Hooray! I managed to write and post another in-depth review at Experiments in Manga. Even if I’m not writing as much as I once was, it still feels pretty good to get back into the (slow) swing of things. Anyway, last week I took a look at Jen Lee Quick’s dark fantasy Western Gatesmith, Volume 1. The comic is off to an intriguing start though it can also be a little frustrating. The series is currently on break, but I hope that there will be more soon.

Blood Blockade Battlefront, Volumes 1-7 by Yasuhiro Nightow. I wasn’t initially planning on reading Blood Blockade Battlefront–I wasn’t a huge fan Nightow’s Trigun–but I kept hearing great things about the anime adaptation and then I came across a “complete” set of the manga on super sale, so I picked it up. The series is actually ten volumes long; supposedly Dark Horse has plans to release the final three at some point. In general the manga tends to be fairly episodic, so even if the rest of the series isn’t translated at least readers aren’t left with an unresolved story. It wasn’t until partway through the second volume of Blood Blockade Battlefront that the series started to click with me, but once it did I found myself really enjoying the manga. Its mix of goofy everyday life and action-heavy sequences actually reminded me a bit of Cowboy Bebop. The manga is essentially about a semi-secret group of monster hunters working in what used to be New York before it was destroyed by the sudden appearance of an interdimensional portal. The character designs of the main cast are sadly simple and plain compared to the series’ fantastic setting and creatures, but their distinctive personalities mostly make up for that.

The Box Man by Imiri Sakabashira. The North American manga industry is primarily focused on publishing more popular, mainstream works, but occasionally an alternative or independent work is released as well. The Box Man was originally serialized in Ax, an alternative manga magazine in Japan which was the basis for the Ax: Alternative Manga English-language anthology. Examples of Sakabashira’s work can be found in that anthology and in the earlier collection Sake Jock, but The Box Man is his first long-form work to be translated. Granted, there’s very little dialogue that actually needs to be translated–for the most part the manga is an entirely visual experience. Even the story is fairly limited in scope. The narrative follows a kappa-like cat accompanying a man on a scooter who is transporting a box which turns out to contain something rather peculiar. The strangeness of The Box Man doesn’t end there, but the point of the manga seems to be less about telling a story and more about creating a visual spectacle. The artwork incorporates popular culture references (some of which I’m sure I completely missed) and at times can be rather bizarre, violent, or erotically-charged.

Giganto Maxia by Kentaro Miura. Though it certainly has its problems, Miura’s Berserk is one of my favorite series. I have been significantly less enamored with the other manga by Miura that have been released in English–specifically his collaborations with Buronson Japan and King of Wolves–but I was still very curious about Giganto Maxia. Whether it’s intentional or not, the dark fantasy manga shares some similarities with Attack on Titan and Terra Formars and also appears to be heavily influenced by professional wrestling. Miura’s artwork in Giganto Maxia is tremendous but the story, while it isn’t awful, struggles to match the caliber of the illustrations. I almost wonder if Giganto Maxia was originally intended to be longer than a single volume since so much about the manga’s world and characters are left unexplained in the end. Giganto Maxia does more or less tell a complete story, but it feels like a single episode taken from the middle of a larger narrative. At one time a slave forced to battle to the death in a gladiatorial arena, Delos is now fighting against the empire itself. Joining forces with Prome, a powerful spirit who takes the form of a young girl (and who is constantly trying to get him to drink her “nectar” ), Delos can transform into the mythic titan Gohra in order to do battle.

Lake Jehovah by Jillian Fleck. Lake Jehovah, Fleck’s debut graphic novel, first came to my attention due to the fact that Jay, the comic’s protagonist, is genderqueer. While themes of identity, gender, and sexuality are integral to the comic’s story they aren’t the primary focus of Lake Jehovah. Instead, the comic is about the end of the world, both literally and figuratively. Human civilization has already succumbed to multiple apocalypses but Jay unexpectedly becomes the prophet for the next impending disaster while dealing with even more personal and existential crises. Jay struggles with intense depression and anxiety which slowly destroys xis relationship with xis fiance. Eventually she leaves, no longer able to cope with Jay’s instability, and Jay is left recover and come to terms with everything alone. Lake Jehovah actually handles the topic of mental illness better than many other comics I’ve read. It’s an emotionally tumultuous work, tempering despair with humor as the characters search for meaning in their lives even while everything is falling apart around them. Some turn to sex or drugs while others find comfort in poetry or art. Lake Jehovah is a somewhat strange but undeniably compelling comic.

Posts last week at Experiments in Manga included a new manga giveaway as well as two new in-depth manga reviews! There’s still time to enter the giveaway, too. Head over to the Battle Angel Alita Giveaway to enter for a chance to win the first omnibus in Yukito Kishiro’s manga series Battle Angel Alita: Last Order. As for the reviews: I took a look at the most recent Moyoco Anno manga to be released in English, Insufficient Direction. It’s an autobiographical manga about her married life with Hideaki Anno and is quite funny. I adore Anno’s work, so was happy to learn a little more about her. I also wrapped up my Manga March Madness project. I was rather pleased that I managed to pull it off. Every weekend in March I reviewed a volume of Takehiko Inoue’s basketball manga Real. Since there were five weekends in March and I started with the first volume in the series, my last review for the project was for Real, Volume 5. I hope I was able to at least begin to express why Real is such a fantastic manga in my reviews, because it really is a phenomenal series.

Berserk, Volume 37 by Kentaro Miura. I love the early story arcs of Berserk and continue to enjoy the series, so I’m always excited when another volume of the manga is finally released. After reading the thirty-seventh volume, I’m particularly anxious to get my hands on the next installment, whenever that may be. The battle between Guts and the rest of the crew against the sea god and its minions reaches its climax in this volume. They are aided by the merrow, Berserk‘s mermaids. Even though Miura’s version of mermaids is fairly traditional, though perhaps slightly more fish-like, I did like them. The thirty-seventh volume also contains a long flashback to Guts’ past as a young mercenary, which I particularly enjoyed reading. It’s set during a time when magic and the supernatural were more hidden and uncommon in the world, though hints of it could still be seen. The end of the volume also turns towards the current activities of Griffith’s army, which recently hasn’t had much prominence in the manga. After so much action and fighting, which I do enjoy, I’m very glad to see more story and plot development.

Black Sun, Volume 2 by Uki Ogasawara. It’s been quite a while since I read the first volume of Ogasawara’s boys’ love manga Black Sun. I had a few issues with the story itself, mostly that the lead characters’ relationship moved a little too quickly from lust to possible love, but overall I thought the manga had good potential. I particularly liked the setting of Black Sun, a medieval fantasy inspired in part by the Crusades. Ogasawara’s artwork was also excellent, with particular attention given to the beautiful details of clothing and weaponry as well as attractive, muscular men. When I read the first volume of Black Sun I didn’t actually realize that it was a first volume. I appreciated it’s somewhat ambiguous ending, but was ultimately glad to discover that there was more to the series. The ending of the second and final volume is much less ambiguous, and much happier than I expected that it would be. Black Sun is part of Digital Manga’s 801 Media imprint, so unsurprisingly there is a fair amount of sex to go along with the plot. And Black Sun actually does have a plot. The relationship between Jamal and Leonard plays out against a backdrop of war and political intrigue.

From the New World, Volumes 2-3 written by Yusuke Kishi and illustrated by Toru Oikawa. I was very torn over the first volume of the From the New World manga. I absolutely loved its dark tone, but found the blatant, pandering fanservice to be a bit off-putting and out-of-place. Thankfully, the fanservice in the second volume is greatly toned down. The outfits worn by the young women are still fairly ridiculous and revealing, though, especially when compared to the male characters who tend to be covered from head to toe in oversized clothing. The lesbian sex returns in the third volume, but it makes much more sense within the context of the series than it did in the first volume. Part of this is because the worldbuilding has progressed significantly. From the New World suffers a little from large info dumps, but at least all of the information is new to the characters, too, so it’s not as egregious a problem as it could be. I’m still loving the actual story of From the New World. The series atmosphere is creepy and ominous, contrasting magnificently with what is supposed to be a perfect and pristine society. What humanity is willing to give up and the terrible steps that have been taken to maintain that system are now being revealed.

