A Seduction In To Life

A seduction in to life begins to imagine the relation between painting and non painting.

Its form does not displace but shifts the dominant, phallic conceptualisation of a post-internet world where discrete elements, modularised and homogenised, enact their destructive relations of indifference. At the borders between painting and non-painting, elements mutually transform with and through each other. Now that dissemination and production are in altered relations, perhaps the artwork becomes a means of imagining the not yet imagined: aesthetically inciting but not predicting its unfolding.