A close study of the relationship between text and film versions of Great Expectations. Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on David Lean's film of Great Expectations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.

A close study of the relationship between text and film versions of Great Expectations. Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on David Lean's film of Great Expectations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.

NOW A MAJOR MOTION PICTURE starring ANNE HATHAWAY and JIM STURGESS It’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself. "One of the most hilarious and emotionally riveting love stories you'll ever encounter." —People #1 INTERNATIONAL BESTSELLER

An Eclectic Collection of Fiction That Inspired Film Memento, All About Eve, Rear Window, Rashomon, and 2001: A Space Odyssey are all well-known and much-loved movies, but what is perhaps a lesser-known fact is that all of them began their lives as short stories. Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve). Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn’t take drastic liberties with the text upon which it is based, but doesn’t mirror its source material too closely either. The stories and movies featured in Adaptations include: •Philip K. Dick’s “The Minority Report,” which became the 2002 blockbuster directed by Steven Spielberg and starring Tom Cruise •“The Harvey Pekar Name Story” by reclusive graphic artist Harvey Pekar, whose life was the inspiration for American Splendor, winner of the 2003 Sundance Grand Jury Prize •Hagar Wilde’s “Bringing Up Baby,” the basis of the classic film Bringing Up Baby, anthologized here for the first time ever •“The Swimmer” by John Cheever, an example of a highly regarded story that many feared might prove unadaptable •The predecessor to the beloved holiday classic A Christmas Story, “Red Ryder Nails the Hammond Kid” by Jean Shepherd Whether you’re a fiction reader or a film buff, Adaptations is your behind-the-scenes look at the sometimes difficult, sometimes brilliantly successful process from the printed page to the big screen. From the Trade Paperback edition.

This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.

Timeless Classics--designed for the struggling reader and adapted to retain the integrity of the original classic. These classics will grab a student's attention from the first page. Included are eight pages of end-of-book activities to enhance the reading experience.Pip is headed for an apprenticeship at the blacksmith's forge. Then an anonymous donor appears, and sends Pip to London to live as a gentleman. Pip is sure he knows the identity of his secret benefactor. He couldn't be more surprised when he finds that he's been mistaken all along.

A beautifully simple adaptation of one of Dickens's best-loved novels, bringing it thrillingly to life for the stage. When the orphan Pip meets the convict Magwitch in a graveyard and is forced to help him escape, his life takes a series of unexpected turns. Invited to the house of the mysterious Miss Havisham, he falls in love with her adopted daughter, the beautiful but cold-hearted Estella. Then the generosity of an unknown benefactor sends him to London to become a gentleman. But the truth behind his change of fortune, once revealed, is not what Pip expects... Eminently actable and stageable, this version is also ideal for schools and amateur theatre companies. This book contains introductions by Simon Callow, Lucinda Dickens Hawksley (great-great-great granddaughter of Charles Dickens) and Clifford herself.

One of Charles Dickens’s most fascinating novels, Great Expectations follows the orphan Pip as he leaves behind a childhood of misery and poverty after an anonymous benefactor offers him a chance at the life of a gentleman. From the young Pip’s first terrifying encounter with the convict Magwitch in the gloom of a graveyard to the splendidly morbid set pieces in Miss Havisham’s mansion to the magnificently realized boat chase down the Thames, Great Expectations is filled with the transcendent excitement that Dickens could so abundantly provide. Written in 1860, at the height of his maturity, it also reveals the novelist’s bittersweet understanding of the extent to which our deepest moral dilemmas are born of our own obsessions and illusions. This edition includes Dickens’s original, discarded conclusion to the novel, the 1907 Everyman preface by G. K. Chesterton, and twenty illustrations by F. W. Pailthorpe. (Book Jacket Status: Jacketed) From the Hardcover edition.

