True Televisions have the CRT Tube !!
Welcome to the Obsolete Technology Tellye Web Museum. Here you will see a TV Museum showing many Old Tube Television sets
all with the CRT Tube, B/W ,color, Digital, and 100HZ Scan rate, Tubes technology. This is the opportunity on the WEB to see, one more time, what real technology WAS ! In the mean time watch some crappy lcd picture around shop centers (but don't buy them, or money lost, they're already broken when new) !!!

Richtige Fernseher haben Röhren!

Richtige Fernseher haben Röhren!

In Brief: On this site you will find pictures and information about some of the electronic, electrical and electrotechnical technology relics that the Frank Sharp Private museum has accumulated over the years .

Premise: There are lots of vintage electrical and electronic items that have not survived well or even completely disappeared and forgotten.

Or are not being collected nowadays in proportion to their significance or prevalence in their heyday, this is bad and the main part of the death land. The heavy, ugly sarcophagus; models with few endearing qualities, devices that have some over-riding disadvantage to ownership such as heavy weight,toxicity or inflated value when dismantled, tend to be under-represented by all but the most comprehensive collections and museums. They get relegated to the bottom of the wants list, derided as 'more trouble than they are worth', or just forgotten entirely. As a result, I started to notice gaps in the current representation of the history of electronic and electrical technology to the interested member of the public.

Following this idea around a bit, convinced me that a collection of the peculiar alone could not hope to survive on its own merits, but a museum that gave equal display space to the popular and the unpopular, would bring things to the attention of the average person that he has previously passed by or been shielded from. It's a matter of culture. From this, the Obsolete Technology Tellye Web Museum concept developed and all my other things too. It's an open platform for all electrical Electronic TV technology to have its few, but NOT last, moments of fame in a working, hand-on environment. We'll never own Colossus or Faraday's first transformer, but I can show things that you can't see at the Science Museum, and let you play with things that the Smithsonian can't allow people to touch, because my remit is different.

There was a society once that was the polar opposite of our disposable, junk society. A whole nation was built on the idea of placing quality before quantity in all things. The goal was not “more and newer,” but “better and higher" .This attitude was reflected not only in the manufacturing of material goods, but also in the realms of art and architecture, as well as in the social fabric of everyday life. The goal was for each new cohort of children to stand on a higher level than the preceding cohort: they were to be healthier, stronger, more intelligent, and more vibrant in every way.

The society that prioritized human, social and material quality is a Winner. Truly, it is the high point of all Western civilization. Consequently, its defeat meant the defeat of civilization itself.

Today, the West is headed for the abyss. For the ultimate fate of our disposable society is for that society itself to be disposed of. And this will happen sooner, rather than later.

OLD, but ORIGINAL, Well made, Funny, Not remotely controlled............. and not Made in CHINA.

How to use the site:

- If you landed here via any Search Engine, you will get what you searched for and you can search more using the search this blog feature provided by Google. You can visit more posts scrolling the left blog archive of all posts of the month/year,or you can click on the main photo-page to start from the main page. Doing so it starts from the most recent post to the older post simple clicking on the Older Post button on the bottom of each page after reading , post after post.

You can even visit all posts, time to time, when reaching the bottom end of each page and click on the Older Post button.

- If you arrived here at the main page via bookmark you can visit all the site scrolling the left blog archive of all posts of the month/year pointing were you want , or more simple You can even visit all blog posts, from newer to older, clicking at the end of each bottom page on the Older Post button.So you can see all the blog/site content surfing all pages in it.

- The search this blog feature provided by Google is a real search engine. If you're pointing particular things it will search IT for you; or you can place a brand name in the search query at your choice and visit all results page by page. It's useful since the content of the site is very large.

Note that if you don't find what you searched for, try it after a period of time; the site is a never ending job !

Every CRT Television saved let revive knowledge, thoughts, moments of the past life which will never return again.........

Many contemporary "televisions" (more correctly named as displays) would not have this level of staying power, many would ware out or require major services within just five years or less and of course, there is that perennial bug bear of planned obsolescence where components are deliberately designed to fail and, or manufactured with limited edition specificities..... and without considering........picture......sound........quality........

Saturday, March 5, 2011

TELEFUNKEN PALCOLOR V3210 YEAR 1982.

It has 32 Programs with PLL Synthesizer 99 channels frequency tuning system with PLL synthesized tuning color television with direct frequency synthesized tuning system, a
television tuning system of the like here employs a frequency synthesizer system
for establishing the tuning of the receiver, featured with a Microcomputer driven synthesis system.
The system employed in the tv permits utilization
of a frequency synthesizer tuning system which correctly tunes to a
desired television station or channel even if the transmitted
signals from that station are not precisely maintained at the
proper frequencies even in combination of a fine tuning adjustable by the user.
Accordingly, it is an object of this invention to provide an improved tuning system for a television receiver.
It
is an additional object of this invention to provide an improved
frequency synthesizer tuning system for a television receiver, and was for that first TELEFUNKEN color portable set with PLL M3870 Microcomputer based tuning control.A microcomputer control system is described for effecting channel
tuning and function selection in a television receiver. The system will
respond to commands entered by a set of controls at the television
receiver or to remote control commands received at the television
receiver. A channel number display is also provided whereby the channel
number of a station currently tuned is displayed. A microprocessor
within the system is programmed to validate control information received
from an operator either by remotely generated commands or by controls
located on the television receiver. Operator supplied information is
processed and implemented by the microprocessor control system to effect
control over the television receiver.
Microprocessor technology has recently provided circuit designers
with a new basic design component. The microprocessor is capable of
duplicating many functions heretofore realized with the use of large
scale computer systems. The microprocessors have the advantage of being
small, low power consumption devices capable of being programmed with
instructions for executing mathematical algorithms on data supplied to
the microprocessor. The microprocessor, when properly programmed, will
execute a set of instructions providing output data during execution
which may be used to control a process or apparatus.
The control
of television receivers has heretofore required separate circuits for
effecting channel selection, function selection and level setting, and
remote control. With the microprocessor it has become possible to
control these performance aspects with a single preprogrammed
microprocessor and suitable input/output circuits. Data indicating the
selection of a new channel to be tuned or a function to be controlled by
an operator of the television receiver may be supplied to the input
port of the microprocessor. This data may be supplied from a set of hand
controls or a transducer for detecting remotely generated commands.
Remote control systems presently incorporated in many television
receivers provide operation of a television receiver by transmitting
information bearing ultrasonic sound waves or infrared light waves to
the television receiver. These waves when received at the television
receiver are decoded into an electrical signal for effecting the change
in channel tuning or function level. The microprocessor has the
capability of validating this electrical signal and performing all
decoding pursuant to preprogrammed instructions. These instructions,
when executed by the microprocessor, generate a digital signal for
effecting the desired channel change or function level change.

When Telefunken came to design the 415/615 chassis they wanted to use the simplest possible LOPT. This led to the adoption of an interesting new e.h.t. rectifier arrangement. The current Telefunken 415/615 CTV chassis series like the here above
shown tv is conventional in most respects, with its self oscillating
chopper power supply which also provides mains isolation, TDA 3560 or TDA3562A
single -chip decoder, class AB RGB output stages, TDA1670 field timebase
i.c. and BU208 line output transistor. The line output transformer is
something quite new however.
Line output transformers are nowadays
reliable components though a percentage of failures do occur. Tripler
breakdown after some years' service is far more common, except in
Japanese sets. The transformer is certainly one of the most expensive
items in a TV receiver: the pulse windings and secondaries used to
provide various supply lines add greatly to the manufacturing cost and
increase the insulation problems. Telefunken decided to do something
about this in designing the 415/615 chassis. The aims were to reduce the
cost of the transformer, make it as small as possible, mountable
without securing screws, and producible by automatic production methods
whilst having a power handling capability, reliability and internal
resistance equal to or better than conventional designs. To achieve
these aims it was decided to use a half -wave e.h.t. rectifier
arrangement. This in itself is not unique of course, but for CTV use the
problem of a half -wave rectifier circuit is the high leakage
inductance and internal capacitance in the transformer. The result is an
e.h.t. system with a high internal resistance. It was decided therefore
to use a transformer with just two windings, the primary and e.h.t.
overwinding. The other supplies are derived from the chopper
transformer, while a transistor to which the line flyback pulses are fed
produces the feedback pulse for the flywheel sync system.2 Antennas are mounted on the top for both VHF and UHF Channels.

