Ok,
about me, by day I’m a mild mannered (or slightly grumpy) local
authority employee, by night Aunty Fox. Ok it’s not quite such a clear
divide, but key things are I hate to be bored and I always feel I’m at
my best in that sweet spot between waving and drowning.

My reading tastes go in phases, I used to read a lot of horror, these
days I lean more to fantasy. I particularly devour urban fantasy, it
brings together the sort of noir crime tropes I love in a fantasy
setting. That said I’ve always just loved a good yarn, I want characters
that engage me (even if I don’t like them) and storytelling. I engage
less with the complex world building and politics of some of the big
doorstop epic fantasy and sci fi series.

What’s the story behind Fox Spirit – how did you get started, what are you looking for and what are your hopes for the future?

I was conned! Ok not exactly, but it makes for a better story. I ran
Alt.Fiction in 2012 and had a houseful of awesome creatives. By the end
of the weekend, with a soundtrack of Buffy and the English countryside
to inspire us, we had decided to do an anthology Tales of the Nun & Dragon.
It was going to be a one off on profit share, just for fun. By the time
it came out Fox Spirit was born. If any of us there that weekend had
owned a pub it might never have happened.

What we look for is always the story first. It’s much easier to fix
the writing (or so I assure my editor, the tireless Daz, who actually
has to do it) with the author than it is to fix the idea or lack of. We
like things that pull from whatever genre the story wants, ignoring
traditional boundaries. We have a lot of fun and put out stories we
think deserve a readership.

Hopes for the future are of course world domination. We have another
Vulpes (HEMA) title coming up and this year we start our FoxGloves
(martial arts) range. We have another announcement coming this summer
and I’d love for us to grow our income enough to pursue all the
different angles in our heads. There are some audio and film project
ideas that are going to take time to develop and get out, but we are
determined to do.

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

I love quick reads. There is a sense of guilt for many of us in
taking the time to read a book, which is ridiculous, but it’s still
there. Stories you can fit into a coffee or lunch break are a wonderful
guilt free treat. Also I think there is a freedom with short stories to
play about, to not tell the whole story. A novel, even a novella, really
needs a beginning, a middle, and an end. A short story can pick up at a
peculiar point in the plot and exit without explanation. I don’t feel
the same need for a satisfying conclusion. If a novel is a journey a
short story is an interlude, it’s the motorway services, a look through a
window without the benefit of the full view. I love that.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

In
fiction I have an enduring soft spot for Kaylee in Firefly, she is such
a charming balance of girly ruffles and tough resilience. She’s more
afraid and has fewer resources than the other women in the series, for
physical conflict, but she still stands up for herself and her friends.
To me she is the closest representative for most of us. I realise she
doesn’t at first seem wicked, but she is the mechanic on a pirate ship,
that’s pretty wicked really.

In real life I suppose I am a little charmed by Bonnie Parker (Bonnie
and Clyde). She’s not exactly a great role model, but she’s
fascinating. Also the women who lived secret lives to work at Bletchley
or as spies, the real life Agent Carter’s of the UK, smart, capable and
living outside of cultural expectation. It’s a reoccurring theme with
me. I get a bit Moley (hang whitewash) about expectations. I think
society puts so many behavioural and physical expectations on everyone
and it’s hard to learn to block them out, but it’s the best way to be
happy.

What kind of apocalypse will it be and what do you have in your Go Bag?

I actually have started putting together a go bag, it has windproof
matches and water purifying tablets, a compass and a collapsible water
bottle along with a few other bits and pieces. It’s useful during power
cuts.

Obviously with the various martial arts we do and well me being me,
the house is well equipped with bows, bladed weapons and axes.

Sadly I think the apocalypse will be the slow inevitable destruction
of our world at our own hands. I still hold out hope for zombies, I live
in the country and as long as we are all home I feel fairly well
equipped to deal with zombies. Capitalism I can do less about.

Room 101 time: what one genre cliché would you get rid of?

Oh, now that’s tricky. It’s easy to say ‘zombies have been done to
death’ or something but in the right hands even the oldest clichés and
tropes can be fresh and brilliant. So I would like to 101 the faux
medievalism and laziness of women being raped/abused etc in fantasy as a
standard motivation or plot device. I think we are ready for something a
bit more subtle and intelligent and ‘it’s historical’ is neither
accurate nor a good excuse in fantasy. You are building the world, you
get to make the rules, make them better. Violence and abuse happens, but
writers should ask themselves if it’s balanced, nuanced and necessary
or whether rape is just a short cut.

What are you up to next?

African Monsters and Things in the Dark have just come out and this year we are having a bit of a launch do for African Monsters
at Forbidden Planet London at the beginning of March. That will pretty
much kick off the year in terms of appearances. We will be at Edge Lit this summer with a table, so you can find all manner of wicked women and other delights.

Thank you for joining us Adele!

Adele Wearing, know to the skulk as ‘Aunty Fox’ is a lifelong genre
fan, was for some time a book blogger and then set up Fox Spirit in
response to, well trickery and cunning on the part of her friends.
Seriously, it was set up!

Aunty Fox takes care of a skulk of writers, artists, editors and
other foxy folk, while trying to keep everything in place to get the
books out. In addition she has a full time day job (which we do not
discuss). Since she lacks the swiftness and cunning that typifies her
species, Aunty Fox trains in mixed martial arts, in order to ensure her
grinning muzzle and infamous brush tail don’t end up on a huntsman’s
wall.

Ha,
well I was the kid who desperately wanted to be an astronaut and firmly
believed there was, indeed, ‘something nasty in the woodshed’. Finally
realising that joining NASA probably wasn’t an option I ended up at art
college, fed on a diet of William Gibson, Tim Powers, Fortean Times,
2000AD and Ray Harryhausen movies.
So any urban occult weirdness, preferably involving crazy-ass science
and I’m up for that. Even better if there’s dinosaurs! I managed to do
half an Open University Astronomy degree, so I’m pretty big on radio
telescopes… which hasn’t, erm, exactly found many artistic openings yet…
Somebody out there has a ‘Fourth Reich jacks the Arecibo radio
telescope and uses the Spear Of Destiny to summon unspeakable space
evil’ novel in them. I am just biding my time!

How long have you been an artist and how did you get started?

After
completing an art degree I went to work as an archaeologist for a few
years, obviously, then was employed in a comic shop – all whilst
dabbling in a little freelance illustration. So I have an ace Indiana
Jones hat and know way too much about the X-Men, ideal for a career in
illustration! I moved down to London Town about five years ago and the
lovely Anne Perry and Jared Shurin at Jurassic London
asked if I fancied doing a book cover… I think I said “yes, if you’ll
buy me a vodka”. From there folk just kept asking me to draw stuff for
them – which is awesome!
Which authors and artists have influenced you and why?

