With the release of his new album for Warp, ESTOILE NAIANT, we thought who better to mix his way through these parts than the ever-interesting British producer.

After patten's memorable Dollars to Pounds interview, a somewhat esoteric but certainly clear-minded conversation about the subjectivity of reviews and value systems in music, and with this week's release of his new album for Warp, ESTOILE NAIANT, we thought who better to mix his way through these parts than the ever-interesting British producer. Surprise surprise, he made something incredible. Tracklist and another short interview follow the download.

Download: patten's FADER Mix

Where are you right now? What's around you? February 22nd, 2014, 51°30′26″N 0°7′39″W, London, UK, 00.53. Surrounded by 00:52 and 00:54

How do your albums document changes you've undergone between making them? I wonder as an artist and more importantly just as someone in the world if it's possible to work on another sort of methodology. Maybe to try and leave behind the idea of the self as centre & engage with things on a different path.

Where do you get your album titles? The term ESTOILE NAIANT was made using a medieval language called Heraldic Blazon. The language itself evolved to precisely describe the images that combine to form a coat of arms. So the LP title essentially leads to a very clear image. That image in an oblique way sketches out something about how this and other records might be looked at. It's like a prism to approach it through.

What was something you read last year that you identified with, or were affected by? It's genuinely hard to think of something I read last year that I didn't identify with or feel affected by—it's all important.

What do you like to cook, and how do you make it? I suppose trying to find ways of allowing invisible, seemingly-fixed structures to become fully visible and permeable is, in a way, just like cooking.