The Biopolitics of Stalinism is the first book to investigate Soviet socialism from a biopolitical perspective. While canonical theories of biopolitics of Michel Foucault, Giorgio Agamben and Roberto ...
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The Biopolitics of Stalinism is the first book to investigate Soviet socialism from a biopolitical perspective. While canonical theories of biopolitics of Michel Foucault, Giorgio Agamben and Roberto Esposito have focused on liberal and fascist rationalities of biopolitics, the case of Stalinism exemplifies an alternative mode of biopolitics, oriented less towards protecting life than towards transforming it in accordance with a transcendent ideal of communism. The book reconstructs this rationality in the early Stalinist project of the Great Break (1928-1932) and its subsequent modifications during the High Stalinist period. It then addresses the question of biopolitics on the level of the subject, tracing the way how the ‘new Soviet person’ was to be constructed in governmental practices and the role violence and terror played in this construction. On the basis of this reconstruction of the Stalinist rationality of biopolitics, this book also contributes to the theoretical debate on affirmative biopolitics, advancing a new interpretation of the relation between ideas and lives in political practice. Bringing the fields of biopolitics and Soviet studies together, this book will be of interest to a wide readership in political theory, history, sociology and cultural studies.Less

The Biopolitics of Stalinism : Ideology and Life in Soviet Socialism

Sergei Prozorov

Published in print: 2016-03-01

The Biopolitics of Stalinism is the first book to investigate Soviet socialism from a biopolitical perspective. While canonical theories of biopolitics of Michel Foucault, Giorgio Agamben and Roberto Esposito have focused on liberal and fascist rationalities of biopolitics, the case of Stalinism exemplifies an alternative mode of biopolitics, oriented less towards protecting life than towards transforming it in accordance with a transcendent ideal of communism. The book reconstructs this rationality in the early Stalinist project of the Great Break (1928-1932) and its subsequent modifications during the High Stalinist period. It then addresses the question of biopolitics on the level of the subject, tracing the way how the ‘new Soviet person’ was to be constructed in governmental practices and the role violence and terror played in this construction. On the basis of this reconstruction of the Stalinist rationality of biopolitics, this book also contributes to the theoretical debate on affirmative biopolitics, advancing a new interpretation of the relation between ideas and lives in political practice. Bringing the fields of biopolitics and Soviet studies together, this book will be of interest to a wide readership in political theory, history, sociology and cultural studies.

This is the first modern book-length study of the case of Thomas Aikenhead, the sometime University of Edinburgh student who in 1697 earned the unfortunate distinction of being the last person ...
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This is the first modern book-length study of the case of Thomas Aikenhead, the sometime University of Edinburgh student who in 1697 earned the unfortunate distinction of being the last person executed for blasphemy in Britain. Taking a micro-historical approach, the book uses the Aikenhead case to open a window into the world of Edinburgh, Scotland and Britain in its transition from the confessional era of the Reformation and the covenants, which placed high emphasis on the defence of orthodox belief, to the polite, literary world of the Enlightenment, of which Edinburgh would become a major centre. The book traces the roots of the Aikenhead case in seventeenth-century Scotland and the law of blasphemy which was evolving in response to the new intellectual currents of biblical criticism and deism. The author analyzes Aikenhead's trial and the Scottish government's decision to uphold the sentence of hanging. Finally, he details the debate engendered by the execution, carried out in a public sphere of print media encompassing both Scotland and England. Aikenhead's case became a media event which highlighted the intellectual and cultural divisions within Britain at the end of the seventeenth century.Less

The Blasphemies of Thomas Aikenhead : Boundaries of Belief on the Eve of the Enlightenment

Michael F. Graham

Published in print: 2008-10-30

This is the first modern book-length study of the case of Thomas Aikenhead, the sometime University of Edinburgh student who in 1697 earned the unfortunate distinction of being the last person executed for blasphemy in Britain. Taking a micro-historical approach, the book uses the Aikenhead case to open a window into the world of Edinburgh, Scotland and Britain in its transition from the confessional era of the Reformation and the covenants, which placed high emphasis on the defence of orthodox belief, to the polite, literary world of the Enlightenment, of which Edinburgh would become a major centre. The book traces the roots of the Aikenhead case in seventeenth-century Scotland and the law of blasphemy which was evolving in response to the new intellectual currents of biblical criticism and deism. The author analyzes Aikenhead's trial and the Scottish government's decision to uphold the sentence of hanging. Finally, he details the debate engendered by the execution, carried out in a public sphere of print media encompassing both Scotland and England. Aikenhead's case became a media event which highlighted the intellectual and cultural divisions within Britain at the end of the seventeenth century.

