Notes: There's a new entry point to sE's acclaimed X1 Series, and it's breaking the performance barrier (again) for every mic in its class.

When it was introduced in 2011, the X1 brought a new level of quality to its price point, competing easily with microphones costing several times as much. But that didn't stop sE from trying to outdo themselves again.

With a newly-developed condenser capsule and an exterior based on the rugged metal chassis of the X1, the X1 A offers first-class sound & specifications at an even better "home studio" cost, featuring an extremely natural frequency response, massive SPL-handling capabilities (150dB!), switchable attenuation and low-cut filters, and a perfectly balanced sensitivity level - so it's at home on absolutely any source.

From vocals to acoustic instruments to electric guitars or percussion, the X1 A is the perfect choice for any musician seeking a high-quality microphone with an entry-level price tag.

All-metal housing & premium finish:

Unlike the cheaply constructed bodies of some other "entry-level" microphones, the X1 A's all-metal chassis provides efficient rejection of any electrical interference and noise - and the high-quality finish ensures a great look for years to come.

Integrated windscreen:

Eliminates the need for an external pop filter, and provides an extra layer of safety and security for the all-important capsule.

Completely new acoustic design:

The X1 A's new condenser capsule design is a work of art, delivering stellar sonic performance on any source with incredible speed, accuracy, and well-balanced frequency response.

The electronics have also undergone a complete overhaul, and exhibit better specifications and sound - on and off the test bench - than any other microphone in its class.

Attenuation & low cut switches:

The -20 dB pad switch on the left provides extended dynamic range, enabling a wide range of applications and close-mic techniques for even the loudest instruments...think super-heavy electric guitars, fortissimo brass instruments, and heavy-footed kick drums.

Ensures loss-free, reliable signal connection for years and years and years and...

The X1 A comes complete with a rock-solid, newly designed swivel mic clip and thread adapter to fit with any mic stand.

If you need additional rumble control, the X1 A integrates perfectly with sE's Isolation Pack, as well as the Reflexion Filter X - recommended for an instant pro vocal recording setup for your home studio.

Notes: This unique metal screen is not simply perforated but implements a slightly convex shape to redirect low-frequency air blasts to the side of the screen. This process does not attenuate high frequencies (as fabric screens can) and leaves the vocal performance completely unaffected, minus any disruptive low frequency "pops".

The gooseneck holds its position at any angle, keeping you covered at all times. And since the whole thing is made of metal, it will take a lot more abuse than a traditional fabric shield. This tool is built to last.

Notes: A simple but highly effective solution to the problem of needing different pop shields for different vocal performances. The Dual Pro Pop uses a rock-solid gooseneck with both a standard fabric membrane and our professional metal pop shield on a hinged mechanism. You can use either separately or both simultaneously, depending on the application.

sE Electronics Space takes the patented Multi-Layer Air-Gap technology that made the RF Pro a professional and project studio essential to create a product that is both bigger and better!

While other manufacturers haven't even come close to replicating the design and performance of the RF Pro, we've now set the bar even higher. Space or Specialised Portable Acoustic Control Environment, has a larger surface area, designed to offer incredible isolation in any room for professional vocal and instrument recordings. By surrounding more of the microphone, Space limits the amount of direct sound reaching walls and, ultimately, reflecting back towards the microphone.

Space's design consists of an unprecedented 10 thick layers of sE's patented Multi-Layer Air-Gap technology, and the inclusion of seven new vertical bass pillars deepens the air gaps while adding randomisation of diffusion. Space also boasts new mounting hardware, providing a more robust clamp that's fully adjustable and lockable vertically and horizontally with the ability to tilt for instrument recording at any angle.

Beautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space is very, very difficult.

What if you're an artist recording at home? What if you don't have the budget for a properly treated studio? What if you move to a new house or apartment?

Since sE invented the Reflexion Filter in 2006, over 120,000 units have made their way into studios and homes worldwide - and it remains the indisputable industry standard for portable, effective acoustic treatment.

How does it work?

When you put a microphone in front of you, it doesn't just hear you - it hears the room around you.

Even if it's a cardioid mic and is listening mostly to just you, it's still picking up reflections from your voice or instrument that are bouncing off the walls and coming back to the mic. The goal of acoustic treatment is to minimize the pickup of such reflections so your primary sound source comes through as pure as possible.

So why not just put some cardboard or foam behind the mic?

Some materials are good at absorbing or reflecting particular frequencies - for example, foam absorbs highs really well, but does nothing for lows.

Unlike cheap foam RF imitations, sE's patented multi-layer technology works evenly across the whole frequency spectrum to ensure a balanced, even sound with no coloration at all.

This is what makes the Reflexion Filter unique, and makes it the choice of the biggest recording artists in the world - whether they're working in untreated rooms, or working in a professionally-designed studio and just need a little more isolation.

It allows panning and tilting for maximum flexibility, and all moving parts are chromatized to ensure low wear. The extra stability means that your RF Pro can be positioned solidly at any angle to help provide a "dry" sound when recording any source - vocals, acoustic and electric guitars, amplifiers, drums, room mics, strings, and countless other instruments.

Some mics need a LOT of gain - and not all preamps are up to the challenge. The DM1 DYNAMITE is an ultra-slim active inline preamp that fits seamlessly between your mic and mic pre, providing a massive +28dB of clean, transparent gain for all your passive microphones.

With a sophisticated class-A design and specially-selected high-grade FETs, the DM1 has vastly lower output impedance and nearly half the noise of anything else on the market. Additionally, the gain it provides is always a consistent 28dB regardless of the connected load, thanks to its dedicated buffer amplifier.

The DM1 is the perfect way to boost the signal from a passive mic, reduce the likelihood of interference, and provide significantly improved level to your preamp - all without adding noise or coloration. Its output impendence is also the lowest in its class, allowing it to drive long cable runs while reducing susceptibility to RF interference, buzz and hum.

Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy and slim all-metal design, robust construction, and high-quality manufacturing standards.

Unwanted audio ambience may be generated if working in untreated acoustic environments when recording and this naturally affects the quality of any signal captured via microphone. 6 years ago, sE Electronics were the first company to develop a solution to this commonplace problem and launched the highly successful Reflexion Filter RF-Pro. sE Electronics are proud to announce that recently they were awarded a US patent for the design standard and this applies to all sE Electronics Reflexion Filter products, including the RF-X.

The sE Electronics RF-X is the latest high- performance acoustic filter joining sE's highly-acclaimed line of successful and industry standard Reflexion Filter products. Using the same US patented design technology as the RF-Pro the RF-X has been conceived to answer the needs of the discerning recording artist working on a budget. With a new lightweight body and re-designed lightweight clamp assembly the RF-X is simplicity itself, providing unbeatable performance and ease-of-use.

New materials have been developed to make it lighter than its predecessors but also to maintain its durability, helping to position RF-X as a versatile product suited for any challenging working environment. It features a 4-layer acoustic filter design comprising the outer composite panel itself, a wool fabric layer, an air gap layer and an inner acoustic foam layer. This multi-layer design with air gaps differentiates the RF-X from its competitors by helping to ensure that recordings exhibit almost zero sound coloration when using the filter.

The RF-X clamp assembly also utilizes a new lightweight design allowing it to be used on almost any microphone stand. It has been simplified to achieve this and allows vertical mounting only, making it the perfect solution for vocal recording.

Notes: The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.

With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.

The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.

Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards.

High-quality condenser capsule:

The sE7's specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.

The quietest pencil mic in its class:

With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.

The sE7's all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...

The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.

Notes: A simple but highly effective solution to the problem of needing different pop shields for different vocal performances. The Dual Pro Pop uses a rock-solid gooseneck with both a standard fabric membrane and our professional metal pop shield on a hinged mechanism. You can use either separately or both simultaneously, depending on the application.

Unwanted audio ambience may be generated if working in untreated acoustic environments when recording and this naturally affects the quality of any signal captured via microphone. 6 years ago, sE Electronics were the first company to develop a solution to this commonplace problem and launched the highly successful Reflexion Filter RF-Pro. sE Electronics are proud to announce that recently they were awarded a US patent for the design standard and this applies to all sE Electronics Reflexion Filter products, including the RF-X.

The sE Electronics RF-X is the latest high- performance acoustic filter joining sE's highly-acclaimed line of successful and industry standard Reflexion Filter products. Using the same US patented design technology as the RF-Pro the RF-X has been conceived to answer the needs of the discerning recording artist working on a budget. With a new lightweight body and re-designed lightweight clamp assembly the RF-X is simplicity itself, providing unbeatable performance and ease-of-use.

New materials have been developed to make it lighter than its predecessors but also to maintain its durability, helping to position RF-X as a versatile product suited for any challenging working environment. It features a 4-layer acoustic filter design comprising the outer composite panel itself, a wool fabric layer, an air gap layer and an inner acoustic foam layer. This multi-layer design with air gaps differentiates the RF-X from its competitors by helping to ensure that recordings exhibit almost zero sound coloration when using the filter.

The RF-X clamp assembly also utilizes a new lightweight design allowing it to be used on almost any microphone stand. It has been simplified to achieve this and allows vertical mounting only, making it the perfect solution for vocal recording.