Excerpt

One

THE DECANTER OF TOKAY

Lyra and her daemon moved through the darkening hall, taking care to keep to one side, out of sight of the kitchen. The three great tables that ran the length of the hall were laid already, the silver and the glass catching what little light there was, and the long benches were pulled out ready for the guests. Portraits of former Masters hung high up in the gloom along the walls. Lyra reached the dais and looked back at the open kitchen door, and, seeing no one, stepped up beside the high table. The places here were laid with gold, not silver, and the fourteen seats were not oak benches but mahogany chairs with velvet cushions.

Lyra stopped beside the Master's chair and flicked the biggest glass gently with a fingernail. The sound rang clearly through the hall.

"You're not taking this seriously," whispered her daemon. "Behave yourself."

Her daemon's name was Pantalaimon, and he was currently in the form of a moth, a dark brown one so as not to show up in the darkness of the hall.

"They're making too much noise to hear from the kitchen," Lyra whispered back. "And the Steward doesn't come in till the first bell. Stop fussing."

But she put her palm over the ringing crystal anyway, and Pantalaimon fluttered ahead and through the slightly open door of the Retiring Room at the other end of the dais. After a moment he appeared again.

"There's no one there," he whispered. "But we must be quick."

Crouching behind the high table, Lyra darted along and through the door into the Retiring Room, where she stood up and looked around. The only light in here came from the fireplace, where a bright blaze of logs settled slightly as she looked, sending a fountain of sparks up into the chimney. She had lived most of her life in the College, but had never seen the Retiring Room before: only Scholars and their guests were allowed in here, and never females. Even the maid-servants didn't clean in here. That was the Butler's job alone.

Pantalaimon settled on her shoulder.

"Happy now? Can we go?" he whispered.

"Don't be silly! I want to look around!"

It was a large room, with an oval table of polished rosewood on which stood various decanters and glasses, and a silver smoking stand with a rack of pipes. On a sideboard nearby there was a little chafing dish and a basket of poppy heads.

"They do themselves well, don't they, Pan?" she said under her breath.

She sat in one of the green leather armchairs. It was so deep she found herself nearly lying down, but she sat up again and tucked her legs under her to look at the portraits on the walls. More old Scholars, probably; robed, bearded, and gloomy, they stared out of their frames in solemn disapproval.

"What d'you think they talk about?" Lyra said, or began to say, because before she'd finished the question she heard voices outside the door.

"Behind the chair&#8212;quick!" whispered Pantalaimon, and in a flash Lyra was out of the armchair and crouching behind it. It wasn't the best one for hiding behind: she'd chosen one in the very center of the room, and unless she kept very quiet...

The door opened, and the light changed in the room; one of the incomers was carrying a lamp, which he put down on the sideboard. Lyra could see his legs, in their dark green trousers and shiny black shoes. It was a servant.

Then a deep voice said, "Has Lord Asriel arrived yet?"

It was the Master. As Lyra held her breath, she saw the servant's daemon (a dog, like all servants' daemons) trot in and sit quietly at his feet, and then the Master's feet became visible too, in the shabby black shoes he always wore.

"No, Master," said the Butler. "No word from the aerodock, either."

"I expect he'll be hungry when he arrives. Show him straight into Hall, will you?"

"Very good, Master."

"And you've decanted some of the special Tokay for him?"

"Yes, Master. The 1898, as you ordered. His Lordship is very partial to that, I remember."

"Good. Now leave me, please."

"Do you need the lamp, Master?"

"Yes, leave that too. Look in during dinner to trim it, will you?"

The Butler bowed slightly and turned to leave, his daemon trotting obediently after him. From her not-much-of-a-hiding place Lyra watched as the Master went to a large oak wardrobe in the corner of the room, took his gown from a hanger, and pulled it laboriously on. The Master had been a powerful man, but he was well over seventy now, and his movements were stiff and slow. The Master's daemon had the form of a raven, and as soon as his robe was on, she jumped down from the wardrobe and settled in her accustomed place on his right shoulder.

Lyra could feel Pantalaimon bristling with anxiety, though he made no sound. For herself, she was pleasantly excited. The visitor mentioned by the Master, Lord Asriel, was her uncle, a man whom she admired and feared greatly. He was said to be involved in high politics, in secret exploration, in distant warfare, and she never knew when he was going to appear. He was fierce: if he caught her in here she'd be severely punished, but she could put up with that.

What she saw next, however, changed things completely.

The Master took from his pocket a folded paper and laid it on the table beside the wine. He took the stopper out of the mouth of a decanter containing a rich golden wine, unfolded the paper, and poured a thin stream of white powder into the decanter before crumpling the paper and throwing it into the fire. Then he took a pencil from his pocket, stirred the wine until the powder had dissolved, and replaced the stopper.

Its 1954, and Janie Scott is in boarding school in New Hampshire, trying to make a new life. Two years have passed since she last saw the mysterious apothecary—or his defiant son, Benjamin. All she knows is that her friends are out there somewhere, trying to keep the world safe in an age of mounting atomic power. On the other side of the world, Benjamin is treating the wounded in a jungle war, and experimenting with a magical new formula that will let him communicate with Janie across the globe.

But Janie has her own experiment underway, and its attracting interest from sinister forces. Benjamin calls on their friend Pip for help, and they have to race to find one another, and to unravel the mystery of their powerful new enemies.

A magical new adventure, following Maile Meloys critically acclaimed novel The Apothecary, with captivating illustrations by Ian Schoenherr.

"Synopsis"
by Penguin,
Two years have passed since Janie Scott last saw Benjamin Burrows, the mysterious apothecary’s defiant son who stole her heart. On the other side of the world, Benjamin and his father are treating the sick and wounded in the war-torn jungles of Vietnam.

But Benjamin has also been experimenting with a magical new formula that allows him to communicate with Janie across the globe. When Benjamin discovers that she's in trouble, he calls on their friend Pip for help. The three friends are thrown into a desperate chase around the world to find one another, while unraveling the mystery of what threatens them all.

Acclaimed author Maile Meloy seamlessly weaves together magic and adventure in this breathtaking sequel with stunning illustrations by Ian Schoenherr.

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