Saturday, February 19, 2011

Reflections on blogging (and spoons)

Over on the John Barleycorn blog, Rima Staines discusses the art of blogging, and how she started, and why she started. It's a strange kind of art form, blogging; and the question of why reasonably sane people feel compelled to blog [that hideous word, I wish there was a better] is, for me, an intriguing one. It's got me to pondering why I blog myself...which I've actually done for quite a long time now if you count the years that Midori Snyder and I ran a blog for the Journal of Mythic Arts, although that was a good deal less personal than this one. And like Rima, it took me a while to find a comfortable “blogging voice” when I began The Drawing Board.

The thread of my Rima-stirred thoughts about blogging is all knotted up with a number of other things that I've been pondering lately – about art, and life, and energy, and “spoons” -- and out of this tangle there's something specific I want to unravel, but I'm going to have to tease it out slowly from the snarl of other threads, so please bear with me.

This is also going to be a more personal essay than the others I've posted here, touching on the rather intimate subject of living with chronic illness. And that's a subject I approach gingerly, for an essay about illness can be mistaken for a plea for sympathy ("Oh, poor, poor me!"), or as a means of defining oneself as part of an aggrieved minority ("Us sick people don't get no respect!") rather than what it actually is: a creative/intellectual attempt to understand the process of living with illness while simultaneously living as a creative artist. (I'm thinking in particular of some very misguided reviews Nancy Mairs received for Waist-high in the World, her sharp, insightful essays on life with MS.) So I hereby give notice that I am about to tread further than usual into this murky territory today...and perhaps in speaking of the personal, I can find my way back to more general thoughts about living the Artist's Life; or, at very least, give voice to issues that others dealing with illness might find familiar, or useful.

First let me define my terms. I'm going to refer to the limited energy one has when dealing with a chronic illness in terms of “spoons” -- so if you haven't yet read Christine Miserandino's very useful "Spoon Theory" essay, it might be helpful to do so. And by the term “blogging,” I'll be referring specifically to the writing of individual, personal blogs (like Rima's blog, or this one) rather than other sorts of blogs: professional, commercial, multi-author, etc..

With Rima's words running through my head, I was walking in the woods with my dog earlier (where I ran, quite unexpectedly, into Brian Froud and his dog, but that's another story...), thinking about the “art of the blog,” and why, after a somewhat trepidatious beginning, I find it so congenial. I'm in a different stage of my life and career than Rima, and thus my answer to the question “Why write a blog?” is bound to be a different one from hers, or any other young artist's. The answer that came to me suddenly as I trudged up the hill through the mud and leaves came from a thoroughly unexpected direction. It has to do with chronic illness and spoons and the thorny issue of communication.

Now, I can't speak for everyone with a serious and/or chronic illness, and my own (which I prefer not to name; the specifics of it aren't important here) has its rhythms and quirks that may be slightly different from other medical conditions like MS, or HIV, or fibromyalgia, or chronic fatigue...but what many of us with differing health problems share is a constant need to juggle whatever spoons we have to hand on any given day. And for me, the simple act of communication is one that consistently threatens to empty my spoon drawer.

Perhaps it's because I communicate for a living, and therefore the spoons specifically shaped for that job are ones I particularly have to hoard in order to meet the daily demands of my work. All I know is that the simple act of a writing a letter to a friend, or answering an email, or (especially) picking up the phone are entirely beyond me when those spoons are used up – and they're precisely the spoons I tend to run out of first, due to the nature of my work.

This is an aspect of my life that constantly frustrates my dear, patient, long-suffering family members (back in the United States) and friends (both in the U.S. and here). I drop out of sight, I don't pick up the phone, emails drop into some kind of cosmic black hole. I'm warm and engaged and present on a good day, and retreat into mumbles and chilly distance on a bad one. Sometime I'm a reliable sister/niece/friend, and a regular part of others' daily lives...and sometimes I disappear for days, weeks, months on end with no warning at all. If I were a hermit by nature, none of this would be a problem, but I'm not -- I'm a person with a wide, deep circle of close relationships; an artist who thrives on connection and community; an outgoing woman whose natural rhythms are often disrupted by the over-riding rhythms of illness.

