Monday, April 23, 2012

Album Review - Blink-182, "Neighborhoods"

Megan Purazrang

WCB Music Writer

Blink-182

Neighborhoods

Released September 27, 2011

Producers - Mark Hoppus, Tom DeLonge,

Travis Barker

Label -DGC Records and Interscope Records

A decent career
path of a band displays growth and evolution. Reunited punk band Blink 182 is
proof that successful bands can do this with the most recent release of their
first album in six years labeled Neighborhoods.

The band formed
in 1992. Original members Mark Hoppus, Tom DeLonge, and Scott Raynor (replaced
by Travis Barker in 1998) were on a fast track to success beginning with the
self-released EP called Fly Swatter,
and proceeded by Buddha and Cheshire Cat consecutively in the two
years to follow.

The punk
rebellion motif in their younger sound and lyrics was appealing to fans in a
time when successful boy bands such as the Backstreet Boys and NSYNC were popular
for love songs. In comparison, Blink expressed love with
child-like mannerisms instead of heart-to-heart reflection. The band’s vibe
spoke from a place of raw and immature emotion. Teenagers admired this sense of
careless and honest leisure. Their music was compatible to the punk genre, and
it didn’t matter what they said because they were accepted. Hit songs “What’s
My Age Again?” and “All the Small Things” continued to bring success to the
band and added credibility to their name.

In 2005, the band went
on a hiatus with no promise of returning to the music scene together. Their newest release, Neighborhoods, carries an even darker tone than their self titled
release. The thought to re-unite was almost an immediate reaction to the plane
crash in which drummer Travis Barker could have been killed.

Since the reunion in 2009, the new sound has
reached a level of obvious maturity. The authentic sound that has always
brought immediate recognition to the band within the first moments of
comprehension is still very alive in each tune. This is easily noticed in “Up
All Night” as it begins with the in-your-face fast beat and DeLonge’s familiar
nasal tone. The melody is impressionable and the lyrics reflect growth in a
world of rapid changing elements without fluctuating away from the foundation
of punk. As usual, Barker’s drum beats are anything but indistinctive as they
are the steady foundation. “After Midnight” is a last hope for a love that is
nothing more than a thread. A disconsolate and embraceable song of what it
sincerely means to pretend that everything is all right when it clearly is not.
“Wishing Well” pulls the “bubblegum punk” and alternative rock radio friendly
definition to clarity. Each word is flowing poetry containing many references
to literature and understandings. They’ve traded in some of the teen-angst
insecurities for stories of demons and pain. No question that is a side effect of
growing up – an expectation that was not entirely foreseen in their early days.
Despite the ambiguous feelings about the release so many years later, this is a
fitting way to come back to the music scene
as one again.

The music of the
band has emerged over the last decade surviving age, a hiatus, and change
within the core of the punk trio. Considering all judgments, there is nothing
wrong with giving a band a chance to show that they’ve grown up.

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