Swan, Volumes 13-15 by Kyoko Ariyoshi. In Japan, Swan lasted for twenty-one volumes, only fifteen of which were released in English. It’s too bad that CMX folded before the series could be completely released. Swan is fantastic, and I’m very glad for the fifteen volumes that were translated. These last three volumes of the English edition follow Masumi as she travels to New York with Leonhardt to continue her study of ballet following the aftermath of the Tokyo World Ballet Competition. It’s the beginning of an important new story arc. Masumi has grown tremendously as a ballerina as well as a person, but her time in the United States presents new challenges. Her foundation is in classical ballet but now she is faced with modern ballet which is completely outside of her experience. She has trouble understanding modern ballet and so struggles greatly with its performance. Also introduced in these volumes are new characters and even a potential new love interest, which offers another set of problems for Masumi to deal with. Swan is a beautiful and surprisingly intense series; I was very impressed by it.

Arakawa Under the Bridge x Bridge, Season 2 directed by Akiyuki Shinbo. I enjoyed the first season of Arakawa Under the Bridge a great deal. I very much enjoyed the second season, too, but for some reason wasn’t quite as taken with it. I’m not really sure why that is though since not much really changed between the two. Arakawa Under the Bridge is still funny and absurd. I still like the humor and the characters. While the first season focused on Rec as he gets to know everyone living along the banks of the Arakawa River, everyone’s personalities and quirks have been well established by the start of the second. Maybe it’s that sense of newness and discovery that the second series lacks. But then again maybe not: the second season introduces new cast members as well as a storyline that provides an ongoing framework for some of the gags. (Ultimately it doesn’t really end up going anywhere, though.) One of the things that particularly amused me about the second season of Arakawa Under the Bridge is that Rec has more or less become a shoujo heroine, complete with flowers and sparkles. Nods to Riyoko Ikeda’s series are right at home alongside references to Fist of the North Star and other “manly” anime.

Two in-depth reviews for you all this past week, one for manga and one not. First up was my review of Yukio Mishima’s breakthrough, semi-autobiographical novel Confessions of a Mask. More than six decades after it was first published, it’s still a potent work. In some ways, it reminded me a bit of Osamu Dazai’s No Longer Human. The second review was for Hiroaki Samura’s Blade of the Immortal, Volume 14: Last Blood, which is part of my Blade of the Immortal review project. Last Blood marks the end of one major story arc and the beginning of another. I’m still loving the series.

I’ve previously mentioned the Manga Out Loud podcast several times here at Experiments in Manga. The latest episode, which features a fantastic conversation about Osamu Tezuka’s Barbara with some big names in manga scholarship, will also be Manga Out Loud’s final episode. It’s my favorite manga podcast, so it saddens me greatly that the program is ending. Manga Out Loud was a fabulous show and the archives are well worth listening to even if there won’t be any new episodes added.

Both the New York Comic Con and Yaoi-Con took place over the weekend. Being stuck in the Midwest, I wasn’t able to attend either convention, but I was very excited about some of the manga license announcements to come out of the events. At NYCC, Kodansha Comics announced it will begin releasing Makoto Yukimura’s Vinland Saga in October 2013. I’ve wanted Vinland Saga to be licensed for years, so I’m thrilled that it will finally be making its way into print in English. JManga has licensed Aoi Hana by Takako Shimura, the creator of Wandering Son. I’m glad to see a digital release of Aoi Hana, but also a little sad since it means it’ll probably be less likely to be picked up for a print license now. Vertical also had some great licenses to announce at NYCC: Osamu Tezuka’s Twin Knight (the sequel to Princess Knight) and Kyoko Okazaki’s Helter Skelter.

Over on the other coast at Yaoi-Con, Viz Media’s boys’ love imprint Sublime had a slew of new licenses to announce, including a license rescue. I’m particularly excited to see more manga by Yaya Sakuragi and a series by Kano Miyamoto scheduled for 2013. And the license rescue? I had most of my bets on Youka Nitta’s Embracing Love and was delighted to be proven correct. Plans are to release the series in two-volume omnibuses beginning April 2013. I already own the five volumes of Embracing Love that were originally released in English by Central Park Media, but I’ll happily be double-dipping for this series.

