1.1981 Gibson Les
Paul Deluxe - Cherry Sunburst, (front-1front-2), (headstock), (back), (case).
Another sweet vintage Deluxe, much like the '78 I put up recently except this
one's Cherry Sunburst, instead of Tobacco. Overall lovely condition and
at 33 years, is a true closet classic. The Cherry Sunburst finish retains
strong color, rather than the faded red frequently found on old Pauls.
Only light wear exhibited - just check out the pics. The worst flaws are
two lacquer cracks in the top (shown here
with flash) which are in the finish only. Features of the Deluxe were
basically identical to the Standard except for pickups, where the Deluxe used
the mini-humbuckers and the Standard used the PAF style humbuckers. A
number of players prefer the mini-hums for their brighter tone; they fall
between a PAF and a P90 to my ears. With a perfect neck angle and
straight neck, this guitar sets up with low action. Look around the
vintage sites and you'll see few Deluxe's going under
$3K, and those that are seem to be in rough shape or not original. This
is an excellent player with low action, nice sustain, and sweet, creamy
tone. Like my buddy Ed says, "old wood sounds better" and judging
by this guitar, a new one just doesn't have creamy tone. Clean vintage
Pauls don't come along often and I think this one is a sweet deal at $2100,
Includes original Protector case with all latches and hinges intact.

2.2008
Gibson '60 Les Paul Classic, Wine Red, w/Duncans, (front), (back), (headstock), (pickups), (case).Another cool ’60 Classic with a mildly
figured top, loaded with a great pair of Seymour Duncan humbuckers (SH-4 JB in
bridge, SH1N ’59 in neck). The '60 Classic has all the features you know and
love including '60 slip taper neck, mahogany body with maple cap, all finished
in a high-gloss, hand-sprayed nitrocellulose lacquer.The classic tone comes from this marriage of
maple’s clarity and definition and mahogany’s richness and depth which combine
to produce a tonal complexity that no single-wood guitar has ever matched. Its
resonance and sustain are only further enhanced by the deep-set quarter-sawn
mahogany neck with 17-degree back-angled headstock.Features of the "1960 Classic" are
nearly identical to the Standard, with the primary difference being pickups,
with the Classic is outfitted at the factory with ceramic humbuckers.Just like the Standard it features a mahogany
body with maple cap.The only visual
difference, other than the uncovered pickups, is the "Classic"
screened logo, “Classic” truss cover, vintage-style inked serial number, and
"1960" on the pickguard.Other
features include 12" fretboard radius, light amber top-hat knobs, cream
plastic parts, inlaid pearloid logo, and aged-looking trapezoid fretboard
inlays. Two minor flaws I need to point out: lines around the tuners where a
bigger footprint set of Klusons were once installed
(pic), and supposedly there was a hairline crack on the headstock which appears
invisible now. It was less than 1” and only on the surface. Otherwise in very
nice shape with excellent frets and a comfortable, low set up. If you’re
looking for a REAL Les Paul without spending a fortune, get this beauty for
$1199(HOLD-Jeff T 5/24/17).Includes
black Gibson case.

3.2006 Gibson Les
Paul Studio – Black, (front), (back), (headstock),
(case).Since 1983 Gibson has offered the Studio as an affordable alternative to
the Standard, with all the tone and playability, but without the fancy cosmetic
appointments.Although initially it was
an all-mahogany body, it soon evolved into the maple cap that made it even
closer to the standard.At one point in
the mid-80's they even made a "Studio Standard" which had a bound
body and neck, still retaining the dot inlays and screened logo.A decade or so later Gibson added trapezoid
fretboard inlays which makes the guitar look very much like a Standard from the
audience perspective.It remains to this
day and excellent and more affordable alternative to players who could care
less about binding and inlaid logos. I see numerous performances on TV where
the featured artist, or backup guitarist, is playing a Studio. These are guys
who can afford high-end instruments, they just apparently prefer the vibe of
the Studio. In ’06 these models were not chambered, as recent models are. They
of course are weight-relieved, as are all other Les Pauls since 1983. Features
include solid mahogany body with maple cap, rounded 50s neck profile, rosewood
fretboard, 490R and 498T Alnico II humbuckers, dual volume and tone controls
with 3-way selector, Tuneomatic bridge with stop bar tailpiece, Gibson Deluxe
tuners, gloss nitrocellulose lacquer finish, and chrome hardware.Judging by the clean condition of the frets
and overall appearance, this guitar has seen very little use. No buckle
scrapes, no fret wear, just a few clear coat scratches and dimples. With a new
black Studio running $1499 you can save some hard earned cash on this great
playing, good looking used model. $850 includes NOS TKL Canadian case, same
specs as the old brown case.

4.2002 Gibson '60
Les Paul Classic – Lemon Burst, (front),
(back), (headstock),
(case).Cool looking ’60 Classic with a nicely figured plain top, if that makes
sense. The '60 Classic has all the features you know and love including '60
slip taper neck, mahogany body with maple cap, all finished in a high-gloss,
hand-sprayed nitrocellulose lacquer.The
classic tone comes from this marriage of maple’s clarity and definition and
mahogany’s richness and depth which combine to produce a tonal complexity that
no single-wood guitar has ever matched. Its resonance and sustain are only
further enhanced by the deep-set quarter-sawn mahogany neck with 17-degree
back-angled headstock.Features of the
"1960 Classic" are nearly identical to the Standard, with the primary
difference being pickups, with the Classic featuring 496R and 500T ceramic
humbuckers.Just like the Standard it
features a mahogany body with maple cap.The only visual difference, other than the uncovered pickups, is the "Classic"
screened logo, “Classic” truss cover, vintage-style inked serial number, and
"1960" on the pickguard.Other
features include 12" fretboard radius, light amber top-hat knobs (also
included), cream plastic parts, inlaid pearloid logo, and aged-looking
trapezoid fretboard inlays. Other than some minor impressions in the clearcoat,
this guitar is in very nice shape with excellent frets and a comfortable, low
set up. Noteworthy hardware upgrade: Tonepros locking ABR-1 bridge and locking
stop bar tailpiece. This is a very nice Paul for $1399(HOLD-Mike M 1/26).Includes black Gibson case.

5.2001 Gibson Les Paul Studio -
Wine & Chrome, (front),
(flame), (back), (headstock), (case). Rare flametop
Studio, this is easily a AA top and although the beauty is somewhat lost on a
dark wine stain, it looks great in good lighting. This is one of the older
"heavy" Studio's, before chambering became a standard feature on all
LP's around 2005. Many players are seeking these out, with the belief that a
better tone is worth the extra pound or two. The Studio's remain the best value
in the "real" Les Paul line, i.e. gloss finish, carved maple cap over
mahogany body, trapezoid inlays, 490R and 498T Alnico humbucker, Gibson deluxe
tuners, etc. Basic construction is the same as the Standard with the exception
of cosmetic appointments such as body and neck binding. Cosmetically this one
has its share of scratches and dings, but there are no breaks, repairs, or
other issues. I attribute the flaws to a careless owner rather than extensive
playing time as the frets are near perfect. It's a great playing Paul and for a
lacquer finish Studio a nice buy, especially for the many players who are
looking for a non-chambered body, which are becoming harder to find. With a new
Studio in Wine selling for $1319, for the player this guitar offers substantial
savings, an a lovely maple top. Just $779 and includes Gibson brown case. Case
is missing the combo latch but other latches work fine.

6.1997 Gibson Les Paul Studio -
Wine& Chrome, (front),
(back), (headstock). Sort of the LP
mate to the SG above, also finished in transparent red and from the same '97
production year, a quality era for Gibson. You might remember this guitar,
which was originally listed as a great player but in rough condition (before-1, before-2 and before-3) with miscellaneous
finish chips and wear around the edges, but no structural issues. Martin
touched up the rough areas with some "Wine" stain, lacquer over the
areas, and buffed out the body. While it's certainly not mint, it is a very
presentable guitar. The Studio's remain the best value in the "real"
Les Paul line, i.e. gloss finish, carved maple cap over mahogany body,
trapezoid inlays, 490R and 498T Alnico humbucker, Gibson deluxe tuners, etc.
Basic construction is the same as the Standard with the exception of cosmetic
appointments such as body and neck binding. The original Studio's, back in the
early 80's, were a more distinct model, with an all mahogany body and dot
inlays. Following that came the "Studio Standard" with binding, dots,
and maple cap - and finally in the late 80's this model. It's a great playing
Paul with very minor fret wear (pic)
and no structural issues, no cracks, etc., and for a lacquer finish Studio a
nice buy, especially for the many players who are looking for a non-chambered
Studio, which are becoming harder to find. Just $839 with Gibson deluxe gigbag
or $899 with a new, excellent quality, TKL wood/Tolex hardshell case.

