Christmas is almost upon us. Like many of a certain age I am in a relationship where one buys presents for oneself and then tells the other half how much they owe you. Having suffered a run on my bitcoin portfolio I had to choose between a variety pack of Uncle Bens Rice or these books, I opted to splash out and purchase not one, but both books. I reckoned that it would heighten the tension and be a surprise on the special morning, having two presents to open. Both books arrived post haste, if not sooner and as it was not a last minute transaction I was left with a dilemma, do I hand them over to the other half for the festive wrapping or do I snaffle them away in my bits and pieces drawer in order to read them when alone.

And so here you have my review of both books, (unfortunately both have been confiscated after a heavy reading/drinking session that resulted in me leaving them on the cistern overnight and being tardy in the morning ablution stakes the following day). I look forward to receiving them on Christmas Day and will no doubt read them both again whilst in a similar state or location.

Imagine if you will that Mrs Trellis and Henry Root were thrown together on Love Island or Blind Date, the eventual and inevitable product of their endeavours being the forthright epistolist Derek Philpott.

If you love music, musicians and tongue in cheek pedantry these books are for you. The letters from Derek are proper laugh out loud fare. The joyful replies from pop stars, bands and people from the forgotten Top of the Pops archives (not the Jimmy Saville tapes, the acceptable ones) are as equally uplifting and will cause you to re-focus your jaundiced eye on those that you may have previously ignored.

True testament to the power of social media and the music community, a feel good story in its own right, (a film must surely be in the offing Mr Buttz?) these two books are a Christmas/Birthday/Bank Holiday weekend must. They are un-put-downable and will no doubt lengthen toilet visits across the land.

FOREMANS BAR, NOTTINGHAM​

Any self respecting music fan coming to Nottingham, for any reason needs to schedule a visit to Foremans Bar. It’s right in the city centre (opposite the corporate blandness of The Cornerhouse) and is small, yellow and perfectly formed.

Jason Whittle is the main man, licensee and live music organiser and member of three piece acoustic and electric band Static Kill. This article was originally intended to appear in The Punk Lounge but I dithered and struggled to get it together in time (apologies).

I've seen a few local articles written about Foremans, and wanted to spread the word a little further afield, I arranged to have a chat with Jason. I had initially hoped to catch up with him after his band, Static Kill (link below) finished their set at a recent 40 yrs Anniversary of Rock Against Racism, but it was a very busy night. We subsequently met up on a wet lunchtime just before the bar opened, (good tactical move) and had a coffee and a chat as Jason set up ready for another long day/night.

Foremans is an independent bar, no brewery affiliations and Jason is the longest (suffering) serving licensee in the city. The conversation went a little bit like this…

Can you tell me a bit about the history of Foremans

Foremans started off in 1974 as the Wine Press and then it became Foremans in 1981. There is a Forman family (they are the former owners of Nottingham Evening Post) and we are situated on Forman Street, but we are spelt slightly differently to those.

I took Foremans over in 1998, a friend had it before that, but it wasn’t really working for him. When I took over the old Evening Post building was destined to become a high tech hub with developers planning on bringing in firms like IBM into the city centre. This seemed to change pretty quickly and The Cornerhouse development materialised.

I realised that in order to survive we would have to stand out from all of the corporate, bland stuff around us. So we developed our uniqueness, both in appearance and what we try to do. We started to play the music that I like, punk and reggae mainly, but no real restrictions as long as it was good music. Bob Marley, Stiff Little Fingers and The Stranglers could quite easily follow one after the other, add into that some ska and Motorhead and anything else that the customers would enjoy. Foremans was often referred to as ‘the yellow punk bar’.

A short while after that some builders damaged the old canopy outside the bar and they agreed to pay for a new one, unfortunately in making the new canopy (which should of read ‘Punk Rock Reggae Nottingham’) the word 'Reggae' was missed out and now we have ‘Punk Rock, Nottingham, England’ on the canopy. I guess that we are best known as ‘the punk bar’ or just ‘Foremans’.

We always try to play decent music from opening to closing and the staff will try to play what customers want and ask for (within reason). We’ve grown to accept that the occasional visitor will point out that we might be playing something that isn’t punk in a punk bar, but as long as it’s not Simon Cowell related we are pretty laid back.

You have been at this for a long time, long days/evenings/nights and fitting in a band too, how do you manage

I don’t think that there is anyone who has served longer as a private landlord in the city, I am organised and just keep on keeping on. There have been a few changes over the years, the main one being that people drink so much at home. There is a trend of people preloading at home, or in their student halls and then come into the city and cause problems, that’s bad for us licensees, we end up with the hassle when the serious drinking has happened at home. So yes, that’s changed, it also means that small independent bars will struggle as people are less likely to spend money over the bar. That’s why it is so important for us to be different, we strive to make Foremans a place that visitors and regulars will come to, stay and then return. If you’re not different you won’t survive. Unlike those opposite, where you could be in any city in the UK, we are Foremans, and you could only be in Nottingham.

Is this why you also put live music on

Yes, we started putting on bands about 5 or 6 years ago, although we are a small venue, we have a small stage area and we have to move things about to make room. But it does work

We started off with Arthur out of The Lurkers, he came along and certainly kicked us off in fine style. We’ve had Glen Matlock, TV Smith, Sigue Sigue Sputnik, Louise Distras, to name but a few. We are now being approached by other bands to come and play, unfortunately we don’t have enough room for a 7 piece who want to bring their own drum kit, they won’t fit in. We do however surprise some people by the set up and the sound that we provide and everyone that comes to watch or play always seems to want to come back for more.

Do you have a wish-list of people yet to play here?

Yes, I’ve never been able to get in touch with Hugh Cornwell, in fact I'd love to bring in any of the current Stranglers, there are plenty of others too, but these sprung to mind.

So a big shout out to Baz, JJ and Dave - Foremans are waiting for you - and so are we.

I’ve seen XSLF and TV Smith here, I love the fact that we, as punters get to see them up close and it makes it a great experience.

Yes, we really get on with those guys, and Martin Degville, they all make time for the audience, posing for photos, drinks and chats etc, we can only sell 55 tickets, but these gigs are professionally run and we do our best for the performers and the audience. If we break even we are lucky, (and happy).

It’s clear that you have a punk ethos, and you have lots of posters on the walls advertising other shows at other locations.

Yes, the other smaller live music venues in town try to help each other out, we talk to one another and try not to clash with gigs on the same night and it works well.

Do you have any plans for the future, will there be any changes

There really can’t be that much change as I inherited a very old license. Should I ever want to change anything, like extend the bar or put new windows in then I would require planning permission. This would mean a change to my current license and I would be at risk of having the capacity reduced and have further restrictions placed on the live music too.

