Maria Theresia von Paradis

Maria Theresia Paradis (also von Paradies) (May 15, 1759 – February 1, 1824), was an Austrian musician and composer who lost her sight at an early age, and for whom Mozart may have written his Piano Concerto No. 18 in B-flat major.

Maria Theresia Paradis was the daughter of Joseph Anton Paradis, Imperial Secretary of Commerce and Court Councilor to the Empress Maria Theresa, for whom she was named. The Empress, however, was not her godmother, as was often believed. Between the ages of 2 and 5 she lost her eyesight. Paradis was treated from late 1776 until the middle of 1777 by the famous Franz Anton Mesmer, who was able to improve her condition temporarily until she was removed from his care, amid concerns on the one hand of possible scandal,[clarification needed] on the other hand at the potential loss of her disability pension.[1] In either case, on this departure from Dr. Mesmer the blindness came back permanently.

a piano concerto by Joseph Haydn (HXVIII: 4), which was possibly premiered in Paris in 1784, but appears to have been composed in the 1770s, the original manuscript now lost.

On K.456, while this concerto is believed to be the one intended for Paradis, there are continuing questions concerning this. From Ruth Halliwell's The Mozart Family: Four Lives in a Social Context, we read:

It is not certain which concerto this was. Leopold [in a letter from Vienna] simply described it to Nannerl as a ‘glorious concerto’ and said it had been written for Maria Theresia von Paradis ‘for Paris.’ His description suggests that neither he nor Nannerl knew it already; if this is so, it must have been a later one than K.453, which seems to have been the newest they had in Salzburg at this date.

In any event, Paradis had an excellent memory and exceptionally accurate hearing, as she was widely reported to have learned over 60 concertos by heart, as well as a large repertoire of solo and religious works.

Paradis did not stay confined to Vienna. In 1783, she set out on an extended tour towards Paris and London, accompanied by her mother and librettistJohann Riedinger who invented a composition board for her. In August of that year they visited the Mozarts in Salzburg, though Nannerl's diary seems to place this meeting in September. She played in Frankfurt and other German cities, then Switzerland. Paradis finally reached Paris in March 1784.[2] Her first concert there was given in April at the Concert Spirituel; the review in the Journal de Paris for it remarked: "…one must have heard her to form an idea of the touch, the precision, the fluency and vividness of her playing." In all she made a total of 14 appearances in Paris, to excellent reviews and acclaim. She also assisted in helping Valentin Haüy ("the father and apostle of the blind") establish the first school for the blind, which opened in 1785.

She traveled to London in late 1784, and performed over the next few months at court, Carlton House (the home of the Prince of Wales), and in the Professional Concerts at Hanover Square, among other places. She played Handelfugues to George III and later accompanied the Prince of Wales, a cellist. However, her concerts lost ground, being less well received and attended in London than in Paris. She continued to tour in Western Europe (including Hamburg where she met Carl Philipp Emanuel Bach), and after passing through Berlin and Prague, ended up back in Vienna in 1786. Further plans were made to give concerts in the Italian states and Russia, but nothing came of these. She returned to Prague in 1797 for the production of her operaRinaldo und Alcina.

During her tour of Europe, Paradis began composing solo music for piano as well as pieces for voice and keyboard. The earliest music attributed to her is often cited as a set of four piano sonatas from circa 1777, but these are really by Pietro Domenico Paradisi, to whom much of her music is often mistakenly attributed. Her earliest major work in existence is the collection Zwölf Lieder auf ihrer Reise in Musik gesetzt, composed between 1784-86.

Her most famous work, the Sicilienne in E-flat major for piano quartet, is spurious, as it is derived from a Carl Maria von Weber violin sonata (Op. 10 No. 1) and is believed to have been concocted by its purported discoverer, Samuel Dushkin.

By the year 1789, Paradis was spending more time with composition than performance, as shown by the fact that from 1789 to 1797 she composed five operas and three cantatas. After the failure of the opera Rinaldo und Alcina from 1797, she shifted her energy more and more to teaching. In 1808, she founded her own music school in Vienna, where she taught singing, piano and theory to young girls. A Sunday concert series at this school featured the work of her outstanding pupils. She continued to teach up until her death in 1824.

When composing, she used a composition board invented by Riedinger, her partner and librettist, and for correspondence a hand-printing machine invented by Wolfgang von Kempelen. Her songs are mostly representative of the operatic style, which displays coloratura and trills. Salieri's influence may be seen in the dramatically composed scenes. Much of the stage work is modeled on the Viennese Singspiel style, while her piano works show a great influence by her teacher Leopold Kozeluch.

Video documentation, script, musical sketches and performance history, available in the Claudia Stevens papers, Special Collections, Earl Gregg Swem Library, College of William and Mary. http://scdb.swem.wm.edu/?p=collections/controlcard&id=8096
A musically self-accompanied solo play in two acts, text and music by Claudia Stevens, concerns Maria Theresia's relation to Mesmer, and blindness as metaphor.

Paradis is mentioned in a scene during which Antonio Salieri reports Emperor Joseph II Paradis' claim that she was molested by Mozart during a lesson. This claim, in the film's context, is ultimately portrayed as a ruse by Salieri to hinder Mozart's appointment to a royal position (teaching the Emperor's young niece).

1.
Austria
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Austria, officially the Republic of Austria, is a federal republic and a landlocked country of over 8.7 million people in Central Europe. It is bordered by the Czech Republic and Germany to the north, Hungary and Slovakia to the east, Slovenia and Italy to the south, the territory of Austria covers 83,879 km2. The terrain is mountainous, lying within the Alps, only 32% of the country is below 500 m. The majority of the population speaks local Bavarian dialects of German as their native language, other local official languages are Hungarian, Burgenland Croatian, and Slovene. The origins of modern-day Austria date back to the time of the Habsburg dynasty, from the time of the Reformation, many northern German princes, resenting the authority of the Emperor, used Protestantism as a flag of rebellion. Following Napoleons defeat, Prussia emerged as Austrias chief competitor for rule of a greater Germany, Austrias defeat by Prussia at the Battle of Königgrätz, during the Austro-Prussian War of 1866, cleared the way for Prussia to assert control over the rest of Germany. In 1867, the empire was reformed into Austria-Hungary, Austria was thus the first to go to war in the July Crisis, which would ultimately escalate into World War I. The First Austrian Republic was established in 1919, in 1938 Nazi Germany annexed Austria in the Anschluss. This lasted until the end of World War II in 1945, after which Germany was occupied by the Allies, in 1955, the Austrian State Treaty re-established Austria as a sovereign state, ending the occupation. In the same year, the Austrian Parliament created the Declaration of Neutrality which declared that the Second Austrian Republic would become permanently neutral, today, Austria is a parliamentary representative democracy comprising nine federal states. The capital and largest city, with a population exceeding 1.7 million, is Vienna, other major urban areas of Austria include Graz, Linz, Salzburg and Innsbruck. Austria is one of the richest countries in the world, with a nominal per capita GDP of $43,724, the country has developed a high standard of living and in 2014 was ranked 21st in the world for its Human Development Index. Austria has been a member of the United Nations since 1955, joined the European Union in 1995, Austria also signed the Schengen Agreement in 1995, and adopted the euro currency in 1999. The German name for Austria, Österreich, meant eastern realm in Old High German, and is cognate with the word Ostarrîchi and this word is probably a translation of Medieval Latin Marchia orientalis into a local dialect. Austria was a prefecture of Bavaria created in 976, the word Austria is a Latinisation of the German name and was first recorded in the 12th century. Accordingly, Norig would essentially mean the same as Ostarrîchi and Österreich, the Celtic name was eventually Latinised to Noricum after the Romans conquered the area that encloses most of modern-day Austria, around 15 BC. Noricum later became a Roman province in the mid-first century AD, heers hypothesis is not accepted by linguists. Settled in ancient times, the Central European land that is now Austria was occupied in pre-Roman times by various Celtic tribes, the Celtic kingdom of Noricum was later claimed by the Roman Empire and made a province

2.
Composer
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A composer is a person who creates or writes music, which can be vocal music, instrumental music or music which combines both instruments and voices. The core meaning of the term refers to individuals who have contributed to the tradition of Western classical music through creation of works expressed in written musical notation, many composers are also skilled performers, either as singers, instrumentalists, and/or conductors. Examples of composers who are well known for their ability as performers include J. S. Bach, Mozart. In many popular genres, such as rock and country. For a singer or instrumental performer, the process of deciding how to perform music that has previously composed and notated is termed interpretation. Different performers interpretations of the work of music can vary widely, in terms of the tempos that are chosen. Composers and songwriters who present their own music are interpreting, just as much as those who perform the music of others, although a musical composition often has a single author, this is not always the case. A piece of music can also be composed with words, images, or, in the 20th and 21st century, a culture eventually developed whereby faithfulness to the composers written intention came to be highly valued. This musical culture is almost certainly related to the esteem in which the leading classical composers are often held by performers. The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise. In Classical music, the composer typically orchestrates her own compositions, in some cases, a pop songwriter may not use notation at all, and instead compose the song in her mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The level of distinction between composers and other musicians varies, which issues such as copyright and the deference given to individual interpretations of a particular piece of music. In the development of European classical music, the function of composing music initially did not have greater importance than that of performing it. The preservation of individual compositions did not receive attention and musicians generally had no qualms about modifying compositions for performance. In as much as the role of the composer in western art music has seen continued solidification, for instance, in certain contexts the line between composer and performer, sound designer, arranger, producer, and other roles, can be quite blurred. The term composer is often used to refer to composers of music, such as those found in classical, jazz or other forms of art. In popular and folk music, the composer is usually called a songwriter and this is distinct from a 19th-century conception of instrumental composition, where the work was represented solely by a musical score to be interpreted by performers

