"Chandra Oppenheim was a child star like no other. As the daughter of famed conceptual artist Dennis Oppenheim. By age nine, Chandra was staying up late at her parents' art-world parties, collaborating in her father's projects, and performing her own plays at downtown hotspots such as The Kitchen and Franklin Furnace.This set the stage for Chandra's course-altering collaboration with members of The Dance, who were looking to form yet another project and found their muse/fuse in ten-year-old Chandra. Transportation EP, originally released in 1980 by The Dance's own label, ON/GoGo. Balancing on razor-wire guitars, liquid bass lines, and dub-style melodica, the Chandra band unveiled their first four songs: 'Opposite', 'Concentration', 'Subways', and 'Kate.' While Chandra's music can be compared to her no wave contemporaries Y Pants, France's Lizzy Mercier Descloux, Su Tissue of Suburban Lawns, or 'Delta 5 meets the Jackson 5', to quote critic David Ma, her lyrical fixations are truly singular. With hypnotic, chanted vocals focusing on chilling themes of mind control, multiple personalities and missing the train. At age 12, the post-punk pre-teen took the stage with her band for the first time at New York's legendary Mudd Club. A whirlwind of press coverage
ensued from glossy magazines like Vogue and Paris Match to the influential underground zine Non LP B Side and a Soho News
cover story. The infectious, propulsive 'Get It Out Of Your System' opens Chandra's second EP with one of her most commanding
performances. 'Stranger' slows the pace with stop-start rhythms, woozy synths, and the harmonized return of the melodica, while its
lyrics find her being followed by a mysterious character revealed to be a woman. 'Tish Le Dire' sounds like The B-52s in an eerie alternate universe with instructions on speaking up to your parents or authorities to the point of threatening suicide. Chandra stepped away from the band at age 14 to focus on her education. Sadly, the second EP was shelved and would not see the light of day for decades. Chandra's trip continues with this new deluxe reissue from Telephone Explosion Records. Returning her debut EP to its original four song, single-record release at a dancefloor-ready remastered 45 RPM, the expanded edition also adds to the second EP with a pair of never-released songs from her 1983 four-track cassette demos. 'Day Without Success' and 'They're All Alike' find Chandra's dream-like vocals driven by minimal wave synth zaps and pulsating drum machines."

"Melodic Energy Commission is a Canadian gem and an interesting branch of the Hawkwind family tree (featuring Del Delmar on electronics.) Hailing from British Columbia, their unique blend of space rock, progressive and hippie psychedelia began in 1977 as a recording-only project titled The Melodic Energy Commission of Collected Artists. MEC quickly released two albums: 1979's Stranger in Mystery and 1980's Migration Of The Snails. The music is raw and heavily exploratory, often shifting styles radically within a single track, moving from quiet chamber orchestras to dissonant guitar freak outs with smears of analog electronics filling in gaps along the way. RIYL: Amon Düüll II, Tangerine Dream, Hawkwind, Sun City Girls and Syd Barret."

"In 2016, after reissuing two Bruce Haack albums, Haackula and Electric Lucifer Book II, Telephone Explosion began speaking with Ted Pandel (Bruce's lifelong friend and business partner) about working on the 1970 masterpiece The Electric Lucifer. It turned out there was another matter that he wanted to discuss: finding a final resting place for the Bruce Haack archive. We were shown test-pressings of The Electric Lucifer board mixes from his Columbia studio sessions, countless pieces of written music, a large number of personal photos, an invitation from Raymond Scott inviting Bruce to play his newly created Electronium instrument (now owned by Devo's Mark Mothersbaugh), poems, press clippings, and, most importantly, a heavy-duty shelf containing 213 reel-to-reel tapes. All of the chosen material on The Preservation Tapes is unreleased, has only been heard by a handful of people and showcases a relatively unknown period in Bruce's musical career where Bruce was recording for Sparrow Records (who billed themselves as 'America's best Christian music record label'). Bruce's signature Farad vocoder continues to feature prominently, but the lyrical content is decidedly more religious. The Bruce Haack archive is now resting in the Provincial Archives of Alberta, in Edmonton, Alberta, Canada."

