Huntington-based Gnarly Karma,playing the Great South Bay Music Festival, above, will play to the home crowd when they open for TR3 at The Paramount on Feb. 1.

By Sophia Riccosricco@longislandergroup.com

Huntington-based Gnarly Karma is stoked to hit the stage of The Paramount this week. The band opens Friday for one of their musical influences, Dave Matthews Band guitarist Tim Reynolds and his band TR3.

All are locals: Menert is from Cold Spring Harbor; Beyer, McAdam and Hanley from Elwood; and Sklar from Syosset.

The band has dreamed of playing at The Paramount for years.

“It’s something that we’ve been working towards since we started,” Renert said. “Growing up, I always went to the city to see shows and wished there was someplace in Huntington to see concerts. When the Paramount opened, we said, ‘We’re gonna play there. We might start out opening but one day we’ll get to headline.’”

Formed six years ago, Gnarly Karma has gained notoriety for their eclectic music style and spirited live performances at venues like Long Island’s Great South Bay Music Festival, Alive After Five in Patchogue Village, and South by Southwest Music Festival, in Austin, Texas.

But for Gnarly Karma, the Paramount gig is a home game. Renert said he couldn’t put into words the excitement he felt knowing he would be playing for his home community on Friday.

“The goal was always to get into The Paramount on the main stage. We’re super-pumped about that,” Renert said.

The band’s music appeals to a broad audience, and each member brings his own musical perspective. Beyer’s drumming is influenced by Latin rhythms, Hanley loves Motown and funk, Sklar is into all things classic rock, while McAdam prefers modern alternative rock. As the singer/songwriter, Renert focuses on his lyrics and wants listeners to connect with them.

“We all bring a flavor to the song and when it all comes together, it’s really something that everyone can listen to,” Renert said. “I love that we all have different musical influences.”

One of Renert’s inspirations happens to be headliner, Tim Reynolds, who he idolized as a songwriter with Dave Matthews. He remembers going to sleepaway camp, when first learning to play the guitar and his counselor played him “Dave and Tim Live at Luther College” on cassette.

“That album is timeless for me, I listen to it all the time,” Renert said. “When I think of acoustic song-writing, I think of Dave Matthews and Tim Reynolds on that album. It’s really unbelievable. I would always listen to it and say Tim Reynolds lead guitar playing is amazing, and now we’re opening for him.”

Gnarly Karma will be releasing new songs this year and hope to perform at more gigs across the country. Catch them open for Tim Reynolds and TR3 on Friday, Feb. 1. Doors open at 6:30 p.m., show at 8 p.m. Tickets range from $15-40.

It’s no surprise that the John W. Engeman Theater’s production of “Buddy–The Buddy Holly Story” received a standing ovation from the audience during its Jan. 19 showing, as cast members kept the crowd moving and singing to the songs from start to finish.

Audience member Teresa Oliver, of Huntington, said this is a production that can’t be missed.

The audience journeys back to 1957 to witness the true story of American musician Buddy Holly (Michael Perrie Jr.) and his historical raise to fame until his tragic death less than two years later. Instead of leaving the crowd with the sadness over the singer’s sudden death, the production focuses on pulling the audience in to celebrate his life and musical brilliance. Throughout the production, the ensemble also brings the crowd to act as a live audience for Buddy’s concerts and performances.

Audience member Frank Carino Jr., of Huntington, said the cast’s interaction with the crowd was awesome and everyone from his group “lost their voices during the show.”

“It was definitely an entertaining evening for all age groups,” Carino said. “It was honestly better than some of the Broadway shows I’ve seen, hands down.”

Engeman’s production is directed and choreographed by Keith Andrews, with musical direction by Angela C. Howell. The ensemble had the audience grooving and rocking to more than 20 of Buddy Holly’s greatest hits, including “That’ll Be The Day,” “Peggy Sue,” “Everyday,” “Oh Boy,” “Not Fade Away,” “Rave On” and “Raining In My Heart.”

In act one, Buddy Holly & the Crickets’ performance of “Oh Boy” will have the crowd saying “oh boy” as cast members energetically strum the chords and use their instruments as a bass—no pun intended—for entertaining stunts.

During the productions electrifying finale, which features Buddy’s “Johnny B. Goode,” Ritchie Valens’ (Diego Guevara) “La Bamba” and The Big Bopper’s (Jayson Elliot) “Chantilly Lace,” the energy from the audience was in full force, singing, clapping and dancing to each number.

Leading the stamina on stage is Michael Perrie Jr., who portrays the corky and ambitious Buddy Holly. Perrie brilliantly embodies Buddy’s musical talents and unwavering drive to follow his dream.

After Saturday’s show, Perrie said having the opportunity to play Buddy has always been a dream for him.

“I love playing Buddy Holly because he was a genius and he was a great inspiration for me,” Perrie said. “This was the first show I ever saw as a kid that got me into theater and so it’s very full circle for me to come back and do it.”

He added that every show brings a new discovery in his role as Buddy. “This production and this cast are phenomenal. They make me feel like there’s a new Buddy in there that I’m finding every time. It’s a wonderful experience.”

Other leading cast members include Sam Sherwood as Joe Maudlin, Armando Gutierrez as Jerry Allison and Eric Scott Anthony as Norman Petty.

Performances of “Buddy—The Buddy Holly Story” will continue until March 3 at the 250 Main St. theater in Northport Village, with showings on Thursdays and Fridays at 8 p.m.; and Saturdays at 3 p.m. and 8 p.m. There are also select Wednesday showings at 8 p.m. and Sunday showings at 7 p.m.

Tickets ($73-$78) are available at the box office or online at Engemantheater.com.

Retired docent Tom Campbell was the inspiration for a student artist Grant Fryc’s mixed-media work, “Erudite,” in Long Island’s Best: Young Artists at The Heckscher Museum.

By Sophia Riccosricco@longislandergroup.com

In his 13 years as a docent at the Heckscher Museum of Art, Tom Campbell delved into the history of art and even found himself among the artwork on the walls.

His retirement follows years of engaging conversations, self-taught knowledge of artists and exhibits, and a resolute dedication to being a volunteer docent. His responsibility was to educate and speak with patrons about the pieces of art; informing them on the artist, the conflicts they faced while working, and styles utilized.

“A docent is the face of the museum, to the visitor,” Campbell said. “As a result, you are the host or hostess, so everyone that comes into the museum, you should make an attempt to introduce yourself and talk to them about the exhibition.”

Campbell feels that artists are “of their time and place,” expressed in their thoughts and feelings towards contemporary issues in their art. For hour-long tours, Campbell was responsible for explaining the story of 15-20 pieces.

