Notes: The melody to (10), Wetton says in the liner notes, "had been in
my
mind at the time of a rehearsal with Bill Bruford and Rick Wakeman in
1976", while (5) "was a title I'd tossed around with Harry Parress and
Curt Cuomo in Los Angeles in 1991, while preparing material for 'Battle
Lines'." (HP, 11 Mar 09)
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