Category: Yamada-kun to 7-nin no Majo

Going into the finale it looked like Yamadas still had quite a bit of work to do in order to gather the seven witches for a ceremony before Yamazaki and get his Shiraishi Urara back. So I was surprised by how relatively easy a time he had of resolving things.

Yet it wasn’t surprising in a bad way, because there were still blanks that needed filling for some important players, and in getting filled, they paved the way for ultimate Yamada’s success, which turned out to be good for everyone.

Take Rika: we were never privy to the source of her absolute loyalty to Yamazaki, until now, and it turns out to be pretty clear-cut: Yamazaki was the only one who remembered her and knew she was coming to school and studying at all. With this new info in mind, it makes sense that she wouldn’t do anything to threaten the fortunes of the only person who knows who she is.

But here’s the thing: Yamazaki is no longer the only person. Yamada, Nene, and Tamaki also fill that role, and three people knowing of your existence doubtless feels better than just one.

So Rika agrees to help Yamada, if he can bring Leona back to school so she can wipe her memory. Rika is not only pragmatic, but proud of her position as seventh witch, and takes her duties seriously. Miyamura has no idea what business Yamada has with his shut-in sister, but Leona agrees to come in, and we learn more that drives this story to its resolution: she and Yamazaki were once the entirety of the Supernatural Club.

When he became Student Council president (likely a wish to the seven witches), his memories of Leona were taken away. But like Urara with Yamada, while the memories are gone, the feelings that go with them are not. Thus, when Leona passes Yamazaki in the hall, he tears up, and because he’s a sharp lad, he realizes why, and why Yamada isn’t his enemy any longer.

Nene and Tamaki then manage to capture Asuka-in-Urara’s-body, employing all the other witches in an ambush…

…While Yamada drags Miyamura (a student council member) to Asuka’s to retrieve a very scared and confused Urara who, I’ll restate, still possesses feelings for Yamada, even though she doesn’t remember him.

The seven witches assemble, and though Asuka manages to escape, Yamazaki tells her to stand down, as he intends to observe, not disrupt, Yamada’s ceremony. Yamada stands in the middle, and time stops, or rather slows way down, just for him and Rika.

Before he closes his eyes and prays for his wish, Yamada asks Rika if she’s happy she ended up with a witch power. Rika states that she mostly is, but doesn’t discount the difficulty of bearing such a power, and isn’t looking forward to foisting them on a successor when she graduates.

With that, Yamada makes his wish, and while they prank him a little when he returns to the supernatural club room, everyone’s memory is back. But as they celebrate, he elaborates: he didn’t wish to restore their memories; that was just a by-product of wishing for the witch powers to disappear entirely. After all, thanks to him, the witches no longer had the problems that led to them receiving their powers, and with no more powers, Rika and the others don’t have to worry about burdening successors.

As for Urara, she apologizes for losing her memory and rejecting Yamada, even though she didn’t really have any choice. She also assumes his confession was false, but he sets her straight by repeating that he loves her and wants to go out with her. She, in turn, reveals that the “someone else” she said she liked was really Yamada; she just couldn’t remember him at the time. So there you have it: a tidy happy ending that’s both logical and satisfying.

With each week comes fresh reveals of more secrets regarding the school witches, and as Yamada learns the Supernatural Club is slowly drifting apart without him, the latest revelation is most important of all: when all seven witches are assembled, a ceremony can be performed that will grant someone any wish they want.

I would imagine the wish Yamada would choose is for Urara to continue to be happy and surrounded by friends…and with him by her side, if it’s possible. But her happiness is paramount.

I said Yamada was down last week, but not out, and now we see why: while many people have had their memories wiped, one of them, Nene, bursts in to protest him copying her own charm power onto her, causing her to love him.

In the act of kissing him, she cancels out the memory loss, and Yamada and Tamaki explain the situation. At the same time, the eyes of both Rika and Yamazaki are constantly on Yamada as he struggles to fix things.

Their threats don’t faze Yamada, however, as he’s on a mission, and his new circle consisting of himself, Tamaki, and Nene makes for an interesting combo. The three agree to gather the seven witches, restore their memories, and convince them to perform the ceremony before their opponents Yamazaki, Rika, and Mikoto can get to them.

In intricate game of chess ensues, full of moves and countermoves and looking several moves ahead, something that without Tamaki and Nene’s counsel, might put Yamada at a disadvantage.

But even though Mikoto keeps him from kissing Urara (who is now at a point where she wants him to kiss her), and Yamazaki proposes a plan that will grant Nene’s wish (to be with Yamada), Yamada’s love for Urara and determination to keep her happy and not alone, conquers all the strategy on display, or so it seems.

Just take Tamaki, who saw Nene with Yamazaki and suspects she’s working for him now. But Nene is resigned to the fact no matter what she does, Yamada only has eyes for Urara, so she may as well support and smile with him.

It’s clear beyond doubt now that Nene is in love with Yamada, which is why she suspected she was under her own charm spell despite having no memories of him. The love, unrelated to the witch power, remained, just as Ushio’s love and devotion to her remained even after she lifted her spell from him.

Yamada & Co make progress, restoring Maria, Meiko, and Noa with kisses and explaining to them what’s going on, but Rika remains elusive due to her memory-wiping abilities, which leave no trace of her existence in school records or in the minds of anyone at school. Despite how sad that sounds, Rika has no intention of helping Yamada & Co.

When Mikoto somehow switches bodies with Urara before Yamada can kiss her, Yamada’s at an impasse with the remaining two witches. With little time left, he storms into Yamazaki’s office, grabs him by the scruff (not sure why Mikoto didn’t follow Yamada there to protect her president) warning he’s not going to give up, no matter how much he screws with him. He vows to go to Mikoto’s house, where Urara is in her body, and kiss her—a task characterized by the prez as easier said than done.

