Stones Throw Beefs?

1. I heard that Dilla takes some shots at House Shoes on strapped and there was beef involved in this record. can someone get clarification with evidence or at least explain this for me? Being a Dilla head and having this brought to me so recently for one of my favorite Jaylib tracks is quite intriguing.

Here's the guilty interview I read where this was first brought to my attention.

On a more serious note – Strapped. …there’s definitely a little House Shoes jab in there. I know the story, which I’m not going to divulge here (or anywhere, if you know, you know, if you don’t, you probably don’t need to know anyway), but did you know what you were getting into with that?

Well, what happened was – like I told you at first, Shoes was the person that initially called me and told me that Dilla wanted to work so, even to this day, I’m definitely, definitely grateful for that. When we did Strapped, he had the beat, and I went through there and I laid the verse.

2. Can we get some clear and serious answers about what the beef is/was between Dudley Perkins/Declaime and Stones Throw?

On a related note Declaime has a song on MMS #11 (LMD - Real Talk) where they talk about label and music bullshit. this track makes me wonder if ST and Dudley have squashed their beef or if Dudley is talking about ST on the record?

I'm way too good at reading too much into these things but I'll take a crack at it. On Strapped Dilla goes "you don't need them house shoes" ... "when you bounce through you get no service / on some 'no shoes, no shirt shit'"
If you remember that stussy dilla video series, I believe House Shoes mentioned something about their falling out at one point.

As for the dudley perkins scenario, the man posted his piece here himself... though I doubt that anyone remembers his take exactly or if those posts still even exist. Plus the track he's on, he has a line there about trying to just move forward and 'not wasting no more ammunition'. I got the feeling that he's done with that 'beef'.

And I think you're right about LMD. Or else Leave My Name Out changed his name to Lettuce Mincemeat Dumplings.

Not that this has anything to do with all the declaime stuff. But anyone ever noticed that line @ 1:28? "Fuck a Loopdigga in my city man just stay home". I have no clue why he would say that lol, maybe he was jealous of madlib's succes?

Not that this has anything to do with all the declaime stuff. But anyone ever noticed that line @ 1:28? "Fuck a Loopdigga in my city man just stay home". I have no clue why he would say that lol, maybe he was jealous of madlib's succes?

i don't know, i think it was some playful beef that PUTS was puttin on just cause it was another crew reppin pretty much the same area as them, or so close by, and other lines like "all you underground producers get off premiere's dick", and kan's stuff that calls them out, its just the same old hip hop shit, 'my shit is the best, the rest don't compare', i doubt any shit ever happened face to face.......

hahaha that's a funny thought though, some record store throw down shit, one rolls up to a spot when the others there.......thes starts wildin out, callin him out on some repressed breaks or somethin.......then later god's gift leaves double k hangin from a noose to serve as a warning.....

i don't know, i think it was some playful beef that PUTS was puttin on just cause it was another crew reppin pretty much the same area as them, or so close by, and other lines like "all you underground producers get off premiere's dick", and kan's stuff that calls them out, its just the same old hip hop shit, 'my shit is the best, the rest don't compare', i doubt any shit ever happened face to face.......

hahaha that's a funny thought though, some record store throw down shit, one rolls up to a spot when the others there.......thes starts wildin out, callin him out on some repressed breaks or somethin.......then later god's gift leaves double k hangin from a noose to serve as a warning.....