Snow White premiered at the Carthay Circle Theatre on December 21, 1937, followed by a nationwide release on February 4, 1938. It was a critical and commercial success, and with international earnings of $8 million during its initial release briefly assumed the record of highest-grossing sound film at the time. The popularity of the film has led to its being re-released theatrically many times, until its home video release in the 1990s. Adjusted for inflation, it is one of the top-ten performers at the North American box office.

Plot

Snow White is a lonely princess living with her stepmother, a vain Queen. The Queen worries that Snow White will look better than she, so she forces Snow White to work as a scullery maid and asks her Magic Mirror daily "who is the fairest one of all". For years the mirror always answers that the Queen is, pleasing her.

One day, the Magic Mirror informs the Queen that Snow White is now "the fairest" in the land. The jealous Queen orders her Huntsman to take Snow White into the forest and kill her. She further demands that the huntsman return with Snow White's heart in a jeweled box as proof of the deed. However, the Huntsman cannot bring himself to kill Snow White. He tearfully begs for her forgiveness, revealing the Queen wants her dead and urges her to flee into the woods and never look back. Lost and frightened, the princess is befriended by woodland creatures who lead her to a cottage deep in the woods. Finding seven small chairs in the cottage's dining room, Snow White assumes the cottage is the untidy home of seven orphaned children.

In reality, the cottage belongs to seven adult dwarfs—named Doc, Grumpy, Happy, Sleepy, Bashful, Sneezy, and Dopey—who work in a nearby mine. Returning home, they are alarmed to find their cottage clean and suspect that an intruder has invaded their home. The dwarfs find Snow White upstairs, asleep across three of their beds. Snow White awakes to find the dwarfs at her bedside and introduces herself, and all of the dwarfs eventually welcome her into their home after she offers to clean and cook for them. Snow White keeps house for the dwarfs while they mine for jewels during the day, and at night they all sing, play music and dance.

Meanwhile, the Queen discovers that Snow White is still alive when the mirror again answers that Snow White is the fairest in the land and reveals that the heart in the jeweled box is actually that of a pig. Using a potion to disguise herself as an old hag, the Queen creates a poisoned apple that will put whoever eats it into the "Sleeping Death", a curse she learns can only be broken by "love's first kiss", but is certain Snow White will be buried alive. While the Queen goes to the cottage while the dwarfs are away, the animals are wary of her and rush off to find the dwarfs. Faking a potential heart attack, the Queen tricks Snow White into bringing her into the cottage to rest. The Queen fools Snow White into biting into the poisoned apple under the pretense that it is a magic apple that grants wishes. As Snow White falls asleep, the Queen proclaims that she is now the fairest of the land. The dwarfs return with the animals as the Queen leaves the cottage and give chase, trapping her on a cliff. She tries to roll a boulder over them, but before she can do so, lightning strikes the cliff, causing her to fall to her death.

The dwarfs return to their cottage and find Snow White seemingly dead, being kept in a deathlike slumber by the poison. Unwilling to bury her out of sight in the ground, they instead place her in a glass coffin trimmed with gold in a clearing in the forest. Together with the woodland creatures, they keep watch over her. A year later, a prince who had previously met and fallen in love with Snow White learns of her eternal sleep and visits her coffin. Saddened by her apparent death, he kisses her, which breaks the spell and awakens her. The dwarfs and animals all rejoice as the Prince takes Snow White to his castle.

Cast

Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White and the Seven Dwarfs theatrical trailer.

Lucille La Verne as Queen Grimhilde / Witch: The Queen is the stepmother of Snow White. Once her magic mirror says that Snow White is the "fairest" instead of her, she immediately enlists Humbert the huntsman to kill her in the woods. After she discovers that Snow White did not die, she disguises herself as an old hag and uses a poisoned apple to remove Snow White from her path without killing her.

Harry Stockwell as The Prince. He first sees Snow White singing at her wishing well. The prince immediately falls in love with her and her voice. He later reappears to revive her.

Roy Atwell as Doc: The leader of the seven dwarfs, Doc wears glasses and often mixes up his words.

Pinto Colvig as Grumpy and Sleepy in a dual role: Grumpy initially disapproves of Snow White's presence in the dwarfs' home, but later warns her of the threat posed by the Queen and rushes to her aid upon realizing that she is in danger, leading the charge himself. He has the biggest nose of the dwarfs and is frequently seen with one eye shut. Sleepy is always tired and appears laconic in most situations. Sterling Holloway, who would later voice many other characters for future Disney films was originally considered to voice Sleepy by Walt Disney.

Otis Harlan as Happy: Happy is the joyous dwarf and is usually portrayed laughing.

Scotty Mattraw as Bashful: Bashful is the shyest of the dwarfs, and is often embarrassed by the presence of any attention directed at him.

Billy Gilbert as Sneezy:[3] Sneezy's name is earned by his extraordinarily powerful sneezes (caused by hay fever), which are seen blowing even the heaviest of objects across a room.

Eddie Collins as Dopey (vocal effects and live-action reference only):[3] Dopey is the only dwarf who does not have a beard. He is mute, with Happy explaining that he has simply "never tried" to speak. In the movie's trailer, Walt Disney describes Dopey as "nice, but sort of silly". Mel Blanc was considered to voice Dopey by Walt Disney.[4]

Moroni Olsen as The Magic Mirror: The Slave of the Magic Mirror appears as a green mask in clouds of smoke. The Queen regularly asks him who is "the fairest" in the land.

Stuart Buchanan as The Huntsman: Despite his status as the Queen's assassin, the Huntsman cannot bear to kill Snow White, even when the Queen orders him to take the princess's heart.

Production

Film trailer, featuring reviews, cels from the production, and introducing the characters by their personality.

