Tag Archives: Billboard Charts

Gargamel Music, Inc. is proud to announce that Jamaican music icon Buju Banton has received his fifth Grammy nomination in the Best Reggae Album category for his prophetic new project, Before The Dawn. Recorded mostly at his own Gargamel Music studio in Kingston, the album boasts some of the most powerful songs written by Banton since his professional entry into the music business over twenty years ago.

Released in September to critical acclaim, Before The Dawn debuted at #2 on Billboard‘s Reggae Albums chart and #26 on the mag’s Heatseekers chart. Currently the album is perched at #1 on both the South Florida and the New York Top 20 Reggae Albums charts, #1 on Richie B’s Jamaica Music Countdown and #4 on CMJ’s World Music chart. Highlights include “Do Good,”“In The Air,” “Struggle Together” and the especially potent “Battered & Bruised.” The album’s unofficial anthem, “Innocent” strikes a highly personal chord that resonates deeply considering the artist’s ensuing legal battle.

Banton was previously acknowledged by the Recording Academy for his albums Rasta Got Soul (2009), Too Bad(2007), Friends for Life (2004) and Inna Heights (1999).

Reggae superstar Buju Banton‘s acclaimed new video for the uplifting roots single “Optimistic Soul” has officially been added into rotation on MTV Jams, VH1 Soul, Music Choice on Demand, Centric (formerly BETJ), Video Mix TV‘s Island Vibes show in North Carolina, Irie Vision in San Francisco, Mystic Vibes in Chicago and Pulse TV Network’s Latin Channel.

Over in Japan, the “Optimistic Soul” clip has been receiving steady airplay on MTV Japan, Space Shower TV and Music On TV… Finally, backayard in Jamaica, the video has been rocking on the popular Hype TV, RETV, TVJ and CVM.

The documentary video clip was shot and directed guerrilla style by hotshot Atlanta photographer, Zach Wolfe, during the last five days of Banton’s history-making Rasta Got Soul US Tour, which wrapped in Orlando, Florida last November.

“Optimistic Soul” is the third official single from Banton’s Grammy-nominated album, Rasta Got Soul, which has continued to maintain positioning on Billboard’s Top Reggae Albums Chart for 61 weeks.

The Gargamel Music Family is disgusted by the vehement persecution of international Reggae star, Buju Banton, by a legion of misguided gay activists. We find it appalling that the LA Gay & Lesbian Center and the Gay & Lesbian Alliance Against Defamation(GLAAD)would spend tens of thousands of dollars to take out a full page ad in Variety— solely to blast Banton’s well-deserved Grammy nomination for his acclaimed album Rasta Got Soul (Gargamel Music) — when those resources could have been better spent lending a helping hand to our suffering Haitian brothers and sisters.

In the form of an open letter to Recording AcademyPresident Neil Portnow, who stands by the nomination, the ad makes the sensational claim that Buju Banton has “promoted the murder of gay people throughout his career” despite the fact that his overwhelmingly positive music catalog proves otherwise. Predictably, they cite the twenty-year-old anti-buggery missive “Boom Bye Bye,” without ever contextualizing that the song was written by a 15-year-old Buju in response to a widely reported man-boy rape case back in Jamaica.

Replete with misinformation, the letter curiously goes on to say that Buju Banton’s classic hit single “Batty Rider” glorifies the shooting of gay men — even though the song is actually about the popular skin-tight short-shorts young women wore to the clubs back in the ’90s.

Meanwhile, not a peep from the LA Gay & Lesbian Center or GLAAD about white rap star, Eminem, who has a much more recent history of “verbally assaulting” gays and who continues to write songs riddled with “anti-gay sentiment.” His latest album, Relapse is up for several awards this year and he will be performing at the ceremony on Sunday.

