Then I started writing the SCARY TALES books, inspired by South American magic realism and “The Twilight Zone” and “The Outer Limits” and Stephen King and Ray Bradbury, etc. And in doing so, I began to say “yes” to impossible things.

I accepted, rather than rejected, the notion of ghosts, zombies, androids, witches, aliens . . . and a video game-playing boy getting sucked into a television set.

But how would that work, exactly?

He’s playing a game. On the tv screen, a hooded figure moves in the woods. The boy, Aaron Wheeler, safe and warm in his living room, begins to identify strongly with this character in the video game.

Would his entire body get sucked into the game?

I decided, no. The husk of his body would remain — to be discovered by his sister.

What should he look like? How would his image transform, now that his “spirit” or mental energy was inside the game?

I thought of “The Shining,” the final image of Jack Torrance out in the snow, frozen in the maze. I even studied a still of the movie image when I described the boy.

A section from the manuscript, upon the discovery of Aaron:

His eyes were rolled up, showing mostly white. He did not blink. He did not stir. His lips were parted and his mouth was frozen into an awful frown. Only his bottom row of teeth showed through. Bizarrely, there was a dusting of snow on the boy’s shoulders.

I sent along a jpeg to my editor, not knowing if the suggestion would reach Iacopo Bruno in Italy, or how he’d respond if it did. I believed then, as I do now, that even if it did, that it would be within Iacopo’s right to reject my idea and go with a vision of his own.

Anyway, I’m not sure how it all worked out. But you might notice a resemblance, especially in the mouth. Our sly tribute to a great author, a fantastic book, and a terrific movie. Thank you, Stephen King.