Movie News

Thursday, September 26, 2013

Chris's Review: ‘Rush’ is a focused, heart-pounding thrill ride

America has a unique relationship
with sports. While the rest of the world idolizes soccer, we here in the U.S.
obsess over football, baseball, and basketball – college, pros, and fantasy. But
over the past several years, NASCAR (National
Association for Stock Car Auto Racing) has emerged as a major interest for
sports fans as well.

Like football, NASCAR is a mostly
unique-to-America phenomenon (though it does have an international presence). It is not that people in other countries do not
love fast cars, adrenaline-pumping races, and the threat of high speed crashes - in fact, they like their racing even faster and more dangerous.

Formula One Racing (F1) is not unknown in America, but it
definitely takes a backseat to NASCAR. Because of this, a movie about F1 race
car drivers could be a rather risky proposition for Hollywood. Or is it an advantage because
most do not know much about it or one of the sport’s most famous rivalries?

That question did not stop director Ron Howard from pushing ahead with his
new film Rush, a heart-pounding action-drama centered on the intense, true
life rivalry between F1 drivers James
Hunt and Niki Lauda during the
thrilling 1976 race season.

With most real life sports
dramas, the audience already knows the outcome. And though the best of the
genre can overcome that, it does take a little bit away from the suspense. Rush
– chock full of drama and surprise – does not have to worry about
that (with American audiences at least). Sure, the film still hits all the
standard sports movie plot points, but most people – having no real preset association
with story – will be in the dark and wonderfully caught up in the moment like
it is happening in real time. Even if you know the outcome, Rush is still a passionate, edge-of-you-set
thrill ride that is worth reliving.

Hunt – played with fierce
intensity and effortless charm by Chris
Hemsworth – is an attractive, cocky hotshot that is about as close to a
California surfer dude as a British man can get. Hemsworth is great and truly
stretches his acting chops considerably more than his famous Thor appearances.
There is more to this Australian actor than just supermodel looks and a
superhero physique – and Rush proves
that.

But as great as Hemsworth is, German
actor Daniel Brühl – playing the
wily, methodical Lauda – is the real breakout star of the movie. Brühl brings a
bit more depth to his less flashy role and absolutely nails the accent and subtle
mannerisms of the character. Despite his notoriously blunt and superior demeanor, you cannot
help but like his portrayal of Lauda. Like the F1 racing at the heart of the
movie, Brühl is far more known in Europe, but with standout roles in this, the
upcoming The Fifth Estate, and 2009’s
Inglourious Basterds, he is quickly
rising to much deserved stardom in Hollywood as well.

Chris Hemsworth and Daniel Brühl as James Hunt and Niki Lauda

Both characters’ confidence, passion,
and ferocity shine through. Brühl and Hemsworth play off each other wonderfully
and it is easy to buy their friendship/rivalry. Though there is tremendous tension
between the two, there is also quite a bit of playful ribbing back-and-forth. Of
course – rather clichéd, but necessary – they end up teaching one another
something about both life and racing. These two men need each other – both on
and off the track (though a little more on, surely). And rightfully so, the
film purposely builds up both men so that there is no villain – just two fierce
competitors. To be honest, you end up wanting both to win.

The real life Lauda and Hunt

In addition to Hemsworth and Brühl,
both characters’ wives (played by Olivia
Wilde and Alexandra Maria Lara,
respectively) are solid in bit parts as well. And ChristianMcKay steals
every scene he is in as Lord Hesketh, Hunt’s wealthy, fun-loving friend and benefactor.

Director Howard appropriately lays
the tension on thick and there is an ever-present threat of crash, injury, and
even death looming over the film. F1 Racing, especially decades ago, is
ridiculously dangerous and the film makes sure the audience knows that from the
get-go.The race scenes – of which there
are rightfully many – are fun, sharply edited, and extremely well-captured (as
are the crashes). It is nothing new to put the camera inside a speeding car to
give the audience the feel of being along for the ride, but has never been done
better and more intense than here. The film also manages to never get a lost in
the shuffle and chaos of the race, despite the speed. You always know where the
two main drivers are and exactly where they are on the course – an accomplishment
in and of itself.

Despite being an Academy
Award-winning director, Howard is a fairly safe filmmaker, which makes him a bit
of divisive amongst moviegoers – some love him, others do not. Rush is probably his best film
(certainly since 2001’s A Beautiful Mind or even 1995's Apollo 13)
and definitely his most daring and flashy. The screenplay by Peter Morgan (The Queen, Frost/Nixon, The Last King of Scotland) is top-notch,
as expected from one of the best.

Maybe Rush, one of the best
films of the year, will ignite a little more American interest in F1 Racing. And
if this film and the rivalry/sport it depicts is any indication, it would
definitely be worthwhile. But then again, America likes to be different, especially
when it comes to sports and NASCAR has a pretty firm stranglehold on the country’s
racing fans.