My goal isn’t to prescribe a number score or valuation on a typeface — rather, I want to celebrate, analyze, demystify and inform designers who are looking to improve their typographic choices. I won’t be reviewing any fonts here that I don’t personally use and see value in. Designing a typeface is a herculean effort that takes hundreds of hours and often years of time to refine and complete. My aim is to show appreciation for these works of art through thoughtful discourse, aesthetic studies and historical context. There is often a gulf in the communication between the type design community and the designers who put their work to use, and I hope this site serves as a sort of bridge to bring the two practices to a closer understanding of each other.

There are about 20 in the set. The only ones that seem to be available as fonts are Numode No. 61, and this set with Smith-Corona's Prestige, Mini gothic and the script, bu all in very roughly-scanned form.

Pissjar Sans is a free typeface evoking the unique letterforms of urine on cotton fabric. What's remarkable about it is the fastidious attention to detail and workmanship evinced by type designers in pursuit of what could easily have been something dashed off and doomed to dafont.com obscurity. They really put their backs into it.

HOW WAS IT DONE?
We built a custom frame and tried out loads of different fabrics, using some good pieces of worn bed sheets with the perfect absorbency to cover the frame. Then we just started to pee a lot, one letter per pee session. When the bladder was empty we had like 5 seconds to photograph the frame before it bled out. After that we vectorized the photo and edited it with a font software.

HOW LONG TIME DID IT TAKE?
The peeing took approximately six months, plus about a month or so to finish up the font.

DID YOU CHEAT?
Well, we worked on the R for like two weeks until we gave up and had to recreate it from three different peeing sessions.

Perfect for wedding invitations and children's birthdays. Read the rest

In March 1913, Thomas James Cobden-Sanderson threw the most beautiful typeface in the world off of London's Hammersmith Bridge to keep it out of the hands of his estranged printing partner. In this week's episode of the Futility Closet podcast we'll explore what would lead a man to destroy the culmination of his life's work -- and what led one modern admirer to try to revive it.

You may now enjoy the Tron Legacy Encom user interface in HTML. The original, as depicted in the movie, was designed by Bradley Munkowitz; the recreation defaults to github feeds, but has all sorts of possibilities to fool around with, such as Wikipedia (pictured) and the weather.

This is a font created to exemplify everything sophisticated and elegant about postwar France. Yet over the course of the 21st century, Mistral has become positively unmoored a font just as likely to be used on a cheap tube of lip gloss or the flickering neon sign of an Amsterdam porn shop as it is on the label of your sandals, or the side of your uncle’s yacht.

Comic Parchment is a font combining the best elements of the world's two most widely-loved and respected faces: Comic Sans and Papyrus.

Comic Sans accurately and elegantly translates classic comic book charm to the digital context, and Papyrus adds a soulful, mouth-wateringly ragged contour to its otherwise classic serifs. But only Comic Parchment weds the two in a perfect pop-culture marriage of whitebread childishness and ersatz ethnic ambiguity.

“Comic Sans is shooting for ‘informal’ but hits ‘amateurish,'” Hoefler says. “I wanted Inkwell to be informal, but proficient.” Indeed, Inkwell’s “tiny universe of fonts” contains both serif and sans versions, plus four decorative fonts including a cursive-like script, a blueprint-inspired all-caps set, even a blackletter. (“Think less ‘death announcement,’ more ‘country club invitation.'” Hoefler says.)

Inkwell's a lovely antidote to Comic Sans, but the fact you can pay $400 for it and yet find these anxieties and ironies in every line says something about the beast's power.

Sometimes I look at the dawn and I think Comic Sans may be the greatest typeface of all time. If there were another bloodsoaked civil war in this country, leaving it and half the world past it a wasteland scoured of life and beset by a heavensent grief and heartache that makes us pine for death even as we understand finally that the wrath of God lies sleeping, the armistice will be printed in Times New Roman and the new constitution in Comic Sans. Read the rest

Futuracha Pro is a typeface designed to take excessive advantage of alternatives, ligatures and other features of modern fonts, so much so that as you type, the words evolve into striking, but consistent new forms.[via Bored Panda]

Futuracha Pro is an Open Type Font, which magically adjusts and readjusts as you write. Its quirkiness and eccentricity are the two main features that made it one of the most beloved fonts in the whole world. Until today, nobody was able to just sit down and type with it. Featuring various combinations of letters and plenty of playful ligatures, Futuracha Pro gives creative people the opportunity to actually type and create, making their ideas extraordinary and unique!

Currently available as an elaborate nest of EPS files, a proper font's been in the works for years. You can preorder it for $50, but it's still cooking and will not be available until May.

Minima is an effort to make the perfect 4x4 pixel font, allowing itself a little more space but also going step further toward abstraction, abandoning legibility in favor of more easily-distinguished characters. It's €10 and I need a tylenol.

Futuracha is a successfully crowdfunded typeface that makes use of Open Type's wizardry to switch its ligatures as you type, producing beautiful effects -- before the crowdfunding campaign, Futuracha users had to hand-set those ligatures, but now it's just type and go. $50 for a commercial license, $15 for a personal license. Ships in May. (via Red Ferret) Read the rest

It's not from Superman. It predates the Stussy logo. Why did schoolchildren around the globe get infatuated with this stylized S? Vice takes a (kinda shallow) dive into the provenance of the stylized S. Read the rest