Moritz Daniel Oppenheim (January 7, 1800 in Hanau, Germany – February 26, 1882 in Frankfurt am Main) was a German painter who is often regarded as the first Jewish painter of the modern era. His work was informed by his cultural and religious roots at a time when many of his German Jewish contemporaries chose to convert to Christianity. Oppenheim is considered by the scholar Ismar Schorsch to be in sympathy with the ideals of the Wissenschaft des Judentums movement, because he remained "fair to the present" without denying his past.

Oppenheim's studies of Jewish life, his pictures of Emperor Joseph II and Moses Mendelssohn, and his portraits from life of Ludwig Börne and other contemporary Jewish notables, established his reputation as one of the foremost Jewish artists of the nineteenth century. His Return of the Jewish Volunteer is among his most famous works and was frequently reproduced; others include Mignon and the Harper,Italian Genre Scene,Confirmation, and Sabbath Blessing. All these are characteristic examples of his power of conception and skill at grouping.

1.
Self-portrait
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A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. With better and cheaper mirrors, and the advent of the panel portrait, Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a portrait of his wife, and he belonged to the social group that had begun to commission portraits. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, a self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. Rubenss The Four Philosophers is a good example and this culminated in the 17th century with the work of Jan de Bray. Many artistic media have used, apart from paintings, drawings. In the famous Arnolfini Portrait, Jan van Eyck is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired Diego Velázquez to depict himself in view as the painter creating Las Meninas, as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter, in what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of Biblical scenes, leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often reproduced as Da Vincis appearance, although this is not certain. In the 17th century, Rembrandt painted a range of self-portraits, family and professional group paintings, including the artists depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays a part in self-portraiture. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer if the clothes worn were those they normally painted in. Images of artists at work are encountered in Ancient Egyptian painting, one of the first self-portraits was made by the Pharaoh Akhenatens chief sculptor Bak in 1365 BC

2.
Hanau
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Hanau is a town in the Main-Kinzig-Kreis, in Hesse, Germany. It is located 25 km east of Frankfurt am Main and its station is a major railway junction and it has a port on the river Main, making it an important transport centre. Hanau is known for being the birthplace of Jakob and Wilhelm Grimm, since the 16th century it was a centre of precious metal working with many goldsmiths. It is home to Heraeus, one of the largest family-owned companies in Germany, in 1963, the town hosted the third Hessentag state festival. Until 2005, Hanau was the centre of the Main-Kinzig-Kreis. The historic core of Hanau is situated within a semicircle of the river Kinzig which flows into the river Main just west of the town, after this change, Hanau for the first time also extended to the south bank of the Main river. The name is derived of Hagenowe which is an out of Haag. As a place of settlement Hanau was first mentioned in 1143, then it was the site of a castle which used the waters of the river Kinzig as a defense. The castle belonged to a family, calling themselves of Hanau since the 13th century. Starting from this castle a village developed and became a town in 1303, as a result of this history, the main church of Hanau stood outside its walls in the village of Kinzdorf. The villagers moved into the town, Kinzdorf became a village leaving only the church. Only in the 15th century was the status of the Hanau parish church transferred to the church of Mary Magdalene within the town walls, shortly after the first town walls were built at the beginning of the 14th century, the town outgrew this limit. These new fortifications enclosed three elements, The medieval castle, the town of Hanau and the Vorstadt. At the end of the 16th century, Count Philipp Ludwig II attracted Protestant refugees from the Netherlands and this was of high economic interest for him because these Walloons brought high-class trade, their knowledge of jewellery and other production of luxury items and therefore taxes to his county. Out of this tradition, goldsmiths are still trained in Hanau, Hanau also was the site of the first workshop to produce Faience within Germany. These new citizens were granted privileges and they formed their own community, church and it took more than 200 years to amalgamate both. The new town – larger than the old one – was protected by a very modern fortification in Baroque-style which proved a big asset only a few years later in the Thirty Years War. The town survived a siege in 1637 with only minor damage, in 1736 Johann Reinhard III of Hanau-Lichtenberg, the last of the Counts of Hanau, died

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Frankfurt
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The city is at the centre of the larger Frankfurt Rhine-Main Metropolitan Region, which has a population of 5.8 million and is Germanys second-largest metropolitan region after Rhine-Ruhr. Since the enlargement of the European Union in 2013, the centre of the EU is about 40 km to the east of Frankfurts CBD. Frankfurt is culturally and ethnically diverse, with half of the population. A quarter of the population are foreign nationals, including many expatriates, Frankfurt is an alpha world city and a global hub for commerce, culture, education, tourism and traffic. Its the site of many global and European headquarters, Frankfurt Airport is among the worlds busiest. Automotive, technology and research, services, consulting, media, Frankfurts DE-CIX is the worlds largest internet exchange point. Messe Frankfurt is one of the worlds largest trade fairs, major fairs include the Frankfurt Motor Show, the worlds largest motor show, the Music Fair, and the Frankfurt Book Fair, the worlds largest book fair. Frankfurt is home to educational institutions, including the Goethe University, the UAS, the FUMPA. Its renowned cultural venues include the concert hall Alte Oper, Europes largest English Theatre and many museums, Frankfurts skyline is shaped by some of Europes tallest skyscrapers. In sports, the city is known as the home of the top football club Eintracht Frankfurt, the basketball club Frankfurt Skyliners, the Frankfurt Marathon. Its the seat of German sport unions for Olympics, football, Frankfurt is the largest financial centre in continental Europe. It is home to the European Central Bank, Deutsche Bundesbank, Frankfurt Stock Exchange, the Frankfurt Stock Exchange is one of the worlds largest stock exchanges by market capitalization and accounts for more than 90 percent of the turnover in the German market. Frankfurt is considered a city as listed by the GaWC groups 2012 inventory. Among global cities it was ranked 10th by the Global Power City Index 2011, among financial centres it was ranked 8th by the International Financial Centers Development Index 2013 and 9th by the Global Financial Centres Index 2013. Its central location within Germany and Europe makes Frankfurt a major air, rail, Frankfurt Airport is one of the worlds busiest international airports by passenger traffic and the main hub for Germanys flag carrier Lufthansa. Frankfurter Kreuz, the Autobahn interchange close to the airport, is the most heavily used interchange in the EU, in 2011 human-resource-consulting firm Mercer ranked Frankfurt as seventh in its annual Quality of Living survey of cities around the world. According to The Economist cost-of-living survey, Frankfurt is Germanys most expensive city, Frankfurt has many high-rise buildings in the city centre, forming the Frankfurt skyline. It is one of the few cities in the European Union to have such a skyline and because of it Germans sometimes refer to Frankfurt as Mainhattan, the other well known and obvious nickname is Bankfurt

