88 ,.... :.::=:":=:-:::. r.:.Y;;;;":"""'"A 4tj,.'.I · 'm__", m,". r /<< g: - " / 1 Í//< ..... := ";yj.Ô;lff r \( / 'e;':, '$ .Æ ', \ '< m .....: . , ",\,' "00 . '. ://X: < ,......';;; " '\ '\ ' " \, . , . ' . :- . ...." ;; '\. -:..-...- .a::. ..::./m.:.. ,,\ \. '7-,. . ">. '"". \ \ %. ;,,] "'r.>', \\\ tr.,'< . ,\ " \ ,,' .. ::i)fø f\:: '" g; ,;;'\,. .;::. :: I :<<:;" '" "' . "<'ttE1 oo.."'".v. ' \\ " \ ., .. . .' I ',. IiA/;(; 'j". ;tilt ;(Øj I / ) . : ; tH tt /, / V.' ip ;,r iJf ;,.:'Þ/ ' 00.... 1; % I /W >>" ..:<<. On the busy feet of men the world over, Phoenix socks have proved that strenuous wear and many washings do not affect their lustrous texture and fine style over long miles of service. That's J:I), Phoenix economy. Priced at 50 cents to $2 a pair. HOSIERY ,/ t/; ' .', . .., \ { ;' :; ' ; i ;tt ' ' . . , ' . ' . " ' ,.. '.' ... .1-t '.., ". n_'1: "r - "{ ')'\.' " -' . -..-}; ,-' - ,:/" ' . ;; ,_;N?>, .', :., "j .: . : ' /: "i:,: /'- r f p J . . ., '; J . 8ri g inations H í7) n: ( t . r+ errnanenl\ J ' aVlng cfhorl ÇJ(air J 15 cf?ong ÇJlair J/20 Gnakers of Origz.nal gZair JA'eces ,Æ,. H A I R D RES 5 E R 5 109 8. 47th eft. (277 cß&rk .czJve) 1005 071ad;son [Ave. (at 78th direet) .. A AUGUSTA TOTS-TOGS* Best Clothes for ages 2 to 6 Washable Jersey. 100% Wool. Finest Quality. Fast Colors Smart Styles SUITS $3 00 $4 00 $5 00 Also Junior Sizes Best Shops Everywhere *Trademark '- -) Reg. AUGUSTA KNITTING CORP. 171 Madison Avenue New York City Why not have an afternoon or evening of Numerology at home? ALSO PRIVATE INTERVIEWS BY APPOINTMENT ADRIENNE E. PEABODY 62 EAST 90TH STREET Sacramento 6349 APR'L 2. 7, I , l' One Hundred Important Paintings ex- hibit held in connection with the Archi- tectural Exposition at the Grand Central Palace. If you went to see it on our rec- ommendation, we can only beg your pardon humhly and promise that never again will we be optimistic and prate about a thing before it has happened. 'J'he particular shell game that took our credulous fancy was thE Art Council's seemingly good plan for the selection of the paintings to be hung. As proposed, this was to he done by a vote of all the artists in the community, the resulting show to represent at least the popular verdict. However, the joker in the scheme, unknown to us at least, but now printed in the catalogue was that the committee reserved the right to make the final decisions. Previous exalnples of ineptitude and in- competence hy this same organization did not warn us, and we barged ahead beating the drum. The show as final- ly assembled was a poor compromise of almost anything the dealers happened to have handy. Even the Old Guard did not get a fair break. If the exhibit holds the best of the ..A,cademy output, we feel we have been too kind in tim es past. The next-to-last paragraph in the catalogue is an illuminating bit of naÏveté. \V ritten by someone who thinks that art has something to do with geography, it sets forth "statistics of interest" showing that Grand Rapids, Monterey, and Quebec each provided one picture for the show. Another helpful feature of the catalogue is the illuminating notes that accompany the pictures. \V e wonder whether the moderns are more modest or do not know how to write. Four lines of biographical data are devoted to one of the best painters in the group; half pages are given to the mediocre. The pen is to be mightier than the brush. I N one room, kindly put together for some reason, are the younger men and women known as modern. HerE you can find some of the fair and mid- dling accomplishments of such artists as Marin, Brook, Dove, Kuniyoshi, O'Keeffe, Dickinson, Pascin, \Veber, Matulka, Maurer, Kantor, Driggs, Friedman, and Demuth. Demuth and Dickinson, we should add, are each represen ted by one of their best. Since the entrance and the main rooms were devoted to the old-timers, it is possible that you did not find this display. \V e hope no foreigners sa w the show and believed the label of "One Hundred Important Paintings." Ah