Is Nene actually working for Yamazaki after all? What exactly is Rika’s deal? Can only one wish be fulfilled by the ceremony? What other twists and reveals await us in the final episode? I don’t know, but I look forward to finding out. It’s been a great ride: complex and funny and touching in equal measure.

Thanks to Miyamura’s heretofore unmentioned sister (and scissor enthusiast) Leona, Yamada learns the identity of the seventh witch. Leona tells him because she’s amused he’s doing it for love—specifically to undo the future where Urara is all alone again. But there’s a cost to learning the seventh witch’s identity.

That cost is that Yamada’s memory of the witches—all of them, including Urara—must be wiped, as only President Yamazaki is allowed to know the names of all seven witches. Yamada doesn’t treat it as that big of a deal, especially since his friends and Urara in particular promise to bring him back after his memory wipe. Urara in particular is looking forward to being the first person he kisses, just as she was when they first fell down the steps together.

Yamada takes his leave from Urara, and even though things still don’t seem that serious, there’s an air of wistfulness and even foreboding to their farewell. That’s amplified significantly when the seventh witch, Saionji Rika, appears, boasting about going commando (like Urara made Yamada go when she was in his body) before placing her hands on his face, then walking off, apparently having done the job.

Yamada is confused, then, that even though her instructions indicate it will take 24 hours for his memories to fade…they don’t fade. He enters the supernatural club to announce it didn’t work, but none of them know who he is, or rather, they know he’s Yamada, but have no connection to him.

Turns out Rika couldn’t wipe his memories, due to his immunity to witch powers. Instead, she wiped the memory of all his friends, along with all the witches. In other words, Yamada kept Urara out of that lonely future, only to find himself alone.

Initially, he doesn’t seem all that troubled by this; after all, Yamazaki is honoring his side of the bargain by backing Miyamura, so Urara won’t be alone and sad. But when fellow powers-immune Tamaki keeps asking him to team up with him so they can undo the situation, Yamada kinda snaps and destroys a lectern with his bare hands.

Just as he does so, the person he both saved and exiled himself from, Urara, comes in, wondering if Yamada wanted to join the supernatural club. Yamada refuses, not wanting to cause her trouble, but as she turns away to leave he springs a confession on her, and she rejects him, because she likes someone else.

But even though Yamada gets angry about the prospect of her liking another guy (and the others seem to think she likes Miyamura rather than him), I knew from the get-go that the “other person” she likes is him, but due to Rika’s powers, can’t presently make the connection between the person she likes and Yamada.

It’s a tricky situation to be sure, especially since now that the witches have forgotten Yamada and everything he did to help them, they’re back to stirring up mischief all over school. He agrees with Tamaki that at least playing along Nene’s revitalized plan to gather supporters, her charm power can be put to good use.

The only problem is, Yamada and Nene pick a public place to kiss; a place Urara happens to be walking past and spots them. Now, Urara may not be consciously aware she loves Yamada, and that they both promised she’d be the first one he kissed after Rika did her thing, she’s clearly aware of it on another level, because she gets extremely upset when she sees him kiss Nene.

Yamada is in a deep hole with two episodes remaining. He has a lot of explaining to do, misunderstandings to clear up, relationships to rebuild from scratch, and, if possible, witch powers to somehow undo, and he won’t have the supernatural club or Urara on his side to help him, because she’s/they’re the ones he’s trying to get back.

But he does seem to have the witch killer Tamaki on his side (who doesn’t want to be alone either), and could yet benefit from the powers of Nene and the other witches besides Urara and Rika. He’s down, but he’s not out.

What a tangled web Y7 weaves…and yet it all holds together marvelously. As thanks for helping to change her fiery future, Sarushima lets Yamada borrow her powers for their festival booth. Sarushima then asks Yamada to help her erase her power, stating she wants to fall in love and never will if she knows the future of everyone she kisses. As a practical matter, Sarushima has outgrown her power, so it’s not a bad thing for her to want to free it up for another girl.

Unfortunately for Yamada, the “Witch Killer” whose services he seeks on Sarushima’s behalf is Tamaki Shinichi, a bit of an aloof trickster, who has already stolen the invisibility power of a witch, a power that will stay with him until he kisses another witch. Tamaki agrees to take Sarushima’s ability, but only if Yamada gives him valuable intel on whom Yamazaki will be choosing to succeed him as StuCo President.

Yamada first asks Yamazaki upfront for this sensitive information, which Yamazaki predictably declines to surrender, so Yamada decides to try Odagiri’s power—given to him with her blessing, as she wants to help Sarushima too—to charm him. Only his lips can’t get anywhere near Yamazaki’s, because of his secretary and bodyguard Asuka Mikoto stops him with a furious, panstu-revealing kick.

They tie Yamada up, expecting to need torture to get his true intentions out of him, but Yamada is happy to just tell them: Tamaki wants the info. Ironically, Tamaki was atop Yamazaki’s list of successors, but is bumped down when Yamazaki learns of his scheming. We also learn Asuka was the sixth witch, who willingly had her invisibility power taken by Tamaki…though that doesn’t explain her amazing strength!

With the candidates neck-and-neck-and-neck, Yamazaki proposes that the one who discovers the identity of the seventh witch will win the presidency.

There’s suddenly a lot of moving parts in Yamada’s plan to help Sarushima move on, but he never for a second considers backing out of helping her. In fact, he dutifully explains all these moving parts as the cause for the delay (everyone he needs wants something). Sarushima rewards him for his hard work with a kiss, forgetting that it means he’ll see her future.

