2013

Valpurgis

Close on the heels of their new album, Infernal Piano Plot . . . HATCHED! the Claudettes unleash their fanatical fusion of blues and soul-jazz live in the studioâ€”like Ray Charles on a punk kick. You've never heard a piano-drums duo like this.

Pray Macabre

Milwaukee's crushing doom up-and-comers (featured recently on Invisible Oranges and Brooklyn Vegan) will be in the library just a week after the release of their new album WORLD KEEPS SINKING. This is arty, proggy, often dissonant sludge that doesn't forget to choke the life out of you. Heavy and unique, seriously, don't miss this one.

One Bell and the New World Order of Rap Domination

New kids on the heavy, dissonant, catchy, post-punk block ANWAR SADAT will be rolling in to the studio all the way from Louisville to grace the Chicago airwaves with some mutilated tunes. Check it out friday night then come catch their set at Summer Breeze on Saturday noon-5 as part of WHPK's epic spring concert

PICTURES AND SOUNDS will feature John Wiese, Jason Soliday, Peter J Woods + Lucky Bone, and Bil Vermette 8PM February 23rd Film Studies Center
Soliday will be performing for Pure Hype, giving a preview of the sort of thing you'll hear at the event!

HOLY SMOKES! The INSERVIBLES are a punk band from MEXICO CITY that has garnered an international reputation as one of the nastiest and gnarliest bands around. One fanblogger describes them as REATARDS playing VOID covers. Tune in to theoneanadonely PURE HYPE to hear these guys tear up Univeristy of Chicago

If someone were to ask for "angular" music, Paper Mice would be called upon to answer. Stop-Start rhythms and dancey beats with a smattering of clever and non sequitur lyrics make them one of Chicago's favorite punk bands. Kinda like Minutemen gone math rock

Heavy Post-Hardcore slammers from TOULOUSE, FRANCE and Pop-Punk sweethearts BIG KIDS from CALIFORNIA will be recording with WHPK on saturday, 8/18, to be broadcasted on PURE HYPE the night of the 24th. Seriously don't miss out on this one!

8/31/2012

Denture Breath

Tune in to PURE HYPE for the WORLD PREMIERE of Denture Breath from Milwaukee. Who knows what they sound like? Hopefully like Refused.

The Great B-Ball Purge of 2041, a day so painful to some that it is referred to only as the "B-Ballnacht". Thousands upon thousands of the world's greatest ballers were massacred in a swath of violence and sports bigotry as the game was outlawed worldwide. The reason: the Chaos Dunk, a jam so powerful its mere existence threatens the balance of chaos and order. Among the few ballers and fans that survived the basketball genocide were WE WERE SKELETONS, the men capable of performing the "Verboten Jam"...
Flash forward 12 years to the post-cyberpocalyptic ruins of Neo New York, 2053. A Chaos Dunk rocks the island of Manhattan, killing 15 million. When the finger is put on the aging WE WERE SKELETONS, they must evade the capture of the B-Ball Removal Department, led by former friend and baller Michael Jordan, and disappear into the dangerous underground of the post-cyberpocalypse to clear their name and find out the mysterious truth behind the Chaos Dunk. Joined by allies along the way, including the bassist's son Hoopz, WE WERE SKELETONS must face the dangers of a life they thought he gave up a long time ago and discover the secrets behind the terrorist organization B.L.O.O.D.M.O.S.E.S.

"Creep Ambient" "Black Drone", however you might categorize them, Winters in Osaka bring the bleakness. The sound of your souls despair in the middle of winter, brought to you live on WHPK at the turning of summer

2011

Long time Pure Hype maven PAT REISINGER brings you a vicious storm of curly orange hair and hooks: White Mystery. Tune in for this special broadcast as Pure Hype starts to emerge from its summer break.

Get yr slobber bib on two weeks early as the Taco Belles bring extended jams of their future hit "Taco Mood" to the WHPK studio. Join 12%, Beef Stain, T-Bone, and Frank N Food as they tip over the grease dumpster behind Del Taco and ride the wave to summer.

Ben Scott/Michael Vallera

From the Vault

Eric digs through the sets, the touching, the unforgettable, the best forgotten. Our archives get a questionable airing out, one night only.

