“Muslim Americans in the Military is a
short but engaging history of Muslims
in the US military from the US Civil
War until today. It is an honest and
straightforward look at the experiences
and contributions, some heroic, of
Muslim men and women who served.
It also describes episodes when things
went wrong. It is a necessary read
for anyone who doubts that Muslim
Americans have sacrificed for the
United States over the centuries, and
speaks in particular to political debates
about the place of Muslims in American
society.”

CURRENT AFFAIRS

TRADE

—Abdulkader Sinno, author of Organizations
at War in Afghanistan and Beyond

Muslim Americans in the Military
Centuries of Service

Edward E. Curtis IV
Since the Revolutionary War, Muslim Americans have served in the United States military, risking
their lives to defend a country that increasingly looks at them with suspicion and fear. In Muslim
Americans in the Military: Centuries of Service, Edward E. Curtis illuminates the long history of
Muslim service members who have defended their country and struggled to practice their faith.
Profiling soldiers, marines, airmen, and sailors since the dawn of our country, Curtis showcases
the real stories of Muslim Americans, from Omer Otmen, who fought fiercely against German
forces during World War I, to Captain Humayun Khan, who gave his life in Iraq in 2004. These true
stories contradict the narratives of hate and fear that have dominated recent headlines, revealing
the contributions and sacrifices that these soldiers have made to the United States.
EDWARD E. CURTIS IV is the author of several books, including Muslims in America: A Short
History.

“Curious about the roots of ISIS’
bizarre and self-defeating fanaticism?
Here’s the book for you. Silinsky offers
a smart, nuanced, personal, and
informed account of its rise, revealing
its inner logic and its ability to appeal to
some Muslims and to horrify the rest of
the world.”
—Daniel Pipes, President of the
Middle East Forum

Jihad and the West
Black Flag over Babylon

Mark Silinsky
US Department of Defense analyst Mark Silinsky reveals the origins of the Islamic State’s sinister
obsession with the Western world. Once considered a minor irritant in the international system,
the Caliphate is now a dynamic and significant actor on the world’s stage, boasting more than
30,000 foreign fighters from 86 countries. Recruits consist not only of Middle-Eastern-born
citizens, but also a staggering number of “Blue-Eyed Jihadists,” Westerners who leave their
country to join the radical sect. Silinsky provides a detailed and chilling explanation of the appeal
of the Islamic State and how those abroad become radicalized, while also analyzing the historical
origins, inner workings, and horrific toll of the Caliphate. By documenting the true stories of
men, women, and children whose lives have been destroyed by the radical group, Jihad and the
West presents the human face of the thousands who have been kidnapped, raped, tortured,
and murdered by the Islamic State, including Kayla Mueller, who was kidnapped, given to the
Caliphate’s leader as a sex slave, and ultimately killed.
MARK SILINSKY is a veteran analyst in the Department of Defense, an adjunct professor at
the United States Army War College, and an affiliate professor at the University of Haifa. He
has served in U.S. Army intelligence; as an Army civilian Foreign Area Officer (FAO) for Eurasia,
Russian language; an Africa analyst for the Defense Intelligence Agency; an action officer for the
Joint Staff, J5; and a research fellow as part of the Exceptional Analyst Program. He is the author
of The Taliban: Afghanistan’s Most Lethal Insurgent Group.

Annie Corrigan with Daniel Orr
Focusing on local products, sustainability, and popular farm-to-fork dining trends, Earth Eats:
Real Food Green Living compiles the best recipes, tips, and tricks to plant, harvest, and prepare
local food. Along with renowned chef Daniel Orr, Earth Eats radio host Annie Corrigan presents
tips, grouped by season, on keeping your farm or garden in top form, finding the best in-season
produce at your local farmers’ market, and stocking your kitchen effectively. The book showcases
what locally produced food will be available in each season and is amply stuffed with more than
200 delicious, original, and tested recipes, reflecting the dishes that can be made with these local
foods. In addition to tips and recipes, Corrigan and Orr profile individuals who are on the front
lines of the changing food ecosystem, detailing the challenges they and the local food movement
face.
With more than 80 color photos, Earth Eats showcases local food at its finest and features
everything the local grower and food enthusiast needs to know all year round, including how to
cook up a healthy compost heap, nurture a failing bee colony, create an all-natural deer repellant,
and ferment delicious vegetables.
ANNIE CORRIGAN is an on-air personality and producer for WFIU Public Radio and the host of
the Earth Eats radio show.
DANIEL ORR is the owner of FARMbloomington and author of several cookbooks, including
FARMfood: Green Living with Chef Daniel Orr.

Jennifer Meta Robinson and James Robert Farmer
In an era bustling with international trade and people on the move, why has local food become
increasingly important? How does a community benefit from growing and buying its own produce,
rather than eating food sown and harvested by outsiders? Selling Local is an indispensable guide to
community-based food movements, showcasing the broad appeal and impact of farmers’ markets,
community supported agriculture programs, and food hubs, which combine produce from small
farms into quantities large enough for institutions like schools and restaurants. After decades of
wanting food in greater quantities, cheaper, and standardized, Americans now increasingly look
for quality and crafting. Grocery giants have responded by offering “simple” and “organic” food
displayed in folksy crates with seals of organizational approval, while only blocks away a farmer
may drop his tailgate on a pickup full of freshly picked sweet corn. At the same time, easy-up
umbrellas are likely to unfurl over multi-generational farmers’ markets once or twice a week in any
given city or town. Drawing on prodigious fieldwork and research, experts Jennifer Meta Robinson
and James Robert Farmer unlock the passion for and promise of local food movements, show us
how they unfold practically in towns and on farms, and make a persuasive argument for how much
they deeply matter to all of us.
JENNIFER META ROBINSON is Professor of Practice in the Department of Anthropology at
Indiana University where she teaches courses in communication, culture, and pedagogy. She has
been formally studying local food since 2005, publishing numerous articles, book chapters, and
The Farmers’ Market Book: Growing Food, Cultivating Community.
JAMES FARMER is Assistant Professor of Recreation, Park, and Tourism Studies in the School of
Public Health at Indiana University where he focuses his scholarship and service on community
food systems and natural resource sustainability.

Indiana University Press
As any dog lover can attest, canines are more than just pets; they are members of our families
and an integral part of our lives. We include them in holiday celebrations, spoil them on their
birthdays, and even dress them up to root for our favorite teams.
In Campus Canines: The Dogs of Indiana University, current students, alumni, and fans share
photos and stories of the retrievers, hounds, terriers, and mutts that share their campus, homes,
and hearts. This fun and playful collection includes more than 200 photographs showcasing
canines across campus, images from their point of view at popular locations like Dunn Meadow,
the Indiana Memorial Union, or Showalter Fountain, and canines from across the globe in their IU
gear.
The perfect gift for any IU or dog lover, Campus Canines: The Dogs of Indiana University shows
that school spirit can also be shown on four legs.

“Dr. Lesher is a thoroughly educated
man, having earned a doctorate
in business administration while
simultaneously matriculating at the
school of hard knocks—he held down
two jobs to put himself through school.
His background is one reason why he is
as much at ease discussing economics
and exports with presidents and prime
ministers as he is talking about takehome pay and taxes with keypunch
operators and small business people.”
–Gerald R. Ford, 38th President of the
United States

Voice of Business
The Man Who Transformed the United States Chamber of Commerce

Richard Lesher

With Dave Scheiber
From small-town life to the world stage, Richard Lesher’s inspiring tale is one of dogged
determination. The son of an alcoholic and violent father in Depression-era Pennsylvania, Lesher
worked his way through school, eventually overseeing NASA’s vital technological transfer program
during the race to the moon. His greatest achievement, however, was serving as president of
the US Chamber of Commerce from the Ford through the Clinton administrations. Working
closely with the presidents—especially Reagan—he modernized the Chamber over 22 years and
dramatically expanded its national and international outreach. Believing strongly in the power
of the free enterprise system, Lesher became a key voice and agent of economic change in
former communist countries in the 1990s. Respected and admired by presidents, officials, and
world leaders on both the left and right, Lesher has lived a hopeful and uniquely American story,
a remarkable testament to personal perseverance and the ever-present opportunities in a free
society.
RICHARD LESHER earned his doctorate at Indiana University and was president of the US
Chamber of Commerce from 1975 to 1997. Dave Scheiber is an award-winning journalist and the
coauthor of several books, including Covert: My Years Infiltrating the Mob.

“This splendid historical piece
demonstrates an important point: how
the convergence of local events and
values associated with the civil rights,
antiwar, and women’s movements of
that era transformed the culture of a
unique town and gown community.”
—Choice, reviewing a previous
edition or volume

“More than other local histories of
campus activism during this period,
Dissent in the Heartland introduces
national themes and events, and
successfully places Indiana University
into that context. The research in
primary sources, including FBI files,
along with numerous interviews, is
superior, and the writing is lucid and at
times provocative.”

MIDWEST HISTORY

TRADE

—Terry H. Anderson, author of The Sixties,
reviewing a previous edition or volume

Dissent in the Heartland
The Sixties at Indiana University
Revised and Expanded Edition

Mary Ann Wynkoop
During the 1960s in the heartlands of America—a region of farmland, conservative politics, and
traditional family values—students at Indiana University were transformed by their realization
that the personal was the political. Taking to the streets, they made their voices heard on issues
from local matters, such as dorm curfews and self-governance, to national issues of racism,
sexism, and the Vietnam War. In this grassroots view of student activism, Mary Ann Wynkoop
documents how students became antiwar protestors, civil rights activists, members of the
counterculture, and feminists who shaped a protest movement that changed the heart of Middle
America and redefined higher education, politics, and cultural values. Based on research in
primary sources, interviews, and FBI files, Dissent in the Heartland reveals the Midwestern pulse
of the 1960s beating firmly, far from the elite schools and urban centers of the East and West.
This revised edition includes a new introduction and epilogue that document how deeply students
were transformed by their time at IU, evidenced by their continued activism and deep impact on
the political, civil, and social landscapes of their communities and country.
MARY ANN WYNKOOP retired as Director of the American Studies Program at the University of
Missouri-Kansas City. Since then, she has consulted on projects for Kansas City Public Television,
the Henry W. Bloch Foundation, and the National Endowment for the Humanities.

“In bearing witness, Joseph Weismann
has written a book that is indispensable
for the enormous task of understanding
the Shoah.”
—Les Chroniques de Miawka, reviewing a
previous edition or volume

After the Roundup
Joseph Weismann

Translated by Richard Kutner
On the nights of July 16 and 17, 1942, French police rounded up eleven-year-old Joseph Weismann,
his family, and 13,000 other Jews. After being held for five days in appalling conditions in the
Vélodrome d'Hiver stadium, Joseph and his family were transported by cattle car to the Beaunela-Rolande internment camp and brutally separated: all the adults and most of the children were
transported on to Auschwitz and certain death, but 1,000 children were left behind to wait for a
later train. The French guards told the children left behind that they would soon be reunited with
their parents, but Joseph and his new friend, Joe Kogan, chose to risk everything in a daring escape
attempt. After eluding the guards and crawling under razor-sharp barbed wire, Joseph found
freedom. But how would he survive the rest of the war in Nazi-occupied France and build a life for
himself? His problems had just begun.
Until he was 80, Joseph Weismann kept his story to himself, giving only the slightest hints of it to
his wife and three children. Simone Veil, lawyer, politician, President of the European Parliament,
and member of the Constitutional Council of France—herself a survivor of Auschwitz—urged him to
tell his story. In the original French version of this book and in Roselyne Bosch’s 2010 film La Rafle,
Joseph shares his compelling and terrifying story of the Roundup of the Vél’ d’Hiv and his escape.
Now, for the first time in English, Joseph tells the rest of his dramatic story in After the Roundup.
JOSEPH WEISMANN is a survivor of the 1942 Vel’ d’Hiv Roundup in Paris. His story inspired the
French film, La Rafle. Now 85 years-old, he lives in Paris.
RICHARD KUTNER is an independent literary translator. His translations include Fear of Paradise
by Vincent Engel and Cast Away on the Letter A by Fred, for which he was awarded a Hemingway
Translation Grant.

“With his vast knowledge and insights
of the period, [Jeremy Back] is able to
take us on a wide-ranging exploration
that provides stimulating food for
thought for historians of all periods.”
—Richard Harding, author of The
Emergence of Britain’s Global Naval
Supremacy: The War of 1739–1748

WAR & MILITARY

TRADE

Plotting Power
Strategy in the Eighteenth Century

Jeremy Black
Military strategy takes place as much on broad national and international stages as on
battlefields. In a brilliant reimagining of the impetus and scope of eighteenth-century warfare,
historian Jeremy Black takes us far and wide, from the battlefields and global maneuvers in North
America and Europe to the military machinations and plotting of such Asian powers as China,
Japan, Burma, Vietnam, and Siam. Europeans coined the term “strategy” only two centuries
ago, but strategy as a concept has been practiced globally throughout history. Taking issue with
traditional military historians, Black argues persuasively that strategy was as much political as
battlefield tactics and that plotting power did not always involve outright warfare but also global
considerations of alliance building, trade agreements, and intimidation.
JEREMY BLACK is a British historian and Professor of History at the University of Exeter. His
many books include The Holocaust: History and Memory.

