What is time? Traditionally, it has been answered that time is a product of the human mind, or the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or ...
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What is time? Traditionally, it has been answered that time is a product of the human mind, or the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or eternal duration is ‘absolute’, in the sense it is independent of human minds and material bodies. This study explores the development of absolute time or eternal duration during one of Britain’s richest and most creative metaphysical periods, from the 1640s to the 1730s. It features an interconnected set of main characters—Henry More, Walter Charleton, Isaac Barrow, Isaac Newton, John Locke, Samuel Clarke, and John Jackson—alongside a large and varied supporting cast, whose metaphysics are all read in their historical context and given a place in the seventeenth- and eighteenth-century development of thought on time. In addition to interpreting the metaphysics of these characters, this study advances two general, developmental theses. First, the complexity of positions on time (and space) defended in early modern thought is hugely under-appreciated. Second, distinct kinds of absolutism emerged in British philosophy, helping us to understand why some absolutists considered time to be barely real, whilst others identified it with the most real being of all: God.Less

Absolute Time : Rifts in Early Modern British Metaphysics

Emily Thomas

Published in print: 2018-04-05

What is time? Traditionally, it has been answered that time is a product of the human mind, or the motion of celestial bodies. In the mid-seventeenth century, a new kind of answer emerged: time or eternal duration is ‘absolute’, in the sense it is independent of human minds and material bodies. This study explores the development of absolute time or eternal duration during one of Britain’s richest and most creative metaphysical periods, from the 1640s to the 1730s. It features an interconnected set of main characters—Henry More, Walter Charleton, Isaac Barrow, Isaac Newton, John Locke, Samuel Clarke, and John Jackson—alongside a large and varied supporting cast, whose metaphysics are all read in their historical context and given a place in the seventeenth- and eighteenth-century development of thought on time. In addition to interpreting the metaphysics of these characters, this study advances two general, developmental theses. First, the complexity of positions on time (and space) defended in early modern thought is hugely under-appreciated. Second, distinct kinds of absolutism emerged in British philosophy, helping us to understand why some absolutists considered time to be barely real, whilst others identified it with the most real being of all: God.

In the last twenty to thirty years, research on affective determinants of health behavior has proliferated. For the first time, this burgeoning area of research is reviewed and discussed in a single ...
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In the last twenty to thirty years, research on affective determinants of health behavior has proliferated. For the first time, this burgeoning area of research is reviewed and discussed in a single volume, with chapters from leading experts in their respective areas. Authors focus on a range of affective concepts, including, but not limited to, hedonic response, incidental affect, perceived satisfaction, anticipated affect, affective attitudes, and affective associations. In the first part of the book (chapters 2–10), the role of affective concepts is highlighted and expanded in multiple theories of health behavior, including theories of action control, self-regulation, self-determination, dual-processing, affective associations, and hedonic motivation. The second part of the book (chapters 11–20) focuses on the role of affective concepts in specific health behavior domains, including physical activity, eating, smoking, substance use, sex, tanning, blood donation, performance of health professionals, cancer screening, and cancer control. Each chapter offers a summary of existing research, as well as the authors’ insights on possible new directions and implications for intervention.Less

Affective Determinants of Health Behavior

Published in print: 2018-06-15

In the last twenty to thirty years, research on affective determinants of health behavior has proliferated. For the first time, this burgeoning area of research is reviewed and discussed in a single volume, with chapters from leading experts in their respective areas. Authors focus on a range of affective concepts, including, but not limited to, hedonic response, incidental affect, perceived satisfaction, anticipated affect, affective attitudes, and affective associations. In the first part of the book (chapters 2–10), the role of affective concepts is highlighted and expanded in multiple theories of health behavior, including theories of action control, self-regulation, self-determination, dual-processing, affective associations, and hedonic motivation. The second part of the book (chapters 11–20) focuses on the role of affective concepts in specific health behavior domains, including physical activity, eating, smoking, substance use, sex, tanning, blood donation, performance of health professionals, cancer screening, and cancer control. Each chapter offers a summary of existing research, as well as the authors’ insights on possible new directions and implications for intervention.

Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth ...
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Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a “science” of form, whether as lines in a painting, twinned characters in a novel, or wave-like stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll’s children’s books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.Less

Algebraic Art : Mathematical Formalism and Victorian Culture

Andrea Henderson

Published in print: 2018-04-12

Algebraic Art explores the invention of a peculiarly Victorian account of the nature and value of aesthetic form, and it traces that account to a surprising source: mathematics. The nineteenth century was a moment of extraordinary mathematical innovation, witnessing the development of non-Euclidean geometry, the revaluation of symbolic algebra, and the importation of mathematical language into philosophy. All these innovations sprang from a reconception of mathematics as a formal rather than a referential practice—as a means for describing relationships rather than quantities. For Victorian mathematicians, the value of a claim lay not in its capacity to describe the world but its internal coherence. This concern with formal structure produced a striking convergence between mathematics and aesthetics: geometers wrote fables, logicians reconceived symbolism, and physicists described reality as consisting of beautiful patterns. Artists, meanwhile, drawing upon the cultural prestige of mathematics, conceived their work as a “science” of form, whether as lines in a painting, twinned characters in a novel, or wave-like stress patterns in a poem. Avant-garde photographs and paintings, fantastical novels like Flatland and Lewis Carroll’s children’s books, and experimental poetry by Swinburne, Rossetti, and Patmore created worlds governed by a rigorous internal logic even as they were pointedly unconcerned with reference or realist protocols. Algebraic Art shows that works we tend to regard as outliers to mainstream Victorian culture were expressions of a mathematical formalism that was central to Victorian knowledge production and that continues to shape our understanding of the significance of form.

John L. Campbell

Sociology, Politics, Social Movements and Social Change, Social Stratification, Inequality, and Mobility

This book is about how Donald Trump, who had no prior public service, became president of the United States. It argues that Trump capitalized on a wave of increasing public discontent that stemmed ...
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This book is about how Donald Trump, who had no prior public service, became president of the United States. It argues that Trump capitalized on a wave of increasing public discontent that stemmed from the demise of the country’s Golden Age of prosperity. This involved decades-long trends in the American economy, race relations, ideology, and political polarization, all of which fueled rising discontent across America. It reached a tipping point by the time Barack Obama was elected president. When the 2008 financial crisis hit and Obama was elected the first African American president, he tried to resolve the crisis and fix the nation’s ailing health care system. But in doing so he pushed rising discontent over the edge. Political gridlock in Washington resulted. Discontent skyrocketed. Americans were fed up and looked for a savior. Trump was lucky to be in the right place at the right time and rode that wave of discontent all the way to the White House.Less

American Discontent : The Rise of Donald Trump and Decline of the Golden Age

John L. Campbell

Published in print: 2018-07-26

This book is about how Donald Trump, who had no prior public service, became president of the United States. It argues that Trump capitalized on a wave of increasing public discontent that stemmed from the demise of the country’s Golden Age of prosperity. This involved decades-long trends in the American economy, race relations, ideology, and political polarization, all of which fueled rising discontent across America. It reached a tipping point by the time Barack Obama was elected president. When the 2008 financial crisis hit and Obama was elected the first African American president, he tried to resolve the crisis and fix the nation’s ailing health care system. But in doing so he pushed rising discontent over the edge. Political gridlock in Washington resulted. Discontent skyrocketed. Americans were fed up and looked for a savior. Trump was lucky to be in the right place at the right time and rode that wave of discontent all the way to the White House.

American Obscurantism argues for a salutary indirection in U.S. culture. From its earliest canonical literary works through films of the late twentieth and early twenty-first centuries, the most ...
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American Obscurantism argues for a salutary indirection in U.S. culture. From its earliest canonical literary works through films of the late twentieth and early twenty-first centuries, the most compelling manifestations of America’s troubled history have articulated this content through a unique formal and tonal obscurity. Envisioning the formidable darkness attending racial history at nearly every stage of the republic’s founding and ongoing development, writers such as William Faulkner and Hart Crane, and directors like the Coen brothers and Stanley Kubrick, present a powerful critique of American conquest, southern plantation culture, and western frontier ideology. American Obscurantism engages the basis of these explorations in Edgar Allan Poe and Herman Melville, each of whom present notable occlusions in their characters’ racial understanding, an obtuseness or naivety that is expressed by a corresponding formal opacity. Such oblique historicity as the book describes allows a method at odds with—and implicitly critical of—the historicizing trend that marked literary studies in the wake of the theoretical turn. The book thus restores an emphasis on aesthetic and medium-specific features to argue for a formalist historicity. Working through challenges to an implicitly white, bourgeois, heteronormative polity, American Obscurantism posits an insistent, vital racial otherness at the heart of American literature and cinema. It examines this pattern across a canon that shows more self-doubt than assuredness, arguing for the value of openness and questioning in place of epistemological or critical certainty.Less

