Although made in 1970, The Ear (Ucho) was immediately banned by the Czech authorities and remained unseen for twenty years, being finally released only after the Velvet Revolution took place in Czechoslovakia .

This landmark film is an extraordinary mix of one of the most direct indictments of life under an oppressive totalitarian system and a not-so-private examination of a disintegrating marital relationship.

Special Features

â€¢ Introduction to the film by writer and critic Peter Hames.
â€¢ Digitally re-mastered with restored image and sound.
â€¢ New and improved English subtitle translation.
â€¢ Booklet featuring Essay on the film by writer/critic Steven Jay Schneider and a biography of Karel Kachyna

This is a superb film, a paranoid classic so potent that it was banned by the Czech authorities for a couple of decades. The mid to late sixties were an incredible time for Czech cinema and it's great to see SecondRun conducting some excavations. Bring on the Schorm, Chytilova, Jires, Jakubisko and Herz!

This is a superb film, a paranoid classic so potent that it was banned by the Czech authorities for a couple of decades. The mid to late sixties were an incredible time for Czech cinema and it's great to see SecondRun conducting some excavations. Bring on the Schorm, Chytilova, Jires, Jakubisko and Herz!

I wonder what became of Jakubisko's vaunted 'entire filmography on DVD'. This is no thread for random speculation, but here's hoping...

As for The Ear, after having heard so much about it, I cannot wait to see whether Second Run's DVD will be up to scratch.

In many ways this film is a filmed play. The main actors - playing the husband and wife - are flawless in their performances and it is their marriage, mixed with politics, that is the fascinating subject of this underrated Czech classic. I will be replacing my VHS copy with pleasure.

- Introduction to the film by writer and critic Peter Hames.- Digitally re-mastered with restored image and sound.- New and improved English subtitle translation. - Booklet featuring Essay on the film by writer/critic Steven Jay Schneider and a biography of Karel Kachyna

Saw this last night. Great, tight film. I've been exploring the Czech New Wave and its surrounds and this is one of the best I've seen so far. I felt a chill of despair and anxiety at the end. It was refreshing to see a film that deals with life under totalitarianism directly rather than through allegory, as fun as the allegory can be.

Hames points out in his excellent intro that the film was never released and therefore had no opportunity to be banned. I thought that was an interesting distinction. It's pretty amazing this film survived at all.

The video source is a bit choppy in spots but I think this dvd looks fine - not great by any stretch, but watchable. I didn't notice the waves issue very often, though there were a few instances of jaggies.

I'm presuming that there hasn't been a better version released elsewhere?

There's a Czech DVD, but as far as I can make out it has no subtitles - I had to squint quite hard at this reproduction of the back cover, but it looks to me as though the 'Titulky' option is Czech HOH only.

And I have no idea what the transfer is like - I have several Bonton releases, and they're wildly variable in quality (Filmexport Home Video is much more consistent).

Last edited by MichaelB on Sat May 18, 2013 2:00 pm, edited 3 times in total.

I wouldn't necessarily pay an exorbitant price for it though. Criterion does have the rights (it's streaming on their Hulu channel) and it's supposed to be coming eventually in the third Czech New Wave Eclipse set.

Having watched this terrific film for the first time over the weekend, I wanted to say a few words alongside some historical comment in the forum.

I agree that the film has the feel of a stage play, particularly in the home during the night where the disintegration of the marriage and the convincing paranoia are witheringly played out. What I particularly enjoyed was the repeated switchback to first person point of view recollection of the party & the sinister, blurred images of ominous figures (the men in the car, outside the gate, in the garden and furtively in the neighbour’s home). I also agree that although the film plays out in a historical totalitarian era of a communist regime; it is also very much of our time where we have willingly brought into our homes all manner of electronic equipment that provide authorities with the ability to listen in and watch our every move. Leaving the comrade dialogue aside, this film feels frighteningly real, perceptively modern & chillingly close.

I felt the same way when I first saw it circa 1992 on SBS TV, courtesy of the much missed David Stratton. (Those were the days when cinephiles were catered for via Australian TV) It's inreresting to remember that Stratton screened many post-communist films soon after their belated premiers in Europe.