Jay Chou

One of the most popular and successful entertainers in Asia, Jay Chou was a singer, actor and director whose career encompassed million-selling albums and award-winning performances in films like "Cur...
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Daniel Radcliffe's magical new role in the Now You See Me sequel has been confirmed, weeks after co-star Michael Caine let the big casting news slip during an interview.
The Harry Potter star will be back to his old tracks, alongside returning stars Caine, Jesse Eisenberg, Mark Ruffalo, Woody Harrelson and Dave Franco, according to a Lionsgate studio representative. It's not clear if Isla Fisher, who was recently reported to be pregnant with her third child, will be back for the new film.
Lizzy Caplan and Taiwanese superstar Jay Chou will also appear in the sequel, which will be directed by Jon M. Chu.

Drafthouse Films via Everett Collection
The word "auteur" gets thrown around a ton in Hollywood, but few filmmakers truly earn the title like Michel Gondry. Over his career, the French filmmaker has fine-tuned a unique visual style that separates him from his peers and really makes his work distinct. Gondry, at his best, thrives on the absurd and creates abstract, dream-like imagery that doesn't distract from the characters who populate his stories. He lets thing get weird, but never for the sake of just being weird. In celebration of his latest film, Mood Indigo, we're taking a look at the Gondryest elements in our favorite Michel Gondry films.
Eternal Sunshine of the Spotless MindIn Eternal Sunshine, a grief-striken Joel Barrish (Jim Carrey) tries to erase all memories of his long time girlfriend, but he soon learns that it really is better to have loved and lost than to not have loved at all. The film’s Gondryest moments surface when Joel is hurtling backwards through all of his memories with his girlfriend Clementine (Kate Winslet). The director uses his visual panache to depict how the mind tends to distort what we think we remember. Joel’s memories start fusing together as he travels through his past, and Gondry plays with size and perspective in some curious and fun ways — most notably, shrinking Carrey down to the size of a toddler for a childhood memory scene.
The Science of SleepGondry is the perfect filmmaker to tackle the surreal world of the subconscious. He dives into the dreams of halfway delusional artist Stéphane (Gael García Bernal), bastardizing the visual scope and the passage of time. One particularly wild scene early on in the film tosses Stéphane into a dream about his office workers that involves sporadic bouts of sexual intercourse, various pieces of papier-mâché set dressing, and a gigantic pair of human hands.
Be Kind RewindSure, we could all make low-rent versions of Ghostbusters and Rush Hour in our backyards, but they wouldn’t turn out one tenth as funny or visually appealing as the “remakes” peppered throughout Be Kind Rewind. Even though most of the sets, costumes, and effects look like they were made with construction paper, cardboard, and junkyard junk, Gondry's knack for great aesthetics shines through.
The Green HornetThe Green Hornet is definitely the director’s least Gondry film to date. There’s hardly much about the Seth Rogen action-adventure that points to the director’s usual dreamlike visual style, but the one small Gondryism in a mostly dull film is the liberal use of Kato-vision. The Hornet’s masked assistant Kato (Jay Chou) dispatches enemies by way of a crafty visual effect where his mind highlights the dangers in the environment like a Terminator, and slows his combatants down to a crawl so he can dole out maximum punishment. It’s a trippy and original way to do slow-mo - an effect we were growing pretty tired of - and proof that the filmmaker wasn't completely asleep while making the 2011 film.
The We and the IAlthough we usually associate Gondry's style with the visual, here we see his flare for the aural. Gondry sticks to accepted "reality" in The We and the I, a film about the buzzing subcultures aboard a bus ride home from high school in The Bronx. Even though The We and the I lacks literal trips into the human mind, home-made videos, or superpowers, Gondry's attention to rhythm still allows for a few steps away from naturalism. The kids move, talk, and breathe in a fast-paced harmony, making the film (and lengthy busride) speed by with terrific energy.