Ooooooooow tricky. I particularly like the work of Eduardo Paolozzi,
one of the early British Pop Art guys. His artwork mixes pop culture
references and technological imagery, man-machine stuff – I love the
décollage mix! Swiss graphic design studio Büro Destruct
are a favourite – super-clean, simple typography, something I always,
well, try to do. And the work of artist Bill Sienkiewicz – as somebody
who totally ignored how traditional comic book illustration ‘should’
look and brought in a healthy dose of fine art. Ignoring how something
is traditionally supposed to look is always a plan. I’m basically a pop
culture junkie – and probably shouldn’t ever have been given access to
the Internet – so anything from 1950’s advertising to pulp comics!

And authors? Rudy Rucker’s crazy-ass science fiction and non-fiction,
for challenging my understanding of science and visual representation. The Fourth Dimension & How To Get There
made me learn how to question my perception of space, dimensions and,
well, pretty much everything. Robertson Davies for a love of myth and
magic – seeing the hidden archetypes in our dull little everyday lives –
with a healthy dose of humour! Anything from Lovecraft to Robert Anton
Wilson, I guess it all seeps into Mr Brain and influences how you
visually represent the written word.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Jeanne de Clisson, The Lioness of Brittany is a pretty damned
interesting lady. Ms de Clisson mercilessly hunted down the ships of
King Philip VI’s fleet, to avenge her husband’s death, during the
Hundred Years War. de Clisson fought as a pirate for thirteen years, not
just commanding a single ship, no she sold off her land and bought a
fleet! She had her ships painted black and dyed their sails red to
intimidate her enemy, earning them the title of “The Black Fleet”. Her
merciless sailors, under her orders, would kill entire crews, leaving
only one or two alive to carry news to the king that she had struck
again. A woman with the courage of her convictions, who didn’t do things
by half.

You’ve illustrated for a wide array of media ranging from
comics and games to music events and publishing – are there differences
in your approach to projects in different media and do you have a
particular favourite venue your work has appeared in?

The
design process for everything is usually something like… google images,
tea, google images, tea… flap out for several hours, then make tea.
Eventually I’ll find the killer image to actually use for the project
but I do quite a lot of pottering about the internets for inspiration.
Virtually all of my work is entirely digital, regardless of the medium, I
design straight into photoshop. My main problem is people writing
interesting books, hence fascinating imagery, so I then get distracted
reading about Antarctic ice flows online or something.

Not a venue but it always amuses me to see Pickwick the dodo, the
Hodderscape logo which I worked on, running around on Twitter and
getting into stuff on the internet!

Ah, right… the little guy is the product of Mr Den Patrick’s peculiar
brain. A fat little vampire… erm, thing, that sneaks into you kitchen
at night to steal your lemonade! Basically a tiny book for kids about
the terrible consequences of not cleaning your teeth. Lots and lots of
fun to draw as Den’s quirky sense of humour is great to illustrate. The
one and only thing I draw by hand so there’s lots of wobbly trees and
giraffes! The Fizzy Pop Vampire’s best friend is a giraffe, named Keith.
Obviously.

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

Books of
short fiction are like a lovely author selection pack – there might be
the odd dodgy Orange Crème but there’s bound to be something tasty you
really love. Always a great way to discover new writers and I’m
fascinated how, given a single theme, how many wonderfully diverse tales
come out of a single idea.

Apart from Fox Spirit’s Wicked Woman, because clearly everybody should have taken a look at that…. ahem, the Apex PublicationsBooks Of World SF are a great introduction to some authors whose work I hadn’t read before. Oh, and Super Flat Times: Stories
by Matthew Derby was one of my favourite short fiction reads this year –
very Franz Kafka meets Phillip K. Dick – a fascinating set of genuinely
weird tales set in a brutal future where technology has died. Well, if
that’s your thing!

Room 101 time: what one genre cliché would you get rid of?

But there’s so many! Just the one? Okay…. ‘Evil Emperor’s beautiful
daughter falls in love with the hero.’ ‘All it takes it the love of a
good man’ syndrome. YAWN – this clearly intelligent woman has unlimited
wealth, power, flying monkeys an’ probably a zombie army – she’s really
not going to be impressed just because some dumb-ass bloke has a big
sword!

(Also: Mysterious taverns, FOR NO REASON. They can go as well, as I’m
here. Oh, and people inexplicably dressing in ancient costumes in the
future. There is no reason anyone would wear a Roman togas in deep
space. Really, there isn’t.)

What are you up to next?

Ooooow, I have a set of covers coming out for Angry Robot next year, just finished the design for Jurassic London’s Jews Vs Zombies & Jews Vs Aliens Omnibus, comic book illustrations for Lavie Tidhar’s New Swabia are out any time now-ish. There’s a tiny short story by me in Fox Spirit’s Fox Pockets Anthology Things In The Dark. Erm, and I appear to be drawing a suicide rollercoaster poster for Lavie’s new book Central Station. Yeah, I’m just going with that…
On the random front, I’m forcing myself to go to zazen more often, looking for stardust with http://stardustathome.ssl.berkeley.edu/ and watching Agents Of S.H.I.E.L.D, when I should be drawing :)

Thank you for joining us Sarah!

When not planning world domination Sarah Anne Langton draws things,
writes and catalogues her ever-growing shoe collection. Qualified
Astronaut. Part time archaeologist. Full time geek.Sarah
has worked as an Illustrator for EA Games, Hodder & Stoughton,
Forbidden Planet, The Cartoon Network, Sony, Apple, Marvel Comics and a
wide variety of music events. Written and illustrated for Jurassic
London, Fox Spirit, NewCon Press, Hachette and ‘The Fizzy Pop Vampire‘
series. Hodderscape dodo creator and Kitschies Inky Tentacle judge.
Daylights as Web Mistress for the worlds largest sci-fi and fantasy
website. Scribbles a lot about the X-Men, shouts at Photoshop and drinks
an awful lot of tea. Responsible for ‘Zombie Attack Barbie‘ and ‘Joss
Whedon Is Our Leader Now‘. Her work has featured on io9, Clutter
Magazine, Forbidden Planet, Laughing Squid and Creative Review.
British Fantasy Award 2015: Best Artist Nominee.

25 January 2016

Today we welcome the author of Wicked Women story ‘The Book of the Gods’ – Sam Stone, take it away!

ell us a little about yourself and what you like to write:

I’m
Sam Stone. I’m an award winning female writer. I enjoy writing Horror,
Steampunk, Fantasy and Science Fiction. But I have also turned my hand
to writing some official Sherlock Holmes stories too.

How long have you been writing and how did you get started?

I started writing at the age of 11 and it was basically terrible fan-fiction!!

