Search This Blog

The Path to Val Sinestra. An Account of My Recent Extraordinary Summer Holiday Hiking in the Wild Lower Engadine Region of Eastern Switzerland, the Canton of Graubünden, known for its Breathtaking Alpine Scenery

The remote Hotel/Kurhaus Val Sinestra which I used as an adventure base

I have only just returned to my desk in Warsaw after what has been the final and certainly most exciting of all the research trips associated with my recently completed biography of my great uncle, the glamorous concert pianist Edward Cahill (1885-1975).

One of his Swiss patrons, Helen Sieger, used to come to this place then known as Arsenheilbad Val Sinestra from their residence in Monaco for 'a cure' in the 1960s and I believe 'Uncle Eddie' may well have also visited it once. I was the first Australian ever to stay there as a guest.

The great thing about writing books, particularly biographies, is the long process of exploration and discovery as one travels whilst physically and intellectually assembling the chosen subject. Then follows the labour of writing, editing and galvanising a publisher's interest in a somewhat esoteric subject. This work has taken me 5 years so far. The book itself will come as rather an anticlimax. As a result of this journey I will be able to add some excellent further commentary to the existing section before publication.

I motored the long 3,100 kms round trip from Warsaw in my now ageing 2004 Peugeot 307 CC cabriolet (not without electronic incidents) through Poland, Germany, Austria, Switzerland and the Czech Republic.

As I have only been back two days after three weeks away and have hundreds of photographs to sort thorough, the washing of piles of clothes, looking at the entries in my journal....all the dull stuff of a once bohemian but now domesticated bourgeois, please be patient for the 'thrilling details' which will inevitably follow.In the meantime you might like to peruse:

On this tour I decided on two different routes to and from Val Sinestra. I had visited Potsdam on a previous research trip in 2011 and taken in the major sights, visiting the superb Sanssouci Palace. Eddie and Sabine’s own concert was given not
in Berlin but in this exquisite location.

They spent the
late spring afternoon of June wandering in the sun like many young other lovers
in the monumental park laid out by Frederick the Great (Friedrich II), the King of Prussia.
The ensemble is an unsurpassed marriage of landscape and architecture created
by a cultured, private figure of the Enlightenment. Hitler idolised Frederick
and even hung a portrait of the benevolent monarch above his desk.
Characteristic of the man, Frederick is now buried beside his hounds in the
gardens just outside the palace in a simple grave plot without decoration. The
architecturally modest yet sumptuously decorated palace interior delighted the
lovers, especially the Rococo Music Room where they performed.

Eddie
felt a singular sympathy with Frederick the Great. The king had been treated
cruelly by his father , the obsessively militaristic Frederick William I. His
son simply wanted to study music and learn to play the transverse flute. Dr
Charles Burney, the urbane yet critical English music historian, had a high
opinion of his playing when he heard him in Berlin in 1772. He wrote ‘his embouchure was clear and even, his
finger brilliant, and his taste pure and simple’. The paternal accusations
directed at Frederick of betraying ‘effeminate, dissolute and unmasculine
preoccupations’ had a painfully familiar ring for Eddie. Of course his father
did not beat him in public with a cane or force him to watch the beheading by
sword of his best friend as did the psychotic militarist Frederick William.

This
recital was also Eddie’s first encounter with the harpsichord, albeit a heavily
constructed modern Pleyelinstrument
with numerous pedals. He fell in love with it. In this concert with Sabine they
performed a Bach Sonata for violin and harpsichord, and sonatas for
flute and harpsichord by Frederick the Great his teacher Joachim Quantz. Performing
in this enchanting fairytale palace with its intimations of eighteenth century
high European civilisation was intensely romantic for both Sabine and Eddie,
the ‘boy from Beenleigh’

The Palace of Sanssouci, Potsdam

In the Park of Sanssouci

The modest grave of Frederick the Great (with potatoes)

On this occasion I decided to visit the city itself on this particularly hot day. The immaculately restored example of German Classicism known at the Nikolaikirche (St. Nicholas Church) and other buildings in the Alte Markt make a fine ensemble. The beautiful architectural unity is disrupted by the customary communist anti-aesthetic structures, a nasty and unsympathetic gesture of defiance, languishing in decay.

I had always wanted to visit the Filmmuseum which is situated in the imposing former royal stables.

Filmmuseum Potsdam

I spent some hours there watching rather more obscure films in this genre as well as familiar films by Fritz Lang, Georg Pabst and F.W. Murnau. German Expressionism in poetry, art (the Die Brücke movement) and film had fascinated me as a young man. This movement together with the French Symbolist poetry of Mallarme influenced my developing developing writing style. I wondered how Eddie Cahill (my 'Uncle Eddie') would have accompanied such films during his period in the travelling silent cinema travelling through the Australian outback. The exhibits concentrate on German Expressionist films and the history of the famous Babelsberg film studios.

