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Athlete, statesman, icon, one of the greatest people of the 20th century….and star of one of the most indelible comics team-ups ever. Muhammad Ali passed away last night at age 74 and the tributes to one of the most transformative individuals of his times are pouring in. But in 1978 Ali was already so well […]

1 Comments on RIP: Muhammad Ali, one time foe of Superman, last added: 6/6/2016

Mell Lazarus, the cartoonist behind such comcis page staples as Miss Peach and Momma has passed away at age 89. Lazasua was a past president of the NCS as well as a Rueben Award winner and an NCS Medal of Honor recipient. The National Cartoonists Society page has more information: Mell was beloved by all […]

by Robert V. Conte Gary Brodsky—reverend, self-proclaimed “Alpha Male Master” and publisher of 1980s independent comics company Solson Publications—died of a heart attack on May 9, 2016. He was 59-years-old. Brodsky was a pioneer during the black-and-white independent comics boom in the mid-1980s. In 1986, Reagan’s Raiders #1 outsold Marvel’s G.I. Joe at a 3-to-1 ratio […]

One-of-a-kind British writer Peter Dickinson died in December at age eighty-eight. His work cannot be easily categorized: a prolific author, he wrote everything from adult detective novels to speculative YA science fiction to heart-stopping adventures to intriguing almost-fantasies. The protagonists in his work for children range from an American-missionary boy who finds himself trekking through Tibet during the Boxer Rebellion (Tulku) to a blind teen who finds himself swept up in a plot by environmental terrorists to hijack a North Sea oil rig (Annerton Pit) to a human girl who finds herself transplanted into a chimp’s body (Eva). His books were wholly original, brimming with ideas, often concerned with the nature of religion and/or what makes us human — and also unfailingly compelling and masterfully plotted. Yet he did not consider himself an artist, but a craftsman: “I have a function, like the village cobbler, and that is to tell stories.”

Over the weekend news of Alvin Buenaventura’s passing was confirmed. Buenaventura was 40 and as the publisher of first Buenaventura Press then Pigeon Press was one of the indie publishers who helped change the landscape of comics forever with his passion and devotion to detail, with such Cartoonists as Vanessa Davis, Lisa Hanawalt, Matt Furie and […]

RIP Alan Rickman – more Hans than Snape to me. But always great, no matter the role. watercolor 17×24 lanaquarelle cp Posted by Bill Sienkiewicz on Thursday, January 14, 2016 We lost another great today. Bill Sienkiewicz post his tribute on FB and I wondered how he could have done one so fast. I […]

0 Comments on It took Bill Sienkiewicz 45 minutes to make this tribute to Alan Rickman as of 1/1/1900

Shigeru Mizuki, one of the all time great cartoonists of Japan (and the world) has passed away at age 93. Mizuki-sensei popularized the “yokai” monster genre with GeGeGe No Kitaro (to be reprinted early ext year by D&Q), as well as his award winningg Showa history of Japan. His latest work in the US is […]

Word going around on Facebook that master inker and comics technical innovator Murphy Anderson has passed away at age 89. Anderson was one of the great DC inkers of all time, providing crisp clean lines that defined the look of Hawkman, Superman, and Adam Strange, and, indeed, the whole DC line of the Silver Age, inking over Carmine Infantino, Gil Kane and most notably, Curt Swan. He was inducted into the Jack Kirby Hall of Fame (precursor of the Eisner HoF) all the way back in 1988, a tribute to his statue in the industry.

A nice remembrance. One thing, though: my understanding is that Murphy didn’t effect the new page size because of anything he was drawing, nor did Sol Brodsky have anything to do with it (why would he? Murphy was a DC artist at the time). Murphy pointed out that by reducing the page size, the pre-prep cameras could photograph two pages at once rather than one at a time, saving time and money.

Scott Edelman said, on 10/23/2015 10:16:00 AM

Not sure why Sol Harrison turned into Sol Brodsky, but regardless … Murphy Anderson was amazing, and will be missed.

