About the novel Twists of Time. About change, treasure and hope.

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I see ghosts.

I like to find the ghosts when I travel, and learn what I can from them. They’ve always come to me, not as shivers in the nights, or flashes of fear or wails of terror. Rather they waft gently into my imagination, almost always in the daylight, often becoming characters standing in a queue in my brain, waiting to tell me their story.

The ghosts I see are often tired, sometimes sad, but seldom angry and never at me. Not once have they made me afraid.

“Listen. This is how it happened,” they begin. And if I am lucky and have some time alone to live within my head and listen to them, they tell me their stories. What they describe often surprises me, and I know from somewhere deep inside that I am not making up these tales.

I must work to hold on to what they say, because their words quickly become mist in my brain, disappearing as soon as I turn my attention elsewhere. Their stories are much like the memory of a dream, fading quickly as one wakes. If I manage to remember one or more of their narratives, inevitably that day will be one of the best days that I have on my trip.

I started out this journey in Marrakesh Morocco, one of the many places in the world where the ancient and the new co-exist peacefully. My lodging is inside the Medina, a medieval walled city in which the buildings blend together into a continuous whole with a maze of narrow roofless hallways and short tunnels providing access. Some of the walls nearest to my Riad, or place of lodging, exist in various stages of decay or demolition, giving this part of the Medina a touch of post-apocalyptic style.

Other tourists make their way through the maze, along with Moroccan men of all ages. More of these Moroccans are young than old, most are clad in jeans, often talking and joking with friends. There are less Moroccan women to be seen. The older ones move quietly with their eyes down, often wearing flowing clothes and traditional head coverings. The younger ones are more of a mix, sometimes blue jean clad and bareheaded, and laughing with friends of both genders. The ghosts of these walls are quiet, at least as I make my way through the crowds in the middle of the day. I wonder if there is too much noise and activity here for them to be able to make themselves known.

The Medina itself is so confusing to the uninitiated that an entire cottage industry arose provide guidance to lost tourists. Helpful, hopeful men will ask anyone looking foreign and vaguely confused where they are going, and then will proceed to direct them towards it and ask for payment. Some are more persistent and demanding than others, so the savvy tourists now keep their eyes firmly on their smart phones, following their own blue dots while they wave the entrepreneurs away.

Inside the buildings are ornate tiles and woodwork that reflect centuries old crafts from this region. Often the most beautiful of these are saved for the lovely courtyards found in the center of most buildings. Visitors quickly figure out that not only is the courtyard the most pleasing place to sit, it generally has the best internet reception, too. We fill the pretty courtyards in the public places, and the ghosts stay silent here as well. Now I wonder if maybe there are simply too many of them here for any one of them to make themselves known.

It is not until I and my travel companions are on the road, driving through the coastal dessert between Agadir and Essaouira, that the ghosts finally find me. As I stare out the window at the desolate landscape that reminds me of Western Kansas where I was born, I feel their gentle tug.

See us, they say. I look at the scraggly argan trees scattered around the rosy beige rocks and hard mud and I see a robed figure moving in the distance. I squint to see better, blink in the bright sun, and it is gone.

I look for more like it. None appear, but I’ve opened my mind now and I hear them in my head and feel their presence.

“We are the soft people, ” they say as I feel the flow of their movements, their clothes.

Not soft, I think. Not the way that soft implies weak, at least. My brain searches for a word that better translates what it is feeling. The gentle people? No, they are strong, surviving in an unforgiving environment. They are soft only like a well rounded rock that pounds the grain into flour, as opposed to the blade of a knife that cuts the meat. They are the “not sharp” people, except that sharp has other nuances related to intelligence in my native tongue. I search in vain for a purer word, one that only has the meaning that I seek, but the best I can come up with is the feeling of something hard that has been worn smooth by the very harshness in which it survives.

I ask them to tell me their stories, but they are beginning to fade already, much too soon. Perhaps it is because my concentration has wandered, seeking the perfect word, or maybe it is because my two travel companions in the front seat have begun to talk, bringing me out of myself. Or maybe these soft people have no words for me. Maybe with a language and culture so different from mine, they don’t even know how to start.

As they dissipate into the warm sun-filled air, I feel them go, a presence lighter than air as they move over the dessert ground.

“Your world may be harsh, but you are not mean people at all, ” I think. One, an old man who hobbles and is the last one left, turns to look straight into my eyes. He answers me clearly.

“We have no use for the mean people either,” he says. Then he too is gone.