Dan Harrison

This is a rather cheap (and rather late) entry into the Maciste cycle of films which was directed by prolific scriptwriter Piero Regnoli and it can’t really be described as an entirely distinguished piece of cinema.

After his sole excursion into the espionage genre with FBI chiama Istanbul, a production that proved influential at the time but now appears to be lost, Emimmo Salvi returned to the peplum with Ali Baba and the Seven Saracens.