Enough Said (2013, Nicole Holofcener)

For most of Enough Said, I marveled at how director Holofcener–apparently in an act entirely lacking irony–created the perfect film to fail the Bechdel test. The Bechdel test, which is all the rage, requires two female characters talk about something besides men.

Well, besides talking about men, the characters in Said do not do much. Lead Julia Louis-Dreyfus otherwise makes acerbic observations about those around her or the minutiae of her life; I wish I could know how the film played if one is unfamiliar with a certain show about nothing starring Louis-Dreyfus, but I cannot. It probably wouldn’t be much better, because Holofcener isn’t just lazy at the plotting, she’s lazy with the characters.

Here’s the idea (straight out of a “Seinfeld”). Louis-Dreyfus starts seeing James Gandolfini (even though he’s fat–she’s supposed to be out of shape too, in one of Enough Said’s more absurd requests for the viewer to suspend their disbelief). She’s a masseuse. Her new client–an exceptionally wasted Catherine Keener–turns out to be really cool and they become friends. Oh, and Keener’s Gandolfini’s ex-wife. Which Elaine–sorry, sorry–which Louis-Dreyfus figures out and keeps to herself.

The film wastes the more interesting empty nest subplot involving Louis-Dreyfus bonding with her daughter’s friend, Tavi Gevinson. Sure, they fail the Bechdel test too, but not as bad as the rest of the film.

Bad editing from Robert Frazen. Great performance from Gandolfini.

Enough’s pointless and slight.

★½

CREDITS

Written and directed by Nicole Holofcener; director of photography, Xavier Grobet; edited by Robert Frazen; music by Marcelo Zarvos; production designer, Keith P. Cunningham; produced by Stefanie Azpiazu and Anthony Bregman; released by Fox Searchlight Pictures.