It’s fair to assume that a film titled Marco Polo would be centered around Marco Polo, the trader who became a trusted advisor to Kublai Khan, the Mongol leader who completed the conquest of the Song Dynasty and established the Yuan Dynasty. In Chang Cheh’s film, though, Polo is merely a small component. He is at the heart of the plot, but he honestly doesn’t do much more than glare at some people now and then. This really bothered me, and I spent a good portion of the movie trying to understand why the film might be titled after a character who does so little. I eventually came to a conclusion (which I’ll get around to), but it’s one that will require a second viewing to fully appreciate. At this juncture, I’d call it an uncharacteristically weak film for Chang Cheh, which is to say that I liked it a lot instead of flat-out loving it. 🙂

Upon returning from a three-year mission, Marco Polo presents a report of his travels to Kublai Khan. Meanwhile, a pair of Chinese rebels make their way into the court and attempt to assassinate the Khan. One is killed, and the other, Zu Jianmin (Carter Wong), manages to escape. Since he is injured and cannot move too quickly, the Khan asks Marco Polo and his three personal bodyguards (Gordon Liu, Leung Kar-Yan & Johnny Wang Lung-Wei) to kill Zu and his allies when he reaches his home. This proves to be a bit harder than anticipated, as Zu’s four sworn brothers (Alexander Fu Sheng, Chi Kuan-Chun, Bruce Tong Yim-Chaan & Phillip Kwok Chun-Fung) escape and begin harsh training to improve their martial arts skills.