Pages

Friday, October 12, 2007

Magazine Illustration Part 2: HOLIDAY magazine

Arguably the high point of Searle's career was during the 50s & 60s when his style found a comfortable median between overtly cartoony & more realistic reportage such as the REFUGEE drawings. He had numerous commisions from American HOLIDAY magazine & was sent all over the world to capture the exotic & esoteric in his inimatable style. From German brothels to the Alaskan wilderness the drawings he produced for HOLIDAY are amongst his finest.

Alternative version-

Excerpt from an interview with Frank Zachary, picture editor of HOLIDAY Magazine during the fifties:

"While photography was the back bone of Holiday, illustration was its soul. Zachary was underwhelmed by the prevailing sentimental illustrative approach found in most American magazines, and eyed Europe, specifically England and France, for the surrealistic comic vision he was looking for. "Frank brought sophisticated illustration to American magazines," recalls Sam Antupit. "Other art directors brought powerful or clever images, but Frank bought an unprecedented sophistication. Of course it came from Europe since in the early Fifties there weren't too many Americans practicing sophisticated pen work . . ."

". . . Holiday artists like Ronald Searle, Andre François, Roland Topor, Folon, Tomi Ungerer, Comenico Gnoli and Edward Gorey (one of the few native Americans practicing out of the mainstream) were given great latitude to develop their own stories and portfolios. Zachary avoided using the reigning stars because "that would be too easy," but chose to discover his own new galaxy. In most cases the artists actually transformed themselves in this environment. "I got people like Ronald Searle," remembers Zachary, "to do a feature on something like the London hotel scene. The first result was pretty straightforward, so I asked him to satirize it or just make it funny, and almost overnight, he changed his style, becoming the Searle that you and I know today." Searle concurs: "Frank gave me a lot of firsts. From around 1959 to 1969, he gave me all the space one could dream of, the chance to fill it with color, the freedom to travel and what proved to be the last of the great reportages. Off to Alaska! Cover all of Canada! Bring me ten pages on the dirty bits of Hamburg! No expense spared. The years of travel for Frank gave me experiences that cannot be bought. There was always one problem: he always called me 'Arnold' instead of Ronald. But then, he probably always called Arnold Newman 'Ronald,' so it balanced out."

Copyright 1991 by The American Institute of Graphic Arts.
The magazine even published a letter of complaint from illustrator John Maass in April 1957.

'HOLIDAY'S Art Director received the following from the artist who illustrated Punial's First American in the February issue:Dear Mr Zacharie:I don't know who is to blame at Curtiss. Is it Mr Patric? Mr Beimiller? ANyway, my name is misspelled in the February issue of HOLIDAY.John MaassPhiladelphiaMr. M proved his point. Messrs. Zachary, Patrick and Biemiller of HOLIDAY, Curtis Publishing Company, will never forget it. - Ed.'

San Francisco is the destination of Holiday's sumptuous April 1961 issue: It is a San Francisco of another time and place, one in which, even half a century later, the glamour, color, drive, grit and sheer wonder of the place is rekindled by a leaf through the magazine. This issue of Curtis Publishing's Holiday portrayed a city in love with itself and its past, yet teetering on the edge of a roiling future.

Holiday, Vol. 29, No. 4 is image-rich front to back. Its cover is a pastiche by David Stone Martin of "painted lady" Victorians, cable cars, Coit Tower, Chinatown and the Golden Gate Bridge. Inside are paintings by Asian American painter Dong Kingman and a biting pen-and-ink send-up of San Francisco society by caricaturist Ronald Searle titled "Morbid Anatomy of the San Francisco Society Lady."

1959 (Issue?) Las Vegas; July 1962 Tribal America; December 1963 Florida; July 1963
Alaska; April 1963 Dublin; March 1964 Wall Street; February 1965 Palm Springs;
May 1964 Canada; October 1964 Germany; February 1966 New England Skiing;
July 1964 New York World Fair; July 1965 Reno, Nevada; September 1966 Casablanca
Morocco; December 1965 Hawaii; July 1965 The Catskills; January 1968 Hamburg Night
Life; August 1968 Grand Central Station; September 1968 The Traveller's Club, Paris;
November 1968 Papa Doc, Haiti

'amen' to mick's comment"the more i see the more entrancing it becomes."count me as oneof searle's admirers. whenever i go to yard or garage sales, i'm always going through the old magazine stacks looking for these issues!his line work is mesmerizing!

About Me

I am a story artist working in the animation industry. I retain all copyrights to original artwork & material posted on my blog.Copyright for the GARY & Ronald Searle blogs is held by the respective artists.