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PURDUE INDIANA THEATRE presents FOOL FOR LOVE
by Sam Shepard directed by Joel K. Murray
November 22, 23, 29, 30, December 5, 6 and 7
Compliments of the Indiana University Alumni Association and the Purdue Alumni Association Making a difference at IPFW Kettler Hall 219-482-5343
Sam Shepard and the Theatre of Uncompromising Challenge
by Joel K. Murray
He has been nominated for 19 Obie Awards and has won 10, with Fool for Love being his latest; he won the Pulitzer Prize for Buried Child, and he won the Cannes Film Festival's Golden Palm Award for "Paris, Texas." He is one of film's hottest actors. As Chuck Yeager in "The Right Stuff," he was nominated for an Oscar, and he is playing in a major role with Jessica Lange in "Country." He can direct his own plays as well as anyone, having directed stunning versions of True West and Fool for Love in New York and San Francisco. However, Samuel Shepard Rogers would rather be a drummer in a rock band--The Who or The Rolling Stones would suit him just fine. But if Shepard, often cited as the best living American playwright, were to depart from his theatre activities, the theatre would be less spectacular for his absence. He likes anonymity, spending free time on a Sante Fe ranch with the love of his life, Jessica Lange. He tries to lose himself on the back of a horse or behind the wheel of a pick-up truck. But he is not afraid to confront his own real problems in his writing, or, as any serious playwright would ask, why write at all? "The quest of a writer," Shepard says, "is to penetrate another world, a world behind the form. The contradiction is that as soon as that world opens, I tend to run the other way. It's scary because I cannot answer to it from what I know." Since writing in this swirl of personal dilemma is all he knows, our swim, as audience members seeking a solution to the dilemma, makes it our dilemma as well. It's a painful quest, one of fury and stark reality. In an interview with American Film, Shepard said, "In order to do something worthwhile, you have to suffer. That's what I've been trying to do in my life--put myself right up against the edge of what's … very bleak and stark." His early plays were charged pulses of bleakness and paradox, often unfocused save for an impressively unified theme. His later plays, which appear effortless, are marks of inspired and experienced emotion and true craftsmanship. Shepard's vision is paradoxical, often excruciatingly true, and he drives it home in most of his plays, especially the later ones. That vision can be sensed in this comment of his: Personality is everything that is false in a human being. It's everything that's been added on to him and contrived. It seems to me that the struggle all the time is between this sense of falseness and the other haunting sense of what's true--an essential thing that we're born with and tend to lose track of. This naturally sets up a great contradiction in everybody--between what they represent and what they know to be themselves. Victims of this paradox live in two worlds--myth and reality. Where myth invades reality is the edge where Shepard lives. It's what nourishes his ecstacy and his horror, and it is what I believe nourishes our own love of life and fear of life. Shepard, therefore, taunts us with the sensuality of our fantasies--but before we can escape into this dream, he introduces the nightmare of reality. Shephard's theatre, then, is uncompromising in its attack on the senses and the intellect. Teaching us that the only way to know less about oneself is to know more about oneself is one of theatre's functions. Shepard's hope is to send audiences away from his plays feeling something--and that that "something" will provoke individuals to grapple with their own mysteries, mysteries which only grow in complexity. Shepard has tried to say that shock, disgust, and anger are necessary, and when he evokes these emotions, as he often does, we are forced to study our feelings. Certainly we laugh at what's funny and cry at what's sad--but we don't often get the opportunity to sit perplexed at our own emotions. The work of Shepard does not unconsciously drop itself before an audience. Rather, it attempts to force an audience into responding. There are no applause lights or canned laughter; there is the complete absence of anything ready-made. the Shepard audience must willfully create something in order to receive something in return. And, as with most types of theatre, one's emotions are of utmost importance. If one's feelings have been stirred sufficiently, the resulting agitation or pacification will provoke thought. Aristotle said one must reach a stage of contemplation or theoria in order to make the theatre experience worthwhile. But, as Aristotle posited--and as Shepard would agree--one must feel something first. Shepard is interested in making audiences feel something. That "something" is, and always has been, very clear to us deep down inside, but we are often afraid of confronting it. Behind the language and the plot and the lighted set and the costumes, there is in Shepard's theatre a dimension of feeling that is unsummoned and confusing because it is so real. For Shepard, a play exists primarily for feeling--a feeling which must, at least in part, be identified. To quote a character in Seduced, "If you don't actually get the feeling of it, then there's no point in telling it. Am I right?"