It’s fun to wonder in the context of their kiss here, that if and when Sarushima does lose her power, whether she’d discover she was in love with Yamada after all.

Anyway, in that future, he sees that Sarushima has lost her powers (which is good), Tamaki has become president (which is fine), Shiraishi is Tamaki’s secretary.

That last bit is concerning to Yamada, especially the way she walks away with Tamaki and looks back at him in the vision. It spurs Yamada to decide to change the future he sees, by helping Miyamura find the seventh instead of Tamaki.

At the bonfire where he and Miyamura keep their distance from their reveling friends and classmates, Yamada admits to him what we’ve known for some time, but he hasn’t been able to verbalize until now: he loves Shiraishi, and doesn’t want to lose her.

Miyamura and Odagiri thus begin separately researching all the troublemakers in the school in their search for the seventh witch. Tamaki seems unmotivated to Odagiri, but by telling Miyamura this, and how it could be a two-horse race between them, Yamada figures out that Miyamura, Tsubaki, Itou and Shiraishi have been kissed by Tamaki, making him invisible to them, which he no doubt used to steal their research.

Rather than simply continue the race to find the seventh, Yamada, who is very much invested in Tamaki not winning, decides to use Shiraishi’s body-swapping ability to get back at him.

That plan will be set into motion with him switching bodies with Shiraishi, but in the light of his realization of his love for her, Yamada finds it more difficult than ever to actually kiss her, worrying about all the variables they never bothered worrying about before. Shiraishi isn’t having it and kisses him.

This upsets him, and when Shiraishi asks why, he tells her: in that future, she wore a look he never wanted to see again; a look of isolation and loneliness; the antithesis to her warm bright smile at the bonfire, surrounded by friends. But Shiraishi responds to his concerns with her own resolution: to never go back to being that lonely person, before asking Yamada to change the future for her.

Perhaps, once he has, Shiraishi may not have further use for her power, nor Yamada for his, and these two can move forward, along with Asuka and Sarushima, to lives defined not by supernatural abilities, but confidence, devotion and love.

I’ve liked how deftly Y7 has kept things fresh by approaching each new witch intro from a different angle, which is also appropriate considering the unique problems that led to them getting their powers in the first place. Urara was and is Yamada’s primary love interest. Nene was an adversary, while Meiko and Maria needed his help.

With Takigawa Noa, we seem to be dealing with another adversary. Her powers are believed to be the opposite of Maria’s, meaning the Supe Club assumes Noa’s turned three formerly popular students into troublemakers through blackmail or manipulation. But nothing is ever as clear-cut as it seems on this show. In fact, Noa’s turns out to be the most emotionally complex witch cases yet.

She’s also, at first, the toughest nut to crack. Yamada thinks at first he can put on the charm and get a kiss to make things easier, but to his shock, Noa is grossed out by him, having only teased him about liking him.

With Yamada’s pride hurt, he tries again, but only gets a push broom to the face. When he reveals he’s in the Supe Club and knows she’s a witch, Noa pulls attitude 180, and is suddenly keen to kiss him. So keen, Yamada thinks something is fishy, and rebuffs her advances. Now she’s the one with the hurt pride.

Using her knew knowledge of Yamada, she hits him where he lives, having her three troubled friends/minions brutally ransack the clubroom. I’m not sure how they weren’t simply suspended or expelled right then and there, but the adults are all but nonexistent in this school, so whatever.

Pissed off more than ever, Yamada confronts President Yamazaki for the truth about Noa, and he gets it: she wants to make witches out of her three friends, and eradicate all the others. That means Urara, Nene, Meiko and Maria are all in danger.

Rather than panic, Yamada stages a trap for Noa’s crew, using a game, excited Urara as the bait. I appreciate her adventurous spirit throughout this mission, and the fact she trusts Yamada’s judgement more than anyone else. The female friend of Noa kisses Urara, and celebrates the fact she was able to switch bodies, so she can now pesumably do something to get Urara expelled and thus powers revoked.

Only Yamada kissed Urara before, so the girl only ends up switching with him, in Urara’s body. She and the other two are tied up and held captive in the club room while Yamada, still in the girl’s body, opens negotiations with Noa.

Two others (not sure who) accompany Yamada in the bodies of Noa’s friends, but Noa knows who they are immediately. She offers the notebook, then both notebooks in exchange for her people, but Yamada wants more: for the witch-hunting activities to stop, a condition Noa flatly refuses.

The talks break down, and Tsubaki and Itou beat Yamada for failing again, but Yamada insists this is about more than getting the notebooks back: three students’ reputations are at stake, and Noa must be stopped. That’s when Noa’s friends agree to stop their activities of their own volition. They’d rather be together with Noa than for her to be alone.

This awakens Yamada to a key point: Noa hasn’t been manipulating her friends. When he gives them back to her, he asks her if taking over the school with her power was really her goal, and castigates them for causing all those problems that caused them to lose the popularity they already had.

That’s when a frustrated Noa kisses Yamada, and he experiences her power firsthand: in a dream, he relives the most traumatic memory of her past, when her classmates locked her in a storage room for hours until she wet herself. Similarly, her three friends never did anything bad; they were framed.

Noa has wanted to save them for so long, and thought she could do so by getting them witch powers. But when Yamada stopped them, she remembered they were popular from the start, and only their association with her hurt them.

Then the three friends come to Noa’s aid, fighting Yamada and insisting they won’t leave her side. But Yamada shoots back that it’s their wishy-washiness that’s causing Noa’s suffering. Yamada doesn’t have all the answers, but he thinks they should at least do whatever they can to make Noa smile.

