Copyright

From Conservapedia

Copyright is legal protection for the rights of authors in their works for a limited time period. Copyright law (title 17, U.S. Code) is enacted under the authority of the Copyright Clause in the United States Constitution, "to promote the Progress of Science and useful Arts, by securing for a limited Time to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."

Copyright protects authors of "original works of authorship", including literary, dramatic, musical, artistic, software, and certain other intellectual works. This protection is available to both published and unpublished works. It does not protect the ideas contained in the work, just the original creative expression of those ideas.

Under Section 105 of the copyright law, "Copyright protection under this title is not available for any work of the United States Government, but the United States Government is not precluded from receiving and holding copyrights transferred to it by assignment, bequest, or otherwise."

The duration of U.S. copyright has changed several times. It was 14 years as originally enacted (with an option to renew for an additional 14 years). By 1909, the copyright term was a 28 year term plus a 28 year renewal term, for a maximum of 56 years of protection. In 1976, Congress extended the duration of existing copyrights and copyrights on works made for hire to 75 years, while establishing a new copyright term for works of known authorship (other than works made for hire) lasting 50 years after the death of the last surviving author. Two decades later, they added another 20 years. Neither of these extensions applied to copyrights that had already expired, so anything published in the United States before 1923 is in the public domain in that country.[1] Also, photographs of paintings in the public domain would ordinarily not qualify for copyright protection either.[2]

To distribute copies or phonorecords of the work to the public by sale or other transfer of ownership, or by rental, lease, or lending;

To perform the work publicly, in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works;

To display the work publicly, in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work; and

In the case of sound recordings*, to perform the work publicly by means of a digital audio transmission.

In addition, certain authors of works of visual art have the rights of attribution and integrity as described in section 106A of the 1976 Copyright Act. For further information, request Circular 40, Copyright Registration for Works of the Visual Arts.

It is illegal for anyone to violate any of the rights provided by the copyright law to the owner of copyright. These rights, however, are not unlimited in scope. Sections 107 through 121 of the 1976 Copyright Act establish limitations on these rights. In some cases, these limitations are specified exemptions from copyright liability. One major limitation is the doctrine of “fair use,” which is given a statutory basis in section 107 of the 1976 Copyright Act. In other instances, the limitation takes the form of a “compulsory license” under which certain limited uses of copyrighted works are permitted upon payment of specified royalties and compliance with statutory conditions. For further information about the limitations of any of these rights, consult the copyright law or write to the Copyright Office.

Note: Sound recordings are defined in the law as “works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sounds accompanying a motion picture or other audiovisual work.” Common examples include recordings of music, drama, or lectures. A sound recording is not the same as a phonorecord. A phonorecord is the physical object in which works of authorship are embodied. The word “phonorecord” includes cassette tapes, CDs, LPs, 45 r.p.m. disks, as well as other formats.

Copyright as Property

Before the 1976 Act, state common-law copyright generally protected unpublished works from creation until publication[4] while publication of a work with a copyright notice commenced federal copyright protection. When Congress passed the 1976 Act, it decided to preempt all state copyright laws (with the exception of laws covering pre-1972 sound recordings). As copyright is, in nearly all circumstances, a creature of federal statute, jurisdiction of copyright cases generally belongs to the federal court system.

To get around this limitation, extensions such as those listed above have been passed. In 1998, the Sonny Bono Copyright Term Extension Act (aka the "Bono Act") increased copyright terms to 70 years after the artist's death. It is often called the "Mickey Mouse Act" due to the law setting the public domain cutoff at 1923, a year close to the emergence of Disney's popular cartoon characters. In Eldred v. Ashcroft (2003), the Supreme Court ruled in favor of the Bono Act, claiming that the Constitution's "limited" could mean a term of any length.