Oil painter Danny Heller is back and has created a new, breathtaking series titled “City Modernism”. I’ve been following Danny for almost seven years now and as he keeps tacking on the years of experience, one can see the subtle growth and maturity in his works. I cannot praise Danny’s work enough. I never really understood what people meant when they talked about finding art that hits your soul in a way that you must own it until I saw Danny’s work for the first time. His work is really something to see in person. Speaking of which…

Danny will be presenting his new works at the George Billis gallery here in Los Angeles this weekend. If you live in the Los Angeles area, drop by the opening reception and check his work out, meet Danny and I’ll be there as well on Saturday. Details for Danny’s “City Modernism” are listed below:

Just wanted to preview some new work here and write a quick post about an opening I’m having tomorrow night at Subtext Gallery in San Diego, California called Anium.

The show is split into two parts, still and motion. There will be 24 print pieces on display and 4 video installations. I’m really excited about the video installations but they’re still being wrapped up, so you’ll have to drop in to check them out. The goal was to create short moving posters with no related theme. There will be 3 small 27″ screens that we’ve rehoused and one 8 ft monolith with a 50″ screen.

If you’re in the area or close, come on by! It’d be great to meet some people from the blog!

The show will be up from September 13th – October 13th at Subtext gallery in San Diego. Click here for the Facebook event. If you can’t make the opening or are interested in checking out the show online, here’s the full preview of the show and ways to purchase prints.

So Tycho just got back from the amazing Taico Festival [yes, really] in Nagano, and on our off day in Tokyo I had the pleasure of visiting the Tower Records book store in Shibuya. I cannot stress enough, this place was coffeetable book PARADISE, I walked out of there with slight buyers remorse, that is, until the flight back when the “in flight entertainment” consisted of endless episodes of Everybody Loves Raymond. I digress. Although they didn’t have the one i’ve been looking for for years, Part 1, they did have this second volume of Honda Design drawings from the mid eighties throughout the 2000′s. In this post I featured just a few of the exquisite hand-drawn mockups of some timeless Honda machines.

Just got my CB360 on the road yesterday [with rebuilt Mikuni carbs and CB750 forks], so this seemed like a fitting post for the weekend as I gear up to blast around the Berkshires. Enjoy!

Just a few photos of the very awesome Renault Sport livery used prominently from the late 70′s throughout the mid 80′s. Renault Sport works teams have alternated between a few color schemes over the past 40 years, but the classic black/yellow with isometric accents towards the aft has always been my favorite. While Renault officially exited F1 with the debut of Team Lotus, it was nice seeing the vintage livery on the grid for a few seasons. With so many heinous paint jobs these days, it was a bummer to see it go. Be sure to check out the YouTube clip for some very casual conversations in French at 200+ mph. More after the jump. Continue reading →

You will probably recognize some of James T. Edmondson’s work from Lost Type, including Mission Gothic, Mission Script, Lavandaria, Duke and of course Wisdom Script. He’s a very talented Type and Lettering designer. If you haven’t heard of him I strongly recommend you check out his work. You can tell he’s passionate about what he does and I love how he is bringing back some of the older lettering styles and making them very accessible to designers today.

Found myself swooning over this guy’s work – a combination of photography, acrylic, and eight-bit amazingness. From his site:

Dealing with themes of memory and change, Thornton uses family photos, pop culture, world events, and outdated media to illustrate the modern relevance of these past objects and events. In acrylic paintings, pigment transfers, and marker drawings, the use of erasure and fragmentation represent memory’s imperfections.