Friday, 9 December 2016

Article published in Manchester Evening News 9th December 2016

A CHRISTMAS show with a difference comes to the Royal
Northern College of Music on December 14. It’s the world premiere of Luca’s
Winter – a fairytale fantasy written by saxophonist Tim Garland and performed
by the RNCM Big Band and Chamber Orchestra together (with Tim on solo sax), and
EastEnders and Hollyoaks actor Stefan Booth as narrator.

Tim, a research fellow at the RNCM, has created this new
concert work for a 60-strong ‘super-ensemble’ of band and orchestra, and his
story – expressed by writers Nora Chassler and Don Paterson – is about a young
musician called Luca who gets tangled up in a succession of well-known
winter-time tales. Geppetto, the man who made Pinocchio, is in it, so are the
Elves and the Cobbler, the Little Match Girl, the Red Shoes … and even three
spooky characters like the ghosts from Dickens’ A Christmas Carol.

“I wanted to create a story with characters that are pretty
recognisable,” Tim told me. “Luca finds himself in a city where there’s a sort
of labyrinth of tales. We’ve got Cinderella-type character, too, called Maarja,
with a stepmother. She’s the love interest – and the city has past, present and
future all wrapped together in it.”

There are aspects of The Young Person’s Guide To The
Orchestra in it, too: all the characters are represented by instruments or
groups of instruments,and Luca is a
guitar player but finds himself with the wrong guitar – it all works out in the
end.

Tim says the music integrates jazz and classical styles. “The
jazz element in the music is integral to the plot of the story. The Big Band
sounds give the idea of being in a metropolis. But it’s not really show music:
it’s concert music with some contemporary sounds. I think people can handle
that if the context is programmatic – telling a story – like with a film score.

“My idea all along was to make a piece that engages everyone
– I thought ‘Why don’t I write a great big piece for band and orchestra – and
make it Christmassy?’ Hopefully it will come around again in years to come.”

Conductor for the 90-minute piece is the RNCM’s Clark
Rundell, who’s well experienced in bridging the jazz-classical gap. “I think in
future this sort of music will become less of a freak and more of a regular
occurrence,” he says. “I’m really enjoying getting to know this score.”