At that, another switch seems to go of in Noa’s head, and when we next see her, she’s in the club clinging to Yamada, whom she claims to have fallen for completely. Urara, whom you’d think would be jealous about such a development, is actually happy, because Noa’s power is more about simply seeing someone’s darkest hour, it’s about both kisser and kissee opening their hearts to one another, eliminating artifice and pretense.

They haven’t known each other long, but Yamada and Noa experienced that, and now he knows she’s not just an annoying schemer, and he’s not just a nosy, gross upperclassman. Urara also remarks that the two aren’t all that dissimilar: Yamada’s power also ultimately brings him closer to each of the witches, since to know their powers is to know the problems that gave rise to them. He knew exactly what to do for Noa, and she appreciates it.

It was great watching the battle of wills between Noa and Yamada, as well as the breathless evolution of their relationship. Yuuki Aoi is a great addition to the already stacked cast. Two witches to go!

This week the Supernatural Club changes the future, not to save lives (as in Steins;Gate) but to save reputations. No one wants to be pegged as the one who set fire to the old school building, after all.

Yamada and Miyamura end up at the house of “shut-in” Sarushima Maria, a returnee who also happens to be a witch. Her power is precognition, and saw sees a future in which she was blamed for burning the building, which is why she doesn’t go to school.

Then Yamada appeared beside her in the vision, which why she expects his arrival. He tells her the first step to figuring this whole thing out is by kissing her, which she agrees to. What Yamada wasn’t expecting was a french kiss!

Yamada experiments on his new copied power by kissing Miyamura, then gets a vision of being slapped, which comes to pass when Nene stops by and her skirt caught on her sweater, revealing her panties. But because his vision is from Miyamura’s POV, Urara determines that Maria’s vision is being seen by another person, who could be the arsonist.

Maria admits she did kiss one other guy (and likely french kissed him, at that): one Tsubaki Kentarou, an old friend and fellow returnee. Yamada confronts this Tsubaki, who promptly tells him he’s in love with Urara and wants Yamada to arrange a meet-up for them.

Tsubaki then leads Yamada to the old school building, site of the fire, to do something he does whenever he gets depressed: make tempura. While insanely random, it does explain how the school gets set on fire; it’s an accident; one that they must now prevent.

The next day, when Tsubaki is expecting Urara, he gets Yamada and Miyamura instead, with Yamada insisting they kiss. But not only is Tsubaki not into guys, he’s extremely strong, and the other guys are unable to get him to kiss Yamada.

That gambit failed, and they return to the clubroom to find Maria there, who knew it would fail. She came to kiss (i.e. french) Itou, who witnessed the fire from the club room where a clock read 8:03 PM. (BTW, I love how tall Maria turns out to be—she reminds me of Kino Makoto—and the fact Itou seems to be instantly smitten with her, perhaps due to that french kiss)

That means if they can keep Tsubaki from cooking tempura past that time, the future will change and the fire in her vision will be prevented. But how to do that? The episode doesn’t make it so easy. Tsubaki certainly wouldn’t cook tempura if Urara accepted his confession, but she can’t do that, because as we know, she likes Yamada.

Yamada believes he’s cracked it: switch bodies with Urara and agree to a date with Tsubaki while delaying a situation where he could confess to her as long as possible, thus staving off the fire. This is another episode in which Yamada’s brute strength is useless and he depends on his friends to help him sort through the tangle of temporal probabilities.So I like his little dance as Urara when Tsubaki agrees to the plan.

Only problem is, Maria still sees the school fire in the future, only this time Itou (very hot and bothered by another Maria frenching) is with them at the fire now rather than by the clock. Worse still, Yamada-as-Urara stumbles into an extremely romantic place while parting ways with Tsubaki, and Tsubaki follows her and exploits that location to confess.

This puts Yamada in the unenviable position of having to answer a confession aimed at Urara, but Urara, in his body, prevents him from saying anything by kissing. Now back in her own body, Urara tells Tsubaki “this is the way it is”, pressing herself into Yamada to make her rejection clear.

By doing this, Urara has all but assured Tsubaki will make tempura tonight, and indeed he races to the school to do just that. Yamada follows him, but isn’t strong enough to get into the kitchen. That’s when Urara arrives, which draws Tsubaki out. Yamada pounces on him, and in the confusion, the time when the school catches fire passes. Mission Complete! Maria embraces Itou in joy and relief.

She also takes Yamada aside after the club celebrates to give him a big ‘ol hug, but also tells him one of her visions was of Urara standing alone before the fire; just like the cold open. She switched bodies with Yamada during Tsubaki’s confession so she could take his place in the vision, protecting him from being blamed for an arson.

While Yamada meekly thanks her at first, he continues to say “as if I’d thank you!”, and tells her never to do something so stupid again. Thus this whole exercise in changing the future Maria saw was also an exercise in romantic development, as Urara moved to sacrifice herself for Yamada’s sake, something Yamada appreciates but doesn’t want.

The way things turned out, they worked together to resolve the issue, and neither of them had to take the hea, and hopefully that’s how they’re operate as they discover more witches.

The cast is ballooning, and Tsubaki is a somewhat simplistic character whose role in the club is still not very clear, but I did like Maria. I expected the pink-haired popular-looking girl would be a pain, but she turned out to be a big-hearted statuesque, french-kissing delight. On to the next witch!

