“It seems to me that emotions deriving from built form and space arise from distinct confrontations between man and space. The emotional impact is related to an act, not an object or a visual or figural element. The phenomenology of architecture is founded on verbs rather than nouns. The approaching of the house, not the facade, the act of entering, not the door; the act of looking out of the window, not the window itself; or the act of gathering around rather than the hearth or the table as such seem to trigger our strongest emotions.”