Development on Snow White and the Seven Dwarfs began in early 1934, and in June 1934, Walt Disney announced the production of his first feature, to be released under Walt Disney Productions,[5] to The New York Times.[6] One evening that same year, Disney acted out the entire story of Snow White and the Seven Dwarfs to his staff, announcing that the film would be produced as a feature-length film.[7]

Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. Disney hoped to expand his studio's prestige and revenues by moving into features,[8] and estimated that Snow White and the Seven Dwarfs could be produced for a budget of US$250,000; this was ten times the budget of an average Silly Symphony.[6]

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history,[5] and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney and his wife Lillian attempted to talk him out of it,[8] and the Hollywood movie industry referred to the film derisively as "Disney's Folly" while it was in production. He had to mortgage his house to help finance the film's production, which eventually ran up a total cost of $1,488,422.74, a massive sum for a feature film in 1937.[1]

Story development

On August 9, 1934, twenty-one pages of notes—entitled "Snowwhite suggestions"—were compiled by staff writer Richard Creedon, suggesting the principal characters, as well as situations and 'gags' for the story. As Disney had stated at the very beginning of the project, the main attraction of the story for him was the Seven Dwarfs, and their possibilities for "screwiness" and "gags"; the three story meetings held in October and attended by Disney, Creedon, Larry Morey, Albert Hurter, Ted Sears and Pinto Colvig were dominated by such subjects. At this point, Disney felt that the story should begin with Snow White's discovery of the Cottage of the Seven Dwarfs.[6] Walt Disney had suggested from the beginning that each of the dwarfs, whose names and personalities are not stated in the original fairy tale, could have individual personalities. The dwarfs names were chosen from a pool of about fifty potentials, including Jumpy, Deafy, Dizzey, Hickey, Wheezy, Baldy, Gabby, Nifty, Sniffy, Swift, Lazy, Puffy, Stuffy, Tubby, Shorty, and Burpy.[9] The seven finalists were chosen through a process of elimination. The leader of the dwarfs, required to be pompous, self-important and bumbling, was named Doc; others were named for their distinguishing character traits. At the end of the October story meetings, however, only Doc, Grumpy, Bashful, Sleepy and Happy of the final seven were named; at this point, Sneezy and Dopey were replaced by 'Jumpy' and an unnamed seventh dwarf.[1]

Along with a focus on the characterizations and comedic possibilities of the dwarfs, Creedon's eighteen-page outline of the story written from the October meetings, featured a continuous flow of gags as well as the Queen's attempt to kill Snow White with a poisoned comb, an element taken from the Grimms' original story. After persuading Snow White to use the comb, the disguised Queen would have escaped alive, but the dwarfs would have arrived in time to remove it. After the failure of the comb, the Queen was to have the Prince captured and taken to her dungeon, where she would have come to him (story sketches show this event both with the Queen and the Witch) and used magic to bring the dungeon's skeletons to life, making them dance for him and identifying one skeleton as "Prince Oswald", an example of the more humorous atmosphere of this original story treatment.[6] It is written in story notes that the Queen has such magical power only in her own domain, the castle. With the Prince refusing to marry her, the Queen leaves him to his death (one sketch shows the Prince trapped in a subterranean chamber filling with water)[10] as she makes her way to the dwarfs' cottage with the poisoned apple. The forest animals were to help the Prince escape the Queen's minions and find his horse. The Prince was to ride to the cottage to save Snow White but took the wrong road (despite warnings from the forest animals and his horse, whom he, unlike Snow White, could not understand). He, therefore, would not have arrived in time to save her from the Queen but would have been able to save her with love's first kiss. This plot was not used in the final film, though many sketches of the scene in the dungeon were made by Ferdinand Hovarth.

Other examples of the more comical nature of the story at this point include suggestions for a "fat, batty, cartoon type, self-satisfied" Queen.[6] The Prince was also more of a clown, and was to serenade Snow White in a more comical fashion. Walt Disney encouraged all staff at the studio to contribute to the story, offering five dollars for every 'gag'; such gags included the dwarfs' noses popping over the foot of the bed when they first meet Snow White.[11]

Disney became concerned that such a comical approach would lessen the plausibility of the characters and, sensing that more time was needed for the development of the Queen, advised in an outline circulated on November 6 that attention be paid exclusively to "scenes in which only Snow White, the Dwarfs, and their bird and animal friends appear". The names and personalities of the dwarfs, however, were still "open to change". A meeting of November 16 resulted in another outline entitled 'Dwarfs Discover Snowwhite', which introduced the character of Dopey,[6] who would ultimately prove to be the most successful and popular of the dwarf characterisations.[9] For the rest of 1934 Disney further developed the story by himself, finding a dilemma in the characterization of the Queen, who he felt could no longer be "fat" and "batty", but a "stately beautiful type", a possibility already brought up in previous story meetings. Disney did not focus on the project again until the autumn of 1935. It is thought that he may have doubted his, and his studio's ability, and that his trip to Europe that summer restored his confidence. At this point, Disney and his writers focused on the scenes in which Snow White and the dwarfs are introduced to the audience and each other. He laid out the likely assignments for everyone working on the film in a memorandum of November 25, 1935, and had decided on the personalities of the individual dwarfs.[6]

It had first been thought that the dwarfs would be the main focus of the story, and many sequences were written for the seven characters. However, at a certain point, it was decided that the main thrust of the story was provided by the relationship between the Queen and Snow White.[11] For this reason, several sequences featuring the dwarfs were cut from the film. The first, which was animated in its entirety before being cut, showed Doc and Grumpy arguing about whether Snow White should stay with them. Another, also completely animated, would have shown the dwarfs eating soup noisily and messily; Snow White unsuccessfully attempts to teach them how to eat 'like gentlemen'. A partially animated sequence involved the dwarfs holding a "lodge meeting" in which they try to think of a gift for Snow White; this was to be followed by the elaborate 'bed building sequence', in which the dwarfs and the forest animals construct and carve a bed for the princess. This also was cut, as it was thought to slow down the movement of the story.[11] The soup-eating and bed-building sequences were animated by Ward Kimball, who was sufficiently discouraged by their removal to consider leaving the studio, however Disney persuaded him to stay by promoting him to supervising animator of Jiminy Cricket in his next feature Pinocchio (1940).[12]

Animation

The primary authority on the design of the film was concept artist Albert Hurter. All designs used in the film, from characters' appearances to the look of the rocks in the background, had to meet Hurter's approval before being finalized.[10] Two other concept artists — Ferdinand Hovarth and Gustaf Tenggren — also contributed to the visual style of Snow White and the Seven Dwarfs. Hovarth developed a number of dark concepts for the film, although many other designs he developed were ultimately rejected by the Disney team as less easily translated into animation than Hurter's. Tenggren was used as a color stylist and to determine the staging and atmosphere of many of the scenes in the film, as his style borrowed from the likes of Arthur Rackham and John Bauer and thus possessed the European illustration quality that Walt Disney sought. He also designed the posters for the film and illustrated the press book. However, Hovarth didn't receive a credit for the film. Other artists to work on the film included Joe Grant, whose most significant contribution was the design for the Queen's Witch form.[10]

Don Graham really knew what he was teaching, and he "showed" you how to do something – he didn't just talk. He taught us things that were very important for animation. How to simplify our drawings – how to cut out all the unnecessary hen scratching amateurs have a habit of using. He showed us how to make a drawing look solid. He taught us about tension points – like a bent knee, and how the pant leg comes down from that knee and how important the wrinkles from it are to describe form. I learned a hell of a lot from him!

