Too $hort

Just six years ago in 2002, a completely mixed crowd at the Phoenix Theater, much older, lost their heads and loudly sang along to every line of “Life is… Too Short.” Last night, in the middle of Too Short’s headlining set, the classic guitar hook came in and… nothing. Kids just stood there.

Everyone knew Too Short would have legs—he’s always had determination beyond his peers—but it’s a miracle how long those legs have reached. While most rappers his age (he’s 41) can’t get beyond their past glories, Too Short holds a rare set of reins on the here and now. The sold-out crowd went wild for new hits like “Blow the Whistle” and verses from his collaborations with Kelis (“Bossy”) and T-Pain (“I’m in Love with a Stripper,” amending his verse with shout-outs to Petaluma) but then stood in dumbfounded silence at Short’s career-making 1987 anthem, “Freaky Tales.”

Appealing to a new generation is one thing, but commanding enough concrete attention to build a Berlin Wall to the past is a hustle of another color.

The vibe at the Phoenix was hot and the whole night felt good. All eyes were on this show, and increased security and police couldn’t stop people from having a great time—it’d be like trying to keep a congregation from praying in church.

The Pack, Short’s protégées, commanded the stage with a solid set. Young groups with four distinct personalities always hit, and they’ve got the trick down: there’s the backpack guy in purple and pink; the Usher-type sex symbol in sagging jeans, white tank top and shades; the basic G in a sports cap and T-shirt; and the perpetually smiling laid-back guy in dreads. Now that they’re 18, they’ve graduated from rapping about bikes to rapping about cars. Bets currently being taken on which one has the most successful solo career (a 15-to-2 that they’ll stay together as long as Souls of Mischief).

Whoever does the Pack’s production has hip-hop minimalism mastered: “Vans” was deliciously razor-thin, but some of the newer songs last night used spare, fluttering basslines in a way that hasn’t been touched since Z-Trip & Del’s “Dynasty” 12”.

Erk tha Jerk, who I went out of my way to see, had pretty unique songs but the unforgiving crowd wasn’t feelin’ it at all, yelled “you suck” and threw their water at him. Shame. And J-Stalin was good, with one major problem that he shared with Erk; both of them rapped over their own vocal tracks. Why do fans let performers get away with that?

I will beat this horse to a bloody pulp: rapping over your own vocal tracks is the weakest shit ever. It’s not hard at all to make instrumentals, and it’ll allow the opportunity to showcase your skills instead of being lazy and relying on prerecorded vocals. Anyone with me on this one?

Despite that, everything else about the show was great, and hopefully hip hop will continue to thrive around here. Kudos to the people swimming through dire straits to make it happen: D-Sharpe, DJ Amen, Noizemakers, and, as ever, Tom Gaffey and the Phoenix Theater.

About CSI

City Sound Inertia is the North Bay Bohemian's multiple award-winning music blog, founded by Gabe Meline and now helmed by Bohemian staff and contributors.Read more...