Pop singer Komal Rizvi’s new song gives her an entry into the sufi music genre. PHOTO:FILE

KARACHI:

VJ-actor-singer Komal Rizvi’s attempt to deliver a spiritual lift in music with her new song Jhoolay Lal is not so successful.

Jhoolay Lal has been written and composed by Komal, produced by Shallum Xavier from Fuzon and features Abdullah Niazi brothers’ qawwali. In December 2012, Komal told The Express Tribune that she is highly influenced by sufis and feels spirituality has played a significant role in her life. “I can’t even begin to explain how spiritual I am,” she said, adding that the lyrics of her song Jhoolay Laal give off the same vibes. “I have sung it with all my heart and soul. I am sure the listeners will like it as well.”

She starts the song in an interesting manner with a decent alap (music without words) and when the guitar kick in, you are suddenly transpired into a good rock music setting. Komal’s vocals are impressive, which shows that she has definitely evolved as a singer since the release of Chahiye, her first come back number.

However, the song nosedives from there on, as all the spirituality in the lyrics and the composition turns into her Dil Ka Dard. The surprise is certainly not worth it as the remaining part of the song is ordinary and also brings the worst out of her vocals — quite unexpected after an interesting beginning. After that, there is chaos in the song; the qawwals come in again for some orthodox alaps, the rest of the song keeps revolving in a strange atmosphere created by a monotonous and an unappealing composition.

Before we go into the details of the audio and the video, the more important question is how do you define sufi music? Junoon introduced itself as a sufi rock band; Noori was labeled sufi rock too after the success of Aik Alif and the legendary Abida Parveen offers a mix of qawwali and ghazal with sufi poetry. Even Abbas Ali Khan uses sufi poetry in a semi-classical rendition. A safe conclusion is that any form of music that offers sufi poetry essentially leads to the formation of sufi music. However, the sufi kalam are conversations with God and love for Him; which is why all sufi renditions are inclusive of veneration which becomes the soul of the song. Rizvi’s rendition of Jhoolay Lal lacks that soul needed to qualify as a sufi song.

There is an undeniable dearth of female artists in the Pakistani music scene. Since the heydays of Fariha Pervez and Hadiqa Kayani, not many have sustained in the industry. Remember Huma Khwaja who came with a couple of catchy songs in 2007, and then there was Annie Khalid. Her 2007 song Mahiya remix gave her instant fame. Qurat-ul-Ain Balouch (QB) from the fame of 2011 Humsafar’s soundtrack fame has yet to deliver an album. Amongst some new comers, Komal has been trying to make a comeback for two years now. She has been trying to prove something as a singer and musician desperately, but has been missing the bull’s eye by a great distance; her new song Jhoolay Laal is a testimony to it.

It is good to see female artists generate music for neighbouring countries, especially if they make Pakistan proud. After all, pop music is what Pakistanis are known for. Komal’s Jhoolay Lal might as well be the last nail in the coffin for her. She should restrict herself to acting and hosting, which she does relatively well.

Reader Comments (6)

“I can’t believe how spiritual I am” …….Really? Komal, you like lots of your other pseudo sufi musicians including Salman Ahmed are a charlatan…….Here is an excerpt from Saadi to put things in context.

“One of the devout who had deeply plunged his head into the cowl of meditation and had been immersed in the ocean of visions, was asked, when he had come out of that state, by one of his companions who had desired to cheer him up: ‘What beautiful gift hast thou brought us from the garden in which thou hast been?’ He replied: ‘I intended to fill the skirts of my robe with roses, when I reached the rose-tree, as presents for my friends but the perfume of the flowers intoxicated me so much that I let, go the hold of my skirts.’

O bird of the morning, learn love from the moth
Because it burnt, lost its life, and found no voice.
These pretenders are ignorantly in search of Him,
Because he who obtained knowledge has not returned.”

Horrible review! I feel you just critique for the sake of it.The song was something different, something new, and not just one of the ‘run of the mill’ stuff. Do you know anyone else who is even doing something with music? the whole industry has come to a standstill, and when someone does do something, such reviews come up.

How many albums have you made? or to make it simple, how many songs have you even come with??

Im not the producer, and I know the singer, but not a ‘close’ friend. My point is, there is something different. If the critic has a different taste of music, it doesnt mean he needs to shove his ideas down people’s throats.

A critic needs to be unbiased, without personal prejudice and likings. He/she needs to balance his/her argument when reviewing someone elses work.

If not, I can ask the same: are you the editor of the paper or a friend of the critic?