Allen Garfield

Usually plump and always decidedly "ethnic", this dependable character player of stage, screen and TV was already nearly 30 years old when he made his film debut with a memorable bit as a "smut peddle...
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The Amazing Spider-Man Review

The Amazing Spider-Man would prefer if you didn't call it the fourth Spider-Man movie. See this ain't the Spider-Man your older brother knew from ten years ago — it's a reboot. The latest adventure to feature the comic book webslinger throws three movies worth of established mythology straight out the window swapping the original cast with an ensemble of fresh faces and resetting the franchise with a spiffy new origin story. "New" in the loosest sense of the word — the highlights of ASM mainly a sleek new design and spunky reinterpretation of Peter Parker (Andrew Garfield) and gal pal Gwen Stacey (Emma Stone) are weighed down by overpowering sense of familiarity. Nearly a beat for beat replica of the 2002 original with some irksome twists of mystery thrown in Amazing Spider-Man fails to evolve its hero or his quarrels. The film has a great sense of cinematic power but little responsibility in making it interesting.
We're first introduced to Peter Parker as a young boy watching as his parents rush out of the house in response to a hidden danger. Mr. and Mrs. Parker leave their son in the care of his Aunt May (Sally Fields) and Uncle Ben (Martin Sheen) who raise him into Andrew Garfield's geeky cool spin on the character. Parker's a science whiz but faces the challenges of every day life — passing classes talking to girls the occasional jock with aggression issues — but all of life's woes are put on hold when the teen discovers a new clue in the mystery behind his parents' disappearance. The discovery of his dad's old briefcase and notes leads Peter to Dr. Curt Connors (Rhys Ifans) a scientist working for mega-conglomerate Oscorp and his Dad's old partner. When they cross paths Connors instantly takes a liking to the wunderkind and loops him into the work he started with his father: replicating the regeneration abilities of lizards in amputee humans (Connors is driven to reform his own missing arm). But when Parker wanders into Oscorp's room full of spiders (a sloppily explained this-needs-to-be-here-for-this-to-happen device) he receives his legendary spider bite that transforms him into the hero we know.
Director Marc Webb (500 Days of Summer) desperately wants Amazing Spider-Man to work as a high school relationship movie but with the burden of massive amounts of plot and mythology to introduce the movie sags under the sheer volume of stuff. Stone turns Parker's object of affection Gwen Stacey into a three-dimensional character. Whenever they happen upon each other an awkward exchange in the hallway a flirtatious back-and-forth in the Oscorp lab (where Stacey is head…intern) or when the two finally begin a romantic relationship the two stars shine. They're vivid characters chopped to bits in the editing room diluted by boring franchise-building plot threads and routine action sequences. Seriously Amazing Spider-Man another mad scientist villain who uses himself as a test subject only to become a monster? And another bridge rescue scene? Amazing Spider-Man desperately wants to disconnect from the original trilogy but it's trapped in an inescapable shadow and does nothing radical to shake things up. Instead it settles for the same old same old while preparing for inevitable sequels instead of investing in its dynamic duo.
There's a sweet spot where the film really hits his stride. After discovering his spider-abilities Peter hits the streets for the first time. He's superhuman but still a headstrong teen full of obnoxious quips and close calls with shiv-wielding thugs. The action is slick small and playful Webb showing us something new by melding his indie sensibilities with big scale action. If only it lasted — the introduction of Ifans reptilian half The Lizard implodes Amazing Spider-Man into incomprehensible blockbuster chaos. A gargantuan beast wreaking havoc around New York City promises King Kong-like escapades for the friendly neighborhood Spider-Man but the lizard man has other plans: to rule the world! Or something. Whatever it takes to get Lizard and Spider-Man fighting on the top of a skyscraper over a doomsday machine — logic be damned.
Amazing Spider-Man peppers its banal foundation with great talent from Denis Leary as Gwen's wickedly funny dad and the police captain hunting down Spider-Man to Fields and Sheen as two loving adults in Peter's life to Garfield and Stone whose chemistry demands a follow-up for the sake of seeing them reunited. But it's all at the cost of putting on the most expensive recreation of all time with new demands imposed by the success Marvel's other properties (except that franchise teasing worked). Amazing Spider-Man introduces too many ideas that go nowhere undermining the actual threat at hand. No one wants to be unfulfilled but that's the overriding difference between the original movie and the update. You need to pay for the sequel to know what the heck is going on in this one.
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It was a great big morning for the Great White Way: The nominations for the 66th Annual Tony Awards were announced on Tuesday with the adapted musical Once leading the pack with 11 nominations. Broadway vets Kristin Chenoweth and Jim Parsons read the names of the nominees, which included some of their fellow Hollywood elite like Philip Seymour Hoffman and Andrew Garfield, who earned nominations for their work in the harrowing play Arthur Miller's Death of a Salesman. (Cynthia Nixon, James Earl Jones, John Lithgow, Frank Langella, Stockard Channing, and Mike Nichols are among the other notable nominees this year.)
Though Once, the stage interpretation of the beloved 2007 indie breakout, is out in front with 11 nominations (including Best Musical, Best Book of a Musical, Best Choreography, and nods for its two leads Steve Kazee and Cristin Milioti) The Gershwins’ Porgy and Bess and Nice Work If You Can Get It follow closely with 10 each.
While it was no surprised that surefire things like the hit musicals Newsies and Follies earned Tony nods (8 each, to be exact) there were a few snubs and shockers. Most notable was the lack of a nomination for Evita star Ricky Martin in the Best Performance by an Actor in a Leading Role in a Musical (the show itself surprisingly only earned three nods total) and Samuel L. Jackson for his turn as Martin Luther King Jr. in the play The Mountaintop. But, perhaps the biggest surprise of the morning was that the troubled-from-the-start production Spider-Man: Turn Off The Dark received two Tony nominations.
Here's the full list of nominees and recipients, including Hugh Jackman, who will be given the Special Tony Award:
Best Musical
Leap of Faith
Newsies
Nice Work If You Can Get It
Once
Best Play
Clybourne Park
Other Desert Cities
Peter and the Starcatcher
Venus in Fur
Best Revival of a Play
Arthur Miller’s Death of a Salesman
Gore Vidal’s The Best Man
Master Class
Wit
Best Revival of a Musical
Evita
Follies
The Gershwins’ Porgy and Bess
Jesus Christ Superstar
Best Performance by an Actor in a Leading Role in a Play
James Corden - One Man, Two Guvnors
Philip Seymour Hoffman - Arthur Miller’s Death of a Salesman
James Earl Jones - Gore Vidal’s The Best Man
Frank Langella - Man and Boy
John Lithgow - The Columnist
Best Performance by an Actress in a Leading Role in a Play
Nina Arianda - Venus in Fur
Tracie Bennett - End of the Rainbow
Stockard Channing - Other Desert Cities
Linda Lavin - The Lyons
Cynthia Nixon - Wit
Best Performance by an Actor in a Leading Role in a Musical
Danny Burstein - Follies
Jeremy Jordan - Newsies
Steve Kazee - Once
Norm Lewis - The Gershwins’ Porgy and Bess
Ron Raines - Follies
Best Performance by an Actress in a Leading Role in a Musical
Jan Maxwell - Follies
Audra McDonald - The Gershwins’ Porgy and Bess
Cristin Milioti - Once
Kelli O’Hara - Nice Work If You Can Get It
Laura Osnes - Bonnie &amp; Clyde
Best Performance by an Actor in a Featured Role in a Play
Christian Borle, Peter and the Starcatcher
Michael Cumpsty, End of the Rainbow
Tom Edden, One Man, Two Guvnors
Andrew Garfield, Death of a Salesman
Jeremy Shamos, Clybourne Park
Best Performance by an Actress in a Featured Role in a Play
Linda Emond, Death of a Salesman
Spencer Kayden, Don’t Dress for Dinner
Cella Keenan-Bolger, Peter and the Starcatcher
Judith Light, Other Desert Cities
Condola Rashad, Stick Fly
Best Performance by an Actor in a Featured Role in a Musical
Phillip Boykin, The Gershwins’ Porgy and Bess
Michael Cerveris, Evita
David Allen Grier, The Gershwins’ Porgy and Bess
Michael McGrath, Nice Work If You Can Get It
Josh Young, Jesus Christ Superstar
Best Performance by an Actress in a Featured Role in a Musical
Elizabeth A. Davis, Once
Jayne Houdyshell, Follies
Judy Kaye, Nice Work If You Can Get It
Jesse Mueller, On a Clear Day You Can See Forever
Da’Vine Joy Randolph, Ghost
Best Direction of a Play
Nicholas Hytner, One Man, Two Guvnors
Pam MacKinnon, Clybourne Park
Mike Nichols, Death of a Salesman
Roger Rees and Alex Timbers, Peter and the Starcatcher
Best Direction of a Musical
Jeff Calhoun, Newsies
Kathleen Marshall, Nice Work If You Can Get It
Diane Paulus, The Gershwins’ Porgy and Bess
John Tiffany, Once
Best Book of a Musical
Lysistrata Jones
Newsies
Nice Work If You Can Get It
Once
Best Original Score (Music and/or Lyrics) Written for the Theatre
Bonnie &amp; Clyde
Newsies
One Man, Two Guvnors
Peter and the Starcatcher
Best Choreography
Rob Ashford, Evita
Christopher Gattelli, Newsies
Steven Hoggett, Once
Kathleen Marshall, Nice Work If You Can Get It
Best Scenic Design of a Play
John Lee Beatty, Other Desert Cities
Daniel Ostling, Clybourne Park
Mark Thompson, One Man, Two Guvnors
Donyale Werle, Peter and the Starcatcher
Best Scenic Design of a Musical
Bob Crowley, Once
Rob Howell and Jon Driscoll, Ghost the Musical
Tobin Ost and Sven Ortel, Newsies
George Tsypin, Spider-Man Turn Off The Dark
Best Costume Design of a Play
William Ivey Long, Don’t Dress for Dinner
Paul Tazewell, A Streetcar Named Desire
Mark Thompson, One Man, Two Guvnors
Paloma Young, Peter and the Starcatcher
Best Costume Design of a Musical
Gregg Barnes, Follies
ESosa, The Gershwins’ Porgy and Bess
Eiko Ishioka, Spider-Man Turn Off The Dark
Martin Pakledinaz, Nice Work If You Can Get It
Best Lighting Design of a Play
Jeff Croiter, Peter and the Starcatcher
Peter Kaczorowski, The Road to Mecca
Brian MacDevitt, Arthur Miller’s Death of a Salesman
Kenneth Posner, Other Desert Cities
Best Lighting Design of a Musical
Christopher Akerlind, The Gershwins’ Porgy and Bess
Natasha Katz, Follies
Natasha Katz, Once
Hugh Vanstone, Ghost the Musical
Best Sound Design of a Play
Paul Arditti, One Man, Two Guvnors
Scott Lehrer, Arthur Miller’s Death of a Salesman
Gareth Owen, End of the Rainbow
Darron L. West, Peter and the Starcatcher
Best Sound Design of a Musical
Acme Sound Partners, The Gershwins’ Porgy and Bess
Clive Goodwin, Once
Kai Harada, Follies
Brian Ronan, Nice Work If You Can Get It
Best Orchestrations
William David Brohn and Christopher Jahnke, The Gershwins’ Porgy and Bess
Bill Elliott, Nice Work If You Can Get It
Martin Lowe, Once
Danny Troob, Newsies
Isabelle Stevenson Award
Bernadette Peters
Special Tony Award
Actors’ Equity Association
Hugh Jackman
Neil Patrick Harris who tweeted, "Tony nominations. The biggest day in the world for a very small faction of people" will host the show for the third time in his career. The 66th Annual Tony Awards will air live from the Beacon Theater in New York City on CBS on June 10 at 8 PM ET. Which shows and stars were you glad to see get Tony nominations? Who got snubbed? Sound off in the comments section below, Broadway babies!
More:
Neil Patrick Harris To Host The 2012 Tony Awards
Hugh Jackman To Receive Honorary Tony Award
Once the Musical: Can an Indie Hit Become a Broadway Smash?

Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
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Damn you, Warner Bros. You had to twiddle your thumbs and wait for all the right pieces of the puzzle that is Akira to fall into place on its own, and now that hesitation has caused Albert Hughes to walk away from the project. That's right, folks: Akira is now without a director or star, and it seems very unlikely that this ambitious film will ever get made.
Deadline just broke the news that Hughes, who recently made The Book of Eli at the studio with his partner/brother Allen, has departed the adaptation of Katsuhiro Otomo’s seminal graphic novel and will move on to pursue other gigs at WB. It's just one of many problems that the film has faced on its way to a start date, though the most troubling issue thus far has been casting the teenage characters at the center of the sci-fi tale. Originally the studio wanted young up-and-comers, and was considering everyone from Zac Efron and Joseph Gordon-Levitt to Justin Timberlake and Andrew Garfield for the roles of Tetsuo and Kaneda, but after a change of heart (and a ballooning production budget) decided the film would require an ultimate A-lister. Brad Pitt and Keanu Reeves were offered roles but smartly turned them down, as the characters are teens and both of the actors are pushing 50.
All these game-changing plans must've been awfully frustrating for Hughes to deal with, so it's no surprise that he's dropped the film. WB will now seek out another director to fill the void, but I've got plenty of reservations about the project moving forward. As my colleague Peter Hall put it, with Akira you either go big or go home. If the company is balking over the high price tag, it should just cut its losses and move on. Sure, Akira COULD be an enchanting, philosophical science fiction epic for the ages, but it needs to be treated with utmost respect. You can't cut corners on a movie like this. Whoever steps in to Hughes' shoes needs the full support of the studio, and unless Warner's are ready to give a filmmaker whatever he/she needs to make this happen, I'd rather just watch the anime over and over again.
Source: Deadline

