Wednesday, October 31, 2007

Poems for Samhain

Outside the big east-facing window at which my writing desk is placed, the constellation of Orion is rising, filling all of the sky between the shadows of the trees.

Redwood door with candle, Butano State Park, Pescadero, CA

It's been a night for lighting candles and fires. I have been burning candles all evening, instead of electric lights. I put out several different kinds of candles on the porch, to light the way for the kids. I built a fire in the fireplace and have kept it going all evening. I have had remembrance candles burning in Dad’s old bedroom all night long.

Like every Samhain, it's a night of lights, a fire night, a night of starlight, moonlight, firelight, candlelight, and inner light.

the Stars, from Spiral Dance

I've decided to share here a few of my older Samhain poems, written between 1985 and 1995 originally. I've spent a quiet day, putting up some Halloween decorations and giving out candy to costumed kids, but also sitting and remembering my father.

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involuntary words

little prayers we say,little strings of wordslike pearls around the necks of the dead,little automatic movements of the eyeflicking towards half-seen things on the peripheries of vision,hands curling around in warding signs;out of darkness come the white trees, suddenly there—we give a little exclamation, a puff of exiled breath,and riding out with it float the white tongues of fear;shimmering in green light,the hummingbird floats above the pool,we give a soft cry of pleasureas its flickering iridescence vanishes;small red leaves swirl about the mossy shelf above the water,stirred by children’s unseen hands, little girl ghostswho watch from the shadows and giggle;alone and silentwhile rain comes weeping down,we speak quiet words over the stone,pearls strung together by song,a little laughter, a small child’s wide eyes;and you, beneath the stone,do you hear it? those little prayersand unnoticed sighs; they ring for you through the silence,the darkness, the silence, the voices of the soil,the sounds of the living,given to the dead.

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All Hallow’s

the voices of the dead.are you with me, grandfather?do you hear me, spirits of the past?is the night hurrying because of you?

the answers are not in unhoped for wordsbut the images of night: the cloak,the stillborn wind ripping brown leaves,rain on the sidewalk, clay earthbecoming mud, mute stars,the tree sighing as it dies, the endingof the day, the halo of dawn,the nighttouch, the wolves’ howl,the heart, the soul of the dark.

because we know, we know you well.the voices of the dead carrymy heart, whispering, wind-voiced.what do they know but time?timelessness is not theirs; they surpass it,as they surpass the images of night.my time is coming. I must leave,as we all must, as the dead have,wandering in their cities of different light,strange and still, touching each otheras they pass, tenderly,with the fingertips, as they pass,walking home.

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Pescadero, CA

words over the stone

the earth, newly opened to the skyand newly closed,was cool over youwhere you slept

we laid all the flowers in the world on you as we closed you in,then the soil, a handful each at first,a spade, a stone, a painted marker briefly given

the air spoke first, then the earth,dark words flew above the hills,clouds sang as they stood over you,covering your head in deluge, in farewell

a stone, a flower, a changing of the light,a gathering of everyone touchedby your life, who you had touched,your living a star in you, a flower

then the light broke, and the rainfell, hardly waking youbut quietly weepingfrom the sky, melting into the soil

the flowers melted down into youand their fragrances bathed you;the earth was cool over you where you slept:you stepped into the light, that last morning,leaving us to follow, tracing you, singing

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Fire Night, from Spiral Dance

And, to end the night, a blessing I have been using more and more these past few years:

4 Comments:

Dragon, well done. I have a few nits though concerning the Snyder article:

You wrote:

"The tone of voice is consistent""If consistency is a measure of inner grace, and commitment a measure of inner power, then Snyder's grace and power have never diminished."

Consistency of tone of voice within a poem or volume of poetry, as well as across volumes, is not universally seen as a positive virtue. The connection of consistency to inner grace and commitment to inner power is dubious at best. Rush Limbaugh's broadcasts are both consistent and committed, as are George Bush's speeches and the texts of many nefarious not to say evil writers.

Kurasawa would not have made Roshomon he didn't see great artistic and philosophical value in presenting divergent POVs, albeit from separate characters. Avant poets simply acknowledge that each individual has many voices, some of them installed by the media, parents, teachers, other writers. Trying to provide aesthetic experience in poetry while enacting diverse dictions and points of view might require more inner grace and power than being consistent and committed to one point of view.

Beautiful poems thank you, I thought that you might like my machinima film of The Song Of Amergin, A Samhain Story,http://www.youtube.com/watch?v=4aZsoPRqWqw Blessed Be By Stone and Star, Celestial Elf ~