3/4/2011

POOR CHOICE

Short fast hardcore from local Chizona punks POOR CHOICE! They are going on tour on SPRING BREAK and will have their 7", Teenage Love is Beautiful, out before the summer.
Listen to the 7" before it comes out: http://www.mediafire.com/?4z7kvul2u7dhlei

Several creators of the Pictures and Sounds 2011 image program convene to explain their own visual work in sonic text. Get your dose of left-field experimental synth, then hit Pictures and Sounds on Saturday at the Films Studies Center (visit our to-do page for more information).

Order the corsage and steal your mom's flask: WHPromK is right around the corner!
Featuring the Sugar Stems (Milwaukee's own candy-coated darlings) and the Taco Belles (Chicago's inimitable Kings of Taco Rock), this rock'n'roll s#$% show is the prom you always wish you'd had.

Here's what the critics are saying:
Over the years, many imitators have tried to duplicate LOOSE DUDES style, they found LOOSE DUDES cannot be successfully copied; it is a distinct class of its own - both innovator and popularizer - with a spirit so alive and ever changing that the results defy imagination. The same holds true for the women who attend the bands shows every month. The LOOSE DUDES fan is as impossible to duplicate as she is beautiful, for she, too, is constantly changing and growing. She is spontaneous and sexy, adventurous and alluring, fresh and fun loving, and always happy and proud of being herself.
YEAH RIGHT::LOWEST COMMON DENOMINATOR PUNK OF THE HIGHEST QUALITY VINTAGE

oh+ah is Mel Gonzalez, Marcy Pierson, David Ungar, Ben Kauffman and Kyle Vegter. oh+ah makes use of many instruments, including voices, cello, bass, guitar, drums, and live electronics. If it says anything about our band, the name oh+ah was taken from a 18th century clan of linen weavers in the Caribbean, who used a phrase, oh+ah, to describe the relationship between the hands of the weaver, and his loom.

The weird side of Midwestern garage/folk convenes at WHPK to do some solo sets and showcase unreleased recordings before playing a full band show with Running at Harper Coffee Shop immediately following Pure Hype.

Frank Rosaly is a drummer and composer currently living in Chicago. He has been involved in the improvised and experimental music community for 10 years where he has become an integral part of the Chicago scene, navigating a fine line between the vibrant improvised music, experimental, rock and jazz communities. He contributes much of his time to performing, composing, teaching, as well as organizing musical events, while also touring regularly domestically and internationally.
Curated by Brian Sulpizio

Reconciling the past with the future, JayVe Montgomeryâ€™s work is time traveling to the pre(-)sent, the gift of now. His work reveals his adherence to improvisation and chance as a way to explore evolutionary learning and unintended subjective meaning through random being.
Curated by Brian Sulpizio

Steve Hauschildt of Emeralds, and Joe Raglani of himself got a heartbreaking amount of gear stolen at this year's No Fun Fest. Two Chicago-area heavy synth meditation jam units, and leaders of Catholic Tapes and Young Tapes, come together to record a benefit cassette to help the above put things back together. Heavy arpeggiation territory ahead.

the names that spell use drums, more drums, guitars, bass, keyboards, accordian, trumpet, saxophone, ukulele, zither, computer noisies, voices& many other devices to create our * ., . .
we are committed to being unpredictable, and the music we play we play for ourselves,so obviously we are big businessmen. we operate a big business.
every day we have to deal with shareholders, crockholders, moneyminglers, and paperpushers.,. and every day we make one hundred scillion transactions through our state-of-the-art mobile transmitter/receiver device machine. even though this is very hectic for us [and has even caused some of us to overfeed the parakeet], we still perform live constantly. and we don't outsource our number crunching to incompetent Bot-Drones. we painstakingly handcraft all of our numbers to look exactly the same, so at the end of the day we can invent our own taxes.

Two fine Summer Breeze '09 acts preview the next days festivities! A brief word about T-Funk:
"Thomas Function's bright, charismatic melodies are carried through a straight up beating, thumping, chiming rock n roll delivery. Signature bright keys and round classic rock bass drum set the top and bottom plateaus for the insanity. Classic, but somehow it comes off in a shiny new package. Like a tack piano on steroids. All because of the smart production and great song-writing going on in this band. And who can deny the patented melody-belt of Josh's vocal stylings? These are the type of musicians the record execs woulda trekked down to the swamp to sign a few decades ago...askin directions toward "that rock n roll genius sound". It just reeks of authentic, classic instant smash-hit wonder syndrome. And it keeps on pouring out of their pens in direct proportion to the booze pouring down their lovely pop-singin throats." - Tic Tac Totally! Records
...HEY! Thomas Function headline WHPK's Summer Breeze on Saturday, May 16th....and White Mystery will be playing too!

