17th - 18th April 2012. Classwar Karaoke 48 hours non-stop. For the occasion of the first International Classwar Karaoke meeting in Paris, a 48 hours non-stop transmission with all the Classwar Karaoke surveys collection at Strange Frequencies Channel.

The consecration concert of Tina Blue and her Big Band, celebrated on the 31st of October 2011, a rare occasion for her fans spread all over the world to share the myth of this all-time exponent of the Big Band Jazz.

1992 - Airf'Auga recordings were made by some people at their home, in someone else's home, on the streets, in bars, in trains, at night, by day. Most of these people never made conscious sound before. Some of them don't know that it was recorded. Most of these recordings were made on tape, some on minidisc, and were collected as is. Airf'Auga sound recordings represent several untouched audiograms of real time existence of some people. 12 - 17 collects recordings from 1992.

1992 - Airf'Auga recordings were made by some people at their home, in someone else's home, on the streets, in bars, in trains, at night, by day. Most of these people never made conscious sound before. Some of them don’t know that it was recorded. Most of these recordings were made on tape, some on minidisc, and were collected as is. Airf’Auga sound recordings represent several untouched audiograms of real time existence of some people. 1 - 11 collects recordings from 1992.

A Live Transmission with Alex Kimball and Ian Linter applying abstractions from different locations: Little Rock, USA, and Paris, France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Saturday, number 26/11 in 2011.

A Live Transmission with Alex Kimball and Ian Linter applying abstractions from different locations: Little Rock, USA, and Paris, France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Begin at 21h00 (gmt+1) and progression for at least 60 rotations/brain measure. Saturday, number 26/11.

A Live Transmission with Anthony Donovan and Ian Linter applying abstractions from different locations: United Kingdom and France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Wednesday, number 19/10 in 2011.

A Live Transmission with Anthony Donovan and Ian Linter applying abstractions from different locations: United Kingdom and France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Begin at 12h00 (gmt+1) and progression for 60 almost rotations/brain measure. Wednesday, number 19/10.

Fictional soundtrack to the theatre piece "A Pele" by Juca Pimentel. In this prologue Beatriz is in her room wondering about her dreams and frustrations, dissipating a certain mental despair within loneliness.

This is the live recording of the concert at Le Miroir, 1st December 2007, Paris.

During microwave breakdown at atmospheric pressure the plasma front propagates towards the microwave source because of the larger field in the front due to reflection where the ionization coefficient is no longer constant but is the result of the complex interaction of the plasma with an incident microwave beam.

This is the live recording of the concert streamed for Le Placard @ Hamburg, 15th May 2010, Paris.

The differential dielectrometer was designed to measure small differences in Porn-complex direct manipulation & the sensitivity of the difference in the phase coefficients of the electromagnetic waves were propagated in the measurement cells permittivity.

The interaction of the larger the number of partial waves required for convergence typically peaked around the equilibrium distance of the diatomic molecule in the ground state is due to the electric field-induced coupling between different partial waves.

During microwave breakdown the plasma front propagates towards the microwave source using a diffusion coefficient equal to the free electron diffusion coefficient everywhere gives a density profile closer to the one obtained with the effective diffusion coefficient.

A mere journey through time,
the great work of anachronistic alchemists,
the apiary of a network of precognitifs,
the magnetic murmur of a quantum flaw,
a vortex of antimatter annihilating all listeners' dogmas,
a dream above the Earth passing through the Unconscious,
a psychotropic meditation resetting the consciousness...

"The initial results of the testing show that the patients were responsive to the regimens of treatment provided, however it soon became apparent that any signs of recovery were entirely illusory at best. Remission of symptoms were promptly followed by extreme palpitations of the heart, what the patient described as 'painful synesthesia', and finally a tightening of the chest similar to those experienced during an asthma attack. No patients lived longer than 24 hours following the initial procedure. In this, we claim a small degree of success."