Out of the centre of the city to Schloss Cecilienhof, the mock Tudor country house built during the Great War for Crown Prince Wilhelm (1882-1951)and his wife Cecilia of Mecklenburg-Schwerin (1886-1954). The historic meeting rooms of the Potsdam Conference of 1945 dominate the interesting interiors. Fascinating detailed material and photographs of the distinct activities and culture of the various Allied delegations have been assembled in he lead up to the signing on August 2, 1945.

A Wing and fine gardens of the Schloss Cecilienhof

The Conference Room at Schloss Cecilianhof

Not far from here but seldom visited is the elegant Marmorpalais (Marble Palace). Built in the Neuer Garten by Konrad von Gontard and converted into a summer residence for Friedrich Wilhelm II by Langhans (1744-97). I was taken on a long detailed private tour of the apartments.

Second Leg - Potsdam to Eichstätt (July 4) 470 kms

[I have been covering the 70th Chopin International Music Festival on my internet journal. It took up over a week of work and effort.

Unfortunately at the small spa town of Duszniki Zdroj in Poland where the festival was held I caught a mysterious virus or infection probably from food and which I am still recovering from.

This post will definitely be continued and completed when I am up and about again -

26.VIII.15]

Get link

Facebook

Twitter

Pinterest

Google+

Email

Popular posts from this blog

Swiss physicist Alain Kohler said he found this 1847 photo of a daguerreotype image of Fryderyk Chopin in the private collection of a musician in Switzerland. It's believed to be only the second confirmed photographic image of the composer. (Institut Polonais Paris) [Courtesy of CBC News 20 January 2017]

Welcome to the 72nd International Chopin Festival at the lovely Polish town of Duszniki Zdrój, a charming spa in Silesia on the mountainous Czech-Polish border not far from Wrocław.

In this 72nd year of the festival, the artistic director Piotr Paleczny (his 25th anniversary in this position) has assembled a quite remarkable array of famous, musically outstanding and charismatic pianists, many of them prize-winners in international competitions. Most of the greatest pianists playing on the international stage today have appeared at Duszniki Zdroj, many at the very beginnings of their pianistic careers or shortly after winning major international competitions. 72nd. Duszniki Internati…

Welcome to the 71st International Chopin Festival at the lovely Polish town of Duszniki Zdrój, a charming spa in Silesia on the mountainous Czech-Polish border not far from Wrocław.

In this 71st year of the festival, the artistic director Piotr Paleczny has assembled a quite remarkable array of famous, musically outstanding and charismatic pianists many of them prize-winners in international competitions. Most of the greatest pianists playing on the international stage today have appeared at Duszniki Zdroj, many at the very beginnings of their pianistic careers or shortly after winning major international competitions. A modicum of 'ancient' history first. Part of the way through his studies Joseph Elsner recommended that Chopin ‘take the waters’ or 'go into rehab' not far from where Elsner was born in the small Silesian spa of Bad Reinerz (now Duszniki Zdrój). Originally on the Prussian-Bohemian frontier, the village is now in the south-west of Poland on the border wit…

And so the lead up to the IX International Paderewski Piano Competition begins in earnest for me at least when I go to Bydgoszcz on October 24th for the technical briefing. The young pianists have been preparing for months if not years.

And what is the Paderewski connection with Bydgoszcz? In 1918 the 58-year-old composer spent some time on the platform of the Bydgoszcz railway
station, walking, stretching his legs and smoking cigarettes. This is the only confirmed episode which unexpectedly turned into a huge Bydgoszcz myth becoming the
permanent brand of this city situated on the Brda river. As Paderewski was considered in a similar way to Einstein and Mahatma Gandhi in his day, this myth did not arise from the ether - there was a real basis, however tenuous, for it to grow.

I shall be giving the English Internet commentary and criticism streamed live for the comp…

Australian author and classical musician.
He seriously studied the piano and harpsichord in London for many years.
His piano teacher was Eileen Ralf, a former professor at the Royal Academy of Music and the inspiring teacher of the great Australian pianist Geoffrey Tozer.
His harpsichord teacher was Maria Boxall, editor of the keyboard works of the English Baroque composer and organist John Blow as well as a renowned Harpsichord Method.
He yearns for the South Pacific islands but through a number of unlikely events and coincidences beached up on the cold shores of the Baltic.