Inspired by the alleged alien abduction of Travis Walton, Fire in the Sky paints a mysterious yet very deep story of the impact of truth and whether people believe what is deemed extraordinary. Whether you believe the story or not, this film is bound to have an effect on you.

It is 1975 in Snowflake, Arizona and happy go lucky logger Travis Walton( D.B. Sweeney) has just started working on a job in the White Mountains. He is on the team headed by his more serious friend and future brother in law Mike Rogers, who is the kind of man who tries to keep everything running smoothly in life. Then there is the rest of the group; hot-headed troublemaker Allan Dallis( Craig Sheffer) , trustworthy and religious David Whitlock( Peter Berg) and jokers, Greg Hayes(Henry Thomas) and Bobby Cogdill( Bradley Gregg) . On the night of November 5th, they are travelling in their truck back home when they see a brilliant red light in the distance. Curious, they go to look at it and here is where events get sinister. They come across what looks like an alien spaceship, though they can’t be sure. Travis gets out to examine it and is struck by a light. Fearing him dead as he doesn’t move, the team in terror leaves. Later on, Mike returns to look for Travis but there is no sign of him. Returning to their town, they relay what they saw to the local police officer. The arrival of seasoned detective Lt. Frank Watters( James Garner) coincides with the investigation as he digs into the story. At first he doesn’t believe their tale and believes there has been foul play involved. The townsfolk get wind of events and most people are highly skeptical of what transpired. Yet when after five days, Travis turns up, disorientated and traumatised, it leaves things wide open for interpretation. Especially when he ‘remembers’ what happened to him, much to the shock of others.

Robert Lieberman is at the helm of this film and he effortlessly infuses it with a sense of time and place. He contributes a very human touch to what many will say is fiction by not going overboard with the alien aspects, keeping a certain sense of realism to things that many may sniff at. Fire in the Sky lets you make your mind up on whether the extraterrestrial encounter took place or not. It edges towards believing Walton’s claims, yet leaves a welcome ambiguity and mystery to it. What’s most impressive about Fire in the Sky is how it doesn’t go for an over sensationalised angle and instead concentrates on the pain of losing a friend and how it sends shockwaves through an uneventful small town. The film is pretty character driven, particularly by and is all the more human for it. Naturally, it has filmic elements to add to the story( which I’ll speak about later that are effectively used), and that’s what makes Fire in the Sky a strange beast. It’s a film about s science fiction subject that’s played entirely straight. Now it’s not flawless by any means( I find some parts of it don’t add up and the denouement could have been stronger), but for my money, Fire in the Sky is a very underrated movie that’s worth your time.

And when it gets to the scenes of what what happened to Travis, horrifying is taken up several notches as we witness the torture and dehumanisation of this man. Shot like a chilling horror movie, it’s a scene that genuinely makes you uncomfortable and disturbed. Many will claim that these sequences embrace science fiction too much, but I think it’s just following the story as Walton told it with an obvious bit of elaboration for the movie to chill you. And that’s not a criticism, I mean don’t all movies based on real life take some different avenues in the name of entertainment? If anything, it’s one of the best scenes in the film in terms of what it presents and just how scary it makes it. Up until that point, there has been definitely strange but these sequences that come later on in Fire in the Sky really go for the jugular. The music by Mark Isham, strikes the right chords of emotion, fear and when needed terror, to create something that plays along to the movie’s strength.

The cast assembled here is a very good one that add a lot to the film. D. B. Sweeney, with his likeable face and jovial manner is ideal for the part of the dreamer whose suddenly taken. It’s impressive because his appearance in the film is mainly in the first quarter and then the last parts, the rest of the time focuses on the other characters related to him. Sweeney manages to make Walton a full character in the time he’s on screen with just the right amount of sympathy and belief, especially after his traumatic experience which is where Sweeney really shines. Robert Patrick is given the most material and boy does he act his socks off. Embodying determination, a head full of guilt and being the boss in life, Patrick explores excellently by giving him layers and making him very relatable. It’s stellar acting from Patrick as the heart of the story. Craig Sheffer, Peter Berg, Henry Thomas and Bradley Gregg flesh out the other members of the team, with particularly good skill from Sheffer as the belligerent member and Berg as the one who tries to smooth everything into a positive. James Garner is a huge plus to the cast and he’s obviously relishing the role of old school lieutenant. Still bearing that twinkle in his eye and wit that balances with notes of grim seriousness, Garner is superb.

