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William Glynne-Jones was born and grew up in Llanelli. When he was 16, he started working at the Glanmor Foundry as a steel foundry ‘moulder’, but was released at the age of 36 on medical grounds. The novels Farewell Innocence and Ride the White Stallionare semi-autobiographical accounts of the journey of Ieuan Morgan from foundry worker to man of letters.

They are described by the writer and broadcaster Jon Gower as being

“Written with a deep authenticity born from bitter experience, William Glynne-Jones depicts life in the fictional town of Abermôr and especially the daily grind of foundry life, in a workplace fraught with dangers. Farewell Innocence is a heartfelt and affecting account of a young man’s rites of passage in hard times.”

Farewell Innocence

“A world of green: a new and weird world of grim, dark shadows and frenzied activity; of conflicting sounds varying from the roar and thunder of overhead gantries, the sharp, shrill staccato beat of automatic hammers, to the echoing ring of steel upon steel, and the hollow wheezing and thumping of the hydraulic moulding machines”.

Starting as an apprentice at Bevan’s foundry, Ieuan Morgan enters a new and testing world. His colleagues soon turn out to be his tormentors while life at home is not without its challenges. It is hard for the young man to sustain his dreams of one day being a writer, and of a better world. Things have to get worse before getting better so unemployment casts its long shadow over the town. But the lay-offs give the gifted Ieuan time to read and think and on a visit to the fair to meet Sally, a gentle, consumptive young woman from the wrong side of the tracks. With this, his destiny changes course.

Ride the White Stallion

“The foundry was working at full pressure. In spite of the dismal conditions – the stifling heat, the silica dust that hung in clouds in the air, the crude ventilation, and the strenuous labour – the men seemed happy and companionable. A certain measure of security had come at last after the long years of unemployment; the dread of the dole was behind them”.

Life in the foundry is changing Ieuan Morgan, whose hands, once familiar only with the feel of books are now dark, knotted and fiercely strong. He dreams of writing and the day his young love Sally will come home from the convalescence home. When that day arrives Ieuan’s life starts to feel complete and marriage only deepens that conviction. But much longed for success with his writing brings with it new temptations, when Stella Courtland, the sophisticated editor of a fashionable magazine enters the young man’s life.

Ride the White Stallion is the sequel to Farewell Innocence, charting the trials and travails of Ieuan Morgan at the foundry and in his family life. It is an account of a young man’s creative awakening amid the challenges of domestic penury and downright hard graft. A portrait of an industrial town as well as a convincing character study, Ride the White Stallion is shot through with truth and honesty, twin hallmarks of Glynne-Jones’s work.

About the Author

William Glynne-Jones (1907–1977) was a Welsh novelist, short story writer, broadcaster and journalist. He was born and grew up in Llanelli. When he was 16, he started working at the Glanmor Foundry as a steel foundry ‘moulder’, but was released at the age of 36 on medical grounds. Soon, he moved to London with his family and started his career as a writer. Many of his works have been published, including four novels, several children’s books and short story anthologies.

“Old soldiers never die, Never die, never die, Old soldiers never die — They simply fade away.

Old soldiers never die, Never die, never die, Old soldiers never die — Young ones wish they would.”

sings a popular barrack ballad, as General Macarthur quotes in one of his famous speeches.

Two new titles for the Library of Wales series in 2016.

Arguably the greatest of all published memoirs of the Great War, Old Soldiers Never Die is Private Frank Richards’ classic account of the war from the standpoint of the regular soldier, and a moving tribute to the army that died on the Western Front in 1914.

In this remarkable tale, Richards recounts life in the trenches as a member of the famous Royal Welch Fusiliers, with all its death and camaraderie, in graphic detail, vividly bringing to life the trials and tribulations faced by the ordinary rank and file.

Also by Frank Richards in the Library of Wales series is the Old Soldier Sahib.

...a remarkable and fascinating account... --Phil Carradice, BBC

Old Soldier Sahib is Frank Richards’ account of his experiences as a Royal Welch Fusilier in India and Burma at the dawn of the 20th century.

Richards recounts with brutal honesty the everyday life of a common soldier in the Indian Empire, where prostitutes beckon, alcohol flows freely, and deadly diseases threaten to strike down even the hardiest of men.

A favoured text of poetry courses UK-wide, the Library of Wales anthology Poetry 1900-2000 is being reduced to help all those picking up their books nice and early for the forthcoming academic term save those pennies!

If you buy three copies or more of the anthology from the Parthian webstore, you'll get 99p off the price of each copy you buy! Just enter 3ORMOREPOETRY in the 'Voucher code' box at checkout to receive the discounted price.

