Oscar Herrero Flamenco Metronome by Oscar Herrero. For Guitar (Classical). Misc. Product. Flamenco. Accessory. Published by Acordes Concert (MB.ACMFOH).
The essential professional metronome, whether you play the guitar, cajon or palmas, dance or sing, are professional or amateur. * Metronome and Digital Chromatic Tuner programmed with all flamenco palos. * 149 different rhythm formulas. * Real sounds of 16 percussion instruments (palmas, cajon, tacon, darbuka, djembe, etc.). * 8 tracks to compose your own formulas and songs. * Time signatures from 1 to 12 beats. * Stereo sound. Combine the instruments to your liking. * Select speed: from 20 to 400 BPM. * Progressively speed up or slow down. * Your screen will inform you at all times as to the tempo. * 12 light indicators in the shape of a clock indicate accented notes (green light: normal tempo; red light: accentuated tempo). * You will feel as though you are being accompanied by genuine palmeros or percussionists with swing and flamenco soniquete. * Combine the sound of a conventional metronome, programmable with rests, minims, crotchets, quavers, triplets, etc. * Connect it to your PC to programme, compose new rhythms, practice and send the information to the Flamenco Metronome. * Built-in loudspeaker and headphone outlet enable you to carry it around with you or connect it to your Hi-Fi equipment for maximum quality. * Created by flamencos for flamencos. If you are concerned about keeping your falseta, step or voice in time, If you play the guitar, cajon or palmas, If you sing, dance, are an amateur or a professional, Keep in time with the Oscar Herrero Flamenco Metronome. Programmed by Guillermo McGill and Oscar Herrero ESSENTIAL FOR: BAILE - If you dance, you can use it to learn, teach, practice and perfect timing. GUITARRA - If you play the guitar, you will clearly learn to feel, assimilate and play in time. CANTE - If you want to make sure that your singing is in time, you will easily achieve this. PERCUSSION - If you play the cajon, palmas, djembe, etc., silence these during programming and play over the remaining rhythm base.

Paco de LucIa Scores, Book 4 (Almoraima). By Paco de Lucia (1947-). Edited by Enrique Vargas. For Guitar (Classical). Solos. RGB Arte Visual. Flamenco. Advanced. Book. 309 pages. Published by RGB Arte Visual (MB.0901310339).
ISBN 9790901310339. Flamenco. 8.75x12 inches.
At last, a long-awaited transcription book of the emblematic CD Almoraima by Paco de Lucia published by Gestion de Lucia (the artist management company) has arrived. This time the author of these charts has been no other than maestro Enrique Vargas, also the director of the collection The Great Flamenco Guitars of Today Library, who had to face the tremendous difficulty of transcribing accurately every little detail of this historic work of art. In the process of an intense search for a new expressive melodic, structural and harmonic forms in flamenco, the genius guitarist from Algeciras implements in Almoraima various innovations unprecedented for the times: every one of the eight cuts of the CD has more than one - and some times up to five - guitar tracks; electric bass; percussion; a muted guitar track, and, sometimes, oud and singing. All of these elements made the task of transcribing this work tremendously difficult. In spite of this, maestro Enrique Vargas offers in every piece the solutions based on maximum fidelity to the original. All of these pieces are perfectly playable by solo guitar and a duo (with the exception of the rumba and sevillanas than are only suitable for a duo). Every piece is preceded by annotations in Spanish and English. The charts are presented in notation and tab. The fingerings for both hands and dynamic and technical characteristics are explained in the smallest detail. UK product number 901310339.