Courtesy of A century of service Klaehn Funeral Homes 219/424-1525
you're a STAR at Mary K Perkins Julia Vandenberg DANCE THEATRE APPAREL Bodywear Footwear Legwear Make-up Accessories 3629 N Clinton St "Catering to the unique needs of actors and dancers" 483-1633 Mon-Fri 11 30 - 6 30 Sat 10 30 - 5 30
MEET ME AT Henry's 536 W. Main, Fort Wayne, Indiana • 424-9246
SUBOG Classroom-Medical Building Auditorium
1985-1986 Film Series CINEMA
CULT FILM FESTIVAL
Oct. 18 - I Married A Monster From Outer Space Attack of the Killer Tomatoes 7 p.m. 19 - Madd Max Village of the Damned 1 p.m.
FOREIGN FILM FESTIVAL
Nov. 22 - Fanny & Alexander 7 p.m. 23 - Coupe de Tourchon Day for Night 1 p.m.
DISNEY FILM FESTIVAL
Dec. 13 - Wizards Jungle Book 7 p.m. 14 - Black Beauty Benji 1 p.m.
Stoner's 712 S. Harrison Fort Wayne, Indiana 46802 (219) 426-1100 Sensational Masks • Marvelous Wigs • Tempting Trims • Theatrical Make Up • Hilarious Clown Props • Tremendous Hats • Shimmering Tiaras • Fantastic Fabrics
people key to success at ITT ITT AEROSPACE/OPTICAL DIVISION FORT WAYNE A LEADING INDIANA HIGH TECHNOLOGY INDUSTRY The best ideas are the ideas that help people. ITT
The Department of Communication and Theatre presents a
PURDUE INDIANA THEATRE PRODUCTION
FOOL FOR LOVE By Sam Shepard
Set and light designer Kimberly Doyle
Director Joel K. Murray
Costume designer Suzann Clemens Ellis
PRODUCTION STAFF
Assistant director -- Bill Wunderlin
Technical director and sound designer -- Max Lydy
House manager -- Susan Horine
Roping coach -- Kevin D. Gilbert
Gymnastic coach and assistant combat coach --Bill Harp
Construction crew -- Students of THTR 155/158 and 362 classes
Costume construction -- David A. Yarnelle
Light board operator -- Spencer Anspach
Sound operator -- Terry Alberding
Props -- Gina Doctor, Carla Gerardot
Production photographer -- Bill Nichols
Box office -- Donette Blanks, Clare Crunk
Publicity and Promotion -- Mel Stewart. Learning Resource Center
CAST
Eddie -- Kim Detwiler
May -- Maureen Ryan
Martin -- Kevin D. Gilbert
Old Man -- Satch Gatchell
SETTING
Stark, low-rent motel--one which once combines the real with the fantastic--on the edge of the Mojave Desert.
Fool for Love will be performed without intermission.
ACKNOWLEDGEMENTS
Civic Theatre
H & H Firearms, Inc.
Robbie's Western Apparel
Angie and Stephanie at LRC
Myra Mae McFarland
Merle Haggard
Bonnie Raitt
Mr. and Mrs. Joseph B. Clemens
David Life
Fool for Love is presented by special arrangement with Dramatists Play Service, Inc., 440 Park Avenue South, New York, N.Y. 10016
Instant Copy of Indiana Inc. REPORTS • TERM PAPERS MANUSCRIPTS • RESUMES Close to Campus! "If it was worth writing in the first place, it's worth keeping several copies of it!" NORTH ANTHONY (219) 484-0473 3430 North Anthony (Across from Atz's) HOURS M-F 8-6 SAT 9-5 Other convenient locations … DOWNTOWN (219) 422-1585 232 West Wayne HOURS M F 8-6 SAT 9-1 INDUSTRIAL PARK (219) 482-4592 1516 Director's Row HOURS M-F 8-6
Cafe Johnell Tonight. Never has there been a better time for Cafe Johnell. The award-winning, four-star restaurant that made Fort Wayne famous for restaurants. Free parking, attendant on duty. Call for reservations today. 456-1939. CAFE JOHNELL 2529 South Calhoun Street
Bill of Fare 3307 N. Anthony Blvd. • Fort Wayne, Indiana 46805 219/484-4566 GOURMET GROCER a wide variety of specialty foods makes BILL OF FARE your garden of delights • Delicious Croissant Sandwiches • Deli-Fresh Box Lunches • Bags of Crunchy Bagel Crisps
Theatre Thoughts
Joel K. Murray, director
Theatre artists create a virtual world, one which is accepted as actual, and one which allows each participant a sensual, imaginative, and intellectual experience. The ideal is never fully achieved, but the artist continues to aim to teach and please, whether by shock, or song--and the audience to learn. As long as artists and audience feel life, the theatre will exist, with both sides standing to gain from one another. I find this a good feeling.
