The Elm DanceThis web site opens doors to the new bodies of thought, time-tested spiritual practices, and pioneering group methods, that I find to be powerful inspirations to understanding and action. I share these resources in service to the revolution of our time: the "Great Turning" from the industrial growth society to a life-sustaining civilization.http://joannamacy.net/theelmdance.html
Sat, 10 Dec 2016 04:59:44 +0000Joomla! 1.5 - Open Source Content Managementen-gbINSTRUCTIONS FOR THE ELM DANCE, AS ORIGINALLY CHOREOGRAPHED BY ANASTASIA GENGhttp://joannamacy.net/theelmdance/149-instructionsfortheelmdanceasoriginallychoreographedbyanastasiagelm.html
http://joannamacy.net/theelmdance/149-instructionsfortheelmdanceasoriginallychoreographedbyanastasiagelm.html

The Elm Dance as it has come to be used in solidarity with the people of Novozybkov differs from the original dance designed by Anastasia Geng. I am grateful for the beauty and meaning that surround each version of the dance; both are offered on this website.

The most important element of this dance is an intense circling around oneself, describing a spiral with your body, both feet next to one another in close contact to the earth. This is a very personal movement and we do not define the direction (i.e. you are free to circle clockwise or counter-clockwise).

We join hands for the whole dance and after the introduction and the first 8 beats of the song we take 4 steps backwards in dance direction (counter-clockwise), then circle (4 beats) as described above facing centre, followed by 4 steps forward in dance direction. Circle again facing centre and take 4 steps towards the centre, circle there and move 4 steps backwards to the periphery and circle again.

If we start as described, the dance ends outside in the big circle and there is something like an unconscious movement (step) towards the centre.

By starting immediately with the singer, we end up in the centre which is a very sensitive spot and, as I feel, not so good a place for ending the dance, because, unconsciously, when the music ends, there will be a movement away from the centre.

The circling is a very delicate part of the dance. If somebody sways instead, neighbours are forced to sway, too, thus being prevented from circling.

According to Dr Bach, elm is the remedy which helps people who feel overwhelmed by responsibility.

Circle up with plenty of room to move, holding hands. If the numbers are too great to form a single circle, make concentric circles with about one large step of distance between them.

INSTRUCTIONS FOR THE ELM DANCE, as Evolved in Solidarity Among Environmental Activists

It does not matter when in the music you begin the dance, except to start on a beat. The dance consists of four beats of movement, alternating with four beats of swaying in place. When swaying in place, imagine that you can feel the energy from the heart of the Earth spiraling up through the floor into your body. When the energy reaches the heart chakra, send it out for the healing of the elms and all beings. This is an act of intention. Anastasia Geng who created the dance from the Latvian song, said the purpose of the dance is for building strong intention.

]]>joanna@joannamacy.net (Joanna Macy)The Elm DanceSun, 09 Aug 2009 17:05:43 +0000The Story of the Elm Dancehttp://joannamacy.net/theelmdance/55-thestoryoftheelmdance.html
http://joannamacy.net/theelmdance/55-thestoryoftheelmdance.htmlThere is a circle dance we do in every workshop and class I teach, whether it's on systems theory, Buddhism, or deep ecology. We do it to open our minds to the wider world we live in and strengthen our intention to take part in its healing. Each time we put on the music and link hands, I think of Novozybkov in the fall of 1992.

Our team of four, Fran and I and two Russians, had been traveling from one town to another in Byelorussia and Ukraine, offering workshops to people living in areas contaminated by the Chernobyldisaster. Now we had come to this final town in Novozybkov, an agricultural and light industrial city of 50,000 a hundred miles east of Chernobyl, in the Bryansk region of Russia.

Drawing on what we learned from years of leading despair work, we came to offer, as we put it to the authorities, "psychological tools for coping with the effects of massive, collective trauma." We had entitled the workshops Building a Strong Post-Chernobyl Culture. The name had a nice Soviet ring to it, but I soon realized that the word "post" was in error. "It suggests that the disaster is over," I said to Fran, "but it has become obvious to us that it isn't over. It compounds itself through time in vicious circles, in positive feedback loops." The radioactivity was still spreading silently through wind, water, food, creating new toxins as it mixed with industrial pollution, and sickening bodies already weakened from previous exposures. Our workshops, we soon realized, were meant not to help people recover from a catastrophe, so much as to live with an ongoing one.
]]>joanna@joannamacy.net (Joanna Macy)The Elm DanceSun, 09 Aug 2009 17:04:16 +0000The Elm Dance Introductionhttp://joannamacy.net/theelmdance/54-theelmdanceintroduction.html
http://joannamacy.net/theelmdance/54-theelmdanceintroduction.html

FLASH!!!

The Elm Dance Video Project

You are invited to be part of the Elm Dance Video Project. We are seeking footage of people performing the Elm Dance in countries all over the world in different settings. Please send us your raw footage on a mini-dv to:

Ruth Rosenhek

Rainforest Information Centre

Box 368 Lismore NSW 2480

Australia

Please also email Ruth at rainforestinfo[at]ozemail.com.au with details of where the dance took place and any other specifics.

Around the planet, as people gather to work together for the healing of our world, a simple, beautiful practice is spreading. To celebrate their commitment to life and solidarity with activists the world over, they join hands in a circle dance.

Set to the haunting strains of a Latvian song by Ieva Akuratere, and choreographed by Anastasia Geng, the Elm Dance took form in Germany in the 1980s. In 1992, having learned it from my friend Hannelore, I took the Elm Dance with me to workshops I was leading with a Russian-speaking team in areas poisoned by the Chernobyl disaster. There, and especially in Novozybkov, the most contaminated of inhabited cities, the dance became an expression of their will to live. It was here the dance evolved a distinctive form with the raising and swaying of arms, evoking their connection with the trees they so loved.