Talking about "Conceived In Sewage" is Khabar Excited for The Freak for going forward Devourment album Gress Most Brutal Death Metal band early in his career more popularly referred to as the Pioneer Genre "slamming Guttural Brutal Death Metal with Vokill" from Dallas Texas is in evolution is much bring significant changes, "Conceived In Sewage" to be one long wait since the last material Devourment "Unleash the Carnivore" In 2009, the band was too busy with her tour schedule. Hmmm feels less afdol kalo gw ga invites you again Flashback Band briefly about the history of the beginning of his career's most phenomenal genre carries a lot of influence subsequent generations with Typical slamming Death Metal with Style Vocal much worse since the band was formed in 1995 with the Demo "Impaled" Year 1997, Devourment immediately shocked the world with the characteristics of a more brutal Death Metal!!!! is developing a style of play that became Internal Bleeding provocateur birth of Genre "slamming", then Devourment added another more sinister vocals by the late vocalist Wayne Knupp Guttural effect, but unfortunately Wayne Knupp only survived after 3 Demo only later replaced by Ruben Rosas also ga less horrible character vibrate through Devourment Best albums throughout their career "molesting the Decapitated" in 1999, but for some reason did not continue Guttural Ruben his position in 2005 and switched to the guitar instrument since he was undergoing punishment for incident a few years ago led to the demise of the band This year 2002, probably many who do not much know about flashbacks most phenomenal band's early appearance, with the formation of the best so far i remember was the game that gave birth drummer Brad Fincher Dribbling Fast Snare technique at every knock her slamming beats and sound speed 3x Hyperblast sounds, dear Brad Fincher pull in 2001 because of a reason which is then followed by a guitarist with Down Tune slamming terrible character Brian "Brain" Wynn who pull the post-album "molesting the Decapitated" Brain released and know it is not playing music and respect away from the music world to deepen his Religious Studies, and guitarist Kevin Clark is a former guitarist counterpart, Sintury and now exist in the Aversion to Life and the last is the name of Mike Majewski, formerly know as the bassist Band We've established contact with Gw in 2000 an, unfortunately i lost contact with bruiser Mike Majewski who also did the artwork and the Icon Devourment to work hand in 2005 with Ruben Rosas Devourment charm once again raised himself to the role of lead singer position switch. Hope when Gw Devourment formation could return reunion album "molesting the Decapitated" especially with such phenomenal Track "Baby Killer" can be recreated. since introducing the album "Butcher the Weak" in 2005, Devourment for old fans is like losing its original character as the era of "molesting the Decapitated" The concept of music is more usual style Brutal Death Metal elements even though they are often tucked slamming a thick, ironic for a career Band musicality should lenyab with significant lineup changes. as long buried memories of music, Devourment still exist and drove away with the concept of "new" it is. Ok there is no denying it, this is not the most interesting album, but it is heavy as fuck and has moments that make up for the short fall of being repetitive. As overused and cheesy as it is, this album is definitely brutal, in fact undeniably. Possibly the heaviest fucking album I've heard, though strangely audible. I'm not actually quite sure how you can be that heavy, yet still have distinguishable riffs. Oh well it does not matter, so long as I feel like I've had my ass kicked after every time I listen to it, I'm happy. I really thought more people would love this album. This is probably my favorite Devourment album, or at least tied with "molesting The Decapitated" for that honor. en still carrying Character era "Unleash the Carnivore", looks Devourment still grind and grind Fabulous dimateri gress this time that worked with Erik Rutan brought Fresh Wind Points Plus adds to the character Devorment Sounding a Fresh! also assisted by Engineer Robert Caldwell who had worked with Cannibal Corpse Resurrection and Bryan Elliot (never assist Engineer to work on her album Cannibal Corpse, Cellador, Dawn of Azazel, Dying Fetus, Exhumed, Goatwhore, Hate Eternal, and many more) strengthen its Production Quality Devourment new album starting with "Legalize Homicide", without