"HP"

At the 2014 Sundance Film Festival Adobe and HP expand on the strength and power of their partnership with multiple initiatives from live animation to working with top student filmmakers all leveraging the power of HP and Adobe Creative Cloud.

Just when you think you’ve got all the power you need for HD, along comes 4k and 6k and your system begins to show its age. 4k and 6k require massive computer resources in terms of processors, RAM and more so Colin will show you an HP solution that gives you everything you need for demanding workflows including Thunderbolt technology.

Colin takes us through the new HP ZBook while working in SpeedGrade including setting up the color accurate DreamColor display and taking advantage of the new Thunderbolt connectivity. With up to 32GBs of RAM and 2.8 TBs on internal drive space, this mobile workstation is in a class of its own

Shane Hurlbut of Hurlbut Visuals about the value of having the HP DreamColor display in his film production workflow. From controlling color on location using the DreamColor as his eyepiece for digital cameras to matching up colors in the edit bay this workflow eliminates time and money in his productions.

Red cameras are a dominate force in digital video today. Digital workflows for video and film productions are streamlining productivity and costs. Ted Schilowitz from RED Digital Cinema talks about the transformation that is happening to the film and video industry. He recommends the HP Z820 Workstation for use with their Red Cameras: RED ONE, EPIC and SCARLET because of its insane amount of RAM, rock solid stability, NVIDIA Graphics, Intel's latest dual Xeon processors, and their RED ROCKET Card.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

On June 30th at the X Games in Los
Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare.
Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

Product Manager Al Mooney shows how to apply adjustment layers, similar to those in After Effects and Photoshop, to apply effects and have the effects automatically modify all of the underlying tracks.

Mathias Möhl (http://www.mamoworld.com/) has developed an excellent script for AE users: mochaImport. In this video Mathias, teaches how use the script for intermediate composite techniques in After Effects and shows how to recreate an HP commercial look of frozen and unfrozen pictures within a picture frame.