‘One’s stance on diversity policies often just depends on what metric you’re trying to optimize, causing both sides to talk past each other. This lack of dialogue is destructive, creating multimillion dollar programs of marginal efficacy and harmful side-effects. If done well, diversity can be good, but it’s far from the panacea it’s made out to be.’

‘Pournelle’s Iron Law of Bureaucracy states that in any bureaucratic organization there will be two kinds of people”:

First, there will be those who are devoted to the goals of the organization. Examples are dedicated classroom teachers in an educational bureaucracy, many of the engineers and launch technicians and scientists at NASA, even some agricultural scientists and advisors in the former Soviet Union collective farming administration.

Secondly, there will be those dedicated to the organization itself. Examples are many of the administrators in the education system, many professors of education, many teachers union officials, much of the NASA headquarters staff, etc.

The Iron Law states that in every case the second group will gain and keep control of the organization. It will write the rules, and control promotions within the organization.’

‘After his arrest at Occupy Seattle, a local actor and youth-homelessness worker corresponded with “AO” — a mysterious graffiti/street artist or artists who mailed him art-based “temporary solutions” to stave off despair. The result, “Awaiting Oblivion,” opens at On the Boards.’

The two pictures at the link probably tell more than my words ever could.

Nevertheless, here’s a brief write-up: Lost, desperate souls wander hopelessly through and around the world’s woes, ground-down and alone, bedraggled and suicidal, finally…perhaps finally, discovering some meaning and purpose by engaging in (A)rt as salvation and (A)rt as therapy.

One voice, a candle-flame flickering in the darkness, provides hope and succor, solidarity and structure, across the meaningless void. Perhaps, here, bodies of innocence and bodies of decadence spontaneously and rhythmically erupt in joy against systems of oppression and cold, uncaring authority.

Gender becomes fluid, intersectional; bodies heat-up, juxtaposed within many competing narratives of time and space.

Anti-Capitalist ‘Occupy’-style political activism and identitarian political ideology provide some replacement glow of family and friendship.

Enough of that, already.

Yet, dear reader, you might want to pay attention to how this thinking so easily can make its way up through many news and media outlets, seeping down from institutions of higher-ed into the popular culture, forming reefs of public sentiment and ‘right-thinking’ public opinion.

In fact, I’d say it will likely coalesce around a broader, more popular political middle (women’s marches) in a few years time, [that, in turn] cooling into more somewhat-reasoned anti-Trumpism.

‘From tomorrow, February 16, to Tuesday, February 21, 20 percent of the permanent collection galleries at the Davis Museum at Wellesley College will be shrouded or removed’

‘We’re a nation of immigrants’, not of laws, seems to have become the ‘dominant narrative,’ in many quarters these days.

Donald Pittenger, at Art Contrarian, and formerly of 2 Blowhards, has been looking at modernism. From the banner of his blog:

‘The point-of-view is that modernism in art is an idea that has, after a century or more, been thoroughly tested and found wanting. Not to say that it should be abolished — just put in its proper, diminished place’

‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…‘

Maybe anti-commercialism is kind of commercial after all, and ‘ironically’ ends-up becoming a spiritual prosthetic in many lives (update: Well, at least to hangers-on following artists around like cult-leaders, but more broadly, such influence is not hard to find in popular culture)

***My own anecdote: After a fruitful Town Hall discussion here in Seattle, celebrated British mathematician Roger Penrose did some Q & A afterwards. Most questions were from math majors, physicists, engineers and hobbyists in the crowd (many were over my head…but I tried to catch a few).

One question came from a youngish man in a beret, a little unkempt, who asked (in a possibly affected, but in a very serious tone):

‘Mr. Penrose, what is meaning in a moribund universe?

‘Eh…sorry…I didn’t catch that?’

‘What is meaning in a mo-ri-bund universe?’

‘Well, that is a different kind of question…I mean, here’s what I can offer you…’

***That’s roughly how I remember it, and Penrose was gracious, but brisk, in moving onto the kinds of questions he might be able to answer, or for which he could provide some insight.

One brander calling out another in the marketplace in a bid for fame, celebrity and self-promotion?:

‘The show is called “Ho,” as all the paintings are based on Instagram posts from the feed of model Adrienne Ho—the self-curated building blocks of her own personal brand—and to see the huge diptychs in person, the torrent of bilious blog posts hellbent on exposing Mr. Ripps as a misogynist, seems a little overblown. They’re just oil works on square canvas, but I was a tad surprised at how skillful they were, given that my exposure to Mr. Ripps had thus far been through the ad campaigns of his design firm, his internet hijinks, and his collaborations with fashion designers like Nicola Formichetti and rap producers like Mike Will Made It. Not through painting.’

