Sunday, May 8, 2016

This week’s column is a sequel to last week’s. For readers who missed
the first part, I pointed out that in April ( which is Shakespeare’s birth
month) and May (the month that he died), it is usual to celebrate Shakespeare
in literary and grammar circles by calling attention to the everyday English
idioms, expressions, and turns of phrases we owe to his prodigious oeuvre. In
what follows, I continue and extend what I started last week:

"An eye-sore." An
eyesore is anything that violates our visual sensibilities; that is
objectionably ugly. It was first used in Shakespeare’s play titled Taming of the Shrew. In Act III Scene 2
of the play, a character by the name of Baptista Minola uses the word this way:
“Fie, doff this habit, shame to your estate/An eye-sore to our solemn
festival!” The modern spelling of the word dispenses with the hyphen.

"Brave New World."
This refers to a significant period in the history of a society. The expression
came to us from Shakespeare's play The
Tempest, which Shakespeare scholars say was written between 1610 and 1611.
It appears in Act 5 scene 1 of the play: “How many goodly creatures are there here!/How beauteous mankind is! O brave new world/That has such people in
’t!”

"Breathe one's
last." Most people use this expression as a euphemism for “die.” It
was first used in Shakespeare’s Henry VI
in the sentence, “Montague has breathed his last."

“Brevity is the soul of wit.”
This is one of my favorite Shakespearean aphorisms. It often comes in handy
when I teach news writing. It means good writing or speech should be concise
and to the point. It’s often invoked to discourage long, laborious writing or
speech. It first appeared in Shakespeare’s famous play, Hamlet, where a character, Polonius, says, “Since brevity is the
soul of wit / And tediousness the limbs and outward flourishes, I will be
brief…”

“Cold comfort.” It means
sympathy or encouraging that does little to mollify us, as in “he told me that
time heals all wounds but that was cold comfort to me." Several scholars
have persuasively argued that Shakespeare didn’t invent the expression; it had
existed at least 200 years before he was born. Nevertheless, his use of the
expression many times in several of his plays sure popularized it.

“Exceedingly well read.” The
phrase explains itself: it means one who is highly educated. It was Shakespeare
who first coined this turn of phrase in Henry
IV Part 1 where the character Mortimer says, “In faith, he is a worthy
gentleman/ Exceedingly well read, and profited/ In strange concealments,
valiant as a lion/And as wondrous affable and as bountiful/ As mines of India.”

“Have blood on one’s hand.”
We often say people have blood on their hands when they are responsible for a
murder or grievous injury—either directly or indirectly. The phrase has origins
in the play Macbeth, where Macbeth
says, “Will all great Neptune’s ocean wash this blood/Clean from my hand? No,
this my hand will rather/The multitudinous seas incarnadine,/Making the green
one red.” Shakespeare’s use of “blood” to symbolize guilt is metaphoric.

"Devil incarnate."
This phrase will rank in the top 20 most popular Shakespearean expressions in
use in modern English. It basically means what it says: devil in human form,
and is used to describe an intolerably detestable person. Shakespeare used it
in two of his plays: King Henry V
(written in 1598) and Titus Andronicus
(written in 1588). In King Henry V,
it appears in the following sentence:
“Yes, that a' did; and said they were devils [sic] incarnate.” In Titus Andronicus, it appears in the
following dialogue: “LUCIUS: O worthy Goth, this is the incarnate devil/That
robb'd Andronicus of his good hand….”

"Into thin air."
To disappear into thin air is to vanish without a trace. The phrase, which is
now idiomatic, was first used in The
Tempest this way: “As I foretold you, were all spirits and/Are melted into
air, into thin air.”

"The game is up."
We often say this to let people know that the secret, often unsavory, plot they
had been hatching has been discovered and that they should discontinue it. In
other words, it means we have seen through their trickery and that they should
just give up now. It was passed down to
us from Shakespeare's Cymbeline
(written in 1611) in this dialogue: “Euriphile, Thou wast their nurse; they
took thee for their mother/And every day do honour to her grave:/Myself,
Belarius, that am Morgan call'd,/They take for natural father/The game is up.”
It is also rendered as “the jig is up” in modern English.

"Strange bedfellows."
Strange bedfellows are temporary associates who ordinarily have no reason to relate
to each other because of their vast differences. The phrase is mostly used in
contemporary English to describe incongruous, often opportunistic, political
alignments. It was first used in Shakespeare’s The Tempest (2:2) this way: “Misery acquaints a man with strange
bedfellows.”

"Household
words." We say someone or something is a household word when they are
exceedingly popular. These days, the phrase is also rendered as “household
name.” The first known usage of “household words” in the English language
appeared in Shakespeare’s Henry V,
IV.3.52: “Old men forget: yet all shall be forgot [sic]/But he'll remember with
advantages/What feats he did that day: then shall our names/Familiar in his
mouth as household words.”