It’s Summertime on Y7, and Miyamura, Urara and Itou waste no time hitting the beach, but Yamada can’t go because he has supplemental lessons. Urara in her generosity lets Yamada switch bodies for her so he can soak in the rays. Itou seems miffed by Miyamura’s assertion Urara thinks it’s boring without Yamada with them, but Urara has kinda always liked Yamada above them.

While in Yamada’s body, Urara is suddenly confronted by the green-haired Otsuka Meika, one of Yamada’s fellow summer school buddies, who ends up kissing him as a “gesture of their new friendship.” This makes Urara suspect Otsuka is a witch, but she doesn’t know her power, as nothing happens during the kiss.

The next day, after Otsuka accuses Yamada (who is really Yamada now) of being a different person (causing her a nosebleed and such), and Yamada returns to the dorms to find Nene and Ushio have joined them on their…er, witchhunt. The only problem is, the “volume two” notebook they seek is in a locked classroom, and the one with the keys is running Yamada’s class. To get access, the class will have to pass the exam and end the supplementary lessons.

To that end, Urara switches with Yamada manages to convince Otsuka to kiss Yamada one more time, while she tasks Yamada with giving her a bath. This results in Nene getting all close and personal with Urara, unaware it’s Yamada until it’s too late. I love how these powers encroach on all of the characters’ boundaries of privacy and modesty, a free and uninhibited dynamic rare in a genre where even calling someone you like by their first name is a big step.

Urara succeeds, and Otsuka wearily kisses Yamada again, and then Yamada kisses everyone else…and nothing happens. The boys all meekly decide to wait it out in the girls’ room, but Nene and Itou break their resolve and they all go to sleep. Yamada is then woken up by a loud, brash female voice, which turns out to be Otsuka’s; her power is telepathy. Neato!

The next morning Yamada undergoes telepathy training with Otsuka, whose inner voice is far more forceful and domineering than her regular voice. In fact, there’s a flame-wreathed drill sergeant who won’t suffer any sass. She’s already passed her telepathy on to the others in their class, and now Yamada is a member of their little outfit. Together they’ll collaborate on passing the test, which is what everyone wants.

The problem is, witnessing Urara in Yamada’s body gave them the mistaken impression Yamada is smart and has all the answers. He doesn’t, but they’re depending on him anyway, so he must send the questions to Miyamura for Urara to solve. Then Urara will send the answers via Miyamoto to Yamada, who’ll distribute them to the others.

It’s a lot of complicated telepathy to ask of a novice, but he works hard and everyone passes the test. And to the episode’s credit, it doesn’t get bogged down in showing a lot of the process, which probably would’ve just made my head hurt! Yet even though the classroom is unlocked it has been cleared out, allegedly by the president. Still, they’ve discovered a new witch, and the whole big group celebrates by enjoying the rest of their Summer vacation at the beach.

On the last night, as the others light fireworks, Yamada and Urara have a bit of alone time, during which he reports that he may have figured out why the three witches he knows have their powers: they wished for them: Urara, who didn’t like her situation, gained the power to switch bodies; Nene, who wanted to be president, gained the power to charm; and Otsuka, who couldn’t talk to people, gained the power to communicate.

That means there must be a reason Yamada, while not technically a witch himself, gained the power to copy powers. It’s a mystery he believes will be solved when they discover the remaining four witches, something they’ll have to do without the benefit of the second volume notebook.

One could say he shares the same insecurities as the three witches he’s ID’ed so far, being a recovering delinquent, and his life has grown richer and happier with each ID. So maybe it would behoove him to look within himself to find the other four, since they’ll inevitably have the same problems he wrestles with.

I had my doubts about what would happen to my lovely body-swapping comedy when more of the titular seven witches entered the fray: would the balance be upset? Would the extra characters just make things more muddled and unfocused, killing the crispness I’ve enjoyed so much? Well, if Odagiri Nene is any indicator, my reservations were unnecessary. Nene is far more than a school villain, Y7 is about far more than body-swapping, and it knows exactly what it’s doing.

It’s just Ryuu’s luck that Urara wants to kiss him just when he’s off to go see Nene to resolve his current “charming” problem. Urara is the last person he wants to fall in love with him through some kind of kissing spell because, well, he’s falling in love with her for real, and wants the real thing in return. So he tries to keep his problem a secret from Urara.

That doesn’t last long, however, as he’s unable to find Nene and the time he agreed to kiss Yamada comes and goes. Where a lesser show wouldn’t have him telling Urara the truth until the very end of the episode, Y7 has a lot more ground to cover, and covers it deftly and efficiently.

And it’s actually good for Yamada to tell Urara wha’ts happened, because now they’ve determined that body-swapping isn’t Yamada’s power, but Urara’s; Yamada’s power is copying others’ powers, while making his host susceptible to their own. The body-swapping Urara swaps bodies…and Nene has fallen in love with Yamada.

As it happens, as Yamada and Urara kiss and figure this out, Nene is watching from the bushes with her lieutenant, Igarashi Ushio (Ono Daisuke), who is upset that Nene has been overcome by unrequited love for Yamada, because, well, it’s pretty obvious that he likes Nene.

At first, Ushio lashes out at Yamada with a vicious kick. We learn that the two were old friends and fellow n’er-do-wells who sought the same thing by transferring to Suzaku High: fresh starts. But neither of them were able to find any guys they could tolerate, let alone befriend. But an incident caused them to drift apart, leaving Yamada essentially alone until he met (or rather fell on) Urara.

Ushio calms himself and takes a more contrite attitude, getting on his knees, promising he’ll destroy the incriminating photos of Yamada and even make Nene drop out of the election, if only he’ll change Nene, the person most important to him, back to normal.

