Shakotan is a lettering inspired by the japanese tuning. I used shapes inspired by curves from tuned cars, ornaments, stickers.

It suggests motion and fastness. It’s a versatile lettering, with multiple possible variations for the same letter.

● Specimen, 315×470mm, 20 pages

● Supervised by Gilles Gavillet, Nicole Udry

● Offset, Black & Silver, 200copies, Printed at Cavin

02/11

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OSR

Visual identity made for the centenary of the Roman Swiss Orchestra.

This project transcribes music motion: the harmonics between different instrument chord. This universe is inspired by the world of comic books, childish and innocent confronted to the prestigious and strict sides of classical music.

● Flyers, Tickets & 3 posters (F4)

● Supervised by Diego Bontognali, Guy Meldem, Nicole Udry

● Printed at ECAL

03/11

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ACTION WRITING

I questionned myself about the implication of the body in the act of writing, about the relationship that body and tool maintain. When we are constrained by the tool, writing appears like a moment of pulsional and unreflected existence.

From my point of view, writing is a testimony of the living body in action and composition in the instant.

I decided to work the letter like a graffiti and explore the limit of visibility and readability. ASAP overcomes the classic codes by thinking of a typography that is to read more in its verticality than in its horizontality.

The project is the result of a workshop (5days) with the second year students at ECAL.

We worked on an alternative Typo-Graphic newspaper inspired by automatic writing, born in the surrealism movement lead by André Breton, and concrete poetry. A part of the group designed the layout while the other developed some visual typefaces.