Woman with a Mirror: Gallery Label - Currenthttp://www.artsconnected.org/resource/96834/woman-with-a-mirror-gallery-label-current
ArtsConnectEd.org Art Collector Set: Woman with a Mirror: Gallery Label - CurrentWoman with a Mirror: Gallery Label - Currenthttp://www.artsconnected.org/images/favicon.pnghttp://www.artsconnected.org/resource/96834/woman-with-a-mirror-gallery-label-current
1616Woman with a Mirror: Gallery Label - Currenthttp://www.artsconnected.org/resource/96834/woman-with-a-mirror-gallery-label-current
Mon, 01 Jun 2009 00:00:00 -0400<table cellspacing="0">
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<td class="detail_label">Title</td>
<td><h3>Woman with a Mirror: Gallery Label - Current</h3></td>
</tr>
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<td class="detail_label">Author</td>
<td><h3>Minneapolis Institute of Arts</h3></td>
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<td class="detail_label">Date</td>
<td><h3>2009-07-17</h3></td>
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<td class="detail_label" style="padding-right:7px;">Institution</td>
<td>Minneapolis Institute of Arts</td>
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</table><br/>Although Delvaux never participated formally in the Surrealist movement, he is visually involved with the "painters of the dream", particularly with Magritte and de Chirico. His smooth, detached style is closely akin to that of the Surrealists. Delvaux never employed the strange juxtaposition or incongruities found in Magritte's work, nor the jumbled perspective of de Chirico. But, his paintings do present a mysterious obtuse reality. Woman is the center of his dream world, silent, waiting, and always with sexual undertones.http://www.artsconnected.org/resource/96834/woman-with-a-mirror-gallery-label-currentAlthough Delvaux never participated formally in the Surrealist movement, he is visually involved with the "painters of the dream", particularly with Magritte and de Chirico. His smooth, detached style is closely akin to that of the Surrealists. Delvaux never employed the strange juxtaposition or incongruities found in Magritte's work, nor the jumbled perspective of de Chirico. But, his paintings do present a mysterious obtuse reality. Woman is the center of his dream world, silent, waiting, and always with sexual undertones." type="image/jpeg" />Although Delvaux never participated formally in the Surrealist movement, he is visually involved with the "painters of the dream", particularly with Magritte and de Chirico. His smooth, detached style is closely akin to that of the Surrealists. Delvaux never employed the strange juxtaposition or incongruities found in Magritte's work, nor the jumbled perspective of de Chirico. But, his paintings do present a mysterious obtuse reality. Woman is the center of his dream world, silent, waiting, and always with sexual undertones." type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts