Summary

What drove a person to reject a life in the light and seek one within darkness instead? Could one ever cross over from the grips of night? There was more to the man beneath the mask, and Christine was determined to uncover what hid within.

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Summary

A scorpion and a grasshopper. A choice. One moment in time can change the course of life. Can Christine learn to love? Can Erik learn empathy? Can either of them ever forgive themselves or each other? Tuesday/Thursday

Summary

In the year 1899 Erik has been in Eurasia on sabbatical. Or so the story goes. But his family harbors the dark truth. Beneath the tranquil facade they have waged a desperate battle for Erik’s sanity, and Dr. Wright is their last hope.

Faced with the most unusual patient, Wright can’t refuse this once in a lifetime case that so many others have failed to help. But the ambitious doctor is blinded by his goal to restore Erik to his former genius and fails to realize the delicate nature of his patient’s existence. It earns him a one way ticket back to Boston.

With Erik’s tentative return to society and a small role in Carnegie Hall, he and his son Charles labor to overcome the damage of the past. A love-sick Charles, socially unable to court his sweetheart, is devastated when the family’s secret destroys any chance he may have had to convince the Chantelli’s to hold Simonetta’s hand for him. In an act of empathy, Erik commits a sacrifice that no one can believe—not to restore his own shattered honor, but to secure his son’s desire.

Summary

When Christine died she was shocked to learn that she wouldn't be going to heaven, oh no. Instead her and Raoul are tasked to look over the soul of their third soulmate until they complete their mission. How can the insane musical genius, Erik, from their first life possibly be their soulmate? As they watch over his lives, they find out.

Summary

Phantom of the Opera retold. Erik is milder, Christine is bolder, and the mask doesn't come of so soon. A "what if" story of how things might have ended if everyone reacted a little differently. Starts pre-canon and follows the basic structure of events from there on out. Mostly Kay/ALW style with a little Leroux influence.

Summary

After hearing a disturbing prophecy that her future husband will be a 'faceless monster, whom things neither living nor dead can resist,' Christine does anything and everything to escape the fate that has been given to her. What is fated and what is chosen, however, are not always so different, and the line between 'monster' and 'man' often runs very thin.

ANCIENT GREEK AU, with lots of mysticism and lore, prophecies and monsters, fear and longing, love and hate-- all that fun stuff, but all with a healthy dose of the normal Phantom that we all know and love.--Inspired by the Myth of Cupid and Psyche and the legend of Orpheus and Eurydice.

Summary

After leaving Iran, running for his life, Erik has no choice but to turn to the U.S. for clemency. The FBI is willing to offer it, under one condition: Erik, and Nadir, must uncover the latest threat to national security. And the epicenter of this threat is located at none other than Cartier, the conservatory Christine Daae attends. As events unfold, they are unwittingly brought together, navigating the political and social quagmire of Washington DC, as well as the undeniable, inconvenient feelings that puts them in danger at every turn.

Summary

What is supposed to be a happy and new beginning for Erik, the Phantom of the Opera and his wife, Christine Daae, is soon brought to a screeching end. How is he supposed to go on without his Angel? How is he supposed to care of himself and a young child?

Summary

Yes, the Opera Ghost really existed.

I interviewed many present at the time of those sensationalised events, though most have sworn me to secrecy. I have documents, available for your perusal on request, from the hands of relevant parties.

And I have seen with my own eyes the skeleton of a man found when they dug into the foundations of the great Paris Opera House. I have seen how he lies. I have seen the rings on his hand.

Summary

Jonathan Harker failed to get back to normal life after his Transylvanian experience. One case reunited him with Professor Abraham Van Helsing, and – meet "Helsing & Harker", the legal advice firm, ready to help clients from both sides of reality. Later they got the third team member, a French emigrant Erik a.k.a the Phantom of the Opera. He needed a job, didn't mind risky tasks and gladly added a little chaos to the standoffish English life.

The trio has a lot to do. A beast of prey, too clever and cruel to be just an animal, terrorizes the streets of London. Some daring burglars intruded the British Museum and left without any of its treasures except for one ancient mummy. Jonathan's friend is wrongly accused of murder. And a striking woman named Irene Adler has a new acquaintance, a young nobleman from Transylvania, Count Aurel. Yes, a vampire is in London again, and this time he is the "Helsing & Harker" client! Apparently, this will bring no good.

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Summary

The world told Erika she was unfit to be human. Now that she and Christian have married, her deepest fear is that she's unfit to be a wife. She dreads the acts that her new role requires her to perform, and that is precisely the problem. [Smut] (Not in any way cannon w/ my Retelling!Verse)