Was first Telefunken portable TV series with a SCART connector back side but not in this pecific model but in after made yes.

A SCART Connector (which stands for Syndicat des Constructeurs d'Appareils
Radiorécepteurs et Téléviseurs) is a standard for connecting
audio-visual equipment together. The official standard for SCART is
CENELEC document number EN 50049-1. SCART is also known as Péritel
(especially in France) and Euroconnector but the name SCART will be used
exclusively herein. The standard defines a 21-pin connector (herein
after a SCART connector) for carrying analog television signals. Various
pieces of equipment may be connected by cables having a plug fitting
the SCART connectors. Television apparatuses commonly include one or
more SCART connectors.

Although a SCART connector is
bidirectional, the present invention is concerned with the use of a
SCART connector as an input connector for receiving signals into a
television apparatus. A SCART connector can receive input television
signals either in an RGB format in which the red, green and blue signals
are received on Pins 15, 11 and 7, respectively, or alternatively in an
S-Video format in which the luminance (Y) and chroma (C) signals are
received on Pins 20 and 15. As a result of the common usage of Pin 15 in
accordance with the SCART standard, a SCART connector cannot receive
input television signals in an RGB format and in an S-Video format at
the same time.

Consequently many commercially available
television apparatuses include a separate SCART connectors each
dedicated to receive input television signals in one of an RGB format
and an S-Video format. This limits the functionality of the SCART
connectors. In practical terms, the number of SCART connectors which can
be provided on a television apparatus is limited by cost and space
considerations. However, different users wish the input a wide range of
different combinations of formats of television signals, depending on
the equipment they personally own and use. However, the provision of
SCART connectors dedicated to input television signals in one of an RGB
format and an S-Video format limits the overall connectivity of the
television apparatus. Furthermore, for many users the different RGB
format and S-Video format are confusing. Some users may not understand
or may mistake the format of a television signal being supplied on a
given cable from a given piece of equipment. This can result in the
supply of input television signals of an inappropriate format for the
SCART connector concerned.

This kind of connector is todays obsoleted !

The remote control FB1170 allows to drive a future TeleText feature which was at the time an optional unit.

The
remote control FB1170 has a switch on it which combines the functions
for teletext pages and text control in a separate way from the normal
receiver functions of the tellye.

Was first TELEFUNKEN SET featuring a Microcomputer control system
(M3870) and first portable set with a monocarrier chassis type.

Featuring a Switch mode Power supply combined with isolated ground chassis from mains.
Television receivers, which obtain operating power from an alternating
current source producing any one of a plurality of RMS potentials within
a predetermined range, have, traditionally, been provided with various
regulation circuits in order to maintain relatively uniform performance
of the television receiver within the predetermined range of RMS
potentials. This type of circuit provides good regulation of all operating direct
current potentials within the range of RMS potentials as well as
isolation between the source of alternating current and the television
receiver chassis.

This is the last models series
fabricated by TELEFUNKEN which was acting a spin-off from the television
market in that era of time, combining with THOMSON CSF.

After
models were fabricated by a strange holding with Philco Italian
conglomerate before aquired by strange Arabs managers, which in after
years aquired Imperial brand...........fabricating good and cheap products but
then all disappeared and extint in the end of the 80's.

"It
is ironic that in the years since the introduction of PAL, Telefunken –
the company that invented PAL – disappeared from the market after they
were bought in the 1980s by the French company Thomson – a former SECAM
protagonist.

There
is further irony in the fact that even as the majority of European and
Asian TV viewers benefit on a daily basis from their PAL standard TV
pictures, the worldwide transition from analog to digital TV spells the
end of this color standard as well as many other TV transmission
standards.

What
we have known as PAL, SECAM, or NTSC is now increasingly known as
simply digital RGB or Y, Cr, and Cb color component signals encoded in a
DVB (Digital Video Broadcasting) signal or one of its many variants
such as DVB-T, DVT-S, DVB-C, DVB-H, or similar ones like your ATSC.

In
the future, all this may in turn disappear into an abstract IP
(Internet Protocol) packet, which would make traditional distribution
channels obsolete. For example, major areas in Germany, and all of
Austria may terminate their analog transmissions, replacing them with
DVB-T or DVB-S only.

We
will find out whether the 55th anniversary of PAL in 2018 will generate
much of a resonance, if all analog TV transmissions – whether
terrestrial, satellite, or cable – have been brought to an end."

Telefunken is
a German radio and television apparatus company, founded in 1903, in
Berlin, as a joint venture of two large companies, Siemens &
Halske (S & H) and the Allgemeine Elektricitäts-Gesellschaft
(General Electricity Company).

The
company Telefunken USA[1] was incorporated in early 2001 to provide
restoration services and build reproductions of vintage Telefunken
microphones.

Around
the turn of the 20th century, two groups of German researchers worked
on the development of techniques for wireless communication. The one
group at AEG, led by Adolf Slaby and Georg Graf von Arco, developed
systems for the German navy; the other one, under Karl Ferdinand Braun,
at Siemens, for the German army.

When
a dispute concerning patents arose between the two companies, Kaiser
Wilhelm II decided that the two companies were to be joined, creating on
27 May 1903 the company Gesellschaft für drahtlose Telegraphie System
Telefunken ("The Company for Wireless Telegraphy Ltd."), and the
disputed patents and techniques were invested in it. This was then
renamed on 17 April 1923 as Telefunken, The Company for Wireless
Telegraphy. Telefunken was the company's telegraph address. The first
technical director of Telefunken was George Graf von Arco.

Starting in 1923, Telefunken built broadcast transmitters and radio sets.

In
1928, Telefunken made history by designing the V-41 amplifier for the
German Radio Network. This was the very first two stage, "Hi-Fi"
amplifier which began a chapter in recording history. Over time,
Telefunken perfected their designs and in 1950 the V-72 amplifier was
born. The TAB (a manufacturing subcontractor to Telefunken) V-72 soon
became popular with other radio stations and recording facilities and
would eventually come to help define the sound of most European
recordings. The V-72S was the only type of amplifier found in the
legendary REDD-37 console used by the Beatles at Abbey Road Studios on
every recording prior to Rubber Soul. Today the V-72 is still the most
sought after example of Telefunken's design and over 50 years later
continues to be the benchmark by which all other tube based microphone
preamplifiers are measured. In 1932, record players were added to the
product line.

In
1941 Siemens transferred its Telefunken shares to AEG as part of the
agreements known as the "Telefunken settlement", and AEG thus became the
sole owner and continued to lead Telefunken as a subsidiary (starting
in 1955 as "Telefunken GmbH" and from 1963 as "Telefunken AG").

During
the Second World War Telefunken was a supplier of vacuum tubes,
transmitters and radio relay systems, and developed radar facilities and
directional finders, aiding extensively to the German air defense
against British-American Aerial Bombing. During the war, manufacturing
plants were shifted to and developed in West Germany or relocated. Thus,
Telefunken, under AEG, turned into the smaller subsidiary, with the
three divisions realigning and data processing technology, elements as
well as broadcast, television and phono. Telefunken had substantial
successes in these markets during the time of self-sufficiency and also
later in the AEG company. Telefunken was also the originator of the FM
radio broadcast system. Telefunken, through the subsidiary company
Teldec (a joint venture with Decca Records), was for many decades one of
the largest German record companies, until Teldec was sold to WEA in
1988.

In 1959,
Telefunken established a modern semiconductor works in Heilbronn,
where in April 1960 production began. The works was expanded several
times, and in 1970 a new 6-storey building was built at the northern
edge of the area. At the beginning of the 1970s it housed approximately
2,500 employees.

