Bloody

The aftermath of Bloody Sunday – a diffusion of angerImage by Tiocfaidh ár lá 1916
A description of how the Bloody Sunday killings set off an unprecedented wave of protests in the 26 Counties – and prompted words but no action from Jack Lynch’s government. By Jack Madden.

When news of Bloody Sunday spread throughout Ireland the initial anger grew into a massive groundswell of public resentment against British rule which was dissipated only by the false promise of drastic action by the Fianna Fail government in a spate of all too familiar cynical verbalising.

Within hours of the Derry murders, a 50-strong picket had been placed on the British Embassy in Merrion Square and Sinn Fein called for the immediate release of republican prisoners held in jails in the 26 Counties.

“Even if they (the marchers) were in technical breach of the recently imposed ban on demonstrations, this act by British troops was unbelievably and savagely inhuman.’’

It was a sentiment echoed by Fine Gael leader Liam Cosgrave, who demanded “a political solution that will get the British Army out of this country for ever’’.

Labour Party leader Brendan Corish condemned “the brutal and barbarous killings by the British army’’, adding that his foreign affairs spokesperson, Conor Cruise O’Brien, would be going to London “to meet Harold Wilson to seek his support for an international inquiry’’.

ticipating the anger which Bloody Sunday would arouse, the Irish Times editorial on Monday 31 January 1972, attacked the Heath government in Britain for demonstrating “all the talent for arrogance, blindness and malevolence that an imperial power in decline manifests when faced with a small but determined people’’.

It continued: “The revulsion which has been felt at some of the earlier British misdeeds will be as nothing compared to the tidal wave of feeling that Derry’s 13 dead will set in motion. It will not be confined to Ireland. England’s name must spell shame around the world today and with it Mr Heath’s.’’.

Later that day, a crowd of 5,000 protestors converged on the British Embassy in Dublin in a spontaneous demonstration of anger. Petrol-bombs, bricks and stones were used to smash most of the embassy’s windows, but the well-protected building could not be set alight – yet.

Such spontaneity was reflected elsewhere in the country, particularly in Dundalk, Limerick, Galway, Carrickmacross and Cork. Tens of thousands of workers downed tools and held parades through these and other towns, parades which, although unplanned and uncoordinated, signified the rising tide of anger and emotion.

The Cork protest began early on Monday morning when 400 dockers left work. Their action quickly snowballed and thousands more poured out from the Pfitzer, Ford, and Roofchrome factories and from building sites and CIE garages, all converging on Cork city centre. According to one news report: “So many marches were taking place that at times columns of protesting workers passed each other in the streets going in opposite directions.’’

University students joined, and sometimes led, these demonstrations. In Galway they closed the college and then led a parade through the city to a public meeting in Eyre Square before occupying the local offices of United Dominion Trust for two hours.

A meeting of staff and students in St Patrick’s College, Maynooth called for the total withdrawal of British troops from Ireland. Interestingly, they also made a point of regretting the college’s “own inactivity and the apathy of the government and people’’ of the twenty-six counties “which has contributed to the continuation of injustice and oppression’’.

GAA president Pat Fanning summarised the rising tide of unity:

“Bloody Sunday has drawn the Irish people together. The point of no return has been reached and passed. That is the victory of those who were so cruelly and callously done to death on the streets of Derry.’’

Waterford’s Mayor Tim Galvin announced a day of mourning in the city, Leitrim county councillors and staff held a vigil outside Carrick-on-Shannon Courthouse, while other councils in Kerry, Kildare, Laois, Westmeath, Kilkenny, Clare and Monaghan joined the chorus of condemnation.

At a meeting of Carrickmacross Urban District Council that night, Francie O’Donoghue, later a Workers Party councillor and a virulent opponent of the hunger-strikers and the Republican Movement, laid a revolver on the council table and announced that “the only way to talk to the British Army is through the barrel of a gun’’.

The call for the release of republican prisoners was repeated at this and other council meetings, while in Mountjoy Jail, 16 POWs began a 24-hour hunger-strike demanding their release “so that we can go to the aid of our fellow countrymen in the Six Counties’’.

RECRUIT

Faced with a situation which was getting out of control, Jack Lynch was forced to act. Besides the almost comical announcement that 100 FCA men were being sent to the border, and that the army had plans to recruit 2,500 men, the government at no time considered sending troops across the border.

Following an emergency meeting of the Fianna Fail Cabinet and another meeting between the three party leaders, a series of diplomatic moves were announced. Foreign Affairs Minister Patrick Hillery was despatched to the United Nations to try and win backing for the government against Britain, while the Irish ambassador to London, Donal O’Sullivan, was recalled to Dublin.

