Posted
by
msmash
on Friday February 09, 2018 @05:25PM
from the rejoice dept.

More Firefly stories are on the way. Entertainment Weekly: EW can exclusively report that Titan Books and Twentieth Century Fox Consumer Products have teamed up to publish an original range of new fiction tying in to Joss Whedon's beloved but short-lived TV series Firefly. The books will be official titles within the Firefly canon, with Whedon serving as consulting editor. The first book is due in the fall. Starring Nathan Fillion, Gina Torres, and Alan Tudyk, the western-tinged space opera ran from 2002 to 2003 on Fox. Exploring weighty moral and ethical questions, Firefly centered on a collection of characters living on the fringes of society, joined together in the pioneer culture of their star system in the wake of a civil war. It lasted just 14 episodes, but in the decade and a half since it went off the air has amassed a significant cult following.

Posted
by
msmash
on Friday February 09, 2018 @04:45PM
from the tough-luck dept.

A man from Denmark has been handed a six-month conditional prison sentence for spreading information about Popcorn Time, an authorized on-demand movies and TV shows streaming service, news outlet TorrentFreak reports. From the report: In what is being described as a first for Europe, the man was convicted after telling people how to download, install and use the movie streaming service. He was also ordered to forfeit $83,300 in ad revenue and complete 120 hours community service.

Posted
by
msmash
on Friday February 09, 2018 @02:45PM
from the up-next dept.

Viacom said today it's planning to launch its own ad-supported streaming service by September 2018, the end of its fiscal year. The service will include "tens of thousands of hours of content" from across Viacom's library. From a report: Viacom had hinted about its plans in streaming before, but it shared a few more details on the call about what the service will include. The company, which owns cable TV channels like MTV and Comedy Central, already licenses some of its content to other streaming services like Sling TV and DirecTV Now, as well as newcomer Philo. "It's going to be rolled out in the U.S., in terms of the amount of content that it's going to have, it's going to have tens of thousands of hours of content that cut across the library we have on a global basis," the company said.

Posted
by
BeauHDon Thursday February 08, 2018 @11:30PM
from the what-will-they-think-of-next dept.

An anonymous reader shares an excerpt from a report via Quartz: As we've turned our gaze away from the stars and toward our screens, our anxiety about humanity's ultimate fate has shifted along with it. No longer are we afraid of aliens taking our freedom: It's the technology we're building on our own turf we should be worried about. The advent of artificial intelligence is increasingly bringing about the kinds of disturbing scenarios the old alien blockbusters warned us about. In 2016, Microsoft's first attempt at a functioning AI bot, Tay, became a Hitler-loving mess an hour after it launched. Tesla CEO Elon Musk urged the United Nations to ban the use of AI in weapons before it becomes "the third revolution in warfare." And in China, AI surveillance cameras are being rolled out by the government to track 1.3 billion people at a level Big Brother could only dream of. As AI's presence in film and TV has evolved, space creatures blowing us up now seems almost quaint compared to the frightening uncertainties of an computer-centric world. Will Smith went from saving Earth from alien destruction to saving it from robot servants run amok. More recently, Ex Machina, Chappie, and Transcendence have all explored the complexities that arise when the lines between human and robot blur.

However, sentient machines aren't a new anxiety. It arguably all started with Ridley Scott's 1982 cult classic, Blade Runner. It's a stunning depiction of a sprawling, smog-choked future, filled with bounty hunters muttering "enhance" at grainy pictures on computer screens. ("Alexa, enlarge image.") The neo-noir epic popularized the concept of intelligent machines being virtually indistinguishable from humans and asked the audience where our humanity ends and theirs begin. Even alien sci-fi now acknowledges that we've got worse things to worry about than extra-terrestrials: ourselves.

Posted
by
BeauHDon Wednesday February 07, 2018 @11:30PM
from the heads-up dept.

An anonymous reader quotes a report from Consumer Reports: Consumer Reports has found that millions of smart TVs can be controlled by hackers exploiting easy-to-find security flaws. The problems affect Samsung televisions, along with models made by TCL and other brands that use the Roku TV smart-TV platform, as well as streaming devices such as the Roku Ultra. We found that a relatively unsophisticated hacker could change channels, play offensive content, or crank up the volume, which might be deeply unsettling to someone who didn't understand what was happening. This could be done over the web, from thousands of miles away. (These vulnerabilities would not allow a hacker to spy on the user or steal information.) The findings were part of a broad privacy and security evaluation, led by Consumer Reports, of smart TVs from top brands that also included LG, Sony, and Vizio. The testing also found that all these TVs raised privacy concerns by collecting very detailed information on their users. Consumers can limit the data collection. But they have to give up a lot of the TVs' functionality -- and know the right buttons to click and settings to look for.

