Tag: honduras

Thanks to a wild first round of photo sales in December and January — my first foray into this madness — my pop-up shop is officially back for round two, kicking off …right now.

This time around, I have some new notecard sets up for grabs as well as a bunch of new prints in 8x10s and 12x18s. And a lot of the best sellers from the previous round, such as the Beetle and Old Man and the Sea prints and the street dog notecards are still available as well!

Most excitingly for me, after bumbling through the first round of sales manually, I have a fancy new landing page for my shop, where you can browse the available goods and order them directly. You can find it here. As it is still new, please alert me to any problems or concern! And if there’s something you’d like to see but you don’t, I’m all ears (but no promises).

An important note! Being that this is a pop-up, there is a DEADLINE FOR ORDERING if you want to make this round of shipments, which will go out in late May.

So make sure you place all orders before midnight on May 12 to make the cut.

The barista arrived at my leather banquette table armed with a tray full of equipment.

The pourover stand, with a glass decanter at its base. A stainless kettle with a delicate, gooseneck spout. A canister of the coffee itself, which she allowed me to whiff before beginning the precise brewing process, ensuring the shape and stream of the water flow was optimal for my single perfect cup.

Around me, bright murals covered the walls. Edison lights hung from the ceiling. Japanese siphon contraptions, which were also used to brew this organic java, were strategically placed around the cafe, like art.

In search of Castillo Belluci, a crumbling Italian-built castle in the hills of Tegucigalpa, Honduras, I had stumbled past a great iron gate. It seemed to be the right area of the Leona neighborhood. It seemed a gate worthy of such an attraction. So I walked right in.

…And abruptly found myself in someone’s front yard. Beyond the plant-lined stairway where I stood, a man and two women sat at a long, al fresco table, slowly savoring a bottle of wine. Seeing a gringa suddenly appear in their garden, they raised their arms.

“Venga,” come on down, the man called. “Esta es su casa.”

Realizing my mistake and, assuming the sentiment about it being my house to be sarcasm, I covered my face with my hands. “Ay perdon, perdon,” I shouted. But as I spun to leave, they called again, dramatically gesturing with their arms that I join them.

I wondered, for a moment, whether they were expecting someone else and had confused me for their guest.

Soon, I saw there wasn’t any misunderstanding at all: by crashing into their lives, rather, I had become their guest. They had watched a confused, white tourist barge into their garden, and they simply chose to respond with such graciousness that I felt I had been bound there, all along.

Shortly after I arrived in Gracias, Honduras last week and enthusiastically began posting photos of this beautiful colonial town brimming with red-tiled roofs and pristine, cafe-filled parks, someone on Instagram messaged me to ask a simple question:

Why was everything in Gracias so clean and well-kept and, well, so very different than where I had previously stayed, in Puerto Cortes?

My instinct was to say that like most places in this world, Honduras possesses range and dimension.

“Why are places in the US different from each other?” I countered. “Every place has variance.”

Sponsor my docu-series!

My new docu-series blends a celebration of culture and food with a more somber narrative of historical U.S. overstep. Episode 1 is from El Salvador, where I’m working to story tell about the Salvadoran Civil War and the dire results of U.S. involvement. Sponsoring this feature helps offset the enormous costs of this production, and earns you an acknowledgement in the credits!