Don Juan

Don Juan, fictitious character who is a symbol of libertinism. Originating in popular legend, he was first given literary personality in the tragic drama El burlador de Sevilla (1630; “The Seducer of Seville,” translated in The Trickster of Seville and the Stone Guest), attributed to the Spanish dramatist Tirso de Molina. Through Tirso’s tragedy, Don Juan became an archetypcal character in the West, as familiar as Don Quixote, Hamlet, and Faust. Subsequently, he became the hero-villain of plays, novels, and poems; his legend was assured enduring popularity through Mozart’s opera Don Giovanni (1787), and it would continue to live on, by the 20th century, in movies and other media.

The legend of Don Juan tells how, at the height of his licentious career, he seduced a girl of noble family and killed her father, who had tried to avenge her. Later, seeing a commemorative effigy on the father’s tomb, he flippantly invited it to dine with him, and the stone ghost duly arrived for dinner as a harbinger of Don Juan’s death. In the original Spanish tragedy, Don Juan’s attractive qualities—his vitality, his arrogant courage, and his sense of humour—heighten the dramatic value of the catastrophe. The power of the drama derives from its rapid pace, the impression it gives of cumulative tension as Don Juan’s enemies gradually hound him to destruction, and the awareness that the Don is goaded to defy even the ghostly forces of the unknown. In the end he refuses to repent and is eternally damned.

In the 17th century the Don Juan story became known to strolling Italian players, some of whom traveled to France with this theme in their repertoire of pantomime, and by the 19th century many versions of the Don Juan legend existed. Along with Mozart’s opera, other famous non-Spanish versions are Molière’s play Dom Juan; ou, Le Festin de pierre (first performed 1665; “Don Juan; or, The Stone Feast”), based on earlier French arrangements; and two works dealing with a similar but different Don Juan, Prosper Mérimée’s uncharacteristic short story “Les Âmes du Purgatoire” (1834; “Souls in Purgatory”) and the drama Don Juan de Marana (1836) by Alexandre Dumas père. Early English versions—such as Thomas Shadwell’s The Libertine (1675), for example—are considered uninspired, but the character reappears with a new force in Lord Byron’s long satiric poem Don Juan (1819–24) and in George Bernard Shaw’s drama Man and Superman (1903). Later Spanish versions retain Don Juan’s likable qualities and avoid the calculated cynicism of certain foreign versions.

The highly popular Don Juan Tenorio (1844) of José Zorrilla y Moral, still traditionally performed in Spain at the time of All Saints’ Day (November 1) and All Souls’ Day (November 2), borrowed lavishly from French sources. Zorrilla’s play is said to sentimentalize the legend by furnishing a pious heroine and a serious love interest and by procuring Don Juan’s repentance and salvation.

...El burlador de Sevilla (“The Seducer of Seville”) and El condenado por desconfiado (1635; The Doubted Damned). The first introduced into literature the hero-villain Don Juan, a libertine whom Tirso derived from popular legends but recreated with originality. The figure of Don Juan subsequently became one of the most famous in all literature through Wolfgang...

novel published in two parts (Part I, 1605; Part II, 1615) by Miguel de Cervantes, one of the most widely read classics of Western literature. Originally conceived as a comic satire against the chivalric romances then in literary vogue, it describes realistically what befalls an elderly knight who,...

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Kept alive in plays, novels, and poems, the Don Juan legend centers around a fictitious character who is generally regarded as a symbol of libertinism. Libertinism is immoral behavior that is not restrained by conscience or conventions. The legend tells how Don Juan seduced a girl of noble family and then killed her father when he sought revenge. Later Don Juan saw a ghost of the father and flippantly invited it to dinner. The ghost arrived to foreshadow Don Juan’s own death.