Chapter 5: In a Perfect World

I prefer to avoid the fanatical approach when describing the corruption…because that is the response that they require to find fault or to minimize the situation. In my previous title Music, Murder and Mayhem-A True Story, I addressed the importance for them to discredit and label any individual who is aware or can prove their deceptions and trickery.

Remember not to give them a reason to discredit you. Of course, due to the imperfect nature of us as human beings we will not be flawless. There will be repeated instances where events will be taken out of context, exaggerated and misrepresented for their own purposes.

I find myself comparing this fiasco to a scene taken from the well-known production of the Wizard of Oz when Dorothy pulled the curtain from the wizard. The difference is that instead of a timid little man hiding behind a facade of fireworks and performances, there are many with their weapons pointed and the power to inflict great harm, both, physically and mentally.

I must re-iterate that it is impossible for all to be corrupt or corruptible…but the Respondeat Superior rule allocates that an employer is responsible for the actions of any employees performed within the course of their employment.
This concept is based on what is called ‘vicarious liability,’ which dictates the superior is responsible for the acts of their subordinates, or, in a broader sense, the responsibility of any third party that had the “right, ability or duty to control” the activities of a violator.

The Latin phrase for Respondeat Superior is “let the master answer.”

Like many, I would really like to hear the justifications for their actions and/or in-actions.

As previously stated, the term Democracy derives from the Greek phrase, ‘rule of the people.’

A Plutocracy, however, represents being governed by a group consisting of the wealthy; wherein, the people are under the rule and influence of groups by virtue of their wealth.

The worse of all types of governments would be those subjected to a kleptocracy; also known as, ‘rule by thieves.’
This is having a form of government who exploits its own national resources and conspires to steal. A natural resources doesn’t necessarily have to be land, oil or something material but it can be the hard work and ideas of its own citizens for the sole purpose of profiting.

In a perfect world I imagine five to ten thousand officially designated representatives of the people to perform the duty of detaining and arresting ALL those found in connection with direct blatant violations against the people.
In unison and in a well-orchestrated, I imagine each being approached directly and being subjected to the words, ‘Sir(s) or Mam we need you to come with us…under the Patriot Act and because of a preponderance of evidence.’ ‘You have been found guilty of Treasonous behavior and for violating the Constitution of the New United States; where corruption will not be tolerated!

‘To those who have served this great country but failed to uphold the law to the fullest, we appreciate your service but we respectfully request your resignation and/or your surrender to the greater good of the people!’

Is it wrong for me to want to see them turn against each other to save their own skins (just like they make everyone else?

These are the same individuals that did not hesitate to deprive others of their rights for mere profits.

In a perfect world, there should be strict penalties for offenses involving the courts and even more penalties for those who are in a position but choose not to act.

I imagine a group of young people being educated and trained to influence change.

I imagine seeing the people’s faith in the legal system restored.

I urge all to never forget to keep pressing ahead because there is always an opposite and someone out there who is capable of addressing your legal issues. It takes persistence, endurance and the grace of a kinder, higher power.

I put the same effort into pursuing my career as I do now with my plight for justice…

so its not just a matter of pointing fingers or expecting someone to hand me something!

I WORKED, WORKED AND WORKED…JUST LIKE EVERYONE ELSE!

I Paid My Dues

Those in the industry know ‘the game’ and

how to manipulate situations
so when you

refuse to dehumanize yourself, they label

you as trouble. Like animals circling its prey,

victims are surrounded,
stalked, studied and

set-up.

I jumped through all of your fiery hoops but…

NO MORE!

Lovelace grew up in a little house in Detroit, MI

(isolated, separated, under siege and surveiled)

Lovelace graduated from

Henry Ford High School

Although Lovelace was already fighting a system which did not recognize her, she was active in the community. She provided lyrics and vocals for Campaign to encourage supporting local small businesses.

I guess everyone was just there to get what they could on promises because there was no payment provided as agreed.

Lovelace performed at many talent shows and won.

