19.00. Human-Machine Interface. Exhibition opening.
Open through the festival 13:00-17:00
The three works presented at this exhibition are united by
one approach: breaking into the existing and commonly used system (such as a TV
set, a printer or a computer), deconstructing it, and constructing a new system
out of it. As a result, artists present devices with new features, but at the
same time keeping the aesthetics and some functionality of the originals.The resulted devices are “funny”, they look like
techno-jokes; playing with them is similar to looking at monkeys in a zoo: they
look and behave, keeping some features of their big brothers but also acting in
some unexpected ways.However, these works pose important, and I would say
crucial questions in the (media) culture discourse. Who controls who? What is
the level of freedom we can reach (or loose) while living in the technologized
world? To which extent we should relate on the tools we are working with? Do we
need to know their back-ends?Artists and works:* Paul Slocum (USA). dot_matrix_synth. http://www.qotile.net/dotmatrix.html* Roger Wigger and Doma Smoljo (Switzerland). Hardware
Orchestra.http://ro.lux.to/hdo/docs/hdo2003.pdf* Aristarkh Chernyshev (Russia). Shining TV. http://www.shining-tv.com/

Rene Beekman (Bulgaria, Sofia)"dan" (jitter-based) image processorI am developing a software instrument based on the sandin
image processor. It is a modular sound and image processing synthesizer that
enables direct interaction between sound, image and performer. It will be
designed for use in both live performance and in (non-realtime) recording
situations.http://www.raakvlak.net/&
http://dorkbot.org/dorkbotsofia

Victor Laskin and Alexei Shulgin (Russia, St.-Petersburg -
Moscow)WIMP - revolutional visualizerWIMP (Windows Interface Manipulation Program, also refers to
Windows, Icons, Menus and Pointing device - the prehistorical GUI of the
1970's) is a program for creating full-screen visual animations synchronized
with sound in real time. As the only visual input WIMP utilizes graphical user
interface (GUI) of Windows operation system. Whatever applications windows,
icons, images, texts, etc. you have open on your desktop - they become an
inspiration source for WIMP and you. Animations are generated by simple 2- and
3-D effects and filters and their superimpositions. As such WIMP can be used as
a VJ tool, a screensaver, a cool grafix generator or as a piece of conceptual
art.http://wimp.ru/

Data transformation

Ivan Bachev (Bulgaria, Sofia)This tool is to Ei Music and Recontextualizaton. Re-using already existing
music databases. Experimental audio software / sound toys. Preprocessing already existing music with kind of soundtoy I
developed - "Ei". Start playing with "Ei" - browse folders
for mp3 files, pass through the loaded file, dis or re ordering it, and thus
create something new out of it... http://nml.cult.bg/~bachev/ei/http://www.runme.org/person/+navmemo/http://nml.cult.bg/

Douwe Osinga (Netherlands, Amsterdam)Visual GoogleI'll present two projects - visual poetry, converting
sentences into sequences of images and word color, a small tool to calculate
the average color of a word using Google Image Search.http://douweosinga.com/

Jean-Baptiste Bayle, Beatrice Rettig (France, Paris)POPAUTOMATEPopautomate is the duo of a singer and a database,
generating derivating songs, on the basis of pop samples and lyrics. The
package improves neurobiotics and artificial intelligence.http://talk-over.net/

Peter Luining (Netherlands)MediagurusMediagurus is a set of photoshop and compatibles filters
that let the user instantly apply the view of mediagurus like Gilles Deleuze,
Lev Manovich or Mattew Fuller on images. In this presentation Peter Luining
will worldpremiere this set of filters and als explain the how and why of them.
http://www.ctrlaltdel.org/

Rachel Beth Egenhoefer (USA)How do you represent the algorithmic movement of board games
in knitting patterns?Board game movement and instructions can be compared to
computer programmed algorithms. Move 4; if ladder go up, if chute go down, else
stay. They share a common set of instructions, execution of movement. Knitting
patterns also compare similarly to algorithmic instructions and construction of
digital matters. Row 1: Knit 12 Row 2: Knit 4, Purl 4, Knit 4, Purl 4 Row 3:
Purl 4, Knit 4, Purl 4, Knit 4 So if board games share a relationship with
computer programming and if knitting structures also share a relationship with
computer programming, then wouldn't board games and knitting also have a
relationship to one another? And what would it look like visually? If a
computer, a knitting machine, and a board game all sat down to dinner, what
would the conversation consist of?http://www.rachelbeth.net/http://www.rachelbeth.net/thesis.html