Poetry 1900-2000

Editor: Meic Stephens

ISBN: 9781902638881

'Poetry 1900-2000 is ... a cultural act, and a landmark in the English language writing of Wales. It is by far the most comprehensive collection of Welsh poetry in English in the Twentieth-century which we have had – or are likely to have.' - Tony Brown, Cambria

A collection of poems by some of the most legendary names in poetry from Wales - David Jones, Idris Davies, Vernon Watkins, RS Thomas, Dylan Thomas and Alun Lewis. Featured also are works by contemporary poets such as Dannie Abse, Tony Conran, Gillian Clarke, Tony Curtis, Robert Minhinnick and Gwyneth Lewis.

'Davies’ voice is attractive because it is so unusual, so untarnished by sophistication, and this may perhaps account for many aspects of Davies’ ‘otherness’ – something Bernard Shaw was attracted to. You could argue Shaw appreciated a social experiment related to his Pygmalion (1913) in Young Emma – the parallels are obvious, only in this facsimile Henry Higgins is an ex-tramp.'

The Impact Awards celebrate the ways in which the University’s research makes a difference to society, the benefits it brings, and the influence it has on individuals, communities, industry, and policy development.

The Awards recognise outstanding impact across six categories, which are open to University staff, researchers at all career stages, as well as research groups, partnerships and projects.

The Impact Awards form part of a programme of activities supported by the University’s Impact Acceleration Account, sponsored by the Engineering and Physical Sciences Research Council.

Chris Marshall, who project manages the Impact Acceleration Account, said: “The University is very grateful to the organisations that have chosen to sponsor the event and made it possible to recognise publicly the achievements of our researchers.

“The University was founded by industry in 1920, with a remit to deliver research for industry. The results of the Research Excellence Framework 2014 showed that Swansea ranked 22nd in the UK for research impact, so it is clearly still in our DNA to deliver research that impacts on the wider world.”

The Swansea University Impact Awards will take place on the 18th June, at the Marriott Hotel, Swansea.

Dannie Abse 1923–2014: A tribute featuring music by Jobina Tinnemans

22 September 1923–28 September 2014

Today marks the date of Dannie's Abse's memorial in London, and to celebrate this occasion, as well as the work of the man himself, we are delighted to present a musical interpretation of/accompaniment to Dannie's poem 'Winged Back', chosen to represent the year 1953 in Carol Ann Duffy’s bestselling anthology Jubilee Lines. The song can be listened to by clicking here.

1953

Dannie Abse

Winged Back

Strange the potency of a cheap dance tune.

– Noel Coward

One such winged me back to a different post-code,

to an England that like a translation

almost was, to my muscular days

that were marvellous being ordinary.

365 days, marvellous;

to an England where sweet-rationing ended,

where nature tamely resumed its capture

behind park railings. Few thorns. Fewer thistles;

to Vivat Regina and the linseed willow-sound

of Compton and Edrich winning the Ashes.

Elsewhere, Troy always burning. Newspaper stuff.

The recurring decimal of calamity.

Famine. Murder. Pollinating fires.

When they stubbed one out another one flared.

Statesmen lit their cigars from the embers.

Jobina Tinnemans is a Pembrokeshire-based contemporary composer, who composes in crossing genres of new classical and electronic music. In 2013 she received a MATA NYC commission, a festival co-founded by Philip Glass. She represented the UK at the World Music Days in Wroclaw, Poland, last year and is a New Voices composer for the British Council. Currently Jobina is working on a Sound And Music commission for the Apartment House ensemble in London. You can hear more of her music at www.jobinatinnemans.com.

Dannie Abse was born in Cardiff in 1923 and grew up in the city. After studying at the Welsh National School of Medicine, he moved in 1943 to London where he continued his medical studies at King’s College and Westminster Hospital; his military service was done in the RAF. Qualifying as a doctor in 1950, he worked as a specialist in a chest clinic on the fringes of Soho; he lived in Golders Green, but kept in touch with Wales through his support for Cardiff Football Club and his presidency of the Welsh Academy, the national association of writers, and for many years he had a home at Ogmore-by-sea; he also edited the anthology Twentieth Century Anglo-Welsh Poetry (1997). He published some sixteen books of verse; they include After Every Green Thing (1948), Walking under Water (1952), Tenants of the House (1957), A Small Desperation (1968), Funland (1973),Way Out in the Centre (1981), Ask the Bloody Horse (1986), On the Evening Road(1994), Arcadia: One Mile (1998) and Running Late (2007); many of his poems on Welsh themes are to be found in Welsh Retrospective (1997). He also wrote a number of prose works, mainly autobiographical, which include Ash on a Young Man’s Sleeve (1954) and A Poet in the Family (1974). His Collected Poems 1948-88, entitled White Coat Purple Coat, appeared in 1989 and his New and Collected Poems, nearly three hundred in all, in 2003; a small selection was published in the Corgi series as Touch Wood in 2002. At the heart of his work lay a fascination with the foibles of human nature and he reserved his warmest admiration for those who have refused to conform and have suffered as a consequence. As a Jew, albeit secular, he was particularly sensitive to political pressures; a stronger awareness of his Jewish identity came to the fore in his mature work and some of his later poems dealt specifically with the Holocaust. In all his verse there is, in about equal measure, a deep melancholy and a sheer delight in everyday experiences, some of which is based on his experiences as a doctor. His poems have a haunting power, in which there is a place for nostalgia, humour, irony, optimism and a delicious sense of the incongruous and mysterious.