Tomatito's Paseo de los Castanos Score, Volume 2 (The Great Flamenco Guitars of Today Library). By Jose Fernandez Torres Tomatito. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate-Advanced. Book. Text language: Spanish, English. 206 pages. Published by RGB Arte Visual (MB.0801224316).
ISBN 9790801224316. With Text language: Spanish, English. Flamenco. 8.75x12 inches.
New book of The Great Flamenco Guitarist of today Library by Enrique Vargas The complete transcription of the historic CD "Paseo de los Castanos" by Tomatito, one of the most influential flamenco guitarists of our times. Maestro Enrique Vargas has chosen this CD to transcribe for two reasons: first, because it's musical value is unquestionable and second, because this recording like no other reflects the versatility of the artistic trajectory of this guitarist and composer. This work demonstrates a wide palette of styles and influences that Tomatito made his own: from a dazzling and very jazzy jam session with the great George Benson to a fiesta por bulerias in a wine cellar en Jerez de la Frontera in a pure Gypsy style, from an Argentinian bolero to a profoundly ancestral solea, from tangos flamencos so "Tomatito" to a Turkish folk song with a string cuartet. Presented in Spanish and English.

La Guitarra Flamenca (book/2 DVDs). (A Video Series of 6 Lessons with Music Tablature and Notation Presented on Two DVDs). By Juan Martin. For flamenco guitar. Artist/Personality; Book; DVD; Guitar Method or Supplement; Method/Instruction. Faber Edition. Acoustic; Latin. Advanced; Intermediate. Book and 2 DVDs. Published by Faber Music (AP.12-0571531024).
ISBN 0571531024. Acoustic; Latin.
Juan Martin explains and demonstrates the essential techniques and rhythmic forms of Flamenco guitar playing in six progressive lessons. The lessons show you in detail many varieties of the basic rhythms which form the foundation of Flamenco guitar styles. They also give you a wealth of traditional and modern Flamenco solos, accurately transcribed into music notation and easy-to-follow 'cifra' tablature.In this way you learn not only how to play but also what to play, as thelessons build into substantial repertoire of Flamenco music. The DVDs are designed for players of any level of ability.

Gipsy Guitar Value Pack. (Rumba-Styles of the Flamenco Guitar). Guitar. Book & CD & DVD Package. 92 pages. Schott Music #ED8396-01. Published by Schott Music (HL.49017548).
ISBN 3795758920. 9.25x12 inches.
Gerhard Graf-Martinez deals specifically with the Hispanic American form of the varied flamenco, the Rumba Flamenca, in this volume. It is with this style of flamenco that groups such as the Gipsy Kings hit the international charts and which has become the epitome of the flamenco to many people. The author leads every interested guitar player safely into the world of the Rumba Flamenca, providing him with solo and accompanying techniques in the form of music, tablature and two brilliant CD recordings, plus a bilingual DVD in German and English.

Rafael Riqueni - Alcazar de Cristal, Volume 3 by Rafael Riqueni. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 176 pages. Published by RGB Arte Visual (MB.0801224255).
ISBN 9790801224255. Flamenco. 8x11.75 inches.
The three books of the CD "Alcazar de cristal" are a new addition to Enrique Vargas's "The Great Flamenco Guitarists of Today Library" collection. "Alcazar de cristal," the latest work by Rafael Riqueni, is extremely interesting for a variety of reasons. First, there is the wide palette of influences found in the work, from baroque to Spanish musical nationalism, and from jazz to nineteenth-century romanticism - all of which Rafael implements within an unmistakably flamenco musical idiom. Second, there is the complexity of the arrangements, which sometimes include three guitars, a string section, piano, etc... Since there is practically no flamenco literature for more than one guitar, great effort has been made to include these arrangements in the transcriptions, which can be used in both professional settings and for didactic purposes. All the parts where there are more than one guitar have been transcribed in their entirety, making these scores ideal for duets or trios. This opens up some very interesting possibilities for professional flamenco groups or for students who prefer to play with another guitarist. For example, musicians who work in dance companies or who accompany singers can use various falsetas from this album that are arranged for more than one guitar. Flamenco guitar students can also interpret these pieces to learn to play with other musicians. Finally, this work includes a series of pieces that don't come from the world of pure flamenco, and therefore don't demand a deep knowledge of flamenco forms and techniques, which makes them accessible to guitarists of other styles - classical, jazz, Brazilian, etc. - interested in the flamenco guitar, making these pieces a sort of link between the flamenco guitar and other genres. Each transcription includes the following: 1. A history of the form 2. Scales, chords, and flamenco tonalities 3. Compas, palmas and foot-tapping patterns, which, though indispensable for understanding flamenco rhythms, are rarely analyzed in publications about flamenco. 4. Analysis of the most difficult falsetas with explanations and suggestions on their technical execution. In addition, each book includes 1. A list of basic rasgueados 2. A glossary of flamenco terminology 3. The symbols used in flamenco writing Since altogether this work is over 600 pages long, it is presented in three books in order to make it possible to use. This is the habitual format for transcriptions in "The Great Flamenco Guitarists of Today Library" series, since contemporary flamenco pieces are much longer than they used to be in the past and often include more than one guitar. Enrique Vargas transcribes all the additional guitars, which obviously makes the musical text much longer. In addition, the commentaries, suggestions, and analysis sections make each book a mini-manual of flamenco in general, and the style of each artist in particular.