7.2008 Gibson Les Paul Swamp Ash
Studio, (front/back), (headstock), (case and box). Never retailed - unplayed
condition and ships in original box. Gibson started their "Smartwood"
Series in the mid-90's, utilizing sustainable woods which are both tonally
acceptable, and eco-friendly. While many of these were exotic woods (such as
Muira Piranga) we had never heard of, this is one of the newer models featuring
good old Swamp Ash, a name that's been synonymous with guitars since the 50's.
The Swamp Ash Les Paul is a limited edition model, although Gibson hasn't
released total production numbers. The tone isn't radically different from a
"regular" mahogany/maple body, but it does seem to have more punch,
more pronounced in the mid-range; Billy Gibbons comes to mind. Most remarkably,
this guitar weighs in at a remarkable 6.4 lbs., which would be light for a Strat
or Tele, and unheard of for a Les Paul. Features include: satin natural finish,
figured swamp ash cap over swamp ash body, rounded mahogany neck with rosewood
fretboard, 490R and 498T Alnico II humbuckers, rosewood fretboard, chrome
hardware, green leaf truss rod cover, dot inlays, Gibson Deluxe tuners, and
satin finished Mahogany neck. A regular black Studio is going to run you $1319
and will probably weigh around 9 pounds or more. This beauty is immaculate and
at 6.4 lbs. is one of the lightest guitars, much less Les Pauls, you'll ever
play - for just $1179. If you're looking for a Paul that you can play for 3
long sets without any shoulder fatigue, this is it. Includes black reptile
case, manual, and paperwork.

8.2007 Gibson Les Paul Studio, (front/back), (headstock), (case). Since 1983 Gibson has offered the
Studio as an affordable alternative to the Standard, with all the tone and
playability, but without the fancy cosmetic appointments. Although initially it
was an all-mahogany body, it soon evolved into the maple cap that made it even
closer to the standard. At one point in the mid-80's they even made a
"Studio Standard" which had a bound body and neck, but still with dot
inlays and screened logo. A decade or so later Gibson added trapezoid fretboard
inlays which makes the guitar look very much like a Standard from the audience
perspective. It remains to this day and excellent and more affordable
alternative to players who could care less about binding and inlaid logos.
Features include solid mahogany body with maple cap, rounded neck profile,
rosewood fretboard, 490R and 498T Alnico II humbuckers, dual volume and tone
controls with 3-way selector, Tuneomatic bridge with stop bar tailpiece, Gibson
Deluxe tuners, gloss lacquer finish, and chrome hardware. Judging by the clean
condition of the frets and overall appearance, this guitar hasn't been played
very much but at least for one night it had a careless owner with a mean belt
buckle (as shown here). If you're a
player who doesn't mind a little bit of character, sort of like pre-washed
jeans, this is an excellent playing Les Paul and easy on the wallet at $850(SOLD-Mike
G 2/2/18).

9.Gibson Les Paul "Bugs", (front), (back). Okay, here's a model you've never
had a shot at - because it's the only one in existence. Available only through
Gibson's "Custom
Direct" service, where your $500 membership gives you access to the
rarest of the rare. For this particular guitar, Gibson commissioned noted
artist Carol Paulsen as part of their
"Art
of the Guitar II" to paint two "bug" guitars - this Les Paul
and an ES-5 ( the ES-5 subsequently sustained a damaged neck, never retailed,
and was blown out in a charity auction). As much a work of art as it is a
playable instrument, the "Bugs" features a Les Paul Standard with
hand-painted bugs on the top, as well as the highest quality Abalone fretboard inlays. It's hard to capture the the
beauty and intricacy of her paining in great detail but here are some attempts:
pic3, pic4, pic5, pic6, pic7, pic8. Includes original case and warranty card. This guitar was collector
owned, unplayed, and mint condition other than very sight tarnish on the edges
of the pickups - we can replace the pickup covers if desired. This guitar was
obtained through an IRS auction where the original owner, with the finest
collection imaginable, was forced to sell off dozens of highly-prized guitars,
most of which remained unplayed. Cost to the original owner on this guitar was
$10,000. There was not a list price, that was the actual selling price. Offered
here, at my humble site, for just $7000. One of these days I hope to contact
Ms. Paulsen and, hopefully, offer it on her site as well.

10.2008 Gibson Les Paul Push Tone
#167, (front/back),
(headstock), (Detail-back), (Extra pickups), (Case/Acc.). Gibson's Guitar
of the Month (GOTM) for May '08. Never retailed and offered in mint condition.
Last year Gibson offered a unique collection of monthly limited editions, with
production limited to just 1000/each, an idea that was previously used with
their Showcase Editions (link here) in 1988.
Clean examples of Showcases go for significantly higher than their regular
production counterparts and these guitars should also prove to be good
investment pieces. Most of the 2008 models featured cool colors and
pickup/hardware variations but this one is truly radical. The Les Paul Push
Tone's defining feature are easily switchable pickups (click here for a demo)
and each guitar comes with a pair of BurstBucker Pro's and a pair of P-94's
that attach wirelessly to the body using strong magnets. Burstbucker Pro's for
the classic fat Paul sound you know and love, while the P94's are actually P90
single coils that are designed to fit in a regular humbucker slot - giving you
4 mix-and-match pickup combinations for loads of tonal flexibility. The pickups
load through the back and each is complete with the pickup already attached to
the mounting bracket, and each comes with a quick-connect plug. In addition to
this unique pickup options this is a killer Les Paul with a lacquer finish in
Antique Natural with a beautiful AAA maple top. The flame on this one is rather
unique and is definitely nicer than the average Push Tone, with thin ribbons in
a chevron pattern at the bottom, becoming straight across at the middle,
transitioning into reverse chevron at the top. It's a very pleasing look. Other
unique options of this model include: Maple fretboard inlays, Ebony fretboard,
50's rounded neck profile, locking Grover tuners, Neutrik locking output jack,
commemorative case with commemorative interior shroud, and a very
"clean" look without a pickguard, pickup rings, or selector ring.
Other specs are the same as a regular Les Paul Standard. This was one of the
more expensive GOTM models with a list price of $4399, discounted to $2899.
This one is better than new, totally untouched except for a killer setup by
Martin, inevitably better than factory, and priced $400 less than a regular
Standard Plus at just $2399. For full specs click
here for Gibson's site. Trades on Fender Custom Shop and PRS are desired.

SG'S

1.1972
Gibson SG Deluxe – Walnut, (front),
(back), (headstock), (pot dates - pickups), (casecase2). 44 year old guitars rarely
look this good! This is one of those 10%’ers that has been well cared for its
whole life. Oh, it’s been played, but this is how they can look when they’re
adult owned and cared for. No breaks or repairs, finish has a nice patina with
minimal checking, no overspray or other funny business. Pots are all ’72 and
all caps are stock as well. The only change is at some point pickups were
swapped out with a ‘79/’80 set of Gibson T-Tops. They probably sounded better
than the stock pickups since it would be rare for PAF’s to wear out in 7-8
years. This is, after all, an excellent sounding SG. Finished in Walnut-stained
mahogany, it features the Gibson-stamped Bigsby tremolo which works very well
and adds a different dimension you don’t get with most Gibsons. Original Grover
tuners work perfectly with no slippage. This guitar has a perfectly straight
neck and although these aren’t the tallest frets, it sets up very low with no
fret outs. I have a buddy that always says “old wood is better wood” and maybe
that’s part of the key to this guitars tone. It sounds and feels superb. If
you’re thinking about plunking down major cash for a recent SG Standard, why
not go for a vintage model that’s probably going to sound better. $1699 takes
this beauty. Includes original case and manual/warranty.

