Annie Hall is nearly always cited as fidgety New Yorker Woody Allen’s best work. And while I’ll agree that it is a great movie, his best film will, for me, always be Hannah & Her Sisters. There are many reasons for this, and perhaps not the most insignificant being the amount of screen time that Allen has in this film (let’s face it, the guy can get annoying)…

Comparisons to science-fiction classics such as Silent Running and 2001: A Space Odyssey are obvious – but even though the film borrows from not only those films’ concepts but their sensibilities as well, Moon exists in its’ own atmosphere. Key to the films’ success is Sam Rockwell, an actor that has consistently chosen interesting roles throughout his career…

But even with the influx of tedious CGI-based films, it must be said that the decade advanced the art of special effects with leaps and bounds, building steadily on the work first displayed in Steven Spielberg’s Jurassic Park way back in 1993. These advancements alone allowed films such as The Lord Of The Rings trilogy to finally be put on screen the way it should be seen…

In a post-apocalyptic world, the only commodity of value is “guzzoline” (yep, food is secondary) and for Max, it’s a never-ending quest to secure the stuff. When he agrees to help a ragtag band of survivors drive a tanker full of the precious liquid away from their compound, it is merely an excuse to stage some kick-ass chase scenes in the Australian outback…