3.
Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood, already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, while visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame, during his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his death have been much mythologized. He was survived by his wife Constanze and two sons and he composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote, posterity will not see such a talent again in 100 years. Wolfgang Amadeus Mozart was born on 27 January 1756 to Leopold Mozart and Anna Maria, née Pertl and this was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire. He was the youngest of seven children, five of whom died in infancy and his elder sister was Maria Anna Mozart, nicknamed Nannerl. Mozart was baptized the day after his birth, at St. Ruperts Cathedral in Salzburg, the baptismal record gives his name in Latinized form, as Joannes Chrysostomus Wolfgangus Theophilus Mozart. He generally called himself Wolfgang Amadè Mozart as an adult, Leopold Mozart, a native of Augsburg, Germany, was a minor composer and an experienced teacher. In 1743, he was appointed as fourth violinist in the establishment of Count Leopold Anton von Firmian. Four years later, he married Anna Maria in Salzburg, Leopold became the orchestras deputy Kapellmeister in 1763. During the year of his sons birth, Leopold published a textbook, Versuch einer gründlichen Violinschule. When Nannerl was 7, she began lessons with her father. Years later, after her brothers death, she reminisced, He often spent much time at the clavier, picking out thirds, which he was ever striking, and his pleasure showed that it sounded good. In the fourth year of his age his father, for a game as it were, began to teach him a few minuets and he could play it faultlessly and with the greatest delicacy, and keeping exactly in time. At the age of five, he was composing little pieces

4.
Piano Concerto No. 18 (Mozart)
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The Piano Concerto No.18 in B-flat major, KV.456 is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. In Mozarts own catalogue of his works, this concerto is dated 30 September 1784, for years, historical speculation was that Mozart had written this concerto for Maria Theresa von Paradis, based on a letter written around that time by Leopold Mozart to his daughter Nannerl. The work is orchestrated for solo piano, flute, two oboes, two bassoons, two horns, and strings, the concerto is in three movements, Allegro vivace Andante in G minor Allegro vivace Mozart wrote out two different cadenzas for the first movement. Joseph Swain has performed a Schenkerian analysis of each first-movement cadenza, martha Kingdon Ward has commented that the slow movement of this concerto contains one of the most tranquil of Mozarts flute solos, specifically in the G major variation. M. S. Cole has noted Mozarts use of changes in the finale, starting at measure 171, from 6/8 to 2/4 in the winds. This changing of tempo in rondo finales was contrary to practice at the time. Joel Galand has performed a Schenkerian analysis of the rondo finale, konzert in B KV456, Score and critical report in the Neue Mozart-Ausgabe Piano Concerto No. 18, Scores at the International Music Score Library Project

5.
Maria Theresa
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Maria Theresa Walburga Amalia Christina was the only female ruler of the Habsburg dominions and the last of the House of Habsburg. She was the sovereign of Austria, Hungary, Croatia, Bohemia, Transylvania, Mantua, Milan, Lodomeria and Galicia, by marriage, she was Duchess of Lorraine, Grand Duchess of Tuscany and Holy Roman Empress. She started her 40-year reign when her father, Emperor Charles VI, Charles VI paved the way for her accession with the Pragmatic Sanction of 1713 and spent his entire reign securing it. Upon the death of her father, Saxony, Prussia, Bavaria, Prussia proceeded to invade the affluent Habsburg province of Silesia, sparking a nine-year conflict known as the War of the Austrian Succession, and subsequently conquered it. Maria Theresa would later try to reconquer Silesia during the Seven Years War. Of the sixteen, ten survived to adulthood and she had eleven daughters and five sons. She criticised and disapproved of many of Josephs actions, Maria Theresa understood the importance of her public persona and was able to simultaneously evoke both esteem and affection from her subjects. However, she refused to allow religious toleration and contemporary travelers thought her regime was bigoted and superstitious. As a young monarch who fought two wars, she believed that her cause should be the cause of her subjects. The dowager empresses, her aunt Wilhelmine Amalia of Brunswick-Lüneburg and grandmother Eleonor Magdalene of the Palatinate-Neuburg, were her godmothers and her father was the only surviving male member of the House of Habsburg and hoped for a son who would prevent the extinction of his dynasty and succeed him. Thus, the birth of Maria Theresa was a disappointment to him. Charles sought the other European powers approval for disinheriting his nieces and they exacted harsh terms, in the Treaty of Vienna, Great Britain demanded that Austria abolish the Ostend Company in return for its recognition of the Pragmatic Sanction. France, Spain, Saxony-Poland, Bavaria and Prussia later reneged, little more than a year after her birth, Maria Theresa was joined by a sister, Maria Anna, and another one, named Maria Amalia, was born in 1724. The portraits of the family show that Maria Theresa resembled Elisabeth Christine. The Prussian ambassador noted that she had blue eyes, fair hair with a slight tinge of red, a wide mouth. Unlike many other members of the House of Habsburg, neither Maria Theresas parents nor her grandparents were closely related to each other, Maria Theresa was a serious and reserved child who enjoyed singing and archery. She was barred from riding by her father, but she would later learn the basics for the sake of her Hungarian coronation ceremony. The imperial family staged opera productions, often conducted by Charles VI and her education was overseen by Jesuits

6.
Franz Anton Mesmer
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The theory attracted a wide following between about 1780 and 1850, and continued to have some influence until the end of the century. In 1843 the Scottish physician James Braid proposed the term hypnosis for a technique derived from animal magnetism, Mesmer was born in the village of Iznang, on the shore of Lake Constance in Swabia, Germany, a son of master forester Anton Mesmer and his wife, Maria/Ursula. After studying at the Jesuit universities of Dillingen and Ingolstadt, he took up the study of medicine at the University of Vienna in 1759. In 1766 he published a dissertation with the Latin title De planetarum influxu in corpus humanum, which discussed the influence of the Moon. Building largely on Newtons theory of the tides, Mesmer expounded on certain tides in the body that might be accounted for by the movements of the sun. Evidence assembled by Frank A. Pattie suggests that Mesmer plagiarized a part of his dissertation from a work by Richard Mead, however, in Mesmers day doctoral theses were not expected to be original. In January 1768, Mesmer married Anna Maria von Posch, a wealthy widow, in the summers he lived on a splendid estate and became a patron of the arts. Mozart later immortalized his former patron by including a reference to Mesmer in his opera Così fan tutte. She reported feeling streams of a fluid running through her body and was relieved of her symptoms for several hours. Mesmer did not believe that the magnets had achieved the cure on their own and he felt that he had contributed animal magnetism, which had accumulated in his work, to her. He soon stopped using magnets as a part of his treatment, in the same year Mesmer collaborated with Maximilian Hell. In 1775, Mesmer was invited to give his opinion before the Munich Academy of Sciences on the exorcisms carried out by Johann Joseph Gassner, Mesmer said that while Gassner was sincere in his beliefs, his cures resulted because he possessed a high degree of animal magnetism. This confrontation between Mesmers secular ideas and Gassners religious beliefs marked the end of Gassners career as well as, according to Henri Ellenberger, the emergence of dynamic psychiatry. The scandal that followed Mesmers unsuccessful attempt to treat the blindness of an 18-year-old musician, Maria Theresia Paradis, in February 1778 Mesmer moved to Paris, rented an apartment in a part of the city preferred by the wealthy and powerful, and established a medical practice. Paris soon divided into those who thought he was a charlatan who had forced to flee from Vienna. In his first years in Paris, Mesmer tried and failed to get either the Royal Academy of Sciences or the Royal Society of Medicine to provide official approval for his doctrines. He found only one physician of high professional and social standing, Charles dEslon, in 1779, with dEslons encouragement, Mesmer wrote an 88-page book, Mémoire sur la découverte du magnétisme animal, to which he appended his famous 27 Propositions. These propositions outlined his theory at that time, some contemporary scholars equate Mesmer’s animal magnetism with the Qi of Traditional Chinese Medicine and mesmerism with medical Qigong practices

7.
Music theory
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Music theory is the study of the practices and possibilities of music. The term is used in three ways in music, though all three are interrelated. The first is what is otherwise called rudiments, currently taught as the elements of notation, of key signatures, of time signatures, of rhythmic notation, Theory in this sense is treated as the necessary preliminary to the study of harmony, counterpoint, and form. The second is the study of writings about music from ancient times onwards, Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. However, this medieval discipline became the basis for tuning systems in later centuries, Music theory as a practical discipline encompasses the methods and concepts composers and other musicians use in creating music. The development, preservation, and transmission of music theory in this sense may be found in oral and written music-making traditions, musical instruments, and other artifacts. In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia and ancient China, have also considered music theory in more formal ways such as written treatises, in modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M. A. or Ph. D level, is required to teach as a music theorist in a US or Canadian university. Methods of analysis include mathematics, graphic analysis, and especially analysis enabled by Western music notation, comparative, descriptive, statistical, and other methods are also used. See for instance Paleolithic flutes, Gǔdí, and Anasazi flute, several surviving Sumerian and Akkadian clay tablets include musical information of a theoretical nature, mainly lists of intervals and tunings. The scholar Sam Mirelman reports that the earliest of these dates from before 1500 BCE. Further, All the Mesopotamian texts are united by the use of a terminology for music that, much of Chinese music history and theory remains unclear. The earliest texts about Chinese music theory are inscribed on the stone and they include more than 2800 words describing theories and practices of music pitches of the time. The bells produce two intertwined pentatonic scales three tones apart with additional pitches completing the chromatic scale, Chinese theory starts from numbers, the main musical numbers being twelve, five and eight. Twelve refers to the number of pitches on which the scales can be constructed, the Lüshi chunqiu from about 239 BCE recalls the legend of Ling Lun. On order of the Yellow Emperor, Ling Lun collected twelve bamboo lengths with thick, blowing on one of these like a pipe, he found its sound agreeable and named it huangzhong, the Yellow Bell

8.
Piano
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The piano is an acoustic, stringed musical instrument invented around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. The word piano is a form of pianoforte, the Italian term for the early 1700s versions of the instrument. The first fortepianos in the 1700s had a sound and smaller dynamic range. An acoustic piano usually has a wooden case surrounding the soundboard and metal strings. Pressing one or more keys on the keyboard causes a padded hammer to strike the strings. The hammer rebounds from the strings, and the continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air, when the key is released, a damper stops the strings vibration, ending the sound. Notes can be sustained, even when the keys are released by the fingers and thumbs and this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the accidentals, which are needed to play in all twelve keys, more rarely, some pianos have additional keys. Most notes have three strings, except for the bass that graduates from one to two, the strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. There are two types of piano, the grand piano and the upright piano. The grand piano is used for Classical solos, chamber music and art song and it is used in jazz. The upright piano, which is compact, is the most popular type, as they are a better size for use in private homes for domestic music-making. During the nineteenth century, music publishers produced many works in arrangements for piano, so that music lovers could play. The piano is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, with technological advances, amplified electric pianos, electronic pianos, and digital pianos have also been developed. The electric piano became an instrument in the 1960s and 1970s genres of jazz fusion, funk music. The piano was founded on earlier technological innovations in keyboard instruments, pipe organs have been used since Antiquity, and as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches

9.
Vincenzo Righini
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Vincenzo Maria Righini was an Italian composer, singer and kapellmeister. Righini was born in Bologna and studied singing and composition with Padre Martini in his home town, initially he performed as a singer in Florence and Rome, however, according to Fétis he made his debut as a tenor in Parma in 1775. Opera buffa La vedova scaltra, considered his first contribution to theatre, was performed in 1774 at the Prague theatre V kotcích. From 1774 to 1777 Righini worked in Prague, as a member of the ensemble of Giuseppe Bustelli. He composed and staged operas to the libretti of N. Porta, at the end of 1777 he moved to Vienna, where he was engaged as a music teacher and composer. His comic operas were performed in Burgtheater. In 1787 he replaced Antonio Salieri as the court kapellmeister for a brief period, in 1787 he also moved to Mainz, where he became a court kapellmeister of the Electoral orchestra for the elector Friedrich Karl Joseph von Erthal. In March,1793, he was appointed the Royal Prussian court kapellmeister and he led the operation of theatres in Berlin and he also composed grand operas for local theatres, often to the libretti of Antonio De Filistri. Righini is a creator of the opera to the theme of Don Giovanni. He is considered a skillful, but not very original composer and his Don Giovanni was performed in 1997 at the Dejvické divadlo in Prague, and in 2003 at the Městské divadlo in Brno. Starší divadlo v českých zemích do konce 18, free scores by Vincenzo Righini at the International Music Score Library Project

10.
Singing
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Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds

11.
Antonio Salieri
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Antonio Salieri was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Gluck, Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, during his career he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel, Franz Liszt, Franz Schubert, and Ludwig van Beethoven were among the most famous of his pupils. Salieris music slowly disappeared from the repertoire between 1800 and 1868 and was heard after that period until the revival of his fame in the late 20th century. This revival was due to the dramatic and highly fictionalized depiction of Salieri in Peter Shaffers play Amadeus and his music today has regained some modest popularity via recordings. He is popularly remembered as a bitter rival of Wolfgang Amadeus Mozart. This includes rumours that Salieri murdered Mozart out of jealousy, when in reality, Salieri would recall little from his childhood in later years except passions for sugar, reading, and music. Salieri responded to the reprimand by saying the priests organ playing displeased him because it was in a theatrical style. It is possible that Antonios father and Giovanni were friends or business associates, Salieri and Gassmann arrived in Vienna on 15 June 1766. Gassmanns first act was to take Salieri to the Italian Church to consecrate his teaching and service to God, Salieris education included instruction in Latin and Italian poetry by Fr. Don Pietro Tommasi, instruction in the German language, and European literature and his music studies revolved around vocal composition, and thoroughbass. His musical theory training in harmony and counterpoint was rooted in Johann Fuxs Gradus ad Parnassum, as a result, Salieri continued to live with Gassmann even after Gassmanns marriage, an arrangement that lasted until the year of Gassmanns death and Salieris own marriage in 1774. Few of Salieris compositions have survived from this early period, in his old age Salieri hinted that these works were either purposely destroyed, or had been lost with the exception of a few works for the church. Among these sacred works there survives a Mass in C major written without a Gloria and in the antique a cappella style, a complete opera composed in 1769 La vestale has also been lost. Beginning in 1766 Gassmann introduced Salieri to the chamber music performances held during Emperor Joseph IIs evening meal. Salieri quickly impressed the Emperor, and Gassmann was instructed to bring his pupil as often as he wished and this was the beginning of a relationship between monarch and musician that would last until Josephs death in 1790

12.
Georg Joseph Vogler
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Georg Joseph Vogler, also known as Abbé Vogler, was a German composer, organist, teacher and theorist. In a long and colorful career extending over many nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque. His career as a music theorist and composer however was mixed, Vogler was born at Pleichach in Würzburg. His father Jared Vogler was a maker and instrument-maker for the Prince-Bishop of Würzburg. In the late 1760s he was introduced to the Elector Palatine Karl Theodor, Vogler became active in composing and performance there, and in 1771 his first major theatrical piece Singspiel Der Kaufmann von Smyra was performed for the court. In 1773 he was sponsored by the court to study under the Padre Martini in Bologna, dissatisfied with the method of that learned theorist, he studied for five months under Francesco Antonio Vallotti at Padua, and met Johann Adolph Hasse in Venice. On his return to Mannheim in 1775, Vogler was appointed court chaplain, from this position he was able to found a school to educate both amateur and aspiring musicians. His pupils were devoted to him, but he made innumerable enemies, two major musicological contributions followed, Tonwissenschaft und Tonsetzkunst on the theory of harmony, and Stimmbildungskunst on voice training. Mozart condemned the fingering as miserable, the young composer finding little success in Mannheim now musically dominated by Vogler. Voglers writings on theory, though professedly based upon Valottis principles, was to a great extent empirical. In 1778 Karl Theodor moved his court to Munich, Vogler temporarily remained in Mannheim before following him there in 1780, but, dissatisfied with the reception accorded to his dramatic compositions, soon quit his post. He went to Paris, where after much hostility his new system was recognized as a continuation of that started by Jean-Philippe Rameau and his organ concerts in the church of St. Sulpice attracted considerable attention. At the request of the court, he composed the opera Le Patriotism. Other works, including Eglė and La Karmesse, ou La Foire flamande, rather more successful were his tone paintings, performed in his capacity as an organ virtuoso, and Vogler played to packed houses around Europe in 1780s, although critical opinions remained mixed. In 1786 he was appointed Kapellmeister by Gustav III of Sweden and his major composition of this period was Gustav Adolf och Ebba Brahe, as well as the Pieces de Clavecin and a series of organ studies and didactic works on musical theory. He attained extraordinary celebrity by his performances on an instrument called the orchestrion, as a member of the Swedish court he visited Saint Petersburg in 1788 where he met the Copenhagen organ builder Kirsnick. Starting in 1790 Vogler changed all the organs he performed on by adding new registers with free reeds, the first organ that was changed was in Rotterdam, an as many as 30 known rebuilds of organs followed. In 1790 he brought this instrument to London, and performed upon it with great effect at the Pantheon, the abbés pedal-playing excited great attention

13.
Pianist
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A pianist is an individual musician who plays the piano. Most forms of Western music can make use of the piano, consequently, pianists have a wide variety of repertoire and styles to choose from, including traditionally classical music, Jazz, blues and all sorts of popular music, including rock music. Most pianists can, to an extent, play other keyboard-related instruments such as the synthesizer, harpsichord, celesta. Perhaps the greatest pianist of all time was Franz Liszt, whose mastery was described by Anton Rubinstein, In comparison with Liszt. Modern classical pianists dedicate their careers to performing, recording, teaching, researching as well as learning new works/expanding their repertoire and they generally do not write or transcribe music as pianists did in the 19th century. Some classical pianists might specialize in accompaniment and chamber music while others perform as full-time piano soloists. Mozart could be considered the first concert pianist as he performed widely on the piano, composers Beethoven and Clementi from the classical era were also famed for their playing, as were, from the romantic era, Liszt, Brahms, Chopin, Mendelssohn and Rachmaninoff. From that era, leading performers less known as composers were Clara Schumann, however, as we do not have modern audio recordings of most of these pianists, we rely mainly on written commentary to give us an account of their technique and style. Jazz pianists almost always perform with other musicians and their playing is freer than that of classical pianists and they create an air of spontaneity in their performances. They generally do not write down their compositions, improvisation is a significant part of their work, well known Jazz pianists include Art Tatum, Duke Ellington, Thelonious Monk, Oscar Peterson and Bud Powell. Popular pianists might work as performers, session musicians, arrangers most likely feel at home with synthesizers. A single listing of pianists in all genres would be impractical, the following is an incomplete list of such musicians. As a result, there are prominent communities of amateur pianists all over the world play at quite a high level and give concerts just because of their love to music. The International Piano Competition for Outstanding Amateurs, held annually in Paris and it was only after the competition that he started pursuing a career as a classical pianist. The German pianist Davide Martello is known for traveling around conflict zones to play his moving piano, Martello has previously been recognised by the European parliament for his “outstanding contribution to European cooperation and the promotion of common values”

14.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north

15.
Piano concerto
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A piano concerto is a type of concerto, a solo composition in the Classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. When piano concertos are performed by a concert pianist, a large grand piano is almost always used, as the grand piano has a fuller tone. Keyboard concerti were common in the time of Johann Sebastian Bach in the Baroque music era, during the Classical music period, keyboard concertos are also written by contemporary classical music composers. Twentieth and 21st century piano concertos may include experimental or unusual performance techniques, in the 20th and 21st century, J. S. Bachs harpsichord concertos are played on piano. Well-known examples from the middle to late Romantic era include concertos by Edvard Grieg, Johannes Brahms, Camille Saint-Saëns, Franz Liszt, Pyotr Ilyich Tchaikovsky, antonín Dvořák and Franz Xaver Scharwenka wrote some lesser-known concertos during this time. Edward Elgar made sketches for a piano concerto but never completed it, wilhelm Furtwängler wrote his Symphonic Concerto for Piano and Orchestra, which lasts more than one hour, in 1924-1937.3 by Michael Tippett. The German Paul Wittgenstein lost his arm during World War I. The Czech Otakar Hollmann, whose arm was injured in the war, did likewise. A quick opening movement in sonata allegro form including a virtuoso cadenza, a slow movement that is freer and more expressive and lyrical A faster rondo Examples by Mozart and Beethoven follow this model, but many others do not. Beethovens fourth concerto includes a last-movement cadenza, and many composers introduced innovations, liszts concertos are played without a break, though separate movements are clearly evident. One example of a concerto in only one movement is Tchaikovskys Piano Concerto No.3 in E-flat major. Classical and Romantic Piano Concertos, an extensive list of Classical and Romantic piano concertos, music for Piano and Orchestra, The Recorded Repertory, An exhaustive list of recorded works for piano and orchestra