[END]

Foremans is definitely a place to come to, you will remember it for sure. And if you manage to get a ticket for one of the shows at ‘the yellow punk bar’ you will be in for a treat.

​PETER JONES - CONTRIVANCES FOR THE SOUL ​

Peter Jones is the current bassist with Department S (although he has announced today, 12th December that he will be stepping down from this position, probably after Rebellion Festival 2019). He is also a soon to be published author of an eagerly anticipated biography centreing around his time with some high profile and seminal bands of the 80’s.

​His musical pedigree is out there for all to see, and definitely hear. PiL, Cowboys International and Brian Brain, an established music producer, and a building project manager as well as a long suffering Watford supporter.

I therefore felt privileged to be given the chance to give his new solo album the once over, not fully realising that a 'once over' was never going to be enough.

Contrivances For the Soul is due to be released in March 2019. It is a beautifully crafted album, well written, well played and well produced. Post punk? Alternative? Synth Pop? One thing that you can expect from Mr Jones is the unexpected, (see announcement). I've always been drawn to the stuff that he has been and is involved with and so I did expect a thoroughly listenable to album, unsurprisingly I certainly got that.

It is clear that this has not been a ‘lets get in the studio and hammer out as many tracks as I can in the shortest possible time’ process. Upon first listen I was struck by the complexity and the songwriting on each track. But then listening back, and listening again you can pick up so much more. There’s some proper earworm style guitar hooks and compelling basslines running throughout, there's also a hell of a lot of work.

Layer after layer are gradually revealed, I could pick up echoes of Brian Brain and Public Image, but what shines through on this album is the sheer professionalism, passion and attention to detail, alongside a huge dollop of excellent song-writing.

A great album with 8 stand out tracks, there's no make-weight amongst them. I have shifted allegiances with regards to a ‘leave on repeat’ track on a number of occasions, at the moment it is Time After Time, with jagged riffs, a sing along chorus and a dystopian bass line. I will no doubt change my mind very soon.

There will be limited edition vinyls and lots of other goodies when the album goes on general sale in the new year - I am sure that once word gets out and the community gets to hear the album that these will be snapped up.

Track 1 (Ocean Blue) is an excellent curtain raiser to the album, it draws you in, it is melodic and thoughtful.Track 2 (Liar) maybe an ode to politicians? Don’t expect punchy 3 minute punk tunes, there is a little self indulgence taking place here, and the tracks are all the better for that. Track 3 (Time After Time) I confess to re-visiting some Brian Brain tracks whilst reviewing this album, Time After Time kind of took me back there. An enjoyable sojourn, but not one I could totally link to anything on here.Track 4 (Basket of Hands) Follows on in a Kraftwerk-esque style - almost said Tangerine Dream, moving on! Predominantly instrumental with haunting vocals. Great track.Track 5 (Spanish Snow) Evocative guitar/synth flamenco laced rhythms and maracas. Then a killer bassline, lots of love for this track.Track 6 (The Reason Why) Opens up into a great soundscape, radio plays a plenty for this one, grabbed me first.Track 7 (Psycho Drill) With added Leigh Heggarty, and as a result will no doubt be a firm favourite for many.Track 8 (Contrivances for the Soul) Just like the enigma that is Mr Jones the title track appears at the end of the track list (I wonder if the tracks will appear in this order on the album) Another listen and then listen again track, electronic vocals, trippy with a dark undercurrent.

Eight excellent tracks, a step away from my usual punk fare, and most delicious it is too.

Links to Pete's website where you can indulge yourself, and to the Department S Facebook page are below.

'Molars are based in Nottingham, and describe themselves as a Midwest Emo/Pop-Punk trio formed in 2018. For fans of Tiny Moving Parts, Taking Back Sunday, American Football, and The 1975'. This is so accurate it hurts, add that to the title track of the EP (also deadly accurate) it made me wonder what else I could say, thankfully there's quite a lot!

Any band describing themselves as having a midwestern emo influence will be in danger of closing off a few ears before they have been given a chance. So let’s just concentrate on the music. Yes, it IS Tight, but not groundbreaking! And it is a most accomplished first foray into recording and putting out a solid EP. The lead vocals and harmonies appear natural, not forced and strained like some far more experienced/successful bands. The emo-style chords and stop/starts feature, but not overdone, it's a well-polished and an accomplished record.

White Walls, (rightly chosen as the single) opens with a pop punk feel and then climbs into (what continued to be) strong vocals and the distinctive emo guitar riff-age. There’s a little nod towards math rock in the stop/start mid section. It’s a great start, and showcases a young band who know their strengths and play to them very well.

No Words, it really does remind me of a 00’s chart song, and I spent far too long trying to bring it to mind rather than listen to this track - still can’t place it. When I listened back I could hear the rather subtle involvement of a female voice, nice touch.

Front Seat, another well written track, easy to understand and mildly cathartic. I think I’d get away with playing this to my family who generally scream and stomp if I was to put one of my punk playlists on.

Untitled, it chugs into view and then we are on a similar path as those that have gone before. Despite the deliberately enigmatic title, I enjoyed this track and found this to be the song that lingered longest in my head. The repeated phrase at the end really did ought to be the title, this was the hook for me.

Small Odds and Smoking, after no title this title caught my attention, the opening words more so. Yep, it addresses those issues, maybe it will be a bit tricky and uncomfortable for for some to hear, kudos for writing this track.

There you go, a very strong first EP from this band, they are still finding their way, but carry on like this and they will do well.

I’d like to catch these live, always keen to be in on a band from the early days - who knows, maybe time for another Punkmonger Promotions gig.

Here's the White Walls single and video - released yesterday (14th September).

When a very nice chap sends you a message and you find it difficult to say 'no' and so you do a thing, rather hurriedly. Seems like ages ago now, but I mentioned purchasing a vinyl copy of this album whilst at Undercover 2018. The review is a bit overdue - not quite as long as the release of this album.

The debut album was released in 2018 - a mere 41 years after the band's first gig in 1977. Quite unusual, and quite an achievement to be able to get the original members playing together. I guess it speaks volumes as to how nice these guys are!

There are twelve old school punk rock songs on the album, and once you get your head around a group of ‘older’ blokes singing about teenage issues then you can enjoy Nuffin as they were meant to be. The original punk rock sound is maintained throughout and some of the more socially aware tracks were relevant when penned back in the 70’s and they are just as relevant to today. There are the mandatory join in choruses and some clever punnery. Dual lead vocals, staccato bass and punk rock drums underpin each track, Mandy, Tuesday, Wendy and We’re Plastic are the stand out tracks for me. It's more melodic, less raucous on the record than the live shows.

