Activities

The Nakata Brophy Short Fiction and Poetry Prize recognises the talent of young Indigenous writers across Australia. Sponsored by the University of Melbourne’s Trinity College, the prize alternates each year between fiction and poetry; this year’s prize is for the best poem (up to 88 lines) by an Indigenous writer under 30.

The Nakata Brophy Short Fiction and Poetry Prize recognises the talent of young Indigenous writers across Australia. Sponsored by the University of Melbourne’s Trinity College, the prize alternates each year between fiction and poetry; this year’s prize is for the best poem (up to 88 lines) by an Indigenous writer under 30.

Three days of feminist politics, feminist perspectives and collective solutions. Catch the editor of Overland Jacinda Woodhead, with fiction editor Jennifer Mills and writer Natalie Kon-yu in conversation on mentorship in the arts – then stick around for special event presented by Overland on writing and activism with Santilla Chingaipe, Tarneen Onus-Williams and Asher Wolf.

The 2017 judges – Nic Low, Ryan O’Neill and Jennifer Mills – have finished their blind judging and deliberation, and decided on a shortlist of thirteen brilliant stories that approach the theme in original ways.

Overland, the National Union of Workers, the Media, Entertainment & Arts Alliance, and the National Tertiary Education Union (VIC) are very pleased to announce the winning entries of this year’s Fair Australia Prize.

We’ll make you think, we’ll challenge you, we’ll move you – and in our pages you’ll read things you disagree with. As one subscriber wrote to us just yesterday, ‘Every now and then I want to throw Overland across the room – which I consider a brilliant thing.’

By taking out, renewing or giving an Overland subscription today, you could win:
– today’s ‘Parental leave’ prize
– any of the three Major Prizes
– and/or one of our Regional Prizes
– a good feeling about yourself – and the future of progressive literary culture

In Overland you find ideas unpopular with the political classes, and stances not taken in other publications. Since 1954, we have been a place where the political and literary left meet because politics does not end where a book begins.

Subscriberthon 2017 is here! So many marvellous prizes to be won – and a splendid magazine to support!

Anyone who subscribes, resubscribes or donates over the next week goes into the draw to win some spectacular prizes, including holidays, bikes, Nintendos, original artworks, locally roasted coffee, wine, workshops – and piles of books and subscriptions.

Open letter regarding ongoing cuts at Victoria University, and the targeting of a number of VU NTEU branch members. Academics, students, writers, union members and readers are free to sign via the comments section.

Overland, Victoria University and this year’s four judges – Frank Moorhouse, Enza Gandalfo, Ian See and Rachael McGuirk – are very pleased to announce the winners of the Victoria University Short Story Prize for New and Emerging Writers.

The Overland Writer’s Residency, supported by the Copyright Agency Cultural Fund, is an initiative aimed at addressing a lack of opportunities for under-represented writers. Following the success of Overland’s inaugural Writers’ Residency in 2016, this year’s residency will be open to Indigenous writers at any stage of their writing career. Applications close Sunday 24 September, 2017.

Overland and Victoria University are pleased to announce that the four judges of this year’s Victoria University Short Story Prize for New and Emerging Writers – author Frank Moorhouse, UQP editor Ian See, writer and academic Enza Gandalfo and Overland’s Rachael McGuirk – have reduced this year’s 800 entries to a shortlist of ten stories.

Drawing on MIFF’s Sci-fi retrospective and looking at how cinema harnesses contemporary anxieties to show us where we might be headed, some of the best minds around dissect the darker corners of the future in this panel discussion about Dystopia on Film.

Screening of Dead-End Drive-In
From 9.30pm, Saturday 12 August at The Astor, Melbourne

In the spring issue of 1972, Overland published the short story ‘Crabs’ by then little-known writer from Bacchus Marsh, Peter Carey. In 1986, ‘Crabs’ was made into the film, Dead End Drive-In. To celebrate the forty-fifth anniversary of the story, Overland has teamed up with the Melbourne International Film Festival.

