Inspired by educationalist Alvin Boyarsky’s collections—which includes drawings from Rem Koolhaas, Zaha Hadid, Daniel Libeskind, Alexander Brodsky and Ilya Utkin, etc.—which provides an opportunity to explore both the techniques and the imaginative spirit of drawing, I research on architects’ early-phase drawing languages while reflect and criticize on my own development of immersive, ambient drawing tools from digital coding to analog photo collages, from ever-changing perspectives to (im)material particles.

Drawing—narrating and being narrated—is the inner flow of architect, of human being; it leads to the interiority of architecture.