Lovelace was quoted saying, “The avenues for Detroit area artist aspiring to a professional recording career are changing…”

WHO KNEW?

I put the same effort into pursuing my career as I do now with my plight for justice…

so its not just a matter of pointing fingers or expecting someone to hand me something!

I WORKED, WORKED AND WORKED…JUST LIKE EVERYONE ELSE!

THEN, I WORKED, WORKED AND WORKED SOME MORE…JUST LIKE EVERYONE ELSE!

I jumped through all of your fiery hoops but…

NO MORE!

When you don’t allow them to take
everything; they label you as trouble. I refer to this as ‘Painting a picture,’
because that is what is done to display you as the culprit. The Deception – It
is definitely an art form.

As the artist, who
you choose to or not choose to deal with determines whether they say that you
are ‘burning bridges.’ This simple phrase is used to justify the artist works
being (figuratively) ‘gutted.’

Anyone who is in a
position can point and say whatever they want about you.

This book
demonstrated the process through the eyes of an Artist suffering from carrying
the weight of the anger and pressure from the world of music. Not everyone
buckles under pressure, not everyone goes insane…some just write a book about
it!

I decided that since
I don’t have an army of people behind me and because every door (seemingly) has
been blocked because people have been lying and manipulating, I felt that this
was the only way to defend myself and my actions after twenty years of carrying
the blame.

Those in positions would prefer to have to believe lies but this is not what it

appears to be.

Throughout the decades, it has been said that I have been subjected to public humiliation and dehumanization as a result of not graduating college.

Although college works for some people, I’m going to need whoever it is that is doing drugs while reading from a script to stop lying to the public!

Stop lying and blaming my deliberate oppression on a lack of a college degree. Going back to college is not going to make greedy lawyers, politicians, racist, liars, bullies and revenge seekers – recognize me as a human being.

Going back to college is not going to make the courts and this system miraculously recognize my valid substantiated claims (that were previously ignored).

Going back to college is not going to erase the lies and blame that has been placed on me and that I have been forced to carry by ruthless cowards!

Going back to college is not going to miraculously give me the rights that I have had repeatedly deprived and stolen from me.

Going back to college is not going to erase the murders of innocents and otherwise; committed by the greedy, the haters and the revenge seekers.

Going back to college is not going to make me forget that a legion of my fellow American citizens, co-workers, friends and family attempted to induce suicidal actions as a result of vilification, alienation and oppression just so that they can continue to hide the truth.

I am glad to disappoint and I would never; especially, when I know better.

As mentioned above, the message provided is that my public display is due to a lack of a college degree. However, to those in the ‘streets,’ the reasons that are used to continue this dehumanization is by telling others that I am a Rat

who is responsible for the violence bestowed upon others.

Meanwhile, the crooked lawyer’s, politicians, etc…continue to profit off of your hard work and struggles.

I don’t care about how people try to put all of the blame on me. I will never follow rules that do not recognize me as a person. If these haters snatched you up in a world wind of treachery, you would not remain silent either;

especially, after decades of carrying the blame.

All while everyone is perpetrating a fraud, no one from either entity has ever communicated with me in any way directly regarding any of the events of which I have been accused.

Only an idiot would victimize and vilify someone for decades while keeping them down and expect it to never end; least of all, expect loyalty.

Obviously, I have never been a part of that world…your rules don’t apply. Besides, what idiot would abide by laws and rules that require the acceptance of enslavement and poverty? You can call me whatever you want but it won’t be, ‘Slave.’

For those who require proof instead of just blindly following others, I have provided actual documentation that confirms the serious atrocities that have been committed, ignored and mentioned in my Complaint against Zomba for Antitrust, Copyright Infringements, etc…

I have provided a copy of the search warrant for a double homicide which was mentioned in my Complaint along with other violence but…On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was ‘bizarre, irrational and indeed delusional.’ Judge Friedman continues to state that the complaint is ‘fanciful and delusional.’

