In the following review of the 2002 production of Antony and Cleopatra directed by Michael Attenborough at Stratford-upon-Avon, Gibson contends that Attenborough's extensive textual cuts highlighted two of the drama's themes: “the contrast of Rome and Egypt, and the destructive effects of love.”

Michael Attenborough has radically cut Shakespeare's sprawling masterpiece to highlight just two of themes, the contrast of Rome and Egypt, and the destructive effects of love.

So out go Sextus Pompeius and his bloodthirsty but shrewd pirates, alert to issues of state. Out goes the conquering but politically-aware Ventidius on the vast plains of Syria. Elsewhere, dialogue is trimmed to deliver a three-hour performance (including an interval) that concentrates on the vexed relationships of the three protagonists.