Friday, December 22, 2017

Congratulations to Bart Zimmer, winner of last week’s Friday Freebie: Savage Country, the new novel by Robert Olmstead.

This week, one lucky reader will win a copy of The End We Start From by Megan Hunter. I am thrilled to be giving away this novel in particular, because it’s one of my favorite books of the year. The End We Start From left me breathless and speechless, so I’m grateful to Tracy Chevalier, author of Girl With a Pearl Earring, who put it so eloquently: “The End We Start From is strange and powerful, and very apt for these uncertain times. I was moved, terrified, uplifted―sometimes all three at once. It takes skill to manage that, and Hunter has a poet’s understanding of how to make each word count.” Keep scrolling for more information about the book and how to enter the contest....

As London is submerged below floodwaters, a woman gives birth to her first child, Z. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place. The story traces fear and wonder as the baby grows, thriving and content against all the odds. The End We Start From is an indelible and elemental first book―a lyrical vision of the strangeness and beauty of new motherhood, and a tale of endurance in the face of ungovernable change.

If you’d like a chance at winning The End We Start From, simply email your name and mailing address to

Put FRIDAY FREEBIE in the e-mail subject line. Please include your mailing address in the body of the e-mail. One entry per person, please. Despite its name, the Friday Freebie remains open to entries until midnight on Jan. 4, at which time I’ll draw the winning name. I’ll announce the lucky reader on Jan. 5. If you’d like to join the mailing list for the once-a-week newsletter, simply add the words “Sign me up for the newsletter” in the body of your email. Your email address and other personal information will never be sold or given to a third party (except in those instances where the publisher requires a mailing address for sending Friday Freebie winners copies of the book).

Want to double your odds of winning? Get an extra entry in the contest by posting a link to this webpage on your blog, your Facebook wall or by tweeting it on Twitter. Once you’ve done any of those things, send me an additional e-mail saying “I’ve shared” and I’ll put your name in the hat twice.

Tuesday, December 19, 2017

My First Time is a regular feature in which writers talk about virgin experiences in their writing and publishing careers, ranging from their first rejection to the moment of holding their first published book in their hands. Today’s guest is Giano Cromley, author of the novel The Last Good Halloween, which was a finalist for the High Plains Book Award. His short story collection What We Build Upon the Ruins was released by Tortoise Books in November. He is the chair of the Communications Department at Kennedy-King College, and he lives on the South Side of Chicago with his wife and two dogs.

My First Devastating Writing Workshop

The first time I submitted a story for workshop in my Master of Fine Arts program I learned more about what it means to be a writer than any experience I’d had before or since. Those lessons took a long time to congeal—I certainly didn’t recognize them in the moment—but with the blessed hindsight of over 15 years, I can say now that’s where I first learned what it is like to be a writer.

In 1999, I left Washington, DC, to attend the University of Montana’s MFA program in fiction. I had been working in the U.S. Senate for the previous four years, making my way up from front desk phone-answering guy, to letter-writing guy, to press release-writing guy, to speech-writing guy. And while I had been learning the intricacies of a well-honed hedge or the siren-song lyricism of a political cliché, I had harbored the secret belief that I was destined to be a great writer, that I was perhaps in my chrysalis phase, preparing myself for a meteoric rise through the ranks of whatever you’re supposed to rise through in order to become a big-shot writer.

When I got my acceptance letter to UM, I figured I was ready to take flight.

For my first workshop class I chose one of the more notoriously salty professors in the program because I figured it would mean a lot more when someone like that pronounced me the next big thing, as opposed to one of the more traditionally supportive faculty members. That first class period I volunteered to submit a story to be workshopped because I didn’t see any reason to delay my rise to the top any longer.

Most people, by now, are familiar with the concept of workshopping. You submit copies of a story to the class. They read it and come back the next class period to offer advice and critique.

After class, I made a pot of coffee and stayed up late into the night, tapping out a brand new story that I was convinced would cement my status as someone to keep an eye on.

I wrote a loosely fictionalized story about a relationship where a girlfriend wanted to get married to a guy who was, for no particular reason, noncommittal. (Before you read any further, let me be clear that I’m in on the joke now. I know how awful that story sounds, but I was convinced at the time that this was literary gold.) To top it off, I decided to write the story in second person. Yes! Of course! Second person! How brilliant! How original!

That next morning, confident that I held the future of American literature in my hands, I delivered the story to my classmates’ mailboxes in the English Department. I then had to wait an entire week before the class met again.