“The first couple weeks an exhibit is up, there’s still a lot to get used to,” Campbell said. “When you see an image for the first time, regardless of any background given, it is a different entity.”

His favorite part of being a docent was, “telling the story of what images were and talking to people.” Campbell found each person has a different perspective toward a piece, based on their own life.

“I loved to get people to talk about the pieces and what they see in it,” Campbell said. “A visual image is how you are responding to it. I can have one response and come from an entirely different background, than yours.”

Campbell loved engaging his audience, which inspired student artist, Grant Fryc to use Campbell’s image for a mixed-media work.

“I happened to be doing a presentation of a bust of George Washington and I see this young man taking photographs and I wonder, ‘What is this guy doing? If he wants a picture of the bust, he could wait until I’m done.’ I slowly came to a realization that he was taking pictures of me,” Campbell said.

Fryc was on a mission to find a piece of art in a local museum that inspired them for the Long Island’s Best: Young Artists competition. In Campbell, Fryc saw his vision.

“I guess him and the young lady were impressed by the fact that, of the four museums they had gone to, I was the only docent who really paid attention to them,” Campbell said.

Campbell felt he was just doing his duty and wasn’t even aware Fryc took his image to create a piece justly titled, “Erudite”, until the exhibit came to Heckscher. When Campbell gave tours of the exhibit, patrons would be shocked and delighted to see their docent in the artwork. The piece would later win the U.S. Congressional Art Competition and hang in the U.S. Capitol for a year.

The Tim Reynolds Trio, from left, bassist Mick Vaughn, guitarist Tim Reynolds and drummer Dan Martier, will debut music from TR3’s newest album “The Sea Versus The Mountain” at The Paramount on Feb. 1.

By Connor Beachcbeach@longislandergroup.com

Before becoming a lead guitarist for the Dave Matthews Band or touring with Matthews as half of an acoustic duo, Tim Reynolds started his musical adventure with the Tim Reynolds Trio.

The Tim Reynolds Trio, or TR3, is set to release a new 11-song album titled “The Sea Versus The Mountain” on Feb. 1, the same day the band is slated to take the stage at The Paramount in Huntington.

Reynolds, 61, described the new album as “a little bit prog rock, but more of a zen prog feel.”

“This record was a fully realized effort for me,” Reynolds said. “It’s mostly instrumental, so I’m really psyched that the guitar is the main voice on the record.”

Reynolds said the show at The Paramount would be one of the first times TR3 will perform songs from “The Sea Versus The Mountain” in front of a live audience.

“That’s what’s really exciting about this tour for me,” Reynolds said. “It’s a little scary, but also exciting.”

Like almost all of his previous music, the new album features a variety of music styles, from “an industrial song” to an “ambient song.”

“That’s my mode,” Reynolds said.

Reynolds, along with bassist Mick Vaughn and drummer Dan Martier, experimented with the songs in the studio to create “a lot of cool stuff we haven’t done before.” TR3 spent a few weeks together in house out in the North Carolina woods where the trio recorded “The Sea Versus The Mountain.”

“As a musician I love to create and improvise, and it was really satisfying to get to do that in this environment,” Reynolds said.

Reynolds settled on the title for the album because he was “trying to find something to fit our work.” He said the dichotomy between sea and mountain mirrored the “light aspect and dark aspect” of the music.

“It had kind of an epic sound to me that fit the music,” he said.

TR3 is set to debut “The Sea Versus The Mountain” at The Paramount on Feb. 1. Doors open at 6:30 p.m. for the 8 p.m. show. Tickets range from $15-$40 and can be purchased at the box office or online at Paramountny.com.

Lucas Foglia’s images of families living sustainably and independently in the South is featured in an exhibit and accompanying book, “Southbound.” Among the photos, “Andrew and Taurin Drinking Raw Goat's Milk” was shot in Tennessee during 2009. Photos by Lucas Foglia

By Sophia Riccosricco@longislandergroup.com

Huntington Station native Lucas Foglia is documenting an evolving vision of the South with his photographs that depict a modern counterculture movement.

Having grown up on his family’s Fox Hollow Farms, Foglia has been drawn to nature and sustainability from a young age. After receiving a degree in art from Brown University and MFA in photography from Yale University, Foglia hit the road in the South finding families who live self-sufficiently. Like Foglia’s family, who grew a major portion of their food and bartered their goods with others in exchange for local products and service, these families rely on themselves for their own sustenance.

“The lifestyle we had was a mixture of agriculture and suburbia,” Foglia said. “When I went to photograph in the South East, the people I met were living with the same value system that I grew up with, but to more of an absolute.”

Foglia’s work will aid the visualization of the region through the Halsey Institute of Contemporary Art exhibit and accompanying book, “Southbound: Photographs of and about the New South.” A collaboration of more than 50 photographers, the traveling exhibit will hang in Charleston, SC; Raleigh and Durham, NC; Chattanooga, TN; Meridian, MS; and Baton Rouge, LA.

Foglia titled his piece of the project “Natural Order.” It shows a contemporary counterculture movement from the region. “Some people might remember hippie communes in the ’60s and ’70s,” he said. “My project in the context of this show illustrates the communities that are thriving today.”

“Rita and Cora Aiming” was shot in Tennessee during 2007.

The project took Foglia five years to complete. He photographed around a dozen communities in Virginia, Tennessee, North Carolina, Kentucky and Georgia. Foglia was enchanted by the landscapes and beauty, but even more fascinated by the lifestyles.

“When there were early signs of the global economic recession, I was interested in photographing people, who had chosen to live as self-sufficient a lifestyle as possible,” Foglia said.

Foglia’s mother, storyteller Heather Forrest, connected him with fellow storyteller Doug Elliott, who made the introduction to a network of people who had left cities and suburbs to take up life “off the grid.”

“Motivated by environmental concerns, religious beliefs, or the global economic recession, they chose to build their homes from local materials, obtain their water from nearby springs, and hunt, gather or grow their own food. All the people in my photographs aspire to be self-sufficient,” Foglia said.

Detached from the outside world, the people in these communities maintain a self-sufficient lifestyle.

“Todd after a Haircut” was taken in North Carolina during 2008.

“I was fascinated that as the recession went into full force, the people I was photographing were unaffected,” Foglia said. “They lived independently from the mainstream economic system.”

Each community Foglia captures has its own habits and practices. Some families choose to live in wigwams made of entirely tree bark; others -- former nuclear engineers – dressed and acted like Mennonites.