Art Babbit, an animator who joined the Disney studio in 1932, invited seven of his colleagues (who worked in the same room as him) to come with him to an art class that he himself had set up at his home in the Hollywood Hills. Though there was no teacher, Babbit had recruited a model to pose for him and his fellow animators as they drew. These "classes" were held weekly; each week, more animators would come. After three weeks, Walt Disney called Babbit to his office and offered to provide the supplies, working space and models required if the sessions were moved to the studio. Babbit ran the sessions for a month until animator Hardie Gramatky suggested that they recruit Don Graham; the art teacher from the Chouinard Institute taught his first class at the studio on November 15, 1932, and was joined by Phil Dike a few weeks later.[6] These classes were principally concerned with human anatomy and movement, though instruction later included action analysis, animal anatomy and acting.[13]

The first duty of the cartoon is not to picture or duplicate real action or things as they actually happen — but to give a caricature of life and action — to picture on the screen things that have run thru the imagination of the audience to bring to life dream-fantasies and imaginative fancies that we have all thought of during our lives or have had pictured to us in various forms during our lives [...] I definitely feel that we cannot do the fantastic things, based on the real, unless we first know the real. This point should be brought out very clearly to all new men, and even the older men.

Though the classes were originally described as a "brutal battle", with neither instructor nor students well-versed in the other's craft,[6] the enthusiasm and energy of both parties made the classes stimulating and beneficial for all involved. Graham often screened Disney shorts and, along with the animators, provided critique featuring both strengths and weaknesses. For example, Graham criticised Babbit's animation of Abner the mouse in The Country Cousin as "taking a few of the obvious actions of a drunk without coordinating the rest of the body", while praising it for maintaining its humour without getting "dirty or mean or vulgar. The country mouse is always having a good time".[13]

Very few of the animators at the Disney studio had had artistic training (most had been newspaper cartoonists); among these few was Grim Natwick, who had trained in Europe. The animator's success in designing and animating Betty Boop for Fleischer Studios showed an understanding of human female anatomy, and when Walt Disney hired Natwick he was given female characters to animate almost exclusively. Attempts to animate Persephone, the female lead of The Goddess of Spring, had proved largely unsuccessful; Natwick's animation of the heroine in Cookie Carnival showed greater promise, and the animator was eventually given the task of animating Snow White herself. Though live action footage of Snow White, the Prince and the Queen was shot as reference for the animators, the artists' animators disapproved of rotoscoping, considering it to hinder the production of effective caricature. None of Babbit's animation of the Queen was rotoscoped;[15] despite Graham and Natwick's objections, however, some scenes of Snow White and the Prince were directly traced from the live-action footage.[13]

It proved difficult to add color to Snow White's and the queen's face.. Eventually they found a red dye that worked, and which was added with a small piece of cotton wrapped around a tipple pencil on each individual cel. Helen Ogger, an employee at the ink department, was also an animator and decided to use the same system used in animation. The method was so time consuming that it was never used again on the same scale. It was also used to a smaller degree in "Pinocchio" and "Fantasia", but after Ogger left the studio in 1941 there were nobody with the same skills who could replace her.[16]

The studio's new multiplane camera gave a three-dimensional feeling in many sequences and was also used to give a rotating effect in the scene where the Queen transforms into a witch.

Music

The songs in Snow White and the Seven Dwarfs were composed by Frank Churchill and Larry Morey. Paul J. Smith and Leigh Harline composed the incidental music score. Well-known songs from Snow White and the Seven Dwarfs include "Heigh-Ho", "Some Day My Prince Will Come", and "Whistle While You Work". Since Disney did not have its own music publishing company at the time, the publishing rights for the music and songs were administered through Bourne Co. Music Publishers, which continues to hold these rights. In later years, the studio was able to acquire back the rights to the music from many of the other films, but not Snow White. Snow White became the first American film to have a soundtrack album, released in conjunction with the feature film. Before Snow White and the Seven Dwarfs, a film soundtrack recording was unheard of and of little value to a movie studio.

Cinematic influences

At this time, Disney also encouraged his staff to see a variety of films. These ranged from the mainstream, such as MGM's Romeo and Juliet (1936) — to which Disney made direct reference in a story meeting pertaining to the scene in which Snow White lies in her glass coffin — to the more obscure, including European silent cinema. Snow White and the Seven Dwarfs, as well as the two Disney films to follow it, were also influenced by such German expressionist films as Nosferatu (1922) and The Cabinet of Dr. Caligari (1919), both of which were recommended by Disney to his staff. This influence is particularly evident in the scenes of Snow White fleeing through the forest and the Queen's transformation into the Witch. The latter scene was also inspired by Dr. Jekyll and Mr. Hyde (1931), to which Disney made specific reference in story meetings.[13]

Release

Original theatrical run

Snow White and the Seven Dwarfs premiered at the Carthay Circle Theatre on December 21, 1937, to a wildly receptive audience, many of whom were the same naysayers who had dubbed the film "Disney's Folly".[1] The film received a standing ovation at its completion[17] from an audience that included Judy Garland, Marlene Dietrich and Charles Laughton.[18] Six days later, Walt Disney and the seven dwarfs appeared on the cover of Time magazine.[19] The New York Times said, "Thank you very much, Mr. Disney".[20] The American entertainment trade publication Variety observed that "[so] perfect is the illusion, so tender the romance and fantasy, so emotional are certain portions when the acting of the characters strikes a depth comparable to the sincerity of human players, that the film approaches real greatness."[21]

Following successful exclusive runs at Radio City Music Hall in New York City and a theater in Miami in January 1938,[1]RKO Radio Pictures put the film into general release on February 4. It became a major box-office success, earning four times more money than any other motion picture released in 1938.[22]Snow White proved equally popular with foreign audiences. In September 1938—seven months after the film's nationwide release in the United States—Variety also reported that the animated feature was having a remarkably long box-office run at theaters in Sydney, Australia. In that city it noted, "Walt Disney's 'Snow White' (RKO) experienced no difficulty at hitting 11 weeks, with more ahead."[23]Variety reported as well that Snow White was having even longer runs in other cities overseas, such as in London, where the film had generated greater box-office receipts than during its exclusive New York screenings at Radio City Music Hall:

'Snow White' (RKO) is in its 27th week at the New Gallery, London, and will continue to be shown through the regular London release dates, Sept. 19 for North London, and Sept. 26 for South London. There is a likelihood that the New Gallery first-run will run until Christmas. Picture reported to have exceeded $500,000, passing Radio City's five-week mark, which just fell short of the $500,000 mark.[23]