Once news broke that Andrew Garfield will be the next Peter Parker/Spider-Man in Marc Webb’s reboot, the next big question was who will play the love interest? In the last three movies Kirsten Dunst played Mary Jane Watson, but Sony threw the nerds of the world a curve ball (sorry, a curve ball is a pitch in baseball which is particularly hard to hit because it suddenly curves. Baseball is... oh never mind) when they said Mary Jane Watson was not going to be the main love interest and there will in fact be two! Hold on to your pants nerds! Nerds still wear pants, right?
Anyway, a few casting rumors. Sudden (but not surprising) it-girl Emma Stone has read for a role in the 3D project. After the strong showing and great critical response of Stone’s Easy A, the next logical next step would be a blockbuster super hero flick for the lovable and raspy voiced red head. The thing that is surprising about this is how people are shocked that Stone is funny and can carry a movie herself. Of course she can! She’s hilarious and gorgeous and has red hair. Seems like the most obvious thing in the world.
Next up is indie-darling Mia Wasikowska who recently starred in the better-than-you-would-think The Kids Are All Right and the low budget, art house flick Alice in Wonderland from up and coming, super normal guy Tim Burton. Wasikowska is being toted to play Gwen Stacy, a part played by Bryce Dallas Howard in Spider-Man 3 (and if you forgot about that, don’t worry, most people have too). Super nerd (and my editor) Danny told me that Stacy was mainly the love interest of Peter Parker during his high school years (which is the setting of this reboot) while Watson was his next door neighbor. And since he has threatened to beat me up if I dare think he is wrong by looking it up to verify, I’ll just go with it (read his take on the potential casting picks here.) Yes, my dignity is just fine, thank you very much. Other ladies looking to join the franchise in one of the many female roles (like Felicia Hardy, Liz Allen and Betty Brant) possibly up for grabs include Ophelia Lovibond, Teresa Palmer and Imogen Poots.
Sources: Variety and Hollywood Insider

