3 CLOUD BACKUP UND DAS BLAUE VOM HIMMEL CLOUD BACKUP AND THE BLUE YONDER Wenn man die Positionen der zeitgenössischen Wir freuen uns, dass wir mit Sofi ezmer eine so When one closely inspects the diverse positions of We are delighted to be able to present such a ver- Kunst etwas genauer betrachtet, dann stellt man vielseitige und vielschichtige Künstlerin im Deutschen contemporary art, one notices that the artists con- satile and many-sided artist as Sofi ezmer at the fest, dass die Künstlerinnen und Künstler uns Wetterdienst präsentieren können. Sie wird in den front us time and again with their own reflections Deutscher Wetterdienst. In the weeks in which the immer wieder mit ihrer eigenen Denk- und Reflexions- Wochen der Ausstellung und auch im Rahmen der on the world, which we all live in. They make us an exhibition is on show, and in the context of the weise über die Welt, in der wir alle leben, konfron- Offenbacher Kunstansichten 2015 einen heraus- offer to try to come to terms with their perspective 2015 Offenbacher Kunstansichten, she will make an tieren. Sie machen ein Angebot, uns mit ihren ragenden Beitrag zum kulturellen Leben in dieser and to re-examine our own point of view. outstanding contribution to the cultural life of this Sichtweisen auseinanderzusetzen und unseren Stadt leisten und der Öffentlichkeit Anlass und city and provide the general public with a reason Blickwinkel zu hinterfragen. Gelegenheit geben, die Zentrale des Deutschen Such an offer presents us also Sofi ezmer, who and opportunity to visit the Deutscher Wetterdienst Wetterdienstes zu besuchen. seemingly gives the viewer an immediate access headquarters. Ein solches Angebot macht uns auch Sofi ezmer, to her work with the lightness and color of the die dem Betrachter zwar mit der Leichtigkeit von Wetter und Klima aus einer Hand, so lautet der forms she employs. Nevertheless she triggers an Weather and climate from a single source is the Farbe und Form einen schnellen Zugang zu ihren Claim unter unserem Logo. Wir reichen unseren immediate curiosity and the wish to find out more claim in our logo. We are delighted that this exhibi- Arbeiten ermöglicht, uns aber sofort neugierig Besuchern gerne auch die andere Hand, die deutlich about what the objects and images imply, which tion also demonstrates to the public that the people macht, ein Stück weiter vorzustoßen, was hinter machen soll, dass hier Menschen arbeiten, die mit she presents us at the occasion of the exhibition working at the DWD not only love the work they do oder in den Objekten und Bildern steckt, die sie Freude ihren Beruf ausüben, aber auch für gesell- 'Cloud Backup' in the headquarters of the German and are highly committed to delivering exemplary anlässlich der Ausstellung Cloud Backup in der schaftliches Engagement und Kommunikation stehen. Meteorological Services. weather and climate services, but that they are also Zentrale des Deutschen Wetterdienstes präsentiert. Unsere jährlichen Kunstausstellungen sind lebendiger engaged in reaching out socially and communicating Ausdruck der Teilhabe des Deutschen Wetterdienstes Sofi ezmer s work is immediately captivating, with the community. Our annual art exhibitions are a Sofi ezmers Arbeiten ziehen uns sofort in ihren am gesellschaftlichen Leben in der Rhein-Main-Region. and the longer the viewer looks at it, the more vital expression of Deutscher Wetterdienst s partici- Bann, und bei längerem Betrachten nimmt sie uns spellbinding it becomes. Sofi ezmer whisks us pation in the wider public life of the Rhine-Main region. gefangen und entführt auf eine Reise ins Surreale, Ein herzliches Willkommen Ihnen allen! away on a journey into the surreal, the unconscious, Unterbewusste, in Freiräume und eine andere Welt, the sphere of the imagination, into a different realm A very warm welcome to you all! die sie mit Mitteln der uns vertrauten Welt geschaffen Hans-Gerd Nitz which she has created with the means provided hat. Sie stellt damit ihre eigenen Gedanken, ihren Vorstand Deutscher Wetterdienst by the world all around us. She offers us her own Hans-Gerd Nitz Kosmos vor, der von einer beneidenswerten Freiheit thoughts and her personal cosmos shaped by an Member of the Executive Board of Directors, geprägt ist und uns veranlasst, auch einmal das enviable freedom which invites us to engage with Deutscher Wetterdienst Vielleicht-Gedachte mit der Künstlerin zu reflektieren. the artist to reflect on what may have been thought.

7 L I G H T F O O T E D O N A FA L S E - B O T T O M S TA G E C o l l a g e - Wo r k s a n d S p a t i a l D r a w i n g s Sofi ezmer makes collage-works in the broadest sense of the word including works on paper, site specific installations and 3-dimensional objects. These works radiate a refreshing lightness, conjuring up universal themes that resonate for the viewer. The structures she forms circumscribe imaginary particle orbits as if they were rotating around a focal point and condensing to an essence made visible. As though they were maquettes of things that are barely perceptible and often overlooked, these works explain the world to us in parts, in segments forming new contexts that swing between micro and macro. They can be seen as spatial drawings of alienated settings presented upon a false-bottom stage. The works locate art processes and social reflections and consider language as form, as information, as language-context that shifts, oscillating between the foreign and the familiar. 11

8 Those who explore the use of things automatically explore the use of language and with it the relationship between the object and the social value system in which it is employed. writes Ludwig Seyfarth about her work. 1 Sofi ezmer chooses in her work primary materials such as glass, metal, wood, ceramics and beeswax as well as materials stemming from the productionflood of consumer- goods such as books, maps, various synthetic products and motor- powered gadgets. Her choice of materials examines specific details in the global context and decodes their merciless abundance of references. With precision, Sofi ezmer peels off the layers of aesthetic qualities and artistic possibilities embedded in the information-overload and the excess of our time. With all the seeming transparency and lightness of her work, there is also a certain material-critical aspect reverberating through it, perceptible as a static sound of our time. Jens Gussek 12 1 Ludwig Seyfarth, Things are looking back, Object art in the age of smart materials, Sofi Zezmer SIGHT SEEING, Salon-Verlag, Köln, S. 13

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