Heidi MacDonald said, on 10/23/2015 11:11:00 AM

Thanks for the corrections, guys. The name Sol Brodsky did set off a wee alarm in my head.

I’m sure Anderson’s many many technical contributions to the medium will be more discussed in remembrances. My understanding is that he was a very forward looking guy.,

George said, on 10/23/2015 2:01:00 PM

For me, the definitive Superman was Curt Swan inked by Murphy Anderson. He was one of the all-time great inkers.

“His very professional (but friendly) demeanor definitely set him apart fro the other artists of his time …”

Artists of Anderson’s generation usually weren’t fans. They were professionals who took any assignment. Didn’t matter if it was a superhero story or a romance, Western or horror yarn. They learned to draw anything. Can’t say that for a lot of artists who have entered the industry since about 1980.

Anthony Tollin said, on 10/23/2015 6:04:00 PM

My understanding is that Sol Harrison had Murphy test the smaller original art size AFTER Chemical Color wanted to get new cameras that would shoot four pages together instead of two, eliminating the need for union engravers to combine/strip the negatives. Sol Harrison believed that Murphy Anderson was the penciller/inker best suited to drawing in the smaller format. The change was made for solid financial reasons (as is usual in any business) and in this case to eliminate an extra step that had to be performed by higher-priced union engravers. A change like this would never have been made just because a single artist preferred working smaller. Anthony Tollin (former DC Comics asst. production manager/color coordinator)

We were saddened to hear about the death last week of legendary children’s book author and illustrator Vera B. Williams. It’s a loss to our field; she was, truly, unique. Her groundbreaking picture books celebrated children and family and communities — all kinds of children, all kinds of families, and all kinds of communities. Both A Chair for My Mother and “More More More,” Said the Baby were Caldecott honor books (in 1983 and 1991, respectively), and they stand out among their fellows for their contemporary, unglossy settings, their sense of inclusiveness, and the forefronting of the loving relationships they portray.

Williams was also a two-time Boston Globe–Horn Book Award winner — for A Chair for My Mother in 1983 and Scooter in 1994 — and was a three-time BGHB Honor Award recipient (for Cherries and Cherry Pits in 1987; Stringbean’s Trip to the Shining Sea, written by Williams and co-illustrated with daughter Jennifer Williams in 1988; and Amber Was Brave, Essie Was Smart in 2002). Again — who can forget Bidemmi’s face shining out of the exuberantly colorful pages of Cherries and Cherry Pits; or the unforgettable sisters (unforgettable in both the poetry and the pictures) in Amber Was Brave, Essie Was Smart, one of the first children’s books to portray a family coping with the absence of a parent in prison.

In 2001 she wrote about “Childhood, Stories, and Politics” for The Horn Book Magazine. Here are a few salient quotes from that brief but important contribution: “I began to create my books just at a period when children’s books were becoming somewhat more open and more accurate about the range of family life in America, about color and class and ethnicity, about what girl characters could do and be.” And, “it is of solemn import to tell stories that involve us in the energies, talents, and great-heartedness of children and other not-so-powerful people.”

In 1992 she did a series of lovely covers for us. As with so much of her work it’s an image that looks reality right in the eye, messy laundry basket and breast-fed baby and all, and filled with love, closeness, and “not-so-powerful people.” Click here to read Horn Book Magazine reviews of select books by Williams.

And when it came time for Horn Bookers to talk about their favorites, Ms. Williams got even more love:

Long time comics colorist and con organizer Ken Feduniewicz has passed away.As a colorist Feduniewicz coloed Captain America, Dreadstar and many more as seen here. In 1976 he was among the first class of students at the Kubert School in 1976, going on to work in the Marvel Bullpen and with many companies, including Archie, […]

Damn, sorry to hear this. Tom Yeates introduced me to Ken many years ago. Ken had, I believe, been the driving force behind one of the last great fanzines, Third Rail. Deepest condolences to his friends and family.

