"...Great big gobs of wiggly green goo....All the gee-wizardry that '90s effects can conjure..." USA Today "...Technological advances in filmmaking make these flying scenes pleasant and even allow the flubber a Busby Berkeley dance routine..." New York Times "...Charming....The animation is impressive..." Box Office0.4053172

"...Gobs of talent are amassed..." Premiere "...This spellbinder vibrates with style, substance and humor, plus voluptuous camera work..." Rolling Stone "...[HEAT] serves to bolster the case for Michael Mann as the key American auteur of the last ten years..." Sight and Sound "...A film that deserves Oscars for photography, editing, sound and arguably scoring....Heat is packed with unforgettable subcharacters..." -- 4 out of 4 stars USA Today "...[Mann's] .357 Magnum opus....Macho-intellectual chutzpah..." Entertainment Weekly "...Stunningly made and incisively acted by a large and terrific cast....[HEAT] stands apart from other films of its type by virtue of its extraordinary rich characterizations..." Variety "...A sleek, accomplished piece of work, meticulously controlled and completely involving. The dark end of the street doesn't get much more inviting than this..." Los Angeles Times "...There is absolute precision of effect here, the feeling of roles assumed instinctively..." Chicago Sun-Times "[With] stunning cinematography, capturing an off-kilter LA, all metallic grey and widescreen sheen." Total Film0.2026586

"...Gobs of talent are amassed..." Premiere "...This spellbinder vibrates with style, substance and humor, plus voluptuous camera work..." Rolling Stone "...[HEAT] serves to bolster the case for Michael Mann as the key American auteur of the last ten years..." Sight and Sound "...A film that deserves Oscars for photography, editing, sound and arguably scoring....Heat is packed with unforgettable subcharacters..." -- 4 out of 4 stars USA Today "...[Mann's] .357 Magnum opus....Macho-intellectual chutzpah..." Entertainment Weekly "...Stunningly made and incisively acted by a large and terrific cast....[HEAT] stands apart from other films of its type by virtue of its extraordinary rich characterizations..." Variety "...A sleek, accomplished piece of work, meticulously controlled and completely involving. The dark end of the street doesn't get much more inviting than this..." Los Angeles Times "...There is absolute precision of effect here, the feeling of roles assumed instinctively..." Chicago Sun-Times "[With] stunning cinematography, capturing an off-kilter LA, all metallic grey and widescreen sheen." Total Film0.2026586

Rolling Stone (4/1/99, pp.93-94) - 3 1/2 Stars (out of 5) "...Eminem earns his buzz as a bona fide rap star one tasteless insult at a time, battling the world with a mouthful of adjectives and a boxful of laxatives."Spin (5/99, p.148) - 8 (out of 10) - "...Eminem [aka Marshall Mathers] is humorous enough to be an honorary Beastie goy, and his scenarios are so far-fetched the songs almost never sound as ugly as they actually are. Mathers's hard-knock raps translate hip-hop for folks with Wu-Tang decoder rings, articulating suburban anger and violent apathy through the lens of white kids' experience..."Q (1/00, p.84) - Included in Q Magazine's "50 Best Albums of 1999."Mixmag (5/99, p.146) - 5 out of 5 - "...Perversion, paranoia and slapstick humour meet in Eminem's gob and get spat out 19 to the dozen....makes great voyeuristic entertainment..."Muzik (1/00, p.69) - Ranked #8 in Muzik's "Albums Of The Year '99"Muzik (5/99, p.82) - 3 Stars (out of 5) - "...It's dazzlingly funny and gloriously offensive..."CMJ (2/8/99, p.30) - "...Pairing Redman's gutter humor and metaphorical dexterity with Canibus' raging themes, the Detroit native has matched the high expectations surrounding his brilliant new album..."The Source (2/00, p.95) - Included in The Source's "Top 10 Albums of the Year [1999]."Melody Maker (5/1/99, p.36) - 4 stars (out of 5) - "...By far the most distressing thing about THE SLIM SHADY LP is how seductive it is - largely due to Dr Dre's production work, it captivates and thrills, and this is an unavoidably amazing body of work..."0.1688822

