Thursday, 14 June 2007

Schlock

I went to see the new Quentin Tarantino film last night with Sally. The two of us were alone in the cinema apart from a group of teenagers, mostly boys, nerdy types as QT must have been, who behaved in a fairly respectful way and then went home, no doubt to squeeze their spots and dream about Butterfly.

The film had all the essential ingredients, raunchily attractive women in hot pants discussing sex, car chases, gory and apparently gratuitous violence, an intellectual's attention to tacky period detail, deliberate anachronisms, lap dancing - everything you expect and love (or hate) from Tarantino, in a particularly stripped-back form. Underpinning all this was an extraordinary simple but effective structure: essentially, the same story told twice but with all the difference in the world, which is where the film's moral purpose (because, of course, it has one) comes from.

I won't say any more, because I wouldn't want to spoil it for you, but it's extraordinary how something that is so much sheer fun in such a superficially mindless way can also be intellectually satisfying.

Personal information

Born in England, I've been living in central Italy since 1980. My début novel - LITTLE MONSTERS - was published by Picador on 7 March 2008. The paperback came out on 6 February 2009. A collection of short fiction, entitled THE SCENT OF CINNAMON AND OTHER STORIES, is now available from Salt Publishing. The title story was selected as one of the O. Henry Prize Stories 2007. My second novel, ANY HUMAN FACE, was published by Picador on 7 May 2010 and came out in paperback in November 2011. In February 2014, my new novel, THE VIEW FROM THE TOWER (Exhibit A) will be published along side a memoir (WITH A ZERO AT ITS HEART, The Friday Project).
(Photo credit: Patrizia Casamirra)