The band are busy, lots of gigs in the pipeline and there is a concerted push being made by them to appear at Rebellion in 2019. I have to say that they will probably appeal to the ‘nostalgia punks’ due to them having the same line up today as they had in the 1970’s, their sound is a proper blast from the past, probably not as edgy now as it was back then.

Nuffin have a growing fan base, they appeal to the more ‘discerning generation’ (older) and as a consequence there is a great community warmth for them, there's not much 70's jumping around and dancing, more a case of nodding, swaying and smiling, (joining in is also acceptable as the songs are immediately catchy).

The vinyl is well produced, it has inserts and everything, there is a CD and digital version available too. I guess that the difficult second album will be available in 2060 or thereabouts, so start saving your pension.​

Weekend Recovery are on fire! They have broken free of the pop-punk cocoon and evolved into an exciting, accomplished and almost fully formed rock band, (Garage/Grunge/Alternative- who cares?) ready to fly into your ears and pollenate your lobes with massive vibes and joy.

I’ve been in on this band from the early days, I never doubted that Lori had that special something, rock/film star looks with a steely determination and a genuine person. The current line up just oozes class, Marcus, Josh and Owen are easy on the eye (and ears) too! The plaudits are rightly rolling in and the hard work and talent is starting to reap rewards.

Whilst enjoying their previous ‘Get What You Came For’ album I have to say that this EP is a clear step up, and a big step in the right direction. Each track would be an immediate favourite on mainstream radio, but there’s one number in particular that made me stop in my tracks, sit up, listen and then repeat.

Four great tracks, the band are definitely carving out their own sound and ensuring that ‘Weekend Recovery’ can be seen in the musical tree trunk of today and beyond.

1. Bite Your Tongue - WOW! Just WOW! After a week or so of listening to new track after new track and probably being a bit tired in the ears this track grabbed me, shoved my head under a cold shower and woke me up immediately. From the jagged and heavy opening, then the husky vocals and the fast n’ slow whoa-ho-oh! hands in the air chorus. It’s a brilliantly shiny track, immediately accessible, with a foot stomping, steering wheel tapping rhythm. All boxes ticked, piled carefully in the corner, kicked over, ripped apart and then set alight, fucking incendiary.

2. In the Mourning is a close contender to the opener, it’s another belter - I expect that it was a hard decision as to which track would be the one to release - in the past it would’ve been a double ‘A side’ and then let the radio stations decide. I honestly believe these two to be that good. Lori has the skills to ensure that her vocals don’t totally overpower the rest of the band, they all play their parts, and do so very well indeed.

3. On My Knees is another strong track, when the vocals start I am reminded of Nancy Sinatra in ‘these boots are made for walking’ and then we dive headlong into a scuzzy angst ridden vocal, it’s a bit ‘Hole’ like and the most obvious link between the previous album and this EP.

4. I’m Not That Girl sees Lori examining her parent/daughter relationship, I wasn’t as immediately drawn to this track as the other 3, (it’s probably a gender and parent thing!) But I can’t fault it and my 10 yr old daughter wanted this song above all of the others on her current playlist.

Weekend Recovery, they really are a joy. They have gained some fanatical fans in their relatively short existence, the fanbase is growing, this EP will ensure that it continues to do so. I don’t often do/say this, but I will be happily pushing this to radio stations - until then pre-order HERE or wait til the end of the month. ​

I first caught Hung Like Hanratty playing down in High Wycombe, (bit of a surprise seeing as the band and I come from the same area) and to be honest I thought that they were a bit ragged. Since then I’ve stood on the sidelines and watched them gain in popularity, not really understanding what all the fuss has been about.And then I saw them at Nice n Sleazy in Morecambe. The atmosphere was great and the band were as tight as a ducks chuff. And I was blown away with the live version of the title track of this album. Add to this that the band are bloody good blokes, they support the scene whether they’re playing or not and they always stop and mix with the crowd, there you have it, the recipe for continued success. Hung Like Hanratty cast a jaundiced eye across society, there are very few who escape their razor sharp observations but, as Kenny Everett was keen on pointing out ‘it is all done in the best possible taste’, (or maybe it isn't but this is a breath of fresh air in the stifled, rarefied atmosphere in some communities).This offering sees Hung Like Hanratty team up with STP Records, a great move for both concerned. I can’t fault the production on the CD, it’s clear that the band are firing on all cylinders and that the new stuff is immediately catchy and is littered with great guitar hooks and riffs aplenty. The CD opens up with two absolute pearlers, Clampit Town and Lawyers For You had me smiling and joining in from the off, the irreverent indignance at seeing folk shopping in town clothed in their jim-jams and slippers, and then, people giving TV lawyers an easy living by reporting various male member related injuries. Both immediate sing along numbers and clever with it. A fantastic start. And it doesn't stop there, you won't find a weak track on this album, each song title leaves you in no doubt what the topic is, punk melodies surround some full on lyrics and join in choruses. There's plenty here to be added to the HLH set list. This album is a juggernaut chock full of defiant irreverence heading down the motorway of mediocrity ready to breathe life into the disillusioned and those sad old punk rockers prematurely suggesting that punk is dead. What You See Is What You Get is a great title track, it accurately describes the band, their music and this album, it surely has to be the regular curtain raiser to their forthcoming shows. There is no doubt that this album will fly out of the STP Records vaults and into the homes of many a happy punk, and if you don't get it then ....'get a fucking life....'

The Eddies are appearing at Rebellion and are bringing a new (limited edition) EP with them, they are an established punk rock band from Dundee, but I have to admit that I was relatively unaware of them until Nice n' Sleazy this year. I enjoyed the set, I know this cos I bought their merch, but it was a busy day and the alcohol and me had an early start.

I was therefore open-minded when receiving this 5 track EP to review. It really did make me sit up and listen, it’s a massive slab of punk guitar riffs, mob choruses and driving rhythms from start to the all-too-soon finish. It’s easy to get sucked into a cliche cul-de-sac when reviewing some run of the mill music, but not so when listening to this ‘STILL TAKIN THE MICK’ EP.

Track list :

NO WAYOpens with heavy guitar riffs, drums kick in and we’re off. You really are dead from the neck up if you don’t join in with the chorus after guitar break.

