'Cinderella'

Jean-Christophe Maillot's "Cinderella," at the Segerstrom Center for the Arts in February, was filled with revelatory twists and delights, including dystopian sets and costumes. The story was told via its barefoot heroine (no glass slipper for her) as well as a shift in focus onto the fairy...

Jean-Christophe Maillot's "Cinderella," at the Segerstrom Center for the Arts in February, was filled with revelatory twists and delights, including dystopian sets and costumes. The story was told via its barefoot heroine (no glass slipper for her) as well as a shift in focus onto the fairy... (Allen J. Schaben / Los Angeles Times)

Jean-Christophe Maillot's "Cinderella," at the Segerstrom Center for the Arts in February, was filled with revelatory twists and delights, including dystopian sets and costumes. The story was told via its barefoot heroine (no glass slipper for her) as well as a shift in focus onto the fairy...Allen J. Schaben / Los Angeles Times