This double homicide occurred two months after
traveling to NY to address Co-Publishing Agreement, advance and submitted songs…During my visit, Richard Blackstone, Senior Director of Business Affairs and who 6 mos. later became Sr. Vice President of Business Affairs did not make
himself available after being made aware of my visit.

As you can see, there is nothing frivolous about any of this!

Search Warrant for Double Homicide – February 01, 1995

Retyped for easy translation –a copy shown below:

STATE OF MICMIGAN SEARCH

WARRANT AND AFFIDAVIT

Donald Mchall

TO THE SHERIFF OR ANY PEACE OFFICER OF SAID COUNTY:

Affiant, having subscribed and swears to an affidavit for Search Warrant. And I having under oath examined am satisfied that
probable cause exists:

THEREFORE, IN THE NAME OF THE PEOPLE OF THE STATE OF MICHIGAN, I command that you search the following described place: 9260 Burt Md. Detroit Michigan

A single family dwelling located on the east side of Burt Rd. Detroit Michigan between Dover and Cathedral. Described as a 1 1/2 story Bungalow with a covered front porch and a detached garage located to the rear of the location.

The number 9080 are affixed near the front door and to seize, secure, tabulate and make return accordion to law the following property and things:

Any and all evidence related to the homicides which occurred on 1-21-95 at 15721 Telegraph including a 9mm Semi Auto pistol. Papers establishing occupancy, ownership, or control of the premise 9080 Burt Rd.

The following facts are sworn to by the Affiant in support of the issuance of this Warrant: 1: Affiant is a Lieutenant with the Redford Police Department and has been employed there for 20 years. Affiant is currently assigned to the Criminal Investigations Bureau and involved In the Investigation of a double homicide shooting.

2: Affiant responded to a scene of a double homicide at 15721 Telegraph on 1/21/95. Left at the Scene was a white canvas
bag containing one full metal jacketed 9mm round. This round watched 4 shell casings found by the bodies of the deceased. Attached to the canvas bag was a TWA baggage tag for flight 355 Nov.11, 1994 and a Computer read out for passenger
T. Lovelace. Affiant contacted Trans World Airlines and learned that a Tiwanda Lovelace and a Curtis Lovelace had departed Kennedy Airport in New York on flight 355 and arrived At Metro Airport Detroit on 11-11-94. For the airline’s there were no report filed by passenger Tiwanda Lovelace that she had net received her canvas bag. The phone number provided to the airlines with the reservation was 313-493-1526. Per Ameritech this number belongs to Pierre Lovelace 9080 Burt Rd. Detroit MI. Tiwanda Gail Lovelace has a Michigan Personal Identification Card with the Address 9080 Burt Rd. Detroit Ml.

3: Surveillance of a female leaving the listed location found that Tiwanda Lovelace Ieft the described location and was
stopped by a uniformed police officer and gave the address of 9080 Burt Rd as her place of residence. This was on 01-31-1995.

4: Wherefore Affiant has probable cause to believe the described items will be found at the above described location.

COPY OF SEARCH WARRANT

This double homicide occurred two months after traveling to NY to address Co-Publishing Agreement, advance and submitted songs…During my visit, Richard Blackstone, Senior Director of Business Affairs and who 6 mos. later became Sr. Vice President of Business Affairs did not make himself available after being made aware of my visit.

I had no idea of what was going on but this definitely was very serious – Murder was the Case that they tried to give me, literally!

I may have hurt others feelings but I never killed anyone!Here’s a copy of the Complaint which clearly demonstrates that the courts were aware but chose to ignore.

The Judge’s Order listed below:

Below is my Objection to Dismissal:

Nobody wants to talk about where the millions went from the song that was originally placed and used on a major television sitcom.

Nobody wants to acknowledge the 40+ lyrics and melodies of mine that was used to shop this alleged Warner deal and also used to hurt me by flooding the radio and charts in that poor attempt to drive me to suicide.

Murder, I had no freaking idea what they were talking about and didn’t want to know. I didn’t even watch the news because it was too much. I was in my own world so to speak, completely in the dark and sleepwalking. I have never been the same since. Imagine my mind racing with fear and anxiety. My body was shaking profusely.

