South East London blogzine - things that are happening, things that happened, things that should never have happened. New Cross, Brockley, Deptford and other beauty spots. EMAIL US: transpontineblog at gmail.com Transpontine: 'on the other (i.e. the south) side of the bridges over the Thames; pertaining to or like the lurid melodrama played in theatres there in the 19th century'.

Wednesday, March 30, 2016

Mysterious case of drowning - On Tuesday morning, between six and seven o'clock, the body of a young lady of respectable appearance, and apparently about eighteen years of age, was dragged out of the mill-pond, Southend, near Beckenham... The young woman, in company with another female and two young men, had been driving out on Easter Monday, and when returning home to Deptford, about nine o'clock, the stopped at the Green Man Inn, Southend, for refreshments. The three other occupants of the conveyance left the deceased by herself for a few minutes, and upon their return she could not be found. Subsequently the body was discovered in the pond which is situated immediately opposite the inn. The body was removed to Brockley, there to await identification and the coroner's inquest'.

The mill-pond referred to is still there, albeit remodelled as the pond in front of the Homebase store on the corner of Bromley Road and Beckenham Hill Road. It was once part of Southend village, the last rural area of Lewisham before it was urbanised in the 1920s.

With events taking place across South East London, Together will be spinning all the best in Northern Soul - from Motown classics to new soul discoveries. It will reflect the unity of the original scene, welcoming both aficionados and newcomers into the beguiling world of rare vintage soul. This is a soul party playing life-affirming music, and absolutely everybody’s invited.

Together welcomes a very special guest for its Easter bank holiday launch. Bassman with the Paul Weller band and Acid Jazz recording artists, Andy’s DJ C.V. is truly impressive. Resident DJ at the seminal Brit Pop ‘Blow-Up’ club, and a DJ whose guest slots have taken him round the globe, a better debut guest really would be difficult find. Joined by Peckham Soul’s Craig Jamieson and guests, expect some serious heavyweight soul action.

Monday, March 21, 2016

Domestics and hostesses employed by private contractor Aramark at four sites of South London and Maudsley NHS Trust (SLAM) are out on strike today, seeking a living wage of £10per hour and an end to two tier arrangements on sick pay and shift allowances. The strike involves GMB members at the Maudsley, Lambeth, Bethlem and Ladywell mental health service sites - the latter at Lewisham Hospital, where strikers were joined on the picket line by the indefatigable Save Lewisham Hospital Campaign.

'I don't suppose you know much about the Eastern part of London - Rotherhithe, Deptford, and thereabout?'

Milly replied that she had never heard of the places he named.

'No, I thought not,' he replied. 'Well, you see, Miss Shelburne, there are, on the other side of the river, over London Bridge, in fact in Surrey, very respectable places I assure you, and so quiet. Rotherhithe - Redriff some call it, but that's vulgar, I never call it so myself - Rotherhithe is remarkably quiet, a capital place...

There is a most delightful place of amusement, you see, at Rotherhtihe, or rather on the lower road to Deptford, - the Lower Road as it is called, for there are two roads - called the St Helena Tea Gardens... The Eastern Vauxhall, we call it. One of the loveliest places you eyes ever beheld. More romantic and much more select than any of the other places in London. There's a Ball-room and a Orchester, and such a Organ, it's worth going, if it's only to hear that'

Later there is a description of the St Helena gardens:

'an arbour scented with honeysuckle and jessamine, where a peep through the sweetbriar hedge commanded a view so rural - including a windmill with revolving sails, cottages, fields with cattle fielding, a secluded lane green as an emerald; altogether a scene which might have persuaded you that you were a hundred miles from the Great Metropolis; while on the other side were to be seen the masts of vessels rising above the green hedges, indicating the vicinity of the mighty Thames'.

Monday, March 07, 2016

The current Brockley Jack pub dates back to 1898 and replaced an older building demolished not long before. The pub had actually only been known by that name since 1863 - prior to that it was called The Castle. It is described in Walter Besant's London South of the Thames (published 1912, but written in the 1890s):

'on the west side of the road is the Brockley Jack public-house. It was named after Jack Cade and was formerly frequented by Dick Turpin and other highway- men, and is a good specimen of the English wayside tavern of the last century. The taproom and the whole architecture of the place with its old buildings are curious, and the sign nailed to the stump of an old elm in the yard is painted on a mammoth's bone which was dug up in the railway cutting behind the house. The Croydon Canal was acquired by the Croydon Railway in 1836, and it was in deepening this that the bones, of which the sign is one, were found. The old farm south of this inn will soon be built over, and houses are already appearing in the lane to Honor Oak, but most of the ground is still pasture' (Jack Cade was a leader of the 1450 Kentish uprising).

The demolition of the old building was opposed by some, as indicated by this report from th Illustrated London News, 16 October 1897:

'The Jack Inn, Brockley: The vandal is generally more inclined to spare a public-house than he is to spare a church; but it is the old Jack Inn at Brockley, in Kent, that is now marked down for demolition. Many a cyclist following the course of the London, Brighton, and South Coast Railway from London Bridge will miss the welcome which the inn continued to give from the old world; but the growth of suburban London is imperious in its demands. Brockley is within the Parliamentary borough of Deptford; but the little boundaries and isolations of London are rapidly disappearing in that direction, and much beside the Jack Inn will disappear ere long in front of London's immense army of occupation'

Judging by the number of paintings made of the old pub, it was something of an iconic building.

