I. Classical Gendings

The notes included with these disks are themselves worth the price – highly informative, they present some fairly technical aspects of Javanese gamelan in eminently readable form as well as interesting discussions of the differences and similarities between Western and Indonesian music.

This series represents an amazing undertaking (…) For anyone interested in the music of Indonesia (which ultimately means those interested not only in gamelan but also in contemporary Western music), these recordings are a must – not only is the music beautiful, but it comes with a wealth of valuable information. Manis deserves not only our congratulations for this achievement, but our thanks.

Robert M. Tilendis, Green Man Review

Listening to this centuries-old music provides one of the richest musical experiences imaginable. The outstanding Gamelan of Central Java series curated by John Noise Manis assembles important musicians and instrument collections into themed releases that hint at the breadth of musical styles found on the island of Java.

Gino Robair, Signal to Noise

“Classical Gendings” is different than most gamelan recordings. Whether it is with this or other gamelan CDs, anyone who professes to follow world music should explore this wonderful art form.

Dave Howell, Rambles

These gamelan recordings are a must-listen to clean out eardrums and speaker cones.

Stacy Meyn, Global Rhythm

Booklet

The two Courts of Central Java, Surakarta (also called Solo) and Yogyakarta, have always competed with each other in many forms of art, thus developing different styles. In music the difference is evident to some extent in the shape and decoration of the instruments and, more important but more subtle, in the music itself.