“You have satellites out there, man has walkedon the moon, you have probes going tothe planets, don’t you? Somebody had to dreamthe dream, and a lot of somebodies like those great writers of The Golden Age and laterhad to get an awful lot of peopleinterested in it to make it true.”—L. Ron Hubbard

This all-encompassing compendium for The L. Ron Hubbard Series highlights all he achieved as a humanitarian, educator, administrator, philosopher and artist. It further presents the only complete chronological overview of his life and discoveries.

When you mix science fiction with fantasy you do not have a pure genre. The two are, to a professional, separate genres. I notice today there is a tendency to mingle them and then excuse the result by calling it “imaginative fiction.” Actually they don’t mix well: science fiction, to be credible, has to be based on some degree of plausibility; fantasy gives you no limits at all. Writing science fiction demands care on the part of the author; writing fantasy is as easy as strolling in the park. (In fantasy, a guy has no sword in his hand; bang, there’s a magic sword in his hand.) This doesn’t say one is better than the other. They are simply very different genres from a professional viewpoint.

But there is more to this: science fiction, particularly in its Golden Age, had a mission. I cannot, of course, speak for my friends of that period. But from Campbell and from “shooting the breeze” with other writers of the time, one got the very solid impression that they were doing a heavy job of beating the drum to get man to the stars.

At the beginning of that time, science fiction was regarded as a sort of awful stepchild in the world of literature. But worse than that, science itself was not getting the attention or the grants or the government expenditures it should have received. There has to be a lot of public interest and demand before politicians shell out the financing necessary to get a subject whizzing.

Campbell’s crew of writers were pretty stellar. They included very top-line names. They improved the literary quality of the genre. And they began the boom of its broader popularity.

“...science fiction, to be credible, has to be based on some degree of plausibility; fantasy gives you no limits at all.”

A year or so after The Golden Age began, I recall going into a major university’s science department. I wanted some data on cytology for my own serious researches. I was given a courteous reception and was being given the references when I noticed that the room had been gradually filling up. And not with students but with professors and deans. It had been whispered around the offices who was in the biology department, and the next thing I knew, I was shaking a lot of hands held out below beaming faces. And what did they want to know: What did I think of this story or that? And had I seen this or that writer lately? And how was Campbell?

They had a literature! Science fiction!

And they were proud of it!

For a while, before and after World War II, I was in rather steady association with the new era of scientists, the boys who built the bomb, who were beginning to get the feel of rockets. They were all science fiction buffs. And many of the hottest scientists around were also writing science fiction on the side.

In 1945 I attended a meeting of old scientist and science fiction friends. The meeting was at the home of my dear friend, the incomparable Bob Heinlein. And do you know what was their agenda? How to get man into space fast enough so that he would be distracted from further wars on Earth. And they were the lads who had the government ear and authority to do it! We are coming close to doing it. The scientists got man into space and they even had the Russians cooperating for a while.

One can’t go on living a naive life believing that everything happens by accident, that events simply follow events, that there is a natural order of things and that everything will come out right somehow. That isn’t science. That’s fate, kismet, and we’re back in the world of fantasy. No, things do get planned. The Golden Age of science fiction that began with Campbell and Astounding Science Fiction gathered enough public interest and readership to help push man into space. Today, you hear top scientists talking the way we used to talk in bull sessions so long ago.

“The Golden Age of science fiction that began with Campbell and Astounding Science Fiction gathered enough public interest and readership to help push man into space.”

Campbell did what he set out to do. So long as he had his first wife and others around him to remind him that science was for people, that it was no use to just send machines out for the sake of machines, that there was no point in going into space unless the mission had something to do with people, too, he kept winning. For he was a very brilliant man and a great and very patient editor. After he lost his first wife, Doña, in 1949—she married George O. Smith—and after he no longer had a sounding board who made him keep people in stories, and when he no longer had his old original writing crew around, he let his magazine slip back, and when it finally became named Analog, his reign was over. But The Golden Age had kicked it all into high gear. So Campbell won after all.

When I started out to write this novel, I wanted to write pure science fiction. And not in the old tradition. Writing forms and styles have changed, so I had to bring myself up to date and modernize the styles and patterns. To show that science fiction is not science fiction because of a particular kind of plot, this novel contains practically every type of story there is—detective, spy, adventure, western, love, air war, you name it. All except fantasy; there is none of that. The term “science” also includes economics and sociology and medicine where these are related to material things. So they’re in here, too.

In writing for magazines, the editors (because of magazine format) force one to write to exact lengths. I was always able to do that—it is a kind of knack. But this time I decided not to cut everything out and to just roll her as she rolled, so long as the pace kept up. So I may have wound up writing the biggest sf novel ever in terms of length. The experts—and there are lots of them to do so—can verify whether this is so.

Some of my readers may wonder that I did not include my own serious subjects in this book. It was with no thought of dismissal of them. It was just that I put on my professional writer’s hat. I also did not want to give anybody the idea I was doing a press relations job for my other serious works.

There are those who will look at this book and say, “See? We told you he is just a science fiction writer!” Well, as one of the crew of writers that helped start man to the stars, I’m very proud of also being known as a science fiction writer. You have satellites out there, man has walked on the moon, you have probes going to the planets, don’t you? Somebody had to dream the dream, and a lot of somebodies like those great writers of The Golden Age and later had to get an awful lot of people interested in it to make it true.

I hope you enjoy this novel. It is the only one I ever wrote just to amuse myself. It also celebrates my golden wedding with the muse. Fifty years a professional—1930–1980.

And as an old pro I assure you that it is pure science fiction. No fantasy. Right on the rails of the genre. Science is for people. And so is science fiction.