"It's
somewhat incredible to watch him leaping and turning in the air. He has
the cushiony spring of all good male dancers, lingering as if suspended.
He partners his ballerinas with commanding elan. Ken Delmar is truly an
enormously gifted talent." - Oakland Tribune

"There were no budding Nureyevs on view in the performances--yes, come
to think of it perhaps one, Ken Delmar, is a micro-Nureyev with a sense
of style, marvelous coordination, and an enviable ability to move gracefully
and manfully. In the familiar impressionistic ballet "Afternoon of a Faun,"
he is the barechested, sensual cervine spirit playing a Nijinsky role. In
an angular, expressionistic modernism called "The Door," a Jerome Robbins,
he is the lover-flame who dries his moth-love to immolation." - Oakland
Tribune

"Ken
Delmar danced the Peasant Pas de Deux from Giselle with compelling virtuosity.
His stage presence is spellbinding and his techniques is sure and strong."
- San Francisco Chronicle

". . . everything considered, was marvelous-especially the brilliant
Ken Delmar in the Peasant Pas de Deux of Giselle-Delmar is very special
indeed. He's got it." - San Francisco Chronicle

". . . The Faun, danced by Ken Delmar, was animal and mortal, child
and man--an amazingly subtle amalgam. And the duet for Delmar and Gretchen
Stock was choreographed and danced like the vibration from a plucked harpstring."
- Doris Hering Dance Magazine