It occurred to me when I was recently in Chicago that the media furor about Donald Trump’s insistence that he be allowed to hang 20-foot-high letters spelling out his name on his new skyscraper is pretty much the mindset behind Governor Pat Quinn’s campaign to tag “Billionaire Bruce Rauner” as a rich, out-of-touch, right-wing white guy.

So I commissioned a poll. While a majority actually agree that Trump had the right to hang his letters, he’s not popular here and voters don’t think that people like him can understand regular folks.

You may have heard that a lot of critics, in their reviews of the film, have been comparing the Facebook saga The Social Network to Citizen Kane. So before this turns into one of those inaccurate, Al-Gore-says-he-invented-the-Internet sort of myths, let me clarify: They’re saying that in terms of its storyline, themes, and protagonist, director David Fincher’s and screenwriter Aaron Sorkin’s movie is more than a bit reminiscent of Orson Welles’ 1941 untouchable. No one, to my knowledge, is saying that The Social Network is as good as Citizen Kane.