Yeah, that makes a lot of sense! I like the idea of the fragments and variations, almost feels like I’ve seen a Reaktor or Max/MSP patch that does this exact thing somewhere… wouldn’t be too hard to build one if not though!

I think in terms of getting the sound qualities of the songs you’ve mentioned, obviously as @NATSOAS for how they did it but to me the Ayya track and ON SET both share a kind of slow, stately tempo with lots of filter envelope on the bass synth opening up over half a bar-ish. The cool thing about these tracks is that there sounds like there’s a lot going on but I think it’s an illusion and there’s actually a lot of space in the mix for a few individual sounds with interesting textures and timbres to breathe. Less is more etc!

i think there is more chorus than anything in that track!! the lead is heavily processed, like u said it sounds like theres a lot happening but there isn’t. will listen to what you’ve posted most recently later on @shortwavestatic & if you want to ask me anything directly feel free to message me on here

AA0002 is the first in a brilliant series of uncompromisingly fresh, new, experimental electronic releases from Malmö’s FLUF label, which only started in late summer 2017 and now has more than 10 diverse and killer releases to its name.
It’s an...

I’m more a noise person these days than my earlier (kinda mediocre) techno experiences, but this is a good example of my current work as Empathic Window. Maybe y’all dig.

Wonderful productions in here, thanks for sharing them. I also love the idea of this new plattform!!
here is a record that i’ve put out beginning of this year on my own imprint.
I hope a few of you will like the sound.

@NATSOAS is ON SET sampled from Ayya - Second Mistake from Mono No Aware? I felt that it sounded very familiar to me, and upon realizing this is really does seem super similar. Be it one way or the other, I like the track, sounds great to me.

Thanks @Taui its not sampled. I synthesize all audio. The only sample ive ever used in a track as NATSO AS is speech. AYYA is v talented and I have talked with him on a few occasions. When I made the track I wasnt trying to imitate anyone, it was made very quickly and ‘in the moment’ but tbh if ppl compare it AYYA thats cool

Alright, cool! As said, no disrespect intended, it sure sounds great. Now that we’re on the topic (and since this is a production thread), how did you synthesize that? Would be nice to learn, since I don’t really know how I’d begin doing something like that.