Pure Dry Goods | The Best Book Tutorial in History! none of them!

Source of information: Time: 2020-02-21 02:24:22

Millennium Tongzhou vitality north stream

Seal script is an early text. Its basic strokes and methods of writing have not yet reached the richness and complexity of the official script and regular script that have appeared in the future. It is more evidence-based. For the example of sister-in-law, we take Deng Shiru's work as an example. Here we introduce The basic method of writing a book, and the teacher at the end of the article to explain online demonstration.

First, the basic point painting and pen method

1 o'clock

The seal book uses less points and is often connected with other strokes as a part of other strokes or extended into short horizontal or short vertical. There are fewer individual points. The way to write them is: drop the pen from the center of the point, rotate it from left to right, and move the pen while turning, until the pen is turned into a circle. However, Deng Shiru's points are extremely varied, and the points of the same word in the same work are treated differently. See the different ways of writing the midpoint of the three "Tai" characters in (Figure 1).

▲ Different wordings of the three "too"

2.Straight

Straight includes long or short horizontal and vertical. Its basic writing must be settled in reverse; that is, the head is hidden, the two ends are round, and the middle part is the same thickness. There are also a small number of horizontal or vertical against the in-out and out-front. Such as (Figure 1) "Tai". The horizontal and vertical of Deng Shiru's book are not all straight lines. Except for the vertical line in the center, the horizontal tends to be a slight arc. Very dynamic. The strokes can be seen from the horizontal drawing of the character "Shang" in Figure 2 and the horizontal drawing of the character "Ten".

▲ Top ten

3.Arc

The arcs in the book can be divided into angular arcs, semi-circular arcs, circular arcs, square arcs, and irregular arcs. Except for some irregular arcs, arcs are written by two strokes, taking arcs as an example; pen strokes are basically the same as horizontal or vertical pen strokes. From the tribal pen above the circle to be written, write a semicircle to the left, Then write the semicircle to the right from the head tribal pen of the stroke above, and meet below the circle, leaving no traces at the overlap. (Figure 3) The two arcs in the upper part of the word "Da" and the two arcs in the lower part of "Zhu" are written in two strokes. (Picture 4) The arc above the word "month" is written in two strokes, and the irregular arc at the bottom of the word "month" and the arc of the word "multi" are written in one stroke.

▲ Da Zhu

▲ More than a month

▲ The surrounding frame of the "circle" and "four" around the four can be divided into two strokes or three strokes. Although it is an outer frame, it is also an arc.

Second, Deng Shiru's writing method:

Reside in and out, pay attention to introverted and implicit; or reverse in and out, easy and smooth. Settled upside down, the two ends of the painting are round, such as (Figure 6) two paintings on the upper part of the "public" character. Reverse in and out, the pen is round and thick, and the pen is slightly pointed, such as (Figure 6) "too". However, the closing of the book is still mainly Tibetan, and occasionally reveals the front to show the spirit.

▲ Mandarin

Third, the method of transport:

In the line of writing, you can use the method of turning to see the roundness, or use the method of stopping first and then turning, and see the inside of the outer circle; or use the method of folding, see Fang Jin. (Picture 7) The painting on the upper part of the word "back" uses the method of stopping first and then turning; the painting on the lower part uses the method of lifting. (Picture 7) The "Zhi" Chinese paintings are more often used in collapse. However, multiple methods are often used together in the word.

▲ betray oneself

Fourth, the processing method of line relationship:

1. Parallel relationship: The straight lines in the book are usually processed in parallel, such as (Figure 8) each horizontal drawing of the word "Yi". These horizontal drawings are not really vertical, but also arc-shaped. In the book, the curve bars are sometimes processed in parallel, such as (Figure 8) the upper left and right curves of the word “道”.