What has all this to do with blogging, you ask? It is this: Writing short pieces for a more-or-less daily blog is, for me, a means of communication, of maintaining vital connections: with friends, with colleagues in the publishing field, with the wider Mythic Arts community. Yes, it takes spoons, but not many of them (now that I'm comfortable enough with the form and technology that I can put up a daily post reasonably quickly) – and when compared to the number of spoons it would take to stay in frequent touch with the many people I know and love, to answer every email and return every call, those couple of spoons become negligible and well worth the cost. Blogging, for me, is my daily missive from the trenches of my creative life to the people, near and far, who make up my world. It's a form of round-robin letter to say: this is what I'm doing, this is what I'm thinking, I haven't disappeared. I may not be entirely well, but I'm still here. And if other people whom I've never personally met are reading these missives too, well then that's fine by me. I assume they're here because they also love books and folklore and mythic arts, and that means they're not really strangers, they are part of my wider community too.

Now here's where I'd like to see if I can make the leap from personal circumstance to something that might relate to other artists as well, beyond the small subgroup of folks also coping with illness or disability. It's almost always difficult for artists in any field (except, perhaps, for a very privileged few) to balance the time needed for creative work with all the other demands of life. The need to manage ones time and energy may be more extreme and urgent for the chronically ill, yet I know few writers or artists (heck, do I know any?) who don't wrestle with the details of work/life balance. If it's not medical issues taking up ones time, it might be children, or elderly relatives, or a day job, or community obligations, or all of these things at once. The sheer busyness of modern life can feel relentless and overwhelming...and that, in turn, conflicts with art's requirement for time, solitude, and periods of sustained, uninterrupted concentration.

I think that even if illness was suddenly, blessedly removed as a factor in my life, I would still be at this same point in my journey: having reached the years of middle age, and recognizing that time is not infinite, I feel compelled to turn inward and focus my time and attention on truly mastering my craft. The social gregariousness of youth is no longer possible, or desirable; there are only so many hours in the day, after all. And yet, the life- and art-sustaining web of connection begun in ones early years remains important even as one grows older, slower, and more protective of ones time. That, for me, is where blogging comes in. It maintains that web of connection.

Here's what blogging is to me: It's a modern form of the old Victorian custom of being "At Home" to visitors on a certain day of the week; it's an Open House during which friends and colleagues know they are welcome to stop by. I'm “At Home” each morning when I put up at post. Here, in the gossamer world of the 'Net, I throw my studio door open to friends and family and strangers alike. And each Comment posted is a calling card left behind by those who have crossed my doorstep.

But it's important to remember that the flip side of the Victorian "At Home" day is that it also provided boundaries -- for it was widely understood that visitors were not to drop by on other days of the week. Visitors could leave calling cards with the butler, but the Mistress of the house was not instantly available to them. Like every artist (and particularly artists deficient in health and energy), I too need large periods of time when I'm simply not available to others: when I'm working, or resting, or off at the doctor's, or re-charging my creative batteries, or working out thorny plot problems while roaming the countryside with the pup. In these days of speed and instant access, of Facebook and tweets and 8-year-olds with their own mobile phones, it's almost a revolutionary act to say: I'm not in to callers. You can't reach me now. And yet artists need this. We need to unplug. We need to spend time in the world of our imaginations, where the 'Net and mobile phones cannot go.

But here's what I find interesting: The very same technology that threatens to force constant communication upon us can also be the thing that allows us to create necessary boundaries. Blogging, for all its intimacy as an art form, is also an excellent boundary maker. Yes, we open up our lives on our blogs...but only this much, not that much, and each blogger decides where that line will be drawn. The blog is a controlled kind of publication. It doesn't provided instant access to its maker, unless the blog's author specifically wants it to. The open, generous space cultivated on a blog need not (indeed, probably should not) be duplicated in the physical world; for in the world, what a working artist truly needs is the equivalent of the butler at the door, politely turning callers away: The mistress is not 'At Home' today. She is working. I will tell her you called.

This, then, is why I write a blog: not for the reasons so many young artists do (as they build their careers and find their audience), but because, as an artist in my middle years, it helps resolve one of life's central conflicts: that both illness and art demand solitude, yet the heart requires communication and connection.

