Jazzkeller action shot a few years ago maybe 1992, the cable coming out of my organ on the left was my lucky glow-in-the-dark Whirlwind cable I used for 35 years before it finally disintegrated – my friends at Whirlwind tried to fix it but it couldn’t be fixed, original military plugs – it served me well! –

— with Steve Campos, Barry Finnerty and James Preston at San Francisco City Hall

Studio 1 NDR Info – Jon Hammond

— at NDR

Thanksgiving with the late great Joe Franklin – Joe fed a lot of folks at the old Show World on 42nd & Eighth, including myself! – Jon Hammond
VIDEO: https://youtu.be/b_-mYcrxtTo

*some comments:
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jjm1965 7 years ago
I saw Joe Franklin at a show at Danbury Municipal Airport in the early 1980s (Tiny Tim was there , too). Very funny guy. What a wealth of knowledge on pop music from the first half of the 20th century. Truly a national tresure.
-Martin Paints: It ain’t just paints.﻿

Collins made several appearances on The Tonight Show with Steve Allen in the early 50s (and even briefly took over the show after Allen’s departure; see below). In 1953, Allen adapted several nursery rhymes (including Little Red Riding Hood) into jazz-flavoured recitations, with Collins on vocals and Lou Stein on piano.

“Jazzbo”
The name “Jazzbo” derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW’s interior design, as Collins explained:

I started my broadcast in Studio One which was painted all kinds of tints and shades of purple on huge polycylindricals which were vertically placed around the walls of the room to deflect the sound. It just happened to be that way. And with the turntables and desk and console and the lights turned down low, it had a very cavelike appearance to my imagination. So I got on the air, and the first thing I said was, “Hi, it’s Jazzbo in the Purple Grotto.” You never know where your thoughts are coming from, but the way it came out was that I was in a grotto, in this atmosphere with stalagtites and a lake and no telephones. I was using Nat Cole underneath me with “Easy Listening Blues” playing piano in the background.
The Tonight Show and later work
In 1957, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.[2]

Also in 1957, Collins starred in (as himself) an episode of NBC radio’s science fiction radio series X Minus One. By 1959, he was with KSFO in San Francisco, hanging out with the beatnik hipsters in North Beach. On-air, Jazzbo would say that he was broadcasting “from the purpleness of the Grotto”, often mentioning his assistant “Harrison, the long-tailed purple Tasmanian owl”. On the TV side, Collins hosted “The Al Collins Show,” that aired mornings on KGO-TV. The format included light talk and guest appearances by local celebrities such as Moe Howard of The Three Stooges. Later in the 1960s, he was the host of Jazz for the Asking (VOA), and he worked with several Los Angeles stations during the late in the decade: KMET (1966), KFI (1967) and KGBS (1968).

He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh’s WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later. While in Pittsburgh, he briefly hosted a late night television show entitled “Jazzbeauxz (with a ‘z’) Rehearsal”, an eclectic sampling of anything that caught Collins’ interest at the time, including a long-running hard-boiled-egg spinning contest. He conducted the program from a barber chair, as he had on a previous TV show.

“Stinking badges”[edit]
A popular segment on his show was the “no stinkin’ badges” routine, a play on the famous exchange in the 1948 film The Treasure of the Sierra Madre. Al would politely request that the main guest for that day don a Mexican bandit costume, complete with ammo belts crossing the chest, six-guns in holsters, a huge sombrero and large fake mustache. The guest then had to pose in front of cameras and for the TV audience. With pistols pointing at the camera lens the guest had to say (with emphasis) “I don’t got to show you no stinkin’ badges.” If the guest did not say it with sufficient sinister tone Collins made him or her repeat it until in Al’s opinion the guest got it right.

1970s and beyond[edit]
In 1976 Al Collins returned to San Francisco, working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast; he always opened his program with Count Basie’s “Blues in Hoss Flat”. He also worked a late night shift at KKIS AM (in Pittsburg, California, ironically) in 1980. After a stint in New York and WNEW (1981), Jazzbo was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), then KAPX (Marin County, California) in 1990, and finally a weekly jazz show at KCSM (College of San Mateo, California) from 1993 to his death.

Al Collins died on September 30, 1997, at the age of 78, from pancreatic cancer.