▲ Yidao

2. The relationship between embracing and opposing: The curves in the book are mostly treated with embracing and opposing. For example, (Figure 9) the word "lai", the curves to the left and right of the middle straight line are treated with the hug relationship; while (Figure 9) the curve to the left and right of the "empty" word are arranged with opposites, They are often used in embracing each other to complement each other. For example (Figure 10), the outer two curves of the word "and" hug each other, the inner two curves are opposite to each other, and the two left and right curves respectively form a hug relationship. (Figure 10) The curves at the bottom of the word "篆" form the opposite and embrace each other.

▲ Come and go

▲ And 篆

3. Staggered relationship: When there are two or more drooping lines in the book, you should pay attention to the staggered changes of the vertical feet. For example (Figure 11), although the word "white" has only two vertical feet, there are also differences in height. For another example (Figure 11), the four vertical feet of the "Yan" character are staggered.

▲ Bai Yan

4. Symmetrical relationship: The symmetrical treatment of lines is an important feature of Yanshu. Such as (Figure 12) "No" and "Go"; (Figure 3) "Large" and "Zhu". Although symmetrical, it is not absolutely the same on both sides. We can still see the changing and dynamic symmetry.

▲ Don't go

V. White cloth method

1. Uniformity: Uniformity is the pursuit of the book. The parallel and symmetrical method in the lines is closely related to this. For example, (Figure 13) The space between the horizontal lines of the word "quantity" and the space around the middle straight line are almost the same. (Figure 13) The space between the upper and lower left and right sides of the word "乃" is almost the same.

▲ Amount is

2. Top dense and thin sparse: In addition to paying attention to the uniformity of the white space between the lines, the book is also very particular about the changes in denseness. In most cases, Xiao Yan uses the method of arranging the top and bottom. For example (Figure 14), the words "heart" and "waste" are all closely related.

▲ Heart shortage

3. Top down and down dense: Some strokes in the book are stretched upwards. In this case, except for the stretched up drawing, it is necessary to pay attention to the uneven changes, while the cloth white processing is used top down and down dense method. Such as (Figure 15) the word "zhi", "world".

▲ World

Structure method:

1. Let it go: (Figure 16) "Evil" and "Stupid" are up-and-down structures, which are not handled well, and it is easy to feel separated. When processing the structure, the upper part expands outwards, allowing the lower part to enter, so that the upper and lower parts can be integrated into one.

▲ Foolish

2. Left high right low: the left part can only be drawn upwards and the bottom part can be extended, such as (Figure 17) "Cicada"; or the left part is extended up and down, but the left part can only be downwards Stretching paintings, such as the word "good". In this case, the left and right positions are usually treated as left high and right low.

▲ Cicada is good

3. Low left and high right: the left part only has lines that can be extended downwards, and the right part only has lines that can be extended upwards, such as (Figure 18) "Zhao", or the left part has lines that can be extended upwards and downwards, and the right Department can only extend upward lines, such as (Figure 18) the word "thing". The left and right positions can usually be arranged as low left and high right.

▲ Photo

4. Centering left: there is no picture of stretching up and down on the left, and pictures of stretching up and down on the right, such as (Figure 19) "drunk"; or pictures of stretching up and down on both sides, but the left is slightly smaller than the right, such as ( Figure 19) The word "fine". In this case, the left and right positions are usually treated as left centered.

▲ Drunk Essence

5. Upper flat: The left part is small without hanging feet, and the right part is large with hanging feet. The left and upper positions are usually used, such as (Figure 20), "predicate" and "ming".

▲ Ming Ming

If you encounter characters with left, middle, and right structure, you should flexibly use the method of arranging positions. For example (Figure 21), the word "tilt" adopts the method of "left dwelling" on the left and middle, and the method of "flat" on the middle and right. (Figure 21) The word "avoid", the left part and the middle right part take the positions of left high and right low, and the middle part and right part take the flat position.

▲ avoid

6. Full quadrilateral enveloping: (Figure 5), the word "surrounding", numerous horizontal drawings divide the space neatly, so that the blank space is smooth and bright, which is also very important in the structure of the seal. (Figure 5) The two vertical lines in the "four" in the word are curved outwards, forming a contrast with the vertical drawing on the outside. They are gathered by the horizontal drawing in the lower part. The pen is beautiful and lively.