What to see and where: exhibitions from the Wallpaper* architecture desk

What to see and where: exhibitions from the Wallpaper* architecture desk

From immersive installations to informative expos, we’ve visited museums, galleries and project spaces worldwide to bring you an edit of what to see and where in the world of architecture. Here’s what happens when architects, curators and academics get together to create and educate...

KWK Promes Robert Konieczny explores the very nature of architecture in a new exhibition at the Architektur Galerie in Berlin. ‘Moving Architecture’ may be entirely composed of static elements, yet it is especially designed to instigate motion – urging the viewers to move around the exhibits and examine architecture through a spatial journey. Even upon entering the show, the displays convey the impression of moving walls; but this is not the case, it is just an elaborate illution, designed by Konieczny and his team together with the gallery’s curators. Photography: Bartek Barczyk

KWK Promes Robert Konieczny explores the very nature of architecture in a new exhibition at the Architektur Galerie in Berlin. ‘Moving Architecture’ may be entirely composed of static elements, yet it is especially designed to instigate motion – urging the viewers to move around the exhibits and examine architecture through a spatial journey. Even upon entering the show, the displays convey the impression of moving walls; but this is not the case, it is just an elaborate illution, designed by Konieczny and his team together with the gallery’s curators. Photography: Bartek Barczyk

The beautifully created exhibit looks sleek and flawless, appearing seamless from the outside, as it uses the same type of stone as the overall building where the gallery is located. Further inside, four monumental pictures dominate the show. They are ‘slightly tilted from the wall plane, as if frozen in motion’, explain the architects. As the visitor views and moves around them, they are perceived to be moving, adding a layer of time and space onto what initially appears as a two-dimensional show. Cleverly minimalist yet rich on an experiential level and providing fertile ground for debate on what architecture is, this show is not to be missed. Photography: Bartek Barczyk

The beautifully created exhibit looks sleek and flawless, appearing seamless from the outside, as it uses the same type of stone as the overall building where the gallery is located. Further inside, four monumental pictures dominate the show. They are ‘slightly tilted from the wall plane, as if frozen in motion’, explain the architects. As the visitor views and moves around them, they are perceived to be moving, adding a layer of time and space onto what initially appears as a two-dimensional show. Cleverly minimalist yet rich on an experiential level and providing fertile ground for debate on what architecture is, this show is not to be missed. Photography: Bartek Barczyk

Arakawa: Diagrams for the Imagination
Gagosian, New York
5 March – 13 April 2019

Japanese artist Arakawa’s work straddles the art and architecture worlds, as he works with schematic images and blueprints. A new exhibition at New York’s Gagosian gallery looks into Arakawa’s work through a series of pieces created between 1965-1984. The artist was famously one of the founding members of the Japanese avant-garde collective Neo Dadaism Organizers, yet moved to the USA in the 1960s and developed his personal style further there.

Arakawa: Diagrams for the Imagination
Gagosian, New York
5 March – 13 April 2019

Japanese artist Arakawa’s work straddles the art and architecture worlds, as he works with schematic images and blueprints. A new exhibition at New York’s Gagosian gallery looks into Arakawa’s work through a series of pieces created between 1965-1984. The artist was famously one of the founding members of the Japanese avant-garde collective Neo Dadaism Organizers, yet moved to the USA in the 1960s and developed his personal style further there.

Arakawa: Diagrams for the Imagination
Gagosian, New York
5 March – 13 April 2019

The show examines Arakawa’s two-dimentional work in paint, ink, graphite, and assemblage on canvas and paper. The works displayed consist of a series of large scale canvases, but also elements such as a colour chart and a vision test chart. ‘In his work, the image is often merely a stimulus, as the ultimate act of representation is displaced from the canvas, or object, to the imagination of the viewer, opening up a gap between the eye and the mind’, explain the curators.

Arakawa: Diagrams for the Imagination
Gagosian, New York
5 March – 13 April 2019

The show examines Arakawa’s two-dimentional work in paint, ink, graphite, and assemblage on canvas and paper. The works displayed consist of a series of large scale canvases, but also elements such as a colour chart and a vision test chart. ‘In his work, the image is often merely a stimulus, as the ultimate act of representation is displaced from the canvas, or object, to the imagination of the viewer, opening up a gap between the eye and the mind’, explain the curators.

Danish architect Dorte Mandrup celebrates 20 years of her eponymous studio in a new multi-sensory exhibition. ‘Irreplaceable Landscapes’ explores the impact of climate change on architectural design around the Wadden Sea, a southeastern area of the North Sea. Large-scale installations and virtual reality films place visitors into these fragile landscapes with an aim to highlight the importance of environmentally conscious design. Examined projects include Dorte Mandrup’s Wadden Sea Centres, each designed to reflect their site-specific vernaculars of the Netherlands, Germany and Denmark. One installation sees visitors glide over the centre in Ribe, Denmark, accompanied by the natural soundscape, experience the building’s construction and feel a part of its thatched roof underfoot. Pictured here, the Isfjord Centre in the landscape. Image: courtesy MIR

Danish architect Dorte Mandrup celebrates 20 years of her eponymous studio in a new multi-sensory exhibition. ‘Irreplaceable Landscapes’ explores the impact of climate change on architectural design around the Wadden Sea, a southeastern area of the North Sea. Large-scale installations and virtual reality films place visitors into these fragile landscapes with an aim to highlight the importance of environmentally conscious design. Examined projects include Dorte Mandrup’s Wadden Sea Centres, each designed to reflect their site-specific vernaculars of the Netherlands, Germany and Denmark. One installation sees visitors glide over the centre in Ribe, Denmark, accompanied by the natural soundscape, experience the building’s construction and feel a part of its thatched roof underfoot. Pictured here, the Isfjord Centre in the landscape. Image: courtesy MIR

One hundred sketches from Álvaro Siza’s personal archive and small collections of his family and friends are presented in this exhibition. Each drawing holds a story of his own life and work, bringing to the surface his belief in the importance of family, his understanding of cities, history and modernism. While important projects are viewed in new ways such as the Sports Complex for the 1997 Universiade in Palermo, the School of Porto, the New Orleans Tower and his Chinese Design Museum in Hangzhou.

One hundred sketches from Álvaro Siza’s personal archive and small collections of his family and friends are presented in this exhibition. Each drawing holds a story of his own life and work, bringing to the surface his belief in the importance of family, his understanding of cities, history and modernism. While important projects are viewed in new ways such as the Sports Complex for the 1997 Universiade in Palermo, the School of Porto, the New Orleans Tower and his Chinese Design Museum in Hangzhou.

Dimensions of citizenship: architecture and belonging from the body to the cosmos
Wrightwood 659
28 February - 27 April 2019

The US pavilion exhibition created for the 16th Venice Architecture Biennale lands in Chicago to bring its debates around the meaning of citizenship to the local audience. The show encompasses the seven installations featured in ‘Dimensions of Citizenship’ by architect teams Amanda Williams + Andres L. Hernandez, in collaboration with Shani Crowe; Studio Gang; SCAPE; Estudio Teddy Cruz + Fonna Forman; Diller Scofidio + Renfro, Laura Kurgan, Robert Gerard Pietrusko with Columbia Center for Spatial Research; Keller Easterling with MANY; and Design Earth. Each team questioned what being a citizen means today.

Dimensions of citizenship: architecture and belonging from the body to the cosmos
Wrightwood 659
28 February - 27 April 2019

The US pavilion exhibition created for the 16th Venice Architecture Biennale lands in Chicago to bring its debates around the meaning of citizenship to the local audience. The show encompasses the seven installations featured in ‘Dimensions of Citizenship’ by architect teams Amanda Williams + Andres L. Hernandez, in collaboration with Shani Crowe; Studio Gang; SCAPE; Estudio Teddy Cruz + Fonna Forman; Diller Scofidio + Renfro, Laura Kurgan, Robert Gerard Pietrusko with Columbia Center for Spatial Research; Keller Easterling with MANY; and Design Earth. Each team questioned what being a citizen means today.

