I recorded some time ago Videos with my Smartphone while driving with the train to my hometown in Spain. I wanted to capture those moments for the future, for myself. After watching to the videos I realized that something was missing. Yes, the sound...

Very cool! I often feel the connection between what I’m watching through a train window and what I’m listening to in my earphones. Nice to put them together. Reminds me of ‘Star Guitar’ video by Chem Bros.

Hey everyone! I just released my first independent EP under a new persona that I am a part of! I have made a lot of music in the past but this is a melodic techno group of 4 producers and djs from around the world that I had the honor of being a part of! Any and all feedback is appreciated, good or bad! We have a couple more EP’s lined up for the upcoming months if you are interested!

Late one October night, a freak accident occurred in Tony’s lab. One slip, a nasty fall, and violent mutation or two later, the man known as Tony G was no more. In a chemical haze of Jack, ACID TONY was born!
Sorry Records is happy to announce the release of Bushwick based producer Tony G’s ACID TONY EP, a frenzy-inducing collection of cuts for the spookiest of dance floors.

Mastered with love by M. Vaughan (Super Tuff Records), the EP kicks off with “Tony’s Acid” on the A side, eleven and a half minutes of club fury built around Mr. Oizo reminiscent synths and a warped sample of label mates and Miami Bass queens Basside. Anchoring the EP, “Jaya’s Acid” is a breakneck tour through a Haunted House of Jack, combining bits of soulful RnB vocals with crackling synth oscillations akin to Legowelt. Landing smoother than its takeoff, the EP dismounts with a lush deep house remix by Brooklyn’s great Malik Hendricks fresh off his knockout 2018 12”s for Bumpin’ Somethin’ Records and Money Cat Records.
credits

@sedenion love this. really lovely harmony. (to me) it’s screaming for a big juicy bassline to drive the emotion home. the chirps and scrapes are a little much but you’ve done a good job creating movement with the panning and dynamics…in my opinion, there’s some room here to create some subtle syncopation if you attenuated completely at key times.

thanks! i am working on something similar right now where i am trying to incorporate both of those elements. honestly the only thing really preventing me from doing the same to this was the challenge of keeping the mix intelligible. i’ll give it a go though, and see if i can bring some elements way down to make room, really appreciate the real feedback. i think i should probably drop the ‘scrapes’ down a couple dbs since i’ve been hearing that from pretty much everyone

Just a thought guys… All of the successful production/promos I was a part of (DSF, FGF etc) - we all supported each other by making an effort to actually give feedback as well as posting our own music. Beyond that, we actually supported each other by leaving comments and likes on SoundCloud to boost our stats. That doesn’t seem to be going on in my experience here yet.

I also miss being able to put my SoundCloud track in my signature that used to really improve our SC rank back in the day.

hey 555 peeps
havent put out music in a year and put together a few tracks ive been working on for consideration.
havent seen a thread of up n coming labels to send these to - maybe you could help?
any feedback would b greatly appreciated