Three-Person Show

Walking through Froelick’s three November shows is an exercise in peripatetic pastiche. First, in the front gallery, you encounter Ronna Neuenschwander’s self-consciously precious porcelain sculptures. In the middle, Kevin Kadar’s oil-painted nudes hold forth with simplified lines and conspicuous penises. Finally, in the back gallery, Stephen O’Donnell offers arch self-portraits depicting himself in drag and in Victorian-style military regalia, complete with monocle, as if he had stepped out of a Gilbert and Sullivan operetta. Through Dec. 15.

Ecologically themed art tends to be dull and sanctimonious, but not so in the hands of Wesley Younie. His idylls of environmental paradise lost abound with equal parts whimsy and intelligence. In the ...