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Alan

Back To The Future Soundtrack (Picture Disc)

Picture Disc

Soundtrack to the hit film "Back To The Future," reissued for the first time on a stunning picture disc composed of the iconic cover art image of Marty Mcfly stepping out of the DeLorean on the front and the digital calendar found on the delorian dashboard on the back. The album includes two tracks culled from Alan Silvestri's compositions for the film, two tracks from Huey Lewis and the News, and two songs played by the fictional band Marvin Berry and The Starlighters.

1. The Power Of Love2. Time Bomb Town3. Back To The Future4. Heaven Is One Step Away5. Back In Time6. Back To The Future Overture

Prestige Series Gold Cartridge

The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.

The newly redesigned Silver1 and Gold1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Silver1 and gold1 models use a four piece OTL cantilever technology, ultra-high purity long crystal (UHPLC) oxygen free copper wire in the coils and Grado's specially designed elliptical diamond mounted on a brass bushing. The Gold1 model is selected from the Silver1 production run and meets higher test specifications. Approximately 5% of the production run meet these standards and become Gold1 models.

What People are saying about the Gold... "The Prestige Gold's sound was readily identifiable, but after just a few seconds it didn't matter much, so engaging were the results."

- Wayne Garcia - The Absolute Sound

"It's a definite Best Buy!"

- Hi Fi Choice / Alan Sircom

"Beefheart's Clear Spot, the undoing of many an under-performing cartridges, didn't faze the Grado." - Hi Fi Choice / Alan Sircom "It was lively and detailed but never edgy on vocal sibilants, and didn't over-emphasis leading edges on acoustic guitar."

- Hi Fi Choice / Alan Sircom

"While the Prestige Gold cannot provide quite the same ultra-refined, take-you-to-the-mountaintop listening experiences that big buck moving coils can, it takes you a long way up the path toward analog excellence, and for a pennies-on-the-dollar price."

Developing Story

Limited Edition 2LP Is 180g, Hand-Numbered With A Signed Insert By Alan Broadbent

Working with the London Metropolitan Orchestra on Developing Story is 2-time Grammy winning Alan Broadbent -who arranges and conducts for Sir Paul McCartney, Diana Krall, Pat Metheny, Michael Buble and Natalie Cole. He wrote and recorded his own original compositions for jazz trio and orchestra and pieces of the Great American Songbook. Featuring Peter Erskine on drums and Harvie S on bass.

LP 1 1. Developing Story Movement 12. Developing Story Movement 23. Developing Story Movement 34. If You Could See Me Now

LP 21. Naima2. Blue In Green3. Lady In The Lake4. Milestones5. Children Of Lima

Gaudi

Import

Gaudi was the tenth and final Alan Parsons Project studio album released in 1987. Inspired as he was by the Catalan architect Antonio Gaudi, Alan Parsons built a truly passionate concept album. Money Talks and Closer To Heaven, which were used in episodes of Miami Vice are, without a doubt, the tracks that sonically define this record. But then there's Paseo de Gracia, a fully orchestrated track in the typical vein of Alan Parsons Project, which can be counted as an exquisite instrumental masterpiece. The masterfully cut Gaudi album simply is yummy for the ears. We are extremely proud to extend the ever expanding catalogue by releasing number eight of the Project's discography!

Turn of a Friendly Card

With two of the Alan Parsons Project's best songs, the lovely ballad Time and the wavy-sounding Games People Play, 'The Turn Of A Friendly Card' remains one of this group's most enjoyable albums.

Parsons' idea, the subject of the album's six tracks, centers around the age-old temptation of gambling and its stranglehold on the human psyche.

Music On Vinyl is proud to present yet another beauty by these British Progressive Rockers.

1. May Be A Price To Pay 2. Games People Play3. Time4. I Don't Wanna Go Home5. The Gold Bug6. The Turn Of A Friendly Card I. The Turn Of A Friendly Card (Part One) II. Snake Eyes III. The Ace Of Swords IV. Nothing Left To Lose V. The Turn Of A Friendly Card (Part Two)

Alan Parsons

$34.99

180 Gram Audiophile Virgin Vinyl LP - SealedHurry, only 1 left! Usually ships within one business day!Buy Now

Precious Memories Collection

The two-disc collection features Precious Memories, Precious Memories Volume II, as well as, two previouslyunreleased songs - "It's All About Him" inspired by Denise's book of the same title and "That's The Way" whichAlan sang to Denise at their wedding. the same title hoping to add musically to an already uplifting story." Volumes1 & II combined have sold 2.3 million copies to date.

