Hide looked like a ghost story, but this week’s episode of Doctor Who was actually a love story involving two couples (or maybe a third). The young assistant Emma was the real reason for Doctor showing up where he did, to see if the clairvoyant Emma could detect anything unusual about Clara, “the only mystery worth solving.” While nothing unusual was revealed about Clara, Emma did warn Clara about the Doctor’s icy heart. I suspect this will play a part in whatever is revealed in the season finale.

The episode picked up on the theme of the TARDIS not yet accepting Clara, but by the end they worked out their differences and went on to save the Doctor. Last week in Cold War it was necessary to contrive a way to get rid of the TARDIS to avoid a simple solution to being trapped in the submarine. This week did something which few too many episodes do–use time travel as part of a story. This did wind up leaving one time traveler just hanging around, possibly a loose end to come up in a future episode. It also showed Clara the full meaning of time travel and the Doctor:

Clara: “To you I haven’t been born yet, and to you I’ve been dead a hundred billion years. Is my body out there somewhere, in the ground?”

The Doctor: “Yes, I suppose it is.”

Clara: “But here we are, talking, so I am a ghost. To you, I’m a ghost. We’re all ghosts to you. We must be nothing.”

The behind the scenes video is above.

This was actually the first episode filmed with the modern Clara Oswald, written by Neil Cross, who subsequently wrote The Rings of Akhaten. Cross did better with his first attempt in Hide. Like previous episodes since Doctor Who returned, there is an homage to a previous Doctor. This time it is John Pertwee’s Doctor, from a scientist with assistant (or is it companion?) using 1970’s oscilloscopes to the need for a blue crystal from Metebelis III. Will next week’s Journey To The Center Of The TARDIS include references to Tom Baker? I suddenly feel like some Jelly Bellies.

Hide played with Doctor What while Steven Moffat has made the question Doctor Who? a recurring theme. The official synopsis for The Name of the Doctor, the final episode of the season is “Someone is kidnapping the Doctor’s friends, leading him towards the one place in all of time and space that he should never go.” Moffat says we really will learn something we haven’t known about the Doctor, telling Radio Times: “There’s going to be a revelation. I’m not teasing. I’m not wrong-footing you – you’re about to learn something about the Doctor that you never knew before. And I think you’re in for a shock.”

River Song, who proved her relationship to the Doctor by being the only person to know his name in Forest of the Dead, will be returning in this episode. The Wedding of River Song included this warning:

“The Fields of Trenzalore, the fall of the eleventh and the question. The first question, the question that must never be answered hidden in plain sight, the question you’ve been running from all your life. Doctor who? Doctor who? DOCTOR WHO?”

The fall of the eleventh has been interpreted as meaning the time of his regeneration, but it might mean something different if the Doctor’s name really s revealed, or this might not be the secret which is revealed. Even if his name is revealed, there would have to be more to the secret for it to be meaningful. Finding that his name is the Gallifreyan equivalent of John Smith would not mean very much. Perhaps the Grammar Daleks have been correct and his real name is Doctor Whom.

There is yet another possible clue to a secret in this rumor about the 50th Anniversary episode:

…there are several sites claiming that two very reliable sources have independently revealed that John Hurt will be playing the real 9th Doctor :O Basically Eccleston, Tennant and Smith’s Doctor have either forgotten or have repressed Hurt’s incarnation for some unknown reason, and it is very possible that the secret due to be revealed in the season finale next month is that Smith is the 12th Doctor rather than what his real name is.

I suspect that if this is the case John Hurt’s character might not really be the Doctor, similar to the misdirection in The Next Doctor. The order of the Doctors has become ingrained too much to disturb this chronology. If Matt Smith’s Doctor really is the twelfth, it might give Moffat an opportunity to answer the question of the number of regenerations. Originally Time Lords had thirteen but obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes. Plus, unless the number is extended, where will the Valeyard fit into this–or has the Doctor managed to avoid that fate?

Clark Gregg has a lot of information on S.H.I.E.L.D in the video above. Transcript below via Bleeding Cool:

If you watched The Avengers it was hard to miss the moment where that Asgardian bastard stabbed me quite thoroughly. And I died in The Avengers and it was a sad day because I loved Agent Coulson, and I loved going to the cons and hanging out with the Coulson fans. I was a little heartbroken. The Marvel guys said “You’re dead. You’re dead. But it’s the comics so it’s a different form of dead. Who knows, maybe we’ll see you again some day.”

I thought “You know what, I had a hell of a time playing this guy, I loved the death scene, I loved what Joss did so much,” to want any more of it felt greedy. So when I got a call a couple of months ago to say ‘We want you to come to New York Comic-Con. We’re going to announce that perhaps Coulson lives” I was very curious but also wasn’t sure that I was necessarily down with it.