2.1972 Gibson SG I,
(front), (back),
(headstock/neck), (optional case). In the early 70's
Gibson built a number of moderately priced SG's. General construction and
fit/finish was on par with their higher end models but they kept down cost with
unbound necks, screened logos, front-mounted controls, dot inlays, and plain
bridges/tailpieces. Even the high end models like the Custom, Deluxe, and
Pro sported front-mounted controls and jack, mounted on a plastic plate, rather
than the traditional method of routing the back and avoiding the need for a
control plate. The budget models came in one or two pickups, beginning in
'71 with the SG 100, SG 200, and SG 250, all with single coil pickups. In
'72 Gibson came out with the SG I, II, and III, all with mini humbuckers.
These were short-lived models, introduced in 1972 and discontinued in
1974. The I was available in Cherry or Walnut finishes with a single
mini-humbucker; the II was the same guitar but with an additional mini humbucker;
the III same as the II but in Cherry Sunburst finish. While the earlier
100-series used a crude newly-designed bridge with a sheet metal cover, the
I-series resorted to the 50's tried and true wraparound stud tailpiece,
compensated for better intonation. This SG I features the beveled edges
and silhouette that define the SG, but body is made of walnut rather than the
traditional mahogany; necks is mahogany. Tuners are Kluson "Gibson
Deluxe" 3/strip with metal Keystone buttons. Other features include
raised black pickguard, black teardrop control plate with volume/tone controls
and output jack, witch hat knobs, adjustable mini
humbucker with black cover, and black headstock face with gold screened
logo. For 40+ years this guitar is in nice shape with some clearcoat
scratches or dings but no cracks or finish checking. As is typical, the
cherry finish has faded on top and is much more vibrant on the back. Set
up is comfortable and it has a fairly loud acoustic tone. For players who
like simplicity, nothing beats a single pickup and wraparound tailpiece.
I also find string muting extremely easy with the wraparound bridge.
Appears all original including electronics, with pots 29th week of '71 (pic). I got this without a case
but I'm offering it with one of my spare vintage SG cases, pictured above, for
$850(SOLD-Kevin H 7/7), or with a gigbag for $750.

3.2003 Gibson
SG Special Limited Edition, (front),
(headstock), (back), (gigbag).
Very unique SG - Limited Edition Platinum with all chrome/platinum parts (pic here) including body, plastic, and
hardware. All mahogany construction gives it that classic warm SG tone
that has helped define the sound of rock, most notably with Angus Young.
This model also features an Ebony fretboard, usually reserved for higher-end
models, which gives it a little more snap on the attack than rosewood.
Pickups are 490R/498T Alnico II humbuckers. You Fallout Boy fans might
remember front man and guitarist Patrick Stump playing this model when they
were becoming huge, before his jump to Gretsch. If you like low action -
you'll love this guitar. It's got a great neck which allowed us to set
the action very low. The neck's a tad on the chunky side, much closer to
a 50's rounded neck than a 60's thin taper. Don't confuse this with
the faded series. This is the gloss finish model and it sold in stores
for $1049 during its last year of production 6 years ago. This one is
pretty much immaculate - no scratches, dings, or fret wear, an easy 9.8 - and
wouldn't look out of place hanging with brand new guitars in your local
store. Just a super gloss-finished SG that plays as nice as it
looks. $799 includes original gigbag.

4.2008 Gibson SG Diablo - Metallic Red,
(front) front-2), (side), (back), (headstock), (case). I had a number of these NOS
in silver, but this is the first I've had in Red Metallic with gold hardware,
which is a very elegant look to me. One of 1000 made for Gibson's "Guitar
of the Month" series in 2008. Upon quick inspection looks like a '62 SG in
a custom color, but up close you can see the very unique body cut that makes
this truly a unique SG. Both the top and back have a German carve, rather than
the slab top of a standard SG. This technique provides an attractive 3D effect
to the guitar, while reducing weight and making it more comfortable to play. A
few other changes you'll notice include a matching headstock, a simple 2-knob
layout with the volume knob being closer to allow volume swells with your pinky
finger, and most importantly, a 24-fret neck rather than the usual 22 frets.
Features include: Burstbucker Pro 1 (neck) and Pro 2 (bridge) humbuckers,
hand-carved mahogany body, mahogany neck with rounded profile, 1.687" fret
width, 12" fretboard radius, Nashville bridge, Grover tuners, gold
hardware, and Grover tuners. Lastly, this model features a nitrocellulose finish,
which is an expensive process due to the hand work required and the very long
drying time between coats. Nitro is a very thin finish and one which Gibson has
been employing since the 1800's. It allows the guitar to resonate more freely
than a thick poly finish, which is one of the reasons that old Gibsons sound so
good. Likewise, the paint on this guitar is very thin, and you can easily see
the mahogany grain. My personal opinion of this model - some of the best
sounding SG's that I've played with the fatness you want from a dual humbucker
guitar, while retaining excellent not clarity and plenty of top end. The middle
of the body is actually thicker than an SG Standard which gives it a neck that
is much more stable than the floppy SG. Presented in near immaculate condition
with no scratches and only a few miniscule impressions, the only noteworthy one
being a filled-in ding on the front (shown
here). It's all original except for stock cheap-o Tuneomatic has been swapped
out with a German Schaller. The last time I recall Gibson doing monthly limited
editions was the Showcase Editions in 1988 (link here). These
guitars have proven to be very good investment pieces, fetching 50% or more
over comparable regular production models from the same year. Click here for a bizarre
demo from GearWire. The Diablo listed at $3249, selling in stores and online at
discount for $2119. If you missed one of these during their run in '08, here
another chance to get one, in beautiful shape with as nice a setup as you'll
play in an SG. Just $1499.

5.1973 Gibson SG Standard, (front), (back), (headstock), (pots/switch), (Gibson/Bigsby), (case).Killer SG in lovely
vintage condition, a classic rock icon from the 70's. Pickups are the sought
after "Super Humbuckers", designed by Bill Lawrence and easily
identifiable by the black epoxy on the underside (pic). This guitar sounds
incredible, plays fantastic, and is an excellent example of Gibson's early 70's
guitars. Features include mahogany body and neck, ebony fretboard, block
inlays, 22 frets, factory Gibson/Bigsby tailpiece, wide Schaller-made
tune-o-matic bridge, Gibson/Schaller tuners, narrow 1-9/16" nut, and
24-3/4" scale. All original except for two pots replaced in 1983. You'll
note the rounded end of the fretboard (shown here under blacklight),
which is more associated with Gibson acoustics but you will see the occasional solid
body. Google it and you'll find one recently sold by Elderly with the same
feature. Cosmetically, very nice vintage condition with just the usual
scratches in the clear coat but nothing through to the finish. No cracks, no
repairs, a very solid piece, ready for another 40+ years of jamming. Includes
the proper case for a Bigsby-equipped SG, the rectangular tolex case with plush
purple lining, top of the line model. Very cool SG with a factory Bigsby for
$1950.

6.1997 Gibson SG Special with Upgrades,
(front), (back), (headstock), (pickups), (case). For you EMG fans out there,
this one just had a new set installed, plus a set of Hipshot locking tuners.
Pickups are an EMG-89
in the neck, which pairs perfectly with the EMG-81 bridge. The 89 has
the bonus feature of being splitable via push/pull pot which gives it the
ability to deliver Strat-type sounds, or traditional fat humbucker tones. EMG's
sound great in an all mahogany guitar and this is definitely better sounding
than any Special I've had. Also upgraded were the tuners, which now feature a
new set of Hipshot locking type. All work was done by my man Martin, so you
know it's done right. Lastly, pickguard was changed to a white with beveled
edge, which is gives it a cool tuxedo appearance. Cosmetically this guitar has
its share of scratches and dings but as the frets are perfect, I'll chalk that
up to a non-meticulous owner who gigged with it for a brief period. The set up
is fantastic and with excellent sustain, this guitar is definitely a winner. If
you're not looking for the flash of a Standard, but are more concerned with
tone, this is a sweet axe for $679. Includes original brown case with
non-working combo latch and missing the latch from another latch - no problem,
it stays closed just fine.

7.2001 Gibson SG Special - Gloss Black, (front), (headstock),
(back), (gigbag).The SG Special provides
the classic SG tone, but without the cosmetic features of a Standard, it's a
better bargain. It features an un-bound neck, dot inlays, screened logo, and
uncovered pickups, but is otherwise the same guitar. Its all mahogany
construction with unmistakable beveled edges gives it that classic warm SG tone
that has helped define the sound of rock, most notably with Angus Young. The
light weight, thin body, and deep cutaways make it one of the most comfortable
guitars to play. Pickups are 490R/490T Alnico humbuckers. The neck is well
rounded and on the chunky side, but not as chunky as a 50's style.Don't confuse
this with the faded series, which are good guitars in their own right, but this
is the gloss finish model which sells new for a $1K. For more info click
here for Gibson's site. A new Special in black or cherry is going to set
you back $999 but this one's in excellent condition with a great set up for
just $679 with the older & better Gibson wedge-shaped gigbag.