Making It Happen: New Community Architecture
RIBA Architecture Gallery
30 January - 29 April 2019

The Cooper Union is launching an exploration on architects’ drawings with its latest exhibition, which opens today in New York. The show goes in particular detail to investigate how ’emerging design and production technologies impact the ways in which architects engage with traditional practices of architectural drawing and how rules inform the ways the built environment is documented, analyzed, represented, and designed’, explain the curators, Andrew Kudless and Adam Marcus. Pictured here, ’Double Vision’ by IwamottoScott Architecture.

The Cooper Union is launching an exploration on architects’ drawings with its latest exhibition, which opens today in New York. The show goes in particular detail to investigate how ’emerging design and production technologies impact the ways in which architects engage with traditional practices of architectural drawing and how rules inform the ways the built environment is documented, analyzed, represented, and designed’, explain the curators, Andrew Kudless and Adam Marcus. Pictured here, ’Double Vision’ by IwamottoScott Architecture.

Kudless and Marcus invited a range of architecture professionals to create a new piece each for the show, conforming to a strict set of rules: consistent dimension, black and white medium, and limiting the drawing to two-dimensions. The resulting pieces - some 25 artworks - offer a range of responses engaging inventively the medium of drawing. Pictured here, ’The House Of The Woodland’ by WOJR.

Kudless and Marcus invited a range of architecture professionals to create a new piece each for the show, conforming to a strict set of rules: consistent dimension, black and white medium, and limiting the drawing to two-dimensions. The resulting pieces - some 25 artworks - offer a range of responses engaging inventively the medium of drawing. Pictured here, ’The House Of The Woodland’ by WOJR.

Balkrishna Doshi: Architecture for the People
Vitra Design Museum
30 March - 8 September 2019

This retrospective of Pritzker prize 2018-winning architect Balkrishna Doshi will bring his 60 year career and work into context with displays of numerous projects between the years 1958 to 2014. For his first major exhibition outside of Asia, an array of archive material, artworks, photography, film and full-scale installations will be shown alongside an extensive timeline. His relationship with leaders such as Le Corbusier and Christopher Alexander and conversations on his definition of modern Indian architecture and global influence will be explored, alongside his humanist philosophy and ethical beliefs. Pictured, exterior view of Doshi’s architectural studio, Sangath Architect’s Studio, Ahmedabad, built in 1980. Photography: Iwan Baan, 2018

Balkrishna Doshi: Architecture for the People
Vitra Design Museum
30 March - 8 September 2019

This retrospective of Pritzker prize 2018-winning architect Balkrishna Doshi will bring his 60 year career and work into context with displays of numerous projects between the years 1958 to 2014. For his first major exhibition outside of Asia, an array of archive material, artworks, photography, film and full-scale installations will be shown alongside an extensive timeline. His relationship with leaders such as Le Corbusier and Christopher Alexander and conversations on his definition of modern Indian architecture and global influence will be explored, alongside his humanist philosophy and ethical beliefs. Pictured, exterior view of Doshi’s architectural studio, Sangath Architect’s Studio, Ahmedabad, built in 1980. Photography: Iwan Baan, 2018

David Adjaye: Making Memory
Design Museum, London
2 February - 5 May 2019

Seven projects by architect Sir David Adjaye OBE will be explored in depth within this exhibition that examines the role of monuments and memorials in the 21st century. Adjaye often uses form as a means for storytelling and the show will dig deep into the psychological role of architecture in memorialising triumphs and failures. The case studies will reveal how Adjaye’s design process lifts ideas from anthropology, history and sociology to express history, while also communicating with an activated 21st century audience. Pictured, the Gwangju Reading Room. Photography: Kyungsub Shin

David Adjaye: Making Memory
Design Museum, London
2 February - 5 May 2019

Seven projects by architect Sir David Adjaye OBE will be explored in depth within this exhibition that examines the role of monuments and memorials in the 21st century. Adjaye often uses form as a means for storytelling and the show will dig deep into the psychological role of architecture in memorialising triumphs and failures. The case studies will reveal how Adjaye’s design process lifts ideas from anthropology, history and sociology to express history, while also communicating with an activated 21st century audience. Pictured, the Gwangju Reading Room. Photography: Kyungsub Shin

David Adjaye: Making Memory
Design Museum, London
2 February - 5 May 2019

‘The monument is no longer a representation, it is an experience of time and place that is available to everyone,’ says Adjaye. Cultural objects and references will be on display with models, plans and drawings. Traditional Asante umbrellas will be shown alongside models of the National Cathedral of Ghana showing its visual connection to its cultural source, while designs for his proposed Coretta Scott King and Martin Luther King Jr. Memorial in Boston will be shown for the first time. Pictured, rendering of the National Cathedral of Ghana. Image: Adjaye Associates

David Adjaye: Making Memory
Design Museum, London
2 February - 5 May 2019

‘The monument is no longer a representation, it is an experience of time and place that is available to everyone,’ says Adjaye. Cultural objects and references will be on display with models, plans and drawings. Traditional Asante umbrellas will be shown alongside models of the National Cathedral of Ghana showing its visual connection to its cultural source, while designs for his proposed Coretta Scott King and Martin Luther King Jr. Memorial in Boston will be shown for the first time. Pictured, rendering of the National Cathedral of Ghana. Image: Adjaye Associates

Opening up the studio practice of architect Kashef Chowdhury to the public, this exhibition presents the work of URBANA through models, photographs, film footage, and plans. This is the first comprehensive European exhibition on the work of Bangladesh-based Chowdhury, who received the Aga Khan Award for Architecture in 2016 for the Friendship Centre on the flood plains of Gaibandha in northern Bangladesh. His work is recognized for its sensitivity to context – born of the extreme tropical climates and dense population of Bangladesh – and its radical simplicity with an ability to harness local building techniques and materials. Photography: Friendship Centre, Hélène Binet

Opening up the studio practice of architect Kashef Chowdhury to the public, this exhibition presents the work of URBANA through models, photographs, film footage, and plans. This is the first comprehensive European exhibition on the work of Bangladesh-based Chowdhury, who received the Aga Khan Award for Architecture in 2016 for the Friendship Centre on the flood plains of Gaibandha in northern Bangladesh. His work is recognized for its sensitivity to context – born of the extreme tropical climates and dense population of Bangladesh – and its radical simplicity with an ability to harness local building techniques and materials. Photography: Friendship Centre, Hélène Binet

Curated by Niklaus Graber and Andreas Ruby, the exhibition features projects such as his stormproof school in the Rohingya refugee camp of Ukhia along the border to Myanmar; the island-shaped village near the Bramaputra River; the seven-floor Gulshan Society Mosque in Dhaka; and the Cyclone Shelter in Kuakata on the Bay of Bengal coast. As well as addressing immediate needs to users, each project also contributes to urgent issues such as population density, climate change, migration, and the reactivation of rural potential. Photography: Chandgaon Mosque, Kashef Chowdhury

Curated by Niklaus Graber and Andreas Ruby, the exhibition features projects such as his stormproof school in the Rohingya refugee camp of Ukhia along the border to Myanmar; the island-shaped village near the Bramaputra River; the seven-floor Gulshan Society Mosque in Dhaka; and the Cyclone Shelter in Kuakata on the Bay of Bengal coast. As well as addressing immediate needs to users, each project also contributes to urgent issues such as population density, climate change, migration, and the reactivation of rural potential. Photography: Chandgaon Mosque, Kashef Chowdhury