1. Blessed Assurance2. Softly And Tenderly3. I Love To Tell The Story

4. When We All Get To Heaven5. 'Tis So Sweet To Trust In Jesus6. In The Garden

7. Are You Washed In The Blood8. I'll Fly Away

9. What A Friend We Have In Jesus10. Standing On The Promises

11. Turn Your Eyes Upon Jesus

12. Leaning On The Everlasting Arms13. The Old Rugged Cross

14. How Great Thou Art

15. I Want To Stroll Over Heaven With You16. Amazing Grace17. He Lives

Eye in the Sky (Speakers Corner)

Unimpressed and untouched by the glorification of individuals so typical for the music business, the Alan Parsons Project proved that even without spectacular light shows, rock celebrities in the band or self-composed songs it was possible to rise to stardom. Alan Parsons, who first took up an apprenticeship as a sound engineer at EMI and was later responsible for several Paul McCartney productions and the Pink Floyd album 'Dark Side Of The Moon' at the legendary Abbey Road Studios, drew upon his experience in order to further his solo career. While the co-producer Eric Woolfson wrote songs, Parsons who had an uncanny feeling for sound conjured up synthetic and natural sounds.

As with all albums from the early years, 'Eye In The Sky' is inspired by important topics of the times. True to the 'no-future lifestyle' of the 80s, the songs impart a somewhat depressive character which serves as a stark contrast to the steely rock rhythms, free from electronic gimmicks. In addition one finds addictive harmony in the vocal polyphony ('Gemini'), blaring brass with a Spanish rhythm ('Silence And I') and a velvety string sound ('Old And Wise'). All in all a great achievement by the British wizard of sound at the mixing console.

Musicians:

Alan Parsons (keyboards)

Eric Woolfson (keyboards, vocal)

Andrew Powell (arranger, conductor)

Ian Bairnson (guitar)

Mel Collins (saxophone)

David Paton (bass, guitar, vocal)

Stuart Elliot (drums, percussion)

Recording: 1981 at Abbey Road Studios, London, by Alan Parsons

Production: Alan Parsons and Eric Woolfson

About Speakers Corner

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

Ammonia Avenue

Import

Released two years after their big-selling Eye In The Sky album, Ammonia Avenue from 1984 offers beautiful tunes, with intelligent lyrical content. The theme of the album is the communication breakdown of mankind in a society turning ever more antisocial. Alan Parsons Project is the pinnacle of art rock, and this album proves it, yielding the hit single Don't Answer Me. A great deal of variation and clever hooks result in a record that holds more than the sum of its parts: a great listen throughout!

1. Prime Time2. Let Me Go Home3. One Good Reason4. Since The Last Goodbye5. Don't Answer Me6. Dancing On A High Wire7. You Don't Believe8. Pipeline9. Ammonia Avenue

Alan Parsons Project

$32.99

180 Gram Audiophile Virgin Vinyl LP - SealedHurry, only 1 left! Usually ships within one business day!Buy Now

Stereotomy

Import

Alan Parsons Project is well known for building their albums around certain socio-demographic themes. Stereotomy (1985) deals with the way in which modern society molds the personality. At the time, Stereotomy was one of the first completely digitally recorded pieces of music, sporting a rare 'DDD' code on its first release.

The album is coherently balanced, its synthesized and orchestrated songs completing each another. The high octane Where's The Walrus? is a response to 'Mr. Laser Beam', analogy of Mr. Lee Abrams, an American radio personality. He accused the band having gone 'flat' in their last albums: he asked them 'Where's The Walrus?', meaning 'Where are the classic songs like The Beatles' I Am The Walrus?'.

1. Stereotomy2. Beaujolais3. Urbania4. Limelight5. In The Real World6. Where's The Walrus7. Light Of The World8. Chinese Whispers9. Stereotomy Two

Predator: Original Motion Picture Soundtrack (Pre-Order)

Release Date: June 1, 2018*

Pressed On Blood Red And "Predator Dreads" Blue Splatter Vinyl

Limited To 1000 Copies

Sound Taken From Intrada's 2012 Complete And Definitive Edition Of The Score

Alan Silvestri's masterful score to Predator has been one of the most sought-after action film soundtracks of all time, sparking no less than three limited-edition CD releases that all successively sold out in short order. And it's little wonder; fresh from back-to-back triumphs with Romancing the Stone and Back to the Future, Silvestri employs a full orchestra, occasional, deft electronic touches, and - most of all - bruising percussion to fashion a score every bit as muscular and hard-hitting as the film itself. Among the truly inspired touches are the eerie, descending strings as the Predator descends to earth, the propulsive military march that introduces the commando team, and the simple trumpet fanfare in He's My Friend that laments the loss of a fallen comrade. Yet, because the film came out in the late-80s during the premature death of vinyl, Predator has NEVER been released on LP till now.

