N.R. Burrell, The Language of Silence is no Paradox: Enervation & Renewal in the Poetry of J.H. Prynne (Unpublished Ph.D. Dissertation, American University of London, 1993).

D.S. Marriott, An Introduction to the Poetry of J.H. Prynne (1962–1977) (Unpublished Ph.D. Dissertation, University of Sussex, 1993).

Anthony Mellors, Poetic Space and the Late Modernist Text: The Theory and Context of J.H. Prynne’s Writings from 1960–1974 (Unpublished Ph.D. Dissertation, University of Oxford, 1993).

Peter Middleton, ‘Who am I to speak? The Politics of Subjectivity in Recent British Poetry’, in New British Poetries; The Scope of the Possible, eds. Robert Hampson and Peter Barry (Manchester: Manchester University Press, 1993): 112–18.

Edward Larissy, ‘Poets of A Various Art: J.H. Prynne, Veronica Forrest-Thomson, Andrew Crozier’, in Contemporary British Poetry: Essays in Theory and Criticism, eds. James Acheson and Romana Huk (Albany, New York: State University of New York Press, 1996): 63–79.

Andrew Duncan, untitled discussion of J.H. Prynne’s rune poem, in response to Out To Lunch, ‘Getting the session into SFX with candy-striped techno grunge: Not-You, by J.H. Prynne’ [Angel Exhaust, 13 (Spring 1996; ed. Andrew Duncan): 134–35]. Angel Exhaust website, c. 1998, previously online at http://www.angel-exhaust.off.world.org. Duncan’s text [approx. pp. 2] was published below Out To Lunch’s review on the previously online Angel Exhaust site, though Duncan’s text was not present in the original print edition of Angel Exhaust, 13 (Spring 1996; ed. Andrew Duncan); nor is it published on the current Angel Exhaust blog [www.angelexhaust.blogspot.com]; nor on the current Angel Exhaust online archive, http://www.pinko.org/39.html [though Out To Lunch’s review is published on the latter site, at http://www.pinko.org/71.html].

Allen Fisher, The Topological Shovel; Four Essays (Willowdale, Ontario: The Gig, 1999): [unknown page numbers] includes a revised version of ‘Necessary Business’, from Spanner, 25 (1985; London): 159–248; and this revised version of ‘Necessary Business’ is reprinted in Allen Fisher, Imperfect Fit: Aesthetic Function, Facture, and Perception in Art and Writing since 1950 (Tuscaloosa, Alabama: University of Alabama Press, 2016): 37–76. [The essay discusses the work of J.H. Prynne, Eric Mottram and cris cheek].

Anthony Mellors, ‘Modernism and Mysticism: The Figure of the Shaman in J. H. Prynne’s The White Stones’, in Poetry Now; Contemporary British and Irish Poetry in the Making, eds. Holger Klein, Sabine Coelsch-Foisner and Wolfgang Görtschacher. (Studies in English and Comparative Literature Vol. 13; Tübingen: Stauffenberg, 1999): 237–52.

John Kinsella, Fast, Loose Beginnings: A Memoir of Intoxications (Melbourne: Melbourne University Press, 2006): Chapter 8, ‘Mr Sharpie’ (120–38), and further references to Prynne and his visit to Australia on pp. 198, 212–13 and 236–37.

Alan Marshall, ‘Quiet Americans: Responses to War in Some British and American Poetry of the 1960s’, in The Oxford Handbook of British and Irish War Poetry, ed. Tim Kendall (Oxford: Oxford University Press, 2007): Chapter 32.

David Caddy, ‘So Here We Are: Poetic Letters From England’, Miporadio podcast series (December 2007 – September 2008): Letter 14; and int. al., 8, 9, 11, 15–16. Available as text and audio recordings online at http://davidcaddy.blogspot.com/search?q=prynne [approx. pp. 35 on Prynne]. A revised version of Letter 14 published in A Manner of Utterance: The Poetry of J.H. Prynne, ed. Ian Brinton (Exeter: Shearsman Books, 2009): 23–35. The full series of texts as originally podcast published as David Caddy, So Here We Are (Bristol: Shearsman Books, 2012); Letter 14 on pp. 114–23.