Is the Man Who Is Tall Happy? An intellectual conversation with one of the modern age's greatest thinkers (Noam Chomsky), delivered in the form of hand-drawn illustrations that resemble urban sidewalk chalk scribbles? How much Gondryer can you get than this inviting documentary? Well, maybe Mood Indigo.
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At the moment there are few greater clichés in the media than the freaking out single woman on the cusp of 30. Of course clichés are clichés for a reason worth exploring even through the lens of just one or two women as in Lola Versus. Unfortunately while the intention behind Lola Versus isn't that we should all be happily married by the age of 30 it still fits into the same rubric of all those "Why You're Not Married" books.
Lola (Greta Gerwig) has a gorgeous fiancé Luke (Joel Kinnaman) and they live in a giant loft together the kind of dreamy NYC real estate that seems to exist primarily in the movies. Just as they're planning their gluten-free wedding cake with a non-GMO rice milk-based frosting Luke dumps her. It's cruelly sudden — although Luke isn't a cruel man. Lola finds little comfort in the acerbic wit of her best friend the eternally single Alice (Zoe Lister-Jones) who is probably delighted to see her perfectly blonde best friend taken down a peg and into the murky world of New York coupling. Lola and Luke share a best friend Henry (Hamish Linklater) a messy-haired rumpled sweetheart who is kind and safe and the inevitable shelter for Lola's fallout. Her parents well-meaning and well-to-do hippie types feed her kombucha and try to figure out their iPads and give her irrelevant advice.
Lola Versus is slippery. Its tone careens between broad TV comedy and earnest dramedy almost as if Alice is in charge of the dirty zingers and Lola's job is to make supposedly introspective statements. Alice's vulgar non-sequiturs are tossed off without much relish and Lola's dialogue comes off too often as expository and plaintive. We don't need Lola to tell Henry "I'm vulnerable I'm not myself I'm easily persuaded" or "I'm slutty but I'm a good person!" (Which is by the way an asinine statement to make. One might even say she's not even that "slutty " she's just making dumb decisions that hurt those around her just as much as she's hurting herself.)
We know that she's a mess — that's the point of the story! It's not so much that a particularly acerbic woman wouldn't say to her best friend "Find your spirit animal and ride it until its d**k falls off " but that she wouldn't say it in the context of this movie. It's from some other movie over there one where everyone is as snarky and bitter as Alice. You can't have your black-hearted comedy and your introspective yoga classes. Is it really a stride forward for feminism that the clueless single woman has taken the place of the stoner man-child in media today? When Lola tells Luke "I'm taken by myself. I've gotta just do me for a while " it's true. But it doesn't sound true and it doesn't feel true.
In one scene Lola stumbles on the sidewalk and falls to the ground. No one asks her if she's okay or needs help; she simply gets up on her own and goes on her way. It's a moment that has happened to so many people. It's humiliating and so very public but of course you just gotta pick yourself up and get where you're going. In this movie it's a head-smackingly obvious metaphor. In one of the biggest missteps of the movie Jay Pharoah plays a bartender that makes the occasional joke while Lola is waiting tables at her mom's restaurant. His big line at the end is "And I'm your friend who's black!" It would have been better to leave his entire character on the cutting room floor than attempt such a half-hearted wink at the audience.
Lister-Jones and director Daryl Wein co-wrote the screenplay for Lola Versus as they did with 2009's Breaking Upwards. Both films deal with the ins and outs of their own romantic relationship in one way or another. Breaking Upwards a micro-budget indie about a rough patch in their relationship was much more successful in tone and direction. Lola Versus has its seeds in Lister-Jones' experience as a single woman in New York and is a little bit farther removed from their experiences. Lola Versus feels like a wasted opportunity. Relatively speaking there are so few movies getting made with a female writer or co-writer that it almost feels like a betrayal to see such a tone-deaf portrayal of women onscreen. What makes it even more disappointing is how smart and likable everyone involved is and knowing that they could have made a better movie.

