Both Water Like Crimson Sorrow: Shades of Midnight Book 2 and Autumn Burning: Dreadtime Stories for the Wicked Soul will be out in October Thanks to Michael Fish Fisher and Dave McGlumphy for the great covers! Autumn Burning has been coming along quite nicely and I think Sam Gregory , who came up with this great antho, agrees that we're going to have a great book to put out there in October. Keep an eye out for it! Water Like Crimson Sorrow is the gorier, more brutal half of the original ELBF book. I'll be submitting the 3rd book very soon.

I'm going to be polishing Water Like Crimson Sorrow some more today, which means you'll be seeing it out on the market in another month or two. For fans of ELBF when it was a self-titled book, this will be the 2nd half of that book and will feature it's very own well-deserved cover. Once that's out, I will be submitting book 3 (which will be the first new book for you folks that read the first ELBF before we split it) Cool Green Waters. CGW features quite a bit more about three characters that had less focus in the first book. Mateo, Zero and Michael become far more interesting and detailed here and we also get a bit more about Raven and Katja, of course! Expect a lot of action, suspense, dark happenings and some elements that are a little more on the sexy side of things (Mateo happens to run an S/M club) as well.

I have a wee bit of book four to work with too, but it will be a bit before it's ready. That book, titled Hollow Black Corners of the Soul will hopefully be completed in the next year or two, so don't worry! I also have a few ideas in mind for book five which also features some surprising return characters. By the way we'll be calling this series Shades of Midnight, rather apt considering each title features a color, eh?

I will have a short in the JEA horror collection Rejected for Content and will again be taking part in a collaborative 666 project, this one, called Lycanthroship, will feature werewolves and is set shortly after WWII. Both of these books should be working toward completion and are hoped to be out this Fall.

Apocrypha is still in the works, with Robert Lyons﻿ working on his, I might just put together a few more for that too. I also have a couple of other books to work on finishing up like Other Dangers, Jodie, one that's barely developed called The Farm and another which will have dark, posssibly YA fantasy themes and doesn't have a title yet. Long story short there will be a great deal more to expect in the coming years and I do hope you'll enjoy them all as they do. In the meantime, please look into my 3 latest releases below:

Bio: A year ago Mark Woods was just a chef who wrote book reviews, but when horror author, Catt Dahman, persuaded him to write his own stories, she unwittingly created a monster. Since then his short fiction has appeared in numerous anthologies to critical acclaim, his debut novella, Time Of Tides, has proved phenomenally popular and he is one of the key authors behind the upcoming, groundbreaking novel, Feral Hearts; a unique and original take on the vampire legend like nothing you have ever seen done before!Mark is currently working on numerous projects including his first full length novel and several other short novella. He also continues to write his short fiction whilst still doing what he calls 'the day job'.Mark is an occasional Blogger and full time book geek who writes reviews for such sites as Amazon, Goodreads and Dooyoo when not writing his fiction.

His Blog, miss muppet are my hamster, can be found here: http://sparkymarky1973.blogspot.co.uk/Facebook: www.facebook.com/markwoodsauthor

Twitter: https://twitter.com/sparkymarky1973

Amazon: http://www.amazon.co.uk/Mark-Woods/e/B00F5ZCMAG 1. Time of Tides is a Lovecraftian tale set during a cataclysmic flood, where did you draw your inspiration from and how did it become such a gripping tale?

When Catt asked for scary fish tales, I decided I wanted to do something different from everyone else. I wanted my work to stand out. Quite simply I started brainstorming, throwing out ideas, but honestly had no idea where it was going. As I started writing, there were numerous times I thought of just giving the whole thing up, but I persevered and what you get now is exactly the way it was supposed to be read.Someone commented recently on a review that they thought it a shame that the family on the Broads lost communications so quickly; the whole point was I wanted to convey a sense of isolation, and in that sense I think it worked.

2. You have shorts in a few different anthologies and have had some great success with Time of Tides. When do you think we’ll get to see your first novel and will it focus on similar themes?

