Hello, Dolly!

Next season will see a new production of Hello, Dolly! on Broadway. It remains to be seen what Bette Midler, David Hyde Pierce, and director Jerry Zaks will do with the show but, thanks to 3D Theatricals, Southland audiences have a chance to reacquaint themselves with the property before the Broadway revival opens.

A Chorus Line

Lauded with numerous awards, including a Pulitzer Prize for Drama in 1976 when it debuted, A Chorus Line has been performed nearly continuously worldwide ever since. It garnered 12 Tony nominations, winning nine, including Best Musical, Best Book of a Musical, Best Score, Direction, Choreography, Costumes, Lighting, and several performance awards. Beyond its appeal as a showcase for musical theater performers, it serves as a metaphor for the struggle young people have to follow their dreams.

The News

The felicitously named Dutch composer/creator, JacobTV found operatic inspiration by stumbling across a live news broadcast in 2009. The result is The News, an opera which satirizes our daily media saturation. Even more ambitious than the concept is the fact that this "reality opera" is designed as an ongoing work-in-progress. Every production is updated and revised with current video clips.

Hamlet

Written by William Shakespeare sometime between 1599 and 1602 (historians and dramaturges are not quite certain of the date), Hamlet was inspired by the legend of Amleth, as chronicled in the 13th century by Saxo Grammaticus, and then reinvented by 16th-century scholar Francois de Belleforest. Over the centuries Shakespeare’s tragedy has become a template for existential inquiry as well as dramatic structure.

The Fringe: Chemistry and Sex

Jacob Marx Rice’s smartly-written Chemistry chronicles the love story of Steph and Jamie, a story darkened by the specter of mental illness. Steph (Autumn Bruewer) lives with chronic depression and is a veteran of doctors, pharmaceuticals, and suicide attempts. She immediately takes charge of Jamie (Colin Conrad) when she meets him in the waiting room of their shared psychiatrist.

I Love You Because

I Love You Because is a musical about dating and relationships in the big city -- New York, naturally. The genuine sparkle in the After Hours Theatre Company production at the Hudson Theatre is due mostly to a talented and strong-voiced cast of young performers.

The Twilight Zone

The classic television series The Twilight Zone ran on CBS Television from 1959 until 1964. Its creator, the Emmy-earning Rod Serling, served as the show’s host; he also wrote more than 80 episodes of the program. With often mind-warping plots with twisted conclusions, the anthology series gave a spotlight to many crafty actors who would go on to fame and fortune as movie stars, including Burt Reynolds, Lee Marvin, Charles Bronson, and Robert Redford.

Aliens VS Musical and Strap-On

Erik Przytulski and Steve Troop’s Alien VS. Musical returns to the Fringe in an expanded version after a successful run last year. The concept: what if the Alien from the “Alien” film franchise terrorized our favorite musical characters? It is the sort of late-night-after-a-quantity-of-martinis idea that will either fizzle in the morning light or become an obsession. Luckily, book writers Przytulski (who also wrote the music & lyrics) and Troop went with obsession and have created a Fringe-friendly 90-minute musical.

The Fringe: McCready and Adam and Eve

At one point in in Jon Bernstein and Jennifer Blake’s new musical McCready, has-been country star Mindy McCready admits that her life is a train wreck. It is a rare moment of clarity for this sad, self-destructive woman.

The Gay Guide to Tinseltown and Still Got It

With his new one-man show, The Gay Guide to Tinseltown, Jon Managanello crafts a piece that shows off his considerable performing talents. But almost immediately one realizes that Manganello, the playwright, has more in mind than a showcase. The script is both a deeply personal journey and a brash political statement.

Spotlight

50TH ANNUAL LOS ANGELES DRAMA CRITICS CIRCLE NOMINATIONS

50TH ANNUAL CELEBRATION

OF LOCAL THEATRE

BY LOS ANGELES DRAMA CRITICS CIRCLE

KICKS OFF WITH 2018 NOMINATIONS

February 15, 2019…Los Angeles…The Los Angeles Drama Critics Circle (LADCC), which presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago, has begun the gala celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018).