I am also a woman woefully short on spoons and at this point in life I have learned to accept it. (Okay, my husband would say that I am learning to accept it.) Calls will continue to go unanswered. Emails will routinely begin with the words: Please forgive me for taking so long to respond.... Friends will continue to worry when they haven't heard from me for a week, or a month. But these days, at least, they know they can always find me here at the Drawing Board...with fresh coffee brewing, Tilly at my side, and a pen or paintbrush in my hands.

In the physical world, my studio is my work space, not a social space, and a rather fierce butler stands scowling at the door. But here, in my online studio, I am "At Home." And everyone is welcome in.

The art in this post is by the Swedish painter Carl Larsson (1854-1919).

Comments

Reflections on blogging (and spoons)

Over on the John Barleycorn blog, Rima Staines discusses the art of blogging, and how she started, and why she started. It's a strange kind of art form, blogging; and the question of why reasonably sane people feel compelled to blog [that hideous word, I wish there was a better] is, for me, an intriguing one. It's got me to pondering why I blog myself...which I've actually done for quite a long time now if you count the years that Midori Snyder and I ran a blog for the Journal of Mythic Arts, although that was a good deal less personal than this one. And like Rima, it took me a while to find a comfortable “blogging voice” when I began The Drawing Board.

The thread of my Rima-stirred thoughts about blogging is all knotted up with a number of other things that I've been pondering lately – about art, and life, and energy, and “spoons” -- and out of this tangle there's something specific I want to unravel, but I'm going to have to tease it out slowly from the snarl of other threads, so please bear with me.

This is also going to be a more personal essay than the others I've posted here, touching on the rather intimate subject of living with chronic illness. And that's a subject I approach gingerly, for an essay about illness can be mistaken for a plea for sympathy ("Oh, poor, poor me!"), or as a means of defining oneself as part of an aggrieved minority ("Us sick people don't get no respect!") rather than what it actually is: a creative/intellectual attempt to understand the process of living with illness while simultaneously living as a creative artist. (I'm thinking in particular of some very misguided reviews Nancy Mairs received for Waist-high in the World, her sharp, insightful essays on life with MS.) So I hereby give notice that I am about to tread further than usual into this murky territory today...and perhaps in speaking of the personal, I can find my way back to more general thoughts about living the Artist's Life; or, at very least, give voice to issues that others dealing with illness might find familiar, or useful.

First let me define my terms. I'm going to refer to the limited energy one has when dealing with a chronic illness in terms of “spoons” -- so if you haven't yet read Christine Miserandino's very useful "Spoon Theory" essay, it might be helpful to do so. And by the term “blogging,” I'll be referring specifically to the writing of individual, personal blogs (like Rima's blog, or this one) rather than other sorts of blogs: professional, commercial, multi-author, etc..

With Rima's words running through my head, I was walking in the woods with my dog earlier (where I ran, quite unexpectedly, into Brian Froud and his dog, but that's another story...), thinking about the “art of the blog,” and why, after a somewhat trepidatious beginning, I find it so congenial. I'm in a different stage of my life and career than Rima, and thus my answer to the question “Why write a blog?” is bound to be a different one from hers, or any other young artist's. The answer that came to me suddenly as I trudged up the hill through the mud and leaves came from a thoroughly unexpected direction. It has to do with chronic illness and spoons and the thorny issue of communication.

Now, I can't speak for everyone with a serious and/or chronic illness, and my own (which I prefer not to name; the specifics of it aren't important here) has its rhythms and quirks that may be slightly different from other medical conditions like MS, or HIV, or fibromyalgia, or chronic fatigue...but what many of us with differing health problems share is a constant need to juggle whatever spoons we have to hand on any given day. And for me, the simple act of communication is one that consistently threatens to empty my spoon drawer.

Perhaps it's because I communicate for a living, and therefore the spoons specifically shaped for that job are ones I particularly have to hoard in order to meet the daily demands of my work. All I know is that the simple act of a writing a letter to a friend, or answering an email, or (especially) picking up the phone are entirely beyond me when those spoons are used up – and they're precisely the spoons I tend to run out of first, due to the nature of my work.

