Archive for the ‘García Sánchez- José Luis’ Category

A thirty something year old journalist goes to cover a press conference where María Zambrano has been awarded the Cervantes prize. She hardly knows anything about her but she doesn’t need to because almost immediately the words spoken by this woman arouse a feeling of curiosity in her which goes beyond the news.

Lola knows that Zambrano was a teacher, just like her mother. The difference was that the Andalusian philosopher could not practice her profession, like many other intellectuals educated during the Republic. They were forced to live a long exile.

Lola is captivated by the personality of this fighter, to the point where she writes an essay and even makes a film about her. The journalist could never have imagined that this decision to make close contact with María Zambrano was to influence her life and her most personal experiences. The spectator finds out about these almost at the same time as Lola herself.

Lechuga is an unemployed actor who works as a clown with the stage name of “Lechuguete”. He is scraping a living by performing at children’s parties at people’s homes when fate brings him into contact with Paquito, a child singer.

He becomes his declamation teacher and artistic agent. Lechuga sets about promoting the child. To start off he names him “Rocky Banderas, the Goldfinch from Madrid” and writes some songs with the help of his son Luis, a priest obsessed with fusing Gregorian chant and flamenco.

The road to fame is not a bed of roses; in a casting Paquito is about to become the victim of some unscrupulous porn filmmakers. The ensuing scandal gets him onto a radio programme which could be just what he needs to launch his career.

After thirty and so many years of vicissitudes, Lazaro sees himself obliged to demonstrate before the justice that his form of life responds to the necessity to escape of the hunger and, the desire not to commit crimes.

Throughout his ignited declaration, Lazaro mixes past, present and future with the intention to amuse his audience; weaving, at the same time, a carpet of types and customs of the time and, dealing with equal contempt clergy, power and town.

“Siempre hay un camino a la derecha” is a tv program of great hearing In wich his presenter, the popular and sticky Lanzagorta, before his public to being gone astray, makes see that their lives can channeled otherwise. In this case he has chosen two unhappy poors , Juan and Pepe, two human wrecks that were about to committing suicide for the love that both feel for the same woman, who has left them to share her life with a Bosnian football player.

Lanzagorta makes re-live through the experiences of these two men and as, newcomers of Portugal their wives left them,sick of them and of their poverty. One day, appears in their lives a wonderful woman with whom they share everything: from the tablecloth up to the sprung bed base.

There is only one thing wich makes them unlucky : they cannot speak with her because she is Bulgarian. Because of it they look for the help of the football player who can understand her and who will be the author of her ruin. But it is not necessary to discourage since, Lanzagorta explains very well at the end of the program, always there is a way to the right … a way towards the happiness…

A well-off teenager changes the tranquility of the familiar gardens into the anxious happiness of a city, Valencia.

They run the fifties, in the aromatic Mediterranean streets, are mixed, moved sociopolíticas, prohibited readings,catholic sects, condemned to death, curvilinear women and new songs which will transform Manuel in another type of traveler for the life…

The action takes places in Santa Fe de tierra firme capital of a Latin-American imaginary country. During the holiday of the Day of Decease it takes place the whole history, altarpiece of hatreds and tragic chances.

Santos Banderas, indigenous dictator, only has a weakness: Manolita, his daughter, who has lost the reason. While, a few Creoles prepare themselves to demolish the tyrant for the route of the weapon and others, ingenuous liberal, try the same thing inside the legality.