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Passion for turntables

Michael Lim

Disclaimer

Disclaimer :

I am not affiliated, associated with any turntable manufacturers or their agents. If in the course of my work, certain company, brand, trademark or their products are mentioned or referred to, is considered nominative use, and does not in any way imply any relationship and/or endorsement with the corresponding trademark owners, their products or brands.

My favourite Blogs

Upgrading P25? Any difference before and after ? Let's see what Gerard of Singapore has to say :

Hi Michael,

Glad I followed your advice of upgrading my P25 instead of replacing it with the new Regal Planar 6.

Saved a lot of money and got a so-much-improved soundstage after installing your upgrades - more defined treble and mids, tighter bass and a pleasant to listen soundstage where previously it was slightly muddled.

I had last year installed your sub-platter and adjustable footers and replaced the belt with Rega’s white. There was a big improvement especially after the sub-platter upgrade.

The most recent upgrades were the counterweight, vta adjuster, bearing hub and pulley and what a difference it made to the sound.

To be honest, there wasn’t much of an improvement after first installing the counterweight. It was only after installing the pulley and bearing hub, waiting a day for the sub-platter to settle, did I notice the big change.

Have recently replaced the glass platter with a delrin, and the sound improved even further. Im enjoying listening to my LPs now.

I’m going to replace the motor next with Rega’s 24v and the Exact 2 cartridge with a Dynavector 20X2L. Cant wait to hear even more difference in the sound!

Kevin's commented on his triple pulley upgradeHi Michael,I ordered a 3 belt pully a while ago, with work didn't have much of a chance for "tweek'n". I finally got around to making the switch and I must say it really is a worthwhile tweek. As you may recall I needed a 50hz. Pully to replace my 60hz. because the psu was set for 50 not 60. With new belts, psu and ML triple pully rythim and dynamics is right on time! Top notch quality!Thanks again for your help and fine products,KevinJacksonville FL, USA

Turning an old Planar 3 into new and beautiful turntable is what Vesa of Finland has done. Here's his feedback and nice pictures. Enjoy!

Hi Michael,

I now have done on my old planar 3 almost complete rebuild with most parts from you and the result is superb! Basicly the only std Rega part now is lid, before your parts there was already 24v motor kit, Origin Live silver mk3 arm, goldring 1042 cart and ttpsu with linear psu.

Started with dual pulley and adjustable feets. Speed stability and sound was noticeable better than before.

Next stop was top and bottom bracings and bronce bearing.

Sound after this was more open and detailed. And onwards we go, motor isolation platform was next, this lowered the backround noise and gives chance to play with belt tension.

Last bit, at the moment anyway, is skeletal acrylic plinth and that really glued it all together. Sound is much better, than old planar3, it's now a proper turntable, that sounds very good!

Enrique from Australia has recently completed his DIY turntable project with my acrylic plinth and other turntable components as mentioned in his detailed feedback with pictures as follows:

Enjoy reading!

Hi Michael,
I have finally got my turntable complete and running. Just to recap, the turntable uses the following parts:

Acrylic plinth with top brace

Two belt pulley system running the silicon belts

Premium sub-platter

Bronze bearing hub with ceramic ball bearing

VTA adjuster

Adjustable feet

Motor isolation platform

The system is then completed with

Premotec 110V motor

Hercules II Power Supply

Granite bottom base

Moth / Rega RB251 tonearm

Dynavector 17D2 cartridge

Firstly, the package was delivered very quickly, within 5 working days from the day it was posted. Everything was carefully packed with plenty of protection, so that was quite reassuring. Putting it all together was very easy with simple instructions. Everything just fits together very well and is quite fool proof. The pieces are very well constructed and the quality and fitting is very high. It was also very reassuring that any questions I had via email were answered very quickly, so that is great service you provide. The time came for the sacred ritual of turntable setup. Heart racing, slight sweat on the forehead, expectation running high… I first setup cartridge on the headshell. Spent a bit of time making sure that the alignment protractor was aimed properly to the tonearm and then proceeded to do fine adjustments to the cartridge position on the headshell until the overhang was achieved accurately, the cartridge body tracked at the correct offset angle and the tip precisely hitting the desired spots on the protractor. Once the vertical tracking force was set using a digital scale, I then did a quick check that the tonearm is horizontal when the cartridge contacts the record to start with. The finer setting using the VTA adjuster is to set the tonearm height at the point where the tip is tracking at approximately 93 degrees (Stylus Rake Angle or SRA) to the record surface. Although this a bit academic since each record will be slightly different thickness and therefore affect the Stylus Rake Angle (SRA) minutely, the idea I to finely tune the turntable so that one gets an overall best sound. The lower the VTA the more prominent the bass becomes, the higher the VTA the highs become more, and the sweet spot obtains a good balance plus focus and sharpness in the imaging and sound stage. Therefore, the finer vertical tracking force and vertical tracking angle I would decide and fine tune through listening.

