Tuesday, January 19, 2016

Yesterday afternoon, on the day the United States honors the life and legacy of the Rev. Dr. Martin Luther King, and in the name of #ReclaimMLK and #BlackLivesMatter, the Black queer liberation collective Black.Seed blockaded the San Francisco Bay Bridge. Brooke Anderson's album of photographs on Facebook tells the story eloquently.

For the second year in a row, the Anti Police-Terror Project (APTP) put out a call for 96 Hours of Direct Action to reclaim Dr. Martin Luther King Jr’s radical legacy and take a stand against anti-Black racism and terrorism. In a courageous display of solidarity and the spirit of MLK, Black.Seed, a Black, queer liberation collective, has shut down the Bay Bridge as a show of resistance to a system that continues to oppress Black, Queer, Brown, Indigenous and other marginalized people throughout the Bay Area.Today, January 18th, Black.Seed has shut down the west-bound span of Bay Bridge. Cars are blocking lanes and individuals are chained across lanes to demand investment in the wellbeing of Black people. [...]Over the last few years, we have seen San Francisco and Oakland destroyed by police murders, rising housing costs, rapid gentrification, and apathetic city officials. Last year, we saw dozens of police murders throughout the Bay Area; since June of 2015 in Oakland alone there have been eight Black men murdered by police.Today Black.Seed celebrates and honors the radical legacy of Dr. Martin Luther King Jr. Historically, our people have had to take drastic and dramatic measures to highlight the systemic abuses that harm our communities. 51 years ago, those who came before us participated in direct action in Selma, Alabama, to speak out against the harms of racism and oppression. It is this very spirit of resistance that flows through our lives and actions, in the Black Out Friday, Black Brunches, and highway shutdowns of today.

Powerful.

The first bridge blockade I participated in myself was the Golden Gate Bridge blockade of 31 Jan 1989, organized by Stop AIDS Now Or Else and documented in a shamelessly unapologetic YouTube video created by my longtime friend and comrade Arl Nadel:

We got the same flavor of pushback that Black.Seed is now parrying (eloquently, IMHO) by motorists "inconvenienced" by stopped traffic. Our friends and comrades were dying of AIDS in 1989, a disease whose existence then-barely-former president Ronald Reagan did not even acknowledge publicly until tens of thousands had already died of the disease. For us then, as for Black.Seed who must endure and mourn "police murders, rising housing costs, rapid gentrification, and apathetic city officials," disrupted commutes didn't move the scales much. Does that raises your hackles? I'd like to suggest you watch the video linked above before jumping to conclusions.

The bridge blockade in which I immersed myself most deeply is the one that forms a centerpiece of my novel Consequence. I lived with the planning, choreography, messaging, and dramatic events of that blockade, set in April 2004, for a fair few years (the novel was published this past September). The issue that sparked that fictional blockade -- well, here, I'll quote Doug Peacock, real-life model for Edward Abbey’s George Washington Hayduke in The Monkey Wrench Gang, because he hits the bullseye --

The villain of Consequence happens to be genetic engineering but it could have been any current social or environmental issue. The premise, absolutely believable today, is that life on the planet is threatened and that battle waged by this novel’s characters will make a difference. And why not?

And why not, indeed?

Kudos and more power to the Black.Seed collective and the #BlackLivesMatter movement.

Monday, January 11, 2016

I live in Berkeley, California, and over the years have posted a lot of photos taken of my neighbors' front yards. Most often I've photographed the yards on Fulton Street, a residential street running north/south between my neighborhood and the southwest corner of the UC Berkeley campus (it's on my "walk to work" and "walk downtown" path).

Over the last week we've had some drier days and some wetter days as the rains associated with El Niño have begun. The new year, the pewter-gray skies, and the softened light has reawakened my attention to the plant life of local front yards, and to the odd blurring of seasons that January rains after four years of drought have brought on. So I thought I'd share some of what caught my eye this past week or so...

Wednesday, January 6, 2016

I was pleased to be asked (in response to a pitch I made in early October) for an interview with Mary Woodbury, founder and creator of Eco-Fiction.com, a site that tracks and explores fiction with environmental themes -- with an emphasis on cli-fi (fiction to do with climate change). Mary also founded a Google+ community, Ecology in Literature and the Arts, which is "devoted to the discussion of nature writing, fiction, and arts," and is a rich source of links to articles, interviews, books,and films. The Google+ community is how I first found Eco-fiction.

Yesterday, my interview with Mary went live on the Eco-fiction site: Interview with Steve Masover, Author of Consequence. I can't say I have a favorite question in the interview -- they're all good ... but here's a question that I was especially glad to answer:

Mary: Your short fiction, prior to Consequence, has been published in various literary magazines and you have helped to write a screenplay. These works appear to contain messages that call for social or environmental justice. Has a reader ever responded with a changed viewpoint, and how do you think fiction is a good conduit for relaying such concerns?Steve: One of the most rewarding responses I’ve had to Consequence so far was from a student with whom I’ve been working on climate change issues at UC Berkeley. He told me that relationships between the activists portrayed in my novel helped him understand the importance of building friendship and support among people engaged in activist work: it’s not just about the issue, it’s also about the community. In the spring semester he wants to translate his insights into a more conscious, sustainable, and effective approach to environmental justice work on our campus. Another deeply appreciated response came from the wife of a fellow writer, who had the idea before reading Consequence that San Francisco activists could be written off as idealistic hippie burn-outs. I was moved–not to mention relieved–to learn that through my novel her attitude changed, having gained a more nuanced understanding of people who engage in progressive activism.Non-fiction is key to laying out information and argument, which is certainly fundamental to pursuit of social and environmental justice, and to changing people’s views. But information is powerless against an impermeable mind and a closed heart. Honest fiction grounded in the real world is a way to convey information and perspective past barriers people erect against ideas they have dismissed, or ideas they are afraid to consider or feel. Empathy is the bridge past those barriers, and empathy is fiction’s strongest suit.

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About Steve

I write fiction, take an activist interest in politics and culture, and work in information technology at UC Berkeley. My novel Consequence was judged Best General Fiction in the 2017 Green Book Festival competition; please visit my website for more info. ~Steve