This will not be one of those ' my ass itches and my cat just threw up' type of blogs. Instead I will regularly post my own articles on subjects including but not exclusive to: sexuality, theatre, film, literature and politics. Unfortunately there are no sexy pictures, and no chance for you to be 'interactive' so you probably won't read it....oh well! Honestly... I know I'm just talking to myself here, mainly, but...I don't care!

Saturday, 20 May 2017

Jackie Shane Was A Drag Queen

Recently, there has been a lot of publicity about Jackie Shane, a drag performer from the 60’s in Toronto. Shane was a consummate artist and a gender warrior, and a significant part of our queer heritage (see Carl Wilson’s excellent article on Hazlitt).

But misinformation has appeared in some recent articles; principally the false idea that Jackie Shane was a ‘transgender’ performer.

This is not true. Jackie Shane now reportedly identifies as a transgender woman and uses the pronoun ‘she.’ I respect that, and we all should. But during the 60’s when he performed in Toronto at various Yonge Street coffee houses and recorded an album, he identified as gay, and as a drag queen -- part of a proud tradition of American ‘tent queens’ who used the pronoun he.

Why do these distinctions matter?

Because recently there have been concerted attempts to erase the history of drag, and to disrespect drag itself. I don’t think this is Jackie Shane’s fault. It is the fault of those who are trying to use Jackie Shane to further their cause.

At a queer academic conference this summer, I had to endure young queer people saying that drag is misogynistic and drag queens appropriate black music. I do not understand these accusations. When it comes to appropriation, drag queens are not the culprits. Capitalism and the record industry are to blame, not some struggling gender warrior on a street corner trying to make a few pennies performing at a gay bar. In terms of misogyny, anyone who accuses drag queens of being misogynistic hasn’t read their Judith Butler (or are we throwing her in the garbage now too?) who valorized drag as the exemplary pioneer of gender freedom; releasing us from the notion that men must act like men, and women must act like women.

I am a drag queen. I met Leslie Feinberg back in the 80’s. Leslie -- like Jackie -- is a significant gender warrior (Stone Butch Blues) who bravely broke down gender boundaries back in the 80s. S/he was wearing a signature masculine ‘power suit’ when we met. Back then, I talked to Leslie about my drag persona ‘Jane,’ and Leslie was eager to meet Jane; s/he hugged me, and we bonded. I’ll never forget that moment.

Unfortunately it seems solidarity like that is now a thing of the past. Nowadays there are ‘good’ gender warriors and ‘bad’ ones. Drag queens are ‘bad’ gender warriors -- not only because of accusations of appropriation and misogyny, but because they are considered ‘gender tourists.’ However, the fact is drag queens are not masculine men who choose to drop their privilege for a few moments a month to perform for their friends, but effeminate gay men who have been vilified and bullied all their lives, men for whom drag is a safe refuge to celebrate the best part of themselves -- their femininity, vulnerability, and gentleness.

Let me say it here -- to all those who wish to erase the history of proud drag queens like Jackie Shane: