Category: The BeZine Table of Contents

In the four-year history of TheBeZine, this is the most significant edition.All of our concerns – peace, environmental sustainability, human rights, freedom of expression – depend on a more equal distribution of wealth, on making sure no one goes hungry and on breaking-down barriers to employment, healthcare, education and racial and gender equity.

This pyramid (courtesy of Wikipedia) reveals that:

half of the world’s wealth belongs to the top 1%,

top 10% of adults hold 85%, while the bottom 90% hold the remaining 15% of the world’s total wealth,

top 30% of adults hold 97% of the total wealth.

We’re all cognizant of that profile, but if you feel you’re sitting pretty and you’re not at risk, you’re employed, educated and middle class after all, you’d be well-advised to reconsider. The middle class is now – and has been for some time – dramatically challenged to find work, to acquire jobs that are fairly paid, offer stability and reasonable hours, and in the U.S., enable them to send their children to college.

The implications of a concentration of wealth in the hands of the few, the oligarchs and mega-corporations, are horrendous. Not the least is the undermining of democracy. Those who vote for and support the oligarchs because they think that’s where their security lies are victims of propaganda and bound for disappointment. The shadow of catastrophe (not too strong a word) that hangs over us is not due to the poor or the “other” who doesn’t look like us, worship the same God, or speak the same language, but to the 1%. Huxley was disconcertingly prescient.

This month our core team and guest contributors create a picture that beckons and behoves us to abandon stereotypes and propaganda about the poor, to recognize slave labor in its most absolute terms (human trafficking and prison labor) and more subtly in the conditions faced by workers at almost all levels of the corporate pyramid. We are called to ethically source the products we buy, to study our history, to bravely speak out against injustice and stupidity and, by implication, to shine a light on best-practices, those programs, services and unofficial efforts in your city/town, region or country that are helping and that can easily be implemented anywhere in the world. (You can share these with everyone via our Facebook discussion group.)

Beginning with Juli’s impassioned editorial, The Exponential Demise of Our Well-being, and moving to our BeAttitudes: John Anstie’s powerful Dictators and Desperadoes … Delegation and Democracy; Corina Ravenscraft’s and Trace Lara Hentz’ thoughtful invitations to awareness; Phillip T. Stephens on prison injustice; Sue Dreamwalker’s encouragement to see the homeless as fully human (and she connects us with homeless poets and artists in England); and Joe Hesch’s honest exploration of self, we are called to responsibly participate in history.

We present a memoir from Renee Espriu and a short story from Joe Hesch this month. These are followed by yet another stellar poetry collection from poets around the world, including work by core-team members: Charles W. Martin and John Anstie.

In the spirit of peace, love (respect) and community
and on behalf of The Bardo Group Beguines,Jamie Dedes, Founding and Managing Editor, The BeZine

HUNGER, POVERTY and THE WORKING CLASS AS SLAVE LABOR

How to read this issue of THE BeZINE:

Click HERE to read the entire magazine by scrolling, or
You can read each piece individually by clicking the links in the Table of Contents.
To learn more about our guests contributors, please link HERE.
To learn more about our core team members, please link HERE.

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In the introduction to his translation of Beowulf, Seamus Haney comments that “as a work of art it lives in its own continuous present.” For me, theatre (whether in its broadest or narrowest sense) is very much the same. Theatre always encourages us to be in that continuous present. As an over-arching art form it can integrate every other form of human (and even animal) expression. It usually rewards our engagement and disdains our detachment. Even when a show runs for a thousand performances, it can never be quite as canned, as mass produced as many of our other entertainments. Human variability is on display every night.

More broadly, theatre tends to mean any place in which we think there is a scripted or specialized drama occurring. In that sense it often indicates that we’re seeing a performance driven by an agenda and perhaps designed to deceive. We criticize this as hypocrisy. In ancient Greece, a hypocrite was merely an actor, i.e. one who had made a judgment or assessment of a script when preparing to perform that script for others. At that time, it was also thought unworthy for actors to become politicians since actors were skilled at impersonation. We could not know their true selves.

In the context of our art, we would probably judge this as unfair. We’ve all had the experience of “donning the mask” or crafting a persona as a way of freeing ourselves. In expressing the lie, we hope to tell the truth.

I’m delighted to be Guest Editor this month. It coincides with a production that I’m currently in. This is an experimental production staged as immersive experience. We’re telling the story of a family in crisis (the passing of parents, dealing with aging and the end of life, and the break-up of relationships). We tell this story in a residence where small audience groups (a dozen to two dozen at a time) sit in the “living rooms” of the characters. This intimacy connects us with our audience. They do not participate in the sense of interacting with the actors. But, they are side-by-side with us as we make the journey, watching us, crying with us, laughing with us and even eating with us. Detachment is not an option. We join together in the continuous present.

This month’s pieces remind us of these connections and touch on so many of the stages on which we act.

Priscilla Galasso speaks of her experience with theatre and its broad impact in her life. “Playing the muck of human behavior” as she says.

Corina Ravenscraft gets to the root of why we should all spend time in “the seeing place.” It’s a broadside worth taking around when it comes time to fund arts in schools and communities.

Michael Watson recounts an early experience where his personal humiliation also reflected larger and deeper ones around him. He shows us how Playback Theatre is another powerful way to connect.

John Anstie recounts the life of his mother. In reading her story, I think on the many roles we are often forced to play and how we adopt certain personas to help us survive.

I feel that basic joy of theatre in Renee Espriu’s contribution. “The hills are alive…” means a little more to me now than it did before.

Jamie Dedes points us to theatrical entertainment with its golden moments and the theatre of life with it’s chaos and absurdity. [And, seriously, check out Fanny Brice’s physical comedy.]

John Sullivan’s four poems this month are, for me, intriguing and searching meditations on the self. They speak to who we are, the personas we have, the masks we wear, the music we sing. And, he’s allowed us to publish an excerpt from his new play, Hey Fritz, Looks Like You Lost It All Again in the Ghosting.

Naomi Baltuck’s discussion of Come From Away focuses right in on an essential aspect of our experiences both in life and in theatre. Specifically, I’m thinking about what it means to literally commune with strangers, whether it’s the characters in Come From Away or the audience who watches it.

Karen Fayeth shows how, no matter what size or shape the spectacle, there is something profound in the simplest of relationships. Say, between a boy and his horse. Because, whether we’re seeing animals at play or a play about animals we are moved.

In bringing together both her visual art and her poetry, Sonja Benskin Mesher has each explain the other. And, yet, each also enlarges the other and perhaps we see our own actions a little differently, too.

Of course, plays and poetics go hand-in-hand. Michael Dickel thoughtfully discusses how one arises from the other and the personal origins of both.

Paul Brookes’ poems read as very modern, but also touching on things quite old, such as shared rituals and the hypocrisy of actors (in the classical sense).

And, finally, there’s a last word from Denise Fletcher. I hope we’ve achieved a kind of success along the lines of what she describes.

Thank you to all who contributed this month and for letting me join the show. I’m having a wonderful time! I look forward to seeing where the story goes from here. And, to the last one who leaves the theatre, please turn on the ghost light.

Photograph: Gargoyles as theatrical masks above a water basin. Mosaic, Roman artwork, 2nd century CE. The piece can be found at the Capitoline Museum in Rome, Palazzo dei Conservatori, first floor, hall of the Horti of Mæcenas. From the Baths of Decius on the Aventine Hill, Rome.

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This month’s publication focuses on Restorative Justice. This is a topic that is dear to me. I am the Director of the Youth Chaplaincy Coalition. I have been working with incarcerated folks and those touched by incarceration since 2003. I have seen the ripples of harm that have come. There is harm to the victim, of course. But there is also harm to the person who committed the harmful act, harm to their families, and harm to the communities that encircle all of these people.

Restorative Justice is an en vogue term. Everyone wants it but we don’t know much about how to do it. Most of us look backwards at the ancient ways of first peoples such as the Māori people of New Zealand or the Tagish and Tlingit First Nation people of the Yukon. We lift their practices and bring it forward into a defined court case.

This somewhat misses the point.

The circling process that the first peoples used far pre-dates the term restorative justice. At the same time, restorative justice has become a term to be used by the justice system. And so we create another circling process that is set aside for the courts, jails, and prisons to use.

Circling or Peacemaking Circles, the process given to us by the ancients, is to be used everywhere and with anything: healing, sentencing, discernment. And it involves the entire community. The entire circle of ripples affected by an act. It is a big process. And that’s why we relegate it to the justice system.

