Sunday, December 31, 2017

STEP ONE: Here are some quick digital scribbles indicating the general layout, construction, and color. This was pretty much the halfway point, give-or-take.

* * *

STEP TWO: Basically, I just used the chalk brush at varying opacities to finish digitally painting the pic, as well as some blending brush to smooth out some of the more obvious brushstrokes. I also did a rain in a separate layer, then blurred it a few pixels, and moved the opacity down to about 65%. Oh, and I added some type, of course, with the word balloons just being white-filled circles with the opacity also dropped to 65%.

Sunday, December 24, 2017

Hey, it's another Sithmas card, this time for Supreme Leader Snoke. I have a few more in mind for next year, so there's that to look forward to... I mean, if you're into Sithmas cards and all. So, temper your enthusiasm and all that.

* * *

STEP ONE: Here are the digital scribbles with a 5pt. hard brush.

* * *

STEP TWO: I dropped the opacity of the pencil layer and inked overtop again with a 5pt. hard brush. Here is the finished digital ink layer.

* * *

STEP THREE: Several layers were used to color beneath the inked drawing. I then animated the stars behind Snoke and output it as an animated .gif.

Sunday, December 17, 2017

Gee, it's been a while since I put out a Sithmas Card. And, with a little movie called "Star Wars: Episode VIII: The Last Jedi" out in theaters, now, I suppose it's time to dust them off again.

Originally, I intended to give him an elf's hat, but I just didn't have enough room on the top of his head to get it to look look correctly. So, I cheated a bit and went with holly on his cape, instead.

* * *

STEP ONE: Here are the digital pencils, scrawled and scribbled with a 5pt. hard brush. Gosh darn it! The pencils almost always look better to me than the finished inks. Sigh... Probably 'cuz they are more loose and sketchy, giving your brain the opportunity to choose the best lines it likes best to finish the drawing, rather than being given a single, solid line.

* * *

STEP TWO: I dropped the opacity of the pencil layer and inked overtop again with a 5pt. hard brush. Here is the finished digital ink layer.

* * *

STEP THREE: Several layers were used to color beneath the inked drawing. I then animated the stars behind Count Dooku and output it as an animated .gif. Ta da!

Thursday, December 14, 2017

Hey, it's another joke that is rather obvious, and of course that means I cannot allow it to pass by without a comment! (Thanks, Captain Obvious!)

Both Pennywise and the Killer Klowns from Outer Space:

- Came from Outer Space/Alternate Dimensions

- Have clown-like appearance

- Murderous... Very murderous

- Generous use of balloons for terror

- Crazy hair

- Bad teeth

- Divergent strabismus (exotropia)

* * *

STEP ONE/TWO: In this case, I did do some step-by-steps for the Killer Klown digital painting ("Slim", in this case). First, I did some quickly scribbled digital pencils (5 pt. hard brush). Followed by the color roughs on a new Layer just below the pencils which were done with a 50pt. chalk brush.

* * *

STEP THREE/FOUR: I merged the digital pencil layer down on top of the color layer and began to build up and tighten the colors--pushing the shadows and bumping up the highlights. The head was pretty much done, leaving the collar and shirt to finish.

* * *

STEP FIVE: I also decided to update the Pennywise a little bit, moved the nose down, re-colored the hair, and made minor, um, cosmetic changes. I made the lighting slightly more dramatic so it would better match the Killer Klown digital painting.

Thursday, December 7, 2017

OK, I admit it: this is a joke so obvious that I've had it kicking around in my head since the very first time I heard of "Pennywise the Clown" in the pages of Stephen King's "It". And, what better time to actually getting around to doing it?

STEP TWO: I used so many different layers to paint over top of the digital pencils, that I forgot to save intermediate steps. Well, that I'm a little slow, sometimes. So, here it is all finished. Ta-da...

Tuesday, October 31, 2017

Well, I only got one more of my planned Inktober 2017 done, alas. I was busy with several other projects of varying importance, so had to set my Blog aside for a little while. I have quite a backlog of stuff I still want to post this year--so, we'll see how that goes!

This is for "Invaders from Mars", the 1953 movie about, well, Invaders--from Mars! I watch this movie when I was a kid, and it struck a paranoiac chord in my psyche. Flying saucers, Martians, and mind control--Oh, my!

