A note from Amy: "As I've mentioned in the newsletter before, I'm writing a book about recovery from Eating Disorders. The following is an excerpt from chapter two."

When trying to describe the sense of Self words seem inadequate; like trying to communicate an exact shade of color to someone who hasn't seen it. It helps to imagine talking to someone who is truly confident and self-assured. They would describe to you a feeling deep inside their body, a gut instinct, a quiet, peaceful place of wisdom that holds all the answers. In this place they just know who they are and, based on who they are, they know what is right for them - not a "thinking" kind of knowing, but an "intuitive" kind of knowing. People illustrate it in many different, but similar ways: "It's like the base of a pyramid that is always there and can never be knocked over", "…like a solid column of strength inside my body", "…like a spiritual channel that allows wisdom to speak to me". Clients have also portrayed it in emotional terms as well. "It's a belief that I can handle whatever comes along." "I feel calm and peaceful inside." "A quiet feeling of assuredness comes over me."

In my practice, I have been trained to use a model of therapy called "Internal Family Systems", which was developed by Richard Schwartz, PhD. Your "internal family" is the numerous inner personalities who you may refer to as "parts": "A part of me wants to go to the concert, but another part feels that I should work on that report." Sound familiar? You met a few of my parts in the beginning of chapter 1.

We all have many parts. It is normal to have parts. Everyone you know has parts. Even "normal eaters" have parts. (I jokingly wonder if there are any "normal eaters" in the US, maybe a few hiding in the mountains of Idaho.) Our Self is one of our parts - although it is different from all the other parts.

Dr. Schwartz compared the relationship between the Self and the parts as similar to an orchestra. Our Self is the conductor of the orchestra and our parts are the many instruments. Think of the most magnificent symphonic music you have ever heard. Its just so wonderful - the beauty, the harmony, the passion! (You may want to put on a classical cd now so that you can experience this with more of your senses.)

Just as an orchestra needs the strings, the woodwinds, the brass, the percussion, all the different instruments, to achieve the richness and depth of the symphony, we need all of our different parts to fully experience life. If all of the instruments were the same, (imagine an all tuba orchestra!) it would not have the same profound beauty. It is the differences among the instruments, just as it is the differences among our parts, which balances and complements each other to achieve this.

The musicians appreciate the differences between the instruments because they know that the other instruments balance and complement their instrument. Our parts can appreciate the different roles of the other parts, knowing that each can "shine" while carrying out it's particular job.

As you listen to the music, you'll notice how some instruments are playing, but others are quiet. While an instrument is quiet, the musician sits calmly, knowing that soon she will again have another passage to play allowing her instrument to "shine". The same is true with our parts; they know that they all have a unique purpose and that at times they will perform that purpose and at other times they will take a backseat while another part is performing.

If you think about what an orchestra is and what it does, it's incredible. Numerous musicians, all performing different scores of music, on various instruments, at the same time, in rhythm and in tune, together. How does that work? How do they perform to sound as one? They are following the lead of the conductor; just as our many different parts work together when they are guided by our Self.

When you listen to an orchestra, you don't hear the conductor; but the conductor is an integral part of the orchestra. The musicians follow cues from the conductor to keep in sync with the other musicians. The conductor has a deep love, understanding and appreciation for each of the different instruments. She also chooses what music will highlight the orchestra's talents and knows in which direction the orchestra needs to go. The musicians respect and trust the leadership of the conductor; and the conductor appreciates and trusts the musicians. This is truly a symbiotic relationship. The musicians need the conductor, just as the conductor needs all of the musicians.

If one of the musicians has a problem, let's say the piccolo is having trouble keeping up with the rhythm of one section of music, the conductor will take the time to stop the orchestra and give her attention to the musician in need. They will work cooperatively together, while the other musicians either wait patiently or give support and encouragement. When the problem is resolved, the piccolo returns to her rightful role in the orchestra, and the conductor will have the musicians commence playing together again.

Our Self appreciates and trusts our parts and they, in turn, listen to and respect the judgment of the Self as well. If one of our parts needs help, she can turn to the Self for guidance, with encouragement, suggestions, and advice from the other parts. This respect and assistance allows the parts and the Self to remain in supportive cooperative relationships.

This is the second article in a series of three that will highlight some of the skills that can be learned through Dialectical Behavior Therapy.

Think about the last time you walked down the street. What did you experience? What was it like to move your body and feel the ground beneath your feet? What sounds did you notice? How did the wind feel on your face? If you're like most of us, your attention wasn't on any of those things -- it was elsewhere. Maybe you were thinking about an experience you had earlier that day, maybe you were worried about something, or just immersed in the many details of daily living. In our fast-paced lives, we tend to "multitask," splitting our attention among several activities at once or between a current activity and thoughts about something completely unrelated to it. We do so much of this that it can be challenging to not split our attention, but rather to focus on a single activity and experience it fully.

In DBT, participants work on developing the ability to consciously focus their attention on the activity at hand. It's called "being one-mindful," and it's one component of Mindfulness, which is central to DBT. Any activity can be done one-mindfully, as long as you do it with all of your attention -- from breathing to taking a bath to having a conversation or even worrying. One-mindfulness is actually much more challenging than it may sound, which is why we do a mindfulness exercise during every DBT group. For instance, we might each take out a coin and observe its details one-mindfully, noticing unrelated thoughts as they occur and allowing them to "float by, like clouds in the sky." We sometimes talk about developing control over attention as similar to building a muscle -- the more often you can bring your attention back to the focal point, the stronger your control becomes.

The ultimate goal of mindfulness is to learn to be in control of your own mind instead of letting your mind be in control of you. To a large extent, being in control of your mind means choosing what to pay attention to and for how long. Most people have found it hard at one time or another to put aside thoughts about something upsetting. DBT participants learn to use attentional control to keep upsetting thoughts from "taking on a life of their own." By using mindfulness skills, participants learn to choose when and how long to pay attention to upsetting thoughts and feelings. For instance, I might choose to put aside thoughts about an argument with a friend in order to be effective at work today, and I might decide to focus my attention on the argument after work, when it won't interfere so much with what I have to get done. It's not easy, and like any skill, mindfulness requires repeated and sustained practice, but the results can be worth the effort.

In order to resolve the confusion between what is a support group and what is a therapy group, the following statement is being given to all members of the ANAD groups held at The Awakening Center.

Hello and welcome to the ANAD* support groups at the Awakening Center. We wish you the best that recovery has to offer. We believe that complete recovery from eating disorders is possible, but that each person must find her own unique path to recovery.

The purpose of the ANAD support groups is to provide a safe place for individuals to openly discuss and share their struggles and strengths with others who are also working towards recovery from eating disorders; to give support to individuals working towards recovery; to encourage individuals to give support to other participants in the support group; to educate and increase awareness of issues which may cause eating disorders; to instill hope for recovery.

Participation in the ANAD support group is voluntary. The support group is free; although we do ask for donations for ANAD.

The ANAD support groups are not meant to replace individual or group therapy. While there may be some people who can recover on their own, we believe that working with a trained psychotherapist in individual therapy is necessary to completely recover from eating disorders. Though these support groups may be therapeutic, they are not therapy groups.

These support groups are not a place for members to explore their personal issues at length. We encourage members to share their experience with eating disorders, but we recommend that in-depth exploration of personal issues be done in individual or group therapy.

Even though the leaders are Licensed Counselors, their role in the support group is merely as facilitators, not as your individual or group therapist.

If you need assistance finding individual or group therapy you may call ANAD directly at (847) 831-3438, or you can ask your support group leader.

The main focus of these support groups is the recovery from eating disorders. There are many related issues that may come up in the support group. If you would like to discuss these issues in more detail, or if you are not getting your needs met in these support groups, the support group leader can assist you in finding a support or therapy group specific to these other issues.

We ask that you keep all names and identifying information strictly confidential for the safety and trust of all the members of the support group. Illinois law requires mental health professionals to release confidential information in situations of potential harm to oneself or others, and in instances of suspected child or elder abuse.

If the support group leader feels that a member is using the support group inappropriately or in lieu of individual or group therapy, for the safety of all members of the support group, we may require that member to seek out a psychotherapist or to be referred elsewhere for more appropriate services.

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May–August 2003Putting Recovery on Your HandsAmy Grabowski, MA, LCPC

A Note From Amy: As I've mentioned in previous newsletters, I am writing a book about recovery from eating disorders. This is an excerpt from the book. You can read previous excerpts on our website: awakeningcenter.net/grabowski/htm. If you would like to help with the book, you can become a "bookreader". See info at the end of the article.