Because if we don’t relegate it to the work of the justice system, that means we will have to change and do better. The first principle of the circle: You can only change yourself. As long as we make restorative justice the property of the courts, we don’t have to change. We don’t have to be more welcoming, giving, or inclusive. We don’t have to mentor, feed the hungry, clothe the naked. But I have news! Great news of good tidings! Restorative justice, Peacemaking Circles, is, as the ancients say, the wisdom of the universe. It belongs to no one person and is there for all for the healing and transformation—not of the world, but of each one of us.

This issue about Restorative Justice and new forays into restoration is explored by our core team and guest writers. Each brings their own wisdom to the topic.

Writing on aspects of justice and restorative justice are: Myself, James Cowles, and Chris Hoke. Justice oriented creative writers are Lisa Ashley, Carolyn O’Connell, Paul Brookes, Rob Cullen, Charles W. Martin, Marieta Maglas, Sonja Benskin Mesher, Paul Brookes, Jamie Dedes and a short stories by Joseph Hesch, Lisa Ashley and Rachel Barton. Gail Stone offers a video that speaks to her faith and hope in restorative justice. I have also offered a moderated discussion that I led regarding zero incarceration for youth. Denise Fletcher teaches us how to put together Comfort Kit Baskets for the incarcerated.

We hope this issue will give you pleasure even as it provokes you. Leave your likes and comments behind. As readers you are as import to the The BeZine project, values and goals as are our contributors. Your commentary is welcome and encourages our writers. As always, we offer the work of emerging, mid-career and polished pros, all talented and all with ideas and ideals worth reading and thinking about.

In the spirit of peace, love (respect) and community and on behalf of The Bardo Group Beguines,

Big Ag pollutes our waterways and groundwater, air and soil. Some wetlands, rivers and their tributaries can no longer sustain life. Much pastureland is befouled with pesticides, animal waste, phosphates and nitrates and other toxic residue from unsustainable farming practices.

Sudan Relief Fund, World Food Program, Oxfam, Catholic Relief Fund, Buddhist Global Relief, the World Food Program and many other organizations are working to mitigate widespread hunger, which is a problem of economic injustice as well as environmental degradation and environmental injustice.

Drought and resulting famine are devastating the Sudan, the West Upper Nile and Yemen.

In many areas of the world, access to potable water is sorely lacking.

Lack of access to clean water is exacerbated by a want of toilets for some 4.2 billion people, which has a huge impact on public health. The result of poor hygiene and sanitation is Dysentery, Typhoid, Cholera, Hepatitis A and death-dealing Diarrhea. More people die of diarrhea in Third World counties than of AIDs.

Our problems are pressing and complex and are made the more difficult as we struggle under a cloud of skepticism and division and the discouraging weight of a Doomsday Clock that was moved forward in January to two-and-a-half minutes to midnight in response to Trump’s election. That’s the closest we’ve been to midnight since 1953.

Access to potable water may be the most pressing of our challenges.

“The world runs on water. Clean, reliable water supplies are vital for industry, agriculture, and energy production. Every community and ecosystem on Earth depends on water for sanitation, hygiene, and daily survival.

“Yet the world’s water systems face formidable threats. More than a billion people currently live in water-scarce regions, and as many as 3.5 billion could experience water scarcity by 2025. Increasing pollution degrades freshwater and coastal aquatic ecosystems. And climate change is poised to shift precipitation patterns and speed glacial melt, altering water supplies and intensifying floods and drought.” World Resources Institute

The good news is that there are many working conscientiously to raise awareness and funds. Some of our readers and contributors are among them. There are good people offering time and expertise, sometimes putting their own lives and livelihoods in danger.

This month our core team and guest writers have chosen to focus largely on water, but they also address the need to respect science (Naomi Baltuck) and the need to acknowledge that war is a danger to the environment in general as well as a cause of human hunger. (Michael Dickel). If the Syrian Civil War were to stop right this second, one wonders how long – how many years, perhaps decades – it would take to make that country’s land farmable again.

Michael Watson, Carolyn O’Connell and Joe Hesch touch their experiences of farms before industrial farming. Priscilla Galasso, John Anstie, Paul Brooks, Marieta Maglas and Rob Cullen speak to us of water. Corina Ravenscraft and Sonja Benskin Mesher remind us of the element of greed – as does John – and Sonja points to gratitude. Enough is truly enough. Charlie Martin’s poems are poignant, making us think about how sad it would be if we lost it all. Liliana Negoi brings a quiet and practical appreciation of nature. Phillip Stevens paints the earth in all her delicacy and need for tender husbandry.

Thanks to our core team members for stellar, thoughtful work as always: John Anstie, Michael Watson and Michael Dickel, Priscilla Galasso and Corina Ravenscraft, Charles Martin, Liliana Negoi, Naomi Baltuck and Joe Hesch.

Welcome back to Paul Brooks, Phillip Stephens and Sonja Benskin Mesher and a warm welcome to Marieta Maglas and Rob Cullen, new to our pages.

We hope this issue will give you pleasure even as it provokes you. Leave your likes and comments behind. As readers you are as import to the The BeZine project, values and goals as are our contributors. Your commentary is welcome and encourages our writers. As always, we offer the work of emerging, mid-career and polished pros, all talented and all with ideas and ideals worth reading and thinking about.

In the spirit of peace, love (respect) and community
and on behalf of The Bardo Group Beguines,Jamie Dedes, Founding and Managing Editor

One of the most famous poems “about” poetry, Marianne Moore‘s poem, “Poetry.” It famously begins with

I, too, dislike it: there are things that are important beyond all this fiddle.

However, she goes on in the very next lines to say

Reading it, however, with a perfect contempt for it, one discovers that there is in it after all, a place for the genuine.

There is much that is genuine in this April issue of The BeZine, which celebrates Poetry Month globally with our celebration of interNational Poetry Month. We are proud to present a wide variety of poets and poetry from all over the world. We have 45 posts of poetry (many with more than one poem), an essay, and one short story. This issue of The BeZine is an anthology!

Over the years, questions of poetry’s health, suggestions of its “death,” and concerns over who, if anybody, might be reading it, continue to swirl around in various articles, essays, and round tables. While many of the debates one might encounter in this bubbling broth come from a perspective of poetry’s decline, it seems to me that the reasons that such questions arise come from two primary sources.

One is an anxiety about how society values what we do, as poets or readers of poetry. It seems that the writers from this vein often worry that, in fact, society does not value poetry—as recorded in statistics about readership or as suggested by some other perceived decline in attention to it. The other vein, in my view, is a more healthy concern with what poetry is and what we are doing when we “do” poetry (read, write, critique).

This past year, a lot of words spilled onto the screen and page regarding Bob Dylan receiving the Nobel Prize—is a song writer a poet? Of course, poetry comes from song, so a song writer is a poet. Is poetry still song, then, or has it gone “beyond”? These articles and essays seem to flow from both of the sources I’ve suggested: anxiety and reflection. If our modest zine is any indication, poetry thrives throughout the world.

While the anxieties and reflections continue—and they are not new, witness the 1919 date of Marianne Moore’s poem—poets continue to write, and readers continue to read. You are reading this, so you are evidence of readers who have an interest in poetry. Whether there are more or fewer readers in any year or decade might fluctuate, or the methods of measuring them might change. However, as there are poets, there are those who read poetry. And listen to it—as in spoken word and slam.

Billy Collins opens his essay, The Vehicle of Language, suggesting that a problem with the reception of poetry is how poetry is taught:

For any teacher of poetry with the slightest interest in reducing the often high-pitched level of student anxiety, one step would be to substitute for the nagging and ultimately pointless question, “What does this poem mean?” the more manageable question “Where does this poem go?” Tracking the ways a poem moves from beginning to end puts the emphasis on the poem’s tendency to travel imaginatively and thus to carry the reader in the vehicle of its language.

In principle, I agree that the emphasis should be on where poetry goes, how it plays with language—not on decoding “meaning.” The same approach could be applied to the concerns expressed about poetry. The concerns need not be about where poetry is as measured against expectations of its current quality, akin to the “meaning” anxiety of its teaching.

Although some express an anxiety about the “quality” of online poetry or spoken word or even “today’s” written word, we would do well to reflect instead on where poetry is going, for us as readers and writers—where we as writers of it want to go with our poetry, and where we as readers of it want poetry to go to be most satisfying.