In total revenue during its original release, Snow White and the Seven Dwarfs grossed $3.5 million in the United States and Canada,[24] and by May 1939 its gross internationally amounted to $6.5 million, making it the most successful sound film of all time, displacing Al Jolson's The Singing Fool (1928) (Snow White and the Seven Dwarfs was soon displaced from this position by Gone with the Wind in 1940).[24][25] By the end of its original run, Snow White and the Seven Dwarfs had earned $7,846,000 in international box office receipts.[26] This earned RKO a profit of $380,000.[27]

Re-releases

Snow White and the Seven Dwarfs was first re-released in 1944, to raise revenue for the Disney studio during the World War II period. This re-release set a tradition of re-releasing Disney animated features every seven to 10 years, and Snow White and the Seven Dwarfs was re-released to theaters in 1952, 1958, 1967, 1975, 1983, 1987 and 1993.[28] Coinciding with the 50th-anniversary release in 1987, Disney released an authorized novelization of the story, written by children's author Suzanne Weyn.[29][30]

In 1993, Snow White and the Seven Dwarfs became the first film to be entirely scanned to digital files, manipulated, and recorded back to film. The restoration project was carried out entirely at 4K resolution and 10-bit color depth using the Cineon system to digitally remove dirt and scratches.[31]

Snow White and the Seven Dwarfs has had a lifetime gross of $418 million across its original release and several reissues.[2] Adjusted for inflation, and incorporating subsequent releases, the film still registers one of the top-10 American film moneymakers of all time.[32]

Reception

The film was a tremendous critical success, with many reviewers hailing it as a genuine work of art, recommended for both children and adults.[33] Although film histories often state that the animation of the human characters was criticized, more recent scholarship finds that most reviewers praised the realistic style of the human animation, with several stating that audiences will forget that they are watching animated humans rather than real ones.[33] At the 11th Academy Awards, the film won an Academy Honorary Award for Walt Disney "as a significant screen innovation which has charmed millions and pioneered a great new entertainment field". Disney received a full-size Oscar statuette and seven miniature ones, presented to him by 10-year-old child actress Shirley Temple. The film was also nominated for Best Musical Score.[34] "Some Day My Prince Will Come" has become a jazz standard that has been performed by numerous artists, including Buddy Rich, Lee Wiley, Oscar Peterson, Frank Churchill,[35] and Oliver Jones.[36] Albums by Miles Davis, by Wynton Kelly, and Alexis Cole.[37]

The American Film Institute (AFI), an independent non-profit organization created in the United States by the National Endowment for the Arts,[41] releases a variety of annual awards and film lists recognizing excellence in filmmaking. The AFI 100 Years... series, which ran from 1998 to 2008, created categorized lists of America's best movies as selected by juries composed from among over 1,500 artists, scholars, critics, and historians. A film's inclusion in one of these lists was based on the film's popularity over time, historical significance and cultural impact.[42]Snow White and the Seven Dwarfs was selected by juries for inclusion on many AFI lists, including the following:

Home media

On October 28, 1994, the film was released for the first time on home video on VHS and LaserDisc as the first release in the Walt Disney Masterpiece Collection.[5] By 1995, the film had sold 24million home video units and grossed $430 million.[48] As of 2002, the film sold 25.1million home video units in the United States.[49]

Snow White and the Seven Dwarfs was released on DVD on October 9, 2001, the first in Disney's Platinum Editions, and featured, across two discs, the digitally restored film, a making-of documentary narrated by Angela Lansbury, an audio commentary by John Canemaker and, via archived audio clips, Walt Disney.[50] A VHS release followed on November 27, 2001. Both versions were returned to the Disney Vault on January 31, 2002.[51] As of 2001, the film grossed a combined $1.1 billion from box office and home video revenue.[52]

Snow White and the Seven Dwarfs was released on Blu-ray on October 6, 2009, the first of Disney's Diamond Editions, and a new DVD edition was released on November 24, 2009. The Blu-ray includes a high-definition version of the movie sourced from a new restoration by Lowry Digital, a DVD copy of the film, and several bonus features not included on the 2001 DVD. This set returned to the Disney Vault on April 30, 2011.[53]

Walt Disney Studios Home Entertainment re-released Snow White and the Seven Dwarfs on Blu-ray and DVD on February 2, 2016, as the first of the Walt Disney Signature Collection Line. It was released on Digital HD on January 19, 2016, with bonus material.[54]

Legacy

Following the film's release, a number of Snow White themed merchandise were sold, including hats, dolls, garden seeds, and glasses. The film's merchandise generated sales of $8 million, equivalent to over $100 million adjusted for inflation.[55]

Video games

The first attempt at a Snow White and the Seven Dwarfs video game was for the Atari 2600 as part of their line of children's games.[61] It was never officially released, although a "homebrew" version was made available on a limited basis.[62]

Walt Disney's Snow White and the Seven Dwarfs was released for the Game Boy Color system in 2001.[63]

In 2013's free-to-play mobile game Snow White: Queen's Return (also known as Seven Dwarfs: The Queen's Return),[66] an uncanonical continuation of the film, the Queen has survived the fall at the climax of the film and then reverted to her youthful form to cast a curse on Snow White and the dwarfs and their entire forest.[67]

Broadway musical

Unknown Mary Jo Salerno played Snow White in the Disney-produced Snow White and the Seven Dwarfs (also known as Snow White Live!) at the Radio City Music Hall.[68] Music and lyrics for four new songs were created by Jay Blackton and Joe Cook, respectively; titles included "Welcome to the Kingdom of Once Upon a Time" and "Will I Ever See Her Again?".[69] It ran from October 18 to November 18, 1979, and January 11 to March 9, 1980, a total of 106 performances.[70]

Canceled prequel

In the 2000s, DisneyToon Studios began development on a computer-animated prequel to Snow White and the Seven Dwarfs, titled The Seven Dwarfs. Director Mike Disa and screenwriter Evan Spiliotopoulos pitched a story explaining how the Dwarfs met, and how the Evil Queen killed Snow White's father and took the throne. According to Disa, DisneyToon management changed the prequel to center around how Dopey lost his voice upon witnessing the death of his mother. After Disney purchased Pixar in 2006, John Lasseter, DisneyToons' new Chief Creative Officer, canceled Dwarfs.[71]

Live-action adaptations

In March 2016, the studio announced a new film in development titled Rose Red, a live-action spin-off film which will be told from the perspective of Snow White's sister, Red Rose.[72] In late October that year, a live-action feature-length Snow White and the Seven Dwarfs was announced, with Erin Cressida Wilson in negotiations to write the script and Pasek and Paul writing new songs for the film.[73]

Other appearances

The Seven Dwarfs made rare appearances in shorts, despite their popularity; they simply were too numerous to animate efficiently. Commissioned shorts The Standard Parade (1939), The Seven Wise Dwarfs (1941, using mostly recycled footage), All Together (1942) and The Winged Scourge (1943) all include appearances.[74]

An animated television series featuring the seven dwarfs titled The 7D premiered on Disney XD on July 7, 2014, and ended its run on November 5, 2016. The show takes place 30 years before the events of the original film.

