I guess I can agree that "Swamp" and "Stay Up Late" have had a longer shelf-life than other more-deserved songs.

And although "Wild Wild Life" was the definitive Top 20 radio-happy release from "True Stories", methinks there are many other, stronger tracks that stand out on that album (songs which would probably not have made for good commercial airplay). "Dream Operator" and "City of Dreams", par example.

I'm surprised that "Blind" never really found a home in the band's top lists. And really, there are plenty of under-appreciated tracks on "Naked" that still combine some of the band's early tone with the later-found musical maturities and complexities.

"The Democratic Circus" and "The Facts of Life" have an almost industrial quality to them. And the story and tragedy of "Bill" is, I think, some of the band's most lyrically powerful and emotional work, right up there with "Listening Wind." In fact, the whole second side of "Naked" descends into a mood of anguish and despair. Very evocative. It all ends with "Cool Water", which is as compelling a song as any, full of building anxiety, tension and then finally resolve. It's a resolve that not only serves to bring a mournful end to the song and the album, but to the band's immediate career.

Lady don't mind is underrated I reckon, it's a big song from that album but And She Was and Road to Nowhere always seem to get the love (in DB live sets for example).

And how is Psycho Killer over-rated? One of their top five songs without doubt! I would also say that Swamp is under-rated, another great song that for whatever reason was never really played after the 1984 tours.

The only one I really agree with is Stay Up Late, it really seemed like a filler track that doesn't really go anywhere.