This monograph reflects on Michel Journiac's body of work through the prism of transvestism. With great iconography from the Journiac's archives, the publication focuses on his photographic performances, combining analyzes by authors and specialists and texts by the artist, one of the great body art's precursors.

A 520 pages reference monograph which celebrates the career of Claude Lévêque, and more particularly these last ten years. The core of the publication contains numerous reproductions and texts by Florence Ostende, David Sanson, and Dean Daderko. This edition also includes four inserted booklets, each dedicated to a specific topic: “practical work,” “writings,” “projects,” and “biography”.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material. With a foreword by Jean Capeille.

This artist's book is part of a choreographic project exploring the body/object relationship. It features a photographic series which juxtaposes performers' bodies and objects, creating contradictory associations. The publication also includes two texts by Paul B. Preciado: an essay on the philosophy of movement, and a poem on sexual subjectivity, written with artificial intelligence.

Catalogue of the American artist's exhibition at Galerie Chantal Crousel: the publication presents a series of new works (neon, painting, drawing) inspired by texts by Gertrude Stein and Pier Paolo Pasolini, and by the artist's reflections on language, race and gender. The book includes poems by writer, artist and Act Up activist Gregg Bordowitz, and an essay by teacher and writer Sara Nadal-Melsio.

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

First ever release of the sound poetry pieces by French lettrist artist Gérard-Philippe Broutin. The remarkable lettrist text-sound pieces contained on this CD were written during the early 1970's and recorded and broadcast at Radio France in September 1976. With introductory texts by Jean-Pierre Gillard.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

This publication devoted to Otto Dix's print works (woodcuts, etchings, lithographs) showcases a collection from the Zeppelin Museum Friedrichshafen, Germany. A large iconographic thematic section and a series of essays revisit Otto Dix's favourite themes—the nude, the portrait, the city, religion and war—symptomatic of his desire to portray man holistically, from birth to death, as a creature of flesh, palpitations and blood.

This artist's book gathers a series of scripts for public speeches made by Mark Geffriaud since 2011. These toasts' scripts are composed of notes and indications, as well as images to be broadcast or reproduced during the performance.

Artist's edition: a set of folded posters between two cardboard plates held by elastic bands, featuring a series of black & white female nude by the famous fashion photographer, set in a bus on a rainy night.

Oslo Pilot is a two-year research-based project that has laid the groundwork for the Oslo Biennial's first edition in May 2019. It aims to explore art in public spaces and spheres. This publication gathers a collection of commissioned and previously published essays on the subject, and includes a selected transcription of the eponymous symposium.

This publication features a series of 152 paper dolls by artist Klaudia Schifferle, also co-founder of cult punk band Kleenex / Liliput. These collages, created with magazine cutouts collaged on A4 paper, embody a certain vision of modern life, identified by consumerism and commodity fetishism.

This publication presents an overview of the Zurich photographer's work as well as a very personal record of the Swiss and European arts scene of the past sixty years. Edited by Barbara Stauss, it's also a daughter's tribute to her father on his 80th birthday.

A bible for graphic designers: first publication dedicated to “Color Library,” the database of color profiles for artists, designers and printers created at ECAL – University of Art and Design Lausanne. It features documentation on the various tools offered by the platform, a visual essay by Shirana Shahbazi, and texts by specialists.

This new publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994.

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

This monograph brings together nearly a decade of work, combining sculpture, installation, artist's book and writing. More specifically, the publication explores the themes of growth and training within the artist's conceptual practice, through a long interview conducted by writer and curator Dieter Roelstraete.

Summary by Swiss artist Manuel Burgener is a companion piece to his 2018 Manor Prize show at the Kunsthaus Pasquart in Biel, Switzerland. The idea behind this artist's book is to undertake a fundamental examination of the purpose of an exhibition catalogue. It asks whether an artwork, especially a sculpture, can be documented at all in the form of a readable depiction.

Monograph by artist Athene Galiciadis gathering unpublished artworks, specially created for this publication: inspired by Emma Kunz, Swiss artist and healer, whose work draws on geometric abstraction, Galiciadis produced a series of drawings—figures, spirals, patterns and vases—printed on graph paper, accompanied by photographic documentation.

Elizabeth Lebon writes poems, stories and performances, usually with the help of a typewriter. The choice of paper, as well as its format, is centrally important to the conceptualization and experimentation of this artist. This new book-object of concrete poetry plays with the transparency of its leaflets.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

A comprehensive publication of Rifat Chadirji's photographic folio, which records and analyses the development of his architectural practice in Baghdad, from 1952 until the early 1980s. It provides a unique insight into a collection of photographic sheets that reflect how an architect documented his own work, and coded, organized and referenced his projects using photography.

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

Catalogue of the quadruple major retrospective exhibition celebrating Gilbert & George's one-of-a-kind half century of creating art together: an overview of their practice, featuring a selection of historical pictures deemed by the artists themselves as the most representative of their art and life, and five new interviews by Hans Ulrich Obrist and Daniel Birnbaum.

A conversation with French artist Céline Ahond whose work—from video and objects to performance and collaborative acts—questions the place of the individual, power relations, the territory, and the eventuality of freedom.

Rene Ricard 1979-1980 is the first collection of American poet and artist Rene Ricard's poetry, first published by the Dia Art Foundation in 1979. This new edition presents, in a new format, both the original book design reproduced as a facsimile and the first French translation of Ricard's poems.

A Constructed World is the collective project of Geoff Lowe and Jacqueline Riva, founded in 1993. This bilingual publication brings their complete writings from 2001 to 2018. In forty plus texts A Constructed World discuss the subject matter of their work, other artists work and subjects that seemed prescient and in need of discussion at the time.

This publication looks back at Manoukian's pictorial work, focusing on the 70s and 80s periods of her practice. It includes an essay by Gregory Buchakjian, a chronology by Aline Manoukian, and an interview with the artist by Kristine Khouri.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell'sblack trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

The third and final LP report of the Belgian electronic improvised music band from the eighties. Recorded and mixed between 1980 and 1981, Next One's Called… features unreleased songs only. It could be seen as the missing link between their two previous albums—Slaughter in Tiny Place and Europa (limited dark green vinyl LP edition).

New edition of the Belgian band's third album from 1981: inspired by H.P. Lovecraft's universe, Ceux du Dehors is a key release for the band. It sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich. Limited clear/red vinyl edition.