Pic 1 - The VTA is shown here and really easy to install.

Pic 2 & 3 – Adjusting the cartridge alignment and stylus

tracking angle is possible thanks to the VTA adjuster.

Next is simply making sure that the granite
base was level. This is easy as I use adjustable metal spikes… it is surprising
how un-levelled floors and shelves can be and surprising how many people skip
this simple step!Next I placed the
turntable on the levelled granite platform and also ensured that the turntable
itself was also level (the adjustable feet come in really hand for this also,
and as recommended, I filled the rubber feet with plasticine. Making sure that the base and the turntable
each are level, ensures that the decoupled motor (which sits on the base) and
the turntable are running on parallel planes to minimize any shift in the bets
as it runs through the sub-platter.

I
placed the platter on the turntable, and turned on the valve amps and the motor
and allowed it to run for a few minutes whilst I pulled out my favourite
records.

Pic 5 – The turntable with the Hercules II power supply board

which I fitted into a Perspex and wooden box.

Is this it?Did I finally get to the point of listening the turntable?One final check… oh yes, I forgot to pour
myself a glass of scotch whiskey.

First up I is a Mobile Fidelity version of
Cat Steven’s Teaser and the Firecat.The tip hits the record, I turn up the volume… wait… nothing for a few
seconds, my heart momentarily stops, and then out of the silence, the guitar
comes.What had just happened?Strange to say, but those first two seconds
of silence were my very first impression of the turntable – silence, a lack of
background noise.The guitar then
springs into life.The detail in the
guitar playing (The Wind) is awesome.Fingernails on the strings, you can appreciate the sound and timber of
the actual guitar.Cymbals and Triangles
are reproduced very cleanly with loads of extension.The turntable exhibits really good pace, a big
sound stage and there is a palpable presence and natural sound to the voice.This setup is clean and fast, with plenty of
dynamics.The background noise level is
very low and this silence is so important, because out of it, the voice and
instruments do really spring into life.On
the more complex passage of Bittertblue, the sound remains dynamic and tidy,
clear separation of musical instruments at the top and bottom registers.

Impressed with this, I went on to a Wilson
recording of The Choir of Grace Cathedral, last track first side (Grieve Not).This is a choir piece with loads of deep
organ notes.The amount of ambience the
turntable reproduces is really very good.There is so much detail, you can hear the organist hitting the keys with
his hands and feet and pulling levers of the organ… you think you are
there.The voices are so well presented,
delicate and again so much detail to each voice.I have listened to this track many times
before and I am rediscovering it again with this turntable.Loads of detail, and a very well defined very
deep base from the organ.

I could go on and on, but let’s just say
that the turntable performed spectacularly in Miles Davis Kind of Blue (Music
on Vinyl, 180gsm two LP version).Again,
a big sound stage, loads of ambience and detail, great extension of the
cymbals, very clear percussion, and it is so good to hear not just the front
and main instruments, but also other background instruments, the huff and puff
on the horns, the tone on the piano…and
did I say my scotch whiskey tasted better than usual.

This turntable has exceeded my
expectations.It is simpler to put
together than I thought, and the sound is reproduces is very clean, dynamic,
with plenty of extension and detail.At
this stage, I am already very happy with it.

I can’t wait for the counterweight now.

I will let the system settle, listen to it
plenty more and try some different mats.I am currently using a felt mat, but will give some other ones a try. Thank you Michael for your great products,
for making it so much fun to fine tune a turntable to extract as much
information as possible from the vinyl.Indeed very impressed with the quality of the build of the products as
well as the quality of sound it produces.