After more than a year of experimentation and frustration working with underwater strobes for my poolwork, trying HID video lights etc,I finally bit the bullet and set things up the way I really want to moving forward; using studio strobes as my primary light sources.The good Dr. Mustard (and Howard Schatz) helped to convince me that I need to do this if I want the flexibility I need.So I set up my studio strobes with appropriate precautions; I used 20 pound bags to stabilize the stands and GFI's for each strobe with the outdoor grade electrical cords well away from the pool area.Instructions to the model to get in and out of the pool away from the lights as well.Used a long Nikonos type cord to Pocket Wizards on the light stands and a single Subtronic Nova on the camera at 1/32 and 1/16 for fill only.This time I used two outside strobes - a snoot behind the model to pick up the hair and a single softbox to the right.Next time, once I get a couple more long cords and another Pocket Wizard or two, I will likely place the underwater strobe(s) off camera on a stand in the pool, and maybe even a third outside studio strobe.Here's a pic of the setup and an example. You can see a few more athttp://homepage.mac....rlando/Brianna/

After more than a year of experimentation and frustration working with underwater strobes for my poolwork, trying HID video lights etc,I finally bit the bullet and set things up the way I really want to moving forward; using studio strobes as my primary light sources.The good Dr. Mustard helped to convince me that I need to do this if I want the flexibility I need.So I set up my studio strobes with appropriate precautions; I used 20 pound bags to stabilize the stands and GFI's for each strobe with the outdoor grade electrical cords well away from the pool area.Instructions to the model to get in and out of the pool away from the lights as well.Used a long Nikonos type cord to Pocket Wizards on the light stands and a single Subtronic Nova on the camera at 1/32 and 1/16 for fill only.This time I used two outside strobes - a snoot behind the model to pick up the hair and a single softbox to the right.Next time, once I get a couple more long cords and another Pocket Wizard or two, I will likely place the underwater strobe(s) off camera on a stand in the pool, and maybe even a third outside studio strobe.Here's a pic of the setup and an example. You can see a few more at

Thanks for posting the photos of your setup - this will be so helpful for others. You've now got a lot of light to play with and some great light modifiers. I love the soft quality of the light in these new shots - you can see a huge difference in these vs using small diffusers and underwater strobes. Thanks!

Kudos to Brianna also - she looks like she did a great job. It's not often you can get a model that will tilt their head back and look calm like that - because the water usually rushes in!

WOW those are some great pics.Yes I hear water is very good when it comes to the flow of electrons too.

Yes, that's why I consider the 20-25 lb bags of river rock on the legs of the light stands to be the most important piece of equipment.BTW; I do not take responsibility for anyone else doing this and having a light fall in the pool. Serious actually.Thanks for the encouragement guys.