/ George Jones

Cherry Red's imprint Morello has been releasing twofers from some of country's biggest artists for several years now. They've had a lot of great recent releases in 2016 and we'd thought we'd highlight some of them for you. All of the following twofers feature eight-page color booklets with two pages of liner notes and reproductions of sleeve notes and/or back covers. They each have notes written by journalist Tony Byworth with the exception of Dottie West CD. All of the reissues are produced

Ace Records has recently continued its Golden Age of American Popular Music Series with another volume dedicated to the sounds of country-and-western. More Country Hits follows The Country Hits, released in 2008, and like that volume, presents a collection of country classics that crossed over to the pop side on the Billboard Hot 100. Many familiar names from the first collection show up here, too, including Johnny Horton, Johnny Cash, Faron Young, Ray Price, George Jones, Skeeter Davis, Marty

George Jones (1931-2013) joined Epic Records in 1972, announcing his artistic rebirth with a self-titled album also sometimes known as We Can Make It after the top 10 hit song. Make it he did, as Jones stayed with Epic and producer Billy Sherrill for nearly 20 years. Raven Records has recently collected five of The Possum's prime Epic endeavors on one 2-CD set as The Tour de Force 1972-1980.
This new collection features the following complete albums:
A Picture of Me (Without You)

Numerous collections have compiled famous "answer songs." Ace Records' 2007 anthology The Answer to Everything had many of the best, like Jody Miller's "Queen of the House," Esther Phillips' "When a Woman Loves a Man" and Marilyn Michaels' "Tell Tommy I Miss Him." Early in the summer, Ace took a look not at answer songs, per se, but at sequel songs, on the compilation of Second Helpings: Sequels to the Songs That Left 'Em Hungry for More!
The 24 tracks on this collection all hail from the

This week's Release Round-Up is headlined by a legendary singer-songwriter's first appearance on Second Disc Records, plus an array of box sets, reissues and beyond from across the musical spectrum!
Paul Williams, A Little on the Windy Side: Expanded Edition (Second Disc/Real Gone) (Amazon U.S. / Amazon U.K.)
The newest release from our very own Second Disc Records imprint of Real Gone Music is here! The first-ever American reissue of Paul Williams' 1979 Portrait Records album has

When George Jones met Tammy Wynette, sparks flew. So, apparently, did dishes, utensils and glasses, when Jones interceded in an argument between the younger country starlet and her then-husband. It wasn’t long before Jones and Wynette were married, and dubbed “Mr. and Mrs. Country Music” by their adoring public. While maintaining separate recording careers, they also scored hits as a duo, joining the ranks of other famous country pairs – both married and platonic – like Porter and Dolly, Conway

From The Apollo to the swamps of Louisiana, Real Gone Music has a whirlwind musical tour planned for its February 3, 2015 slate!
The centerpiece of the February batch just might be the first-ever complete collection of Louisiana man Tony Joe White’s Warner Bros. recordings! Singer-songwriter White (“Willie and Laura Mae Jones,” “Polk Salad Annie”) has one of the most distinctive voices in southern soul, and Real Gone’s new collection celebrates a major period his career with a new 2-CD set

What makes a (living) legend most? Based on the label's three most recent releases, Omnivore Recordings certainly has some ideas. Omnivore has just issued singles anthologies from three tried-and-true country titans: Merle Haggard's The Complete '60s Capitol Singles, George Jones' The Complete United Artists Solo Singles, and Wanda Jackson's The Best of the Classic Capitol Singles. All three titles reiterate the eclectic label's commitment to reissuing some of the most significant C&W

With its two latest releases, Omnivore Recordings continues its great Bakersfield rescue mission. Texas-born and Arizona-raised, Buck Owens made his mark in that California city, answering the prevailing “countrypolitan” style with a return to a pure and unadorned honky-tonk sound. But that “natural” sound had roots that ran deep in Bakersfield. Yet Owens’ parallel career as the avuncular, perpetually joking co-host of television’s cornpone Hee Haw may have caused audiences to take his

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