Designs for projects

03/29/2015

Time for another of the zentangle zodiacs. This one is Aries the Ram, and as with all the others it took a very long time to draw and digitise.

Aries the Ram

Cherri has a friend who’s an Aries, so she used the design on a T-shirt as a birthday present, along with “Aries” done in an elaborate script. The embroidery itself is very complex, with both dense and thin areas, so rather than stitch it directly on the stretchy jersey of the T-shirt, she stitched it on a square of firm material and then stitched that to the shirt. I think it’s turned out brilliantly and I hope her Aries friend likes it!

Aries on a T-shirt

As I'm really doing these zodiac designs just for my own pleasure (and not as a commission or for an exhibition) I think I’ll put them on the “For Sale” pages as soon as they’re all done and test-stitched. That will be a while, though – I think I’ve only got seven or eight finished at the moment so there are a few left to do

03/18/2013

A few weeks ago I posted photos of some decorative herrings.
Here is another fish hanging, but this time it’s based on tropical fish. The
bodies and fins are embroidered separately and then stitched together and
lightly stuffed. The fins are stiffened with PVA glue, and the fish strung
together with nylon fishing line, which makes the connection between them
almost invisible. The photo is so long that you need to scroll to see it all but I didn't want to make it smaller as then you couldn't have seen the details

The mobile is a lot of fun to look at and I really enjoy
having it up. It wasn’t a lot of work to make, and for a while I was thinking
of submitting the patterns and the directions to a craft magazine so that other
people could make it. However it can be a bit fiddly, and the stitching of the
fins is particularly challenging, so perhaps I’d better choose something a bit
simpler to submit for publication

12/21/2012

Right – here is a collection of herring, done in different fabrics and with different patterns and detailing. I particularly like the effect of the silver lame, although it’s not an easy fabric to work with. I’m not sure what I’m going to do with these – they’ll probably be popular at out next exhibition so I may do some more to sell

12/13/2012

Recently I’ve been working on ideas that combine machine embroidery with other crafts to make different kinds of decorative objects, and here’s one that's based on the unlikely idea of a string of herrings. The coast of the north-east of Scotland (where I live) has a strong tradition of herring fishing, and around here if you refer to the “silver darlings”, everyone will know that you’re talking about the herrings. So here is the first stage of a tribute to the little silvery fish
I sketched several different versions of herring and digitised one to use in trying out various ways of making the fish. The fish itself was easy enough – I just stitched out the right and left halves and then stitched the two together, leaving a gap with which to turn the fish and stuff it with a little batting. The fins and tail were a trickier proposition, but eventually I worked out a way to add embroidered fins that were translucent and rigid (this technique is too long and complicated to describe here but if anyone’s interested, just drop me a line)
The result is, I think, a modest success, and I will now go on to make more herrings from different fabrics with different embroidered details

11/24/2012

For some reason – don’t ask me why – I’ve recently developed
a mad urge to design masks, especially extreme types like fantasy animals and
extravagant Venetian Carnival masks. But there isn’t a lot of point in
designing something if you can’t make it, so I’ve been looking into various
ways of making embroidered masks. First, I sketched a quick and simple design, digitised it and stitched it out

A simple mask design stitched on felt

Felt seemed a good material to
use, as it’s thick and robust, and should be a little bit stretchable.
However it’s too floppy to use as it comes, so I needed some way of hardening
it. I had intended to use a dilute solution of PVA glue, but I came across a
bottle of fabric stiffener in my stores so used that instead

I also bought a cheap polystyrene head from e-bay for a
couple of pounds. I think it‘s supposed to be used as a hat or wig stand, but
it was just what I needed to mould the mask on. After soaking the cut-out
embroidered felt mask in fabric stiffener and protecting the polystyrene face
with plastic film, I placed the mask on the head and moulded it to shape. The
felt stretched and compressed very well, and I held it in place with pins while
the fabric dried

The fabric mask, soaked in fabric stiffener and pinned in place on the polystyrene head

And here’s the finished mask, dried and ready to be further decorated
with paint, feathers, sequins or whatever you like

