STRANGE REPORT -
THE COMPLETE SERIES

Region 0 (UK) Edition - Reviewed by Ceri Laing

Directors:
Charles Crichton, Peter Medak, Peter Duffell

Starring:
Anthony Quayle, Kaz Garas, Anneke Wills, Charles Lloyd Pack

THE
SERIES

Adam Strange is a criminologist who
deals with unusual and offbeat cases that are have Scotland Yard baffled.
He is assisted by two young friends, Hamilton ‘Ham’ Gynt, an American
scholar based at the British Museum, and Evelyn McLean, an artist and
model. Together they explore the underbelly of swinging late-Sixties
London.

At first glance Strange Report seems
like just another series in a long line of productions for Lew Grade’s
television programme factory ITC. Like many of ITC’s shows it featured a
trio of lead characters – two men and a girl. The same formula can be
applied to The Champions, Randall and Hopkirk (Deceased) and
the show it most closely resembles, Department S. The show was a
joint production with American company, Arena (who also produced The
Man from UNCLE). Filming began for the series in July 1968 and ran
through to March of the following year. Each episode was shot on a
two-week schedule.

Well-known film and theatre actor
Anthony Quayle (Ice Cold in Alex, The
Guns of Navarone, The Tamarind Seed, The Eagle Has Landed)
headed the cast as Adam Strange, a criminologist who drives around London
in an unlicensed taxi cab.

The producers from Arena wanted an
American in the cast to encourage interest in the home market, so
Kaz Garas, was brought in as the multi-talented
Ham Gynt. Garas was a Lithuanian who had immigrated to America while still
a child. He later appeared in the unsold 1974 pilot for Wonder Woman,
alongside Cathy Lee Crosby.

The final member of the trio came in the form
of the delectable
Anneke Wills, fresh from her role as Doctor Who
assistant Polly, to William Hartnell and Patrick Troughton’s Doctors. Her
other notable genre credits include two appearances in The Avengers,
along with episodes of The Saint and The Likely Lads.

As well as the three main characters,
there was also an additional regular, Professor Marks, who was a
pathologist friend of Gynt, who would help out on their cases. He was
played by genre stalwart
Charles Lloyd Pack, an instantly-recognisable
face from his many appearances. On TV these include The Avengers
and many other ITC series. His film appearances include Quatermass 2,
Hammer’s 1958 adaptation of Dracula, The Revenge of
Frankenstein, Frankenstein and the Monster From Hell, The Reptile
and Bedazzled.

The series ran for sixteen episodes,
broadcast in the UK by the ITV regions from towards the end of 1969, and
from the beginning of 1971 in the US. The show was a lot straighter than
some of ITC’s output of the period - there was humour in the series - but
its tongue was decidedly not in cheek. Strange’s team used a great deal of
forensic science and psychology to solve the cases, making Strange
Report more akin to a standard police series. Each episode was
identified by a report number and subtitle to describe the subject matter
of the case, together with a more standard episode title - for example,
REPORT 4407: HEART ‘No Choice for the Donor’. The subjects tackled are
concisely summed up by the episode titles, from Kidnap, Revenge,
Cult, and Sniper, to Lonelyhearts, Cover Girls,
Swindle and Epidemic, which gives you a fair idea of the
range of cases Strange and his two friends encountered.

The American production team wanted
many of the scripts to be contributed by American writers, such as
Edward DeBlasio (who also worked on Bonanza
and Angie Dickson’s Police Woman) and
Don Brinkley (who also wrote for The Man from
Uncle, The Invaders and the M*A*S*H spin-off¸Trapper
John M.D.) . Other notable writers involved in the series include
Tudor Gates (who also wrote for The Sweeney,
as well as scripting Hammer’s The Vampire Lovers, Lust for a
Vampire and Twins of Evil),
Roger Parkes (one-time script editor for Out
of the Unknown, as well as writing for Man in a Suitcase,
The Prisoner, Doomwatch, Survivors and Blake’s 7)
and
Bill Strutton (perhaps best known for his
unusual Doctor Who story The Web Planet, but he also wrote
for The Avengers, The Saint, Undermind and Paul
Temple).