Architecture for Dogs
Japan House São Paulo
19 January - 7 April 2019

Curated by Japanese designer Kenya Hara, this exhibition features conceptual dog houses designed by renowned architects and designers including Shigeru Ban, MVRDV, Konstantin Grcic and Toyo Ito. Brazilian architects FGMF were invited by Japan House to design a new project, a house developed specially for the Yorkshire Terrier breed named ‘the Cocoon’. The exhibition investigates the dog houses in the context of projects that bridge the scale of the human ‘architectural’ space, and that of furniture design. Pictured, Go Project No Dog No Life by Sou Fujimoto. Photography: Hiroshi Yoda

Architecture for Dogs
Japan House São Paulo
19 January - 7 April 2019

Curated by Japanese designer Kenya Hara, this exhibition features conceptual dog houses designed by renowned architects and designers including Shigeru Ban, MVRDV, Konstantin Grcic and Toyo Ito. Brazilian architects FGMF were invited by Japan House to design a new project, a house developed specially for the Yorkshire Terrier breed named ‘the Cocoon’. The exhibition investigates the dog houses in the context of projects that bridge the scale of the human ‘architectural’ space, and that of furniture design. Pictured, Go Project No Dog No Life by Sou Fujimoto. Photography: Hiroshi Yoda

A chance to see Níall McLaughlin Architects’ contribution to the 16th Venice Architecture Biennale, this interactive installation at RIBA presents the very same six large-scale models from the London-based practice. Presented upon a cosmic rotating table, each model represents a hall for gathering that has been designed by the architects. The positioning of the models seeks to communicate the relationship between buildings and the procession of ‘fugitive elements’ that pass through them periodically. The models of buildings feature a garden theatre at Worcester College in Oxford; a fish and chip shop on Deal Pier in Kent; and a castle hall and watchtower in Durham. Photography: Courtesy Niall McLaughlin Architects

A chance to see Níall McLaughlin Architects’ contribution to the 16th Venice Architecture Biennale, this interactive installation at RIBA presents the very same six large-scale models from the London-based practice. Presented upon a cosmic rotating table, each model represents a hall for gathering that has been designed by the architects. The positioning of the models seeks to communicate the relationship between buildings and the procession of ‘fugitive elements’ that pass through them periodically. The models of buildings feature a garden theatre at Worcester College in Oxford; a fish and chip shop on Deal Pier in Kent; and a castle hall and watchtower in Durham. Photography: Courtesy Niall McLaughlin Architects

The Sea Ranch is an iconic architectural community, set just north of San Francisco, on the rugged and wind-swept California coast. Conceived by developer Al Boeke in the 1960s, Sea Ranch was imagined as a model residential complex that would unite affordability with a modern design approach and architectural vision. A group of Bay Area architects, landscape and graphic designers were involved, including Charles Moore, Joseph Esherick, William Turnbull, Lawrence Halprin and Barbara Stauffacher Solomon. This newly opened SFMOMA show takes the visitor through a tour of this progressive scheme. Photography: Katherine Du Tiel. Writer: Ellie Stathaki

The Sea Ranch is an iconic architectural community, set just north of San Francisco, on the rugged and wind-swept California coast. Conceived by developer Al Boeke in the 1960s, Sea Ranch was imagined as a model residential complex that would unite affordability with a modern design approach and architectural vision. A group of Bay Area architects, landscape and graphic designers were involved, including Charles Moore, Joseph Esherick, William Turnbull, Lawrence Halprin and Barbara Stauffacher Solomon. This newly opened SFMOMA show takes the visitor through a tour of this progressive scheme. Photography: Katherine Du Tiel. Writer: Ellie Stathaki

The exhibition spans from early concepts and plans through to the completed work, exploring all aspects of the Sea Ranch development. Exhibits feature archival and contemporary photographs, original drawings and sketches from the project’s designers and a full-scale architectural replica. At the time, ’modern architecture represented social progress’, say the organisers, explaining how Sea Ranch made the most of this approach offering a truly innovative version to the typical Northern California Modern residential development. Photography: Katherine Du Tiel. Writer: Ellie Stathaki

The exhibition spans from early concepts and plans through to the completed work, exploring all aspects of the Sea Ranch development. Exhibits feature archival and contemporary photographs, original drawings and sketches from the project’s designers and a full-scale architectural replica. At the time, ’modern architecture represented social progress’, say the organisers, explaining how Sea Ranch made the most of this approach offering a truly innovative version to the typical Northern California Modern residential development. Photography: Katherine Du Tiel. Writer: Ellie Stathaki

Eskyiu Playkits
ArtisTree, Hong Kong
17 - 28 November 2018

Design experts Marisa Yiu and Eric Schuldenfrei of multidisciplinary Hong Kong practice Eskyiu have unveiled their latest show; a celebration of the firm’s innovative and inspirational journey over the years. Aiming to showcase the transformative nature of design and their own experimental approach in a playful way, the team created a respectively ’transformable’ and interactive show that everybody can contribute to and enjoy. Writer: Ellie Stathaki

Eskyiu Playkits
ArtisTree, Hong Kong
17 - 28 November 2018

Design experts Marisa Yiu and Eric Schuldenfrei of multidisciplinary Hong Kong practice Eskyiu have unveiled their latest show; a celebration of the firm’s innovative and inspirational journey over the years. Aiming to showcase the transformative nature of design and their own experimental approach in a playful way, the team created a respectively ’transformable’ and interactive show that everybody can contribute to and enjoy. Writer: Ellie Stathaki

Eskyiu Playkits
ArtisTree, Hong Kong
17 - 28 November 2018

Yiu and Schuldenfrei put together a bespoke and ’complex set of transformable objects’ that are designed to perform different functions for each occasion and program. A series of events will take place within the space and will include six days of sports experiences co-hosted with Nike, a dynamic round-table discussion that redefines play and work, and an experimental music and sound experience in collaboration with HKNME. Through this playful space, Eskyiu are marking over 10 years of creative journeys in Hong Kong, and beyond. Writer: Ellie Stathaki

Eskyiu Playkits
ArtisTree, Hong Kong
17 - 28 November 2018

Yiu and Schuldenfrei put together a bespoke and ’complex set of transformable objects’ that are designed to perform different functions for each occasion and program. A series of events will take place within the space and will include six days of sports experiences co-hosted with Nike, a dynamic round-table discussion that redefines play and work, and an experimental music and sound experience in collaboration with HKNME. Through this playful space, Eskyiu are marking over 10 years of creative journeys in Hong Kong, and beyond. Writer: Ellie Stathaki

WE
BLOX, Copenhagen
18 October - 2 November 2018

A striking, cascading structure has taken over part of Copenhagen’s BLOX centre for architecture. Entitled ‘WE’ and designed by WE Architecture, the project is a special commission by Dreyers Fond and the Danish Architecture Center (DAC). Conceived to celebrate new talent in architecture, the organisers invited the emerging Danish firm to showcase their work through a spatial installation. WE picked ‘community’ as their theme and approached the design as an insight into how architects – and they, specifically – work. Writer: Ellie Stathaki

WE
BLOX, Copenhagen
18 October - 2 November 2018

A striking, cascading structure has taken over part of Copenhagen’s BLOX centre for architecture. Entitled ‘WE’ and designed by WE Architecture, the project is a special commission by Dreyers Fond and the Danish Architecture Center (DAC). Conceived to celebrate new talent in architecture, the organisers invited the emerging Danish firm to showcase their work through a spatial installation. WE picked ‘community’ as their theme and approached the design as an insight into how architects – and they, specifically – work. Writer: Ellie Stathaki

