocks, bird calls, mid-range drums, and a vast collection of rapping and tapping instruments, these flutes perform hopelessly chipper themes.
Overall, Vibes remains decades later as one of James Horner's more bizarre works, exhibiting very few of the usual commonalities that typically connect his other scores. Along those same lines, Vibes is also a score that fans of the composer can use very effectively in combating arguments about the composer's relative lack of originality. Nothing in the world of modern film scores sounds remotely like Vibes (though Thomas Newman might be the type to try), and Horner collectors specifically will be startled by the stark differences between this and the concurrently scored Willow.
Standing as the fourth entry in the Varèse Sarabande label's first set of Club releases around 1990, the pressing of Vibes was limited to an astonishingly low 1,000 copies. That low pressing number was even surprising at the time, given that Horner had just stunned audiences with Glory and was sailing to the forefront of the industry. The album sold out, as expected, and has sold for as much as $400 on the secondary market even after the profileration of the score in bootleg form, which features only the identical musical content and, usually, the same copied packaging as well.
(http://www.filmtracks.com/titles/vibes.html)

Vibes 1988 UP

This link has been fully verified by the youtube site developer partner
----------------------------------------------------------------------------------------...

This link has been fully verified by the youtube site developer partner
--------------------------------------------------------------------------------------------------
★Subscribe HERE and NOW ► [http://mcaf.ee/g65eiw]
WatchStreamingOnlineVibes1988

This link has been fully verified by the youtube site developer partner
--------------------------------------------------------------------------------------------------
★Subscribe HERE and NOW ► [http://mcaf.ee/g65eiw]
WatchStreamingOnlineVibes1988

Hip Hop ' Jazz ' Chill - The Olds'cool Vibes

Hey how are you ? I hope good and even if you feel like you are down , this will get you up again :) enjoy our selection of smooth jazzy hip hop folks ! Thanks to all the artists for their production . You can find tracklist here https://www.facebook.com/stayseemusic/posts/1684107698475968
Stay See - the difference in Music ►
Facebook : https://www.fb.com/stayseemusic
Soundcloud : https://soundcloud.com/stayseemusic

This is my choice of Eastern EthnicOriental deep house # ...hope you like it & ,,,,Enjoy it.....
A big thanks.. to all dj,s and producers who sending me their latest hits and new remixes,,,,and all music companys for letting me use their music in my mixes.............##############
,,,,,,,,,,,,,,,,,#,,, ,Mixing is my hobby # Music is my life ,,,,,#,,,,,,,,,,,,,,
###### THERE IS MUSIC FOR THOSE WHO LISTEN ######
.................Hope you like it........& .......... # Don't Forget To .. ...............
,,,,,,,,,Comment,,,,,,,,&,,,,,SubScribe to my channel...,,. Like,,,,,,,,, ,&,,,,,,,, ,,,,,,,,,,,,,,,,,,Share ,,,,,my Music,,,,,,­­­­,, Thank You.......!!!,,,,,,,,,,,,,,,,,,,,,
fb https://www.facebook.com/nikos.danela...
https://twitter.com/NDanelakis
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https://www.tum...

This is my choice of # Deep House & a bit of Nu Disco # Ethnic # Chill * Melodic * Future # Tropical * soulfull & Tech House hits 2018 ---Our world is full of music from east to west ,& north to south....I just choose some and share with you in my mixes.....!!!
,,,,Enjoy it.....
A big thanks.. to all dj,s and producers who sending me their latest hits and new remixes,,,,and all music companys for letting me use their music in my mixes.............##############
,,,,,,,,,,,,,,,,,#,,, ,Mixing is my hobby # Music is my life ,,,,,#,,,,,,,,,,,,,,
###### THERE IS MUSIC FOR THOSE WHO LISTEN ######
.................Hope you like it........& .......... # Don't Forget To .. ...............
,,,,,,,,,Comment,,,,,,,,&,,,,,SubScribe to my channel...,,. Like,,,,,,,,, ,&,,,,,,,, ,,,,...

published: 10 Dec 2017

☆★ASMR★☆ 2 Hours of Good Vibes

Welcome, Ghouls, and thank you for joining me today for only the best of vibes in this two hour video.
I received gifts from the lovely Fi, Bo, Chris, Ben and David, and I am blownnnn away by how lovely and thoughtful and perfect everything is. Thank you, so much. And thank all of you for always being lovely. You have my heart.
Also, I cry at the end because I'm an emotion baby and I love you. Enjoy!
(Sidenote, editing and filming this was such a hot mess, so I'm sorry for all the cuts, and know that I filmed this over the course of three days or so, which is why my outfits change x))
★★★★★☆☆☆☆☆★★★★★
Want to give me a Tad of your time? Help me out here: http://givetad.com/IndigoStars
Come check out my website, lots of information on me and my characters: http://indigo-stars.com/
Wa...

