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Saturday, March 24, 2007

Art Space Talk: Stefan Saffer

I recently interviewed artist Stefan Saffer. Mr. Saffer studied art at the Academy of Fine Arts (Nuremberg) and Goldsmiths (London). He was a Master Student of Professor R.G Dienst. Stefan lives and works in Berlin, Germany. His work has been exhibited widely in the United States and Europe.

Q. When did you first discover that art would be an important part of your adult life?

A. "I think this might have been already in my childhood. I did not know that it was called art but I loved to draw and paint and there is the story that I was so deep into drawing once that I forgot that kindergarden was over and my mother was there to pick me up. Later in the age of 15 I announced that I will become an artist."

Q. How has society influenced your art? Are there any social implications in your art?

A. "I grew up in a small village with no understanding fo art at all. This shaped a very strong demand in me to be able to make art which could access even those who are not knowing of art or who grew up with no understanding of art. I later entered and founded a collaborative of artists and architects to create possibilities for art to include people at their level of an understanding of art. Since 2005 I am again working allone."

Q. On average, how long does it take you to create a piece?

A. "It takes on average exactly as long as it takes."

Q. Can you share some of your philosophy about art and artistic creation?

A. "Philosophy and art develop constantly further within ones worklife. I can say what I still like about art. That is its ability to create a very individual communication between the viewer and the work which expands by far the limits of language or knowledge. I am hoping for some of my pieces that they maintain an interesting discourse within society, within individuals beyond my life."

Q. What was your most important exhibition? Care to share that experience?

A. "I dont think in those terms too much but I can share a few of those moments I loved. The monents I like are those where people who I do not know and who might not know anything about my art get caught by a sparkle of one of my works and get intrigued to rethink maybe a thought or to question their own perspectives."

Q. Do you have any 'studio rituals'? As in, do you listen to certain types of music while working? What helps to get you in the mood for working?

A. "I am listening constantly to radio and I do have a nice collection of radiostations online always with me to listen to their broadcast everywhere like npr or deutschlandradio etc."

Q. If you could pinpoint the characteristics of people who collect your art, what would they be?

A. "I wish for the people who collect my art to be smart and sensitive and beautiful and maybe they all are like that."

Q. Discuss one of your pieces. What were you thinking when you created it?

A. "I think an important piece for me was "Jackson and me" which is a poster of a work of Pollock and a drawing on the back of his work and then there are all in betweens of my drawing cut and bend through his work like a splitter bomb crashing through a wall. It took me a long time to get started on this work and I had the poster on my table for a long time. I really think that this piece enabled me to create my very personal dialouge with art history but more important with artist I respect deeply and who I had wished to argue with when they were alive. I decided to not sell this piece."

Q. Do you have a degree or do you plan to attend school for art? If so, how did it help you as an artist? What can you tell us about the art department that you attended?

A. "Oh well. I did my MFA at Goldsmiths College at a time when Micheal Craig Martin was still there teaching. I think any school is only as good as its teachers and a reputation does not tell you whether teachers are good or not. One has to find out and look out for THE teacher. That means students should not take eductaion for granted but look around and test out many things. This is not about chosing the easiest way."

Q. Why did you choose the medium(s) that you use?

A. "I love paper and cardboard but I am not at all limited to any medium. Paper is just great because it is never really the same. Besides that you can get paper everywhere."

Q. Are you represented by a gallery? Do you have any upcoming exhibits?A. "I am represented by Kate Macgarry in London and my next upcoming solo show will be 2008 there. I just had a solo show in New York at Pavel Zoubok and I am in a group show in Cologne at the moment."