There wasn’t anything like “Buffalo Gals” before, nor after. Though you could categorize it as an early sample record, in the vein of “Pump Up the Volume,” it’s really a novelty record, the brainchild of British trendsetter and former Sex Pistols manager Malcolm McLaren.

For McLaren, style was substance. After a trip to New York where he saw Afrika Bambaataa spin, McLaren co-opted New York’s hip hop scene for his next record — the dancing, record scratching, the fashion (all of which are on display in the “Buffalo Gals” video). He flew New York DJs The Supreme Team to London to provide scratches, and got Trevor Horn, a successful young British producer — he had been part of The Buggles, whose version of “Video Killed the Radio Star” was in 1981 the first video ever played on MTV — to make the record.

“Buffalo Gals” is a culture clash of stuff — samples of phone calls, breaks, a synth bass and pads, the catchy “duck, duck, duck” refrain, the title chorus taken from a Piute Pete record, the scratching: “Oh, that scratching is making me itch.” It sounds like a bunch of stuff cobbled together but it works — and for DJs it goes with other records, because there’s so much in it.