Some fool took my luggage tag from my trip to NY and left it at the crime scene. I have never been able to find out whom and I don’t want to know. I never judged people or at least I tried not to. I dealt with people from all walks of life.

I had faith in people then and I made excuses for those who disappointed me or behaved in hurtful manners. Being raised separate and isolated, this never gave me an opportunity to know the true evil that exist in some.

So, you see part of my dilemma? There is no such thing as common sense.

What is common for one may not be common for others.

Especially, when everyone around knows exactly what is going on but won’t say as they continue to stir up drama as if it is a game. It is easy to sit up and call someone stupid but unless it is you being deliberately left in the dark surrounded by people who blame or who are constantly taking it out on you.

Amidst all the drama, on August 15, 1996 my oldest child was outside playing outside in front of the house when one of my hate-filled neighbor’s children chased him into the street.

Conveniently, he was struck by a vehicle and thrown into the air to land on the concrete. What made this different from any accidental automobile collision was the drivers’ response. Sharon Deasfernandez, the driver got out of her car with this cold, angry expression on her face.

Clearly, she was not sorry, there was no sign of remorse. The police ruled in favor of the driver and said that my son ran into the vehicle in front of his own house. I can only imagine that something happened to someone’s family and they were coming for mine.

Of course, I immediately ran to my child’s aid but all the while watching her facial expressions. It was strange that within a few minutes her family came to support her and try to justify why she was remorseless. I wanted to fight her but my child required my assistance and at this time I was still in disbelief.

I thought it was odd that she was of Hispanic decent being that I never really knew that I had crossed paths with anyone except Jake Salazar. It is possible that one of the persons that I knew was and looked African American. I don’t know but regardless I started to watch everyone closely. I slept with a twenty gauge after that incident.

From my viewpoint, we were truly under siege.

My sister was raped around the same time my nightmare began and for a while I thought it had something to do with me; especially with the family’s mistreatment toward me.

At the time I was being blamed for everything but she can play the ‘I love you, I love you not’ game all by herself because I am done. That roller-coaster game is over. I forgive and forgive but enough is enough.

I don’t want to minimize her pain but nobody stopped them busters from raping me at will. I have been date raped before and told my mother and my husband what was done to me. I was vomiting and crying but they acted like I didn’t say anything. As usual, I didn’t matter.

I submitted list of songs, copyright copies, and contracts request for assistance; however, I received my materials back from all the attorneys, groups, and agency, along with letters expressing no interest in representing me.

On May 20, 1996, I filed a lawsuit against BMI, Zomba and Jive because of their lack of response to my request as to how BMG, MCA, EMI, WEA, Polygram and Jive have released songs which blatantly infringe upon my copyrights. I sent these lyrics to Zomba and discussed these works in detail. Clearly, I have been denied my rights and this definitely confirms a Monopoly situation.

I was very emotional at this time and lacked the skill of a licensed attorney but I provided copies of copyrights. I provided proof of certified mailings and other documents to support that I required courts assistance.

On July 22, 1996 the courts dismissed my case as frivolous. Judge Bernard A. Friedman cited that my show cause order was bizarre, irrational and indeed delusional. Judge Friedman continued to state that the complaint is fanciful and delusional. I didn’t know that copyrights and certified mail receipts were miscellaneous papers.

Imagine being hurt, confused and having misleading people – all chanting for your demise like you were responsible. All of them, hoping to witness your pain and sorrow. They probably were selling front row seats to the event. Illegally wiretapping and watching your every move. Then you find out that your children are under siege as well.

YOU WOULD BE ANGRY TOO!!

There are too many coincidences and convenient tragedies to be ignored. This could happen to any of you.

IMAGINE 20+ YEARS OF BEING VIOLATED AND IGNORED!

I never gave permission for any violation of

my privacy. I was never asked and no one

communicated with me regarding any of

these continued violations of my rights;

Yet, the many violations continues in 2014!

So, let me get this right…I imagined my

house getting shot up, double homicide,

children assaulted and sister getting raped.