Quick Takes

5 Centimeters Per Second written by Makoto Shinkai and illustrated by Yukiko Seike. I tend to avoid most anime-to-manga adaptations since they often leave something to be desired. But after watching 5 Centimeters Per Second film, which I loved, I wanted to spend more time with the story. I’m glad I gave the manga a try because it’s a beautiful work. Seike’s art is lovely and conveys the characters’ feelings well. This is particularly important since pages and pages may pass without any dialogue at all. 5 Centimeters Per Second is a quiet and melancholy work—love and loneliness are closely tied together. The manga is a marvelous adaptation as well as being a wonderful work in its own right.

Berserk, Volume 36 by Kentaro Miura. Berserk is one of my favorite series and so I’m always excited when a new volume is released. I do prefer the earlier story arcs over the more recent ones, but I still love the series. Guts and his companions continue to be pursued by demonic powers. The pirate captain Bonebeard, who is no longer human, won’t let them be and he’s got plenty of monsters in tow. Monsters and demons aren’t the only things that Guts is battling against. His berserker armor, even when it can be held in check, takes a tremendous toll on him. The artwork in Berserk is great and Miura has a talent for creating creepy monster designs. The fights, which are rather chaotic, are engaging even if they can be a little difficult to follow at times.

Cardcaptor Sakura, Omnibus 4 by CLAMP. I’ve been looking forward to the release of the final omnibus of Cardcaptor Sakura a great deal. Despite the adorably sweet characters, there’s actually a significant amount of tragedy, sadness, and sacrifice in the series. But, much like Sakura’s mantra “I’m sure everything will be all right,” I ultimately find the series to be comforting. In the end, even though there is plenty that has been lost, love and friendship do win out. It’s not entirely unexpected since it’s been one of the manga’s strongest themes from the very beginning, but it does make me happy. I like the emphasis that is placed on the concept of love and how it isn’t limited to a single interpretation of what love is.

Girl Friends, Omnibus 1 by Milk Morinaga. Mari is a shy bookworm who is befriended by the more outgoing Akko. Suddenly, Mari has not one but an entire group of girl friends to hang out with. Slowly, Mari comes to realize that Akko means much more to her than just a friend, or even a best friend. So far, Girl Friends is a very realistic portrayal of young love. Mari trying to come to terms with her developing feelings for Akko is particularly well done. I honestly care about all of the characters in Girl Friends, not just Mari and Akko, but their friends (and boyfriends), too. I do worry about them; I want everything to work out well for all of them and I want them all to find happiness. I’m really looking forward to finishing the series.

Gin Tama, Collections 3-4 (Episodes 27-49) directed by Shinji Takamatsu. I still get a huge kick out of Gin Tama. It’s definitely not a series for everyone; some of the comedy can be pretty stupid at times. The episodes can be a little hit-or-miss for me, but even the episodes that are only okay manage to make me laugh. And the episodes that actually click with me I find to be absolutely hilarious. Take the final episode in the first season—the game of strip mahjong was so epic, I was almost in tears. There’s a ton of Japanese history and pop culture references and parodies in Gin Tama. The more of these you can catch, the funnier the show is. I do pretty well, but I know that there’s plenty I’m missing out on.

It took two weeks, but it looks like I’m nearly completely recovered from my headache of doom. I still wasn’t able to read for very long periods of time last week, but at least I could start to watch things again. Subtitles are still a bit of a strain though, as I discovered while watching Toward the Terra. Last week I posted the November 2011 Bookshelf Overload as well as a review of Osamu Dazai’s breakthrough novella Schoolgirl. Also, don’t forget about my latest manga giveaway, Give Me Some Gin Tama! Enter for a chance to win the first three volumes of Gin Tama.

And now, I am absolutely thrilled to report that the House of Five Leaves anime has finally been licensed for a Region 1 DVD release! I cannot begin to express how incredibly happy this makes me—NIS America News. And other news that I’m happy about—Jen Lee Quick to Resume OffBeat. This news is actually a bit old, but I just recently found out about it. I’m really looking forward to seeing the final volume of this series. Also of note, Brigid Alverson of MangaBlog (as well many, many other awesome sites) has been named as one of the judges for this year’s Eisner Awards—Judging time! And finally, Deb Aoki has a post on 12 Cooking Manga Good Enough to Eat. It’ a great list with some great manga on it. And if you like food manga (like I do), keep an eye out for the February 2012 Manga Moveable Feast to be hosted by Khursten Santos of Otaku Champloo which will feature Oishinbo and other food manga.

