We’re back this week with laments of last week’s disastrous attempted episode, and some devastating news from the film world, as we say goodbye to a much beloved cinematic canine. We chat about Aaron Sorkin’s latest project and Edward Norton’s controversial comments about the Academy Awards, plus this month’s Red Light District brings rapturous word about a French model-turned-actress and some rare positivity concerning Neil Diamond. The week’s reviews include Judd Apatow-helmed “Trainwreck,” desert-set thriller “Beyond the Reach,” Nanni Moretti’s meditiative drama “Mia Madre,” and Joel Edgerton’s directorial debut, “The Gift,” plus Jeremy Irvine’s physique wins points from Cal, Tilda Swinton’s stylist wins points from Pete, and LeBron James’ appearance in one of the week’s films wins (off-the-court) points all round.

The week’s news

Opening Segment: This month’s Red Light District, featuring discussion of “Blind Date,” “Death of a Salesman,” “Empire of Passion,” “The Jazz Singer,” “Love in the Afternoon,” “Raiders of the Lost Ark,” “That Is the Dawn,” and “Walk on the Wild Side”!

This week we begin by discussing the recently-announced recipients of this year’s Honorary Oscars, which leads us to several Oscar-related issues of the past, including the 1937 Best Actress race and the much-maligned Best Picture winner of 1941. Masculinity is alive and well, as Guy Pearce exercises badass tendencies in David Michod’s “The Rover,” which, thankfully for Pete, Jacki Weaver was absent from, while the talent on show in Scandinavian crime drama “The Keeper of Lost Causes” had Cal clamouring for more. By contrast, there are reviews of two films from female directors, with Gillian Robespierre’s indie comedy “Obvious Child” tackling the tricky subject of abortion, and Kelly Reichardt’s “Night Moves” deconstructing the folly of environmental activism. Pete walked out of the latter at Venice and did not turn back, but tune in to find out whether he managed to finish it at the second time of asking. Meanwhile, Cal has much to say about the sexual politics in John Slattery’s “God’s Pocket,” Pete dictates when co-incidences in film scripts are acceptable, and we bitch about a particularly unwelcome trend in world cinema. Elsewhere, Cal is baffled by a bizarre Robert Pattinson car sing-a-long, there’s a rare shout-out for a former co-star of Dakota Fanning, and there is some serious trepidation in advance of next week’s trashy-looking Rowan Joffe thriller.