This research aims to know the representation The End of Apartheid Political in Invictus movie directed by Clint Eastwood. To achieve that goal then raised the question of how the level of reality, how the level of representation and how the level of ideology in Invictus movie directed by Clint Eastwood.This study used a qualitative approach to analysis of semiotics John Fiske for research methods. Data collection techniques used were the documentation. Technique used for take the category of sequences is using prop narrative function. The data analyze technique using The Codes of Television John Fiske.Result of this research shown that the political apartheid on the level of reality delivered through appereance codes, dress, make-up, environment, gesture, expression and sound. For the level of representation, the political apartheid delivered by camera, lighting, editting, music, character, action, dialogue and conflict. At the level of ideology, from the merger of the levels of reality and levels of representation on three sequence resulting the theory of ideological hegemony Antonio Gramsci is represented through the chacaracterizations Morgan Freeman as Nelson Mandelas role a hegemonic character.Conclusion of research shown representatives a rest of apartheid political carried out by combined the codes in The Codes of Television John Fiske. The movies Invictus as a whole seeks to convey the problems of apartheid can be resolved through an unexpected way, the sport of rugby.The advice of researcher expected research on Cultural Studies can be developed, held a forum to discuss about Cultural Studies research, and for the next researchers expected further researching the movie which has the value of life, such as nationalism, patriotism, etc.