In
1967, Telefunken was merged with AEG, which was then renamed to
AEG-Telefunken. During this era, Walter Bruch developed the PAL color
television for the company, in use by most countries outside the
Americas today (i.e. United Kingdom - PAL-I), and by Brazil (PAL-M) and
Argentina (PAL-N) in South America.

The
mainframe computer TR 4 was developed at Telefunken in Backnang, and
the TR 440 model was developed at Telefunken in Konstanz. They were in
use at many German university computing centres from the 1970s to around
1985. The development and manufacture of large computers was separated
in 1974 to the Konstanz Computer Company (CGK). The production of
mini- and process computers was integrated into the automatic control
engineering division of AEG. When AEG was bought by Daimler in 1985,
"Telefunken" was dropped from the company name.

In
2005, Telefunken Sender Systeme Berlin changed its name to Transradio
SenderSysteme Berlin AG. The name "Transradio" dates back to 1918, when
Transradio was founded as a subsidiary of Telefunken. A year later, in
1919, Transradio made history by introducing duplex transmission.
Transradio has specialized in research, development and design of modern
AM, VHF/FM and DRM broadcasting systems.

In
August 2006, it acquired the Turkish company Profilo Telra, one of the
largest European manufacturers of TV-devices, with Telefunken GmbH
granting a license for the Telefunken trademark rights and producing
televisions under that name. In 2000, Toni Roger Fishman acquired The
Diamond Shaped Logo & The Telefunken Brand Name for use in North
America. The company "Telefunken USA" [2] was incorporated in early
2001 to provide restoration services and build reproductions of vintage
Telefunken microphones. In 2003, Telefunken USA won a TEC Award for
Studio Microphone Technology for their exact reproduction of the
original Ela M 250 / 251 Microphone system. Telefunken USA has since
received several TEC Awards nominations for the following microphone
systems: the Telefunken USA M12 or C12 (originally developed by AKG),
the R-F-T M16 MkII, and the AK47. The Historic Telefunken Ela M251
microphone system entered the MIX foundation's Hall of fame in 2006. In
2008, Telefunken USA won a second TEC Award for its new Ela M 260
microphone.

As
a result of a conference held in Frankfurt in May 2009, Telefunken USA
has been renamed Telefunken Elektroakustik ("Electrical Acoustics")
Division of Telefunken and awarded the exclusive rights to manufacture a
wide variety of professional audio products and vacuum tubes bearing
the Telefunken Trade Mark, in over 27 countries worldwide. Telefunken
Elektroakustik now uses the Telefunken trademark for Professional Audio
Equipment & Component Based Electronics, such as Capacitors,
Transformers, Vacuum Tubes in North America, South America, Europe, Asia
and Australia.

TELEFUNKEN HISTORY:

1903 – 1922
TWO ARCH RIVALS. ONE INNOVATIVE COMPANY

At the beginning of the last century, two rival research groups were working in the field of
wireless telegraphy. The Slaby-Arco group was represented by the radio-telegraphy department
of AEG, founded in 1899. The other as the Braun-Siemens group, represented by a company
called Gesellschaft für drahtlose Telegraphie, System Prof. Braun und Siemens & Halske
GmbH. Under the advice of Emporer Wilhelm II, the two groups merged to form the
Gesellschaft für drahtlose Telegraphie mbH company on May 27, 1903. And the rest is history.

A TELEFUNKEN FIRST
The very first Telefunken customers were the German Army and the Imperial Navy.
Telefunken was proud to deliver the first two transmitters for the new coastal radio station, Norddeich
Radio, in November 1905. In October 1906, the expansion of a much larger Nauen station was
completed with a range of 300 km and HF output of 10 kW. Welcome to the power of
Telefunken.

MEET DR. TELEFUNKEN
Dr. Georg Graf Von Arco was the first Technical Director and Managing Director of the
Gesellschaft für drahtlose Telegraphie mbH in 1903. He was also the holder of more than one
hundred patents. Among other inventions, he initiated the high-frequency mechanical
transmitter and the wavemeter. Necessity is the mother of invention. Or in this case, German
inventions.

1923 – 1936
TELEFUNKEN GOES COMMERCIAL
On April 17, 1904, the company changed its name to "Telefunken, Gesellschaft für drahtlose
Telegraphie", and on July 26, 1932 Telefunkenplatte GmbH officially began its commercial
activity with registered capital of 100,000 Reichsmarks.
The station in the Telefunken building, Tempelhofer Ufer 9 in Berlin, began broadcasting
concerts regularly two and a half months before the official start of the "Deutsche
Rundfunkverkehr". The world tour of the Graf Zeppelin airship in 1929 got off the ground by
using Telefunken transmitters, receivers and directional equipment exclusively.
Also, on October 31, 1928, during the 5th Grand German Radio Exhibition in Berlin, Telefunken
presented a television set with the Karolus-Telefunken system, a scanning process of film
images through a Mechau projector with a Nipkow disk, in public for the first time.

MEET TELEFUNKEN’S MAD SCIENTISTS
Dr. Hans Bredow is considered to be the "Father of Broadcasting". He was employed at
Telefunken from 1904 to 1919 as a Project Manager, and later as Managing Director.
Prof. Dr. Walter Bruch developed the very first electronic television camera, with which he
participated in the live broadcast of the Olympic Summer Games in Berlin in 1936. He also
earned international fame by inventing the PAL color television system. He joined Telefunken's
Television and Physical Research Department in 1935.
These two innovators thought out of the “TV box” and helped shape and make Telefunken what
it is today.

WELCOME TO RADIO TELEFUNKEN
The
German radio station in Zeesen near Königswusterhausen (8 kW
shortwave transmitter) was built by Telefunken and was officially
placed in service on August 28, 1929. The Mühlacker radio station (60
kW output) was handed over on December 20, 1930. Telefunken is now in,
and on, the air.

TELEFUNKEN GOES FOR THE GOLD, SILVER AND BRONZE

In 1935, Telefunken equipped the Olympic Stadium, the Maifeld and the Dietrich-Eckhardt
Stage with electrical-acoustic equipment for the Olympics. On August 1, 1936 at the XI Olympic
Summer Games in Berlin, an electronic television camera, known as the Ikonoskop, was used
for the first time for a direct transmission. Again, another Telefunken first. And second. And third
1936- 1954

NOW PLAYING ON CHANNEL TELEFUNKEN

The first fully electronic television studio equipped by Telefunken for the Deutsche Reichspost
was opened with a live broadcast in August 1938. The 500 kW long wave transmitter in
Herzberg, also known as the most powerful German broadcast transmitter, was supplied by
Telefunken and began to operate on May 19, 1939.

IT’S NOT A MERGER. IT’S A POWERHOUSE

On September 24, 1941, AEG took over the 50% of Telefunken shares owned by Siemens &
Halske AG valued at 20 million Reichsmarks. Thus, Telefunken became a 100% subsidiary of
AEG. In exchange, Siemens & Halske AG received the shares of Eisenbahn-Signalwerken,
Klangfilmgesellschaft mbH and Deutsche Betriebsgesellschaft für drahtlose Telegraphie
(DEBEG) owned by AEG. Strength in numbers, indeed.

POST WWII

The reconstruction after the World War II posed a particularly difficult challenge to Telefunken.
All production facilities and equipment were destroyed, disassembled or confiscated and many
valuable experts were scattered around the world. Rebuilding began in West Germany and
Berlin in 1945, and the production of tubes and transmitters was resumed the same year. But
growth was on the way.

THE TELEFUNKEN COME BACK

In 1953 Telefunken already comprised six plants and five sales offices in Berlin, Ulm,
Frankfurt/Main and Hanover again.The range of products consisted of long-range
communications systems, radio and television transmitters, marine radios, commercial
receivers, directional and navigation systems, radar devices, deci and UHF directional radio
connections, mobile radio systems, portable radio systems, HF heat generators, measuring
equipment, electro-acoustical systems, music centers, record players, transmitter tubes, radio
tubes, special tubes and quartz crystals. As you can see, Telefunken was relentless and has
come a long way.