5.
Bertel Thorwaldsen
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Bertel Thorvaldsen was a Danish/Icelandic sculptor of international fame, who spent most of his life in Italy. Thorvaldsen was born in Copenhagen into a Danish/Icelandic family of humble means, working part-time with his father, who was a wood carver, Thorvaldsen won many honors and medals at the academy. He was awarded a stipend to travel to Rome and continue his education, in Rome, Thorvaldsen quickly made a name for himself as a sculptor. Maintaining a large workshop in the city, he worked in a heroic neo-classicist style and his patrons resided all over Europe. Upon his return to Denmark in 1838, Thorvaldsen was received as a national hero, the Thorvaldsen Museum was erected to house his works next to Christiansborg Palace. Thorvaldsen is buried within the courtyard of the museum, in his time, he was seen as the successor of master sculptor Antonio Canova. His strict adherence to classical norms has tended to estrange modern audiences, Thorvaldsen was born in Copenhagen in 1770, the son of Gottskálk Þorvaldsson, an Icelander who had settled in Denmark. Thorvaldsens mother was Karen Dagnes, a Jutlandic peasant girl and his birth certificate and baptismal records have never been found, and the only record is of his confirmation in 1787. Thorvaldsen had claimed descent from Snorri Thorfinnsson, the first European born in America, Thorvaldsens childhood in Copenhagen was humble. His father had a habit that slowed his career. Nothing is known of Thorvaldsens early schooling, and he may have been schooled entirely at home and he never became good at writing, and he never acquired much of the knowledge of fine culture that was expected from an artist. In 1781, by the help of friends, eleven-year-old Thorvaldsen was admitted to Copenhagens Royal Danish Academy of Art first as a draftsman. At night he would help his father in the wood carving, among his professors were Nicolai Abildgaard and Johannes Wiedewelt, who are both likely influences for his later neo-classicist style. At the Academy he was praised for his works and won all the prizes from the small Silver Medal to the large Gold Medal for a relief of St. Peter healing the crippled beggar in 1793. As a consequence, he was granted a Royal stipend, enabling him to complete his studies in Rome. Leaving Copenhagen on August 30 on the frigate Thetis, he landed in Palermo in January 1797 traveled to Naples where he studied for a month before making his entry to Rome on 8 March 1797. Since the date of his birth had never recorded, he celebrated this day as his Roman birthday for the rest of his life. In Rome he lived at Via Sistina in front of the Spanish Steps and had his workshop in the stables of the Palazzo Barberini and he was taken under the wing of Georg Zoëga a Danish archeologist and numismatist living in Rome

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Barthold Georg Niebuhr
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Barthold Georg Niebuhr was a Danish-German statesman, banker, and historian who became Germanys leading historian of Ancient Rome and a founding father of modern scholarly historiography. Classical Rome caught the admiration of German thinkers, by 1810 Niebuhr was inspiring German patriotism in students at the University of Berlin by his analysis of Roman economy and government. Niebuhr was a leader of the Romantic Era and symbol of German national spirit that emerged after the defeat at Jena, Niebuhr was born in Copenhagen, the son of Carsten Niebuhr, a prominent German geographer resident in the city. His father provided his early education, the precocious young Niebuhr by 1794 was already an accomplished classical scholar and who read several languages. That year he entered the University of Kiel, where he studied law, There he formed an important friendship of his life, that with Madame Hensler, the widowed daughter-in-law of one of the professors, six years older than himself. He also made the acquaintance of her sister, Amelie Behrens, in 1796, he left Kiel to become private secretary to the Danish finance minister, Count Schimmelmann. But in 1798 he gave up this appointment and traveled in Great Britain, spending a year at Edinburgh studying agriculture, of his stay in Great Britain, he said “my early residence in England gave me one important key to Roman history. It is necessary to know civil life by personal observation in order to such states as those of antiquity. I never could have understood a number of things in the history of Rome without having observed England. ”In 1799 he returned to Denmark, in 1804 he became chief director of the national bank. After the death of his first wife in 1816 Niebuhr married Margarete Henslen, with whom he had one son, Marcus, in September 1806, he quit the Denmark post for a similar appointment in Prussia. He showed much business ability in his work, which he attributed to his life in England and Scotland. He arrived in Prussia on the eve of the catastrophe of Jena and he was also for a short time Prussian minister in the Netherlands, where he endeavoured without success to fund a loan. He commenced his lectures with a course on the history of Rome, the first two volumes, based upon his lectures, were published in 1812, but attracted little attention at the time owing to the absorbing interest of political events. In 1813 Niebuhrs own attention was diverted from history by the uprising of the German people against Napoleon, he entered the Landwehr, in 1815 he lost both his father and his wife. He next accepted the post of ambassador at Rome, before his departure for Rome, he married his wifes niece. He also, on a home from Italy, deciphered in a palimpsest at the Abbey of St. Gall the fragments of Flavius Merobaudes. As minister, he brought about the understanding between Prussia and the Pope signalized by the bull De salute animarum in 1821, Niebuhr was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1822. In 1823 he resigned the position in Rome and established himself at Bonn and he also assisted in August Bekkers edition of the Byzantine historians, and delivered courses of lectures on ancient history, ethnography, geography, and on the French Revolution

7.
Friedrich Overbeck
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Johann Friedrich Overbeck was a German painter and member of the Nazarene movement. Born in Lübeck, his ancestors for three generations had been Protestant pastors, his father Christian Adolph Overbeck was doctor of law, poet, mystic pietist and burgomaster of Lübeck. The young artist left Lübeck in March 1806, and entered as student the academy of Vienna, while Overbeck clearly accrued some of the polished technical aspects of the neoclassic painters, he was alienated by lack of religious spirituality in the themes chosen by his masters. After four years, their differences between his group and others in the academy had grown so irreconcilable, that Overbeck and his followers were expelled and he left for Rome, where he arrived in 1810, carrying his half-finished canvas of Christs Entry into Jerusalem. Rome became for 59 years the centre of his labor, Overbeck in 1813 joined the Roman Catholic Church, and thereby he believed that his art received Christian baptism. The subjects which fell to the lot of Overbeck were the Seven Years of Famine and Joseph sold by his Brethren, after ten years delay, the overtaxed and enfeebled painter delegated the completion of the frescoes to his friend Joseph von Führich. Overbeck was elected a Foreign Honorary Member of the American Academy of Arts and he was interred in the church of San Bernardo alle Terme. Portrait of the Painter Franz Pforra Vittoria Caldoni Christs Entry into Jerusalem, christus am Ölberg Italy and Germany Christs Agony in the Garden, in the great hospital, Hamburg. Lo Sposalizio, Muzeum Narodowe, Poznań, Poland, the Triumph of Religion in the Arts, in the Städel Institute, Frankfurt. Lamentation of Christ The Incredulity of St. Thomas, first in the possession of Beresford Hope, London, now in the Schäfer collection, Schweinfurt, the Assumption of the Madonna, in Cologne Cathedral. The Ascension of the Virgin Mary Christ Delivered from the Jews, tempera, the Seven Sacraments Baptism 1862–64, Neue Pinakothek, Munich Drawings for the frescoes for the Cathedral of St. Peter and St. Paul in Đakovo. His nephew Johannes Overbeck, a professor of archaeology at the University of Leipzig, was noted for his work in art history, in 1843 the Church of St. John the Baptist, Penymynydd, North Wales was built by the Glynne Family of Hawarden, Flintshire. The first vicar, Rev. Lionel Gossman, “Making of a Romantic Icon, The Religious Context of Friedrich Overbeck’s ‘Italia und Germania. ’” American Philosophical Society,2007. At dianepub. wordpress. com This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Overbeck. Thurston, H. T. Colby, F. M. eds, Johann Friedrich Overbeck in the History of Art Italy and Germany Reproduction Overbeck by J