The Toronto International Film Festival has an impressive slate of films lined up for its 35th anniversary. The Canadian film festival will host 25 World Premieres, 15 Gala Premiers and 35 Special Presentations films from a multitude of acclaimed and upcoming directors. The most anticipated films to debut at the festival include Darren Aronofsky’s followup to The Wrestler, the stately-looking Black Swan, and Mark Romanek’s adaptation of bestseller Never Let Me Go, starring new Spider-Man Andrew Garfield. Robert Redford’s Lincoln assassination drama The Conspirator and John Cameron Mitchell’s tearjerker Rabbit Hole, and Alejandro González Iñárritu’s perplexing Biutiful are also generating some interest and buzz. Less promising features include Stone, a thriller so generic that Ed Norton's cornrows look like the most interesting thing about it, and Trust, David Schwimmer's melodramatic internet predator panic piece. But don't quote us on that, film festivals are always full of unexpected surprises, and you can never be sure what's going to become a hit.
The Toronto Film Festival will take place from September 9-19th. For a full summary of the films appearing in the festival, check out the official list below.
Galas
The Bang Bang Club. Steven Silver, Canada/South Africa World Premiere The Bang Bang Club was the name given to four young photographers, Greg Marinovich, Kevin Carter, Ken Oosterbroek and Joao Silva, whose photographs captured the final bloody days of white rule in South Africa and the final demise of apartheid. The film tells the remarkable and sometimes harrowing story of these young men – and the extraordinary extremes they went to in order to capture their pictures. The film stars Ryan Phillippe, Malin Akerman, Taylor Kitsch, Neels Van Jaarsveld and Frank Rautenbach.
Barney's Version Richard J. Lewis, Canada/Italy North American Premiere From producer Robert Lantos, Barney’s Version is a film based on Mordecai Richler's prize-winning comic novel. Barney Panofsky (Paul Giamatti) is a seemingly ordinary man who lives an extraordinary life. Barney?s candid confessional spans four decades and two continents, and includes three wives (Rosamund Pike, Minnie Driver and Rachelle Lefevre), one outrageous father (Dustin Hoffman) and a charmingly dissolute best friend (Scott Speedman).
Black Swan Darren Aronofsky, USA North American Premiere A psychological thriller set in the world of New York City ballet, Black Swan stars Natalie Portman as Nina, a featured dancer who finds herself locked in a web of competitive intrigue with a new rival at the company. Black Swan takes a thrilling and at times terrifying journey through the psyche of a young ballerina whose starring role as the duplicitous swan queen turns out to be a part for which she becomes frighteningly perfect. Black Swan also stars Vincent Cassel, Mila Kunis, Barbara Hershey and Winona Ryder.
Casino Jack George Hickenlooper, Canada World Premiere Based on a true story, Kevin Spacey stars as Jack Abramoff, the former high-powered lobbyist whose bribery schemes and fraudulent dealings with Indian casinos ultimately landed him in prison, and stunned the world. It remains the biggest scandal to hit Washington, D.C. since Watergate. The film also stars Barry Pepper, Kelly Preston, Rachelle Lefevre and Jon Lovitz.
The Conspirator Robert Redford, USA World Premiere While an angry nation seeks vengeance, a young union war hero must defend a mother accused of aiding her son in the assassination of President Abraham Lincoln. Directed by Robert Redford, the film stars James McAvoy, Robin Wright, Kevin Kline, Evan Rachel Wood and Tom Wilkinson.
The Debt John Madden, USA North American Premiere Helen Mirren, Jessica Chastain and Sam Worthington star in this thriller about three Israeli Mossad agents on a 1965 mission to capture a notorious Nazi war criminal. Thirty years later, secrets about the case emerge.
The Housemaid Im Sang-Soo, South Korea North American Premiere In this erotic thriller, the housemaid of an upper-class family becomes entangled in a dangerous tryst. A satirical look at class structure, reminiscent of the work of Claude Chabrol, this sexy soap opera is a story of revenge and retribution.
Janie Jones David M. Rosenthal, USA World Premiere Aspiring recording artist Ethan Brand gets a stunning surprise on the opening night of a tour – a strung out former groupie appears unexpectedly, pleading with him to care for their daughter while she pulls herself together. Enter Janie Jones.
The King's Speech Tom Hooper, United Kingdom/Australia North American Premiere The King's Speech tells the story of the man who would become King George VI, the father of the current Queen, Elizabeth II. After his brother abdicates, George „Bertie? VI (Colin Firth) reluctantly assumes the throne. Plagued by a dreaded nervous stammer and considered unfit to be King, Bertie engages the help of an unorthodox speech therapist named Lionel Logue (Geoffrey Rush). Through a set of unexpected techniques, and as a result of an unlikely friendship, Bertie is able to find his voice and boldly lead the country into war.
Little White Lies Guillaume Canet, France World Premiere Despite a traumatic event, a group of friends decides to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they have been telling each other. Directed by Guillaume Canet and starring: François Cluzet, Marion Cotillard, Benoît Magimel, Gilles Lellouche, Jean Dujardin, Laurent Lafitte, Valérie Bonneton and Pascale Arbillot.
Peep World Barry Blaustein, USA World Premiere On the day of their father?s 70th birthday party, four siblings come to terms with the publication of a novel written by the youngest sibling that exposes the family?s most intimate secrets. The project's available for distribution, and stars Michael C. Hall, Sarah Silverman, Rainn Wilson, Ben Schwartz, Judy Greer, Kate Mara, Taraji Henson and Ron Rifkin.
Potiche François Ozon, France North American Premiere A bourgeois housewife (Catherine Deneuve) takes on a rough union leader (Gerard Depardieu) in François Ozon's sparkling comic war between the sexes, and the classes.
The Town Ben Affleck, USA North American Premiere The Town is a dramatic thriller about robbers and cops, friendship and betrayal, love and hope, and escaping a past that has no future. In the Boston neighbourhood of Charlestown, Doug MacCray is the leader of a crew of ruthless bank robbers. But everything changed on the gang?s last job when they took bank manager Claire Keesey hostage. Questioning what she saw, Doug seeks out Claire. As their relationship deepens, Doug wants out of this life and the town, but now he must choose whether to betray his friends or lose the woman he loves.
The Way Emilio Estevez, USA World Premiere Martin Sheen plays Tom, an American doctor who comes to St. Jean Pied de Port, France to collect the remains of his adult son, killed in the Pyrenees in a storm while walking The Camino de Santiago. Driven by his profound sadness and desire to understand his son better, Tom decides to embark on the historical pilgrimage. Along the way he learns what it means to be a citizen of the world again and discovers the difference between “The life we live and the life we choose.”