The Jarvis Cockers, Serge Gainsbourgs and Jonathan Richmans of the world appear to be a dying breed in our digital age. Even though we're constantly showered with new artistes, these larger than life figures and their observational eyes, erudite lyricism, and an ability to look like they live their songs have been sadly thin on the ground. Jeremy Jay...generally succeeds by injecting some Modern Lovers pub rock and sedate, new wave synths into his tales of hipper than hip youth and romantic encounters enjoyed beneath the glare of a disco ball. The result is a stripped back, lo-fi sound that attempts to thrust images from the modern world into the context of a vintage Godard film. -Charles Ubaghs, The Quietus
(recorderd May 3 for broadcast May 8)

Happy May Day! Pure Hype salutes the workers of the world by hosting Red Denizen in our record library. Born on the 4th of July 2006, Red Denizen is Laurence Ludwig, Adam Kroos, and Chris Ott. Coming from Chicago bands M.O.T.O. and Paper Bullets, Red Denizen is heavily influenced by their old bands. Mixture of Punk, Rock n' Roll, little bit of blues, and off key song writings. Most Red Denizen songs are 2 minutes long, and all of them were written not sober.

Ian and Paul were in a band together. Ryan and Paul were in a band together. Paul was the vital link, really. Kinda sounds like Takeshi Terauchi, Joe Meek, Ray Davies, and Edwin Collins started a band with the guy from The Submarine Races and the guy from The Lanterns singing.

"Taking their name from The Shakersâ€™ 1967 Swedish psych classic, These Wonderful Evils are largely the product of guitarist Zak Boerger and draw equally on the traditions of garage psych and proto-punk and slightly more erudite folk and minimalist approaches to sound-as-song, prizing intuition above all else as an organizing tool. Their debut album, â€˜Regine Floryâ€™ is a sideways attempt at that hoary chestnut â€œthe anti-war record,â€ and in a 2008 review, The Wire magazine said, â€œthereâ€™s a lonesome edge to the music that would situate it outside of any particular historical tradition and closer to the mystery school of regional private press obscurities. The acoustic tracks skirt the fringes of American primitive without particularly sounding like anyone else, but itâ€™s the elegiac fuzz settings that really make the album stand out." - Issueprojectroom.org

"Brighton, MA is a band from Chicago, IL with a sound that could have come from Athens, GA. Named after frontman Matthew Kersteinâ€™s hometown, Brighton, MA (and) falling somewhere between a drunken Bob Dylan and The Flaming Lips, the band cultivates a crossbreed of psychdelia and folk music that is utterly dynamic." -David Feltman, Scope Magazine

"You don't have to be a music critic to hear a little John and Exene in this south-side three-piece's male-female vocal interplay, but Daylight Robbery doesn't stop with Xâ€”their recent four-song seven-inch for Residue Records combines the short sharp bursts of late-70s west-coast bands like the Bags and the Wipers with the present-day energy of sweat-soaked Pilsen house shows. If they keep up the smash-and-grab songwriting of tunes like "Washtenaw" and "Cut the Line" they could be one of the stronger bands to emerge from the Chicago punk scene in recent years." -Brian Costello, Chicago Reader

"A typical Golden Birthday song, at least on the album, combines a metronomically repeated, often somewhat fussy percussion loopâ€”galloping low toms, flickering drum machineâ€”with heavily treated guitar and organlike synth tones that weave around the chord progression more than they follow it, implying the melody with negative space rather than stating it outright. Sullivanâ€™s vocals, which he tends to submerge in reverb, are more confident and competent than youâ€™d expect from looking at himâ€”with his close-cropped, lopsided haircut and awkward, gutter-fashionable thrift-store outfits, he could pass for part of the art-damaged indie-pop scene that values yelpy enthusiasm over actual talent. But his singing is more Donovan than Dan Deacon." - Miles Raymer, Chicago Reader

Tonight Pure Hype bids farewell to its longtime sound guru, interviewer, talent booker and boner-proponent Pat Reisinger with an extra-long edition featuring some of his favorite local bands, including first time Pure Hypers as well as old favorites. Listeners are encouraged to call in and make fun of corn and/or Nebraska. NOTE: Tonight's show will begin at 7pm.