GIBSON OR USA EPI SEMI-HOLLOW &
ARCHTOPS:

1952 Gibson ES-125 Hollowbody Archtop, (front) (front-2), (back), (back-2), (headstock), (tailpiece),
(case). From Gibson's Golden and
lovely condition, especially for 60+ years old. The ES-125's were near
the bottom of the price list for Gibson archtops of this era, but that only
means minimal cosmetics appointments. It received the same care in
manufacture as the higher end models. The 125 has a laminated 16
1/4" body with maple top and mahogany back and sides, with mahogany neck
and Brazilian fretboard (pic) and bridge,
finished in nitrocellulose lacquer. Although they made a thinner version
(125T), this is the original full depth model, 3.5" deep. Other
features include 24.75" scale, single P90 pickup in neck position with
volume and tone controls, tortoise grain pickguard, Kluson strip tuners, nickel
trapeze tailpiece, bound body top and back, pearloid dot fingerboard inlays,
silkscreen logo, Sunburst finish only. Early features (pic) include half-clear/half-gold knobs, and
rounded P90 cover. The pickup has 6 adjustable poles between two Alnico 5
bar magnets, which is fairly mellow, not as harsh as some P90's were in the
50's. The tone is well suited for Jazz, or even Delta blues.
Cosmetically, it's in beautiful shape with minimal finish checking, little to
no player's wear, no cracks or repairs; just a very nice example of this
model. Only noteworthy flaw is a bit of finish peeling on the back,
bottom edge (pic), probably from a wooden
stand. The set up is low and comfortable. These have gone up
considerably over the past 15 years but this one is still and excellent buy for
an early 50's in this condition. $1699 includes a quality hardshell
case.

1952 Gibson ES-150 Hollowbody Archtop, (frontfront2),
(back), (back-2),
(headstockback),
(side), (casecase2). ’52 must have been a big
year as I recently got in this ES-150, and ES-125, and Fender Deluxe 8-string,
all from 1952. This ES-150 is in beautiful shape, with no issues or excuses,
and all original other than replacement Gibson tuners. The ES-150 was clearly
above the ES-125 during this era, with a wider 17” body, bound neck, trapezoid
inlays, and multi-layer pickguard. By appointments, it was close to an ES-175,
except for headstock ornamentation. Specs include laminated 17” body,
3.5” deep, with maple top and mahogany back and sides, with mahogany neck and
Brazilian fretboard and bridge, finished in nitrocellulose lacquer, 24.75"
scale, single P90 pickup in neck position with volume and tone controls, multi-layer
black pickguard, nickel trapeze tailpiece, bound body top and back, pearloid trapazoid fingerboard inlays, bound neck, silkscreen logo,
Sunburst finish only. Early features include half-clear/half-gold knobs,
and rounded P90 cover. The pickup has 6 adjustable poles between two
Alnico 5 bar magnets, which is fairly mellow, not as harsh as some P90's were
in the 50's. The tone is well suited for Jazz, or even Delta blues.
Cosmetically, it's in beautiful shape with minimal finish checking, little to
no player's wear, no cracks or repairs; just a very nice example of this
model. Set up is low and comfortable. These have gone up
considerably over the past 15 years but this one is still and excellent buy for
an early 50's in this condition. $2100 includes a quality hardshell
case.

1969 Gibson Super 400CES, (No hype - simply the best quilt ever).
One-owner guitar, uncirculated, and a desirable pre-'70 Super. The Super
400CES was Gibson's top of the line archtop and this
one has the finest quilted maple I've ever seen on this model. As soon as I
opened the case and flipped it over, I heard Martin catch his breath. It
was for him, quite literally, breath-taking. (front/back/side), (headstock/flamed neck), (flamed neck), (serial/label).
This is one of those finds that collectors wait for - a one owner guitar,
bought new in 1969, and rarely saw the light of day since new. It has
never been circulated and is being sold only because of the owner's inability
to play any longer. I've only owned a few Super 400's, but I've seen
plenty and this is the finest of the fine. The worst flaw is very typical
- deterioration of the pickguard. High quality repro's are available from
a number of sources but the original is included, along with the bracket.
Other flaws on this guitar are minimal (picture)
and include light wear to some of the gold plating on pickups and tailpiece,
and very minor rubs on edge of headstock. You have to look hard to find
any flaws on this guitar but held in perfect light, you can see a slight
clear-coat impression on the back where the guitar rested on the pickguard
inside the case (pic) but, again, it must
be viewed at the perfect angle, and very closely, to see. Includes original case with accessories - hang tag, manual, strap, cable, pickguard and
bracket. There are no loose braces or other detractors that require
maintenance. It's hard to place a value on a guitar like this. If
an example with typically "good" flame is worth $X, how much more for
perhaps the nicest quilt imaginable. To a collector looking for the
finest uncirculated example I've personally seen, I consider this one very reasonably
priced at $10,000. This is the most incredible Gibson archtop
I've ever held and I'm sure the new owner will feel likewise.

1967 Epiphone Riviera E360TD “Wayne”, (front), (back),
(headstockback), (finish
checking), (label), (case), (Wayne
inlay). Excellent quality Gibson-made Epi from the Kalamazoo MI factory.
During the 60’s Epiphones were made by Gibson through
1970, when production shifted to Japan. Most Epi’s
have a similar Gibson counterpoint and in the case of the E360TD, it is the
Gibson ES-335TD, with the same woods, dimensions, finishes, etc., with the most
outward difference being the parallelogram inlays on the Epi, while Gibson used
blocks on the late 60’s ES-335. Additionally, the Gibson used PAF size
humbuckers, while the Epi used the newer Mini-humbuckers, which in this case
have the PAF sticker on the underside. Last owner, who had this guitar for 10
years, never noticed this but it has an old headstock repair (with flashwithout
flash), which we spotted only after viewing a pic with a flash which upon
closer inspection was a very clean crack repair. It was a good job both
cosmetically and integrally, and does not pose an issue. In addition, looks
like a SSN engraved at the base of the neck (pic).
This is a lightweight guitar that plays easily and sounds very good, even with
some higher amp gain. It is a single-bound, 16” wide, 1 ¾” thick laminated
maple body with a maple center block. The one-piece mahogany neck has a nut
width of 1 9/16”, with a standard Gibson 24 3/4” scale length and a comfortable
medium neck profile. It has the black-faced 'long' headstock with overlay and
inlaid pearl "Epiphone" script logo and pearl vertical 'cloud' inlay.
Serial number "89516" is stamped in black on the label. Kluson-style
no-line tuners with keystone plastic buttons appear to be replacements. Also,
I’ve seen a number of these with Bigsby vibrolas but
I don’t think any left the factory that way so it’s likely a replacement as
well. Originally it probably had the trapeze tailpiece. The cherry finish is
very vibrant with minimal fading. Included is a quality Canadian TKL case with
arched top. The most unique aspect of this guitar, of course, is the name
“Wayne” professionally engraved on the upper treble bout. I don’t have a
pickguard for the guitar but an OEM model would cover most of it. Better yet,
let the world know you are the owner of Wayne and display it proudly. Clean
original examples of this guitar are going $3K-$4K but if you’re a player
looking for a solid, nice gigging axe with a cool vibe, I think $1700 is a
great price for a ’67 Riviera.

GIBSON ACOUSTICS:

1.1991
Gibson Chet Atkins SST, (front),
(back), (headstockback), (controls), (gigbag). These are getting hard to
find. The SST was one of the first solidbody acoustic models, designed
especially for stage use, i.e. to allow for higher volume before
feedback. First introduced as a nylon string model (Chet Atkins CE or
CEC) in 1981, the steel string SST joined the line in 1987, gaining instant
popularity among pro players such as Dave Matthews who played an SST as his
main stage guitar from '92 to '99. The SST was a simple but very well
designed guitar. It features a solid Spruce top, Mahogany back with Chromyte (as used on ES-335's) reinforcement, Ebony bridge,
and Mahogany slim-taper neck with Ebony fretboard. Cosmetic appointments
include inlaid logo and star inlay, star fretboard markers, bridge with star
inlays and Ebony pins with pearloid dots, multi-ply body binding, and gold
hardware. Electronics are simple and are located, unobtrusively, on the
side of the bass upper bout and include volume, bass, and treble. Again,
this model is very resistant to feedback and these simple controls seem to
handle it well. This guitar features a long 25.5" scale (3/4"
longer than normal Gibson scale), 1 11/16” nut, and 21 medium jumbo
frets. Cosmetically, you can see that this one has been lovingly played
for years, exhibiting a fingernail wear spot on the treble side and a few minor
dings near the bass edge. It exhibits some fret wear but nothing that
interferes with a very comfortable set up with no string buzz. The back is in
much cleaner shape and there are no structural issues such as cracks or
repairs. For all the spec's on this model check out Gibson's
site here. After a long run of 19 years, the SST was discontinued in
'06 and considering the popularity of this guitar they have become harder to
find as the years go by. If you're looking for an excellent stage
guitar, there are few better in terms of comfort, tone, and playability than
the SST and at $799, it's truly a pro model for a modest
price. Includes well padded Levys
gigbag.

