About the Book

Eliza dreams of being a playwright for the king’s theater, where she will be admired for her witty turns of phrase rather than her father’s wealth.

Beth is beautiful as the day but poor as a church mouse, so she must marry well, despite her love for her childhood sweetheart.

Zabby comes to England to further her scientific studies—and ends up saving the life of King Charles II. Soon her friendship with him becomes a dangerous, impossible obsession. Though she knows she should stay away from the young, handsome king, Charles has a new bride, Queen Catherine, and a queen needs ladies in waiting.

And so Zabby, Beth, and Eliza, three Elizabeths from very different walks of life, find themselves at the center of the most scandal-filled court that England has ever seen.

Subjects

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About the Author

Laura Sullivan

Laura L. Sullivan is a former newspaper editor, biologist, social worker, and deputy sheriff who writes because storytelling is the easiest way to do everything in the world. She lives on the Florida coast, but her heart is in England.

Excerpts

Chapter 1

The Rich Man’s Daughter

England, June 1662

Eliza Parsloe, age fifteen, tickled her chin with her plumed pen and gazed levelly at her latest opponent, Lord Ayelsworth, second Earl of Lambert. To her great displeasure, he took it for flirtation and sidled closer until his foppishly beribboned thigh crushed the delicate moiré of her apricot skirt.

"You slay me with those killing eyes," he sighed.

Those killing eyes rolled, for she knew he was looking not at her decidedly plain brown orbs, but rather at the fortune in emeralds at her throat, or perhaps, to give him credit as a man of flesh as well as avarice, at the swell of bosom lower down.

Why did each and every suitor feel it necessary to harp upon her nonexistent physical charms? If just one had suggested they could use her vast fortune and his court influence to rule the nation, to set the mode, she might have been swayed. But no, they spoke of her languishing eyes, her enchanting hair; compared her neck to a swan’s and her skin to pearls, when she knew full well her only beauty lay in the acres of timber, the flotillas of merchant ships, and the masses of gold settled on her as the only child of the fabulously wealthy Jeremiah Parsloe.

She turned away from him and dipped her quill in the ink, dripping a blob, unnoticed, on her buttercup-colored satin underskirt, and began to scribble.

"What do you write, sweetheart?" Ayelsworth asked, craning his skinny neck to see. "I would pen you a thousand love poems daily, if only you would be mine!"

Eliza dipped the pen again and flicked it as she turned to reply, spattering his multihued ribbons with blue-black. He squealed and leaped up. Eliza instantly kicked up her feet and crossed her ankles, reconquering the lost territory of her chaise.

"It is a play," she said.

"What do you call it, sweet nymph?"

"Nunquam Satis," she said, and though he had no Latin, he knew the vulgar tongue. He wasn’t sure whether to laugh or blush.

"My dear, do you know what that means?"

"‘Never satisfied,’" she replied evenly.

"Ah, but in the common cant, it means . . . it means . . ." He could not tell her what part of a woman’s anatomy was, by popular jest, never satisfied. She was from a reputedly Puritan family. Very likely she was not even aware of that particular part of herself.

Ayelsworth, though but twenty, was a habitué of Charles II’s court, and accustomed to whores, courtesans, and loose ladies of rank. He was not quite sure what to expect from this provincial heiress. All he knew for certain was that she was the catch of the season, and if he could secure her, his future was assured.

Her father had given him permission to try for her hand, leaving them alone with only a maidservant within, for propriety, and a liveried footman without, in case he should try to claim his prize by force. Now, that was a thought, he mused. It had certainly been done before, though mostly through abduction. Still, if he managed to spoil the goods here on the chaise, she and her father would probably agree to let him buy what remained.

He looked over her big-boned, recumbent form. She was at least a head taller than he, and he didn’t think much of his chances in a forcible seduction.

He clung instead to what had worked with other ladies—wit and conversation.

"Pray, what is your play about?"

"An heiress deciding which of her many suitors to accept."

"A tragedy, then, for all but one lucky swain. Will you read me a snippet?"

For the first time she blessed him with a smile—her teeth were good, at any rate, he noted—and blew on her pages to dry the ink before she picked them up to read.

"This bit I just finished is a conversation between Lady Nuncsat and Lord Stormthebreech. He tries to persuade her of the chief benefit of having a husband, and she protests that if husbands are à la mode, another’s will suit her just as well:

"Lord Stormthebreech thinks so, and calls her a fishwife and a mettlesome jade who ought to be forced to feel a man’s hand on her rein. She replies,

"‘Touch me and you’ll find a fishwife verily, by gods! One who shucks your oysters and fillets your pretty cods.’"

Ayelsworth’s hand cupped his own cods protectively, and it was not long before he excused himself with flourishing apology, never to be seen in the Parsloe household again. He would give a great deal to have Eliza’s wealth, but not that.

"What did you say to this one?" her father asked sharply when he entered to find her alone.

"Oh, he spoke to me of the theater," she said nonchalantly, placing a book of sermons on top of her manuscript. Her father had no idea she’d read every play on the boards since the theaters reopened with the king’s return from exile. Her maid, Hortense, was liberally paid to smuggle them back from her monthly sojourns with the housekeeper to London for supplies that could not be had in the village.

"You cannot allow yourself to become offended because a gentleman speaks to you of plays. Why, I’m told even the most pious go to the theater. I know you’ve been delicately reared, my dear, but when you are a married woman you might be . . . ahem . . . exposed to things your upbringing didn’t prepare you for."

Eliza affected the serene incomprehension of a novice in a nunnery and said, "In any event, sir, I find I cannot love him."

"Love! What nonsense. A pity I promised your mother on her deathbed I’d only give you away with your own consent. A girl can’t be expected to know what’s good for her."

She bowed her head in seeming acquiescence. Eliza had been there for her mother’s final breath a few years ago. "Let Eliza marry for love," she’d pleaded as she fingered the embroidered hem of her sheets weakly. "See what my marriage has been, and let her give her heart and fortune where she pleases."

Jeremiah took it to mean that his was a love union and had worked out well. Eliza, who better knew her mother’s secret longings and frustrated passions, read those words otherwise. I had a chance at love with another man, her mother said in cipher. But I threw it all away at my family’s behest. I married where they bid me, for money, and had nothing but misery in it all, save for you, my daughter. You have money, her mother’s dying eyes had said so eloquently. You can afford to wait for affection.

Eliza clung to that idea, since it so closely matched her own. Though her father was true in the letter to his wife’s deathbed wish, he had plans of his own he was not willing to abandon for the sake of feminine sentimentality.

"What am I to do with you, child? Is there no one pious and decent enough to win you? Ayelsworth has a fair reputation among that stew of rakes."

So you believe, sir, Eliza thought. Hortense brought different tidings from gossip gleaned at the Royal Exchange, London’s vibrant marketplace. Ayelsworth was known to frequent the most scandalous brothels (Eliza thought she could perhaps forgive an occasional sojourn to London’s better brothels) and was deep in debt.

"Also," Hortense had whispered to her before the lord’s arrival, "Bab at the Queen’s Point Shop told me he takes a bolus regular, ...

Reviews

"Entertaining. . . . a Philippa Gregory spin-off for teens."--VOYA

"[Sullivan] paints a colorful and largely accurate portrait of Restoration London. The unusual ending, especially, anchors the book more to history than to romance."--Kirkus Reviews

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