WE
BLOX, Copenhagen
18 October - 2 November 2018

The space was redesigned as a version of an architectural office, which, like WE does, focuses especially on the idea of community – a theme that is recurrent in the practice’s work but also is an essential part of the studio’s own ethos and way of working. ‘When we shape architecture we create the frame for future communities. Our task is therefore essential: Focusing on community, we as architects must create the optimal conditions for the years to come’, the architects explain. Writer: Ellie Stathaki

WE
BLOX, Copenhagen
18 October - 2 November 2018

The space was redesigned as a version of an architectural office, which, like WE does, focuses especially on the idea of community – a theme that is recurrent in the practice’s work but also is an essential part of the studio’s own ethos and way of working. ‘When we shape architecture we create the frame for future communities. Our task is therefore essential: Focusing on community, we as architects must create the optimal conditions for the years to come’, the architects explain. Writer: Ellie Stathaki

Archive and Artifact: The Virtual and the Physical
The Cooper Union, New York
23 October - 1 December 2018

The Cooper Union’s Irwin S. Chanin School of Architecture is well known for its experimental and highly influential teachings over the years; it’s one of the finest ones in the country. A new show at the school’s Arthur A. Houghton Jr. Gallery celebrates 50 years of undergraduate architectural thesis projects produced in the institution, highlighting innovation and the alumni’s forward thinking ways. The richly presented show includes works created between 1969 and 2018, curated in a fascinating and aesthetically pleasing sequence.

Archive and Artifact: The Virtual and the Physical
The Cooper Union, New York
23 October - 1 December 2018

The Cooper Union’s Irwin S. Chanin School of Architecture is well known for its experimental and highly influential teachings over the years; it’s one of the finest ones in the country. A new show at the school’s Arthur A. Houghton Jr. Gallery celebrates 50 years of undergraduate architectural thesis projects produced in the institution, highlighting innovation and the alumni’s forward thinking ways. The richly presented show includes works created between 1969 and 2018, curated in a fascinating and aesthetically pleasing sequence.

Archive and Artifact: The Virtual and the Physical
The Cooper Union, New York
23 October - 1 December 2018

The exhibition includes a variety of physical hand drawings, digital drawings, and models of 35 undergraduate thesis projects from the school’s extensive archives. Pictured here is the project ‘One-Way Bridge’, but Karen Bausman, created in 1981-82 under the guidance of John Hejduk, Anthony Candido, Lewis Davis, Roderick Knox, Richard Stein, and Donald Wall. The show is presented in association with Archtober, the Architecture and Design Month New York City, which is currently ongoing.

Writer: Ellie Stathaki. Image: Karen Bausman

Archive and Artifact: The Virtual and the Physical
The Cooper Union, New York
23 October - 1 December 2018

The exhibition includes a variety of physical hand drawings, digital drawings, and models of 35 undergraduate thesis projects from the school’s extensive archives. Pictured here is the project ‘One-Way Bridge’, but Karen Bausman, created in 1981-82 under the guidance of John Hejduk, Anthony Candido, Lewis Davis, Roderick Knox, Richard Stein, and Donald Wall. The show is presented in association with Archtober, the Architecture and Design Month New York City, which is currently ongoing.

The Belgian architect Léon Stynen made a mark on his hometown of Antwerp in an indelible and idealistic way that influenced the city’s current urban landscape considerably. Like many of his modernist contemporaries, Stynen developed a devotion for concrete, a material he used prolifically and masterfully during his varied career, from the early 1920s until 1977. Now, a new exhibition in the Belgian city explores the modernist architect’s considerable body of work.

The Belgian architect Léon Stynen made a mark on his hometown of Antwerp in an indelible and idealistic way that influenced the city’s current urban landscape considerably. Like many of his modernist contemporaries, Stynen developed a devotion for concrete, a material he used prolifically and masterfully during his varied career, from the early 1920s until 1977. Now, a new exhibition in the Belgian city explores the modernist architect’s considerable body of work.

In 1988, Stynen and his partner Paul De Meyer donated their rich architectural archive to the Province of Antwerp, where it found its way into the collection of the Flanders Architecture Institute (VAI), who has staged an homage to the architect in one of his most striking post-war projects, deSingel. Here, Stynen brought together his roles as architect, urbanist, educator and designer – a fully integrated vision that comes to life through the countless studies, sketches and scale models on show, which illustrate Stynen’s progressive urban prowess.

In 1988, Stynen and his partner Paul De Meyer donated their rich architectural archive to the Province of Antwerp, where it found its way into the collection of the Flanders Architecture Institute (VAI), who has staged an homage to the architect in one of his most striking post-war projects, deSingel. Here, Stynen brought together his roles as architect, urbanist, educator and designer – a fully integrated vision that comes to life through the countless studies, sketches and scale models on show, which illustrate Stynen’s progressive urban prowess.

A new boutique show hosted at London designer Jonathan Tuckey’s office delves into the work of designer, author and academic Fred Scott. Focusing on collage pieces and spanning some twenty years of work, the exhibition presents how Scott layered ’found material to create new hybrid spaces,synthesising space over time to create dream-like naratives’.

A new boutique show hosted at London designer Jonathan Tuckey’s office delves into the work of designer, author and academic Fred Scott. Focusing on collage pieces and spanning some twenty years of work, the exhibition presents how Scott layered ’found material to create new hybrid spaces,synthesising space over time to create dream-like naratives’.

Scott, the renowned author of the book ’On Altering Architecture’, is a landmark reference in developing residential interiors and transforming existing spaces. ’The work informs both the transformation of existing buildings and, equaly, how ʻnewʼ architecture might poses qualities of temporal as well as spatial depth’, says Tuckey. The exhibition is part of the event series ’Building On The Built’, curated by Tuckey’s architecture studio.

Scott, the renowned author of the book ’On Altering Architecture’, is a landmark reference in developing residential interiors and transforming existing spaces. ’The work informs both the transformation of existing buildings and, equaly, how ʻnewʼ architecture might poses qualities of temporal as well as spatial depth’, says Tuckey. The exhibition is part of the event series ’Building On The Built’, curated by Tuckey’s architecture studio.

An in-depth look into Chilean practice Elemental is the second of the famous Danish museum’s new series of monographic architecture exhibitions. The studio, famously headed by 2016 Pritzker Prize winner Alejandro Aravena, opens up to visitors by inviting them to take a closer look at their design process. Themes such as sustainability and political and social challenges such as climate change and overpopulation, urbanisation and cultural heritage come to light through a variety of past and ongoing projects.

An in-depth look into Chilean practice Elemental is the second of the famous Danish museum’s new series of monographic architecture exhibitions. The studio, famously headed by 2016 Pritzker Prize winner Alejandro Aravena, opens up to visitors by inviting them to take a closer look at their design process. Themes such as sustainability and political and social challenges such as climate change and overpopulation, urbanisation and cultural heritage come to light through a variety of past and ongoing projects.

Aiming to go beyond the ‘think-tank’ format, into a proactive structure that helps address real problems – and become a ‘do-tank’, as they put it – the studio has been known to offer innovative, carefully thought solutions to architectural problems; and not only. ‘It’s all about the question, not the answer’, Aravena has said about the core of their practice. This is presented here through two large-scale site-specific installations, incorporating sketches, photography and architectural models.

Aiming to go beyond the ‘think-tank’ format, into a proactive structure that helps address real problems – and become a ‘do-tank’, as they put it – the studio has been known to offer innovative, carefully thought solutions to architectural problems; and not only. ‘It’s all about the question, not the answer’, Aravena has said about the core of their practice. This is presented here through two large-scale site-specific installations, incorporating sketches, photography and architectural models.