8.
Mortara case
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The Mortara case was an Italian cause célèbre that captured the attention of much of Europe and North America in the 1850s and 1860s. Mortara grew up as a Catholic under the protection of Pope Pius IX—who refused his parents desperate pleas for his return—and eventually became a priest, the domestic and international outrage against the pontifical states actions may have contributed to its downfall amid the unification of Italy. Police came to the Mortara home late on 23 June 1858, international protests mounted, but the Pope would not be moved. After pontifical rule in Bologna ended in 1859, Father Feletti was prosecuted for his role in Mortaras seizure, with the Pope as a substitute father, Mortara trained for the priesthood in Rome until the Kingdom of Italy captured the city in 1870, ending the Papal States. Leaving the country, he was ordained in France three years later at the age of 21, Father Mortara spent most of his life outside Italy and died in Belgium in 1940, aged 88. For many, the Vaticans actions encapsulated all that was wrong with the Papal States and exposed pontifical rule as an anachronism. Several historians highlight the affair as one of the most significant events of Pius IXs papacy, the case notably altered the policy of the French Emperor Napoleon III, who shifted from opposing the movement for Italian unification to actively supporting it. For more than a millennium, starting around 754, the Papal States were territories in Italy under the sovereign rule of the Pope. The Catholic Churchs control over Rome and a swathe of central Italy was generally seen as a manifestation of the Popes secular temporal power. The French occupation during the 1790s had led the Popes popularity and spiritual authority to greatly increase, the historian David Kertzer suggests that by the 1850s what had once appeared so solid—a product of the divine order of things—now seemed terribly fragile. When the revolutions of 1848 broke out, however, he refused to support a campaign against the Austrian Empire. Rome was thereafter guarded by French troops while Austrians garrisoned the rest of the Papal States, Pope Pius shared the traditional pontifical view that the Papal States were essential to his independence as head of the Catholic Church. He regained some of his popularity during the 1850s, but the drive for Italian unification spearheaded by the Kingdom of Sardinia continued to unsettle him and he had also torn down the gates of the Roman Ghetto despite the objections of many Christians. However, Jews remained under many restrictions and the vast majority lived in the ghetto. The family had moved in 1850 from the Duchy of Modena, Bolognas Jewish population of about 900 had been expelled in 1593 by Pope Clement VIII. Some Jews, mostly merchants like Edgardos father, had started to settle in Bologna again during the 1790s, the Jews of Bologna practised Judaism discreetly, with neither a rabbi nor a synagogue. In practice Church authorities turned an eye, and almost every Jewish family in Bologna employed at least one Catholic woman. A few months after Edgardos birth, the Mortara family engaged a new servant, Anna Nina Morisi, like all her family and friends, Morisi was illiterate

9.
Leopold Zunz
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Leopold Zunz was the founder of academic Judaic Studies, the critical investigation of Jewish literature, hymnology and ritual. Zunzs historical investigations and contemporary writings had an important influence on contemporary Judaism, Leopold Zunz was born at Detmold, the son of Talmud scholar Immanuel Menachem Zunz and Hendel Behrens, the daughter of Dov Beer, an assistant cantor of the Detmold community. The year following his birth his family moved to Hamburg, where, as a boy, he began learning Hebrew grammar, the Pentateuch. His father, who was his first teacher, died in July 1802 and he subsequently gained admission to the Jewish free school founded by Philipp Samson, in Wolfenbüttel. Departing from home in July 1803, he saw his mother for the last time, a turning point in Zunzs development came in 1807, when Samuel Meyer Ehrenberg, a reform-minded educator, took over the directorship of the Samson School. He settled in Berlin in 1815, studying at the University of Berlin and he was ordained by the Hungarian rabbi Aaron Chorin, an early supporter of religious reform, and served for two years teaching and giving sermons in the Beer reformed synagogue in Berlin. He found the career uncongenial, and in 1840 he was appointed director of a Lehrerseminar, Zunz was always interested in politics, and in 1848 addressed many public meetings. In 1850 he resigned his headship of the Teachers Seminary, and was awarded a pension, in 1823, Zunz became the editor of the Zeitschrift für die Wissenschaft des Judenthums. The ideals of this Verein were not destined to bear religious fruit, Zunz took no large share in Jewish reform, but never lost faith in the regenerating power of science as applied to the traditions and literary legacies of the ages. He influenced Judaism from the rather than from the pulpit. Further, Isidore Singer and Emil Hirsch have stated that the point of protest against Reform was directed against Samuel Holdheim, later in life Zunz went so far as to refer to rabbis as soothsayers and quacks. The violent outcry raised against the Talmud by some of the spirits of the Reform party was repugnant to Zunzs historic sense. Zunz himself was inclined to assign a determinative potency to sentiment. Although Zunz kept to the Jewish ritual practises, he understood them as symbols and this contrasts with the traditional view of the validity of divine ordinances according to which the faithful are bound to observe without inquiry into their meaning. His position accordingly approached that of the symbolists among the reformers who insisted that symbols had their function and he emphasized most strongly the need of a moral regeneration of the Jews. He wrote precise philological studies but also impassioned speeches on the Jewish nation, in 1840 he became director of the Berlin Jewish Teachers Seminary. He was friendly with the traditional Enlightenment figure Nachman Krochmal whose Moreh Nebuke ha-Zeman, was edited, according to the authors last will, Zunz died in Berlin in 1886. Zunz believed that only an approach to Jewish texts and a comprehensive and interdisciplinary academic framework would allow for the adequate study of Jewish themes