This book examines types of political and literary disruption. Between 1880 and 1915, a range of writers exploited terrorism's political shocks for their own artistic ends. Drawing on late-Victorian ...
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This book examines types of political and literary disruption. Between 1880 and 1915, a range of writers exploited terrorism's political shocks for their own artistic ends. Drawing on late-Victorian ‘dynamite novels’ by authors including Robert Louis Stevenson, Tom Greer and Robert Thynne, radical journals and papers, such as The Irish People, The Torch, Anarchy and Freiheit, and modernist writing from H. G. Wells and Joseph Conrad to the compulsively militant modernism of Wyndham Lewis and the Vorticists, the book maps the political and aesthetic connections that bind the shilling shocker closely to modernism.Less

Blasted Literature : Victorian Political Fiction and the Shock of Modernism

Deaglan O Donghaile

Published in print: 2011-02-24

This book examines types of political and literary disruption. Between 1880 and 1915, a range of writers exploited terrorism's political shocks for their own artistic ends. Drawing on late-Victorian ‘dynamite novels’ by authors including Robert Louis Stevenson, Tom Greer and Robert Thynne, radical journals and papers, such as The Irish People, The Torch, Anarchy and Freiheit, and modernist writing from H. G. Wells and Joseph Conrad to the compulsively militant modernism of Wyndham Lewis and the Vorticists, the book maps the political and aesthetic connections that bind the shilling shocker closely to modernism.

This book examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works the author shows how the topic ...
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This book examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works the author shows how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the ‘Ossian’ poems, as well as of philosophers including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less-well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. The author finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness that always attends it.Less

The Blind and Blindness in Literature of the Romantic Period

Edward Larrissy

Published in print: 2007-06-19

This book examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works the author shows how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the ‘Ossian’ poems, as well as of philosophers including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less-well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. The author finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness that always attends it.

‘New Bollywood’ has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood ...
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‘New Bollywood’ has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood films just uninspired Hollywood rip-offs, or does their borrowing signal genuine innovation within the industry? Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this book reveals how Indian cinema has changed in the twenty-first century. Equipping readers with an alternative method of reading contemporary Indian cinema, the book takes Indian film studies beyond the standard theme of diaspora, and exposes a new decade of aesthetic experimentation and textual appropriation in mainstream Bombay cinema. A bold celebration of contemporary Bollywood texts, this book radically redefines Indian film and persuasively argues for its seriousness as a field of cinematic studies.Less

Bollywood and Postmodernism : Popular Indian Cinema in the 21st Century

Neelam Sidhar Wright

Published in print: 2015-07-01

‘New Bollywood’ has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood films just uninspired Hollywood rip-offs, or does their borrowing signal genuine innovation within the industry? Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this book reveals how Indian cinema has changed in the twenty-first century. Equipping readers with an alternative method of reading contemporary Indian cinema, the book takes Indian film studies beyond the standard theme of diaspora, and exposes a new decade of aesthetic experimentation and textual appropriation in mainstream Bombay cinema. A bold celebration of contemporary Bollywood texts, this book radically redefines Indian film and persuasively argues for its seriousness as a field of cinematic studies.