MY GAME, MY RULESReal rock n roll start up and scorching vocals settle into a Sham69-esque challenge and reply chorus. Fast and hard, my stand out track amongst this fine bunch.NOWHEREAlmost half way through, it’s clear that these guys draw from the good and the great punks from times gone by, but they play it their way and play it very well. You can’t beat a ‘whoah-oh’ moment.ONE OF THESE DAYSA sub 3 minute banger, well-crafted, lyrics are sharp and to the point, enjoyed the drumming throughout, but they were the highlight for me here, oh and the sublime pay off at the end. TAKIN’ THE MICKFinal song, the title track and a nod to the passing of Mick Kilbride. Theres no time to stop and become melancholy, get your feet moving, your fists in the air and join in. Maybe have a little bit of air guitar and just revel in this punk rock indulgence.

The Eddies are playing The Arena stage 1.30pm - 2pm on Thursday 2nd August. Get there early to grab an EP and then enjoy these great songs live. It’ll set thee right up for the weekend!

**Last time I reviewed a Dundee band, pre-Rebellion it seemed to help, so here's hoping for a similar boost to EP sales for The Eddies, after all this lot do try and parent those young Delinquents (also playing Rebellion).**

​

BAND : KILL THE COLOSSI

ALBUM REVIEW : HERD MENTALITY

RELEASE DATE : NOW AVAILABLE

What a treat! Great Album, great artwork, production, song sheet, and banging tunes. What more do you need to know? Well it's a bit sweary in parts and it's definitely addictive. Modern day punk with boots straddling both sides of the Atlantic.

Kill the Colossi are a South coast 4 piece, they play relevant, up-to-date punk which is full of current comment and riff-ladened hooky tunes. They draw from the best of the past and drag the sound into the present. I fucking love this album.

The opening track "OUTSIDERS" is one of the best openers I've heard in a long time, it is reminiscent of The Italian Jobs 'The Self Preservation Society' and grabs you from the off. It really does blow the bloody doors off, I defy you to play this without la-la-la-ing.

Up next is title track, "HERD MENTALITY" harder than previous track, but equally catchy and another cleverly observed and well written song. Fast-paced oral commentary (rap?) duelling with sawing guitars and then breaking out into a well placed riff.

"ANOTHER BAD DAY" is the next black cab off the rank, and this track could easily fit into a modern version of 'London Calling' (and eclipses most of the tracks on side 3).

After a clever semi acoustic interlude of "RUN FOR COVER" we are treated to another politically charged 'point the finger across the Atlantic' guitar driven punk song "196 WALLS" (<<<video link).

Then comes "SHOTGUN SHELLY" another fists in the air sing along chorus, and another standout track.​The longest track on the album, (but probably could be split into two, with shorter second part being a dub mix) is "LIONS ROAR" this track showcases the band skills, and is probably the most radio friendly/commercial track on the album.

Closing the album are "FUCK THE TAXMAN", "WHAT'S PUNK" & "BETTER THE DEVIL" each track deserves more than a passing mention, but then I'd be spoon feeding you the whole album.

Midway through 2018 and this album will take some beating for the best of the year, each and every expertly produced track (kudos Gareth Matthews and Westside Music) is well crafted and is played with an energy and demeanour relevant to the current state of the country.

​

BAND : VOMIT

ALBUM REVIEW : PAST AND PRESENT

​RELEASE DATE : NOW AVAILABLE

This double CD has been on heavy rotation since dropping through the letter box earlier this month. I've seen Vomit in the past, but not that much recently, surprising really given how hard working they are. So I caught up a little bit by watching some of their social media live stuff.

Righto, this is a nicely put together package, the two CD thing makes perfect sense, however I thought that the production/sound on the 'PAST' CD was a bit muted and caused me to utter a few grumbles when I had both CD's on shuffle. Getting 'past' that I found a few nuggets in amongst a good solid (nostalgic) track list. Stand out songs for me - 'Doesn't Matter How Old You Are', 'Life's Not Fair' and 'Shut Your Mouth' they are proper windows open singalong tracks, accomplished and guaranteed crowd pleasers. Underlining why Vomit are such a popular live band.

And now the 'PRESENT' CD - it's a cracker. From the opening '21st Century News' to the closing 'New World Disorder' each track is well written, performed with an assuredness and a justifiable swagger backed up by over 40 years of punk experience, (I'm aware that Vomit, like a few other established bands, suffers from social media talk down) hopefully this collection of tracks will help them realise that they're pretty good at what they do and have got it about right with this bundle of tunes.​ I'd actually struggle to pick three favourites from this album, I've changed my mind a few times, that's what struck me here - when pushed for time I found myself skipping past a couple of songs on the 'Past' CD, with the 'Present' CD I couldn't do that. Current faves 'Dirty Toys' (think naughty Ramones) and then 'China White' and 'Do I Look Like I Give A Fuck'. The list will no doubt change. It's a great double CD, will appeal to young and old (Yes, you Fraser Powell) and I look forward to catching up with Vomit live, hopefully very soon.

This was my first trip to the Nice n Sleazy Festival, Morecambe, and I eased myself in gently by missing Thursday, Friday and just stayed for the weekend. First up, apologies for the lengthy article, and if you are pushed for time here’s the main bit first. If you are a little unsure about going to a music festival then I would recommend this friendly festival as being a great way of testing the water. The facilities and organisation are excellent and the atmosphere is so laid back and you get to mix with lots of joyful happy punks of all shapes, sizes and ages. The on site bars and catering offer a fantastic choice for all tastes and the prices are excellent value. The music is mainly punk and ska oriented, the bands are spread over 4 stages including the indoors acoustic stage which is set up in the shadow of the massive sports screen (all of the stages are close to each other, so no access issues) and I only had a couple of band clashes over the weekend so was more than happy in my late in the day ‘confused’ state. So here’s the thing, I counted back the number of bands that I saw whole or partial sets from, and reckon I was there in body (not necessarily in mind) for over 20 of them. I only shrugged my shoulders and walked away from a set thinking ‘not for me’ on a couple of occasions. I thoroughly enjoyed the majority of the bands that I watched and listened to. Now that the adrenalin has settled, alcohol levels stabilised and the senses returned to normal I have gathered together a few thoughts on my weekend experience, and so in no particular order :

Delinquents, this Scottish 3 piece are a breath of fresh air, they play hard and fast, have a great sound, their set list is strong, and has grown quickly over a relatively short period of time. I’ve been an interested (but remote) witness to their development and enjoyed following their journey so far. I am in no doubt that they will travel a good way further. This was the first time that I have seen them live and it won’t be the last. It’s probably not ideal for the lead singer to have caned the booze the night before but as soon as they started there was no hint of that (except maybe the perspiration and the shaking of his head) they put in an energetic and bristling, riff-ladened first class punk rock set. You get sing-along anthems, with 100% commitment and a great attitude. They were clearly glad to be up there and they entertained a good sized, early afternoon crowd. I reckon these guys will be heading up a few larger events in the not too distant future.