If you don't count calories, exercise or focus on your appearance, what do you do? How does one actually recover? You can't just go out and buy a "self". Many years ago a client asked me to come up with my top 10 recovery tips "a la David Letterman". When I describe total recovery to a client I use the ten fingers to illustrate needing both halves to recover fully. Each finger represents a different aspect needed for recovery.

The first five points, the fingers on the left hand, will sound very familiar and you may have a reaction very similar to Maureen, "When I read all this stuff about eating when you're hungry, I want to scream! If I could eat when I was hungry and stop when I was full I wouldn't need the book! I have no idea anymore when I'm hungry and I'm petrified if I let myself eat what I want because I won't be able to stop. I just don't have that kind of trust in my body. After so many years of denying my hunger, I don't even know what hunger is anymore. I haven't a clue what genuine fullness feels like either. The whole relearning to eat experience is very frightening!"

I assure you that I know what you are talking about, when I was in the depths of my eating disorder I probably was more able to sprout wings and fly than eat normally. And that's the point I am trying to make, you need the second half before you can do the first. So that is why I am writing the second half of the book, the sense of Self half, first. Because you have to resolve these issues first, otherwise your eating will always be tense. When you have a sense of Self, the eating half can relax and fall into place.

Other people have the opposite reaction. As Michelle put it, "When I hear 'Eat when you're hungry, stop when you're full' I have mixed feelings. My initial thought is "Yea right, as if it's that simple!". But, in the same token it's very comforting because it is that simple. It all comes down to learning to listen to my body. As challenging as that can be in the grip of an eating disorder, it really does become simple upon recovery." I want to point out that simple is not the same as easy. At times, simple instructions can elicit feelings of guilt, fear, shame, and failure– "Why can't I just stop this?!" Our inner critic reminds us what we "should" eat and then yells at us when we can't do it. This is because it doesn't acknowledge that the eating is a symptom of the deeper problem. As long as the deeper problem remains, eating will be a battleground.

So hang in there reading through points one through five because I assure you that in future chapters you will learn how to do points six through ten. But if you feel like Maureen and have to skip ahead, I understand.

Starting with the food, eating, weight and body hand, the thumb represents "I eat when I am hungry". (See I told you that it would sound familiar…) That's the shorthand version. But it's much deeper than that. When we analyze it, this point implies that you are able to slow down enough to listen to your body and recognizing your body's signals for hunger. These signals are different for everybody, for every body. These signals are going to be different for every situation, for every day. It also suggests being comfortable with having hunger, with your body's nutritional needs, and allowing yourself to eat each and every time your body becomes hungry. The second finger represents "I eat a wide variety of foods." This means that you are able to ask your body what it wants to eat, and then choose foods that would be a good match for what your body asked for. You are also able to give yourself permission to choose from any food at all. All foods are equal, there are no "bad" foods and there are no "good" foods.

The third finger represents, "I stop when I am full." You already have heard this one – it's the one that makes everyone say, "I can't do it! I just can't stop eating once I start. I have no control! That's why I have to monitor myself so closely." In a way this sounds harder than it is. I want to reiterate that if you only work on the food half then this aspect will always be a struggle. Stopping when you are full implies that you are able to slow down your eating and listen to your body's signals for fullness. Also, you need to eat mindfully, eating in ways that heighten your feelings of satisfaction. Consistently clients have found that being satisfied is more important than being full.

If the third point sounds harder than it is, then the fourth point "I forget about it afterwards and get on with my life!" is harder than it sounds. "Normal" eaters don't think about what they've eaten, even if they've eaten too much. They may rub their stomachs and moan, "Oh I ate too much!" But then they go cut the grass, work on the computer, whatever. How are they able to do this? They have what I call body trust. They know their body, they know that their body will digest whatever they've eaten and eventually get back to hunger again. If they have overeaten, they know that it just takes longer for their body to get back to hunger. And while they are waiting to get back to hunger, they don't think about it, they don't beat themselves up! You too, can learn how to trust your body.

The last point on this hand is a big job for such a small finger. The pinky finger represents "I accept, love and appropriately move the body I was given genetically". I feel that this is such a large aspect of recovery that I have devoted a whole section of the book to it. This is very difficult to do in our society where we are constantly bombarded with messages that no matter what you look like, it isn't good enough. Our culture is working towards acceptance of diversity of race, ethnicity, and color. But it still does not accept that people come in a wide variety of body types and sizes.

