The core problem of human language ... I take to be this: having mastered a language, one is able to understand an indefinite numb...er of expressions that are new to one's experience, they bear no simple physical resemblance and are in no simple way analogous to the expressions that constitute one's linguistic experience; and one is able, with greater or less facility, to produce such expressions on an appropriate occasion, despite their novelty, and independently of detecting stimulus configurations, and to be understood by others who share this mysterious ability.LESSATTRIBUTION DETAIL »

Whatever else it may be--stimulus, tranquilizer, aural nipple, too of executives, Muzak is basically trivializing. It is not simpl...y that it relegates music to the province of wallpaper. Background music never need be banal. When it is used in support of drama, it can greatly enhance without harming itself. Mozart was entirely amenable to such films as Elvira Madigan and The French Lieutenant's Woman; Ralph Vaughan Williams wrote aptly for The Invaders, Arnold Bax for Oliver Twist, Sergei Prokofiev for Lieutenant Kije and Alexander Nevsky, Dmitri Shostakovich for others. In such uses, music collaborates with artists, it becomes an art among arts. But Muzak collaborates chiefly with management: it is used as an aural smoke-screen, a form of jamming, a hormone in the henhouse, an emollient in cemeteries.LESSATTRIBUTION DETAIL »

The creeks ... are an active mystery, fresh every minute. Theirs is the mystery of continuous creation and all that providence imp...lies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection. The mountains ... are a passive mystery, the oldest of all. Theirs is the one simple mystery of creation from nothing, of matter itself, anything at all, the given. Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.LESSATTRIBUTION DETAIL »

Of what use, however, is a general certainty that an insect will not walk with his head hindmost, when what you need to know is th...e play of inward stimulus that sends him hither and thither in a network of possible paths?LESSATTRIBUTION DETAIL »

The pleasure of eloquence is in greatest part owing often to the stimulus of the occasion which produces it,--to the magic of symp...athy, which exalts the feeling of each by radiating on him the feeling of all.LESSATTRIBUTION DETAIL »

There is no object so foul that intense light will not make beautiful. And the stimulus it affords to the sense, and a sort of inf...initude which it hath, like space and time, make all matter gay. Even the corpse has its own beauty.LESSATTRIBUTION DETAIL »

There's nothing wrong with sexual feelings in themselves, so long as they are straightforward and not sneaking or sly. The right s...ort of sex stimulus is invaluable to human daily life. Without it the world grows grey.LESSATTRIBUTION DETAIL »

Sex can be defined fairly adequately in physiological terms as consisting of the building up of bodily tensions and their release.... Eros, in contrast, is the experiencing of the personal intentions and meaning of the act. Whereas sex is a rhythm of stimulus and response, eros is a state of being. The pleasure of sex is described by Freud and others as the reduction of tension; in eros, on the contrary, we wish not to be released from the excitement but rather to hang on to it, to bask in it, and even to increase it. The end toward which sex points is gratification and relaxation, whereas eros is a desiring, longing, a forever reaching out, seeking to expand.LESSATTRIBUTION DETAIL »

It is ... useful to distinguish between the pornographic, condemned in every society, and the bawdy, the ribald, the shared vulgar...ities and jokes, which are the safety valves of most social systems. Pornography is a most doubtful safety valve. In extreme cases it may feed the perverted imagination of the doomed man who starts by pulling a little girl's braid and ends by cutting off a little girl's head, as each increasing stimulus loses its effectiveness and must be replaced by a more extreme one. This is particularly true of the pornography primarily designed to be brooded over in secret. But is quite otherwise with the music hall jokes, the folk ribaldry at a wedding, the innocent smut of the smoking rooms, where men who are perennially faithful to their wives exchange stories which release explosive laughter. Pornography does not lead to laughter, it leads to deadly serious pursuit of sexual satisfaction divorced from personality and from every other meaning. The uproarious laugh of the group who recognize a common dilemma--the laughter of a group of women at the story of the intractable unborn who refused to budge and merely shivered under the effects of the quart of ice cream hopefully eaten by its poor mother, the laughter of a group of men at the story of the bride who asked to be "frightened" a fourth time--is the laughter of human beings who are making the best of the imperfect social arrangements within which their life here on earth is conducted.LESSATTRIBUTION DETAIL »