Seiten

Samstag, 22. Januar 2011

Just in case you are terribly bored and feel like watching a cool documentary like, let's say, a ten part jazz history documentary by Ken Burns then - yep, you should start with the first part, now. Enjoy.

Episode 1 of 10: Gumbo (Beginnings - 1917)

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a Flash Player to play Video from YOUKU 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Freitag, 7. Januar 2011

The text, a performance poem titled 1700% by Anida Yoeu Ali, is an unapologetic response to injustices directed at the Muslim community. The poem is a Cento (100 lines of found writings) based on filed reports of hate and bias crimes against “Arabs” and “Muslims” since 9/11. The narrative-based poem is the original text to which all other iterations of this project is created upon.

Anida Yoeu Ali (Project Director / Interdisciplinary Artist)

Performance artist, writer and global agitator, Anida Yoeu Ali is a first generation Muslim Khmer woman born in Cambodia and raised in Chicago. Her interdisciplinary performances use Butoh to examine the poetic potential of the body and collective healing. Her performance work transforms loss into conversations about reconciliation. Since 1998, Anida has toured over 300 colleges and venues with the spoken word ensemble, I Was Born With Two Tongues, and the multimedia collective Mango Tribe. The Tongues’ pioneering live performances and critically-acclaimed debut CD, “Broken Speak”, ignited a new generation of Asian American voices. She is also a founding member of Young Asians With Power!, Asian American Artists Collective-Chicago, the National APIA Spoken Word & Poetry Summit, and MONSOON fine arts journal. Her artistic work has been the recipient of grants from the Rockefeller Foundation, Ford Foundation, National Endowment of the Arts and Illinois Arts Council. From Copenhagen to Ho Chi Minh City, Anida lectures, exhibits and performs internationally.

Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one of the most vital, inventive voices in American literature. This definitive film biography, eighteen years in the making, portrays Zora in all her complexity: gifted, flamboyant, and controversial but always fiercely original.

Zora Neale Hurston: Jump at the Sun intersperses insights from leading scholars and rare footage of the rural South (some of it shot by Zora herself) with re-enactments of a revealing 1943 radio interview. Hurston biographer, Cheryl Wall, traces Zora’s unique artistic vision back to her childhood in Eatonville, Florida, the first all-black incorporated town in the U.S. There Zora was surrounded by proud, self-sufficient, self-governing black people, deeply immersed in African American folk traditions. Her father, a Baptist preacher, carpenter and three times mayor, reminded Zora every Sunday morning that ordinary black people could be powerful poets. Her mother encouraged her to “jump at de’ sun,” never to let being black and a woman stand in the way of her dreams. (Visit newsreel.org to read more about the film)

Keorapetse William Kgositsile (b. September 19, 1938 in Johannesburg) is a South African poet and political activist, and was an influential member of the African National Congress in the 1960s and 1970s. He lived in exile in the United States from 1962 until 1975, the peak of his literary career. Kgositsile made extensive study of African-American literature and culture, becoming particularly interested in jazz. During the 1970s he was a central figure among African-American poets, encouraging interest in Africa as well as the practice of poetry as a performance art; Kgositsile was known for his readings in New York City jazz clubs. He was one of the first to bridge the gap between African poetry and Black poetry in the United States, and thus one of the first and most significant poets in the Pan-African movement. [WIKIPEDIA]

Dienstag, 4. Januar 2011

"The UK Hip Hop scene is not amused with Jay Z’s visit to the White House. Wasn't Hip Hop about fighting the power? Apparently things have changed according to British rappers Akala and Lowkey. "Is Hip Hop serving power, or is Hip Hop challenging power," that is question. And, "if the US government loves the same rappers as you love, you have to question whose interests are those rappers serving. “In a conversations three British minds (Akala, Lowkey and Saul Williams) discuss the current state of hip-hop and it's misguided use by the youth of today. They underline the various struggles in making music as an independent artist." AFRO-EUROPE