“Something for Nobody” is a 3 volume limited edition LP set celebrating ABORYM's 25 years of industrial sonic militancy. Vol.1 offers 5 unreleased sky scraping remixes and covers from ABORYM and part 1 of the Something For Nobody soundtrack as part of the Sakrifice motion picture film score. This collection of recordings is the legacy of a band that is constantly on the run and ahead of its time, breaking down barriers and evermore pushing further the sonic frontiers of a genre it has set for itself and going places where few dare venture.

Vamâcârâ Sadhana sophia si based upon the dissolution into chaos and the emancipation ov personnality from every kind ov dogma or ethical concept. It promotes total art ov destruction, liberated from every influence or static ethic. The metaphysical and philosophical thought is the dark thread ov his global concept which takes root from a strong personnal will and a reflexion upon non conditionned expression...
The Word links up around our own act ov deconditioning and poor possibility towards the absolute in which society defines all political or religious values. Moralism is an obstruction to our awakening...

Embrace the Light by discovering the dream previous to the Divine Burst (A Sigil Burnt Deep into the Flesh):
"The French Industrial Cursed Tape" is a 52 minutes long compilation of 7 demo-tracks from 2006 to 2008, restored, and masterized.
This Industrial Black Metal tape is limited to 200 copies (100 smoked copies & 100 silver copies).

Before the Luminous Word, there existed a hostile precursory dream a dream to precede all action, all motion.
Time has come to (re)discover these roots of steel and rust concealed in that dream, buried deep in the past years, yet not forgotten.

Embrace the Light by discovering the dream previous to the Divine Burst (A Sigil Burnt Deep into the Flesh):
"The French Industrial Cursed Tape" is a 52 minutes long compilation of 7 demo-tracks from 2006 to 2008, restored, and masterized.
This Industrial Black Metal tape is limited to 200 copies (100 smoked copies & 100 silver copies).

Before the Luminous Word, there existed a hostile precursory dream a dream to precede all action, all motion.
Time has come to (re)discover these roots of steel and rust concealed in that dream, buried deep in the past years, yet not forgotten.

Though the name may be new, those who explore the more terrifying sounds found at the intersection where black metal, industrial noise, power electronics and black ambience meet surely know the minds behind this collaboration. Featuring Mories (of Gnaw Their Tongues / Aderlating / Cloak Of Altering / De Magia Veterum infamy) and Australian black noise/metal technician Nekrasov, Mors Sonat sounds little like their other projects, crafting a cold, hallucinatory strain of aural dread that draws from a strange mixture of twilight chamber music, ghastly death industrial sounds, harsh electronic noise and gleaming dark ambient, while tapping into the sort of psychic unease and violent chaos that will be familiar to fans of their previous efforts.

It's definitely a much more atmospheric and often subdued sonic terrain that Mors Sonat explores on 'Comforts In Atrocity'. Across the six long tracks, they blend together darkly gorgeous chamber music sounds (aided by guest cellist Aaron Martin,) with blasts of excoriating black noise, pools of cloudy dark ambience, clanking industrial horror, and vicious bouts of power electronics-style abuse. From the creaking crypt ambience that starts off opener "Holy Holy Holy Nil" that later give way to the gorgeous cello drones, shimmering orchestral strings and smeared horns that coalesce throughout the track, Mors Sonat lays down a highly evocative mix of layered electronic noise and atmospheric sound that slowly builds into walls of howling chaos, something that repeatedly rears its head throughout the album. The rest of 'Comforts' ventures into strange, hallucinatory shadowscapes like "Sanctuary In Soil", where monstrous death-gasps drift over a rumbling black abyss seething with the distant tremors of grinding infernal machinery, and the intoxicating dark drift of the title track where the duo delves into a vast expanse of crepuscular drift and cinematic electronics bathed in the residual glow from a dying sun. On "The Sweet Long Legs Of Hate", this sort of minimal soundscapery reappears as a vast windswept blackness interweaved with eerie background sounds and strains of desolate piano, forming into something akin to a stark, sun-bleached horror film score.

But then there are the nods to classic power electronics and death industrial that are threaded through several of these tracks. On "The Vengeance Of Embrace", spectral hissing voices are surrounded by diseased, pulsating electronic drones and corrosive signals that give this an evil, almost Atrax Morgue-esque feel. And the final track (which bears the very Gnaw Their Tongues-like title 'So shall I weep in liberation within the ecstasy of decay') closes the disc with a vicious maelstrom of howling electronic violence that convulses with harsh demonic shrieks and coruscating waveforms, a rabid snarling chaos fused to extreme feedback manipulation and crushing metallic noise.

Fans of the shambling chthonic evil of Mories' other projects and Nekrasov's black-hole visions will find some of these elements in Mors Sonat's sound, but it's tempered by the use of haunting chamber strings, ritualistic ambience and experimental electronics, diffused into a kind of grim otherworldly soundscape all its own. Recommended to fans of everything from Funerary Call and Nordvargr's blackened electronics, Shinjuku Thief's 'Witch Trilogy', and Cold Meat-style death industrial, the Cd edition presented in a six panel digipack.

