Saturday, August 15, 2015

Aiden Thorn talking about Brit crime in general, and Urban Decay in particular

Aiden Thorn

There's a young up-and-coming writer in Britain by the name of Aiden Thorn. We've become acquaintances and admirers of each other's writing, if not outright friends altogether. Anyway, he asked if he could share some thoughts in my blob and rummage over the idea of Brit crime writing in general, as well as a few words about his latest collection of crime stories out called Urban Decay.Absolutely, buddy. I was curious to hear his thoughts about the influences of American hard boiled/noir writing and it affected a Brit and his writing. So sit back and enjoy.And oh . . . buy his stuff. It's just pretty damn good.

Brit Grit Allies – the influence of American writing on a
new wave of British Crime writers…

Somehow I’ve managed to carve out a
reputation as a writer from the wonder underground movement that’s been termed
‘Brit Grit.’ I often see myself referred to in reviews or on blogs as, ‘Brit
Grit writer, Aidan Thorn.’ It’s a label I’m extremely proud of, and why
wouldn’t I be? By association it puts me in the same bracket as some of my
favourite writers working in the indie scene today. The likes of Paul D
Brazill, Gareth Spark, Darren Sant and many more, top talent that only get a
miniscule slice of the recognition they deserve.

What I find
interesting is that I’ve found myself batched in with this great company, when
in fact most, if not all, of my early literary influences were American. And,
do you know what, I haven’t checked but I reckon that’s probably the case for a
lot of the writers that people associate with the ‘Brit Grit’ scene (can we
call it a scene, are there enough of us for it to be a scene – fuck it, I’m
calling it a scene). It’s pretty clear
when you read the likes of Chris Leek (a great British based writer) that he’s
influences are heavily American, I think the same can often be said of Gareth
Spark – two great writers, who write tales that make characters not just of the
players but their settings too. With others the influence might not be quite so
apparent, Sant’s voice is routed in northern England, but at the same time,
just look at his PI Potter book, Moonchild’s Sin (seriously, do it’s a good read!) to find a man
clearly inspired by the hardboiled characters from across the pond – it’s just
told with Sant’s uniquely British voice. Where an American PI would be taking
meetings in diners and sports bars, Sant has his leading character operating
out of an office above a Fish ‘n’ Chip shop.

I reckon that US
influence is always there in the background and I guess it always will be with
so much of what we consume as entertainment hailing from there.

Anyone that’s seen
anything I’ve said about writing before will know I’m a huge George Pelecanos
fan, for me that man can do no wrong. When I started to write I tried,
unsuccessfully, to copy his voice. Thankfully, I found my own in the end, but he’ll
always have an influence on what I write. So will the likes of Chandler,
Leonard, Lehane, Block etc… What I like about these guys is they tell
extraordinary stories, big stories, about people that live little lives. People
on the edge of society, the shoe salesman, the bar owner, the café cook. And I
think that’s largely what those who write in the Brit Grit scene (I’m going
with it now, it’s definitely a scene!) tend to do too. Read Nick Quantrill’s Bang Bang You’re Dead or Paul
Brazill’s Guns of Brixton,
great stories about pretty un-extraordinary people told with heart and realism
that make the reader engage fully in what’s happening. And, don’t get me wrong
I don’t think American writer’s invented that type of writing but I do think
they’re bloody good at it and certainly opened my eyes to something I find a
lot more interesting to read, and to write, than police procedurals and serial
killer thrillers - crime stories with the human spirit at their core.

For me what makes
this type of story work, whether it’s from a British writer, or our US cousins,
is that the writer seems to be drawing on their own experiences to make it
tick. I’m not suggesting they’re all hardened criminals or PI’s with drinking
problems and inner monologs playing in their heads. No, they write the details
that make the story come alive from their own experiences and interests.
Regardless of UK
writer, or US passion for certain things always comes across. Music often plays
a key role, the mere mention of a song can create an ambience in the readers
head, and it can tell you, British voice or American. Straight away. A beer
label, a bar top, a piece of clothing and car brand all help to create an
atmosphere too, the beauty of a noir book is you always feel like the writer
has experienced these subtle scene builders for themselves. Sports also often
provide a fantastic backdrop to build an atmosphere around a story. I recently
read Tom Pitts’ Knuckleball,
I have no idea about baseball but that didn’t matter, the detail around the
sport just served to make the story more believable, more real. A British
writer of this genre will often use football (or soccer as you call it) in the
background, it simply serves to set the scene, put you the reader into the environment
in which the story unfolds.

distinctly British voice, I’m
pretty sure I achieved that, but I also wanted stories that would resonate with
the sort of audience that I was for a book, the fan of a Lawrence Block Matt
Scudder book, for example. For my second collection, Urban Decay, I wanted to put together a
collection of stories that I’d be proud to put in front of my favourite
writers, Pelecanos, Lehane, Spark, Sant etc… the fact that Darren Sant
approached me about publishing it under his (and Craig Douglas’) Grit Fiction
venture went someway to proving I’d achieved that. The fact that Gareth Spark
wrote me a fantastic foreward added to that… The fact that I’ve already picked
up a couple of nice reviews from across the pond I hope also shows I’m going
the right direction with those idols of mine that made me want to write in the
first place. So, thank-you America
for great gritty fiction, this particular Brit Gritter is and always will be a
massive fan.

Frank Morales. The other half of the homicide detective team

The enigmatic Turner Hahn

The first Turner Hahn/Frank Morales novel

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About Me

I'm a fourteen year old boy trapped in a sixty year old body. The mind is willing--the body says, "Oh no. No, no, no!"
I'm married to a wonderfully patient woman, have three grown kids and five grandchildren of which, naturally, are the most brilliant and the most handsome in the world.