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Quite the interesting mag back in the day. This particular issue saw the likes of Bukowski, Ivan Arguelles, Lyn Lifshin, Norm Moser, Sheila E. Murphy, and, well, me, among others. I was thinner back then, as was my poetry.

Since New Year’s Day, 24 publications have turned down my writing. Before that, I received ten rejections in December, which only tied my sixth worst monthly total for 2017! So yeah, I know the sting of rejection. Mostly it resembles a mosquito’s bite – a bit annoying, it disappears quickly. But one will occasionally strike like a scorpion – WHAM – and it swells and throbs for a while and I wonder why the hell I continue dallying with this odd thing we call poetry. I suppose it’s enough that from time to time a complete stranger will respond kindly, or an editor will ask to see a few pieces for consideration. Or a few poems get published in print…

My poetry has appeared in these print publications over the past year. Although much of my writing is published online, I’m still enamored with print. Something about the smell, the feel of paper. Ah, bliss.

And why do I continue writing? It’s the doing of it, the process. That is what really matters.

Some of you might be interested in submitting poems to this anthology. I know I am.

poems for peace: an anthology to uplift encourage & inspire

This anthology, poems for peace (forthcoming, fall 2018), is the love-child of a group of poets and listeners who have been gathering quarterly in San Antonio, Texas since Nov. 11, 2017 in association with the San Antonio peaceCENTER. This anthology will be published as a peaceCENTERbook, with all proceeds going to support the CENTER.

While we are aware that many horrors occur in our world and that, as a people, we seem to be in turmoil and conflict on many fronts, our aim is to provide respite from the apparent problems and to purposefully turn our attention to the good, the Whole, the Holy, that which is full of peace and comfort.

For this inaugural issue of poems for peace, we seek work that is metaphysical, celebratory, fun, funny, lighthearted, playful, thoughtful, warm, tender, beautiful, compassionate, heart-opening, or spiritual without proselytizing, nostalgic without being overly sentimental, empowered without being politically charged and rich with imagery and story but not with graphic insensibility or dealing with overtly, hot topics that may trigger anxiety or anger in the listener (like abuse issues, natural disasters, or tragedy in general).

Rather, we seek work that uplifts, encourages and inspires. We are especially interested in the metaphysically broad; we look for the profound, real, fearless, gender-inclusive, curious voice.

Guidelines:

Please send 3-5 previously unpublished poems of up to ten pages in length and in any form in a single Word document, making sure that no identifying information appears within the document. Include a brief, bio (100 words or less) in your cover letter. Submissions are being hosted by Moon Shadow Sanctuary Press via Submittable only (see link below).

The book will be perfect bound and available online through the peaceCENTERbook link and other online venues plus locally in bookstores TBA. Poets included in the anthology may be invited to participate in future poets for peace events. For more information or to ask questions about poets for peace or submissions, look for us on Face Book, or send us a message here: fb.me/poetsforpeaceSA

I turn away from the sun, and drink.
Every window is dark.
No one hears my song, not even the guitar.
When the rain pauses the grackle rests on the cedar picket.
Etymology: from Latin memorialis, of or belonging to memory,
leading to home and family, their connotations.
Remembering is simple, she says. But forgetting…
The coral snake slips by, unseen.
Nothing lives in my shadow.

“Memorial Day, 2015” first appeared at Picaroon Poetry in July 2017. Many thanks to editor Kate Garrett, for taking this piece.

My poem “Helsinki” is live at Panoply. It was inspired in part by a Facebook thread on which editors commented on what caused them to instantly reject poems. One said beginning a poem at a window was cause for rejection. Hence the first line.