As I grew older and gained more experience of life, married, had a
child, the idea of becoming a writing professional seemed like nothing
more than a pipe dream. I told myself that one day I would write a book
and get it published.

The opportunity for this came when, still following my dream, I
completed my Masters Degree in Creative Writing and, for my
dissertation, wrote a novel. This was really the start of my career as
that book went on to win the Silver Award for Best Horror Novel in
ForeWord Magazine’s Book of the Year Awards in the USA. This then led to
me getting my first professional deal, when The House of Murky Depths
picked up the novel, and published it as Killing Kiss.

Since around 2009 I have been writing full time and have completed
about 14 novels, a few novellas, and many short stories as well as
audios, and a couple of screenplays.
I see this as my job and work the hours accordingly!!

Which authors have influenced you and why?

I have always been massively influenced by Tanith Lee, Stephen King,
Dean Koontz, Bram Stoker and other 19th Century Gothic writers such as
Sheridan Le Fanu and Mary Shelley. I’ve also been influenced by writers
such as Isaac Asimov and Philip K Dick. Ray Bradbury’s stories used to
be read to us in science lessons when I was at high school. I loved
them!

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Aphra Behn was awesome! She was a poet, playwright, translator and
fiction writer born in 1640. She was one of the first women to earn a
living from writing and she was also rumoured to have been a spy for
Charles II. I think she was brave, unique, intelligent and a complete
role model for future generations of women who have the power of words
inside them.

Tell us about your radio show at SirenFM – how did that come about, what can listeners expect from a Stone Tapes show and where can we find it?

The Stone Tapes was conceived after I appeared as a guest on
SirenFM’s Midweek Drive show a couple of times. We proposed the idea of
a genre chat show to producer and founder of the radio station Alex
Lewczuk and he really liked it. In February/March 2015 the show was
given the green light and we launched our first episode in May 2015.

The Stone Tapes is dedicated to all things genre, and so we
cover books, films, television, chat, music and have some great guests
joining us for the show.

The team now consists of David J Howe (co-producer), Alex Lewczuk
(Producer), Patricia H Ash-Vildosolo who is the editor of Gearhearts
Steampunk Glamor Review Magazine, our regular reviewer, Robin Pierce,
who is a writer for Starburst Magazine and is our Wales correspondent,
and finally assistant director, actor and barman to Hugh Hefner, Joshua
Lou Friedman, who is our LA Correspondent. I’m the voice that brings
them, and the show, all together.

You currently have three series in print – The Jinx Chronicles, The Kat Lightfoot Mysteries and The Vampire Gene
series covering a range of genres from horror to SF to portal fantasy –
do you find yourself drawn to writing series rather than stand alones,
and what’s the appeal of series fiction for you?

I have always loved writing series. When I devise characters and
really like them, I always want to write more about them and to spend
time with them in their universe. With the Vampire Gene series,
I was halfway through writing the first book when I realised that it
had to be at least a trilogy. But when I got to the end of the third
book, I knew that there was still so much more to say. I’m currently
working on the sixth book, Jaded Jewel, which should be out later this year.

With the Jinx Chronicles,
however, I always knew this was going to be a complete story in trilogy
form. I have no intention of taking the characters anywhere else after
that, and I know I’ll bring it all to a satisfactory conclusion on the
third book. The first is called Jinx Town, Jinx Magic is the second book, and Jinx Bound will be the third. The second volume of that should be in print this year.
The Kat Lightfoot Mysteries started life as one book, as I’d had the idea for Zombies at Tiffany’s
and knew that this would work well. But again, once I had written it, I
knew there was so much more to tell and explore about Kat and her demon
slaying companions. This series has such a wonderful following too and
I’m sure that it will go on for very many years to come.
I have written a couple of standalone novels which are currently in
the hands of my agent, and I have completed an outline for a mainstream
thriller which is also with her. At the moment I’m seeing all of these
very much as stand alone projects … but who knows what could happen in
the future.
So … I do prefer series, but I also enjoy writing one offs as a
change. There’s something very freeing in knowing that you have said all
you need to about a character and their universe. It’s not always that
easy to let go!

Given the range of genres you write in, do you have any particular genre preference?

I started my writing career very much as a horror writer and I would
say that horror often spills over into the fantasy and sci-fi works when
I’m writing, but I really love dabbling in all genre fiction. Crime has
a particular appeal for me and the idea of unravelling a mystery is
quite thrilling. I’ve written two Sherlock Holmes tales for anthologies
now, and I love how you need to set the mystery without falling back
onto horror or supernatural reasons. I think I’d like to write more
crime and definitely some more thrillers. But even if I do, I think I
will always come back to my roots and dabble in some horror.

You’re also the editor of the Telos Moonrise
imprint – how are you finding life on the other side of the publishing
desk and has this changed how you approach your own fiction?

It is a real eye opener working as an editor and yes, I do believe my
own writing is much tighter now because of it! This is because when I’m
editing I wear a completely different hat to when I’m writing and that
editorial mindset also comes on when I edit my own work too. Also, I
find myself editing and questioning myself more as I go along. It’s
slowed my writing process down a little, but I feel I’m producing a
tighter first draft now as a result.

Are there any exciting new titles coming up from the imprint?

I have just bought an exciting new series but can’t say more as
contracts haven’t been signed yet. We also still have a huge backlog of
previously acquired titles. We have a super YA novel coming soon from
Bryony Pearce, and a novel from Martin Owton which goes very much into
fantasy territory. But there will be more on this closer to release via
Telos’s newsfeed and on their website at http://www.telos.co.uk.

I am also hoping that by summer we will be looking to buy more new
material, but we are also on the lookout for some classic fiction by
well established writers.

Room 101 time: what one genre cliché would you get rid of?

All of them if possible! I really hate clichés. Although I wonder
sometimes if that’s to my own detriment because it does seem that some
of the most boring clichéd stuff is that which enjoys overnight
success.

What are you up to next?

Well – I’m in some very exciting talks at moment but can’t say more on those even though I’m bursting to!!

Otherwise, later this year I’ll be doing some writing workshops at
the Regis Centre in Bognor. I’m travelling to the USA in a couple of
weeks to appear at Gallifrey Convention
as a guest with my husband David J Howe – where I will also be hosting a
writing workshop for anyone who’s keen to become a writer, improve
their work, or sell it in the future. I have the third Jinx novel to
write, Jinx Bound. Have to finish Jaded Jewel and I need to come up with a new Kat Lightfoot novella to launch at the Asylum Steampunk Weekend
in Lincoln in August. As well as all that I’m discussing new ideas with
my agent, and she is planning how to pitch these all over to new
publishers.

I’ve also been asked to write a stage play – still working out the
theme for this one – but if I do it’s fairly certain to be produced so I
must find time for it!!

