“Director Alan Osburn's elaborate staging is capably performed to standards few area companies can match. The eight-member orchestra is as always a strength, and, for a show built on the concept of this being a canvas come to life, set designer Christopher L. Sheley has outdone himself, particularly in how he, like Seurat, toys with perspective and dimension in creating living stage paintings like "Bathing at Asnieres."

“This all builds to a magical stage moment in which a fevered Seurat, employing all his artistic hallmarks of design, tension, balance and light, finally sees just how to place all of his pieces on canvas. Suddenly these real people (well, a few are pop-up boards) morph into clay models that Seurat manipulates into their final positions. It's a stirring, act-ending moment … “