The series was directed by a core
team comprised of
Charles Crichton,
Peter Medak and
Peter Duffell. Crichton was a veteran, who had
worked on Ealing comedies, including The Lavender Hill Mob and
The Titfield Thunderbolt. His television work included episodes of
The Avengers, Danger Man and Man in a Suitcase. After
the series he contributed to Space: 1999 and became famous again
for A Fish Called Wanda. Hungarian director Peter Medak went on to
direct episodes of The Persuaders!, Space: 1999, Hart to
Hart, the 1980s version of The TwilightZone, Tales
from the Crypt, and made two very successful British crime films,
The Krays and Let Him Have It. Other credits include Species
II and episodes of Homicide: Life on the Street. Peter Duffell
is perhaps best known for directing the Amicus horror anthology film
The House that Dipped Blood, as well as contributing to TV series such
as Flambards, Tales of the Unexpected, Inspector Morse and
the BBC’s Play for Tomorrow strand. He also directed Stephen
Poliakoff’s superb BBC play Caught on a Train and Channel 4’s
The Far Pavilions.

As ever with a series of this vintage there
is a great deal of talent on show in the guest roles and Strange Report
is no exception. There are far too many of them to list, so here are some
of the highlights: Robert Hardy, Eric Portman, Ray McAnnally, Ian Ogilvy,
Richard O’Sullivan, Sally Geeson, Martin Shaw, Kika Markham, Peter Vaughn,
Zienia Merton, Derren Nesbitt, Julian Glover, John Thaw, Ron Pember, John
Laurie, David Collings, Keith Barron, Bernard Lee, Peter Jefferey, Sylvia
Syms, John Bennett and Gerald Sim. And, before you ask, yes, Michael
Sheard does also make an appearance!

At the end of the initial production block
it was decided to make the next series in the States, but Anthony Quayle
felt he’d done everything he could with the role, and declined the offer
to make more episodes. So, after sixteen episodes, the series ended.

THE DISCS

Network’s box set contains five discs: four
containing four episodes each, and a fifth disc of special features. These
are packaged as a double-width Amray case, containing the four series
discs, and a single Amray case containing the special features.

The series was originally shot on 35mm
film, and the episodes have been extensively restored by the team BBC
Resources. New telecine transfers were made from the original film
elements, which were graded by BBC Resources colourist Jonathan Wood.
Flaws in the prints were cleaned up manually, and some digital fixes were
applied to remove things like shimmer and gate hairs. Some of the
processes involved are demonstrated in a restoration featurette on the
special features discs.

The episodes have certainly never looked or
sounded as good as they do now. The colour grading is done perfectly and
they look and sound clean and bright, with no trace of the faults seen in
the early 90s ITC VHS releases and the aborted 1996 Bravo repeat run.

The episodes are presented in their
original 4:3 format, but don’t include the original commercial break
bumpers. Most of ITC’s filmed series from the 1960s and 1970s were created
with international sales in mind, and so were created in such a way that
overseas stations could insert their own bumpers. Examples of the UK
bumpers are included on the special features disc. The episodes are
presented in order of production as there is no real broadcast order (the
ITV regions varied in their transmission orders).

Each of the four dual-layer discs feature
four approximately 50 minute episodes, which are encoded at an average of
about 4.83Mb/s. In playback mode this is enough to make them look very
acceptable, but closer examination reveals that individual frames are
rather fuzzy. The sound is presented in the original 1.0 mono at 192kbps.

The main menu on each disc features the
opening title card and music cue, which appears at the beginning of each
episode, with options to play all or select an episode. Each episode has
sub-menus underscored, with different music cues on each disc, and moving
sequences from each episode, and options to play or select a scene. The
scene sub-menus are silent, featuring an appropriate image from the
episode and the list of chapters.

All the restored material – the episodes
and items on the special features disc – include a generic, newly-created
countdown clock created by BBC Resources. These have been left on the
beginning of the material by Network, with the first chapter point placed
at the start of the material, so the time clocks are only accessible by
rewinding the disc back from the this point if you wish to see them.

SPECIAL
FEATURES

Network has been preparing this release for
a while now, and not only does their hard work show in the presentation of
the episodes, it’s also seen in the raft of special features included in
the set. To begin with, there are three mini-interviews with Robert Hardy,
Martin Shaw and Zienia Merton, which serve as introductions to the
episodes they guest in. They talk about their experiences of working on
the show, with Robert Hardy reminiscing fondly about his friend Anthony
Quayle, who died in 1989. The three introductions are presented at the
beginning of the appropriate episode. Network has included introductions
like these on some of their previous releases, such as their The
Sweeney box sets, and I hope they will continue to appear on future
releases. They give an interesting insight and perform perfectly what they
set out to do, not outstaying their welcome.

