This is the first issue of a series of alphabetic/letter inspired chap­books focus­ing on min­i­mal­ism and typog­ra­phy. I would like to think of it as a col­lage poem. My exper­i­men­ta­tion with min­i­mal­ism has led to some inter­est­ing results. I enjoy…

This is how space begins, with words only, signs traced on the blank page. Georges Perec A book ought to change you. A good book is like an argu­ment with your spouse with the expec­ta­tion of make­up sex. When you…

mbi­gu­i­ty describes a cer­tain uncer­tain­ty due to the plau­si­bil­i­ty of mul­ti­ple mean­ings gleaned from a num­ber of dif­fer­ent inter­pre­ta­tions of an event or thing. Ambi­gu­i­ty is a part of every­day life, yet there has been an attempt to cull or…

Nose It’s prac­ti­cal­ly an appendage to the face’s serene geom­e­try, the only line in a field of curves, the sub­tle instru­ment that con­nects me to the air. Sim­ple smells, acrid ones, the dense scents of jas­mine, anise: flar­ing, tak­ing them all in. Trans­lat­ed by Yvet­te…

I dis­cov­ered that it is nec­es­sary, absolute­ly nec­es­sary, to believe in noth­ing. That is, we have to believe in some­thing which has no form and no color—something which exists before all forms and col­ors appear. Shun­ryū Suzuki Every word…

The phe­nom­e­nol­o­gy of the poet­ic imag­i­na­tion allows us to explore the being of man con­sid­ered as the being of a sur­face, of the sur­face that sep­a­rates the region of the same from the region of the oth­er. It should not be for­got­ten that in…

About

A teacher, poet, writer, artist and musi­cian. A man of many inter­ests who enjoys the pur­suit of under­stand­ing and the val­ue of knowl­edge.

My writ­ing and artis­tic endeav­ours con­cern them­selves with trans­ver­sal or inter­sect­ing nar­ra­tives and the entrop­ic nature of his­to­ry with­in the scope of an anti­his­toric­i­ty that pulls at and ques­tions the con­cept of an endur­ing authen­tic­i­ty.

My work is explorato­ry, inves­tiga­tive and polem­i­cal yet sen­si­tive. I draw inspi­ra­tion from sur­re­al­ism, dadaism, ultra­ism and zen. I prefer to view the uni­verse as nei­ther com­plex nor sim­ple, but instead as a series of poet­ic acci­dents and mis­takes unfold­ing before our curi­ous eyes. This is the prin­ci­ple that guides me, my per­son­al narrative(s) and my work.