10.
Fanny Mendelssohn
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Fanny Mendelssohn, later Fanny Mendelssohn Bartholdy and, after her marriage, Fanny Hensel, was a German pianist and composer. She composed over 460 pieces of music and her compositions include a piano trio and several books of solo piano pieces and songs. A number of her songs were published under her brother, Felix Mendelssohns. Her piano works are often in the manner of songs, and she also wrote, amongst other works for the piano, a cycle of pieces depicting the months of the year, Das Jahr. The music was written on coloured sheets of paper, and illustrated by her husband Wilhelm Hensel, each piece was also accompanied by a short poem. Mendelssohn was born in Hamburg, the oldest of four children and she was descended on both sides from distinguished Jewish families, her parents were Abraham Mendelssohn, and Lea, née Salomon, a granddaughter of the entrepreneur Daniel Itzig. She was not however brought up as Jewish, and never practised Judaism and she received her first piano instruction from her mother, who had been trained in the Berliner-Bach tradition by Johann Kirnberger, who was himself a student of Johann Sebastian Bach. Thus as a 13 year old, Fanny could already play all 24 Preludes from Bachs The Well-Tempered Clavier by heart and she studied briefly with the pianist Marie Bigot in Paris, and finally with Ludwig Berger. In 1820 Fanny, along with her brother Felix, joined the Sing-Akademie zu Berlin which was led by Carl Friedrich Zelter and this child is really something special. Much later, in an 1831 letter to Goethe, Zelter described Fannys skill as a pianist with the highest praise for a woman at the time, both Fanny and Felix received instruction in composition with Zelter starting in 1819. Fanny showed prodigious ability as a child and began to write music. Visitors to the Mendelssohn household in the early 1820s, including Ignaz Moscheles, however, Fanny was limited by prevailing attitudes of the time toward women, attitudes apparently shared by her father, who was tolerant, rather than supportive, of her activities as a composer. Her father wrote to her in 1820 Music will perhaps become his profession, while for you it can, although Felix was privately broadly supportive of her as a composer and a performer, he was cautious of her publishing her works under her own name. He wrote, From my knowledge of Fanny I should say that she has neither inclination nor vocation for authorship and she is too much all that a woman ought to be for this. She regulates her house, and neither thinks of the public nor of the world, nor even of music at all. Publishing would only disturb her in these, and I cannot say that I approve of it, the siblings shared a great passion for music. Felix did arrange with Fanny for some of her songs to be published under his name, in turn Fanny helped Felix by constructive criticism of pieces and projects, which he always considered very carefully. In 1829, after a courtship of several years, Fanny married the painter Wilhelm Hensel and her husband was supportive of her composing

11.
Wissenschaft des Judentums
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The first organized attempt at developing and disseminating Wissenschaft des Judentums was the Verein für Kultur und Wissenschaft der Juden, founded around 1819 by Eduard Gans, and his associates. Other members included Heinrich Heine, Leopold Zunz, Moses Moser and it was an attempt to provide a construct for the Jews as a Volk or people in their own right, independent of their religious traditions. As such it sought to validate their secular cultural traditions as being on a footing with those adduced by Johann Gottfried Herder. Immanuel Wolf’s influential essay Über den Begriff einer Wissenschaft des Judentums of 1822, has such ideas in mind, the historian Amos Elon, in his book The Pity of it All, places the movement in the context of anti-Semitic riots in Germany in 1819. Leopold Zunz, one of the leading figures, devoted much of his work to rabbinic literature. At the time, Christian thinkers maintained that the Jews contribution ended with the Bible and his essays Etwas über die rabbinische Literatur and Zur Geschichte und Literatur addressed this issue. His biography of Rashi of Troyes was pivotal, when the Prussian government forbade preaching sermons in German synagogues, on the grounds that the sermon was an exclusively Christian institution, Zunz wrote History of the Jewish Sermon in 1832. This work has described as the most important Jewish book published in the 19th century. It lays down principles for the investigation of the Rabbinic exegesis, in a foreshadowing of the reform movement, Zunz often led services, which were accompanied by an organ, in the vernacular German, rather than Hebrew. Wissenschaft des Judentums was not restricted to progressive Judaism, in 1873, Israel Hildesheimer founded the neo-orthodox modern Rabbinerseminar in Berlin. One of its most prominent scholars, David Hoffmann, defended a literal reading of the Biblical word which he understood to be the product of divine revelation. It was this essentially religious nature of Wissenschaft des Judentums that made it more dangerous in the eyes of its opponents. Christians even thought that a liberal form of Judaism would attract converts, or would keep Jews from converting to Christianity. In the Wissenschaft approach to scholarship, then, the generations of scholars become de-sanctified and re-humanized. The Wissenschaft scholars, while respectful of their predecessors, have no patience for a such as yeridat ha-dorot. No doubt this de-sanctification of the Jewish luminaries provided further grist for the opponents of the movement, the choice of English over German as the language for this epochal work is a further sign that an era of German scholarship was drawing to a close. The Wissenschaft movement drew criticism from elements in the Jewish community, who regarded it as sterile at best. A key opposition leader was Samson Raphael Hirsch, the Orthodox orientation of Wissenschaft figures such as David Zvi Hoffmann did not spare them from Hirschs condemnation

12.
Orthodox Judaism
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Orthodox Judaism includes movements such as Modern Orthodox Judaism and Ultra-Orthodox or Haredi Judaism. As of 2001, Orthodox Jews and Jews affiliated with an Orthodox synagogue accounted for approximately 50% of British Jews,26. 5% of Israeli Jews, among those affiliated to a synagogue body, Orthodox Jews represent 70% of British Jewry, and 27% of American Jewry. Orthodoxy is not one single movement or school of thought, there is no single rabbinical body to which all rabbis are expected to belong, or any one organization representing member congregations. In the 20th century, a segment of the Orthodox population disagreed with Modern Orthodoxy, such rabbis viewed innovations and modifications within Jewish law and customs with extreme care and caution. This form of Judaism may be referred to as Haredi Judaism or Ultra-Orthodox Judaism, several local Jewish papers, including New Yorks Jewish Week and Philadelphias Jewish Exponent have also dropped use of the term. According to Rabbi David Bar-Hayim, the term Orthodox Judaism was coined as a response to the rise of Reform Judaism in early 19th century Germany, some researchers attempted to argue that the importance of daily practice and punctilious adherence to Jewish Law relegated theoretical issues to an ancillary status. Others dismissed this view entirely, citing the many debates in ancient rabbinic sources which castigated various heresies without any reference to observance, however, while lacking a uniform doctrine, Orthodox Judaism is basically united in affirming several core beliefs, disavowal of which is considered major blasphemy. As in other aspects, Orthodox positions reflect the mainstream of traditional Rabbinic Judaism through the ages, attempts to codify these were undertaken by several medieval authorities, including Saadia Gaon and Joseph Albo. Yet the 13 Fundamentals expounded by Maimonides in his Commentary on the Mishnah, but in recent centuries the 13 Principles became standard, and are considered binding and cardinal by Orthodox authorities in a virtually universal manner. More specific doctrines refer to the times of Godly salvation and afterlife – in Judaism, Olam haBa and these include belief in divine reward for those who observe the Lords commandments and likewise, punishment meted unto the transgressors. Maimonides reserved one article for this tenet, oft mentioned in sources, stating merely that God rewards. This issue has been subject to debate and interpretation. Nahmanides offered a comprehensive system, with divine remuneration for better or worse both in this world, via natural means, and in a celestial heaven and hell. One of the most important teachings concerning afterlife in Judaism is the Resurrection of the Dead, the Talmud listed deniers of this faith as heretics who shall have no part in the World to Come. Maimoindes specified it apart as a separate article and this particular notion is closely linked with Reward and Punishment. They will live ordinary, corporeal life but will not die, then all mankind shall be resuscitated and be given each his just due. The eternal reward shall be preserved for their soul, as beforehand, preceding the miraculous events linked with afterlife is the Advent of the Messiah, also independently listed among Maimonides Thirteen as a tenet of faith. Orthodox Judaism maintains the historical understanding of Jewish identity, a Jew is someone who was born to a Jewish mother, or who converts to Judaism in accordance with Jewish law and tradition

