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William English’s Ex Library, 16mm colour film, 2006.

This short essay was written in about 2008 and has been languishing unpublished ever since. I have the intention of expanding it to include a discussion of William Raban’s film MMX (2010), since both have a number of features in common, most notably the deployment of a combination of variable rate time-lapse with incremental camera movements. If anyone knows a publisher who might be interested…