My first full length novel will again be apocalyptic, but this time will concentrate on a zombie theme instead. All my zombie fiction is set in the same universe and this book sets all that up; so you get to see the fall of society at the beginning of an epidemic, followed by several survivors coming together on the rooftop of a small block of flats.You're probably thinking you've seen all that before, it's been done - but I have a few twists up my sleeve that set it apart from other zombie novels.Like Tides, it will be heavily character-orientated with as much focus on the survivors as the apocalypse itself. It's sub-title in fact will be 'tales of the survivors' and I promise, it will be a bit less bleak than other stuff I might have written up until now - without losing the sense if doom I think is needed in a true zpoc novel.

3. What sort of work will we be seeing from you in the next few years? Do you write in any other genres besides horror?

I have a sci-fi short that was previously published that I am working on adapting into a full book, but horror is where my heart is right now.Catt says she thinks I can write anything, and any challenge she has thrown me I have taken on. I like to experiment, but the main focus is the story - if I don't have a story that will fit a particular genre, I can't write for it.For example, I write erotica under a pen name but I don't think I could ever write chick lit, but then again if inspiration hit me...What can you expect in the future? Well I have another novella planned that is intended to be the first in a series that I can release in an omnibus edition at some stage, a story about giant false widow spiders, and plenty more short stories as and when I write them.

4. You’re one of 6 authors who worked together to write Feral Hearts, how did you feel about the project? Was it refreshing to see what other authors came up with for the same premise? I loved Feral Hearts. Honestly. At first I didn't know how it was going to work, but with Ed Cardillo's encouragement, I think I came up with one of my most fun pieces yet! Taking one character, inventing him from scratch, and then running with him in someone else's story - well, that was just so much fun! For those who want to know what to expect...my contribution was heavily influenced by 30 days of night - except it all happens in one night!

5. You’ll be joining some of the same authors to work on Lycanthroship, will post-WWII werewolves be much harder than writing about the unlucky modern singles and their run-in with vamps? No, writing that will be no different from anything else I write. I have a story, characters and a plot - the only hard part will be doing some research on post WWII history so that it looks and feels authentic. Actually, it will be interesting to see what my other writers, and any fans I might have yet, think of what I have come up with!

6. Time of Tides has come out in a brand new print edition with Wendy Won’t Go and will also have an additional story from you. Could you tell us a little about Dairy of the Dead and how it relates to your novel?

Dairy of the Dead was written quite simply because someone got the title of Romero's diary of the dead wrong and I was like 'Yessss, zombie cows!'I'd just read an anthology called zombie zoology, and loved the idea of zombie animals and knew I had to write the story.It was set after my short story, up on the roof, which is since becoming my first full length novel as I go on to expand it. Basically, the whole world has gone to hell in a hand basket and the zombie virus has spread to animals as well as humans. More gets explained as to the whys and wherefores in my upcoming novel that is due to be ready for next year.

7. JEA is a small press that’s really starting to build, has it been a good experience being a part of that success? Is it difficult to find time for your writing between editing, promoting, your day job and home life?

Finding time to write, edit others, work a full time job and deal with family is intense, and don't ask me how I manage it. I find that if I concentrate on editing, my writing gets behind and vice versa so I have to kind of concentrate on one or the other and try and split my limited time as best I can.J.e.a provided me with the chance to start my career as a published writer and have done nothing but encourage me from the start. For that I owe them the world, and to catt especially because without her, I wouldn't be here where I am right now, no hosey way.I am hoping along with the press, my name too will become a household name that people know and have heard of. I owe them a huge debt of allegiance because, right now, I have never been more happy than to see my work, stuff I have written, in print. It is like the best drug, it really is. I still pinch myself every so often in case it is a dream

8. How do you feel about the work you do as an editor and author at JEA? Where do you see yourself with it after a few years time?

