transitions

The Piano Teacher, a powerful new play by Vancouver’s Dorothy Dittrich, musician, writer, musical director and playwright, explores themes of loss and grief and the slow process of healing. It is also a story of love and friendship and the healing powers of music.

The story starts with Erin, a woman who has been incapacitated by grief since the tragic death of her husband and son, killed in a car accident by a drunk driver, just before Christmas, two years earlier. Although she is a concert pianist, she has receded into herself, and has been unable to touch her piano since the tragedy ripped her life apart.

We meet Erin when she has finally been able to find enough energy and interest to attend a piano recital for the young daughter of a friend. At that recital, Erin meets the piano teacher, Elaine, and unexpectedly discovers a sanctuary where she feels safe, again, for the first time.

Erin reaches out to Elaine, and the two meet at Elaine’s home.

Actor Megan Leitch, as Erin, does a masterful job of portraying the pain Erin is feeling, and at the beginning of the play, seems fragile and smaller than life. On the other hand, Caitriona Murphy, as Elaine, portrays a vibrant and strong character who is very much in control of her life, but is also sensitive and empathetic to Erin and her pain. The actors captured the fragility of Erin and the strength of Elaine in a powerful way that immediately drew me in, and I became an active part of the experience until after the last line was spoken.

As a friendship between Erin and Elaine evolves, we see that Elaine has also experienced her own losses and grief, but is healthy enough to be living a vibrant life. She initially doesn’t know how to help Erin, but continues to listen and to be available for her. This is a story of transition, of moving through difficult emotions to a different state of mind and health, with the help of people who offer their love and support. Playwright, Dittrich, says that “something about flow and moving through a feeling struck me as distinctly musical”, and music is central to this work. Part of the message I took from this play was that grief and loss can be mitigated, in part, by the act of creation. In Erin and Elaine’s case, it was creating music, but other forms of creativity could also assist a person suffering from loss to move through the pain, and on to another stage of his or her life.

A turning point for Erin was when she had the courage to follow Elaine’s suggestion that she “make a change” in her life, and Erin made that change by hiring a handyman to install a large window in her home. This was a renovation she had always wanted to make, but one vetoed by her late husband. The installation was an obvious metaphor for bringing new light into her world, but it was also a significant step away from her past life, and into her new life.

The handyman, Tom, was played by Kamyar Pazandeh. Tom added a new dimension to the play with his energy, humour, common sense, and his love of life. We know that he had his own regrets about his life, but we didn’t learn a lot about these, as the focus of the work was on the relationship between Erin and Elaine.

As an audience member, drawn into Erin’s grief, I found it difficult to be reminded of the painful, visceral grief buried inside myself from the past, and of the knowledge that if I live long enough, more losses are ahead. The work caused me to reflect upon how I might deal with this pain in the future, and was reminded of the power of friendship, creativity and the importance taking those difficult first steps forward, after a significant loss.

Congratulations to actors, Megan Leitch, Caitriona Murphy, and Kamyar Pazandeh; creative team, Yvette Nolan, Director, Rachel Ditor, Dramaturg, David Roberts, Set Designer, Jennifer Darbellay, Costume Designer, Kyla Gardiner, Lighting Designer, Patrick Pennefather, Sound Designer, Allison Spearin, Stage Manager, and Sandra Drag, Apprentice Stage Manager, for bringing Dorothy Dittrich’s compelling work to life, and for contributing to the richness of Vancouver theatre and to the cultural and emotional experiences of those who shared this creative, thoughtful and important new work.