Marina Abramovic’s Kickstarter is getting an update. Now donors can get even more swag for supporting her project, like a soup dinner with Abramovic and 10 other lucky donors. Because, well, soup nazi? [Kickstarter via Twitter]

Hugo Schwyzer, the Internet’s most well-known male-feminist blogger—who happens to believe that jizzing on a woman’s face is about men’s “longing for validation”—went nuts over Twitter on Friday, admitting he’s actually a bad feminist. The Daily Beast interviewed him after this weekend’s hospitalization. [The Daily Beast, Tiger Beatdown]

Perhaps triggered by the Schwyzer fiasco, as well as the renewed debate over the “opt-out revolution”, #solidarityisforwhitewomen took off over Twitter this weekend. [Storify]

Gizmodo thinks that scientists can prove that art is bad, based on a survey of students who ended up disliking Thomas Kinkade after being exposed to his paintings over time. [Gizmodo Australia]

The Keyser Soze of the Edward Snowden story. Dedicate a bit of time to this one, as the article’s 10 pages long. [The New York Times Magazine]

Performa has announced its commissions for 2013. Artforum has the list. [Artforum]

This week’s dumbest art project award goes to photographer Keisuki Jinushi, who’s been dressing his hand up like that of a woman and then shooting himself in couple-y poses. His “girlfriend” is feeding him, his “girlfriend” is caressing his face. All this gets shared on Instagram. [The Atlantic]

Then you know it’s 2013 when there’s a Richard Artschwager contest on Instagram. [Artinfo]

Museums can’t buy a new Louis Vuitton bag every time they want to show off their wealth so instead, they display bling by hiring big-name architects to create new and shiny, glass-filled galleries. LACMA will be joining this popularity game with a planned $650 million expansion by the Pritzker prize-winning architect Peter Zumthor. $450 will be allotted for construction with the remaining $200 million set aside for administrative expenses and contingency.

Cultural studies has established that suburban white kids love hip hop in a complex manner; heaps has been written on aspiration, colorblindedness, misogynism, emulation, and subordination. But just what makes hip hop so appealing to net artists? Instead of passing off any attempt to indulge in hip hop as a 1:1 relationship between appropriation and mockery, I’m interested in looking at how different artists incorporate hip hop in their artwork to talk about themselves.