* I have spent the entirety of my academic career so far watching the intensified hollowing-out of my profession. The destruction is not limited to those friends and grad-school colleagues whose “job hunt” turned up nothing—or turned up academic jobs which make the same demands as the tenure track without the same job security. The harm can be counted, too, in the numberless person-hours every academic I know has spent tailoring job application materials, drafting custom syllabuses, and performing all the other rituals of applicant abjection. If you care about the work scholars do, the atmosphere is demoralizing. It is, to be sure, worse in worse jobs: when I was a part-time adjunct, I found the isolation particularly depressing, and I liked my “individualized” health insurance plan even less. But even in a good job with outstanding colleagues and students all around, something eats away at the ordinary routines of my academic life: all the day-to-day work of simply doing the job (teaching the students, carrying on the research, going to the meetings, the meetings, the meetings) takes on more than a tinge of denial, something for the few of us who have good academic jobs to do while we wait for the last curtain to fall on professional scholarship. Nor is it encouraging to witness the parade of more active forms of denial: bad-faith solutions, illusory comforts, and intellectualized excuses for selfishness. But mostly I regret the good work that could have been done by all of us in a better, more just system.

It had been crossing so long it could not remember. As it stopped in the middle to look back, a car sped by, spinning it around. Disoriented, the chicken realized it could no longer tell which way it was going. It stands there still.

* That’s part of a far broader story: Republicans have a coherent and awful vision, while Democrats have a better but confused vision. Republicans want to cut taxes all the time; Democrats want to sometimes cut some taxes and certainly aren’t committed to raising taxes on principle. Republicans want to ban all abortions; many Democrats favor certain restrictions on abortion, depending. The ur-Democratic legislation is Obamacare, which undoubtedly improved the status quo but which is a tangled mishmash of public and private and which does not offer anything like a simple and coherent policy like “Medicare for all.” Republicans are the party of small government; Democrats are the party of jury-rigged quasi-entitlements via convoluted tax credits.Is it any wonder conservatives win so often? An evil but directly and unapologetically stated policy platform beats a better but cowardly and convoluted one any day, politically.

In both the UK & the US right now, only the left can defend its position on most issues without outright lying and/or intolerable vagueness.

* If there is no real economic recovery forthcoming—and there is not—and if the university cannot be restored without one, do any possibilities remain? They do. We would have to imagine a world that did not peg public funds to private profits. Our current understanding of “public” presupposes a thoroughgoing privatization of the world that shortly preceded the appearance of the modern university. There is no going back. But if there is to be something ahead, an emancipation of learning, it will not be discovered in the hearts and minds of administrators and legislators persuaded to see the error of their ways, but in a transformation of the society beyond the edges of campus.Who Can Save the University?

* “Rakka” is the first sci-fi short film by Oats Studios, directed by Neill Blomkamp (District 9 and Chappie), featuring the aftermath of an alien invasion that has enslaved millions of humans. The free 22-minute film, which features the amazing Sigourney Weaver, is available to stream for free on Steam, YouTube and the Oats Studios website.

Where most contemporary histories of the future imagine climate change as either an annoying irritation or else the end of history — the disaster that will end civilization — in New York 2140 Robinson cuts more of a middle path. Climate change does indeed prove utterly catastrophic in this novel, laying waste to the coastal cities where a startling percentage of the world’s population currently lives, and devastating a huge amount of infrastructure and fixed capital, costing trillions of dollars — but humans are incredibly versatile problem-solvers, and we adapt. Technical solutions like sea walls and skybridges are really only the start of what would be necessary in a flooded Manhattan. Think of the immense social changes, the legal, economic, and architectural structures that would need to be innovated when huge areas of major cities are permanently underwater, or indeed become part of the intertidal zone. Even by 2140, nearly 100 years after the start of the crisis, the long work of retrofitting civilization to rising sea levels goes on, and not all of it is even that unhappy; it’s no secret that the capitalists use the same phrase to denote both crisis and opportunity, creative destruction….

* This isn’t a complete picture — it is too nostalgic for a lost age of exclusion, and misses completely the despair caused by the total collapse of the profession — but all the same I found it a powerful critique of the university today: Our Hallways Are Too Quiet.