Poetry invites us to take an imaginative journey: from the flatness of practical language into the rhythms and sound systems of poetic speech. (Billy Collins, The Vehicle of Language)

It is our hope that you will read the poetry here with an appreciation for poetry’s “place for the genuine,” and find satisfaction in the depth and breadth presented here. Whether or not you will have “a perfect contempt for it” as you read, we leave up to you…

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The title of David Cooper’s book on Kabbalah invites us to re-think the Creator as Creating: God is a Verb. While I don’t want to equate science to God in a religious sense, I want to borrow this re-conception. Science is creative, creating, if you will, knowledge of the world. Science is a verb.

Too often we get tied down to a concept of science as about facts. However, as Thomas Kuhn describes it in The Structures of Scientific Revolutions, science is a process (hence, verb). The process involves a method (the scientific method), observation, repeated results, and, if repeated results are consistent, an assertion that a hypothesis is likely to be true. However, Kuhn explains that it is also a sociological process where the method and affirmed hypotheses lead to paradigmatic beliefs—models that predict reasonably well future observations.

The paradigms are not easily changed—the paradigm of Newtonian Mechanics, which work very well in most real-world situations, did not easily yield to Relativity and Quantum Mechanics even as Newtonian physics accumulated observations it couldn’t explain while quantum physics explained more and more. As a model for most human activities on Earth, though, Newton’s model still works. It’s when boring down to atomic particles or moving out into massive astronomical systems, or specific cases like black holes and light itself, that we need Quantum Mechanics.

The different (and often competing) models—also known as theories—are products of science, the verb. The scientific process refines, overturns, explores new models. Science, at its best, produces closer and closer approximations of the actual universe it models. This is different from a belief in an unwavering truth or an ideology—in part, because it relies on observation and corrections if observations do not show what the model predicts. And second, because science does not make truth statements but, rather, probability statements. Sometimes, the probability approaches 100%, sometimes only 95%.

The flexibility that comes from self-correction unfortunately also provides ammunition for “science deniers,” such as those who deny climate change. As science is a process and models do change, as models are based on predictive ability and that ability is not 100% even in the best cases, those whose ideology or greed get in the way of accepting the predictions (even the very strongly likely ones) often claim the whole model is “unreliable,” or point to earlier results that required corrections to the model in order to discredit the whole theory. Yet, those who object do not offer an alternative model that does stand up to the process of scrutiny, repeated results, and reliable prediction of future events. They often offer no alternative at all.

At its outer theoretical spheres, the science verb sometimes takes us to conversations that sound like mysticism—as do some of aspects of that mysterious energy, light. Humans have a long cultural (and religious) history with light. Arthur Zajonc’s book Catching the Light: The Entwined History of Light and Mindprovides a wide ranging cultural and inter-cultural exploration of human understanding of light through history. In the end, Zajonc re-connects current quantum physics concepts with those from ancient myths as accurate metaphors (or analogies). Zajonc, a professor of physics at Amherst (now retired), has studied culture, mind and spirit in relation to physics from his perspective as a physic working in quantum optics (for example: The New Physics and Cosmology: Dialogues with the Dalai Lama, one of his better known books).

In a very real sense, the verb science interacts with arts and culture. It is an active process of human society, a developed methodology for producing close observations and repeatable results to help us build models that predict future results under different conditions. It is not a series of facts, but rather a system of understanding and predicting creation. In this way, it actively creates the world, literally as we know it. And it has influence culture. Certain newly (re)discovered understandings from mathematics helped European artists develop perspective in painting. A recent example, Chaos Theory, with its fractals and butterfly effect, has influenced art, music, and literature, and not just with science fiction movies.

In this issue, we celebrate, explore, and raise questions involving science, culture, politics, and religion. John Anstie and I both contribute poems that have sub-atomic particles at their centers, but are not (only or even mostly) about them. Naomi Baltuck explores Galileo through the Musee Galileo, in another one of her marvelous photo-essays. An sampling of snippets from science take us through “Science in culture, politics and religion” in Corina Ravenscraft’s exploration of connections. In “A Life,” Michael Watson gives a highly personal account of his own encounters and loves with different ways of understanding — or knowing — embodied in the theme’s elements of science, culture, religion, and politics. Current politics seem to attack the different approaches each has to offer. Phillip T. Stevens begins with Chaos Theory and moves into myths, the myths of myths, as it happens. Hearts, Minds, and Souls, by John Anstie, considers the theme from a socio-political framework, considering societies need to control as one of many elements in shaping science, culture, and religion through politics.

The issue has much more to offer— fiction by Joseph Hesch and lots of poetry by Jamie Dedes, Renée Espiru, Priscilla Galasso, Terri Muuss, and Phillip T. Stevens. The more light section has three more poems that are not directly related to this month’s theme, but we wanted to share with our readers at this time.

Michael Dickel
Associate Editor

“It is frequently the tragedy of the great artist, as it is of the great scientist, that he frightens the ordinary man.” Loren Eiseley (1907 – 1977), American anthropologist, educator, philosopher, and natural science writer

This issue of The BeZine is dedicated to scientists the world over, especially those who are conscientiously fighting to preserve this earth, its people, and scientific integrity. Throughout history scientists have met with the same skepticism they face in some quarters today. They were sometimes misunderstood and crudely punished. Alan Turing comes to mind first, cruelly treated after being of enormous service to his country.

I think of Rhazes (865-925), a forward-looking medical scientist who wrote a compendium of all that was known about medicine in his time. He was beaten over the head with his book, went blind and was unable to continue his work. Galileo’s (1564-1642) insight and honesty was labeled heresy. Albert Einstein’s (1879-1955) books were burned. Henry Oldenburg (1619-1677) was suspected of spying when he sought to acquire and publish worthy works by people outside his own country.

The tensions between ignorance and cognoscence continue today. So much so that in my country scientists are planning an Earth Day march on Washington to protest the current regime’s dismantling of climate protections. Members of many scientific and research groups are scrambling to archive government data they believe could be in jeopardy under this new regime.

Many thanks this month to Michael Dickel for having my back on this issue and for his distinguished contributions. Thanks also to all our supporters – especially Terri Stewart, Charlie Martin, Chrysty Darby Hendrick, Ruth Jewel, Lana Phillips, Sharon Frye, Silva Merjanian, M. Zane McCllelan and Inger Morgan and to this month’s contributors (not in any particular order) Priscilla Galasso, Corina Ravenscraft, Joe Hesch, Michael Watson, Naomi Baltuck, John Anstie, James R. Cowles, Terri Muuss and Pat Leighton. All are valued as we pursue this small effort in the name of peace and understanding.

New to our pages this month is Phillip T. Stevens. Phillip tells me he spent most of the eighties and nineties as a community and arts activist. To pay his bills he taught writing and visual design to community college students and at-risk youth for the Texas Youth Commission. He published four novels, two volumes of poetry and academic papers (including a series of articles on the role of metaphoric thinking in the development of scientific theory and religious belief for the International Journal of Religion and Spirituality in Society). Phillip lives with his wife Carol in Oak Hill, Texas, where they rescue abandoned cats for Austin Siamese Rescue.

And here we are. Thanks to the efforts of many, we leave the March issue in your hands. Enjoy and …

Be inspired. Be creative. Be peace. Be …

On behalf of the Bardo Group Beguines
and in the spirit of love and community,Jamie Dedes, Managing Editor

TABLE OF CONTENTS

Science in Culture, Politics and Religion

To Read this issue of The BeZine

Click HERE to read the entire magazine by scrolling. (I place it in backwards though, so you’ll be starting at the end and moving forward. Sorry about that. Just getting this down. J.D.), or

Our theme this month is Resist! We chose it to coincide with a protest today that was initiated by poets Alan Kaufman and Michael Rothenberg. Thanks to Alan and Michael, poets across the United States will gather on the steps of their local city halls and take their stand against the backward values that the U.S. President Elect represents. PEN America also sponsored an event today at the New York City Public Library and thanks to them protests are happening today in ninety U.S. cities and some cities outside the States.

As is our tradition at The BeZine, voices in protest are not limited to the U.S.

What are we trying to accomplish by protesting? “Dump Trump” is a rallying cry for some but it’s unlikely to happen, at least in the short-term.

We think what makes sense and what people want to focus on is creating awareness and building bridges, not walls. We want to stand in solidarity against scapegoating and the sort of rhetoric that fuels misunderstanding, hate and violence. We stand in support of the rule of law, civil rights and human rights. We want to keep the feet of the power elites to the fire and demand accountability.

Michael Rothenberg and Alan Kaufman have written that with “the Fourth Estate under siege it is now up to writers, poets, artists and musicians to join in and put our shoulders to the wheel.…There is no Post-Truth Era for the world of [the arts].” And here we are …

It takes courage to speak out, but speak out we must and today we bring you a collection that we hope will hearten you, if only by virtue of seeing just how many people share your values. There is hope in that.

