Quotes

Harry Burns:
See people? Have you slept with one person since you broke up with Joe?

Sally Albright:
What the hell does that have to do with anything? That will prove I'm over Joe? Because I fuck somebody? Harry, you're gonna have to move back to New Jersey because you've slept with everybody in New York and I don't see that turning Helen into a faint memory for you. Besides, I will make love to somebody when it is making love. Not the way you do it like you're out for revenge or something.

Harry Burns:
I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.

Harry Burns:
No, no, no, I never said that... Yes, that's right, they can't be friends. Unless both of them are involved with other people, then they can... This is an amendment to the earlier rule. If the two people are in relationships, the pressure of possible involvement is lifted... That doesn't work either, because what happens then is, the person you're involved with can't understand why you need to be friends with the person you're just friends with. Like it means something is missing from the relationship and why do you have to go outside to get it? And when you say "No, no, no it's not true, nothing is missing from the relationship," the person you're involved with then accuses you of being secretly attracted to the person you're just friends with, which you probably are. I mean, come on, who the hell are we kidding, let's face it. Which brings us back to the earlier rule before the amendment, which is men and women can't be friends.

Harry Burns:
You don't see that? Waiter, I'll begin with a house salad, but I don't want the regular dressing. I'll have the balsamic vinegar and oil, but on the side. And then the salmon with the mustard sauce, but I want the mustard sauce on the side. "On the side" is a very big thing for you.

Harry Burns:
The fact that you're not answering leads me to believe you're either (a) not at home, (b) home but don't want to talk to me, or (c) home, desperately want to talk to me, but trapped under something heavy. If it's either (a) or (c), please call me back.

Harry Burns:
Had my dream again where I'm making love, and the Olympic judges are watching. I'd nailed the compulsories, so this is it, the finals. I got a 9.8 from the Canadians, a perfect 10 from the Americans, and my mother, disguised as an East German judge, gave me a 5.6. Must have been the dismount.

Sally Albright:
Yes. They had the days of the week on them, and I thought they were sort of funny. And then one day Sheldon says to me, "You never wear Sunday." It was all suspicious. Where was Sunday? Where had I left Sunday? And I told him, and he didn't believe me.

Sally:
He just met her... She's supposed to be his transitional person, she's not supposed to be the ONE. All this time I thought he didn't want to get married. But, the truth is, he didn't want to marry me. He didn't love me.

Sally:
When Joe and I started seeing each other, we wanted exactly the same thing. We wanted to live together, but we didn't want to get married because every time anyone we knew got married, it ruined their relationship. They practically never had sex again. It's true, it's one of the secrets that no one ever tells you. I would sit around with my girlfriends who have kids - and, actually, my one girlfriend who has kids, Alice - and she would complain about how she and Gary never did it anymore. She didn't even complain about it, now that I think about it. She just said it matter-of-factly. She said they were up all night, they were both exhausted all the time, the kids just took every sexual impulse they had out of them. And Joe and I used to talk about it, and we'd say we were so lucky we have this wonderful relationship, we can have sex on the kitchen floor and not worry about the kids walking in. We can fly off to Rome on a moment's notice. And then one day I was taking Alice's little girl for the afternoon because I'd promised to take her to the circus, and we were in the cab playing "I Spy" - I spy a mailbox, I spy a lamp-post - and she looked out the window and she saw this man and this woman with these two little kids. And the man had one of the little kids on his shoulders, and she said, "I spy a family." And I started to cry. You know, I just started crying. And I went home, and I said, "The thing is, Joe, we never do fly off to Rome on a moment's notice."

Harry Burns:
No you didn't. A Sheldon can do your income taxes, if you need a root canal, Sheldon's your man... but humpin' and pumpin' is not Sheldon's strong suit. It's the name. 'Do it to me Sheldon, you're an animal Sheldon, ride me big Shel-don.' Doesn't work.

