I am in love with color, shape and form. I paint listening to music, standing up at an easel, using broad gestures to create a sense of movement. In the early stages of a painting, I work very fast. This helps give my art its sense of energy and spontaneity. I like to trick my conscious mind by not letting it have too much control over what happens. In some ways I'm creating a mess or a problem that I then have to solve in order to make the painting work. It's the painting surface that I love - the lusciousness of color in its thick and thin varieties, flat and opaque to keep the eye on the surface, or transparent and airy to suggest deep space. My goal is to stay as close to the edge as possible, to keep that sense of organic happening, as if the painting had grown itself rather than having been crafted by me.

Lynne Taetzsch’s abstract paintings are hanging in private homes and corporate offices throughout the world. She has been in solo and group exhibitions in galleries and museums in New York, California, Florida, and elsewhere in the USA. She studied fine art at Cooper Union, the University of California, and the University of Southern California.
Describing her painting process, Lynne says: It’s the painting surface that I love - the lusciousness of color in its thick and thin varieties, flat and opaque to keep the eye on the surface, or transparent and airy to suggest deep space. My goal is to stay as close to the edge as possible, to keep that sense of organic happening, as if the painting had grown itself rather than having been crafted by me. Yet it is the artist's eye that seeks to prevail, telling the hand to add that last brush stroke which brings it all together.