It's that time again, the MTV Movie Awards nominations are out and once again, we can marvel at the ridiculous categories that the network formerly known as Music Television dreamed up. This awards show is like the spring break of film awards. After all the sincerity and somber ceremonies during the awards season, this is the one where Howard Stern might show up in ass-less chaps or two actresses might kiss onstage when they get an award; it's also the one that isn't afraid to hire a legitimate comedian to host the dang thing so we might laugh instead of looking at James Franco and Anne Hathaway like they must have lost their minds. The comedian this year is SNL's Jason Sudeikis -- or Floyd (sigh) if you're a die-hard 30 Rock fan.
Most importantly, it's the ceremony where viewers can actually participate in what movie gets which moonman because everything is determined by online voting -- granted, it's not like we're looking at the best of cinema across all categories for this thing. This of course means that The Twilight Saga: Eclipse will probably win everything because fan girls are stationed noon and night voting to make sure the Edward and Bella kiss beats the Jacob and Bella kiss for the "Best Kiss" award. Well, let's get these nominations lined up so you can start figuring how who to vote for.
Best Movie
Black Swan
Harry Potter and the Deathly Hallows, Part 1
Inception
The Social Network
The Twilight Saga: Eclipse
Best Female Performance
Emma Stone, Easy A
Emma Watson, Harry Potter and the Deathly Hallows, Part 1
Jennifer Aniston, Just Go With It
Kristen Stewart, The Twilight Saga: Eclipse
Natalie Portman, Black Swan
Best Male Performance
Daniel Radcliffe, Harry Potter and the Deathly Hallows, Part 1
Jesse Eisenberg, The Social Network
Robert Pattinson, The Twilight Saga: Eclipse
Taylor Lautner, The Twilight Saga: Eclipse
Zac Efron, Charlie St. Cloud
Best Breakout Star
Andrew Garfield, The Social Network
Chloë Grace Moretz, Kick-Ass
Hailee Steinfeld, True Grit
Jay Chou, The Green Hornet
Olivia Wilde, TRON: Legacy
Xavier Samuel, The Twilight Saga: Eclipse
Best Comedic Performance
Adam Sandler, Just Go With It
Ashton Kutcher, No Strings Attached
Emma Stone, Easy A
Russell Brand, Get Him to the Greek
Zach Galifianakis, Due Date
Best Line From A Movie
Alexys Nycole Sanchez, Grown Ups:
"I want to get chocolate wasted."
Amanda Bynes and Emma Stone, Easy A:
Amanda Bynes: "There is a higher power that will judge you for your indecency." Emma Stone: "Tom Cruise?"
Jesse Eisenberg, The Social Network:
"If you guys were the inventors of Facebook, you'd have invented Facebook."
Justin Timberlake and Andrew Garfield, The Social Network:
Justin Timberlake: "... A million dollars isn't cool. You know what's cool?" Andrew Garfield: "A billion dollars. And that shut everybody up."
Tom Hardy, Inception:
"You mustn't be afraid to dream a little bigger darling."