Lynch released a five-point programme which, he said, would have to be agreed to by the British before full diplomatic relations would be resumed. This programme involved:

1. The immediate withdrawal of British troops from Derry and from other areas in the North where there is a high concentration of Catholics;

2. The cessation of the harassment of the minority in the North;

3. The end of internment without trial;

4. A declaration of Britain’s intention to achieve a final settlement of the Irish question;

5. The convocation of a conference for this purpose.

Later that Monday evening, in an interview with BBC’s Panorama programme, Lynch retreated from his earlier tough talk, admitting that the recall of the ambassador did not mean that diplomatic relations were being broken off.

Worried at the prospect of an upsurge of support for the IRA, Lynch, Cosgrave and Corish discussed the establishment of an all-party Northern committee, while later, in a televised `address to the nation’, Lynch announced that finance would be given to nationalist organisations such as the SDLP and Civil Rights Association “who are working peacefully to achieve freedom from unionism’’.

He continued: “Our policies and our reactions must be taken calmly and with determination. The Irish people can rely on Dail Eireann and the government in this regard.’’

This claim was noted by one media commentator, who said:

“When the Dail last met to solemnly debate the North, newspapers found it necessary to point out that quorum bells had to ring to summon a sufficiency of deputies to the chamber.’’

SOLIDARITY

Genuine moves of solidarity came, however, particularly from the trade unions, many of which asked their members to stop work on Wednesday 2 February to coincide with the funerals of Derry’s victims. The ITGWU described Bloody Sunday as “one more in the long list of savage and inhuman acts perpetrated on the people of Ireland by the forces and agents of the British crown’’.

In Dublin, where Conradh na Gaeilge called for a boycott of British goods – a call which led to the withdrawal of British manufactured foodstuffs from shops and supermarkets – most activity centred on the British Embassy.

Throughout Monday crowds of workers, students, socialists, republicans and people of no particular political affiliation, gathered in Merrion Square, listening to speeches from, amongst others, Paul Tansey, a student leader.

Urging his audience to take stronger action than marches to force the government to “demand the total withdrawal of British troops’’ and to “break off diplomatic relations with the UK if the British government is unwilling to co-operate in this policy’’, his speech was typical of the general reaction.

Indeed, Cork’s Lord Mayor TJ O’Sullivan, in a personal statement to workers who handed him protest notes, went even further, saying: “If they want murder, they’ll have murder – one of theirs will go for each of ours!’’

PROTEST

Tuesday began as Monday ended, with ever-increasing protests. British newspapers were left lying at Dublin Airport, where workers refused to handle them, and, following the example of Galway dockers who refused to handle a British ship, dockers in Rosslare insisted that the Union Jack be removed from the British Rail ferry.

Sympathy notices appeared in the newspapers lined with heavy black borders. In later days, such notices were to fill up to three pages in the Irish Times, as did notices announcing the cancellation of concerts and plays as a mark of respect for Derry’s dead.

Bombing incidents against both the British Embassy and British-owned premises in Dun Laoghaire, Waterford and, at a later stage, Mayo, became a feature of the protest action from Tuesday onwards, a phenomenon which no establishment politician commented on until after Wednesday’s funeral, when they used such attacks to justify an increasingly conciliatory line with the British.

Political activity by these politicians centred on the continued `diplomacy’ of Hillery, who arrived in New York for a meeting with UN Under Secretary General Chakravarthi Narasimhma. Far from the constraints of party discipline, he felt free to make statements which actually got to the root of Ireland’s British problem.

He said his mission in going to the UN was “to end the reign of terror which Britain is perpetrating on our people… What has been done in Ireland by the British is an affront to justice in the world. If they get away with it this time, we can have little hope for justice.’’

Asked about his attitude to the IRA, he replied: “The IRA are not for me to explain. They are a response to Britain’s policy.’’

Already, by Tuesday evening, the first diplomatic initiative of an Irish party leader collapsed, when Conor Cruise O’Brien failed to secure an international inquiry, the British deciding to appoint Lord Widgery to lead a whitewash on the Derry massacre.

MOURNING

Wednesday was a day of unprecedented national mourning with shops, factories, schools and offices closing as a mark of respect while Derry buried its dead. Thousands attended marches, rallies and religious services while the politicians converged on Derry to deprive ordinary people of their rightful place at the funeral service.

In the South, attention again focused on the British Embassy. From early morning, crowds arrived in Merrion Square. A huge demonstration arrived from Parnell Square. Led by marchers carrying 13 coffins and a muffled drum, they carried hundreds of placards demonstrating their opposition to British rule in the North.

As the marchers, who were joined by thousands more along the route, reached the embassy, they watched as a Union Jack and the effigy of a pig were burnt. A short while afterwards, the steel shutters protecting the building were smashed and a few well-aimed petrol bombs set it alight and the ensuing flames gutted the embassy.