This $20,000 prize encourages artists and writers of fiction, poetry and essays to be part of setting a new agenda for Australia. Winning entries will be published in a special Fair Australia supplement in Overland 229, to be launched in Melbourne in early December. Entry is free.

For our friends in Iceland and those attending the 2017 NonfictionNOW Conference in ReykJavik, Overland’s editor Jacinda Woodhead will explore publishing with a purpose in a world of lightning-paced content, with guests Sam Cooney, Björn Larsson and Guðmundur Andri Thorsson.

Catch Overland’s Deputy Editor Sian Vate with fellow editors Jessica Wilkinson and James Read as they share the tips, skills and knowledge on being an editor, and finding new ways to grow in the industry.

Overland is seeking fiction that tells writers’ own stories for a special online edition. Send us your works of identity, perception, perspective, and reality – and everything in between. Guest edited by Anna Spargo-Ryan.

Now in its fourth year, the Nakata Brophy Short Fiction and Poetry Prize recognises the talent of young Indigenous writers across Australia. Sponsored by the University of Melbourne’s Trinity College, the prize alternates each year between fiction and poetry; this year’s prize is for the best short story (up to 3000 words) by an Indigenous writer under 30.

The three judges for this year’s competition – Stephanie Bishop, Aviva Tuffield and Tony Wheeler – have finished their blind judging and deliberation, and decided on a shortlist of nine outstanding stories with varying approaches to the theme.

For the first time in its history, the Overland Judith Wright Poetry Prize has resulted in a tie; as such, the prize money for this year’s first and second place will be combined, and split evenly between the two poems that have placed equal first.

Every year, Overland publishes several online editions showcasing work by new and emerging writers. An opportunity exists for an emerging editor to work on one of these online fiction editions, to be published in June 2017.

Overland is seeking fiction from new and emerging writers for a special online edition. For this special edition, ‘new and emerging’ describes writers at various early-career stages, from previously unpublished to no more than one collection of stories or a novel published.

Anyone who takes out a joint subscription – or subscribes, resubscribes or donates – over the next week goes into the draw to win some spectacular prizes. This year’s prizes include a holiday to Ubud, original artworks, locally roasted coffee, wine, workshops – and piles of books and subscriptions.

It’s hard to be a writer, and even harder to be an emerging writer. It can be lonely, atomising and there’s not a great deal of support. One of the real difficulties new writers face is where they can publish their work.

We received more than 500 entries in the third year of the Overland Story Wine Prize, the calibre of which greatly impressed our three judges – award-winning writer and screenwriter Michelle Law, novelist and winner of the 2015 Stella Prize Emily Bitto, and winner of the 2015 Overland Story Wine Prize, Melissa Manning.

Capitalism makes it seem like everything is in constant competition, but the more literary magazines we have, the more meaningful cultural conversations and literary experimentation occur, furthering and challenging our understanding of literature in the world today.

Since 1954, Overland has been a space for making progressive, political cases about moments big and small – Overland argued against the Vietnam War and military intervention in Iraq; and argued for the importance of movements such as the Aboriginal Tent Embassy, S11 and Black Lives Matter. In Overland you find ideas unpopular with the political classes, and stances not taken in other publications.

Start the weekend on a high note with this prize for music and poetry lovers. Remember, anyone who subscribes, resubscribes or donates over the next week goes into the draw to win some spectacular prizes, including a holiday to Ubud, original artworks, locally roasted coffee, wine, workshops – and piles of books and subscriptions.

Overland’s annual Subscriberthon is taking off once more! Anyone who subscribes, resubscribes or donates over the next week goes into the draw to win some spectacular prizes, including a holiday to Ubud, original artworks, locally roasted coffee, wine, workshops – and piles of books and subscriptions.

Overland, Victoria University and this year’s three judges – Jennifer Mills, Alison Whan and Jacinda Woodhead – are very pleased to announce the winners of the Victoria University Short Story Prize for New and Emerging Writers.