13.
Benjamin Prins
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Benjamin Liepman Prins was a Dutch genre artist. Benjamin Liepman Prins was born in Arnhem, the Netherlands on January 21,1860 and he was the third of six children from Liepman Philip Prins first wife, Henrietta Prins-Jacobson. Prins showed a talent for art and went to study with Professor August Allebé in the Rijksakademie in Amsterdam. Prins joined Allebé’s class around the year 1877 and studied him for five years. His father, Liepman Philip Prins, worked in the carpet business for many years. After he reached middle age, Liepman decided to devote the rest of his life to serious and exhaustive torah study and these scholarly interests and associations would later have great impact on Benjamins life. In 1885 Liepman Philip Prins took his family to Frankfurt, where he continued to study and write on a variety of Jewish and general subjects. During a visit with the family there, Benjamin met Rosa Benari and they had two daughters, Gretha and Molly. His brother-in-law Jacob Eisenmann founded the Eisenmann Synagogue in Antwerp, Prins artistic nature found expression not only in his art work but also in the company he kept. His wife, a niece, and his good friend Max Liebermann demonstrate that he had a close circle of family. In the late century, an artist was not considered a respectable profession. Vivian Prins, grandson of Benjamin Prins brother Maurits, writes in 1996, in those days, the very rectitude of the middle classs attitudes of the Prins family, in a sense made Uncle Ben something of an oddity and almost an outsider. I should like to hasten to assure you that Uncle Ben was entirely respectable, Prins happy disposition is found in his cheerful works of art. They show a beauty and serenity in the bourgeoisie, his favorite subjects and his genre paintings, traditional in Dutch culture, are filled with a quiet happiness and humor. Prins painting Twijfel depicts a woman holding a hammer while staring at a piggy bank. The woman has mixed emotions about breaking the bank as can be seen from the glint in her eyes. The title of this painting as well as the composition attests to Prins sense of humor and he studied with Verlat for two years. Verlat was known to seek the beauty in reality, and Prins took this search to more levels, seeking to understand the beauty of the inner soul

14.
Johann Friedrich Overbeck
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Johann Friedrich Overbeck was a German painter and member of the Nazarene movement. Born in Lübeck, his ancestors for three generations had been Protestant pastors, his father Christian Adolph Overbeck was doctor of law, poet, mystic pietist and burgomaster of Lübeck. The young artist left Lübeck in March 1806, and entered as student the academy of Vienna, while Overbeck clearly accrued some of the polished technical aspects of the neoclassic painters, he was alienated by lack of religious spirituality in the themes chosen by his masters. After four years, their differences between his group and others in the academy had grown so irreconcilable, that Overbeck and his followers were expelled and he left for Rome, where he arrived in 1810, carrying his half-finished canvas of Christs Entry into Jerusalem. Rome became for 59 years the centre of his labor, Overbeck in 1813 joined the Roman Catholic Church, and thereby he believed that his art received Christian baptism. The subjects which fell to the lot of Overbeck were the Seven Years of Famine and Joseph sold by his Brethren, after ten years delay, the overtaxed and enfeebled painter delegated the completion of the frescoes to his friend Joseph von Führich. Overbeck was elected a Foreign Honorary Member of the American Academy of Arts and he was interred in the church of San Bernardo alle Terme. Portrait of the Painter Franz Pforra Vittoria Caldoni Christs Entry into Jerusalem, christus am Ölberg Italy and Germany Christs Agony in the Garden, in the great hospital, Hamburg. Lo Sposalizio, Muzeum Narodowe, Poznań, Poland, the Triumph of Religion in the Arts, in the Städel Institute, Frankfurt. Lamentation of Christ The Incredulity of St. Thomas, first in the possession of Beresford Hope, London, now in the Schäfer collection, Schweinfurt, the Assumption of the Madonna, in Cologne Cathedral. The Ascension of the Virgin Mary Christ Delivered from the Jews, tempera, the Seven Sacraments Baptism 1862–64, Neue Pinakothek, Munich Drawings for the frescoes for the Cathedral of St. Peter and St. Paul in Đakovo. His nephew Johannes Overbeck, a professor of archaeology at the University of Leipzig, was noted for his work in art history, in 1843 the Church of St. John the Baptist, Penymynydd, North Wales was built by the Glynne Family of Hawarden, Flintshire. The first vicar, Rev. Lionel Gossman, “Making of a Romantic Icon, The Religious Context of Friedrich Overbeck’s ‘Italia und Germania. ’” American Philosophical Society,2007. At dianepub. wordpress. com This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Overbeck. Thurston, H. T. Colby, F. M. eds, Johann Friedrich Overbeck in the History of Art Italy and Germany Reproduction Overbeck by J

15.
Nazi ghettos
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In German documents, and signage at ghetto entrances, the Nazis usually referred to them as Jüdischer Wohnbezirk or Wohngebiet der Juden, both of which translate as the Jewish Quarter. There were several types including open ghettos, closed ghettos, work, transit. In a number of cases, they were the place of Jewish underground resistance against the German occupation, the first anti-Jewish measures were enacted in Germany with the onset of Nazism, without the actual ghettoization planning for the German Jews which was rejected in the post-Kristallnacht period. The first ghetto of World War II was established on 8 October 1939 at Piotrków Trybunalski, the first large metropolitan ghetto known as the Łódź Ghetto followed them in April 1940, and the Warsaw Ghetto in October. Most Jewish ghettos were established in 1940 and 1941, subsequently, many ghettos were sealed from the outside, walled off with brickwork, or enclosed with barbed wire. In the case of sealed ghettos, any Jew found leaving them could be shot. The Warsaw Ghetto, located in the heart of the city, was the largest ghetto in Nazi occupied Europe, the Łódź Ghetto was the second largest, holding about 160,000 people. According to the United States Holocaust Memorial Museum archives, there were at least 1,000 such ghettos in German-occupied and annexed Poland, Ghettos across Eastern Europe varied in their size, scope and living conditions. The conditions in the ghettos were generally brutal, in Warsaw, the Jews, comprising 30% of the city overall population, were forced to live in 2. 4% of the citys area, a density of 7.2 people per room. In the ghetto of Odrzywół,700 people lived in an area occupied by five families. With the crowded living conditions, starvation diets, and insufficient sanitation, in the Łódź Ghetto some 43,800 people died of natural causes,76,000 in the Warsaw Ghetto before July 1942. To prevent unauthorised contact between the Jewish and non-Jewish populations, German Order Police formations were assigned to patrol the perimeter, within each ghetto, a Jewish Police force was created to ensure that no prisoners tried to escape. In general terms, there were three types of ghettos maintained by the Nazi administration, there were severe restrictions on entering and leaving them. Closed or sealed ghettos were situated mostly in German-occupied Poland and they were surrounded by brick walls, fences or barbed wire stretched between posts. Jews were not allowed to live in any other areas under the threat of capital punishment, in the closed ghettos the living conditions were the worst. The quarters were extremely crowded and unsanitary, starvation, chronic shortages of food, lack of heat in winter and inadequate municipal services led to frequent outbreaks of epidemics such as dysentery and typhus and to a high mortality rate. Most Nazi ghettos were of particular type. The Jewish population was imprisoned in them only to be deported or shot out of town by the German killing squads often with the aid of local collaborationist Auxiliary Police battalions and those parts of the city outside the walls of the Jewish Quarter were called Aryan