I didn’t want to do anything to undermine the integrity of The Avengers and Joss didn’t either. So I had a conversation with joss and he explained to me that this [show] takes place after The Avengers, after ‘The Battle of New York’. I’m from New York, I’ve lived in a world after somebody has attacked New York, I know that there’s fall out.

The Avengers version of that world is a world that has superheroes and doorways to other dimensions and chaos. And the way Joss described to me the mystery that takes place in Marvel’s Agents of SHIELD, and the complexity and the unanswered questions about Phil Coulson standing there trying to deal with this, I found it so fascinating and so true to the world of the comics and mythology in general as I understand them that I was immediately in.

I don’t know you could not change going through what he went through in The Avengers. If he hadn’t gone through some kind of change it wouldn’t be any good. That said, I don’t know if he understands how much he’s changed.

It would be surprising to me if this was a world where there wasn’t some reckoning…the fact that there was some level of deception must have been perpetrated on The Avengers. It must have been.

Defiance has been billed as the next big thing from Syfy but I was not very impressed. The computer-generated special effects looked fake and I just don’t see the point in computer generated graphics which fail to give a sense of reality to scenes which could not otherwise be filmed. The town of Defiance, which is St. Louis around thirty years after a war which has altered earth, provides a scene which could just as easily be an alien planet or a spaceship which contains civilians. Julie Benz is the mayor (or if this was a spaceship, she fulfills the traditional science fiction role of the Captain). In this case, the future looks like the old west, but is far less fun than Firefly. The backdrop will allow for a wide variety of stories, with stories which felt very familiar filling the two-hour premier. Now that we have the setting down, perhaps the series can move onto more original stories.

Continuum is returning to a second season. Star Rachel Nichols was interviewed here. An excerpt:

What can we expect from the new season?
The second season is very interesting. Obviously the first season was very centered on getting home. I wanted to go home. I would be friends with the baddies, I would partner up with Liber8, whatever it took to get home. It’s obviously still important to me in the new season. However, the theme of Season 2 is responsibility. Kagame had a speech at the end of the last season about how, if you drop a pebble on one side of the world, it will become a tsunami on the other. For Keira that’s very, very important, because she wants to get home to her husband and her son. Very early on in season 2, she starts asking questions: what am I going to be returning home to? Am I costing my husband and son their lives? Will they never be born? Will I never be born because of what I’m doing now? It’s a lot to wrap your head around!

This week’s Community brought up the dark timeline. There was also a lot of nonsense such as the group believing they failed, with the grade changing to a C to an F and back again, and a knot which was not a knot. It is clear that new producers David Guarascio and Moses Port do want to keep this show as offbeat and original as it was under Dan Harmon. They just don’t have the ability to pull it off.

Dexter will be returning for its final season. A sneak peak at part of the first episode is above. The final trajectory for the series is in motion, but a spinoff isn’t ruled out.

Emilie de Ravin of Lost teased tonight’s episode of Once Upon A Time by describing her character (after losing her memory) as “young, scantily-clad chick, Lacey.” Okay, she sold me on watching, even if it is on network television.

Zooey Deschanel was identified on the closed captioning as the suspect being chased in Boston on Friday by one television station. Needless to say, it was a Fox channel. This is no more ridiculous (and false) than most of the type going by while watching Fox, such as identifying Barack Obama as a socialist from Kenya.

From 2068, above is a documentary on The Internet: A Warning from History. The Internet was one of the greatest disasters to befall mankind…

Caroline John, who played Liz Shaw, died at age 71 last week. Liz Shaw was a companion to the third Doctor, played by Jon Pertwee during the seventh season of Doctor Who in 1970. Here are some clips from her first appearance when she was recruited by U.N.I.T.

There’s something coming up in the final days of the Ponds that was in The Eleventh Hour,” he said. “There’s a shot in that. [Moffat’s] been thinking about it that long. He always knew how she was going to… I’m saying too much already.”

ENTERTAINMENT WEEKLY: Let’s talk about some of your favorites.
JOHN NOBLE: I had some favorites. I loved the “Letters of Transit” episode, which was the one where we went into the future. I thought that was really a beautiful looking episode, beautifully told. I very much liked “Return to Westfield” because it was the first time that really the old team had got back together again — Walter and Olivia (Anna Torv) and Peter (Joshua Jackson). It was a very interesting story for all sorts of reasons. Those two stand out.

Episode 20, where the two worlds were bridged was also a fan favorite.
I loved the final conversation between Walter and Walternate where they’re in the corridor together. I waited a long time to see how that would be handled, and I thought the writers really handled it beautifully and eloquently. I loved doing that scene.