The 2010 Grammy nod for Rasta Got Soulis Buju Banton’s fourth. The artist was previously acknowledged by the Recording Academy for his albums Too Bad (2007) Friends for Life (2004) and Inna Heights (1999). Since its release in April 2009, Rasta Got Soul has received rave reviews from such prestigious media outlets as Billboard, Exclaim!, Hip-Hop Weekly and All Music Guide, who called the album an “instant classic.” A documentary-style video for the new single “Optimistic Soul” will premiere in Jamaica soon.

FEBRUARY 16 & 21
Buju Banton heads to the West Coast to headline back-to-back Ragga Muffins Festivals, in honor of the late, great Bob Marley and other Legends, at the San Diego Sports Arena and Long Beach Area, respectively.

FEBRUARY 18Buju Banton hosts exclusive early listening session of Rasta Got Soul at Son Of Funky Reggae in Hollywood, California with legendary club promoter and celebrity DJ, Matt Robinson. Guests include: Jeremy Piven, Kina Cosper, Cree Summer, Rocky Dawuni and several other LA area trendsetters.

FEBRUARY 28
Buju makes his first ever appearance at the 16th Annual Bob Marley Caribbean Festival at Miami’s Bayfront Park. By all accounts, including ReggaeReport.com, the Banton steals the show!

APRIL 18
Miss Dotty is laid to rest. Her youngest son, whom she nicknamed “Buju,” reads a heartfelt eulogy at the funeral services.

APRIL 21Buju’s seventh studio album, Rasta Got Soul, officially drops in North America on the 43rd anniversary of Ethiopian Emperor Haile Selassie’s historic visit to Jamaica in 1966. Dr. Carolyn Cooper, a professor at University of the West Indies (UWI) in Kingston, hosts an intimate Rasta Got Soul album launch on campus. After playing a few tunes, Buju regales the students and faculty both with exciting tales of his remarkable life in music.

APRIL 23
The rave reviews roll in: All Music Guide says Rasta Got Soul is “an instant classic,” Buffalo News calls the album “immaculate.” Billboard calls RGS “spirited” and “inspiring,” while Exclaim!magazine in Canada professes that “Rasta Got Soul is the work of a modern master… Celebratory, inspirational, positive, optimistic and uplifting.”

APRIL 26
Buju Banton co-headlines the 5th Annual Reggae On The Hill Festival at Farley Hill National Park in Barbados. It is his first performance since his mother’s death and the bittersweet release of his new album.

APRIL 28Rasta Got Soulis the highest-ranking debut on Billboard magazine’s Top Reggae Albums Chart entering at #2. The album also makes a strong first week debut at #8 on Billboard’s Heatseekers Chart and #8 on iTunes’ Top 10 Reggae Albums Chart.

JUNE & JULY
Buju Banton’s Rasta Got Soul European Tour kicks off in France. The rigorous, 40-city jaunt includes stops in the UK, Norway, Sweden, Denmark, Amsterdam, Austria, Belgium. Banton and his Shiloh Band, along with opening acts: Nikki Burt, Angel Shalome, New Kidz and Delly Ranx, also perform for massive crowds at Summer Jam in Germany (40,000 fans), Rototom Sunsplash in Italy (20,000 fans) and chart three new territories: Czech Republic, Poland and Portugal.

AUGUST 13
Buju Banton joins R&B star John Legend at his star-studded sold out concert on the main stage at Madison Square Garden for a live performance of their smash Reggae-Soul collabo. The NY Post reports:

“The entire house bounced when Legend hooked up with dancehall star Buju Banton for ‘Can’t Be My Lover.’ There was a yin/yang to that pairing as Banton’s fast, gritty, Jamaican patois gave the Reggae number edge while Legend’s mellifluous, Marley-like tones eased that roughness.”