Shamsad Mortuza, The Shamanic and Bardic Traditions in Contemporary British Poetry (Unpublished Ph.D. Dissertation, Birkbeck College, University of London, 2008). A revised version of this thesis published as Shamsad Mortuza, The Figure of the Shaman in Contemporary British Poetry (Newcastle upon Tyne: Cambridge Scholars Publishing, 2013).

Xiao Xiaojun, ‘Poetry Exists in the Process of Writing: A Study of Jeremy Prynne’s Experimentalist Poetics’ [in Chinese], in Pearl River Meandering with Poetic Thought; Proceedings of the Second Pearl River International Poetry Conference, ed. Ou Hong (Guangzhou: Sun Yat-sen University Press, 2009): 185–93. [Originally a talk delivered at the Second Pearl River International Poetry Conference, Guangzhou, P.R. China, 14th–15th June 2008].

Chen Shangzhen, ‘Reading Spaces of the Text: Comment on J.H. Prynne’s Poem “As Grazing the Earth”’ [in Chinese], in Pearl River Meandering with Poetic Thought; Proceedings of the Second Pearl River International Poetry Conference, ed. Ou Hong (Guangzhou: Sun Yat-sen University Press, 2009): 225–32. [Originally a talk delivered at the Second Pearl River International Poetry Conference, Guangzhou, P.R. China, 14th–15th June 2008].

David Caddy, ‘Notes Towards a Preliminary Reading of J.H. Prynne’s Poems’, in A Manner of Utterance: The Poetry of J.H. Prynne, ed. Ian Brinton (Exeter: Shearsman Books, 2009): 23–35. This essay is a revised version of David Caddy, ‘So Here We Are: Poetic Letters From England’, Miporadio podcast series (December 2007 – September 2008): Letter 14 (29 June 2008), available as text and audio recordings online at http://davidcaddy.blogspot.com/search?q=prynne [approx. pp. 12]. The original podcast version reprinted as David Caddy, So Here We Are (Bristol: Shearsman Books, 2012): 114–23.

Michael Stone-Richards, ‘The time of the subject in the neurological field (I): A Commentary on J.H. Prynne’s “Again in the Black Cloud”’ and ‘Appendix: The time of the subject in the neurological field (II): A Note on Breton in the Light of Prynne’. Glossator: Practice and Theory of the Commentary, 2 (2010: On the Poems of J.H. Prynne; ed. Ryan Dobran): 149–244. Online at https://solutioperfecta.files.wordpress.com/2011/10/g2-msr.pdf.

Matt[hew] Hall, ‘Past the Curve of Recall: A Reading of J.H. Prynne’s Wound Response’. VLAK: Contemporary Poetics and the Arts, 1 (September 2010): 30–44. Online at http://issuu.com/litteraria/docs/vlak1_september_2010/1. Later published in an expanded version in Terrain: Essays on the New Poetics, eds. Olga Pek and David Vichnar (Prague: Litteraria Pragensia, 2014): 94–125.

Xie Ming, ‘Reactualising the Unfigurable: Difficulty and Resistance in Translating J.H. Prynne’. Cambridge Quarterly, Vol. 41 No. 1 (March 2012: Special Issue – Cambridge English and China: A Conversation): 180–96. Online at http://camqtly.oxfordjournals.org/content/41/1/180.full.pdf+html. [This essay is a revised version of a talk given at the colloquium ‘Cambridge English & China: A Conversation’, (5–7th July 2011), included on a two-CD audio mp3 collection, The Cambridge Quarterly – Cambridge English & China: A Colloquium, 5–7th July 2011, MP3 Version (London: Optic Nerve, 2012); Xie Ming’s talk is CD 2, track 11a., titled on the back cover ‘Prynne in China’].

Ian Brinton, ‘Nearly Brassed Off: Andrew Crozier and the Ferry Press’. Tears in the Fence, 55 (Summer 2012): 118–26. Part of this essay is later incorporated into Ian Brinton, ‘“Brass Nearly Off”’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 182–88.

