In other instances  as had been done for centuries  allegorical
compositions served to illustrate elaborate ideas: the victory of the Revolution
over its enemies, or the advent of a new political and social order. It was
a traditional practice to resort to allegory to comment on real situations,
an aspect of the visual culture of the time which can be particularly difficult
to understand today.

Allegorical composition: Courteille's painting

Louis XVI

Portraits, on the other hand, constitute a category of images which can easily
be comprehended, even though many of the celebrities of the Revolutionary
period have become unfamiliar. The king, Louis XVI, is probably the individual
most represented during the period. He is given a variety of roles, depending
on the moment and the politics of the image.

Dignified monarch, paternal leader, calculating enemy, manipulated fool, saintly
martyr  every phase of the king's turbulent last years is evoked through
the prints. Everyone was keen to discover the faces of those whose names appeared
in the press. Several editors published collections of engraved portraits
of the deputies to the National Assembly.