"The fusion of {Joel} Janisâ€™ gently lilting voice (at points reminiscent of the Decemberistsâ€™ Colin Meloy) and minimalist acoustic guitar melodies with {Kyle} Andrewsâ€™ florid pop production style and ear for gratifying hooks has resulted in the kind of record that gradually sinks it teeth into you and refuses to let go" - Reveille Magazine

2/27/2009

Pillars &Tongues

2008

X-Mas covers rock-and-roll supergroup featuring Wes Sleigh (organ) Santa Coz (Bells-drums),
Kris Maas (Git), Rey N. Deere (skins),
December XXV (bass). This is the second December in a row for this holiday treat -- destined to be a WHPK tradition!

While the band may cringe at the use of comparisons, references have already been made to (early) Swans, Khanate, Bauhaus, Harvey Milk, Joy Division, The Goslings, My Bloody Valentine, Flipper, Saccharine Trust, Einsturzende Neubauten, etc. On top of that, most of their compositions are purportedly love songs

Primordial Mornings

" ...The Louisville rock trio boasts a taut chemistry and ravishing rawnwss that confirm what a great band is supposed to sound like. Much of the threesomeâ€™s communicative vibe can be attributed to the husband-wife team of bassist Tim Harris and vocalist/guitarist Tara Key. But the interplay is also due to fluid songwriting and Keyâ€™s inimitable guitar skills. No "Best Guitarists" list is complete without her name." The Absolute Sound - Bob Gendron

Large and Lovely

Annie was born and raised in rock falls, which is the moniker she has adopted for her music. here are some other things about her:
1. she sings and plays the guitar and the ukelele.
2. her songs are sweet, concise, intimate, occasionally sad, and always sincere and lovingly presented.
3. all of her songs are written on her living room floor, which is where she also sits when recording them on her tascam 4-track tape recorder (the porta03. it's the black model before they switched to blue).
4. speaking of blue, that is annie's favorite color.
5. she is mind-blowingly great at parallel-parking.
6. she really hopes that you like her music.

"Dreary songs. Foggy Americana pierced by the occasional freight horn, sung by a man who seemed to be channeling England and Ireland, drinking in a frothy ale and wolfing down bangers, elbowing up with hard working old men, their eyes as clouded as the windows of a gilded age saloon."
-Dan Duffy

"The Automatic Stinging Machines rock in a way that only the Automatic Stinging Machines can ... A bit like '60s era British spy rock, with an even harder edge ... they have dirty lyrics ... And they're a barrel of lubed-up monkeys live, pulling on-the-spot stunts ... "
-Sloop Biederman, dailylimerick.net

Darling was formed in the fall of 2003 out of angst of living
at our parents place and spending the same $10 a night on Old
Style at the same crappy bar. Darling has persisted in Chicago
these past 4 years, in and out of the hibernation of
wintertime, and has played with the likes of Make Believe, The
Robot Ate Me, Red Crayola, and Norfolk and Western. Darling
was recently review in Bootleg magazine and here is a brief
excerpt, "Ground is Sound is beautifully frantic, a drawn out
eruption of restrained emotion, like a long dream laced with
tension."

"Your window to brag that you knew the Virgins when is about to close. Until last year, they had no label, no shows and no record, so knowledge about this cool New York band was strictly by hipster word of mouth. Donald Cumming and Wade Oates met while modeling on a Ryan McGinley shoot in Mexico and decided to start a band to play the songs that Cumming had been recording in his East Village bedroom. They had barely recruited Nick Zarin-Ackerman and Erik Ratensperger and sent out demos before they were opening for Patti Smith and Sonic Youth and touring with Jet. It didn't hurt that the model Jessica Stam was seen wearing their T-shirt backstage at the Lanvin show. As for the actual music (expect a major-label album in the new year), think the Strokes you can dance to." - New York Times

"The Krunchies are the sonic equivalent of a brutal beating. There's no need to overanalyze â€“ it's simple call and response type songs with dual boy/girl screamers, slashing chords played at breakneck pace kept in line by ultra tight drumming"
-Terminal Boredom

Playing with special guest Dead Luke (solo project from dead hookers, occasional member of pink reason): "Oozing out of the sewer grates of Lafayette, Indiana over the last year, Television Ghost are an eerie and pugnacious band who are pushing rhythmic noise to it's inevitable apex by drowning the listener in subliminally perverse noodles of sound, which all fit somehow in place to concoct a truly contentious and staggering monstrosity."
-Victim of Time

2007

VEEDEE is your public mental health system
and if you get the choice, leave with your dignity. hope is a christian word; kill science with belief. VEEDEE has grown a garden as good as goD's ,they sit on our tounge
an ignorant sod. VEEDEE is hari freakrock
prefered by old dudes, acid casualties, BIKER gangs, priests, AND don juan de flays.

