CS5 for Video Production

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About This Episode

Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you're a photographer looking to get into DSLR video, or maybe you're already shooting video but just don't know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.

In Part 2 of this multi-part series, Jason Levine will cover the most common editing functions of Premiere Pro CS5, including the ability to set defaults for image and transition durations, adding transitions between clips & images (like cross-dissolves, dip-to-black and more), basic scaling/resizing, rippling, and cutting.

In Part 3 of this multi-part training series, Jason Levine will showcase some common methods for 'telling your story' with motion and sound. Drop music into your timeline, add markers and time images to specific audio events, as well as animation of position, scale, rotation, opacity and more. Here's how you can begin to (easily) bring your stills to life, alongside your DSLR video.

In Part 4 of this multi-part training series, Adobe Worldwide Evangelist Jason Levine discusses working with layered Photoshop (PSD) files for lower thirds, stylized text and simple animations, as well as using Premiere Pro's own Titler from within the application.

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

In this short video, Jason Levine will show you how to use the new Ultra Keyer in Premiere Pro CS5 to pull quick keys from your footage, even with unevenly lit green screen. Once again, the 'key' here (ha ha) is the fact that Jason is running this process without rendering, leveraging the Mercury Playback Engine solely in software mode.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

Learn how to put the new features in After Effects CS5 into action: see how the new Roto Brush, Mocha and and the Mocha Shape plug-in, color LUT support, and more can work in tandem with other CS5 Production Premium tools to transform your podt-production workflows.

In this Adobe After Effects CS4 tutorial, you'll learn how to use Video Noise Reduction plug-ins to clean up any noise you might encounter in your footage. Jason Levine walks you through the entire process.

Learn how to put the new features in After Effects CS5 into action: see how the new Roto Brush, Mocha and and the Mocha Shape plug-in, color LUT support, and more can work in tandem with other CS5 Production Premium tools to transform your podt-production workflows.

One of the most powerful capabilities in Photoshop CC is the variety of ways you can apply adjustments that only affect a specific area of a photo. This lesson will introduce you to the use of layer masks for targeted adjustments.

Photoshop CC has the ability to simulate the look of the printed image on your computer’s display, helping ensure the best results when printing your photos. This lesson will provide you with an overview of soft proofing in Photoshop CC.