The use of Chinese ink is distinctive in the artist’s works, with characteristics - such as the transience of stroke, the involvement of negative space as composing elements of the image itself, and the achievement of gradient through degrees of saturation- transmuted to an entirely contemporary perspective. The image of potted plants by the window is thus, taken beyond its conceptual into a differential study of technique.

She juxtaposes modern subjects with traditional Chinese ink to emphasize the relevance of Asian culture in contemporary life.