Thursday, October 30, 2014

First, the roses. These are the first roses of the summer, picked on Sunday morning. The pink ones are Eglantine & the red, The Squire. My roses are looking beautiful this year, covered in buds so I'm hoping to be able to pick lots of them for the house & to take to work so I have something lovely to look at & to smell when it all gets too much. Of course, ten minutes after I put the flowers on the kitchen bench, Lucky was nibbling away at them. Why does she do this? I often wake up to find that she's very delicately flipped a rose out of the vase or jug & has nibbled all around the edges.

The books are a few new books & preorders I wanted to mention. I thought of Monica Baldwin the other day when a friend said that she once lent a copy of The Letters of Rachel Henning & it was never returned. This reminded me that I once lent a copy of Monica Baldwin's memoir, I Leap Over The Wall, & never saw it again. So, I was pleased to discover that it's being reprinted in January. I'm not sure I like the cover though... Anyway, Monica was the daughter of Stanley Baldwin, & entered a convent when she was 21 in 1914. Twenty-eight years later, she leaves, & this is the story of her life in the convent & what she experiences when she leaves.

Charlotte Riddell is an author I've read about rather than read. I've been reading her Weird Stories this week, reprinted by Victorian Secrets, & another of her novels, A Struggle for Fame, is being reprinted this month by Tramp Press, a new Irish publisher. This is the first in their Recovered Voices series & I can't wait to read it.

The Ghost and Mrs Muir is one of my favourite movies - I watched it again last weekend - & Vintage have reprinted the novel by R A Dick as part of their Movie Classics series which also includes Alice Adams by Booth Tarkington & Show Boat by Edna Ferber.

Persephone in the UK & Sourcebooks in the US have both been reprinting D E Stevenson in recent years. It's a shame that they began by reprinting the same titles (the Miss Buncle series) but Sourcebooks have kept their reprint list going with The Four Graces,The Young Clementina &, in January, The Listening Valley. I listened to this on audio a couple of years ago but will probably need a copy for rereading in the future. I also feel compelled to buy copies of authors like Stevenson & Angela Thirkell when they're reprinted in case they go out of print again, which they probably will.

The British Library Crime Classics series has been very successful in alerting fans of Christie, Sayers & Allingham to other Golden Age mystery writers we'd never heard of. It doesn't hurt that the covers are just gorgeous, often based on railway posters of the period. Mystery in White by J Jefferson Farjeon (brother of Eleanor) (great review by Desperate Reader here) & A Scream in Soho by John G Brandon have just been published & The Sussex Downs Murder by John Bude & Murder in Piccadilly by Charles Kingston will be published in January. I enjoyed The Santa Klaus Murder & Death on the Cherwell by Mavis Doriel Hay & I'm looking forward to reading more in the series.

I've also preordered Mark Bostridge's new book, Vera Brittain and the First World War : the story of Testament of Youth. Published to coincide with the new film, I'm hoping it's not just a rehash of his 1995 biography of Vera. I know I'll feel compelled to see this new movie version of Testament of Youth but I don't imagine it will be as affecting as the TV series with Cheryl Campbell.

You can watch the trailer here but it looks too pretty, too clean. I feel a reread of the book & rewatch of the series coming on.

Finally, two books by favourite authors on favourite subjects published next year. The Golden Age of Murderby Martin Edwards published in May & The Lives of Richard III by Chris Skidmore published in August. A history of mystery fiction by one of my favourite contemporary crime writers (who has written Introductions for many of the British Library series) is unmissable & a new biography of Richard III incorporating all the new information since the discovery of his remains in Leicester is a very exciting prospect. I really enjoyed Skidmore's book on Bosworth so I'm looking forward to this one. Two books that will definitely not find their way to the ever-increasing tbr shelves. I will read them as soon as they hit the doormat. Absolutely, I promise.

Tuesday, October 28, 2014

Why do we stop reading an author? Sometimes we grow out of them, sometimes we stop reading what they write eg science fiction or Regency romances. In my case, I stopped reading May Sarton because I read a biography of her by Margot Peters & didn't like what I found out about her. This is not logical or reasonable, I know. But I can remember being so annoyed by the fact that the wonderful journals Sarton wrote about her solitary life in New Hampshire & Maine with her house, her garden, her pets, were not what they seemed to be, that I stopped reading her altogether. In the journals - Plant Dreaming Deep, Journal of a Solitude, House by the Sea - she presents herself as a solitary woman, working in isolation & exploring the joys of solitude. Discovering through the biography that she was hardly ever alone during this period was a real shock. I know that journals written for publication are often shaped just as much as a novel, but I was still annoyed. I couldn't quite bring myself to get rid of my Sartons but they've sat on the shelf, unread, ever since.