16.
David
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David was, according to the Hebrew Bible, the second king of the United Kingdom of Israel and Judah, reigning in c. He is described as a man after Gods own heart in 1 Samuel 13,14 and Acts 13,22. The Hebrew prophets regarded him as the ancestor of the future messiah, the New Testament says he was an ancestor of Jesus. God is angered when Saul, Israels king, unlawfully offers a sacrifice and later disobeys a divine instruction to not only all of the Amalekites. Consequently, he sends the prophet Samuel to anoint David, the youngest son of Jesse of Bethlehem, God sends an evil spirit to torment Saul. Sauls courtiers recommend that he send for David, a man skillful on the lyre, wise in speech, and brave in battle. So David enters Sauls service as one of the royal armour-bearers, and plays the lyre to soothe the king, war comes between Israel and the Philistines, and the giant Goliath challenges the Israelites to send out a champion to face him in single combat. David, sent by his father to bring provisions to his brothers serving in Sauls army, refusing the kings offer of the royal armour, he kills Goliath with his sling. Saul inquires the name of the heros father. Saul sets David over his army, all Israel loves David, but his popularity causes Saul to fear him. Saul plots his death, but Sauls son Jonathan, one of those who loves David, warns him of his fathers schemes and David flees. He becomes a vassal of the Philistine king Achish of Gath, but Achishs nobles question his loyalty, Jonathan and Saul are killed, and David is anointed king over Judah. In the north, Sauls son Ish-Bosheth is anointed king of Israel, with the death of Sauls son, the elders of Israel come to Hebron and David is anointed king over all Israel. He conquers Jerusalem, previously a Jebusite stronghold, and makes it his capital. He brings the Ark of the Covenant to the city, intending to build a temple for God, Nathan also prophesies that God has made a covenant with the house of David, Your throne shall be established forever. David wins more victories over the Philistines, while the Moabites, Edomites, Amalekites, Ammonites, during a battle to conquer the Ammonite capital of Rabbah, David seduces Bathsheba and causes the death of her husband Uriah the Hittite. In response, Nathan prophesies the punishment that shall fall upon him, in fulfillment of these words Davids son Absalom rebels. The rebellion ends at the battle of the Wood of Ephraim, Absaloms forces are routed, and Absalom is caught by his long hair in the branches of a tree, and killed by Joab, contrary to Davids order. Joab was the commander of Davids army, David laments the death of his favourite son, O my son Absalom, my son, my son Absalom

17.
Saul
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Saul, according to the Hebrew Bible, was the first king of the Kingdom of Israel and Judah. His reign, traditionally placed in the late 11th century BCE, Sauls life and reign are described in the Hebrew Bible. He was anointed by the prophet Samuel and reigned from Gibeah and he fell on his sword to avoid capture in the battle against the Philistines at Mount Gilboa, during which three of his sons were also killed. The succession to his throne was contested by Ish-bosheth, his surviving son, and his son-in-law David. A similar yet different account of Sauls life may be given in the Quran, according to the New Testament account, Saul reigned for a period of forty years. The Biblical accounts of Sauls life are found in the Books of Samuel, the narrative contains various internal inconsistencies, to the point that his biography is often embarrassingly confusing. According to the Tanakh, Saul was the son of Kish, of the family of the Matrites, and it appears that he came from Gibeah. Saul married Ahinoam, daughter of Ahimaaz and they had four sons and two daughters. The sons were Jonathan, Abinadab, Malchishua and Ish-bosheth and their daughters were named Merab and Michal. Saul also had a concubine named Rizpah, daughter of Aiah, Saul died at the Battle of Mount Gilboa, and was buried in Zelah, in the region of Benjamin. Three of Sauls sons – Jonathan, and Abinadab, and Malchishua – died with him at Mount Gilboa, Ish-bosheth became king of Israel, at the age of forty. At Davids request Abner had Michal returned to David, Ish-bosheth reigned for two years, but after the death of Abner, was killed by two of his own captains. Armoni and Mephibosheth were given by David along with the five sons of Merab to the Gibeonites, the only male descendant of Saul to survive was Mephibosheth, Jonathans lame son, who had been five when his father and grandfather Saul had died in battle. In time, he came under the protection of David, Mephibosheth had a young son, Micah, who had four sons and descendants named until the ninth generation. The Books of Samuel give three differing accounts of Sauls rise to the throne, Saul is sent with a servant to look for his fathers strayed donkeys. Leaving his home at Gibeah, they arrive at the district of Zuph. Sauls servant tells him that they happen to be near the town of Ramah, where a famous seer is located, the seer offers hospitality to Saul and later anoints him in private. A popular movement having arisen to establish a centralized monarchy like other nations, after having been chosen as monarch, Saul returns to his home in Gibeah, along with a number of followers

18.
Johann Wolfgang von Goethe
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Johann Wolfgang von Goethe was a German writer and statesman. In addition, numerous literary and scientific fragments, more than 10,000 letters and he was an early participant in the Sturm und Drang literary movement. He also contributed to the planning of Weimars botanical park and the rebuilding of its Ducal Palace and his first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy. During this period, Goethe published his novel, Wilhelm Meisters Apprenticeship, the verse epic Hermann and Dorothea, and, in 1808. Goethes comments and observations form the basis of several biographical works, Goethes father, Johann Caspar Goethe, lived with his family in a large house in Frankfurt, then an Imperial Free City of the Holy Roman Empire. Though he had studied law in Leipzig and had been appointed Imperial Councillor, Johann Caspar married Goethes mother, Catharina Elizabeth Textor at Frankfurt on 20 August 1748, when he was 38 and she was 17. All their children, with the exception of Johann Wolfgang and his sister, Cornelia Friederica Christiana and his father and private tutors gave Goethe lessons in all the common subjects of their time, especially languages. Goethe also received lessons in dancing, riding and fencing, Johann Caspar, feeling frustrated in his own ambitions, was determined that his children should have all those advantages that he had not. Although Goethes great passion was drawing, he became interested in literature, Friedrich Gottlieb Klopstock. He also took pleasure in reading works on history and religion. He writes about this period, Goethe became also acquainted with Frankfurt actors, among early literary attempts, he was infatuated with Gretchen, who would later reappear in his Faust and the adventures with whom he would concisely describe in Dichtung und Wahrheit. He adored Caritas Meixner, a wealthy Worms traders daughter and friend of his sister, Goethe studied law at Leipzig University from 1765 to 1768. He detested learning age-old judicial rules by heart, preferring instead to attend the lessons of Christian Fürchtegott Gellert. In Leipzig, Goethe fell in love with Anna Katharina Schönkopf, in 1770, he anonymously released Annette, his first collection of poems. His uncritical admiration for many contemporary poets vanished as he became interested in Gotthold Ephraim Lessing, already at this time, Goethe wrote a good deal, but he threw away nearly all of these works, except for the comedy Die Mitschuldigen. The restaurant Auerbachs Keller and its legend of Fausts 1525 barrel ride impressed him so much that Auerbachs Keller became the real place in his closet drama Faust Part One. As his studies did not progress, Goethe was forced to return to Frankfurt at the close of August 1768, Goethe became severely ill in Frankfurt. During the year and a half that followed, because of several relapses, during convalescence, Goethe was nursed by his mother and sister

