Recorded Live at the 1971 Berlin Jazz Festival, Swinging East is testimony to jazz’s ability to cross over international boundaries. Representing various Communist Bloc countries, the musicians were all-stars in their own lands, and three of the players, Croatia’s Bosco Petrovic, Polish violinist Michal Urbaniak, and Hungarian bassist Aladar Pege, gained international fame. Czech flutist Jiří Stivín and Polish violinist Zbigniew Seifert were originally billed for this unique concert but due to difficulties with the officials in their countries they couldn't travel to Berlin.

Features 24 bit remastering and comes with a mini-description. This studio date came about as a result of Albert Mangelsdorff's appearance at the Third Yugoslavian Jazz Festival, where pianist John Lewis was impressed enough with his performance to set up a recording session a few days later. With bassist Karl Theodor Geier and drummer Silvije Glojnaric also on hand, none of the musicians had ever played together, though it made little difference as they quickly absorbed the originals of Lewis and Mangelsdorff, along with the familiar standard "Autumn Leaves" (a trio arrangement omitting Lewis) and Gary McFarland's "Why Are You Blue."

This 1972 production is a potpourri of “live” festival big bands, starring some of the greatest jazz musicians of the time: the Nordic All-Stars with Norwegian saxophonist Jan Garbarek of ECM fame, Poland’s Novi Singers and the Zurich International Festival All-Stars including Dexter Gordon and Art Farmer. These timeless performances sound as fresh today as when they were first recorded.

The work concerns 15 epigraphic and/or verse inscriptions, handed down from the writers of the 5th and 4th centuries BC. These inscriptions were probably commissioned from Simonides of Keos. The commentaries on the individual verse inscriptions form the centre of the investigation.

As cartoons and animated features became an increasingly important part of the entertainment business, the production of cartoons industrialized to meet growing demands for the new global media. Artists adopted traditional union models to protect their jobs and working conditions, and a unique set of unions was born.