Brad Borevitz (US, San Diego)A children’s game transformed by the solvent of
computational method.In modeling the game Chutes and Ladders on a computer, we
gain insight into the nature of both games and computation. The computer
version, unlike the rule bound cardboard version, is unfixed, thus allowing for
the displacement of a moral overlay by a free play of algorithmic patterning.
The abstraction of the model preserves a structure but unleashes a principal of
variation: the computer makes every constant a variable (as Marcos Novak
observes as he describes the liquefaction of architecture). The arbitrariness
of particular rules becomes evident. To play this game of games, one engages in
aesthetic experiment with the collaboration of chance rather than subject to it
and the rule of law. The promulgation of rule must necessarily entail aesthetic
judgment. The perception of and pleasure in pattern is implicated in a desire
for law - a desire to be ruled.http://www.onetwothree.net/

Anne Laforet (France)The night of the living deadlineProject in progress with Saul Albert. Exploration of todo
lists and deadlines (behaviour, software, critique, etc).http://www.sakasama.net

Saul Albert (UK)_The world is my content management system_The Faculty of Taxonomy of the University of Openess has been founded to
investigate categorisation structures, classification schemas and to look at
the methods people have developed to deal with the mess of life.
During this presentation, researcher Saul Albert will present a few pieces of
taxonomical software, games and methods we could be using to sort things out
here at the runmedorkcamp.http://uo.twenteenthcentury.com/FacultyTaxonomy

Oriental Slackers Salonby Patrice Riemens and Lisa HaskelProvides a chill out and connectivity free space to relax,
enjoy Turkish tea from the Samovar, and various Oriental sweets, besides a nice
& cosy atmosphere and a lot of good reads.http://www.slackerssalon.org/

16:00-18:00. OUTPUT_lounge
by [ plus ]
DE_ELECTRIFICATION lounge
Our idea of an action has its point in a discussion about the input-output process we all constantly take part in. By input we mean all the information we perceive in our everyday life while output connotes reflections and the making of new knowledge. We believe that there is an imbalance between input and output opportunities which results from a focus on functional processes in the digital world as well as in our society as a whole; somebody call this imbalance information overload. Our society can not necessarily be responsible for all the information we frequently perceive but maybe it is to blame for being short on room where we can empty our minds for information and experiences. Thus, we need more mental and physical free space where we can be de-electrified and/or de-informed. Some places designed for reflection and mental cleansing.
We believe that visitors and non-visitors at the READ_ME festival need a place where they can discuss their experiences with the digital world. Therefore, we would like to create a space for de-electrification: DE_ELECTRIFICATION lounge. It will be a public event for everyone; no invitations are required. The setting will be a cafe or simply a room where you can get physical and mental massage, debate and air utopian dreams. Also, their will be placebo-like instruments which aim at creating a mental state of de-electrification. Some of the instruments will be interactive digital tools while. In conclusion, a physical room for digital and mental output.
http://www.plusland.dk/

Eva Sjuve (Norway)13 Volts and 1 Carrottap into memory bank of the outcast and stranger in the all
time society. read the gestures, see the sound. rufus; friend with technology.
live interactive sound processing, with custom built electronics/MAX/MSP.http://moomonkey.com

James Nevin (USA, New York City)The Realto Artware MachineSelections from my realto "virtual personal
theater" piece, "The Ferris Reels: Reel_01," a comic
autobiography of Cybernaut-01 (The Human Biocomputer). Also known as Dr. Sander
Ferris, the main character (and your narrator) is a present-day, mad
psychobiologist bent on redeeming mankind and himself through a memory drug he
describes as "the Human Intelligence Amplifier" -- MOSA-08. Wild,
wacky. http://www.jamesnevin.net/

Alexander Gurko (Germany, Kassel)
1. 'RGB.scr' [screensaver]
The screensaver moves separately three groundsignals of a screen (RGB) in random directions with a rising speed. At the
begining it looks like a small tremble, after several minutes like a flash. The warningsound of the operating system
accompanies the image, with a broken rhythm, more an more often. Before quitting, the screen gradually changes to its
initial state.
2. 'Computingfeadback' [computerinstallation]
Via a microfone a computer checks the sound volume coming out of the storage drive. If there appears a sound it is
recorded onto the memory, when the sound is over it is saved onto the storage drive. The writing storage drive produces
sounds again... The microphone also catches sourrounding sounds i.e. of spectators, which influences the running process,
turning endlessly.

