Welcome back to another edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are celebrating their 4th anniversary of the SNMS Podcast! Keeping with the past anniversary episode themes, the boys have decided to cover the Alec Baldwin-helmed big screen production of The Shadow, from 1994!

Dion and Blake attempt to dissect this long-established property by going back to its roots in the Walter B. Gibson-penned pulp novels, trying to coherently lay out the different timelines of The Shadow from the radio, in print, and on both the large and small screens. They unpack the elaborate history of the man in black, drawing links to what was actually going on in the world during the early 20th century, and how the character went on to influence one of the most famous superheroes ever created. It’s another educational, hilarious and exciting anniversary-installment of Saturday Night Movie Sleepovers!

Welcome back to another edition of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are kicking the Springseason off with a cult classic -a film largely forgotten by many- or gets a raw deal by those who do. But with the new Avengers: Infinite Wars coming out, the boys thought it was about time to cover this important installment in Marvel history. This week it’s they’re talking all things Captain America, from 1990.

Dion and Blake chat about growing up being avid comic book fans and how popular the medium was at the time, while reminiscing about the various comic book stores they frequented in that glorious era of their youth. They segue and discuss the history of Captain America and particularly how it related to what was really happening in the world at the time, before they get to the 1990 film. They explore the epic cast assembled and the pitfalls of trying to do a faithful adaptation of a classic character without having the budget to do so. It’s all going down on this epic, all-new episode of Saturday Night Movie Sleepovers!

Welcome True Believers to another all new episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are talking a character that is a personal favorite of the boys- particularly J. Blake -and with a new film hitting theaters this week, what better time then to discuss a certain New York City Web-Slinger! That’s right, your ‘friendly neighborhood Spider-Man‘ is the topic and his journey through television with an emphasis on the 1977 TV movie entitled just Spider-Man, and the live-action series that blossomed out of that movie pilot, The Amazing Spider-Man, which ran from 1978 to 1979.

With such a huge topic to cover, the boys initially set out to only talk the 1970’s live-action series but decided they needed to touch on the original 1967 Spider-Man cartoon series that ran until 1970, as well as the first live-action appearance of the character which appeared on of all places, PBS, on 1970’s series The Electric Company. They also felt compelled to discuss the little known, but amazing (no pun intended… or maybe it was…) live-action Japanese TV show entitled Spider-Man (or Supaidâman) that ran from 1978-1979, coinciding with the live-action America series. The fellas do touch upon the other iterations of Spidey in his various animated forms but set up the conversation by going into how much of an influence the character was for Blake growing up, even as far as a very young Blake (with the help of his Mom) submitting Spider-Manartwork to Marvel in hopes of becoming an artist there. The boys then go through the history of the character: summing up comics in the Golden Age, specifically pre and post war; Timely / Atlas Comics’ evolution into MarvelComics; and Stan Lee‘s fight to breakout of the then-standard storytelling molds for comic books of the day, to be able to tell new kinds of stories that humanize the characters portrayed within. From the 1967 cartoon and appearances on The Electric Company, they dive deep into the 1977 TV movie ‘Backdoor Pilot‘ (as it was called), to the last two-part episode of that series in 1979 called The Chinese Web, released theatrically later as The Dragon’s Challenge overseas. They also breakdown the pilot to the 1978 Japanese show and try to put into words how much the Japanese show blew their minds… So could it be argued that Spider-Man‘s origin story is in fact more tragic than Batman‘s? How does the life-action adaptations from the 70’s hold up? And just how freaking amazing is the Japanese show really? Well make sure you grab some extra web cartridges, your camera and pack a lunch, cause we’re swinging through the glass and cement canyons of New York City this week in an all new and exciting installment of Saturday Night Movie Sleepovers!

Excelsior!!!

*(This podcast was recorded prior to the passing of Stan Lee’s wife, Joan. Our thoughts and deepest condolences go out to Mr. Lee and his family.)

