PICASSO (b. 25 Oct 1881): Now that his pictorial innovations are neither obstacle nor surprise, his love-hate relationship with the opposite sex has become his defining characteristic. Here is an early blue period self-portrait with whore, and his breakthrough painting of five prostitutes.

As a manufacurer of Scorpionic icons his death obsession must also be given its due:

Georges Bizet 1838: Composer of Carmen, archetypal femme fatale. “The production of Bizet's final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later [at 37], unaware that it would prove a spectacular and enduring success.” wiki

The role of Carmen was introduced by mezzo-soprano Celestine Gilli-Marie (born in November). It was said that at the 33rd performance Galli-Marié had a premonition of Bizet's death while singing the cards scene in Act III, and fainted when she left the stage; the composer in fact died that night. (W. Dean, Bizet)

Agnes Baltsa (17 November 1944) is a leading modern exponent of the role.

Celestine Gilli-Marie and Agnes BaltsaAs a musician I tell you that if you were to suppress adultery, fanaticism, crime, evil, the supernatural, there would no longer be the means for writing one note.~Georges Bizet

ZADIE SMITH (25 Oct 1975). Her first novel “White Teeth” begins with a near death experience (NDE) and she recently confronted death in an intense meditation, “Man vs. Corpse” (NYRB Nov. 2013). She edited an anthology of sex writing called “Piece of Flesh”.