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If you've been holding out on purchasing an Alpha 6000 because you don't need an electronic viewfinder, Sony's got a mirrorless camera just for you. Internally, the Alpha 5100, which replaces the NEX-5T, is nearly identical to its pricier counterpart, with a 24.3-megapixel sensor and a BIONZ X processor. You also get a 16-50mm f/3.5-5.6 power-zoom lens, bundled with the camera for $700 ($550 for the body only), and the same hybrid focusing system, letting you acquire a subject in as little as 0.07 second. It excludes an EVF, but the A5100 does have a 921k-dot display (with touch functionality this time) that flips forward 180 degrees for self-portraits. There's also built-in WiFi, XAVC S video capture and a top sensitivity of ISO 25,600. It ships next month in black and white.%Gallery-slideshow215046%

Apple CarPlay in an aftermarket dash system? You bet! And you may not even need to spend a dime. Pioneer's NEX line of five in-dash head units, priced from $700 to a whopping $1,400, will score CarPlay compatibility through a firmware update in early summer. NEX owners with an iPhone 5, 5c or 5s will be able to use Apple Maps for navigation, listen to music and other iTunes content, and tap Siri to make phone calls and send text messages. Pioneer's devices already in stores will be able to take advantage, so there's no need to wait for CarPlay integration to go live before picking one up.

Most camera geeks agree that Sony needed to make up for the NEX-F3, and that it did so with style by producing the NEX-5R. When we placed this in the hands of our in-house camera guru, he was "thrilled." In fact, he described it as one of the best compact ILCs of 2012-2013, and that people should keep it in their mind the next time it came time to buy a camera. The question that needs to be asked, however, is did our man Honig get it right? If you're a shutterbug who put one of these through its paces, then share with us your impressions and feelings over on the forum.

Well, Sony's really done it this time -- your still-crisp NEX-6 may now be marked for an early retirement. The A6000 is here to replace one of 2012's most exceptional shooters, and despite the NEX-6's success, this fresh 2014 model is the one to own. There's a brand-new 24.3-megapixel CMOS APS-C sensor paired with a BIONZ X processor at the core, enabling what Sony's calling the "world's fastest autofocus." We're talking lag of just 0.06 second, thanks to the 179 phase-detect and 25 contrast-detect AF points. You also get 11 fps continuous shooting with tracking AF. Those focusing improvements are most notable in our book, but the price drop is surely worth a mention, too. The A6000 will ship for $800 with a 16-50mm power-zoom kit lens, compared to the $1,000 Sony was commanding for the NEX-6 back in 2012.

Like other recent Alpha CSCs, the A6000 includes an OLED viewfinder with 100 percent frame coverage and a tilting 3-inch 921k-dot LCD. You have two interface options here: the love-or-hate-it six-tile NEX menu that dates back to 2010 with the NEX-3 and NEX-5, or the recently refreshed tab-style Alpha UI, which we prefer. There's a pop-up flash, a Multi Interface Shoe, 1080/60p and 24p video capture with clean HDMI output, seven customizable buttons and 4K still image output to a compatible TV. Like its predecessor, the A6000 also includes WiFi and NFC, so you can shoot via the Android or iOS app, or transfer images from the camera to a smartphone or tablet. You also get a handful of apps on the camera itself, ranging from the free Direct Upload (for sharing images online) and Photo Retouch applications, to a few that you'll need to purchase, such as Time-lapse and Lens Compensation (for minimizing lens distortion).

We had a few minutes to check out the A6000 ahead of CP+. We poked around the new interface, which we found to be a refreshing change from the NEX format of yesteryear. The A6000 is actually noticeably larger than the NEX-6, but not significantly so. The design aesthetic is similar, though the newer model has a slightly more premium look and feel than its predecessor. There are separate dials for shooting mode and settings adjustments, compared to the two-in-one control on the NEX, but the button layout is quite similar otherwise, and if you're familiar with previous NEX cameras, you should feel at home here. You can try one out for yourself at retailers this April, or peruse our hands-on shots in the gallery below.%Gallery-slideshow163148%