I think I can be a little slow as an editor at times, but that is because I like to be concise and give their work the respect and attention it deserves. If I'm tired, I try not to edit because it is someone else's piece of work and I owe them more than that.Thankfully, all the authors I have worked with so far appreciate that.As for my writing, I have seen phenomenal success with time of tides, and the hardest thing for me is accepting that people are buying it, and hopefully, enjoying it!My goal is to try and become the next James Herbert. An unobtainable goal? Maybe, but you have to aim big or you might as well just go home.I have lots of ideas, intend to be prolific,and have had lots of people with nothing to gain tell me that my writing shows real promise. In a few years? I'm hoping more people will have heard of me and I have a fan base. I don't care about getting rich from my writing, though that would be nice; what I do want is for people to carry on reading what I produce and enjoy it. The satisfaction I get from seeing peoples faces when I tell them I am a writer and explain what I have achieved in a year, then seeing them go 'oh wow, that's really exciting' will never ever get boring to me.I guess I'm just an attention whore at heart. Lol.

I'm just over halfway into ELBF's edits now and something had occurred to me. If you enjoyed the book when I published it originally you might be wondering if it will be worth picking up a copy of the JEA release. Well, the answer is yes. While the indie print of Eyes Like Blue Fire﻿ was a solid one it, like many indie books out there, needed just a bit more polish and refinement to make it the book it always deserved to be. It was also a pretty good sized novel in it's own right and in many ways the events that take place in the first half make up a story worthy of being on it's own, separate from the later half, which stood well on it's own too.

As a result the editors at JEA and I felt it would benefit from being divided into two separate books, ELBF and Water Like Crimson Sorrow. So there will be two books coming out from that one original manuscript and as a result there will be some areas of both chunks that will be getting a well-deserved fleshing out and polishing up before they come out. Why? Well there are some clear points where it needed some refining and others where I could have done more to make the story stronger in that first release. I've enjoyed polishing ELBF these last few months because I was able to see the gems hidden in the rougher bits and make those rougher bits a lot more like the gems. I really think even the fans of that first release are going to enjoy reading this new ELBF and getting a clearer version of the story they love so well. It also means that I'll be able to really focus on that world and get the next book out that much sooner.

Bio: Catt Dahman has been writing for more than 30 years, has taught in public schools, private schools, home school, and college. Her B.S. and M.S. degrees are from Texas A & M. Her areas of study were: Criminal psychology, art, and English. She is a native of North East Texas, has lived all over the US, (and tries to claim Jamaica as a second home) but is currently back in the Fort Worth, Texas area where she lives with her husband, David (a retired Marine), son Nic, cats, a ferret, and dog. She has also been a public speaker, artist, director for a charity, dabbled as a PI, and more. When not working, she enjoys SCUBA diving (PADI), reading, ruining movies for her family by pointing out mistakes, collecting Tarot card sets , playing Legos with her son, and growing herbs. She now writes full time, has zombie series of nine books, short stories, and several books of horror. She is available by e-reader and paperback.

1.You’re writing a great serial murderer series about a character named Virgil McLendon, could you tell us a little about the character and what he’s facing in your books?

The Virgil McLendon books have grown. I think they are stand alone books, but Virgil began as a small town deputy (book 1) and was teased a little because of his “weird” ways at looking at crimes. He still solved the crime, because of his quirks and not despite. He thinks of music and logic when he sees a case, and he notices things that don't fit and asks why. And he doesn't know it, because it is way back in the 1970s before law enforcement accepted new techniques, but he uses basic psychology. He listens to people and watches them. He looks for what is out of place and asks why. He never forms a theory but lets the facts stand alone. Because he is so unusual, he goes from deputy, to sheriff, to special agent in the FBI and to then one of the founders of the BAU division, and still doesn't understand why others can't see things just as clearly as he does. My favorite part is when a sheriff asks Virgil if it isn't a little unthinkable to have two serial killers acting in one town at the same time. Virgil is flummoxed. He can't imagine why there wouldn't be! Anyway, he is facing the changes of a country and in crime....