Tell me what it was like filming that.
I think I was so ready for it. For me, I realized there needed to be a payoff between the fellows. And I’ve always seen them as two shades of the one man. You know, he’s the same man, but circumstances took him in a different direction. So it was like a personal reconciliation for Walter, Walternate. I was really touched by the way they were able to be so kind to each other. I found that encouraging, and it was the way that I would have wanted it to happen. There had been plenty of abuse flying around, previously. But it was just like a human being finally coming to some sort of resting point in their life and saying, “OK, let’s stop fighting.Let’s just agree on what we can agree on.” So, on a much larger scale, I thought it was beautiful. The whole sequence was beautiful. Looking back on it now, it was really sad that separation of the two worlds. No one kind of expected it to be because I have to tell you, they’re brutal to film, those doppleganger sequences. They are really demanding, and they take forever and ever and ever and ever. But I loved that scene.

Was it hard for you to say goodbye to that character?
I always had a soft spot for Walternate. I always figured that if my world was in trouble — I mean, really in trouble — he’d be the one I’d want to be in charge. And obviously he was painted as the baddie, initially. But I never personally took it that way. I took it as a man with a job to do and a huge burden and very good reason to be incredibly angry and vengeful should he choose to go that way. But he never did take that these actions; he just wanted to save his world. And then I got the chance — I think it was maybe last season– to humanize him a bit.
Look, Walter…Walternate, I don’t really think he’s gone. I think he’s just one suit away — just put another $2000 dollar suit…

Well, let’s keep you away from suits, then — for the good of the universe.
[Laughs]

Peter and Walter had an amazing scene in the finale, right after he shot Olivia and he was working to save her. Did you actually slap Josh?
There is a little story to that. When we were doing it, it was very complicated. What Josh had realized was that his girl was lying there dead — hurt — and then [Walter] had just come trying to reason with him. There was just no way he would have done anything except strangle Walter really. So I said to [Josh], “We need [him] to snap on this one.” And we’d never done it; there’d never been any physical contact between the men. So I said, “How about if I slap you?” And he said, “Yes, that’s what it needs.” So we put that in. And it did; it was very powerful. When a person’s in distress, sometimes they slap them. So we put that in, and it was terrific. It was effective. And it was dramatically right for what we needed to do.

It appeared from the season finale of Once Upon A Time that it only made sense for Emilie de Ravin’s version of Belle to reappear frequently next season. Her pilot for ABC, Americana, didn’t get picked up, leaving the former Lost actress free to become a regular on Once Upon A Time.

While Star Trek‘s greatness really came from the television series, it lives on in the movies. Geek Tyrant notes that with the release of the movie currently in production, Star Trek will tie (with the Friday the 13th movies) for second in number of movies made. Both series will have twelve movies but they have a long way to go to catch up with James Bond who is going on twenty-four. As I pointed out several weeks ago, Bond director Sam Mendes has compared the James Bond franchise to Doctor Who.

What if there were SuperPAC ads in Kings Landing like those we have here? See one example above, and more here.

The Newsroom premiers tonight and most of the ads are negative. It doesn’t matter to me. If it is written by Aaron Sorkin I’ll watch every episode and enjoy them, just like Studio 60. (I probably agree with every criticism of Studio 60 out there, but still enjoyed the show.)

Seeing Rory Gilmore lower herself to having an affair with Pete Campbell on Mad Men before undergoing the Eternal Sunshine of the Spotless Mind treatment makes me nostalgic for Rory before she became corrupted. This is how Rory should be remembered: The Rory Gilmore Reading Challenge. And how did Amy Sherman-Palladino manage to get a young clone of Rory for Bunheads?

I don’t think that the flaws in the science will affect whether audiences enjoy the recently released movie, Seeking a Friend For the End of the World.

Last week was Father’s Day. Here’s a couple of kids out shopping for a card for their famous but evil father.

Or if you are in need for a birthday cake, this recipe can be found here. Extermi-cake?

The last two episodes of Fringe have included major advances to the plot in the alternative time line as Olivia began having memories from the Olivia of the original time line, we encountered the Nina from the universe, and Peter entered the mind of an Observer. The big revelation was that problems were caused by Peter having a child with Altlivia instead of Olivia. Jeff Pinkner and Joel Wyman were interviewed by The Hollywood Reporter last week, and Collider has a more recent interview:

Was the Observer intel something you’ve been wanting to reveal for awhile now?

WYMAN: Well, we always said that you’d find out about the Observers this season, and that we’re going to investigate them a lot more. So, we’re excited about it all because the Observers are a highlight. For us to constantly break what you think you know, and re-set and have viewers go, “Wow, I didn’t see that coming,” that’s why we get up in the morning. It’s to take people on the ride. We’re excited about what’s coming up, too.

