Real Flares Vol. 2 is a unique collection of 98 organic light leaks and lens flares, designed to add shimmers and natural transitions to your edits. These work perfectly within Final Cut, Premiere Pro, Avid Media Composer or any NLE that supports blend or composite modes. You can also use them in Adobe After Effects or even Adobe Photoshop Extended, to give truly gorgeous transitions or just a little extra flair.

Shot in Ultra HD Using Cinema Glass

Shot at 4K on a RED Digital Cinema camera using Carl Zeiss prime cine lenses, this collection is created by working professionals for working professionals who need the highest quality. This does not have the banding or compression artifacts of other competitors’ collections.

We deliver a varied collection of Flares, which are easy to use and customize to your project. As it is not created by filters or plug-ins, you get a look and feeling that is impossible to emulate just in a computer.

Simple to Use and Simply Beautiful

Drag the flare or light leak onto your timeline or add to your composition, over your current footage. Set the Blend Mode to Composite to get your desired effect (usually Screen or Add) and that’s it. All our footage is well labelled in both style of flare and main color. Stop wasting time when you should be editing.

If you want to increase or customize the effect, you can play with the brightness, hue and saturation until you get the look you want. All clips were shot at a higher than normal framerate to give you more useful frames. If you want a flash to be faster, just add a simple speed change in your non-linear editor. It couldn’t be easier.

Film Wash Real Flare Samples

Choose the Resolution You Need

Film Wash Real Flares Vol. 3 is available in Ultra HD 4K, 2k or 1080P HD. All files are delivered in 16-bit Quicktime Apple ProRes 422 (LT) @25fps. This gives the best trade-off between maintaining quality and keeping a manageable filesize for this huge collection.