As the series go, we know the characters and sometimes some issues are not resolved. Virgil's entire family is in law enforcement and there are a few family secrets, so besides the legal work, Virgil has a beautiful wife who wants a family and career, friends who are sometimes in danger, and his own fears of failure.

2. These are based on real serial killer cases, was it difficult doing the research? Was it hard reading into some of the more brutal crimes?

It should be, but I guess I have become calloused to the cruelty. That said, one case I can't read about is the Adam Walsh murder, that is the one that gets to me, mainly because there is nothing worse than a killer that brags brutal details- it makes me physically ill. I read a lot, I began in criminal investigation, and even did some work as a private investigator, so I think I've seen a lot and learned to turn off the emotion for most cases. That said, I do have issue with the cases never solved or those that are so confusing that I have to pull court records and sift through before I understand them. One such case occurred close to where I live and for years I was torn on whether the person was guilty. I finally wrote about it and let “Virgil” look at it. I came to a partial conclusion, but not one I feel at peace with. Those cases..the ones where there is doubt...those bother me.

3. Of Blood and Water starts the series and right away you’re tackling some seriously brutal stuff, child murders during the 1970s. Was it difficult to cover that territory or did you feel the subject matter made the book that much more compelling?

That case hurt. After research and writing, I feel the wrong man died for the crime, a guilty man walked free, and I reflected that somewhat in the book. That was supposedly one of the first times that profiling was used, but it was- in my opinion- used without sound experience. It was more that I was using it to fit a scene than allowing the scene to dictate the parameters. It was hard to describe the deaths of the children, and I did try to stay with most facts, but I have done the same for the entire series and it never gets easier. The California Killer was horribly brutal and there was a man who fed victims to alligators...so they are all rough. I read and research the real cases before twisting them and making them a little more difficult to solve . I do feel the reality makes me stay more honest to the real evil that resides in the killers. While some cases are never really resolved (as opposed to solved), in my books, the killers generally meet a bad end. My good guys win. Mostly. There are a few who will be taken care of in later books...it was just not time to let them be punished yet.4. Criminal profiling was very new during the era McLendon is utilizing it, was it interesting researching how it worked when it was first used? Is it much different than it is today?

People treat Virgil as if he uses magic. People think it's crazy, that he can tell so much from a crime scene and profile a killer because it just wasn't done back then. Virgil uses more of what we use today...he's way ahead of his time. But people are shocked at his logic. I get a kick out of having Virgil smarter than the others. Because of the changes in the 70s, we saw new things. Back then, it never dawned on us that a killer might be a female or a normal person. We still thought it had to be a crazed killer or the drifter or the black man. Virgil is aware that it is never the outside element and that mostly, it is someone very much like the victims as far as race and experiences. I have enjoyed allowing the first female and African American FBI agents to work with Virgil and hope that shows the changes of the country and changes in thinking.

5. Book two Of Lions and Lambs focuses on a male serial killer attacking young men and mutilating them, Of Guilt and Innocence takes place at an institute for the criminally insane, Of Lost and Found takes place at a huge house known for disappearances and book five Of Truth and Lies is about a killer who helps McLendon solve a copycat killer’s case. This is a series that covers a lot of ground! Was it hard coming up with great cases to base McLendon’s cases on?

Unfortunately, there are many brutal crimes available to take from. Of Guilt and Innocence is probably the one that doesn't fit because it is almost fully made up and not based on a crime per se. (The people incarcerated there have committed crimes we may be aware of or have heard in urban myths) but it's really about secrets related to Abraham Lincoln and the research I did is solid, but it's almost over the top as far as believability. Yet, the facts are pretty strong to support my “case”. The stories keep coming because there are so many mysteries out there and I get to combine them with my murder cases. The famed Winchester House appears, but I was able to reinvent it as something far worse. I guess real cases give me a seed, but I take the stories in new ways and tangle them so nothing is ever easy or how it seems. I wouldn't even say the books are about what they look to be. The first is about family traditions (bad ones). I love to tackle that topic and have done so in several books. The second is is more about people being seen as female, black, gay, whatever...as individuals in a changing world. I have dealt with forced religion and it taking ominous meanings, and more. I think I take social situations...injustices or changes...and show this with mysteries. In a new book, I am delving into rape and blaming the victim instead of the offender, but it looks like a simple murder mystery. I don't think I will ever run out of wrongness to write about. (oh...I have a new tag line???)

