Friday, January 10, 2014

Tanner's Top Ten (Eleven) Albums of 2014

Let’s be honest: publishing a top ten albums list is less
about accurately assessing your favorite ten albums and more about showing
everyone how cool and trendy you are and what great taste you have. Well, folks: I listen to “dub-step” and “indie
hip-hop mixtapes”. So suck it. I rule.

This album had a little bit of everything: smooth melodies,
catchy rhythms, tight production, and sex appeal. It was catchy enough for me
to enjoy it on the first listen, yet complex enough to keep my attention throughout
the year. It doesn’t really have any stand out tracks or moments where I want
to stop everything I am doing to listen, but it’s a solid mood-enhancing
multitasker album. Anything you are doing (drinking, socializing, working,
blogging, making sweet love) will be immediately improved if you listen to this
at the same time.

I consider this a follow up album to 2001’s Best of Sade.
Milosh’s voice and the syth-pop/R&B vibe are sexy and sentimental, and this
album is probably the smoothest of the year. It flows like agave nectar and each
track piles on the next, getting increasingly more rhythmic and catchy and it
progresses. It’s one of those albums that you wish were five tracks longer.

If Rhye is a frozen honey-pop of smoothness, then !!! is the
car battery that replaced Chev Chelios’s heart in Crank 2. Thr!!!er is a funk
laden neuvo-disco album that cranks the ear serotonin up to eleven and
maintains it through nine 4 minute tracks. It’s full of slap happy riffs,
falsetto singing, bass solos, and sexual innuendo. After hearing this album, I
was compelled to go back and download some of their old stuff, and it’s all
really fun.

I got into this album relatively late in 2013, but it
quickly became one of my favorites. Producer Dev Hynes has a really eclectic
and unique touch, and he seems to make anyone he works with step up their game,
sort of like a great point guard in basketball. I can’t put a finger on what
genre to call his work (is it indie rock? Hip hop? Retro pop? Electronica?) and
that is what makes it so great.

Of all the albums released in 2013, this is the one I
listened to the most. I’m a little sick of it as of January 2014, but I still
have to give it credit for being so catchy yet inventive. I was really
impressed with how they took this album to explore their own influences, and
sort of worked backward to create new music that somehow felt familiar. It was
a deconstructionist approach that I think a lot of people are afraid to try. It
was a very cool concept for a pop-electronic album.

BONUS: Top five treadmill songs

1.Wanderlust – The Weeknd

2.Black Skinhead – Kanye West

3.Wild for the Night – A$AP Rocky feat. Skrillex

4.Tap Out – The Strokes

5.Bitter Rivals – Sleigh Bells

3. (tie) Haim – Days are Gone, CHVRCHES – The Bones of What
you Believe

I grouped these two together because they were so similar in
their appeal, style, anticipation (they were both released in late September a
week apart), and execution. While CHVRCHES is more Scottish/Euro-synthy and
Haim is more straight forward American pop, both albums were full of track
after track of pure ear candy. I appreciate these two albums for exposing me to
pop music that doesn’t sound like it was created in a record company’s board
room.

BONUS: Top five tracks for relaxing

1.Real Estate – Boy & Bear

2.The Golden State – City and Color

3.Pink Rabbits – The National

4.New South Wales – Jason Isbell

5.New Mexico’s No Breeze – Iron & Wine

2. Kanye West – Yeezus

I will be the first person to admit that I do not get Kanye
as a person. On the one hand, he makes genius, thoughtful, poignant music that
is catchy and popular but still thoroughly intelligent and instantly classic.
On the other, he says some the craziest, least-informed things in interviews
that make me thing he has no idea what he is actually doing. He even married a
Kardashian, someone with no substance other than the superficial. Kanye is a
walking contradiction where half of the things he does are beautiful and
intelligent and half are ugly and stupid. How else do you explain this train
wreck of a video?:

The same person who produced “Through the Wire” signed off
on that?! I think my stance is that Kanye is simply deeply intuitive with his
art and gcan’t really come up with a way to consciously explain his
motivations. No wonder he gets frustrated when people misinterpret him: he
doesn’t know how to interpret himself.

Oh yeah, Yeezus is phenomenal.

BONUS: Top ten singles from non-top ten albums

1.Foals – Late Night

2.White Denim – Pretty Green

3.San Fermin – Sonsick

4.Pusha T feat. Kendrick Lamar – Nosetalgia

5.Psychic – Paper Trails

6.Polica – Chain
my Name

7.Mayer Hawthorne feat. Kendrick Lamar - Crime

8.Local Natives – You and I

9.Childish Gambino – 3005

10.Jason Isbell – Elephant

1. The National – Trouble Will Find Me

Stefan already covered it, but this album was perfectly
balanced: Thoughtful but not too depressing. Melodic but re-listenable. Complex
but not confusing. Every track is beautiful and it’s impossible to pick a favorite.
It speeds up, slows down, has catchy hooks and unexpected bridges. It blew away
my high expectations and was the best album of 2013.

No comments:

TheSShH

Hot Girls Have Problems Too

Obligatory Introductory Statement

thesshh... is a blog written by Stefan, Tanner and Danny. We live in Washington. Do I mean Washington D.C.? (Answer) We write about anything and everything that pops into our enormous brains. Be careful when reading this blog, as it may make you lose your frickin' mind. Consider yourself warned, or don't. We generally just post videos cause we are lazy. Bitches.