This is an aspect of my life that constantly frustrates my dear, patient, long-suffering family members (back in the United States) and friends (both in the U.S. and here). I drop out of sight, I don't pick up the phone, emails drop into some kind of cosmic black hole. I'm warm and engaged and present on a good day, and retreat into mumbles and chilly distance on a bad one. Sometime I'm a reliable sister/niece/friend, and a regular part of others' daily lives...and sometimes I disappear for days, weeks, months on end with no warning at all. If I were a hermit by nature, none of this would be a problem, but I'm not -- I'm a person with a wide, deep circle of close relationships; an artist who thrives on connection and community; an outgoing woman whose natural rhythms are often disrupted by the over-riding rhythms of illness.

What has all this to do with blogging, you ask? It is this: Writing short pieces for a more-or-less daily blog is, for me, a means of communication, of maintaining vital connections: with friends, with colleagues in the publishing field, with the wider Mythic Arts community. Yes, it takes spoons, but not many of them (now that I'm comfortable enough with the form and technology that I can put up a daily post reasonably quickly) – and when compared to the number of spoons it would take to stay in frequent touch with the many people I know and love, to answer every email and return every call, those couple of spoons become negligible and well worth the cost. Blogging, for me, is my daily missive from the trenches of my creative life to the people, near and far, who make up my world. It's a form of round-robin letter to say: this is what I'm doing, this is what I'm thinking, I haven't disappeared. I may not be entirely well, but I'm still here. And if other people whom I've never personally met are reading these missives too, well then that's fine by me. I assume they're here because they also love books and folklore and mythic arts, and that means they're not really strangers, they are part of my wider community too.

Now here's where I'd like to see if I can make the leap from personal circumstance to something that might relate to other artists as well, beyond the small subgroup of folks also coping with illness or disability. It's almost always difficult for artists in any field (except, perhaps, for a very privileged few) to balance the time needed for creative work with all the other demands of life. The need to manage ones time and energy may be more extreme and urgent for the chronically ill, yet I know few writers or artists (heck, do I know any?) who don't wrestle with the details of work/life balance. If it's not medical issues taking up ones time, it might be children, or elderly relatives, or a day job, or community obligations, or all of these things at once. The sheer busyness of modern life can feel relentless and overwhelming...and that, in turn, conflicts with art's requirement for time, solitude, and periods of sustained, uninterrupted concentration.

I think that even if illness was suddenly, blessedly removed as a factor in my life, I would still be at this same point in my journey: having reached the years of middle age, and recognizing that time is not infinite, I feel compelled to turn inward and focus my time and attention on truly mastering my craft. The social gregariousness of youth is no longer possible, or desirable; there are only so many hours in the day, after all. And yet, the life- and art-sustaining web of connection begun in ones early years remains important even as one grows older, slower, and more protective of ones time. That, for me, is where blogging comes in. It maintains that web of connection.

Here's what blogging is to me: It's a modern form of the old Victorian custom of being "At Home" to visitors on a certain day of the week; it's an Open House during which friends and colleagues know they are welcome to stop by. I'm “At Home” each morning when I put up at post. Here, in the gossamer world of the 'Net, I throw my studio door open to friends and family and strangers alike. And each Comment posted is a calling card left behind by those who have crossed my doorstep.

But it's important to remember that the flip side of the Victorian "At Home" day is that it also provided boundaries -- for it was widely understood that visitors were not to drop by on other days of the week. Visitors could leave calling cards with the butler, but the Mistress of the house was not instantly available to them. Like every artist (and particularly artists deficient in health and energy), I too need large periods of time when I'm simply not available to others: when I'm working, or resting, or off at the doctor's, or re-charging my creative batteries, or working out thorny plot problems while roaming the countryside with the pup. In these days of speed and instant access, of Facebook and tweets and 8-year-olds with their own mobile phones, it's almost a revolutionary act to say: I'm not in to callers. You can't reach me now. And yet artists need this. We need to unplug. We need to spend time in the world of our imaginations, where the 'Net and mobile phones cannot go.