This study of popular Indian cinema in an age of globalisation, new media and metropolitan Hindu fundamentalism focuses on the period from 1991 to 2004. Popular Hindi cinema took a certain ...
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This study of popular Indian cinema in an age of globalisation, new media and metropolitan Hindu fundamentalism focuses on the period from 1991 to 2004. Popular Hindi cinema took a certain spectacular turn from the early 1990s as a signature ‘Bollywood style’ evolved in the wake of liberalisation and the inauguration of a global media ecology in India. Films increasingly featured transformed bodies, fashions, life-styles, commodities, gadgets, and spaces, often in non-linear, ‘window-shopping’ ways, without any primary obligation to the narrative. Flows of desires, affects, and aspirations frequently crossed the bounds of stories and determined milieus. One example is the film Haqeeqat, which featured poor, working-class protagonists, but in which romantic musical sequences transported them abruptly to Switzerland, with the actors now dressed in designer suits. The book theorises this overall cinematic-cultural ecology here as an informational geo-televisual aesthetic. The book connects this filmic geo-televisual style to an ongoing story of the uneven globalising process in India. It argues that ‘Bollywood’ is not so much indicative of a uniquely Indian modernity coming into its own than it is symptomatic of a pure techno-financial modernisation which comes without a political modernity. It therefore explains how the irreverent energies of the new can actually be tied to conservative Brahminical imaginations of class, caste, or gender hierarchies. Using a wide-ranging methodological approach that converses with theoretical domains of post-structuralism, post-colonialism, and film and media studies, the book presents a complex account of an India of the present.Less

Bollywood in the Age of New Media : The Geo-televisual Aesthetic

Anustup Basu

Published in print: 2010-09-13

This study of popular Indian cinema in an age of globalisation, new media and metropolitan Hindu fundamentalism focuses on the period from 1991 to 2004. Popular Hindi cinema took a certain spectacular turn from the early 1990s as a signature ‘Bollywood style’ evolved in the wake of liberalisation and the inauguration of a global media ecology in India. Films increasingly featured transformed bodies, fashions, life-styles, commodities, gadgets, and spaces, often in non-linear, ‘window-shopping’ ways, without any primary obligation to the narrative. Flows of desires, affects, and aspirations frequently crossed the bounds of stories and determined milieus. One example is the film Haqeeqat, which featured poor, working-class protagonists, but in which romantic musical sequences transported them abruptly to Switzerland, with the actors now dressed in designer suits. The book theorises this overall cinematic-cultural ecology here as an informational geo-televisual aesthetic. The book connects this filmic geo-televisual style to an ongoing story of the uneven globalising process in India. It argues that ‘Bollywood’ is not so much indicative of a uniquely Indian modernity coming into its own than it is symptomatic of a pure techno-financial modernisation which comes without a political modernity. It therefore explains how the irreverent energies of the new can actually be tied to conservative Brahminical imaginations of class, caste, or gender hierarchies. Using a wide-ranging methodological approach that converses with theoretical domains of post-structuralism, post-colonialism, and film and media studies, the book presents a complex account of an India of the present.

Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the “border crossing” from one temporal or spatial territory into another, ...
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Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the “border crossing” from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these film adaptations address their originating texts, this collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings.Less

Border Crossing : Russian Literature into Film

Published in print: 2016-04-01

Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the “border crossing” from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these film adaptations address their originating texts, this collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings.

This book examines the organisation of power and society in north-east England over two crucial centuries in the emergence of the English ‘state’. England is usually regarded as medieval Europe's ...
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This book examines the organisation of power and society in north-east England over two crucial centuries in the emergence of the English ‘state’. England is usually regarded as medieval Europe's most centralised kingdom, yet the North East was dominated by liberties — largely self-governing jurisdictions — that greatly restricted the English crown's direct authority in the region. These local polities receive here a comprehensive discussion; and their histories are crucial for understanding questions of state formation in frontier zones, regional distinctiveness, and local and national loyalties. The analysis focuses on liberties as both governmental entities and sources of socio-political and cultural identification. It also connects their development and their communities with a rich variety of forces, including the influence of the kings of Scots as lords of Tynedale, and the impact of protracted Anglo-Scottish warfare from 1296. Why did liberties enjoy such long-term relevance as governance structures? How far, and why, did the English monarchy respect their autonomous rights and status? By what means, and how successfully, were liberty identities created, sharpened and sustained? In addressing such issues, this study extends beyond regional history to make significant contributions to the ongoing mainstream debates about ‘state’, ‘society’, ‘identity’ and ‘community’.Less

