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[Note that this entry currently lumps together various versions
of Janson by Linotype. — FH]

With the takeover of Drugulin in 1919, Stempel acquired historic
matrices that were labeled “Holländische Antiqua” (Dutch Roman) and
partly date from the 17th century [Zapf: Gedanken und
Probleme beim Entwurf von Werkschriften], and cast type from
them as Original-Janson-Antiqua. In 1951, Hermann Zapf
revised the design for the adoption for the Linotype.
Linotype-Janson-Antiqua (with small caps) and -Kursiv
were released in 1952. This design was readopted by Stempel for
casting a foundry version. [Weichselbaumer]

“The [Mergenthaler] Linotype version was done in 1932 under the
direction of C.H.Griffith, based on the 14-point size of about
1660.” — McGrew … “while More…

[Note that this entry currently lumps together various versions of Janson by Linotype. — FH]

With the takeover of Drugulin in 1919, Stempel acquired historic matrices that were labeled “Holländische Antiqua” (Dutch Roman) and partly date from the 17th century [Zapf: Gedanken und Probleme beim Entwurf von Werkschriften], and cast type from them as Original-Janson-Antiqua. In 1951, Hermann Zapf revised the design for the adoption for the Linotype. Linotype-Janson-Antiqua (with small caps) and -Kursiv were released in 1952. This design was readopted by Stempel for casting a foundry version. [Weichselbaumer]

“The [Mergenthaler] Linotype version was done in 1932 under the direction of C.H.Griffith, based on the 14-point size of about 1660.” — McGrew … “while following a Voskens italic better suited to the Linotype than the Kis italics. George Ostrochulski adapted the face for photocomposition at Mergenthaler, returning to the original italics.” — [Linotype/MyFonts]

Linotype’s digital version known as Janson Text was made under the direction of Horst Heiderhoff in 1985. [Linotype] It spans 2 weights plus italics. Only the Roman has small caps. Its Latin glyphs are also included in the Arabic fonts Hassan and Karim.