the-wall-street-journal:
NYC-based drummer/composer/teacher Allison Miller gathers inspiration from a wide array of genres. Coming from the Jazz tradition, she engages her deep roots in improvisation as a vehicle to explore all music. Described by critics as a charismatic and rhythmically propulsive drummer with melodic sensibility, Miller has been named “Rising Star Drummer” and “Top 20 Jazz Drummers” in Downbeat Magazine’s acclaimed Critics Poll. Her band, Boom Tic Boom, is a 2014 recipient of Chamber Music America’s “Presenter Consortium for Jazz Grant” and is proudly sponsored by Mid- Atlantic Arts Foundation.

Boom Tic Boom, featuring pianist Myra Melford, violinist Jenny Scheinman, clarinetist Ben Goldberg, cornet player Kirk Knuffke, bassist Todd Sickafoose, and Miller on drums and composition, is currently celebrating it’s fourth release, Otis was a Polar Bear (2016, RPF). The New York Times says, “(Otis was a Polar Bear) is a smart, engaging new album.”

Previous releases include 5am Stroll (2005), Boom Tic Boom (2010), Live at Willisau (2012), and No Morphine No Lilies (2013) -“No Morphine No Lilies demonstrates that her (Allison Miller) craftiness as a percussionist is met by her ingenuity as a composer and group conceptualist.” -The New Yorker.

Boom Tic Boom has been met with critical acclaim receiving 4.5 stars from Downbeat and making “Top 10 Jazz Albums” lists for Downbeat, The LA Times, Jazz Journalists Association, and Something Else. The band has been featured on WNYC’s New Sounds with John Schaefer, NPR’s Tiny Desk Concert series with Bob Boilen, JazzSet with Dee Dee Bridgewater, The Checkout: Live with Josh Jackson, and festivals such as Stanford Jazz, SF Jazz, Willisau, Saalfelden, Iowa City Jazz, Reykjavik Jazz, Ear Shot-Seattle, Mary Lou Williams- Kennedy Center, Edgefest, Mass Moca, Pioneer Valley, and Redwood Jazz Alliance.

While breaking from band leading, Miller focuses on collaborations, co-directing
Celebrate and Holler and Bam with Toshi Reagon, Honey Ear Trio with Jeff Lederer and Rene Hart, Speak with Rachna Nivas and Michelle Dorrance, And Still You Must Swing with Dormeshia Sumbry-Edwards, and Ink with Camille A. Brown. She is also a proud member of the Bessie award winning show, The Blues Project with Dorrance Dance and Toshi Reagon’s Big Lovely.

Miller is a three time Jazz Ambassador of the US State Department and is on Yamaha’s Top 30 Clinicians List. She conducts clinics and master classes throughout the world and teaches at The New School for Jazz and Contemporary Music, Stanford Jazz Workshop, and Jazz Camp West. Her lessons and writings have been published in The Huffington Post, Modern Drummer, Jazz Times, DRUM, Tom Tom, and Drummer UK.

In 2008 Miller founded the Walter Salb Memorial Musical Scholarship Foundation in honor of her late teacher and mentor. The foundation annually provides a monetary award to a promising young musician directed toward furthering their studies in music.

“Allison Miller is one of the most exciting percussive people on the music scene today.” –
Kirk Silsbee, LA Scene

“Her recent work reveals Allison to be an intense and masterful jazz improviser who has developed her own approach along with a distinctive and inspirational drum sound.” – Tim Price, Saxophone Journal

“Miller is a drummer of fierce clarity and bold imagination.” – John Fordham, The London Guardian

“Always following her ideas through with clear, compositional vision, Miller is smart and swinging.” – Jeff Potter

“Miller is regarded as one of the new breed of female jazz drummers whose musical talents are taking her to the top of her profession.” – Ron Banks, The West Australian

“Allison Miller, the percussive life force of saxophonist Virginia Mayhew’s impressive band, took no prisoners with her fire and daring. She won many hearts and minds. Keep your ear out for this young woman.” – Jim Merod, Jazz News