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On The Information, Beck Hansen is seriously bummed out. Not that he sounds it as much as he did on 2002's laconic, Fred Neil-worshipping Sea Change. Technology and stuff, and the way it gets in the way of human interaction, is the subtext if not the full-on concept at play here. Recorded with art-rock anal-retentive Nigel Goodrich at the helm, work began on this album not long after Sea Change but was shelved for a few years while Mr. Hansen made 2005's Guero with the Dust Brothers. Unsurprisingly, it sounds a bit like both of those. The trappings of minimalist pop, fuzzy folk, click-hop, hip-hop, baroque psychedelia, andH
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On The Information, Beck Hansen is seriously bummed out. Not that he sounds it as much as he did on 2002's laconic, Fred Neil-worshipping Sea Change. Technology and stuff, and the way it gets in the way of human interaction, is the subtext if not the full-on concept at play here. Recorded with art-rock anal-retentive Nigel Goodrich at the helm, work began on this album not long after Sea Change but was shelved for a few years while Mr. Hansen made 2005's Guero with the Dust Brothers. Unsurprisingly, it sounds a bit like both of those. The trappings of minimalist pop, fuzzy folk, click-hop, hip-hop, baroque psychedelia, and funky pop are to be found on this endearing release. Like Jean Cocteau or David Bowie, Beck is an artistic chameleon whose greatest gift is knowing which artists to borrow from, and when. The cover artwork consists of stickers that you can arrange however you like, which perhaps appeals too much to your own nostalgic/retro, "Trapper Keeper" sensibilities. And yet, it's kind of awesome, something you can't believe has never been done before. Much like the album it adorns. --Mike McGonigal