Real Gone is proud to present Alan Silvestri's score to Predator in a double-LP set featuring newly commissioned, custom front cover art by Rafa Wechterowicz that captures the Predator in all its ugly mother******ness, with additional stills from the production decorating the gatefold package. The sound to our release is taken from Intrada's 2012 complete and definitive edition of the score, and it comes on blood red and "Predator Dreads" blue splatter vinyl limited to 1000 copies. Get it before it disappears into the jungle!

This Is It

Psychedelic music all began with the tiniest possiblebang: a minuscule pressing of a self-produced LP byZen Buddhist scholar Alan Watts. In one cosmic flashof inspiration and group improvisation, the next twodecades of musical innovation was pre-supposed:psychedelic rock, spiritual jazz, and even new age. Asthis micro pressing barely made it out of the ashram,it was his writings that actually spread his ideas, usuallythrough osmosis: he was profoundly influential onthe beat poets and the subsequent counter-culture.He became the forebear of '60s counter-culture'sspirituality, much as William Burroughs was theforebear of its hedonism.

Released in 1962, This Is It is an imaginative cacophonyof percussion, non-verbal chanting, and free-flowingexpression, punctuated occasionally by leisurely passesat a terrestrial piano, marimba, or french horn. It isat once, experimental, intellectual, and experiential.Three years before Ken Kesey's inaugural Acid Test,This Is It! constitutes the first transmission for a tunedincounterculture of hippies, beats, and psychedelicrevolutionaries of all stripes.

Eve

Import

For the most part, 1979's Eve is somewhat overlooked as being one of the Alan Parsons Project's finest work, when in fact it involves some of this group's most intricate songs. The album's concept deals with the female's overpowering effect on man. Each song touches on her ability to dissect the male ego, especially through sexual means, originating with Eve's tempting Adam in the beginning of time.

Not only does this idea gain strength as the album progresses, but a musical battle of the sexes begins to arise through each song. The gorgeous "You Won't Be There" spotlights man's insecurity. Sung by Dave Townsend, its melodramatic feel sets a perfect tone. The classically enhanced "Winding Me Up" follows suit, based on a woman's ability to dominate her mate and opening up with sound of a wind-up doll being cranked. Other gems include the bitter but forceful "Damned If I Do" sung by Lenny Zakatek, and the dominating fury of "Lucifer," a powerful instrumental. Even the loutish "You Lie Down with Dogs" bears wit with its gender inclined mud-slinging.

The female vocalists, Lesley Duncan and Clare Torry do a splendid job of representing the females point of view throughout the album. Not only does Eve solidify its main idea, but the songs are highly entertaining with catchy rhythms and intelligent lyrics. Musically, the tempo appealingly switches back and forth from slow to quick, as does the temperament of the album. Somehow, Eve is dismissed as one of this band's greatest efforts, when in fact it's one of their finest marriages of both concept and music.

1. Lucifer2. You Lie Down With Dogs3. I'd Rather Be A Man4. You Won't Be There5. Winding Me Up6. Damned If I Do7. Don't Hold Back8. Secret Garden9. If I Could Change Your Mind

Balance Plus

Have a question about this product? Please email ouraudio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.

With its superior performance, the Balance + phonostage would not be out of place in any professional studio.

For maximum dynamic headroom and RIAA accuracy of less than 0.1dB, the components are fitted directly on the circuit board in custom aluminium blocks to minimise electrical and mechanical influences and reliably keep disturbances out of the amp.

A precision tool for sound engineers which performs equally well as part of a domestic high-end system. The elegantly designed Balance + has a headphone output on the front panel and a matching second chassis to house its external power supply. The addition of the Accu+ battery power supply makes the Balance + a three-chassis phonostage with an even higher performance. Fitted with a high quality volume control the Balance + can also be directly connected to a power amplifier acting as a control preamp. The Balance + phonostage reproduces the entire range of audiophile recordings unaltered.

On Air

Import

Printed Innersleeve

Gatefold Sleeve

Exclusive Artwork Created By Peter Curzon, Storm Studis

On Air is the second solo release by Alan Parsons following the split of The Alan Parsons Project, however the album's chief creative force was the Project's long-time guitarist, Ian Bairnson. Its concept revolves around the history of airborne exploration. Musically, this album is very different from Try Anything Once and the Alan Parsons Project albums, opting for more of a soft rock sound and a stable band line-up rather than the funky rhythms, symphonic flares, or rotating vocalists of the past.

Time Machine (Awaiting Repress)

Import

Available On Vinyl For The First Time!