A painting dated 1898 and sigend G.C., held by Lewisham Local History and Archives Centre

Saturday, March 05, 2016

I don't think I have played a ukulele in public since the ancient 'night of the long ukes' split in Brockely Ukulele Group (it's OK, we're all friends again now). But I must admit I am tempted to pick up the four stringed wonder once again on St Patrick's Night (15th March) when Catford Charity Strummers are having an Irish-themed strumalong upstairs in the Catford Constitutional Club. All are welcome, you don't need to have played before and in fact you don't even need to bring your own uke. There is a suggestion donation to raise funds for local charities.

Thursday, March 03, 2016

The Reverand Thomas B. Pandian of Madras (sometimes known as T.B. Pandian or T.B. Pandiyan) was a Hindu convert to Christianity who came to England in 1893 to raise awareness of the plight of low caste 'Pariahs'. His travels in this country inspired his book 'England to an Indian Eye, Or, English Pictures from an Indian Camera' (1897), which is available to read for free at archive.org. It is a work that includes lots of interesting observations such as his remark that 'the rage for cycling has taken full and fast hold of the people of England, as is evidenced by the fact that London is simply over-run by "wheelers" of both sexes'.

While describing London as 'the most remarkable city on the face of the globe' he did not overlook its miseries, such as the plight of the homeless: 'scores of such can, when darkness sets in, find no better resting-place than that afforded them by the doorsteps of public buildings, and obscure angles forming the junctures of adjoining structures of one kind or another. Foodless, half-clothed, lying through the live-long night on the bare surface of these stony bedsteads— so cold, so damp, so hard— life to the houseless poor of London must seem nothing more than an intolerable condition of agonizing cursedness! What wonder, then, that so many of these wretched beings daily call in the angel of death to relieve them before their appointed time, ending their earthly miseries by plunging themselves headlong into the unclean waters of their Father Thames!'

Pandian describes a visit to the Crystal Palace:

'No sight-seer will think of leaving London without looking in at the world-famed 'Palace of Glass' in Upper

Norwood, where John Bull and all his household disport themselves in a hundred different holidays. The Crystal Palace hall is capable of accommodating several thousands of people, and it is here that popular

concerts and musical entertainments, organised on a large scale, are held, and it is here also that monster meetings of all sorts take place, when they are intended to present the character and significance of a national demonstration. So grandly beautiful is the appearance of this magnificent structure that I could well imagine a Christian villager from India regarding the edifice as a prototype of one of the 'many mansions' he has been taught to believe in as being 'prepared' for those who follow the teachings of the Heaven-sent Master he has learnt to serve. In a word, the Crystal Palace of London is best described as being a splendid exhibition in itself, such as cannot be found in any other part of the globe. It is, moreover, a complete and comprehensive index to England's commercial wealth and greatness'.

In a post earlier this week I featured a photo taken in that period at the New Cross studio of photographer R.F. Barnes. I am wondering whether this might actually be T.B. Pandian himself. There's some discussion at a family history site which suggests a link between Pandian and this photo- the key is the book he is holding. On highest resolution I could see that the last word on title is 'Peninsula' and others have spotted that the other visible word looks like 'Heroes'. Pandian was the author of a book entitled 'The Ancient Heroes of South Indian Peninsula', published in the year of that visit to London - 1893. Why else would he be holding that particular book in the photograph unless he had written it himself?

Wednesday, March 02, 2016

The telephone box library on Loampit Hill has been going for a couple of years, but now it has been joined by a companion library not far away for children - on the corner of Lewisham Way and Wickham Road

The phone box is already stocked with some good children's books, the format being the same as the other telephone box library - passers-by can simply choose a book and take it away, preferably swapping it for a book of their own that they have finished with.

Tuesday, March 01, 2016

Tonight (Tuesday 1st March, 7 pm), Stand up to Racism South East London is holding a 'Refugees Welcome Here' public meeting in Room 137a, main building (RHB), Goldsmiths University, New Cross, SE14 6NW

Some more vintage studio photos from the New Cross area. Frustratingly there is no detail about the subjects, but they tell us plenty about London hair and clothes styles in late Victorian London.

The first few were taken at R.F. Barnes's studio, Mortham House, Lewisham High Road, New Cross. According to Photo London, the full address was 144 Lewisham High Road, and the studio was opened by Robert Freeman Barnes in 1874. On his death in 1898, he was succeeded by his wife Matilda Sarah Barnes who kept the business going until 1907. So in all likelihood these photos were taken in the late 19th century.

The next two portraits of children were taken by A.C. Clements, 'artist and photographer' based at 3 Amersham Road. Albert Charles Clements (1865-1938) ran the studio there from 1887 to 1895.

Finally there's this finely bearded gentleman 'From Kirby's Studios, Peckham and New Cross'. The photographer was Theophilus Claudius Kirby (1829-1907). The Peckham studion was at 85 Hill Street (from 1879 - 1895) and the other studio at 346 New Cross Road (from 1888 - 1891). So this photograph must have been taken in the 1888-1891 period.

From the Murky Depths reports that a planning application has been submitted to build flats on the site of the Aladdin's Cave' s...

Editorial policy

- No personal attacks;

- No party politics;

- No puff pieces for commercial businesses (but reserve the right to say nice things about pubs, cafes and bookshops)

- Mentioning something here doesn't imply an endorsement.

If you don't like it leave a comment or start your own blog. Comments are subject to approval mainly to prevent spam, critical ones are welcome, but personal attacks or racist nonsense won't get approved.