West is West Andy De Emmony, United Kingdom World Premiere Manchester, Northern England, 1976. The now much-diminished, but still claustrophobic and dysfunctional, Khan family continues to struggle for survival. Sajid, the youngest Khan, is under heavy assault both from his father's tyrannical insistence on Pakistani tradition, and from the fierce bullies in the schoolyard. His father decides to pack him off to Mrs. Khan No 1 and family in the Punjab, the wife and daughters he had abandoned 30 years earlier. The sequel to East is East, West is West is the coming of age story of both 15-year-old Sajid and of his father, 60-year-old George Khan.
Special Presentations
Another Year Mike Leigh, United Kingdom North American Premiere A happily married, middle-aged couple are visited by a number of unhappy and lonely friends who use them as confidantes. When an unmarried friend falls for their young son, they watch as events unfold. The film stars Jim Broadbent, Lesley Manville, Ruth Sheen, Peter Wight, Oliver Maltman, David Bradley, Karina Fernandez and Martin Savage.
Beginners Mike Mills, USA World Premiere When his 71-year-old father (Christopher Plummer) comes out of the closet, Oliver (Ewan McGregor) must explore the honesty of his own relationships. From the director of Thumbsucker.
The Big Picture Eric Lartigau, France World Premiere Paul Exben is a success story. He has a great job, a glamorous wife and two wonderful sons, except that this is not the life he has been dreaming of. A moment of madness is going to change his life, forcing him to assume a new identity that will enable him to live his life fully. The Big Picture, an adaptation of the novel by Douglas Kennedy, is directed by Eric Lartigau and stars Romain Duris, Marina Foïs, Niels Arestrup and Catherine Deneuve. It is produced by Pierre-Ange Le Pogam.
Biutiful Alejandro González Iñárritu, Spain/Mexico North American Premiere This is a story of a man in free fall. On the road to redemption, darkness lights his way. Connected with the afterlife, Uxbal is a tragic hero and father of two who's sensing the danger of death. He struggles with a tainted reality and a fate that works against him in order to forgive, for love, and forever. The film stars Javier Bardem.
Blue Valentine Derek Cianfrance, USA Canadian Premiere Blue Valentine is the story of love found and love lost, told in past and present moments in time. Flooded with romantic memories of their courtship, Dean and Cindy use one night to try and save their failing marriage. Ryan Gosling and Michelle Williams star in this honest portrait of a relationship on the rocks.
Brighton Rock Rowan Joffe, United Kingdom World Premiere Based on Graham Greene's 1938 novel, we follow the odd relationship between a young thug on the rise in the British underground and a tea room waitress who witnesses a crime he has committed.
Buried Rodrigo Cortés, Spain/USA Canadian Premiere When Paul Conroy (Ryan Reynolds) wakes up six feet underground with no idea who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, poor reception, a rapidly draining battery and a dwindling oxygen supply become his worst enemies in a tightly confined race against time.
Conviction Tony Goldwyn, USA World Premiere Conviction is the inspirational true story of a sister?s unwavering devotion to her brother. When Betty Anne Waters? (two-time Academy® Award winner Hilary Swank) older brother Kenny (Sam Rockwell) is arrested for murder and sentenced to life in 1983, Betty Anne, a Massachusetts wife and mother of two, dedicates her life to overturning the murder conviction.
Cirkus Columbia Danis Tanovic, Bosnia and Herzegovina International Premiere After twenty years of exile, a husband returns to his hometown in Herzegovina to settle some scores with his ex-wife, armed with a new Mercedes, a sexy new girlfriend and a mangy black cat.
Dhobi Ghat Kiran Rao, India World Premiere In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter. As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds.
Easy A Will Gluck, USA World Premiere After a little white lie about losing her virginity gets out, a clean-cut high school girl (Emma Stone) sees her life paralleling Hester Prynne?s in The Scarlet Letter, which she is currently studying in school – until she decides to use the rumour mill to advance her social and financial standing.
Henry's Crime Malcolm Venville, USA World Premiere After serving three years in prison for a bank robbery he did not commit, an amiable but aimless man decides to rob the bank for real. His plan involves infiltrating a local theatre company, but his scheme gets complicated when he falls for the company?s lead actress. The film stars Keanu Reeves, Vera Farmiga, James Caan, Fisher Stevens, Peter Stormare, Danny Hoch and Bill Duke.
The Illusionist Sylvain Chomet, United Kingdom North American Premiere From the director of The Triplets Of Belleville comes a film of grace and unique beauty. Working from a never-produced script written by Jacques Tati for his daughter, Chomet tells the story of a magician who was pushed aside by rock and roll, yet finds one young girl who appreciates his magic. The film stars Jean-Claude Donda and Eilidh Rankin.
In A Better World Susanne Bier, Denmark/Sweden International Premiere The story traces elements from a refugee camp in Africa to the grey humdrum of everyday life in a Danish provincial town. The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait. Soon, friendship transforms into a dangerous alliance and a breathtaking pursuit in which life is at stake.
I Saw the Devil Kim Jee-woon, South Korea North American Premiere A hard-boiled thriller from Korean master Kim Jee-woon, I Saw the Devil is a tale of bloody vengeance against a dangerous psychopath who has committed a gruesome series of murders.
It's Kind of a Funny Story Ryan Fleck, Anna Boden, USA World Premiere Stressed-out teenager Craig checks himself into a mental health clinic – where he finds himself in the adult ward. Sustained by friendships on both the inside and the outside, Craig learns more about life, love and the pressures of growing up. The comedy-drama stars Keir Gilchrist, Emma Roberts and Zach Galifianakis.
Jack Goes Boating Philip Seymour Hoffman, USA International Premiere Adapted from Bob Glaudini's acclaimed Off Broadway play, Jack Goes Boating is a tale of love, betrayal, friendship and grace centered around two working-class New York City couples. The film stars John Ortiz, Daphne Rubin-Vega, Amy Ryan and Philip Seymour Hoffman, with Hoffman making his feature directorial debut.
L'Amour Fou Pierre Thoretton, France World Premiere Yves Saint Laurent built one of fashion's most celebrated empires. This moving documentary chronicles his rise, his lifelong partnership with Pierre Bergé and their decision to auction off a lifetime of precious art and objects.
The Legend of the Fist: The Return of Chen Zhen Andrew Lau, Hong Kong North American Premiere In 1920s Shanghai, hero Chen Zhen single-handedly avenges his mentor?s death by killing all the Japanese at a dojo in Hongkou, only to be showered with bullets while making his legendary flying kick. Now, years later, Chen Zhen, who is believed dead, returns in disguise to infiltrate a criminal empire and to dismantle the evil collusion that plagues the country.
