Signature: Incised with initials and numbered 14/100 on a brass plaque affixed to the inside of the portfolio, also signed on the book's flyleaf in black ink, and signed, dated `83' and numbered 14/100 in pencil on the print (there were also 20 artist's proofs)

Publisher: Hudson Hills Press and Pace Editions, Inc., New York

About Louise Nevelson

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.