Adam Schumann was part of one of the first Infantry Battalions to head into the brutal city of Baghdad at a stage in the battle where their enemies were far from easy to be seen. The troops would patrol the streets in their hummers and attempt to protect the citizens whilst also fighting the enemy.

Bombs were common place and they were not made to be seen before it was too late. Adam was one of the soldiers who often identified potentially hostile and dangerous areas before the rest of the battalion entered.

Many friends fell in numerous battles and when their time on the front had ended, the surviving men and women serving returned to the US and attempted to rejoin a 'normal' day to day form of life. Finally on US soil, Adam is greeted home by his wife and their two young girls. Saskia and the girls are delighted to have Adam back and arrange a little welcome home party. The love between the couple is still easy to see but Saskia becomes more and more aware that her husband is more distant than he was before. Going to bed late, waking early and often having bad flashbacks are a daily reoccurrence. Wishing to protect his family from the horrors he's experienced, Adam distances himself from his wife.

The music scene of Austin, Texas becomes tainted by lust and illict desires as two aspiring songwriters named Faye (Rooney Mara) and BV (Ryan Gosling) become entwined in two overlapping love triangles with a major player in the music business named Cook (Michael Fassbender) - who encourages them to take their music careers further - and a charming waitress (Natalie Portman). As much as their lives are about making it in the industry and becoming world renowned successes, their lives get more complicated by disloyalty, temptation and infatuation with each other, pushing all of them ultimately further away. Can love last when betrayal lies at every corner?

Warren Beatty writes, directs and stars in the new movie Rules Don't Apply.

Marla Mabrey could be the next talk of the town, having already made a name for herself by being named the local beauty queen in the small town she grew up in, much bigger things await the brunette beauty. Hollywood is on her doorstep and with a little luck she's about to become one of the biggest actresses the town knows.

The year is 1958 and Marla is accompanied to the city by her mother having grown up in a strict Baptist environment, some people might judge Marla as being a little frigid, especially as the city is just on the brink of a feminist uprising. She doesn't drink, smoke or believe in premarital sex but the city might just loosen Marla up and introduce her to a few vices she never thought she'd take up.

As the director of The Help, Tate Taylor may seem like an odd choice to make a movie based on Paula Hawkins' sexy mystery thriller bestseller. While the film features three central female characters, it also has a dark and twisty plot. Taylor manages to bring out plenty of insinuating textures in the characters to keep the audience intrigued, but he never quite gets a grip on the Hitchcockian elements of this story about identity and life expectations.

The title character is Rachel (Emily Blunt), who commutes into Manhattan every day, observing life in the suburban homes along the train line. She's particularly fascinated by one house and the blonde woman (Haley Bennett) who lives there with her lusty husband (Luke Evans). But the fact is that Rachel knows this woman: she's Megan, the nanny who takes care of the infant daughter of Rachel's ex-husband Tom (Justin Theroux) and his new wife Anna (Rebecca Ferguson), who live just a few doors down. And Rachel has a history of stalking them. Then she spots Megan with another man (Edgar Ramirez), just before Megan goes missing. So when Rachel emerges from yet another black-out drunken stupor, she begins to worry about what she might have done.

This is another challenging role for Blunt, who plays the shattered Rachel with raw grit. This is a woman who doesn't trust her own mind, knows that she drinks far too much and feels incapable of getting over her past mistakes. The film also occasionally circles around to show scenes from Megan's and Anna's perspectives, and both Bennett and Ferguson bring superbly unsteady textures to the roles. These are three complex, flawed women dealing with very big issues in their lives. And there are smaller but pivotal roles for the gifted Alison Janney (as a detective), Laura Prepon (as Rachel's flatmate) and Lisa Kudrow (as an old friend). By comparison the men are a bit simplistic.

Director Antoine Fuqua brings his usual fascination with violence to this remake of the iconic 1960 Western, itself a remake of the masterful 1954 Japanese original Seven Samurai. Reteaming with his Training Day stars Denzel Washington and Ethan Hawke, Fuqua injects some very manly grit into the tale of a ragtag gang of mercenaries who find themselves trying to save a town in peril. It's a great story, and Fuqua delivers plenty of punch in the action set-pieces. But the characters and situations never quite rise beyond the usual Wild West cliches, and toning everything down for the required PG-13 rating creates an oddly celebratory tone, as if the brutality isn't that bad, really.