Yamada refuses, but Urara agrees on his behalf. This angers him, but in a moment of emphatic (and admirable) assertiveness, Urara gives him a sharp, brutal SLAPand orders him to knock it off. Just as he did with his predicament and the start of this episode, he’s being stubborn and holding back information form her that could help her understand his situation better. They’ve switched bodies numerous times; this is not the time to be tight-lipped, especially when Urara assumed from his standoffishness that he’d gotten sick of her, which is so not the case.

Grudgingly, Yamada agrees to kiss Nene, satisfying Ushio. When Yamada asks him if he kissed Nene, he says he did, but he likes the person he became because of it. We learn why when Yamada gives Urara the rest of their story. While in an alley they came upon some roughs picking on a girl from their school. Ushio instigates a brawl and the girl is able to run off, and Yamada backs him up, because he’s not about to watch his friend take on four guys by himself. It’s good to see Yamada in Full Delinquent Mode, even if it’s a flashback.

Back at school though, Ushio throws Yamada under the bus. Not only does he get suspended for a week, but the entire school becomes afraid of him, the very thing he hoped to avoid by transferring there in the first place. Ushio, meanwhile, washes his hands of Yamada and takes his place beside the classmate they rescued from the roughs: Nene.

Had Ushio met Nene before, kissed her, and become infatuated to the point of not only starting a fight for her, but framing Yamada so he took the heat? Or had Ushio and Nene never met, and it was Nene who kissed Ushio out of appreciation for saving her? The possibilities are intriguing.

In any case, Ushio’s betrayal was the reason Yamada hesitated in turning Nene back to normal. But when he meets Nene in private at her hideout in the old school building, he gets fresh insight into her power, and why he can’t possibly allow Nene to stay in a state of unrequited love forever.

Nene seems eager to get this whole thing over with when everyone else is around, but when they leave the two alone, she asks him not to kiss her. You see, she never knew how happy her power could make people until she herself experienced it, something Yamada made possible. And whatever else being in love with Yamada is—unintended, artificial, futile—it isn’t BORING. As we saw with Ito and Miyamura last week after Yamada kissed them, being in love is awesome.

Yamada now understands why Ushio doesn’t mind being under Nene’s spell. But Ushio has a shot at Nene; Yamada makes it clear he’d never fall for Nene, either naturally (as Ushio might have with her) or due to her power (which is reflected by his copying power). Urara is right; Yamada can’t let Nene pine for him forever, and at the end of the day Nene isn’t of sound mind. So he kisses her.

As if the resolution of this situation wasn’t enough, Ushio produces an incomplete journal from a past Supernatural Studies Club, documenting the Seven “Witches”, or girls with supernatural powers, who attend Sazaku High. Two have now been identified by the club: Urara and Nene, but the other five are a mystery, and the new club is going to find them, because Urara, being one herself, is confident that they want to be found.

Yamada is their Witch Detector, and so grudgingly goes along with this plan. And he can’t really complain, as both he and Ushio got what they wanted: new and exciting school lives that aren’t defined by their violent pasts, and interesting friends. I look forward to new witches being discovered and even more tantalizingly complex character dynamics to sprout up.

What keeps every minute of Yamada 7 compelling is the cast’s ability to not simply explore and investigate Yamada’s strange power, but also use it to their advantage. Urara has been the most stealthy yet most prolific in that regard, especially this week, when she swaps bodies with Yamada just before going on a school onsen trip.

In this case, swapping bodies isn’t about experimenting on the nature of the power. Urara is ostensibly using it so she can study as Yamada while Yamada mingles with the other girls. But because he’s doing it in Urara’s body, he’s able to effect a change in how they regard her; that is, as one of their own rather than an outsider.

Yamada storms into Urara’s room demanding his body back out of exhaustion from spending all day and potentially all night with the super-hyper girls, but it’s also an opportunity for Urara to admit she’s left too much to him, so it’s her turn to take over in her own body. Their perpendicular kiss, followed by a shot of Urara from Yamada’s POV, is pretty darned sexy, to boot.

But Urara was reckless, and went through her own belongings—including admiring her own panties—while in Yamada’s body, and Vice President Odagiri Nene snaps incriminating pictures. Now, we know from the OP that Nene is most likely one of the seven witches (along with Urara herself), so we know she’s aware of what really happened in those photos. But she wants the presidency, and if Urara skips out on a mock exam, it will hurt Miyamura’s chances and help her own.

A flustered Yamada seeks counsel from Itou and Miyamura, who are more interested in playing cards; this is their first of several great exchanges for what’s turning out to be an awesome supporting duo. They’re not cool with him using Urara to explain away the photos, as it would hurt her reputation. As for switching bodies with Nene, they’re not sure he’s thought it all through.

Still, he has little other options, so he calls Salia Nene out later that night in her jammies and kisses her—or rather, she kisses him…which is an important distinction, because not only do they fail to switch bodies, but when Miyamura and Itou kiss him, he fails to switch bodies with them as well, meaning his ability is gone.

Everyone agrees the best thing to do is sleep on it—Yamada’s had a long, exhausting day—but the next day at the barbecue Urara makes him yakisoba in gratitude for helping her get along with the other girls, who all love her. She also wants to go on a trip over Summer break with the Supernatural Club. As Yamada is a member of said club, and he likes Urara, this is an enticing prospect.

Which gives him a quandary: Urara joined the club so she could switch bodies with Yamada in a safe, private place. If he doesn’t have that ability anymore, will she leave the club, and abandon him? I doubt it, but Yamada has bigger problems upon returning to school: Itou and Miyamura are infatuated with him.