Luís Antero's latest project named Out Level consists of a laptop, electric prepared guitar or field recordings. Having had 7 releases in several netlabels around the world, it is a project composed of many sounds from one lone man. Luís is originally from a small village at the foot of the Serra da Estrela Mountain range in Portugal where his musical influences fuse with his philosophical views as well as literary references.

Vladislav Buben, well known under the name Buben, is a sound artist and an imminent pioneer of the underground scene in Bielorussia. The connexion between Buben and Anton Mobin was established by Rinus van Alebeek a few months ago, when Rinus asks Anton a technical help to digitalize sounds from a tape which was used by Buben to compose the great album released on Clinical Archives: Moral Transformations (ca377).

Created in May 2009, "A Maïzing session with..." is a radio show broadcasted on the KKWNE webradio dedicated to live improvised music and organised at the Maïzing Studio in Paris, by Anton Mobin. The program is established according to the meeting of several artists who come on tour to Paris. In the first season (May 2009-May 2010), "A Maïzing session with..." was 13 radio shows with 22 international artists. The second season is on the same way...
After the release of "offb015 - Three solos", Ian Linter and Anton Mobin decide to continue the solo series. This time, four solos improvised live, successively by :such: (tape manipulation), Ian Linter (electronic manipulation), Rinus van Alebeek (tape manipulation) and Anton Mobin (tape manipulation).

Created in May 2009, "A Maïzing session with..." is dedicated to live improvised music and organised at the Maïzing Studio in Paris, by Anton Mobin. The programming is established according the meeting and the artist who come in tour in Paris. For the first season (May 2009-May 2010), "A Maïzing session with..." was 13 radio shows with 22 European artists.

KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In this third and final act is completed the cycle initiated in Universal Transfusion. Abyssal Force is the color of Love number twelve, and power itself in the maximum material and metaphysical expansion. The three parts of KHEOSTATIC were live recorded at La Société de Curiosités, Paris.

KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In this second part the sound degeneration completes a cycle semi-controlled by electronic fragments with a double precision: the chaos does not exist, the chaos is Human. The three KHEOSTATIC's parts will be live recorded at La Société de Curiosités, Paris.

KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In the first part, now published, the human perception was condensed in sound signs of the avant-garde, concrete and electroacoustic, through the recourse to an immediate and proto-metaphysical language, in narrow correlation with the possible conceptuality of the matter and its relations with the spirit. The three KHEOSTATIC's were live recorded at La Société de Curiosités, Paris.

Larsp composes experimental electronic music.
Larsp 's musical background started with classical music at the Conservatoire where he learnt the cello. In 2002. His first project under the name of PUPPET LE CURE, sounds like hard-techno vs. melodic orchestra, and an EP was signed by independent label CWK in 2002.

Night over in k. Ian Linter's Kuma structures.
After almost twenty years of sound construction under such names as OLoF NiNe, ACT9, La Main Traumatique, Massacre Divino, Airf'Auga, etc, Ian Linter records the first album in his own name. Immediatism & electronics in synthetic moisture and mass-organic cadencies. All tracks, as usual, were recorded directly to hard-drive, minidisc, or cassette and expresses real time manipulation of diverse sound sources; no throughout-time creation, no multi-track composition.

Slutimids!! is Naal Stayn's (anab L, trendy store, KZSE, lipstandärd, perplexions, tattooed intestine, while coldblue…) side project, created in autumn 2005. It's a lab to experiment strange concrete shapes and squeak things without any Post Punk pression or Cold Wave stereotypes. An approach of Anti Wave to reach further steps on each new album.

Le Mal D'Archive is a project at the turn of independent electronic and sound design that sees its distinctive feature in the intersection between two apparently irreconcilable worlds such as experimental music on the one hand and the "chanson" for the more harmonious and Matrix melodic heritage of Italian music on the other.

dnasnow/mouseup are Zan Hoffman and Rinus van Alebeek.
dnasnow/mouseup started in Barcelona through a chance meeting between Rinus van Alebeek and Zan Hoffman at the LEM-festival 2000, where the latter performed. I (= Rinus van Alebeek) was working on my book. Later on in the still fresh century the novel got censored for several political reasons. While this censorship marked the end of my official status as a writer, the encounter with Zan opened up a complete new era in my career.

