Social Media Posts

Almost everyone knows LinkedIn is the social marketing tool most used by business. Some photographers even scoff at Facebook, saying it’s only good for personal interactions and so on.

On one of the forums I read daily, a photographer mentioned that he’d just spoke with a new marketing manager from an old client firm. The firm’s lawyers, are working on a firm-wide universal master contract to use with photographers. The client mentioned that they must be able to use the photos on Facebook, and other “social media”. The photographer asked, “Can any of you help with a few 30-sec sound bites that will alert her to potential dangers?”

From my perspective, if his images were watermarked, and as often as possible he was given a link to his site adjacent to the image, I saw no “dangers” in jumping into social media.

The British Journal of Photography today tells us that the image sharing service TwitPic has announced and agreement with the celebrity photo agency WENN. TwitPac will have the right to sell (and profit from, without you, BTW) any images you upload to its photo sharing website. Because TwitPic is one of the largest photo sharing sites used with Twitter, this has serious ramifications for photographers.

TwitPic brags that they’ve ammended their T&C to clearly state that you own the content. But what they soft peddle is that they can sell your images, in perpetuity:

The terms and conditions now read: “You retain all ownership rights to Content uploaded to TwitPic. However, by submitting Content to TwitPic, you hereby grant TwitPic a worldwide, non-exclusive, royalty-free, sublicenseable and transferable license to use, reproduce, distribute, prepare derivative works of, display, and perform the Content in connection with the Service and TwitPic’s (and its successors’ and affiliates’) business, including without limitation for promoting and redistributing part or all of the Service (and derivative works thereof) in any media formats and through any media channels.”

Shame on TwitPic for this blatant disregard for photographer’s rights. I urge all creatives, professional and amateur alike, to halt using the TwitPic service until they amend their T&C to eliminate this corporate greed.

But where to go to upload images to Twitter and other Social Media sites? Easy: Mobypicture.

Taking their cue from the massive amounts of negative attention heaped on TwitPic today, MobyPicture very clearly ammended their T&C to be much more in line with what is fair for photographers:

“Content Ownership: All rights of uploaded content by our users remain the property of our users and can in no means be sold or used by Mobypicture or affiliated third party partners without consent from the user.”

Continuing on their website: “This means Mobypicture will NEVER sell the rights to your shared photos and videos. Your content is yours!”

Many, many kudos to Mobypicture for taking a very positive step that benefits creatives everywhere. Perhaps if enough photographers stop using TwitPic and move to Mobypicture, TwitPic will get the message loud and clear!

Jorge Parra continues his two-part article (part one is here) in which he shares how he leverages LinkedIn in his marketing and to help him identify potential clients. Jorge is a commercial and fine art photographer based in Miami, FL, his work can be seen at www.jorgeparra.com.

Three of the most powerful tools in LinkedIn are the Groups, the Answers, and what I call the Research Engine.

Groups

Belonging to groups in which your potential clients might roam is a critical step for your LinkedIn presence. Just point your browser to the “Groups” tab in Linkedin and start researching for the thousands of groups already established. Joining groups is sometimes instantaneous, but sometimes they are moderated and you’ll need to be approved as a member. The idea is to join groups and participate in some of the discussions there, share your knowledge and expertise, and bring alternative points of view to what is under discussion. Of course, your goal is to start building relationships.

The greatest collateral benefit of belonging to groups is that you can actually ask all (or selected) members of a group to join your network. LinkedIn considers this a valid method of connecting. Once in your network, a person’s contact info is accessible. Of course, this information is not meant to be used to just spam those contacts; you should build relationships first!

You may recall I mentioned in part one of this article that there is no benefit for photographers to join photographer’s groups, (stop preaching to the choir, etc). A fews possible exceptions would be for educators, presenters, seminarists, and workshop instructors, as most of the photographers in those groups could become their customers. You want to roam where your potential customers roam!

Answers

An equally powerful tool is to commit to answering the myriad of questions posted by an endless list of people looking for specific advice. This is, to me, the most interesting part of LinkedIn. Look for the “Answers” tab in LinkedIn. You provide feedback in your areas of expertise, helping people in their quests, who then, often immediately, want to become part of your network. All of this happens outside the groups, so responding to queries will help you in your research to find good groups to roam in as well!