"ARRESTED DEVELOPMENT is the best sitcom on TV!" -- Grade: A Entertainment Weekly "The misadventures of the nouveaux poor Bluth clan continue in Mitchell Hurwitz's subversive comedy..." Sight and Sound0.1520425

3 stars out of 5 -- "[T]he strength of the performances and a troop of likable characters transform it from a film you merely wouldn't regret watching to one you'll actually enjoy." Box Office0.1520425

3 stars out of 5 -- "[T]he strength of the performances and a troop of likable characters transform it from a film you merely wouldn't regret watching to one you'll actually enjoy." Box Office0.1520425

"[The episodes] featured some ingenious left-field comic turns." -- Grade: B+Entertainment Weekly 3.5 stars out of 4 -- "Absurdly canceled after its brilliant final season, this short-lived sitcom follows the high jinks of [the characters]..."Rolling Stone 4 stars out of 5 -- "The result is a swansong more subversive than ever..."Ultimate DVD0.1520425

"...Dazzling visuals..." Rolling Stone "...WHAT DREAMS MAY COME may be the closest that American movies have come to the somber grandiloquence of Krysztof Kieslowski's BLUE..." Entertainment Weekly "...One of the most elaborate metaphysical love stories ever tackled by Hollywood..."New York Times "...Williams plays the heartstrings like a maestro, as he did so well in such films as GOOD WILL HUNTING and THE FISHER KING..."Box Office0.1520425

"...Dazzling visuals..."Rolling Stone "...One of the most elaborate metaphysical love stories ever tackled by Hollywood..."New York Times "...Williams plays the heartstrings like a maestro, as he did so well in such films as GOOD WILL HUNTING and THE FISHER KING..."Box Office "...WHAT DREAMS MAY COME may be the closest that American movies have come to the somber grandiloquence of Krysztof Kieslowski's BLUE..."Entertainment Weekly0.1520425

3 stars out of 5 -- "The humor feels deliciously dark and the film's more thoughtful than a gorefest or a roller coaster ride..."Box Office "As its no-nonsense title suggests, DRAG ME TO HELL offers a kicking-and-screaming riff on the classic curse movie..."Variety "DRAG ME TO HELL is a joyous reconvening of man and bloody-good material that recalls Sweeney Todd's momentous reunion with his gleaming razor blades."Movieline "As in the best horror movies, DRAG ME TO HELL keeps the audience on the edge of hysteria throughout, so that every thump sets the heart racing and every joke earns a slightly out-of-control laugh."Washington Post "Sam Raimi has fashioned a slick, old-school scarefest that combines the best of schlocky fright flicks with classic supernatural thrillers."USA Today "[T]he payoff is experiencing a filmmaker totally in his element. Raimi is having the time of his life -- he knows exactly what he's doing with every scene and every scream."Los Angeles Times "DRAG ME TO HELL has a tonic playfulness that's unabashedly retro, an indulgent return to Mr. Raimi's goofy, gooey roots."New York Times "[A] horror flick that's smart and funny, as well as cringeworthy for all the right reasons....The film is cunningly crafted in every detail -- direction, script, performances, comic timing, special effects -- from thunderous start to delicious finish."Wall Street Journal "[T]he film relies on shock effects instead of blood, but Raimi pushes those effects to a full-on visceral assault." -- Grade: A-A.V. Club "[S]uperb....With a tone even more sinister than Raimi's EVIL DEAD trilogy, the tale unfolds like a lost chapter from 1982 George A. Romero/Stephen King collaboration CREEPSHOW (only a good thing)."Movieline 3 stars out of 4 -- "DRAG ME TO HELL is a sometimes funny and often startling horror movie....It's like Sam Raimi is taking some personal time and returning to his hobby."Chicago Sun-Times 4 stars out of 5 -- "DRAG ME TO HELL is a magnificent throwback to 1950s horror movies..."Uncut0.1520425

