Not so long ago we announced a new album from Castanets (you can stream a track from the album on Pitchfork right here), but you don’t have to wait that long for new Castanets – when on tour, each show is notoriously different than the last. Tonight Castanets begin a very stacked tour with a bang. They’ll be playing at Central Park’s Summerstage alongside Explosions in the Sky and Constantines. The show is free and starts at 5:30pm, so if you’re in NYC – go! Details for that show are here. Otherwise, see dates for the rest of the U.S. tour here.

Speaking of whirlwind tours, Cryptacize is headway into theirs. They’re playing in Atlanta tonight, then Chapel Hill, and back up into the Rustbelt and beyond, with the superbly sublime Casiotone for the Painfully Alone as tourmates. See dates for that tour here.

Castanets’ contribution to the American music canon has always been a strange, experimental, defiant one. Beer-soaked country rock gone contrarian noise. Corpse-y folk and desert blues. Live shows and past records brought free-jazz and Nashville together or went dub like it was casual. But no matter how out there it’s gone, Castanets’ music has always had this sly, wizened eye for catchiness and a quiet, laidback flirtation with beats. In the five years since Castanets main-man Raymond Raposa dropped his debut, Cathedral, it has always seemed like Raposa was just one step away from writing a whopper of a totally accessible pop record.

And here it is, Texas Rose, The Thaw, and The Beasts. Only it’s not. By some dark alchemy, Castanets has managed to craft an album that is as catchy and well-defined as it is full of experimentation. And more so. More so on the catchy. More so on the song-craft. More so on the clean, majestic classy production (courtesy of our own Rafter Roberts). But also more so on the noise, the haunted electronics, and the all-out remodeling of American song forms.

It’s something new and it’s something epic – and it satisfies. There are many things we can ask for from our music but to be satisfied is paramount. Texas Rose, The Thaw, and The Beasts, the brand-new record from Castanets, is out September 22nd. You can read more about the album here.

In between now and then, Castanets are touring, extensively through June. Those tourdates are here.

On Tuesday, Castanets released their fourth album, City of Refuge. You can purchase the CD here for $10, and the LP for $12. And today we announce Dub Refuge, a dub-ambient revisionary history of City of Refuge from Ero.

Says Ero: "I wanted to make sounds from his music that respected the realism and naturalism of the source material (hums, buzz, the acoustic signature of motel and cheap microphone) while adding in additional depth of reference and providing some clouds of unknowability, in order to emphasize the more spiritual and aggressively ‘out’ aspects of the music." Read more from Ero here.

Dub Refuge releases November 4th. Castanets are also setting off on a fairly broad tour, showing up from Chicago, to Portland, to San Francisco, to DC. See details here.

In the meantime, we have created a Castanets "collection" of sorts, if there can be such a thing, which consists of Castanets’ first three full-lengths (Cathedral, First Light’s Freeze, In the Vines). It’s just $15, and while supplies last, we are including a limited edition tour EP that Castanets split with Shapes and Sizes. You can buy it by clicking here.

Former Castanets member, musicologist, and all around friend to the label Benjamin Piekut recently shot a series of videos with the criminally under-recognized Henry Flynt. We here at Asthmatic Kitty are always interested in turning our friends and visitors onto new things, so we wanted to call your attention to these videos.

In Ben’s own words:"Equal parts oral history and polemic, the video might be of interest to anyone working on the 1960s and 1970s, music and politics, the avant-garde, or the sectarian Left. In each of the short scenes, Flynt stands in front of an important building or location and recalls one or more visits to the site and why it has been important in his own life."

Both Castanets and My Brightest Diamond will wake up today and find themselves across the sea. Instead of waking up in their own beds, they will awake in Europe. Like little Risk ® soldiers, they will spread throughout the continent, leaving behind good music in their wake.

Castanets’ journey starts on Friday in Sevilla, Spain, and then will pass through the Netherlands, including ZXZW in Tillburg (see Pitchfork article here) then through Germany.

MBD will begin her set of European dates tonight in Manchester, UK, gypsy through Belgium, Germany, Holland, France, and then close it out in Spain. (Not in Europe? That’s ok; you can watch her fantastical new music video here.)

Several months ago, Ray Raposa exiled himself to a Nevada desert motel room for three weeks. Equipped with the barest of recording equipment, the frontman for Castanets proceeded to put to tape what would become City of Refuge, the band’s newest full length release.

Despite slight additions by a few friends of Castanets after the motel hole-up, the result is a sparse, isolated piece of music, one that evokes the landscape where Raposa recorded the album.

We will be proudly releasing City of Refuge on October 7, 2008. Click here to see the album’s info page.

We could go on and on (and on) about how terrific Daytrotter is, but we’ll just say that they’ve worked their writing and illustrative magic on Castanets once again. This time, they reached into their hat and wrangled out a couple of tunes from a still unannounced Castanets album due in October, as well as a Tom Petty cover track. Capturing the essence of Castanets is a rare skill. Not to be missed; read and listen here.

Raposa is magical. He can be in two places at once. Be sure to catch him on tour in Europe. This time he will bring his sounds as far east as Croatia, Slovenia and the Czech Republic. Castanets will be performing as a two piece with Meg Noe accompanying Raposa on violin and voice.

And screenings of the DVD Tendrils will be happening around release date, including a One Week Only feature screening now, May 9th to May 16th on Pitchfork.tv if you can’t make it out in person. Click here to watch.

Castanets, specifically Raymond Raposa and Meg Noe, are now in Europe, despite having had to cross the ocean. They’ll be there until the end of May traveling from Germany and the Netherlands through the UK, France, Switzerland, Italy, Croatia, Slovenia, the Czech Republic, and then back to Germany and the Netherlands. You can see details here. If you’re in one of the cities where Castanets will be, and need help convincing your friends, email us at wordofmouth at asthmatickitty dot com and we’ll see what we can do to help.

In the lifespan of almost every album, there comes a time when artist and label must plan out a music video. But when that time came for Castanets’ most recent release, In The Vines, the conversation went very differently. Raposa’s belief that the recorded version of the song should never be the definitive take meant that to create a standard fare music video was counter-intuitive to spirit of the album. Instead, Tendrils was born.

Directed by longtime friend of the band Mia Ferm, Tendrils is an exploration of the the complicated community and culture that sinew and contextualize Castanets. Sans pretension but with an expert eye, Ferm captures artists from bands like Osso, Dirty Projectors, Phosphorescent, Marla Hansen, and Vanishing Voice covering songs from In The Vines. It is one quarter documentary, one quarter home video, and half of something else altogether.

Click more to see the trailer, edited by Zack Bent, or here to preorder it for $14 (+SH).