Monday, September 26, 2016

The "biopic" is an interesting product in the supermarket of film genres. For a biopic (that sounds snazzier than "biographical picture") to be successful, you need a subject who is ultimately likeable, has obstacles to overcome, and is some kind of positive role model. Society doesn't want us to glorify real life bad guys, so we usually either get fictional gangsters or, if they are "real life" bad guys, crime must not pay in the end.

The problem is one of balance. You don't want a purely goody-two-shoes subject, because we want to see our heroes have some kind of flaw that they must struggle to overcome. That makes them somehow easier to relate to. So you get any number of musical geniuses (examples include Johnny Cash, James Brown, and Ray Charles) who put the people who love them through hell before having some sort of epiphany. You also want there to be a struggle of some kind - maybe the subject has to overcome racism (Jackie Robinson, MLK), homophobia (Harvey Milk), mental illness (Howard Hughes) or systemic injustice (N.W.A.).

In the case of Sully, you get Tom Hanks as Capt. Chesley Sullenberger who managed to successfully bring a stricken Airbus down on the frigid Hudson River following multiple bird strikes which took out both of the jet's engines. There was no - repeat, NO - loss of life. Now, my father spent his career as a pilot, first with the Navy, then with Piedmont Airlines, and I remember clearly his admiration for Sully. (The airline Sully flew for was USAirways, which gobbled up Piedmont.) This was not just a difficult thing to do, it was impossible. And yet Sully managed it. The problem with Sully isn't that the story is far-fetched, it's that it isn't "fetched" enough. The moviemakers tried to gin up the drama by making the National Transportation Safety Board ("NTSB") members investigating the crash into the bad guys and it is entirely unnecessary. Events are also compressed to the point of being crushed - NTSB investigations take months and are very painstaking. In Sully, you can be excused for thinking that everything was done in about three weeks. Still, an interesting film, even if it has been "Hollywooded." Clint Eastwood directs, and does an admirable job, if you discount the final song over the credits, which just seems jarring.

Then you have Nina, a biopic starring Zoe Saldana as Nina Simone, a reluctant jazz star who only took to singing to pay for her classical piano studies. From the little western NC town of Tryon, Nina Simone was, for a time in the 60s, more famous for her civil rights stances than her music, and she was plenty famous for her music! Simone's voice was beyond distinctive and I was very much looking forward to this film.

It's a travesty. Awful. Wrong. Misses every single, solitary point. And I will admit that I did something I very rarely do, which is not finish it. The main relationship in the film never existed and Zoe Saldana plays the role in blackface. In 2016. If you must know more details of the problems in this fish wrapper of a movie, click here.

So instead, I watched What Happened, Miss Simone? which is a gorgeous documentary about Nina Simone. The title comes from an essay written by Maya Angelou and that only brushes the tip of the iceberg of what is extraordinary about this performer you've probably never heard of. Do yourself a favor and see this as soon as you can. Nina Simone was complicated, brilliant, self-destructive, used and a user. You won't necessarily like her all the time, but her music came from a place of truth, anger, joy, and tremendous beauty.

Someone else who you won't like all the time is Lyndon Baines Johnson, the "accidental president" who stepped into the Oval Office following the assassination of JFK. Kennedy was the golden boy, all youth and good looks and carefully-constructed image. LBJ, on the other hand, was the old Texas warhorse who had been carefully accumulating markers on Capitol Hill. Suddenly, this rough-edged politician was thrust into the glare of the spotlight and needed to make good on Kennedy's high-flying promises, which included the Civil Rights Act. Maybe only LBJ, with his decades of maneuvering, glad-handing, and not-so-subtle pressure, could have delivered on that, but he went far beyond it. The Voting Rights Act, the Clean Air Act, the Clean Water Act, Head Start - these are but a few of the "Great Society" programs that LBJ championed and, in so doing, transformed America. The escalation of Vietnam marred his legacy, however. Those events occur after the time period covered in All the Way, the film based on the Tony Award-winning play starring Bryan Cranston, tells the story of the first year of the LBJ presidency, going from that dread day in Dallas to LBJ's election a year later. It's powerful moviemaking and well worth seeing. LBJ could be a cast-iron sonofabitch, but politics at that level isn't for the meek. A magnificent supporting cast makes this a must-see, especially during this election cycle.

Monday, September 19, 2016

Sorry - due to a number of converging deadlines, the poor blog has been left unattended for longer than it should have been. Rest assured that I've been writing posts in my head; they just haven't made it to the page!

I'm so far behind that I'm going to break this into two posts. Today, I'll touch on two films that I've seen recently that are well worth seeking out and in a day or two, I'll catch you up on some biopics/documentaries.