2.1970 Gibson LG-12 Acoustic 12-String, (front), (headstock), (back), (sides), (case). Cool little 12-string for back porch
strumming in incredibly clean condition. Gibson's LG-series were their budget
acoustics with no fancy ornamentation, screened logo, dot inlays, etc. I
remember back in the 90's we used to pick up LG's for well $400 but in recent
years players have recognized that, at 40+ years old, they're become excellent
sounding guitars and prices have doubled or tripled. The LG-12 was the
12-string in the LG line, with the same small body (14.25" lower bout),
but with a full scale length. The LG-12 features a solid spruce top, mahogany
back and sides, mahogany neck with rosewood fretboard, 18-fret neck with 12
clear of the body, belly bridge with adjustable saddle, teardrop pickguard in
'70, bound top, natural top finish, light mahogany finish back and sides,
Kluson deluxe strip tuners, screened logo, and pearl dot inlays. Although not
the lowest action (shown here), it's very
comfortable for playing cowboy chords and you can get by okay on barre chords -
but if you want it to play like a Taylor, it really would want a neck reset.
The light satin type finish, along with the aged mahogany body wood, give this
guitar a nice warm sound with a mid-range that will stand out in the mix. They
say old wood is good wood, and at over 40 years this one has developed a very
pleasing voice. As you can see in the pics, this guitar is in beautiful condition
with no flaws to speak of. Original case for this model with a heavy semi-hard
with plush red lining and this one's in nice shape. If you're looking for
lovely vintage 12-string to strum on, this one's hard to beat at $599.

3.1963 Gibson B25-12, (front),
(back/sides), (headstock),
(finish checking). Made during the early part
of the folk boom in the 60's, the B-25-12 is appointed like a budget model with
dot inlays and no ornamentation on the headstock, and unbound neck, although it
does have a double-bound body. This is a nice old 00-size small bodied (14
1/2" lower bout) Gibson flattop, with a solid Spruce top, solid mahogany
back, and laminated sides. Other features include multi-ply binding on top,
bound back, ebony bridge, long tortoise pickguard, 2" nut width, 24
3/4" scale, and Kluson strip tuners. This one has seen an average amount of
playing time I would guess, but was taken care of by any previous owners. The
only glaring flaw is a small chip out of the front corner of the headstock (shown here). It does indeed look like a 50+
year-old guitar with plenty of finish checking and a slightly dull finish which
we can buff out at no cost - but no cracks or repairs. The tone is just what
you'd expect from a small Mahogany body - very warm tone with plenty of
mid-range - but surprisingly crisp and bright. Its a fun guitar to play,
especially comfortable when sitting around the living room and like an old
parlor guitar, doesn't look out of place with the decor. Later in the 60's
Gibson went to a small bridge with a trapeze tailpiece but this is the more desirable
model with standard bridge with acoustic string pins. The only non-original
aspect of this guitar is a replacement bridge, but it's the proper belly bridge
- plus a compensated saddle replaces the wooden one. Most of the bridges from
this era look identical, but have adjustment screws for the saddle height, plus
2 pearloid plugs that cover the hold-down screws that Gibson used on their
bridges (I've never figured out why Gibson couldn't glue down their bridges
properly without the use of these screws.) Since most players accused he
adjustable bridge in this era as being a "tone robber", it wasn't
uncommon for players to do away with this feature. Bottom line though, is this
guitar is loud with good sustain, and that may be in part due to the removal of
the adjustable saddle. This guitar has a good neck angle and a straight neck so
the set up is very comfortable for a 12-string, even with barre chords. This is
a great example of affordable vintage, priced way under what a reissue would
sell for, should they ever make one. It's guaranteed to go up as the years pass
but unlike a stock or CD, it's something you can enjoy. Gbase prices for 60's
B-25-12's, even the trapeze models, are running $2K-$2900. This one might be a
little more played than the high-priced models, but I think at $1099, it's a
steal for an early 60's Gibson acoustic that plays and sounds well. Includes
aftermarket hardshell case.

1.2010 Gibson
Explorer, (headstock), (back), (gigbag).
Excellent playing gloss finish Explorer that shows no player's wear but has a
finish touch-up on the back of the lower horn and on the end of the long point
(both shown here). These in-store dings are
the only signs of use on a guitar that is otherwise perfect with no pick or button
scratches, frets like new, etc. The Explorer became a true classic from
Gibson...eventually. It was one of the failed futuristic guitars that
Gibson unveiled in the late 50's, which were discontinued until the timing was
right, and they started reissuing them around ca. '67. Like the Flying V,
and ill-fated Moderne, the Explorer features set-neck
construction, with a mahogany neck set in to a mahogany body, with dual
humbuckers (496R and 500T) and unbound body and neck. It has an
exaggerated "Z" shaped body, the original "hockey
stick" headstock with 6/line Grover mini tuners, vol-vol-tone knobs in
line, with a 3-way selector on the upper treble bout. A cool guitar for
the Metallica/Skynard/etc. fan, or anybody who wants
to delve into one of the original metal axes, designed nearly 20 years before
metal was even invented. For players who do a lot of lead work on the low
strings in the upper register, no guitar provides easier access. Set up
with super low action and a fat, warm tone. If you don't mind 2 touch-ups
on a guitar that's barely been played, this one's $550 less than a new one
($1399 new) at $850. Includes quality gigbag.

2.2003
Gibson Flying V Standard Figured Top, (front), (back), (headstockback), (bound body/neck), (casecase2cert).The guy I got this from called me with a
correction – this is a 2003, not a 2013 as originally listed. Pot codes agree,
22nd week of ’03. This is one of 50 of these made by the custom shop
creating the unique marriage of a Flying V and ’59 Les Paul Standard. Les Paul
features include the flamed maple top/mahogany back body, bound neck/body,
trapezoid inlays, control knob layout with dual volume/tone controls and LP
selector ring, and bell-shaped truss rod cover. This is about as breathtaking
as it gets for a Flying V and to entice you even further, it weighs in at under
6 lbs. 9 oz.! Features include Washed Cherry Sunburst flamed maple top with
2-piece mahogany back, single ply cream binding on body and neck, Nickel
hardware with ABR-1 bridge, 1-piece mahogany neck with rosewood fretboard and
trapezoid inlays, early 50’s rounded neck, vintage tulip tip tuners, Burst
Bucker ½ pickups, dual volume and tone controls with 3-way selector, inlaid
Gibson logo with Flying V screened on headstock. This model went into regular
custom shop production in 2015, identical except for the “Flying V” name is no
longer screened on the headstock. It’s in exceptional condition other than two
slightly faded spots on headstock (as
shown here) from a guitar hanger. List on the current model is $7449 and
you’ll see them at American’s favorite online non-chain store discounted to
$5299. That’s expensive, we agree, so how about $2000 cheaper for the first run
model, just $3299 for this beauty.Nice!

3.2007 Gibson Melody Maker with Upgrades,
(front), (headstock), (back), (other mods). Very cool upgrades which
make this guitar, essentially, a single cut LP Special with all-mahogany
construction and a pair of P90 pickups. Originally equipped with small single
coils, Martin routed the pickup cavities and installed a pair of Seymour Duncan
Phat Cats (specs),
which are P90 single coils. The tone is big and fat, using two Alnico 2 magnets
for more sustain and softer attack, which the metal covers provide more
shielding and noise reduction than standard soapbar covers. The neck pickup is
RW/RP for noise-canceling operation in the middle selector position.
Additionally, the tuners were upgraded from the vintage Kluson style to a set
of nickel-plated Schaller/Grovers which stay in tune much better than the stock
tuners. Lastly, a pair of gold chrome dome knobs with pointers were installed
for that early 60's look. For the pickup selector we used a mini-toggle switch
between the knobs. Lastly, we used oversize strap pins; for your locking strap
guys, we can swap out to Dunlop or Schaller locking type at no cost. The stock
bridge on this model is the good old wraparound tailpiece, the ultimate in
simplicity and, I feel, the most comfortable and effective for palm damping
techniques - or we can change to a Quan-style bridge with saddles that intonate
(shown here). Other specs include
'59 rounded neck profile that's not at all chunky, standard 24 3/4" scale,
1.695" nut width, 22 frets, and '59 authentic single-ply black pickguard.
This is a very lightweight guitar, less than 6 lbs., due to the body size,
which is slightly thinner than a Junior/Special. The tone is anything but "light
- it's big and fat, with excellent sustain and very lively overall, thanks in
part to the very thin satin finish which lets the guitar vibrate better than a
thicker, hard finish. This one has around $300 in upgrades, and for the pro
player, a totally gigworthy workhorse guitar for just $550. Includes
well-padded gigbag (pic).

