Anthem Quality is a book about the lyrics of national anthems. In this theoretical survey, Christopher Kelen deals with the general meaning of an inter-national social phenomenon – the words we sing together with our compatriots when we assert ourselves to be national subjects. Like all social phenomena, the singing of an anthem is an event with a context. The persistence of an anthem, the changing of an anthem, the meaning of an anthem – these things have a subjective basis disclosed through contextual reading. In these pages, Kelen historicizes for us some of the world’s best-known national anthems, including ‘The Marseillaise’, ‘The Star Spangled Banner’, and ‘God Save the Queen’ and considers how these and lesser known anthems deal with such life-anddeath topics as authority, religion, love and devotion. The tear on the cheek, the chill down the spine, genuine willingness to sacrifice – however manipulable national feeling may be, there is no doubting the reality of the affect nations inspire. If anthems are anaesthetic, they are paradoxically stirring; if anthems are the muzak of nation, they are a participatory muzak. This book investigates an icon the devout typically refuse to admit that they are worshipping.

Anthem by Ayn Rand from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “I stand here on the summit of the mountain. I lift my head and I spread my arms. This, my body and spirit, this is the end of the quest. I wished to know the meaning of all things. I am the meaning. I wished to find a warrant for being. I need no warrant for being, and no word of sanction upon my being. I am the warrant and the sanction. Neither am I the means to any end others may wish to accomplish. I am not a tool for their use. I am not a servant of their needs. I am not a sacrifice on their alters.” ― Ayn Rand, Anthem Ayn Randy’s dystopian novel imagines a world where the concept of self has been erased. When one man stands against the establishment, he dares to utter the word “I.” This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Millions of people in the United States live with serious illnesses such as cancer, heart disease, chronic obstructive pulmonary disorder (COPD), amyotrophic lateral sclerosis, Parkinsonâ€™s disease, and dementiaâ€"often for many years. Those facing serious illness have a range of interconnected medical and non-medical needs, and the way their care is financed has a large impact on the care they receive. Medicare is the predominant payer, but both Medicaid and private payers also play significant roles in financing care for serious illness. In an effort to address the complex needs of people with serious illness, public and private health care payers are testing innovative financing strategies and alternative payment models. These innovative approaches signal a gradual transition from the traditional-fee-for-service system that pays providers based on the quantity of services to a system based on the value of care provided and a heightened focus on improved quality of care at lower cost. To explore this evolving financing and payment landscape for serious illness care within public- and private-sector programs, the Roundtable on Quality Care for People with Serious Illness developed a workshop, Financing and Payment Strategies to Support High-Quality Care for People with Serious Illness. The workshop convened clinicians, researchers, policy analysts, and patient advocates, as well as representatives from academia, government and private health care plans, and insurers to discuss challenges and opportunities in financing high-quality care for people with serious illness. This publication summarizes the presentations and discussions from the workshop.

For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this “sound franchise” contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world—from James Weldon Johnson’s “Lift Ev’ry Voice and Sing” that mobilized the NAACP to Nina Simone’s “To Be Young, Gifted & Black” which became the Black National Anthem of the Congress of Racial Equality (CORE)—Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation.

'The Anthem Companion to Georg Simmel' brings together new interpretations of the work of this sociologist and philosopher. The companion highlights issues, themes and concepts that most concern readers in social and cultural theory today, with an emphasis on critical perspectives that show how Simmel's work is relevant, interesting and significant for contemporary discussions and debates. Also included in this volume is Austin Harrington’s translation of selections from Simmel’s book on Goethe and a comprehensive list of Simmel’s work in English.

Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates the incongruities underlying this Civil War anthem and what they reveal about patriotism during the war. The geographic specificity of the song’s lyrics allowed the contest between regional and national loyalties to be fought on bandstands as well as battlefields and enabled “Maryland, My Maryland” to contribute to the shift in patriotic allegiance from a specific, localized, and material place to an ambiguous, inclusive, and imagined space. Musical patriotism, it turns out, was easy to perform but hard to define for Civil War–era Americans.

This guide is a unique resource for music lovers with a passion for travel. Europe's foremost concert halls and opera houses are presented here in a comprehensive, accessible and attractive collection.

The information contained in Medical Error includes contributions from experts in the field who offer a comprehensive and constructive review of medical mishaps. The book provides a useful reference for students and practitioners who must examine and assess the critical area of patient safety. Throughout Medical Error the authors stress the critical need for accountability and transparency and address a number of compelling questions: Where are we mired in outdated approaches? Where have we misinterpreted data? Where are we getting new insights? Where do we dare to be innovative? This helpful resource will prove to be a valuable tool for health care professionals who strive to improve care for all their patients.

This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in times of crisis. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, and fusing media theory and business experience, ‘The Content Machine’ offers a new understanding of content, publishing and technology, and defiantly answers those who contend that publishing has no future in a digital age.