Bharatanatyam has many dimensions. They include body movements, facial expressions, hand gestures, footwork, costumes, music, repertoire, and themes of performances. Because Bharatanatyam is so well developed, all of these aspects of the art have been codified, and are documented in ancient scriptures as well as recent books. Our description of Bharatanatyam is intended for a spectator, and one who is relatively unfamiliar with the dance, as opposed to a dance student, professional, or scholar.

Bharatanatyam has many dimensions. They include body movements, facial expressions, hand gestures, footwork, costumes, music, repertoire, and themes of performances. Because Bharatanatyam is so well developed, all of these aspects of the art have been codified, and are documented in ancient scriptures as well as recent books. Our description of Bharatanatyam is intended for a spectator, and one who is relatively unfamiliar with the dance, as opposed to a dance student, professional, or scholar.

Bharatanatyam has many dimensions. They include body movements, facial expressions, hand gestures, footwork, costumes, music, repertoire, and themes of performances. Because Bharatanatyam is so well developed, all of these aspects of the art have been codified, and are documented in ancient scriptures as well as recent books. Our description of Bharatanatyam is intended for a spectator, and one who is relatively unfamiliar with the dance, as opposed to a dance student, professional, or scholar.

Bharatanatyam has many dimensions. They include body movements, facial expressions, hand gestures, footwork, costumes, music, repertoire, and themes of performances. Because Bharatanatyam is so well developed, all of these aspects of the art have been codified, and are documented in ancient scriptures as well as recent books. Our description of Bharatanatyam is intended for a spectator, and one who is relatively unfamiliar with the dance, as opposed to a dance student, professional, or scholar.

Bharatanatyam has many dimensions. They include body movements, facial expressions, hand gestures, footwork, costumes, music, repertoire, and themes of performances. Because Bharatanatyam is so well developed, all of these aspects of the art have been codified, and are documented in ancient scriptures as well as recent books. Our description of Bharatanatyam is intended for a spectator, and one who is relatively unfamiliar with the dance, as opposed to a dance student, professional, or scholar.