Now that we understand the outline (see what I did there?), let's talk about Kubo and the Two Strings, which you are going to seek out immediately. Kubo comes from the fine folk at Laika, a studio dedicated to producing fine stop-motion animation. Since this particular form of animation is so incredibly time-consuming, Laika has produced only a handful of films in its ten-year existence - Coraline, ParaNorman, The Boxtrolls, and now Kubo. While all the films have had their high points, in Kubo, everything comes together. The animation is first-rate and the story - well. Kubo's tale begins, "If you must blink - do it now." It's a story about stories - those we tell others, those we tell ourselves, and those we create to explain things. Featuring Charlize Theron, Ralph Fiennes, and Matthew McConaughey, Kubo is an astonishing film and certainly the highlight of my summer.

Skip Suicide Squad, which can't figure out which of half a dozen stories it wants to tell, and seek out this absolute gem about family, loss, and the power of tales.

Tom Hanks is a movie star. There's no doubt about that - attaching his name to a project carries a certain cachet and his projects tend to be box office gold. A Hologram for the King is an anomaly, for it's a teensy independent film that you're going to have to dig a little to find (let me help with that - check your local library!) Hologram is worth seeking out just to see the outline of what could have been a fantastic film. Based on a Dave Eggers novel, Hologram tells the story of Alan Clay, a down-on-his-luck salesman who is barely a step above Arthur Miller's Willy Loman. Things aren't going well for Alan - his marriage is dissolving, his career is floundering, leading his daughter to take a semester off from college until her tuition can be worked out, and everything is riding on this sale of high-tech to the Saudi king, who is in no hurry at all to meet with him and his team, who are stuck in a drafty tent in the desert just waiting. And waiting. And waiting. This fish-out-of-water tale is not without its flaws, but it has a certain charm, as well. This is due in part to Hanks' own abilities as an actor, but also to those in smaller roles, such as Alexander Black as Yousef, a free-lance cab driver who shows Alan the topsy-turviness of Saudi society, which boasts lavish wealth along with a regime so repressive women are not allowed to drive and are subject to intense social backlash just for being in a room alone with a man. Outstanding in portraying the down-the-rabbit-hole situations that leads to is Sarita Choudhury as Zahra, a Saudi doctor who shares some of the sorrowful circumstances enveloping Alan. Neither of these are Saudi actors, which seems to be a shame. Then again - it is a repressive regime. This is a quiet film, which might explain its lack of box office appeal. American audiences often don't like "quiet" much. Give it a try, won't you?

Right now, I'm a little over halfway through my super-fast summer film class. Personally, I would prefer a slower-paced class spread o...

Copyright Notice

Look, I'm flattered if you read something here and like it enough to want to want to rip it off. Or even if you dislike it enough to want to rip it apart. In either case, the content of this blog is mine - I'm responsible for it and you are not to use it without first obtaining permission from me.

Copyright. It's not just a good idea. It's the law.

It really is - see Article I, Section 8, Clause 8 of the United States Constitution.

K. Dale Koontz

Subscribe for the Latest Posts!

Follow by Email!

Labels

Featured Films/Shows to Watch

Who's Your Cluster?

Who?

K. Dale Koontz may have watched too much television as a child. She learned to count via Sesame Street and first learned that genres could cross-pollinate through M*A*S*H. When she discovered Joss Whedon's Buffy the Vampire Slayer, the die was cast. In 2008, McFarland published her book Faith and Choice in the Work of Joss Whedon which focused on themes such as redemption, choice, and consequences in Whedon's work up to that point. (She's fairly sure Volume 2 could be written to include Dr. Horrible, Dollhouse, and The Avengers.) She is a founding member of the Whedon Studies Association (a great group of people, but don't mention Twilight. Just sayin'). She has presented original work on the Rossum Corporation in Dollhouse, Kitty Pryde, and Japanese anime. In 2014, she and co-author Ensley F. Guffey worked with ECW Press to publish the critically-acclaimed Wanna Cook? The Complete, Unofficial Companion to Breaking Bad. Her most recent project was to team again with Ensley and ECW to publish A Dream Given Form, which is the only guide to all the canonical works in the Babylon 5 universe. That book is currently available for preorder and will be released in September of 2017. Dale is available for speaking engagements and only occasionally uses puppets in her presentations.

What?

I have long been interested in storytelling - how we do it, why we do it, and what happens when we mix things up. This interest might be the result of being born and raised in the American South, a region that has long celebrated the involved story over the quick answer. Television - the good stuff, anyway - does this brilliantly. Far from being film's red-headed tacky cousin, good TV lets characters and relationships build slowly and often mixes up genres, so horror is next door to humor and fantasy rubs shoulders with procedurals. This blog focuses on both the "good stuff" being broadcast that catches my fancy (with a special emphasis on Babylon 5, since that's the book that's in the process of being written right now) as well as film. The films are usually new releases being watched for TV19's weekly Meet Me at the Movies, although I reserve the right to veer off into classics and under-appreciated gems as well. Older posts cover what my introduction to film class was up to - currently, I'm not teaching that course, but who knows what the future may hold.