The Martin Luther King You Don't See on TV

It's become a TV ritual: Every year on April 4, as Americans commemorate Martin Luther King's death, we get perfunctory network news reports about "the slain civil rights leader."

The remarkable thing about these reviews of King's life is that several years — his last years — are totally missing, as if flushed down a memory hole.

What TV viewers see is a closed loop of familiar file footage: King battling desegregation in Birmingham (1963); reciting his dream of racial harmony at the rally in Washington (1963); marching for voting rights in Selma, Alabama (1965); and finally, lying dead on the motel balcony in Memphis (1968).

An alert viewer might notice that the chronology jumps from 1965 to 1968. Yet King didn't take a sabbatical near the end of his life. In fact, he was speaking and organizing as diligently as ever.

Almost all of those speeches were filmed or taped. But they're not shown today on TV.

Why?

It's because national news media have never come to terms with what Martin Luther King Jr. stood for during his final years.

In the early 1960s, when King focused his challenge on legalized racial discrimination in the South, most major media were his allies. Network TV and national publications graphically showed the police dogs and bullwhips and cattle prods used against Southern blacks who sought the right to vote or to eat at a public lunch counter.

But after passage of civil rights acts in 1964 and 1965, King began challenging the nation's fundamental priorities. He maintained that civil rights laws were empty without "human rights" — including economic rights. For people too poor to eat at a restaurant or afford a decent home, King said, anti-discrimination laws were hollow.

Noting that a majority of Americans below the poverty line were white, King developed a class perspective. He decried the huge income gaps between rich and poor, and called for "radical changes in the structure of our society" to redistribute wealth and power.

"True compassion," King declared, "is more than flinging a coin to a beggar; it comes to see that an edifice which produces beggars needs restructuring."

By 1967, King had also become the country's most prominent opponent of the Vietnam War, and a staunch critic of overall U.S. foreign policy, which he deemed militaristic. In his "Beyond Vietnam" speech delivered at New York's Riverside Church on April 4, 1967 — a year to the day before he was murdered — King called the United States "the greatest purveyor of violence in the world today." (Full text/audio here. http://www.informationclearinghouse.info/article2564.htm)

From Vietnam to South Africa to Latin America, King said, the U.S. was "on the wrong side of a world revolution." King questioned "our alliance with the landed gentry of Latin America," and asked why the U.S. was suppressing revolutions "of the shirtless and barefoot people" in the Third World, instead of supporting them.

In foreign policy, King also offered an economic critique, complaining about "capitalists of the West investing huge sums of money in Asia, Africa and South America, only to take the profits out with no concern for the social betterment of the countries."

You haven't heard the "Beyond Vietnam" speech on network news retrospectives, but national media heard it loud and clear back in 1967 — and loudly denounced it. Time magazine called it "demagogic slander that sounded like a script for Radio Hanoi." The Washington Post patronized that "King has diminished his usefulness to his cause, his country, his people."

In his last months, King was organizing the most militant project of his life: the Poor People's Campaign. He crisscrossed the country to assemble "a multiracial army of the poor" that would descend on Washington — engaging in nonviolent civil disobedience at the Capitol, if need be — until Congress enacted a poor people's bill of rights. Reader's Digest warned of an "insurrection."

King's economic bill of rights called for massive government jobs programs to rebuild America's cities. He saw a crying need to confront a Congress that had demonstrated its "hostility to the poor" — appropriating "military funds with alacrity and generosity," but providing "poverty funds with miserliness."

How familiar that sounds today, nearly 40 years after King's efforts on behalf of the poor people's mobilization were cut short by an assassin's bullet.

In 2007, in this nation of immense wealth, the White House and most in Congress continue to accept the perpetuation of poverty. They fund foreign wars with "alacrity and generosity," while being miserly in dispensing funds for education and healthcare and environmental cleanup.

And those priorities are largely unquestioned by mainstream media. No surprise that they tell us so little about the last years of Martin Luther King's life.

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Swing Riots Concert July 17th

In a Benefit Concert for FolkWorks

July 17th at 2 PM

at the

Tropico de Nopal Gallery, in Los Angeles, 1665 Beverly Boulevard, East of Alvarado.

SwingRiots is an LA Jazz Gypsy Balkan Klezmer Folk ensemble with six versatile fully digitized members who recreate the brilliant music of two-finger Belgian Gypsy guitarist Django Reinhardt— quite a feat, in that it takes them only sixty fingers to accomplish what Django did with two. Perhaps that’s why the word genius is so often found within two syllables of Reinhardt’s legendary name.

But if you close your eyes, it hardly matters; you can drift back in time to the sweltering erotic nights of Paris’s Left Bank in the 1930s, when Reinhardt was remaking the landscape of modern Jazz, and having to relearn the guitar after suffering major burns in a 1928 fire that changed his life and modern music forever. Without the use of the third and fourth fingers on his left hand he played everything with just the two he had—and that proved to be enough.

Ed Pearl has done a bit of his own reshaping of the musical landscape of Los Angeles, as the creator of the legendary folk music club The Ash Grove in 1958, and had Django Reinhardt not passed away in 1953, he would surely have graced the Ash Grove stage as well, along with Muddy Waters, Bill Monroe, the New Lost City Ramblers, The Greenbriar Boys, Phil Ochs, Mance Libscomb, Lightning Hopkins, Flatt and Scruggs, Mississippi John Hurt, Jackie DeShannon and Ry Cooder.

Now Ed has embarked on a new venture, catching up with lost time as it were, and will present SwingRiots in his new summer concert series sponsored by Ash Grove Music (www.ashgrovemusic.com).

It will be a doubly special event, since it is a benefit concert for FolkWorks, LA’s free and only folk music magazine, now in its tenth year of continuous publication, covering the waterfront of LA’s sometimes bewildering variety of folk related solo performers, dance and instrumental groups and festivals, as well as national touring artists that come through town.

FolkWorks (www.folkworks.org) was just honored this past May with the Topanga Banjo-Fiddle Contest Music Legend Award for 2011, and needs the influx of funds from this extraordinary concert to keep the presses rolling, as it tries valiantly to beat the odds that have made magazine publishing a quixotic and oft-times heroic endeavor.

So support the Ash Grove, support FolkWorks, and enjoy an unparalleled afternoon of world music from the Lost Generation that these wonderful Los Angeles musicians have rediscovered, mastered and made their own. For this musical experience of a lifetime SwingRiots will be joined by vocal duet Jess Basta & Christine Tavares, formerly of VOCO in a variety of Yiddish and early jazz standards. Don’t you dare miss it! --Ross Altman