Kimberly B. Doyle, technical designer
Designing for theatre is sort of like being a kid again and building models and making dresses for your dolls--only now it takes more time and material to make those clothes, and the models take up a lot more room. Theatre is the most fun you can have with a group of people putting everything they've got into a project, each one determined to make this show the best ever.
Suzann Clemens Ellis, costume designer
Most theatre-goers don't even notice the costumes--and that's as it should be. The clothing the actors wear should be as much a natural extension of their characters as their voices or the way they hold their heads. Many details don't register individually, but each stitch in a hem or the color of a man's tie instantly--if subconsciously--establishes a character's mood and station in life for the audience. Playing "dress-up" on this scale and for the wonderful collective purpose that is theatre is the grandest kind of playing.
1985-86 PIT SEASON
Tobacco Road by Jack Kirkland Adapted from the novel by Erskine Caldwell Oct. 11, 12, 17, 18, 19, 24, 25, 26
Fool for Love by Sam Shepard Nov. 22, 23, 29, 30, Dec. 5, 6, 7
Luther by John Osborne Feb. 14, 15, 20, 21, 22, 27, 28, March 1
Barefoot in the Park by Neil Simon April 11, 12, 17, 18, 19, 24, 25, 26
Reservations accepted four days in advance of each production. Call the PIT box office at 482-5782 between 1:30 and 4:30 p.m. Tuesdays through Saturdays for reservations.
WATCH FOR SPECIAL PRESENTATION AT PIT MARCH 21-23
Sunny Schick "YOUR FRIENDLY CAMERA SHOP" NORM SCHROEDER PHONE (219) 424-1615 407 W. WASHINGTON BLVD. FORT WAYNE, IND. 46802
PEPSI-COLA PEPSI. THE CHOICE OF A NEW GENERATION. RKO Bottling of Fort Wayne, Inc. ™
SNICKERZ THE COMEDY BAR! THE HOTTEST NEW COMEDIANS from around the country are appearing weekly at Snickerz In The Marketplace of Canterbury. Wed. & Thurs. 8:00 with $3.00 Cover Fri. & Sat. 8:00 & 10:00 with $4.00 Cover THURSDAY NIGHT - STUDENT NIGHT 2 ADMISSIONS FOR PRICE OF 1 WITH STUDENT I.D. For Reservations Call 486-0216
THE ARENA THEATRE Please join us for our exciting new season! WALLEN PLACE 2620 EAST WALLEN ROAD FORT WAYNE, INDIANA 46825 425-3880 Arena Theatre's 1985-86 Season
Damn Yankees October 11, 12, 18, 19, 25, 26
See How They Run November 22, 23, 29, 30, December 6, 7
Catch Me If You Can January 31, February 1, 7, 8, 14, 15
Forty Carats March 14, 15, 21, 22, 28, 29
Kiss Me Kate May 2, 3, 9, 10, 16, 17
FOLLETT'S FT. WAYNE BOOKSTORE GROUND FLOOR - KETTLER HALL IPFW CAMPUS 483-6100 SWEATSHIRTS T-SHIRTS JERSEYS SHORTS JACKETS CERAMIC WARE GLASSWARE IPFW INDIANA PURDUE CALCULATORS TEXAS INSTRUMENTS HEWLETT-PACKARD SHARP CASIO PANASONIC ACCESSORIES
MicroAge® Masters of PC Technology There's a difference between knowing how to operate a computer and knowing how a computer operates. At MicroAge, we can make personal computers perform beyond any of your expectations … we're masters of PC technology. So, don't settle for below average, straight out of the box PC performance. Now you can get more computer for your money, more productivity for your time. MicroAge … we know today's PC technology. And, we re already started on tomorrow's. MicroAge® COMPUTER STORES "The Solution Store" FORT WAYNE 3426 N. Anthony Blvd. 219-484-3164 (North Anthony Shopping Ctr.) MUNCIE 3030 Granville Ave. 317-284-8900 (Across from the Muncie Mall)

PURDUE INDIANA THEATRE presents FOOL FOR LOVE
by Sam Shepard directed by Joel K. Murray
November 22, 23, 29, 30, December 5, 6 and 7
Compliments of the Indiana University Alumni Association and the Purdue Alumni Association Making a difference at IPFW Kettler Hall 219-482-5343
Sam Shepard and the Theatre of Uncompromising Challenge
by Joel K. Murray
He has been nominated for 19 Obie Awards and has won 10, with Fool for Love being his latest; he won the Pulitzer Prize for Buried Child, and he won the Cannes Film Festival's Golden Palm Award for "Paris, Texas." He is one of film's hottest actors. As Chuck Yeager in "The Right Stuff," he was nominated for an Oscar, and he is playing in a major role with Jessica Lange in "Country." He can direct his own plays as well as anyone, having directed stunning versions of True West and Fool for Love in New York and San Francisco. However, Samuel Shepard Rogers would rather be a drummer in a rock band--The Who or The Rolling Stones would suit him just fine. But if