Matthew L. HolfordKeith J. Stringer

Published in print: 2010-03-31

This book examines the organisation of power and society in north-east England over two crucial centuries in the emergence of the English ‘state’. England is usually regarded as medieval Europe's most centralised kingdom, yet the North East was dominated by liberties — largely self-governing jurisdictions — that greatly restricted the English crown's direct authority in the region. These local polities receive here a comprehensive discussion; and their histories are crucial for understanding questions of state formation in frontier zones, regional distinctiveness, and local and national loyalties. The analysis focuses on liberties as both governmental entities and sources of socio-political and cultural identification. It also connects their development and their communities with a rich variety of forces, including the influence of the kings of Scots as lords of Tynedale, and the impact of protracted Anglo-Scottish warfare from 1296. Why did liberties enjoy such long-term relevance as governance structures? How far, and why, did the English monarchy respect their autonomous rights and status? By what means, and how successfully, were liberty identities created, sharpened and sustained? In addressing such issues, this study extends beyond regional history to make significant contributions to the ongoing mainstream debates about ‘state’, ‘society’, ‘identity’ and ‘community’.

This book presents a distinctive theoretical approach to the problem of borders in the study of global politics. It turns from current debates about the presence or absence of borders between states ...
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This book presents a distinctive theoretical approach to the problem of borders in the study of global politics. It turns from current debates about the presence or absence of borders between states to consider the possibility that the concept of the border of the state is being reconfigured in contemporary political life. The author uses critical resources found in poststructuralist thought to think in new ways about the relationship between borders, security and sovereign power, drawing on a range of thinkers including Agamben, Derrida and Foucault. He highlights the necessity of a more pluralised and radicalised view of what borders arel, and where they might be found, and uses the problem of borders to critically explore the innovations and limits of poststructuralist scholarship.Less

Border Politics : The Limits of Sovereign Power

Nick Vaughan-Williams

Published in print: 2009-05-12

This book presents a distinctive theoretical approach to the problem of borders in the study of global politics. It turns from current debates about the presence or absence of borders between states to consider the possibility that the concept of the border of the state is being reconfigured in contemporary political life. The author uses critical resources found in poststructuralist thought to think in new ways about the relationship between borders, security and sovereign power, drawing on a range of thinkers including Agamben, Derrida and Foucault. He highlights the necessity of a more pluralised and radicalised view of what borders arel, and where they might be found, and uses the problem of borders to critically explore the innovations and limits of poststructuralist scholarship.

What do the following behaviours have in common: shouting and swearing, painting graffiti, killing a fox by kicking it, glue-sniffing, cross-dressing in public, dangerous driving, discharging a ...
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What do the following behaviours have in common: shouting and swearing, painting graffiti, killing a fox by kicking it, glue-sniffing, cross-dressing in public, dangerous driving, discharging a fire-arm, engaging in a roof-top prison protest, throwing a lit firework in a bus, attempting to commit suicide, making threatening gestures, and kerb crawling? Incredibly, each of these behaviours has been successfully prosecuted in Scotland as the crime of ‘breach of the peace’. This book describes and critiques this commonly prosecuted crime. The author traces the development of the crime from the mid-19th century to the present day, and also considers related statutory offences. The latter include those offences created by the Criminal Justice and Licensing (Scotland) Act 2010, and the Offensive Behaviour at Football and Threatening Communications (Scotland) Act 2012. It is argued that breach of the peace remains an overly broad and ill-defined crime – despite the appeal court’s attempts at narrowing its definition.Less

Breach of the Peace

Pamela R. Ferguson

Published in print: 2013-07-15

What do the following behaviours have in common: shouting and swearing, painting graffiti, killing a fox by kicking it, glue-sniffing, cross-dressing in public, dangerous driving, discharging a fire-arm, engaging in a roof-top prison protest, throwing a lit firework in a bus, attempting to commit suicide, making threatening gestures, and kerb crawling? Incredibly, each of these behaviours has been successfully prosecuted in Scotland as the crime of ‘breach of the peace’. This book describes and critiques this commonly prosecuted crime. The author traces the development of the crime from the mid-19th century to the present day, and also considers related statutory offences. The latter include those offences created by the Criminal Justice and Licensing (Scotland) Act 2010, and the Offensive Behaviour at Football and Threatening Communications (Scotland) Act 2012. It is argued that breach of the peace remains an overly broad and ill-defined crime – despite the appeal court’s attempts at narrowing its definition.