Miryem is the daughter and granddaughter of moneylenders, but her father is not a very good one. Free to lend and reluctant to collect, he has left his family on the edge of poverty – until Miryem intercedes. Hardening her heart, she sets out to retrieve what is owed, and soon gains a reputation for being able to turn silver into gold.

But when an ill-advised boast brings her to the attention of the cold creatures who haunt the wood, nothing will be the same again. For words have power, and the fate of a kingdom will be forever altered by the challenge she is issued.

Channeling the heart of the original fairy tale, Naomi Novik deftly interweaves six distinct narrative voices – each learning valuable lessons about sacrifice, power and love – into a rich, multi-layered fantasy.

Spinning Silver by Naomi Novik is an epic fantasy novel with a new take on the classic fairytale Rumpelstiltskin. At almost 500 pages, Spinning Silver follows over six different characters and their intertwined stories. It’s a grand story, slow-paced and meant to be savoured by the reader.

The world is enchanting and the setting so vivid. This may be loosely based on Rumpelstiltskin, but it reads more like an original fantasy story. With a girl who can turn silver into gold and a King who can stretch Winter for years, the premise is incredibly intriguing to any reader. There are also many underlying themes to the novel that readers will be able to recognise.

The first half of the novel is stronger than the second half, where the pacing slows dramatically and the events in the book seem a little absurd. However, Naomi’s writing is poetic and magical. The prose flows, and the description is detailed and really evokes a strong image for the reader. I could feel the cold and the Winter, and my stomach ached just reading about how impoverished, poor and hungry these characters were.

“I didn’t try to sew. I had a book from off my father’s shelf in my lap, a rare pleasure I couldn’t enjoy. I stared down at the painting of the storyteller and the sultan, a thready shadow-creature taking shape out of the smoke of the brazier between her weaving hands, and I couldn’t even reach the end of a sentence.”

I have mixed feelings about this title. On the one hand, I love retellings. And I adore the story of Rumpelstitzkin and how creative Naomi was in her retelling. However, the pacing is slow and there are too many characters to try and keep track of, and I actually felt really exhausted by the end of the book.

I read an ARC of the book, so perhaps this is different in the final edition, but each section of the book doesn’t say whose POV it is. There are little illustrations used for each character POV, but with so many characters, I couldn’t remember which image belonged to whom, and so whenever the POV shifted it took me a good couple of paragraphs before I knew for sure which character we were now following along with.

It really confused me, and I hope the final edition at least has headings with the character’s name so the reader can follow along easily.

Additionally, I still don’t think I fully understand how the world works? I understand the prolonged Winter and the relationship between all of the characters, and the plot is easy to follow. But I felt like some events in the story weren’t realistic, but were in fact there because Naomi was trying to keep remnants of the original Rumpelstiltskin story in place.

“There was a lot of snow in the yard. I shovelled some of it into big heaps so the goats and chickens could get to the grass. The ground was frozen, but I took out the nut from the white tree and looked at it and wondered if maybe I should plant it here.”

This story is for fans of epic fantasy tales — for readers who will stick with a long story, even if the pacing is quite slow and the world-building a little hard to grasp. It’s not my favourite retelling, but I did keep reading because I was invested in the characters and their individual stories.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

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Enter an immersive world where the chosen few have the ability to summon demons …

Arcturus is just an orphaned stable boy when he discovers he has the ability to summon demons from another world. He is sent to Vocans Academy where the lost arts of summoning, spell craft and demonology are taught to the noble children of the Empire.

As the first commoner gifted with this ability, his discovery challenges the nobility and the powers that be and Arcturus soon makes enemies. With no one but his demon Sacharissa by his side, Arcturus must prove himself as a worthy Summoner …

The Outcast by Taran Matharu is the prequel novel to the bestselling children’s fantasy series, Summoner. It’s about young kids who have the rare gift of being able to summon demons from another world.

This novel is most enjoyable, taking the reader on a fun, adventurous journey full of orcs, dwarves, demons and magic. Whilst the characterisation is pretty weak — the characters are not really relatable and their motivations seem very stereotypical — the pacing is great. Each chapter ends on a note that wants you to keep reading, and the book definitely drew comparisons to the Harry Potter series.