The rest of special features are contained
on disc five, which is titled REPORT 0604: DISCLOSURE ‘The Final
Analysis’. The disc offers a choice of playing all the bonus material,
or a traditional menu-driven presentation.

First up, is a wonderful twenty-two minute
interview with Anneke Wills. This features Wills wandering around some of
the locations used in the series, being interviewed by actor Roger Lloyd
Pack (best known as Trigger from Only Fools and Horses and son of
Strange Report regular, Charles Lloyd Pack). Anneke Wills and Roger
Lloyd Pack are old friends, which means the interview has an easygoing
nature and allows the questioning to be less formal, whilst at the same
time still giving structure to their reminiscences. They talk casually
about the show, with Lloyd Pack also highlighting his memories of his
father’s connection with the programme. The overall presentation – the
filming, editing, use of music and captions in the style of the original
programme – makes this one of the most successful interview features I’ve
seen on a Network DVD, and it just flies by.

This is followed by a shorter, ten-minute,
interview with Kaz Garas, filmed around his now home of Portland, Oregon.
This has a more standard presentation, with him being interviewed by
someone off-camera. He talks about his experiences of the show, as well as
what it was like to be the American star. Although it’s shorter than the
Wills interview it still works well. Due to Garas being based in Oregon it
wasn’t possible for him and Wills to meet up, which is a shame, as it
would’ve been a nice additional aspect to the interview pieces.

Next is a roll of original trailers, which
have also been restored by BBC Resources. The roll runs for just under
14mins, and it includes generic trailers (which are obviously fairly
repetitive in content) and individual trailers for seven of the episodes.

Then there is some textless background
material for use in creating appropriate title and credit captions for the
episodes overseas. This is also restored and runs to around 29mins.

The next item is more textless footage
coupled with a rushes compilation, which hasn’t been cleaned, and runs to
seven minutes. This is mute material of shots (some extended and some raw)
which were used for the titles and other backgrounds for captions in the
series, but here presented in their original state without text or
freeze-frame effects.

Following that are the US edits for the
REPORT 0649: SKELETON ‘Let Sleeping Heroes Lie’ episode. This material
features two amendments to the episode: a prologue that establishes the
opening scene as taking place during the blitz, and a shorter, less
violent version of someone being killed). These run for just under a
minute.

Then there are the commercial break
bumpers, which are again restored. These are the UK and US versions,
featuring into-commercials and out-of-commercials bumpers,. This sequence
has a runtime of under forty seconds.

Next is the three-minute Restoration
Featurette, which graphically shows how much work has gone into the
presentation of the material. It features some great before and after
shots, as well as highlighting individual faults. Network’s pricing
structure is often criticised, and this featurette shows why their discs
are generally more expensive than their competitors: it’s important that
the company demonstrates that a great deal of time, effort and money is
being spent to improve the picture and sound quality.

A Photographic Material
section contains an enormous range of images, starting with The ITC
Stills Collection – an extensive gallery of images from the ITC
archives, compiled together as a continuous video sequence lasting just
under nineteen minutes.

Another section shows the sleeves from the
paperback novel and the 8mm film releases of certain episodes, which were
put out in the early 70s for home use, together with signed publicity
stills of the three leads. This sequence runs for less than thirty
seconds.

Finally, for this section, is a collection
of personal on-set black and white photographs taken by Kaz Garas, who was
an experienced photographer, documenting a variety of people involved in
the production of the series. It’s a collection featuring a wealth of
insightful images, and a wonderful record of his time on the show. These
have also been compiled together as a video sequence, running to just
under seven minutes.

All of these sequences are underscored with
a collection of music cues from Roger Webb’s superb scores for Strange
Report, taken from the recently-found studio tapes. Many of the cues
feature engineer-spoken markers, and snatches of studio chat at the
beginning or end of them. Fantastic!

The final section of the disc is a
selection of PDF documents only accessible via a DVD-ROM drive. These are
two scripts the first – REPORT 4407: HEART ‘No Chance for a Donor’
– and the third – REPORT 0649: SKELETON ‘Let Sleeping Heroes Lie’.
Both feature their original titles (King of Hearts and Death of
a Hero), as well as scribbled notes and corrections. The other items
are the two original UK and US promotional brochures. All four items were
kept by Gaz Karas – the two scripts were his own! It’s amazing that he
kept them and it’s fantastic of Network to present them on in the box set.
It’s a brilliant way to end a brilliant set of special features.