Sony's NEX branding is officially no more. The Alpha 5000 is the company's first entry-level camera to drop the familiar moniker, falling instead under the higher-end Alpha lineup. Everything else about this CES model fits the mold, however. There's a 180-degree tilting LCD that flips forward for self-portraits, built-in WiFi (with NFC) for instantly sharing pictures and videos on the web, Camera Apps for tweaking shots and uploading directly through a wireless hotspot and Sony's latest 16-50mm power-zoom kit lens for smoother zooming during video capture. On the imaging front, there's a 20.1-megapixel sensor, a 16,000 top ISO and 1080p shooting at 60i, 30p and 24p. There's also a built-in flash -- an appropriate feature for Sony's target demographic of beginner photographers stepping up from a less-capable point-and-shoot.

Despite the new name, the Alpha 5000 feels very much like an NEX. There's a more pronounced grip (think NEX-5T, not 3N), and the same tweaked (and improved) multi-page settings interface that we first met with the Alpha 7 and 7R back in October. Like its recent Sony counterparts, the 5000 charges via its micro-USB port, and it sports an HDMI output (this time, with 4K image support), for photographers looking to share their captures on a TV. Of course, with WiFi built in, you can also transfer shots to a smartphone or tablet, back up your media on a connected computer or boot content to a compatible television via DLNA. You can take a closer look at the Alpha 5000 in the gallery below. Expect it in stores this March in black, white and silver for $600, including the 16-50mm power-zoom lens.%Gallery-slideshow124548%

Pioneer's new Networked Entertainment eXperience (NEX) line of products fill the gap between its connected AppRadio set and more traditional in-car products. Pioneer's five new NEX headunits will take advantage of your smartphone's (iPhone 4 up and compatible Android set) apps through AppRadio mode and grab your phone's data connection to improve its built in services and apps. For example, AVICSYNC Networked Navigation (only on AVIC models) will be able to reach out and get local traffic, weather, gas prices and overlay that data right on your maps. Apple's Siri Eyes Free is also on hand on all NEX receivers by simply poking the icon on the stereo's display, once activated Siri responds to your every command using the provided mic and plays back through the speakers. Other notable features include Aha Radio across the board, Pandora Station Creation, HD Radio, Sirius-XM ready and support for FLAC lossless files. The The AVIC-8000NEX ($1400 SRP), AVIC-7000NEX ($1200 SRP), AVIC-6000NEX ($900 SRP), AVIC-5000NEX ($750 SRP) and AVH-4000NEX ($700 SRP) should ship by early February. %Gallery-slideshow159574%

Remember that full-frame mirrorless shooter Sony's expected to release? Sony Alpha Rumors claims to have found an (admittedly low resolution) image of the fabled camera. The blurry shot shows a little more than half of the rumored camera's face, teasing undefined outlines of the device's control wheels, as well as a protruding bump that could hide an traditional viewfinder. The rig looks a bit like a mash up between Sony's A900 and the mirrorless NEX-7, borrowing elements from both designs. The camera is rumored to launch later this month, and is expected to come in 24- and 36-megapixel variants (respectively called the A7 and A7r). Check out the source link below for more rumors and speculation.

We assure you, the camera pictured above is not the NEX-5R. Announced today alongside three new E-mount lenses and the A3000, it's actually Sony's new NEX-5T. This shooter's unique feature is the addition of NFC for tap-to-device transfers of videos and photos -- a nice complement to the WiFi connectivity. Aside from that, it's pretty similar to its predecessor. Internally, you'll find the same 16.1-megapixel APS-C sensor with a maximum ISO sensitivity of 25,600 and hybrid phase-/contrast-detect autofocus for still images. The outside houses the familiar 921k-dot 3-inch touchscreen (with 180 degrees of rotation), a rear-set navigation dial and a function button (both programmable) adjacent to the shutter button. Photographers and videographers alike should be pleased with 1080/60p video capture and continuously focused 10-frames-per-second burst shooting. This NEX can also handle Sony's various Play Memories Camera Apps for extended versatility.