* * *

STEP ONE: Here are the pencils, lightly sketched out with a 6B pencil on 9" x 12" Strathmore Bristol board.

* * *

STEP TWO: These are the inks, done with a No. 2 brush and Medium technical pen.

* * *

STEP THREE: Sort of ruining the purpose of the purpose of Inktober, I did a stylized colorization of the pen-and-ink drawing by using a Multiply Layer. Oh, well, I've never been much for listenin' or following directions.

Friday, October 20, 2017

Well, I'm off to a bit of a late start this year, but it's time for Inktober 2017, which I usually use as an opportunity to mash-up with Halloween to feature various monster movies and such.

In this case, I decided to go with Zeiram (1991), a semi-obscure Japanese Sci-Fi/Monster movie. The movie starts strong, with an awesome prison break from an alien Super-Max by an unstoppable killing machine, Zeiram (the scene was shot in stylized black-and-white). They did a great job of building him up, but by the end the movie devolved into our plucky, female bounty hunter, Iria, fighting a series of rubber-suited monsters. Overall, I thought it was fun, but the potential from the greatness of the opening scenes was lost by the regression to the mean for sci-fi monster movies and standard sci-fi/monster tropes. Still, Zeiram as a monster has stuck with me, with his unique look.

Zeiram had a really creepy "Flesh Core" (even the name "Flesh Core" is creepy), with a tiny female face in the center of his hat, and a snakelike body. Most of the time, the face in his hat had it's eyes closed, but once they opened and opened its fanged mouth smiled, death and destruction followed...

Smile! The "Face" on Zeiram's hat / Flesh Core.

The Work in Progress is below for those interested. For those not interested, the Work in Progress is still below, I guess.

* * *

STEP ONE: Here are the pencils, lightly sketched out with a 6B pencil on 9" x 12" Strathmore Bristol board.

* * *

STEP TWO: Taking a .07mm Needle Tip GelPen, I drew out the basic line work from the pencil drawing.

* * *

STEP THREE: I then took a Pitt Brush Pen and No. 8 brush with ink and filled in the dark and shadow areas.

* * *

STEP FOUR: I then scanned it into Photoshop and colorized it in a stylized manner, using a Multiply Layer.

Monday, August 28, 2017

I had two different ideas for Jack Kirby's 100th Birthday, and just barely enough time for both, so here we are... :-) In this case, I thought a halo for comic's patron Saint made from a Kirby Krackle would be fitting. Hail to the King, baby!

It was done mostly the same way as the previous post, so excuse the repetitive steps through the work in progress, below.

STEP TWO: Here is the finished charcoal drawing, where I used a white charcoal pencil to work in the highlights.

* * *

STEP THREE: I imported the charcoal drawing into Photoshop and modified it, using a mixture of Multiply Layers and Normal Layers. I corrected a few things that were slightly off (the right-hand cheek needed to be extended out a little bit more, for example), and blended some of the charcoal digitally. Hmmm, traditional charcoal crossed with digital chalk brush... Once again, I darkened the outside edge of the paper to draw in more contrast with the Kirby Krackle halo.

Today would have been the 100th Birthday of Jack Kirby, truly the King of Comics. I can't add to everything which has been said about Jack Kirby and his importance to the history of comic books and pop culture, but his work has had a grand influence on my life.

Yeah, his writing was a bit... stilted, with his characters talking as if your grandparents were trying to use the "hip lingo" of the day (which is straight up what it was, now that I think of it), but there was an earnestness which shined through--he wore his heart on his sleeve. His art was distorted, bordering on the grotesque, but it is visually captivating and displayed so much dynamism and power.

And the ideas! They are truly amazing and astonishing: a One Man Army Corps set in a corporatized future; Space Gods who have experimented with life on Earth, giving rise to humans, monsters, and gods; mythical sci-fi battles between forces of good and evil... I am obsessed with many of his creations just for their sheer brilliance--they occupy a place in my imagination so deep it has bonded to my DNA. OMAC, The Celestials, M.O.D.O.K., Galactus, Silver Surfer, New Gods, Inhumans, Eternals, Kamandi, Devil Dinosaur, and so many more.

So, I shall pour some out (ink, in this case) in honor of Jack "King" Kirby:

"You truly are the King of Kings!"