This season, there have been some really great singular cases and stand-alone episodes, but “The End of All Things” was mythology heavy and really speaks to the larger arc this season. How will that effect what viewers see in the final stretch this season?

PINKNER: Well, it’s definitely a game-changer, in that our characters learn a lot more, and the audience is going to learn a lot more, about the uber-plot of our season bad guy, David Robert Jones (Jared Harris). For Peter (Joshua Jackson), Olivia (Anna Torv) and Walter (John Noble), it’s going to start to unfold in ways that, hopefully, will be both really satisfying and challenging to our characters. It’s the 14th episode out of 22, and it’s very much a hinge episode that’s going to launch us into the back half portion of the season.

Do you already know what the final episode for this season will be?

PINKNER: No, we have not written the finale, but we do know what it is. We’ve known the shape of our season before we even started this year.

WYMAN: Fortunately, at the end of every season, we close the chapter and start anew. That’s the language of the series now, so it can organically come to a conclusion that we love.

How soon is it going to become evident what David Robert Jones’ (Jared Harris) uber-plan is, specifically, and how Olivia fits into it?

WYMAN: We can’t say anything, but just remember that, on Fringe, nothing is as it seems. There’s always a little more to the story behind the story. He’s definitely a large part, going forward. A lot of things will come full circle.

PINKNER: We’re well aware of how intelligent our audience is. We’re well aware that Fringe is a show that you really need to lean forward into and pay attention to and think about. It’s not designed to be a show that you can watch while you’re folding laundry. So, we’re well aware of the questions that our audience is inevitably going to ask. We’re well aware of how carefully they watch the show and hold us to continuity. We’re certainly aware of the debates that are going to occur. Our audience holds us to an incredibly high standard of continuity and emotional authenticity. We don’t toy with that, but oftentimes we write stories, in order to spark debate. We’re very determined to always give the answer. We don’t want to leave a lot of things open to debate, at the end of the day.

Episodes of Alcatraz have a formula in which a different prisoner from Alcatraz shows up in the present and must be apprehended every week. Some of the prison staff has also been seen in the present, but very little has been revealed as to what is really going on. Whether the show is successful as a genre show as opposed to a crime show with a twist will depend upon how the mythology of the show is developed. With cancellation of the series a strong possibility after this season, I have feared that we might be kept hanging without real answers. In an interview with TV Guide, executive producers Jennifer Johnson and Dan Pyne indicate that we will receive answers by the end of this season:

Is there a particular reason why Alcatraz prison became the focus point of the disappearance?
Johnson: Yeah. There are theories that our characters have. We’ll talk about what those theories are by the end of the season, but they may not be the real ones. We’ll understand what Hauser thinks about it and what his think-tank thinks about it, but that’s really just the tip of the iceberg. We may meet a character by the end of the season who does know that specific answer, who probably has a lot more answers than any of the characters we’ve met so far.

Will we learn who the powers that be are and what their motives are this season? Or is that a series arc?
Pyne: Well, it’s a little of both. I think by the end of [Episode] 13 we’ll have an understanding of who that might be.
Johnson: That’s the character that we were referring to. He might be part of the powers that be.Pyne: But definitely by the end of the season there will be more of a sense of the game that’s afoot. We won’t be coy about it and keep holding back. There will be a better sense of what’s going on. We may not understand what the endgame is, but at least the players will become a little bit clearer.
Johnson: It’s complicated because they don’t all have the same goals, which we’re going to hit upon before the end of the season. There’s almost a secret war happening between the ’63s, too. That all interplays with what their relationships were in the past when they were imprisoned or working on Alcatraz.

Is there a reason why some of the ’63s have gone against mission?
Pyne: Yes.Johnson: We won’t say definitively, but we’ll give people the tools to have pretty informed theories about it.

What’s with the fascination with the number three — three keys, three bank robberies and three days of sniper shootings are just some of the few?
Pyne: There may be more than one number clue.
Johnson: Forty-seven is an important number, too. But we like three for its stability and the idea that it’s a triangle. We talk about triangles a lot and relationships that have three angles in them.

Lucy had mentioned in the past that she was going to fix the prisoners with memory-altering experiments. Did she end up being a puzzle piece in the overall mystery of how the ’63s disappeared?
Pyne: She definitely is a puzzle piece, yes. We may not stick with this forever, but right now, everything that’s happened in the past has happened chronologically in 1960. So, there’s still three years left before the jump. Clearly, allegiances change. Stuff happens in those three years between the time when Lucy comes to prison to start her experiments and 1963 when she obviously disappeared along with everybody else. Certainly, she has some answers to what might have gone on, but she also may not even understand. She didn’t understand at the time what was going on. It may be just now looking back at it that she can start to unravel what she saw.
Johnson: Yeah, helping the team unravel by knowing the psychology of the inmates. But the Warden (Jonny Coyne) is very Machiavellian. He does not want the left hand to know what the right hand is doing. So, he may utilize different players for their different challenges. But part of his M.O. is not to let any one person know too much of what is going on.