Posted
by
BeauHDon Tuesday February 06, 2018 @08:45PM
from the locked-and-loaded dept.

On Tuesday, the review embargo lifted for full reviews of Apple's new HomePod smart speaker. The Verge's Niley Patel shared his thoughts on Apple's new HomePod in video and written form. Patel found that while it offers best-in-class sound for the price, Siri is frustratingly limited and the voice controls only work with Apple Music. Furthermore, Siri can't tell different voices apart, therefore raising some privacy concerns as anyone can come up to the speaker and ask Siri to send and read text messages and other private information aloud. Here's an excerpt from the report: The HomePod, whether Apple likes it or not, is the company's answer to the wildly popular Amazon Echo and Google Home smart speakers. Apple is very insistent that the $349 HomePod has been in development for the past six years and that it's entirely focused on sound quality, but it's entering a market where Amazon is advertising Alexa as a lovable and well-known character during the Super Bowl instead of promoting its actual features. Our shared expectations about smart speakers are beginning to settle in, and outside of engineering labs and controlled listening tests, the HomePod has to measure up. And while it's true that the HomePod sounds incredible -- it sounds far better than any other speaker in its price range -- it also demands that you live entirely inside Apple's ecosystem in a way that even Apple's other products do not. The question is: is beautiful sound quality worth locking yourself even more tightly into a walled garden? As for technical specifications, the HomePod comes in at 6.8 inches high, 5.6 inches wide, and weights 5.5 pounds. It features a high-excursion woofer with custom amplifier, array of seven horn-loaded tweeters, each with its own custom amplifier, six-microphone array, internal low-frequency calibration microphone for automatic bass correction, direct and ambient audio beamforming, and transparent studio-level dynamic processing.

Posted
by
msmash
on Monday February 05, 2018 @02:57PM
from the home-advantage dept.

Apple Music is about to overtake Spotify as the most popular streaming music service in the United States, the Wall Street Journal reported over the weekend. Gizmodo: [...] Here's where the inevitability comes into play. Because all Apple devices come preloaded with Apple Music, countless consumers start using Apple Music without knowing any better. It's effectively become the streaming music analogue of Microsoft pushing people to surf the web with Internet Explorer. The big difference is that people eventually have to pay for Apple Music, which is the same price as Spotify. As many suspected when it launched three years ago, Apple Music was bound to succeed simply because Apple is big enough and rich enough to will it so. Think about it this way: Spotify gained traction quickly after its 2011 launch, largely because music enthusiasts had seen its streaming model succeed globally and wanted to try this neat new thing. After all, there wasn't anything quite like it at the time, and Americans love to feel innovative.

But eventually, Spotify would cease to feel special and new. As the years passed, practically every major tech company launched its own music streaming service. And then, in 2015, Apple unveiled Apple Music in 2015 -- which was really just a rebranded version of Beats Music. Because Apple could preload the service on iPhones, Watches, and Macs, the company could effectively tap into a new revenue stream without actually inventing anything.

Posted
by
EditorDavid
on Monday February 05, 2018 @12:34AM
from the two-minute-waning dept.

Variety reports:
NBC's coverage of Super Bowl LII briefly went dark for nearly 30 seconds on Sunday night. NBC released a brief statement attributing the outage to an equipment failure... "We had a brief equipment failure that we quickly resolved," the statement read. "No game action or commercial time were missed." The outage happened during a commercial pause in the action between the New England Patriots and the Philadelphia Eagles.
And anonymous reader shared another story from The Verge:
Hulu's live TV subscription service cut off the end of tonight's Super Bowl in some markets during the climactic final moments of the Eagles/Patriots game. Tom Brady was making a last-ditch push down the field in hopes of tying the 41-33 contest when Hulu customers lost all video and audio from NBC and U.S. Bank Stadium. Not everyone experienced the abrupt cutoff, which occurred at approximately 10:00PM ET. But those who did received an error screen before the game's conclusion. Error messages ranged from "no content available" to one that said the game couldn't be shown due torights restrictions. Complaints immediately surged on Twitter and Reddit... In a tweet, the company said there had been "a technical issue" and said users could restart their Hulu app to restore the game feed.