Overland and Victoria University are pleased to announce that the three judges of this year’s Victoria University Short Story Prize for New and Emerging Writers – Overland fiction editor Jennifer Mills, Overland editor Jacinda Woodhead and Victoria University’s Alison Whan – have reduced this year’s 500 entries to a shortlist of fourteen stories.

Overland is looking for fiction for its next special issue, ‘The idea of women’, to be edited by Mandy Beaumont and Craig Bolland and published in October. Entries for the special issue close 11.59pm, Wednesday 31 August.

This $20,000 prize encourages artists and writers of fiction, poetry and essays to be part of setting a new agenda for Australia. Winning entries will be published in a special Fair Australia supplement in Overland 225, to be launched in Melbourne in early December. Entry is free.

The three judges for the 2015 competition – Charmaine Papertalk-Green, Overland’s Toby Fitch and Trinity College’s Katherine Firth – have now decided on a shortlist of six outstanding poems from up-and-coming Indigenous writers.

But really, isn’t nurturing the penniless avant-garde something we should all embrace? If we sincerely believe in the great life of the imagination, the radiant promise of its daily emergence in literature, music, art, and film, and in deep reflection and complex thought – all those inalienable horizons to being truly human – then we should also step-up and protect the imagination from the many equally great forces that humanity casts against it daily.

The three judges for the first year of the competition – Alice Pung, Ellen van Neerven and Stephanie Convery – have now finished their blind judging and deliberation, and decided on a shortlist of eight outstanding stories with varying approaches to the theme, ‘travel’.

Every year, Overland publishes several online editions showcasing work by new and emerging writers. An opportunity exists for an emerging editor to work on one of these online fiction editions, to be published in August 2016.

About the position: The Overland publicity officer will work primarily with the editorial team to assist in promoting Overland’s ongoing program of events, including print editions, the online magazine, special editions, events, launches, competitions and the annual Subscriberthon.

In its ninth year, the Overland Judith Wright Poetry Prize continues to attract hundreds of outstanding new poetic works from across Australia and New Zealand. Now, Overland’s retiring poetry editor Peter Minter and Overland’s new poetry editor Toby Fitch have finished blind judging the competition and, after deliberation, have selected a shortlist of eight poems.

Today is your last chance to go in the running to win one of our twenty fantastic Subscriberthon prizes. If you still haven’t taken the plunge, you have until midnight tonight to sneak in under the wire.

Overland has readers all across Australia, and this year, we’ve got a fantastic collection of regional prizes, including theatre tickets, writers’ centre memberships, coffee, gift vouchers, and of course, books, books, books! There’s one prize for every state in Australia. We’ve also got a special prize set aside for our New Zealand subscribers, too.

Literary magazines have the flexibility to do what corporate publishing cannot: experiment, take creative risks, publish underrepresented perspectives and ideas, and engage with a literary culture that goes beyond the marketplace. But we can’t do it without you.

Subscriberthon is Overland’s annual celebration of progressive writing, culture and all things literary. We’re inviting you to join us in declaring your love for local literary culture, and to support the magazine by taking out a subscription.

Overland, Victoria University and the three judges – Nam Le, Natalie Kon-yu and Jacinda Woodhead – are very please to announce the winners of the Victoria University Short Story Prize for New and Emerging Writers.

If you care about writing and ideas as much as we do, you know how important it is to maintain a healthy literary ecosystem. Literary journals are a fundamental part of writing and publishing in Australia. They encourage dialogue about literature and culture, provide a nurturing space for new and emerging writers, and providing crucial opportunities for experimentation in form and aesthetics.

At Overland, we believe in the democratisation of politics and culture. We believe that the loudest voices shouldn’t be those with the most money or the strongest corporate support. We believe that alternative media and voices are crucial to keeping art, culture, and politics accessible, innovative and accountable.

Part of that mandate is developing a strong culture of support for emerging writers.

Subscriberthon is Overland’s annual celebration of progressive writing, culture and all things literary. We’re inviting you to join us in declaring your love for local literary culture, and to support the magazine by taking out a subscription.

