For Mux Mool (AKA Brian Lindgren), all his music connects to a certain outlook on life - that the pre-established trajectory for adult life is being completely re-imagined. So, how does this economic ambivalence translate to an album of what is best (if not entirely) described as fluid, subsuming instrumental Hip Hop? It's funkier, more confident, and more comfortable. It sounds less like someone trying to prove a point by arguing and more like someone trying to prove a point by just being who they are. It's leading by example, sonically speaking.