With Christmas just days away, J. Blake and Dion Baia decided to seek out a film that actually was the first to attempt to lay out the backstory of old St. Nick; a movie that sadly came and went, and like any good holiday film, it’s a perfect time capsule for the era it was made within. We’ve got Santa pitted against the evil and greed of the 1980s, in Jeannot Szwarc‘s Santa Claus: The Movie, from 1985.

This forgotten gem starring the great Dudley Moore, David Huddleston and John Lithgow immediately have the boys thinking back to the Christmas’ of their childhood, and the memories that come along with those experiences, like the Sears and J.C. Penney catalogs and their toy sections, or shopping with Mom and watching her use coupons for everything and then get rainchecks for what was on sale but had been 86-ed. And because of the product placement and connected marketing campaign, it has Dion and Blake longing for a McDonald‘s meal circa 1985, and all it’s unhealthy heavenly glory. They discuss the superhero-esque origin story, and relish in the glorious pre-CGI practical effects, and the beauty that has been lost in those antiquated Special Effects. So playing the SNMS-patented“What-if ?” game, who were some of the other directors considered to helm this film? Was a legendary horror director actually topping the list to, at one point, oversee this project? Was this entire movie, including the parts in New York City, shot on a soundstage in another country entirely? And is it really unheard of to have that many wild reindeer pull a sleigh? Well, this week the boys hook up with the Vendequm and watch them fulfill their centuries-old prophecy, in an all new Holiday Edition of Saturday Night Movie Sleepovers!

Due to the astounding popularity and success of our last series of interviews with retired NYPD Homicide Detective Randy Jurgensen that aired here last December in 2 parts, and because of the content of last week’s SNMS episode on the 1980 film Cruising, we decided to reissue our first groundbreaking interview which originally ran in February of 2012 on our now defunct sister site, The Podwits.com.

So the name Randy Jurgensen doesn’t sound familiar to you? Well, believe it or not you know him. The retired NYPD Homicide Detective and film icon has acted in and produced dozens of films, and has worked on some of New York City’s most famous cases. His book, Circle of Six, is his real-life tale of going against the system and practically the entire department brass in order to bring to justice the murderer of a fellow brother-in-blue, in what turned out to be one of the city’s most notorious cop killings. This passed April marked the 44th anniversary of the killing of Officer Phil Cardillo at Mosque #7 in Harlem, and the case that forever changed the seasoned detective as well as the fabric of the entire New York City Police Department. In this SNMS EXCLUSIVE, Randy sits down with Dion Baia and talks about his very colorful career as a homicide detective and his unlikely segue into the cinema. The NYPD veteran gives his opinion of the mindset of the police hierarchy that made it so hard to be a policeman in New York City in the 60’s and 70’s. He recounts his involvement in the Patsy Fuca case, which became the 1971 film The French Connection. Perhaps for the first time, Jurgensen goes into detail of the sequence of events of the case he was assigned to, having to go underground into the gay leather-bar scene in the 1960s which eventually because the Al Pacino film Cruising. The Homicide Detective also discusses a crime scene that to this day still haunts him, and how he learned how to deal with ‘the job’. He then explains why it was so easy for him to make the gradual transition from detective to film consultant, actor and producer, examining his career in cinema. Mr. Jurgensen goes into his close friendship with legendary director William Friedkin, and actor Joe Spinell among others, and his memories working on films like The French Connection, TheGodfather, Maniac, Cruising, Superman, and Sorcerer, among others. So what famous person was Jurgensen temporary pulled out from undercover to then go and arrest? What did his old childhood friend, legendary comedian George Carlin have to say about that notorious arrest? And what special message (through Dion) does actor Ed O’Neill have for Randy? Well come on and listen to a groundbreaking and highly educational episode of Saturday Night Movie Sleepovers’ Side-Cast!

It’s that time once again… Welcome back to another, exciting edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are covering a true epic, a film that was meant to return a property back to its original source material, and also reinvigorate a franchise that had been around (at the time) close to seventy-plus years. This go around the boys are taking on Greystoke: The Legend of Tarzan, Lord of the Apes, from 1984.