Diego mentioned in the pilot that the Warden had died many years ago. Did he really or is he part of the missing ’63s?
Pyne: It’s possible.

Will we discover how Lucy came to work with Hauser in the future and see more of their relationship in the past?
Johnson: Yes. Definitely, 100 percent.
Pyne: Their love story is one of the great triangles of Alcatraz.
Johnson: It’s kind of the love triangle between Hauser, Lucy, and the jump itself.

Will we find out what Dr. Beauregard (Leon Rippy) was doing behind closed doors at Alcatraz?
Pyne: You may find out soon, in the next couple episodes. Then once you find out, you may be totally wrong, but you will see some of what he’s up to. He’s a little bit jealous of Lucy’s elevation to the prize poodle on Alcatraz, so he gets up to some hijinks that he maybe shouldn’t.

What can you tell us about the downstairs door that needs to be opened with three keys?
Johnson: That we’re going to open it before the end of the season. We’ll understand by the end of the season what’s behind that door, at least one layer of it. It was very important to the Warden. There may only be one person that he shares that secret with.

We learned Diego was kidnapped at age 11. Will that come back into play?
Johnson: That’s his deep, deep back story and a lot of what motivated his fascination with Alcatraz and with comic books. We won’t necessarily go there before the end of the season, but that is part of who he is as a character and why he became part of this team.

Once Rebecca does finally come face-to-face with Tommy, will she be able to let bygones be bygones and realize that he is still her family?
Pyne: Gosh.
Johnson: We know the answer to that, but I don’t think we can tell you.

What can you tell us about what is in store for her?
Pyne: She begins to get a little bit more focused on solving the mystery of what happened to her partner and delving into that day and why he was there. It slowly leads her to some revelations about her partner about the larger mystery of Alcatraz and also about Tommy Madsen.
Johnson: And what everybody is doing here present day. They discover that there are different factions of ’63s here in present day San Francisco and beyond.

Sarah Jones, who plays Detective Rebecca Madsen, also indicated that there will be pay off for the fans in the last two episodes in an interview with Collider.

Last week the political blogosphere debated whether the Death Star was worth building. Kevin Drum looked at the economics and found that it was a surprisingly cost-effective weapon. A post at Enik Rising argued that it was a bad investment, even if affordable. I bet that such debates prior to the building of the Death Star didn’t take Luke Skywalker into consideration.

Community returns on March 15. There will also be a web series of Inspector Spacetime, a British time travel show which began in 1992 according to Community. Geeks of Doom has more information:

Inspector Spacetime, the Doctor Who-spoofing character whose cheeky sci-fi exploits are vastly enjoyed by Community characters Abed (Danny Pudi) and Troy (Donald Glover), will soon be seen in his very own web series, but don’t expect to see any cameos from certain Greendale Community College students. Travis Richey, the Inspector himself, is producing the six-episode series independently.

You can expect to see the Inspector and his trusty sidekick Constable Reginald battle their arch-nemesis Boyish the Extraordinary and take on the Blorgons of Second New Old Earth 7 with the aid of the Inspector’s “optic pocketknife.”

Richey wrote to io9 to further clarify his intentions for the web series:

“Dan Harmon, Community, NBC and Sony have nothing to do with this web series. I pitched it to them after my first episode of Community, but never heard back from them one way or another. So I’m going to do it myself, with the help of fans. I’m launching a Kickstarter campaign in a matter of hours for an equipment budget, and the complete story can be read there.”

The Game of Thrones returns on April 1 (preview above).

The BBC made a pilot for a series loosely based upon Douglas Adams’ Dirk Gently novels in 2010. A three episode series begins on BBC 4 on March 5.

Lost alumna Emilie de Ravin is set to co-star in another ABC drama series project, pilot Americana, a soap about a famous fashion industry clan. It centers on iconic fashion designer Robert Soulter (Anthony LaPaglia), the patriarch of a sprawling family who just welcomed a new member, a young designer whose shocking arrival turns the family and the legendary label inside out. De Ravin, repped by Gersh and manager Darren Goldberg, will play Robert’s chic and outgoing daughter Francesca who is the head of events at Americana but Robert doesn’t consider her a candidate for the heir to his empire, which may have treacherous consequences. Michael Seitzman wrote the script, with Phillip Noyce, who helmed the pilot for ABC’s Revenge last year, directing.

