Mark 16:12-13 Afterward Jesus appeared in a different form to two of them while they were walking in the country. These returned and reported it to the rest; but they did not believe them either.

He is said to have appeared to them in another form, perhaps in the form of a traveler, in another dress than what he usually wore. Regardless, these disciples should have recognized him, and in an event more fully related in Luke 24:16–31, when they finally shed their doubts, they knew him immediately. The rest also did not believe, and suspected that the others eyes had deceived them. The proofs of Christ’s resurrection were given gradually, cautiously, that so the assurance with which the apostles preached this doctrine afterward might be the more satisfying. That his staunchest followers were disbelieving at first, shows that afterward they did not believe it capriciously but rather with a full conviction.

Jan Wildens (Antwerp, c. 1596 – 16 October 1653) was a Flemish Baroque painter and draughtsman. He is best known for painting landscape backgrounds for Rubens and for many artists in his circle, but his finest independent work shows he was an accomplished master in his own right. The figures in this landscape were painted by Hans Jordaens III, another Antwerp artist. Jordaens (b. 1595 - 1643, Antwerp), who appears to have been fairly successful, trained with his father, Hans Jordaens II, who was also a painter. The younger Jordaens was responsible for finishing works by Abraham Govaerts after the latter's death in 1626.