Pepe Habichuela - Yerbaguena, Volume 1 by Pepe Habichuela. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 196 pages. Published by RGB Arte Visual (MB.0801224279).
ISBN 9790801224279. Flamenco. 8.25x11.5 inches.
At last, the long-awaited transcription of the historic CD Yerbaguena by Pepe Habichuela has been released as an addition to maestro Enrique Vargas' "Great Flamenco Guitars of Today Library". This two-volume edition, as all others within this Library, carries a hand-written exclusive authorization by the author of the music. Yerbaguena is considered historic for the following reasons: one, it is the first album that fuses Gypsy flamenco with the music of India, the homeland of the Roma (Gypsies). The ease with which Habichuela's guitar blends with the colorful Indian melodies of the Bollywood Strings, full of microtones and oriental embellishments is truly astonishing. Two, this work is a fruit of the combined effort of four different members of this outstanding flamenco family, the Carmona: maestro Pepe Habichuela; his son Josemi, himself a great guitarist, composer, arranger and producer; Juan Carmona, guitar virtuoso and also a great composer; and, last but not least, Antonio Carmona, an extraordinary percussionist. The music on Yerbaguena exudes the joy of living, pure and sincere as the ancestral wisdom of the Gypsy, who, through the thousands of years and miles preserved their soul and their art. The transcription of "Yerbaguena" was complicated by the abundance of Indian instruments, two and sometimes three guitar tracks, singing, etc.. Surprisingly, maestro Vargas not only transcribed all the guitar tracks, but also arranged the most important parts played by the Bollywood Strings, the oud and the mandola for the second guitar. As a result, this work offers flamenco material for solo guitar as well as duos and trios. No need to say, flamenco pieces for more that one guitar have been virtually non-existent on the chart market. It should be added that all the tunes from Yerbaguena are perfectly playable on a solo guitar. As in all of his books, Enrique Vargas offers detailed explanations on the forms included on Yerbaguena, foot marking, tonalities, the basics of the harmonic and melodic language of each form as well as the analysis of the most difficult compas, falsetas and technical aspects of the artist's style. This turns each book into a mini-manual of flamenco in general and the personal style of each guitarist in particular. UK product number 801224279.