Then, a few weeks ago, I was listening to The Readers podcast & Thomas mentioned that he'd had an email from a woman in Melbourne about May Sarton & how they were going to revive her reputation between them. I immediately wondered if this could be my friend L, & it was! I'm also interested in why a writer's reputation often suffers a dip after they die. This has certainly happened to Sarton since her death in 1995. Maybe it's because she was one of the first writers to write about lesbian relationships as though they were just like any other relationship. In Journal of a Solitude, Sarton wrote "The fear of homosexuality is so great that it took courage to write Mrs. Stevens Hears the Mermaids Singing... to write a novel about a woman homosexual who is not a sex maniac, a drunkard, a drug-taker, or in any way repulsive, to portray a homosexual who is neither pitiable nor disgusting, without sentimentality .." Once a subject becomes more mainstream, the pioneers who first wrote about it are often marginalised.

So, I decided to reread one of my favourite May Sarton novels, A Reckoning, which was published in 1978. This is the story of Laura Spelman, a 60 year old woman who has terminal lung cancer. Laura decides that she wants her death to be on her own terms. The cancer is inoperable but she refuses treatment that might prolong her life in favour of making the most of whatever time she has left. Laura wants to remember the real connections in her life & to try to understand some of the more contentious relationships, particularly her relationship with her mother, Sybille, & her daughter, Daisy.

In some ways, Laura's life is quite ordinary. She had a long, happy marriage to Charles, who died a few years earlier. She has three children - Brooks, married to Ann with two children, Ben, an artist & Daisy - lives alone in a comfortable house in Boston with her dog, Grindle & cat, Sasha. Laura has worked as an editor with Houghton Mifflin & is keen to keep working as long as possible, especially as she's just started work on a novel by a young lesbian writer, Harriet Moors. Harriet's novel is based on her own life & her partner is terrified that she will lose her job if it's published. Harriet's parents disapprove of her lifestyle so she's torn between upsetting her parents, maybe breaking up her relationship & publishing a book that she believes should be published.

Laura's plans to go on this final journey alone are soon stymied by her family & her own body. Brooks & Ann feel shut out when she reluctantly tells them of her illness but refuses any help. Her sympathetic doctor, Jim Goodwin, arranges for a nurse to live in, & though at first, Laura is opposed to this, she soon realises that she can't cope alone. Mary O'Brien becomes, in fact, one of the most important people in Laura's final weeks, with her sympathetic, detached presence. Laura's family are divided into those who are shocked & upset & thinking more about themselves than Laura like Brooks & her sister, Jo & then there are others like Aunt Minna, who comes to read to her, & her sister Daphne, who takes Laura on a journey to their childhood summer house on the coast.

This is a very quiet book. Much of it takes place within Laura's consciousness as she remembers the past & analyses her relationships, looking for those real connections that are so important to her. She visits her mother, Sybille, now suffering from dementia, & remembers a childhood dominated by this beautiful woman who wanted to be an actress but never really connected with any of her children. All she was able to do was dominate them & try to control their lives, often with disastrous effects. The most important relationship in Laura's life was her friendship with Ella, a young woman she met at the Sorbonne when she studied in Europe as a young woman. Their friendship was passionate, not explicitly sexual, but the most profound relationship of Laura's life. Sybille did her best to separate them when Laura spent two years in Switzerland, recovering from tuberculosis. Laura realises that her closest connections have been with women. As she grows physically weaker, she has to let go of all these memories & prepare for her death in her own way.

I enjoyed reading A Reckoning again after so many years. It's the kind of novel I enjoy - quiet, domestic & grounded in the everyday. Laura concentrates on beauty, flowers, Mozart concertos, the desire to see the spring one more time & gradually retreats within herself. The novel is a long reflection on one woman's life & the final journey towards death.... Laura felt joy rising, filling her to the brim, yet not overflowing. what had become almost uncontrollable grief at the door seemed now a blessed state. It was not a state she could easily define in words. But it felt like some extraordinary dance, the dance of life itself, of atoms and molecules, that had never been as beautiful or as poignant as at this instant, a dance that must be danced more carefully and with greater fervor to the very end.

Sunday, October 26, 2014

A few weeks of one of my favourite poets, Emily Dickinson. As you can see in the picture, I have two collections of her work, The Complete Poems & a selection chosen by Ted Hughes. This is one of my favourite poems. I have a video of a 1980s documentary on Dickinson & Jane Alexander reads the poetry so beautifully, including this poem. I love that documentary, it was part of a series on American writers. I also have the episode on Sylvia Plath (which you can watch on YouTube here). I've watched both programs so many times. Critics & writers talk about Dickinson, including Richard Sewell, Joyce Carol Oates & Adrienne Rich. The music is also lovely, it was where I first heard the Bach cello suites. So, that's one of the reasons why this poem has stayed in my memory. I also love the image of a person being constructed like a house & somehow attaining the "perfected Life".

