In order to act for you in the booking area, it previously required only once some data / information / files that you please sends us.

These are:

Biography in German and in Englisch (Word-file, no PDF!)

Band history in German and in Englisch (Word-file, no PDF!)

Discography

Stage-Plot (High Quality / legibly, either as a Word- or PDF-file)

Technical-Rider (High Quality / legibly, either as a Word- or PDF-file)

Mixer occupancy, if not included in the Stage-Plot or Technical-Rider(High Quality / legibly, either as a Word- or PDF-file)

Monitoring plan, if not included in the Stage-Plot or Technical-Rider(High Quality / legibly, either as a Word- or PDF-file)

Playing time: How long you can play a maximum of playing twice without a single song?

Concert contract: Have you ever a pre-concert contract which governs the arrangements between the organizer and artist? If Yes, please send! Otherwise would have to explicitly a concert contract be created. This can be by Ultra Music in close collaboration with the band / authorised Person happen, but goes beyond simply booking and is already allocated to the management.

Band members: First and last name of the individual band members and their instruments.

GEMA: If parts or all of your works of GEMA ( Germany ) or one of the following organizations reported?001. ACAM, San José (Costa Rica)

002. ACDAM, Havanna (Kuba)

003. ACUM, Tel-Aviv (Israel)

004. AEPI, Athen (Griechenland)

005. AGADU, Montevideo (Uruguay)

006. AKKA-LAA, Riga (Lettland)

007. AKM, Wien (Österreich)

008. ALBAUTOR, Tirana (Albanien)

009. APA, Asunción (Paraguay)

010. APDAYC, Lima (Peru)

011. APRA, Crows Nest (Australien)

012. Armauthor , Jerewan (Armenien)

013. ARTISJUS, Budapest (Ungarn)

014. ASCAP, New York (USA)

015. BMI, New York (USA)

016. BUMA, Hoofddorp (Niederlande)

017. CASH, Hong Kong (Volksrepublik China)

018. COMPASS, Singapur (Singapur)

019. COSOMA, Lilongwe (Malawi)

020. COTT, Port of Spain (Trinidad & Tobago)

021. EAÜ, Tallinn (Estland)

022. FILSCAP, Manila (Philippinen)

023. GCA, Tiflis (Georgien)

024. HDS-ZAMP, Zagreb (Kroatien)

025. IMRO, Dublin (Irland)

026. IPRS, Mumbai (Indien)

027. JASRAC, Tokio (Japan)

028. KAZAK, Almaty (Kasachstan)

029. KCI, Jakarta (Indonesien)

030. KODA, Gentofte (Dänemark)

031. KOMCA, Seoul (Südkorea)

032. LATGA-A, Vilnius (Litauen)

033. MACP, Kuala Lumpur (Malaysien)

034. MASA, Quatre Bornes (Mauritius)

035. MCSC, Beijing (Volksrepublik China)

036. MCT, Bangkok (Thailand)

037. MESAM, Istanbul (Türkei)

038. Musicautor , Sofia (Bulgarien)

039. MÜST, Taipei (Taiwan)

040. NCIP, Minsk (Weißrussland)

041. ONDA, Algier (Algerien)

042. OSA, Prag (Tschechische Republik)

043. PRS for Music, London (Großbritannien)

044. RAO, Moskau (Russische Föderation)

045. SABAM, Brüssel (Belgien)

046. SACEM, Paris (Frankreich)

047. SACM, Mexico-City (Mexiko)

048. SACVEN, Caracas (Venezuela)

049. SADAIC, Buenos Aires (Argentinien)

050. SAMRO, Johannesburg (Südafrika)

051. SAYCE, Quito (Ecuador)

052. SAYCO, Bogotá (Kolumbien)

053. SAZAS, Ljubljana (Slowenien)

054. SCD, Santiago de Chile (Chile)

055. SESAC, New York (USA)

056. SGAE, Madrid (Spanien)

057. SIAE, Rom (Italien)

058. Sobodaycom , La Paz (Bolivien)

059. Socan , Don Mills (Kanada)

060. SOCOM-ZAMP, Skopje (Mazedonien)

061. SOKOJ, Belgrad (Serbien/Montenegro)

062. SOZA, Bratislava (Slowakische Republik)

063. SPA, Lissabon (Portugal)

064. SQN, Sarajewo (Bosnien und Herzegowina)

065. STEF, Reykjavik (Island)

