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Cosplay: Halloween 2012

Whew!
With the last of this year's workish Elder Hydra effectively dispatched, the
rest of 2012 seems a bit easier by comparison, thesis notwithstanding. This
reprieve comes not a minute too soon, as Halloween is literally right around
the corner. I'll occasionally field questions about the impending festivities,
the majority of which are derivations of: You
love costumes, so does that mean Halloween is your favorite holiday?

The
thing is, not really. Don't get me wrong, the premise of getting together with
friends and enjoying the epicurean wealth of autumn while in costume is
awesome, but no more or less so than any other time we get together. As mentioned a while back, most cosplayers, myself included, tend to focus their
sartorial efforts around specific conventions. By this point in the year, the
vast majority of the convention season has come and gone and cosplayers tend to
be A) exhausted from a recent event B) in the midst of planning for next year's
conventions or C) all of the above. I imagine that this is particularly true
for all you lucky nerds out there who are recently returned from NYCCC. Given all that, it's hardly
surprising that someone who's already devoted untold hours to formal costuming
might want to take it a bit easier outside of an actual con.

This
does not, however, imply that there will not still be fabulous attire. It's
just that said garb may be lighter on the overall construction time than say,
spending six months re-creating Aayla Secura's trademark outfit. Ostensibly, this certainly doesn't apply to all cosplayers
and many of us often use Halloween as a viable excuse to re-wear a costume that
may have been previously reserved for the convention halls. In pretty much any
other year I'd be in this latter category, but logistical concerns and a plain
old lack of free time will prevent Aayla from making a second appearance this
year.

The
whole no-time-but-must-get-a-costume phenomenon is insanely prevalent for nerds
and non-nerds alike. Just check out any Party City the week or two before
Halloween to see just how many people try to pull an outfit together at the
last minute. Though trying to do so comes with a certain inherent pressure,
it's entirely possible to assemble an awesome, and potentially geeky, costume
with only a few pieces and minimal effort. The two simplest routes to a snazzy
costume are as follows.

Choosing a Contemporary Character

The single easiest thing to do is to emulate a character
from a property based in present day or thereabouts. Your closet could
potentially provide everything you need. Aside from being cheap, the costume
will be entirely reusable and is assured to fit you properly. The key to
pulling off this sort of costume is to focus on the details that make your
chosen character distinctive and making those as accurate as possible. A simple
striped scarf/tie and a wand can transform your prim, scholastic getup into the garb of a
Hogwarts coed. Some fake blood, a smattering of grime, and select weaponry and
you could be just about anyone in the cast of the Walking Dead. Your favorite
web comics, books, or TV shows are excellent source material for this sort of
costume.

Building
off a Pre-Made Costume

Some of our nerdy brethren will regard this
suggestion as straight-up heresy. Those
pre-fabricated costumes are cheap insults to our hard-wrought crafting!
While I understand the sentiment, almost no one takes kindly to the notion of
their chosen art form being watered down for mass consumption, I feel that
these arguments are a bit narrow in the scope their criticism. Pre-made
costumes can be an excellent starting point for a project, especially if you
are a sewing noob. As mentioned a few posts
back,
I'm just now, after a few years of dedicated cosplay, getting to be adept with
a needle and thread. My first forays into tailoring involved deconstructing and
reconstructing costumes that came out of little plastic bags. The little-kid
method of taking something apart to see how it works is entirely viable with
costumes and I highly recommend doing so! If you're trying to put a little
proverbial oomph into your Halloween getup or if you've wanted to get into
cosplay but you're not sure how, this can be an ideal course of action.

Something
to try and practice if you're planning on working with pre-made items is to see
the costume for its parts, to mentally drill down beyond its obvious
application into the realm of what it could potentially be used for. Example:
my very first cosplay was a tribute to Lieutenant Sarah Kerrigan
from the Starcraft series. While I was enthusiastic about bringing the
character to life, I had no experience building armor and was at a loss as to
how to make her ghost garb come to life without a crash course in working with
fiberglass. After perusing the aisles of a local party supply store I conceived
of the idea to combine this Padme Amidala jumpsuit with the plating from this <ahem> interesting take on the Tin Man. Some silver spray paint, blue fabric liner and one giant
Nerf gun later produced this:

Let me at some zerg!

Hair I can relate to

This
year's Halloween costume is going to be less alchemy, more adjustments to a
pre-made base. During the summer, I fell in love with Merida, the heroine of Pixar's latest
offering, Brave. Feisty, Celtic, and
redhead were all things I could easily relate to and have no trouble
replicating. To do so, I procured a generic medieval gown in a dark green
crushed velvet. The actual acquiring of said dress ended up being something of
a hassle <cough Etsy fail cough>, so, while I won't recommend my source,
I can point out that this and this are perfectly suitable starting points. Of course, if you've got the skills and the time, you can use a simple pattern like this one and make your dress.

The sleeves may be wrong, but the texture is spot-on

The
gown that arrived only partially resembled what I'd ordered, so a few
amendments were necessary. These 'fixes' are great examples of what you can do
to make an existing garment into a solid costume.