The amazing additional benefit of providing “answers” is that those who asked the original questions will be tagging and rating (first, second, third) the quality of the responses received. Both LinkedIn (in its internal research search engine) and Google take note of those tags and quality answers will help you rank better in future searches. This is like good Karma coming back to you, thanks to your original input. Seems to be a natural law in this universe.

LinkedIn’s “Research Engine”

As I said above, I consider LinkedIn’s search feature a “Research Engine” which is more than a simple search engine. This is because you can get deep into researching the companies you specifically want to target, and it is difficult to think of any relevant company that is not listed, in detail, in LinkedIn. If you don’t want to go into “Groups” or “Answers”, then learn to get deep into “Research”, but I need to emphasize, all three tools mingle perfectly well.

You can do things like “Follow this Company” and receive notifications about news and updates related new people entering the company, new projects underway, and much more. Using this information you can start identifying specific people you want to make contact with, and use the tools described above to help in your effort to make contact. Right now, I am waiting on some initial contact attempts I have initiated to Victoria’s Secret, as one of my plans is to eventually have them as a client. With the Linkedin’s “Research Engine” capabilities, there is no need to think small.

Something worth mentioning is your LinkedIn profile, you NEED to polish what people are reading about you. Everything I written above depends, in large part, on this one item, so start by puttin gin place your best looking profile and explore all possible profile settings ASAP. There is always more than the basics in LinkedIn.

On a side note, I should add that Facebook also offers segmentation into Groups, and there are hundreds of groups indeed, but I have never got the quality feedback or established as many positive contacts with potential clients in Facebook as I have in LinkedIn’s groups. Others may have better luck, so I encourage everyone to explore this option too (assuming, of course, you have already set up your Business Page in FB!)

It’s “Guest Post Wednesday” and we’re fortunate to have an excellent essay by Jorge Parra, a commercial and fine art photographer based in Miami, FL, whose work can be seen at www.jorgeparra.com. In it he shares his thoughts about how photographers can best leverage LinkedIn.

One of the biggest mistakes made by photographers with regards to LinkedIn is joining photographer’s groups, since you will be preaching to the choir, and no marketing effort will have any value at all.

The main reason to showcase yourself in LinkedIn is to reach the people who may eventually become your clients, and usually, those do not spend any period of time in photographer’s groups or simply, never join them in the first place.

Put yourself in your client’s shoes and make educated guesses about where would they roam in Linkedin, then join those groups.

My database so far is well over 500 people in LinkedIn, and well over 400 are potential clients: creative directors of advertising agencies, owners of marketing boutiques, editors at nationwide and local magazines, and key people in the luxury markets, in the USA as well as Europe, Japan, South America, etc.

The reason you find so many comments about not getting work from LinkedIn comes from the fact that people are not linking their (best-looking) profile to the right people, in the right groups.

Once you have someone in your network, you have access to his or her email and other contact info, data which LinkedIn allows you to download to your computer to prepare a contact list. By definition, these contacts are opt-in, meaning they are all willing to exchange info with you, so you would not be spamming a single soul with your newsletters, promos or news updates.

Because you have this personal info, you’re able to send private, personalized emails, to very focused lists of people, those you REALLY want to work with, and make your best effort to reinforce your relationship with those highly specific people. Just last Saturday I got a request to link with one of the editors of Vogue America. I don’t know yet where will this lead, but no doubt, I will cherish and nurture this relationship with this very relevant contact!

So in essence, this is the least you can do with LinkedIn. There is still much more than this, but this in itself is a great thing, much more useful and powerful than the “personal messaging” on Facebook or any other social network media. I’m not saying FB is not another tool to explore, just that the ROI in time and effort vs. effectiveness, by far favors LinkedIn.

To this end, I consider Linkedin a Professional Networking Media, not a Social Networking Media. This distinction is critical.

What’s groozi?

groozi.com is a blog about negotiating and web marketing. Weekly posts are written primarily by me, Blake J. Discher, a Detroit people photographer, an SEO
consultant, and speaker. I've presented seminars on SEO and Sales & Negotiating more than 100 times to trade groups of every size around the world. If you are interested in having me speak to your group, detailed overviews of each of my programs are available here.

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