dean devlin

Good news for everyone who's ever been screwed by someone in power. Not so good news for everyone in power. TNT just picked up Leverage for a third season, and I couldn't be happier. In the first season, Leverage worked because of the cleverness of the heists the gang got up to. I found myself trying to figure out all the angles they were working, but by the end they still managed to trick me a couple of times.

The second season saw them lose their stately headquarters and tackle these jobs in a much more street level fashion, and in several ways the show got better. At the same time, rather than the heist always taking center stage, at times it was our five characters that shone brightest.

By that I'm referring to the quirks of their individual personalities, because we haven't gotten a great deal of character development this season. The banter and camaraderie within the crew gives us some great lines and moments each week, though. Now that a third season is secured, I'd like to see the character arcs for those great personalities pick up again.

When I sit down to watch television, I want to be entertained. I do not want to be bored, annoyed, depressed or angry. Just give me some good, clean fun. That's why it's been an infinite pleasure watching TNT's new drama, Leverage, a show I have crowned the best new show this season.

I recently had the pleasure of talking with Timothy Hutton, star ofLeverage, about the first season of the successful new drama. Oh yes, the charming Tim and I dished about his performance, his co-stars and what season two may bring.

One thing I learned is that the powers-that-be over at Leverage don't tell their actors a whole lot. After being enamored with season one, I was dying for a spoiler of what's to come next season, now that we know Leverage has been renewed (they start filming April 13, in fact). OK, I would have settled for a teaser, even a tidbit, but it seems they're still tossing most of that around in the writers' room. Here's what I did get:

There is life after Star Trek. Jonathan Frakes, Star Trek: The Next Generation's former "Number One," has moved on from sci-fi stardom to a successful career as a TV and film director. He's helmed four feature films, countless hours of Star Trek and Roswell, plus the two latest entries in TNT's Librarian telemovie franchise. Now, he's joining one of TV's most critically acclaimed new shows.

I spoke to Frakes by phone for a few minutes this week and, somehow, I was able to hold back from asking him a million geeky Star Trek questions. (Now I'll never know if "Tom" Riker ever escaped from the Cardassians!) We discussed his love for Leverage, his friendships with his former cast mates, and the possible return of"Number One" Will Riker.

(S01E02) "The world doesn't work this way." --Dr. Laroque"Then change the world." --Nathan Ford

Oh, I really do like this show. It looks like the fine folks behind Leverage are going to use this platform to "expose" the kinds of corporate corruption that we all know are there but may just not be able to prove. As established over the past several years, a lot of these bastards at the top of the corporate world are just as bad, if not worse, than the common street criminal. In fact, I'm going to go with worse. Tonight's target: Castleman, a company that provides a private "army" to the U.S. Government. You know, Blackwater.

In keeping with the Robin Hood concept, the idea behind this heist is to ensure that PFC Dwight Caplan can get the rehab he needs to get out and start working. The kid's not looking for a handout, just a fare shake in life. And since it was Castleman, and not insurgent fire, who took that away from him, he's looking for justice. Which is what Leverage is all about.

(S01E01) Now that's what good television is all about. This slickly produced show managed to keep things light and fun in the world of high-stakes criminal espionage. It makes sense since executive producer Dean Devlin directed the pilot and slick and fancy is what he's all about. Certainly Independence Day got by on its look and feel rather than any great plotlines or dialogue. Devlin's production company has also been behind the very successful The Librarian series of films for TNT which are also very high on style.