From a position of relative weakness,
form finds itself. Hunger
creates method, and a trail. Disharmony, technique.
You cannot explain water, only remark on it.

It is in the nature of human beings to take shape, create a body. Objects allow themselves to be made. A truly erotic desire cannot be made at will, but must be “discovered” passively.

The state of movement is not simply unknown, but genuinely undefined until it is executed. The act of choreography in itself obliges the movement to fall in a different, defined vibratory state each time, making it a unique event. And what if it was usual to be able to appear simultaneously in different presences and, obviously, in different times? It would be a step from graphic representation to seismic.