Hollis Taylor
How and when does music become possible? Is it a matter of biology, or culture, or an interaction
between the two? Revolutionizing the way we think about the core values of music and human
exceptionalism, Hollis Taylor takes us on an outback road trip to meet the Australian pied
butcherbird. Recognized for their distinct timbre, calls, and songs, both sexes of this songbird sing
in duos, trios, and even larger choirs, transforming their flute-like songs annually. While birdsong
has long inspired artists, writers, musicians, and philosophers, and enthralled listeners from all
walks of life, researchers from the sciences have dominated its study. As a field musicologist,
Taylor spends months each year in the Australian outback recording the songs of the pied
butcherbird and chronicling their musical activities. She argues persuasively in these pages
that their inventiveness in song surpasses biological necessity, compelling us to question the
foundations of music and confront the remarkably entangled relationship between human and
animal worlds. Equal parts nature essay, memoir, and scholarship, Is Birdsong Music? offers vivid
portraits of the extreme locations where these avian choristers are found, quirky stories from the
field, and an in-depth exploration of the vocalizations of the pied butcherbird.
Hollis Taylor is Research Fellow at Macquarie University. A violinist/composer, ornithologist, and
author, her work confronts and revises the study of birdsong, adding the novel reference point of a
musician’s trained ear.
MUSIC, NATURE, PLACE, Sabine Feisst and Denise Von Glahn

Bill Alves and Brett Campbell
Today, musicians from Bang on a Can to Björk are indebted to the cultural hybrids American composer
Lou Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest
of the avant garde considered such interests heretical set the stage for minimalism and musical postmodernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers
from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called “world
music” phenomenon that has invigorated Western music with global sounds over the past two decades.
In this biography, authors Bill Alves and Brett Campbell trace Harrison’s life and career from the diverse
streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian
composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry,
parties, and men); to the competitive performance industry in New York, where he subsequently launched
his career as a composer, conducted Charles Ives’s Third Symphony at Carnegie Hall (winning the elder
composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental
arts institution of Black Mountain College where he was involved in the first “happenings” with Cage,
Cunningham, and others; and finally, back to California, where he would become a strong voice in human
rights and environmental campaigns and compose some of the most eclectic pieces of his career.
BILL ALVES is a southern California composer of acoustic and electronic microtonal music, music for
gamelan, video, and other works. He is the author of Music of the Peoples of the World.
BRETT CAMPBELL writes frequently about music and other arts for Oregon ArtsWatch, The Wall Street
Journal, San Francisco Classical Voice, and many other publications. He teaches journalism at Portland
State University.
February 2017
Music, Biography
World
648 pages, 31 b&w illus., 16 music exx., 3 tables, 7 x 10
Cloth 978-0-253-02561-6 $120.00 £99.00
Paper 978-0-253-02615-6 $55.00 £46.00
eBook 978-0-253-02643-9 $54.99 £45.99

11

MUSIC

TRADE

“The book is both authoritative
and innovative, ringing with
regional voices and dozens of
well-chosen examples of cultural
riches to be sampled and savored
by both specialists and students.”
—Mark Slobin, Winslow-Kaplan
Professor of Music, Wesleyan
University

“There has never before been one
book that so expertly, vividly and
deeply unites the past, present
and potential future of an entire
swath of the world’s musical
landscape.”
—David Harrington, Kronos Quartet

The Music of Central Asia
Edited by Theodore Levin, Saida Daukeyeva, and Elmira Köchümkulova
This beautiful and informative book offers a detailed introduction to the musical heritage of
Central Asia for readers and listeners worldwide. Music of Central Asia balances “insider” and
“outsider” perspectives with contributions by 27 authors from 14 countries. A companion website
(www.musicofcentralasia.org) provides access to some 189 audio and video examples, listening
guides and study questions, and transliterations and translations of the performed texts. This
generously illustrated book is supplemented with boxes and sidebars, musician profiles, and an
illustrated glossary of musical instruments, making it an indispensable resource for both general
readers and specialists. In addition, the enhanced ebook edition, consisting of Ebook 1 and Ebook
2, contains over 180 audio and video examples of Central Asian music and culture. A follow-along
feature highlights the song lyrics in the text, as the audio samples play.
THEODORE LEVIN is Arthur R. Virgin Professor of Music at Dartmouth College and Senior Project
Consultant to the Aga Khan Music Initiative. He is the author of Where Rivers and Mountains
Sing: Sound, Music, and Nomadism in Tuva and Beyond and The Hundred Thousand Fools of God:
Musical Travels in Central Asia (and Queens, New York).
SAIDA DAUKEYEVA is a Georg Forster Research Fellow (HERMES) at Humboldt University in
Berlin. She is author of Philosophy of Music by Abu Nasr Muhammad al-Farabi.
ELMIRA KÖCHÜMKULOVA is Senior Research Fellow at the University of Central Asia in Bishkek.
She is author of Respect Graces the Living, Lamentation Graces the Dead: Kyrgyz Funeral
Lamentations (in Kyrgyz), and Kyrgyz Herders of Soviet Uzbekistan: Historical and Ethnographic
Narratives (in Kyrgyz and English).

Patricia R. Zimmermann and Scott MacDonald
This is the inspiring story of The Flaherty, the oldest continuously running nonprofit media arts
institution in the world, which has shaped the development of independent film, video, and
emerging forms in the United States over the past 60 years. Combining the words of legendary
independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and
Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships
created at the annual Flaherty seminar have been instrumental in transforming American
media history. Moving through the decades, each chapter opens with a detailed history of the
organization by Zimmermann, who traces the evolution of The Flaherty from a private gathering
of filmmakers to a small annual convening, to today’s ever-growing nexus of filmmakers, scholars,
librarians, producers, funders, distributors, and others associated with international independent
cinema. MacDonald expands each chapter by giving voice to the major figures in the evolution of
independent media through transcriptions of key discussions galvanized by films shown at The
Flaherty.
PATRICIA R. ZIMMERMANN is Professor of Screen Studies at Ithaca College. She is the author
of Reel Families: A Social History of Amateur Film and Open Spaces: Openings, Closings, and
Thresholds of International Public Media, among many other titles.
SCOTT MACDONALD is Professor of Art History at Hamilton College. He is author of many books
including, most recently, Avant-Doc: Intersections of Documentary and Avant-Garde Cinema and
Binghamton Babylon: Voices from the Cinema Department (a nonfiction novel).

“Anne Gillain’s inspiring introduction
readies us for a vibrant, single-minded
man, surprisingly timid, yet prepared
to expose his values and the difficulties
achieving them. Truffaut’s films are
even more beautiful seen in light of his
reflections on them.”
— Dudley Andrew, author of
What Cinema Is!

Between 1959 and 1984, French film director François Truffaut was interviewed over three
hundred times. Each interview offers critical insight into the genesis of Truffaut’s films as he
shares the sources of his inspiration, the choice of his themes, and the development of his
screenplays. In addition, Truffaut discusses his relationships with collaborators, actors, and the
circumstances surrounding the shooting of each film. These texts, originally assembled by Anne
Gillain and published in French in 1988, are presented here in a montage arranged chronologically
by film. This compilation includes an impressive array of reflections on cinema as an art form.
Truffaut defines the aims and practices of the French New Wave, comparing their efforts to the
films made by their predecessors and including comments that encompass the entire history
of cinema. Truffaut on Cinema provides commentary on contemporary events, a wealth of
biographical information, and Truffaut’s own artistic itinerary.
ANNE GILLAIN is Professor Emerita at Wellesley College. She is author of François Truffaut: The
Lost Secret and is co-editor with Dudley Andrew of A Companion to François Truffaut.
ALISTAIR FOX is Professor Emeritus of English at the University of Otago. He is author of
Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature, Jane Campion:
Authorship and Personal Cinema, and is translator of François Truffaut: The Lost Secret.

The Year’s Work in Nerds, Wonks, and Neocons
Edited by Jonathan P. Eburne and Benjamin Schreier
What happens when math nerds, band and theater geeks, goths, sci-fi fanatics, Young Republican
debate poindexters, techies, Trekkies, D&D players, wallflowers, bookworms, and RPG players grow
up? And what can they tell us about the life of the mind in the contemporary United States? With
#GamerGate in the national news, shows like The Big Bang Theory on ever-increasing numbers of
screens, and Peter Orzsag and Paul Ryan on magazine covers, it is clear that nerds, policy wonks,
and neoconservatives play a major role in today’s popular culture in America. The Year’s Work in
Nerds, Wonks, and Neocons delves into subcultures of intellectual history to explore their influence
on contemporary American intellectual life. Not limiting themselves to describing how individuals are
depicted, the authors consider the intellectual endeavors these depictions have come to represent,
exploring many models and practices of learnedness, reflection, knowledge production, and opinion
in the contemporary world. As teachers, researchers, and university scholars continue to struggle for
mainstream visibility, this book illuminates the other forms of intellectual excitement that have emerged
alongside them and found ways to survive and even thrive in the face of dismissal or contempt.
JONATHAN P. EBURNE is Associate Professor of Comparative Literature and English at Penn State.
He is author of Surrealism and the Art of Crime and editor (with Judith Roof) of The Year’s Work in the
Oddball Archive.
BENJAMIN SCHREIER is Associate Professor of English and Jewish Studies and Lea P. and Malvin E.
Bank Early Career Professor of Jewish Studies at Penn State University. He is author of The Power of
Negative Thinking: Cynicism and the History of Modern American Literature and The Impossible Jew:
Identity and the Reconstruction of Jewish American Literary History.
THE YEAR’S WORK: STUDIES IN FAN CULTURE AND CULTURAL THEORY,
Edward P. Comentale and Aaron Jaffe, editors
April 2017
Cultural Studies, Film and Media
World
392 pages, 7 b&w illus., 6.125 x 7
Cloth 978-0-253-02618-7 $90.00 £74.00
Paper 978-0-253-02682-8 $35.00 £28.99
eBook 978-0-253-02687-3 $34.99 £28.99

15

FICTION

TRADE

What My Last Man Did
Andrea Lewis
How are our lives shaped by the difficult choices of our parents and even grandparents? How will
our own choices direct the future for our children? Following generations of one family across
nearly a century, each of Andrea Lewis’s intertwined short stories evokes an intense sense
of place and time, from New Orleans in 1895 to Grand Isle, Louisiana, during the hurricane of
1901 and on to London during the Olympic Games of 1946. The people in these ten vivid tales
face tragedy and real-world catastrophic events—war, hurricanes, the Great Depression, racial
tension—in their pursuit of love, family, and belonging. Each character struggles to discover
and preserve his or her identity and dreams while grappling with the expectations of family and
culture and trying to cope with loss. Some succeed, some compromise, and some fail, but all have
a traceable impact on a story to come.
ANDREA LEWIS’s stories, essays and prose poems have appeared in Prairie Schooner, Catamaran
Literary Reader, Cutthroat, and many other literary journals. She lives with her husband, Wendell
Tangborn, on Vashon Island, Washington. She is a founding member of Richard Hugo House, a
place for writers in Seattle.
BLUE LIGHT BOOKS

“Hidden under the apparent farcical
naïveté of each story, . . . one finds
some of the most beautiful words
ever written about the dashed hopes
of newly independent African states,
summoned like a distant echo by
the profound tragedy of the genius
saxophonist that was Coltrane.”

FICTION

TRADE

—Africultures, reviewing a previous
edition or volume

“Dongala is a leading voice among
African writers.”
—Passion des livres, reviewing a
previous edition or volume

Jazz and Palm Wine
Emmanuel Dongala

Translated and with a foreword by Dominic Thomas
Jazz, aliens, and witchcraft collide in this collection of short stories by renowned author Emmanuel
Dongala. The influence of Kongo culture is tangible throughout, as customary beliefs clash with
party conceptions of scientific and rational thought. In the first half of Jazz and Palm Wine, the
characters emerge victorious from decades of colonial exploitation in the Congo only to confront
the burdensome bureaucracy, oppressive legal systems, and corrupt governments of the postcolonial era. The ruling political party attempts to impose order and scientific thinking while the
populace struggle to deal with drought, infertility, and impossible regulations and policies; both
sides mix witchcraft, diplomacy, and violence in their efforts to survive. The second half of the book
is set in the United States during the turbulent civil rights struggles of the 1960s. In the title story,
African and American leaders come together to save the world from extraterrestrials by serving
vast quantities of palm wine and playing American jazz. The stories in Jazz and Palm Wine prompt
conversations about identity, race, and co-existence, providing contextualization and a historical
dimension that is often sorely lacking. Through these collisions and clashes, Dongala suggests a
pathway to racial harmony, peaceful co-existence, and individual liberty through artistic creation.
EMMANUEL DONGALA is Richard B. Fisher Chair in Natural Sciences at Bard College at Simon’s
Rock. His novels have been awarded the Grand Prix Ladislas Dormandi, the Grand Prix Littéraire
d’Afrique Noire, the Charles Oulmont Prize, and the Cezam Literary Prize.
DOMINIC THOMAS is Madeleine L. Letessier Professor of French and Francophone Studies at the
University of California, Los Angeles. His books include Nation-Building, Propaganda, and Literature
in Francophone Africa; Black France: Colonialism, Immigration, and Transnationalism; and Africa
and France: Postcolonial Cultures, Migration, and Racism.
GLOBAL AFRICAN VOICES, Dominic Thomas, editor
April 2017
Fiction, Africa
World
128 pages, 5.5 x 8.5
Paper 978-0-253-02669-9 $20.00 £16.99
eBook 978-0-253-02675-0 $19.99 £16.99

17

FOLK ART

TRADE

Conscience of the Human Spirit: The Life of Nelson Mandela
Tributes by Quilt Artists from South Africa and the United States

Edited by Marsha MacDowell and Carolyn L. Mazloomi
In 2013 the world mourned the passing of Nelson Rolihlahla Mandela, one of its most revered
champions of human rights. Mandela provided a moral compass for how we treat each other,
how we lead our own lives, and how we need to continue to strive for a just, fair, nonracial, and
democratic society. Artists around the world have long made quilts in tribute to Mandela and in
support of and advocacy for the principles to which he was devoted. But it is for South Africans
and African Americans that making quilts in tribute to Mandela has had special meaning.
Conscience of the Human Spirit, which accompanies an exhibition by the same name, features
quilts made after Mandela’s death—diverse and powerful pieces reflect the ways in which this
remarkable man touched individual lives, changed a nation, and served as the conscience of the
human spirit for individuals around the world.
This book is a collaborative project of the Michigan State University Museum, Women of Color
Quilters Network, and South African quilt artists.
MARSHA MACDOWELL is Curator of Folk Arts at the Michigan State University Museum in East
Lansing, Michigan. She is Director of the Quilt Index, a digital repository of stories, images, and
other data related to quilts from dispersed collections around the world.
CAROLYN L. MAZLOOMI is the Founding Director of the Women of Color Quilters Network and an
independent scholar.