The LADCC is further thrilled to announce that this historic occasion will take place on Monday, April 8, 2019 at one of the region's most historic and beautiful theatres, Pasadena Playhouse, at 39 S. El Molino Avenue in Pasadena.

Although Pasadena Playhouse is hosting the LADCC Awards for the very first time, onstage host Wenzel Jonesof IMRU, the LGBTQI Radio News Magazine on KPFK 90.7, has served in that capacity numerous times, most recently in 2018. Noted local composer-conductor Christopher Raymond will serve in the capacity of musical director for the second consecutive year. The entire production will be in the hands of stage manager Heatherlynn Gonzalez, veteran of more than a decade's worth of LADCC service.

Standard general admission tickets are $40 and can be purchased at https://2019criticsawards.brownpapertickets.com/ (a small service fee applies) or at the door if available. All purchased tickets will be held at Will Call. The event will begin at 6:30 p.m. with a pre-show reception in the courtyard. The show will commence at 7:30 p.m. Nominees will receive instructions via email regarding how to claim complimentary tickets. Inquiries to: criticsawards2019@gmail.com.

One or more plaques will be presented in each of 18 categories. Seven special awards will also be presented.

The LADCC special award recipients are as follows:

The Margaret Harford Award for sustained excellence in theatre will be awarded to Sacred Fools Theater Company.

The Polly Warfield Award for an excellent season in a small to mid-size theatre will be awarded to Echo Theater Company.

The Ted Schmitt Award for the world premiere of an outstanding new play goes to Lauren Yee for Cambodian Rock Band, originally produced by South Coast Repertory.

The Kinetic Lighting Award for distinguished achievement in theatrical design goes to sound designer Robert Oriol.

Every effort has been made to ascertain proper credits for our nominees. We regret any errors or omissions. Any that come to our attention will be corrected on our LADCC website, in the event program, and (when applicable) on a recipient’s award plaque.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The 33rd Annual Robby Awards for Excellence in Los Angeles Area Theatre were presented by long time theatre critic Rob Stevens at a laugh and song-filled evening at Sterling’s Upstairs at the Federal in North Hollywood on Monday, February 4. Linda Hart and Bruce Kimmel co-hosted the show which featured performances by nominated actors Eileen Barnett, Erica Hanrahan-Ball, Ashley Fox Linton, Cassandra Marie Murphy, Jeffrey Scott Parsons, Jenna Lea Rosen, Shaunte Tabb Massard and Robert Yacko from their shows. Former Robby Award winner Jane A. Johnston also delivered a dramatic rendition of “The Ladies Who Lunch”. Other previous Robby Award winners Belinda Balaski, Carole Cook, Richard Doyle, John Iacovelli, Michael Kearns and Tom Troupe also presented awards. Cook had the audience roaring with laughter at her take down of Stevens and her reactions to her husband Troupe’s comments.

Hollywood’s Celebration Theatre was the big winner of the night, taking home nine awards—five for PRISCILLA QUEEN OF THE DESERT and four for CABARET. CABARET tied for Best Musical of the year with Me + You Productions’s SPRING AWAKENING. Hollywood’s The Fountain Theatre’s production of THE CHOSEN won Best Drama as well as two other awards while Pasadena’s A Noise Within’s production of NOISES OFF was named Best Comedy. Twenty-two productions at sixteen different Los Angeles venues won awards.

May 3, 2016…Laguna Beach, Calif…Laguna Playhouse Board of Directors announced today that, later this month, Ellen Richard will be joining Laguna Playhouse as its Interim Executive Director. The Playhouse announced late last year that it was undertaking a national search guided by Arts Consulting Group (ACG) for an Executive Director to succeed Karen Wood who had held this position for the past eight years.