Writer: Ellie Stathaki. Photography: Kim Hansen, courtesy of Lousiana

Multiply at ’Factory-made Housing: a solution for London?’
NLA, London
6-21 October (the exhibition runs until 18 January 2019)

The London Design Festival’s carbon-neutral, modular wooden pavilion made entirely of American tulipwood is having a second life, this time as part of the NLA’s factory-made housing season. The impressive installation, which was created as a collaboration between Waugh Thistleton Architects, the American Hardwood Export Council (AHEC) and ARUP, made for the perfect addition to the London organisation’s exhibition on housing, placed just outside The Building Centre.

Writer: Ellie Stathaki. Photography: Ed Reeve

Multiply at ’Factory-made Housing: a solution for London?’
NLA, London
6-21 October (the exhibition runs until 18 January 2019)

The London Design Festival’s carbon-neutral, modular wooden pavilion made entirely of American tulipwood is having a second life, this time as part of the NLA’s factory-made housing season. The impressive installation, which was created as a collaboration between Waugh Thistleton Architects, the American Hardwood Export Council (AHEC) and ARUP, made for the perfect addition to the London organisation’s exhibition on housing, placed just outside The Building Centre.

Writer: Ellie Stathaki. Photography: Ed Reeve

Multiply at ’Factory-made Housing: a solution for London?’
NLA, London
6-21 October (the exhibition runs until 18 January 2019)

Raising issues around sustainability, a modular design approach, and the architect’s role in the current housing crisis, Multiply illustrates the benefits of modular cross-laminated construction in hardwood, made with ‘the first UK-manufactured cross laminated timber (CLT) panels’. The exhibition inside explores ideas and innovative models of construction that will help us meet the some 66,000 new homes needed each year.

Writer: Ellie Stathaki. Photography: Ed Reeve

Multiply at ’Factory-made Housing: a solution for London?’
NLA, London
6-21 October (the exhibition runs until 18 January 2019)

Raising issues around sustainability, a modular design approach, and the architect’s role in the current housing crisis, Multiply illustrates the benefits of modular cross-laminated construction in hardwood, made with ‘the first UK-manufactured cross laminated timber (CLT) panels’. The exhibition inside explores ideas and innovative models of construction that will help us meet the some 66,000 new homes needed each year.

The Gramazio Kohler Research team from ETH Zurich has just completed a uniquely built pavilion in Winterthur, as part of the Gewerbemuseum’s exhibition ‘Hello, Robot. Designs Between Humans And Machine’. Made from loose aggregates and twine, the structure represents a model for a residential design and it was entirely made by a robot. Through this show, the architects aimed to display the transformative power of digital processes in design and building.

The Gramazio Kohler Research team from ETH Zurich has just completed a uniquely built pavilion in Winterthur, as part of the Gewerbemuseum’s exhibition ‘Hello, Robot. Designs Between Humans And Machine’. Made from loose aggregates and twine, the structure represents a model for a residential design and it was entirely made by a robot. Through this show, the architects aimed to display the transformative power of digital processes in design and building.

ETHZ professors and architects Matthias Kohler and Fabio Gramazio are established figures in the field of merging architecture, design and robotics; earlier works have included a participation at the 2015 Chicago Architecture Biennial. This research project ‘investigates and develops methods and techniques for the design and robotic aggregation of low-grade building material into load-bearing architectural structures that are re-usable and re-configurable with high geometrical flexibility and minimal material waste’, they explain.

ETHZ professors and architects Matthias Kohler and Fabio Gramazio are established figures in the field of merging architecture, design and robotics; earlier works have included a participation at the 2015 Chicago Architecture Biennial. This research project ‘investigates and develops methods and techniques for the design and robotic aggregation of low-grade building material into load-bearing architectural structures that are re-usable and re-configurable with high geometrical flexibility and minimal material waste’, they explain.

Writer: Ellie Stathaki. Photography: Michael Lio

Living with Buildings
Wellcome Collection, London4 October 2018–3 March 2019

The latest show at the Wellcome Collection looks at the effects the built environment has on our health. Heavily influencing the way we live, architecture is a key factor with social and health implications, especially in the dense urban settings of the world’s ever-growing metropoles. From 19th-century slums, to post-war utopias and contemporary projects such as the Maggie’s Centres in the UK, the show explores a variety of designs around the concept of wellbeing.

Writer: Ellie Stathaki

Living with Buildings
Wellcome Collection, London4 October 2018–3 March 2019

The latest show at the Wellcome Collection looks at the effects the built environment has on our health. Heavily influencing the way we live, architecture is a key factor with social and health implications, especially in the dense urban settings of the world’s ever-growing metropoles. From 19th-century slums, to post-war utopias and contemporary projects such as the Maggie’s Centres in the UK, the show explores a variety of designs around the concept of wellbeing.

Writer: Ellie Stathaki

Living with Buildings
Wellcome Collection, London4 October 2018–3 March 2019

Spanning drawings, photography, models and large scale mock ups, the show includes both contemporary and historical architecture. ‘Living with Architecture’ features names such as Andreas Gursky, Rachel Whiteread, Martha Rosler, Berthold Lubetkin, Erno Goldfinger and Alvar Aalto. As an added bonus, a new commission by artist Giles Round explores the role of colour within the discussion around architecture and health.

Writer: Ellie Stathaki

Living with Buildings
Wellcome Collection, London4 October 2018–3 March 2019

Spanning drawings, photography, models and large scale mock ups, the show includes both contemporary and historical architecture. ‘Living with Architecture’ features names such as Andreas Gursky, Rachel Whiteread, Martha Rosler, Berthold Lubetkin, Erno Goldfinger and Alvar Aalto. As an added bonus, a new commission by artist Giles Round explores the role of colour within the discussion around architecture and health.

Writer: Ellie Stathaki

Out Of Character: A Project By Studio MUTT
Sir John Soane’s Museum London
12 September - 18 November 2018

Studio MUTT has artfully placed four architectural ‘characters’ within the treasure trove that is Sir John Soane’s Museum in London. Representing ‘a Lawyer, a Monk, a Magician and an Architect’, the four elements are the design incarnations of Soane’s four imaginary inhabitants of the house, as described in his 1812 text ‘Crude Hints towards an History of my House’.

Writer: Ellie Stathaki. Photography: Tom Ryley

Out Of Character: A Project By Studio MUTT
Sir John Soane’s Museum London
12 September - 18 November 2018

Studio MUTT has artfully placed four architectural ‘characters’ within the treasure trove that is Sir John Soane’s Museum in London. Representing ‘a Lawyer, a Monk, a Magician and an Architect’, the four elements are the design incarnations of Soane’s four imaginary inhabitants of the house, as described in his 1812 text ‘Crude Hints towards an History of my House’.

Writer: Ellie Stathaki. Photography: Tom Ryley

Out Of Character: A Project By Studio MUTT
Sir John Soane’s Museum London
12 September - 18 November 2018

In the text, Soane contemplates visitors to his house in a future where the building is in ruins. Studio MUTT drew inspiration from the great architect’s writings and envisioned those ‘inhabitants’ in brightly coloured and graphically strong architectural volumes, which have been woven into the building’s existing decor. Through their rich displays, MUTT – founded by Graham Burn, James Crawford and Alexander Turner – offer a touch of colour, humour, as well as an opportunity for debate on the juxtaposition of old and new, and the role of ornament in modern architecture.