“Oceans of Kansas remains the best
and only book of its type currently
available. Everhart’s treatment of
extinct marine reptiles synthesizes
source materials far more readably
than any other recent, nontechnical
book-length study of the subject.”
—Copeia, reviewing a previous
edition or volume

PALEONTOLOGY

TRADE

“Those who are interested in vertebrate
paleontology or in the scientific
history of the American mid-west
should really get a copy. You will not be
disappointed!”
—PalArch’s Journal of Vertebrate
Palaeontology, reviewing a previous
edition or volume

Oceans of Kansas
A Natural History of the Western Interior Sea
Second Edition

Michael J. Everhart
Revised, updated, and expanded with the latest interpretations and fossil discoveries, the second
edition of Oceans of Kansas adds new twists to the fascinating story of the vast inland sea that
engulfed central North America during the Age of Dinosaurs. Giant sharks, marine reptiles called
mosasaurs, pteranodons, and birds with teeth all flourished in and around these shallow waters.
Their abundant and well-preserved remains were sources of great excitement in the scientific
community when first discovered in the 1860s and continue to yield exciting discoveries 150 years
later. Michael J. Everhart vividly captures the history of these startling finds over the decades and
re-creates in unforgettable detail these animals from our distant past and the world in which they
lived—above, within, and on the shores of America’s ancient inland sea.
MICHAEL J. EVERHART, Adjunct Curator of Paleontology at the Sternberg Museum of Natural
History in Hays, Kansas, is an expert on the Late Cretaceous of western Kansas. He is the creator
of the award-winning “Oceans of Kansas” paleontology website at www.oceansofkansas.com. He
lives in Derby, Kansas.
LIFE OF THE PAST, James O. Farlow, editor

Charles R. Knight
A new edition of a classic first book about the life of the past
First published in 1946, Charles R. Knight’s Life Through the Ages was for many a beloved first
look at the strange animals of the prehistoric past. For much of the 20th century, Knight’s
reconstructions were the key resource for popular images of ancient life. His paintings and
drawings were displayed as part of museum exhibits, notably at the American Museum of Natural
History in New York and the Field Museum in Chicago, were used as illustrations in numerous
books and magazine articles, and even influenced movie portrayals of dinosaurs and other
prehistoric beasts. Knight’s work was highly regarded both for its artistic skill and for its scientific
accuracy, closely based as it was on the knowledge of its time. Although new discoveries and
ongoing research have changed the view of many of the animals depicted by Knight, his work
remains valuable and is still treasured by the new generations of scientists and paleoartists.
For this commemorative edition, many of Knight’s original drawings were re-photographed. A
new foreword by Stephen Jay Gould reflects on Knight’s work, and a new introduction by Philip J.
Currie discusses recent scientific findings and Knight’s restorations.
CHARLES ROBERT KNIGHT (1874–1953) was a distinguished paleoartist. His work remains on
display at the American Museum of Natural History, the Field Museum and elsewhere, where it
continues to inspire viewers with its wonderfully detailed reconstructions of lost works and long
extinct animals.
LIFE OF THE PAST, James O. Farlow, editor

The United States Holocaust Memorial Museum Encyclopedia
of Camps and Ghettos, 1933–1945
Camps and Ghettos under European Regimes Aligned with Nazi Germany
vol. III

Geoffrey P. Megargee, General Editor; Martin Dean, Volume Editor;
Mel Hecker, Contributing Editor
This monumental seven-volume encyclopedia, prepared by the Jack, Joseph, and Morton Mandel
Center for Advanced Holocaust Studies at the United States Holocaust Memorial Museum,
describes the universe of camps and ghettos—more than 20,000 in all—that the Nazis and their
allies operated, from Norway to North Africa and from France to Russia. Here, volume three offers
a comprehensive account of camps and ghettos in, or run by, Croatia, Hungary, Italy, Romania,
Bulgaria, Slovakia, and Vichy France (including North Africa). Each entry discusses key events in
the history of the ghetto; living and working conditions; activities of the Jewish Councils; Jewish
responses to persecution demographic changes; and details of the ghetto’s liquidation. Personal
testimonies help convey the character of each ghetto, while source citations provide a guide to
additional information. Documentation of hundreds of smaller sites—previously unknown or
overlooked in the historiography of the Holocaust—make this an indispensable reference work on
the destroyed Jewish communities of Eastern Europe.
GEOFFREY P. MEGARGEE and JOSEPH WHITE are applied research scholars at the Jack, Joseph,
and Morton Mandel Center for Advanced Holocaust Studies, United States Holocaust Memorial
Museum.
Published in association with the United States Holocaust Memorial Museum

Women and the French Army during the World Wars, 1914–1940
Andrew Orr
How did women contribute to the French Army in the World Wars? Drawing on myriad sources,
historian Andrew Orr examines the roles and value of the many French women who have been
overlooked by historians—those who worked as civilians supporting the military. During the First
World War most officers expected that the end of the war would see a return to prewar conditions,
so they tolerated women in supporting roles. But soon after the November 1918 armistice, the
French Army fired more than half its female employees. Demobilization created unexpected
administrative demands that led to the next rehiring of many women. The army’s female
workforce grew slowly and unevenly until 1938 when preparations for war led to another hiring
wave; however, officers resisted all efforts to allow women to enlist as soldiers and alternately
opposed and ignored proposals to recognize them as long-term employees. Orr’s work offers a
critical look at the indispensable wartime roles filled by women behind the lines.
ANDREW ORR is Assistant Professor of history at Kansas State University and a member of its
Security Studies Program. He earned his PhD from the University of Notre Dame and his work
focuses of the French military and political history from 1870 to 1945.

Edited by S. Ilan Troen and Rachel Fish
Most Americans are ill-prepared to engage thoughtfully in the increasingly serious debate
about Israel, its place in the Middle East, and its relations with the United States. Essential Israel
examines a wide variety of complex issues and current concerns in historical and contemporary
contexts to provide readers with an intimate sense of the dynamic society and culture that is
Israel today. The expert contributors to this volume address the Arab-Israeli conflict, the state of
diplomatic efforts to bring about peace, Zionism and the impact of the Holocaust, the status of
the Jewish state and Israeli democracy, foreign relations, immigration and Israeli identity, as well
as literature, film, and the other arts. This unique and innovative volume provides solid grounding
to understandings of Israel’s history, politics, culture, and possibilities for the future.
RACHEL FISH is Associate Director of the Schusterman Center of Israel Studies at
Brandeis University.
S. ILAN TROEN is the Karl, Harry, and Helen Stoll Chair in Israel Studies and founding Director of
the Schusterman Center for Israel Studies at Brandeis University. He is founding editor of Israel
Studies. His publications include Imagining Zion: Dreams, Designs and Realities in a Century of
Jewish Settlement and (with Jacob Lassner) Jews and Muslims in the Arab World: Haunted by
Pasts Real and Imagined.
AN ISRAEL STUDIES BOOK

Sandor Horvath
The Hungarian city of Sztálinváros, or “Stalin-City,” was intended to be the paradigmatic urban
community of the new communist society in the 1950s. In Stalinism Reloaded, Sándor Horváth
explores how Stalin-City and the socialist regime were built and stabilized not only by the state
but also by the people who came there with hope for a better future. By focusing on the everyday
experiences of citizens, Horváth considers the contradictions in the Stalinist policies and the
strategies these bricklayers, bureaucrats, shop girls, and even children put in place in order to
cope with and shape the expectations of the state. Stalinism Reloaded reveals how the state
influenced marriage patterns, family structure, and gender relations. While the devastating effects
of this regime are considered, a convincing case is made that ordinary citizens had significant
agency in shaping the political policies that governed them.
SÁNDOR HORVÁTH is Senior Research Fellow of the Institute of History at the Hungarian
Academy and Primary Coordinator of COURAGE, an international research project which explores
cultural opposition in the former socialist countries in Eastern Europe. He also serves as the
founding editor of The Hungarian Historical Review, and has published widely in Hungarian on
everyday life and socialism.

“We see here evidence of engaged
citizens, not directly challenging
political leaders about broad economic
or political policies, but seeking to
change public attitudes to vital issues
facing people in their everyday lives
as parents. . . . This is very much
a contribution to scholarship and
knowledge. We just don’t know about
this type of activism.”
—David Ost, author of The Defeat
of Solidarity: Anger and Politics in
Postcommunist Europe

POLITICAL SCIENCE

SCHOLARLY

“This is an excellent collection with
conceptual and methodological unity
and high quality contributions that are
thoroughly researched.”
—Nanette Funk, coeditor of
Gender Politics and Post-Communism:
Reflections from Eastern Europe and the
Former Soviet Union.

Edited by Katalin Fábián and Elżbieta Korolczuk
Parental activism movements are strengthening around the world and often spark tense personal
and political debate. With an emphasis on Russia and Central and Eastern Europe, this collection
analyzes formal organizations as well as informal networks and online platforms which mobilize
parents to advocate for change on a grassroots level. In doing so, the work collected here explores
the interactions between the politics, everyday life, and social activism of mothers and fathers.
From fathers’ rights movements to natural childbirth to vaccination debates, these essays provide
new insight into the identities and strategies applied by these movements as they confront local
ideals of gender and family with global ideologies.
KATALIN FÁBIÁN is Associate Professor in the Department of Government and Law at Lafayette
College. She edited Domestic Violence in Postcommunist States: Local Activism, National Policies,
and Global Forces (IUP).
ELŻBIETA KOROLCZUK is Researcher in the Department of Sociology and Work Science at
the University of Gothenburg and the School of Culture and Education at Södertörn University,
Sweden. She is coeditor of several Polish volumes on parenthood and politics.

"Philanthropy plays a critical role in our
society in connection with our most
important issues . . . and in the proper
functioning of our democracy through
advocacy and citizen participation.
I think this will be a very valuable as
well as entertaining product and an
educational resource."
—Dennis Young, Director, Nonprofit Studies
Program, Georgia State University

"When I walk into my locker room and I
look around the league and through all
the different sports, you see the number
of people trying to do good, trying to
give back. It’s a great thing, you know,
and we’re all trying to figure it out. It’s
why I think this film is a great idea."
—Alex Smith, Quarterback of
the Kansas City Chiefs

What Is Philanthropy?
Written, directed, and produced by Salvatore Alaimo
What is Philanthropy? is a feature length documentary that portrays and discusses the concept
of giving within the American context through a critical lens and a variety of perspectives.
Contributors to the documentary include actor Mike Farrell, NFL quarterback Alex Smith, Evelyn
Lauder from the Estee Lauder Companies, Civil Rights Leader Dr. William G. Anderson, Nell
Newman, co-founder of Newman's Own Organics, and US Senator Charles Grassley, as well as
leading scholars and average citizens.
The film was an official selection of four film festivals and a nominee for an Eclipse Award.
SALVATORE ALAIMO is Associate Professor in the School of Public, Nonprofit and Health
Administration at Grand Valley State University where he teaches courses in philanthropy and
nonprofit administration. Dr. Alaimo has published articles in New Directions for Evaluation and
the Journal of the Grant Professionals Association, and book chapters in The Jossey-Bass Reader
on Nonprofit and Public Leadership, Volunteer Administration: Professional Practice, and the
Handbook of Research on Nonprofit Economics and Management. He earned his PhD studying
philanthropy at Indiana University, Indianapolis and is also certified in volunteer administration
(CVA).

New Humanitarianism and the Crisis of Charity
Good Intentions on the Road to Help

Michael Mascarenhas
Soaring poverty levels and 24-hour media coverage of global disasters have caused a surge in
the number of international non-governmental organizations that address suffering on a massive
scale. But how are these new global networks transforming the politics and power dynamics of
humanitarian policy and practice? In New Humanitarianism and the Crisis of Charity, Michael
Mascarenhas considers that issue using water management projects in India and Rwanda as case
studies. Mascarenhas analyzes the complex web of agreements —both formal and informal—that
are made between businesses, governments, and aid organizations, as well as the contradictions
that arise when capitalism meets humanitarianism.
MICHAEL MASCARENHAS is Associate Professor in the Science and Technology Studies
Department at Rensselaer Polytechnic Institute. He is author of Where the Waters Divide:
Neoliberalism, White Privilege, and Environmental Racism in Canada and a Framing the Global
fellow.
GLOBAL RESEARCH STUDIES

“An intelligent, rich, carefully
constructed, and thoughtful work that
will prove all the more important at
this time in history when the debate
on colonialism occupies center stage,
often at the service of political ends.”
—Télérama

“This book brings together a vast
array of scholars around the question
of colonial fracture. Ignoring this past
has only served to further exacerbate
societal tensions. As the contributors
underscore, facing this past head on
will assist France in the process of
understanding society today.”
—Altermondes

Debates about the legacy of colonialism in France are not new, but they have taken on new
urgency in the wake of recent terrorist attacks. Responding to acts of religious and racial
violence in 2005, 2010, and 2015 and beyond, the essays in this volume pit French ideals against
government-sponsored revisionist decrees that have exacerbated tensions, complicated the
process of establishing and recording national memory, and triggered divisive debates on what
it means to identify as French. As they document the checkered legacy of French colonialism,
the contributors raise questions about France and the contemporary role of Islam, the banlieues,
immigration, race, history, pedagogy, and the future of the Republic. This innovative volume
reconsiders the cultural, economic, political, and social realities facing global French citizens
today and includes contributions by Achille Mbembe, Benjamin Stora, Françoise Vergès, Alec
Hargreaves, Elsa Dorlin, and Alain Mabanckou, among others.
NICOLAS BANCEL is Professor at the University of Lausanne, Switzerland, and Codirector of the
ACHAC Research Group.
PASCAL BLANCHARD is a historian and researcher at the Laboratoire Communication et Politique
(Paris, France, CNRS), codirector of the ACHAC Research Group, and a documentary filmmaker.
DOMINIC THOMAS is Madeleine L. Letessier Professor and Chair of the Department of French
and Francophone Studies at UCLA.
ALEXIS PERNSTEINER is a freelance editor and translator: www.pernsteinertranslations.com.
Her translations include Colonial Culture in France since the Revolution (IUP).

“Needless to say, one can find contemporary artists and arts in any African city just as one
can anywhere else in the world, but not with the profusion and shared pride of Dakar. Why
is this? Engaging tales thereby hang, and the author is a most masterful raconteuse.”
—Allen F. Roberts, author of A Dance of Assassins

“In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban
environment and the sites of art production, exhibition, and sale imbricate one another
to constitute Dakar as an Art World City.”
—Mary Jo Arnoldi, author of Playing with Time

Art World City
The Creative Economy of Artists and Urban Life in Dakar

Joanna Grabski
Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving
art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn
their livelihoods from the city’s resources, possibilities, and connections. She examines how and
why they produce and exhibit their work and how they make an art scene and transact with art
world mediators such as curators, journalists, critics, art lovers, and collectors from near and far.
Grabski shows that Dakar-based artists participate in a platform that has a global reach. They
extend Dakar’s creative economy and the city’s urban vibe into an “art world city.”
JOANNA GRABSKI is Warner Professor and Chair of Art History and Visual Culture at Denison
University. She is editor (with Carol Magee) of African Art, Interviews, Narratives: Bodies of
Knowledge at Work (IUP). She wrote, directed, and produced the feature-length documentary
film Market Imaginary, focused on Dakar’s sprawling Colobane Market.
AFRICAN EXPRESSIVE CULTURES, Patrick McNaughton, editor

“This book is bound to change how
we think about and perhaps how we
study what it is to be Yoruba. More
importantly, it opens new vistas
for contestations, interpretations,
characterizations, and idenitification of
what being Yoruba means or entails.”
—Olufemi Taiwo, author of
Africa Must Be Modern

“Adeleke Adeeko articulates how
people act Yoruba through the retention
of traditional cultural practices, like
naming ceremonies, kneeling down to
greet, lineage praise poetry, and even in
writing and art. All of these are part of
the Yoruba ‘art of being,’ and thus, are a
configuration of culture.”
—Akintunde Akinyemi, author of Yoruba
Orature and Riddles

Adélékè Adéèkó
There is a culturally significant way of being Yorùbá that is expressed through dress, greetings,
and celebrations—no matter where in the world they take place. Adélékè Adéèkó documents
Yorùbá patterns of behavior and articulates a philosophy of how to be Yorùbá in this innovative
study. As he focuses on historical writings, Ifá divination practices, the use of proverbs in
contemporary speech, photography, gendered ideas of dressing well, and the formalities of
ceremony and speech at celebratory occasions, Adéékó contends that being Yorùbá is indeed an
art and Yorùbá-ness is a dynamic phenomenon that responds to cultural shifts as Yorùbá people
inhabit an increasingly globalized world.
ADÉLÉKÈ ADÉÈKÓ is Humanities Distinguished Professor in the English and African American
and African Studies departments at Ohio State University. He is the author of Proverbs, Textuality,
and Nativism in African Literature and The Slave’s Rebellion: Literature, History, Orature (IUP).
AFRICAN EXPRESSIVE CULTURES, Patrick McNaughton, editor

“This is a book that only Dorothy
Hodgson could have written, with
her decades of work in Tanzania, vast
networks in Maasailand, and deep
ethnographic knowledge, combined
with her deftness in working through
more theoretical work on gender
and human rights. Closely argued,
conceptually sharp, and engagingly
written.”