Camilla Luddington, who played Kate Middleton in the Lifetime movie William & Kate, has more recently had a role in Californication. In last week’s episode she was repeatedly seen naked in scenes ranging from swimming in the nude to getting caught by Charlie Runkle while getting out of the shower. In is safe to assume this is the closest we will ever get to seeing any version of Kate Middleton nude on television. Pictures are under the fold if you are seeing this on the main web page (double click on the pictures for larger versions).

Among the unusual items in my library is a fan published book from 1982, The Doctor and the Enterprise, featuring a cross over between the Doctor as played by Tom Baker and Star Trek: The Original Show. Since then there have been other fan crossovers between Doctor Who and Star Trek, but the first officially sanctioned cross over will be coming out the May, in comic form. This will feature the current Doctor, along with Amy and Rory, on the Enterprise of Star Trek: The Next Generation.

If you are not interested in this cross over, how about Doctor Who and Peanuts? Teefury had a one day limited edition shit yesterday featuring the eleven Doctors as Peanuts characters.

Matt Smith said in a recent interview that he is willing to do nude scenes. We can be certain that will not occur on Doctor Who. Knowing what is in the mind of many readers, I’m not aware if Karen Gillan has ever answered the same question, but Billie Piper has done lots of nude scenes since leaving the show.

Once Upon A Time has a guest appearance from Emilie de Ravin of Lost. She plays Belle of the Beauty and the Beast, with a video preview above . The Hollywood Reporter interviewed deRavin about her role:

“There are obviously a lot of similarities,” de Ravin tells The Hollywood Reporter about the show’s take on the well-known character. “Obviously, she’s quite a bit more, shall we say ballsy, than I suppose in the past versions, but she’s really brave and really forthright with her opinions and all she wants to do.”

In the world of the ABC series, Rumpelstiltskin (Robert Carlyle) steps into the role of the “beast” when he helps Belle’s father in a raging war with ogres. But, there’s always the payback. In this case, it’s Belle or her father’s life.

“She would do anything basically for her father, but also her friends and family in general, and that’s what she does,” the Australian actress says. “She has this chance where she’s always wanted to be brave and make a change and do something different and not just sit around in the confinement of her castle and her simple life.”

Of course, Rumpelstiltskin may prove a harder challenge than what we’ve seen on Disney movies.

“There’s a point where Belle is a very giving, caring, passionate, nonjudgmental person,” de Ravin, 30, tells THR. “But, there’s also a breaking point, and sometimes enough is enough. And as much beauty as she can see in anyone, you know in Rumpelstiltskin slash the beast, if it can’t be believed by the other person or accepted, then you know, you can’t force somebody to feel something.”

“There’s possibly the opportunity for him to lose power and to gain love, and so does the old question of what will you choose?” she continues. “Love over power or power over love? And that’s a big struggle for him because it’s been so long of him being such a powerful, cruel person, that you know it’s almost, it’s completely hard to fathom that A, somebody would be able to care for him and B, that would be better than power.”

Emilie de Ravin will be returning later this season to continue this storyline.

http://www.youtube.com/watch?feature=player_embedded&v=SD9XlycwmtM

Fringe is getting more interesting as the season progresses. Olivia’s memories from the original time line are now bleeding over into the show’s current time line. This week’s episode, Welcome to Westfield began with the above dream sequence. It was one of the better episodes of the season, with Olivia, Walter, and Peter once again acting as a team in an episode in which both universes were mixed together. Olivia also displayed memories of cases which occurred in our time line. The episode concluded with Olivia kissing Peter and making dinner for him as she would normally do in the original time line. I will be very disappointed in Peter if he doesn’t make Olivia’s dream at the beginning of the episode come true.

An updated version of Space 1999 is being planned. Space 1999 was a flawed science fiction show of the 1970’s making me wonder why someone would want to do a remake, until I thought that the same could have been said about Battlestar Galactica before its excellent remake. The new series, Space 2099, re-imagines the original series and takes place a hundred years later.

The Independent interviewed several stars of Torchwood: Miracle Day at the London MCM Expo. The interview included Eve Myles (Gwen Cooper), Kai Owen (Rhys Williams), Alexa Havins (Esther Drummond) and Arlene Tur (Dr. Vera Juarez). Here are some highlights:

Eve, do you miss doing the single episode stories?

EM: No, I don’t. We were fortunate from the second series to get, I think, 6,7,8 which was Burn Gorman’s story which was him being dead and broken and trying to live a real life. I found it fascinating that we were able to stretch a story over three episodes instead of it being a beginning, middle and end in 40 minutes. As an actor it gives you more and you can just invest more in it more and enjoy it more. I feel it’s more of an adult theme and that’s more where we want to be with ‘Torchwood’. Russell wanted ‘Miracle Day’ to be made from day one but never had the facilities and the amenities to make it.

KO: He always had that story in mind.