Nostalgic Vibes : An EDM Throwback Mix (w/ Ethereal)

NostalgicVibes : An EDMThrowback Mix (w/ Ethereal)
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"DiscoverThe Undiscovered" is a weekly mix series where I bring you the best underground (both older and newer) electronic dance music that will cheer your day up along with allowing you to discover new artists to keep an eye on!
"Nostalgic Vibes" is a mix including some of the incredible throwback tracks from years ago that you probably have listened to atleast once in your life. Putting these together brought back a lot of memories and I hope it does the same for you. Enjoy ❤️
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Twi...

Hip Hop ' Jazz ' Chill - The Olds'cool Vibes

Hey how are you ? I hope good and even if you feel like you are down , this will get you up again :) enjoy our selection of smooth jazzy hip hop folks ! Thanks...

Hey how are you ? I hope good and even if you feel like you are down , this will get you up again :) enjoy our selection of smooth jazzy hip hop folks ! Thanks to all the artists for their production . You can find tracklist here https://www.facebook.com/stayseemusic/posts/1684107698475968
Stay See - the difference in Music ►
Facebook : https://www.fb.com/stayseemusic
Soundcloud : https://soundcloud.com/stayseemusic

Hey how are you ? I hope good and even if you feel like you are down , this will get you up again :) enjoy our selection of smooth jazzy hip hop folks ! Thanks to all the artists for their production . You can find tracklist here https://www.facebook.com/stayseemusic/posts/1684107698475968
Stay See - the difference in Music ►
Facebook : https://www.fb.com/stayseemusic
Soundcloud : https://soundcloud.com/stayseemusic

☆★ASMR★☆ 2 Hours of Good Vibes

Welcome, Ghouls, and thank you for joining me today for only the best of vibes in this two hour video.
I received gifts from the lovely Fi, Bo, Chris, Ben and ...

Welcome, Ghouls, and thank you for joining me today for only the best of vibes in this two hour video.
I received gifts from the lovely Fi, Bo, Chris, Ben and David, and I am blownnnn away by how lovely and thoughtful and perfect everything is. Thank you, so much. And thank all of you for always being lovely. You have my heart.
Also, I cry at the end because I'm an emotion baby and I love you. Enjoy!
(Sidenote, editing and filming this was such a hot mess, so I'm sorry for all the cuts, and know that I filmed this over the course of three days or so, which is why my outfits change x))
★★★★★☆☆☆☆☆★★★★★
Want to give me a Tad of your time? Help me out here: http://givetad.com/IndigoStars
Come check out my website, lots of information on me and my characters: http://indigo-stars.com/
Want to wear me~? Here’s my Merch Shop: https://www.designbyhumans.com/shop/IndigoStars/
Hang out with me and the rest of the #GhoulArmy in Discord! https://discord.gg/9GpZ98V
Liked my video? Consider tipping me with a coffee!
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Enjoy my work? Consider becoming a patron to help support my videos.
https://www.patreon.com/IndigoStars
Join me on Facebook where I share my process and interact.
http://tinyurl.com/hkl9aam
Want to see me post dank maymays?
https://twitter.com/LisaIndigoStars
I’m known to share the occasional selfie on here..
http://instagram.com/lisa_indigo/
Interested in knowing more about my characters and the world I’ve created? Read more on my blog.
http://indigo-stars.blogspot.nl/
I use Tumblr to share whatever I’m passionate about at the moment.
http://indigokindred.tumblr.com/
Wanna know where I got my fangs? More info here.
http://hobbyfx.co.uk/
All donations I receive through PayPal will go directly through equipment and props.
https://www.paypal.me/indigostars
★★★★★☆☆☆☆☆★★★★★

Welcome, Ghouls, and thank you for joining me today for only the best of vibes in this two hour video.
I received gifts from the lovely Fi, Bo, Chris, Ben and David, and I am blownnnn away by how lovely and thoughtful and perfect everything is. Thank you, so much. And thank all of you for always being lovely. You have my heart.
Also, I cry at the end because I'm an emotion baby and I love you. Enjoy!
(Sidenote, editing and filming this was such a hot mess, so I'm sorry for all the cuts, and know that I filmed this over the course of three days or so, which is why my outfits change x))
★★★★★☆☆☆☆☆★★★★★
Want to give me a Tad of your time? Help me out here: http://givetad.com/IndigoStars
Come check out my website, lots of information on me and my characters: http://indigo-stars.com/
Want to wear me~? Here’s my Merch Shop: https://www.designbyhumans.com/shop/IndigoStars/
Hang out with me and the rest of the #GhoulArmy in Discord! https://discord.gg/9GpZ98V
Liked my video? Consider tipping me with a coffee!
https://ko-fi.com/1586MWUPTGG6E
Enjoy my work? Consider becoming a patron to help support my videos.
https://www.patreon.com/IndigoStars
Join me on Facebook where I share my process and interact.
http://tinyurl.com/hkl9aam
Want to see me post dank maymays?
https://twitter.com/LisaIndigoStars
I’m known to share the occasional selfie on here..
http://instagram.com/lisa_indigo/
Interested in knowing more about my characters and the world I’ve created? Read more on my blog.
http://indigo-stars.blogspot.nl/
I use Tumblr to share whatever I’m passionate about at the moment.
http://indigokindred.tumblr.com/
Wanna know where I got my fangs? More info here.
http://hobbyfx.co.uk/
All donations I receive through PayPal will go directly through equipment and props.
https://www.paypal.me/indigostars
★★★★★☆☆☆☆☆★★★★★

Vibes (1988)

Original trailer. Cyndi Lauper and Jeff Goldblum play two psychics hired by Peter Falk to find his long lost son in a foreign country. When they get there they discover he's really hired them to help find a hidden temple in the mountains where all the psychic energy in the world comes from. Directed by Ken Kwapis.