‘Prince Harold, why do you think your father has sent me away?’
‘Lord Forsyth, the reasons are threefold. The first is that in the last dwarven rebellion, the noble families suffered several deaths, and this could happen again if the ongoing altercations with the orcs become any worse. With commoners to swell our ranks, we will be able to take fewer risks, giving the more dangerous missions to them.”

At its core, the novel explores racism and prejudice. Everyone is so surprised that a commoner has the ability to summon a demon, but they treat Arcturus terribly and two students even try to kill him. However, over the course of the novel, Arcturus learns to trust other students and he forms strong friendships with a few other kids in the academy.

The novel is subject to quite a few significant flaws. It’s unrealistic how Arcturus is privy to so much sensitive information, even from the the beginning of the book. This is noticeable in most scenes where Obadiah is present — a powerful man like that wouldn’t tell him as much as he does, and he wouldn’t have his students discussing and understanding all of the political knowledge of the land and school. It feels a lot like an info dump to the reader.

“Now he could see the animals, like the deer of the north but with twisting horns and a ribbon of black separating their white-furred bellies and the sandy coat above. They were strange creatures to be sure, and he had no idea what they were.”

Arcturus actually spends very little time at the academy learning how to control demons and magic. He’s there for a very short time before he’s out in battle trying to stay alive. Realistically, he should be terrible. He’s a novice. But somehow he seems really experienced? This is very unrealistic.

The ending of the novel is also unrealistic. It ends too abruptly. This prequel storyline is too complex to be captured in a four-hundred page novel. The pacing may be good, but Taran has squished too much information and history and plot into this novel.

“Arcturus fell to his knees, the pain of Sacharissa’s injury flaring like lightning across his brain. He could barely see through the agony, only feel the tremors of the Phantaur’s approaching steps.”

Younger children will love this, but adult readers aren’t the target audience. This is not a crossover fantasy series, so I’d recommend this to young eyes, and to parents/family looking to buy a gift for a younger reader. The Outcast is a prequel, so no prior knowledge of the series is required. I haven’t read any of this series and I followed along just fine.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

Leah Burke—girl-band drummer, master of deadpan, and Simon Spier’s best friend from the award-winning Simon vs. the Homo Sapiens Agenda—takes center stage in this novel of first love and senior-year angst.

When it comes to drumming, Leah Burke is usually on beat—but real life isn’t always so rhythmic. An anomaly in her friend group, she’s the only child of a young, single mom, and her life is decidedly less privileged. She loves to draw but is too self-conscious to show it. And even though her mom knows she’s bisexual, she hasn’t mustered the courage to tell her friends—not even her openly gay BFF, Simon.

So Leah really doesn’t know what to do when her rock-solid friend group starts to fracture in unexpected ways. With prom and college on the horizon, tensions are running high. It’s hard for Leah to strike the right note while the people she loves are fighting—especially when she realizes she might love one of them more than she ever intended.

Leah on the Offbeat by Becky Albertalli is a young adult novel set in the United States. It acts as a sequel to the events in Simon vs. the Homo Sapiens Agenda, but you can read this book on its own and you’ll still be able to follow the plot very easily. Leah on the Offbeat takes place one year after the events in Simon.

I’ve read every single novel written by Becky Albertalli, and I think she has a real talent for capturing the teenage voice. Leah on the Offbeat is very dialogue-heavy, and a lot of the scenes are written in text format. It captures the teenage slang and dialect perfectly. Every single character in Leah on the Offbeat — and all of her other books — felt real and relatable, and their dialogue was not at all forced upon the reader.

“I wish you’d give him a shot.”
“Who, Garret?” I ask, my voice jumping half an octave.
“Wells.”
My face burns. “Oh.”
I glance at Mom, who’s sitting rigidly straight, chewing on her lip. She looks vaguely distraught. I don’t entirely know what to make of it.
She sighs. “Okay, what if—”
“I’m not getting brunch with your boyfriend.”