much Cing Cong, assault with a roar terrible grinding Guttura Vokill sadistic stomping atmosphere with frenetic and powerfully distorted Twin Pedal meets Space Look Gw, still felt very strength of character so Era "Unleash the Carnivore "how drummer Erik Park still stomping beats powerfully with Drummingnya, though less so to bring back the character Devourment Earlier, Erik Park sure took its own influence in the body of this band. Ruben riffing style while still feels simple and Catchy to frequently slamming slipping Groovy Style pummeling each partition arrangement riffing remains invites audience to Slam Party and headbanging yeah! The songwriting on this album is admittedly very formulaic. A quick intro, Followed by groovy but extremely catchy slams Usually that leads into faster tremolo riffs and blast beats, while all the while Mike Majewski is vomiting forth unbelievably low grunts. While there is not much in the way of variation in this album as I've already Mentioned it is 34 minutes roomates is fairly short so the album does not end up feeling too long and boring. Music Composition For Gw were simple but enough slap in the face with the brutal death metal pounding fast. "Fifty Tons War Machine" may be more sound energy Brutal Death Metal fitting part first, the drumming is what always gets me with this band, I'm not sure if he's even very skilled or not, it does not seem to matter Because It sounds insane and fits well with the thick-as-fuck-slammy-slam-slam guitar playing. lots of metalheads seem to have an aversion to slam riffs skilless Because it sounds. Who the fuck cares! it's the end result that matters, and this result sounds fucking mean and horrifying. "Conceived in Sewage", it was Old School Character at the beginning of Part Autopsy style with a touch of the dark and Sludging before i headbanging again felt tears next sadistically cruel. a track which is quite unique and catchy for Devourment fans really think hehehe .... then "Fucked with Rats" quickly hone remind blend with the character of Hate Eternal, Morbid Angel Cannibal Corpse flavorful, blast-beat section with with speedy, grindy guitar parts following "and then the slow, super chuggy slam riffs with rhythmic vocals and slower, fill- happy drumming to accentuate the thunderous grooves. Now this is not a bad formula, and works well to Unleash Relentless Brutality on the listener, roomates is obviously the purpose of this album. Cool again that such sadistic Vocalist Travis Ryan of Cattle decapitation contributed Growling sangarnya in this Track. "March to Megiddo" and then moisten it with anthemic rhythms really go into the fray over 1:19 minutes to launch a terrible force on the track "Today We Die, Tomorrow We Kill" grinding more dynamic than the previous track, slamming and Groovy really strength. "Heaving Acid" Strong feels the touch of Morbid Angel and Cannibal Corpse her, "Carved into Ecstasy" increasingly making Boring the concept that repeated re-course and end with "Parasitic Eruption" touch era Suffocation "Pierced From Within" felt slipping Devourment attitude. Although for Gw new album contains no special impression and move really fail the umpteenth time to Devourment can bring back the glory era of "molesting The Decapitated", Existence Devourment for gw remain in acungi thumb!, Gw material for this album (again) too many part2 repeated re-do and poor Improvisation Outstanding of the Drummer so often give the impression Boring wrote. perhaps in terms of Sound Production is Good, album artwork is still supported by a cool Gory work Vocalist Mike Majewski himself always decorate cover2 Devourment far too cool to add the work of famous artists such as Jon Zig and Toshihiro Egawa. In summary, this album is all about the Brutality, and not much else. Not really surprising I suppose, but it would have been cool if the band had written a few songs that Stood out a little from the endless Chug-blasts to be found here. But that's not really the point of this kind of music is it? My understanding is that albums like this one always translate better to a live environment, where the fans can happily away to the mindless mosh Brutality. But for home use? I'd say it's great as a workout album, or background music for other tasks involving physically, where you can just nod your head along while you work, but aside from that, the only time I'll really be putting this one on is when I'm just in the mood for something that's un-emotionally involving and brutal. Prepare to KEEP KILLER!!!