Where post-pop, (some) art history and theory, meets coding and game design, meets post-Koons art marketeering?

Robert Hughes really didn’t like the lack of acquired skill and mastery of materials many moderns lack.

There have been a lot of virulent reactions to ‘modern’ life and technology ranging from utopian futurism to nihilism to consumerism and a kind of dejected anti-consumerism and spiritual malaise.

—————

Camille Paglia wants to tilt the culture more towards art education, but manages to resist the more virulent strains of secular ideology filling the modern hole, pushing back against the radicalism of feminist ideology when it encroaches upon aesthetics:

‘They swim in the same pools, they belong to the same clubs. Their wives and everyone goes to the same fucking cocktail parties.’

‘..And they eat these little handout stories. They’re like little pigeons eating the shit sprayed on the sidewalk from the government. They want to be in good with their sources, but they don’t even name the sources!’

Was there a time when more hard-boiled skeptics roamed the newsroom; narrative purists seeking le mot juste and the story behind the story?

‘The important thing to understand about journalists is that they are the lowest ranking intellectuals. That is to say: they are members of the intellectual class, but in the status hierarchy of intellectuals, journalists are at the bottom. That is why they have traditionally adopted the status cues of the working class: the drinking and the swearing, the anti-establishment values and the commitment to the non-professionalization of journalism.’

and on professors:

The important thing to understand about academics is that they are the highest rank of intellectuals. That is why they have traditionally adopted the status symbols of the 19th-century British leisured class—the tweeds and the sherry and the learning of obscure languages—while shunning the sorts of things that are necessary for people for whom status is something to be fought for through interaction with the normal members of society (such as reasonably stylish clothing, minimal standards of hygiene, basic manners).

The ideas of original thinkers and those of thinkers in academia often trickle down into popular thought anyways, but the easy quote is often just a way to reinforce one’s own beliefs or ideology, or get a quick fix.

Also:

‘In a philosophical debate, what everyone involved is trying to get at is the truth. In contrast, what is at stake in the political realm is not truth but power, and power (unlike truth) is a “rival good”—one person or group can wield power only at the expense of another. This is why politics is inevitably adversarial. Political power is ultimately about deciding who shall govern, and part of governing is about choosing between competing interests’

***In journalists there can be the shabbiness of the second-hand, the designs of the social-climber, the self-regard of the idealist and the possibly deeper aspirations of an artist. Some are more devoted to finding truth than others.

‘Popper’s World 3 is in some respects reminiscent of Plato’s realm of the Forms, but differs in that Popper takes World 3 to be something man-made. As I noted in the earlier post just linked to, this makes his positon at least somewhat comparable the Aristotelian realist (as opposed to Platonic realist) view that universals are abstracted by the mind from the concrete objects that instantiate them rather than pre-existing such abstraction.’

Do we have a museum-industrial complex? Or better said, like many American institutions, is it time for a re-appraisal of many a core mission-statement and role of these institutions in the life of citizens?

If your intellectual bedrock lies within modernism itself, then perhaps you are more susceptible to the modern winds which kick-up and howl in the West:

The Weinsteins discuss how reasonable people committed to progressive social and political causes, both biologists, got driven out of a public university dedicated to similar progressive social and political causes.

A longer, thoughtful, detailed piece.

One notes it’s not progressive nor even ‘mainstream’ publications offering a platform for the Weinsteins to speak-out at the moment, partially due to what I consider the Brockman effect (sugar caves):

‘And then came the canoe. First, senior administrators were called by name, invited to walk down to the stage, and to step into a large and imaginary canoe. Then, everyone in the room was invited to come aboard, en masse. Finally, everyone walked in a line, as if in a canoe, out of the building together, on a fantastical voyage toward campus equity. An Indian drum beat and the recorded sound of crashing surf were in the background.’

Who needs the arts, science, social science when you’ve got righteous certainty, ideology, and grievance on your side?

Francis Fukuyama and his influential essay are mentioned, as well as Immanuel Kant, Marx, and Isaiah Berlin.

Theodore Dalrymple:

‘Who, then, are ideologists? They are people needy of purpose in life, not in a mundane sense (earning enough to eat or to pay the mortgage, for example) but in the sense of transcendence of the personal, of reassurance that there is something more to existence than existence itself. The desire for transcendence does not occur to many people struggling for a livelihood. Avoiding material failure gives quite sufficient meaning to their lives. By contrast, ideologists have few fears about finding their daily bread. Their difficulty with life is less concrete. Their security gives them the leisure, their education the need, and no doubt their temperament the inclination, to find something above and beyond the flux of daily life.’

Sometimes I find myself wondering how the mission of supporting the arts and experimental literature got mixed-up with such political ideas over at the New Yorker (well-educated readers, aesthetes, writers, cultural critics etc) who seem to be viewing the failures of Venezuela from a very foggy Overton window indeed.