AUGUST 23Several misguided gay organizations, led by bandwagonist Lorri L. Jean of the LA Gay and Lesbian Center, launch a media smear campaign against Buju Banton in an unwitting effort to shut down his upcoming Rasta Got Soul US Tour. Overlooking the fact that his catalog is overwhelmingly positive, these extremists insist he makes “hate music” and promotes the “murder of gays and lesbians” via “Boom Bye Bye,” a twenty-year-old anti-buggery missive written by a 15-year-old Buju in response to a man-boy rape case that took place at a prestigious high school back in Jamaica.

Executives at Live Nation and AEG Live, along with several independent venue owners, bookers, show promoters, government officials and anyone in-between, endure a steady bombardment of threatening phone calls, nasty emails and faxes filled with sensational misinformation about Buju and the RGS US Tour. Some corporate live music power brokers succumb to the unrelenting pressure but many true-blue indie venue owners and die-hard promoters hold firm, ultimately changing the tide of what could have been a major setback for live music in the “land of the free.”

SEPTEMBER 12Buju Banton, backed by the Shiloh Band, kicks off his Fader magazine-sponsored Rasta Got Soul US Tour to a sold-out crowd at the Trocadero Theater in Philly! Opening acts include Gramps Morgan, Nikki Burt and Angel Shalome.

Philadelphia Inquirer reviewer, A.D. Omorosi writes: “From the ‘Wipeout’-based rhythm-backed rap of ‘Me & Oonu’ through to the soulful ‘I Rise’ to cribbing Michael Jackson’s universal plea ‘Heal the World,’ Banton proved he could make things right within his music.”

“Most people, when looking at the facts about the artist and his music over the course of his career, agree with the conclusion that Buju Banton does not advocate violence or hatred of any kind and that canceling this show based on assertions to the contrary would not be the right thing to do.”

OCTOBER 2 & 3
Refusing to be bullied, Columbus, Ohio club owner Rick Cautela and local Reggae promoter Carl Newman fight back by adding Buju Banton for a second night at Alrosa Villa, a mid-size venue the artist has consistently sold out for many years.

“I received 300 calls and another 400 emails in about 3 days, all of them negative some of them threatening,” Cautela tells local weekly The Other Paper. “That was my family cell phone, the one my wife also uses.”

OCTOBER 12
Prior to his landmark show at the Rock It Room in San Francisco, Buju Banton attends a historic meeting brokered by veteran gay activist and 2011 mayoral candidate, SF Supervisor Bevan Dufty. Two days earlier, Dufty, who is in DC for the National Equality March, calls Buju’s manager and says, among other things, that he uniquely “understands the underlying racist implications of the ongoing protests and would like to see them end.”

Together with (straight) SF Supervisor Eric Mar, Dufty wants to provide a non-hostile environment for Buju to address the age-old issue of “Boom Bye Bye” once and for once and for all in the “gay capital of America” and only asks that he also hear first hand from some of the community’s most prominent members, including: Andrea Shorter, Rebecca Rolfe and incendiary gay blogger Michael Petrelis, who inexplicably writes a scathing, self-promoting, extremely bias account of the meeting that only fans the flames of controversy.

Luckily, Team Gargamel has the foresight to invite local Bay Area writer, Eric K. Arnold (who has been writing about Buju Banton and the issue for nearly a decade) to sit in on the meeting to ensure balanced, fair and impartial coverage on the San Francisco Weekly Blog . Sadly, the common ground reached at the SF meeting is ridiculously short-lived. Later that night at the Rock It Room, Buju’s show is pepper sprayed, allegedly by a lone, gay extremist still intent on battling the Banton.

Days later, in a Jamaican radio interview with Mutabaruka on his Irie FM talk show The Cutting Edge, a still heated Buju states: “This is a fight… There is no end to the war with me and faggots, and it’s clear! The same night after I met with them they pepper sprayed my concert. So what are you trying to tell me?”

The gay media have a field day with this quote. Predictably, they extrapolate the words “there is no end to the war with me and faggots” from their original context and plaster them all over the web without ever explaining the fullness of the scenario (i.e. the meeting, the pepper spray, the protests and the all out war they have been waging against him off-and-on for 17 years).

