Saturday, April 17, 2010

It has often been said that the arts promote learning and can inspire a culture of peace and hope. Along the same lines, there is an interesting resolution to story coming out of Israel this week that tests this adage.

The case began earlier this year with Ala Halihal, an Arab-Israeli or Israeli-Palestinian, seeking permission from the Israeli government to go to Lebanon to receive an award as winner of the “Beirut 39” literature competition. The event, which is awarding 39 Arab writers up to the age of 39, was developed as part of a UNESCO project. Essentially what happened was...

The author was informed that he had won the prize in August 2009 and immediately submitted a request to the Interior Ministry for permission to enter Lebanon. According to the 1948 Emergency Regulations, anyone wishing to enter an enemy country as defined in the Prevention of Infiltration Law must obtain a permit from the prime minister or minister of interior. Lebanon one of the countries classified as an enemy state.

Hlehel did not receive an answer from the Interior Ministry. Finally, in March, attorneys Hassan Jabareen and Haneen Naamnih, petitioned the High Court on his behalf.

The petitioners demanded that Hlehel be allowed to go to Beirut and that the state prepare clear and written regulations and criteria to determine what might qualify an Israeli wishing to visit the countries classified as “enemy” for a permit.

Perhaps, Israel's Interior Minister Eli Yishai and Prime Minister Benjamin Netanyahu in their world of black and white, felt justified, denying Halihal on the grounds of reciprocity.

The "accepted" view in the Arab world holds that a visit to Israel by an Arab author, artist or filmmaker is an act of treason, or at least a violation of the bylaws of professional associations. As a result, for example, the noted Egyptian author and playwright Ali Salem suffered the prolonged ostracism of his Egyptian author colleagues, who viewed his visit to Israel as a gesture of normalization.

Other Arab artists and writers who wish to visit Israel must do so surreptitiously to avoid the backlash.

Fortunately Halihal's appeal to the Israeli Supreme Court ended well, with a binding ruling that the state to explain why it had not established written regulations and criteria to objectively determine who was eligible to visit these 'enemy' countries and that Halihal must immediately be given a permit to visit Lebanon.

While the case seemed to have ended well, it certainly has raised a couple of important issues. First, as Haaretz notes:

And now none other than Israel, which has made normalization a precondition to the peace process and is demanding at least tiny gestures of normalization as a show of good intentions, has joined the coalition of the ignorant

While normalization with Palestinian artists has been tenuous as of late, it seems the current party line is beyond counter-productive. Nor does their hypocrisy help to inspire hope that such confidence-building would be treated in kind.

Secondly, and more fundamental is what an act like this, however small, means. Art can bring awareness to society and it is a powerful means of presenting truths about ourselves through such expression. There are many artists, and organizations who seek to promote tolerance and non-violence and to create a culture of peace through art. Amongst other things, perhaps this is something that Yishai and Netanyahu could better seek to learn.

Sunday, January 24, 2010

After last fall and news from Iran its no surprise the power Twitter has had on politics world-wide. Another case of a tweet that has had immense power locally is that of user @OGLE_Toronto who on Friday posted a TwitPic on their Twitter account of a sleeping Toronto Transit Commision ticket collector.

In effect, this tweet has become a lightning rod for transit riders frustrated with the TTC and has sparked a media controversy.

Wednesday, January 20, 2010

With the release of today's Pew Research Center report, many preconceived ideas about the economic dynamics of marriage seem to be turned on their head.

Entitled "The New Economics of Marriage: The Rise of Wives," the study shows that a "larger share of women today, compared with their 1970 counterparts, have more education and income than their spouses. As a result, in recent decades the economic gains associated with marriage have been greater for men than for women."

Looking at the impact of nearly four decades of social change, the report shows that men increasingly get a significant economic boost when they tie the knot -- improving their household incomes and often pairing up with a partner who has at least as much education as they do. Compared to 1970, when men usually married women with less education and fewer wives worked, these changes have contributed to a "gender role reversal in the gains from marriage," the report said.

"What's radically changed is that marriage now is a better deal for men," said Richard Fry, co-author of the report, published by the Pew Research Center. "Now when men marry, often their spouse works quite a bit. Often she is better-educated than the guy." In 1970, unmarried men "had a higher economic status than married guys," he said, "but no longer."

While there is no doubt these significant economic changes for married people combined have trasformed the dynamics of marriage, what I believe is worthy of further research, is the impact, if any, on that of how these trends have affected the social and interpersonal dynamics of marriage. Perhaps then, with better understanding of contemporary marriage and shifting societal expectations we can learn and accept all who choose to undertake its demands.