The NEX-5T is set to launch this September in white, black and silver for $700 with a 16-50mm pancake powered-zoom lens, and $550 for just the body. For now, grab a better glimpse by checking out the embedded galleries. Full press release after the break. %Gallery-slideshow73547% %Gallery-slideshow73512%

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Last year, Sony's peculiar move to beef up its entry-level NEX left us puzzled, and generally unimpressed. The NEX-F3 was a fine mirrorless camera by most accounts, but its larger footprint left us hoping for a next-gen offering more in line with its predecessor, the NEX-C3 -- a tried-and-true shooter that many Engadget staffers still turn to for review photos and trade shows, thanks to its consistent performance and light weight. We were quite relieved, then, to see that this year's device represented a return to the 2011 design, with a few very compelling additions, to boot.

Like last year's model and even the C3, the Sony NEX-3N packs a 16.1-megapixel APS-C CMOS sensor. The chip is physically larger than what you'll find in a Micro Four Thirds camera, and it's comparable in size to the sensors that ship in many full-size DSLRs. That imager is the key to the 3N's success -- it enables the camera to offer DSLR-like performance in a body that's much smaller, and even less expensive. Speaking of which, the 3N kit carries an MSRP of $500, though you may be able to find it for a bit less, including the 16-50mm retractable zoom lens -- we'll touch on that a bit more after the break.

Alright, so this is definitely not the first we've written about about these two latest entry-level shooters from Sony. That said, we're excited to finally get some hands-on time with the Alpha NEX-3N ILC and A58 SLT DSLR. To refresh your memory, the NEX-3N is set to sell for $500 with a 16-50mm power zoom, while the A58 will go for $600 with Sony's latest 18-55m f3.5-5.6 kit lens. Although we only had a few minutes with each inside a section of New York's Natural History museum, we're definitely digging the new wares. Join us past the break for some initial impressions.

Sony may have teased American photographers by launching the NEX-3N and Alpha A58 in Europe, but it's not cruel: both interchangeable lens cameras are coming to the US this April. The NEX-3N will cost a relatively frugal $500 when bundled with the camera's signature motorized, 16-50mm f/3.5-5.6 lens. Venturing into DSLR territory with the Alpha A58 will cost an only somewhat dearer $600 when paired with a refreshed 18-55mm, f/3.5-5.6 kit lens that's quieter and less error-prone than its ancestor.

Both A- and E-mount cameras will also be getting a similar raft of accessories for the US unveiling. An RM-VPR1 remote commander comes in April for $65, while a compact HVL-F20M flash is due in May for $150. A-series photographers will have no shortage of lenses to choose from -- they'll get cracks at both a stand-alone version of the 18-55mm lens and a new 50mm f/1.4 prime in May for respective prices of $220 and $1,500, while a 70-400mm f/4-5.6 telephoto zoom is coming in July for an eye-watering $2,200.

Sony's Alpha A58 and NEX-3N broke cover just a few days ago in rogue press shots, and now the firm's European branch has made the duo official. With a 16.1-megapixel Exmor APS HD CMOS sensor, the NEX-3N picks up the banner as the outfit's entry level mirrorless camera and packs a 3-inch LCD screen that can tilt up to 180 degrees. According to Sony, the NEX-3N is the smallest and lightest interchangeable lens camera with an APS-C sized sensor, gently tipping the scales at 269 grams. The shooter sports a pop-up flash, has its ISO notched up 16000, a revamped Bionz processor for noise reduction and even packs support for Sony's Triluminos display tech. A price tag for the NEX-3N is still MIA, but it's slated to hit Europe in March.

As for the translucent mirror-toting A58, it features a 20.1-megapixel Exmor APS HD CMOS sensor and a 2.6-inch, 460k-dot LCD with an adjustable angle. If you'd rather not compose shots with the LCD screen, however, the A58 also has an OLED viewfinder. When it comes to video, the device can record 1920×1080 footage in AVCHD. Hirai and Co.'s refreshed Bionz image processing engine makes an appearance in the camera as well. Come April, the A58 will be available in Europe with an as-of-yet unspecified price tag.

