In Exorcist Master (aka, Qu mo dao zhang/1993) a priest was killed outside a local church when a holy power stepped in, knocked the “God Eats Here” cross steeple off the building, where it falls like a sword straight into the back of the now “thinkin’ about becoming an atheist” collection plate manager, who is somehow turned into a vampire. Maybe he was one before and was merely working undercover for competing religions. The sub-titles weren’t clear on this point.

This now makes the Roman Catholic church “dirty” and it’s closed for business until that commerce-minded Priest Wu decides to reopen 20 years later with new paint, a few knick-knack bibles, restoration money supplied by the town’s smoking club (opium den) and brothel (pay-per-play) upstanding business men. This p*sses off Uncle Nine and he vehemently protests, using that unibrow to commanding effect. (If you’ve ever been stared down over a plate of fried duck and dumplings by a person with one eyebrow, it’s rather intimidating, which is why I don’t go back to Benihanas™.)

Lam Ching-ying, replays the unibrow’d Taoist priest in those mid-Eighties Mr. Vampire movies as Uncle Nine, a pretty darn serious guy when it comes to ridding the land of ghosts and vampires. (I’ve seen promo pics of him with TWO eyebrows. What is up with that? It somehow made him look less intelligent.)

An opening scene botched brother and sister exorcist duo has them failing to rid a cellar of a demon chick ghost. Uncle Nine shows up in time to save the day with some serious anti-paranormal skills. But you’re gonna have to wade through another 90-minutes of non-demon/ghost/vampire plot plodding to get to the final show-down in the church after the cross stake was removed from the punctured priest’s back (they kept him in dry storage) and he flies around thejoint, looking for neck-flavored snacks. (Having a hard time with a vampire priest; don’t crosses and churches make vampires hurl? It does to me — and I’m still waiting for my turn to become a vampire. I put in the application months ago. Gotta be any day now.)

Exorcist Master’s slapstick action and dialogue will make you COL (chortle out loud): “Why have you removed my pants? You are so erotic…” And hey, they even sampled one-hit wonder rapper Tone Lōc’s 1989 “Wild Thing” as a backdrop to an exorcist prepping ceremony.

But not even Tone Lōc or the high-flying kung fu skills of Uncle Nine can save this tedious horror comedy that spends less time on bloodletting and more time on goofy sequences. (The brother doesn’t know what a bra is and put’s it over his face like a blindfold. “Too big…” he says. I can vouch for that.) Note of interest: There’s a bell-ringing vampire shepherd leading a formation parade of subdued, hopping vampires to the church. With “Wild Thing” playing, I wonder if they were hip-hop vampires. I don’t wanna be one of those as rap sucks like fried duck. (Hey, that rhymes — I think I just wrote a rap song.)

If you’re in the mood for sub-titled foreign fantasy horror that has lots and lots of soft-core sex, tops to bottoms naked nudity and a three-headed demon, you need look no further than Erotic Ghost Story (1990), a Chinese cult classic.

In ancient days, three fairy ghosts get turned into human as busom-y, sexually gassed up gals. The supernatural rule says that if they can maintain their busom-y forms for 36 days, they will become immortal. Sounds simple enough until a Taoist priest with sorcery powers warns them not to give into their growing urge to merge – or pay the consequences. Taoist priests can be such buzzkills.

The girls – So-So, Fei-Fei, and Hua-Hua – were doing just fine until the fires down below start burning. They play with themselves. They play with each other. And they play with Wu Ming, a young scholar living nearby. One by one, each seduces him – ON THE SAME DAY – in what can only be described as prolonged, up close and personal boinking. The longing ladies don’t know it, but they just knocked clogs with a demon, which explains how he could rise to the occasion three times ON THE SAME DAY.

A love rectangle forms and all four frolic nakedly in hot spring ponds, squeeze and grope and splish splash water on each other. One day, while giving their loins some much needed time off, the gals discover their bodies are slowly changing into animal form. (STDs were kinda different back in ancient days.)

Not happy about this, they go to Wu Ming’s hut to find out what’s what, only to see he has their uppity neighbor lady stripped and strung up while he changes into his demon form to get in a little happy time. A failed confrontation complete with colored lightning, wind and swirly beams has the gals beaten. Wu Ming then casts a spell that hypnotizes them into taking off their clothes and turning green. (These days it only takes a six or seven cocktails.)

Before Ming can do his thing, the magical Taoist priest flys out of the sky to battle the demon, who has now revealed his true three-headed self. The priest unleashes in the east and the problem is solved, but not before he reprimands the now re-dressed/de-greened girls. Taoist priests can be such buzzkills.

Note to reader: Please get permission from your mom to watch this movie.

Also known as The Vampire Lives (1989), Counter Destroyer (ugh – sounds like something I’d come up with while under the leadership of cold hard booze) is about Joyce, a young gal needing peace and quite to finish a movie script. So she and her micro-bikini wearing, she-male voiced secretary move into a secluded, yet haunted Japanese home.

A Taoist priest warned them not to move in as the place was already occupied by an evil vampire who jumps around, wearing Freddy Krueger knife gloves. (You don’t want to second guess Taoist priests – they know things. Spooky things.)

After drinking a possessed soft drink, Joyce unleashes Hell. And by Hell, I mean for anyone watching this stunning piece of vampire droppings, as the plot suddenly shifts to the movie company’s secretary assassinating a rival film studio trying to make the same movie.

When a blow-dried American boy shows up to check on Joyce and finds her arm is possessed by a vampire, he rotates counter-clockwise a few times and turns into a ninja warrior with a rifle. Think Robocop (1987) with a mullet. If you’re anything like me, you’ll get lost right after the opening credits roll.

In closing, Counter Destroyer/The Vampire Lives is insanity bad. And that’s me being nice for a change.