Diptaa Sloniir (anagram of "la disparition" in French) questions her relationship to disappearance. She tracks the individual and fleeting experience that will eventually become extinguished and intangible in a collective time and space. Her preferred medium most often combines 120mm film photography with modern and organic elements, creating what she perceives as totems or portraits; embodiments of an ongoing disappearance. A formal balance between an identifiable and discontinued narrative reveals her interest in a distorted reality.