Itching for new lenses? Sony's just dished out details on a trio of new A-mount glass and accessories (with some E-mount peripherals as well) that are headed for a March debut in Europe. For the complete lowdown on the cams, lenses and accessories, hit the jump for the press releases and galleries.

We've already seen hints that Sony wants to rejuvenate its entry-level interchangeable lens cameras. Purported press images snagged by Digicam Info, however, support talk what could be an evolutionary yet meaningful refresh. The Alpha A58 you see above appears to only have minor ergonomic tweaks, but introduces a truly standard hot shoe and a new 18-55mm, f/3.5-5.6 II kit lens. The sighting backs earlier Sony Alpha Rumors claims, which also had the A58 carrying a roughly 20-megapixel sensor. A second set of pictures from DI (an example of which is after the break) also validates a previous live leak of the NEX-3N mirrorless cam, whose centerpiece is still its motorized zoom control. Neither Sony camera has a leaked release date, although the increasing flow of details suggests there isn't much more of a wait.

One of the most common criticisms circling Sony's NEX lineup and mirrorless cameras as a whole is limited lens selection, so we're always happy to see new high-end optics make their debut. Today, Sony's doing its part to make its products more appealing by adding two new lenses (for a total of 13): a 20mm f/2.8 pancake and a 18-200mm f/3.5-6.3 OSS powered-zoom optic, which first made its debut with the VG30 camcorder, but will now be available as a standalone purchase. That first model will ship in April for $350, while the zoom lens will be available in March for $1,200. Photography buffs can catch a few more details in the PR just past the break.

There aren't too many lens adapters that catch our eye, but the $600 Metabones Speed Booster has so many tricks up its sleeve that we can see it tempting a lot of serious NEX camera users -- like us. Big words, but what it purports to do is nothing short of mind-boggling. First off, it adapts your Canon EF (full-frame) lenses to E-Mount, which is nice enough since there's still a paucity of high-end glass for NEX users. But it gets better: the Speed Booster also makes your lens wider by a factor of 0.71x, shrinking an 85mm lens to 59mm, for instance -- effectively making your NEX nearly full-frame. Other adapters can do some of that, but its final trick is the piece de resistance: increasing the speed of a lens by a full stop. That may sound impossible, but it apparently works by concentrating the extra light-gathering area of a full-frame lens down to the smaller E-mount sensor area, turning an f4.0 lens into an f2.8 lens, for instance. The adapter allegedly increases sharpness on top of all that, and brings "auto-aperture, image stablization, EXIF and (slow) autofocus support," for late model EF lenses, according to Metabones.

Skepticism reigns until we can scope it for ourselves, but the adapter came out shining on Philip Bloom's video and photo tests so far, judging by his samples (below the break). The $600 price tag will likely dissuade casual users, but light-deprived indoor shooters (like us) or those shopping for new glass -- who already have a bagful of EF-lenses -- might take to it like a sugar addict to Trix. Metabones said they'll start shipping the Speed Booster this month, and will come out with MFT and Fuji-X mount options, along with support for lenses from Nikon and Leica, among others. Check the source to see how to grab it, but the line forms behind us.

This September, Sony disrupted the point-and-shoot market with the announcement of a full-frame compact model -- the $2,800 Cyber-shot RX1. On the same day, the company shared news of its first full-frame HD video camera, the NEX-VG900, representing Sony's third imaging product line to pack the 35mm chip. Now, it looks like the Japanese electronics giant is fast approaching the industry's final frontier, with rumored plans to launch a full-frame mirrorless model in late 2013 or early 2014. Sony Alpha Rumors has reportedly confirmed the news with multiple sources, adding that the TBD model has reached the "final stage of development," and that a 24-megapixel and 30+ MP prototype are currently undergoing testing.

The camera is expected to be slightly larger than the NEX-7, and should include a native E-mount, with A-mount lens compatibility (for full-frame shooting) to be offered as well. We've reached out to Sony for confirmation, but, considering that the rumored product is a year or so out, we don't expect a reply. Still, based on the company's recent announcements, a full-frame mirrorless ILC doesn't seem so far-fetched, and we can't think of a better manufacturer to take on such a project than Sony.

