From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques – the key areas of traditional music histories; next taking a topographical view of the subject – from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.

Reviews:

"...will rightly be received as a vital item on any musician's bookshelf."
--Early Music

"I have always been a big fan of the “Companion” series published by Cambridge University Press. Typi- cally written by the leading scholars in a field and covering a lot of ground thoroughly and efficiently, these books can often become sta- ples of a home reference library. The Cambridge Companion to Medieval Music is no exception, and although longer than most of the other books in the series, it is in fact one of the best. "
--Early Music America

'… will rightly be received as a vital item on any musician's bookshelf.'
Early Music

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