Anointing

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Frank Turner headlines Wembley Arena, announces UK tour (punknews)

The evening of Friday the 13th of April, 2012, saw English folk-punk
troubadour Frank Turner play to a 12,000 strong sell-out crowd at London's
Wembley Arena.

With Essex-born folk-punk legend Billy Bragg on main support, Turner and his
band, The Sleeping Souls, have garnered excellent reviews from across the
British press in the subsequent days, with notable write-ups in The
Independent, The Daily Telegraph, and The Guardian.

The Guardian's Caroline Sullivan summed up her review as follows:

> Though the rise of the anti-capitalist movement has undoubtedly sent many
new followers Turner's way – his current album, England Keep My Bones, nearly
went Top 10 – his set finds a surprising amount of room for the personal as
well as the political. For every rasped-out call to arms such as Love, Ire &
Song ("Let's be heroes, let's be martyrs, let's be radical thinkers," it
commands hopefully), there's a nostalgic Wessex Boy, whose Mumfordian
jauntiness is heightened by female backing singers. Yet the show is laced with
reminders that Turner – a sweary bundle of energy in waistcoat and jeans – is
as committed as ever. A duet with Bragg on The Times They Are A-Changin' ...