Posted
by
EditorDavid
on Sunday February 04, 2018 @08:34AM
from the stores-vs-storage-media dept.

An anonymous reader quotes Complex magazine:
The future of physical music isn't looking good. According to Billboard, consumer electronics company Best Buy will no longer carry physical CDs and Target may be following suit in the near future. Best Buy notified music suppliers that they will cease selling CDs at stores beginning July 1. The move is sure to hurt the already declining sales of CDs as consumers are switching to streaming platforms such as Spotify, Apple Music, and Tidal in large numbers. CD sales have already dropped by a sizable 18.5 percent in the past year, Billboard reports. Billboard also reports Target has given an "ultimatum" to music and video suppliers. "Currently, Target takes the inventory risk by agreeing to pay for any goods it is shipped within 60 days, and must pay to ship back unsold CDs for credit... Target has demanded to music suppliers that it wants CDs to be sold on what amounts to a consignment basis..."

"If the majors don't play ball and give in to the new sale terms, it could considerably hasten the phase down of the CD format."

Posted
by
BeauHDon Friday February 02, 2018 @07:30PM
from the priority-access dept.

An anonymous reader quotes a report from The Hill: A protester opposed to the Federal Communication Commission's (FCC) net neutrality repeal slowed traffic to a crawl outside the FCC Monday as a demonstration against the repeal. A video released Monday shows Rob Bliss, video director for the website Seriously.TV, setting up traffic cones to block all but one lane for cars, then riding a bike slowly in the lane. Bliss wore a sign encouraging drivers to upgrade to "priority access membership" for $5 a month, which would allow them to drive at normal speeds. The protest was meant to mimic what critics say will be the effect of the net neutrality repeal, which will allow internet service providers to favor certain content or require content providers to pay for faster speeds.

Posted
by
msmash
on Thursday February 01, 2018 @01:31PM
from the time-to-take-notes dept.

Even as Hollywood studios report fewer footfalls in theaters, the last few years have arguably been impressive if you're a sci-fi admirer. Last year, we finally got to watch the Blade Runner 2049, and the The Last Jedi and Logan also found plenty of backers. In 2016, Arrival was a home run for many. Star Trek: Discovery, and Stranger Things TV shows continue to receive positive feedback from critics, and the The X-Files is also quickly winning its loyal fans back.

"Artemis" by Andy Weir and "New York 2140" by Kim Stanley have found their ways among best selling books. "Borne" by Jeff VanderMeer, and "Walkaway" by BoingBoing's Cory Doctorow have also been widely loved by the readers.

On that note, what are some movies, TV shows, and books on sci-fi that you are waiting to explore in the next two to three years?

Posted
by
BeauHDon Wednesday January 31, 2018 @08:45PM
from the selling-like-hotcakes dept.

In less than a year, the Nintendo Switch has earned the designation of the fastest-selling U.S. console of all time. It has outsold the company's previous flagship Wii U just 10 months after its introduction. "Altogether, Nintendo has sold more than 14.86 million Switch units since its debut in March of 2017," reports Variety. "The company sold around 12.5 million Wii U's between 2012 and 2017." From the report: For Nintendo, this is a remarkable turn-around reminiscent of the introduction of the original Wii back in 2006. In fact, earlier this month, news broke that the Switch had become the fastest-selling game console in the U.S. to date, handily outselling original Wii with 4.8 million vs. 4 million units moved over a ten-month span after each device's introduction to U.S. consumers. Nintendo sold 7.23 million Switch units during the holiday quarter alone. The company adjusted its financial guidance for Q1 in light of continued demand for the device upwards by 33%, and now expects to bring in an operating profit of 160 billion yen ($1.47 billion), as well as revenue of around 1 trillion yen ($9.38 billion).

Posted
by
BeauHDon Wednesday January 31, 2018 @06:40PM
from the present-tense dept.

