Luke Schneider

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Biography

The history of new age music from south of the Mason-Dixon line is largely a secret one. But the south is where we find one of the genre’s most important distributors —New Leaf, in Kentucky, some of its most accomplished synthesists — Don Robertson, Geoffrey Newhall, William Linton, amongst others, and acoustic musicians like PC Davidoff and George Tortorelli. It is the home of countless spiritual retreats, intentional communities, and other signifiers of alternative spiritual life.

But until now, there have never been any particular regional characteristics that can be assigned to southern new age music. Until now, there has never been any crossover between country and new age.

And so —all of the sounds heard on this album were made with a 1967 Emmons Push/Pull pedal steel guitar in Nashville, Tennessee.

This recording, which can justifiably be described as “new age” in the most essential sense, represents a radical new approach to the versatile and cosmic instrument of the steel guitar. The closest antecedents may be sculptural sounds of Francesco’s Cosmic Beam, or Constance Demby’s Sonic Steel Space Bass. But unlike these invented instruments, the pedal steel is steeped in tradition. This is something new under the sun, a total reinvention of an iconic instrument. Quite literally, there has never been anything else quite like it.

But more than a mere piece of invention —Altar Of Harmony is extraordinarily cinematic, an epic musical devotional to higher realms —booming music of the spheres. Regardless of its origins, the expression unmistakable. This is the sound of Valhalla, of heaven, planetary alignment, of total eclipse. This is the sound of an angelic army roaring into battle. This is the heavy metal thunder of the future we were promised. Music for the end of the world. At very least, music of transformation. Sunset on the old way of life, sunrise on the new.

Luke Schneider was born in Dayton, Ohio in 1980. He was named after Paul Newman’s character in the film Cool Hand Luke. He cut his teeth playing with artists like Margo Price and Caitlin Rose. A popular session player, he has, at the age of 40, taken the extraordinary step of transforming himself into a solo artist, the main attraction. Third Man Records put out a new age album. Play this record to find out why.

Press Releases

RENOWNED NASHVILLE PEDAL STEEL PLAYERLUKE SCHNEIDERANNOUNCES AMBIENT NEW AGE ALBUMALTAR OF HARMONYOUT MAY 15, 2020 ON THIRD MAN RECORDS

SHARES NEW TRACK “ANTELUDIUM”AND ACCOMPANYING VIDEO

CURRENTLY ON TOUR IN ORVILLE PECK’S BAND

“Altar of Harmony depicts a post-country Nashville… meditative music that evokes the work of New Age and ambient music figures like Harold Budd and Don Robertson…”

–Nashville Scene

“If there’s steel guitars in heaven, they probably sound like this.”

-Kurt Wagner, Lambchop

Renowned Nashville pedal steel player Luke Schneider is excited to announce his new album Altar Of Harmony, out May 15 on Third Man Records. The music is situated firmly in the ambient new age realm, yet all of the sounds on Altar Of Harmony were created with a 1967 Emmons Push/Pull pedal steel guitar. The announcement comes with the album’s first track “Anteludium” and its accompanying video — watch the video HERE, and listen to the audio-only version HERE. Pre-order the album on black vinyl HERE, and pre-save it digitally HERE.

Schneider is a popular Nashville session musician, having performed and recorded with Margo Price, Caitlin Rose, William Tyler and many more. He is currently on tour performing in Orville Peck‘s band.

The history of new age music from south of the Mason-Dixon line is largely a secret one. But the south is where we find one of the genre’s most important distributors —New Leaf, in Kentucky, some of its most accomplished synthesists — Don Robertson, Geoffrey Newhall, William Linton, amongst others, and acoustic musicians like PC Davidoff and George Tortorelli. It is the home of countless spiritual retreats, intentional communities, and other signifiers of alternative spiritual life.

But until now, there have never been any particular regional characteristics that can be assigned to southern new age music. Until now, there has never been any crossover between country and new age.

And so —all of the sounds heard on this album were made with a 1967 Emmons Push/Pull pedal steel guitar in Nashville, Tennessee.

