Everything You Need to Know about Fanime

As you read this sentence, untold numbers of people around the world are uploading home-made videos to the Internet. Most will soon be forgotten, but some will stick around.

Every so often, the amateur Internet videos that stick around will cluster together and form a genre. The Internet has nurtured a good number of film genres. Some, such as the comedy review videos made by the likes of the Nostalgia Critic, have wide appeal and are accessible to large audiences. Others will definitely require the viewer have a certain frame of mind to be fully appreciated—the YouTube Poop being a classic example.

This post will cover a genre of animation which developed on the pale underbelly of the Net and definitely belongs in the second category. It is known to its viewers as fanime.

PARTNER MESSAGE

Although the term suggests any anime-style animation made by fans, “fanime” has come to refer to a very specific aesthetic. The word is closely associated with shorts made by complete newcomers to animation, often children; these enterprising youngsters, with no access to professional software such as Flash or Toon Boom, make do with a combination of MS Paint and Windows Movie Maker to tell stories inspired by the anime that they watch on television.

Animation made by children is nothing new – countless animators have started out by producing crude cutout or stop-motion films on kitchen tables—but YouTube added a new element. Fanime picked up an actual following, albeit one which arrived only to point and laugh at the crude animation.

Of course, this is another example of the more rotten side of the Internet; few people can defend the public ridicule of a 12-year-old kid’s drawings, after all. This case is unusual, however, as the amateur aesthetic of fanime was ultimately legitimized. People began parodying fanime by making deliberately bad cartoons with the same style – so many, in fact, that fanime became recognized as a full-fledged genre by TV Tropes, that esteemed chronicler of Internet crazes.

Although a few of these fanime parodies have something resembling conventional comedy writing—Kawaii Schoolgirl has an absurdist sense of humor similar to Adventure Time—most of them simply re-enact stock scenes and imagery from commercial anime, the main twist being that they do it very, very badly. In the process, the much-refined cuteness of anime is transformed into outright grotesquerie.

Amongst the people responsible for this wave of ironic fanime is Anthony W.H., the man behind Quest of Laizen and Tsuki Desu. TV Tropes quotes him as saying that, “The quality itself is not striving to be good or enticing, but is relying on its cheap production values to create a feel of ‘this is so terrible, it’s actually pretty entertaining!'”

As fanime parodists go, Anthony is unusually forthright. There is a strong element of subterfuge to the genre, as the creators of fanime spoofs often intentionally leave their audiences guessing as to whether their cartoons should be treated as jokes or taken at face value. Some will even create false identities to sustain the illusion, as evidenced by the TV Tropes page on a fanime called Prism:

“By the end of the first episode it’s hard to tell whether or not it’s a Stealth Parody of other Fanime, or if it’s really that bad, but considering the first two series by this person, it’s most likely the former… The creator has said his name is Nanako Imatoke, a Japanese female first name with a completely fake last name. He recently uploaded a video of himself revealing he’s black.”

Because of this factor, the parodies have sometimes themselves been parodied. Nyan~ Neko Sugar Girls, which was almost certainly intended as a spoof fanime, became the subject of a YouTube series in which a group of people make sarcastic comments on the animation quality (or lack thereof).

Humor derived from deliberately bad animation can only go so far, and this is why the hoax aspect became such a vital part of the fanime genre. It also places fanime into a continuum of Internet animation that gains its appeal from the element of deception.

Consider the case of the Dead Bart meme. This started out as an anonymous posting by somebody who claimed to have come across a lost episode of The Simpsons, entitled “Dead Bart,” that was deeply disturbing and possibly even cursed; the likely inspiration for this story was the haunted video cassette in Kōji Suzuki’s novel Ring and its subsequent film adaptations.

Although the Dead Bart story was clearly fraudulent, it was presented as the truth and went viral across the Internet; a search on YouTube for “Dead Bart” will reveal several efforts at recreating the supposed lost episode using doctored Simpsons footage. This was far from the only attempt to launch an urban legend about a creepy cartoon: Internet hoaxers have also spread rumors about horrific lost episodes of everything from Adventure Time to Naruto, and even entire fictional cartoon series such as Candle Cove and Happy Appy. Closer to home we have the incident in which award-winning independent filmmaker David OReilly made the childlike online series Octocat while pretending to be a 13-year-old named Randy Peters. The Internet is the ideal home for misinformation, and fanime is an example of animators integrating this fact into their work.