This aspect of recovery means living outside of societal norms. It means refusing to listen to messages about what your body "should" look like. It means stopping every negative thought about your body and learning to accept it as it is. When we can learn to listen to our body's signals for hunger and fullness, we also start to hear its signals for movement and rest. My clients are often surprised at how often their bodies want to move, to dance, jump, skip, swim. When they stop and listen to their bodies, they may become aware of "antsy–ness" when they are zoning out in front of the TV. They also learn to respect the body's need for rest and rejuvenation. Okay for those of you who skipped ahead you can start reading now. The second half, the right hand is symbolizes the primary issues to work on, the ones that if lacking make the other half always tense. These next five points are what I consider the essential emotional and spiritual aspects of recovery.

The thumb of the right hand represents "I know who I am". The tag line for The Awakening Center is "Discover who you were meant to be." This is the sense of Self I mentioned earlier. In the next chapter I will describe this sense of Self in depth, but briefly it is a deep–seated calm feeling of personal strength that is always with you, no matter what.

The next finger is "I like who I am". This means being at peace with all your various parts. Living each day in harmony and cooperation with your Self. I often say to my clients that the most important part of recovery is answering two questions "Who am I?" and "Am I OK?" Once you have the answer to the first question, you realize the answer to the second one is, "Yes". Since all babies are born pure and innocent, the answer is always, "Yes". But you have to come to that answer yourself.

The third finger on this hand represents: "I have a direction and a purpose for my life". This point is about finding meaning in one's life. Being able to put life in perspective, knowing what is important and what really is trivial. Learning to live life with our values and ethics in a fulfilling manner.

The ring finger is "I have the confidence and the tools to get there". Having a direction and purpose isn't enough, because life isn't always going to cooperate. Sometimes it will and things will fall right into our laps. But many times we really have to work for something. This point includes learning coping mechanisms, tools, skills and resources that we may not have learned when we were younger.

Again the last finger has such a big job "I have healthy relationships". This point is about learning to relate to others through your Self and relating in a way that brings out the Self in others as well. If the person can only relate through their parts, it means that you stay in your Self as much as possible anyway. Being able to connect to others, both give and take, in a meaningful and reciprocal way.

I think of the two halves complimenting each other like a three dimensional yin–yang. Just like the two hands, when we put all the points of the two halves together our life can be at peace. Every once in a while you have to work on something, to take care of problems. Afterwards life becomes calm again.

So you can see the answer lies in finding your Self. I encourage you to keep reading and "Discover who you were meant to be."​___________________________________

September–December 2003

Mentors, Kids and Advocates – Amy Grabowski, MA, LCPC

What’s New In Nutrition? Will the Food Pyramid be Changed? – Elisa D’Urso-Fischer, MS, RD

Mentors, Kids and AdvocatesAmy Grabowski, MA, LCPC

A Note From Amy: As I’ve mentioned in the newsletter before I’m writing a book about recovery from eating disorders. The following is another excerpt. You can read previous excerpts on our website.

….We all have a Self, a capable conductor, within us. The Self is the part I refer to as “Wisdom”. When we are in our Self, we feel centered and grounded. It is because of this centered and grounded state that we can feel calm and peaceful. An important aspect of the Self is compassion, a loving, empathic nurturance towards ourselves, the parts and others. The Self also feels courage and confidence, and possesses the clarity needed to handle whatever life gives us. Using its qualities of curiosity and creativity, the Self helps the parts resolve any problems that may arise. We are able to be current, to stay in the present when we are in our Self. And through the Self we connect to who we are, to our parts, to other people and to our place in the bigger picture of life. When we are in our Self, we have the capacity for objectivity – the ability to step back and observe our parts, other people, or ourselves, without criticism or judgment.

The second premise is that each of the parts has a positive role in the system. In an orchestra, the tuba’s role is to add depth by contributing low bass notes to the music. Another role of the tuba is to emphasize the beat. While other instruments may also have similar roles, only the tuba can do it in its own unique way. Our parts also have a positive intention behind all that they do. When the parts are cooperative and working together, it’s easy to imagine what the intention is. If we asked the tuba what it is trying to do for the orchestra, the musician would answer, “My bass notes add depth and rhythm to the music. I’m trying to help the orchestra as a whole sound as wonderful as possible so that the audience thinks highly of us.” It’s when the parts are not cooperative and are not working together, or when the conductor isn’t present that the positive role and intention may be harder to find.

