…In the previous movie, we began our…conversation about working with the shake reduction filter.…And there we copied the layer and then applied this filter…to that layer, and Photoshop created for us a blur estimation region.…What I want to do in this movie is build upon what we already know.…And I want to talk a bit about how we can get a bit more advanced with this.…Let's double-click the zoom tool to zoom into 100%, and let's focus…in on this driftwood heart that the bride is holding right here.…We have some controls which allow us to deal with…the texture or the noise that we have in the photograph.…

For starters, you'll see that there is a radio checkbox right here.…We want to make sure that we turn that on to enable the artifact suppression.…The reason why you want that on is…because you can always control the amount right here.…If ever you want to…remove the artifact suppression, we'll just drag this down to 0%.…So again I recommend you leave that enabled…and then you customize the amount down below.…

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Author

Released

2/3/2014

Since the beginning of the photographic art form, photographers have been searching for clearer and sharper images. Now, you don't have to settle for what was captured in camera; you can perfect your photos in post-production. In this course, Chris Orwig tackles sharpening in three programs: Adobe Camera Raw, Lightroom, and Photoshop. They all have their strengths, so he shows you how to get the best results from specific sharpening challenges with each one. Chris shows you how to reduce noise and sharpen with sliders and make selective adjustments to certain areas of raw images. In Photoshop, he uses powerful filters like Unsharp Mask and Smart Sharpen to sharpen larger areas of pictures, and masking to paint in sharpening. Last, he shares two advanced techniques, one using high pass sharpening and another that limits sharpening to the edges of your images.