How can this be, you ask? Well, I took the D-210XLT off the top of my D-115XL to go to rehearsal, leaving me with just the 15 and the WT-800 in my music room. So I wanted to practice a little the other night, and thought, "Well, I'm too danged lazy to go load in my 210 just to practice, so I'll just try the dorky 15 by itself."

Sooooo, with the judicious application of some Eden EQ, and running on the bridge pickup of my Jazz FMT, I was able to elicit some fairly crisp, jazzy tones from the ol' 15. Who'da thunk it? So OK, maybe they don't HAVE to be tone-sucking muff monsters, but be careful out there.

WARNING! Don't try this at home!

PS. I could regain my senses at any time, so don't take this to the bank, OK?

Originally posted by john turner yeah, i know what you're talking about, i mean, just the other day i had my trace ah600smx hooked up only to one 4x12" and 1x18" sub, and you know, it just rocked the house.

There may be hope for you yet Munji-
Anytime you want you can play thru my MESA
rig, all-tube power w/Diesel 2x10 & a 1x15!!! which yes, I can even use on its own!!! And it sounds good!
Whooda thought a 1x15 could EVER sound good?
Why...could it be ....James Jamerson on a B-15???

Now admit that Eden is not the freakin' center of the Universe (Very good stuff it is!)
and you may leave the clinic!

Oh, I'm softening in my old age. Don't get me wrong, I still prefer tens by a long shot. And although I haven't said it in maybe a year, Ibanez still blows. But a lot of young'uns like them Ibani, so why hurt their feelings? I also like the Fender Bassman 400 210 combo, but not whichever one comes with one 15. I think my opinions about fifteens are rooted in 115 combos. I used to have a Peavey Combo 115, and it sucked so bad it blew. I don't even like the SWR Workingman's 15. I bought one, and took it back the next day and swapped it for a WM 12.

Yes I'm judgemental. Who's not? But I'm not as judgemental as you think. Most of that crap is just to incite a little dialog. If everyone had the same taste as I do, Eden would still be open, and only about two or three other companies would exist. Each company fills a niche defined by numerous factors, not the least of which is economics. Then you have your rockers, your jazzers, your rappers, and y'all's country and westerners.

In the words of a fellow California motorist, "Why can't we all just get along?"