The Props assist the HouseUntil the House is builtAnd then the Props withdrawAnd adequate, erect,The House support itselfAnd cease to recollectThe Augur and the Carpenter –Just such a retrospectHath the perfected Life –A Past of Plank and NailAnd slowness – then the scaffolds dropAffirming it a Soul –

Thursday, October 23, 2014

Time of Hope is the first book chronologically in C P Snow's Strangers and Brothers series. It was the third book to be published but should really be read first as it fills in the background of Lewis Eliot, the narrator of the series. I read George Passant first & all the questions I had about Lewis & where he fitted in were answered in Time of Hope.

Lewis is a clever boy growing up in a provincial city. His parents are ill-matched - his father, Bertie, is easy going & cheerful; his mother, Lena, is conscious of having married beneath her. She is ambitious for Lewis & devastated when her husband's business fails & he is bankrupt. His sister, Lewis's Aunt Milly, condescends to help out but always makes her disapproval known. Bertie eventually finds a job again & Lena saves any money she can to send Lewis to the best school possible so he can make the most of what chances he can get. Her disappointment drives her on, especially as her own family disowned her when she married.Her hopes had been brilliant. She had a romantic, surging passionate imagination, even then, when a middle-aged woman beaten down by misfortune. As a girl she had expected - expected as of right - a husband who would give her love and luxury and state. She thought of herself in her girlhood, and as she spoke to me she magnified the past, enhanced all that she could glory in, cherished her life with her own family now that she looked back with an experienced and a disappointed heart.

Lewis works hard at school & believes he will accomplish great things. It's a disappointment to find himself, several years after leaving school, working as a clerk in the local Council education office, a job with no future. He decides to take some law classes at the local Technical College where he meets George Passant &, with George's encouragement, Lewis decides to stake everything on becoming a barrister. Aunt Milly agrees to loan him the money he'll need as he will have to leave his job & devote himself to study full time to pass the exams.

After several very lean years, Lewis passes his exams & is called to the Bar. He has very little influence in a profession that demands patronage in order to get ahead but George's employer, Mr Eden, recommends Lewis to Herbert Getliffe, & Lewis joins his chambers as a pupil, a very junior member of staff. Lewis gradually begins to make money & have some success with the opinions & notes he writes for Getliffe & the cases the clerk of Getliffe's chambers finds for him. A serious bout of illness threatens his progress but his love for Sheila Knight & his determination to marry her is the real obstacle to any progress in his professional life.

Sheila is a beautiful young woman but emotionally unstable. Lewis meets her in his home town, as part of the group that gathers around George Passant & is immediately attracted to her.

I did not make dreams of her, as I had done of many other girls. That first state of love was delectable beyond my expectation; in its delight I did not stop to wonder that I had often imagined love, and imagined it quite wrong. I breathed in the delight with every breath, those first mornings. I did not stop to wonder why my thoughts of her were vague, why I was content to let her image - unlike those of everyone else I knew - lie vague within my heart.

Sheila's father is a self-absorbed clergyman & her mother is suspicious of Lewis, thinking him a fortune hunter. Sheila herself seems to tolerate Lewis but without much enthusiasm. She often hurts him by mentioning other men that she's seeing & seems to find more enjoyment talking to Lewis's landlady or the waitress in a cafe than to his friends. She often tells him that she can't love him but he blindly pursues her & eventually she agrees to marry him. Their marriage is a disaster, almost from the beginning. Sheila needs constant reassurance from Lewis & his work suffers. She can't take part in the social life that is so important to Lewis's career & he finds himself stagnating at work & miserable at home. He begins to wonder if all his sacrifices & work have been wasted & contemplates leaving Sheila & ending the marriage.

This is a fascinating study of a man who, on the one hand, is determined to make a success of his life & on the other hand, almost blindly follows a course that will destroy him. When he first meets Sheila, Lewis is dazzled by her & is blind to the fact that Marion, another member of the group, is in love with him. Sheila is always completely honest with Lewis & repeatedly tells him that she doesn't love him & doesn't think she can ever really be in love with anyone. In the end, he wears her down & she just gives in. Lewis has seen enough of Sheila's problems to know that she will never be able to help him in his career so I thought it was unfair that he begins to resent her. Before their marriage, he has several opportunities to break away but he is never quite able to do so. He even drives away another young man who Sheila believes she could be happy with. Lewis's obsession with Sheila is irrational & he realizes this but is powerless to forget her or to leave her alone.

I especially enjoyed the early chapters of Lewis growing up with his ambitious mother & ineffectual father. Father & son spend a day at the cricket - it's the first game Mr Eliot has ever seen - & it's here that Mr Eliot finally tells Lewis about his bankruptcy. The picture of small town life, the gossip, the shame & the irritation of everyone knowing your business & having an opinion about it, is intensely claustrophobic. I felt less sympathy for Lewis as he grew older but I was always interested in his struggles in his career, his fear that his health would break down & his unrelenting efforts to succeed. I pitied Sheila, living with her uncomprehending parents & pursued by Lewis. She always seemed so much more clear-eyed about herself & what she was capable of than anyone else. I'd like to have been able to see Lewis through her eyes.

