Archive for June 15th, 2013

On this date in 1920, a white mob perhaps 10,000 strong swarmed into the Duluth, Minn. jail and extracted three young African-American circus workers accused of gang-raping a white woman. Elias Clayton, Elmer Jackson and Isaac McGhie stood an immediate drumhead trial, then were lynched in the heart of Duluth as they vainly protested their innocence.

The self-congratulatory posed photograph of mob members with the bodies was made into a horrifying postcard, a frequent practice in lynch law America.

“What this looks like is the kind of photo you would see at a hunting lodge, where the guys had been out shooting bear, and they came back and they said, ‘We got three.’ You can see people on tip-toe. They’ve crowded into this shot. These are not people who are ashamed to be seen here. This is, ‘I want to be in this picture.'”

Nineteen-year-old Irene Tusker and her boyfriend James Sullivan had attended the one-day circus the evening before. What transpired that night remains unknown to this day: Irene eventually took the streetcar home without incident. Hours later, James Sullivan’s father claimed that the couple had been held at gunpoint by black carnies as Irene was gang-raped.

By the evening of the 15th, a vengeful mob had surrounded the police station/local lockup. Officers were ordered not to use deadly force against the townsfolk, so the battle to push into the premises was waged with brickbats against firehoses, and eventually with ineffectual pleas to let the law take its course.*

The incident drew nationwide reaction — usually condemnation (with a couple of exceptions). Occurring as it did in one of the continental states’ northernmost towns, it also underscored lynching as a nationwide problem rather than “merely” a southern one.

“Duluth has disgraced herself and has, by reason of her geographical position, disgraced the north,” the Cleveland Plain Dealer editorialized (June 17, 1920) — just one of innumerable newspaper editorials in the days following the Duluth outrage. “A city that has no more backbone than to submit to the rule of riot cannot be held blameless. But it will be surprising if Duluth and the state of Minnesota do not take steps to punish the murderers. The method of procedure was so deliberate and so brazenly open that identification and conviction of the ringleaders should be an easy matter.”

One black man, Max Mason, caught a long prison sentence for the supposed rape. He was paroled after five years on condition that he leave Minnesota for good.

“I was just short of nineteen the night that the bodies of McGhie, Jackson, and Clayton swung from a light pole in Duluth. I read the stories in the newspapers and put them down feeling sick, scared, and angry all at the same time. This was Minnesota, not Mississippi, but every Negro in the John Robinson Show had been suspect in the eyes of the police and guilty in the eyes of the mob … I found myself thinking of black people as a very vulnerable us — and white people as an unpredictable, violent them.”

The great-grandson of one of the lynch mob’s members wrote this book about the hangings’ legacy

The lynching was practically written out of the official state history most white children consumed at school in the middle part of the 20th century,** though the nine-year-old Lithuanian Jewish boy Abram Zimmerman who lived nearby the execution site later told his son all about it. Young Robert Allen Zimmerman tapped his father’s lynching stories under his subsequent nom de troubadour of Bob Dylan, and the Duluth atrocity is alluded to in Dylan’s “Desolation Row”.†

Latter-day Duluth has, to its credit, tried to manage something a little bit more overt.

In 2003, a monument commemorating Duluth’s moment of infamy was dedicated opposite the place where the young men were strung up and photographed. Minnesota Public Radio produced a series on the lynching during the construction of this monument which is still available online.