It begins, with one brave enough to appear.One idea, one voice in an asphalt void.Oligarchs try to crush all dissension with fear.Undaunted, the idea will not be destroyed,Shares roots with others; reassures, “I’m still here.” —Corina Ravenscraft

In this issue, Michael Watson, Priscilla Galasso, and Naomi Baltuck gift us with BeAttitudes that are measured, gain their wisdom from history and the arts, and speak to the long-term and to the preservation of democratic values.

“There’s a striking parallel between our current social order and that of the Middle Ages, in which the wealthy ruling class acted and peasants endured.” — warns Naomi Baltuck in Boots on the Ground

Thanks to Michael Dickel we offer a fine collection of protest music and an apologia for activist poetry. Zena Hagerty of HamiltonSeen brings us the life of Joe Hill, labor activist and song writer. In The Push, from Zena and her business partner, Cody Lanktree, we learn how Hamilton—the fourth largest city in Canada—courageously pushed back against abuses and lack of transparency in their city government. We have a flash fiction piece from poet and writer, Joe Hesch.

This month’s poetry collection is a rather extraordinary gift from poets who are well-established. They are published here alongside emerging poets we want to support and encourage. Together the poems serve to frame the current challenges we face in our world.

New to our pages this month (presented in no special order) are Greg Ruud, Russ Green, Joy Harjo, Alan Kaufman and our featured poet, Reuben Woolley. We are delighted to welcome Dianne Turner back.

Enjoy the Zine and do Resist! This is the moment.—Jamie Dedes, Managing Editor

My first contact with The BeZine came when Managing Editor Jamie Dedes wanted to review my book of poems, War Surrounds Us, and to interview me. Somehow, from there I became one of the many “core” writers who contribute to The BeZine community—and, because I am involved with 100-Thousand Poets for Change (100TPC), I ended up taking some responsibility for our annual live 100TPC online event. Now I have a nice title, Contributing Editor. As one of the core writers, and a contributing editor, I suggested the theme Resist! for this issue to coincide with the protest readings my friends Michael Rothenberg and Alan Kaufman have instigated.

I have been active in peace and anti-racism movements for years. I recall when I first heard about the Women’s Movement, as a high school student planning a student protest against the Viet Nam War. My academic work relates to violence and masculinity (see my essay, The Warm Blanket of Silence, in this issue).

However, this autumn marks, for me, one of the darkest periods in my memory. The rising influence of white supremacy (sic) movements, blatant misogyny, unapologetic homophobia, open anti-Semitism (from the right and the left), and sword-rattling (fake?) machismo in this last U.S. election—manifested openly and through “dog-whistles” by the President Elect, his supporters, and his advisors—recall the period before WWII. And not just in 1930s Germany—fascism was popular in the U.S. and much of Europe before the war, including a notorious “Fascist Plot,” also called “The White House Coup,” in 1933. Now the industrialists will have The White House—they don’t need a coup. The probable influence of Russia on our elections (not to mention the FBI) comes straight from 1950s nightmares. These dark shadows oppress my mood and sap my energy.

The only solution I know is to Resist! To stand with others and to say, loudly, “No!”

Jamie has expressed the idea of resistance positively above. And I agree with her. Resistance must be positive, but also strong. It should be non-violent (until violence becomes a necessary and last-resort defense). And it must be embedded in all that we do. My own poetry, art, music, teaching, and life should help awaken, empower, and facilitate resistance to the hate, indifference, and greed that permeate our political culture (a lofty goal I expect I will fail in, even as I attempt to achieve it). I hope to do so in ways that welcome dialogue and allow for diverse responses and approaches across a wide range of contexts. However, I will not “give him a chance” to promulgate hate, strip the environment, legislate for racism or hate, or further oppress those under the heal of the capitalist boot. I resist.

Congratulations to UK poet Reuben Woolley for the distinction of an invitation to The Fourth International Festival of Poetry in Marrakesh. All expenses are paid for by the festival organizers but the airfair. Just like the rest of us who earn our bread with poetry, Reuben’s purse is a bit light. Reuben has set up a Go Fund Me page to raise the money for airfare HERE.

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I am honored to take the lead for this issue of Rituals for Peace, Healing and Unity. Lately, I have not felt very peaceful. In large part, it is due to the election cycle in the United States. It fills me with incredible anxiety. At the same time, I am actively part of a movement called Peacemaking Circles. Peacemaking Circles came to me via Saroeum Phoung who was taught by the Tagish Tlingit First Nation Peoples. Peacemaking is an ancient process that has been traditionally used in all forms of communal and family decision-making. The first principle of Peacemaking Circles is: The only change you can make is within yourself.

As painful as that reality is, it is true. If you change yourself to become peaceful, to be healed, to be one with the greater cosmic community, that will be enough. Because as you are settled and grounded in peace, it will ripple out towards others.

In some ways, I think that we are seeing the rippling of a great many people that have a cosmic concern for the ways of peace. As it ripples towards others, it does, unfortunately, lead to an increase in violence, intolerance, and ickiness. But it will be overcome. Love will win in the end. But the journey can be an anxious one. Staying grounded in peace while the world loses its collective mind is a challenge. Being a non-anxious listening presence in the midst of overwhelming anxiety is hard. And so, we offer you this issue focusing on expressions of rituals for peace, healing, and unity.

You will find an exploration of the ritual of writing as a spiritual practice from Jamie Dedes, a dharma talk from Gil Fronsdale, a reminder from Ram Dass on how to see others, a beautiful poem on healing from Carolyn O’Connell, a folk tale and illustrative photograph from Naomi Baltuck, a calming video and poem from Bridget Cameron, a poem from Renee Espriu that aligns with Ram Dass and how we see, Michael Watson offers an essay on ritual that is spot on, Corina Ravenscraft offers her daily ritual as does John Anstie, and I am offering five rituals that I have written that focus on gratitude, naming and releasing negative feelings, decision-making, a ritual for touch, and a ritual for release.

I’m sure I’ve missed someone. It is not intentional! We have such a generous community.

So, I offer you this issue. Get your warm cup of tea or coffee or water, take a deep breath, sit back and read. Enter into the spirit of peace, pax, shalom, salaam, and pace.

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The Environment is a complex array of interconnections and interbeing (as Thich Nhat Hahn would say). Steve & I have various metaphors for this. He likes to refer to “his bowling pins”. He imagines setting up a toy set of pins on a lawn and bowling at them. When they scatter, you set them back up exactly where they landed and bowl again. This takes you all over the neighborhood in endless permutations. I think of “trophic cascades”, changes in an ecosystem that originate at an extinction or other dramatic altering of balance, similar perhaps to “the domino effect” but less linear. However you try to wrap your brain around it, the nature of Life on this planet is intricate and incomprehensible. We are wise to approach it with the utmost humility. Because we are intrinsically involved, however, we must not fear to engage. We are already immersed. We might as well learn to float, swim or drown with awareness. With that understanding, we invited our contributors to share their perspectives from where they are. And there are many other currents besides. Let me just mention a few for further research:

Environmental Law – there are some exciting changes emerging in the championing of the Rights of Nature in legal systems. Corporations have legal protection and rights as individuals in many countries, while communities and natural entities (bodies of water, land, animals, etc.) do not. The ability to stand up against the interests of a Corporation and say, “We don’t care if you want this resource. You can’t have it!” is an idea that can be incorporated into law. Thomas Linzey of the Community Environmental Legal Defense Fund (CELDF) is working to make that happen. Watch his keynote address to the Public Interest Environmental Law Conference (PIELC) HERE.

Deep Ecology/Environmental Philosophy – Deep ecologists are a group of philosophers who question the anthropocentrism embedded in the logic and ethics of Western culture. Arne Naess is the “Father of Deep Ecology”. Peter Singer is another important philosopher who spearheaded the discussion about the ethical treatment of animals in the early 70s. These philosophers are everything from temperate reformers (Aldo Leopold and Wendell Berry) to anti-civilizationists (Derrick Jensen).

Habitat/Wildlife/Green Corridors – where human interference has fragmented the landscape, other species suffer huge losses. Establishing connected corridors of undisturbed terrain help to shift the paradigm from domination to coexistence. The American Prairie Reserve has a habitat base of more than 353,000 acres. Read the story of this amazing management project HERE.

Organic Farming – the proliferation of large factory farms that employ pesticides, herbicides, hormones and other chemicals while dumping huge amounts of toxic waste on the land has significantly impacted the health of the planet. Soil health, human health, pollinator health – so many things are involved here. Returning to methods of food production that are more locally-scaled and less dependent on chemicals is a natural remedy, but must be radically and quickly implemented to turn degradation around. Support organic farming in your area!

