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carrie anne-moss

When Faye Dunaway graced the screen in BONNIE AND CLYDE, you knew you were on the wrong side of the tracks. You got the same feeling once Melanie Griffith took off her black wig in SOMETHING WILD, or when Carrie Anne-Moss confidently strutted in THE MATRIX. These women got what they wanted. Men were around, but our attention and the camera’s gaze were directed on fairer – though not necessarily gentler – sex. Muscles and guns, stubble and sneers are a dime a dozen. Watching a woman break the rules, and make her own, is a breath of fresh air. In short, bad girls are oxygen.