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Norman Brown “had to dig deep” when creating his upcoming album “The Highest Act of Love,” which will be released on February 22, 2019. He is ready to share this project and says, “I’m so excited about this record.” It took Norman two albums’ worth of music to create this very special one. He describes this record as a “framework for thinking and reasoning about life.” When beginning the project, Norman visited his archived music and started from there. The first song he pulled was a demo of Deniece Williams’ hit “Free.” Ironically, it didn’t make the first round of songs selected for the album, but it definitely made the final cut. The collaboration with Deniece on her song was very special because when she heard it, she was elated, saying it was “incredible.” Norman also collaborated with Paul Brown on the first song on the album, appropriately titled “Inside The Garden of Peace and Love.” That’s where the journey for the listener begins. Kim Waters and Chris “Big Dog” Davis collaborated with Norman on the album, as well.

For saxophonist Greg Chambers, A New Day has been 2 years in the making. He and his wife, Chelsea, have added the joy of parenthood to their lives, welcoming their baby boy, Owen. Greg is experiencing “balancing life and work.” A New Day was partially written and inspired by Owen, and the title, itself, represents embracing something new. Greg co-wrote all 10 original songs on the project and collaborated alongside Matt Godina, Nate Harasim, Lew Laing and Paul Brown. Working with Paul Brown provided “a different approach” that served as an inviting addition to the music. Chambers “enjoys the writing process” and is always “excited when working with other people and seeing the music take shape.”

Ray Parker Jr., Paul Brown, Peter White, David Benoit, Paul Jackson Jr. and Brian Simpson are among his buddies illuminating the new soul-jazz album. The first single, “Who You Gonna Call?,” impacts radio.

MENIFEE (7 June 2018): From beginning to end, saxophonist Michael Paulo’s “Beautiful Day,” is a celebration of love, friendship and the Aloha spirit. Opening with the title track inspired by the joyous news that he was going to become a grandfather and closing with the timeless Carole King ode to friendship, “You’ve Got A Friend,” Paulo’s eleventh solo disc dropped on the Apaulo Productions imprint. The collection is comprised of eight Paulo compositions and five modern classics produced by Paulo with two tracks helmed by two-time Grammy winner Paul Brown. The first single presently collecting radio spins and playlist adds spotlights guitarist Ray Parker Jr. on the aptly titled “Who You Gonna Call?”

Inherent in Paulo’s soulful play emoted through tenor, soprano and alto saxes on “Beautiful Day” is an effervescent spirit, a hallmark that perhaps emanates from the DNA of his Hawaiian blood. A genuine sense of gratitude is another vital element present in his recordings. With that ethos, Paulo crafted a set list that enabled him to record with and feature some of his accomplished friends the likes of which include guitarists Parker Jr., Brown, Peter White and Paul Jackson Jr.; pianist David Benoit, keyboardist Brian Simpson, bassists Freddie Washington and Roberto Vally, percussionist Lenny Castro, and drummers Gorden Campbell and Michael White.

“I truly have the best friends in life that always are there to support me. ‘You’ve Got A Friend’ represents why I am able to do what I do. I hope this record will touch people emotionally. My approach to playing has always been about expressing feeling and emotion and drawing the listener in so that they forget all the stress in their lives. I hope it renews their spirit, so they can continue to be happy and express love. When I perform live, my biggest gratification is when I feel that I have uplifted people emotionally and they can go home feeling good about themselves and life in general. That’s our gift as musicians and I am so blessed to be able to do what I do,” said Paulo.

The album also showcases Paulo’s touring band – a trio of Hawaiians comprised of Kimo Cornwell (keyboards), David Inamine (bass) and Fred Schreuders (guitar) along with drummers Land Richards and Sergio Gonzalez – which will take the stage with Paulo at SoCal hotspot Spaghettini on July 21 to celebrate the release of “Beautiful Day.”