Rick Veitch said, on 9/18/2015 4:56:00 PM

They broke the mold when they made Ken. He was an amazing guy with a huge wide open belly laugh. He was motivated by a deep love of comics, especially those by Frazetta, Williamson and all the other Fleagles. If there is a heaven he’s up there hanging with those guys right now.

§ Condolences to Matt Fraction on the passing of his father. Dennis Fritchman attended several HeroesCon with is family and clearly he was a man who loved life. In lieu of flowers the family is requesting a donation to The Hero Initiative. § Marmaduke creator Brad Anderson has passed away at age 91. Anderson created the […]

Actress/dancer Yvonne Craig has passed away at age 78, following a battle with breast cancer. Her official site has her obituary. Of course, she will always be known for playing Batgirl in the Batman TV series, but she was also a dancer (as shown by her role as the Orion slave girl Marta in Star Trek) and a lovely person who made many appearances at conventions over the years. Reading her obituary makes it clear that she lived a very full life.

Comics artist Alan Kupperberg passed away last night at age 62 after a battle with thymus cancer, as reported on FB by his brother, Paul Kupperberg. Emerging from Neal Adams’ Continuity Studios, Kupperberg pencilled everything from the X-men to Spider-man, and several issues of What If, but he had a reputation as someone who could handle things with a humorous bent, as his solo book, Obnoxio the Clown vs. The X-Men showed.

In later years he worked on comic strips including Howard the Duck, Spider-Man, Little Orphan Annie.

Never met the man but I was always intrigued by his versatility (as mentioned) — I remember he would sometimes show up in What If, doing a decent, straight up knock-off of Frank Miller’s art and page composition (not the easiest thing to attempt). He seemed to relish drawing packed, dramatic compositions with (often) extreme prospectives. After seeing his solid super hero stuff, I remember later reading his name on Little Orphan Annie and (after doing a double take) finally admiring the ability to move from one to the other. Cool.

Prolific cover artist and painter Earl Norem has passed away at age 91 as reported on Facebook by family members including his daughter:

As my son has so eloquently posted, it is true that my father, Earl Norem, a member of the greatest generation, has passed on. He was a true super hero to me and to all who knew him. A kind gentle, modest soul, his legacy will last a lifetime. We thank all of his fans far and wide who have meant so much to him throughout his career.

Norem’s work best known in comics circle for his work on Marvel’s magazine line of the 70s and 80s, including Dracula Lives, Tale of the Zombie, Savage Sword of Conan, Hulk, Amazing Spider-Man: The Big Top Mystery, The Deadly Hands of Kung Fu, Moon Knight, The Silver Surfer and many many more.

Norem attended HeroesCon a few years back, as shown in this photo by Denny Caswell, and definitely enjoyed meeting fans of his work. Although retired, he was said to be working on some new Mars Attacks paintings, a subject particularly suited to his style. While Norem was’t as well known as some of his fellow pulp cover artists, its hard to think of anyone who attacked the boomer obsessions—aliens, robots, monsters and scantily clad girls being menaced by the same—with such vigor.

If it was possible to be cheerful and lurid at the same time, Norem had the patent on it. His understanding of color theory may have lacked subtlety, but served to burn images into your brain, like this classic Planet of the Apes piece. While color grading today likes the relatively discrete aqua/tan contrasting color scheme, Norem went all the way with acid green on orange, which also worked on a bunch of Hulk covers. Here’s just a few examples of his work/

He also drew a lot of covers and inside illos for Martin Goodman’s mens magazines, for stories like “The French Street Girl Who Dishonored Herself to Save a Yank Division,” and “Man-Hungry Nymph Who Stole Red China’s Secret ‘Super’ MIG.”

And my favorite: “Death Fight for Love at the Slaughterhouse Bordello.” They don’t publish magazines like this anymore:

Christopher Lee was the definitive working actor. His career was long, and he appeared in more films than any major performer in the English-speaking world — over 250. What distinguishes him, though, and should make him a role model for anyone seeking a life on stage or screen, is not that he worked so much but that he worked so well. He took that work seriously as both job and art, even in the lightest or most ridiculous roles, and he gave far better, more committed performances than many, if not most, of his films deserved.