In this issue our writers touch on many aspects of hope and its flip-side grief, sometimes head on and sometimes by a thread. In our lead features, Corina Ravenscraft urges us to act without expectation, to take life as it comes and Priscilla Galasso encourages us to do the work so that our hopes and dreams honor our true selves. In “You Just Never Know,” Naomi Baltuck gives us a fable about hope, perseverance and the unexpected.

Life, love, hope and dreams are explored from different perspectives by our poets, often from the perspective of the hopes we cling to despite wars and abuse. For the later see especially the Landays of Pashtun women in “I will die with a heart full of hope” and the poems of Imen Benyoub and Jenean Gilstrap. In “Ashen” k. writes about the quiet desire of a husband to stay connected to his wife who has died. In Hollie McNish’s poem, “Embarrassed,” she hopes – argues for – a society that gets past its nonsensical and puritanical attitudes toward breastfeeding. Renee Espriu speaks simply of hope and family in her poem “Eucalyptus Trees.” With Hélène Cardona’s “Life in Suspension” she trusts “the ripeness of the moment.” No stress. No strain. Luke Prater writes about the sacred moments and …

“When I knew mine was the life needed saving,
however seemingly insurmountable: this
is not an easy fade-to-black halfway home.”

With all our advice and encouragement, it’s never easy and we all need saving.

Jenean Gilstap and Hélène Cardona are new to our pages, and we are proud to introduce their work to you. Please be sure to check out their bios and Renee’s and Luke’s. This is not Renee’s or Luke’s first time here, but its been a while and we are delighted to welcome them back.

Terri Muuss is featured this month with her editorial, “For or Against,” wherein she clarifies the misconceptions and misunderstandings that arise from our communications in social media.

Enjoy!

In the spirit of peace, love and community,
for The Bardo Group Beguines,Jamie Dedes
Managing Editor

CONNECT WITH US

Access to the biographies of our core team, contributing writers and guest writers is in the blogroll where you can also find links to archived issues of The BeZine (currently in the process of updating), our Mission Statement and Submission Guidelines.

Thank you for sharing the beauty and inspiration:

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If the doors of perception were cleansed every thing would appear to man as it is, infinite.
For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.The Marriage of Heaven and Hell, William Blake

Faith! In the discussions here you won’t find consistent perspective or theology. You will find faith explored in its many manifestations, religious and otherwise. You’ll find it both shaken and unshakable and in things of the spirit, in nature and humanity, in intuition and in self and family. Unity here is not in things creedal but in the shared values of peace, sustainability and social justice and for many of us – implicitly – in ultimate salvation through artistic expression.

Unitarian Universalist Minister, Rev. Ben Meyers, starts us with an appeal to religions to give their prayers and vigils legs, to befriend one another into the groundswell of local social justice initiatives that ultimately help to inform and bolster global efforts toward equity, justice and peace.This couldn’t be more appropriate as The BeZine “went to press” amid news reports of yet more violence.

You will find our usual diversity represented: skepticism and atheism, the three Abrahamic traditions, shamanism, and the mystical perspectives of Buddhism, Hinduism and Sufism.

Our special selection of lead features and poems are by: shamanic practitioner and psychotherapist, Michael Watson; resident skeptic, James R. Cowles; the always engaging and level-headed analyst, Priscilla Galasso; the fallen altar boy, poet Joe Hesch; professional story-teller and photographer, Naomi Baltuck; our renaissance man in Sheffield, John Anstie; and university librarian, poet and artist, Corina Ravenscraft, on the ultimate triumph of the Universe.

Speaking from positions of their unshakable religious faith are: Algerian poet, Imen Benyoub, on the spiritual joys and family and community connection she finds in the holy tradition of Ramadan; Catholic Theologian, Fr. Daniel S Sormani, theology professor at Ateneo de Manila University, warmly writes about lessons learned from the homely life of the Blessed Virgin Mary; and our gentle Italian literary contributor, Mendes Biondo, tells of inspiration from the Bishop of Hippo Regius (current Annaba, Algeria), St. Augustine. Imen and Mendes are our two student contributors.

Two of our contributors allude to child sexual abuse but a third, Terri Muuss, addresses it head-on and in depth. These are experiences that may strengthen faith in self, though that doesn’t come without pain and work. Terri is featured this month in our popular “Getting to Know You” section.

Our July poetry collection covers matters spiritual, emotional and environmental with excerpts from published collections by Zine regulars: Matt Pasca, Terri Muuss, Myra Schneider, Silva Merjanian and Michael Dickel, contributing editor to The BeZine. With joy we welcome back two lights: German poet, photographer and educator, Dr. Aprilia Zank and English poet, Patricia Leighton.

New to our pages in this issue are:

Connie Spearing who writes of finally “seeing” her Irish grandmother with the accidental discovery of her family’s history during and after World War 1.

Sandra Renew’s s poetry expresses her opinions on the state of the world. She wonders who sleeps at night? Who is lucky enough to live in safety and peace?

Anca Mihaela Bruma, citizen of world, educated in Rumania, is a poet who writes spiritual autobiography. Anca wanted to incorporate some lovely music and art into her posts. Due to copyrights in one case (Dorina Costras’ art) and technical incompetence (mine) in the other, we are unable to share Dorina’s paintings or Anca’s soundcloud recordings. However you can view Dorina’s work HERE. You can listen to Anca on soundcloud HERE.

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One last word: DON’T FORGET TO SAVE THE DATE … Saturday, 24 September 2016 is The BeZine’s 100,000 Poets for Change, an eventwhich we host virtually. This event is part of an important annual arts initiative for global solidarity and peace, social justice and sustainability. Reader participation is invited and encouraged. This is a good time to share your work in the service of a worthy cause. As is our tradition, all submissions will be archived here and at Standford University. Instructions for participation will be provided on our blog that day with Michael Dickel serving as Master of Ceremonies. Between Michael and me, the event will run from morning in Israel to midnight in California. The theme this year is Environment/Environmental Justice. More detail HERE.

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Now, come friends. Read. Nourish yourselves at our table …

In the spirit of peace, love and community
and on behalf of The Bardo Group Beguines,Jamie Dedes
Founding and Managing EditorThe BeZine

CONNECT WITH US

Access to the biographies of our core team, contributing writers and guest writers is in the blogroll where you can also find links to archived issues of The BeZine (currently in the process of updating), our Mission Statement and Submission Guidelines.

Friendship: Such a homely topic and yet where would we be without friends, whether from childhood or new to us in retirement, whether with family, schoolmates, coworkers, online or in the flesh, our friends do indeed double our joys and make our grieving more bearable. Friends may share specific times in our lives or specific values and interests. Each friend is without a doubt among the great treasures of life and living.

This month our contributing writers and our guests explore the wide range of friendships, their observations and notably, their gratitude. From newborn friendships to one that has stood the great test of time and is in its sixtieth year, from friends who share our family life to those who accompany us in retirement, all are savored this month.

Poet Maggie MacKay debuted with us last month. We’re delighted to bring another of her poems to you today. We extend a warm welcome to poet Patricia Leighton, new to our pages.

Fathers can be our greatest champions and friends and we celebrate Father’s Day with Juan Felipe Herrera, former poet laureate of the United States. He’s a joy. Don’t miss that feature.

In our “More Light” section: We continue our well-received “Getting to Know You” series this month with interviews of Silva Merjanian, a frequent guest contributor, and Michael Watson, a member of the Bardo team from almost the beginning.

With Michael we also explore the consequences of disability in a special collection of features on illness and disability. You’ll find an inspiring piece there about a heroic friend of mine who, despite being legally blind, continues to ply her passion, fine art photography.

Contributing Writer, Joe Hesch, and Mendes Biondo – Mendes debuted with us last month – share their world class poety.

Among the features included in “More Light” is M.J. Tenerelli’s article about the process of publishing a poetry collection – Grabbing the Apple, An Anthology of New York Women Poets – which just launched a few weeks ago. A long-time friend of The Bardo Group Beguines, Dutch nature artist, Paula Kuitenbrouwer, shares the tranquility in her art, “Lotus Plant” and “Lotus Pond and Tortoise.”

Enjoy all and thank you for being the peace.

On behalf of The Bardo Group, Beguines, and in the spirit of peace, love and community,Jamie Dedes
Founding and Managing Editor

CONNECT WITH US

Access to the biographies of our core team, contributing writers and guest writers is in the blogroll where you can also find links to archived issues of The BeZine, our Mission Statement and Submission Guidelines.