I then enjoyed a couple of ska sets from the unlikely named Sleepy Jake and the Duvets and Belgian band Mise en Scene, both new to me and both gave a good account of themselves - merch duly purchased.The Eddies, Fire Exit and Crimedesk followed one after the other with Billyclub somewhere in the middle of them, I confess to dipping in and out of these sets as I was busily chatting (drinking) outside, each one of these bands were solid and I manged to get a few bits of merch, including the rather excellently titled Manky Hoor EP.

Then came Millie Manders & The Shut Up, they are often described as a ska band (they really are so much more). It’s been a while since I saw Millie Manders, and the transformation in that time is immense. I always got the lyrics, the music and the performance but this set shows why Millie Manders & the Shut Up are being spoken about in such excited tones at the moment. Joyful energy coarses through the band, most of it is channelled through Millie who was a skanking, bouncing powerhouse throughout their set. Beth Pegler nailed replacement bass duties and Musa? Well his guitar skillfully stitches everything together. This band was quite easily the big surprise (for a lot of people), and the talk of the festival. Beautifully strong, powerful and sometimes edgy vocals, they came to Nice n Sleazy in the middle of consecutive festival appearances and they smashed it. This band will rock any festival going, they are so engaging that they will make a small festival crowd feel special, and so musically massive and full of energy that the biggest festival crowds will enjoy them too.

Rounding off the musical excitement for me on the first night was a TV Smith solo set, I’m a massive fan, the passion, enthusiasm and the usual full-on performance was delivered with a smile and a couple of age related pleasantries. Old stuff, new stuff - all first class, I’ve heard a couple of people liken Tim’s voice to Dylan, complete nonsense, TV Smith is much better and his song-writing and lyrics make more sense and are more relevant to me.

More chats and general joyfulness capped off a great first day.

Sunday saw another sun-filled sky and even the most hung over managed a smile. Once the music started the smiles continued throughout the day. More fantastic bands, and some good friends playing today. I’ve probably already exceeded the expected list, so have some more!Kid Klumsy are the new kids on the STP block and so I made sure that I watched their set. Having heard mixed comments about them I was open minded and enjoyed their sound. I can see this band growing in stature and gaining a good following. They are still developing, be interesting to see where they end up. Bought the CD (then later won another in the raffle!) and I enjoyed it on the way home.

iDestroy came on next, I know their music, but have not seen them live before, I really enjoyed their set. Another band that gave their all and really injected some energy into the crowd.

I then had a Born to Destruct/5 Go Mad clash and a partial clash with The Kut, so I bobbed about between the two outside stages - enjoying the blow up light sabres ,cutlasses and guitars in the marquee and then the sunshine and the vibes outside.

Born to Destruct are a favourite, the band are good people and have become friends over a relatively short period of time, their growling guitars, roarsome vocals and singalong choruses always make for a great night (or afternoon here), and they definitely had the biggest, maddest and loudest crowd in the marquee. No crowd participation on stage for this set, but plenty going on off stage. This band have the friendliest, maddest and most rowdisome followers. Born to Destruct put in a great set, the new numbers from the recently released God of Destruction album have fitted in well and been embraced by the fans. It is clear that this band are a good fit for this festival; smiles, friends and good music aplenty. Well played.

5 Go Mad were on the outside stage at the same time, I wanted to witness their new line up and see if their drummer would, a) remain clothed and b) frazzle to a ginger crisp in the sunshine, the answer was ‘yes’ to both! I’m pretty sure that I’ve said before that my musical tastes are quite wide ranging, but I’m not usually drawn to the naughty boy type of punk, well 5 Go Mad are the exception to the rule for me and just like those hidden magazines in the sleeves of my teenage record collection, they are (probably) my only remaining dirty pleasure! The new line up worked well, probably a bit of a heavier sound, and I’m looking forward to their new album with moist palms and an unhealthy expectation.

I then rushed inside for The Kut, they played a blistering headline set at the Hashrock Festival that I was recently involved with, and wow! The Kut are enjoying some really good success with their debut album Valley of Thorns and yet again they were on fire. Princess Maha manages to play a grunge laced guitar and sweeten the riffs with her fantastic voice. The band are a tight and well oiled rocking machine at the moment, there is a justifiable confident air about them and I’m sure that they will continue to rise in stature and popularity. Massive kudos - top set.

I just had enough time to grab a chat with a few folk and then it was another great run of bands, Knock Off, Hung Like Hanratty, Department S and UK Subs. Honestly, how can you better that?

Knock Off were at their ebullient best, playing a lot of their more recent numbers, dropping in the older favourites and finishing with a cheeky and very fast version of Jack the Ripper. These guys never seem to put in a below par performance, they are really popular, even as far North as Luton, and they manage to attract a wide cross section of fans from across the disparate punk family.

I rushed away to catch my near neighbours Hung Like Hanratty, I’d seen lead singer Al around the festival site and supporting the other bands, but not had the chance to say ‘Heyup, how’s it going’ but upon walking into the main stage area it was clear that it is going very well for Al and Hung Like Hanratty, it was packed. Really busy, full of HLH shirts and most everyone even seemed to know the words of the new songs. I caught the title track of the new album What You See Is What You Get, good choice as it’s a bloody good song. Probably my earworm when walking back to the B&B that night.

It was not long before Department S took to the stage, a top band with so much punk pedigree. I’m pretty sure that Mr Jones smiled at Alan the new-ish drummer a couple of times, so all seems to be well there then. The set absolutely flew by, it was relatively short in time, but they managed to pack a lot of quality into their slot. I’m always interested to hear people’s comments after seeing Department S, and the overriding theme is always, ‘Is Vic There, was great, and they’ve got lots of other good stuff too’. Back in the day Department S were a top band for me, and they still are, merch and chat duly followed. Thanks.

And finally, UK Subs a brilliant headline act, they completely blew the roof off, one hard and fast song after another, there’s no excuse when these guys play you just have to sing, dance, mosh, forget how old you are, get knocked out and enjoy every goddam minute of it. I stayed at the back for most of the set, it is easy to see how much this band mean to the old punks and the new punks of today, a sea of singing faces, a mass of clenched fists in the air and dancing, lots and lots of it. There are very few people held in as high esteem as Sir Charlie Harper, he takes time out to stand and chat with the fans before and after his gigs, he supports other bands and should be the person that all other bands try to be like. The vocals are still strong, the musicianship accompanying them is as powerful and tight as I have heard it. And the on-stage chemistry seems to work really well these days. Needless to say I forgot myself and rushed forward to get near to the front for the encores, putting my recently purchased Department S vinyl in mortal peril, but I’m glad to report that both survived.

