Notes and Editorial Reviews

A unique collection of recordings of Schubert lieder from the catalogues of EMI and Virgin Classics and their predecessor companies, covering the entire history of sound recording in Europe from 1898, sung by the greatest singers of the time.

In his tragically short life, the Austrian composer Franz Schubert (1797–1828) wrote over 600 songs and effectively established the German lied as a new art form in the 19th century.

When Schubert Lieder on Record (1898–1952) was first released as an 8 LP set in 1982, the compiler, the late Keith Hardwick, explained that it was his intention to examine how Schubert lieder was performed in the days before Schwarzkopf, Fischer-Dieskau, Ludwig and Baker, and so heRead more painstakingly sought out examples of recordings right back to the earliest days of sound recording in Europe. Fred Gaisberg, the Gramophone Company’s pioneering recording engineer, began making flat-disc 78rpm records in London in August 1898. Initially he chose material of a popular nature, but on 11 October 1898 the contralto Edith Clegg recorded Schubert’s Ave Maria, and it is this item that opens CD 1. Hardwick finished his programme at the end of the 78rpm era, and the results of his labours are contained on the first six CDs in this set.

In reviewing the LP set in Gramophone magazine, J. B. Steane, the doyen of vocal experts, wrote: ‘Schubert Lieder on Record ... is a magnificent achievement, imaginatively conceived and scrupulously presented; and the quality of recorded sound in transference from the old originals is superlative.’ The artists represented are truly international and include German, Austrian, Dutch, French, English, Irish, Russian, Australian and American singers. Purely as an example of the riches contained in the set, Steane picked out LP side 5 and wrote this about it: ‘It begins with Elise Elizza, silvery, haunting and unexpected; then Ottilie Metzger's glorious contralto; Friedrich Brodersen singing “Sei mir gegrüsst”, intensely expressive; magical touches of Hempel; finally superb Kipnis and the opportunity of comparing his “Gruppe aus dem Tartarus” with Metzger's or with Hotter's unpublished one, and his “Erlkönig” with no fewer than four others.’

The records are presented in roughly chronological order of recording, a pattern also followed in the later part of the set. In the days of 78s, many of the singers restricted themselves to a very small selection of the most popular songs, so this affords the opportunity to compare different interpretations of the same composition.

CDs 7 to 16 contain a programme of Schubert lieder performed by a wide range of singers from 1952 to the present day, but in selecting the artists and recordings for these CDs, every effort has been made to cover as many different songs as possible. The result is that the first six CDs contain 93 songs sung by 64 singers in a total of 128 performances, whereas the remainder of the set presents 30 singers in a total of more than 200 performances with very few songs repeated. CD 7 is devoted entirely to Dietrich Fischer-Dieskau singing some of Schubert’s most substantial although rarely performed ballads. The next six CDs contain mixed programmes by a starry collection of singers, including Elly Ameling, Victoria de los Angeles, Nancy Argenta, Arleen Auger, Janet Baker, Ian Bostridge, Nicolai Gedda, Christa Ludwig, Lucia Popp, Christoph Prégardien, Hermann Prey, Kate Royal, Elisabeth Schwarzkopf, Fritz Wunderlich and many others. Then come complete performances of Die schöne Müllerin by Peter Schreier, Schwanengesang by Olaf Bär, and finally Winterreise by Thomas Hampson, which forms a link to the bonus CD, a penetratingly informative discussion by Thomas Hampson entitled: Schubert’s Journey – An Exploration with Thomas Hampson.Read less

Customer Reviews

Average Customer Review: ( 3 Customer Reviews )

Expanding your knowledge of the greatest lieder cSeptember 23, 2017By David W. (Peterborough, ON)See All My Reviews"As a much younger individual who spent many years studying and learning the art of voice, I did spend a good portion of time trying to improve my performances of lieder. I started with Beethoven, but moved to many composers, especially English and German. I think every voice student is introduced to Der Leiermann (Hurdy-Gurdy Man). A beautiful text by Muller, and the piano accompaniment is soulful. With it being the final selection, and sung by Thomas Hampson tells me of its importance to the song cycles of Schubert. The history lesson provided by this collection is wonderful. Being able to listen and compare vocal and accompanying piano styles for more than a century is magic. I wasn't sure of the Disc 17 with a conversation between Thomas Hampson and Jon Tolansky, but it delves deeply into all aspects of Lieder and Schubert. For a just great listening, or a music history lesson, This set is a must. A joy to the ear and some exercise for the mind."Report Abuse

Schubert in ExcelsisAugust 10, 2012By Melvin Rosenberg (Pasadena, CA)See All My Reviews"All lovers of the songs of the greatest of all Lieder composers must have this extraordinary archival collection. It includes examples by singers you've never heard of and many with stellar reputations, whose interpretation will startle you, so that you will want to hear them again and again. The young Fischer- Dieskau, the early Schwartzkopf. So far I have only heard seven of the CDs, ten to go, looking forward to a complete disc devoted to a complete survey of the three cycles, with each song given to a different interpreter. The final disc has the hugely accomplished Thomas Hampson discussing Schubert and the songs. I suspect such a collection is a limited edition. Why wait, just yo suffer lifelong disappointment?"Report Abuse

Great set with a terrible flawAugust 7, 2012By Martin C. (Sonoma, CA)See All My Reviews"Terrific compendium of lieder singers you know and some wonderful ones you probably don't. There are two problems: 1) The choices for the major song cycles are not close to the best in the EMI catalog 2) There is absolutely no metadata for half the discs. This means that if you burn them and put them on your computer, you will never be able to find it. Almost as bad, the artist names for the individual bands are missing on the discs that do have metadata. This is really sloppy work, even if the price is low."Report Abuse