APRIL is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten.
And drank coffee, and talked for an hour.…

A tidal wave of poetry, perhaps.

While Eliot declares the cruelty of April, April also happens to be National Poetry Month in the United States and Canada. In our online, social media world, it has become an international celebration of poetry as well. To join in this celebration, we in the Bardo Group Beguines dedicate the April issue each year to poetry. Many of us who write regularly for The BeZine are poets, and we usually include poetry. So, for us, it is a happy celebration—nothing cruel about it!

And what a wide-ranging celebration we offer in the 2016 National Poetry Month The BeZine issue! W. B. Yeats is oft quoted as saying, “What can be explained is not poetry.” So I won’t explain. I will tell you that Terri Muuss’ poem, “Thirteen Levels of Heaven,” takes you far and wide in a few grains of sand. “The Other Woman,” Imen Benyoub’s heart-wrenching poem, is not who you think—but in the current global storm of conflict and national political climate, indeed, she is Other. Michael Rothenberg’s “Poem for Mitko” personalizes the news we hear by imagining its impact on our mutual friend, Macedonian poet Mitko Gogov.

What these three featured poems have in common is their ability to take the intimate, the personal, the real moments of every day life, and reflect in and from them larger issues of humanity and life. Each describes very specific, personal scenes. According to Joy Harjo, “It’s possible to understand the world from studying a leaf.” And all of these poems open our eyes wide to the world. Sharon Olds tells an interviewer about poets she admires: “Their spirits and their visions are embodied in their craft. And so is mine.” And so are the spirits and visions of the authors gathered here.

“It may also be the case that any genuine work of art generates new work,” Donald Barthelme tells us in a Paris Review interview. As you read the poems, essays, interviews, and reviews in this month’s issue, I imagine that they will generate new art for you. Whether the art of living, the art of knowing others, or “the Arts,” you will want to do more of it after reading what we offer this month.

Last year, the Second Light Network of Women Poets (SLN) collaborated with The BeZine during April to present poetry from the SLN. In this year’s issue, you can read more about the network in “SECOND LIGHT NETWORK, showcasing the ambitious poetry of ambitious women.” Jamie Dedes’ essay “POET, TEACHER, INSPIRATION: Dilys Wood and the Latter-day Saphos” also sheds light on Dilys Wood, founder of the SLN. This year, in my dual roles of contributing editor here at The BeZine and associate editor at The Woven Tale Press, I have served as liaison in a new collaboration. The works specifically from the collaboration appear in their own section in the table of contents below.

However, the whole issue represents collaboration—not only between the two publications, but between all of the writers. We work together, as a community. In putting this all together with Jamie Dedes and my Bardo Group Beguines and Woven Tale Press colleagues, I came to realize how many of the poets here I know personally—separately from these two publications. We all come from an organic online writing community. By organic, I mean through no organized effort or special social website.

After years of knowing Michael Rothenberg through email and Facebook, I only finally met him in person this past summer. Terri Muuss and I met at Cornelia Street Café in Greenwich Village, also years ago, where her husband, Matt Pasca (who also has appeared in The BeZine), Adeena Karasick, and I performed one lovely evening. All four of us keep in touch through Facebook now.

I met gary lundy a long time ago and have spent time together, including road trips and as roommates for a few months. However, most of our friendship has been sustained and maintained by email and online connections—dating back to before any of us had heard of Facebook. UK poet Reuven Woolley, Romanian poet Liliana Negoi, Natasha Head, as well as Jamie Dedes and the rest of the Bardo Group Beguines, I only know “virtually.” Until a few months ago, the same was true for The Woven Tale Press publisher and editor-in-chief, Sandra Tyler.

Today, the world of poetry, as with everything else, has transformed under the influences of technology and social media. Last year, I spoke to a graduate-student seminar about social media, poetry, and the latest wave of “democratization of poetry.” That discussion evolved into the foreword of The Art of Being Human, Vol. 14, which you can read in this issue as “(Social) Media(ted) (Democratic) Poetry.”

I won’t try to count how many waves of “democratic” trends in poetry have washed up on the beach. A couple of centuries ago, poets were concerned “just anybody” might write poetry, and they didn’t think that was such a good idea. Some probably still don’t. Free verse and the Beats in the mid-Twentieth Century have been associated with the idea, for better or worse, depending on who made the association.

Today, poetry slams usually involve actual voting, as do many online sites. Self-publishing has become easy and cheap, so anyone could have a book who wants to, now. As a result of all of this, editors—such as those putting together a special poetry issue—serve much more as curators than as the gate-keepers of old. So, we may be in one of the greatest ever waves of “democratic” poetry.

A tidal wave of poetry, perhaps.

Don’t worry. While it will wash over you and change you, you won’t drown. Enjoy the poetry, writing about poetry, and other work presented here for your celebratory pleasure!

“There is something in me maybe someday
to be written; now it is folded, and folded,
and folded, like a note in school.”
― Sharon Olds

CONNECT WITH US

Access to the biographies of our core team contributing writers and guest writers is in the blogroll to your left along with archived issues of The BeZine, our Mission Statement and Submission Guidelines.

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With this issue, we bring to center stage a relationship in which we are all engaged in one way or another – our relationship to this Place. Call it Nature or Earth or Gaia or Creation, this is where all of us are born, where we will live our lives, and where we will die.

Does this place have a Spirit of its own? Does it have a will? How does it relate to us?

Those are some of the questions behind the pondering, the exploring, the dreaming and the planning that is communicated here in our writing, in our songs, in our art, and in our work.

Taking the lead in preparing this issue has been a great adventure for me. It has challenged me to hold the lens of Place in front of my eyes more intentionally and to listen more closely to the voices of those who look through different spectacles. It is my hope that the contents here will encourage sharper focus on this relationship for all of our readers.

I am delighted to have Michael Watson’s piece “The Gift of Relationship” to launch our journey. The essay “I Love This Place!” follows and establishes the Lead Features. John Anstie offers “An Alternative View of Nature” so that we might ponder not only joy, but also humility and personal cost in this relationship. This piece also ushers in our first Poetry section for this month. Nature provides so many metaphorical images that bloom into greater understanding as we ponder our interaction with the world. We have a marvelous cornucopia of poems from Zen-like to Romantic from our core members and newcomers to our group, a true garden of delights, broken into two sections: shade and full sun. (Can you tell I enjoy running with a theme?!)

So often the weight and depth of a crucial relationship is handled most gracefully in a good story. Naomi Baltuck is one of my favorite storytellers! She makes me feel the magic of my purest attempts to make meaning, the ones I began as a child. And she always includes great pictures! She offers a selection of her tales in our Story Corner.

Art and Photography are natural mediums for portraying this beloved Place. In this section, Michael Dickel will challenge your assumptions about the Holy Land and show you the true Nature of that country in personal photos…and then invite you to examine your perspective further in “Capturing and Interpreting Light”.

Two exceptional Essays put some real heartwood into this issue. “Staying Wild: How the Wilderness Act Changed My Life” by Annick Smith describes living the idea and practice of wilderness and illustrates a real alternative to human ‘trammeling’. “Let’s Hear It For The Bees! (Parts 1-3)” by Tish Farrell provides some important information about a current environmental crisis – a wake-up call to the vulnerability of Nature.

After the Full Sun section of our Poetry garden, we offer some cool Music with tight harmony and a timeless message.

In More Green Light, we gaze on “Life in Ordinary Time”, “Unseen”. Finally, “Who Is She?” introduces our Getting To Know You subject, the poet Joseph Hesch.

Variety, diversity, fecundity, liveliness – yep, this issue looks like Wilderness, Gardens and Green Spaces. I hope you enjoy exploring and engaging in this small space and that it inspires you to deeper and broader and higher interaction with the larger Place where we all live. –

Connect with us …

Access to the biographies of our core team contributing writers and guest writers is in the blogroll to your left along with archived issues of The BeZine, our Mission Statement and Submission Guidelines.

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“All God’s Creatures” … and what a menagerie we have, mostly dogs, cats and human beings … okay, a spider, a pig, a frog, a fly and a few birds.

This is a fun issue, though it has its inspirational moments too with the themed lead features by our premier essayists, Michael Watson and Priscilla Galasso; a lesson in detente from our resident Cannoness, Terri Stewart; and with characteristic grace, good criter-loving book recommendations and a call for compassion from Corina Ravenscraft. Judith Westerfield is back for a visit with An Amnesty for Daddy Longlegs, a short piece with a double-edge.

New in this issue with impressive bios and even more impressive work: Roger Allen Baut, Ann Bracken, Christi Moon and Judith Black.