Shepard, often cited as the best living American playwright, were to depart from his theatre activities, the theatre would be less spectacular for his absence. He likes anonymity, spending free time on a Sante Fe ranch with the love of his life, Jessica Lange. He tries to lose himself on the back of a horse or behind the wheel of a pick-up truck. But he is not afraid to confront his own real problems in his writing, or, as any serious playwright would ask, why write at all? "The quest of a writer," Shepard says, "is to penetrate another world, a world behind the form. The contradiction is that as soon as that world opens, I tend to run the other way. It's scary because I cannot answer to it from what I know." Since writing in this swirl of personal dilemma is all he knows, our swim, as audience members seeking a solution to the dilemma, makes it our dilemma as well. It's a painful quest, one of fury and stark reality. In an interview with American Film, Shepard said, "In order to do something worthwhile, you have to suffer. That's what I've been trying to do in my life--put myself right up against the edge of what's … very bleak and stark." His early plays were charged pulses of bleakness and paradox, often unfocused save for an impressively unified theme. His later plays, which appear effortless, are marks of inspired and experienced emotion and true craftsmanship. Shepard's vision is paradoxical, often excruciatingly true, and he drives it home in most of his plays, especially the later ones. That vision can be sensed in this comment of his: Personality is everything that is false in a human being. It's everything that's been added on to him and contrived. It seems to me that the struggle all the time is between this sense of falseness and the other haunting sense of what's true--an essential thing that we're born with and tend to lose track of. This naturally sets up a great contradiction in everybody--between what they represent and what they know to be themselves. Victims of this paradox live in two worlds--myth and reality. Where myth invades reality is the edge where Shepard lives. It's what nourishes his ecstacy and his horror, and it is what I believe nourishes our own love of life and fear of life. Shepard, therefore, taunts us with the sensuality of our fantasies--but before we can escape into this dream, he introduces the nightmare of reality. Shephard's theatre, then, is uncompromising in its attack on the senses and the intellect. Teaching us that the only way to know less about oneself is to know more about oneself is one of theatre's functions. Shepard's hope is to send audiences away from his plays feeling something--and that that "something" will provoke individuals to grapple with their own mysteries, mysteries which only grow in complexity. Shepard has tried to say that shock, disgust, and anger are necessary, and when he evokes these emotions, as he often does, we are forced to study our feelings. Certainly we laugh at what's funny and cry at what's sad--but we don't often get the opportunity to sit perplexed at our own emotions. The work of Shepard does not unconsciously drop itself before an audience. Rather, it attempts to force an audience into responding. There are no applause lights or canned laughter; there is the complete absence of anything ready-made. the Shepard audience must willfully create something in order to receive something in return. And, as with most types of theatre, one's emotions are of utmost importance. If one's feelings have been stirred sufficiently, the resulting agitation or pacification will provoke thought. Aristotle said one must reach a stage of contemplation or theoria in order to make the theatre experience worthwhile. But, as Aristotle posited--and as Shepard would agree--one must feel something first. Shepard is interested in making audiences feel something. That "something" is, and always has been, very clear to us deep down inside, but we are often afraid of confronting it. Behind the language and the plot and the lighted set and the costumes, there is in Shepard's theatre a dimension of feeling that is unsummoned and confusing because it is so real. For Shepard, a play exists primarily for feeling--a feeling which must, at least in part, be identified. To quote a character in Seduced, "If you don't actually get the feeling of it, then there's no point in telling it. Am I right?"