Quick Takes

Cardcaptor Sakura, Omnibus 2 (equivalent to Volumes 3-6) by CLAMP. There is definite potential that Cardcaptor Sakura could be too sugary sweet, but CLAMP skillfully balances the adorably cute with more serious themes of love and loss. I find Cardcaptor Sakura to be an incredibly enjoyable series to read. The characters are all very likeable. Even the secondary characters play important roles in the story and have very distinct personalities. I’m particularly fond of Yamazaki and his delightful tendency to make up completely ridiculous origin stories for just about anything. This omnibus marks the halfway point for the series and I’m eagerly awaiting Dark Horse’s next omnibus release scheduled for next year.

Hero Heel, Volume 1 by Makoto Tateno. Works by Tateno tend to be fairly hit-or-miss with me, and so I was somewhat surprised by how much I liked this first volume of Hero Heel. Minami has been working as an actor for three years and has yet to really make a name for himself. Although he’s not particularly enthusiastic about it, his agent convinces him to audition for a superhero show and he lands the heroic lead. His attitude starts to change when he realizes how talented and serious his openly gay coworker Sawada is about his work. Unfortunately, Minami’s admiration and curiosity turn into unwelcome infatuation. Tateno creates an interesting dynamic between Sawada and Minami and I’d like to see where things might go next.

King of Wolves written by Buronson and illustrated by Kentaro Miura. I wasn’t particularly impressed by Japan, another manga that Miura and Buronson worked on together, so I didn’t have high expectations for King of Wolves. The manga turned out to be kind of fun though, even if I couldn’t bring myself to take it too seriously and it was fairly predictable. The narrative does have some issues, particularly with pacing and flow. Some plot developments, like Iba’s domination of the north, are done and over so quickly that it makes me wonder why they were even included to begin with. It feels like the creators were simply shoving too much story into a single volume.

Fullmetal Alchemist: Season 2, Part 2 (Episodes 41-51) directed by Seiji Mizushima. Fullmetal Alchemist really is a fantastic series. I was very glad to see the Elric brother’s father finally introduced and all the disparate story elements are tied together nicely by the final episodes. Fullmetal Alchemist has a complex, engaging story and great, well-rounded characters. The good guys have their flaws and the bad guys have their admirable points. The series does a wonderful job exploring the grey areas of science, religion, morality, ethics, philosophy, war, revenge, and more. The characters are forced to repeatedly confront and take responsibility for their past mistakes.

Hetalia: Axis Powers, Season 2 directed by Bob Shirohata. Hetalia is probably not for the easily offended. Fortunately, I’m not at all easily offended so I quite often find it to be hilarious. I think the second season of Hetalia is even more consistently funny than the first. Even though the accents can sometimes be shaky, I really love the English dub of the series. The second season features more antagonism between Britain and France and other repeat appearances from the established cast. And Canada, oh Canada! finally gets a bit of screen time. One of the things I like best about Hetalia is that I actually do learn a bit of world history along the way in spite of (and sometimes because of) all the crazy antics.

Toward the Terra directed by Hideo Onchi. Toward the Terra is based on Keiko Takemiya’s award-winning manga series, published in English as To Terra… I was actually impressed by how much of the original story was able to be included in the anime adaptation. Granted, there were some plot developments in the movie that I only understood because I had already read Takemiya’s manga series. But, I do like the story and the anime catches most of the highlights. A utopian society has been established in order to protect the Earth but a new race of humans with psychic powers, known as the Mu, have evolved, posing a danger to the system. Also, Nozomi Entertainment’s remastered version of the film both looks and sounds great.

