Aline Biasutto believes that the imperceptible is the starting point. The images she produces
are always fragmentary, incomplete, unclear or frozen in a form of a misleading abstraction.
In the flood of reality, she punctures and tears fragments that are a priori silent when stripped of context.
Between a reality that was (that - fleeting - the time of recording) and perceived (that - subject to
subjectivity - the viewer), would be found in the sensitive potential of the image. What interests her
is precisely this gap, where ambiguity becomes a place of suspension, projection, and the relation-ships between real, representable and visible. In our interview she stated, "When we are shown an image in which the object represented bursts, what is left? (...) I like working in this zone between the conception of the image and it's intended meaning, and that which is cancelled of any meaning"

To understand this idea, you have to think like her, refuse to open your eyes as wide as two mouths
swallowing at once, but also refuse to close them completely. We then enter into that state of "movement/struggling " that characterizes her work. To see the world between batting eyelashes,
between your own palpitations and a filtered vision. The idea that a glance is already a statement
(of oneself, on the world) gives the viewers of her work full power: "Otherness is paramount.
To create an image, you must look at what is outside oneself, look past the mirror. At the same time,
the image is a vehicle between the one who makes it and the viewer. It says as much about the person
who did it than those who look at it. Once I create an image, it is no longer mine. "

At the edge of silence or explosion, the images created in Aline Biasutto's work – limits are pictures
of resistance - to the visible, to their medium, to any interpretation that could be made at the first
glance. To the question, " what can an image produce for you? " She replied, " a scream. "
A primary visual language, almost primitive, that she also associates to a dream of Georg Baselitz: " to paint until invisibility. "