Writer: Ellie Stathaki. Photography: Tom Ryley

Out Of Character: A Project By Studio MUTT
Sir John Soane’s Museum London
12 September - 18 November 2018

In the text, Soane contemplates visitors to his house in a future where the building is in ruins. Studio MUTT drew inspiration from the great architect’s writings and envisioned those ‘inhabitants’ in brightly coloured and graphically strong architectural volumes, which have been woven into the building’s existing decor. Through their rich displays, MUTT – founded by Graham Burn, James Crawford and Alexander Turner – offer a touch of colour, humour, as well as an opportunity for debate on the juxtaposition of old and new, and the role of ornament in modern architecture.

Writer: Ellie Stathaki. Photography: Tom Ryley

Architecture Prototypes and Experiments
The Aram Gallery
2 August – 1 September 2018

The Aram Gallery’s lauded ‘Prototypes and Experiments’ exhibition returns for its tenth iteration. The series looks to architecture in 2018, and focuses on the role that physical models play during project development. A host of participants present case studies to translate how they utilise models: whether to develop ideas, project feelings stimulated by space or steer decision-making. Contributors include Alma-nac and Feilden Fowles, who reveal how models inform their designs via accompanying commentaries and additional physical items including material palettes, 1:1 mock ups and prototype elements.

Writer: Luke Halls

Architecture Prototypes and Experiments
The Aram Gallery
2 August – 1 September 2018

The Aram Gallery’s lauded ‘Prototypes and Experiments’ exhibition returns for its tenth iteration. The series looks to architecture in 2018, and focuses on the role that physical models play during project development. A host of participants present case studies to translate how they utilise models: whether to develop ideas, project feelings stimulated by space or steer decision-making. Contributors include Alma-nac and Feilden Fowles, who reveal how models inform their designs via accompanying commentaries and additional physical items including material palettes, 1:1 mock ups and prototype elements.

Writer: Luke Halls

Architecture Prototypes and Experiments
The Aram Gallery
2 August – 1 September 2018

Residential, office and cultural developments stimulate a dialogue that considers the model in differing architectural contexts. Adjaye Associates looks to its most celebrated pavilions from 2008-2013, whilst Mary Duggan Architects reveals concepts for a new family home, pavilion and farm on a rural site in Somerset. Meanwhile, recent completions and smaller scale projects examine the model at different scales, from Neri & Hu’s 240m-long Zhengzhou Office ‘groundscraper’ to a Piercy and Company door handle prototype.

Photography: Agnese Sanvito. Writer: Luke Halls

Architecture Prototypes and Experiments
The Aram Gallery
2 August – 1 September 2018

Residential, office and cultural developments stimulate a dialogue that considers the model in differing architectural contexts. Adjaye Associates looks to its most celebrated pavilions from 2008-2013, whilst Mary Duggan Architects reveals concepts for a new family home, pavilion and farm on a rural site in Somerset. Meanwhile, recent completions and smaller scale projects examine the model at different scales, from Neri & Hu’s 240m-long Zhengzhou Office ‘groundscraper’ to a Piercy and Company door handle prototype.

This exhibition frames ten photographs taken by Denise Scott Brown architect, urbanist, theoretician, and educator. The spontaneous snaps, shot between 1956 and 1966, show Scott Brown’s forays into the topics that would later be defined in her classic text ‘Learning from Las Vegas’, penned with her partner Robert Venturi. Co-created by Plane–Site, Betts Project and Jeremy Eric Tenenbaum, the show opens up discussions of pop culture, post-modernism and the American vernacular, all seen through the lens of Scott Brown’s 1960s street scenes. Each photograph is accompanied by an intimate commentary by Scott Brown. Her perceptive eye reveals much more than just a straight-forward cityscape. Her daring to enter the realms of both photography and architecture – both fields dominated by men during this time – opened up new ways of thinking about urban space and the images have gone on to be hugely influential for today’s architects, artists, and social scientists. Photography: Denise Scott Brown. Courtesy of Betts Projects

This exhibition frames ten photographs taken by Denise Scott Brown architect, urbanist, theoretician, and educator. The spontaneous snaps, shot between 1956 and 1966, show Scott Brown’s forays into the topics that would later be defined in her classic text ‘Learning from Las Vegas’, penned with her partner Robert Venturi. Co-created by Plane–Site, Betts Project and Jeremy Eric Tenenbaum, the show opens up discussions of pop culture, post-modernism and the American vernacular, all seen through the lens of Scott Brown’s 1960s street scenes. Each photograph is accompanied by an intimate commentary by Scott Brown. Her perceptive eye reveals much more than just a straight-forward cityscape. Her daring to enter the realms of both photography and architecture – both fields dominated by men during this time – opened up new ways of thinking about urban space and the images have gone on to be hugely influential for today’s architects, artists, and social scientists. Photography: Denise Scott Brown. Courtesy of Betts Projects

Invisible Landscapes
Royal Academy
19 May 2018 — 4 March 2019

An exhibition at the RA’s brand new Architecture Studio explores how digital technologies are transforming the way we live and our everyday environments. Everything from privacy and security, to sustainability and health, is affected and our homes are changing in both subtle and radical ways. The RA invited three practices from different disciplines to create installations in the space throughout the course of the show. The first practice to transform the space is Barcelona-based architecture practice MAIO. The piece explores the impact of smart technologies in domestic spaces, with the home presented as an interconnected hub, where boundaries are blurred between private and public. Writer: Ellie Stathaki. Photography: Ana Cuba

Invisible Landscapes
Royal Academy
19 May 2018 — 4 March 2019

An exhibition at the RA’s brand new Architecture Studio explores how digital technologies are transforming the way we live and our everyday environments. Everything from privacy and security, to sustainability and health, is affected and our homes are changing in both subtle and radical ways. The RA invited three practices from different disciplines to create installations in the space throughout the course of the show. The first practice to transform the space is Barcelona-based architecture practice MAIO. The piece explores the impact of smart technologies in domestic spaces, with the home presented as an interconnected hub, where boundaries are blurred between private and public. Writer: Ellie Stathaki. Photography: Ana Cuba

Offsite: Shigeru Ban
Vancouver Art Gallery
11 May – 8 October 2018

There is a certain humility and grace to the Shigeru Ban installation at the Vancouver Art Gallery’s offsite (on through October 8, sponsored by PortLiving and linked to the upcoming Cabin Feverexhibition). The tiny house made of paper, canvas, cardboard tubing, plywood and milk crates is flanked by photographic displays of the Japanese architect’s work housing global victims of natural disasters in similar structures. In a city in full housing crisis mode, the demure dwelling in the Jim Cheng designed Shangri-La complex stares down the Trump Tower across the street and holds its own.

Writer: Hadani Ditmars. Photography: Hadani Ditmars

Offsite: Shigeru Ban
Vancouver Art Gallery
11 May – 8 October 2018

There is a certain humility and grace to the Shigeru Ban installation at the Vancouver Art Gallery’s offsite (on through October 8, sponsored by PortLiving and linked to the upcoming Cabin Feverexhibition). The tiny house made of paper, canvas, cardboard tubing, plywood and milk crates is flanked by photographic displays of the Japanese architect’s work housing global victims of natural disasters in similar structures. In a city in full housing crisis mode, the demure dwelling in the Jim Cheng designed Shangri-La complex stares down the Trump Tower across the street and holds its own.

Writer: Hadani Ditmars. Photography: Hadani Ditmars

IN[COGNITUS]
WAOO Centre of Architecture and Urbanism
5 June – 28 July 2018

Breaking away from the traditional architecture exhibition format, Julien Lanoo examines human beings within the built environment in a new retrospective at The Centre of Architecture and Urbanism. In this show, Lanoo presents his own photography of both iconic buildings and vastly lesser-known projects, provoking a dialogue about the ‘incognito’ figures in society and their relationships with these places.