PROF. DR. DR. WILHELM T. RUNGE THE FIRST

Prof. Dr. Dr. Wilhelm T. Runge (1895-1987) performed trailblazing work in radio and radar
technology and played a significant role in the development of microwave in Germany. He was
especially renowned internationally in the field of high-frequency technology. As well as for
having a few, very important titles before his name.

1955 – 1962
AS TELEFUNKEN GROWS, SO DOES ITS NET WORTH

The name of the company was changed to Telefunken GmbH on January 4, 1955. Due to the
expanded business activities of Telefunken, AEG increased the capital of the company to DM
100 million in 1958.

THE FIRST GERMAN STEREO STUDIO. BROUGHT TO YOU BY TELEFUNKEN
The Sender Freies Berlin (SFB) station ordered the first German stereo studio in 1961. The
harbor radar system, supplied by Telefunken, was officially placed for service in Hamburg
Harbor in August 1962, while the first German transistor receiver (six transistors) was produced
in a test series in 1956. Prof. Dr. Walter Bruch filed the fundamental PAL "time decoder" patent
on December 31, 1962. It was the first German stereo studio of its kind, and Telefunken sought
to it that there was nothing else quite like it.

1963-1978
WHAT’S IN A NAME?
Telefunken GmbH became Telefunken AG on July 5, 1963. On June 23, 1966, the General
Shareholder Meeting of AEG passed a resolution to integrate Telefunken AG into Allgemeine
Elektrizitäts-Gesellschaft. Based on an operating lease agreement, the business activities of
Telefunken were transferred to AEG effective January 1, 1967, and were continued under the
combined name AEG-Telefunken. In March 1968, AEG-Telefunken developed a new mediumrange
radar system (Type SER-LL), which was able to detect targets at an altitude of 24,000
meters at a distance of 280 kilometers. Telefunken expands on land, as well as in the air.

TAPE RECORDERS WORTH MILLIONS
AEG-Telefunken delivered the two-millionth tape recorder, a Magnetophon 204 TS, on August
5, 1969. The ten-millionth black-and-white television picture tube was produced in Ulm on
January 27, 1970. The numbers are astounding. As is Telefunken.AEG-Telefunken delivered the
two-millionth tape recorder, a Magnetophon 204 TS, on August 5, 1969. The ten-millionth
black-and-white television picture tube was produced in Ulm on January 27, 1970. The
numbers are astounding. As is Telefunken.

ECONOMIC SLOWDOWN
There was a worldwide economic slowdown in the wake of the oil crisis in 1974. The
competition in consumer electronics sector also became more difficult due to Japanese
suppliers. The only profitable divisions of the company at this time were telecommunications
and traffic technology. But Telefunken, as usual, was known for their resilience.

1979- 1983
THE NAME GAME CONTINUES
The name of the overall company was changed to AEG-Telefunken Aktiengesellschaft on June
21, 1979. The "Aktiengesellschaft" [stock corporation] suffix was necessary due to a new law in
the European Community. In 1979, AEG-Telefunken supplied the complete telecommunications
and high-voltage equipment for the International Congress Center (ICC) Berlin, valued at DM 50
million. In January 1983 the company received an order for simulation systems for electronic
battle simulation for training Tornado crews of the German Luftwaffe and Navy. The total value
was at DM 37 million. The net worth: priceless.

TOUGH TIMES FOR TELEFUNKEN
Court composition proceedings were opened against the assets of AEG-Telefunken AG by the
District Court in Frankfurt / Main on October 31, 1982.
The District Court Frankfurt / Main confirmed the composition of AEG-Telefunken AG in
accordance with the petition filed and closed the proceedings on September 19, 1984.
Even during this difficult financial situation, AEG-Telefunken continued its business and founded
AEG-Telefunken Nachrichtentechnik GmbH (ATN), in Backnang, Germany, together with
Bosch, Mannesmann and Allianz Versicherungs-AG in 1981, as well as Telefunken electronic
GmbH (TEG) in the field of electronic components (semiconductors) together with United
Technologies Corporation (UTC), USA in 1982.
On July 1, 1992, AEG-Telefunken and Deutsche Aerospace (Dasa) founded Telefunken
Microelektronic GmbH (TEMIC), into which Telefunken Elektronic GmbH was integrated among
others. But Telefunken was determined to prevail.

A FINAL, BUT NOT LAST, TURN

Effective March 31, 1983, the French group Thomson-Brandt S.A. took over 75 percent of the
AEG-Telefunken shares in Telefunken Fernseh und Rundfunk GmbH, Hanover, Germany,
including its German and foreign subsidiaries. The remaining 25 percent were supposed to
follow on January 31, 1984. Daimler-Benz AG entered the company in autumn of 1985 and
decided in Autumn 1995 to dissolve the legal entity and transferred the remaining assets to
EHG Electroholding GmbH. Thus, the history of the company was over. But not that of its
brands.
A historical overview is offered by the company archive of AEG-Telefunken in the "Deutsches
Technikmusem Berlin", Trebbiner Str. 9, 10963 Berlin.

1984 – 2004
INNOVATION YESTERDAY. TODAY. AND TOMORROW

Currently, the Telefunken brand and name rights lie with Telefunken Licenses GmbH,
Frankfurt/Main, Germany. This company is one hundred percent subsidiary of EHG
Elektroholding GmbH, Frankfurt/Main.
EHG, on the other hand, is the legal successor of AEG Aktiengesellschaft. The licensor is
Licentia Patent-Verwaltungs GmbH, Frankfurt/Main, Germany. A differentiation is made
between brand licensing agreements, name use agreements and combined agreements. And
third-party use always requires the written approval of the licensor.
In 2003, Telefunken can look back at one-hundred years of brand history. In the past,
Telefunken was associated with significant technical developments and enjoyed the reputation
of a successful German company.
The Telefunken brand is registered in the official trademark registries of 118 countries. It
continues to be used under a variety of licensing agreements.
These are the topics that can be found in the commemorative volume "Telefunken After 100
Years - The Legacy of a Global German Brand."
Whether discovered on this website or in book, these topics should not only focus attention on
the past, but also simultaneously highlight the beginning of a strong Telefunken brand. Simply
put, it’s not just about where we’ve been. But also where we’re going.

2004 – 2009
TELEFUNKEN TODAY

Since December 2007, the trademark-right TELEFUNKEN rests with TEELEFUNKEN Holding
AG, Frankfurt. Currently, TELEFUNKEN is the owner of more than 20,000 patents and active in over 130 countries around the globe.
Today, TELEFUNKEN stands for innovation and progress in the ever-changing world of
information and communications technology and is strictly focused on consumer quality – from
design concept to execution. And because of its strong heritage and long-standing tradition,
Telefunken has a high brand-awareness and a clear positioning in the field of premium
products.

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Resisting the tide of post-modernity may be difficult, but I will attempt it anyway.

Your choice.........Live or DIE.That indeed is where your liberty lies.

IMPORTANT NOTE: - FRANK SHARP obsoletetellyemuseum.blogspot.comwas founded as a public free WEB Museum to all kind of people and amateur and professional CRT TELEVISION Lovers who enjoy using and/or preserving - restoring vintage CRT Televisions sets, or only curious public who was unaware of that kind of technolgy of the past. The purpose is to provide information about vintage Television Receivers Publicy on the WEB that is generally difficult to locate; all this as a important milestone general worldwide reference for the future, globally in the public interest.obsoletetellyemuseum.blogspot.com does not provide support or parts for any apparatus on this site nor do we represent any manufacturer listed on this site in any way. Catalogs, manuals and any other literature that is available on this site is made available for a historical record only. Please remember that safety standards have changed over the years and information in old manuals as well as the old Television receivers themselves may not meet modern standards. It is up to the individual user to use good judgment and to safely operate old machinery. The obsoletetellyemuseum.blogspot.com web site will assume NO responsibilities for damages or injuries resulting from information obtained from this site. No offer to sell or license — Nothing in this site/Blog may be interpreted or construed as an offer to sell products that is open for acceptance or the grant, conveyance or implication of any license under any copyrights, patents or other industrial or intellectual property rights.

Many topics are permanent, so may be updated to any material, for add or correct info.