16.
Joseph Haydn
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Joseph Haydn was an Austrian composer of the Classical period. Haydn spent much of his career as a musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, yet his music circulated widely and for much of his career he was the most celebrated composer in Europe. He was a friend and mentor of Mozart, a teacher of Beethoven, Joseph Haydn was born in Rohrau, Austria, a village that at that time stood on the border with Hungary. His father was Mathias Haydn, a wheelwright who served as Marktrichter. Haydns mother Maria, née Koller, had worked as a cook in the palace of Count Harrach. Neither parent could read music, however, Mathias was a folk musician. According to Haydns later reminiscences, his family was extremely musical. Haydns parents had noticed that their son was musically gifted and knew that in Rohrau he would have no chance to obtain serious musical training, Haydn therefore went off with Frankh to Hainburg 12 kilometres away, he never again lived with his parents. Life in the Frankh household was not easy for Haydn, who later remembered being frequently hungry and he began his musical training there, and could soon play both harpsichord and violin. The people of Hainburg heard him sing treble parts in the church choir, Haydn passed his audition with Reutter, and after several months of further training moved to Vienna, where he worked for the next nine years as a chorister. Haydn lived in the Kapellhaus next to the cathedral, along with Reutter, Reutters family, and the other four choirboys, the choirboys were instructed in Latin and other school subjects as well as voice, violin, and keyboard. Reutter was of help to Haydn in the areas of music theory and composition. However, since St. Stephens was one of the musical centres in Europe. Like Frankh before him, Reutter did not always bother to make sure Haydn was properly fed, by 1749, Haydn had matured physically to the point that he was no longer able to sing high choral parts. Empress Maria Theresa herself complained to Reutter about his singing, calling it crowing, one day, Haydn carried out a prank, snipping off the pigtail of a fellow chorister. This was enough for Reutter, Haydn was first caned, then summarily dismissed and he had the good fortune to be taken in by a friend, Johann Michael Spangler, who shared his familys crowded garret room with Haydn for a few months. Haydn immediately began his pursuit of a career as a freelance musician and he was also briefly in Count Friedrich Wilhelm von Haugwitzs employ, playing the organ in the Bohemian Chancellery chapel at the Judenplatz

17.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town

18.
Leopold Mozart
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Johann Georg Leopold Mozart was a German composer, conductor, teacher, and violinist. Mozart is best known today as the father and teacher of Wolfgang Amadeus Mozart and he was born in Augsburg, son of Johann Georg Mozart, a bookbinder, and his second wife Anna Maria Sulzer. From an early age he sang as a choirboy and he attended a local Jesuit school, the St. Salvator Gymnasium, where he studied logic, science, theology, graduating magna cum laude in 1735. He then moved on to an advanced school, the St. Salvator Lyceum. While a student in Augsburg, he appeared in student theatrical productions as an actor and singer and he also developed an interest, which he retained, in microscopes and telescopes. Although his parents had planned a career for Leopold as a Catholic priest, an old school friend told Wolfgang Amadeus Mozart in 1777, Ah he was a great fellow. My father thought the world of him, and how he hoodwinked the clerics about becoming a priest. He withdrew from the St. Salvator Lyceum after less than a year, following a years delay, he moved to Salzburg to resume his education, enrolling in November 1737 at the Benedictine University to study philosophy and jurisprudence. At the time Salzburg was the capital of an independent state within the Holy Roman Empire, except for periods of travel, Leopold spent the rest of his life there. Leopold received the degree of Bachelor of Philosophy in 1738, however, in September 1739 he was expelled from the university for poor attendance, having hardly attended Natural Science more than once or twice. In 1740, he began his career as a musician, becoming violinist and valet to one of the universitys canons, Johann Baptist, Count of Thurn-Valsassina. This was also the year of his first musical publication, the six Trio Sonatas and these were titled Sonate sei da chiesa e da camera, Leopold did the work of copper engraving himself. He continued to compose, producing a series of German Passion cantatas, in 1747 he married Anna Maria Pertl, who bore him seven children, although only two of them survived past infancy, Maria Anna Walburga Ignatia and Wolfgang Amadeus Mozart. In 1743 Leopold Mozart was appointed to a position in the establishment of Count Leopold Anton von Firmian. His duties included composition and the teaching of violin to the choirboys of the Salzburg cathedral and he was promoted to second violinist in 1758 and in 1763 to deputy Kapellmeister. He rose no further, others were promoted over him to the head position of Kapellmeister. The question of whether Leopold was successful as a composer is debated, the Grove Dictionary says that as of 1756, Mozart was already well-known. His works circulated widely in German-speaking Europe, however, biographer Maynard Solomon asserts that he failed to make his mark as a composer, and Alfred Einstein judged him to be an undistinguished composer

19.
Maria Anna Mozart
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Maria Anna Walburga Ignatia Mozart, called Marianne and nicknamed Nannerl, was a musician, the older sister of Wolfgang Amadeus Mozart and daughter of Leopold and Anna Maria Mozart. Maria Anna Mozart was born in Salzburg, when she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of cities, such as Vienna and Paris. In the early days, she received top billing, and she was noted as an excellent harpsichord player. However, given the views of her parents, prevalent in her society at the time, according to New Grove, from 1769 onwards she was no longer permitted to show her artistic talent on travels with her brother, as she had reached a marriageable age. Wolfgang went on during the 1770s to many artistic triumphs while traveling in Italy with Leopold and she likewise stayed home with Leopold when Wolfgang visited Paris and other cities accompanied by his mother. In contrast to her brother, who quarreled with their father and eventually disobeyed his wishes with respect to career path and choice of spouse, Marianne remained entirely subordinate to her father. She fell in love with Franz dIppold, who was a captain and private tutor, Wolfgang attempted, in vain, to get Marianne to stand up for her own preference. Berchtold was twice a widower and had five children from his two marriages, whom Marianne helped raise. She also bore three children of her own, Leopold Alois Pantaleon, Jeanette and Maria Babette, an unusual episode in Mariannes life occurred when she gave birth to her first child, a son who was named Leopold after his grandfather. Marianne had traveled from her home in St. Gilgen to Salzburg for the birth, when she returned to St. Gilgen, she left her infant in the care of her father and his servants. The elder Leopold stated that he would prefer to raise the child for the first few months himself, in 1786, he extended the arrangement to an indefinite term. Leopold continued to care for his grandson, taking delight in his progress, Marianne saw her son on occasional visits, but in general was not involved in his care. The arrangement continued until the death of her father, on 28 May 1787, biographers differ on what was the basis for this arrangement. Little Leopold was ill in his infancy, and perhaps needed to be kept in Salzburg for this reason, another possibility attributes the arrangement to Mariannes delicate health or her need to take care of her stepchildren. Biographer Maynard Solomon attributes the arrangement to Leopolds wish to revive his skills in training a musical genius and he also suggests that giving up her son was indicative of Mariannes total subordination to her fathers wishes. When Mozart was a toddler, Nannerl was his idol, according to Maynard Solomon, at three, Mozart was inspired to study music by observing his fathers instruction of Marianne, he wanted to be like her. The two children were close, and they invented a secret language and an imaginary Kingdom of Back of which they were king

20.
Salzburg
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Salzburg is the fourth-largest city in Austria and the capital of the federal state of Salzburg. Salzburgs Old Town is internationally renowned for its architecture and is one of the best-preserved city centers north of the Alps. It was listed as a UNESCO World Heritage Site in 1997, the city has three universities and a large population of students. Tourists also visit Salzburg to tour the historic center and the scenic Alpine surroundings, Salzburg was the birthplace of 18th-century composer Wolfgang Amadeus Mozart. In the mid‑20th century, the city was the setting for the musical play, traces of human settlements have been found in the area, dating to the Neolithic Age. The first settlements in Salzburg continuous with the present were apparently by the Celts around the 5th century BC, around 15 BC the Roman Empire merged the settlements into one city. At this time, the city was called Juvavum and was awarded the status of a Roman municipium in 45 AD, Juvavum developed into an important town of the Roman province of Noricum. After the Norican frontiers collapse, Juvavum declined so sharply that by the late 7th century it became a ruin. The Life of Saint Rupert credits the 8th-century saint with the citys rebirth, when Theodo of Bavaria asked Rupert to become bishop c. 700, Rupert reconnoitered the river for the site of his basilica, Rupert chose Juvavum, ordained priests, and annexed the manor Piding. He traveled to evangelise among pagans, the name Salzburg means Salt Castle. The name derives from the barges carrying salt on the Salzach River, the Festung Hohensalzburg, the citys fortress, was built in 1077 by Archbishop Gebhard, who made it his residence. It was greatly expanded during the following centuries, independence from Bavaria was secured in the late 14th century. Salzburg was the seat of the Archbishopric of Salzburg, a prince-bishopric of the Holy Roman Empire, as the reformation movement gained steam, riots broke out among peasants in the areas in and around Salzburg. The city was occupied during the German Peasants War, and the archbishop had to flee to the safety of the fortress It was besieged for three months in 1525. It was in the 17th century that Italian architects rebuilt the city center as it is today along with many palaces,21,475 citizens refused to recant their beliefs and were expelled from Salzburg. Most of them accepted an offer by King Friedrich Wilhelm I of Prussia, the rest settled in other Protestant states in Europe and the British colonies in America. In 1772–1803, under archbishop Hieronymus Graf von Colloredo, Salzburg was a centre of late Illuminism, in 1803, the archbishopric was secularised by Emperor Napoleon, he transferred the territory to Ferdinando III of Tuscany, former Grand Duke of Tuscany, as the Electorate of Salzburg

21.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area

22.
Libretto
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A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata. Libretto, from Italian, is the diminutive of the word libro, sometimes other language equivalents are used for libretti in that language, livret for French works and Textbuch for German. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. The relationship of the librettist to the composer in the creation of a work has varied over the centuries, as have the sources. In the context of a modern English language musical theatre piece, Libretti for operas, oratorios and cantatas in the 17th and 18th centuries generally were written by someone other than the composer, often a well-known poet. Metastasio was one of the most highly regarded librettists in Europe and his libretti were set many times by many different composers. Another noted 18th-century librettist was Lorenzo Da Ponte, who wrote the libretti for three of Mozarts greatest operas, as well as for other composers. Eugène Scribe was one of the most prolific librettists of the 19th century, providing the words for works by Meyerbeer, Auber, Bellini, Donizetti, Rossini and Verdi. The French writers duo Henri Meilhac and Ludovic Halévy wrote a number of opera and operetta libretti for the likes of Jacques Offenbach, Jules Massenet. Arrigo Boito, who wrote libretti for, among others, Giuseppe Verdi and Amilcare Ponchielli, the libretto is not always written before the music. Some composers wrote their own libretti, Richard Wagner is perhaps most famous in this regard, with his transformations of Germanic legends and events into epic subjects for his operas and music dramas. Hector Berlioz, too, wrote the libretti for two of his works, La Damnation de Faust and Les Troyens. Alban Berg adapted Georg Büchners play Woyzeck for the libretto of Wozzeck, sometimes the libretto is written in close collaboration with the composer, this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist Belsky, or an entirely original work. In the case of musicals, the music, the lyrics, thus, a musical such as Fiddler on the Roof has a composer, a lyricist and the writer of the book. In rare cases, the composer writes everything except the dance arrangements - music, lyrics and libretto, Other matters in the process of developing a libretto parallel those of spoken dramas for stage or screen. A famous case of the latter is Wagners 1861 revision of the original 1845 Dresden version of his opera Tannhäuser for Paris, since the late 19th century some opera composers have written music to prose or free verse libretti. The libretto of a musical, on the hand, is almost always written in prose