Originally released in 2011, as a tour and mailorder only CD, limited to 500 copies and featuring only 8 of the 12 songs from the recording sessions, Perfectly Defect, has remained hard to find, and somewhat mysterious. For a limited time, it was available as a free download for anyone that would sign up for the MORTIIS mailing list. As a gesture of respect and gratitude towards their fans, as well as a gigantic "Fuck You" to the record industry, that had done little else than embezzle, trick and rob the band blind, up until that point.
Finally, Perfectly Defect, is getting a proper release.
Remastered by Jules Seifert at Epic Audio Media, London.
The LP reflects the original 8 track CD release of 2011.

Following the musical path of Aborym, Diabolicum & Mysticum, this French project has nothing to prove with their first full length. Enter in their Evil vortex, and join the Neo Inferno 262 Order or Die.

Hybreed is an outsider in the industrial music scene of the 90’s. It is also one of the most varied and atmospheric album RED HARVEST ever recorded.

This double CD version is remastered by Cyrille Gachet (Year of No Light, The Great Old Ones, Bagarre Générale) at Dick Doom Studio. On the second CD, we worked on a special edition with live bonus recorded during the BlastFest 2016 at Bergen. It was the ressurection gig of RED HARVEST."

"Caduta Dei Gravi" (The fall of the corpses) is between dark and noise musics,
where industrial orgy, balancing between sickened slowness and noisy jumble, suddenly appears.
The temptation to shout the insults endured by our flesh, is then rushing into it…

Avant-garde metal, exploring the fields of doom, noise or even darkwave, with french and german lyrics.

Quote from label: This 2-disc Anthology spans the first eight years of SHP's ultra limited 3"cd-r releases, rare cuts from the 2006 Texas 3xLP released on RRRecords, tracks from 2002's Open Wound compilation "Fresh Blood Volume 1: "Violent Cutting Motion" and previously unreleased live material. All re-mastered by J. Stillings with artwork and layout by L. Kerr, packaged in this elegantly sickening gatefold digipak. Rediscover these under distributed gems from the pioneering, cult, Texas Death Industrial power house Steel Hook Prostheses.

Quote from Crucial Blast "Human Quena Orchestra first took shape as a solo project from Ryan Unks, who had previously played guitar in the final lineup of the Pittsburgh metal band Creation Is Crucifixion. After moving from CIC, Unks began to work on a new project that would incorporate elements of black metal, crushing drone music, extreme psychotropic noise and psychedelic/krautrock influences into a sound that would be much heavier any of his previous projects. The first album from Human Quena Orchestra was released in 2007 on Daft Alliance Means Without Ends was a disturbing, introspective slab of blackened industrial doom that stood out in stark contrast from the rest of the slow n' low extreme doom scene, utilizing layers of harsh textured distortion and electronics to create a caustic form of monstrous doom that shared as much of industrial music's cold, machine-like aesthetic as it did the ultra-slow riffage of the most extreme variants of doom metal. At the same time that the bands debut was taking shape, Unks was joined by another former member of Creation Is Crucifixion, Nathan Berlinguette (who was also a member of the dark ambient project M.Kourie and the deathdrone duo 5/5/2000). With the addition of Berlinguette's skilled application of dark ambience and expansive soundscapes, Human Quena Orchestra began to move into even more textured territory which has culminated with the second HQO full-length, The Politics of the Irredeemable, a series of apocalyptic visions and epiphanies of endtime realization, prophetic screeds that look to a future rendered pustulent and war-stricken by the failed machinations of the human race, presented as six chapters that enter your consciousness through a delivery system of extreme industrial dread. The Politics of the Irredeemable is crushing and oppressive, a crawl through abstract fields of low-end sound that move from punishing blasts of ultra-heavy machine-doom and earth-shaking tectonic riffs, to thick fogs of black electronic ambience that shimmer with subsonic pulses and celestial drones, the presence of malevolent electricity crackling in the air around the lumbering, nightmarish electro-sludge monstrosity of the Human Quena Orchestra. And at the same time, there are passages of immense beauty on this album that lurk at the peripheries of HQO's malevolent crush the track "Aspirations" for instance, where pummeling slow-motion industrial percussions grinds in an infinite loop beneath a swirling nightsky of kosmiche synthesizers and heavenly, blissed-out ambience, the drums becoming like distant mortar blasts heard over the horizon as terrified screams ring out and stars fall dead from the skies. This is seriously apocalyptic deathmachine grind ambience. "

This new 7" EP contains one new track and a cover of Ministry's 'Scarecrow', both remixed by St. Vincent of BLACKLODGE. Aggressive, industrialized nihilist assault Metal ...in praise of those willing to sacrifice everything for one brief moment of glory!