6. You’re known for taking risks with your writing and enjoying unusual subject matter, tell us a few of your more interesting stories/books and why you like to seek out the unique.

I probably take far too many risks. I don't set out to, and generally have an idea like...”what if some girls took revenge and then”....and from there it gets weird because I find connections and I let the characters control the action and there is always far worse than what we think. To me, there may be a fin at the surface, but I know that down deep, there will be a school of hungry sharks and probably someone who likes the bloodshed and a horrible back story. But isn't that normal? If we see a lady with a black eye, did she really run into a door? Or is there a terrible story there? I think I am all about the secrets and hidden stories because they are truth. I am one of those truth-seekers. No matter how bad it will be, I like to know. And as Virgil would say, why wouldn't there be all kinds of scary things going on behind the normal? We all once were innocents, but we lost that...maybe with Vietnam.

7. You also took part in a collaborative book called Feral Hearts due out from your publishing house J Ellington Ashton very soon, did you enjoy the project? Is it tougher to work with a mixed group of writers than it is to work alone?

I loved the story and the process. I loved working with such a talented crew that challenged me. But, that said, it was hard and I would have failed if not for Edward Cardillo. I tend to write myself into corners and blaze my way out; that wasn't workable for this project. Ed saved my bacon and made my work far more reader friendly. It's a great book and very, very unusual with the writers having to work off a single premise, but the other writers were far better at this than I was. In my defense, I am not a short-story writer ( a handful at most) and I am character heavy, so it killed me to have random characters that might do things I didn't expect! I have tons of respect and admiration for the rest who did so well. On the other hand, I am thrilled that Ed and I could collaborate (a nice word for his work to save my butt). And by far, it was harder to write with others; I don't play well in a group. I think I do better when I am sent to the corner alone so I don't bother others. :)

8. Tell us a little about Feral Hearts and what we can expect from your collaboration. What was your favorite part of working on it? Were there any major elements you really liked about it?

Going into FH, I was the weak link because I don't write short stories, don't delve into vampires, and had never collaborated. Even with that, my fellow authors are so strong that they covered my weaknesses and ran with the character I created. Designing “Jenna” -the OCD saturated nut of the bunch- was more than fun. I had a ball with her, adding little hints and secrets here and there, and giving her a life of her own. I feel like she stands as a strong character and frankly, that's all I do -develop characters and let them run amok. I like how others embraced my little monster, but that shows professionalism in their work. Again, I claim weakness, but the rest and editor Ed Cardillo are what makes FH a strong book. The voices are distinct and the action is solid. I think readers will get a favorite book out of this because of the diversity. They will at least get a shock!

9. Lycanthroship is currently in progress and utilizes some of the same authors as Feral Hearts, could you tell us a little about the premise? What makes the book unique from it’s siblings FH and Fish Tales?

It's (Lycanthroship) a looser type book...as far as the set up....I threw out a set up and said , “RUN!”. That works for me. FH was more controlled. One type isn't the better of the two...we get very different results with these and they can't be compared. I think FH with vampires, has some expected rules and twists, but with werewolves like in Lycanthroship, we get turmoil and confusions. Werewolves are just such messy beasts! What is interesting is that the authors don't replicate characters; they go in very different ways than in FH. Again, it shows that the authors are solid writers and not only think outside the box, but see no box at all! Fish Tales is a collection of frightening stories that are related ONLY by water. Lycanthroship and FH are stories set within a defined universe, a time and place in common and the characters interact.