When the day finally came, my story was the first one discussed in class. The teacher pulled a copy out of his satchel and set it on the table before him. “Well, what did we think?” he asked. I sensed a note of resignation in his voice which was the first hint that this workshop session might not go the way I’d anticipated.

At first, there was silence.

Finally, one of the second-year students spoke up, “I didn’t get it. I mean, what’s he trying to do here?”

And then came the flood. All at once, the room burst into a cacophony of students speaking at once, all with something negative to share about the story.

To say they didn’t like it would be an understatement. To say they hated it might be an understatement as well. More accurate would be to say they felt transitive hatred, the kind of hatred that makes you angry at the person who created it. The clichés, the smugness of the narrator, the snarky tone. They despised everything about it.

I think I must have been in shock. I didn’t cry, which was my first instinct. I also didn’t say anything in my defense, which would have been considered very poor form in that program. So at least I was able to maintain my dignity. Up to a point.

“What about the use of second person?” my teacher finally asked once the group seemed to have spent itself. “What did we think about that?”

There was a chorus of negative comments. Then he cleared his throat and answered his own question, “Reading this story in second person was like being trapped at a party by a drunk guy who won’t stop talking right in your face.”

The room erupted into laughter.

And that was it. The lowest point I could remember ever feeling as a writer.

After class, I gathered my things and slunk out of the classroom. I did a lot of soul searching those first few weeks of the program. Was I really that bad of a writer? Was the thing I thought I’d been put on this earth to do actually something I was terrible at? Should I have been applying to law schools instead of creative writing programs?
I decided to stick it out in the MFA program. And slowly, gradually, I began to write stories that got a better reception. More importantly, I started reading a lot. Everything I could get my hands on. And I started to pay more attention to what was happening in the things I read. I started learning.

To be sure, the low moment I felt that day of my first workshop would be felt again later, multiple times, in different and similar ways. The time an agent called to say she loved my first novel, then inexplicably cut off communication with me a few weeks later, never to be heard from again. The time a trusted friend read the first draft of a novel I’d spent years on and said, I’m not really sure why you wrote this or what you could ever do to fix it. The time I got my first one-star review on Goodreads. Those low moments rival that first workshop experience.

And it goes to the single truest thing I’ve learned about writing: You need to have thick skin. You need to know when to shut out the voices that are calling for your head. You need to know when to block out the world, sit your ass down at a desk, and start pushing the pen across that blank white page.

Sunday, December 17, 2017

Simply put, the best sentence(s) I’ve read this past week, presented out of context and without commentary.

One of the most astonishing things about this deadly fog was who it first alarmed—not politicians, reporters, or even doctors, but undertakers. Across London, funeral directors reported a surge in bodies, so many that the demand for caskets was insatiable.

Friday, December 15, 2017

Congratulations to Carl Scott, winner of last week’s Friday Freebie: The Midnight Line by Lee Child.

This week, Savage Country, the new novel by Robert Olmstead (Coal Black Horse), is up for grabs. One lucky reader will win a new hardcover copy of the novel BookPage calls “an unforgettable, unflinching, yet distinctly moving story of human greed and desire.” Keep scrolling for more information about the book....

“The year was 1873 and all about was the evidence of boom and bust, shattered dreams, foolish ambition, depredation, shame, greed, and cruelty...”

Onto this broken Western stage rides Michael Coughlin, a Civil War veteran with an enigmatic past, come to town to settle his dead brother’s debt. Together with his widowed sister-in-law, Elizabeth, bankrupted by her husband’s folly and death, they embark on a massive, and hugely dangerous, buffalo hunt. Elizabeth hopes to salvage something of her former life and the lives of the hired men and their families who now depend on her; the buffalo hunt that her husband had planned, she now realizes, was his last hope for saving the land. Elizabeth and Michael plunge south across the aptly named “dead line” demarcating Indian Territory from their home state of Kansas. Nothing could have prepared them for the dangers: rattlesnakes, rabies, wildfire, lightning strikes, blue northers, flash floods—and human treachery. With the Comanche in winter quarters, Elizabeth and Michael are on borrowed time, and the cruel work of harvesting the buffalo is unraveling their souls. Bracing, direct, and quintessentially American, Olmstead’s gripping narrative follows that infamous hunt, which drove the buffalo to near extinction. Savage Country is the story of a moment in our history in which mass destruction of an animal population was seen as a road to economic salvation. But it’s also the intimate story of how that hunt changed Michael and Elizabeth forever.

