Posts tagged with "Mary Mattingly":

The group exhibition Indicators: Artists on Climate Change and the solo presentation Outlooks: Elaine Cameron-Weir opened last month at Storm King Art Center, in New Windsor, NY. The two exhibitions present an array of large-scale sculptural projects, along with photos, videos, drawings, and other works that grapple with the human impact on the environment and the history of the 500-acre site. In Indicators, the 18 participating artists and collectives engage with the art center’s site, and with the environment, geography, and infrastructure more broadly, some through explicitly architectural means. Field Station for the Melancholy Marine Biologist by Mark Dion is a wooden cabin housing a “scientific lab” with contents that respond to the surrounding ecology. Field Station is part of Dion’s broader project of appropriating scientific and archaeological methods to trouble the ways we come to know our environment.Gabriela Salazar’s sculpture Matters in Shelter (and Place, Puerto Rico) uses the visual language of temporary shelters built after hurricanes or the semilleros used to protect young coffee plants as commentary on personal narrative and climate change. The typical concrete cinder blocks that support the structure will be gradually changed out for bricks made of compressed coffee grounds, which will in turn slowly disintegrate. Salazar’s piece meditates on the very fragility of the built world and highlights the paradoxical place of concrete in it; it's a material both fundamental to making structures that can withstand climate change-caused severe weather, yet it releases huge amounts of carbon dioxide while being produced.Other exhibiting artists in Indicators include David Brooks, Dear Climate, Ellie Ga, Justin Brice Guariglia, Allison Janae Hamilton, Jenny Kendler, Maya Lin, Mary Mattingly, Alan Michelson, Mike Nelson, Steve Rowell, Rebecca Smith, Tavares Strachan, Meg Webster, and Hara Woltz.Storm King also is presenting the sixth iteration of its Outlooks series with Outlooks: Elaine Cameron-Weir. Cameron-Weir created A toothless grin. A STAR EXPANSION! GLOBE OF DEATH A graveyard orbit, a site-specific sculpture combining a metal sphere, inspired by motorcyclist’s “globes of death,” the metallic globes bikers enter and speed around inside, and a military-style shelter. The closed globe set in an open field is intended to be suggestive of communication devices and scientific apparatuses—real and imagined, current and future—while the shelter suggests someone watching over.Weir researched the history of Storm King mountain, and let it inform her choices in materials. One such material inspiration were the steel fasteners and bolts of the Star Expansion Industries Corporation which was owned by Ralph E. Ogden and his son-in-law Peter Stern, who founded Storm King Art Center. The project also engages with the history of a successful 18-year fight to block a ConEdison power plant in Storm King Mountain.Indicators: Artists on Climate Change
Storm King Art Center
1 Museum Road, New Windsor, NY
Through November 11
Outlooks: Elaine Cameron-Weir
Storm King Art Center
1 Museum Road, New Windsor, NY
Through November 25

For artists living in a city that thousands of creatives call home, finding space to showcase your art is a never-ending struggle. Added to the pressure of paying rent and putting food on the table, it can feel like an impossible undertaking.
But visual artist Mary Mattingly has discovered a unique (and legal) way to create her own space: calling the Hudson River its home, "Swale" will be a community garden erected on a barge. Its soil will contain an assortment of vegetable and fruit trees; all of the plants on board will be edible. Mattingly also envisions a mobile greenhouse where the public can harvest and cultivate their own crops.
Expected to run in the summer, the 80 x 30 foot structure will travel to different piers in the five boroughs. Mattingly is aware that the project is a risky endeavor. Since "Swale" is a vessel open to the public, it will be regulated by the US Coast Guard.
On top of the community garden will be a 12 x 12 foot pavilion built by Sally Bozzuto of Biome Arts. The triangular prism will be an open meeting place for performance artists, activists, and visitors. Digital sensors embedded in plant beds will capture temperature rates, soil moisture and pH content to give visitors an idea of the inner workings of the nautical garden.