Paulo’s professional career spans more than forty years, and includes gigs playing alongside R&B, pop and jazz headliners Al Jarreau, James Ingram, Patti Austin, Jeffrey Osborne, Kenny Loggins, Johnny Mathis, Bobby Caldwell and Rick Braun. He debuted as a solo artist in 1977 with the Japan-only release of “Tat’s in the Rainbow,” an album that highlighted Herbie Hancock on keyboards. Paulo continues his dual career as a solo artist and as a first-call session player-sideman. He also produces concerts and jazz festivals in Hawaii and in the long-time California resident’s home state. These days, Paulo tours frequently with Peter White, who plies his signature delicate acoustic guitar nuances in addition to contributing to the arrangement for “Beautiful Day’s” profound version of Sting’s “Fragile.” The saxman’s longest touring association was with Jarreau, with whom he shared the stage throughout the late crossover crooner’s glory days.

“I recorded ‘Your Song’ as a tribute to Al, who gave me my big break when he hired me for his touring band in 1983. We toured the world together for eleven years and he featured me on his ‘Live in London’ album. I used his arrangement of ‘Your Song’ and David Benoit delivered a heartfelt piano performance. I miss Al.”

2016 has been a great year for saxophonist Jessy J. She got married and on October 28th, released her debut holiday album, “California Christmas.” Jessy produced the project that she had been working on since 2014. She released it on her own label, Changi Records. The album was dedicated to her former manager, Stewart, who passed away last year. A few of Jessy’s friends including Jeff Lorber, Paul Brown, Steve Oliver, Michael Thompson, Maurice Smith, Jay Rowe, and more joined her on the album. Christmas is Jessy’s favorite time of year, and creating a holiday album that was a reflection of a “California Christmas” felt like a must to her. Covering holiday favorites with her own blues, tropical, jazzy sound makes this album a welcome addition to fans’ collections. Additionally, Jessy started a Pledge Music campaign–a great way for her to interact with fans.

The urban-jazz guitarist releases the bluesy “One Way Back” on Friday, an album on which he collaborates with four contemporary jazz guitar giants and another Paul Brown.

SHERMAN OAKS (30 September 2016): Paul Brown has had the Midas touch since the early ‘90s when he began producing some of the biggest contemporary jazz hits and definitive chart-topping albums by the brightest urban-jazz stars in the galaxy, amassing more than 60 Billboard No. 1 singles. In the past twelve years, the guitarist stepped forward as an artist in his own right, consistently cranking out hits of his own. Although his formative recordings established the sound of the smoother side of contemporary jazz for more than two decades, Brown yearned to reconnect with his first musical passion: the blues. On Friday, Woodward Avenue Records issued his eighth solo collection, “One Way Back,” a self-produced ten-track outing on which he followed his heart back to his blues roots.

“There was only one way back to my roots and that was to go down every road and embrace each one of them in order to find my way back to where I began,” said Brown, a two-time Grammy winner who wrote nine new tunes for the disc that was preceded by a reimagined take on Joe Sample’s party starter “Put It Where You Want It,” currently bulleted at No. 8 on the Billboard singles chart.

“’One Way Back’ is a journey thru my musical and life experiences. This album is a pure sense of expression and everything I’ve got to give,” said Brown before adding, “I’m a much better guitarist, producer and writer now than ever before.”

Born and raised in Los Angeles, Calif., initially Brown was a drummer before picking up the guitar. After learning his way around the recording studio, he became the engineer for R&B legends Diana Ross, Luther Vandross and Aretha Franklin. Moving over into the producer’s seat, Brown almost single-handedly architected the sound of smooth/contemporary jazz since the 1990s before delivering his solo debut in 2004, “Up Front.” From subsequent albums, three of which went Top 10, two singles -2005’s “Winelight” and 2007’s “The Rhythm Method” – were the most-played radio songs of their respective years. Concert performances around the world enabled him to refine and develop his guitar chops as well as cultivate his fan base far beyond the limiting confines of a recording studio. For more information, please visit www.PaulBrownJazz.com.