This recording, which can justifiably be described as “new age” in the most essential sense, represents a radical new approach to the versatile and cosmic instrument of the steel guitar. The closest antecedents may be sculptural sounds of Francesco’s Cosmic Beam, or Constance Demby’s Sonic Steel Space Bass. But unlike these invented instruments, the pedal steel is steeped in tradition. This is something new under the sun, a total reinvention of an iconic instrument. Quite literally, there has never been anything else quite like it.

But more than a mere piece of invention —Altar Of Harmony is extraordinarily cinematic, an epic musical devotional to higher realms —booming music of the spheres. Regardless of its origins, the expression unmistakable. This is the sound of Valhalla, of heaven, planetary alignment, of total eclipse. This is the sound of an angelic army roaring into battle. This is the heavy metal thunder of the future we were promised. Music for the end of the world. At very least, music of transformation. Sunset on the old way of life, sunrise on the new.

Luke Schneider was born in Dayton, Ohio in 1980. He was named after Paul Newman’s character in the film Cool Hand Luke. He cut his teeth playing with artists like Margo Price and Caitlin Rose. A popular session player, he has, at the age of 40, taken the extraordinary step of transforming himself into a solo artist, the main attraction. Third Man Records put out a new age album. Play this record to find out why.

Renowned Nashville pedal steel player Luke Schneider has shared “Lex Universum,” the second single from his new album Altar Of Harmony, out May 15 on Third Man Records. Listen to the track HERE. The music is situated firmly in the ambient new age realm, yet all of the sounds on Altar Of Harmony were created with a 1967 Emmons Push/Pull pedal steel guitar. Pre-order the album on black vinyl HERE, and pre-save it digitally HERE.

Schneider is also an in-demand session musician, even described as “an MVP of the Nashville music scene” by the Nashville Scene. He has recently performed and recorded with Margo Price, Orville Peck, Caitlin Rose, William Tyler and many more.

‘”lex universum’ translates to ‘law of the universe’ in latin,” Schneider says. “it is a reference to the basic concept of divine oneness, in which everything that exists seen or unseen, all natural objects, consciousness, and living beings are connected by the original divine universal energy. this piece features more traditional pedal steel guitar sounds that i often draw on when meditating on how to best share my soul equally with the universe and with those closest to me.”

The album was announced with first track “Anteludium” and its accompanying video — watch the video HERE, and listen to the audio-only version HERE. Nashville Scene said that the track “rests on a cloud of pulsing harmony, shot through with soft-edged melodies like rays of light,” while Stereogum praised the album as a whole, noting that “Altar Of Harmony just might be the salve you need to calm your nerves in these trying times.”

The history of new age music from south of the Mason-Dixon line is largely a secret one. But the south is where we find one of the genre’s most important distributors —New Leaf, in Kentucky, some of its most accomplished synthesists — Don Robertson, Geoffrey Newhall, William Linton, amongst others, and acoustic musicians like PC Davidoff and George Tortorelli. It is the home of countless spiritual retreats, intentional communities, and other signifiers of alternative spiritual life.

But until now, there have never been any particular regional characteristics that can be assigned to southern new age music. Until now, there has never been any crossover between country and new age.

And so —all of the sounds heard on this album were made with a 1967 Emmons Push/Pull pedal steel guitar in Nashville, Tennessee.

This recording, which can justifiably be described as “new age” in the most essential sense, represents a radical new approach to the versatile and cosmic instrument of the steel guitar. The closest antecedents may be sculptural sounds of Francesco’s Cosmic Beam, or Constance Demby’s Sonic Steel Space Bass. But unlike these invented instruments, the pedal steel is steeped in tradition. This is something new under the sun, a total reinvention of an iconic instrument. Quite literally, there has never been anything else quite like it.

But more than a mere piece of invention —Altar Of Harmony is extraordinarily cinematic, an epic musical devotional to higher realms —booming music of the spheres. Regardless of its origins, the expression unmistakable. This is the sound of Valhalla, of heaven, planetary alignment, of total eclipse. This is the sound of an angelic army roaring into battle. This is the heavy metal thunder of the future we were promised. Music for the end of the world. At very least, music of transformation. Sunset on the old way of life, sunrise on the new.