Dr Heather Williams (Centre for Advanced Welsh and Celtic Studies, Aberystwyth) and Jamie Harris (Aberystwyth University) have been announced as this year’s winners of the prestigious M. Wynn Thomas Prize for outstanding academic work in the field of Welsh Writing in English. Once again, submissions were of a very high quality, and the judging panel (Dr Matthew Jarvis, Aberystwyth University/University of Wales Trinity St David, Dr Aidan Byrne, Wolverhampton University and Dr Alyce von Rothkirch, Swansea University) were hard-pushed to arrive at a decision. The panel felt that the winners’ work showed exceptional scholarship as well as the willingness to explore new territory.

Winners receive £150 each and a full set of the Library of Wales titles published by Parthian Books. The prize will be awarded at the annual conference of the Association of Welsh Writing in English, ‘The Country and the City: Rural and Urban Wales’, to be held at Gregynog Hall, Powys, 27-29 March 2015.

Carwyn: A Personal Memoir by Alun Richards is new in the Library of Wales series. It has been described by The Times "As one of the most readable books on rugby" written by the Pontypridd born writer and dramatist Alun Richards. This new and revised edition is launched at London's Brand Exchange on Friday, March 6th by the writer and publisher Lewis Davies, author of Work, Sex and Rugby and twice winner of Bryncoch RFC second team Player of the Year award. The launch begins at 6pm - 9pm and will be followed by an art exhibition.

Welsh Week is a week of Welsh art, food, music and culture to celebrate St David’s Day, organised by Brand Exchange and The Gallery Yr Oriel Newport Pembs. Entry to the gallery and events is free to invited guests. To reserve your place, please email enquiries@brandexchange specifying which event(s) you would like to attend or call 0207 389 9410.

Carwyn James treated rugby football as if it was an art form and aesthetics part of the coaching manual. This son of a miner, from Cefneithin in the Gwendraeth Valley, was a cultivated literary scholar, an accomplished linguist, a teacher, and a would-be patriot politician, who also won two caps for Wales. He was the first man to coach any British Lions side to overseas victory, and still the only one to beat the All Blacks in a series in New Zealand. That was in 1971, and it was followed in 1972 by the triumph of his beloved Llanelli against the touring All Blacks at Stradey Park. These were the high-water marks of a life of complexity and contradiction. His subsequent and successful career as broadcaster and journalist and then a return to the game as a coach in Italy never quite settled his restless nature.

After his sudden death, alone in an Amsterdam hotel, his close friend, the Pontypridd-born writer, Alun Richards set out through what he called “A Personal Memoir” to reflect on the enigma that had been Carwyn. The result, a masterpiece of sports writing, is a reflection on the connected yet divergent cultural forces which had shaped both the rugby coach and the author; a dazzling sidestep of an essay in both social and personal interpretation.

“One of the most readable books on rugby... a stylish contribution to the game’s history.” The Times

“The best evocation there is of this charismatic if restless man.” Gerald Davies

“The Welsh persona is at the heart of Alun Richards’s book, so much so that the reader could be forgiven for imagining that Dylan Thomas played fly half for Swansea and that Harry Secombe hooked for Pontypool, and perhaps still does... untold pleasure and excitement.” Chris Laidlaw, The Sunday Times

“A craftsman, a wordsmith who can compel you to re-read and savour a sentence, a paragraph or a number of pages...” The Observer

“Stayed up half the night and cracked the dawn. Loved it.” Cliff Morgan

“A beautifully written insight into the very heart and soul of Welsh Rugby and a handsome addition to the literature of the game.” Bill McLaren

After releasing number 39 in the Library of Wales series last October - Rhys Davies' second novel in his acclaimed Rhondda trilogy, A Time to Laugh - we're barely stopping to pause for breath after the Christmas break in our quest to bring you more classic Anglo-Welsh fiction! Indeed, we have another four releases forthcoming in the next three months:

1) New, separate editions of Cwmardy and We Live, Lewis Jones' epic industrial novels of the 1930s, which will comprise numbers 4 and 41 in the series respectively. These are being finalised and will be released shortly, replacing the current dual edition.