Blake and Dion have a lot on their plates to get through: first laying out the backstory that legendary writer Edgar Rice Burroughs set up in his original 1912 novel Tarzan of the Apes when creating the title character, and the bigger role Burroughs played as one of the original pillars in the Pulp Tradition. They give an overview of that groundbreaking genre, and explain the vast influence it still has on the entertainment we seek out today. They also discuss sci-fi writer Harlan Ellison‘s scathing review of this film Greystoke, and use that critical essay as a template in comparing this 1984 version to Burroughs’ original work, and if it is indeed appropriate to label this work “the definitive version“- is it a fair criticism? The lads also go into depth about Rick Baker‘s groundbreaking contribution to this project, and how his help specifically was the key in getting this production off the ground. But what was the reasons for having the screenwriter, Robert Towne who penned this script, sacked as director of this adaptation? What other problems did a production like this run into while trying to get this project off the ground? What exactly is the Wold Newton Family, and how is it connected here? And is Dion really a Lord ? Well come on and have a listen as the fellas match an epic movie with an epic cast as they attempt to answer all the questions in this all new episode of Saturday Night Movie Sleepovers!

Welcome back to another all new edition of Saturday Night Movie Sleepovers‘ Side-Cast. We present Part 2 of our exclusive interview with retired NYPD Homicide Detective turned actor, consultant, writer and producer Randy Jurgensen. In this episode, we segue into Randy’s fascinating career in Hollywood and his body of work in the 1970’s, 80’s and 90’s. We go in-depth about the first film he was drafted to be an advisor and actor for, The French Connection, and how he prepped the actors to be New York City cops (back when background prep was rare). We also discuss his friendship with director William Friedkin, as well as the four plus films they would collaborate together on. He also explains his role as of one the stunt drivers in one of the greatest car chases of all time. He then goes into great detail about becoming a producer, and fighting the Screen Actor’s Guild for Larry Cohen‘s God Told Me To ; ‘stealing’ filming locations in New York City for Maniac and Viligante ; surviving the jungle and the Federales in Central America while filming Friedkin’sSorcerer ; to fighting city hall (literally) in a small Maine town to get Stephen King‘s Thinner completed. As astounding as it is that a retired Detective was able transition into a life in Hollywood, what’s more incredible is that legends like Marlon Brando, Al Pacino and Roy Scheider were vying to hang out with him, because he was the ‘real’ deal, and moreover was the lead Detective on a very publicized case at the time involving probably the most notorious cop killing in New York City’s history! Again, it’s a case where truth is stranger (and more entertaining), than fiction! So come listen to an absolutely fascinating and exclusive installment of Saturday Night Movie Sleepovers! (above picture Randy and Roy Scheider in Sorcerer, 1977; left picture is Randy in the NYC Coroner’s Office in Cruising, 1980)

Happy Thanksgiving! Here at Saturday Night Movie Sleepovers, J. Blake and Dion Baia have lined up another, albeit lesser known holiday film that not only celebrates the Turkey-Day Season, but also is a John Hughes movie to boot! This year the boys are talking up the classic Dutch, from 1991, starring Ed O’Neill and Ethan Embry.

After letting off some steam about dealing with disrespectful movie patrons while at the cinema, the boys get down to business. Often forgotten as both a Thanksgiving movie and one penned by John Hughes as well, Dutch is a fun road film that first teamed O’Neill and Embry, who would go on to reunite in a 2003Dick Wolf/Dragnet reboot. But what the heck happened to this film? Why did it bomb at the box office and then fall through the cracks of time? Did Ed O’Neill’s hugely successful TV show Married… With Children actually help spell doom for this film perhaps because of a kind of type-casting of O’Neill? How does this stack up to the other titles in the John Hughes catalog, and does it share similarities to another Hughes/Thanksgiving film? And can this be added to the list of classic holiday movies? All these questions will tried to be answered in this all new, and hilarious edition of Saturday Night Movie Sleepovers! #nothingburpsbetterthanbacon

This week is a celebration here at Saturday Night Movie Sleepovers because we’ve turned ONE year old!