American Obscurantism : History and the Visual in U.S. Literature and Film

Peter Lurie

Published in print: 2018-07-26

American Obscurantism argues for a salutary indirection in U.S. culture. From its earliest canonical literary works through films of the late twentieth and early twenty-first centuries, the most compelling manifestations of America’s troubled history have articulated this content through a unique formal and tonal obscurity. Envisioning the formidable darkness attending racial history at nearly every stage of the republic’s founding and ongoing development, writers such as William Faulkner and Hart Crane, and directors like the Coen brothers and Stanley Kubrick, present a powerful critique of American conquest, southern plantation culture, and western frontier ideology. American Obscurantism engages the basis of these explorations in Edgar Allan Poe and Herman Melville, each of whom present notable occlusions in their characters’ racial understanding, an obtuseness or naivety that is expressed by a corresponding formal opacity. Such oblique historicity as the book describes allows a method at odds with—and implicitly critical of—the historicizing trend that marked literary studies in the wake of the theoretical turn. The book thus restores an emphasis on aesthetic and medium-specific features to argue for a formalist historicity. Working through challenges to an implicitly white, bourgeois, heteronormative polity, American Obscurantism posits an insistent, vital racial otherness at the heart of American literature and cinema. It examines this pattern across a canon that shows more self-doubt than assuredness, arguing for the value of openness and questioning in place of epistemological or critical certainty.

This book provides a synthesis of the physical, physiological, evolutionary, and biomechanical principles that underlie animal locomotion. An understanding and full appreciation of animal locomotion ...
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This book provides a synthesis of the physical, physiological, evolutionary, and biomechanical principles that underlie animal locomotion. An understanding and full appreciation of animal locomotion requires the integration of these principles. Toward this end, we provide the necessary introductory foundation that will allow a more in-depth understanding of the physical biology and physiology of animal movement. In so doing, we hope that this book will illuminate the fundamentals and breadth of these systems, while inspiring our readers to look more deeply into the scientific literature and investigate new features of animal movement. Several themes run through this book. The first is that by comparing the modes and mechanisms by which animals have evolved the capacity for movement, we can understand the common principles that underlie each mode of locomotion. A second is that size matters. One of the most amazing aspects of biology is the enormous spatial and temporal scale over which organisms and biological processes operate. Within each mode of locomotion, animals have evolved designs and mechanisms that effectively contend with the physical properties and forces imposed on them by their environment. Understanding the constraints of scale that underlie locomotor mechanisms is essential to appreciating how these mechanisms have evolved and how they operate. A third theme is the importance of taking an integrative and comparative evolutionary approach in the study of biology. Organisms share much in common. Much of their molecular and cellular machinery is the same. They also must navigate similar physical properties of their environment. Consequently, an integrative approach to organismal function that spans multiple levels of biological organization provides a strong understanding of animal locomotion. By comparing across species, common principles of design emerge. Such comparisons also highlight how certain organisms may differ and point to strategies that have evolved for movement in diverse environments. Finally, because convergence upon common designs and the generation of new designs result from historical processes governed by natural selection, it is also important that we ask how and why these systems have evolved.Less

Animal Locomotion

Andrew BiewenerSheila Patek

Published in print: 2018-04-05

This book provides a synthesis of the physical, physiological, evolutionary, and biomechanical principles that underlie animal locomotion. An understanding and full appreciation of animal locomotion requires the integration of these principles. Toward this end, we provide the necessary introductory foundation that will allow a more in-depth understanding of the physical biology and physiology of animal movement. In so doing, we hope that this book will illuminate the fundamentals and breadth of these systems, while inspiring our readers to look more deeply into the scientific literature and investigate new features of animal movement. Several themes run through this book. The first is that by comparing the modes and mechanisms by which animals have evolved the capacity for movement, we can understand the common principles that underlie each mode of locomotion. A second is that size matters. One of the most amazing aspects of biology is the enormous spatial and temporal scale over which organisms and biological processes operate. Within each mode of locomotion, animals have evolved designs and mechanisms that effectively contend with the physical properties and forces imposed on them by their environment. Understanding the constraints of scale that underlie locomotor mechanisms is essential to appreciating how these mechanisms have evolved and how they operate. A third theme is the importance of taking an integrative and comparative evolutionary approach in the study of biology. Organisms share much in common. Much of their molecular and cellular machinery is the same. They also must navigate similar physical properties of their environment. Consequently, an integrative approach to organismal function that spans multiple levels of biological organization provides a strong understanding of animal locomotion. By comparing across species, common principles of design emerge. Such comparisons also highlight how certain organisms may differ and point to strategies that have evolved for movement in diverse environments. Finally, because convergence upon common designs and the generation of new designs result from historical processes governed by natural selection, it is also important that we ask how and why these systems have evolved.