Rafael Riqueni - Alcazar de Cristal, Volume 2 by Rafael Riqueni. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 176 pages. Published by RGB Arte Visual (MB.0801224248).
ISBN 9790801224248. Flamenco. 8.x11.75 inches.
The three books of the CD "Alcazar de cristal!" are a new addition to Enrique Vargas' "The Great Flamenco Guitarists of Today Library" collection. "Alcazar de cristal," the latest work by Rafael Riqueni, is extremely interesting for a variety of reasons. First, there is the wide palette of influences found in the work, from baroque to Spanish musical nationalism, and from jazz to nineteenth-century romanticism - all of which Rafael implements within an unmistakably flamenco musical idiom. Second, there is the complexity of the arrangements, which sometimes include three guitars, a string section, piano, etc... Since there is practically no flamenco literature for more than one guitar, great effort has been made to include these arrangements in the transcriptions, which can be used in both professional settings and for didactic purposes. All the parts where there are more than one guitar have been transcribed in their entirety, making these scores ideal for duets or trios. This opens up some very interesting possibilities for professional flamenco groups or for students who prefer to play with another guitarist. For example, musicians who work in dance companies or who accompany singers can use various falsetas from this album that are arranged for more than one guitar. Flamenco guitar students can also interpret these pieces to learn to play with other musicians. Finally, this work includes a series of pieces that don't come from the world of pure flamenco, and therefore don't demand a deep knowledge of flamenco forms and techniques, which makes them accessible to guitarists of other styles - classical, jazz, Brazilian, etc. - interested in the flamenco guitar, making these pieces a sort of link between the flamenco guitar and other genres. Each transcription includes the following: 1. A history of the form 2. Scales, chords, and flamenco tonalities 3. Compas, palmas and foot-tapping patterns, which, though indispensable for understanding flamenco rhythms, are rarely analyzed in publications about flamenco. 4. Analysis of the most difficult falsetas with explanations and suggestions on their technical execution. In addition, each book includes 1. A list of basic rasgueados 2. A glossary of flamenco terminology 3. The symbols used in flamenco writing Since altogether this work is over 600 pages long, it is presented in three books in order to make it possible to use. This is the habitual format for transcriptions in "The Great Flamenco Guitarists of Today Library" series, since contemporary flamenco pieces are much longer than they used to be in the past and often include more than one guitar. Enrique Vargas transcribes all the additional guitars, which obviously makes the musical text much longer. In addition, the commentaries, suggestions, and analysis sections make each book a mini-manual of flamenco in general, and the style of each artist in particular.

Jose Jimenez - El Viejin, Volume 3 by Jose Jimenez. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 183 pages. Published by RGB Arte Visual (MB.0801224224).
ISBN 9790801224224. Flamenco. 8.x11.75 inches.
The transcription of Jose Jimenez El Viejin's album "Algo que decir" is the first work published by the founder of the sophisticated and mysterious "Cano Roto" style of guitar. This musically and technically complex style is unique to the gypsy neighborhood Cano Roto in Madrid, where the highest concentration of flamenco guitarists in the world can be found. This album was awarded the "Discovery of the Year 1.999" prize by the Spanish Press Association. The album features such artists as guitar maestro Paco de Lucia, Montse Cortes, Carles Benavent, Antonio Canales, Ramon el Portugues, Bernardo Parrilla and Luki Losada. The work is divided into three volumes due to the magnitude of the musical text , and due to the number of explanations of the palos and falsetas that go with the sheet music for each piece. For the first time, the guitar accompaniment to the singing has been transcribed completely, As have the parts where there is more than one guitar. In the "Comments and Suggestions" chapters, the tunings used in each piece are explained in detail, as are the flamenco scales and chord progressions found in each tonality. In addition, the clapping and foot-tapping patterns are described in detail. These aspects, not often explored in the flamenco literature, are essential to correctly keeping the compas. ! In the "Analysis" part, El Viejin's techniques and his interpretation of each palo are explained falseta by falseta.

Jose Jimenez - El Viejin, Volume 2 by Jose Jimenez. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 224 pages. Published by RGB Arte Visual (MB.0801224217).
ISBN 9790801224217. Flamenco. 8.x11.75 inches.
The transcription of Jose Jimenez El Viejin's album "Algo que decir" is the first work published by the founder of the sophisticated and mysterious "Cano Roto" style of guitar. This musically and technically complex style is unique to the gypsy neighborhood Cano Roto in Madrid, where the highest concentration of flamenco guitarists in the world can be found. This album was awarded the "Discovery of the Year 1.999" prize by the Spanish Press Association. The album features such artists as guitar maestro Paco de Lucia, Montse Cortes, Carles Benavent, Antonio Canales, Ramon el Portugues, Bernardo Parrilla and Luki Losada. The work is divided into three volumes due to the magnitude of the musical text , and due to the number of explanations of the palos and falsetas that go with the sheet music for each piece. For the first time, the guitar accompaniment to the singing has been transcribed completely, As have the parts where there is more than one guitar. In the "Comments and Suggestions" chapters, the tunings used in each piece are explained in detail, as are the flamenco scales and chord progressions found in each tonality. In addition, the clapping and foot-tapping patterns are described in detail. These aspects, not often explored in the flamenco literature, are essential to correctly keeping the compas. In the "Analysis" part, El Viejin's techniques and his interpretation of each palo are explained falseta by falseta.

