The film shows that human beings unlike the robots were way too dependent on habits and routines that make people unfocused causing people to not be able to make their own decisions (Barnes). Later on, when Wall-E ends up by accident bumps into one of the women, she understands that her attires have transformed into a different color and that she lastly opens her eyes and observes everything from a brand new perspective and the suddenly comes to the conclusion that she does not have to be totally reliant on technology.

Actually after watching the movie, it had a way of making an individual realize that there are times that a lot of people actually we do depend on technology than they do anything else. Most people do have things such as game consoles, computers, cell phones, and televisions, and these are just a few of the items. The researcher did learn that most people have a habit of listening d to what advertisements tell others are the utmost new matters to have and a lot of people actually go out and purchase these items rather quickly or right away.

Anthropomorphized Robots

Wall-E appears to be the only robot in the film that is totally anthropomorphized, even though it is unclear if the civilized facets of his "personality" are a part of his indoctrination or established over time. He spent over 700 years quarantined on earth gathering ornaments that humans had left behind and then looking at old films that showed some kind of human emotion. He is then able to record, learns, and achieves the dances the he watches in old human musicals (Barnes). The robot also started to befriend things such as a cockroach and the starts to express some kind of honest concern for its security whenever it gets zapped, crushed, or vulnerable in any kind of way.

When it comes to being anthropomorphized, WALL-E was also displaying a lot of the qualities that show human interactions and comprehension as described by many field studies by Turkle. Just like Cog, WALL-E has the capability of physical acknowledgment and continually makes eye contact. In a lot of the different scenes, WALL-E even definitely follows around EVE with his eyes out of what could be called infatuation. Just like Kismet, WALL-E utilizes articulation (Corliss). Even though he does not do a lot of talking or conversing with many real words in over the sequence of the film, he is able to start showing some kind of fear, love excitement, and irritation with the articulation of his speech. WALL-E's physical acknowledgment, emotion-conveying inflection and strong eye contact, which is united with the numerous physical acts (for instance the holding of hands) that he tries to achieve, it is extremely obvious that he is proficient of feeling.

EVE relationship with WALL-E turns out to be much more complex, EVE develops to be more anthropomorphized, even to the fact that she disrespects all of her very strict orders. This development likewise has social suggestions about these generations (Barnes). The movie makes the point that if these robots are able to become more humanized after dependable contact to civilized straight communication, it is not too late for human beings. The movie appears to be suggesting that as human beings we need to discover some sort of balance in the way that people utilized technology, for the reason that just as EVE turned out to be humanized after head-on interaction, people can also lose their humanity if they rely too much on machines for social inspiration.

WALL-E's capability to display emotion that was really genuine is juxtaposed in contradiction of the inability for humans of his generation to be able to do the exact same. They never had any kind of direct eye contact no matter if sitting next to another human being. If sitting with a human being, it is sporadic that they will even identify that the individual is there. The movie showed that each human persistently just stares into his or her holographic view, being very insensitive to one another. This type illustration is not far off at all from how Turkle observes this generation. People learn to interrelate from behind the ease of a cell phone or a computer screen. Even having some kind of a phone call appears to be really invasive (Sciretta). The movie did a very good job as showing of machines having more human-like characteristics than human beings themselves in WALL-E has collective insinuations in regards to the current generation. The movie also did a very good job in showing that a holographic screen is simply a more moveable computer screen. It is clear that the movie wanted to show that as people start to hide behind the screen of any type of technology for social communication, they are actually giving up the many features of head-on contact that people define as intrinsically human.

This film show cruel and insensitive the humans are and that the robots are taking over as the ones that have the real emotions. The movie was movie did a great job in showing how human the robots were becoming. The machines that were leftover are newer models and maybe their programming is of course less human-like or they have had less communication with humans that are outside of the unconventional travelers of the Axiom. It is apparent that the one that produces clear anthropomorphized potentials over time is EVE.

She starts showing the exact same emotions of a human woman. Of course, at first EVE really does appear to be chastely an impassive robot that only follows the "orders" of her programming. Since EVE was a woman robot, she developed the same sentiments and emotions that a human woman was experiencing. In fact, it was obvious that the movie wanted to show her as more human than an actual woman.

The association that WALL-E starts to shape with EVE is harder and anthropomorphized than any other association that is talked about in the movie. It is clear that the movie was teaching the watcher that human beings are losing their sensitivity towards things on the earth whereas the machines are the ones that start to feel more human.

In conclusion, it was clear that this movie had a lot of lessons that it wanted to display. Some could look at it and think that the movie was made to bash humans. It is obvious that Walle-E has done a brilliant job in showing how we human beings have really lost our touch of reality and our sensitivity.

Works Cited

Ball, Sarah. " "Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man." Newsweek 23 April 2009: 12-34.

Barnes, Brooks. "Disney and Pixar: The Power of the Prenup." The New York Times 5 March 2009: 23-37.

Corliss, Richard. " "WALL-E (2008) -- Best Movies, TV, Books and Theater of the Decade." Time 8 March 2009: 21-24.

Other Documents Pertaining To This Topic

Movie Analysis: Psycho (1960 film)
The movie's most relevant cast for this discussion includes Norman, Norman's mother (Mrs. Bates), and Marion. After the death of his dad, Norman becomes entirely dependent on the love, attention, and support of his mother. It is for this reason that when she (Norman's mother) takes in a lover, Norman feels as if he is no longer a priority in his mother's life -- he feels

Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity

Film Analysis of the Patriot
Colonial America
For the purposes of this paper, the film of focus will the Patriot. This film was written by Robert Rodat and directed by Roland Emmerich. The film has quite a cast, including stars the late Heath Ledger, and Mel Gibson, both of which have substantial film careers and reputations both on and off the screen. The film was released in 2000 by Columbia Pictures, a

Film Analysis from a Design Perspective: Reading Raging Bull
Elements of Design
The focus of this paper is a pivotal scene from the film Raging Bull, starring Robert DeNiro as real life middleweight boxer, Jake La Motta. Jake's emotional status is reflected in multiple aspects of the film production, such as his physique and costuming, the cinematography, the editing, and the direction. Film communicates the narrative's physical reality and psychological reality with

Film Analysis: "Boesman and Lena" -- a drama of ideas, not people
The central protagonists of Athol Fugard's drama "Boesman and Lena" have what turns out to be a nearly impossible life task. Not only, the drama suggests, must they struggle to survive having lost their home and community. To become emotionally whole again, the depressed Lena and controlling Boesman must find a way to reconstruct their previous relationship as man

Film Analysis of the Believer
What is the basic plot of the film (write a synopsis)?
Released in 2001 to critical acclaim, director Henry Bean's The Believer presents a searing story of an individual's tragic struggle to form their own identity through overt acts of religious and racial intolerance. Played by Ryan Gosling, the protagonist of The Believer is a Daniel Balint, a troubled young man who has fashioned himself into a

Conclusion
It is hard to deny that Sophie's Choice indeed has the trifecta of what I believe good movie-making needs: superb acting, sound, and cinematography, as it was nominated excellence in acting (won by Meryl Streep), cinematography, and music by the Academy of Motion Picture Arts and Sciences' annual Academy Awards. While I have seen many movies, few have touched me the way Sophie's Choice has. I can remember the seamless