Satanisme. Mord. Selvmord. Kirkebrann.

This is what brought the Norwegian black metal genre fame in the early 90´s and fanned its popularity far and wide. Its critics tend to lump all fans and artists into a single demonic pigeonhole, but a closer look into the minds, hearts and homes of those who play the music reveals a wide range of motives that are based on complex political, cultural and social factors. Les mer