From David Lean's big screen Great Expectations to Alejandro AmenÃ¡bar's reinvention of The Turn of the Screw as The Others, adaptations of literary classics are a constant feature of popular culture today. The Bloomsbury Introduction to Adaptation Studies helps students master the history, theory and practice of analysing literary adaptations. Following an introductory overview of major debates and concepts, each chapter focuses on a canonical text and features: - Case study readings of adaptations in a variety of media, from film to opera, televised drama to animated comedy show, YA fiction to novel/graphic novel. - Coverage of popular appropriations and re-imaginings of the text. - Discussion questions and creative exercises throughout to guide students through their own analyses. - Annotated guides to further reading and viewing plus online resources. - The book also includes chapter overviews and a glossary of critical terms to give students quick access to key information for further study, reference and revision. The Bloomsbury Introduction to Adaptation Studies covers adaptations of: Jane Eyre; Great Expectations; The Turn of the Screw; The Great Gatsby.

Twenty-two-year-old pop star Cherry Pye is attempting a comeback from her latest drug and alcohol disaster. Ann DeLusia is Cherry’s “undercover stunt double,” portraying Cherry whenever the singer is too wasted to go out in public. But, one night, Ann-as-Cherry is mistakenly kidnapped from a South Beach hotel by an obsessed paparazzo named Bang Abbott. Now the challenge for Cherry’s handlers (ber–stage mother; horndog record producer; nipped-and-tucked twin publicists; weed-whacker-wielding bodyguard) is to rescue Ann while keeping her existence secret from the public—and from Cherry herself. A further complication: Ann has had a bewitching encounter with Skink, the unhinged former governor of Florida, and now he’s heading for Miami to find her. Will Bang achieve his fantasy of a private photo session with Cherry? Will Cherry sober up in time to lip-synch her concert tour? Will Skink track down Ann before Cherry’s posse does? All will be revealed in Carl Hiaasen’s hilarious spin on life in the celebrity fast lane.

"This work presents a comprehensive guide to literature-based films. It focuses on recognizing and appreciating the inherent difficulties encountered when basing a film on a literary work, be it a novel, novella, play or short story. A glossary aids in understanding film and literary terms. Photographs and an index are also included"--Provided by publisher.

Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.

Film and television adaptations of classic literature have held a longstanding appeal for audiences, an appeal that this book sets out to examine. With a particular focus on Wuthering Heights, the book examines adaptations made from the 1930s to the twenty-first century, providing an understanding of how they help shape our cultural landscape.

The Turn of the Screw is a departure in a sense for Henry James it is a ghost story rather than a story of Americans and Europeans involved in romantic struggles. The Turn of the Screw begins in an old house on Christmas Eve where an old man tells a ghostly tale involving his sister's governess who saw ghosts many years ago. The governess had been left in the complete charge of two children, Miles and Flora, by their uncle. He wants nothing to do with them and tells her she must deal with any issue that arises.

Using only Charles Dickens’ extraordinary words and a chameleon ensemble of eight actors, Neil Bartlett's powerful stage version of this much-loved story brings its settings and characters to thrilling theatrical life. From its opening image of little Pip, alone on the windswept marshes, to the haunted darkness of mad Miss Haversham's cobweb-strewn lair, this brand-new adaptation especially commissioned by Aberystwyth Arts Centre takes its audience on a journey right to the heart of Dickens’ great exploration of childhood terrors and hopes - and of adult dreams and regrets.

Lloyd Jones' new novel is set mainly in a small village on Bougainville, a country torn apart by civil war. Matilda attends the school set up by Mr Watts, the only white man on the island. By his own admission he's not much of a teacher and proceeds to educate the children by reading them Great Expectations. Matilda falls in love with the novel, strongly identifying with Pip. The promise of the next chapter is what keeps her going; Pip's story protects her from the horror of what is happening around her - helicopters menacing the skies above the village and rebel raids on the ground. When the rebels visit the village searching for any remaining men to join their cause, they discover the name Pip written in the sand and instigate a search for him. When Pip can't be found the soldiers destroy the book. Mr Watts then encourages the children to retell the story from their memories. Then when the rebels invade the village, the teacher tells them a story which lasts seven nights, about a boy named Pip, and a convict . . .