According to several social media postings, Michelle Wrightson has passed away. Wrightson contributed as a colorist on several Marvel, Heavy Metal and Milestone comics, and was a cartoonist in It Ain’t Me Babe, the first all-woman comics anthology. I don’t know too much of her life story, but she was married to cartoonist Roger Brand and then Bernie Wrightson and was very much part of the whole Studio scene of the 70s. I’ve taken two photos of Wrightson from Facebook, and I hope the posters aren’t offended. The above is from the page of Linda Lessmann Reinhold, a Marvel contributor from that era, and here’s an older one of Wrightson and Jim Starlin from back in the day, as posted by Ralph Reese:

Jim Starlin and Michelle Brand (now Wrightson) acting out a scene from One Year Affair at the old Continuity….

It’s being reported that Michelle Wrightson has died suddenly, apparently of natural causes. And though I did know her last by that name, I first became acquainted with her when she was Michelle Brand, and not in the flesh, but rather through her groundbreaking underground comics work.

It is with tremendous sadness that I share news I received this morning from my friend David Beronä's family: David passed away peacefully at home last night. He'd been fighting a brain tumor for about a year and a half, and so while the news is not quite a surprise, it is a blow.

I interviewed David for Colleen Lindsay's blog The Swivet in 2009, where we talked about his Wordless Books: The Original Graphic Novels, which had recently been published by Abrams. I knew very little about graphic narratives before meeting David, and he gave me an extraordinary education over the years, as his knowledge was vast and his passion was thrilling.

Eric Schaller and I had the honor of publishing what David told us was the last piece of writing that he completed before getting sick, the essay "Franz Masereel's Picture Books Against War", which appeared in last year's issue of our magazine The Revelator. David, Eric, and I did a bunch of work together, beginning with the Illustrating VanderMeer exhibit at Plymouth State University, where, until he got sick, David was Dean of Library and Academic Support Services.

The last time I saw David was at a retirement reception for him where the University dedicated a gallery wall of the library in his name. It was a bittersweet moment — so nice to see David being celebrated, so sad to have to say goodbye. Soon, he and his wife moved to Ohio to be closer to David's family. I didn't do a good job of keeping in touch, though I've thought of David frequently since he moved (which is no excuse for not being a better friend, but is the truth).

This past term, my last term of classes as a PhD student, I took a marvelous seminar on graphic narratives, and so David was constantly on my mind, and again and again I found myself returning to things he'd taught me, writers and artists whose work he'd introduced me to, ideas he had shared. I presented at the Dartmouth Illustration, Comics, and Animation Conference, a conference David always attended when he could. That I had any confidence at all presenting in front of a bunch of comics scholars and enthusiasts was very much because I'd been able to talk about so much with David over the years. It would have been fun to have been there with him.

In the short notes he was able to send out to friends after beginning treatment, written against the aphasia the tumor imposed, David exhorted us to cherish our health, and especially our brains. (His life had changed completely over the course of a single weekend.) He spoke of the anger he felt at first when he realized how much he'd lost, and then the peace he found in accepting the vagaries of life, the good and bad, the love of friends and family, the little things and the everyday moments — the things that, in the end, linger longest. (The irony was, I'm sure, not lost on him that he was a man who'd written much about wordless books, and then had lost his words.) He returned to painting, and he was glad to find a good comics shop in the town he moved to in Ohio. He went for long walks in the woods. He spent his last year with family, and he knew that he had friends around the country and, indeed, around the world who were thinking of him.

He lives on in the knowledge he shared with us and the joy that he inspired. My life has been tremendously enriched by all he taught me, but, more than any of that, what I will carry as a memory of him forever is the memory of his smile. He never lost some of the wonder of childhood, and you could see it in his smile.