Best Villain
Christoph Waltz, The Green Hornet
Leighton Meester, The Roommate
Mickey Rourke, Iron Man 2
Ned Beatty, Toy Story 3
Tom Felton, Harry Potter and the Deathly Hallows, Part 1
Best Fight
Amy Adams vs. The Sisters, The Fighter
Chloë Grace Moretz vs. Mark Strong, Kick-Ass
Daniel Radcliffe, Emma Watson and Rupert Grint vs. Death Eaters, Harry Potter and the Deathly Hallows, Part 1
Joseph Gordon-Levitt vs. Hallway Attacker, Inception
Robert Pattinson vs. Bryce Dallas Howard and Xavier Samuel, The Twilight Saga: Eclipse
Best Kiss
Ellen Page and Joseph Gordon-Levitt, Inception
Emma Watson and Daniel Radcliffe, Harry Potter and the Deathly Hallows, Part 1
Kristen Stewart and Robert Pattinson, The Twilight Saga: Eclipse
Kristen Stewart and Taylor Lautner, The Twilight Saga: Eclipse
Natalie Portman and Mila Kunis, Black Swan
Best Jaw-Dropping Moment
James Franco, 127 Hours, Cuts Off His Arm
Justin Bieber, Justin Bieber: Never Say Never, Performance Spectacular
Leonardo DiCaprio and Ellen Page, Inception, Paris Café Scene
Natalie Portman, Black Swan, Mutilation: Pulls the Skin off Her Finger
Steve-O, Jackass 3D, Port-A-Potty Bungee Stunt
Best Scared-As-Sh-- Performance
Ashley Bell, The Last Exorcism
Ellen Page, Inception
Jessica Szohr, Piranha 3D
Minka Kelly, The Roommate
Ryan Reynolds, Buried
Biggest Badass Star
Alex Pettyfer, I Am Number Four
Chloë Grace Moretz, Kick-Ass
Jaden Smith, The Karate Kid
Joseph Gordon-Levitt, Inception
Robert Downey Jr., Iron Man 2
The MTV Movie Awards air Sunday, June 5. Voting ends June, 4, except for best movie which ends right before the award is given out on June 5.
Source: MTV

Top Shelf
The Green Hornet (Sony, $19.99)
Click here to buy it | Click here to read our review
The Movie: Despite most people telling me it was “better than they expected,” I really wasn’t all that optimistic to see The Green Hornet. There was just something about the trailers that really didn’t work for me. Ignoring the whole post-production 3-D conversion, the whole thing just looked very...’90s. And normally I’m all for an action movie that’s a throwback to the ‘90s, an era where villains actually killed innocent people and where heroes killed bad guys with little regard, but the idea of a superhero action movie ‘90s throwback? I just kept thinking it looked like a bigger budget version of Blankman.
After seeing The Green Hornet, I can now side with everyone else: It’s better than expected. And much to my own surprise, the best thing about it is how ‘90s they treat the material. Most PG-13 action movies these days, especially superheroes, don’t have the balls to have their hero stab someone in the face or have their villain actually shoot people in the face instead of just dreaming up real estate scams. But The Green Hornet does. Oh, how it does.
It’s not flawless, though. It also has a problem a lot of ‘90s flicks do as well: needless conflict. I thought we’d evolved past a time where all buddy action movies were required to have a stretch of the film where the buddies have a falling out, but apparently that’s not the case. If you chopped out Rogen and Chou’s quarrels, you’d have a leaner, more entertaining story to tell. Still, even with the bloated length and useless inclusion of Cameron Diaz, The Green Hornet is still a very fun, delightfully reckless good time.
The Features: Sounds like Sony loaded this up with some nice goodies, including a commentary with the filmmakers, Jay Chou’s audition footage, a number of deleted scene/gag reels, a featurette on the making of the car and a few more Blu-only extras.
Buy It If: Honestly, The Green Hornet isn’t a must-see movie for me, but it is the most interesting new release of the week, which does make it a must-rent.
Middle Shelf
Ip Man 2 (Well Go USA, $14.99)
Click here to buy it
The Movie: If you’ve seen the amazing Ip Man, then you instantly know you have to see Ip Man 2. If you haven’t seen Ip Man, don’t worry, it’s not necessary to have seen the first to appreciate the second. If you have no idea what (or who) Ip Man is and you’re wondering how a person can be comprised of an internet protocol address, I’ll keep it simple: Ip Man is the best martial arts movie in years.
The story of Ip Man, the legendary Wing Chun martial arts master that ended up being Bruce Lee’s teacher, has been told in countless films, but the Ip Man series is the best of the bunch. There’s a bit too much wire work in the second film for my tastes, but even still, Donnie Yen laying the hurt on hordes of fools is still an awesome sight to behold.