I’d like to do some more screenwriting. And I do have a few short stories commissioned too.
It’s lucky that I like being busy!

Thank you for joining us Sam!

Award winning author Sam Stone began writing aged 11 after reading
her first adult fiction book, The Collector by John Fowles. Her love of
horror fiction began soon afterwards when she stayed up late one night
with her sister to watch Christopher Lee in the classic Hammer film,
Dracula. Since then she’s been a huge fan of vampire movies and novels
old and new.
Sam’s writing has appeared in many anthologies for poetry and prose.
Her first novel was the fulfilment of a lifelong dream. Like all good
authors she drew on her own knowledge and passions to write it. The
novel won the Silver Award for Best Horror Novel in ForeWord Magazine’s
book of the year awards in 2007.

In September 2008 the novel was re-edited and republished by The
House of Murky Depths as Killing Kiss. The sequels, Futile Flame and
Demon Dance went on to become finalists in the same awards for
2009/2010. Both novels were later Shortlisted for The British Fantasy
Society Awards for Best Novel and Demon Dance won the award for Best
Novel in 2011. Sam also won Best Short Fiction for her story Fool’s Gold
which first appeared in the NewCon Press Anthology The Bitten Word.

In 2011 Sam was commissioned by Reeltime Pictures to write a
monologue for their talking heads style Doctor Who spin-off, White Witch
of Devil’s End. She was also co-script editor with David J Howe. White
Witch, starring Damaris Hayman, was released on DVD in October 2014.
Rights for Sam’s first novel Killing Kiss were bought by Verlag Bucheinband lnes Neumann in March 2013 for translation into German. The novel, Todeskuss, and was launched in December 2013. Since then Sam has sold an original novella, The Darkness Within
to AudioGo for Audio and Ebook. She was also commissioned by Telos to
write a sequel to her hugely successful Steampunk Novella Zombies at Tiffany’s and her much loved heroine, Kat Lightfoot, returned to the printed page in September 2013 in Kat on a Hot Tin Airship. The audio rights to Zombies at Tiffany’s
were subsequently bought by Spokenworld Audio and was made available
for download in Halloween 2013. Further sequels to this series are What’s Dead Pussykat (2014) and Kat of Green Tentacles (2015).

In 2011, Sam became the commissioning editor for Telos Publishing’s new digital imprint Telos Moonrise.

In May 2015, Sam launched her own monthly genre radio show, The Stone Tapes on Siren Fm in Lincolnshire.

An eclectic and skilled prose writer Sam also has a BA (Hons) in
English and Writing for Performance and an MA in Creative Writing, which
means that she is frequently invited to talk about writing in schools,
colleges and universities in the UK. She is said to be an
‘inspirational’ speaker.

22 January 2016

Today we’re joined by the author of the British Fantasy Award nominated Wicked Women story ‘A Change of Heart’ – Gaie Sebold, take it away!

Tell us a little about yourself and what you like to write:

Photo credit: Gordon Fraser

I love walking (not hiking. Gentle, civilised walking that ends in
tea and cake, not in fighting to pitch a tent on a mountain in a howling
storm). I love gardening, I grow quite a lot of fruit and veg. I like
to cook. All very ordinary. The only out-of-the-ordinary things I’ve
done, outside fiction, have been live action role play – which is
practically mainstream these days – and learning swordfighting (well, I
say learning… I only did it for a couple of years. Up against anyone who
actually knew what they were doing, I’d be entirely hopeless). I’ve
worked in the theatre and done various office jobs, mainly for
charities, but now I write full time and run writing workshops, which I
adore.

In writing, I’ve largely been concentrating on fantasy the last few
years. I still have occasional excursions into poetry, which was my
first love. I have a number of projects on the go, one of which probably
falls under historical crime – no supernatural elements in that one. I
like having fun, with characters, with language, with descriptions. But
even when I’m having the most fun, I’m usually dealing, or trying to,
with issues that I think are important, like compassion and fairness and
the responsibilities of power.

How long have you been writing and how did you get started?

I started writing almost as soon as I could read – at about four.
Fortunately I don’t think any of my early work has survived! I think I
started by imitating what I was reading. Looking back, some of it could
be called proto-fanfic – if I really enjoyed a story I didn’t want it to
end, so I’d carry it on in my head. I do remember one early original
effort involved unicorns, landing on the roof like Santa’s reindeer.
That may have been the entire plot – there were unicorns, what else do
you need? I wrote a lot of poetry and some short stories. I didn’t
attempt a novel until I was in college, where the First Great Fantasy
Tome started its long but inevitable progress towards the trunk.

Which authors have influenced you and why?

Jane Austen and earlier Fay Weldon for scalpel sharpness and dry
humour. Stephen King for characterisation and sweaty-palmed
I-can’t-stop-reading drama. Angela Carter for brilliance and sheer
imaginative force. Terry Pratchett for being amazingly funny about stuff
that matters – and for wonderful heroines. Tolkien – for all his
problematic aspects – because Lord of the Rings swept me away. Neil
Gaiman for mythic power. And lots and lots of other writers.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Hah! It hasn’t actually taken much for a woman to ‘misbehave’
throughout history. Do something considered unsuitable for ladies –
which at some points has been anything at all other than ‘look pretty
and produce babies’ – and you’re classed as misbehaving! More seriously –
it’s often hard to find out about the influential women of history,
there are still many whose contributions are completely ignored, they
aren’t being taught in schools, and it’s a disgrace. But yes, I have a
soft spot for Anne Bonny and Ching Shih (because who doesn’t love
pirates), the Suffragettes, of course, Rosa Parks and Aphra Behn –
because not only was she earning a living as a writer when that was
almost unknown for women, she had a huge influence on the development of
the novel, and many of her plays were considered very naughty – which
takes some doing, in the Restoration period. Fictional wicked women?
Pratchett’s Nanny Ogg and Granny Weatherwax, definitely. Fevvers, from
Angela Carter’s Nights at the Circus. Lady Joanna Constantine from
Gaiman’s Sandman. Oh, was I only supposed to mention one? Sorry…

Rumour has it you’re collaborating with partner David Gullen
on a project- what can you tell us about that, and how are you finding
the collaboration process?

Dave and I tend to talk a lot about writing. Sometimes wine is
involved. Often ideas happen. Most of them are simply us going off on a
wild mental spree, but just occasionally something seems to grab both of
us as a real possibility for a project. This one did. It’s a sort of
steampunky romp, involving fine wine, nefarious doings, the Crowned
Heads of Europe, and Neanderthals.

The collaboration process is something we’re still working out. Dave
is much more of a planner than I am – though I’m becoming more of one –
but this we needed to plan in quite a lot of detail. So I’ll look at the
plan and write a bit, and he’ll write a bit, and then we’ll argue about
the direction it’s going in, and then something comes up and it goes on
the back burner for a month or two because we both have to do other
things, and then we come back to it – I have no idea when we’ll get it
finished, but eventually, I hope!