Courtesy of A century of service Klaehn Funeral Homes 219/424-1525
you're a STAR at Mary K Perkins Julia Vandenberg DANCE THEATRE APPAREL Bodywear Footwear Legwear Make-up Accessories 3629 N Clinton St "Catering to the unique needs of actors and dancers" 483-1633 Mon-Fri 11 30 - 6 30 Sat 10 30 - 5 30
MEET ME AT Henry's 536 W. Main, Fort Wayne, Indiana • 424-9246
SUBOG Classroom-Medical Building Auditorium
1985-1986 Film Series CINEMA
CULT FILM FESTIVAL
Oct. 18 - I Married A Monster From Outer Space Attack of the Killer Tomatoes 7 p.m. 19 - Madd Max Village of the Damned 1 p.m.
FOREIGN FILM FESTIVAL
Nov. 22 - Fanny & Alexander 7 p.m. 23 - Coupe de Tourchon Day for Night 1 p.m.
DISNEY FILM FESTIVAL
Dec. 13 - Wizards Jungle Book 7 p.m. 14 - Black Beauty Benji 1 p.m.
Stoner's 712 S. Harrison Fort Wayne, Indiana 46802 (219) 426-1100 Sensational Masks • Marvelous Wigs • Tempting Trims • Theatrical Make Up • Hilarious Clown Props • Tremendous Hats • Shimmering Tiaras • Fantastic Fabrics
people key to success at ITT ITT AEROSPACE/OPTICAL DIVISION FORT WAYNE A LEADING INDIANA HIGH TECHNOLOGY INDUSTRY The best ideas are the ideas that help people. ITT
The Department of Communication and Theatre presents a
PURDUE INDIANA THEATRE PRODUCTION
FOOL FOR LOVE By Sam Shepard
Set and light designer Kimberly Doyle
Director Joel K. Murray
Costume designer Suzann Clemens Ellis
PRODUCTION STAFF
Assistant director -- Bill Wunderlin
Technical director and sound designer -- Max Lydy
House manager -- Susan Horine
Roping coach -- Kevin D. Gilbert
Gymnastic coach and assistant combat coach --Bill Harp
Construction crew -- Students of THTR 155/158 and 362 classes
Costume construction -- David A. Yarnelle
Light board operator -- Spencer Anspach
Sound operator -- Terry Alberding
Props -- Gina Doctor, Carla Gerardot
Production photographer -- Bill Nichols
Box office -- Donette Blanks, Clare Crunk
Publicity and Promotion -- Mel Stewart. Learning Resource Center
CAST
Eddie -- Kim Detwiler
May -- Maureen Ryan
Martin -- Kevin D. Gilbert
Old Man -- Satch Gatchell
SETTING
Stark, low-rent motel--one which once combines the real with the fantastic--on the edge of the Mojave Desert.
Fool for Love will be performed without intermission.
ACKNOWLEDGEMENTS
Civic Theatre
H & H Firearms, Inc.
Robbie's Western Apparel
Angie and Stephanie at LRC
Myra Mae McFarland
Merle Haggard
Bonnie Raitt
Mr. and Mrs. Joseph B. Clemens
David Life
Fool for Love is presented by special arrangement with Dramatists Play Service, Inc., 440 Park Avenue South, New York, N.Y. 10016
Instant Copy of Indiana Inc. REPORTS • TERM PAPERS MANUSCRIPTS • RESUMES Close to Campus! "If it was worth writing in the first place, it's worth keeping several copies of it!" NORTH ANTHONY (219) 484-0473 3430 North Anthony (Across from Atz's) HOURS M-F 8-6 SAT 9-5 Other convenient locations … DOWNTOWN (219) 422-1585 232 West Wayne HOURS M F 8-6 SAT 9-1 INDUSTRIAL PARK (219) 482-4592 1516 Director's Row HOURS M-F 8-6
Cafe Johnell Tonight. Never has there been a better time for Cafe Johnell. The award-winning, four-star restaurant that made Fort Wayne famous for restaurants. Free parking, attendant on duty. Call for reservations today. 456-1939. CAFE JOHNELL 2529 South Calhoun Street
Bill of Fare 3307 N. Anthony Blvd. • Fort Wayne, Indiana 46805 219/484-4566 GOURMET GROCER a wide variety of specialty foods makes BILL OF FARE your garden of delights • Delicious Croissant Sandwiches • Deli-Fresh Box Lunches • Bags of Crunchy Bagel Crisps
Theatre Thoughts
Joel K. Murray, director
Theatre artists create a virtual world, one which is accepted as actual, and one which allows each participant a sensual, imaginative, and intellectual experience. The ideal is never fully achieved, but the artist continues to aim to teach and please, whether by shock, or song--and the audience to learn. As long as artists and audience feel life, the theatre will exist, with both sides standing to gain from one another. I find this a good feeling.