IN[COGNITUS]
WAOO Centre of Architecture and Urbanism
5 June – 28 July 2018

Breaking away from the traditional architecture exhibition format, Julien Lanoo examines human beings within the built environment in a new retrospective at The Centre of Architecture and Urbanism. In this show, Lanoo presents his own photography of both iconic buildings and vastly lesser-known projects, provoking a dialogue about the ‘incognito’ figures in society and their relationships with these places.

IN[COGNITUS]
WAOO Centre of Architecture and Urbanism
5 June – 28 July 2018

Lanoo assumes the role of auteur in the show, capturing locations from the world’s emerging countries and giving them equal merit to the large scale, recognisable buildings featured. Developments featured include builds by OMA in Taiwan and China, and smaller-scale projects such as street food stalls in Taipei.

IN[COGNITUS]
WAOO Centre of Architecture and Urbanism
5 June – 28 July 2018

Lanoo assumes the role of auteur in the show, capturing locations from the world’s emerging countries and giving them equal merit to the large scale, recognisable buildings featured. Developments featured include builds by OMA in Taiwan and China, and smaller-scale projects such as street food stalls in Taipei.

A new show at the RIBA in London explores the magic of perspective. Combining art, architecture and mathematics, perspective drawing has been a key tool in the architects’ arsenal for centuries and now an installation by Sam Jacob Studio investigates its spatial applications. From deceptive murals and mirrored elements, to playful structures, this exhibition has it all; along with a range of original drawings and writings by some of the most talented designers, sourced from the RIBA archives. Inspired by a book by Sebastiano Serlio entitled ‘Seven Books of Architecture’, Jacobs’ site-specific design is fun and immersive. Photography: Andy Matthews

A new show at the RIBA in London explores the magic of perspective. Combining art, architecture and mathematics, perspective drawing has been a key tool in the architects’ arsenal for centuries and now an installation by Sam Jacob Studio investigates its spatial applications. From deceptive murals and mirrored elements, to playful structures, this exhibition has it all; along with a range of original drawings and writings by some of the most talented designers, sourced from the RIBA archives. Inspired by a book by Sebastiano Serlio entitled ‘Seven Books of Architecture’, Jacobs’ site-specific design is fun and immersive. Photography: Andy Matthews

‘Towards a Concrete Utopia: Architecture in Yugoslavia, 1948-1980’
MoMA, New York, US
15 July 2018 – 13 January 2019

Historically, Yugoslavia has distanced itself from aligning with any major international power bloc, joining the Non-Allied Movement in 1961. As a result, emerging architecture was modernised with the intent of stimulating economic growth, improving the general public’s quality of life and engaging with its culturally diverse population. This particularly experimental and consumer-minded architectural period is explored in a new show at the Museum of Modern Art, presenting works by Bogdan Bogdanović, Juraj Neidhardt, Svetlana Kana Radević, Edvard Ravnikar and others. Essays, new photographs and archive reproductions will explore this previously understudied strand of modernist architecture.

‘Towards a Concrete Utopia: Architecture in Yugoslavia, 1948-1980’
MoMA, New York, US
15 July 2018 – 13 January 2019

Historically, Yugoslavia has distanced itself from aligning with any major international power bloc, joining the Non-Allied Movement in 1961. As a result, emerging architecture was modernised with the intent of stimulating economic growth, improving the general public’s quality of life and engaging with its culturally diverse population. This particularly experimental and consumer-minded architectural period is explored in a new show at the Museum of Modern Art, presenting works by Bogdan Bogdanović, Juraj Neidhardt, Svetlana Kana Radević, Edvard Ravnikar and others. Essays, new photographs and archive reproductions will explore this previously understudied strand of modernist architecture.

Celebrating its 250th anniversary in 2018, London’s Royal Academy of Arts explores the impact of emerging technologies on architecture and society in ‘Invisible Landscapes’. The show considers how architecture can respond to questions of privacy, security, health and dependency in a world that prioritises efficiency. The first in three parts, ‘Home: Act I’ focuses on domestic spaces, and how technology is altering the meaning of home. An interactive installation from Barcelona-based practice MAIO looks to different architectural solutions responding to changing social and economic structures that impact the home, offering new considerations of how the domestic space is used.

Celebrating its 250th anniversary in 2018, London’s Royal Academy of Arts explores the impact of emerging technologies on architecture and society in ‘Invisible Landscapes’. The show considers how architecture can respond to questions of privacy, security, health and dependency in a world that prioritises efficiency. The first in three parts, ‘Home: Act I’ focuses on domestic spaces, and how technology is altering the meaning of home. An interactive installation from Barcelona-based practice MAIO looks to different architectural solutions responding to changing social and economic structures that impact the home, offering new considerations of how the domestic space is used.

‘Le Corbusier by the Sea’
National Museum of Art, Architecture and Design, Oslo, Norway
5 May – 28 October 2018

Presenting Le Corbusier as a person of artistic humour, Norway’s National Museum of Art, Architecture and Design explores the Swiss-French architect’s annual summer retreat to Bassin d’Arcachon between 1926-36. Sketching his surroundings during the retreat, Le Corbusier would then return to his Paris studio to abstract the subject matter found while away from the city. Reproductions of sketches, written notes, photograph and paintings feature, a different insight into the architect’s artistic personality.

‘Le Corbusier by the Sea’
National Museum of Art, Architecture and Design, Oslo, Norway
5 May – 28 October 2018

Presenting Le Corbusier as a person of artistic humour, Norway’s National Museum of Art, Architecture and Design explores the Swiss-French architect’s annual summer retreat to Bassin d’Arcachon between 1926-36. Sketching his surroundings during the retreat, Le Corbusier would then return to his Paris studio to abstract the subject matter found while away from the city. Reproductions of sketches, written notes, photograph and paintings feature, a different insight into the architect’s artistic personality.

‘Secret Cities: The architecture and planning of the Manhattan Project’
National Building Museum, Washington D.C., US
3 May 2018 – 3 March 2019

The creation of the atomic bomb marked a consequential milestone in scientific and militaristic history, its development kept under strict classification until the devastation of Hiroshima in 1945. A new show at Washington D.C.’s National Building Museum explores the three ‘secret cities’ built by the US government to support the development of the nuclear weapon; Oak Ridge in Tennessee; Hanford/Richland in Washington; and Los Alamos in New Mexico. The show looks to the grand-scale design, planning and construction of these from-scratch cities, and how they ultimately influenced the Cold War, nuclear power, and the development of radiological medical technology.

Pictured, Aerial view of the K-25 plant, Oak Ridge, ca. 1945. Courtesy of National Archives and Record Administration

‘Secret Cities: The architecture and planning of the Manhattan Project’
National Building Museum, Washington D.C., US
3 May 2018 – 3 March 2019

The creation of the atomic bomb marked a consequential milestone in scientific and militaristic history, its development kept under strict classification until the devastation of Hiroshima in 1945. A new show at Washington D.C.’s National Building Museum explores the three ‘secret cities’ built by the US government to support the development of the nuclear weapon; Oak Ridge in Tennessee; Hanford/Richland in Washington; and Los Alamos in New Mexico. The show looks to the grand-scale design, planning and construction of these from-scratch cities, and how they ultimately influenced the Cold War, nuclear power, and the development of radiological medical technology.

Pictured, Aerial view of the K-25 plant, Oak Ridge, ca. 1945. Courtesy of National Archives and Record Administration

The inspirational work of creative duo Arakawa and Madeline Gins is presented in a new show at Columbia GSAPP, New York. Considering architecture as an force of change, the show investigates as to whether it can conquer death through powerful artwork and technical drawings, taken from the Estate of Madeline Gins and the Reversible Destiny Foundation.

