As a post-modern tourist, I go into spaces where others rarely look. Not because of the search to find anything in particular but because of the experience. This way of working helps me to interpret a visual language. In a time of speed and temporality I try to grab things that would otherwise evaporate. Molding the intangible and materializing it in a work interests me in general. Things that you might pass by or you normally would not pay any attention to. This materialization of things arises not by thinking but by acting and by doing. A series of performed actions that passed on to an object or a form which induces a new work. This is how DISPLACING AIR came about. A journey and a possible attempt to catch the elusive. An action that has led to a set of performance. A story scattered by stimulus.