Leo Alves Vieira is a Brazilian composer, Born in February 13th, 1978. Composer of many soundtrack pieces, for theatrical and movie plays since 1994, Leo Alves Vieira has been writing for many other instrument formations in the 'academic' scene since 2001. His debut as a composer was at the XV Biennial of Brazilian Contemporary Music, 2003, with the piece "Estilhaços-Constante Volta ao Indeterminado" (2002) for acoustic and electronic instruments, played by OFELEX. His debut album "Sounds of the Orange Coloured Forest" was released in september 2006 by Pralaya Records, from Brooklyn/NY.

]]>ReleasesFri, 29 May 2009 04:19:25 +0000offb004 The Death Sound - Year Onehttp://astrangerparadise.com/releases/offb004-the-death-sound-year-one
http://astrangerparadise.com/releases/offb004-the-death-sound-year-one

The Death Sound started as a project between Alex and Matt in late summer of 2007. The canonical "birthday" of The Death Sound is August 24th, the first of three days of the Roman Mundus Patet, upon which the gate to the underworld was opened that the spirits of the sanctified dead might commune, dine, and celebrate with the living.

Not the normal shit radio is a weekly internet radioshow hosted by Mark Stolk, aka Mystahr, that focus on experimental music in the broadest sense of the word, where the music played is 100% free. All music is Creative Commons licensed music and available for your own download pleasure. A lot of time and effort goes into collecting some of the worlds greatest experimentalism to keep you up to date on the latest releases.

Our goals are to expose a world of excellent artists that share their heart for free;
discover some hidden gems and find some exquisite netlabels.

Epsilonia explores, clears, decipher diverting, untypical, innovating, surprising territories of music from yesterday and today, from here and there. This show created in 1986 by Jacques Perdereau is broadcasted every Thursday on Radio Libertaire 89.4 FM.

The Epsilonia Radio Show is dedicated to the discover and the defense of experimental musics in all their forms : contemporary, electroacoustic, improvised, noise, ambiant, progressive, free-jazz and also experiments in creation close to these music such as sound-poetry and spoken word. With four teams working jointly each one being in charge of the programming of one evening per month, we try to present the widest choice as possible in these musics... from records and also from live sessions taking place in & outside our studios. In allowing the listener to open his ears, to stimulate his sensibility through a different approach of music, we hope to encourage one's curiosity and, by contagion, one's desire not only to listen but also to think different... without prejudices, to open one's mind. In short, we firmly believe in the alternative role of experimental musics in opposition to the brain washing muzak from commercial radios.

On October 3rd, 2010, Anton Mobin,
Joséphine Muller and Ian Linter met at the ASP studios for a real challenge of
5 hours long live streaming transmission, broadcasted simultaneously by two
webradios: Strange Frequencies Channel and KKWNE. The full concept is called
"Bande Sonore Occasionnelle pour Aprés-midi Aléatoire". From that
session Anton Mobin and Ian Linter did two edits to be released on two different
labels: suRRism-Phonoethics in Germany and Kultur[Terrorismus] in Austria,
thanks to Jaan Patterson and Susanne Hafenscher. This is part two:

On October 3rd, 2010, Anton Mobin,
Joséphine Muller and Ian Linter met at the ASP studios for a real challenge of
5 hours long live streaming transmission, broadcasted simultaneously by two
webradios: Strange Frequencies Channel and KKWNE. The full concept is called
"Bande Sonore Occasionnelle pour Aprés-midi Aléatoire". From that
session Anton Mobin and Ian Linter did two edits to be released on two different
labels: suRRism-Phonoethics in Germany and Kultur[Terrorismus] in Austria,
thanks to Jaan Patterson and Susanne Hafenscher. This is part one:

EXP1 is the second OLoF NiNe's album, released on tape in 1995, and it's the result of tape manipulations on a domestic double deck recorder. No mixing and no post-editing in any form. The digital files were reaped directly from the original tape. EXP1 is an a-logic transfer in time!