Yeah, sorry 'bout that. Notice the DSP count for the patch. I think it's a personal record You can get a 4th voice by deleting everything in the FX area (and the associated FX routing panner modules in the Poly area) and just use outboard FX instead.

But if you tend to use the G2/NM1 for these keyboard-style synth patches as opposed to, say, a multislot monosequencer synth, you really need the voice expansion card._________________Dave Peck

Thanks ever so much, Dave
This is an excellent beautiful patch.
I found myself playing John Lennon's song "Imagine" right after loading it, a song I never knew how to play until I heard this pad.
Great Work, Sir!

Thanks ever so much, Dave
This is an excellent beautiful patch.
I found myself playing John Lennon's song "Imagine" right after loading it, a song I never knew how to play until I heard this pad.
Great Work, Sir!

Dave
I discovered your patch last night the look of it is outstandigly mind-boggling, nevertheless it sounds beautifully and very expressive.
I'm in awe thanks
p.s.
I won't even try to trace the line of thoughts that brought you to build it maybe one day..._________________homepage - blog - forum - youtube

Quote:

Politics is the entertainment division of the military industrial complex - Frank Zappa

Hmmm, after hearing Dave's excellent talk at Chateau Sonore this is much easier to understand. Dave is big on cross faders. Often parallel paths are cross faded to keep the timbre transforming. It seems like brute force, but is is a very powerful technique._________________--Howard
my music and other stuff

Thanks you guys, glad you like it. This particular patch is one that I find myself coming back to again and again, especially when I'm trying to write something new. It just seems to inspire ideas for me more than a lot of other patches. Odd how that is.

But it's a really extravagant and uneconomical patch. I mean, there are two complete sets of dual filters and two warmth filters and two volume EG/VCAs, just because the oscs are detuned & panned BEFORE the filters so everything after that has to be doubled for a stereo chain, whereas you would normally create a stereo spread AFTER a single monaural signal chain by just adding some kind of chorus or panned pitch shifter.

I made a few attempts to build something that sounds as good and as big as this one, but with less DSP resources to allow more polyphony.
Never did quite get it, but now I'm kinda inspired to try again...._________________Dave Peck

I made a few attempts to build something that sounds as good and as big as this one, but with less DSP resources to allow more polyphony.
Never did quite get it, but now I'm kinda inspired to try again....

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