Revolution I Love You considers the interconnection of art, politics and philosophy in 1968 across a divided Europe. It is a mosaic of interviews, statements and essays by prominent theorists, historians, curators, cultural workers and artists that shows the multipolar and interrelated experience of that extraordinary year.

Challenging anthropocentric conventions that seek to harness the river for economic, cultural and political purposes, River Ecologies places the complex ecological materiality of the Danube at the centre of artistic and scholarly attention. Drawing on the insights of artists, scientists, anthropologists, writers and environmental historians, brought together in the experiential setting of the River School, this collective inquiry journeys to sites of urban and natural wilderness to explore issues of reciprocity, resilience, non-human agency and interspecies solidarity. From the confluence of contemporary art and environmental humanities, the artistic and theoretical reflections of River Ecologies flow through the critical habitats of Rewilding Mentalities, Avian Ethnographies, Environmental Histories and Biosphere Responsibility to reengage with the natural world.

Loophole to Happiness reassesses the left critique of socialism through the work of dissident theorists and artists, reviving the spirit and working methods of the neo-avant-garde to suggest contemporary routes to escape the smooth surface of capitalism.

Revolutionary Decadence focuses on the effect of the changes of 1989 on a single community in one locality, namely the enclave of foreign artists within the Budapest art world, and examines their participation in libratory forms of sociability, negotiation of the politics of belonging, and contribution to a post-national understanding of contemporary art in post-communist Europe.

Revolution is not a Garden Party brings together the artistic response to contemporary revolution represented by the exhibition and new reflections on the relationship between art and revolution by theorists and art historians.

With essays by Gerald Raunig, Benda Hofmeyr, Simon Sheikh, Chus Martinez and Maja and Reuben Fowkes that engage with issues such as art and revolution, aesthetics and politics, and ecology and anarchism.