Many of us have made simple decisions which changed our lives. It could be as simple as turning right
instead of left at an intersection or
saying "Yes" rather than "No" to an invitiation. For many of us, that change happened after reading a book.
Things weren't quite the same. We saw things differently, we found ourselves wondering different thoughts,
we made decisions for different reasons. We were imbued with a sense of wonder. This series takes a look
at the books that had such an impact.

W.A. Harbinson was born in Belfast, Northern Ireland, in 1941. Leaving school at fourteen years of
age, he became, first, an apprentice fitter in Belfast, then an apprentice Gas Fitter in Liverpool. At nineteen,
he left England to emigrate to Australia, where he joined the Royal Australian Air Force (RAAF) as a trainee
telegraphist, then switched to the medical branch before returning to England in 1967.
He now divides his time between West Cork, Ireland, and Paris, France.
For the past three years, he has been the regular film columnist for the Paris-based English-language
cross-cultural magazine, The Eyes.

'It will end in ten years. Within ten years every major government post will be run from this colony. We have people
everywhere, in every country, in every government, and those people have electrodes in their heads and will do what we tell them.'

My discovery of Genesis came shortly after its first publication, in 1980. Most of my SF purchases were from a
specialist store called Andromeda, located on the outskirts of the city centre in Birmingham, England. This was the place
to go for all those American imports and small press titles that were rarely stocked by British retail chains, in those
days. A vital part of each weekend was to spend some time browsing the packed shelves of Andromeda, looking for something
to transport me to another world. It was the legal alternative to drugs, and in Thatcher's Britain, a necessity.

One Saturday morning, on my way out of the store, a book glinted in a ray of sunlight. It must have been one of the first
to use metallic foil effects as part of its design. The title, Genesis, was in silver, cleverly graduated to produce a
standout 3D effect. But it was the stunning cover image that held my gaze, a glorious mixture of bronze and gold,
depicting some kind of enormous dark circle, descending through night time clouds over an old church. Below the title
were the words 'The epic novel of the world's most fearsome secret.' This, I thought, was something worth a look. So,
taking the book from the shelf I flipped it over and read that Genesis was a novel about a global conspiracy -- remember
this was in an age before conspiracy theory had become an art form -- concerning the enslavement
and subversion of humanity. One man's dream, stretching through time and across icy polar
wastes, to the vacuum of space itself. I'd never heard of the author, W.A. Harbinson, and all I could deduce was that the
price being in sterling meant he was British-based. It was science fiction, but not as I knew it.
Looking at my watch I saw it was almost time to meet my mates in the local pub, but I had a few minutes to spare in which
I decided to see how the book started. Genesis opened with an action sequence, set in 1944 where a B-52 was on
a bombing run over Germany. As bombs explode below, the crew sees balls of crimson light, rising vertically toward
them. Soon they are under attack from what the world would come to know as Foo fighters. After two pages, I was hooked,
and scuttled to the counter to make my purchase.

'The Canadian government has flying saucers. The US government has flying saucers. But someone, somewhere, has flying
saucers so advanced we can't touch them. Those saucers don't come from space.'

At the heart of Genesis is the question of who builds flying saucers and where they come from. The characters
and plot, while hugely entertaining and well written, are subservient to this central enigma. Harbinson's approach was
to tell the story from three sides, with the viewpoint shifting between Epstein and Stanford, an old scientist and his
young sidekick who are eager to solve the mystery, Richard Watson, a student who is abducted and subject mind control
experimentation, and Aldridge, an American traitor whose icy genius almost won WW II for Nazi Germany.
The two investigators and the unfortunate student play out their parts in the present day, which in this case is
the late 70s. Aldrige's story is told mostly in chilling, autobiographical flashback sequences, detailing his
remorseless and relentless quest for scientific perfection at any price. A true epic conspiracy thriller, Genesis
became a bestseller on both sides of the Atlantic, succeeding where many other titles failed. The main reason for this
was that its premise is based on little known but indisputable facts. Information which the author was later to use in
greatly expanded form for a factual work; Project UFO: The Case For Man-Made Flying Saucers. It is this factual
basis which set Genesis above the also rans, and made it a precursor of TV shows such as The X-Files
and Dark Skies. Anyone who reads Genesis with an open mind cannot fail to end with the uneasy suspicion
that, although the author is very clear that his work is fictional, its basic suppositions concerning the real origin of
flying saucers could very easily be correct.

'Surveillance is widespread. Every citizen is on file. The salient facts of every individual human have been fed to
computers. Television mesmerises them. Piped music fills their factories. Credit cards and employment cards have
rendered privacy obsolete. All these people are numbers. Their so-called freedom is an illusion.'

The shocking brilliance of Genesis was rooted in its blend of fact with real world historical characters,
shoehorned into prophetic fiction. I'd never read anything quite like it. The book was a too-close-for-comfort alternate
history, and as time went by has become a warning against the kind of world which is currently being forged by those who
insist security means no privacy. Since its publication, many authors have latched on to the man-made explanation for
UFOs. But no one else has used the theme as convincingly, or with as much attention to verifiable detail. Most published
versions of Genesis carry fourteen pages worth of authors notes, and source references. This information shows
that at the end of WWII a small colony of highly advanced German scientists could have fled to an Antarctic base, carved
under the ice by slave labour. The Nazi's ability to build and maintain huge, underground development facilities is well
documented. Similarly, the secret weapons program of the Luftwaffe included a range of highly advanced technology which
was later used to send man to the Moon, and develop the B2 stealth bomber. Whether an elite Nazi group actually did
establish an impregnable polar colony, is another question. However, the author's notes tell of a 1947 US military
expedition to Antarctica. The largest force ever sent to that region. The force was provisioned for eight months, but
after suffering losses returned to America in a matter of weeks. In almost 60 years since that time, there has been
very little exploitation of the region, and the one thing that all nations with a claim to it have been able to agree
on, is to keep out!

After many years of writing other successful material, under two published identities, W.A. Harbinson eventually
produced a series of novels titled Projeckt Saucer. Book #1: Inception and Book #2: Phoenix,
are prequels to Genesis, (which became Book #3 in the series), with Book #4: Millennium, and
Book #5: Resurrection, as sequels.

If Nathan Brazil were dyslexic, he'd be the dog of the Well world. In reality, he's an English bloke who lives on an island, reading,
writing and throwing chips to the seagulls.
Drop by his web site at www.inkdigital.org.