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Broadening national security and protecting crowded places - Performing the United Kingdom’s War on Terror, 2007-2010

Abstract

This thesis critically interrogates the spatial politics of two ‘fronts’ of the UK’s
on-going war on terror between 2007-2010: first, broadening national security, the extension of national security into non-traditional social and economic domains; and second, security in ‘crowded places’, counter-terror regimes in the UK’s public spaces. It responds to the neglect within security studies of the spatial politics of this conflict by considering the spatial performativities enabling these two contemporaneous iterations of national security. The first part applies critical geopolitics and biopolitics frameworks to a case study of the new National Security Strategy of the United Kingdom. It argues that UK national security reiterates the ‘interconnecting’ performativities of neoliberal norms as a ‘broadening’ understanding of national security which licenses a ‘broadening’ register of coercive policy responses. The second part carries out an exploratory case study of one such
coercive policy response: security at the ‘crowded place’ of the BALTIC Centre for Contemporary Art in Gateshead. It identifies crowded places security as reliant on practices of emptying out and ‘zero-ing’ space, pre-emptive 'zero tolerance' risk imaginaries, and extensive surveillance – both electronic and ‘natural’. In other words, counter-terrorism is becoming increasingly important in shaping daily life in the UK through a diverse range of spatial control practices. The thesis uses an innovative methodological and conceptual strategy combining Foucauldian discourse analysis of security policies, participant observation of situated security practices, with theoretical frameworks from political geography, international relations and visual culture. It also develops Judith Butler’s theory of performativity as a conceptual tool to critique the materialisation of contemporary spaces of security and counter-terrorism, from the meta-imaginative geographies of national security to the micro-spaces of counter-terrorism in UK public space. In sum, this thesis points towards new avenues for understanding the on-going encroachment of the war on terror into everyday spaces in the UK