Part of this is due to the institutionalization and white-washing of the activities of many radicals and would-be radicals, revolutionaries and would-be revolutionaries from the late 60’s onwards here in the U.S. Organizations like the Weathermen talked something of a game: Appealing to the injustice of the draft while protesting the Vietnam War and aiming for ‘pure’ majoritarian democracy, but such appeals couldn’t mask the necessity of making criminal political bedfellows, spouting violent rhetoric and even devolving into terrorism and murder in the name of their ideas.

Okay, maybe it’s pretty simple…:

Here’s one senior New Yorker editor, Hendrik Hertzberg, discussing years ago how to abolish the Electoral College, arrive at a National Vote (to better serve the People, of course) and enact ‘democratic change.’

This strikes me as in-line with much Left and Left-liberal majoritarian populism. activism and softly (ultimately hard) radical change.

More on Venezuela:

Thanks to the New Criterion, they’ve recycled an Anthony Daniels (Theodore Dalrymple) review of two books on the subject:

A response to one of my comments found on Alexandria, where I used to blog, on Hugo Chavez:

‘Chavez is actually not an orthodox Marxist in the sense that Marx would have recognized (which was why I linked to the sort of Marxist ‘prophecy’ of people like Chavez from the ‘Eighteenth Brumaire’). Chavez is more along the lines of what traditional Marxists referred to as ‘Bonapartist’ (borrowing from the figure of Napoleon Bonaparte). The whole theory on which Chavez based his political life was that the working class (or what passed for it, in a country like Venezuela) *could not* make a revolution on its own, and that someone else (the military and the Socialist Party, led by him) needed to make the revolution for them. For the very reasons that Bourdieu and Marx hint at in the quotations above. A ‘revolution from above’, in other words.

Where Chavez (and a number of other left-wing Latin American strongmen over the last century) departed radically from orthodox Marxist theory, is that Marx saw Bonapartism as essentially a conservative (thought not a bourgeois) strategy, by which military cliques delude the poor into supporting them, by promising to protect them against the bourgeoisie, and using paternalistic rhetoric. Chavez is, of course, a man of the left, as was his political inspiration, the mid-20th century Peruvian leader General Velasco. Marx seems to have been wrong about ‘revolutions from above’: sometimes they can be genuinely left-wing, and in a lot of cases (including Venezuela) they’re the only serious left-wing option on offer.’

‘The boss loves to talk and has clocked up speeches of Castro-like length. Bolívar is the theme of which he never tires. His early uniformed movement of mutineers—which failed to bring off a military coup in 1992—was named for Bolívar.’

If we’re going to have a chattering class of middlebrow know-nothings, can we at least ask they know the right somethings?:

—————–

It’s a long way out of socialist and revolutionary solidarity, which continually occupies the South American mind. One more revolution: Adam Kirsch takes a look at Mario Vargas Llosa. The Dream Of The Peruvian.

Writers must be familiar in being seized by the uselessness and self-pitying solipsism which can accompany the practice (prose-stylist and/or serious artist I’m not).

Sound and fury, indeed.

Familiar passions stir, animated by some new issue of the day, hardening into place within the grooves of thought.

Frankly, it’d be more useful to address many current political, legal and cultural disputes within the tradition of Western arts & letters. There are reasons why certain works of art have lasted so long and described, with such rich detail, our condition.

Getting all the weeping out over a good book doesn’t sound like a bad place to seek solace.

Alas, in the meantime…

-I was treating the below trend as part of a generalized decline of organized religion in America; some eventual taming of the frontier into more shopworn, European ideological disputes:

Do people in a cohort identified by name really listen to writers giving advice to their cohort?:

Wilkinson:

‘How classical liberalism became weaponized anti-socialism

The history of 20th century libertarian thought comes into focus when you view it as an attempt to preserve the humanitarian blessings of the liberal, capitalist market order against the illiberal depredations of encroaching socialism.

F.A. Hayek saw the Nazis and Soviets up close. In the early 1940s, when Hayek began writing The Road to Serfdom, the Nazis (who ruled his native Austria) were locked in a death-match for control of Europe with Stalin’s totalitarian communism and the scattered remnants of the old liberal order. Capitalist liberal democracy looked like it really might be doomed. Hayek believed that 18th and 19th century arguments for “the liberal creed” had grown stale, no longer inspiring allegiance. So he took it upon himself to restate and defend the argument for liberalism in contemporary terms against the specific threats to freedom in the age of the Soviets and Nazis.’

