Tag Archives: Chosen

Chandra Hoffman makes a strong debut with her first novel, Chosen. Written in clear flowing prose, Hoffman will draw empathy from the reader by presenting a true-to-life portrayal of individuals from both sides of the adoption process.

“I wanted to tell a story in which there are no heroes or villains, just shades of gray, real people trying to recover from their stumbles with grace.”

Chloe Pinter is the director of a private adoption program in Portland, Oregon named Chosen Child. Engaged to a youthful beach bum who yearns for a life on the beaches of Maui, Chloe is immersed in the intimate details of the lives of her clients, torn on what she wants from her own life. Chloe’s committed to support each of her clients, who range from delinquent, hostile convicts to wealthy high school sweethearts. She provides them with the financial and emotional resources that she has available, even putting her career and personal life on the line when one of the babies goes missing.

There are other cases where her influence was heavy, life-changing… and then there are those for whom her actions were like strokes on the Zen watercolor paper, where the darkest of watermarks disappear after brief moments…

Hoffman captures the waves of emotional confusion and exhaustion that accompanies parents of newborns. She demonstrates the complexities of the adoption process with compassion and expertise that she brings to the novel from her prior professional work as an orphanage relief worker. She further delves into sensitive topics such as infidelity, postpartum depression, and domestic violence but does so with grace.

This story has merit, and the passion that Hoffman has for the world of adoptions comes through clearly. My recommendation falters due to the storyline’s predictability and the farfetched resolution to the main part of the story. Hoffman’s attempt at portraying the complexities of the characters often falls short and results in several unlikable, egotistic male characters who either continue to imagine or participate in affairs, and two of whom describe in detail the way they would murder their partners (which, thankfully, never comes to fruition). Therefore, this novel is simply recommended.

“…an engaging and engrossing novel… counterbalanced by a few significant negatives.”

If you had asked me a few weeks or months ago if I’d be interested in reading a novel about adoptions I suppose I would have replied in the negative. However, debut author Chandra Hoffman’s novel Chosen has the benefit of being set in Portland, Oregon which tipped the scales in favor of placing it on my to-be-read list. It is, all in all, an engaging and engrossing novel; however, the pluses are counterbalanced by a few significant negatives.

This is primarily the story of Chloe Pinter, the director of Portland’s Chosen Child domestic adoption program. Although Chosen Child is a fictional program (charging prospective adoption parents tens of thousands of dollars in fees), Hoffman worked as an orphanage relief worker in Eastern Europe, and so she knows of what she writes here. Chloe is a young, ambitious woman engaged to a restless young daredevil who makes no money, and who is content to delay their marriage as long as possible. As we meet her, Chloe has convinced herself – perhaps falsely – that she loves nothing more than combining otherwise abandoned children with couples for whom adoption is a last chance at parenthood.

All those adoptions where she believed she was creating a family, playing the puppeteer, chosing the right parents for this baby, or the perfect baby for the best couple.

The interest and tension in this story builds as Chloe must deal with flawed human beings, birth parents who decide to give up a child and then change their minds, and prospective adoptive parents who feel like their lives will be over if the planned adoption does not go through. All of the parties involved express their frustrations to Chloe, who soon realizes that she – like her boyfriend – would rather be in Hawaii, or anywhere else where she would not have to deal with other people’s problems.

One of the unfortunate issues with this read is that Hoffman populates the story with a few too many characters for the reader to follow. Unless you take notes as you’re reading, you may become confused as to who is who, especially as the characters include not only adoptive and birth parents, but also a couple that considered adoption before having their own child through natural means.

A more significant issue arises when Hoffman is compared (as on the back of the book cover) to writer Chris Bohjalian. I attempted to read Bohjalian’s latest novel, The Night Strangers, but had to give up in frustration. Bohjalian writes well but tends to insert sex scenes that seem to come from off of the stage – without context or introduction – and that are ultimately distracting. They do nothing to advance the story being told. Hoffman does the same here; all of the sex-related scenes could have been edited out without doing any harm to the tale. And like Bohjalian, Hoffman writes comfortably about prosperous people – in this case, Volvo station wagon driving couples living in Portland Heights – but fails to be convincing when she writes about the gritty folks who live on the wrong side of town. Part of this may be due to the locale she selected, as Chloe admits that while there are tougher parts of Portland, there are no truly dangerous sections in the greater city area.

To restate this, the harsh and adult content which is a key part of Chosen does not seem to come naturally to Hoffman. Tough language and rough situations sometimes seem jarringly out-of-place in this story and require a suspension of belief that may be beyond the capacity of some readers. As an example, when Chloe is threatened by some rough characters, she never has the street smarts to alert the local police, which would seem unlikely in a protagonist as seemingly intelligent as Chloe Pinter.

It is so much easier when, after the parents have signed, everyone simply retreats back to their corners, disappears. The adoptive parents into the all consuming babyland, the birth parents drifting on, carrying their grief with them like battered travel trunks.

To Hoffman’s credit, she crafts a very satisfying conclusion to this tale, one in which we find that the bad actors are not quite as bad as they seem. The ending may redeem any flaws that precede it for a majority of readers. Personally, I view Hoffman as a new author with great potential who would benefit from developing a writing style that discourages comparisons with Chris Bohjalian or Jodi Picoult.

Joseph Arellano

A review copy was provided by the publisher. “…(An) unflinching and suspense-filled account of the pleasures and perils of domestic adoption.” Los Angeles Times