"Interesting painting." the old man said as I was working on this canvas today.
"Well it's an interesting place to work. Shoeshine stands are like barber shops. Always good conversation."

"That's what I tell my friends. Forget the soaps on TV. Go to downtown Oakland: it's a lot more entertaining."

The old man is right and here are a few excerpts from my diary which prove it.

Holdsworth Painting Shoeshine 13th Franklin Oakland Jim Hines

January 14th

I started my painting of the shoeshine stand today just a block away from the site of my last Oakland painting. Early afternoon a handsome, elderly gentleman sat down to have his shoes shined. Glenn had barely started when an older guy, a retired shoe shiner, came up and started criticizing his work.

"Not like that! You gotta clean em properly first!"

He began working on the customer's other shoe. Two shoes. Two shoe shiners. Quite a sight. Glenn finally stepped aside and let him finish the job. The handsome gentleman stepped down and looked approvingly at his sparkling shoes.

I'd only been partly attending the conversation but my ears perked up when I heard the retired shoe shiner say "...two Olympic gold medals right?"

"Right."

" This man was the fastest man in the world at the Mexico Olympics in '68. He held the record for fifteen years. We both went to McClymonds High School here in Oakland."

Turns out the man with the sparking black shoes was Jim Hines.

The conversation moved on to his running against race horses in '85.

"I won four out of the five races. The fifth race was at Golden Gate Fields. If I'd won that race I would have collected a large jackpot. But they set me up. You see I was supposed to run on a wooden track next to the horse. There's no way a man can run on the same surface as the horses at the track. But when I got to Golden Gate Fields they told me the trucks carrying the wooden track had been delayed. Delayed. Can you believe it? I lost that race. Golden Gate Fields got a full house and they never had to pay me the jackpot."

January 20th

It's Obama Day in Oakland. People are in a festive mood. There's a preacher who stops by everyday. He's explaining the numerical significance of Obama's election.

"Forty years from Martin Luther King's assassination to the election of Obama. We've been wandering in the wilderness like Moses for forty years, but our time has come." He goes on to cite the forty days and forty nights that led to Noah's flood." Then on to many other instances that illustrate the significance of this number. His numerological musings become abstruse, talmudic. My head starts to spin and I turn all my attention back to the painting.

Feb 3rd

Today, just back from Clearlake, I hurried out onto the street to continue the shoeshine painting. I'd been interrupted by rain and couldn't finish it before I left. I was hoping to put Glenn in the picture but neither he nor his stand were here. People told me he wasn't here yesterday either. Someone suggested he might have gone to visit relatives in Chicago. How am I going to finish this painting? A shoeshine stand with a customer already in the seat and no shoeshine man. I suppose I could title it "Waiting for Glenn."

Feb 4th

I phoned Blade, the barber, this morning. His business is a couple of doors down from Glenn. He told me Glenn was back so I returned to my site. While he posed I asked him where he'd been.

"I was asleep."

For two days?"

"Yeah."

Turns out he wasn't feeling so good Sunday night so he took a Tylenol and a Vicodin to relax and go to sleep. The preacher arrived as he was explaining this to me.

"Did you know Glenn just slept for forty eight hours?" I asked him.

"Yes, I had to tell him what day it was this morning. He thought it was Tuesday."

About the artist

Anthony Holdsworth was born in England in 1945. He was introduced to oil painting in high school by the New England painter, Loring Coleman. Holdsworth embarked on a painting career while working as Head of Outdoor Restoration for the Uffizi Gallery in Florence, Italy after the flood of 1966. He continued his studies at the Bournemouth College of Art in England where he studied with master draftsman Samuel Rabin and color theorist Jon Fish and at the San Francisco Art Institute where he studied with Julius Hatofsky, Bruce McGaw and Fred Martin. He has shown with major galleries in Oakland, San Francisco, Sacramento and Los Angeles. He has participated in two exhibitions at the Oakland Museum. He was included in the California Cityscapes exhibition at the San Diego Museum. He was a recipient of WESTAF-NEA fellowship in 1990. His work is in corporate and private collections worldwide.