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James B. Apple

The Abhisamayālaṃkāra (Ornament for clear realization) is an instructional treatise on the Prajñāpāramitā, or Perfect Wisdom, whose authorship is traditionally attributed to Maitreyanātha ...
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The Abhisamayālaṃkāra (Ornament for clear realization) is an instructional treatise on the Prajñāpāramitā, or Perfect Wisdom, whose authorship is traditionally attributed to Maitreyanātha (c. 350 ce). As a technical treatise, the Abhisamayālaṃkāra outlines within its 273 verses the instructions, practices, paths, and stages of realization to omniscient buddhahood mentioned in Prajñāpāramitā scriptures. In its abridged description, the Abhisamayālaṃkāra furnishes a detailed summary of the path that is regarded as bringing out the “concealed meaning” (sbas don, garbhyārtha) of Prajñāpāramitā. The Abhisamayālaṃkāra contains eight chapters of subject matter, with a summary of them as the ninth chapter. The eight subjects (padārtha) of the eight chapters (adhikāra) correspond to eight clear realizations (abhisamaya) that represent the knowledges, practices, and result of Prajñāpāramitā. The Abhisamayālaṃkāra’s eight clear realizations are types of knowledge and practices for bodhisattvas (“buddhas-in-training”) to achieve buddhahood set forth within the system of the five paths (lam lnga, *pañcamārga) common to Indian abhidharma and Yogācāra literature. The first three clear realizations are types of knowledge that comprise Perfect Wisdom. Total Omniscience, or the wisdom of all aspects (sarvākārajñatā, rnam pa thams cad mkhyen pa nyid), is regarded as the fundamental wisdom and the central concept of Prajñāpāramitā. Total Omniscience is direct, unmediated knowledge that exactly understands the manner of reality to its fullest possible extent in all its aspects. Path-omniscience (mārgajñatā, lam shes nyid) comprises the Buddhist path systems of śrāvakas, pratyekabuddhas, and bodhisattvas mastered by bodhisattvas. Empirical Omniscience (vastujñāna, gzhi shes) cognizes empirical objects in conditioned existence that are to be abandoned. It correlates to knowledge that is comprehended by śrāvakas and pratyekabuddhas. The path to buddhahood itself and the detailed means of its application are covered in the Abhisamayālaṃkāra by the fourth through seventh clear realizations. The fourth chapter is devoted to the realization of wisdom of all aspects (sarvākārābhisaṃbodha, rnam rdzogs sbyor ba), a yogic practice that enables a bodhisattva to gain a cognition of all the aspects of the three types of omniscience. The fifth realization is the summit of full understanding (mūrdhābhisamaya, rtse sbyor), whereby yogic practices reach the culmination of cognizing emptiness. The sixth chapter defines the gradual full understanding (anupūrvābhisamaya, mthar gyis sbyor ba) of the three forms of omniscience. The seventh abhisamaya clarifies the “instantaneous realization” (ekakṣaṇābhisamaya) that occurs at the final moment right before buddhahood. Abhisamayas four through seven are known as “the four methods of realization” of the three types of knowledge. The eighth realization, and last subject in the Abhisamayālaṃkāra, is the realization of the dharma body (dharmakāyābhisamaya). In this way, the first three realizations describe the cognitive attainments of buddhas, the middle four realizations discuss the methods that take the cognitive attainments as their object, and the eighth realization describes the qualities and attainments of the dharma body, the resultant body of buddhas. The treatise was extensively commented upon in Indian Buddhism and has been widely studied in Tibetan forms of Buddhism up to the present day.

Roger R. Jackson

Mahāmudrā, “the Great Seal,” is a Sanskrit term (Tibetan: phyag rgya chen po) that connotes a wide range of concepts and practices in Indian Mahāyāna and, especially, Tibetan ...
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Mahāmudrā, “the Great Seal,” is a Sanskrit term (Tibetan: phyag rgya chen po) that connotes a wide range of concepts and practices in Indian Mahāyāna and, especially, Tibetan Buddhism, most of them directly or indirectly related to discourse on ultimate reality and the way to know and achieve it. The term first appeared in Indian tantric texts of the 7th or 8th century ce and gained increasing prominence in the final period of Buddhism’s efflorescence on the subcontinent, particularly in the sometimes transgressive Mahāyoga and Yoginī tantras and the works of such charismatic great adepts (mahāsiddhas) as Saraha, Tilopa, and Maitrīpa. By the 11th century, Mahāmudrā had come to refer, in India, to a hand gesture signifying clear visualization of a deity, one of a number of “seals” (with or without hand gestures) that confirm tantric ritual procedures, a consort employed in sexual yoga practices, a meditation technique in which the mind contemplates its own nature, the great bliss and luminous gnosis that result from advanced subtle-body practices, a way of living in the world freely and spontaneously, and the omniscient buddhahood that is the final outcome of the tantric path. It also came to be synonymous with such concepts as emptiness, the middle way, sameness, the co-emergent, the natural mind, luminosity, the single taste, non-duality, meditative “inattention,” buddha nature, non-abiding nirvāṇa, and a buddha’s Dharma Body—to name just a few. Although little discussed during the period of Buddhism’s introduction to Tibet (c. 650–850), Mahāmudrā came to the fore on the plateau during the so-called Tibetan Renaissance (c. 950–1350), finding a place of greater or lesser prominence in the ideas and practices of the religious orders that formed at that time, including the Kadam, Sakya, Shijé, Shangpa Kagyü, and—most notably—the powerful and influential Marpa Kagyü, for which it is a pivotal term, referring to the true nature of the mind, a style of meditation aimed at the realization of that nature, and the perfect buddhahood resulting from that realization. Although it has all these meanings and more, Mahāmudrā became best known as a contemplative technique in which the mind realizes, and settles within, its own true nature: as empty and luminous. It was brought to the center of Kagyü religious life by Gampopa (1079–1153), and studied, practiced, and systematized by generations of great Kagyü scholars and meditators. In later times, it sometimes inspired syncretic formulations, which combined the practices of Kagyü Mahāmudrā with those of the Nyingma Great Perfection (Dzokchen), or the Gelukpa analysis of the emptiness of all existents. Over the course of a millennium or more in Tibet, the Great Seal informed ritual, prompted ecstatic poetry, provoked debate, became the focus of yogic retreats, and was used as a lens through which Indian Buddhist thought and Tibetan institutional history might be viewed. With the post-1959 Tibetan disapora and the subsequent spread of Tibetan Buddhism outside Asia, Mahāmudrā has become a topic of interest for scholars and practitioners in many and varied settings, and a part of the vocabulary of educated Buddhists everywhere.