Isobel tried it on even before it was decorated and it fitted perfectly

I am very pleased with the
method and will start extending the technique a bit. I want to try painting the
fabric before it’s embroidered, and also use some applique in the design. To my
surprise the raw edges of the felt looked pretty good just as they were, but
I’d also like to try stitching masks on a soluble stabiliser so I can define
the edges with a finishing stitch

Finally I need to solve the problem of noses. The felt is
very flexible and easy to shape, especially when it’s wet, but I don’t think I
could stretch it far enough to make into a long nose. I’ll have to stitch or
glue in a separate piece, and will need to work out how to disguise the join

04/21/2012

Recently Cherri has been planning a trip to Hawaii with some friends, and has come up with a lovely idea for travel presents. She wanted to make quilted bags in a typical Hawaiian quilting style and asked me to come up with some applique designs that she could use

I don’t really know anything about Hawaiian quilting apart from the fact that it seems to involve large squares of stylised and appliqued flowers and leaves, invariably done in radially symmetrical designs. I suspect that the design tradition has its roots in the tapa designs of the South Pacific, but that’s only a guess

The designs are simple and fun to do, and rather remind me of the papercuts I used to make as a child. Cherri has interpreted them in brilliant tropical colours and I think the finished bags are stunning

02/11/2012

Here’s the panel I’ve been working on recently. It’s made up of the tapa fish and tapa blocks I did a couple of years ago, based on motifs from South Pacific bark cloth designs. I always feel slightly guilty about so rarely making things with my own designs so I thought I’d better put these to some use and not just keep them in storage. The blocks are stitched separately and then just pieced together, which should be simple but for someone with my minimal sewing skills took a while to do

Panel in progress

Finished tapa panel

The final panel looked pretty good, and I thought that it might make a good cushion cover (which is why it's included in the "Designs for Projects" section). But that would involve yet more sewing so maybe I’ll just keep it as a panel. It needs backing and binding, of course, but I think I’ll leave that for another day and get back to doing the designs

01/08/2012

Before Christmas, Cherri was trying to think of presents to give to those of her friends who had cats as pets, and she asked me to produce some designs which she could stitch on to "cat-mats". Apparently these are mats which the cats sit and lie on, which protect furniture from cat-hairs and which can be easily washed. So I did some decorative cat designs which eventually turned up on some of Cherri's cat-mats

Floral cats for decorative mats

Personally I would have used darker, richer colours for these, but Cherri pointed out that paler colours don't show cat hairs as easily as dark colours, and as a cat owner herself she probably knows best

12/13/2011

The Aberdeen Christmas fair was last week and was a lot of fun. The embroidered cards were popular, and as usual people were interested in how they were made. Computerised embroidery machines are not all that common in the UK and the whole idea was new to a lot of people. I had to spend a lot of time explaining that this kind of embroidery was really very different from the more familiar cross-stitching and crewel work, and should be seen as a different art form entirely. That was a new idea to a lot of people but I think many of those I talked to became very interested in this new art medium and saw its possibilities Anyway, now I can get on with some new ideas, but meanwhile here are some of the cards that were on show at the fair

10/30/2011

At the exhibition a few weeks ago someone mentioned that there will be a Christmas Fair in our neighbourhood in November. As people were so interested in the embroideries I tried to think of something embroidered that I could sell at the fair and came up with the idea of greetings cards. So I ordered a few packs of “photo insert cards” from an on-line supplier and searched my archives for some designs that might make good cards. In my early days as a digitiser, when I was selling designs on the Internet, I did a lot of simple 4x4 inch designs which I found to be ideally suited to be used as cards. Not all of them are Christmas cards but things like butterflies and Art Nouveau designs are usually popular, and the cards can be used for many different purposes.

A selection of embroidered Christmas and note cards, stitched on felt

I quickly discovered that stitching the designs on felt worked a lot better than using my usual backing fabric, and made the finished product look quite professional These little embroideries are quick and easy to stitch out, and they’ll be a good place to use up all my odds and ends of metallic threads. I think the cards will be very popular