Dewey Singleton - Film Critic

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I'm a member of the Broadcast Film Critics Association and have been doing reviews for many years. My views on film are often heard in markets such as Atlanta, Houston, and satellite radio. My wife often tolerates my obsession for all things film related and two sons are at an age now where 'Trolls' is way cooler than dad. Follow me on twitter @mrsingleton.

Groundbreaking is a word carelessly applied and rarely applicable in our world. Just because something is new doesn't mean we need to document that moment to preserve for posterity. However, there are those rare instances where that word doesn't adequately cover scope what's being discussed.

The Meg is a ridiculously constructed testosterone infused jaunt into a farcical world where Jason Statham is invincible and so are Tea Cup Yorkies. Some releases tend to dabble with insane concepts which defy all logic, while The Meg bathes in them to the delight of fans who crave more from where that came from.

After last week's episode of Succession, Adam McKay and Jesse Armstrong had all of us on what seemingly was a road to war between Kendall (Jeremy Strong) and Logan (Brian Cox) but the story took a sudden turn.

A couple of things became crystal clear after last night's episode of Succession. For starters, don't miss an episode because it puts you way behind (I was at the beach last week with my family). More importantly, a war is brewing inside the Roy family, and stakes are only everything Logan (Brian Cox) worked so hard to build.

Christopher McQuarrie's Mission: Impossible - Fallout makes each setting or jaw-dropping sequence an integral part of the film's high octane adrenaline pumping narrative resulting in a final product which is both thrilling and stunning to witness.