Girls Under Glass

Chain D.L.K.: Please introduce a great band such as Girls Under Glass
to our readers. Tell us about your history, about your present and about
the future...

G.U.G.: Buena sera. Girls Under Glass founded beginning of 1986
and was the follow up of the former band Calling Dead Red Roses, a super
slow-goth-band (like a half-speed-version of the early Sisters Of Mercy).
That was my absolutely favorite band at that time. Hauke, Tom and I
founded Girls Under Glass and created a more open-minded style of electro,
wave and gothic music comparing to Calling Dead Red Roses. There were
hardly any other german bands doing that kind of music theses days.
After Tom left the band 1989 I took the singers-part and the following album
"Positive" was produced by Cassandra Complex-Mastermind Rodney Orpheus.
Again this record ment a development of music, sound and style. We became
even more electro-influenced and the guitars went a bit more
rock-influenced while the early stuff is 100% wave-guitars. Guitar-wise I
was totally influnced by acts like Dance Society and Play Dead.
GUG became bigger and bigger in germany and parrallel the whole goth-scene
became much better organised because of magazines like New Life and Zillo
that were founded. Our aim always was never to do the same record twice
and always being open minded for actual and new music styles so that's why
all GUG records sound abit different. This is not the easy way to keep
fans, but on the other hand our own creativity and musical demand was more
important than sales or money.
So after the last very heavy-electro record "Firewalker", we can accept but
don't see it as one of our strongest records these days. So our newest
record "Equlibrium" that will come out in US hopefully next year is the
first and only record that goes back to our very roots.

Chain D.L.K.: Almost twenty years on the scene: take a look back and
tell us which is the report.

G.U.G.: oh? 20 years? Do you think we are grandfathers of Goth or what?
Man... we are going on for 13 years now, thats long enough!!! But okay, as
I mentioned before in the beginning there was not a real organised scene.
There were only a very couple of bands that were quite influencal, such as
GUG, Invincible Spirits, Pink Turns Blue, Deine Lakaien and The Fair Sex. A
couple of years later Love Like Blood and Das Ich were entering the scene.
The VERY BIG difference at those early years was that all bands were
standing for a certain & special sound. Just look whats hip in Germany 10
years later. It's still the same bands. Pitchfork, Lakaien, Wolfsheim, Das
Ich are still the leading german bands. That shows you that the
electronical evolution and the circumstance that these days it's much
easier to write songs and do records doesn't mean that the music gets
better or there are lots of new interesting bands. So in a way there is
the situation of interruption and not evolution. I hope this answers
your question a bit and gives you my idea about the scene and what happened
in the last 10 years.

Chain D.L.K.: Girls Under Glass have been an important influence for
many other bands in the underground scene. Who did influence Girls Under
Glass and how would you describe your musical genre today?

G.U.G.: I promise you: There is really no band that ever influenced us
in a big way. All three of us are totally different humans with different
interests of music that it is heavy enough to get those ideas together.
And with totally different I don't mean, one likes the Sisters, the other
one Frontline Assembly and the third one Christian Death. All three of us live
on complete different planets. When I would mention a band I want a song
to sound like, you can be sure that Axel and Hauke never heard of it. So
talking about influences is just a waste of time. We get together and
create this very unique sounding stuff that is wave-influenced but very
electronic, that is very melancholic but melodic and sometimes also very
aggressive. You can get through all german papers writing about GUG in
the last 10 years and you will never find a direct comparism like GUG sounds
like this or that. That is very cool for us. We only make sure to show
what influenced us when we started GUG by choosing mainly acts from the
70's and 80's to cover them (like Simple Minds, Gary Numan, Talking
Heads, Pink Floyd). That is our way to show how our heroes do sound in
the more modern GUG-context. Thats much more interesting, I think.

Chain D.L.K.: Signing for Van Richter you approached the american
recordings market. How do you feel and what are your main goals?

G.U.G.: It's so hard to say. We don't have real goal. Of course we would
like to sell billions of records (wherever) but we would never adapt our
style to anything just for the reason of making money out of it. So for
the listeners and fans it always means: Take it or leave it, love it or
hate it. We don't care. We are the band, we do our music and we don't do
it for money-reasons! Of course being built up in the states by Van
Richter is our first aim and step and we trust Van Richter to do a good
job on us.

Chain D.L.K.: Tell us about your new album "Nightmares" and about the
differences running between it and the previous ones.

G.U.G.: The difference is just that it is a compilation, containing
songs of all our records apart from the last 2 ones. It's not a real best of, but a documentation about what GUG is about and how different we sound and how
we developed our music.

Chain D.L.K.: Is it true that the album will be licensed in Europe
through Hall Of Sermon?

G.U.G.: That was never the discussion. It's the other way round. Hall Of
Sermon is the record company we did the newest record with. I doubt
that HOS is interested in "Nightmares" in the moment because they are working
parrallel on the "Equilibrium" album while Van Richter builds us up with
the "Nightmares" in the moment.

Chain D.L.K.: You've released lots of albums by now. Is there a
particular path connecting all of them?

G.U.G.: No, not all. In 13 years many things happen, we growed up and
think about other things. Nowadays I can laugh about some of my earlier
lyrics, because I can see that they were a bit naive but on the other
you can't expect somebody of twenty-something to give you ideas how to
change the world. Generally you can say that when I write lyrics about
"ANYTHING" I take a sceptical and critical point of view and try to show 2 sides of a story. That also belongs to themes like Love or Passion, Desire etc.