Just as musicians are organized into identifiable sections of the orchestra, our parts can be organized into groups as well. It is entirely possible for you to experience one, two, or several parts in each group with slightly different roles. For example, in the Mentor group you may have one who manages your finances, while another monitors your career path.

One of the difficulties of describing each group of parts is making it easy enough to understand without oversimplifying the parts’ complexities. When you read about the different groups of parts, please trust your own inner wisdom. If I say Mentors often feel adult in age, but one of your Mentors feels young to you, so be it – have faith in your own experience. You don’t have to force your parts to fit my description. The descriptions that I give are rough guidelines, not rigid rules.

I’ll start with the parts I call the Mentors. These parts often feel adult in age and are often experienced as cognitions, or thoughts. Their positive role is to manage our day-to-day life while motivating us to learn, grow and to be the best we can be. They possess the ability to organize, plan and problem solve. These parts are very productive and promote “doing”. In the long run, the Mentors want us to find fulfillment and meaning in our life.

But, all work and no play make Jill a dull girl, right? While the Mentors keep us moving forward in life, the Kids make life enjoyable along the way. You know by their very name, Kid parts usually feel young. More often than not, these parts are experienced as emotions and sensations in the body. When in balance and in harmony with the other parts, they feel fun and playful. Your sense of humor comes from the Kid parts. They possess an awe and wonder of life. A deep sense of self-worth, contentment and a love of life can come from the Kid parts.

The last group of parts is the Advocates. The Advocates remind me of adolescents; they bring an enjoyable kind of “spunk” and energy into the mix. These parts can speak to us through our thoughts as well as through our body. The Advocates push us to take care of ourselves, to stand up for ourselves, and to protect ourselves. They remind us to have balance in our lives and encourage our parts to be in balance as well. Remember “all work and no play”? The Advocates also remind us that “all play and no work” doesn’t feel well either. The many roles of the Advocates can be as varied as reminding us to rest when tired or to speak up when someone takes advantage of us.

There is an openness to the relationship between the different parts. The parts communicate freely with each other and with the Self. The parts want the Self to listen to them, it’s important that they feel heard. They want the Self to appreciate what they do for the system as a whole. And the parts want the Self and the other parts to take care of them when they need it.

When the system works it’s wonderful! But when the system doesn’t work, when there is no sense of Self and the parts leap in to fill the void, it’s painful, chaotic and frantic!

Notice I said, “no sense of Self” instead of “no Self”. It’s not that the Self is entirely absent; it’s just hidden away. In another of Dr. Schwartz’s analogies, the Self is like the President of the United States. If the United States were under attack, the President would be whisked away to a safe place for his or her own protection. After the crisis, he or she would return to his or her leadership role and everything would return to normal. So your Self is there somewhere, hidden away for it’s own protection.

Returning to the orchestra analogy, if the conductor of the Chicago Symphony didn’t show up for a performance one day, the musicians probably would perform as professionally as usual. The audience most likely wouldn’t be able to hear any difference. When the conductor returned, the musicians would be concerned and would want an explanation. The relationship between the conductor and musicians would be back to normal quickly.

If the conductor started to miss performances sporadically and was inconsistent at attending rehearsals, the trust between the musicians and the conductor would break down. Some animosity would begin to develop. In the conductor’s absence, sooner or later one of the musicians would take over, “Okay, I think we should all turn to page 34 and start from measure 178. Let’s play it a little jazzier.” Because the musician is not trained to be a conductor and does not have the qualities needed to be the conductor, eventually another musician is going to say, “Why are you conductor? Why aren’t I conductor? I don’t want to play it jazzy, I think it should be more formal!” Since more than one musician may rebel against the pseudo-conductor, we’ve got chaos and anarchy.

When I describe an orchestra without a conductor, in my mind I picture Junior High School band. Without the teacher, some bully will grab the piccolo and throw it in the tuba. There will be some anxious kid saying, “Oh, we should keep practicing anyway. We’re going to get in trouble!” Another student shouts, “Who cares! I never liked you anyway, get out of here!” Then the drums will play as loud at it can to drown out everyone else.

What happened to the beautiful music that the orchestra is capable of playing? It’s lost! They stopped working together; they each have their own agenda that they feel is more important than any other musician’s agenda. They need the conductor, just as our parts need a capable leader to keep them working together. They need the Self.

