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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…

I caught the last night of the Harrison Birtwistles's new opera The Minotaur on Saturday at The Royal Opera. It is a thrilling and slightly disturbing opera (not to mention bloody too). Mind you, before the interval an elderly couple walked out. Maybe all that blood and rape and horror and gore was a bit too much for them. But that's new opera for you... At times I was wondering whether I was watching a high culture horror show (although I could have done with more blood and more realistic killings if that was the case).

The first appearance of the Minotaur (played by John Tomlinson) was a pretty dramatic moment and for nearly three hours the show didn't let up. Still, there is a lot to like about this opera starting with the music. The production design and the costumes - particularly the bulls head - were particularly creepy. The final battle sequence (depicted above) literally had everyone in my section on the edge of their seats (although that was party due to the fact…

Brief encounters never seemed hotter in this latest revival of Joe DiPietro’s comedy-drama play, Fucking Men. In part due to the sexy cast and witty one liners but also because it is summer and pub theatres are hot at the best of times.

The work had its premiere in 2009 at the Kings Head and went on to have a long run and transfer to the West End. It is presented here as part of the It is running as part of the King’s Head Gay Theatre Festival.