Vinyl

POST-PUNK-ROCK. SYNTHETIC ID play jerky and genuine jams for fans of WIPERS, THE FALL, PERE UBU and OBSERVERS. This 3 song banger is angular and deliberate, and the guitars are brilliant. Contributing member of FACE THE RAIL, ECOLI, YADOKAI, and HUNTING PARTY. This demo is short, to be sure, but so very sweet.

HARDCORE. SYSTEMATIC DEATH who walk with GAUZE, LIP CREAM and DEATHSIDE as forefathers of the Japanese hardcore-punk scene drop 4 brand new ripping thrash tracks. These Japanese hardcore veterans are still alive and kicking ass, with powerhouse drumming by Koba of BASTARD fame. Intended as a special release for the 3 USA shows with DROP DEAD and the INMATES. This is a one time pressing, there will be no repress.

HARDCORE. Vancouver, British Columbia's SYSTEMATIK is a raw mess of d-beat hardcore that has amazing energy and raging ferocity. These punks create a whirlwind of searing guitar chords, walls of crashing cymbals, dirty bass parts and insanely pissed off vocals. This is some rough, driving and nasty punk that's undeniably rad and will have you hooked right away. Vinyl includes a digital download card.

HARDCORE. Raw hardcore from Vancouver, Canada with a solid d-beat backbone that doesn’t bore you to tears. Searing guitar work and a vocalist that can actually manage to convey his live frustration through recorded media, a rare feat. A distinct sound is hard to pinpoint. Influences range all over the place from DEATH SIDE to POISON IDEA. Members of UNLEARN and VACANT STATE.

GRINDCORE/HARDCORE. "maximum entertainment" is the phantastic 9 song debut which starts together with ACME the whole Bremen-style hype. These are ultra intense, infernal, sick and brutal hardcore-attacks with a death-metal-edge and exceptional soundsamplings. Members included former and current members of CAROL and MÖRSER. A great production and fine coverartwork. [PK 004]

HARDCORE-PUNK. Hannovers' newcomers T-34 with their debut release. Double guitars, pounding bass, heavy drums and a singer which leaves you scared to the bone! T-34 from have something for everyone in their music and lyrics! T-34 mix of mid '80s UK-hardcore, driving punk tunes and a hint of Japanese styled hardcore - all well played with skill and taste. Feature members of NOVEMBER 13TH, CAVE CANEM, PIAZZA DROPOUT, KIDS OF THE BLACK HOLE etc..

HARDCORE-PUNK. This is the 2nd strike by Hannovers madhouse. You'll get 10 aggressive tracks of outbursting anger against everything in about 20min. speak a clear language - sounds like an unemployed doesn't get his dole in time. An unstoppable force of hardcore-punk not needing a description by naming a whole new genre.

HARDCORE-PUNK. AC4 called it a day and guitarist Karl Backman has started a new outfit, THE T-55?S. They describe themselves as hardcore-punk meets MOTÖRHEAD, with female vocals. "power up" are 5 simple track that drums up images of dirty, sweaty, punk gigs that practically explode the minute the music starts. From heavy, thunderous bass lines, to the fast-as-fuck guitar fretwork, guttural growls and gang vocals – the band belt out 5 tracks that are impossible not incite a riot. Certainly, "power up" is a force to be reckoned with. It's in-your-face, takes no prisoners and certainly makes no apologies for its opinions. Limited 1st edition of 600 copies comes as a one-sided LP with 5 songs on a-side and a screen print on b-side.

POST-PUNK-ROCK. T.S.O.L. has been going strong for nearly 40 years and have worn many hats - from intense punk rock to death rock to new-wave to hair metal - and return to their d.i.y. roots with "the trigger complex". This record is a hard-hitting, anthemic release that shows the band has plenty more vitriol and show no sign of slowing down. Colored vinyl includes a digital download card.

ALTERNATIVE-ROCK. TAD was a mighty force in the late-'80s/early-'90s Seattle scene. Their heavy, churning rock/metal/punk buzz was a crucial part of Sub Pop's early years, and, along with peers like MUDHONEY, NIRBANA and SOUNDGARDEN, they defined the sound that reinvigorated the rock world in the early '90s. With an image that sometimes cast the band as deranged lumberjacks, and influence from HEAD OF DAVID and KILLDOZER, TAD put a uniquely rain-and-fog-coated Northwest spin on '80s underground rock. The band released 2 albums and a 7"s on Sub Pop between 1988 and 1991, all of which are now lovingly re-mastered and repackaged with bonus tracks and expansive liner notes. Colored vinyl includes a digital download card.

ALTERNATIVE/GRUNGE-ROCK. "infrared riding hood" from 1995, is the 5th and final album by the Seattle grunge-alternative band TAD. Although the album didn't enjoy the sales success of its genre's biggest rivals, this album is often regarded as TAD's best work. As a matter of fact, disaster struck for the band right after the album's release. The album sold poorly, having had very little promotion behind it. This fact alone makes original copies of "infrared riding hood" quite rare to come by, making a reissue a welcome one for grunge and rock fans alike. Colored, 180gr thick viinyl is limited to 1000 copies.

POST-ROCK. TAIGA's electronic hymns are deeply personal and spiritual, complex riddles that are buried under post-traumatic tape hiss and disturbing reverb. An aura that's beamed from another dimension, echoing down your spine. Shimmering hypnotics that force dialogue, no seasonal offering of spring mountain-tops but a heartening experience, both precise and organic, that just seems to regenerate itself. Imagine awakening from a cold sweat coma, still paralyzed, but awestruck by space and shuffling movements of ghost hunters breathing through inflatable weapons. New age minimalism and post-ambient clouds highly influenced by TANGERINE DREAM, Klaus Schulze, Brian Eno, CLUSTER and Terry Riley. TAIGA is the solo space monniker of Bryant Clifford Meyer from RED SPAROWES, WINDMILLS BY THE OCEAN, ISIS and THE GERSCH. Limited vinyl edition includes a digital download card.

POST-ROCK. The arc of Bryant Clifford Meyer's musical trajectory is characterized by a penchant for sonic meditations. Over the years, this hypnotic tendency found a footing in the protracted low-end rumble of THE GERSCH, the monolithic crescendos of post-metal legends ISIS, and the call-to-arms scores of RED SPAROWES. But nowhere is this predilection towards the pensive and the brooding more apparent than in Meyer's recent solo efforts. Under the moniker of TAIGA, the multi-instrumentalist sheds the guitar-laden thunder of his collaborative work in favor of reserved melodies and exploratory studies in texture and dynamics. TAIGA offers classical music for the experimental set. Or perhaps it's post-rock for minimalists, or new age for nihilists.