I was never 100% out of comics as a habit, but from 2004 until 2010, I wasn't buying them regularly. Family issues, then college, all during an extended period of time of being pretty much stone cold broke and comics were not a priority. Once I got a full-time job that put financial ground under my feet again, I got back into the habit.

The "jump on" for me was Marvel's Fear Itself cross-over and the Heroic Age initiative that followed. Capstone Comics was a comic shop within a block of my apartment, and they offered good discounts on subscriptions, so I took up comic collecting again. They were in a small, narrow store in a strip mall, sandwiched between a liquor store and a pawn shop, and more than any other comic shop in Austin, they reminded me of the stores of my youth.

Austin Books is an incredible, impressive comic shop, but it's nothing like the ones I grew up with. The shops I grew up with were for comic fans and rather baffling to anyone else. Austin Books has enough welcoming geek culture whiz-bang to accommodate both the hardcore comic fans and somebody wandering in who maybe only likes The Walking Dead on TV. They're also big enough to not be concerned about maintaining regular subscription boxes at all. At the time I jumped back in, Dragon's Lair's focus was on games, and though they did subscriptions, comics felt a bit like an afterthought on the showroom floor. That's changed quite a bit, and now Dragon's Lair is a massive shop with half of its huge floor space dedicated to comics.

I chose Capstone as my LCBS (a popular acronym for "local comic book shop"). After a time, they moved across town to West Anderson Lane, in a larger, brighter space, with enough room to contain a store-within-a-store called Monsters Universe, which specialized in Universal Monsters merchandise. As I expanded my comics buying, I would lean on Austin Books, Dragon's Lair, and Comixology to supplement my addiction, but Capstone remained my home store. For six years, I'd get my pulls on a once-a-month basis, dropping in when I could to talk monsters and comic book movies with the owner and staff.

Today, I was told I should look for someone else to handle my subscription box. Capstone Comics would be closing in October. As sudden and shocking as it was to me, I can't fathom how swift and sad it's been for owner John Mitchell. This is not a store going out of business out of financial doom, so much as it is another store being unceremoniously thumped off the Austin landscape because someone wants to do something else with the building.

I think of long-time Austin fixture Toy Joy and how they were squeezed out of their lease to accommodate a more upscale shop that lasted a year before closing. Every time I drive past the empty corner store that used to be Toy Joy, I wonder if if the property owner regrets trading regular, smaller lease payments for that single year of bigger payments from a clothing business that would have never in a million years been the Austin destination spot that Toy Joy was. Toy Joy found a last-minute financial savior and moved, and while it survives, it's not the same kind of place I would once drag out-of-town visitors to.

I worked for an independent video game store called Gamefellas. After a couple of temporary mall storefronts, we got a "permanent" spot in a hall next to a closed anchor store. When Nordstrom's claimed the hallway later, they got to pick their neighbors. Gamefellas got the boot, and we bounced around temporary spots in, and then out of, the mall, until the store closed. We went from a store that could do seven figures a year and win awards from the Austin Chronicle, to a store that was lucky to see more than a half-dozen customers a day. It felt like we divided our customer base in half with every move, until we were left with nothing.

Having just gone through a move, Capstone isn't optimistic about doing that again, nor do they have time on their side. They'll have to pack up and leave ASAP, and then what? Sell off everything? Let it sit in storage? Pray for a last minute miracle? The sting is so new, even they don't know.

Support your LCBS.

Updated, 9/12, with an official message from Capstone:

To all our wonderful and loyal customers over the years.

It is with a heavy heart and saddened spirit that after 15-1/2 years I must announce the closing of Capstone Comics. Because our landlord has decided to do something different with the building that we reside in, we have been asked to leave by October 31st. Because of the short notice, we will not have time to find a new place. Therefore because of this short timeframe we are forced to close our doors.I personally want everyone to know, that I have greatly enjoyed serving you over the years, and enjoyed all the events with you. You have truly been a blessing to me. My deepest regret in all this, is that I wasn’t able to give you any notice, which will leave you having to find a new place to pick up your weekly comics. For that I am very sorry.