OCTOBER 17Buju Banton plays the Belly Up in Solana Beach, as scheduled. The show is a near sell out. Nestled in the crowd are some local gay activists, including Syd Stevens, who erected the malicious Cancel Buju Banton web site targeting the RGS USTour.

After the show, the club’s owners unbeknownst to Buju, usher Syd and his boyfriend backstage to meet and talk with Buju in person. Conspicuously, Syd never bothers to mention his attendance at the Solana Beach show or the impromptu meeting afterwards on his slanderous site, which has been updated several times since the tour ended.

“First and foremost, we heard with our own ears Buju unequivocally denounce violence and hatred towards gays and lesbians. Secondly, that night we heard a concert that was entirely free of hate and that specifically did not contain the song ‘Boom Bye Bye.’ During our conversation he acknowledged that he has also made hurtful comments, and even expressed regret for his choice of words during last week’s radio interview…”

OCTOBER 18
The Florida chapter of the American Civil Liberties Union (ACLU) releases statement publicly chiding members of the gay community for their dogmatic attempts to silence Buju Banton for a song he does not promote, perform or profit from today.

“It is disheartening that some of our colleagues in the gay and lesbian equality movement have embraced censorship as a tactic,” begins the official statement recently printed in the Op Ed section of the Miami Herald. “This is terribly short-sighted: Giving the government the power to censor messages it thinks are dangerous never advances the cause of equality and freedom.”

OCTOBER 20Two hours before Buju Banton’s RGS show at Palm Beach in Dallas, Texas, promoter Winston “Gold” Roberts gets a call that federal agents are trying to shut down the club for a code violation. The owners settle what turns out to be a minor infraction and Buju rocks on.

OCTOBER 26Buju’s Rasta Got Soul US Tour stops at Center Stage in Atlanta. Walk-up sales for the midtown area show are phenomenal, further demonstrating the mainstream appeal, power and demand of Buju Banton and Reggae music in the Dirty South.

Team Gargamel bumps into esteemed, Atlanta-based hip-hop photographer/videographer, Zach Wolfe at the show. They decide to partner up and lens the accompanying music video for the single “Optimistic Soul” plus shoot the final week of Buju’s Rasta Got Soul US Tour for an impromptu documentary short entitled This Is Buju Banton. The doc will feature exclusive behind-the-scenes and live footage, interviews with Buju, Shiloh Band and staff, promoters, club owners, fans, detractors, and more.

OCTOBER 29On the way to Buju Banton’s show at Plush in Jacksonville, Florida, veteran local promoter Peter “CC” Samms gets word that federal agents are refusing to allow the venue to open its doors due to another strange code technicality. The line grows outside as does police presence. A perplexed CC urges owner, Tom Fisher, to race down to the club and resolve whatever the “issue” is. Within 20 minutes of Tom’s arrival, the doors are open, the line is moving and the show jumps off without a hitch.

OCTOBER 30Buju Banton’s Rasta Got Soul US Tour arrives in Tampa for a date at Cuban Club. At the exact moment Buju takes the stage, federal agents pop up and demand the production staff to immediately lower the music or get shut down for violating sound ordinance laws. The sound guys are puzzled by this outlandish request since the spot is located in an industrial area of Ybor City that is virtually isolated after hours. Nevertheless, they comply and the show continues.

NOVEMBER 2Buju Banton’s Rasta Got Soul US Tour successfully wraps at club Destiny in Orlando, Florida. Closing night guests include Wayne Wonder for “Movie Star,” Gramps Morgan for “Psalm 23” and Bunny Rugs of Third World who joins Buju onstage for a rare performance of their collaboration “Sense Of Purpose,” also featured on the Rasta Got Soul album.

