Monday, February 29, 2016

Welcome back. Hope all is well in your respective parts of the Jazz drumming realm. Thanks to our hardworking Four on the Floor correspondents, working day and night to bring you only the very best that the wide world of Jazz drumming has to offer, here's some recent finds to check out:

- Drummer/drum set historian Daniel Glass has recently started a series of very informative podcasts to check out over at iTunes and his website:

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open...No artist is pleased. There is no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others” - Martha Graham(thank you to Vancouver's Kelly Proznick for passing this one along…)

Thursday, February 18, 2016

A little over a year ago I successfully defended by doctoral thesis "Melodic Jazz Drumming" at the University of Toronto. This project was the culmination of many years of hard work and I learned a great deal from the experience. I am very fortunate to apply the concepts and ideas I learned every time, it seems, whenever I sit behind a set of drums or work with a student.

My dissertation is now available on-line and if you are interested in taking a look, check it out here:

Monday, February 15, 2016

I originally posted this series of interviews with Jeff "Tain" Watts back in 2010 and they are still up on youtube.com so I recently decided to watch these again and repost for a little motivation and inspiration:

Here's a great JazzTimes article on the legacy and innovations of Watts:

This is a blog about jazz, jazz drumming and all things unrelated. Thanks for stopping by!

A Bit About Me...

Jonathan McCaslin was born in Winnipeg, Manitoba and raised in Regina, Saskatchewan. Jonathan began playing the drums at the age of nine. He progressed through the Regina Lions Junior Band and the music program at his high school, Campbell Collegiate, soon developing a passion for playing the drums and jazz.Ultimately, Jon's interest in music led him to enroll in the Jazz Studies program at McGill University, graduating with distinction in 1999.

While at McGill Jon had the opportunity to study with some of the finest jazz educators in the country including Gordon Foote, Kevin Dean, Jan Jarcyzk, Chris McCann, Andre White, Michel Lambert and Dave Laing. He also attended the prestigious summer jazz workshop presented by the Banff Centre for the Arts in 1997, where he performed with Canadian jazz greats Hugh Fraser, Don Thompson and Kenny Wheeler.

In the spring of 2002 McCaslin completed his Master's in Jazz Studies at McGill University where he studied jazz drumming, improvisation and composition.

In January 2003 Jon released his debut CD, “McCallum’s Island”.Featuring his quintet, the CD contains an exciting collection of McCaslin’s original compositions, featuring himself and his band.The release of this CD was followed by a twenty-day tour of Western Canada, performing to enthusiastic, capacity audiences. During March of 2003 Jonathan was the recipient of a fellowship from the Kennedy Center for the Performing Arts and attended the “Betty Carter Jazz Ahead” residency in Washington, D.C. Along with twenty other distinguished young jazz artists, McCaslin was featured with such jazz icons as Terence Blanchard, Carmen Lundy, Winard Harper, Curtis Fuller and John Clayton.

McCaslin’s quintet performed at the 2003 edition of the Montreal International Jazz Festival and was nominated for the General Motors Grand Prix du Festival (awarded to the most outstanding Canadian group). From 2004 until 2006, Jon toured North America, Asia and Europe with the high-energy, critically acclaimed music production troupe “Barrage”. Featuring a cast of seven world-class fiddlers and a four-piece band, this dynamic show featured high-energy music and fiddle traditions from around the world set to upbeat choreography and movement.

In 2015, Dr. McCaslin received his Doctorate through the University of Toronto and completed his dissertation on the conceptualization of contemporary melodic jazz drumming. He is currently based in Calgary, Alberta where he maintains a busy performing and teaching schedule across Canada.