Which episodes stood out for you?

AT: I loved the first one, I watched it four times and my heart was always racing – and I knew what was going to happen.

KO: I thoroughly enjoyed this series more than most of the others ones in the past, really. I like the one where it went back in time.

AH: I did too.

KO: I really did like that episode an awful lot. And I thought 10, the climax was amazing. But episode 7, where Jack went back and met Angelo, I thought they really nailed it.

AH: They did a really great job with the period and everything.

Considering how ‘Torchwood’ kills off characters, have you ever felt safe?

KO: Me? Rhys is the most killable character of the whole lot! They don’t kill me because it works so well. Rhys is a very killable character. I’m constantly on edge going: ‘this is the end’.

EM: He was supposed to die in episode 6 of the first series and I knew that and I had a word with him and I said ‘you’re going to die, we’ve got to do something really special here and make this relationship work and make Gwen and Rhys real. Not for me. We need to make them real, we need to make them laugh and we need people to enjoy seeing them together and just enjoy their relationship and watch it.’

KO: And no one’s safe and I feel myself very, very blessed.

EM: I’m waiting for the chop.

AH: You know that when coming on, you know. But we’re in good company.

EM: That’s what happens in ‘Torchwood’, it’s a deadly organisation.

KO: I think the audience got the shock of its life when both Arlene and Alexa died. They just did phenomenal work on the whole series. My mates were stunned at what happened. The way Dr. Juarez went was just oh my god!

AT: That was just so fun to shoot though!

In 2013 ‘Doctor Who’ will be celebrating its 50th anniversary, will ‘Torchwood’ be playing a part in it?

EM: I wouldn’t have thought so. We have lots of adult themes running in ‘Torchwood’ and I think it would be inappropriate for us to have anything to do with ‘Doctor Who’ because it’s predominantly a family programme. I think that where ‘Torchwood’ is, it deals with darker subjects and I think inter-mixing them, if they want to do that, then fine but I can tell you that I’m not involved in it – they won’t give me guns or a bazooka.

What’s next for ‘Torchwood’?

KO: Who knows? It would be different. It might come back as a special.

EM: I think the next step would be a movie. We change every year. We have to change every year to keep it fresh and different and keep people interested because by the third, fourth, fifth series of ‘Lost’, ‘Sopranos’ however good they are, they’re extraordinary, but you know what you’re going to get. With ‘Torchwood’ we can live up to the name that you never know what you’re going to get.

KO: They can do whatever they want with the show.

As Captain Jack has already appeared on several episodes of Doctor Who I see no reason to have him, and possible Gwen, appear on the anniversary show. They could appear without bringing in the darker, or sexier, aspects of Torchwood which are inappropriate for Doctor Who. John Barrowman has already indicated his willingness to return to Doctor Who in the future.

BBC Worldwide has announced the first official Doctor Who convention since the return of the series in 2005:

BBC Worldwide have announced the first official Doctor Who convention to be staged since the series return in 2005. Billed as the “Ultimate Doctor Who Fan Event”, it will feature guests Matt Smith and Steven Moffat, plus many others from the cast and crew including Danny Hargreaves (special effects supervisor), Michael Pickwoad (production designer), Marcus Wilson (producer) and the team behind Millennium FX.

The convention will held twice, taking place at the Wales Millennium Centre in Cardiff; 1500 tickets are to be made available for each of the days on the 24th and 25th March 2011:

The unique interactive programme will include theatre sessions and Q&As with cast and crew; behind the scenes sessions show-casing the script to screen process; discussions with episode directors and writers and demonstrations from Special FX and prosthetics experts that will illustrate the challenges and scale of their work on the world’s longest running sci-fi show. Autograph and photo opportunities will also be available with attending cast members and there will be official Doctor Who merchandise and collectables on sale.

Matt Smith commented on the announcement:

It’s brilliant that the first official convention is being held in Cardiff, the home of Doctor Who. I’m really looking forward to seeing the fans there, and remember – bow ties are cool!

Steven Moffat said:

A whole weekend dedicated to all things Doctor Who, brilliant! We’re going to be celebrating the whole team behind the show, people who bring to life the Doctor’s craziest adventures and letting fans into some of our trade secrets. If you want to get under the skin of Doctor Who this is an unmissable event!”

Terra Nova remains somewhere between serious science fiction and a family drama held in an exotic location. The special effects have been excellent. Here’s a brief video highlighting some of the effects from the first season:

Robert Hewitt Wolfe is developing a new show for SyFy. The premise: “After decades of war, the newly formed Unity Democracy orders a volatile mix of humans and trans-humans to lead the Starship Defender on an expedition in search of lost worlds requiring law and order.” It sounds a lot like Andromeda, which Wolfe had worked on. Hopefully in terms of quality the show is closer to Star Trek: Deep Space Nine, which Wolfe had also worked on.