19.
Rothschild banking dynasty
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During the 19th century, the Rothschild family possessed the largest private fortune in the world, as well as the largest private fortune in modern world history. The Rothschild family has frequently been the subject of conspiracy theories, the first member of the family who was known to use the name Rothschild was Izaak Elchanan Rothschild, born in 1577. The name is derived from the German zum rothen Schild, meaning with the red sign, the familys ascent to international prominence began in 1744, with the birth of Mayer Amschel Rothschild in Frankfurt am Main, Germany. He was the son of Amschel Moses Rothschild, a money changer who had traded with the Prince of Hesse, the family motto appears below the shield, Concordia, Integritas, Industria. Paul Johnson writes he Rothschilds are elusive, there is no book about them that is both revealing and accurate. Libraries of nonsense have been written about them, a woman who planned to write a book entitled Lies about the Rothschilds abandoned it, saying, ‘It was relatively easy to spot the lies, but it proved impossible to find out the truth. Their assets were held in financial instruments, circulating through the world as stocks, bonds, changes made by the Rothschilds allowed them to insulate their property from local violence, Henceforth their real wealth was beyond the reach of the mob, almost beyond the reach of greedy monarchs. Another essential part of Mayer Rothschilds strategy for success was to control of their banks in family hands. By this means, Jewish financiers obtained a share of international finance during the middle. The head of the group was the Rothschild family. It also states, Of more recent years, non-Jewish financiers have learned the same method, and, on the whole. Mayer Rothschild successfully kept the fortune in the family with carefully arranged marriages, by the late 19th century, however, almost all Rothschilds had started to marry outside the family, usually into the aristocracy or other financial dynasties. The surname Rothschild is rare in Germany, the German surname Rothschild is not related to the Protestant surname Rothchilds from the United Kingdom. Another line, of the British branch of the family, was elevated by Queen Victoria, research conducted by GreatGameIndia Magazine has revealed that the Rothschild family was one of the controller families of the East India Company. The Rothschilds already possessed a significant fortune before the start of the Napoleonic Wars, in 1815 alone, the Rothschilds provided £9.8 million in subsidy loans to Britains continental allies. The brothers helped coordinate Rothschild activities across the continent, and the family developed a network of agents, in one instance, the family network enabled Nathan to receive in London the news of Wellingtons victory at the Battle of Waterloo a full day ahead of the governments official messengers. It was then repeated in popular accounts, such as that of Morton. The basis for the Rothschilds most famously profitable move was made after the news of British victory had made public

20.
Joseph II, Holy Roman Emperor
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Joseph II was Holy Roman Emperor from 1765 to 1790 and ruler of the Habsburg lands from 1780 to 1790. He was the eldest son of Empress Maria Theresa and her husband, Francis I and he was thus the first ruler in the Austrian dominions of the House of Lorraine, styled Habsburg-Lorraine. He has been ranked, with Catherine the Great of Russia and Frederick the Great of Prussia and his policies are now known as Josephinism. He died with no sons and was succeeded by his younger brother, Joseph was born in the midst of the early upheavals of the War of the Austrian Succession. His real education was given to him through the writings of Voltaire and the Encyclopédistes and he married Princess Isabella of Parma in October 1760, a union fashioned to bolster the 1756 defensive pact between France and Austria. Joseph loved his bride, Isabella, finding her both stimulating and charming, and she sought, with care to cultivate his favor. The marriage of Joseph and Isabella resulted in the birth of a daughter, Isabella was fearful of pregnancy and early death. Her own pregnancy proved difficult as she suffered symptoms of pain, illness. She remained bedridden for six weeks after their daughters birth, almost immediately on the back of their newfound parenthood, the couple then endured two consecutive miscarriages—an ordeal particularly hard on Isabella—followed quickly by another pregnancy. Pregnancy was again provoking melancholy, fears and dread in Isabella, progressively ill with smallpox and strained by sudden childbirth and tragedy, Isabella died the following week. This marriage proved unhappy, albeit brief, as it lasted only two years. Though Maria Josepha loved her husband, she felt timid and inferior in his company, lacking common interests or pleasures, the relationship offered little for Joseph, who confessed he felt no love for her in return. He adapted by distancing himself from his wife to the point of near total avoidance, seeing her only at meals, Maria Josepha, in turn, suffered considerable misery in finding herself locked in a cold, loveless union. Four months after the anniversary of their wedding, Maria Josepha grew ill. Joseph neither visited her during her illness nor attended her funeral, though he expressed regret for not having shown her better kindness. One thing the union did provide him was the possibility of laying claim to a portion of Bavaria. In 1770, at the age of seven, Josephs only surviving child, Maria Theresa, became ill with pleurisy, the loss of his daughter was deeply traumatic for him and left him profoundly grief-stricken and scarred. He was made a member of the council of state

