Marseille

Skipping in space (France – Germany – France) as well as in time that seems to be either extended or dramatically condensed, skipping from Chekhovian-like drama actors to those we meet in the streets every day without noticing them. The art of observation is the primary condition required from the viewer of this film. The film that became Angela Schanelec’s ultimate break-through and made her one of the top European film minimalists.