Description:It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released April 14, 1988 on Def Jam Recordings. Recording sessions for the album took place at Chung King Studios, Greene Street Recording, and Sabella Studios in New York City. Noting the enthusiastic response over their liIt Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released April 14, 1988 on Def Jam Recordings. Recording sessions for the album took place at Chung King Studios, Greene Street Recording, and Sabella Studios in New York City. Noting the enthusiastic response over their live shows, the group intended with Nation of Millions to make the music of a faster tempo than the previous album for performance purposes.

The album peaked at number forty-two on the Billboard 200 chart. By August of 1989, it was certified platinum in sales by the RIAA, after shipments of one million copies in the United States. The album was very well-received by writers and music critics, and appeared on many publications' "best album" lists.

It Takes a Nation of Millions to Hold Us Back has been regarded by music writers and publications as one of the most significant albums of the 1980s, as well as one of the greatest hip hop albums of all-time. The work has been hailed for its production techniques as well as the socially and politically-charged lyricism of lead MC Chuck D. In 2003, the album was ranked number 48 on Rolling Stone magazine's list of the 500 greatest albums of all time, the highest ranking of all the hip hop albums on the list.... (more)(less)

""Loud, obnoxious, funky, avant- garde, political, uncompromising, hilarious — Public Enemy's brilliant second album is all of these things and, on nearly every track, all at once. Chuck D booms intricate rhymes with a delivery inspired by sportscaster Marv Albert; sidekick Flavor Flav raps comic relief; and production team the Bomb Squad build mesmerizing, multilayered jams, pierced with shrieking sirens. The title and roiling force of "Bring the Noise" is truth in advertising. "If they're cal"

"“Chuck D. scared the hell out of America's white parents with lyrics that praised Louis Farrakhan and a delivery that made retributive black violence seem inevitable, rational and—egad!—cool. His deeply felt and commercially calculated radicalism was best expressed in "Bring the Noise" and "Rebel Without a Pause", whip-smart, reference-filled songs saved from pretension by Flavor Flav, rap's greatest hype man, who even makes the prison break in "Black Steel in the Hour of Chaos" seem like "