Landscape in the arts

Tuesday, August 01, 2006

Stratford Mill

John Constable, Stratford Mill, 1820

To the Tate’s Constable exhibition, where the six-footers have been hung with their full-size sketches. Looking at the sketch for Stratford Mill(1820), I was taken with the powerful shaft of light hitting the water in the middle of the painting – absent from the finished work, which is serene, harmonious, calm and maybe a little bit dull. In moving from sketch to exhibited painting, Constable took out the central figure of the fisherman with his eye-catching red scarf, whose prominence may, I suppose, have detracted from the landscape, and also found no room for a duck that skitters across the water in the original composition. The clouds are less rough and turbulent too, although they remain a dramatic counterpoint to the trees – and it was with reference to this painting that Constable made his comment that the sky in a painting is the ‘chief organ of sentiment.’ In fact the more you look at the clouds and trees in the finished painting, the more you realise they are both highly composed and expressive. The sketches may be freer and more direct, but the six-footers themselves were startling in their day.

As I write this peering at frustrating little jpegs on the screen, I’m reminded why I found a visit to the exhibition worthwhile even though the six-footers are so familiar. Revisiting them is like going back to reread nineteenth century literature – I tend to think of Constable’s succession of large-scale major works as resembling a sequence of books, perhaps the equivalent in painting of Thomas Hardy’s novels. The first two rooms of the exhibition are crowded, but it is possible to enjoy the six-footers in an atmosphere of relative calm, both as paintings in their own right and in pairs with their full-size sketches.

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About this site

This blog explores landscape through the arts: painting, installation, photography, literature, music, film... I've also on occasion covered the creation or alteration of landscapes by architects, artists and garden designers. For the first year I did several short entries each week; since then I have reduced the frequency and some posts are a bit longer. In naming this site 'Some Landscapes' initially I just saw it as a few modest notes and didn't know if I'd keep it up. Of course it will always only cover 'some' landscapes, even though I occasionally like to think of it as an expanding cultural gazetteer. There is a pretty long index (see above) listing the artists of all kinds that have been mentioned here. There is also a partial timeline - partial because the site I used restricted me to just a relatively small number of entries (unless I paid!) I started writing this blog using the name 'Plinius' (a little tribute to the younger and older Plinys) and am now rather attached to it as a 'nom de blog'. Comments are very welcome but are moderated to prevent spam. Plinus / Andrew Ray.