23.
Frankfurt
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The city is at the centre of the larger Frankfurt Rhine-Main Metropolitan Region, which has a population of 5.8 million and is Germanys second-largest metropolitan region after Rhine-Ruhr. Since the enlargement of the European Union in 2013, the centre of the EU is about 40 km to the east of Frankfurts CBD. Frankfurt is culturally and ethnically diverse, with half of the population. A quarter of the population are foreign nationals, including many expatriates, Frankfurt is an alpha world city and a global hub for commerce, culture, education, tourism and traffic. Its the site of many global and European headquarters, Frankfurt Airport is among the worlds busiest. Automotive, technology and research, services, consulting, media, Frankfurts DE-CIX is the worlds largest internet exchange point. Messe Frankfurt is one of the worlds largest trade fairs, major fairs include the Frankfurt Motor Show, the worlds largest motor show, the Music Fair, and the Frankfurt Book Fair, the worlds largest book fair. Frankfurt is home to educational institutions, including the Goethe University, the UAS, the FUMPA. Its renowned cultural venues include the concert hall Alte Oper, Europes largest English Theatre and many museums, Frankfurts skyline is shaped by some of Europes tallest skyscrapers. In sports, the city is known as the home of the top football club Eintracht Frankfurt, the basketball club Frankfurt Skyliners, the Frankfurt Marathon. Its the seat of German sport unions for Olympics, football, Frankfurt is the largest financial centre in continental Europe. It is home to the European Central Bank, Deutsche Bundesbank, Frankfurt Stock Exchange, the Frankfurt Stock Exchange is one of the worlds largest stock exchanges by market capitalization and accounts for more than 90 percent of the turnover in the German market. Frankfurt is considered a city as listed by the GaWC groups 2012 inventory. Among global cities it was ranked 10th by the Global Power City Index 2011, among financial centres it was ranked 8th by the International Financial Centers Development Index 2013 and 9th by the Global Financial Centres Index 2013. Its central location within Germany and Europe makes Frankfurt a major air, rail, Frankfurt Airport is one of the worlds busiest international airports by passenger traffic and the main hub for Germanys flag carrier Lufthansa. Frankfurter Kreuz, the Autobahn interchange close to the airport, is the most heavily used interchange in the EU, in 2011 human-resource-consulting firm Mercer ranked Frankfurt as seventh in its annual Quality of Living survey of cities around the world. According to The Economist cost-of-living survey, Frankfurt is Germanys most expensive city, Frankfurt has many high-rise buildings in the city centre, forming the Frankfurt skyline. It is one of the few cities in the European Union to have such a skyline and because of it Germans sometimes refer to Frankfurt as Mainhattan, the other well known and obvious nickname is Bankfurt

24.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed

25.
Switzerland
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Switzerland, officially the Swiss Confederation, is a federal republic in Europe. It consists of 26 cantons, and the city of Bern is the seat of the federal authorities. The country is situated in western-Central Europe, and is bordered by Italy to the south, France to the west, Germany to the north, and Austria and Liechtenstein to the east. Switzerland is a country geographically divided between the Alps, the Swiss Plateau and the Jura, spanning an area of 41,285 km2. The establishment of the Old Swiss Confederacy dates to the medieval period, resulting from a series of military successes against Austria. Swiss independence from the Holy Roman Empire was formally recognized in the Peace of Westphalia in 1648. The country has a history of armed neutrality going back to the Reformation, it has not been in a state of war internationally since 1815, nevertheless, it pursues an active foreign policy and is frequently involved in peace-building processes around the world. In addition to being the birthplace of the Red Cross, Switzerland is home to international organisations. On the European level, it is a member of the European Free Trade Association. However, it participates in the Schengen Area and the European Single Market through bilateral treaties, spanning the intersection of Germanic and Romance Europe, Switzerland comprises four main linguistic and cultural regions, German, French, Italian and Romansh. Due to its diversity, Switzerland is known by a variety of native names, Schweiz, Suisse, Svizzera. On coins and stamps, Latin is used instead of the four living languages, Switzerland is one of the most developed countries in the world, with the highest nominal wealth per adult and the eighth-highest per capita gross domestic product according to the IMF. Zürich and Geneva have each been ranked among the top cities in the world in terms of quality of life, with the former ranked second globally, according to Mercer. The English name Switzerland is a compound containing Switzer, a term for the Swiss. The English adjective Swiss is a loan from French Suisse, also in use since the 16th century. The name Switzer is from the Alemannic Schwiizer, in origin an inhabitant of Schwyz and its associated territory, the Swiss began to adopt the name for themselves after the Swabian War of 1499, used alongside the term for Confederates, Eidgenossen, used since the 14th century. The data code for Switzerland, CH, is derived from Latin Confoederatio Helvetica. The toponym Schwyz itself was first attested in 972, as Old High German Suittes, ultimately related to swedan ‘to burn’

26.
Concert Spirituel
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The Concert Spirituel was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790, later, concerts or series of concerts of the name occurred in Paris, Vienna, London. The series was founded to provide entertainment during the Easter fortnight, the programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated Salle des Cent Suisses in the Tuileries Palace. They started at six o’clock in the evening and were attended by well-to-do bourgeois, the lower aristocracy. In 1784 the concerts were moved to the area of the Salle des Machines, and in 1790. The first concert took place of 18 March 1725 where two of Delalandes motets and Corellis Christmas Concerto were performed, the first director was Anne Danican Philidor, brother of the composer and chess master François-André Danican Philidor. Philidor went bankrupt two years. His successors, Pierre Simart and Jean-Joseph Mouret, expanded the operation with a series of French Concerts, because no one was willing to take their place, the series was administered by the Académie Royale de Musique for the next fourteen years. During this period, the works of French composers were favored, the series was finally profitable because the Académie did not have to pay the license fee, but in general this was a period of stagnation. They continued to new and existing French works, but also presented the most famous Italian singers. Beginning in 1755, oratorios with French texts were introduced and became popular, in 1762 a well-connected royal functionary, Antoine Dauvergne, forced Royers widow out of the operation she had run since her husbands death in 1755. Dauvergne and various associates managed the concerts until 1773, the interest of the public was excited by adding a motet competition and by expanding the presentation of instrumental virtuosi beyond violinists to include masters of wind instruments. Although the concerts remained profitable, Dauvergne abandoned the concerts, as a result the Académie replaced him with Pierre Gaviniès, Simon Le Duc and François Joseph Gossec. From 1777 the Concert Spirituel was directed by Joseph Legros, its last and most brilliant director, Legros, a star singer at the Opera, who managed the concerts until they came to an end in 1790 with the French Revolution. The final concert took place on 13 May 1790, during the Napoleonic period concerts were occasionally held in Paris under the title concert spirituel, particularly after 1805 as religious feeling revived in France. During the Restoration, the Théâtre-Italien and Académie Royale de Musique gave 6 to 9 concerts spirituels per year and they became a regular feature at the Société des Concerts du Conservatoire shortly after it was founded in 1828 and remained so for most of the nineteenth century. They were frequently benefit performances featuring notable soloists - for example, entry on Le Concert Spirituel on the Naxos. com website Michel Brenet, Les Concerts en France sous lAncien Régime, Paris, Fischbacher,1900, réimprimé à New York, Da Capo Press,1970. Joann Élart, Musiciens et répertoires de concert en France à la fin de lAncien Régime, patrick Taïeb, université de Rouen,2005

27.
Carlton House
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Carlton House was a mansion in London, best known as the town residence of the Prince Regent for several decades from 1783. It faced the side of Pall Mall, and its gardens abutted St. Jamess Park in the St Jamess district of London. An existing house was rebuilt at the beginning of the century for Henry Boyle, created Baron Carleton in 1714, who bequeathed it to his nephew. Burlingtons mother sold it in 1732 to Frederick, Prince of Wales, the Prince had the house substantially rebuilt by the architect Henry Holland between 1783 and 1796. By the time the Prince Regent and Henry Holland parted company in 1802, Carlton House was a spacious and opulent residence, from the 1780s it was the centre of a glittering alternate court to that of the Princes parents at St James and Buckingham House. After 1811 when he became Prince Regent the house was altered and redecorated to suit an even amount of usage as a palace in all. In 1820, on the death of his father, George III and he deemed that Carlton House, the official royal residence of St. Jamess Palace and his parents Buckingham House were all inadequate for his needs. Some consideration was given to rebuilding Carlton House on a far larger scale, Carlton House was demolished in 1825 and replaced with two grand white stuccoed terraces of expensive houses known as Carlton House Terrace. The proceeds of the leases were put towards the cost of Buckingham Palace, when the Prince of Wales took possession in August 1783, Sir William Chambers was appointed as architect, but after a first survey, he was quickly replaced by Henry Holland. Both Chambers and Holland were proponents of the French neoclassical style of architecture, Holland began working first on the State Apartments along the garden front, the principal reception rooms of the house. There is an August simplicity that astonished me and you cannot call it magnificent, it is the taste and propriety that strike. Parliament appointed a commission to investigate the huge cost overruns at Carlton House, in May 1787, the Prince of Wales contritely approached his father, King George III, and persuaded him to provide the money to finish the house. When work resumed in the summer of 1787, with a budget of £60,000 to finish the house, it was with the assistance of many of the furniture makers. When completed, Carlton House was approximately 202 feet long, and 130 feet deep, visitors entered the house through a hexastyle portico of Corinthian columns that led to a foyer that was flanked on either side by anterooms. Carlton House was unusual in that the visitor entered the house on the main floor, from the foyer, the visitor entered the two story top lit entrance hall that was decorated with Ionic columns of yellow marble scagliola. Beyond the hall was a room that was also top lit. The octagonal room was flanked on the right by the staircase and flanked on the left by a courtyard. This suite of rooms was equipped with folding doors which provided an impressive enfilade when opened, besides the magnificent French decor and furniture, Carlton House was hung with a superb collection of works of art