Justin Katko, ‘Preface’, in Edward Dorn, Two Interviews, eds. Gavin Selerie and Justin Katko (Bristol: Shearsman Books, 2012): 7–13. [includes an information-rich account of the writings and readings of Prynne and the Dorns during the summer of 1971 during their cross-country trip from Boston through Chicago to Vancouver, then down through California and back to Chicago. This discussion involves ‘The Peak Interview’; Writing: Georgia StraightWriting Supplement, 8; Into the Day; ‘On Maximus IV, V, VI’; and poetry readings by Dorn and Prynne recorded by Fred Wah [Prynne’s readings, on 30 July 1971 at Intermedia and on 1 August 1971 at the York Street Commune, are online at http://www.archiveofthenow.org/authors/?i=77]. [‘NY251423MSGSTART/ …’], Prynne’s handwritten text in ink on a Northeastern Illinois University memo sheet, c. 20–30 August 1971, is also reproduced on p. 12]. Katko’s ‘Preface’ is online at http://www.shearsman.com/ws-public/uploads/223_edward_dorn_two_interviews.pdf.

Richard Owens, ‘Towards an Image of Man’. Open Letter: A Canadian Journal of Writing and Theory, Ser. 15 No. 2 (Spring 2013: Charles Olson at the Century – A Projective and Archival Reconsideration; ed. Steve McCaffery): 64–83. [discusses the distinctions between Prynne’s and Olson’s notions of totality, cosmology, love and origin during the mid-1960s].

Richard Owens, ‘To Shrink the Confines’: Anglophone Poetry, Political Economy and the Space of History, 1947–2007 (Unpublished Ph.D. Dissertation, State University of New York at Buffalo, 2013).

Ryan Dobran, The Difficult Style: A Study of the Poetry of J.H. Prynne (Unpublished Ph.D. Dissertation, University of Cambridge, 2013).

Marianne Morris, Problems of the ‘Political’ in British Avant-Garde Poetry and Poetics, 2003–2012 (Unpublished Ph.D. Dissertation, University of the Arts London and Falmouth University, 2013).

Shamsad Mortuza, The Figure of the Shaman in Contemporary British Poetry (Newcastle upon Tyne: Cambridge Scholars Publishing, 2013): esp. Chapter 3, ‘The Technicians of the Sacred: Sinclair, Prynne and Catling’ (91–166). This book is a revised version of Shamsad Mortuza, The Shamanic and Bardic Traditions in Contemporary British Poetry (Unpublished Ph.D. Dissertation, Birkbeck College, University of London, 2008).

Samuel Noah Solnick, Poetry in the Anthropocene: Ecology, Biology and Technology in the Work of Ted Hughes, J.H. Prynne and Derek Mahon (Unpublished Ph.D. dissertation, Queen Mary University of London, 2013). A revised version of this dissertation published as Sam Solnick, Poetry and the Anthropocene: Ecology, Biology and Technology in Contemporary British and Irish Poetry (London/New York: Routledge, 2016).

Joshua Kotin, ‘Blood-Stained Battle-Flags: Ezra Pound, J.H. Prynne and Classical Chinese Poetry’, in News from Afar: Ezra Pound and Some Contemporary British Poetries, ed. Richard Parker (Bristol: Shearsman Books, 2014): 133–41. This essay is a revised version of excerpts from Joshua Kotin, Private Utopias, Transnational Modernism (Unpublished Ph.D. Dissertation, University of Chicago, August 2011): 172–77 and 185–92; and a revised version of the entire dissertation is published as Joshua Kotin, Utopias of One (Princeton, New Jersey: Princeton University Press, 2017 [though dated 2018]).

Alex Latter, “News that STAYS news”: On The English Intelligencer (Unpublished Ph.D. Dissertation, University of London, 2014). A revised version of this dissertation published as Alex Latter, Late Modernism and The English Intelligencer: On the Poetics of Community (London/New York: Bloomsbury Academic, July 2015).

Matthew Hall, ‘Past the Curve of Recall: A Reading of J.H. Prynne’s Wound Response’, in Terrain: Essays on the New Poetics, eds. Olga Pek and David Vichnar (Prague: Litteraria Pragensia, 2014): 94–125. This essay is an expanded version of Hall’s essay in VLAK: Contemporary Poetics and the Arts, 1 (September 2010): 30–44, online at http://issuu.com/litteraria/docs/vlak1_september_2010/1.

