1994 interview: "TR: Pretty much any real instrument like guitar or vocals or bass was recorded into the computer first; I use Opcode's Studio Vision all the time now for sequencing. Usually I'd loop something and then play along with it for a while, then I'd go back and listen. If anything was decent, I'd cut it together into something cool. All the guitars I played were cut up and put together like that."

I still use Opcode Studio Vision, after five years. It was murdered by Gibson!
It’s still the most logical MIDI-integrated sequencer. As far as the MIDI part, Studio Vision is still my favorite. I’ve got a Mac set aside that runs System 9.2. It’s completely stable, it all works. There’s no reason it won’t work for another ten years.

Description

In 1990, Opcode introduced Studio Vision (initially called 'Audio Vision'), which added digital audio recording (using Digidesign's digital audio hardware) to Vision's recording and editing platform. Studio Vision was the first-ever commercially available product integrating MIDI sequencing and digital audio editing and recording on a personal computer. Paul J. de Benedictis was the Studio Vision product manager and helped come up with the idea of audio and MIDI in the same product after speaking with Mark Jeffery, a Digidesign employee key to their software development.[5] A version called VisionDSP was released just before the company folded.

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