Tag: Moorland

Continuing with my mouse story this is where he finds himself after being brave enough to leave the safety of the hole in the wall, in a huge expanse of open countryside. Normally mice don’t have very good eye sight but for the sake of the story this mouse has amazing human like optical abilities.

As usual to begin I sketched out the basics with watercolour pencil. With the moors in the distance and just a hint of the sea on the left hand side.

Then working from the top down I painted the sky with Coeruleum blue and a touch of Alizarin Crimson, painting right down into the valley. I also used the blue to paint the sea, just hinting at the waves. When the sky was dry, I added a little more Alizarin and water to the mix and painted the moors in the distance, painting over the blue down into the valley. The closer hills were painted using a mix of the Coeruleum blue, Ultramarine and Gamboge yellow and a lot of water.

The other fields were painted using the same mix but also with touches of other colours added into the wet paint to make each field slightly different. In the two ploughed fields I added Ultramarine and Yellow Ochre just as the paint was drying and applied it in straight lines to suggest the lines of the plough. The field boundaries where left to paint later to stop the different colours from bleeding into each other. The group of trees were painted using Ultramarine and Prussian Blue with a little Lemon Yellow and I used a little of each of the colours to paint the cliffs and rocks by the sea.

Using the same mixture that I used for the trees I made little marks on the moor to look like fields and trees in the distance. Then strengthening the mix I marked in the closer field boundaries, gradually adding Gamboge yellow the nearer I got to the front. I put a faint wash of yellow on the dandelion flowers so that I didn’t lose them amongst the green. The mouse is painted in the usual mix of Ultramarine, Alizarin and Yellow Ochre dabbing off a little underneath and at the front where the mouse is lighter. The tin building was painted with the sky colour and I used the mouse colour for the shadows.

For the green plants at the front I used various shades of Ultramarine mixed with Gamboge yellow with occasional drops of Prussian Blue and Lemon Yellow. To make the group of trees more three dimensional I added water sparingly to the whole group and then dropped in a darker shade of the tree colour. The Dandelion flowers were painted with Gamboge Yellow and then when dry some of the paint was lifted off with a damp brush to form the petals. Colour was added to the mouse’s eye, feet and tail. A hint of buildings in the distance, another layer of the blue to the sea, the centre’s to the Dandelion clocks, a neutral tint to the road and it was done.