Fantastic festival, great music, great people. Ticket purchased for next year, don’t miss out, most everyone I spoke to is coming back - no surprises there. Well played to all of the bands, and thank you to all of the people who made this weekend a very special one.

<<<<<< Click on image for​Link to event page​<<<<<<<

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BAND : STEPHEN BRUNTON

EP REVIEW : DEVILIN ME

RELEASE DATE : NOW AVAILABLE

Devilin Me is the new EP and a new project from the prolific and rather talented Stephen Brunton and his crew of Arup Gosh, Karen Brunton, Andy Martyn, Emma and Paul Anarchistwood.

When the EP dropped onto the doormat it didn’t take long to slip it in and get the aural juices flowing. The artistry, the innovation and the true depth of feeling hits you from the opening title track until the (less than 12 minutes) end. I really like the low-fi artistry. Five pounding tracks incorporating tribal rhythms and using an array of imaginative ‘instruments’, and accompanied by heartfelt lyrics and the occasional, erm growl.

The tracks deal with self awareness, love, sex, loss, dishonesty and retribution. I’ve listened to each track a few times now, including on repeat during a 2 hour drive; a couple I knew previously from trolling the internet, and the remainder were first time listens, I can find nothing negative to say. Stephen Brunton bares his soul, honesty throbs out of the speakers and into your heart.

Devilin Me speaks to me, and it speaks for me. There can be no trickery here, there is nowhere to hide, I love it. I’d describe the EP as showcasing another side to a multi faceted and innovative musician. I’d love to see these tracks performed live, and look forward to more being added to the Devilin Me track list, which is -

DEVILIN MEAIN’T GOT TIME FOR THISRIGHTEOUS STICKLINNS SONGI SMELL ME IN YOU​You can purchase DEVILIN ME for less than a pint of beer! DOWNLOAD HEREPhysical CD via PayPal will cost £2.50 plus p&p E-mail for details and order HERE

BAND : AMBITION DEMOLITION

CD REVIEW : TREASON FOR TODAY

RELEASE DATE : FRIDAY THE 13TH! APRIL​The tricky second album? Well if first album Punk For Life provided us with a huge slice of nostalgic ’77 punk rock pie then Treason for Today gives us a bigger slice and with extra cream and a cherry on top.I managed to fight off the other punters at the Margate Car Boot Sale (Undercover Festival) and grab a couple of CD’s from Alan, the lead singer and guitar wrangler of Ambition Demolition. They were fairly flying out of his man bag, and at less than a tenner a pop it is easy to see why.The guys, (Alan, Buff and AL) stretch themselves on this album, it is clear that lots of live shows and practice sessions in a relatively short space of time are paying off here. Yes, there is still a raw edginess about the band, but that all adds to the original 1977 feel. There are plenty of pounding beats, razor sharp riffs and sing along choruses, but this time around they are delivered with more certainty and a bit of cheeky swagger. There are some absolute gems on the playlist, these would no doubt have been given an airing on the national radio stations back in the day. The CD comprises of 13 tracks, it romps along at a fair old pace and does the job of getting you to join in pretty much half way through each track on first listen. After a couple of play throughs (on the way back home from Margate), I had perfected the whistle-a-long a hook line on Ticking Boxes, (so bloody catchy it has become an instant school run classic) and was self-assuredly singing along with most of the choruses. If you scratch the surface of Ambition Demolition then you uncover 3 guys who appear to have found their sound, they now have a large number of self-written songs to choose from in their sets. The re-working of Us against the World from the first album underlines that they are paying attention to their development and care about their music too.Ambition Demolition have already supported some established names within the punk scene, grab a listen to their album, you will hear why. Add to this that they are stalwarts of the live music scene in their own right, and they supporting live music and venues more often than most, expect to see them at lots of festivals, cos they’re good people and watch them edge their way up the billing too.

​Well played Ambition Demolition! You can purchase the album from them at a gig (£8) or via their FACEBOOK page (£10). Oh and yes, there are lyrics, but reading and driving is a no go at my age.

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BAND : SCREECH BATS

EP REVIEW : WISH YOU WERE HER

RELEASE DATE : 30TH MARCH 2018

I have a list of other stuff to do, but Screech Bats are a calling!

The ’Wish You Were Her’ 5 track EP supplies 15 minutes of pure, unadulterated, undiluted undeniably fantastic punk. You get soaring guitars, tight rhythms and a pitch perfect vocal performance all laced with punk vitriol and a self assurance I haven’t seen or heard from them before.

Each track is well crafted, superbly delivered and full of punk attitude, there is a heartfelt dark undertone to the subject matter, all of which adds to the experience in this ep.

I have nothing negative to say about this collection, the production is good (James from Sonic Boom Six take a bow), the tracks work well together and on their own. I am however dithering about choosing a favourite out of the 5 but will go with the final number ‘That Valentine Song’, it has invaded my brain and it’s taking over! Screech Bats are a top live band, and this ep underlines why this London four-piece should be on your (go and) watch list and certainly be a part of your musical collection. ​GET THE EP HEREWEBSITE STUFFFACEBOOK

.............I'm probably changing my favourite to 'Get Better'. Just buy the music and make up your own minds.​

BAND : BONES PARK RIDER ALBUM REVIEW : THERE BUT FOR THE GRACE OF GOD RELEASE DATE : OCTOBER 2017/ JANUARY 2018

I was right in the middle of a rather difficult patch when I was sent the link to this album, so apologies for the delay. I've seen Bones Park Rider on a couple of occasions and through various friends have met members of the band socially, so this could've been a tricky review, especially as I hope to see them in Rotherham soon.Based in Sheffield, this punk 4 piece have built up a solid reputation, and have appeared on stage with some well known names. This album is a big step forward. The vocals are strong and not in a shouty/growly way, they provide an excellent foil to the power punk guitar riffs and melodies, these melodies instantly lodge in the mind while the vocals pack a considerable punch. The album gives you 10 excellent and varied tracks, there's no set formula here, some tracks grab you with power chords and hooks aplenty, and a couple of tracks inveigle their way into your ears and sit there awhile. The album is well balanced and has a great overall feel. 'Won't Go To Heaven' is a personal favourite, and 'Died Pretty' has been quite rightly chosen as a video release to showcase the album. I'm looking forward to seeing them at The Cutlers Arms in Rotherham on Saturday.

They say that variety is the spice of life, (or in this case, death) so when Joe Becker got in touch asking if I would be interested in reviewing a ‘death rock’ album I was intrigued and rather naiveley said ‘yes’. Then I saw the cover art and was thankful that he is based far enough away in order for him not to be an immediate threat to an amateur reviewer, especially when he referred to punkmonger.com as a 'killer site'.