Tuesday, October 21, 2014

More collages, mostly books but one of Lucky & Phoebe. The photo of Phoebe on the bonnet of my car was taken a few months ago but the other two were taken just last weekend.

I've bought a few books in the last month. A few were bargains but most of them weren't. I bought some Greyladies & Girls Gone By books from Gill Bilski, a bookseller in the UK who specializes in children's books. The books were on sale but the postage wasn't. Still, by the time I'd chosen the books I wanted, a minor detail like postage wasn't going to stop me. I've also borrowed a lovely stack of books from my library, including the new biography of Queen Victoria by A N Wilson & a biography of Mary Gaunt, whose novel Kirkham's Find I read & loved earlier this year.

If these books were on a shelf rather than piled on my desk, I'd call them my Shelf of Shame. Of course, there isn't a spare shelf in the house so they're sitting on my desk reproaching me every time I look at them. These are the books I took from the tbr shelves to read next because I read a review on a blog or someone in my online bookgroup mentioned one of them. Some of them have been sitting there a very long time but their spot on the tbr shelves has long since been filled by another book so there's no going back. Extra brownie points for anyone who can work out all the titles (except for the Wodehouse on the bottom right, that's too hard. It's The Adventures of Sally).

Speaking of the tbr shelves, I still need to find room for all the books in the recently bought photo. I've already had to resort to stacking books horizontally & I think I need to do some more shuffling.

Sunday, October 19, 2014

I've spent a lot of time in the garden this weekend - digging over a garden bed full of roots, digging in compost in the front garden & planting tomatoes, pumpkin, lettuce, basil & zucchini in the veggie patch. This poem seemed appropriate although I wasn't thinking about lying beneath the ground as I worked, I was looking forward to a cup of tea & a rest.

Next week, I think I'll move on from Housman's melancholy to something more cheerful.

I hoed and trenched and weeded, And took the flowers to fair: I brought them home unheeded; The hue was not the wear.

So up and down I sow them For lads like me to find, When I shall lie below them, A dead man out of mind.

Some seed the birds devour, And some the season mars, But here and there will flower The solitary stars,

And fields will yearly bear them As light-leaved spring comes on, And luckless lads will wear them When I am dead and gone.

Thursday, October 16, 2014

Three women who have been friends since university travel to Unst in Shetland when one of them, Caroline, marries Lowrie Malcolmson, a Shetlander. The wedding has already taken place but the traditional Shetland welcome for the married couple, the hamefarin', is a chance for the locals to have a party. Polly Gilmour has invited her new partner, Marcus Wentworth, & Eleanor Longstaff & her husband Ian, make up the group. Eleanor has been depressed after suffering two miscarriages & is resentful that Ian seems to be lacking in sympathy. She's a television producer with a small company & is currently researching ghost stories for a program about the phenomenon of practical people believing they've seen something supernatural. Polly is the quiet one of the three friends, always following where the others lead. She's a librarian, working at a special library dedicated to folklore. Caroline is a decisive woman who set her sights on Lowrie from their university days & now has what she's always wanted. She's even considering moving to Unst permanently.

The hamefarin' is a big success with nearly everyone on the island there. Eleanor surprises her friends late that night by saying that she's seen the ghost of a little girl, Peerie Lizzie, who had drowned 80 years before. The Peerie Lizzie story is one of those she's researching for her program & the legend is that if a woman sees the child she will become pregnant. Polly has also seen the girl but says nothing out of fear of ridicule. Next morning, Eleanor has disappeared. The police are called in & then Polly receives a text message from Eleanor saying that there's no point looking for her as she won't be found. Has Eleanor's fragile mental health been shaken by the sight of a ghost? Has she committed suicide or just run away? When her body is found on the shore, laid out very carefully, it's clear that she's been murdered.

Detectives Jimmy Perez & Sandy Wilson arrive from Lerwick to investigate Eleanor's disappearance which soon becomes a murder inquiry. They're joined by Willow Reeves, another islander whose style of working, abrupt & very focused, contrasts with Perez's calm watchfulness. The two have a cordial working relationship but Jimmy is still recovering from the murder of his partner, Fran, & believes that Willow is on the lookout for any sign that he's not up to the job. Willow is only too aware of Jimmy but her attraction to him annoys her & makes her seem unsympathetic.