The Features: A making Of, deleted scenes, behind-the-scenes tour and some interviews; all either dubbed or subtitled in English.
Buy It If: You LOVE martial arts movies. The Ip Man series is not to be missed.
All the Rest
All the Right Moves (20th Century Fox, $15.99)
Click here to buy it
Being Human: Season Three (BBC, $40.99)
Click here to buy it
The Crow: City of Angels (Echo Bridge, $11.49)
Click here to buy it
The Dilemma (Universal, $19.99)
Click here to buy it | Click here to read our review
Fat Girl (Criterion, $27.99)
Click here to buy it
From Dusk Till Dawn (Echo Bridge, $9.99)
Click here to buy it
Halloween H2O (Echo Bridge, $11.49)
Click here to buy it
The Skull &amp; The Man Who Could Cheat Death (Legend, $12.99)
Click here to buy it
Smiles of a Summer Night (Criterion Collection, $27.99)
Click here to buy it
Taps (20th Century Fox, $15.99)
Click here to buy it
Twelve O'Clock High (20th Century Fox, $20.99)
Click here to buy it
Waiting For Forever (20th Century Fox, $18.99)
Click here to buy it
What Dreams May Come (Universal, $19.99)
Click here to buy it
The Yards (Echo Bridge, $11.49)
Click here to buy it

To get in shape for his role as The Green Hornet Seth Rogen had to lose a considerable amount of weight to convincingly portray a masked crime fighter but there’s no reason that the Home Entertainment release of the film should be as slim as its protagonist. Sony’s DVD which is in stores today is a bare bones one disc package that gives little incentive to fully explore as a result of too-modest product design and a lack of special features. The film itself wasn’t all that good so I had hoped there would be plenty of supplemental material on the disc to provide some coverage of the creative process and on-set comedy that must’ve ensued between director Michel Gondry Rogen Cameron Diaz and co. Sadly not so.
Let’s start with the basics: The Green Hornet follows twenty-something slacker Britt Reid (Rogen) the wealthy heir to his father James’ newspaper fortune. By day Britt sleeps through hangovers and finds extravagant ways to piss money away; by night he’s a posh party-animal who’s got no trouble finding loose women to take home. That is until James drops dead and he’s left contemplating his future. He meets Kato (Jay Chou) his father’s chauffeur who conveniently happens to be a martial arts enthusiast and one hell of an engineer and quickly strikes up a friendship. Together they decide to enter the next stage of their lives as masked vigilantes and clean up the streets of LA but they end up on the collective shit-list of the entire criminal underworld which includes crazy mobsters like the psychotic Chudnofsky (Christoph Waltz) as well as corrupt cops and law enforcement officials.
I’m not going to go through a full review of the film; for insight into its quality read my original take here. To summarize I’ll say this: The Green Hornet is a big loud dumb action adventure that’s not as funny as the filmmakers think and not as good as fans wanted it to be. Still I’ve loved Blu-ray’s or DVD’s for movies that I wasn’t crazy about in the past - when they’ve come fully loaded with bonus content. Unfortunately the studio blew an opportunity to make up for a sub-par movie with a cool DVD. There’s not much to see here just a quick gag reel that’s severely lacking gags a brief featurette with Rogen and co-writer/executive producer Evan Goldberg breaking down their writing process (it sounds like it’d be more interesting than it is) and another that details the process of recreating the Black Beauty for the 21st century. Car aficionados will find this most entertaining and older viewers perhaps even a bit nostalgic though the segment is little more than a shortened Top Gear episode. Other than that there’s a feature length commentary track with Rogen Goldberg Gondry and producer Neal Moritz which is probably the most informative extra in the mix. Hopefully the Blu-ray comes stuffed with more content because all in all I’m sorely let down by this release.

Chou stars as Rogen's sidekick Kato in the new big screen adaptation of the popular comic books, and Gondry reveals casting the singer-turned-actor in the superhero movie was an easy decision to make.