Painting a picture of Reds and Blue, the band dances between cacophony and calm, chanting around progesque keys, heavy drums, and drony bass. The band was formed by Ellen (of ZZZZ) in the spring of 2006. Fuzzy on reality, the noir sound moves from the cabaret, to the open road, to the far ends of the imagination. Ju Ju Pow Wow!

VEEDEE is your public mental health system
and if you get the choice, leave with your dignity. hope is a christian word; kill science with belief. VEEDEE has grown a garden as good as goD's ,they sit on our tounge
an ignorant sod. VEEDEE is hari freakrock
prefered by old dudes, acid casualties, BIKER gangs, priests, AND don juan de flays.

“The music of Beach Patrol is timelessly catchy pop/rock, distinguished not just by style but also by some of the finest songwriting exhibited in years. These are songs you like after one listen, love after five listens, and can't live without after 20 listens.” ---Lord Rutledge, Now Wave Magazine

“Last night I went to see some music downtown at Nihilist, an artspace converted from an industrial building into a home-built loft inhabited by any number of amps, records, and weirdos. The second of four acts was a local duo called Locrian, who built a huge pillar of feedback, right on top of my head. One guy started picking an acoustic-electric guitar while the other shouted into a echoed out mic, both of them way too close to their amps, guitar feeding back, mic feeding back, keyboards pounding and probably also feeding back somehow. They each had a big mess of pedals to get a big swirling, pummeling sound, real nice low end from the keys, sometimes the hint of a melody or progression lurking under the squeal, and when the guitarist plugged in the electric, things got nuts. It ended with both sweaty and prostrate before their cabinets, and they were really cool and appreciative and gave me a cool cd-r! Anyway, if you are in Chicago and like loud noise, Locrian is awesome.” - from brokenpants.com |||||||| The above songs are sections of a live peformance in Chicago, recorded by sound engineer Tanadej (DJ) Siriwattaprayoon.

The Andy's were born in the same hospital where their parents met. They learned to crawl, walk, and even talk together. Shared their first kiss together in fact. Austin and Zach actually met one another through MySpace after they had been simultaneously searching both Milwaukee area swingers, and Neil Young. Eventually, the four boys met through Colin, who had been working on assembling a pop-group for an upcoming ABC pilot. The stars aligned that day friends, and the results are in the ratings. Look for

Avagami was formed in Chicago in 2005 by Matt Espy (drums, electronics, see: Atombombpocketknife, The Reputation) and Eric Lebofsky (vocals, saxophone, electronics, see: unusual drawings) when the two met through Craigslist. Both were looking to push the pop envelope, and incorporate improvisational techniques into a song structure. Their music incorporates elements of Prog, New Wave, Noise, and Krautrock, as well as Burlesque, Lounge, and Psychotherapy (Gestalt.)

MR RUSSIA has emerged from the wreckage of contemporary rock music, and set a new standard within the independent Chicago music scene. These grave digging purveyors of a No Wave, post Chicago Sound, unload grinding, jolting, and thunderous double bass gui

8/17/2007

Daily Void

7/27/2007

The Half Rats

Ashtray Boy has been lying low here in Melbourne, but certainly not thrown in the towel, oh contraire! Since 2005 when we began to play with David Nichols (Cannanes, Huon, Grey Tapes, Driving Past ….. that’s enough, really David you are almost greedy)

The Holy Ghosts

The Latest

Bang! Bang!

No Band

No Band

Ashtray Boy has been lying low here in Melbourne, but certainly not thrown in the towel, oh contraire! Since 2005 when we began to play with David Nichols (Cannanes, Huon, Grey Tapes, Driving Past ….. that’s enough, really David you are almost greedy)