The detectives stay at an upmarket B&B run by Charles Hillier & David Gordon. Charles had been a well-known magician but his career had dried up & his partner, David, suggested they move to Shetland. The renovation of the B&B had been expensive & there are tensions & secrets between the couple that become obvious as the investigation continues. The relationship between Eleanor, Polly & Caroline also proves to be more complex than it first seemed. Eleanor had been the leader of the group, dominating the more introverted Polly, who becomes more & more frightened as the atmosphere on the island becomes claustrophobic & her own sightings of a little girl dancing on the beach who seems to vanish into thin air.

The Shetland series is one of my favourites. I'm not reading as many police procedurals as I used to, but this is one series that I always look forward to. The atmosphere of the island is beautifully evoked. The ghost story of Peerie Lizzie adds to the feeling of otherworldliness that is intensified by the midsummer simmer dim, the time when night never really seems to fall. The arrival of the visitors recalls memories & events long past & Eleanor's research into the story of Peerie Lizzie may have stirred up more than she expected. I love the way Ann Cleeves brings in so many possibilities & creates characters with whole lives behind them. Every twist & turn of the investigation brought some new perspective to the lives of one of the suspects. She's also very good at involving the reader in the lives of her detectives. I thought I knew the identity of the murderer several times but was wrong almost to the end when I did get an inkling.

Jimmy Perez is one of the most interesting, sympathetic detectives in crime fiction. Still grieving over the loss of Fran, he's also caring for Fran's daughter, Cassie, while trying to get on with his life & his work. He's an instinctive investigator, who sometimes goes off on a tangent of his own but his knowledge of the people & the islands is invaluable. I've just watched the TV series Shetland that was based on the books. I enjoyed it, loved the scenery & the music. It didn't bother me that Douglas Henshall, who plays Jimmy, is a pale skinned redhead rather than a dark descendant of the Spanish Armada as Jimmy is described in the books. Some changes have been made to the plots of the books they used but a TV series has to be different & I thought they did a good job. I believe a third series is planned. I'm sure it's done wonders for tourism in the islands.

Tuesday, October 14, 2014

Rachel Henning was born in England in 1826. She was the eldest of five children & both her parents had died by the time she was 19. In 1854, Rachel left her sheltered middle-class life to go out to Australia to join her brother, Biddulph, & sisters Amy & Annie. This first trip was short-lived. Rachel missed England & hated the hot summer weather & so she returned home.

There's a difference in tone between Rachel's letters home on her first trip & the second trip in 1856. When she left Australia, Rachel realised how much she missed Biddulph & her sisters & knew that if she returned, she would need to have a different frame of mind. Rachel's second trip to Australia was different. She knew what to expect & her letters reflect her excitement at seeing her siblings again & her willingness to do whatever was needed to make life as comfortable as possible.

The letters in this book are mostly written to Rachel's sister, Etta & her husband, Mr Boyce, back home in England. They are full of interest & humour & this edition is enhanced by the lovely line drawings by Norman Lindsay. Lindsay was quite a controversial figure in his day & is probably best known for his love of painting nudes & the childrens book he wrote, The Magic Pudding. A fictionalised version of Lindsay was played by Sam Neill in the movie Sirens with Hugh Grant & Elle Macpherson in the 1990s.

Rachel's brother, Biddulph, was considered to be quite sickly in England but he thrived in Australia. He learned station management & eventually bought his own sheep station in Queensland. Rachel is much more philosophical on her second visit to Australia in 1861. Waiting in Bathurst with her sister Amy's family to join Biddulph at his new station, Exmoor, on the Bowen River near Port Denison in Queensland, she seems resigned to waiting nearly nine months for Biddulph to come down to fetch her & her sister, Annie. I think she relished the independence of her life with Biddulph compared to the life she would have had, living with relatives in England. I believe the only way is to live on in the present from day to day, and do what is to be done and enjoy what is to be enjoyed, and there really is plenty of both here.

Rachel enjoyed all the housekeeping & making do of living in the bush. She was a very competent housekeeper & shared the duties with Annie. Although Biddulph had a good property & was making a success of it, they still had to travel quite a way for anything they wanted. Clothes had to last & be patched or mended & of course, had to be fit for purpose.

Bonnets, of course, are no use in the bush. I got a new hat when I first came down here, rather a pretty black straw, and I have had my old one cleaned and trimmed and have a riding-hat besides, so I think I shall do. I have that old brown shawl, you remember, and a thin one I got last summer, so I think I shall do very well, though Annie and Emily bewail over my deficiencies.

Rachel had many adventures. On a journey to Shoalhaven for a visit, her party became lost in the bush

Bella and I kept shouting to know where the other was and invariable answered "all right", till at last Bella pulled up, and said it was all wrong, that her horse was at fault, and she did not the least we know where we were. This was cheerful, and we began to discuss the probabilities of spending the night in the bush, and the consequent rheumatism that we should catch, when my horse, rejoicing in the name of Skittles, after turning round and round several times, seemed to find the way.Altogether it was a most pleasant visit, and I was very sorry to leave that beautiful country and return to the dusty streets of Sydney.

