Stephen Prince

On his book Firestorm: American Film in the Age of Terrorism

Editor’s note

Originally, this interview ran on the Rorotoko cover page under the headline

“9/11 in American filmmaking.”

We highlighted two quotes.

On the first page:

“Because the attacks were so deeply traumatic, documentary filmmakers turned to narrative as means for processing the trauma and for understanding the terms of this epic atrocity.”

On the second:

“Films about 9/11, the wars in Iraq and Afghanistan, and other events that are legacies of the September attacks will continue to proliferate because the age of terrorism in which we find ourselves is, for now, unending.”

The dominant premise in evolution and economics is that a person is being loyal to natural law if he or she attends to self’s interest and welfare before being concerned with the needs and demands of family or community. The public does not realize that this statement is not an established scientific principle but an ethical preference. Nonetheless, this belief has created a moral confusion among North Americans and Europeans because the evolution of our species was accompanied by the disposition to worry about kin and the collectives to which one belongs.Jerome Kagan, Interview of September 17, 2009

[T]he Holocaust transformed our whole way of thinking about war and heroism. War is no longer a proving ground for heroism in the same way it used to be. Instead, war now is something that we must avoid at all costs—because genocides often take place under the cover of war. We are no longer all potential soldiers (though we are that too), but we are all potential victims of the traumas war creates. This, at least, is one important development in the way Western populations envision war, even if it does not always predominate in the thinking of our political leaders.Carolyn J. Dean, Interview of February 01, 2011