As a director, Sachs evokes the masterly Robert Altman, as in an extraordinary sequence that takes us from George and Ben's quietly majestic wedding back to the Manhattan apartment that they share, and where their loved ones gather to marvel at the strength of their bond.

Tank Burt is no stranger to the intimacy of the unsaid. As a director she's been honing her craft with shorts like Skateboard, Skateboard, a coming-of-age story told virtually without dialogue, and now she's made her feature debut as an actress.

Love feels almost witnessed rather than created, immersing us in one particular story by reflecting how we all interact daily, the casual intimacies and the deep, frustrations large and small -- among lovers, family and adopted family.

Not to label it a leftover festival, but there is the sense that the movies in Tribeca have either already had their debut elsewhere or, more to the point, didn't have a debut elsewhere because they didn't make the cut. Still, I always enjoy the opportunity that Tribeca affords me as a critic and curator.

The Day for Night series traveled to Sundance to talk to some of the filmmakers and cast with films playing at the festival this year. Today's installment includes the teams behind Love is Strange, Land Ho! and Fishing Without Nets.

If "Monday Mornings" lives up to David E. Kelley's potential it could prove to be a huge hit for TNT who will have a solid one two punch on Monday nights with "Dallas" at 9 and this one at 10. Let's hope the two shows enhance each other and draw a crowd.

Unfortunately, The Sorcerer's Apprentice wants to be a 21st century version of Ghostbusters, with ancient spirits and magic and the wisecracks and hilariously deadpan mentor with his panicked young student.