“The families I photographed in North Carolina were practicing earth skills,” Foglia said. “Tanning and wearing animal hides for clothing, starting fires by friction, hunting and gathering their food. The families in Tennessee and Kentucky were focused on living in the fashion of Mennonites, off-grid and survivalist, but more agrarian.”

America’s South East is an ideal region for families to live self-sufficiently without needing much money, thanks to its cheap land, fresh water springs, long growing seasons, the availability of deer for hunting, and philosophy of freedom.

“It was easy to have an alternative lifestyle without interference from the neighbors,” Foglia said. “Locals believed in independence, libertarianism, live-and-let-live.”

Photographer Lucas Foglia’s images of families living off the grid in the South are featured in the exhibit and accompanying book, “Southbound.”

The photographs taken during Foglia’s time with the communities give an immersive look at the world of sustainability, from a mother teaching her daughter how to shoot a gun, to a young boy looking at his new haircut in the reflection of a river. Foglia’s dynamic images feel natural and instinctive.

“They’re moments that happen in everyday life,” Foglia said. “I am actively photographing and the people I photograph know that I’m there.”

Foglia will continue his journey to explore humans’ connection to nature in a wired world with future projects. Currently, he lives in San Francisco and just completed his third book, “Human Nature.”

To learn more about “Southbound” and view the exhibit, visit southboundproject.org.

Walt Whitman’s words and persona have been tapped by marketing gurus for decades to sell everything from cars to cigars. Above, an advertisement for Old Crow Bourbon imagined the poet to be an admirer of the spirit.

By Sophia Riccosricco@longislandergroup.com

Walt Whitman’s influence as a poet and free thinker is well-established, but the Huntington-born poet’s reach extends beyond the literary world. Marketers over the years have tapped the poet’s persona to sell everything from cars to cigars.

Whitman was re-imagined for the modern day in a 2016 Volvo commercial that read from his poem “Song of the Open Road.” His poems “America” and “Pioneers! O Pioneers!” were employed for a Levi’s jeans commercial in 2009.

Both follow more than a century of branding and advertising that aligned products with perceptions of the poet as a distinguished intellectual (John Hancock Insurance advertisement, 1952) with discerning taste (Old Crow Bourbon, 1960). Whitman’s image sold tobacco, hotel rooms, ice cream and espresso.

Whitman-branded cigars were sold in the 1900’s. More recently his words have been evoked to sell cars and blue jeans.

“It indicates that the general public and marketers find a value in Walt and want to align themselves with his image to sell their products,” said Cynthia Shor, executive director of the Walt Whitman Birthplace where a new exhibit highlights use of the poet’s brand in advertising.

The exhibit, “Walt Whitman’s Prose and Poetry in Products and Advertisements” will run from Jan. 16 to April 7 and is drawn entirely from the collection of Birthplace member Ed Centeno. Centano has amassed an expansive collection of Whitman-related items that includes advertisements, posters, commercial products and fine art.

Centeno has displayed and at times, donated pieces from his collection before but never at this magnitude. At first, he planned an exhibit of posters that quoted Whitman’s work, Shor said, but she encouraged him to bring in everyday products with his likeness as well.

“There are many ways to capture history,” Shor said. “One way is to capture it in its commercial value, which is what this exhibit does. It’s a way of looking back and seeing what society thought was important, what they were selling and how they were selling it.”

A contemporary men’s fashion campaign was built around Whitman’s words.

A possible reason why Whitman’s work has stood the rest of time and continues to find its way into advertisements may be because it “resonates into modern society,” Shor said. “Walt had a vision during his own lifetime and his poetry expressed the vision of universality and transcendence… His words were transcendent, meaning they went beyond the time,” Shor said. “This is why his work is applicable in the 21st century.”

Whether it’s a cigar box or an advertisement for whiskey, Whitman’s image is found in advertising spanning over a hundred years. Each instance provides a “snapshot” of the culture at that time.

“They’re indicative of their time, these are the styles, these are the words they used, and this is where they fit into society,” Shor said. “I think it gives us a mirror into that society by looking at objects from the past.”

Centeno will discuss his 33 years of collecting, why he collects and how the exhibit came to fruition a public reception at the Birthplace on Jan. 13, 3-5 p.m. For more information, visit waltwhitman.org.

Healthy ticket sales kept The Paramount in Huntington firmly in the no. 5 spot for club venues worldwide according to Pollstar magazine. Photo/The Paramount

By Connor Beachcbeach@longislandergroup.com

For the second consecutive year, The Paramount in Huntington village has claimed the number five spot in Pollstar Magazine’s list of the top 200 club venues in the world based on ticket sales.

The Paramount sold 178,265 tickets in 2018 to over 170 shows behind only The Pageant in St. Louis, 9:30 Club in Washington, DC, House of Blues Boston and top seller The Anthem in Washington, DC.

“After 7 years, the venue has proven itself to be a top destination for the best entertainers around,” Brian Doyle, co-owner of The Paramount, said. “We will continue to push the envelope in 2019 as we work to provide Long Islanders with the best music, funniest comedians and the most memorable live event experiences available.”

In 2018, the stage at The Paramount played host to shows by the likes of Slash, Blues Traveler, Pat Benatar & Neil Giraldo, Ratt, O.A.R., Chase Rice, Indigo Girls and metal band Underoath.

The Paramount also brought several artists to Huntington for the first time this year, including: Rick Astley, Sarah McLachlan, The Struts, Bret Michaels and The Beach Boys.

The Paramount Comedy Series has become one of the most successful and popular aspects of the venue. In 2018 it featured monthly performances of The Jim Breuer Residency and multiple nights with comedian Kevin James. Standup routines by Andrew Dice Clay, Ken Jeong, Aziz Ansari, Jim Norton, Iliza Schlesinger, Weird Al Yankovic and Tracy Morgan were among the most popular shows at the venue this year.

The versatile venue also hosted regular bouts of Joe DeGuardia’s STAR Boxing. In November former world light welterweight champion and Huntington native Chris Algieri made his comeback in the ring at The Paramount. In his first fight since 2016, Algieri defeated fighter Angel Hernandez in front of a sold out crowd.

In 2019, The Paramount will look to maintain their top five spot on Pollstar’s list with performances by Long Islander Chazz Palminterti, movie star Dane Cook, Dave Matthews’ guitarist Tim Reynolds, Judas Priest and comedian Jim Gaffigan.

To find out more about upcoming shows at The Paramount or to buy tickets visit Paramountny.com.

An Air Force veteran received a thank you for his service when more than 20 volunteers from PSEG Long Island and Moonjumpers lent a hand to spruce up his property.

