A small catalogue showing 9 sculptures at an exhibition November 17- December 12, 1964. The front wrapper with a suede-like surface and a triangular opening to the title page. On the silvery title page signed by Nevelson, "Good Wishes Louise Nevelson". The cataloue contained in a white Pace Gallery envelope with the exhibition name and dates. Clean throughout; pages flat. View more info

80 pages. A publication for the Orsay Museum covering its construction and the collection, previously in the Orangerie, that would be housed in the new museum. Includes photos of the station, its previous uses, and its reconstruction; architectural models submitted for the competition; winning models of exterior and interior; a summary of the collection. View more info

221 pages. Ex-library. Blind stamp with withdrawn stamps on title page. Otherwise no markings. First retrospective in American museums of Bishop's work, including paintings, drawings, etchings and aquatints. 150 plates. Student of Guy Pene du Bois and Kenneth Hayes Miller, Bishop along with colleagues Reginald Marsh and Raphael Soyer, recorded the life of New York City during the Depression. Essay by Sheldon Reich. Very clean and tight. View more info

184 pages; illustrated throughout with unnumbered color and monotone plates. Clean and tight, nearly unblemished, within; boards lightly faded at spine; half-inch at head of spine present but separated at joints. View more info

Unpaginated. No text, just b/w photos of works in exhibition that included among others, Arp, Brancusi, Giacometti, Gleizes, Mondrian, Picabia, Picasso, Schwitters, Severini, and Vlaminck. View more info

179 lots including works by Bierstadt, Cassatt, Hassam, Inness, Eastman Johnson, Kensett, Peale, Salmon, Peto, Stuart, and dozens others. The prices realized list is loosely inserted. Clean and tight except for a few small marks such as checks or circles. Wrappers worn at the tail; a name in ink on the front panel. View more info