Pictured, Study for ‘Critical Holder’, 1990, by Arakawa and Madeleine Gins. Image: 2018 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins

The inspirational work of creative duo Arakawa and Madeline Gins is presented in a new show at Columbia GSAPP, New York. Considering architecture as an force of change, the show investigates as to whether it can conquer death through powerful artwork and technical drawings, taken from the Estate of Madeline Gins and the Reversible Destiny Foundation.

Pictured, Study for ‘Critical Holder’, 1990, by Arakawa and Madeleine Gins. Image: 2018 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins

Japanese architect Junya Ishigami brings the first ever architecture-only show to Paris’s Fondation Cartier pour l’Art Contemporain, showcasing 20 projects from his career in the form of large-scale models, drawings and film. While most renowned for his work on pavilions, installations and temporary exhibitions, the show acts as a point of discovery for newcomers to the architect, featuring unconvential projects such as a greenery-filled, cube-shaped house, a kindergarten with cloud-shaped walls and a stunning open-plan, glass-wrapped workshop.

Pictured, Junya Ishigami in his studio in Roppongi, Tokyo, with, hanging behind him, a model for the roof of the Kanagawa Institute of Technology cafeteria. On the tables to his right, from back to front, are; a model of Ishigami’s Akita project, which featured slavaged and reconstructed houses; a model of the Art Biotop project in Nasu, featuring 300 replanted trees; and studies for the Yamaguchi House/Restaurant pillars. Photography: Satoru Emoto

Japanese architect Junya Ishigami brings the first ever architecture-only show to Paris’s Fondation Cartier pour l’Art Contemporain, showcasing 20 projects from his career in the form of large-scale models, drawings and film. While most renowned for his work on pavilions, installations and temporary exhibitions, the show acts as a point of discovery for newcomers to the architect, featuring unconvential projects such as a greenery-filled, cube-shaped house, a kindergarten with cloud-shaped walls and a stunning open-plan, glass-wrapped workshop.

Pictured, Junya Ishigami in his studio in Roppongi, Tokyo, with, hanging behind him, a model for the roof of the Kanagawa Institute of Technology cafeteria. On the tables to his right, from back to front, are; a model of Ishigami’s Akita project, which featured slavaged and reconstructed houses; a model of the Art Biotop project in Nasu, featuring 300 replanted trees; and studies for the Yamaguchi House/Restaurant pillars. Photography: Satoru Emoto

Marking its 40th anniversary, the Norman Foster-designed Sainsbury Centre for Visual Arts celebrates with a new show that explores ‘architecture’s fascination with technology in the post-war decades’. The exhibition showcases experimental architects focusing on engineering and industrial production, featuring drawings, sketches, furniture, film, photography and models of buildings from Team 4 (Norman Foster, Wendy Cheesman, Georgie Wolton and Richard Rogers), Rogers, Renzo Piano, Nicholas Grimshaw and Michael and Patty Hopkins. It also looks to influence of figures such as Buckminster Fuller, Jean Prouvé, Charles and Ray Eames and Cedric Price, further delving into techniques adapted from the automotive, nautical, aerospace and information industries.

Marking its 40th anniversary, the Norman Foster-designed Sainsbury Centre for Visual Arts celebrates with a new show that explores ‘architecture’s fascination with technology in the post-war decades’. The exhibition showcases experimental architects focusing on engineering and industrial production, featuring drawings, sketches, furniture, film, photography and models of buildings from Team 4 (Norman Foster, Wendy Cheesman, Georgie Wolton and Richard Rogers), Rogers, Renzo Piano, Nicholas Grimshaw and Michael and Patty Hopkins. It also looks to influence of figures such as Buckminster Fuller, Jean Prouvé, Charles and Ray Eames and Cedric Price, further delving into techniques adapted from the automotive, nautical, aerospace and information industries.

Forensic Architecture’s practice runs counter to how architects normally operate, instead archeologically reconstructing the ghosts of buildings and scenarios often destroyed or cleaned away after conflicts or violence. At ICA, a show surveys the research agency’s work through a selection of old and new investigations, such as ‘the racist murder of a man in Kassel, Germany by a member of a far-right group, and instances of deferred responsibility by state agencies that have contributed to the deaths of migrants at sea in the Mediterranean’, explains the studio. The work on display is not art, architecture or infographics: it is evidence.

Pictured, the reconstruction of the site of Halit Yozgat’s murder by a member of the neo-Nazi group, the National Socialist Underground. Image: Forensic Architecture, 2017

Forensic Architecture’s practice runs counter to how architects normally operate, instead archeologically reconstructing the ghosts of buildings and scenarios often destroyed or cleaned away after conflicts or violence. At ICA, a show surveys the research agency’s work through a selection of old and new investigations, such as ‘the racist murder of a man in Kassel, Germany by a member of a far-right group, and instances of deferred responsibility by state agencies that have contributed to the deaths of migrants at sea in the Mediterranean’, explains the studio. The work on display is not art, architecture or infographics: it is evidence.

Pictured, the reconstruction of the site of Halit Yozgat’s murder by a member of the neo-Nazi group, the National Socialist Underground. Image: Forensic Architecture, 2017

Known for his focus on the places where architecture meets the urban and natural landscape, Dutch photographer Bas Princen explores the historic relationship between architecture and material culture in a photography exhibition at Vitra Design Museum Gallery. Historical portraits of Italian Renaissance buildings, gargoyles atop the Notre Dame Cathedral in Paris, the first Crystal Palace in London and the 1930s New York skyline feature, including photographs of wall paintings and tapestries that trace the historic relationship between photography and architecture.

Known for his focus on the places where architecture meets the urban and natural landscape, Dutch photographer Bas Princen explores the historic relationship between architecture and material culture in a photography exhibition at Vitra Design Museum Gallery. Historical portraits of Italian Renaissance buildings, gargoyles atop the Notre Dame Cathedral in Paris, the first Crystal Palace in London and the 1930s New York skyline feature, including photographs of wall paintings and tapestries that trace the historic relationship between photography and architecture.

Engineered wood is being increasingly adopted by environmentally-minded architects, and has the potential to answer urban needs ranging from increasing house stock to improving habitual well-being. Some of the best and most experimental examples of the sustainable architecture are on view at Roca London Gallery, including live projects like Waugh Thistleton’s Dalston Lane apartment block, and proposals such as Michael Green Architects’ Parisian tower.

Engineered wood is being increasingly adopted by environmentally-minded architects, and has the potential to answer urban needs ranging from increasing house stock to improving habitual well-being. Some of the best and most experimental examples of the sustainable architecture are on view at Roca London Gallery, including live projects like Waugh Thistleton’s Dalston Lane apartment block, and proposals such as Michael Green Architects’ Parisian tower.

‘Building Images’ returns for its fifth iterration at London’s Sto Werkstatt, showcasing the annual architectural photography awards through an imaginative design. A range of 20 international photographers participate in the show, including Adam Letch, Brian Rose, Siyuan Ma, Tom Roe and more. The show is brought together through an installation by London-based architecture practice Mobile Studio Architects, a series of Modular Display Frames that create a playful thread uniting the displays.

‘Building Images’ returns for its fifth iterration at London’s Sto Werkstatt, showcasing the annual architectural photography awards through an imaginative design. A range of 20 international photographers participate in the show, including Adam Letch, Brian Rose, Siyuan Ma, Tom Roe and more. The show is brought together through an installation by London-based architecture practice Mobile Studio Architects, a series of Modular Display Frames that create a playful thread uniting the displays.

Thank you for registering to the newsletter

Please keep me up to date with special offers and news from Wallpaper*. You can unsubscribe at any time.

Please keep me up to date with special offers and news just
by email from carefully selected companies. Your personal details will not be shared with those
companies - we send the emails and you can unsubscribe at any time.