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The year 2014 starts with some new dubophonic heights with Koncrete
Roots, a one man project by Thomas Kenney from Leicestershire in the
East Midlands of England.

From an early age Thomas would listen to a huge amount of music though
he would always favour the sounds of Ska and Reggae. Music was always in
his blood and he began producing back in 2004 under a different name.
The music he was making at the time was a reflection of the scene around
him; hip hop and grime. It wasn’t until later in life, when he was
introduced to (and fell in love with) Dub music, that he started to take
his own music seriously and started to develop his own sound and style.

Koncrete Roots’ style can be described as a deeply rooted dub sound with
a modern day steppa twist. This twist makes all the difference and
gives an electro dubness to their traditional rootical sound introducing
some great vibes to the massive, entering into the new year.

From the meditative “River Jordan” to the rootical electro steppas like
‘Inity Step” and “Sound Killah”, Koncrete Roots deliver their message
of dubness and irieness into the year 2014. Not withstanding his
versions of two old time classics, the UK producer seems like a sound
warrior, armed with deep basslines and organic melodies like in
“Universal dub”, marching to destroy Babylon on his way to Zion.