Despite early stumbling blocks, the tour proves unstoppable with close to 30,000 fans taking in 32 shows across the country. Buju Banton’s Rasta Got Soul Tour is the biggest selling Reggae package of 2009.

DECEMBER 3
Buju Banton is nominated for a Grammy Award for Rasta Got Soul. Despite it being Buju’s fourth time being recognized by the Recording Academy over the years, gay activists launch a petition to get the Academy to rescind his well-deserved nod. A representative for the Academy releases a strong public statement in defense of Buju Banton.

“The Recording Academy and the Grammy Awards have a long history of supporting freedom of speech and creative expression, and of supporting artists and the music they create… It takes tolerance to teach tolerance, and it is through dialogue and debate that social discovery may occur. The Grammy Awards is a celebration and recognition of outstanding musical achievement by music makers, regardless of politics, and that will continue to be our mission.”

DECEMBER 10
At approximately 2:00pm on Thursday, five DEA agents descend on the South Florida townhouse of Jamaican music icon Buju Banton and present an outstanding warrant for his arrest. He is whisked away in an unmarked black vehicle and taken to Federal Detention Center(FDC) in downtown Miami where he is booked.

DECEMBER 11With hands and feet shackled, Buju, wearing a green, prison two-piece, makes his Initial Appearance in front of Magistrate Judge Robert L. Dube’ at the US District Court (Southern District of Florida) in Miami. As is customary, the icon is remanded for temporary Pre-Trial Detention and prepares to spend his first weekend in jail. Mag Judge Dube’ sets the Detention/Bond Hearing for the following Wednesday in Miami.

DECEMBER 12
Rumors of Buju’s arrest causes pandemonium in Jamaica and sends shockwaves around the globe. By the wee hours of Saturday morning, the devastating news hits the press. With little to no information about the case and no apparent interest in doing actual research on Buju Banton’s background and stature as a music icon, most mainstream coverage is reduced to one-sided and inaccurate rhetoric about his enduring struggles with the gay community.

AP continues to erroneously report via their worldwide wire service that Buju’s early ‘90s hit song ‘Batty Rider’ “glorifies the shooting of gay men” when in reality the tune only “glorifies” the skintight short-shorts worn by hot gals in the dancehall back in the day. The Miami Herald, a paper that has covered Buju for years should know and do better, right? Wrong. Here’s the first three lines of a recent cover story: “Internationally known Reggae star. Gay basher. Grammy nominee.” Rewind! Gay basher? What ever happened to fact checking?

DECEMBER 13
FDC in Miami is crawling with lawyers jockeying to meet with Buju and convince him to hire them. Over the next few days, more than 40 attorneys slink up into the prison with their situation analyses and enthusiastic sales pitches. In classic Banton form, he “hires” them all and leaves the firing to management.

Back in lock up, Buju spends most of his free time reading, writing, exercising and reasoning with the young inmates. He meets a couple of Jamaican nationals, one who has no legal representation, so Buju coordinates efforts to secure and pay for his lawyer.

DECEMBER 14
The Feds leak a copy of the affidavit in an orchestrated effort clearly aimed at causing doubt amongst Buju’s loyal fans, tainting the potential jury pool in Tampa and further assassinating his character in the public eye before going to trial. The media gobbles it up but Buju fans do not believe the hype. Representatives from theJamaica Consulate in Miami pay an official visit to Buju at the prison.

Meanwhile, Buju’s manager and business partner, Tracii McGregor, begins meetings with potential attorneys to represent the legendary artist. At the top of her highly recommended list is Leonard Sands, Nathan Diamond, Jason Grey, Mark Panunzio, Roma Theus and fabled criminal defense lawyer, Frank Rubino, who analyzes: “This case is tryable, defendable and winnable.” Later that night, she receives several calls about a bright, young, powerhouse named David Oscar Markus.