A 1937–1938 newspaper comic strip adaptation was republished repeatedly as a comic book, most recently in 1995.[75] The 1984 film Gremlins used the cartoon in the theater scenes.

References

Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. p. 359. ISBN978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million! (Online copy at Google Books)

^"Mediaweek". Mediaweek. A/S/M Communications. 5: 29. 1995. Most people would correctly guess Snow White, whicn moved 24 million units at a retail price of about $18 a pop — call it $430 million gross.

1.
Walt Disney
–
Walter Elias Walt Disney was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons, as a film producer, Disney holds the record for most Academy Awards earned by an individual, having won 22 Oscars from 59 nominations. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors, several of his films are included in the National Film Registry by the Library of Congress. Born in Chicago in 1901, Disney developed an early interest in drawing and he took art classes as a boy and got a job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio with his brother Roy, with Ub Iwerks, Walt developed the character Mickey Mouse in 1928, his first highly popular success, he also provided the voice for his creation in the early years. As the studio grew, Disney became more adventurous, introducing synchronized sound, full-color three-strip Technicolor, feature-length cartoons, the results, seen in features such as Snow White and the Seven Dwarfs, Fantasia, Pinocchio, Dumbo and Bambi, furthered the development of animated film. New animated and live-action films followed after World War II, including the critically successful Cinderella and Mary Poppins, in the 1950s, Disney expanded into the amusement park industry, and in 1955 he opened Disneyland. In 1965, he began development of theme park, Disney World, the heart of which was to be a new type of city. Disney was a smoker throughout his life, and died of lung cancer in December 1966 before either the park or the EPCOT project were completed. Disney was a shy, self-deprecating and insecure man in private and he had high standards and high expectations of those with whom he worked. Although there have been accusations that he was racist or anti-semitic and his reputation changed in the years after his death, from a purveyor of homely patriotic values to a representative of American imperialism. Nevertheless, Disney is considered an icon, particularly in the United States. Walt Disney was born on December 5,1901, at 1249 Tripp Avenue and he was the fourth son of Elias Disney‍—‌born in the Province of Canada, to Irish parents‍—‌and Flora, an American of German and English descent. Aside from Disney, Elias and Calls sons were Herbert, Raymond and Roy, in 1906, when Disney was four, the family moved to a farm in Marceline, Missouri, where his uncle Robert had just purchased land. In Marceline, Disney developed his interest in drawing when he was paid to draw the horse of a neighborhood doctor. Elias was a subscriber to the Appeal to Reason newspaper, Disney also began to develop an ability to work with watercolors and crayons. He lived near the Atchison, Topeka and Santa Fe Railway line and he and his younger sister Ruth started school at the same time at the Park School in Marceline in late 1909. In 1911, the Disneys moved to Kansas City, Missouri, before long, he was spending more time at the Pfeiffers house than at home

2.
Snow White
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Snow White is a fictional character and a main character from Walt Disney Productions first animated feature film Snow White and the Seven Dwarfs. The character of Snow White was derived from a tale known from many countries in Europe. Snow White is the first Disney Princess and the first fictional character with a star on the Hollywood Walk of Fame. Snow White first appears in the film Snow White and the Seven Dwarfs, after many years, the Queens Magic Mirror confirms Snow White as being the fairest of them all, which causes the Queen to cast Snow White out and send a huntsman to kill her. But when he refuses to do so because she means no harm, Snow White stumbles upon the home of the Seven Dwarfs, who happily aid her. When the dwarfs are away the hag arrives at the cottage and offers Snow White the poisoned apple. Snow White bites into the apple and falls into a coma, the dwarfs discovering what had happened track down the Queen, a short fight ensues and the Queen is killed. Believing her dead too, the build a open grave for Snow White to rest on. Time passes and the Prince comes across Snow White, saddened by her apparent death, he kisses her, causing her to awaken. As the Seven Dwarfs dance with joy, Snow White and the Prince go off to live together, Snow White is a princess, and the fairest in the land. She is described by her stepmothers Magic Mirror as having hair as black as ebony, lips as red as the rose and her voice is also the inspiration for that of Minerva Mink in Animaniacs. Along with yellow shoes, a red cape, and a red bow in her hair, Snow White is innocent, kind, gentle, sweet, and cheerful. Her generous, trusting and helpful nature can cause her trouble, as people might take advantage of it, such as her vain. Although she is sensitive and soft-spoken, she can be energetic and stern, Snow White is motherly, compassionate and delights in keeping house for the lovable Seven Dwarfs while she waits to meet her beloved prince again. With her kindness and ethereal beauty, Snow White charms every creature in the kingdom except the Queen and she also shows great resilience and an inner strength against adversity. Animators initial sketches for Snow Whites character, some of which bore a resemblance to Betty Boop, did not meet Walt Disneys expectations, as they were too cartoonish. This was a challenge Luske and co-animator Les Clark had previously asked to explore while developing the character of Persephone for the Silly Symphonies animated short The Goddess of Spring. Of that project, Les Clark later remarked, Im sure Walt was thinking ahead to Snow White, Snow White and the Queen were refined by Grim Natwick and Norm Ferguson, who would often override Walt Disneys instructions

3.
Brothers Grimm
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Their first collection of folk tales, Childrens and Household Tales, was published in 1812. The brothers spent their formative years in the German town of Hanau and their fathers death in 1796 caused great poverty for the family and affected the brothers for many years after. They both attended the University of Marburg where they developed a curiosity about German folklore, which grew into a dedication to collecting German folk tales. The rise of romanticism during the 19th century revived interest in folk stories. With the goal of researching a scholarly treatise on folk tales, between 1812 and 1857, their first collection was revised and republished many times, growing from 86 stories to more than 200. The popularity of the Grimms best folk tales has endured well, Jacob Ludwig Carl Grimm was born on 4 January 1785 and his brother Wilhelm Carl Grimm on 24 February 1786. They were the second- and third-eldest surviving siblings in a family of nine children, in 1791, the family moved to the countryside town of Steinau, when Philipp was employed there as district magistrate. The family became prominent members of the community, residing in a home surrounded by fields. Biographer Jack Zipes writes that the brothers were happy in Steinau, the children were educated at home by private tutors, receiving strict instruction as Lutherans that instilled in both a lifelong religious faith. In 1796, Philipp Grimm died of pneumonia, plunging his family into poverty, Dorothea depended on financial support from her father and sister, first lady-in-waiting at the court of William I, Elector of Hesse. Jacob was the eldest living son, and he was forced at age 11 to assume adult responsibilities for the two years. The two boys adhered to the advice of their grandfather, who continually exhorted them to be industrious, the brothers left Steinau and their family in 1798 to attend the Friedrichsgymnasium in Kassel, which had been arranged and paid for by their aunt. By then, they were without a provider, forcing them to rely entirely on each other. The two brothers differed in temperament, Jacob was introspective and Wilhelm was outgoing, sharing a strong work ethic, they excelled in their studies. In Kassel, they became aware of their inferior social status relative to high-born students who received more attention. Still, each brother graduated at the head of his class, Jacob in 1803, after graduation from the Friedrichsgymnasium, the brothers attended the University of Marburg. The university was small with about 200 students and there they became aware that students of lower social status were not treated equally. They were disqualified from admission because of their standing and had to request dispensation to study law

