With the work , artist Chen-Hung Chiu repurposed a lighting device from another place and installed it at the exhibition space, according to the gallery’s original structure. Under these lights, Chen-Hung Chiu traced the silhouettes generated by the device, and sculpted them one by one in the space. The lighting device was then removed and thus the sculptures (shadows) coexists with natural light in the gallery. By carving the imprints of light and shadow from a certain ordinary daily moment, Chen-Hung Chiu engraved spatial perception inside a container of another space and time, and preserved a kind of conflict that is direct yet subtle.