The New Aquent Headquarters

by Sandra Tripp, IIDA LEED AP and Bill Puetz, CID LEED AP

​In 1986, three Harvard undergraduates—John Chuang, Steve Kapner, and Mia Wenjen—started a desktop publishing business based out of John and Steve’s dorm room. That business grew into Aquent, a marketing, creative, and digital staffing agency with offices across the globe.

Eventually, all that growth meant Aquent’s headquarters in Boston were getting tight. We’d been planning and designing a number of regional offices in North America for the company, so they turned to us. They were spread out on four floors, which was hardly ideal. But they were reluctant to relocate to a new building, because their culture was so bound up in their existing space. We looked into options for refreshing the space. Eventually they decided not to renew their lease, forcing the issue.

So Aquent leased a single 30,000-square-foot floor in 501 Boylston Street, an Art Deco building originally constructed in 1940 and known for generations as the New England Mutual Life Insurance Company building. We held a visioning session with Aquent to identify goals to guide the relocation. We came up with six:

The new headquarters should give Aquent all the tools they needed to work with similar-minded people and have fun.

The current space was homogenous. The new headquarters should be tailored to individual work zones, providing lots of choice.

The new headquarters should reinforce Aquent’s values of sharing space and resources.

It should be modern, liberated from “stuff.”

The materials should blend the modern and the natural.

The space should be alive and energizing and make people happy every day.

​Our charge was to preserve the culture that existed in the old space, in terms of the way the space felt, while transforming the way they worked by enhancing collaboration and connection.

The headquarters we designed reflects the egalitarianism of the company by switching to 100 percent hoteling—there are no assigned desks here, not even for the executives. We did provide one-to-one desking—120 workstations for 120 people—with the idea that the hoteling concept would allow the space to comfortably accommodate a growing workforce.

Much of the building’s historic interior had been stripped in previous remodels. So we had to give the space a sense of character that would reflect the culture—not just for the people working here, but for local clients and for visiting workers from Aquent’s offices around the world.

​To organize the large floor plate, we created a variety of destinations for working, drawing on popular building forms, each with their own feel and personality: terrace, pergola, back porch, library, general store, hut, and start-up garage.

To welcome visitors from the start, the reception desk flows into the café, creating a big public space. The café has a 20-foot-long table—Aquent has one of these in each office. They call it the harvest table. At 900 square feet, the café is big, and can be zoned into multiple areas. It’s meant to be a sort of coffee shop, where people can work at the harvest table, at movable café tables, or in four-person booths. A large meeting room can be closed off with large wooden doors as needed.

We detailed the space using natural materials such as timber beams, lattice panels, and oversized wood sliding doors. For example, we used real exterior grade wooden shingles to clad the huts, which contain meeting rooms that can be reserved. Phone booths are drop-in spaces for one to two people. Whiteboards are everywhere—including tabletops. Because the headquarters is 100 percent open plan, acoustic clouds all over the work areas absorb sound, and white noise provides additional sound masking.

​For those times when people really need to concentrate, they can head to the library. Although it’s also open plan, cell phone use isn’t allowed, and all talking is to be kept to a minimum. It’s sort of like the “quiet car” on Amtrak. At the back of the library, movable bleacher seating can be reconfigured for all-hands meetings. In a tongue-in-cheek touch, we put film on the glass windows that looks like shelves of books.

The pergola meeting areas are accessed through a corridor with a wood slat ceiling designed to resemble a trellis. The glass walls of each room are covered with a film that looks like switchgrass.

The back porch is a series of semiprivate rooms where people can get away from their desk and either have an impromptu meeting or just work at their laptop in a sunny space.

​The garage came about because they wanted a place that felt completely different from all the other spaces, but that would still function as everyday workspace. The sliding garage doors enable it to be separated from the rest of the office as needed. The standing height desks inside have butcher block tops. Just like in a real garage, people can hang things on pegboards on the walls.

When we went on our initial walkthrough of the space, we were told there was a room we couldn’t go into, and that it wasn’t part of the leasable space. Of course, we went into it anyway. Turned out it had a stairway that the landlords had walled off in the middle for building code reasons. It was a stairway to nowhere.

We asked the landlords if we could have it, if we made it code compliant, because we’d like to use it for a little hidden room, and they said yes. So we added a few sprinklers and painted the risers multiple colors. At the top of the steps, we placed off-the-shelf lockers for people to keep their belongings—especially important for a place where people don’t have assigned desks.

Our clients tell us the space has completely changed how they interact, and they love it: people are talking to each other, and it’s served as a great recruiting tool. It was an unusual job for us—keeping the essence of the culture, while completely changing the way everyone worked.

​Before Photos Below

Sandy Tripp and Bill Puetz are principals at Huntsman Architectural Group. Since 2007, Bill has worked with Aquent overseeing the design of multiple regional offices in North America. Sandy's and Bill's clients include the law firms of Sheppard Mullin, Fenwick & West, and Squire Patton Boggs as well as Moody's, Vanbarton Group, and Autodesk. Both Sandy and Bill are advocates for culture driving workplace design.