Without a sense of Self, we feel hollow and empty, directionless and lost. The connection with our parts and with others is gone. This is the void that Emily described so vividly in chapter 1. I’ll talk about what causes the Self to get hidden away in the next chapter. I want to describe briefly what happens to the parts when the Self is missing. It helps if you think of the parts as existing on a continuum, with being in balance (I may even assert that the part is in it’s “self”) on one end of the continuum and becoming more and more extreme in it’s thoughts, feelings and behaviors as it moves away from the Self, towards the other end of the continuum.

For the sake of simplicity I’m going to start with the Kid parts. Since our parts act just like their “real life” counterparts it helps to imagine how real kids think, feel and react. Let’s imagine that something happens that is upsetting, someone gets mad at you over a misunderstanding. Without the Self’s soothing reassuring presence, the Kids feel frightened. Realizing they are alone, that there is no one to take care of them, they become anxious. They don’t know how to handle the situation because they are young and inexperienced. They begin to doubt themselves and feel worthless, “What’s wrong with me? I’m not good enough.”

When the Kids are more extreme, I call them the Exiles. This is because the more frightened and helpless they become, the more the other parts push them away in an attempt to help you to not feel these uncomfortably intense emotions. The Exiles also hold our memories from our past. The more traumatic the memories, the more the other parts try to lock the Exiles away in order to not face the feelings that arise when the Exiles get close to a memory.

Usually the anxiety felt by the Exiles will activate the Mentors who rush in to try to take care of the situation. Because they do not possess the soothing reassuring wisdom of the Self, their care taking is often not what the Exiles need or want. Mentors, when they become extreme, can become the Bullies. As they become more extreme, their behavior and thoughts become more and more critical and judgmental. “Stop being such a baby! No one else is acting like this. What’s wrong with you? Why don’t you just get over it?” They can become perfectionistic, punitive and loud. Again I will remind you that our parts act and react like their real life counterparts. The Exiles, looking for soothing and reassurance, become more agitated and fearful as the Bullies start yelling at them. The Bullies react to this with more perfectionism, which elicits more anxiety, which elicits more perfectionism… Round and round they go.

Finally, the Advocates step in. As extreme as the other two parts have gotten, the Advocates become extreme as well. Advocates often take on two extreme roles, one of which is the Rebel. They rebel against the Bullies. “If you can’t be perfect, then why bother! Who cares? It won’t make any difference anyway.” Their other extreme role is the Numb-er (as in Numbing). The Numb-er says, “I can take all the feelings away. I’ll make it all better. You deserve to eat this (or starve, or purge, etc. etc.).”

And you know what happens next. The Bullies jump in and berate you for eating (starving, purging, etc.). The Exiles feel even more anxious and worthless. The Rebels and Numb-ers convince you to eat (starve, purge) even more….

The relationship between the parts become rigid and inflexible. When their words and behavior doesn’t elicit the result they want, the parts get locked into just doing more and more of the same. They become even more extreme. They seem incapable of trying anything different.

Establishing a firm sense of Self and getting the parts back in balance, back in their part-self, is the goal of recovery.

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What’s New in Nutrition? Will The Food Pyramid Be Changed??Elisa D’Urso-Fischer, MS, RD/LD

Get ready for another “revision” of the government food recommendations. It looks like the “right” way to eat is going to change again. Do you feel confused about what you should or should not eat? You are not alone and there are many reasons for that confusion. First, the experts do not agree. Research findings are often conflicting, and can vary depending on the length of a study. For example, recent studies on the low carbohydrate or Atkins diet have shown weight loss and improvement in cholesterol when the study lasts 6 months. However, these improvements significantly decrease if the study lasts 12 to 18 months, and by 24 months are totally gone. Most of us rarely read the full study. We get the version that will sell a paper or the sound bite that will catch a TV audience's attention. Money also influences what studies get funded. Nutrition is very BIG business in our country.

So, what can a person to do? One important step is to give up the idea of a perfect diet. No one knows what that would be. Consider thinking moderation, and nourishment for your unique body. The human body changes as it grows and matures. Breast milk or formula is great for an infant but certainly would not satisfy a 5 year old. A forty-year-old woman has different needs than a 20 year old, and her preferences may change too. Books like Intuitive Eating by Tribole and Resch or Eating Well, Living Well by Gaesser and Kratina help us to consider nutrition information while we also tune into our own body for guidance in selecting foods. Here at the Awakening Center, the Nourishing Concepts group was developed to help women with these same issues. The human body has been evolving for 1000’s of years; it has knowledge and wisdom far beyond the 100 years of nutritional science.