The organizers of the Game Developers Choice Awards announced today that they have rescinded the Pioneer Award for Atari founder Nolan Bushnell, and announced the award will not be given this year entirely. "The decision follows a day of outcry after GDC organizers announced that Bushnell, 74, had been tapped for the GDCA's lifetime achievement honor," reports Polygon. "News accounts and histories over the past several years have documented a history of workplace misconduct and sexist behavior toward women by Bushnell, during Atari's early days." From the report: In a statement this morning, GDC said its awards committee "made the decision not to give out a Pioneer Award for this year's event, following additional feedback from the community. They believe their picks should reflect the values of today's game industry and will dedicate this year's award to honor the pioneering and unheard voices of the past." The Pioneer Award is for "individuals who developed a breakthrough technology, game concept, or gameplay design at a crucial juncture in video game history," according to its official site. Nine have been conferred since 2008, none of them women. Bushnell founded Atari in 1972 and installed the first coin-operated video game, Pong, shortly thereafter. He presided over the company's rise to dominate the early generation of home console gaming before selling it off and founding what is today the Chuck E. Cheese line of restaurants. Bushnell issued a statement on Twitter: "I applaud the GDC for ensuring that their institution reflects what is right, specifically with regards to how people should be treated in the workplace. And if that means an award is the price I have to pay personally so the whole industry may be more aware and sensitive to these issues, I applaud that, too. If my personal actions or the actions of anyone who ever worked with me offended or caused pain to anyone at our companies, then I apologize without reservation."

Posted
by
msmash
on Monday January 29, 2018 @10:40AM
from the a-day-late-and-a-dime-short dept.

In June last year, Apple announced the HomePod, its first smart-speaker which will battle Amazon's sleeper hit Echo speakers and Google's Home speakers. Apple being late to enter a product category is nothing new, but the HomePod has a few other strange things about it. Apple said it won't begin shipping the HomePod until December that year, in a departure of its own tradition. Then the device's shipment was delayed till "early 2018" -- February 9 is the current shipping date. Bloomberg has reported about the difficulties Apple engineers faced over the years to come up with the HomePod.

At any rate, Business Insider now has more information about the device, and is reporting the things that Apple's first smart-speaker won't be able to do. From the report (condensed): 1. HomePod can't pair with Android phones. 2. HomePod doesn't recognize different people's voices. 3. HomePod can't check your calendar. 4. HomePod doesn't work well with other streaming services besides Apple Music. (Spotify, Tindal, and Pandora users won't be able to use Siri.) 5. HomePod can't hook up to another device using an auxiliary cord. 6. HomePod can't make calls on its own. (In order to make a call using HomePod, you have to dial the person's number on your iPhone, then manually select that the call play through HomePod.) 7. The HomePod version of Siri isn't prepared to answer random questions like Alexa and Google Assistant.

Posted
by
EditorDavid
on Monday January 29, 2018 @08:34AM
from the we-want-the-airwaves dept.

Long-time Slashdot reader ljw1004 writes:
I want to assemble my OneDrive-hosted mp4s into a "TV channel" for my kids -- so at 7am while I sleep in, they know they can turn the TV on, it will show Mr Rogers then Sesame Street then grandparents' story-time, then two hand-picked cartoons, and nothing for the rest of the day. How would you do this? With Chromecast and write a JS Chrome plugin to drive it? Write an app for FireTV? Is there any existing OSS software for either the scheduling side (done by parents) or the TV-receiver side? How would you lock down the TV beyond just hiding the remote?
"There are good worthwhile things for them to see," adds the original submission, "but they're too young to be given the autonomy to pick them, and I can do better than Nickeloden or CBBC or Amazon Freetime Unlimited."

Posted
by
EditorDavid
on Sunday January 28, 2018 @02:34PM
from the music-rules dept.

An anonymous reader quotes Bloomberg:
Songwriters will get a larger cut of revenue from streaming services after a court handed technology companies a big defeat. The Copyright Royalty Board ruled that songwriters will get at least a 15.1 percent share of streaming revenues over the next five years, from a previous 10.5 percent. That's the largest rate increase in CRB history, according to a statement from the National Music Publishers' Association. The decision is a major victory for songwriters, who have long complained they are insufficiently uncompensated by on-demand music services like Spotify and YouTube.
"The ratio of what labels are paid by the services versus what publishers are paid has significantly improved," argues the NMPA, "resulting in the most favorable balance in the history of the industry.

"While an effective ratio of 3.82 to 1 is still not a fair split that we might achieve in a free market, it is the best songwriters have ever had under the compulsory license... The decision represents two years of advocacy regarding how unfairly songwriters are treated under current law and how crucial their contributions are to streaming services."

Meanwhile, the U.S. Congress has introduced a bipartisan "Music Modernization Act" to overhaul the rate court, and to create a new governing agency to issue blanket licenses to streaming services and then collect and distribute the resulting roylaties.