Commenting on the appointment Joe Hanauer and Paul Singarella, Co-Chairmens of the Board of Directors, said “In the midst of our search we encountered this wonderful opportunity to engage Ellen while we continue to seek appropriate long-term leadership. To have found someone with the extraordinary qualifications that Ellen has is thrilling. She is the recipient of six Tony Awards as producer at New York’s Roundabout Theatre Company where she was Managing Director. Ellen also has strong successes in supervising the construction of theatres in New York and also in San Francisco at the American Conservatory Theater, a rare and valuable skill set considering the contemplated major remodel and expansion of the Laguna Playhouse.” Laguna Playhouse Artistic Director Ann E. Wareham adds, “We are pleased and proud to have Ellen Richard, truly a rock-star in our field, join us as our interim Executive Director who will help guide the Playhouse during this transition.” Comments Ellen Richard, “I have quickly grown fond of Laguna Beach and the Playhouse. I embrace this extraordinary opportunity to join one of the country’s top regional theatres at this time in its remarkable 95-year history. I look forward to helping the Playhouse and working with their incredible Board of Trustees and Ann E. Wareham.”

ABOUT ELLEN RICHARD

Ellen Richard served as Executive Director of the American Conservatory Theater in San Francisco from 2010 through 2015. During her tenure, Ms. Richard negotiated a deal to buy the Strand Theater in tech corridor of Mid-Market San Francisco, helped raise the $34,000 million to renovate and operate it and steered the design and construction for the project which opened in May of 2015. The complex featured two performance spaces and has won multiple awards. She opened the 50 seat Costume Shop Theater, a 49-seat “black box” venue used for the company’s Master of Fine Arts students and for shows by other local companies. Ms. Richard was also credited with expanding the company’s educational efforts, coming up with programs like the San Francisco Semester, which brings undergraduate acting students to ACT from around the world, and Stage Coach, a community theater mobile unit that reaches into diverse neighborhoods

She was also Executive Director of The Second Stage Theatre in New York City. During her tenure at Second Stage, which began in 2006 (through 2009), she was responsible for the purchase contract of the Helen Hayes Theatre, growth in subscription income of 48 percent, and growth in individual giving of 75 percent, as well as conceptualization of a highly successful gala format and “Second Generation,” a giving program through which donors enable deserving New York City youth to experience live theater. Under Ms. Richard’s leadership, Second Stage provided the initial home for the Broadway productions Everyday Rapture, Next to Normal, and The Little Dog Laughed.

From 1983 to 2005, Ms. Richard enjoyed a rich and varied career with Roundabout Theatre Company. The Roundabout that Ms. Richard joined was a small nonprofit theater company in bankruptcy. By the time she departed as Managing Director, Roundabout had become one of the country’s largest and most successful theater companies of its kind, with net assets in excess of $67 million dollars. Ms. Richard is the recipient of six Tony Awards as producer, for Roundabout productions of Cabaret (1998), A View from the Bridge (1998), Side Man (1999), Nine (2003), Assassins (2004), and Glengarry Glen Ross (2005). As producer of more than 125 shows at Roundabout, she had direct supervision of all management and marketing functions. She created Roundabout’s “Theatre-PLUS” programs, which include singles, teachers, family, gay and lesbian, wine tasting, and the 7 p.m. “Early Curtain” series, all of which grew to represent more than 10 percent of Roundabout’s 40,000 subscribers.

As director of design and construction at Roundabout, Ms. Richard was responsible for more than $50 million of theater construction for 11 projects. She conceptualized the three permanent Roundabout stages — The Broadway venues of Studio 54 and the American Airlines Theatre, and the Off-Broadway venue The Harold and Miriam Steinberg Center for Theatre She directed the location search for Cabaret and oversaw the creation of the production’s environmental Kit Kat Klub. Prior to her tenure at Roundabout, Ms. Richard served as business manager of Westport Country Playhouse, theater manager for Stamford Center for the Arts, and business manager for Atlas Scenic Studio. She began her career working as a stagehand, sound designer, and scenic artist assistant.