It’s been eight years since artist and single mom, Rebecca Underhill, was abducted and left to die in an old broken down house located in the middle of the dark woods. But even if her abductor, Joseph William Whalen, has since been killed, another, more insidious evil is once more out to get her in the form of the Skinner. The son of an abusive butcher, Skinner intends on finishing the job Whalen started but failed at.

How is he going to get to Rebecca?

He’s going to do it through her children, by luring them into the cornfield behind the old farmhouse they live in.

HORROR IN THE DEPTHS

Now, armed with the knowledge that the Skinner has escaped incarceration at a downstate facility for the criminally insane, Rebecca must face the most horrifying challenge of her adult life: Rescuing the children not from a house in the woods, but from the abandoned tunnels that run underneath her property.

But the Skinner is watching Rebecca’s every move.

Horrifying question is, will she live long enough to save the children?

FOR MORE INFORMATION:

First Chapter

October 2016Albany, NY

“How long have you been hearing the voices coming from the cornfield, Mike?”

The man speaking is a child psychologist by the name of Dr. Robert Cuther, an aging, semi-retired child psychiatrist who’s come highly recommended to me by my best friend, housemate, and blonde bombshell co-conspirator at the The School of Art, Robyn Painter (her real name, no pun). So the story goes, Cuther has been conducting therapy on Robyn’s eight year old daughter, Molly (named after my late twin sister), after we found her hiding in a second floor closet of the farmhouse that our two half-families share. The little blonde-haired, blue eyed clone of her mom had convinced herself the Boogeyman lived in our basement (he doesn’t, we checked) and that any day now he was going to abduct her and drag her down into his underground lair.

Truth is, I’m not sure what to expect from the man who, with his thick, curly gray hair, short stature, wrinkly pale face, and old wool suit over black turtleneck, looks more like an over-the-hill Einstein than Freud. But I’m beginning to worry more and more about Michael Jr. and the voices he claims to be hearing, and speaking to Dr. Cuther seems like the reasonable solution. He’s also agreed to see us on a quiet Sunday morning so as not to interrupt school and work schedules, which makes him not only reasonable, but convenient.

“Go ahead and answer the Doctor, Boo,” I say, sitting across from the perch he occupies on a long leather couch. “Dr. Cuther is our friend.”

Little Mike peers at me with his smooth round face, little pug nose, thick head of dark brown hair that even at eight year’s old sports a lock that hangs down over his long forehead, just like his late dad. Sometimes, when he looks directly into my eyes with his big brown pools, I feel like I’m not only seeing his father, but that I’m once more looking into my ex-husband’s soul.

“He’s not gonna give me any shots, is he, Ma?” Mike says, his short blue-jeaned legs hanging off the couch, his blue Converse sneakered feet in constant motion, like he’s jogging in place.

Cuther laughs. It’s a genuine laugh. The kind of laugh a grandfather would make after a little boy made a joke about his gray hair or about the strange way his lips don’t move much when he talks. As though at his age, it takes a grand effort to make facial expressions.

“No shots here, young man,” Cuther says. “When you come here, you do only fun stuff.”

“Oh yeah?” Mike says, folding his hands in his lap. “Like what?”

“Well, for one,” Cuther goes on, “your mom tells me you are already quite the accomplished artist. That you can even hand draw a person’s face without having to trace it. That’s quite the rare talent you have there.” Then, his eyes shifting to me. “You must take after your mom.”

“Michael Senior…that’s my dad…he’s a writer,” Mike says.

Cuther’s forehead scrunches. “And who is Michael Senior?”

“I just told you, silly. He’s my dad. He’s dead.”

The mere mention of my ex-husband, Michael, and the word dead still throws a cold jolt up and down my spine. It also makes my stomach cramp, even more so than it has been of late.

“Tell me something, young man,” Cuther goes on. “Why do you call him by his real name, and why do you refer to him in the present tense?”

“It means, Boo, that you refer to your dad like he’s still alive…still with us.”

I sometimes refer to Mike as Boo, just to differentiate him from his father, and not to remind myself of my long gone ex every time I utter his name.

“But he is,” Mike says. “Sort of, anyway. I just saw him out by the cornfield this morning.”

My son’s admission hits me upside the head. I’m well aware of the voices he hears coming from the cornfield. Voices I can only assume he’s making up with his overactive imagination. But seeing his father out by the cornfield is a new one on me.

A few beats pass before Cuther once more raises the question: “Mike, my boy, when did you first start hearing the voices?”

“It’s not voices really,” he says.

“Not voices?”

“Well, I guess it’s voices. Or, like a voice anyway.”

