Pairing for the first time in history Netherlandish master Jan van Eyck’s Arnolfini Double Portrait (1434) with some of the most iconic compositions of the Pre-Raphaelite era, this exhibition reveals just how closely artists like Rossetti and Millais scrutinized the details and compositional effects of earlier artists. From the reflective play of convex mirrors to the rich glazes of color that animate these scenes of Shakespearian lore, Pre-Raphaelite painting is illuminated in this showcase for its impeccable ability to study and respond to their artistic forbearers.