Julian Gough’s new novel portrays a world that we are already well on the way to – one in which human concerns are very much outweighed by issues of the control of ‘tech’. It’s perhaps a problem that a certain kind of reader remains unmoved by tech and stubbornly interested in people.

One of the delights of Leanne O’Sullivan stems from how cleverly she plays with Irish poetry, notably in her use of classical material. There are echoes here of Yeats, Longley and Mahon, while other poems discreetly evoke Seamus Heaney’s work.

Jordan Peterson argues that inequalities experienced under one political system are likely to be recreated in any alternative. Yet surely human ingenuity makes it possible to create institutions and invent social practices which allow us to depart from the determinist script.

A certain kind of child can be sceptical of the benefits of fresh air, sturdy play or hand-me-down versions of femininity or masculinity, especially when a vast and various world is within reach simply through knowing how 26 letters variously combine and which way up to hold a book.

In Barracoon, Zora Neale Hurston’s documentary narrative from 1931 which has only now been published, the former slave Cudjo gives his children names for the old world they have left behind and the new one in which they now live. But like him, they are at home in neither.

Mark E Smith’s voice sounded like an anti-London weapon. The danger of his Manchester accent was quite distinct from the dense, literary ambition of his words and phrases; distinct too from the prevailing sneer of take-control-of-the-means-of-production punk and post-punk.

With a new TV series and accompanying book, Mary Beard has thrown down a vigorous challenge to the late Kenneth Clark and his view of art. In fact both approaches, almost fifty years apart, have a good deal to recommend them and would benefit from being considered together.

That Mario Vargas Llosa should champion liberal principles is scarcely surprising, given the damage wrought by rival doctrines in South America. His new study might have benefited, however, from considering the ways in which liberal politics seems to have come unstuck elsewhere.

A classic experiment in social psychology and group antagonism now looks as if it was manipulated to produce the results required by the preceding theory. That doesn’t, however, mean the theory is wrong: if people grow up in a culture of us against them, that’s the society we will get.

Joyce drew on his theories in creating Leopold and Molly Bloom. Freud thought he was ‘highly gifted but sexually deranged’. Wittgenstein thought he was ‘great’, though one couldn’t agree with him, while Strindberg thought he had solved the hardest problem, the problem of women.