You’ll enjoy a couple of true adventures in the Storytelling section with Judith Black in Turkey. She’s a funny lady.

Under best practices learn how Zena Hagerty and fellow artists turned the James Street area of Hamilton, Ontario from a rough neighborhood into an arts enclave where art crawls are held regularly, pulling the community together.

The featured interviews this month are Sharon Frye, Matt Pasca, Michael Dickel and Charlie Martin. All the interviews offer value added by virtue of vision and wisdom.

Many thanks to Michael Dickel for introducing Ann Bracken and Matt Pasca, to Naomi Baltuck for introducing Judith Black, and to Native American Girl for the music selection.

Enjoy! Let us know what you think in the comments section and with your likes. Thanks for joining with us in the celebration of life, love and art.

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When we planned this issue we planned to focus on “The Hero’s Journey.” We have done that, but events this past month also led to a spontaneous eleventh-hour addition, a special section, Waging Peace. Thank you to Rabbi Gershon Steinberg-Caudill, Rev. Ben Meyers, Father Daniel Sormani, C.S. Sp., Sophia Ali-Khan, the Unitarian Universalists of the San Francisco Bay/Peninsula, Michael Dickel, the Venerable Bhikkhu Bodhi and to Carla Prater, the assistant director of Buddhist Global Relief for her help.

Rabbi SteinBerg-Caudill is a Jewish teacher who espouses a Jewish Spirituality and Universalist teaching for the future brotherhood of all people. When I wrote to him about this effort he reminded me of what surely should be foremost in our minds and hearts:

“The Hebrew word for PEACE – שלום – does not imply a lack of strife. It implies instead WHOLENESS, COMPLETION. If one is in a state of peace, he can still be whole in a time of chaos.”

“I understand and often share the ‘urge of urgency’ over the peacefulness of peace. But this I also know: We live at the intersection of action and reflection.”

Father Sormani, a Spiritan priest (a Catholic) who has lived and worked in Algeria and Dubai and is now teaching theology at Ateneo de Manila University in the Philipines, asks What Have We Done that People Can Pick-up Weapons and Kill. Father Dan says:

“We have become our own worst enemy. Whenever we separate the world into ‘them’ and ‘us’, whenever we accept blind generalizations and cease to see a unique individual before us, whenever we forget we are all victims of carefully orchestrated deceit and deception for wealth and power, the force of darkness wins. Bullets will never win this struggle, only the heart and mind will.”

The Unitarian Universalist clerics of the San Francisco Bay/Peninsula share their open letter – With Faith in Love Beyond All Beliefs – encouraging the support of Muslims in our communities.

Lest you’ve missed Sofia Ali-Khan‘s letter, Dear Non-Muslim Allies, which has been making the rounds on Facebook and was also recently picked up by some mainstream media, we’ve included it here.

We’ve also included a video recitation of Tunisian poet Anis Chouchéne‘s profoundly moving poem against racism and fanaticism. Chouchène speaks directly to radical Islam … but I think you’ll agree that ultimately he speaks to all of us in our fear and ignorance.

Chouchène concludes as Father Dan does, that we must be able to see the individual.

Michael Dickel‘s poem Mosquitoes (excerpt from his chapbook, War Surrounds Us) is included. The poem starts out with Israelis and Palestinians crossing the artificial lines that divide to offer one another condolences on the deaths of their children. This is a favored poem of mine, especially so because The Bardo Group Bequines was formed to – in effect – cross boarders. Our mission statement is HERE. Michael spins the poem on to show how we are manipulated by the propaganda machine. Michael Dickel, Father Dan and Bkikkhu Bodhi are of a mind on this.

We’ve included a short video presentation on the seven steps to peace developed by peace activist, Rabbi Marc Gopin. Director of the Center for World Religions, Diplomacy and Conflict Resolution (CRDC) and co-owner of MEJDI, “a peace tourism business that embraces the multiple narratives of indigenous peoples.”

The Venerable Bhikkhu Bodhi is Buddhist monk in the Theravada tradition, an author and teacher. He is the founder of Buddhist Global Relief. With permission, we offer his 2015 talk given at the New Year’s Interfaith Prayer Service, Chuang Yen Monastery. In the same spirit as Rabbi SteinBerg Cadhill and Rev. Ben Meyer, Bhikkhu Bodhi says:

“Real peace is not simply the absence of violent conflict but a state of harmony: harmony between people; harmony between humanity and nature; and harmony within ourselves. Without harmony, the seeds of conflict and violence will always be ready to sprout.“

Bhikku Bodhi goes on to analyze the obstacles to achieving world peace, the prerequisites of peace, and the means to realizing these goals.

So here we are attempting to untie the ropes that bind us … certainly a hero’s journey … unchosen as hero’s journeys often are. Under our themed section, we explore the journey in its many manifestations – in its parts and in it’s whole – with features, fiction, memoir, and poems by John Anstie, James Cawles, Michael Dickel, Priscilla Galasso, Joseph Hesch, Charlie Martin, Corina Ravenscraft and Terri Stewart. Under “more light” – we can always use that, eh? – we have photo-stories from Naomi Baltuck, a poem from Brain Crandall and an essay from Michael Watson.

Special Announcement

Last week we unveiled our new community website thanks to long and hard work by Terri Stewart and generous funding by the Pacific Northwest United Methodist Church. You can read all about it HERE. You can visit it HERE. Please enjoy but also be patient, the tech gremlins are still at work. This site is set-up (both design and intention) to facilitate more participation with and among readers.

On behalf of The Bardo Group Beguines and in the spirit of love and community, Jamie Dedes, Managing Editor

For the past five years, September has been the month of 100,000 Poets for Change (100TPC). All over the world, poets (musicians, artists, and, yes, mimes) have organized events on or near a Saturday in September each of those years, this year, on the 26th. For this, the fifth anniversary of 100TPC, there are over 500 events scheduled throughout the world. The readers of, contributors to and publishers of The BeZine have participated with a virtual event in the past and will again this year on the 26th.

Meanwhile, The BeZine’s theme for September also supports the 100TPC call for peace, sustainability, and social justice, with our focus on poverty in general and homelessness in particular. This focus relates to social justice in an obvious way. Yet, how could we speak of sustainability without social justice? If we still have poverty and homelessness, what is sustained other than inequality? And, without social justice could there be peace? For that matter, could peace be sustained without both justice and environmental plus economic sustainability? Our choice is not to put one of these three above the other, but to recognize that all of these three important themes, necessary areas of change, interrelate in complex ways. So we chose one aspect to focus on, and in so doing, this issue clearly points to all three themes through the lens of poverty.

We open by featuring three incredibly powerful poems by Sylvia Merjanian, Refugee, Second Chance, and Collateral Damage. Refugee and Collateral Damage come from her collection, Rumor (Cold River Press—proceeds go to help Syrian refugees). Second Chance debuts here. These poems show the relationship of war to poverty, oppression, and sexual abuse. In reading these, one senses the immense personal costs of war, especially to women and children. They provide an important window into the staggering worldwide refugee crisis, currently the largest human migration since World War II. Refugees are homeless in so many ways, even when they have a house to live in. And, the world seems to conspire to keep them destitute.

That war directly and indirectly causes poverty does not surprise. You might not know, until you read James Cowles’ essay, The Roots of Institutionalized Poverty, that something called The Compromise of 1877, which ended the post-Civil War Reconstruction Era, provided the political and economic structures of poverty that continued strong through the Civil Rights Era and, in many ways, still exist today. Certainly we know that poverty is not new in the United States, and neither is homelessness. In this issue you will hear music of the Depression Era that sounds too familiar today. The first time I personally participated in an editorial process and writing publication related to homelessness was in 1989, for the University of Minnesota student paper, the Minnesota Daily. We produced a special finals’ week issue, Ivory Tower, dedicated to the theme.

Poverty and homelessness are evergreen issues historically, but issues also embedded in social and political complexity. They benefit the rich, whose economic system keeps most of the rest of us as, at best, “wage slaves,” and all too many of us in poverty, without enough to provide for basic needs or housing (including the “working poor,” who hold low-paying jobs while CEOs are paid record-breaking salaries and bonuses). Our second feature, Jamie Dedes’ poem, Some Kind of Hell to Pay, cries out against the structures of injustice, where the rich act as demigods and demagogues, and it asks of what use will all their riches be in the Hellish realm of the inevitable backlash from the marginalized and disenfranchised.

photo credit: Sharon Frye

The poems, prose, photo essay, and art in the rest of the September BeZine will ask you to feel, to see with empathy, to hope defiantly, and always to resist the status quo. The writers often look beyond the borders of the U.S. or Western Europe to see the injustices of a world-wide economic system of war, greed and injustice that makes it difficult to live outside of its oppressive realities—and for those pushed out, the available choices do not sustain their lives, their dreams, or their spirits.

