At a stage when the jump between online and IRL is so hazy and indefinable it seems apt that artists are working around themes which flicker between the two with ease. The rise of terms such as Post-Internet have brought with it an inherent critique and scrutinised vision on how the Internet has become embedded within art practices. Once a destination in and of itself, the web has become slowly engrained into our lives such to the point where wearable tech and empathetic objects are becoming the next hyper leap into an all connected, Internet drenched world. Within this system artists have become the leaders in a producer-consumer space feeding off the distributions networks, waterfall feeds of image reverie and snowballing networks. In an age where image consumption has now taken the place of eating habits as our premium vice, the effect mutates into art objects as 'Internet aware' products, on the thinning knife-edge of on/offline, where influence from an online aesthetic has trickled back into reality like some endless narcissistic loop. Now that image hierarchies have essentially been flattened artists lie in the precarious state to filter, remix and repurpose imagery, whilst also inherently working the game of networked image distribution whereby their work naturally flows into torrent of image streams.