21.
Moses Mendelssohn
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Moses Mendelssohn was a German Jewish philosopher to whose ideas the Haskalah, the Jewish enlightenment of the eighteenth and nineteenth centuries, is indebted. He also established himself as an important figure in the Berlin textile industry, Moses Mendelssohns descendants include the composers Fanny and Felix Mendelssohn and the founders of the Mendelssohn & Co. banking house. Moses Mendelssohn was born in Dessau and his fathers name was Mendel, and it was Moses who adopted the surname Mendelssohn. Without any fear that his own father would take offense, my father assumed the name Mendelssohn, the change, though a small one, was decisive. Mendel was an impoverished scribe — a writer of Torah scrolls —, mosess early education was cared for by his father and by the local rabbi, David Fränkel, who besides teaching him the Bible and Talmud, introduced to him the philosophy of Maimonides. Fränkel received a call to Berlin in 1743, a few months later Moses followed him. A refugee Pole, Zamoscz, taught him mathematics, and a young Jewish physician taught him Latin and he learned to spell and to philosophize at the same time. With his scanty earnings he bought a Latin copy of John Lockes An Essay Concerning Human Understanding and he then made the acquaintance of Aaron Solomon Gumperz, who taught him basic French and English. In 1750, a wealthy silk-merchant, Isaac Bernhard, appointed him to teach his children, Mendelssohn soon won the confidence of Bernhard, who made the young student successively his bookkeeper and his partner. It was possibly Gumperz who introduced Mendelssohn to Gotthold Ephraim Lessing in 1754, the story goes that the first time Mendelssohn met Lessing, they played chess, therefore, in Lessings play Nathan the Wise Nathan and the character Saladin first meet during a game of chess. Lessing had recently produced the drama Die Juden, whose moral was that a Jew can possess nobility of character and this notion was, in the contemporary Berlin of Frederick the Great, generally ridiculed as untrue. Lessing found in Mendelssohn the realization of his dream, within a few months, the two became closely intellectually allied. Lessing also brought Mendelssohn to public attention for the first time, Mendelssohn had written an essay attacking Germans neglect of their native philosophers, without consulting the author, Lessing published Mendelssohns Philosophical Conversations anonymously in 1755. In the same year appeared in Danzig an anonymous satire, Pope a Metaphysician. Mendelssohn became the spirit of Friedrich Nicolais important literary undertakings, the Bibliothek and the Literaturbriefe. In 1762 he married Fromet Guggenheim, who survived him by twenty-six years, in October 1763 the king granted Mendelssohn, but not his wife or children, the privilege of Protected Jew —which assured his right to undisturbed residence in Berlin. As a result of his correspondence with Abbt, Mendelssohn resolved to write on the immortality of the soul, materialistic views were at the time rampant and fashionable, and faith in immortality was at a low ebb. At this favourable juncture appeared Phädon oder über die Unsterblichkeit der Seele, modelled on Platos dialogue of the same name, Mendelssohns work possessed some of the charm of its Greek exemplar and impressed the German world with its beauty and lucidity of style

22.
Public domain
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The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival

23.
Jewish Encyclopedia
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The Jewish Encyclopedia is an English encyclopedia containing over 15,000 articles on the history, culture, and state of Judaism and the Jews up to the early 20th century. It was originally published in 12 volumes by Funk and Wagnalls of New York City between 1901 and 1906 and reprinted in the 1960s by KTAV Publishing House and it is now in the public domain and hosted at various sites around the internet. The encyclopedias managing editor was Isidore Singer, the editorial board was chaired by Isaac K. Funk and Frank H. Vizetelly. William Popper served as the assistant revision editor and chief of translation for Vols, in the 20th century, the movements members dispersed to Jewish Studies departments in the United States and Israel. L. Rapoport, David Zvi Hoffman, Heinrich Graetz, etc, of the works cited which are not German—usually the more classical works—the large part are either Hebrew or Arabic. The only heavily cited English-language source of scholarship is Solomon Schechters publications in the Jewish Quarterly Review. Wolfson continues that if a Jewish Encyclopedia in a language were planned for the first time. The Jewish Encyclopedia was heavily used as a source by the 16-volume Jewish Encyclopedia in Russian, published by Brockhaus, the unedited text of the original can be found at the Jewish Encyclopedia website. The site offers both JPEG facsimiles of the articles and Unicode transcriptions of all texts. Thus, for example, to search for Halizah, one would have to know that they have transliterated this as Ḥaliẓah. The alphabetic index ignores diacriticals so it can be useful when searching for an article whose title is known. The scholarly apparatus of citation is thorough, but can be a bit daunting to contemporary users, a list of abbreviations used in the encyclopedia is provided on the Jewish Encyclopedia website. I, New York, Funk & Wagnalls Co, the Jewish Encyclopedia, Vol. II, New York, Funk & Wagnalls Co. The Jewish Encyclopedia, Vol. III, New York, Funk & Wagnalls Co, the Jewish Encyclopedia, Vol. IV, New York, Funk & Wagnalls Co. The Jewish Encyclopedia, Vol. V, New York, Funk & Wagnalls Co, VI & VII, New York, Funk & Wagnalls Co. The Jewish Encyclopedia, Vol. VIII, New York, Funk & Wagnalls Co, IX, X, & XI, New York, Funk & Wagnalls Co. XII, New York, Funk & Wagnalls Co, schwarz, Leo W. com, maintained by the Kopelman Foundation. Multiple copies at the Internet Archive Hathi Trust

24.
German National Library
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The German National Library is the central archival library and national bibliographic centre for the Federal Republic of Germany. The German National Library maintains co-operative external relations on a national and international level, for example, it is the leading partner in developing and maintaining bibliographic rules and standards in Germany and plays a significant role in the development of international library standards. The cooperation with publishers is regulated by law since 1935 for the Deutsche Bücherei Leipzig, duties are shared between the facilities in Leipzig and Frankfurt am Main, with each center focusing its work in specific specialty areas. A third facility has been the Deutsches Musikarchiv Berlin, which deals with all music-related archiving, since 2010 the Deutsches Musikarchiv is also located in Leipzig as an integral part of the facility there. During the German revolutions of 1848 various booksellers and publishers offered their works to the Frankfurt Parliament for a parliamentary library, the library, led by Johann Heinrich Plath, was termed the Reichsbibliothek. After the failure of the revolution the library was abandoned and the stock of books already in existence was stored at the Germanisches Nationalmuseum in Nuremberg. In 1912, the town of Leipzig, seat of the annual Leipzig Book Fair, the Kingdom of Saxony, starting January 1,1913, all publications in German were systematically collected. In the same year, Dr. Gustav Wahl was elected as the first director, the Federal state representatives of the book trade in the American zone agreed to the proposal. The city of Frankfurt agreed to support the planned archive library with personnel, the US military government gave its approval. The Library began its work in the room of the former Rothschild library. As a result, there were two libraries in Germany, which assumed the duties and function of a library for the later GDR. Two national bibliographic catalogues almost identical in content were published annually, with the reunification of Germany on 3 October 1990, the Deutsche Bücherei Leipzig and the Deutsche Bibliothek Frankfurt am Main were merged into a new institution, The German Library. The Law regarding the German National Library came into force on 29 June 2006, the expansion of the collection brief to include online publications set the course for collecting, cataloguing and storing such publications as part of Germanys cultural heritage. The Librarys highest management body, the Administrative Council, was expanded to include two MPs from the Bundestag, the law also changed the name of the library and its buildings in Leipzig, Frankfurt am Main and Berlin to Deutsche Nationalbibliothek. In July 2000, the DMA also assumed the role as repository for GEMA, Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte, since then, music publishers only have to submit copies to DMA, which covers both national archiving and copyright registration. The 210,000 works of printed music previously held by GEMA were transferred to DMA, additionally included in the project were 30 German-language emigrant publications German-language exile journals 1933–1945, consisting of around 100,000 pages. These collections were put online in 2004 and were some of the most frequently visited sites of the German National Library, in June 2012 the German National Library discontinued access to both collections on its website for legal reasons. The digitised versions are then available for use in the reading rooms of the German National Library in Leipzig and Frankfurt am Main only

25.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker

26.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format

27.
National Library of Australia
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In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts

28.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus

29.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records

The original National Library building on Kings Avenue, Canberra, was designed by Edward Henderson. Originally intended to be several wings, only one wing was completed and was demolished in 1968. Now the site of the Edmund Barton Building.