In a peaceful village in the middle of nowhere, greedy corporate baron Bogue (Peter Sarsgaard) has discovered gold, so he decides to buy up everyone's land. When the homesteaders resist, Bogue turns vicious, and the newly widowed Emma (Haley Bennett) refuses to go quietly. Instead, she hires notorious gunslinger Chisolm (Washington), who in turn rustles up six more desperados: hard-drinking sharpshooter Faraday (Chris Pratt), fading legend Goodnight (Hawke), burly bear-man Horne (Vincent D'Onofrio), blade expert Billy (Byung-hun Lee), Mexican outlaw Vasquez (Manuel Garcia-Rulfo) and Native American warrior Red Harvest (Martin Sensmeier). Not only do they need to become a team, but they need to teach these timid farmers how to fight against Bogue's approaching army.

Screenwriters Nic Pizzolatto and Richard Wenk have reduced the plot to the bare basics: scrappy good guys versus a slick, well-organised villain. There's never a compelling reason why Bogue wants the farmland (is there gold under the cornfields?), but he's clearly willing to kill everyone and level the entire town to get it. In this sense, Sarsgaard has the least subtle role in the film, but he has a great time snarling and shouting and generally being the devil incarnate. But then all of the roles are fairly simplified, with each of the seven teammates having a basic trait to combine with their general heroism: cool, cheeky, weary, quirky, flashy, rambunctious and lethal, respectively.

The protagonist Rachel Watson (Emily Blunt) in The Girl On The Train is a troubled woman who isn't coping with the divorce from her ex-husband and subsequently becomes involved in the investigation to the murder of Megan Hipwell. In this chilling thriller based on Paula Hawkins' bestselling novel we follow the story of Rachel and her internal battle of being afraid of herself and what she is capable of doing.

Henry wakes up in a modern operating theatre unable to speak and with no memory of his past. A woman begins talking to him and modifying his body, whilst she's speaking she informs Henry that they are man and wife and that she's just made vast improvements to his mental and physical abilities.

With no warning, the couple soon find themselves under fire and being chased by a group of men wishing to steal the technology Henry's wife has implanted in his body. As the couple attempt to excape, only Henry manages to break away from the villains; Estelle on the other hand is captures and taken hostage.

Alone in the city of Moscow, Henry doesn't know how he'll rescue his wife or escape the men seeking to kill him but he appears to have one ally a British man called Jimmy. If Henry can figure out the mystery surrounding the circumstances he finds himself in, he might just be able to fulfil his mission.

Creative people and entrepreneurs of all arts came together at the launch of Valentino's Sala Bianca 945 fashion collection in New York. Among them were Katie Holmes from 'Dawson's Creek' and 'The Newsroom' actress Olivia Munn.

Robert McCall has a modest job at a hardware store in Boston where he longs for a peaceful life on his own to live out the rest of his days. He is a retired black ops commando and, unfortunately for him, that part of his life is not over - merely laying dormant. After meeting a young girl named Teri and seeing her trapped in a circle of abuse and danger within what appears to be a gang of pimps, he vows to help her. However, after taking them down with an extraordinary amount of grace and dexterity, he discovers that they are in fact part of the powerful Russian mafia who are hellbent on killing him. The odds aren't looking good for McCall, whose sense of justice and responsibility has been quickly reignited, but when it really comes down to it, it's difficult to tell who should be afraid of whom.

Director Dante knows a thing or two about making teen thrillers, and this film gets the atmosphere just right without indulging in cheap movie gimmicks.

Except for the 3D of course, which is used both sparingly and with a lot of wit.

Teenager Dane (Massoglia) is seriously annoyed that his mother (Polo) has uprooted him and his little brother Lucas (Gamble) yet again. But at least there's a cute girl, Julie (Bennett), living next door to their new house. Then Dane and Lucas discover a seemingly bottomless hole in the basement, and enlist Julie to figure out what it is. Soon all manner of scary things start happening, so they consult the house's creepy former resident (Dern), but he's no help at all.