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Notes From Building Cultures at Westercon

When you are creating a culture (or recreating a historical one), if things differ, you need to spend time educating the reader: and you have to pick and choose what you spend that time,

e.g. historically women wore these incredibly tall french wigs that we would consider ridiculous looking. if you want to make that work, you have to show people flirting with that women, so the audience understands it is attractive. but is that worth it, or do you pick something else to spend the energy on?

e.g. werewolves heal really quickly, so a werewolf culture might be prone to fighting/tussling. a reader might perceive that as extremely violent. so you can choose to tone down the violence or educate the reader.

cultures don’t stay static. how far back do you go to understand the culture?

you don’t want to dump all the culture on the reader. the writer needs to understand it.

we bring all of our cultural assumptions with us when we read. “it’s beneficial to be faithful.” can we write a culture that doesn’t have that?

avoiding infodumps

Ted Butler:

assume intelligence on the part of the reader

do it implicitly.

if something needs to be explicit, bracket it with action scenes.

Robin Hodd

book was in 1st person

but needed to convey information that the first character wouldn’t have known or have naturally shared.

so each chapter started with a letter or a news article or something.

also, in our culture, we teach our children through nursery rhymes and sayings. we can use this in writing.

Rhiannon Held

it comes up in problem solving scenes. who gets to speak, who has to argue for their ideas vs. whose are just accepted. who doesn’t get a voice.

you can create cultures based on earth cultures:

the wolf cultures are based not so much on wolves, but on hunter-gatherer societies, and how they achieve status within their culture.

spaceship cultures can be based on sailing ship cultures… a closed ecosystem, long time enclosed, etc.

or weird cultures:

eskimo: elderly walking out into the cold to free up community resources.

baby boxes: for abandoning children

(Buy Silver by Rhiannon Held: werewolves in urban setting, how they fit into human culture)

A.I. Apocalypse: Leon Tsarev is coerced into writing a computer virus. The virus, written on biological principles, evolves out of control, halting all the world's computers, including emergency services, transportation, and payment systems. As deaths mount, it becomes a race against time to restore the computers, except that the virus has other plans.