Wet Satin: Women's Erotic Fantasies NO. 1

When publisher Denis Kitchen invited
Trina Robbins to edit this anthology of "women's
erotic fantasies," she was up for the task, but he had no
idea what trouble he would encounter. Trina created the
Marlon Brando cover, contributed "Rawhide Revenge"
and a centerfold illustration herself and ably attracted such
talent as Cathy Millet ("Chaste Sex Education"),
Margery Peters ("Ain't Life Grand?"), Lee
Marrs ("Flight or Fantasy"), Joey Epstein
("Night or Dynamite"), Terry Richards [wife
of Dopin' Dan artist Ted Richards], Shelby Sampson
("Nose Fuck"), Joyce Farmer ("A Mature
Relationship"), Melinda Gebbie ("The Cock-Pit")
and Becky Wilson (logo and back cover).

Kitchen
expected no problem when he turned the contents over to the same
Port Washington WI printer who had unhesitatingly printed Bizarre
Sex Comics, and all manner of underground comix by R.
Crumb and others. But the printer refused to print this
unabashed erotica "because it was by women!!" For the
first time ever Kitchen Sink Press was forced to use an
outside printer, in California, at considerable inconvenience.
Kitchen subsequently allowed friendly rival Last Gasp to publish
the sequel.

When publisher Denis Kitchen invited
Trina Robbins to edit this anthology of "women's
erotic fantasies," she was up for the task, but he had no
idea what trouble he would encounter. Trina created the
Marlon Brando cover, contributed "Rawhide Revenge"
and a centerfold illustration herself and ably attracted such
talent as Cathy Millet ("Chaste Sex Education"),
Margery Peters ("Ain't Life Grand?"), Lee
Marrs ("Flight or Fantasy"), Joey Epstein
("Night or Dynamite"), Terry Richards [wife
of Dopin' Dan artist Ted Richards], Shelby Sampson
("Nose Fuck"), Joyce Farmer ("A Mature
Relationship"), Melinda Gebbie ("The Cock-Pit")
and Becky Wilson (logo and back cover).

Kitchen
expected no problem when he turned the contents over to the same
Port Washington WI printer who had unhesitatingly printed Bizarre
Sex Comics, and all manner of underground comix by R.
Crumb and others. But the printer refused to print this
unabashed erotica "because it was by women!!" For the
first time ever Kitchen Sink Press was forced to use an
outside printer, in California, at considerable inconvenience.
Kitchen subsequently allowed friendly rival Last Gasp to publish
the sequel.