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By this point, there isn't much left to reveal about Len Wiseman's "Total Recall." The trailers have made it clear it's going to be a pretty average sci-fi flick, granted, with some identity twisting traits, but nothing that has had us truly sitting up and taking notice. To recap, Colin Farrell is in the lead as Doug Quaid, a man who goes to get some false memories implanted in his brain but quickly becomes a target when he's mistaken as somebody else. Or is he? Reality and imagination blur as he tries to get to the bottom of what happened with Kate Beckinsale, Jessica Biel, Bryan Cranston, Bill Nighy and more along for the ride.

Minding the time in a nondescript cafe a few minutes away from the IFC Center, "Indie Game: The Movie” co-directors Lisanne Pajot and James Swirsky and composer/indie rocker Jim Guthrie share an easygoing parlance that showcases the spirit of easy collaboration. Of course, one of the notable ways to spot excellent craftsmanship is seeing something difficult made to look easy. “Indie Game: The Movie” manages that trick, and we fell in love with the film at Sundance, calling it “the most mature look at video games yet, and a fine documentary in its own right,” that served “as a powerful document for why games deserve consideration as a legitimate artform.” High praise for a documentary that was but a seed on Kickstarter almost two years ago.

There are few stills from a movie in the past year that captured the imagination quite like the one above for "The Amazing Spider-Man." It was one of the earliest looks at the film that Sony released and it was....curious to say the least. But with the studio currently playing the We're Going To Show You The Whole Damn Thing card in the marketing for the superhero reboot, we now get some explanation for the photo above.

Of David Mamet's many accomplishments for the stage, the Pulitizer prize winning "Glengarry Glen Ross" may still be his finest moment. And at least for cinema fans, it's the most memorable. With a script from Mamet, James Foley directed the searing 1992 movie that brought together the unforgettable cast of Al Pacino, Jack Lemmon, Kevin Spacey, Ed Harris, Alec Baldwin, Alan Arkin and Jonathan Pryce to immortalize the work into one of the most quoted movies in recent memory, and also one that is said to be used by lots of actors for audition purposes. Certainly, there are some choice monologues to choose from. But if you're ever wanted to see it performed on stage, you'll get another shot.

Sometimes you just get stuck with some leading men. The rakishly handsome Ethan Hawke, currently starring in “The Woman In The Fifth,” has retained that youthful insouciance despite his mature action star frame. He’s compelling when in motion, clearly a thoughtful actor who can convey several conflicting emotions. In conversation, however, he’s still got that inward intellectual curiosity, as if he’s wondering, what am I, and what is happening around me? No current actor quite clearly portrays dead-serious befuddlement quite like Hawke, who seems equally at home (which is to say perplexed) contemplating the secrets of the universe as he does programming the DVR.

With major tentpole films such as “World War Z” and “GI Joe: Retaliation” recently experiencing major structural changes, in both cases executed well after the majority of the film has been shot, the public awareness of just how much behind-the-scenes finagling occurs has gone up ten-fold. Constant revisions and re-edits may appear to be damaging to the final product, but in actuality they're oftentimes just another essential part of the process -- or at least Universal and Warner Bros. are hoping so, as they begin major rewrites to two scripts floating around within their gates.