I wanted two things from this shoot: as shallow depth of field as possible and no tripod. I got both with this combination. The Zeiss 50mm is one of my favorite optics to adapt to the OM-Ds. I've been using a Rayqual Mount Adapter to fit my Zeiss primes on to the Olympus digital bodies. The system works great thanks to the amazing image stabilization in the OM-Ds. I set the aperture on the lens, put the mode dial in the "A" position, and start shooting. It's that easy.

The OM-D provides the correct meter reading and image stabilization. Plus, I have the EXIF metadata for everything but the aperture setting, which I mentally note, then add later. I then load the RAW files into Capture One Pro for a little fine-tuning, then output.

The reason why I like this approach, is because I want to create images that have a painterly feel to them, and this convergence of analog and digital provides just that.