Emilie de Ravin, who played Claire on Lost, will become Belle on Once Upon A Time. Reportedly she has some connection to Rumplestiltskin, who does seem to be at the center of things in both worlds. I wonder if both worlds will also have a version of the Beast.

The Fringe Division remains puzzled about Peter Bishop, but at least he has been moved from a cell to Walter’s house which had been sitting empty as the Walter in this timeline is afraid to leave his lab. There is still a guard stationed outside the door. Olivia has caught on that there was something going on between Peter and the Olivia of his timeline. So far Olivia’s desire is for Peter to be able to get back to her. Perhaps that will change over time as some of the interviews I’ve seen suggest that the show will continue in the current timeline for a long time. Above is an interview with Anna Torv.

Epitaph One was a brilliant idea for a clip show after the first season of Dollhouse but it left far too much open to conclude in a single hour. Epitaph Two, the series finale, has the look of a show written to quickly tie everything up with as happy an ending as is possible. (Note major spoilers here).

The episode begins with the people who found the Dollhouse and restored Echo’s memories in a child in Epitaph One but does have them meet up with major characters from the series. (Without any explanation, however, Whiskey is no longer present in the Dollhouse as she was in the first part). When they ultimately reached the safe haven it was disappointing to see it look like little more than a farm house with a handful of people. I imagine we couldn’t expect more for a single episode.

The journey to the safe haven included escaping from Neuropolis, the remains of Rossum’s empire, and rescuing Topher. Rossum was forcing Topher to create a device to wipe the minds of the remaining humans but instead he was working on a way to reverse the mind wipes and restore everyone to their original state. To complete this necessitated a return to the Dollhouse. This led to Paul’s death and a reunion with Alpha, which was happier than anticipated.

Everything was wrapped up far too neatly. The memories were restored, but this doesn’t change the fact that the earth is in ruins and it is possible that the technology could be used again. Problems which grew over the past several years between Tony/Victor (who took on a Mad Max persona) and Priya/Sierra were quickly resolved. It was forgotten that Paul’s feelings for Caroline/Echo had been wiped, but I imagine that the could have returned over a decade. Even Paul’s death led to a happy ending as his memories were added to the large collection in Caroline/Echo’s head, with Echo remaining underground in the Dollhouse for a year to prevent her from reverting to her original state.

Rebirth was the first regular episode of Caprica to air since the pilot which was released on DVD months ago. We know how things ultimately end with the Cylons developing into a robot race which turns on their human masters, but there are many story lines beginning. Whether the show is a success will depend more upon these story lines as opposed to the overall arc.

Much of the show depends upon secrets. Zoe is keeping her presence in the Cylon’s body secret. Her father, while not really knowing she survived, seems to somehow still know she is not totally dead, leaving him uninterested in a memorial service. He is keeping this from Amanda. Amanda is shown to also be oblivious to much of Zoe’s life, including her boy friend. I did find it unrealistic when Amanda learned some information at the end that her first instinct was to speak out in public about her daughter being a terrorist as opposed to protecting her, or at least seeking more information first.

There are additional stories also being developed, from a polygamous relationship which seemed less dramatic as compared to those on Big Love to a young Willie Adama being instructed in a life a crime (which we know he never took up) by an uncle. There is a lot to work with in this series, giving it considerable promise.

The final season of Lost premieres on Tuesday and the first four minutes, including what happens after the bomb goes off, is seen in the video above. There are many interviews with the cast and crew (such as here) but little real information is revealed. The video does reveal, as most suspected, that the explosion would reset everything as opposed to killing off the cast. There has also been speculation as to whether Claire returns alive or as a ghost. Emilie de Ravin did tell TV Guide, “I think I’m alive, as far as I know.” That’s about as definite as anything anyone is saying about the final season.

Blogator Who has posted the audio of an interview with Billie Piper on the Scot Mills Show in which she was asked about a movie adaptation of Doctor Who. Her response: “they are doing it.” Tardis and Torchwood Treasures reports on another interview with Piper in which she says she does not believe she will appear again as Rose.

Despite NBC being desperate to fill five hours left open by Jay Leno returning to The Tonight Show, prospects are not looking good for the pilot David Tennant filmed entitled Rex is Not My Lawyer. The series has been placed on hold and the sets are being taken down.

NBC will also not be filling these hours by airing the BBC version of Merlin as they did last summer but American audiences will still be able to see the second season. Instead of showing it on NBC, it will be shown on SyFy, which is also owned by NBC Universal. I guess now Merlin knows how Conan O’Brien feels. SyFy will also rerun the first season before showing the second. The BBC has also picked up the series for a third season.