Benjamin Delarre (London)N.E.S.T. - The Networked Exploration of Serendipitous
TransferN.E.S.T. is a cross platform application examining
corruption and disorder in virtual network communications. Audio is passed
around the Nest network by the means of the U.D.P. protocol. The Nest
applications method of communication allows several factors online and the
inherent techniques of this protocol to affect and degrade the original signal.
Users of the application are invited to watch and listen to
this process, engaging them in a search for serendipity as the message
gradually declines towards detritus. A mix between the children’s game of
‘Chinese Whispers’ and SETI’s Search for deep space intelligence Nest searches
virtual space for chaos. http://c6.org/

Paul Slocum, Lauren Gray (Dallas, United States)Dot Matrix SynthI've got an ongoing project, reprogramming the firmware in
these 1985 Epson LQ-500 printers to turn them into musical instruments. I
originally just wanted to make a sort of homemade mellotron, but it's evolved
into a much deeper project.
These printers (like all printers) have a computer inside that operates all the
motors and handles the parallel port, etc. The software that drives that
computer is all on an EPROM (a reprogrammable ROM chip.) I remove the EPROM,
erase it, and reprogram it with my own software that I've developed by reverse
engineering the printer and its computer.http://qotile.net/

14.00-15.00 Lunch break

15.00-18.00 Academy main room ||||| | | | | | | | | | |

Hardware transformation. Part 2

Aristarkh Chernyshev (Russia, Moscow)Final AdjustmentThe project's goal: the final release of the television from
the directive psychological effect and burden of sense, the deconstruction of
the information flow and its further use in decorative purposes, giving the
consumer the possibility to manipulate the TV-signal, i.e. the actual creation
of the product of a new type that allows to consume tv-products offered by tv-companies in a distorted form.http://www.shining-tv.com

Sergey Teterin (Russia, Perm)Movie Mincer CinemaIt is lowtech live performance where an old soviet mincer is
used as a laptop-connected device to manually generated video streams (mincer
> laptop > beamer > screen). Movie mincer allows to show motion
pictures by turning the mincer's handle reviving and paroding the atmosphere
of the first performances from the very dawn of cinema era.http://www.teterin.ru

Political and activist software

http://www.hackitectura.net (Spain, Barcelona)Al-jwarizmi / Gollum vs CNN# Al-Jwarizmi / Gollum vs CNN using the latest extensions
for Pure Data, presentation of some tools of collaborative, horizontal media
production, trying to escape from the mediatic, central control, building a
network of independent hacktivist, redefining the hackitecture of information
circuits.'gollum : a geo-interface for the dis-located and alien-ated
multitud' being one part of the al-jwarizmi / la multitud conectada project, which
has various components and aspects :http://mcs.hackitectura.net/tiki-index.phphttp://www.hackitectura.net/aljwarizmihttp://gollum.artefacte.org

Nathalie Magnan (France)dream of code for a cruze control queenA discussion forum is often the place for nacissic diplay, a
feminist forum bread high feminist discussion narcissic display and macho
advice, arogance, anger……There is no way around (unless one make the forum
hypersecure, hence unavailable to many). In order to neutralise such attitude,
and without ressorting to the forumers who are instantly angry and flaming,
there are a few strategies lines of codes for the agressor only (with the
perfect copy of the forum), a few possible boots that could be quite fun to see
in action.http://cyberfeminisme.org

Text – software art related

Criticalartware (USA, Chicago)R&D (3973): R&D (2004) ++ R&D (1969)criticalartware will explore the [concept/construct] of
Research & Development @ Read_Me & Dorkbot (2004), documenting
[interactions/investigations] into these approaches + mapping these results in
relation to the formation + activities of Raindance (1969). Raindance, an
artists' organization, [formed/founded] in the early moments of video art, published Radical Software (1970-1974).
Radical Software, the first journal of video art, + runme.org, the software art
repository, have both deeply [influenced/informed] criticalartware as an
[application/platform]. criticalartware coreDevelopers will [interview/interact
with] organizers + participants of Read_Me & Dorkbot (2004) to document,
comment on + hystoricize R&D, selfReflexively creating an
[overlap/timelapse] between [conceptually/code]-based moments + technosocial
systems. the research criticalartware
conducts @ + on R&D will result in the continued development of liken.
criticalartware coreDevelopers will upload these
[documents/comments/hystoricizations] into liken, the [code structure/responsive system] that
underlies criticalartware, functioning as an artware + substructure + growing
based on open participation by anyone who contributes to criticalartware.
liken's [form/structure/body] is [a/an] [product/agent] of criticalartware's resources growing symbiotically with
collaborative texts (Likis), comments + the posting of nodes. the nodes
resulting from criticalartware's involvement in Read_Me & Dorkbot (2004)
will be offered as [shared/subjective] hystorical resources [in/on] the
criticalartware [application/platform].http://www.criticalartware.net/

Installation-based

Marco Di Carlo, Alexander Gurko, Petra Lange, Lars Roth, Arnold von Wedemeyer (Germany / Kassel, Berlin)
'Konzert fuer 10 Jalousien' (Concert for 10 Blinds)
The architectural installation 'Konzert fuer 10 Jalousien' (Concert for 10 Blinds) uses existing electronic blinds from a
facade of a building for the audio-visual performance of machines. With a special composition, composed for this location,
a computer controls these elements of sunprotection which are alienated from its original purpose. The sounds of the up-
and down moving blinds are captured with contact-microphones and intensified by means of a sound set. The facade
becomes an opera stage and somewere in the orchestra pit, there is the computer, the "conductor", whose acting can be
pursued on the screen.

20.00 - pez orchestra. Anne Laforet.the pez dispensers are linked via midi to the computer that
makes the music. opening the pezs triggers events and sounds. so it has to do
both with software and hardware at the same time.http://etc.sakasama.net/wakka.php?wiki=pez

20.30 Eugenio Tisselli. MIDIPoetMIDIPoet is a software tool that allows the manipulation of
text and image on a computer in real-time. It has two parts: composer and
player, with which you can, respectively, compose and play pieces of
interactive text and image on the computer. These pieces may or may not respond
to external impulses, such as MIDI messages or the computer keyboard, and
generate visual manifestationes that involve the manipulation of the different
attributes of text (content, font, position, size, etc), image (content,
position, etc) and other elements and visual effects. Conceptually, MIDIPoet is
based on the notion of fields of events: a set of potential behaviors of visual
elements on the computer screen that happen or not depending on internal
conditions or external manipulations.
http://www.motorhueso.net/

21.00 Rasmus Lunding (Please note! another venue: Splab)
Starting out on the punk and experimental music-scene in the 80-s in Arhus, DK. Lunding released records and played gigs with groups like: Picnic, Hunk-A, It?s my Head (DK/UK) and Encore+Grande (NL/F/DK), later moving on with solo-projects released on CDs and tape and finally ended up working with sound and music in a hybrid between artistic expression and sound a vehicle for tactile, gestural and creative output within installation-work, design and educational practicises.
[...]
Lately Lundings musical work has primarely been based around sound and space, using the computer to enhance and rework field-recordings. And beside that composing chambermusic based on a variety of sources: Malawian marimba-music, danish poetry, contemporary media-policy....[...]
Since 2001 Lunding has expanded his studies of sound and gesture as vehicles for animated expression through the means of robotics into live-performances w. interactive robot-soundsculptures. [...]
Rasmus Lunding is now working on expanding the Lego consumer-robot kit (Mindstorms RCX) into a musical component, suitable for live-performances.
Transforming this silly looking little robotic plastic toy-kit into a hybrid between mobile installations and electronic instruments, Lunding provides an occationally humourous performance, struggling to make the RCXs do what they are supposed to. [...]
System programmed by: Ole Caprani/Legolab
Robots build by: Thomas Heide/Legolab, Jakob Fredslund and Rasmus B.
Lundinghttp://www.daimi.au.dk/~rasl/

22.00 Live coding / command-line performingwith Sick Lincoln, Nullpointer, RedFrik, VJ Übergeek, Yaxu
Paxo.This session will explore the performative aspects of
programming. Programs written on the fly, coding during the code execution,
collaborative real-time programming with instant result, - all these techniques
will be used while performing.