Sure Fun Times, A working TV Discovered with a CRT Oscilloscope !

Safety Hazards:

------------------------------------------------------Safety Hazards in Radio and TV Repair,------------------------------------------------------

People who believe they can conquer nature are clueless that the laws of nature are a precondition of their existence. Their weapon is a miserable idea.When man attempts to rebel against the iron logic of Nature, he comes into struggle with the principles to which he himself owes his existence as a man. And this attack must lead to his own doom.

Anyone attempting to repair any electronic equipment who does not fully understand the shock hazards, as well as the fire hazards associated with working with electronic equipment, should not attempt such procedures! Improperly attempted repair can kill you and burn down your house.Devices that plug into the wall can produce a very lethal electric shock as well cause a fire from incorrect or careless repairs both during servicing or later on.Improper repair of battery operated devices can also result in bad consequences for you, the device, and any equipment attached to it.

Why some people do repairs themselved then? If you can do the repairs yourself, the equation changes dramatically asyour parts costs will be 1/2 to 1/4 of what a professional will chargeand of course your time is free. The educational aspects may also beappealing. You also will learn a lot in the process.

Consumer electronic equipment like TVs, computer monitors, microwave ovens, and electronic flash units, use voltages at power levels that are potentially lethal. Even more so for industrial equipment like lasers and anything else that is either connected to the power line, or uses or generates high voltage.

Normally, these devices are safely enclosed to prevent accidental contact. However, when troubleshooting, testing, making adjustments, and during repair procedures, the cabinet will likely be open and/or safety interlocks may be defeated. Home-built or modified equipment, despite all warnings and recommendations to the contrary - could exist in this state for extended periods of time - or indefinitely.

Depending on overall conditions and your general state of health, there is a wide variation of voltage, current, and total energy levels that can kill.

Microwave ovens in particular are probably THE most dangerous household appliance to service. There is high voltage - up to 5,000 V or more - at high current - more than an amp may be available momentarily. This is an instantly lethal combination.

TVs and monitors may have up to 35 kV on the CRTbut the current isn't low - like a wrong legend saying a "couple of milliamps" but relatively high because of the boost circuit technology and transformer design. However, the CRT capacitance can hold a painful charge for a long time. In addition, portions of the circuitry of TVs and monitors as well as all other devices that plug into the wall socket are line connected.This is actually even more dangerous than the high voltage due to the greater current available - and a few hundred volts can make you just as dead as 35 kV!

Electronic flash units and strobe lights, and pulsed lasers have large energy storage capacitors which alone can deliver a lethal charge - long after the power has been removed. This applies to some extent even to those little disposable pocket cameras with flash which look so innocent being powered from a single 1.5 V AA battery. Don't be fooled - they are designed without any bleeder so the flash can be ready for use without draining the battery!

Even some portions of apparently harmless devices like VCRs and CD players - or vacuum cleaners and toasters - can be hazardous (though the live parts may be insulated or protected - but don't count on it!

This information also applies when working on other high voltage or line connected devices like Tesla Coils, Jacobs Ladders, plasma spheres, gigawatt lasers, hot and cold fusion generators, cyclotrons and other particle accelerators, as well as other popular hobby type projects. :-)

In addition, read the relevant sections of the document for your particular equipment for additional electrical safety considerations as well as non-electrical hazards like microwave radiation or laser light. Only the most common types of equipment are discussed in the safety guidelines, below.

SAFETY guidelines:

These guidelines are to protect you from potentially deadly electrical shock hazards as well as the equipment from accidental damage.

Note that the danger to you is not only in your body providing a conducting path, particularly through your heart. Any involuntary muscle contractions caused by a shock, while perhaps harmless in themselves, may cause collateral damage. There are likely to be many sharp edges and points inside from various things like stamped sheet metal shields and and the cut ends of component leads on the solder side of printed wiring boards in this type of equipment. In addition, the reflex may result in contact with other electrically live parts and further unfortunate consequences.

The purpose of this set of guidelines is not to frighten you but rather to make you aware of the appropriate precautions. Repair of TVs, monitors, microwave ovens, and other consumer and industrial equipment can be both rewarding and economical. Just be sure that it is also safe!

Don't work alone - in the event of an emergency another person's presence may be essential.

Always keep one hand in your pocket when anywhere around a powered line-connected or high voltage system.

Wear rubber bottom shoes or sneakers. An insulated floor is better than metal or bare concrete but this may be outside of your control. A rubber mat should be an acceptable substitute but a carpet, not matter how thick, may not be a particularly good insulator.

Don't wear any jewelry or other articles that could accidentally contact circuitry and conduct current, or get caught in moving parts.

Set up your work area away from possible grounds that you may accidentally contact.

Have a fire extinguisher rated for electrical fires readily accessible in a location that won't get blocked should something burst into flames.

Use a dust mask when cleaning inside electronic equipment and appliances, particularly TVs, monitors, vacuum cleaners, and other dust collectors.

Know your equipment: TVs and monitors may use parts of the metal chassis as ground return yet the chassis may be electrically live with respect to the earth ground of the AC line. Microwave ovens use the chassis as ground return for the high voltage. In addition, do not assume that the chassis is a suitable ground for your test equipment!

If circuit boards need to be removed from their mountings, put insulating material between the boards and anything they may short to. Hold them in place with string or electrical tape. Prop them up with insulation sticks - plastic or wood.

If you need to probe, solder, or otherwise touch circuits with power off, discharge (across) large power supply filter capacitors with a 2 W or greater resistor of 100 to 500 ohms/V approximate value (e.g., for a 200 V capacitor, use a 20K to 100K ohm resistor). Monitor while discharging and/or verify that there is no residual charge with a suitable voltmeter. In a TV or monitor, if you are removing the high voltage connection to the CRT (to replace the flyback transformer for example) first discharge the CRT contact (under the insulating cup at the end of the fat red wire). Use a 1M to 10M ohm 1W or greater wattage resistor on the end of an insulating stick or the probe of a high voltage meter. Discharge to the metal frame which is connected to the outside of the CRT.

For TVs and monitors in particular, there is the additional danger of CRT implosion - take care not to bang the CRT envelope with your tools. An implosion will scatter shards of glass at high velocity in every direction. There is several tons of force attempting to crush the typical CRT. Always wear eye protection. While the actual chance of a violent implosion is relatively small, why take chances? (However, breaking the relatively fragile neck off the CRT WILL be embarrassing at the very least.)

Connect/disconnect any test leads with the equipment unpowered and unplugged. Use clip leads or solder temporary wires to reach cramped locations or difficult to access locations.

If you must probe live, put electrical tape over all but the last 1/16" of the test probes to avoid the possibility of an accidental short which could cause damage to various components. Clip the reference end of the meter or scope to the appropriate ground return so that you need to only probe with one hand.

Perform as many tests as possible with power off and the equipment unplugged. For example, the semiconductors in the power supply section of a TV or monitor can be tested for short circuits with an ohmmeter.

Provide a reliable means of warning that power is applied and that high voltage filter capacitor(s) still hold a charge during servicing. For example, solder a neon indicator lamp (e.g., an NE2 in series with a 100K ohm resistor) across the line input and a super high brightness LEDs in series with 100K, 1 W resistors across the main filter capacitor(s).

Use an isolation transformer if there is any chance of contacting line connected circuits. A Variac(tm) (variable autotransformer) is not an isolation transformer! However, the combination of a Variac and isolation transformer maintains the safety benefits and is a very versatile device. See the document "Repair Briefs, An Introduction", available at this site, for more details.

The use of a GFCI (Ground Fault Circuit Interrupter) protected outlet is a good idea but may not protect you from shock from many points in a line connected TV or monitor, or the high voltage side of a microwave oven, for example. (Note however, that, a GFCI may nuisance trip at power-on or at other random times due to leakage paths (like your scope probe ground) or the highly capacitive or inductive input characteristics of line powered equipment.) A GFCI is also a relatively complex active device which may not be designed for repeated tripping - you are depending on some action to be taken (and bad things happen if it doesn't!) - unlike the passive nature of an isolation transformer. A fuse or circuit breaker is too slow and insensitive to provide any protection for you or in many cases, your equipment. However, these devices may save your scope probe ground wire should you accidentally connect it to a live chassis.

