Tag Archives: Kelly O’Donnell

Listen in as the cast of Flux Theatre Ensemble‘s world premiere production of Johnna Adams’s World Builders, Alisha Spielmann and August Schulenburg, along with Assistant Director Nina Fry, discuss ways of connecting, theatricalizing medical conditions, director-actor conversations, how to have a bi-coastal ensemble, stakes, perspectives on mental illness, and “what is lost, what is gained, and who gets to decide what that is.”

“…it’s a tragedy as much as it is a comedy, in the sense that if the play is working, you should feel that it is a great loss…”

Students of the sordid history of psychological treatment might be aware of social psychologist Milton Rokeach’s experiment, chronicled in his book The Three Christs of Ypsilanti, to lessen the delusions of three paranoid schizophrenic patients who all believed themselves to be Jesus Christ—by putting them in close contact and encouraging them to confront their conflicting statuses as the Christ.

Ethically questionable, to say the least, but it proves fascinating source material for Peculiar Works Project to mine for their new site-specific show 3Christs, presented, appropriately, at Judson Memorial Church.

The great folks of Flux Theatre Ensemble are no strangers to the podcast (see their three past episodes for more great stuff), with each unique production linked by the ensemble’s players and production team, and the high quality that marks a Flux show.

That said, I was a bit surprised when I heard the company’s latest offering would be set in high school, and feature characters with names like “Scotty the Hotty” and “Betty the Pretty” — but, of course, this isn’t your typical high school dramedy. It’s like John Hughes meets…well, you should listen to the interview. Gus tells that joke way better than I could.

Listen in as director Kelly O’Donnell, scenic designer Will Lowry, playwright August Schulenburg, and the cast discuss tightening your aesthetic vocabulary, transformation, and getting in touch with your teenage emotions, where moments of magnitude are ever-present.

“We didn’t quite know what the genre was completely, but in the rehearsal room we really worked as a team to develop it together, really devising a lot of the movement and a lot of the rules and the vocabulary of the stage…”

And though I’m not from Marble Head, outside of Boston (pronounced “Mahble Head, outside of Bahston”), playwright August Schulenburg has written some beautifully complex, and very familiar, characters in his funny, tragic, compelling new play, Honey Fist.

Listen in as Gus and director Kelly O’Donnell discuss where Gus’s “most autobiographical play” (that’s not autobiographical) came from, the late-night last-minute carving of bongs, and why Honey Fist is running in rep with Sans Merci (hear the Sans Merci podcast here — and, listen to Gus & Kelly’s first outing on the podcast, about Adam Szymkowicz’s play Hearts LikeFists,here).

Apologies that Go See a Show! has been out of commission for the past couple of months. But never fear — we’re back!

And speaking of “never fear,” the podcast makes its triumphant return with an episode about a comic-book-superhero-noir-thriller presented by Flux Theatre Ensemble: Hearts Like Fists.

Listen in as Flux founders Kelly O’Donnell (director), Gus Schulenburg (actor, “Dr. X”), and Adam Szymkowicz (playwright) talk about development of the play with Flux, writing & “getting there” with difficult scripts, and roles that know what they want.