(To be said ala Troy McClure in "The Simpsons" episode, "A Star is Burns")

STEP TWO: Here is the finished charcoal drawing, where I used a white charcoal pencil to work in the highlights.

* * *

STEP THREE: I imported the charcoal drawing into Photoshop and colorized it, using a mixture of Multiply Layers and Normal Layers. I also darkened the edges of the paper to give more focus to Kirby's drawing hand in the drawing.

Friday, August 25, 2017

And here is here's the cover replica for my pal (and Superman's), Jim, from Jimmy Jams Comics and Games here in Winona, MN and La Crosse, WI.

Once again, these things seem to take forever.

* * *

STEP ONE: I cut a 20" x 30" piece of hardboard, and then glued a 22" x 30" sheet of Stonehenge (#140) paper using acrylic medium, and trimmed the excess paper after it dried. I then used a mixture of gesso and acrylic medium to paint over top of the Stonehenge paper to prep it for painting. When that was done, I drew a 1" x 1" grid and set to pencilling the cover image. For the pencils, I used a blue lead .07 mechanical pencil to keep the lead from smearing too much.

* * *

STEP TWO: Once the pencils were done, I began to paint the large areas with acrylic paint. The straight lines were done with a Sharpie marker and a ruler, while the other line work was done with a mixture of acrylic black paint and waterproof, acrylic black ink and painted on with a round brush.

* * *

STEP THREE: Here is about the halfway point with the colors using acrylic paint. I did some drybrushing for the shading and highlights to give it more of the feel of the original marker coloring.

* * *

STEP FOUR: And here is the finished piece. As usual, my camera didn't do the best job, and since it is so large, lighting it uniformly is problematic. Sigh.

I did cheat a little bit by painting the cards with a darker blue, solid color, rather than trying to replicate the 50% screen effect. I did try to use a Sharpie marker to recreate the screen, but it just didn't look right, so just went with the solid color, instead. I guess I could have just used my printer and glued it onto the drawing, but that just doesn't feel right to me. Ah, well.

* * *

This was done with acrylic paint on 20" x 30" gessoed Stonehenge paper glued to hardboard.

Tuesday, June 20, 2017

Well, I finally got around to finishing up installing and updating everything, and colorized the Batman '66/Adam West picture from last week. As with the Princess Leia/Carrie Fisher tribute from last year, I decided to keep the colors fairly muted and low-key.

Thursday, June 15, 2017

(I had intended to do a colorized version of the drawing, but that's when my computer decided to crap out on me and needed to be reformatted. So, I guess I'll be posting that in a day or three after I get everything reinstalled and adjusted back to normal. Sigh...)

STEP ONE: Here are the rough outlines, sketched out with a charcoal pencil.

* * *

STEP TWO: Here's the approximate halfway point in the drawing. I used some softer charcoal pencils and carbon pencils to smear around and blend the shadows. Mostly, I just use my finger to smudge everything around, but do use paper blending stumps on a few spots for fine details.

* * *

STEP THREE: This is the finished charcoal drawing.

* * *

STEP FOUR: I used a white charcoal pencil to add highlights. On the gray background, the white chalk really makes the highlights "pop". Basically, by using the toned paper, you are able to get three values for the price of two.

Thursday, May 4, 2017

Well, to quote Groundskeeper Willie from "The Simpsons": "I warned ya! Dinna I warn ya?" Yes, last year I threatened to keep the train going with Jaxxon the rabbit in a Slave Leia outfit and, by gum, that's exactly what I did!

So, continuing my insane quest to reform Jaxxon into a cool character in Star Wars, here he is for the third "May the Fourth" in a row. If you're interested in the previous cartoons featuring Jaxxon, hit the link on the bottom of this post, or the Label on the side of the Blog.

* * *

STEP ONE: Here are the scribbled, digital pencils, which were done in Sketchbook Pro--a new program I am playing with.

* * *

STEP TWO: And here are the digital inks which, again, were mostly done in Sketchbook Pro.

* * *

STEP THREE: I am just too used to Photoshop, so I imported the file into Photoshop to finish off the picture's coloration. Mostly, I did a grayscale painting of Jaxxon, then threw some color over top of a MULTIPLY Layer, followed with lighter colors over a Normal Layer.