Saturday, March 10, 2012

Murder Your Gods - debut EP review

Murder Your Gods is a four piece metal ensemble from Olympia, Washington, and their trade primarily registers as heftily executed classic thrash played with high definition vile intentions kept in top of the heat shape all the way back from the golden era of the '80s, yet, the band also brings with itself a surprising level of aptness to grace the ears with flamboyancy directly borrowed from the flesh - auuuua. - of other subgenres, all this for relentless and much welcomed musical variation. Thrash never expected to be left alone. Thrash always expected to be tinkered with, so it can thrash shit to hell and back.

Murder Your Gods, luckily enough is a group that took the harder-, BUT much more admirable route to flatter and express the desire to administer radical sonic intensity, and decided to sculpt out five songs into intricately detailed musical fabrics, as opposed to come forth with a full length debut with more coarse segments. This debut EP has a formidable amount of work AND musicianship behind it, while the production values are quite efficient-, I kind of dare say super-efficient - at revealing the thrash ethos of the '80s, spiced up by various contemporary leanings the band is not at all afraid to showcase. Go Murder Your Gods then come back to read about the influences and various pastimes of this delivery.

I find myself in a quite pleasant position right now, because there is nothing to me to whine about like a little bitch in pink latex lingerie, as this squad keeps the form I hoped they would all the way to the very end of the release. The leanings I have been telling you about are need to be addressed, so now is the time to inform you of the influences I personally think are notable on the stimuli : while non-mistakenly thrash in character, the data seeks and finds exigent musical interludes to introduce charismatic nods toward a myriad of styles. Among these, the most notable one is a tame obsession cultivated towards Pantera / Lamb of God, but imagine the similar spiritual stance riding on a more pronounced variant of thrash metal, while you are pretty much free to dismiss the anticipation of the southern vibes. This also is one interesting aspect of the delivery : whenever it seeks out the groove, it finds other methods to do that by, than to abuse immediate ACME groove patterns. Like : play around on the first three notes of your deepest blues scale, emphasize the open string like there is no tomorrow, and you are grooving like Hell on Earth, man!!!!!1

With great delight and satisfaction I recognize that the Murder Your Gods members seem to be quite aware of the same kind of motoristic genre-agitations and habitual fixations, and their conscious and successful deviations from these trends are a welcome addition to this EP. Other leanings on the release that need to be pointed out is an invigorated tendency to offer thrashy guitar solos from time to time, most often sticked into the heart of a point to cultivate variation or a turnaround from. The intro section of concluding track, "Dark Protectors" is a good example of how detailed things can get herein : the way the group "comes out" of the introductory theme exhibits traits of black metal, death metal, - blast beat those impertinent psyches away for a while - then flows into a verse structure that strikes a fine balance between ballsy metalcore - yeah, there IS a such thing, WOW. - and groove metal. Yes, metalcore owes a great deal to groove metal, in my opinion. (And to Stevie Wonder.)

The shape of music on the disc, as noted, is surprisingly well varied and I have zero doubt whatsoever that the band would harvest relevant, immediate public success and widespread attention - imagine the usefulness of covert success - if to deliver this stimuli in a live environment. Go soak your ears into their stuff at their official site and invade the places they will be playing at.

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