10. As the CEO of JEA you have to make a lot of tough decisions about which authors to pick up. What are the biggest things you look for in an ideal author?

Sometimes, I can “smell” when a book is right. Sometimes, I don't know, but have a feeling. I know for a fact we have passed on several books that were fantastic and if I were to go back in time, I'd grab them. At the time, maybe a word threw me or we had something similar, or I was distracted by something else. I make mistakes. I never know how we decide something isn't right, except that we get a lot of subs and can only take a few. I have taken a few as favors, I admit that. I have taken some before because the pitch and the credentials were amazing. I'm impressed when a sub meets the exact requirements we ask for!

I took Keith Milstead as an unfinished sub, (that's unheard of) but his voice shocked me. I did ask for a few changes, but the story was rock solid. It's worth waiting for. Andy Bove was an author I asked to sub to us because his pose was virtually perfect. Sometimes I speak to an author and feel a connection and see their wit (Tabitha Baumander).

There is no ideal author. We have missed a few, but the most ideal ones I know are those with us. They are amazing. Those who want to be with us and who are....those are ideal because they believe. Mark Woods may be the most ideal. He was shy and quiet about his writing, took the swift kick in the rear I gave him, and came out selling like a monster! Anyone can say he is a great writer, but I take notice when I see that someone is and yet that person is humble. Still water runs deep...always has. I see authors boast about sales and waving hands and jumping around, and they generally don't impress me. I think the strongest writers are the ones who let their work say it all.

1. Once Upon a Grave is set during the Depression era, was it a challenge to get the setting and atmosphere right for the story? Tell us a little about the experience. For the most part it was not that hard at all for me to provide the setting for the area. There were a few specific things that I had to do a little research on and recall from memory. One of the things being the way the characters would talk-the words they would use and the manner in which they would string sentences together. It had to be "common" enough for the kind of people the vampires were trying to reflect that they were and I had to catch myself at times to be sure I was not using modern terms or phraseology. Another thing was how to sustain the freshness of the blood by a few days and then I remembered the "ice houses". They were shacks or areas of cellars where meat or other goods would be set atop heaps or many blocks of ice. Just to keep things chilled a while longer.

2. Tell us a little about the vampires in your book. What makes them monsters and what makes their story important?

There is no better judgement with the vampires. No better nature to appeal to. All is animal and primal, feeding on the very element that is most primal to us. That very thing touches something very old and uncharted in all of us. The deepest parts that know only hunger and hunt. Even the very way the vampires move is entirely unlike the way we as human beings move. In all these things there is a powerful outcry of danger that is wrapped in the curious temptation of power, shadow, and seduction.

Their story is important because they are monsters and monstrous. They are a return to why the night is something to be afraid but everything in you wants to go out into it anyway. Because curiosity and passion for the unknown rule over reason and one's own better judgement. There is no holding back either. Everything they do and are is raw and naked for all to taste, enjoy, or be afraid of. 3. Your writing rides the line between romance, horror and erotica. What led you to this blend and how do you make it work?

Ha ha ha ha. Now that would be telling which I am not ready to do with you. I will say, however, that the Gothic Romantic period in history and especially in literature is my absolute favorite and I truly love everything about it as I love living and being alive.

4. What’s the most important thing you want readers to take away from Once Upon a Grave?

A love for horror and vampires and to have a great time and be entertained. Also to be affected. Whether it is being moved or changed by having encountered me. That and the urge and craving to read more of me in the future. =)

5.How do vampires teach us about death and life?Death is a transitional stage and that we can carry on beyond the finality of what we think death to be. That death will never tell us no. Life is to be savored, craved, and enjoyed with a juicy and messy passion and abandon.

6. Do you have any other works in progress? If so, tell us a little about them.

Yes I do. I am working on the next two books in the "Once Upon A Grave" trilogy as well as many anthology submissions. Also further submissions into the online horror magazine I write for, called "Purgatory Magazine" under Thomas Smith, who is fantastic. There is a submission I am going to be finishing up as well for a werewolf anthology.