Women’s suffering has been a recurrent topic in dramaturgy. It is a topic that we have seen on stage
at all times and by all authors: the suffering of Antigone, Hecuba, Ophelia, Juliet, Mother Courage,
Mariana Pineda, ... [+]

Women’s suffering has been a recurrent topic in dramaturgy. It is a topic that we have seen on stage
at all times and by all authors: the suffering of Antigone, Hecuba, Ophelia, Juliet, Mother Courage,
Mariana Pineda, Yerma and the women in Opus Primum, victims of the horrors and cruelties of war.
The story of an enemy deserter and a young woman of a village is framed on one side, by the inhabitants
of the village where she lives and, on the other side, by the army that has violently invaded the village.
The deserter belongs to the invading army, and together with the woman, both reflect the horror of the
war, of all wars.
Women of different ages, from the same village and from the same family are the main characters. All of them are characters without name because, unfortunately, they are universal characters. The young
woman is a mirror of all young women of all wars and conflicts of all times. Women that, like her, have
suffered and are suffering aggressions of all types and for which it is absolutely forbidden to love the
enemy [-]