Pioneered by children, legitimized by people looking up weird stuff on YouTube, vitalized by online hoaxes, and existing entirely outside any kind of aesthetic considerations, fanime is something that could only have developed on the web. The Internet is a foreign country: they do things differently there.

NEIL EMMETT is a cartoonist and aspiring screenwriter based in the United Kingdom. A graduate of the Norwich University of the Arts animation course and former member of the BAFTA Youth Board, he began keeping a regular blog about British animation entitled The Lost Continent during his studies.

jonhanson

We’re living in crazy times!

Chris Sobieniak

I wanna go back!

Mat

Very interesting post, I’d love more people to write about all these strange video concoctions proliferating the internet. They have a startlingly vibrant and involved young community yet no one says a word on it.

James Fox

I’m surprise this article didn’t take a jab at the short-lived series “Eternal Goddess” (a REALLY BAD Sailor Moon fanime)

Anthony

Haha I love Neko Sugar Girls! It’s hilarious, I’m surprised to see it mentioned on here!

Delta

Oh gosh, I remember the days when A LOT of fanimators were active on youtube. I was usually just a lurker, but…man. There was the “cool kids’ club” and this entire drama with tracing that happened in the fanime community. In all, yeah, a lot of the fanimes weren’t very good, but I think everyone had some fun.

wwwarea

I think I saw some my self, however, I don’t think it’s “rotten” or at least “rotten” all the time. Regarding humor or not, I do think some are OK for it’s own thing.

I saw a couple of fanime youtube videos about “Kawaii Schoolgirl” just now (Because of the article), I know in comparison to the original (If that’s right), it’s far more simple and less detail, but at the same time, it’s not horrible either, especially at a practice.
So when I saw a couple quick clips of Schoolgirl (Fan ones), I thought the quality cartoon was simple, and fair. Know what I mean? I thought it was a good and fair practice for home making, to show to family or something. xD
Just like making Stop Motion videos, or videos about Mario dolls or figures for humor or other.
If the pictures are good enough to see at least to simple or something, anyone could accept it and look after the plot next.

It’s also like a practice to become more official animators too, and I think it’s kind of cool for people to have freedom to make new gens for more interest.

I’m not sure about “Neko Sugur Girls” or even that top image though. Haha

Pete McEvoy

Yup, when starting out in 3d about 6 years back I lashed out a load of nasty toon rendered fanime, its all set to private now so only I can see it, didn’t have the heart to delete it!!

Ccs

Egoraptor’s “Girlchan in Paradise” is another great example of this. Though it’s actually sort of competently made at some points.

rubi-kun

Given Egoraptor’s proven talent it might be too obviously a parody to fit in with the hoax aesthetic of most of these.

Tim Drage

I was into fanime before it was cool.

DarklingDragon

It’s amazing how much fanime is on YouTube. It reminds me of how flash fan-animation has a lot of video game parodies.

I always wanted to make my own, but I’m too chicken and I’m still learning the basics of 3D animation and drawing. 3D modeling is really my (only) strong point right now.

rubi-kun

I think a portion of the appeal of these things is less about ridiculing 12-year-olds and more about an opportunity to ridicule one’s own 12-year-old self since these things are designed to make older anime fans or ex-fans be reminded of their own embarrassing weeaboo phase.

Rufus

“In the process, the much-refined cuteness of anime is transformed into outright grotesquerie.”

Grotesquerie is the counterfeit coin of modern art, often substituted for the truly profound.

Matt Sullivan

I applaud effort above all else.

mallow

I’m surprised My Jungle Book, Your Year hasn’t been mentioned at all.

George Comerci

Imagine if they made an entire fanime movie….that would be interesting…

Drahveson

There are at least two finished movies that I know of. One is called ‘Gear Babies’ and is based off of the Gears of War universe. There’s also ‘Magic Heart Movie’ created to end the 52 episode Magic Heart and the Magical Warriors series. Otherwise, Quest has a compilation movie coming out within the next week or so, and Future Agents the Movie is projected to start releasing parts within the next year.

Drahveson

This article seems to ignore the fact that there is actually serious and good fanime. While naive videos and parodies of naive videos is certainly a strong part of the community, the higher quality stuff shouldn’t be overlooked just because there’s less of it.