The judge could have assigned counsel or

made another decision. Talk about getting

assaulted,

I felt violated all over again.

Now the ‘system’ is implying that I am a

poster forthose who do not complete college…

SO…HOW DOES COLLEGE MAGICALLY CHANGE THE FACTS?

To Add Insult to Injury, I just received a deposit from the royalty from the one song that was used to initiate the Co-Publishing Agreement:

I have never been involved in gangs. I worked with local music producers to
write lyrics and sung their songs in exchange for studio time or music tracks…

suddenly, I am supposed to be the villain or whatever those in position
chooses to call me because they couldn’t have their way.

That’s not Gangsta!

Hurting and Raping woman and children..

while hiding behind the truth, greed and hate…

That’s not Gangsta!

Music Business: It’s a Dirty Game:

ISBN: 978-0-98962253-0 Printed

Not Everyone Buckles Under Pressure, Not Everyone Goes Insane Some Just Write a Book About It! Take a walk through one person’s journey to freedom from a system that doesn’t recognize her humanity.

This innovative product demonstrates the inner workings of the music industry and explores the depths that ruthless corrupted individuals will sink for revenge!

This book exposes corruption in the music industry, proving it by using supporting docs; copyrights, public records, contracts with Zomba-BMG; Now – Universal Music Group.This title exposes corruption in the music industry. She proves it using supporting documents, copyrights, public records, court documents, journal entries, and contracts.

The court system has been placed under the microscope from the view of the everyday citizen to reveal how it really works for the less fortunate. Therefore, by limiting assistance and preventing Due Process they enslave individuals by using their money, power and positions to deny rights that should be guaranteed by the Constitution of the United States of America.

Imagine people exacting revenge and enslaving you due to your race.

Imagine being told that you have no value because you are a woman.

Imagine wanting freedom from a modern day slavery; yet, being denied!

Imagine passerby’s telling you to commit suicide.

Imagine experiencing all of this simply because you wanted to exercise your rights!

An un-cut non-fiction description of how the music entertainment business murders its artist and writers quietly behind the scenes. People assume that artist just sign bad deals that allow producers or managers to take everything but this is not always the case.

Antitrust Brief: The Business of Music – Made Visible:

View never seen before documents which demonstrate how the Business of Music Operates with Impunity for decades!

There are no other books that provide extensive knowledge. These publications are not easily accessible through mainstream publishers solely due to the information provided within and due to conflicting with the goals of a billion dollar industry.

I have compiled proof by using documentation, public records, contracts and copyrights in my book
entitled, Music Business: It’s a Dirty Game!, Music, Murder and Mayhem -Nonfiction and INVISIBLE: Living in America without Rights 2013.

Although, I would prefer to reach a fair legal and resolution, I have not been given much
of a choice in the matter.This is an autobiography that shows step by step, the tactics used to steal lyrics, intimidation methods to coerce, and how major music companies attempt to outright steal the lives of struggling artist.

This book contains supporting documentation; contracts with Zomba (major music publishing
for Jive Records – BMG-Zomba (EMI) now placed within Universal Music Publishing Group making them the world’s largest music publishing business, Copyrights, public records, court documents and personal dated journal entries that cannot be disputed nor denied.

I have provided my contact information above for further questions along with a copy of my book for review.

Although I have compounded legal issues, I have tried to provide brief numbered details of some of what has occurred below.

I am contacting your offices because there are compounded situations but to provide a summary:

1. My father is incarcerated for allegedly killing a Detroit Police Officer, Stanley Rapaski and Cass Czerwinski. I can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski.

First, anyone who kills a police officer – their family is definitely persecuted and is unable to obtain assistance from the system; especially, if that person is a prominent member of society.

Everyone knows that police stick together and as a matter of fact, the other accomplice conveniently died while being apprehended in that case. Human nature…2. I wrote the lyrics and melody that were used for a television sitcom many years ago. These lyrics were given to now prominent music producers, Lee Marcus and Jake Salazar. Of course, I didn’t find out about the use of the song until years later.