Gender, Justice, and the Problem of Culture
From Customary Law to Human Rights in Tanzania

Dorothy L. Hodgson
When, where, why, and by whom is law used to force desired social change in the name of justice?
Why has culture come to be seen as inherently oppressive to women? In this finely crafted
book, Dorothy L. Hodgson examines the history of legal ideas and institutions in Tanzania – from
customary law to human rights – as specific forms of justice that often reflect elite ideas about
gender, culture, and social change. Drawing on evidence from Maasai communities, she explores
how the legacies of colonial law-making continue to influence contemporary efforts to create
laws, codify marriage, criminalize FGM, and contest land grabs by state officials. Despite the easy
dismissal by elites of the priorities and perspectives of grassroots women, she shows how Maasai
women have always had powerful ways to confront and challenge injustice that express their
priorities and reveal the limits of rights-based legal ideals.
DOROTHY L. HODGSON is Professor of Anthropology at Rutgers University and President of
the African Studies Association. As a historical anthropologist, she has worked in Tanzania, East
Africa, for almost thirty years on such topics as gender, ethnicity, cultural politics, colonialism,
nationalism, modernity, the missionary encounter, transnational organizing, and the indigenous
rights movement.

“Kathleen Sheldon’s book provides a
great spine around which one could
build a women’s history of Africa survey
course or better yet, a feminist history
of Africa survey course.”
—Abosede George, Barnard College

“A comprehensive history of African
women remains a necessity given that
current histories of Africa are—after
more than 45 years of scholarship
on African women—mostly histories
of men’s actions. Kathleen Sheldon
provides a thoroughly researched
long view of African women’s material
lives, social relations, challenges, and
forms of mobilization to change their
societies.”
—Judith Van Allen, Cornell University

African Women
Early History to the 21st Century

Kathleen Sheldon
African women’s history is a topic as vast as the continent itself, embracing an array of societies
in over fifty countries with different geographies, social customs, religions, and historical
situations. In African Women: Early History to the 21st Century, Kathleen Sheldon masterfully
delivers a comprehensive study of this expansive story from before the time of records to the
present day. She provides rich background on descent systems and the roles of women in
matrilineal and patrilineal systems. Sheldon’s work profiles elite women, as well as those in
leadership roles, traders and market women, religious women, slave women, women in resistance
movements, and women in politics and development. The rich case studies and biographies in
this thorough survey establish a grand narrative about women’s roles in the history of Africa.
KATHLEEN SHELDON is an independent scholar who has a research affiliation with the Center
for the Study of Women at the University of California, Los Angeles. She is author of Pounders
of Grain: A History of Women, Work, and Politics in Mozambique and the Historical Dictionary of
Women in Sub-Saharan Africa.

“The fact that Sandra E. Greene
has uncovered so much verifiable
information about these three West
African men from the late 19th century
is a miracle of archival and oral
tradition research. It is truly profound
and buttressed by an ethical and
methodological framework that reflects
the best in historical practice.”

AFRICA

SCHOLARLY

—Trevor R. Getz, author of
Cosmopolitan Africa

Slave Owners of West Africa
Decision Making in the Age of Abolition

Sandra E. Greene
In this groundbreaking book, Sandra E. Greene explores the lives of three prominent West African
slave owners during the age of abolition. These first-published biographies reveal personal and
political accomplishments and concerns, economic interests, religious beliefs, and responses to
colonial rule in an attempt to understand why the subjects reacted to the demise of slavery as
they did. Greene emphasizes the notion that the decisions made by these individuals were deeply
influenced by their personalities, desires to protect their economic and social status, as well as
their insecurities and sympathies for wives, friends, and other associates. Knowing why these
individuals and so many others in West Africa made the decisions they did, Greene contends, is
critical to understanding how and why the institution of indigenous slavery continues to influence
social relations in West Africa to this day.
SANDRA E. GREENE is the Stephen ’59 and Madeline ’60 Professor of African History at Cornell
University. She is author of Gender, Ethnicity and Social Change on the Upper Slave Coast, Sacred
Sites and the Colonial Encounter (IUP) and West African Narratives of Slavery (IUP).

Aksana Ismailbekova
A pioneering study of kinship, patronage, and politics in Central Asia, Blood Ties and the Native
Son tells the story of the rise and fall of a man called Rahim, an influential and powerful patron in
rural northern Kyrgyzstan, and of how his relations with clients and kin shaped the economic and
social life of the region. Many observers of politics in post-Soviet Central Asia have assumed that
corruption, nepotism, and patron-client relations would forestall democratization. Looking at the
intersection of kinship ties with political patronage, Aksana Ismailbekova finds instead that this
intertwining has in fact enabled democratization—both kinship and patronage develop apace with
democracy, although patronage relations may stymie individual political opinion and action.
AKSANA ISMAILBEKOVA is an affiliated researcher at Max Planck
Institute for Social Anthropology.
NEW ANTHROPOLOGIES OF EUROPE, Michael Herzfeld, Melissa L. Caldwell, and
Deborah Reed-Danahay, editors

Hagar Salamon
The kaleidoscope of everyday creativity in Israel is brilliantly thrown into relief in this study,
which teases out the abiding national tensions and contradictions at work in the expressive acts
of ordinary people. Hagar Salamon first examines creativity in Israel’s public sphere through
the lively discourse of bumper stickers, which have become a potent medium for identity and
commentary on national and religious issues. She next turns to the more private expressive
sphere of women’s embroidery, profiling a group of Jerusalem women who meet regularly
and create “folk embroidery.” In the final section, Salamon considers the significance of folk
expressions at the intersections of the public and private that rework change and embrace
transformation. Far ranging and insightful, Israel in the Making captures the complex creative
essence of a nation state and vividly demonstrates how its citizens go about defining themselves,
others, and their country every day.
HAGAR SALAMON is Max and Margarethe Grunwald Chair in Folklore at the Hebrew University
of Jerusalem. She is also Head of the Graduate Program for Folklore and Folk Culture Studies and
a Research Fellow at the Harry S. Truman Research Institute for the Advancement of Peace. Her
longstanding interest in the cultural modes and practices in which issues of identity are
negotiated and re-negotiated has inspired a wide range of studies pertaining to Ethiopian Jews,
women’s folk creativity and present day Israeli folklore in both public and private spheres.

Indiana University Eskenazi Museum of Art Guide
David A. Brenneman, Diane M. Pelrine, Nanette Esseck Brewer, Juliet
Istrabadi, Judith Ann Stubbs, and Jennifer A. McComas
The first overview of the Sidney and Lois Eskenazi Museum of Art’s collection in nearly ten
years, this indispensable, lavishly illustrated guide includes a brief history of the museum along
with fresh perspectives on visitor favorites. Three hundred fifty essential works, chosen by the
museum’s curators, are showcased by beautiful color reproductions paired with informative
texts. Iconic works from five diverse collections include media as varied as painting, decorative
arts, sculpture, traditional arts, and works on paper (the broadest compilation to date), offering a
comprehensive, global view of art history, from ancient to contemporary.
Guide to the Sidney and Lois Eskenazi Museum of Art Collection is an outstanding introduction
to the museum’s 45,000 works, an ideal companion volume for those already familiar with the
collection, and an absorbing read for lovers of art and art history.

Chinese Scholars on Inner Asia
Xin Luo
Roger Covey
In Chinese Scholars on Inner Asia, some of the best work of the past half-century by leading
Chinese scholars on the history and peoples of Inner Asia is presented for the first time in
English. The fifteen essays were selected by a team of contemporary Chinese specialists to
represent the unique and important contributions made to the field of Inner Asian studies by
Chinese scholarship. In addition, many of the essays have been revised and enhanced by their
authors especially for this volume of translations. The wide range of topics covered includes new
evidence from the Turfan documents on the Turks and on Chinese military activities in Central
Asia, appellations of Xiongnu Shanyu titles, the Sogdians in China, the religious background to
the An Lushan rebellion, the establishment of the Khitan state, the cultural anthropology of the
Khitan naming system, the Kirghiz and neighboring tribes,the Kerait Kingdom, the geography of
Turkestan in the Yuan dynasty, the Mongol boâ&#x20AC;&#x2122;ol, and the historical development of Manchu ethnic
identity.
Distributed for the Sinor Research Institute

Books of the Mongolian Nomads
Gyorgy Kara
John R. Krueger
The fascinating story of the visualized languages, alphabets, and other writing systems, handwritten and block-printed books of the Mongols, Kalmyks, Buryats, and other Mongolian nations
is outlined in this study by one of the world's preeminent scholars of the region. The mostly
nomadic peoples of the Mongolian language family have a long history of letters. The Khitans
had two writing systems, both of Chinese inspiration and still not fully deciphered. In Chinggis
Khan's world empire and in the later Mongolian societies, a number of various alphabets of
Mediterranean and Indo-Tibetan origin were used alternatively, according to the needs and
caprices of faith and political power. Similarly, the contents and shapes of books and related
monuments, the loose “palm leaves,” the accordion-style and the double-leaved “notebook”
forms, scrolls, stone inscriptions, and seals reflect the complex cultural history of the Mongols of
Mongolia, China, and European and Asiatic Russia.
GYORGY KARA is Professor of Central Eurasian Studies at Indiana University Bloomington.
Distributed for the Sinor Research Institute

Nomads and Ottomans in Medieval Anatolia
Rudi Paul Lindner
This book is about pastoral nomads inhabiting the Anatolian plateau, the ways they met their
needs, their threat to settled society, and how that society controlled them in the high Middle Ages.
Its larger purpose is to examine the impact of nomadism on early Ottoman history and challenge
the conclusions of Paul Wittekâ&#x20AC;&#x2122;s Rise of the Ottoman Empire, which defined the approaches of more
than two generatios of scholars.
RUDI PAUL LINDNER is Professor of Middle Eastern Studies at the University of Michigan.
Distributed for the Sinor Research Institute

Juhan Tuldava
This textbook is intended primarily for Americans and other speakers of English with an interest
in the Estonian language. Its forty lessons are each divided into six sections: grammar, readings,
vocabulary, exercises, expressions, and answers to the exercises. For the most part, the textbook
may be used for independent study.
Distributed for the Sinor Research Institute

“An important contribution to
scholarship in the field of game
studies.”
—Mia Consalvo, author of Players
and their Pets: Gaming Communities
from Beta to Sunset

FILM & MEDIA

SCHOLARLY

“A new benchmark for the critical
engagement of race, gender and
sexuality in the study of video games
and virtual representation.”
—Robert Alan Brookey, editor of Playing to
Win: Sports, Video Games, and the Culture
of Play

Gaming Representation
Race, Gender, and Sexuality in Video Games

Edited by Jennifer Malkowski and TreaAndrea M. Russworm
Recent years have seen an increase in public attention to identity and representation in video
games, including journalists and bloggers holding the digital game industry accountable for the
discrimination routinely endured by female gamers, queer gamers, and gamers of color. Video
game developers are responding to these critiques, but scholarly discussion of representation in
games has lagged far behind. Gaming Representation examines portrayals of race, gender, and
sexuality in a range of games, from casuals like Diner Dash, to indies like Journey and The Binding
of Isaac, to mainstream games from the Grand Theft Auto, BioShock, Spec Ops, The Last of Us,
and Max Payne franchises. Arguing that representation and identity function as systems in games
that share a stronger connection to code and platforms than it may first appear, the contributors
to this volume push gaming scholarship to new levels of inquiry, theorizing, and imagination.
JENNIFER MALKOWSKI is Assistant Professor of Film and Media Studies at Smith College. Her
research areas include digital media; documentary; race, gender, and sexuality in media; and
death and dying. She is the author of Dying in Full Detail: Mortality and Digital Documentary.
TREAANDREA M. RUSSWORM is Associate Professor of English at the University of
Massachusetts, Amherst where she teaches classes on digital media, race, and popular culture.
She is coeditor of From Madea to Media Mogul: Theorizing Tyler Perry and author of Blackness is
Burning: Civil Rights, Popular Culture, and the Problem of Recognition.
DIGITAL GAME STUDIES, Robert Alan Brookey and David J. Gunkel, editors

Bill Nichols
The third edition of Bill Nichols’s best-selling text provides an up-to-date introduction to the most
important issues in documentary history and criticism. Designed for students in any field that
makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies
the genre’s distinguishing qualities and teaches the viewer how to read documentary film. Each
chapter takes up a discrete question, from “How did documentary filmmaking get started?” to
“Why are ethical issues central to documentary filmmaking?” Here Nichols has fully rewritten
each chapter for greater clarity and ease of use, including revised discussions of earlier films and
new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland
to Restrepo. A new chapter, “I Want to Make a Documentary: Where Do I Start?” guides readers
through the steps of planning and preproduction and includes an example of a project proposal
for a film that went on to win awards at major festivals.
BILL NICHOLS is Professor Emeritus of Cinema at San Francisco State University. He is author of
Representing Reality: Issues and Concepts in Documentary (IUP), Blurred Boundaries: Questions
of Meaning in Contemporary Culture (IUP), and Speaking Truths with Film: Evidence, Ethics,
Politics in Documentary.