Camping in the rain on the way home to Exmoor,

Tom lit a great fire and made some beautiful "johnny cakes" - thin soda cakes which are baked in about ten minutes and are the best bread you ever ate, and with johnny cakes and jam and hot tea, which was brought us in the tent by shiny mackintoshed figures, we continued to do very well. A tin pannikin of hot wine and water was put under the curtain the last thing with the remark from Biddulph that ot was to keep off the rheumatism, and we slept as sound as if we had a dozen roofs over our heads instead of the rain pattering on the canvas.

Sunday afternoon on Exmoor station,

Sunday seems so quiet in the bush. I should like to hear some church bells, but there is no bell near ... It is a beautiful afternoon, the warm air blowing in through the open door and window, and whispering among the gum-trees, cloud shadows gliding over the opposite mountain range, great Lion, the bloodhound, lying asleep in the doorway, quite regardless of being walked on or fallen over. Biddulph, arrayed in white trousers, white coat and regatta shirt ... is lazily reading in an armchair in the pleasant recess where the books are. ... Presently, when we have done writing, and Biddulph wakes up - he is not to say asleep - we shall go for a walk, probably to the site of the new house, and then on to the plains beyond, and up the "Blackwall", a curious range of cliff that bounds the station on the west for two miles, then we shall come back to dinner.

Rachel was game for anything - helping with the shearing, nurturing her pet lambs who followed her everywhere, encounters with snakes - she embraced the bush life. She gives pen portraits of the workers on the station& their visitors.

When she was in her late thirties, Rachel became engaged to Deighton Taylor, who worked with Biddulph on the station. Rachel's family were disapproving, not only because she was several years older than Deighton but because of his lack of prospects. However, they married & were very happy. Deighton began working as a supervisor at a timber mill on the Myall River in NSW & Rachel wrote to Etta about her new life & her happiness,For the rest, I doubt if there is anyone else in the world who would have made me so happy or whom I could have made thoroughly happy. You know I am not the most patient of tempers, and I might possibly have quarrelled and skirmished with anyone of less unvarying kindness and good temper. As it is, we have never had a word or thought of difference.

Rachel enjoyed setting up her own home, hanging wallpaper on canvas & meeting new neighbours. Eventually the timber mill job came to an end & they thought about buying a sheep farm near Stroud, eventually settling on a farm at American Creek, near Wollongong. They built a house called Springfield in the 1870s & lived there until 1896 when Deighton's health began to fail. Rachel died in 1914 at the age of 88.

Rachel's letters give such a lively picture of life in 19th century Australia. She's a wonderful observer of people & places; her descriptive writing of the bush & the mountains is very evocative. Her love of the country is evident in every letter. She often says she is reluctant to go to Sydney, not just because of the traveling but because she loves the bush so much. She found a freedom & independence in Australia that she could never have experienced in England. Even before she married, she was the head of her brother's household & knew that she was contributing to his success with her talent for keeping the accounts & her unfailing resourcefulness & good humour when things went wrong. She loved horses & describes riding & walking through the bush nearly every day. She was an intrepid traveller, as she needed to be in those days, when it took weeks to get from outback Queensland to Sydney. Rachel Henning's letters give an invaluable picture of life in Australia in the mid 19th century. I borrowed my copy from Open Library (which is why there's a price sticker on the front cover!).

Sunday, October 12, 2014

Even Housman's humour has a melancholy edge to it. This is one of those poems when the dead speak to the living but this poor young man, lying in his grave, doesn't get the reassurance that he's looking for.Is my team ploughing, That I was used to drive And hear the harness jingle When I was man alive?’

Ay, the horses trample, The harness jingles now; No change though you lie under The land you used to plough.

‘Is football playing Along the river shore, With lads to chase the leather, Now I stand up no more?’

Ay, the ball is flying, The lads play heart and soul; The goal stands up, the keeper Stands up to keep the goal.

‘Is my girl happy, That I thought hard to leave, And has she tired of weeping As she lies down at eve?’

Ay, she lies down lightly, She lies not down to weep: Your girl is well contented. Be still, my lad, and sleep.

‘Is my friend hearty, Now I am thin and pine, And has he found to sleep in A better bed than mine?’

Yes, lad, I lie easy, I lie as lads would choose; I cheer a dead man’s sweetheart, Never ask me whose.

Saturday, October 11, 2014

We were talking about taking photos with the iPad at work the other day. All of our branches have an iPad & the staff can use them to take photos of events. One of our very clever Virtual Media Team sent out some tips about how to take good photos with the iPad. So, of course, I immediately started playing around with filters, autofocus & zoom. Then, M showed me a few free apps that can create collages. Well, I could see the advantage of this as I have a lot of photos of the girls on my iPad & now I could spend hours rearranging them with different frames, filters & all sorts of effects. So, here are my first results. Some of my favourite photos of Lucky,

Phoebe

& Abby.