This is a bold move for Y7, having not even fully explored all the possibilities of his body-swapping abilities, to give him the power to make whoever he kisses fall in love with him. Not only that, when he kisses them again to take away the love, they still feel a sense of loss, and only want to get that feeling back.

Masuda Toshiki and Uchida Maaya put on a comic clinic portraying Miyamura and Itou as not only all hot and bothered and competitive with each other while under the spell, to their excitement and desire about being put back under the spell when they’re not on it.

My theory for what’s going on? Urara and Nene are two of the Seven Witches. When Yamada kisses Urara, he gains the power to swap bodies. When he kisses Nene, he gains the power to charm others. Worried about what Urara would do if she found out he lost the former power, he tries to keep it a secret from her as he heads to Nenes’ to “resolve everything”…but Urara’s right outside the door.

Would kissing Nene or Urara get him his body-swapping power back? What powers do the other five witches have in store? And who’s aware that they’re a witch and who isn’t—I’d guess Urara’s the former and Nene’s the latter, but who knows? All I know is, this is some entertaining supernatural romantic comedy right here.

In addition to its ability to smartly construct episodes that go off in interesting and unexpected directions, 7-nin also does quite a good job balancing comedy and poignancy without coming off as sappy. It reminds me a lot of Majimoji Rurumo, only with far more refined character design.

It’s also clever in the way it brings up situations in which one’s gender makes a difference, such as dealing with the President, Yamazaki Haruma, who doesn’t give men the time of day, which turns out to be a red herring. The Prez can tell from their smell that he’s talking to Yamada and Miyamura, not Urara and Itou. But that’s fine, because he has a job for Yamada: convince Urara to apply to college. Then he’ll get his club budget.

Yamada, Miyamura, and Itou are then confronted in an outdoor corridor by Vice Prez Odagiri Nene (Kitamura Eri) and Igarashi Ushio, the latter of whom seems to have some kind of undisclosed history with Yamada. Ushio mocks Yamada for being Miyamura’s “dog” now, while Nene warns Miyamura that she, not he, will be the next President.

Turns out Miyamura has more banking on their deal with Yamazaki than Yamada and Itou realized. But Miyamura assures them it’s not just about him anymore; he honestly wants to see the club succeed. He also warns Yamada that if they fail, Yamazaki might shut down the club altogether.

The interesting mechanics of the body-swapping play a crucial role in Yamada’s ultimate success, though it doesn’t seem like that at first, what with Urara suddenly swapping bodies with Yamada, who not only gets Urara’s body, but her nasty cold as well. Assuming she tricked him so she could study at school, she goes home…to Urara’s house, with Miyamura and Itou tagging along.

What I love about where this mission takes the three is, despite his delinquent rep, Yamada’s the most not-okay with snooping around Urara’s place, even if it could reveal clues about why she doesn’t want to apply to college. But Yamada finds something else out about the home and Urara’s life; something not immediately apparent to the others: the home may appear “normal”, but it’s also an oppressively lonely place. Even her photo albums are full of forced smiles.

Not coincidentally, when Urara comes home in Yamada’s body, angry as hell he ditched her (even though Yamada was sure the opposite was the case), we see that what truly hurt her was opening the clubroom to find no one there. When she remarks how it’s lonely whether she’s at school or at home and tells him to go home, Yamada gets the picture and decides he’s not going anywhere.

Even though her face is turned, her memory of the empty clubroom made it clear she wished Yamada had disobeyed her, so she’s elated when he comes back with a damp washcloth. Then he proceeds to shock her and me by making a deal with her: he’ll make a serious run at getting into college, if she comes with him.

With the prospect of college no longer just another setting in which to be alone, she accepts, just as the sun comes out. It may seem fast, but let’s not forget these two have shared bodies, kissed several times, and come to learn a lot about one another, including sides of them no one else knows about.

That would have made a fine ending, but 7-nin wasn’t quite done. Why close on a poignant moment when you can close with the realization of Yamada’s precious dream of having a microwave in the clubroom, which was his initial motivation, after all.

Only it doesn’t turn out quite as wonderfully as he’d dreamt: not only does Itou microwave his prized yakisoba bread too long while still its plastic wrapping, Yamada’s own body has caught Urara’s cold, which makes sense, as he kissed her twice. You know you’ve got your Couple Card when you’re making each other sick!

While last week was an exploration of two very different people finding common ground in each others bodies (that sounds kinda wrong, but bear with me), while a third supports them, while this week explored the ironies and misunderstandings inherent in suddenly throwing a fourth member into the club, Ito Miyabi, complete with her own set of charms, and neuroses. She’s voiced by Uchida Maaya, no stranger to playing weirdos.

Itou joins and proceeds to thoroughly clean the supernatural club room. The others don’t tell her they’re in the room because it’s a safe place to switch bodies—which is far more supernatural than materia stones and UFO photos. Instead, they simply accept her intermittent existence in the room without explaining anything.

So when she inevitably walks in on Ryuu and Urara kissing, she gets the very reasonable impression that the others never intended to start the supernatural club back up, but only wanted a place to make out. Slowing her roll and telling her the truth from the start might have been tricky, but now they have a scorned Itou out for revenge, which is worse.

Itou’s campaign of vengeance consists of distributing posters, fliers, and rumors about how Yamada and Shiraishi are an item. When Yamada sees that the rumors are isolating Shiraishi again, he takes the rash step of cornering a hostile Itou in the clubroom and coming clean the quickest way he can: by kissing her.

This is actually played as a pretty uncomfortable scene, with Itou’s face a flurry of expressions from fear, nervousness, bashfulness, to acceptance, and then the face of Itou (in-Yamada’s body) before Yamada (in-Itou’s body) clocks her.

