Description

Matching the soft shapes of the sofa, the Mariposa Ottomans combine beautifully with the various sofa sizes. They feature a distinctive seam exactly aligned to the height of the cushion seams on the sofa, emphasizing their place in the Mariposa family. MORE INFO

Details

Matching the soft shapes of the sofa, the Mariposa Ottomans combine beautifully with the various sofa sizes. They feature a distinctive seam exactly aligned to the height of the cushion seams on the sofa, emphasizing their place in the Mariposa family.

MATERIALS:

Structural frame: webbed metal frame with polyurethane foam

Glides: plastic glides with levelling adjustment

MEASUREMENTS:

Width (Medium): 52 cm / 20 1/2 inch

Width (Large): 68 cm / 26 3/4 inch

Height: 32 cm / 12 1/2 inch

HELPFUL NOTES:

Covers are removable

Product Attachments

Vitra is a Swiss company dedicated to improving the quality of homes, offices and public spaces through the power of design. Their products and concepts are developed in an intensive design process, bringing together engineering excellence with the creative genius of today’s leading international designers. It is Vitra’s goal to create furniture and accessories that are functional and inspiring. Founded in 1950, Vitra produces many products from internationally recognized designers such as Verner Panton, Isamu Noguchi, Eero Saarinen and Jasper Morrison.

Designer

Vitra Mariposa Ottoman Designed by:

Edward Barber & Jay Osgerby , 2014

Edward Barber & Jay Osgerby

UK

Barber, 1969 / Osgerby, 1969

“The pencil is the ultimate tool for the transfer of ideas from mind to paper.” - Edward Barber

Edward Barber and Jay Osgerby, both born in England in 1969, studied architecture and interior design together at the Royal College of Art in London. They founded their own architecture and design studio – Barber Osgerby – in 1996. Known for their roguish designs such as the Tip Ton chair for Vitra and the Tab Light for Flos, the East London-based pair have been showered with a number of prestigious awards including the Jerwood Applied Arts Prize for Furniture, and most recently they were awarded the title of Royal Designers for Industry by the Royal Society of Arts.

Much of Barber and Osgerby’s early work involved the folding and shaping of sheet material, influenced by the white card that they had used frequently in architectural model making. Plywood and perspex were used in the development of the Pilot Table, 1999, and Stencil Screen, 2000.