I will miss all of your happy faces coming in every week to pick up your new books, but I will remember the awesome time we enjoyed geeking out over comics and movies. I have met so many incredible people. For that I am very grateful.I wish you all the best in your collecting and hope that you will be able to find a LCBS very soon. Also at least for the next month, we will still be selling back issues as well as other collectibles, and do keep checking your emails, as we will be having more sales.

Just so you know, I am aggressively trying to seek someone that may be interested in buying the store, so that there is very little interruption in your weekly books and you can continue receiving the service you have received over the years. I promise to let everyone know if something happens and the store will be continuing under new ownership, which is my prayer that it would.

Something's wrong with Emmy. That's the most basic version of the story we get in Harrow County #1, a new backwoods horror period piece from creators Cullen Bunn and Tyler Crook. Emmy's the seventeen year old farm girl who draws the audience into Harrow County's tale of a farming community cursed by a witch's dying breath.

This is not a review about plot specifics, however, because part of your enjoyment of Harrow County will come from discovering its moments of subtle terrors for yourself. Also, with issue 1 reflecting just a fraction of the story, a synopsis at this point would do no good. It's intended as an ongoing and this feels like just the tip of the overall set-up.

Could I have used more pages? Yes, but I'll be patient, because there's a beauty to Harrow County, both in its watercolored storytelling (unusually colorful for a horror tale of this sort) and how it bends familiar tropes into a strong enough hook to get you curious about what happens next.

Tyler Crook seems energized to be telling this story at square one. Panels are well-staged and the character acting is quite good. There's an immediate level of craft on display in the paints that will likely ensure Harrow County collections to move pretty well to the bookstore crowd. It's really accessibly attractive in such a way that I could see non-horror readers picking it up simply out of curiosity.

I haven't cracked the code on the recurring vaginal motif, a shape that appears at key moments of Emmy's brushes with horror. A hollowed tree, the eye of a malformed calf, and another moment of horror that I won't spoil here all recall the shape with a deliberation that is just not clear with a single issue. Time will tell how these genital visual cues tie into overall themes, or if it's an interesting subconscious "accident" on the part of Crook.

Bunn has spent the past year putting a high-profile spotlight on high profile villains like Sinestro and Magneto (and even Helheim isn't about a "nice" guy), so my assumption is that Harrow County will be another Bunn book that humanizes a villain, in this case witch and healer Hester Beck. Magneto has had some incredibly hair-raising moments of horror for a mainstream Marvel book, so I salivate over the fact that the worst (the best kind of worst) is yet to come for Harrow County. I know Bunn can shock me, and he can do it in stories where I give a damn about the characters (so rare for horror). Harrow County #1 holds a lot of promise.

The first issue also includes a one-page chiller titled "Baptism" by Bunn and artist Owen Gieni that seems to paint a broader picture of Harrow County as a place. Gieni's work is in line with the look that Crook establishes for this back.

Harrow County #1 arrives on May 13, 2015. Dark Horse has provided a look at Tyler Crook's art process below:

In the first part of Giant Size's deep dive into Marvel crossover events, Moises Chiullan and I cover the birth of the modern Marvel crossover (Avengers/Defenders War) all the way up to the "kitchen sink" approach offered by Contest of Champions. Part Two continues from there, staring with the landmark Secret Wars in 1984 and discussing everything -- Secret Wars II, The Evolutionary War, Atlantis Attacks, Inferno -- released in the 80s until Acts of Vengeance puts a capper on that decade. Then it's on to the 1990s, with Starlin/Perez/Lim's Infinity Gauntlet starting things off nicely and Heroes Return ending the decade with Marvel in the worst financial trouble of their publishing history. What happens next?

Aw, chin up, Falcon! It's time for the latest episode of Giant Size! On this show we start with the original Marvel crossover - the Avengers/Defenders War - and boogie on down into the 1980s. This is the first of a multi-part series where we discuss some Marvel history as well as which crossovers are still worth reading and which ones changed the Marvel Universe forever!

Valiant Comics has had a terrific comeback. Bob Layton's hairstyle has not. The publisher shared this look back at their company (which has an entirely different staff now) via their Twitter account. It stars Bob Layton's hair. Some interesting takeaways: Valiant may have been the forefather of Free Comic Book Day and they really tried to accommodate a larger female readership (something comics are just now starting to get right, 20 years later).