When handling static sensitive components, an anti-static wrist strap is recommended. However, it should be constructed of high resistance materials with a high resistance path between you and the chassis (greater than 100K ohms). Never use metallic conductors as you would then become an excellent path to ground for line current or risk amputating your hand at the wrist when you accidentally contacted that 1000 A welder supply!

Don't attempt repair work when you are tired. Not only will you be more careless, but your primary diagnostic tool - deductive reasoning - will not be operating at full capacity.

Finally, never assume anything without checking it out for yourself! Don't take shortcuts!

Many people who mistakenly feel that ‘old technology’ is somehow more user-friendly, in some strange way automatically good - merely because it is old. Don’t be fooled! Approach old equipment with an open and alert mind and realise that a hot chassis, or a resistor line cord, or asbestos insulation, or selenium rectifiers require much more thought and consideration for safety.

Live chassis are indiscriminate in whom they kill and even if you are a thoughtful, careful kind of person, that doesn’t mean the last person who handled the set was.

Vintage radio and television receivers use 'live chassis' techniques, in which the chassis is connected directly to one side of the incoming mains supply. This means they can be lethal to carry out repair or servicing work on, unless the appropriate safety measures are in place.

Another thing about live-chassis sets - live spindles. We’ve touched on this already but it’s worth making the point once more. The shafts of switches and potentiometers fixed to the chassis may well be at chassis potential and thus live. The bakelite or wood cabinet is insulated but these shafts are not, and if someone lost the proper grub screw and replaced a knob using a cheesehead screw, the next person to grip that knob may get a dose of 250 volts. Originally these grub screws were sealed and embedded in wax but you cannot rely on subsequent tinkerers having the same high standards.

Even in more orthodox apparatus standards of insulation were not always as high as they are now. Soldered connections to HT and mains wiring should always have rubber or plastic sleeving but in times gone by this was often omitted (or it may since have perished). Beware too of kinked and frayed braiding on cloth-covered mains cords, particularly when the cord has a dropper conductor.

If you are not satisfied that you fully understand the risks involved in this sort of work, do not proceed any further. Instead seek advice and assistance from a competent technician or engineer.

Whenever you acquire a new treasure there's always a terrific temptation to try it out. With mains-driven equipment that means plugging it in and seeing if it works. Well don't, not until you have made some quick checks.

Before contemplating connecting any unknown receiver to the mains supply, spend a little time inspecting it for signs of missing or loose parts, blown fuses, overheating or even fire damage. Use a meter to check obvious points to ensure no short circuit exists (e.g. across the mains input). If you then decide to apply power keep clear but be observant since an elderly electrolytic might explode! This can be avoided if you can apply power gradually through a variac. Auto-transformers are handy for supplying reduced power to sets being repaired but they are not a substitute for a proper isolation transformer!

If you are working with electricity and your work area has a concrete floor, a rubber mat is essential, particularly during damp weather! Where possible try to arrange a neat working area away from water or central heating pipes. For safety try to arrange that this area is separate from the area occupied by your family. This is emphasised because inadvertently rushing to answer a telephone you might just leave a TV chassis connected to a supply and curious little fingers know nothing of the dangers of electricity - or, for that matter - the lethal vacuum encased within every picture tube!

Many younger enthusiasts may not be aware of the dangers of mishandling tubes, in particular the old round types found in early TVs. When handling these tubes eye protection should be worn and tubes must not be left lying around, they must be stored in boxes. The glass is surprising fragile and can implode without any provocation or warning. Bits of glass flying around at high speed can be deadly. The notes following are inspired by Malcolm Burrell again.

Picture tubes are perhaps one of the most hazardous items in any TV receiver. This is because most are of glass construction and contain a very high vacuum. If you measured the total area of glass in any picture tube then estimated the pressure of air upon it at 14.7lb. per square inch, you would discover that the total pressure upon the device could amount to several tons! Fracturing the glass suddenly would result in an extremely rapid implosion such that fragments of glass, metal and toxic chemicals would be scattered over a wide area, probably causing injury to anyone in close proximity. In modern workshops it is now a rule that protective goggles are worn when handling picture tubes.

The weakest point in most picture tubes is where the thin glass neck containing the electron gun is joined to the bowl. It is therefore essential that you refrain from handling the tube by its neck alone. Once a tube is removed from the receiver hold it vertically with the neck uppermost and one hand beneath the screen with the other steadying the device by the neck.With larger devices it is sometimes easier to grip the peripheral of the screen with both hands.

Until the advent of reinforced picture tubes, most were mounted in the cabinet or on the TV chassis by some form of metal band clamped around the face.Never support the weight of the tube by this band since it has been known for the tube to slide out! Some of the larger tubes are extremely heavy. It may, therefore, be easier to enlist assistance.

Before starting to remove a tube, first discharge the final anode connection to the chassis metalwork and preferably connect a shorting lead to this connection whilst you are working. It might be convenient to keep a spare piece of EHT cable with a crocodile clip at one end and a final anode connector at the other.

Exercise care when removing picture tubes from elderly equipment. You may find that the deflection coils have become stuck to the neck. It is extremely dangerous to use a screwdriver prise them away. Gently heating with a hairdryer or soaking in methylated spirit is safer.

Disposal of picture tubes also requires care. Unless rendered safe they should never be placed in dustbins or skips. Many engineers swipe the necks off tubes in cavalier fashion using a broom handle but this is not recommended. A safer method is to make a hole in the side of a stout carton, preferably one designed to hold a picture tube. The tube is placed in the carton and the neck broken using a broom handle. The carton should then be clearly labelled that it contains chemicals and broken glass!

Therefore people who believe they can conquer nature are clueless that the laws of nature are a precondition of their existence. Their weapon is a miserable idea.When man attempts to rebel against the iron logic of Nature, he comes into struggle with the principles to which he himself owes his existence as a man. And this attack must lead to his own doom.

Think for yourself. Otherwise you have to believe what other people tell you.

For most people thinking is a matter of fortune.A society based on individualism is an oxymoron.Freedom is at first the freedom to starve.A wise fool speaks, because he has something to say.A fool speaks, because he has to say something.A wise fool is silent, because there is nothing to say.A fool is silent, because he has nothing to say.

Resist or regretWork for what's good for our people

Help stem the dark tideStand tall or be beat downFight back or die

The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life.

We now live in a nation where doctors destroy health, lawyers destroy justice, universities destroy knowledge, governments destroy freedom, the press destroys information, religion destroys morals and our banks destroy the economy.The globalist argument is that if only we erase distinctions, obliterate identities, put everyone on a level playing field, etc.. we can eliminate war and everyone can be so prosperous and efficient, such great cogs in a well-oiled global machine.There will be no more historical grievances because people will no longer even care, they'll have no connection to the past, no foolish pride in past accomplishments of people totally unrelated to them.A globalized culture, no borders, everyone a citizen of the world.Know this: I will never acquiesce to this corrupt, inhuman, Borg-like vision. The dangerous lunatics who push us towards their globalized "utopia" are my enemy. How exactly all this will play out, whether through wars, or whether we can thwart the globalist agenda peacefully (this is my hope of course) I don't know. But I do know that unless people are willing to fight and die, globalism will win out in the end.The actual crimes committed by the EU against the European peoples are directly in violation of the 1948 UN genocide convention, Article II: (c) Deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; (d) Imposing measures intended to prevent births within the group; (e) Forcibly transferring children of the group to another group.* The man who does not exercise the first law of nature—that of self preservation — is not worthy of living and breathing the breath of life.