Lope Andrucha Waddington, Brazil/Spain World Premiere Andrucha Waddington brings famed Spanish playwright Lope de Vega?s passionate life to the screen. The young poet returns to Madrid from war and gets his foot in the door of Madrid's most important theatre troupe – quickly charming his boss's daughter. His childhood friend, Isabel de Urbina, also falls under the spell of his poems. So much seduction eventually brings misfortune and he must flee Madrid.
Love Crime Alain Corneau, France International Premiere Dangerous Liaisons meets Working Girl in this deliciously caustic tale of office politics. Starring Kristin Scott Thomas and Ludivine Sagnier as mentor and ingénue, Love Crime is a remorseless clash of two competing egos.
Made in Dagenham Nigel Cole, United Kingdom World Premiere Sally Hawkins stars as Rita O?Grady, the catalyst for the 1968 Ford Dagenham strike by 187 sewing machinists which led to the advent of the Equal Party Act. Working in extremely impoverished conditions for long, arduous hours, the women at the Ford Dagenham plant finally lose their patience when they are reclassified as “unskilled.” With humour, common sense and courage, they take on their corporate paymasters, an increasingly belligerent local community, and finally the government itself. The film also stars Bob Hoskins, Miranda Richardson, Geraldine James and Rosamund Pike.
Miral Julian Schnabel, United Kingdom/Israel/France North American Premiere From the director of The Diving Bell and the Butterfly, Before Night Falls and Basquiat, comes Miral, the visceral, first-person diary of a young girl growing up in East Jerusalem as she confronts the effects of occupation and war in every corner of her life. Schnabel pieces together momentary fragments of Miral's world – how she was formed, who influenced her, all that she experiences in her tumultuous early years – to create a raw, moving, poetic portrait of a woman whose small, personal story is inextricably woven into the bigger history unfolding all around her.
Never Let Me Go Mark Romanek, United Kingdom World Premiere Kathy (Carey Mulligan), Tommy (Andrew Garfield) and Ruth (Keira Knightley) spent their childhood at a seemingly idyllic boarding school. When they leave the shelter of the school, the terrible truth of their fate is revealed and they must confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.
Norwegian Wood Tran Anh Hung, Japan North American Premiere Adapted from Haruki Murakami's bestselling novel. Watanabe, a quiet and serious college student, becomes deeply devoted to Naoko, a beautiful and introspective young woman with whom he shares the tragedy of their best friend?s death. When Naoko suddenly disappears, Midori, an outgoing, vivacious and supremely self-confident girl marches into Watanabe's life. The film stars Kenichi Matsuyama, Rinko Kikuchi and Kiko Mizuhara.
Outside the Law Rachid Bouchareb, France/Algeria/Tunisia/Italy/Belgium North American Premiere Bouchareb's follow-up to Days of Glory is an epic French gangster movie in the tradition of Once Upon a Time in America. The film follows three brothers from childhood in Algeria through turbulent years in Paris, as their paths diverge towards radical politics and violent crime.
Rabbit Hole John Cameron Mitchell, USA World Premiere A family navigates the deepest form of loss in John Cameron Mitchell's screen adaptation of the Pulitzer Prize winning play by David Lindsay-Abaire. Nicole Kidman and Aaron Eckhart deliver captivating performances as a husband and wife who fight to save their marriage in the life that begins again after tragedy.
A Screaming Man Mahamat-Saleh Haroun, France/Belgium/Chad North American Premiere One of Africa's preeminent film artists, Haroun returns to themes of family and loyalty in war-torn Chad. A father and son work together at the pool of five-star hotel, but the civil war forces life-and-death choices upon them.
Stone John Curran, USA World Premiere. Robert De Niro and Edward Norton deliver powerful performances as a seasoned corrections official and a scheming inmate whose lives become dangerously intertwined. Stone weaves together the parallel journeys of two men grappling with dark impulses, as the line between lawman and lawbreaker becomes precariously thin. The film also stars Milla Jovovich and Frances Conroy.
Submarine Richard Ayoade, United Kingdom World Premiere British comic Richard Ayoade delivers his hotly-anticipated feature debut Submarine. One boy must fight to save his mother from the advances of a mystic, and simultaneously lure his eczema-strafed girlfriend in to the bedroom, armed with only a vast vocabulary and near-total self-belief. His name is Oliver Tate.
That Girl in Yellow Boots Anurag Kashyap, India North American Premiere Ruth is searching for her father – a man she hardly knew but cannot forget. Desperation drives her to work without a permit, at a massage parlour, where she gives "happy endings? to unfulfilled men. Torn between several schisms, Mumbai becomes the backdrop for Ruth's quest as she struggles to find her independence and space even as she is sucked deeper into the labyrinthine politics of the city's underbelly.
Tamara Drewe Stephen Frears, United Kingdom North American Premiere Based on Posy Simmonds? beloved graphic novel. When Tamara Drewe returns to the village of her youth, life for the locals is thrown upside down. Tamara – once an ugly duckling – has been transformed and is now a minor celebrity. As infatuations, jealousies, love affairs and career ambitions collide among the inhabitants of the neighbouring farmsteads, Tamara sets a contemporary comedy of manners into play.
The Trip Michael Winterbottom, United Kingdom World Premiere Follow two good friends in this hilarious road movie as they embark on a tour of the Lake District and the Yorkshire Dales of Northern England, eating, chatting and driving each other crazy. The film stars Steve Coogan and Rob Brydon.
Trust David Schwimmer, USA World Premiere Safe and sound in their suburban home, Will and Lynn Cameron (Clive Owen and Catherine Keener) used to sleep well at night. When their 14-year-old daughter, Annie, made a new friend on-line – a 16-year-old boy named Charlie – Will and Lynn didn?t think much of it. But when Annie and Charlie make a plan to meet what happens in the next twenty-four hours changes the entire family forever. Charlie is really a 40-year-old serial pedophile (Tom McCarthy) and, once Annie?s rape comes to light, it becomes a touchstone event that reverberates through the entire family.
You Will Meet a Tall Dark Stranger Woody Allen, United Kingdom/USA/Spain North American Premiere Woody Allen's latest comic ensemble piece follows a group of Londoners struggling with failing marriages, restless libidos, the perils of aging and desires that drive a series of decisions with unforeseen consequences. The film stars Antonio Banderas, Josh Brolin, Anthony Hopkins, Gemma Jones, Lucy Punch and Naomi Watts.
Source: IndieWire