Joe Becker is a very talented multi instrumentalist, and well known in rock guitar circles (rubbing professional shoulders with Eddie Van Halen, Steve Vai etc). I imagine him to live in the remote backwoods in a large wooden cabin with heavy sound proofing, probably not just for his studio.Monster is released some 10 years after his last album, it contains 13 (maybe 14) tracks, all Joe’s own work. What is a death rock album? Erm, troubling! If you are home alone and prone to seeing the shadows closing in around you then this is not a collection of songs for you, unless of course you get off with scaring the bejesus out of yourself. The album has already had two tracks harvested by horror movies, but there’s plenty more to go at and once you start, there’s no going back.The melodies and composition are mild, deliberately understated in their structure and are hauntingly surreptitiously beautiful, but they quickly melt into the background while your mind grapples with the simple, yet troubling lyrics. As an insatiable Stephen King and Graham Masterton reader in my younger days I am used to the horror writer providing or suggesting a musical soundtrack to their novels, well musician Joe does away with the page turning, this album tells a story and had my darkest macabre thoughts surfacing very quickly. I let out a deep breath when I came to the end and then immediately clicked back to two rather clever, yet different tracks, ‘Underground’ is trippy in an Eels kind of way (WALK AROUND WHILE YOU STILL CAN, WALK FOR NOW WHILE YOU STILL CAN, 'CAUSE VERY SOON YOU'LL BE UNDERGROUND) and the simply eerie, yet catchy ‘When a bone breaks’.

N.B. When thinking that a track has been very devilishly reversed for horrific effect, you must also run it backwards and then be treated to some brilliant gypsy guitar playing - sorry Joe, missed this first time around.

Vulpynes, it’s a band name that works, it kind of sticks in the mind, it makes you stop and take notice. Their sound and presence matches the Vulpynes name perfectly.​They’ve been around for a couple of years now, honing their skills and sharpening their tunes within the vibrant punk/alt Dublin scene and a bit further afield, and got themselves noticed by the right people, this could be a big year for this talented duo.

Vulpynes recently signed for UK label Headcheck Records, (adding to an already very strong roster) and it makes sense to start off with a clean slate. They are therefore releasing their first EP with Headcheck, this includes their previous DIY singles/vids (tracks 2, 3 and 4) and opens with a new track 'Sublingual' which is the strongest of the 4 tracks, though there's not a lot between them

TRACK LIST

1. SUBLINGUAL 2. TERRY SAID 3. SILICA 4. OCD

What do you get from Vulpynes? A very cleverly balanced and well put together band. This two-piece expertly (and surprisingly) build a big wall of sound whilst mixing some angry and poignant vocals with slick n’ scuzzy guitar work and pounding beats. There are definite riot grrrl influences with a healthy nod towards Donita Sparks and Patti Smith but, Vulpynes are not a copycat band, they have a fresh, positive sound, if you want a lazy pigeon hole then lets say 'garage punk' but it doesn't quite fit. This EP grabbed me from the opening licks of Sublingual until the closing feedback of OCD. They have a free show at Sin E, Dublin on 31st March with punkmonger favourites Kiss My Acid - get along, you will get value for money.

And here’s the corporate bit -

Their debut self titled EP 'Vulpynes' is available from Headcheck Records from March 1st. The track 'Sublingual' will be only be available on the CD release.FACEBOOKWEB

A short weekend trip from Nottinghamshire to Glasgow, via Edinburgh was required for this beauty, and all went smoothly, Virgin Trains and Scot Rail behaved themselves and we arrived in good time and with good spirits inside us at the Rennie Mackintosh hotel, ideally situated just around the corner from the train station, the venue and the (later discovered) kebab shop.

I had seen a few social media posts about the opening band and so got there early, bought the CD's and settled in for the night. Audio is a great venue, just off a main thoroughfare in the city centre and it has a great vibe, the security and bar staff were all good and the sound and the engineer very good. Drunk Gods are a Glasgow three piece, they have a menacing edge to their dark, alternative sound and were appreciated by the partisan audience. I enjoyed their closing number but their set pretty much passed me by and I spent a lot of the time watching the people watching the band. I know that there were some local luminaries there who enjoyed the performance, so I won't be too hasty in writing them off, (and I have the CD to try again - I have been known to miss the bleeding obvious).Up next came Heavy Drapes, they were introduced by Peter Coyne, The Godfathers tour de force, this underlines how Heavy Drapes are gaining plaudits and quite rightly getting noticed by influential people within the music industry. I bumped into the lead singers outside the venue, their was more bristle going on than a barbers shaving brush. It put me in mind of West Side Story, the Jets and the Sharks having a smoke before the big showdown.Heavy Drapes are back to their original line up, and they launch straight into their set like a well oiled machine, one soaring number follows another, lots of people joining in with the choruses and the atmosphere in the whole room seemed to be lifted. With very little time to catch your breath or swallow a beer between songs you are picked up and ragged around at break-neck speed, all this whilst having a smile on your face and losing your voice joining in with the increasingly vocal choir. There is a self assurance with Heavy Drapes nowadays, they could easily master the larger stages and audiences with their presence, belief and songs. The new album, (I am assured it's almost there) is eagerly anticipated, I fully expect it to be embraced by the community and major radio stations alike, Heavy Drapes are making a move, there are very few obstacles that will slow them down. New crowd pleasers are a must, these guys have set the bar high, keep it going Heavy Drapes, let's free the working class with more of this skullfuckery.​There was just enough time to get our breath back and then The Godfathers entered the fray, and with the crowd well and truly warmed up their opening tune, 'This is War' thundered into the room. The Godfathers have a slightly harder edge to their sound than I previously remembered, and they are all the better for it. A powerful 5 piece wonderfully fronted by the glowering and enigmatic Mr Coyne. The Godfathers just ooze class, their musical credentials stand head and shoulders above other better known bands, they have justifiable swagger and attitude to burn - but fuckin hell, do they have the tunes to match. Pounding drums, sneering, sleazy vocals and soaring guitar riffs effortlessly filling every superbly crafted song. These were a 'must see' band back in the day, and without doubt The Godfathers are back to their best. Do not write them off, do not pass them by, 'A Big Bad Beautiful Noise' has to be one of the albums of 2017, each track is a genre defying belter, and add some of these tunes to The Godfathers back catalogue then you have a set list that will take you to your special places without recourse to medicinal assistance. Heavy Drapes were on top form tonight, they had to be in order to stand up to the spell binding set played by The Godfathers, a bill made in heaven. “After a victory, sharpen your knife” As The Godfathers and Heavy Drapes prepare to go their separate ways it got me wondering. I reckon that both bands will have a bit of sharpening to do and even Officer Krupke would find it too hard to call.

