The
recorderwas
known as the English Flute in the 16th, 17th, and 18th centuries when it enjoyed
tremendous popularity. Played by kings and queens and country gentlemen as well
as by the common man, used by the major composers of the day (such as Bach,
Telemann, and Handel), and featured in the plays of Shakespeare, the recorder
flourished. The oldest surviving recorder dates from about 1400 A.D. Early paintings
show the recorder in use during the Middle Ages and Crusades. In the 19th and
early 20th century, the recorder was all but forgotten as our modern flute grew
in importance. In recent years, the recorder has experienced a great revival.

Though usually heard as a somewhat shrill
instrument in the hands of the young school child, the recorder when properly
mastered has a superblybeautiful,
singing tone. It is played by professional musicians in the best ensembles throughout
the world as an equal partner with more commonly known instruments. There are
seven different sizes of recorder being used today, the smallest being the sopranino
about nine inches in length, the largest the contra-bass about eight feet in
length. The tiny garklein recorder, higher in pitch than the sopranino, is seldom
heard. Most popular are the soprano and alto recorders.

Recorders are typically handmade using a variety of beautiful hardwoods such
as maple, rosewood, or ebony. In historical times, recorders
were most often made of boxwood, often decorated with ivory, or even made completely
from ivory. No king was without his set of handcrafted recorders. King Henry
VIII of England owned a collection of 47 recorders and himself composed music
for the recorder. Today, recorders of quite excellent quality are also made
in plastic as well as wood.

The recorder has a full chromatic range of over two octaves. It is most often
played with guitar, piano, harpsichord, or with a group (called a "consort")
of other recorders. There is considerable music written for the recorder including
songs and dances of the Medieval and Renaissance periods (1100-1600 A.D.), more
elaborate works with strings and harpsichord of the Baroque period (1600-1750
A.D.), and serious 20th century compositions. Much folk music and popular
music is suited to the versatile recorder. In the hands of the skilled player,
even light jazz comes to life in a very special way. The recorder has come into
its own once again in history, no longer an instrument of antiquity, but an
important part of today's music.