Coveney is interested in yachting throughout most of his adult life. His yacht Golden Apple of The Sun, designed by Cork-based designer Ron Holland, is a successful competitor in the Admiral’s Cup in the 1970s. A later 50-foot yacht, Golden Apple, is used by the family for the “Sail Chernobyl” project. The family sails around the world to raise €650,000 for Chernobyl Children’s Project International, a charity which offers assistance to children affected by the 1986 Chernobyl disaster.

In March 1998 it becomes publicly known that the Moriarty Tribunal has questioned Coveney about whether he had a secret offshore account with Ansbacher Bank, a bank which had become notorious for facilitating tax evasion. Ten days later, on March 13, 1998, Coveney visits his solicitor to change his will. The following day, he dies in a fall from a seaside cliff while out walking alone. His son, Simon Coveney, insists that his father had never held an Ansbacher account. It later emerges that Hugh Coveney had $175,000 on deposit in the secret Cayman Islands-based bank. The account was closed in 1979.

Simon Coveney is later elected to succeed his father in the resulting by-election on November 3, 1998.

Dillon is the third of five children of Professor Thomas Dillon and his wife Geraldine (née Plunkett), who is the sister of Joseph Mary Plunkett. She is raised at Dangan House outside of Galway City before moving to the small fishing village of Barna. She attends the local primary school where she becomes proficient in the Irish language and gains an intimate knowledge of tradition in the Connemara. Her family is involved in Irish revolutionary politics. Her uncle, Joseph Mary Plunkett, is a signatory of the 1916 Proclamation of the Irish Republic and is executed after the Easter Rising.

Dillon’s first books are written in Irish including An Choill Bheo, published in 1948, Oscar agus an Cóiste sé nEasóg in 1952 and Ceol na coille in 1955. After the success of The Lost Island, published in 1952, she writes almost exclusively in English. Most of her books are aimed at teen readers with themes of self-discovery and problem solving evident.

Dillon’s adult fiction career begins in 1953 with the publication of the detective novel Death at Crane’s Court. This is followed by Sent to His Account in 1954 and Death in the Quadrangle in 1956. These novels are known for their depiction of contemporary Ireland. Over the following decade Dillon publishes many novels including The Bitter Glass (1959), Across the Bitter Sea (1973) and The Wild Geese (1981).

In 1964 she moves to Rome due to her husband’s poor health. While there she acts as adviser to International Commission on English in the Liturgy. She returns to Cork with her husband in 1969 where he dies the following year. She continues to visit Italy over the next several years, setting some of her stories there including Living in Imperial Rome (1974) and The Five Hundred (1972), though these are not as popular as her Irish books. In 1974 she marries the American-based critic and professor Vivian Mercier, dividing her time between California, Italy and Dublin.

In her later years Dillon plays a prominent role in Irish culture. She is a Fellow of the Royal Society for Literature and a member of Aosdána, serves on the Irish Arts Council 1974–1979, chairs the Irish Writers’ Union and the Irish Writers’ Centre, and founds the Irish Children’s Book Trust. In 1987 she and her husband move permanently to Dublin where she supports up and coming Irish authors. Her last story is Children of Bach published in 1993.

Life in New York is difficult during the Great Depression, so John and his two brothers are shipped back to Ireland in 1933. The two eldest are sent to their maternal grandmother’s house in Fintona, County Tyrone, but John is sent to his father’s ancestral home at Garvaghey, then maintained by two spinster aunts.

All during the 1960s, Montague continues to work on his long poem, The Rough Field, a task that coincides with the outbreak of the Northern Ireland civil rights movement. A Patriotic Suite appears in 1966, Hymn to the New Omagh Road and The Bread God in 1968, and A New Siege, dedicated to Bernadette Devlin which he reads outside Armagh Jail in 1970.

Montague settles in Cork in 1974 and publishes an anthology, theFaber Book of Irish Verse (1974) with a book of lyrics, A Slow Dance (1975). Recognition is now beginning to come, with the award of the Irish American Cultural Institute in 1976, the first Marten Toonder Award in 1977, and the Alice Hunt Bartlett Award for The Great Cloak in 1978.

The protesters chant and wave banners bearing the slogan “The Milosevic of Manhattan” prior to the arrival of the 56th U.S. Secretary of State, who was in office during the controversial administration of Richard Nixon. Kissinger says he is pleased to discover that even in Ireland people are not indifferent to him. However, he denies being a war criminal claiming it is an insult to human intelligence for protesters in Cork to compare him with Slobodan Milošević.

“These people are throwing around allegedly criminal charges without a shred of real evidence. I don’t know who they represent but I wish their knowledge equalled their passion.”

Kissinger, who is visiting the university to deliver a speech at an MBA Association of Ireland business conference, says he has never replied to derogatory remarks in the media. He adds, “I consider them (the accusations) fundamentally beneath contempt. They are based on distortions and misrepresentations.”

Kissinger says the international scene is experiencing an extraordinary period of change for which there is no historical precedent. One of the biggest challenges facing the U.S. administration, he says, is to bring countries together to prevent the spread of biological and chemical weapons.

