“Many writings on creativity stress the value of play and experimentation. Using techniques such as multiple exposure, camera movement, layering and compositing, this series improvises on the traditional landscape.

Elements of water, stone, forest and sky become counterpoints in much the same way as a jazz musician improvises on the melody. The music is transformed but the underlying chords remain recognisable.

So with Improvised Landscapes the basic patterns, textures and forms of nature are visible yet blend in a web of inter-connectedness.

As Bill Evans said, ‘It bugs me when people try to analyse jazz as a theorem. It’s not. It’s a feeling’.