You’ve got the second book in your Sparrow series – Sparrow Falling – coming out from Solaris Books in 2016, what can readers look forward to from it?

This
one involves my heroine, Evvie, finding herself in financial
difficulties yet again as she tries to keep her rather unusual school
for young ladies going. Looking for lucrative work brings her into
contact with a man who is having some dangerous and unpleasant dealings
with the Folk (my version of the Fey), and both Evvie and her fox-spirit
friend Liu find themselves caught up in the rivalry between the English
and Chinese Crepuscular Courts, while trying to prevent a war between
Great Britain and Russia. Drama! Intrigue! Magic! Strangeness! Flying
Machines! Extreme Peril!
What’s the appeal of the steampunk genre for you?

Since I have the engineering knowledge of a flea, it’s nice to write
about fun machines that don’t exist without having to explain how they
work. And the clothes are cool. And I am fascinated by the Victorian
period – it was such a combination of huge advancement and reform
alongside appalling brutality and exploitation, both at home and abroad.

How has being a member of the T Party Writers group helped you?

The T Party was
hugely helpful to me. I regret I haven’t been very involved the last
couple of years – but it was a great source of critique, encouragement,
and information. And I made some very good and long-term friends. I
think a well-run writing group can provide you with so much. I would
always suggest people try them out, because writing can be a very
isolating endeavour and it’s important to have people you can talk to
about it. But it’s also extremely important to find a group that suits
your particular temperament and areas of interest.

Tell us about your involvement with Plot Medics and has it given you new insights into your own writing?

I started Plot Medics with Sarah Ellender (also of T Party Writers)
with the idea of providing writers with general help with their plots.
It’s morphed into the platform for the workshops, which I run with Sarah
when we can organise it or by myself otherwise. Running the workshops
has really made me think about my own process, about what inspires me
and keeps me going, and about the frameworks you can use to construct a
story, explore characters, and so on. I love the enthusiasm and energy
of the participants, and always come away from them completely knackered
but inspired.

Room 101 time: what one genre cliché would you get rid of?

How long have you got? Actually, female characters who have nothing
to do but be motivation or reward for male characters, that’s a major
one. And it applies to many genres, not just fantasy.

What are you up to next?

Sparrow Falling is out next year as you mentioned – I don’t have a definite date yet. I’m signed up for Nine Worlds Geekfest, and hoping to do a workshop there. I’ll be at Eurocon
in Barcelona, which I’m hugely looking forward to – I’m planning to
take a few days around the con for exploring. I’ve got one workshop
planned for a local writing group and I’m looking to do more. I’m
partway through a new fantasy novel, set in a different world from
either the Babylon Steel or Gears of Empire series,
and have a few short stories and other projects at various stages of
completion. Oh, and I’ll be going on a course to make my own bronze
sword, so that should be fun. And research. But mainly fun.

Thanks for joining us Gaie!

Gaie Sebold was born rather longer ago than seems reasonable. She
has written several novels, a number of short stories, and has been
known to perform poetry. Her debut novel introduced brothel-owning
ex-avatar of sex and war, Babylon Steel (Solaris, 2012); the sequel, Dangerous Gifts, came out in 2013. Shanghai Sparrow, a steampunk fantasy, came out in 2014 and the sequel, Sparrow Falling,
is due in 2016. Her jobs have ranged from till-extension to
bottle-washer and theatre-tour-manager to charity administrator. She
lives with writer David Gullen and a paranoid cat in leafy suburbia,
runs writing workshops, grows vegetables, and cooks a pretty good
borscht.

18 January 2016

Today we’re joined by the author of Wicked Women story ‘The First Witch of Damansara’ – Zen Cho, take it away!

Tell us a little about yourself and what you like to write:

Photo credit: Darren Johnson / IDJ Photography

I’m a lawyer and writer who was born and raised in Malaysia. I’m
currently based in London. I write fantasy novels and short fiction,
generally with a sprinkling of romance and a dose of history.

How long have you been writing and how did you get started?

I’ve been scribbling bits of stories since I was all of six years
old, but it took me a long time to figure out how to finish things! I
got into fanfic in my teens and that got me used to sharing my writing
with other people, as well as giving me an online community with whom I
could talk about reading, writing and ideas. I started writing original
short fiction for publication five years ago, and my first novel Sorcerer to the Crown came out in September 2015.

Which authors have influenced you and why?

The authors that have left the most lasting marks on me are those I
read as a kid and teenager. Terry Pratchett, P. G. Wodehouse, Diana
Wynne Jones and L. M. Montgomery are up there. I also really admire the
work of Karen Lord, Amitav Ghosh and Geoff Ryman, who I read a bit later
on.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Not actually wicked, but Sybil Kathigasu was a Malayan WW2 heroine
who wrote a memoir of her experiences supporting the resistance against
the Japanese occupation, No Dram of Mercy. I suppose she
misbehaved from the occupiers’ point of view! It’s a short book but
fascinating because you can tell what a strong character she was,
perhaps to the point of being overbearing – you get the impression she
ruled the roost in her household. She was also very much aware of
writing for the historical record – no false modesty in that regard.
For a “wicked” example, I’ve always been fond of the Chinese female pirate Ching Shih.

Your most recent book – Sorcerer to the Crown – is set in Regency England, what drew you to that era and how did you put your own twist on Regency style fiction?

I’ve
always been fond of Regency England as a setting and several of my
favourite authors used it to great effect – Susanna Clarke, Patrick
O’Brian and Naomi Novik among them. My version has magic, of course, and
centres on England’s first African Sorcerer Royal, Zacharias Wythe, and
the incorrigible female magical prodigy Prunella Gentleman. I think of
it as Georgette Heyer with dragons and politics.

You’ve also edited the Buku Fixi anthology Cyberpunk: Malaysia – has your experience as an editor changed how you approach your own fiction?

Not really – I’m focusing on writing a novel at the moment, and I
find writing novels such a different beast from writing short fiction
that I can’t say I’ve been able to apply any lessons from the experience
of editing Cyberpunk: Malaysia to my own writing so far. That
said, it did bring home to me how much an editor is on the writer’s side
– I was really invested in the short stories I worked on – and I hope I
remember that when my next set of editorial notes come in!

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

As a reader it’s nice to be able to explore a story and world without
the time commitment you need for a whole novel. A short story is
capable of making a point more efficiently and powerfully than a novel –
it’s a particularly good vehicle for science fiction for that reason.
Besides Cyberpunk: Malaysia, two books of short stories I’d recommend to SFF readers are the collection of James Tiptree Jr’s short fiction Her Smoke Rose Up Forever and Pu Songling’s Strange Tales from a Chinese Studio.