28.
Prince of Wales
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Charles, Prince of Wales is the eldest child and heir apparent of Queen Elizabeth II. Known alternatively in South West England as Duke of Cornwall and in Scotland as Duke of Rothesay, he is the heir apparent in British history. He is also the oldest person to be next in line to the throne since Sophia of Hanover, Charles was born at Buckingham Palace as the first grandchild of King George VI and Queen Elizabeth. After earning a bachelor of degree from Trinity College, Cambridge. In 1981, he married Lady Diana Spencer and they had two sons, Prince William later to become Duke of Cambridge, and Prince Harry, in 1996, the couple divorced, following well-publicised extramarital affairs. Diana died in a car crash in Paris the following year, in 2005, Charles married Camilla Parker Bowles. Charles has sought to raise awareness of the dangers facing the natural environment. As an environmentalist, he has received awards and recognition from environmental groups around the world. His support for alternative medicine, including homeopathy, has been criticised by some in the medical community and he has been outspoken on the role of architecture in society and the conservation of historic buildings. Subsequently, Charles created Poundbury, a new town based on his theories. He has authored a number of books, including A Vision of Britain, A Personal View of Architecture in 1989 and he was baptised in the palaces Music Room by the Archbishop of Canterbury, Geoffrey Fisher, on 15 December 1948. When Prince Charles was aged three his mothers accession as Queen Elizabeth II made him her heir apparent. As the monarchs eldest son, he took the titles Duke of Cornwall, Duke of Rothesay, Earl of Carrick, Baron of Renfrew, Lord of the Isles and Prince. Charles attended his mothers coronation at Westminster Abbey on 2 June 1953, seated alongside his grandmother, as was customary for upper-class children at the time, a governess, Catherine Peebles, was appointed and undertook his education between the ages of five and eight. Buckingham Palace announced in 1955 that Charles would attend school rather than have a private tutor, Charles then attended two of his fathers former schools, Cheam Preparatory School in Berkshire, England, followed by Gordonstoun in the north-east of Scotland. He reportedly despised the school, which he described as Colditz in kilts. Upon his return to Gordonstoun, Charles emulated his father in becoming Head Boy and he left in 1967, with six GCE O-levels and two A-levels in history and French, at grades B and C, respectively. Tradition was broken again when Charles proceeded straight from school into university

29.
Hanover Square, Westminster
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Hanover Square is a square in Mayfair, Westminster, situated to the south west of Oxford Circus, the major junction where Oxford Street meets Regent Street. The streets which converge at Hanover Square are, Brook Street, Dering Street, Hanover Street, Harewood Place and Princes Street. Hanover Square was developed from 1713 as a residential address by Richard Lumley, 1st Earl of Scarbrough. Like Scarbrough, most of the residents were staunch supporters of the Hanoverian succession of 1714. Early Hanover Square was decidedly Whig and most decidedly military, commented the architectural historian Sir John Summerson, early residents included Generals Earl Cadogan, Sir Charles Wills, Stewart, Evans, Lord Carpenter and John Pepper, names conspicuously associated with episodes in Marlborough’s war and the Fifteen. While a few of the 18th-century houses remain intact, most of the square has been reconstructed in a variety of periods. The parish church of St Georges, Hanover Square, is a distance to the south of the square at the junction of St George Street and Maddox Street. In 1759 James Abercrombie, commander-in-chief of British forces in North America during the French and Indian War, bibliography Sir John Summerson, Georgian London, London, Penguin,1969 Edward Walford, Hanover Square and neighbourhood, Old and New London, Volume 4, pp. 314–326

30.
George Frideric Handel
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George Frideric Handel was a German, later British baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712 and he was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera, musicologist Winton Dean writes that his operas show that Handel was not only a great composer, he was a dramatic genius of the first order. As Alexanders Feast was well received, Handel made a transition to English choral works, after his success with Messiah he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759 and his funeral was given full state honours, and he was buried in Westminster Abbey in London. Handel was born in 1685 in Halle-on-Saal, Duchy of Magdeburg, to Georg Händel and his father,63 when George Frideric was born, was an eminent barber-surgeon who served the court of Saxe-Weissenfels and the Margraviate of Brandenburg. Georg Händel was the son of a coppersmith, Valentin Händel who had emigrated from Eisleben in 1608 with his first wife Anna Belching and they were Protestants and chose reliably Protestant Saxony over Silesia, a Hapsburg possession as religious tensions mounted in the years before the Thirty Years War. Halle was a prosperous city, home of a salt-mining industry. Even the smaller churches all had able organists and fair choirs, and humanities, the Thirty Years War brought extensive destruction to Halle, and by the 1680s it was impoverished. But since the middle of the war the city was under the administration of the Duke of Saxony, the arts and music, however, flourished only among the higher strata, which did not describe Handels family. Handel was the child of this marriage, the first son died still born. Two younger sisters were born after the birth of George Frideric, Dorthea Sophia, born 6 October 1687 and Johanna Christiana, born 10 January 1690. Early in his life Handel is reported to have attended the gymnasium in Halle, Mainwaring is the source for almost all information of Handels childhood, and much of that information came from J. C. Smith, Jr. Handels confidant and copyist. Whether they came from Smith or elsewhere, Mainwaring frequently relates misinformation and it is from Mainwaring that the portrait of Handels father as implacably opposed to any musical education comes. This did nothing to dampen young Handels inclination, in fact, Mainwaring tells the story of Handels secret attic spinnet, Handel found means to get a little clavichord privately conveyd to a room at the top of the house. To this room he constantly stole when the family was asleep, but Handel had to have had some experience with the keyboard to have made the impression in Weissenfels that resulted in his receiving formal musical training. Somehow Handel made his way to the organ, where he surprised everyone with his playing. Overhearing this performance and noting the youth of the performer caused the Duke to recommend to Georg Händel that Handel be given musical instruction, Handels father engaged the organist at the Halle parish church, the young Friedrich Wilhelm Zachow, to instruct Handel

31.
Fugue
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A fugue usually has three sections, an exposition, a development, and a final entry that contains the return of the subject in the fugues tonic key. In the Middle Ages, the term was used to denote any works in canonic style, by the Renaissance. Since the 17th century, the fugue has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a main theme, the subject, which then sounds successively in each voice, when each voice has entered. This is often followed by a passage, or episode, developed from previously heard material. In this sense, a fugue is a style of composition, the form evolved during the 18th century from several earlier types of contrapuntal compositions, such as imitative ricercars, capriccios, canzonas, and fantasias. The famous fugue composer Johann Sebastian Bach shaped his own works after those of Johann Jakob Froberger, Johann Pachelbel, Girolamo Frescobaldi, Dieterich Buxtehude and others. With the decline of sophisticated styles at the end of the period, the fugues central role waned, eventually giving way as sonata form. The English term fugue originated in the 16th century and is derived from the French word fugue or the Italian fuga and this in turn comes from Latin, also fuga, which is itself related to both fugere and fugare. A fugue begins with the exposition and is according to certain predefined rules, in later portions the composer has more freedom. Further entries of the subject will occur throughout the fugue, repeating the accompanying material at the same time, the various entries may or may not be separated by episodes. What follows is a chart displaying a fairly typical fugal outline, S = subject, A = answer, CS = countersubject, T = Tonic, D = Dominant A fugue begins with the exposition of its subject in one of the voices alone in the tonic key. After the statement of the subject, a second voice enters and states the subject with the subject transposed to another key, to make the music run smoothly, it may also have to be altered slightly. A tonal answer is called for when the subject begins with a prominent dominant note. To prevent an undermining of the sense of key, this note is transposed up a fourth to the tonic rather than up a fifth to the supertonic. Answers in the subdominant are also employed for the same reason, while the answer is being stated, the voice in which the subject was previously heard continues with new material. If this new material is reused in later statements of the subject, it is called a countersubject, if this material is only heard once. The countersubject is written in invertible counterpoint at the octave or fifteenth, for example, when the note G sounds in one voice above the note C in lower voice, the interval of a fifth is formed, which is considered consonant and entirely acceptable

32.
George III of the United Kingdom
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He was concurrently Duke and prince-elector of Brunswick-Lüneburg in the Holy Roman Empire until his promotion to King of Hanover on 12 October 1814. He was the third British monarch of the House of Hanover, early in his reign, Great Britain defeated France in the Seven Years War, becoming the dominant European power in North America and India. However, many of Britains American colonies were soon lost in the American War of Independence, further wars against revolutionary and Napoleonic France from 1793 concluded in the defeat of Napoleon at the Battle of Waterloo in 1815. In the later part of his life, George III had recurrent, although it has since been suggested that he had the blood disease porphyria, the cause of his illness remains unknown. After a final relapse in 1810, a regency was established, on George IIIs death, the Prince Regent succeeded his father as George IV. Historical analysis of George IIIs life has gone through a kaleidoscope of changing views that have depended heavily on the prejudices of his biographers and the sources available to them. Until it was reassessed in the half of the 20th century, his reputation in the United States was one of a tyrant. George was born in London at Norfolk House and he was the grandson of King George II, and the eldest son of Frederick, Prince of Wales, and Augusta of Saxe-Gotha. As Prince George was born two months prematurely and he was unlikely to survive, he was baptised the same day by Thomas Secker. One month later, he was baptised at Norfolk House. His godparents were the King of Sweden, his uncle the Duke of Saxe-Gotha, George grew into a healthy but reserved and shy child. The family moved to Leicester Square, where George and his younger brother Prince Edward, Duke of York, Family letters show that he could read and write in both English and German, as well as comment on political events of the time, by the age of eight. He was the first British monarch to study science systematically and his religious education was wholly Anglican. At age 10 George took part in a production of Joseph Addisons play Cato and said in the new prologue, What. It may with truth be said, A boy in England born, historian Romney Sedgwick argued that these lines appear to be the source of the only historical phrase with which he is associated. Georges grandfather, King George II, disliked the Prince of Wales, however, in 1751 the Prince of Wales died unexpectedly from a lung injury, and George became heir apparent to the throne. He inherited one of his fathers titles and became the Duke of Edinburgh, now more interested in his grandson, three weeks later the King created George Prince of Wales. Georges mother, now the Dowager Princess of Wales, preferred to keep George at home where she could imbue him with her moral values

