The Wooden Birds - 12 April 2009

Washington, DC, The Black Cat

This past week, I spent my Easter Sunday at the Black Cat with the Wooden Birds, the latest project from American Analog Set frontman Andrew Kenny. AnAmSet fans will feel right at home with the Wooden Birds, as the band finds Kenny marrying his hushed delivery with dulcet tones and understated arrangements yet again. That’s not to say, however, that the Wooden Birds are just the American Analog Set with different players. Longtime fans will notice that Kenny’s latest vehicle favors acoustic over electric instrumentation and has a more rhythm-heavy bent (nearly every one of the band’s songs features maracas and tambourine).

This distinction was emphasized live, as the band required two drummers in order to reproduce the rhythmic arrangements from Magnolia, the Wooden Birds’ debut full-length (due out in May from Barsuk). And even though they chose to use electric guitars live, they still managed to craft note-perfect renditions of their mellow, indie-pop tunes with an air of nonchalance. “I feel like the mood in here is very post-Cadbury comedown,” Kenny quipped in-between songs, noting the drowsy mood in the room. Luckily, for Andrew Kenny, a quiescent audience is usually the mark of a job well done.

A veteran of many a cold winter, Mehan was born in Montreal and reared in Southeastern Wisconsin. After four years spent earning a degree in Japanese literature at the University of Chicago, he spent a year living in Japan before finally landing in Washington D.C. A technology policy activist by day, Mehan spends his nights listening to, watching, photographing and writing about music. You can visit his personal website at http://www.mehanjayasuriya.com.