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A sweeping, global history of the rise of the factory and its effects on society. We live in a factory-made world: modern life is built on three centuries of advances in factory production, efficiency, and technology. But giant factories have also fueled our fears about the future since their beginnings, when William Blake called them "dark Satanic mills." Many factories that operated over the last two centuries—such as Homestead, River Rouge, and Foxconn—were known for the labor exploitation and class warfare they engendered, not to mention the environmental devastation caused by factory production from the beginning of the Industrial Revolution up to today. In a major work of scholarship that is also wonderfully accessible, celebrated historian Joshua B. Freeman tells the story of the factory and examines how it has reflected both our dreams and our nightmares of industrialization and social change. He whisks readers from the textile mills in England that powered the Industrial Revolution and the factory towns of New England to the colossal steel and car plants of twentieth-century America, Eastern Europe, and the Soviet Union and on to today’s behemoths making sneakers, toys, and cellphones in China and Vietnam. The giant factory, Freeman shows, led a revolution that transformed human life and the environment. He traces arguments about factories and social progress through such critics and champions as Marx and Engels, Charles Dickens, Alexander Hamilton, Henry Ford, and Joseph Stalin. He chronicles protests against standard industry practices from unions and workers’ rights groups that led to shortened workdays, child labor laws, protection for organized labor, and much more. In Behemoth, Freeman also explores how factories became objects of great wonder that both inspired and horrified artists and writers in their time. He examines representations of factories in the work of Charles Sheeler, Margaret Bourke-White, Charlie Chaplin, Diego Rivera, and Edward Burtynsky. Behemoth tells the grand story of global industry from the Industrial Revolution to the present. It is a magisterial work on factories and the people whose labor made them run. And it offers a piercing perspective on how factories have shaped our societies and the challenges we face now.

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Highlights achievements of Bell Labs as a leading innovator, exploring the role of its highly educated employees in developing new technologies while considering the qualities of companies where innovation and development are most successful.

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Marek Korczynski reports on his ethnographic fieldwork in a British factory to show how workers make often-grueling assembly-line work tolerable by permeating their workday with pop music on the radio.

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Vertical Urban Factory focuses on the spaces of production in cities that both comprise factories that are significant in their design and contribute to a vital urban environment. This book reexamines the historic modernist and contemporary factories through the lens of an urbanist while provoking the future of urban manufacturing. It shows that now factories are cleaner and greener they can be reintegrated in city life creating a new paradigm for sustainable urban industry that is also more self-sufficient. Illustrated with historic and contemporary photographs, manufacturing process diagrams, and infographics by MGMT Design.

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The instant New York Times bestseller about one man's battle to save hundreds of jobs by demonstrating the greatness of American business. The Bassett Furniture Company was once the world's biggest wood furniture manufacturer. Run by the same powerful Virginia family for generations, it was also the center of life in Bassett, Virginia. But beginning in the 1980s, the first waves of Asian competition hit, and ultimately Bassett was forced to send its production overseas. One man fought back: John Bassett III, a shrewd and determined third-generation factory man, now chairman of Vaughan-Bassett Furniture Co, which employs more than 700 Virginians and has sales of more than $90 million. In FACTORY MAN, Beth Macy brings to life Bassett's deeply personal furniture and family story, along with a host of characters from an industry that was as cutthroat as it was colorful. As she shows how he uses legal maneuvers, factory efficiencies, and sheer grit and cunning to save hundreds of jobs, she also reveals the truth about modern industry in America.

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'Their story is a vindication for every northern hooligan rock band out there. Happy Mondays sparked a British guitar pop renaissance.' ÿÿAlan McGee In 1985, when the Happy Mondays exploded onto the Manchester music scene like a Molotov cocktail, no one had heard anything like them before. As they developed into the face of the Acid House `Madchester' movement, critics ranked them alongside The Velvet Underground and the Sex Pistols as cultural lightning rods, and that was just for the music. The stories of their excesses are the stuff of rock 'n' roll legend: the overdoses, fights on stage, the death threats, the gangsters, the stabbings and shootings in the studio. Yet this seemingly unhinged and uncontrollable band - encouraged by their equally crazed benefactors at Factory Records - transformed British music forever, leaving behind five infectious albums of unparalleled dirt and delight. Twenty-five years after their breakthrough appearance on Top of the Pops, in November 1989, Simon Spence, the acclaimed biographer of The Stone Roses: War and Peace, tells the story of how the Happy Mondays came to provide the soundtrack to Britain's last great youth movement. Based on extensive interviews with the band and key associates, he reveals the truth behind the mythic stories that have ensured their outlaw reputation, and unravels the chaos that led to the group's ultimate implosion and the tragic collapse of Factory Records. A riotous mix of pills, thrills and joyous chart hits, this is the untold story of Britain's greatest rock 'n' roll gang.

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Jean-Paul Sartre is an undisputed giant of twentieth-century philosophy. His intellectual writings popularizing existentialism combined with his creative and artistic flair have made him a legend of French thought. His tumultuous personal life - so inextricably bound up with his philosophical thinking - is a fascinating tale of love and lust, drug abuse, high profile fallings-out and political and cultural rebellion. This substantial and meticulously researched biography is accessible, fast-paced, often amusing and at times deeply moving. Existentialism and Excess covers all the main events of Sartre's remarkable seventy-five-year life from his early years as a precocious brat devouring his grandfather's library, through his time as a brilliant student in Paris, his wilderness years as a provincial teacher-writer experimenting with mescaline, his World War II adventures as a POW and member of the resistance, his post-war politicization, his immense amphetamine fueled feats of writing productivity, his harem of women, his many travels and his final decline into blindness and old age. Along the way there are countless intriguing anecdotes, some amusing, some tragic, some controversial: his loathing of crustaceans and his belief that he was being pursued by a giant lobster, his escape from a POW camp, the bombing of his apartment, his influence on the May 1968 uprising and his many love affairs. Cox deftly moves from these episodes to discussing his intellectual development, his famous feuds with Aron, Camus, and Merleau-Ponty, his encounters with other giant figures of his day: Roosevelt, Hemingway, Heidegger, John Huston, Mao, Castro, Che Guevara, Khrushchev and Tito, and, above all, his long, complex and creative relationship with Simone de Beauvoir. Existentialism and Excess also gives serious consideration to Sartre's ideas and many philosophical works, novels, stories, plays and biographies, revealing their intimate connection with his personal life. Cox has written an entertaining, thought-provoking and compulsive book, much like the man himself.