Chain D.L.K.: Tell us about your previous band, Calling Dead Red Roses:
why and how did they split up to from the Girls Under Glass?

G.U.G.: CDRR was Tom, Hauke and Thorsten. Thorsten for some reasons did
not wanted to go on, so he left the band. Tom took the singers part, I joint
the band, because Tom and Hauke new that I was a big fan of CDRR , so I
became the guitar player and we looked for a new name to show that we
did not want to start were CDRR ended up. We wanted to create something
new. Therefore a couple of songs on the Humus LP/CD were originally CDRR
songs.

Chain D.L.K.: Where does the name come from?

G.U.G.: It's just a good sounding name that doesn't give you a straight
impression of what kind of music is behind it.

Chain D.L.K.: Are the current band members still working with bands
such as Cassandra Complex, Project Pitchfork and Love Like Blood? Are
there any further interesting collaborations in your future plans?

G.U.G.: I just finished a new Cassandra Complex record with Rodney
Orpheus, Axel is technical live-supervisor of Project Pitchfork but we
don't have anything to do with LLB apart from the fact that we are
friends. Maybe you meant Trauma? That is our dark- electronic- project
with the same lineup as GUG.

Chain D.L.K.: In the past you have released a live album too. Was this
an important step in your career and how important is the approach to
the stage in your opinion?

G.U.G.: We played more than 300 shows in the last 13 years. Nowadays we
are not very keen in playing live allthough I think we are a brilliant
live-band. Studio work is much more creative and satisfying. The
live-album was a present to our fans but it was something special because
we rent a studio invited 15 people to see this studio-show exclusively and
recorded the gig with professional studio-equipment. So "Live At
Soundgarden" is more a documentation of a special event and not a real
live-recording. Usually we play in front of more than 15 people and there
is much more energy on stage and in the audience, but we wanted to have
perfect sounding record. So this was our consession to our fans.

Chain D.L.K.: You're from Germany: do think think that this is the right
place for such a band?> Have you finally crossed the borders of your
native country?

G.U.G.: Sorry, this is a stupid question. What's wrong of being a german
band??? Music is universal and I personally don't give a shit were a band
comes from as long they do a good job. So I absolutely have no clue what
you try to imply with this question.

Chain D.L.K.: Are you concerned with the actual political situation in
Germany and with the problems of neo-nazism and stuff like that?

G.U.G.: Yes, we are.

Chain D.L.K.: Are there some particular non-musical topics you are
interested into? Do you blend this or other experiences in your music?

G.U.G.: I am very much interested in life, art, communication, parties,
sex, films, work, challenges, experiences etc. Of course all of this is
influencing me and influences my way of thinking and living. And my music
is a mirror of that.

Chain D.L.K.: You're one of the bands who lately tried out the
compromise between metal guitarsand industrial electronic dance music.
Do think you think that's where the point stands? Is this the best
direction to be followed?

G.U.G.: We were not lately trying to combine this. Listen to Positive or
Darius (from 90 and 92) we worked with guitar samples from Megadeth and
other acts and combined this with electronic music. We were very early.
1989 we collaborated with KMFDM, even years before they moved to USA and
became famous. Between writing songs for Firewalker and releasing the
stuff we needed 1 1/2 years for several reasons. Unfortunately during
that period Rammstein became super-big in Germany and started a big wave of
bands who tried being successful with the same combination of metal guitars
and electronic. So "Firewalker" came out parrallel with the big Rammstein
success. We don't have anything to do with that. We were not jumping on
a train. We were allready on it! But as I mentioned before, music wise
it's not our best record, so we decided to go back to our very roots instead
of creating something new again.

Chain D.L.K.: You've worked with different labels during the past years,
including Van Richter in US and Primary Recording Company in UK: which
have been your best experiences with record companies?

G.U.G.: There are always good and bad experiences with record companies.
It's not worth talking about it because we are talking about "doing music"
and not about "music-business"! For us it was only always important to
work with people who love and understand our music and let us do what we
wanted to do. This experience we made with all of our labels. We never had
the situation of being cheaten financially by any of our labels. We always
had very fair and friendly label-partners. So our positive experiences
definitely predominate.

Chain D.L.K.: What's your opinion about the current situation in the
musical industry?

G.U.G.: It's a thrilling situation. Iam curious about the internet
evolution and how the music industry will be able to stop MP3-piratery.
Iam curious how it will be possible in the future to place music on a
(what?) market plus musicians get paid for something they created. We are
not even in the year of the millenium, we are also in the year of a big
change of evering that belongs to marketing and selling music. To be
honest: Iam very lucky these days that Iam not relying on my income as a
musician. It's a very tricky and dangerous situation. On the other hand it
will be so much easier in the future to get in contact with new
musical-stuff.

Chain D.L.K.: Are you happy with the life of your band? What are you
aiming to?

G.U.G.: Yeah, I am proud of what we did the last 13 years. I still
think that we are a good band with a good creative output and good
records. Yeah, we are happy! Again: We have no aims. When we feel it's
the right time to stop this, we will stop it. When we feel the power to do
another record, we just do it.