Once I got to the end of the novel, I spent some time reflecting on the book and I noticed that there doesn’t really seem to be much plot to this. What actually happens? Sure, the characters mature and learn and relationships form and disintegrate, but what really happens? Not much.

And I don’t agree with how Leah treats some of the other students. I found it hard to connect with her, given how rude and negative she is for most of the novel. She criticises another student because she identifies as ‘low key bi’ and I don’t think that’s acceptable because it’s okay to not fully know who you are in high school. Leah is also really horrible to her mum and her new boyfriend, and although this may be relatable for some teenagers, Leah’s horrid attitude just seems over the top and I found myself deeply repulsed by some of her behaviour.

And in this moment, it’s easy to imagine this working. This friendship. Maybe we really could be roommates. We could hang around in pyjamas and Skype with Simon and eat cookies every night and make straight As all the time. She can have a boyfriend, I can hopelessly pine for a sophomore, and we’ll be legit best friends.

Ultimately, I felt fine about this book. I certainly didn’t hate it, but I wasn’t ecstatic upon finishing it. I simply enjoyed it. I do applaud that the book brings LGBTQ+ relationships to the forefront, because I think that’s really necessary in YA fiction.

Readers who aren’t as familiar with Simon vs. the Homo Sapiens Agenda will probably love this story anyway because they won’t be as familiar with the characters and they can go into this book with a fresh mindset.

Young readers who are looking for a story featuring LGBTQ+ characters will be pleased to discover Leah.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

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Theodosia was six when her country was invaded and her mother, the Fire Queen, was murdered before her eyes. On that day, the Kaiser took Theodosia’s family, her land, and her name. Theo was crowned Ash Princess–a title of shame to bear in her new life as a prisoner.

For ten years Theo has been a captive in her own palace. She’s endured the relentless abuse and ridicule of the Kaiser and his court. She is powerless, surviving in her new world only by burying the girl she was deep inside.

Then, one night, the Kaiser forces her to do the unthinkable. With blood on her hands and all hope of reclaiming her throne lost, she realizes that surviving is no longer enough. But she does have a weapon: her mind is sharper than any sword. And power isn’t always won on the battlefield.

For ten years, the Ash Princess has seen her land pillaged and her people enslaved. That all ends here.

Ash Princess by Laura Sebastian is the first novel in a new YA fantasy series. It explores power, family and grief amidst the backdrop of a crumbling tyranny.

The crux of the plot is a young princess who vows revenge on the cruel man who stole her throne. She seduces the prince to aid her mission.

The plot is not unique or original, but it is readable and enjoyable. There are SO many YA fantasy series in the market at the moment, and if I’m being honest, I don’t think this one feels too different from the others. It is well-written and the characters are interesting, but I wasn’t blown away by the book. And I was unimpressed with the stereotypical tropes used in the book — love triangle being the most obvious one.

“This time, I let myself remember how my mother would sometimes let me wear her crown, how it was so big it would fall down around my neck. But while my mother’s crown was wrought from black gold and set with rubies, the one the Kaiser sends me is folded from ashes, and as soon as it is in place, it begins to crumble, streaking my hair, skin, and dress.”

Ash Princess is ripe with tension, suspense and drama. None of the characters can be trusted, and yet you find yourself invested in all of their storylines. The novel is punchy and pacy, and this launches a series that I am interested in continuing. It may not be original, but it is engaging enough to keep me entertained.

I would’ve preferred this novel if Theo had more control over her safety and her future. She needs her friends to help break her out, and it’s their determination that spurs her newfound confidence. And later in the novel, it is her allies that help her out of confinement.

Theo needs other people. She needs other people to save her.

“I’ve been dreaming of freedom every day since the siege, waiting and waiting and waiting for just this moment, when someone would take me as far away from this place as possible.”

I wanted this book to be about a young girl who takes charge and forges a new path for herself. Instead, it’s about a girl with friends and allies who help her forge a new path. She’s determined, yes, but she’s not cold or ruthless. I wouldn’t call her frightening or scary. Once she starts enacting her vengeance, she seems to be incredibly lucky. Almost too lucky.

