Galley Boys are slop on top of a so-so burger and a bun you coulde get from a Covneninet food mart generic pack. They the Antoine Joubert of burgers; soft, sloppy, oozing grease and cheap sauce and extremely overrated by a biased fan base. Proof that if you throw enough cheap sauce shit on a burger you still can't overcome the lame burger. -JB

Galley Boys are slop on top of a so-so burger and a bun you coulde get from a Covneninet food mart generic pack. They the Antoine Joubert of burgers; soft, sloppy, oozing grease and cheap sauce and extremely overrated by a biased fan base. Proof that if you throw enough cheap sauce shit on a burger you still can't overcome the lame burger. -JB

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

motherscratcher wrote:Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

All Genesis stuff is good. My favorite albums are A Trick of the Tail, Wind and Wuthering, and And Then There Were Three. Right after Peter Gabriel left the group, and before they went more commercial. Mad Man Moon, Ripples, One for the Vine, Blood on the Rooftops, Undertow, Bruning Rope, Many Too Many.

They're one of the few bands I would almost rather listen to a live CD than a studio.

Not much of a fan of Phil by himself. I can get with We Said Hello, Goodbye and In the Air Tonight. I Wish it would Rain.

Tony Banks is a god, and doesn't get enough cred as one of the all time best keyboardists. His solo work was good, but never mainstream.

motherscratcher wrote:Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

All Genesis stuff is good. My favorite albums are A Trick of the Tail, Wind and Wuthering, and And Then There Were Three. Right after Peter Gabriel left the group, and before they went more commercial. Mad Man Moon, Ripples, One for the Vine, Blood on the Rooftops, Undertow, Bruning Rope, Many Too Many.

They're one of the few bands I would almost rather listen to a live CD than a studio.

Not much of a fan of Phil by himself. I can get with We Said Hello, Goodbye and In the Air Tonight. I Wish it would Rain.

Tony Banks is a god, and doesn't get enough cred as one of the all time best keyboardists. His solo work was good, but never mainstream.

motherscratcher wrote:Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

All Genesis stuff is good. My favorite albums are A Trick of the Tail, Wind and Wuthering, and And Then There Were Three. Right after Peter Gabriel left the group, and before they went more commercial. Mad Man Moon, Ripples, One for the Vine, Blood on the Rooftops, Undertow, Bruning Rope, Many Too Many.

They're one of the few bands I would almost rather listen to a live CD than a studio.

Not much of a fan of Phil by himself. I can get with We Said Hello, Goodbye and In the Air Tonight. I Wish it would Rain.

Tony Banks is a god, and doesn't get enough cred as one of the all time best keyboardists. His solo work was good, but never mainstream.

LOLOLOLOL

I knew someone was gonna pull the wings off this parially smushed fly. I didn't think you visited this forum so I wasn't expecting it be you.

Let me make this easier for you, Spin. Here I've edited out the bulk of the text, leaving only the story within the story.

motherscratcher wrote:Do you like Phil Collins? ............................................................... ............................................................................................................................................ .........................................................................................................................................................................................................................................................................................................................................................................................................................................................................Christy, take off your robe .......................................................................... ...............................................................Sabrina, remove your dress. ....................................................................................................................................................................................................................................................................................................................................................................Christy, get down on your knees so Sabrina can see your asshole. ..........................................................................................................................................................................................................................................................................................................................................Sabrina, don't just stare at it, eat it. ........................................................................................................................................................................................................................................................................................................................................ This is Sussudio, a great, great song, a personal favorite.

Like we expected anything else from the Pounceys, whose collective IQ is still below the "challenged" line.

Does this mean your not buying Bob Krafts story , that they were duped, Duped i say , in regard to Hernandez , when these two Jackasses still come up as rocket scientists compared to that nimrod.

Hell no, I ain't buying that shit that Kraft be sellin'.

Duped... horseshit.

You hoped he'd be your Randy Moss or Warren Sapp. He ended up being who we thought he was. Shit happens sometimes. No reason for the sob story about being duped.

[i]Oh I'm Robert Kraft and people will believe whatever I say because I got super bowl rings. I am smart.S M R T[/i]

He is just as greasy as they come...

"Cocaine is a hell of a drug" - Originated from a famous skit in Dave Chappelle's "Chappelle's Show". The skit would portray Rick James, usually high on cocaine, preforming doing crazy and stupid things, such as smacking Charlie Murphy in the face. Rick James would frequently explain away his actions by saying "Cocaine is a hell of a drug".