Narrative analysis of the selected sequences in the television series „Smogovci“ and „Crno - bijeli svijet“were used as a base for exploring whether the city of Zagreb was a scenography for the new wave movement in the social- political system of the Socialist Federal Republic of Yugoslavia. The scenography of the city argued with the concept of television series as a movie cartography that allows the viewer to travel through the history of the city and of society and thus experiencing a whole range of feelings, of which the most dominant are sense of nostalgia and melancholy. Some of the key concepts through which the relations of the city and the media are analyzed are: the term flâneur by Walter Benjamin- an urban walkers who looks at the city through all its changes, music and television series as a cinematographic form that participates and records changes in society, and the socialist daily routine as a socio- political system in the period of the new wave movement which is the dominant theme of this work.