Re: Pluraleyes & multicam

I say double-checking the sync results from PE is time well spent. lock your Sequence trks.Then accept the one at a time grind or compromises such as mixdowns or auto sync clips.

Join the growing number of editors requesting an updated Avid solution to multicam prep in this age of file-based, non-timecoded production-- namely a one-button ability to create a Group clip(s) from a sequence.

Re: Pluraleyes & multicam

Join the growing number of editors requesting an updated Avid solution to multicam prep in this age of file-based, non-timecoded production-- namely a one-button ability to create a Group clip(s) from a sequence.

Re: Pluraleyes & multicam

I also use Vilem's method, match framing from the sequence to the master clip then find bin to open the appropriate bin, dragging the clip to a new work bin, then grouping by inpoint. If I want to cut the resulting multiCam clip back into the synced sequence (or better yet a copy of the synced squence) I load the muliCam into the soure monitor, pick an inpoint in it, then reverse match frame to get the inpoint in the sequence.

Re: Pluraleyes & multicam

If a 3rd Party company can create a winning product (PluralEyes) that allows an easy AAF export of a timeline to return back into Avid in minutes, with clips now in sync with each other, can folks INSIDE AVID create an add-on utility that can do the same AAF Export/Import idea-- with one simple job: return GroupClips from an already synced timeline. I think it would sell like H O T C A K E S if priced like PE.