“An indispensable and timely work of
historiography.”
—Zuzana Pick, author of The New Latin
American Cinema: A Continental Project

FILM & MEDIA

SCHOLARLY

Cosmopolitan Film Cultures in Latin America, 1896–1960
Edited by Rielle Navitski and Nicolas Poppe
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections
between Latin American publics and film-exporting nations in the first half of the twentieth
century. Predating today’s transnational media industries by several decades, these connections
were defined by active economic and cultural exchanges, as well as longstanding inequalities
in political power and cultural capital. The essays explore the arrival and expansion of cinema
throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the
emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining
these transnational exchanges through the lens of the cosmopolitan, which emphasizes the
ethical and political dimensions of cultural consumption, illuminates the role played by moving
images in negotiating between the local, national, and global, and between the popular and the
elite in twentieth-century Latin America. In addition, primary historical documents provide vivid
accounts of Latin American film critics, movie audiences, and film industry workers’ experiences
with moving images produced elsewhere, encounters that were deeply rooted in the local context,
yet also opened out onto global horizons.
RIELLE NAVITSKI is Assistant Professor of Film Studies at the University of Georgia. She is
author of Public Spectacles of Violence: Sensational Cinema and Journalism in Early TwentiethCentury Mexico and Brazil.
NICOLAS POPPE is Assistant Professor of Spanish at Middlebury College. His work on Latin
American cinema and cultural studies has appeared in several edited volumes and journals.
NEW DIRECTIONS IN NATIONAL CINEMAS, Robert Rushing, editor
June 2017
Film & Media, Latin America
World
360 pages, 40 b&w illus., 6 x 9
Cloth 978-0-253-02572-2 $90.00 £74.00
Paper 978-0-253-02646-0 $38.00 £30.99
eBook 978-0-253-02655-2 $37.99 £30.99

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FILM & MEDIA

SCHOLARLY

“Exciting, compelling reading...
[and an] important contribution
to the scholarship of amateur film,
documentary, [and] regional history.”
—Patricia R. Zimmermann, author of Reel
Families: A Social History of Amateur Film

Amateur Movie Making
Aesthetics of the Everyday in New England Film

Edited by Martha J. McNamara and Karan Sheldon
A compelling regional and historical study that transforms our understanding of film history,
Amateur Movie Making demonstrates how amateur films and home movies stand as testaments
to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we
encounter the lyrical and visually expressive qualities of films produced in New England between
1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository
and study center that was established to collect, preserve, and interpret the audiovisual record
of northern New England. Contributors from diverse backgrounds examine the visual aesthetics
of these films while placing them in their social, political, and historical contexts. Each discussion
is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by
artists who have close connections to particular amateur filmmakers. These reflections reanimate
the original private contexts of the home movies before they were recast as objects of study and
artifacts of public history.
MARTHA J. MCNAMARA is Director of the New England Arts and Architecture Program in
the Department of Art at Wellesley College. She is the author of From Tavern to Courthouse:
Architecture and Ritual in American Law, 1658–1860, and coeditor with Georgia Barnhill of New
Views of New England: Studies in Material and Visual Culture, 1680-1830.
KARAN SHELDON is cofounder of northern New England’s moving image archive, Northeast
Historic Film. She has curated screenings including You Work, We’ll Watch and Exceptional
Amateur Films and given annual lectures in Regional and Nontraditional Moving Image Archiving
for the L. Jeffrey Selznick School of Film Preservation, Rochester, NY.

Making a Splash
Mermaids (and Mer-Men) in 20th and 21st Century Audiovisual Media

Edited by Philip Hayward
Mermaids have been a feature of western cinema since its inception and the number of films,
television series, and videos representing them has expanded exponentially since the 1980s.
Making a Splash analyses texts produced within a variety of audiovisual genres. Following an
overview of mermaids in western culture that draws on a range of disciplines including media
studies, psychoanalysis, and post-structuralism, individual chapters provide case studies of
particular engagements with the folkloric figure. From Hans Christian Andersen’s “The Little
Mermaid” to the creation of Ursula, Ariel’s tentacled antagonist in Disney’s 1989 film, to aspects
of mermaid vocality, physicality, agency, and sexuality in films and even representations of
mermen, this work provides a definitive overview of the significance of these ancient mythical
figures in 110 years of western audio-visual media.
PHILIP HAYWARD is editor of the Island Studies journal Shima and holds adjunct professor
positions at the University of Technology Sydney and at Southern Cross University (Australia).
He has previously published books on topics such as horror cinema and cultural heritage in
the Pacific. He is also a member of audio-visual ensemble The Moviolas and was co-curator of
an exhibition entitled Making a Splash: Mermaids and Modernity held at Sydney’s Macquarie
University Art Gallery in mid-2017 to accompany the launch of this volume.
Distributed for John Libbey Publishing

“A sophisticated work that . . . [gives]
us a new and much needed reading of
Thaw cinema.”
—Lilya Kaganovsky,
editor of Sounds, Speech, Music in Soviet
and Post-Soviet Cinema

“Superior and innovative scholarship.”
—Alexander Prokhorov, author of Inherited
Discourse: Paradigms of Stalinist Culture
in Literature and Cinema of the Thaw

The Cinema of the Soviet Thaw
Space, Materiality, Movement

Lida Oukaderova
Following Joseph Stalin’s death in 1953, the Soviet Union experienced a dramatic resurgence
in cinematic production. The period of the Soviet Thaw became known for its relative political
and cultural liberalization; its films, formally innovative and socially engaged, were swept to the
center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova
provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the
centrality of space—as both filmic trope and social concern—to Thaw-era cinema. Opening with
a discussion of the USSR’s little-examined late-fifties embrace of panoramic cinema, the book
pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira
Muratova, among others. It demonstrates that these directors’ works were motivated by an urge
to interrogate and reanimate spatial experience, and through this project to probe critical issues
of ideology, social progress, and subjectivity within post–Stalinist culture.
LIDA OUKADEROVA is Assistant Professor of Film Studies in the Department of Art History at
Rice University.

The FIAF Moving Image Cataloguing Manual is the result of many years of labor and collaboration
with numerous professionals in the moving image field. It addresses the changes in information
technology that we’ve seen over the past two decades, and aligns with modern cataloguing and
metadata standards and concepts such as FRBR (Functional Requirements for Bibliographic
Records), EN 15907, and RDA (Resource Description and Access). The manual is designed to be
compatible with a variety of data structures, and provides charts, decision trees, examples, and
other tools to help experts and non-experts alike in performing real-world cataloguing of moving
image collections.
NATASHA FAIRBAIRN has worked at the British Film Institute (BFI) since 1986 as Library
Assistant, Indexer, Senior Cataloguer in the BFI National Archive, and then Documentation Editor.
Since 2011, she has worked as an Information Specialist —part of the Collections & Information
team concerned with the data, standards, and data architecture of the BFI’s Collections
Information Database (CID).
MARIA ASSUNTA PIMPINELLI is a film archivist at the Centro Sperimentale di Cinematografia
(CSC) – Cineteca Nazionale in Rome. She is a member of the FIAF Cataloguing and
Documentation Commission.
THELMA ROSS has been employed as a moving image cataloguer for over a decade, including for
the Academy Film Archive and, currently, for the Department of Film at The Museum of Modern
Art. She serves as the Head of the FIAF Cataloguing and Documentation Commission.
Distributed for The International Federation of Film Archives (FIAF)

“A wonderfully nuanced book . . .
on the stylistic development of
psychedelic music . . .”
—Walter Everett, author of
The Foundations of Rock

Psychedelic Popular Music
A History through Musical Topic Theory

William Echard
Recognized for its distinctive musical features and its connection to periods of social innovation
and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural
production, including music, visual art, graphic design, film, and literature. William Echard
explores the historical development of psychedelic music and its various stylistic incarnations
as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory
of musical topics—highly conventional musical figures that signify broad cultural concepts—and
musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the
early 1960s, with the Beatles’ Rubber Soul and Revolver and the Kinks and Pink Floyd, to the
German experimental bands and psychedelic funk of the 1970s, with a special emphasis on
Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the
free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these
decades, Echard’s study of psychedelia lays the groundwork and offers lessons for analyzing the
topic of popular music in the twentieth and twenty-first centuries.
WILLIAM ECHARD is Associate Professor of Music at Carleton University, Ottawa. He is author of
Neil Young and the Poetics of Energy (IUP).
MUSICAL MEANING AND INTERPRETATION, Robert S. Hatten, editor

Ferruccio Busoni and His Legacy
Erinn E. Knyt
Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious
careers of their own, yet the extent to which their mentor’s influence helped shape their success
was largely unexplored until now. Through rich archival research including correspondence,
essays, and scores, Erinn E. Knyt presents an evocative account of Busoni’s idiosyncratic
pedagogy—focused on aesthetic ideals rather than methodologies or techniques—and how this
teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of
Sibelius, the unusual soundscapes of Varèse, the polystylistic meldings of music and technology
in Louis Gruenberg’s radio operas and film scores, the electronic music of Otto Luening, and the
experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt’s
work compels a reconsideration of Busoni’s legacy and puts forth the notion of a “Busoni School”
as one that shaped the trajectory of twentieth-century music.
ERINN E. KNYT is Assistant Professor of Music History at the University of Massachusetts,
Amherst. Knyt specializes in 19th- and 20th-century music, aesthetics, and performance studies
and has written extensively about Ferruccio Busoni. She has articles in the Journal of the Royal
Musical Association, the Journal of Musicological Research, American Music, the Journal of
Musicology, the Journal of Music History Pedagogy, and Twentieth Century Music.

Translation and the Arts in Modern France
Edited by Sonya Stephens
Translation and the Arts in Modern France sits at the intersection of transposition, translation,
and ekphrasis, finding resonances in these areas across periods, places, and forms. Within
these contributions, questions of colonization, subjugation, migration, and exile connect Benin
to Brittany, and political philosophy to the sentimental novel and to film. Focusing on cultural
production from 1830 to the present and privileging French culture, the contributors explore
interactions with other cultures, countries, and continents, often explicitly equating intercultural
permeability with representational exchange. In doing so, the book exposes the extent to which
moving between media and codes—the very process of translation and transposition—is a
defining aspect of creativity across time, space, and disciplines.
SONYA STEPHENS is Professor of French and Acting President at Mount Holyoke College having
taught previously at Indiana University, Bloomington and Royal Holloway, University of London.
She has published widely on nineteenth-century French poetry and its relation to visual culture,
and is currently working on questions of process and on iconicity in modern France, as well as
on a study of illustrated editions of Les Fleurs du Mal. She is author of Baudelaire’s Prose Poetry:
The Practice and Politics of Irony; editor of A History of Women’s Writing in France, Ebauches/
Esquisses: Projects and Pre-Texts in Nineteenth-Century France; and coeditor of Birth and Death in
Nineteenth-Century French Culture.

The World on Edge
Edward S. Casey
From one of continental philosophy’s most distinctive voices comes a creative contribution to
spatial studies, environmental philosophy, and phenomenology. Edward S. Casey identifies how
important edges are to us, not only in terms of how we perceive our world, but in our cognitive,
artistic, and sociopolitical attentions to it. We live in a world that is constantly on edge, yet edges
as such are rarely explored. Casey systematically describes the major and minor edges that
configure the human and other-than-human realms, including our everyday experience. He also
explores edges in high-stakes situations, such as those that emerge in natural disasters, moments
of political and economic upheaval, and encroaching climate change. Casey’s work enables a
more lucid understanding of the edge-world that is a necessary part of living in a shared global
environment.
EDWARD S. CASEY is Distinguished Professor of Philosophy at SUNY, Stony Brook. He is author
of several books, including Getting Back into Place, Imagining, and Remembering (all IUP). The
World on Edge is a sequel to his book The World at a Glance (IUP).
STUDIES IN CONTINENTAL THOUGHT, John Sallis, editor

Translated by Peg Birmingham, Kristina Lebedeva, and Elizabeth von Witzke Birmingham
How could Hannah Arendt, a German Jew who fled Germany in 1931, have reconciled with Martin
Heidegger, whom she knew had joined and actively participated in the Nazi Party? In this remarkable
biography, Antonia Grunenberg tells how the relationship between Arendt and Heidegger embraced
both love and thought and made their passions inseparable, both philosophically and romantically.
Grunenberg recounts how the history between Arendt and Heidegger is entwined with the history
of the twentieth century with its breaks, catastrophes, and crises. Against the violent backdrop of
the last century, she details their complicated and often fissured relationship as well as their intense
commitments to thinking.
ANTONIA GRUNENBERG is Professor of Political Science and Director of the Hannah Arendt Center at
Carl von Ossietzky University of Oldenburg.
PEG BIRMINGHAM is Professor of Philosophy at DePaul University. She is author of Hannah Arendt
and Human Rights: The Predicament of Common Responsibility (IUP). She is editor of
Philosophy Today.
ELIZABETH VON WITZKE BIRMINGHAM lives and works in Berlin. She is translator (with Peg
Birmingham) of Dominique Janicaud’s Powers of the Rational: Science, Technology, and the Future of
Thought (IUP).
KRISTINA LEBEDEVA is a doctoral student of Philosophy at DePaul University.
STUDIES IN CONTINENTAL THOUGHT, John Sallis, editor

“Gander’s Self-Understanding and
Lifeworld is an eminent text within
contemporary Continental philosophy.
An English translation is essential and
Ryan Drake and Joshua Rayman have
done an admirable job preserving the
style of the German.”

PHILOSOPHY

SCHOLARLY

—Lawrence K. Schmidt, author of
Understanding Hermeneutics

Self-Understanding and Lifeworld
Basic Traits of a Phenomenological Hermeneutics

Hans-Helmuth Gander

Translated by Ryan Drake and Joshua Rayman
What are the foundations of human self-understanding and the value of responsible
philosophical questioning? Focusing on Heidegger’s early work on facticity, historicity, and the
phenomenological hermeneutics of factical-historical life, Hans-Helmuth Gander develops an
idea of understanding that reflects our connection with the world and other, and thus invites
deep consideration of phenomenology, hermeneutics, and deconstruction. He draws usefully on
Husserl’s phenomenology and provides grounds for exchange with Descartes, Dilthey, Nietzsche,
Gadamer, Ricoeur, and Foucault. On the way to developing a contemporary hermeneutical
philosophy, Gander clarifies the human relation to self in and through conversation with
Heidegger’s early hermeneutics. Questions about reading and writing then follow as these are the
very actions that structure human self-understanding and world understanding.
HANS-HELMUTH GANDER is Professor of Philosophy and Director of the Husserl Archive at the
University of Freiburg.
RYAN DRAKE is Associate Professor of Philosophy at Fairfield University in Connecticut. He
specializes in 20th century European philosophy and ancient philosophy.
JOSHUA RAYMAN is Assistant Professor of Philosophy at the University of South Florida. He is
author of Kant on Sublimity and Morality.
STUDIES IN CONTINENTAL THOUGHT, John Sallis, editor

“Rodolphe Gasché has long been one
of the most meticulous readers of
texts on the philosophical scene and
here he once again offers a master
class in to how do philosophy through
interpretation.”
—Robert Bernasconi, author of
How to Read Sartre

“Here Rodolphe Gasché is at his best:
rigorous, scholarly, creative, forceful,
laser focused on the issues at stake,
learned, thoughtful, and original. He
demands much of his readers, but
reading his work is rewarding in ways
that can be profoundly affecting.”
—Dennis J. Schmidt, author of Between
Word and Image: Heidegger, Klee, and
Gadamer on Gesture and Genesis