If you’d like a chance at winning Savage Country, simply email your name and mailing address to

Put FRIDAY FREEBIE in the e-mail subject line. Please include your mailing address in the body of the e-mail. One entry per person, please. Despite its name, the Friday Freebie remains open to entries until midnight on Dec. 21, at which time I’ll draw the winning name. I’ll announce the lucky reader on Dec. 22. If you’d like to join the mailing list for the once-a-week newsletter, simply add the words “Sign me up for the newsletter” in the body of your email. Your email address and other personal information will never be sold or given to a third party (except in those instances where the publisher requires a mailing address for sending Friday Freebie winners copies of the book).

Want to double your odds of winning? Get an extra entry in the contest by posting a link to this webpage on your blog, your Facebook wall or by tweeting it on Twitter. Once you’ve done any of those things, send me an additional e-mail saying “I’ve shared” and I’ll put your name in the hat twice.

Friday, December 8, 2017

Congratulations to Maria McMichael, winner of last week’s Friday Freebie: The Big Christmas 2017 Book Giveaway.

This week, there’s only one book up for grabs, but oh what a book it is: The Midnight Line by Lee Child. This latest installment in the long-running Jack Reacher series is among the best of the bunch. I wholeheartedly agree with Kirkus Reviews when they say: “The book is very smart...and suggests something that has not been visible in the series’ previous entries: a creeping sadness in Reacher’s wanderings that, set here among the vast and empty landscapes of Wyoming, resembles the peculiarly solitary loneliness of the classic American hero. This return to form is also a hint of new ground to be covered.” I have a SIGNED copy to put in the hands of one lucky reader. Will it be you? Keep scrolling for more information about the book...

Lee Child returns with a gripping new powerhouse thriller featuring Jack Reacher, “one of this century’s most original, tantalizing pop-fiction heroes” (The Washington Post).
Reacher takes a stroll through a small Wisconsin town and sees a class ring in a pawn shop window: West Point 2005. A tough year to graduate: Iraq, then Afghanistan. The ring is tiny, for a woman, and it has her initials engraved on the inside. Reacher wonders what unlucky circumstance made her give up something she earned over four hard years. He decides to find out. And find the woman. And return her ring. Why not? So begins a harrowing journey that takes Reacher through the upper Midwest, from a lowlife bar on the sad side of small town to a dirt-blown crossroads in the middle of nowhere, encountering bikers, cops, crooks, muscle, and a missing persons PI who wears a suit and a tie in the Wyoming wilderness. The deeper Reacher digs, and the more he learns, the more dangerous the terrain becomes. Turns out the ring was just a small link in a far darker chain. Powerful forces are guarding a vast criminal enterprise. Some lines should never be crossed. But then, neither should Reacher.

If you’d like a chance at winning The Midnight Line, simply email your name and mailing address to

Put FRIDAY FREEBIE in the e-mail subject line. Please include your mailing address in the body of the e-mail. One entry per person, please. Despite its name, the Friday Freebie remains open to entries until midnight on Dec. 14, at which time I’ll draw the winning name. I’ll announce the lucky reader on Dec. 15. If you’d like to join the mailing list for the once-a-week newsletter, simply add the words “Sign me up for the newsletter” in the body of your email. Your email address and other personal information will never be sold or given to a third party (except in those instances where the publisher requires a mailing address for sending Friday Freebie winners copies of the book).

Want to double your odds of winning? Get an extra entry in the contest by posting a link to this webpage on your blog, your Facebook wall or by tweeting it on Twitter. Once you’ve done any of those things, send me an additional e-mail saying “I’ve shared” and I’ll put your name in the hat twice.

Faith Fox is the story of a motherless girl named Faith and her family and close friends, all of whom are determined to see her live a happy life. Faith’s mother died in childbirth; her overworked father cannot raise his child alone; and her unconventional grandmother refuses to acknowledge the child whose birth took away the daughter she loved. And so a motley crew of family and friends converges to see that Faith is brought up correctly. The concerned parties include Faith’s uncle, who runs a commune in northern England; the Tibetan refugees who have moved in with him; and the splendidly bickering paternal grandparents. What ensues is a brilliant comedy of manners set equally amidst high society and low. Faith Fox is a story that explores the wonder of the human heart in all its thunderous eccentricity. Gardam has mastered the essence of age and youth and above all noncomformity. Her memorable characters are sure to delight.

