New Blu-rays from Disney include two delightful post-Disney Renaissance hand-drawn features with solid moral themes, as well as a more problematic, less successful entry.

The Emperor’s New Groove is a rollicking, anarchic morality tale — set in an anachronistically modern pre-Columbian Mesoamerica — about an egocentric emperor named Kuzco (David Spade) who’s forced to re-examine his priorities when, in a metamorphosis reminiscent of Pinocchio and C.S. Lewis’ Prince Rabadash, he finds himself transformed into a llama.

Instead of tired anti-family stereotypes, there’s a refreshingly affectionate portrait of family life. Pacha (John Goodman), the salt-of-the-earth peasant who spends most of the movie helping the llama-emperor, is married to ChiCha (Wendie Malick), an attractive, very competent, very pregnant, stay-at-home mother of two; and their kids are adorable — and funny.

Eartha Kitt is hilarious as a Cruella-like villainess, and Patrick Warburton as henchman Kronk nearly steals the show. (Not worth watching, on the other hand, is the direct-to-video sequel Kronk’s New Groove, which comes bundled with the theatrical film as a bonus feature.)

Lilo & Stitch, from the makers of the later How to Train Your Dragon, is a bittersweet comic tale about a genetically engineered monster, a troubled little girl and a friendship borne of mutual need.

Here is a Disney cartoon about an orphaned heroine that doesn’t gloss over the emotional consequences of growing up parentless. Lilo is high-spirited and imaginative, but also needy, antisocial and violent. When she meets Stitch, a vicious little space alien, he is what she needs and wants him to be: a friendly pet whose sometimes unsettling behavior suggests to her that he too is troubled and looking for love.

Set in Hawaii, the film has a unique look and feel genuinely inspired by its cultural milieu. The human figures are also a departure from the Disney norm; willowy Barbie-doll female figures are nowhere to be seen.

Then there’s Atlantis: The Lost Empire, a blatantly Miyazaki-influenced adventure on an epic scale, but without Miyazaki’s humanism or gentleness. It is marred by overtly New Age motifs in place of Miyazaki’s occasional animist themes. Skip it.