Nimoy portrayed Mr. Spock in the original Star Trek series and became the first mass media nerd icon, a symbol of SF via his pointed ears, Vulcan salute and Vulcan Nerve Pinch. Images of Spock were shorthand for early nerd culture, and Nimoy’s sensitive portrayal of the emotion-repressing half-human Vulcan was one of the best things about any and all Treks he appeared in.

Nimoy the man was generally loved, and held a gentle philosophy that carried him well through life. He wrote a book of poems called “I Am Not Spock” published in the 70s as a protest against his best known role, but later on fully embraced his part in pop culture history. He retired from conventions in 2011 although he appeared in Fringe and Star Trek: Into Darkness.

Although he and William Shatner had a sometimes testy relationship, in their twilight years, they became good friends, and NImoy was best man at Shatner’s most recent wedding. The two reunited for a car commercial last year.

Nimoy also made an album, and even among bad album aficionados, this was one of the worst. I won’t speak ill of the dead, but google Ballad of Bilbo Baggins.

“I Am Not Spock is Leonard Nimoy’s first autobiography. […] the book was criticized by some fans because of the perception that Nimoy was rejecting the character Spock. He maintained he was only clarifying the difference between himself and Spock, whom he always enjoyed playing.”

Cerebro said, on 2/27/2015 3:24:00 PM

He’s dead, Jim…

R.I.P. Leonard Nimoy — a true sci-fi legend. Naturally, he’ll forever be etched in our brains as the iconic Mr. Spock. Perhaps, younger audiences got to know him in his last significant role, William Bell on “Fringe”.

This being a comics blog, I suppose we’d be remiss to not mention his, however minor, contribution to comics. Anyone remember the, short-lived, Tekno Comix from the mid-90s? They published several titles by Neil Gaiman as well as properties created by notable sci-fi and fantasy writers including Gene Roddenberry, Isaac Asimov, and Micky Spillane. Mr. Nimoy’s creation, and lone contribution, was PRIMORTALS, which, I believe, was one of the more successful books in the line.

AudioComics said, on 3/1/2015 11:37:00 PM

It should also be noted that he did several audio drama adaptations of classic science fiction all bowls with his short-lived company Alien Voices with John DeLancie. I think you can find the digital downloads on CDBaby. Worth checking out.

Tatsumi is best known as the pioneer of the “gekiga” style of manga (a term be invented), true to life stories of ordinary people. He own work featured haunting adult themes of alienation, dread and obsession. His autobiography A Drifting Life, depicting his struggles as an artist, won the Eisner award for Best Reality Based Work in 2010. He also won the World Outlook Award at Angoulême and the Osamu Tezuka Cultural Prize.

While Tatsumi’s work was influential in Japan he was mostly unknown in the US until Adrian Tomine pushed to get his work published in English, Drawn & Quarterly took up the call and put out several collections of his short stories and A Drifting Life. His other works include Midnight Fishermen, Fallen Words, Black Blizzard, Good-Bye, The Push Man and Other Stories and Abandon the Old in Tokyo. The attention from the US led to more recognition in his homeland and worldwide, attention that was much deserved.

Tatsumi and his wife came to the US and Canada in 2009 for several events including TCAF. I was fortunate enough to see him on a panel at the PEN America Literary festival, and was invited to a dinner with him and his wife later on, a privilege I ‘ll always be grateful for. It was very clear that the pair were enjoying this new found attention and respect with a joy was that was incredibly gratifying to behold. D&Q’s Peggy Burns recalls her own experiences with him in a touching FB post:

I found a few pictures from the PEN event and signing. Wish I’d taken more.

A movie based on his work came out in 2011, and he was said to be working on a second part of his autobiography up until his death, which would end with the premiere of the Tatsumi film at the Cannes Film Festival.

Tatsumi’s work is universal in its message and artistry. If you’re not familiar with his work, I urge you to seek out some of his work. It’s powerful, unique and a lasting legacy of a man who lived his life with dignity and kindness.