3 stars out of 5 -- "The humor feels deliciously dark and the film's more thoughtful than a gorefest or a roller coaster ride..."Box Office "As its no-nonsense title suggests, DRAG ME TO HELL offers a kicking-and-screaming riff on the classic curse movie..."Variety "DRAG ME TO HELL is a joyous reconvening of man and bloody-good material that recalls Sweeney Todd's momentous reunion with his gleaming razor blades."Movieline "As in the best horror movies, DRAG ME TO HELL keeps the audience on the edge of hysteria throughout, so that every thump sets the heart racing and every joke earns a slightly out-of-control laugh."Washington Post "Sam Raimi has fashioned a slick, old-school scarefest that combines the best of schlocky fright flicks with classic supernatural thrillers."USA Today "[T]he payoff is experiencing a filmmaker totally in his element. Raimi is having the time of his life -- he knows exactly what he's doing with every scene and every scream."Los Angeles Times "DRAG ME TO HELL has a tonic playfulness that's unabashedly retro, an indulgent return to Mr. Raimi's goofy, gooey roots."New York Times "[A] horror flick that's smart and funny, as well as cringeworthy for all the right reasons....The film is cunningly crafted in every detail -- direction, script, performances, comic timing, special effects -- from thunderous start to delicious finish."Wall Street Journal "[T]he film relies on shock effects instead of blood, but Raimi pushes those effects to a full-on visceral assault." -- Grade: A-A.V. Club "[S]uperb....With a tone even more sinister than Raimi's EVIL DEAD trilogy, the tale unfolds like a lost chapter from 1982 George A. Romero/Stephen King collaboration CREEPSHOW (only a good thing)."Movieline 3 stars out of 4 -- "DRAG ME TO HELL is a sometimes funny and often startling horror movie....It's like Sam Raimi is taking some personal time and returning to his hobby."Chicago Sun-Times 4 stars out of 5 -- "DRAG ME TO HELL is a magnificent throwback to 1950s horror movies..."Uncut0.1520425

"[I]t became a critics' darling and was the surprise winner of the Emmy for best comedy series."Los Angeles Times "[With] wacky, deadpan humor and Seinfeld-like pretzel plots..." Movieline's Hollywood Life "Wickedly cynical, always taking the joke a step too far to deranged effect..." Uncut "Handheld, faux-verite camerawork and skittish chronology are complemented by a voraciously eclectic aesthetic..." Sight and Sound0.1520425

3 stars out of 5 -- "[T]he strength of the performances and a troop of likable characters transform it from a film you merely wouldn't regret watching to one you'll actually enjoy." Box Office0.1520425

3 stars out of 5 -- "The humor feels deliciously dark and the film's more thoughtful than a gorefest or a roller coaster ride..."Box Office "As its no-nonsense title suggests, DRAG ME TO HELL offers a kicking-and-screaming riff on the classic curse movie..."Variety "DRAG ME TO HELL is a joyous reconvening of man and bloody-good material that recalls Sweeney Todd's momentous reunion with his gleaming razor blades."Movieline "As in the best horror movies, DRAG ME TO HELL keeps the audience on the edge of hysteria throughout, so that every thump sets the heart racing and every joke earns a slightly out-of-control laugh."Washington Post "Sam Raimi has fashioned a slick, old-school scarefest that combines the best of schlocky fright flicks with classic supernatural thrillers."USA Today "[T]he payoff is experiencing a filmmaker totally in his element. Raimi is having the time of his life -- he knows exactly what he's doing with every scene and every scream."Los Angeles Times "DRAG ME TO HELL has a tonic playfulness that's unabashedly retro, an indulgent return to Mr. Raimi's goofy, gooey roots."New York Times "[A] horror flick that's smart and funny, as well as cringeworthy for all the right reasons....The film is cunningly crafted in every detail -- direction, script, performances, comic timing, special effects -- from thunderous start to delicious finish."Wall Street Journal "[T]he film relies on shock effects instead of blood, but Raimi pushes those effects to a full-on visceral assault." -- Grade: A-A.V. Club "[S]uperb....With a tone even more sinister than Raimi's EVIL DEAD trilogy, the tale unfolds like a lost chapter from 1982 George A. Romero/Stephen King collaboration CREEPSHOW (only a good thing)."Movieline 3 stars out of 4 -- "DRAG ME TO HELL is a sometimes funny and often startling horror movie....It's like Sam Raimi is taking some personal time and returning to his hobby."Chicago Sun-Times 4 stars out of 5 -- "DRAG ME TO HELL is a magnificent throwback to 1950s horror movies..."Uncut0.1520425