Rafael Riqueni - Alcazar de Cristal, Volume 1 by Rafael Riqueni. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 246 pages. Published by RGB Arte Visual (MB.0801224231).
ISBN 9790801224231. Flamenco. 8.x11.75 inches.
The three books of the CD !Alcazar de cristal! are a new addition to Enrique Vargas' "The Great Flamenco Guitarists of Today Library" collection. "Alcazar de cristal," the latest work by Rafael Riqueni, is extremely interesting for a variety of reasons. First, there is the wide palette of influences found in the work, from baroque to Spanish musical nationalism, and from jazz to nineteenth-century romanticism - all of which Rafael implements within an unmistakably flamenco musical idiom. Second, there is the complexity of the arrangements, which sometimes include three guitars, a string section, piano, etc... Since there is practically no flamenco literature for more than one guitar, great effort has been made to include these arrangements in the transcriptions, which can be used in both professional settings and for didactic purposes. All the parts where there are more than one guitar have been transcribed in their entirety, making these scores ideal for duets or trios. This opens up some very interesting possibilities for professional flamenco groups or for students who prefer to play with another guitarist. For example, musicians who work in dance companies or who accompany singers can use various falsetas from this album that are arranged for more than one guitar. Flamenco guitar students can also interpret these pieces to learn to play with other musicians. Finally, this work includes a series of pieces that don't come from the world of pure flamenco, and therefore don't demand a deep knowledge of flamenco forms and techniques, which makes them accessible to guitarists of other styles - classical, jazz, Brazilian, etc. - interested in the flamenco guitar, making these pieces a sort of link between the flamenco guitar and other genres. Each transcription includes the following: 1. A history of the form 2. Scales, chords, and flamenco tonalities 3. Compas, palmas and foot-tapping patterns, which, though indispensable for under-standing flamenco rhythms, are rarely analyzed in publications about flamenco. 4. Analysis of the most difficult falsetas with explanations and suggestions on their techni-cal execution. In addition, each book includes 1. A list of basic rasgueados 2. A glossary of flamenco terminology 3. The symbols used in flamenco writing Since altogether this work is over 600 pages long, it is presented in three books in order to make it possible to use. This is the habitual format for transcriptions in "The Great Flamenco Guitarists of Today Library" series, since contemporary flamenco pieces are much longer than they used to be in the past and often include more than one guitar. Enrique Vargas transcribes all the additional guitars, which obviously makes the musical text much longer. In addition, the commentaries, suggestions, and analysis sections make each book a mini-manual of flamenco in general, and the style of each artist in particular.

