​"Actividad rabiosa" (Rabid news) arises from the forced intersection between legitimate self-absorption and actuality understood as a refined version of reality that persistently claims its piece of audience, invading even the most voluntarily refractory experiences.

These encounters give rise to six interventions, which expand towards the interior and exterior of the gallery, in which a forced hybridization is provoked between diverse pretensions coming from distant areas among themselves and of diverse nature, which clump together around a formalism neutralizing and an intention manifested.