​Forthcoming album 'BETTER OUT THAN IN' due for release in Summer 2018.

MELISANDRE'S BEAVERSINGLE : FTSRELEASE DATE 4TH JAN

Melisandre's Beaver, let's just ponder that for a minute.....OK, don't bother expecting a deep and meaningless explanation for the band name from this Kent threesome, it came from a 'had to be there' moment. There is an element of old style meets new style punk from this lot, fast paced and melodic shouty vocals. Scratch the surface and you quickly find that these young punks are of the nerd-ish variety.There's a well worn path strewn with discarded bags of Evo Stik and safety pins leading to punk songs concerning 'Fuck the System' I would hazard a guess that none of the previous hard hitting tracks include the genius lyrics -'I fucking hate Big Bang Theory Sometimes I sit down for a wee'​The band are currently gigging hard and looking for other dates, if you want self deprecating tongue in cheek punk then give em a listen.​

WEEKEND RECOVERYCD ALBUM : GET WHAT YOU CAME FORRELEASE DATE 17TH FEB

Weekend Recovery specialise in commercial and catchy garage punk tuneage, they are young and vibrant with the more than their share of musical talent. Expect a commentary on life and love and frustration, all done with an assurance and maturity beyond their band years.

Weekend Recovery have undergone a number of personnel changes since their inception in 2016, but it is clear that in lead singer (and guitarist) Lori that they have someone who will drive the band forward and keep the excellent tunes coming. They have come to the attention of a fair few major players in the audio media world (BBC Introducing, NME, Music Glue and Indie Central Music being amongst the most notable), all this in a relatively short period of time.

With excellent tunes, striking videos and a great live set it was only a matter of time before they got signed to a label, so congratulations to Headcheck Records in getting ahead of the queue and in also putting this excellent album out there.

GET WHAT YOU CAME FOR is definitely a coming of age record for Weekend Recovery. It has 10 tracks laced with incendiary commercial punk attitude. Sometimes you hear ‘style over substance’ being levelled at young and up and coming bands, (usually because the old farts/industry can’t deal with a new style or passion and feel threatened). Weekend Recovery have both style AND substance and they are certainly ‘on fleek’ in 2018.

The opening tracks are riff laden and rock along at a good pace, Weekend Recovery deliver a variety of styles but their own sound brand is now more noticeable and assured, the guitar breaks are just enough and the sing-along lyrics and choruses are an ever present. Even when the garage punk songs are punctuated midway through the album by a semi acoustic track, (another illustration of the growing confidence within the band) you can still feel their identity, and are left in no doubt that Weekend Recovery are staying on message and keeping it real. Lori has a chameleon like ability to morph into the character and groove of the song, delivering her lyrics with smooth and mellow tones on one track, the acidic hard edged tongue of the rasp-maiden on another, and then using her raucous rock voice on another.

The final two tracks on this very strong playlist are my current favourites, they underline the very reasons why Weekend Recovery are gaining a following from a wide variety of gig goers. They are a bit heavier than the other 8 tracks on the album and are ready made for serious moshing to take place when delivered live.

There's a UK tour planned (see below), with 23 dates confirmed so far and more to be added in the future.

I climbed ‘on board’ the Weekend Recovery train quite early on in their life and knew from their first video and then seeing them live that they had the skills to move upwards. These are exciting times, supporting larger bands and headlining their own shows will see them climbing the pecking order. Happily they continue to flourish and good things really should happen to good people.

Releasing this album and going out on tour will help Weekend Recovery take 2018 by storm.

​They describe themselves as a protest punk rock band hailing from Venezuela, ZOMBIES NO are currently based in Paris and the lyrics on this album are sung in English. ​DIVIDED WE FALL is an album of 8 tracks, it is fast paced and is over and done with under the 25 minute mark. There is a heavy whiff of metal, (think Scorpions with macho vocals) in some of the tracks and I got the impression that, given the opportunity the rhythm section would be more than comfortable lengthening the sub 3 minute tracks with more metal guitar breaks and drum solos.The album has a contemporary punk feel and generally concerns itself with current social topics, I found the talkie bits at the beginning and during some of the tracks a little disconcerting on first listen but these can be put aside in favour of the driving beat and chugging guitars present on all tracks. There are some strong fist in the air chorus lines and a great energy throughout the album. I have no doubt that they would fit easily into a punk/metal line up and be great to see live.

THE MUFFINHEADSCD EP : DON'T GIVE THE PEOPLE WHAT THEY WANT RELEASE DATE 19TH JAN (PRE ORDER AVAILABLE)

Four rip roaring tracks to grab you by the shoulders and shake you from your daily dreams. Great vocals, sing along choruses and riff laden from start to finish, I put it on in the car intending to have a quick listen through to see what was in store later and then 40 miles had passed and it was still on repeat I had no intention of switching it off.The brilliant opening to the title track sets you up for a fast paced polished, punky, pounding and it's relentless. The EP is off to a great start, (and if you have the CD on repeat the final track satisfyingly runs into the opening salvo very nicely indeed). In the current climate, where we are all getting a bit annoyed at the political state of affairs singing along to these tracks is a great way to vent your frustrations and feelings, although the steering wheel got a bit of pummelling. The second track is my most favourite on this offering ; FUCK N' FIGHT is so straight-forward it is genius. The sound is tight on this track and it is a proper crowd pleaser, (although maybe not the best idea to have it playing loud when pulled alongside a cop car at the traffic lights). Probably not suitable for work but definitely one for the mosh pit.There's no let up with HERE IS MY NOTICE another banger, probably the track that I initially thought was the most likely to get passed over, but it's also catchy and clever, and I haven't skipped it yet. Liking the sentiment on all of these tracks.Finally comes BANG SAYS THE GUN it's definitely the most commercial, it's probably just got the one expletive, but I might be mis-hearing that! And it is a downright stick in your mind song from the first time of listening. Add to that a great video for this track and you have a great ear worm with some visuals to go with it. This CD put a smile on my face, music in my head and made me want to see this band again. It made me get back to reviewing again (might be a poison chalice for some bands! But not The Muffin Heads), great stuff.​ The Muffin Heads are an Essex based 3-piece, they are young, powerful and thoroughly professional. I'd put them in an alternative/punk/rock category. Their CD's are well produced and the artwork is top drawer. If you get the chance then go and see them, they are fantastic live. If you are a promoter then look them up, I put them on in 2017 and found them to be a joy to work with and they are picking up a good following.