Involving, emotional and by turns very creepy, Fire in the Sky is an intriguing film that I think deserves a bigger audience, especially for its acting and aforementioned revelations. I think many will enjoy the mystery and very human drama within Fire in the Sky.

An all out violent spectacle of crime, action and weirdness, Smokin Aces is best enjoyed as a brainless action flick. Though saying this, the film attempts to get more serious which doesn’t exactly sit well with the rest of the piece. Smokin Aces still keeps you entertained throughout with the ensemble cast and shocking events, but it is a bit of a mess.

Las Vegas magician and gangster wannabe Buddy ‘Aces’ Israel is involved with the Mob( who have helped his growing success) as he wants a piece of the action. Like all wannabes, he has messed up a lot and knowing this, he has now become a turncoat. He promises the FBI crucial information on the Mob, in exchange for his safety. Yet the Mob already knows of Buddy’s traitorous behaviour and the head of the crime family places a $1 million bounty on his head. Meanwhile the FBI, under the command of Deputy Director Locke has ordered two of his agents, Carruthers and Messner to go to a hotel in Lake Tahoe where Buddy is holed up in the penthouse suite. They are to make sure nothing happens to him, as his testimony is extremely valuable for the FBI. As the bounty on the weasel that is Buddy is so high, all sorts of criminals and mercenaries come out of the woodwork for a piece of the action. These include sexy contract killers Georgia Sykes and Sharice Watters, torture expert Pasquale Acosta, bail bondsman Jack Dupree and his two fellows friends, a man who specialises in disguise Lazlo Soot and three crazed Neo-Nazi siblings, The Tremor Brothers. Yet events change for the FBI’s plans regarding the washed-up Israel and something sinister is definitely a miss, which puts Carruthers and Messner in very real danger. As the parties of assassins and contract killers reach the hotel, all matter of hell is going to break out. Everyone converges in bloody fashion as they attempt to either kill, capture or save Israel who is a much wanted man, dead or alive.

Joe Carnahan writes and directs Smokin Aces as a shoot em up slice of carnage and chaos. I did think he got for the most post the right vibe for this film, with strange and darkly comedic undertones thrown into the blender. He has a sure hand on the action that implodes from all angles once everyone reaches the hotel and is more than adept with style. His visual eye can best be described as frenetic and adrenaline infused, as he barely pauses for a breath and bombards you with quick flashes galore. It’s all very unusual but fits the absolute crazy tone of the film. It’s when he tries to deepen Smokin Aces that the cracks begin to appear significantly. Granted, some of the depth pays off but it is largely superfluous and grows to be very strung out as the film reaches the climax. If he had just left the film as it was with the outrageous and ridiculous abundance of fighting and bullet play, it might have been a bit more substantial. Instead, Smokin Aces reaches too high and shoots itself in the foot by attempting to be something more than it is. It is a ridiculous and wild film but that is what sells it well during most of it, only to be let down by a plot that gets way to convoluted for its own good. Anyhow, there is still enough bloodshed and flashy style to keep you watching Smokin Aces. A slashing and breakneck soundtrack accompanies the film to a successful degree of pulse-pounding violence and brutality.

With any film that boasts an ensemble cast, you are going to get people who stand out more than others. Smokin Aces is no exception to that rule, with some giving it their all as a rogues gallery and others left with only small and nondescript parts. Jeremy Piven plays the part of Buddy, who the whole plot centres on as he is the one who everyone wants to either kill or harm. Piven sells the part pretty effectively; displaying the drugged-up and altogether pathetic man who wanted to play gangster but whose obnoxious attitude and poor decisions led to him turning snitch. The character isn’t really likable, but Piven gives it his best to invest something into him. Two of the best roles in the film belong to Ray Liotta and Ryan Reynolds, with Liotta quite good as the seasoned and professional agent. Ryan Reynolds in particular stood out to me as the straight arrow agent learning of betrayal and his performance was pretty spot on in displaying a mature and sombre change in character. Singer Alicia Keys, in her first movie role, sizzles as the sexy part of a two woman squad of deadly contract killers. With her low voice and sultry attitude, Keys displays a lot of potential as an actress here which is refreshing as most singers who attempt acting fail. Backing her up is the feisty personality of Taraji. P Henson as the outspoken but highly skilled shooter. Tommy Flanagan bristles with uneasy menace as a master of disguise, but Nestor Carbonell is sadly underused as the creepy torture guy.