An absolutely wonderful artist. I would like to add to/correct the description of his history in the West. I first saw his work in the book Good-Bye and Other Stories (http://www.amazon.com/GoodBye-Other-Stories-Yoshihiro-Tatsumi/dp/0874160561), published when Tomine (and I! =( ) was 13. That was translated from the Spanish edition. My understanding is that he had been published already in other European languages as well. So, while Drawn & Quarterly helped get his work on Time Magazine best of lists, he was definitely a known artist in the West before D&Q started publishing him.

In Japan, he still isn’t particularly well known unless you’re into serious manga, such as knowing Gero or such alt-comix publications. I’ve only met two manga readers who had ever heard of him, and both were employed manga professionals. Depressing, but absolutely the truth. He is virtually unknown in the country despite it being a place where numerous manga artists are household names.

Word is going around on Facebook today that Dondi co-creator Irwin Hasen has passed away at the ripe old age of 96. Hasen was best known for Dondi, a comic strip tale of a WW II orphan who brings joy to the live of those around him. The strip was turned into a movie in 1961. He was presented with an Eisner Award last year.

Born in 1918 New York City, Hasen studied at the Art Student’s League and then drew comics for the Harry “A” Chesler Studio, with art on titles including The Green Hornet and The Fox. He also worked for DC before the war, creating the character Wildcat along the way. An Army veteran, Hasen ran the newspaper for the Fort Dix army base. Upon returning to domestic life, he took up comics again, with work on the JSA, The Flash and Green Lantern, before getting in to the syndicated comics Dondi, which was co-created by Gus Edson.

Hasen was a very familiar figure at conventions over the decades, his signature ascot and safari jacket giving him a boyish air despite his age. In 2009 he published a memoir called Loverboy An Irwin Hasen Story PB which depicted him as quite the ladies man in his prime—and perhaps a bit beyond it.

Hasen was a gentle sweet man much liked by those on the con circuit. My condolences to his friends and family.

Slifer was best known for co-creating Lobo in The Omega Men, which ws drawn by Keith Giffen, but in the 70s he was part of The CPL Gang, a group of comics enthusiasts who put out fanzines, a group that included Roger Stern, Michael Uslan, Bob Layton, John Byrne, Tony Isabella and Steven Grant. In his career he worked as an editor, a sales manager and later in animation as a writer and producer on series including Jem and the Holograms, Transformers and G.I. Joe Extreme.

Roger Slifer died yesterday, victim of a random hit & run a couple of years ago who took his time dying slowly. Roger was an old friend–we’d crashed on each other’s couches, played poker, and plotted ways to make comics a better place. He came to comics from a small town whose geography he defied to become part of the CPL Gang that also gave us Bob Layton, Roger Stern, Duffy Vohland and John Byrne. In NY he was an early Marvel associate editor, DC’s first full time Direct Sales guy, a DC editor, the writer co-creator of Lobo, and an advocate for creators’ rights, helping found one of the field’s first not-profits, the Narrative Arts Alliance, alongside more established folks like Steve Gerber and Gerry Conway. For a while supported himself on occasional coloring gigs and his poker winnings (in our game that was a real challenge given the low stakes). And after he was done with comics, he became an animation writer and producer, working on a string of impactful series.

But in between all that, he published the first attempt at a DC graphic novel, a Manhunter edition we licensed him around 1978. He took the Archie Goodwin/Walt Simonson collaboration and assembled it in one volume for the first time in a format modeled on French albums. Can you say ahead of his time? But important enough it came up at lunch today with a groundbreaking artist in the field remembering it as how he discovered Walt’s genius. And that was before we heard of Roger’s death.

Take a minute and remember him. Or just think of the innumerable fans, creators and even business folk who helped make comics the much more vibrant field it is today. Most are anonymous names lost to history, but their work lives on. And so does Roger’s. Thanks, pal.