Cwmardy

Lewis Jones

The first of Lewis Jones' two epic industrial novels of the 1930s.

Big Jim, collier and ex-Boer War soldier, and his partner Siân endure the impact of strikes, riots and war, while their son Len emerges as a sharp thinker and dynamic political organiser.

Cwmardy paints a graphic portrait of the casual exploitation, tragedy and violence as well as the political hope and humanity of South Wales industrial workers from the 1900s to the 1930s.

We Live

Lewis Jones

The second of Lewis Jones' two epic industrial novels of the 1930s.

Len, son of Big Jim and dynamic political organiser, takes centre stage in Lewis Jones' sequel to Cwmardy. Along his journey, he is influenced by Mary, a teacher, and the Communist Party, which becomes central to his work both underground and in union politics, and to his decision to leave and fight in the Spanish Civil War.

We Live paints a graphic portrait of the casual exploitation, tragedy and violence as well as the political hope and humanity of South Wales industrial workers from the 1900s to the 1930s.

2)Autobiography of a Super-tramp author W. H. Davies' moving and revealing memoir of real life at the turn of the century, Young Emma. This will comprise number 40 in the series, and will be released in early March.

Young Emma

W. H. Davies

Aged fifty, acclaimed by the literary intelligentsia and exalted by London society since the publication of The Autobiography of the Super-Tramp in 1908, W. H. Davies finally decided to marry. Casting aside the praise and trinkets which populated his old life, he took to the streets of London to find a bride towards the end of World War One.

From his affair with Bella, the wife of a Sergeant Major, to his year-long liaison with the gentle Louise, to the turbulent brushes with a drunkard who fears her own murder at his hands, Davies lurches from happiness and affection to annoyance and apathy. That is, until he meets Emma.

A moving and revealing memoir of real life at the turn of the century, Young Emma is W. H. Davies’ frank and honest account of the relationship with the woman he encountered on a London street corner who was to become his wife.

Featuring a foreword by C. V. Wedgewood and an appendix by George Bernard Shaw.

“An extraordinary memoir destined to become a classic” Publishers Weekly

“Young Emma is a masterpiece, and stranger than any fiction” Sunday Telegraph

“Classic... remarkable... an extraordinary manuscript” The Observer

3)Carwyn: A Personal Memoir, Alun Richards' personal reflection on the connected yet divergent cultural forces which had shaped both himself and the legendary Welsh rugby coach Carwyn James, will also follow in early March as number 42 in the series.

Carwyn: A Personal MemoirAlun Richards

Carwyn James treated rugby football as if it was an art form and aesthetics part of the coaching manual. This son of a miner, from Cefneithin in the Gwendraeth Valley, was a cultivated literary scholar, an accomplished linguist, a teacher, and a would-be patriot politician, who also won two caps for Wales at outside-half. He was the first man to coach any British Lions side to overseas victory, and still the only one to beat the All Blacks in a series in New Zealand. That was in 1971, and it was followed in 1972 by the triumph of his beloved Llanelli against the touring All Blacks at Stradey Park. These were the high-water marks of a life of complexity and contradiction. His subsequent and successful career as broadcaster and journalist and then a return to the game as a coach in Italy never quite settled his restless nature.

After his sudden death, alone in an Amsterdam hotel, his close friend, the Pontypridd-born writer, Alun Richards set out through what he called “A Personal Memoir” to reflect on the enigma that had been Carwyn. The result, a masterpiece of sports writing, is a reflection on the connected yet divergent cultural forces which had shaped both the rugby coach and the author; a dazzling sidestep of an essay in both social and personal interpretation.

“One of the most readable books on rugby... a stylish contribution to the game’s history.” The Times

“The best evocation there is of this charismatic if restless man.” Gerald Davies

“The Welsh persona is at the heart of Alun Richards’s book, so much so that the reader could be forgiven for imagining that Dylan Thomas played fly half for Swansea and that Harry Secombe hooked for Pontypool, and perhaps still does... untold pleasure and excitement.” Chris Laidlaw, The Sunday Times

“A craftsman, a wordsmith who can compel you to re-read and savour a sentence, a paragraph or a number of pages...” The Observer

“Stayed up half the night and cracked the dawn. Loved it.” Cliff Morgan

“A beautifully written insight into the very heart and soul of Welsh Rugby and a handsome addition to the literature of the game.” Bill McLaren