As usual, there are lots of dance performances happening in Israel’s dance scene this month – but as I looked at the calendar, I realized that October is packed with several extra-special events. Below are some teasers for premieres, festivals, foreign tours, online contests, and more. For additional information about the following events and other performances, please visit the Dance In Israel Calendars.

Ynet, the website for the Israeli newspaper Yediot Ahronot, announced this week that International Exposure has already yielded invitations for several Israeli choreographers to travel abroad. I’ve gleaned the following information from Ynet’s Hebrew article.

Barak Marshall’s production, Monger, proved to be a big hit among the visitors to International Exposure. It will tour to Spain, Switzerland, Croatia, and Romania this spring. The dance will later be shown at the Joyce Theater in New York and at the 2010 Dance Umbrella Festival in London.

Most visitors to this year’s International Exposure were festival directors, arts presenters, diplomats, or critics. I, however, came as a researcher. With this festival – as with my other research activities – I sought to discover, to interpret, to understand. I searched for old connections and new pathways.

Featuring over 40 works, International Exposure was exactly the right place to look for the threads which tie together this country’s concert dance scene. The festival is a like a yearbook for Israeli dance. The offerings by each choreographer serve as the album’s individual portraits. Mixed bills drawn from some of the country’s other festivals (Curtain Up; Machol Acher/Other Dance Project) hint at the structure of the dance community, just as club pictures reveal a school’s cliques and groups. And with the 20+ concerts clustered together in a mere six days, it’s possible to see the trends which characterized much this year’s artistic output. (( It should be noted, though, that some choreographers were missing from this year’s International Exposure. Some well-established artists including Nimrod Freed, Anat Danieli, and Adama’s Nir Ben-Gal and Liat Dror did not present work at the festival. Meanwhile, younger independent choreographers are far greater in number than those represented onstage. ))

What’s a visit to Israel without a journey to Jerusalem? Today, attendees of the International Exposure Festival are making the one-hour trip from Tel Aviv to Jerusalem. Our visit will start with Kolben Dance Company’s performance of Amir Kolben’s Interface. After a tour of the city, we’ll return to Tel Aviv for a farewell reception. The festival closes with the Inbal Pinto Dance Company in Hydra by Inbal Pinto and Avshalom Pollak. Hydra packed the theater when I saw it at the 2008 Israel Festival. I’m guessing that though we might be tired after 6 days of dance watching, we’ll flock to the Suzanne Dellal theater one more time for this performance!

Inbal Pinto and Avshalom Pollak’s Shaker completes its U.S. tour at New York City’s Joyce Theater this week. Photo by Eyal Landesman.

This is the first in a series of podcasted interviews with dance professionals in Israel.

You can listen via the player embedded in this post or subscribe to this podcast for free by visiting our podcast feed and using the iTunes software ((You can subscribe to the podcast feed by searching the iTunes directory for “Dance In Israel”)). This podcast was initially produced for Israel Seen, and the text below was written for The Winger.

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The very first work I saw at the Suzanne Dellal Center last year was Shaker, by Inbal Pinto and Avshalom Pollak. Despite my jet lag, I realized that Inbal and Avshalom’s visually stunning work was special – and when I later saw the Inbal Pinto Dance Company in Oyster (twice!) and Hydra, I knew that my initial assessment of these creators was correct. Want more proof of this couple’s exceptional talent and ability to win over audiences with their artistry? Several hundred performances after its premiere, Oyster still fills the house at Suzanne Dellal, and the Israel Festival had to add a third performance of Hydra this June because of the demand for tickets.

Avshalom Pollak and Inbal Pinto. Photo by Asaf Ashkenazyn.

In between rehearsals for their new production and tours of their existing repertory, I caught up with Inbal and Avshalom in the spring of 2008 to learn how this imaginative couple concocts such unique creations. You can learn more too if you tune in to our podcast!