23.00 Paul Slocum, Lauren Gray. Tree Wave music performance Tree Wave is a band based in Dallas Texas, created by Paul
Slocum and Lauren Gray. The band uses unique instrumentation: music is
performed using obsolete computer equipment for instruments. The equipment runs
custom music software written by Paul designed specifically for the band. [...] The music is probably more organic than you'd expect from
the instrumentation. Although definitely electronic sounding, the music is
influenced more by guitar based bands and experimental music than dance or
electronica.[...]The printer is also used live and prints patterns while
playing rhythmic and melodic parts of the songsþhttp://www.treewave.com/

Auracle is a networked sound instrument, controlled by the
voice, that is played and heard over the Internet. http://www.auracle.org/

James Nevin (USA, New York City)The Realto Artware MachineI will present an overview of a new form of aural/visual
narrative -- the realto (pronounced "rialto"). The realto rediscovers
the ancient tradition of live oral storytelling, places it in a postmodern
software context, and creates a new form of "virtual personal
theater." An evening performance demonstrates the realto in action.http://www.jamesnevin.net/

Amy Alexander / VJ Übergeek (USA, San Diego)A talk about CyberSpaceLand (performance and software)... Plus: Something
Else...
Computer culture, nerdy lovechild of the business and tech worlds, clashes
with pop and leisure culture daily. The result: leisure culture seems
increasingly like work. But what if we take a different approach?
"CyberSpaceLand" turns strange search engine queries into
fun-and-funky club visuals while revealing the possibly poignant poetry
people place on the net. And it turns tedious typing into a kinetic
performance! An all-text video mix, CyberSpaceLand is generated in
real-time by slightly chaotic algorithms and a human VJ performing with
slightly chaotic hand and foot operated gadgetry. VJ'ing goes unplugged...
CyberSpaceLand Home Edition is a freeware distribution of the same
software used in VJ Übergeek's live performances, but without the smokey
club haze. As a desktop productivity tool, CyberSpaceLand Home Edition
includes a music visualization option as well as CyberPOP, a psychedelic
e-mail reader. http://cyberspaceland.org/

Algorithmic appreciation

Trevor Batten (GB/NL)Regarding early computer art If anybody has an Amiga or an emulator then I could present
some ancient audio-visual works in AmigaBasic (currently on CD) -or I have on
overhead transparancies (if there is an overhead projector available) an
ancient lecture on my work (Cross Media Mapping Project) at the Institute for
Sonology in Utrecht from around 1972 to 1984 -before starting the Amiga work. At present I am trying to continue
my Amiga work in java -although at present there is only work in progress.[...]http://www.dma.nl/batten

Outdoor computing session (with Annina Ruest)"people doing strange things with software in public
places".
This is for people interested in exploring outdoor computing. bring along
portables, wearables, walkables, performables - take your electric and
non-electric computers and let's go outside!
I will demonstrate my experiments with mobile units and if there are not enough
other people with outdoor computing projects i will do a little howto session
(how to connect different things to your laptop & then go walking). the
session should take place outside @ night (because it's easier to see the stuff
on the screen...).

LiVES workshop on video editing / VJing with LiVES and
Linux/BSD (with Salsaman)http://lives.sourceforge.net/LiVES began as the Linux Video Editing System. Since it now
runs on more operating systems, now LiVES is a Video Editing System. It is
designed to be simple to use, yet powerful. It is small in size, yet it has
many advanced features.LiVES is part editor, part VJ tool. It is fully extendible
through open standard plugin scripts. LiVES lets you start editing and making
video right away, without having to worry about formats, frame sizes, or
framerates. LiVES will let you start creating your own tools, utilities and
effects via the built in RFX builder.LiVES is aimed at the digital video artist who wants to
create their own content, the video editor who wants to create professional
looking video, and the VJ who wants to captivate with spectacular images.I've put a new demo up online, this is the kind of thing
which could be created in a workshop. Something I would like to do is for the
group to have a selection of 20 or so randomly selected short video clips and some
music tracks and work together on making a presentation and then at the end of
it, give everybody a CD or DVD to take away. It would take a bit of
organisation, but I think it would be enjoyable for people.Anyway, the demo shows a lot of things - what I am doing now
with text, what can be achieved with the current version of LiVES, and what can
be done in a very short time span (this was put together in just a few hours).
And of course, the quality of LiVES output.Here's the demo:http://www.reimeika.ca/gabriel/simulated.ogm(if that has moved, try:) ftp://ftp.reimeika.ca/gabriel/simulated.ogmIn case of problems, a guide to playing back this format can
be found here:http://ld-anime.faireal.net/guide/ogm-en

