I half expect Lapu Lapu to kick Zula into some
bottomless pit and scream in defiance, “This is Maktan!”

My thoughts of Frank Miller’s 300 aside, Tepai
Pascual’s highly romanticized retelling of Lapu Lapu’s heroic repelling of
Spanish colonialism in Maktan 1521
is a milestone in Filipino komiks. It’s groundbreaking because there aren’t
many local komiks that re-tell historical events. Right now there’s Steve
Magay’s and Dax’s Kayaw that is a fictionalized story of Kalinga warriors
fighting the Japanese occupation in the Mountain Province. But that’s it.

As a history buff, I highly appreciate Pascual’s
work. While a lot of creators mine our country’s rich folklore and mythology,
she chooses to delve into a pivotal moment in our country’s history. Well,
technically, the Philippines wasn’t a country just yet. Nevertheless, the
events that led to the Battle of Mactan are firmly entrenched as a crucial
moment in Philippine history as it put into motion the gears for a more concerted
colonization.

We all know how the story starts and how it will end.
What Tepai does is provide a story in between. Remember… this isn’t a
historical re-telling but a highly romanticized version so that means there’s
some love in the air ala Leonardo DiCaprio and Kate Winslet in Titanic (Sawili
and Mawo/Maya) and touch of Braveheart and the betrayal of Robert the Bruce
(Paril and Sawili) as we can see how the arrival of the Spaniards creates
tension that simmers and then boils into a conflagration.

Although recorded history shows us that Lapu Lapu’s
forces learned the weakness of the Spaniards when they had to wade through the
low tide under heavy armor (thus removing other metal parts that would only
slow and drown them), Pascual depicts how an angry Sawili learns of this
Achilles Heel when he attacks a squad of Spanish soldiers who just shot and
killed Kino.

The first part of Maktan 1521 tells of entreaties to submit to the Spanish King and
initial skirmishes. It ends with a pissed off Magallanes ready to put the
stubborn natives to the sword.

Pascual’s pacing is good. Even while introducing new
characters into this story, she doesn’t let it drag into non-essential stuff.
As a result, it keeps you glued to the story and by the time you get to the
last page you wonder when the conclusion is coming out.

Black and white art is an acquired taste. If you’ve
been reading Filipino komiks for a while now, then Wasted and Trese should have
opened up your taste buds already. Pascual’s Maktan 1512 is offers different
fare in an increasingly delicious menu of storytelling fare.

And Tepai’s art is clean and save for a few panels
where there’s too much shade/black that you take a few minutes to try and
figure out what happened or what is being conveyed.

The wrap-around cover is in full color and teases at
what Pascual can fully accomplish given the resources to produce a comic book.

Maktan 1521 is not only a feather in Tepai Pascual’s cap but for
local komiks. If you are a fan of local komiks then this should be in your
collection.