4.1964 Epiphone Olympic USA, (front), (back),
(headstock), (neck), ("inside"),
(checking). With it's plain Cherry finish,
dot inlays, screened logo, single pickup, and simple wraparound stud tailpiece,
the Olympic is a no-frills guitar but for many players, me among them, that
makes for the perfect guitar. I had one of these a year or two ago but it had
the optional vibrola. For most players, this model has a better feel, stays in
tuner better, and is way cooler. These solid mahogany guitars are generally
lightweight and, get this, 5.0 lbs. on this one! One of the unique design
aspects is the neck joining the body at, literally, the top fret, which allows
the easiest possible playing in the upper register. Overall very nice vintage
condition, with original finish with consistent finish checking all over -
front, back, neck, and headstock. It's 100% original with no cracks, repairs,
or overspray. Like Gibsons with this finish, these nitro finishes are prone to
losing their color and turning brown but a look under the guard shows how
vibrant the cherry finish remains, and it's nearly as vibrant as the color
under the pickguard. All electronics are original including solder joints with
pots dated '64, original nickel Kluson tuners with plastic buttons, black radio
style knobs with metal pointer rings around the pot shaft. Great looking
Brazilian fretboard that Martin reconditioned while he had it on his bench (pic here), and he also polished the frets
so bends feel smooth as silk. These guitars are real sleepers on the vintage
market, as are most USA Epiphone's, and sell at a fraction of a comparable SG
Juniors, made by Gibson's "other" company. Tone-wise, it has the
clarity of a single coil pickup mixed with the warmth of mahogany, a
combination that I enjoy. Although not as hot as a P90, the tone isn't unlike
an SG Junior from this era. If you're looking for a guitar that's fun to play,
super lightweight and at 50 years old has no where to go but up in value, I
highly recommend Olympics. Just a really nice, original Gibson-made Epi for
$1499. I got this without a case but I recommend a new aluminum flight case (pic1,pic2)
complete with ATA recessed latches, for just $100 more.

5.1980 Gibson Sonex-180 Deluxe, (front), (headstock), (back), (electronics). Another one of Gibson's
"innovative" models from the Norlin years. The Sonex, which came in 4
models (Deluxe, Standard, Custom and Artist) at various times during their
4-year run, featured a bolt-on neck, which was very unusual for Gibson. The
main innovation from this guitar was the "Multi-Phonic" body, which
consisted of a wood core (usually mahogany), with a man-made resin outer layer.
In this fashion you still had the wood-wood contact in the neck pocket, but
with a resin body that was inexpensive to make and more impervious to climate change.
The Sonex was replaced by Marauder and S-1 models bolt-on models, although made
of an all-wood body. The Deluxe model retailed for $419 when the line was
discontinued in '84 after a 4-year run. Features include a pair of Gibson
"Velvet Brick" humbuckers, maple neck with 22 medium frets, ABR-1
tuneomatic bridge, large pickguard (covers 3/4 of body face), rosewood
fretboard, Grover tuners with metal Keystone buttons and "The Gibson
Guitar Company" logo. Cosmetically this one is in typical condition for a
Sonex with scratches and scrapes in the resin core as well as the typical
cracks in the resin core (not a problem, just the nature of the beast). It has
had a strap button relocated to the back near the neck plate. It has a very
comfortable setup and a good quality tone from a pair of nice sounding
humbuckers. A good value in an old USA guitar at $450.

6.2008 Gibson Shred V Flying V, (front/back), (headstock), (Kahler), (Case/Acc.). Gibson's Guitar of the
Month (GOTM) for August '08. Never retailed and offered in mint condition. Last
year Gibson offered a unique collection of monthly limited editions, with
production limited to just 1000/each, an idea that was previously used with
their Showcase Editions (link here) in 1988.
Clean examples of Showcases go for significantly higher than their regular
production counterparts and these guitars should also prove to be good
investment pieces. The original Flying V, first released in 1958, wasn't well
received by the public and production was discontinued within a year. It was
later resurrected in 1967 where it has stayed in production since that time,
eventually finding its niche as one of the premier rock/metal axes. With this
in mind, Gibson has created the definitive metal V with the Shred V, with
features such as a pair of EMG 85 pickups, perfect for aggressive hard rock and
metal, and a Kahler 2215K tremolo to withstand aggressive playing and dive
bombs tricks. In place of a locking nut, Gibson opted for Grover locking tuners,
which keep the guitar in tune nicely, without the hassle of locking the strings
down. Other features include all-mahogany construction, black chrome hardware,
Ebony finish that enhances the futuristic vibe - and metal look, one-piece
mahogany with '50s rounded contour, Ebony fingerboard with black acrylic dot
inlays unique only to the Shred-V, wide 1 11/16" nut, flat 12"
fretboard radius, master volume and tone, and standard 3-way pickup selector.
The Shred V carried a list price of $3499, selling at discount for $2299. This
one is better than new, totally untouched except for a killer setup by Martin,
inevitably better than factory, and nicely priced at just $1899. For full specs
click
here for Gibson's site. Trades on Fender Custom Shop and PRS are desired.

7.1984 Gibson Designer Series
Explorer, (front/back),
(headstock), (bridge), (case), (1984 Flyer). Speaking of rare
custom finishes, check out this beauty. I've had a few of the Designer Series
before but this is the first of the black&gold Explorers that I've seen.
The thought that immediately strikes you is, "that's one elegant looking Explorer."
Pics don't do it justice but the overall look is very striking, especially with
the gold hardware in such clean shape. Gibson called this graphic a "Style
20" as shown in the flyer above, offered as were all custom finishes, at
an upcharge over standard finishes. Specs are the same as Gibson's standard
Explorer with the exception of the finish - plus this one was built with
optional factory locking tremolo system which works very well. This guitar is
extremely clean and appears to lived in the case much of it's 30+ year life,
easily a 9+ condition. Even the gold hardware retains most of it's plating with
little to no gold-wear or pitting. Set-up is spectacular and it has the fat
tone you'd expect on a dual humbucker mahogany Gibson. Custom finishes have
always proven to be good investments. What may have been only 5-10% upcharge at
the time of original sale can translate to 200% or more as evidenced by a
Fiesta Red Strat vs. a Sunburst - or in the Gibson line, a Golden Mist Poly
over a sunburst. For a guitar in this condition, rarity, and just plain
coolness, this is a super buy at $1799. (This guitar was lost by UPS…still
hoping for good news).

EPIPHONES

1.2007 Epiphone Les Paul Custom, (front), (back), (headstock), Epi's version of the LP
Custom, truly the Cadillac of the Les Paul line, beautifully adorned with
multi-ply body binding, neck binding, inlaid logo and split diamond headstock
inlay, multi-ply bound headstock, and gold hardware. In addition, from my
observations, the neck angle seems to be better on Customs which allows for a
very low set up at the nut, all the way up the neck. This one's finished in
Alpine White, always a popular finish in a Custom. Pickguard was removed for
aesthetic reasons but otherwise, it's all original and in excellent condition,
other than two finish cracks (shown
here). Finish cracks in this area, or below the fingerboard, are extremely
common on white Customs, both Epi and Gibson. Prior to shipping we will lacquer
over the area at no charge to prevent any flaking and color match the area, if
desired. This guitar plays great, with a quality tone, and a with new ones
selling for $699, get a nice savings on this great playing used one. Just $379
- or add $22 for a new TKL gigbag (shown here),
or $55 for a used Epi case (shown
here).