As a way to give back to the community, employees of PSEG Long Island together with volunteers from Moonjumpers, charitable organization descended on the home of Morris “Monty” Koffer and his wife, Edith, to trim back overgrown trees and shrubs, pick up leaves and debris and give the property a thorough sprucing. The team filled a 20-yard dumpster with debris.

At 96 years old, Koffer, a World War II veteran, hasn’t been able to keep up with the yard work like before.

“When I learned of Monty and Edith’s situation, I knew that my company and co-workers would step in to help,” PSEG meter technician, Frank Moorhus said. “Everyone was so enthusiastic and made a real difference for this couple, which shows the true spirit of giving during this holiday season.”

After Moorhus saw the state of their residence, he turned to his PSEG Long Island’s volunteer group.

“When you’re 96, yard work and housecleaning are not chores that come easy,” Moorhus said.

Volunteers from PSEG Long Island and Moonjumpers helped WWII veteran Morris Koffer clean up his home and yard. Moonjumpers photo

Volunteers spent over six hours removing 20 yards of yard waste and home debris from branches to acquired home items to three-year-old leaves. The Melville veteran was delighted to see his home return to an exceptional condition.

“I asked my wife – she had to pinch me because I can’t believe what I see here,” Koffer said. “Everything is done. It was like a wild forest with dead branches all over the yard. It’s amazing to see how they cleaned it up. They did a remarkable job. It’s beautiful. It looks like a new house. We’re very, very thankful.”

The dumpster, funded by Moonjumpers, was filled with waste from the couple’s yard, basement and garage. Moonjumpers was eager to get involved with the project after board member, Ray Homburger, who works for PSEG Long Island asked for help.

“They reached out to us to see if we could support them in a financial manner,” Moonjumpers president, Robert Benson said. “Since they were looking to do hands-on work and clean up the veteran’s premises, not only did we fund it, we sent some of our people over there to do some work as well.”

Moonjumper board members were happy to help a veteran as a way of thanking him for his service. Beginning in 2011, their mission is to help improve and support the lives of people in need, within the community.

“Part of our mission is to help support veterans and people in need in the community,” Benson said. “This actually reaches out to both, so it was a great opportunity.”

PSEG Long Island participates in many charity events and projects. Learn more about their work at psegliny.com/page.cfm/Community. Anyone interested in volunteering with Moonjumpers, can email robert.benson@nationalgrid.com. They are searching for their major project of 2019 and know they will need around 80 skilled volunteers.

Huntington Hospital’s annual gala was a celebration that raised funds, honored one of its own and introduced a new campaign.

The annual gala was held at Pine Hollow Country Club on Nov. 30. Since its beginnings in 2006, the gala has functioned as a fundraiser for hospital initiatives that advance health care within the community. This year, the gala surpassed its goals, raising nearly $400,000.

Going back in Huntington Hospital’s history, philanthropy has been essential from the beginning.

“Fundraising is instrumental and the driving force of our innovations at Huntington,” Dolli Bross, associate director of special events and gala organizer, said. “Our first gift was the building donated by Cornelia Prime in 1914.”

Except for the hospital’s 100th anniversary gala in 2016, this year’s gala raised the largest amount ever. Donations will be utilized to purchase new hyperbaric chambers and equipment for the hospital’s interventional radiology unit.

The gala is not only a fundraiser, but also a “friendraiser”, with the hospital taking time during the event to educate guests on their leadership and programs. Attendees were a mix of board members, medical staff, local officials, business owners, influential community members, and patients, each with their own background and impact.

“The more ambassadors who know the services we are providing, the more ambassadors that can help us educate our community on the services available,” Bross said.

The hospital’s chief of staff, James Romanelli, MD, was honored for his leadership and commitment to Huntington Hospital. The Cold Spring Harbor resident has been treating patients since the 1990s as a plastic and reconstructive surgeon, later becoming the hospital’s chief of surgery from 2000-2012 and a member of the board of directors. He was presented an award and gave a “heartwarming” speech.

“He talked about how Huntington has been a part of his life for almost ever and he couldn’t imagine not having the hospital right here in our community,” Bross said.

Among guests who learned about the hospital’s programs and leaders, from left, are: William Healy, Jr., Caroline Monti-Saladino, and Arthur Saladino.

The gala brought the hospital’s best to the forefront, officially launching Northwell’s “Outpacing the Impossible Campaign.” The program will set out to improve hospitals and clinical programs, advance research and teaching initiatives, and support capital projects.

“Every gift to this campaign fuels our ability to disrupt expected standards,” Friedlander said. “Across Northwell, we believe in the power and impact of taking on challenges and going where others won’t. All you have to do is look around at all of the progress that’s been made at our hospital and local care locations.”

Outpacing the Impossible will support Huntington Hospital based on community needs.

Initiatives will be identified and met thanks to nearly $500 million that has been raised since the campaign’s start in January 2016.

As a conglomerate of hospitals and care providers, Northwell will use their funds to grow and enhance the entire network that spreads across New York state. The $1 billion campaign will allow improvements to take place that will advance the non-profit organization, as research and information is shared.

“It lets everyone across our whole footprint know exactly what Northwell Health can do to help them all throughout their lives,” Bross said.

Broadway veterans, from left, Sonny Paladino, Dominic Nolfi, Dominic Scaglione, Dwayne Cooper, Russell Fischer and Charl Brown, trace the evolution of doo-wop on stage as The Doo Wop Project. They are slated to perform at the Paramount in Huntington on Jan. 13. Photo/The Doo Wop Project

By Connor Beachcbeach@longislandergroup.com

From the classic sounds of the ‘50s and ‘60s to the most popular songs on the radio today, The Doo Wop project sings them all in the iconic harmonies of the doo-wop era.

The six-man Doo Wop project traces the evolution of the musical style from origins with groups like the Crests, Belmonts and Flamingos through the sounds of Smokey Robinson, The Temptations and The Four Seasons. The band also puts an original spin on songs by modern musicians like Michael Jackson, Jason Mraz and Maroon 5.

The popularity of doo-wop music peaked in the early 1960’s, and features vocal group harmonies.

The Doo Wop Project’s members have some serious doo-wop chops; each has performed on Broadway in at least one musical featuring songs from the era.

Charl Brown originated the role of Smokey Robinson in “Motown: The Musical.” Dwayne Cooper was a cast member of “Motown: The Musical” and “Hairspray.” Russell Fischer performed in both “Jersey Boys” and “Big.” Dominic Nolfi is an original cast member of “A Bronx Tale,” “Motown: The Musical” and “Jersey Boys.”

Dominic Scaglione is best known for his starring role as Frankie Valli in “Jersey Boys.”