Gatefold & Printed Innersleeves

Exclusive Artwork Created By Peter Curzon, Storm Studis

On Air is the second solo release by Alan Parsons following the split of The Alan Parsons Project, however the album's chief creative force was the Project's long-time guitarist, Ian Bairnson. Its concept revolves around the history of airborne exploration. Musically, this album is very different from Try Anything Once and the Alan Parsons Project albums, opting for more of a soft rock sound and a stable band line-up rather than the funky rhythms, symphonic flares, or rotating vocalists of the past.

1. The Time Machine (Part 1)2. Temporalia3. Out Of The Blue4. Call Up5. Ignorance Is Bliss6. Rubber Universe7. No Future In The Past8. Press Rewind9. The Very Last Time10. Far Ago And Long Away11. The Time Machine (Part 2)12. Dr. Evil Edit

Forrest Gump was the surprise hit of the 1994 summer movie season. The film traces the life of a half-wit through the major historical events of the 1950s, '60s, and '70s. It features Tom Hanks as the loveable Forrest Gump and Robin Wright (Claire Underwood in House Of Cards) as Forrest's insecure girlfriend Jenny.

Forrest Gump won six Academy Awards for Best Picture, Best Actor in a Leading Role, Best Director, Best Visual Effects, Best Adapted Screenplay, and Best Film Editing. The film garnered for seven Golden Globe Award nominations, winning three of them, including Best Actor - Motion Picture Drama, Best Director - Motion Picture, and Best Motion Picture - Drama. The film was also nominated for six Saturn Awards and won two for Best Fantasy Film and Best Supporting Actor (Film. The film also won the Outstanding Achievement in Special Effects award at the 1995 BAFTA Film Awards.

Forrest Gump received numerous other awards such as one win from the Screen Actors Guild Awards in its first year for Tom Hanks in a total of four nominations.

The film was selected for preservation by the Library of Congress in the United States National Film Registry in 2011, being deemed culturally, historically, or aesthetically significant. The movie has made multiple American Film Institute lists including the quote Mama always said life was like a box of chocolates. You never know what you're gonna get. ranking 40th on 100 Years...100 Movie Quotes. The film ranked 240 on Empire's list of the 500 Greatest Movies Of All Time. The chain of restaurants, Bubba Gump Shrimp Company opened based on the film, and has opened many locations since its founding.

The score was composed and conducted by Alan Silvestri and was nominated for Best Original Score in the 67th Academy Awards.

Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous-sounding 180g 45RPM 2LP set and the question becomes irrelevant.

Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.

Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages - the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings - including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.

Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as The Voice call into question human behavior - and their relationship to increasing robotic supremacy - in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.

I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. Some Other Time employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace Don't Let It Show. The origins of Nucleus stem from a unique analog keyboard concoction dubbed the Projectron, devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with Total Eclipse arriving as an aptly frightening track that presages the climactic Genesis Ch. 1 V. 32.

Does man or machine win in the end? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.

This title is not eligible for discount.

1. I Robot2. I Wouldn't Want To Be Like You3. Some Other Time4. Breakdown5. Don't Let It Show6. The Voice7. Nucleus8. Day After Day9. Total Eclipse10. Genesis Ch. 1 V.32

Songs From The Hunchback Of Notre Dame (Picture Disc)

Songs From The Hunchback Of Notre Dame features songs from the 1996 animated Disney film, The Hunchback Of Notre Dame. The film score was composed by by Alan Menken, with songs written by Menken and Stephen Schwartz

1. The Bells Of Notre Dame2. Out There3. Topsy Turvy4. Humiliation5. God Help The Outcasts6. The Bell Tower7. Heaven's Light / Hellfire8. A Guy Like You9. Paris Burning10. The Court Of Miracles11. Sanctuary! 12. And He Shall Smite The Wicked13. Into The Sunlight (Score)14. The Bells Of Notre Dame (Reprise)15. Someday16. God Help The Outcasts

The Little Mermaid Soundtrack (Picture Disc)

Soundtrack to the 1989 Disney animated feature film, The Little Mermaid, on an exclusive double-sided picture disc. This LP contains the film's score composed by Alan Menken, as well as songs written by Menken and Howard Ashman.

1. Fathoms Below2. Main Title3. Fanfare4. Daughters of Triton5. Part of Your World6. Under the Sea7. Part of Your World [Reprise]8. Poor Unfortunate Souls9. Les Poissons10. Kiss the Girl11. Fireworks12. Jig13. Storm14. Destruction of the Grotto15. Flotsam and Jetsam16. Tour of the Kingdom17. Bedtime18. Wedding Announcement19. Eric to the Rescue20. Happy Ending

Songs From Aladdin (Picture Disc)

Songs From Aladdin features songs from the 1992 animated Disney film, Aladdin, pressed on an exclusive double-sided picture disc. Score composed by Alan Menken, with songs written by Menken and Tim Rice .

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