On the plus side, a non-gurning Williams doesn't overplay his quest for audience sympathy, while Holly Hunter delivers a slapsticky but sharp turn as his Tourettes-afflicted wife. Giovanni Ribisi also amuses as a rottweiler of a claims adjuster, but Woody Harrelson's boozy hick is just plain annoying. Ultimately, it's Mylod's sputtering attempt to contrive a Coens-lite effect that scuppers his second film.