“Through the wall, I can almost feel Blaise’s thoughts running the same path as mine. Throughout the past decade, the idea of the After has been all that’s kept me going, and i don’t have to ask Blaise to know that a part of him years for it as well. I’ve imagined my mother there, waiting for me.”

This series will appeal to those of you who love YA fantasy. It follows the usual tropes from the genre, but it is really well-written with strong prose and realistic dialogue. Despite it’s 400+ page count, you’ll find yourself tearing through those pages rather quickly.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.

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A murder mystery set on the frozen red wastes of Mars. Eight astronauts. One killer. No way home. WE STAND AT THE DAWN OF A NEW ERA

Frank Kittridge is serving life for murdering his son’s drug dealer. So when he’s offered a deal by Xenosystems Operations – the company that runs the prison – he takes it, even though it means swapping one life sentence for another.
THERE HAS NEVER BEEN A BETTER TIME TO BE ALIVE

He’s been selected to help build the first permanent base on Mars. Unfortunately, his crewmates are just as guilty of their crimes as he is – and he’ll have to learn to trust them if they’re to succeed.
THE FUTURE OF SPACE TRAVEL IS IN SAFE HANDS

As the convicts set to work on the frozen wastes of Mars, the accidents multiply. Until Frank begins to suspect they might not be accidents at all . . .
XENOSYSTEMS OPERATIONS: MAKING DREAMS A REALITY

There’s a murderer amongst them, and everyone’s a suspect.

One Way by SJ Morden is a murder mystery science fiction novel set on Mars. Protagonist Frank Kitteridge has two options: journey to Mars to help build a base for scientists, or remain in prison with a life sentence. What would you choose if you were him?

This may be science fiction, but it’s also a thriller. Frank is sent to Mars among other convicted criminals, and as people start dying, Frank realises that they’ve been murdered. He must find out who is killing and why, before they come for him.

“He checked his air. Twenty per cent. That gave him nominally…OK, that wasn’t a good sign. He should have been able to just come up with a number. He was good with numbers, calculating quantities and part-loads in his head and getting it right. An hour and forty-five.”

The novel is too predictable, unfortunately. It followed a fairly standard plot — one by one people start dying and then right at the end we find out who did it. Additionally, it was quite obvious early on who the murderer was. I didn’t find the ending surprising or shocking.

The pacing was a little uneven; the story took too long to get started. And the pacing was jolted by the need for technical jargon and logistics thrown into the story. There was a lot of set up needed, and I wondered if S.J Morden could’ve begun the novel at a different point to make it more intriguing for the reader.

I found myself skim reading a lot of the book because of all the technical detail. Yes, most of it needed to be there but I do think some of the specific information could’ve been cut. Unless you’re a scientist or astronaut, you’re going to struggle to understand a lot of it and then your interest might wane.

“Frank unplugged it from the RTG, and removed the hoses that fed oxygen to the ship, and he and Zeus — mainly Zeus — lifted it onto a trailer. They coiled up the power lead and the hoses, put them in an empty drum, and collected the empty reserve tanks: big, black, lightweight cylinders made of carbon fibre.”

Frank is a great protagonist. He’s three dimensional and the reader really sympathises for him. He murdered his son’s drug dealer and ever since being convicted and sent to jail, his wife and son have seemingly abandoned him. He’s alone, and he accepts this mission because he wants his son to be proud of him.

I don’t think the other criminals are as layered as Frank. In fact, they felt a little like cardboard cut outs who were only in the story so they could get murdered and further the plot. They could’ve been further developed — particularly their backstories — so that the reader felt something when they died.

As a result, it is hard for the reader to feel the suspense or the tension as the novel progresses. I found myself reading the book to get to the end, but I wasn’t particularly hooked and I think I could’ve stopped reading the book and it wouldn’t have bothered me.

I would recommend this to people who love science fiction, because the technical terminology and the space logistics will really interest them. I don’t think this is best targeted at fans of mysteries or thrillers, because I think the ending is too predictable and you’ll see the twist coming quite early on.

Thank you to the publisher for mailing me a review copy in exchange for an honest review.