Posted
by
EditorDavid
on Saturday January 27, 2018 @01:44PM
from the Bug-hunt-at-outpost-nine dept.

The Guardian quotes Paul Verhoeven, the director of Starship Troopers:
Robert Heinlein's original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren't aware of their fascism... I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl's films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda...

With a title like Starship Troopers, people were expecting a new Star Wars. They got that, but not really: it stuck in your throat. It said: "Here are your heroes and your heroines, but by the way -- they're fascists."
The actors weren't even clear on what the giant arachnids would look like, since their "Bug" battles were filmed entirely with green screens, remembers one of the movie's stars, Denise Richards. Instead Verhoeven "would be there jumping up and down with a broom in the air so we would have a sense of how big they were."

Posted
by
msmash
on Friday January 26, 2018 @03:20PM
from the strong-voices dept.

Last month, movie critics slammed David Ayer and Will Smith's Netflix tentpole "Bright" movie. At present, it has less than 30 percent rating on Rotten Tomatoes. But Netflix executives aren't worried. From a report on IndieWire: The abysmal reviews couldn't stop "Bright" from becoming a humongous hit on Netflix and earning a sequel. [...] According to both Netlfix bosses, "Bright's" success is proof that film critics don't matter as much when they're trying to tap into a global audience. "Critics are an important part of the artistic process, but [they are] pretty disconnected from the commercial prospects of a film," chief content officer Sarandos said. "[Film critics] speak to specific audiences who care about quality, or how objectively good or bad a movie is -- not the masses who are critical for determining whether a film makes money." CEO Hastings, chimed in to add "The critics are pretty disconnected from the mass appeal." Do ratings on movie websites matter? It's not a new topic of discussion. Last year, legendary director, producer and screenwriter Martin Scorsese said he believes real movie goers don't care about Rotten Tomatoes. But some people, including especially in the same room as Scorsese, disagree. Brett Ratner, the Rush Hour director/producer who threw the financial weight of his RatPac Entertainment behind Batman v Superman: Dawn of Justiceblamed Rotten Tomatoes for convincing people to not watch his movie. Along the same lines, DC fans were angry over Rotten Tomatoes's Justice League ratings.

Posted
by
BeauHDon Friday January 26, 2018 @06:00AM
from the don't-blink dept.

hackingbear shares a report from CNN: Not so long ago, China was an oasis for pirated music and videos. CDs and DVDs were easily copied and sold for cheap at roadside markets. If you had a computer and an internet connection, top selling albums and Hollywood movies were widely available for free online. That's changing fast as new technologies such as the convenient WeChat payment and a long-running crackdown on pirated content mean members of the country's growing, smartphone-wielding middle class are increasingly willing to pay to stream videos and music online. "When you have to spend two-to-three hours digging up pirated content, users are willing to pay a [small] amount of money to get non-pirated content," said Karen Chan, an analyst with research firm Jefferies. Across major Chinese video platforms, the monthly fee is about 20 yuan ($3); streaming music is even cheaper, ranging from 8 to 15 yuan ($1-$2) per month. Compare that with a basic monthly Netflix subscription in the U.S. at $8, or a Spotify one at $10. The rapid spread of digital payment platforms like Tencent's WeChat Pay and Alibaba-affiliated Alipay has also played a role, according to Xue Yu, an analyst with research firm IDC. The platforms created a market of young Chinese consumers comfortable with buying goods and services for a few yuan online, Xue said.

Posted
by
BeauHDon Thursday January 25, 2018 @08:45PM
from the phone-free dept.

Singer and guitarist Jack White has banned the use of mobile phones at upcoming live shows. NME reports that the policy will be strictly enforced, requiring concert-goers to lock up their smartphones in pouches." From the report: White embarks on a tour of the U.S. from April, with a statement announcing that shows would be "phone-free," confirming: "No photos, video or audio recording devices allowed." "We think you'll enjoy looking up from your gadgets for a little while and experience music and our shared love of it IN PERSON," the statement adds. "Upon arrival at the venue, all phones and other photo or video-capturing gizmos will be secured in a Yondr pouch that will be unlocked at the end of the show. You keep your pouch-secured phone on you during the show and, if needed, can unlock your phone at any time in a designated Yondr Phone Zone located in the lobby or concourse." "For those looking to do some social media postings, let us help you with that. Our official tour photographer will be posting photos and videos after the show... Repost our photos & videos as much as you want and enjoy a phone-free, 100% human experience."