Luke Schneider was born in Dayton, Ohio in 1980. He was named after Paul Newman’s character in the film Cool Hand Luke. He cut his teeth playing with artists like Margo Price and Caitlin Rose. A popular session player, he has, at the age of 40, taken the extraordinary step of transforming himself into a solo artist, the main attraction. Third Man Records put out a new age album. Play this record to find out why.

Renowned Nashville pedal steel player Luke Schneider has released his new album Altar Of Harmony today on Third Man Records. Watch a new video for album highlight “mundi tuum est” HERE. The music is situated firmly in the ambient new age realm, yet all of the sounds on Altar Of Harmony were created with a 1967 Emmons Push/Pull pedal steel guitar. Stream the album HERE, and purchase it on cassette exclusively from Bandcamp HERE. Standard black vinyl and limited-edition colored vinyl will be available on June 19 — preorder the album on black vinyl HERE. While supplies last, all vinyl copies of Altar Of Harmony purchased from retail stores will come with a pack of Forestdale Incense, created by Schneider himself.

Schneider is an in-demand session musician, even described as “an MVP of the Nashville music scene” by the Nashville Scene. He has recently performed and recorded with Margo Price, Orville Peck, Caitlin Rose, William Tyler and many more.

Altar Of Harmony was announced with first track “Anteludium” and its accompanying video — watch the video HERE, and listen to the audio-only version HERE. Nashville Scene said that the track “rests on a cloud of pulsing harmony, shot through with soft-edged melodies like rays of light,” while Stereogumpraised the album as a whole, noting that “Altar Of Harmony just might be the salve you need to calm your nerves in these trying times.” Bandcamphad similar sentiments in their extensive profile of Schneider, noting that “Altar of Harmony is most often absorbing and steadying… as immersive but expansive as a day perched on a mountain’s shoulders, staring out on the flats below.” Ambient Music Guidegave the album an ecstatic review, raving that “The album is ripe with cosmic textures and lovely little psychedelic touches.”

Schneider performing on Third Man Public Access

The history of new age music from south of the Mason-Dixon line is largely a secret one. But the south is where we find one of the genre’s most important distributors —New Leaf, in Kentucky, some of its most accomplished synthesists — Don Robertson, Geoffrey Newhall, William Linton, amongst others, and acoustic musicians like PC Davidoff and George Tortorelli. It is the home of countless spiritual retreats, intentional communities, and other signifiers of alternative spiritual life.

But until now, there have never been any particular regional characteristics that can be assigned to southern new age music. Until now, there has never been any crossover between country and new age.

And so —all of the sounds heard on this album were made with a 1967 Emmons Push/Pull pedal steel guitar in Nashville, Tennessee.

This recording, which can justifiably be described as “new age” in the most essential sense, represents a radical new approach to the versatile and cosmic instrument of the steel guitar. The closest antecedents may be sculptural sounds of Francesco’s Cosmic Beam, or Constance Demby’s Sonic Steel Space Bass. But unlike these invented instruments, the pedal steel is steeped in tradition. This is something new under the sun, a total reinvention of an iconic instrument. Quite literally, there has never been anything else quite like it.

But more than a mere piece of invention — Altar Of Harmony is extraordinarily cinematic, an epic musical devotional to higher realms —booming music of the spheres. Regardless of its origins, the expression unmistakable. This is the sound of Valhalla, of heaven, planetary alignment, of total eclipse. This is the sound of an angelic army roaring into battle. This is the heavy metal thunder of the future we were promised. Music for the end of the world. At very least, music of transformation. Sunset on the old way of life, sunrise on the new.

Luke Schneider was born in Dayton, Ohio in 1980. He was named after Paul Newman’s character in the film Cool Hand Luke. He cut his teeth playing with artists like Margo Price and Caitlin Rose. A popular session player, he has, at the age of 40, taken the extraordinary step of transforming himself into a solo artist, the main attraction. Third Man Records put out a new age album. Play this record to find out why.