He was born (in 1954) and died in Morristown, Indiana. He loved comic books and in the late sixties and early seventies, contributed to amateur publications. This led to professional publications in the mid-seventies, writing for Marvel comics and later moving into editorial work there. As far as I could tell, he was unanimously liked and respected. In the eighties, he moved over to DC, working in both the editorial and sales divisions. He didn’t have as much time to write as he would have liked but did manage to co-create and script the popular comic, Lobo.

Roger was a tireless advocate for creators’ rights and it was squabbles on that topic eventually drove him away from the New York comic book industry. He relocated in Los Angeles where he began writing animation and becoming a producer of many shows including G.I. Joe, Transformers, Jem and the Holograms and Bucky O’Hare.

We were saddened to hear about the death of author-illustrator Marcia Brown this week at the age of ninety-six. The winner of three Caldecott Medals — for Cinderella in 1955, Once a Mouse in 1962, and Shadow in 1983 — she was also recognized with a whopping six Caldecott Honors (including her indelible Stone Soup in 1948). She was awarded the Regina Medal in 1977 and the Laura Ingalls Wilder Medal in 1992.

Writings by and about Brown frequently appeared in The Horn Book Magazine. Here is a sampling:

Artist and teacher Glen Orbik passed away yesterday after a battle with cancer,. He was either 51 or 52 (Wikipedia says he was born in 1963.) Orbik was well known for his modern-day pulp-styled covers, and some striking work on several Marvel, DC and Vertigo titles, including the original run of Howard Chaykin’s American Century.

Orbik was well regarded as a teacher at the California Art Institute, where he himself went to school, studying under Fred Fixler. I have a big soft spot for pulp art and I was always a fan. Orbik’s covers were throwbacks to a less subtle era, but added elegance. You can find much more of his work at his website.

For those of us who use it, Orbik has also provided the cover illustrations for the ComicBase collection-management software for the past several years. And the covers for the Hard Case Fiction crime novel line. Draw! Magazine featured a great with him, going into his process in detail, a while back (I don’t remember what issue number) — I’m not an artist myself (the ability to draw stick figures would be a step up for me) but the Orbik interview went into a level of detail that was perfect for my Aspergian mind.

David said, on 5/12/2015 1:14:00 PM

” including the original run of Howard Chaykin’s American Century.”

So “John Van Fleet” is a pen name for Glen Orbik??

George said, on 5/12/2015 2:49:00 PM

I loved his Hard Case Crime paperback covers. Here’s a tribute on their website, with a gallery of his covers:

Photographer/writer/creator Seth Kushner passed away yesterday after battling leukemia for a year. He is survived by his heroic wife, Terra, and his son Jackson and a host of friends whose lives he touched and enriched.

His struggle was well documented, not least by his own Facebook postings. His disease was not abated by a bone marrow transplant, but a secret, experimental treatment left him leukemia free and allowed him to live his last months at home with his family.

It’s a cliche to talk about fighting for life…but Seth’s fight enriched us all with his fierceness and commitment and reminded us all why we fight. I’m so glad I got to see him one last time at MoCCA just past, and he was planning projects and continuing to work. You can read a review of Secret Sauce #1 his MoCCA debut in the link. Seth did headshots for many comics folks, among them my husband, and they were more than just attractive photos—his eye was for the spirit below the surface. His photos for Leaping Tall Buildings, a book of profiles of comics creators, will surely remain the standard for capturing a certain era of cartoonists in iconic, distinctive images.

Seth was kind, sweet, decent, immensely talented, and one of the bravest people I’ve ever known. I am devastated to hear of his passing, but send my love to his family and his close friends who are surely more devastated. And I’m sure his family can still use some help for his medical bills.

Life is unfair and capricious, and that’s why every minute of it is precious. Good night, Seth. You will never be forgotten.

I never had the chance to meet or interact with Seth as I had hoped but I’m pretty devastated about this, because last I heard, he had been in remission and I was optimistic that he would come through this and be able to get back to his life (as I had). You’re so right, Heidi. Life is unfair and we should enjoy every minute of it.