4.
Walt Disney Animation Studios
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Founded on October 16,1923, it is a division of The Walt Disney Studios. The studio has produced 56 feature films, from Snow White and it was founded as the Disney Brothers Cartoon Studio in 1923 and incorporated as Walt Disney Productions in 1929. The studio was dedicated to producing short films until it expanded into feature production in 1934. In 1983, Walt Disney Productions named its film studio Walt Disney Pictures. In 2006, Walt Disney Feature Animation took on its current name, the studio also pioneered the art of storyboarding, which is now a standard technique used in both animated and live-action filmmaking. Walt Disney Animation Studios continues to produce films using both traditional animation and computer-generated imagery, at the present, Andrew Millstein is the general manager of the studio for day-to-day business affairs, under the direction of Edwin Catmull and John Lasseter who also oversee Pixar. Kansas City, Missouri, natives Walt Disney and Roy O, in February 1924, the studio moved next door to office space of its own at 4649 Kingswell Avenue. Disney refused, and as Universal owned the rights to Oswald rather than Disney, most of Disneys staff was hired away by Mintz to move over, once Disneys Oswald contract was done in mid-1928. The first two Mickey Mouse cartoons, Plane Crazy and The Galloping Gaucho, were previewed in limited engagements during the summer of 1928, the Mickey Mouse series of sound cartoons, distributed by Powers through Celebrity Productions, quickly became the most popular cartoon series in the United States. A second Disney series of cartoons, the Silly Symphonies. Powers in return signed away Ub Iwerks, who began producing cartoons at his own studio, columbia distributed Disneys shorts for two years before the Disney studio entered a new distribution deal with United Artists in 1932. The result was the Silly Symphony Flowers and Trees, the first film released in full Technicolor. Flowers and Trees was a success, and all Silly Symphonies were subsequently produced in Technicolor. In 1934, Walt Disney gathered several key members and announced his plans to make his first feature animated film. In the course of teaching the classes, Graham and the created or formalized many of the techniques and processes that became the key tenets. During the production of Snow White, work had continued on the Mickey Mouse, Mickey Mouse switched to Technicolor in 1935, by which time the series had added several major supporting characters, among them Mickeys dog Pluto and their friends Donald Duck and Goofy. Donald, Goofy, and Pluto would all be appearing in series of their own by 1940, the Silly Symphonies, which garnered seven Academy Awards, ended in 1939. The success of Snow White allowed Disney to build a new, larger studio on Buena Vista Street in Burbank, Walt Disney Productions had its initial public offering on April 2,1940, with Walt Disney as president and chairman and Roy Disney as CEO

5.
RKO Pictures
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RKO Pictures Inc. also known as RKO Radio Pictures and in its later years RKO Teleradio Pictures, was an American film production and distribution company. It was one of the Big Five studios of Hollywoods Golden Age, RCA chief David Sarnoff engineered the merger to create a market for the companys sound-on-film technology, RCA Photophone. By the mid-1940s, the studio was under the control of investor Floyd Odlum, RKO has long been celebrated for its series of musicals starring Fred Astaire and Ginger Rogers in the mid-to-late 1930s. Actors Katharine Hepburn and, later, Robert Mitchum had their first major successes at the studio, cary Grant was a mainstay for years. The work of producer Val Lewtons low-budget horror unit and RKOs many ventures into the now known as film noir have been acclaimed, largely after the fact, by film critics. The studio produced two of the most famous films in motion picture history, King Kong and Citizen Kane, RKO Pictures is also a member of Motion Picture Association of America. Maverick industrialist Howard Hughes took over RKO in 1948, after years of turmoil and decline under his control, Hughes sold the troubled studio to General Tire and Rubber Company in 1955. The original RKO Pictures ceased production in 1957 and was dissolved two years later. In 1981, broadcaster RKO General, the heir, revived it as a production subsidiary. In October 1927, Warner Bros. released The Jazz Singer and its success prompted Hollywood to convert from silent to sound film production en masse. The Radio Corporation of America controlled an advanced optical sound-on-film system, RCA Photophone, the industrys two largest major studios, Paramount and Loews/MGM, with two other studios Universal and First National, were poised to contract with ERPI for sound conversion as well. Next on the agenda was securing a string of exhibition venues like those the leading Hollywood production companies owned, Kennedy began investigating the possibility of such a purchase. Around that time, the large Keith-Albee-Orpheum circuit of theaters, built around the medium of live vaudeville, was attempting a transition to the movie business. In mid-1927, the operations of Pathé Exchange and Cecil B. De Milles Producers Distributing Corporation had united under KAOs control, early in 1928, KAO general manager John J. Murdock, who had assumed the presidency of Pathé, turned to Kennedy as an adviser in consolidating the studio with De Milles company, PDC. This was the relationship Sarnoff and Kennedy sought, on October 23,1928, RCA announced the creation of the Radio-Keith-Orpheum holding company, with Sarnoff as chairman of the board. Kennedy, who withdrew from his positions in the merged companies, kept Pathé separate from RKO. RCA owned the governing stock interest in RKO,22 percent, in the early 1930s, the companys production and distribution arm, presided over by former FBO vice-president Joseph I