“Can you explain more for me?” Cuther goes on, his deep brown eyes shifting from Mike to me and back again.

“It’s music, Dr. Cuther. It comes to me thorough the corn.”

The psychiatrist shoots me another quick glance.

“Can you tell your mom and me what this music sounds like, Mike?”

He nods. “I don’t have a very good voice. But I can try singing it.”

“You’re very brave, Mike,” Cuther says.

“Okay, here goes.” The boy sits up straight, his legs and feet suddenly very stiff and very still. “Ring around the Rosie, a pocket full of posies, ashes, ashes, we all fall down.”

Yet another glance from Cuther.

He says, “Is this the first time you’ve ever heard that song before, Mike?”

The boy shakes his head, starts moving those legs again.

“Nah,” he says. “We used to sing it in kindergarten. It was a game. The teacher would make us kids make a circle. We’d sing the song about ringing around Rosie, and then as soon as we said the last word–”

“That’s right,” Mike says with a smile, delighted to have something in common with Dr. Cuther. “Did you play this game too, Doctor?”

The psychiatrist nods. “Of course. Believe it or not, young man, I was a boy once myself. A long, long time ago. Before cable television even.”

My son steals a moment to digest this information, like it’s impossible for him to imagine the short, gray-haired, old man has been anything other than what he is at this very moment in time.

“Well, as soon as we sing the last word, down,” Mike continues, “the last person to fall down was punished.”

Another cold jolt shoots up and down my spine. “What do you mean punished, Boo?”

He giggles. “Oh nothing bad, mom. Mrs. Carter…that was my teacher…would make us do an arithmetic problem on the board. Or maybe spell a word. We were all it after a while. It was a lot of fun. You know, for school anyway.”

Cuther nods.

“Mike,” he says, “I promised you we’d have some fun also. So how about you draw me a picture of what you see out by the cornfield. Can you do that? In the meantime, I’ll have a talk with mom.”

Mike slips off the couch. “Sure, swell.”

Dr. Cuther leads my son to smaller room located off his office that’s outfitted with art supplies and kid-sized tables. He sets Mike up with some construction paper and crayons, then closes the door, just a little. When he comes back inside, he sits back down behind his desk and sighs heavily.

“Ms. Underhill,” he says. “I think we need to have a serious conversation about your boy.”

Meet the Author

Winner of the 2015 PWA Shamus Award and the 2015 ITW Thriller Award for Best Original Paperback Novel, Vincent Zandri is the NEW YORK TIMES, USA TODAY, and AMAZON KINDLE No.1 bestselling author of more than 25 novels including THE REMAINS, MOONLIGHT WEEPS, EVERYTHING BURNS, and ORCHARD GROVE. He is also the author of numerous Amazon bestselling digital shorts, PATHOLOGICAL, TRUE STORIES and MOONLIGHT MAFIA among them. Harlan Coben has described THE INNOCENT (formerly As Catch Can) as “…gritty, fast-paced, lyrical and haunting,” while the New York Post called it “Sensational…Masterful…Brilliant!” Zandri’s list of domestic publishers include Delacorte, Dell, Down & Out Books, Thomas & Mercer and Polis Books, while his foreign publisher is Meme Publishers of Milan and Paris. An MFA in Writing graduate of Vermont College, Zandri’s work is translated in the Dutch, Russian, French, Italian, and Japanese. Recently, Zandri was the subject of a major feature by the New York Times. He has also made appearances on Bloomberg TV and FOX news. In December 2014, Suspense Magazine named Zandri’s, THE SHROUD KEY, as one of the “Best Books of 2014.” Recently, Suspense Magazine selected WHEN SHADOWS COME as one of the “Best Books of 2016”. A freelance photo-journalist and the author of the popular “lit blog,” The Vincent Zandri Vox, Zandri has written for Living Ready Magazine, RT, New York Newsday, Hudson Valley Magazine, The Times Union (Albany), Game & Fish Magazine, and many more. He lives in New York and Florence, Italy.

Lately there’s been talk amongst publishers, agents, and authors alike that E-Books might one day be offered to the public for free (ok, I know this is happening now, but I mean ALL E-Books). Instead of the reader paying the author/publisher, sponsors will pay in exchange for product placement inside the text. Since the books are read via electronic reader, readers will be able to link to specific product websites, and even to that author’s own books should the opportunity present itself.

I wondered if a scenerio of sponsorship is realistic or if I even unintentionally mention the name of popular products and services inside the text of my books and more importantly, if I did so organically. In other words, do these products become included in the story because they belong there or because I might want them there in order to collect a payment?