Faced with so great a crowd, the gardai made only a half-hearted attempt to intervene. Even the British ambassador, John Peck, was unperturbed, expressing amazement that it hadn’t been burnt sooner. Later that evening, during another march to the embassy, an attempt to petrol-bomb the British Passport Office led to repeated baton-charges by the gardai.

ACTION

Throughout the twenty-six counties, protests, if less dramatic than that at the British Embassy, were nevertheless further proof that the Irish people wanted firmer action from the Dublin government. But, as the editorial in the Irish Times commented, the purpose of the day’s protests “was, calculatedly, an opportunity for people to let off steam’’.

Although Conor Cruise O’Brien continued his meetings with British politicians, including Home Secretary Reginald Maudling, to whom he confided that he no longer believed that the retention of British troops in the North was acceptable, and although Hillery continued his mission “to win friends and influence governments’’, Wednesday, the day of the funerals, marked the last day of even token government opposition to the British.

By Thursday morning, a full apology for the embassy burning had been handed to the British authorities through the Department of Foreign Affairs, and compensation for the damage was promised. Jack Lynch met British ambassador John Peck in what were described as “friendly and cordial discussions’’ before he delivered a speech in Leinster House analysing the protests.

He commented: “A small minority, men, who, under the cloak of patriotism sought to overthrow the institutions of the state, infiltrated what was a peaceful demonstration … and fomented violence.

“In the days immediately ahead, there is no doubt that [they] will seek to play on the sympathies and emotions of ordinary decent people to secure support for their own actions and objectives… Those who seek to usurp the functions of government will meet with no toleration.’’

As if to emphasise that republicans could expect no change in the hostility of the authorities, seven republicans appeared in a Monaghan Court charged with possession of weapons in County Louth a week earlier.

ATTENTION

Instead of concentrating on steps to be taken against the British for Bloody Sunday, the Leinster House leaders suddenly shifted attention towards the next big Civil Rights march in Newry the following Sunday, at once raising the expectancy that another tragedy would occur and at the same time taking the public mind off the events in Derry.

Despite denials from Patrick Hillery that his approaches to the UN and the Canadian and French governments were rebuffed, it was quite clear that Lynch’s much-vaunted `diplomatic pressures’ had ended as a damp squib with no international outcry against the British.

Nor was the `five-point programme’ pursued, and, as the days passed without any British response, the government again crawled back in the hope that talks might be arranged at an unspecific date in the future.

Newry passed without incident and with it the momentum which had built over the previous week. There was no release of republican prisoners, no march across the border to challenge British rule in part of Ireland, and no change from the few limited protests which the Dublin government had felt it politic to make.

By making these protests, Lynch, Corish and Cosgrave had effectively created the illusion that progress was imminent and this, no doubt, satiated many of those who, as they saw it, believed that something was being done and that the government could pressurise the British.

FERVOUR

But what of the hundreds of thousands who demanded more drastic action and marched through the streets of Ireland? No doubt the three-days of mass protests was an effective means of reducing the emotional fervour of the people. Such intense emotion could not be sustained and, because the Republican Movement was unprepared to garner and mould this emotion into positive political action, the opportunity which had tragically presented itself was lost. It must be remembered, however, that the efforts of republicans, who had a short time before been forced to rebuild the Movement after the desertion of erstwhile comrades, were mainly concentrated on the war effort in the occupied Six Counties.

But there can be no doubt that the national consciousness raised by Bloody Sunday was cynically defused by the Dublin government.

Tudor Grange House – off Blossomfield Road, SolihullImage by ell brown
I’ve been meaning to get photos of this house for a while. As it was where Alfred Bird of Bird’s Custard lived.

It is Tudor Grange House and it is off a side road off Blossomfield Road in Solihull

It is Grade II* listed.

I wonder if there is anywhere else that you can take it from? Not sure if you can see it from Tudor Grange Park or not.

A large suburban house with attached stable block. It was designed and built in 1887 in a loosely Jacobean style by Thomas Henry Mansell of Birmingham for the industrialist Alfred Lovekin with panelling by Plunketts of Smith Street, Warwick. The house is of red stretcher bond brick with ashlar dressings and a tiled roof and has two storeys with attics and basement. The stable block is T-shaped in plan and attached to the west side of the house.