This study analyses the autos sacramentales, or Eucharistic plays, by Sor Juana Inés de la Cruz (1651–95). It focusses on their relationship to the changing currents of philosophical thought in the ...
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This study analyses the autos sacramentales, or Eucharistic plays, by Sor Juana Inés de la Cruz (1651–95). It focusses on their relationship to the changing currents of philosophical thought in the late-seventeenth century Hispanic world, from a mindset characterized by scepticism, Neostoicism, and suspicion of the material world as a source of truth, to an empirical approach to the natural world that understood the information received by the senses as a fallible, yet useful, provisional source of knowledge. By examining each play in turn, along with the introductory loa with which they were intended to be performed, the study explores how each drama seeks to integrate empirical ideas with a Catholic understanding of transubstantiation. At the same time, each individual study identifies new sources for these plays, and demonstrates how these illuminate, or nuance, present readings of the works. The study of El divino Narciso employs a previously little-known source to illuminate its Christological readings, as well as Sor Juana’s engagement with notions of wit and conceptism. The analysis of El cetro de José explores her presentation of different approaches to perception to emphasize the importance of both the material and the transcendent in understanding the sacraments. The final section, on San Hermenegildo, explores the influence of the Christianized stoicism of Justus Lipsius, and demonstrates how Sor Juana used this work to attempt her most ambitious reconciliation of an empirical approach to the material world with a Neostoic approach to Christian morality and orthodox Catholic sacramental theology.Less

Alice Brooke

Published in print: 2018-04-05

This study analyses the autos sacramentales, or Eucharistic plays, by Sor Juana Inés de la Cruz (1651–95). It focusses on their relationship to the changing currents of philosophical thought in the late-seventeenth century Hispanic world, from a mindset characterized by scepticism, Neostoicism, and suspicion of the material world as a source of truth, to an empirical approach to the natural world that understood the information received by the senses as a fallible, yet useful, provisional source of knowledge. By examining each play in turn, along with the introductory loa with which they were intended to be performed, the study explores how each drama seeks to integrate empirical ideas with a Catholic understanding of transubstantiation. At the same time, each individual study identifies new sources for these plays, and demonstrates how these illuminate, or nuance, present readings of the works. The study of El divino Narciso employs a previously little-known source to illuminate its Christological readings, as well as Sor Juana’s engagement with notions of wit and conceptism. The analysis of El cetro de José explores her presentation of different approaches to perception to emphasize the importance of both the material and the transcendent in understanding the sacraments. The final section, on San Hermenegildo, explores the influence of the Christianized stoicism of Justus Lipsius, and demonstrates how Sor Juana used this work to attempt her most ambitious reconciliation of an empirical approach to the material world with a Neostoic approach to Christian morality and orthodox Catholic sacramental theology.

This book examines the course and significance of English politics in the reign of Edward II through a study of the career of one important magnate, Aymer de Valence, Earl of Pembroke from 1307 to ...
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This book examines the course and significance of English politics in the reign of Edward II through a study of the career of one important magnate, Aymer de Valence, Earl of Pembroke from 1307 to 1324. It is not, however, intended as a biography. The Earl of Pembroke has been chosen to illustrate the problems of the period from the point of view of a magnate who, for most of his career, was closely associated with the monarchy and with the making and performance of royal policy. In this sense Pembroke represents the opposite side of the coin to Thomas, Earl of Lancaster, the King's opponent. Detailed coverage of the period starts in 1312, when Pembroke first became of real importance, and continues until his death is 1324.Less

Aymer de Valence : Earl of Pembroke 1307-1324. Baronial Politics in the Reign of Edward II

J. R. S. Phillips

Published in print: 1972-09-28

This book examines the course and significance of English politics in the reign of Edward II through a study of the career of one important magnate, Aymer de Valence, Earl of Pembroke from 1307 to 1324. It is not, however, intended as a biography. The Earl of Pembroke has been chosen to illustrate the problems of the period from the point of view of a magnate who, for most of his career, was closely associated with the monarchy and with the making and performance of royal policy. In this sense Pembroke represents the opposite side of the coin to Thomas, Earl of Lancaster, the King's opponent. Detailed coverage of the period starts in 1312, when Pembroke first became of real importance, and continues until his death is 1324.

