Death Vessel – “Mercury Dime”

The type of song that just demands to be adored, Death Vessel’s “Mercury Dime” flies through all jingle-jangling worlds of sonic pleasure, using titillating adjectives like “mercurily blue” to paint a scene that relates human forms to nature. Androgynously-voiced frontman Joel Thibodeau confounds and entices simultaneously on the band’s forthcoming full-length album, Island Intervals, which comes out February 25th, 2014 on Sub Pop Records. This is just to wet your appetite for this neo-folk ambiance; catch them on tour this March.

School of Language – “Between The Suburbs”

Sounding quite seasoned for a band you’ve probably never heard of, School of Language reveals its hidden weapon in the familiar falsetto vocals David Brewis, frontman of Field Music. Now gracing us with his solo presence, Brewis will release Old Fears on April 7th via Memphis Industries (long-time Field Music collaborators), to be followed by a tour with a five-piece. Dates forthcoming.

Farao – “The Hours”

London-by-way-of-Reyjavik-and-Oslo musician Farao, aka Kari Jahnsen, pulls in the sounds of the European north on her debut four-track self-titled EP. Glittering like the greys and whites of snowfall, the EP is Full of gems, earnest, romantic, and hypnotic without being painfully derivative. It comes out on February 10th via Something Nothing Records.

Tomas Barfod – “Pulsing” (ft. Nina K)

Continuing with the same frosty Nordic breath as Farao is “Pulsing”, the collaboration between recent Secretly Canadian signee Tomas Barfod and female vocalist Nina K. Hailing from Denmark, Barfod will be releasing his new record on February 18th, to follow up his previous release, Salton Sea. This is the first glimpse.

Gardens & Villa – “Colony Glen”

This month once again brings with it a new track from Gardens & Villa, who will be releasing their second full-length on Secretly Canadian on February 4th. Sounding more mature than their debut self-titled effort, tracks like “Colony Glen” and the previously released “Bullet Train” explore complex vocal melodies, basslines that are truly astounding, and uncommon incorporations of the flute. Full tour dates below.

JMSN – “The One”

A bit Justin Timberlake-inspired in its delivery, this month’s JMSN track is accompanied by a strange video of forms mutated behind cloths, latex suits and wet crotches galore, as though to drive home the sensuality of it in the most abstract (and/or creepy, depending on your opinions on that sort of thing) possible. Even stranger, though, is when JMSN shows up, looking remarkably unlike anyone you would expect to create this kind of minimally soulful music, and there’s certainly something compelling about that. This is the second single from his †Pllaje† EP, self-released last year on White Room Records. Hear the first single here.

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Written by

Vivian Hua (華婷婷) wears a lot of random hats, but has somewhat mastered globetrotting like a hobo and evading traditional 9-to-5 work schedules. She enjoys observing human idiosyncrasies perhaps more than anything and is a magnet for homeless people (a joy) and bug bites of all types (absolutely terrible). Through her work, she hopes to embrace the temporary while documenting the nostalgic, using divination and dream symbolism as guides through the cosmic maze. Additional writing, art, video, and other crap, like her astrological chart, can be seen at www.inallthings-patterns.net. She is the Editor-in-Chief of REDEFINE magazine, and quite appreciates unsolicited personal e-mails just to shoot the shit and narrow the gaps between human beings.