Tag Archives: Joe Manganiello

Every once and a while, Magic Mike XXL throws in some vague nod towards having character development. It doesn’t. And the movie knows it doesn’t need any, but it still pretends it does. All of the characters have the same arc, with the exception of “lead” Channing Tatum. He’s only the lead because he’s Magic Mike and because he’s got the biggest romance subplot; he keeps running into Amber Heard and they awkwardly flirt. Awkwardly but with chemistry. There’s no narrative purpose to them flirting and the script doesn’t pretend there’s enough material, but XXL’s scenes run… well, extra long and so instead of witty banter, there’s charismatic silences and pauses. It’s cute. Magic Mike XXL, when it’s not being raunchy (in an adorable way), is adorable in not raunchy ways.

Anyway. Tatum. He’s the wise man of a group of male entertainers–Joe Manganiello, Kevin Nash, Matt Bomer, and Adam Rodriguez. He’s the only one who’s gotten out of the male entertaining (stripper) life, while the rest of them are all immediately going to be getting out of it. They’ve got one more big stripping convention to attend and then they’re done. It’s never exactly clear why it’s their last weekend (though Bomer at least seems like he’s sticking with it). Manganiello is going into landscape architecture, but wants to come up with trendy products. Nash wants to be a painter. Rodriguez is going to run the frozen yogurt half of a frozen yogurt slash mobile block party van (Gabriel Iglesias is his partner and the group’s emcee). Bomer wants to be an actor. All of them are terrified of their futures, but Tatum is there to assure them they need to believe in themselves.

All that backstory is just to give them banter while the movie road trips. While Magic Mike XXL is, technically, a road movie, it’s more about where they stop. Where they stop and strip. Whether it’s a convenience store–when the guys are all tripping on ecstasy and Tatum is trying to convince them to strip to what they love, not what’s commercially viable–or Andie MacDowell’s living room, once the movie gets going, the road tripping is just to get them to one dancing engagement or another. Except when it’s Jada Pinkett Smith’s party house; there it’s usually other guys stripping (for a while) while Tatum and Pinkett Smith flirt.

There are narrative reasons for most of these things. Usually to enable the next move for the guys. They have some trouble on the road trip and need help. Along the way, they resolve their leftover issues with one another from the last movie and fret about their non-male entertaining futures.

It’s cute. And fun. And often really funny.

Tatum’s an appealing lead. He doesn’t have to do much, except dance. He can definitely dance. Only Nash and Rodriguez lack in the dancing department. Otherwise all the dancing is good; the choreography, depending on the guy dancing, can be excellent. But it’s not like Tatum’s got a character arc. He’s entirely altruistic and entirely divested. He’s not even really pursuing Heard, just trying to convince her to enjoy guys stripping in her proximity. The movie never wants to be taken too seriously; it often demands not to be, in fact.

Makes it even more likable.

Manganiello’s good. Heard’s fine. Bomer’s annoying. Nash is all right. Rodriguez makes little impression. Pinkett Smith goes–gloriously–all in, like she’s auditioning her character for a spin-off. MacDowell and Elizabeth Banks–both in extended and obvious cameos–are all right. XXL could do better with the cameos. It doesn’t have enough fun with them. Donald Glover seems rather lost, even if his singing contributions are solid.

Jacobs’s direction is okay. He’s got a Panavision frame but mostly just uses the center of the screen to showcase the dancing. He mixes it up a bit with the dialogue, which is a lot better. Executive producer, cinematographer, and editor Steven Soderbergh does entirely competent work in all his roles… but none of it’s particularly exciting. XXL doesn’t want to get ahead of itself and profess ambition. Other than being fun.

And it works out. Magic Mike XXL’s usually fun.

★★

CREDITS

Directed by Gregory Jacobs; written by Reid Carolin; director of photography, Steven Soderbergh; edited by Soderbergh; production designer, Howard Cummings; produced by Carolin, Jacobs, Channing Tatum, and Nick Wechsler; released by Warner Bros.

Latest Catalog Capsule

La Haine (1995, Mathieu Kassovitz)-Mostly outstanding night in the life picture about three young men, one White (Vincent Cassel), one Black (Hubert Koundé), and one Arab (Saïd Taghmaoui); the city is rioting after police assault one of their peers. Writer-director Kassovitz never gets preachy, impressive given it's shot in atmospheric black and white, but he does get predictable, constraining the narrative a tad much. Excellent work from Koundé, with Cassel a strong second.
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