The menus on the special features disc
replicate those of the other discs, with the opening title card and music
cue for the main menu, which has options to play all or select individual
special features. The special features sub-menu uses a great behind the
scenes still of the three leads. A superb funky lounge-esque music cue
that includes echoes of the main theme underscores the menu - as a result
you don’t object to returning to the menu one bit!

Finally, the set also includes a special
ITC Episode Guide booklet, which reprints the episode synopses
information from the original ITC Story Information - Strange Report
booklet. This information is enhanced with the original UK screening dates
(as ITC was part of the ATV company, the broadcast dates from the ATV
region have been used), the original US screening dates (from the
broadcasts by NBC), shooting dates and any working titles where known. The
swanky booklet is illustrated with lots of gorgeous stills and the sleeve
images from the ITC Publicity Brochure (which can be seen in full
as one of the PDF documents on the special features disc) and the ITC
Story Information - Strange Report booklet. The only criticism is that
the booklet is a fingerprint magnet – a glossy cover next time please,
chaps!

SUMMARY

Network has really put a lot of hard work
into this release, and it shows. The sixteen episodes of Strange Report
are superbly restored – the episodes positively glow with a rich quality –
and, thankfully, the encoding problems which plagued Network’s release of
The Sweeney – Series 2 are not present on these discs. On top of
that you get all you really could ask for in the special features. The
time and trouble taken by Network in the two interviews with Anneke Wills
(through the presentation and use of Roger Lloyd Pack as interviewer) and
Kaz Garas (through going to interview him at his home in the US),
especially enhance the release.

Without the contact with Karas there
wouldn’t have been all the superb additional material made available as
PDF documents, or his wonderful photographs. Then there is the wealth of
excellent material from the ITC vaults. Apart from seeing a joint
interview with Wills and Karas, which geographically wasn’t possible, the
only thing that might have enhanced the box set further would’ve been a
couple of episode commentaries, maybe featuring Wills (as she’d be more
easily available Garas) and guest stars guided by a moderator. However, a
lot of the information that might have been revealed in a commentary is
imparted through the interviews and episode introductions. It feels very
churlish to criticise this box set. Everything included in the box set,
right down to the use of the newly-discovered studio tapes of the music
cues, used to underscore menus and image sequences, goes towards making
this the definitive release for the series.

But what of the series itself? The DVD
presentation and special features aside, is it worth it? Being a
co-production with an American company, the series has a different feel to
other ITC series of the time. The use of Strange’s criminologist
experience – in employing forensic science and psychology – gives the show
a more intelligent feel than other ITC series. The use of American writers
for a London based series does, however, mean that some of the writing
isn’t as good as it could be (Anneke Wills points out in her interview
that the first episode they worked on was “a stinker”). The series also
exhibits some rampant sexism, which certainly isn’t unusual in a show from
this period, but it’s quite shameless here. However, much of the
direction, and, especially, the three leads help to surmount these
problems. The leads make their characters very engaging, and the three of
them really work well together. The vast array of British acting talent on
offer enhances the series no end, as they must have done when it was first
broadcast, but now you also get the additional attraction of seeing
respected actors such as Robert Hardy, Martin Shaw and John Thaw early in
their careers. ITC shows are renowned for their theme music, and
Strange Report’s is no exception – it’s a gem – as is all the music
composed by Roger Webb for the series. By the end of the run of sixteen
episodes you feel a tad disappointed that Anthony Quayle decided not to do
a second production block in the States. You’re left wanting to see more
cases investigated by the three characters, and moving them to a new
locale would have been very interesting.

If you compare Network’s release of
Strange Report to the box sets released by Carlton of other ITC series
– they don’t even come close to this. It is, however, a comparable release
to Australian label Umbrella’s archive TV box sets, which are of brilliant
quality. The care and attention taken by Network in this release is simply
amazing and it’s worth every penny of its RRP.

Unless
explicitly stated, DVD screen captures used in the reviews are for illustrative
purposes only, and are not intended to be accurate representations of the DVD
image. While
screen captures are generally in their correct aspect ratio, there will often
have been changes made to the resolution, contrast, hue and sharpness, to
optimise them for web display.