Speaking of weaponized libertarian anti-socialism-More on Title IX consequences, and the presumption of guilt and subjection to extra-legal authority some individuals have undergone within our universities…caught within a dragnet harming the environment of free-thought: ‘Pursuit of Injustice: Further Adventures Under Title IX:’

‘The tribulations resulting from trumped-up Title IX cases have been well documented by Laura Kipnis, among others. Some of them have spun off into legal proceedings. My experience at the University of Utah shows that Title IX can beget other kinds of administrative tribunals in higher education.

‘One of the most urgent challenges, today, is that of correcting the double standard in education that discriminates against Native American students, in effect, maintaining a lower standard for Native American students. While it would be truly exceptional and aberrant to find the science curriculum of a typical high school or university contaminated by creationist versions of human origin, the same cannot be said today for schools on Indian reservations and programs in American Indian Studies, Indigenous Studies, and Multicultural Education.’

‘The Noble Savage,’ by definition, is a figure shrouded in sentiment. The idealized native bi-pedals through a diorama of Romanticized Nature, living off the land, performing his rituals while in possession of a profound and ancient wisdom. Perhaps, at least, we should study him, copying his mysterious ways, living alongside him in a journey of discovery.

I’d say there’s definitely a well of modern primitivism within Western thought: The search for shared spiritual and/or ideological goals, a primitive freedom of one’s own along with moral absolution (lessening the guilt and shame). For many in the West, ‘going native’ has all the appeal of an escape hatch.

Actual natives, too, can remain something less than individuals for many ideologues and true-believers. Being asked to join a separate and not yet (E)qual identity group, fighting in fierce competition over scarce political resources in the bosom of empathy, might not be all it’s cracked up to be.

That Columbus, what a bad guy! Am I right?

Perhaps neither is simply becoming another of God’s children carted-off to an Indian School.

For some Westerners, understanding involves using the tools of (S)cience and the expansion of knowledge within Western taxonomy. Mathematics, observation, developed problem-solving techniques, the historical record, evolutionary theory and the Western fields of archaeology and anthropology all play a part.

For others in the American West, especially, I’m guessing it’s also about practicality: Genuinely living in closer quarters with tribes and having to the negotiate different languages, conceptions of ownership, scarce resources and whatever challenges and shared traditions have arisen over the years.

Maybe it’s as simple as going to the casino Friday Night to play bingo and blowing $100 on drinks and tickets for the Blue Oyster Cult, if that’s your thing.

It’s almost as if men in positions of authority and influence have broader scope for their appetites, and some of these men blur the line, over time, between these appetites and their positions of authority and influence.

Additionally, the vices of an individual can either be independent of, or even the downside risks to, their virtues.

‘yeah, Ralph’s a horrible drunk and cad…but he’s still the top regional salesman three years running. Let’s just hope he doesn’t do something really terrible.’

Of course, to a lot of people (sensible, decent, men and women), the above is self-evidently true, and it never really goes away. In a free and open society, there can be no guarantees against encountering it (although there clearly must be some protections against it and means to gain justice once it happens).

One hopes not to be exposed to the tough moral decisions required once it’s pretty clear you or someone you know is the (genuine) victim of such abuse. Moral courage and mental toughness are clearly called for.

In fact, many people simply fold or look away when confronted with such possible truths, especially people with reasons to stay quiet.

——

***I’d argue we’ve had serious erosion of the more traditional cultural constraints upon such behavior (men more likely to regulate their own and other men’s behavior, with some amount of honor, and arguably more women enforcing this honor system within the old guard).

We also have the rise of new moral constraints, driven primarily by many counter-cultural and anti-establishment movements now pretty firmly established (yes, this is what happens after all the talk of freedom and oppression dies down and the real business of running things occurs…the logic unfolds as it must).

Institutional authority and social trust still seem to be in serious decline, for many, many reasons. Here are a few more.

-Now Daniel Dennett, philosopher, cognitive scientist, one of the New Atheists and Boston-based secularist responds to Wieseltier:

‘Pomposity can be amusing, but pomposity sitting like an oversized hat on top of fear is hilarious. Wieseltier is afraid that the humanities are being overrun by thinkers from outside, who dare to tackle their precious problems—or “problematics” to use the, um, technical term favored by many in the humanities. He is right to be afraid. It is true that there is a crowd of often overconfident scientists impatiently addressing the big questions with scant appreciation of the subtleties unearthed by philosophers and others in the humanities, but the way to deal constructively with this awkward influx is to join forces and educate them, not declare them out of bounds.’

Got all that?

Why does Wieseltier have his dukes up?

Is the intelligent design debate the right one to have? Whence the humanities?

Terry Eagleton, British Marxist and professor in the humanities, is debating Roger Scruton in the video below, a conservative British philosopher focusing on aesthetics and the humanities, with a lot of German idealist influence:

Will Marxism & continental philosophy, become further guiding lights for the humanities here in America, as we find much more so in Britain?