The houses are grouped around a green inner courtyard common to all in the manner of the village green or the »Common«, as it was once called. The houses are plain and simple in design, reticent in form and expression.

“A world-level development was implemented in 2015 on the Kassai út campus of Debrecen University within the scope of the project entitled “Super Computing (HPC) in Higher Education”, as a result of collaboration between the National Information Infrastructure Development Institute (NIIFI) and the Debrecen University Faculties.

A children’s museum in essence should be a space that encourages children’s mind and produce a sense of discovery by playing. That’s why the concept of Labyrinth of Crete arises as the starting point for the Children’s Museum – Iztapalapa.

The main floor sits at garden level. It contains the common spaces, beginning with a view balcony at the front of the house that extends from the living room, back to a large, kitchen/dining area that opens to rear, outdoor living spaces.

The owners, inspired by mid-century modern architecture, hired Klopf Architecture to help them decide: remodel and add to a 1940s modern house or start fresh with an Eichler-inspired 21st-Century, energy efficient, all new home that would work for their family of three. With the decision made to start over, Klopf and the owners planned a home that follows the gentle slope of the hillside while the overarching post-and-beam roof above provides an unchanging datum line. Every square foot of the house remains close to the ground creating a sense of connection with nature. The resulting increase in ceiling height with each step-down helps create the hierarchy of the public spaces (living room is tallest, then dining, then kitchen, then entry). A rational layout based on four-foot-wide beam bays brings a calm composure to the space while the central stacked stone fireplace chimney shooting up through a skylight contrasts that with some fanfare.

By expanding and adjusting the existing land condition and nature within, I have attempted to create a space which provides dwelling as like a part of the nature.

The shape has been finalized rationally and organically in the forming process of dealing with the site condition and requested function. Not only the result of the form being organic, by paying attention to the organic matter of the planning process, the process itself perhaps produced the organic space.

Located at the end of Rue Georges Clemenceau, at the entrance to the university grounds, the plot of land offered the advantage of a three-way view, including one on the park. The clients of the Avenier Cornejo architecture firm were friends of friends. The project deve­loped in a relaxed atmosphere where the architects were allowed a great deal of freedom. The family was open to any proposal for their new home as long as it offered plenty of light, a quality which had been lacking in their previous residence.

This small annex is located in the garden of two professionals in a residential area on the outskirts of the city.

The clients wanted a place that would give them space and quiet to focus on their writing and work. At the same time they wanted a view that could somehow remind them of their native West-Norwegian landscapes, this in spite of the site’s location only offering views towards a parking lot and a train station. Their intention was that the project would work as an alternative to a cottage in the countryside.

This typical street in the seventeenth arrondissement of Paris was the former site of a music and dance school which was bought by the city of Paris for the construction of 10 social housing units and a business space. Following a call for tender, the Avenier Cornejo architecture firm was selected.