Chalk the discomfort to Yamada feeling he neither has time or the wherewithal to properly explain, and Itou her hostile state wasn’t going to listen.

After the obligatory check of Itou’s body, Yamada proceeds to try to undo all the harm Itou’s rumors caused, only to find no one took them seriously, because she’s known around school for making stuff up, like UFOs and such. Shiraishi even admits she was alone because it’s close to exams and she asked not to be disturbed!

So Yamada’s desperate measure turned out to be completely unnecessary, while switching bodies had far greater consequences, as Itou (in Yamada’s body) disappears after being spotted posing in the mirror, striking poses, and performing finishing moves.

A search of Itou’s phone reveals she was being hustled for supernatural objects by some thugs, and decided to go after them in Yamada’s body. She gets her ass kicked, but Yamada (in Itou’s body) shows up and takes the thug trio out, introducing us to the idea that Yamada’s stronger body wasn’t enough to fight her enemies; Yamada fights with his spirit, so even in Itou’s body, he kicks ass. I really like this concept.

After switching back to their own bodies, Itou is content to withdraw with dignity, but Yamada shows her her completed club application, re-welcoming her into the supernatural club. At the end of the day, Itou was lonely and looking to become more popular at school, and while the path to get there had a few corkscrews and switchbacks, she’s now in a club with far better caliber people than she first imagined when she saw them kissing.

Itou also puts the possibilities of the body-swapping into high gear, testing out every possible combination between the four of them. I’ll admit I lost track watching the scene the first way through (which I think was kinda the point), but the order goes like this:

Yamada switches with Shiraishi (when Itou shoves him into her).

Miyamura kisses Yamada (in Shiraishi’s body).

Itou kisses Yamada (in Miyamura’s body).

Miyamura (in Shiraishi’s body) kisses Yamada (in Itou’s body).

That right there is some big-league comedic complexity. It’s a wonderfully absurd sequence and all the voice actors do a great job imitating each other’s voice patterns and modulations.

In the end, we finally meet more witches, though they’re not identified as such. I’m not sure where this whole power struggle for class president between Miyamura and Odagiri Nene (Kitamura Eri) is going, but nor do I really care…yet. 7-nin will have its work cut out for it integrating stodgy politics into the far more fun body-swapping narrative.

Franklin has had a ridiculous schedule these days, so while he had first dibs on Yamada-kun and the Seven Witches, he passed it to me. Lucky me! Yamada-kun is a fast-paced, nice-looking, tightly-constructed supernatural comedy backed by some truly inspired voice performances, and a helpful dose of always-welcome heart.

Yamada-kun and the Seven Witches’ first episode interestingly has no witches in it, at least not any who identify themselves. But I didn’t miss them. Instead we have your typical unmotivated n’er-do-well Yamada Ryou who falls down some steps with perfect honor student Shiraishi Urara…and they switch bodies.

While Yamada does the obligatory pat-down of his new female body, resulting in the classic bloody nose, he also learns that Shiraishi is the unresistant victim of persistent bullying, as well as the victim of hassling by a trio of smitten geeks.

Yamada may be a delinquent, he still has a sense of honor and justice, but when he offers to help Shiraishi with her problems, she outright refuses, even coming between a punch from Yamada (in her body) which was meant to stop just short of hitting the bully, but hits Shiraishi (in Yamada’s body) instead.

The two try to return to their own bodies by falling down the stairs again—several times (don’t try this at home…or at school, kids!) to no avail—Shiraishi suggests they kiss, since they inadvertantly kissed on the first fall. Lo and behold, it works. I liked how straightforward Shiraishi was about kissing Yamada…after all, they’ve already shared each other’s bodies; and from her POV she’s essentially kissing herself. Tough-guy Yamada’s a lot more bashful.

I can’t go on in this review without first giving serious props to Osaka Ryota and Hayami Saori, who have to pull double duty and absolutely nail it. When Shiraishi is in Yamada’s body, and Yamada in Shiraishi’s, Osaka and Hayami do a superb job inhabiting the other’s unique vocal patterns.

Kudos to the animation team as well, which gives Yamada a much more serene look when Shiraishi’s in him, while Shiraishi’s facial expressions and limbs are all over the place when Yamada’s in her.

On the flip side, both the seiyus and animators also understand that two people who suddenly switched bodies still wouldn’t be able to impersonate one another that well, thus the actual person within the body shines through loud and clear, even when they’re trying to hide it.

This means anyone looking for something fishy about the couple is going to catch on pretty quickly, and that’s just what happens with StuCo VP Miyamura Toranosuke (Masuda Toshiki), who sets up a nifty trap that confirms his suspicions, getting beaten up by the geeks (a hilarious bit of classic comic turnabout) so “Shiraishi” has to defend herself, using an unmistakably Yamada roundhouse kick (Yamada also isn’t used to fighting in a skirt, hence the pantyshot).

Some interesting comedic touches: Miyamura and Shiraishi checking out Yamada’s junk, and Yamada suddenly sitting down on a chair covered with cobwebs.

Their secret is out, but while Miyamura has intentions, they’re more opportunistic than sinister: he wants Yamada and Shiraishi to join the dormant Supernatural Club so he can start it back up. He also wants to see how far the body-swapping-by-kiss goes, and quickly determines Yamada can swap with anyone by kissing them.

Thus the two-person body-swapping act is expanded to three, and then four when an eavesdropping classmate (Uchida Maaya) enters the club with the intention to join. I really like where this first episode went, even before we’ve even seen any titular witches. I just hope where it’s going is as good, and with a lot more seiyu star power behind it, I doesn’t seem likely to disappoint.