Persuasion, Reflection, Judgment
Ancillae Vitae

Rodolphe Gasché
As one of the most respected voices of Continental philosophy today, Rodolphe Gasché
pulls together Aristotle’s conception of rhetoric, Martin Heidegger’s debate with theory, and
Hannah Arendt’s conception of judgment in a single work on the centrality of these themes
as fundamental to human flourishing in public and political life. Gasché’s readings address
the distinctively human space of the public square and the actions that occur there, and his
valorization of persuasion, reflection, and judgment reveals new insight into how the philosophical
tradition distinguishes thinking from other faculties of the human mind.
RODOLPHE GASCHÉ is Distinguished Professor and Eugenio Donato Chair of Comparative
Literature at the University at Buffalo, State University of New York.
STUDIES IN CONTINENTAL THOUGHT, John Sallis, editor

“This fascinating book by one of
the more original voices writing
philosophy in English poses
questions about the nature of the
visible and invisible, sensible and
intelligible.”
—Dennis Schmidt

Shades—Of Painting at the Limit
John Sallis
What is it that an artist paints in a painting? Working from paintings themselves rather than from
philosophical theories, John Sallis shows how, through shades and limits, the painter renders
visible the light that confers visibility on things. In his extended examination of three phases in the
development of modern painting, Sallis focuses on the work of Claude Monet, Wassily Kandinsky,
and Mimmo Paladino—three painters who, each in his own way, carry painting to the limit.
JOHN SALLIS is Frederick J. Adelmann Professor of Philosophy at Boston College. He is author of
more than 20 books, including Light Traces (IUP) and Logic of Imagination (IUP).
STUDIES IN CONTINENTAL THOUGHT, John Sallis, editor

“Merold Westphal is a major figure in
the philosophy of religion. His works
are an important part of the selfunderstanding of religion and this
new book contributes to his work and
extends it in fresh ways.”
—Kevin Hart, author of Kingdoms of God

“Merold Westphal’s treatments of
Spinoza, Kant, and Hegel are careful,
well-informed, judicious, and attentive
to recent literature. Historians of
philosophy, among others, will benefit
from this work on these three influential
figures.”
—Paul K. Moser, author of Evidence for God

In Praise of Heteronomy
Making Room for Revelation

Merold Westphal
Recognizing the essential heteronomy of postmodern philosophy of religion, Merold Westphal
argues against the assumption that human reason is universal, neutral, and devoid of
presupposition. Instead, Westphal contends that any philosophy is a matter of faith and the
philosophical encounter with theology arises from the very act of thinking. Relying on the work
of Spinoza, Kant, and Hegel, Westphal discovers that their theologies render them mutually
incompatible and their claims to be the voice of autonomous and universal reason look dubious.
Westphal grapples with this plural nature of human thought in the philosophy of religion and he
forwards the idea that any appeal to the divine must rest on a historical and phenomenological
analysis.
MEROLD WESTPHAL is Distinguished Professor Emeritus of Philosophy at Fordham University
and Honorary Professor at the Australian Catholic University. His most recent works include
Transcendence and Self-Transcendence (IUP) and Levinas and Kierkegaard in Dialogue (IUP).
INDIANA SERIES IN THE PHILOSOPHY OF RELIGION, Merold Westphal, editor

“An original and stimulating book,
manifesting a level of reflection and
existential concern of the highest
order. It is intellectually and personally
honest.”
—Robert E. Innis, author of
Suzanne Langer in Focus

PHILOSOPHY

SCHOLARLY

“There is something fresh and hence
refreshing in the manner in which John
T. Lysaker takes up familiar topics. He
shows, with both arresting details and
an evolving design, how the conduct
of life (to use Emerson’s expression)
demands a form of thought frequently
at odds with contemporary fashions
and preoccupations, with institutionally
entrenched approaches and all too
rigidly policed discourses.”
—Vincent Colapietro, author of Experience,
Interpretation, and Community

After Emerson
John T. Lysaker
John T. Lysaker works between and weaves together questions and replies in philosophical
psychology, Emerson studies, ethics, and the formal-pragmatic tradition of the essay in this book
of deep existential questioning. Each essay in this atypical philosophical book is built around
recurring terms, phrases, and questions that characterize our contemporary age. Setting out
from the idea of where we are in the most literal sense, Lysaker takes readers on an intellectual
journey into the thematic concerns and commitments of broad interest, such as the nature of
self and self-experience, ethical life, poetry and philosophy, and history and race. In the manner of
Emerson, Cavell, and Rorty, Lysaker’s vibrant writing is certain to have a transformative effect on
American philosophy today.
JOHN T. LYSAKER is Professor of Philosophy at Emory University. He is author of Emerson and
Self-Culture (IUP).
AMERICAN PHILOSOPHY, John J. Stuhr, editor

“Case studies, clear examples, well
outlined strategies, and insightful
writing make Decoding the Disciplines
an understandable and accessible
entry into an essential topic that will
be usable for many teachers. This
book should be required reading for
beginning college instructors.”
—Anthony Ciccone,
coauthor of The Scholarship of Teaching
and Learning Reconsidered: Institutional
Integration and Impact

David Pace
Teaching and learning in a college setting has never been more challenging. How can instructors
reach out to their students and fully engage them in the conversation? Applicable to multiple
disciplines, the Decoding the Disciplines Paradigm offers a radically new model for helping
students respond to the challenges of college and provides a framework for understanding why
students find academic life so arduous. Teachers can help their pupils overcome obstacles by
identifying bottlenecks to learning and systematically exploring the steps needed to overcome
these obstacles. Often, experts find it difficult to define the mental operations necessary to
master their discipline because they have become so automatic that they are invisible. However,
once these mental operations have been made explicit, the teacher can model them for students,
create opportunities for practice and feedback, manage additional emotional obstacles, assess
results, and share what has been learned with others.
DAVID PACE is Emeritus Professor in the History Department of Indiana University.
SCHOLARSHIP OF TEACHING AND LEARNING, Jennifer Meta Robinson, Whitney M. Schlegel and
Mary Taylor Huber, editors

“Olga Borovaya uncovers previously
unacknowledged or misunderstood
aspects of the literary, philosophical,
and historical underpinnings of early
Ladino literature. An impressive and
erudite work.”
—Julia Phillips Cohen, author of Becoming
Ottomans: Sephardi Jews and Imperial
Citizenship in the Modern Era

“Like the best scholarship, Olga
Borovaya’s book is quietly revolutionary
and serves to open up many new
conversations in various fields.”
—Vincent Barletta, author of Covert
Gestures: Crypto-Islamic Literature as
Cultural Practice in Early Modern Spain

LITERARY CRITICISM & THEORY

SCHOLARLY

The Beginnings of Ladino Literature
Moses Almosnino and His Readers

Olga Borovaya
Moses Almosnino (1518–1580), arguably the most famous Ottoman Sephardi writer and the only
one who was known in Europe to both Jews and Christians, became renowned for his vernacular
books that were admired by Ladino readers across many generations. While Almosnino’s works
were written in a style similar to contemporaneous Castilian, Olga Borovaya makes a strong
argument for including them in the corpus of Ladino (Judeo-Spanish) literature. Borovaya
suggests that the history of Ladino literature begins at least 200 years earlier than previously
believed and that Ladino, like most other languages, had more than one functional style. With
careful historical work, Borovaya establishes a new framework for thinking about Ladino language
and literature and the early history of European print culture.
OLGA BOROVAYA is Visiting Scholar in the Mediterranean Studies Forum at Stanford University.
She is author of Modern Ladino Culture: Press, Belles Lettres, and Theater in the Late Ottoman
Empire (IUP).
INDIANA SERIES IN SEPHARDI AND MIZRAHI STUDIES, Harvey E. Goldberg and
Matthias Lehmann, editors

“S. J. Pearce demonstrates the cultural
value of Arabic as a medium of learning
and as a marker for Andalusi Jewish
intellectual culture. A fascinating
history of an important moment in the
history of translation.”
—David A. Wacks, author of A Double
Diaspora in Sephardic Literature

“The study of the Hebrew afterlife
of Judeo-Arabic and Arabic texts
produced or consumed by Andalusi
authors has become a growing field,
and S. J. Pearce provides penetrating
and engaging perspectives to questions
of authorial voice, heteroglossia,
paratexts, and fictionalized accounts of
translation scenarios.”
—Jonathan Decter,
author of Patronage, Production, and
Transmission of Texts in Medieval and
Early Modern Jewish Cultures

The Andalusi Literary and Intellectual Tradition
The Role of Arabic in Judah ibn Tibbon’s Ethical Will

S. J. Pearce
Beginning in 1172, Judah ibn Tibbon, who was called the father of Hebrew translators, wrote a
letter to his son that was full of personal and professional guidance. The detailed letter, described
as an ethical will, was revised through the years and offered a vivid picture of intellectual life
among Andalusi elites exiled in the south of France after 1148. S. J. Pearce sets this letter into
broader context and reads it as a document of literary practice and intellectual values. She reveals
how ibn Tibbon, as a translator of philosophical and religious texts, explains how his son should
make his way in the family business and how to operate, textually, within Arabic literary models
even when writing for a non-Arabic audience. While the letter is also full of personal criticism and
admonitions, Pearce shows ibn Tibbon making a powerful argument in favor of the continuation of
Arabic as a prestige language for Andalusi Jewish readers and writers, even in exile outside of the
Islamic world.
S. J. PEARCE is Assistant Professor in the Department of Spanish and Portuguese at New York
University, where her teaching and research focus on the intellectual history and literature of
Jews, Christians, and Muslims in medieval Spain. She was awarded the John K. Walsh Prize from
La Corónica/MLA Division of Medieval Hispanic Literature in 2016.
INDIANA SERIES IN SEPHARDI AND MIZRAHI STUDIES, Harvey E. Goldberg and
Matthias Lehmann, editors

“Jerold Frakes offers an excellent
presentation of the Jewish vernacular
as a multi-faceted, multivalent cultural
phenomenon that shows the slow
religious evolution and socio-cultural
turn from the Middle Ages to the Early
Modern period.”

The Emergence of Early Yiddish Literature
Cultural Translation in Ashkenaz

Jerold Frakes
While much early Yiddish literature belonged to pious genres, quasi-secular genres—epic, drama,
and lyric—also developed. Jerold Frakes contends that the historical context of the emergence
of Yiddish literature is an essential factor in any understanding of its cultural relevance in a time
and place where Jewish life was defined by expulsions, massacres, and discriminatory legislation
that profoundly altered European Judaism and shook the very foundations of traditional Jewish
society.
JEROLD FRAKES is SUNY Distinguished Professor of English at the University at Buffalo.
GERMAN JEWISH CULTURES

“This important contribution to our
understanding of the evolution of ritual
murder charges in Eastern Europe
brings together a number of innovative
studies on the topic, several of which
could become standard reading on the
subject.”
—Glenn Dynner, Sarah Lawrence College

Ritual Murder in Russia, Eastern Europe, and Beyond
New Histories of an Old Accusation

Edited by Eugene M. Avrutin, Jonathan Dekel-Chen, and Robert Weinberg
This innovative reassessment of ritual murder accusations brings together scholars working in
history, folklore, ethnography, and literature. Favoring dynamic explanations of the mechanisms,
evolution, popular appeal, and responses to the blood libel, the essays rigorously engage with the
larger social and cultural worlds that made these phenomena possible. In doing so, the book helps
to explain why blood libel accusations continued to spread in Europe even after modernization
seemingly made them obsolete. Drawing on untapped and unconventional historical sources,
the collection explores a range of intriguing topics: popular belief and scientific knowledge; the
connections between antisemitism, prejudice, and violence; the rule of law versus the power of
rumors; the politics of memory; and humanitarian intervention on a global scale.
EUGENE M. AVRUTIN is Associate Professor of History at the University of Illinois.
JONATHAN DEKEL-CHEN is Professor of History at The Hebrew University of Jerusalem.
ROBERT WEINBERG is Professor of History at Swarthmore College.

Envoy to the Promised Land
The Diaries and Papers of James G. McDonald, 1948–1951

James G. McDonald
Edited by Norman J. W. Goda, Richard Breitman, Barbara McDonald Stewart,
and Severin Hochberg
James G. McDonald arrived in Israel soon after its birth, serving as US special representative and
later as its first ambassador. McDonald continued his longstanding practice of dictating a diary,
which remained for many decades in private hands. Here his letters, private papers, and exchanges
with the US State Department and the White House are interspersed chronologically with his diary
entries. Envoy to the Promised Land is a major new source for the history of US-Israeli relations.
Brilliantly describing the tense climate in Israel almost day by day, McDonald offers an in-depth
portrait of key Israeli politicians and analyzes the early stages of issues that still haunt the
country today: the disputed boundaries of the new state, the status of Jerusalem, the questions
of peace with Arab states and Israel’s security, Israel’s relationship with the United Nations, and
the problem of Palestinian refugees.
These papers and diaries from 1948 to 1951 follow the widely praised Advocate for the Doomed
(IUP), Refugees and Rescue (IUP), and To the Gates of Jerusalem (IUP). Together these four volumes
significantly revise the ways we view the Holocaust, its aftermath, and the early history of Israel.
NORMAN J. W. GODA is the Norman and Irma Braman Professor of Holocaust Studies at the
University of Florida.
RICHARD BREITMAN is Distinguished Professor of History at American University.
BARBARA MCDONALD STEWART, daughter of James G. McDonald, has taught at George Mason
University.
Published in association with the United States Holocaust Memorial Museum
April 2017
Judaica, Middle East
World
1136 pages, 12 b&w illus., 4 maps, 6.125 x 9.25
Cloth 978-0-253-02534-0 $50.00 £41.00

63

JUDAICA

SCHOLARLY

“There is so much literature—and
very good scholarship—on Judaism
and gender, but the majority of that
literature reflects an interest in women.
A hearty thank you to Sarah Imhoff for
writing the other half of the story and
for doing it so elegantly.”
—Claire Elise Katz, author of Levinas and the
Crisis of Humanism

“Invariably lucid and engaging, Sarah
Imhoff provides a secure foundation
for how religion shaped American
masculinity and how masculinity
shaped American Judaism in the early
twentieth century.”
—Judith Gerson, author of By Thanksgiving
We Were Americans: German Jewish
Refugees and Holocaust Memory

Masculinity and the Making of American Judaism
Sarah Imhoff
How did American Jewish men experience manhood, and how did they present their masculinity
to others? In this distinctive book, Sarah Imhoff shows that the project of shaping American
Jewish manhood was not just one of assimilation or exclusion. Jewish manhood was neither
a mirror of normative American manhood nor its negative, effeminate opposite. Imhoff
demonstrates how early 20th century Jews constructed a gentler, less aggressive manhood,
drawn partly from the American pioneer spirit and immigration experience, but also from
Hollywood and the YMCA, which required intense cultivation of a muscled male physique. She
contends that these models helped Jews articulate the value of an acculturated American
Judaism. Tapping into a rich historical literature to reveal how Jews looked at masculinity
differently than Protestants or other religious groups, Imhoff illuminates the particular experience
of American Jewish men.
SARAH IMHOFF is Assistant Professor in the Department of Religious Studies and the Borns
Jewish Studies Program at Indiana University.