Here’s a small chapter of a new novel I’m working on, Moonlight Rises (the sequel to Moonlight Falls). Let’s see how many instances of product placement there are without me forcing them into the text (I’m not gonna link to all of them because I’m a writer more than a blogger and I’ve got a lot of work to do…but you get the point!).

Darkness fills the bedroom.

How long had I been asleep. An hour? Three? It had to be at least three. I looked at my fifteen dollar Targetspecial wrist watch. Fifteen past seven. I’d slept for over five hours. I slid off the bed, more than a bit groggy. There was some blood smeared on the bed sheet from where I rolled over onto my side. I touched my shirt and found that it was wet. I turned on the lamp, pulled off the shirt and the old dressing, checked the wound in the mirror above the dresser. The stitches were still intact. I put on a fresh dressing and a clean shirt. I’d slept long enough. Time to get to work. Find out if Paul Czeck was who he says he was, and if he was in fact looking for a man whom he swore he was his biological father.

I had the Dell laptop open on the kitchen counter, a Bud tall boy open beside it. Thank God for Verizon wireless internet. Allowed me to multi-task. I switched onto Googleand typed in the name “Paul Czeck” in the search engine. Not a damn thing came up. Nothing about him belonging to a professional society of engineers, nothing regarding high school or college alumni. No Facebook page, or Twitter account. As far as the internet and social media was concerned, Czeck was anonymous. And considering he worked for a facility that dealt on a daily basis with classified nuclear information, maybe that’s the way it was supposed to be.

I sat back, took a sip of beer.

The pain in my side was getting worse. I tapped the wound gently with my fingers. It sent a small shockwave of sting up and down my side. The Lidocane had officially worn off. I got up, found the Advils in the cabinet above the sink, poured four into my hand. Sitting back down at the table, I swallowed all four with a swig of beer.

Next search. I got the website for The New York State Society for CPA’s. Now there was some excitement. I typed in the name, Howard Roth. I got a single business address that was located downtown, Broadway. Not far from where those three thugs beat the snot out of me. I wrote the address down on a Post-a-Note, stuffed it into my wallet. Tomorrow I’d go pay a visit to Mr. Roth’s office, see if he did in fact look like the man in Czeck’s black and white photo, only thirty-plus years older.

Next item. Maybe there was nothing noteworthy about Czeck on the web, but I could bet the mortgage he was located in the White Pages. And that’s the way it turned out. He lived in a North Albany suburb called Loudonville. Four Orchard Grove. It’s exactly where I would be heading that evening, soon as Georgie got here.

So there you have it. You count the instances of product placement. And I’ll admit, I forced a couple in there, like the Target wrist watch one. But I did that to make a point: if as authors we wanted to cash in a on product placement, you see how easy it would be.

However, I was shocked to learn that popular products and services do appear more than I thought in my work. I wonder if they appear often enough for these companies to pay the author for their appearance much like film production companies collect a hefty payment for product placement in their popular movies? Only the future knows.

For now, I have to get back to work on the novel, and the all important climax which just happens to be taking place at McDonalds which this week is featuring oatmeal for breakfast and a return of the all beef, double…..

About the Author:

Vincent Zandri is an essayist and freelance photojournalist, and the author of the recent bestsellers, The Remains, Moonlight Fallsand The Innocent . His novel As Catch Can (Delacorte) was touted in two pre-publication articles by Publishers Weekly and was called “Brilliant” upon its publication by The New York Post. The Boston Herald attributed it as “The most arresting first crime novel to break into print this season.” Other novels include Godchild(Bantam/Dell) and Permanence (NPI). Translated into several languages including Japanese and the Dutch, Zandri’s novels have also been sought out by numerous major movie producers, including Heyday Productions and DreamWorks. Presently he is the author of the blogs, Dangerous Dispatches and Embedded in Africa for Russia Today TV (RT).

He also writes for other global publications, including Culture 11, Globalia and Globalspec. Zandri’s nonfiction has appeared in New York Newsday, Hudson Valley Magazine, Game and Fish Magazine and others, while his essays and short fiction have been featured in many journals including Fugue, Maryland Review and Orange Coast Magazine. He holds an M.F.A. in Writing from Vermont College and is a 2010 International Thriller Writer’s Awards panel judge. Zandri currently divides his time between New York and Europe. He is the drummer for the Albany-based punk band to Blisterz.

Pages

Foreword Best Book of the Year Winner, 2011 Global eBooks Awards Winner, National Best Books Award Finalist and EPPIE Finalist! Currently required reading at Loyola College, Kent University and Claremont University.