Jana Dagdagan

Last week, we shared a conversation between John Atkinson and Philadelphia-area audio retailer Doug White (of The Voice That Is) that centered around audio retailing. Here's the second, and final conversation from our Philly trip. In this video, JA and Doug are joined by Stereophile writer Herb Reichert as they discuss the new Akira loudspeaker from German manufacturer Tidal Audio. Doug has been a fixture at regional audio shows the past few years, demonstrating Tidal speakers. (It is important to note that the high-end manufacturer Tidal Audio has no relation to Tidal the streaming service.)

This past weekend, John Atkinson, Herb Reichert, and I drove down to Philadelphia to visit audio retailer Doug White of The Voice That Is. In this video, Doug and JA discuss the challenges of a rapidly changing internet based market, the differences between buying online versus buying from your local dealer, and much more.

Last week, at Seattle dealer Definitive Audio's 12th Music Matters, there were six different systems being demonstrated. With the inevitable craziness of such a well-attended event, I wasn't able to get enough footage for each room to have its own standalone minute. I therefore compiled shots from each room to give you a visual overview.

Last week at Seattle retailer Definitive Audio's 12th Music Matters, I got to watch one of Michael Fremer's legendary vinyl presentations. (If you have not witnessed Magic Mikey in actionhe will be reprising his dem at AXPONA in Aprilit is truly a must-see!) In this video, Mikey demonstrates the difference between record pressings by playing three different pressings of Nina Simone's debut album Little Girl Blue: the 1958 original; a Pure Pleasure reissue; and the Analogue Productions reissue.

When we released the "Thoughts on CES 2017" video, we received an overwhelming amount of feedback from readers who were pleased to finally be able to associate faces to the writers they had long read and revered on paper.

This video attempts to capture the essence of Stereophile writer and audio industry veteran Herb Reichertat least as much as is possible in a 10-minute, streamed video.

Booker T. & the M.G.'s, Sam & Dave, Otis Reddingfew studios have ever achieved the kind of distinct sound that once poured out of Stax Studios in Memphis, TN. A bit of that gritty, funky mojo lives again in the music of Southern Avenue, a new R&B act from Memphis that's named after the street that runs by the old Stax Studio.

This past weekend, John Atkinson and I attended the debut of Vivid Audio's new flagship speaker, the G1 Spirit, at a private home in Itasca, IL (to the west of Chicago.) The event was hosted by concert pianist and audio retailer George Vatchnadze of Kyomi Audio. Prior to the event's start, JA and Vivid speaker designer Laurence Dickie had a stimulating conversation about speaker design, focusing on the G1 Spirit loudspeaker.

Last week, we posted a video on AudioStream of a conversation between Juergen Reis (MBL's Chief Designer), Michael Lavorgna (AudioStream), and John Atkinson, which we filmed during CES 2017. During that same session, we also filmed a conversation between JA and Juergen that focuses more specifically on MBL's new N31 DAC, which JA will be reviewing in a future issue of Stereophile.

In this video, Juergen and JA discuss digital filters, aliasing, Nyquist ringing, USB inputs, inter-sample "overs," and many of the other arcane issues involved in DAC design.

On the final day of the show, our special guest, ukulele virtuoso Jake Shimabukuro and our very own Jason Victor Serinus came together to form the most unlikely of duos. We originally attempted to film this while in a moving gondola but were sternly prohibited from doing so by the gondola ride manager.

"What are your thoughts on this year's CES?": A multi-dimensional question that means many different things to the many different people who share the high-end audio realm. For my first attendance at the annual Consumer Electronics Show, I had a mission: to compile answers to this complex question and fit my findings on a visual medium, a time capsule of sorts. Is this the last year of CES? Was the low attendance in the high-end audio segment at the Venetian just a temporary lull? Or could it be a turning point for the high-end audio industry? Whatever might happen, 2017 struck me as a pivotal year for CES, and a show that begged to be captured.

This week's Industry Profile features Jim Hagerman of Hagerman Audio Labs. In essence, Jim is Hagerman Audio Labs all-in-one, as he impressively functions as owner/designer/engineer/tester/builder/shipper/customer service, and so on. Hagerman Audio Labs first caught my eye a couple years back when I started getting into DIY projects. Though he has since eliminated DIY from his offerings (you can read why below), Jim continued to interest me because: 1) his website lists an address in Honolulu (a rarity in high-end audio), 2) he publishes his schematics, and 3) his candid approach to social media is refreshingall hopeful indicators that he'd make a very interesting Industry Profile subject.

Aloha, Stereophile Readers! I write to you from my childhood home on the tropical island of Oahumy birthplace and present vacation spot until the start of CES. As Stereophile's resident Hawaii-native, I felt inspired to make a list of Hawaiian music albums. Here's a quintessential mix of five old and new favorites from the 50th state, in no particular order:

This week's industry profile tells a story about beginnings and changing times, in a conversation with Steve Cohen, a longtime employee (he doesn't have a formal job title) of the New York based hi-fi shop In Living Stereo. I started our conversation by asking Steve how he got into hi-fi. What was his background?

When I was in Eindhoven, The Netherlands, visiting D+M’s Euro HQ, I shot a few video clips to accompany my written account in hopes of providing readers with an additional experiential view of my time there.