The groups musical director Sonny Paladino served as musical supervisor for the Broadway musical “Natasha, Pierre & The Great Comet of 1812.”

The Doo Wop Project uses their Broadway background to recreate the authentic sounds of doo-wop classics. The majority of the groups music stems from this earlier era, but they also spend significant effort reimagining more modern music with a doo-wop twist.

Audience members of all ages will recognize something from the wide range of music The Doo-Wop Project performs at their live shows. Doo-wop classics can bring back memories for older generations, while younger crowds enjoy “DooWopified” versions of today’s hits.

The show at The Paramount later this month is part of The Doo-Wop Project’s tour that began last year and runs until February.

Doors open at 5:30 p.m. for the 7 p.m. show at The Paramount on Jan. 13. Tickets for the show range from $29.50-$49.50 and can be purchased at the box office or online at Paramountny.com.

The Town of Huntington’s annual Holiday Decorating Contest, sponsored by Councilman Mark Cuthbertson and Supervisor Chad Lupinacci, awarded some nifty prizes to some spirited holiday decorators. Town of Huntington photos/Doug Martines

Judges have named the best in Huntington’s Holiday Decorating Contest, sponsored by Councilman Mark Cuthbertson along with Supervisor Chad Lupinacci. The annual contest, now in its fourth year, encourages Huntington residents to get into the holiday spirit by decorating their homes with displays of lights, garland, wreaths and anything else they can imagine.

“Every year it gets better and better,” Huntington Councilman Mark Cuthbertson said. “Supervisor Lupinacci and I had a wonderful time visiting people’s homes and seeing their individual expressions of the holiday spirit.”

The Supervisor agreed.

“It was difficult picking a winner. Every house scored a perfect 10 in my book,” Lupinacci said.

The Creegan house at 24 Wells Place, Huntington Station, won first prize in the Town of Huntington’s Holiday Decorating Contest.Town of Huntington photo/Doug Martines

Judges visited the homes of 18 finalists selected from among dozens of online entries.

Donnie Creegan of Huntington Station was the big winner for an outdoor display that keeps growing and growing.

For Creegan, it all started about five years ago with the purchase of a six-feet Santa. Every year since he has added pieces or another theme to the display. This year, a Nightmare Before Christmas section joined Santa, the Grinch, life-sized elves and reindeer amid giant lollipops made from pool noodles. Mason Creegan loves helping his dad with the set-up, and neighborhood children get into the act dropping letters into Santa’s mailbox.

And don’t think the decorating stops at the door. The Creegans have a 15-foot Christmas tree inside and decorations throughout the house.

Three trees and collectibles accumulated over 40 years are impeccably displayed in the Schwarz home at 28 Gwynne Road, Melville. The displays earned second place honors.Town of Huntington photo/Doug Martines

Second place winners Francine and Eddie Schwarz win two free tickets to any show at the John W. Engeman Theater in Northport, and an overnight stay at Oheka Castle for their meticulously decorated Melville home.

The Schwarz house is decorated down to the sink with Christmas-themed collectibles. The couple has been collecting and decorating for 40 years and every year friends and family add to the collection.

Their home features three decorated trees: a Precious Moments tree; another decorated with Santas; and a live tree in the kitchen decorated with nutcrackers and little bears. A train set under the family tree is a tribute to Con Ed where Ed worked for more than 30 years.

Assembling it all is a task that they love to do together. It takes more than two weeks to set everything in its place.

The third place-winning display at the Amodeo family home at 64 Oakly Drive, Huntington Station.Town of Huntington photo/Doug Martines

Third place winner Robert Amodeo of Huntington Station caught the bug for over-the-top decorating 25 years ago when he helped his father light up their home in Bethpage. When he moved to Huntington in 2011 he brought the tradition with him.

“All my friends and family know it’s a passion of mine,” Amodeo said. “I try to add something new every year. I love bringing the sense of holiday spirit to the neighborhood, the reaction of the children and neighbors who stop by to take pictures and view our set up.”

The Amodeos’ children, Isabella 8, and Anthony 4, love watching their dad set up the decorations.

Lead singer Jenna O’Gara will perform ’80s hits with Jessie’s Girl this New Year’s Eve at The Paramount in Huntington.

By Connor Beachcbeach@longislandernews.com

It’s becoming something of a tradition at The Paramount to ring in the New Year with the sounds of the biggest musical hits from the ’80s.

Once again ‘80s cover band Jessie’s Girl will provide the New Year’s Eve soundtrack at the Huntington village venue, and the party promises to be a good one. Jessie’s Girl always creates a unique atmosphere, engaging fans through costumes, lighting and staging techniques. The goal is to transport the audience back to the ’80s.

Jessie’s Girl is used to performing in front of an energized crowd. In addition to regular shows at The Paramount, the band plays over 100 shows a year, including every Saturday night at Le Poisson Rouge in New York City.

O’Gara said she enjoys connecting with the fans during live shows.

Jessie’s Girl’s keyboardist and musical director Paul “Sky” Armento said the band members are excited to play next week’s show at The Paramount, especially since it falls on a fun-filled holiday.

“It’s going to be a great New Year’s Eve,” Armento said. “The popularity is what makes it fun.”

Jessie’s Girl has become almost a monthly regular at The Paramount, so they know how to put on a good show for the Huntington audience.

“It’s a super interactive show, and it’s nice because you can build a really good fan base,” O’Gara said.

Doors open at 8:30 p.m., and the show is scheduled to start at 10 p.m. on Dec. 31 and carry on into the new year. Tickets for the New Year’s Eve show range from $25-$55, and can be purchased at the box office or online at Paramountny.com.

Take to the Main Street on Saturday, Dec. 15 from noon - 4 p.m. to shop superb sales and grab a bite to eat at over 25 participating businesses during the Cold Spring Harbor Holiday Shop-A-Thon.

Businesses the Main Street and pop-up shops, featuring locaLI bred and Revival, will offer discounts up to 30 percent off. This is Cold Spring’s second annual Shop-A-Thon hosted by Lucky To Live Here Realty.

“We incentivise people to shop local and buy their holiday gifts on Main Street, as opposed to shopping online,” Ashley Allegra, Director of Marketing said. “It’s kind of our way of giving back by coordinating this event.”

The Shop-A-Thon map helps shoppers plan their browsing and buying.

To spread holiday cheer, Lucky To Live Here Realty will be visited by The Grinch at their office, 129 Main Street from 1-3 p.m. and congressman Thomas Suozzi will judge holiday window displays at noon. Enjoy the beautiful sound of St John's Choral Group as they carol through the streets.

