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Amour: how can we embrace a film that is so clearly an advert for euthanasia?http://www.theguardian.com/film/filmblog/2013/feb/28/amour-advert-for-euthanasia
Enamoured as we are by Michael Haneke's Oscar-winning film, we're missing the dangerous social fallacies at its core<p>For a film in which a husband murders his wife, <a href="http://www.guardian.co.uk/film/movie/147440/amour" title="">Amour</a> has been shown a lot of love. It was nominated for five Oscars, including best actress for Emmanuelle Riva, and <a href="http://www.guardian.co.uk/film/2013/feb/25/amour-oscar-foreign-michael-haneke" title="">best foreign language film, which it won</a>.</p><p></p> <a href="http://www.theguardian.com/film/filmblog/2013/feb/28/amour-advert-for-euthanasia">Continue reading...</a>AmourMichael HanekeEmmanuelle RivaDramaFilmOscarsOscars 2013Awards and prizesCultureAssisted dyingCarersSocial careSocietyThu, 28 Feb 2013 12:35:58 GMThttp://www.theguardian.com/film/filmblog/2013/feb/28/amour-advert-for-euthanasiaAllstar/CANAL+/Sportsphoto Ltd./AllstarTill death do them part … Amour paints Jean-Louis Trintignant's devoted but ultimately murderous husband as the hero. Photograph: Allstar/Canal+/Sportsphoto LtdAllstar/CANAL+/Sportsphoto Ltd./AllstarJean-Louis Trintignant in Michael Haneke's Amour. Photograph: Allstar/CANAL+/Sportsphoto Ltd./AllstarMargaret Morganroth Gullette2013-02-28T12:35:58Z