Kissinger’s visit is condemned by human rights organisations who claim he flouted international law in his dealings with Bangladesh, Chile and East Timor. Cork Sinn FéincouncillorJonathan O’Brien tells an earlier council meeting that Kissinger is not welcome in the city, and calls on UCC to cancel his invitation.

O’Leary is born around 1800 in Cork, County Cork. His father is Jeremiah O’Leary, a butter merchant. Little is known of his early life.

In 1817, O’Leary travels to London to enlist in a regiment being formed by Henry Wilson. Wilson is recruiting officers and NCOs to go to South America and form a Hussar regiment in service to Simón Bolívar, who goes on to liberate much of South America from Spanish rule.

O’Leary sails for Venezuela with Wilson near the end of 1817, arriving in March 1818. Unlike many of the Irish who fight for Simón Bolívar in his many campaigns to win South American independence, he has not served in the Napoleonic Wars. He first meets Bolívar away from the front shortly his arrival and Bolívar is apparently impressed with the young Irish officer.

In March 1819, O’Leary sees his first action and is promoted to captain. In July, after Bolívar’s famous crossing through the Casanare Swamps and over the Andes, he receives a saber wound in the battle of Pantano de Vargas but he quickly recovers and takes part in the Battle of Boyacá on August 9. Shortly after this, he becomes aide-de-camp to Bolívar. Two years later, after much more fighting, Venezuela is freed.

During the next few years, as the fight continues to free the rest of South American from Spanish domination, O’Leary performs many dangerous missions for “The Liberator,” rising ever higher in his esteem. He continues to serve Bolívar well through the political and military intrigues that follow the freeing of South America from the Spanish.

After Bolívar’s death in December 1830, O’Leary disobeys orders to burn the general’s personal documents and is exiled to Jamaica by the new Venezuelan government. There he writes extensive memoirs that are later edited by his son, Simon Bolivar O’Leary, and published in the 1870s and 1880s. Simon is the eldest of six children O’Leary has with his South American wife. He also writes his own very extensive memoirs, spanning thirty-four volumes, of his time fighting in the revolutionary wars with Bolívar.

In 1833, O’Leary is able to return to Venezuela. He holds a number of diplomatic posts for the Venezuelan government for the next 20 years, and on at least two occasions is able to visit his boyhood home of Cork.

Daniel O’Leary dies in Bogotá on February 24, 1854. The Venezuelans name a plaza after him in Caracas. In 1882, they obtain permission to take O’Leary’s body from Bogotá to Caracas, where it is laid to rest in the National Pantheon of Venezuela to lie forever in death next to the man he had served so faithfully in life, Don Simón Bolívar. A bust and plaque honouring O’Leary are presented by the Venezuelan Government to the people of Cork and unveiled on May 12, 2010 by the Venezuelan Ambassador to Ireland, Dr. Samuel Moncada.

Ó Faoláin writes his first stories in the 1920s, eventually completing 90 stories over a period of 60 years. From 1929 to 1933 he lectures at the Catholic college, St. Mary’s College, at Strawberry Hill in Twickenham, England, during which period he writes his first two books. His first book, Midsummer Night Madness, is published in 1932. It is a collection of stories partly based on his Civil War experiences. He afterwards returns to his native Ireland. He publishes novels, short stories, biographies, travel books, translations, and literary criticism – including one of the rare full-length studies of the short story, The Short Story (1948). He also writes a cultural history, The Irish, in 1947.

Daniel Corkery, Irish politician, writer and academic, is born in Cork, County Cork on February 14, 1878. He is unquestionably best known as the author of The Hidden Ireland, his 1924 study of the poetry of eighteenth-century Irish Language poets in Munster.

After leaving St. Patrick’s, Corkery teaches art for the local technical education committee, before becoming inspector of Irish in 1925, and later Professor of English at University College Cork in 1930. Among his students in UCC are Seán Ó Faoláin and Seán Ó Tuama. He is often a controversial figure in academia for his “nativist” views on Irish literature, views which result in conflict with many Irish Language scholars, most notably Pádraig de Brún and his niece Máire Mhac an tSaoi. Ó Tuama, however, is frequently a staunch defender of Corkery’s reputation.

In his late twenties Corkery learns Irish and this brings him into contact with leading members of the Irish Language revival movement, including Terence MacSwiney, T. C. Murray and Con O’Leary, with whom he founds the Cork Dramatic Society in 1908. His plays Embers and The Hermit and the King are performed by the society. Later plays are staged at the famous Abbey Theatre, including The Labour Leader (1919) and The Yellow Bittern (1920).

Corkery is also a writer of short stories, including the collections A Munster Twilight (1916), The Hounds of Banba (1920), The Stormy Hills (1929), and Earth Out of Earth (1939), and a novel, The Threshold of Quiet (1917).

Corkery also writes non-fiction works, including The Hidden Ireland (1924), a highly influential work about the riches of eighteenth-century Irish poetry. In this he attempts to reconstruct a worldview preserved by Gaelic poets amongst the poor and oppressed Catholic peasantry of the Penal Laws era, virtually invisible in the Anglo-Irish tradition that has dominated the writing of Irish history. “An instant, influential classic,” writes Patrick Walsh, “its version of the past provided powerful cultural underpinning to the traditional nationalist history that became, in the 1930s, the educational orthodoxy of the new state.”