To usher in the monumental anniversary, J. Blake and Dion Baia have recorded a podcast that could be their most EPIC yet, presenting a film that played a huge role in their upbringing and practically revolutionized Hollywood moviemaking and marketing in the late 20th century; basically the 1977 Star Wars of their generation. If you haven’t guessed it already, we are speaking about 1989’s Batman, directed by Tim Burton.

Dion and Blake start off by reflecting on turning a year old, and the humbling experience it has been to hear from the fans they’ve gained who share the same love for movies as they do. The fellas chat about being part of a nostalgic generation, and attempt to set-up what it was like for them to be 10 year-olds living in a pre-Batman era and then live through that unbelievable summer of 1989, a perfect storm which has been dubbed in the annuls of history as Batmania.

Then they get into all things Batman: The lads go back and setup the history of comic books, from dime-store novels, pulp magazines to comic strips, and detail the elements in the culture that helped Bob Kane and Bill Finger create the Dark Knight. The boys proceed to go through the various eras of Batman, from the post WWII 50’s era Fredric Wertham crusade to clean up comics, to the ‘Pop‘ 1966 show that defined an era, to the ’70’s and ’80’s push to bring the character back to his roots. Once they get to the main course, Tim Burton’s 1989 tour de force, they track the 10-year journey of getting the film made, the various casting challenges posed (with Dion and Blake playing the BIGGEST version of their ‘What If ?‘ Game EVER), and even tackle the argument of who was a better Joker: Jack Nicholson or Heath Ledger? Not to mention the 26 year-old surprise that could ultimately send them both to the HOSPITAL to get their stomach’s pumped!

Yes, as epic as this description is, it barely scratches the surface of this MEGA podcast to commemorate Saturday Night Movie Sleepover‘s one year anniversary. Go ahead and have a spin today!

To close out the long and hot summer, J. Blake and Dion Baia have embarked on a journey that will take them out of the trailer park canyons of California and up into the galaxy to help defend the cosmos against horrifying alien evildoers who are hell-bent on, well… doing whatever they plan to do- and the key to this adventure is provided to us by one cleverly disguised, humble arcade game console. Yes, we are talking about the highly-underated 1984 film The Last Starfighter, directed by Nick Castle.

Yes Joystick Jockeys, this cult classic is hailed as the first film to showcase CGI Imagery to replace the tradition Stop-Motion and Practically Special Effects, and is sometimes forgotten for that milestone. But how does a space film in a post-Star Wars world stand out without ultimately being compared to the property that set the bar? The boys reminisce about the era of the late 1970’s and 80’s when one actually had to go out of their house and travel to a local arcade or restaurant if they wanted to socialize while gaming, and/or see the latest and greatest in video game technology vis-à-vis the big console units. Has time and the public been fair to this ground-breaking film? Can this movie actually be considered as influential as Star Wars in certain circles? And what’s this film’s 3-way connection to John Carpenter? And does Blake‘s Lance Guest story really involve a late-night encounter in the adult section of a 24-hour New York City store? Well we’re not pulling any punches on this all new edition of Saturday Night Movie Sleepovers! Inter-stellar!!

Well truly believers, with the upcoming release of the latest Fantastic Four reboot, Dion and Blake thought they’d go back and revisit a classic. A film so notorious in the annals of history for maybe all the wrong reasons, being that it never even got released and was instead shelved! We of course are talking about the Roger Corman classic, the original Fantastic Four film, from 1994.

The boys set the scene and discuss the context of the early ’90’s and what the FF was up against, as well as other movies that never got nearly as far in production, but met the same fate. Dion and Blake also debate probably the largest question everyone has: why the heck was this film never released, even after it was allowed to be completed? Could the powers-at-be have found another way to repurpose this film in some way, and not have written it off as a total failure? Did Roger Corman‘s company that got FF finished on such a shoe-string budget, actually hinder it’s release? Is it fair to compare this to something that Troma Studioswould put out? And on the subject of Troma and Lloyd Kaufman, J. Blake regales us with story of how he actually worked at Troma which only lasted a week… This week’s edition of Saturday Night Movie Sleepovers is a must listen, dissecting a film that may go down as one of the most sought after bootlegs in cinema history. Come download it today!