A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.

Riding an early seventies wave of ever more liberal big screen morals, Score takes us to the imaginary city of Leisure, where an experienced couple are playing dangerous games of seduction on the swinging scene. They're taking bets on who can screw who as they play fast and very loose with a newly married couple Betsy and Eddie; two cute kids who are about to get their world turned upside down… As the two couples dance around one another and the wine and pot begin to take hold, will the young pair break their vows and succumb to the new morality of their hosts? Will Betsy wear the dog collar and leash? Find out in this paean to sexual liberation and gender-bending erotic freedom.

A blind woman wakes in the morning and goes to buy a loaf of bread. This may not seem like the most auspicious of beginnings, but Japanese filmmaker Masashi Yamamoto spins this simple act off into a chaotic filmic experiment documenting 24 hours in the life of modern Tokyo.

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

Chronos, a 42 minute film of experimental time lapses, shot on 70mm IMAX film. While not narrated, the soundtrack consists of a single continuous piece by composer Michael Stearns. Filmed in dozens of locations on five continents, it relates to the concept of time passing on different scales, the bulk of which covers the history of civilization. From pre-history, Egypt, Rome, Late Antiquity, to the rise of Western Europe, the Renaissance, and on into the modern era. It centers on European themes but not exclusively.

Garnet and Flower have grown up in an environment of stifled grief. Since their mother died, Ed, their father, mostly just lives without a goal. Eight-year-old Garnet struggles to comprehend the world around him, while sixteen-year-old Flower seeks love with her new boyfriend. Forced to become a real parent to Garnet, Ed buys Garnet a gun and shows, for the first time, his real affection for the boy.

Adapted interpretation of the Electra myth calls for a continual revolution against any system that rules without justice. He points out that tyranny in order to flourish must keep the population fearful and what overcomes that fear is a willingness to face death and the truth.

The newest Ivan Cardoso's incursion into pop and experimental film, presenting an incredible collection of 20 short films edited by Gurcius Gewdner, including restored films and new 2012 and 2013 productions, ranging from musicals to erotic films, animations and even newsreels. It also pays homage to the old Cine AC movie theaters and movie screenings, which were popular in Europe in the 1960s and 1970s.

Pushing his themes of sexual liberation to their boiling point, Yugoslavian art-house provocateur Dušan Makavejev followed his international sensation WR: Mysteries of the Organism with this full-throated shriek in the face of bourgeois complacency and movie watching. Sweet Movie tackles the limits of personal and political freedom with kaleidoscopic feverishness, shuttling viewers from a gynecological beauty pageant to a grotesque food orgy with scatological, taboo-shattering glee. With its lewd abandon and sketch-comedy perversity, Sweet Movie became both a cult staple and exemplar of the envelope pushing of 1970s cinema.

Simon of the Desert is Luis Buñuel’s wicked and wild take on the life of devoted ascetic Saint Simeon Stylites, who waited atop a pillar surrounded by a barren landscape for six years, six months, and six days, in order to prove his devotion to God. Yet the devil, in the figure of the beautiful Silvia Pinal, huddles below, trying to tempt him down. A skeptic’s vision of human conviction, Buñuel’s short and sweet satire is one of the master filmmaker’s most renowned works of surrealism.

Tomas and Ingrid, two young leftist radicals, are living in a off relationship. Tomas is employed to edit and compile the diaries and correspondence of Dr. Arthur Bauer. A middle-aged German exiled revolutionary. The work is confidential. Tomas is required to move in with Bauer, his wife Francesca and the housekeeper. Tomas is not only asked to edit and compile the archives, he is also to keep the beautiful Francesca company, if she so pleases. In the library Tomas learns about a hidden tape-recorder, containing recordings and pm's by Bauer.

Curious, compelling and compassionate, Denis Côté's contemplative portrait of animals in captivity is, put simply, a series of beautifully framed and composed tableaux of a variety of animals at Quebec's Parc Safari; but it's also a complex meditation on the relationship between man, beast and environment. Côté lets his often startling imagery speak for itself, giving us, the viewer, plenty time, and food, for thought.

The film deals loosely with the adventures of the grizzled Gustav who captains a ship – a giant floating ‘snailboat’ – with a crew of talking animals and lumbering sailors in blackface. It unspools like a perverse children’s story book, all at once cuddly cute, grotesquely obscene and beyond absurd as normal narrative logic shatters, giving way to an episodic, free-associative structure that one critic likened to “cinematic memory association.”