066. STIM, Stockholm (Schweden)

067. SUISA, Zürich (Schweiz)

068. TEOSTO, Helsinki (Finnland)

069. TONO, Oslo (Norwegen)

070. UACRR, Kiew (Ukraine)

071. UBC, Rio de Janeiro (Brasilien)

072. UCMR-ADA, Bukarest (Rumänien)

073. VCPMC, Hanoi (Vietnam)

074. ZAIKS, Warschau (Polen)

075. Abramus , São Paulo (Brasilien)

076. AMAR, Rio de Janeiro (Brasilien)

077. ASSIM, São Paulo (Brasilien)

078. LITERAR-MECHANA, Wien (Österreich)

079. MSG, Istanbul (Türkei)

080. SADEMBRA, Rio de Janeiro (Brasilien)

081. SBACEM, Rio de Janeiro (Brasilien)

082. SBAT, Rio de Janeiro (Brasilien)

083. SICAM, São Paulo (Brasilien)

084. SOCINPRO, Rio de Janeiro (Brasilien)

085. AMRA, Venice Fl. (USA)

086. ACDAM, Havanna (Kuba)

087. ACUM, Tel-Aviv (Israel)

088. AEPI, Athen (Griechenland)

089. AGADU, Montevideo (Uruguay)

090. AKKA-LAA, Riga (Lettland) via NCB

091. AMCOS, Sydney (Australien)

092. Armauthor , Jerewan (Armenien)

093. ARTISJUS, Budapest (Ungarn)

094. AUSTRO-MECHANA, Wien (Österreich)

095. CASH, Hong Kong (Volksrepublik China)

096. COMPASS, Singapur (Singapur)

097. COTT, Port of Spain (Trinidad & Tobago)

098. EAÜ, Tallinn (Estland) via NCB

099. FILSCAP, Manila (Philippinen)

100. GCA, Tiflis (Georgien)

101. The HARRY FOX AGENCY, New York (USA)

102. HDS-ZAMP, Zagreb (Kroatien)

103. JASRAC, Tokio (Japan)

104. KAZAK, Almaty (Kasachstan)

105. KCI, Jakarta (Indonesien)

106. KOMCA, Seoul (Südkorea)

107. LATGA-A, Vilnius (Litauen) via NCB

108. MACP, Kuala Lumpur (Malaysien)

109. MASA, Quatre Bornes (Mauritius)

110. MCPS, London (Großbritannien)

111. Mcsc, Beijing (Volksrepublick China)

112. MESAM, Istanbul (Türkei)

113. MUSICAUTOR, Sofia (Bulgarien)

114. NCB, Kopenhagen (Dänemark)

115. ONDA, Algier (Algerien)

116. OSA, Prag (Tschechische Republik)

117. RAO, Moskau (Russische Föderation)

118. SABAM, Brüssel (Belgien)

119. SACEM/SDRM, Paris (Frankreich)

120. SACM, Mexico-City (Mexiko)

121. SADAIC, Buenos Aires (Argentinien)

122. SAMRO, Johannesburg (Südafrika)

123. SAZAS, Ljubljana (Slowenien)

124. SCD, Santiago de Chile (Chile)

125. SGAE, Madrid (Spanien)

126. SIAE, Rom (Italien)

127. SODRAC, Montreal (Kanada)

128. SOKOJ, Belgrad (Serbien/Montenegro)

129. SOZA, Bratislava (Slowakische Republik)

130. SPA, Lissabon (Portugal)

131. SQN, Sarajewo (Bosnien und Herzegowina)

132. STEMRA, Hoofddorp (Niederlande)

133. SUISA, Zürich (Schweiz)

134. UACRR, Kiew (Ukraine)

135. UBC, Rio de Janeiro (Brasilien)

136. UCMR-ADA, Bukarest (Rumänien)

137. VCPMC, Hanoi (Vietnam)

138. ZAIKS, Warschau (Polen)

139. ADDAF, Rio de Janeiro (Brasilien)

140. AMAR, Rio de Janeiro (Brasilien)

141. LITERAR-MECHANA, Wien (Österreich)

142. MSG, Istanbul (Türkei)

143. SACVEN, Caracas (Venezuela)

144. SAYCO, Bogotá (Kolumbien)

145. SBACEM, Rio de Janeiro (Brasilien)

146. SBAT, Rio de Janeiro (Brasilien)

147. SESAC, New York (USA)

148. SICAM, São Paulo (Brasilien)

149. SOBODAYCOM, La Paz (Bolivien)

150. AMRA, Venice Fl. (USA)

Artist social fund: Your Artist social fund number is required. Did you not have any, you should necessarily apply for, because everyone occurring artist has a right to social security, which does not have to pay the artist, but organizers may the manager, booker, etc.

Sales tax: Since your sales tax? Your tax ID number is required!

Tax number: Even a tax ID number is requiered!

Salery: Height salery, salery which is flexibel if so, how and under what circumstances?

Stage minimum size: Which minimum must have the stage that you and your backline enough space on you and what the light level must have minimum the stage?

