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To Cut or Not to Cut

Many of us are faced with this question – to cut or not to
cut.

Editing is such sweet sorrow. LOL

Editing is a difficult process. When we are the editors of our own work, it
is three times as difficult. How easy it
is to read someone else’s work and advise them what to cut. We cut through
their works with the precision of a surgeon at times, showing easily which
section needs to be amputated. Other times, we use the slash and burn method
where we haphazardly cut bits and pieces in order to create a more cohesive work
of art.

Imagine if you were an artist – a painter, drawer, or
sculptor. (or another visual arts artist)
Cutting a section of a painting would seem like cutting off a piece of
your own body – the arm, or heaven forbid a head. How could your work of art
survive such a manipulation? And yet, we do this all the time when we write and
rewrite. We take beautiful scenes – some tender and romantic, others funny and
inspiring and clip them willy-nilly from our manuscripts. Oh, sometimes we can’t
quite part with them and we send them to a folder on our computers so the
dissection is not as painful. We have
all done this. Usually it is because someone else has read our work of art and
has deemed that particular scene to the dung heap. Of course, they tell you “it’s really quite brilliant, but unnecessary”. “It
doesn’t move the scene along, no matter how charming” or “do you really need those characters in here?”

Come now, we’ve all heard those words, or read them on our
manuscripts. Your scene will be tighter
and flow better if you just got rid of that scene. You cringe to hear someone tell you to cut
off your baby’s arm or leg. You are certain your manuscript will not be
complete without that essential scene.

Then, much to your amazement, you read the scene without it.
You ponder it. You think it just might work.
You read it again. Ah, the critique partner might be on to
something. It does seem to flow much
better. Several days later, you read it
again, and for some strange reason, you cannot even imagine the new scene with
the old one still attached. You smile as the story flows better.

Then something really bizarre happens – you actually start
to write a different scene to take its place.

Uh, oh, you say – this won’t work at all. How can you add to something when you just
cut from it?

This is the conundrum that has puzzled many an excellent
writer. We just cannot leave it
alone. We cut, we add. We cut, we add
some more. Sometimes it’s the word count
that drives us to add more. We keep looking at the bottom of our computer
screen (you know the section on the lower left hand side) and think – okay I
need to add so many more words before this is finished.

Before computers it was the page count. We would keep on
typing until we reached the magical 400 pages. Now, it’s all about the word
count.

Remember that scene you cut?
Sometimes, because of this word count, we actually bring out the deleted
scene and polish it off, once more adding it to the story.

I know authors who are the master of cutting scenes and just
leaving them on the floor. I want to be like them when I grow up. I have to admit I have become less and less
attached to those deleted scenes as I grow as a writer. It’s like the blankie you had as a child. At the time, you are certain you cannot live
without it. Your day would be miserable if you had to part with it. Now, as a
grown up you wonder how you ever walked around with that blankie for all those years.
The same is true of your novel’s pages. You cannot image parting with
those little gems of jocularity or sensual scenes of sexual stimulation. Then, as you mature as an author, you realize
the silliness of holding on to something that will merely hold you back as an
author. Cutting now, does not seem like
such a bad thing.

The true growth of an author does not only know what to cut,
but what to add. We can talk about that
next time.

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Who is Vivienne?

I have been in love with romance since I could first read those happily ever after stories. I always believed in happy endings. I believe in Prince Charming. I guess I am a hopeless romantic.
I wrote my first novel at the age of 17 and have been hooked ever since. I am an active member of Chicago-North RWA and write historical romance novels. What time period do I write? It depends on what time period I am currently in love with. Right now - I am writing Georgians set in England, that dabble in the colonies as well. I have written Civil War, Regency, English Civil War, Crimean War, American expansion, Caribbean pirates, and Victorians.
Once I discovered I could combine my love for romance with my love of history, nothing could stop me from a good story steeped in history.

August's Quote

August is here and with it the closing of summer - pools shutting down, schools starting, and days getting shorter.

"You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children." Madeleine L'Engle

What I'm Working on Now

Right now, like many of my friends who just got back from Chicago-North's Spring Fling, I am working on tweaking my submission to send to an editor. I am hoping my dear friends were lucky enough to get a request for a full submission.

The novel I wrote about last month is the one requested, only I have changed the name. Instead of being called "Scarlet Moon" I have changed the named to "Her Lover was a Spy".