What does the government do when they need someone to fight something that could end the world? They gather together a bunch of kids with superpowers that’s what. From first grader Cindy (Ryan Newman) to teen James Dean-wannabe Dylan (Michael Cassidy) the kids--with superhero names like Princess and Houdini--are taken to a secret facility in the desert. The white-bread group also includes red-headed Summer (Kate Mara) who seems like she has the potential to go "Carrie" on her friends at any moment and Tucker (Spencer Breslin) who's a chubby kid with a knack for making his body parts expand into obscene proportions. To train the kids the government team of Gen. Larraby (Rip Torn) Dr. Grant (Chevy Chase) and Marsha (Courteney Cox) have to coax former superhero Zoom (Tim Allen) out of retirement. Seems Zoom's brother Concussion (Kevin Zegers) has turned bad and wants world domination so Zoom reluctantly agrees to help but only for the money. In the outtakes at the end of the film former TV star Allen says to fellow former TV stars Cox and Chase "Gosh we're all funnier on television." Maybe they weren’t given as much opportunity to ad-lib in this film but it’s true. They all certainly were funnier on TV. Allen doesn't have the same reluctant hero edge he had with Galaxy Quest and Cox tries too hard to be goofy tripping along the way and wearing glasses to look geeky. Chase just isn't funny at all and Torn is so over-the-top mean he comes across as a real-life military leader. The best performances actually comes from the kids. Newman is almost Shirley Temple-like in her innocence although she can bench-press tons. Mara as Summer is quietly sexy and Cassidy could be a new hunk-du-jour after this movie and his stint on The O.C. Breslin is his usual talented self but isn't as clever or as multi-dimensional as he's been in The Kid or The Cat in the Hat. Director Peter Hewitt helmed the first Garfield movie. Maybe that's enough said. Still he has had flashes of brilliance say with Bill &amp; Ted's Bogus Journey so he it would seem like he knows how to put a comedy together. The problem is Zoom feels very claustrophobic never allowing the characters to expand and show off their powers. They are much more interesting when they're out in the real world turning invisible or making their body parts expand enormously among the general populace. There's one particularly funny scene when they hijack a flying saucer and take it on a road trip but that's about it. Even with an R2-D2-like robot on their side and some decent special effects Zoom is a yawner.