He says, "We had a conference on (video calling software) Skype where Seth was reading with Jay and we felt there was already chemistry, even though it was with a 10-second delay, and we liked him for his acting."
And the Knocked Up star admits he was highly impressed by Chou's determination to learn how to converse in English so he could perfect his film role.
Rogen says, "He knew very little (English) when we started filming and a few weeks in, he could improvise his own dialogue and come up with his own jokes, which was very frustrating because that took me years to learn how to do!"

Martin Luther King weekend was unable to break the downward spiral as we suffer through a down streak at the box office that has lasted for ten straight weeks.
That said, the unlikeliest of super heroes topped the chart with a solid $34 million as Seth Rogen stars in Sony/Screen Gem’s big screen version of The Green Hornet. The original TV series ran just one season from 1966 to 1967 and starred Van Williams as Britt Reid (aka The Green Hornet) and famously Bruce Lee as his sidekick Kato. In this 2011 update the ironic yet effective casting of comedy star Seth Rogen in the title role will draw audiences looking for a decidedly tongue-in-cheek action movie experience. Cameron Diaz and Inglourious Basterds star Christoph Waltz round out a cast which also includes Jay Chou as the butt-kicking Kato. Notably, the film is directed by indie-auteur Michel Gondry who helmed Eternal Sunshine of the Spotless Mind and other offbeat films. A great marketing campaign and a release date that took advantage of the less competitive early January marketplace enabled “The Green Hornet” to crack the $30 million mark.
Check out our exclusive 'The Green Hornet' themed comic strip from Francesco Marciuliano. Francesco writes the internationally-syndicated comic strip “Sally Forth” and the webcomic “Medium Large.” He was the head writer for the PBS series “SeeMore’s Playhouse,” for which one of his episodes won two 2007 Daytime Emmys. He currently writes for the Onion News Network.
Of course one dynamic duo deserves another and Vince Vaughn and Kevin James deliver the comedy in Universal’s The Dilemma in which the discovery of a wife’s infidelity leaves one of the buddies with the dilemma of how to tell his best friend. A strong cast that includes Jennifer Connelly, Winona Ryder, Channing Tatum and Queen Latifah, The Dilemma is the 21st feature film directed by Ron Howard whose first film was 1977’s “Grand Theft Auto.” The film grabbed the date crowd and audiences looking for a new comedy to enjoy this weekend and therefore earned a second place finish with $17.4 million.
The third, fourth and fifth spots were filled by films that have bridged the gap between critical and commercial success with the Coen Brothers’ True Grit fast becoming one of the highest grossing westerns of all-time and landing in third with $11.2 million and a cumulative gross of $126.4 million.
Fourth place goes to Weinstein Co.’s The King’s Speech as it continues its reign as an audience and critic’s favorite. Another $9.1 million in the royal dowry brings the Colin Firth starring period drama to $45 million in domestic box office.
In fifth place is the irrepressible Black Swan which has taken the ballet-themed film to new box office heights. The Darren Aronofsky film starring Oscar-nom shoe-in Natalie Portman earned $8.1 million (which represents a 0% weekend over weekend drop) as word-of-mouth is propelling the film toward a $100 million plus gross.
A solid if not spectacular Martin Luther King Weekend as the industry prepares to watch The Golden Globes and see what might be in store for the Oscars yet to come.
Weekend Box Office
Top 10 Movies - For Weekend of January 14, 2011 - Estimates
Movie Weekend Total
1 The Green Hornet (PG-13) $34.0 M $34.0 M
2 The Dilemma (PG-13) $17.4 M $17.4 M
3 True Grit (PG-13) $11.2 M $126.4 M
4 The King's Speech (R) $9.1 M $44.6 M
5 Black Swan (R) $8.1 M $73.0 M
6 Little Fockers (PG-13) $7.1 M $134.2 M
7 Tron: Legacy (PG) $5.7 M $156.9 M
8 Yogi Bear (PG) $5.3 M $82.1 M
9 The Fighter (R) $5.1 M $65.8 M
10 Season of the Witch (PG-13) $4.5 M $18.0 M

Martin Luther King weekend will hopefully bring some much needed “green” to the nation’s theaters as we continue to suffer through a down streak at the box office that has plagued the industry for nine straight weeks.