But here's what I find interesting: The very same technology that threatens to force constant communication upon us can also be the thing that allows us to create necessary boundaries. Blogging, for all its intimacy as an art form, is also an excellent boundary maker. Yes, we open up our lives on our blogs...but only this much, not that much, and each blogger decides where that line will be drawn. The blog is a controlled kind of publication. It doesn't provided instant access to its maker, unless the blog's author specifically wants it to. The open, generous space cultivated on a blog need not (indeed, probably should not) be duplicated in the physical world; for in the world, what a working artist truly needs is the equivalent of the butler at the door, politely turning callers away: The mistress is not 'At Home' today. She is working. I will tell her you called.

This, then, is why I write a blog: not for the reasons so many young artists do (as they build their careers and find their audience), but because, as an artist in my middle years, it helps resolve one of life's central conflicts: that both illness and art demand solitude, yet the heart requires communication and connection.

I am also a woman woefully short on spoons and at this point in life I have learned to accept it. (Okay, my husband would say that I am learning to accept it.) Calls will continue to go unanswered. Emails will routinely begin with the words: Please forgive me for taking so long to respond.... Friends will continue to worry when they haven't heard from me for a week, or a month. But these days, at least, they know they can always find me here at the Drawing Board...with fresh coffee brewing, Tilly at my side, and a pen or paintbrush in my hands.

In the physical world, my studio is my work space, not a social space, and a rather fierce butler stands scowling at the door. But here, in my online studio, I am "At Home." And everyone is welcome in.

The art in this post is by the Swedish painter Carl Larsson (1854-1919).

Myth & Moor

by Terri Windling

I'm a writer, artist, and book editor interested in myth, folklore, fairy tales, and the ways they are used in contemporary arts. I workin the New York publishing industry but I live in aDevon village at the edgeof Dartmoor with my English husband, dramatist & puppeteer Howard Gayton, our daughter, Victoria Windling-Gayton, and a joyful hound named Tilly (a Springer Spaniel/Labrador cross).

The 37th International Conference for the Fantastic in the Arts: I'm delighted to be Guest of Honor in 2016 along with writer Holly Black and fairy tale scholar Cristina Bacchilega. ICFA is held annually in Orlando, Florida in March. Further information on the 37th conference will be posted soon.

Other events in 2016 are still being confirmed, so please check back.

Take a stroll through our village (and its environs) by visiting my neighbors' blogs & sites:

"As a poet I hold the most archaic values on earth...the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times." - Gary Snyder

"People talk about medium. What is your medium? My medium as a writer has been dirt, clay, sand - what I could touch, hold, stand on, and stand for - Earth. My medium has been Earth. Earth in correspondence with my mind.” - Terry Tempest Williams

"This earth that we live on is full of stories in the same way that, for a fish, the ocean is full of ocean. Some people say when we are born we’re born into stories. I say we’re also born from stories." - Ben Okri

"Everything is held together with stories. That is all that is holding us together, stories and compassion." - Barry Lopez

Bookshelf

The Wood Wife:A mythic novel set in the Sonoran desert of Arizona. This link goes to the US edition; a UK edition is available here; and the new French edition is here. (For those who might be interested, I did a Q-&-A session on the book over on the Good Reads site.) Winner of the Mythopoeic Award.

Welcome to Bordertown:The latest volume in a classic Urban Fantasy series for YA readers. (An Audie Award nominee, for the audio book edition.) For information on the previous books, visit the Bordertown website.)

All told, I've published over forty books for children, teenagers and adults. More information on my writing, editing, and art can be found on my website.

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Please note that these books are linked to Amazon because it's the only book linking system that Typepad (this blogging service) has,but I urge you to please support your local bookstore if you plan to purchase any of the books mentioned on this blog.

Links to:

The Endicott StudioThe nonprofit organization for Mythic Arts that I ran for 22 years (starting in 1986), co-directed with author & folklorist Midori Snyder. The organization is currently on hiatus (while we catch our breaths and make a living), but a great deal of material from our Journal of Mythic Arts archive remains online.

Interstitial ArtsEllen Kushner, Delia Sherman, & other good folk look at writing and art in the interstices between genres. I was one of the founding board members, and remain an enthusiastic supporter.