2.2006 Epiphone SG
Standard G-400 with Upgrades, (front), (headstock), (front), (EMG SPC), (pickups). New and
unplayed, and upgraded with a pair of Gibson SG Standard pickup as well as an
EMG SPC/Mid-Boost active circuit. Finished in classic Alpine White, this G-400
has the look of the early 60's SG and with these upgrades you have a guitar
that sounds as good as it looks. This guitar was originally a Ltd Ed model with
EMG's, thus it already had a battery compartment, so when we added the EMG mid
boost, which requires a 9V battery, no modification to the body was necessary.
The SPC is a killer unit that adds a lot of versatility. It can fatten up the
sound of single coils, or it works equally well with humbuckers, fattening up the
mids which can make your tone less muddy. It can also be used as a clean boost
- just turn up the knob when you want some extra output, for leads etc. It
provides sufficient gain to drive a tube amp into clipping while adding more
harmonic content. The SPC is wired for both pickups; likewise the Tone control.
Features include solid mahogany body with set-in mahogany neck, Grover tuners,
slim-taper neck has a rosewood fretboard with pearloid trapezoid inlays, with a
deep double-cutaway allowing easy access to the upper frets. Don't judge Epi
SG's by guitars you may have played in a store. With a proper set up, they play
with ease and the fret ends are perfectly dressed. This model listed for $999
and with these upgrades, a nice deal at $479, flawless and unplayed. Includes, manual, cable, poster,
etc. (Note: I also have this model with EMG81/85 on my Gibson page).

3.2006 Epiphone SG Double-Neck - Heritage
Cherry Flametop, (front), (back), (headstock), (case.). Ah, the iconic SG double neck.
Who can't look at one of these without thinking of Jimmy Page in concert or in
"The Song Remains the Same" concert documentary. These aren't the
guitars you play all night long but whip it out for a few select songs and the
audience inevitably claps louder because you can "play two guitars at
once", and you'll be able to use it like Jimmy, Slash and John
McGlaughlin, etc. This is the bolt-on model which is actually a good thing on
these guitars, which are prone to neck angle problems. On a set neck guitar, if
you need to change the neck angle, typically because the action is too high but
the bridge is all the way down. When that happens you'll need to take it to a
tech for a $200+ neck reset. On this model it'll cost you around 10 min. and a
neck shim. Another plus, is Korean manufacture (Unsung factory) which we've
found to be markedly superior to Chinese. Also, I don't think they do the flame
top models any longer and it certainly adds some visual appeal. The set up on
this guitar is fantastic, on both necks, with low action and nicely dressed
fret ends. For those who aren't familiar, there is a 3-way selector to choose
6-string, 12-string, or both. Both is used when you want the un-used neck for
it's special "droning" effect, which sounds pretty cool if used
properly. Each guitar also has the standard 3-way pickup selector for neck,
bridge, and both pickups. The pickups are Alnico humbuckers and they sound very
good. Nothing makes the crowd go "wow" more than when you pull out
the double neck and you needn't spend thousands of dollars to get a great
playing, nice sounding Gibson. This one will do the job quite nicely...for
$750(HOLD-Bob B 12/18/17). Includes Epiphone case and one killer pro set up.

4.2006 Epiphone SG Standard G-400 With
EMG's and Gigbag, (front/back),
(headstock), (gigbag). New and first
quality in Classic Alpine White Finish! New upscale Ltd. Ed. model from Epi,
using the increasingly poplar Zakk Wylde setup of active EMG's with an 81/85 combination. Features include
solid mahogany body with set-in mahogany neck, Grover tuners, slim-taper neck
has a rosewood fretboard with pearloid trapezoid inlays, with a deep
double-cutaway allowing easy access to the upper frets. Don't judge this guitar
by one you may have played in a store. With a proper set up, they play with
ease and the fret ends are perfectly dressed. With a list of $999, these are a
very good value in a set-neck guitar with the EMG 81/85 setup at just $499. Includes, manual, cable, poster,
etc., plus a very well padded Levy's EM7P gigbag with Â¾" foam padding and
headliner lining, accessory pocket and twin shoulder straps.

5.Epiphone Hummingbird, (full
length), I have several of these earlier Korean-made Hummingbirds in stock
which supposedly had cosmetic flaws but appear flawless now. Features solid
spruce top and mahogany back/sides, basically the mahogany equivalent of the
Epi Doves on my acoustics page. Like the Dove, the Hummingbird is a recreation
of the Gibson classic with the looks and tone of a vintage classic. Nicely appointed with multi-layer bound body,
bound neck, dual parallelogram fretboard inlays. The list price on these when
they were Korean made was $665 and as with most Epi's, they fairly dropped the
list to $582 when production was moved to China. I have a few of these for less
than the new Chinese models; $325. If you need amplification, we can send you
one with a Fishman Acoustic Matrix (pic2)
saddle transducer installed for $99 more (sells new for $129, not counting
installation). The Matrix is designed for a slight boost in the bass range which,
on a full size dreadnought like the Hummingbird, gives it incredible bottom
end, but clear note definition throughout. The cool thing about these units is
the entire preamp is built into the elongated output jack, rather than having a
separate preamp stuck to the back or side of the guitar. Runs on 9V battery
with a battery life of over 6,000 hours. Whether you choose an acoustic, or
with the Fishman upgrade, it will be better than the current Chinese model plus
it will receive Martin's personal setup which guarantees it will play easily
and the frets properly dressed.

6.2006 Epiphone SG Standard G-400 With
EMG's, (pic2), (pic3). New and first quality in
Classic Alpine White Finish! New upscale Ltd. Ed. model from Epi, using the
increasingly poplar Zakk Wylde setup of active EMG's with an 81/85 combination. Features include
solid mahogany body with set-in mahogany neck, Grover tuners, slim-taper neck
has a rosewood fretboard with pearloid trapezoid inlays, with a deep
double-cutaway allowing easy access to the upper frets. I have two of these,
both new, old stock and perfect, inevitably set up better than factory. With a
list of $999, these are a very good value in a set-neck guitar with the EMG
81/85 setup at just $499. Includes,
manual, cable, poster, etc.

7.Epiphone AJ-1 Advance Jumbo, 2004 NOS, new in the
box and best value in a SJ round-shoulder style flattop. Features select Spruce
top, with the warmth of mahogany sides and back. Natural gloss finish and body
binding give this a simple, but elegant look. The design of this guitar gives
it very ample bass response, and a pleasing tone for strumming with friends on
the front porch. With factory setups these guitars are only so-so but when
Martin does his magic, you'll have a guitar that's a joy to play with
comfortable action throughout the register. Lists at $232 but this one's new in
the box AND set-up to play for just $149.

8.Epiphone Les
Paul Pee Wee Package, Unlike the Ibanez kit above this is a smaller guitar
aimed at younger players and includes everything your little rocker needs to
get started on guitar including a Les Paul Pee Wee
electric guitar (picture 2),
amplifier, strap, cable, pics, and instructions. The Les Paul Pee Wee is 1/2
the size of a regular guitar but with a full width neck, suitable for both kids
but also adults looking to take the party anywhere. This pack includes the Epiphone Studio
Mini amp that's also portable and features a shoulder strap and runs on
either a 9V battery or via 9V adapter (not included). The amp features volume
and tone controls, with a switch to choose clean or overdrive channel plus a
headphone jack for private practice. Due to the short scale we recommend tuning
them up around a fifth which also allows them to occupy the frequency range of
a mandolin, which really stands out in a jam session. Don't think you're going
to get a crappy playing guitar because of the cost. All of these short scale
V's and LP's we've had actually set up with excellent action and even an
accomplished player should be happy with the playability. With a list price of
$252, this is a fairly inexpensive way to get Junior started on a real guitar
setup at just $149, set up and ready to jam as soon as you open the box.

9.2004 Zakk Wylde Signature Les Paul Custom, (pic2), (pic3).
I'm on my second order of these - cosmetic 2nds but don't let that throw you -
Any flaw is so miniscule that it's virtually invisible. Overall, these are
extremely impressive and priced just a little higher than a stock Epi LP
Custom. Immaculate bulls-eye paint job, and all the LP Custom feaures such as
multi-ply binding, gold hardware, pearloid block inlays (and not cheesy looking
brushed chrome ones), and the classic split diamond headstock overlay. What
really sets this apart though are the EMG HZ 4 and HZ4A humbuckers, which are
the passive version of the EMG81and 85. It also has an extremely chunky neck
which has an unfinished feel as found on Zakk's prized LP. If you're not into
big necks, you don't want this guitar, but the bare (only a sealer coat)
baseball bat feel is perfect for my hands. We looked these over closely and I
give up on trying to find the blem on most of these - about the only blem I can
see is the "2nd" stamp on the back of the headstock. Unlike new ones
you might buy online or at your local store, these guitars will be shipped
fully set-up with playability that will rival the $3800 Gibson model.This model
lists at $1332 and sells online at $799. If you can live with a guitar with
what is likely an invisible cosmetic flaw, save some nice cash right here, at
$629.