Sony NEX-6 kit owners have been shooting with it for weeks, but the company's 16-50mm retractable zoom lens isn't quite yet available as a standalone purchase. That's set to change early next year -- reps have told us that the lens should hit stores by mid-February, while the optic's own product page now lists an estimated ship date of February 3rd. The lens, which ships with the NEX-6 for a $150 premium (compared to the $850 body-only price), delivers a focal range similar to that of Sony's larger 18-55mm optic, matching that version's f/3.5-5.6 aperture as well. It's compatible with E-mount cameras, including select Handycam camcorders and discontinued models like the NEX-C3. It was also slated to ship as part of an NEX-5R kit for $800, but the company has scrapped plans for that particular package. For now, you can hit up Sony's site at the source link below to hop on the pre-order list.

Sony's NEX-7 may be fast approaching its first birthday, but that doesn't mean the company's ready to give up on pushing out updates. The camera's first new firmware version, 1.01, should be hitting today, bringing with it the ability to disable the Movie Record button to avoid accidental taps (finally!), boosted image quality with a wide-angle lens, improved audio playback and expanded EV bracketing. An option to disable the EVF eye sensor doesn't appear to be included with this revision, unfortunately. Other updates hitting at the same time include E-mount lens firmware v.01 that'll enable NEX-5R/NEX-6 Hybrid AF functionality with older lenses, A65/A77 firmware v1.06 and A37/A57 firmware v1.03, both of which deliver the ability to enable/disable the movie record button while also adding a variety of lens compensation options for select Alpha optics. All of these updates should now be live -- head over to the source link below for the hook-up.

A full-frame camcorder for roughly 3 grand? Meet the Sony NEX-VG900 Handycam -- the company's first 35mm HD video camera. Taking cues from its Alpha A99, which was just announced today, Sony brought that camera's 24.3-megapixel full-frame sensor to a camcorder form factor, delivering shallow depth-of-field and much improved low-light sensitivity in a more practical package. The VG900 is compatible with E-mount lenses, and it's a fine stills shooter (like the A99, it's capable of 14-bit RAW captures), but it's best suited for high-end video production, where it offers 1080p recording at 24 or 60 frames-per-second through a sensor that features 45 times the area of a conventional camcorder. This model even adds some of Sony's picture effects from the stills line, such as soft focus and miniature mode, while certain filters, like partial color and high-contrast monochrome can even be added to video.

Also on order for today is the NEX-VG30 -- the successor to the VG20 -- which offers many of the same features, but with a 16.1-megapixel APS-C CMOS sensor instead. If you're looking for a capable Handycam and don't want to spring for full-frame, this is your match. Both models include 270-degree swivel 921k-dot touch-enabled TruBlack LCDs and XGA OLED eye-level electronic viewfinders, along with Sony's new Multi Interface Shoe, which enables XLR microphone inputs through an optional accessory. The Handycams offer a new zoom seesaw level with multiple speeds for smooth, silent lens adjustments. There's also digital zoom functionality, which is likely to be more appropriate for the VG900, since that model's full-frame sensor has the pixels to spare. That flavor is quite costly, coming in at $3,299 without a lens, though an LA-EA3 mount adapter is included so you can attach full-frame-capable A-mount lenses. The VG30, for its part, will retail for $1,800 body only, or $2,700 when paired with Sony's new 18-200mm f/3.5-5.6 OSS power zoom lens -- a $300 savings, considering that optic's $1,200 standalone price tag. The VG900 is slated to ship beginning in late October, while the VG30 will hit stores in November, but you can take a closer look right now in our hands-on gallery below.

Sony must have a fixation on stuffing full-frame sensors into small spaces this year. A fresh photo and details slipping out to Sony Alpha Rumors show what's billed as the VG900, the first NEX-branded camcorder with a sensor larger than the APS-C spec -- the first NEX camera of any kind, for that matter. While there's only a light smattering of details, we're told the device has a 24-megapixel sensor (likely the same as in the RX1 or A99), records video in AVCHD 2.0 and should ship with an A-mount adapter for Alpha lenses. Not much else is on display, although you may want to take a pass if you're just looking to record a family wedding: at a rumored $3,300 price for the purportedly imminent launch, the VG900 isn't an impulse purchase for anyone short of a pro videographer.

