Also opening that same night at FFDG is the solo show, Everything Under the Sun, with San Francisco based Mario Martinez (Mars-1).

Age? Location? Website? And who do you think you are?

25. From Vancouver, Canada but currently living in Edinburgh Scotland. Artist.

Describe your work a little bit.

I use hard-edge geometric shapes and loose marks to articulate the relationship between natural and man-made structures. The result is an extraction or sample from the conglomeration of these opposite forms of environment.

Music heavy on your playlist these days?

No Gold, Brasstronaut, and Radiozero podcasts for the old home. Belle and Sebastian for the new home.

Favorite mediums to work within?

My paintings are mostly acrylic and spray paint, but recently I have been using wood and glass to experiment with sculpture and installation.

Dream job other than artist?

Island caretaker

When not creating work, you can be found doing...

Hanging out with my wife and exploring my new city.

How would you describe your work to a stranger who's never seen it?

A collision of gradients, geometric shapes, and lines that come together to create a new (usually floating) entity.

The old battle axe and I headed out to Culver City to check out WWA gallery's latest two-person show featuring David Chung’sSmells Better Than it Tastesand Ben Kehoe’s The Endless Frontier which opened Saturday, October 14th. Los Angeles based artist, David Chung's works ranged from ink brush moleskin works to colorfully cute and humorous paintings, all of which worked well along side Pittsburgh-based painter, Ben Kehoe's subtly absurd and darkly humored paintings, filled with texture and color washes, focused on pioneers and frontiersmen of the new world and old west that the wonders and terrors they faced.

David Chung, affectionately known as The Chung, lives in Los Angeles yet works out of some dark, strange corner of the human imagination that the rest of us generally knows to stay away from. His artwork, filled with humor and awkwardness, is a sort of catharsis for the moments of humiliation which inevitably stain all of our lives. Working as both an illustrator and a fine artist, Chung has shown in galleries all over Los Angeles and has had works featured at Miami’s Art Basel. As an illustrator he has worked for clients such as Nickelodeon, Disney, NPR, Nesquik, Kellogg’s, Six Flags, Mattel, Kraft, Metro Times and G4TV.

Also opening that same night at FFDG is the solo show, Everything Under the Sun, with San Francisco based Mario Martinez (Mars-1).

Age? Location? Website? And who do you think you are?

28, Glasgow Scotland, www.loladupre.com, I'm super happy to be showing work with FFDG on 11.11.11!

Vince #1, original photo by Michelle Tran

Describe your work a little bit.

I'm a collage artist and for the last few years i have really stuck to this medium. I rarely combine images together, instead i generally work from multiple prints of the same image to produce work. So the source image is still very visible, just warped and bent out of shape. Perspective and composition can change quite drastically while still retaining the original content.

Music heavy on your playlist these days?

Dutch Techno and Ethiopian groove. And i'm always head banging wildly to the tunes of my old studio pal the NIALLIST.

Fear, from the Feelings series, collaborative project with Dan Monick

Favorite mediums to work within?

Collage forever!

Dream job other than artist?

Head of propaganda for a large nation state / Electro Ninja of vengeance.

Photos from the recent march in downtown Oakland to protest the
clearing of the Occupy Oakland camp in front of City Hall and the
subsequent 75+ arrests. The OPD used tear gas, bang grenades and
rubber bullets to attempt to disperse the crowd multiple times. You
can stay up to date on the progress of Occupy Oakland with their twitter. -Tod Seelie

Bubi Canal is a Spanish visual artist living in New York City. Bubi teleports us to impossible worlds full of emotions and mysterious and intriguing characters. His work combines different types of media and artistic methods including photography, video and sculpture and deals with the recurring themes of human wishes, dreams, magic and love.

In October 2005, just a few months after we had our first daughter, I leased an industrial space near our small apartment. It was a pretty big decision for Jennifer and I, it was another bill (several) and another responsibility for us- already under pressure with a two month old baby!

It ended up being the right move- I'd been working on our kitchen table or driving across town to work in my parent's garage. We had moved into a two room apartment but there was still no room to work. I found a nice 1000 sq/ft industrial warehouse type shop with a small office in front. I got the idea from seeing the Clayton Brother's studio a few years before. The place was big enough, versatile and had plenty of storage space, with large walls, a roll up door and high ceilings. It was perfect, and I got right to work.

I'm a little sad to leave when I look back at all the exhibits and paintings I worked on at this space, not to mention how my life has changed the past six years. It's been a pretty cool/strange/awesomely/fucked up/rad six years!

Now I've moved into a great new space with friends. The new studio has everything the old one has with more support and camaraderie. Gonna be a new adventure and I'm hoping to get many years of great work accomplished here. But I'll keep in my heart my little studio which helped me get off the ground!!

Matt W. Moore was recently invited to Moscow, Russia for the Sretenka Design Week and emailed over a few images of paintings, murals and sculptures he created while there.

Matt W. Moore is the founder of MWM Graphics, a Design and Illustration Studio based in Portland, Maine. Matt works across disciplines, from colorful digital illustrations in his signature “Vectorfunk” style, to freeform canvas paintings, and massive murals.

I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...

I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.

It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.

I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.

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