Accommodation: for how many people (possibly engineer or stagehands?), type of accommodation, and how much from kilometers away for a hotel by the organizer must be made from your rehearsal room / Location?

Catering: what the organizer must necessarily pay attention to what has to face mandatory to boarding the organizer? Are there any food intolerances (eg lactose, gluten) or must a certain diet form (eg Vegan, Vegetarian) are respected?

Travelling expenses: How should look the rice costs, if not arrived by private vehicle. Must it necessarily be 1st class train / plane or 2nd class ranging from completely?

Fuel costs: how many euros per 100 kilometers from home / rehearsal room must be charged to the organizer, in addition to salary when this instead travel expenses only pay fuel costs?

Photos:png-format, high quality minimum 1500 Pixel on the longest side.

Logos:png-format, transparent Background, possible in different colours for poster advertising the organizer, png-format, high quality minimum 1500 Pixel on the longest side.

Promo-material: when it comes to cooperation and if available please send promotional material such as CD's (eg for radio stations and operators), Promotion Wallet, T-shirt, etc.

Published by each, produced and forthcoming CD, please an original CD to listen for Ultra Music!

Furthermore, is an Artists agency contract between artists Artist / Authorised Person and Ultra Music imperative of distress before Ultra Music can act for you.

Ultra Music currently accounts for between 15% and 25% placement commission.

1. If a contract is made through the agency of Ultra Music, the artist is paid a fixed fee, then Ultra Music does not get anything from the merch sale.

2. If a contract is concluded at a major festival by the mediation of Ultra Music, the artist is NOT charged, the artist nevertheless achieves a higher audience effectiveness/publicity and also gets a better merch sale than with smaller performances in venues Ultra Music, depending on the contractual conditions between 15% and 25% of the merch sale (net).

3. For door deals, depending on the contractual conditions, between 15% and 25% of all revenues generated in the evening (entry price plus merchandise net).

The commission is to be paid by the artist / the authorized representative after the performance, either in cash on the spot or to be transferred to the business account within 10 days.

Who this passage does not fit, should rather take from one application at Ultra Music distance.

The amount of the commission depends on the scope of services. Pure Booking 15%, as we expect all of the material from you. If we graphics, PDF files, information material, biographies. Contracts and much more. create, modify need to upgrade, these are additional services that the extra costs. Here you have to come together and find a reasonable and fair solution for both sides.

If the artist more than one person / booking agencies for the purpose of procuring performances commissioned the artist must provide suitable appointment management software so that double bookings, scheduling conflicts, etc. are excluded, which may close contract penalties may necessarily have a cross-platform and multi-user.

Please send everything by post / parcel service to the „Contact“ address below. Files such as photos, logos etc., will not break our mailbox, you must, to the following email address message: booking [at] ultra-music [.] de