Friday, August 19, 2016

Graphic Novel Review: Monstress Volume 1: Awakening by Marjorie Liu

I think that the best endorsement I can ever give a work or product is when I'm willing to keep reading beyond my initial requirement and/or purchase it with my own money. In this case, I was barely started with the first issue of Monstress when I requested the other six issues. A few pages later I ended up buying the first volume because I liked it so much. That's as good of a recommendation as any, that I spent hard cash to collect the first volume.

Set in an alternate matriarchal 1900's Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.

I can't even begin to tell you why I fell in love with the comic without discussing the artwork. It's lavishly detailed and absolutely gorgeous. The story is fantastic as well, but I've gotten into more than one series just because I loved the art style. It also helps that it suits the story very well, as there's something unique and well, "old" about the style. It's polished in its own way while avoiding the slick feel you get with some of the contemporary graphic novels and comics in the genre - this last part isn't necessarily a bad thing, but it's not always the right fit for every story and I'm glad that Liu went in this direction with the series. I hope that she sticks with Takeda for the series' length, as series art tends to do better when you have the same crew working on the piece from beginning to end, at least on the main pieces.

Story-wise, this is fantastic and what you'd expect from Liu's work. She does an excellent job with Maika, as the character is sympathetic without being a woobie. You can feel sorry for her without feeling like she's an absolute victim, which honestly has become fairly important to me over the years. Maybe it's because we've had so many works of fiction where the author crafts the character as someone everyone should feel sorry for because reasons - we get far too much of that and in many cases very little reason to actually feel sorry for the main character because somewhere along the line the author forgot to make the character actually sympathetic or anything beyond what's been done to them. (cough*Anita Blake*cough) In any case it's just great when we have a character that isn't written solely to garner sympathy and reduced to what things have been done to them.

I can't recommend this enough, especially to fans of series like Saga.