Synopsis

A sweeping story of passion and obsession, set against the upheavals of nineteenth-century imperial China, by the New York Times bestselling author Da Chen

When Samuel Pickens’s great love tragically loses her life, Samuel travels the globe, Annabelle always on his mind. Eventually, he comes face-to-face with the mirror image of his obsession in the last place he would expect and must discover her secrets and decide how far he will go for a woman he loves.

Da Chen immerses the reader in the world of the Chinese imperial palace, filled with ghosts and grief, where bewitching concubines, treacherous eunuchs, and fierce warlords battle for supremacy. Chen takes us deeply into an epic saga of nineteenth-century China, where one man searches for his destiny and a forbidden love.

Excerpt

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Chen / THE LAST EMPRESS

1

There was no evidence or early trace of my penchant for the young, the tender, or the ghostly. Every branch of my family tree has been upright and shadowless, even in the afternoon slanting sun. Father worked at the family law firm of Pickens, Pickens & Davis, and he summered on his white yacht off the Connecticut coast with his white-­shoed friends who doted over me, my father’s only heir, a navy-­suited blinking boy with blond eyelashes. Early memories are of standing in a ring of cigar smoke puffed from the admiring mouths of my father’s friends, and the manly breath of whiskey amidst slurred New England syllables. Mother, a buxom matriarch, was the fruit of an even taller tree, the linear descendant of Elihu Yale, the founder of the famed college that bore his name.

It was never debated what the path of my own life would be: Phillips Andover followed by Yale, then days at the family law firm and evenings at the club. I too would drink whiskey and puff cigars and ogle the help while my bride, a thin blond wisp from a similarly upstanding family, would look the other way. It was the path that my father had followed and his father before him, and who was I to veer from it?

It started so innocently while I was still at prep school, culminating in my maiden encounter with one ripened maiden. Mrs. D was the barren wife of the stiff-­necked librarian. She idled her days away in the New England sun, devouring forbidden romance novels while her poodle, a big-­snouted pooch, licked between her stockinged thighs. She had the dazed look of disillusion, her hazel eyes full of anguish and unknowable pain, which the entire campus unanimously blamed on her childless state.

Mr. D had the look of a seedless man, pale and thin, without a boisterous moustache or prickly chest hair, as seen on occasion during his reluctant and awkward participation in the faculty cricket games. Just as surely, gossip posited that she could be the culprit, for she had the docility of a guilty mute. They both could be conspirators in the childless game, each as barren as the other, or they both could be endowed with potential to bear, but the fire of lust had never been lit or lit rightly in their cold, separate bedrooms. It was a longstanding uncurriculumed subject that every Phillipian dabbled in during the last drowsy minutes before sleep stole our souls after the lights were shut. I felt a certain stir whenever the word barren was mentioned in the same breath with the sullen Mrs. D.

Her hair, not always neat, had an occasional strand falling over the bridge of her nose, fringing her often parted lips. Her hips were wide with the sacrificial openness of a fertile woman. How could anyone blame her for anything?

My heart still thumps at the memory of the first touch of her trembling hand.

It was my first Thanksgiving spent at school, away from the snowfall of Connecticut. The silence of the campus was deafening. Mr. D had gone to the mountain to hunt deer, leaving Mrs. D all alone in the company of an empty house. My duty that afternoon was to dust the small collection of toy yachts, canvas sails, and bamboo masts encased in the draped library of Mr. D’s home. I arrived to find Mrs. D just awoken from a nap, lying starfished on a couch, book at her bosom, legs apart. The pooch wasn’t around, though its stench hung thin in the air.

Mrs. D greeted me, cupping my face with her soft hands. I melted like a snowman in the sun, burying my face in the valley of her bosom. Her breasts were firm, her buttocks soft. She swayed to the crazed crawling of my fingers, her breath whiskied like the summered memory of my father’s white yacht. In a blur of scenes—­birds flying, windowpanes reflecting, pooch sniffing somewhere in the corner of the house, my mast tenting—­she whispered her dearing words, and I felt the warmth of her hand hungering over my sword. Silky stockings ripped and I plowed blindly in the mud of her.

Oh, that long ago Thanksgiving Day, that woe of my youth.

We mated a few more times under the veil of Mr. D’s suspicion till we could bear the suspense no more—­I faced expulsion, and she the foreseeable loss of Mr. D’s vocation, but the memory of her came to form the basis of my youthful arousal. Parted lips, loose strands of hair hanging over the face, an empty house, a cold sky laden with the angst of oncoming snow, and my heart would ache as it ached that dreary day, and my groins would burn with the flame of that afternoon.

I often plotted trespassing the ivied residence of Mrs. D again, impinging upon her shaded vulnerability and unearthing her muffled screams that she stifled under bookish breath. We came close only one last time at a pompous school event whereby all wives of the academic faculty were demanded at the angular dining table for the benefactors of the school, the elder Pickens included. I sat three heads and a table corner from Mrs. D and watched her chew her London broil. I smiled at her with code of our love, but she avoided my gaze.

