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Theatre

In this comedy, Shakespeare weaves together two ancient folk myths, one involving a vengeful, greedy Jewish creditor trying to exact a pound of flesh from a Christian over an unpaid debt, the other involving a marriage suitor’s choice among three chests to win the hand of his beloved. How does one harmonize the Elizabethan anti-Semitic portrayal of Shylock with the fairy-tale romance of Portia and Bassanio? And then make this experience relevant and comedic to a contemporary audience? Join us as we celebrate the final production in our exploration of politically-themed work.

Direct from the world famous Apollo Theatre in New York City, Dreamgirls comes to the Gallagher-Bluedorn in a brand new, sensational stage production. Dreamgirls features the unforgettable hits and virtuoso diva songs "And I Am Telling You I'm Not Going," "One Night Only," and "Listen." Full of onstage joy and backstage drama, Dreamgirls tells the rags-to-riches story of a 1960s Motown girl group and the triumphs and tribulations that come with fame and fortune.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.

In Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s disturbing, sophisticated drama—infused with references to 9/11 and the war in Iraq—explores how contemporary politics and recent history have transformed the lives of these three characters.