Kimberly B. Doyle, technical designer
Designing for theatre is sort of like being a kid again and building models and making dresses for your dolls--only now it takes more time and material to make those clothes, and the models take up a lot more room. Theatre is the most fun you can have with a group of people putting everything they've got into a project, each one determined to make this show the best ever.
Suzann Clemens Ellis, costume designer
Most theatre-goers don't even notice the costumes--and that's as it should be. The clothing the actors wear should be as much a natural extension of their characters as their voices or the way they hold their heads. Many details don't register individually, but each stitch in a hem or the color of a man's tie instantly--if subconsciously--establishes a character's mood and station in life for the audience. Playing "dress-up" on this scale and for the wonderful collective purpose that is theatre is the grandest kind of playing.
1985-86 PIT SEASON
Tobacco Road by Jack Kirkland Adapted from the novel by Erskine Caldwell Oct. 11, 12, 17, 18, 19, 24, 25, 26
Fool for Love by Sam Shepard Nov. 22, 23, 29, 30, Dec. 5, 6, 7
Luther by John Osborne Feb. 14, 15, 20, 21, 22, 27, 28, March 1
Barefoot in the Park by Neil Simon April 11, 12, 17, 18, 19, 24, 25, 26
Reservations accepted four days in advance of each production. Call the PIT box office at 482-5782 between 1:30 and 4:30 p.m. Tuesdays through Saturdays for reservations.
WATCH FOR SPECIAL PRESENTATION AT PIT MARCH 21-23
Sunny Schick "YOUR FRIENDLY CAMERA SHOP" NORM SCHROEDER PHONE (219) 424-1615 407 W. WASHINGTON BLVD. FORT WAYNE, IND. 46802
PEPSI-COLA PEPSI. THE CHOICE OF A NEW GENERATION. RKO Bottling of Fort Wayne, Inc. ™
SNICKERZ THE COMEDY BAR! THE HOTTEST NEW COMEDIANS from around the country are appearing weekly at Snickerz In The Marketplace of Canterbury. Wed. & Thurs. 8:00 with $3.00 Cover Fri. & Sat. 8:00 & 10:00 with $4.00 Cover THURSDAY NIGHT - STUDENT NIGHT 2 ADMISSIONS FOR PRICE OF 1 WITH STUDENT I.D. For Reservations Call 486-0216
THE ARENA THEATRE Please join us for our exciting new season! WALLEN PLACE 2620 EAST WALLEN ROAD FORT WAYNE, INDIANA 46825 425-3880 Arena Theatre's 1985-86 Season
Damn Yankees October 11, 12, 18, 19, 25, 26
See How They Run November 22, 23, 29, 30, December 6, 7
Catch Me If You Can January 31, February 1, 7, 8, 14, 15
Forty Carats March 14, 15, 21, 22, 28, 29
Kiss Me Kate May 2, 3, 9, 10, 16, 17
FOLLETT'S FT. WAYNE BOOKSTORE GROUND FLOOR - KETTLER HALL IPFW CAMPUS 483-6100 SWEATSHIRTS T-SHIRTS JERSEYS SHORTS JACKETS CERAMIC WARE GLASSWARE IPFW INDIANA PURDUE CALCULATORS TEXAS INSTRUMENTS HEWLETT-PACKARD SHARP CASIO PANASONIC ACCESSORIES
MicroAge® Masters of PC Technology There's a difference between knowing how to operate a computer and knowing how a computer operates. At MicroAge, we can make personal computers perform beyond any of your expectations … we're masters of PC technology. So, don't settle for below average, straight out of the box PC performance. Now you can get more computer for your money, more productivity for your time. MicroAge … we know today's PC technology. And, we re already started on tomorrow's. MicroAge® COMPUTER STORES "The Solution Store" FORT WAYNE 3426 N. Anthony Blvd. 219-484-3164 (North Anthony Shopping Ctr.) MUNCIE 3030 Granville Ave. 317-284-8900 (Across from the Muncie Mall)