It has a very suspended, haunting feel. And yet it still manages to have movement. Pretty much exactly how I feel right now. Suspended, but as if the future were gravity, pulling us into it. Like we're all falling face up, and we can't roll over to see what's going to happen.

Was this the track that was giving you problems from a sound design angle? If so, it must have worked out very well 'cos it sounds great to me. I've heard three great pieces in the Cafe tonight, but this was the best. I got some "Silent Sorrow In Empty Boats" vibes from this (minus the Mellotron). That clicking beat reminded me of a clock ticking.

seismic1 wrote:Was this the track that was giving you problems from a sound design angle?

Sorry. I should have addressed this to FrantzM

My next track is almost ready. I wanted to make a lot of progress on it last weekend but a friend's kid sent me four college essays to review at the last minute that were due Jan 1. The essays needed a lot of work.

I'm spending a lot of time on the track attempting to make it better than the last one. Here's a pad that I programmed for it using RayBlaster which I just bought. I'm playing a few random chords here to demo the sound:

@Frantz: The Rayblaster sounds great, a friend asked me to try the demo, he is thinking of buying it. Awesome pads, makes think I should dig deeper in my Absynth, there's still a lot of weird pads inside it too.