Founded in 1950, Indiana University Press is a full-service
publisher committed to excellence in the dissemination of
academic research and has been working at the forefront
of journals publishing since 1987. We are proud to play an
important part in today’s increasingly global dialogue in
scholarly communication by providing our readers with
access to vital ideas, discoveries, and perspectives.

Indiana University
Press is proud to
play a part in today’s
increasingly essential
global dialogue
and to provide our
readers with a world
of ideas, discoveries,
and perspectives.

JOURNALS

The Journals Program at
Indiana University Press

The Indiana University Press Journals Program features
titles from a wide range of subject areas including: legal
studies, philosophy, Judaism, Middle East studies, feminist
studies in religion, film, folklore, African American and African studies and literature, electronic
services, modern literature, Latino studies, philanthropy, South Asian studies, Victorian studies,
transnationalism, early modern cultural studies, and environmental ethics, among others.

Our staff manages all aspects of the editorial workflow, including online article submissions and
peer review processes, copyediting, design, and layout. We have partnered with leading online
content distributors that extend the reach of our journals worldwide. Regardless of the size
of your print run, we provide high quality, four-color digital printing, with full print on demand
capabilities.
The journals team at IU Press provides professional service to all of our publishing partners—
editors, society officials, contributors, readers, librarians, and subscribers—including each aspect
of the modern journals workflow, including:
• online and traditional distribution (including mobile and e-reader editions)
• XML-early workflows
• copyediting, design, and layout
• marketing and promotional campaigns
• intellectual property (IP) management
• print and online advertising sales
• subscription and membership development
• list management
• full print-on-demand, production, and fulfillment
• financial record keeping and collections
Contact Michael Regoli, Director of Electronic and Journals Publishing, at regoli@indiana.edu to
explore a journals publishing partnership with the Journals Program at Indiana University Press.

Advertising
Advertising in the prestigious scholarly journals included in the IU Press Journals list will ensure
that your message reaches the precise community you need to inform. Low ad rates help you get
the most out of your print advertising dollars. Both print and online ads are available.
For more information, visit our website at bit.ly/IUPJ_adv or contact Jacklyn Lord
at jvfarris@indiana.edu

Since 1954, Africa Today has been at the forefront of
publishing Africanist, reform-minded research and
provides access to the best scholarly work from around
the world on a full range of political, economic, and
social issues. Multicultural in perspective, it offers a
much-needed alternative forum for serious analysis and
discussion and provides perspectives for addressing the
problems facing Africa today.
PUBLISHED QUARTERLY
African Studies, African Diaspora

ACPR African Conflict & Peacebuilding Review

African Conflict and
Peacebuilding Review

African Conflict & Peacebuilding Review
INSIDE THIS ISSUE...

Edited by Abu Bakarr Bah,
Tricia Redeker Hepner, and Niklas Hultin
MICHAEL BEEVERS on Securing Forests for Peace
and Development in Postconflict Liberia

GBEMISOLA ANIMASAWUN on Everyday People,
Autochthony and Indigene-Settler Crisis in Lagos
Commodity Markets
JUDE COCODIA and FIDELIS PAKI on Achieving
Stability in African Conflicts: The Role of Contingent
Size and Force Integrity

African Conflict and Peacebuilding Review (ACPR) is an
interdisciplinary forum for creative and rigorous studies
A N D I Nfor
C L U D discussions
ING
of conflict and peace in Africa, and
among
scholars, practitioners, and public intellectuals in Africa,
the United States, and other parts of the world. ACPR
provides a wide range of theoretical, methodological, and
empirical perspectives on the causes of conflicts and
peace processes.
FRANCIS ONDITI, PONTIAN OKOTH,
 FRANK MATANGA on The Quest for a
Multidimensional African Standby Force

Aleph
Historical Studies in Science & Judaism
Aleph is devoted to the exploration of the interface between Judaism and
science in history. We welcome contributions on any chapter in the history
of science in which Judaism played a significant role, or on any chapter in
the history of Judaism in which science played a significant role. Science is
conceived very broadly, including the social sciences and the humanities.
History of science is also broadly construed within its social and cultural
dimensions.

Aleph is a semi-annual, published jointly by the Sidney M. Edelstein Center
for the History and Philosophy of Science, Technology and Medicine at
The Hebrew University of Jerusalem and by Indiana University Press,
Bloomington, Indiana, USA. It is available online at http://www.jstor.
org/r/iupress as well as via Project Muse: http://muse.jhu.edu.

16.2

Aleph is devoted to the exploration of the interface between
Judaism and science in history. We welcome contributions
on any chapter in the history of science in which Judaism
played a significant role, or on any chapter in the history of
Judaism in which science played a significant role. Science
and the history of science are conceived very broadly
within social and cultural dimensions. Aleph is published
jointly by the Sidney M. Edelstein Center for the History
and Philosophy of Science, Technology and Medicine
at The Hebrew University of Jerusalem and by Indiana
The Hebrew University of Jerusalem
University Press.
Indiana University Press

Aleph 16.2
Historical Studies in Science & Judaism

Edited by Catherine Chatterley

ANTISEMITISM
STUDIES
VOLUME 1 NUMBER 1 SPRING 2017

A double blind peer-reviewed academic publication, issued
twice a year, Antisemitism Studies provides the leading
forum for scholarship on the millennial phenomenon of
antisemitism, both its past and present manifestations.
Multidisciplinary and international in scope, the journal will
publish a variety of perspectives on, and interpretations of,
the problem of antisemitism and its impact on society.

JOURNALS

Antisemitism Studies

Each issue is composed of a brief introduction by the editor,
a selection of scholarly articles, and reviews of significant
new books published on the subject.
PUBLISHED BIANNUALLY
Jewish Studies, History

Black Camera, a journal of black film studies, is devoted
to the study and documentation of the black cinematic
experience and aims to engender an academic
discussion of black film production, including historical
and contemporary book and film reviews, interviews
with accomplished film professionals, and editorials
on the development of black creative culture. Black
Camera challenges received and established views
and assumptions about the traditions and practices
of filmmaking in the African diaspora, where new and
longstanding cinematic formations are in play.
PUBLISHED SEMIANNUALLY
Film, African Studies, African Diaspora

Chiricú Journal
Latino Literature, Art, and Culture

ivility in Salt of the Earth”

d Recent Chicano-Latino Cinema

nsmigration in Grandma Has a

JOURNAL

rdes Portillo, su proyecto ético-

JOURNAL

Latina/o Literatures, Arts, and Cultures

xico Border: An Interview with

the Whitewashing of the American

Volume 1, Number 1

sus On El Santo. Poems

with Filmmaker Natalia Almada
er

Fall 2016

LATINA/O CINEMA

Edited by John Nieto-Phillips
Chiricú Journal is a is a pathbreaking multilingual journal,
providing a unique, critical, and creative space for the
examination of Latina and Latino experiences in the
United States and in transnational contexts. Conceived
as a venue for Latino fiction, poetry, art, and criticism,
Chiricú is published in both English and Spanish as
well as Portuguese, reflecting the ongoing hemispheric
and transnational flows of language and cultures in the
Americas. Each issue includes academic, peer-reviewed
articles, essays, and reviews and creative works including
prose fiction, poetry, and visual arts.
PUBLISHED SEMIANNUALLY
Latino Studies, Caribbean, Latino/a

Volume 1 | Number 1 | Fall 2016

67

government mobile communications tax filing inventory control navigation
customer
service
online voting entertainment research ebooks commerce
A Journal of Electronic
Services
in the
business-to-consumer internet banking education marketplace healthcare
Public and Private Sectors
financial publishing business government mobile communications tax filing
inventory control navigation customer service business entertainment research
Edited by Ramesh Venkataraman
ebooks commerce business-to-business internet banking education marketplace
and Aksay Bhagwatwar
healthcare financial publishingbusiness government mobile communications
inventory
control navigation
customer
service entertainment research commerce
Electronic services provide
the fundamental
interface
for
business-to-consumer
banking education marketplace healthcare
society’s increasing interaction
with web-basedinternet
economic,
financial publishing inventory control navigation customer service online voting
political, and educational
institutions and
are atebooks
the
entertainment
research
commerce business-to-consumer internet banking
forefront of the deliveryeducation
and collection
of information.
marketplace
healthcare financial government business government
e-Service Journal is an mobile
important
forum for innovative
communications
tax filing inventory control navigation
customer service
IT Service Management Employee Compensation:
Determinants and Outcomes
voting
research ebooks commerce business-to-consumer
research on the design,online
delivery,
and entertainment
impact of electronic
Moderating
Effects of Familiarity
and Experience business
banking
education
financial
publishing
in the Relationships of Trust with Its Antecedents and Consequences
services via a variety ofinternet
computing
applications
andmarketplace healthcare
government mobile communications tax filing inventory control
navigation
E-Government Web Portal Adoption:
communications technologies. It offers both private and
The Effects of Service Quality
customer service online voting entertainment research ebooks
commerce
public sector perspectives
and explores new approaches
business-to-business
education internet banking education marketplace healthcare
in e-business and e-government.
financial publishin goE-eications inventory control navigation customer service
entertainment research commerce business-to-consumer internet banking
PUBLISHED TRIANNUALLY education marketplace healthcare financial publishing inventory control navigation
Volume 9

Edited by Gregory A. Waller
Film History publishes original research on the
international history of cinema, broadly and inclusively
understood. Its areas of interest are the production,
distribution, exhibition, and reception of films designed
for commercial theaters as well as the full range of
nontheatrical, noncommercial uses of motion pictures; the
role of cinema as a contested cultural phenomenon; the
technological, economic, political, and legal aspects of film
history; the circulation of film within and across national
borders; and the relations between film and other visual
media and forms of commercial entertainment.
PUBLISHED QUARTERLY
Film Studies

68

Volume 21 • Number 1 • SPRING 2016

Ethics & the Environment is an interdisciplinary forum for
theoretical and practical articles, discussions, reviews,
and book reviews in the broad area encompassed by
environmental ethics, including conceptual approaches
in ethical theory and ecological philosophy, such as deep
ecology and ecological feminism as they pertain to such
issues as environmental education and management,
ecological economies, and ecosystem health.

ETHICS AND THE ENVIRONMENT

Edited by Victoria Davion

VOLUME 21 • NUMBER 1

SPRING 2016

Ethics
the

Environment
Editor,
VICTORIA DAVION, University of Georgia

Edited by Leigh Anne Duck
The Global South is an interdisciplinary journal that
focuses on how world literatures and cultures respond
to globalization, particularly how authors, writers, and
critics respond to issues of the environment, poverty,
immigration, gender, race, hybridity, cultural formation
and transformation, colonialism and postcolonialism,
modernity and postmodernity, transatlantic encounters,
homes, and diasporas, and resistance and counter
discourse, among others, under the superordinate
umbrella of globalization. The Global South is
distributed electronically.

JOURNALS

The Global South

PUBLISHED SEMIANNUALLY
Global Studies

History & Memory
Studies in Representation of the Past

Edited by JosĂŠ Brunner
History & Memory explores the ways in which the past
shapes the present and is shaped by present perceptions
and focuses on questions relating to the formation
of historical consciousness and collective memory
in different periods, societies, and cultures. History &
Memory aims to explore not only official representations
of the past in public monuments and commemorations
but also the role of oral history and personal narratives,
the influence of the new media in shaping historical
consciousness, and the renewed relevance of history
writing for emerging nations and social conflicts.
PUBLISHED SEMIANNUALLY
Global Studies, History

Indiana
Journal of
Global Legal
Studies

Indiana Journal of Global
Legal Studies
Edited by Alexandra Muir
Indiana Journal of Global Legal Studies is creating a new
and important body of scholarship, as well as an analytical
framework that will enhance understanding of the nature
of law and society in the current global era. It is a joint,
online-only publication of Indiana University Press and the
Indiana University Maurer School of Law.
PUBLISHED SEMIANNUALLY
Law, Global Studies

2016

Volume 23

Issue 1

69

JOURNALS

Indiana Theory Review
Edited by Craig Duke and Leah Frederick
Publishing since 1977, Indiana Theory Review provides
a venue for creative and imaginative articles on music
theory, a forum for the thoughtful exchange of ideas
and directions in the field through letters and editorial
comments, and an opportunity for review of books and
periodicals dealing with a variety of music subjects. Each
semiannual, peer-reviewed issue, sponsored by Indiana
University’s Jacobs School of Music, its Department of
Music Theory, and the Graduate Theory Association,
showcases the basic philosophy of sound scholarship and
high quality performance as the hallmarks of superior
music education.
PUBLISHED SEMIANNUALLY
Music, Theory, Analysis

Jewish Social Studies plays an important role in advancing
Mitchell Hart, “‘They Dedicated Themselves to the Abominable
Ancient Hebrew Sexuality and Modern Medical Diagnosis”
the understanding of JewishIdol’:
life
and the Jewish past. Key
Dario Miccoli, “A Fragile Cradle: Writing Jewishness,
Modernity in Cairo, c. 1920–1940”
themes are issues of identityNationhood,
and and
peoplehood,
the vistas
Goldstein, “Beyond the ‘Shtetl’: Small-Town Family
opened by the integration ofEric
gender
as a primary category
Networks and the Social History of Lithuanian Jews”
Amos Goldberg,
“The Rumor Culture among
Warsaw Jews under
in the study of history, and the
multiplicities
inherent
in
Nazi Occupation: A World of Catastrophe Re-Enchanted”
the evolution of Jewish societies
and
cultures
around
the
Sara
oﬀ,
e Myt o
erican e i
e ini ation
world and over time. Regular features include work in
anthropology, politics, sociology, religion, and literature,
as well as case studies and theoretical discussions, all of
which serve to rechart the boundaries of Jewish scholarship.

Jewish Social Studies • Vol. 21 No. 2 / Winter 2016

History, Culture, and Society

Fall 2016

Israel
Studies

Israel Studies presents multidisciplinary scholarship on
Israeli history, politics, society, and culture. Each issue
includes essays and reports on matters of broad interest
reflecting diverse points of view. Temporal boundaries
extend to the pre-state period, although emphasis is
on the State of Israel. Due recognition is also given to
events and phenomena in diaspora communities as they
affect the Israeli state. It is sponsored by the Ben-Gurion
Research Institute for the Study of Israel and Zionism at
Ben-Gurion University of the Negev and the Schusterman
Center for Israel Studies at Brandeis University, in
affiliation with the Association for Israel Studies.

Jewish Social Studies

Number 3

21.2

history
culture
THE NEW SERIES

society

Edited by Elisabeth Schüssler Fiorenza,
Elizabeth Pritchard, and Traci West

Journal of Feminist Studies in Religion

The Journal of Feminist Studies in Religion, the oldest
interdisciplinary, inter-religious feminist academic journal
in religious studies, is a channel for the publication of
feminist scholarship in religion and a forum for discussion
and dialogue among women and men of differing feminist
perspectives. Its editors are committed to rigorous
thinking and analysis in the service of the transformation
of religious studies as a discipline and the feminist
transformation of religious and cultural institutions.

