When you have a writer/performer/artist born into your family, or you get married to, or you’re the child of, you don’t sign up for being fodder for their writing: it not something you think about . . . you just want that relationship with them, or in some cases you’re stuck with that relationship. You don’t ask for the world to hear about your ups and downs, your most private and painful moments; but as an artist, that’s what we do.

When you have a writer/performer/artist born into your family, or you get married to, or you’re the child of, you don’t sign up for being fodder for their writing: it not something you think about . . . you just want that relationship with them, or in some cases you’re stuck with that relationship. You don’t ask for the world to hear about your ups and downs, your most private and painful moments; but as an artist, that’s what we do.

Long before I started working on ‟State of the Re:Union‟ (SOTRU), poet Sekou Sundiata told me, “One of the biggest issues in America is the country’s collective amnesia.” Our ability to forget whatever didn’t work in the narrative of these United States.

On April 20th 2015, the Peabody Awards committee announced that “State of the Re:Union” won a Peabody for its fourth season. On that same day, “State of the Re:Union” released its final season. The irony of winning such a big award on the same day the last series is released is not lost on me. But irony reeks of bitterness, and instead I choose gratitude. It was a tough decision to end the show, it took me almost half a year to wrap my head around it. It’s taken even longer for me to be able to write about it.

Today, I learned a good friend of mine passed away. He’d struggled with depression for a long time, and I guess it became too much to bear. He committed suicide yesterday, and his family and friends are devastated. Normally I wouldn’t post this sort of thing here: It’s personal. But mental health is a huge problem that we as a country have yet to deal with. If you are hurting, please, please reach out. I know it’s hard, but reach out. If you know someone who is hurting, as hard as it is, get them help. Please. It’s a matter of life or death.

In the wake of 2014, America finds itself on the precipice of change . . . or not. The blood is still fresh, whether it be from the wounds of Michael Brown, Tamir Rice or the police officers in New York City. Make no mistake, there is blood on the leaves. I’ve been reading about and watching all the protests happening across the country, and I keep asking myself, “How did we get here?” But the truth is, we never left.