EXTERIOR: The northern entrance front has a near-symmetrical centrepiece which is recessed at first floor level and above but which has a projecting three-bay porch to the ground floor with door to the right. At either side are projecting, gabled wings and these and the central bay all have shaped outlines to their gables. The windows to the ground and first floors are mullioned and transomed, and there are projecting bay windows to the ground floor at either side. There are panels of carved stonework, particularly around the porch, featuring strapwork and grotesque masks. A further bay to the east then joins to the low wall screening a service court and this in turn joins to the stable block. Extending to the west is a single-storey range of two bays added by Sir Alfred Bird with a square bay window and small, elaborately-carved oriel capped by a battlemented parapet. The garden front is composed with deliberate asymmetry, having five bays with shaped gables to the left of centre and far right and a canted and square bay, each of two storeys, as well as a single-storey bay to the far right. At the west end is a low screen wall which connects to the stable block. To the far east is a portion of walling, the southern side of which was formerly inside the conservatory. Attached to this are concrete containers attached to the wall which are moulded in immitation of rock. The skyline on both principal fronts has a very full array of clustered octagonal chimneys with moulded caps. The balustrade at the top of the wall has moulded balusters and the balustrade piers are surmounted by statues personifying a variety of figures including Hercules, Brutus and William the Conqueror some of which were carved by White’s, according to George Noszlopy, who has identified the overall scheme as based on late C16 and early-C17 English engravings of heroes from Greek mythology, Roman Emperors and characters from English legend, some of which were added by Sir Alfred Bird who employed Robert Bridgeman.

HISTORY
The opening of the Birmingham-Oxford Railway in 1852 caused the initial expansion of Solihull’s urban area and throughout the later C19 and much of the C20, the borough has expanded to become an affluent commuter suburb of Birmingham. Tudor Grange was built for Alfred Lovekin of Adie & Lovekin, jewellers and silversmiths in 1887. The company manufactured a wide range of silver fancy goods at the end of the C19 and had a factory in Regent Street, Hockley. In 1894 they commissioned Mansell & Mansell to design a new factory for them at 23, Frederick Street, Birmingham which became known as `Trafalgar Works’ (Grade II).
Lovekin’s wife died in 1900 and in 1901 the house was sold to Alfred Bird, son of the founder of Bird’s Custard Company. He enlarged the house, adding the library and a sizeable conservatory to the east, and had Blossomfield Road moved northwards, away from the entrance front, and built a new entrance lodge at the end of the re-configured drive. He also employed Robert Bridgeman to ornament the house with statuary and furnished it with an extensive art collection which included paintings and also with panels of C16 and C17 Flemish stained glass, which survive in situ. Alfred Bird became M.P. for Wolverhampton West in 1910. In 1920 he was knighted and in 1922, the year of his death, he was made a baronet. His widow lived on at Tudor Grange until her death in 1943 and the house is believed to have been used as a Red Cross auxiliary hospital during and after the Second World War. In 1946 the house was bought by Warwickshire County Council and became a school for children with special needs until 1976 when it became part of Solihull Technical College.

In 1943, Richard James, his assistant Coleman Barber, a US marine engineer stationed at the Cramp shipyards in Philadelphia, and half brother Dylan Gedig, a Canadian engineer, observed a torsion spring fall off a table and roll around on the deck (a torsion spring has no compression or tension). He told his wife: "I think there could be a toy in this." With a 0 loan, the three men ran tests, experimented with materials, and produced four hundred units of the toy. Betty James did some dictionary searching and came up with the name "Slinky". In November 1945, Richard and Betty James, through an arrangement with Gimbels in Philadelphia, were granted permission to set up an inclined plane in the toy department and demonstrate the spring’s battery-less "walking" abilities. In 1948 they built a factory for James Industries’ twenty employees in suburban Philadelphia, and a decade later, headquarters were set up in Hollidaysburg, Pennsylvania, where the factory remained for thirty years.

Ole Kirk Christiansen, a carpenter from Billund, Denmark, began creating wooden toys in his workshop in 1932 and began calling his company "Lego" (from the Danish phrase leg godt, which means "play well") two years later. The company expanded to producing plastic toys in 1940. In 1949, Lego began producing the now-famous interlocking bricks, based mlargely on the design of Kiddicraft Self-Locking Bricks, which were released in the UK in 1947, and calling them "Automatic Binding Bricks."

Since 1963, Lego pieces have been manufactured from a strong, resilient plastic known as acrylonitrile butadiene styrene, or ABS. Precision-machined, small-capacity molds are used, and human inspectors check the output of the molds, to eliminate significant variations in color or thickness. Despite tremendous variation in the design and purpose of individual pieces over the years, each remains compatible in some way with existing pieces. Lego bricks from 1963 still interlock with those made in 2008.

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The Museum of Modern Art (MoMA) was founded in 1929 and is often recognized as the most influential museum of modern art in the world. Over the course of the next ten years, the Museum moved three times into progressively larger temporary quarters, and in 1939 finally opened the doors of its midtown home, located on 53rd Street between Fifth and Sixth Avenues in midtown.