We've had furtive glances of Sony's upcoming NEX-6 before, but only in the very clinical space of a government test lab. Apparently, no mere agency can confine it: photography workshop director Vincent Kang has posted a photo of the pre-release mirrorless camera on Weibo for all to see. Posing next to 24mm and 50mm lenses, the NEX-6 looks to be very much the in-between camera we suspected it was, without as much dedicated control as the NEX-7 but still carrying an electronic viewfinder, a pop-up flash and a dedicated function key near the shutter release. The dedicated mode dial is also more conspicuous -- there's no question that Sony wants to free up controls on the back for the future camera's more experienced target audience. Between the new design and the already known inclusion of WiFi, it's looking as though the NEX-6 may hit the sweet spot for shooters who want more control than the NEX-5R without sacrificing all its newer features. We just need to wait for official launch details to make it all real.

In early August, an Indonesian POSTEL listing revealed two new mirrorless NEX shooters in Sony's pipeline, both reportedly rocking wireless LAN chips. Now VR-Zone seems to have come across certification photos of the two cameras, each modeling -- you guessed it -- its very own WiFi logo. As expected, this puts Sony's ILC range inline with the wireless smorgasbord it laid out at CES, eschewing less native, accessory-based solutions. VR-Zone wagers that the NEX-5R will sell for about $700, and pegs the NEX-6 somewhere around $1000. Better start saving -- hit the source link below for a better look at where your pocket money might be going.

Update: Sony Alpha Rumors has thrown in some more images of the NEX-5R, this time of the press shot kind. We've embedded a handful after the break.

Sony's NEX camera series hasn't made much noise so far this year, aside from its new entry-level F3 model. But that's likely to change soon, with a pair of new mirrorless model numbers appearing in Indonesian POSTEL listings. They've since been nixed, but not before the eagle eyes at Sony Alpha Rumors plucked this screen grab of the NEX-5R and NEX-6. It's the Wireless LAN part (which resulted in this listing) that's piqued our interested, suggesting that Sony's next generation of ILCs will also board the wireless connectivity train. There's no more detail to glean from the listing, although rumors (and hopeful prayers) point to an announcement ahead of premier camera show, Photokina, which kicks off next month.

Adapters to fit Canon's EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren't new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control -- what year is it, 1930? Kipon wants to make sure you'll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there's likely to be catches: we don't know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who's been hoarding (or simply envious of) Canon glass now doesn't have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.

Just shy of a year ago, we reviewed the Sony NEX-C3, a mirrorless camera that quickly became our benchmark when it came to entry-level interchangeable lens cameras (ILCs). We praised its excellent image quality, generally consistent performance, overall solid design and, best of all, its $600 price tag -- including an 18-55mm kit lens. Since then, the landscape has shifted drastically for this particular type of compact shooter, with the Olympus OM-D E-M5 raising the bar for focusing performance, Nikon's cute J1 winning the hearts of many (likely due to a heavy marketing budget and adorable design) and the Fujifilm X-Pro1 pushing the envelope when it comes to price and body size. For its part, Sony also attracted plenty of attention with its flagship NEX-7, which appears to have been the inspiration for the company's brand new NEX-F3.

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Based on its price tag and release schedule, you might have assumed that the NEX-F3 is here to dethrone Sony's NEX-C3. That may or may not be the case (we're hoping for the latter) -- the F3 is much more a scaled-down version of the NEX-7 than an update to the C3. Sure, designs can change drastically from one year to the next, but we were quite fond of last year's model, and many of you were, too. From a specification perspective, the F3 has a new APS-C sensor (though resolution remains unchanged), with a higher top ISO setting of 16,000, a 3-inch LCD that can flip 180-degrees to face completely forward, a new NEX-7-esque pop-up flash and a bulkier design. But does bigger mean better in this case? Click past the break for our take.