Curating Lab: Phase 03 presents three exhibitions put together by
participants of Curating Lab 2014 working with a selection of artists:
Song-Ming Ang, Chun Kaifeng, Amanda Heng, Kim Lim, Matthew Ngui and
Shubigi Rao. Situated in tandem with one another, the exhibitions may be
seen as a constellation of divergent views and curatorial interests
glimpsed from the works and practices of these six artists. Building
upon the potentials of multiple perspectives that these three
exhibitions point towards is also the very porousness of exhibitions
themselves in facilitating such encounters between one another.

Conditions of Production is an ongoing project that
seeks to pursue a field of enquiry situating objects and process within
the complexities of artistic production and reception. To emulate the
plurality of situations where artistic discourse may arise, this project
calls attention to less tangible structures immanent in the creation of
an artwork by adopting the multiple platforms of an exhibition,
dialogue sessions, and an online repository of interviews and essays.
The exhibition, as one part of a greater whole, examines these
conditions by looking at the practice of three artists – Amanda Heng,
Chun Kaifeng and Matthew Ngui. http://conditionsofproduction.com/ Curated by: Bernice Ong, Samantha Yap, Kenneth Loe and Melvin Tan.Shubigi Rao: Exquisite Corpse combines a selection of Shubigi Rao's
work with items from her personal library, and material that has never
been exhibited publicly. "Waste", in Rao's work — as a material
presence, underlying poetic logic, and anxiety — becomes a way of
framing her oeuvre and process, and forms the exhibition's curatorial
provocation. At once a kind of monologue and dialogue, a coded silence,
and a cacophonic game of cadavre exquis, Shubigi Rao: Exquisite Corpse
invites the entanglement of old and new voices as audiences engage in
the exhibition's premise of intertextuality, spectrality, hidden layers,
and remainders. Curated by: Luca Lum, Raksha Mahtani and Chua Ying Qing.

Pictureshow seeks to spotlight the act of looking as the primal means
of perception and knowledge acquisition. Assembling works and materials
which have since grown distant from the stability of the canvas, the
painting, and the two-dimensional that the word picture is so
comfortably associated with, this exhibition asks: How has the
relationship between artistic expression and the pictorial mode evolved
over time? By unhinging the habitual mode of seeing a picture with works
and materials that generate their own definitions about representation,
Pictureshow contemplates the image as mediator in the relationship
between artistic production and consumption. The exhibition features the
works and materials of Chun Kaifeng, Kim Lim, Matthew Ngui and
Song-Ming Ang. Curated by: Selene Yap, Cheng Jia Yun, Euginia Tan and Wong Yeang Cherng.