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EDITORS’ NOTES

It seems Richard Hawley’s journey into psych-rock on 2012’s Standing At the Sky’s Edge was just a detour. Here, his world-weary croon glides through more familiar Hawley touchstones: classic pop, sumptuous arrangements and folky intimacy. Befitting a record partly recorded in his garden shed, Hollow Meadows opens up his personal spaces with 11 elegant tales of love, regret, hurt and hope. Everything coalesces best on “What Love Means”, a heart-tugging sigh of parental pride and anguish.

Hollow Meadows

EDITORS’ NOTES

It seems Richard Hawley’s journey into psych-rock on 2012’s Standing At the Sky’s Edge was just a detour. Here, his world-weary croon glides through more familiar Hawley touchstones: classic pop, sumptuous arrangements and folky intimacy. Befitting a record partly recorded in his garden shed, Hollow Meadows opens up his personal spaces with 11 elegant tales of love, regret, hurt and hope. Everything coalesces best on “What Love Means”, a heart-tugging sigh of parental pride and anguish.

TITLE

TIME

I Still Want You

4:06

The World Looks Down

3:43

Which Way

2:58

Serenade of Blue

4:07

Long Time Down

5:38

Nothing Like a Friend

5:04

Sometimes I Feel

5:35

Tuesday Pm

3:30

Welcome the Sun

6:17

Heart of Oak

4:26

What Love Means

3:38

11 Songs, 49 Minutes

℗ 2015 Parlophone Records Limited, a Warner Music Group Company

About Richard Hawley

With a melodic baritone anguish that falls somewhere in the neighborhood of Scott Walker, Pulp touring guitarist and former Longpigs member Richard Hawley began his solo career with a self-titled debut in 2001. The son of a steel worker, Hawley was raised in Sheffield, England, and grew up listening to folks such as Roy Orbison and Elvis Presley. He learned guitar at an early age from his father and uncle. During the '90s he built up a reputation as an ace guitarist and, besides his stints in Pulp and Longpigs, did session work for U.K. artists such as Robbie Williams, Beth Orton, and All Saints. He released his self-titled debut in April 2001. Hawley's sophomore effort, Late Night Final, which cloaked his sweet baritone and heart-worn songs in lush arrangements, followed in 2002 on Bar-None Records. Hawley toured behind the album, opening for the likes of Coldplay and Pulp. Also in 2002, Hawley and Pulp leader Jarvis Cocker recorded a track for the tribute album Total Lee! The Songs of Lee Hazlewood. The next year, Hawley returned with the personal Lowedges, which was named for a place just outside his native Sheffield. In September 2005, Hawley released his first album for Mute, the bittersweet Coles Corner. He followed it in 2007 with Lady's Bridge. Hawley was approached by Mute label boss Daniel Miller, who asked him if he had an album in him he'd always wanted to make regardless of commercial concerns. Hawley responded in the affirmative and underscored his remark with, "There won't be any singles on it." Miller told him to go ahead and record it anyway. That album, Truelove's Gutter, was released by the label in 2009. He followed it with a four-track EP in 2010 entitled False Lights from the Land, featuring two originals and two covers. In the spring of 2012, Hawley released Standing at the Sky's Edge, on Parlophone, an aggressive, two-guitar, bass, drums -- and rocket noises -- rock & roll album, which stood in stark contrast to his previous full-lengths.

After a couple of short tours, Hawley retreated to Sheffield and suffered a broken leg. During his recuperation, he wrote Hollow Meadows (again named for a location in Sheffield). The album was recorded at the Yellow Arch Studios and co-produced with longtime guitarist Shez Sheridan and Colin Elliot. It features guest appearances by Martin Simpson, Jarvis Cocker, and Nancy Kerr, and was released on September 11, 2015. ~ Erik Hage