Host the perfect holiday party after coming to a complimentary Hosting the Holidays Workshop at their office from 10:30-11:30 a.m. Get tips for tablescapes and entertaining from Noli Design, while sipping and sampling brunch bites. Email team@luckytolivehere.com to RSVP.

Not only does the Shop-A-Thon encourage residents to buy local, but also draws in customers from all over the Island. This gives them a taste of what Cold Spring is all about.

“Cold Spring Harbor has a completely different feeling and charm about it,” Allegra said. “You’re right near the water, you have this small community… It’s different than most places on Long Island, it’s a great town to experience.”

The Shop-A-Thon is sure to become a holiday tradition that will go on for years to come. You can’t go wrong shopping up and down Main Street, meeting store owners and being able to see and touch something before you buy it.

“If you don’t support the businesses here, they could go away,” Allegra said. “It’s not gonna look like how it does on Main Street, it’s not gonna have the same feeling of small mom-and-pop shops, if we don’t help them grow, especially nowadays with online shopping.”

Kick off the Shop-A-Thon by visiting Lucky To Live Here Realty’s office to pick up a reusable tote and town map full of sales. Earn raffle tickets every time you spend $25 at select shops and drop them off by 3:45 p.m. Three winners will be drawn for gift baskets valued over $800.

The walls in the Huntington Library’s Station branch will look a lot cheerier thanks to colorful murals donated by Splashes of Hope.

The non-profit organization works to brighten orphanages, hospitals and shelters by creating colorful murals. The hope is that seeing the murals will make those going through difficult times smile.

Splashes of Hope designed, painted and delivered one massive mural for the library’s teen room and two smaller ones for the kids room, each with Splashes’ signature whimsy and vibrancy. These murals are supported and sponsored by the Claire Friedlander Family Foundation.

“We think the mural will create a very uplifting and educational environment,” Heather Bugée, founder of Splashes of Hope said. “It’s something that could be inspiring for the teens. And it’s a reflection of the care and thoughtfulness that the librarians have to try to help the kids in the community to better themselves through education.”

After hearing about Splahes’ contribution to a library in Riverhead, Huntington Library Director Joanne Adam reached out to the organization. The Huntington Station branch recently underwent renovations after taking over a second floor, making it the perfect fit.

“We recently moved the teen room and we’ve been furnishing it to make it more teen-oriented,” Adam said. “This sort of completes it by putting the mural up.”

These finishing touches will create an atmosphere that is more child friendly, while also being educational and bringing a “good feeling,” Adam said. “They’re very uplifting to look at.”

With the expansion the library can offer far more activities and materials for kids of all ages to enjoy.

“We can spread out and give them a bigger space,” Adam said. “The teen room is twice the size of what it was before. It is very nice.”

Both murals set scenes of fantasy. In one a train with a bookworm conductor runs through the library. Another features animals enjoying the waves on boats and kayaks.

“The murals are always allegorical. They involve storytelling so it was a great fit,” Bugée said.

The mural incorporates ideas from teen library patrons. One of the librarians who works in the teen room, found they wanted the art to be Huntington related and incorporate a train.

The mural depicts a friendly, inviting place that is full of smiles and books to get lost in. The library hopes the message of teens exploring other worlds through books will inspire them to read and grow with literature.

“In our logo, which is ‘H’ for Huntington, we have the words ‘Dream, Learn, Connect’ and they actually incorporated that… Without even realizing it, when you look at it you might get that feeling that, ‘This is what I’m at the library for. I can dream here, I can learn here, and I can connect here,’” Adam said.

The kids room will also have uplifting additions. There will be two “I Spy” murals with letters to find within the bigger image. These murals work as fascinating pieces to observe, but also as a mentally stimulating activity.

“The longer you look at it, the more you see… You’ll see different things and you might feel inspired in different ways,” Adam said. “You could think, ‘Where are they going on the train?’ and your mind could just start wondering and become creative that way.”

The library finds it important to keep children and teens coming back to foster a love of reading.

“This is a place that everyone is welcome,” Adam said. “If someone gets to feel that way and they’re comfortable here, this is a lifelong place for them to go. If they start young, getting used to coming to the library then I think they’ll continue to always come.”

At the mural donation, the Huntington Station library held a program for teens to design Friend on the Mend bags that will be donated to Huntington Hospital pediatric patients.

“Coming to the library and being involved in something here is going to enrich their own personal lives and help to show that they can reach out to help someone else,” Adam said.

In the future, the library hopes to collaborate with Splashes of Hope to involve teens with painting.

The twists and turns of a life of crime make up the pages of “Suburban Gangsters,” a memoir by Michael Dineen.

The Huntington resident details his past life of being tangled up in the drug business when the crack and cocaine epidemic made its way to Long Island in the 1980s. He and his friends, who he describes as “ordinary kids,” get caught up in drug dealing on a large scale.

“It pulls them into this world they never think they would be a part of, and next thing you know, it’s become a very dangerous game,” Dineen said. “None of us ever thought we would be involved in something like that.”

Dineen stayed in the business of crime until the early 2000s, but left addicted to heroin. He admits the drug “almost cost me my life.” He got clean in 2009.

“I would give my right arm to go back to seventh or eighth grade and ‘say no’ to drugs, just finish high school, go to college, and get a regular job,” Dineen said. “The lifestyle that you read about, took a tremendous toll with stress and losing friends.”

Starting with marijuana at young age, Dineen began to dabble with other drugs and made progressively worse decisions. He hopes “Suburban Gangsters” will steer teens in the right direction before making the first decision to try drugs.

“After someone reads this book, they have to understand how imperative the choices they make in life are, how dangerous they become if you make the wrong ones,” Dineen said.

By 18 years old, Dineen had dropped out of high school and worked for a landscaper who dealt cocaine. After seeing how much money the landscaper had, Dineen asked him for a front of cocaine to sell. In one night, he and his friends made what they considered a lot of money.

“It was at that point we opened Pandora’s box,” Dineen said. “After that there was no coming back, it just took on a life of its own and grew and got bigger. And the bigger it got, the more danger came with it.”

From his years of dealing, all of Dineen’s friends either died or went to prison. None of them were able to keep the “dirty money” they made.

“Karma comes around to get you, no matter how high on the hog you think you are,” Dineen said. “You’re making money illegally and doing the wrong thing, down the road you are going to meet your maker. Your life is gonna be turned upside down one way or another.”

The autobiography covers around 20 years of Dineen’s life in just 160 pages. He keeps the storyline moving and flowing throughout the book and begins “guns blazing right from page one.” But with a subject like this, anyone could be hooked, especially with the similar heroin and opioid epidemic that has taken over Long Island.

