Well, I guess I'll go for the SD version then. Save a ton of money that way since it's only to put together a reel and nothing more. And by reel I don't mean job stuff, but stuff I'm going to shoot in the coming year and post.

^^ what they all said. Biggest problem with those cameras was Cannons 24F mode which, as far as I know, can only be captured into an NLE via the camera itself. You couldn't, say, plug it into a Sony HDV Deck and capture... it just wouldn't work.

At this point in time, unless you're doing long form work; such as event recording or the like, you'd be better off with a vDSLR, which is much cheaper, though still a hassle in a lot of ways. They are more in demand, however.
If you are doing event stuff, I like the JVC HDV cameras, with the nice ergonomic shoulder mounts. Never know when you'll be holding a camera for a long period of time (plus they also can address an exteral recorder).
Or if you're looking for a "best of both worlds," (kinda) then the AF100 is a good choice-- especially since you can adapt it for just about any glass; shoot long term on the SD cards in AVCHD, or output the SDI to something like a KiPro or Ninja for shorter, higher quality stuff.

^^ what they all said. Biggest problem with those cameras was Cannons 24F mode which, as far as I know, can only be captured into an NLE via the camera itself. You couldn't, say, plug it into a Sony HDV Deck and capture... it just wouldn't work.

At this point in time, unless you're doing long form work; such as event recording or the like, you'd be better off with a vDSLR, which is much cheaper, though still a hassle in a lot of ways. They are more in demand, however.If you are doing event stuff, I like the JVC HDV cameras, with the nice ergonomic shoulder mounts. Never know when you'll be holding a camera for a long period of time (plus they also can address an exteral recorder).Or if you're looking for a "best of both worlds," (kinda) then the AF100 is a good choice-- especially since you can adapt it for just about any glass; shoot long term on the SD cards in AVCHD, or output the SDI to something like a KiPro or Ninja for shorter, higher quality stuff.

True; but nothing prevents you from using a Nikon (or PL) adapter and shooting with a F1.2 (T1.3) lens. Granted, for wides, you're in trouble, but I'm sure there are some wide Nikon/Canon F2s out there.