Almost The Same Shit, Different Day

by thoughtsonthedead

Sammy Hagar made a Croc fuck a flip-flop. Sammy Hagar, in the genetics laboratory he keeps in the basement of the Cabo Wabo Cantina, has forced a Croc shoe to mount and impregnanate a flippity-flop, and the abominations you see on his feet are the result. Sammy made a Croc fuck a flip-flop.

Also, the last word that ever needs to be said about Young John Mayer is this: he seeks Dan Bilzerian’s approval.

I have to admit something. When guys have their hair like that pulled back with a headband, I can’t help but admire the way it looks. Idk what the hell it is about this hairstyle. Though it is sported by predominantly douchebags it’s kinda hot. ????

I’ve read comments and interviews discussing the 2-track live Dead recordings that insist the mixes were for the venue, not for the recording itself. I’ve read somewhere an interview with Betty where she said that her goal was to mix in such a way as to put the listener in the middle of the band.

These things obviously aren’t the same, but I’ve never seen an explanation as to how or why (or if) Betty had the special privilege of mixing, herself, a separate output to tape. Did she? If so, does anyone know any of the technical details of how that was accomplished?

I’ve had DP 13 for more years than I can remember now…I’ve always felt the performance must have been interesting, but the mix just sucked so bad I couldn’t find it. Recently bought some good tower speakers and tonight…DAMN. Figure this isn’t Betty but maybe it’s one of those “mixed for the venue” masters? No idea for sure but would explain why cranking it on my own mini-concert PA would bring out the details that headphones our the car speakers just can’t catch.

“During several periods in their history, Cantor-Jackson did the taping, mixing the soundboard feed directly onto a two-track tape as the music was being performed. (She sat offstage, wearing earphones.) In Deadhead circles, she was renowned for her ear.”

A small clue, but if she was using headphones, she was likely mixing the sbd feed for the tape and not the venue.

The thing bout building a wall is 35 years later flush either cash from its latest touring incarnation you’ll say let’s make a movie with the latest Hal generated effects to tear flown the wall yet again,
In regards to the comments section wall I’d be happy with a bigger cage and longer chains.