The trend towards perpetual remakes and reboots is a growing pox upon Hollywood. Okay, now that that’s out of the way, someone taking another crack at Ben-Hur isn’t the worst idea in the world. Although William Wyler’s 1959 Oscar magnet (itself a remake) certainly has its gargantuan virtues, it also features more padding than any unimpeachable classic can be expected to bear.

While this new version tightens things up, it unfortunately suffers from both a curiously passive central character and the faith-based dramatic flattening that seems to be a hallmark of producers Mark Burnett and Roma Downey. (Jesus, a compellingly enigmatic, barely glimpsed agent of change in other versions of the story, is a bit of a screen hog here.) The plot still has enough juice to work, but only just.