Harry Burns:
Right now everything is great, everyone is happy, everyone is in love and that is wonderful. But you gotta know that sooner or later you're gonna be screaming at each other about who's gonna get this dish. This eight dollar dish will cost you a thousand dollars in phone calls to the legal firm of That's Mine, This Is Yours.

Harry Burns:
Please, Jess, Marie. Do me a favor, for your own good, put your name in your books right now before they get mixed up and you won't know whose is whose. 'Cause someday, believe it or not, you'll go 15 rounds over who's gonna get this coffee table. This stupid wagon wheel ROY ROGERS GARAGE SALE COFFEE TABLE!

Harry Burns:
No, it's just different. It's a whole different perspective. I get the woman's point of view on things. She tells me about the men she desires and I can talk to her about the women that I see.

Harry Burns:
That's what everyone says. But, really, what's so hard about finding an apartment? What you do is look in the obituary section. You see who died, find out where they lived, and tip the doorman. What they could do to make it easier is combine the two. You know, Mr. Kline died yesterday, leaving behind a wife, two children, and a spacious three bedroom apartment with a wood burning fireplace.

Marie:
All I'm saying is that somewhere out there is the man you are supposed to marry. And if you don't get him first, somebody else will, and you'll have to spend the rest of your life knowing that somebody else is married to your husband

Sally Albright:
But I'd like the pie heated and I don't want the ice cream on top, I want it on the side, and I'd like strawberry instead of vanilla if you have it, if not then no ice cream just whipped cream but only if it's real; if it's out of the can then nothing.

Harry Burns:
We're talking dream date compared to my horror. It started out fine, she's a very nice person, and we're sitting and we're talking at this Ethiopian restaurant that she wanted to go to. And I was making jokes, you know like, "Hey I didn't know that they had food in Ethiopia? This will be a quick meal. I'll order two empty plates and we can leave." Yeah, nothing from her not even a smile.

Sally Albright:
You know, I'm so glad I never got involved with you. I just would have ended up being some woman you had to get up out of bed and leave at 3:00 in the morning and go clean your andirons, and you don't even have a fireplace, not that I would know this.

Documentary Couple:
I was sitting with my friend Arthur Kornblum, in a restaurant, it was a Horn and Hardart cafeteria. And this beautiful girl walked in and I turned to Arthur and I said Arthur, you see that girl? I'm going to marry her. And two weeks later we were married. And it's over fifty years later and we are still married.

Harry Burns:
Friday. Helen comes home from and she said, "I don't know if I want to be married anymore." Like it's the institution, you know, like it's nothing personal, just something she's been thinking about... in a casual way. I'm calm, I say, "Why don't we take some time to think about it, you know, don't rush into anything."

Harry Burns:
Next day she said she's thought about it, and she wants a trial separation. She just wants to try it, she says, but we can still date. Like this is supposed to cushion the blow. I mean I got married so I can stop dating. So I don't see where we can still date is any big incentive since the last thing you want to do is date your wife, who's suppose to love you, which is what I'm saying to you, that's when it occurs to me that may be... she doesn't. So I say to her, "Don't you love me anymore?" You know what she says? "I don't know if I've ever loved you."

Harry Burns:
Then she tells me that somebody in her office is going to South America and she can sub-let his apartment. I can't believe this, and the doorbell rings, 'I can sub-let his apartment', the words are still hanging in the air, you know, like in a balloon attached to a mouth.

Harry Burns:
Right. So I go to the door, and there were moving men there. Now I start to get suspicious. I say, "Helen when did you call these movers?", and she doesn't say anything. So I asked the movers, "When did this woman book you for this gig?" And they're just standing there. Three huge guys, one of them was wearing a T-shirt that says, "Don't fuck with Mr. Zero." So I said, "Helen, when did you make this arrangement?" She says, "A week ago." I said, "You've known for a week and you didn't tell me?" And she says, "I didn't want to ruin your birthday."

[They do the wave again]

Jess:
You're saying Mr. Zero knew you were getting a divorce a week before you did?