Matthew John Hall, Violence in the Work of J.H. Prynne (Unpublished Ph.D. Dissertation, University of Western Australia, 2014). A revised version of this dissertation published as Matthew Hall, On Violence in the Work of J.H. Prynne (Newcastle upon Tyne: Cambridge Scholars Publishing, 2015).

Eva Ulrike Pirker, ‘Language and Agency after Modernism: A Reading of J.H. Prynne’s “Die a Millionaire (Pronounced: ‘Diamonds in the Air’)”’. Proceedings of the Conference of the German Association of University Teachers of English, 35 (2014): 279–90.

Louis Goddard, ‘Encountering the Hand, the Ephemeral, the Unexpected in the Archive’. University of Connecticut University Libraries Archive & Special Collections blog, (9 December 2014): online at http://blogs.lib.uconn.edu/archives/2014/12/09/encountering-the-hand-the-ephemeral-the-unexpected/ [approx. pp. 5]. [Discusses Prynne’s letters to Charles Olson and to Edward Dorn, as well as mentions of Prynne in letters between Olson and Dorn, all of which are contained in the University of Connecticut’s Olson and Dorn archives].

Ed Luker, ‘Geomorphology, Classical Mechanics, and Theories of Time: Reading the Manuscripts of Poet J.H. Prynne’. University of Connecticut University Libraries Archive & Special Collections blog, (16 March 2015): online at http://blogs.lib.uconn.edu/archives/2015/03/16/geomorphology-classical-mechanics-and-theories-of-time-reading-the-manuscripts-of-poet-j-h-prynne/ [approx. pp. 6]. [Discussion of Prynne’s correspondence with Charles Olson and with Edward Dorn (as collected in the Charles Olson Papers and the Edward Dorn Papers, both in the Archives & Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries) in relation to Prynne’s contemporaneous poetic work and research. Includes photographs of materials sent by Prynne to Dorn and Olson [though the dates of the featured items are not listed]].

Ian Brinton, ‘Introduction’, in Andrew Crozier, ‘Free Verse’ as Formal Restraint: an alternative to metrical conventions in twentieth century poetic structure, ed. for publication by Ian Brinton (Bristol: Shearsman Books, 2015): 7–9. Included online in a sample of the book at http://www.shearsman.com/ws-public/uploads/223_andrew-crozier-free-verse-as-formal-restraint-sample.pdf. [Briefly discusses Crozier’s correspondence with Prynne, 1964–1973, and quotes Prynne’s additional concluding note as part of the examiner’s report on Crozier’s thesis. The rest of Prynne’s examiner’s report, dated 30th April 1973, is published as an afterword on pp. 212–14, following the thesis itself].

Alex Latter, Late Modernism and The English Intelligencer: On the Poetics of Community (London/New York: Bloomsbury Academic, July 2015). This book is a revised version of Alex Latter, “News that STAYS news”: On The English Intelligencer (Unpublished Ph.D. Dissertation, University of London, 2014).

Matthew Hall, On Violence in the Work of J.H. Prynne (Newcastle upon Tyne: Cambridge Scholars Publishing, 2015), based on Hall’s Ph.D. dissertation, Violence in the Work of J.H. Prynne (University of Western Australia, 2014).

Matthew Sperling, ‘“The Most Intelligent Entity on the Island”’ [review of Alex Latter, Late Modernism and The English Intelligencer: On the Poetics of Community (London/New York: Bloomsbury Academic, July 2015), and J.H. Prynne, Poems [2015]]. Literary Review, 437 (November 2015): 51–52. The beginning is excerpted online at https://literaryreview.co.uk/the-most-intelligent-entity-on-the-island, though a subscription is required to read the full article.

Ian Brinton, ed., For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday (Bristol: Shearsman Books, 2016): pp. 241 [various essays and poems; Ian Brinton’s ‘Introduction: A Hand-Out for the Future’ is pp. 7–16].

John James, ‘Affection’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 17–25.

Simon Smith, ‘Essay: Discourse on Some Lines from News of Warring Clans’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 26–32.