3. Since the individuals who placed the first songs didn’t offer contract or monetary compensation, I kept writing with other local producers until I was offered a 50/50 co-publishing agreement with Zomba after a disagreement with Larry Hatcher and Art & Rhythm’s Larry Campbell.

4. Zomba’s pub agreement made reference to taking co-ownership of all songs written by me; including material prior to signing. (Remember I was not aware that the previous songs were used yet).

I spoke with two entertainment attorneys; the fact that previous attorney’s would encourage signing a contract for little dollars when they know that all entertainment lawyers would most likely require a large retainer in the end demonstrates that there is a problem.

5. Zomba representatives then attempted to pressure me to sign management contracts with producers that were on their roster whom I had never met.

While contracted with Zomba, I submitted over 40 song lyrics and melodies that were discussed in detail with their representatives and some listed directly in the contract.

6. After submitting these songs, someone associated with the business brought it to my attention that an artist by the name of Desire (real name Monique), with the help of Michael Powell, Art & Rhythm’s – Larry Roc Campbell, Paul D. Allen, and Larry Hatcher has received a 6 album deal with Warner Chapel label releasing single.

I heard personally and have others confirm blatant similarities to my work and have been derived in full and/or in part from my copies submitted to Paul D. Allen of M. Powell’s – Vanguard Studio, Larry Hatcher of Hatcher Hits, Larry Roc Campbell of Art & Rhythm and David R – Zomba, rep. I worked consistent with all parties listed for a period of time. I have split sheet for “Baby Stay with me” and I heard this finished by her.

7. After notifying Zomba of this deal, I became subjected to a multitude of tragedies, threats and intimidation.

Almost every song lyric and melodies were used in part and in full. These songs were being played on the radio for years. I will provide you with attachments to show copyrights.

8. Zomba used publishing contract to steal lyrics and melodies, then denied possession of works (even though material was mentioned in publishing contract, the use of intimidation methods to coerce, and now everyone is asking for an extreme amount of money for a retainer.

I understand that litigation cost but this should not be allowed to be used as a scapegoat to avoid being held accountable.

This is the ‘game’ that prevents resolution and allows these tyrants to continue their actions.

9. I then attempted to file suit and although the amended complaint that complied with F.C.R. and was filed within courts guidelines.

The judge dismissed before reviewing factual evidence and ignored actual acts of violence and request for counsel to be assigned. Basically, I have documentation that clearly shows misconduct.

10. During this ordeal, I maintained my copyrights and always required signed documentation with any co-writers.

11. Within two months of completion of my Registration of Copyrights for all of the songs provided, suddenly the Dekalb County Probation submits a violation of probation report to the Courts and they issue a warrant although I was under the supervision of Michigan Probation and reporting as directed.

12. The timing of the execution of this warrant was in sync with everything that was going on around my trials with seeking assistance from attorneys and all of the many groups.

I had filed the copyrights listed below and they were processed just months prior to the illegally obtained warrant being issued.

1. PAU001720136 / January 7, 1993 “Collection I – Tiwanda.”

Lovelace, Tiwanda, 1967 – 18 SONG LYRICS AND MELODIES, 1 RAP, 2 POEMS

2. PAU001721382 / March 4, 1993 “Collection II – Tiwanda.”

Lovelace, Ne Ne – 6 SONG LYRICS AND MELODIES,

Although per Inter-State Case Reports, Lovelace was reporting to Michigan Probation AS DIRECTED by Courts, there were no efforts were made to contact and/or provide Notice of Hearing.

Again, there was no notice of hearing, revocation hearing, or opportunity to be heard.

13. Dekalb County police then used this warrant to modify my 1st Offenders Act, changing status to conviction. Records reflect multiple arrests, repeated offenses and provide misleading transmittal when 4 of 5 items are in reference to the same (original) First Offenders Act offense.

Dates and charges are inaccurate and/or inaccurately presented.

This warrant was signed May 19, 1993 – expired July 31, 1997.