33.
Cello
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The cello or violoncello is a bowed or plucked string instrument with four strings tuned in perfect fifths. The strings from low to high are generally tuned to C2, G2, D3 and A3 and it is a member of the violin family of musical instruments, which also includes the violin and viola and the double bass. The cello is used as a musical instrument, as well as in chamber music ensembles, string orchestras, as a member of the string section of symphony orchestras. It is the second-largest and second lowest bowed string instrument in the symphony orchestra. Cello parts are written in the bass clef, but both tenor clef and treble clefs are used for higher-range parts, both in orchestral/chamber music parts and in solo cello works. A person who plays the cello is called a cellist or violoncellist, in a small Classical ensemble, such as a string quartet, the cello typically plays the bass part, the lowest-pitched musical line of the piece. In orchestra, in Baroque era and Classical music period, the cello plays the bass part. In Baroque era music, the cello is used to play the basso continuo bassline, in a Baroque performance, the cello player might be joined by other bass instruments, playing double bass, viol or other low-register instruments. The name cello is a contraction of the Italian violoncello, which means little violone, in modern symphony orchestras, it is the second largest stringed instrument. Thus, the name contained both the augmentative -one and the diminutive -cello. By the turn of the 20th century, it had become common to shorten the name to cello and it is now customary to use cello without apostrophe as the full designation. Viol is derived from the viola, which was derived from Medieval Latin vitula. Cellos are tuned in fifths, starting with C2, followed by G2, D3 and it is tuned in the same intervals as the viola, but an octave lower. Unlike the violin or viola but similar to the double bass, the cello is most closely associated with European classical music, and has been described as the closest sounding instrument to the human voice. The instrument is a part of the orchestra, as part of the string section. A large number of concertos and sonatas have been written for the cello, among the most well-known Baroque works for the cello are Johann Sebastian Bachs six unaccompanied Suites. The Prelude from the First Suite is particularly famous, romantic era repertoire includes the Robert Schumann Concerto, the Antonín Dvořák Concerto as well as the two sonatas and the Double Concerto by Johannes Brahms. The cello is increasingly common in traditional music, especially Scottish fiddle music

34.
Hamburg
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Hamburg, officially Freie und Hansestadt Hamburg, is the second largest city in Germany and the eighth largest city in the European Union. It is the second smallest German state by area and its population is over 1.7 million people, and the wider Hamburg Metropolitan Region covers more than 5.1 million inhabitants. The city is situated on the river Elbe, the official long name reflects Hamburgs history as a member of the medieval Hanseatic League, a free imperial city of the Holy Roman Empire, a city-state, and one of the 16 states of Germany. Before the 1871 Unification of Germany, it was a sovereign state. Prior to the changes in 1919, the civic republic was ruled by a class of hereditary grand burghers or Hanseaten. Though repeatedly destroyed by the Great Fire of Hamburg, the floods and military conflicts including WW2 bombing raids, the city managed to recover and emerge wealthier after each catastrophe. On the river Elbe, Hamburg is a port and a global service, media, logistics and industrial hub, with headquarters and facilities of Airbus, Blohm + Voss, Aurubis, Beiersdorf. The radio and television broadcaster NDR, Europes largest printing and publishing firm Gruner + Jahr, Hamburg has been an important financial centre for centuries, and is the seat of Germanys oldest stock exchange and the worlds second oldest bank, Berenberg Bank. The city is a fast expanding tourist destination for domestic and international visitors. It ranked 16th in the world for livability in 2015, the ensemble Speicherstadt and Kontorhausviertel was declared a World Heritage Site by the UNESCO in 2015. Hamburg is a major European science, research and education hub with several universities and institutes and its creative industries and major cultural venues include the renowned Elbphilharmonie and Laeisz concert halls, various art venues, music producers and artists. It is regarded as a haven for artists, gave birth to movements like Hamburger Schule. Hamburg is also known for theatres and a variety of musical shows. St. Paulis Reeperbahn is among the best known European entertainment districts, Hamburg is on the southern point of the Jutland Peninsula, between Continental Europe to the south and Scandinavia to the north, with the North Sea to the west and the Baltic Sea to the north-east. It is on the River Elbe at its confluence with the Alster, the city centre is around the Binnenalster and Außenalster, both formed by damming the River Alster to create lakes. The island of Neuwerk and two neighbouring islands Scharhörn and Nigehörn, in the Hamburg Wadden Sea National Park, are also part of Hamburg. The neighbourhoods of Neuenfelde, Cranz, Francop and Finkenwerder are part of the Altes Land region, neugraben-Fischbek has Hamburgs highest elevation, the Hasselbrack at 116.2 metres AMSL. Hamburg has a climate, influenced by its proximity to the coast

35.
Carl Philipp Emanuel Bach
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His second name was given in honor of his godfather Georg Philipp Telemann, a friend of Johann Sebastian Bach. C. P. E. Bach was a composer working at a time of transition between his fathers baroque style and the classical and romantic styles that followed it. His personal approach, an expressive and often turbulent one known as empfindsamer Stil or sensitive style, applied the principles of rhetoric, Bachs dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the London Bach, Bach was known as the Berlin Bach during his residence in that city, and later as the Hamburg Bach when he succeeded Telemann as Kapellmeister there. He was known simply as Emanuel to his contemporaries, C. P. E. Bach was born on 8 March 1714 in Weimar to Johann Sebastian Bach and his first wife, Maria Barbara. He was the third son. The composer Georg Philipp Telemann was his godfather, when he was ten years old, he entered the St. Thomas School at Leipzig, where his father had become cantor in 1723. He was one of four Bach children to professional musicians. In an age of patronage, father and son alike knew that a university education helped prevent a professional musician from being treated as a servant. Carl, like his brothers, pursued advanced studies in jurisprudence at the University of Leipzig in 1731, in 1738, at the age of 24, he obtained his degree but never practiced law, instead turning his attention immediately to music. Upon Fredericks accession in 1740, Bach became a member of the royal orchestra and he was by this time one of the foremost clavier players in Europe, and his compositions, which date from 1731, include about thirty sonatas and concert pieces for harpsichord and clavichord. In Berlin, Bach continued to write pieces for solo keyboard, including a series of character pieces. His reputation was established by the two sets of sonatas which he published with dedications to Frederick the Great and to Charles Eugene, Duke of Württemberg. In 1746, he was promoted to the post of chamber musician and served the king alongside colleagues like Carl Heinrich Graun, Johann Joachim Quantz, the composer who most influenced Bachs maturing style was unquestionably his father. He drew creative inspiration from his godfather Georg Philipp Telemann, then working in Hamburg, Bachs interest in all types of art led to influence from poets, playwrights and philosophers such as Friedrich Gottlieb Klopstock, Moses Mendelssohn and Gotthold Ephraim Lessing. Bachs work itself influenced the work of, among others, Haydn, Mozart, Beethoven, but his main work was concentrated on the clavier, for which he composed, at this time, nearly two hundred sonatas and other solos, including the set Mit veränderten Reprisen. Both Haydn and Beethoven swore by it, by 1780, the book was in its third edition and laid the foundation for the keyboard methods of Clementi and Cramer. The essay lays out the fingering for each chord and some chord sequences, Bachs techniques continue to be employed today

36.
Berlin
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Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln

37.
Prague
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Prague is the capital and largest city of the Czech Republic. It is the 14th largest city in the European Union and it is also the historical capital of Bohemia. Situated in the north-west of the country on the Vltava river, the city has a temperate climate, with warm summers and chilly winters. Prague has been a political, cultural, and economic centre of central Europe with waxing and waning fortunes during its history and it was an important city to the Habsburg Monarchy and its Austro-Hungarian Empire. Prague is home to a number of cultural attractions, many of which survived the violence. Main attractions include the Prague Castle, the Charles Bridge, Old Town Square with the Prague astronomical clock, since 1992, the extensive historic centre of Prague has been included in the UNESCO list of World Heritage Sites. The city has more than ten major museums, along with theatres, galleries, cinemas. An extensive modern public transportation system connects the city, also, it is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe. Prague is classified as an Alpha- global city according to GaWC studies, Prague ranked sixth in the Tripadvisor world list of best destinations in 2016. Its rich history makes it a popular tourist destination, and the city more than 6.4 million international visitors annually. Prague is the fifth most visited European city after London, Paris, Istanbul, the region was settled as early as the Paleolithic age. In the last century BC, the Celts were slowly driven away by Germanic tribes, around the area where present-day Prague stands, the 2nd century map of Ptolemaios mentioned a Germanic city called Casurgis. In the following century, the Czech tribes built several fortified settlements in the area, most notably in Levý Hradec, Butovice and in the Šárka valley. The construction of what came to be known as the Prague Castle began near the end of the 9th century, the first masonry under Prague Castle dates from the year 885 at the latest. The other prominent Prague fort, the Přemyslid fort Vyšehrad, was founded in the 10th century, Prague Castle is dominated by the cathedral, which was founded in 1344, but completed in the 20th century. The legendary origins of Prague attribute its foundation to the 8th century Czech duchess and prophetess Libuše and her husband, Přemysl, legend says that Libuše came out on a rocky cliff high above the Vltava and prophesied, I see a great city whose glory will touch the stars. She ordered a castle and a town called Praha to be built on the site, a 17th century Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the city was founded as Boihaem in c.1306 BC by an ancient king, Boyya. The region became the seat of the dukes, and later kings of Bohemia, under Roman Emperor Otto II the area became a bishopric in 973