What does an idea look like? And where do they come from? Grant Snider’s illustrations in The Shape of Ideas will motivate you to explore these questions, inspire you to come up with your own answers and, like all Gordian knots, prompt even more questions. Whether you are a professional artist or designer, a student pursuing a creative career, a person of faith, someone who likes walks on the beach, or a dreamer who sits on the front porch contemplating life, this collection of one- and two-page comics will provide insight into the joys and frustrations of creativity, inspiration, and process—no matter your age or creative background.

As rich, wild, dark, and beautiful as its Yorkshire setting, Elmet is a gripping debut about life on the margins and the power—and limits—of family loyalty....The family thought the little house they had made themselves in Elmet, a corner of Yorkshire, was theirs, that their peaceful, self-sufficient life was safe. Cathy and Daniel roamed the woods freely, occasionally visiting a local woman for some schooling, living outside all conventions. Their father built things and hunted, working with his hands; sometimes he would disappear, forced to do secret, brutal work for money, but to them he was a gentle protector. Narrated by Daniel after a catastrophic event has occurred, Elmet mesmerizes even as it becomes clear the family’s solitary idyll will not last. When a local landowner shows up on their doorstep, their precarious existence is threatened, their innocence lost. Daddy and Cathy, both of them fierce, strong, and unyielding, set out to protect themselves and their neighbors, putting into motion a chain of events that can only end in violence.

When the world’s most notorious cartel bosses get arrested, they call Benn Bluestone. A drug lawyer sharp enough to exploit loopholes in the system, Bluestone loves the money, the women, the action that come with his career…but working between the lines of justice and crime has taken its toll, and he desperately wants out. He’s convinced himself that only an insanely rich client can guarantee him a lavish retirement. When the New Year begins with three promising cases, Bluestone thinks he’s hit pay dirt. But then the cases link dangerously together—and to his own past. Does the mysterious drug kingpin Sombra hold the key to Bluestone’s ambitions? Or does the key open a door that could bring the entire federal justice system to a screeching halt and net Bluestone a life in jail without parole?

In the spirit of Vanessa Diffenbaugh’s The Language of Flowers--and with a touch of the magical--The Peculiar Miracles of Antoinette Martin is a spellbinding debut about a wondrously gifted child and the family that she helps to heal. Sisters Rose and Lily Martin were inseparable when growing up on their family’s Kentucky flower farm yet became distant as adults when Lily found herself unable to deal with the demands of Rose’s unusual daughter. But when Rose becomes ill, Lily is forced to return to the farm and to confront the fears that had driven her away. Rose’s daughter, ten-year-old Antoinette, has a form of autism that requires constant care and attention. She has never spoken a word, but she has a powerful gift that others would give anything to harness--she can heal with her touch. She brings wilted flowers back to life, makes a neighbor’s tremors disappear, and even changes the course of nature on the flower farm. Antoinette’s gift, though, comes at a price, since each healing puts her own life in jeopardy. As Rose--the center of her daughter’s life--struggles with her own failing health and Lily confronts her anguished past, the sisters, and the men who love them, come to realize the sacrifices that must be made to keep this very special child safe. Written with great heart and a deep understanding of what it feels like to be different, The Peculiar Miracles of Antoinette Martin is a novel about what it means to be family and about the lengths to which people will go to protect the ones they love.

In The Unbelievable FIB: Over the Underworld, friends ABE and Pru race to stop the chain of events foretold in Norse myth to lead to Ragnarok--the war that ends the world. It’s been a year since friends ABE and Pru joined Mister Fox’s Fantasy Investigation Bureau to save their hometown from an invasion of Viking gods and giants. Life has been incredibly ordinary ever since. Then the Norse Allfather, Odin, appears with terrible news: Baldur, his favorite son, has been murdered--the first step in a fated chain of events that leads to Ragnarok. Over the Underworld, the second book in the Unbelievable FIB series, takes ABE and Pru on a thrilling new adventure. They outrun trolls, explore Asgard and the Viking underworld, and try to outsmart the Queen of the Dead herself to save the world--and survive seventh grade.

Jorge Carrion collects bookshops: from Gotham Book Mart and the Strand Bookstore in New York City to City Lights Bookshop and Green Apple Books in San Francisco and all the bright spots in between (Prairie Lights, Tattered Cover, and countless others). In this thought-provoking, vivid, and entertaining essay, Carrion meditates on the importance of the bookshop as a cultural and intellectual space. Filled with anecdotes from the histories of some of the famous (and not-so-famous) shops he visits on his travels, thoughtful considerations of challenges faced by bookstores, and fascinating digressions on their political and social impact, Bookshops is both a manifesto and a love letter to these spaces that transform readers’ lives.