'medialog and recuerdos de luchas': Pure Data workshop
focused on network communications and video processing with d.R.e.G.S. / r1.It will cover the development of a multi-media web site (
with streaming of audio and video ) using the latest extensions for pd ( pure
data ).http://www.hackitectura.net/

20.30 - Popautomate songs + anti copyright megaphone.
Jean-Baptiste Bayle, Beatrice Rettig.Popautomate is the duo of a singer and a database,
generating derivating songs, on the basis of pop samples and lyrics. The
package improves neurobiotics and artificial intelligence.

21.00 d.R.e.G.S. / r1. "The Aesthetics Of Our
Anger"d.R.e.G.S. / r1 : with only one of r3 doing some very
relevant work on image manipulations, illustrating how the way medias can forge
some political opinions by images collisions techniques and propaganda, under
the thunder of noise made by one guy on his laptop.Skeezo (a.k.a r3) are a collective of audiovisual creators
from Terrassa, near Barcelona. Coming from a background of political activism they extend this to their work :
building their own machines, using only free software and showing material that
explores the alienation and insurrectional possibilities of modern life. They
bring a breath of fresh air to a scene that is dominated by techniques and
point the way to technology being a truly liberating force.Yves Degoyon is a musician and author of open-source
software for audio and video processing within the frame of Pure Data. Once motivated by the need to
create and use his own tools for sonic performances that would be different
from the standardized sound of commercial software, he then got into development of video extensions, with Tom Schouten (
belgium ) that have been used in several installations.
Skeezo/r3 : http://www.artefacte.org/skeezo
d.R.e.G.S. : http://ydegoyon.free.fr

22.00 klipp avSick Lincoln is the creator of a powerful system for live
generative breaks and audio cutting called BBCut./f0 is a sound and video artist who uses
max/nato.0+55/jitter in unison with audio manipulations.Together they present new techniques for live synchronised
cutting of audiovisual material, capturing live audio and video from the
audience and incorporating it into their set. Everything you hear or see is
being created live, using advanced custom algorithmic composition tools and
interactive interfaces, and even live coding. Both are experts in the cutting
edge audio language SuperCollider. http://www.klippav.org/

23.00 GoodiepalMainpal Inv./ Goodiepal is definitely one of the most
interesting persons in modern Scandinavian music according to Datanom. … Over
the last ten years he has been working as a programmer and inventor for various
companies with clients such as Hitachi, Lego and the Finnish mobile phone giant
Nokia. …Goodiepals music has a fundamental music ideology that can be traced
back to Danish outsiders like Rude Langaard and Niels Viggo Gade. … Over the
last three years Kristian Vester has been touring most of the Western world
intensively…. http://www.ski-pp.com/goodiepal.htmlhttp://www.datanom.com/mainpal/index.htm?content=page/references.html

00.00 VJ Salsaman (LiVES) and VJ WIMP + DJ LJUD, Jens OK KingLiVES began as the Linux Video Editing System. Since it now
runs on more operating systems, now LiVES is a Video Editing System. It is
designed to be simple to use, yet powerful. It is small in size, yet it has
many advanced features.LiVES is part editor, part VJ tool. It is fully extendible
through open standard plugin scripts. LiVES lets you start editing and making
video right away, without having to worry about formats, frame sizes, or
framerates. LiVES will let you start creating your own tools, utilities and
effects via the built in RFX builder.LiVES is aimed at the digital video artist who wants to
create their own content, the video editor who wants to create professional
looking video, and the VJ who wants to captivate with spectacular images.
http://lives.sourceforge.net/WIMP is a program for creating full-screen visual animations synchronized
with sound in real time. As the only visual input WIMP utilizes graphical user
interface (GUI) of Windows operation system. Whatever applications windows,
icons, images, texts, etc. you have open on your desktop - they become an
inspiration source for WIMP and you. Animations are generated by simple 2- and
3-D effects and filters and their superimpositions. As such WIMP can be used as
a VJ tool, a screensaver, a cool grafix generator or as a piece of conceptual
art.http://wimp.ru