38.
Russia
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Russia, also officially the Russian Federation, is a country in Eurasia. The European western part of the country is more populated and urbanised than the eastern. Russias capital Moscow is one of the largest cities in the world, other urban centers include Saint Petersburg, Novosibirsk, Yekaterinburg, Nizhny Novgorod. Extending across the entirety of Northern Asia and much of Eastern Europe, Russia spans eleven time zones and incorporates a range of environments. It shares maritime borders with Japan by the Sea of Okhotsk, the East Slavs emerged as a recognizable group in Europe between the 3rd and 8th centuries AD. Founded and ruled by a Varangian warrior elite and their descendants, in 988 it adopted Orthodox Christianity from the Byzantine Empire, beginning the synthesis of Byzantine and Slavic cultures that defined Russian culture for the next millennium. Rus ultimately disintegrated into a number of states, most of the Rus lands were overrun by the Mongol invasion. The Soviet Union played a role in the Allied victory in World War II. The Soviet era saw some of the most significant technological achievements of the 20th century, including the worlds first human-made satellite and the launching of the first humans in space. By the end of 1990, the Soviet Union had the second largest economy, largest standing military in the world. It is governed as a federal semi-presidential republic, the Russian economy ranks as the twelfth largest by nominal GDP and sixth largest by purchasing power parity in 2015. Russias extensive mineral and energy resources are the largest such reserves in the world, making it one of the producers of oil. The country is one of the five recognized nuclear weapons states and possesses the largest stockpile of weapons of mass destruction, Russia is a great power as well as a regional power and has been characterised as a potential superpower. The name Russia is derived from Rus, a state populated mostly by the East Slavs. However, this name became more prominent in the later history, and the country typically was called by its inhabitants Русская Земля. In order to distinguish this state from other states derived from it, it is denoted as Kievan Rus by modern historiography, an old Latin version of the name Rus was Ruthenia, mostly applied to the western and southern regions of Rus that were adjacent to Catholic Europe. The current name of the country, Россия, comes from the Byzantine Greek designation of the Kievan Rus, the standard way to refer to citizens of Russia is Russians in English and rossiyane in Russian. There are two Russian words which are translated into English as Russians

39.
Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below

40.
Lied
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Lied originally denoted in classical music the setting of German poems to music, beginning in the late-fourteenth or early fifteenth centuries. It later came especially to refer to settings of Romantic poetry during the eighteenth and nineteenth centuries. Examples include settings by Ludwig van Beethoven and Franz Schubert, among English speakers, however, Lied is often used interchangeably with art song to encompass works that the tradition has inspired in other languages. The poems that have made into Lieder often center on pastoral themes or themes of romantic love. Typically, Lieder are arranged for a singer and piano. Some of the most famous examples of Lieder are Schuberts Der Tod und das Mädchen, Gretchen am Spinnrade, Schubert and Schumann are most closely associated with this genre, mainly developed in the Romantic era. For German-speakers, the term Lied has a long history ranging from twelfth-century troubadour songs via folk songs, the word Lied for song first came into general use in German during the early fifteenth century, largely displacing the earlier word Gesang. The poet and composer Oswald von Wolkenstein is sometimes claimed as the creator of the Lied, because of his innovations in combining words and music. The late-fourteenth-century composer known as the Monk of Salzburg wrote six two-part Lieder which are older still, in Germany, the great age of song came in the nineteenth century. Schubert wrote over 600 songs, some of them in sequences or song cycles that relate an adventure of the rather than the body. The tradition was continued by Schumann, Brahms, and Hugo Wolf, and on into the 20th century by Strauss, Mahler, partisans of atonal music, such as Arnold Schoenberg and Anton Webern, composed Lieder in their own style. England too had a flowering of song, more closely associated, however, with folk songs than with art songs, as represented by Vaughan Williams, Benjamin Britten, Ivor Gurney, and Gerald Finzi. At the end of the 19th century and during the 20th century, alphons Diepenbrock and Henk Badings composed Dutch, German, English, and French songs, as well as songs in Latin for choirs. Böker-Heil, Norbert, David Fallows, John H. Baron, James Parsons, Eric Sams, Graham Johnson, grove Music Online, edited by Deane L. Root. Oxford University Press, accessed December 26,2016, a Multitude of Voices, The Lied at Mid Century. In The Cambridge Companion to the Lied, edited by James Parsons, Cambridge and New York, Cambridge University Press. The Circulation of the Lied, The Double Life of an Art Form, in The Cambridge Companion to the Lied, edited by James Parsons, 301–14. Cambridge and New York, Cambridge University Press, the Oxford Companion to Music, edited by Alison Latham

41.
Carl Maria von Weber
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Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school. Webers operas Der Freischütz, Euryanthe and Oberon greatly influenced the development of the Romantische Oper in Germany, a brilliant pianist himself, Weber composed four sonatas, two concertos and the Konzertstück in F minor, which influenced composers such as Chopin, Liszt and Mendelssohn. The Konzertstück provided a new model for the one-movement concerto in several contrasting sections, Webers shorter piano pieces, such as the Invitation to the Dance, were later orchestrated by Berlioz, while his Polacca Brillante was later set for piano and orchestra by Liszt. Webers compositions for clarinet, bassoon, and horn occupy an important place in the musical repertoire. His compositions for the clarinet, which include two concertos, a concertino, a quintet, a duo concertante, and variations on a theme from his opera Silvana, are performed today. His Concertino for Horn and Orchestra requires the performer to simultaneously produce two notes by humming while playing—a technique known as multiphonics and his bassoon concerto and the Andante e Rondo ungarese are also popular with bassoonists. Webers contribution to vocal and choral music is also significant and his body of Catholic religious music was highly popular in 19th-century Germany, and he composed one of the earliest song cycles, Die Temperamente beim Verluste der Geliebten. Weber was also notable as one of the first conductors to conduct without a piano or violin and his operas influenced the work of later opera composers, especially in Germany, such as Marschner, Meyerbeer and Wagner, as well as several nationalist 19th-century composers such as Glinka. Homage has been paid to Weber by 20th-century composers such as Debussy, Stravinsky, Mahler, Weber also wrote music journalism and was interested in folksong, and learned lithography to engrave his own works. Weber was born in Eutin, Bishopric of Lübeck, the eldest of the three children of Franz Anton von Weber and his wife, Genovefa Weber, a Viennese singer. The von was an affectation, Franz Anton von Weber was not actually an aristocrat, both his parents were Catholic and originally came from the far south of Germany. Franz Anton began his career as a officer in the service of the Duchy of Holstein. In 1787 Franz Anton went on to Hamburg where he founded a theatrical company, Franz Antons half-brother, Fridolin, married Cäcilia Stamm and had four musical daughters, Josepha, Aloysia, Constanze and Sophie, all of whom became notable singers. Wolfgang Amadeus Mozart attempted to woo Aloysia, composing pieces for her. But after she rejected his advances, Mozart went on to marry Constanze, a gifted violinist, Franz Anton had ambitions of turning Carl into a child prodigy like Franzs nephew-by-marriage, Mozart. Carl was born with a hip disease and did not begin to walk until he was four. But by then, he was already a singer and pianist. Webers father gave him an education, which was however interrupted by the familys constant moves

42.
Samuel Dushkin
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Samuel Dushkin was an American violinist, composer and pedagogue of Polish birth and Jewish origin. Dushkin was born in Suwałki, Poland and he studied at the Conservatoire de Paris as well as with Leopold Auer in New York City and Fritz Kreisler. He made his European debut in 1918 at the age of 23, Dushkin cooperated closely with Igor Stravinsky in the composition of the latters first work for the violin, the Violin Concerto. He played at the world and US premieres and on the debut Vox recording with Stravinsky conducting Lamoureux Orchestra. Stravinsky also composed his Duo Concertante and his Divertimento, both for violin and piano, to play with Dushkin in concert tours and they also worked together in violin transcriptions of other works, such as the Suite Italienne from Pulcinella. Dushkin gave the premiere of Ravels orchestral version of his Tzigane, in Amsterdam on 19 October 1924, Dushkin owned two Stradivarius violins, a Guarneri del Gesù violin and a Guadagnini violin. They are published in Samuel Dushkin Repertoire and he was also the author of the Grave for violin and orchestra by Johann Georg Benda, a musical hoax. His younger brother, David Dushkin, also studied music in America, David, along with his wife, Dorothy, founded the Music Institute of Chicago in 1931, as well as the Kinhaven Music School in 1952. Samuel Dushkin The Concise Grove Dictionary of Music, oxford University Press, Inc.1994 Stravinsky, Igor. New York, M. & J. Steuer

43.
Cantata
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A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata, several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Johann Sebastian Bach composed cycles of cantatas for the occasions of the liturgical year. The term originated in the early 17th century simultaneously with opera, prior to that, all cultured music was vocal. With the rise of music the term appeared, while the instrumental art became sufficiently developed to be embodied in sonatas. From the beginning of the 17th century until late in the 18th, a cantata consisted first of a declamatory narrative or scene in recitative, held together by a primitive aria repeated at intervals. Fine examples may be found in the music of Giacomo Carissimi. With the rise of the da capo aria, the became a group of two or three arias joined by recitative. George Frideric Handels numerous Italian duets and trios are examples on a large scale. His Latin motet Silete Venti, for solo, shows the use of this form in church music. This is equally evident whether we examine the church cantatas of Bach, of which nearly 200 are extant. Cantatas were in demand for the services of the Lutheran church. Many secular cantatas were composed for events in the nobility and they were so similar in form to the sacred ones that many of them were parodied to sacred cantatas, for example in Bachs Christmas Oratorio. The term cantata came to be applied almost exclusively to choral works, Anton Bruckner composed several Name-day cantatas, a Festive Cantata and two secular cantatas. Brucknerss Psalm 146 is also in cantata form, mendelssohns Symphony Cantata, the Lobgesang, is a hybrid work, partly in the oratorio style. Robert Schumann wrote the cantata Paradise and the Peri, the full lyric possibilities of a string of choral songs were realized by Johannes Brahms in his Rinaldo, that—like the Walpurgisnacht—was set to a text by Goethe. The competition for the French Prix de Rome prescribed that each candidate submit a cantata, hector Berlioz failed in three attempts before finally winning in 1830 with Sardanapale. While almost all of the Prix de Rome cantatas have long since been forgotten, cantatas, both of the chamber variety and on a grand scale, were composed after 1900 as well

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700 …

Image: Grand piano and upright piano

Grand piano by Louis Bas of Villeneuve-lès-Avignon, France, 1781. Earliest French grand piano known to survive; includes an inverted wrestplank and action derived from the work of Bartolomeo Cristofori (ca. 1700) with ornately decorated soundboard.

The first edition of Leopold Mozart's Violinschule included this portrait of the author. Some aspects of violin playing in his day can be seen: the lightweight, concave bow and the absence of any chin rest or shoulder rest.

The interval of a fifth inverts to a fourth (dissonant) and therefore cannot be employed in invertible counterpoint, without preparation and resolution.

Example of a false answer in J. S. Bach's Fugue no. 2 in C minor, BWV 847, from the ''Well-Tempered Clavier'', Book 1. This passage is bars 6/7, at the end of the codetta before the first entry of the third voice, the bass, in the exposition. The false entry occurs in the alto, and consists of the head of the subject only, marked in red. It anticipates the true entry of the subject, marked in blue, by one quarter-note.