I also had some photos of the garden so here's a floral collage.

I can see myself spending hours collaging away (is collaging a verb?). I downloaded the InstaFrame app but there are lots of free apps to have a look at.

Tuesday, October 7, 2014

The story is mostly set at the time of the Jacobite Rebellion in 1745 & the aftermath but the Preface is set in the late 19th century when a manuscript, telling the story of the Durrisdeers is discovered & a lawyer, Mr Thomson, shows it to an old friend (Stevenson) staying with him. The manuscript was written by Ephraim Mackellar, an old retainer of the family & describes the events leading up to a great tragedy that befell the family in the years after the Rebellion.

The Durie family have lived on their land for many years. Old Lord Durrisdeer has two sons. James, known as the Master of Ballantrae, is the elder. Handsome, blessed with winning manners but feckless & spoilt, James is forgiven his many misdeeds by his father & the local people.
Younger brother Henry is plain, quiet, dour & with none of the winning ways of his brother. His father openly favours James & plans to marry him to his ward, the heiress Alison Graeme. Alison is in love with James but his feelings for her are more offhand.

When the Rebellion breaks out with the arrival of Bonnie Prince Charlie in Scotland to claim his father's throne, the Duries do as many other families of the time did. The old Lord decides that one son will go to the prince & the other will fight for King George, hedging their bets &
ensuring that their estates will be safe no matter who wins. James wins the toss of the coin & goes to join the Jacobites. Henry, with a bad grace, stays at home & declares for King George.

James sets off with many of the local tenants with him. Word comes back from the sole survivor that all were killed at Culloden. The old Laird is reluctant to lose Alison's inheritance, so necessary for the upkeep of the property & encourages Henry to marry her. Both are reluctant. Alison because she loves James & Henry because he loves Alison but knows she doesn't return his feelings. The locals, meanwhile, have forgotten all the Master's wicked ways & turn against Henry, blaming him for staying at home while his brave brother.

The Master's return begins a period of misery for Henry. The Master is now known as Mr Bally because, as an exiled Jacobite, he could be arrested & tried for treason if he's caught by the King's men. Henry is compelled to provide his brother with money that he can ill afford to take out of the estate & the economies he is forced to make get him a reputation as a miser because he will not tell his father & Alison the truth. The Master persecutes Henry in other ways, by being pleasant & kindly in company & cutting & dismissive when he & Henry are alone which make Henry look surly & ungracious when the whole family are together.

He had laid aside even his cutting English accent, and spoke with the kindly Scots tongue, that set a value on affectionate words; and though his manners had a graceful elegance mighty foreign to our ways at Durrisdeer, it was still a homely courtliness, that did not shame but flattered us. All that he did throughout the meal, indeed, drinking wine with me with a notable respect, turning about for a pleasant word with John, fondling his father’s hand, breaking into little merry tales of his adventures ... that I could scarce wonder if my lord and Mrs Henry sat about the board with radiant faces, or if John waited behind with dropping tears.

The Master also ingratiates himself with Alison & little Katherine, Henry & Alison's daughter. The old Lord can, of course, see no wrong in his eldest son. Mackellar is often a witness to this because Henry has had to take him into his confidence. Mackellar hates the Master & makes a formidable enemy of him when he refuses to drive off Jessie Broun, the young woman who has borne the Master's child & hangs around Durrisdeer wanting to speak to him.

Henry & Alison's estrangement grows & they barely see or speak to each other except at meals. Mackellar begins to suspect that the Master is not in such danger as he asserts & Henry discovers that Mr Bally is, in fact, in no danger at all & is a Government spy to boot. However, even after Henry exposes him to their father as a liar, the old man makes excuses for his favourite & rejoices that he is in no danger rather than reproach him for the lies.

The ill feeling between the brothers comes to a head on the night of February 27th 1757. As they play at cards late at night, the Master taunts Henry with his influence over Alison & says that she has always loved him & loves him still. Henry strikes his brother & this leads to a duel which takes place in the long shrubbery behind the house. The Master tries to grab Henry's sword (against the rules of the duel) & is stabbed as a result. Henry & Mackellar think him dead & return to the house. When Mackellar goes back to the shrubbery to retrieve the body, the Master has disappeared.

Henry falls very ill & Mackellar & Alison nurse him through a desperate fever. Henry recovers from his illness but he is marked by it. He is devastated by the thought that he killed his brother & even when Mackellar tells him of the Master's disappearance, he is not really comforted as he knows that they will meet again. Even as Henry recovers, his father sickens & dies of a brain fever. Some months later, a son, Alexander, is born, & Henry begins to revive as he makes plans for the boy's future.