The unlikeliest of super heroes will attempt to save the day as Seth Rogen stars in Sony/Screen Gem’s big screen version of The Green Hornet. The original TV series ran just one season from 1966 to 1967 and starred Van Williams as Britt Reid (aka The Green Hornet) and famously Bruce Lee as his sidekick Kato. In this 2011 update the ironic yet effective casting of comedy star Seth Rogen in the title role will draw audiences looking for a decidedly tongue-in-cheek action movie experience. Cameron Diaz and Inglourious Basterds star Christoph Waltz round out a cast which also includes Jay Chou as the butt-kicking Kato.
Notably, the film is directed by indie-auteur Michel Gondry who helmed Eternal Sunshine of the Spotless Mind and other offbeat films. A great marketing campaign and a release date that takes advantage of the less competitive early January marketplace will give The Green Hornet a solid debut. The film is poised for an opening weekend in the high $30 million range for the three-day portion of the weekend (and around to $50 million for the four-days) and will thus be considered the first official “hit” in the 2011 movie line-up.
Of course one dynamic duo deserves another and Vince Vaughn and Kevin James deliver the comedy in Universal’s The Dilemma in which the discovery of a wife’s infidelity leaves one of the buddies with the dilemma of how to tell his best friend. A strong cast that includes Jennifer Connelly, Winona Ryder, Channing Tatum and Queen Latifah, The Dilemma is the 21st feature film directed by Ron Howard whose first film was 1977’s Grand Theft Auto. The film should grab the date crowd and audiences looking for a new comedy to enjoy this weekend and therefore a second place finish for the three-day period with a gross in the high teens is to be expected.
The third and fourth spots will be filled by two films that have bridged the gap between critical and commercial success with the Coen Brothers’ True Grit fast becoming one of the highest grossing westerns of all-time and Black Swan taking the ballet-themed film to new box office heights. Look for Grit to collect a reward of around $10 million and Swan to plié its way to a Friday through Sunday performance of just under $10 million as the two films continue to draw discerning audiences to the multiplex.
Finally everyone’s favorite Fockers will make their mark as Little Fockers continues to perform solidly in the post-Holiday period. A weekend gross in the $5 million range will take the film to over $130 million in its fourth weekend of release and round out the top five.

Seth Rogen's career has come a long way. From his roots in cult-television, he became a bankable comedic leading man with films like Knocked Up and Pineapple Express and now is setting his sights on big-budget blockbusters with tomorrow's anticipated release of The Green Hornet. I was happy to talk to Rogen at the Sony Offices last week, where we had an in-depth discussion about his new superhero film and his very busy schedule.
Check out the exclusive video interview below, in which Rogen talks about his goals for the film and the status of some of his other developing projects!

Title

Summary

One of the most popular and successful entertainers in Asia, Jay Chou was a singer, actor and director whose career encompassed million-selling albums and award-winning performances in films like "Curse of the Golden Flower" (2006), "The Secret" (2007) and "True Legend" (2009). A music buff since childhood, he entered the business as a songwriter but soon blossomed into a pop star in 2000; nine top-selling albums - one every year since his debut - made him one of the biggest names in Asian music. He soon branched out into acting, with Zhang Yimou's "Flower" providing him with his first taste of Western exposure; his directorial debut with "The Secret" proved that his talents extended beyond stage and screen. Chou's casting as Kato in the Hollywood action-comedy "The Green Hornet" (2010) appeared to most international media observers as the beginning of a worldwide fanbase for the popular multi-hyphenate.