6.
Sound film
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A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known exhibition of projected sound films took place in Paris in 1900. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid- to late 1920s, at first, the sound films which included synchronized dialogue, known as talking pictures, or talkies, were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects, the first feature film originally presented as a talkie was The Jazz Singer, released in October 1927. A major hit, it was made with Vitaphone, which was at the time the brand of sound-on-disc technology. Sound-on-film, however, would become the standard for talking pictures. By the early 1930s, the talkies were a global phenomenon, in the United States, they helped secure Hollywoods position as one of the worlds most powerful cultural/commercial centers of influence. In Europe, the new development was treated with suspicion by many filmmakers and critics, in Japan, where the popular film tradition integrated silent movie and live vocal performance, talking pictures were slow to take root. In India, sound was the element that led to the rapid expansion of the nations film industry. The idea of combining motion pictures with recorded sound is nearly as old as the concept of cinema itself. On February 27,1888, a couple of days after photographic pioneer Eadweard Muybridge gave a lecture not far from the laboratory of Thomas Edison, the two inventors privately met. No agreement was reached, but within a year Edison commissioned the development of the Kinetoscope, essentially a peep-show system, as a visual complement to his cylinder phonograph. The two devices were brought together as the Kinetophone in 1895, but individual, cabinet viewing of motion pictures was soon to be outmoded by successes in film projection and these appear to be the first publicly exhibited films with projection of both image and recorded sound. Phonorama and yet another sound-film system—Théâtroscope—were also presented at the Exposition, three major problems persisted, leading to motion pictures and sound recording largely taking separate paths for a generation. The primary issue was synchronization, pictures and sound were recorded and played back by separate devices, sufficient playback volume was also hard to achieve. Finally, there was the challenge of recording fidelity, cinematic innovators attempted to cope with the fundamental synchronization problem in a variety of ways. In 1902, Léon Gaumont demonstrated his sound-on-disc Chronophone, involving an electrical connection he had recently patented, four years later, Gaumont introduced the Elgéphone, a compressed-air amplification system based on the Auxetophone, developed by British inventors Horace Short and Charles Parsons

7.
Library of Congress
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The Library of Congress is the research library that officially serves the United States Congress and is the de facto national library of the United States. It is the oldest federal cultural institution in the United States, the Library is housed in three buildings on Capitol Hill in Washington, D. C. it also maintains the Packard Campus in Culpeper, Virginia, which houses the National Audio-Visual Conservation Center. The Library of Congress claims to be the largest library in the world and its collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 450 languages. Two-thirds of the books it acquires each year are in other than English. The Library of Congress moved to Washington in 1800, after sitting for years in the temporary national capitals of New York. John J. Beckley, who became the first Librarian of Congress, was two dollars per day and was required to also serve as the Clerk of the House of Representatives. The small Congressional Library was housed in the United States Capitol for most of the 19th century until the early 1890s, most of the original collection had been destroyed by the British in 1814, during the War of 1812. To restore its collection in 1815, the bought from former president Thomas Jefferson his entire personal collection of 6,487 books. After a period of growth, another fire struck the Library in its Capitol chambers in 1851, again destroying a large amount of the collection. The Library received the right of transference of all copyrighted works to have two copies deposited of books, maps, illustrations and diagrams printed in the United States. It also began to build its collections of British and other European works and it included several stories built underground of steel and cast iron stacks. Although the Library is open to the public, only high-ranking government officials may check out books, the Library promotes literacy and American literature through projects such as the American Folklife Center, American Memory, Center for the Book, and Poet Laureate. James Madison is credited with the idea for creating a congressional library, part of the legislation appropriated $5,000 for the purchase of such books as may be necessary for the use of Congress. And for fitting up an apartment for containing them. Books were ordered from London and the collection, consisting of 740 books and 3 maps, was housed in the new Capitol, as president, Thomas Jefferson played an important role in establishing the structure of the Library of Congress. The new law also extended to the president and vice president the ability to borrow books and these volumes had been left in the Senate wing of the Capitol. One of the only congressional volumes to have survived was a government account book of receipts and it was taken as a souvenir by a British Commander whose family later returned it to the United States government in 1940. Within a month, former president Jefferson offered to sell his library as a replacement

8.
National Film Registry
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The National Film Registry is the United States National Film Preservation Boards selection of films for preservation in the Library of Congress. The NFPB, established by the National Film Preservation Act of 1988, was reauthorized by acts of Congress in 1992,1996,2005, and again in October 2008. The NFPBs mission, to which the NFR contributes, is to ensure the survival, conservation, the 1996 law also created the non-profit National Film Preservation Foundation which, although affiliated with the NFPB, raises money from the private sector. To be eligible for inclusion, a film must be at least ten years old, for the first selection in 1989, the public nominated almost 1,000 films for consideration. Members of the NFPB then developed individual ballots of possible films for inclusion, the ballots were tabulated into a list of 25 films which was then modified by Librarian of Congress James H. Billington and his staff at the Library for the final selection. Since 1997, members of the public have been able to nominate up to 50 films a year for the NFPB, the NFR includes films ranging from Hollywood classics to orphan films. A film is not required to be feature-length, nor is it required to have been released in the traditional sense. As of the 2016 listing, there are 700 films preserved in the Registry, currently, the earliest listed film is Newark Athlete, and the most recent is 13 Lakes. Counting the 11 multi-year serials in the NFR once each by year of completion, the years with the most films selected are 1928,1939, the time between a films debut and its selection varies greatly. The longest span is 119 years, Newark Athlete was originally released in 1891, the shortest span is the minimum 10 years, this distinction is shared by Raging Bull, Do the Right Thing, Goodfellas, Toy Story, Fargo and 13 Lakes. For purposes of this list, multi-year serials are counted once by year of completion

9.
Amusement park
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An amusement park or theme park is a group of entertainment attractions, rides, and other events in a location for the enjoyment of large numbers of people. Theme parks, a type of amusement park, are usually much more intricately themed to a certain subject or group of subjects than normal amusement parks. Amusement parks evolved from European fairs and pleasure gardens, which were created for peoples recreation, Worlds fairs and expositions were another influence on the development of the amusement park industry. In common language, the theme park and amusement park are often synonymous. However, a park can be regarded as a distinct style of amusement park. A theme park has landscaping, buildings, and attractions that are based on one or more specific themes or stories. The amusement park evolved from three earlier traditions, the oldest being the periodic fair of the Middle Ages - one of the earliest was the Bartholomew Fair in England, the worlds oldest amusement park appeared in the Continent. Bakken at Klampenborg, north of Copenhagen, Denmark, opened in 1583, a wave of innovation in the 1860s and 1870s created mechanical rides, such as the steam-powered carousel, and its derivatives. This inaugurated the era of the modern funfair ride, as the classes were increasingly able to spend their surplus wages on entertainment. The second influence was the pleasure garden, one of the earliest gardens was the Vauxhall Gardens, founded in 1661 in London. By the late 18th century, the site had a fee for its many attractions. It regularly drew crowds, with its paths being noted for romantic assignations, tightrope walkers, hot air balloon ascents, concerts. Although the gardens were designed for the elites, they soon became places of great social diversity. Public firework displays were put on at Marylebone Gardens, and Cremorne Gardens offered music, dancing, prater in Vienna, Austria, was opened in 1766. The concept of a park for amusement was further developed with the beginning of the worlds fairs. The first World fair began in 1851 with the construction of the landmark Crystal Palace in London, the purpose of the exposition was to celebrate the industrial achievement of the nations of the world and it was designed to educate and entertain the visitors. American cities and business saw the worlds fair as a way of demonstrating economic. The Worlds Columbian Exposition of 1893 in Chicago, Illinois was an precursor to the modern amusement park