Stealing most of Smokin Aces however is the trio consisting of Chris Pine, Kevin Durand and Maury Sterling portraying the absolutely off-the-wall Tremor Brothers. They liven up the already bouncing movie with crazy antics and nasty glee, chewing their parts to bits as they wipe out hundred with there precious and strange artillery. Trust me, these guys are just some of the craziest things you will witness in a movie chock full of perversity and what the hell trips. Andy Garcia, who is for me a lot of the time very reliable, is given scant to do which is a definite shame as he could have really been a force of nature.Rapper Common is well employed as Buddy’s bodyguard, who sees that he has been lied to by his employer as part of his pardon agreement. Ben Affleck appears in what amounts to a limited part, but when he is there I liked the cynical attitude of him. The other two men who feature in his part of the story, Peter Berg and Martin Henderson are unfortunately stranded without a lifeline. Far more successful in a small part is Jason Bateman, who in two scenes owns it as the disheveled and uncouth attorney involved in Buddy’s case.

I have been left with somewhat mixed thoughts about Smokin Aces. While I like the outrageous nature and blood-soaked action, I didn’t take too kindly to the fact that it tried to be something more thoughtful. Action movies by definition are ones that you switch the brain off for. Though I did lean more towards the enjoyment factor in this balls out action venture, despite my grievances.

An action thriller that manages to for the most part distinguish itself from other films of a similar nature, The Kingdom is intense and breakneck stuff that plays out against the backdrop of uneasy tensions between the U.S. And Saudi Arabia.

Inside an American oil compound in Riyadh, terrorist kill dozens of people through violence and bombs, a second incident later occurs not long after which claims the life of a FBI agent. The incident is brought to the attention of the FBI deployment team headed by Ronald Fleury. Although the government is skeptical about sending a team out to Riyadh to investigate, the driven Fleury manages a way to make this possible and he is given five days to find the people behind the devastation. Joining him are bomb expert Grant Sykes, forensic examiner Janet Mayes and analyst Adam Leavitt. They are greeted by Colonel Al-Ghazi, who is to provide security for them while there. He ultimately becomes an ally who despite having his hands tied by the complexities of politics, helps them out in tracking down who instigated the act of terror. The team comes up against cultural differences and attitudes that hinder them as they continue to investigate and the situation gets more uneasy. But as the team delves deeper, it becomes apparent that they could well be the next targets of attack.

The direction from Peter Berg brings with it tension and explosive pace as chaos unfolds and the team find themselves in grave danger. He also knows when to slow it down and focus on the investigation and characters, which is rare in a film with so much action. To be honest, going into The Kingdom I just expected another action movie of clichés and done before plots dumbed down for the audience. So I was pleasantly surprised by the fact that a lot of thought had gone into the film that would make it intriguing and realistic. It isn’t without flaws as the middle part of the movie lags before the exhilarating last half, but The Kingdom generally makes it worth your while. The marvellous title sequence of spliced news footage showing the relationships between the US and Saudi Arabia is an excellent way to open the film and bring forth the main conflict that arises throughout The Kingdom. Some may say that the politics displayed in the film are simplified, and to a certain extent that is true, but the film manages to bring some of them forward. On the action front, The Kingdom certainly delivers due to the visual style and camerawork. Through rapid cuts and jumping camerawork, we get a sense of the real danger that the team face as they attempt to find the perpetrator. The last third of The Kingdom is unbearably tense as the team come head on with the people behind the massacre and chaos and gunfire reign. The score by Danny Elfman excellently blends an electronic pulse and Middle Eastern drums to signify the tension between the countries and the intensity of the mission.

Jamie Foxx is slick, smart yet motivated by his heart as Ronald Fleury, the head of the team. He is no slouch when it comes to the action either and really shows his physical presence. Chris Cooper brings comic relief to the film, as the wise cracking sarcastic bomb expert. Jennifer Garner is very good as Janet, the only girl on the team who can handle herself in her job and in combat. Garner manages to make her character grounded and unflappable, which comes in very handy with the events she must face. Jason Bateman plays well off Chris Cooper at the joking thing but also exudes the want not to be in this situation. But the real standout for me is Ashraf Barhom. Portraying Al-Ghazi, the colonel assisting the team, he embodies depth, care and the desire to hold balance in a time of chaos. Barhom is the one who provides The Kingdom with a surprising amount of depth. Ali Suliman in the role of the second in command to Al-Ghazi is quiet yet suitably intense. Unfortunately, Jeremy Piven as an opportunistic embassy worker and Danny Huston as the U.S. Attorney General are totally wasted.

Lightening paced, surprisingly deep at times but also very thrilling, The Kingdom manages to stand out from the crowd of action movie out there.