I want to pay some particular attention to the thoughts on the Wiggett-Chutes: I don’t know why, but I had wondered — as Eliza Chute’s “items” (diaries, letters, etc) seem to have gone to various family members — if maybe this portrait hadn’t traveled to Caroline Wiggett Workman somehow… I mean, if Edward Austen Leigh had known about the portrait, surely he’d have used it as a basis for the engraving, rather than having the Maidenhead artist Andrews provide an ‘interim’ between Cassandra’s drawing and the engraving used in the Memoir.