“We were aware that timing was getting a little hazy. We’ve got Gendry running back, ravens flying a certain distance, dragons having to fly back a certain distance…In terms of the emotional experience, [Jon and company] sort of spent one dark night on the island in terms of storytelling moments.

We tried to hedge it a little bit with the eternal twilight up there north of The Wall. I think there was some effort to fudge the timeline a little bit by not declaring exactly how long we were there.

I think that worked for some people, for other people it didn’t. They seemed to be very concerned about how fast a raven can fly but there’s a thing called plausible impossibilities, which is what you try to achieve, rather than impossible plausibilities. So I think we were straining plausibility a little bit, but I hope the story’s momentum carries over some of that stuff.”

It’s cool that the show is so important to so many people that it’s being scrutinized so thoroughly. If the show was struggling, I’d be worried about those concerns, but the show seems to be doing pretty well so it’s OK to have people with those concerns.”

“I don’t know the answer to that. They’re only doing seven [episodes], and they’ve got their regulars who have done it forever. I know that I had a wonderful experience doing the show and I know that Dan and David are thrilled with the shows, but I’ve got this series I’m mounting for the beginning of 2017 based on Stephen King’s trilogy of books, starting withMr. Mercedes. Brendan Gleeson is playing the lead, which I’m thrilled about, Anton Yelchin, and I’m in the process of mounting that. I haven’t been asked yet and I also don’t know what their schedule is going to be. But under the best of circumstances, schedule and everything, I had a great experience doing the show. If available and they wanted me to, I would love to do that.”

“I’ve done nudity. I’m not averse to it. But I know I’m a very emotional actor and I get really driven by that. In order to do my job, I allow myself to be really vulnerable. I don’t know any other way to do my job. Things really affect me. And the thought of being naked for three days and trying to contain her in the way she would be I think I would feel very angry…And wonderful Rebecca [Van Cleave] was able to contain herself and be naked. She found it very difficult, obviously. It’s not a natural thing to do. I film every year and I have kids and they know me now and [being naked in the scene] was just too much on top of that. So yeah, people that get it thought it was great. I didn’t phone it in; I was actually there for three days with Rebecca.”

Ze vervolgde:

“People [assume] I picked Rebecca…Like I demanded to have a hot body. In reality, I said, ‘If somebody will do this, I’ll have no choice about it. Whatever you decide.’”

“That’s my understanding from them right now, those have been the conversations we’ve had. Because where these narratives go, it feels like another two years to them. As a television executive, as a fan, do I wish they said another six years? I do. I’m always an optimist, and I do believe we will figure this out.

“Following the shocking developments at the conclusion of season five, including Jon Snow’s bloody fate at the hands of Castle Black mutineers, Daenerys’ near-demise at the fighting pits of Meereen, and Cersei’s public humiliation in the streets of King’s Landing, survivors from all parts of Westeros and Essos regroup to press forward, inexorably, towards their uncertain individual fates. Familiar faces will forge new alliances to bolster their strategic chances at survival, while new characters will emerge to challenge the balance of power in the east, west, north and south.”

“[A]fter wrestling with it for a month or so, I’ve decided not to script an episode for season six of GAME OF THRONES. Writing a script takes me three weeks, minimum, and longer when it is not a straight adaptation from the novels. And really, it would cost me more time than that, since I have never been good at changing gears from one medium to another and back again. Writing a season six script would cost me a month’s work on WINDS, and maybe as much as six weeks, and I cannot afford that. With David Benioff, D.B. Weiss, and Bryan Cogman on board, the scriptwriting chores for season six should be well covered. My energies are best devoted to WINDS.”

“Luckily, we’ve been talking about [the series outpacing the books] with George for a long time, ever since we saw this could happen, and we know where things are heading,” zei Benioff. “And so we’ll eventually, basically, meet up at pretty much the same place where George is going; there might be a few deviations along the route, but we’re heading towards the same destination. I kind of wish that there were some things we didn’t have to spoil, but we’re kind of stuck between a rock and a hard place. “The show must go on… and that’s what we’re going to do.”

Hij vervolgde: “Game of Thrones” couldn’t have a long break just to wait for Martin to finish his last two books, as the presence of so many child actors in the cast increases the time pressure. Maisie [Williams] was the same age as Arya when it started, but now Maisie is a young woman and Arya is still 11. Time is passing very slowly in the books and very fast in real life.”

Ten slotte zei Benioff: “Last year we went out to Santa Fe for a week to sit down with him [Martin] and just talk through where things are going, because we don’t know if we are going to catch up and where exactly that would be. If you know the ending, then you can lay the groundwork for it. And so we want to know how everything ends. We want to be able to set things up. So we just sat down with him and literally went through every character. I think the thing that’s kind of fun for George is the idea that he can still have surprises for people even once they’ve watched the show through to the conclusion. There are certain things that are going to happen in the books that are different in the show. And I think people who love the show and want more — want to know more about the characters, want to know more about the different characters who might not have made the cut for the show — will be able to turn to the books.”

Game of Thrones is in maar liefst 19 categorieën genomineerd. Hiermee is dit de serie met de meeste nominaties voor de belangrijkste televisieprijs. Andere series die het goed doen in de nominaties zijn Breaking Bad, Fargo en House of Cards.