To sweeten the deal, we’ve put together an amazing range of prizes donated by our generous supporters and sponsors.

The stories that stood out in this year’s competition, especially those on the shortlist, note judges Alicia Sometimes, Clare Strahan and Leah Swann, honed in on a moment or mood ‘with precision and attention to the finest, evocative detail’.

After reading the entries blind, the judges have selected a shortlist of eight outstanding stories. The winning story will receive a $4000 first prize and be published on the label of a bottle of Story Wine, as well as in Overland’s print magazine. Two runners-up will each receive $500 and be published at Overland online, and on the labels of different Story Wines vintages. Winners will be announced next week.

After almost five years of shaping Overland’s poetics, our gifted poetry editor Peter Minter will be finishing up his editorship with the first issue of 2016. As such, Overland is seeking a new poetry editor for the print magazine. Overland is also looking to start a team of poetry readers.

Overland is very pleased to be launching our upcoming issue at the 2015 Melbourne Writers Festival. We’re also very excited to host journalist, contributing editor of the New Statesman and editor-at-large of The New Inquiry Laurie Penny, who will join NUW’s Tim Kennedy and playwright and Guardian columnist Van Badham in conversation with Overland editor Jacinda Woodhead to imagine the possibilities for a changed society.

Overland and the National Union of Workers are very pleased to announce the winners of the inaugural Fair Australia Prize, all of whom will be published in Overland 220, a special extended edition to be launched in Melbourne in late August.

The Overland Victoria University Short Story Prize for New and Emerging Writers is now open. This year, the competition will be judged by writer Nam Le, writer and academic Natalie Kon-yu and Overland‘s Jacinda Woodhead.

What does a fair Australia look like, and how do we get there? The Fair Australia Prize asked writers and artists to engage with these questions and imagine a new political agenda for Australia through fiction, essays, poetry and illustrations. Overland…

Following a stimulating day at a writers’ festival, what could be more appealing than an after-hours soiree at Metropolis Books, located in the Art Noveau-styled Curtin House (former home to the Communist Party of Australia)?

Overland is seeking fiction from new and emerging writers for a special online edition to be curated by Rachel Hennessy. For this special edition, ‘new and emerging’ describes a writer who has not yet published a book of stories or novel with commercial distribution. Online contributors for this edition will be paid $120 per story.

Overland is seeking fiction from new and emerging writers for a special online edition to be curated by Khalid Warsame. Khalid is a Brisbane-based writer of essays, short stories, memoir and screenplays, who occasionally produces and directs short films.

In May of next year, Overland is publishing an issue showcasing the work of some of our closest writerly neighbours: those residing in Aotearoa / New Zealand. This special edition will be guest edited by long-time Overland contributor and columnist Giovanni Tiso, with Jolisa Gracewood editing the fiction and Robert Sullivan editing the poetry.

We received around 400 entries for our inaugural Story Wine Prize. The three judges – novelist and Overland contributing editor Clare Strahan, wine writer and critic Campbell Mattinson, and short story writer and novelist Paddy O’Reilly – said they found the stories to be clever and diverse, and of a high standard overall.

Overland is seeking fiction from new and emerging writers for a special online edition to be guest edited by editor and Overland fiction reader, Kate Goldsworthy. Kate has worked for Black Inc, Random House, Allen & Unwin and many other publishing houses.

Overland is again seeking digital-born poetry, electronic poetry, poetry in programmable media and codeworks: a poetry that isn’t merely published online but one that is informed, shaped or built by the culture and technology of the programmable machine and the network.

The competition aims to discover the finest in original short fiction by new writers across Australia and New Zealand. With a $6000 first prize and two runner-up prizes of $1000, the award is the most lucrative of its kind in both countries. All three winning stories will also be published in Overland magazine.

Welcome to the Overland Story Wine Prize. The competition aims to discover the finest in original short fiction under a thousand words. The winning story will receive a $3000 first prize and will be published on the label of a Story Wines shiraz, as well as in Overland. Two runners-up will each receive $500.