“One fell swoop.” This is a
favorite phrase in Nigerian journalese. It means “suddenly; in a single
action,” as in, “After taking over power, the military dissolved all democratic
institutions in one fell swoop.” It isn’t certain if Shakespeare neologized it
or merely gave it currency, but the phrase came to us from Macbeth (1605) from the following dialogue: “All my pretty ones?/
Did you say all? O hell-kite! All?/

What, all my pretty chickens and their dam/At one fell swoop?”

"Foregone conclusion."
A foregone conclusion is something that is certain to happen. It was first used in Othello (1604): “But this denoted a foregone conclusion:/ 'Tis a
shrewd doubt, though it be but a dream.”

“Wear my heart upon my sleeve.”
This means to openly show one’s emotions. The origin of the expression is often
traced to Shakespeare’s Othello where
it appears in the following dialogue: “The native act and figure of my heart/In
compliment extern, 'tis not long after/But I will wear my heart upon my
sleeve/For daws to peck at: I am not what I am.”

“In my heart of hearts.” It
means my deepest feelings; the core of my emotions. Shakespeare coined the
expression in Act 3, scene 2 of Hamlet,
where it appears as “heart of heart,” not the modern variant we are used to:
“Give me that man/That is not passion's slave, and I will wear him/In my
heart's core, ay, in my heart of heart/As I do thee.”

“Give the devil his due.” It
means we should acknowledge the good qualities in even otherwise objectionable
people. It’s also used to mean repay people you owe, however bad they may be. It
was popularized from Shakespeare's Henry
IV Part 1, in the following dialogue:

“Constable: I will cap that proverb with 'There is flattery in
friendship.'

Orleans: And I will take up that with 'Give the devil his due.'”

“Kill with kindness.” It means to overwhelm someone with compassion
and benevolence. Shakespeare first used the expression in The Taming of the Shrew, Act 4 scene 1: “And if she chance to nod
I’ll rail and brawl/And with the clamor keep her still awake/This is a way to
kill a wife with kindness/And thus I’ll curb her mad and headstrong humor.”

Others:

There will be no end to this series if I choose to highlight the
Shakespearean roots of the many conversational phrases we use today. But I will
leave you with these additional expressions: "The better part of valour is
discretion" - Henry IV, Part 1, V.4.118-119; "The primrose path"
- Hamlet, I.3.50; "The be-all and the end-all" - Macbeth, I.5.16;
"Stood on ceremonies" - Julius Caesar, II.2.13; "Ay, there's the
rub" - Hamlet, I.5.27; "Pomp and circumstance" - Othello,
III.3.351; “Conscience does make cowards of us all”—Hamlet Act 3 scene 1; “Play
fast and loose”—King Philip; “Full circle”; “Heart of gold”; “Set my teeth on
edge”; “Come what may.”

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About Me

Dr. Farooq Kperogi is a professor, journalist, newspaper columnist, author, and blogger based in Greater Atlanta, USA. He received his Ph.D. in communication from Georgia State University's Department of Communication where he taught journalism for 5 years and won the top Ph.D. student prize called the "Outstanding Academic Achievement in Graduate Studies Award." He earned his Master of Science degree in communication (with a minor in English) from the University of Louisiana at Lafayette and won the Outstanding Master's Student in Communication Award.

He earned his B.A. in Mass Communication (with minors in English and Political Science) from Bayero University, Kano, Nigeria, where he won the Nigerian Television Authority Prize for the Best Graduating Student.

Dr. Kperogi worked as a reporter and news editor, as a researcher/speech writer at the (Nigerian) President's office, and as a journalism lecturer at Kaduna Polytechnic and Ahmadu Bello University before relocating to the United States.

He was the Managing Editor of the Atlanta Review of Journalism History, a refereed academic journal. He was also Associate Director of Research at Georgia State University's Center for International Media Education (CIME).

He is currently an Associate Professor of Journalism and Emerging Media at the School of Communication and Media, Kennesaw State University, Georgia's fastest-growing and third largest university. (Kennesaw is a suburb of Atlanta). For more than 13 years, he wrote two weekly newspaper columns: "Notes From Atlanta" in the Abuja-based DailyTrust on Saturday (formerly Weekly Trust) and "Politics of Grammar" in the DailyTrust on Sunday (formerly Sunday Trust). From November 2018, his political commentaries appear on the back page of the Nigerian Tribune on Saturday.In April 2014, Dr. Kperogi was honored as the Outstanding Alumnus of the University of Louisiana's Department of Communication. His research has also won international awards, such as the 2016 Top-Rated Research Paper Award at the 17th Symposium on Online Journalism at the University of Texas, Austin, USA.