Sultan Music Review

During one concert I attended, Vishal Dadlani tried Feedback
and Bass both in the sound and asked audience what they preferred. Everyone
cheered for bass. He said, “I love bass too.”

Wouldn’t be surprising to know if the hookline “Baby Ko
Bass Pasand Hai” was suggested by Dadlani and Kamil worked around it (and
how!). Kholgade add sultriness in her voice for the innuendo in this
catchphrase to effect. Structurally, looks like Vishal-Shekhar tried to join
two hooks in the opening. And since it is un-cool these days to do a dance
number without a rap, there’s Badshah in it doing his job too.

2. Jag Ghoomeya

The song starts well; its ambience does evoke images of
desert and a wanderer in your mind which is what the song is about. It’s
derived from and built on Rajasthani folk but, despite of a controlled Rahat
Fateh Ali Khan, the track starts sounding templatised after a point.

3. 440 Volt

The huge thing to notice here, again, is how Vishal and
Shekhar have made Mika, a singer who's done-to-death for a restricted genre, sound so
refreshingly controlled and restrained. The guitar pitted on a folksy
arrangement is interesting, but, again, the tune gets templatised. Hat-tip to
Kamil Saab for quirky “Haryana mere liye Argentina tha.”

Starts with brass band rendering an effervescent tune;
enters into country music; transcends into anthemic pop track. Reminiscent of
Vishal Shekhar’s own ‘Uff!’ from Bang Bang, it does have their trademark over
it. Always a delight to listen to Harshdeep Kaur. Mohit is suitable choice for
this one.

6. Bulleya

A sufi done Bollywood style instantly robs it off of all the
depth. But Papon does his best to lend enough gravitas to it. The slightly
digressive harmonium at the start is what intrigues me into this song.

7. Tuk Tuk

Before the song reveals its real character, its energy,
halfway into its length, it follows a meditative approach. It starts with a fading
echo of a verse, birds chirping, eventually grows into dhols, techno and rap (by
Vishal Dadlani; he raps here after Udta Punjab and is equally killer).

8. Jag Ghoomeya (Female)

The highlight of the song is Neha Bhasin’s soothing voice.
Minimal on arrangement (mainly strings) but is more evocative than the male
version.

9. Rise of Sultan

The dust that fell off from the rock show of title track
starts rising here… into a superbly rousing chorus of the hook “Khoon Mein
Tere Mitti”, dhols and violins.

Nine tracks for a Salman Khan film of which more than half
works very well. But the soundtrack
achieves more than just that. Vishal-Shekhar are in fine form after a long
time.