Played the protective husband of a fragile C&W recording star (Ronee Blakely) in Robert Altman's "Nashville"

Played Joe Banner, a philosophical porno producer who guides aspiring dirty filmmaker Robert De Niro, in De Palma's "Hi, Mom!", a sequel (of sorts) to "Greetings"

Summary

Usually plump and always decidedly "ethnic", this dependable character player of stage, screen and TV was already nearly 30 years old when he made his film debut with a memorable bit as a "smut peddler" in Brian De Palma's "Greetings" (1968). This once daring comedy about draft dodging and other happenings in Greenwich Village was fairly typical of the kind youth-oriented films from the counterculture with which Garfield quickly became associated in the late 1960s and early 70s. No one's idea of a hippie, Garfield could typically be found during this period playing sleazy small businessmen, gabby hustlers and lumpen proletarians.

Name

Role

Comments

Alice Goorwitz

Mother

Philip Goorwitz

Father

Education

Name

Actors Studio

Anthony Mannino Studio

Upsala College

Notes

Garfield is the founding director of the Actors Shelter where he teaches acting and directing.

Garfield began his movie career taking credit under the pseudonym Allen Garfield, but in the mid-70s he swtiched to his birth name, Allen Goorwitz, for several years (roughly 77-82); he turned again to Garfield circa 1983, and is best known under that name.