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Mozart, Wolfgang Amadeus. Ed. Franz GieglingPublished by Barenreiter Verlag, Kassel, West Germany. Copyright 1981/1990. Urtext of the New Mozart Edition. This work also exists in a later version for flute. ...view details

This is the perfect concert opener or closer! This flexible arrangement of Beethoven's most famous melody works for both full and string orchestras. It's been transposed and adapted to give all of your young...view details

This rousing overture to Offenbach's opera is more commonly known as Can-Can, and this spirited edition is very true to the original. Only slightly abridged, better orchestras will find this a more...view details

One of the most famous overtures ever written, this delightful selection abounds with well-known melodies and opportunities for technical development. A great concert opener or closer, and a wonderful contest...view details

Combined with an introductory theme from the suite, the "Overture" is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements of...

Moved from the original key of F to the easier key of G, this carefully arranged young orchestra selection retains all the charm and color of Beethoven's original. Students will develop their lyrical playing...view details

This famous suite is challenging, but this edition has eliminated some of the less common instruments and has abridged some of the more complex lines. A much more practical choice than using the original...view details

Long considered to be one of the most dramatic symphonic movements of all time, Respighi's finale is arranged to make it accessible and effective for advancing groups. The tension-building final section of...view details

From the opera "Prince Igor," this is one of the great showpieces of the Russian nationalist style, and it will make a tremendous addition to your orchestra's repertoire! Including several different melodies,...view details

This marvelous, flexible arrangement of Elgar's famous processional march is so versatile, you'll want to use it every year! All the strings can remain in first position, double stops may be divided, repeats...view details

This is almost like Copland, but without the difficulties. The sound of America can be heard in this one. Feature your fine soloists throughout this energetic work. Beautiful melodic fragments shift from...view details

Written at the request of President Chester A. Arthur, this stately and dignified composition was intended to replace Hail to the Chief, but the public would never let go of the tradition. Published for...view details

This very pompous, march-like setting by Merle Isaac is perfect for assemblies and concert openings. This is quite full sounding, and there is a nice balance of melody between winds and strings....view details

A perfect setting of this festive piece! Get the audience involved and carry on the great tradition of clapping and stomping along with the music. Just right for the early full orchestra experience. ...view details

Drawing heavily on the plainsong chant tradition, Durufle composed his crowning work in 1947 for mixed chorus, with mezzo-soprano and baritone soloists. He included three accompaniment options, ranging from...view details

One of the most unforgettable songs in America! With its lyrical melodies and rhythmic counterparts, this Gershwin classic is equally at home as a concert number or a lighter selection. A guaranteed hit! ...view details