In a letter used to take housing from the Lovelace family, a police agency stated that the warrant was valid in 2005 and that they were unable to execute due to budgetary constraints.

However, when I lived in Georgia 2003/2004 there were no efforts to arrest?

I believe the warrant was serving its purpose, which was to inflict damage, hinder and harm. Prior to filing this case, I submitted a notice and a request for correction to all parties involved since it was preventing employment and shelter.

13. I have proof of misconduct show the courts switched Judges after plaintiff filed for Summary Defendants ignored service of Summons.

I believe that this system intended to hold me accountable for others actions and all under ‘color of law.’

I am requesting legal assistance and/or representation, resolution and closure because these entities are still using their power and positions to continue to oppress.

Since this has snowballed, police were using illegally obtained warrant to modify records, take public housing and take employment. Georgia unjustly threw my case out but shortly after a public defender was able to quash warrant.

I am stuck in this free for all, caught up between multiple major entities and trying to obtain my freedom from this chaos.
Even now my record has not been updated or corrected properly because this case was once again used to have me detained in handcuffs and refused entry into Canada in 2013.

I have other legal issues that have occurred of which I have been compiling; such as, screen shot, documents, etc…that prove that I am being deliberately deprived of my rights to liberty and life. I refuse to let them murder me quietly behind the scenes.

I have attached some of the documentation to support my claims and I hope that you will be able to assist or refer this to someone who can.

Tiwanda Gail ‘Ne Ne’ Lovelace was like many other unknown artist who was used and then discarded by the music industry. She has survived countless attacks on her character, and has lived to tell the tale as a true survivor.

Many have found Lovelace’s book to be an interesting and thought-driven read. The owner loves helping new authors and artists and wants to ensure that none of them go through what she did. Having been in the music industry since 1991, our company has more than 21 years of experience.

Facing many struggles as an outcast, a black woman, a wife, a mother, and as a writer and lyricist, Lovelace has written many songs to which she never received credit.

She was the co-writer of the song, “What Can I Say to You (to Justify My Love)” for the artist Hi-Fives, for which credit was never given.

Lovelace was contracted with Zomba, a major music publishing company for Jive Records, which is now BMG-Zomba publishing company. It was then placed within Universal Music Publishing Group, becoming the world’s largest music publishing business.

Instead of administering her publishing by securing copyrights and ensuring that her works were protected, the publishing company neglected all their contractual obligations. However, what they didn’t count on was that she had secured copyrights and maintained all related documentation.Here, Lovelace exposes the corruption in the music industry in her book. She proves it using supporting documents, copyrights, public records, court documents, journal entries, and contracts with Zomba™/Jive Records™ (BMG™-Zomba™ which is now Universal Music Group®).

For many, getting into the music industry seems like a dream. However, for our owner, Tiwanda Gail ‘Ne Ne’ Lovelace, it was a complete struggle. Never receiving credit for the songs she has written, Lovelace is now determined to help others before they sign a contract with a major company.

Giving You the Business!

Seven West Productions is a publishing company that recognizes that almost everyone knows someone who is an aspiring artist, musician, producer or dancer.

We also recognized that well-informed people, make better decisions so by fully equipping our youth with knowledge obtained from others experiences, we can prevent them from being victimize; therefore, have less prodigal sons and daughters.

Since I have received an extreme amount of opposition, I need your help raising awareness and reaching others who are in a position to work through organizations, foundations, companies to fully equip our aspiring young adult artist.

Seven West Productions has compiled a set of publications which demonstrate firsthand what traps await them by providing detailed information regarding methods and tactics used.

There are no other books that will provide extensive knowledge regarding their process.

These publications are not easily accessible through mainstream publishers solely due to the information provided within and due to conflicting with the goals of a billion dollar industry.

By participating in this program as a Member or Sponsor, you will have the opportunity to purchase these rare publications that shed light on the darkest parts of an industry that has claimed so many lives.

By participating in our PLATINUM 30/40/50 program, you will automatically receive up to (50%) fifty percent discount off already low price on publications that are exclusive to our Members/Sponsors.These extreme discounts are only available to our Members/Sponsors and includes discounts on sale items.