Sleeves: Merida's dress has close-fitting sleeves that feature two
apertures through which her chemise peeks through. To recreate this with the
enormous bells of fabric on my remnant of my Misadventures with Etsy, I removed
both sleeves by carefully pulling apart the original seams that held them to
the torso of the dress. Next, I marked the point where my elbow hit on each
sleeve and, starting from that mark, pinched the remaining fabric together
until I could see the point at which it would lie directly against my arms. I
then cut away the excess fabric starting at the elbow point and moving along
the "lie flat" line to the wrist. Of course, this left a fairly long
gap that would need to be closed. Traditional Celtic attire tends to feature
lacing as the gap-closing method of choice, so I installed eight grommets (four
per side) into each sleeve. Grommets (a.k.a. eyelets) are an easy way to
not only make corset style lacing, but reinforce the structural integrity of
the fabric and prevent any fraying or tearing that may result from pulling on
the laces. After that it was simply a matter of cutting out a hole around each
elbow and using the extra fabric from the sleeves across the gaps to create
that striped effect. A few simple stitches reattached the sleeves to the body
of the dress but you could also just have them remain separate and pull them on
over whatever you use as your under layer (which we'll get to in a minute).

Corset lacing is literally this easy

Overall
Fit: Aside from the bell sleeves, the
gown arrived with another surprise feature: being about two sizes too large.
Though taking in a dress can often be tricky, there was fortunately an easy
workaround that prevented the need for full-on alterations. If you should find
yourself in a similar situation, know this: corset backs are your friend. It's
pretty much what I did to close the sleeves only on a slightly larger scale.
Measure in to the point where you'd like the lacing to end, then pinch the
fabric of the mid-back area between this point and the collar until you get to
the desired fit. Cutting along this line will leave a sizable V of open space
in the back of the dress. Install grommets along either side of the V, then
feed the lacing of your choice through them alternating sides to get the
characteristic X patterning in the laces.

Accessories: Since Merida's dress is almost floor-length (which doesn't stop her from
climbing waterfalls and rideing horses), you can get away with wearing just about
any brown shoes. The only other accoutrements you may need are a bow, a belt,
and some seriously foufy red hair. Her belt is a simple, unadorned brown strip
of what's presumably leather, which leaves a lot of room for improvising. You
can procure an inexpensive prop bow at several online and physical retailers.
I'm reusing this bow from a costume I wore at this year's PAX East which is simply this bow from Amazon covered with this air dry foam clay painted to
look like wood. If you want to be entirely accurate, a small brown quiver like this is also necessary.

That
just leaves the hair. As someone who possesses a significant amount of
stereotypically unruly red curls, I'm just going to let my hair down. If you
are not one of my redheaded mutant brethren, then this and this may provide
suitable scarlet foufiness.

FAQs

For heavy fabrics, you'll need a grommet punch

What in the name of Zod do you mean when you say 'install a
grommet'?

The
awesome thing about grommets, aside from allowing for fun lacing, is that
they're usually very easy to put into fabric. They typically come in little kits of metallic "halves". All you have to do is decide where you'd
like to put one, then place one half on each side of the fabric facing towards
one another and pinch them together. Occasionally, you may need to reinforce
this with some added pressure to ensure that they're secure. If you want to
work with heavy or very stiff fabrics, you may want to invest in one of these
to help with this process. Otherwise, installing the grommets is quick and
easy.

Where on Earth do I get a chemise? Do I need to have one?

If
you want your costume to accurately reflect what's depicted in the movie, then some
sort of white under layer is necessary. If you want to be truly authentic, you
can sew a chemise very easily (this is a good starting point) or order one online. Just about any vendor who deals in medieval or renaissance garb will
sell these, but they can sometimes be pricy. If you'd rather just preserve the
overall look without making or buying a chemise you can substitute a flowy
white blouse or tack swatches of white cloth around the inside edges of the
gaps. Of course, if you have all the other pieces of this costume and choose
not to have any under layer it's not going to be the death of the outfit.
People will likely recognize the character with or without a bit of
white in the sleeves.

Corset backs are fun! Can I add one to any dress?

You
could probably add a corset back to most dresses if you really wanted to. The
thing to consider is the fabric of the dress. If you have a good, stiff cloth
that can support itself or a forgiving fabric that has just a bit of stretch to it
(like crushed velvet) then a corset back is a viable possibility. Take care
with gauzy fabrics or cloth that has the ability to stretch a lot, as these can
come apart when you pull on them. You'll need to add staves or some other form
of support to create a corset back in these fabrics.

What should I use for lacing? How many laces do you
recommend?

Soft
leather wraps, thin fabric cords, or long strips of extra cloth from any dress
adjustments you've made will all serve as good laces for this costume. I'd
recommend using either a set of two separate laces or one long lace folded in
half for each closure (placing the midpoint of the single lace at the apex of
each V). Either option will work just fine.

Best of luck with your costuming endeavors! As
always, feel free to share your work via any one of our social media pages.
Just click on the link 'Follow the Nerds' and show us what you've got!