Room 101 time: what one genre cliché would you get rid of?

Movies suffer from this more than books – at least the kind of books I
read – but I really hate the trope of the badass female character who
you’re set up to think might be the chosen one, but actually the chosen
one is the totally mediocre male lead.

What are you up to next?

I’m hard at work on the sequel to Sorcerer to the Crown. The only con I’ve got in the diary at the moment is Åcon 8 in Finland in May 2016 – I’m Guest of Honour and I’m really looking forward to it!

Thank you for joining us Zen Cho!

Zen Cho was born and raised in Malaysia. She is the author of Crawford Award-winning short story collection Spirits Abroad, and editor of anthology Cyberpunk: Malaysia,
both published by Buku Fixi. She has also been nominated for the
Campbell Award for Best New Writer and the Pushcart Prize, and
honour-listed for the Carl Brandon Society Awards, for her short
fiction. Her debut novel, Sorcerer to the Crown, is the first
in a historical fantasy trilogy published by Ace/Roc Books (US) and Pan
Macmillan (UK). She lives in London with her partner and practises law
in her copious free time.

15 January 2016

Today we’re joined by the author of Wicked Women story ‘Down at the Lake’ – Jaine Fenn, take it away!

Tell us a little about yourself and what you like to write:

In my writing I’ve dabbled across the SFF spectrum but gravitated
towards space opera, because I love the grand scale and possibilities it
provides. When I was younger I read fantasy in preference to SF and
that’s coming back to me now, as I have a growing fondness for that most
unfashionable hybrid, science fantasy.

How long have you been writing and how did you get started?

I’ve been writing forever, or at least it sometimes feels like it.
I’ve wanted to write stories since my early teens, though thanks to
letting myself get distracted by other stuff (earning a living,
role-playing games, having a social life) this took a little longer than
intended. I cut my teeth on short stories while working on
the-novel-which-became-Principles-of-Angels; thanks to having had a few
stories published I was on a panel with Jo Fletcher, who accepted Principles of Angels for publication by Gollancz. And the rest, as they say, is history.

Which authors have influenced you and why?

Ursula le Guin was my gateway to the SFF world: when I was nine I
picked up a copy of A Wizard of Earthsea by chance; up until then I’d
only read media tie-ins as my family didn’t keep books in the house so I
had no idea what was out there.

I wish I could write like Geoff Ryman; he’s a real writers’ writer.

Mary Gentle is a much underrated writer: she’s shown my how to cross boundaries and mix it up.
Cyberpunk came along as I was getting into SF, and I can’t quite shake its influence, especially William Gibson.

And Iain M Banks got me into space opera.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Ooo, tricky question. Sadly, I think many of the real women who’ve
been labelled ‘wicked’ by history have been done so pejoratively, as a
way of belittling and disempowering them. One exception would be
Boudicca. Though the full facts are lost to time and obscured by later
myth-makers, for me she’s a great example of a woman who decided enough
was enough and fought back, big time. If we’re talking about pure myth,
it would have to be Queen Mab; she’s the essence of capricious, powerful
femininity.

Tell us about the Hidden Empire series and what stories we can expect to see next from it?

The series is space opera, though with influences from other parts of
the genre too (notably fantasy and cyberpunk, as noted above). There
are five books to date, starting with Principles of Angels, and
each book is meant to stand alone whilst adding to the overall story.
The premise is that humanity was originally elevated to the stars by a
not-quite-alien race who wanted to control human destiny – a race of
archetypical wicked women, by the way – and though humans overthrew
their rulers their attempts to rebuild independent human culture have
been fragmentary, and the old oppressors are not entirely gone; plus,
there are greater threats lurking out there which most people have no
idea of.

The most recent Hidden Empire novel, Queen of Nowhere, tied
up a number of loose ends, but there is more to tell. I’m currently
working on other novel-length projects, but am still playing in that
world; in fact I’ve just finished a short story set immediately after
the human rebellion, exploring what happens to a culture when it goes
from tyranny to (sort of) democracy.

You were recently a guest of honour at BristolCon, and have
been GoH at Novacon as well as being a long time convention goer –
what’s your favourite convention to go to, and what benefits have you
found at conventions as an author?

I think my favourite con is BristolCon
– which was why I was so delighted to be a guest. It’s only one day
long but has excellent programming and a lovely chilled and friendly
vibe. Cons are a fantastic way to connect with readers, and a chance to
talk shop with other authors.

As someone who has been both traditionally published and
ventured into self-publishing, what are the benefits of being a hybrid
author for you?

It pays to diversify – these days more than ever. The big publishers
are increasingly risk-averse, and most writers will produce work which
won’t suit traditional publishing models, like novellas, which have
always been hard to place. Self-publishing lets you get work like that
out there alongside novels.

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

Short fiction is great if, like me, you have a hectic lifestyle and
short attention span. More seriously, the short story is an art form
which doesn’t get as much credit and coverage as it should; creating and
develop compelling characters in a believable world whilst getting
across your central idea in, say, five thousand words is quite an art.
As for recommendations … there are some excellent short story writers
out there, too many to mention, though I think short stories
particularly suit hard SF ideas, and two recommendations for hard SF
shorts would be Alasdair Reynolds and a newer writer, Vaughan Stanger.

Room 101 time: what one genre cliché would you get rid of?

There’s a whole steaming pile of gender-related stuff we could do
without, although that is changing, slowly. I think the cliché which
annoys me most is not from SFF, but about it, and that’s the common view
of those who don’t read in our genre that those of us who do are
infantile, anti-social, incapable of functioning effectively in the real
world – and male.

What are you up to next?

I’m currently working on a science fantasy duology called Shadowlands, though I don’t have a publication date for that yet. Next May I’ll be Guest of Honour at Satellite 5,
up in Glasgow, and I’m looking forward to that. And one of my
intentions for next year, which your earlier question reminded me of, is
to revise some of the many not-quite-there-yet short stories I have
around.

Thank you for joining us Jaine!

Jaine Fenn studied Linguistics and Astronomy at college before
spending a decade and a half developing a healthy distrust of technology
whilst working in computing. She lives in Hampshire with her husband
and her books.

As well as numerous short stories she is the author of the Hidden Empire series which started in 2008 with Principles of Angels. Since then, she has published a further 4 novels in the Hidden Empire series and a short story collection, Downside Girls
set in the Hidden Empire universe. In her spare time, Jaine includes
wild, green places, dancing like nobody’s watching and serious chocolate
in her list of things to ease the trials of everyday life.

11 January 2016

Today we’re joined by the author of Wicked Women story ‘A Change in Leadership’ – Jonathan Ward, take it away!