It would be an honor to work with your prestigious company. Given a chance, we can prove our value to your prestigious organizations, foundations, companies by producing and delivering our easy to use program compiled of thought-driven publications geared to protecting our youth.

Please take a moment to go through our attached proposal to find out the value our collaboration promises to bring to your business.

Either as Member or Sponsor, your assistance will to increase our ability to reach to a much wider audience who is in great need of these publications.

Looking forward to hear from you soon.

You may view full presentation by contacting us directly using our contact information provided below.

This Post is dedicated for Molly who sarcastically laughed and said, Do your best!!!

TIWANDA ON TILT!

I should have some rights other than the right to remain silent!

I am an American citizen and people should not be able to do anything they want to me because they have money and position.

Everyone thinks it’s funny that I am subjected to this nightmare but when they get pulled into it, they don’t think it’s funny when they are put on front street.

I realize that I am not the only one who is asking for assistance with obtaining some kind of Justice; however, I have been in Civil Rights/Human RightsLine for over (20) twenty years. We are not going to have another Saartjie Sara Baartman situation without a good fight! I have had my whole entire life taken from me and even with proof – my Rights were/are still being ignored for decades.

Can you contact your Representatives (people in position of making a difference) for me (since I seem to be getting ignored)?

Tiwanda ‘Ne Ne’ Lovelace was like many other unknown artists who were used and then discarded by the music industry. She has survived countless attacks on her character, and has lived to tell the tale as a true survivor.

Facing many struggles as an outcast, a black woman, a wife, a mother, and as a writer and lyricist, she has written many songs to which she never received credit. She was the co-writer of the song, “What Can I Say to You (to Justify My Love)” for the artist Hi-Fives, for which credit was given to secure contract.

Originally from Detroit, Michigan, Lovelace attended Wayne County Community College and studied psychology and paralegal studies. She also attended the Community College of Southern Nevada for psychology and paralegal studies. Currently, she lives in Las Vegas, Nevada.

Lovelace was contracted with Zomba, a major music publishing company for Jive Records, which is now BMG-Zomba publishing company. It was then placed within Universal Music Publishing Group, becoming the world’s largest music publishing business.

Instead of administering her publishing by securing copyrights and ensuring that her works were protected, the major publishing company neglected all their contractual obligations. However, what they didn’t count on was that she had secured copyrights and maintained all related documentation.

Music Business: It’s a Dirty Game, this book written by Lovelace, exposes corruption in the music industry. She proves it using supporting documents, copyrights, public records, court documents, journal entries, and contracts. Many have found Lovelace’s book to be an interesting and thought-driven read.

Having been in the music industry since 1991, our company has more than 21 years of experience. She is now determined to help others before they sign a contract with a major company. It is her goal to ensure that every aspiring artist is fully equipped before they sign.

Lovelace is not anti-music; in fact, she loves music. She also loves living in America, but she feels that it is not okay to allow those with money and power to blatantly infringe on our rights. She loves helping others and wants to ensure that no one goes through what she did.

Now Founder of Seven West Productions, Lovelace offerpublishing set-up and preparation services at a low cost for new writers and authors seeking to publish eBooks, set-up P.O.D. for printed copies! You maintain full ownership of your work! Unlike other companies, we provide a list of publishing outlets for you to choose from (which includes Seven West Productions).

This sample chapter is presented through this artist/writer’s eyes while experiencing multiple tragedies and events. Emotionally charged, this title clearly expresses the pain and anger of being betrayed, sacrificed and scorned. Inside, are the actual documentation and files used to demonstrate some of the tactics used to steal artist lives, deny rights and […]

This Podcast covers Chapter 14 - Betrayal of Music Business: It's a Dirty Game! The author shares her direct experience while reading directly from this publication. Get yourself ready for the T! This chapter is emotionally charged, this title clearly expresses the pain and anger of being betrayed, sacrificed and scorned. This title is presented through […]