Today is the last day of the Horror Manga Moveable Feast and it’s been a great one! My quick takes from last week featured vampire themed manga while this week I’m featuring a variety of other horror influenced manga (plus Sugar Sugar Rune which isn’t horror, but reminds me of Hallowe’en). Last week I also posted a review of Otsuichi and Kendi Oiwa’s Goth manga adaptation. And after some encouragement from the Feast’s host Lori Henderson, I made a last minute contribution—Random Musings: Nightmare Inspector. (Which is one of the reasons this week’s new and reviews section is rather brief.)

Berserk, Volume 35 by Kentaro Miura. Guts and his companions are still on the high seas when the wind of change passes over the world. He is also still recovering from his last battle, but his skills are needed when the ship must face a hoard of demons from the sea. Occasionally Miura’s monster designs can feel somewhat repetitive, but that doesn’t mean they’re any less frightening. The art in Berserk is detailed and the battles are chaotic. Guts’ ordeal continues as he fights to protect those he’s come to consider friends. But the very power that he must use might also be the power that destroys them all. Berserk remains one of my favorite manga series; now begins the long wait for the next volume.

Dragon Head, Volumes 1-10 by Mochizuki Minetaro. I enjoy post-apocalyptic fiction and Dragon Head is one of the best examples of the genre that I’ve come across in manga. The series explores the fear and the darkness, both literal and figurative, that cataclysmic events bring about. Dragon Head is fiction, and so some of the human responses to the tragedy feels overly dramatized, but the story is still very engrossing. I did find the inclusion of the scar heads somewhat odd, but they do provide another interesting perspective on fear. One of the most terrifying things in the world is the unknown, and the characters are never able to determine for certain what has happened. Minetaro’s art works fantastically well for the series, particularly the ravaged landscapes and scenes of destruction.

Grand Guignol Orchestra, Volume 1 by Kaori Yuki. I have a feeling that Grand Guignol Orchestra is a series that I like in theory but am unsatisfied with in reality. I mean, an orchestra that fights zombies with music (among other things)? How great is that? Pretty great in my opinion, but after reading the first volume I haven’t been convinced that Yuki will be able to pull it off. Even the characters haven’t settled in yet. The first volume seems unfocused and rushed at the same time, as if Yuki was trying to shove in too many manic ideas all at once. Still, the ability to take out a zombie with a tuning fork is pretty awesome. And even though it seems to have nothing to do with the actual story, I really like Gwin’s pet hedgehog.

King of Thorn, Volume 1 by Yuji Iwahara. The extremely deadly Medusa virus is running rampant across the world. In an effort to find a cure, a group of people chosen by lottery are put into stasis. But some awake to a world drastically different from the one they left. The facility they are in is in an extreme state of decay and carnivorous dinosaur-like creatures are roaming the grounds. The virus is no longer their immediate concern as they must struggle to simply survive. One of the things I like best about King of Thorn is that the ensemble cast is so diverse in both character design and personality. It is obvious from the way they interact with each other that Iwahara has put some thought into exactly who these people are. I’ll definitely be picking up the rest of the series.

Sugar Sugar Rune, Volumes 1-8 by Moyoco Anno. For a series that was created with elementary school students in mind, Sugar Sugar Rune is incredibly engaging for adult readers as well. It starts out innocently enough, two young witches have come to the human world to compete to become the next queen of the magical world, but the story quickly becomes deeper and more complex. The characters and setting are wonderfully well-rounded. Anno’s art is great even if some of the pages become a bit overwhelming. Marvelous attention is given to details such as clothing. Sometimes plot developments come out of nowhere, but they generally work in the long run. I really loved this series and wouldn’t hesitate to recommend it.

Black Jack, Episodes 18-28 and Black Jack Special: The 4 Miracles of Life directed by Makoto Tezuka. I wouldn’t necessarily classify Black Jack anime as horror, although the potential is certainly there. I, for one, wouldn’t want to have to face the various diseases and conditions that afflict Black Jack’s patients. I find Black Jack to be a fantastic character and prefer the episodes where he plays a greater role in the story. He can be an absolute ass, but underneath he’s really very compassionate. Also, he’s a baddass. The Black Jack anime ran for sixty-one episodes but only the first twenty-nine episodes and the special are available through Crunchyroll. Fortunately, Black Jack is primarily episodic, so at least we’re not left with unresolved plot arcs. Plus, there’s always the original manga!