Etherington adopts an apt change in registration, giving vent to the diapasons that would have been the lynchpin of organs in Handel's own time.

Ian Hare resisted the temptation to over-play his hand at the start, keeping a firm grip on the music's architecture with a fine control of pace and registration.

If the content of the pieces is somewhat lacking, then the composer's ear for the perfect registration does mean that there are some delicious sounds to be savoured and Harold Britton makes the most of them.