10.2003 Epiphone Les Paul Baritone, Red Oval finish.
I just got in several of these, unplayed, straight out of the box. They are
overstocks so the serial was partially
obliterated, but they are first quality and are not stamped
"used" or "2nd' - all first quality Epiphone. Les Paul Standard
Baritone is a long-scale guitar that adds beefy, bottom-end tones to the LP
tone you already know and love. The most notable features is the long
27.75-inch scale length, 3 inches longer than a standard Les Paul, that lets
you play 1/2 an octave below normal. The result is one helluva beefy sounding
guitar. It also features black hardware, satin finish, simplified control
layout, Grover tuners, and some very upscale pickups that sound great, by
Gibson USA, which tout Alnico magnets, "double vacuum wax dipped",
and "enamel coated wire". With a list of $831, these sell everywhere
for $499. This one is perfect, set up BETTER than factory, and you'll have save
enough dough to score a nice amp with the difference, just $379 while they last.

Ask about our
"hot rod" job to install new pickups, Sperzel tuners, etc., prior to
shipping For around $200 (INCLUDING labor) you can get a pair of Gibson, or
other similar quality pickups and a set of Sperzel/Grover/Gibson/Hipshot
tuners.
These upgrades will likely run you over $350 at your local store.

1.2008 Epiphone
Sheraton II - Ebony, (front), (back), (headstock).
Probably our best seller among hollow/semi-hollowbody guitars is the Epi
Sheraton II. It's solidly built, generally sets up very well, and sounds much
better than it's price tag would lead you to believe.
Sheraton's proud history goes back to '59, when, owned by Gibson, Epi started
producing the Sheraton, which was a model unique to that company, rather than
an Epi version of a Gibson, which was the fashion in the early Gibson daysToday, models that are unique to the Epiphone
line, including the Sheraton, Zephyr, Riviera and Emperor, seem to be built to
higher standards than their Gibson copy line (Les Paul, SG, Dot, Hummingbird,
etc.).The Sheraton does share design
features with the Gibson ES-335, but the cosmetic appointments are much higher
on the Sheraton.The original Sheraton
was outfitted with a Frequensator tailpiece but didn't gain much popularity
until Epi changed to a stop bar and Tuneomatic bridge, i.e. the Sheraton II.Like the Gibson ES-335, the Sheraton has a
laminated maple body, top, back and sides, which, with its bright tone, works
well with the darker tone of PAF humbuckers.Unlike the Dot's mahogany neck, the Sheraton features a maple neck, for
increased stability, capped with a rosewood fretboard.High-end cosmetics include gold hardware,
multi-layer binding on all edges including body, fretboard, neck, and
headstock; abalone block & triangle fretboard inlays, headstock overlay
with inlaid logo and vine inlay, and multi-ply tortoise pickguard with raised
"e" logo.Players as diverse
as Oasis guitarist, Noel Gallagher and blues legend John Lee Hooker both have
signature model Sheratons, which is testimony to the versatility of these
guitars.It's capable of high gain
without feedback, which makes it attractive to rock players, but sounds equally
good on more mellow jazz or blues.Cosmetically, it’s in great condition having been buffed out beautifully
by Martin, and he also gave it an excellent setup with very comfortable action
throughout the neck. For killer looks it's hard to beat black and gold. This is
a lot of guitar for the money in my opinion. $399. Add a clean MBT gigbag for
$19 (pic).

2.2005 Epiphone Gothic Les
Paul Studio - Floyd Rose - Seymour Duncan Upgrade, (front), (back), (headstock), (pickups), (Floyd). Excellent
quality import from the Unsung (Korean) factory. The Gothic Les Paul Studio is
a barebones rock/metal axe, offered in either a stop tail or, this version,
with a quality Floyd Rose trem. This is a very good quality Floyd, and appears
to be identical to the "Original Floyd Rose", although stamped with
the "Epiphone" brand. There have been a few changes to this guitar,
most importantly, the generic non-covered black humbuckers have been replaced
with a great sounding pair of Seymour Duncans - the Alnico Pro II Bridge and
Alnico Pro II Neck - as used by "Slash" and many other top name players.
Cosmetically, some stick on fretboard cross inlays have been added, and
"BLS" (Black Label Society) stickers added to the front and back. I
think they look pretty cool but we can remove prior to shipping if desired.
Also, it's been buffed out nicely, so it looks more like a gloss finish than
the factory satin finish. This guitar is like the original 50's Black Beauty
Les Pauls in that it's 100% mahogany, with a carved mahogany top. It's fatter
sounding than the maple top versions and with these Duncans, has a classic
'Burst tone which lets your playing style shine through rather than a scorching
high-output sound. The set up is super comfortable, the Floyd stays in tune
especially well, and it's an excellent guitar, especially in this price range.
With around a $200 pickup upgrade, a super nice buy on a Korean LP at $399 with
gigbag.

3.1999 Epiphone Les Paul Standard Plus,
(front/back), (headstock), (fretboard). Killer player;
desirable crafted in Korea model. If you're looking for low action, the kind of
guitar that almost plays itself, you don't have to pay $700 or more, all you
need is a straight neck with the nut cut properly and a pro setup. This came in
as a mediocre player, the kind you'll find among a "full wall" at
your super store. Martin did some of his magic and, boy, what a difference. It
now plays as nice as good as a Gibson LP Standard and even stock Alnico
humbuckers sound good. Also features vintage Kluson style tuners, inlaid logo,
trapezoid inlays, bound body and neck, and chrome hardware. Although this
guitar presents very well from the front, there are some touch-ups with a
Gibson touch-up pen around the edges (as shown here), but the frets are
perfect and overall it's in nice shape for a used guitar. As a plus model this
has a nicely flamed top and, quite by accident, one of the best looking
fretboards I've seen on an Epi - looks like the fretboard wood they use on
Gibson's Historic series. The new Epi LP's are made in China and they dropped
the list around $100 from the Korean Standard Plus. If you're a player who is
looking for the best playing Paul for your money and don't mind a few minor
flaws, you can get this great MIK model for $200 less than a new Chinese Plus.
Just $349 for this one. New deluxe gigbags available for $25.

4.2004 Epiphone Zakk Wylde Les Paul Custom with
EMG-81/85. This guitar is located on my Gibson page but I just got in a
mint pair of EMG-81/85 (pictured) which we
offer as an upgrade on this model when I have the pickups in stock. It's
pictured with the stock EMG HZ's, which are very good pickups in their own
right, but for the real Zakk tone, you have to have the active EMG's. Click
here for Harmony-Central reviews where they score a remarkable 9.8 avg.
mark in tone with 16 reviews. This guitar sells new for $799 with the stock
pickup setup. The one I'm offering was never retailed and virtually flawless,
although it is a cosmetic 2nd for a flaw that we can't find. It's offered at
$629 in stock condition but we can upgrade it to the 81/85 set and sell at
$799.

5.Epiphone EC-20 Classical, (pic2). ca. mid-70's and a very good quality
made in Japan classical. Features Spruce top with Mahogany back and sides,
Rosewood fretboard, nickel silver frets, scrolled gold-plated tuners, and
Ivoroid tuner buttons. This guitar has a pleasing tone and cosmetically, in
stunning condition. Very thin finish is near immaculate and you'll find it hard
to believe that it's 30 years old. Good quality for low bucks, just
$159(Tentative - Bob A 9/30).

6.Epiphone Bully SG Special, one of the
discontinued E-series, it's basically an SG Special with slim taper neck,
upgraded E-series open coil humbuckers, and E-Dovewing headstock and logo. Very
clean shape and nice setup - for $165.

7.Epiphone AJ-200, Advance Jumbo model is a
throwback to the early days of Epi and Gibson, with round-shoulder dreadnought
design, bound spruce top, mahogany back and sides, nice player with a nice tone
for something in this price range. Stamped Used but in essence new and with a
list of $299, better than new as it’s set-up to optimum playability for just
$165

8.2002 Epiphone Les Paul Studio, good quality
set-neck Paul at a killer price, Heritage Cherry Sunburst, features of a LP
Standard except for black pickguard and binding and slightly slimmer body -
same great playability and tone and an absolute feather weight. Very clean
shape with no major flaws and fairly rare. Get the tone and vibe of an LP at a
better price, $325 w/gigbag.