10.
Video game
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A video game is an electronic game that involves interaction with a user interface to generate visual feedback on a video device such as a TV screen or computer monitor. The word video in video game referred to a raster display device. Some theorists categorize video games as an art form, but this designation is controversial, the electronic systems used to play video games are known as platforms, examples of these are personal computers and video game consoles. These platforms range from large mainframe computers to small handheld computing devices, the input device used for games, the game controller, varies across platforms. Common controllers include gamepads, joysticks, mouse devices, keyboards, the touchscreens of mobile devices, and buttons, or even, with the Kinect sensor, a persons hands and body. Players typically view the game on a screen or television or computer monitor, or sometimes on virtual reality head-mounted display goggles. There are often game sound effects, music and, in the 2010s, some games in the 2000s include haptic, vibration-creating effects, force feedback peripherals and virtual reality headsets. In the 2010s, the game industry is of increasing commercial importance, with growth driven particularly by the emerging Asian markets and mobile games. As of 2015, video games generated sales of USD74 billion annually worldwide, early games used interactive electronic devices with various display formats. The earliest example is from 1947—a Cathode ray tube Amusement Device was filed for a patent on 25 January 1947, by Thomas T. Goldsmith Jr. and Estle Ray Mann, and issued on 14 December 1948, as U. S. Written by MIT students Martin Graetz, Steve Russell, and Wayne Wiitanens on a DEC PDP-1 computer in 1961, and the hit ping pong-style Pong, used the DEC PDP-1s vector display to have two spaceships battle each other. In 1971, Computer Space, created by Nolan Bushnell and Ted Dabney, was the first commercially sold and it used a black-and-white television for its display, and the computer system was made of 74 series TTL chips. The game was featured in the 1973 science fiction film Soylent Green, Computer Space was followed in 1972 by the Magnavox Odyssey, the first home console. Modeled after a late 1960s prototype console developed by Ralph H. Baer called the Brown Box and these were followed by two versions of Ataris Pong, an arcade version in 1972 and a home version in 1975 that dramatically increased video game popularity. The commercial success of Pong led numerous other companies to develop Pong clones and their own systems, the game inspired arcade machines to become prevalent in mainstream locations such as shopping malls, traditional storefronts, restaurants, and convenience stores. The game also became the subject of articles and stories on television and in newspapers and magazines. Space Invaders was soon licensed for the Atari VCS, becoming the first killer app, the term platform refers to the specific combination of electronic components or computer hardware which, in conjunction with software, allows a video game to operate. The term system is commonly used

11.
Broadway theatre
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Along with Londons West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world. The Theater District is a popular tourist attraction in New York City, the great majority of Broadway shows are musicals. They presented Shakespeare plays and ballad operas such as The Beggars Opera, in 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice, the company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the Bowery Theatre opened in 1826, followed by others. Blackface minstrel shows, a distinctly American form of entertainment, became popular in the 1830s, by the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblos Garden opened, the 3, 000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmos Opera House opened and presented opera for four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burtons Theatre. The Astor Opera House opened in 1847, booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865, and would later revive the role at his own Booths Theatre. Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, lydia Thompson came to America in 1868 heading a small theatrical troupe, adapting popular English burlesques for middle-class New York audiences. Thompsons troupe called the British Blondes, was the most popular entertainment in New York during the 1868–1869 theatrical season, the six-month tour ran for almost six extremely profitable years. Theatre in New York moved from downtown gradually to midtown beginning around 1850, in 1870, the heart of Broadway was in Union Square, and by the end of the century, many theatres were near Madison Square. Broadways first long-run musical was a 50-performance hit called The Elves in 1857, New York runs continued to lag far behind those in London, but Laura Keenes musical burletta The Seven Sisters shattered previous New York records with a run of 253 performances. It was at a performance by Keenes troupe of Our American Cousin in Washington, the production was a staggering five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a musical comedy, Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham. They starred high quality singers, instead of the women of repute who had starred in earlier musical forms. Plays could run longer and still draw in the audiences, leading to better profits, as in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women

12.
Evil Queen (Disney)
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She is based on the Evil Queen character from the European fairy tale Snow White. In the film, similar to the Brothers Grimm story, the Evil Queen is cold, cruel, and extremely vain, and obsessively desires to remain the fairest in the land. This leads her to plot the death of Snow White and ultimately on the path to her own demise, the Queen dies in the film, but lives on in a variety of noncanonical Disney works. The films version of the Queen was created by Walt Disney and Joe Grant and this interpretation of the classic fairy tale character has been very well received by film critics and general public, often being considered one of Disneys most iconic and menacing villains. Besides in the film, the Evil Queen has made appearances in Disney attractions and productions, including not only these directly related to the tale of Snow White. The Kingdom Keepers and Kingdom Hearts Birth by Sleep, sometimes appearing in them alongside Maleficent from Sleeping Beauty, the films version of the Queen has also become a popular archetype that influenced a number of artists and non-Disney works. From that time on the cruel Queen ruled all alone, her word was law. The vain Queen owned a magical mirror with which she could look upon whatever she wished, the Magic Mirror shows a haunted, smokey face of her familiar demon which replies to the Queens requests. She regularly asks the mirror who is the fairest in the realm, One day, however, the mirror tells her that there is a new fairest woman in the land, her 14-year-old stepdaughter, Princess Snow White. She became obsessively jealous of the emerging beauty, therefore turning her into a scullery maid in her own home. He is ordered to bring back her heart in a box to prove that he had done so. But Humbert cannot bear to kill the young princess upon realizing that she is impervious to harm, so he tells Snow White of the Queens plot and tells her to run away and never to come back. To escape the penalty, he back with a pigs heart. The Dwarfs are fearful of the Queens black magic but decide to take in Snow White anyway, furious that Humbert tricked her, the Queen decides that first Snow White shall die by her own hand and at any cost. Her beauty is shrouded in ugliness and age, though presumably reversible and she then conjures a poison apple, which will cause the Sleeping Death, and proceeds to leave the castle via a moat boat. She is sure no one would know or perform the counter-curse to her spell. The Queen comes to the cottage, followed by two vultures, and finds Snow White baking a pie for Grumpy the dwarf. Somehow Snow Whites animal friends realize that the old hag is the Queen, after an unsuccessful attempt to warn Snow White by attacking the Queen, they go to warn the Dwarfs of the Queens arrival