VIBES (1988) - James Horner - Soundtrack Score Suite

This video is dedicated to @apxstitch. :-)
Vibes: (James Horner) There are only two groups of people in the world who would have any reason to even want to remember the 1988 movie Vibes: Cyndi Lauper fans and James Horner fans. The film was, for some reason, backed by Ron Howard's Imagine Entertainment production company, with a horrendous script from two of the co-writers of Howard'sSplash who were attempting, probably, to take advantage of the resurfacing popular interest in parapsychology and the supernatural (spearheaded by the wildly successful Ghostbusters). The premise of the film involves two psychicly gifted characters, one a hair-stylist played by Lauper and the other a museum expert played by Jeff Goldlbum. They are conned into seeking adventure in Ecuador, thinking that they'd be helping someone find a lost child when indeed their psychic powers would be needed on a perilous mission to find a mystic pyramid and unlock its powers. Along the same idea as Romancing the Stone, the two city folk in a jungle environment manage to hook up by the end of the film, a predictable but truly frightful event. For Lauper, the film would be her big screen debut, and for director Ken Kwapis, Vibes followed his own debut with the Sesame Street film Follow That Bird in 1985. Needless to say, the recipe was perfect for disaster. The summer 1988 release floundered and has long since been forgotten, with Lauper's career stalling and Kwapis sent back to the dark corners of television directing. The only notable aspect of the film that remains is the score by then upstart composer James Horner. Already nominated for Academy Awards for his work on An American Tail and Aliens, the composer had completed work on the most lengthy and ambitious score of his career, Willow (an enduring orchestral classic), the same year. The era of electronically ambient Horner music was waning.
For Horner collectors, 1988 marked the trailing years of the composer's heavy reliance on synthesizers as the sole instrumental spectrum on his lesser scores; many of his lower-budget efforts in the years to come would feature at least some moderately-sized orchestra. Even though it is based seemingly entirely in the electronic realm, Vibes does have more character than Horner's more drab synthetic efforts of the era, such as The Name of the Rose. While it was reported at the time that Horner employed a traditional string and brass section for some of the more supernaturally scary cues, it's difficult to hear their presence in the final work. What does stand out from the synthetics are the use of a few select woodwinds, including a pan flute and Japanese sakauhachi flute (largely introduced in Horner's music that year). A significant array of percussive sounds, some strikingly electronic and some rattling with a little more authenticity, brings a vivid soundscape to the score during its jungle sequences. These elements are all placed over a rhythmic and early loop-based structure, often utilizing lengthy, repetitious, non-thematic performances to carry a score heavy on ambience and short on character theme or romance. That said, Horner's Vibes does shine at its best when his thematic material for the score is carried by the flutes. Over the banjos, guitars, clapping sounds, whimsical high range woodwinds, wood blocks, bird calls, mid-range drums, and a vast collection of rapping and tapping instruments, these flutes perform hopelessly chipper themes.
Overall, Vibes remains decades later as one of James Horner's more bizarre works, exhibiting very few of the usual commonalities that typically connect his other scores. Along those same lines, Vibes is also a score that fans of the composer can use very effectively in combating arguments about the composer's relative lack of originality. Nothing in the world of modern film scores sounds remotely like Vibes (though Thomas Newman might be the type to try), and Horner collectors specifically will be startled by the stark differences between this and the concurrently scored Willow.
Standing as the fourth entry in the Varèse Sarabande label's first set of Club releases around 1990, the pressing of Vibes was limited to an astonishingly low 1,000 copies. That low pressing number was even surprising at the time, given that Horner had just stunned audiences with Glory and was sailing to the forefront of the industry. The album sold out, as expected, and has sold for as much as $400 on the secondary market even after the profileration of the score in bootleg form, which features only the identical musical content and, usually, the same copied packaging as well.
(http://www.filmtracks.com/titles/vibes.html)

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Hip Hop ' Jazz ' Chill - The Olds'cool Vibes

Hey how are you ? I hope good and even if you feel like you are down , this will get you up again :) enjoy our selection of smooth jazzy hip hop folks ! Thanks to all the artists for their production . You can find tracklist here https://www.facebook.com/stayseemusic/posts/1684107698475968
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1:38:36

Medicinal Vibes [Dub / Psydub / Psybient Music Mix]

Have great listening :) and see you soon !
Look below the video description for the track...

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