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Keyboardist Mark Etheredge, armed with a diverse musical background, has come full circle and is set to release the instrumental album he has always wanted to. On February 28, 2016 at Spaghettini’s near Los Angeles, Mark will have a CD release party for “Connected.” Paul Brown produced the much anticipated album and was featured on two of the ten songs, including the title track. Guitarist Chuck Loeb of Fourplay is also a featured artist on the project. As of January 11, 2016, the first single and title track “Connected” was the number one most added song on the BDSradio Smooth Jazz Chart. “Connected” is the result of Mark’s message about humanity. Unfortunately, like so many other young people in our society, Mark experienced being bullied and developed a sense of being disconnected. Overcoming those feelings and empowering himself, Mark musically expressed it all with “Connected.” He recognizes our differences and expresses how we are all still “Connected.”

LOS ANGELES (9 December 2015): Emitting an abundance of light on the front and back covers, contemporary jazz keyboardist Mark Etheredge describes his forthcoming “Connected” as the happiest album he’s ever made. Listening to the ten-song Vipaka Records release produced by two-time GRAMMY® winner Paul Brown, the upbeat melodies and optimistic grooves are spirit-raisers, written by a man who is quite comfortable in his own skin. But the inspiration behind the project that is scheduled for release February 26, 2016 is anything but comfy. While growing up, the tall and gawky Etheredge was bullied. He felt alone and disconnected. One of four boys born to a father who was a minister, Etheredge grew up singing and playing in church yet as he discovered his sexual identity, he felt further isolated. He was different and he knew it.

“I had a deep feeling of being disconnected from humanity. Later, I realized that these feelings were all in my head. We are all connected in this world, and what we do affects each other. ‘Connected’ is a celebration of our human connection – across geography, race, language, class, gender, sexual orientation and beliefs,” said Etheredge. “I’ve wanted to make an album like this for a long time. Working with Paul Brown and the high caliber of musicians was a real treat for me, and I’m thrilled to share this album with listeners.”

While most of the tunes on “Connected” offer a treasure trove of lilting piano and keyboard harmonies, the tension is palpable on “Lost In The Shuffle,” an instrumental account of Etheredge’s bullied past provoked by Brown’s menacing electric guitar and horn section stabs from saxophonist Greg Vail and trumpeter Lee Thornburg. It took decades before Etheredge could feel at ease composing a soaring affirmation like “Be Who You Are.” Championing our differences and connectivity, the disc’s deep-pocketed title track will be the first single shipped to radio after the New Year for airplay (watch the video for “Connected” here http://bit.ly/1m7Krpe). The urbane outing produced to sound live also makes room for the lighthearted with the carefree romantic romp “Groovin’ With My Baby”; the rousing “For Your Love” highlighting ace guitarist Chuck Loeb (Fourplay); the frivolously-titled “Bing Bang Boom,” which packs an explosive wallop along with combustible Latin sounds; and incorporates R&B and gospel into the mix with Andy Suzuki’s soul-stirring tenor sax appeals as Etheredge demonstrates his proficiency on the Hammond B3 and Wurlitzeron “Soul Clap Honey.”

Throughout the album, drummer Gorden Campbell, bassist Roberto Vally and percussionist Richie Garcia form a taut rhythm section from which Etheredge’s nimble and vibrant piano and keyboard melodies leap to the fore, bolstered by Brown’s guitar prowess.

“Connected” denotes a return to instrumental music for Etheredge following 2012’s adult contemporary vocal session “Change Coming,” which was driven by “The One,” a single graced with backing vocals from dance music diva Jeanie Tracy that received international airplay. His debut date, “As Dawn,” was a New Age record released at the height of the genre’s commercial power and reissued in 2010. “Connected” is Etheredge’s first collection recorded in Los Angeles after his relocation from the Bay Area two years ago, leaving a job in the tech space to fully focus on following his musical muse.

“I realized I wanted to do something more meaningful, make a more positive impact on the world and share my passion for music,” said Etheredge, who will be performing at album release concerts at Spaghettini near Los Angeles on February 28 and at Bay Area jazz club Angelicas on March 19.