Tell us a little about yourself and what you like to write:

I’m
32 years old, and have been writing science fiction, fantasy and horror
for many years now. It’s not how I make a living as yet, but I aim for
it to be that some day. In my spare time I read relentlessly, battle a
long-running addiction to tea, garlic bread and Jack Daniels (in no
particular order) and occasionally throw myself off high platforms or
out of planes. Standard stuff.
How long have you been writing and how did you get started?

I started when I was eight, or around that time. Back then I had a
lot of notebooks and used to fill every page, front and back, with
stories that were, I have to be honest, poorly-written and total
rip-offs of things I had seen and already read. I had a recurring
villainous wizard called Ommadon, and I’m sure many of the people
reading will know that name well! Luckily I got better, and more
original, fairly quickly!

Which authors have influenced you and why?

It took me a while to trim down the list of authors so I could answer
this! Arthur C Clarke was a massive influence; I read most of his books
from my local library when I was younger and he probably got me hooked
on sci-fi. More recently: Neal Asher, Peter F Hamilton, Iain M Banks and
Stephen Baxter have been big influences. I can’t forget Ursula Le Guin;
I loved Earthsea when I was a child and really need to read her works
again. Finally, this list wouldn’t be complete without Terry Pratchett. I
own dozens of his books and love the imagination and charm in each and
every one of them.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

The first woman I thought of was Sharrow, from Iain M Banks’s Against A Dark Background.
She kicked arse and got things done, all with an acerbic wit and flair
that helped make up for her not being exactly the most moral or
sympathetic of characters. Writing this has made me want to read the
novel again, actually!

You started out a science fiction writer but moved onto
horror and fantasy – do you have a current favourite genre to work in
and why?

It has to be science fiction I think; it was my first genre-love and
still is! I love the scope of it; there’s so much room to play with new
and interesting concepts, or put your own spin on familiar tropes. I’m
growing to love fantasy more though as time goes by, particularly as I
come across novels that aren’t all the familiar “sword and sorcery”
theme.

What can you tell us about the Outliers project?

Outliers is a collaborative project between myself and four
other authors. We’re aiming for ten books of linked anthologies set in a
shared universe, divided into two five-book arcs. As to what it’s
about… well. What would you call a superhero, in a world that doesn’t
permit heroes? A world where everyone is down in the moral mud, and
those with abilities are either feared, hunted or expected to change
everything? Could that world live with people with powers, and if it
could, would they want to be part of such a place?

Short stories set in the Outliers universe have already been
released, and our first novella anthology should be published early next
year. I’m extremely excited about it, and hope people will enjoy
reading it as much as I have working on it!

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

As a reader I enjoy it because you can read a whole story in one
sitting, so it’s very accessible and a good introduction to new authors.
As a writer I enjoy the challenge of creating new worlds and telling
decent stories within a tight word-count.

I’d have to say the idea that AI will try and exterminate us. It’s
been done so many times that the concept has got a little old, though
there are authors out there that still manage a fresh approach to it.

What are you up to next?

At time of writing I’m close to finishing the first draft of a
fantasy novel set in the same world as ‘A Change of Leadership’, and
featuring some of the same characters. After that comes the holiday
period and a well-deserved rest before the writing bug gets me back to
work on something new!

08 January 2016

Today we’re joined by the author of Wicked Women story ‘Red Ribbons’ – Stephanie Burgis, take it away!

Tell us a little about yourself and what you like to write:

I’m
a total history geek and a former musician. I grew up in East Lansing,
Michigan, and I spent a couple of years living in Vienna, Austria, but
nowadays I live in Wales, surrounded by castles and coffee shops, with
my husband, Patrick Samphire (whom I met at the Clarion West science
fiction & fantasy writing workshop!), our two kids, and our sweet
old border collie mix. I write wildly romantic historical fantasy novels
for adults, fun, funny adventure fantasy novels for kids (my first MG
trilogy was set in Regency England, with balls, highwaymen and magic),
and short stories that leap all over the fantasy and science fiction
field.
How long have you been writing and how did you get started?

I decided when I was seven years old that I wanted to be a
professional writer, because writing was the only thing that was more
fun than reading – and that’s been my career goal ever since!

Which authors have influenced you and why?

So many! Jane Austen, JRR Tolkien, Georgette Heyer, Robin McKinley,
Emma Bull, Judith Tarr, Patricia McKillip, Terry Pratchett, Terri
Windling…and that’s only the authors I’d really imprinted on by the end
of my teens! I love humour, I love romance, I love banter, I love
beautiful writing, I love feeling a true sense of wonder as I read, and I
love stories that are full of genuine emotion.

Both history and fiction are replete with women who aim to misbehave – do you have a favourite wicked woman and why?

Just at the moment, Agent Carter – I looooove seeing her on TV!

Your first adult historical fantasy novel – Masks and Shadows – will be coming out next year, what can you tell us about it?

It’s a wildly romantic novel set at the palace of Eszterháza, in
Hungary, in the late 18th century, full of dark alchemy, forbidden love,
blackmail, and dangerous opera.

How useful do you find making collages and music playlists when writing your books, and do you have a playlist or collage for Masks and Shadows?

I
make collages and music playlists for every book! I used to make them
on paper, but nowadays I tend to make them as Pinterest boards (and you
can see my Pinterest board for Masks & Shadows: https://www.pinterest.com/stephanieburgis/masks-and-shadows/
In Masks and Shadows, a lot of the story revolves around the
opera house where Haydn worked as the court composer, so of course I
listened to a lot of Haydn’s operas as I wrote, along with the fabulous
soundtrack to the movie Farinelli (because the romantic hero in Masks & Shadows is a superstar castrato singer).

Are there any differences in your approach to writing middle
grade fiction versus adult fiction, and are there particular things you
can or can’t do in each?

My MG novels are shorter, faster-paced and more streamlined than my
adult novels. My adult novels are more romantic; my MG novels are
funnier. I love writing them both!

What’s the appeal of short fiction for you and do you have any short fiction recommendations?

Going to the Clarion West science fiction & fantasy writing
workshop in 2001 taught me to love good short stories. Some of my
favorite short story writers are Sarah Monette (her collection The Bone Key
is my favorite short story collection ever! ), Zen Cho, and Aliette de
Bodard, and I also really adore Kij Johnson’s story ‘At the Mouth of the
River of Bees.’

Room 101 time: what one genre cliché would you get rid of?

Over-usage of sexual violence on the page (or screen) as an easy way
to establish villainy – and especially sexual violence against women
that’s used, narratively, to motivate male characters into action.

What are you up to next?

I have a new MG fantasy series starting in 2017 with The Dragon with a Chocolate Heart. It’ll be published by Bloomsbury in both the US and UK.

Thanks for joining us Stephanie!