“There is not a person out there that doesn’t know someone whose life has been destroyed by drugs, crime or both,” Dineen said.

In the future, Dineen hopes to speak to young kids about the dangers of life and how making the wrong choices can have severe consequences.

“It’s a very dark story, I don’t spend time glorifying the times we took vacations and popped champagne,” Dineen said. “I tried to focus on the real realities of the damage that happens when doing drugs or selling drugs.”

Dineen chose to self-publish his memoir with Dorrance Publishing Co. Find a copy at bookstore.dorrancepublishing.com/suburban-gangsters, Amazon, or Barnes & Noble.

Starry Night at the Fire Island Lighthouse by Alissa Rosenberg, is one interpretation included in Huntington Arts Council’s place-centric exhibit, Discovering Long Island.

By Sophia Riccosricco@longislandergroup.com

Whether you’ve lived here your whole life or just moved to town, there is always more of Long Island to discover and explore.

The Island is rich in historic with beautiful places and scenery that have been captured in Huntington Arts Council’s newest exhibit, Discovering Long Island, on display through Jan. 5. Artists were invited to submit a piece inspired by Long Island’s history, culture and natural heritage, in their own artistic perspective.

“Long Island is rich with history and the submissions for this show truly reflect the uniqueness of this call to artists,” Executive Director, Marc Courtade said. “It’s wonderful to see how artists presented their interpretations is such diverse ways featuring everything from Long Island lighthouses, to an image of a hat maker to a pastel portrait of Walt Whitman.”

Many works were submitted to the exhibit, making the job of Stephanie Gress, guest juror and Director of Curatorial Affairs for the Vanderbilt Museum, even more difficult. She admits it was “a wonderful problem to have” requiring her to use her refined eye.

In her decision making, Gress kept the title of the exhibit in mind, ensuring each piece appropriately carried out the theme. It was also crucial that pieces represented not just Long Island, but the artists themselves.

Walt Whitman made a couple of appearances in the show, including in Kate Kelly’s mixed media piece, ‘Every Soul Has Its Own Language.’

“You want to see something unique, something that has the artist’s hand,” Gress said. “It’s very special and unique to that artist.”

A photographer can put their “hand” into their work and make it meaningful to them, based on the scenes and subjects they chose to shoot. Or a painter can add their own interpretation to a scene.

“Something I personally love is trompe-l’œil. It deceives the eye or is something unexpected,” Gress said. “A traditional scene in an unexpected color for examples… It’s a surprise and shows their creativity.”

Living on Long Island her whole life and working at a local historic site, Gress is very familiar with historic areas of Long Island.

“I know how many choices of places they could pick or represent and that choice is very hard,” Gress said. “I know myself if I had to choose just one how difficult that would be. I found it interesting what the artists chose to represent their work.”

According to Gress, “People who have not been on Long Island long or who have never lived here, they may have preconceived thoughts about what it’s like here. Some of the artist’s work showed things they might have never known or thought about as being part of Long Island.”

An opening and holiday reception will be held Friday, Dec. 14, 6-8 p.m. at Huntington Arts Council’s Main Street Gallery. 213 Main Street, Huntington.

Original Beach Boys member Mike Love, seated second from left, and Bruce Johnston, seated right, headline a holiday show of classics from The Beach Boys at The Paramount.

By Connor Beachcbeach@longislandergroup.com

There will be summer vibes in Huntington next week when The Beach Boys take the stage at The Paramount as part of their Reason for the Season Christmas tour.

Mike Love, who co-founded The Beach Boys in 1961 with Brian, Carl and Dennis Wilson and Al Jardine, will headline the newest rendition of the band for the holiday tour. Bruce Johnston, who joined the original Beach Boys in 1965, will join Love on stage along with Scott Totten, Jeffrey Foskett, Christian Love, Tim Bonhomme, John Cowsill, and Keith Hubacher.

Love, 77, and Johnston, 76, will perform the iconic summer hits like “Surfin U.S.A.,” “Wouldn’t It Be Nice” and “Kokomo” as well as the collection of holiday songs to which The Beach Boys lent their unmistakable sound.

Love released “Reason for the Season” in October, and the 12 tracks on the album feature classic holiday songs, like The Beach Boy’s “Little St. Nick.” The album also includes several original Christmas songs, including “It Must Be Christmas” and “Finally it’s Christmas” which were recorded in collaboration with the band Hanson.

“What is so special about this collection of songs is that they both harken back to the wonder of childhood and family, but also feel very relevant and exciting for a new season of listening,” Love said.

Love is a prolific songwriter, and is credited with providing lyrics for 35 songs by The Beach Boys. Love and the other original members on The Beach Boys were induced into the Rock and Roll Hall of Fame in 1988.

The Reason for the Season Christmas tour kicked off on Nov. 16 and is set to run until the end of December.

“We’re looking forward to being part of the soundtrack of many holiday seasons to come,” Love said.

Fans can enjoy some good vibrations with The Beach Boys at The Paramount on Dec. 11 at 8 p.m. Doors open at 6:30 p.m. Tickets for the show range from $84.50-$154.50 and can be purchased at the box office or online at Paramountny.com.

It’s certainly true that “the best way to spread holiday cheer, is to sing it loud for all to hear”, which is exactly what the cast of Elf: The Musical did.

The beloved holiday film hit the stage of the John W. Engeman Theater to the delight of kids of all ages. With catchy original songs, intricate choreography and many famous quotes from the movie, the musical could put anybody in the holiday spirit, including audience member, Michele Donaldson who came all the way from Connecticut for the performance.

“It was amazing,” Donaldson said. “I thought it was definitely full of Christmas cheer, something we all need nowadays.”

Based on the 2003 holiday hit movie, Elf starring Will Ferrell, the 2010 musical found major success on Broadway. It tells the story of Buddy the Elf, a human orphan boy who crawls into Santa’s bag and is taken back to the North Pole, where he is raised by the elves.

In search of his father, Buddy travels to New York City where he encounters a world without holiday cheer and a father who never knew he was born. His adventures in the city are comical and accompanied by a wonderful soundtrack. No one could deny there was something magical happening on stage during “Sparklejollytwinklejingley,” “A Christmas Song” and “The Story of Buddy the Elf.”

“It was very good, I liked it,” audience member Peter Bono, of Northport, said. “They’re very talented people. It started off a little slow, but then as you got to know the cast it was great.”

