Is it possible that the Japanese, despite living in a cramped country constrained by limitations spatial and cultural, had a golden age of drive-in sleaze that coincided with America’s own gigantic-screen renaissance? Criminal Woman: Killing Melody (1973) might certainly be introduced as evidence that our brethren of the rising sun were as intrigued by the action-exploitation genre as were their round-eyed contemporaries across … Become a Mr Skin Member and get the full review