2018 repress. "Steve Roach's 1988 double-disc is back in production for the first time in 30 years. Dreamtime Return was inspired by multiple visits to the Australian Outback. The concept behind Dreamtime has secured the album as one of the pivotal works in ambient music today. The tales told over two LPs touch on the earth's origins, and the role humans have to play in it. Inspired by the stories of Australia's first people, Steve Roach used a combination of synthesizers and ancient Aboriginal instruments to create the album's signature sound, most notably the dumbek & the didgeridoo. Dreamtime Return travels through unexpected pathways with slow moving textures, as tones scatter into brilliant arrays and evolve into a mystic long-distance journey. Remastered from the original tapes, Dreamtime Return will be released as a deluxe gatefold double LP."

"In Andre Ethier's (The Deadly Snakes) remarkable Under Grape Leaves, a world emerges in and out of focus under the dappled green light of a backyard arbor. This collection of songs offers a kind of escape, but the invitation is less about checking out than it is about checking in. The record feels like a surreal and subtle manifesto for embracing radical domesticity in the midst of the modern storm, which here is just a distant synthetic rumble in the background. There are shifts in perspective and in landscape, from the rhythms of dishes knocking together in the sink to the space between the sea and the sea wall. Blending acoustic guitar with common household instruments like flute, recorder, and a drum machine, this feels homemade in the most literal sense. But this isn't to say that it the record doesn't come across as carefully constructed -- the attention to detail is evident in each well considered line and in the whole project's wave-like flow. Under Grape Leaves was produced by Sandro Perri."

2018 repress. "Steve Roach is one of the defining American artists of new age music, perpetually on a quest for silence and the suspension of time in his music. Structures From Silence is his third album originally released in 1984, and is his first purely textural album, with a smooth, dark, gentle atmospheres unlike any of his other albums. 'Full of purring drones and high notes that shimmer and fade. Like a desert mirage, these structures hover forever at the horizon, an oasis from the din surrounding it' --From Pitchfork's 'Best Ambient Albums Of All Time'. 'Steve Roach's Structures From Silence remains one of the most important ambient albums ever crafted. It isn't as high profile as similarly poised records from Brian Eno, but its enduring influence has been unmistakably visible in the three decades since its release.' --FACT Magazine. Remastered from the original tapes, this is the first vinyl reissue of the album since its initial release in 1984."

2017 repress. "Bruce Haack's 1970 electronic acid rock masterpiece is back into production! The Electric Lucifer is the third album in the ongoing Telephone Explosion X Bruce Haack series (previous releases include Haackula & The Electric Lucifer Book II)."

"A compilation LP from Edinburgh post-punks, Visitors. Recorded or funded solely by John Peel between 1979 - 1981, Poet's End offers all three highly collected 7" singles plus 4 additional unreleased songs from the same recording sessions. Limited to 1,000 copies, Visitors Poets End will be an essential in every punk collectors collection."

2015 repress. "It didn't take long for the first two runs to sell out, and both became collector's items, so act fast! Side A stabs you in the eye with seven of Ty Segall's heaviest jams, including a cover of The Avengers' 'Be a Caveman!' Side B sees UK veterans Black Time in fine form. Six unrelenting and distorted songs that are unmistakably Black Time."

2015 restock. "The original Electric Lucifer was released back in 1970, and basically invented electronic music as we now know it. Bruce Haack was ahead of the entire electronic music game! Over the years, that album has been hailed as one of the most important in modern music, and is seen as a sacred thing to many, many music nerds. What a lot of people don't know is that Bruce Haack continued to make amazing music well after Electric Lucifer, and a decade later actually recorded a follow up, aptly titled Electric Lucifer Book II. Tragically, this absolute gem was not released upon original completion, and has never been given the proper North American vinyl treatment...UNTIL NOW!"