This holiday production is directed by Matt Kunkel and choreographed by Mara Newbery Greer. The skilled cast didn’t miss a beat and performed sophiscated choreography that involved lifts, tap dancing and even ice skating. During the song, “Nobody Cares About Santa,” Santas of all kinds find camaraderie on Christmas Eve in a tap dancing number that makes you want to get out of your seat and dance along.

“I thought it was right on target. It was super fun and full of talent,” Donaldson said.

Buddy the Elf is played by Erik Gratton, the perfect fit for the jolly elf with a huge heart and little common sense. His rendition of Buddy, a character so many know and love from the original movie, is spot on.

There is no shortage of laughs during the production as Buddy makes his way around the city, bumbling around with a smile on his face the whole time.

“My favorite part was the whimsical nature of the show,” Donaldson said. “Just how nieve and happy Buddy was, I think we should all be that way.”

Gordon Gray (Santa) in the Engeman Theater production of “Elf: The Musical.” Photo by Michael DeCristofaro

The rest of the cast were also sensational, and each had their moment in the spotlight.

Buddy’s love interest Jovie, played by Caitlin Gallogly, stole the show with her vocals in “Never Fall in Love”. The rest of Buddy’s family, Walter Hobbs, performed by Joe Gately, Emily Hobbs by Christianne Tisdale, and Michael Hobbs, by Zachary Podiar, each have their heartwarming moments that gave the show a touch of humanity.

Performances of “Elf: The Musical” continue through Dec. 30 at the John W. Engeman Theater in Northport Village. Show times are 8 p.m. on Thursdays and Fridays; 3 p.m. and 8 p.m. on Saturdays; and 2 p.m. on Sundays. There are also select shows on Wednesdays and Sunday evenings.

Tickets can be purchased for $73-$78 at the box office or online at engemantheater.com.

Progressive rock songwriter Steven Wilson is set to stop at The Paramount in Huntington on Dec. 4 as part of his “To the Bone” tour. Photo/Hajo Mueller

By Connor Beachcbeach@longislandergroup.com

English guitarist and songwriter Steven Wilson has built a reputation over the course of a more than 30-year career as one of the most prolific artists in the progressive rock genre.

Wilson started the band Porcupine Tree in 1987, and continued to develop a cult following until the band disbanded 2010. He earned critical acclaim with Porcupine Tree, including two Grammy Award nominations, but has generally stayed away from mainstream music.

As a solo artist, Wilson has released five studio albums. Most recently, he released “To the Bone” in August 2017, and is scheduled to perform at The Paramount in Huntington next week as part of his 2018 international “To the Bone” tour.

Wilson said one of the underlying influences behind the albums was to “do something different.”

“I wanted to do a record that was- in a way- reminiscent of the records I grew up with in the ‘80s… very sophisticated, but very accessible pop music,” Wilson said. “I wanted to take that philosophy that we can create something with a strong pop sensibility, but also keep everything that is unique about what I do intact.”

Technological advances over the years have allowed Wilson to create an “ambitious” live show that reflects his music. His current live show features holograms, LCD screens and quadraphonic sound.

“Now it’s much more how as I always imaged it to be in spectacle terms,” Wilson said.

Although each live show has a certain pattern , Wilson said every venue and audience has a different dynamic.

“There’s always a different vibe, and there’s a lot of improvisation too,” Wilson said. “There’s always something that’s fresh and different depending on the kind of show and audience.”

At 51 years old, Wilson said he still enjoys performing live, but “it’s the other 21 hours of every day that’s quite draining” while on tour.

“Sometimes it’s tough, but you know what it’s the three hours on stage every night that makes it worth it,” Wilson said.

Wilson has no intention of slowing down anytime soon. He said he has already begun working on his next album and hopes to have it ready sometime in 2020.

Wilson is scheduled to take the stage at The Paramount at 8 p.m., Dec. 4. Doors open at 6:30 p.m. Tickets for the show range from $39.50-$84.50 and can be purchased at the box office or online at Paramountny.com.

The Samuel Ashley Stevens House is a stop on Huntington Historical Society’s Holiday House Tour. In the early 20th century, the home was occupied by a Huntington Village merchant, his wife and three daughters.

By Sophia Riccosricco@longislandergroup.com

Travel back into history this holiday season by venturing on Huntington Historical Society’s annual Historical Holiday House Tour.

This community tradition tells the stories of some of Huntington’s historic homes that are decorated for the season and open to visitors.

The Historical Society has been organizing such tours since its beginnings in 1903. Following a hiatus, the tradition was revived in 2005, making this the Society’s annual tour.

“My family and I look forward to this tour every year,” Rachel Landon of Smithtown said. “It has become part of our holiday tradition as a family. It kicks off the holiday season.”

Participants in the self-guided tour receive a booklet with a map to guide them on their journey around the town of Huntington, and a short history of the homes they will visit.

Five holiday historic homes will be featured, as will the society’s 1795 Kissam House. There, visitors can take in the Poetry in Thread exhibit, and browse the Antiques and Collectibles Shop, fully stocked with holiday gifts. The 1750 Conklin Farmhouse will have a delicious buffet spread.

“Our Holiday Historic House Tour offers a chance for attendees to celebrate the holiday season and highlight the wealth of important history and beautiful homes we have in the Town of Huntington,” Historical Society Executive Director Tracy Pfaff said.

Every house on the tour holds a historical value that will be explained by volunteer docents. The Society’s committee researches to find homes with a unique past.

“Something really special that we do is have a volunteer posted in not only every home, but in nearly every room,” Pfaff said. “Telling the story of the house and the people who lived there is a very important part of our tour.”

As Pat Ernst, a tour committee member describes, it is “a lesson in history dressed up for the holidays.” Each docent will detail the evolution of the home, the impacts the people who had lived there made in Huntington, New York, Albany and Washington, and even tell the story of certain furnishings.

“Huntington’s House Tour is always enjoyable and historically representative of the beautiful homes in the area,” Bruce Adams of Northport said.

“Holiday House Tour of Historic Houses is both a mission program, showing off historic houses of Huntington, and a fundraiser,” Pfaff said.

Proceeds from the tour will benefit the Society’s many programs, events and research. The Society provides public education programs, school and scout visits, research and genealogy resources, and interpretations of historic properties through historic house tours and exhibits.

“The proceeds support our mission to serve as the focal point for preserving the ongoing heritage of the Town of Huntington,” Pfaff said.

The tour is set for Sunday, Dec. 2, from noon to 4 p.m. Tickets are $40, $35 for members, in advance. Purchase online at huntingtonhistoricalsociety.org, or call 631-427-7045 ext. 401. Ticket price increases by $5 if purchased the day of the tour.