Chevalier Burke meets up with the Master again in India & is rejected by him when he needs help. The Master returns to Durrisdeer with his Indian servant, Secundra Dass & tries to ingratiate himself with the family again although with less success this time. The family escape to New York, leaving Mackellar to keep an eye on the Master. It doesn’t take him long to discover where the family have gone & he follows them, forcing one final confrontation in the wilderness between the brothers.

The Master of Ballantrae is a novel full of adventure & excitement. James Durie is one of the most malevolent characters in fiction, able to inspire complete loyalty in his dependants but also inspiring fear, envy & hatred in others. His subtle undermining of Henry & attempts to seduce Alison & young Alexander are almost impossible to expose. Henry isn’t a completely sympathetic character which makes the tragedy more realistic. He’s sulky, resentful, stubborn &, after his illness, just as misguided as his own father in favouring one of his children over another. The Master is the incubus that haunts the family but he’s always very much a real man rather than a supernatural being although his end evokes all the reader’s fears of the uncanny.

Mackellar is a fascinating narrator. He begins by being completely on Henry’s side but his loyalties waver on the voyage to New York as the Master sets out to charm him as he has charmed so many others. The structure of the novel with several narrators telling the story & the role of a servant as witness reminded me of Wuthering Heights. Mackellar is like Nelly Dean; he’s our guide but he has his own prejudices & is just as interfering as Nelly ever was. The story is more than just a battle between good & evil but Mackellar’s dour narration is full of foreboding from the beginning as he tells his story from many years after the events.

Sunday, October 5, 2014

I like the imagery in this poem of the young man's aching hand, aching from all the hands he's shaken in goodwill as he leaves his home for London. I wonder if he'll look back in later years & think he lived up to his friends' expectations?

As through the wild green hills of Wyre The train ran, changing sky and shire, And far behind, a fading crest, Low in the forsaken west Sank the high-reared head of Clee, My hand lay empty on my knee. Aching on my knee it lay: That morning half a shire away So many an honest fellow’s fist Had well-nigh wrung it from the wrist. Hand, said I, since now we part From fields and men we know by heart, For strangers’ faces, strangers’ lands,— Hand, you have held true fellows’ hands. Be clean then; rot before you do A thing they’d not believe of you. You and I must keep from shame In London streets the Shropshire name; On banks of Thames they must not say Severn breeds worse men than they; And friends abroad must bear in mind Friends at home they leave behind. Oh, I shall be stiff and cold When I forget you, hearts of gold; The land where I shall mind you not Is the land where all ’s forgot. And if my foot returns no more To Teme nor Corve nor Severn shore, Luck, my lads, be with you still By falling stream and standing hill, By chiming tower and whispering tree, Men that made a man of me. About your work in town and farm Still you’ll keep my head from harm, Still you’ll help me, hands that gave A grasp to friend me to the grave.

Thursday, October 2, 2014

This fascinating book has been published to accompany an exhibition at the National Portrait Gallery in London. Rather than just another collection of Tudor portraits, the curators have used infrared reflectography, X-radiography & photomicroscopy (I know, I don't know what that means either) to allow us to look beneath the surface of well-known images of the Tudor monarchs & see what has been lost through time & dirt or what changes the artist made while painting the picture. It's the perfect combination of history & art.

Each chapter has a timeline for the monarch's life & a brief discussion of the importance of images during the reign as well as a discussion of the afterlife of the monarch's image. Images of the monarch could be used as propaganda, showing the King richly dressed & prosperous. They could be used in marriage negotiations to entice a prospective partner - although we know how badly that could turn out. Poor Anne of Cleves could never have lived up to the enticing portrait Holbein painted for Henry VIII. At least Christina of Denmark was too clever to even consider marrying Henry when he was very taken by her picture. In Elizabeth's reign, it became fashionable for her courtiers to have a portrait of the Queen in their home & approved images were copied by other artists, some more proficient than others. Then, there are the effigies that were placed on the monarch's coffin at their funeral. The effigies of Henry VII & Elizabeth of York are part of the exhibition & a later portrait of Henry is said to have been based on the effigy.

Each chapter ends with an examination of one of the portraits. Here is a portrait of Mary I by Hans Eworth. On the right hand side, the portrait has been X-rayed & the back of the portrait, painted on a wood panel with the later addition of extra panels for support, can be clearly seen. It's so interesting to see the back of the portrait too. The picture experts on the Antiques Roadshow always say that there's sometimes more information on the back of the picture than on the front.

Then, infrared reflectography shows the underdrawing that was done & how thin the layers of paint are, allowing the underdrawing to show through. On the right hand page are more close-up details of the golden cloth on the sleeves, the jewel in the pendant & the artist's monogram. I find all this detail fascinating & it's wonderful to see such well-known images examined in this way.

I would love to have had a chance to see the exhibition but this beautifully produced book is definitely the next best thing.