Michael Grant, ‘“Mixing Memory and Desire”: Eliot and the Subjectile’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 48–56.

Anthony Barnett, ‘And You Too’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 57–61.

Ian Friend and Richard Humphreys, ‘A Bash in the Tunnel’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 78–81.

John Wilkinson, ‘I Staircase, Gonville and Caius’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 82–84.

John Hall, ‘Learning from Jeremy Prynne, 1963-1967 – An Autobiographical Sketch –’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 85–98.

Peter Larkin, ‘If Flowers of Language Will (Have) Been a Language of Flowers: Trials of Florescence in the Poems of J. H. Prynne’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 99–113.

Masahiko Abe, ‘J.H. Prynne and Grid’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 126–29.

Matthew Hall, ‘“Assuming banishment for lost time back across nullity”: on opening Acrylic Tips’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 130–40. [An expanded version of this essay is published in Matthew Hall, On Violence in the Work of J.H. Prynne (Newcastle upon Tyne: Cambridge Scholars Publishing, 2015): Chapter 4 (127–65)].

Anthony Mellors, ‘wynsum wong: J.H.Prynne Inside and Outside The English Intelligencer’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 141–53.

David Caddy, ‘To a Reader’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 193–95.

David Herd, ‘“To take the whole condition of something”: On Prynne reading Olson’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 196–215.

Joseph Persad, ‘“For the for you / and these to hold”: Receiving J.H. Prynne’s Poems’, in For the Future: Poems & Essays in Honour of J.H. Prynne on the Occasion of His 80th Birthday, ed. Ian Brinton (Bristol: Shearsman Books, 2016): 216–26.

Louis Goddard, ‘Migration Patterns: Two Little Magazines of 1960–1962’. Textual Criticism, (22 June 2016): online at http://dx.doi.org/10.1080/0950236X.2016.1188143, but either payment or institutional access is required to read the full article. [pp. 14]. [Discusses Prynne in the context of the little magazines Migrant, Mica and Satis].

Nicola Thomas, ‘Stark, Necessary and Not Permanent: Huts in the Work of Paul Celan and J. H. Prynne’. German Life and Letters, Vol. 69 No. 3 (July 2016): 350–64.

Sam Solnick, Poetry and the Anthropocene: Ecology, Biology and Technology in Contemporary British and Irish Poetry (London/New York: Routledge, 2016): esp. Chapter 4, ‘The resistant materials of Jeremy Prynne’ (pp. 148–96). This monograph is a revised version of Solnick’s Ph.D. dissertation, Poetry in the Anthropocene: Ecology, Biology and Technology in the Work of Ted Hughes, J.H. Prynne and Derek Mahon (Queen Mary University of London, 2013).

Allen Fisher, Imperfect Fit: Aesthetic Function, Facture, and Perception in Art and Writing since 1950 (Tuscaloosa, Alabama: University of Alabama Press, 2016): 37–76 reprints the revised version of the essay ‘Necessary Business’ from Allen Fisher, The Topological Shovel; Four Essays (Willowdale, Ontario: The Gig, 1999): [unknown page numbers]. The unrevised version of the text was printed in Spanner, 25 (1985; London): 159–248. [The essay discusses the work of J.H. Prynne, Eric Mottram and cris cheek].

[forthcoming] Bahareh Azad is working on a Ph.D. at the University of Isfahan, Iran, on the poetry of J.H. Prynne.

[forthcoming] Daniel Eltringham is working on a Ph.D. dissertation at Birkbeck College, University of London, provisionally entitled ‘J.H. Prynne and William Wordsworth: Pastoral, Enclosure and the Commons’.

[forthcoming] Dominic Hale is working on a Ph.D. dissertation at the University of Edinburgh, on the influence of Romanticism on Prynne and other ‘later’ modernist poets.

[forthcoming] Justin Katko is working on a Ph.D. dissertation at the University of Cambridge, involving Edward Dorn’s Gunslinger and J.H. Prynne.

[forthcoming] Ed Luker is working on a Ph.D. dissertation at Northumbria University, on J.H. Prynne and commitment.

[forthcoming] Moyra Tourlamain is working on a Ph.D. dissertation at the University of Kent, on Apocalyptic Prynne.