In an interview conducted inside the park, Cameron said that the park is set in a timeline after the five movies. A time when the war between humans and Na’vi is over. A time when the Na’vi have begun to welcome humans onto their planet with opens arms.

* And dibs on the screenplay: Right now, in a vault controlled by the Los Angeles County Sheriff’s Department, there sits a 752-pound emerald with no rightful owner. This gem is the size of a minifridge. It weighs as much as two sumo wrestlers. Estimates of its worth range from a hundred bucks to $925 million. Over the past 10 years, four lawsuits have been filed over the Bahia emerald. Fourteen individuals or entities, plus the nation of Brazil, have claimed the rock is theirs. A house burned down. Three people filed for bankruptcy. One man alleges having been kidnapped and held hostage. Many of the men involved say that the emerald is hellspawn but they also can’t let it go.

* Some nice conference acceptance news: My semester of David Foster Wallace will end with a panel on “Infinite Jest at Twenty” with Lee Konstantinou, Carrie Shanafelt, and Kate Hayles at MLA 2017. I’ve put the full panel description in the comments for anyone interested…

* More data on learning and laptops — but you’ll never convince me that students benefit more from pen-and-paper notes than from a searchable, permanent archive of their entire academic career Spotlight can access and retrieve instantly.

* A new documentary, Agents of Change, describes the five-month SF State protest and a similar strike at Cornell University through the voices of former students like Tascoe who were involved. The film is a gripping case study of the meticulous organizing, community engagement, and careful planning that went into two of the most effective student strikes in American history. Black Studies Matter.

* In other words, Zootopia advances a sublimated theory of power that is strangely conservative, and — perhaps not so strangely — fundamentally allied with the project of economic neoliberalization. After a humiliating stint as a traffic cop, Judy Hopps is assigned to the case of a group of predators who have suddenly gone “savage,” which in this anthropomorphized universe means ripping off their clothes, dropping to all fours, and attacking other animals. It turns out that this crisis of respectability was engineered by the unassuming Bellwether, a champion of rabbits and mice who has dosed the predators with a weaponized narcotic that returns them to a “primitive” state of bestial violence. In order to bolster her own political prospects, Bellwether has engineered an interspecies crisis of what 1990s Clintonites called “super-predators” run amok. This is very close — if we pursue the allegory to its political ends — to alleging that the state has manufactured crises of, say, black masculinity in order to whip up the white public-safety vote and secure its own legitimacy. Now that would be an interesting intervention, if the film took us all the way there. And it really almost does.

* A new working paper from the Federal Reserve Board that looks at what role credit scores play in committed relationships suggests that daters might want to start using the metric as well. The researchers found that credit scores — or whatever personal qualities credit scores might represent — actually play a pretty big role in whether people form and stay in committed relationships. People with higher credit scores are more likely to form committed relationships and marriages and then stay in them. In addition, how well matched the couple’s credit scores are initially is a good predictor of whether they stay together in the long term.

* The nation’s largest union of flight attendants took the Federal Aviation Administration to court on Friday, arguing that the agency should have upheld a ban on the use of smartphones and tablets during takeoff and landing. Lawyers for the Association of Flight Attendants-CWA argued that the devices distracted passengers from safety instructions and could fly out of their hands, becoming dangerous projectiles, the Wall Street Journal reports.

[Stephanie Palumbo]: How does Bradbury use human activity on Mars as a metaphor?

KR: He’s writing against patriotism during the Cold War. Humans land on Mars and then destroy it. Not much time elapses between landfall on Mars and the annihilation of all Martians.

SP: There’s a haunting image in one story, where a little boy is playing with a white xylophone that turns out to be a Martian ribcage.

KR: The planet is basically wiped clean of its indigenous people. I was shocked by the descriptions of these ancient, bone-white cities on Mars, and it took me an embarrassing length of time to recollect that people can visit ruins anywhere on our planet, too. It’s a case where sci-fi holds up a funhouse mirror to our own history. In case we have amnesia about the horror of the frontier, here we see another frontier and xenophobia, paranoia, aggression, madness. But we see people be really good to each other too. Bradbury seemed to be such a humanist at the same time that he is calling us out on our most despicable qualities.