With action-packed storytelling and inventive twists on Caribbean and West African mythology and fairy tales, Rise of the Jumbies is a breathlessly exciting tale of courage and friendship. Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven’t exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne. To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D’Leau, the dangerous jumbie who rules the sea. But Mama D’Leau’s help comes with a price. Corinne and her friends Dru, Bouki, and Malik must travel with mermaids across the ocean to fetch a powerful object for Mama D’Leau. The only thing more perilous than Corinne’s adventures across the sea is the jumbie that waits for her back home.

In How I Lost You, a woman without a memory struggles to discover the truth about her past and her identity in this cerebral and dark thriller reminiscent of works by bestselling authors S.J. Watson and Ruth Ware: I have no memory of what happened but I was told I killed my son. And you believe what your loved ones, your doctor and the police tell you, don't you? My name is Emma Cartwright. Three years ago I was Susan Webster, and I murdered my twelve-week-old son Dylan. I was sent to Oakdale Psychiatric Institute for my crime, and four weeks ago I was released early on parole with a new identity, address, and a chance to rebuild my tattered life. This morning, I received an envelope addressed to Susan Webster. Inside it was a photograph of a toddler called Dylan. Now I am questioning everything I believe because if I have no memory of the event, how can I truly believe he's dead? If there was the smallest chance your son was alive, what would you do to get him back?

Alan Bennett’s third collection of prose, Keeping On Keeping On, follows in the footsteps of the phenomenally successful Writing Home and Untold Stories. Bringing together the hilarious, revealing, and lucidly intelligent writing of one of England’s best-known literary figures, Keeping On Keeping On contains Bennett’s diaries from 2005 to 2015―with everything from his much celebrated essays to his irreverent comic pieces and reviews―reflecting on a decade that saw four major theater premieres and the films of The History Boys and The Lady in the Van. A chronicle of one of the most important literary careers of the twentieth century, Keeping On Keeping On is a classic history of a life in letters.

Brave Deeds is a compelling novel of war, brotherhood, and America. Spanning eight hours, the novel follows a squad of six AWOL soldiers as they attempt to cross war-torn Baghdad on foot to attend the funeral of their leader, Staff Sergeant Rafe Morgan. As the men make their way to the funeral, they recall the most ancient of warriors yet are a microcosm of twenty-first-century America, and subject to the same human flaws as all of us. Drew is reliable in the field but unfaithful at home; Cheever, overweight and whining, is a friend to no one―least of all himself; and platoon commander Dmitri “Arrow” Arogapoulos is stalwart, yet troubled with questions about his own identity and sexuality. Emotionally resonant, true-to-life, and thoughtfully written, Brave Deeds is a gripping story of combat and of perseverance, and an important addition to the oeuvre of contemporary war fiction. (As a bonus, I’m also throwing in a copy of the audiobook version of the novel, in case you’re one of those readers who likes to ingest their books through the ears...)

If you’d like a chance at winning ALL THE BOOKS, simply email your name and mailing address to

Put FRIDAY FREEBIE in the e-mail subject line. Please include your mailing address in the body of the e-mail. One entry per person, please. Despite its name, the Friday Freebie remains open to entries until midnight on Dec. 7, at which time I’ll draw the winning name. I’ll announce the lucky reader on Dec. 8. If you’d like to join the mailing list for the once-a-week newsletter, simply add the words “Sign me up for the newsletter” in the body of your email. Your email address and other personal information will never be sold or given to a third party (except in those instances where the publisher requires a mailing address for sending Friday Freebie winners copies of the book).

Want to double your odds of winning? Get an extra entry in the contest by posting a link to this webpage on your blog, your Facebook wall or by tweeting it on Twitter. Once you’ve done any of those things, send me an additional e-mail saying “I’ve shared” and I’ll put your name in the hat twice.

The Quivering Pen

The Quivering Pen's motto can be summed up in two words: Book Evangelism. The blog is written and curated by David Abrams, author of the novels Brave Deeds (Grove/ Atlantic, 2017) and Fobbit (Grove/ Atlantic, 2012), from his home office in Butte, Montana. It is fueled by early-morning cups of coffee, the occasional bowl of Cheez-Its, and a lifelong love of good books.