"This cycle of prints and sculptures is informed by a sense of awe and reverence toward organic and manmade environments, and the contradictions inherent in our interaction with them.

Despite the intensity of their subject matter, they are mute and somber, quietly memorializing the act or occurrence that brought them to be. The human landscape is deconstructed and reassembled so that scenes of triumph over nature begin to portray themselves as monuments to fallen empire."