A ball ensued. Old chaps of the school borrowed the young wives of others to hold in their arms, and I got to whirl her around the room in the guise of a waltz. She stayed silent with sullen face and begged me to stop halfway around the ballroom. Leaning on my shoulder with the world swaying on tiptoes, she uttered the three most horrifying words: “I am pregnant!”

I nearly let her fall out of my hand. I held my breath for the next three long and dying seconds until I felt a tap on my shoulder and heard the congenial Mr. D whisper, “Let me take over.”

Was it relief or burden that I felt? I could not tell—­the ring of her words still echoed in my ear. I swiped two tall glasses of some liquor from the dark corner of the ballroom, downed them, and rushed back to my dormitory.

This must be my punishment from God: fathering a bundle of sin. What would she do with him or her, the little me?

After a long week of fearing, the campus was suddenly abuzz with news of Mr. D’s departure. Mrs. D’s pregnancy had fulfilled a longstanding clause in his late uncle’s will, a liquor dealer from Boston, bequeathing him, the only living heir of the Ds, a minority stake in a brewery on the condition that D produce an heir of his own blood and flesh. The Ds rushed off rather unceremoniously, and I have lived in cloudy ambiguity ever since.

For weeks after their departure, I was haunted by nightmares; each time, I woke up sweating and panting. Headmaster Herbert had called Father twice with mild compliments of my sporting verve but expressed concern over my general well-­being. My eyes were circled with dark rims, and I was dispirited in religious assembly. A school nurse, after checking my pulse, scraped the moss from my tongue, tapped my echoing ribs with her knowing but misguided knuckles, and declared me a slight case of depression that a home visit and some sun should dispel. But it was the uninduced confession from another virile classmate of mine, one Samuel Polk III, the son of a mean-­spirited financier, that cleared my guilt in toto.

One insipid Sunday afternoon after I had scorched my throat with much hymnal singing, Sam Polk strolled with me along a patch of lawn near the school chapel that afforded a slice of Mrs. D’s former garden. The dreary day produced a dreary chat, and soon the New York boy was regaling me with his ventures with Lower East Side foreign whores whom he described as not only good with their craft but with their tongues.

“Got it, Pickens?” He chuckled at his own wit. “But you know, Pickens. I had more fun and less trouble right there behind those hedges.” He pointed his toe at Mrs. D’s garden.

“You what?” I sputtered.

“I had my way three times with that barren Mrs. D. Only made two trips to her house; the other time, I had her behind the hedge before it was trimmed and the leaves cleared.”

I nearly choked the boy with my own hands.

I was let out of the jail of burden and breathed the fresh air of a sonless youth, but in that freedom I yearned for her—­the hedge, the garden, the white house, the possibility that she would forever gaze at her child’s face and think of me.

About Da Chen

Da Chen is thirty-seven years old and is a graduate of Columbia University Law School, which he attended on full scholarship. A brush calligrapher of considerable spirituality who also plays the classical bamboo flute, he lives in New York's Hudson Valley with his wife and two small children.

“The best romance stories are always the most fearless…Sweeps you away with visions of a bygone age of royal extravagance…Fans of sweeping historical romance like Gone with the Wind and Ian McEwan’s Atonement, as well as fans of transgressive sexual explorations like Nabokov’s Lolita, will find another engrossing story in My Last Empress. It’s both moving and frightening, dark and hopeful, gut-wrenching and inspiring. Chen has delivered another powerful work in an already stellar career.” —Bookpage

“Steeped in the language and colors of an Asia long gone… Chen’s…19th-century tale of obsession explores the line between love and madness.” —Publishers Weekly

"In My Last Empress, Da Chen pushes the reader into the strangest corners of the human heart, with a style of pure creepy gorgeousness. Like a fan opening, vane by mysterious vane." —Janet Fitch, New York Times bestselling author of White Oleander and Paint it Black

Da Chen's My Last Empress is an intoxicating and consistently surprising historical novel that delves into the nature of erotic passion, obsession and phantasmagoric haunting with vivid descriptive flourishes that evoke the courtly life of 19th century imperial China. Set against the backdrop of both New England and China, the narrative masterly interweaves the story of narrator Samuel Pickens going in search of his deceased beloved while stumbling upon the intrigue and mysterious machinations of the Chinese emperor, a world full of eunuchs, warlords, and concubines, replete with loyalty and betrayal. Simultaneously a timeless love story and a dazzling tale of dangerous infatuation, My Last Empress brings the reader along on a sensual and astounding journey of self-discovery and cultural revelation. A truly original novel written by one of our most inspired bicultural writers.” —Ravi Shankar, Pushcart Prize winning poet and Founding Editor of Drunken Boat

"If you took the love child of J.D. Salinger and F. Scott Fitzgerald, then raised him in China, you would get something close to the beauty, truth, and elegance of the words of Da Chen in My Last Empress." — John Buffalo Mailer, author of Hello Herman and The Big Empty

Da Chen has followed Nabokov's dictum to caress the detail beautifully, with a calligraphic touch, to create an enchanting tale and a picaro journey through the vanities of the American upper classes with many surprising twists, humor, eros, and profound psychological insights.” — Josip Novakovich, American Book Award and Whiting Award winning author of April Fool's Day