Journal of Folklore Research
An International Journal of Folklore
and Ethnomusicology

Edited by Michael Dylan Foster

May–August 2016

The Journal of Folklore Research, provides an international
forum for current theory and research among scholars
of traditional cultures. Each issue includes articles of
theoretical interest to folklore and ethnomusicology as
international disciplines, as well as essays that address
the fieldwork experience and the intellectual history of
folklore. Contributors include scholars and professionals
in such additional fields as anthropology, area studies,
communication, cultural studies, history, linguistics,
literature, performance studies, religion, and semiotics.
PUBLISHED TRIANNUALLY
Folklore

JOURNAL of I SLAM IC a nd M USLIM STUDIES

Journal of Islamic and
Muslim Studies

volume 1 • number 1 • may 2016

J I M S IS A PUBLICATION OF THE
NORTH AMERICAN ASSOCIATION
OF ISLAMIC AND MUSLIM STUDIES

P.O. Box 5502, Herndon, VA 20172
naaims.org • conferences @naaims.org

Edited by Vincent Cornell

JOU R NAL

ISL AMI C

The Journal of Islamic and Muslim Studies is a
multidisciplinary academic journal sponsored by the North
American Association of Islamic and Muslim Studies
(NAAIMS). The journal’s purpose is to forward the field
of Islamic and Muslim studies more broadly and to make
contributions to its represented disciplines in advancing
theories, epistemologies, pedagogies, and methods.
Published semiannually each May and November, the
Journal of Islamic and Muslim Studies is peer-reviewed,
with four to six articles per issue, and includes discussions,
forums, and reviews on books, conferences, and films.

The Journal of Ottoman and Turkish Studies Association
contains the latest scholarship on the Ottoman Empire
and Republic of Turkey, and includes state of the field
essays, book reviews and review articles that examine
the wide ranging studies that cross disciplinary, national,
ethnic, imperial, periodized, religious, geographic, and
linguistic boundaries and take as their focus the diversity
of peoples, influences, approaches, times, and regions that
make up the Turkish and former Ottoman worlds.

Journal of World Philosophies
Edited by Monika Kirloskar-Steinbach and
James Maffie
Journal of World Philosophies seeks to explore common
spaces and differences between philosophical traditions
in a global context. Without postulating cultures as
monolithic, homogenous, or segregated wholes, it aspires
to address key philosophical issues which bear on specific
methodological, epistemological, hermeneutic, ethical,
social, and political questions in comparative thought. The
journal aims to develop the contours of a philosophical
understanding not subservient to dominant paradigms
and provide a platform for diverse philosophical voices,
including those long silenced by dominant academic
discourses and institutions.
PUBLISHED SEMIANNUALLY
Philosophy

72

Summer 2016, Volume 39, Number 4

JOURNAL OF THE

OTTOMAN
AND

TURKISH
STUDIES
ASSOCIATION
Volume 3, Number 1, May 2016

Vol. 3, No. 1, May 2016

PUBLISHED SEMIANNUALLY
Ottoman and Turkish Studies, History, Middle East Studies

Summer 2016, Volume 39, Number 4

Nearly four decades since its founding, the Journal of
Modern Literature remains the most important and widely
recognized scholarly serial in the field of modern literature.
Each issue emphasizes scholarly studies of literature in
all languages, as well as related arts and cultural artifacts,
from 1900 to the present. International in its scope, its
contributors include scholars from Australia, England,
France, Italy, Nigeria, Saudi Arabia, South Africa,
and Spain.

Edited by Paula J. Giddings
Meridians provides a forum for the finest scholarship
and creative work by and about women of color in US
and international contexts. The journal recognizes that
feminism, race, transnationalism, and women of color are
contested terms and engages in a dialogue across ethnic
and national boundaries, as well as across traditional
disciplinary boundaries in the academy. The goal of
Meridians is to make scholarship by and about women of
color central to contemporary definitions of feminism.

The Pakistan Journal of Historical Studies aims to develop
critical ideas on less explored and innovative themes in
social, cultural, art, architectural, political, and economic
histories. Scholars engaged with current historical
debates about any region and period can submit articles
on a particular theme thus initiating a dialogue on
theoretical and methodological issues. By moving beyond
dualistic discourse, each issue aims to promote rigorous
scholarship helpful in understanding our past and its
contradictions. The journal is sponsored by the Khaldunia
Centre for Historical Research in Lahore, Pakistan.
PUBLISHED SEMIANNUALLY
South Asia, Cultural Studies, History

73

JOURNALS

Philanthropy & Education
Edited by Noah D. Drezner
Philanthropy & Education publishes interdisciplinary
works which examines prosocial voluntary actions
benefiting education. The journalâ&#x20AC;&#x2122;s mission is to advance
scholarship in and inform practice around philanthropy,
broadly defined, including but not limited to fundraising,
volunteerism, civic engagement, alumni relations, and
corporate social responsibility. Philanthropy & Education
publishes empirical and scholarly studies that are
accessible to practitioners across the spectrum of
disciplinary perspectives with a clear implication for
practice. The journal is sponsored by Teachers College,
Columbia University.

&

Philanthropy
Education

PUBLISHED SEMIANNUALLY
Philanthropy, Education

Edited by Estelle R. Jorgensen and Iris M. Yob

FALL 2016

PUBLISHED SEMIANNUALLY
Music, Education, Philosophy

PHILOSOPHY OF MUSIC EDUCATION REVIEW

Philosophy of Music Education Review features
philosophical research in music education for an
international community of scholars, artists, and
teachers. It includes articles that address philosophical
or theoretical issues relevant to education, including
reflections on current practice, research issues or
questions, reform initiatives, philosophical writings,
theories, the nature and scope of education and its goals
and purposes, and cross-disciplinary dialogue relevant to
the interests of music educators.

Volume 24 Number 2

Philosophy of Music
Education Review

Volume 1, Number 1 â&#x20AC;˘ November 2016

Prooftexts

Prooftexts
A Journal of
Jewish Literary History

Nu mb e r 3
F all 2014

PUBLISHED TRIANNUALLY
Jewish Studies, Literary Studies

VOLUME 24 NUMBER 2 FALL 2016

Vo lu me 34

For more than 30 years, Prooftexts has provided a forum
for the growing field of Jewish literary studies. Integral
to its mission is an attempt to bring together the study
of modern Jewish literatures (in Hebrew, Yiddish, and
European languages) with the literary study of the Jewish
classical tradition as a whole. Since its inception, the
journal has as much stimulated and created the field of
Jewish literary studies as it has reflected its achievements.

A Journal of Jewish Literary History

Edited by Jeremy A. Dauber and Barbara Mann

Prooftexts

A Journal of Jewish Literary History

philosophy of music
education review

Volume 3 4

74

N umber 3

Fall 2 0 1 4

RECREATION, PARKS, AND TOURISM

IN PUBLIC HEALTH

Volume 1, Fall 2017

Edited by Doug Knapp
Recreation, Parks, and Tourism in Public Health is an
interdisciplinary journal focusing on parks, recreation
and tourism’s impact on public health. Articles will share
research and community models that focus on the relation
between parks, recreation and tourism and their impact
on healthier lifestyles. The journal’s aim is to encourage
researchers and practitioners to submit conceptual and/
or applied papers related to municipal, state, and national
parks and recreational and tourism services within the
lens of public health.

JOURNALS

Recreation, Parks, and Tourism
in Public Health

PUBLISHED ANNUALLY
Public Health, Tourism

Research in African Literatures
RESEARCH IN
AFRICAN
LITERATURES
VOLUME 47

NUMBER 1

SPRING 2016

Edited by Kwaku Larbi Korang
Research in African Literatures, founded in 1970, is the
premier journal of African literary studies worldwide
and provides a forum in English for research on the oral
and written literatures of Africa. In addition to thoughtprovoking essays, reviews of current scholarly books
appear in every issue, often presented as critical essays,
and a forum offers readers the opportunity to respond
to issues raised in articles and book reviews. Thematic
clusters of articles and frequent special issues reveal the
broad interests of its readership.
PUBLISHED TRIANNUALLY
African Studies, Literary Studies

Volume 5 Number 1

THE BLACKA Special
PANTHER
PARTY
Issue

Spectrum
A Journal on Black Men

Edited by Judson L. Jeffries and
Terrell L. Strayhorn

SPECTRUM

SPECTRUM

Spectrum is a multidisciplinary research journal whose
articles focus on issues related to aspects of Black
men’s experiences, including such topics as gender,
masculinities, and race/ethnicity. Spectrum examines
the social, political, economic, and historical factors that
influence the life chances and experiences of Africandescended males using disciplinary and interdisciplinary
theoretical perspectives, empirical methods, theoretical
analysis, and literary criticism.
PUBLISHED SEMIANNUALLY
Gender Studies, Diaspora Studies, African Studies

THE JOURNAL ON BLACK MEN

Volume 5 Number 1 • Fall 2016

75

JOURNALS

Transactions of the
Charles S. Peirce Society
A Quarterly Journal in American Philosophy

Edited by Cornelis de Waal
Transactions of the Charles S. Peirce Society has been the
premier peer-reviewed journal specializing in the history of
American philosophy since its founding in 1965. Although
it is named for the founder of American pragmatism,
American philosophers of all schools and periods, from
the colonial to the recent past, are extensively discussed.
The journal regularly includes essays, and every significant
book published in the field is discussed in a review essay. A
subscription includes membership in the Charles S.
Peirce Society.
PUBLISHED QUARTERLY
Philosophy

Transition
The Magazine of Africa and the Diaspora

Edited by Alejandro de la Fuente

The Magazine of Africa and the Diaspora

Transition is an international review of politics, culture, and
ethnicity. While other magazines routinely send journalists
around the world, Transition invites the world to write
back. Three times a year, its writers fill the magazine’s
pages with unusual dispatches, unforgettable memoirs,
unorthodox polemics, unlikely conversations, and
unsurpassed original fiction. Transition tells complicated
stories with elegant prose and beautiful images.

“Read with Attention”: John Cassell, John Ruskin, and the History of Close Reading
JESSE CORDES SELBIN

JAMES EPSTEIN on Re-imagining Democracy in the Age of Revolutions: America, France, Britain, Ireland
1750 –1850, edited by Joanna Innes and Mark Philp, Labour and the Caucus: Working-Class
Radicalism and Organised Liberalism in England, 1868–1888, by James Owen, The Dignity of
Chartism: Essays by Dorothy Thompson, edited by Stephen Roberts, Victorian Radicals and Italian
Democrats, by Marcella Pellegrino Sutcliﬀe, and Liberty and Liberticide: The Role of America in
Nineteenth-Century British Radicalism, by Michael J. Turner
JONATHAN LOESBERG on Forms: Whole, Rhythm, Hierarchy, Network, by Caroline Levine

PETER MANDLER on Ten Books That Shaped the British Empire: Creating an Imperial Commons, edited by
Antoinette Burton and Isabel Hofmeyr

Number 58, Number 3

For more than half a century,
Victorian Studies has been
BOOK REVIEWS, including
devoted to the study of British culture of the Victorian
age. It regularly includes interdisciplinary articles on
comparative literature, social and political history, and the
histories of education, philosophy, fine arts, economics,
law, and science, as well as review essays and an extensive
book review section. Victorian Studies is the official
publication of the North American Victorian Studies
Association (NAVSA).
HELEN ROGERS on The Match Girl and the Heiress, by Seth Koven

ON THE COVER is a detail from the illustration “Waiting for Father” by Marcus Stone from Our
Mutual Friend by Charles Dickens (London: Chapman, 1898): 202. On the back cover is a detail from
“Education’s Frankenstein: A Dream of the Future” by Harry Furniss, from Punch’s Almanack for 1884
(London: Punch, 1884): 14.

76

Spring 2016

PUBLISHED QUARTERLY
Victorian Studies, History, Literary Studies

An interdisciplinary journal of
social, political, and cultural studies
published by Indiana University Press
Spring 2016

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Weismann

Apr

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___ Conscience of the Human Spirit:
The Life of Nelson Mandela
MacDowell

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Scholarly

SPRING & SUMMER 2017

___ African Women

Sheldon

May

___ In Praise of Heteronomy

Westphal

May

___ After Emerson

Lysaker

Jun

___ Indiana University Eskenazi
Museum of Art Guide

Brenneman

Avail

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McNamara

Jun

___ Introduction to Documentary

Nichols

May

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Philosophy

Film & Media

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___ The Andalusi Literary and
Intellectual Tradition

Pearce

May

___ Israel in the Making

Salamon

Apr

___ Art World City

Grabski

Aug

___ Making a Splash

Hayward

Apr

___ Arts of Being Yoruba

Adéèkó

Jul

___ Masculinity and the Making of
American Judaism

Imhoff

Mar

___ New Humanitarianism and the
Crisis of Charity

Mascarenhas Jun

Lindner

Judaica
Africa
Africa

Borovaya

___ Blood Ties and the Native Son

Ismailbekova Jun

Literary Criticism, Judaica

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Film & Media

Religion, Judaica

___ The Beginnings of
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Jun

Anthropology, Politics, Russia & Eastern Europe

Current Affairs

___ Books of the Mongolian Nomads Kara

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Luo

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___ Persuasion, Reflection, Judgment Gasché

Apr

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Oukaderova

May

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Echard

Jun

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Bancel

May

___ Rebellious Parents

Fábián

Jul

___ Cosmopolitan Film Cultures in
Latin America, 1896–1960

Navitski

Jun

___ Ritual Murder in Russia,
Eastern Europe, and Beyond

Avrutin

Jul

___ Decoding the Disciplines

Pace

Avail

___ Self-Understanding and Lifeworld Gander

Jun

___ The Emergence of
Early Yiddish Literature

___ Shades—Of Painting at the Limit Sallis

Avail

Frakes

May

___ Slave Owners of West Africa

Greene

May

___ Envoy to the Promised Land

McDonald

Apr

___ Stalinism Reloaded

Horvath

Apr

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Troen

Jun

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Tuldava

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Stephens

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___ Ferruccio Busoni and His Legacy Knyt

Jul

___ The FIAF Moving Image
Cataloguing Manual

Tadic

Avail

___ The United States Holocaust
Memorial Museum
Encyclopedia of Camps and
Ghettos, 1933–1945

___ Gaming Representation

Malkowski

Jul

___ What Is Philanthropy?

Alaimo

Dec

___ Gender, Justice, and the
Problem of Culture

Hodgson

Mar

___ Women and the French Army
during the World Wars,
1914–1940

Orr

May

___ The World on Edge

Casey

Jul

Music

Film & Media, Reference
Film & Media, Gaming

Africa

___ Hannah Arendt and
Martin Heidegger
Philosophy

78

Philosophy

Holocaust

Philanthropy

War & Military

Grunenberg

Jul

Philosophy

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