TELEVISION HISTORY IN BRIEF

Television history

At 1928 Baird transmits from London to New York, using his mechanical system.with 30 vertical lines. By 1930 it was clear that mechanical television systems could never produce the picture quality required for commercial success. For this reason mechanical system was rapidly succeeded by the electronic TV systems. The first all-electronic American systems in 1932 used only 120 scanning lines at 24 frames per second Since the mid-1930s picture repetition frequency (field rate or frame rate) has been the same as the mains frequency, either 50 or 60Hz according to the frequency used in each country. This is for two very good reasons. Studio lighting generally uses alternating current lamps and if these were not synchronised with the field frequency, an unwelcome strobe effect could appear on TV pictures. Secondly, in days gone by, the smoothing of power supply circuits in TV receivers was not as good as it is today and ripple superimposed on the DC could cause visual interference. If the picture was locked to the mains frequency, this interference would at least be static on the screen and thus less obtrusive.To determine what electronic system to use, the BBC sponsored trial broadcasts by two systems, one by Baird, with 240 lines, and one by EMI with 405 lines. Scheduled electronic television broadcasting began in England in 1936 using 405-line system (lasted until the 1980s in the UK). Germany made their forst TV broadcasts at 1936 olympics using 180-line TV system. Germany also made their TV broadcasts by the fall of 1937 using a 441-line system. Also fFrance tested TV (455 line system). RCA introduced electronic television to the U. S. at the 1939 World's Fair,and began regularly scheduled broadcasting at the same time (525 line system).In 1940 the USA established its 525-line standard. At year 1941 the 525-line standard, still in use today in USA, was adopted.Russia also produced TV sets before the war (240 and 343 line systems).World War Two interrupted the development of television. Immediately after World War Two production of TV sets started in the U.S-In USA there was TV broadcasts and few throusand receivers at 1945. In the early 1950s, two competing color TV systems emerged: CBS sequential color (used color wheel) and RCA dot sequential system. At 1953 color broadcasting officially arrives in the U.S. on Dec. 17, when FCC approves modified version of an RCA system.It calls this new RCA color system "NTSC" color. The first NTSC color TVs were on the marker at 1954.In Europe the TV broadcasts started to use experiment using 625 line system 1950s. This standard is used nowadays throughout Europe. France also tried 819 line system at the same time (this system was in use to 1980s). The rest of Europe opted for 625 lines, a system devised in 1946 by two German engineers, M??ller and Urtel (it appears that the Russians came up independently with a very similar system). The use of PAL color standard started at around 1967 and is still in use. The SECAM color system (used in France) testing started also at 1967. The TV broadcasting history has not ended. The newst thign is digital television. It is expected that terrestrial television will open up billion-dollar opportunities for those companies and organisations best prepared to embrace this new broadcasting era. At 1996 small digital satellite dishes hit the market. They become the biggest selling electronic item in history next to the VCR.

Using TV 24H

TV has something for everyone. Idiots, intellectuals, fans of all sorts. Some people are couch potatoes, watch anything just to sit there and be mindless. That's their problem. Children have always needed to be monitored by their parents. If people gotta a mind for it they could figure out the real news even without the internet and there has always been a library.

Is TV bad in and of itself? The researchers aren’t saying that. But we all know that watching television is a solitary, isolating occupation that keeps you sedentary. Sitting in front of the boob tube reduces the time you have available to exercise, interact with your family, read books, and be outdoors. This new research dovetails with other studies, which have linked excessive TV time to obesity and higher rates of cardiovascular disease.

watching too much television can jeopardize your whole family’s health.

This should be a wake-up call to all adults. Stay active. Go outside. Spend time with your spouse and your children with the television off. Read a book and do crossword puzzles to stimulate your imagination and your brain. Reduce your screen time as much as you can.

The National Cancer Institute researchers suggest that watching TV is a public health issue. The price we are paying for our technology-driven lives may be much higher than we previously realized !

DON'T WATCH TV AT ALL !!

The Propaganda TV Machine a.k.a. The Ministry of Truth delivers The Truth from The Government to the people.

At least, that's what they say. In fact, a Propaganda Machine is only employed by The Empire and used to brainwash people into Gullible Lemmings who believe that everything is all right when in fact, it isn't, and that the very people who could help them are their enemies.

Girl Looking TV.

Happy Times:

Do you remember when a telly looked like a real telly? When it was a piece of furniture that you lavished love on, even polished from time to time ?When it was a piece of somewhat at looking in to ?When it was a piece of Highest tech looking inside ? First, this site is a Digital free, HD free, flat panel, HDMI, China, Turks, Afrika free zone. All in all a wealth of vintage information at your finger tips, a one stop unique experience. So step on in, leave the modern throw-away world behind, travel back in time to a vintage world of repair and enjoy.This site has stirred memories about the watching TV's days on a CRT TUBE television......Childhood memories, your parents getting their first colour tv, a b/w or color portable, perhaps memories of renting or buying your first set remote featured, perhaps your days working in the trade, selling or repairing them....... If you enjoyed this site, found its content left you all misty eyed then just talk about it as it would be very welcome............like the time to recover and restore a set ................and happy reminiscing.

Digital TV in Brief.

Digital TV:

Digital television is a hot topic now.If you have looked at television sets at any of the big electronics retailers lately, you know that Digital TV, or DTV, is a BIG deal right now in the U.S. In Europe Digital TV is also a hot topic, because many countries have started terrestrial digital TV broadcasts and plan to end analogue broadcasts after some years (will take 5-10 years). Satellite TV broadcasts have also shifted very much to digital broadcasts.The main advantage if digital broadcasts are that it does not havethe picture quality problems of analogue TVs (it had it's own videoproblems caused by video compression), it allowes putting more TV channels to same medium (TV channel frequencies and satellites) and it allows new services (like HDTV and interactive multimedia). The digital brodcasts are generally designed to use such modulation that the digital data stream (typically around 20-30 Mbit/s) is modulated to the same bandwidth (around 6 MHz) as the analogue TV broadcasts. The used modulation vary between different media, which means thatdifferent modulation techniques are used in terrestrial transmissions, cable TV and satellite. Different modulations are used because of the different characteristics of those transmission medias. There is not on "digital TV", but several different variations of it in use.The basic technology of digital TV, known as MPEG 2 video compressionand MPEG 2 transmission stream format, is same around the world, butis is used somewhat differently in different standards used in differentcountries.

USA uses ACTS Digital Televisio Standard, which standardizes NTSC format transmissions, HDTV transmission, sound formats and data signal modulation in use. The ATSC MPEG-2 formats for DTV, including HDTV, uses 4:2:0 samling for video signal. The US system uses a fixed power and a fixed maximum bitrate, at which some bits are always transmitted. That rate is typically 19.3 Mb/sec.

Europe uses DVB (Digital Video Broadcasting) standard. This standardallows basically normal PAL resolution transmisssion (vasically HDTVcould be added later but is not yet standardized) with several audio formats, digital data rates and digital signal modulation. There are several different variations fo DVB standard for different media:

DVB-T for terrestrial broadcastsDVB-S for satelliteDVB-C for cable TV

Those different DVB versions varyon the data signal modulation methods, error correction and frequency bands used. DVB and option for some interactive extra services, but thestandardization of this is not ready here yet(there are fire different incompatible interactive servicessystems in use in different countries and by different broadcasters).

The process of transmitting digital TV signal is the following: Analog video/audio - digitisation - MPEG compression - Multiplexing ( youcan now call it digital) - Preparation for transmisson - modulation toanalog carrier.Reception process is the following: Demodulation of analogue carrier - Error correction - Demultiplexing - MPEG decompression - DA conversion to get analogue signal (unless you use digital display). The analoguie video signal that gets digitized can be practically from any video source, for example produced with old analogue video production equipment and distributed with a video tape. In high-end system the information is analogue only in the image sensor on the video camera, and from this on the signal gets digitally processed. In many real-life TV production systems the reality is something between those two extremes.

At least in Europe, the signal level requirements for DVB-T are well below the analog requirements, so the transmitter power is much less than on the analog side. In the NorDig recommendation the minimum received signal level for 64QAM, 7/8 code rate with a Rayleigh fading path and 8 dB receiver noise figure would be -64 dBm. With other code rates, modulations and fading mechanisms, the requirement is lower. Many receivers can perform much better at conditions where there is no fading (a quasi error free less than one uncorrected error/hour signal even at 27 dBuV (-82 dBm) with 64QAM and 8 MHz channel width). For analog signals, the recommended level is more than 1 mV (+60 dBuV, -49 dBm). While the ERP can be at least 10 dB lower than analog, the question of power consumption is more complicated, since COFDM with 64QAM carriers require a quite good linearity, which may affect the efficiency and hence power consumption.