DECEMBER 15A Grand Jury in Tampa indicts Buju Banton and two co-defendants (Ian Thomas and James Mack) for 1) allegedly conspiring to possess with intent to distribute five kilograms or more of a mixture and substance containing a detectable amount of cocaine, in violation of Title 21, United States Code, Section 846 and 2) aiding and abetting each other and knowingly and intentionally possessing a firearm in furtherance of, and carrying a firearm during the course of a drug trafficking crime, in violation of title 18, United States Code, Section 924(c). These types of federal crimes carry a controversial mandatory minimum penalty of 10-20 years to life.

The Sentencing Project, a national organization working for a fair and effective criminal justice system reports:

“At the Federal level, prisoners incarcerated on a drug charge comprise half of the prison population, while the number of drug offenders in state prisons has increased thirteen-fold since 1980. Most of these people are not high-level actors in the drug trade, and most have no prior criminal record for a violent offense.”

DECEMBER 16Buju makes his second court appearance, this time in front of Magistrate Judge William C. Turnoff. He exudes royalty, even in a dulling, beige state-issued jumpsuit. The place is a mad house of mostly attorneys, including Herbert Walker III, the bumbling, former state prosecutor who surreptitiously lists his name on the court docket as “Buju’s permanent attorney”; heavyweight Frank Rubino, who stops by after meeting with Buju earlier that morning; Christopher Lyons, the attorney who is actually hired to handle the second hearing, but summarily edged out by Walker who makes a scene and refuses to hand over the case, citing the official docket.

The proceeding moves quickly since Buju waives his right to a Detention/Bond Hearing in Miami, opting to go straight to Tampa. After court, McGregor walks a few blocks down the street for a two-hour meeting of the minds with David Markus. His parting words resonate deeply: “We will win this.”

DECEMBER 17
Frank Rubino pulls some strings and gets Buju’s manager approved to go inside the prison for a One Time Visit. She immediately expresses concern that the boss, who abides by a strict vegetarian diet, is not eating as he’s visibly dropped some weight off his already slight frame.

Buju admits he hasn’t been too inclined to touch the prison slop, dining instead on bread and water. He tries to assure Tracii that he is doing fine under the circumstances. He runs down a list of things that need to be taken care of on the outside, and imparts love to his devoted fans, family and friends.

DECEMBER 18
Gargamel Music label breaks silence. Buju’s manager grants first and only interview since his arrest to CaribWorldNews.com. She proclaims: “It’s on and poppin’!”

DECEMBER 19Phone calls and emails continue to pour in from all parts of the globe. Aware of the acutely exorbitant legal fees that will be associated with bringing a case of this magnitude to trial, several patrons start to pledge monetary support for Buju Banton’s defense. Fans can buy official Free Buju T-Shirts and proceeds will also go towards Buju Banton’s defense.

DECEMBER 20
Buju is pleasantly surprised to learn that Dancehall legend, Shabba Ranks, has put $100 USD down on his commissary.

DECEMBER 23
David Markus somehow manages to swing a second One Time Visit for Buju’s manager. This time Buju is much more energetic and optimistic. His commissary has kicked in and he is now able to buy and cook up his own food. Tracii brings the boss up to speed on a few business-related matters and then they pore over their options for attorneys. So, this is Christmas?

DECEMBER 25Buju Banton spends Christmas day behind bars at Miami Federal Detention Center. He is reflective and sentimental but in good spirits. In the evening, Buju speaks with a few of his children, family and close friends who remind the Gargamel just how much he is loved and missed.

DECEMBER 27
Buju uses up his allotted 300 minutes in phone time for the month. He must now wait until the New Year to make outside calls.

DECEMBER 30
In the two week period since the arrest, sales of Buju Banton’s Grammy-nominated album Rasta Got Soul double and the critically acclaimed project swiftly re-enters Billboard magazine’s Top Reggae Albums Chart at #15.

DECEMBER 31
Buju Banton spends the last day of 2009 in federal custody. He currently awaits transfer to Tampa.

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