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"...It's founded on a mesmeric, driving interlock of ramped-up bass and guitar grind over which Lorelle, aka Lorena Quintanilla, lays down a dead-eyed, claustrophobic vocal, fittingly enough for a song about how Mexico City commuters “try to convince themselves and others that they are not alienated”. Just after the two-minute mark, though, she and The Obsolete (Alberto González - their name is equal parts Seinfeld's fictional 'Rochelle, Rochelle' film and Twilight Zone episode 'The Obsolete Man') go stratosphere-bound, letting a particularly excellent tone of gnarled guitar (all given some production lustre by none other than Sonic Boom, who mastered Chambers) wend its way through a thickly-phasered psych coda..." (Read more: http://thequietus.com)