The Dead Next Door, if anything should be taken from this review,
is an achievement in terms of an incredibly low budget production directed by a
man in his early twenties, a higher sense of technical quality I have to
applaud regardless of my final opinion of the entire film. Even though it was
executively produced by Sam Raimi and
has Bruce Campbell dubbing voices in
the cast, that doesn't detract from the fact of how this incredibly low budget zombie
film feels drastically better contrasted and organised than a lot of the future
uber low or no budget films that would appear in the recent decades, a high
water mark for quality to still follow. The prologue is a feat to have created
by itself. An exceptional amount of zombified extras rampage onscreen as the
undead in the first scenes, a huge number to coordinate that run after the
other non-zombie extras, giving the film an incredible sense of scale. Jokes,
as this is a comedy, are fewer than a rapid fire slapstick film but hit the
mark in an amusing way, such as a shot of someone brining apes of the likes of The Evil Dead (1981) to the counter of
a video rental store only to reveal they're a zombie, making this the perfect
way to start the film with.

Throughout there's many things to
constantly applaud in the film - about an anti-zombie group, set up after the
undead apocalypse has passed five years earlier, going to retrieve a serum for
the infection only to encounter a cult of zombie worshippers - which I admire Bookwalter for pulling off. Dolly
shots created through ingenuity (and possibly some duck tape). The rubbery prosthetics
reminiscent of Peter Jackson'sBad Taste (1987) with its gore mixed
with humour, from a zombie allowed to talk by way of vocal tampering, as
interested in singing the American national anthem as he is wanting to eat
people, to another zombie with its head split in half and still moving, a nice
touch (but not fully used to its advantage) that the zombies can survive even
headshots and being chopped into pieces. Bookwalter
even goes as far as shooting extras posing as zombies clinging to the outer
rails of the White House in Washington DC, footage that's incredible for him to
have acquired if anyone had noticed them coordinating the scene. It also has a
lot of amusing side characters who stand out away from the main plot thread,
from a cult henchman with a blond mullet called Carpenter (Jeff Welch) to Dr.
Moulsson (Bogdan Pecic), a mad
scientist with the anti-zombie group who always has a hat on even if its yellow
clashes with his white lab coat.

From http://www.mondo-digital.com/deadnextdoor4big.jpg

The Dead Next Door however, after the initial energy of the
prologue , slows down incredibly when it reaches the main plot, a very economic
but ultimately uninteresting narrative. As the film follows anti-zombie member
Raimi (Pete Ferry, voiced by Bruce Campbell) and those with him to
get the serum, it starts to suffer from a lack of whit and invention in spite
of its low budget, boiling down to a large portion of listless dialogue scenes.
It presents an interesting, and potentially fun and gory, notion that the
anti-zombie group are up against worshippers of the undead, lead by the fanatical
leader Reverend Jones (Robert Kokai),
who has herded countless zombies in the basement of their headquarters and who
is willing to let people be sacrificed to fed the zombies, but it's never taken
advantage of. Instead its bogged down by plot points which usually lead to more
extrenious dialogue, worse when these threads are ultimately discarded, such as
the daughter of the scientist who started the zombie outbreak being a brainwashed
member of the cult. Only in the side jokes and quirks does the film stand out,
from Dr. Moulsson just being a mad scientist, wanting to help humanity but not
above injecting an experimental serum into a soldier who's turning into the
undead, or any jokes about his completely incompetent assistant Dr. Savini (Joe Wedlake); next to them the soldiers
are ultimately bland and the main thread of the plot is disinteresting, a
problem which effects any film both high or low budgeted, but sad when
something like The Dead Next Door
has the ambition it has. I admire it for the technical quality it has against
its limitations but it needed more personality as well.

From http://m.cdn.blog.hu/ta/talesfromtheblog/
image/poszterek/2013-07/deadnextdoor-2.jpg

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"I could go on for hours with more examples. The list is endless. You probably never gave it a thought, but all great films, without exception, contain an important element of no reason. And you know why? Because life itself is filled with no reason." - Rubber (2010)

About Me

I am 28 years old and hail from England. For the last few years I have been a growing fan of cinema and have decided to take the next step into blogging about it and any other tangents that about the things I'm interested in I get onto.