Pepe Habichuela - Yerbaguena, Volume 2 by Pepe Habichuela. Edited by Enrique Vargas. For Guitar (Classical). Solos. The Great Flamenco Guitars of Today Library. Flamenco. Intermediate. Book. 286 pages. Published by RGB Arte Visual (MB.0801224286).
ISBN 9790801224286. Flamenco. 8.25x11.5 inches.
At last, the long-awaited transcription of the historic CD Yerbaguena by Pepe Habichuela has been released as an addition to maestro Enrique Vargas' "Great Flamenco Guitars of Today Library". This two-volume edition, as all others within this Library, carries a hand-written exclusive authorization by the author of the music. Yerbaguena is considered historic for the following reasons: one, it is the first album that fuses Gypsy flamenco with the music of India, the homeland of the Roma (Gypsies). The ease with which Habichuela's guitar blends with the colorful Indian melodies of the Bollywood Strings, full of microtones and oriental embellishments is truly astonishing. Two, this work is a fruit of the combined effort of four different members of this outstanding flamenco fam-ily, the Carmona: maestro Pepe Habichuela; his son Josemi, himself a great guitarist, composer, arranger and producer; Juan Carmona, guitar virtuoso and also a great composer; and, last but not least, Antonio Carmona, an extraordinary percussionist. The music on Yerbaguena exudes the joy of living, pure and sincere as the ancestral wisdom of the Gypsy, who, through the thousands of years and miles preserved their soul and their art. The transcription of "Yerbaguena" was complicated by the abundance of Indian instruments, two and sometimes three guitar tracks, singing, etc.. Surprisingly, maestro Vargas not only transcribed all the guitar tracks, but also arranged the most important parts played by the Bollywood Strings, the oud and the mandola for the second guitar. As a result, this work offers flamenco material for solo guitar as well as duos and trios. No need to say, flamenco pieces for more that one guitar have been virtually non-existent on the chart market. It should be added that all the tunes from Yerbaguena are perfectly playable on a solo guitar. As in all of his books, Enrique Vargas offers detailed explanations on the forms included on Yerbaguena, foot marking, tonalities, the basics of the harmonic and melodic language of each form as well as the analysis of the most difficult compas, falsetas and technical aspects of the artist's style. This turns each book into a mini-manuel of flamenco in general and the personal style of each guitarist in particular.

Mario Escudero - The Glory of Flamenco Guitar Book/CD Set (Mario Escudero n Gloria De La Guitarra Flamenca). By Mario Escudero. Edited by Claude Worms. For Guitar (Classical). Solos. Flamenco. Intermediate. Book/CD Set. 120 pages. Published by Acordes Concert (MB.8493472993).
ISBN 9788493472993. Flamenco. 8.25x11.75 inches.
Mario Escudero is one of the great flamenco concert guitarists of all time. Nine of his most important compositions are published in this book, including the buleria Ímpetu which is widely regarded as a masterpiece of flamenco ahead of its time and which was recorded and brought to the international audience by Paco de Lucia. Escudero worked alongside the most outstanding artistes of his day - Vicente Escudero, Ramon Montoya, Tomas Pavon, Nina de los Peines and Mairena, among others. The CD also features an interview with him recorded for radio. In Spanish, English and French. Es uno de los grandes guitarristas flamencos de concierto de la historia. En este libro se publican nueve de sus composiciones mas importantes incluyendo la buleria 'Ímpetu', considerada obra maestra del flamenco adelantada a su tiempo y grabada y popularizada internacionalmente por Paco de Lucia. Trabajo junto a los artistas mas sobresalientes de la epoca, como Vicente Escudero, Ramon Montoya, Tomas Pavon, Nina de los Peines, Mairena... En el CD se encuentra, ademas, una conversacion con Mario Escudero recogida de una entrevista radiofonica.