8/1/2003

Insect Deli, NIINIMAA, Loachfillet

7/25/2003

No band

7/18/2003

The English Softhearts

7/11/2003

Warmdesk, Matt Mercer

7/4/2003

Cold Heaven

6/27/2003

M. Fix

6/20/2003

Dead Reckoning, The Repos

6/15/2003

X27

6/13/2003

The Functional Blackouts

6/6/2003

First Coat

5/30/2003

P1xel and the Chronic Network

5/23/2003

Astomatous

5/16/2003

The Standing Nudes

5/9/2003

No band

5/2/2003

Brendon Massei, Jennifer Convertibles

4/25/2003

Swansea Mass

4/18/2003

Scott Tuma

4/11/2003

Millimeters Mercury

4/4/2003

The Kallikak Family

3/21/2003

Melomane

3/14/2003

Miss Alex White

3/7/2003

The Children’s Hour

2/28/2003

Bleary

2002

Ashtray Boy has been lying low here in Melbourne, but certainly not thrown in the towel, oh contraire! Since 2005 when we began to play with David Nichols (Cannanes, Huon, Grey Tapes, Driving Past ….. that’s enough, really David you are almost greedy)

Spindrift

Reagan National Crash Diet

Warmdesk

Smoke

J.R. Truckdriver

Authority Abuse

Plastic Crimewave and the Fake, Shackamaxon

Ashtray Boy has been lying low here in Melbourne, but certainly not thrown in the towel, oh contraire! Since 2005 when we began to play with David Nichols (Cannanes, Huon, Grey Tapes, Driving Past ….. that’s enough, really David you are almost greedy)

8/24/2001

The Mistreaters

8/17/2001

Dead Steelmill

8/10/2001

Grimble Grumble

8/3/2001

X27

7/27/2001

36 Invisibles

7/20/2001

Systemic Infection

7/13/2001

No band

7/6/2001

Millimeters Mercury

6/29/2001

The Carving Knives

6/22/2001

No band

6/15/2001

Currituck County

6/8/2001

Country Teasers (recorded 5/27/01)

6/1/2001

Tiny Hairs

5/25/2001

Yum Yum

5/18/2001

Planck Length

5/11/2001

Calvary

5/4/2001

No band

4/27/2001

Geoff Greenberg

4/20/2001

Drexel

4/13/2001

Tallulah

4/6/2001

No band

3/23/2001

Cheer Accident

3/16/2001

No band

3/9/2001

The Lofty Pillars

3/2/2001

No band

2/23/2001

Vulture

2/16/2001

No band

2/9/2001

Planethrower

2/2/2001

Behold! The Living Corpse

1/26/2001

Mr. Rudy Day

1/19/2001

The Hamicks

1/12/2001

John Greenfield

1/5/2001

No band

2000

12/29/2000

No band

12/22/2000

No band

12/15/2000

Art Loinz

12/8/2000

Reagan National Crash Diet

12/1/2000

Fred Lonberg-Holm and Michael Zerang

11/24/2000

No band

11/17/2000

Bright Lights

11/10/2000

Christine Back

11/3/2000

The Mabels

10/27/2000

Pistolero

10/20/2000

Ezurate

10/13/2000

The Handsome Family

10/6/2000

The Flippy Babies

9/29/2000

Competitorr

9/22/2000

Lozenge

9/15/2000

Silverado

9/8/2000

Nautical Almanac, Panicsville, Gunshop and Vertonen

9/1/2000

No band

8/25/2000

Bright Lights, Jen Turrell

8/18/2000

Chicago Underground Duo

8/11/2000

No band

8/4/2000

Kayla (from Feaze)

7/28/2000

Faces in the Dirt

7/21/2000

The Returnables

7/14/2000

Tokyo Expando

7/7/2000

The Unshown

6/30/2000

Kelly Hogan

6/23/2000

Liz Skillman

6/16/2000

Blamaday

6/9/2000

Disaster Action Team

6/2/2000

Happy Supply

5/26/2000

A-Z Consolidated

5/19/2000

The Puta-Pons

5/12/2000

Winter Vacation

5/5/2000

Bobby Conn

4/28/2000

No band

4/21/2000

M.O.T.O.

4/14/2000

Dolce Volante

4/7/2000

Bible of the Devil

3/31/2000

Cash Audio (fomerly Cash Money)

3/17/2000

Cats & Jammers

3/3/2000

Phenomenal Cat

2/18/2000

Vertonen, Coeurl

2/11/2000

Autoliner (formerly Life on Mars)

2/4/2000

Dearborn SS

1/28/2000

Geoff Greenberg

1/21/2000

Archer Prewitt

1/14/2000

No band

1/7/2000

The Nerves

1999

12/17/1999

John Greenfield’s Rock Band

Ashtray Boy has been lying low here in Melbourne, but certainly not thrown in the towel, oh contraire! Since 2005 when we began to play with David Nichols (Cannanes, Huon, Grey Tapes, Driving Past ….. that’s enough, really David you are almost greedy)