Henrique Couto, indie director of BABYSITTER MASSACRE, HAUNTED HOUSE ON SORORITY ROW and the upcoming SCAREWAVES, tries his hand at paranormal horror with ALONE IN THE GHOST HOUSE. Read on for the details, an exclusive poster and the trailer.

Are you watching KEY & PEELE? What’s easily one of the funniest shows on television also frequently upholds the long held companionship/parallel wavelength of comedy and horror. It’s evident the show’s creators, Keegan Michael Key and Jordan Peele have, if not a reverence, than certainly an affinity for outright horror and genre work. Something the latter has now confirmed, along with his exciting plans to write and direct a horror film.

WHAT WE DO IN THE SHADOWS is viscerally funny. The vampire mock doc from Jermaine Clement and Taika Waititi is rapid fire in its succession of laughs, be it line delivery, physical comedy or the simple joy of spending time with these rich, silly characters and their rich, silly world. From its Sundance World Premiere, I’ve been excited for fans and readers to see it. Now, an official release date has been announced.

Currently sitting atop the box office is OUIJA. The modest, suburban set teen scream from Universal and Blumhouse is divisive among horror fans yes, but it’s undoubtedly still endearing to see the kids have come out the last weekend in October for jolts and frights. Which OUIJA does have, thanks to some ghoulish design in its supernatural entities and the emotional authenticity from lead Olivia Cooke.

Though he’s worn many faces over the course of his illustrious career, there are few horror fans that wouldn’t immediately recognize Ron Perlman. The hard-jawed actor from films such as HELLBOY, ALIEN: RESURRECTION and THE LAST WINTER, Perlman has seen every corner of the entertainment industry and then some. So it may not be a surprise that the genre-friendly thespian has taken his experiences to the page with his new memoir, EASY STREET (THE HARD WAY). FANGORIA caught up with Perlman in an exclusive chat about the memoir, his future work and what genre films EASY STREET will shed some light upon…

Welcome to Shadowvision, a regular column in which Fangoria.com revisits modern horror films in black and white. The purpose is to analyze these films through a new lens, seeing if the classically informed viewing experience will give a new angle to familiar images. If you’d like to watch along at home, it’s simple: go into your TV settings and desaturate the picture completely, then adjust the contrast and brightness to fit either standard or high definition.

Currently running at New York City’s Anthology Film Archives (32 Second Avenue), the Industrial Terror series pairs regional horror classics with industrial/educational movies by their creators. We’ve got an exclusive video overview of these filmmakers and their work to share with you.

When it comes to programming, no theater chain can compare to that of the Alamo Drafthouse. With an eye towards the fun and the off-beat, the Drafthouse presents theatrical engagements like no other, providing a full food-and-drink menu alongside films and decor that celebrate the wonder of cinema. And with Halloween around the corner, every Drafthouse location found themselves within the spirits of the season with their first annual “DISMEMBER THE ALAMO” event: a four-film marathon of mysterious and malevolent horror films.

While it might seem like true underground filmmaking, director Ben Ketai reveals that making BENEATH, out tomorrow on DVD, was not actually a subterranean experience—though it was still a challenging one.

The Blood in the Snow Canadian Film Festival is proud to announce its lineup for its BITS Short Showcase program playing Friday November 28th at 9:30 p.m. The lineup includes premieres of seven short films of the best Canadian genre shorts to be made this year. Last year’s prime time program was a huge hit selling out and adding a second screening.

At once mythic and immediate, MR. WICKER by Maria Alexander (pictured) is a vivid synthesis of dark folk tale and modern horror. It begins with our heroine, horror writer Alicia Baum, successfully committing suicide—however, it turns out this is only temporary.