A New Day... Live In Las Vegas

Songs

"Nature boy was recorded for the first time by Nat King Cole, Celine says. It closes my album A New Day Has Come. It is Eddy Marnay, my accomplice, who spoke to me about it. I recorded it for voice and piano, accompanied by Jorge Calandrelli, who worked with Frank Sinatra and Barbra Read more... Streisand."
"This is the one I had the most kick out of in the studios, Dion says. I could hear the pedal of the piano and the touch of the keys while I was singing. We were following each other. It's the real thing."
" In the listening, we preferred not to add the symphonic orchestration nevertheless very beautiful which was originally foreseen. The original duet gets closer to the purity. I find it magic."

(Theme song in "Stuart Little II")From the team that wrote That's The Way It Is, this is one of the lighter moments on the set A New Day Has Come; the rhythm is particularly stimulating.
"It's cute, it's fun, it's fresh, Céline offers. You don't have to listen to the lyric to enjoy it."

"I'd like to dedicate this next song (If I could, Celine reveals in her show A New Day..., to my son, Rene-Charles, and to all the children and parents of the world."
The song If I Could was originally recorded by Ray Charles on his My WorldRead more... album in 1993. Barbra Streisand also included the song on her Higher Ground album in 1997.

"I can see beginning my show and looking into everyone's eyes and singing this song,
Céline says. This is my hello."
The song is simple garnished with fiddle, and a vocal that sounds ike it was captured from the church
rafters.
Glenn Miller and his Orchestra originate the instrumental Read more... version in 1941, for the film Sun Valley Serenade.
The original version with voice, sung by Ray Eberle and Pat Friday, is recorded in 1942 by Glenn Miller and his Orchestra
for the film Orchestra Wives. Etta James' version
, which is the most popular, is recorded in August, 1960, in Chicago for her album entitled At Last.

Céline also sang an english version of this song on her One Heart album.
"I'm near her, Jean-Jacques Goldman reveals about the studio version from the album 1 Fille & 4 Types, and I tell her sentences by sentences... so I tell her "tadadadada" and Read more... she does "tadada..." at once after... Well, its happens that then it is this voice we kept so there was a huge work to remove me, my voice, or my whisperings just before... and, if you listen well the very beginning of the song, we still hear a little bit my voice before, so this song, she sings it while she entirely discovers it!"
Note that Nadia Comaneci, whom Celine has always admired very much, appears on the videoclip, as well as Miss Quebec 2003 Marie-Andree Poulin.

The recording of this classic by Céline was produced by Peer Astrom and Vito Luprano.
The original version is recorded by Cindy Lauper on her album A night to remember aired in 1989. A version by Roy Orbison, of whom the song was originally aimed, is aired in 1992.

(Theme song in "Titanic")"In April (1997), Celine remembers, composer James Horner came to Las Vegas and proposed a project to Rene : 'I'm writing the music for a movie about the Titanic'. The three of us met in a suite of the Caesar's Palace. Horner played My Heart Will Go On on the piano. On his Read more... back, I was making signs to Rene, pouts, I was looking sternly at him, so that he understood I didn't want this song : I really didn't want to record it. First, I didn't like the song, he couldn't sing right, it wasn't really alright on the piano at the moment, I had already performed several songs for movies, one more? We wanted to take a break, another project? More especially as director James Cameron didn't want any songs for his movie. We weren't in the middle of the song that Rene was pretending not to understand me. When Horner turned towards us, he said : 'In one month, we will be in New York, at the Hit Factory, where Celine records her new album Let's Talk About Love. If you give us an orchestral track, she could make a model, then Cameron could listen to it. It would be, I think, the best way to convince him.'"
"One month later, James Horner was at the Hit Factory in New York with his orchestral track. He told me with many details the story of the movie. I began to feel the atmosphere of the movie... There is a scene with a couple of old people who are hugging, who are seeing the water come in from under the door and who are deciding to go to bed, and who are going to die together... And there is also a mother who is singing lullabies to her children, and she knows that they're all going to die... And then I imagined it. And on that day, I wasn't totally in top shape vocally and usually I don't take caffeine when I sing, but here it was a model 'no things to worry' so I took a black coffee with two sugars... Then I sang, there were all the Sony team, Tommy Mottola, John Doelp, Vito Luprano... Everybody knew, since the first take, that we had a big hit."
"But the model, the coffee and the two sugars remained the original, I never recorded the song again : the model is on the disc. They built the orchestration with my voice... I never recorded it again, so much so that the tremolo is faster on the song than on stage, than usual, because of the caffeine."