Ann Hood (born 1956) is an American novelist and short story writer; she has also written nonfiction. The author of fifteen books, her essays and short stories have appeared in many journals, magazines, and anthologies, including The Paris Review, Ploughshares,,[1] and Tin House. Hood is a regular contributor to The New York Times' Op-Ed page, Home Economics column.[2]

Contents

Biography[edit]

Early Years[edit]

After Hood earned her BA in English from the University of Rhode Island, she worked for the now-defunct airlines TWA as a flight attendant, living in Boston and Saint Louis and later moving to New York City. She attended graduate school at New York University, studying American Literature.[4]

Hood began writing her first novel Somewhere Off The Coast Of Maine in 1983 while working as a flight attendant — and while attending graduate school —writing whenever she could during train rides to JFK airport or in the galleys of the airplane while passengers slept. During a furlough from the airline, she worked at the Spring Street Bookstore in Soho and Tony Roma's while writing Somewhere Off The Coast Of Maine. Like much of her work, Somewhere Off The Coast Of Maine draws upon her own life. Hood says the book began as a series of short stories about three women who went to college together in the 1960s. A year earlier, her older brother, Skip, died in a freak accident and Hood was struggling with how to cope with the loss. At a writer’s conference, Hood was convinced by the writer Nicholas Delbanco that she was really writing a novel, and from there she began to connect the stories.[5]

In 1987 the novel was published by Bantam Books as one of the launch books for their original paperback series, Bantam New Fiction.[6]

Hood’s flight attendant career ended in 1986 when TWA went on strike and the flight attendants found themselves soon “replaced.” With more time to devote to writing, her stories and essays began to appear in Mademoiselle, Redbook, Story, Self, Glamour, New Woman, among others.[7]

Personal life[edit]

On April 18, 2002, Hood's five-year-old daughter, Grace, died from a virulent form of strep.[9] For two years Hood found herself unable to write or even read. She took solace in learning to knit and in knitting groups. She gradually made her way back to her craft, writing short essays about Grace and grief. To make sense of her own grief, in fall of 2004 Hood began to write her novel The Knitting Circle, about a woman whose five-year-old daughter dies from meningitis. The woman joins a knitting group of others also struggling to heal from loss. Hood’s best-selling memoir Comfort: A Journey Through Grief chronicles her own struggle after her daughter’s sudden death.[10]

The summer after Grace died, Hood and Adrain thought about having a baby. When Hood had trouble conceiving, they decided to adopt.[11] In March 2005, they traveled to China, where they adopted Annabelle. Hood’s experience adopting in China became the inspiration for her 2010 novel The Red Thread, which follows a woman struggling with the accidental death of her young daughter. The woman, Maya Lange, begins an adoption agency for Chinese babies.[12]

Work[edit]

Short Stories[edit]

Hood’s short story "Total Cave Darkness," about an alcoholic woman who runs away with a Protestant minister nine years younger than she is, appeared in The Paris Review in 2000. It is also the opening story in her collection of stories An Ornithologist's Guide To Life. The title story appeared in Glimmer Train in 2004 about a young girl who slowly discovers her mother is having an affair with their neighbor. Her stories have also appeared in Tin House, Ploughshares, Good Housekeeping, Story, Five Points, and others.[13]

Novels[edit]

Hood is the best-selling author of ten novels, most recently The Obituary Writer, in which she explores the theme of grief and "the remedies that can ease, if never entirely banish" it, and in which she explores gender roles and complications of romantic love.[14] Her previous novel, The Knitting Circle, also explored the theme of grief.[15]

Non-fiction[edit]

Hood’s best-selling memoir Comfort: A Journey Through Grief (W. W. Norton & Company, 2008), chronicling the death of her five-year-old daughter Grace and her subsequent search for healing, was named one of the top ten non-fiction books of 2008 by Entertainment Weekly[16] and was a New York Times Editor's Choice.[17]

Do Not Go Gentle: My Search For Miracles in a Cynical Time (Picador, 1999) follows Hood’s travels to Chimayo, New Mexico in search of a miracle cure for her father’s lung cancer. The dirt at El Santuario de Chimayo, a Roman Catholic church, is believed to have healing properties and thousands flock to the site each year. Her father’s tumor did disappear, but he later died from complications from chemotherapy. Hood initially wrote about this experience in an essay for Doubletake magazine. That essay went on to win a Pushcart Prize. Hood’s editor at Picador urged her to turn it into a book.[18]

She is the editor of the anthology Knitting Yarns: Writers on Knitting (W. W. Norton & Company, 2013), in which her essay "Ten Things I Learned From Knitting" appears.

Teaching[edit]

Hood is a faculty member in the MFA in Creative Writing program at The New School in New York City.[19] She also teaches at New York University.[20] Hood has also taught at the Eckerd College Writers’ Conference,[21] The Maui Writers’ Conference,[22] The Bread Load Writers’ Conference,[23] among others.

Awards[edit]

She is the recipient of the Paul Bowles Prize for Short Fiction, two Pushcart Prizes, and a Best American Spiritual Writing Award.