Stephanie Burgis grew up in East Lansing, Michigan, but now lives in
Wales with her husband and two sons, surrounded by mountains, castles
and coffeeshops. Her trilogy of Regency fantasy novels was published in
the UK as The Unladylike Adventures of Kat Stephenson and in the US as the Kat, Incorrigible trilogy. Her first historical fantasy novel for adults, Masks and Shadows, will be published by Pyr Books in 2016, and her next MG fantasy series will be published by Bloomsbury Books, beginning with The Dragon with a Chocolate Heart in 2017. Find out more on her website – http://www.stephanieburgis.com/

06 January 2016

Today we’re joined by Wicked Women co-editor Jan Edwards who’s here to tell us about her five (ish) favourite fictional wicked women…

Finding
five wicked women that I truly admired was trickier than I first
thought. First problem is to define wicked. The OED quotes 1/ vile or
morally wrong or 2/ Playfully mischievous. It is a broad canvas but it
does cut out most of the obvious choices when it comes to famous women
of note. Sappho (c 570 BC) one of the first published female writers.
Ada Lovelace (1815–1852) mathematician widely considered to have written
the first computer programme. Lillian Bland (1878–1971) Journalist and
aviator who in 1910 built her own plane. Murasaki Shikibu said to have
written the first novel The Tale of Genji somewhere around 990.
Boudicca, (1st Century AD) famed leader of the Britons. Anne Frank,
Sojourney Truth, Cleopatra, Mary Wollstonecraft, Emmeline Pankhurst,
Marie Stopes, Apra Behn – the list goes on. Most could hardly be termed
wicked by either definition. Because of that I chose favourite fictional
characters from the many that inhabit my bookshelves and DVD racks.

1/Willow Rosenthal:
Willow is perhaps the most obvious wicked woman in regard to fantasy
fiction. She is funny, quirky, geeky and eager to investigate, though
she also has a very healthy regard for her own safety; something
frequently missing with fictional fighters of evil. When Willow turned
to the dark side she ticked both boxes in the wicked definitions. She
sashays around Sunnydale safe in the knowledge that there was not a lot
out there that could beat her in a showdown. She is truly mad, bad and
very dangerous to know, yet her ‘evil’ side comes from wanting to be a
part of Buffy’s supernatural team. Vamp Willow is another matter. ‘Bored
now!’ is one of those wicked women catch phrases loaded with
connotations that comes right up there with ‘come up and see me’. The
Buffyverse is awash with strong female characters: Buffy, Faith,
Drusilla, Anya, Cordelia and Dawn to name but a few, and they went on to
spawn a million more wicked women in countless fantasy books and TV
series’ but I shall let Willow represent them all. For my money Willow
Rosenthal in her various guises will always be in the top ten wicked
women.

2/ River Song:
River is a very different proposition and one of my top Who girls of
all time. A character who provokes strong emotions but then she is a
very strong woman. River sails along the very edges of legality,
frequently dipping onto the wicked side with great relish and style. She
is both wicked in the sense of big bad and also wicked in her gamine
personality. To attempt to analyse all of her quirks and contradictions
would be an essay all of its own. She has many guises. Steampunk hero;
Noir gumshoe; Femme fatale spy; criminal mistress-mind. River Song is a
true wicked woman.
3/ The Bene Gesserit: Okay I am cheating by
including an entire political/religious order but within the confines of
Herbert’s Dune world the Bene Gesserit ruled. Defined as ‘an exclusive
sisterhood whose members train their bodies and minds through years of
physical and mental conditioning to obtain superhuman powers and
abilities that can seem magical to outsiders.’ The sisters were (to
lapse into Labyrinth-speak) the babes with the power. They use anything
at their disposal to attain their goals; sex, blackmail, fear, magic,
drugs; whatever it takes to bend people to their will. The whole of the
Dune saga revolves around them. From House Atreides to House Harkonnen;
the Fremen to the Space Guild, these woman play the long game as they
shift pawns in every major house in that world. They are about as wicked
as it comes.

4/ Emma Woodhouse: Jane Austen’s eponymous heroine
was controversial character in her day. Her existence is limited to the
village by her monstrously selfish father, yet still does her own thing;
no mean feat for any woman negotiating the male dominated society of
Georgian England. She is young, rich, intelligent and as mind bogglingly
arrogant as her parent. Yet she IS trapped within that small pool, so
she contents herself with playing with her neighbours as a child plays
with dolls, sending ripples through every layer of society. As with
Willow and River her rise to infamy is unintentional. She arranges the
lives of people she views as her inferiors because, as she sees it, she
is superior and thus has the right. Like Willow and more especially,
River, she is just a girl who wants to have fun, and like them she truly
believes she is doing it for her victims’ good; whether they want it or
not.

5/ Rebecca de Winter: Feisty is an overused word
these days but Rebecca de Winter was that if nothing else. She is
portrayed through various other characters as a renowned beauty, perfect
hostess and compulsive liar. She torments her husband Maxim with
non-stop affairs, and when she discovers she is dying of cancer, goads
him into killing her. The second Mrs de Winter calls her mentally
unstable and sadistic and that could be a fair assessment. We learn
about Rebecca through the memories of others, yet she is there
throughout, lurking on every page. Daphne Du Maurier’s skill in bringing
to life a gloriously wicked woman whom the reader never meets is
superb. For me at least Rebecca de Winter as one of the greatest wicked
women (in the ‘mad and bad’ sense) ever to stalk the shelves of fiction.

6/ Captain Nancy Blackett: Yes I am going to cheat
again and add a sixth name, because this list really would not be
complete without her. Ruth Blackett, aka Captain Nancy, appeared in nine
of the twelve Swallows and Amazons books by Arthur Ransome. Like Emma
Woodhouse, Nancy is a controversial figure of her time. Unlike most
female characters of middle class roots she is a headstrong tomboy and
lacks the usual (for the time) dominant male influences beyond the
mischievous ‘Uncle (Captain Flint) Jim’. Captain Nancy defers to no one
and drags the more traditional Walker into her make-believe world of
pirates and explorers, supremely confident in her right to lead. Out of
all my wicked women of fiction, Captain Nancy is my first and favourite.
As a child I wanted to be her – as a writer I strive to create a
character with such appeal.

So there they are. My (6) wicked women. Given the space I could list a top 100!

Thank you for joining us Jan!

Jan Edwards was born in Sussex and now lives in the Staffs Moorlands
with 3 cats and husband Peter Coleborn. Jan is a writer of fiction,
freelance editor, Master Practitioner in both Usui and Celtic Reiki and
Meditational Healer and founder member of the Renegade Writers group. You can find her at her website https://janedwardsblog.wordpress.com or on twitter at: @jancoledwards.Leinster Gardens and Other Subtleties can be found in paperback or ebook editions from Amazon.