The 2013 symposium, held at the Lincoln Center campus of Fordham University, drew an audience of some 45 persons. The symposium was planned by the K-SAA’s current Vice-President, Neil Fraistat, to reflect on what may be the result of major digitization projects now underway in the field of British Romanticism. There were three main sections, each having distinct generic, methodological and technical differences, so as to make the outcome of the interaction between speakers and auditors valuable beyond the local applications of the particular subjects. The first of these, led by Morris Eaves, a founder of the revolutionary digital Blake Archive, and Rachel Lee, a principal editor for the Archive, concentrated on the manuscript of Blake’s unfinished epic, Vala, or the Four Zoas, which the Blake Archive, with permission of the British Library, is rendering in an electronic format. All paper editions of this work have had to undergo significant intervention from their editors, since there . . .

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