Have you ever called yourself a “pragmatist”? Have you ever wondered what that means? The author traces the origins of pragmatism to a theory of belief defended by the nineteenth-century Scottish ...
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Have you ever called yourself a “pragmatist”? Have you ever wondered what that means? The author traces the origins of pragmatism to a theory of belief defended by the nineteenth-century Scottish philosopher Alexander Bain, and defends it in light of contemporary cognitive neuroscience, social psychology, and evolutionary biology. Pragmatists define our beliefs in terms of information poised to guide our more attentive, controlled actions. The author describes the consequences of this definition for the reader’s thinking on the relation between psychology and philosophy, the mind and brain, the nature of delusion, faith, pretence, racism, and more. He employs research on animal cognition to argue against the propositional attitude analysis of belief now popular among Anglo-American philosophers, offers pragmatic diagnoses of Capgras syndrome and various forms of racial cognition, and defends William James’s famous doctrine of the “will to believe.” We have some wiggle room to believe what we want. Indeed, the adoption of a theory of belief is an instance of this very phenomenon.Less

Belief : A Pragmatic Picture

Aaron Z. Zimmerman

Published in print: 2018-04-19

Have you ever called yourself a “pragmatist”? Have you ever wondered what that means? The author traces the origins of pragmatism to a theory of belief defended by the nineteenth-century Scottish philosopher Alexander Bain, and defends it in light of contemporary cognitive neuroscience, social psychology, and evolutionary biology. Pragmatists define our beliefs in terms of information poised to guide our more attentive, controlled actions. The author describes the consequences of this definition for the reader’s thinking on the relation between psychology and philosophy, the mind and brain, the nature of delusion, faith, pretence, racism, and more. He employs research on animal cognition to argue against the propositional attitude analysis of belief now popular among Anglo-American philosophers, offers pragmatic diagnoses of Capgras syndrome and various forms of racial cognition, and defends William James’s famous doctrine of the “will to believe.” We have some wiggle room to believe what we want. Indeed, the adoption of a theory of belief is an instance of this very phenomenon.

This book provides an account of the how the Bible was read and applied in early modern England, and maps the connection between these readings and various forms of writing. The Bible had a profound ...
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This book provides an account of the how the Bible was read and applied in early modern England, and maps the connection between these readings and various forms of writing. The Bible had a profound impact on early modern culture, and Bible-reading shaped the period’s drama, poetry, and life writings, as well as sermons and biblical commentaries. This book argues that literary writings bear the hallmarks of the period’s dominant exegetical practices, and do interpretative work. Tracing the impact of biblical reading across a range of genres and writers, the discussion demonstrates that literary reimaginings of, and allusions to, the Bible were common, varied, and ideologically evocative. The book explores how a series of popularly interpreted biblical narratives were recapitulated in the work of a diverse selection of writers, some of whom remain relatively unknown. In early modern England, the figures of Solomon, Job, and Christ’s mother, Mary, and the books of Song of Songs and Revelation, are enmeshed in different ways with contemporary concerns, and their usage illustrates how the Bible’s narratives could be turned to a fascinating array of debates. Showing the multifarious contexts in which biblical narratives were deployed, this book argues that Protestant interpretative practices both contribute to, and problematize, literary constructions of a range of theological, political, and social debates.Less

Biblical Readings and Literary Writings in Early Modern England, 1558-1625

Victoria Brownlee

Published in print: 2018-04-05

This book provides an account of the how the Bible was read and applied in early modern England, and maps the connection between these readings and various forms of writing. The Bible had a profound impact on early modern culture, and Bible-reading shaped the period’s drama, poetry, and life writings, as well as sermons and biblical commentaries. This book argues that literary writings bear the hallmarks of the period’s dominant exegetical practices, and do interpretative work. Tracing the impact of biblical reading across a range of genres and writers, the discussion demonstrates that literary reimaginings of, and allusions to, the Bible were common, varied, and ideologically evocative. The book explores how a series of popularly interpreted biblical narratives were recapitulated in the work of a diverse selection of writers, some of whom remain relatively unknown. In early modern England, the figures of Solomon, Job, and Christ’s mother, Mary, and the books of Song of Songs and Revelation, are enmeshed in different ways with contemporary concerns, and their usage illustrates how the Bible’s narratives could be turned to a fascinating array of debates. Showing the multifarious contexts in which biblical narratives were deployed, this book argues that Protestant interpretative practices both contribute to, and problematize, literary constructions of a range of theological, political, and social debates.

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