Manolo Franco - Aljibe by Manolo Franco. Edited by Claude Worms. For Guitar (Classical). Solos. Flamenco. Intermediate. Book/CD Set. 104 pages. Published by Acordes Concert (MB.8493626020).
ISBN 9788493626020. Flamenco. 8.25" x 11.75" inches.
'Aljibe' heralded all that Manolo Franco would bring to his musical artistic life: an extraordinary sound - round and truly flamenco - and an emphatic, clear, clean and polished technique. Whether solea, buler"as, alegr"as or any other style, he was already a phenomenon of musicality and creativity. This album was all it took to rank him among the most important composers of flamenco guitar music. These pieces - true documents for any flamenco guitar player - are unknown to later generations because that recording was not issued again and the originals, dormant, were waiting to be awakened to take their place again among the splendors of flamenco. This was an absence of a transcendental chapter of flamenco guitar since the compositions in this album, true masterpieces, until now were available only in an old recording made by the Spanish national television network. The appearance of these transcriptions is worth a lively round of applause because it is a rescue of something that belongs to all of us. The virtuosity and sensitivity of the interpretation are a gift, note by note - yours to enjoy and admire. En "Aljibe" estaba ya anunciado todo el equipaje que Manolo Franco llevar"a en su vida art"stica musical: un sonido extraordinario, redondo y flamenqu"simo y una tecnica rotunda, clara, limpia y depurada. Por solea, buler"as, alegr"as... era ya entonces un fenomeno de musicalidad y creatividad. Basta este album para situarlo a la altura de los mas importantes compositores de la guitarra flamenca. Estos temas, verdaderos documentos para todo guitarrista flamenco, son desconocidos para las generaciones posteriores debido a que esta grabacion no se reedito y cuyos originales, adormecidos, esperaban ser despertados para asomar de nuevo a los esplendores del flamenco. Esta falta nos privo de conocer un cap"tulo mas que trascendental de la guitarra flamenca, ya que las composiciones que aqu" se encuentran, autenticas obras maestras, tan solo pod"an descubrirse, hasta ahora, en una antigua grabacion de TVE. La aparicion de estas transcripciones merece el mas sonado aplauso pues constituyen un rescate de algo que nos pertenece a todos. El virtuosismo y la sensibilidad de interpretacion son un regalo, nota sobre nota: disfruten y admiren...

Alberto VElez Flamenco Guitar Memories Book/CD Set. (Memoria de la guitarra flamenca). By Oscar Herrero. For Guitar (Classical). Solos. Flamenco. Intermediate. Book/CD Set. Text language: Spanish, English, French. 144 pages. Published by Acordes Concert (MB.LCD0012).
ISBN 9780786674008. With Text language: Spanish, English, French. Flamenco. 8.25x11.75 inches.
This contains eight of his works for Flamenco Guitar, written and fingered by Oscar Herrero. It includes documentation on the professional life of Alberto Velez, who was an all-round guitarist, who stood out for his musical knowledge. He played with all the big names, Ramon Montoya, Nino Ricardo and Mario Escudero. He accompanied Vallejo, Cepero, Marchena, El Gloria, Fosforito, Tomas Pavon, Valderrama, Canalejas and others while they sang. Includes CD.

Harmonizing the Flamenco from the Guitar by Claude Worms. For Guitar (Classical). Theory & Harmony. Flamenco. Intermediate-Advanced. Book. 208 pages. Published by Acordes Concert (MB.21730).
ISBN 9788493472962. Flamenco. 8.25x11.75 inches.
This book is aimed at all musicians who want to learn about flamenco harmony through the flamenco instrument par excellence, the guitar. Although flamenco has evolved from the singing, the guitar has unarguably been a decisive influence on the formation of its range of styles, creating an array of keys to be able to accompany the many textures of flamenco singing. This book analyses 166 falsetas (cariations) from numerous eras, comprising a wide range of "palos" - solea, tangos, bulerias, siguiriyas, fandangos and more - from the most emblematic guitarists in the history of flamenco. It is not only a vital tool for understanding and transcribing the music of the great maestros of the genre but also provides clear, comprehensible explanations of flamenco composition. Countless classical composers have explored flamenco guitar harmony since the nineteenth century and incorporated some of its twists into their own music, including Glinka, Rimsky-Korsakov, Ravel, Debussy, Albeniz, Turina, Falla and many more.

Hechizo Book/CD Set by Oscar Herrero. For Guitar (Classical). Solos. Flamenco. Intermediate. Book/CD Set. 108 pages. Published by RGB Arte Visual (MB.0901311251).
ISBN 9790901311251. Flamenco. 8.25x11.50 inches.
Eight flamenco guitar solos composed and performed by Oscar Herrero with introduction and notations for right and left hand technique in Spanish, English and French. Written in standard notation and tablature. UK product number 901311251.