Friday, 18 March 2016

Ben Wheatley's High-Rise Review, starring Tom Hiddleston

Down Terrace, Kill List, Sightseers, A Field in England... It's fair to say that Ben Wheatley has had a pretty interesting career so far. His latest High-Rise is out in UK cinemas on Friday and here's a snippet of my review from the London Film Festival:

While
lesser filmmakers get their heads down and sprint into the mainstream
after even the most offbeat of beginnings, Ben Wheatley appears
determined to keep himself steadfast on the outskirts of conventional
filmmaking. High-Rise may feature his starriest cast yet with a
so-hot-right-now Tom Hiddleston and Sienna Miller, but this is
definitely no cautious step towards blockbuster boredom. Wheatley
follows up the dazzlingly weird and wonderfully experimental A Field in England with something higher budget but equally perplexing, adapting J. G. Ballard's ‘70s novel.

Opting to keep the ‘70s setting of the book, High-Rise
offers an oddly nightmarish vision of what a near-future building would
look like as conceived in the ‘70s. It’s the future as seen from the
past, and at the same time an apparition of a future that has already
passed. The residents of a brand new tower block descend into a mad orgy
of sex and violence as the different floors of the building turn to
tribalism and savagery. Isolated by their own free will from the outside
world, petty grievances over usage of the building’s swimming pool and
waste chutes become amplified as the high-rise structure begins to
disintegrate and the formerly ‘civilised’ society inside collapses.