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Both an exploration of character and a reflection on the meaning of history, Memoirs of Hadrian has received international acclaim since its first publication in France in 1951. In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

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In 1909 the poet Filippo Tommaso Marinetti published the founding manifesto of Italian Futurism, an inflammatory celebration of "the love of danger" and "the beauty of speed" that provoked readers to take aggressive action and "glorify war--the world's only hygiene." Marinetti's words unleashed an influential artistic and political movement that has since been neglected owing to its exaltation of violence and nationalism, its overt manipulation of mass media channels, and its associations with Fascism. Inventing Futurism is a major reassessment of Futurism that reintegrates it into the history of twentieth-century avant-garde artistic movements. Countering the standard view of Futurism as naïvely bellicose, Christine Poggi argues that Futurist artists and writers were far more ambivalent in their responses to the shocks of industrial modernity than Marinetti's incendiary pronouncements would suggest. She closely examines Futurist literature, art, and politics within the broader context of Italian social history, revealing a surprisingly powerful undercurrent of anxiety among the Futurists--toward the accelerated rhythms of urban life, the rising influence of the masses, changing gender roles, and the destructiveness of war. Poggi traces the movement from its explosive beginnings through its transformations under Fascism to offer completely new insights into familiar Futurist themes, such as the thrill and trauma of velocity, the psychology of urban crowds, and the fantasy of flesh fused with metal, among others. Lavishly illustrated and unparalleled in scope, Inventing Futurism demonstrates that beneath Futurism's belligerent avant-garde posturing lay complex and contradictory attitudes toward an always-deferred utopian future.

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A Season in Hell is an extended poem written and published in 1873 by French writer Arthur Rimbaud. The book had a considerable influence on later artists and poets, for example the Surrealists. Henry Miller was important in introducing Rimbaud to America in the sixties. He once attempted an English translation of the book and wrote an extended essay on Rimbaud and A Season in Hell titled The Time of the Assassins. The poem is loosely divided into nine parts, some of which are much shorter than others. They differ markedly in tone and narrative comprehensibility, with some, such as "Bad Blood," 'being much more obviously influenced by Rimbaud's drug use than others, some argue. Academic critics have arrived at many varied and often entirely incompatible conclusions as to what meaning and philosophy may or may not be contained in the text, and will continue to do so.

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Considered one of Jung's most controversial works, Answer to Job also stands as Jung's most extensive commentary on a biblical text. Here, he confronts the story of the man who challenged God, the man who experienced hell on earth and still did not reject his faith. Job's journey parallels Jung's own experience--as reported in The Red Book: Liber Novus--of descending into the depths of his own unconscious, confronting and reconciling the rejected aspects of his soul. This paperback edition of Jung's classic work includes a new foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London. Described by Shamdasani as "the theology behind The Red Book," Answer to Job examines the symbolic role that theological concepts play in an individual's psychic life.

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Young Giovanni Drogo arrives at the bleak border area of the Tartar Steppe where he is to take a short assignment at Fort Bastiani, an encampment manned by veteran soldiers who have grown old without seeing a trace of the enemy. As his length of service stretches from months into years, he continues to wait patiently for the enemy to advance across the desert. Despite, or because of, the fact that they tell him he is perfectly free to leave, he waits for one great and glorious endeavour. Internationally acclaimed since its publication in 1945, The Tartar Steppe is a provocative and frightening tale of hope, longing and the terrible sorcery of the magnificent gesture.

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An accompaniment to the Egyptian Museum of Berlin’s special exhibition celebrating the discovery of the Nefertiti bust in 1912, this catalog presents never-before-seen artifacts and objects from the Amarna period of Egyptian history. The book also explores religion, craftsmanship, daily life, and sculpture in Amarna and the world famous Nefertiti bust.

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A classical guide to the role both Greek and Roman mythology played in European art during the Renaissance, Baroque, and Neoclassical ages. Includes more than four hundred illustrations.