Digital TV system in use in USA

The FCC mandate to change our broadcast standards from NTSC analog to ATSC digital broadcasting (DTV) is big bold move, requiring changes in everything from the way the studios shoot video, the format that's transmitted, to the equipment we use to receive and watch broadcastsDTV (digital TV) applies to digital broadcasts in general and to the U.S. ATSC standard in specific. The ATSC standard includes both standard-definition (SD) and high-definition (HD) digital formats. The notation H/DTV is often used to specifically refer to high-definition digital TV. The federal mandate grants the public airwaves to the broadcasters to transmit digital TV in exchange for return of the current analog NTSC spectrum, allowing for a transition period in the interim. At the end of this period scheduled for 2006, broadcasters must be fully converted to the 8VSB broadcast standard. Digital Television ("DTV") is a new broadcast technology that will transform television. The technology of DTV will allows TV broadcasts with movie-quality picture and CD- quality sound and a variety of other enhancements (for example data delivery). With digital television, broadcasters will be able to offer free television of higher resolution and better picture quality than now exists under the current mode of TV transmission. If broadcasters so choose, they can offer what has been called "high definition television" or HDTV, television with theater-quality pictures and CD-quality sound. . Alternatively, a broadcaster can offer several different TV programs at the same time, with pictures and sound quality better than is generally available today. HDTV (high-definition TV) encompasses both analog and digital televisions that have a 16:9 aspect ratio and approximately 5 times the resolution of standard TV (double vertical, double horizontal, wider aspect). High definition is generally defined as any video signal that is at least twice the quality of the current 480i (interlaced) analog broadcast signal. There are 18 approved formats for digital TV broadcasts, but only two (720p/1080i) are proper definition of the term HDTV. The advent of high definition has allowed monitors to read images differently, either in standard interlaced format or progressively. Sets that do not have any decoding capabilities but can display the high-resolution image is often labeled as "HD-Ready" a term that describes 80% or more of the Digital TVs on the market. HDTV displays support digital connections such as HDMI (DVI) and IEEE 1394/FireWire, although standardization is not finished. HDTV in the US is part of the ATSC DTV format. The resolution and frame rates of DTV in the US generally correspond to the ATSC recommendations for SD (640x480 and 704x480 at 24p, 30p, 60p, 60i) and HD (1280x720 at 24p, 20p, and 60p; 1920x1080 at 24p, 30p and 60i). In addition, a broadcaster will be able to simultaneously transmit a variety of other information through a data bitstream to both enhance its TV programs and to provide entirely new services. The technical specifications of USA DTV system is defined in ACTS Digital Television Standards.

Digital TV in Europe

Digital TV brodacasting in Europe is done according to DVB standards. DVB technology has become an integral part of global broadcasting, setting the global standard for satellite, cable and terrestrial transmissions and equipment. There are three versions of DVB in use: DVB-S, DVB-C and DVB-T.DVB-T is a flexible system allowing terrestrial broadcastersto choose from a variety of options to suit their various service environments. This allows the choice between fixed roof-top antenna, portableand even mobile reception of DVB-T services. Broadly speaking the trade-off in one of service bit-rate versus signal robustness.

DVB-T network is very flexible. Having many transmitters all on the same frequency is not a problem for the used COFDM based system. COFDM has been chosen and designed to minimise the effects of multipath in obstructed reception areas. In fact multipath signals can significantly improve the overall received signal with no adverse effects. These properties are particularly valuable for radio cameras and mobile links. DVB-T because of its unique design which allows single frequency networks (SFN). This means that many transmitters along the planned routes can transmit on the same frequency. It is also possible to use simple gap fillers that amplify and retransmit the signal. In-air digital TV broadcasts in Europe use DVB-T. 8 MHz of bandwidth may be used to provide a 24 Mbps digital transmission path using Coded Orthogonal Frequency Division Multiplexing (COFDM) modulation (theoretical maximum 31.67 Mbits for 8 MHz bandwidth). In cases where less bandwidth is available (6 or 7 MHz), the data rate is somewhat lower (around 20 Mbit/s).

DVB-C does the same function as DVB-T, but the modulation used in this system is optimized to operate well in cable TV networks. The modulation used in DVB-C is QAM. Systems from 16-QAM up to 256-QAM can be used, but the system centres on 64-QAM, in which an 8MHz channel can accommodate a physical payload of about 38 Mbit/s. Digital cable TV in Europe uses DVB-C. The DVB standard for the cable return path has been developed jointly with DAVIC, the Digital Audio Visual Council. The specification uses Quadrature Phase Shift Keying (QPSK) modulation in a 200kHz, 1MHz or 2MHz channel to provide a return path for interactive services (from the user to the service provider) of up to about 3Mbit/s. The path to the user may be either in-band (embedded in the MPEG-2 Transport Stream in the DVB-C channel) or out-of-band (on a separate 1 or 2MHz frequency band).

DVB-S is the satellite version of DVB. Satellite transmission has lead the way in delivering digital TV to viewers. Established in 1995, the satellite standard DVB-S is the oldest DVB standard, used on all six major continents. QPSK modulation system is used, with channel coding optimised to the error characteristics of the channel. A typical satellite channel has 36 MHz bandwidth, which may support transmission at up to 38 Mbps (assuming delivery to a 0.5m receiving antenna) using Quadrature Phase Shift Keying (QPSK) modulation. 16 bytes of Reed Solomon (RS) coding are added to each 188 byte transport packet to provide Forward Error Correction (FEC) using a RS(204,188,8) code. For the satellite transmission, the resultant bit stream is then interleaved and convolutional coding is applied.

The core of the DVB digital data stream isthe standard MPEG-2 "data container",which holds the broadcast and service information.This flexible "carry-all" can containanything that can be digitised, includingmultimedia data. The MPEG-2 standards define how to format the various component parts of a multimedia programme (which may consist of: MPEG-2 compressed video, compressed audio, control data and/or user data). It also defines how these components are combined into a single synchronous transmission bit stream. The process of combining the steams is known as multiplexing. The multiplexed stream may be transmitted over a variety of links, standards / products.Each MPEG-2 MPTS multiplex carries a number of streams which in combination deliver the required services. A typical data rate of such multiplex is around 24 Mbps for terrestrial brodcasts.

European DVB systems currently transmit only standard definition TV signals and set top boxes also handle only normal TV resolution. It would be possible to transmit HDTV signals on DVB data stream, but those broadcasts have not yet started in any wide scale. There is one satellite broadcater that broadcasts HDTV DVB signals in Europe (some cable TV operators carry that signal on their cable).

Many DVB-T integrated TV sets, and some set top boxes, in the Europe come with a Common Interface slot - which is pretty much the same form-factor as a PC Card (aka PCMCIA) used in PC laptops. This CI slot accepts a Conditional Access Module, in the same way that DVB-S receivers do, which implements at least one (some can do more than one) decryption algorithm. This CAM may also, itself, have a smart card slot to accept a consumer subscription card to authorise decryption - you plug your smartcard into your CAM and your CAM into the CI slot in your receiver/IDTV. Some DVB receivers have an integrated CAM (in the case of some receivers this is implemented purely in software, with no extra hardware required) rather than a CI slot to plug in a 3rd party device. With these type of receivers you just plug in the smart card and don't have to worry about CI slots and buying CAMs. So there is an interface standard for DVB - but different broadcasters can chose different encryption schemes, requiring different CAMs for decryption.

DVB Standards and related documents are published by the European Telecommunications Standards Institute (ETSI). These include a large number of standards and technical notes to complement the MPEG-2 standards defined by the ISO.

There are few different standard how interactive TV functionaly is implemented in DVB-systems in use in differenct countries. DVB-MHP is one gaining some acceptance. Multimedia Home Platform (MHP) is the open middleware system designed by the DVB Project (www.dvb.org).