smartphone menu rubriken

"What has Azza done?"

To portray the extent of authoritarianism of the Egyptian state, it is often said that ″even″ feminists and women′s organisations are being targeted, since feminism and women′s issues are not generally perceived as a threat by authoritarian regimes. Yet that′s a flawed premise, argues Mozn Hassan

On 19 November 2016, Azza Soliman, a feminist lawyer, WHRD and the head of the board of trustees of the Centre for Egyptian Women′s Legal Assistance (CEWLA), was informed that she was banned from travelling based on a judicial order issued on 17 November 2016 while on her way to participate in ″Musawah″ movement′s training on women′s rights in Islam in Jordan. A day later, Soliman found out that her assets and those of her law firm had been frozen.

It is assumed that these measures are directly related to Case No. 173 for the year 2011 at the Cairo High Appeal Investigations, commonly known as ″NGOs foreign funding case″, even though neither Soliman nor any of CEWLA′s members have been officially charged or summoned for investigation. The escalation of judicial harassment against Azza Soliman triggered many angry, but also surprised, reactions: ″What has Azza done?″ This indeed is a question I would like to answer.

For nearly two decades, Azza Soliman and CEWLA have been relentlessly working for women′s rights, especially women′s access to justice. They have been combating violence against women, particularly in the private sphere. They have worked on extremely sensitive issues such as marital rape, reforming the personal status law, women′s right to divorce, etc. Although there are many feminist and women′s rights organisations in Egypt, CEWLA is unique. They have made the difficult choice of working and mobilising at the grassroots level in a popular quarter in Cairo, that of Bulaq Al-Daqrur, despite all the challenges this poses.

Strong feminist discourse coupled with a hands-on approach

Few feminist organisations have been able to strike the balance that CEWLA has, between providing services for women and maintaining a strong feminist discourse that doesn′t compromise their agency. Over the years, CEWLA has helped thousands of women, provided them with legal assistance and saved them from abusive husbands, families, or relatives. The crackdown on CEWLA and Azza Soliman means taking away a source of support and security from thousands of women in Egypt.

Yet, this is not the only reason why I consider Azza Soliman to be a unique and rare example in the Egyptian feminist movement. Over the years, I have observed in awe Azza′s ability to develop her feminist discourse and her openness to new generations and ideas within the movement. When Nazra for Feminist Studies started off with a group of young and hopeful feminists, Azza Soliman was there to support us and it was having feminists like her by our side that turned our hopes into realities and gave us the strength to carry on. She never failed to show her support during the rough times that Nazra has faced with the state crackdown; her presence is an everyday lesson in feminist solidarity.

This is only part of what Azza Soliman has ″done″ for women and for us, feminists of a younger generation. This feminist activism was in itself enough reason for state targeting. The appalled reactions asking ″What has Azza done?″ for her to be perceived as a threat, insist on seeing feminism as a soft, apolitical and low-profile form of activism, ignoring everything that history has taught us about the ways in which feminism challenges power structures.

Feminism is a political question

Questions of marriage and divorce, of equal rights to inheritance, of domestic violence and marital rape, are not easy ones and feminism is not the safe option an activist can make. Rather, these questions, because they upset patriarchy, deeply upset ″power″, whether in its diffuse form in society, or in its more structural form in the state. Feminism, as we have always seen it, is in itself a political question, because authoritarianism is a gendered, not a neutral structure and an authoritarian state is also usually a patriarchal one.

The feminist paradox: "we will always be sandwiched between societal hostility towards the feminist discourse and state targeting, which only emphasises the social stigmatisation of feminists, rather than generating a real societal debate around the issues they raise. In fact, state targeting only accentuates the more comfortable idea that many societal actors like to believe: we are bad women," writes Mozn Hassan

Azza Soliman is being targeted in a context where the feminist movement as a whole is facing a severe clampdown. The targeting of Al-Nadeem Centre for the Treatment and Rehabilitation of Victims of Violence and Torture, which has provided medical and psychological help to female survivors of violence through its women′s programme for years, as well as Nazra′s official summoning and continuous targeting, are examples of that. Despite all attempts not to take feminist activism seriously, it seems like the state takes it ′too′ seriously as an existential threat, to the extent to which it needs to ban feminists from traveling and freeze their assets.

It seems that as feminists we will always be trapped in the paradox of being targeted because what we do seems ″too dangerous″ on the one hand and being dealt with more lightly and less considerately because we are women, on the other. It is also apparent that we will always be sandwiched between societal hostility towards the feminist discourse and state targeting, which only emphasises the social stigmatisation of feminists, rather than generating a real societal debate around the issues they raise. In fact, state targeting only accentuates the more comfortable idea that many societal actors like to believe: we are bad women.

Despite the very precarious time we live in as feminist organisations and the current risks we face as WHRDs, if there is one woman who has taught us to fight and resist, it is Azza Soliman. For Azza and with her, we will continue the struggle for women′s human rights as long as we can.

Portrait of the Egyptian artist Soad Abdelrasoul

With her "Virtual Garden" exhibition at the trend-setting Mashrabiya Gallery in downtown Cairo, the 45-year-old painter Soad Abdelrasoul has confirmed her place as one of Egyptʹs ...More

In submitting this comment, the reader accepts the following terms and conditions: Qantara.de reserves the right to edit or delete comments or not to publish them. This applies in particular to defamatory, racist, personal, or irrelevant comments or comments written in dialects or languages other than English. Comments submitted by readers using fantasy names or intentionally false names will not be published. Qantara.de will not provide information on the telephone. Readers' comments can be found by Google and other search engines.

Most Recent Photo Essay

Countless cultural assets have been destroyed by the Syrian Civil War. The Syrian Heritage Archive Project in Berlin contributes to preserving their memory with an exhibition showing what has been lost — and what remains. By Christina Kufner