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An almost forgotten American tradition that emerged in the latter half of the 18th century, the Colonial Band is here revived by bandmaster David McKay and the ensemble. Recorded 1976, the album is divided into sections (New England Band Music, Patriotic, Vocal, and Larger Forms) which McKay thinks most accurately...

An almost forgotten American tradition that emerged in the latter half of the 18th century, the Colonial Band is here revived by bandmaster David McKay and the ensemble. Recorded 1976, the album is divided into sections (New England Band Music, Patriotic, Vocal, and Larger Forms) which McKay thinks most accurately represents what would have been a Colonial Band’s repertoire. The liner notes include detailed information of the history of Colonia...

An almost forgotten American tradition that emerged in the latter half of the 18th century, the Colonial Band is here revived by bandmaster David McKay and the ensemble. Recorded 1976, the album is divided into sections (New England Band Music, Patriotic, Vocal, and Larger Forms) which McKay thinks most accurately represents what would have been a Colonial Band’s repertoire. The liner notes include detailed information of the history of Colonial Bands in general (including a written account by a young boy detailing his excitement at seeing a Colonial Band). While one might expect a brass band style, the Colonial Band instead performs classical music.

The oldest English-language religious music in oral tradition in North America, the lined-out, congregational hymnody of the Old Regular Baptists, is heard in the heart of the coal-mining country of the Southern Appalachian Mountains. This music of worship once was the common way of singing sacred song in the Ame...

The oldest English-language religious music in oral tradition in North America, the lined-out, congregational hymnody of the Old Regular Baptists, is heard in the heart of the coal-mining country of the Southern Appalachian Mountains. This music of worship once was the common way of singing sacred song in the American Colonies. In this rare and beautiful music lies the roots of the high, lonesome mountain sound of elaborate melodic turns and gr...The oldest English-language religious music in oral tradition in North America, the lined-out, congregational hymnody of the Old Regular Baptists, is heard in the heart of the coal-mining country of the Southern Appalachian Mountains. This music of worship once was the common way of singing sacred song in the American Colonies. In this rare and beautiful music lies the roots of the high, lonesome mountain sound of elaborate melodic turns and graces. A descriptive booklet provides perspectives on the people, their beliefs and practices, their history and theology, and their music.
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The oldest English-language religious music in oral tradition in North America, the lined-out, congregational hymnody of the Old Regular Baptists is heard in the heart of the coal-mining country of the Southern Appalachian Mountains. In this rare, beautiful, and heartfelt music lie the roots of the high, lonesome...

The oldest English-language religious music in oral tradition in North America, the lined-out, congregational hymnody of the Old Regular Baptists is heard in the heart of the coal-mining country of the Southern Appalachian Mountains. In this rare, beautiful, and heartfelt music lie the roots of the high, lonesome mountain sound of elaborate melodic turns and graces. Produced in collaboration with the Indian Bottom Association of Old Regular Bap...The oldest English-language religious music in oral tradition in North America, the lined-out, congregational hymnody of the Old Regular Baptists is heard in the heart of the coal-mining country of the Southern Appalachian Mountains. In this rare, beautiful, and heartfelt music lie the roots of the high, lonesome mountain sound of elaborate melodic turns and graces. Produced in collaboration with the Indian Bottom Association of Old Regular Baptists, this is the second of two Smithsonian Folkways albums devoted to their music; the first was SFW CD 40106.
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The first half of this collection, sung by the Margaret Dodds singers, is of music taken from the first book ever printed in what became the United States of AmericaThe Bay Psalm Book. In keeping with tradition, there is a cantor who sings a small portion of the psalm which is then repeated by the congregation...

The first half of this collection, sung by the Margaret Dodds singers, is of music taken from the first book ever printed in what became the United States of AmericaThe Bay Psalm Book. In keeping with tradition, there is a cantor who sings a small portion of the psalm which is then repeated by the congregation (a practice born out of necessity as there would otherwise not have been enough song books for everyone to share).

The second half of...

The first half of this collection, sung by the Margaret Dodds singers, is of music taken from the first book ever printed in what became the United States of AmericaThe Bay Psalm Book. In keeping with tradition, there is a cantor who sings a small portion of the psalm which is then repeated by the congregation (a practice born out of necessity as there would otherwise not have been enough song books for everyone to share).

The second half of the album, performed by Padre Juan Thomas and Coro Hispánico de Mallorca, speaks to the role that music played in the conversion to Catholicism of Native Americans, by the Franciscans, during the 18th century.