Yet, people live, they dream, and they hope with spirit—often in defiance, sometimes by dying (see John Anstie’s As if and Sharon Frye’s Jacob’s Ladder in this issue), sometimes by living despite all of the forces lined up against their lives. Victoria C. Slotto’s Homeless Man tells of a “destitute” man whose story reveals that he may in fact have the most rich life of any of us. Always, there is more than what we see.

Read these words. Think about the change that could help to heal creation as Michael Yost’s poem Who Am I to Judge and Michael Watson’s essay The Realm of the Unimaginable speak to. Remember the admonition to think globally but act locally. And, most of all, imagine.

Then, join us on 26 September 2015, on our blog. Add your own thoughts, your own poems, your own essays. Join in our virtual, worldwide 100TPC event from wherever you live. We will post a page with instructions on our blog on the 26th. The posts will go up live. And, after the 26th, we will organize and archive the event (see the 2013 and 2014 pages in the tabs at the top of the page).

—Michael Dickel, Jerusalem

My poem from the 1989 Minnesota Daily Ivory Tower

Soil

iThe plow cuts, disk or chisel?How much of what lies below to bring upleave exposed to dry in the wind?What residue of last years’ cropto leave upon the soil, cover overto rot, return to the fertile land?

What fetish draws me along this furrow?Street and curb meet here.Step up or down into slime.Dust, trash tossed around and dropped by the blind wind.What fate ties strings to which embedded hooks,Pulls my flesh forward forever forward towards the street?

The Spring fete begins, seeds in muckanticipating dilettante dance of the chosen few.Weed out the hungry whose appetite starves wind-pressed grain shafts;water the rows of the obedient who face slick harvest,brittleness in the searing sun and death with Winter.

I move, farmer in these city streets, man among the chaff,I offer to fetch my elegant plow-tongue, to stop the wind,describe the deep earth and the rotted residue, the dry grasses and newspaperblown by, salvaged for shelter by the quick grasp of an old hand,pulled on top of gray hair to keep rain out.

iiI would pull the plow, but a voice from under the newspapercovers my shoes in mud and mire.

What d’you know ’boutall this?He spit

from mown rye-stubble fields,fetid earthen faceCrackedcrumbledcreased

Caressed once, long ago

All you see’s a bum. Fuck you, you son of a whore.

At home I do not wash the dirt from me,
I scrape it off, place it in a boxwith a key I open my belly and
secure the box within, sated.

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IMAGINATION and THE CRITICAL SPIRIT

The inspiration for this month’s theme is a quotation we think is Oscar Wilde’s. That hasn’t been confirmed to everyone’s satisfaction, but it did grab our interest generating a bit of Facebook discussion and a few flying emails.

“The imagination imitates. It is the critical spirit that creates.”Oscar Wilde

Three of our stars – Priscilla Galasso, Liliana Negoi and Corina Ravenscraft – have explored the theme in their essays. They have a few thin threads in common but they each also have a unique view. Read and join the conversation. Does imagination imitate and critical spirit create? If so, why and how? If not ??? … Share your thoughts in the comments section below each essay.

We are thigh-deep in 100,000 Poets (and writers, artists, photographers, musicians and friends) for Change [100TPC]. In this issue we feature Michael Dickel’s article and photographs, Salerno, il mio amore about the first world conference on the future of 100TPC, which was held in Salerno, Italy just this past June. Michael, an American-Israeli Reform Jew, has organized two 100TPC events in Israel and is working on one scheduled for October this year. Michael is also the lead person on The BeZine for our virtual event this September, which involves reader participation.

Not all of us are professional photographers but thanks to our smart phones many of us have become avocational photographers and will appreciate Seattle-based Rev.Terri Stewart’s thoughts in her two-part feature, Sacred Space and Photography.

Our poetry collection this month includes Algerian poet and Renaissance woman Imen Benyoub’s Elements, which will charm you and you might be surprised by some of the elements she includes. You’ll be made to think, chuckle wryly and sigh as you read Michael Dickel’s My Free Poetry Book (a poem).Joe Hesch and Lily Negoi delight as always with their singular work. (Lily’s work, by the way, can be read in her native Romanian as well as in English at curcubee în alb şi negru.) And hang onto your seats for a good laugh with Naomi Shihab Nye’s When Did You Stop Being a Poet (One Boy Told Me).

Los Angeles-based Simone Frame MA CCC-SLP, RP is a new guest writer here with her feature Clarity Is Just Above Your Problems. Simone is the founder of Healing Life Insights. Welcome, Simone!

Opsimaths, Polymaths and Poets is an update including poems on Second Light Network of Women Poets (UK based but not restricted to the UK) and on ARTEMISpoetry. Second Light partnered with The BeZine for interNational Poetry Month in April. Three poems are included in the feature and – as I often say – the network is for women but the poetry is for everyone.

Thank you for sharing the beauty and inspiration:

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Storytelling: It’s a means by which we are entertained but also by which we explore meaning and develop our internal fortitude, our moral fiber, values and identity … At least that was the purpose before storytelling was so grossly co-opted by marketing with its push to accumulation and self-aggrandizement. This month in our lead feature, Healing Stories,Michael Watson, therapist and Native American shaman, explores the power of storytelling to heal in the context of tradition and of therapy.

Our resident professional storyteller, Naomi Baltuck, gifts us with four photo stories, small gems that will make you smile and laugh and remind you of what really matters in life.

The poem, Mourning Brooch, reflects on the power of memory when it evolves into story. John Anstie‘s poem is a love story for his grandson. How many of us have told our children or grandchildren stories about their birth, it’s meaning to us, and what we want to leave them as legacy? Turtle Speaks explores meaning in Native American stories about Turtle.Charlie Martin, Joe Hesch and Myra Schneider use poetry to tell their stories or those of others. For Charlie it’s all about social conscience, compassion and justice. For Joe Hesch it’s often about nature and history. For Myra it’s about the different ways that both fine art and everyday things move her … and by extension, us.

Señora Ortega’s Frijoles is a short story about dichos (sayings), which are used to pass tradition and values from one generation to the next … just like storytelling.

Silva Merjanian shares four poems from her second collection, Rumor (Cold River Press). We introduced Silva here last month. Silva’s poems tell us the stories of war – not simply a reaction to the news of war as in my own The Doves Have Flown – but her experience of war.

We shared in the last issue that Silva and her publisher are donating all profits from the sale of Rumorto the Syrian Armenian Relief Fund. As I was preparing this intro I learned that thus far they have raised $1,397.73. Well and kindly done, Silva.

The use of poetry to raise funds for worthy causes is not new to our contributors and readers. John Anstie and the Grass Roots Poetry Group donate the funds from Petrichor Rising to UNICEF. Therein lies another story featured this month: “Petrichor Rising” … or how the Twitterverse birthed friendships that in turn birthed a poetry collection …

With a nod toward spring in the Western Hemisphere, Corina Ravenscraft serves up a charming soupçon of gardening advice, a small treasury of hints to help you garden with simplicity, patience, and compassion. It’s all about balance, whether you are caring for plants or for your own spirit.

As you go through your days, do your work and practice your art, we hope you keep in mind the meaning and value of the stories you hear and read and of your own story as it unfolds. We hope you’ll share your stories in the comment sections here or via books or blogs or at gatherings of family and friends.

Enjoy this issue. Be sure to “like” and comment to let contributors know what you think and that you value their hard work and their contributions. The BeZine is entirely a volunteer effort, a gift of love. (Our mission statement is HERE.) Any ads you see are not our own. They are WordPress ads used to defray their cost of hosting blogs and websites.

Be the peace.

Thanks for visiting us.Jamie Dedes

Illustrations: Header via Wikipedia under CC BY-SA 2.0 license, A very fine par dated 1938 A.D. The epic of Pabuji is an oral epic in the Rajasthani language that tells of the deeds of the folk hero-deity Pabuji, who lived in the 14th century.; photo #1 (public domain) via The How and Why Library, E. Irving Couse, A. N. A.; The Historian; The Indian Artist is painting in sign language, on buckskin, the story of a battle with American Soldiers; photo #2 (public domain) via Wikipedia, The Boyhood of Raleigh by Sir John Everett Millais, oil on canvas, 1870. A seafarer tells the young Sir Walter Raleigh and his brother the story of what happened out at sea.